From: olivier Date: Mon, 6 Jul 2009 21:22:07 +0000 (+0000) Subject: add raw 4D data from 2008-06-16 X-Git-Url: https://git.parisson.com/?a=commitdiff_plain;h=4efffd37ceb220e544d45df843d4a58413709f51;p=telemeta-data.git add raw 4D data from 2008-06-16 git-svn-id: http://svn.parisson.org/svn/crem@114 3bf09e05-f825-4182-b9bc-eedd7160adf0 --- diff --git a/trunk/import/raw_conversion/src-2008-06-16/Alias_CotesSup.txt b/trunk/import/raw_conversion/src-2008-06-16/Alias_CotesSup.txt new file mode 100755 index 0000000..c6613f7 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Alias_CotesSup.txt @@ -0,0 +1,1064 @@ +Cote Numéro SupExiste +DI.984.004. 1 Non +DI.979.004.001 1 Oui +CF.LD11=? 2 Non +DI.969.005.002 2 Oui +DI.957.010.001 3 Non +DI.969.021.001 3 Oui +CD.988.012.012 4 Non +DI.977.004.003 4 Oui +CD.988.012.011 5 Non +DI.981.012.039 5 Oui +DI.957.018.001 6 Oui +DI.969.021.001 6 Non +DI.980.005.001 1 Non +DI.989.005.001 1 Non +DI.979.004.001 1 Non +DI.988.012.027 7 Oui 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+DI.995.029.003¹ 353 Non +DI.981.012.047 354 Oui +DI.995.029.005¹ 354 Non +DI.991.014.001 355 Oui +DI.992.022.005¹ 355 Non +DI.982.011.001/05 356 Oui +DI.995.030.002/06¹ 356 Non +DI.996.003.008 357 Oui +DI.997.008.011 357 Non +DI.996.003.009 358 Oui +DI.997.008.039 358 Non +DI.989.010.004 359 Oui +DI.995.031.002 359 Non +DI.995.031.002¹ 359 Non +DI.993.015.026¹ 359 Non +DI.981.005.001 361 Oui +DI.990.014.008Þ 361 Non +DI.962.001.001 362 Oui +DI.987.008.001¹ 362 Non +BM.1984.006.001/30 217 Non +DI.990.013.004 363 Oui +DI.989.013.006Þ 363 Non +DI.989.013.006 363 Oui +DI.990.013.004 363 Non +DI.993.003.007Þ 197 Non +DI.973.020.002 363 Oui +DI.997.008.055ÞÔ 363 Non +DI.997.008.055 364 Oui +DI.973.020.002 364 Non +DI.973.004.001 365 Oui +DI.998.022.004¹ 365 Non +DI.985.003.015 366 Oui +DI.998.012.010¹ 366 Non +DI.981.012.037 367 Oui +DI.998.022.015 367 Non +DI.998.022.076 367 Non +DI.986.007.012 368 Oui +998.022.078 368 Non +DI.978.009.001 369 Oui +DI.995.021.002ÞÔ 369 Non +DI.983.011.015 370 Oui +DI.998.022.023 370 Non +DI.998.004.001 371 Oui +DI.999.010.001 371 Non +DI.970.013.007¹ 86 Non +BM.1954.001.001/02 372 Oui +BM.984.011.001/02 372 Non +BM.984.011.001/02 373 Oui +BM.1954.001.001/02 373 Non +DI.963.001.005 374 Oui +DI.970.013.002¹ 374 Non +DI.964.005.001 375 Oui +DI.970.013.004¹ 375 Non +DI.991.014.003 376 Oui +DI.999.014.003 376 Non +DI.999.008.002/03 377 Oui +DI.999.008.002/03 377 Non +DI.997.025.001 378 Oui +DI.000.007.001 378 Non +DI.988.012.035 379 Oui +DI.001.002.002 379 Non +DI.995.027.004 380 Oui +DI.001.003.001 380 Non +DI.001.004.004 293 Non +DI.995.017.001 381 Oui +DI.001.004.005 381 Non +DI.997.009.004 382 Oui +DI.001.004.024 382 Non +DI.997.009.008 383 Oui +DI.001.004.023 383 Non +DI.999.013.002 384 Oui +DI.001.004.022 384 Non +DI.991.008.001 385 Oui +DI.001.004.021 385 Non +BM.1974.013.001/52 387 Oui +BM.002.005.001/...Þ 387 Non +BM.002.005.001/.28 191 Non +BM.002.005.001/...Þ* 387 Non +BM.970.060.001 387 Non +BM.002.005.001/.28 388 Oui +BM.970.060.001 388 Non +BM.1974.013.001/52 388 Non +DI.2001.001.002 389 Oui +DI.001.016.002¹ 389 Non +DI.001.005.003 390 Oui +DI.001.018.002¹ 390 Non +DI.001.005.001 391 Oui +DI.001.018.001¹ 391 Non +BM.970.060.001 191 Non +DI.996.004.001/02 392 Oui +DI.002.010.001/02¹ 392 Non +DI.977.004.019 393 Oui +DI.002.011.001¹ 393 Non +BM.2002.030.001/02 394 Oui +BM.988.001.001 394 Non +BM.988.011.001/02 394 Non +BM.988.001.001* 394 Non +DI.000.005.001/02 377 Non +DI.997.010.023 395 Oui +DI.000.015.001¹ 395 Non +DI.000.005.001/02¹ 377 Non +BM.2003.006.001 396 Oui +DI.995.029.004 396 Non +BM.2003.006.001 396 Non +BM.2003.007.001 397 Oui +DI.953.012.001 397 Non +DI.953.012.002 397 Non +BM.2003.008.001 398 Oui +BM.969.008.001/03 398 Non +DI.002.012.006 399 Oui +DI.003.012.001 399 Non +DI.970.005.004 399 Non +DI.002.012.006Þ 353 Non +DI.002.014.001 400 Oui +DI.003.14.001¹ 400 Non +BM.969.039.001/129 181 Non +BM.2002.005.001/27 401 Oui +BM.970.060.001 401 Non +BM.1974.013.001/52 401 Non +DI.004.001.001 402 Oui +DI.968.008.001 402 Non +DI.972.004.001 402 Non +DI.968.002.001-1/2 403 Oui +DI.971.009.009-1/2 403 Non +DI.976.005.001 404 Oui +BM.2003.016.001 404 Non +DI.976.005.002 405 Oui +BM.2003.016.001 405 Non +DI.976.005.003 406 Oui +BM.2003.016.002 406 Non +DI.976.005.004 407 Oui +BM.2003.016.002 407 Non +DI.976.005.005 408 Oui +BM.2003.016.003 408 Non +DI.976.005.006 409 Oui +BM.2003.016.003 409 Non +DI.976.005.001 404 Non +DI.976.005.002 404 Non +BM.2003.016.003 410 Oui +DI.976.005.005 410 Non +DI.976.005.006 410 Non +DI.976.005.003 406 Non +DI.976.005.004 406 Non +DI.976.005.005 408 Non +DI.976.005.006 408 Non +DI.001.004.004¹ 293 Non +DI.968.013.001 398 Non +DI.2000.018.001 411 Oui +DI.004.014.005¹ 411 Non +DI.972.015.001 137 Non +BM.2003.008.001 398 Non +BM.1976.011.001/45 412 Oui +BM.005.001.001* 412 Non +BM.005.002.001/03* 412 Non +BM.1981.012.001/07 413 Oui +BM.005.001.001* 413 Non +BM.2005.001.001/03 414 Oui +BM. 976.011.001/45* 414 Non +BM.981.012.001/07* 414 Non +BM.2005.002.001/03 415 Oui +BM.976.011.001/45* 415 Non +DI.993.008.008 417 Oui +DI.997.008.044Þ 417 Non +DI.997.008.044 418 Oui +DI.993.008.008 418 Non +DI.972.024.001 419 Oui +DI.996.00.001Þ 419 Non +DI.996.003.001 420 Oui +DI.972.024.001 420 Non +BM.2005.006.001 421 Oui +BM.976.011.0041/45$ 421 Non +BM. 976.011.001/45$ 414 Non +BM.981.012.001/07£ 414 Non +BM.2005.014.001/02 422 Oui +BM976.011.001/45* 422 Non +BM.976.011.001/45* 422 Non +BM.2005.015.001 423 Oui +BM.976.011.001/45* 423 Non +BM.2005.016.001 424 Oui +BM.976.011.001/45* 424 Non +BM.2005.017.001 425 Oui +BM.976.011.001/45* 425 Non +BM.2005.018.001 426 Oui +BM.976.011.001/45* 426 Non +BM.2005.019.001 427 Oui +BM.976.011.001/45* 427 Non +BM.2006.002.001/25 428 Oui +BM.979.052.001/03¤ 428 Non +DI.967.002.001 429 Oui +DI.955.017.001 429 Non +BM.1970.066.001 430 Oui +BM.1967.016 430 Non +BM.2005.001.001* 413 Non +BM.1981.012.001/07£ 414 Non +BM.1969.006.001/11 431 Oui +BM.1972.017.001/* 431 Non +BM.1972.017.001/08* 431 Non +DI.002.013.001 432 Oui +DI.2007.002.001 432 Non +DI.995.009.003 433 Oui +DI.2007.002.012 433 Non +DI.004.003.001 434 Oui +DI.2007.002.019 434 Non +DI.2001.002.002¹ 379 Non +DI.2001.004.021¹ 385 Non +BM.1991.001.001/12 205 Non +BM.002.005.001/...Þ* 191 Non +BM.2007.009.001 435 Oui +DI.1932.001** 435 Non +DI.1952.007** 435 Non +DI.1956.017** 435 Non +BM.2002.005.001/27Þ* 191 Non +BM.976.009.001/14 258 Non +BM.1970.036.001/29 436 Oui +BM.1962.001.001/07 436 Non +BM.970.036.001/29 436 Non +DI.959.007.001 437 Oui +BM.2007.003.001* 437 Non diff --git a/trunk/import/raw_conversion/src-2008-06-16/Alias_Etat.txt b/trunk/import/raw_conversion/src-2008-06-16/Alias_Etat.txt new file mode 100755 index 0000000..f281c37 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Alias_Etat.txt @@ -0,0 +1,38 @@ +Alias Numéro +BENIN 8 +BURKINA FASO 10 +DAHOMEY 8 +GUINEE 4 +GUINEE FRANCAISE 4 +HAUTE-VOLTA 10 +INDONESIE;BORNEO 1 +INDONESIE;CELEBES 6 +INDONESIE;KALIMANTAN 1 +INDONESIE;SULAWESI 6 +INDONESIE;SULAWESIE 6 +MALAISIE 3 +MALAYSIA 3 +NIGER 7 +NLLES HEBRIDES 2 +PHONO 7 +REP. VANUATU 2 +URSS;SAKHA 9 +URSS;YAKOUTIE 9 +@ 5 +@ 5 +SURINAM 11 +GUYANE NEERLANDAISE 11 +GUYANE BRITANNIQUE 12 +GUYANA 12 +MALI 13 +SOUDAN FRANCAIS 13 +REP DE KIRIBATI 14 +ILES GILBERT & ELLICE 14 +ZIMBABWE 15 +RHODESIE 15 +CROATIE 17 +EX YOUGOSLAVIE 17 +MACEDOINE 17 +YOUGOSLAVIE 17 +MONGOLIE (REP POPU) 19 +MONGOLIE 19 diff --git a/trunk/import/raw_conversion/src-2008-06-16/Alias_Ethnie.txt b/trunk/import/raw_conversion/src-2008-06-16/Alias_Ethnie.txt new file mode 100755 index 0000000..a8ddd46 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Alias_Ethnie.txt @@ -0,0 +1,105 @@ +Alias Numéro +ARAUCAN 1 +ASURINI DO XINGU 6 +AWAETE 6 +BIDON-2 5 +BIDON-3 5 +BORORO 2 +INDONESIE 7 +MAPUCHE 1 +NENEN 2 +ONA 4 +PACHTOU 3 +PASHTU 3 +PUNAN 7 +PUSHTU 3 +SELK'NAM 4 +WITOTO 2 +PEULS JELGOOBE 8 +FULBE 8 +BATEKE-KOUKOUYA 9 +KOUKOUYA 9 +XACRIABA 10 +SHACRIABA 10 +AKAWAIO 11 +AKAWAI 11 +AKAWAYO 11 +PEULS 12 +FOULBE 12 +KURDES,YARSAN 13 +KURDES,AHL-E HAQQ 13 +ENYA 14 +BAWANJI 14 +'BROG-PA 15 +MINARO 15 +OJIBWA 16 +ANISHNABE 16 +ALGONQUIENS 16 +MISSIRIE 17 +ARABES/MISSIRIE 17 +ARAUCANOS 1 +CANELO-APANIEKR'A 18 +CANELA-APANIEKR'A 18 +CANELO-RAMKOKAMEKRA 19 +CANELA-RAMKOKAMEKRA 19 +URUBU KAAPOR 20 +GAVIA(N)O-PYKOPJÊ 20 +APINAYE 21 +APINAJE 21 +CRAHO 22 +KRAHÔ 22 +ANTANKARANA 23 +ANTANKARA 23 +ARANDA 24 +ARUNNDTA 24 +ATACAMEN-O 25 +ATACAMENO 25 +RAWAUT 26 +AHIR 26 +RAWAT 26 +YORUBA 27 +NAGO 27 +BARIBA 28 +BERBA 28 +TEM 29 +KOTOKOLI 29 +YOM 30 +PILA 30 +FON 31 +GBE 31 +EWE 31 +KONGO 32 +BAKONGO 32 +BEMBE 33 +BABEMBE 33 +MBOSHI 34 +MBOCHI 34 +LARI 35 +TEKE 35 +TUBURI 36 +TOUPOURI 36 +MASA 37 +BANANA 37 +MANDINGUES 38 +MALINKE 38 +MANDINGUES-KONYAGI 39 +MALINKE-KONIYAKE 39 +KONIYAKE 39 +KONYAGI 39 +MANDINGUES-GRIOTS 40 +MALINKE-GRIOITS 40 +MURIA 41 +KOITOR 41 +MARIA 42 +ABUJHMARIA 42 +SAKALAVA 43 +VEZO 43 +MODANG WEHÈA 44 +DAYAK 44 +BAHAU 44 +WEHÈA 44 +PARIKWENE 45 +PALIKUR 45 +CHIPPEWA 16 +VALAQUES 46 +VLASI 46 diff --git a/trunk/import/raw_conversion/src-2008-06-16/Bidon.txt b/trunk/import/raw_conversion/src-2008-06-16/Bidon.txt new file mode 100755 index 0000000..6e0c7c9 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Bidon.txt @@ -0,0 +1 @@ +Libellé diff --git a/trunk/import/raw_conversion/src-2008-06-16/Compt_CotesSup.txt b/trunk/import/raw_conversion/src-2008-06-16/Compt_CotesSup.txt new file mode 100755 index 0000000..9f4cf1c --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Compt_CotesSup.txt @@ -0,0 +1,2 @@ +Numéro +437 diff --git a/trunk/import/raw_conversion/src-2008-06-16/Compt_Etat.txt b/trunk/import/raw_conversion/src-2008-06-16/Compt_Etat.txt new file mode 100755 index 0000000..693470d --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Compt_Etat.txt @@ -0,0 +1,2 @@ +Numéro +19 diff --git a/trunk/import/raw_conversion/src-2008-06-16/Compt_Ethnie.txt b/trunk/import/raw_conversion/src-2008-06-16/Compt_Ethnie.txt new file mode 100755 index 0000000..993cd26 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Compt_Ethnie.txt @@ -0,0 +1,4 @@ +Numéro +46 +1 +2 diff --git a/trunk/import/raw_conversion/src-2008-06-16/Etat.txt b/trunk/import/raw_conversion/src-2008-06-16/Etat.txt new file mode 100755 index 0000000..1fec5da --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Etat.txt @@ -0,0 +1,372 @@ +Etat Continent +"WORLD MUSIC" N +ABU DHABI ASIE +AFGHANISTAN ASIE +AFRIQUE AFRIQUE +AFRIQUE DU NORD AFRIQUE +AFRIQUE DU SUD AFRIQUE +ALBANIE EUROPE +ALGERIE AFRIQUE +ALGERIE;AURES AFRIQUE +ALGERIE;HOGGAR AFRIQUE +ALGERIE;KABYLIE AFRIQUE +ALGERIE;SAHARA AFRIQUE +ALGERIE;TASSILI AFRIQUE +ALLEMAGNE EUROPE +AMERIQUE AMERIQUE +ANGOLA AFRIQUE +ANTILLES AMERIQUE +ANTILLES FRANCAISES AMERIQUE +ARABIE ASIE +ARABIE SAOUDITE ASIE +ARGENTINE AMERIQUE +ARMENIE ASIE +ASIE CENTRALE ASIE +AUSTRALIE OCEANIE +AUTRICHE EUROPE +AZERBAIDJAN ASIE +BAHAMAS AMERIQUE +BAHREIN ASIE +BANGLADESH ASIE +BELGIQUE EUROPE +BELGIQUE;FLANDRE EUROPE +BELGIQUE;WALLONIE EUROPE +BELIZE AMERIQUE +BENIN AFRIQUE +BHOUTAN ASIE +BIRMANIE ASIE +BOLIVIE AMERIQUE +BOTSWANA AFRIQUE +BRESIL AMERIQUE +BRUNEI ASIE +BULGARIE EUROPE +BURKINA FASO AFRIQUE +BURUNDI AFRIQUE +CAMBODGE ASIE +CAMEROUN AFRIQUE +CANADA AMERIQUE +CANADA NORD AMERIQUE +CANADA;TERRE-NEUVE AMERIQUE +CARAIBES AMERIQUE +CHILI AMERIQUE +CHINE ASIE +CHINE;MONGOLIE INTERIEURE ASIE +CHINE;XINJIANG ASIE +CHYPRE ASIE +COLOMBIE AMERIQUE +COMORES AFRIQUE +CONGO AFRIQUE +COREE DU NORD ASIE +COREE DU SUD ASIE +COSTA RICA AMERIQUE +COTE D'IVOIRE AFRIQUE +CUBA AMERIQUE +DAHOMEY AFRIQUE +DANEMARK EUROPE +DANEMARK;GROENLAND EUROPE +EGYPTE AFRIQUE +EIRE EUROPE +EMIRATS ARABES UNIS ASIE +EQUATEUR AMERIQUE +ESPAGNE EUROPE +ESPAGNE;I. Baleares EUROPE +ETHIOPIE AFRIQUE +ETHIOPIE;ERYTHREE AFRIQUE +EUROPE EUROPE +EUROPE ORIENTALE EUROPE +EX YOUGOSLAVIE EUROPE +EX YOUGOSLAVIE TRANSYLVAN EUROPE +EX YOUGOSLAVIE;BOSNIE EUROPE +EX YOUGOSLAVIE;CROATIE EUROPE +EX YOUGOSLAVIE;MACEDONIE EUROPE +EX YOUGOSLAVIE;SERBIE EUROPE +FED.RUSSIE N +FED.RUSSIE;BACHKIRIE ASIE +FED.RUSSIE;DAGHESTAN ASIE +FED.RUSSIE;KALMOUKIE ASIE +FED.RUSSIE;KHAKASSIE ASIE +FINLANDE EUROPE +FRANCE EUROPE +FRANCE,CORSE EUROPE +FRANCE;AUVERGNE EUROPE +FRANCE;BEARN EUROPE +FRANCE;BERRY EUROPE +FRANCE;BRETAGNE EUROPE +FRANCE;CORSE EUROPE +FRANCE;P. BASQUE EUROPE +FRANCE;VENDEE EUROPE +GABON AFRIQUE +GAMBIE AFRIQUE +GB EUROPE +GB;ANGLETERRE EUROPE +GB;ECOSSE EUROPE +GB;ILE DE MAN EUROPE +GB;ILES HEBRIDES EUROPE +GB;IRLANDE DU N. EUROPE +GB;PAYS DE GALLES EUROPE +GEORGIE EUROPE +GHANA AFRIQUE +GIBRALTAR EUROPE +GRECE EUROPE +GRECE;CRETE EUROPE +GRECE;EPIRE EUROPE +GRECE;MACÉDOINE EUROPE +GRENADE AMERIQUE +GUADELOUPE AMERIQUE +GUATEMALA AMERIQUE +GUINEE AFRIQUE +GUINEE FRANCAISE AFRIQUE +GUYANA AMERIQUE +GUYANE BRITANNIQUE AMERIQUE +GUYANE FRANCAISE AMERIQUE +GUYANE NEERLANDAISE +HAITI AMERIQUE +HAUTE-VOLTA AFRIQUE +HONDURAS AMERIQUE +HONG KONG ASIE +HONGRIE EUROPE +ILE DE LA REUNION AFRIQUE +ILE DE PAQUES OCEANIE +ILE MAURICE AFRIQUE +ILE SAMOA OCEANIE +ILES ANDROS AMERIQUE +ILES CAROLINES OCEANIE +ILES GILBERT & ELLICE OCEANIE +ILES HAWAI OCEANIE +ILES MARQUISES OCEANIE +ILES MARSHALL OCEANIE +ILES SALOMON OCEANIE +ILES SALOMON;I.BELLONA OCEANIE +ILES SALOMON;malaita OCEANIE +ILES TONGA OCEANIE +ILES WALLIS-ET-FUTUNA OCEANIE +INDE ASIE +INDE;ANDHRA PRADESH ASIE +INDE;ASSAM ASIE +INDE;BENGALE ASIE +INDE;BIHAR ASIE +INDE;GUJARAT ASIE +INDE;HIMACHAL PRADESH ASIE +INDE;ILES NICOBAR & ANDAMAN ASIE +INDE;JAMMU & KASHMIR ASIE +INDE;KARNATAKA ASIE +INDE;KERALA ASIE +INDE;MADHYA PRADESH ASIE +INDE;MAHARASTRA ASIE +INDE;NAGALAND ASIE +INDE;ORISSA ASIE +INDE;PANJAB ASIE +INDE;RAJASTHAN ASIE +INDE;SIKKIM ASIE +INDE;TAMIL NADU ASIE +INDE;UTTAR PRADESH ASIE +INDONESIE ASIE +indonesie , sumatra ASIE +INDONESIE;ACEH ASIE +INDONESIE;BALI ASIE +INDONESIE;BORNEO(KALIMANTAN) ASIE +INDONESIE;CELEBES(SULAWESI) ASIE +INDONESIE;FLORES ASIE +INDONESIE;IRIAN JAYA OCEANIE +INDONESIE;JAVA ASIE +INDONESIE;LOMBOK ASIE +INDONESIE;MADURA ASIE +INDONESIE;MALUKU ASIE +INDONESIE;MOLUQUES ASIE +INDONESIE;NIAS ASIE +INDONESIE;NUSA TENGGARA ASIE +INDONESIE;SULAWESI ASIE +INDONESIE;SUMATRA ASIE +INDONESIE;SUMBA ASIE +INDONESIE;SUMBAWA ASIE +INDONESIE;SUNDA ASIE +INDONESIE;TIMOR ASIE +INDONESIE;TIMOR portugais ASIE +IRAK ASIE +IRAN ASIE +IRAN DU NORD-EST AFRIQUE +IRAN;BALOUTCHISTAN ASIE +IRAN;KURDISTAN ASIE +ISLAM ASIE +ISLANDE EUROPE +ISRAEL ASIE +ITALIE EUROPE +ITALIE;CALABRE EUROPE +ITALIE;EMILIE-ROMAGNE EUROPE +ITALIE;FRIOUL EUROPE +ITALIE;LATIUM EUROPE +ITALIE;LIGURIE EUROPE +ITALIE;LOMBARDIE EUROPE +ITALIE;LUCANIE EUROPE +ITALIE;PIEDMONT EUROPE +ITALIE;CAMPANIE EUROPE +ITALIE;SARDAIGNE EUROPE +ITALIE;SICILE EUROPE +ITALIE;TOSCANE EUROPE +ITLAIE;BASILICATE EUROPE +JAMAIQUE AMERIQUE +JAPON ASIE +JORDANIE ASIE +KALMOUKIE ASIE +KAZAKHSTAN ASIE +KENYA AFRIQUE +KIRIBATI OCEANIE +KUWEIT ASIE +LAOS ASIE +LESOTHO AFRIQUE +LIBAN ASIE +LIBERIA AFRIQUE +LIBYE AFRIQUE +MADAGASCAR AFRIQUE +MALAWI AFRIQUE +MALAYSIA ASIE +MALAYSIA;SARAWAK ASIE +MALDIVES ASIE +MALI AFRIQUE +MALTE EUROPE +MAROC AFRIQUE +MARTINIQUE AMERIQUE +MAURICE AFRIQUE +MAURITANIE AFRIQUE +MEXIQUE AMERIQUE +MONDE ARABE ASIE +MONDE YIDDISH EUROPE +MONGOLIE (REP POPU) ASIE +MOZAMBIQUE AFRIQUE +N N +NAMIBIE AFRIQUE +NEPAL ASIE +NICARAGUA AMERIQUE +NIGER AFRIQUE +NIGERIA AFRIQUE +NLE-GUINEE OCEANIE +NLE-ZELANDE OCEANIE +NORVEGE EUROPE +NOUVELLE-CALEDONIE OCEANIE +NOUVELLES-HEBRIDES OCEANIE +OMAN ASIE +OUGANDA AFRIQUE +PAKISTAN ASIE +PAKISTAN;BALOUTCHISTAN ASIE +PALESTINE ASIE +PANAMA AMERIQUE +PAPOUASIE-N.GUINEE;I.DE L'AMIRAUTE OCEANIE +PAPOUASIE-N.GUINEE;I.NLE BRETAGNE OCEANIE +PAPOUASIE-N.GUINEE;I.NLE IRELANDE OCEANIE +PAPOUASIE-N.GUINEE;I.TROBRIAND OCEANIE +PAPOUASIE-NLE-GUINEE OCEANIE +PAPOUASIE-NLE-GUINEE;I.NLE BRETAGNE OCEANIE +PAPOUASIE-NLE-GUINEE;I.TROBRIAND OCEANIE +PARAGUAY AMERIQUE +PAYS KURDE ASIE +PAYS-BAS EUROPE +PEROU AMERIQUE +PHILIPPINES ASIE +POLOGNE EUROPE +POLYNESIE FR;ARCHIPEL SOCIETE OCEANIE +POLYNESIE FRANCAISE OCEANIE +PORTO RICO AMERIQUE +PORTUGAL EUROPE +REP CENTRAFRICAINE AFRIQUE +REP D'AFRIQUE DU SUD AFRIQUE +REP DE CROATIE EUROPE +REP DE KIRIBATI OCEANIE +REP DE LETTONIE EUROPE +REP DOMINICAINE AMERIQUE +REP DU CAP-VERT AFRIQUE +REP TCHEQUE EUROPE +REP. KHAKHASSIA ASIE +REP. OUZBEKISTAN ASIE +RHODESIE +ROUMANIE EUROPE +RWANDA AFRIQUE +SAINTE LUCIE AMERIQUE +SALVADOR AMERIQUE +SAO TOME & PRINCIPE AFRIQUE +sarawak ASIE +SCANDINAVIE(PREHISTO EUROPE +SENEGAL AFRIQUE +SEYCHELLES AFRIQUE +SIERRA LEONE AFRIQUE +SINGAPOUR ASIE +SLOVAQUIE EUROPE +SLOVENIE EUROPE +SOMALIE AFRIQUE +SOUDAN AFRIQUE +SOUDAN FRANCAIS AFRIQUE +SRI LANKA ASIE +SUEDE EUROPE +SUISSE EUROPE +SURINAM AMERIQUE +SWAZILAND AFRIQUE +SYRIE ASIE +TADJIKISTAN ASIE +TAIWAN ASIE +TANZANIE AFRIQUE +TANZANIE;zanzibar AFRIQUE +TCHAD AFRIQUE +TCHECOSLOVAQUIE EUROPE +THAILANDE ASIE +TIBET ASIE +TIBET (INDE) ASIE +TIBET (NEPAL) ASIE +TOGO AFRIQUE +TRINITE & TOBAGO AMERIQUE +TUAMOTU OCEANIE +TUNISIE AFRIQUE +TURKMENISTAN ASIE +TURQUIE ASIE +URSS EUROPE +URSS;ALTAI ASIE +URSS;BOURIATIE ASIE +URSS;CAUCASE ASIE +URSS;MARIIS EUROPE +URSS;OSSETIE EUROPE +URSS;RA ABKHAZIE EUROPE +URSS;RA DAGHESTAN EUROPE +URSS;RA TATAR ASIE +URSS;RA TOUVA ASIE +URSS;REG SMOLENSK EUROPE +URSS;RSFS RUSSIE EUROPE +URSS;RSS ARMENIE ASIE +URSS;RSS BIELORUSSIE EUROPE +URSS;RSS ESTONIE EUROPE +république centrafricaine AFRIQUE +URSS;RSS LETTONIE EUROPE +URSS;RSS LITUANIE EUROPE +URSS;RSS MOLDAVIE EUROPE +URSS;RSS OUZBEKISTAN ASIE +URSS;RSS UKRAINE EUROPE +URSS;SIBERIE ASIE +URSS;TCHOUVACHIE EUROPE +URSS;YAKOUTIE ASIE +URUGUAY AMERIQUE +USA AMERIQUE +USA;ALABAMA AMERIQUE +USA;ALASKA AMERIQUE +USA;LOUISIANE AMERIQUE +VANUATU OCEANIE +VENEZUELA AMERIQUE +VIETNAM ASIE +YEMEN ASIE +ZAIRE AFRIQUE +ZIMBABWE AFRIQUE +ITALIE;ABRUZZES EUROPE +ITALIE;BASILICATE EUROPE +ITALIE;POUILLES EUROPE +ITALIE;MARCHES EUROPE +ITALIE;MOLISE EUROPE +ITALIE;OMBRIE EUROPE +ITALIE;TRENTIN-HT-ADIGE EUROPE +ITALIE;VAL D'AOSTE EUROPE +ITALIE;VENETIE EUROPE +URSS;RSS KIRGHIZISTAN ASIE +IRAN;KHORASSAN ASIE +CROATIE EUROPE +CROATIE;EX YOUGOSLAVIE EUROPE +YOUGOSLAVIE EUROPE +BBB +BOSNIE EUROPE +BOSNIE-HERZEGOVINE EUROPE +MACEDOINE +MONGOLIE diff --git a/trunk/import/raw_conversion/src-2008-06-16/Ethnie.txt b/trunk/import/raw_conversion/src-2008-06-16/Ethnie.txt new file mode 100755 index 0000000..39211f9 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Ethnie.txt @@ -0,0 +1,1120 @@ +Ethnie +'ARE'ARE +'BROG-PA +ABORIGENES +ABUJHMARIA +ABUNGS +ACHE (GUAYAKI) +ACHUAR +ADIOUKROU +AFGHANS +AHIR +AIT ATTA +AIT BOUGMEZ +AIT HADDIDOU +AIT HAHA +AIT KADDIDOU +AIT OUIRANE +AIT OUZINE +AKA +AKADINDA +AKARA +AKAWAI +AKAWAIO +AKAWAYO +AKHA +ALBANAIS +ALGERIENS +ALGONQUIENS +ALLEMANDS +AMANAB +AMBILUBE +AMEI +AMERICAINS +AMI +ANAKS SUKU DALAM +ANGLAIS +ANIK +ANISHNABE +ANTANDROY +ANTANKARA +ANTANKARANA +ANTANOSY +ANTEMOUR +APINAJE +APINAYE +AQQALAL +ARABE +ARABE/MISSIRIE +ARABES +ARABES DEKAKIRE +ARABES DU OUADDAI +ARABES SALAMAT +ARABES-MUEZZIN +ARABES/MISSIRIE +ARANDA +ARAUCAN +ARAUCANOS +ARGENTINS +ARMENIENS +ARUNNDTA +ASOLONGO +ASURINI DO TROCARA +ASURINI DO XINGU +ATACAMEN-O +ATACAMENO +ATAYAL +ATEGE +ATTIE +AUSTRALIENS +AUTRICHIENS +AWAETE +AWARE +AYAHUASCAS +AYMARA +AYOREO +AYOREODE +AYT DEMNATE +AYT MGUN +AZERIS +BABEMBE +BADI +BADOUMA +BADUMA +BAEGU +BAELELEA +BAGA +BAHAU +BAHNAR +BAÏNAOUWA +BAJAU +BAKONGO +BALANTE-GRIOTS +BALARI +BALINAIS +BALIS +TAHUA +BALOUTCHES +BAMBAMAS +BAMBAMBA +BAMBARA +BAMBARA-BOZO +BAMBARA-GRIOTS +BAMBARA-MARKA +BAMBI-C +BAMBOMAS +BANANA +BANDA +BANDA GBAMBIYA +BANDA LINDA +BANDA MBIYI +BANDA MBUGU +BANJARS +BAOULE +BAOULE,S/GR GBRO +BARA +BARA-GAU +BARIBA +BARMA +BASAP SELATAN +BASQUE +BASSARI +BATAKS +BATAKS,KAROS +BATAKS,TOBAS +BATEKE +BATEKE-KOUKOUYA +BAUL +SONINKE +HAKA +BAWUMBU +BEDIK +BEDIKS +BEDOUINS +BELARUSSES +BEMBE +BENINOIS +BENUAQS +BERBA +BERBÈRE +BERBÈRE SUD +BERBERES +BERBÈRES ARABE +BERBÈRES AYT MGUN +BERBÈRES IGHROUAN +BERBÈRES ZAIAN +BERTA +BETSILEO +BETSILEO + MERINA +BETSILEU +BETSIMISARAKA +BEZANOZANO +BHIL +BHOPA ET BHOPI +BHOPA-BHOPI +BIAKS +BIAMI +BIET +BILALA +BIMA +BIRMANS +BISSA +BOBO +BOCHIMANS +BOCHIMANS JU'HOANSI +BOINS +BOLIVIENS +BOLON +BON-PO +BONGILI +BONI +BORA +BORORO +BOUDDHISTE +BOZO +BOZO-BAMBARA +BRAHMANE +BRAHMANE THUKURNI +BRAO +BRESILIENS +BRETON +BRETONS +BRITANNIQUES +BRUNIEIENS +BTAMDU +BUGIS +BULGARES +BUNAQ +BUNAQ OU KEMAK +BUNAQS +BUNGOMO +BUNUN +BUNUNS +BWA DIT BOBO OULE +C-DHOLI SUB-DIVISION HUDKYA +CALABRAIS +CALCHA +CALLAHUAYA +CALLAWAYA +CAMBODGIENS +CANADIENS +CANDEL +CANDRA PAN +CANELA-APANIEKR'A +CANELA-RAMKOKAMEKRA +CANELO-APANIEKR'A +CANELO-RAMKOKAMEKRA +CAP-VERDIENS +CASTE MAJHI +CASTES BAHUN ET CHETRI +CATALANS +CELTES +CHACOBO +CHAM +CHAMAR-C +KALINA ET BONI +CHEPANG +CHETRI +CHETRI-C +CHILIENS +CHINOIS +CHIPAYA +CHIPPEWA +CHIRIGUANO +CHLEUH +CHOL +CHOR +CHURU +CIL +CINGALAIS +COMORIENS +CON CHAU +CONFRERIE (SIDI BENNAMOUR) +CONFRERIE AÎSSAWA +CONGOLAIS +CONIAGUIS +COREEN +COREENS +COSAQUES +CRAHO +CROATE +CROATES +CUBAINS +DAI +DALLIL +DAMAÏ +DAN +DANGALEAT +DANI +DANKALI +DANOIS +DANS +DAYAK +DENDI +DENDIS +DHAMI HAYU +DHOLI, BAMBI ET AUTRES-C +DHOLI-C +DIE +DIOLA +DJAWAN +DJERMA-SONGHAY +DJIKINI-BATEKE +DJINBA +DJONGOR +DOGON +DOLPO-PA 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-HS +BM.1970.019.001/123:26-02 -HS +BM.1970.019.001/123:26-03 -HS +BM.1970.019.001/123:26-03 DANSE +BM.1970.019.001/123:26-04 -HS +BM.1970.019.001/123:26-04 DANSE +BM.1970.019.001/123:27A-01 -HS +BM.1970.019.001/123:27A-02 -HS +BM.1970.019.001/123:27A-03 -HS +BM.1970.019.001/123:27A-04 -HS +BM.1970.019.001/123:27A-04 RELIGION +BM.1970.019.001/123:27A-04 CHRISTIANISME +BM.1970.019.001/123:27A-05 -HS +BM.1970.019.001/123:27A-05 RELIGION +BM.1970.019.001/123:27A-05 CHRISTIANISME +BM.1970.019.001/123:27B-01 -HS +BM.1970.019.001/123:27B-02 -HS +BM.1970.019.001/123:27B-03 -HS +BM.1970.019.001/123:28A-01 -HS +BM.1970.019.001/123:28A-02 -HS +BM.1970.019.001/123:28A-03 -HS +BM.1970.019.001/123:28A-04 -HS +BM.1970.019.001/123:28B-01 -HS +BM.1970.019.001/123:28B-01 MORT +BM.1970.019.001/123:28B-02 -HS +BM.1970.019.001/123:28B-02 MORT +BM.1970.019.001/123:28B-03 -HS +BM.1970.019.001/123:28B-03 MORT +BM.1970.019.001/123:28B-04 -HS +BM.1970.019.001/123:28B-04 TRAVAIL +BM.1970.019.001/123:28B-05 -HS 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FETE +BM.1970.019.001/123:30B-03 DIVERTISSEMENT +BM.1970.019.001/123:30B-04 -HS +BM.1970.019.001/123:30B-04 FETE +BM.1970.019.001/123:30B-04 DIVERTISSEMENT +BM.1970.019.001/123:31A-01 -HS +BM.1970.019.001/123:31A-01 DANSE +BM.1970.019.001/123:31A-02 -HS +BM.1970.019.001/123:31A-02 DANSE +BM.1970.019.001/123:31A-03 -HS +BM.1970.019.001/123:31A-03 DANSE +BM.1970.019.001/123:31A-04 -HS +BM.1970.019.001/123:31A-04 DANSE +BM.1970.019.001/123:31B-01 -HS +BM.1970.019.001/123:31B-01 BERCEUSE +BM.1970.019.001/123:31B-02 -HS +BM.1970.019.001/123:31B-02 BERCEUSE +BM.1970.019.001/123:31B-03 -HS +BM.1970.019.001/123:31B-03 BERCEUSE +BM.1970.019.001/123:31B-04 -HS +BM.1970.019.001/123:31B-04 BERCEUSE +BM.1970.019.001/123:31B-05 -HS +BM.1970.019.001/123:31B-05 BERCEUSE +BM.1970.019.001/123:31B-06 -HS +BM.1970.019.001/123:31B-06 BERCEUSE +BM.1970.019.001/123:31B-07 -HS +BM.1970.019.001/123:31B-07 BERCEUSE +BM.1970.019.001/123:31B-08 -HS +BM.1970.019.001/123:31B-08 BERCEUSE +BM.1970.019.001/123:32-01A -HS +BM.1970.019.001/123:32-01A FETE +BM.1970.019.001/123:32-01A MORT +BM.1970.019.001/123:32-01B -HS +BM.1970.019.001/123:32-01C -HS +BM.1970.019.001/123:32-02A -HS +BM.1970.019.001/123:32-02A M. DE COUR +BM.1970.019.001/123:32-02A POUVOIR/POLITIQUE +BM.1970.019.001/123:32-02B -HS +BM.1970.019.001/123:32-02B POUVOIR/POLITIQUE +BM.1970.019.001/123:32-02C -HS +BM.1970.019.001/123:32-02C POUVOIR/POLITIQUE +BM.1970.019.001/123:32-02D -HS +BM.1970.019.001/123:32-02D POUVOIR/POLITIQUE +BM.1970.019.001/123:32-02E -HS +BM.1970.019.001/123:32-02E POUVOIR/POLITIQUE +BM.1970.019.001/123:33A-01 -HS +BM.1970.019.001/123:33A-02 -HS +BM.1970.019.001/123:33B-01 -HS +BM.1970.019.001/123:33B-02 -HS +BM.1970.019.001/123:33B-03 -HS +BM.1970.019.001/123:33B-04 -HS +BM.1970.019.001/123:33B-05 -HS +BM.1970.019.001/123:34A-01 -HS +BM.1970.019.001/123:34A-02 -HS +BM.1970.019.001/123:34B-01 -HS +BM.1970.019.001/123:34B-02 -HS +BM.1970.019.001/123:34B-03 -HS +BM.1970.019.001/123:35A-01 -HS +BM.1970.019.001/123:35A-02 -HS +BM.1970.019.001/123:35A-03 -HS +BM.1970.019.001/123:35A-04 -HS +BM.1970.019.001/123:35B-01 -HS +BM.1970.019.001/123:35B-02 -HS +BM.1970.019.001/123:35B-03 -HS 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PROFANE +BM.1998.010.001/04:01-03>04 M. PROFANE +BM.1998.010.001/04:01-03>04 +BM.1998.010.001/04:01-05>06 M. PROFANE +BM.1998.010.001/04:01-07>08 M. PROFANE +BM.1998.010.001/04:01-07>08 +BM.1998.010.001/04:01-07>08 +BM.1998.010.001/04:01-09>12 M. 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ANIMISME +BM.1970.019.001/123:62-05 ANIMISME +BM.1970.019.001/123:62-06 ANIMISME +BM.1970.019.001/123:62-07 ANIMISME +BM.1970.019.001/123:63-01 ANIMISME +BM.1970.019.001/123:63-02 ANIMISME +BM.1970.019.001/123:63-03 ANIMISME +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:20-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.041.001/55:21-01 +BM.1970.019.001/123:64-01 -HS +BM.1970.019.001/123:64-01 ANIMISME +BM.1970.019.001/123:64-02 -HS +BM.1970.019.001/123:64-02 ANIMISME +BM.1970.019.001/123:64-03 -HS +BM.1970.019.001/123:64-03 ANIMISME +BM.1970.041.001/55:22-01 +BM.1970.041.001/55:22-01 +BM.1970.041.001/55:22-01 +BM.1970.041.001/55:22-01 +BM.1970.041.001/55:22-01 +BM.1970.041.001/55:22-01 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RITUEL +BM.2007.001.001/97:21-03 RELIGION +BM.2007.001.001/97:21-03 RITUEL +BM.2007.001.001/97:21-04 RELIGION +BM.2007.001.001/97:21-04 RITUEL +BM.2007.001.001/97:21-05 BERCEUSE +BM.2007.001.001/97:21-05 ENFANCE +BM.2007.001.001/97:21-06 BERCEUSE +BM.2007.001.001/97:21-06 ENFANCE +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:25-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:26-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-01 +BM.1970.041.001/55:27-02 +BM.1970.041.001/55:27-02 +BM.1970.041.001/55:27-02 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NARAYANAN 1 +BM.2000.002.001/06:01-11 BR-BRUITEUR BR-N 1 +BM.2000.002.001/06:01-11 IE-CYMBALES IE-ILLATALAM 1 +BM.2000.002.001/06:01-11 +BM.2000.002.001/06:01-12>13 VC-SOLO ALTERNE H F VC-N BALAN & MADHAVI 2 +BM.2000.002.001/06:01-12>13 C-CORDOPHONE C-PULLUVAN KUDAM MADHAVI 1 +BM.2000.002.001/06:01-12>13 CV-VIELE CV-PULLUVAN VINA BALAN 1 +BM.2000.002.001/06:01-12>13 BR-BRUITEUR BR-N 1 +BM.2000.002.001/06:02-01>04 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:02-01>04 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:02-01>04 +BM.2000.002.001/06:02-05>06 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:02-05>06 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:02-05>06 CV-VIELE CV-PULLUVAN VINA H 1 +BM.2000.002.001/06:02-05>06 BR-BRUITEUR BR-N +BM.2000.002.001/06:02-05>06 VA-CRIE SOLO & CHR F VA-N +BM.2000.002.001/06:02-07 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:02-07 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:02-07 VA-CRIE H VA-N +BM.2000.002.001/06:03-01 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:03-01 CV-VIELE CV-PULLUVAN VINA LE CHANTEUR SOLISTE 1 +BM.2000.002.001/06:03-01 BR-BRUITEUR BR-N +BM.2000.002.001/06:03-01 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:03-01 +BM.2000.002.001/06:03-02>03 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:03-02>03 CV-VIELE CV-PULLUVAN VINA CHANTEUR SOLISTE 1 +BM.2000.002.001/06:03-02>03 BR-BRUITEUR BR-N +BM.2000.002.001/06:03-02>03 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:03-02>03 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:03-02>03 +BM.2000.002.001/06:04-01 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:04-01 CV-VIELE CV-PULLUVAN VINA CHANTEUR SOLISTE +BM.2000.002.001/06:04-01 BR-BRUITEUR BR-N +BM.2000.002.001/06:04-01 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:04-01 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:04-02 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:04-02 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:04-02 IE-CYMBALES IE-ILLATALAM F +BM.2000.002.001/06:04-02 +BM.2000.002.001/06:04-03>06 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:04-03>06 CV-VIELE CV-PULLUVAN VINA CHANTEUR SOLISTE 1 +BM.2000.002.001/06:04-03>06 BR-BRUITEUR BR-N +BM.2000.002.001/06:04-03>06 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:04-03>06 +BM.2000.002.001/06:04-03>06 +BM.2000.002.001/06:05-01>02 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:05-01>02 CV-VIELE CV-PULLUVAN VINA CHANTEUR SOLISTE 1 +BM.2000.002.001/06:05-01>02 BR-BRUITEUR BR-N +BM.2000.002.001/06:05-01>02 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:05-01>02 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:05-01>02 +BM.2000.002.001/06:05-03>06 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:05-03>06 CV-VIELE CV-PULLUVAN VINA CHANTEUR SOLISTE 1 +BM.2000.002.001/06:05-03>06 BR-BRUITEUR BR-N +BM.2000.002.001/06:05-03>06 C-CORDOPHONE C-PULLUVAN KUDAM H 1 +BM.2000.002.001/06:05-03>06 IE-CYMBALES IE-ILLATALAM F 1 +BM.2000.002.001/06:06-01>03 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.2000.002.001/06:06-01>03 C-CORDOPHONE C-PULLUVAN KUDAM H 2 +BM.2000.002.001/06:06-01>03 IE-CYMBALES IE-ILLATALAM F 2 +BM.2000.002.001/06:06-01>03 +BM.2000.008.001/05:01-01 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-02 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-03 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-04 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-05 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-06 VC-DUO ALTERNE H N * 2X3 +BM.2000.008.001/05:01-07 VC-CHANTE SOLO & CHR H VC-N 1+9 +BM.2000.008.001/05:01-07 +BM.2000.008.001/05:01-08 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-09 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-10 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-11 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-12 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-12 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-13 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:01-14 VC-DUO ALTERNE H & F VC-N 2x7$ +BM.2000.008.001/05:02-01 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-01 +BM.2000.008.001/05:02-02 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-02 +BM.2000.008.001/05:02-03 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-03 +BM.2000.008.001/05:02-04 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-04 +BM.2000.008.001/05:02-05 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-05 +BM.2000.008.001/05:02-06 VC-CHANTE DUO ALTERNE H & F N CF. REMARQUES 2X4 +BM.2000.008.001/05:02-07 VC-CHANTE SOLO & CHR H N 1+5 +BM.2000.008.001/05:02-08 VC-CHANTE CHR MIXTE N 10+4 +BM.2000.008.001/05:02-08 +BM.2000.008.001/05:02-09 VC-CHANTE CHR MIXTE N 10+4 +BM.2000.008.001/05:02-09 +BM.2000.008.001/05:02-10 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-10 BC-BATTEMENTS DE MAINS N +BM.2000.008.001/05:02-11 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-11 BC-BATTEMENTS DE MAINS N +BM.2000.008.001/05:02-12 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-12 BC-BATTEMENTS DE MAINS N +BM.2000.008.001/05:02-13 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-13 +BM.2000.008.001/05:02-14 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-14 +BM.2000.008.001/05:02-15 VC-CHANTE CHR MIXTE N 4+5 +BM.2000.008.001/05:02-15 +BM.2000.008.001/05:03-01 VC-CHANTE CHR MIXTE N 5+4 +BM.2000.008.001/05:03-01 +BM.2000.008.001/05:03-02 VC-CHANTE CHR MIXTE N 5+4 +BM.2000.008.001/05:03-02 +BM.2000.008.001/05:03-03 VC-CHANTE CHR MIXTE N 5+4 +BM.2000.008.001/05:03-03 +BM.2000.008.001/05:03-04 VC-CHANTE CHR MIXTE N 5+4 +BM.2000.008.001/05:03-04 +BM.2000.008.001/05:03-05 VC-CHANTE DUO F N 2 +BM.2000.008.001/05:03-05 AFT-FLUTE TERM 2TUY AFT-FOI 1 +BM.2000.008.001/05:03-05 IL-IDIOPHONE PILONNE CREUX IL-TOBO 2 +BM.2000.008.001/05:03-06 VC-CHANTE SOLO H & CHR MIXTE ALTERNE N 10+10 +BM.2000.008.001/05:03-07 VC-CHANTE CHR MIXTE VC-N 10+10 +BM.2000.008.001/05:03-07 IFC-CLOCHE +BM.2000.008.001/05:03-07 +BM.2000.008.001/05:03-08 VC-CHANTE SOLO & CHR MIXTE VC-N 8+8 +BM.2000.008.001/05:03-08 IFC-GONG IFC-GONG 1 +BM.2000.008.001/05:03-08 M-TBR M-GENDANG 2 +BM.2000.008.001/05:03-08 +BM.2000.008.001/05:04-01 VC-CHANTE SOLO F VC-N EDEL TRUDIS ANGO 1 +BM.2000.008.001/05:04-01 +BM.2000.008.001/05:04-02 IFC-GONG IFC-GONG 4 +BM.2000.008.001/05:04-02 M2-TBR 2MEMB M2- GENDANG 4 +BM.2000.008.001/05:04-02 +BM.2000.008.001/05:04-03>04 VC-CHANTE SOLO ALTERNE & CHR MIXTE VC-N 2+8 +BM.2000.008.001/05:04-03>04 IFC-GONG IFC-GONG 1 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LIBRE/PLAQUE AAL-HARMONUIM 1 +BM.2000.009.001:01-01 M2C-TBR 2MEMB/CAISSE M2C-CHENDA 1 +BM.2000.009.001:01-01 M2C-TBR 2MEMB/CAISSE 1 +BM.2000.009.001:01-01 IE-CYMBALES IE-TALAM 1 paire +BM.2000.009.001:01-02 VC-CHANTE SOLO ALTERNE H & F UNNIKRISHNAN & KARTHYAYANI +BM.2000.009.001:01-02 M2V-TBR 2MEMB VARIABLE M2V-UTUKKU' 1 +BM.2000.009.001:01-02 IE-CYMBALES IE-TALAM 1 paire +BM.2000.009.001:01-03 VC-CHANTE SOLO H NARAYANAN 1 +BM.2000.009.001:01-03 CV-VIELE CV-PULLUVAN VINA NARAYANAN 1 +BM.2000.009.001:01-03 BR-BRUITEUR 1 +BM.2000.009.001:01-04 C-CORDOPHONE C-PULLUVAN KUDAM NARAYANAN & SA FAMILLE 2 +BM.2000.009.001:01-04 IE-CYMBALES IE-ILLATALAM 2 +BM.2000.009.001:01-05 VC-CHANTE SOLO F PADMAVATI 1 +BM.2000.009.001:01-05 C-CORDOPHONE C-PULLUVAN KUDAM PADMAVATI 1 +BM.2000.009.001:01-06 VC-CHANTE SOLO ALTERNE H & F NARAYANAN & PARVATI 2 +BM.2000.009.001:01-06 C-CORDOPHONE C-PULLUVAN KUDAM PARVATI ? 1 +BM.2000.009.001:01-06 CV-VIELE CV-PULLUVAN VINA NARAYANAN ? 1 +BM.2000.009.001:01-06 BR-BRUITEUR 1 +BM.2000.009.001:01-07 VC-CHANTE SOLO H & CHR M RAMESH & SA TROUPE +BM.2000.009.001:01-07 M2C-TBR 2MEMB/CAISSE M2C-CHENDA 1 +BM.2000.009.001:01-07 M2V-TBR 2MEMB VARIABLE 1 +BM.2000.009.001:01-07 M1D-TBR 1MEMB/CADRE 1 +BM.2000.009.001:01-07 BR-BRUITEUR 1 +BM.2000.009.001:01-07 IE-CYMBALES 1 PAIRE +BM.2000.009.001:01-08 VC-CHANTE SOLO H & CHR M RAMESH & SA TROUPE +BM.2000.009.001:01-08 M2C-TBR 2MEMB/CAISSE M2C-CHENDA 1 +BM.2000.009.001:01-08 M2V-TBR 2MEMB VARIABLE 1 +BM.2000.009.001:01-08 M1D-TBR 1MEMB/CADRE 1 +BM.2000.009.001:01-08 BR-BRUITEUR 1 +BM.2000.009.001:01-08 IE-CYMBALES 1 PAIRE +BM.2000.009.001:01-09 VC-CHANTE SOLO H & CHR M RAMESH & SA TROUPE +BM.2000.009.001:01-09 M2C-TBR 2MEMB/CAISSE M2C-CHENDA 1 +BM.2000.009.001:01-09 M2V-TBR 2MEMB VARIABLE 1 +BM.2000.009.001:01-09 M1D-TBR 1MEMB/CADRE 1 +BM.2000.009.001:01-09 BR-BRUITEUR 1 +BM.2000.009.001:01-09 IE-CYMBALES 1 PAIRE +BM.2000.009.001:01-10 CA-ARC MUSICAL CA-VILLU' PURUSHOTTAN & SA TROUPE 3 +BM.2000.009.001:01-10 IE-CYMBALES IE-TALAM 1 +BM.2001.002.001/02:01-01 IFP-XYLOPHONE IFP-JEGBAG 3 +BM.2001.002.001/02:01-01 IS-GRELOT +BM.2001.002.001/02:01-01 M1-TBR 1MEMB IFP-KPOY 2 +BM.2001.002.001/02:01-01 BR-BRUITEUR BR-BOLOGAR +BM.2001.002.001/02:01-02 IFP-XYLOPHONE IFP-JEGBAG 3 +BM.2001.002.001/02:01-02 IS-GRELOT +BM.2001.002.001/02:01-02 M1-TBR 1MEMB IFP-KPOY 2 +BM.2001.002.001/02:01-02 BR-BRUITEUR BR-BOLOGAR +BM.2001.002.001/02:01-03 IFP-XYLOPHONE IFP-JEGBAG 3 +BM.2001.002.001/02:01-03 IS-GRELOT +BM.2001.002.001/02:01-03 M1-TBR 1MEMB IFP-KPOY 2 +BM.2001.002.001/02:01-03 BR-BRUITEUR BR-BOLOGAR +BM.2001.002.001/02:01-04 IFP-XYLOPHONE IFP-JEGBAG 3 +BM.2001.002.001/02:01-04 IS-GRELOT +BM.2001.002.001/02:01-04 M1-TBR 1MEMB IFP-KPOY 2 +BM.2001.002.001/02:01-04 BR-BRUITEUR BR-BOLOGAR +BM.2001.002.001/02:01-05 IFP-XYLOPHONE IFP-JEGBAG +BM.2001.002.001/02:01-06 IFP-XYLOPHONE IFP-JEGBAG +BM.2001.002.001/02:01-07 IFP-XYLOPHONE IFP-JEGBAG +BM.2001.002.001/02:01-08 IFP-XYLOPHONE IFP-JEGBAG +BM.2001.002.001/02:02-01 IFP-XYLOPHONE IFP-JEGBAG 3 +BM.2001.002.001/02:02-01 CH-HARPE MANCHE ARQUE BOLOY 4 +BM.2001.002.001/02:02-01 IR-RACLEUR 1 +BM.2001.002.001/02:02-02 IFP-XYLOPHONE IFP-JEGBAG 1 +BM.2001.002.001/02:02-03 IFP-XYLOPHONE IFP-JEGBAG 1 +BM.2001.002.001/02:02-04 IFP-XYLOPHONE IFP-JEGBAG 1 +BM.2001.002.001/02:02-05 VC-CHANTE SOLO H YEO NANHOUA 1 +BM.2001.002.001/02:02-05 M2C-TBR 2MEMB/CAISSE 1 +BM.2001.002.001/02:02-05 IS-CLOCHE LATO YEO KOUONAN 1 +BM.2001.002.001/02:02-05 IS-HOCHET TCHALU SORO FONAN 1 +BM.2001.002.001/02:02-05 I-IDIOPHONE PEGU SILUE SIBIRI 1 +BM.2001.002.001/02:02-05 IR-RACLEUR KANRIGAN 5 +BM.2001.002.001/02:02-06 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA 1 +BM.2001.002.001/02:02-06 M1C-TBR 1MEMB/CAISSE M1C-DJEME 1 +BM.2001.002.001/02:02-06 M2C-TBR 2MEMB/CAISSE M2C-TAMAN 2 +BM.2001.002.001/02:02-06 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE 1 +BM.2001.002.001/02:02-06 IFC-CLOCHE IFC-KATA'A 1 +BM.2001.002.001/02:02-07 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA 1 +BM.2001.002.001/02:02-07 M1C-TBR 1MEMB/CAISSE M1C-DJEME 1 +BM.2001.002.001/02:02-07 M2C-TBR 2MEMB/CAISSE M2C-TAMAN 2 +BM.2001.002.001/02:02-07 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE 1 +BM.2001.002.001/02:02-07 IFC-CLOCHE IFC-KATA'A 1 +BM.2001.002.001/02:02-07 BC-BATTEMENTS DE MAINS +BM.2001.002.001/02:02-08 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA 1 +BM.2001.002.001/02:02-08 M1C-TBR 1MEMB/CAISSE M1C-DJEME 1 +BM.2001.002.001/02:02-08 M2C-TBR 2MEMB/CAISSE M2C-TAMAN 2 +BM.2001.002.001/02:02-08 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE 1 +BM.2001.002.001/02:02-08 IFC-CLOCHE IFC-KATA'A 1 +BM.2001.002.001/02:02-08 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:04-06 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 4 +BM.2001.003.001/06:04-06 M1C-TBR 1MEMB/CAISSE M1C-JEMBE 1 +BM.2001.003.001/06:04-06 M2C-TBR 2MEMB/CAISSE GAGONGO 1 +BM.2001.003.001/06:01-01 IFP-XYLOPHONES IFP-JEGBAG +BM.2001.003.001/06:01-01 IS-GRELOT +BM.2001.003.001/06:01-01 M1-TBR 1MEMB IFP-KPOY +BM.2001.003.001/06:01-01 IS-SONNAILLES IS-BOLOGAR +BM.2001.003.001/06:01-02 AT-TROMPE LAT AT-TUMAA +BM.2001.003.001/06:01-02 M1C-TBR 1MEMB/CAISSE +BM.2001.003.001/06:01-02 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:01-02 IS-GRELOT +BM.2001.003.001/06:01-02 IS-HOCHET-SONNAILLE +BM.2001.003.001/06:01-02 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:01-02 BM-MIRLITON +BM.2001.003.001/06:01-03 AT-TROMPE LAT AT-TUMAA +BM.2001.003.001/06:01-03 M1C-TBR 1MEMB/CAISSE +BM.2001.003.001/06:01-03 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:01-03 IS-GRELOT +BM.2001.003.001/06:01-03 IS-HOCHET-SONNAILLE +BM.2001.003.001/06:01-03 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:01-03 BM-MIRLITON +BM.2001.003.001/06:01-04 VC-CHANTE SOLO & CHR H +BM.2001.003.001/06:01-04 CH-HARPE MANCHE ARQUE 9 +BM.2001.003.001/06:01-04 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-05 VC-CHANTE SOLO & CHR H +BM.2001.003.001/06:01-05 CH-HARPE MANCHE ARQUE 9 +BM.2001.003.001/06:01-05 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-06 VC-CHANTE SOLO & CHR F +BM.2001.003.001/06:01-06 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:01-06 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-07 VC-CHANTE SOLO & CHR F +BM.2001.003.001/06:01-07 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:01-07 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-08 VC-CHANTE CHR F SORO CHIONNOURGOS +BM.2001.003.001/06:01-08 M1C-TBR 1MEMB/CAISSE M1C-PINGE SILUE PETEHE YESSA ET SORO TIENOURGO 2 +BM.2001.003.001/06:01-08 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-09 VC-CHANTE CHR F SORO CHIONNOURGOS +BM.2001.003.001/06:01-09 M1C-TBR 1MEMB/CAISSE M1C-PINGE SILUE PETEHE YESSA ET SORO TIENOURGO 2 +BM.2001.003.001/06:01-09 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-10 VC-CHANTE CHR F SORO CHIONNOURGOS +BM.2001.003.001/06:01-10 M1C-TBR 1MEMB/CAISSE M1C-PINGE SILUE PETEHE YESSA ET SORO TIENOURGO 2 +BM.2001.003.001/06:01-10 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-11 VC-CHANTE CHR F SORO CHIONNOURGOS +BM.2001.003.001/06:01-11 M1C-TBR 1MEMB/CAISSE M1C-PINGE SILUE PETEHE YESSA ET SORO TIENOURGO 2 +BM.2001.003.001/06:01-11 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-12 VC-CHANTE CHR F SORO CHIONNOURGOS +BM.2001.003.001/06:01-12 M1C-TBR 1MEMB/CAISSE M1C-PINGE SILUE PETEHE YESSA ET SORO TIENOURGO 2 +BM.2001.003.001/06:01-12 IS-HOCHET-SONNAILLE IS-TCHOLO 3 +BM.2001.003.001/06:01-13 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 1 +BM.2001.003.001/06:01-13 M1C-TBR 1MEMB/CAISSE M1C-DJEME TUO YASSHOUNGA 1 +BM.2001.003.001/06:01-13 M2C-TBR 2MEMB/CAISSE M2C-TAMAN TUO DRAGBETCHE & TUO ZONBENA 2 +BM.2001.003.001/06:01-13 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-13 IFC-CLOCHE IFC-KATA'A TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-13 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:01-14 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 1 +BM.2001.003.001/06:01-14 M1C-TBR 1MEMB/CAISSE M1C-DJEME TUO YASSHOUNGA 1 +BM.2001.003.001/06:01-14 M2C-TBR 2MEMB/CAISSE M2C-TAMAN TUO DRAGBETCHE & TUO ZONBENA 2 +BM.2001.003.001/06:01-14 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-14 IFC-CLOCHE IFC-KATA'A TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-14 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:01-15 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 1 +BM.2001.003.001/06:01-15 M1C-TBR 1MEMB/CAISSE M1C-DJEME TUO YASSHOUNGA 1 +BM.2001.003.001/06:01-15 M2C-TBR 2MEMB/CAISSE M2C-TAMAN TUO DRAGBETCHE & TUO ZONBENA 2 +BM.2001.003.001/06:01-15 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-15 IFC-CLOCHE IFC-KATA'A TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-15 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:01-16 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 1 +BM.2001.003.001/06:01-16 M1C-TBR 1MEMB/CAISSE M1C-DJEME TUO YASSHOUNGA 1 +BM.2001.003.001/06:01-16 M2C-TBR 2MEMB/CAISSE M2C-TAMAN TUO DRAGBETCHE & TUO ZONBENA 2 +BM.2001.003.001/06:01-16 M2C-TBR 2MEMB/CAISSE M2C-FONOPINGE TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-16 IFC-CLOCHE IFC-KATA'A TUO SEKONDJOUWA 1 +BM.2001.003.001/06:01-16 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:01-17 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 2 +BM.2001.003.001/06:02-01 VC-CHANTE DUO F 2 +BM.2001.003.001/06:02-02 VC-CHANTE DUO F 2 +BM.2001.003.001/06:02-03 VC-CHANTE DUO F 2 +BM.2001.003.001/06:02-04 VC-CHANTE F 1 +BM.2001.003.001/06:02-04 Z-AUTRE +BM.2001.003.001/06:02-05 VC-CHANTE F 1 +BM.2001.003.001/06:02-05 Z-AUTRE +BM.2001.003.001/06:02-06 VC-CHANTE F 1 +BM.2001.003.001/06:02-06 Z-AUTRE +BM.2001.003.001/06:02-07 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 1 +BM.2001.003.001/06:02-07 M1C-TBR 1MEMB/CAISSE M1C-DJEMBE 1 +BM.2001.003.001/06:02-07 M2C-TBR 2MEMB/CAISSE M2C-TAMU 1 +BM.2001.003.001/06:02-07 IFP-XYLOPHONE IFP-DJEGBAG 1 +BM.2001.003.001/06:02-08 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 1 +BM.2001.003.001/06:02-08 M1C-TBR 1MEMB/CAISSE M1C-DJEMBE 1 +BM.2001.003.001/06:02-08 M2C-TBR 2MEMB/CAISSE M2C-TAMU 1 +BM.2001.003.001/06:02-08 IFP-XYLOPHONE IFP-DJEGBAG 1 +BM.2001.003.001/06:02-09 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 1 +BM.2001.003.001/06:02-09 M1C-TBR 1MEMB/CAISSE M1C-DJEMBE 1 +BM.2001.003.001/06:02-09 M2C-TBR 2MEMB/CAISSE M2C-TAMU 1 +BM.2001.003.001/06:02-09 IFP-XYLOPHONE IFP-DJEGBAG 1 +BM.2001.003.001/06:02-10 IFP-XYLOPHONE IFP-DJEGBAG 1 +BM.2001.003.001/06:02-11 VC-CHANTE SOLO ALTERNE DUO H 1+2 +BM.2001.003.001/06:02-11 CH-HARPE MANCHE ARQUE CH-NAGBO 3 +BM.2001.003.001/06:02-11 BR-BRUITEUR 3 +BM.2001.003.001/06:02-12 VC-CHANTE SOLO ALTERNE DUO H 1+2 +BM.2001.003.001/06:02-12 CH-HARPE MANCHE ARQUE CH-NAGBO 3 +BM.2001.003.001/06:02-12 BR-BRUITEUR 3 +BM.2001.003.001/06:02-13 IFP-XYLOPHONES IFP-JEGBAG 4 +BM.2001.003.001/06:02-13 IS-GRELOT +BM.2001.003.001/06:02-13 M1-TBR 1MEMB IFP-KPOY 3 +BM.2001.003.001/06:02-13 BR-BRUITEUR +BM.2001.003.001/06:02-14 IFP-XYLOPHONES IFP-JEGBAG 4 +BM.2001.003.001/06:02-14 IS-GRELOT +BM.2001.003.001/06:02-14 M1-TBR 1MEMB IFP-KPOY 3 +BM.2001.003.001/06:02-14 BR-BRUITEUR +BM.2001.003.001/06:02-15 IFP-XYLOPHONES IFP-JEGBAG 4 +BM.2001.003.001/06:02-15 IS-GRELOT +BM.2001.003.001/06:02-15 M1-TBR 1MEMB IFP-KPOY 3 +BM.2001.003.001/06:02-15 BR-BRUITEUR +BM.2001.003.001/06:02-16 IFP-XYLOPHONES IFP-JEGBAG 4 +BM.2001.003.001/06:02-16 IS-GRELOT +BM.2001.003.001/06:02-16 M1-TBR 1MEMB IFP-KPOY 3 +BM.2001.003.001/06:02-16 BR-BRUITEUR +BM.2001.003.001/06:02-17 IFP-XYLOPHONES IFP-JEGBAG 4 +BM.2001.003.001/06:02-17 IS-GRELOT +BM.2001.003.001/06:02-17 M1-TBR 1MEMB IFP-KPOY 3 +BM.2001.003.001/06:02-17 BR-BRUITEUR +BM.2001.003.001/06:02-18 IFP-XYLOPHONES IFP-JEGBAG +BM.2001.003.001/06:02-19 VC-CHANTE H ALTERNE H 2 +BM.2001.003.001/06:02-19 CHL-HARPE LUTH CHL-KORI 1 +BM.2001.003.001/06:02-19 IT-IDIOPHONE FROTTE CREUX IT-KARGI 2 +BM.2001.003.001/06:02-20 VC-CHANTE H ALTERNE H 2 +BM.2001.003.001/06:02-20 CHL-HARPE LUTH CHL-KORI 1 +BM.2001.003.001/06:02-20 IT-IDIOPHONE FROTTE CREUX IT-KARGI 2 +BM.2001.003.001/06:03-01 ATL-TROMPE LAT ATL-GBOFE-MA'AA 7 +BM.2001.003.001/06:03-01 M1C-TBR 1MEMB/CAISSE M1C-TYEBERU 1 +BM.2001.003.001/06:03-01 M2C-TBR 2MEMB/CAISSE M2C-PINGE 1 +BM.2001.003.001/06:03-01 IFC-CORPS TUBULAIRE AUTRE IFC-KATAN 1 +BM.2001.003.001/06:03-02 ATL-TROMPE LAT ATL-GBOFE-MA'AA 7 +BM.2001.003.001/06:03-02 M1C-TBR 1MEMB/CAISSE M1C-TYEBERU 1 +BM.2001.003.001/06:03-02 M2C-TBR 2MEMB/CAISSE M2C-PINGE 1 +BM.2001.003.001/06:03-02 IFC-CORPS TUBULAIRE AUTRE IFC-KATAN 1 +BM.2001.003.001/06:03-03 ATL-TROMPE LAT ATL-GBOFE-MA'AA 7 +BM.2001.003.001/06:03-03 M1C-TBR 1MEMB/CAISSE M1C-TYEBERU 1 +BM.2001.003.001/06:03-03 M2C-TBR 2MEMB/CAISSE M2C-PINGE 1 +BM.2001.003.001/06:03-03 IFC-CORPS TUBULAIRE AUTRE IFC-KATAN 1 +BM.2001.003.001/06:03-03 VC-CHANTE SOLO H 1 +BM.2001.003.001/06:03-03 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:03-04 ATL-TROMPE LAT ATL-GBOFE-MA'AA 7 +BM.2001.003.001/06:03-04 M1C-TBR 1MEMB/CAISSE M1C-TYEBERU 1 +BM.2001.003.001/06:03-04 M2C-TBR 2MEMB/CAISSE M2C-PINGE 1 +BM.2001.003.001/06:03-04 IFC-CORPS TUBULAIRE AUTRE IFC-KATAN 1 +BM.2001.003.001/06:03-05 ATL-TROMPE LAT ATL-GBOFE-MA'AA 7 +BM.2001.003.001/06:03-06 VC-CHANTE SOLO & DUO F 2 +BM.2001.003.001/06:03-06 IFCORPS HEMISPHERIQUE IFC-KOBE 1 +BM.2001.003.001/06:03-06 IFC-BLOC DE BOIS IFC-SUGO 1 +BM.2001.003.001/06:03-06 IS- HOCHET-SONNAILLE IS-TCHALU 1 +BM.2001.003.001/06:03-07 VC-CHANTE SOLO & DUO F 2 +BM.2001.003.001/06:03-07 IFCORPS HEMISPHERIQUE IFC-KOBE 1 +BM.2001.003.001/06:03-07 IFC-BLOC DE BOIS IFC-SUGO 1 +BM.2001.003.001/06:03-07 IS- HOCHET-SONNAILLE IS-TCHALU 1 +BM.2001.003.001/06:03-08 VC-CHANTE SOLO & DUO F 2 +BM.2001.003.001/06:03-08 IFCORPS HEMISPHERIQUE IFC-KOBE 1 +BM.2001.003.001/06:03-08 IFC-BLOC DE BOIS IFC-SUGO 1 +BM.2001.003.001/06:03-08 IS- HOCHET-SONNAILLE IS-TCHALU 1 +BM.2001.003.001/06:03-09 VC-CHANTE SOLO & DUO F 2 +BM.2001.003.001/06:03-09 IFCORPS HEMISPHERIQUE IFC-KOBE 1 +BM.2001.003.001/06:03-09 IFC-BLOC DE BOIS IFC-SUGO 1 +BM.2001.003.001/06:03-09 IS- HOCHET-SONNAILLE IS-TCHALU 1 +BM.2001.003.001/06:03-10 VC-CHANTE SOLO & DUO F 2 +BM.2001.003.001/06:03-10 IFCORPS HEMISPHERIQUE IFC-KOBE 1 +BM.2001.003.001/06:03-10 IFC-BLOC DE BOIS IFC-SUGO 1 +BM.2001.003.001/06:03-10 IS- HOCHET-SONNAILLE IS-TCHALU 1 +BM.2001.003.001/06:03-11 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-11 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:03-11 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-12 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-12 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:03-12 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-13 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-13 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:03-13 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-14 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-14 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-15 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-15 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-16 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-16 M1C-TBR 1MEMB/CAISSE M1C-PINGE 1 +BM.2001.003.001/06:03-16 M2C-TBR 2MEMB/CAISSE M2C-TAMU 2 +BM.2001.003.001/06:03-17 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-18 AFL-FLUTE LAT AFL-MANI 2 +BM.2001.003.001/06:03-19 VC-CHANTE H TARZAN 1 +BM.2001.003.001/06:03-19 BC-BATTEMENTS DE MAINS TARZAN 1 +BM.2001.003.001/06:03-20 VC-CHANTE H TARZAN 1 +BM.2001.003.001/06:03-20 BC-BATTEMENTS DE MAINS TARZAN 1 +BM.2001.003.001/06:03-21 VC-CHANTE H TARZAN 1 +BM.2001.003.001/06:03-21 BC-BATTEMENTS DE MAINS TARZAN 1 +BM.2001.003.001/06:03-22 VC-CHANTE H TARZAN 1 +BM.2001.003.001/06:03-22 BC-BATTEMENTS DE MAINS TARZAN 1 +BM.2001.003.001/06:03-23 VC-CHANTE H TARZAN 1 +BM.2001.003.001/06:03-23 BC-BATTEMENTS DE MAINS TARZAN 1 +BM.2001.003.001/06:04-01 AT-TROMPE LAT AT-TUMAA +BM.2001.003.001/06:04-01 M1C-TBR 1MEMB/CAISSE M1C-TEPINGANI +BM.2001.003.001/06:04-01 M2C-TBR 2MEMB/CAISSE M2C-BOBELI OU ??? GBELEGI +BM.2001.003.001/06:04-01 IS-GRELOT +BM.2001.003.001/06:04-01 IS-HOCHET-SONNAILLE +BM.2001.003.001/06:04-01 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:04-01 MIRLITON +BM.2001.003.001/06:04-02 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 4 +BM.2001.003.001/06:04-02 M1C-TBR 1MEMB/CAISSE M1C-JEMBE 1 +BM.2001.003.001/06:04-02 M2C-TBR 2MEMB/CAISSE GAGONGO 1 +BM.2001.003.001/06:04-03 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 4 +BM.2001.003.001/06:04-03 M1C-TBR 1MEMB/CAISSE M1C-JEMBE 1 +BM.2001.003.001/06:04-03 M2C-TBR 2MEMB/CAISSE GAGONGO 1 +BM.2001.003.001/06:04-04 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 4 +BM.2001.003.001/06:04-04 M1C-TBR 1MEMB/CAISSE M1C-JEMBE 1 +BM.2001.003.001/06:04-04 M2C-TBR 2MEMB/CAISSE GAGONGO 1 +BM.2001.003.001/06:04-05 AFTS-FLUTE TERM SANS CONDUIT AFTS-FEFELE 4 +BM.2001.003.001/06:04-05 M1C-TBR 1MEMB/CAISSE M1C-JEMBE 1 +BM.2001.003.001/06:04-05 M2C-TBR 2MEMB/CAISSE GAGONGO 1 +BM.2001.003.001/06:04-07 VC-CHANTE SOLO + CHR H 1 + 2 +BM.2001.003.001/06:04-07 CHL-HARPE-LUTH CHL-KANRI 1 +BM.2001.003.001/06:04-07 IT-IDIOPHONE FROTTE CREUX IT-KARGI 2 +BM.2001.003.001/06:04-08 VC-CHANTE SOLO + CHR H 1 + 2 +BM.2001.003.001/06:04-08 CHL-HARPE-LUTH CHL-KANRI 1 +BM.2001.003.001/06:04-08 IT-IDIOPHONE FROTTE CREUX IT-KARGI 2 +BM.2001.003.001/06:04-09 VC-CHANTE SOLO + CHR H 1 + 2 +BM.2001.003.001/06:04-09 CHL-HARPE-LUTH CHL-KANRI 1 +BM.2001.003.001/06:04-09 IT-IDIOPHONE FROTTE CREUX IT-KARGI 2 +BM.2001.003.001/06:04-11 VC-CHANTE SOLO H 1 +BM.2001.003.001/06:04-11 M1-TBR 1MEMB 2 +BM.2001.003.001/06:04-11 IFP-XYLOPHONE 2 +BM.2001.003.001/06:04-11 IS-GRELOT +BM.2001.003.001/06:04-12 VC-CHANTE SOLO H 1 +BM.2001.003.001/06:04-12 M1-TBR 1MEMB 2 +BM.2001.003.001/06:04-12 IFP-XYLOPHONE 2 +BM.2001.003.001/06:04-12 IS-GRELOT +BM.2001.003.001/06:04-13 IFP-XYLOPHONE 2 +BM.2001.003.001/06:04-14 VC-CHANT SOLO ALTERNE CHEOUR F +BM.2001.003.001/06:04-14 IS-HOCHET +BM.2001.003.001/06:04-15 VC-CHANT SOLO ALTERNE CHEOUR F +BM.2001.003.001/06:04-15 IS-HOCHET +BM.2001.003.001/06:04-16 VC-CHANT SOLO ALTERNE CHEOUR F +BM.2001.003.001/06:04-16 IS-HOCHET +BM.2001.003.001/06:05-11 VC-CHANTE SOLO H KONE FANHANTCHE 1 +BM.2001.003.001/06:05-11 CH-HARPE MANCHE ARQUE CH-GBOGI KONE FANHANTCHE 1 +BM.2001.003.001/06:05-11 M1C-TBR 1MEMB/CAISSE M1C-PIN-JEERGE KONE KOUFOUGO 1 +BM.2001.003.001/06:05-11 IFP-XYLOPHONE IFJINGBAAGI KONE WATAMI 1 +BM.2001.003.001/06:05-11 BR-BRUITEUR 1 +BM.2001.003.001/06:05-12 VC-CHANTE SOLO F KONE FANHANTCHE 1 +BM.2001.003.001/06:05-12 CH-HARPE MANCHE ARQUE CH-GBOGI KONE FANHANTCHE 1 +BM.2001.003.001/06:05-12 M1C-TBR 1MEMB/CAISSE M1C-PIN-JEERGE KONE KOUFOUGO 1 +BM.2001.003.001/06:05-12 IFP-XYLOPHONE IFJINGBAAGI KONE WATAMI 1 +BM.2001.003.001/06:05-12 BR-BRUITEUR 1 +BM.2001.003.001/06:05-12 ATL-TROMPE LAT ATL-MA'A 1 +BM.2001.003.001/06:05-12 M2C-TBR 2MEMB/CAISSE M2C-TAMAN 3 +BM.2001.003.001/06:05-13 IFP-XYLOPHONE IFJINGBAAGI 1 +BM.2001.003.001/06:05-14 ATL-TROMPE LAT 1 +BM.2001.003.001/06:05-14 M2C-TBR 2MEMB/CAISSE 3 +BM.2001.003.001/06:05-15 ATL-TROMPE LAT 1 +BM.2001.003.001/06:05-15 M2C-TBR 2MEMB/CAISSE 3 +BM.2001.003.001/06:05-16 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 2 +BM.2001.003.001/06:05-17 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 2 +BM.2001.003.001/06:05-18 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 2 +BM.2001.003.001/06:05-19 AFLS-FLUTE LAT SANS CONDUIT AFLS-MAANA TUO KLANAN 2 +BM.2001.003.001/06:05-20 M2C-TBR 2MEMB/CAISSE 2 +BM.2001.003.001/06:05-20 IS-GRELOT 2 +BM.2001.003.001/06:05-21 VC-CHANTE CHR H +BM.2001.003.001/06:05-21 VA-CRIE F +BM.2001.003.001/06:05-21 AT-TROMPE +BM.2001.003.001/06:05-21 AR-RHOMBE +BM.2001.003.001/06:05-21 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:05-21 M2F-TBR 2MEMB FRICTION +BM.2001.003.001/06:05-21 IS-GRELOT +BM.2001.003.001/06:05-21 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:05-22 VC-CHANTE CHR H +BM.2001.003.001/06:05-22 VA-CRIE F +BM.2001.003.001/06:05-22 AT-TROMPE +BM.2001.003.001/06:05-22 AR-RHOMBE +BM.2001.003.001/06:05-22 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:05-22 M2F-TBR 2MEMB FRICTION +BM.2001.003.001/06:05-22 IS-GRELOT +BM.2001.003.001/06:05-22 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:05-23 VC-CHANTE CHR H +BM.2001.003.001/06:05-23 VA-CRIE F +BM.2001.003.001/06:05-23 AT-TROMPE +BM.2001.003.001/06:05-23 AR-RHOMBE +BM.2001.003.001/06:05-23 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:05-23 M2F-TBR 2MEMB FRICTION +BM.2001.003.001/06:05-23 IS-GRELOT +BM.2001.003.001/06:05-23 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:05-24 VC-CHANTE CHR H +BM.2001.003.001/06:05-24 VA-CRIE F +BM.2001.003.001/06:05-24 AT-TROMPE +BM.2001.003.001/06:05-24 AR-RHOMBE +BM.2001.003.001/06:05-24 M2C-TBR 2MEMB/CAISSE +BM.2001.003.001/06:05-24 M2F-TBR 2MEMB FRICTION +BM.2001.003.001/06:05-24 IS-GRELOT +BM.2001.003.001/06:05-24 IT-IDIOPHONE FROTTE CREUX +BM.2001.003.001/06:06-01 VC-CHANTE CHR F +BM.2001.003.001/06:06-01 IFP-XYLOPHONE IFP-DJABO DANGUI KARIDJOULA ET OUATTRA SIRICHION 1 +BM.2001.003.001/06:06-01 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:06-02 VC-CHANTE CHR F +BM.2001.003.001/06:06-02 IFP-XYLOPHONE IFP-DJABO DANGUI KARIDJOULA ET OUATTRA SIRICHION 1 +BM.2001.003.001/06:06-02 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:06-03 VC-CHANTE CHR F +BM.2001.003.001/06:06-03 IFP-XYLOPHONE IFP-DJABO DANGUI KARIDJOULA ET OUATTRA SIRICHION 1 +BM.2001.003.001/06:06-03 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:06-04 VC-CHANTE CHR F +BM.2001.003.001/06:06-04 IFP-XYLOPHONE IFP-DJABO DANGUI KARIDJOULA ET OUATTRA SIRICHION 1 +BM.2001.003.001/06:06-04 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:06-05 VC-CHANTE CHR F +BM.2001.003.001/06:06-05 IFP-XYLOPHONE IFP-DJABO DANGUI KARIDJOULA ET OUATTRA SIRICHION 1 +BM.2001.003.001/06:06-05 BC-BATTEMENTS DE MAINS +BM.2001.003.001/06:06-06 IFP-XYLOPHONE IFP-DJABO 1 +BM.2002.003.001/04:01-01 VC-CHANTE DUO ALTERNE H & CHR MIXTE ±20 +BM.2002.003.001/04:01-01 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-01 M1C-TBR 1MEMB/CAISSE M1C-PENDRI 2 +BM.2002.003.001/04:01-01 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 1 +BM.2002.003.001/04:01-01 IE-BATONS IE-N +BM.2002.003.001/04:01-01 IFC-CLOCHE IFC-ALAWA 2 +BM.2002.003.001/04:01-01 IS-HOCHET IS-ZEGBE +BM.2002.003.001/04:01-01 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:01-02 VC-CHANTE DUO ALTERNE H & CHR MIXTE ±20 +BM.2002.003.001/04:01-02 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-02 M1C-TBR 1MEMB/CAISSE M1C-PENDRI 2 +BM.2002.003.001/04:01-02 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 1 +BM.2002.003.001/04:01-02 IE-BATONS IE-N +BM.2002.003.001/04:01-02 IFC-CLOCHE IFC-ALAWA 2 +BM.2002.003.001/04:01-02 IS-HOCHET IS-ZEGBE +BM.2002.003.001/04:01-02 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:01-03 VC-CHANTE DUO ALTERNE H/F & CHR MIXTE ±20 +BM.2002.003.001/04:01-03 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-03 M1C-TBR 1MEMB/CAISSE M1C-PENDRI 2 +BM.2002.003.001/04:01-03 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 1 +BM.2002.003.001/04:01-03 IE-BATONS IE-N +BM.2002.003.001/04:01-03 IFC-CLOCHE IFC-ALAWA 2 +BM.2002.003.001/04:01-03 IS-HOCHET IS-ZEGBE +BM.2002.003.001/04:01-03 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:01-04 VC-CHANTE DUO H 2 +BM.2002.003.001/04:01-04 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-04 IFC-CLOCHE IFC-ALAWA 1 +BM.2002.003.001/04:01-05 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-06 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-07 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-08 VC-CHANTE DUO H 2 +BM.2002.003.001/04:01-08 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-08 IFC-CLOCHE IFC-KOKOA 2 +BM.2002.003.001/04:01-09 VC-CHANTE DUO H 2 +BM.2002.003.001/04:01-09 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-09 IFC-CLOCHE IFC-KOKOA 2 +BM.2002.003.001/04:01-10 VC-CHANTE DUO H 2 +BM.2002.003.001/04:01-10 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-10 IFC-CLOCHE IFC-KOKOA 2 +BM.2002.003.001/04:01-11 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-12 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-13 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:01-14 M1C-TBR 1MEMB/CAISSE M1C-KLENKPLI 1 +BM.2002.003.001/04:01-14 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-14 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 3 +BM.2002.003.001/04:01-14 IFC-CLOCHE IFC-KOKOA 1 +BM.2002.003.001/04:01-15 M1C-TBR 1MEMB/CAISSE M1C-KLENKPLI 1 +BM.2002.003.001/04:01-15 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-15 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 3 +BM.2002.003.001/04:01-15 IFC-CLOCHE IFC-KOKOA 1 +BM.2002.003.001/04:01-16 M1C-TBR 1MEMB/CAISSE M1C-KLENKPLI 1 +BM.2002.003.001/04:01-16 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-16 M1C-TBR 1MEMB/CAISSE M1C-KLENMAN 3 +BM.2002.003.001/04:01-16 IFC-CLOCHE IFC-KOKOA 1 +BM.2002.003.001/04:01-17 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-18 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-19 VP-PARLE DUO H 2 +BM.2002.003.001/04:01-19 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:01-20 IFC-CLOCHE IFC-ALIOKO 1 +BM.2002.003.001/04:01-20 IFC-CLOCHE IFC-PUNG 1 +BM.2002.003.001/04:01-20 IFC-CLOCHE IFC-TWIN 1 +BM.2002.003.001/04:01-21 IFC-CLOCHE IFC-ALIOKO 1 +BM.2002.003.001/04:01-21 IFC-CLOCHE IFC-PUNG 1 +BM.2002.003.001/04:01-21 IFC-CLOCHE IFC-TWIN 1 +BM.2002.003.001/04:01-22 IFC-CLOCHE IFC-ALIOKO 1 +BM.2002.003.001/04:01-22 IFC-CLOCHE IFC-PUNG 1 +BM.2002.003.001/04:01-22 IFC-CLOCHE IFC-TWIN 1 +BM.2002.003.001/04:01-23 IFC-CLOCHE IFC-ALIOKO 1 +BM.2002.003.001/04:01-23 IFC-CLOCHE IFC-PUNG 1 +BM.2002.003.001/04:01-23 IFC-CLOCHE IFC-TWIN 1 +BM.2002.003.001/04:01-24 IFC-CLOCHE IFC-ALIOKO 1 +BM.2002.003.001/04:01-24 IFC-CLOCHE IFC-PUNG 1 +BM.2002.003.001/04:01-24 IFC-CLOCHE IFC-TWIN 1 +BM.2002.003.001/04:01-25 VC-CHANTE DUO JF & CHR F +BM.2002.003.001/04:01-25 IT-IDIOPHONE FROTTE PLEIN IT-ALOKO 1 +BM.2002.003.001/04:01-26 VC-CHANTE DUO F & CHR F +BM.2002.003.001/04:01-26 IT-IDIOPHONE FROTTE PLEIN IT-ALOKO 1 +BM.2002.003.001/04:01-27 VC-CHANTE DUO F & CHR F +BM.2002.003.001/04:01-27 IT-IDIOPHONE FROTTE PLEIN IT-ALOKO 1 +BM.2002.003.001/04:01-28 VC-CHANTE DUO JF & CHR F +BM.2002.003.001/04:01-28 IT-IDIOPHONE FROTTE PLEIN IT-ALOKO 1 +BM.2002.003.001/04:01-29 VC-CHANTE DUO JF & CHR F +BM.2002.003.001/04:01-29 IT-IDIOPHONE FROTTE PLEIN IT-ALOKO 1 +BM.2002.003.001/04:02-01 VC-CHANTE DUO H * 2 +BM.2002.003.001/04:02-01 IS-GRELOT IS-NYANNYEN 1 +BM.2002.003.001/04:02-01 IS-HOCHET-SONNAILLE IS-TOA 1 +BM.2002.003.001/04:02-02 VC-CHANTE DUO H * 2 +BM.2002.003.001/04:02-02 IS-GRELOT IS-NYANNYEN 1 +BM.2002.003.001/04:02-02 IS-HOCHET-SONNAILLE IS-TOA 1 +BM.2002.003.001/04:02-03 ATL-TROMPE LAT ATL-AWE 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-KRAKRA 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-KPUNG 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-OSOAN 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-PLAPLO 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-KLENSI 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-PENDREN 1 +BM.2002.003.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-KANGALEKLEN 1 +BM.2002.003.001/04:02-04 ATL-TROMPE LAT ATL-AWE 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-KRAKRA 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-ATUNGBLAN 2 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-KPUNG 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-OSOAN 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-PLAPLO 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-KLENSI 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-PENDREN 1 +BM.2002.003.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-KANGALEKLEN 1 +BM.2002.003.001/04:02-05 M1C-TBR 1MEMB/CAISSE M1C-KANGALEKLEN 1 +BM.2002.003.001/04:02-06 M1C-TBR 1MEMB/CAISSE M1C-KANGALEKLEN 1 +BM.2002.003.001/04:02-07 M1C-TBR 1MEMB/CAISSE M1C-KANGALEKLEN 1 +BM.2002.003.001/04:02-08 VC-CHANTE DUO H 2 +BM.2002.003.001/04:02-08 IS-CLOCHE IS-N 2 +BM.2002.003.001/04:02-08 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:02-08 IFC-CORPS HEMISPHERIQUE IFC-TOA 2 +BM.2002.003.001/04:02-08 BM-MIRLITON BM-LAKA 2* +BM.2002.003.001/04:02-08 Z-AUTRE Z-SRO 1* +BM.2002.003.001/04:02-09 VC-CHANTE DUO H 2 +BM.2002.003.001/04:02-09 IS-CLOCHE IS-N 2 +BM.2002.003.001/04:02-09 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:02-09 IFC-CORPS HEMISPHERIQUE IFC-TOA 2 +BM.2002.003.001/04:02-09 BM-MIRLITON BM-LAKA 2* +BM.2002.003.001/04:02-09 Z-AUTRE Z-SRO 1* +BM.2002.003.001/04:02-10 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:02-11 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:02-12 VC-CHANTE DUO H 2 +BM.2002.003.001/04:02-12 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:02-12 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:02-13 VC-CHANTE DUO H 2 +BM.2002.003.001/04:02-13 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:02-13 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:02-14 CH-HARPE MANCHE FOURCHUE CH-DJURU 1 +BM.2002.003.001/04:02-15 VC-CHANTE DUO & CHR E 2+N +BM.2002.003.001/04:02-15 BC-BRUITS CORPORELS +BM.2002.003.001/04:02-15 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:02-16 VC-CHANTE DUO & CHR E 2+N +BM.2002.003.001/04:02-16 BC-BRUITS CORPORELS +BM.2002.003.001/04:02-16 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:02-17 VC-CHANTE DUO & CHR E 2+N +BM.2002.003.001/04:02-17 BC-BRUITS CORPORELS +BM.2002.003.001/04:02-17 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:02-18 IFP-XYLOPHONE IFP-DJOMLO 1 +BM.2002.003.001/04:02-19 IFP-XYLOPHONE IFP-DJOMLO 1 +BM.2002.003.001/04:02-20 IFP-XYLOPHONE IFP-DJOMLO 1 +BM.2002.003.001/04:02-21 IFP-XYLOPHONE IFP-DJOMLO 1 +BM.2002.003.001/04:02-22 VC-CHANTE SOLO H KWADIO YAFI 1 +BM.2002.003.001/04:02-22 CHL-HARPE-LUTH CHL-ALOKO KWADIO YAFI 1 +BM.2002.003.001/04:02-22 IS-CLOCHE 2 H 1 +BM.2002.003.001/04:02-22 IS-HOCHET 2 +BM.2002.003.001/04:02-23 VC-CHANTE SOLO H KWADIO YAFI 1 +BM.2002.003.001/04:02-23 CHL-HARPE-LUTH CHL-ALOKO KWADIO YAFI 1 +BM.2002.003.001/04:02-23 IS-CLOCHE 2 H 1 +BM.2002.003.001/04:02-23 IS-HOCHET 2 +BM.2002.003.001/04:02-24 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-24 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-25 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-25 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-26 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-26 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-27 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-28 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-28 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-29 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-29 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-30 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-30 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-31 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-31 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-32 VC-CHANTE CHR H 5 +BM.2002.003.001/04:02-32 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:02-33 ATL-TROMPE LAT ATL-AWE 5 +BM.2002.003.001/04:03-01 VC-CHANTE DUO ALTERNE F & CHR M +BM.2002.003.001/04:03-01 AFTS-FLUTE TERM SANS CONDUIT AFTS-GBLO 2 +BM.2002.003.001/04:03-01 M1C-TBR 1MEMB/CAISSE 2 +BM.2002.003.001/04:03-01 M1C-TBR 1MEMB/CAISSE 1 +BM.2002.003.001/04:03-01 IE-BATONS +BM.2002.003.001/04:03-01 IS-SONNAILLES +BM.2002.003.001/04:03-02 VC-CHANTE DUO ALTERNE F & CHR M +BM.2002.003.001/04:03-02 AFTS-FLUTE TERM SANS CONDUIT AFTS-GBLO 2 +BM.2002.003.001/04:03-02 M1C-TBR 1MEMB/CAISSE 2 +BM.2002.003.001/04:03-02 M1C-TBR 1MEMB/CAISSE 1 +BM.2002.003.001/04:03-02 IE-BATONS +BM.2002.003.001/04:03-02 IS-SONNAILLES +BM.2002.003.001/04:03-03 VC-CHANTE DUO ALTERNE F & CHR M +BM.2002.003.001/04:03-03 AFTS-FLUTE TERM SANS CONDUIT AFTS-GBLO 2 +BM.2002.003.001/04:03-03 M1C-TBR 1MEMB/CAISSE 2 +BM.2002.003.001/04:03-03 M1C-TBR 1MEMB/CAISSE 1 +BM.2002.003.001/04:03-03 IE-BATONS +BM.2002.003.001/04:03-03 IS-SONNAILLES +BM.2002.003.001/04:03-04 AFL-FLUTE LAT AFL-KETE +BM.2002.003.001/04:03-05 AFL-FLUTE LAT AFL-KETE +BM.2002.003.001/04:03-06 AFL-FLUTE LAT AFL-KETE +BM.2002.003.001/04:03-07 VC-CHANTE 3 +BM.2002.003.001/04:03-07 CA-ARC MUSICAL CA-GODYE 1 +BM.2002.003.001/04:03-08 VC-CHANTE 3 +BM.2002.003.001/04:03-08 CA-ARC MUSICAL CA-GODYE 1 +BM.2002.003.001/04:03-09 VC-CHANTE 3 +BM.2002.003.001/04:03-09 CA-ARC MUSICAL CA-GODYE 1 +BM.2002.003.001/04:03-10 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:03-10 VA-CRIE 1 +BM.2002.003.001/04:03-10 ATL-TROMPE LAT 1 +BM.2002.003.001/04:03-10 IS-HOCHET-SONNAILLE n +BM.2002.003.001/04:03-10 Z-AUTRE * +BM.2002.003.001/04:03-11 VC-CHANTE SOLO H & CHR H +BM.2002.003.001/04:03-11 VA-CRIE 1 +BM.2002.003.001/04:03-11 ATL-TROMPE LAT 1 +BM.2002.003.001/04:03-11 IS-HOCHET-SONNAILLE n +BM.2002.003.001/04:03-11 Z-AUTRE * +BM.2002.003.001/04:03-12 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:03-12 VA-CRIE 1 +BM.2002.003.001/04:03-12 ATL-TROMPE LAT 1 +BM.2002.003.001/04:03-12 IS-HOCHET-SONNAILLE n +BM.2002.003.001/04:03-12 Z-AUTRE * +BM.2002.003.001/04:03-13 VC-CHANTE CHR H 4 +BM.2002.003.001/04:03-13 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:03-14 VC-CHANTE CHR H 4 +BM.2002.003.001/04:03-14 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:03-15 VC-CHANTE CHR H 4 +BM.2002.003.001/04:03-15 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:03-16 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:03-17 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:03-18 IP-LAMELLOPHONE IP-KOTE 1 +BM.2002.003.001/04:04-01 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-01 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-01 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-02 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-02 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-02 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-03 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-03 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-03 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-04 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-04 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-04 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-05 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-05 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-05 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-06 VC-CHANTE CHR H KADIO YEBOUE* 3 +BM.2002.003.001/04:04-06 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE 1 +BM.2002.003.001/04:04-06 IFC-CORPS TUBULAIRE AUTRE 1 +BM.2002.003.001/04:04-07 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE* 1 +BM.2002.003.001/04:04-08 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE* 1 +BM.2002.003.001/04:04-09 CH-HARPE MANCHE FOURCHUE CH-DJURU KADIO YEBOUE* 1 +BM.2002.003.001/04:04-10 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-10 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-10 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-10 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-10 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-10 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-11 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-11 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-11 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-11 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-11 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-11 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-12 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-12 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-12 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-12 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-12 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-12 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-13 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-13 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-13 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-13 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-13 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-13 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-14 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-14 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-14 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-14 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-14 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-14 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-15 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-15 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-15 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-15 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-15 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-15 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-16 VC-CHANTE DUO H & CHR H +BM.2002.003.001/04:04-16 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 1 +BM.2002.003.001/04:04-16 IFC-IDIOPHONE FRAPPE CREUX IFC-KPOKPOLO 1 +BM.2002.003.001/04:04-16 IS-GRELOT IS-GLEIN 1 +BM.2002.003.001/04:04-16 IS-HOCHET IS-SEGESEGE 2 +BM.2002.003.001/04:04-16 IT-IDIOPHONE FROTTE PLEIN IT-NOKUKU 4 +BM.2002.003.001/04:04-17 VC-CHANTE SOLO E & DUO F 1+-2 +BM.2002.003.001/04:04-17 IR-IDIOPHONE RACLE IR-AOKO 1 +BM.2002.003.001/04:04-18 VC-CHANTE SOLO E & DUO F 1+-2 +BM.2002.003.001/04:04-18 IR-IDIOPHONE RACLE IR-AOKO 1 +BM.2002.003.001/04:04-19 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-19 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-20 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-20 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-21 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-21 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-22 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-22 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-23 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-23 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-24 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-24 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-25 VC-CHANTE SOLO E & CHR E +BM.2002.003.001/04:04-25 BC-BATTEMENTS DE MAINS +BM.2002.003.001/04:04-26 VC-CHANTE DUO F & CHR F +BM.2002.003.001/04:04-26 M1C-TBR 1MEMB/CAISSE M1C-DOKLEN 1 +BM.2002.003.001/04:04-26 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 2 +BM.2002.003.001/04:04-26 IS-HOCHET-SONNAILLE IS-SEGESEGE +BM.2002.003.001/04:04-27 VC-CHANTE DUO F & CHR F +BM.2002.003.001/04:04-27 M1C-TBR 1MEMB/CAISSE M1C-DOKLEN 1 +BM.2002.003.001/04:04-27 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 2 +BM.2002.003.001/04:04-27 IS-HOCHET-SONNAILLE IS-SEGESEGE +BM.2002.003.001/04:04-28 VC-CHANTE DUO F & CHR F +BM.2002.003.001/04:04-28 M1C-TBR 1MEMB/CAISSE M1C-DOKLEN 1 +BM.2002.003.001/04:04-28 M2V-TBR 2MEMB VARIABLE M2V-LUNGA 2 +BM.2002.003.001/04:04-28 IS-HOCHET-SONNAILLE IS-SEGESEGE +BM.2002.007.001:01-01>12 VC-CHANTE TRIO M FAMILIA VALERA MIRANDA 3 +BM.2002.007.001:01-01>12 CL-LUTH CL-TRES 1 +BM.2002.007.001:01-01>12 CL-LUTH CL-GUITARRA 1 +BM.2002.007.001:01-01>12 CL-LUTH CL-CONTRABAJO 1 +BM.2002.007.001:01-01>12 M1C-TBR 1MEMB/CAISSE *PAIRE M1C-BONGO 1 +BM.2002.007.001:01-01>12 IS-HOCHET IS-MARAC'A 1 +BM.2002.007.001:01-01>12 IFP-BATON IFP-CLAVE 1 +BM.2002.007.001:01-01>12 +BM.2002.015.001/02:01-01>06 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-01>06 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-01>06 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-01>06 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-07>10 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-07>10 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-07>10 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-07>10 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-11>14 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-11>14 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-11>14 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-11>14 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-15>18 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-15>18 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-15>18 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-15>18 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-19>22 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-19>22 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-19>22 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-19>22 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-23>26 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-23>26 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-23>26 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-23>26 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:01-27>30 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:01-27>30 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:01-27>30 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:01-27>30 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:02-01>04 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:02-01>04 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:02-01>04 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:02-01>04 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:02-05>08 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:02-05>08 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:02-05>08 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:02-05>08 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:02-09>12 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:02-09>12 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:02-09>12 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:02-09>12 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:02-13>16 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:02-13>16 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:02-13>16 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:02-13>16 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.2002.015.001/02:02-17>20 IFC-CLOCHE IFC-AGOGO MUSICIEN DU XAMBA 1 +BM.2002.015.001/02:02-17>20 M-ENSEMBLE TBR M-ILU = ENGOMA MUSICIENS DU XAMBA 3 +BM.2002.015.001/02:02-17>20 M2-TBR 2MEMB M2-MARCAC*AO 1 +BM.2002.015.001/02:02-17>20 M2-TBR 2MEMB M2-MELE-ONCO 2 +BM.002.017.001/04:01-01 VC-CHANTE DUO ALTERNE & CHR H VC-N +BM.002.017.001/04:01-01 V-VOIX V-N +BM.2002.018.001/04:01-01 VP-PARLE H N N N +BM.2002.018.001/04:01-01 VC-CHANTE H N N N +BM.2002.018.001/04:01-01 M-TBR RNGA N N +BM.2002.018.001/04:01-01 IE-CYMBALES SBUG-CHAL N N +BM.2002.018.001/04:01-01 ATT-TROMPE TERM DUNG-CHEN N 2 +BM.2002.018.001/04:01-01 AABD-HAUTBOIS RGYA-GLING N 2 +BM.2002.018.001/04:01-01 IFC-CLOCHE DRIL-BU N N +BM.2002.025.001/03:01-01>05 VC-CHR H & E TONINHO & ENFANTS +BM.2002.025.001/03:01-06>18 VC-SOLO H, SOLO F & CHR MIXTE * +BM.2002.025.001/03:01-19>20 VC-CHANTE CHR H & E TONINHO ET ENFANTS +BM.2002.025.001/03:01-21>24 VC-CHANTE CHR MIXTE +BM.2002.025.001/03:01-25>28 VC-CHANTE DUO H * +BM.2002.025.001/03:02-01>19 VC-CHANTE CHR MIXTE +BM.2002.025.001/03:02-20>21 VC-CHANTE CHR MIXTE 11 +BM.2002.025.001/03:02-20>21 AF-FLUTE 1 +BM.2002.025.001/03:02-20>21 IS-HOCHET +BM.2002.025.001/03:03-01* VC-CHANTE SOLO H KANARMA +BM.2002.025.001/03:03-02* AFTS-FLUTE TERM SANS CONDUIT KANARMA +BM.2002.025.001/03:03-11* VP-PARLE SOLO H KANARMA +BM.2002.026.001/02:01-01 VP-PARLE SOLO H VP-NEKEANG BO' LIAH SIANG 1 +BM.2002.026.001/02:01-01 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-02 VP-PARLE SOLO H VP-NEKEANG DING HONG 1 +BM.2002.026.001/02:01-02 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-03 VP-PARLE SOLO H VP-NEKEANG DING HONG 1 +BM.2002.026.001/02:01-03 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-04 VP-PARLE SOLO H VP-NEKEANG BO' LIAH SIANG 1 +BM.2002.026.001/02:01-04 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-04 VA-CRIE E 7 +BM.2002.026.001/02:01-05 VP-PARLE SOLO H VP-NEKEANG BO' LIAH SIANG, DING HONG 2 +BM.2002.026.001/02:01-05 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-06 V-VOIX DUO H VP-NEKEANG BO' LIAH SIANG, DING HONG 2 +BM.2002.026.001/02:01-06 M1C-TBR 1MEMB/CAISSE M1C-TEWUNG DING BE' 1 +BM.2002.026.001/02:01-06 VA-CRIE E 7 +BM.2002.026.001/02:01-07 VC-CHANTE SOLO H BO' SONG 1 +BM.2002.026.001/02:01-08 VC-CHANTE SOLO H BO' BONG GIAH 1 +BM.2002.026.001/02:01-09 V-VOIX DUO H BO' BONG GIAH, ? 2 +BM.2002.026.001/02:01-10 VC-CHANTE SOLO H BO' BONG GIAH 1 +BM.2002.026.001/02:02-01 VC-CHANTE SOLO & CHR H DING HONG + 5 1+5 +BM.2002.026.001/02:02-02 VC-CHANTE SOLO & CHR H LEJIE TOT + 5 1+5 +BM.2002.026.001/02:02-03 VC-CHANTE SOLO & CHR MIXTE DING HONG + 6 1+6* +BM.2002.026.001/02:02-04 VC-CHANTE SOLO & CHR MIXTE LEJIE TOT + 7 1+7* +BM.2002.026.001/02:02-05 VC-CHANTE SOLO & CHR MIXTE DING HONG + 6 1+6* +BM.2002.026.001/02:02-06 VP-PARLE SOLO H LEJIE TOT 1 +BM.2002.026.001/02:02-07 VC-CHANTE SOLO & CHR MIXTE DING HONG + 6 1+6* +BM.2002.026.001/02:02-08 VC-CHANTE SOLO & CHR MIXTE LEJIE TOT + 7 1+7* +BM.2002.029.001/02:01-01 VC-CHANTE SOLO ALTERNE F & CHR F VC-N 3/5 +BM.2002.029.001/02:01-02>3 VC-CHANTE 2CHR ALTERNES H/F VC-N ? +BM.2002.029.001/02:01-04 VC-CHANTE SOLO ALTERNE F & CHR F VC-N 3/5 +BM.2002.029.001/02:01-09 V-VOIX VC-N 1 +BM.2002.029.001/02:01-09 IFC-CLOCHE IFC-N 1 +BM.2002.029.001/02:01-10 VC-CHANTE SOLO & CHR F VC-N 7 +BM.2002.029.001/02:01-11>13 VC-CHANTE CHR H VC-N 5/6 +BM.2002.029.001/02:01-14>23 VC-CHANTE 2CHR ALTERNES H/F VC-N ? +BM.2002.029.001/02:01-5>8 VC-CHANTE 2CHR ALTERNES H/F VC-N ? +BM.2002.029.001/02:02-01 +BM.2002.029.001/02:02-02>4 VC-CHANTE 2CHR ALTERNES H/F VC-N ±10 +BM.2002.029.001/02:02-05>10 VC-CHANTE CHR H VC-N +BM.2002.029.001/02:02-05>10 VC-CHANTE CHR F VC-N +BM.2003.001.001/05:01-01 V-VOIX SOLO H DBU-MDZAD NORBZANG 1 +BM.2003.001.001/05:01-01 IE-CYMBALES IE-SBUG CHAL DBU-MDZAD NORBZANG 1 +BM.2003.003.001/03:01-01 VP-ENQUETE +BM.2003.003.001/03:01-02 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-03 VP-ENQUETE +BM.2003.003.001/03:01-04 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-05 VP-ENQUETE +BM.2003.003.001/03:01-06 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-07 VP-ENQUETE +BM.2003.003.001/03:01-08 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-09 VP-ENQUETE +BM.2003.003.001/03:01-10 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-11 VP-ENQUETE +BM.2003.003.001/03:01-12 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-13 VP-ENQUETE +BM.2003.003.001/03:01-14 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-15 VP-ENQUETE +BM.2003.003.001/03:01-16 VC-CHANTE SOLO H 1 +BM.2003.003.001/03:01-17 VC-CHANTE SOLO H 1 +BM.2003.003.001/03:01-18 VC-CHANTE SOLO H 1 +BM.2003.003.001/03:01-19 VP-ENQUETE +BM.2003.003.001/03:01-20 VC-CHANTE SOLO H 1 +BM.2003.003.001/03:01-21 VP-ENQUETE +BM.2003.003.001/03:01-22 VP-ENQUETE +BM.2003.003.001/03:01-23 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-24 VP-ENQUETE +BM.2003.003.001/03:01-25 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-26 VP-ENQUETE +BM.2003.003.001/03:01-27 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-28 VP-ENQUETE +BM.2003.003.001/03:01-29 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-30 VP-ENQUETE +BM.2003.003.001/03:01-31 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-32 VP-ENQUETE +BM.2003.003.001/03:01-33 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-34 VP-ENQUETE +BM.2003.003.001/03:01-35 VC-CHANTE SOLO & CHR MIXTE 6 +BM.2003.003.001/03:01-36 VP-ENQUETE +BM.2003.003.001/03:02-01 VP-ENQUETE +BM.2003.003.001/03:02-01 SD-AMBIANCES DIVERSES +BM.2003.003.001/03:02-02 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-03 VP-PARLE +BM.2003.003.001/03:02-04 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-05 VP-PARLE +BM.2003.003.001/03:02-06 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-07 VP-PARLE +BM.2003.003.001/03:02-08 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-09 SD-AMBIANCES DIVERSES +BM.2003.003.001/03:02-10 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-11 VP-PARLE +BM.2003.003.001/03:02-12 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-13 VP-PARLE +BM.2003.003.001/03:02-14 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-15 VP-PARLE +BM.2003.003.001/03:02-16 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:02-17 VP-PARLE +BM.2003.003.001/03:02-18 VC-CHANTE SOLO F & CHR H * 4 +BM.2003.003.001/03:03-01 VP-PARLE VANGJEL (?)* +BM.2003.003.001/03:03-02 VC-CHANTE SOLO H & CHR MIXTE VANGJEL (?)* +BM.2003.003.001/03:03-03 VP-PARLE VANGJEL (?)* +BM.2003.003.001/03:03-04 VC-CHANTE SOLO H & CHR MIXTE VANGJEL (?)* +BM.2003.003.001/03:03-05 VP-PARLE VANGJEL (?)* +BM.2003.003.001/03:03-06 VC-CHANTE SOLO H & CHR MIXTE VANGJEL (?)* +BM.2003.003.001/03:03-07 VP-PARLE +BM.2003.003.001/03:03-07 SD-AMBIANCES DIVERSES +BM.2003.003.001/03:03-08 VC-CHANTE SOLO F & CHR MIXTE FEMME DE VANGJEL* ? +BM.2003.003.001/03:03-09 VP-PARLE +BM.2003.003.001/03:03-10 VC-CHANTE SOLO F & CHR MIXTE FEMME DE VANGJEL* +BM.2003.003.001/03:03-11 VP-PARLE +BM.2003.003.001/03:03-11 SD-AMBIANCES DIVERSES +BM.2003.003.001/03:03-12 VC-CHANTE SOLO H & CHR MIXTE VANGJEL* +BM.2003.003.001/03:03-13 VP-PARLE +BM.2003.003.001/03:03-13 SD-AMBIANCES DIVERSES +BM.2003.004.001/04:01-01 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-01 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-01 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-01 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-02 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-02 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-02 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-02 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-03 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-03 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-03 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-03 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-04 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-04 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-04 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-04 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-05 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-05 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-05 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-05 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-05 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-05 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-06 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-06 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-06 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-06 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-06 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-06 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-07 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-07 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-07 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-07 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-07 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-07 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-08 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-08 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-08 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-08 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-08 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-08 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-09 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-09 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-09 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-09 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-09 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-09 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-10 VC-CHANTE DUO F & CHR F VC-N 9 +BM.2003.004.001/04:01-10 VP-PARLE SOLO H 1 +BM.2003.004.001/04:01-10 AF-FLUTE AF-SIFFLET 1 +BM.2003.004.001/04:01-10 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-10 BC-BATTEMENTS DE MAINS 9 +BM.2003.004.001/04:01-10 BR-BRUITEUR BR-SEE n +BM.2003.004.001/04:01-11 VC-CHANTE CHR H VC-N +BM.2003.004.001/04:01-11 VA-CRIE H VA-N +BM.2003.004.001/04:01-11 IS-HOCHET-SONNAILLE IS-YONG +BM.2003.004.001/04:01-12 VC-CHANTE CHR H VC-N +BM.2003.004.001/04:01-12 VA-CRIE H VA-N +BM.2003.004.001/04:01-12 IS-HOCHET-SONNAILLE IS-YONG +BM.2003.004.001/04:01-13 VC-CHANTE CHR M VC-N +BM.2003.004.001/04:01-13 ATL-TROMPE LAT ATL-TLU 1 +BM.2003.004.001/04:01-13 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-13 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-13 IS-GRELOT IS-GBONG +BM.2003.004.001/04:01-13 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-14 VC-CHANTE CHR M VC-N +BM.2003.004.001/04:01-14 ATL-TROMPE LAT ATL-TLU 1 +BM.2003.004.001/04:01-14 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-14 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-14 IS-GRELOT IS-GBONG +BM.2003.004.001/04:01-14 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-15 VC-CHANTE CHR M VC-N +BM.2003.004.001/04:01-15 ATL-TROMPE LAT ATL-TLU 1 +BM.2003.004.001/04:01-15 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-15 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-15 IS-GRELOT IS-GBONG +BM.2003.004.001/04:01-15 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-16 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-16 M2V-TBR 2MEMB VARIABLE M2V-TANG 3 +BM.2003.004.001/04:01-16 IS-GRELOT IS-GBONG +BM.2003.004.001/04:01-16 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-17 M1C-TBR 1MEMB/CAISSE M1C-BAA 1 +BM.2003.004.001/04:01-17 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-17 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-18 M1C-TBR 1MEMB/CAISSE M1C-BAA DONA SOUMAHORO 1 +BM.2003.004.001/04:01-18 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-18 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-19 M1C-TBR 1MEMB/CAISSE M1C-BAA DONA SOUMAHORO 1 +BM.2003.004.001/04:01-19 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-19 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-20 M1C-TBR 1MEMB/CAISSE M1C-BAA DONA SOUMAHORO 1 +BM.2003.004.001/04:01-20 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:01-20 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:01-21 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-21 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-21 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-21 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-22 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-22 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-22 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-22 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-23 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-23 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-23 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-23 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-24 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-24 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-24 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-24 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-25 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-25 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-25 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-25 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-26 VC-CHANTE DUO ALTERNE H + CHR H VC-N 2+8 +BM.2003.004.001/04:01-26 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONCE 2 +BM.2003.004.001/04:01-26 CHL-HARPPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-26 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-27 VC-CHANTE SOLO H VC-N 1 +BM.2003.004.001/04:01-27 CHL-HARPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:01-27 BR-BRUITEUR BR-SEE 1 +BM.2003.004.001/04:01-28 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-28 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-28 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:01-29 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-29 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-29 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:01-30 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-30 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-30 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:01-31 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-31 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-31 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:01-32 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-32 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-32 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:01-33 VC-CHANTE SOLO F + CHR F VC-N +BM.2003.004.001/04:01-33 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:01-33 BC-BATTEMENTS DE MAINS BC-N +BM.2003.004.001/04:02-01 VC-CHANTE CHR H VC-N +BM.2003.004.001/04:02-01 BM-MIRLITON BM-N +BM.2003.004.001/04:02-02 VC-CHANTE CHR H VC-N 6 +BM.2003.004.001/04:02-02 M1C-TBR 1MEMB/CAISSE M1C-BAA 3 +BM.2003.004.001/04:02-02 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:02-02 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:02-03 VC-CHANTE CHR H VC-N 6 +BM.2003.004.001/04:02-03 M1C-TBR 1MEMB/CAISSE M1C-BAA 3 +BM.2003.004.001/04:02-03 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:02-03 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:02-04 VC-CHANTE CHR H VC-N 6 +BM.2003.004.001/04:02-04 M1C-TBR 1MEMB/CAISSE M1C-BAA 3 +BM.2003.004.001/04:02-04 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:02-04 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:02-05 VC-CHANTE CHR H VC-N 6 +BM.2003.004.001/04:02-05 M1C-TBR 1MEMB/CAISSE M1C-BAA 3 +BM.2003.004.001/04:02-05 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:02-05 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:02-05 VP-PARLE VP-N +BM.2003.004.001/04:02-06 VC-CHANTE CHR H VC-N 6 +BM.2003.004.001/04:02-06 M1C-TBR 1MEMB/CAISSE M1C-BAA 3 +BM.2003.004.001/04:02-06 IS-GRELOT IS-GBONG 1 +BM.2003.004.001/04:02-06 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:02-06 VP-PARLE VP-N +BM.2003.004.001/04:02-07 VC-CHANTE SOLO F VC-GBO 1 +BM.2003.004.001/04:02-07 VP-PARLE H+F VP-N +BM.2003.004.001/04:02-08 VC-CHANTE SOLO F VC-GBO 1 +BM.2003.004.001/04:02-08 VP-PARLE H+F VP-N +BM.2003.004.001/04:02-09 VC-CHANTE DUO H VC-N 2 +BM.2003.004.001/04:02-09 VA-CRIE H VA-N 1 +BM.2003.004.001/04:02-10 VA-CRIE H VA-N 1 +BM.2003.004.001/04:02-10 IFC-CLOCHE IFC-DOO 2 +BM.2003.004.001/04:02-11 VC-CHANTE SOLO F VC-ZLOO 1 +BM.2003.004.001/04:02-11 VA-PARLE H 1 +BM.2003.004.001/04:02-12 VC-CHANTE SOLO F VC-ZLOO 1 +BM.2003.004.001/04:02-12 VA-PARLE H 1 +BM.2003.004.001/04:02-13 VC-CHANTE SOLO F VC-ZLOO 1 +BM.2003.004.001/04:02-13 VA-PARLE H 1 +BM.2003.004.001/04:02-14 VC-CHANTE DUO ALTERNE + CHR F VC-N +BM.2003.004.001/04:02-14 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:02-15 VC-CHANTE DUO ALTERNE + CHR F VC-N +BM.2003.004.001/04:02-15 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:02-16 VC-CHANTE DUO ALTERNE + CHR F VC-N +BM.2003.004.001/04:02-16 M1C-TBR 1MEMB/CAISSE M1C-BAA 2 +BM.2003.004.001/04:02-17 VC-CHANT SOLO E ALTERNE + CHR E VC-N +BM.2003.004.001/04:02-18 VC-CHANT SOLO E ALTERNE + CHR E VC-N +BM.2003.004.001/04:02-19 VC-CHANT SOLO E ALTERNE + CHR E VC-N +BM.2003.004.001/04:02-20 VC-CHANT SOLO E ALTERNE + CHR E VC-N +BM.2003.004.001/04:02-21 VC-CHANT SOLO E ALTERNE + CHR E VC-N +BM.2003.004.001/04:03-01 VC-CHANTE SOLO H VC-N +BM.2003.004.001/04:03-01 VP-PARLE H VP-N +BM.2003.004.001/04:03-01 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONO 1 +BM.2003.004.001/04:03-01 IS-GRELOT IS-GBONG +BM.2003.004.001/04:03-02 VC-CHANTE SOLO H VC-N +BM.2003.004.001/04:03-02 VP-PARLE H VP-N +BM.2003.004.001/04:03-02 AFTS-FLUTE TERM SANS CONDUIT AFTS-SONO 1 +BM.2003.004.001/04:03-02 IS-GRELOT IS-GBONG +BM.2003.004.001/04:03-03 VC-CHANTE SOLO F VC-N +BM.2003.004.001/04:03-04 VC-CHANTE SOLO F VC-N +BM.2003.004.001/04:03-05 VC-CHANTE SOLO F VC-N +BM.2003.004.001/04:03-06 VC-CHANTE SOLO F VC-N +BM.2003.004.001/04:03-07 VC-CHANTE SOLO F VC-N +BM.2003.004.001/04:03-08 VC-CHANTE DUO H + CHR H VC-N 2+8 +BM.2003.004.001/04:03-08 VA-CRIE VA-CRIE +BM.2003.004.001/04:03-08 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:03-08 IS-SONNAILLES IS-YOKPO 2 +BM.2003.004.001/04:03-09 VC-CHANTE DUO H + CHR H VC-N 2+8 +BM.2003.004.001/04:03-09 VA-CRIE VA-CRIE +BM.2003.004.001/04:03-09 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:03-09 IS-SONNAILLES IS-YOKPO 2 +BM.2003.004.001/04:03-10 VC-CHANTE DUO H + CHR H VC-N 2+8 +BM.2003.004.001/04:03-10 VA-CRIE VA-CRIE +BM.2003.004.001/04:03-10 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:03-10 IS-SONNAILLES IS-YOKPO 2 +BM.2003.004.001/04:03-11 VX-COMPOSITE SOLO H VC-N GUE, TYEMOKO +BM.2003.004.001/04:03-12 VX-COMPOSITE SOLO H VC-N GUEU, BERNARD 1 +BM.2003.004.001/04:03-12 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:03-13 VX-COMPOSITE SOLO H VC-N GUEU, BERNARD +BM.2003.004.001/04:03-13 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:03-14 VX-COMPOSITE SOLO H VC-N GUEU, BERNARD 1 +BM.2003.004.001/04:03-14 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:03-15 VX-COMPOSITE SOLO H VC-N GUEU, BERNARD 1 +BM.2003.004.001/04:03-15 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:03-16 VX-COMPOSITE SOLO H VC-N GUEU, BERNARD 1 +BM.2003.004.001/04:03-16 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:03-17 VX-COMPOSITE SOLO F VX-N 1 +BM.2003.004.001/04:03-17 VC-CHANTE F VC-N 1 +BM.2003.004.001/04:03-18 VX-COMPOSITE SOLO H VX-N BLE, PROSPERE 1 +BM.2003.004.001/04:03-18 VC-CHANTE H VC-N 1 +BM.2003.004.001/04:04-01 VC-CHANTE SOLO H+TRI H VX-N 1+3 +BM.2003.004.001/04:04-01 IFC-IDIOPHONE FRAPPE CREUX IFC-N 3 +BM.2003.004.001/04:04-01 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:04-02 VC-CHANTE SOLO H+TRI H VX-N 1+3 +BM.2003.004.001/04:04-02 IFC-IDIOPHONE FRAPPE CREUX IFC-N 3 +BM.2003.004.001/04:04-02 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:04-03 VC-CHANTE SOLO H+TRI H VX-N 1+3 +BM.2003.004.001/04:04-03 IFC-IDIOPHONE FRAPPE CREUX IFC-N 3 +BM.2003.004.001/04:04-03 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:04-04 VC-CHANTE SOLO H+TRI H VX-N 1+3 +BM.2003.004.001/04:04-04 IFC-IDIOPHONE FRAPPE CREUX IFC-N 3 +BM.2003.004.001/04:04-04 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:04-05 VC-CHANTE SOLO H+TRI H VX-N 1+3 +BM.2003.004.001/04:04-05 IFC-IDIOPHONE FRAPPE CREUX IFC-N 3 +BM.2003.004.001/04:04-05 IS-HOCHET-SONNAILLE IS-YONG 1 +BM.2003.004.001/04:04-06 VC-CHANTE DUO ALTERNE H + CHR M VC-N 1+3 +BM.2003.004.001/04:04-06 M1C-TBR 1MEMB/CAISSE M1C-BAA +BM.2003.004.001/04:04-06 IS-SONNAILLES IS-ZE +BM.2003.004.001/04:04-06 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:04-07 VC-CHANTE DUO ALTERNE H + CHR M VC-N 1+3 +BM.2003.004.001/04:04-07 M1C-TBR 1MEMB/CAISSE M1C-BAA +BM.2003.004.001/04:04-07 IS-SONNAILLES IS-ZE +BM.2003.004.001/04:04-07 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:04-08 VC-CHANTE SOLO H VC-N 1 +BM.2003.004.001/04:04-08 CHL-HARPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:04-08 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:04-09 VC-CHANTE SOLO H VC-N 1 +BM.2003.004.001/04:04-09 CHL-HARPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:04-09 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:04-10 VC-CHANTE SOLO H VC-N 1 +BM.2003.004.001/04:04-10 CHL-HARPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:04-10 BR-BRUITEUR BR-SEE +BM.2003.004.001/04:04-11 VC-CHANTE SOLO H VC-N 1 +BM.2003.004.001/04:04-11 CHL-HARPE-LUTH CHL-KONG 1 +BM.2003.004.001/04:04-11 BR-BRUITEUR BR-SEE +BM.2003.005.001/05:01-01 VP-PARLE DUO ALTERNE VP-N 2 +BM.2003.005.001/05:01-02 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-03 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-04 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-05 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-06 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-07 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-08 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-09 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:01-10 +BM.2003.005.001/05:02-01 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:02-02 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:02-03 VP-PARLE DUO ALTERNE H VP-N 2 +BM.2003.005.001/05:02-04 VP-PARLE SOLO H VP-N 1 +BM.2003.005.001/05:02-05 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:02-06 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:02-07 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:02-08 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-01 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-02 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-03 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-04 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-05 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:03-06 VP-PARLE SOLO F VP-N 1 +BM.2003.005.001/05:04-01 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-02 VC-CHANTE SOLO & CHR MIXTE MA BENDYA +BM.2003.005.001/05:04-03 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-04 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-05 VC-CHANTE SOLO & CHR H PAPA BASI NETWAYE +BM.2003.005.001/05:04-06 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-07 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-08 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-09 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-10 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-11 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-12 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-13 VC-CHANTE SOLO & CHR H +BM.2003.005.001/05:04-14 VC-CHANTE SOLO & CHR H PAPA APAWLOBI +BM.2003.005.001/05:04-15 VC-CHANTE SOLO & CHR H PAPA APAWLOBI +BM.2003.005.001/05:04-16 V-VOIX H V-N +BM.2003.005.001/05:04-16 M-TBR M-TBR +BM.2003.005.001/05:04-16 I-IDIOPHONE +BM.2003.005.001/05:04-17 SD-AMBIANCES DIVERSES +BM.2003.005.001/05:04-17 +BM.2003.005.001/05:04-17 +BM.2003.005.001/05:04-18 SD-AMBIANCES DIVERSES +BM.2003.005.001/05:04-18 +BM.2003.005.001/05:04-18 +BM.2003.005.001/05:04-19 SD-AMBIANCES DIVERSES +BM.2003.005.001/05:04-19 +BM.2003.005.001/05:04-19 +BM.2003.005.001/05:04-20 SD-AMBIANCES DIVERSES +BM.2003.005.001/05:04-20 +BM.2003.005.001/05:04-20 +BM.2003.005.001/05:04-21 SD-AMBIANCES DIVERSES +BM.2003.005.001/05:04-21 +BM.2003.005.001/05:04-21 +BM.2003.005.001/05:04-22 SN-BRUITS DE LA NATURE +BM.2003.005.001/05:04-22 +BM.2003.005.001/05:04-22 +BM.2003.005.001/05:04-23 SN-BRUITS DE LA NATURE +BM.2003.005.001/05:04-23 SA-SONS ANIMAUX +BM.2003.005.001/05:04-23 +BM.2003.005.001/05:05-01 VP-PARLE DUO H PILIMAN & HURAULT 2 +BM.2003.005.001/05:05-01 +BM.2003.005.001/05:05-01 +BM.2003.005.001/05:05-02 VP-PARLE DUO H 2 +BM.2003.005.001/05:05-02 +BM.2003.005.001/05:05-02 +BM.2003.005.001/05:05-03 VP-PARLE DUO H ANAPAIKE & HURAULT 2 +BM.2003.005.001/05:05-03 +BM.2003.005.001/05:05-03 +BM.2003.005.001/05:05-04 VP-PARLE DUO H ANAPAIKE & HURAULT 2 +BM.2003.005.001/05:05-04 +BM.2003.005.001/05:05-04 +BM.2003.005.001/05:05-05 VP-PARLE DUO H KULIAMAN & HURAULT 2 +BM.2003.005.001/05:05-05 +BM.2003.005.001/05:05-05 +BM.2003.005.001/05:05-06>08 +BM.2003.010.001/29:01-01 VC-CHANTE SOLO H VC-N AHMED AL-KHAWLANI 1 +BM.2003.010.001/29:01-01 +BM.2003.010.001/29:01-02 VC-CHANTE SOLO H VC-N AHMED AL-KHAWLANI 1 +BM.2003.010.001/29:01-02 +BM.2003.010.001/29:01-03 VC-CHANTE SOLO H VC-N AHMED AL-KHAWLANI 1 +BM.2003.010.001/29:01-03 +BM.2003.010.001/29:01-04 VC-CHANTE SOLO & CHR H VC-N SALIH MOHAMMED AL-SHAHIDI 1+n +BM.2003.010.001/29:01-04 +BM.2003.010.001/29:01-05 VC-CHANTE SOLO & CHR H VC-N SALIH MOHAMMED AL-SHAHIDI 1+n +BM.2003.010.001/29:01-05 +BM.2003.010.001/29:01-06 VC-CHANTE SOLO & CHR H VC-N SALIH MOHAMMED AL-SHAHIDI 1+n +BM.2003.010.001/29:01-06 +BM.2003.010.001/29:01-07 VC-CHANTE SOLO & CHR H VC-N SALIH MOHAMMED AL-SHAHIDI 1+n +BM.2003.010.001/29:01-07 +BM.2003.010.001/29:01-08 VC-CHANTE SOLO & CHR H VC-N SALIH MOHAMMED AL-SHAHIDI 1+n +BM.2003.010.001/29:01-08 +BM.2003.010.001/29:02-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:02-01 M2C-TBR 2MEMB/CAISSE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:02-02 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:02-02 M2C-TBR 2MEMB/CAISSE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:03-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:03-01 M2C-TBR 2MEMB/CAISSE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:03-02 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:03-02 M2C-TBR 2MEMB/CAISSE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:04-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:04-01 M2D-TBR 2MEMB/CADRE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:04-02 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:04-02 M2C-TBR 2MEMB/CAISSE M2C-TABL 'ABDALLAH AL-JABRI 1 +BM.2003.010.001/29:05-01 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-01 +BM.2003.010.001/29:05-02 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:05-02 +BM.2003.010.001/29:06-01 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-01 +BM.2003.010.001/29:06-02 VC-CHANTE SOLO H & CHR H VC-N 1+n +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-02 +BM.2003.010.001/29:06-03 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:06-03 +BM.2003.010.001/29:07-01 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:07-01 +BM.2003.010.001/29:08-01 VC-CHANTE SOLO H & CHR H VC-N AHMED JAWDAM 1+n +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:08-01 +BM.2003.010.001/29:09-01 VC-CHANTE SOLO H VC-N MUEZZIN, INCONNU 1 +BM.2003.010.001/29:09-01 VC-CHANTE SOLO H VC-N AUTRE MUEZZIN 1 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-01 +BM.2003.010.001/29:09-02 VC-CHANTE SOLO H & CHR H VC-N 'ABDALLAH AL-HAMMAMI 1+n +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:09-02 +BM.2003.010.001/29:10-01 VC-CHANTE SOLO H & CHR H VC-N MOHAMMED 'ATIYA 1+n +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-01 +BM.2003.010.001/29:10-02 VC-CHANTE SOLO H & CHR H VC-N 'ABDALLAH AL-HAMMAMI 1+n +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:10-02 +BM.2003.010.001/29:11-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-01 +BM.2003.010.001/29:11-02 VC-CHANTE SOLO H & CHR H VC-N 'ABDALLAH AL-HAMMAMI 1+n +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-02 +BM.2003.010.001/29:11-03 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:11-03 +BM.2003.010.001/29:12-01 VC-CHANTE SOLO H VC-N 'Abdallah al-Hammâmî 1+n +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:12-01 +BM.2003.010.001/29:13-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-01 +BM.2003.010.001/29:13-02 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-02 +BM.2003.010.001/29:13-03 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-03 +BM.2003.010.001/29:13-04 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:13-04 +BM.2003.010.001/29:14-01 VC-CHANTE SOLO H VC-N 'Abdallah al-Hammâmî 1 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-01 +BM.2003.010.001/29:14-02 VC-CHANTE SOLO VC-N Mohammed Husayn 1 +BM.2003.010.001/29:14-02 +BM.2003.010.001/29:14-03 VC-CHANTE SOLO VC-N MOHAMMED HUSAYN 1 +BM.2003.010.001/29:14-03 +BM.2003.010.001/29:14-04 VC-CHANTE SOLO VC-N 'ABDALLAH AL-ANISI 1 +BM.2003.010.001/29:14-04 +BM.2003.010.001/29:14-05 VC-CHANTE SOLO & CHR H VC-N anonymes 1+n +BM.2003.010.001/29:14-05 +BM.2003.010.001/29:14-05 +BM.2003.010.001/29:14-05 +BM.2003.010.001/29:14-06 VC-CHANTE SOLO & CHR F VC-N 1+n +BM.2003.010.001/29:14-06 +BM.2003.010.001/29:14-07 VC-CHANTE SOLO & CHR H VC-N anonymes 1+n +BM.2003.010.001/29:14-07 +BM.2003.010.001/29:14-07 +BM.2003.010.001/29:14-07 +BM.2003.010.001/29:14-08 VC-CHANTE SOLO & CHR F VC-N 1+n +BM.2003.010.001/29:14-08 +BM.2003.010.001/29:15-01 VC-CHANTE SOLO & CHR H VC-N anonymes 1+n +BM.2003.010.001/29:15-01 +BM.2003.010.001/29:15-01 +BM.2003.010.001/29:15-01 +BM.2003.010.001/29:15-02 VC-CHANTE SOLO H & CHR H VC-N Ahmed 'Alî 1+n +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-02 +BM.2003.010.001/29:15-03 VC-CHANTE SOLO & CHR H VC-N Ahmed 'Alî 1+n +BM.2003.010.001/29:15-03 +BM.2003.010.001/29:15-03 +BM.2003.010.001/29:15-03 +BM.2003.010.001/29:15-04 VC-CHANTE SOLO & CHR F VC-N Groupe de femmes 1+n +BM.2003.010.001/29:15-04 +BM.2003.010.001/29:15-05 VC-CHANTE SOLO & CHR H VC-N ANONYMES 1+n +BM.2003.010.001/29:15-05 +BM.2003.010.001/29:15-05 +BM.2003.010.001/29:15-05 +BM.2003.010.001/29:15-06 VC-CHANTE SOLO & CHR H VC-N ANONYMES 1+n +BM.2003.010.001/29:15-06 +BM.2003.010.001/29:15-06 +BM.2003.010.001/29:15-06 +BM.2003.010.001/29:16-01 VC-CHANTE SOLO & CHR F VC-N 'AMMA MUHSINA 1+n +BM.2003.010.001/29:16-01 +BM.2003.010.001/29:16-02 VC-CHANTE SOLO & CHR H VC-N HUSAYN NASIR ABU GHANEM 1+n +BM.2003.010.001/29:16-02 +BM.2003.010.001/29:16-02 +BM.2003.010.001/29:16-02 +BM.2003.010.001/29:17-01 VC-CHANTE SOLO & CHR F VC-N RAJA 1+n +BM.2003.010.001/29:17-01 +BM.2003.010.001/29:17-02 VC-CHANTE SOLO & CHR H VC-N Husayn Nâsir Abû Ghânem 1+n +BM.2003.010.001/29:17-02 +BM.2003.010.001/29:17-02 +BM.2003.010.001/29:17-02 +BM.2003.010.001/29:17-03 VC-CHANTE SOLO & CHR H VC-N HUSAYN NASIR ABU GHANEM 1+n +BM.2003.010.001/29:17-03 +BM.2003.010.001/29:17-03 +BM.2003.010.001/29:17-03 +BM.2003.010.001/29:18-01 VC-CHANTE SOLO & CHR H VC-N HUSAYN NASIR ABU GHANEM 1+n +BM.2003.010.001/29:18-01 +BM.2003.010.001/29:18-01 +BM.2003.010.001/29:18-01 +BM.2003.010.001/29:18-02 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:18-02 CL-LUTH CL-'UD AHMED MUHARRAM 1 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-02 +BM.2003.010.001/29:18-03 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:18-03 CL-LUTH CL-'UD AHMED MUHARRAM 1 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:18-03 +BM.2003.010.001/29:19-01 CL-LUTH CL-TURBI AHMED MUHARRAM 1 +BM.2003.010.001/29:19-01 CL-LUTH +BM.2003.010.001/29:19-01 +BM.2003.010.001/29:19-01 +BM.2003.010.001/29:19-01 +BM.2003.010.001/29:19-01 +BM.2003.010.001/29:20-01 CL-LUTH CL-TURBI AHMED MUHARRAM 1 +BM.2003.010.001/29:20-01 CL-LUTH +BM.2003.010.001/29:20-01 +BM.2003.010.001/29:20-01 +BM.2003.010.001/29:20-01 +BM.2003.010.001/29:20-01 +BM.2003.010.001/29:20-02 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:20-02 CL-LUTH CL-TURBI AHMED MUHARRAM 1 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:20-02 +BM.2003.010.001/29:21-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:21-01 +BM.2003.010.001/29:22-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:22-01 +BM.2003.010.001/29:23-01 VC-CHANTE SOLO H VC-N 'ABDALLAH AL-HAMMAMI 1 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:23-01 +BM.2003.010.001/29:24-01 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:24-01 CL-LUTH CL-'UD AHMED MUHARRAM 1 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:24-01 +BM.2003.010.001/29:25-01 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:25-01 CL-LUTH CL-'UD AHMED MUHARRAM 1 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-01 +BM.2003.010.001/29:25-02 VC-CHANTE SOLO & CHR H VC-N ANONYMES 1+n +BM.2003.010.001/29:25-02 +BM.2003.010.001/29:25-02 +BM.2003.010.001/29:25-02 +BM.2003.010.001/29:26-01 VC-CHANTE SOLO H VC-N AHMED MUHARRAM 1 +BM.2003.010.001/29:26-01 CL-LUTH CL-'UD AHMED MUHARRAM 1 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-01 +BM.2003.010.001/29:26-02 VC-CHANTE SOLO H VC-N inconnus n +BM.2003.010.001/29:26-02 +BM.2003.010.001/29:26-02 +BM.2003.010.001/29:27-01 VC-CHANTE 2CHR ALTERNES H ANONYMES n +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-01 +BM.2003.010.001/29:27-02 VC-CHANTE SOLO H VC-N ANONYMES n +BM.2003.010.001/29:27-02 +BM.2003.010.001/29:28-01 VC-CHANTE SOLO H VC-N INCONNU n +BM.2003.010.001/29:28-01 +BM.2003.010.001/29:28-02 VC-CHANTE SOLO H VC-N INCONNU n +BM.2003.010.001/29:28-02 +BM.2003.010.001/29:29-01 CL-LUTH CL-TURBI AHMED MUHARRAM 1 +BM.2003.010.001/29:29-01 +BM.2003.010.001/29:29-01 +BM.2003.010.001/29:29-01 +BM.2003.010.001/29:29-01 +BM.2003.011.001:01-01 V-VOIX SOLO H TARA LAMA* 1 +BM.2003.011.001:01-01 ATT-TROMPE TERM ATT-RKANG GLING 1 +BM.2003.011.001:01-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.2003.011.001:01-02 VP-PARLE F VP-N $ ±10 +BM.2003.011.001:01-02 AT-TROMPE AT-GCOD-DAR 1 +BM.2003.011.001:01-02 AT-TROMPE AT-RKAN GLIN +BM.2003.011.001:01-03 VP-PARLE F VP-N $ ±10 +BM.2003.011.001:01-03 AT-TROMPE AT-GCOD-DAR 1 +BM.2003.011.001:01-03 AT-TROMPE AT-RKAN GLIN +BM.2003.012.001:01-01 VC-CHANTE SOLO & CHR H VC-N ±10 +BM.2003.012.001:01-01 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-02 VC-CHANTE SOLO H VC-N +BM.2003.012.001:01-02 CV-VIELE CV-YEEYGENEERU 1 +BM.2003.012.001:01-02 CL-LUTH CL-JURKEL 1 +BM.2003.012.001:01-02 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE 1 +BM.2003.012.001:01-03 VC-CHANTE CHR H VC-N ±10 +BM.2003.012.001:01-03 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-04 VC-CHANTE SOLO H VC-N +BM.2003.012.001:01-04 CL-LUTH CL-JURKEL 1 +BM.2003.012.001:01-04 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE 1 +BM.2003.012.001:01-05 VC-CHANTE CHR H VC-N ±10 +BM.2003.012.001:01-05 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-06 VC-CHANTE CHR H VC-N ±10 +BM.2003.012.001:01-06 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-07 VC-CHANTE CHR H VC-N ±10 +BM.2003.012.001:01-07 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-08 VC-CHANTE SOLO & DUO H VC-N 2 +BM.2003.012.001:01-08 AABS-CLARINETTE AABS-BOOBOLI'AL 2 +BM.2003.012.001:01-08 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE 1 +BM.2003.012.001:01-09 VP-PARLE SOLO H VP-N 1 +BM.2003.012.001:01-09 CL-LUTH CL-HODDU 1 +BM.2003.012.001:01-10 VC-CHANTE CHR H VC-N ±10 +BM.2003.012.001:01-10 IFC-IDIOPHONE FRAPPE CREUX IFC-TUMMBUDE +BM.2003.012.001:01-11 VA-COMPOSITE SOLO & CHR H VP-N 1+N +BM.2003.012.001:01-11 CL-LUTH CL-HODDU 1 +BM.2003.014.001:01-01 BABAJI +BM.2003.014.001:01-02 KOSHALYA +BM.2003.014.001:01-03 RAM TMPA &SUNI RAM +BM.2003.014.001:01-04 DON AUGUSTIN -RIVAS-VASQUEZ +BM.2003.014.001:01-05 MICHELINE FORESTAL +BM.2003.014.001:01-06 KANUCAS LITTLEFISH +BM.2004.001.001/08:01-01>08 VC-CHANTE SOLO F CHERIFA ARGOUBI 1 +BM.2004.001.001/08:01-01>08 IS-TAMIS 1 +BM.2004.001.001/08:01-09>12 VC-CHANTE SOLO F CHERIFA ARGOUBI 1 +BM.2004.001.001/08:02-01 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-01 SD-AMBIANCES DIVERSES +BM.2004.001.001/08:02-01 VA-YOUYOU SOLO F 1 +BM.2004.001.001/08:02-02 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-02 VA-YOUYOU SOLO F 1 +BM.2004.001.001/08:02-03 VC-CHANTE SOLO ALTERNE F GEMA FERCHICHI;CHERIFA ARGOUBI 2 +BM.2004.001.001/08:02-03 SD-AMBIANCES DIVERSES +BM.2004.001.001/08:02-04 VC-CHANTE SOLO ALTERNE F & CHR F GEMA FERCHICHI + F N +BM.2004.001.001/08:02-04 BC-BATTEMENTS DE MAINS +BM.2004.001.001/08:02-04 VA-YOUYOU +BM.2004.001.001/08:02-04 VP-ENQUETE +BM.2004.001.001/08:02-05 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-05 SD-AMBIANCES DIVERSES +BM.2004.001.001/08:02-05 VA-YOUYOU F +BM.2004.001.001/08:02-06 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-06 SD-AMBIANCES DIVERSES +BM.2004.001.001/08:02-07 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-08 VP-ENQUETE GEMA FERCHICHI 1 +BM.2004.001.001/08:02-09 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-10 VC-CHANTE CHR F GEMA FERCHICHI & AUTRES F N +BM.2004.001.001/08:02-10 SD-AMBIANCES DIVERSES +BM.2004.001.001/08:02-11 VC-CHANTE SOLO F GEMA FERCHICHI 1 +BM.2004.001.001/08:02-12 VC-CHANTE DUO F GEMA & FEZA FERCHICHI 2 +BM.2004.001.001/08:02-13 VC-CHANTE CHR F GEMA FERCHICHI & AUTRES F N +BM.2004.001.001/08:03-01 VC-CHANTE SOLO ALTERNE F CHERIFA AGOUBI & ARMA CLAAI 2 +BM.2004.001.001/08:03-01 VA-YOUYOU +BM.2004.001.001/08:03-02 VC-CHANTE SOLO ALTERNE F CHERIFA AGOUBI & FATMA HAMMAMI 2 +BM.2004.001.001/08:03-02 VA-YOUYOU +BM.2004.001.001/08:03-03 VC-CHANTE SOLO F & CHR F N +BM.2004.001.001/08:03-03 VA-YOUYOU +BM.2004.001.001/08:03-04 VC-CHANTE SOLO ALTERNE F CHERIFA AGOUBI & ARMA CLAAI 2 +BM.2004.001.001/08:03-04 VA-YOUYOU +BM.2004.001.001/08:03-04 VP-PARLE F N +BM.2004.001.001/08:03-05 VC-CHANTE SOLO ALTERNE F CHERIFA AGOUBI & AHASNET HAMMAMI 2 +BM.2004.001.001/08:03-05 VP-PARLE F N +BM.2004.001.001/08:03-06 VC-CHANTE SOLO ALTERNE F & CHR F CHERIFA AGOUBI & AHASNET HAMMAMI 2+N 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GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-04 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-05 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-05 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-05 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-05 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-05 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-05 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-05 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-05 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-05 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-06 VP-PARLE SOLO H +BM.2005.011.001/07:01-07 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-07 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-07 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-07 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-07 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-07 IFP-XYLOPHONE IFP-RONEAT THOM 1 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IE-CHHING 1 +BM.2005.011.001/07:01-11 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-11 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-11 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-11 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-11 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-12 VP-PARLE SOLO H +BM.2005.011.001/07:01-13 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-13 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-13 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-13 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-13 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-13 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-13 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-13 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-13 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-14 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-14 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-14 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-14 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-14 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-14 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-14 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-14 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-14 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-15 VP-PARLE SOLO H +BM.2005.011.001/07:01-16 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-16 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-16 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-16 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-16 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-16 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-16 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-16 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-16 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-17 VP-PARLE SOLO H +BM.2005.011.001/07:01-18 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-18 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-18 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-18 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-18 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-18 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-18 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-18 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-18 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-19 VP-PARLE SOLO H +BM.2005.011.001/07:01-20 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-20 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-20 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-20 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-20 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-20 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-20 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-20 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-20 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-21 VP-PARLE SOLO H +BM.2005.011.001/07:01-22 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-22 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-22 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-22 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-22 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-22 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-22 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-22 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-22 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-23 VP-PARLE SOLO H +BM.2005.011.001/07:01-24 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-24 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-24 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-24 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-24 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-24 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-24 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-24 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-24 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-25 VP-PARLE SOLO H +BM.2005.011.001/07:01-26 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-26 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-26 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:01-26 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:01-26 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:01-26 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:01-26 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:01-26 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:01-26 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:01-27 VP-PARLE SOLO H +BM.2005.011.001/07:01-28 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:01-28 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:01-28 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 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M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-16 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-16 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-16 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-16 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-16 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-16 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-17 VP-PARLE SOLO H +BM.2005.011.001/07:02-18 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-18 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-18 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-18 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-18 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-18 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-18 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-18 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-18 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-19 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-19 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-19 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-19 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-19 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-19 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-19 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-19 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-19 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-20 VA-CHANTE-PARLE SOLO H +BM.2005.011.001/07:02-20 M2-TBR 2MEMB 1 +BM.2005.011.001/07:02-21 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-21 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-21 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-21 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-21 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-21 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-21 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-21 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-21 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-22 VP-PARLE SOLO H +BM.2005.011.001/07:02-23 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-23 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-23 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-23 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-23 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-23 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-23 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-23 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-23 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-24 VX-COMPOSITE DUO ALTERNE H +BM.2005.011.001/07:02-25 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-25 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-25 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-25 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-25 IFP-XYLOPHONE IFP-RONEAT EK 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IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-28 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-28 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-28 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-28 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-28 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-29 VP-PARLE SOLO H +BM.2005.011.001/07:02-30 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-30 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-30 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-30 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-30 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-30 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-30 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-30 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-30 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-31 VP-PARLE SOLO H +BM.2005.011.001/07:02-32 ORCH-ORCHESTRE ORCH-PINPEAT 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IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-35 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-35 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-35 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-35 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-35 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-35 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-35 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-35 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-35 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.011.001/07:02-36 VP-PARLE SOLO H +BM.2005.011.001/07:02-37 ORCH-ORCHESTRE ORCH-PINPEAT +BM.2005.011.001/07:02-37 M2-TBR 2MEMB M2-SAMPHO 2 +BM.2005.011.001/07:02-37 M2C-TBR 2MEMB/CAISSE M2C-SKOR THOM 1 +BM.2005.011.001/07:02-37 IE-PAIRE CYMBALES IE-CHHING 1 +BM.2005.011.001/07:02-37 IFP-XYLOPHONE IFP-RONEAT EK +BM.2005.011.001/07:02-37 IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-37 IFP-METALLOPHONE IFP-RONEAT DEYK 1 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IFP-XYLOPHONE IFP-RONEAT THOM 1 +BM.2005.011.001/07:02-40 IFP-METALLOPHONE IFP-RONEAT DEYK 1 +BM.2005.011.001/07:02-40 IFC-SERIE DE GONGS IFC-KONG THOM 1 +BM.2005.011.001/07:02-40 IFC-SERIE DE GONGS IFC-KONG TOUCH 1 +BM.2005.013.001/29:01-01>99 VP-PARLE NE'AMBAA 2 +BM.2005.013.001/29:01-01>99 NE'SULO +BM.2005.013.001/29:02-01>98 VP-PARLE NE'AMBAA 2 +BM.2005.013.001/29:02-01>98 NE'SULO +BM.2005.013.001/29:03-01>27 VP-PARLE NE'AMBAA 2 +BM.2005.013.001/29:03-01>27 NE'SULO +BM.2005.013.001/29:03-28>71 VC-CHANTE SOLO & CHR H 40 +BM.2005.013.001/29:04-01>03 VC-CHANTE SOLO H & CHR H GROUPE DE RANTETAYO 40 +BM.2005.013.001/29:04-04>34 VC-CHANTE SOLO H & CHR H 40 +BM.2005.013.001/29:05-01>10 VC-CHANTE SOLO H & CHR H 40 +BM.2005.013.001/29:05-11>25 VC-CHANTE SOLO H OFFICIANT BURAKE NE'LUMBAA 1 +BM.2005.013.001/29:05-26>31 VC-CHANTE CHR H 10 +BM.2005.013.001/29:05-32>42 VC-CHANTE CHR H 9 +BM.2005.013.001/29:05-43>73 VC-CHANTE CHR H +BM.2005.013.001/29:05-74>80 VC-CHANTE CHR MIXTE 15 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MIXTE 50 +BM.2005.013.001/29:24-03 VC-CHANTE CHR H 50 +BM.2005.013.001/29:24-04 VC-CHANTE CHR MIXTE 50 +BM.2005.013.001/29:24-05 VC-CHANTE CHR MIXTE 50 +BM.2005.013.001/29:24-06 VC-CHANTE CHR H 50 +BM.2005.013.001/29:24-07>08 VC-CHANTE CHR H 50 +BM.2005.013.001/29:24-09 VC-CHANTE CHR H 50 +BM.2005.013.001/29:24-09 IFC-SERIE DE GONGS IFC-PADALING GROUPE DE BARUPPU' 6 +BM.2005.013.001/29:24-10>12 VC-CHANTE CHR H 16 +BM.2005.013.001/29:25-01 VC-CHANTE SOLO & CHR H 16 +BM.2005.013.001/29:25-02>04 VC-CHANTE CHR MIXTE +BM.2005.013.001/29:25-05 VC-CHANTE CHR MIXTE +BM.2005.013.001/29:25-06 VC-CHANTE CHR MIXTE 20 +BM.2005.013.001/29:25-07>08 VC-CHANTE CHR MIXTE 30 +BM.2005.013.001/29:25-09 VC-CHANTE SOLO & CHR H 15 +BM.2005.013.001/29:26-01>04 VC-CHANTE CHR F 12 +BM.2005.013.001/29:26-05 VC-CHANTE F 2 +BM.2005.013.001/29:26-05 AFTC-FLUTE TERM CONDUIT 1 +BM.2005.013.001/29:26-06 VC-CHANTE CHR H 20 +BM.2005.013.001/29:26-06 M2-TBR 2MEMB 1 +BM.2005.013.001/29:26-07 VC-CHANTE CHR H 30 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CV-VIELE HOU K'IN * 1 +BM.1958.008.001/08:02-03 AFL-FLUTE LAT AFL-N * 1 +BM.1958.008.001/08:02-04 CV-VIELE * 1 +BM.1958.008.001/08:02-05 VC-CHANTE SOLO F VC-N LE THI LAN 1 +BM.1958.008.001/08:02-06 CC-CITHARE/TABLE CC-DAN TRANH BUU LOC 1 +BM.1958.008.001/08:03-01 VC-CHANTE DUO F VC-N 2 +BM.1958.008.001/08:03-01 IFC-GONG IFC-GONG N +BM.1958.008.001/08:03-02 VC-CHANTE DUO F VC-N 2 +BM.1958.008.001/08:03-02 IFC-GONG IFC-GONG N +BM.1958.008.001/08:03-03 VC-CHANTE DUO F VC-N 2 +BM.1958.008.001/08:03-03 +BM.1958.008.001/08:03-04 VC-CHANTE DUO F VC-N SAO VAN DI 2 +BM.1958.008.001/08:03-04 +BM.1958.008.001/08:03-05 VC-CHANTE TRIO H VC-N 3 +BM.1958.008.001/08:03-05 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.1958.008.001/08:03-05 BC-BATTEMENTS DE MAINS N +BM.1958.008.001/08:03-06 VC-CHANTE SOLO H VC-N 1 +BM.1958.008.001/08:03-06 IFC-GONG N +BM.1958.008.001/08:03-07 VC-CHANTE SOLO F VC-N 1 +BM.1958.008.001/08:03-07 +BM.1958.008.001/08:03-08 VC-CHANTE CHR MIXTE VC-N N +BM.1958.008.001/08:03-08 +BM.1958.008.001/08:03-09 VC-CHANTE TRIO F VC-N 3 +BM.1958.008.001/08:03-09 IFC-GONG N +BM.1958.008.001/08:04-01 AAL-ANCHE LIBRE/TUYAU DDING NAM 1 +BM.1958.008.001/08:04-02 AAL-ANCHE LIBRE/TUYAU DDING NAM 1 +BM.1958.008.001/08:04-03 AAL-ANCHE LIBRE/TUYAU DDING BUOT 1 +BM.1958.008.001/08:04-04 IFC-GONG N +BM.1958.008.001/08:04-04 M2-TBR 2MEMB 1 +BM.1958.008.001/08:04-05 IFC-GONG N +BM.1958.008.001/08:04-05 M2-TBR 2MEMB 1 +BM.1958.008.001/08:04-06 IFC-GONG N +BM.1958.008.001/08:04-06 M2-TBR 2MEMB 1 +BM.1958.008.001/08:04-07 AAL-ANCHE LIBRE/TUYAU DDING BUOT 1 +BM.1958.008.001/08:04-07 VP-PARLE VP-N N +BM.1958.008.001/08:04-08 AFL-FLUTE LAT 1 +BM.1958.008.001/08:05-01 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-01 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-01 IFC-GONG N +BM.1958.008.001/08:05-01 IS-SONNAILLES N +BM.1958.008.001/08:05-02 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-02 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-02 IFC-GONG N +BM.1958.008.001/08:05-02 IS-SONNAILLES N +BM.1958.008.001/08:05-03 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-03 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-03 IFC-GONG N +BM.1958.008.001/08:05-03 +BM.1958.008.001/08:05-04 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-04 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-04 IFC-GONG N +BM.1958.008.001/08:05-04 +BM.1958.008.001/08:05-05 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-05 IFC-GONG N +BM.1958.008.001/08:05-05 +BM.1958.008.001/08:05-06 IFP-XYLOPHONE 1 +BM.1958.008.001/08:05-06 IFC-GONG N +BM.1958.008.001/08:05-06 +BM.1958.008.001/08:05-07 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-07 +BM.1958.008.001/08:05-08 VC-CHANTE DUO F 2 +BM.1958.008.001/08:05-08 CC-CITHARE/TUBE 1 +BM.1958.008.001/08:05-09 CC-CITHARE/TUBE 1 +BM.1958.008.001/08:05-09 IS-GRELOT N +BM.1958.008.001/08:05-10 VC-CHANTE DUO F 2 +BM.1958.008.001/08:05-10 CC-CITHARE/TUBE 1 +BM.1958.008.001/08:05-11 IS-GRELOT N +BM.1958.008.001/08:05-11 IFC-GONG N +BM.1958.008.001/08:05-11 VA-CRIE H 1 +BM.1958.008.001/08:05-12 CC-CITHARE/TUBE 1 +BM.1958.008.001/08:05-13 IFC-GONG N +BM.1958.008.001/08:05-13 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-14 IFC-GONG N +BM.1958.008.001/08:05-14 M2-TBR 2MEMB 1 +BM.1958.008.001/08:05-15 AAL-ANCHE LIBRE/TUYAU 1 +BM.1958.008.001/08:05-15 +BM.1958.008.001/08:05-16 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:05-16 IFC-GONG ROKEL N +BM.1958.008.001/08:06-01 CC-CITHARE/TABLE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-01 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-01 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-01 AFL-FLUTE LAT SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-01 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-02 CC-CITHARE/TABLE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-02 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-02 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-02 AFL-FLUTE LAT SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-02 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-03 CC-CITHARE/TUBE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-03 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-03 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-03 AFL-FLUTE LAT SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-03 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-04 CC-CITHARE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-04 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-04 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-04 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-04 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-05 CC-CITHARE/TUBE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-05 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-05 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-05 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-05 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-06 CC-CITHARE/TUBE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-06 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-06 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-06 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-06 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-07 CC-CITHARE/TABLE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-07 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-07 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-07 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-07 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-08 CC-CITHARE/TABLE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-08 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-08 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-08 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-08 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-09 CC-CITHARE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-09 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-09 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-09 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-09 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-10 CC-CITHARE/TABLE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-10 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-10 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-10 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-10 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-11 CC-CITHARE CC-DAN TRANH GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-11 CL-LUTH CL-DAN NGUYET GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-11 CL-LUTH DAN TY BA GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-11 AFL-FLUTE LAT AFL-SAO GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-11 CV-VIELE CV-DAN NHI GROUPE HUONG DONG 1 +BM.1958.008.001/08:06-12 VC-CHANTE SOLO F AI LIEN 1 +BM.1958.008.001/08:06-12 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:06-12 CC-CITHARE/TUBE CC-DAN TRANH 1 +BM.1958.008.001/08:06-12 CV-VIELE CV-DAN NHI 1 +BM.1958.008.001/08:06-12 CV-VIELE CV-DAN GAO 1 +BM.1958.008.001/08:06-13 VC-CHANTE SOLO F AI LIEN 1 +BM.1958.008.001/08:06-13 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:06-13 CV-VIELE CV-DAN NHI 1 +BM.1958.008.001/08:06-14 VC-CHANTE SOLO F AI LIEN 1 +BM.1958.008.001/08:06-14 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:06-14 CV-VIELE CV-DAN NHI 1 +BM.1958.008.001/08:07-01 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-01 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-01 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-01 M2-TBR 2MEMB 1 +BM.1958.008.001/08:07-02 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-02 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-02 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-02 M2-TBR 2MEMB 1 +BM.1958.008.001/08:07-03 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-03 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-03 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-03 M2-TBR 2MEMB 1 +BM.1958.008.001/08:07-04 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-04 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-04 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-04 M-TBR 1 +BM.1958.008.001/08:07-05 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-05 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-05 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-05 M2-TBR 2MEMB 1 +BM.1958.008.001/08:07-06 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:07-06 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:07-06 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:07-06 M2-TBR 2MEMB 1 +BM.1958.008.001/08:08-01 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-01 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-01 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-01 M2-TBR 2MEMB N +BM.1958.008.001/08:08-02 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-02 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-02 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-02 M2-TBR 2MEMB N +BM.1958.008.001/08:08-03 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-03 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-03 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-03 M2-TBR 2MEMB N +BM.1958.008.001/08:08-04 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-04 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-04 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-04 M2-TBR 2MEMB N +BM.1958.008.001/08:08-05 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-05 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-05 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-05 M-TBR N +BM.1958.008.001/08:08-06 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-06 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-06 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-06 M2-TBR 2MEMB N +BM.1958.008.001/08:08-07 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-07 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-07 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-07 M-TBR N +BM.1958.008.001/08:08-08 VC-CHANTE SOLO H 1 +BM.1958.008.001/08:08-08 CL-LUTH CL-DAN NGUYET 1 +BM.1958.008.001/08:08-08 IF-IDIOPHONE FRAPPE N +BM.1958.008.001/08:08-08 M-TBR N +BM.1959.002_0001 CC-CITHARE/TABLE CC-DAN DOC HUYEN 1 +BM.1959.002_0001 CV-VIELE CV-DAN NHI 1 +BM.1959.002_0001 CL-LUTH CL-DAN NGUYET 1 +BM.1959.002_0001 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1959.002_0001 AFL-FLUTE LAT AFL-SAO 1 +BM.1959.002_0001 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1959.002_0002 AABD-HAUTBOIS AABD-KEN SONG HI 1 +BM.1959.002_0002 CV-VIELE CV-DAN CO 2 +BM.1959.002_0002 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1959.002_0002 M1-TBR 1MEMB M1-BONG 1 +BM.1959.002_0002 IFP-IDIOPHONE FRAPPE PLEIN IFP-TIEU MOC 1 +BM.1959.002_0002 IE-CLAQUETTES IE-PHACH 1 +BM.1959.002_0003 AABD-HAUTBOIS AABD-KEN SONG HI 1 +BM.1959.002_0003 CL-LUTH CL-DAN KIM 1 +BM.1959.002_0003 CV-VIELE CV-DAN CO 1 +BM.1959.002_0003 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1959.002_0003 M1-TBR 1MEMB M1-DAU 1 +BM.1959.002_0003 IE-CLAQUETTES IE-PHACH 1 +BM.1959.002_0004 AABD-HAUTBOIS AABD-KEN SONG HI 1 +BM.1959.002_0004 M1-TBR 1MEMB M1-DAU 1 +BM.1959.002_0004 IFC-GONG IFC-PHENG LA 1 +BM.1967.014.001:01-01 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-01 CC-CITHARE/TUBE CC-DDONG NOT 1 +BM.1967.014.001:01-02 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-02 CC-CITHARE/TUBE CC-DDONG NOT 1 +BM.1967.014.001:01-03 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-03 CC-CITHARE/TUBE CC-DDONG NOT 1 +BM.1967.014.001:01-04 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-04 CC-CITHARE/TUBE CC-DDONG NOT 1 +BM.1967.014.001:01-04 IE-CLAQUETTES 1 +BM.1967.014.001:01-05 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-06 VC-CHANTE DUO F 2 +BM.1967.014.001:01-06 BC-BATTEMENTS DE MAINS 2 +BM.1967.014.001:01-07 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-07 BC-BATTEMENTS DE MAINS 1 +BM.1967.014.001:01-08 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-08 BC-BATTEMENTS DE MAINS 1 +BM.1967.014.001:01-08 VC-CHANTE SOLO F 1 +BM.1967.014.001:01-08 VA-SIFFLE 1 +BM.1967.014.001:01-09 VC-CHANTE SOLO H NOT 1 +BM.1967.014.001:01-09 BC-BATTEMENTS DE MAINS 1 +BM.1967.014.001:01-09 VC-CHANTE SOLO F 1 +BM.1967.014.001:01-09 VA-SIFFLE 1 +BM.1967.014.001:01-10 CC-CITHARE/TUBE CC-DDONG NOT 1 +BM.1967.014.001:01-11 VP-PARLE SOLO H OI BBONG 1 +BM.1967.014.001:01-12 VP-PARLE SOLO H OI BBONG 1 +BM.1967.014.001:01-13 VP-PARLE SOLO H AMA TRE 1 +BM.1967.014.001:01-14 VP-PARLE SOLO H ALA LON 1 +BM.1967.014.001:01-15 VP-PARLE SOLO H AMA TRE 1 +BM.1967.014.001:01-16 VP-PARLE SOLO H AMA TRE 1 +BM.1967.014.001:01-17 VP-PARLE SOLO H AMA JU 1 +BM.1967.022.001/02:01-01 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1967.022.001/02:01-01 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-01 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-01 IE-CYMBALES IE-CHAP CHOA 1 +BM.1967.022.001/02:01-01 M2-TBR 2MEMB 2 +BM.1967.022.001/02:01-02 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1967.022.001/02:01-02 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-02 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-02 IE-CYMBALES IE-CHAP CHOA 1 +BM.1967.022.001/02:01-02 M2-TBR 2MEMB 2 +BM.1967.022.001/02:01-03 VC-CHANTE SOLO H KIM SINH 1 +BM.1967.022.001/02:01-03 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-03 CL-LUTH 1 +BM.1967.022.001/02:01-03 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-03 M2-TBR 2MEMB 1 +BM.1967.022.001/02:01-04 VC-CHANTE SOLO F & CHR F MINH MAN 4 +BM.1967.022.001/02:01-04 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-05 VC-CHANTE CHR F 3 +BM.1967.022.001/02:01-05 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-05 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:01-05 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-06 VC-CHANTE SOLO H KIM SINH 1 +BM.1967.022.001/02:01-06 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-06 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:01-06 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-06 M2-TBR 2MEMB 1 +BM.1967.022.001/02:01-06 IS-CLOCHE 1 +BM.1967.022.001/02:01-07 VC-CHANTE SOLO H 1 +BM.1967.022.001/02:01-07 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-07 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1967.022.001/02:01-07 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:01-07 M2-TBR 2MEMB 1 +BM.1967.022.001/02:01-08 VC-CHANTE CHR F 3 +BM.1967.022.001/02:01-08 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:01-08 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:01-08 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:02-01 VC-CHANTE CHR F 3 +BM.1967.022.001/02:02-01 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:02-01 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:02-01 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:02-02 VC-CHANTE CHR F 3 +BM.1967.022.001/02:02-02 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:02-02 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:02-02 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:02-02 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1967.022.001/02:02-03 VC-CHANTE SOLO F 1 +BM.1967.022.001/02:02-03 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:02-03 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:02-03 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:02-04 VC-CHANTE SOLO F 1 +BM.1967.022.001/02:02-04 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:02-04 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:02-04 IE-CLAQUETTES IE-PHACH 1 +BM.1967.022.001/02:02-05 VC-CHANTE SOLO F 1 +BM.1967.022.001/02:02-05 CV-VIELE CV-DAN NHI 1 +BM.1967.022.001/02:02-05 CL-LUTH CL-DAN NGUYET 1 +BM.1967.022.001/02:02-05 IE-CLAQUETTES IE-PHACH 1 +BM.1967.023.001:01-01 VC-CHANTE SOLO F MUOI BA 1 +BM.1967.023.001:01-01 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-01 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-01 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-01 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-02 VC-CHANTE SOLO F MUOI BA 1 +BM.1967.023.001:01-02 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-02 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-02 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-02 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-03 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-03 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-03 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-03 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-04 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-04 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-04 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-04 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-05 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-05 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-05 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-05 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-06 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-06 CL-LUTH DAN KIM NGUYEN VAN THINH 1 +BM.1967.023.001:01-06 CV-VIELE CV-DAN NHI PHAM VAN NGHE 1 +BM.1967.023.001:01-06 CV-VIELE DAN GAO TRUONG VAN DE 1 +BM.1967.023.001:01-07 CC-CITHARE CC-DAN TRANH LE VAN AN 1 +BM.1967.023.001:01-07 CL-LUTH DAN KIM NGUYEN VAN THINH 1 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+BM.1970.019.001/123:19B-01 VP-PARLE SOLO H N N 1 +BM.1970.019.001/123:19B-01 CL-LUTH HODDU N 1 +BM.1970.019.001/123:19B-01 CV-VIELE NIANIEROU N 1 +BM.1970.019.001/123:19B-02 VC-CHANTE SOLO H N N 1 +BM.1970.019.001/123:19B-02 CV-VIELE NIANIEROU N 1 +BM.1970.019.001/123:19B-03 CV-VIELE NIANIEROU N 1 +BM.1970.019.001/123:19B-03 CL-LUTH HODDU N 1 +BM.1970.019.001/123:19B-04 CA-ARC MUSICAL CA-BAILOL N 1 +BM.1970.019.001/123:19B-05 CA-ARC MUSICAL CA-BAILOL N 1 +BM.1970.019.001/123:20A-01 VC-CHANTE TRIO H N N 3 +BM.1970.019.001/123:20A-02 VC-CHANTE F N N N +BM.1970.019.001/123:20A-02 M-TBR N N N +BM.1970.019.001/123:20A-02 V-VOIX +BM.1970.019.001/123:20A-03 VC-CHANTE F N N N +BM.1970.019.001/123:20A-04 CV-VIELE N N 1 +BM.1970.019.001/123:22-01 VC-CHANTE SOLO F & CHR F N N 3 +BM.1970.019.001/123:22-01 CL-LUTH CL-HODDU N N +BM.1970.019.001/123:22-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:22-02 VC-CHANTE SOLO F & CHR F N N 3 +BM.1970.019.001/123:22-02 CL-LUTH CL-HODDU N N 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+BM.1970.019.001/123:23B-02 I-IDIOPHONE N N N +BM.1970.019.001/123:24-01 VC-CHANTE SOLO F & CHR F N N N +BM.1970.019.001/123:24-01 IFC-CORPS HEMISPHERIQUE N N 2 +BM.1970.019.001/123:24-01 IFP-XYLOPHONE N N 2 +BM.1970.019.001/123:24-01 M-TBR N N 2 +BM.1970.019.001/123:24-02 VC-CHANTE SOLO F & CHR F N N N +BM.1970.019.001/123:24-02 IFC-CORPS HEMISPHERIQUE N N 2 +BM.1970.019.001/123:24-02 IFP-XYLOPHONE N N 2 +BM.1970.019.001/123:24-02 M-TBR N N 2 +BM.1970.019.001/123:24-03 VC-CHANTE SOLO F & CHR F N N N +BM.1970.019.001/123:24-03 IFC-CORPS HEMISPHERIQUE N N 2 +BM.1970.019.001/123:24-03 IFP-XYLOPHONE N N 2 +BM.1970.019.001/123:24-03 M-TBR N N 2 +BM.1970.019.001/123:24-04 VC-CHANTE SOLO F & CHR F N N N +BM.1970.019.001/123:24-04 IFC-CORPS HEMISPHERIQUE N N 2 +BM.1970.019.001/123:24-04 IFP-XYLOPHONE N N 2 +BM.1970.019.001/123:24-04 M-TBR N N 2 +BM.1970.019.001/123:25-01 CA-ARC MUSICAL CA-ABBE N 1 +BM.1970.019.001/123:25-02 CA-ARC MUSICAL CA-ABBE N N +BM.1970.019.001/123:25-02 VC-CHANTE CHR H N N 3 +BM.1970.019.001/123:25-02 IFC-IDIOPHONE FRAPPE CREUX N N N +BM.1970.019.001/123:25-02 IS-HOCHET IS-MODIE N 1 +BM.1970.019.001/123:25-02 VA-YOUYOU SOLO F N N 1 +BM.1970.019.001/123:25-03 CA-ARC MUSICAL CA-ABBE N N +BM.1970.019.001/123:25-03 VC-CHANTE CHR H N N 3 +BM.1970.019.001/123:25-03 IFC-IDIOPHONE FRAPPE CREUX N N N +BM.1970.019.001/123:25-03 IS-HOCHET IS-MODIE N 1 +BM.1970.019.001/123:25-03 VA-YOUYOU SOLO F N N 1 +BM.1970.019.001/123:25-04 CA-ARC MUSICAL CA-ABBE N N +BM.1970.019.001/123:25-04 VC-CHANTE CHR H N N 3 +BM.1970.019.001/123:25-04 IFC-IDIOPHONE FRAPPE CREUX N N N +BM.1970.019.001/123:25-04 IS-HOCHET IS-MODIE N 1 +BM.1970.019.001/123:25-04 VA-YOUYOU SOLO F N N 1 +BM.1970.019.001/123:25-05 VC-CHANTE SOLO & CHR H N N 1+3 +BM.1970.019.001/123:25-05 M1-TBR 1MEMB M1-MBOROMI N 3 +BM.1970.019.001/123:25-05 M1C-TBR 1MEMB/CAISSE M1C-M' FERANI N 1 +BM.1970.019.001/123:25-06 VC-CHANTE SOLO & CHR H N N 1+3 +BM.1970.019.001/123:25-06 IS-HOCHET N N N +BM.1970.019.001/123:25-06 M-TBR N N 5 +BM.1970.019.001/123:26-01 VC-CHANTE DUO ALTERNE H & CHR N N N +BM.1970.019.001/123:26-01 M-TBR N N N +BM.1970.019.001/123:26-02 VC-CHANTE DUO ALTERNE H & CHR N N N +BM.1970.019.001/123:26-02 M-TBR N N N +BM.1970.019.001/123:26-03 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:26-03 VC-CHANTE CHR F N N N +BM.1970.019.001/123:26-03 M-TBR N N 2 +BM.1970.019.001/123:26-03 IS-HOCHET IS-MIEBI N 1 +BM.1970.019.001/123:26-04 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:26-04 VC-CHANTE CHR F N N N +BM.1970.019.001/123:26-04 M-TBR N N 2 +BM.1970.019.001/123:26-04 IS-HOCHET IS-MIEBI N 1 +BM.1970.019.001/123:27A-01 VC-CHANTE TRIO H N N 3 +BM.1970.019.001/123:27A-01 M-TBR M-TONGA N 3 +BM.1970.019.001/123:27A-02 VC-CHANTE TRIO H N N 3 +BM.1970.019.001/123:27A-02 M-TBR M-TONGA N 3 +BM.1970.019.001/123:27A-03 VC-CHANTE TRIO H N N 3 +BM.1970.019.001/123:27A-03 M-TBR M-TONGA N 3 +BM.1970.019.001/123:27A-04 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:27A-05 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:27B-01 VC-CHANTE DUO & CHR H N N 2 +BM.1970.019.001/123:27B-01 M-TBR M-TONGA N 3 +BM.1970.019.001/123:27B-02 VC-CHANTE DUO & CHR H N N 2 +BM.1970.019.001/123:27B-02 M-TBR M-TONGA N 3 +BM.1970.019.001/123:27B-03 VC-CHANTE DUO & CHR H N N 2 +BM.1970.019.001/123:27B-03 M-TBR M-TONGA N 3 +BM.1970.019.001/123:28A-01 VC-CHANTE DUO H N N 2 +BM.1970.019.001/123:28A-01 M-TBR M-TONGA N 1 +BM.1970.019.001/123:28A-02 VC-CHANTE DUO H N N 2 +BM.1970.019.001/123:28A-02 M-TBR M-TONGA N 1 +BM.1970.019.001/123:28A-03 VC-CHANTE DUO H N N 2 +BM.1970.019.001/123:28A-03 M-TBR M-TONGA N 1 +BM.1970.019.001/123:28A-04 VC-CHANTE DUO H N N 2 +BM.1970.019.001/123:28A-04 M-TBR M-TONGA N 1 +BM.1970.019.001/123:28A-04 VC-CHR H ** +BM.1970.019.001/123:28B-01 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:28B-01 VC-CHANTE CHR F N N N +BM.1970.019.001/123:28B-02 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:28B-02 VC-CHANTE CHR F N N N +BM.1970.019.001/123:28B-03 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:28B-03 VC-CHANTE CHR F N N N +BM.1970.019.001/123:28B-04 VC-CHANTE CHR H N N +BM.1970.019.001/123:28B-04 M-TBR M-BREM AB WEM N 2 +BM.1970.019.001/123:28B-04 IS-HOCHET IS-SÈG BWÈ N 2 +BM.1970.019.001/123:28B-04 IS-HOCHET IS-SAKA N 1 +BM.1970.019.001/123:28B-04 IFP-IDIOPHONE FRAPPE PLEIN IFP-GIENGIE N 1 +BM.1970.019.001/123:28B-04 M-TBR M-BREMIK WÈR 1 +BM.1970.019.001/123:28B-04 M-TBR 1 +BM.1970.019.001/123:28B-05 VC-CHANTE CHR H N N +BM.1970.019.001/123:28B-05 M-TBR M-BREM AB WEM N 2 +BM.1970.019.001/123:28B-05 IS-HOCHET IS-SÈG BWÈ N 2 +BM.1970.019.001/123:28B-05 IS-HOCHET IS-SAKA N 1 +BM.1970.019.001/123:28B-05 IFP-IDIOPHONE FRAPPE PLEIN IFP-GIENGIE N 1 +BM.1970.019.001/123:28B-05 M-TBR M-BREMIK WÈR 1 +BM.1970.019.001/123:28B-05 M-TBR 1 +BM.1970.019.001/123:29A-01 VC-CHANTE CHR H N N N +BM.1970.019.001/123:29A-01 AT-TROMPE AT-CORNET A PISTON N N +BM.1970.019.001/123:29A-01 AT-TROMPE AT-TUBA +BM.1970.019.001/123:29A-01 M-TBR +BM.1970.019.001/123:29A-02 VC-CHANTE SOLO & CHR H N N +BM.1970.019.001/123:29A-02 M-TBR N N 1 +BM.1970.019.001/123:29A-03 VC-CHANTE SOLO & CHR H N N +BM.1970.019.001/123:29A-03 M-TBR N N 1 +BM.1970.019.001/123:29A-03 IS-HOCHET 1 +BM.1970.019.001/123:29A-04 VC-CHANTE SOLO & CHR H N N +BM.1970.019.001/123:29A-04 M-TBR N N 1 +BM.1970.019.001/123:29A-04 IS-HOCHET 1 +BM.1970.019.001/123:29A-04 IFC-CLOCHE 1 +BM.1970.019.001/123:29B-01 VP-ENQUETE N GILBERT ROUGET 2 +BM.1970.019.001/123:29B-02 VC-CHANTE SOLO H & CHR M N N +BM.1970.019.001/123:29B-02 IS-CLOCHE N N 1 +BM.1970.019.001/123:29B-02 IS-HOCHET IS-KASHISHI N 2 +BM.1970.019.001/123:29B-02 M-TBR N N 5 +BM.1970.019.001/123:29B-02 +BM.1970.019.001/123:29B-02 +BM.1970.019.001/123:29B-03 VC-CHANTE SOLO H & CHR M N N +BM.1970.019.001/123:29B-03 IS-CLOCHE N N 1 +BM.1970.019.001/123:29B-03 IS-HOCHET IS-KASHISHI N 2 +BM.1970.019.001/123:29B-03 M-TBR N N 5 +BM.1970.019.001/123:29B-03 +BM.1970.019.001/123:29B-03 +BM.1970.019.001/123:29B-04 VC-CHANTE SOLO H & CHR M N N +BM.1970.019.001/123:29B-04 IS-CLOCHE N N 1 +BM.1970.019.001/123:29B-04 IS-HOCHET IS-KASHISHI N 2 +BM.1970.019.001/123:29B-04 M-TBR N N 5 +BM.1970.019.001/123:29B-04 +BM.1970.019.001/123:29B-04 +BM.1970.019.001/123:30A-01 VC-CHANTE DUO & CHR H N N +BM.1970.019.001/123:30A-01 IS-HOCHET IS-ASOGWÉ N 3 +BM.1970.019.001/123:30A-01 M-TBR M-ADJALA KPESI N 2 +BM.1970.019.001/123:30A-01 M-TBR M-ATINHUNVI N 1 +BM.1970.019.001/123:30A-01 +BM.1970.019.001/123:30A-02 VC-CHANTE DUO & CHR H N N +BM.1970.019.001/123:30A-02 IS-HOCHET IS-ASOGWÉ N 3 +BM.1970.019.001/123:30A-02 M-TBR M-ADJALA KPESI N 2 +BM.1970.019.001/123:30A-02 M-TBR M-ATINHUNVI N 1 +BM.1970.019.001/123:30A-02 +BM.1970.019.001/123:30A-03 VC-CHANTE DUO & CHR H N N +BM.1970.019.001/123:30A-03 IS-HOCHET IS-ASOGWÉ N 3 +BM.1970.019.001/123:30A-03 M-TBR M-ADJALA KPESI N 2 +BM.1970.019.001/123:30A-03 M-TBR M-ATINHUNVI N 1 +BM.1970.019.001/123:30A-03 +BM.1970.019.001/123:30B-01 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:30B-01 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:30B-01 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:30B-01 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:30B-01 +BM.1970.019.001/123:30B-02 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:30B-02 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:30B-02 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:30B-02 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:30B-02 +BM.1970.019.001/123:30B-03 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:30B-03 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:30B-03 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:30B-03 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:30B-03 +BM.1970.019.001/123:30B-04 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:30B-04 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:30B-04 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:30B-04 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:30B-04 +BM.1970.019.001/123:31A-01 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:31A-01 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:31A-01 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:31A-01 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:31A-01 +BM.1970.019.001/123:31A-02 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:31A-02 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:31A-02 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:31A-02 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:31A-02 +BM.1970.019.001/123:31A-03 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:31A-03 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:31A-03 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:31A-03 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:31A-03 +BM.1970.019.001/123:31A-04 VC-CHANTE SOLO & CHR H N ADJADO (SOLISTE) 1+5 +BM.1970.019.001/123:31A-04 CV-VIELE CV-GODYE ADJADO 1 +BM.1970.019.001/123:31A-04 M-TBR M-ILU SAKARA N 2 +BM.1970.019.001/123:31A-04 IFC-CORPS HEMISPHERIQUE IFC-IGBA N 1 +BM.1970.019.001/123:31A-04 +BM.1970.019.001/123:31B-01 VC-CHANTE DUO F GERMAINE MARTIN & ? 2 +BM.1970.019.001/123:31B-01 +BM.1970.019.001/123:31B-02 VC-CHANTE DUO F GERMAINE MARTIN & ? 2 +BM.1970.019.001/123:31B-02 +BM.1970.019.001/123:31B-03 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-03 +BM.1970.019.001/123:31B-04 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-04 +BM.1970.019.001/123:31B-05 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-05 +BM.1970.019.001/123:31B-06 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-06 +BM.1970.019.001/123:31B-07 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-07 +BM.1970.019.001/123:31B-08 VC-CHANTE SOLO F GERMAINE MARTIN 1 +BM.1970.019.001/123:31B-08 +BM.1970.019.001/123:32-01A VC-CHANTE SOLO & CHR H N ** 1+5 +BM.1970.019.001/123:32-01A IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:32-01A IP-LAMELLOPHONE IP-AGIDIGBO N 1 +BM.1970.019.001/123:32-01A IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1970.019.001/123:32-01B VC-CHANTE SOLO & CHR H N ** 1+5 +BM.1970.019.001/123:32-01B IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:32-01B IP-LAMELLOPHONE IP-AGIDIGBO N 1 +BM.1970.019.001/123:32-01B IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1970.019.001/123:32-01C VC-CHANTE SOLO & CHR H N ** 1+5 +BM.1970.019.001/123:32-01C IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:32-01C IP-LAMELLOPHONE IP-AGIDIGBO N 1 +BM.1970.019.001/123:32-01C IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1970.019.001/123:32-02A VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:32-02A IS-CLOCHE N GANDONU 1 +BM.1970.019.001/123:32-02A M1-TBR 1MEMB N N 1 +BM.1970.019.001/123:32-02A M-TBR M-LIVI N N +BM.1970.019.001/123:32-02A IS-HOCHET N N N +BM.1970.019.001/123:32-02A IL-IDIOPHONE PILONNE N N N +BM.1970.019.001/123:32-02B VA-CHANTE-PARLE CHR F CHR DES REINES +BM.1970.019.001/123:32-02C VA-CHANTE-PARLE SOLO H HERAULT 1 +BM.1970.019.001/123:32-02D ATL-TROMPE LAT ATL-AKO LUVAN 2 +BM.1970.019.001/123:32-02E VP-CHR F +BM.1970.019.001/123:33A-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33A-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33A-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33A-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33A-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33A-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33A-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33A-01 VP-PARLE N N N +BM.1970.019.001/123:33A-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33A-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33A-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33A-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33A-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33A-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33A-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33A-02 VP-PARLE N N N +BM.1970.019.001/123:33B-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33B-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33B-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33B-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33B-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33B-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33B-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33B-01 VP-PARLE N N N +BM.1970.019.001/123:33B-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33B-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33B-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33B-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33B-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33B-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33B-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33B-02 VP-PARLE N N N +BM.1970.019.001/123:33B-03 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33B-03 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33B-03 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33B-03 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33B-03 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33B-03 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33B-03 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33B-03 VP-PARLE N N N +BM.1970.019.001/123:33B-04 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33B-04 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33B-04 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33B-04 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33B-04 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33B-04 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33B-04 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33B-04 VP-PARLE N N N +BM.1970.019.001/123:33B-05 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:33B-05 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:33B-05 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:33B-05 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:33B-05 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:33B-05 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:33B-05 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:33B-05 VP-PARLE N N N +BM.1970.019.001/123:34A-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:34A-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:34A-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:34A-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:34A-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:34A-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:34A-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:34A-01 VP-PARLE N N N +BM.1970.019.001/123:34A-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:34A-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:34A-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:34A-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:34A-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:34A-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:34A-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:34A-02 VP-PARLE N N N +BM.1970.019.001/123:34B-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:34B-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:34B-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:34B-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:34B-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:34B-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:34B-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:34B-01 VP-PARLE N N N +BM.1970.019.001/123:34B-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:34B-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:34B-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:34B-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:34B-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:34B-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:34B-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:34B-02 VP-PARLE N N N +BM.1970.019.001/123:34B-03 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:34B-03 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:34B-03 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:34B-03 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:34B-03 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:34B-03 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:34B-03 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:34B-03 VP-PARLE N N N +BM.1970.019.001/123:35A-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35A-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35A-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35A-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35A-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35A-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35A-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35A-01 VP-PARLE N N N +BM.1970.019.001/123:35A-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35A-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35A-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35A-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35A-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35A-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35A-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35A-02 VP-PARLE N N N +BM.1970.019.001/123:35A-03 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35A-03 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35A-03 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35A-03 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35A-03 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35A-03 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35A-03 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35A-03 VP-PARLE N N N +BM.1970.019.001/123:35A-04 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35A-04 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35A-04 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35A-04 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35A-04 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35A-04 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35A-04 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35A-04 VP-PARLE N N N +BM.1970.019.001/123:35B-01 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35B-01 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35B-01 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35B-01 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35B-01 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35B-01 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35B-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35B-01 VP-PARLE N N N +BM.1970.019.001/123:35B-02 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35B-02 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35B-02 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35B-02 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35B-02 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35B-02 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35B-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35B-02 VP-PARLE N N N +BM.1970.019.001/123:35B-03 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35B-03 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35B-03 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35B-03 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35B-03 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35B-03 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35B-03 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35B-03 VP-PARLE N N N +BM.1970.019.001/123:35B-04 VC-CHANTE SOLO & CHR H N ADJIBOTIFA* 1+n +BM.1970.019.001/123:35B-04 IS-CLOCHE IS-GAN N 1 +BM.1970.019.001/123:35B-04 IS-CLOCHE IS-GANVINO N 2 +BM.1970.019.001/123:35B-04 IS-CLOCHE IS-GUDALO N 1 +BM.1970.019.001/123:35B-04 IS-HOCHET IS-ASAN N 1 +BM.1970.019.001/123:35B-04 I-IDIOPHONE I-KPWETEGAN N N +BM.1970.019.001/123:35B-04 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:35B-04 VP-PARLE N N N +BM.1970.019.001/123:36-01A VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:36-01A IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:36-01A SD-AMBIANCES DIVERSES N N N +BM.1970.019.001/123:36-01B VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1 +BM.1970.019.001/123:36-01B IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:36-01B IS-CLOCHE N N N +BM.1970.019.001/123:36-02 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:36-02 IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:36-02 IS-CLOCHE N N N +BM.1970.019.001/123:36-03 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:36-03 IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:36-03 IS-CLOCHE N N N +BM.1970.019.001/123:37A-01A VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37A-01A IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37A-01B VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37A-01B IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37A-02 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37A-02 IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37A-02 M-TBR +BM.1970.019.001/123:37A-02 IFC-CLOCHE +BM.1970.019.001/123:37A-03 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37A-03 IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37A-03 M-TBR +BM.1970.019.001/123:37A-03 IFC-CLOCHE +BM.1970.019.001/123:37A-04 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37A-04 IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37A-04 M-TBR +BM.1970.019.001/123:37A-04 IFC-CLOCHE +BM.1970.019.001/123:37B-01A VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37B-01A IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37B-01B VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) 1+N +BM.1970.019.001/123:37B-01B IL-IDIOPHONE PILONNE PLEIN IL-ALUNLUN N N +BM.1970.019.001/123:37B-01B M-TBR M-LIVI +BM.1970.019.001/123:37B-01B M1-TBR 1MEMB +BM.1970.019.001/123:37B-01B IFC-CLOCHE +BM.1970.019.001/123:37B-01B IS-HOCHET +BM.1970.019.001/123:38A-01A VP-PARLE SOLO H N AGBOKLA 1 +BM.1970.019.001/123:38A-01B VC-CHANTE CHR F N N N +BM.1970.019.001/123:38A-01C ATL-TROMPE LAT ATL-AKO LUVAN N 2 +BM.1970.019.001/123:38A-02A VP-PARLE SOLO H N AGBOKLA 1 +BM.1970.019.001/123:38A-02B VC-CHANTE CHR F +BM.1970.019.001/123:38A-02C AT-TROMPE 2 +BM.1970.019.001/123:38A-03 VC-CHANTE SOLO H & CHR F N GANDONU 1+N +BM.1970.019.001/123:38A-03 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38A-03 IS-CLOCHE N N N +BM.1970.019.001/123:38A-04A VC-CHANTE SOLO H & CHR F N GANDONU 1+N +BM.1970.019.001/123:38A-04A IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38A-04A IFC-CLOCHE N N N +BM.1970.019.001/123:38A-04B VC-CHANTE SOLO H & CHR F N GANDONU 1+N +BM.1970.019.001/123:38A-04B IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38A-04B IFC-CLOCHE N N >1 +BM.1970.019.001/123:38A-05A VC-CHANTE SOLO H & CHR H N GANDONU 1+5 +BM.1970.019.001/123:38A-05A IFC-CLOCHE N +BM.1970.019.001/123:38A-05A IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38A-05B VC-CHANTE SOLO F & CHR F N IYA AKPOTON & N 1+4 +BM.1970.019.001/123:38A-05B IFC-CLOCHE >1 +BM.1970.019.001/123:38A-05B IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38B-01 VC-CHANTE SOLO H N GANDONU 1 +BM.1970.019.001/123:38B-01 VC-CHANTE SOLO & CHR F N N 1 +BM.1970.019.001/123:38B-01 IFC-CLOCHE N GANDONU 1 +BM.1970.019.001/123:38B-01 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:38B-02 VC-CHANTE SOLO & CHR F N N 1 +BM.1970.019.001/123:38B-02 IFC-CLOCHE N GANDONU 1 +BM.1970.019.001/123:38B-02 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39A-01 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:39A-01 IS-CLOCHE N N 1 +BM.1970.019.001/123:39A-01 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39A-02 VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) +BM.1970.019.001/123:39A-02 IS-CLOCHE N N 1 +BM.1970.019.001/123:39A-02 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39A-03 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:39A-03 IS-CLOCHE N N 1 +BM.1970.019.001/123:39A-03 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39A-04 VP-PARLE SOLO H N AGBOKLA 1 +BM.1970.019.001/123:39A-05 VC-CHANTE CHR F N N N +BM.1970.019.001/123:39A-06 ATL-TROMPE LAT ATL-AKO LUVAN 2 +BM.1970.019.001/123:39B-01 VC-CHANTE SOLO F N IYA AKPOTON 1 +BM.1970.019.001/123:39B-01 VC-CHANTE CHR F N N N +BM.1970.019.001/123:39B-01 IS-CLOCHE N N 1 +BM.1970.019.001/123:39B-01 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39B-02 VC-CHANTE SOLO F N IYA AKPOTON 1 +BM.1970.019.001/123:39B-02 VC-CHANTE CHR F N N N +BM.1970.019.001/123:39B-02 IS-CLOCHE N N 1 +BM.1970.019.001/123:39B-02 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39B-03 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:39B-03 IS-CLOCHE N N 1 +BM.1970.019.001/123:39B-03 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:39B-04 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:39B-04 IS-CLOCHE N N 1 +BM.1970.019.001/123:39B-04 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:40A-01A VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) +BM.1970.019.001/123:40A-01A IS-CLOCHE N N 1 +BM.1970.019.001/123:40A-01A IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:40A-01B VC-CHANTE SOLO & CHR F N IYA AKPOTON (SOLISTE) +BM.1970.019.001/123:40A-01B IS-CLOCHE N N 1 +BM.1970.019.001/123:40A-01B IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:40A-01B M-TBR N N N +BM.1970.019.001/123:40A-01B M1-TBR 1MEMB N N N +BM.1970.019.001/123:40B-01 VC-CHANTE SOLO H & CHR F N GANDONU 1+N +BM.1970.019.001/123:40B-01 IS-CLOCHE N N 1 +BM.1970.019.001/123:40B-01 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:40B-02 VC-CHANTE SOLO H & CHR F N GANDONU 1+N +BM.1970.019.001/123:40B-02 IS-CLOCHE N N 1 +BM.1970.019.001/123:40B-02 IL-IDIOPHONE PILONNE PLEIN N N N +BM.1970.019.001/123:40B-02 M-TBR N N N +BM.1970.019.001/123:40B-02 M1-TBR 1MEMB N N N +BM.1970.019.001/123:40B-03 VC-CHANTE SOLO H & CHR F N GANDONU 1+N 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M-OGIDAN 1 +BM.1970.019.001/123:43-01 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:43-01 AF-FLUTE N 1 +BM.1970.019.001/123:43-01 IFC-PAIRE CLOCHES N 0 +BM.1970.019.001/123:43-01 0 +BM.1970.019.001/123:43-02 ORCH-ORCHESTRE DE 3 TBRS N 3 +BM.1970.019.001/123:43-02 M-TBR M-KELE 1 +BM.1970.019.001/123:43-02 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:43-02 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:43-02 AF-FLUTE N 1 +BM.1970.019.001/123:43-02 IFC-PAIRE CLOCHES N 1 +BM.1970.019.001/123:43-02 VC-CHR M N 0 +BM.1970.019.001/123:43-02 0 +BM.1970.019.001/123:43-03 ORCH-ORCHESTRE DE 3 TBRS N 3 +BM.1970.019.001/123:43-03 M-TBR M-KELE 1 +BM.1970.019.001/123:43-03 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:43-03 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:43-03 AF-FLUTE N 1 +BM.1970.019.001/123:43-03 IFC-PAIRE CLOCHES N 1 +BM.1970.019.001/123:43-03 VC-CHR M N 0 +BM.1970.019.001/123:43-04 ORCH-ORCHESTRE DE 3 TBRS N 5 +BM.1970.019.001/123:43-04 M-TBR M-KELE 1 +BM.1970.019.001/123:43-04 M-TBR M-OGIDAN 1 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IS-HOCHET IS-SEKESEKE N 1 +BM.1970.019.001/123:80-01B BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:80-01B VP-PARLE N N N +BM.1970.019.001/123:80-01B IS-CLOCHE IS-KOKWA N 1 +BM.1970.019.001/123:80-01C VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:80-01C M1C-TBR 1MEMB/CAISSE M1C-KLINDAN N 2 +BM.1970.019.001/123:80-01C M1C-TBR 1MEMB/CAISSE MIC-KLINBA N 1 +BM.1970.019.001/123:80-01C IS-HOCHET IS-SEKESEKE N 1 +BM.1970.019.001/123:80-01C BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:80-01C VP-PARLE N N N +BM.1970.019.001/123:80-01C IS-CLOCHE IS-KOKWA N 1 +BM.1970.019.001/123:81-01 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:81-01 M1C-TBR 1MEMB/CAISSE M1C-KLINDAN N 2 +BM.1970.019.001/123:81-01 M1C-TBR 1MEMB/CAISSE MIC-KLINBA N 1 +BM.1970.019.001/123:81-01 IS-HOCHET IS-SEKESEKE N 1 +BM.1970.019.001/123:81-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:81-01 VP-PARLE N N N +BM.1970.019.001/123:81-01 IS-CLOCHE IS-KOKWA N 1 +BM.1970.019.001/123:81-02 VC-CHANTE CHR F N N N 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MANCHE FOURCHUE CH-DYULU N 1 +BM.1970.019.001/123:83-05 IS-CLOCHE N N N +BM.1970.019.001/123:84-01 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-01 M-TBR N N 2 +BM.1970.019.001/123:84-01 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-01 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:84-02 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-02 M-TBR N N 2 +BM.1970.019.001/123:84-02 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-02 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:84-03 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-03 M-TBR N N 2 +BM.1970.019.001/123:84-03 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-03 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:84-04 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-04 M-TBR N N 2 +BM.1970.019.001/123:84-04 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-04 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:84-05 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-05 M-TBR N N 2 +BM.1970.019.001/123:84-05 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-05 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:84-06 M-TBR M-GRENPRI N 1 +BM.1970.019.001/123:84-06 M-TBR N N 2 +BM.1970.019.001/123:84-06 M1-TBR 1MEMB N 3 +BM.1970.019.001/123:84-06 IS-CLOCHE IS-KOKWA 1 +BM.1970.019.001/123:85-01 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:85-01 M-TBR M-LONGA N 1 +BM.1970.019.001/123:85-01 M-TBR N N 2 +BM.1970.019.001/123:85-01 M-TBR N N 1 +BM.1970.019.001/123:85-01 A-AÉROPHONE N N 1 +BM.1970.019.001/123:85-01 IS-HOCHET IS-PLA >1 +BM.1970.019.001/123:85-02 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:85-02 M-TBR M-LONGA N 1 +BM.1970.019.001/123:85-02 M-TBR N N 2 +BM.1970.019.001/123:85-02 M-TBR N N 1 +BM.1970.019.001/123:85-02 A-AÉROPHONE N N 1 +BM.1970.019.001/123:85-02 IS-HOCHET IS-PLA >1 +BM.1970.019.001/123:85-02 VP-PARLE +BM.1970.019.001/123:85-03 VC-CHANTE CHR MIXTE N N N +BM.1970.019.001/123:85-03 M-TBR M-LONGA N 1 +BM.1970.019.001/123:85-03 M-TBR N N 2 +BM.1970.019.001/123:85-03 M-TBR N N 1 +BM.1970.019.001/123:85-03 A-AÉROPHONE N N 1 +BM.1970.019.001/123:85-03 IS-HOCHET IS-PLA >1 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IS-KOKWA N N +BM.1970.019.001/123:87-04 IS-SONNAILLES IS-AGBEN N N +BM.1970.019.001/123:87-04 BM-MIRLITON BM-KOLI N 1 +BM.1970.019.001/123:87-05 IFP-XYLOPHONE IFP-DYOMORO N 1 +BM.1970.019.001/123:88-01 IFP-XYLOPHONE IFP-DYOMORO N 1 +BM.1970.019.001/123:89-02 AFL-FLUTE LAT AFL-KETE 2 +BM.1970.019.001/123:89-01 AFL-FLUTE LAT AFL-KETE N 1 +BM.1970.019.001/123:89-01 AFL-FLUTE LAT AFL-KETE 2 +BM.1970.019.001/123:89-03 AFL-FLUTE LAT AFL-KETE 2 +BM.1970.019.001/123:89-03 VC-CHANTE CHR M * +BM.1970.019.001/123:89-03 M2-TBR 2MEMB 1 +BM.1970.019.001/123:89-03 M1-TBR 1MEMB 1 +BM.1970.019.001/123:89-04 VC-CHANTE CHR M * +BM.1970.019.001/123:89-04 AFL-FLUTE LAT AFL-KETE 2 +BM.1970.019.001/123:89-04 M2-TBR 2MEMB 1 +BM.1970.019.001/123:89-04 M1-TBR 1MEMB 1 +BM.1970.019.001/123:89-05 VC-CHANTE CHR M * +BM.1970.019.001/123:89-05 AFL-FLUTE LAT AFL-KETE 2 +BM.1970.019.001/123:89-05 M2-TBR 2MEMB 1 +BM.1970.019.001/123:89-05 M1-TBR 1MEMB 1 +BM.1970.019.001/123:90-01 CH-HARPE MANCHE FOURCHUE CH-DYULU N 1 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CHOEUR H +BM.1970.041.001/55:01-05 GROUPE GR-DAPA KHALA 1 +BM.1970.041.001/55:01-05 M1C-TBR 1MEMB/CAISSE *PAIRE M1C-TABLA 1 +BM.1970.041.001/55:01-05 A-AÉROPHONE A-HARMONIUM 1 +BM.1970.041.001/55:01-05 A-AÉROPHONE 1 +BM.1970.041.001/55:01-05 IFP-IDIOPHONE FRAPPE PLEIN IFP-TINIMUNI 1 +BM.1970.041.001/55:01-05 IE-CYMBALES E-JHYALI +BM.1970.041.001/55:01-05 I-IDIOPHONE I-TI-CHU +BM.1970.041.001/55:01-05 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:01-05 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:01-05 BR-BRUITEUR +BM.1970.041.001/55:01-05 IE-IDIOPHONES ENTRECHOQUES IE-CIMTA +BM.1970.041.001/55:01-06 VC-CHANTE CHOEUR H +BM.1970.041.001/55:01-06 GROUPE GR-DAPA KHALA 1 +BM.1970.041.001/55:01-06 M1C-TBR 1MEMB/CAISSE *PAIRE M1C-TABLA 1 +BM.1970.041.001/55:01-06 A-AÉROPHONE A-HARMONIUM 1 +BM.1970.041.001/55:01-06 A-AÉROPHONE 1 +BM.1970.041.001/55:01-06 IFP-IDIOPHONE FRAPPE PLEIN IFP-TINIMUNI 1 +BM.1970.041.001/55:01-06 IE-CYMBALES E-JHYALI +BM.1970.041.001/55:01-06 I-IDIOPHONE I-TI-CHU +BM.1970.041.001/55:01-06 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:01-06 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:01-06 BR-BRUITEUR +BM.1970.041.001/55:01-06 IE-IDIOPHONES ENTRECHOQUES IE-CIMTA +BM.1970.041.001/55:02-01 VC-CHANTE CHOEUR H +BM.1970.041.001/55:02-01 GROUPE GR-DAPA KHALA 1 +BM.1970.041.001/55:02-01 M1C-TBR 1MEMB/CAISSE *PAIRE M1C-TABLA 1 +BM.1970.041.001/55:02-01 A-AÉROPHONE A-HARMONIUM 1 +BM.1970.041.001/55:02-01 A-AÉROPHONE 1 +BM.1970.041.001/55:02-01 IFP-IDIOPHONE FRAPPE PLEIN IFP-TINIMUNI 1 +BM.1970.041.001/55:02-01 IE-CYMBALES E-JHYALI +BM.1970.041.001/55:02-01 I-IDIOPHONE I-TI-CHU +BM.1970.041.001/55:02-01 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:02-01 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:02-01 BR-BRUITEUR +BM.1970.041.001/55:02-01 IE-IDIOPHONES ENTRECHOQUES IE-CIMTA +BM.1970.041.001/55:02-02 VC-CHANTE CHOEUR H +BM.1970.041.001/55:02-02 GROUPE GR-DAPA KHALA 1 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ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:02-03 IE-IDIOPHONES ENTRECHOQUES IE-KARTAL +BM.1970.041.001/55:02-03 BR-BRUITEUR +BM.1970.041.001/55:02-03 IE-IDIOPHONES ENTRECHOQUES IE-CIMTA +BM.1970.041.001/55:03-01 VC-CHANTE DUO ALTERNE DUO H +BM.1970.041.001/55:03-01 +BM.1970.041.001/55:03-02 VC-CHANTE DUO ALTERNE DUO H +BM.1970.041.001/55:03-02 +BM.1970.041.001/55:03-03 VC-CHANTE DUO ALTERNE DUO H +BM.1970.041.001/55:03-03 +BM.1970.041.001/55:03-04 VC-CHANTE DUO ALTERNE DUO H +BM.1970.041.001/55:03-04 +BM.1970.041.001/55:03-05 VC-CHANTE SOLO & CHR +BM.1970.041.001/55:03-05 +BM.1970.041.001/55:03-06 VC-CHANTE SOLO & CHR +BM.1970.041.001/55:03-06 +BM.1970.041.001/55:03-07 VC-CHANTE SOLO H +BM.1970.041.001/55:03-07 +BM.1970.041.001/55:04-01 VC-CHANTE SOLO H +BM.1970.041.001/55:04-01 +BM.1970.041.001/55:04-02 VC-CHANTE SOLO H +BM.1970.041.001/55:04-02 +BM.1970.041.001/55:04-03 VC-CHANTE SOLO H +BM.1970.041.001/55:04-03 +BM.1970.041.001/55:04-04 VC-CHANTE SOLO H +BM.1970.041.001/55:04-04 +BM.1970.041.001/55:04-05 VC-CHANTE SOLO H +BM.1970.041.001/55:04-05 +BM.1970.041.001/55:04-06 VC-CHANTE SOLO H +BM.1970.041.001/55:04-06 +BM.1970.041.001/55:04-07 VC-CHANTE SOLO H +BM.1970.041.001/55:04-07 +BM.1970.041.001/55:04-08 VC-CHANTE SOLO H +BM.1970.041.001/55:04-08 +BM.1970.041.001/55:04-09 +BM.1970.041.001/55:04-09 +BM.1970.041.001/55:04-10 +BM.1970.041.001/55:04-11 +BM.1970.041.001/55:05-01 +BM.1970.041.001/55:05-01 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:05-01 M2V-TBR 2MEMB VARIABLE hudko +BM.1971.003.001/03:01-13 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-13 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-01 VC-CHANTE SOLO F TRAO 1 +BM.1971.003.001/03:01-01 CV-VIELE CV-DAN NHI 1 +BM.1971.003.001/03:01-02 VP-PARLE SOLO H 1 +BM.1971.003.001/03:01-03 CV-VIELE CV-KANYI 2 +BM.1971.003.001/03:01-04 CV-VIELE CV-KANYI 2 +BM.1971.003.001/03:01-04 AABD-HAUTBOIS AABD-SARANAI 1 +BM.1971.003.001/03:01-04 IFC-GONG IFC-CING +BM.1971.003.001/03:01-05 CV-VIELE CV-KANYI 2 +BM.1971.003.001/03:01-05 VC-CHANTE CHOEUR H +BM.1971.003.001/03:01-06 AABD-HAUTBOIS AABD-SARANAI 1 +BM.1971.003.001/03:01-06 IFC-GONG IFC-CING +BM.1971.003.001/03:01-07 VP-PARLE SOLO H 1 +BM.1971.003.001/03:01-08 VC-CHANTE SOLO F CEY DALIM 1 +BM.1971.003.001/03:01-08 IFC-IDIOPHONE FRAPPE CREUX IFC-TOUQUE 1 +BM.1971.003.001/03:01-09 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-09 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-10 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-10 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-11 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-11 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-12 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-12 CV-VIELE CV-KANYI 1 +BM.1957.003.001:01-06 VC-CHANTE CHR F +BM.1957.003.001:01-06 IFP-XYLOPHONE >1 +BM.1957.003.001:01-06 M-TBR >1 +BM.1971.003.001/03:01-14 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-14 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-15 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-15 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-16 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-16 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-17 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-17 CV-VIELE CV-KANYI 1 +BM.1971.003.001/03:01-18 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-19 VC-CHANTE SOLO H 1 +BM.1971.003.001/03:01-19 AF-FLUTE 1 +BM.1971.003.001/03:01-19 M2-TBR 2MEMB +BM.1971.003.001/03:01-19 IFC-GONG +BM.1971.003.001/03:01-20 VC-CHANTE CHOEUR F +BM.1971.003.001/03:01-21 CC-CITHARE CC-SAMPE 1 +BM.1971.003.001/03:01-22 AABD-HAUTBOIS AABD-SARUNE 1 +BM.1971.003.001/03:01-23 AABD-HAUTBOIS AABD-SARANAI 1 +BM.1971.003.001/03:01-24 AF-FLUTE 1 +BM.1971.003.001/03:01-24 IFC-GONG +BM.1971.003.001/03:01-25 AABD-HAUTBOIS AABD-SARUNE 1 +BM.1971.003.001/03:02-01 VP-PARLE SOLO H KOSOR BENY 1 +BM.1971.003.001/03:03-01 VC-CHANTE CHOEUR F +BM.1971.003.001/03:03-01 BC-BATTEMENTS DE MAINS +BM.1971.003.001/03:03-03 VC-CHANTE SOLO F KOPA' CA' 1 +BM.1971.003.001/03:03-04 VP-PARLE SOLO H 1 +BM.1971.003.001/03:03-05 VP-PARLE SOLO H AMA BLAO 1 +BM.1971.003.001/03:03-06 VP-PARLE SOLO F 1 +BM.1971.003.001/03:03-06 +BM.1971.003.001/03:03-07 VP-PARLE SOLO H 1 +BM.1971.003.001/03:03-07 VP-PARLE SOLO F 1 +BM.1971.003.001/03:03-02 VC-CHANTE SOLO H SIU TIL LIL 1 +BM.1971.024.001/02:01-01 IFC-SERIE DE GONGS 6 +BM.1971.024.001/02:01-01 M2-TBR 2MEMB 1 +BM.1971.024.001/02:01-02 VC-CHANTE SOLO H 1 +BM.1971.024.001/02:01-03 IFC-SERIE DE GONGS 6 +BM.1971.024.001/02:01-03 M2-TBR 2MEMB 1 +BM.1971.024.001/02:01-04 AABS-CLARINETTE 1 +BM.1971.024.001/02:01-05 IFC-SERIE DE GONGS 6 +BM.1971.024.001/02:01-05 M2-TBR 2MEMB 1 +BM.1971.035.001/07:01-01 VP-ENQUETE TRAN VAN KHE , AMNON SHILOAH 2 +BM.1971.035.001/07:02-01 VP-ENQUETE TRAN VAN KHE, AMNON SHILOAH 2 +BM.1971.035.001/07:03-01 AABD-HAUTBOIS AABD-KEN SONG HI 1 +BM.1971.035.001/07:03-01 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:03-01 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-02 VC-CHANTE SOLO F & CHR F +BM.1971.035.001/07:03-02 AFLC-FLUTE LAT CONDUIT AFLC-SAO +BM.1971.035.001/07:03-02 CV-VIELE CV-DAN NHI +BM.1971.035.001/07:03-02 CL-LUTH CL-DAN TY BA +BM.1971.035.001/07:03-02 CL-LUTH CL-DAN NGUYET +BM.1971.035.001/07:03-02 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:03-02 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:03-02 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:03-02 IFC-GONG IFC-PHENG LA 1 +BM.1971.035.001/07:03-02 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-03 AFLC-FLUTE LAT CONDUIT AFLC-SAO 2 +BM.1971.035.001/07:03-03 CL-LUTH CL-DAN TY BA 3 +BM.1971.035.001/07:03-03 CV-VIELE CV-DAN NHI 3 +BM.1971.035.001/07:03-03 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:03-03 IE-CLAQUETTES IE-SINH TIEN 1 +BM.1971.035.001/07:03-03 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:03-03 IFC-SERIE DE GONGS IFC-TAM AM LA 1 +BM.1971.035.001/07:03-04 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-04 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:03-04 IE-CLAQUETTES IE-SINH TIEN 1 +BM.1971.035.001/07:03-04 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-04 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:03-04 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-05 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-05 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:03-05 IE-CLAQUETTES IE-SINH TIEN 1 +BM.1971.035.001/07:03-05 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-05 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:03-05 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-05 IS-GRELOT IS-LUC LAC 1 +BM.1971.035.001/07:03-06 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-06 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:03-06 IE-CLAQUETTES IE-SINH TIEN 1 +BM.1971.035.001/07:03-06 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-06 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:03-06 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-06 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:03-07 M2-TBR 2MEMB 1 +BM.1971.035.001/07:03-07 M2-TBR 2MEMB 1 +BM.1971.035.001/07:03-07 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-07 IE-CYMBALES IE-CHAP CHOA 2 +BM.1971.035.001/07:03-08 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1971.035.001/07:03-08 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:03-08 M2-TBR 2MEMB M2-TRONG COM +BM.1971.035.001/07:03-08 M1-TBR 1MEMB M1-DAU 1 +BM.1971.035.001/07:03-08 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-09 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-09 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-09 CV-VIELE CV-DAN NHI 1 +BM.1971.035.001/07:03-09 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-10 AABD-HAUTBOIS AABD-KEN BAU 2 +BM.1971.035.001/07:03-10 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:03-10 CV-VIELE CV-DAN NHI 1 +BM.1971.035.001/07:03-10 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:03-11 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-11 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-11 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-11 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:03-12 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-12 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-12 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-12 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:03-13 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:03-13 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-13 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-13 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-13 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1971.035.001/07:03-14 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-14 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-14 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-14 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:03-15 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-15 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-15 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-15 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:03-16 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:03-16 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:03-16 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:03-16 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:04-01 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-01 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:04-01 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-01 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:04-02 AFT-FLUTE TERM AFT-TIEU 1 +BM.1971.035.001/07:04-03 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-03 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-03 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:04-03 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-04 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-04 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:04-04 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-04 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:04-05 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-05 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:04-05 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-05 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:04-06 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-06 CL-LUTH CL-DAN TY BA 1 +BM.1971.035.001/07:04-06 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-06 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-07 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-07 CL-LUTH CL-DAN TY BA 1 +BM.1971.035.001/07:04-07 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-07 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-08 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-08 CL-LUTH CL-DAN TY BA 1 +BM.1971.035.001/07:04-08 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-08 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-09 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-09 M2-TBR 2MEMB M2-TRONG CHIEN 1 +BM.1971.035.001/07:04-09 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1971.035.001/07:04-09 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:04-09 CV-VIELE CV-DAN NHI 1 +BM.1971.035.001/07:04-09 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1971.035.001/07:04-09 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:04-09 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-10 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-10 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:04-10 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-10 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-10 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-11 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-11 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:04-11 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-11 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-11 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:04-12 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:04-12 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:04-12 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:04-12 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:04-12 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:05-01 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:05-01 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:05-01 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:05-01 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-01 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:05-02 VC-CHANTE SOLO F 1 +BM.1971.035.001/07:05-02 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:05-02 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:05-02 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-02 CC-CITHARE/TABLE CC-DAN TRANH 1 +BM.1971.035.001/07:05-03 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-03 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-03 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:05-03 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:05-03 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:05-03 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:05-03 IFC-GONG IFC-PHENG LA 1 +BM.1971.035.001/07:05-04 M2-TBR 2MEMB M2-TRONG LE 1 +BM.1971.035.001/07:05-04 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1971.035.001/07:05-04 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:05-04 IFC-GONG IFC-THANH LA 1 +BM.1971.035.001/07:05-04 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:05-04 M1-TBR 1MEMB M1-BONG +BM.1971.035.001/07:05-04 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:05-05 VC-CHANTE SOLO H 1 +BM.1971.035.001/07:05-05 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:05-05 CV-VIELE CV-DAN GAO 1 +BM.1971.035.001/07:05-05 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:05-05 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-05 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-05 M2-TBR 2MEMB M2-TRONG LE 1 +BM.1971.035.001/07:05-05 IFC-CLOCHE IFC-CHUONG 1 +BM.1971.035.001/07:05-05 IFC-BLOC DE BOIS IFC-MO 1 +BM.1971.035.001/07:05-06 CL-LUTH CL-DAN KIM MR. SAU TUNG 1 +BM.1971.035.001/07:05-06 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:05-07 CC-CITHARE/TABLE CC-DAN TRANH MR. BA DU 1 +BM.1971.035.001/07:05-07 CL-LUTH CL-DAN XEN MR. SAU TUNG 1 +BM.1971.035.001/07:05-07 CV-VIELE CV-DAN CO MR. BAY HAM 1 +BM.1971.035.001/07:05-07 AFT-FLUTE TERM AFT-TIEU MR. TU HUYEN 1 +BM.1971.035.001/07:05-07 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:05-08 AFT-FLUTE TERM AFT-TIEU MR. TU HUYEN 1 +BM.1971.035.001/07:05-09 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:05-09 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-09 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-09 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-09 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:05-09 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1971.035.001/07:05-09 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:05-10 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:05-10 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-10 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-10 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-10 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:05-10 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1971.035.001/07:05-10 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:05-11 CV-VIELE CV-DAN CO MR. TU HUYEN 1 +BM.1971.035.001/07:05-11 CV-VIELE CV-DAN CO CHI MR. TAM THU 1 +BM.1971.035.001/07:05-11 CV-VIELE CV-DAN GAO MR. HAI PHAT 1 +BM.1971.035.001/07:05-11 CV-VIELE CV-DAN CO LIU MR.CHIN QUON 1 +BM.1971.035.001/07:05-11 M2-TBR 2MEMB M2-TRONG 1 +BM.1971.035.001/07:05-11 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-11 IFC-BLOC DE BOIS IFC-MO 1 +BM.1971.035.001/07:05-12 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-12 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-12 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:05-12 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-12 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:05-12 IE-CYMBALES IE-CHAP CHOA +BM.1971.035.001/07:05-12 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:05-12 IFC-CORPS TUBULAIRE AUTRE IFC-MO SUNG TRAU 1 +BM.1971.035.001/07:05-13 AABD-HAUTBOIS AABD-KEN TIEU 1 +BM.1971.035.001/07:05-13 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-13 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-13 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:05-13 M2-TBR 2MEMB M2-TRONG COM 1 +BM.1971.035.001/07:05-13 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-13 CL-LUTH CL-DAN KIM 1 +BM.1971.035.001/07:05-13 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-13 CV-VIELE CV-DAN CO 2 +BM.1971.035.001/07:05-14 CV-VIELE CV-DAN CO 1 +BM.1971.035.001/07:05-14 CV-VIELE CV-DAN GAO 1 +BM.1971.035.001/07:05-14 CL-LUTH CL-DAN TAM 1 +BM.1971.035.001/07:05-14 CL-LUTH CL-DAN XEN 1 +BM.1971.035.001/07:05-14 M2-TBR 2MEMB M2-TRONG DUC 1 +BM.1971.035.001/07:05-14 M2-TBR 2MEMB M2-TRONG CAI 1 +BM.1971.035.001/07:05-14 IFC-GONG IFC-DAU 1 +BM.1971.035.001/07:05-14 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:05-15 VC-CHANTE SOLO H 1 +BM.1971.035.001/07:05-15 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:05-15 M2-TBR 2MEMB M2-TRONG 1 +BM.1971.035.001/07:05-15 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-16 VC-CHANTE SOLO H 1 +BM.1971.035.001/07:05-16 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:05-16 M2-TBR 2MEMB M2-TRONG 1 +BM.1971.035.001/07:05-16 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:05-17 VC-CHANTE SOLO H 1 +BM.1971.035.001/07:05-17 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:05-17 M2-TBR 2MEMB M2-TRONG 1 +BM.1971.035.001/07:05-17 IE-CLAQUETTES IE-PHACH 1 +BM.1971.035.001/07:06-01 VC-CHANTE SOLO H & CHR H +BM.1971.035.001/07:06-01 AABD-HAUTBOIS AABD-KEN BAU 1 +BM.1971.035.001/07:06-01 CV-VIELE CV-DAN NHI 1 +BM.1971.035.001/07:06-01 M2-TBR 2MEMB M2-TRONG 1 +BM.1971.035.001/07:06-01 IE-CYMBALES IE-CHAP CHOA 1 +BM.1971.035.001/07:06-01 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1971.035.001/07:06-01 CL-LUTH CL-DAN NGUYET 1 +BM.1971.035.001/07:06-01 M1-TBR 1MEMB M1-BONG 1 +BM.1971.035.001/07:06-01 IFC-CORPS HEMISPHERIQUE IFC-CHUONG 1 +BM.1971.035.001/07:06-01 IFC-BLOC DE BOIS IFC-MO 1 +BM.1971.035.001/07:06-01 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1971.035.001/07:06-02 VP-PARLE PHAM KIM TUONG 1 +BM.1971.035.001/07:06-03 VP-PARLE NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-04 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-05 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-06 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-07 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-08 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-08 CL-LUTH CL-DAN KIM NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-08 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-09 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-09 CL-LUTH CL-DAN KIM NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-09 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-10 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-10 CL-LUTH CL-DAN KIM NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-10 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-11 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-11 CL-LUTH CL-DAN KIM NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-11 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-11 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-12 CL-LUTH CL-DAN KIM VAN VI 1 +BM.1971.035.001/07:06-12 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-12 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-13 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-13 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-14 CL-LUTH CL-DAN KIM VAN VI 1 +BM.1971.035.001/07:06-14 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-14 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-15 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-15 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-15 VC-CHANTE SOLO H NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-16 CL-LUTH CL-GHITA PHIM LOM VAN VI 1 +BM.1971.035.001/07:06-16 CL-LUTH CL-DAN KIM NGUYEN VINH BAO 1 +BM.1971.035.001/07:06-16 IFC-BLOC DE BOIS IFC-SONG LANG 1 +BM.1971.035.001/07:06-16 CC-CITHARE CC-DAN TRANH NGUYEN VINH BAO 1 +BM.1971.035.001/07:07-01 VC-CHANTE SOLO F MME NHU TUYET 1 +BM.1971.035.001/07:07-01 CL-LUTH CL-DAN DAY MR. TU MA 1 +BM.1971.035.001/07:07-01 M2-TBR 2MEMB M2-TRONG CHAU MR. NGUYEN PHUOC 1 +BM.1971.035.001/07:07-01 IE-CLAQUETTES IE-PHACH MME NHU TUYET 1 +BM.1971.037.001/22:01-01 VP-PARLE SOLO H 1 +BM.1971.037.001/22:01-02 VP-PARLE SOLO H 1 +BM.1971.037.001/22:01-03 VC-CHANTE SOLO H KRONG BUK 1 +BM.1971.037.001/22:01-04 VC-CHANTE SOLO H KRONG BUK +BM.1971.037.001/22:01-05 VC-CHANTE SOLO H KRONG BUK 1 +BM.1971.037.001/22:01-06 VP-PARLE H BONG MANG 1 +BM.1971.037.001/22:01-06 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:01-07 VC-CHANTE SOLO H CHANG KON 1 +BM.1971.037.001/22:02-01 VC-CHANTE SOLO H +BM.1971.037.001/22:02-02 VC-CHANTE SOLO F +BM.1971.037.001/22:02-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:02-03 VC-CHANTE SOLO F +BM.1971.037.001/22:02-03 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:02-04 VC-CHANTE SOLO F +BM.1971.037.001/22:02-05 VA-CRIE n +BM.1971.037.001/22:03-01 VC-CHANTE F ANG BOR , ANG BLAK 2 +BM.1971.037.001/22:03-02 VC-CHANTE H PHANG ANG 1 +BM.1971.037.001/22:03-03 VC-CHANTE H KRAE JONG 1 +BM.1971.037.001/22:03-04 VC-CHANTE H KRAE JONG 1 +BM.1971.037.001/22:03-04 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-05 VC-CHANTE H PHANG ANG 1 +BM.1971.037.001/22:03-05 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-06 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:03-06 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-07 VC-CHANTE H KRAE JONG 1 +BM.1971.037.001/22:03-07 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-08 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN SIENG DLONG 1 +BM.1971.037.001/22:03-08 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-08 IFC-GONG IFC-CING RLEH 1 +BM.1971.037.001/22:03-09 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN TANG RJAM 1 +BM.1971.037.001/22:03-09 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:03-09 IFC-GONG IFC-CING RLEH 1 +BM.1971.037.001/22:03-09 IFC-GONG IFC-CING YONG RLA 1 +BM.1971.037.001/22:04-01 VC-CHANTE H KRAE JONG 1 +BM.1971.037.001/22:04-02 IFC-SERIE DE GONGS TOR CING +BM.1971.037.001/22:04-03 IFC-SERIE DE GONGS TOR CING +BM.1971.037.001/22:04-03 VP-PARLE +BM.1971.037.001/22:04-04 IFC-SERIE DE GONGS +BM.1971.037.001/22:04-04 VC-CHANTE H 1 +BM.1971.037.001/22:04-05 IFC-SERIE DE GONGS IFC-TOR CING n +BM.1971.037.001/22:04-06 IFC-SERIE DE GONGS IFC-TOR CING n +BM.1971.037.001/22:04-06 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:04-06 VP-PARLE +BM.1971.037.001/22:04-07 VC-CHANTE H KRAE JONG 1 +BM.1971.037.001/22:04-08 VC-CHANTE F JIEN 1 +BM.1971.037.001/22:04-08 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:04-09 VC-CHANTE F TRO 1 +BM.1971.037.001/22:04-10 VC-CHANTE H PHANG ANG 1 +BM.1971.037.001/22:04-11 VC-CHANTE H KIANG GRIENG 1 +BM.1971.037.001/22:05-01 VC-CHANTE H KIANG GRIENG 1 +BM.1971.037.001/22:05-02 M2-TBR 2MEMB 1 +BM.1971.037.001/22:05-03 M2-TBR 2MEMB 1 +BM.1971.037.001/22:05-03 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-04 M2-TBR 2MEMB 1 +BM.1971.037.001/22:05-04 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-05 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN +BM.1971.037.001/22:05-06 AAL-ANCHE LIBRE/TUYAU KOMBOAT +BM.1971.037.001/22:05-06 VP-PARLE +BM.1971.037.001/22:05-06 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-07 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:05-07 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-07 BC-BATTEMENTS DE MAINS +BM.1971.037.001/22:05-07 BC-FRAPPEMENTS DES PIEDS +BM.1971.037.001/22:05-08 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:05-08 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-09 AAL-ANCHE LIBRE/TUYAU KOMBOAT +BM.1971.037.001/22:05-09 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-10 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:05-10 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-11 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:05-11 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-12 AAL-ANCHE LIBRE/TUYAU KOMBOAT NGAN 1 +BM.1971.037.001/22:05-12 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-13 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-13 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:05-14 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:05-14 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:06-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:06-01 VP-PARLE +BM.1971.037.001/22:06-01 IFC-SERIE DE GONGS +BM.1971.037.001/22:06-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:06-02 VP-PARLE +BM.1971.037.001/22:06-02 IFC-SERIE DE GONGS TOR CING +BM.1971.037.001/22:06-03 VP-PARLE SOLO H 1 +BM.1971.037.001/22:06-03 IFC-SERIE DE GONGS TOR CING +BM.1971.037.001/22:06-04 IFC-SERIE DE GONGS TOR CING +BM.1971.037.001/22:06-05 VC-CHANTE H 1 +BM.1971.037.001/22:06-05 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:06-06 VC-CHANTE F CHANG 1 +BM.1971.037.001/22:06-06 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:06-07 VC-CHANTE F CHANG 1 +BM.1971.037.001/22:06-08 CC-CITHARE/TUBE +BM.1971.037.001/22:07-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:07-01 VC-CHANTE H 1 +BM.1971.037.001/22:07-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:07-02 VC-CHANTE F KROR CHANG 1 +BM.1971.037.001/22:07-03 VP-PARLE H 1 +BM.1971.037.001/22:07-04 VP-PARLE H 1 +BM.1971.037.001/22:07-04 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:08-01 VP-PARLE F 1 +BM.1971.037.001/22:08-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:09-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:10-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:10-01 VC-CHANTE H BANG 1 +BM.1971.037.001/22:10-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:10-02 VC-CHANTE H TONG ONG 1 +BM.1971.037.001/22:10-03 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:10-03 VC-CHANTE ALTERNE DUO H TONG ONG ET WANG JONG 2 +BM.1971.037.001/22:11-01 VC-CHANTE H TONG ONG 1 +BM.1971.037.001/22:11-02 VC-CHANTE H MBIANG JONG 1 +BM.1971.037.001/22:11-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:11-03 VC-CHANTE F JONG KREK 1 +BM.1971.037.001/22:11-03 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:12-01 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:12-01 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:12-02 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:12-03 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:12-04 IFC-SERIE DE GONGS TOR CING n +BM.1971.037.001/22:12-05 VC-CHANTE H 1 +BM.1971.037.001/22:12-05 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:13-01 VC-CHANTE H KLAEH 1 +BM.1971.037.001/22:13-02 VC-CHANTE F WEL 1 +BM.1971.037.001/22:13-02 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:13-03 AAL-ANCHE LIBRE/TUYAU KOMBOAT KRAEH 1 +BM.1971.037.001/22:13-04 AABS-CLARINETTE KOWAO KRAEH +BM.1971.037.001/22:13-05 AABS-CLARINETTE KOWAO KRAEH 1 +BM.1971.037.001/22:13-06 AABS-CLARINETTE KOWAO KOTU 1 +BM.1971.037.001/22:14-01 AF-FLUTE 1 +BM.1971.037.001/22:14-02 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:14-03 IFC-SERIE DE GONGS CING +BM.1971.037.001/22:14-04 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:14-04 VC-CHANTE H 1 +BM.1971.037.001/22:14-05 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:14-05 VC-CHANTE H 1 +BM.1971.037.001/22:14-06 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:14-06 VC-CHANTE H 1 +BM.1971.037.001/22:14-07 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:14-08 VC-CHANTE H 1 +BM.1971.037.001/22:15-01 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:15-02 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:15-03 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:15-04 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:15-05 VC-CHANTE H LUI DE BOSAR LU SIENG 1 +BM.1971.037.001/22:15-06 VC-CHANTE H LEO DE DING JU 1 +BM.1971.037.001/22:15-07 IFC-SERIE DE GONGS CING n +BM.1971.037.001/22:16-01 VC-CHANTE F PHEO 1 +BM.1971.037.001/22:16-02 VC-CHANTE F PHEO 1 +BM.1971.037.001/22:16-03 CC-CITHARE/TUBE CC-GONG K'DU 1 +BM.1971.037.001/22:16-04 CC-CITHARE/TUBE CC-GONG K'DU 1 +BM.1971.037.001/22:16-05 IFC-SERIE DE GONGS IFC-CING n +BM.1971.037.001/22:16-06 VC-CHANTE H K'DU 1 +BM.1971.037.001/22:16-07 AT-TROMPE UH KE KWOK 1 +BM.1971.037.001/22:16-07 M2-TBR 2MEMB BON SONG GOR 1 +BM.1971.037.001/22:16-07 +BM.1971.037.001/22:16-08 AT-TROMPE UH KE KWOK 1 +BM.1971.037.001/22:16-08 M2-TBR 2MEMB BON SONG GOR 1 +BM.1971.037.001/22:16-08 SD-AMBIANCES DIVERSES +BM.1971.037.001/22:16-09 VC-CHANTE F PHEO 1 +BM.1971.037.001/22:16-10 VC-CHANTE F 1 +BM.1971.037.001/22:16-11 VC-CHANTE H TCHA RA BAN KHIOU 1 +BM.1971.037.001/22:16-12 VC-CHANTE H TCHA RA BAN KHIOU 1 +BM.1971.037.001/22:17-01 VC-CHANTE F KOANG 1 +BM.1971.037.001/22:17-02 VP-PARLE H SO 1 +BM.1971.037.001/22:17-03 VC-CHANTE F KO ANG 1 +BM.1971.037.001/22:18-01 V-VOIX PIERRE BREU 1 +BM.1971.037.001/22:18-02 V-VOIX PIERRE BREU 1 +BM.1971.037.001/22:18-03 VC-CHANTE H TCHONG 1 +BM.1971.037.001/22:18-04 VP-PARLE H 1 +BM.1971.037.001/22:18-05 VC-CHANTE H TCHONG 1 +BM.1971.037.001/22:18-06 VC-CHANTE DUO F 2 +BM.1971.037.001/22:18-07 VC-CHANTE H TCHONG 1 +BM.1971.037.001/22:18-08 VC-CHANTE H 1 +BM.1971.037.001/22:18-09 VC-CHANTE H 1 +BM.1971.037.001/22:18-10 VC-CHANTE H SO 1 +BM.1971.037.001/22:18-11 VP-PARLE H 1 +BM.1971.037.001/22:18-12 VP-PARLE H PIERRE BREU 1 +BM.1971.037.001/22:18-13 VP-PARLE H SO 1 +BM.1971.037.001/22:18-14 VP-PARLE H NGOE 1 +BM.1971.037.001/22:18-15 VC-CHANTE F KO ANG 1 +BM.1972.012.001/18:007 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:007 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:01-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:01-01 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:01-01 +BM.1972.012.001/18:02-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:02-01 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-01 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-02 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-02 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-03 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-03 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-04 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-04 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-05 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-05 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-06 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-06 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:03-07 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:03-07 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:04-01 VP-PARLE SOLO H 1 +BM.1972.012.001/18:04-02 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:04-02 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:04-03 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:04-03 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:04-04 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:04-05 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:04-06 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:04-06 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:04-08 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:05-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:05-01 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:05-02 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:05-02 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:05-03 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:05-03 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:05-04 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:05-04 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:05-05 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:05-06 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:05-07 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:06-01 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:06-01 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:06-01 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-01 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:06-02 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:06-02 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:06-02 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:06-02 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-02 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:06-03 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:06-03 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:06-03 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:06-03 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-03 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:06-04 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:06-04 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:06-04 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:06-04 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-04 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:06-05 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:06-05 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:06-05 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:06-05 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:06-05 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:07-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:07-01 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:07-01 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:07-01 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:07-01 VC-CHANTE CHOEUR H n +BM.1972.012.001/18:07-01 IFC-CLOCHE 1 +BM.1972.012.001/18:07-02 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:07-02 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:07-02 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:07-02 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:07-02 VC-CHANTE CHOEUR H n +BM.1972.012.001/18:07-02 IFC-CLOCHE 1 +BM.1972.012.001/18:07-03 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:07-03 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:07-03 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:07-03 M1-TBR 1MEMB M1-SKOR 2 +BM.1972.012.001/18:07-03 CL-LUTH CL-CHAPEY 1 +BM.1972.012.001/18:07-04 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:07-04 AABD-HAUTBOIS AABD-PEI OR 1 +BM.1972.012.001/18:07-04 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:07-04 M1-TBR 1MEMB M1-SKOR 2 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SOLO H PAYUYU 1 +BM.2006.002.001/25:13-17 +BM.2006.002.001/25:13-18 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-18 +BM.2006.002.001/25:13-19 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-19 +BM.2006.002.001/25:13-20 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-20 +BM.2006.002.001/25:13-21 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-21 +BM.2006.002.001/25:13-22 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-22 +BM.2006.002.001/25:13-23 VC-CHANTE SOLO H PAYUYU 1 +BM.2006.002.001/25:13-23 +BM.2006.002.001/25:13-24 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:13-25 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:13-26 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:13-27 VC-CHANTE DUO MIXTE 1H+1F PAYUYU ET SES FILLES 1+1 +BM.2006.002.001/25:14-01 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:14-02 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:14-03 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:14-04 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:14-05 VC-CHANTE CHOEUR MIXTE PAYUYU ET SES FILLES 1+2 +BM.2006.002.001/25:14-06 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-06 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-07 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-07 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-08 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-08 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-09 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-09 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-10 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-10 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-11 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-11 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:14-12 VC-CHANTE SOLO H 1 +BM.2006.002.001/25:14-12 AAB-ANCHE BATTANTE AAB-ARAMTEM* $ 3 +BM.2006.002.001/25:15-01 VP-VOIX PARLE H. VICTOR MICHEL 1 +BM.2006.002.001/25:15-02 VP-VOIX PARLE H. VICTOR MICHEL 1 +BM.2006.002.001/25:15-03 VP-VOIX PARLE H. VICTOR MICHEL 1 +BM.2006.002.001/25:15-04 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-05 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-06 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-07 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-08 VC-CHANTE CHOEUR MIXTE 2F ET 1H YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2+1 +BM.2006.002.001/25:15-09 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-10 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-11 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-12 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-13 VC-CHANTE DUO F YOYO CECILIA SABAKU ET MADELEINE LABONTE BAYO 2 +BM.2006.002.001/25:15-14 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:15-15 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:15-16 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:15-17 VC-CHANTE CHOEUR MIXTE 2F ET 1H YOYO CECILIA SABAKU, ¤ 2+1 +BM.2006.002.001/25:16-01 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:16-02 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:16-03 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:16-04 VC-CHANTE DUO F YOYO CECILIA SABAKU, ¤ 2 +BM.2006.002.001/25:16-05 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-05 +BM.2006.002.001/25:16-06 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-06 +BM.2006.002.001/25:16-07 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-07 +BM.2006.002.001/25:16-08 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-08 +BM.2006.002.001/25:16-09 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-09 +BM.2006.002.001/25:16-10 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-10 +BM.2006.002.001/25:16-11 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-11 +BM.2006.002.001/25:16-12 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-12 +BM.2006.002.001/25:16-13 VC-CHANTE SOLO H VICTOR MICHEL 1 +BM.2006.002.001/25:16-13 +BM.2006.002.001/25:16-14 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-14 +BM.2006.002.001/25:16-15 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-15 +BM.2006.002.001/25:16-16 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-16 +BM.2006.002.001/25:16-17 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-17 +BM.2006.002.001/25:16-18 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-18 +BM.2006.002.001/25:16-19 VC-CHANTE DUO H LOUIS MAURICE¤ 2 +BM.2006.002.001/25:16-19 +BM.2006.002.001/25:17-01 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-02 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-03 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-04 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-05 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-06 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-07 VC-CHANTE CHOEUR MIXTE 2F+1H YOYO CECILIA SABAKU ¤ 2+1 +BM.2006.002.001/25:17-08 VC-CHANTE CHOEUR H VICTOR MICHEL ¤ 3 +BM.2006.002.001/25:17-09 VC-CHANTE CHOEUR H VICTOR MICHEL ¤ 3 +BM.2006.002.001/25:17-10 VC-CHANTE CHOEUR H VICTOR MICHEL ¤ 3 +BM.2006.002.001/25:17-11 VC-CHANTE CHOEUR H VICTOR MICHEL ¤ 3 +BM.2006.002.001/25:18-01 VP-PARLE H ANTOINE BAPTISTE 1 +BM.2006.002.001/25:18-02 VP-PARLE H ANTOINE BAPTISTE 1 +BM.2006.002.001/25:18-03 CARAPACE DE LA TORTUE M. ANTOINE BAPTISTE 1 +BM.2006.002.001/25:18-04 CARAPACE DE LA TORTUE M. ANTOINE BAPTISTE 1 +BM.2006.002.001/25:18-05 AMBIANCE AMBIANCE +BM.2006.002.001/25:18-06 VC-CHANTE FEMME SOLO RWIPTI(MINERVINE MICHEL) 1 +BM.2006.002.001/25:18-07 VC-CHANTE FEMME SOLO RWIPTI(MINERVINE MICHEL) 1 +BM.2006.002.001/25:18-08 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-09 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-10 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-11 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-12 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-13 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-14 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-15 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-16 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-17 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-18 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-19 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:18-20 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:19-01 +BM.2006.002.001/25:19-01 AFTS-FLUTE TERM SANS CONDUIT VICTOR MICHEL 1 +BM.2006.002.001/25:19-02 +BM.2006.002.001/25:19-02 AFTS-FLUTE TERM SANS CONDUIT VICTOR MICHEL 1 +BM.2006.002.001/25:19-03 +BM.2006.002.001/25:19-03 AFTS-FLUTE TERM SANS CONDUIT VICTOR MICHEL 1 +BM.2006.002.001/25:19-04 +BM.2006.002.001/25:19-04 AFTS-FLUTE TERM SANS CONDUIT VICTOR MICHEL 1 +BM.2006.002.001/25:19-05 +BM.2006.002.001/25:19-05 AFTS-FLUTE TERM SANS CONDUIT VICTOR MICHEL 1 +BM.2006.002.001/25:19-06 VC- CHANTE F. SOLO MADELEINE LABONTE(BAYO) 1 +BM.2006.002.001/25:19-06 +BM.2006.002.001/25:19-06 +BM.2006.002.001/25:19-06 +BM.2006.002.001/25:19-07 VC- CHANTE F. SOLO LABONTE FRANCOISE(Apux) 1 +BM.2006.002.001/25:19-07 +BM.2006.002.001/25:19-07 +BM.2006.002.001/25:19-07 +BM.2006.002.001/25:19-08 VC- CHANTE F. SOLO LABONTE FRANCOISE(Apux) 1 +BM.2006.002.001/25:19-08 +BM.2006.002.001/25:19-08 +BM.2006.002.001/25:19-08 +BM.2006.002.001/25:19-09 VC- CHANTE DUO F. LABONTE FRANCOISE(Apux)¤ 2 +BM.2006.002.001/25:19-09 +BM.2006.002.001/25:19-09 +BM.2006.002.001/25:19-09 +BM.2006.002.001/25:19-10 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-10 +BM.2006.002.001/25:19-11 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-11 +BM.2006.002.001/25:19-12 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-12 +BM.2006.002.001/25:19-13 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-13 +BM.2006.002.001/25:19-14 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-14 +BM.2006.002.001/25:19-15 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-15 +BM.2006.002.001/25:19-16 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-16 +BM.2006.002.001/25:19-17 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-17 +BM.2006.002.001/25:19-18 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-18 +BM.2006.002.001/25:19-19 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-19 +BM.2006.002.001/25:19-20 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:19-20 +BM.2006.002.001/25:20-01 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-01 +BM.2006.002.001/25:20-02 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-02 +BM.2006.002.001/25:20-03 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-03 +BM.2006.002.001/25:20-04 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-04 +BM.2006.002.001/25:20-05 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-05 +BM.2006.002.001/25:20-06 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-06 +BM.2006.002.001/25:20-07 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-07 +BM.2006.002.001/25:20-08 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-08 +BM.2006.002.001/25:20-09 AABS-CLARINETTES VICTOR MICHEL¤ 5 +BM.2006.002.001/25:20-09 +BM.2006.002.001/25:20-10 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:20-11 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:20-12 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:20-13 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-01 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-02 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-03 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-04 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-05 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-06 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-07 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-08 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-09 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-10 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-11 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-12 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-13 VC-CHANTE CHOEUR FEMME YOYO CECILIA SABAK ¤ 3 +BM.2006.002.001/25:21-14 AFTS-FLUTE TERM SANS CONDUIT AFTS-PARATANON NORINO LOUIS 1 +BM.2006.002.001/25:21-15 AFTS-FLUTE TERM SANS CONDUIT AFTS-PARATANON NORINO LOUIS 1 +BM.2006.002.001/25:21-16 AFTS-FLUTE TERM SANS CONDUIT AFTS-PARATANON NORINO LOUIS 1 +BM.2006.002.001/25:21-17 AFTS-FLUTE TERM SANS CONDUIT AFTS-PARATANON NORINO LOUIS 1 +BM.2006.002.001/25:22-01 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-02 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-03 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-04 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-05 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-06 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-07 VC-CHANTE F. SOLO HIPOLLITE MARIE 1 +BM.2006.002.001/25:22-08 VC-CHANTE F. 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IE-KOLADI N +BM.1959.006.001/19:12-02 VC-CHANTE SOLO H & CHR M N +BM.1959.006.001/19:12-02 IE-BATONS IE-KOLADI N +BM.1959.006.001/19:12-03 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:12-03 M2V-TBR 2MEMB VARIABLE M2V-UDUKKU 1 +BM.1959.006.001/19:12-04 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:12-04 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:12-04 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:12-05 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:12-05 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:12-05 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:13-01 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:13-01 M2V-TBR 2MEMB VARIABLE M2V-UDUKKU 1 +BM.1959.006.001/19:13-02 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:13-02 M2V-TBR 2MEMB VARIABLE M2V-UDUKKU 1 +BM.1959.006.001/19:13-03 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:13-03 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:13-03 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:13-04 VC-CHANTE DUO ALTERNE H 2 +BM.1959.006.001/19:13-04 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:13-04 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-01 VC-CHANTE SOLO & DUO ALTERNE H 2 +BM.1959.006.001/19:14-01 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-01 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-02 VC-CHANTE SOLO & DUO ALTERNE H 2 +BM.1959.006.001/19:14-02 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-02 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-03 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:14-03 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-03 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-04 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:14-04 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-04 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-05 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:14-05 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-05 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-06 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:14-06 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-06 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:14-07 VC-CHANTE DUO H 2 +BM.1959.006.001/19:14-07 CV-VIELE CV-DANGARAM 1 +BM.1959.006.001/19:14-07 IE-CLAQUETTES IE-KATTAI N +BM.1959.006.001/19:15-01 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:15-01 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:15-01 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:15-01 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:15-01 M-TBR N +BM.1959.006.001/19:15-02 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:15-02 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:15-02 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:15-02 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:15-02 M-TBR N +BM.1959.006.001/19:15-03 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:15-03 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:15-03 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:15-03 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:15-03 M-TBR N +BM.1959.006.001/19:16-01 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:16-01 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:16-01 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:16-01 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:16-01 M-TBR 2 +BM.1959.006.001/19:16-02 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:16-02 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:16-02 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:16-02 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:16-02 M-TBR 2 +BM.1959.006.001/19:16-03 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:16-03 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:16-03 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:16-03 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:16-03 M-TBR 2 +BM.1959.006.001/19:16-04 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:16-04 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:16-04 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:16-04 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:16-04 M-TBR 2 +BM.1959.006.001/19:16-05 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:16-05 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:16-05 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:16-05 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:16-05 M-TBR 2 +BM.1959.006.001/19:17-01 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:17-01 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:17-01 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:17-01 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:17-01 M-TBR 2 +BM.1959.006.001/19:17-02 AABD-HAUTBOIS AABD-NAGASVARAM 2 +BM.1959.006.001/19:17-02 M2-TBR 2MEMB M2-TAWUL 1 +BM.1959.006.001/19:17-02 IE-CYMBALES IE-JALLARAI N +BM.1959.006.001/19:17-02 AABD-HAUTBOIS AABD-UTTU 1 +BM.1959.006.001/19:17-02 M-TBR 2 +BM.1959.006.001/19:17-03 VC-CHANTE SOLO H & CHR M N +BM.1959.006.001/19:17-03 IE-BATONS IE-KOLADI N +BM.1959.006.001/19:17-04 VC-CHANTE SOLO H & CHR M N +BM.1959.006.001/19:17-04 IE-BATONS IE-KOLADI N +BM.1959.006.001/19:18-01 VC-CHANTE SOLO H 1 +BM.1959.006.001/19:18-02 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:18-03 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:18-04 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:19-01 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:19-02 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:19-03 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:19-04 VC-CHANTE SOLO F 1 +BM.1959.006.001/19:19-05 VC-CHANTE SOLO F 1 +BM.1961.001.001/03:01-01 VC-CHANTE CHR MIXTE +BM.1961.001.001/03:01-01 +BM.1961.002.001/11:01-01 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-01 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-02 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-02 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-03 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-03 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-04 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-04 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-05 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-05 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-07 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-07 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-08 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-08 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-09 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-09 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-10 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-10 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-11 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-11 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:01-12 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:01-12 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-01 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-01 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-01 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-01 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-01 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-01 M-TBR M-N +BM.1961.002.001/11:02-02 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-02 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-02 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-02 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-02 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-02 M-TBR M-N +BM.1961.002.001/11:02-03 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-03 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-03 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-03 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-03 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-03 M-TBR M-N +BM.1961.002.001/11:02-04 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-04 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-04 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-04 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-04 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-04 M-TBR M-N +BM.1961.002.001/11:02-05 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-05 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-05 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-05 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-05 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-05 M-TBR M-N +BM.1961.002.001/11:02-06 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-06 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-06 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-06 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-06 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-06 M-TBR M-N +BM.1961.002.001/11:02-07 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-07 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-07 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-07 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-07 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-07 M-TBR M-N +BM.1961.002.001/11:02-08 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:02-08 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-08 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-08 VP-PARLE H VP-N +BM.1961.002.001/11:03-08 VC-CHANTE H +BM.1961.002.001/11:02-09 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:02-09 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:02-09 M-TBR M-AMNONGAVILANY +BM.1961.002.001/11:03-09 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-09 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-09 M-TBR M-N +BM.1961.002.001/11:03-10 VC-CHANTE CHR H VC-N +BM.1961.002.001/11:03-10 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:03-10 M-TBR M-N +BM.1961.002.001/11:03-11 VP-PARLE SOLO H ALTERNE VP-N 2 +BM.1961.002.001/11:04-01 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:04-02 VC-CHANTE SOLO VC-N 1 +BM.1961.002.001/11:04-02 VC-CHANTE CHR F VC-N +BM.1961.002.001/11:04-02 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:04-03 CC-CITHARE/TUBE CC-VALIHA 1 +BM.1961.002.001/11:04-03 IS-HOCHET IS-N +BM.1961.002.001/11:05-01 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-01 M-TBR M-N 1 +BM.1961.002.001/11:05-02 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-02 M-TBR M-N 1 +BM.1961.002.001/11:05-03 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-03 M-TBR M-N 1 +BM.1961.002.001/11:05-04 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-04 M-TBR M-N 1 +BM.1961.002.001/11:05-05 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-05 M-TBR M-N 1 +BM.1961.002.001/11:05-06 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-06 M-TBR M-N 1 +BM.1961.002.001/11:05-07 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-07 M-TBR M-N 1 +BM.1961.002.001/11:05-08 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-08 M-TBR M-N 1 +BM.1961.002.001/11:05-09 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-09 M-TBR M-N 1 +BM.1961.002.001/11:05-10 AABD-HAUTBOIS AABD-ANJOMARY 2 +BM.1961.002.001/11:05-10 M-TBR M-N 1 +BM.1961.002.001/11:06-01 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-01 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-02 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-02 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-02 VC-CHANTE DUO F VC-N 2 +BM.1961.002.001/11:06-03 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-03 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-03 VC-CHANTE DUO F VC-N 2 +BM.1961.002.001/11:06-04 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-04 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-04 VC-CHANTE DUO F VC-N 2 +BM.1961.002.001/11:06-05 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-05 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-05 VC-CHANTE DUO F VC-N 2 +BM.1961.002.001/11:06-06 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:06-06 IS-HOCHET IS-N 1 +BM.1961.002.001/11:06-06 VC-CHANTE DUO F VC-N 2 +BM.1961.002.001/11:06-06 VP-PARLE H +BM.1961.002.001/11:06-07 VP-H +BM.1961.002.001/11:06-08 VP-H +BM.1961.002.001/11:07-01 VP-PARLE H VP-N 1 +BM.1961.002.001/11:07-02 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:07-03 VC-CHANTE CHR VC-N +BM.1961.002.001/11:07-03 VC-CHANTE SOLO F VC-N 1 +BM.1961.002.001/11:07-03 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:07-03 BC-BRUITS CORPORELS +BM.1961.002.001/11:07-04 VC-CHANTE CHR VC-N +BM.1961.002.001/11:07-04 VC-CHANTE SOLO F VC-N 1 +BM.1961.002.001/11:07-04 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:07-04 BC-BRUITS CORPORELS +BM.1961.002.001/11:07-04 VP-PARLE +BM.1961.002.001/11:07-04 SD-AMBIANCES DIVERSES +BM.1961.002.001/11:07-05 VC-CHANTE CHR VC-N +BM.1961.002.001/11:07-05 VC-CHANTE SOLO F VC-N 1 +BM.1961.002.001/11:07-05 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:07-05 BC-BRUITS CORPORELS +BM.1961.002.001/11:07-05 SD-AMBIANCES DIVERSES SD-N +BM.1961.002.001/11:07-05 VP-PARLE +BM.1961.002.001/11:07-06 VC-CHANTE CHR VC-N +BM.1961.002.001/11:07-06 VC-CHANTE SOLO F VC-N 1 +BM.1961.002.001/11:07-06 BC-BATTEMENTS DE MAINS BC-N +BM.1961.002.001/11:07-06 BC-BRUITS CORPORELS +BM.1961.002.001/11:07-06 SD-AMBIANCES DIVERSES SD-N +BM.1961.002.001/11:07-06 VP-PARLE +BM.1961.002.001/11:07-07 VP-PARLE F VP-N +BM.1961.002.001/11:07-07 VC-CHANTE F +BM.1961.002.001/11:07-08 VC-CHANTE CHR MIXTE VC-N +BM.1961.002.001/11:07-08 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:07-09 CA-ARC MUSICAL CA-JEJOLAVA 1 +BM.1961.002.001/11:07-09 VC-CHANTE CHR MIXTE +BM.1961.002.001/11:07-09 BC-FRAPPEMENTS DE MAINS +BM.1961.002.001/11:07-10 VC- CHANTE DUO H VC-N 2 +BM.1961.002.001/11:07-11 VC- CHANTE DUO H VC-N 2 +BM.1961.002.001/11:07-12 VC- CHANTE DUO H VC-N 2 +BM.1961.002.001/11:07-13 VC- CHANTE DUO H VC-N 2 +BM.1961.002.001/11:07-14 VC- CHANTE DUO H VC-N 2 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ALKISH 1 +BM.1962.001.001/07:02-06 CL-LUTH CL-SAZ ACIK ALI ALKISH 1 +BM.1962.001.001/07:03-01 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1962.001.001/07:03-02 VP-PARLE VP-N ALI ALKISH 1 +BM.1962.001.001/07:03-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1962.001.001/07:03-03 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1962.001.001/07:03-04 VC-CHANTE SOLO H & CHR VC-N +BM.1962.001.001/07:03-04 CL-LUTH +BM.1962.001.001/07:03-04 SD-AMBIANCES DIVERSES +BM.1962.001.001/07:03-04 BC-BATTEMENTS DE MAINS BC-N +BM.1962.001.001/07:03-05 VC-CHANTE SOLO H VC-N 1 +BM.1962.001.001/07:03-05 CL-LUTH 1 +BM.1962.001.001/07:03-06 VC-CHANTE SOLO H VC-N 1 +BM.1962.001.001/07:04-01 CL-LUTH CL-DOTAR 1 +BM.1962.001.001/07:04-02 CL-LUTH CL-DOTAR 1 +BM.1962.001.001/07:04-03 CL-LUTH CL-N 1 +BM.1962.001.001/07:04-03 VC-CHANTE SOLO H VC-N 1 +BM.1962.001.001/07:04-04 CL-LUTH 1 +BM.1962.001.001/07:04-04 CV-VIELE CV-KEMANEC 1 +BM.1962.001.001/07:04-05 CV-VIELE CV-N 1 +BM.1962.001.001/07:04-05 VC-CHANTE SOLO H VC-N 1 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LIBRE/TUYAU AAL-DDING NAM KOPAK LUR 1 +BM.965.006.001:01-A18 AAL-ANCHE LIBRE/TUYAU AAL-DDING NAM KOPAK LUR 1 +BM.965.006.001:01-A19 AAL-ANCHE LIBRE/TUYAU AAL-DDING NAM KOPAK LUR 1 +BM.965.006.001:01-A20 AAL-ANCHE LIBRE/TUYAU AAL-DDING NAM KOPAK LUR 1 +BM.965.006.001:01-A21 VP-PARLE SOLO H VP-N 1 +BM.965.006.001:01-B01 ORCH-ORCH DE GONGS ORCH-CING 8 +BM.965.006.001:01-B01 M2C-TBR 2MEMB/CAISSE M2C-HOGOR 1 +BM.965.006.001:01-B02 VP-PARLE SOLO H VP-N 1 +BM.965.014.001:01-01 VC-CHANTE SOLO F +BM.1965.018.001/02:01-A01 VP-PARLE SOLO H VP-N AMA PIN 1 +BM.1965.018.001/02:01-A02 VP-PARLE SOLO H VP-N KOSOR LONG 1 +BM.1965.018.001/02:01-B01 VP-PARLE SOLO H VP-N AMA TRE 1 +BM.1965.018.001/02:01-B02 SA-SONS ANIMAUX OISEAUX +BM.1965.018.001/02:01-B02 SD-AMBIANCES DIVERSES +BM.1965.018.001/02:01-B03 VP-PARLE TRIO H VP-N AMA PUNG 3 +BM.1965.018.001/02:01-B03 SD-AMBIANCES DIVERSES +BM.1965.018.001/02:02-A01 VP-PARLE SOLO H VP-N 1 +BM.1965.018.001/02:02-A02 VP-PARLE H & F VP-N +BM.1965.018.001/02:02-B01 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TU 1 +BM.1967.004.001/14:02-06 +BM.1967.004.001/14:02-07 VC-CHANTE SOLO H TU 1 +BM.1967.004.001/14:02-07 +BM.1967.004.001/14:02-08 VC-CHANTE SOLO H MIT 1 +BM.1967.004.001/14:02-08 +BM.1967.004.001/14:02-09 AFL-FLUTE KEMBAO XOAI 1 +BM.1967.004.001/14:02-09 +BM.1967.004.001/14:02-10 IP-GUIMBARDE LAY 1 +BM.1967.004.001/14:02-10 +BM.1967.004.001/14:02-11 VC-CHANTE SOLO H MIT 1 +BM.1967.004.001/14:02-11 +BM.1967.004.001/14:02-12 VC-CHANTE SOLO H XOAI 1 +BM.1967.004.001/14:02-12 +BM.1967.004.001/14:02-13 VC-CHANTE SOLO H BA 1 +BM.1967.004.001/14:02-13 +BM.1967.004.001/14:02-14 VC-CHANTE SOLO H LAY 1 +BM.1967.004.001/14:02-14 +BM.1967.004.001/14:03-01 IFC-GONG 3 +BM.1967.004.001/14:03-01 +BM.1967.004.001/14:03-02 IFC-GONG 3 +BM.1967.004.001/14:03-02 +BM.1967.004.001/14:03-03 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:03-03 +BM.1967.004.001/14:03-04 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:03-04 +BM.1967.004.001/14:03-04 +BM.1967.004.001/14:03-05 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:03-05 +BM.1967.004.001/14:03-05 +BM.1967.004.001/14:03B-01 VC-CHANTE ALTERNE H & F K'KLAEH;K'PIN 2 +BM.1967.004.001/14:03B-01 +BM.1967.004.001/14:03B-01 +BM.1967.004.001/14:03B-02 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'CHO 1 +BM.1967.004.001/14:03B-02 +BM.1967.004.001/14:03B-02 +BM.1967.004.001/14:03B-03 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'CHO 1 +BM.1967.004.001/14:03B-03 +BM.1967.004.001/14:03B-03 +BM.1967.004.001/14:03B-04 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'CHO 1 +BM.1967.004.001/14:03B-04 +BM.1967.004.001/14:03B-04 +BM.1967.004.001/14:03B-05 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-05 +BM.1967.004.001/14:03B-05 +BM.1967.004.001/14:03B-06 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-06 +BM.1967.004.001/14:03B-06 +BM.1967.004.001/14:03B-07 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-07 +BM.1967.004.001/14:03B-07 +BM.1967.004.001/14:03B-08 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-08 +BM.1967.004.001/14:03B-08 +BM.1967.004.001/14:03B-09 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-09 +BM.1967.004.001/14:03B-09 +BM.1967.004.001/14:03B-10 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-10 +BM.1967.004.001/14:03B-10 +BM.1967.004.001/14:03B-11 AABS-CLARINETTE AABS-KOWAO 1 +BM.1967.004.001/14:03B-11 +BM.1967.004.001/14:03B-11 +BM.1967.004.001/14:03B-12 IP-GUIMBARDE 1 +BM.1967.004.001/14:03B-12 +BM.1967.004.001/14:03B-12 +BM.1967.004.001/14:03B-13 IP-GUIMBARDE 1 +BM.1967.004.001/14:03B-13 +BM.1967.004.001/14:03B-13 +BM.1967.004.001/14:03B-14 IFC-GONG 6 +BM.1967.004.001/14:03B-14 +BM.1967.004.001/14:03B-14 +BM.1967.004.001/14:04-01 VC-CHANTE SOLO H K'LAY* 1 +BM.1967.004.001/14:04-01 +BM.1967.004.001/14:04-02 VC-CHANTE SOLO H K'BRI* 1 +BM.1967.004.001/14:04-02 +BM.1967.004.001/14:04-03 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:04-03 +BM.1967.004.001/14:04-04 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:04-04 +BM.1967.004.001/14:04-05 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT 1 +BM.1967.004.001/14:04-05 +BM.1967.004.001/14:04-06 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT 1 +BM.1967.004.001/14:04-06 +BM.1967.004.001/14:04-07 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT 1 +BM.1967.004.001/14:04-07 +BM.1967.004.001/14:04-08 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:04-08 +BM.1967.004.001/14:04-09 IP-GUIMBARDE IP-GOC 1 +BM.1967.004.001/14:04-09 +BM.1967.004.001/14:04-10 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:04-10 +BM.1967.004.001/14:04-11 IFC-GONG 2 +BM.1967.004.001/14:04-11 IF-IDIOPHONE FRAPPE 1 +BM.1967.004.001/14:04-12 VC-CHANTE SOLO H K'PHIT 1 +BM.1967.004.001/14:04-12 +BM.1967.004.001/14:04-13 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:04-13 +BM.1967.004.001/14:05-01 AABS-CLARINETTE AABS-KOWAO ONG SO 1 +BM.1967.004.001/14:05-01 +BM.1967.004.001/14:05-02 AABS-CLARINETTE AABS-KOWAO ONG SO 1 +BM.1967.004.001/14:05-02 +BM.1967.004.001/14:05-03 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'SIONG 1 +BM.1967.004.001/14:05-03 +BM.1967.004.001/14:05-04 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'SIONG 1 +BM.1967.004.001/14:05-04 +BM.1967.004.001/14:05-05 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'KRAH 1 +BM.1967.004.001/14:05-05 +BM.1967.004.001/14:05-06 AAL-ANCHE LIBRE/TUYAU AAL-KOMBOAT K'KRAH 1 +BM.1967.004.001/14:05-06 +BM.1967.004.001/14:05-07 VC-CHANTE SOLO H K'CHIONG 1 +BM.1967.004.001/14:05-07 +BM.1967.004.001/14:05-08 VC-CHANTE SOLO F K'ANG (FEMME DE K'CHIONG) 1 +BM.1967.004.001/14:05-08 +BM.1967.004.001/14:05-09 VC-CHANTE SOLO H K'TANG BODAI (SURNOM) 1 +BM.1967.004.001/14:05-09 +BM.1967.004.001/14:05-10 VC-CHANTE SOLO H K'CHIONG 1 +BM.1967.004.001/14:05-10 +BM.1967.004.001/14:06-01 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-01 +BM.1967.004.001/14:06-02 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-02 +BM.1967.004.001/14:06-03 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-03 +BM.1967.004.001/14:06-04 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-04 +BM.1967.004.001/14:06-05 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-05 +BM.1967.004.001/14:06-06 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-06 +BM.1967.004.001/14:06-07 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-07 +BM.1967.004.001/14:06-08 IFC-GONG ONG SO* 6 +BM.1967.004.001/14:06-08 +BM.1967.004.001/14:07-01 IFC-GONG N +BM.1967.004.001/14:07-01 VP-PARLE SOLO H 1 +BM.1967.004.001/14:07-02 AF-FLUTE 5 +BM.1967.004.001/14:07-03 AF-FLUTE 5 +BM.1967.004.001/14:07-04 AF-FLUTE 5 +BM.1967.004.001/14:07-05 VP-PARLE SOLO H YNYA 1 +BM.1967.004.001/14:07-06 AF-FLUTE DING KLIA BRANG 1 +BM.1967.004.001/14:07-07 AF-FLUTE DING KLIA BRANG 1 +BM.1967.004.001/14:07-08 IP-GUIMBARDE GOC 1 +BM.1967.004.001/14:07-09 IFP-XYLOPHONE KOK Y SUNG, Y JANG 1 +BM.1967.004.001/14:07-10 CC-CITHARE/TUBE GONG 1 +BM.1967.004.001/14:08-01 VP-PARLE SOLO H 1 +BM.1967.004.001/14:08-01 IFC-GONG 6 +BM.1967.004.001/14:08-01 M-TBR HGOR 1 +BM.1967.004.001/14:08-01 IFC-GONG CING 1 +BM.1967.004.001/14:08-01 IFC-GONG KNAH 1 +BM.1967.004.001/14:08-01 IFC-GONG CHAR 1 +BM.1967.004.001/14:08-02 IFC-GONG 6 +BM.1967.004.001/14:08-02 M-TBR 1 +BM.1967.004.001/14:08-03 VP-PARLE SOLO H 1 +BM.1967.004.001/14:09-01 VP-PARLE SOLO H 1 +BM.1967.004.001/14:09-02 IP-GUIMBARDE GOT 1 +BM.1967.004.001/14:09-03 VC-CHANTE DUO ALTERNE H LIL-EBAR, MOK-NIE* 2 +BM.1967.004.001/14:10-01 VP-PARLE SOLO H 1 +BM.1967.004.001/14:10-01 IFC-GONG N +BM.1967.004.001/14:10-02 AF-FLUTE 5 +BM.1967.004.001/14:10-03 AF-FLUTE 5 +BM.1967.004.001/14:10-04 AF-FLUTE 5 +BM.1967.004.001/14:10-05 AF-FLUTE 5 +BM.1967.004.001/14:10-06 CC-CITHARE/TUBE GONG Y PO 1 +BM.1967.004.001/14:11-01 VC-CHANTE SOLO H Y PO 1 +BM.1967.004.001/14:11-01 CC-CITHARE/TUBE GONG Y JUI 1 +BM.1967.004.001/14:11-02 CC-CITHARE/TUBE GONG Y PO 1 +BM.1967.004.001/14:11-03 VC-CHANTE SOLO H Y BHUM 1 +BM.1967.004.001/14:11-03 CC-CITHARE BRO Y PLEI 1 +BM.1967.004.001/14:11-04 VC-CHANTE SOLO H Y PRAM 1 +BM.1967.004.001/14:11-05 VC-CHANTE SOLO H 1 +BM.1967.004.001/14:11-05 CC-CITHARE BRO 1 +BM.1967.004.001/14:12-01 VP-PARLE SOLO H K'BROK (DAM KUH) 1 +BM.1967.004.001/14:12-02 VP-PARLE SOLO H K'BRUS (DAM LUAN) 1 +BM.1967.004.001/14:12-03 VP-PARLE SOLO H K'BROK (DAM KUH) 1 +BM.1967.004.001/14:12-04 VP-PARLE SOLO H K'BRUS (DAM LUAN) 1 +BM.1967.004.001/14:12-05 VP-PARLE SOLO H K'BROK (DAM KUH) 1 +BM.1967.004.001/14:13-01 VP-PARLE SOLO H K'BRUS (DAM LUAN) 1 +BM.1967.004.001/14:13-02 VP-PARLE SOLO H K'BROK (DAM KUH) 1 +BM.1967.004.001/14:13-03 VP-PARLE SOLO H K'BRUS (DAM LUAN) 1 +BM.1967.004.001/14:13-04 VP-PARLE SOLO H K'BROK (DAM KUH) 1 +BM.967.004.001/14:14-01 VP-PARLE DUO H K'BROK (DAM KUH) , K'BRUS (DAM LUAN) 2 +BM.1967.005.001/32:01-01 VC-CHANTE SOLO H DROKPA +BM.1967.005.001/32:04-01 VP-PARLE SOLO H +BM.1967.006.001/34:01-01 VC-CHANTE SOLO H VC-N 1 +BM.1967.006.001/34:01-01 M-TBR M-DHYANGRO N +BM.1967.006.001/34:01-01 IS-SONNAILLES IS-N N +BM.1967.006.001/34:02-01 ATT-TROMPE TERM ATT-PENTA n +BM.1967.006.001/34:02-01 M2-TBR 2MEMB M2-DHYAMAYA 1 +BM.1967.006.001/34:02-01 IE-CYMBALES IE-BHUSYA n +BM.1967.006.001/34:02-01 IFC-GONG IFC-TAINAI n +BM.1967.006.001/34:03-01 VC-CHANTE SOLO H VC-N 1 +BM.1967.006.001/34:03-01 AABD-HAUTBOIS AABD-MUHALI n 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+BM.1967.006.001/34:07-01 ORCH-FANFARE N N n +BM.1967.006.001/34:08-01 V-VOIX N N n +BM.1967.006.001/34:08-01 M-TBR N N n +BM.1967.006.001/34:08-01 IE-CYMBALES N N n +BM.1967.006.001/34:08-01 AT-TROMPE N N n +BM.1967.006.001/34:09-01 VC-CHANTE CHR H N N n +BM.1967.006.001/34:09-02 V-VOIX N N n +BM.1967.006.001/34:09-03 VC-CHANTE SOLO H & CHR N N n +BM.1967.006.001/34:10-01 VC-CHANTE CHR H N N n +BM.1967.006.001/34:10-02 VC-CHANTE SOLO H N N n +BM.1967.006.001/34:10-02 VC-CHANTE CHR MIXTE N N n +BM.1967.006.001/34:12-03 VP-PARLE SOLO E N N 1 +BM.1967.006.001/34:12-05>06 VP-PARLE E N N N +BM.1967.006.001/34:13-01>02 VP-PARLE SOLO H N RELIGIEUX RGNIN-MA-PA 1 +BM.1967.006.001/34:13-03 VC- CHANTE SOLO H OU F N N 1 +BM.1967.006.001/34:13-03 IS-CLOCHE N N n +BM.1967.006.001/34:13-03 M-TBR N N 1 +BM.1967.006.001/34:13-03 +BM.1967.006.001/34:13-04 VC-CHANTE SOLO H N N 1 +BM.1967.006.001/34:13-04 +BM.1967.006.001/34:14-01 VP-PARLE SOLO H N N 1 +BM.1967.006.001/34:14-02 VC-CHANTE DUO H N N 2 +BM.1967.006.001/34:15-01 V-VOIX CHR H N N n +BM.1967.006.001/34:15-01 I-IDIOPHONE N N n +BM.1967.006.001/34:15-02 VC-CHANTE CHR H N N n +BM.1967.006.001/34:15-03 VP-PARLE SOLO H N N 1 +BM.1967.006.001/34:15-03 +BM.1967.006.001/34:16-01 VP-PARLE SOLO H N N 1 +BM.1967.006.001/34:16-02 V-VOIX SOLO H N N 1 +BM.1967.006.001/34:16-02 IE-CYMBALES N N n +BM.1967.006.001/34:16-02 M-TBR LHA-BSANS N 1 +BM.1967.006.001/34:17-01 M2D-TBR 2MEMB/CADRE M2D-RNA N 1 +BM.1967.006.001/34:17-01 IE-CYMBALES IE-ROL-MO N n +BM.1967.006.001/34:17-01 AT-TROMPE AT-RKAN GLIN N n +BM.1967.006.001/34:17-01 IFC-CLOCHE IFC-BONPO GCAN N n +BM.1967.006.001/34:17-02 V-VOIX CHR H N N n +BM.1967.006.001/34:17-02 M-TBR N N 1 +BM.1967.006.001/34:18-01>02 VC-CHANTE CHR N N n +BM.1967.006.001/34:18-01>02 CL-LUTH SGRA-SGNAN N 2 +BM.1967.006.001/34:19-01>02 V-VOIX SOLO H N N 1 +BM.1967.006.001/34:20-01>05 VC-CHANTE SOLO F N N 1 +BM.1967.006.001/34:21-01>05 VC-CHANTE SOLO H N N 1 +BM.1967.006.001/34:22-01 VC-CHANTE SOLO H N N 1 +BM.1967.006.001/34:22-02 VC-CHANTE CHR MIXTE N N n +BM.1967.006.001/34:22-03 VC-CHANTE CHR F N N n +BM.1967.006.001/34:23-01>02 VC-CHANTE SOLO H N N 1 +BM.1967.006.001/34:23-01>02 CV-VIELE CV-SARANGI N 1 +BM.1967.006.001/34:24-01>02 VC-CHANTE SOLO H N GOKUL GAINE 1 +BM.1967.006.001/34:24-01>02 CV-VIELE CV-SARANGI GOKUL GAINE 1 +BM.1967.006.001/34:24-01>02 +BM.1967.006.001/34:25-01>03 VC-CHANTE SOLO H N GOKUL GAINE 1 +BM.1967.006.001/34:25-01>03 CV-VIELE CV-SARANGI GOKUL GAINE 1 +BM.1967.006.001/34:26-01 V-VOIX CHR H N N n +BM.1967.006.001/34:26-01 AABD-HAUTBOIS N N n +BM.1967.006.001/34:26-01 ATT-TROMPE TERM N N n +BM.1967.006.001/34:26-01 AT-TROMPE N N n +BM.1967.006.001/34:26-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU N 1 +BM.1967.006.001/34:26-01 IE-CYMBALES IE-ROL-MO N n +BM.1967.006.001/34:26-01 IS-CLOCHE N N 1 +BM.1967.006.001/34:27-01 V-VOIX N N n +BM.1967.006.001/34:28-01 V-VOIX H N N 1 +BM.1967.006.001/34:28-01 M-TBR N N 1 +BM.1967.006.001/34:28-01 IS-CLOCHE N JHAKRI 1 +BM.1967.006.001/34:28-02 VC-CHANTE SOLO H & CHR H ALTERN N N n +BM.1967.006.001/34:28-02 IE-CYMBALES IE-ROILA N n +BM.1967.006.001/34:29-01 VC-CHANTE SOLO H N N 1 +BM.1967.006.001/34:29-02 VP-PARLE H N TSAWONG TRASI 1 +BM.1967.006.001/34:29-03 VC-CHANTE CHR E N N n +BM.1967.006.001/34:30-01 V-VOIX H&F N N n +BM.1967.006.001/34:30-02 VP-PARLE N N n +BM.1967.006.001/34:31-01 VP-ENQUETE N N n +BM.1967.006.001/34:31-02 VC-CHANTE CHR F N N n +BM.1967.006.001/34:32-01 VP-PARLE N N 1 +BM.1967.006.001/34:33-01 V-VOIX H N N n +BM.1967.006.001/34:33-01 ORCH N N n +BM.1967.006.001/34:34-01 VP-PARLE SOLO H N N 1 +BM.1967.008.001:01-01 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI +BM.1967.008.001:01-02 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI +BM.1967.008.001:01-03 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI +BM.1967.008.001:01-04 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI +BM.1967.008.001:01-05 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI +BM.1967.008.001:01-06 M-TBR M-TOMBAK OU ZARB DJAMCHID CHEMIRANI 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CV-SARANGI MAGAR-GAINE, RAM-CARAN 2 +BM.1967.019.001/54:03-01 VC-CHANTE SOLO E RAM-CARAN* 1 +BM.1967.019.001/54:03-01 CV-VIELE CV-SARANGI RAM CARAN 1 +BM.1967.019.001/54:03-02>03 CV-VIELE CV-SARANGI RAM-CARAN* 1 +BM.1967.019.001/54:04-01>02 CV-VIELE CV-SARANGI MAGAR-GAINE, RAM-CARAN* 2 +BM.1967.019.001/54:04-01>02 VC-CHANTE SOLO H MAGAR-GAINE 1 +BM.1967.019.001/54:04-01>02 VC-CHANTE SOLO E RAM-CARAN 1 +BM.1967.019.001/54:05-01 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:05-01 VC-CHANTE SOLO H MAGAR-GAINE 1 +BM.1967.019.001/54:06-01 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:06-01 VC-CHANTE SOLO H MAGAR-GAINE 1 +BM.1967.019.001/54:07-01 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:07-01 VC-CHANTE CHR H MAGAR-GAINE, FILS D'IMAN SINGH 2 +BM.1967.019.001/54:07-02 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:07-02 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:07-03 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:07-03 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:08-01 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:08-01 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:08-02 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:08-02 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:08-03 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:08-03 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:08-04 CV-VIELE CV-SARANGI MAGAR-GAINE 1 +BM.1967.019.001/54:08-04 VC-CHANTE SOLO H FILS D'IMAN SINGH 1 +BM.1967.019.001/54:09-01-02 VP-PARLE 1 +BM.1967.019.001/54:09-03 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:09-04>06 VP-PARLE 1 +BM.1967.019.001/54:09-07 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:10-01 VC-CHANTE F 2 +BM.1967.019.001/54:10-02 VC-CHANTE F 2 +BM.1967.019.001/54:10-03 VC-CHANTE F SABITRA KUMARI 2 +BM.1967.019.001/54:11-01 VC-CHANTE CHR H 2 +BM.1967.019.001/54:11-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:11-02 VC-CHANTE H MIJHAR GAINE* 1 +BM.1967.019.001/54:11-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:12-01 VC-CHANTE H MIJHAR GAINE* 1 +BM.1967.019.001/54:12-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:12-02 VC-CHANTE SOLO H MIJHAR GAINE 1 +BM.1967.019.001/54:12-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:12-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:12-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:12-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:12-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:12-05 VC-CHANTE SOLO E VISNU GAINENI* 1 +BM.1967.019.001/54:13-01 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:13-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:13-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:13-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:13-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:13-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:13-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:13-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:14-01 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:14-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:14-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:14-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:15-01 VC-CHANTE SOLO H DIL BAHADUR 1 +BM.1967.019.001/54:15-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:15-02 VC-CHANTE SOLO H DIL BAHADUR 1 +BM.1967.019.001/54:15-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:15-03 VC-CHANTE SOLO H DIL BAHADUR 1 +BM.1967.019.001/54:15-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:15-04 VC-CHANTE SOLO F PUTALI KAMINI 1 +BM.1967.019.001/54:16-01 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:16-02 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:16-03 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:16-04 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:16-05 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:17-01 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:17-02 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:17-03 VC-CHANTE CHR F PUTALI KAMINI ET MASSINA GAINENI 2 +BM.1967.019.001/54:18-01 VC-CHANTE H SHIVA BAHADUR GAINE* 1 +BM.1967.019.001/54:18-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:19-01 VC-CHANTE SOLO H SHIVA BAHADUR GAINE* 1 +BM.1967.019.001/54:19-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:19-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:19-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:19-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:19-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:19-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:19-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:19-05 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:19-05 CV-VIELE SARANGI 1 +BM.1967.019.001/54:20-01 VC-CHANTE SOLO H BHAKKU GAINE 1 +BM.1967.019.001/54:20-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:20-02 VC-CHANTE SOLO H BHAKKU GAINE 1 +BM.1967.019.001/54:20-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:20-03 VC-CHANTE SOLO H BHAKKU GAINE 1 +BM.1967.019.001/54:20-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:20-04 VC-CHANTE SOLO H BHAKKU GAINE 1 +BM.1967.019.001/54:20-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:21-01 VC-CHANTE SOLO H BHAKKU GAINE 1 +BM.1967.019.001/54:21-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:21-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:21-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:21-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:21-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:21-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:21-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:22-01 VC-CHANTE DUO ALTERNE H 2 +BM.1967.019.001/54:22-02 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:22-03 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:22-04 VC-CHANTE DUO F PUTALI KAMINI 2 +BM.1967.019.001/54:23-01 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:23-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:23-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:23-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:24-01 VC-CHANTE SOLO H BAKHAT BAHADUR GAINE 1 +BM.1967.019.001/54:24-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:24-02 VC-CHANTE SOLO H BAKHAT BAHADUR GAINE 1 +BM.1967.019.001/54:24-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:24-03 VC-CHANTE SOLO H BAKHAT BAHADUR GAINE 1 +BM.1967.019.001/54:24-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:24-04 VC-CHANTE SOLO H CHIN BAHADUR THAPA CHETRI 1 +BM.1967.019.001/54:24-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:24-05 VC-CHANTE DUO ALTERNE H CHIN BAHADUR THAPA CHETRI 2 +BM.1967.019.001/54:26-01 VC-CHANTE SOLO H MIJHAR DURGA GAINE 1 +BM.1967.019.001/54:27-01 VC-CHANTE SOLO H MIJHAR DURGA GAINE 1 +BM.1967.019.001/54:27-02 VC-CHANTE SOLO H MIJHAR DURGA GAINE 1 +BM.1967.019.001/54:27-03 VC-CHANTE SOLO H CHIN BAHADUR THAPA 1 +BM.1967.019.001/54:28-01 VC-CHANTE SOLO H CHIN BAHADUR THAPA 1 +BM.1967.019.001/54:29-01 VC-CHANTE SOLO H JHALAK MAN* 1 +BM.1967.019.001/54:29-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:29-02 VC-CHANTE SOLO H JHALAK MAN* 1 +BM.1967.019.001/54:29-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:30-01 VC-CHANTE SOLO H JHALAK MAN* 1 +BM.1967.019.001/54:30-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:31-01 VC-CHANTE SOLO H JHALAK MAN* 1 +BM.1967.019.001/54:31-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:31-02 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:31-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:32-01 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:32-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:33-01 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:33-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:33-02 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:33-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:33-03 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:33-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:34-01 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:34-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:34-02 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:34-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:34-03 VC-CHANTE SOLO H HIRA BAHADUR 1 +BM.1967.019.001/54:34-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:35-01 VC-CHANTE SOLO ALTERNE & CHR MIXTE 3 +BM.1967.019.001/54:35-01 M-TBR M-MADAL 1 +BM.1967.019.001/54:35-02 VC-CHANTE SOLO ALTERNE & CHR MIXTE 3 +BM.1967.019.001/54:35-02 M-TBR M-MADAL 1 +BM.1967.019.001/54:36-01 VC-CHANTE SOLO H JITE GAINE* 1 +BM.1967.019.001/54:36-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:36-02 VC-CHANTE SOLO H JITE GAINE* 1 +BM.1967.019.001/54:36-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:36-03 VC-CHANTE SOLO H JITE GAINE* 1 +BM.1967.019.001/54:36-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:37-01 VC-CHANTE SOLO H GOTHE GAINE* 1 +BM.1967.019.001/54:37-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:37-02 VC-CHANTE SOLO H GOTHE GAINE* 1 +BM.1967.019.001/54:37-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:37-03 VC-CHANTE SOLO H GOTHE GAINE* 1 +BM.1967.019.001/54:37-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:38-01 AT-TROMPE 1 +BM.1967.019.001/54:38-01 M-TBR 1 +BM.1967.019.001/54:38-01 IE-CYMBALES N +BM.1967.019.001/54:38-02 VC-CHANTE CHR H 2 +BM.1967.019.001/54:38-03 AT-TROMPE 1 +BM.1967.019.001/54:38-03 M-TBR 1 +BM.1967.019.001/54:38-03 IE-CYMBALES N +BM.1967.019.001/54:38-04 VC-CHANTE DUO F 2 +BM.1967.019.001/54:39A-01 VC-CHANTE SOLO ALTERNE H & CHR JHALAK MAN, DIL BAHADUR* N +BM.1967.019.001/54:39A-02 VP-PARLE H HOMMES DE CASTE DAMAI N +BM.1967.019.001/54:39A-02 AT-TROMPE N +BM.1967.019.001/54:39A-02 IE-CYMBALES N +BM.1967.019.001/54:39A-02 AABD-HAUTBOIS N +BM.1967.019.001/54:39A-03 VC-CHANTE SOLO F 1 +BM.1967.019.001/54:39B-01 VC-CHANTE CHR F N +BM.1967.019.001/54:39B-02 VC-CHANTE CHR F N +BM.1967.019.001/54:39B-03 VC-CHANTE CHR F N +BM.1967.019.001/54:39B-04 VC-CHANTE CHR F N +BM.1967.019.001/54:39B-05 VC-CHANTE CHR F N +BM.1967.019.001/54:39B-06 VC-CHANTE CHR F N +BM.1967.019.001/54:40-01 VC-CHANTE SOLO & CHR H N +BM.1967.019.001/54:40-01 M1D-TBR 1MEMB/CADRE M-KHAJADI 3 +BM.1967.019.001/54:40-01 IE-CYMBALES 3 +BM.1967.019.001/54:41-01 VC-CHANTE SOLO H BHOTE GAINE 1 +BM.1967.019.001/54:41-01 CV-VIELE SARANGI 1 +BM.1967.019.001/54:41-02 VC-CHANTE SOLO H BHOTE GAINE 1 +BM.1967.019.001/54:41-02 CV-VIELE SARANGI 1 +BM.1967.019.001/54:41-03 VC-CHANTE SOLO H BHOTE GAINE 1 +BM.1967.019.001/54:41-03 CV-VIELE SARANGI 1 +BM.1967.019.001/54:41-04 VC-CHANTE SOLO H BHOTE GAINE* 1 +BM.1967.019.001/54:41-04 CV-VIELE SARANGI 1 +BM.1967.019.001/54:42-01 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-02 VC-CHANTE SOLO E 1 +BM.1967.019.001/54:42-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-04 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-05 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-05 M-TBR M-MADAL DHAN BAHADUR 1 +BM.1967.019.001/54:42-06 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-06 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-07 VC-CHANTE SOLO H JAHAR SINGH 1 +BM.1967.019.001/54:42-07 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-08 VC-CHANTE SOLO H JAHAR SINGH 1 +BM.1967.019.001/54:42-08 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-09 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-09 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-10 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-10 M-TBR M-MADAL 1 +BM.1967.019.001/54:42-11 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:42-11 M-TBR M-MADAL 1 +BM.1967.019.001/54:43-01 VC-CHANTE DUO ALTERNE H * 2 +BM.1967.019.001/54:43-02 VC-CHANTE SOLO H KHADGA BAHADUR 1 +BM.1967.019.001/54:43-02 IE-CYMBALES IE-KARTALA 1 +BM.1967.019.001/54:43-03 VP-ENQUETE N +BM.1967.019.001/54:44-01 CH-HARPE 2 +BM.1967.019.001/54:44-01 AT-TROMPE 1 +BM.1967.019.001/54:44-01 AABD-HAUTBOIS 1 +BM.1967.019.001/54:44-01 M-TBR 2 +BM.1967.019.001/54:44-01 M2-TBR 2MEMB 1 +BM.1967.019.001/54:44-01 IE-CYMBALES 1 +BM.1967.019.001/54:45A-01 VC-CHANTE SOLO & CHR H N +BM.1967.019.001/54:45A-02 VC-CHANTE CHR F N +BM.1967.019.001/54:45A-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:45A-04 M-TBR M-MADAL 1 +BM.1967.019.001/54:45A-05 VC-CHANTE SOLO E 1 +BM.1967.019.001/54:45A-06 VC-CHANTE SOLO H & CHR H N +BM.1967.019.001/54:45A-06 M-TBR M-MADAL 1 +BM.1967.019.001/54:45A-06 +BM.1967.019.001/54:45A-07 VC-CHANTE SOLO H 2 +BM.1967.019.001/54:45A-07 M-TBR M-MADAL 1 +BM.1967.019.001/54:45A-07 +BM.1967.019.001/54:45A-08 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:45A-08 M-TBR M-MADAL 1 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SOLO H 1 +BM.1967.019.001/54:53-01 CV-VIELE CV-SARANGI 1 +BM.1967.019.001/54:53-01 +BM.1967.019.001/54:53-02 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:53-02 CV-VIELE CV-SARANGI 1 +BM.1967.019.001/54:53-02 +BM.1967.019.001/54:53-03 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:53-03 CV-VIELE CV-SARANGI 1 +BM.1967.019.001/54:53-03 +BM.1967.019.001/54:53-04 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:53-04 CL-LUTH CL-ARBAJO 1 +BM.1967.019.001/54:53-04 CV-VIELE CV-SARANGI 1 +BM.1967.019.001/54:53-05 VC-CHANTE SOLO H 1 +BM.1967.019.001/54:53-05 CL-LUTH CL-ARBAJO 1 +BM.1967.019.001/54:53-05 CV-VIELE CV-SARANGI 1 +BM.1967.019.001/54:53-06 CL-LUTH CL-ARBAJO Jhalak Man 1 +BM.1967.019.001/54:54-01 VP-PARLE H NAN BAHADUR THAPA KSETRE 1 +BM.1967.024.001:01-01 VP-PARLE SOLO H 1 +BM.1967.024.001:01-01 M2-TBR 2MEMB 1 +BM.1967.024.001:01-01 IFC-GONG N +BM.1967.024.001:01-01 AABD-HAUTBOIS AABD-KEN BA TIEU 1 +BM.1967.024.001:01-01 AFLC-FLUTE LAT CONDUIT AFLC-SAO 1 +BM.1967.024.001:01-01 IE-CLAQUETTES IE-SINH TIEN 1 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OSKOWYAN 1 +BM.1968.009.001/18:04-03 VP-PARLE DUO H M. OSKOUYAN 1 +BM.1968.009.001/18:04-04 VP-PARLE DUO H AHMAD DJAVAERIAN & DR. MOCHTAHED-ZADEH 1 +BM.1968.009.001/18:04-05 VP-PARLE SOLO H M. 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PRITI RAM GAINE 1 +BM.1968.024.001/63:56-01 CV-VIELE CV-SARANGI PRITI RAM GAINE 1 +BM.1968.024.001/63:56-01 VP-PARLE N N N +BM.1968.024.001/63:57-01 VC-CHANTE SOLO H N N 1 +BM.1968.024.001/63:57-01 CV-VIELE CV-SARANGI N 1 +BM.1968.024.001/63:57-03 VP-PARLE N N N +BM.1968.024.001/63:58-01 VP-PARLE N N N +BM.1968.024.001/63:58-02 VC-CHANTE SOLO H N N N +BM.1968.024.001/63:58-03 VP-PARLE H & F N N N +BM.1968.024.001/63:59-01 VC-CHANTE CHR F N N 2 +BM.1968.024.001/63:59-02 V-VOIX N N N +BM.1968.024.001/63:59-03 VP-PARLE H N N 1 +BM.1968.024.001/63:60-01 VP-PARLE SOLO H N N 1 +BM.1968.024.001/63:60-02 VC-CHANTE CHR H N N N +BM.1968.024.001/63:60-02 VC-CHANTE SOLO ALTERNE H & CHR N N N +BM.1968.024.001/63:60-02 VP-PARLE H N N N +BM.1968.024.001/63:60-03 VC-CHANTE N N N +BM.1968.024.001/63:60-04 VC-CHANTE SOLO ALTERNE H & CHR N N N +BM.1968.024.001/63:60-04 M-TBR M-HUDKA N N +BM.1968.024.001/63:61-01 VC-CHANTE ALTERNE H & F N N 2 +BM.1968.024.001/63:61-01 M-TBR M-HUDKA N N 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+BM.1968.032.001/11:05-04 AFP-FLUTE DE PAN N N 1 +BM.1968.032.001/11:05-05 VP-PARLE SOLO F N N 1 +BM.1968.032.001/11:05-05 AFP-FLUTE DE PAN N N 1 +BM.1968.032.001/11:05-06>09 VP-PARLE SOLO F N N 1 +BM.1968.032.001/11:05-06>09 AFP-FLUTE DE PAN N N 1 +BM.1968.032.001/11:07-07 VA-CHANTE-PARLE SOLO ALT N N 1 +BM.1968.032.001/11:07-08 VA-CHANTE-PARLE SOLO ALT N N 1 +BM.1968.032.001/11:07-09 VA-SIFFLE H N N 1 +BM.1968.032.001/11:07-10 VA-CRIE H N N 1 +BM.1968.032.001/11:07-10 VA-SIFFLE H N N N +BM.1968.032.001/11:07-11 I-IDIOPHONE N N N +BM.1968.032.001/11:07-12 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-12 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-13 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-14>17 VA-SIFFLE H N N N +BM.1968.032.001/11:07-14>17 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-18>23 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-18>23 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-24 VA-SIFFLE H N N N +BM.1968.032.001/11:07-24 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-25 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-25 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-26 VA-CRIE H N N 1 +BM.1968.032.001/11:07-26 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-27>30 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-27>30 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-31 VA-CRIE H N N 1 +BM.1968.032.001/11:07-31 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-32 VA-CRIE H N N 1 +BM.1968.032.001/11:07-32 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-33 VA-SIFFLE H N N 1 +BM.1968.032.001/11:07-33 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-34 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-34 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-35 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-36 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:07-37 VA-CRIE H N N N +BM.1968.032.001/11:07-38 VA-CRIE H N N 1 +BM.1968.032.001/11:07-38 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-39 VA-SIFFLE H N N 1 +BM.1968.032.001/11:07-39 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-40 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:07-41>42 VA-CRIE H N N 1 +BM.1968.032.001/11:07-41>42 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:08-01>04 VP-ENQUETE N N N +BM.1968.032.001/11:09-01 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-02 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-03 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-04 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-05 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-06 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-07 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:09-08 VP-PARLE SOLO H N N 1 +BM.1968.032.001/11:10-01>02 VP-PARLE SOLO H N JYVU KUGI 1 +BM.1968.032.001/11:10-01>02 AFP-FLUTE DE PAN N N 1 +BM.1968.032.001/11:10-03 VP-PARLE SOLO H N JYVU KUGI 1 +BM.1968.032.001/11:10-03 AFP-FLUTE DE PAN N JYVU KUGI 1 +BM.1968.032.001/11:10-04>05 VP-PARLE SOLO H N JYVU KUGI 1 +BM.1968.032.001/11:10-04>05 AFP-FLUTE DE PAN N JYVU KUGI 1 +BM.1968.032.001/11:11-01 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:11-02>07 VC-CHANTE SOLO H N N 1 +BM.1968.032.001/11:11-02>07 VP-PARLE SOLO H N N 1 +BM.1971.002.001/06:06-01 VC-CHANTE SOLO H N N 1 +BM.1971.002.001/06:06-01 AABS-CLARINETTE N N 1 +BM.1971.002.001/06:06-01 M-TBR N N 1 +BM.1971.002.001/06:06-01 IF-IDIOPHONE FRAPPE N N ? +BM.1968.034.001/02:01-01 VC-CHANTE SOLO H VC-N +BM.1968.034.001/02:01-01 CL-LUTH CL-N +BM.1968.034.001/02:01-02 VC-CHANTE SOLO H VC-N +BM.1968.034.001/02:01-02 CL-LUTH CL-N +BM.1968.034.001/02:01-03 VC-CHANTE SOLO H VC-N +BM.1968.034.001/02:01-03 CL-LUTH CL-N +BM.1968.034.001/02:01-04 VC-CHANTE SOLO H VC-N +BM.1968.034.001/02:01-04 CL-LUTH CL-N +BM.1968.034.001/02:01-05 VC-CHANTE SOLO H VC-N +BM.1968.034.001/02:01-05 CL-LUTH CL-N +BM.1968.034.001/02:01-06 VC-CHANTE SOLO VC-N +BM.1968.034.001/02:01-06 VC-CHANTE CHR H VC-N +BM.1968.034.001/02:01-06 VA-YOUYOU VA-N +BM.1968.034.001/02:01-06 IFC-IDIOPHONE FRAPPE CREUX IFC-N +BM.1968.034.001/02:01-06 BC-FRAPPEMENTS DE MAINS BC-N +BM.1968.034.001/02:01-07 VC-CHANTE SOLO VC-N 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CHR H VC-N +BM.1968.034.001/02:02-24 M-TBR M-N 4 +BM.1968.034.001/02:02-24 M1C-TBR 1MEMB/CAISSE M1-TARA 3 +BM.1968.034.001/02:02-24 AABD-HAUTBOIS AABD-GAÎTA 1 +BM.1969.006.001/11:01-01 VC-CHANTE SOLO H +BM.1969.006.001/11:01-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:01-01 CC-CITHARE 1 +BM.1969.006.001/11:01-01 IE-BATONS +BM.1969.006.001/11:01-01 IS-GRELOT +BM.1969.017.001/02:01-01 SD-AMBIANCES DIVERSES N N N +BM.1969.017.001/02:01-01 VP-PARLE N N N +BM.1969.017.001/02:01-01 VC-CHANTE SOLO H N N 1 +BM.1969.017.001/02:01-02 VC-CHANTE SOLO H N N 1 +BM.1969.017.001/02:01-02 M-TBR N N 1 +BM.1969.017.001/02:01-02 A-AÉROPHONE N N 1 +BM.1969.017.001/02:01-05 VC-CHANTE SOLO H N N 1 +BM.1969.017.001/02:01-05 M-TBR N N 1 +BM.1969.017.001/02:01-05 A-AÉROPHONE N N 1 +BM.1969.017.001/02:01-04 VC-CHANTE SOLO H N N 1 +BM.1969.017.001/02:01-04 M-TBR N N 1 +BM.1969.017.001/02:01-04 A-AÉROPHONE N N 1 +BM.1969.026.001:01-01 VP-PARLE +BM.1969.027.001/03:01-01 VC-CHANTE CHR F +BM.1969.043.001/18:01-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:01-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:01-01 M-TBR M-TERIJA N N +BM.1969.043.001/18:01-01 I-IDIOPHONE I-TUZLIN N N +BM.1969.043.001/18:02-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:02-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:02-01 M-TBR M-TERIJA N N +BM.1969.043.001/18:02-01 I-IDIOPHONE I-TUZLIN N N +BM.1969.043.001/18:02-04 VC-CHANTE CHR F N N N +BM.1969.043.001/18:02-04 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:02-04 M-TBR M-TERIJA N N +BM.1969.043.001/18:02-04 I-IDIOPHONE I-TUZLIN N N +BM.1969.043.001/18:03-01 VC-CHANTE CHR F N N N +BM.1969.043.001/18:03-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:03-01 M-TBR M-TERIJA N N +BM.1969.043.001/18:04-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:04-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:04-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:04-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:05-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:05-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:05-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:05-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:05-01 IE-IDIOPHONES ENTRECHOQUES N N N +BM.1969.043.001/18:05-01 VA-YOUYOU F N N N +BM.1969.043.001/18:06-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:06-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:06-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:06-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:06-01 IE-IDIOPHONES ENTRECHOQUES N N N +BM.1969.043.001/18:06-01 VA-YOUYOU F N N N +BM.1969.043.001/18:07-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:07-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:07-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:07-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:08-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:08-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:08-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:08-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:08-01 VA-YOUYOU F N N N +BM.1969.043.001/18:09-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:09-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:09-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:09-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:10-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:10-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:10-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:10-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:10-02 VC-CHANTE CHR H N N N +BM.1969.043.001/18:10-02 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:10-02 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:11-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:11-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:11-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:11-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:11-02 VC-CHANTE CHR H N N N +BM.1969.043.001/18:12-01 VC-CHANTE CHR F N N N +BM.1969.043.001/18:12-01 VA-YOUYOU F N N N +BM.1969.043.001/18:12-01 SD-AMBIANCES DIVERSES N N N +BM.1969.043.001/18:12-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:13-01 VC-CHANTE SOLO H N N 1 +BM.1969.043.001/18:13-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:13-01 VA-SIFFLE H N N N +BM.1969.043.001/18:13-01 VA-CRIE H N N N +BM.1969.043.001/18:13-01 VA-YOUYOU F N N N +BM.1969.043.001/18:13-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:14-01 VC-CHANTE CHR H N N N +BM.1969.043.001/18:14-01 VC-CHANTE SOLO H N N 1 +BM.1969.043.001/18:14-06 VC-CHANTE SOLO E N N 1 +BM.1969.043.001/18:14-11 VC-CHANTE SOLO E N N 1 +BM.1969.043.001/18:15-14 VC-CHANTE DUO F N N 2 +BM.1969.043.001/18:15-16 VC-CHANTE SOLO F N N 1 +BM.1969.043.001/18:16-01 VC-CHANTE SOLO F N N 1 +BM.1969.043.001/18:16-04 VC-CHANTE DUO F N N 2 +BM.1969.043.001/18:16-09 VC-CHANTE SOLO F N N 1 +BM.1969.043.001/18:16-11 VC-CHANTE SOLO F N N 1 +BM.1969.043.001/18:17-01 VC-CHANTE CHR F & H N N N +BM.1969.043.001/18:17-01 M1D-TBR 1MEMB/CADRE M1D-TGNZA N N +BM.1969.043.001/18:17-01 M2-TBR 2MEMB M2-BNGRI N 1 +BM.1969.043.001/18:17-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.043.001/18:17-01 IE-IDIOPHONES ENTRECHOQUES N N N +BM.1969.043.001/18:18-01 SD-AMBIANCES DIVERSES N N N +BM.1970.012.001/46:01-01 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:01-02 CV-VIELE MAHAMMAN TUKARA 1 +BM.1970.012.001/46:01-03 CV-VIELE MAHAMMAN TUKARA 1 +BM.1970.012.001/46:01-04 CV-VIELE 1 +BM.1970.012.001/46:01-04 VP-PARLE SOLO H TULFI 1 +BM.1970.012.001/46:01-05 CV-VIELE 1 +BM.1970.012.001/46:01-05 VP-PARLE SOLO H TULFI 1 +BM.1970.012.001/46:01-06 M-TBR M-TU ENFANT BAMBARA 1 +BM.1970.012.001/46:01-06 M-TBR M-BA GOLO ENFANT BAMBARA 1 +BM.1970.012.001/46:01-07 M-TBR M-TU ENFANT BAMBARA 1 +BM.1970.012.001/46:01-07 M-TBR M-BA GOLO ENFANT BAMBARA 1 +BM.1970.012.001/46:01-08 M-TBR M-TU ENFANT BAMBARA 1 +BM.1970.012.001/46:01-08 M-TBR M-BA GOLO ENFANT BAMBARA 1 +BM.1970.012.001/46:01-09 VC-CHANTE E ENFANTS (ECOLIERS) +BM.1970.012.001/46:01-10 VC-CHANTE SOLO & CHR E ENFANTS +BM.1970.012.001/46:01-11 VC-CHANTE E ENFANTS 2 +BM.1970.012.001/46:01-11 M-TBR 2 +BM.1970.012.001/46:01-12 VC-CHANTE CHR E ENFANTS N +BM.1970.012.001/46:01-12 M-TBR N +BM.1970.012.001/46:01-12 BC-FRAPPEMENTS DE MAINS N +BM.1970.012.001/46:02-01 M-TBR ENFANT 1 +BM.1970.012.001/46:02-02 M-TBR ENFANT 1 +BM.1970.012.001/46:02-03 M-TBR ENFANT 1 +BM.1970.012.001/46:02-04 VC-CHANTE CHR E +BM.1970.012.001/46:02-04 M-TBR 1 +BM.1970.012.001/46:02-05 CL-LUTH CL-KIRINE BERGER 1 +BM.1970.012.001/46:02-06 CL-LUTH CL-KIRINE BERGER 1 +BM.1970.012.001/46:02-07 VC-CHANTE SOLO & CHR E +BM.1970.012.001/46:02-07 M-TBR N +BM.1970.012.001/46:02-07 IS-SONNAILLES N +BM.1970.012.001/46:02-08 M-TBR ENFANTS N +BM.1970.012.001/46:02-09 M-TBR M-BAGOLO ENFANT 1 +BM.1970.012.001/46:02-10 M-TBR ENFANT 1 +BM.1970.012.001/46:02-11 CV-VIELE CV-SOKU 1 +BM.1970.012.001/46:03-01 M-TBR 1 +BM.1970.012.001/46:03-02 M-TBR 4 +BM.1970.012.001/46:03-03 M-TBR 4 +BM.1970.012.001/46:03-04 M-TBR 4 +BM.1970.012.001/46:03-05 CV-VIELE CV-KOIROBORO 1 +BM.1970.012.001/46:03-06 CV-VIELE CV-KOIROBORO 1 +BM.1970.012.001/46:03-07 M-TBR JEUNES GARCONS 4 +BM.1970.012.001/46:03-08 M-TBR JEUNE GARCON 1 +BM.1970.012.001/46:03-09 CL-LUTH GRIOT 1 +BM.1970.012.001/46:04-01 VC-CHANTE CHR F & H +BM.1970.012.001/46:04-01 IFC-CORPS HEMISPHERIQUE +BM.1970.012.001/46:04-01 BC-FRAPPEMENTS DE MAINS +BM.1970.012.001/46:04-02 VC-CHANTE CHR F & H +BM.1970.012.001/46:04-02 IFC-CORPS HEMISPHERIQUE +BM.1970.012.001/46:04-02 BC-FRAPPEMENTS DE MAINS +BM.1970.012.001/46:05-01 CL-LUTH 1 +BM.1970.012.001/46:05-02 CL-LUTH 1 +BM.1970.012.001/46:05-03 CL-LUTH 1 +BM.1970.012.001/46:05-04 CL-LUTH 1 +BM.1970.012.001/46:05-05 CL-LUTH 1 +BM.1970.012.001/46:05-06 CL-LUTH 1 +BM.1970.012.001/46:05-07 CL-LUTH 1 +BM.1970.012.001/46:06-01 VC-CHANTE CHR F & H +BM.1970.012.001/46:06-02 IFP-XYLOPHONE N +BM.1970.012.001/46:07-01 VP-PARLE SOLO H 1 +BM.1970.012.001/46:07-02 CL-LUTH 1 +BM.1970.012.001/46:07-03 VP-PARLE SOLO H 1 +BM.1970.012.001/46:07-03 CL-LUTH 1 +BM.1970.012.001/46:07-04 VP-PARLE H 1 +BM.1970.012.001/46:07-04 CL-LUTH 1 +BM.1970.012.001/46:07-05 CL-LUTH 1 +BM.1970.012.001/46:07-06 CL-LUTH 1 +BM.1970.012.001/46:07-07 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:08-01 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:08-02 IFP-XYLOPHONE 1 +BM.1970.012.001/46:08-02 M-TBR 1 +BM.1970.012.001/46:09-01 IFP-XYLOPHONE N +BM.1970.012.001/46:09-01 M-TBR 1 +BM.1970.012.001/46:09-02 IFP-XYLOPHONE 1 +BM.1970.012.001/46:09-03 IFP-XYLOPHONE 1 +BM.1970.012.001/46:09-03 IS-SONNAILLES +BM.1970.012.001/46:09-04 M-TBR 1 +BM.1970.012.001/46:10-01 AT-TROMPE MAMADI KONTA 1 +BM.1970.012.001/46:10-02 VC-CHANTE SOLO F AMADU MAYGA 1 +BM.1970.012.001/46:10-03 VC-CHANTE SOLO F AMADU MAYGA 1 +BM.1970.012.001/46:10-04 VC-CHANTE SOLO F AMADU MAYGA 1 +BM.1970.012.001/46:10-05 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:10-05 CL-LUTH 1 +BM.1970.012.001/46:10-06 CL-LUTH 1 +BM.1970.012.001/46:10-07 CL-LUTH 1 +BM.1970.012.001/46:10-08 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:10-08 CL-LUTH 1 +BM.1970.012.001/46:11-01 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:11-01 CL-LUTH 1 +BM.1970.012.001/46:12-01 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:12-01 CL-LUTH 1 +BM.1970.012.001/46:12-02 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:12-03 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:13-01 VC-CHANTE CHR F 1 +BM.1970.012.001/46:13-01 IFC-CORPS HEMISPHERIQUE 1 +BM.1970.012.001/46:13-01 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:13-02 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:13-03 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:13-04 CV-VIELE BWAKARI SAMAKE 1 +BM.1970.012.001/46:13-05 AFL-FLUTE LAT USMAN GUINDO (DOGON D'IDYELI) 1 +BM.1970.012.001/46:14-01 AF-FLUTE 1 +BM.1970.012.001/46:14-02 IFP-XYLOPHONE N +BM.1970.012.001/46:14-02 M-TBR N +BM.1970.012.001/46:14-03 IFP-XYLOPHONE N +BM.1970.012.001/46:14-03 M-TBR N +BM.1970.012.001/46:14-04 IFP-XYLOPHONE N +BM.1970.012.001/46:14-04 M-TBR N +BM.1970.012.001/46:14-05 M-TBR N +BM.1970.012.001/46:15-01 CL-LUTH GRIOT 1 +BM.1970.012.001/46:15-02 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:15-02 M-TBR 2 +BM.1970.012.001/46:15-03 VC-CHANTE H 2 +BM.1970.012.001/46:15-03 M-TBR 2 +BM.1970.012.001/46:15-04 VC-CHANTE F 2 +BM.1970.012.001/46:15-04 M-TBR 2 +BM.1970.012.001/46:16-01 VC-CHANTE E 2 FILLES 2 +BM.1970.012.001/46:16-01 M-TBR 2 +BM.1970.012.001/46:16-02 VC-CHANTE SOLO H & CHR E CHR : FILLES +BM.1970.012.001/46:16-02 M-TBR 2 +BM.1970.012.001/46:16-03 CV-VIELE SUMANA TRAORE 1 +BM.1970.012.001/46:16-04 CV-VIELE SUMANA TRAORE 1 +BM.1970.012.001/46:16-05 AT-TROMPE AT-BURU BAKARA TRAORE 1 +BM.1970.012.001/46:16-06 CL-LUTH CL-NGONI KARAMAYA MENDA 1 +BM.1970.012.001/46:17-01A>C CL-LUTH CL-NGONI KARAMAYA MENDA 1 +BM.1970.012.001/46:17-02 VC-CHANTE SOLO & CHR F +BM.1970.012.001/46:17-02 IFC-CORPS HEMISPHERIQUE +BM.1970.012.001/46:17-02 BC-FRAPPEMENTS DE MAINS +BM.1970.012.001/46:17-03 VC-CHANTE SOLO & CHR F +BM.1970.012.001/46:17-03 IFC-CORPS HEMISPHERIQUE +BM.1970.012.001/46:17-03 BC-FRAPPEMENTS DE MAINS +BM.1970.012.001/46:17-04 M-TBR 3 +BM.1970.012.001/46:18-01 M-TBR 3 +BM.1970.012.001/46:18-02 M-TBR 3 +BM.1970.012.001/46:18-03 VC-CHANTE H 2 +BM.1970.012.001/46:18-03 M-TBR 3 +BM.1970.012.001/46:18-04 VC-CHANTE H 2 +BM.1970.012.001/46:18-04 M-TBR 3 +BM.1970.012.001/46:18-05 VC-CHANTE H 2 +BM.1970.012.001/46:18-05 M-TBR 3 +BM.1970.012.001/46:19-01 AT-TROMPE AT-BURU MODU KALABU 1 +BM.1970.012.001/46:19-02 CL-LUTH CL-KIRINE BOZO DE SANAKOY 1 +BM.1970.012.001/46:19-03 CL-LUTH CL-KIRINE BOZO DE SANAKOY 1 +BM.1970.012.001/46:19-04 CL-LUTH 1 +BM.1970.012.001/46:19-05 M-TBR 2 +BM.1970.012.001/46:19-06 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:19-07 M-TBR 2 +BM.1970.012.001/46:19-08 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:19-08 M-TBR 2 +BM.1970.012.001/46:20-01 VC-CHANTE CHR F 1 +BM.1970.012.001/46:20-01 M-TBR 2 +BM.1970.012.001/46:20-02 VC-CHANTE CHR F 1 +BM.1970.012.001/46:20-02 M-TBR 2 +BM.1970.012.001/46:20-03 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:20-03 M-TBR 1 +BM.1970.012.001/46:20-04 VA-CHANTE-PARLE SOLO H SEGOU KONTA 1 +BM.1970.012.001/46:20-04 M-TBR 2 +BM.1970.012.001/46:20-05 CL-LUTH GRIOT MARKA 1 +BM.1970.012.001/46:20-06 VP-PARLE SOLO H GRIOT 1 +BM.1970.012.001/46:21-01 VP-PARLE SOLO H GRIOT 1 +BM.1970.012.001/46:21-02 AF-FLUTE 1 +BM.1970.012.001/46:21-03 AF-FLUTE CULTIVATEURS 3 +BM.1970.012.001/46:21-04 AF-FLUTE CULTIVATEURS 3 +BM.1970.012.001/46:22-01 AF-FLUTE CULTIVATEURS 4 +BM.1970.012.001/46:22-02 AF-FLUTE CULTIVATEURS 4 +BM.1970.012.001/46:22-03 VA-CHANTE-PARLE SOLO H GRIOT PEUL 1 +BM.1970.012.001/46:22-03 CV-VIELE RYMAYBE 1 +BM.1970.012.001/46:22-04 CV-VIELE 1 +BM.1970.012.001/46:22-05 VP-PARLE SOLO H CONTEUR PEUL 1 +BM.1970.012.001/46:22-06 VX-COMPOSITE SOLO F 1 +BM.1970.012.001/46:22-06 VC-CHANTE F N +BM.1970.012.001/46:22-06 BC-BATTEMENTS DE MAINS FEMMES +BM.1970.012.001/46:22-07 VC-CHANTE SOLO F 1 +BM.1970.012.001/46:22-08 VC-CHANTE SOLO F 1 +BM.1970.012.001/46:22-09 VC-CHANTE SOLO F 1 +BM.1970.012.001/46:23-01 VP-PARLE SOLO H PEUL DE SOSO 1 +BM.1970.012.001/46:23-02 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:23-02 CV-VIELE DIODDE DIKO 1 +BM.1970.012.001/46:23-03 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:23-03 CV-VIELE DIODDE DIKO 1 +BM.1970.012.001/46:23-04 VA-CHANTE-PARLE H 1 +BM.1970.012.001/46:23-04 CV-VIELE DIODDE DIKO 1 +BM.1970.012.001/46:23-05 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:23-05 CV-VIELE DIODDE DIKO 1 +BM.1970.012.001/46:23-06 VP-PARLE SOLO H 1 +BM.1970.012.001/46:23-06 CV-VIELE DIODDE DIKO 1 +BM.1970.012.001/46:23-07 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:23-07 CV-VIELE 1 +BM.1970.012.001/46:24-01 CV-VIELE CV-MOLARU HAMMADI SISE (BERGER) 1 +BM.1970.012.001/46:24-02 CL-LUTH CL-BOGGI HAMMADI SISE (BERGER) 1 +BM.1970.012.001/46:24-03 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:24-03 CL-LUTH CL-BOGGI 1 +BM.1970.012.001/46:24-04 VP-PARLE SOLO H 1 +BM.1970.012.001/46:24-05 AF-FLUTE 1 +BM.1970.012.001/46:24-05 CV-VIELE 1 +BM.1970.012.001/46:24-06 AF-FLUTE 3 +BM.1970.012.001/46:24-06 CV-VIELE 2 +BM.1970.012.001/46:24-07 AF-FLUTE 3 +BM.1970.012.001/46:24-07 CV-VIELE 2 +BM.1970.012.001/46:24-08 CV-VIELE 2 +BM.1970.012.001/46:24-09 VP-PARLE SOLO H 1 +BM.1970.012.001/46:25-01 CV-VIELE 2 +BM.1970.012.001/46:25-02 VA-CHANTE-PARLE SOLO H 1 +BM.1970.012.001/46:25-02 CL-LUTH 1 +BM.1970.012.001/46:25-03 VA-CHANTE-PARLE SOLO H 1 +BM.1970.012.001/46:25-03 CL-LUTH 1 +BM.1970.012.001/46:25-04 VP-PARLE SOLO H ALTERNE N +BM.1970.012.001/46:25-04 CV-VIELE 1 +BM.1970.012.001/46:25-05 VC-CHANTE CHR E 2 +BM.1970.012.001/46:25-06 VC-CHANTE CHR E 2 +BM.1970.012.001/46:25-07 CL-LUTH MAMA KONATE 1 +BM.1970.012.001/46:25-08 CL-LUTH MAMA KONATE 1 +BM.1970.012.001/46:25-09 CL-LUTH MAMA KONATE 1 +BM.1970.012.001/46:25-10 VC-CHANTE CHR F 1 +BM.1970.012.001/46:25-10 IEC-CLAQUETTES IEC-TEGERE +BM.1970.012.001/46:25-11 VC-CHANTE CHR F 1 +BM.1970.012.001/46:25-11 IEC-CLAQUETTES IEC-TEGERE +BM.1970.012.001/46:26-01 CV-VIELE CV-NDARKA 1 +BM.1970.012.001/46:26-02 IFP-XYLOPHONE SULAKATA (BAMBARA) 1 +BM.1970.012.001/46:26-02 M2C-TBR 2MEMB/CAISSE GRIOT MARKA 1 +BM.1970.012.001/46:26-03 IFP-XYLOPHONE SULAKATA (BAMBARA) 1 +BM.1970.012.001/46:26-03 IS-SONNAILLES 1 +BM.1970.012.001/46:26-04A CL-LUTH CL-NGONI GRIOT MARKA 1 +BM.1970.012.001/46:26-04B VC-CHANTE SOLO H +BM.1970.012.001/46:26-04B CL-LUTH CL-NGONI GRIOT MARKA 1 +BM.1970.012.001/46:26-05 CL-LUTH CL-NGONI GRIOT MARKA 1 +BM.1970.012.001/46:27-01 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:27-02 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:27-03 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:27-03 IFP-XYLOPHONE 1 +BM.1970.012.001/46:27-04 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:27-04 IFP-XYLOPHONE 1 +BM.1970.012.001/46:27-04 IS-SONNAILLES +BM.1970.012.001/46:27-05 VC-CHANTE CHR F 1 +BM.1970.012.001/46:27-05 IFP-XYLOPHONE 1 +BM.1970.012.001/46:27-05 M2C-TBR 2MEMB/CAISSE N +BM.1970.012.001/46:27-05 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:27-06 IFP-XYLOPHONE 1 +BM.1970.012.001/46:27-06 M-TBR 1 +BM.1970.012.001/46:27-06 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:27-06 IS-SONNAILLES +BM.1970.012.001/46:27-07 IFP-XYLOPHONE 1 +BM.1970.012.001/46:27-07 M-TBR 1 +BM.1970.012.001/46:27-07 IS-SONNAILLES +BM.1970.012.001/46:27-08 VC-CHANTE CHR F 1 +BM.1970.012.001/46:27-08 IFP-XYLOPHONE N +BM.1970.012.001/46:27-08 M-TBR N +BM.1970.012.001/46:27-08 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:27-09 VC-CHANTE SOLO H GRIOT 1 +BM.1970.012.001/46:27-09 CL-LUTH 2 +BM.1970.012.001/46:27-10 CL-LUTH 2 +BM.1970.012.001/46:27-11 VC-CHANTE SOLO H GRIOT 1 +BM.1970.012.001/46:27-11 CL-LUTH 1 +BM.1970.012.001/46:28-01 VC-CHANTE SOLO H GRIOT 1 +BM.1970.012.001/46:28-01 CL-LUTH 1 +BM.1970.012.001/46:28-02 VC-CHANTE SOLO H GRIOT 1 +BM.1970.012.001/46:28-02 CL-LUTH 1 +BM.1970.012.001/46:28-03 VC-CHANTE SOLO H GRIOT 1 +BM.1970.012.001/46:28-03 CL-LUTH CL-BAWDI 1 +BM.1970.012.001/46:28-04 CL-LUTH CL-BAWDI 1 +BM.1970.012.001/46:28-05 CL-LUTH CL-BAWDI 1 +BM.1970.012.001/46:28-06 AF-FLUTE 1 +BM.1970.012.001/46:28-06 AF-FLUTE 1 +BM.1970.012.001/46:28-07 AF-FLUTE 1 +BM.1970.012.001/46:28-07 AF-FLUTE 1 +BM.1970.012.001/46:28-08 AF-FLUTE 1 +BM.1970.012.001/46:28-09 AF-FLUTE 1 +BM.1970.012.001/46:28-10 AF-FLUTE 2 +BM.1970.012.001/46:28-10 +BM.1970.012.001/46:28-11 AF-FLUTE 2 +BM.1970.012.001/46:28-12 AF-FLUTE 2 +BM.1970.012.001/46:28-13 AF-FLUTE 2 +BM.1970.012.001/46:28-14 AF-FLUTE 2 +BM.1970.012.001/46:29-01 AT-TROMPE AT-KATOLO 1 +BM.1970.012.001/46:29-02 AT-TROMPE AT-KATOLO 1 +BM.1970.012.001/46:29-03 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:29-03 M-TBR 1 +BM.1970.012.001/46:29-04 VC-CHANTE SOLO & CHR H 1 +BM.1970.012.001/46:29-04 VA-YOUYOU F +BM.1970.012.001/46:29-04 M-TBR 1 +BM.1970.012.001/46:29-05 VC-CHANTE +BM.1970.012.001/46:29-06 VC-CHANTE SOLO & CHR H 1 +BM.1970.012.001/46:29-06 VA-CRIE F +BM.1970.012.001/46:29-06 M-TBR N +BM.1970.012.001/46:29-06 M2C-TBR 2MEMB/CAISSE N +BM.1970.012.001/46:29-06 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:29-07 VC-CHANTE SOLO & CHR H 1 +BM.1970.012.001/46:29-07 VA-CRIE F +BM.1970.012.001/46:29-07 M2C-TBR 2MEMB/CAISSE 1 +BM.1970.012.001/46:30-01 M-TBR M-KORO 2 +BM.1970.012.001/46:30-02 M-TBR M-KORO 2 +BM.1970.012.001/46:30-03 M-TBR M-KORO 2 +BM.1970.012.001/46:30-04 M-TBR M-KORO 2 +BM.1970.012.001/46:30-05 M-TBR M-KORO 2 +BM.1970.012.001/46:30-06 M-TBR N +BM.1970.012.001/46:30-07 M-TBR M-KORO DIMBEZO 1 +BM.1970.012.001/46:30-08 M-TBR M-KORO TAMANU DOKO 1 +BM.1970.012.001/46:30-09 M-TBR M-KORO 2 +BM.1970.012.001/46:30-10 AT-TROMPE 2 +BM.1970.012.001/46:30-11 VC-CHANTE CHR F 1 +BM.1970.012.001/46:30-11 IFC-CORPS HEMISPHERIQUE 4 +BM.1970.012.001/46:30-11 I-IDIOPHONE I-SAGURU 1 +BM.1970.012.001/46:31-01 VC-CHANTE CHR F 1 +BM.1970.012.001/46:31-01 IFC-CORPS HEMISPHERIQUE 4 +BM.1970.012.001/46:31-01 I-IDIOPHONE I-SAGURU 1 +BM.1970.012.001/46:31-02A AT-TROMPE 1 +BM.1970.012.001/46:31-02B AT-TROMPE 1 +BM.1970.012.001/46:31-02C AT-TROMPE 1 +BM.1970.012.001/46:31-02D AT-TROMPE 1 +BM.1970.012.001/46:31-02E AT-TROMPE 1 +BM.1970.012.001/46:31-02F AT-TROMPE 1 +BM.1970.012.001/46:31-02F M-TBR 1 +BM.1970.012.001/46:31-02G AT-TROMPE 1 +BM.1970.012.001/46:31-02G M-TBR 1 +BM.1970.012.001/46:31-03 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-04 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-05 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-06 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-07 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-08 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-09 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-10 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-11 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-12 IFP-LITHOPHONE 1 +BM.1970.012.001/46:31-12 M-TBR M-KORO 1 +BM.1970.012.001/46:31-13 IFP-METALLOPHONE IFP-SANZA 2 +BM.1970.012.001/46:31-14 VC-CHANTE CHR H 1 +BM.1970.012.001/46:31-14 IFP-METALLOPHONE IFP-SANZA 1 +BM.1970.012.001/46:31-15 VC-CHANTE SOLO H & CHR H 1 +BM.1970.012.001/46:31-15 IFP-METALLOPHONE IFP-SANZA 1 +BM.1970.012.001/46:32-01 M-TBR M-KORO 2 +BM.1970.012.001/46:32-02 M-TBR M-KORO N +BM.1970.012.001/46:32-03 VP-PARLE F JEUNES FILLES N +BM.1970.012.001/46:32-04 CHL-HARPE-LUTH C-GINGIRU AKUMDYU 1 +BM.1970.012.001/46:32-05 CHL-HARPE-LUTH C-GINGIRU AKUMDYU 1 +BM.1970.012.001/46:32-06 CHL-HARPE-LUTH C-GINGIRU AKUMDYU 1 +BM.1970.012.001/46:32-07 CHL-HARPE-LUTH C-GINGIRU AKUMDYU 1 +BM.1970.012.001/46:32-08 M-TBR M-KORO AKUMDYU 1 +BM.1970.012.001/46:32-09 AT-TROMPE AT-KULU 1 +BM.1970.012.001/46:32-10A AT-TROMPE AT-KULU 1 +BM.1970.012.001/46:32-10B AT-TROMPE AT-KULU 1 +BM.1970.012.001/46:32-10B M-TBR 1 +BM.1970.012.001/46:32-10C M-TBR 1 +BM.1970.012.001/46:32-11 VC-CHANTE H N +BM.1970.012.001/46:32-11 IL-IDIOPHONE PILONNE PLEIN 1 +BM.1970.012.001/46:32-12 IFC-CLOCHES IFC-GANANA 3 +BM.1970.012.001/46:32-13 IFC-CLOCHES IFC-GANANA 3 +BM.1970.012.001/46:32-14 IFC-CLOCHES IFC-GANANA 3 +BM.1970.012.001/46:33-01 IFC-CLOCHES IFC-GANANA 1 +BM.1970.012.001/46:33-02A IFC-CLOCHES IFC-GANANA 3 +BM.1970.012.001/46:33-02B IFC-CLOCHES IFC-GANANA 1 +BM.1970.012.001/46:33-02C IFC-CLOCHES IFC-GANANA 1 +BM.1970.012.001/46:33-02D IFC-CLOCHE IFC-GANANA 1 +BM.1970.012.001/46:33-03 VC-CHANTE CHR H 1 +BM.1970.012.001/46:33-03 IL-IDIOPHONE PILONNE PLEIN N +BM.1970.012.001/46:33-04 VC-CHANTE CHR H 1 +BM.1970.012.001/46:33-04 IL-IDIOPHONE PILONNE PLEIN N +BM.1970.012.001/46:33-05 M-TBR 1 +BM.1970.012.001/46:33-06 M-TBR 1 +BM.1970.012.001/46:33-07 M-TBR 1 +BM.1970.012.001/46:33-08A M-TBR 2 +BM.1970.012.001/46:33-08B M-TBR 1 +BM.1970.012.001/46:33-08C M-TBR 1 +BM.1970.012.001/46:33-08D M-TBR 1 +BM.1970.012.001/46:33-08E M-TBR 1 +BM.1970.012.001/46:33-08F M-TBR 1 +BM.1970.012.001/46:33-09A M-TBR 2 +BM.1970.012.001/46:33-09B M-TBR 1 +BM.1970.012.001/46:33-09C M-TBR 1 +BM.1970.012.001/46:34-01 M-TBR 1 +BM.1970.012.001/46:34-02A M-TBR 2 +BM.1970.012.001/46:34-02B M-TBR 1 +BM.1970.012.001/46:34-02C M-TBR 1 +BM.1970.012.001/46:34-02D M-TBR 1 +BM.1970.012.001/46:34-02E M-TBR 1 +BM.1970.012.001/46:34-03A M-TBR 2 +BM.1970.012.001/46:34-03B M-TBR 1 +BM.1970.012.001/46:34-03C M-TBR 1 +BM.1970.012.001/46:34-03D M-TBR 1 +BM.1970.012.001/46:34-03E M-TBR 1 +BM.1970.012.001/46:34-04 M-TBR 2 +BM.1970.012.001/46:34-05 M-TBR 2 +BM.1970.012.001/46:34-06 VC-CHANTE CHR H 1 +BM.1970.012.001/46:34-06 M-TBR 1 +BM.1970.012.001/46:34-07 VC-CHANTE CHR H 1 +BM.1970.012.001/46:34-07 M-TBR 1 +BM.1970.012.001/46:34-08 VC-CHANTE CHR H 1 +BM.1970.012.001/46:34-08 M-TBR N +BM.1970.012.001/46:34-08 IS-CLOCHE N +BM.1970.012.001/46:34-09 VC-CHANTE CHR H 1 +BM.1970.012.001/46:34-09 M-TBR N +BM.1970.012.001/46:34-09 IS-CLOCHE N +BM.1970.012.001/46:35-01 VC-CHANTE CHR H 1 +BM.1970.012.001/46:35-01 M-TBR N +BM.1970.012.001/46:35-01 IS-CLOCHE N +BM.1970.012.001/46:35-02 VC-CHANTE CHR H 1 +BM.1970.012.001/46:35-02 IFC-CORPS HEMISPHERIQUE 2 +BM.1970.012.001/46:35-03 VC-CHANTE CHR H 1 +BM.1970.012.001/46:35-03 IFC-CORPS HEMISPHERIQUE N +BM.1970.012.001/46:36-01A M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-01B M-TBR M-GANGANG 1 +BM.1970.012.001/46:36-01C M-TBR M-GANGANG 1 +BM.1970.012.001/46:36-01D M-TBR M-GANGANG 1 +BM.1970.012.001/46:36-01E M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-01F M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-02A M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-02A IS-CLOCHE 1 +BM.1970.012.001/46:36-02A +BM.1970.012.001/46:36-02B IS-CLOCHE 1 +BM.1970.012.001/46:36-02B +BM.1970.012.001/46:36-02C IS-CLOCHE 1 +BM.1970.012.001/46:36-02C +BM.1970.012.001/46:36-02D M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-02D +BM.1970.012.001/46:36-02E M-TBR M-BOYNA 1 +BM.1970.012.001/46:36-02E +BM.1970.012.001/46:36-03 IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:36-03 +BM.1970.012.001/46:36-04A IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:36-04A +BM.1970.012.001/46:36-04B IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:36-04B BC-BRUITS CORPORELS N +BM.1970.012.001/46:36-05 IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:36-05 BC-BRUITS CORPORELS N +BM.1970.012.001/46:36-06 IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:36-06 BC-BRUITS CORPORELS N +BM.1970.012.001/46:37-01 IS-CLOCHE IS-GINNU DAGALU 1 +BM.1970.012.001/46:37-01 BC-BRUITS CORPORELS N +BM.1970.012.001/46:37-02 VA-CHANTE-PARLE H N +BM.1970.012.001/46:37-02 VA-CHANTE-PARLE F N +BM.1970.012.001/46:37-02 VA-CRIE F N +BM.1970.012.001/46:37-02 M-TBR N +BM.1970.012.001/46:37-03 VC-CHANTE H & F N +BM.1970.012.001/46:37-03 VA-CRIE H N +BM.1970.012.001/46:37-03 IL-IDIOPHONE PILONNE PLEIN N +BM.1970.012.001/46:37-04 IS-CLOCHE IS-GINNU 1 +BM.1970.012.001/46:38-02A AT-TROMPE N +BM.1970.012.001/46:38-02A M-TBR 2 +BM.1970.012.001/46:38-02A M-TBR 2 +BM.1970.012.001/46:38-02A IS-CLOCHE 3 +BM.1970.012.001/46:38-02B AT-TROMPE N +BM.1970.012.001/46:38-02B M-TBR 2 +BM.1970.012.001/46:38-02B M-TBR 2 +BM.1970.012.001/46:38-02B IS-CLOCHE 3 +BM.1970.012.001/46:38-02C M-TBR 2 +BM.1970.012.001/46:38-02C M-TBR 2 +BM.1970.012.001/46:38-02C IS-CLOCHE 3 +BM.1970.012.001/46:38-02D M-TBR 2 +BM.1970.012.001/46:38-02D M-TBR 2 +BM.1970.012.001/46:38-02D IS-CLOCHE 3 +BM.1970.012.001/46:38-02E M-TBR 2 +BM.1970.012.001/46:38-02E M-TBR 2 +BM.1970.012.001/46:38-02E IS-CLOCHE 3 +BM.1970.012.001/46:38-02E AT-TROMPE N +BM.1970.012.001/46:38-03 VC-CHANTE H +BM.1970.012.001/46:38-03 ORCH- ORCH TRADITONNEL 1 +BM.1970.012.001/46:39-01 CHL-HARPE-LUTH CHL-GINGIRU AKUNDYU 1 +BM.1970.012.001/46:39-02A M-TBR AMBARA 1 +BM.1970.012.001/46:39-02A VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02B M-TBR AMBARA 1 +BM.1970.012.001/46:39-02B VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02C M-TBR AMBARA 1 +BM.1970.012.001/46:39-02C VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02D M-TBR AMBARA 1 +BM.1970.012.001/46:39-02D VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02E M-TBR AMBARA 1 +BM.1970.012.001/46:39-02E VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02F M-TBR AMBARA 1 +BM.1970.012.001/46:39-02F VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02G M-TBR AMBARA 1 +BM.1970.012.001/46:39-02G VP-PARLE H AMBARA 1 +BM.1970.012.001/46:39-02H M-TBR AMBARA 1 +BM.1970.012.001/46:39-02H VP-PARLE H AMBARA 1 +BM.1970.012.001/46:40-01 VC-CHANTE SOLO H AKUDYU 1 +BM.1970.012.001/46:40-01 CHL-HARPE-LUTH CHL--GINGIRU AKUDYU 1 +BM.1970.012.001/46:40-02 M-TBR M-BAMBA AKUNDYO 1 +BM.1970.012.001/46:40-03 M-TBR M-BAMBA AKUNDYO 1 +BM.1970.012.001/46:40-04 VP-ENQUETE 1 +BM.1970.012.001/46:40-04 CHL-HARPE-LUTH CHL-GINGIRU 1 +BM.1970.012.001/46:40-05 VC-CHANTE H N +BM.1970.012.001/46:40-05 CHL-HARPE-LUTH CHL-GINGIRU 1 +BM.1970.012.001/46:40-06 CHL-HARPE-LUTH CHL-GINGIRU 1 +BM.1970.012.001/46:41-01 VP-PARLE H AMADIGNE 1 +BM.1970.012.001/46:41-01 M-TBR M-GOMBOY 1 +BM.1970.012.001/46:41-02 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:41-03 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:41-04 M-TBR M-GOMBOY 1 +BM.1970.012.001/46:41-04 M-TBR M-BOYDUNULE 1 +BM.1970.012.001/46:41-05 M-TBR M-GOMBOY 1 +BM.1970.012.001/46:41-05 M-TBR M-BOYDUNULE 1 +BM.1970.012.001/46:41-06 VP-PARLE H 1 +BM.1970.012.001/46:41-06 M-TBR N +BM.1970.012.001/46:41-07 IS-SISTRE N +BM.1970.012.001/46:41-08 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:41-09 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:41-10 VP-PARLE H 1 +BM.1970.012.001/46:41-11 M-TBR N +BM.1970.012.001/46:41-12 SA-SONS ANIMAUX N +BM.1970.012.001/46:41-13 AR-RHOMBE 3 +BM.1970.012.001/46:41-14 AT-TROMPE AT-KAKELE 1 +BM.1970.012.001/46:41-14 M-TBR M-BOYNA 1 +BM.1970.012.001/46:41-15 AT-TROMPE AT-KAKELE 1 +BM.1970.012.001/46:41-15 M-TBR M-BOYDUNULE 1 +BM.1970.012.001/46:41-16 VC-CHANTE CHR F 1 +BM.1970.012.001/46:41-16 M-TBR N +BM.1970.012.001/46:41-16 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:42-01 AA-ANCHE AA-LIRU 1 +BM.1970.012.001/46:42-02 VC-CHANTE CHR H +BM.1970.012.001/46:42-02 AA-ANCHE AA-LIRU 3 +BM.1970.012.001/46:42-03 BC-BATTEMENTS DE MAINS AMBARA +BM.1970.012.001/46:42-04 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:42-05 BC-BATTEMENTS DE MAINS +BM.1970.012.001/46:42-06 CHL-HARPE-LUTH CHL-GINGIRU 1 +BM.1970.012.001/46:42-07 CHL-HARPE-LUTH CHL-GINGIRU 1 +BM.1970.012.001/46:42-08 AA-ANCHE AA-LIRU 1 +BM.1970.012.001/46:42-09 VC-CHANTE +BM.1970.012.001/46:42-10 VC-CHANTE +BM.1970.012.001/46:42-11 VP-PARLE +BM.1970.012.001/46:42-11 BC-FRAPPEMENTS DE MAINS +BM.1970.012.001/46:42-12 AA-ANCHE AA-LIRU 2 +BM.1970.012.001/46:43-01 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:43-02 M-TBR M-GOMBOY 2 +BM.1970.012.001/46:43-03A M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-03A M-TBR M-BOYNA 1 +BM.1970.012.001/46:43-03B M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-03B M-TBR M-BOYNA 1 +BM.1970.012.001/46:43-03C M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-03C M-TBR M-DUNNULE 1 +BM.1970.012.001/46:43-03D M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-03D M-TBR M-DUNNULE 1 +BM.1970.012.001/46:43-03D VA-CHANTE-PARLE H 1 +BM.1970.012.001/46:43-03E M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-03E M-TBR M-DUNNULE 1 +BM.1970.012.001/46:43-04 AA-ANCHE AA-LIRU 1 +BM.1970.012.001/46:43-05 AA-ANCHE AA-LIRU 1 +BM.1970.012.001/46:43-06 M-TBR M-GOMBOY 1 +BM.1970.012.001/46:43-07 AA-ANCHE AA-LIRU 1 +BM.1970.012.001/46:43-08 VC-CHANTE CHR H 1 +BM.1970.012.001/46:43-09 VC-CHANTE CHR H 1 +BM.1970.012.001/46:43-10 M-TBR M-BOYNA 1 +BM.1970.012.001/46:43-10 M-TBR M-DUNNULE 1 +BM.1970.012.001/46:44-01 VC-CHANTE F N +BM.1970.012.001/46:44-01 IL-IDIOPHONE PILONNE PLEIN N +BM.1970.012.001/46:44-02A M1-TBR 1MEMB M1-KUNYU 2 +BM.1970.012.001/46:44-02A +BM.1970.012.001/46:44-02B M-TBR M-BOYNA 1 +BM.1970.012.001/46:44-02B M-TBR M-DUNNULE 1 +BM.1970.012.001/46:44-02C VP-PARLE +BM.1970.012.001/46:44-02D M-TBR +BM.1970.012.001/46:44-02D VP-ENQUETE CALAME +BM.1970.012.001/46:44-03 M-TBR +BM.1970.012.001/46:44-04A VC-CHANTE CHR H n +BM.1970.012.001/46:44-04A IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-04A SD-AMBIANCES DIVERSES +BM.1970.012.001/46:44-04B VC-CHANTE CHR H n +BM.1970.012.001/46:44-04B IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-04B SD-AMBIANCES DIVERSES +BM.1970.012.001/46:44-04C VC-CHANTE CHR H n +BM.1970.012.001/46:44-04C IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-04C SD-AMBIANCES DIVERSES +BM.1970.012.001/46:44-05 VC-CHANTE CHR H n +BM.1970.012.001/46:44-05 IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-05 M-TBR M-BOYNA +BM.1970.012.001/46:44-05 M-TBR M-DUNNULE +BM.1970.012.001/46:44-06A IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-06A M-TBR 1 +BM.1970.012.001/46:44-06B IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-06B M-TBR 1 +BM.1970.012.001/46:44-07A AA-ANCHE AA-LIRU GASU 2 +BM.1970.012.001/46:44-07B AA-ANCHE AA-LIRU YUGOYE DOLO 2 +BM.1970.012.001/46:44-08 M-TBR M-BOYNA 1 +BM.1970.012.001/46:44-08 M-TBR M-DUNNULE 1 +BM.1970.012.001/46:44-09 AA-ANCHE AA-LIRU 2 +BM.1970.012.001/46:44-10 IFP-LITHOPHONE 1 +BM.1970.012.001/46:44-11 VP-PARLE 1 +BM.1970.012.001/46:44-11 IFC-CLOCHE IFC-GINNU N +BM.1970.012.001/46:44-12 VP-PARLE 1 +BM.1970.012.001/46:45-01 VP-PARLE SOLO H 1 +BM.1970.012.001/46:45-02 VC-CHANTE SOLO E YASAMA 1 +BM.1970.012.001/46:45-03 VC-CHANTE SOLO E YABOROSA 1 +BM.1970.012.001/46:45-04 VC-CHANTE SOLO E YABOROSA 1 +BM.1970.012.001/46:45-05 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:45-06 VC-CHANTE SOLO H 1 +BM.1970.012.001/46:45-07A M-TBR 2 +BM.1970.012.001/46:45-07B M-TBR 2 +BM.1970.012.001/46:45-08 M-TBR 2 +BM.1970.012.001/46:45-09 M-TBR 2 +BM.1970.013.001/11:01-01 VC- CHANTE F. SOLO 1 +BM.1970.013.001/11:01-01 VC-CHANTE CHOEUR MIXTE CHORUS OF THE WUHEN PEOPLE'S ART THEATRE +BM.1970.016.001/08:01-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:01-01 M2-TBR 2MEMB M2-BANDIR-AHIDUS +BM.1970.016.001/08:02-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:02-01 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:02-02 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:02-02 M2-TBR 2MEMB M2-BANDIR-AHIDUS +BM.1970.016.001/08:03-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:03-01 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:03-02 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:03-02 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:03-03 VC-CHANTE CHR MIXTE VC-N +BM.1970.016.001/08:03-03 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:03-04 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:03-05 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:03-05 VC-CHANTE CHR H VC-N +BM.1970.016.001/08:05-01 VC-CHANTE CHR H VC-N +BM.1970.016.001/08:05-01 M2-TBR 2MEMB M2-BANDIR +BM.1970.016.001/08:05-02 VC-CHANTE SOLO H & CHR ALTERNES H VC-N +BM.1970.016.001/08:06-01 VC-CHANTE SOLO H & CHR ALTERNES H VC-N +BM.1970.016.001/08:07-01 M1-TBR 1MEMB M1-DARBUKA +BM.1970.016.001/08:07-02 M2-TBR 2MEMB M2-BANDIR 1 +BM.1970.016.001/08:08-01 AF-FLUTE AF-N 1 +BM.1970.016.001/08:08-02 AF-FLUTE AF-N 1 +BM.1970.016.001/08:08-03 AF-FLUTE AF-N 1 +BM.1970.016.001/08:08-04 AF-FLUTE AF-N 1 +BM.1970.016.001/08:08-05 AF-FLUTE AF-N 1 +BM.1970.018.001/49:01-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:01-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:01-02 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:01-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:01-03 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:01-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:01-04 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:01-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:02-01 M1C-TBR 1MEMB/CAISSE M1C-TEBERAI N +BM.1970.018.001/49:02-02 VP-PARLE DUO H VP-N N +BM.1970.018.001/49:02-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:03-01 VC-CHANTE CHR F & H N +BM.1970.018.001/49:03-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:03-02 VC-CHANTE 2CHR ALTERNES H/F N +BM.1970.018.001/49:03-02 BC-BATTEMENTS DE MAINS N +BM.1970.018.001/49:04-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:04-02 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:04-03 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:04-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:04-04 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:04-06 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:05-01 VA-CRIE SOLO H +BM.1970.018.001/49:05-01 VP-PARLE SOLO H +BM.1970.018.001/49:05-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:05-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:05-02 BC-BRUITS CORPORELS +BM.1970.018.001/49:05-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:05-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:05-03 BC-BRUITS CORPORELS +BM.1970.018.001/49:06-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:06-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:06-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:06-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:07-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:07-01 BC-BATTEMENTS DE MAINS +BM.1970.018.001/49:07-02 VC-CHANTE CHR H +BM.1970.018.001/49:07-03 VP-PARLE H +BM.1970.018.001/49:07-03 VC-CHANTE CHR H +BM.1970.018.001/49:07-04 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:07-05 VP-PARLE SOLO H +BM.1970.018.001/49:08-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:09-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:09-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:09-02 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:09-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:09-03 VP-PARLE H,F & E +BM.1970.018.001/49:10-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.018.001/49:10-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:10-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:10-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:11-01 VC-CHANTE CHR F +BM.1970.018.001/49:11-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:12-01 VC-CHANTE SOLO & CHR F +BM.1970.018.001/49:12-02 VC-CHANTE SOLO & CHR F +BM.1970.018.001/49:12-03 VC-CHANTE SOLO & CHR F +BM.1970.018.001/49:12-04 VC-CHANTE SOLO & CHR F +BM.1970.018.001/49:12-05 VP-PARLE +BM.1970.018.001/49:12-06 VC-CHANTE SOLO ALTERNE H & F & CHR ALTERNE +BM.1970.018.001/49:13-01 VC-CHANTE SOLO F CHR F & CHR H +BM.1970.018.001/49:14-01 VC-CHANTE CHR F & CHR H OU SOLO H OU SOLO F +BM.1970.018.001/49:15-01 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:15-02 VP-PARLE +BM.1970.018.001/49:15-03 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:16-01 VP-PARLE SOLO H +BM.1970.018.001/49:16-02 AF-FLUTE +BM.1970.018.001/49:16-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:16-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:16-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:16-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:16-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:16-05 VC-CHANTE CHR F & H +BM.1970.018.001/49:17-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:17-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:17-02 VP-PARLE +BM.1970.018.001/49:17-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:17-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:17-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:18-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:19-01 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:19-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:19-02 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:19-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:20-01 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:20-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:20-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:20-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:21-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:21-02 VP-PARLE H & F +BM.1970.018.001/49:22-01 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:22-02 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:22-03 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:22-04 VP-PARLE H & F +BM.1970.018.001/49:23-01 VP-PARLE SOLO H +BM.1970.018.001/49:24-01 VP-PARLE SOLO H +BM.1970.018.001/49:24-01 AF-FLUTE HE'U GEMEL 1 +BM.1970.018.001/49:24-02 AF-FLUTE HE'U GEMEL 1 +BM.1970.018.001/49:24-02 AF-FLUTE HE'U GOL 2 +BM.1970.018.001/49:24-03 VC-CHANTE SOLO H +BM.1970.018.001/49:24-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:24-04 VC-CHANTE SOLO H +BM.1970.018.001/49:24-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:25-01 VC-CHANTE SOLO H +BM.1970.018.001/49:25-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:25-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:25-02 VC-CHANTE SOLO H +BM.1970.018.001/49:25-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:25-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:26-01 VP-PARLE SOLO H +BM.1970.018.001/49:26-02 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:26-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:26-03 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:27-01 VC-CHANTE SOLO H & CHR F +BM.1970.018.001/49:27-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:27-02 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:27-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:28-01 VC-CHANTE SOLO H +BM.1970.018.001/49:28-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:29-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:29-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:29-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:29-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:29-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:29-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:29-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:29-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:29-06 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:29-06 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:30-01 VP-PARLE +BM.1970.018.001/49:30-01 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:30-02 VC-CHANTE SOLO H +BM.1970.018.001/49:30-03 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:31-01 VC-CHANTE CHR E +BM.1970.018.001/49:31-02 VC-CHANTE SOLO E & CHR E +BM.1970.018.001/49:31-03 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:31-04 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:31-05 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:31-05 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:32-02 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:32-03 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:32-04 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:33-01 VP-PARLE SOLO H +BM.1970.018.001/49:33-02 VC-CHANTE SOLO H +BM.1970.018.001/49:33-03 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:34-01 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:34-02 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:34-03 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:35-01 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:35-02 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:35-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:35-03 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:35-04 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:35-05 VC-CHANTE SOLO F CHR F & CHR H +BM.1970.018.001/49:35-06 VC-CHANTE SOLO F, SOLO H, CHR F & CHR H +BM.1970.018.001/49:36-01 VC-CHANTE SOLO H & 2CHR ALTERNES H/F +BM.1970.018.001/49:36-02 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:36-03 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:36-04 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:36-05 VC-CHANTE CHR H & CHR F ALTERNE +BM.1970.018.001/49:37-01 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:37-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:37-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:37-03 VC-CHANTE SOLO H +BM.1970.018.001/49:37-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:38-01 VC-CHANTE SOLO F & CHR F +BM.1970.018.001/49:39-01 VC-CHANTE SOLO F & CHR F +BM.1970.018.001/49:40-01 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:40-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:40-02 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:40-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:40-03 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:40-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:40-04 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:40-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:41-01 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-02 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-03 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-04 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-05 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-06 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-07 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-08 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-09 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-10 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:41-11 VC-CHANTE SOLO H & CHR M +BM.1970.018.001/49:42-01 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:42-02 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:42-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:42-02 VP-PARLE +BM.1970.018.001/49:42-03 VC-CHANTE SOLO H & CHR H +BM.1970.018.001/49:42-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:42-03 VP-PARLE +BM.1970.018.001/49:43-01 VC-CHANTE SOLO H +BM.1970.018.001/49:43-02 VC-CHANTE SOLO H +BM.1970.018.001/49:43-03 VC-CHANTE SOLO H +BM.1970.018.001/49:44-01 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-01 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-02 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-03 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-04 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-05 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-05 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-06 VP-PARLE +BM.1970.018.001/49:44-07 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-08 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-08 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-09 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-09 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-10 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-10 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-11 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-11 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:44-12 VC-CHANTE SOLO H CHR F & CHR H +BM.1970.018.001/49:44-12 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:45-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:45-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:45-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:45-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:45-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:45-04 VC-CHANTE CHR F & H +BM.1970.018.001/49:45-04 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:45-05 VC-CHANTE CHR H & CHR F ALTERNE +BM.1970.018.001/49:46-01 VC-CHANTE SOLO F, SOLO H, CHR F & CHR H +BM.1970.018.001/49:46-02 VC-CHANTE SOLO H, SOLO F & 2CHR ALTERNES H/F +BM.1970.018.001/49:46-03 VC-CHANTE SOLO H, SOLO F & 2CHR ALTERNES H/F +BM.1970.018.001/49:46-04 VC-CHANTE SOLO H, SOLO F & 2CHR ALTERNES H/F +BM.1970.018.001/49:47-01 VC-CHANTE 2CHR ALTERNES H/F +BM.1970.018.001/49:47-02 VC-CHANTE SOLO H +BM.1970.018.001/49:47-02 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:47-03 VC-CHANTE SOLO H & 2CHR ALTERNES H/F +BM.1970.018.001/49:47-03 SD-AMBIANCES DIVERSES +BM.1970.018.001/49:48-01 VC-CHANTE CHR F & H +BM.1970.018.001/49:48-02 VC-CHANTE CHR F & H +BM.1970.018.001/49:48-03 VC-CHANTE CHR F & H +BM.1970.018.001/49:49-01 VP-PARLE SOLO H +BM.1970.018.001/49:49-02 VP-PARLE SOLO H +BM.1970.018.001/49:49-03 VP-PARLE SOLO H +BM.1970.018.001/49:49-03 VC-CHANTE CHR H +BM.1970.020.001/31:01-01 VA-CRIE SOLO H N N 1 +BM.1970.020.001/31:01-01 VC-CHANTE SOLO H N N 1 +BM.1970.020.001/31:01-01 VC-CHANTE CHR H N N N +BM.1970.020.001/31:01-01 BC-BATTEMENTS DE MAINS N N N +BM.1970.020.001/31:02-01 VA-CRIE SOLO H N N 1 +BM.1970.020.001/31:02-01 VC-CHANTE SOLO H N N 1 +BM.1970.020.001/31:02-01 VC-CHANTE CHR H N N N +BM.1970.020.001/31:02-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:02-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:02-02 IFC-GONG N N N +BM.1970.020.001/31:02-02 M-TBR N N N +BM.1970.020.001/31:02-02 AF-FLUTE N N 1 +BM.1970.020.001/31:02-02 IE-CYMBALES N N N +BM.1970.020.001/31:03-01 IFC-GONG N N N +BM.1970.020.001/31:03-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:03-01 M-TBR N N N +BM.1970.020.001/31:03-01 IE-CYMBALES N N N +BM.1970.020.001/31:03-01 SD-AMBIANCES DIVERSES N N N +BM.1970.019.001/123:46-05 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-05 M-TBR M-KELE 1 +BM.1970.019.001/123:46-05 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-05 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-05 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-05 IFC-CLOCHE 1 +BM.1970.019.001/123:46-05 IFC-CLOCHE IFC-OGAN +BM.1970.019.001/123:46-05 A-AÉROPHONE A-FERE 1 +BM.1970.019.001/123:46-05 VC-CHANTE CHR F +BM.1970.020.001/31:04-06 VC-CHANTE DUO H N N 2 +BM.1970.020.001/31:04-07 VC-CHANTE SOLO E N N 1 +BM.1970.020.001/31:05-01 VC-CHANTE DUO H N N 2 +BM.1970.020.001/31:05-01 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.019.001/123:46-04 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-04 M-TBR M-KELE 1 +BM.1970.019.001/123:46-04 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-04 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-04 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-04 IFC-CLOCHE 1 +BM.1970.019.001/123:46-04 IFC-CLOCHE IFC-OGAN +BM.1970.020.001/31:06-01 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:06-01 M-TBR M-REBANA N N +BM.1970.019.001/123:46-03 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-03 M-TBR M-KELE 1 +BM.1970.019.001/123:46-03 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-03 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-03 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-03 IFC-CLOCHE 1 +BM.1970.019.001/123:46-03 IFC-CLOCHE IFC-OGAN +BM.1970.020.001/31:08-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:08-01 IS-CLOCHE N N 1 +BM.1970.019.001/123:46-02 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-02 M-TBR M-KELE 1 +BM.1970.019.001/123:46-02 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-02 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-02 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-02 IFC-CLOCHE 1 +BM.1970.019.001/123:46-02 IFC-CLOCHE IFC-OGAN +BM.1970.019.001/123:46-01 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-01 M-TBR M-KELE 1 +BM.1970.019.001/123:46-01 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-01 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-01 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-01 IFC-CLOCHE 1 +BM.1970.019.001/123:46-01 IFC-CLOCHE IFC-OGAN +BM.1970.019.001/123:45-07 M-TBR >1 +BM.1970.020.001/31:10-07 IP-GUIMBARDE IP-GENGGONG N N +BM.1970.020.001/31:10-07 IFC-GONG N N N +BM.1970.020.001/31:10-07 AF-FLUTE N N 1 +BM.1970.019.001/123:45-06 VC-CHANTE CHR H +BM.1970.019.001/123:45-06 M-TBR >1 +BM.1970.019.001/123:45-06 IS-HOCHET >1 +BM.1970.019.001/123:45-06 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-06 IS-CLOCHE 1 +BM.1970.019.001/123:45-06 V-VOIX F +BM.1970.019.001/123:45-06 SD-AMBIANCES DIVERSES +BM.1970.020.001/31:11-05 IFP-XYLOPHONE N N N +BM.1970.020.001/31:11-05 IFC-GONG N N N +BM.1970.020.001/31:11-05 M-TBR N N N +BM.1970.020.001/31:11-05 IE-CYMBALES N N N +BM.1970.019.001/123:45-05 VC-CHANTE CHR H +BM.1970.019.001/123:45-05 M-TBR >1 +BM.1970.019.001/123:45-05 IS-HOCHET >1 +BM.1970.019.001/123:45-05 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-05 IS-CLOCHE 1 +BM.1970.019.001/123:45-04 VC-CHANTE CHR H +BM.1970.019.001/123:45-04 M-TBR >1 +BM.1970.019.001/123:45-04 IS-HOCHET >1 +BM.1970.019.001/123:45-04 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-04 IS-CLOCHE 1 +BM.1970.019.001/123:45-03 VC-CHANTE CHR H +BM.1970.019.001/123:45-03 M-TBR >1 +BM.1970.019.001/123:45-03 IS-HOCHET >1 +BM.1970.019.001/123:45-03 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-03 IS-CLOCHE 1 +BM.1970.020.001/31:14-01 IFP-XYLOPHONE N N 1 +BM.1970.020.001/31:14-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:14-01 IFC-GONG IFC-KEMPUL N I +BM.1970.020.001/31:14-02 AF-FLUTE AF-SULING N 2 +BM.1970.020.001/31:14-02 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:14-02 IFC-GONG N N I +BM.1970.020.001/31:14-02 IE-CYMBALES N N N +BM.1970.020.001/31:14-02 M-TBR N N N +BM.1970.020.001/31:14-03 VP-PARLE SOLO H N N 1 +BM.1970.019.001/123:45-02 VC-CHANTE CHR H +BM.1970.019.001/123:45-02 M-TBR >1 +BM.1970.019.001/123:45-02 IS-HOCHET >1 +BM.1970.019.001/123:45-02 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-02 IS-CLOCHE 1 +BM.1970.020.001/31:15-04 VP-PARLE SOLO H N N 1 +BM.1970.019.001/123:45-01 VC-CHANTE CHR H +BM.1970.019.001/123:45-01 M-TBR >1 +BM.1970.019.001/123:45-01 IS-HOCHET >1 +BM.1970.019.001/123:45-01 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:45-01 IS-CLOCHE 1 +BM.1970.019.001/123:44-11 V-VOIX 1 +BM.1970.019.001/123:44-11 VC-CHANTE CHR H +BM.1970.019.001/123:44-11 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:44-11 IFC-CLOCHE 1 +BM.1970.020.001/31:18-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:18-01 IFC-GONG N N N +BM.1970.020.001/31:18-01 M-TBR N N 2 +BM.1970.020.001/31:18-01 IE-CYMBALES N N N +BM.1970.019.001/123:44-10 V-VOIX 1 +BM.1970.019.001/123:44-10 VC-CHANTE CHR H +BM.1970.019.001/123:44-08 V-VOIX 1 +BM.1970.019.001/123:44-08 VC-CHANTE CHR H +BM.1970.019.001/123:44-07 M-TBR >1 +BM.1970.020.001/31:22-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:22-01 IFC-GONG N N N +BM.1970.020.001/31:22-01 M-TBR N N 2 +BM.1970.020.001/31:22-01 IE-CYMBALES N N N +BM.1970.020.001/31:22-01 AF-FLUTE N N N +BM.1970.020.001/31:23-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:23-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:23-02 IFP-XYLOPHONE N N N +BM.1970.019.001/123:44-09 V-VOIX 1 +BM.1970.019.001/123:44-09 VC-CHANTE CHR H +BM.1970.020.001/31:25-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:25-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:26-01 VC-CHANTE SOLO F N N 1 +BM.1970.020.001/31:26-01 AF-FLUTE N N 1 +BM.1970.020.001/31:26-01 CC-CITHARE N N N +BM.1970.020.001/31:26-01 IFC-GONG N N N +BM.1970.020.001/31:26-01 M-TBR N N N +BM.1970.020.001/31:26-01 IE-CYMBALES N N N +BM.1970.020.001/31:27-01 VC-CHANTE SOLO F N N 1 +BM.1970.020.001/31:27-01 AF-FLUTE N N 1 +BM.1970.020.001/31:27-01 CC-CITHARE N N N +BM.1970.020.001/31:27-01 IFC-GONG N N N +BM.1970.020.001/31:27-01 M-TBR N N N +BM.1970.020.001/31:27-01 IE-CYMBALES N N N +BM.1970.020.001/31:28-01 AF-FLUTE N N 1 +BM.1970.020.001/31:28-01 CC-CITHARE N N N +BM.1970.020.001/31:28-01 IFC-GONG N N N +BM.1970.020.001/31:28-01 M-TBR N N N +BM.1970.020.001/31:28-01 IE-CYMBALES N N N +BM.1970.020.001/31:28-01 VC-CHANTE DUO F N N 2 +BM.1970.020.001/31:28-01 VP-PARLE DUO F N N 2 +BM.1970.020.001/31:28-01 VC-CHANTE DUO H N N 2 +BM.1970.020.001/31:28-01 VP-PARLE DUO H N N 2 +BM.1970.020.001/31:28-01 VC-CHANTE SOLO H N N 1 +BM.1970.020.001/31:29-01 AF-FLUTE N N 1 +BM.1970.020.001/31:29-01 CC-CITHARE N N N +BM.1970.020.001/31:29-01 IFC-GONG N N N +BM.1970.020.001/31:29-01 M-TBR N N N +BM.1970.020.001/31:29-01 IE-CYMBALES N N N +BM.1970.020.001/31:29-01 VC-CHANTE DUO F N N 2 +BM.1970.020.001/31:29-01 VC-CHANTE DUO H N N 2 +BM.1970.020.001/31:29-01 VC-CHANTE SOLO H N N 1 +BM.1970.020.001/31:30A-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:30A-01 M-TBR N N N +BM.1970.020.001/31:30A-01 IE-CYMBALES N N N +BM.1970.020.001/31:30A-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:31B-03 CV-VIELE CV-REBAB 1 +BM.1970.019.001/123:44-06 V-VOIX +BM.1970.019.001/123:44-06 M-TBR >1 +BM.1970.019.001/123:44-06 IFC-CLOCHE 1 +BM.1970.019.001/123:44-06 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:44-05 V-VOIX +BM.1970.019.001/123:44-05 M-TBR >1 +BM.1970.019.001/123:44-05 IFC-CLOCHE 1 +BM.1970.019.001/123:44-05 SD-AMBIANCES DIVERSES +BM.1970.020.001/31:31A-06 VC-CHANTE DUO H N N 2 +BM.1970.020.001/31:31A-06 IFP-XYLOPHONE N N 1 +BM.1970.020.001/31:31A-06 M-TBR N N 1 +BM.1970.019.001/123:44-04 VC-CHANTE SOLO H & CHR F +BM.1970.020.001/31:31B-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:31B-02 IFC-GONG N N N +BM.1970.020.001/31:31B-02 M-TBR N N N +BM.1970.020.001/31:31B-02 IE-CYMBALES N N N +BM.1970.019.001/123:44-03 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:44-03 I-IDIOPHONE 1 +BM.1970.019.001/123:44-01 VC-CHANTE CHR F +BM.1970.019.001/123:44-01 VC-CHANTE CHR H +BM.1970.019.001/123:44-01 IS-HOCHET +BM.1970.021.001/03:01-01 VC-CHANTE CHR MIXTE +BM.1970.021.001/03:01-01 CL-LUTH 7 +BM.1970.021.001/03:01-01 AFT-FLUTE TERM 2TUY 1 +BM.1970.021.001/03:01-01 BC-FRAPPEMENTS DES PIEDS +BM.1970.021.001/03:02-02 CL-LUTH CL-SODRAC 1 +BM.1970.021.001/03:02-02 CV-VIELE CV-MORIN KHUUR 1 +BM.1970.021.001/03:02-02 CV-VIELE CV-HUCER 1 +BM.1970.021.001/03:02-02 M2-TBR 2MEMB M2-HENGRIC 1 +BM.1970.021.001/03:02-02 AFL-FLUTE LAT 1 +BM.1970.021.001/03:02-02 M-TBR 1 +BM.1970.021.001/03:02-02 IE-CYMBALES 1 +BM.1970.021.001/03:02-02 CC-CITHARE/CAISSE 1 +BM.1970.021.001/03:03-01 AF-FLUTE +BM.1970.023.001/03:01-01 VC-CHANTE CHR H VC-N +BM.1970.023.001/03:01-01 +BM.1970.023.001/03:02-01 VC-CHANTE CHR H VC-N +BM.1970.023.001/03:02-01 +BM.1970.023.001/03:02-02 VC-CHANTE CHR H VC-N +BM.1970.023.001/03:02-02 +BM.1970.023.001/03:02-03 VC-CHANTE CHR F VC-N +BM.1970.023.001/03:02-03 M-TBR M-TABLA +BM.1970.023.001/03:02-03 V-VOIX E V-N +BM.1970.023.001/03:02-03 SA-SONS ANIMAUX SA-N +BM.1970.023.001/03:02-03 +BM.1970.023.001/03:03-01 VC-CHANTE CHR F VC-N +BM.1970.023.001/03:03-01 M-TBR M-TABLA +BM.1970.023.001/03:03-01 V-VOIX E V-N +BM.1970.023.001/03:03-01 SA-SONS ANIMAUX SA-N +BM.1970.023.001/03:03-01 VA-YOUYOU VA-N +BM.1970.024.001/03:01-01 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-02 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-03 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-04 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-05 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-06 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-07 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-08 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-09 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-10 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-11 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-12 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-13 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-14 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-15 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-16 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-17 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-18 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-19 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-19 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-19 M1F-TBR 1MEMB FRICTION M1F-ZAMZOMBA 1 +BM.1970.024.001/03:01-20 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-20 M1F-TBR 1MEMB FRICTION M1F-ZAMZOMBA 1 +BM.1970.024.001/03:01-21 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-22 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-23 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-24 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-25 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-25 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-26 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-27 VC-CHANTE SOLO F & CHR F +BM.1970.024.001/03:01-27 CL-LUTH CL-GUITARE 1 +BM.1970.024.001/03:01-28 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:01-28 CL-LUTH CL-GUITARE 1 +BM.1970.024.001/03:01-29 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-30 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:01-31 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-01 VC-CHANTE CHR H +BM.1970.024.001/03:02-02 VC-CHANTE SOLO H 1 +BM.1970.024.001/03:02-02 VC-CHANTE CHR H +BM.1970.024.001/03:02-03 VC-CHANTE CHR H +BM.1970.024.001/03:02-04 VC-CHANTE CHR H +BM.1970.024.001/03:02-05 VC-CHANTE CHR H +BM.1970.024.001/03:02-06 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-07 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-08 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-09 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-10 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-11 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-12 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-13 VC-CHANTE CHR F +BM.1970.024.001/03:02-14 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-15 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-16 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-17 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-18 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-19 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-20 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-21 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-22 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-23 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-24 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-25 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-26 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-27 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-28 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-29 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-30 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-31 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-32 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-33 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-34 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-35 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-36 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-37 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-38 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-39 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-40 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-41 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-42 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-43 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-44 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-45 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-46 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-47 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-48 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-49 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-50 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-51 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-52 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-53 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-54 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-55 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-56 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-57 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-58 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-59 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-60 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-61 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-62 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-63 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-64 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-65 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-66 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:02-67 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-01 VP-PARLE 1 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+BM.1970.024.001/03:03-47 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-48 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-49 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-50 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-51 VP-PARLE 1 +BM.1970.024.001/03:03-52 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-53 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-54 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-55 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-56 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-57 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-58 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-59 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-60 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-61 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-62 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-63 VC-CHANTE SOLO F 1 +BM.1970.024.001/03:03-64 VC-CHANTE SOLO F 1 +BM.1970.025.001/12:01-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:01-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:01-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:01-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:01-05 CV-VIELE CV-N MAMIDOU YAYE +BM.1970.025.001/12:02-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:02-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:02-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:02-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:02-04 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:03-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:03-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:03-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:03-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-01 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:04-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-02 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:04-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-03 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:04-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-04 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:04-05 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:04-05 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:05-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-05 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-06 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-07 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-08 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:05-09 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:06-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:06-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:06-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:07-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:07-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:07-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:07-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:08-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:08-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:08-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:08-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:08-05 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:09-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:09-01 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:09-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:09-02 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:09-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:09-03 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:09-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-01 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:10-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-02 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:10-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-03 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:10-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-04 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:10-05 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:10-05 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:11-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:11-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:11-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:11-03 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:11-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:11-04 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:12-01 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-02 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-03 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-04 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-05 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-05 VC-CHANTE SOLO H VC-N +BM.1970.025.001/12:12-06 CV-VIELE CV-N HAMIDOU YAYE +BM.1970.025.001/12:12-06 VC-CHANTE SOLO H VC-N +BM.1970.029.001:01-01 VC-CHANTE SOLO H & CHR F +BM.1970.029.001:01-01 CH-HARPE 1 +BM.1970.029.001:01-01 M-TBR 5 +BM.1970.030.001/03:01-01 VC-CHANTE SOLO & CHR H VC-N +BM.1970.030.001/03:01-01 SD-AMBIANCES DIVERSES SD-N +BM.1970.030.001/03:01-02 VC-CHANTE SOLO H & CHR VC-N +BM.1970.030.001/03:01-02 SD-AMBIANCES DIVERSES SD-N +BM.1970.030.001/03:01-03 VC-CHANTE CHR JH VC-N +BM.1970.030.001/03:01-03 SD-AMBIANCES DIVERSES SD-N +BM.1970.030.001/03:01-04 AF-FLUTE AF-N 3 +BM.1970.030.001/03:01-04 IS-SONNAILLES IS-N +BM.1970.030.001/03:01-05 AF-FLUTE AF-N 3 +BM.1970.030.001/03:01-05 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:01-06 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:01-07 VC-CHANTE SOLO H & CHR M VC-N +BM.1970.030.001/03:01-08 VC-CHANTE SOLO H & CHR H VC-N +BM.1970.030.001/03:02-01 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:02-01 IFP-BATON IFP-N +BM.1970.030.001/03:02-01 IS-HOCHET-SONNAILLE IS-N +BM.1970.030.001/03:02-01 VA-CRIE H VA-N +BM.1970.030.001/03:02-02 VC-CHANTE CHR H VC-N +BM.1970.030.001/03:02-03 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:02-04 AABS-CLARINETTE AABS-N +BM.1970.030.001/03:02-05 AF-FLUTE AF-N 3 +BM.1970.030.001/03:02-06 VC-CHANTE SOLO H & DUO F VC-N +BM.1970.030.001/03:02-07 AF-FLUTE AF-N +BM.1970.030.001/03:02-08 VC-CHANTE CHR F & H VC-N +BM.1970.030.001/03:02-09 VC-CHANTE CHR H VC-N +BM.1970.030.001/03:02-09 IS-SONNAILLES IS-N +BM.1970.030.001/03:03-01 VC-CHANTE CHR F & H VC-N +BM.1970.030.001/03:03-01 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:03-01 SD-AMBIANCES DIVERSES SD-N +BM.1970.030.001/03:03-02 VC-CHANTE CHR F & H VC-N +BM.1970.030.001/03:03-02 VC-CHANTE SOLO H VC-N +BM.1970.030.001/03:03-02 SD-AMBIANCES DIVERSES SD-N +BM.1970.031.001/07:01-01 AFP-FLUTE DE PAN 10 +BM.1970.031.001/07:01-01 M-TBR M-BOMBO 1 +BM.1970.031.001/07:01-01 AF-FLUTE AF-SIFFLET 1 +BM.1975.008.001/14:08-02 VP-PARLE SOLO H +BM.1970.036.001/29:01-01 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:01-02 VC- CHANTE DUO H VC-N 2 +BM.1970.036.001/29:01-02 CL-LUTH CL-N 1 +BM.1970.036.001/29:01-03 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:01-03 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:02-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:02-01 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:02-02 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:02-02 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:02-03 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:02-04 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:02-04 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:02-05 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:02-05 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:03-01 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-02 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-03 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-04 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-05 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-06 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-07 VC-CHANTE CHR F VC-N +BM.1970.036.001/29:03-08 AABD-HAUTBOIS AABS-ZURNA +BM.1970.036.001/29:03-08 M2-TBR 2MEMB M2-DAVUL +BM.1970.036.001/29:03-09 AABD-HAUTBOIS AABS-ZURNA +BM.1970.036.001/29:03-09 M2-TBR 2MEMB M2-DAVUL +BM.1970.036.001/29:03-10 VC-CHANTE DUO H VC-N 1 +BM.1970.036.001/29:03-10 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:03-11 VC-CHANTE DUO H VC-N 1 +BM.1970.036.001/29:03-11 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:04-01 AAL-ANCHE LIBRE AAL-N 1 +BM.1970.036.001/29:04-02 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:04-03 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:04-04 VP-PARLE SOLO H VP-N ALI ALKISH 1 +BM.1970.036.001/29:04-04 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:04-04 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-01 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-01 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-02 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-02 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-03 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-04 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-04 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-05 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-05 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-06 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-06 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:05-07 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:05-07 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:06-01 AAL-ANCHE LIBRE AAL-N 1 +BM.1970.036.001/29:06-01 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:06-02 AAL-ANCHE LIBRE AAL-N 1 +BM.1970.036.001/29:06-02 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:06-03 AAL-ANCHE LIBRE AAL-N 1 +BM.1970.036.001/29:06-03 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:06-04 AAL-ANCHE LIBRE AAL-N 1 +BM.1970.036.001/29:06-04 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:06-05 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:06-05 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:06-06 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-06 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-07 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-07 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-08 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-08 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-09 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:06-09 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:07-01 VC-CHANTE DUO F VC-N 2 +BM.1970.036.001/29:07-02 VC-CHANTE DUO F VC-N 2 +BM.1970.036.001/29:07-03 VC-CHANTE SOLO F VC-N 1 +BM.1970.036.001/29:07-04 VC-CHANTE DUO F VC-N 2 +BM.1970.036.001/29:08-01 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:08-01 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:08-02 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:08-02 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:08-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:08-03 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:09-01 AF-FLUTE AF-N 1 +BM.1970.036.001/29:09-02 AF-FLUTE AF-KAVAL 1 +BM.1970.036.001/29:09-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:09-03 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:09-04 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:09-04 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:09-05 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:09-05 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:09-06 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:09-06 CL-LUTH CL-SAZ ALI ALKISH 1 +BM.1970.036.001/29:10-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:10-01 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:10-02 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:10-02 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:10-03 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:10-03 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:10-04 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:10-04 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:11-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:11-01 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:11-02 VC-CHANTE SOLO H VC-N ALI ISETTE 1 +BM.1970.036.001/29:11-02 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:12-01 VC-CHANTE SOLO H VC-N ALI ISETTE 1 +BM.1970.036.001/29:12-01 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:12-02 VC-CHANTE SOLO H VC-N ALI ISETTE 1 +BM.1970.036.001/29:12-02 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:12-03 VA-CHANTE-PARLE H VA-N ALI ISETTE 1 +BM.1970.036.001/29:12-03 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:12-04 VC-CHANTE DUO H VC-N 2 +BM.1970.036.001/29:12-05 VC-CHANTE SOLO H VC-N ALI ISETTE 1 +BM.1970.036.001/29:12-05 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:12-06 VC-CHANTE SOLO H VC-N ALI ISETTE 1 +BM.1970.036.001/29:12-06 CL-LUTH CL-SAZ ALI ISETTE 1 +BM.1970.036.001/29:13-01 VC-CHANTE CHR H VC-N +BM.1970.036.001/29:13-02 VC-CHANTE CHR H VC-N +BM.1970.036.001/29:13-03 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:13-03 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:13-04 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:13-04 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:13-05 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:13-05 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:13-06 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:13-06 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:14-01 VP-PARLE SOLO H VP-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-01 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-02 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-02 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-03 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-03 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-04 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-04 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-05 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-05 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-06 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-06 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-07 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-07 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-08 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-08 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-09 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:14-09 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-01 VA-CHANTE-PARLE SOLO H VA-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-01 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-02 VC-CHANTE VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-02 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-03 VC-CHANTE SOLO & CHR H VC-N +BM.1970.036.001/29:15-03 CL-LUTH CL-SAZ 1 +BM.1970.036.001/29:15-03 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:15-03 +BM.1970.036.001/29:15-04 VC-CHANTE SOLO H VC-N ACIKH ALI ALKISH 1 +BM.1970.036.001/29:15-04 CL-LUTH CL-SAZ ACIKH ALI ALKISH 1 +BM.1970.036.001/29:16-01 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-02 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-04 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-05 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-06 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-07 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:16-08 VC- CHANTE DUO H VC-N 2 +BM.1970.036.001/29:16-09 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:17-01 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:17-02 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:17-03 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:17-04 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:17-05 VC-CHANTE SOLO H VC-N ALI ALKISH 1 +BM.1970.036.001/29:18-01 AF-FLUTE AF-N 1 +BM.1970.036.001/29:18-01 V-VOIX V-N +BM.1970.036.001/29:18-02 AF-FLUTE AF-N 1 +BM.1970.036.001/29:18-02 V-VOIX V-N +BM.1970.036.001/29:18-03 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:18-03 V-VOIX V-N +BM.1970.036.001/29:18-04 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:18-04 V-VOIX V-N +BM.1970.036.001/29:19-01 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:19-01 V-VOIX V-N +BM.1970.036.001/29:19-02 AABD-HAUTBOIS AABD-ZURNA 1 +BM.1970.036.001/29:19-03 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:19-03 V-VOIX V-N +BM.1970.036.001/29:20-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:20-01 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:20-02 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:20-02 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:20-02 BC-BATTEMENTS DE MAINS BC-N +BM.1970.036.001/29:21-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:21-01 AABS-CLARINETTE AABS-BALABAN 1 +BM.1970.036.001/29:21-02 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:21-03 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:22-01 VC-CHANTE SOLO E VC-N +BM.1970.036.001/29:22-01 CV-VIELE CV-N +BM.1970.036.001/29:22-02 CV-VIELE CV-N +BM.1970.036.001/29:22-03 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:22-03 CV-VIELE CV-N +BM.1970.036.001/29:22-04 CV-VIELE CV-N +BM.1970.036.001/29:22-05 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:22-05 CV-VIELE CV-N +BM.1970.036.001/29:23-01 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:23-01 CL-LUTH CL-N +BM.1970.036.001/29:23-02 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:23-02 CV-VIELE CV-N +BM.1970.036.001/29:24-01 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:24-02 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:24-03 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:24-03 CL-LUTH CL-N +BM.1970.036.001/29:25-01 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:25-01 CL-LUTH CL-N +BM.1970.036.001/29:25-02 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:25-02 CL-LUTH CL-N +BM.1970.036.001/29:25-03 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:25-03 CL-LUTH CL-N +BM.1970.036.001/29:26-01 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:26-01 CL-LUTH CL-N +BM.1970.036.001/29:26-02 VC-CHANTE SOLO H VC-N +BM.1970.036.001/29:26-02 CL-LUTH CL-N +BM.1970.036.001/29:26-03 IP-GUIMBARDE IP-N +BM.1970.036.001/29:26-04 CL-LUTH CL-N +BM.1970.036.001/29:27-01 VC-CHANTE SOLO H VC-N 1 +BM.1970.036.001/29:27-01 CL-LUTH CL-N 2 +BM.1970.036.001/29:27-02 VC-CHANTE SOLO H VC-N 1 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+BM.1970.044.001/32:01-01 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-02 VP-PARLE VP-N +BM.1970.044.001/32:01-03 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-04 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-05 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-06 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-07 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-08 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-09 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-10 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-11 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-12 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-13 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-14 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-15 VC-CHANTE SOLO H VC-N MOHAMMED KTANI +BM.1970.044.001/32:01-16 VC-CHANTE SOLO H VC-N MOHAMMED KTANI 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+BM.1970.044.001/32:03-02 VC-CHANTE SOLO G VC-N AKHAZAN MOHAMMED OU SAID +BM.1970.044.001/32:03-03 VC-CHANTE SOLO H VC-N HAMMANI BEN +BM.1970.044.001/32:03-04 VC-CHANTE SOLO G VC-N AKHAZAN MOHAMMED OU SAID +BM.1970.044.001/32:03-05 VC-CHANTE SOLO G VC-N AKHAZAN MOHAMMED OU SAID +BM.1970.044.001/32:03-06 VC-CHANTE SOLO H VC-N BEN MOHAMMED M BUASA +BM.1970.044.001/32:03-07 VC-CHANTE SOLO H VC-N BEN MOHAMMED M BUASA +BM.1970.044.001/32:04-01 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:04-02 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:04-03 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:04-04 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:04-05 VC-CHANTE CHR F & H VC-N +BM.1970.044.001/32:04-05 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:04-06 VC-CHANTE CHR F & H VC-N +BM.1970.044.001/32:04-06 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:04-07 VC-CHANTE CHR F & H VC-N +BM.1970.044.001/32:04-07 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:04-08 VC-CHANTE DUO H VC-N MOHAMMED LEURABTI 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VC-CHANTE SOLO H VC-N HAMMADI BEN HAMMU +BM.1970.044.001/32:07-06 VC-CHANTE SOLO H VC-N MOHAMMED LEURABTI +BM.1970.044.001/32:07-07 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:07-07 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:07-07 BC-BATTEMENTS DE MAINS BC-N +BM.1970.044.001/32:07-08 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:07-08 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:07-08 BC-BATTEMENTS DE MAINS BC-N +BM.1970.044.001/32:08-01 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:08-02 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:08-03 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:08-04 VC-CHANTE SOLO H/ M VC-N M.TAMI +BM.1970.044.001/32:08-05 VC-CHANTE SOLO F VC-N M.TAMI +BM.1970.044.001/32:08-06 VC-CHANTE SOLO F VC-N M.TAMI +BM.1970.044.001/32:08-07 VC-CHANTE SOLO F VC-N M.TAMI +BM.1970.044.001/32:08-08 VC-CHANTE CHR MIXTE VC-N +BM.1970.044.001/32:08-09 VC-CHANTE SOLO H VC-N MEIKI HAJINE +BM.1970.044.001/32:08-10 VC-CHANTE SOLO H VC-N MEIKI HAJINE +BM.1970.044.001/32:08-11 VC-CHANTE SOLO F VC-N FATIMA DEMNATIA +BM.1970.044.001/32:08-12 VC-CHANTE SOLO F VC-N RHMA HAJINE +BM.1970.044.001/32:08-13 VC-CHANTE DUO F VC-N FATIMA DEMNATI RHMA HAJINE +BM.1970.044.001/32:09-01 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:09-02 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:09-03 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-04 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:09-05 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-06 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-07 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:09-08 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-09 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-10 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-11 VC-CHANTE DUO H VC-N +BM.1970.044.001/32:09-12 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:09-13 VC-CHANTE DUO H VC-N +BM.1970.044.001/32:10-01 VC-CHANTE DUO H VC-N +BM.1970.044.001/32:10-02 VC-CHANTE DUO H VC-N +BM.1970.044.001/32:10-03 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:10-04 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:10-05 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:10-07 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-08 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-09 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-10 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-11 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-12 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-13 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-14 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:10-15 VC-CHANTE SOLO H VC-N LAFIEN +BM.1970.044.001/32:11-01 VC-CHANTE SOLO H VC-N LAHFIEN +BM.1970.044.001/32:11-02 VC-CHANTE SOLO H VC-N LAHFIEN +BM.1970.044.001/32:11-03 VC-CHANTE SOLO H VC-N LAHFIEN +BM.1970.044.001/32:11-04 VC-CHANTE SOLO H VC-N LAHFIEN +BM.1970.044.001/32:11-05 VC-CHANTE SOLO ALTERNE H VC-N CHIKH BEN HAISSA HAMMOU +BM.1970.044.001/32:11-06 VC-CHANTE SOLO H VC-N LAHFIEN +BM.1970.044.001/32:12-01 VC-CHANTE SOLO ALTERNE H VC-N CHIKH BEN HAISSA HAMMOU +BM.1970.044.001/32:12-02 VC-CHANTE SOLO H VC-N CHIKH BEN HAISSA HAMMOU +BM.1970.044.001/32:12-03 VC-CHANTE DUO H VC-N CHIKH BEN HAISSA HAMMOU +BM.1970.044.001/32:12-04 VC-CHANTE SOLO H VC-N CHIKH BEN HAISSA HAMMOU +BM.1970.044.001/32:12-05 VP-PARLE VP-N H. AKEFLI +BM.1970.044.001/32:12-06 VP-PARLE VP-N H. AKEFLI +BM.1970.044.001/32:12-07 VP-PARLE VP-N H. AKEFLI +BM.1970.044.001/32:12-08 VP-PARLE VP-N H. AKEFLI +BM.1970.044.001/32:13-01 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:13-02 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:13-03 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:13-04 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:13-05 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:13-06 VP-PARLE VP-N +BM.1970.044.001/32:13-07 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:13-08 VC-CHANTE SOLO G VC-N +BM.1970.044.001/32:13-09 VC-CHANTE DUO ALTERNE F VC-N FATMA ET RKRIA M BUASSA +BM.1970.044.001/32:14-01 VC-CHANTE DUO F VC-N FADMA IWAHI ET TAHARDANT BUASSA +BM.1970.044.001/32:14-02 VC-CHANTE DUO F VC-N FADMA IWAHI ET TAHARDANT BUASSA +BM.1970.044.001/32:14-03 VC-CHANTE DUO F VC-N FADMA IWAHI ET TAHARDANT BUASSA +BM.1970.044.001/32:15-01 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-02 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-03 VC-CHANTE SOLO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-04 VC-CHANTE SOLO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-05 VC-CHANTE SOLO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-06 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-07 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-08 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:15-09 VC-CHANTE DUO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:16-01 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-02 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-03 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-04 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-05 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-06 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-07 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-08 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:16-09 VC-CHANTE DUO F VC-N FATIMA LAFIEN ET ULIECO +BM.1970.044.001/32:17-01 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:17-02 VC-CHANTE SOLO F VC-N HADDA N TAMI +BM.1970.044.001/32:17-03 VC-CHANTE SOLO F VC-N HADDA N TAMI +BM.1970.044.001/32:17-04 VC-CHANTE SOLO F VC-N ? +BM.1970.044.001/32:17-05 VC-CHANTE SOLO F VC-N FATIMA LAFIEN +BM.1970.044.001/32:17-06 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:17-07 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:17-08 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:17-09 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:17-10 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:17-11 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-01 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-02 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-03 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-04 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-05 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-06 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-07 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-08 VC-CHANTE DUO F VC-N ITTU ET FATIMA +BM.1970.044.001/32:18-09 VC-CHANTE DUO F VC-N ASORA BUKBEL, ITTU SEABLA +BM.1970.044.001/32:18-10 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-11 VC-CHANTE DUO F VC-N RKRIA BENT HAGE OMAR +BM.1970.044.001/32:18-12 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-13 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-14 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-15 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-16 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:18-17 VC-CHANTE SOLO F VC-N HADDA BENT HAGE OMAR +BM.1970.044.001/32:19-01 VC-CHANTE SOLO F VC-N AISA SKRNIA +BM.1970.044.001/32:19-02 VC-CHANTE SOLO F VC-N AISA ALI +BM.1970.044.001/32:19-03 VC-CHANTE DUO F VC-N RKRIA ITCHU AISA BUASUSN +BM.1970.044.001/32:19-04 VC-CHANTE DUO F VC-N RKRIA ITCHU AISA BUASUSN +BM.1970.044.001/32:20-01 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-02 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-03 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-04 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-05 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-06 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:20-07 VC-CHANTE DUO F VC-N RKRIA I AYT ITCHU AISA B. +BM.1970.044.001/32:21-01 VC-CHANTE SOLO F VC-N FATMA HAJINE +BM.1970.044.001/32:21-02 VC-CHANTE SOLO F VC-N RHMA ZARI +BM.1970.044.001/32:21-03 VC-CHANTE SOLO F VC-N RHMA ZARI +BM.1970.044.001/32:21-04 VC-CHANTE SOLO F VC-N RHMA ZARI +BM.1970.044.001/32:21-05 VC-CHANTE SOLO F VC-N FATMA HAJINE +BM.1970.044.001/32:21-06 VC-CHANTE SOLO F VC-N RHMA ZARI +BM.1970.044.001/32:22-01 VC-CHANTE SOLO H VC-N SIDI BEN HAJUB EL XMAI +BM.1970.044.001/32:22-02 VC-CHANTE SOLO H VC-N MOHAMMED LEURABTI +BM.1970.044.001/32:22-03 VC-CHANTE SOLO H VC-N HAMMADI BEN HAMMU +BM.1970.044.001/32:22-04 VC-CHANTE SOLO H VC-N SIDI BEN HAJUB EL XMAI +BM.1970.044.001/32:22-05 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-06 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-07 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-08 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-09 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-10 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-11 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-12 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-13 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-14 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-15 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:22-16 VC-CHANTE SOLO & CHR H VC-N +BM.1970.044.001/32:23-01 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:23-01 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:23-01 +BM.1970.044.001/32:23-02 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:23-02 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:23-02 +BM.1970.044.001/32:23-03 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:23-03 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:23-03 +BM.1970.044.001/32:23-04 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:23-04 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:23-04 +BM.1970.044.001/32:24-01 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:24-01 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:24-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.044.001/32:24-01 BC-BATTEMENTS DE MAINS BC-N +BM.1970.044.001/32:25-01 VC-CHANTE CHR H & G VC-N +BM.1970.044.001/32:25-01 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:25-01 +BM.1970.044.001/32:25-02 VC-CHANTE SOLO H VC-N +BM.1970.044.001/32:25-02 +BM.1970.044.001/32:25-03 VC-CHANTE CHR H & G VC-N +BM.1970.044.001/32:25-03 +BM.1970.044.001/32:26-01 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:26-01 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:26-01 +BM.1970.044.001/32:26-02 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:26-02 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:26-02 +BM.1970.044.001/32:26-03 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:26-03 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:26-03 +BM.1970.044.001/32:26-04 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:26-04 M2D-TBR 2MEMB/CADRE M2D-ALLUN-IZRAN +BM.1970.044.001/32:26-04 +BM.1970.044.001/32:27-01 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-01 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-01 CL-LUTH CL-DOTAR-CHIKHAT +BM.1970.044.001/32:27-02 VC-CHANTE SOLO H VC-N LAARABI +BM.1970.044.001/32:27-03 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-03 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-03 CL-LUTH CL-DOTAR-CHIKHAT +BM.1970.044.001/32:27-04 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-04 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-04 CL-LUTH CL-DOTAR-CHIKHAT +BM.1970.044.001/32:27-04 SD-AMBIANCES DIVERSES SD-N +BM.1970.044.001/32:27-05 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-05 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-05 SD-AMBIANCES DIVERSES SD-N +BM.1970.044.001/32:27-06 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-06 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-06 SD-AMBIANCES DIVERSES SD-N +BM.1970.044.001/32:27-07 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-07 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-07 SD-AMBIANCES DIVERSES SD-N +BM.1970.044.001/32:27-08 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-08 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-08 CL-LUTH CL-DOTAR-CHIKHAT +BM.1970.044.001/32:27-09 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:27-09 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:27-09 CL-LUTH CL-DOTAR-CHIKHAT +BM.1970.044.001/32:28-01 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1970.044.001/32:28-01 M1D-TBR 1MEMB/CADRE M1D-ALLUN +BM.1970.044.001/32:28-02 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:28-02 M2D-TBR 2MEMB/CADRE M2D-ALLUN +BM.1970.044.001/32:29-01 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:29-02 M1D-TBR 1MEMB/CADRE M1D-ALLUN +BM.1970.044.001/32:29-03 M1D-TBR 1MEMB/CADRE M1D-ALLUN +BM.1970.044.001/32:29-04 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:29-04 VP-PARLE VP-N +BM.1970.044.001/32:29-05 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:29-06 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:29-07 M1D-TBR 1MEMB/CADRE M1D-ALLUN 2 +BM.1970.044.001/32:29-08 M1D-TBR 1MEMB/CADRE M1D-ALLUN 1 +BM.1970.044.001/32:29-08 AF-FLUTE AF-N 1 +BM.1970.044.001/32:29-09 M1D-TBR 1MEMB/CADRE M1D-ALLUN 2 +BM.1970.044.001/32:29-09 VP-PARLE VP-N 1 +BM.1970.044.001/32:29-10 M1D-TBR 1MEMB/CADRE M1D-ALLUN 2 +BM.1970.044.001/32:29-10 VP-PARLE VP-N 1 +BM.1970.044.001/32:29-10 V-VOIX +BM.1970.044.001/32:30-01 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:30-02 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:30-03 SD-AMBIANCES DIVERSES +BM.1970.044.001/32:30-04 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:30-05 VC-CHANTE SOLO F VC-N +BM.1970.044.001/32:30-06 VC-CHANTE DUO F VC-N +BM.1970.044.001/32:31-01 VC-CHANTE CHR H VC-N +BM.1970.044.001/32:31-01 M-ENSEMBLE TBR M-TAGNZA +BM.1970.044.001/32:32-01 VC-CHANTE CHR F VC-N +BM.1970.045.001/09:01-01 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-01 CHL-HARPE-LUTH CHL-KORA 1 +BM.1970.046.001/03:01-01 VC-CHANTE SOLO H & CHR +BM.1970.046.001/03:01-01 M-TBR 1 +BM.1970.046.001/03:01-01 IS-CLOCHE 1 +BM.1971.001.001/04:01-01 VC-CHANTE SOLO F TOUTOU MINTABI +BM.1971.001.001/04:01-01 CL-LUTH 1 +BM.1971.002.001/06:01-01 VC-CHANTE SOLO F N MARZIEH 1 +BM.1971.002.001/06:03-01 AF-FLUTE KAVAL N 1 +BM.971.015.001/44:01-01>02 VP-PARLE SOLO H N A. KARMA 1 +BM.971.015.001/44:02-01 VP-PARLE SOLO H N A.KARMA RINPOCHE 1 +BM.971.015.001/44:03-01>02 VP-PARLE SOLO H N N 1 +BM.971.015.001/44:03-03 SD-AMBIANCES DIVERSES N +BM.971.015.001/44:03-04 VP-PARLE E N N n +BM.971.015.001/44:04-01>03 V-VOIX SOLO H N N 1 +BM.971.015.001/44:04-01>03 AT-TROMPE N N 1 +BM.971.015.001/44:04-01>03 M-TBR N N 1 +BM.971.015.001/44:04-01>03 IS-CLOCHE N N 1 +BM.971.015.001/44:04-01>03 +BM.971.015.001/44:05-01 VP-PARLE H & CHR H N N 3 +BM.971.015.001/44:05-01 IE-CYMBALES IE-ROL-MO N 2 +BM.971.015.001/44:05-01 M-TBR N N 1 +BM.971.015.001/44:05-01 IS-CLOCHE N N 1 +BM.971.015.001/44:05-01 AT-TROMPE AT-DUN N 1 +BM.971.015.001/44:06-01>02 VC-CHANTE CHR H N N 3 +BM.971.015.001/44:06-01>02 IE-CYMBALES N N N +BM.971.015.001/44:06-01>02 M-TBR N N 3 +BM.971.015.001/44:06-01>02 IS-CLOCHE N N N +BM.971.015.001/44:06-03 VP-PARLE SOLO H N N 1 +BM.971.015.001/44:06-04 VP-PARLE SOLO H N N 1 +BM.971.015.001/44:07-01>02 VP-PARLE H & E N N N +BM.971.015.001/44:07-01>02 SD-AMBIANCES DIVERSES N N N +BM.971.015.001/44:08-01>02 VP-PARLE CHR H N N N +BM.971.015.001/44:09-01 VP-PARLE SOLO H N LAMA MA-NI-PA 1 +BM.971.015.001/44:10-01 VC-CHANTE SOLO H & CHR H N N N +BM.971.015.001/44:10-02 VP-PARLE SOLO H N N 1 +BM.971.015.001/44:11-01 VP-PARLE SOLO H N NORBU 1 +BM.971.015.001/44:11-02 VP-PARLE SOLO H N N 1 +BM.971.015.001/44:11-02 VC-CHANTE SOLO H N N 1 +BM.971.015.001/44:12-01>03 VP-PARLE SOLO H N KARMA 1 +BM.971.015.001/44:12-04 IE-CYMBALES IE-ROL-MO N 2 +BM.971.015.001/44:12-04 M-TBR M-RNGA N 1 +BM.971.015.001/44:12-04 AABD-HAUTBOIS AABD-RGYA-GLING N 1 +BM.971.015.001/44:12-04 AT-TROMPE AT-DUN N N +BM.971.015.001/44:13-01 VC-CHANTE SOLO H N N N +BM.971.015.001/44:13-01 IS-GRELOT N N N +BM.971.015.001/44:13-01 IS-CLOCHE N N N +BM.971.015.001/44:13-01 M-TBR N N N +BM.971.015.001/44:14-01 VC-CHANTE SOLO H N NOR-BU N +BM.971.015.001/44:14-01 VP-PARLE SOLO H N NOR-BU 1 +BM.971.015.001/44:15-01 SD-AMBIANCES DIVERSES N N N +BM.971.015.001/44:15-02>03 SD-AMBIANCES DIVERSES N N N +BM.971.015.001/44:15-04 AABD-HAUTBOIS N N N +BM.971.015.001/44:15-04 VC-CHANTE CHR H N N N +BM.971.015.001/44:15-04 ATT-TROMPE TERM N N N +BM.971.015.001/44:15-04 AT-TROMPE N N N +BM.971.015.001/44:15-04 IE-CYMBALES N N N +BM.971.015.001/44:15-04 IS-CLOCHE N N N +BM.971.015.001/44:16-01>02 AABD-HAUTBOIS N N N +BM.971.015.001/44:16-01>02 VC-CHANTE CHR H N N N +BM.971.015.001/44:16-01>02 AT-TROMPE N N N +BM.971.015.001/44:16-01>02 IE-CYMBALES N N N +BM.971.015.001/44:16-01>02 IS-CLOCHE N N N +BM.971.015.001/44:16-01>02 M-TBR N N N +BM.971.015.001/44:17-01 SD-AMBIANCES DIVERSES N N N +BM.971.015.001/44:17-02 VP-ENQUETE N N N +BM.971.015.001/44:17-04>05 AABD-HAUTBOIS N N N +BM.971.015.001/44:17-04>05 VC-CHANTE CHR H N N N +BM.971.015.001/44:17-04>05 AT-TROMPE N N N +BM.971.015.001/44:17-04>05 IE-CYMBALES N N N +BM.971.015.001/44:17-04>05 IS-CLOCHE N N N +BM.971.015.001/44:17-04>05 M-TBR N N N +BM.971.015.001/44:18-01>03 VC-CHANTE CHR H N N N 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M-TBR N N N +BM.971.015.001/44:23-01 IE-CYMBALES N N N +BM.971.015.001/44:23-01 AT-TROMPE N N 1 +BM.971.015.001/44:23-01 AABD-HAUTBOIS N N 2 +BM.971.015.001/44:23-01 IS-CLOCHE IS-GSHANG N N +BM.971.015.001/44:24-01 VC-CHANTE CHR MIXTE N N N +BM.971.015.001/44:24-01 M-TBR N N N +BM.971.015.001/44:25-01 VC-CHANTE CHR MIXTE N N N +BM.971.015.001/44:25-01 M-TBR M-"ARE" KELLI GOS N 1 +BM.971.015.001/44:25-02>03 VC-CHANTE SOLO H & CHR F ALTERNE N N N +BM.971.015.001/44:25-02>03 M-TBR M-BHAGA GOS N 1 +BM.971.015.001/44:26-01 VC-CHANTE CHR F N N N +BM.971.015.001/44:26-02 VC-CHANTE CHR MIXTE N N N +BM.971.015.001/44:26-03 VC-CHANTE SOLO H & CHR MIXTE & F ALTERNE N N N +BM.971.015.001/44:26-03 M-TBR N N 1 +BM.971.015.001/44:26-04>05 VC-CHANTE SOLO H N N 1 +BM.971.015.001/44:26-04>05 VC-CHANTE CHR H & CHR F ALTERNE N N N +BM.971.015.001/44:26-04>05 M-TBR M-KATH GOS N 1 +BM.971.015.001/44:26-06 VC-CHANTE SOLO H N N 1 +BM.971.015.001/44:26-06 VC-CHANTE CHR H & CHR F ALTERNE N N N 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CC-MARUVANI 1 +BM.1971.025.001/29:03-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:03-19 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:04-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:04-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:04-01 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:04-02 M2-TBR 2MEMB M2Z-LANGURUJ 2 +BM.1971.025.001/29:04-02 AF-FLUTE AF-SUDI 1 +BM.1971.025.001/29:04-03 M2-TBR 2MEMB M2Z-LANGURUJ 2 +BM.1971.025.001/29:04-03 AF-FLUTE AF-SUDI 1 +BM.1971.025.001/29:04-04 M2-TBR 2MEMB M2Z-LANGURUJ 2 +BM.1971.025.001/29:04-04 AF-FLUTE AF-SUDI 1 +BM.1971.025.001/29:04-05 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:04-06 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:04-06 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:04-07 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:04-08 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:04-09 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:04-10 VC-CHANTE DUO H & F VC-N +BM.1971.025.001/29:04-11 VC-CHANTE DUO H & F VC-N +BM.1971.025.001/29:04-12 VC-CHANTE DUO H & F VC-N +BM.1971.025.001/29:04-13 VC-CHANTE DUO H & F VC-N +BM.1971.025.001/29:04-14 VC-CHANTE H VC-N 1 +BM.1971.025.001/29:04-15 VC-CHANTE SOLO F VC-N 1 +BM.1971.025.001/29:04-16 VC-CHANTE DUO ALTERNE H & F VC-N +BM.1971.025.001/29:04-17 VC-CHANTE SOLO F VC-N 1 +BM.1971.025.001/29:04-17 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:04-18 VP-PARLE SOLO F VP-N +BM.1971.025.001/29:04-19 VC-CHANTE SOLO H VC-MANADALA +BM.1971.025.001/29:04-20 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:04-21 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:04-22 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:04-23 VP-PARLE SOLO H VP-N 1 +BM.1971.025.001/29:04-24 VP-PARLE SOLO H VP-N 1 +BM.1971.025.001/29:04-25 VC-CHANTE SOLO F VC-N 1 +BM.1971.025.001/29:05-01 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-02 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-02 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-02 V-VOIX V-N +BM.1971.025.001/29:05-03 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-03 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-04 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-04 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-05 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:05-06 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-06 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-07 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-07 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-08 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-08 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-08 VC-CHANTE H VC-N +BM.1971.025.001/29:05-09 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-09 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-09 VC-CHANTE F VC-N +BM.1971.025.001/29:05-10 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:05-11 VC-CHANTE DUO JH VC-N +BM.1971.025.001/29:05-12 VC-CHANTE DUO JH VC-N +BM.1971.025.001/29:05-13 VC-CHANTE DUO JH VC-N +BM.1971.025.001/29:05-14 VC-CHANTE DUO JH VC-N +BM.1971.025.001/29:05-15 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-15 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-15 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:05-15 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-16 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-16 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-16 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:05-16 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-16 VC-CHANTE H VC-N +BM.1971.025.001/29:05-17 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-17 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-17 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:05-17 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-17 VC-CHANTE H VC-N +BM.1971.025.001/29:05-17 SD-AMBIANCES DIVERSES SD-N +BM.1971.025.001/29:05-18 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:05-18 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-18 VC-CHANTE H VC-N +BM.1971.025.001/29:05-19 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-19 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-19 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-19 V-VOIX H V-N +BM.1971.025.001/29:05-20 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-20 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-20 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-20 V-VOIX H V-N +BM.1971.025.001/29:05-21 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-21 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-21 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-21 V-VOIX H V-N +BM.1971.025.001/29:05-22 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-22 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-22 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-22 V-VOIX H V-N +BM.1971.025.001/29:05-23 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-23 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-23 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-23 V-VOIX H V-N +BM.1971.025.001/29:05-24 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-24 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-24 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-24 V-VOIX H V-N +BM.1971.025.001/29:05-25 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:05-25 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:05-25 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:05-25 V-VOIX H V-N +BM.1971.025.001/29:06-01 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:06-01 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-01 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:06-01 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:06-02 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:06-02 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-02 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:06-02 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:06-03 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:06-03 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-03 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:06-03 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:06-04 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:06-04 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-04 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:06-04 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:06-04 VC-CHANTE H VC-N +BM.1971.025.001/29:06-05 M-TBR M-LANGURUJ 1 +BM.1971.025.001/29:06-05 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-05 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:06-05 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:06-05 VC-CHANTE H VC-N +BM.1971.025.001/29:06-06 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:06-06 M-TBR M-N +BM.1971.025.001/29:06-07 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:06-07 M-TBR M-N +BM.1971.025.001/29:06-08 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:06-08 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-08 VC-CHANTE SOLO H VC-N +BM.1971.025.001/29:06-09 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:06-09 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-09 VC-CHANTE SOLO H VC-N +BM.1971.025.001/29:06-10 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:06-10 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-10 VC-CHANTE SOLO E VC-N +BM.1971.025.001/29:06-11 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:06-11 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:06-11 VC-CHANTE SOLO F VC-N 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+BM.1971.025.001/29:07-01 VP-PARLE VP-N +BM.1971.025.001/29:07-01 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:07-02 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:07-03 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:07-04 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:07-05 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:07-06 VP-PARLE H VP-N +BM.1971.025.001/29:07-07 VP-PARLE H VP-N +BM.1971.025.001/29:07-08 VP-PARLE H VP-N +BM.1971.025.001/29:07-09 VP-PARLE H VP-N +BM.1971.025.001/29:07-10 VP-PARLE H VP-N +BM.1971.025.001/29:07-11 VP-PARLE H VP-N +BM.1971.025.001/29:07-12 VP-PARLE H VP-N +BM.1971.025.001/29:07-13 VP-PARLE F VP-N +BM.1971.025.001/29:07-14 VP-PARLE F VP-N +BM.1971.025.001/29:07-15 VP-PARLE F VP-N +BM.1971.025.001/29:07-16 VP-PARLE F VP-N +BM.1971.025.001/29:07-17 VP-PARLE F VP-N +BM.1971.025.001/29:07-18 VP-PARLE H VP-N +BM.1971.025.001/29:07-19 CC-CITHARE CC-N +BM.1971.025.001/29:07-19 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:07-20 CC-CITHARE CC-N +BM.1971.025.001/29:07-20 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:07-21 CC-CITHARE CC-N +BM.1971.025.001/29:07-21 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:07-21 V-VOIX V-N +BM.1971.025.001/29:07-22 CC-CITHARE CC-N +BM.1971.025.001/29:07-22 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:07-23 CC-CITHARE CC-N +BM.1971.025.001/29:07-23 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:07-23 V-VOIX V-N +BM.1971.025.001/29:08-01 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-02 VP-PARLE H VP-N +BM.1971.025.001/29:08-03 VP-PARLE H VP-N +BM.1971.025.001/29:08-04 VP-PARLE H VP-N +BM.1971.025.001/29:08-05 VP-PARLE H VP-N +BM.1971.025.001/29:08-06 VP-PARLE H VP-N +BM.1971.025.001/29:08-07 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:08-07 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:08-08 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:08-08 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:08-09 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:08-09 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:08-10 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:08-10 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:08-11 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:08-12 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:08-12 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:08-13 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:08-14 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:08-14 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-15 VP-PARLE H VP-N +BM.1971.025.001/29:08-16 VC-CHANTE SOLO H VC-N +BM.1971.025.001/29:08-17 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-17 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-18 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-18 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-19 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-19 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-20 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-20 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-21 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:08-21 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:08-22 VP-PARLE H VP-N +BM.1971.025.001/29:08-23 VP-PARLE H VP-N +BM.1971.025.001/29:08-24 VP-PARLE H VP-N +BM.1971.025.001/29:08-25 VC-CHANTE F VC-N +BM.1971.025.001/29:08-26 VP-PARLE F VP-N +BM.1971.025.001/29:08-27 VP-PARLE H VP-N +BM.1971.025.001/29:09-01 VP-PARLE H VP-N +BM.1971.025.001/29:09-02 VP-PARLE F VP-N +BM.1971.025.001/29:09-03 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:09-03 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:09-04 VP-PARLE H VP-N +BM.1971.025.001/29:09-05 VP-PARLE H VP-N +BM.1971.025.001/29:09-06 VP-PARLE H VP-N +BM.1971.025.001/29:09-07 VP-PARLE H VP-N +BM.1971.025.001/29:09-08 VP-PARLE H VP-N +BM.1971.025.001/29:09-09 VP-PARLE H VP-N +BM.1971.025.001/29:09-10 VP-PARLE H VP-N +BM.1971.025.001/29:09-11 AAL-ANCHE LIBRE AAL-N +BM.1971.025.001/29:09-12 AAL-ANCHE LIBRE AAL-N +BM.1971.025.001/29:09-13 AAL-ANCHE LIBRE AAL-N +BM.1971.025.001/29:09-14 VP-PARLE H VP-N +BM.1971.025.001/29:09-15 VP-PARLE H VP-N +BM.1971.025.001/29:09-16 AAL-ANCHE LIBRE AAL-N +BM.1971.025.001/29:09-17 VP-PARLE H VP-N +BM.1971.025.001/29:09-18 VP-PARLE H VP-N +BM.1971.025.001/29:10-01 VC-CHANTE H VC-N +BM.1971.025.001/29:10-02 VC-CHANTE H VC-N +BM.1971.025.001/29:10-03 VX-COMPOSITE SOLO H VX-N +BM.1971.025.001/29:10-04 VX-COMPOSITE SOLO H VX-N +BM.1971.025.001/29:10-05 VC-CHANTE SOLO H VC-N +BM.1971.025.001/29:10-06 VP-PARLE H VP-N +BM.1971.025.001/29:10-07 VP-PARLE H VP-N +BM.1971.025.001/29:10-08 VP-PARLE H VP-N +BM.1971.025.001/29:10-09 VP-PARLE H VP-N +BM.1971.025.001/29:10-10 VP-PARLE H VP-N +BM.1971.025.001/29:10-11 VP-PARLE H VP-N +BM.1971.025.001/29:10-13 VP-PARLE H VP-N +BM.1971.025.001/29:10-14 VP-PARLE H VP-N +BM.1971.025.001/29:11-01 VP-PARLE H VP-N +BM.1971.025.001/29:11-02 VP-PARLE H VP-N +BM.1971.025.001/29:11-03 VP-PARLE H VP-N +BM.1971.025.001/29:11-04 VP-PARLE H VP-N +BM.1971.025.001/29:11-05 VP-PARLE H VP-N +BM.1971.025.001/29:11-06 VP-PARLE H VP-N +BM.1971.025.001/29:11-07 VP-PARLE H VP-N +BM.1971.025.001/29:11-08 M-TBR M-LANGURUJ +BM.1971.025.001/29:11-08 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:11-09 M-TBR M-LANGURUJ +BM.1971.025.001/29:11-09 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:11-10 M-TBR M-LANGURUJ +BM.1971.025.001/29:11-10 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:11-11 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-12 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-13 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-14 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-15 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-16 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-17 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-18 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-19 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-20 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-21 VP-PARLE SOLO H VP-N +BM.1971.025.001/29:11-22 VC-CHANTE H & F VC-N +BM.1971.025.001/29:11-22 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:11-23 VC-CHANTE H & F VC-N +BM.1971.025.001/29:11-23 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:11-24 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:11-25 VC-CHANTE F VC-N 4 +BM.1971.025.001/29:11-25 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:11-26 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:11-26 IS-HOCHET IS-KARATSAKE +BM.1971.025.001/29:11-26 V-VOIX H V-N +BM.1971.025.001/29:11-27 VP-PARLE H VP-N +BM.1971.025.001/29:11-28 VP-PARLE H VP-N +BM.1971.025.001/29:11-29 VP-PARLE H VP-N +BM.1971.025.001/29:11-30 VP-PARLE H VP-N +BM.1971.025.001/29:11-31 VP-PARLE H VP-N +BM.1971.025.001/29:12-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-03 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-03 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-04 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-04 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-05 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-05 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-06 VP-PARLE H VP-N +BM.1971.025.001/29:12-07 VP-PARLE H VP-N +BM.1971.025.001/29:12-08 VP-PARLE H VP-N +BM.1971.025.001/29:12-09 VP-PARLE H VP-N +BM.1971.025.001/29:12-10 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-10 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-11 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-11 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-12 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-12 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-13 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-13 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-14 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-14 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-15 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-15 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-16 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-16 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-17 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-17 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-18 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-19 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-19 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-20 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-20 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-21 IFP-XYLOPHONE IFP-N +BM.1971.025.001/29:12-22 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-22 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-23 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-23 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-24 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-24 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-25 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-25 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:12-26 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:12-26 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:13-01 VP-PARLE H VP-N +BM.1971.025.001/29:13-02 VP-PARLE H VP-N +BM.1971.025.001/29:13-03 VP-PARLE H VP-N +BM.1971.025.001/29:13-04 VP-PARLE H VP-N +BM.1971.025.001/29:13-05 VP-PARLE H VP-N +BM.1971.025.001/29:13-06 VP-PARLE H VP-N +BM.1971.025.001/29:13-07 VP-PARLE H VP-N +BM.1971.025.001/29:13-08 VP-PARLE H VP-N +BM.1971.025.001/29:13-09 VP-PARLE H VP-N +BM.1971.025.001/29:13-10 VP-PARLE H VP-N +BM.1971.025.001/29:13-11 VP-PARLE H VP-N +BM.1971.025.001/29:13-12 VP-PARLE H VP-N +BM.1971.025.001/29:13-13 VP-PARLE H VP-N +BM.1971.025.001/29:13-14 VP-PARLE H VP-N +BM.1971.025.001/29:13-15 VP-PARLE H VP-N +BM.1971.025.001/29:13-16 VP-PARLE H VP-N +BM.1971.025.001/29:13-17 VP-PARLE H VP-N +BM.1971.025.001/29:13-18 VP-PARLE H VP-N +BM.1971.025.001/29:13-19 VP-PARLE H VP-N +BM.1971.025.001/29:13-20 VP-PARLE H VP-N +BM.1971.025.001/29:13-21 VP-PARLE H VP-N +BM.1971.025.001/29:13-22 VP-PARLE H VP-N +BM.1971.025.001/29:13-23 VP-PARLE H VP-N +BM.1971.025.001/29:13-24 VP-PARLE H VP-N +BM.1971.025.001/29:13-25 VP-PARLE H VP-N +BM.1971.025.001/29:13-26 VP-PARLE H VP-N +BM.1971.025.001/29:13-27 VC-CHANTE SOLO H VC-N +BM.1971.025.001/29:13-28 VP-PARLE H VP-N +BM.1971.025.001/29:13-29 VP-PARLE H VP-N +BM.1971.025.001/29:13-30 VP-PARLE H VP-N +BM.1971.025.001/29:13-31 VP-PARLE H VP-N +BM.1971.025.001/29:13-32 VP-PARLE H VP-N +BM.1971.025.001/29:13-33 VP-PARLE H VP-N +BM.1971.025.001/29:13-34 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:13-34 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:13-35 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:13-35 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:13-36 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:13-36 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:13-37 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:13-37 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-03 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-03 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-04 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-04 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-05 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-05 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-06 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-06 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-07 VP-PARLE H VP-N +BM.1971.025.001/29:14-08 VP-PARLE H VP-N +BM.1971.025.001/29:14-09 VP-PARLE H VP-N +BM.1971.025.001/29:14-10 VP-PARLE H VP-N +BM.1971.025.001/29:14-11 VP-PARLE H VP-N +BM.1971.025.001/29:14-12 VP-PARLE H VP-N +BM.1971.025.001/29:14-13 VP-PARLE H VP-N +BM.1971.025.001/29:14-14 VP-PARLE H VP-N +BM.1971.025.001/29:14-15 CC-CITHARE CC-MARUVANI +BM.1971.025.001/29:14-16 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-16 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-17 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-17 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-18 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-19 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-19 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-20 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-20 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-21 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-21 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-22 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-23 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-23 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-24 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-24 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-25 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-25 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-26 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-26 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-27 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-27 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-28 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-28 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-29 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-29 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-30 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-30 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:14-31 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:14-31 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:15-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:15-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:15-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:15-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:15-03 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:15-03 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:15-04 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:15-04 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:15-05 VP-PARLE H VP-N 1 +BM.1971.025.001/29:15-06 VP-PARLE H VP-N 1 +BM.1971.025.001/29:15-07 VP-PARLE H VP-N 1 +BM.1971.025.001/29:15-08 VP-PARLE H VP-N 1 +BM.1971.025.001/29:15-09 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:15-10 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:15-11 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:15-12 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:16-01 VC-CHANTE F VC-N 2 +BM.1971.025.001/29:16-02 VC-CHANTE F VC-N 2 +BM.1971.025.001/29:16-03 VC-CHANTE DUO H VC-N 2 +BM.1971.025.001/29:16-04 VC-CHANTE DUO H VC-N 2 +BM.1971.025.001/29:16-05 VC-CHANTE DUO H VC-N 2 +BM.1971.025.001/29:16-05 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:16-06 VP-PARLE H VP-N 1 +BM.1971.025.001/29:16-07 VP-PARLE H VP-N 1 +BM.1971.025.001/29:16-08 VP-PARLE H VP-N 1 +BM.1971.025.001/29:16-09 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:16-09 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1971.025.001/29:16-10 VP-PARLE F VP-N 1 +BM.1971.025.001/29:16-11 VC-CHANTE H VC-N 1 +BM.1971.025.001/29:16-15 VP-PARLE H VP-N +BM.1971.025.001/29:16-16 VP-PARLE H VP-N +BM.1971.025.001/29:17-01 VP-PARLE H VP-N +BM.1971.025.001/29:17-02 VP-PARLE H VP-N +BM.1971.025.001/29:17-03 VP-PARLE H VP-N +BM.1971.025.001/29:17-04 VP-PARLE H VP-N +BM.1971.025.001/29:17-05 VP-PARLE H VP-N +BM.1971.025.001/29:17-06 VP-PARLE H VP-N +BM.1971.025.001/29:17-07 VP-PARLE H VP-N +BM.1971.025.001/29:17-08 VP-PARLE H VP-N +BM.1971.025.001/29:17-11 VP-PARLE H VP-N +BM.1971.025.001/29:17-12 VP-PARLE H VP-N +BM.1971.025.001/29:17-13 VP-PARLE H VP-N +BM.1971.025.001/29:17-14 VP-PARLE H VP-N +BM.1971.025.001/29:18-01 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:18-01 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:18-01 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:18-02 VP-PARLE H VP-N +BM.1971.025.001/29:18-03 VP-PARLE H VP-N +BM.1971.025.001/29:18-04 VP-PARLE H VP-N +BM.1971.025.001/29:18-05 VP-PARLE G VP-N +BM.1971.025.001/29:18-06 VP-PARLE G VP-N +BM.1971.025.001/29:18-07 VP-PARLE H VP-N +BM.1971.025.001/29:18-08 VP-PARLE H VP-N +BM.1971.025.001/29:18-09 VP-PARLE H VP-N +BM.1971.025.001/29:18-10 VP-PARLE H VP-N +BM.1971.025.001/29:18-11 VP-PARLE H VP-N +BM.1971.025.001/29:18-12 VP-PARLE H VP-N +BM.1971.025.001/29:18-13 VP-PARLE H VP-N +BM.1971.025.001/29:18-14 VP-PARLE H VP-N +BM.1971.025.001/29:18-15 VP-PARLE H VP-N +BM.1971.025.001/29:18-16 VP-PARLE H VP-N +BM.1971.025.001/29:18-17 VP-PARLE H VP-N +BM.1971.025.001/29:18-18 VP-PARLE H VP-N +BM.1971.025.001/29:18-19 VP-PARLE H VP-N +BM.1971.025.001/29:18-20 VP-PARLE H VP-N +BM.1971.025.001/29:18-21 VP-PARLE H VP-N +BM.1971.025.001/29:18-22 VP-PARLE H VP-N +BM.1971.025.001/29:18-23 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:18-24 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:19-01 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:19-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:19-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:19-03 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-04 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-05 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-06 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-07 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-08 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-09 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-10 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-11 VP-PARLE H VP-N 1 +BM.1971.025.001/29:19-12 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-12 V-VOIX V-N +BM.1971.025.001/29:19-12 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-12 SD-AMBIANCES DIVERSES SD-N +BM.1971.025.001/29:19-13 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-13 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-13 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-14 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-15 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-15 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-16 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:19-17 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:19-18 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-18 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-18 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-18 V-VOIX V-N +BM.1971.025.001/29:19-19 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-19 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-19 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-19 V-VOIX V-N +BM.1971.025.001/29:19-20 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-20 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-20 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-20 V-VOIX V-N +BM.1971.025.001/29:19-21 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-21 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-21 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-21 V-VOIX V-N +BM.1971.025.001/29:19-22 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-22 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-22 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-22 V-VOIX V-N +BM.1971.025.001/29:19-23 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-23 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-23 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-23 V-VOIX V-N +BM.1971.025.001/29:19-24 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-24 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-24 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-24 V-VOIX V-N +BM.1971.025.001/29:19-25 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-25 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-25 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-25 V-VOIX V-N +BM.1971.025.001/29:19-26 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-26 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-26 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-26 V-VOIX V-N +BM.1971.025.001/29:19-27 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:19-27 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:19-27 VC-CHANTE CHR F & H VC-N +BM.1971.025.001/29:19-27 V-VOIX V-N +BM.1971.025.001/29:20-01 VP-PARLE H VP-N 1 +BM.1971.025.001/29:20-02 CC-CITHARE CC-N 1 +BM.1971.025.001/29:20-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:20-02 V-VOIX H V-N +BM.1971.025.001/29:20-03 CC-CITHARE CC-N 1 +BM.1971.025.001/29:20-03 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:20-03 V-VOIX H V-N +BM.1971.025.001/29:20-04 CC-CITHARE CC-N 1 +BM.1971.025.001/29:20-04 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:20-04 V-VOIX H V-N +BM.1971.025.001/29:20-05 CC-CITHARE CC-N 1 +BM.1971.025.001/29:20-05 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:20-05 V-VOIX H V-N +BM.1971.025.001/29:20-06 CC-CITHARE CC-N 1 +BM.1971.025.001/29:20-06 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:20-06 V-VOIX H V-N +BM.1971.025.001/29:20-07 VP-PARLE J.F VP-N +BM.1971.025.001/29:20-08 VP-PARLE F VP-N +BM.1971.025.001/29:20-09 VP-PARLE F VP-N +BM.1971.025.001/29:20-10 VP-PARLE F VP-N +BM.1971.025.001/29:20-11 VP-PARLE F VP-N +BM.1971.025.001/29:20-12 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:20-12 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-12 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:20-13 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:20-13 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-13 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:20-14 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:20-14 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-14 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:20-15 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:20-15 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-15 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:20-17 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:20-17 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-17 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:20-18 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-18 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-19 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-19 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-20 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-20 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-21 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-21 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-22 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-22 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-23 VC-CHANTE F VC-N 1 +BM.1971.025.001/29:20-23 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-24 VC-CHANTE CHR F VC-N 1 +BM.1971.025.001/29:20-24 M2-TBR 2MEMB M2-LANGURUJ +BM.1971.025.001/29:20-25 VC-CHANTE CHR F VC-N 1 +BM.1971.025.001/29:20-25 M2-TBR 2MEMB M2-LANGURUJ +BM.1971.025.001/29:20-26 M2-TBR 2MEMB M2-LANGURUJ +BM.1971.025.001/29:20-26 AAL-ANCHE LIBRE/PLAQUE AAL-N +BM.1971.025.001/29:20-26 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-27 M2-TBR 2MEMB M2-LANGURUJ +BM.1971.025.001/29:20-27 AAL-ANCHE LIBRE/PLAQUE AAL-N +BM.1971.025.001/29:20-27 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:20-28 M2-TBR 2MEMB M2-LANGURUJ +BM.1971.025.001/29:20-28 AAL-ANCHE LIBRE/PLAQUE AAL-N +BM.1971.025.001/29:20-28 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-01 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-01 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-01 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-02 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-02 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-02 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-03 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-03 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-03 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-04 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-04 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-04 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-05 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-05 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-05 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-06 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-06 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-06 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-07 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-07 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-07 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-08 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-08 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-08 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-09 M2-TBR 2MEMB M2-LANGURUJ 2 +BM.1971.025.001/29:21-09 VC-CHANTE CHR MIXTE & E VC-N +BM.1971.025.001/29:21-09 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-10 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-10 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-11 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-11 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-11 M2-TBR 2MEMB M2- N +BM.1971.025.001/29:21-12 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-12 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-13 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-13 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-14 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-14 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-15 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-15 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-16 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-17 VC-CHANTE SOLO VC-N +BM.1971.025.001/29:21-18 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:21-19 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:21-19 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:21-19 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:22-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-03 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-03 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-04 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-04 V-VOIX H V-N 1 +BM.1971.025.001/29:22-05 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-05 V-VOIX H V-N 1 +BM.1971.025.001/29:22-06 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-06 V-VOIX H V-N 1 +BM.1971.025.001/29:22-06 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-07 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-07 V-VOIX H V-N 1 +BM.1971.025.001/29:22-07 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-08 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-08 V-VOIX H V-N 1 +BM.1971.025.001/29:22-08 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-09 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-09 V-VOIX H V-N 1 +BM.1971.025.001/29:22-09 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-10 VP-PARLE H VP-N 1 +BM.1971.025.001/29:22-11 VP-PARLE H VP-N 1 +BM.1971.025.001/29:22-12 VP-PARLE H VP-N 1 +BM.1971.025.001/29:22-22 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-22 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-22 V-VOIX V-N +BM.1971.025.001/29:22-23 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-23 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-23 V-VOIX V-N +BM.1971.025.001/29:22-24 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-24 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-24 V-VOIX V-N +BM.1971.025.001/29:22-25 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:22-25 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:22-25 V-VOIX V-N +BM.1971.025.001/29:23-02 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-02 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-02 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-03 VC-CHANTE CHR F VC-N 1 +BM.1971.025.001/29:23-03 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-03 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-04 VP-PARLE H VP-N 1 +BM.1971.025.001/29:23-05 VP-PARLE H VP-N 1 +BM.1971.025.001/29:23-06 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-06 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-06 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-07 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-07 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-07 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-07 VC-CHANTE F VC-N +BM.1971.025.001/29:23-08 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-08 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-08 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-08 VC-CHANTE F VC-N +BM.1971.025.001/29:23-09 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-09 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-09 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-09 VC-CHANTE F VC-N +BM.1971.025.001/29:23-10 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-10 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-10 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-10 VC-CHANTE F VC-N +BM.1971.025.001/29:23-11 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-11 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-11 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-11 VC-CHANTE F VC-N +BM.1971.025.001/29:23-12 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-12 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-12 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-12 VC-CHANTE F VC-N +BM.1971.025.001/29:23-13 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-13 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-13 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-13 VC-CHANTE F VC-N +BM.1971.025.001/29:23-14 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-14 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-14 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-14 VC-CHANTE F VC-N +BM.1971.025.001/29:23-15 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-15 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-15 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-15 VC-CHANTE F VC-N +BM.1971.025.001/29:23-17 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-17 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-17 V-VOIX V-N +BM.1971.025.001/29:23-18 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-18 V-VOIX V-N +BM.1971.025.001/29:23-19 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-19 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-19 V-VOIX V-N +BM.1971.025.001/29:23-20 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-20 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-20 V-VOIX V-N +BM.1971.025.001/29:23-21 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-21 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-21 V-VOIX V-N +BM.1971.025.001/29:23-25 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-25 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-25 V-VOIX V-N +BM.1971.025.001/29:23-26 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-26 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-26 V-VOIX V-N +BM.1971.025.001/29:23-27 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:23-27 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:23-27 V-VOIX V-N +BM.1971.025.001/29:23-28 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-28 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-28 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-29 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-29 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-29 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-30 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-30 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-30 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-31 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-31 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-31 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-32 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-32 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-32 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-33 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-33 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-33 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-34 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-34 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-34 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-35 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-35 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-35 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-36 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-36 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-36 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-37 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-37 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-37 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-38 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-38 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-38 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-39 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:23-39 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:23-39 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:23-41 VP-PARLE H VP-N +BM.1971.025.001/29:23-42 VP-PARLE H VP-N +BM.1971.025.001/29:23-43 VP-PARLE H VP-N +BM.1971.025.001/29:23-44 VP-PARLE H VP-N +BM.1971.025.001/29:23-45 VP-PARLE H VP-N +BM.1971.025.001/29:23-46 VP-PARLE H VP-N +BM.1971.025.001/29:23-47 VP-PARLE H VP-N +BM.1971.025.001/29:23-48 VP-PARLE H VP-N +BM.1971.025.001/29:23-49 VP-PARLE H VP-N +BM.1971.025.001/29:23-50 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:23-51 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:23-52 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:23-53 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:23-54 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:23-55 VC-CHANTE SOLO F VC-N +BM.1971.025.001/29:24-01 VP-PARLE H VP-N +BM.1971.025.001/29:24-02 VP-PARLE H VP-N +BM.1971.025.001/29:24-03 VP-PARLE H, F VP-N +BM.1971.025.001/29:24-04 VP-PARLE H, F VP-N +BM.1971.025.001/29:24-05 VC-CHANTE DUO F VC-N +BM.1971.025.001/29:24-06 VC-CHANTE DUO F VC-N +BM.1971.025.001/29:24-07 VC-CHANTE DUO F VC-N +BM.1971.025.001/29:24-08 VC-CHANTE CHR H VC-N +BM.1971.025.001/29:24-09 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-09 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-10 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-10 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-11 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-11 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-12 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-12 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-13 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-13 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-14 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-14 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-15 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-15 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-16 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-16 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-17 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-17 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:24-18 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:24-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:25-01 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-02 VP-PARLE H,F VP-N 1 +BM.1971.025.001/29:25-03 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-04 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-05 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-06 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-07 VP-PARLE F VP-N 1 +BM.1971.025.001/29:25-08 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-09 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-10 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-11 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-12 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-13 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-14 VP-PARLE H VP-N 1 +BM.1971.025.001/29:25-15 VP-PARLE H VP-N 1 +BM.1971.025.001/29:26-01 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-02 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-03 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-04 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-05 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-06 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-07 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-08 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-09 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-10 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-11 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-12 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-13 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-14 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-15 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-16 IFP-XYLOPHONE IFP-KILANGAJ 2 +BM.1971.025.001/29:26-17 CH-HARPE CH-DZEDZU 1 +BM.1971.025.001/29:26-17 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-17 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:26-18 CH-HARPE CH-DZEDZU 1 +BM.1971.025.001/29:26-18 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-18 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:26-19 CH-HARPE CH-DZEDZU 1 +BM.1971.025.001/29:26-19 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-19 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:26-20 CH-HARPE CH-DZEDZU 1 +BM.1971.025.001/29:26-20 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-20 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:26-21 CH-HARPE CH-DZEDZU 1 +BM.1971.025.001/29:26-21 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-21 VC-CHANTE H VC-N 2 +BM.1971.025.001/29:26-22 VP-PARLE H VP-N 1 +BM.1971.025.001/29:26-23 VP-PARLE H VP-N 1 +BM.1971.025.001/29:26-24 VP-PARLE H VP-N 1 +BM.1971.025.001/29:26-25 VP-PARLE H VP-N 1 +BM.1971.025.001/29:26-26 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-26 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-27 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-27 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-28 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-28 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-29 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-29 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-30 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-30 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-31 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-31 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-31 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-32 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-32 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-32 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-33 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-33 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-33 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-34 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-34 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-34 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:26-35 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:26-35 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:26-35 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:27-01 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:27-01 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:27-01 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:27-02 VC-CHANTE SOLO H VC-N 1 +BM.1971.025.001/29:27-02 CC-CITHARE CC-MARUVANI 1 +BM.1971.025.001/29:27-02 IS-HOCHET IS-KARATSAKE 1 +BM.1971.025.001/29:27-03 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-03 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-03 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-04 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-04 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-04 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-05 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-05 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-05 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-06 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-06 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-06 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-07 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-07 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-07 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-08 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-08 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-08 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-09 VC-CHANTE CHR F VC-N +BM.1971.025.001/29:27-09 M2-TBR 2MEMB M2-LANGURUJ 1 +BM.1971.025.001/29:27-09 BC-BATTEMENTS DE MAINS BC-N +BM.1971.025.001/29:27-11 VP-PARLE H VP-N +BM.1971.025.001/29:27-12 VP-PARLE H VP-N +BM.1971.025.001/29:27-13 VP-PARLE H VP-N +BM.1971.025.001/29:27-14 VP-PARLE H VP-N +BM.1971.025.001/29:28-01 VP-PARLE H VP-N +BM.1971.025.001/29:28-02 VP-PARLE H VP-N +BM.1971.025.001/29:28-03 VP-PARLE F VP-N +BM.1971.025.001/29:28-04 VP-PARLE F VP-N +BM.1971.025.001/29:29-01 VP-PARLE H & F VP-N +BM.1971.025.001/29:29-02 M-TBR M-N +BM.1971.025.001/29:29-03 VP-PARLE H VP-N +BM.1971.025.001/29:29-04 M-TBR M-N +BM.1971.025.001/29:29-05 VP-PARLE H VP-N +BM.1971.025.001/29:29-06 VP-PARLE F VP-N +BM.1971.025.001/29:29-07 VP-PARLE H VP-N +BM.1971.025.001/29:29-08 VP-PARLE H VP-N +BM.1971.025.001/29:29-09 VP-PARLE H VP-N +BM.1971.025.001/29:29-10 VP-PARLE H VP-N +BM.1971.026.001/14:01-01 VC-CHANTE CHR H +BM.1971.026.001/14:01-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:01-01 M2-TBR 2MEMB M2-BENGRI 1 +BM.1971.026.001/14:01-02 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:01-02 M2-TBR 2MEMB M2-BENGRI 1 +BM.1971.026.001/14:02-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:02-01 VC-CHR ALTERNES H +BM.1971.026.001/14:02-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 6 +BM.1971.026.001/14:02-01 M2-TBR 2MEMB M2-BENGRI 1 +BM.1971.026.001/14:03-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:03-01 VA-CRIE +BM.1971.026.001/14:03-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 6 +BM.1971.026.001/14:03-02 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:03-02 VC-CHR H +BM.1971.026.001/14:03-02 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 6 +BM.1971.026.001/14:04-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:04-01 VC-CHR H +BM.1971.026.001/14:04-01 VC-2CHR ALTERNES H F +BM.1971.026.001/14:04-01 BC-BATTEMENTS DE MAINS +BM.1971.026.001/14:04-01 VA-YOUYOU +BM.1971.026.001/14:04-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 20 environ +BM.1971.026.001/14:04-01 M2-TBR 2MEMB M2-BNGRI 1 +BM.1971.026.001/14:05-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:05-01 VC-CHR H +BM.1971.026.001/14:05-01 VC-2CHR ALTERNES H F +BM.1971.026.001/14:05-01 BC-BATTEMENTS DE MAINS +BM.1971.026.001/14:05-01 VA-YOUYOU +BM.1971.026.001/14:05-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 20 environ +BM.1971.026.001/14:05-01 M2-TBR 2MEMB M2-BNGRI 1 +BM.1971.026.001/14:06-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:06-01 VC-2CHR ALTERNES H F +BM.1971.026.001/14:06-01 BC-BATTEMENTS DE MAINS +BM.1971.026.001/14:06-01 VA-YOUYOU +BM.1971.026.001/14:06-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 20 environ +BM.1971.026.001/14:06-01 M2-TBR 2MEMB M2-BNGRI 1 +BM.1971.026.001/14:07-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:07-01 VC-2CHR ALTERNES H F +BM.1971.026.001/14:07-01 BC-BATTEMENTS DE MAINS +BM.1971.026.001/14:07-01 VA-YOUYOU +BM.1971.026.001/14:07-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 20 environ +BM.1971.026.001/14:07-01 M2-TBR 2MEMB M2-BNGRI 2 +BM.1971.026.001/14:08-01 VC-CHANTE SOLO H 1 +BM.1971.026.001/14:08-01 VC-2CHR ALTERNES H F +BM.1971.026.001/14:08-01 BC-BATTEMENTS DE MAINS +BM.1971.026.001/14:08-01 VA-YOUYOU +BM.1971.026.001/14:08-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA 20 environ +BM.1971.026.001/14:08-01 M2-TBR 2MEMB M2-BNGRI 2 +BM.1971.026.001/14:09-01 VC-CHANTE H +BM.1971.026.001/14:09-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:09-01 VC-CHANTE 2CHR ALTERNES H/F +BM.1971.026.001/14:10-01 VC-CHANTE SOLO & CHR H +BM.1971.026.001/14:10-01 M-TBR +BM.1971.026.001/14:11-01 VC-CHANTE SOLO H +BM.1971.026.001/14:11-02 VC-CHANTE DUO ALTERNE H & F +BM.1971.026.001/14:12-01 AF-FLUTE +BM.1971.026.001/14:12-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:12-02 AF-FLUTE +BM.1971.026.001/14:12-02 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:12-02 VC-CHANTE CHR H +BM.1971.026.001/14:12-03 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:12-03 VC-CHANTE CHR H +BM.1971.026.001/14:12-03 AF-FLUTE +BM.1971.026.001/14:13-01 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:13-01 AF-FLUTE +BM.1971.026.001/14:13-02 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:13-02 VC-CHR ALTERNES H +BM.1971.026.001/14:13-03 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:13-03 VC-CHR ALTERNES H +BM.1971.026.001/14:13-04 M1D-TBR 1MEMB/CADRE M1D-TAGNZA +BM.1971.026.001/14:13-04 VC-CHR ALTERNES H +BM.1971.026.001/14:14-01 VC-SOLO H ALTERNE CHR H +BM.1971.026.001/14:14-01 AABS-CLARINETTE AABS-AGANIM +BM.1971.026.001/14:14-01 M-TBR +BM.1971.026.001/14:14-02 VC-SOLO H ALTERNE CHR H +BM.1971.026.001/14:14-02 AABS-CLARINETTE AABS-AGANIM +BM.1971.026.001/14:14-02 M-TBR +BM.1971.028.001/32:01-01 VP-PARLE +BM.1971.028.001/32:01-01 VC- CHANTE DUO H +BM.1971.028.001/32:01-02 VP-PARLE +BM.1971.028.001/32:01-03 VC-CHANTE 2CHR ALTERNES H/F +BM.1971.028.001/32:01-04 VC-CHANTE 2CHR ALTERNES H/F +BM.1971.028.001/32:01-05 VP-PARLE +BM.1971.028.001/32:01-05 VC- CHANTE DUO H +BM.1971.028.001/32:01-B01 VP-PARLE +BM.1971.028.001/32:02-A01 VC-CHANTE DUO ALTERNE H & F +BM.1971.028.001/32:02-B01 VC-CHANTE SOLO ALTERNE H & F +BM.1971.028.001/32:02-B01 IFC-SERIE DE GONGS +BM.1971.028.001/32:02-B01 M-TBR +BM.1971.028.001/32:02-B02 IFC-SERIE DE GONGS +BM.1971.028.001/32:02-B02 M-TBR +BM.1971.028.001/32:02-B02 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:02-B03 VP-PARLE SOLO H +BM.1971.028.001/32:02-B03 VC-CHANTE CHR MIXTE 1 +BM.1971.028.001/32:02-B04 IFC-SERIE DE GONGS +BM.1971.028.001/32:02-B04 M-TBR +BM.1971.028.001/32:02-B05 VP-PARLE SOLO H +BM.1971.028.001/32:03-A01 VC-CHANTE DUO H +BM.1971.028.001/32:03-B01 VC-CHANTE DUO ALTERNE H & F +BM.1971.028.001/32:03-B02 VC-CHANTE ALTERNE DUO H +BM.1971.028.001/32:03-B03 VC-CHANTE ALTERNE DUO H +BM.1971.028.001/32:03-B04 VC-CHANTE DUO ALTERNE H & F +BM.1971.028.001/32:04-A01 VP-PARLE SOLO H +BM.1971.028.001/32:04-A02 VC-CHANTE DUO ALTERNE H & F +BM.1971.028.001/32:04-A02 AT-TROMPE CORNE OLEMAKAR 1 +BM.1971.028.001/32:04-B01 VP-PARLE +BM.1971.028.001/32:05-A01 VP-PARLE H & F +BM.1971.028.001/32:05-B01 VP-PARLE H & F +BM.1971.028.001/32:05-B02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:05-B03 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:05-B04 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:05-B05 VP-PARLE SOLO H +BM.1971.028.001/32:06-A01 VC-CHANTE DUO H +BM.1971.028.001/32:06-A02 VP-PARLE SOLO H +BM.1971.028.001/32:06-A03 VC- CHANTE DUO H +BM.1971.028.001/32:06-A04 VP-PARLE SOLO H +BM.1971.028.001/32:06-A05 VC- CHANTE DUO H +BM.1971.028.001/32:06-A06 VP-PARLE SOLO H +BM.1971.028.001/32:06-A07 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:06-B01 VC-CHANTE DUO H +BM.1971.028.001/32:06-B01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:06-B02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:07-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:07-A01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:07-B01 VP-PARLE SOLO F +BM.1971.028.001/32:08-A01 VP-PARLE SOLO F +BM.1971.028.001/32:08-A02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:08-A03 VP-PARLE H N +BM.1971.028.001/32:08-B01 VP-PARLE SOLO F +BM.1971.028.001/32:08-B02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:09-A01 VC-CHANTE DUO H N +BM.1971.028.001/32:09-B01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:09-B01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:10-A01 VP-PARLE SOLO H +BM.1971.028.001/32:10-A02 VC-CHANTE DUO H N +BM.1971.028.001/32:10-B01 VP-PARLE H +BM.1971.028.001/32:10-B01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:10-B02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:10-B03 VP-PARLE SOLO H +BM.1971.028.001/32:10-B04 VC-CHANTE DUO H N +BM.1971.028.001/32:11-A01 VP-PARLE H +BM.1971.028.001/32:11-A01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:11-A02 VC-CHANTE DUO H N +BM.1971.028.001/32:11-A03 VP-PARLE SOLO H +BM.1971.028.001/32:11-B01 VP-PARLE SOLO F +BM.1971.028.001/32:11-B02 VP-PARLE SOLO H +BM.1971.028.001/32:12-A01 VP-PARLE SOLO H +BM.1971.028.001/32:12-A02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:12-A02 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:12-B01 VC-CHANTE SOLO H +BM.1971.028.001/32:12-B02 VC-CHANTE DUO H +BM.1971.028.001/32:13-A01 VC-CHANTE 2CHR ALTERNES H/F +BM.1971.028.001/32:13-A02 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:13-A03 VP-PARLE SOLO H +BM.1971.028.001/32:13-A03 VP-PARLE H +BM.1971.028.001/32:13-B01 VP-PARLE SOLO H +BM.1971.028.001/32:13-B01 VP-PARLE H +BM.1971.028.001/32:13-B02 VP-PARLE SOLO H +BM.1971.028.001/32:13-B02 VP-PARLE H +BM.1971.028.001/32:13-B03 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:13-B03 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:14-A01 VP-PARLE H & F +BM.1971.028.001/32:14-A02 VC- CHANTE DUO H +BM.1971.028.001/32:14-A02 VP-PARLE +BM.1971.028.001/32:14-B01 VP-PARLE H & F +BM.1971.028.001/32:15-A01 VP-PARLE SOLO H +BM.1971.028.001/32:15-A02 VC- CHANTE DUO H +BM.1971.028.001/32:15-B01 VC-CHANTE DUO H & DUO F +BM.1971.028.001/32:16-A01 VP-PARLE SOLO F +BM.1971.028.001/32:16-A02 VP-PARLE H N +BM.1971.028.001/32:16-A03 VC-CHANTE DUO H N +BM.1971.028.001/32:16-B01 VC-CHANTE DUO H N +BM.1971.028.001/32:17-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:17-A01 VP-PARLE +BM.1971.028.001/32:17-B01 VP-PARLE H N +BM.1971.028.001/32:18-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:18-B01 VC-CHANTE SOLO H +BM.1971.028.001/32:19-A01 VP-PARLE H & F N +BM.1971.028.001/32:19-B01 VP-PARLE H & F N +BM.1971.028.001/32:20-A01 VP-PARLE SOLO H N +BM.1971.028.001/32:20-A01 VP-PARLE SOLO F +BM.1971.028.001/32:21-A01 VP-PARLE H N +BM.1971.028.001/32:21-B01 VC- CHANTE DUO H N +BM.1971.028.001/32:22-A01 VC- CHANTE DUO H N +BM.1971.028.001/32:22-B011 VC- CHANTE DUO H N +BM.1971.028.001/32:23-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:23-A01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:23-B01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:23-B01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:24-A01 VC-CHANTE DUO H N +BM.1971.028.001/32:24-A02 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:24-A03 VC-CHANTE DUO H N +BM.1971.028.001/32:24-B01 VC-CHANTE DUO H N +BM.1971.028.001/32:24-B02 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:24-B03 VC-CHANTE DUO H N +BM.1971.028.001/32:25-A01 VC-CHANTE DUO H N +BM.1971.028.001/32:25-A01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:25-B01 VC-CHANTE DUO F N +BM.1971.028.001/32:26-A01 VC-CHANTE DUO H N +BM.1971.028.001/32:26-B01 VC-CHANTE DUO H N +BM.1971.028.001/32:27-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:27-A01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:27-B01 VC-CHANTE DUO F +BM.1971.028.001/32:28-A01 VP-PARLE SOLO F +BM.1971.028.001/32:28-A02 VP-PARLE H N +BM.1971.028.001/32:28-A03 VC- CHANTE DUO H N +BM.1971.028.001/32:28-B01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:29-A01 VC- CHANTE DUO H N +BM.1971.028.001/32:29-B01 VC- CHANTE DUO H N +BM.1971.028.001/32:30-A01 VC- CHANTE DUO H N +BM.1971.028.001/32:30-A01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:30-B01 VC- CHANTE DUO H N +BM.1971.028.001/32:30-B01 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:30-B01 VC-CHANTE CHR H N +BM.1971.028.001/32:31-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:31-B01 VC-CHANTE DUO H N +BM.1971.028.001/32:32-A01 VC-CHANTE DUO H & DUO F ALTERNES +BM.1971.028.001/32:32-A02 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-A03 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-A04 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-A05 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-A06 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-A07 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:32-A07 SD-AMBIANCES DIVERSES +BM.1971.028.001/32:32-A08 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:32-A08 VC-CHANTE DUO F N +BM.1971.028.001/32:32-B01 AT-TROMPE CORNE OLEMAKAR +BM.1971.028.001/32:32-B01 VC-CHANTE DUO F N +BM.1971.028.001/32:32-B01 VC- CHANTE DUO H N +BM.1971.028.001/32:32-B02 VC-CHANTE SOLO H N +BM.1971.028.001/32:32-B03 VC-CHANTE DUO F N +BM.1971.028.001/32:32-B03 VC- CHANTE DUO H N +BM.1971.029.001/02:01-01 V-VOIX H V-N +BM.1971.029.001/02:01-02 VC- CHANTE DUO H V-N +BM.1971.029.001/02:02-01 VC-CHANTE SOLO H V-N +BM.1971.029.001/02:02-02 VC-CHANTE SOLO H V-N +BM.1971.029.001/02:02-03 VC-CHANTE SOLO F V-N +BM.1971.029.001/02:02-04 VC-CHANTE SOLO F V-N +BM.1971.029.001/02:02-05 VP-PARLE DUO H VP-N +BM.1971.029.001/02:02-06 VP-PARLE DUO H VP-N +BM.1971.029.001/02:02-07 VP-PARLE SOLO H VP-N +BM.1971.034.001/03:01-01 M2C-TBR 2MEMB/CAISSE M2C-GENRANG 1 +BM.1971.034.001/03:01-01 AFTC-FLUTE TERM CONDUIT AFTC-SULING 3 +BM.1971.034.001/03:01-01 CL-LUTH CL-KETJAPI 1 +BM.1972.008.001/06:01-01 IP-GUIMBARDE IP-N 1 +BM.1972.008.001/06:01-02 IP-GUIMBARDE IP-N 1 +BM.1972.008.001/06:01-03 IP-GUIMBARDE IP-N 1 +BM.1972.008.001/06:01-04 VC-CHANTE SOLO & CHR H VC-N +BM.1972.008.001/06:01-05 VC-CHANTE SOLO & CHR H VC-N +BM.1972.008.001/06:01-05 SD-AMBIANCES DIVERSES SD-N +BM.1972.008.001/06:01-06 IP-GUIMBARDE IP-BEBENGO 1 +BM.1972.008.001/06:01-07 VA-SIFFLE VA-PEPERO 5 +BM.1972.008.001/06:01-08 VA-SIFFLE VA-PEPERO 5 +BM.1972.008.001/06:01-09 VA-SIFFLE VA-PEPERO 3 +BM.1972.008.001/06:01-10 VA-SIFFLE VA-PEPERO 3 +BM.1972.008.001/06:01-11 AT-TROMPE AT-N 7 +BM.1972.008.001/06:01-12 IP-GUIMBARDE IP-BEBENGO 1 +BM.1972.008.001/06:01-13 AT-TROMPE AT-N 2 +BM.1972.008.001/06:01-14 AT-TROMPE AT-PUP 1 +BM.1972.008.001/06:01-14 AT-TROMPE AT-PUPUK 1 +BM.1972.008.001/06:01-14 M-TBR M-ANBA 12 +BM.1972.008.001/06:01-15 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-15 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-17 AT-TROMPE AT-N +BM.1972.008.001/06:01-17 M-TBR M-N +BM.1972.008.001/06:01-17 VC-CHANTE CHR VC-N +BM.1972.008.001/06:01-18 AT-TROMPE AT-N +BM.1972.008.001/06:01-18 M-TBR M-N +BM.1972.008.001/06:01-18 VC-CHANTE CHR VC-N +BM.1972.008.001/06:01-20 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-20 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-21 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-21 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-22 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-22 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-23 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-23 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-24 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:01-24 M2-TBR 2MEMB M2- N 4-5 +BM.1972.008.001/06:01-25 AT-TROMPE AT-N +BM.1972.008.001/06:01-25 M-TBR M-N +BM.1972.008.001/06:01-25 VC-CHANTE CHR VC-N +BM.1972.008.001/06:02-01 AT-TROMPE AT-PUP 7 +BM.1972.008.001/06:02-02 AT-TROMPE AT-PUP 7 +BM.1972.008.001/06:02-03 VP-PARLE VP-N +BM.1972.008.001/06:02-04 AT-TROMPE AT-N 5 +BM.1972.008.001/06:02-05 AT-TROMPE AT-N 5 +BM.1972.008.001/06:02-06 AT-TROMPE AT-N 5 +BM.1972.008.001/06:02-07 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-08 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-09 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-10 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-11 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-12 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-13 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:02-14 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-01 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-02 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-03 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-04 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-05 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-06 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-07 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:03-08 AT-TROMPE AT-PUP 6 +BM.1972.008.001/06:04-01 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-02 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-03 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-04 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-05 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-06 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-07 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-08 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-09 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-10 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-11 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-12 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-13 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-14 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-15 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-16 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-17 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-18 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-19 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-20 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-21 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-22 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-23 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-24 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-25 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-26 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-27 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-28 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-29 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-30 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-31 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-31 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-32 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-32 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-33 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-33 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-34 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-34 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-35 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-35 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-36 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-36 VC-CHANTE CHR F VC-N +BM.1972.008.001/06:04-37 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-37 AT-TROMPE AT-N 2 +BM.1972.008.001/06:04-37 M-TBR M-N +BM.1972.008.001/06:04-38 VC-CHANTE CHR VC-N +BM.1972.008.001/06:04-38 AT-TROMPE AT-N 2 +BM.1972.008.001/06:04-38 M-TBR M-N +BM.1972.008.001/06:05-01 AT-TROMPE AT-PUP 2 +BM.1972.008.001/06:05-01 M2-TBR 2MEMB M2-ANBA +BM.1972.008.001/06:05-01 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-02 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-03 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-04 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-05 AT-TROMPE AT-PUP 2 +BM.1972.008.001/06:05-05 M2-TBR 2MEMB M2-ANBA +BM.1972.008.001/06:05-06 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-07 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-08 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-11 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-11 M2-TBR 2MEMB M2-N 1 +BM.1972.008.001/06:05-12 VC-CHANTE CHR H VC-N +BM.1972.008.001/06:05-12 M2-TBR 2MEMB M2-ANBA 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AFP-FLUTE DE PAN AFP-FLUTE DE PAN 'AU KETO N 6 +BM.1972.016.001/186:59-01>08 VC-CHANTE N N N +BM.1972.016.001/186:60-01>08 AFP-FLUTE DE PAN AFP-FLUTE DE PAN 'AU KETO N 6 +BM.1972.016.001/186:61-01>07 AFP-FLUTE DE PAN AFP-FLUTE DE PAN 'AU KETO N 6 +BM.1972.016.001/186:62-01>04 AFP-FLUTE DE PAN AFP-FLUTE DE PAN PUPU N 1 +BM.1972.016.001/186:62-05>07 AFP-FLUTE DE PAN AFP-FLUTE DE PAN 'AU NI 'AAU N 1 +BM.1972.016.001/186:62-08>11 AFP-FLUTE DE PAN AFP-FLUTE DE PAN KIRAKIRA N 1 +BM.1972.016.001/186:63-01>03 AFP-FLUTE DE PAN AFP-KIRAKIRA N 1 +BM.1972.016.001/186:63-04 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:63-04 IE-BATONS N N N +BM.1972.016.001/186:63-04 VA-CRIE H N N N +BM.1972.016.001/186:64-01 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:64-01 IE-BATONS N N N +BM.1972.016.001/186:64-01 VA-CRIE H N N N +BM.1972.016.001/186:64-02 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:64-02 IE-BATONS IE-KIRO N N +BM.1972.016.001/186:65-01>03 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:65-01>03 IL-IDIOPHONE PILONNE CREUX N N +BM.1972.016.001/186:65-01>03 IE-BATONS IE-KIRO N +BM.1972.016.001/186:66-01 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:66-01 IE-BATONS IE-KIRO N N +BM.1972.016.001/186:66-02 IE-BATONS N N N +BM.1972.016.001/186:67-01>08 AFL-FLUTE LAT AFL-FLUTE 'AU WARE N N +BM.1972.016.001/186:68-01>04 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:68-01>04 IE-BATONS N N N +BM.1972.016.001/186:68-01>04 VC-CHANTE SOLO H N N 1 +BM.1972.016.001/186:68-01>04 VA-CRIE H N N N +BM.1972.016.001/186:69-01>03 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:69-01>03 IE-BATONS N N N +BM.1972.016.001/186:70-01>02 VC- CHANTE DUO H N N 2 +BM.1972.016.001/186:70-01>02 IFP-BATON N N N +BM.1972.016.001/186:70-03 VC-CHANTE SOLO H N N 1 +BM.1972.016.001/186:70-03 IFP-BATON N N N +BM.1972.016.001/186:71-01>09 AFP-FLUTE DE PAN AFP-'AU TAHANA N 4 +BM.1972.016.001/186:72-01>09 AFP-FLUTE DE PAN AFP-'AU TAHANA N 4 +BM.1972.016.001/186:73-01>10 AFP-FLUTE DE PAN AFP-'AU TAHANA N 4 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VC-CHANTE SOLO F K'MOM 1 +BM.1973.002.001/50:02-30 VC-CHANTE SOLO F K'MOM 1 +BM.1973.002.001/50:02-31 VC-CHANTE SOLO F K'JONG 1 +BM.1973.002.001/50:03-01 VC-CHANTE SOLO H K'TET 1 +BM.1973.002.001/50:03-02 VC-CHANTE SOLO F K'GLANG 1 +BM.1973.002.001/50:03-03 VC-CHANTE SOLO H K'TET 1 +BM.1973.002.001/50:03-04 VC-CHANTE SOLO H K'TET 1 +BM.1973.002.001/50:03-05 VC-CHANTE DUO ALTERNE H 1 +BM.1973.002.001/50:03-06 VC-CHANTE DUO ALTERNE F 1 +BM.1973.002.001/50:03-07 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:03-08 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:03-09 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:03-10 VC-CHANTE SOLO H K'BRONG 1 +BM.1973.002.001/50:03-11 VC-CHANTE SOLO H K'BRONG 1 +BM.1973.002.001/50:03-12 VC-CHANTE SOLO H K'JROI 1 +BM.1973.002.001/50:03-13 VC-CHANTE SOLO H K'JROI 1 +BM.1973.002.001/50:03-14 VC-CHANTE SOLO H K'JROI 1 +BM.1973.002.001/50:03-15 VC-CHANTE DUO ALTERNE F K'E & K'PHE 1 +BM.1973.002.001/50:03-16 VC-CHANTE DUO ALTERNE F K'E & K'PHE 1 +BM.1973.002.001/50:03-17 VC-CHANTE DUO ALTERNE F K'MANG & K'NGE 1 +BM.1973.002.001/50:03-18 IFC-GONG N +BM.1973.002.001/50:03-19 VC-CHANTE DUO ALTERNE F K'MANG & K'NGE 1 +BM.1973.002.001/50:03-20 VC-CHANTE SOLO F K'MANG 1 +BM.1973.002.001/50:03-21 VC-CHANTE SOLO F K'PHE 1 +BM.1973.002.001/50:03-22 VC-CHANTE SOLO F K'PHE 1 +BM.1973.002.001/50:03-23 VC-CHANTE SOLO F K'ANG 1 +BM.1973.002.001/50:03-24 VC-CHANTE SOLO H K'BANG 1 +BM.1973.002.001/50:03-25 VC-CHANTE SOLO H K'KRONG 1 +BM.1973.002.001/50:03-26 VC-CHANTE SOLO H K'KRANG 1 +BM.1973.002.001/50:03-27 VC-CHANTE CHR F 1 +BM.1973.002.001/50:03-28 VC-CHANTE SOLO H K'JONG 1 +BM.1973.002.001/50:03-29 VC-CHANTE SOLO F K'MANG 1 +BM.1973.002.001/50:03-30 VC-CHANTE SOLO H K'BA 1 +BM.1973.002.001/50:03-31 VC-CHANTE SOLO H K'BA 1 +BM.1973.002.001/50:03-32 VC-CHANTE SOLO H K'POH 1 +BM.1973.002.001/50:03-33 VC-CHANTE SOLO F K'JONG 1 +BM.1973.002.001/50:03-34 VC-CHANTE DUO ALTERNE F K'DRIM & K'NGE 1 +BM.1973.002.001/50:03-35 VC-CHANTE SOLO F K'HUI 1 +BM.1973.002.001/50:03-36 VC-CHANTE SOLO F K'BRONG 1 +BM.1973.002.001/50:03-37 VC-CHANTE SOLO F K'DRIM 1 +BM.1973.002.001/50:03-38 VC-CHANTE SOLO F K'NGE 1 +BM.1973.002.001/50:03-39 VC-CHANTE SOLO F K'ANG 1 +BM.1973.002.001/50:04-01 VC-CHANTE SOLO H K'JU 1 +BM.1973.002.001/50:04-02 VC-CHANTE SOLO H K'MBIENG 1 +BM.1973.002.001/50:04-03 VC-CHANTE SOLO H K'MBIENG 1 +BM.1973.002.001/50:04-04 VC-CHANTE SOLO H K'BO 1 +BM.1973.002.001/50:04-05 VC-CHANTE SOLO F K'BROU 1 +BM.1973.002.001/50:04-06 VC-CHANTE DUO F K'BROU & K'TON 1 +BM.1973.002.001/50:04-07 VC-CHANTE SOLO F K'TON 1 +BM.1973.002.001/50:04-08 VC-CHANTE SOLO F K'MHO 1 +BM.1973.002.001/50:04-09 VC-CHANTE SOLO F K'WIENG 1 +BM.1973.002.001/50:04-10 VC-CHANTE SOLO F KJONG 1 +BM.1973.002.001/50:04-11 VC-CHANTE SOLO F K'GLONG 1 +BM.1973.002.001/50:04-12 VX-COMPOSITE SOLO H K'POT 1 +BM.1973.002.001/50:04-13 VX-COMPOSITE SOLO H K'LON 1 +BM.1973.002.001/50:04-14 VC-CHANTE SOLO H K'KRONG 1 +BM.1973.002.001/50:04-15 VC-CHANTE SOLO H K'TANG 1 +BM.1973.002.001/50:04-16 VC-CHANTE SOLO F K'SRANG 1 +BM.1973.002.001/50:04-17 AAL-ANCHE LIBRE/TUYAU AAL-ROKEL K'ER 1 +BM.1973.002.001/50:04-17 IP-GUIMBARDE 1 +BM.1973.002.001/50:04-18 AF-FLUTE AF-TOLIA K'ER 1 +BM.1973.002.001/50:04-19 AAL-ANCHE LIBRE/TUYAU AAL-ROKEL K'TUON 1 +BM.1973.002.001/50:04-20 AAL-ANCHE LIBRE/TUYAU AAL-ROKEL K'TUON 1 +BM.1973.002.001/50:04-21 IP-GUIMBARDE IP-RODING K'TUON 1 +BM.1973.002.001/50:04-21 SD-AMBIANCES DIVERSES +BM.1973.002.001/50:04-22 IFC-GONG FANFARE SCOLAIRE N +BM.1973.002.001/50:04-22 I-IDIOPHONE 1 +BM.1973.002.001/50:04-23 IFC-GONG FANFARE SCOLAIRE N +BM.1973.002.001/50:04-24 IFC-GONG FANFARE SCOLAIRE N +BM.1973.002.001/50:04-24 I-IDIOPHONE 1 +BM.1973.002.001/50:04-25 IFC-GONG FANFARE SCOLAIRE N +BM.1973.002.001/50:04-25 I-IDIOPHONE 1 +BM.1973.002.001/50:04-26 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-26 M-TBR 1 +BM.1973.002.001/50:04-26 BC-BATTEMENTS DE MAINS +BM.1973.002.001/50:04-26 VA-SIFFLE +BM.1973.002.001/50:04-27 VC-CHANTE CHR H 1 +BM.1973.002.001/50:04-27 VA-SIFFLE +BM.1973.002.001/50:04-28 VC-CHANTE CHR H 1 +BM.1973.002.001/50:04-28 M-TBR 1 +BM.1973.002.001/50:04-28 BC-BATTEMENTS DE MAINS +BM.1973.002.001/50:04-28 VA-SIFFLE +BM.1973.002.001/50:04-29 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-29 I-IDIOPHONE 1 +BM.1973.002.001/50:04-29 BC-BATTEMENTS DE MAINS +BM.1973.002.001/50:04-30 VP-PARLE SOLO H 1 +BM.1973.002.001/50:04-30 I-IDIOPHONE 1 +BM.1973.002.001/50:04-31 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-32 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-33 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-34 VP-PARLE SOLO H 1 +BM.1973.002.001/50:04-35 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:04-36 AF-FLUTE N +BM.1973.002.001/50:04-37 AF-FLUTE N +BM.1973.002.001/50:04-38 AF-FLUTE N +BM.1973.002.001/50:04-39 AF-FLUTE N +BM.1973.002.001/50:04-39 IFC-GONG 1 +BM.1973.002.001/50:04-40 AF-FLUTE N +BM.1973.002.001/50:04-41 AF-FLUTE N +BM.1973.002.001/50:04-42 AF-FLUTE N +BM.1973.002.001/50:04-42 M-TBR 1 +BM.1973.002.001/50:05-01 VC-CHANTE SOLO H K'KRONG 1 +BM.1973.002.001/50:05-02 VC-CHANTE SOLO H K'BANG 1 +BM.1973.002.001/50:05-03 VC-CHANTE SOLO H K'BONG 1 +BM.1973.002.001/50:05-04 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:05-05 VC-CHANTE SOLO H K'MHO 1 +BM.1973.002.001/50:05-06 VC-CHANTE SOLO H K'SRAC 1 +BM.1973.002.001/50:05-07 VC-CHANTE SOLO H K'SHIM 1 +BM.1973.002.001/50:05-08 VC-CHANTE SOLO H K'SRAE 1 +BM.1973.002.001/50:05-09 VC-CHANTE SOLO F K'SRANG 1 +BM.1973.002.001/50:05-10 VC-CHANTE SOLO H K'SRANG 1 +BM.1973.002.001/50:05-11 VC-CHANTE SOLO F K'JIENG 1 +BM.1973.002.001/50:05-12 VC-CHANTE SOLO F K'RIENG 1 +BM.1973.002.001/50:05-13 VC-CHANTE SOLO F K'KLONG 1 +BM.1973.002.001/50:05-14 VP-PARLE SOLO H K'GIU 1 +BM.1973.002.001/50:05-15 VP-PARLE SOLO H 1 +BM.1973.002.001/50:05-16 VC-CHANTE SOLO H K'KRONG 1 +BM.1973.002.001/50:05-17 VP-PARLE SOLO H K'NRANG 1 +BM.1973.002.001/50:05-18 VP-PARLE SOLO H K'KRONG 1 +BM.1973.002.001/50:05-19 VC-CHANTE SOLO H K'PAL 1 +BM.1973.002.001/50:05-20 VC-CHANTE SOLO H K'PAL 1 +BM.1973.002.001/50:05-21 VC-CHANTE SOLO H K'CHONG 1 +BM.1973.002.001/50:05-22 VC-CHANTE SOLO H K'CHONG 1 +BM.1973.002.001/50:05-23 VC-CHANTE SOLO H K'CHONG 1 +BM.1973.002.001/50:05-24 VC-CHANTE SOLO H K'KRANG 1 +BM.1973.002.001/50:05-25 VC-CHANTE SOLO H K'DONG 1 +BM.1973.002.001/50:05-26 VP-PARLE SOLO H K'KRONG 1 +BM.1973.002.001/50:05-27 VP-PARLE SOLO H K'KRONG 1 +BM.1973.002.001/50:05-28 VP-PARLE SOLO H K'DONG 1 +BM.1973.002.001/50:05-29 VP-PARLE SOLO H K'DONG 1 +BM.1973.002.001/50:05-30 VC-CHANTE SOLO H NHIM 1 +BM.1973.002.001/50:05-31 VC-CHANTE SOLO H NHIM 1 +BM.1973.002.001/50:05-32 AAL-ANCHE LIBRE/TUYAU AAL-KOYOL 1 +BM.1973.002.001/50:06-01 VC-CHANTE SOLO F MANG 1 +BM.1973.002.001/50:06-02 VC-CHANTE SOLO F JOR 1 +BM.1973.002.001/50:06-03 VC-CHANTE SOLO F MANG 1 +BM.1973.002.001/50:06-04 VC-CHANTE SOLO F K'MONI 1 +BM.1973.002.001/50:06-05 VC-CHANTE SOLO F MANG 1 +BM.1973.002.001/50:06-06 IP-GUIMBARDE IP-GOC 1 +BM.1973.002.001/50:06-07 IP-GUIMBARDE IP-GOC 1 +BM.1973.002.001/50:07-01 VC-CHANTE SOLO H K'MOM 1 +BM.1973.002.001/50:08-01 VC-CHANTE SOLO F K'YONG 1 +BM.1973.002.001/50:08-02 VC-CHANTE SOLO F K'MANG 1 +BM.1973.002.001/50:08-03 VC-CHANTE SOLO F K'YONG 1 +BM.1973.002.001/50:08-04 VC-CHANTE DUO F K'E PANGTING & K'JE CEL 1 +BM.1973.002.001/50:08-05 VC-CHANTE SOLO H 1 +BM.1973.002.001/50:09-01 VC-CHANTE SOLO H K'ANG PANGTING 1 +BM.1973.002.001/50:09-02 VC-CHANTE SOLO H R'BO PANTING 1 +BM.1973.002.001/50:09-03 VC-CHANTE SOLO H K'POT KRAJANG 1 +BM.1973.002.001/50:09-04 VC-CHANTE SOLO F 1 +BM.1973.002.001/50:09-05 VC-CHANTE SOLO F K'YONG 1 +BM.1973.002.001/50:09-06 VC-CHANTE SOLO E K'PAL (GARCON DE 10 ANS) 1 +BM.1973.002.001/50:10-01 VC-CHANTE SOLO F K'MANG 1 +BM.1973.002.001/50:10-02 VC-CHANTE SOLO F K'JE PANG 1 +BM.1973.002.001/50:10-03 VC-CHANTE ALTERNE H & F K'JE PANG TING & K'MOM PANG TING 1 +BM.1973.002.001/50:10-04 VC-CHANTE SOLO F 1 +BM.1973.002.001/50:11-01 AAL-ANCHE LIBRE/TUYAU AAL-ROKEL 1 +BM.1973.002.001/50:11-01 IFC-GONG 4 +BM.1973.002.001/50:11-01 M-TBR 1 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GONGS BAP K'MOK +BM.1973.002.001/50:12-16 A-AÉROPHONE A-KOMBUOT BAP K'MOK +BM.1973.002.001/50:12-17 A-AÉROPHONE A-KOMBUOT BAP K'MOK +BM.1973.002.001/50:12-18 A-AÉROPHONE A-KOMBUOT BAP K'MOK +BM.1973.002.001/50:12-19 A-AÉROPHONE A-KOMBUOT BAP K'MOK +BM.1973.002.001/50:12-20 A-AÉROPHONE A-KOMBUOT BAP K'MOK +BM.1973.002.001/50:12-21 A-AÉROPHONE A-KOMBUOT K'NGPE +BM.1973.002.001/50:12-22 A-AÉROPHONE A-KOMBUOT K'NGPE +BM.1973.002.001/50:12-23 A-AÉROPHONE A-KOMBUOT K'NGPE +BM.1973.002.001/50:12-24 A-AÉROPHONE A-KOMBUOT K' JU +BM.1973.002.001/50:12-25 A-AÉROPHONE A-RODEL K' JU +BM.1973.002.001/50:12-26 A-AÉROPHONE A-ROKEL K' JU +BM.1973.002.001/50:12-27 A-AÉROPHONE A-ROKEL K' JU +BM.1973.002.001/50:12-28 A-AÉROPHONE A-ROKEL K' JU +BM.1973.002.001/50:12-29 IP-GUIMBARDE IP-GOC K' HOH +BM.1973.002.001/50:12-30 AA-ANCHE AA-PONUNG BOC K' HOH +BM.1973.002.001/50:13-01 VC-CHANTE SOLO F VC-N K' MÔM +BM.1973.002.001/50:13-01 VC-CHANTE CHR F VC-N +BM.1973.002.001/50:13-02 VC-CHANTE CHR F VC-N 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+BM.1973.002.001/50:13-17 CC-CITHARE/TUBE CC-BONG K'SIANG +BM.1973.002.001/50:13-18 AR-TUYAU AR-KOMBUÔT K'SIANG +BM.1973.002.001/50:13-19 AR-TUYAU AR-KOMBUÔT K'SIANG +BM.1973.002.001/50:13-20 AR-TUYAU AR-KOMBUÔT K'SIANG +BM.1973.002.001/50:13-21 AR-TUYAU AR-KOMBUÔT K'DONG +BM.1973.002.001/50:13-22 AR-TUYAU AR-KOMBUÔT K'DONG +BM.1973.002.001/50:13-23 AR-TUYAU AR-KOMBUÔT K'DONG +BM.1973.002.001/50:13-25 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-26 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-27 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-28 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-29 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-30 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-31 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-32 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-33 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-34 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-35 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:13-36 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:14-01 IFC-GONG IFC-N +BM.1973.002.001/50:14-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:14-02 IFC-GONG IFC-N +BM.1973.002.001/50:14-03 VC-CHANTE SOLO H VC-N K'BIANG 1 +BM.1973.002.001/50:14-03 IFC-GONG IFC-N +BM.1973.002.001/50:14-04 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-05 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-06 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-07 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-08 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-09 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-10 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-11 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-12 IFC-SERIE DE GONGS IFC-N BAP K'NÊI +BM.1973.002.001/50:14-12 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:14-13 VA-CHANTE-PARLE SOLO F VA-N ME K'PIN HAI +BM.1973.002.001/50:14-13 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:14-14 VC-CHANTE SOLO F VC-N K'PIN HAI +BM.1973.002.001/50:14-15 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-16 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-17 AR-TUYAU AR-KOYOL +BM.1973.002.001/50:14-18 AR-TUYAU AR-KOYOL +BM.1973.002.001/50:14-19 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-20 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-20 M-TBR M-N +BM.1973.002.001/50:14-20 BC-BATTEMENTS DE MAINS BC-N +BM.1973.002.001/50:14-21 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-21 M-TBR M-N +BM.1973.002.001/50:14-21 BC-BATTEMENTS DE MAINS BC-N +BM.1973.002.001/50:14-22 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-23 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-24 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-25 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-26 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-27 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-27 M-TBR M-N +BM.1973.002.001/50:14-28 AR-TUYAU AR-KOMBUÔT +BM.1973.002.001/50:14-28 M-TBR M-N +BM.1973.002.001/50:14-29 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-29 M-TBR M-N +BM.1973.002.001/50:14-29 A-AÉROPHONE A-N +BM.1973.002.001/50:14-30 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-31 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-32 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:14-33 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-01 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-02 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-03 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-04 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-05 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-06 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-07 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-08 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-09 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-10 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-11 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-12 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-13 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-14 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-15 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-16 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-17 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-18 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-19 A-AÉROPHONE A-KOMBUOT +BM.1973.002.001/50:15-20 A-AÉROPHONE A-KOYOL +BM.1973.002.001/50:15-21 A-AÉROPHONE A-KOYOL +BM.1973.002.001/50:15-22 A-AÉROPHONE A-KOYOL +BM.1973.002.001/50:15-23 A-AÉROPHONE A-KOYOL +BM.1973.002.001/50:15-24 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-24 M-TBR M-N +BM.1973.002.001/50:15-25 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-25 M-TBR M-N +BM.1973.002.001/50:15-26 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-26 M-TBR M-N +BM.1973.002.001/50:15-27 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-27 M-TBR M-N +BM.1973.002.001/50:15-28 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-28 M-TBR M-N +BM.1973.002.001/50:15-28 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:15-29 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:15-29 M-TBR M-N +BM.1973.002.001/50:15-29 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:15-30 VC-CHANTE DUO ALTERNE H VC-N 2 +BM.1973.002.001/50:15-31 VC-CHANTE DUO ALTERNE H VC-N 2 +BM.1973.002.001/50:15-32 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:15-33 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:15-34 VC-CHANTE ALTERNE DUO H VC-N K'CHÔ ET K'NGAI +BM.1973.002.001/50:16-01 VP-PARLE H & F VP-N +BM.1973.002.001/50:16-02 VA-CHANTE-PARLE SOLO H VA-N K'POH 1 +BM.1973.002.001/50:16-03 VC-CHANTE SOLO H VC-N K'CHONG 1 +BM.1973.002.001/50:16-04 VC-CHANTE SOLO H VC-N K'BRINH 1 +BM.1973.002.001/50:16-05 VC-CHANTE SOLO H VC-N K'BRINH 1 +BM.1973.002.001/50:16-06 VC-CHANTE SOLO H VC-N K'CHÊK 1 +BM.1973.002.001/50:16-07 VC-CHANTE SOLO H VC-N K'CHÊK 1 +BM.1973.002.001/50:16-08 VC-CHANTE SOLO F VC-N K'PAL 1 +BM.1973.002.001/50:16-09 VC-CHANTE SOLO H VC-N K'DONG 1 +BM.1973.002.001/50:16-10 VC-CHANTE SOLO H VC-N K'BREOH 1 +BM.1973.002.001/50:16-11 VC-CHANTE SOLO H VC-N K'BREOH 1 +BM.1973.002.001/50:16-12 VC-CHANTE SOLO F VC-N K'RANG 1 +BM.1973.002.001/50:16-13 VC-CHANTE SOLO F VC-N K'JÈ 1 +BM.1973.002.001/50:16-14 VC-CHANTE SOLO F VC-N K'JÈ 1 +BM.1973.002.001/50:16-15 VC-CHANTE DUO F VC-N K'KRIANG ET K'MANG 2 +BM.1973.002.001/50:16-16 VC-CHANTE SOLO F VC-N K'ANG 2 +BM.1973.002.001/50:16-17 VC-CHANTE SOLO F VC-N K'JRAÊ 2 +BM.1973.002.001/50:16-18 VC-CHANTE SOLO F VC-N K'MANG 2 +BM.1973.002.001/50:16-19 VA-CHANTE-PARLE SOLO H VA-N ME K'PIN HAI 1 +BM.1973.002.001/50:16-20 VA-CHANTE-PARLE SOLO H VA-N BAP K'HAI 1 +BM.1973.002.001/50:16-21 VA-CHANTE-PARLE SOLO H VA-N BAP K'GLOH 1 +BM.1973.002.001/50:16-22 VC-CHANTE SOLO H VC-N BAP K'BIANG 1 +BM.1973.002.001/50:16-23 VA-CHANTE-PARLE SOLO H VA-N BAP K'BIANG 1 +BM.1973.002.001/50:17-01 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:17-02 VC-CHANTE DUO ALTERNE H VC-N K'SING ET J'JOT 2 +BM.1973.002.001/50:17-03 VC-CHANTE SOLO H VC-N K'SING 1 +BM.1973.002.001/50:17-04 VC-CHANTE SOLO H VC-N K'SING 1 +BM.1973.002.001/50:17-05 VC-CHANTE SOLO H VC-N K'TIANG 1 +BM.1973.002.001/50:17-06 VC-CHANTE SOLO H VC-N K'TIANG 1 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SOLO H VC-N K'KLÊM 1 +BM.1973.002.001/50:19-06 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:19-07 VC-CHANTE SOLO H VC-N K'KLÊM 1 +BM.1973.002.001/50:19-08 VC-CHANTE SOLO H VC-N K'IER 1 +BM.1973.002.001/50:19-09 VC-CHANTE SOLO H VC-N K'IER 1 +BM.1973.002.001/50:19-10 VC- CHANTE DUO H VC-N K'DÔN ET K'JANG 2 +BM.1973.002.001/50:21-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:21-02 IFC-GONG IFC-N +BM.1973.002.001/50:21-02 M-TBR M-N +BM.1973.002.001/50:21-02 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-02 IS-GRELOT IS-N +BM.1973.002.001/50:21-03 AF-FLUTE AF-TOLIA K'EU 1 +BM.1973.002.001/50:21-04 AF-FLUTE AF-TOLIA K'EU 1 +BM.1973.002.001/50:21-05 AABS-CLARINETTE AABS-KOWAO 1 +BM.1973.002.001/50:21-06 AABS-CLARINETTE AABS-KOWAO 1 +BM.1973.002.001/50:21-07 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-08 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-09 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-10 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-11 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-12 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:21-12 M-TBR M-N +BM.1973.002.001/50:21-12 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-12 IS-GRELOT IS-N +BM.1973.002.001/50:21-13 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:21-14 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:21-15 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:21-15 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:21-15 M-TBR M-N +BM.1973.002.001/50:21-15 IS-GRELOT IS-N +BM.1973.002.001/50:22-01 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-01 M-TBR M-N +BM.1973.002.001/50:22-02 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-02 M-TBR M-N +BM.1973.002.001/50:22-02 A-AÉROPHONE A-N +BM.1973.002.001/50:22-03 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-03 M-TBR M-N +BM.1973.002.001/50:22-03 A-AÉROPHONE A-N +BM.1973.002.001/50:22-04 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-05 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-06 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-07 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-08 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-09 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:22-10 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:22-11 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:23-01 A-AÉROPHONE A-ROKEL +BM.1973.002.001/50:23-02 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-03 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-04 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-05 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-06 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-07 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-08 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:23-09 VC-CHANTE SOLO ALTERNE H & F VC-N +BM.1973.002.001/50:24-01 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:24-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:24-03 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:24-04 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:24-05 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:24-06 A-AÉROPHONE A-N +BM.1973.002.001/50:24-07 A-AÉROPHONE A-N +BM.1973.002.001/50:24-08 A-AÉROPHONE A-N +BM.1973.002.001/50:24-09 A-AÉROPHONE A-N +BM.1973.002.001/50:24-10 A-AÉROPHONE A-KOMBOAT +BM.1973.002.001/50:24-12 A-AÉROPHONE A-KOMBOAT +BM.1973.002.001/50:24-13 A-AÉROPHONE A-KOMBOAT +BM.1973.002.001/50:24-14 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:24-15 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:24-16 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:24-17 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-01 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1973.002.001/50:25-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-03 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-04 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-04 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:25-05 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-06 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-07 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:25-08 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:25-09 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:27-01 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:27-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:27-03 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:27-04 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:27-05 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:27-06 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:27-07 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:27-08 VP-PARLE SOLO H VP-N +BM.1973.002.001/50:27-09 A-AÉROPHONE A-N +BM.1973.002.001/50:27-10 IFC-GONG IFC-N +BM.1973.002.001/50:27-11 IFC-GONG IFC-N +BM.1973.002.001/50:27-12 IFC-GONG IFC-N +BM.1973.002.001/50:27-13 IFC-GONG IFC-N +BM.1973.002.001/50:27-14 IFC-GONG IFC-N +BM.1973.002.001/50:27-15 VX-COMPOSITE SOLO H VX-N +BM.1973.002.001/50:27-16 VX-COMPOSITE SOLO F VX-N +BM.1973.002.001/50:27-17 VX-COMPOSITE SOLO H VX-N +BM.1973.002.001/50:27-18 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:28-01 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:28-02 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:28-03 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:28-04 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:28-05 IFC-SERIE DE GONGS IFC-N +BM.1973.002.001/50:29-01 VC-CHANTE SOLO H VC-N L'ONCLE DE K'MOI +BM.1973.002.001/50:29-02 VC-CHANTE SOLO H VC-N K'JOT +BM.1973.002.001/50:29-03 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:29-04 VC-CHANTE SOLO H VC-N BAP K'JOR +BM.1973.002.001/50:30-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:30-02 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:30-03 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:30-04 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:30-05 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:30-06 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:31-01 VC- CHANTE SOLO H OU F VC-N +BM.1973.002.001/50:31-02 VC- CHANTE SOLO H OU F VC-N +BM.1973.002.001/50:32-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:32-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:33-01 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:33-02 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:34-01 VC-CHANTE SOLO H OU F VC-N +BM.1973.002.001/50:34-02 VC-CHANTE SOLO H OU F VC-N +BM.1973.002.001/50:35-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:35-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:35-03 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:35-04 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:35-05 AAL-ANCHE LIBRE AAL-N +BM.1973.002.001/50:35-06 A-AÉROPHONE A-N +BM.1973.002.001/50:35-07 A-AÉROPHONE A-N +BM.1973.002.001/50:35-08 AABS-CLARINETTE AABS-N +BM.1973.002.001/50:35-09 AABS-CLARINETTE AABS-N +BM.1973.002.001/50:35-10 AAL-ANCHE LIBRE/TUYAU AAL-N +BM.1973.002.001/50:35-11 IP-GUIMBARDE IP-TOUNG +BM.1973.002.001/50:35-13 AAL-ANCHE LIBRE/TUYAU AAL-N +BM.1973.002.001/50:35-14 VP-PARLE SOLO H VP-N 1 +BM.1973.002.001/50:35-15 VP-PARLE SOLO F VP-N 1 +BM.1973.002.001/50:35-16 VP-PARLE SOLO H VP-N 1 +BM.1973.002.001/50:35-17 VP-PARLE SOLO F VP-N 1 +BM.1973.002.001/50:35-18 VP-PARLE SOLO H VP-N 1 +BM.1973.002.001/50:35-19 VP-PARLE SOLO F VP-N 1 +BM.1973.002.001/50:36-01 IFC-GONG IFC-N 6 +BM.1973.002.001/50:36-02 IFC-GONG IFC-N 6 +BM.1973.002.001/50:36-03 VC-CHANTE SOLO F VC-N 1 +BM.1973.002.001/50:36-03 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:36-04 VC-CHANTE SOLO F VC-N 1 +BM.1973.002.001/50:36-04 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:36-05 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:36-05 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:36-06 VP-PARLE SOLO H VP-N 1 +BM.1973.002.001/50:36-06 +BM.1973.002.001/50:36-07 AAL-ANCHE LIBRE AAL-N 1 +BM.1973.002.001/50:36-07 +BM.1973.002.001/50:36-08 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:36-08 +BM.1973.002.001/50:36-09 VC-CHANTE SOLO F VC-N 1 +BM.1973.002.001/50:36-09 +BM.1973.002.001/50:37-01 VC-CHANTE SOLO F VC-N 1 +BM.1973.002.001/50:37-02 IFC-GONG IFC-N +BM.1973.002.001/50:37-02 M-TBR M-N +BM.1973.002.001/50:37-03 IFC-GONG IFC-N +BM.1973.002.001/50:37-03 M-TBR M-N +BM.1973.002.001/50:37-04 IFC-GONG IFC-N +BM.1973.002.001/50:37-04 M-TBR M-N +BM.1973.002.001/50:37-05 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:37-05 +BM.1973.002.001/50:37-06 VP-PARLE H VP-N +BM.1973.002.001/50:37-06 +BM.1973.002.001/50:37-07 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-07 +BM.1973.002.001/50:37-08 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-08 +BM.1973.002.001/50:37-09 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-09 +BM.1973.002.001/50:37-10 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-10 +BM.1973.002.001/50:37-11 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-11 +BM.1973.002.001/50:37-12 CC-CITHARE/TUBE CC-N +BM.1973.002.001/50:37-12 +BM.1973.002.001/50:37-13 IFC-GONG IFC-N +BM.1973.002.001/50:37-14 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:37-14 +BM.1973.002.001/50:38-01 VC-CHANTE SOLO H VC-N BAP K'HOH 1 +BM.1973.002.001/50:38-01 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:38-02 VC-CHANTE SOLO H VC-N BAP K'HOH 1 +BM.1973.002.001/50:38-02 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:38-03 VC-CHANTE SOLO H VC-N BAP K'HOH 1 +BM.1973.002.001/50:38-03 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:39-01 VC-CHANTE SOLO H VC-N BAP K'BA 1 +BM.1973.002.001/50:39-01 +BM.1973.002.001/50:39-02 VC-CHANTE SOLO H VC-N BAP K'BA 1 +BM.1973.002.001/50:39-02 +BM.1973.002.001/50:39-03 VC-CHANTE SOLO H VC-N K'WEL 1 +BM.1973.002.001/50:39-03 +BM.1973.002.001/50:39-04 VC-CHANTE SOLO H VC-N BAP K'HOH 1 +BM.1973.002.001/50:39-04 +BM.1973.002.001/50:40-01 VC-CHANTE SOLO H OU F VC-N 1 +BM.1973.002.001/50:40-01 +BM.1973.002.001/50:40-02 VC-CHANTE SOLO H OU F VC-N 1 +BM.1973.002.001/50:40-02 +BM.1973.002.001/50:41-01 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:41-01 +BM.1973.002.001/50:41-02 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:41-02 +BM.1973.002.001/50:42-07 VC-CHANTE SOLO H VC-N 1 +BM.1973.002.001/50:42-07 +BM.1973.002.001/50:42-08 VP-PARLE H VP-N +BM.1973.002.001/50:42-08 +BM.1973.002.001/50:42-09 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:42-09 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:42-10 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:42-11 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:43-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:43-01 +BM.1973.002.001/50:43-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:43-02 +BM.1973.002.001/50:43-03 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:43-03 +BM.1973.002.001/50:43-04 IFC-GONG IFC-N +BM.1973.002.001/50:43-04 +BM.1973.002.001/50:43-05 IFC-GONG IFC-N +BM.1973.002.001/50:43-05 +BM.1973.002.001/50:43-06 IFC-GONG IFC-N +BM.1973.002.001/50:43-06 +BM.1973.002.001/50:43-07 IFC-GONG IFC-N +BM.1973.002.001/50:43-07 +BM.1973.002.001/50:43-08 IFC-GONG IFC-N +BM.1973.002.001/50:43-08 +BM.1973.002.001/50:43-09 IFC-GONG IFC-N +BM.1973.002.001/50:43-09 +BM.1973.002.001/50:43-10 VC-CHANTE SOLO F VC-N K'MOI +BM.1973.002.001/50:43-10 +BM.1973.002.001/50:43-12 VC-CHANTE SOLO H VC-N K'MOI +BM.1973.002.001/50:43-12 +BM.1973.002.001/50:44-01 VC-CHANTE CHR MIXTE VC-N +BM.1973.002.001/50:44-01 +BM.1973.002.001/50:44-02 VC-CHANTE CHR MIXTE VC-N +BM.1973.002.001/50:44-02 +BM.1973.002.001/50:44-03 VC-CHANTE CHR MIXTE VC-N +BM.1973.002.001/50:44-03 +BM.1973.002.001/50:44-04 VC-CHANTE CHR MIXTE VC-N +BM.1973.002.001/50:44-04 +BM.1973.002.001/50:44-05 BC-BATTEMENTS DE MAINS BC-N +BM.1973.002.001/50:44-05 +BM.1973.002.001/50:44-06 VC-CHANTE CHR F VC-N +BM.1973.002.001/50:44-06 +BM.1973.002.001/50:44-07 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:44-07 +BM.1973.002.001/50:44-08 IFC-GONG IFC-N +BM.1973.002.001/50:44-08 +BM.1973.002.001/50:44-09 IFC-GONG IFC-N +BM.1973.002.001/50:44-09 +BM.1973.002.001/50:44-10 IFC-GONG IFC-N +BM.1973.002.001/50:44-10 +BM.1973.002.001/50:44-11 IFC-GONG IFC-N +BM.1973.002.001/50:44-11 +BM.1973.002.001/50:44-12 IFC-GONG IFC-N +BM.1973.002.001/50:44-12 +BM.1973.002.001/50:44-13 IFC-GONG IFC-N +BM.1973.002.001/50:44-13 +BM.1973.002.001/50:44-14 IFC-GONG IFC-N +BM.1973.002.001/50:44-14 +BM.1973.002.001/50:44-15 IFC-GONG IFC-N +BM.1973.002.001/50:44-15 +BM.1973.002.001/50:44-16 IFC-GONG IFC-N +BM.1973.002.001/50:44-16 +BM.1973.002.001/50:44-17 IFC-GONG IFC-N +BM.1973.002.001/50:44-17 +BM.1973.002.001/50:44-18 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-19 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-20 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-22 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-23 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-24 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:44-25 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:44-26 IFC-GONG IFC-N +BM.1973.002.001/50:44-26 +BM.1973.002.001/50:44-27 IFC-GONG IFC-N +BM.1973.002.001/50:44-27 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-28 IFC-GONG IFC-N +BM.1973.002.001/50:44-29 IFC-GONG IFC-N +BM.1973.002.001/50:44-30 IFC-GONG IFC-N +BM.1973.002.001/50:44-31 IFC-GONG IFC-N +BM.1973.002.001/50:44-31 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-32 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-33 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-34 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-35 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-36 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-37 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-37 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-38 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-38 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-39 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-39 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-40 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-40 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:44-41 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-42 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-43 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:44-44 AAL-ANCHE LIBRE AAL-KOMBUOT +BM.1973.002.001/50:45-01 VP-PARLE H VP-N +BM.1973.002.001/50:45-01 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:45-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:45-03 IFC-GONG IFC-N +BM.1973.002.001/50:45-03 M-TBR M-N +BM.1973.002.001/50:45-03 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:45-04 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:45-05 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:46-01 VC-CHANTE SOLO F VC-N KON GRIENG 1 +BM.1973.002.001/50:46-02 VC-CHANTE SOLO F VC-N K'JUT KON BROS 1 +BM.1973.002.001/50:46-03 VC-CHANTE SOLO F VC-N K'JUT KON GRIENG 1 +BM.1973.002.001/50:46-04 VC-CHANTE SOLO F VC-N K'JUT KON GRIENG 1 +BM.1973.002.001/50:46-05 VC-CHANTE SOLO F VC-N K'JUT KON BROS 1 +BM.1973.002.001/50:46-06 VC-CHANTE SOLO F VC-N K'JUT KON GRIENG 1 +BM.1973.002.001/50:47-01 VC-CHANTE SOLO F VC-N KON GRIENG 1 +BM.1973.002.001/50:47-02 VC-CHANTE SOLO F VC-N KON GRIENG 1 +BM.1973.002.001/50:47-03 VC-CHANTE SOLO F VC-N K'JUT KON BROS 1 +BM.1973.002.001/50:48-01 VC-CHANTE SOLO H VC-N K'GLAE DAM JRAE 1 +BM.1973.002.001/50:48-02 VC-CHANTE SOLO H VC-N K'GLAE DAM JRAE 1 +BM.1973.002.001/50:48-03 VC-CHANTE SOLO H VC-N BAP K 'SO 1 +BM.1973.002.001/50:48-04 VC-CHANTE SOLO H VC-N K'WOR 1 +BM.1973.002.001/50:48-05 VC-CHANTE SOLO H VC-N K'WOR 1 +BM.1973.002.001/50:48-06 VP-PARLE H VP-N +BM.1973.002.001/50:48-07 IFC-GONG IFC-N +BM.1973.002.001/50:48-08 IFC-GONG IFC-N +BM.1973.002.001/50:48-09 IFC-GONG IFC-N +BM.1973.002.001/50:48-10 IFC-GONG IFC-N +BM.1973.002.001/50:48-11 IFC-GONG IFC-N +BM.1973.002.001/50:48-12 IFC-GONG IFC-N +BM.1973.002.001/50:48-13 IFC-GONG IFC-N +BM.1973.002.001/50:48-14 IFC-GONG IFC-N +BM.1973.002.001/50:48-15 IFC-GONG IFC-N +BM.1973.002.001/50:48-16 IFC-GONG IFC-N +BM.1973.002.001/50:48-17 IFC-GONG IFC-N +BM.1973.002.001/50:49-01 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:49-01 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:49-02 VC-CHANTE SOLO H VC-N +BM.1973.002.001/50:49-02 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:49-03 VP-PARLE H VP-N PERE DE K'BIANG +BM.1973.002.001/50:49-04 VC-CHANTE SOLO H VC-N TEXTE DE BAP K'BIANG +BM.1973.002.001/50:50-01 M-TBR M-N +BM.1973.002.001/50:50-01 AA-ANCHE AA-N +BM.1973.002.001/50:50-01 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:50-02 VC-CHANTE SOLO F VC-N K'JIENG ET LANG +BM.1973.002.001/50:50-03 VC-CHANTE SOLO H VC-N K' LANG ET K'BONG +BM.1973.002.001/50:50-04 M-TBR M-N +BM.1973.002.001/50:50-04 AA-ANCHE AA-N +BM.1973.002.001/50:50-05 M-TBR M-N +BM.1973.002.001/50:50-05 SD-AMBIANCES DIVERSES SD-N +BM.1973.002.001/50:50-06 VC-CHANTE SOLO F VC-N +BM.1973.002.001/50:50-07 VC-CHANTE SOLO F VC-N ME K'JIENG 1 +BM.1973.002.001/50:50-08 VC-CHANTE SOLO F VC-N ME K'JIENG 1 +BM.1973.002.001/50:50-09 VC-CHANTE SOLO F VC-N K" DANG 1 +BM.1973.002.001/50:50-10 VC-CHANTE SOLO F VC-N K'JIENG 1 +BM.1973.002.001/50:50-11 VC-CHANTE ALTERNE H & F VC-N 2 +BM.1973.002.001/50:50-12 VC-CHANTE SOLO H OU F VC-N 2 +BM.1970.041.001/55:05-02 +BM.1970.041.001/55:05-02 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:05-02 M2V-TBR 2MEMB VARIABLE hudko +BM.1973.003.001/39:01-01 VP-PARLE SOLO H +BM.1973.003.001/39:02-01 VP-PARLE SOLO H +BM.1973.003.001/39:03-01 VP-PARLE SOLO H +BM.1973.003.001/39:03-02 VP-PARLE SOLO H +BM.1973.003.001/39:03-03 VP-PARLE SOLO H +BM.1973.003.001/39:03-04 VP-PARLE SOLO H +BM.1973.003.001/39:03-05 VP-PARLE SOLO H +BM.1973.003.001/39:03-06 VP-PARLE SOLO H +BM.1973.003.001/39:03-07 VP-PARLE SOLO H +BM.1973.003.001/39:03-08 VP-PARLE SOLO H +BM.1973.003.001/39:03-09 VP-PARLE SOLO H +BM.1973.003.001/39:03-10 VP-PARLE SOLO H +BM.1973.003.001/39:03-11 VP-PARLE SOLO H +BM.1973.003.001/39:04-01 VP-PARLE SOLO H +BM.1973.003.001/39:04-01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:04-02 VP-PARLE SOLO H +BM.1973.003.001/39:04-02 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:05-01 VP-PARLE SOLO H +BM.1973.003.001/39:06-A01 VP-PARLE SOLO H +BM.1973.003.001/39:06-B01 VP-PARLE SOLO H N +BM.1973.003.001/39:06-B01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:07-A01 VP-PARLE SOLO H +BM.1973.003.001/39:07-B01 VP-PARLE SOLO H +BM.1973.003.001/39:08-A01 VP-PARLE SOLO H +BM.1973.003.001/39:08-B01 VC-CHANTE 2CHR ALTERNES H/F +BM.1973.003.001/39:09-A01 VP-PARLE SOLO H +BM.1973.003.001/39:09-A02 VP-PARLE SOLO H +BM.1973.003.001/39:09-A03 VC-CHANTE SOLO H +BM.1973.003.001/39:09-A04 VC-CHANTE SOLO H +BM.1973.003.001/39:09-A05 VP-PARLE SOLO F +BM.1973.003.001/39:09-A05 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:09-A06 VP-PARLE SOLO H +BM.1973.003.001/39:10-A01 VP-PARLE SOLO H +BM.1973.003.001/39:10-A02 VP-PARLE SOLO H +BM.1973.003.001/39:10-B01 VP-PARLE SOLO H +BM.1973.003.001/39:10-B02 VP-PARLE SOLO H +BM.1973.003.001/39:11-A01 VP-PARLE SOLO H +BM.1973.003.001/39:11-B01 VP-PARLE SOLO H +BM.1973.003.001/39:12-A01 VP-PARLE SOLO H +BM.1973.003.001/39:12-A02 VP-PARLE SOLO H +BM.1973.003.001/39:12-A03 VP-PARLE SOLO H +BM.1973.003.001/39:12-B01 VP-PARLE SOLO H +BM.1973.003.001/39:12-B02 VP-PARLE SOLO H +BM.1973.003.001/39:13-A01 VC-CHANTE SOLO H +BM.1973.003.001/39:13-A01 VC-CHANTE CHR H N +BM.1973.003.001/39:13-B01 VC-CHANTE SOLO H +BM.1973.003.001/39:13-B01 VC-CHANTE CHR H N +BM.1973.003.001/39:13-B02 VC-CHANTE SOLO H +BM.1973.003.001/39:13-B02 VC-CHANTE CHR H N +BM.1973.003.001/39:14-A01 VC-CHANTE CHR F +BM.1973.003.001/39:14-A01 VC-CHANTE CHR H +BM.1973.003.001/39:14-B01 VP-PARLE SOLO H +BM.1973.003.001/39:15-A01 VC-CHANTE CHR F +BM.1973.003.001/39:15-A01 VC-CHANTE CHR H +BM.1973.003.001/39:15-B01 VC-CHANTE CHR F +BM.1973.003.001/39:15-B01 VC-CHANTE CHR H +BM.1973.003.001/39:15-B02 VC-CHANTE CHR F +BM.1973.003.001/39:15-B02 VC-CHANTE CHR H +BM.1973.003.001/39:16-A01 VP-PARLE SOLO H MATA BERE +BM.1973.003.001/39:16-B01 VP-PARLE SOLO H +BM.1973.003.001/39:17-A01 VC-CHANTE SOLO H +BM.1973.003.001/39:17-A02 VC-CHANTE SOLO H +BM.1973.003.001/39:17-A03 VC-CHANTE SOLO H +BM.1973.003.001/39:18-A01 VP-PARLE SOLO H +BM.1973.003.001/39:18-A02 VP-PARLE SOLO H +BM.1973.003.001/39:19-A01 VP-PARLE SOLO H +BM.1973.003.001/39:19-B01 VP-PARLE SOLO H +BM.1973.003.001/39:20-A01 VC-CHANTE SOLO H & CHR H +BM.1973.003.001/39:20-B01 VC-CHANTE ALTERNE H & F +BM.1973.003.001/39:20-B01 VC-CHANTE CHR MIXTE +BM.1973.003.001/39:20-B01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:20-B02 VC-CHANTE ALTERNE H & F +BM.1973.003.001/39:20-B02 VC-CHANTE CHR MIXTE +BM.1973.003.001/39:20-B02 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:20-B03 VC-CHANTE ALTERNE H & F +BM.1973.003.001/39:20-B03 VC-CHANTE CHR MIXTE +BM.1973.003.001/39:20-B03 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:21-A01 VP-PARLE +BM.1973.003.001/39:21-A02 VC-CHANTE CHR H +BM.1973.003.001/39:21-A03 VC-CHANTE CHR H +BM.1973.003.001/39:21-A03 VC-CHANTE SOLO H +BM.1973.003.001/39:21-A04 VC-CHANTE CHR H +BM.1973.003.001/39:21-A04 VC-CHANTE SOLO H +BM.1973.003.001/39:21-B01 VC-CHANTE CHR F +BM.1973.003.001/39:21-B01 VC-CHANTE SOLO F +BM.1973.003.001/39:22-A01 VP-PARLE SOLO H +BM.1973.003.001/39:22-A02 VC-CHANTE SOLO H & CHR H +BM.1973.003.001/39:22-A03 VC-CHANTE CHR F & H +BM.1973.003.001/39:22-B01 VC-CHANTE CHR F & H +BM.1973.003.001/39:22-B02 VC-CHANTE SOLO H & CHR H +BM.1973.003.001/39:22-B03 VC-CHANTE SOLO H & CHR H +BM.1973.003.001/39:22-B03 VC-CHANTE CHR F +BM.1973.003.001/39:23-A01 VA-CRIE CHR M VA-N +BM.1973.003.001/39:23-A01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:23-A02 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:23B-01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:24-A01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:24-B01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:25-A01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:25-A02 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:25-B01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:26-A01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:26-A02 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:26-B01 VC-CHANTE SOLO H & CHR H VC-N +BM.1973.003.001/39:26-B02 VC-CHANTE SOLO F & CHR F VC-N +BM.1973.003.001/39:26-B03 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:27-A01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:27-B01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:28-A01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:28-B01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:29-A01 VP-PARLE SOLO H 1 +BM.1973.003.001/39:29-A02 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:29-B01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:30-01 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:31-A01 VC-CHANTE SOLO H & CHR H +BM.1973.003.001/39:31-A02 VC-CHANTE SOLO H & CHR H & CHR F +BM.1973.003.001/39:31-A03 VC-CHANTE SOLO H & CHR H & CHR F +BM.1973.003.001/39:31-B01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:31-B01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:31-B02 VP-PARLE SOLO F VP-N 1 +BM.1973.003.001/39:31-B03 VC-CHANTE SOLO H VC-N 1 +BM.1973.003.001/39:32-A01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:32-A02 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:32-B01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:33-A01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:33-B01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:33-B02 VC-CHANTE SOLO H VC-N 1 +BM.1973.003.001/39:33-B03 VC-CHANTE SOLO H VC-N 1 +BM.1973.003.001/39:33-B04 VC-CHANTE CHR E VC-N +BM.1973.003.001/39:33-B05 VC-CHANTE CHR MIXTE VC-N +BM.1973.003.001/39:33-B05 AAL-ANCHE LIBRE/TUYAU AAL-ORGUE 1 +BM.1973.003.001/39:33-B06 VC-CHANTE CHR E VC-N +BM.1973.003.001/39:34-A01 M-TBR M-N +BM.1973.003.001/39:34-A02 VC-CHANTE SOLO F & CHR F VC-N +BM.1973.003.001/39:34-B01 VC-CHANTE SOLO H & CHR H VC-N +BM.1973.003.001/39:34-B02 VC-CHANTE SOLO H & CHR H VC-N +BM.1973.003.001/39:35-A01 VC-CHANTE SOLO H & CHR H VC-N +BM.1973.003.001/39:35-A01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:35-B01 VC-CHANTE SOLO H & CHR H VC-N +BM.1973.003.001/39:35-B01 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:36-A01 VC-CHANTE SOLO H & CHR MIXTE VC-N +BM.1973.003.001/39:36-A02 VC-CHANTE CHR H & CHR F VC-N +BM.1973.003.001/39:36-B01 VC-CHANTE SOLO H & CHR F VC-N +BM.1973.003.001/39:36-B02 VC-CHANTE SOLO H VC-N +BM.1973.003.001/39:37-01 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:38-01 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:38-02 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:38-03 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:38-04 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:38-04 BC-FRAPPEMENTS DES PIEDS +BM.1973.003.001/39:38-05 VC-CHANTE CHR H & CHR F VC-N +BM.1973.003.001/39:38-05 SD-AMBIANCES DIVERSES +BM.1973.003.001/39:39-01 M-TBR M-N +BM.1973.003.001/39:39-02 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:39-03 VC-CHANTE CHR H & CHR F ALTERNE VC-N +BM.1973.003.001/39:39-04 VC-CHANTE CHR H & CHR F VC-N +BM.1973.003.001/39:39-05 VP-PARLE SOLO H VP-N 1 +BM.1973.003.001/39:39-06 VC-CHANTE CHR H & CHR F VC-N +BM.1973.003.001/39:39-07 VC-CHANTE SOLO H & CHR H & CHR F VC-N +BM.1973.003.001/39:39-08 VC-CHANTE CHR H & DUO H ALTERNE VC-N +BM.1973.004.001/06:01-01 VP-PARLE H 3 +BM.1973.004.001/06:01-02 VP-PARLE H 3 +BM.1973.004.001/06:01-03 VP-PARLE H 1 +BM.1973.004.001/06:01-04 VP-PARLE H 1 +BM.1973.004.001/06:01-05 VC-CHANTE SOLO H +BM.1973.004.001/06:01-06 AABS-CLARINETTE AABS-PI LANG BLANG 1 +BM.1973.004.001/06:01-07 IFC-CORPS TUBULAIRE AUTRE IFC-DAO 1 +BM.1973.004.001/06:01-08 VC-CHANTE SOLO H +BM.1973.004.001/06:01-09 VC-CHANTE SOLO H +BM.1973.004.001/06:01-10 VC-CHANTE SOLO F +BM.1973.004.001/06:01-11 VC-CHANTE SOLO H +BM.1973.004.001/06:01-11 IFC-CORPS TUBULAIRE AUTRE IFC-DAO 6 +BM.1973.004.001/06:02-01 VC-CHANTE SOLO H +BM.1973.004.001/06:02-01 AABS-CLARINETTE AABS-PI LANG BLANG 1 +BM.1973.004.001/06:02-02 VC-CHANTE SOLO F +BM.1973.004.001/06:02-03 VC-CHANTE SOLO F +BM.1973.004.001/06:02-04 VC-CHANTE SOLO F +BM.1973.004.001/06:02-05 VC-CHANTE SOLO F +BM.1973.004.001/06:02-06 VC-CHANTE SOLO F +BM.1973.004.001/06:02-06 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.1973.004.001/06:02-07 VC-CHANTE SOLO F +BM.1973.004.001/06:02-07 AAL-ANCHE LIBRE/TUYAU KHENE 1 +BM.1973.004.001/06:02-08 VC-CHANTE SOLO F & DUO F 1+1 +BM.1973.004.001/06:03-01 VP-PARLE F 1 +BM.1973.004.001/06:03-02 VX-COMPOSITE SOLO H +BM.1973.004.001/06:03-02 VC-CHANTE SOLO F & CHR F +BM.1973.004.001/06:03-02 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:03-02 CC-CITHARE CC-DAN TRANH +BM.1973.004.001/06:03-02 AF-FLUTE +BM.1973.004.001/06:03-02 AABD-HAUTBOIS +BM.1973.004.001/06:03-02 M-TBR +BM.1973.004.001/06:03-02 IFC-GONG +BM.1973.004.001/06:04-01 VC-CHANTE SOLO F MME KIN OANH +BM.1973.004.001/06:04-01 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:04-01 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:04-01 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:04-01 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:04-01 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:04-01 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:04-02 VC-CHANTE SOLO F MLE HAI VÂN +BM.1973.004.001/06:04-02 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:04-02 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:04-02 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:04-02 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:04-02 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:04-02 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:04-03 VC-CHANTE SOLO F MLE CHÂU DINH +BM.1973.004.001/06:04-03 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:04-03 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:04-03 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:04-03 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:04-03 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:04-03 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:04-04 VC-CHANTE SOLO F MME MINH TAM +BM.1973.004.001/06:04-04 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:04-04 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:04-04 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:04-04 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:04-04 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:04-04 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:04-05 VC-CHANTE SOLO F MME KIM OANH +BM.1973.004.001/06:04-05 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:04-05 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:04-05 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:04-05 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:04-05 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:04-05 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:04-06 VC-CHANTE SOLO F MME KIM OANH 1 +BM.1973.004.001/06:04-06 AF-FLUTE 1 +BM.1973.004.001/06:05-01 VC-CHANTE SOLO F +BM.1973.004.001/06:05-01 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:05-01 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:05-01 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:05-02 VC-CHANTE SOLO F CHAU DINH 1 +BM.1973.004.001/06:05-02 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:05-02 CC-CITHARE CC-DAN TRANH +BM.1973.004.001/06:05-02 CL-LUTH CL-DAN NGUYET +BM.1973.004.001/06:05-02 I-IDIOPHONE IE-SANH +BM.1973.004.001/06:05-03 VC-CHANTE SOLO F MLE HÔNG TUYÊT +BM.1973.004.001/06:05-03 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:05-03 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:05-03 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:05-03 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:05-03 IE-IDIOPHONES ENTRECHOQUES IE-CHEN 1 +BM.1973.004.001/06:05-03 I-IDIOPHONE IE-SANH 1 +BM.1973.004.001/06:05-04 VC-CHANTE DUO ALTERNE THANH HUYEN & QUANG THACH 2 +BM.1973.004.001/06:05-04 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:05-04 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:05-04 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:05-04 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:05-05 VC-CHANTE SOLO ALTERNE H & F CHAU DINH & QUANG THACH 2 +BM.1973.004.001/06:05-05 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:05-05 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:05-05 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:05-05 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-01 VC-CHANTE SOLO F HONG TUYET 1 +BM.1973.004.001/06:06-01 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-01 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-01 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-01 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-02 VC-CHANTE SOLO F MINH TAM 1 +BM.1973.004.001/06:06-02 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-02 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-02 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-02 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-03 VC-CHANTE SOLO F HONG TUYET 1 +BM.1973.004.001/06:06-03 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-03 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-03 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-03 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-04 VC-CHANTE SOLO F MANH VAN 1 +BM.1973.004.001/06:06-04 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-04 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-04 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-04 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-04 IE-IDIOPHONES ENTRECHOQUES IE-SANH 1 +BM.1973.004.001/06:06-05 VC-CHANTE SOLO F MINH TAM 1 +BM.1973.004.001/06:06-05 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-05 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-05 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-05 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-05 IE-IDIOPHONES ENTRECHOQUES IE-SANH 1 +BM.1973.004.001/06:06-06 VC-CHANTE SOLO F HONG TUYET 1 +BM.1973.004.001/06:06-06 CV-VIELE CV-DAN NHI 1 +BM.1973.004.001/06:06-06 CC-CITHARE CC-DAN TRANH 1 +BM.1973.004.001/06:06-06 CL-LUTH CL-DAN NGUYET 1 +BM.1973.004.001/06:06-06 C-CORDOPHONE C-DAN BAU 1 +BM.1973.004.001/06:06-06 IE-IDIOPHONES ENTRECHOQUES IE-SANH 1 +BM.1973.007.001/44:01-01 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:01-01 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:01-01 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1973.007.001/44:01-02 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:01-02 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:01-02 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1973.007.001/44:01-03 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:01-03 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:01-03 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1973.007.001/44:02-01 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:02-01 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:02-01 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1973.007.001/44:02-02 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:02-02 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:02-02 AAL-ANCHE LIBRE/PLAQUE AAL-N 1 +BM.1973.007.001/44:02-03 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:02-04 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 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CL-LUTH CL-TANDÛR 1 +BM.1973.007.001/44:05-07 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:05-07 IE-CYMBALES IE-MANJIRA 1 +BM.1973.007.001/44:05-08 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:05-08 VC-CHANTE CHR H VC-N 5 +BM.1973.007.001/44:05-08 CL-LUTH CL-TANDÛR 1 +BM.1973.007.001/44:05-08 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:05-08 IE-CYMBALES IE-MANJIRA 1 +BM.1973.007.001/44:06-01 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:06-01 VC-CHANTE CHR H VC-N 5 +BM.1973.007.001/44:06-01 CL-LUTH CL-TANDÛR 1 +BM.1973.007.001/44:06-01 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:06-01 IE-CYMBALES IE-MANJIRA 1 +BM.1973.007.001/44:06-02 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:06-02 VC-CHANTE CHR H VC-N 5 +BM.1973.007.001/44:06-02 CL-LUTH CL-TANDÛR 1 +BM.1973.007.001/44:06-02 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1973.007.001/44:06-02 IE-CYMBALES IE-MANJIRA 1 +BM.1973.007.001/44:06-03 CL-LUTH CL-TANDÛR 1 +BM.1973.007.001/44:06-03 M2C-TBR 2MEMB/CAISSE 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M1D-TBR 1MEMB/CADRE M1D-CHANG 1 +BM.1973.007.001/44:08-08 IE-CYMBALES IE-JANJH 2 +BM.1973.007.001/44:08-08 VC-CHANTE CHR VC-N +BM.1973.007.001/44:09-01 M1D-TBR 1MEMB/CADRE M1D-CHANG 1 +BM.1973.007.001/44:09-01 IS-GRELOT IS-RAMJHOL +BM.1973.007.001/44:09-01 IE-CYMBALES IE-JANJH 2 +BM.1973.007.001/44:09-02 M1D-TBR 1MEMB/CADRE M1D-CHANG 1 +BM.1973.007.001/44:09-02 IS-GRELOT IS-RAMJHOL +BM.1973.007.001/44:09-02 IE-CYMBALES IE-JANJH 2 +BM.1973.007.001/44:09-02 VC-CHANTE CHR H VC-N +BM.1973.007.001/44:09-03 M2-TBR 2MEMB M2-DHOL 1 +BM.1973.007.001/44:09-03 IS-GRELOT IS-RAMJHOL +BM.1973.007.001/44:09-03 IFC-GONG IFC-THALI 1 +BM.1973.007.001/44:09-04 M2-TBR 2MEMB M2-DHOL 1 +BM.1973.007.001/44:09-04 IFC-GONG IFC-THALI 1 +BM.1973.007.001/44:09-05 M2-TBR 2MEMB M2-DHOL 1 +BM.1973.007.001/44:09-05 IFC-GONG IFC-THALI 1 +BM.1973.007.001/44:09-06 M2-TBR 2MEMB M2-DHOL 1 +BM.1973.007.001/44:09-06 IFC-GONG IFC-THALI 1 +BM.1973.007.001/44:09-07 M2-TBR 2MEMB M2-DHOL 1 +BM.1973.007.001/44:09-07 IFC-GONG IFC-THALI 1 +BM.1973.007.001/44:09-08 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:09-09 VC-CHANTE DUO H & F VC-N +BM.1973.007.001/44:10-01 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:10-02 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:10-03 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:10-04 VP-PARLE VP-N 1 +BM.1973.007.001/44:10-04 CV-VIELE CV-RAVANHATA 1 +BM.1973.007.001/44:10-05 VP-PARLE VP-N 1 +BM.1973.007.001/44:10-05 CV-VIELE CV-RAVANHATA 1 +BM.1973.007.001/44:10-06 VC-CHANTE DUO ALTERNE H & F VP-N 1 +BM.1973.007.001/44:10-06 CV-VIELE CV-RAVANHATA 1 +BM.1973.007.001/44:10-07 CV-VIELE CV-RAVANHATA 1 +BM.1973.007.001/44:10-08 IP-GUIMBARDE IP-GHORALIO 1 +BM.1973.007.001/44:10-09 IP-GUIMBARDE IP-GHORALIO 1 +BM.1973.007.001/44:10-10 IP-GUIMBARDE IP-GHORALIO 1 +BM.1973.007.001/44:10-11 IP-GUIMBARDE IP-GHORALIO 1 +BM.1973.007.001/44:10-12 IP-GUIMBARDE IP-GHORALIO 1 +BM.1973.007.001/44:11-01 VC-CHANTE F VC-N 2 +BM.1973.007.001/44:11-01 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:11-01 M1D-TBR 1MEMB/CADRE M1D-KHANJHIRI 1 +BM.1973.007.001/44:11-01 BR-BRUITEUR BR-N +BM.1973.007.001/44:11-02 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-02 M1D-TBR 1MEMB/CADRE M1D-KHANJHIRI 1 +BM.1973.007.001/44:11-02 BR-BRUITEUR BR-N +BM.1973.007.001/44:11-03 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-03 M1D-TBR 1MEMB/CADRE M1D-KHANJHIRI 1 +BM.1973.007.001/44:11-03 BR-BRUITEUR BR-N +BM.1973.007.001/44:11-04 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-04 AA-ANCHE AA-PUNGI 1 +BM.1973.007.001/44:11-05 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-06 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-06 M1D-TBR 1MEMB/CADRE M1D-KHANJHIRI 1 +BM.1973.007.001/44:11-06 BR-BRUITEUR BR-N +BM.1973.007.001/44:11-07 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-08 VC-CHANTE DUO F VC-N 2 +BM.1973.007.001/44:11-09 VP-PARLE SOLO F VP-N 1 +BM.1973.007.001/44:11-09 VC-CHANTE SOLO F VC-N 1 +BM.1973.007.001/44:11-09 SD-AMBIANCES DIVERSES +BM.1973.007.001/44:12-01 VP-PARLE SOLO F VP-N 1 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CC-CITHARE/BATON CC-JANTAR 1 +BM.1973.007.001/44:37-04 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:37-04 CC-CITHARE/BATON CC-JANTAR 1 +BM.1973.007.001/44:38-01 VC-CHANTE DUO H VC-N ALLADIN & SHUMAR KHAN 2 +BM.1973.007.001/44:38-01 CV-VIELE CV-SARANGI SHUMAR KHAN & NUR MOHAMED 2 +BM.1973.007.001/44:38-01 BC-BATTEMENTS DE MAINS +BM.1973.007.001/44:38-02 VC-CHANTE DUO H VC-N ALLADIN & SHUMAR KHAN 2 +BM.1973.007.001/44:38-02 CV-VIELE CV-SARANGI SHUMAR KHAN & NUR MOHAMED 2 +BM.1973.007.001/44:38-02 BC-BATTEMENTS DE MAINS +BM.1973.007.001/44:38-03 VC-CHANTE DUO H VC-N ALLADIN & SHUMAR KHAN 2 +BM.1973.007.001/44:38-03 CV-VIELE CV-SARANGI SHUMAR KHAN & NUR MOHAMED 2 +BM.1973.007.001/44:38-03 BC-BATTEMENTS DE MAINS +BM.1973.007.001/44:38-04 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:38-04 CV-VIELE CV-SARANGI 2 +BM.1973.007.001/44:38-05 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:38-05 CV-VIELE CV-SARANGI 2 +BM.1973.007.001/44:39-01 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:39-01 CV-VIELE CV-SARANGI 2 +BM.1973.007.001/44:39-02 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:39-02 CV-VIELE CV-SARANGI 2 +BM.1973.007.001/44:39-03 VC-CHANTE DUO H VC-N 2 +BM.1973.007.001/44:39-03 CV-VIELE CV-SARANGI 2 +BM.1973.007.001/44:40-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1973.007.001/44:40-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1973.007.001/44:40-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1973.007.001/44:40-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1973.007.001/44:40-04 CV-VIELE CV-SARINDA 1 +BM.1973.007.001/44:40-05 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1973.007.001/44:40-05 CV-VIELE CV-SARINDA 1 +BM.1973.007.001/44:41-01 AABS-CLARINETTE 2TUY AABS-MURALI 1 +BM.1973.007.001/44:41-01 CV-VIELE CV-SARINDA 1 +BM.1973.007.001/44:41-02 AABS-CLARINETTE 2TUY AABS-MURALI 1 +BM.1973.007.001/44:41-02 CV-VIELE CV-SARINDA 1 +BM.1973.007.001/44:41-03 AABS-CLARINETTE 2TUY AABS-MURALI 1 +BM.1973.007.001/44:41-03 CV-VIELE CV-SARINDA 1 +BM.1973.007.001/44:42-01 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:42-02 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:42-02 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:42-03 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:42-03 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:42-04 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:42-04 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:42-05 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:42-05 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:43-01 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:43-01 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:43-02 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:43-02 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:43-03 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:43-03 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:43-04 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:43-04 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:43-05 VC-CHANTE SOLO H VC-N 1 +BM.1973.007.001/44:43-05 CV-VIELE CV-KAMAYACHA 1 +BM.1973.007.001/44:44-01 IP-GUIMBARDE IP-MORCHANG 1 +BM.1973.007.001/44:44-02 IP-GUIMBARDE IP-MORCHANG 1 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VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:08-A04 CV-VIELE SARANGI HIMAN SING GAINE 1 +BM.1976.009.001/14:08-A05 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:08-A05 CV-VIELE SARANGI HIMAN SING GAINE 1 +BM.1976.009.001/14:08-A06 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:08-A06 CV-VIELE SARANGI HIMAN SING GAINE 1 +BM.1976.009.001/14:08-A07 & :08-B01 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:08-B02 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:08-B03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:08-B03 CV-VIELE SARANGI MAGAR GAINE +BM.1976.009.001/14:08-B04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:08-B04 CV-VIELE SARANGI MAGAR GAINE +BM.1976.009.001/14:08-B05 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:08-B05 CV-VIELE SARANGI MAGAR GAINE +BM.1976.009.001/14:08-B06 & :09-A01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:08-B06 & :09-A01 CV-VIELE SARANGI MAGAR GAINE +BM.1976.009.001/14:09-A02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-A02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-A03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-A03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-A04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-A04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-A05 & :09-B01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-A05 & :09-B01 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-B02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-B02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-B03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:09-B03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:09-B04 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:09-B04 CV-VIELE SARANGI HIMAN SING GAINE 1 +BM.1976.009.001/14:09-B05 & :10-A01 VC-CHANTE SOLO H HIMAN SING GAINE +BM.1976.009.001/14:09-B05 & :10-A01 CV-VIELE SARANGI HIMAN SING GAINE 1 +BM.1976.009.001/14:10-A02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:10-A02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:10-A03 & :10-B01 VC-CHANTE SOLO H KRISHNA BAHADUR +BM.1976.009.001/14:10-A03 & :10-B01 CV-VIELE SARANGI KRISHNA BAHADUR 1 +BM.1976.009.001/14:10-B02 VC-CHANTE SOLO H KRISHNA BAHADUR +BM.1976.009.001/14:10-B02 CV-VIELE SARANGI KRISHNA BAHADUR 1 +BM.1976.009.001/14:10-B03 VC-CHANTE SOLO H KRISHNA BAHADUR +BM.1976.009.001/14:10-B03 CV-VIELE SARANGI KRISHNA BAHADUR 1 +BM.1976.009.001/14:10-B04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:10-B04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:10-B05 & :11-A01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:10-B05 & :11-A01 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A05 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A05 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A06 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A06 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-A07 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:11-A07 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:11-B01 VC-CHANTE SOLO H IMAN SINGH +BM.1976.009.001/14:11-B01 CV-VIELE SARANGI IMAN SINGH 1 +BM.1976.009.001/14:11-B02 VC-CHANTE SOLO H IMAN SINGH +BM.1976.009.001/14:11-B02 CV-VIELE SARANGI IMAN SINGH 1 +BM.1976.009.001/14:11-B03 VC-CHANTE SOLO H KALE GAINE +BM.1976.009.001/14:11-B03 CV-VIELE SARANGI KALE GAINE 1 +BM.1976.009.001/14:12-A01 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:12-A01 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:12-A02 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:12-A02 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:12-A03 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:12-A03 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:12-A04 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:12-A04 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:12-A05 VC-CHANTE SOLO H AITE GAINE +BM.1976.009.001/14:12-A05 CV-VIELE SARANGI AITE GAINE 1 +BM.1976.009.001/14:12-A06 & :12-B01 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:12-A06 & :12-B01 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:12-B02 VC-CHANTE SOLO H RAMJI +BM.1976.009.001/14:12-B02 CV-VIELE SARANGI RAMJI 1 +BM.1976.009.001/14:12-B03 VC-CHANTE SOLO H RAMJI +BM.1976.009.001/14:12-B03 CV-VIELE SARANGI RAMJI 1 +BM.1976.009.001/14:12-B04 VC-CHANTE SOLO H THULO BAI +BM.1976.009.001/14:12-B04 CV-VIELE SARANGI THULO BAI 1 +BM.1976.009.001/14:12-B05 VC-CHANTE SOLO H THULO BAI +BM.1976.009.001/14:12-B05 CV-VIELE SARANGI THULO BAI 1 +BM.1976.009.001/14:12-B06 VC-CHANTE SOLO H KRISHNA GOPAL +BM.1976.009.001/14:12-B06 CV-VIELE SARANGI KRISHNA GOPAL 1 +BM.1976.009.001/14:12-B07 VC-CHANTE SOLO H BHUBANE GAINE +BM.1976.009.001/14:12-B07 CV-VIELE SARANGI BHUBANE GAINE 1 +BM.1976.009.001/14:13-A01 VC-CHANTE SOLO H SUBHA GAINE +BM.1976.009.001/14:13-A01 CV-VIELE SARANGI SUBHA GAINE 1 +BM.1976.009.001/14:13-A02 VC-CHANTE SOLO H BUDDHI BAHADUR GAINE +BM.1976.009.001/14:13-A02 CV-VIELE SARANGI BUDDHI BAHADUR GAINE 1 +BM.1976.009.001/14:13-A03 VC-CHANTE SOLO H KRISHNA GOPAL GAINE +BM.1976.009.001/14:13-A03 CV-VIELE SARANGI KRISHNA GOPAL GAINE 1 +BM.1976.009.001/14:13-A04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-A04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-A05 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-A05 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-A06 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-A06 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-A07 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-A07 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-A08 & :13-B01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-A08 & :13-B01 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-B02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-B02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-B03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-B03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-B04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-B04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-B05 VC-CHANTE SOLO H HIMAN SIN +BM.1976.009.001/14:13-B05 CV-VIELE SARANGI HIMAN SIN 1 +BM.1976.009.001/14:13-B06 VC-CHANTE SOLO H HIMAN SING +BM.1976.009.001/14:13-B06 CV-VIELE SARANGI HIMAN SING 1 +BM.1976.009.001/14:13-B07 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-B07 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:13-B08 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:13-B08 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-A01 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A01BIS VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-A01BIS CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-A02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-A03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-A04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-A05 VC-CHANTE SOLO H JHAKRI SUNWAR +BM.1976.009.001/14:14-B01 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B01 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B02 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B02 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B03 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B03 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B04 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B04 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B05 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B05 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B06 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B06 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.009.001/14:14-B07 VC-CHANTE SOLO H MAGAR GAINE +BM.1976.009.001/14:14-B07 CV-VIELE SARANGI MAGAR GAINE 1 +BM.1976.011.001/45:01-01 VP-PARLE H 1 +BM.1976.011.001/45:01-02 VC-CHANTE F 1 +BM.1976.011.001/45:01-03 VC-CHANTE F 1 +BM.1976.011.001/45:01-04 VC-CHANTE H 1 +BM.1976.011.001/45:01-06 VP-PARLE +BM.1976.011.001/45:01-07 VP-PARLE H 1 +BM.1976.011.001/45:01-08 VP-PARLE H 1 +BM.1976.011.001/45:01-09 VX-COMPOSITE F 1 +BM.1976.011.001/45:01-10 VC-CHANTE H 1 +BM.1976.011.001/45:01-11 VC-CHANTE H 1 +BM.1976.011.001/45:01-12 VC-CHANTE H 1 +BM.1976.011.001/45:02-01 VC-CHANTE SOLO H +BM.1976.011.001/45:02-02 VC-CHANTE SOLO H +BM.1976.011.001/45:02-03 VC-CHANTE SOLO F +BM.1976.011.001/45:02-04 VC-CHANTE SOLO H +BM.1976.011.001/45:02-05 AFL-FLUTE 1 +BM.1976.011.001/45:02-06 CV-VIELE CV-VIOLON 1 +BM.1976.011.001/45:02-07 VP-PARLE H 1 +BM.1976.011.001/45:02-08 VP-PARLE H 1 +BM.1976.011.001/45:02-09 VP-PARLE H 1 +BM.1976.011.001/45:02-10 VC-CHANTE H +BM.1976.011.001/45:02-11 VC-CHANTE H 1 +BM.1976.011.001/45:02-12 VP-PARLE H 1 +BM.1976.011.001/45:02-13 VC-CHANTE H 1 +BM.1976.011.001/45:03-01 VP-PARLE H 1 +BM.1976.011.001/45:03-02 VP-PARLE H 1 +BM.1976.011.001/45:03-03 VC-CHANTE F 1 +BM.1976.011.001/45:03-04 VC-CHANTE DUO F 1 +BM.1976.011.001/45:03-05 VC-CHANTE H 1 +BM.1976.011.001/45:03-06 VC-CHANTE H 1 +BM.1976.011.001/45:03-07 VC-CHANTE H 1 +BM.1976.011.001/45:03-08 VC-CHANTE F +BM.1976.011.001/45:03-09 VC-CHANTE F +BM.1976.011.001/45:03-10 VC-CHANTE H 1 +BM.1976.011.001/45:03-11 VC-CHANTE F 1 +BM.1976.011.001/45:03-12 CL-LUTH CL-MANDOLINE 1 +BM.1976.011.001/45:03-13 AABC-CORNEMUSE AABC-MEZOUED 1 +BM.1976.011.001/45:04-01 VP-PARLE H 1 +BM.1976.011.001/45:04-02 VP-PARLE H & F 1 +BM.1976.011.001/45:04-03 VP-PARLE H 1 +BM.1976.011.001/45:04-04 VC-CHANTE H 1 +BM.1976.011.001/45:04-05 VC-CHANTE H N +BM.1976.011.001/45:04-06 VP-PARLE H N +BM.1976.011.001/45:04-07 VP-PARLE H N +BM.1976.011.001/45:04-08 VP-PARLE H N +BM.1976.011.001/45:04-09 VC-CHANTE H N +BM.1976.011.001/45:04-10 VC-CHANTE H 1 +BM.1976.011.001/45:04-11 VP-PARLE H 1 +BM.1976.011.001/45:04-12 VP-PARLE H 1 +BM.1976.011.001/45:04-13 VP-PARLE F 1 +BM.1976.011.001/45:05-01 VC-CHANTE H 1 +BM.1976.011.001/45:05-02 VC-CHANTE H 1 +BM.1976.011.001/45:05-03 VC-CHANTE F 1 +BM.1976.011.001/45:05-04 VC-CHANTE F 1 +BM.1976.011.001/45:05-05 VP-PARLE H 1 +BM.1976.011.001/45:05-06 VP-PARLE H 1 +BM.1976.011.001/45:05-07 VP-PARLE H 1 +BM.1976.011.001/45:05-08 VP-PARLE H 1 +BM.1976.011.001/45:05-09 VX-COMPOSITE H N +BM.1976.011.001/45:05-10 VC-CHANTE H 1 +BM.1976.011.001/45:05-11 VC-CHANTE H 1 +BM.1976.011.001/45:05-12 VP-PARLE E 1 +BM.1976.011.001/45:06-01 VP-PARLE H 1 +BM.1976.011.001/45:06-02 VP-PARLE H 1 +BM.1976.011.001/45:06-03 VP-PARLE H 1 +BM.1976.011.001/45:06-04 VC-CHANTE H 1 +BM.1976.011.001/45:06-05 VC-CHANTE F 1 +BM.1976.011.001/45:06-06 VC-CHANTE F 1 +BM.1976.011.001/45:06-07 VC-CHANTE F 1 +BM.1976.011.001/45:06-08 VC-CHANTE H 1 +BM.1976.011.001/45:06-09 VC-CHANTE H 1 +BM.1976.011.001/45:06-10 VC-CHANTE H 1 +BM.1976.011.001/45:06-11 VC-CHANTE F 1 +BM.1976.011.001/45:06-12 AABD-HAUTBOIS AABD-BOMBARDE N +BM.1976.011.001/45:07-01 VC-CHANTE H 1 +BM.1976.011.001/45:07-02 VC-CHANTE H 1 +BM.1976.011.001/45:07-03 VP-PARLE H 1 +BM.1976.011.001/45:07-04 VC-CHANTE H 1 +BM.1976.011.001/45:07-05 VP-PARLE H 1 +BM.1976.011.001/45:07-06 VP-PARLE H 1 +BM.1976.011.001/45:07-07 VP-PARLE H 1 +BM.1976.011.001/45:07-08 VP-PARLE H 1 +BM.1976.011.001/45:07-09 VP-PARLE H 1 +BM.1976.011.001/45:07-10 VP-PARLE H 1 +BM.1976.011.001/45:07-11 VP-PARLE H 1 +BM.1976.011.001/45:07-12 VP-PARLE H 1 +BM.1976.011.001/45:08-01 VP-PARLE H 1 +BM.1976.011.001/45:08-02 VP-PARLE H 1 +BM.1976.011.001/45:08-03 VP-PARLE H 1 +BM.1976.011.001/45:08-04 VP-PARLE H 1 +BM.1976.011.001/45:08-05 VP-PARLE H 1 +BM.1976.011.001/45:08-06 VP-PARLE H 1 +BM.1976.011.001/45:08-07 VP-PARLE H 1 +BM.1976.011.001/45:08-08 VP-PARLE H 1 +BM.1976.011.001/45:08-09 VP-PARLE H 1 +BM.1976.011.001/45:08-10 VP-PARLE H 1 +BM.1976.011.001/45:08-11 VP-PARLE H 1 +BM.1976.011.001/45:08-12 VP-PARLE H 1 +BM.1976.011.001/45:08-13 VP-PARLE H 1 +BM.1976.011.001/45:08-14 VP-PARLE H 2 +BM.1976.011.001/45:08-15 VP-PARLE H 1 +BM.1976.011.001/45:08-15 VC-CHANTE H 1 +BM.1976.011.001/45:09-01 VC-CHANTE H 1 +BM.1976.011.001/45:09-02 V-VOIX N +BM.1976.011.001/45:09-02 ORCH +BM.1976.011.001/45:09-03 ORCH +BM.1976.011.001/45:09-04 ORCH +BM.1976.011.001/45:09-05 ORCH +BM.1976.011.001/45:09-06 ORCH +BM.1976.011.001/45:09-07 ORCH +BM.1976.011.001/45:09-08 ORCH +BM.1976.011.001/45:09-09 ORCH +BM.1976.011.001/45:09-09 V-VOIX N +BM.1976.011.001/45:09-10 ORCH +BM.1976.011.001/45:09-10 V-VOIX N +BM.1976.011.001/45:09-11 ORCH +BM.1976.011.001/45:09-11 V-VOIX N +BM.1976.011.001/45:10-01 ORCH +BM.1976.011.001/45:10-01 V-VOIX N +BM.1976.011.001/45:10-02 ORCH +BM.1976.011.001/45:10-02 V-VOIX N +BM.1976.011.001/45:10-03 ORCH +BM.1976.011.001/45:10-03 V-VOIX N +BM.1976.011.001/45:10-04 ORCH +BM.1976.011.001/45:10-04 V-VOIX N +BM.1976.011.001/45:10-05 ORCH +BM.1976.011.001/45:10-05 V-VOIX N +BM.1976.011.001/45:10-06 ORCH +BM.1976.011.001/45:10-06 V-VOIX N +BM.1976.011.001/45:10-07 ORCH +BM.1976.011.001/45:10-07 V-VOIX N +BM.1976.011.001/45:10-08 ORCH +BM.1976.011.001/45:10-08 V-VOIX N +BM.1976.011.001/45:10-09 ORCH +BM.1976.011.001/45:10-09 V-VOIX N +BM.1976.011.001/45:10-10 ORCH +BM.1976.011.001/45:10-10 V-VOIX N +BM.1976.011.001/45:10-11 ORCH +BM.1976.011.001/45:10-11 V-VOIX N +BM.1976.011.001/45:10-12 ORCH +BM.1976.011.001/45:10-12 V-VOIX N +BM.1976.011.001/45:10-13 ORCH +BM.1976.011.001/45:10-13 V-VOIX N +BM.1976.011.001/45:11-01 ORCH +BM.1976.011.001/45:11-01 V-VOIX N +BM.1976.011.001/45:11-02 ORCH +BM.1976.011.001/45:11-02 V-VOIX N +BM.1976.011.001/45:11-03 ORCH +BM.1976.011.001/45:11-03 V-VOIX N +BM.1976.011.001/45:11-04 ORCH +BM.1976.011.001/45:11-04 V-VOIX N +BM.1976.011.001/45:11-05 ORCH +BM.1976.011.001/45:11-05 V-VOIX N +BM.1976.011.001/45:11-06 ORCH +BM.1976.011.001/45:11-06 V-VOIX N +BM.1976.011.001/45:11-07 ORCH +BM.1976.011.001/45:11-07 V-VOIX N +BM.1976.011.001/45:11-08 ORCH +BM.1976.011.001/45:11-08 V-VOIX N +BM.1976.011.001/45:11-09 ORCH +BM.1976.011.001/45:11-09 V-VOIX N +BM.1976.011.001/45:11-10 ORCH +BM.1976.011.001/45:11-10 V-VOIX N +BM.1976.011.001/45:11-11 ORCH +BM.1976.011.001/45:11-11 V-VOIX N +BM.1976.011.001/45:12-01 VP-PARLE H 1 +BM.1976.011.001/45:12-02 VP-PARLE H & F 1 +BM.1976.011.001/45:12-02 VC-CHANTE F 1 +BM.1976.011.001/45:12-02 VC-CHANTE H 1 +BM.1976.011.001/45:12-03 VP-PARLE H 1 +BM.1976.011.001/45:12-04 VP-PARLE H 1 +BM.1976.011.001/45:12-05 VC-CHANTE SOLO F 1 +BM.1976.011.001/45:12-05 VP-PARLE F 2 +BM.1976.011.001/45:12-06 VP-PARLE H 1 +BM.1976.011.001/45:12-07 VC-CHANTE SOLO F 1 +BM.1976.011.001/45:12-07 VC-CHANTE SOLO H 1 +BM.1976.011.001/45:12-08 AABS-CLARINETTE 1 +BM.1976.011.001/45:12-09 AABS-CLARINETTE 1 +BM.1976.011.001/45:13-01 VP-PARLE H 1 +BM.1976.011.001/45:13-02 VC-CHANTE H 1 +BM.1976.011.001/45:13-03 VC-CHANTE F 1 +BM.1976.011.001/45:13-04 VC-CHANTE H 1 +BM.1976.011.001/45:13-05 VP-PARLE H 1 +BM.1976.011.001/45:13-06 VC-CHANTE F 1 +BM.1976.011.001/45:13-07 VC-CHANTE H 1 +BM.1976.011.001/45:13-08 VP-PARLE H 1 +BM.1976.011.001/45:13-09 VP-PARLE H 1 +BM.1976.011.001/45:13-10 VP-PARLE H 1 +BM.1976.011.001/45:13-11 VP-PARLE H 1 +BM.1976.011.001/45:14-01 VC-CHANTE SOLO H 1 +BM.1976.011.001/45:14-02 VP-PARLE F 1 +BM.1976.011.001/45:14-03 VP-PARLE F 1 +BM.1976.011.001/45:14-04 VP-PARLE F 1 +BM.1976.011.001/45:14-05 VP-PARLE H 1 +BM.1976.011.001/45:14-06 VP-PARLE F 1 +BM.1976.011.001/45:14-07 VP-PARLE F 1 +BM.1976.011.001/45:14-08 VC-CHANTE H 1 +BM.1976.011.001/45:14-09 VP-PARLE H 1 +BM.1976.011.001/45:14-10 VP-PARLE H 1 +BM.1976.011.001/45:14-11 VP-PARLE H 1 +BM.1976.011.001/45:14-12 VC-CHANTE H 1 +BM.1976.011.001/45:15-01 VP-PARLE H 1 +BM.1976.011.001/45:15-02 VP-PARLE H 1 +BM.1976.011.001/45:15-03 VP-PARLE H 1 +BM.1976.011.001/45:15-04 VP-PARLE H 1 +BM.1976.011.001/45:15-05 VC-CHANTE H 1 +BM.1976.011.001/45:15-06 VC-CHANTE H 1 +BM.1976.011.001/45:15-07 VC-CHANTE H 1 +BM.1976.011.001/45:15-08 VP-PARLE H 1 +BM.1976.011.001/45:15-09 VP-PARLE H 1 +BM.1976.011.001/45:15-10 VC-CHANTE SOLO H 1 +BM.1976.011.001/45:15-11 VC-CHANTE SOLO H 1 +BM.1976.011.001/45:15-12 VC-CHANTE H 1 +BM.1976.011.001/45:16-01 VP-PARLE H 1 +BM.1976.011.001/45:16-02 VP-PARLE H 1 +BM.1976.011.001/45:16-03 VC-CHANTE H 1 +BM.1976.011.001/45:16-04 VP-PARLE H 1 +BM.1976.011.001/45:16-05 VP-PARLE F 1 +BM.1976.011.001/45:16-06 VP-PARLE H 1 +BM.1976.011.001/45:16-07 VP-PARLE H 1 +BM.1976.011.001/45:16-08 VC-CHANTE H 1 +BM.1976.011.001/45:16-09 VC-CHANTE F 1 +BM.1976.011.001/45:16-09 VC-CHANTE H 1 +BM.1976.011.001/45:16-10 VC-CHANTE H 1 +BM.1976.011.001/45:16-10 VC-CHANTE H 1 +BM.1976.011.001/45:16-11 VC-CHANTE H 1 +BM.1976.011.001/45:16-12 VC-CHANTE H 1 +BM.1976.011.001/45:17-01 VP-PARLE F 1 +BM.1976.011.001/45:17-02 VP-PARLE F 1 +BM.1976.011.001/45:17-03 VP-PARLE H 1 +BM.1976.011.001/45:17-04 VP-PARLE H 1 +BM.1976.011.001/45:17-05 VP-PARLE H 1 +BM.1976.011.001/45:17-06 VP-PARLE H 1 +BM.1976.011.001/45:17-07 VC-CHANTE F 1 +BM.1976.011.001/45:17-08 VP-PARLE H 1 +BM.1976.011.001/45:17-08 VC-CHANTE H 1 +BM.1976.011.001/45:17-09 VC-CHANTE H 1 +BM.1976.011.001/45:17-10 VC-CHANTE F 1 +BM.1976.011.001/45:17-11 VC-CHANTE F 1 +BM.1976.011.001/45:17-12 AF-FLUTE 1 +BM.1976.011.001/45:17-13 AF-FLUTE 1 +BM.1976.011.001/45:17-14 M-TBR M--TAMBOURIN 1 +BM.1976.011.001/45:18-01 VP-PARLE H 1 +BM.1976.011.001/45:18-02 VP-PARLE H 1 +BM.1976.011.001/45:18-03 VP-PARLE H 1 +BM.1976.011.001/45:18-04 VP-PARLE H 1 +BM.1976.011.001/45:18-05 VP-PARLE H 1 +BM.1976.011.001/45:18-06 VP-PARLE H 1 +BM.1976.011.001/45:18-07 VP-PARLE H 1 +BM.1976.011.001/45:18-08 VC-CHANTE H 1 +BM.1976.011.001/45:18-09 VP-PARLE F 1 +BM.1976.011.001/45:18-10 VP-PARLE F 1 +BM.1976.011.001/45:18-11 VC-CHANTE H 1 +BM.1976.011.001/45:19-01 VP-PARLE H 1 +BM.1976.011.001/45:19-01 VC-CHANTE H 1 +BM.1976.011.001/45:19-02 VP-PARLE H 1 +BM.1976.011.001/45:19-03 VP-PARLE H 1 +BM.1976.011.001/45:19-04 VP-PARLE H 1 +BM.1976.011.001/45:19-05 VP-PARLE H 1 +BM.1976.011.001/45:19-06 VC-CHANTE H 1 +BM.1976.011.001/45:19-07 VC-CHANTE H 1 +BM.1976.011.001/45:19-08 VC-CHANTE H 1 +BM.1976.011.001/45:19-09 VC-CHANTE H 1 +BM.1976.011.001/45:19-10 VP-PARLE H 1 +BM.1976.011.001/45:19-11 VP-PARLE H 1 +BM.1976.011.001/45:20-01 VP-PARLE H 1 +BM.1976.011.001/45:20-02 VP-PARLE H 1 +BM.1976.011.001/45:20-03 VP-PARLE H 1 +BM.1976.011.001/45:20-04 VP-PARLE H 1 +BM.1976.011.001/45:20-05 VC-CHANTE F 1 +BM.1976.011.001/45:20-06 VP-PARLE H & F +BM.1976.011.001/45:20-07 VC-CHANTE H 1 +BM.1976.011.001/45:20-08 VC-CHANTE F 1 +BM.1976.011.001/45:20-09 VP-PARLE H 1 +BM.1976.011.001/45:20-10 VC-CHANTE H 1 +BM.1976.011.001/45:20-11 VC-CHANTE H 1 +BM.1976.011.001/45:20-12 VP-PARLE H 1 +BM.1976.011.001/45:20-13 VC-CHANTE H 1 +BM.1976.011.001/45:20-13 VC-CHANTE F 1 +BM.1976.011.001/45:21-01 VC-CHANTE F 1 +BM.1976.011.001/45:21-02 VC-CHANTE H 1 +BM.1976.011.001/45:21-02 VP-PARLE F 1 +BM.1976.011.001/45:21-03 VC-CHANTE H 1 +BM.1976.011.001/45:21-03 VC-CHANTE F 1 +BM.1976.011.001/45:21-04 VP-PARLE H 1 +BM.1976.011.001/45:21-05 VC-CHANTE H 1 +BM.1976.011.001/45:21-06 VP-PARLE F 1 +BM.1976.011.001/45:21-07 VC-CHANTE H 1 +BM.1976.011.001/45:21-08 VC-CHANTE H 1 +BM.1976.011.001/45:21-09 CC-CITHARE/TUBE CC-VALIHA 1 +BM.1976.011.001/45:21-10 CC-CITHARE/TUBE CC-VALIHA 2 +BM.1976.011.001/45:21-10 VA-SIFFLE H 1 +BM.1976.011.001/45:21-11 VA-SIFFLE H 1 +BM.1976.011.001/45:22-01 VC-CHANTE H 1 +BM.1976.011.001/45:22-02 VC-CHANTE H 1 +BM.1976.011.001/45:22-03 CHL-HARPE-LUTH CHL-KORA 1 +BM.1976.011.001/45:22-04 CHL-HARPE-LUTH CHL-KORA 1 +BM.1976.011.001/45:22-05 VP-PARLE F 1 +BM.1976.011.001/45:22-06 VP-PARLE F 1 +BM.1976.011.001/45:22-07 VC-CHANTE N +BM.1976.011.001/45:22-08 VX-COMPOSITE H 1 +BM.1976.011.001/45:22-09 VP-PARLE F 1 +BM.1976.011.001/45:22-10 VP-PARLE F 1 +BM.1976.011.001/45:23-01 VC-CHANTE F 1 +BM.1976.011.001/45:23-02 VC-CHANTE F 1 +BM.1976.011.001/45:23-03 VP-PARLE 1 +BM.1976.011.001/45:23-04 VP-PARLE E 1 +BM.1976.011.001/45:23-05 VP-PARLE H 1 +BM.1976.011.001/45:23-06 VP-PARLE H 1 +BM.1976.011.001/45:23-07 VP-PARLE H 1 +BM.1976.011.001/45:23-08 CL-LUTH CL-TAR 1 +BM.1976.011.001/45:23-09 CL-LUTH CL-TAR 1 +BM.1976.011.001/45:23-10 CL-LUTH CL-TAR 1 +BM.1976.011.001/45:23-11 CL-LUTH CL-TAR 1 +BM.1976.011.001/45:24-01 VC-CHANTE H 1 +BM.1976.011.001/45:24-02 VP-PARLE H 1 +BM.1976.011.001/45:24-03 VP-PARLE H 1 +BM.1976.011.001/45:24-04 VC-CHANTE H 1 +BM.1976.011.001/45:24-05 VC-CHANTE H 1 +BM.1976.011.001/45:24-06 VC-CHANTE H 1 +BM.1976.011.001/45:24-07 VC-CHANTE H 1 +BM.1976.011.001/45:24-08 VC-CHANTE H 1 +BM.1976.011.001/45:24-09 VC-CHANTE F 1 +BM.1976.011.001/45:24-10 VC-CHANTE H 1 +BM.1976.011.001/45:24-11 VC-CHANTE F 1 +BM.1976.011.001/45:24-12 VP-PARLE H 1 +BM.1976.011.001/45:25-01 VP-PARLE H 1 +BM.1976.011.001/45:25-02 VP-PARLE H 1 +BM.1976.011.001/45:25-03 VC-CHANTE H 1 +BM.1976.011.001/45:25-04 VC-CHANTE H 1 +BM.1976.011.001/45:25-05 VP-PARLE H 1 +BM.1976.011.001/45:25-06 VP-PARLE H 1 +BM.1976.011.001/45:25-07 VC-CHANTE H 1 +BM.1976.011.001/45:25-08 VC-CHANTE H 1 +BM.1976.011.001/45:25-09 VC-CHANTE F 1 +BM.1976.011.001/45:25-10 VP-PARLE H 1 +BM.1976.011.001/45:25-11 VP-PARLE H 1 +BM.1976.011.001/45:25-12 VC-CHANTE H 1 +BM.1976.011.001/45:25-13 VP-PARLE H 1 +BM.1976.011.001/45:26-01 VP-PARLE H 1 +BM.1976.011.001/45:26-02 VP-PARLE H 1 +BM.1976.011.001/45:26-03 VP-PARLE H 1 +BM.1976.011.001/45:26-04 VC-CHANTE H 1 +BM.1976.011.001/45:26-05 VC-CHANTE H 1 +BM.1976.011.001/45:26-06 VC-CHANTE +BM.1976.011.001/45:26-07 VP-PARLE H 1 +BM.1976.011.001/45:26-08 VC-CHANTE H 1 +BM.1976.011.001/45:26-09 VP-PARLE H 1 +BM.1976.011.001/45:26-10 VC-CHANTE H 1 +BM.1976.011.001/45:26-11 VP-PARLE H 1 +BM.1976.011.001/45:26-12 VP-PARLE H 1 +BM.1976.011.001/45:27-01 VP-PARLE H 1 +BM.1976.011.001/45:27-02 VC-CHANTE H 1 +BM.1976.011.001/45:27-03 VC-CHANTE H 1 +BM.1976.011.001/45:27-04 VC-CHANTE H 1 +BM.1976.011.001/45:27-05 VP-PARLE H 1 +BM.1976.011.001/45:27-06 VC-CHANTE H 1 +BM.1976.011.001/45:27-07 VC-CHANTE H 1 +BM.1976.011.001/45:27-08 VC-CHANTE H 1 +BM.1976.011.001/45:27-09 VC-CHANTE H 1 +BM.1976.011.001/45:27-10 VC-CHANTE H 1 +BM.1976.011.001/45:27-11 VC-CHANTE H 1 +BM.1976.011.001/45:27-12 VP-PARLE H 1 +BM.1976.011.001/45:27-13 VC-CHANTE H 1 +BM.1976.011.001/45:28-01 VP-PARLE 1 +BM.1976.011.001/45:28-02 VC-CHANTE H 1 +BM.1976.011.001/45:28-03 VP-PARLE F 1 +BM.1976.011.001/45:28-04 VP-PARLE H 1 +BM.1976.011.001/45:28-05 VC-CHANTE H 1 +BM.1976.011.001/45:28-06 VP-PARLE H 1 +BM.1976.011.001/45:28-07 VC-CHANTE H 1 +BM.1976.011.001/45:28-08 VC-CHANTE H 1 +BM.1976.011.001/45:28-09 VC-CHANTE H 1 +BM.1976.011.001/45:28-10 VP-PARLE H 1 +BM.1976.011.001/45:28-11 VC-CHANTE H 1 +BM.1976.011.001/45:28-12 VC-CHANTE F 1 +BM.1976.011.001/45:28-13 VP-PARLE F 1 +BM.1976.011.001/45:29-01 VP-PARLE H 1 +BM.1976.011.001/45:29-02 VP-PARLE H & F +BM.1976.011.001/45:29-03 VC-CHANTE H 1 +BM.1976.011.001/45:29-04 VC-CHANTE N +BM.1976.011.001/45:29-06 VC-CHANTE N +BM.1976.011.001/45:29-07 VC-CHANTE F 1 +BM.1976.011.001/45:29-08 VP-PARLE F 1 +BM.1976.011.001/45:29-09 VP-PARLE H 1 +BM.1976.011.001/45:29-10 VC-CHANTE H 1 +BM.1976.011.001/45:30-01 ORCH-N N +BM.1976.011.001/45:30-02 AT-TROMPE 2 +BM.1976.011.001/45:30-03 VC- CHANTE DUO H 1 +BM.1976.011.001/45:30-04 VC-CHANTE CHR H N +BM.1976.011.001/45:30-05 ORCH-FANFARE +BM.1976.011.001/45:30-06 VC-CHANTE CHR H +BM.1976.011.001/45:30-07 ORCH-FANFARE +BM.1976.011.001/45:30-08 ORCH-FANFARE +BM.1976.011.001/45:30-09 VC-CHANTE CHR H +BM.1976.011.001/45:30-10 ORCH-N +BM.1976.011.001/45:30-11 VC-CHANTE SOLO H 1 +BM.1976.011.001/45:30-12 VC-CHANTE H 1 +BM.1976.011.001/45:30-12 AAL-ANCHE LIBRE AAL-HARMONUIM 1 +BM.1976.011.001/45:30-13 ORCH-FANFARE +BM.1976.011.001/45:30-14 ORCH-FANFARE +BM.1976.011.001/45:30-15 VC-CHANTE CHR +BM.1976.011.001/45:30-15 CC-CITHARE/CAISSE CC-PIANO MECANIQUE 1 +BM.1976.011.001/45:30-16 AT-TROMPE 2 +BM.1976.011.001/45:30-17 ORCH-FANFARE 1 +BM.1976.011.001/45:31-01 ORCH-FANFARE 1 +BM.1976.011.001/45:31-02 VC-CHANTE CHR H +BM.1976.011.001/45:31-03 VC-CHANTE H 1 +BM.1976.011.001/45:31-04 CL-LUTH CL-MANDOLINE 1 +BM.1976.011.001/45:31-05 VP-PARLE F 1 +BM.1976.011.001/45:31-06 VP-PARLE H 1 +BM.1976.011.001/45:31-07 ORCH-FANFARE 1 +BM.1976.011.001/45:31-08 VP-PARLE H 1 +BM.1976.011.001/45:31-10 VP-PARLE +BM.1976.011.001/45:31-11 VP-PARLE H 1 +BM.1976.011.001/45:31-12 VP-PARLE H 1 +BM.1976.011.001/45:31-13 VP-PARLE H 1 +BM.1976.011.001/45:31-14 VP-PARLE H 1 +BM.1976.011.001/45:31-15 VP-PARLE H 1 +BM.1976.011.001/45:31-16 VP-PARLE H 1 +BM.1976.011.001/45:31-17 VP-PARLE H 1 +BM.1976.011.001/45:32-01 VP-PARLE H 1 +BM.1976.011.001/45:32-02 VP-PARLE H 1 +BM.1976.011.001/45:32-03 VP-PARLE H 1 +BM.1976.011.001/45:32-04 VP-PARLE H 1 +BM.1976.011.001/45:32-05 VP-PARLE +BM.1976.011.001/45:32-06 VP-PARLE +BM.1976.011.001/45:32-07 VP-PARLE +BM.1976.011.001/45:32-08 VP-PARLE +BM.1976.011.001/45:32-09 VP-PARLE +BM.1976.011.001/45:32-10 VP-PARLE +BM.1976.011.001/45:32-11 VP-PARLE +BM.1976.011.001/45:32-12 VP-PARLE +BM.1976.011.001/45:32-13 VP-PARLE H 1 +BM.1976.011.001/45:32-14 VP-PARLE 1 +BM.1976.011.001/45:32-15 VP-PARLE 1 +BM.1976.011.001/45:32-16 VP-PARLE 1 +BM.1976.011.001/45:32-17 VP-PARLE 1 +BM.1976.011.001/45:32-18 VP-PARLE +BM.1976.011.001/45:33-01 VP-PARLE +BM.1976.011.001/45:33-02 VP-PARLE +BM.1976.011.001/45:33-03 VP-PARLE +BM.1976.011.001/45:33-04 VP-PARLE +BM.1976.011.001/45:33-05 VP-PARLE H +BM.1976.011.001/45:33-06 VP-PARLE +BM.1976.011.001/45:33-07 VC-CHANTE H 1 +BM.1976.011.001/45:33-08 VC-CHANTE H 1 +BM.1976.011.001/45:33-09 VC-CHANTE H 1 +BM.1976.011.001/45:33-10 VC-CHANTE H 1 +BM.1976.011.001/45:33-11 VC-CHANTE H +BM.1976.011.001/45:33-12 VC-CHANTE H +BM.1976.011.001/45:33-13 VC-CHANTE H +BM.1976.011.001/45:33-14 VC-CHANTE H +BM.1976.011.001/45:33-15 VC-CHANTE H +BM.1976.011.001/45:33-16 VC-CHANTE H +BM.1976.011.001/45:34-02 VC-CHANTE H +BM.1976.011.001/45:34-03 VC-CHANTE H +BM.1976.011.001/45:34-04 VC-CHANTE H +BM.1976.011.001/45:34-05 VC-CHANTE F 1 +BM.1976.011.001/45:34-05 M-TBR 4 +BM.1976.011.001/45:34-06 VC-CHANTE F 1 +BM.1976.011.001/45:34-06 M-TBR 4 +BM.1976.011.001/45:34-07 VC-CHANTE F 1 +BM.1976.011.001/45:34-07 M-TBR 4 +BM.1976.011.001/45:34-08 VC-CHANTE F 1 +BM.1976.011.001/45:34-08 M-TBR 4 +BM.1976.011.001/45:34-09 VC-CHANTE F 1 +BM.1976.011.001/45:34-09 M-TBR 4 +BM.1976.011.001/45:34-10 VC-CHANTE F 1 +BM.1976.011.001/45:34-10 M-TBR 4 +BM.1976.011.001/45:34-11 VC-CHANTE F 1 +BM.1976.011.001/45:34-11 M-TBR 4 +BM.1976.011.001/45:34-12 VC-CHANTE F 1 +BM.1976.011.001/45:34-12 M-TBR 4 +BM.1976.011.001/45:35-01 VC-CHANTE F 1 +BM.1976.011.001/45:35-01 M-TBR +BM.1976.011.001/45:35-02 VC-CHANTE F 1 +BM.1976.011.001/45:35-02 M-TBR +BM.1976.011.001/45:35-03 VC-CHANTE F 1 +BM.1976.011.001/45:35-03 M-TBR +BM.1976.011.001/45:35-04 VC-CHANTE F 1 +BM.1976.011.001/45:35-04 M-TBR +BM.1976.011.001/45:35-05 VC-CHANTE F 1 +BM.1976.011.001/45:35-05 M-TBR +BM.1976.011.001/45:35-06 VC-CHANTE F 1 +BM.1976.011.001/45:35-06 M-TBR +BM.1976.011.001/45:35-07 VC-CHANTE F 1 +BM.1976.011.001/45:35-07 M-TBR +BM.1976.011.001/45:35-08 VC-CHANTE F 1 +BM.1976.011.001/45:35-08 M-TBR +BM.1976.011.001/45:35-09 VC-CHANTE SOLO 1 +BM.1976.011.001/45:35-10 VC-CHANTE SOLO 1 +BM.1976.011.001/45:35-11 VC-CHANTE H +BM.1976.011.001/45:35-12 VC-CHANTE H +BM.1976.011.001/45:35-12 AFTC-FLUTE TERM CONDUIT AFTC-FLUTE A BEC 1 +BM.1976.011.001/45:35-12 M1D-TBR 1MEMB/CADRE 1 +BM.1976.011.001/45:36-01 AFTC-FLUTE TERM CONDUIT AFTC-FLUTE A BEC 1 +BM.1976.011.001/45:36-02 VC-CHANTE H +BM.1976.011.001/45:36-02 AF-FLUTE 1 +BM.1976.011.001/45:36-03 VC-CHANTE +BM.1976.011.001/45:36-03 AF-FLUTE 1 +BM.1976.011.001/45:36-03 M-TBR 1 +BM.1976.011.001/45:36-04 VC-CHANTE F +BM.1976.011.001/45:36-05 VC-CHANTE H +BM.1976.011.001/45:36-05 AF-FLUTE 1 +BM.1976.011.001/45:36-06 VC-CHANTE F +BM.1976.011.001/45:36-06 AF-FLUTE 1 +BM.1976.011.001/45:36-07 VC-CHANTE F +BM.1976.011.001/45:36-07 AF-FLUTE 1 +BM.1976.011.001/45:36-08 VC-CHANTE F 3 +BM.1976.011.001/45:36-09 VC-CHANTE F 1 +BM.1976.011.001/45:36-10 VC-CHANTE F +BM.1976.011.001/45:36-10 AF-FLUTE 1 +BM.1976.011.001/45:36-11 VC-CHANTE F +BM.1976.011.001/45:36-11 AF-FLUTE 1 +BM.1976.011.001/45:36-12 VC-CHANTE H +BM.1976.011.001/45:36-12 AF-FLUTE 1 +BM.1976.011.001/45:37-01 AF-FLUTE 1 +BM.1976.011.001/45:37-02 AF-FLUTE 1 +BM.1976.011.001/45:37-03 AF-FLUTE 1 +BM.1976.011.001/45:37-04 VC-CHANTE +BM.1976.011.001/45:37-04 AF-FLUTE 1 +BM.1976.011.001/45:37-04 M-TBR 1 +BM.1976.011.001/45:37-05 VC-CHANTE +BM.1976.011.001/45:37-05 AF-FLUTE 1 +BM.1976.011.001/45:37-05 M-TBR 1 +BM.1976.011.001/45:37-06 VC-CHANTE +BM.1976.011.001/45:37-06 AF-FLUTE 1 +BM.1976.011.001/45:37-06 M-TBR 1 +BM.1976.011.001/45:37-07 VC-CHANTE +BM.1976.011.001/45:37-07 AF-FLUTE 1 +BM.1976.011.001/45:37-07 M-TBR 1 +BM.1976.011.001/45:37-08 VC-CHANTE F +BM.1976.011.001/45:37-09 VC-CHANTE F +BM.1976.011.001/45:37-10 VC-CHANTE F +BM.1976.011.001/45:38-01 VP-PARLE H 1 +BM.1976.011.001/45:38-02 VP-PARLE H 1 +BM.1976.011.001/45:38-03 VA-CHANTE-PARLE F 1 +BM.1976.011.001/45:38-03 VC-CHANTE +BM.1976.011.001/45:38-04 VP-PARLE E 1 +BM.1976.011.001/45:38-05 VC-CHANTE F 1 +BM.1976.011.001/45:38-06 VC-CHANTE F 1 +BM.1976.011.001/45:38-07 VC-CHANTE F 1 +BM.1976.011.001/45:38-08 VC-CHANTE F 1 +BM.1976.011.001/45:38-09 CL-LUTH 1 +BM.1976.011.001/45:38-09 VC-CHANTE +BM.1976.011.001/45:38-09 CL-LUTH 1 +BM.1976.011.001/45:38-10 VC-CHANTE F +BM.1976.011.001/45:38-11 VC-CHANTE F +BM.1976.011.001/45:38-12 CL-LUTH 1 +BM.1976.011.001/45:39-01 VC-CHANTE F +BM.1976.011.001/45:39-02 VC-CHANTE F +BM.1976.011.001/45:39-03 VC-CHANTE H +BM.1976.011.001/45:39-04 VC-CHANTE F +BM.1976.011.001/45:39-05 VC-CHANTE F +BM.1976.011.001/45:39-06 VC-CHANTE F +BM.1976.011.001/45:39-07 VC-CHANTE F +BM.1976.011.001/45:39-08 VC-CHANTE F +BM.1976.011.001/45:39-09 VC-CHANTE F +BM.1976.011.001/45:39-10 VC-CHANTE F +BM.1976.011.001/45:39-11 VC-CHANTE F +BM.1976.011.001/45:39-12 VC-CHANTE F +BM.1976.011.001/45:40-01 VC-CHANTE F +BM.1976.011.001/45:40-02 VC-CHANTE F +BM.1976.011.001/45:40-03 VC-CHANTE F +BM.1976.011.001/45:40-04 VC-CHANTE F +BM.1976.011.001/45:40-05 VC-CHANTE F +BM.1976.011.001/45:40-06 VC-CHANTE H +BM.1976.011.001/45:40-07 VC-CHANTE H +BM.1976.011.001/45:40-08 VC-CHANTE H +BM.1976.011.001/45:40-09 VC-CHANTE H +BM.1976.011.001/45:40-10 VC-CHANTE H +BM.1976.011.001/45:40-11 VC-CHANTE H +BM.1976.011.001/45:40-12 VC-CHANTE F +BM.1976.011.001/45:41-01 CL-LUTH 1 +BM.1976.011.001/45:41-01 VC-CHANTE H 1 +BM.1976.011.001/45:41-02 CL-LUTH 1 +BM.1976.011.001/45:41-02 VC-CHANTE H 1 +BM.1976.011.001/45:41-03 IFP-XYLOPHONE IFP-BALAFON N +BM.1976.011.001/45:41-04 VC-CHANTE CHR 1 +BM.1976.011.001/45:41-04 IFP-XYLOPHONE IFP-BALAFON N +BM.1976.011.001/45:41-05 VC-CHANTE CHR 1 +BM.1976.011.001/45:41-05 IFP-XYLOPHONE IFP-BALAFON N +BM.1976.011.001/45:41-06 VC-CHANTE CHR 1 +BM.1976.011.001/45:41-06 IFP-XYLOPHONE IFP-BALAFON N +BM.1976.011.001/45:42-01 VC-CHANTE N +BM.1976.011.001/45:42-02 VC-CHANTE N +BM.1976.011.001/45:42-03 VC-CHANTE N +BM.1976.011.001/45:42-07 VC-CHANTE H 1 +BM.1976.011.001/45:42-08 AF-FLUTE 1 +BM.1976.011.001/45:42-08 M-TBR N +BM.1976.011.001/45:43-01 VP-PARLE H 1 +BM.1976.011.001/45:43-02 VC-CHANTE H 1 +BM.1976.011.001/45:43-03 AABD-HAUTBOIS AAB-ALGITA 1 +BM.1976.011.001/45:43-03 M-TBR 2 +BM.1976.011.001/45:43-04 AF-FLUTE AF-SIFFLET 1 +BM.1976.011.001/45:43-04 IP-GUIMBARDE N +BM.1976.011.001/45:43-04 VC-CHANTE +BM.1976.011.001/45:43-05 AABD-HAUTBOIS N +BM.1976.011.001/45:43-05 M-TBR N +BM.1976.011.001/45:43-06 AABD-HAUTBOIS N +BM.1976.011.001/45:43-06 M-TBR N +BM.1976.011.001/45:43-07 M1-TBR 1MEMB 3 +BM.1976.011.001/45:43-08 VC-CHANTE +BM.1976.011.001/45:44-01 M-TBR 1 +BM.1976.011.001/45:44-02 M-TBR 1 +BM.1976.011.001/45:44-03 M-TBR 1 +BM.1976.011.001/45:44-04 M-TBR 1 +BM.1976.011.001/45:44-05 M-TBR 1 +BM.1976.011.001/45:44-06 M-TBR 1 +BM.1976.011.001/45:44-07 M-TBR 1 +BM.1976.011.001/45:44-08 M-TBR 1 +BM.1976.011.001/45:44-09 M-TBR 1 +BM.1976.011.001/45:44-10 M-TBR N +BM.1976.011.001/45:44-11 M-TBR N +BM.1976.011.001/45:45-01 M-TBR N +BM.1976.011.001/45:45-02 M-TBR N +BM.1976.011.001/45:45-03 M-TBR N +BM.1976.011.001/45:45-04 M-TBR N +BM.1976.011.001/45:45-05 M-TBR N +BM.1976.011.001/45:45-06 VC-CHANTE H N +BM.1976.011.001/45:45-07 VC-CHANTE H N +BM.1977.002.001:01-A01 AF-FLUTE NAMAZAROU 1 +BM.1978.007.001/04:01-01 VC-CHANTE SOLO F +BM.1978.007.001/04:01-01 VP-PARLE SOLO H +BM.1978.007.001/04:01-01 CL-LUTH CL-NGONI 1 +BM.1978.007.001/04:02-01 VP-PARLE SOLO H +BM.1978.007.001/04:02-01 CL-LUTH CL-NGONI BABA CISSOKO 1 +BM.1978.011.001/40:01-01 AFT-FLUTE TERM 2TUY AFT-SATARA KAMMU KHAN 1 +BM.1978.011.001/40:01-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:01-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:01-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:01-05 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:02-01 AFT-FLUTE TERM 2TUY AFT-SATARA KAMMU KHAN 1 +BM.1978.011.001/40:02-02 AFT-FLUTE TERM 2TUY AFT-SATARA KAMMU KHAN 1 +BM.1978.011.001/40:02-03 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:02-03 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:02-04 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:02-04 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:02-05 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:02-05 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:03-01 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:03-01 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:03-02 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:03-02 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:03-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:03-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:03-05 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:03-06 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:03-06 CV-VIELE CV-SINDHI-SARANGI 1 +BM.1978.011.001/40:04-01 AABS-CLARINETTE 2TUY AABS-MURALI IBRAHIM 1 +BM.1978.011.001/40:04-02 AABS-CLARINETTE 2TUY AABS-MURALI IBRAHIM 1 +BM.1978.011.001/40:04-03 AABS-CLARINETTE 2TUY AABS-MURALI IBRAHIM 1 +BM.1978.011.001/40:04-04 AFT-FLUTE TERM 2TUY AFT-SATARA 2 +BM.1978.011.001/40:04-04 IP-GUIMBARDE IP-MORCHANG 1 +BM.1978.011.001/40:05-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:05-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:05-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:05-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:05-05 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:05-06 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:06-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:06-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:06-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:06-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:07-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:07-01 IFC-IDIOPHONE FRAPPE CREUX IFC-N 1 +BM.1978.011.001/40:07-02 AFT-FLUTE TERM 2TUY AFT-SATARA RIDJMAL 1 +BM.1978.011.001/40:07-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:08-01 AFT-FLUTE TERM 2TUY AFT-SATARA MURAAD 1 +BM.1978.011.001/40:08-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:08-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:08-04 AFT-FLUTE TERM 2TUY AFT-SATARA RIDJMAL 1 +BM.1978.011.001/40:08-05 AFT-FLUTE TERM 2TUY AFT-SATARA RIDJMAL 1 +BM.1978.011.001/40:09-01 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:09-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:09-02 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:09-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:10-01 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:10-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:10-02 IP-GUIMBARDE IP-GHORALIYO UNE FEMME 1 +BM.1978.011.001/40:10-03 IP-GUIMBARDE IP-GHORALIYO UNE FEMME 1 +BM.1978.011.001/40:10-04 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:10-04 CL-LUTH CL-RAVAJ 1 +BM.1978.011.001/40:10-05 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:10-05 CL-LUTH CL-RAVAJ 1 +BM.1978.011.001/40:10-06 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:10-06 CL-LUTH CL-RAVAJ 1 +BM.1978.011.001/40:10-07 VP-PARLE SOLO H VP-N 1 +BM.1978.011.001/40:10-08 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:10-08 CL-LUTH CL-RAVAJ 1 +BM.1978.011.001/40:11-01 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:11-01 M1-TBR 1MEMB M1-N 2 +BM.1978.011.001/40:12-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:12-02 AFT-FLUTE TERM 2TUY AFT-SATARA GORDHAM 1 +BM.1978.011.001/40:12-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:13-01 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:13-02 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:13-03 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:13-04 AFT-FLUTE TERM 2TUY AFT-SATARA 1 +BM.1978.011.001/40:14-01 AFT-FLUTE TERM 2TUY AFT-SATARA GORDHAM 1 +BM.1978.011.001/40:14-02 AFT-FLUTE TERM 2TUY AFT-SATARA GORDHAM 1 +BM.1978.011.001/40:14-03 AFT-FLUTE TERM 2TUY AFT-SATARA GORDHAM 1 +BM.1978.011.001/40:14-04 AFT-FLUTE TERM AFT-NARH GAZI KHAN 2 +BM.1978.011.001/40:14-04 V-VOIX V-N 1 +BM.1978.011.001/40:15-01 AFT-FLUTE TERM AFT-NARH GAZI KHAN 2 +BM.1978.011.001/40:15-01 V-VOIX V-N 1 +BM.1978.011.001/40:15-02 AFT-FLUTE TERM AFT-NARH GAZI KHAN 2 +BM.1978.011.001/40:15-02 V-VOIX V-N 1 +BM.1978.011.001/40:15-03 AFT-FLUTE TERM AFT-NARH GAZI KHAN 2 +BM.1978.011.001/40:15-03 V-VOIX V-N 1 +BM.1978.011.001/40:15-04 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:15-04 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:15-05 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:15-05 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:16-01 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:16-01 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:16-02 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:16-02 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:16-03 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:16-04 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:16-05 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:16-05 CV-VIELE CV-SARANGI 1 +BM.1978.011.001/40:17-01 AFT-FLUTE TERM AFT-NARH 2 +BM.1978.011.001/40:17-01 V-VOIX V-N 1 +BM.1978.011.001/40:17-02 AABD-HAUTBOIS AABD-SHANAI 1 +BM.1978.011.001/40:17-02 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:17-02 IE-CLAQUETTES IE-KHARTAL +BM.1978.011.001/40:17-03 AABS-CLARINETTE 2TUY AABS-MURALI 1 +BM.1978.011.001/40:17-03 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:17-03 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:17-03 +BM.1978.011.001/40:17-04 AABS-CLARINETTE 2TUY AABS-MURALI 1 +BM.1978.011.001/40:17-04 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:17-04 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:17-04 +BM.1978.011.001/40:17-05 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:17-05 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:17-05 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:17-05 +BM.1978.011.001/40:18-01 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:18-01 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:18-01 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:18-01 +BM.1978.011.001/40:18-02 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:18-02 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:18-02 +BM.1978.011.001/40:18-03 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:18-03 IE-CLAQUETTES IE-KHARTAL 1 +BM.1978.011.001/40:18-03 +BM.1978.011.001/40:18-04 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:18-04 +BM.1978.011.001/40:19-01 CV-VIELE CV-KAMAYACHA 1 +BM.1978.011.001/40:19-01 +BM.1978.011.001/40:19-02 AFT-FLUTE TERM AFT-NARH GAZI KHAN 2 +BM.1978.011.001/40:19-02 V-VOIX V-N 1 +BM.1978.011.001/40:20-01 AFT-FLUTE TERM AFT-NARH GAZI KHAN 1 +BM.1978.011.001/40:20-01 V-VOIX V-N 1 +BM.1978.011.001/40:20-02 AFT-FLUTE TERM AFT-NARH GAZI KHAN 1 +BM.1978.011.001/40:20-03 AFT-FLUTE TERM AFT-NARH GAZI KHAN 1 +BM.1978.011.001/40:20-03 V-VOIX V-N 1 +BM.1978.011.001/40:21-01 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:21-01 V-VOIX V-N 1 +BM.1978.011.001/40:21-02 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:21-02 V-VOIX V-N 1 +BM.1978.011.001/40:21-03 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:21-03 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:21-03 +BM.1978.011.001/40:21-04 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:21-04 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:21-04 +BM.1978.011.001/40:22-01 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:22-01 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:22-01 +BM.1978.011.001/40:22-02 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:22-02 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:22-02 +BM.1978.011.001/40:22-03 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:22-03 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:22-03 +BM.1978.011.001/40:22-04 VC-CHANTE TRIO H VC-N 3 +BM.1978.011.001/40:22-04 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:22-04 +BM.1978.011.001/40:23-01 CV-VIELE CV-KAMAYACHA 2 +BM.1978.011.001/40:23-01 +BM.1978.011.001/40:23-02 CL-LUTH CL-TANDÛR 1 +BM.1978.011.001/40:23-02 IE-CYMBALES IE-N +BM.1978.011.001/40:23-02 A-AÉROPHONE +BM.1978.011.001/40:23-03 CL-LUTH CL-TANDÛR 1 +BM.1978.011.001/40:23-03 IE-CYMBALES IE-N +BM.1978.011.001/40:23-03 A-AÉROPHONE +BM.1978.011.001/40:23-04 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:23-05 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:24-01 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:24-02 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:24-02 V-VOIX V-N 1 +BM.1978.011.001/40:25-01 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-01 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-02 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-02 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-03 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-03 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-04 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-04 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-05 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-05 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-06 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-06 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-07 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-07 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-08 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-08 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:25-09 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:25-09 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:26-01 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:26-01 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:26-02 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:26-03 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:26-04 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:26-05 AFT-FLUTE TERM AFT-NARH AHMED 1 +BM.1978.011.001/40:26-05 V-VOIX V-N AHMED 1 +BM.1978.011.001/40:26-06 IE-CLAQUETTES IE-KHARTAL SADIP +BM.1978.011.001/40:26-07 IE-CLAQUETTES IE-KHARTAL SADIP +BM.1978.011.001/40:27-01 IE-CLAQUETTES IE-KHARTAL +BM.1978.011.001/40:27-02 IE-CLAQUETTES IE-KHARTAL +BM.1978.011.001/40:27-03 VC-CHANTE SOLO H VC-N 1 +BM.1978.011.001/40:27-03 IE-CLAQUETTES IE-KHARTAL +BM.1978.011.001/40:27-04 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:27-04 CV-VIELE CV-RAVANHATA 2 +BM.1978.011.001/40:27-05 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:27-05 CV-VIELE CV-RAVANHATA 2 +BM.1978.011.001/40:27-06 VC-CHANTE DUO H VC-N 2 +BM.1978.011.001/40:27-06 CV-VIELE CV-RAVANHATA 2 +BM.1978.011.001/40:28-01 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:28-02 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:28-03 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:28-04 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:29-01 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:29-01 BC-BATTEMENTS DE MAINS +BM.1978.011.001/40:29-02 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:29-03 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:29-04 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:29-05 AFT-FLUTE TERM 2TUY AFT-PAWA 1 +BM.1978.011.001/40:30-01 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:30-01 V-VOIX V-N 1 +BM.1978.011.001/40:30-02 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:30-02 V-VOIX V-N 1 +BM.1978.011.001/40:30-03 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:30-03 V-VOIX V-N 1 +BM.1978.011.001/40:30-04 VP-PARLE SOLO H V-N 1 +BM.1978.011.001/40:30-04 AFT-FLUTE TERM AFT-NARH 1 +BM.1978.011.001/40:30-04 V-VOIX V-N 1 +BM.1978.011.001/40:31-01 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-01 V-VOIX V-N 1 +BM.1978.011.001/40:31-02 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-02 V-VOIX V-N 1 +BM.1978.011.001/40:31-03 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-03 V-VOIX V-N 1 +BM.1978.011.001/40:31-04 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-04 V-VOIX V-N 1 +BM.1978.011.001/40:31-05 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-05 V-VOIX V-N 1 +BM.1978.011.001/40:31-06 AFT-FLUTE TERM AFT-NARH KARNA RAM BHIL 1 +BM.1978.011.001/40:31-06 V-VOIX V-N 1 +BM.1978.011.001/40:32-01 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-01 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-01 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-02 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-02 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-02 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-03 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-03 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-03 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-04 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-04 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-04 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-05 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-05 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-05 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-06 AFT-FLUTE TERM AFT-NARH FATAH MOHAMED 1 +BM.1978.011.001/40:32-06 V-VOIX V-N FATAH MOHAMED 1 +BM.1978.011.001/40:32-06 VC-CHANTE SOLO H VC-N FATAH MOHAMED 1 +BM.1978.011.001/40:33-01 CV-VIELE CV-RAVANHATA 1 +BM.1978.011.001/40:33-01 IS-GRELOT n +BM.1978.011.001/40:33-02 VC-CHANTE DUO ALTERNE H & F 2 +BM.1978.011.001/40:33-02 CV-VIELE CV-RAVANHATA 1 +BM.1978.011.001/40:33-03 VC-CHANTE DUO ALTERNE H & F 2 +BM.1978.011.001/40:33-03 CV-VIELE CV-RAVANHATA 1 +BM.1978.011.001/40:34-01 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:34-01 VC-CHANTE CHR +BM.1978.011.001/40:34-01 IE-CYMBALES 3 +BM.1978.011.001/40:34-01 M1C-TBR 1MEMB/CAISSE *PAIRE M1C-TABLA 1 +BM.1978.011.001/40:34-01 M1-TBR 1MEMB 1 +BM.1978.011.001/40:34-01 IE-CLAQUETTES +BM.1978.011.001/40:34-01 IE-CYMBALES +BM.1978.011.001/40:34-02 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:34-02 VC-CHANTE CHR +BM.1978.011.001/40:34-02 CL-LUTH CL-EKTARA +BM.1978.011.001/40:34-03 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:34-03 VC-CHANTE CHR +BM.1978.011.001/40:34-03 M-TBR +BM.1978.011.001/40:34-03 IE-CYMBALES +BM.1978.011.001/40:34-03 IE-CLAQUETTES +BM.1978.011.001/40:34-03 IE-CYMBALES +BM.1978.011.001/40:34-04 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:34-05 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:34-06 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:34-06 VC-CHANTE CHR +BM.1978.011.001/40:34-06 IR-IDIOPHONE RACLE IR-KARGACH 1 +BM.1978.011.001/40:35-01 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:35-01 VC-CHANTE CHR +BM.1978.011.001/40:35-01 IR-IDIOPHONE RACLE IR-KARGACH 1 +BM.1978.011.001/40:35-02 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:35-02 VC-CHANTE CHR +BM.1978.011.001/40:35-02 IR-IDIOPHONE RACLE IR-KARGACH 1 +BM.1978.011.001/40:35-03 VP-PARLE SOLO H 1 +BM.1978.011.001/40:35-03 +BM.1978.011.001/40:35-04 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:35-04 IS-GRELOT 1 +BM.1978.011.001/40:35-05 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:35-05 IS-GRELOT 1 +BM.1978.011.001/40:36-01 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:36-01 IS-GRELOT 1 +BM.1978.011.001/40:36-02 IP-GUIMBARDE IP-GHORALIYO 1 +BM.1978.011.001/40:36-02 IS-GRELOT 1 +BM.1978.011.001/40:36-03 IP-GUIMBARDE IP-GHORALIYO 2 +BM.1978.011.001/40:36-03 IS-GRELOT 1 +BM.1978.011.001/40:36-04 IP-GUIMBARDE IP-GHORALIYO 2 +BM.1978.011.001/40:36-04 IS-GRELOT 1 +BM.1978.011.001/40:36-05 IP-GUIMBARDE IP-GHORALIYO 2 +BM.1978.011.001/40:36-05 IS-GRELOT 1 +BM.1978.011.001/40:36-06 IP-GUIMBARDE IP-GHORALIYO 2 +BM.1978.011.001/40:36-06 IS-GRELOT 1 +BM.1978.011.001/40:36-07 VC-CHANTE SOLO H 1 +BM.1978.011.001/40:36-07 CC-CITHARE/BATON CC-KENDRA 1 +BM.1978.011.001/40:36-07 VC-CHANTE CHR +BM.1978.011.001/40:36-07 IE-CYMBALES IE-MANJIRA 2 +BM.1978.011.001/40:36-08 VC-CHANTE DUO ALTERNE +BM.1978.011.001/40:36-08 CC-CITHARE/BATON CC-KENDRA 1 +BM.1978.011.001/40:36-08 IE-CYMBALES IE-MANJIRA 2 +BM.1978.011.001/40:37-01 VC-DUO ALTERNE H 2 +BM.1978.011.001/40:37-01 CC-CITHARE/BATON CC-KENDRA 1 +BM.1978.011.001/40:37-01 IE-CYMBALES IE-MANJIRA 2 +BM.1978.011.001/40:37-02 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CL-CHARANGO 1 +BM.1979.053.001/02:01-18 VC-CHANTE SOLO H 1 +BM.1979.053.001/02:01-18 CL-LUTH CL-CHARANGO PAR LE CHANTEUR 1 +BM.1979.053.001/02:01-19 Z-AUTRE FANFARES CIVILES PROFESSIONNELLES +BM.1979.053.001/02:01-19 ATT-TROMPE TERM +BM.1979.053.001/02:01-19 M2C-TBR 2MEMB/CAISSE +BM.1979.053.001/02:01-19 M2D-TBR 2MEMB/CADRE +BM.1979.053.001/02:01-19 BR-BRUITEUR +BM.1979.053.001/02:01-19 IR-CRECELLE +BM.1979.053.001/02:01-20 AFL-FLUTE LAT AFL-PALLAS +BM.1979.053.001/02:01-20 M-TBR M-BOMBO 1 +BM.1979.053.001/02:01-20 M-TBR M-REDOBLANTE 1 +BM.1979.053.001/02:01-21 AFP-FLUTE DE PAN AFP-SIKU +BM.1979.053.001/02:01-21 M-TBR M-BOMBO 1 +BM.1979.053.001/02:01-21 M-TBR M-REDOBLANTE 1 +BM.1979.053.001/02:01-22 AFP-FLUTE DE PAN AFP-KANTU +BM.1979.053.001/02:01-22 M-TBR M-BOMBO 1 +BM.1979.053.001/02:02-01 M-TBR 1 +BM.1979.053.001/02:02-01 AFTC-FLUTE TERM CONDUIT AFTC-TARKAS +BM.1979.053.001/02:02-02 AFP-FLUTE DE PAN AFP-KANTU 20 +BM.1979.053.001/02:02-02 M-TBR M-BOMBO 1 +BM.1980.005.001/23:01-01 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:01-01 CV-VIELE CV-SARANGI = CHANTEUR 1 +BM.1980.005.001/23:01-01 BR-BRUITEUR BR-N +BM.1980.005.001/23:01-01 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1980.005.001/23:01-02 V-VOIX SOLO H VC-N 1 +BM.1980.005.001/23:01-02 CV-VIELE CV-SARANGI = CHANTEUR 1 +BM.1980.005.001/23:01-02 BR-BRUITEUR BR-N +BM.1980.005.001/23:01-02 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1980.005.001/23:01-03 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:01-03 CV-VIELE CV-SARANGI 1 +BM.1980.005.001/23:01-03 BR-BRUITEUR BR-N +BM.1980.005.001/23:01-04 VC-CHANTE SOLO F +BM.1980.005.001/23:01-04 M2C-TBR 2MEMB/CAISSE M2C-DHOLAK 1 +BM.1980.005.001/23:01-05 VC-CHANTE CHR H & G VC-N +BM.1980.005.001/23:01-05 M2-TBR 2MEMB M2-MANDAR 1 +BM.1980.005.001/23:01-05 IE-CYMBALES IE-MANJIRA 3 +BM.1980.005.001/23:01-05 IS-HOCHET IS-JHUMKA 2 +BM.1980.005.001/23:01-05 IE-CLAQUETTES IE-KHARTAL 2 +BM.1980.005.001/23:01-05 BR-BRUITEUR BR-N +BM.1980.005.001/23:02-01 AT-TROMPE AT-BANS JAGMOHAN 1 +BM.1980.005.001/23:02-02 VX-COMPOSITE SOLO H VX-N JAGMOHAN 1 +BM.1980.005.001/23:02-02 AT-TROMPE AT-BANS JAGMOHAN 1 +BM.1980.005.001/23:02-03 VX-COMPOSITE SOLO H VC-N PANCHAM 1 +BM.1980.005.001/23:02-03 AT-TROMPE AT-BANS DHANESH RAWAUT 1 +BM.1980.005.001/23:03-01 AF-FLUTE AF-BANS DANESH 1 +BM.1980.005.001/23:04-01 VX-COMPOSITE SOLO H VX-N PANCHAM 1 +BM.1980.005.001/23:04-01 AF-FLUTE AF-BANS DANESH 1 +BM.1980.005.001/23:05-01 ATL-TROMPE LAT ATL-TORI 1 +BM.1980.005.001/23:05-01 SD-AMBIANCES DIVERSES SD-N +BM.1980.005.001/23:05-02 VC-CHANTE CHR JF VC-N 8 +BM.1980.005.001/23:05-02 BR-BRUITEUR BR-N +BM.1980.005.001/23:05-03 VC-CHANTE CHR JF VC-N 8 +BM.1980.005.001/23:05-04 VC-CHANTE CHR JF VC-N 8 +BM.1980.005.001/23:05-05 VC-CHANTE CHR F VC-N +BM.1980.005.001/23:06-01 VC-CHANTE CHR JF VC-N +BM.1980.005.001/23:06-01 IE-CYMBALES IE-N +BM.1980.005.001/23:06-01 AT-TROMPE AT-N +BM.1980.005.001/23:06-01 M2-TBR 2MEMB M2-N +BM.1980.005.001/23:06-01 IFC-BLOC DE BOIS IFC-N +BM.1980.005.001/23:06-02 VC-CHANTE CHR JF VC-N +BM.1980.005.001/23:06-02 AT-TROMPE +BM.1980.005.001/23:06-02 BC-BATTEMENTS DE MAINS +BM.1980.005.001/23:06-02 IS-SONNAILLES +BM.1980.005.001/23:06-02 SD-AMBIANCES DIVERSES +BM.1980.005.001/23:06-02 +BM.1980.005.001/23:06-03 VC-CHANTE CHR JF VC-N +BM.1980.005.001/23:06-03 IFC-BLOC DE BOIS IFC-N +BM.1980.005.001/23:06-03 IS-HOCHET IS-N +BM.1980.005.001/23:06-03 SD-AMBIANCES DIVERSES +BM.1980.005.001/23:06-04 VC-CHANTE CHR JF VC-N +BM.1980.005.001/23:06-05 VC-CHANTE 2CHR ALTERNES F VC-N 7à9 +BM.1980.005.001/23:07-01 VC-CHANTE 2CHR ALTERNES F VC-N 7 à 9 +BM.1980.005.001/23:07-01 SA-SONS ANIMAUX +BM.1980.005.001/23:07-02 VC-CHANTE 2CHR ALTERNES JH/JF VC-N 3+4 +BM.1980.005.001/23:07-03 VC-CHANTE 2CHR ALTERNES JH/JF VC-N 3+4 +BM.1980.005.001/23:08-01 VC-CHANTE SOLO H VC-N RUBJI +BM.1980.005.001/23:08-02 VC-CHANTE DUO JF VC-N +BM.1980.005.001/23:08-02 +BM.1980.005.001/23:08-03 VC-CHANTE SOLO H VC-N RUBJI +BM.1980.005.001/23:08-04 VC-CHANTE CHR E VC-N +BM.1980.005.001/23:08-04 IFP-BATON IFP-N +BM.1980.005.001/23:08-04 BC-BATTEMENTS DE MAINS BC-N +BM.1980.005.001/23:09-01 VC-CHANTE CHR JH VC-N JEUNES HOMMES 7 +BM.1980.005.001/23:09-01 IL-IDIOPHONE PILONNE IL-N +BM.1980.005.001/23:09-02 VC-CHANTE CHR JF VC-N 13 +BM.1980.005.001/23:09-02 IE-CYMBALES IE-CHATKULI JF +BM.1980.005.001/23:09-02 VC-CHANTE CHR JH VC-N 9 +BM.1980.005.001/23:09-02 M2-TBR 2MEMB M2-PAKAJ JH +BM.1980.005.001/23:09-02 IFC-BLOC DE BOIS IFC-KOTURKA JH 1 +BM.1980.005.001/23:10-01 VC-CHANTE 2CHR ALTERNES JH/JF VC-N 9/10-6 +BM.1980.005.001/23:10-02 VC-CHANTE 2CHR ALTERNES JH/JF VC-N 9+6 +BM.1980.005.001/23:11-01 VC-CHANTE CHR JF VC-N 6 +BM.1980.005.001/23:11-02 VC-CHANTE CHR JH & JF VC-N +BM.1980.005.001/23:11-02 M2C-TBR 2MEMB/CAISSE M2C-N 2 +BM.1980.005.001/23:11-02 V-VOIX V-N +BM.1980.005.001/23:11-03 VC-CHANTE TRIO F VC-N 3 +BM.1980.005.001/23:11-03 SD-AMBIANCES DIVERSES SD-N +BM.1980.005.001/23:11-04 VC-CHANTE TRIO F VC-N 3 +BM.1980.005.001/23:11-05 VC-CHANTE SOLO F VC-N 1 +BM.1980.005.001/23:11-06 AABS-CLARINETTE AABS-MOHRI 1 +BM.1980.005.001/23:12-01 VC-CHANTE CHR JF VC-N 12 +BM.1980.005.001/23:12-02 VC-CHANTE CHR JF VC-N 12 +BM.1980.005.001/23:12-03 IP-GUIMBARDE IP-N 1 +BM.1980.005.001/23:12-03 VA-MURMURE SOLO H VA-N LE JOUEUR DE GUIMBARDE 1 +BM.1980.005.001/23:12-04 IP-GUIMBARDE IP-N 1 +BM.1980.005.001/23:12-04 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:12-05 IP-GUIMBARDE IP-N 1 +BM.1980.005.001/23:12-05 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:13-01 ATL-TROMPE LAT ATL-AKUM 1 +BM.1980.005.001/23:13-02 M1-TBR 1MEMB M1-DHOL 2 +BM.1980.005.001/23:13-02 ATL-TROMPE LAT ATL-AKUM 1 +BM.1980.005.001/23:13-02 IS-CLOCHE IS-IRNA +BM.1980.005.001/23:13-02 IS-GRELOT IS-MUYA +BM.1980.005.001/23:13-02 SD-AMBIANCES DIVERSES SD-N +BM.1980.005.001/23:13-03 VC-CHANTE CHR JH & JF VC-N +BM.1980.005.001/23:13-03 IS-CLOCHE +BM.1980.005.001/23:13-04 VC-CHANTE CHR JH & JF VC-N +BM.1980.005.001/23:14-01 VC-CHANTE CHR JF VC-N +BM.1980.005.001/23:14-02 VC-CHANTE CHR JH VC-N 4 +BM.1980.005.001/23:14-02 VC-CHANTE CHR JF VC-N 9 +BM.1980.005.001/23:14-02 IFP-BATON IFP-N 2 +BM.1980.005.001/23:14-03 ATT-TROMPE TERM ATT-AKUM 2 +BM.1980.005.001/23:14-03 M2C-TBR 2MEMB/CAISSE M2C-DHOL 9 +BM.1980.005.001/23:14-03 IL-IDIOPHONE PILONNE PLEIN IL-N 2 +BM.1980.005.001/23:14-03 IS-SONNAILLES IS-N +BM.1980.005.001/23:14-03 VC-CHANTE CHR JF +BM.1980.005.001/23:15-01 IP-GUIMBARDE IP-TENDOR 2 +BM.1980.005.001/23:15-02 AFL-FLUTE LAT 1 +BM.1980.005.001/23:15-03 VC-CHANTE CHR JF VC-N 5 +BM.1980.005.001/23:15-03 +BM.1980.005.001/23:15-04 VC-CHANTE TRIO H VC-N 3 +BM.1980.005.001/23:15-05 VC-CHANTE TRIO H VC-N 3 +BM.1980.005.001/23:16-01 VC-CHANTE CHR JF VC-N 6 +BM.1980.005.001/23:16-01 IE-CYMBALES IE-CHATKULI CHANTEUSES +BM.1980.005.001/23:16-01 VC-CHANTE CHR H VC-N 8 +BM.1980.005.001/23:16-01 IR-IDIOPHONE RACLE IR-CHARHE 1 CHANTEUR 1 +BM.1980.005.001/23:16-02 VC-CHANTE CHR JF VC-N 6 +BM.1980.005.001/23:16-02 IE-CYMBALES IE-CHATKULI +BM.1980.005.001/23:16-03 VC-CHANTE CHR MIXTE VC-N +BM.1980.005.001/23:16-03 IS-CLOCHE IS-IRNA +BM.1980.005.001/23:16-03 IS-GRELOT IS-MUYA +BM.1980.005.001/23:17-01 M2-TBR 2MEMB M2-DHOL +BM.1980.005.001/23:17-01 IE-CYMBALES IE-CHATKULI +BM.1980.005.001/23:17-01 SD-AMBIANCES DIVERSES +BM.1980.005.001/23:18-01 VC-CHANTE SOLO H VC-N +BM.1980.005.001/23:18-01 CV-VIELE CV-BANA CHANTEUR 1 +BM.1980.005.001/23:18-01 IS-GRELOT IS-ATORA 1 +BM.1980.005.001/23:18-02 VA-CHANTE-PARLE SOLO H VA-N +BM.1980.005.001/23:18-02 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:18-02 IS-GRELOT IS-ATORA 1 +BM.1980.005.001/23:19-01 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:19-01 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:19-01 IS-GRELOT IS-ATORA 1 +BM.1980.005.001/23:19-02 VC-CHANTE SOLO H VC-N BHANGILAL PARDHAN 1 +BM.1980.005.001/23:19-02 CV-VIELE CV-BANA SAGAR 1 +BM.1980.005.001/23:19-03 VC-CHANTE SOLO H VC-N BHANGILAL PARDHAN 1 +BM.1980.005.001/23:19-03 CV-VIELE CV-BANA SAGAR 1 +BM.1980.005.001/23:19-04 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:19-04 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:19-04 IS-GRELOT IS-ATORA 1 +BM.1980.005.001/23:20-01 VA-CHANTE-PARLE SOLO H VA-N GOLERAM 1 +BM.1980.005.001/23:20-01 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:21-01 VC-CHANTE SOLO H VC-N GOLERAM 1 +BM.1980.005.001/23:21-01 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:21-02 VC-CHANTE SOLO H VC-N BHANGHILAL PARDHAN 1 +BM.1980.005.001/23:21-02 CV-VIELE CV-BANA SAGAR 1 +BM.1980.005.001/23:21-02 IS-GRELOT IS-ATORA 1 +BM.1980.005.001/23:21-03 VA-CHANTE-PARLE SOLO H VA-N TEKAM PARDHAN 1 +BM.1980.005.001/23:21-03 CV-VIELE CV-BANA 1 +BM.1980.005.001/23:22-01 VC-CHANTE SOLO H VC-N 1 +BM.1980.005.001/23:22-01 CC-CITHARE CC-SURMANDAL =CHANTEUR 1 +BM.1980.005.001/23:22-02 CC-CITHARE/CAISSE CC-SURMANDAL 1 +BM.1980.005.001/23:22-03 CV-VIELE CV-KAMAYACHA HAKIM 1 +BM.1980.005.001/23:23-01 CC-CITHARE/TABLE CC-SHANTOOR O.P. CHOURASIYA* 1 +BM.1980.015.001/12:01-01 AABS-CLARINETTE AABS-TULE 5 +BM.1980.015.001/12:01-01 VP-PARLE +BM.1981.012.001/07:01-01 VC-CHANTE CHR H +BM.1981.012.001/07:01-01 M-TBR 3 +BM.1981.012.001/07:01-01 IS-SISTRE +BM.1981.012.001/07:02-01 VC-CHANTE CHR H & E +BM.1981.012.001/07:02-01 M-TBR 1 +BM.1981.012.001/07:02-01 IFP-POUTRE 2 +BM.1981.012.001/07:03-01 VC-CHANTE SOLO H & CHR E +BM.1981.012.001/07:03-01 M-TBR 1 +BM.1981.012.001/07:04-01 VC-CHANTE SOLO H & CHR E +BM.1981.012.001/07:04-01 M-TBR 1 +BM.1981.012.001/07:05-01 VC-CHANTE SOLO H & CHR E +BM.1981.012.001/07:05-01 M-TBR 1 +BM.1981.012.001/07:06-01 VC-CHANTE SOLO H & CHR E +BM.1981.012.001/07:06-01 M-TBR 1 +BM.1981.012.001/07:07-01 VC-CHANTE SOLO H & CHR E +BM.1981.012.001/07:07-01 M-TBR 1 +BM.1981.013.001/08:01-01 VP-PARLE VP-N +BM.1981.013.001/08:01-02 VP-PARLE VP-N +BM.1981.013.001/08:01-03 VC-CHANTE CHR VC-N +BM.1981.013.001/08:01-04 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:01-04 VP-PARLE VP-N +BM.1981.013.001/08:01-04 M-TBR M-N +BM.1981.013.001/08:01-05 VP-PARLE VP-N +BM.1981.013.001/08:01-05 M-TBR M-N +BM.1981.013.001/08:01-06 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:01-06 M-TBR M-N 2 +BM.1981.013.001/08:01-07 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:01-07 M-TBR M-N 2 +BM.1981.013.001/08:02-01 AT-TROMPE AT-N 2 +BM.1981.013.001/08:02-01 IFC-CLOCHES IFC-N +BM.1981.013.001/08:02-01 VC-CHANTE H VC-N +BM.1981.013.001/08:02-01 VA-YOUYOU VA-N +BM.1981.013.001/08:02-01 +BM.1981.013.001/08:02-02 VP-PARLE SOLO H VP-N 1 +BM.1981.013.001/08:02-02 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:02-02 VA-YOUYOU VA-N +BM.1981.013.001/08:02-02 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-02 IS-HOCHET IS-N +BM.1981.013.001/08:02-03 VP-PARLE SOLO H VP-N 1 +BM.1981.013.001/08:02-03 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:02-03 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-03 IS-HOCHET IS-N +BM.1981.013.001/08:02-03 VP-PARLE SOLO H VP-N +BM.1981.013.001/08:02-03 AT-TROMPE AT-N +BM.1981.013.001/08:02-04 VP-PARLE SOLO H VP-N 1 +BM.1981.013.001/08:02-04 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:02-04 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-04 IS-HOCHET IS-N +BM.1981.013.001/08:02-04 AT-TROMPE AT-N +BM.1981.013.001/08:02-04 VP-PARLE SOLO H VP-N +BM.1981.013.001/08:02-04 VC-CHANTE VC-N +BM.1981.013.001/08:02-05 VP-PARLE SOLO H VP-N 1 +BM.1981.013.001/08:02-05 AT-TROMPE AT-N +BM.1981.013.001/08:02-05 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-05 AT-TROMPE AT-N +BM.1981.013.001/08:02-05 VC-CHANTE VC-N +BM.1981.013.001/08:02-06 IFC-IDIOPHONE FRAPPE CREUX IFC-N +BM.1981.013.001/08:02-06 VC-CHANTE SOLO & CHR F VC-N +BM.1981.013.001/08:02-06 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-06 IS-HOCHET IS-N +BM.1981.013.001/08:02-06 A-AÉROPHONE A-N +BM.1981.013.001/08:02-07 IFC-IDIOPHONE FRAPPE CREUX IFC-N +BM.1981.013.001/08:02-07 VC-CHANTE SOLO & CHR F VC-N +BM.1981.013.001/08:02-07 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-07 IS-HOCHET IS-N +BM.1981.013.001/08:02-07 A-AÉROPHONE A-N +BM.1981.013.001/08:02-08 IFC-IDIOPHONE FRAPPE CREUX IFC-N +BM.1981.013.001/08:02-08 VC-CHANTE SOLO & CHR F VC-N +BM.1981.013.001/08:02-08 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:02-08 IS-HOCHET IS-N +BM.1981.013.001/08:02-08 A-AÉROPHONE A-N +BM.1981.013.001/08:02-09 IFC-IDIOPHONE FRAPPE CREUX IFC-N +BM.1981.013.001/08:02-09 VC-CHANTE CHR F VC-N 2 +BM.1981.013.001/08:02-10 M-TBR M-N +BM.1981.013.001/08:02-11 M-TBR M-N +BM.1981.013.001/08:03-01 VC-CHANTE SOLO & CHR E VC-N +BM.1981.013.001/08:03-01 M-TBR M-N +BM.1981.013.001/08:03-01 A-AÉROPHONE A-N +BM.1981.013.001/08:03-03 VC-CHANTE CHR E VC-N +BM.1981.013.001/08:03-03 M-ENSEMBLE TBR M-N +BM.1981.013.001/08:03-03 IF-IDIOPHONE FRAPPE IF-N +BM.1981.013.001/08:03-03 VC-CHANTE VC-N +BM.1981.013.001/08:03-03 M-TBR M-N +BM.1981.013.001/08:03-04 VP-PARLE H VP-N 1 +BM.1981.013.001/08:03-05 VP-PARLE VP-N +BM.1981.013.001/08:03-05 M-TBR M-N +BM.1981.013.001/08:03-06 VP-PARLE H VP-N +BM.1981.013.001/08:03-06 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:03-06 AT-TROMPE AT-N 1 +BM.1981.013.001/08:04-01 VP-PARLE H VP-N +BM.1981.013.001/08:04-01 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:04-01 AT-TROMPE AT-N 1 +BM.1981.013.001/08:04-01 IS-HOCHET IS-N +BM.1981.013.001/08:04-02 VP-PARLE H VP-N 1 +BM.1981.013.001/08:05-01 VP-PARLE H VP-N 1 +BM.1981.013.001/08:05-02 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:05-02 VC-CHANTE SOLO H VC-N +BM.1981.013.001/08:05-03 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:05-03 VC-CHANTE SOLO H VC-N +BM.1981.013.001/08:05-04 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:05-04 VC-CHANTE SOLO & CHR H VC-N +BM.1981.013.001/08:05-05 VP-PARLE H VP-N +BM.1981.013.001/08:05-05 VC-CHANTE SOLO & CHR H VC-N +BM.1981.013.001/08:05-06 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:05-06 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-01 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-01 VC-CHANTE SOLO & CHR H VC-N +BM.1981.013.001/08:06-02 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-02 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-02 VA-CRIE VA-N +BM.1981.013.001/08:06-03 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-03 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-03 VA-CRIE VA-N +BM.1981.013.001/08:06-04 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-04 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-04 VA-CRIE VA-N +BM.1981.013.001/08:06-05 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-05 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-05 VA-CRIE VA-N +BM.1981.013.001/08:06-06 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-06 VC-CHANTE CHR H VC-N +BM.1981.013.001/08:06-06 VA-CRIE VA-N +BM.1981.013.001/08:06-06 IS-HOCHET IS-N +BM.1981.013.001/08:06-07 VP-PARLE SOLO H VC-N +BM.1981.013.001/08:06-07 VC-CHANTE CHR F VC-N +BM.1981.013.001/08:06-07 IE-IDIOPHONES ENTRECHOQUES IE-N +BM.1981.018.001:01-01 VC-CHANTE SOLO F +BM.1981.018.001:01-01 M1D-TBR 1MEMB/CADRE 1 +BM.1982.010.001/03:01-04 AABS-CLARINETTE AABS-TE-TE-LIM (PHRED PHRED GLING) +BM.1982.017.001:01-01 VP-PARLE +BM.1982.017.001:01-01 CV-VIELE KONI 1 +BM.1982.017.001:01-02 VP-PARLE +BM.1982.017.001:01-02 CC-CITHARE/TUBE BRO' 1 +BM.1982.017.001:01-03 VP-PARLE +BM.1982.017.001:01-03 CC-CITHARE/TUBE BRO' 1 +BM.1982.017.001:01-04 VP-PARLE +BM.1982.017.001:01-04 VC-CHANTE SOLO F +BM.1982.017.001:01-05 VP-PARLE +BM.1982.017.001:01-05 VC-CHANTE SOLO F +BM.1982.017.001:01-06 M2-TBR 2MEMB 1 +BM.1982.017.001:01-06 IFC-GONG IFC-CING n +BM.1982.017.001:01-07 VC-CHANTE SOLO H 1 +BM.1982.017.001:01-07 CL-LUTH GUITARE 1 +BM.1982.017.001:01-08 VC-CHANTE SOLO F 1 +BM.1982.017.001:01-08 CL-LUTH GUITARE 1 +BM.1982.017.001:01-09 IFP-LITHOPHONE n +BM.1982.017.001:01-10 IFP-LITHOPHONE n +BM.1982.018.001/22:01-01 VC-CHANTE SOLO VC-N +BM.1982.018.001/22:01-01 VC-CHANTE CHR VC-N +BM.1982.018.001/22:01-01 +BM.1982.018.001/22:02-01 VC-CHANTE SOLO VC-N +BM.1982.018.001/22:02-01 VC-CHANTE CHR VC-N +BM.1982.018.001/22:02-01 +BM.1982.018.001/22:02-02 VC-CHANTE SOLO VC-N +BM.1982.018.001/22:02-02 VC-CHANTE CHR VC-N +BM.1982.018.001/22:02-02 +BM.1982.018.001/22:03-01 VC-CHANTE SOLO VC-N +BM.1982.018.001/22:03-01 VC-CHANTE CHR VC-N +BM.1982.018.001/22:03-01 +BM.1982.018.001/22:04-01 VC-CHANTE SOLO VC-N +BM.1982.018.001/22:04-01 VC-CHANTE CHR VC-N +BM.1982.018.001/22:04-01 +BM.1982.018.001/22:04-02 VP-PARLE DUO ALTERNE H VP-N +BM.1982.018.001/22:04-02 +BM.1982.018.001/22:05-01 AFL-FLUTE AFL-N 3 +BM.1982.018.001/22:05-01 M2-TBR 2MEMB M2-KINENON +BM.1982.018.001/22:05-02 AFL-FLUTE AFL-N 3 +BM.1982.018.001/22:05-02 M2-TBR 2MEMB M2-KINENON +BM.1982.018.001/22:05-03 AFL-FLUTE AFL-N +BM.1982.018.001/22:05-04 AFL-FLUTE AFL-N +BM.1982.018.001/22:05-05 A-AÉROPHONE A-PYENE +BM.1982.018.001/22:05-05 M-TBR M-DEDÈNE +BM.1982.018.001/22:05-05 IS-HOCHET IS-N +BM.1982.018.001/22:05-06 A-AÉROPHONE A-PYENE +BM.1982.018.001/22:05-06 M-TBR M-DEDÈNE +BM.1982.018.001/22:05-06 IS-HOCHET IS-N +BM.1982.018.001/22:05-06 VC-CHANTE CHR H VC-N +BM.1982.018.001/22:06-01 M2V-TBR 2MEMB VARIABLE M2V-N 2 +BM.1982.018.001/22:06-01 M1-TBR 1MEMB M1-N 3 +BM.1982.018.001/22:06-01 M2-TBR 2MEMB M2-N 3 +BM.1982.018.001/22:06-02 AF-FLUTE AF-YELETERÈ 2 +BM.1982.018.001/22:06-03 AF-FLUTE AF-YELETERÈ 2 +BM.1982.018.001/22:06-04 AF-FLUTE AF-N +BM.1982.018.001/22:06-05 AF-FLUTE AF-N +BM.1982.018.001/22:07-01 AF-FLUTE AF-N +BM.1982.018.001/22:07-01 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-02 AF-FLUTE AF-N +BM.1982.018.001/22:07-02 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-03 AF-FLUTE AF-N +BM.1982.018.001/22:07-03 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-03 IS-HOCHET IS-N +BM.1982.018.001/22:07-03 VA-YOUYOU VA-N +BM.1982.018.001/22:07-04 AF-FLUTE AF-N +BM.1982.018.001/22:07-04 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-04 IS-HOCHET IS-N +BM.1982.018.001/22:07-04 VA-YOUYOU VA-N +BM.1982.018.001/22:07-05 AF-FLUTE AF-N +BM.1982.018.001/22:07-05 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-05 IS-HOCHET IS-N +BM.1982.018.001/22:07-05 VA-YOUYOU VA-N +BM.1982.018.001/22:07-06 AF-FLUTE AF-N +BM.1982.018.001/22:07-06 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:07-06 IS-HOCHET IS-N +BM.1982.018.001/22:07-06 VA-YOUYOU VA-N +BM.1982.018.001/22:08-01 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:08-02 VC-CHANTE CHR F VC-N +BM.1982.018.001/22:09-01 A-AÉROPHONE A-PYENE +BM.1982.018.001/22:09-01 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE 3? +BM.1982.018.001/22:09-03 AF-FLUTE AF-N 2 +BM.1982.018.001/22:09-03 M-TBR M-N 2 +BM.1982.018.001/22:09-04 AF-FLUTE AF-N 2 +BM.1982.018.001/22:09-04 M-TBR M-N 2 +BM.1982.018.001/22:09-05 AF-FLUTE AF-N 2 +BM.1982.018.001/22:09-05 M-TBR M-N 2 +BM.1982.018.001/22:09-07 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:09-07 AF-FLUTE AF-N 2 +BM.1982.018.001/22:09-07 M-TBR M-N 2 +BM.1982.018.001/22:10-01 VA-CRIE H VA-N +BM.1982.018.001/22:10-02 VA-CRIE H VA-N +BM.1982.018.001/22:10-03 AABS-CLARINETTE AABS-N +BM.1982.018.001/22:10-05 VP-PARLE SOLO H VP-N +BM.1982.018.001/22:10-06 VP-PARLE SOLO H VP-N +BM.1982.018.001/22:11-01 CL-LUTH CL-N +BM.1982.018.001/22:11-02 CL-LUTH CL-N +BM.1982.018.001/22:11-02 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:11-03 CL-LUTH CL-N +BM.1982.018.001/22:11-03 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:11-04 CL-LUTH CL-N +BM.1982.018.001/22:11-04 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:11-05 CL-LUTH CL-N +BM.1982.018.001/22:11-05 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:11-06 CL-LUTH CL-N +BM.1982.018.001/22:12-01 AF-FLUTE AF-TERE ZOMBLE 2 +BM.1982.018.001/22:12-01 I-IDIOPHONE I-N +BM.1982.018.001/22:12-01 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:12-01 M2-TBR 2MEMB M2-KINENON +BM.1982.018.001/22:12-01 VC-CHANTE SOLO F VC-N +BM.1982.018.001/22:12-01 VC-CHANTE CHR H VC-N +BM.1982.018.001/22:12-02 VP-PARLE SOLO H VP-N +BM.1982.018.001/22:12-02 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:12-02 I-IDIOPHONE I-N +BM.1982.018.001/22:12-02 AF-FLUTE AF-N +BM.1982.018.001/22:12-02 VA-YOUYOU VA-N +BM.1982.018.001/22:12-02 M-TBR M-N +BM.1982.018.001/22:12-03 M2V-TBR 2MEMB VARIABLE M2V-DÉDÈNÉ +BM.1982.018.001/22:12-03 A-AÉROPHONE A-PYENE +BM.1982.018.001/22:12-03 VC-CHANTE CHR H VC-N +BM.1982.018.001/22:12-03 IS-GRELOT IS-N +BM.1982.018.001/22:13-01 M2V-TBR 2MEMB VARIABLE M2V-DÉDÈNÉ +BM.1982.018.001/22:13-01 VC-CHANTE CHR VC-N +BM.1982.018.001/22:13-01 IS-GRELOT IS-N +BM.1982.018.001/22:13-02 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:14-01 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:14-01 A-AÉROPHONE A-N +BM.1982.018.001/22:14-01 IS-HOCHET IS-N +BM.1982.018.001/22:15-01 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:15-01 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:15-01 M2-TBR 2MEMB M2-N +BM.1982.018.001/22:15-01 VA-YOUYOU VA-N +BM.1982.018.001/22:15-02 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:15-02 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:15-02 M2-TBR 2MEMB M2-N +BM.1982.018.001/22:15-02 VA-YOUYOU VA-N +BM.1982.018.001/22:15-03 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:15-03 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:15-03 M2-TBR 2MEMB M2-N +BM.1982.018.001/22:15-03 VA-YOUYOU VA-N +BM.1982.018.001/22:15-03 IS-HOCHET IS-N +BM.1982.018.001/22:15-04 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:15-04 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:15-04 M2-TBR 2MEMB M2-N +BM.1982.018.001/22:15-04 VA-YOUYOU VA-N +BM.1982.018.001/22:16-01 AF-FLUTE AF-YELETERÈ +BM.1982.018.001/22:16-01 M1C-TBR 1MEMB/CAISSE M1-PASINE TELE +BM.1982.018.001/22:16-01 M2-TBR 2MEMB M2-N 1 +BM.1982.018.001/22:16-01 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:16-01 VA-CRIE VA-N +BM.1982.018.001/22:16-02 AF-FLUTE AF-YELETERÈ +BM.1982.018.001/22:16-02 M1C-TBR 1MEMB/CAISSE M1-PASINE TELE +BM.1982.018.001/22:16-02 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:16-03 AF-FLUTE AF-YELETERÈ +BM.1982.018.001/22:16-03 M1C-TBR 1MEMB/CAISSE M1-PASINE TELE +BM.1982.018.001/22:16-03 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:16-04 AF-FLUTE AF-YELETERÈ +BM.1982.018.001/22:16-04 M1C-TBR 1MEMB/CAISSE M1-PASINE TELE +BM.1982.018.001/22:16-04 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:17-01 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:17-01 VC-CHANTE F VC-N +BM.1982.018.001/22:17-01 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-01 IS-HOCHET IS-N +BM.1982.018.001/22:17-02 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:17-02 VC-CHANTE F VC-N +BM.1982.018.001/22:17-02 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-02 IS-HOCHET IS-N +BM.1982.018.001/22:17-03 VC-CHANTE SOLO & CHR H VC-N +BM.1982.018.001/22:17-03 VC-CHANTE F VC-N +BM.1982.018.001/22:17-03 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-03 IS-HOCHET IS-N +BM.1982.018.001/22:17-04 AT-TROMPE AT-TOTOLA 3 +BM.1982.018.001/22:17-05 AT-TROMPE AT-TOTOLA 3 +BM.1982.018.001/22:17-05 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-05 IS-HOCHET IS-N +BM.1982.018.001/22:17-05 VA-CRIE VA-N +BM.1982.018.001/22:17-06 AT-TROMPE AT-TOTOLA 3 +BM.1982.018.001/22:17-06 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-06 IS-HOCHET IS-N +BM.1982.018.001/22:17-06 VA-CRIE VA-N +BM.1982.018.001/22:17-06 AF-FLUTE AF-N +BM.1982.018.001/22:17-07 AT-TROMPE AT-TOTOLA 3 +BM.1982.018.001/22:17-07 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-07 IS-HOCHET IS-N +BM.1982.018.001/22:17-07 VA-CRIE VA-N +BM.1982.018.001/22:17-07 AF-FLUTE AF-N +BM.1982.018.001/22:17-07 VC-CHANTE CHR H VC-N +BM.1982.018.001/22:17-07 VC-CHANTE F VC-N +BM.1982.018.001/22:17-08 AT-TROMPE AT-TOTOLA 3 +BM.1982.018.001/22:17-08 M2V-TBR 2MEMB VARIABLE M2V-DEDÈNE +BM.1982.018.001/22:17-08 IS-HOCHET IS-N +BM.1982.018.001/22:17-08 VA-CRIE VA-N +BM.1982.018.001/22:17-08 AF-FLUTE AF-N +BM.1982.018.001/22:17-08 VC-CHANTE CHR H VC-N +BM.1982.018.001/22:17-08 VC-CHANTE F VC-N +BM.1982.018.001/22:18-01 IFP-XYLOPHONE IFP-BALA 2 +BM.1982.018.001/22:18-01 M-TBR M-N 1 +BM.1982.018.001/22:18-02 IFP-XYLOPHONE IFP-BALA 2 +BM.1982.018.001/22:18-02 M-TBR M-N 1 +BM.1982.018.001/22:18-02 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:18-03 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:18-03 A-AÉROPHONE A-PYENÈNI 1 +BM.1982.018.001/22:18-03 IS-HOCHET IS-N 1 +BM.1982.018.001/22:18-03 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:18-04 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:18-04 A-AÉROPHONE A-PYENÈNI 1 +BM.1982.018.001/22:18-04 IS-HOCHET IS-N 1 +BM.1982.018.001/22:18-04 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:18-05 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:18-05 A-AÉROPHONE A-PYENÈNI 1 +BM.1982.018.001/22:18-05 IS-HOCHET IS-N 1 +BM.1982.018.001/22:18-05 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:18-06 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:18-06 A-AÉROPHONE A-PYENÈNI 1 +BM.1982.018.001/22:18-06 IS-HOCHET IS-N 1 +BM.1982.018.001/22:18-06 VC-CHANTE SOLO H VC-N +BM.1982.018.001/22:19-01 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:19-01 A-AÉROPHONE A-PYENE 1 +BM.1982.018.001/22:19-01 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:19-01 IS-HOCHET IS-N 1 +BM.1982.018.001/22:19-02 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:19-02 A-AÉROPHONE A-PYENE 1 +BM.1982.018.001/22:19-02 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:19-02 IS-HOCHET IS-N 1 +BM.1982.018.001/22:19-02 VA-CRIE F VA-N +BM.1982.018.001/22:19-03 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:19-03 A-AÉROPHONE A-PYENE 1 +BM.1982.018.001/22:19-03 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:19-03 IS-HOCHET IS-N 1 +BM.1982.018.001/22:19-03 VA-CRIE F VA-N +BM.1982.018.001/22:19-04 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE +BM.1982.018.001/22:19-04 A-AÉROPHONE A-PYENE 1 +BM.1982.018.001/22:19-04 VA-CRIE H VA-N 1 +BM.1982.018.001/22:19-04 VA-CRIE F VA-N 1 +BM.1982.018.001/22:19-05 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE 1 +BM.1982.018.001/22:19-06 M2-TBR 2MEMB M2-KIKIRE GANGAN 1 +BM.1982.018.001/22:19-07 M2V-TBR 2MEMB VARIABLE M2V-DENÈNE 1 +BM.1982.018.001/22:20-01 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:20-02 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:20-03 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:20-04 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:20-05 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:20-06 AF-FLUTE AF-TEREZOMBLE 2 +BM.1982.018.001/22:21-01 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:21-01 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:21-01 IS-SONNAILLES IS-N +BM.1982.018.001/22:21-01 BC-BATTEMENTS DE MAINS BC-N +BM.1982.018.001/22:21-02 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:21-02 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:21-02 IS-SONNAILLES IS-N +BM.1982.018.001/22:21-02 BC-BATTEMENTS DE MAINS BC-N +BM.1982.018.001/22:21-03 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:21-03 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:21-03 IS-SONNAILLES IS-N +BM.1982.018.001/22:21-03 BC-BATTEMENTS DE MAINS BC-N +BM.1982.018.001/22:21-03 VA-SIFFLE VA-N +BM.1982.018.001/22:21-04 VC-CHANTE SOLO & CHR F VC-N +BM.1982.018.001/22:21-04 M2V-TBR 2MEMB VARIABLE M2V-N +BM.1982.018.001/22:21-04 IS-SONNAILLES IS-N +BM.1982.018.001/22:21-04 BC-BATTEMENTS DE MAINS BC-N 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SOLO F MOUNODJAT LULCHEVA 1 +BM.993.002.001:01-14 ORCH-ENSEMBLE INSTRUMENTAL ORCHESTRE NATIONAL DES INSTRUMENTS 1 +BM.993.002.001:01-15 VC-CHANTE SOLO F MOUNODJAT LULCHEVA 1 +BM.993.002.001:01-15 ORCH-ENSEMBLE INSTRUMENTAL ORCHESTRE NATIONAL DES INSTRUMENTS 1 +BM.994.001.001/02:01-01 VP-PARLE H VP-N ±10 +BM.994.001.001/02:01-01 VA-SIFFLE H VA-N 01 +BM.994.001.001/02:01-02 VP-PARLE H VP-N 2 +BM.994.001.001/02:01-02 VC-CHANTE SOLO H VC-N 1 +BM.994.001.001/02:01-02 +BM.994.001.001/02:01-03 VP-PARLE H VP-N KAKO MORAN; ? 2 +BM.994.001.001/02:01-03 VC-CHANTE SOLO H VP-N KAKO MORAN 1 +BM.994.001.001/02:01-03 +BM.994.001.001/02:01-04 VP-PARLE H VP-N +BM.994.001.001/02:01-05 AFP-FLUTE DE PAN 1 RANG AFP-BISTO KUYA, MAHUA, KAKO,... ±3 +BM.994.001.001/02:01-05 +BM.994.001.001/02:01-06 VC-CHANTE SOLO H VC-N KUYA +BM.994.001.001/02:01-06 VP-PARLE H VP-N 1 +BM.994.001.001/02:01-06 +BM.994.001.001/02:01-07 VP-PARLE H VP-N 1 +BM.994.001.001/02:01-07 VC-CHANTE SOLO H VC-KEBICHI MAHUA 1 +BM.994.001.001/02:01-07 +BM.994.001.001/02:01-08 VP-PARLE H VP-N 1 +BM.994.001.001/02:01-08 VC-CHANTE SOLO H VC-KEBICHI KAKO MORAN 1 +BM.994.001.001/02:01-08 +BM.994.001.001/02:01-09 VC-CHANTE SOLO H VC-N TAITA HUARA 1 +BM.994.001.001/02:01-09 +BM.994.001.001/02:01-10 VC-CHANTE SOLO H TAITA HUARA 1 +BM.994.001.001/02:01-10 +BM.994.001.001/02:01-11 VP-PARLE H VP-N 1 +BM.994.001.001/02:01-11 VC-CHANTE SOLO H MAHUA 1 +BM.994.001.001/02:01-11 +BM.994.001.001/02:01-12 IFC-BLOC DE BOIS IFC-SHASHU MARI ET BAHI 2 +BM.994.001.001/02:01-12 +BM.994.001.001/02:01-13 IFC-BLOC DE BOIS IFC-SHASHU MARI ET BAHI 2 +BM.994.001.001/02:01-13 +BM.994.001.001/02:01-14 IFC-BLOC DE BOIS IFC-SHASHU MARI ET BAHI 2 +BM.994.001.001/02:01-14 SD-AMBIANCES DIVERSES +BM.994.001.001/02:01-15 AFP-FLUTE DE PAN 1 RANG AFP-2 ORCH. DE FLUTES BISTO MURAN, WARAVACA,... ±10 +BM.994.001.001/02:01-15 +BM.994.001.001/02:01-16 AFP-FLUTE DE PAN 1 RANG AFP-2 ORCH. DE FLUTES BISTO MURAN, WARAVACA,... +10 +BM.994.001.001/02:01-16 +BM.994.001.001/02:01-17 AFP-FLUTE DE PAN 1 RANG AFP-2 ORCH. DE FLUTES BISTO MURAN, WARAVACA,... ±10 +BM.994.001.001/02:01-17 +BM.994.001.001/02:01-18 VP-PARLE H VP-N +BM.994.001.001/02:01-18 +BM.994.001.001/02:02-01 AFP-FLUTE DE PAN 1 RANG AFP-2 ORCH. DE FLUTES BISTO ±10 +BM.994.001.001/02:02-01 +BM.994.001.001/02:02-02 AFP-FLUTE DE PAN 1 RANG AFP-3 ORCH. DE FLUTES BISTO ±10 +BM.994.001.001/02:02-02 +BM.994.001.001/02:02-03 AFP-FLUTE DE PAN 1 RANG AFP-2 ORCHESTRES DE FLUTES BISTO +10 +BM.994.001.001/02:02-03 VP-PARLE H VP-N +BM.994.001.001/02:02-03 +BM.994.001.001/02:02-04 AFP-FLUTE DE PAN 1 RANG AFP-3 ORCHESTRES DE FLUTES BISTO +10 +BM.994.001.001/02:02-04 VC-CHANTE SOLO H 1, 2 +BM.994.001.001/02:02-04 +BM.994.001.001/02:02-04 +BM.994.001.001/02:02-05 AFP-FLUTE DE PAN 1 RANG AFP-3 ORCH. DE FLUTES BISTO ±10 +BM.994.001.001/02:02-05 VC-CHANTE H VC-N 1,2 +BM.994.001.001/02:02-05 +BM.994.002.001/07:01-01 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-01 0 +BM.994.002.001/07:01-02 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-02 KM-BAT MAINS KM-N 1 +BM.994.002.001/07:01-03 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-03 KM-BAT MAINS KM-N 1 +BM.994.002.001/07:01-04 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-05 VD-SOLO F DECLAMEE VD-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-05 0 +BM.994.002.001/07:01-06 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-07 VD-SOLO F DECLAMEE VD-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-08 VD-SOLO F DECLAMEE VD-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-09 VC-SOLO F VC-N MANDA AM CHALOUFFA 1 +BM.994.002.001/07:01-10 VC-SOLO F VC-N ATTARA AHMED 1 +BM.994.002.001/07:01-10 M1-PAIRE TBR M1-N 1 +BM.994.002.001/07:01-11 VC-SOLO F VC-N ATTARA AHMED 1 +BM.994.002.001/07:01-11 M1-PAIRE TBR M1-N 1 +BM.994.002.001/07:01-12 VC-SOLO F VC-N ATTARA AHMED 1 +BM.994.002.001/07:01-12 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:01-13 VC-SOLO F VC-N ATTARA AHMED 1 +BM.994.002.001/07:01-13 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:01-13 0 +BM.994.002.001/07:01-14 VC-SOLO F VC-N ATTARA AHMED 1 +BM.994.002.001/07:01-14 M1-PAIRE TBR M1-N 2 +BM.994.002.001/07:01-14 0 +BM.994.002.001/07:01-15 VC-CHR F VC-N 0 +BM.994.002.001/07:01-15 M1C-TBR 1MEMB M1C-TINDE 1 +BM.994.002.001/07:01-15 IFO-TBR D'EAU IFO-SAKALOBO 1 +BM.994.002.001/07:01-15 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:01-15 0 +BM.994.002.001/07:02-01 AFT-FLUTE TERM AFT-SUFFARA MAHAMET SABIR HASSAN 1 +BM.994.002.001/07:02-01 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 5 +BM.994.002.001/07:02-01 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-TENDRI 1 +BM.994.002.001/07:02-01 M2-TBR 2 MEMB 2 BAG M2-TUMBOL 1 +BM.994.002.001/07:02-02 VC-1F, 1F VC-N MANDA AM CHALOUFFA ET ATARA AHMED 2 +BM.994.002.001/07:02-02 AFT-FLUTE TERM AFT-SUFFARA MAHAMAT SABIR HASSAN 1 +BM.994.002.001/07:02-02 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 5 +BM.994.002.001/07:02-02 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-TENDRI 1 +BM.994.002.001/07:02-02 M2-TBR 2 MEMB 2 BAG M2-TUMBOL 1 +BM.994.002.001/07:02-02 0 +BM.994.002.001/07:02-03 AFT-FLUTE TERM AFT-SUFFARA MAHAMAT SABIR HASSAN 1 +BM.994.002.001/07:02-03 0 +BM.994.002.001/07:02-04 VP-VOIX PARLEE H VP-N 1 +BM.994.002.001/07:02-04 CV-VIELE 1C CV-AM SIBEBE MOUSSA ABDEL KERM 1 +BM.994.002.001/07:02-04 0 +BM.994.002.001/07:02-05 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 2 +BM.994.002.001/07:02-05 M2-TBR 2MEMB M2-BARDAOUYA 1 +BM.994.002.001/07:02-05 0 +BM.994.002.001/07:02-06 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 2 +BM.994.002.001/07:02-06 M2-TBR 2MEMB M2-BARDAOUYA 1 +BM.994.002.001/07:02-06 M2-TBR 2MEMB M2-SALTAYA 1 +BM.994.002.001/07:02-07 ATT-TROMPE TERM ATT-N 1 +BM.994.002.001/07:02-07 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 2 +BM.994.002.001/07:02-07 M2-TBR 2 MEMB 2 BAG M2-TEREMBET 1 +BM.994.002.001/07:02-07 0 +BM.994.002.001/07:02-08 AAB-HAUTBOIS AAB-ALGAITA 1 +BM.994.002.001/07:02-08 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 2 +BM.994.002.001/07:02-08 M2-TBR 2 MEMB 2 BAG M2-TEREMBET 1 +BM.994.002.001/07:02-08 0 +BM.994.002.001/07:02-09 VRC-VOIX H CRIEES VCR-N 0 +BM.994.002.001/07:02-09 CV-VIELE 1C CV-KOUKOUMA HISSENE HASSAN 1 +BM.994.002.001/07:02-09 ISH-HOCHET ISH-THOURHAN 2 +BM.994.002.001/07:02-09 0 +BM.994.002.001/07:02-10 VC-SOLO F & CH R F ALTERNE VC-N 0 +BM.994.002.001/07:02-10 M2-TBR 2MEMB M2-GANGA 2 +BM.994.002.001/07:02-10 0 +BM.994.002.001/07:02-11 VC-SOLO H VC-N 1 +BM.994.002.001/07:02-11 CV-VIELE CV-KOUKOUMA 1 +BM.994.002.001/07:02-11 ISH-HOCHET ISH-THOURHAN 2 +BM.994.002.001/07:02-11 0 +BM.994.002.001/07:03-01 VC-SOLO H & CHR M VC-N 0 +BM.994.002.001/07:03-01 M1C-TBR 1MEMB M1C-GANG 1 +BM.994.002.001/07:03-01 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-KYINOULE 1 +BM.994.002.001/07:03-01 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-KONGLA 1 +BM.994.002.001/07:03-01 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-MBUROUM 1 +BM.994.002.001/07:03-01 0 +BM.994.002.001/07:03-02 VA-VOIX PARLEE & CHANTEE & CHOEUR 0 +BM.994.002.001/07:03-02 IFX-XYLOPHONE/CADRE IFX-KUNDU 4 +BM.994.002.001/07:03-02 M2C-TBR 2MEMB M2C-KOD 1 +BM.994.002.001/07:03-03 VC-SOLO H & CHR H VC-N 1 +BM.994.002.001/07:03-03 M2C-TBR 2MEMB M2C-KOD 2 +BM.994.002.001/07:03-04 VC-SOLO F & CHR F VC-N GIGANYAM 0 +BM.994.002.001/07:03-04 M2C-TBR 2MEMB M2C-KOD 2 +BM.994.002.001/07:03-04 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:03-04 0 +BM.994.002.001/07:03-05 VC-SOLO F & CHR F VC-N GIGANYAM 0 +BM.994.002.001/07:03-05 M2C-TBR 2MEMB M2C-KOD 2 +BM.994.002.001/07:03-05 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:03-05 0 +BM.994.002.001/07:03-06 VC-SOLO H & CHR F VC-N PASCAL RENBAYE 0 +BM.994.002.001/07:03-06 CH-HARPE CHQ-GUNDI 1 +BM.994.002.001/07:03-06 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:03-06 0 +BM.994.002.001/07:03-07 VC-CHR M VC-N 1 +BM.994.002.001/07:03-07 IFA-CALEBASSE IFA-N 0 +BM.994.002.001/07:03-07 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-KYINOULE 1 +BM.994.002.001/07:03-07 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-KONGLA 1 +BM.994.002.001/07:03-07 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-MBUROUM 1 +BM.994.002.001/07:03-08 VC-SOLO H & CHR M VC-N 0 +BM.994.002.001/07:03-08 IFX-XYLOPHONE/CALEBASSE/12 LAMES IFX-KINDI 1 +BM.994.002.001/07:03-08 M1C-TBR 1MEMB M1C-KODJO 1 +BM.994.002.001/07:03-08 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:03-08 ISH-HOCHET CALEBASSE ISH-N 1 +BM.994.002.001/07:03-09 VC-SOLO H & CHR M VC-N 0 +BM.994.002.001/07:03-09 IFX-XYLOPHONE/CALEBASSE/12 LAMES IFX-KINDI 1 +BM.994.002.001/07:03-09 M1C-TBR 1MEMB M1C-KODJO 1 +BM.994.002.001/07:03-09 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:03-09 ISH-HOCHET CALEBASSE ISH-N 1 +BM.994.002.001/07:03-09 KM-BAT MAINS KM-N 0 +BM.994.002.001/07:03-09 0 +BM.994.002.001/07:03-10 AT-TROMPE AT-KOKO 1 +BM.994.002.001/07:03-10 IFX-XYLOPHONE 12 LAMES IFX-KINDI 1 +BM.994.002.001/07:03-10 M1C-TBR 1MEMB M1C-KODJO 1 +BM.994.002.001/07:03-10 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:03-10 ISH-HOCHETS JAMBES ISH-N 0 +BM.994.002.001/07:03-10 M1C-TIMBALE POTERIE M1C-GUERE 1 +BM.994.002.001/07:03-10 0 +BM.994.002.001/07:03-11 IFX-XYLOPHONE/CALEBASSE/12 LAMES IFX-KINDI 1 +BM.994.002.001/07:03-11 M1C-TBR 1MEMB M1C-KODJO 1 +BM.994.002.001/07:03-11 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:03-11 ISH-HOCHETS CHEVILLES ISH-N 0 +BM.994.002.001/07:03-11 M1C-TIMBALE POTERIE M1C-GUERE 1 +BM.994.002.001/07:03-11 0 +BM.994.002.001/07:04-01 IFX-XYLOPHONE/CALEBASSE/12 LAMES IFX-KINDI 1 +BM.994.002.001/07:04-01 M1C-TBR 1MEMB M1C-KODJO 1 +BM.994.002.001/07:04-01 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:04-01 0 +BM.994.002.001/07:04-02 VC-SOLO F VC-N 1 +BM.994.002.001/07:04-02 M-TBR M-N 12 +BM.994.002.001/07:04-02 IFX-XYLOPHONE/CALEBASSE/12 LAMES IFX-KUNDU 10 +BM.994.002.001/07:04-02 0 +BM.994.002.001/07:04-03 AFT-FLUTE TERM AFT-GALIMISSI 1 +BM.994.002.001/07:04-03 0 +BM.994.002.001/07:04-04 VC-SOLO H & CHR M VC-N 0 +BM.994.002.001/07:04-04 IFX-XYLOPHONE 12 LAMES IFX-KINDI 1 +BM.994.002.001/07:04-04 M1C-TBR 1MEMB M1C-GANG-KODJO 1 +BM.994.002.001/07:04-04 M2C-TBR 2 MEMB 1 BAG COURBE M2C-NDUMO 1 +BM.994.002.001/07:04-04 M1C-TIMBALE POTERIE, 1 MEMB, FRAPPE 2 MAINS M1C-GUERE 1 +BM.994.002.001/07:04-04 AT-TROMPE AT-KOKO 1 +BM.994.002.001/07:04-04 AFT-FLUTE TERM AFT-GALIMISSI 1 +BM.994.002.001/07:04-04 ISH-HOCHETS JAMBES ISH-N 1 +BM.994.002.001/07:04-04 0 +BM.994.002.001/07:04-04 0 +BM.994.002.001/07:04-05 VC-SOLO F & CHR M VC-N 0 +BM.994.002.001/07:04-05 IFX-XYLOPHONE IFX-N 5 +BM.994.002.001/07:04-05 M-TBR M-N 2 +BM.994.002.001/07:04-05 AF-FLUTE AF-N 1 +BM.994.002.001/07:04-05 ISH-HOCHET ISH-N 0 +BM.994.002.001/07:04-05 0 +BM.994.002.001/07:04-06 IFX-XYLOPHONE IFX-KUNDU 1 +BM.994.002.001/07:04-06 M-TBR M-N 1 +BM.994.002.001/07:04-06 0 +BM.994.002.001/07:04-07 VC-SOLO H & CHR H VC-N 0 +BM.994.002.001/07:04-07 M-TBR M-N 1 +BM.994.002.001/07:04-07 ISH-HOCHETS JAMBES ISH-N 0 +BM.994.002.001/07:04-07 0 +BM.994.002.001/07:04-08 VC-SOLO F VC-N 1 +BM.994.002.001/07:04-08 IFX-XYLOPHONE IFX-N 12 +BM.994.002.001/07:04-08 M1C-TBR 1 MEMB, FRAPPE MAINS NUES M1C-GANG 1 +BM.994.002.001/07:04-08 M2C-TBR 2 MEMB CAISSE SABLIER M-N 0 +BM.994.002.001/07:04-09 VC-SOLO F VC-N 1 +BM.994.002.001/07:04-09 IFX-XYLOPHONE IFX-KUNDU 2 +BM.994.002.001/07:04-09 0 +BM.994.002.001/07:04-10 M2C-TBR 2 MEMB 1 BAG COURBE M-N 1 +BM.994.002.001/07:04-10 M1C-TBR 1MEMB M1C-N 1 +BM.994.002.001/07:04-10 M1C-TIMBALE M1C-N 1 +BM.994.002.001/07:04-10 IFX-XYLOPHONE IFX-N 1 +BM.994.002.001/07:04-11 IFX-XYLOPHONE 17 LAMES/CLAVIER IFX-KUNDU DJIMRANGAR HISSENE 1 +BM.994.002.001/07:04-11 0 +BM.994.002.001/07:04-12 IFX-XYLOPHONE 17 LAMES/CLAVIER IFX-KUNDU DJIMRANGAR HISSENE 1 +BM.994.002.001/07:04-12 0 +BM.994.002.001/07:04-13 IFX-XYLOPHONE 17 LAMES/CLAVIER IFX-KUNDU DJIMRANGAR HISSENE 1 +BM.994.002.001/07:04-13 0 +BM.994.002.001/07:05-01 VC-CHR H VC-N 1 +BM.994.002.001/07:05-01 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:05-01 0 +BM.994.002.001/07:05-02 VC-SOLO H & CHR H VC-N 1 +BM.994.002.001/07:05-02 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:05-02 0 +BM.994.002.001/07:05-03 IFX-XYLOPHONE 9 LAMES IFX-KUNDU 2 +BM.994.002.001/07:05-03 M2C-TBR 2MEMB MAINS NUES M2-GANGA 1 +BM.994.002.001/07:05-03 0 +BM.994.002.001/07:05-04 VC-SOLO H VC-N BOULMANA (KABALAYA) 1 +BM.994.002.001/07:05-04 CH-HARPE CHQ-DJANGA BWO YEDI (FRANCOIS) 1 +BM.994.002.001/07:05-04 0 +BM.994.002.001/07:05-04 0 +BM.994.002.001/07:05-04 0 +BM.994.002.001/07:05-05 VC-SOLO H VC-N BOULMANA (KABALAYA) 1 +BM.994.002.001/07:05-05 CH-HARPE CHQ-DJANGA BWO YEDI (FRANCOIS) 1 +BM.994.002.001/07:05-05 CH-HARPE CHQ-DJANGA BADJIEN (JOSEPH) 1 +BM.994.002.001/07:05-05 0 +BM.994.002.001/07:05-05 0 +BM.994.002.001/07:05-06 AFT-FLUTE TERM AFT-PONGO 10 +BM.994.002.001/07:05-06 M2C-TBR 2MEMB M-N 2 +BM.994.002.001/07:05-06 AT-TROMPE AT-N 1 +BM.994.002.001/07:05-07 VC-CHR F VC-N 0 +BM.994.002.001/07:05-07 AFT-FLUTE TERM AFT-PONGO 10 +BM.994.002.001/07:05-07 M2C-TBR 2MEMB M-N 2 +BM.994.002.001/07:05-07 AT-TROMPE AT-N 1 +BM.994.002.001/07:05-08 VC-CHR F VC-N 0 +BM.994.002.001/07:05-08 M2C-TBR 2MEMB M-N 2 +BM.994.002.001/07:05-08 AT-TROMPE AT-N 1 +BM.994.002.001/07:05-09 VC-SOLO H VC-N GOLO (MOISE) 1 +BM.994.002.001/07:05-09 CH-HARPE CHQ-ADING'A GOLO (MOISE) 1 +BM.994.002.001/07:05-09 0 +BM.994.002.001/07:05-09 0 +BM.994.002.001/07:05-10 VC-SOLO H VC-N DJIBRINE (PAUL) 1 +BM.994.002.001/07:05-10 CH-HARPE CHQ-DJANGU SIGBE (MICHEL) 1 +BM.994.002.001/07:05-10 0 +BM.994.002.001/07:05-10 0 +BM.994.002.001/07:05-11 VC-SOLO H VC-N GOLO (MOISE) 1 +BM.994.002.001/07:05-11 CH-HARPE CHQ-DJANGU GOLO (MOISE) 1 +BM.994.002.001/07:05-11 0 +BM.994.002.001/07:05-11 0 +BM.994.002.001/07:05-12 VC-SOLO H VC-N GOLO (MOISE) 1 +BM.994.002.001/07:05-12 CH-HARPE CHQ-DJANGU GOLO (MOISE) 1 +BM.994.002.001/07:05-12 0 +BM.994.002.001/07:05-12 0 +BM.994.002.001/07:06-01 VC-SOLO H VC-N GOLO (MOISE) 1 +BM.994.002.001/07:06-01 CH-HARPE CHQ-ADING'A GOLO (MOISE) 1 +BM.994.002.001/07:06-01 0 +BM.994.002.001/07:06-01 0 +BM.994.002.001/07:06-02 AFT-FLUTE TERM AFT-JULI 1 +BM.994.002.001/07:06-02 AFT-FLUTE TERM AFT-MARYA 1 +BM.994.002.001/07:06-02 AFT-FLUTE TERM AFT-KODOM 1 +BM.994.002.001/07:06-02 AFT-FLUTE TERM AFT-GONTOHO 1 +BM.994.002.001/07:06-02 AFT-FLUTE TERM AFT-GONMOTO 1 +BM.994.002.001/07:06-02 ISO-HOCHET-SONNAILLE ISH-N 1 +BM.994.002.001/07:06-02 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-GANGA 1 +BM.994.002.001/07:06-02 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-SIRDAYE 1 +BM.994.002.001/07:06-02 0 +BM.994.002.001/07:06-03 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-03 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-03 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-03 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-03 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-03 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-03 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-03 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-03 M-TBR M-N 1 +BM.994.002.001/07:06-04 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-04 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-04 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-04 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-04 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-04 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-04 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-04 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-04 M-TBR M-N 1 +BM.994.002.001/07:06-05 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-05 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-05 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-05 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-05 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-05 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-05 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-05 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-05 M-TBR M-N 1 +BM.994.002.001/07:06-06 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-06 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-06 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-06 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-06 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-07 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-07 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-07 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-07 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-07 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-07 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-07 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-07 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-07 M-TBR M-N 1 +BM.994.002.001/07:06-08 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-08 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-08 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-08 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-08 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-08 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-08 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-08 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-08 M-TBR M-N 1 +BM.994.002.001/07:06-09 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:06-09 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:06-09 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:06-09 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:06-09 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:06-09 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:06-09 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:06-09 M2-TBR 2 MEMB 2 BAG M2-DARE 1 +BM.994.002.001/07:06-09 M-TBR M-N 1 +BM.994.002.001/07:06-10 VC-SOLO H VC-N RADIANE (ISSEN) 1 +BM.994.002.001/07:06-10 CH-HARPE CHQ-GONG'KO RADIANE (ISSEN) 1 +BM.994.002.001/07:06-10 ILZ-LAMES COUTEAUX FRAP SUR BRANCHE ILZ-N 0 +BM.994.002.001/07:06-10 0 +BM.994.002.001/07:06-22 AFT-FLUTE TERM AFT-JULI 1 +BM.994.002.001/07:06-22 AFT-FLUTE TERM AFT-MARYA 1 +BM.994.002.001/07:06-22 AFT-FLUTE TERM AFT-KODOM 1 +BM.994.002.001/07:06-22 AFT-FLUTE TERM AFT-GONTOHO 1 +BM.994.002.001/07:06-22 AFT-FLUTE TERM AFT-GONMOTO 1 +BM.994.002.001/07:06-22 ISO-HOCHET-SONNAILLE ISH-N 1 +BM.994.002.001/07:07-01 ATT-TROMPE TERM ATT-PARNA 3 +BM.994.002.001/07:07-01 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-01 0 +BM.994.002.001/07:07-02 ATT-TROMPE TERM ATT-PARNA 3 +BM.994.002.001/07:07-02 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-02 0 +BM.994.002.001/07:07-03 ATT-TROMPE TERM ATT-PARNA 3 +BM.994.002.001/07:07-03 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-03 0 +BM.994.002.001/07:07-04 ATL-TROMPE LAT ATL-POUNNA 1 +BM.994.002.001/07:07-04 0 +BM.994.002.001/07:07-05 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:07-05 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:07-05 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:07-05 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:07-05 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:07-05 ISO-HOCHET-SONNAILLE ISH-KORTYOKO 1 +BM.994.002.001/07:07-05 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-05 M2-TBR 2MEMB M2-SURDAYE 1 +BM.994.002.001/07:07-06 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:07-06 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:07-06 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:07-06 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:07-06 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:07-06 VC-SOLO F VC-N 1 +BM.994.002.001/07:07-06 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-06 M2-TBR 2MEMB M2-SURDAYE 1 +BM.994.002.001/07:07-07 AF-FLUTE AF-TAYAR KO 1 +BM.994.002.001/07:07-07 AF-FLUTE AF-ZURI 1 +BM.994.002.001/07:07-07 AF-FLUTE AF-MARYA 1 +BM.994.002.001/07:07-07 AF-FLUTE AF-KODUM 1 +BM.994.002.001/07:07-07 AF-FLUTE AF-TERI-TERI 1 +BM.994.002.001/07:07-07 VC-SOLO F VC-N 1 +BM.994.002.001/07:07-07 M2-TBR 2 MEMB BAT 2 MAINS NUES M2-GANGA 1 +BM.994.002.001/07:07-07 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-SIRDAYE 1 +BM.994.002.001/07:07-07 ISO-HOCHET-SONNAILLE ISO-KORTYOKO 1 +BM.994.002.001/07:07-08 VC-SOLO F VC-N 1 +BM.994.002.001/07:07-08 M-TBR M-NUGARRE 1 +BM.994.002.001/07:07-08 M-TBR M-WAAGA 1 +BM.994.002.001/07:07-08 M-TBR M-BARGALLE 1 +BM.994.002.001/07:07-08 0 +BM.994.002.001/07:07-09 VC-SOLO F VC-N 1 +BM.994.002.001/07:07-09 M-TBR M-NUGARRE 1 +BM.994.002.001/07:07-09 M-TBR M-WAAGA 1 +BM.994.002.001/07:07-09 M-TBR M-BARGALLE 1 +BM.994.002.001/07:07-09 0 +BM.994.002.001/07:07-10 VC-SOLO F VC-N 1 +BM.994.002.001/07:07-10 M-TBR M-NUGARRE 1 +BM.994.002.001/07:07-10 M-TBR M-WAAGA 1 +BM.994.002.001/07:07-10 M-TBR M-BARGALLE 1 +BM.994.002.001/07:07-10 0 +BM.995.003.001/03:01-01 ORCH-ORCHESTRE DE CLARINETTES AMAZONIENNES ORCH- ORCHESTRE DE TULE 0 +BM.995.003.001/03:01-01 AABS-CLARINETTE AABS-TULE 4 +BM.995.003.001/03:03-01 ORCH-ORCH. DE CLARINETTES & FLUTES ORCH-N 0 +BM.995.003.001/03:03-01 AABS-CLARINETTE AABS-TULE 0 +BM.995.003.001/03:03-01 AF-FLUTE AF-N 0 +BM.995.004.001/04:01-01 VC-SOLO H & CHR F VC-N 7 +BM.995.004.001/04:01-01 KP-FRAP PIEDS KP-N 0 +BM.995.004.001/04:01-01 0 +BM.995.005.001/12:01-01 ATT-TROMPE TERM ATT-PUTUTU 1 +BM.995.005.001/12:01-02 VC-F ISABEL MUNOZ 1 +BM.995.005.001/12:01-02 CL-LUTH 5CDBL CL-CHARANGO VALENTE ROJAS 1 +BM.995.005.001/12:01-03 VC-F ISABEL MUNOZ 1 +BM.995.005.001/12:01-03 CL-LUTH 5CDBL CL-CHARANGO VALENTE ROJAS 1 +BM.995.005.001/12:01-03 0 +BM.995.005.001/12:01-04 CL-LUTH 5CDBL 0 +BM.995.005.001/12:01-04 0 +BM.995.005.001/12:01-04 0 +BM.995.005.001/12:01-05 VC-F ISABEL MUNOZ 1 +BM.995.005.001/12:01-05 CL-LUTH 5CDBL CL-CHARANGO VALENTE ROJAS 1 +BM.995.005.001/12:01-05 0 +BM.995.005.001/12:01-06 VC-F ISABEL MUNOZ 1 +BM.995.005.001/12:01-06 CL-LUTH 5CDBL CL-CHARANGO VALENTE ROJAS 1 +BM.995.005.001/12:01-06 0 +BM.995.005.001/12:01-06 0 +BM.995.005.001/12:01-07 VC-CHR M JEUNES DE LA COMM. 4 +BM.995.005.001/12:01-07 CL-LUTH 5CDBL CL-CHARANGO ELIAS VILLA 1 +BM.995.005.001/12:01-07 0 +BM.995.005.001/12:01-08 VC-CHR M JEUNES DE LA COMM. 4 +BM.995.005.001/12:01-08 CL-LUTH 5CDBL CL-CHARANGO ELIAS VILLA 1 +BM.995.005.001/12:01-08 0 +BM.995.005.001/12:01-09 VC-SOLO H CELSO CONDORI 1 +BM.995.005.001/12:01-09 CL-LUTH 5CDBL CL-CHARANGO CELSO CONDORI 1 +BM.995.006.001:01-01 CC-CITHARE CC-CHATKHAN 2 +BM.995.006.001:01-02 AFT-FLUTE TERM AFT-SIBIZGI* 2 +BM.995.006.001:01-03 CC-CITHARE CC-CHATKHAN 2 +BM.995.006.001:01-04 VX-COMPOSITE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-04 CL-LUTH 1 +BM.995.006.001:01-05 VX-COMPOSITE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-05 CL-LUTH 1 +BM.995.006.001:01-06 VX-COMPOSITE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-06 CL-LUTH 1 +BM.995.006.001:01-07 VC-CHANTE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-07 CL-LUTH 1 +BM.995.006.001:01-08 VC-CHANTE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-08 CL-LUTH 1 +BM.995.006.001:01-09 VX-COMPOSITE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-09 CL-LUTH 1 +BM.995.006.001:01-10 VC-CHANTE SOLO H 1 +BM.995.006.001:01-10 IP-GUIMBARDE 1 +BM.995.006.001:01-11 VC-CHANTE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-11 CL-LUTH 1 +BM.995.006.001:01-12 VC-CHANTE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-12 CL-LUTH 1 +BM.995.006.001:01-13 VC-CHANTE SOLO H SERGEI IVGENI 1 +BM.995.006.001:01-14 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-15 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-16 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-17 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-18 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-19 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-20 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.006.001:01-21 CL-LUTH CL-DOMBRA HAMID RAHIMBERGEN 1 +BM.995.014.001/19-DEPOT:01-01 CV-VIELE CV-VIOLON-CETERA N 1 +BM.995.014.001/19-DEPOT:01-01 CV-VIELE CV-ALTO-CONTRA N 1 +BM.995.014.001/19-DEPOT:01-01 CV-VIELE CV-CONTREBASSE A ARCHET N 1 +BM.995.014.001/19-DEPOT:01-01 VC-CHANTE CHR F VC-N N 3 +BM.995.014.001/19-DEPOT:01-01 +BM.995.014.001/19-DEPOT:01-02 CV-VIELE CV-VIOLON-CETERA NICOLAI HONCA 1 +BM.995.014.001/19-DEPOT:01-02 CL-LUTH CL-GUITARE-ZONGORA VASILE FINCA 1 +BM.995.014.001/19-DEPOT:01-02 +BM.995.014.001/19-DEPOT:01-03 CV-VIELE CV-VIOLON-CETERA NICOLAI HONCA 1 +BM.995.014.001/19-DEPOT:01-03 CV-VIELE CL-GUITARE-ZONGORA VASILE FINCA 1 +BM.995.014.001/19-DEPOT:01-03 VA-CRIE SOLO H VA-TIPURITURA N 1 +BM.995.014.001/19-DEPOT:01-04 CV-VIELE CV-VIOLON-CETERA NICOLAI HONCA 1 +BM.995.014.001/19-DEPOT:01-04 CL-LUTH CL-GUITARE-ZONGORA NICOLAI HONCA 1 +BM.995.014.001/19-DEPOT:01-04 VA-CRIE SOLO H VA-N N 1 +BM.995.014.001/19-DEPOT:01-05 CV-VIELE CV-VIOLON-CETERA NICOLAI HONCA 1 +BM.995.014.001/19-DEPOT:01-05 CL-LUTH CL-GUITARE-ZONGORA VASILE FINCA 1 +BM.995.014.001/19-DEPOT:01-05 VA-CRIE SOLO H VA-TIPURITURA N 1 +BM.995.014.001/19-DEPOT:01-05 +BM.995.014.001/19-DEPOT:01-06 CV-VIELE CV-VIOLON-CETERA MIHAILA FLORIN 1 +BM.995.014.001/19-DEPOT:01-06 CL-LUTH CL-GUITARE-ZONGORA MIRCEA CARCAU 1 +BM.995.014.001/19-DEPOT:01-06 VA-CRIE SOLO H VA-N N 1 +BM.995.014.001/19-DEPOT:01-06 +BM.995.014.001/19-DEPOT:01-07 CV-VIELE CV-VIOLON-CETERA MIHAILA FLORIN 1 +BM.995.014.001/19-DEPOT:01-07 CL-LUTH CL-GUITARE-ZONGORA MIRCEA CARCAU 1 +BM.995.014.001/19-DEPOT:01-07 VA-CRIE SOLO H VA-N N 1 +BM.995.014.001/19-DEPOT:01-07 +BM.995.014.001/19-DEPOT:01-08 CV-VIELE CV-VIOLON-CETERA MIHAILA FLORIN 1 +BM.995.014.001/19-DEPOT:01-08 CL-LUTH CL-GUITARE-ZONGORA MIRCEA CARCAU 1 +BM.995.014.001/19-DEPOT:01-08 VA-CRIE SOLO H VA-N N 1 +BM.995.014.001/19-DEPOT:01-09 CV-VIELE CV-VIOLON-CETERA MIHAILA FLORIN 1 +BM.995.014.001/19-DEPOT:01-09 CL-LUTH CL-GUITARE-ZONGORA MIRCEA CARCAU 1 +BM.995.014.001/19-DEPOT:01-09 VA-CRIE SOLO H VA-N N 1 +BM.995.014.001/19-DEPOT:01-09 +BM.995.014.001/19-DEPOT:01-10 CV-VIELE CV-VIOLON-CETERA GHEORGHE NEGREA 1 +BM.995.014.001/19-DEPOT:01-10 CV-VIELE CV-ALTO-CONTRA ILIE LACATUS 1 +BM.995.014.001/19-DEPOT:01-10 CV-VIELE CV-CONTREBASSE SORIN NEGREA 1 +BM.995.014.001/19-DEPOT:01-10 +BM.995.014.001/19-DEPOT:01-11 CV-VIELE CV-VIOLON-CETERA VASILE SERAS 1 +BM.995.014.001/19-DEPOT:01-11 CV-VIELE CV-ALTO ILIE LACATUS 1 +BM.995.014.001/19-DEPOT:01-11 CV-VIELE CV-CONTREBASSE SORIN NEGREA 1 +BM.995.014.001/19-DEPOT:01-11 +BM.995.014.001/19-DEPOT:02-01 CV-VIELE CV-VIOLON-CETERA VASILE TODEREL 1 +BM.995.014.001/19-DEPOT:02-01 CL-LUTH CL-GUITARE-ZONGORA GRIGORE FRATILE 1 +BM.995.014.001/19-DEPOT:02-01 +BM.995.014.001/19-DEPOT:02-02 CV-VIELE CV-VIOLON-CETERA VASILE TODEREL 1 +BM.995.014.001/19-DEPOT:02-02 CL-LUTH CL-GUITARE-ZONGORA GRIGORE FRATILE 1 +BM.995.014.001/19-DEPOT:02-03 CV-VIELE CV-VIOLON-CETERA VASILE TODEREL 1 +BM.995.014.001/19-DEPOT:02-03 CL-LUTH CL-GUITARE-ZONGORA GRIGORE FRATILE 1 +BM.995.014.001/19-DEPOT:02-03 VC-CHANTE SOLO F VC-N N 1 +BM.995.014.001/19-DEPOT:02-03 VC-CHANTE SOLO H VC-N N 1 +BM.995.014.001/19-DEPOT:02-03 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GHEORGHE METI 1 +BM.995.014.001/19-DEPOT:04-06 CL-LUTH CL-GUITARE-ZONGORA ? 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FRAPPE CREUX 1 +BM.996.004.001/10:08-11 +BM.996.004.001/10:08-12 VC-CHANTE SOLO H & CHR H DEGNY,JOSEPH +BM.996.004.001/10:08-12 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.996.004.001/10:08-12 +BM.996.004.001/10:09-01>04 VC-CHANTE SOLO H & CHR H CF.REMARQUES +BM.996.004.001/10:09-01>04 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.996.004.001/10:09-01>04 +BM.996.004.001/10:09-05 VC-CHANTE SOLO H & CHR H DEGNY,EMMANUEL +BM.996.004.001/10:09-05 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.996.004.001/10:09-05 +BM.996.004.001/10:09-06>14 ATT-TROMPE TERM ATT-IGBE 5 +BM.996.004.001/10:09-06>14 IFC-CLOCHE IFC-ANGO 1 +BM.996.004.001/10:09-06>14 +BM.996.004.001/10:10-01 VC-CHANTE SOLO F & CHR F +BM.996.004.001/10:10-01 BC-BATTEMENTS DE MAINS +BM.996.004.001/10:10-01 +BM.996.004.001/10:10-02 VC-CHANTE SOLO F & CHR F +BM.996.004.001/10:10-02 BC-BATTEMENTS DE MAINS +BM.996.004.001/10:10-02 +BM.996.004.001/10:10-03 AFTS-FLUTE TERM SANS CONDUIT 2 +BM.996.004.001/10:10-03 M2C-TBR 2MEMB/CAISSE M2C-TULU 1 +BM.996.004.001/10:10-03 IFC-CLOCHE IFC-ANGO 1 +BM.996.004.001/10:10-03 +BM.1997.004.001/14:01-01 VC-CHANTE CHR E ±10 +BM.998.002.001/07:01-01 IE-CYMBALES IE-SBUG CHAL 2 +BM.998.002.001/07:01-01 IE-CYMBALES IE-SIL SNYAN 2 +BM.998.002.001/07:01-01 IE-CYMBALES IE-SIL SNYAN 2 +BM.998.002.001/07:01-01 IE-CYMBALES IE-SBUG CHAL 2 +BM.998.002.001/07:01-02>14 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:01-02>14 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:01-02>14 ATT-TROMPE TERM ATT-RKANG GLING 2 +BM.998.002.001/07:01-02>14 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:01-02>14 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:01-02>14 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 20 +BM.998.002.001/07:01-02>14 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:01-02>14 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.998.002.001/07:01-02>14 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:01-02>14 IFP-DISQUE IFP-SBUG CHAL 2 +BM.998.002.001/07:01-02>14 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:01-02>14 +BM.998.002.001/07:02-01 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:02-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:02-01 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:02-01 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:02-01 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:02-01 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 20 +BM.998.002.001/07:02-01 IFP-DISQUE IFP-SBUG CHAL 2 +BM.998.002.001/07:02-01 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:02-01 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:02-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.998.002.001/07:03-01 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:03-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:03-01 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:03-01 ATT-TROMPE TERM ATT-RKANG GLING 2 +BM.998.002.001/07:03-01 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:03-01 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:03-01 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 20 +BM.998.002.001/07:03-01 IFP-DISQUE IFP-SBUG CHAL 2 +BM.998.002.001/07:03-01 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:03-01 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:03-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU +BM.998.002.001/07:04-01 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:04-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:04-01 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:04-01 ATT-TROMPE TERM ATT-RKANG GLING 2 +BM.998.002.001/07:04-01 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:04-01 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:04-01 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 2 +BM.998.002.001/07:04-01 IFP-DISQUE IFP-SBUG CHAL 2 +BM.998.002.001/07:04-01 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:04-01 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:04-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.998.002.001/07:05-01 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:05-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:05-01 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:05-01 ATT-TROMPE TERM ATT-RKANG GLING 2 +BM.998.002.001/07:05-01 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:05-01 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:05-01 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 20 +BM.998.002.001/07:05-01 IFP-DISQUE IFP-SBUG CHAL 2 +BM.998.002.001/07:05-01 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:05-01 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:05-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.998.002.001/07:06-01 VC-CHANTE CHR H VC-N 100 +BM.998.002.001/07:06-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:06-01 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:06-01 ATT-TROMPE TERM ATT-RKANG GLING 2 +BM.998.002.001/07:06-01 ATT-TROMPE TERM ATT-DUNG DKAR 2 +BM.998.002.001/07:06-01 M2D-TBR 2MEMB/CADRE M2D-MCHOD RNGA 2 +BM.998.002.001/07:06-01 M2D-TBR 2MEMB/CADRE M2D-RNGA CHEN 20 +BM.998.002.001/07:06-01 IFP-DISQUE IFP-SBUG CHAL +BM.998.002.001/07:06-01 IFP-DISQUE IFP-SIL SNYAN 2 +BM.998.002.001/07:06-01 IFC-CLOCHE IFC-DRIL BU 1 +BM.998.002.001/07:06-01 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +BM.998.002.001/07:07-01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:07-02 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:07-03 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:07-03 +BM.998.002.001/07:07-04 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:07-04 +BM.998.002.001/07:07-05 ATT-TROMPE TERM ATT-DUNG CHEN 2 +BM.998.002.001/07:07-05 +BM.998.002.001/07:07-06 AABD-HAUTBOIS AABD-RGYA GLING 2 +BM.998.002.001/07:07-06 +BM.998.003.001/05:01-01 VC-CHANTE SOLO H & CHR MIXTE +BM.998.003.001/05:01-01 M2V-TBR 2MEMB VARIABLE M2V-DUNGAON 1 +BM.998.003.001/05:01-01 IFC-CLOCHE IFC-ANGO 1 +BM.998.003.001/05:01-01 +BM.998.003.001/05:01-02 VC-CHANTE SOLO H & CHR MIXTE +BM.998.003.001/05:01-02 M2V-TBR 2MEMB VARIABLE M2V-DUNGAON 1 +BM.998.003.001/05:01-02 +BM.998.003.001/05:01-03 ATL-TROMPE LAT ATL-KULU 1 +BM.998.003.001/05:01-03 M1C-TBR 1MEMB/CAISSE M1C-GELEDE 4 +BM.998.003.001/05:01-03 IS-HOCHET-SONNAILLE IS-AKATCHA ? +BM.998.003.001/05:01-03 IFC-CLOCHE IFC-ANGO 1 +BM.998.003.001/05:01-03 +BM.998.003.001/05:02-01>08 VC-CHANTE DUO H & TRIO H +BM.998.003.001/05:02-01>08 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.998.003.001/05:02-01>08 +BM.998.003.001/05:02-09 VC-CHANTE DUO H & TRIO H +BM.998.003.001/05:02-09 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.998.003.001/05:02-09 +BM.998.003.001/05:02-10>11 VC-CHANTE SOLO H & TRIO H OPELE +BM.998.003.001/05:02-10>11 IFP-IDIOPHONE FRAPPE PLEIN 1 +BM.998.003.001/05:02-10>11 +BM.998.003.001/05:02-12>13 VC-CHANTE SOLO H & TRIO H OPELE +BM.998.003.001/05:02-12>13 IFP-IDIOPHONE FRAPPE PLEIN 1 +BM.998.003.001/05:02-12>13 +BM.998.003.001/05:03-01>08 VC-CHANTE SOLO H & CHR MIXTE +BM.998.003.001/05:03-01>08 M1C-TBR 1MEMB/CAISSE M1C-AGBADJA 2 +BM.998.003.001/05:03-01>08 ATL-TROMPE LAT ATL-KULU 1 +BM.998.003.001/05:03-01>08 IS-HOCHET-SONNAILLE IS-AKATCHA ? +BM.998.003.001/05:03-01>08 BC-BATTEMENTS DE MAINS +BM.998.003.001/05:03-09 M1-TBR 1MEMB M1-KOLOBI OGALAGBE 2 +BM.998.003.001/05:03-09 IFC-CLOCHE IFC-ANGO 1 +BM.998.003.001/05:03-09 +BM.998.003.001/05:04-02>04 VC-CHANTE SOLO H & CHR MIXTE +BM.998.003.001/05:04-02>04 M1C-TBR 1MEMB/CAISSE M1C-AGBE 2 +BM.998.003.001/05:04-02>04 IS-HOCHET-SONNAILLE IS-AKATCHA 1 +BM.998.003.001/05:04-02>04 IFC-CLOCHE IFC-ANGO 1 +BM.998.003.001/05:04-02>04 +BM.998.003.001/05:05-01>10 VC-CHANTE SOLO H & TRIO H +BM.998.003.001/05:05-01>10 CA-ARC MUSICAL CA-DJENDJELE 1 +BM.998.003.001/05:05-01>10 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.998.003.001/05:05-01>10 +BM.998.005.001/05:01-01,10 VC-SOLO H VC NGUEDO 1 +BM.998.005.001/05:01-01,10 IS-HOCHET IS-PAKAN DAMAQUEI 1 +BM.998.005.001/05:01-02ETC* VC- CHANTE SOLO H OU F VC-N 1 +BM.998.005.001/05:01-02ETC* IS-HOCHET IS-PAKAN 1 +BM.998.005.001/05:01-02ETC* +BM.998.005.001/05:01-03 VC-CHANTE SOLO H DAMAQUEI 1 +BM.998.005.001/05:01-03 IS-HOCHET IS-PAKAN 1 +BM.998.005.001/05:01-03 +BM.998.005.001/05:02-01ETC* VC-CHANTE SOLO H OU F 1 +BM.998.005.001/05:02-01ETC* IS-HOCHET IS-PAKAN 1 +BM.998.005.001/05:02-04ETC* VC-CHANTE SOLO H 1 +BM.998.005.001/05:02-04ETC* IS-HOCHET IS-PAKAN 1 +BM.998.005.001/05:02-04ETC* +BM.998.005.001/05:02-05ETC* VC-SOLO H 1 +BM.998.005.001/05:02-05ETC* IS-HOCHET IS-PAKAN 1 +BM.998.005.001/05:02-05ETC* +BM.998.005.001/05:03-01>10 AFTS-FLUTE TERM SANS CONDUIT AFTS-MIMBY NEMBO'Y AMADEO GUAYARI 1 +BM.998.005.001/05:03-01>10 M2C-TBR 2MEMB/CAISSE M2C-ANGUA RA'Y CYRILLO ALVARENGA 1 +BM.998.005.001/05:03-01>10 +BM.998.005.001/05:03-01>10 +BM.998.005.001/05:04-01>09 CV-VIELE CV-VIOLIN AMADEO GUAYARI 1 +BM.998.005.001/05:04-10>12 AFLS-FLUTE LAT SANS CONDUIT AFL-MIMBY PYASA AMADEO GUAYARI 1 +BM.998.005.001/05:04-10>12 +BM.998.006.001/03:01-01>18 VC-CHANTE SOLO H & CHR M 1+±10 +BM.998.006.001/03:01-01>18 M2C-TBR 2MEMB/CAISSE M2C-ITOTELE 1 +BM.998.006.001/03:01-01>18 M2C-TBR 2MEMB/CAISSE M2C-IYA 1 +BM.998.006.001/03:01-01>18 M2C-TBR 2MEMB/CAISSE M2C-OKONKOLO 1 +BM.998.006.001/03:02-01>07 VC-CHANTE SOLO H & CHR M 1+±10 +BM.998.006.001/03:02-01>07 M2C-TBR 2MEMB/CAISSE M2C-ITOTELE 1 +BM.998.006.001/03:02-01>07 M2C-TBR 2MEMB/CAISSE M2C-IYA 1 +BM.998.006.001/03:02-01>07 M2C-TBR 2MEMB/CAISSE M2C-OKONKOLO 1 +BM.998.006.001/03:03-01 VC-CHANTE SOLO H & CHR M 1=±10 +BM.998.006.001/03:03-01 M2C-TBR 2MEMB/CAISSE M2C-ITOTELE 1 +BM.998.006.001/03:03-01 M2C-TBR 2MEMB/CAISSE M2C-IYA 1 +BM.998.006.001/03:03-01 M2C-TBR 2MEMB/CAISSE M2C-OKONKOLO 1 +BM.998.007.001/10:01-01 VP-PARLE SOLO H VP-N YERO ARSOUKOULA 1 +BM.998.007.001/10:01-01 CL-LUTH CL-HODDU +BM.998.007.001/10:02-01 VP-PARLE SOLO H VP-N IBOUKARI JAM 1 +BM.998.007.001/10:02-01 +BM.998.007.001/10:02-02 VP-PARLE SOLO H VP-N BOUKARI JAM 1 +BM.998.007.001/10:02-02 +BM.998.007.001/10:02-03,04* VC-CHANTE SOLO H VC-N TINGUIDJI 1 +BM.998.007.001/10:02-03,04* CL-LUTH CL-HODDU TINGUIDJI +BM.998.007.001/10:02-03,04* +BM.998.007.001/10:02-05 VP-PARLE SOLO H VP-N IBOUKARI JAM 1 +BM.998.007.001/10:02-05 +BM.998.007.001/10:03-01>03* VP-PARLE SOLO H VP-N BOURAYMA ALI KOLA 1 +BM.998.007.001/10:03-01>03* CL-LUTH CL-HODDU +BM.998.007.001/10:03-04 VP-PARLE SOLO H VP-N BOURAYMA ALI KOLA 1 +BM.998.007.001/10:03-04 CL-LUTH CL-HODDU +BM.998.007.001/10:04-01 VP-PARLE SOLO H VP-N BOURAYMA ALI KOLA 1 +BM.998.007.001/10:04-01 CL-LUTH CL-HODDU +BM.998.007.001/10:04-01 +BM.998.007.001/10:05-01>02 VC-CHANTE SOLO H VC-YIMRE MODIBBO ALFA MAMOUDOU BOKARI 1 +BM.998.007.001/10:05-01>02 +BM.998.007.001/10:05-03>06* VC-CHANTE SOLO H VC-YIMRE NALLA AHMADOUN 1 +BM.998.007.001/10:05-03>06* +BM.998.007.001/10:06-01 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:06-01 +BM.998.007.001/10:06-02 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:06-02 +BM.998.007.001/10:06-03 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:06-03 +BM.998.007.001/10:06-04 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:06-04 +BM.998.007.001/10:06-05 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:06-05 +BM.998.007.001/10:07-01>05* VC-CHANTE SOLO H VC-YIMRE 1 +BM.998.007.001/10:07-01>05* +BM.998.007.001/10:07-06>08* V-VOIX SOLO H V-MERGAADE NJIDO KAWDO TAMBOURA 1 +BM.998.007.001/10:07-06>08* +BM.998.007.001/10:08-01 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:08-01 +BM.998.007.001/10:08-02 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:08-02 +BM.998.007.001/10:08-03 VC-CHANTE SOLO H VC-YIMRE MISSI 1 +BM.998.007.001/10:08-03 +BM.998.007.001/10:09-01>03* V-VOIX SOLO H V-MERGAADE YEROWAL 1 +BM.998.007.001/10:09-01>03* +BM.998.007.001/10:09-01>03* +BM.998.007.001/10:10-01 V-VOIX SOLO H V-N ALLAY TEGGUE 1 +BM.998.007.001/10:10-01 +BM.998.009.001/03:01-01>03 VC-CHANTE SOLO H & CHR MIXTE VC-N -1 +BM.998.009.001/03:01-01>03 IFP-XYLOPHONE IFP-N DA SONNLIRTE 1 +BM.998.009.001/03:02-01 VC-CHANTE SOLO H & CHR MIXTE VC-N -1 +BM.998.009.001/03:02-01 IFP-XYLOPHONE IFP-N DA SONNLIRTE 1 +BM.998.009.001/03:02-01 +BM.998.009.001/03:03-01>07 VC-SOLO F & CH R F ALTERNE VC-N -1 +BM.998.009.001/03:03-01>07 BC-BATTEMENTS DE MAINS N -1 +BM.1998.010.001/04:01-01>02 AFL-FLUTE LAT AFL-NANKU NAYASH 1 +BM.1998.010.001/04:01-03>04 AFL-FLUTE LAT AFL-NANKU NAYASH 1 +BM.1998.010.001/04:01-05>06 AFL-FLUTE LAT AFL-NANKU YANKUAM (SR) 1 +BM.1998.010.001/04:01-07>08 AFL-FLUTE LAT AFL-NANKU PAATAM 1 +BM.1998.010.001/04:01-09>12 AFL-FLUTE LAT AFL-NANKU YANKUAMI (SR) 1 +BM.1998.010.001/04:01-13 AFL-FLUTE LAT AFL-PEEM YANKUAMI (SR) +BM.1998.010.001/04:01-14>15 CV-VIELE CV-KERU YANKUAMI 1 +BM.1998.010.001/04:01-16 CV-VIELE CV-KERU MASHIANT 1 +BM.1998.010.001/04:01-17 CV-VIELE CV-KERU PUANCHIR 1 +BM.1998.010.001/04:01-18>19 CV-VIELE CV-KERU TII 1 +BM.1998.010.001/04:01-20>24 CV-VIELE CV-KERU MASHIANT 1 +BM.1998.010.001/04:01-25>26 IFC-BLOC DE BOIS IFC-TUNTUI MASHIANT 1 +BM.1998.010.001/04:02-01 VP-PARLE SOLO H VP-N PEAS 1 +BM.1998.010.001/04:02-02 VP-PARLE SOLO F VP-N MIRIJIAR 1 +BM.1998.010.001/04:02-03 VP-PARLE DUO ALTERNE H VP-N MASHIANT & WISUM 2 +BM.1998.010.001/04:02-04 VP-PARLE DUO H VP-N NAYASH & YANKUAM 2 +BM.1998.010.001/04:02-05 VP-PARLE DUO H VP-N TSAMARIN & SANTIAKU 2 +BM.1998.010.001/04:02-06>07 VP-PARLE DUO ALTERNE H VP-N JUAU; SUNTI 2 +BM.1998.010.001/04:02-08>09 VP-PARLE DUO ALTERNE H VP-N JUAU; SUNTI 2 +BM.1998.010.001/04:02-10 VX-COMPOSITE CHR H VX-N LES HOMMES DE SASAIME ±10 +BM.1998.010.001/04:02-11 VP-PARLE DUO H VP-N TAISH & KAYAP 2 +BM.1998.010.001/04:02-12 VX-COMPOSITE CHR H VX-N LES HOMMES DE COPATAZA +BM.1998.010.001/04:02-13 VX-COMPOSITE VX-N DUMINK 1 +BM.1998.010.001/04:02-13 IS-HOCHET IS-N 1 +BM.1998.010.001/04:03-01>03 VC-CHANTE SOLO H VC-N PEAS 1 +BM.1998.010.001/04:03-04>05 VC-CHANTE SOLO H VC-N PEAS 1 +BM.1998.010.001/04:03-06>07 VC-CHANTE SOLO H VC-N PUANCHIR 1 +BM.1998.010.001/04:03-08 VC-CHANTE SOLO H VC-N SUNTI 1 +BM.1998.010.001/04:03-09>10 VC-CHANTE SOLO H VC-N KAITIAN 1 +BM.1998.010.001/04:03-11 VX-COMPOSITE SOLO H VX-N MASHIANT 1 +BM.1998.010.001/04:03-11 CV-VIELE CV-N 1 +BM.1998.010.001/04:03-12>13 VC-CHANTE SOLO H VC-N MASHIANT 1 +BM.1998.010.001/04:03-14 VC-CHANTE SOLO F VC-N YAPAN 1 +BM.1998.010.001/04:03-15 VC-CHANTE SOLO F VC-N CHAYUK 1 +BM.1998.010.001/04:03-16 VC-CHANTE SOLO F VC-N NUSIRI 1 +BM.1998.010.001/04:03-17 VC-CHANTE SOLO F VC-N CHAYUK 1 +BM.1998.010.001/04:03-18 VC-CHANTE SOLO F VC-N MAYANCH 1 +BM.1998.010.001/04:03-19 VC-CHANTE SOLO F VC-N NAMOCH 1 +BM.1998.010.001/04:03-20>21 VC-CHANTE SOLO F VC-N NAWIR 1 +BM.1998.010.001/04:03-22>23 VC-CHANTE SOLO F VC-N MASUK 1 +BM.1998.010.001/04:03-24 VC-CHANTE SOLO F VC-N YAUN 1 +BM.1998.010.001/04:03-25 VC-CHANTE SOLO F VC-N BINIK 1 +BM.1998.010.001/04:03-26>28 VC-CHANTE SOLO F VC-N PUAR 1 +BM.1998.010.001/04:03-29>30 VC-CHANTE SOLO F VC-N MIRIJIAR 1 +BM.1998.010.001/04:03-31 A-AÉROPHONE A-ANENT CHAWIR 1 +BM.1998.010.001/04:03-32>33 VC-CHANTE SOLO F VC-N WANA 1 +BM.1998.010.001/04:03-34>35 VC-CHANTE SOLO F VC-N NAMATI 1 +BM.1998.010.001/04:04-01>11 VC-CHANTE DUO F VC-N NAWIR & NAMOCH 1 +BM.1998.010.001/04:04-12>13 VC-CHANTE CHR F VC-N LES FEMMES DE SASAIME N +BM.1998.010.001/04:04-14>17 VC-CHANTE CHR F VC-N LES FEMMES DE COPATAZA +BM.1998.010.001/04:04-18>22 VC-CHANTE CHR F VC-UJAJ LES FEMMES DE PEAS +BM.1998.010.001/04:04-23 VC-CHANTE CHR F VC-N LES FEMMES DE PEAS 1 +BM.1998.010.001/04:04-23 AFL-FLUTE LAT AFL-NANKU 1 +BM.1998.010.001/04:04-24 VC-CHANTE CHR F VC-N LES FEMMES DE PEAS 1 +BM.1998.010.001/04:04-24 VA-HALETE CHOEUR H +BM.998.011.001:01-01>12* VC-SOLO H VC-N AGUSTIN PERALTA 1 +BM.998.011.001:01-01>12* M1-TBR 1MEMB M1-WAKARA'Y AGUSTIN PERALTA 1 +BM.998.011.001:01-01>12* +BM.999.001.001:01-01>29* VX-COMPOSITE SOLO H VX-N JAMO MARTIN JAPEGI 1 +BM.999.002.001/02:01-01>05* VC-CHANTE SOLO F VC-N CF. REMARQUES 1 +BM.999.002.001/02:01-01>05* IL-IDIOPHONE PILONNE IL-PEZUGNA 1 +BM.999.002.001/02:01-01>05* +BM.999.002.001/02:01-06>08* VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-06>08* M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-09>11* VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-09>11* M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-12 VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-12 M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-13>19* VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-13>19* M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-13>19* +BM.999.002.001/02:01-20>22 VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-20>22 M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-20>22 +BM.999.002.001/02:01-23>25* VC-CHANTE SOLO & CHR H VC-N CLAVIO+AUTRES 1+2à5 +BM.999.002.001/02:01-23>25* M1C-TBR 1MEMB/CAISSE M1C-ALHPON 1 +BM.999.002.001/02:01-23>25* +BM.999.006.001/04:01-01>02 VC-CHANTE SOLO H VC-N GOUADE 1 +BM.999.006.001/04:01-01>02 CHL-HARPE-LUTH CHL-DUU GOUADE 1 +BM.999.006.001/04:01-03 CHL-HARPE-LUTH CHL-DUU GOUADE 1 +BM.999.006.001/04:01-03 +BM.999.006.001/04:01-04>06 VC-CHANTE SOLO H & TRIO H VC-N TOULE,JOSEPH (S)* 1+3 +BM.999.006.001/04:01-04>06 IFC-IDIOPHONE FRAPPE CREUX IFC-N * 3 +BM.999.006.001/04:01-07>08 VC-CHANTE SOLO & CHR F VC-N +BM.999.006.001/04:01-07>08 AF-FLUTE AF-SIFFLET 1 +BM.999.006.001/04:01-07>08 M1C-TBR 1MEMB/CAISSE M1C-TOU 1 +BM.999.006.001/04:01-07>08 IS-SONNAILLES IS-N +BM.999.006.001/04:01-07>08 +BM.999.006.001/04:01-09 VC-CHANTE SOLO & CHR H VC-N TOUDE, JOSEPH (S) +BM.999.006.001/04:01-09 M1C-TBR 1MEMB/CAISSE M1C-GBELE MANTO,ROBERT 1 +BM.999.006.001/04:01-10>14 VC-CHANTE SOLO H VC-N 1 +BM.999.006.001/04:01-10>14 CA-ARC MUSICAL CA-SUU 1 +BM.999.006.001/04:01-10>14 +BM.999.006.001/04:01-15>17 VX-COMPOSITE DUO H VX-N GUEI,GBONHON & GUEI,MANHAN 2 +BM.999.006.001/04:01-15>17 IS-HOCHET-SONNAILLE IS-SAON GUEI,GBONHON & GUEI,MANHAN 2 +BM.999.006.001/04:01-18>20 VC-CHANTE SOLO & CHR F VC-N 1+3 +BM.999.006.001/04:01-18>20 M1C-TBR 1MEMB/CAISSE M1C-TOU 1 +BM.999.006.001/04:01-18>20 +BM.999.006.001/04:01-21>22 VC-CHANTE CHR H VC-N 6 +BM.999.006.001/04:01-21>22 M1C-TBR 1MEMB/CAISSE M1C-PLI +BM.999.006.001/04:01-21>22 IFC-CLOCHE IFC-N 1 +BM.999.006.001/04:01-21>22 IS-HOCHET-SONNAILLE IS-SAON 5 +BM.999.006.001/04:01-21>22 +BM.999.006.001/04:01-23>24 VC-CHANTE CHR H VC-N 5 +BM.999.006.001/04:01-23>24 BM-MIRLITON BM-N 5 +BM.999.006.001/04:02-01 VC-CHANTE DUO F & CHR F VC-N * +BM.999.006.001/04:02-02>03 M1C-TBR 1MEMB/CAISSE M1C-TUGBA 1 +BM.999.006.001/04:02-02>03 M1C-TBR 1MEMB/CAISSE M1C-GBELE 1 +BM.999.006.001/04:02-04>05 IFC-BLOC DE BOIS IFC-ULE 1 +BM.999.006.001/04:02-04>05 +BM.999.006.001/04:02-06>11 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:02-06>11 +BM.999.006.001/04:02-12>14 CH-HARPE MANCHE FOURCHUE CH-DO GOULIA,GASTON 1 +BM.999.006.001/04:02-12>14 +BM.999.006.001/04:02-15 CH-HARPE MANCHE FOURCHUE CH-DO GOULIA,GASTON 1 +BM.999.006.001/04:02-15 +BM.999.006.001/04:02-16 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:02-16 +BM.999.006.001/04:02-17>22 VC-CHANTE DUO F & CHR F +BM.999.006.001/04:02-17>22 IL-IDIOPHONE PILONNE PLEIN +BM.999.006.001/04:02-17>22 +BM.999.006.001/04:02-23>25 M1C-TBR 1MEMB/CAISSE M1C-SAADYEN 1 +BM.999.006.001/04:02-23>25 M1C-TBR 1MEMB/CAISSE M1C-BOLODJU 1 +BM.999.006.001/04:02-23>25 IFC-BLOC DE BOIS IFC-GULE 1 +BM.999.006.001/04:02-26>28 ATL-TROMPE LAT ATL-GWEN * 5 +BM.999.006.001/04:02-26>28 M1C-TBR 1MEMB/CAISSE M1C-GWEN AN PE OUEHE 2 +BM.999.006.001/04:02-26>28 M1C-TBR 1MEMB/CAISSE M1C-GWEN AN DADE OULA YAI 1 +BM.999.006.001/04:02-29 ATL-TROMPE LAT ATL-GWEN 5 +BM.999.006.001/04:02-29 +BM.999.006.001/04:02-30>31 VC-COMPOSITE H VC-N OULAO TAHA,EMILE 1 +BM.999.006.001/04:02-30>31 IS-GRELOT IS-N OULAO TAHA,EMILE 1 +BM.999.006.001/04:02-30>31 +BM.999.006.001/04:02-32>33 VC-CHANTE H VC-N 2 +BM.999.006.001/04:02-32>33 BM-MIRLITON BM-N 1 +BM.999.006.001/04:02-32>33 IFC-BLOC DE BOIS IFC-GULE 1 +BM.999.006.001/04:02-32>33 +BM.999.006.001/04:02-34>35 VC-CHANTE SOLO & CHR H VC-N 1 + 3 +BM.999.006.001/04:02-34>35 IFC-BLOC DE BOIS IFC-GULE 1 +BM.999.006.001/04:02-34>35 M1C-TBR 1MEMB/CAISSE M1C-N 1 +BM.999.006.001/04:02-34>35 IS-HOCHET-SONNAILLE IFC-SAON 1 +BM.999.006.001/04:02-34>35 +BM.999.006.001/04:02-36 VC-CHANTE H VC-N 4 +BM.999.006.001/04:02-36 AFTS-FLUTE TERM SANS CONDUIT AFTS-N 5 +BM.999.006.001/04:02-36 IS-HOCHET-SONNAILLE IS-SAON 2 +BM.999.006.001/04:02-36 +BM.999.006.001/04:02-37 AFTS-FLUTE TERM SANS CONDUIT AFTS-N 5 +BM.999.006.001/04:02-37 +BM.999.006.001/04:03-01 VC-DUO ALTERNE H F & CHR M VC-N +BM.999.006.001/04:03-01 M1C-TBR 1MEMB/CAISSE M1C-N 2 +BM.999.006.001/04:03-01 M2C-TBR 2MEMB/CAISSE M2C-N 2 +BM.999.006.001/04:03-01 +BM.999.006.001/04:03-02>04 VC-CHANTE F VC-N 2 +BM.999.006.001/04:03-02>04 +BM.999.006.001/04:03-05>06 VC-CHANTE SOLO & CHR H VC-N 1+3 +BM.999.006.001/04:03-05>06 M1C-TBR 1MEMB/CAISSE M1C-N 1 +BM.999.006.001/04:03-05>06 IS-HOCHET-SONNAILLE IS-N 2 +BM.999.006.001/04:03-05>06 AFTS-FLUTE TERM SANS CONDUIT AFTS-N 1 +BM.999.006.001/04:03-05>06 +BM.999.006.001/04:03-07>11 VC-CHANTE DUO F & CHR F VC-N 2+4 +BM.999.006.001/04:03-07>11 M1C-TBR 1MEMB/CAISSE M1C-N 1 +BM.999.006.001/04:03-07>11 +BM.999.006.001/04:03-12>15 VC-CHANTE DUO F & CHR F VC-N 2+12 +BM.999.006.001/04:03-12>15 M1C-TBR 1MEMB/CAISSE M1C-N 4 +BM.999.006.001/04:03-12>15 +BM.999.006.001/04:03-16>31 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:03-16>31 +BM.999.006.001/04:03-32 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:03-32 +BM.999.006.001/04:03-33>34 CA-ARC MUSICAL CA-SUU 1 +BM.999.006.001/04:03-33>34 +BM.999.006.001/04:03-35>37 VC-CHANTE CHR H VC-N (ADJOINT) TEHE,GABRIEL 5 +BM.999.006.001/04:03-35>37 IS-HOCHET-SONNAILLE IS-SAON 4 +BM.999.006.001/04:03-35>37 AFTS-FLUTE TERM SANS CONDUIT AFTS-N 1 +BM.999.006.001/04:04-01 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:04-01 +BM.999.006.001/04:04-01 +BM.999.006.001/04:04-02 IFP-XYLOPHONE IFP-GBO 1 +BM.999.006.001/04:04-02 +BM.999.006.001/04:04-03 VC-MIXTE H VC-N 3 +BM.999.006.001/04:04-03 IFC-CLOCHE IFC-N 1 +BM.999.006.001/04:04-03 +BM.999.006.001/04:04-04 VX-VOIX COMPOSITE DUO ALTERNE H VX-N 2 +BM.999.006.001/04:04-04 M1C-TBR 1MEMB/CAISSE M1C-TOU 2 +BM.999.006.001/04:04-05>07 VC-CHANTE CHR F VC-N +BM.999.006.001/04:04-05>07 M1C-TBR 1MEMB/CAISSE M1C-N 3 +BM.999.006.001/04:04-08>09 VC-CHANTE F VC-N 1 +BM.999.006.001/04:04-08>09 AF-FLUTE AF-SIFFLET (POLICE) 1 +BM.999.006.001/04:04-08>09 M1C-TBR 1MEMB/CAISSE M1C-PLIE 1 +BM.999.006.001/04:04-08>09 M1C-TBR 1MEMB/CAISSE M1C-GBO 2 +BM.999.006.001/04:04-08>09 IS-SONNAILLES IS-N +BM.999.006.001/04:04-10 VX-VOIX DUO ALTERNE H VX-N 2 +BM.999.006.001/04:04-10 M1C-TBR 1MEMB/CAISSE M1C-TOU 2 +BM.999.006.001/04:04-10 +BM.999.006.001/04:04-11>13 VP-PARLE F VP-N 1 +BM.999.006.001/04:04-11>13 VC-CHANTE DUO F & CHR F VC-N * 2 +BM.999.006.001/04:04-11>13 M1C-TBR 1MEMB/CAISSE M1C-BLOTOU KEI ZOU,HELENE 1 +BM.999.009.001/09:01-01 VA-CHANTE-PARLE H N (DBU-MDZAD) NOR-BZANG 1 +BM.999.009.001/09:01-01 IE-CYMBALES SBUG-CHAL (DBU-MDZAD) NOR-BZANG N +BM.999.010.001/03:01-01 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-01 +BM.999.010.001/03:01-01 +BM.999.010.001/03:01-02 VC-CHANTE SOLO H & CHR M FRANCISCO GUAJI 1 +BM.999.010.001/03:01-02 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-02 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-02 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-02 M2-TBR 2MEMB M2-BOMBO 1 +BM.999.010.001/03:01-02 M2C-TBR 2MEM M2C-CAJA 1 +BM.999.010.001/03:01-02 IFP-IDIOPHONE FRAPPE PLEIN IFP-TRIANGULO 1 +BM.999.010.001/03:01-02 +BM.999.010.001/03:01-03 VC-CHANTE SOLO H & CHR M LORENZO VARE 1 +BM.999.010.001/03:01-03 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-03 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-03 CV-VIELE CV-VIOLON FRANCISCO GUAJI 1 +BM.999.010.001/03:01-03 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-03 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-03 M2C-TBR 2MEMB/CAISSE M2C-SANCUTI 1 +BM.999.010.001/03:01-03 IFP-IDIOPHONE FRAPPE PLEIN IFP-TRIANGULO 1 +BM.999.010.001/03:01-03 +BM.999.010.001/03:01-04 VC-CHANTE SOLO H & CHR M +BM.999.010.001/03:01-04 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-04 AFTC-FLUTE TERM CONDUIT AFTC-PAJARILLO 1 +BM.999.010.001/03:01-04 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-04 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-04 +BM.999.010.001/03:01-04 CV-VIELE CV-VIOLIN 1 +BM.999.010.001/03:01-04 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-04 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-04 M2C-TBR 2MEMB/CAISSE M2C-SANCUTI 1 +BM.999.010.001/03:01-04 IFP-IDIOPHONE FRAPPE PLEIN IFP-TRIANGULO 1 +BM.999.010.001/03:01-04 +BM.999.010.001/03:01-05 AFTC-FLUTE TERM CONDUIT AFTC-PAJARILLO 1 +BM.999.010.001/03:01-05 +BM.999.010.001/03:01-06 VC-CHANTE SOLO H & CHR M FRANCISCO GUAJI +BM.999.010.001/03:01-06 AFL-FLUTE LAT AFL-SIWLE 1 +BM.999.010.001/03:01-06 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-06 CV-VIELE CV-VIOLIN 2 +BM.999.010.001/03:01-06 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-06 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-06 M2C-TBR 2MEMB/CAISSE M2C-SANCUTI 1 +BM.999.010.001/03:01-06 +BM.999.010.001/03:01-06 +BM.999.010.001/03:01-07 VC-CHANTE SOLO H & CHR F FRANCISCO GUAJI +BM.999.010.001/03:01-07 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-08 VC-CHANTE SOLO H & CHR M FRANCISCO GUAJI +BM.999.010.001/03:01-08 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-08 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-08 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-08 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-08 M2C-TBR 2MEMB/CAISSE M2C-SANCUTI 1 +BM.999.010.001/03:01-08   +BM.999.010.001/03:01-08 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-08 +BM.999.010.001/03:01-09 VC-CHANTE SOLO H FRANCISCO GUAJI +BM.999.010.001/03:01-09 VC-CHANTE DUO F +BM.999.010.001/03:01-09 AFL-FLUTE LAT AFL-SIWLE 2 +BM.999.010.001/03:01-09 ATT-TROMPE TERM ATT-BAJON 2 +BM.999.010.001/03:01-09 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-09 M2C-TBR 2MEMB/CAISSE M2C-BOMBO MERCEDES PEDRAZAS 1 +BM.999.010.001/03:01-09 M2C-TBR 2MEMB/CAISSE M2C-SANCUTI 1 +BM.999.010.001/03:01-09 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-10 AFL-FLUTE LAT AFL-SIWLE CELSO TAMO, MANUEL MAE 2 +BM.999.010.001/03:01-10 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-10 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-10 +BM.999.010.001/03:01-10 +BM.999.010.001/03:01-11 AFL-FLUTE LAT AFL-SIWLE CELSO TAMO +BM.999.010.001/03:01-11 M2C-TBR 2MEMB/CAISSE M2C-BOMBO JUAN NOCO 1 +BM.999.010.001/03:01-11 M2D-TBR 2MEMB/CADRE M2D-CAJA LUIS TAMO 1 +BM.999.010.001/03:01-11 +BM.999.010.001/03:01-12 VC-CHANTE F MERCEDES PEDRAZAS +BM.999.010.001/03:01-12 +BM.999.010.001/03:01-14 VC-CHANTE SOLO H FRANCISCO GUAJI +BM.999.010.001/03:01-14 ATT-TROMPE TERM ATT-BAJON 1 +BM.999.010.001/03:01-14 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-14 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-14 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-14 +BM.999.010.001/03:01-15 VC-CHANTE SOLO H FRANCISCO GUAJI +BM.999.010.001/03:01-15 ATT-TROMPE TERM ATT-BAJON 1 +BM.999.010.001/03:01-15 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:01-15 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-15 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-15 +BM.999.010.001/03:01-16 AFT-FLUTE TERM AFT-FIFANO FELIPE MUIBAR 1 +BM.999.010.001/03:01-16 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-16 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-16 IS-SONNAILLES +BM.999.010.001/03:01-17 AFT-FLUTE TERM AFT-FIFANO FELIPE MUIBAR 1 +BM.999.010.001/03:01-17 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.999.010.001/03:01-17 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:01-17 IS-SONNAILLES +BM.999.010.001/03:01-17 +BM.999.010.001/03:O1-13 VC-CHANTE SOLO H FRANCISCO GUAJI 1 +BM.999.010.001/03:O1-13 CV-VIELE CV-VIOLIN FRANCISCO GUAJI 1 +BM.999.010.001/03:O1-13 M2C-TBR 2MEMB/CAISSE M2C-BOMBO 1 +BM.999.010.001/03:O1-13 M2D-TBR 2MEMB/CADRE M2D-CAJA 1 +BM.1970.041.001/55:28-02 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-02 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:05-02 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-02 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-02 I-IDIOPHONE +BM.1970.045.001/09:05-02 BC-BATTEMENTS DE MAINS +BM.1969.040.001/18:01-01 VP-PARLE SOLO H N N 1 +BM.1969.040.001/18:01-01 VP-PARLE N N N +BM.1969.040.001/18:01-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:01-01 SA-SONS ANIMAUX N N N +BM.1969.040.001/18:02-01>04 VC-CHANTE CHR E N N N +BM.1969.040.001/18:02-01>04 VP-PARLE N N N +BM.1969.040.001/18:02-01>04 VC-CHANTE SOLO E N ILANIN 1 +BM.1969.040.001/18:02-01>04 VC-CHANTE DUO E N N 2 +BM.1969.040.001/18:02-01>04 I-IDIOPHONE N N N +BM.1969.040.001/18:02-01>04 VP-PARLE SOLO H N ILANIN 1 +BM.1969.040.001/18:02-01>04 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:03-01 VC-CHANTE SOLO F N DUDYEFO 1 +BM.1969.040.001/18:03-01 VP-PARLE N GILBERT ROUGET N +BM.1969.040.001/18:03-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:03-02 VP-PARLE F N N N +BM.1969.040.001/18:03-02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:03-02 SN-BRUITS DE LA NATURE N N N +BM.1969.040.001/18:03-02 SA-SONS ANIMAUX N N N +BM.1969.040.001/18:03-03 AF-FLUTE N N N +BM.1969.040.001/18:03-03 AF-FLUTE N N 1 +BM.1969.040.001/18:03-03 M-TBR N N 1 +BM.1969.040.001/18:03-04 VP-PARLE H N GILBERT ROUGET N +BM.1969.040.001/18:03-04 VP-PARLE N N N +BM.1969.040.001/18:03-04 VC-CHANTE SOLO H N KADYRIN N +BM.1969.040.001/18:04-01 VP-PARLE N N N +BM.1969.040.001/18:04-01 V-VOIX N N N +BM.1969.040.001/18:04-01 IS-SONNAILLES N N N +BM.1969.040.001/18:04-01 IS-CLOCHE N N N +BM.1969.040.001/18:04-01 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:04-02 VP-PARLE H & F N N N +BM.1969.040.001/18:04-02 VP-PARLE SOLO H N N 1 +BM.1969.040.001/18:04-02 VC-CHANTE SOLO H N N N +BM.1969.040.001/18:04-02 VA-CRIE N N N +BM.1969.040.001/18:04-02 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:04-03>05 VC-CHANTE H N N N +BM.1969.040.001/18:04-03>05 VA-CRIE N N N +BM.1969.040.001/18:04-03>05 I-IDIOPHONE N N N +BM.1969.040.001/18:04-03>05 VC-CHANTE SOLO H N N 1 +BM.1969.040.001/18:04-03>05 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:04-03>05 VC-CHANTE SOLO H & CHR ALTERNES H N N N +BM.1969.040.001/18:04-03>05 VP-PARLE N GILBERT ROUGET 1 +BM.1969.040.001/18:04-03>05 VP-PARLE N N N +BM.1969.040.001/18:05-01>03 VC-CHANTE F N N N +BM.1969.040.001/18:05-01>03 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:05-01>03 V-VOIX N N N +BM.1969.040.001/18:05-01>03 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:05-01>03 I-IDIOPHONE N N N +BM.1969.040.001/18:05-01>03 VP-PARLE SOLO H N ILANIN 1 +BM.1969.040.001/18:05-01>03 IS-SONNAILLES N N N +BM.1969.040.001/18:05-01>03 VA-CRIE F N N N +BM.1969.040.001/18:05-01>03 VC-CHANTE F N N N +BM.1969.040.001/18:05-01>03 VC-CHANTE ALTERNE H & F N N N +BM.1969.040.001/18:05-01>03 VC-CHANTE SOLO H N N 1 +BM.1969.040.001/18:05-01>03 IS-CLOCHE N N N +BM.1969.040.001/18:05-01>03 SN-BRUITS DE LA NATURE N N N +BM.1969.040.001/18:05-01>03 VP-PARLE N N N +BM.1969.040.001/18:06-01>03 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:06-01>03 V-VOIX N N N +BM.1969.040.001/18:06-01>03 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:06-01>03 VA-CRIE N N N +BM.1969.040.001/18:06-01>03 VC-CHANTE H N N N +BM.1969.040.001/18:06-01>03 VC-CHANTE ALTERNE H & F N N N +BM.1969.040.001/18:06-01>03 VP-PARLE SOLO H N N 1 +BM.1969.040.001/18:06-01>03 IS-GRELOT N N N +BM.1969.040.001/18:07-01>02 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:07-01>02 VC-CHANTE F N N N +BM.1969.040.001/18:07-01>02 VC-CHANTE SOLO F N IDARK 1 +BM.1969.040.001/18:07-01>02 VC-CHANTE SOLO F N KUMBA 1 +BM.1969.040.001/18:07-01>02 VC-CHANTE SOLO F N SYINGANEKÉ 1 +BM.1969.040.001/18:07-01>02 VP-PARLE SOLO F N DYERFO N +BM.1969.040.001/18:07-03 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:07-03 VP-PARLE SOLO H N KADYIRIN 1 +BM.1969.040.001/18:07-03 VP-PARLE SOLO F N KUMBA 1 +BM.1969.040.001/18:08-01>03 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:08-01>03 VC-CHANTE E N N N +BM.1969.040.001/18:08-01>03 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:08-01>03 VP-PARLE H N N N +BM.1969.040.001/18:08-01>03 SN-BRUITS DE LA NATURE N N N +BM.1969.040.001/18:09-01 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:09-01 AF-FLUTE N N 2 +BM.1969.040.001/18:09-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:09-01 VP-PARLE H N N N +BM.1969.040.001/18:09-02 VA-CRIE N N N +BM.1969.040.001/18:09-02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:09-02 VP-PARLE N N N +BM.1969.040.001/18:09-03>05 IS-SONNAILLES N N N +BM.1969.040.001/18:09-03>05 VP-PARLE SOLO H N N 1 +BM.1969.040.001/18:09-03>05 VC-CHANTE CHR E N N N +BM.1969.040.001/18:09-03>05 VC-CHANTE SOLO E N N 1 +BM.1969.040.001/18:09-03>05 BC-BATTEMENTS DE MAINS N N N +BM.1969.040.001/18:10-01>02 IFP-BATON N N N +BM.1969.040.001/18:10-01>02 VC-CHANTE E N N N +BM.1969.040.001/18:10-01>02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:10-01>02 VA-CRIE N N N +BM.1969.040.001/18:11-01 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:11-01 VP-PARLE H N N N +BM.1969.040.001/18:11-02 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:11-02 AF-FLUTE AF-OKIMAN TYANDENIN 1 +BM.1969.040.001/18:11-02 AF-FLUTE AF-OKIMAN NYÉMERANEKÉ N +BM.1969.040.001/18:11-02 VP-PARLE H N TYANDENIN N +BM.1969.040.001/18:12-01>03 VP-PARLE SOLO H N GILBERT ROUGET N +BM.1969.040.001/18:12-01>03 AF-FLUTE AF-OKIMAN TYANDENIN 1 +BM.1969.040.001/18:12-01>03 AF-FLUTE AF-OKIMAN NYÉMERANEKÉ N +BM.1969.040.001/18:12-01>03 VP-PARLE H N TYANDENIN N +BM.1969.040.001/18:13-01 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:13-01 VP-PARLE SOLO H N TYANDENIN 1 +BM.1969.040.001/18:13-01 VP-PARLE SOLO H N KADYIRIN 1 +BM.1969.040.001/18:13-01 VP-PARLE SOLO H N R.GESSAIN 1 +BM.1969.040.001/18:13-02 VP-PARLE H N N N +BM.1969.040.001/18:13-02 VC-CHANTE N N N +BM.1969.040.001/18:13-02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:14-01 VP-PARLE H N N N +BM.1969.040.001/18:14-01 VC-CHANTE H N N N +BM.1969.040.001/18:14-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:14-01 VA-CRIE N N N +BM.1969.040.001/18:14-01 VC-CHANTE H N N N +BM.1969.040.001/18:14-01 VC-CHANTE CHR H N N N +BM.1969.040.001/18:15-01 VP-PARLE H N N N +BM.1969.040.001/18:15-01 VC-CHANTE H N N N +BM.1969.040.001/18:15-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:15-01 VA-CRIE N N N +BM.1969.040.001/18:15-01 VC-CHANTE H N N N +BM.1969.040.001/18:15-01 VC-CHANTE CHR H N N N +BM.1969.040.001/18:15-01 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:16-01>02 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:16-01>02 VC-CHANTE H N N N +BM.1969.040.001/18:16-01>02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:16-01>02 VA-CRIE N N N +BM.1969.040.001/18:16-01>02 IS-GRELOT N N N +BM.1969.040.001/18:16-01>02 VC-CHANTE CHR H N N N +BM.1969.040.001/18:16-01>02 AF-FLUTE N N 2 +BM.1969.040.001/18:16-01>02 IS-GRELOT N N N +BM.1969.040.001/18:16-01>02 IS-CLOCHE N N N +BM.1969.040.001/18:16-03 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:16-03 VP-PARLE SOLO H N NYEMARANEKE 1 +BM.1969.040.001/18:16-03 VP-PARLE SOLO H N TYANDENIN 1 +BM.1969.040.001/18:16-03 AF-FLUTE AF-OKIMAN NYEMARANEKE 1 +BM.1969.040.001/18:16-03 AF-FLUTE AF-OKIMAN TYANDENIN 1 +BM.1969.040.001/18:16-03 AF-FLUTE N N 2 +BM.1969.040.001/18:17-01 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:17-01 VP-PARLE SOLO H N NYEMARANEKE 1 +BM.1969.040.001/18:17-01 VP-PARLE SOLO H N TYANDENIN 1 +BM.1969.040.001/18:17-01 AF-FLUTE AF-OKIMAN NYEMARANEKE 1 +BM.1969.040.001/18:17-01 AF-FLUTE AF-OKIMAN TYANDENIN 1 +BM.1969.040.001/18:17-01 AF-FLUTE AF-INGUELECHIRA NYEMARANEKE 1 +BM.1969.040.001/18:17-02 VP-PARLE SOLO H N GILBERT ROUGET 1 +BM.1969.040.001/18:17-02 VP-PARLE H N N N +BM.1969.040.001/18:17-02 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:17-02 VC-CHANTE SOLO H N N 1 +BM.1969.040.001/18:17-02 VC-CHANTE CHR H N N N +BM.1969.040.001/18:17-02 BC-BATTEMENTS DE MAINS N N N +BM.1969.040.001/18:17-02 VC-CHANTE CHR F N N N +BM.1969.040.001/18:17-02 IS-CLOCHE N N N +BM.1969.040.001/18:18-01 VP-PARLE H N N N +BM.1969.040.001/18:18-01 SD-AMBIANCES DIVERSES N N N +BM.1969.040.001/18:18-01 VC-CHANTE SOLO H N N 1 +BM.1969.040.001/18:18-01 VC-CHANTE CHR F N N N +BM.1969.040.001/18:18-01 BC-BATTEMENTS DE MAINS N N N +BM.1969.040.001/18:18-01 VP-PARLE F N N N +BM.1969.040.001/18:18-01 IS-CLOCHE N N N +BM.1969.040.001/18:18-02 VC-CHANTE SOLO H N IKAR 1 +BM.1969.040.001/18:18-02 VC-CHANTE SOLO H N ENDEGA 1 +BM.1969.040.001/18:18-02 VC-CHANTE SOLO H N N 1 +BM.1970.037.001/13:01-01 VC- CHANTE DUO H VC-N +BM.1970.037.001/13:01-01 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:01-01 M2-TBR 2MEMB M2-BANDIR 1 +BM.1970.037.001/13:01-02 VC-CHANTE SOLO H VC-N +BM.1970.037.001/13:01-03 VC-CHANTE SOLO H VC-N +BM.1970.037.001/13:01-04 VC-CHANTE SOLO H VC-N JEMMA BEN FARAJI +BM.1970.037.001/13:01-05 VC-CHANTE SOLO H VC-N JEMMA BEN FARAJI +BM.1970.037.001/13:01-06 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.037.001/13:01-07 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.037.001/13:01-07 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:01-07 M2-TBR 2MEMB M2-BANDIR +BM.1970.037.001/13:01-08 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.037.001/13:01-08 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:01-08 M2-TBR 2MEMB M2-BANDIR +BM.1970.037.001/13:01-09 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.037.001/13:01-09 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:01-09 M2-TBR 2MEMB M2-BANDIR +BM.1970.037.001/13:01-10 VC-CHANTE 2CHR ALTERNES H/F VC-N +BM.1970.037.001/13:01-10 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:01-10 M2-TBR 2MEMB M2-BANDIR +BM.1970.037.001/13:01-11 VC-CHANTE DUO F VC-N +BM.1970.037.001/13:01-12 VC-CHANTE F VC-N +BM.1970.037.001/13:01-13 VC-CHANTE F VC-N +BM.1970.037.001/13:01-14 VC-CHANTE F VC-N +BM.1970.037.001/13:02-01 VC-CHANTE DUO F VC-N +BM.1970.037.001/13:02-02 VC-CHANTE DUO F VC-N +BM.1970.037.001/13:02-03 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:02-04 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:02-05 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:02-06 VC-CHANTE DUO ALTERNE H VC-N BAMLIK JEMMA-TAZRT +BM.1970.037.001/13:02-07 VC-CHANTE SOLO & CHR H VC-N +BM.1970.037.001/13:02-07 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:02-08 VC-CHANTE SOLO & CHR H VC-N +BM.1970.037.001/13:02-09 VC-CHANTE SOLO H VC-N +BM.1970.037.001/13:02-09 VA-CRIE H VA-N +BM.1970.037.001/13:02-09 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:02-10 VC-CHANTE F VC-N +BM.1970.037.001/13:02-10 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:03-01 VC-CHANTE CHR F VC-N +BM.1970.037.001/13:03-01 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:03-02 VC-CHANTE CHR F VC-N +BM.1970.037.001/13:03-02 BC-BATTEMENTS DE MAINS BC-N +BM.1970.037.001/13:03-03 VC-CHANTE CHR H VC-N +BM.1970.037.001/13:03-03 M2-TBR 2MEMB M2-BANDIR 1 +BM.1970.037.001/13:03-04 VC-CHANTE CHR H VC-N +BM.1970.037.001/13:03-04 M2-TBR 2MEMB M2-BANDIR 1 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ALTERNE F VC-N +BM.1970.037.001/13:06-04 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:06-05 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:06-06 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:06-07 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:06-08 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:07-01 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-02 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-03 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-04 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-05 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-06 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:07-07 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-01 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-02 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-03 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-04 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-05 VC-CHANTE 2CHR ALTERNES F VC-N +BM.1970.037.001/13:08-06 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:08-07 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:08-08 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:08-09 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:09-01 VC-CHANTE ALTERNE F VC-N +BM.1970.037.001/13:09-02 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:10-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:10-02 VC-CHANTE CHR F VC-N +BM.1970.037.001/13:10-03 VC-CHANTE SOLO F VC-N +BM.1970.037.001/13:11-01 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:11-02 VC-CHANTE CHR H VC-N +BM.1970.037.001/13:11-03 VC-CHANTE SOLO F VC-N +BM.1970.037.001/13:11-04 VC-CHANTE SOLO H VC-N +BM.1970.037.001/13:11-05 VC-CHANTE CHR H VC-N +BM.1970.037.001/13:11-05 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:12-02 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:12-03 VC-CHANTE CHR F VC-N +BM.1970.037.001/13:12-03 VA-CRIE H VA-TGHMI +BM.1970.037.001/13:12-04 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:12-05 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:12-06 VC-CHANTE CHR MIXTE VC-N +BM.1970.037.001/13:13-01 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:13-02 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:13-03 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:13-04 VC-CHANTE DUO ALTERNE F VC-N +BM.1970.037.001/13:13-05 VC-CHANTE CHR F VC-N +DI.932.001.064A01 +DI.932.001.064A01 +DI.948.002.012A VC-SOLO F N MLLE CHU THI NAM,ALIAS THUY VAN 1 +DI.948.002.012A CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.012A M2M-TBR M2M-TRONG CHAU 1 +DI.948.002.012A IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.012B VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.012B CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.012B M2M-TBR M2M-TRONG CHAU 1 +DI.948.002.012B IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM,ALIAS THUY VAN 1 +DI.948.002.013A VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.013A CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.013A IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.013B VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.013B CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.013B IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.014A VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.014A CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.014A IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.014B VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.014B CL-LUTH 3C CL-DAN DAY MR.KHAM THIEN 1 +DI.948.002.014B IEC-CLIQUETTES IEC-PHACH MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.015A VC-DUO ALTERNE H F N MR NHI, MME NHA 2 +DI.948.002.015A AFL-FLUTE LAT AFL-SAO 0 +DI.948.002.015A CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.015A M2M-TBR M2M-TRONG CHAU 1 +DI.948.002.015A IFG-GONG IFG-THANH LA 1 +DI.948.002.015B VC-DUO ALTERNE H F N MR NHI, MME NHA 2 +DI.948.002.015B AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.015B CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.015B M2M-TBR M2M-TRONG CHAU 1 +DI.948.002.015B IFG-GONG IFG-THANH LA 1 +DI.948.002.016A CC-CITHARE/TABLE CC-@AN BAU NGUYEN VAN MINH, ALIAS MINH CON 1 +DI.948.002.016B CC-CITHARE/TABLE CC-@AN BAU NGUYEN VAN MINH, ALIAS MINH CON 1 +DI.948.002.017A CC-CITHARE/TABLE CC-@AN BAU NGUYEN VAN MINH, ALIAS MINH CON 1 +DI.948.002.017B CC-CITHARE/TABLE CC-@AN BAU NGUYEN VAN MINH, ALIAS MINH CON 1 +DI.948.002.018A VC-SOLO F N MME TRAN THI XUAN 1 +DI.948.002.018A AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.018A CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.018A CC-CITHARE/TABLE CC-@AN BAU 1 +DI.948.002.018A M2M-TBR M2M-TRONG 1 +DI.948.002.018A IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.018B VC-SOLO F N MME TRAN THI XUAN 1 +DI.948.002.018B AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.018B CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.018B M2M-TBR M2M-TRONG 1 +DI.948.002.018B IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.019B VC-TRIO H N HUONG GIAT, HAI DOANH, HAI CUN 3 +DI.948.002.019B CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.019B CL-LUTH 2C CL-DAN NGUYET 1 +DI.948.002.019B M2M-TBR M2M-TRONG 1 +DI.948.002.019B IFG-GONG IFG-THANH LA 1 +DI.948.002.020A AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.020A CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.020A CL-LUTH 3C CL-DAN TAM 1 +DI.948.002.020A CL-LUTH 2C CL-DAN NGUYET 1 +DI.948.002.020A CC-CITHARE/TABLE CC-@AN BAU 1 +DI.948.002.020A IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.020B AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.020B CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.020B CL-LUTH 3C CL-DAN TAM 1 +DI.948.002.020B CL-LUTH 2C CL-DAN NGUYET 1 +DI.948.002.020B CC-CITHARE/TABLE CC-@AN BAU 1 +DI.948.002.020B IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.021A AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.021A CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.021A CL-LUTH 3C CL-DAN TAM 1 +DI.948.002.021A CL-LUTH 2C CL-DAN NGUYET 1 +DI.948.002.021A CC-CITHARE/TABLE CC-@AN BAU 1 +DI.948.002.021A IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.021B AFL-FLUTE LAT AFL-SAO 1 +DI.948.002.021B CV-VIELE 2C CV-DAN NHI 1 +DI.948.002.021B CL-LUTH 3C, PEAU SERPENT CL-DAN TAM 1 +DI.948.002.021B CL-LUTH 2C CL-DAN NGUYET 1 +DI.948.002.021B CC-CITHARE/TABLE CC-@AN BAU 1 +DI.948.002.021B IEC-CLIQUETTES IEC-PHACH 1 +DI.948.002.022A VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.022A CV-VIELE 2C CV-DAN NHI MR.KHAM THIEN 1 +DI.948.002.022B VC-SOLO F N MLLE CHU THI NAM, ALIAS THUY VAN 1 +DI.948.002.022B CV-VIELE 2C CV-DAN NHI MR.KHAM THIEN 1 +DI.950.012.001A VC-DUO H F N MR.XE, MME HONG HOA LE 2 +DI.950.012.001A CV-VIELE 2C CV-DAN CO MR.HIEU 1 +DI.950.012.001A CL-LUTH 2C CL-DAN KIM MR.LAN 1 +DI.950.012.001A IFT-BLOC DE BOIS A FENTE IFT-SONG LANG MR.LAN 1 +DI.950.012.001A N N 0 +DI.950.012.001B VC-DUO H F N MR.XE, MME HONG HOA LE 2 +DI.950.012.001B CV-VIELE 2C CV-DAN CO MR.HIEU 1 +DI.950.012.001B CL-LUTH 2C CL-DAN KIM MR.LAN 1 +DI.950.012.001B IFT-BLOC DE BOIS A FENTE IFT-SONG LANG MR.LAN 1 +DI.950.012.002A VC-1H, 2F N MR.XE, MMES HONG HOA LE, TUY NGA 3 +DI.950.012.002A AAB-HAUTBOIS AAB-KEN MR.NGU 1 +DI.950.012.002A CL-LUTH 2C CL-DAN KIM MR.LAN 1 +DI.950.012.002A IFT-BLOC DE BOIS A FENTE IFT-SONG LANG MR.LAN 1 +DI.950.012.002B VC-DUO ALTERNE H F N MR.XE, MME HONG HOA LE 2 +DI.950.012.002B CL-LUTH 2C CL-DAN KIM MR.LAN 1 +DI.950.012.002B CV-VIELE 2C CV-DAN CO MR.HIEU 1 +DI.950.012.002B IFT-BLOC DE BOIS A FENTE IFT-SONG LANG MR.LAN 1 +DI.950.013.002A VC-SOLO F N MME KIM CHUNG 1 +DI.950.013.002A ORCH-ORCHESTRE N N 1 +DI.950.013.002B VC-SOLO F N MME AI LIEN 1 +DI.950.013.002B ORCH-ORCHESTRE N N 1 +DI.950.013.003A01 VC-SOLO H N MR. MUOI SU 1 +DI.950.013.003A01 AAB-HAUTBOIS AAB-KEN 1 +DI.950.013.003A01 CL-LUTH 3C CL-DAN TAM 1 +DI.950.013.003A01 M2M-TBR BATAILLE M2M-TRONG TRAN 1 +DI.950.013.003A01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.950.013.003A01 IEC-CLIQUETTES IEC-PHACH 1 +DI.950.013.003A01 IFG-GONG IFG-CHIENG 1 +DI.950.013.004A01 VC-DUO H F N MME TAM CHANH, MR.MUOI SU 2 +DI.950.013.004A01 AAB-HAUTBOIS AAB-KEN 1 +DI.950.013.004A01 CV-VIELE 2C CV-DAN CO 1 +DI.950.013.004A01 CV-VIELE 2C CV-DAN GAO 1 +DI.950.013.004A01 CL-LUTH 2C CL-DAN KIM 1 +DI.950.013.004A01 CL-LUTH 3C CL-DAN TAM 1 +DI.950.013.004A01 M2M-TBR BATAILLE M2M-TRONG TRAN 1 +DI.950.013.004A01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.950.013.004A01 IEC-CLIQUETTES IEC-PHACH 1 +DI.950.013.004A01 IFG-GONG IFG-CHIENG 1 +DI.950.013.004B01 VC-SOLO H N MR. MUOI SU 1 +DI.950.013.004B01 AAB-HAUTBOIS AAB-KEN 1 +DI.950.013.004B01 CV-VIELE 2C CV-DAN CO 1 +DI.950.013.004B01 CV-VIELE 2C CV-DAN GAO 1 +DI.950.013.004B01 CL-LUTH 3C CL-DAN TAM 1 +DI.950.013.004B01 M2M-TBR BATAILLE M2M-TRONG TRAN 1 +DI.950.013.004B01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.950.013.004B01 IEC-CLIQUETTES IEC-PHACH 1 +DI.950.013.004B01 IFG-GONG IFG-CHIENG 1 +DI.950.013.005A01 VC-2VH,1VF N MME TAM CHANH, MM MUOI SU, NAM KY 3 +DI.950.013.005A01 AAB-HAUTBOIS AAB-KEN 1 +DI.950.013.005A01 CV-VIELE 2C CV-DAN CO 1 +DI.950.013.005A01 CV-VIELE 2C CV-DAN GAO 1 +DI.950.013.005A01 CL-LUTH 3C CL-DAN TAM 1 +DI.950.013.005A01 M2M-TBR BATAILLE M2M-TRONG TRAN 1 +DI.950.013.005A01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.950.013.005A01 IEC-CLIQUETTES IEC-PHACH 1 +DI.950.013.005A01 IFG-GONG IFG-CHIENG 1 +DI.950.013.005B01 VC-SOLO F N MME TAM CHANG 1 +DI.950.013.005B01 AAB-HAUTBOIS AAB-KEN 1 +DI.950.013.005B01 CV-VIELE CV-DAN CO 1 +DI.950.013.005B01 CV-VIELE CV-DAN GAO 1 +DI.950.013.005B01 CL-LUTH 3C CL-DAN TAM 1 +DI.950.013.005B01 M2M-TBR BATAILLE M2M-TRONG TRAN 1 +DI.950.013.005B01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.950.013.005B01 IEC-CLIQUETTES IEC-PHACH 1 +DI.950.013.005B01 IFG-GONG IFG-CHIENG 1 +DI.951.004.001A01 VC-DUO ALTERNE H F N MME THANH TUNG, MR BA VAN 2 +DI.951.004.001A01 CV-VIELE 2C CV-DAN CO MR.CHIN TRICH 1 +DI.951.004.001A01 CL-LUTH 2C CL-DAN KIM MR.CUA 1 +DI.951.004.001A01 CC-CITHARE/TABLE CC-@AN TRANH MR.HAI BIEU 1 +DI.951.004.001A01 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG 1 +DI.951.004.001A01 N N n 0 +DI.951.004.001B01 VC-DUO ALTERNE H F N MME THANH TUNG,M.BA VAN 2 +DI.951.004.001B01 CV-VIELE 2C CV-DAN CO CHIN TRICH 1 +DI.951.004.001B01 CL-LUTH 2C CL-DAN KIM MR.CUA 1 +DI.951.004.001B01 CC-CITHARE/TABLE CC-@AN TRANH MR.HAI BIEU 1 +DI.951.004.001B01 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG 1 +DI.954.004.001B10 VC-SOLO H N 1 +DI.954.004.001B11 VC-SOLO H N 1 +DI.954.004.001B11 0 +DI.955.011.007A03 FLUTE DE PAN N 1 +DI.956.023.001A01 +DI.957.008.001A01 VC-SOLO F N LOYOLA, MARGOT 1 +DI.957.008.001A02 VC-SOLO F N LOYOLA, MARGOT 1 +DI.957.008.001A03 VC-SOLO F N LOYOLA, MARGOT 1 +DI.957.008.001A04 VC-SOLO F N LOYOLA, MARGOT 1 +DI.957.008.001A04 +DI.957.008.001A04 +DI.957.008.001A04 +DI.957.008.001A04 +DI.957.008.001A04 +DI.957.008.001B01 VC-SOLO H N BAHAMONDE, LOUIS 1 +DI.957.008.001B02 VC-SOLO H N BAHAMONDE, LOUIS 1 +DI.957.018.001A01 VC-SOLO H N 1 +DI.957.018.001A01 CL-LUTH 2C CL-DAMBURA 1 +DI.957.018.001A01 M1C-TBR GOBELET POTERIE M1C-ZERBAGHALI 1 +DI.957.018.001A01 IEY-PAIRE CYMBALES N 1 +DI.957.018.001A02 AFT-FLUTE TERM N 1 +DI.957.018.001A03 CL-LUTH 2C CL-DAMBURA 1 +DI.957.018.001A03 M1C-TBR GOBELET POTERIE M1C-ZERBAGHALI 1 +DI.957.018.001A03 IEY-PAIRE CYMBALES N 1 +DI.957.018.001A03 IFC-CLOCHETTES N 0 +DI.957.018.001A03 ISZ-ANNEAUX N 0 +DI.957.018.001A04 VC-SOLO H N 1 +DI.957.018.001A05 VC-SOLO H N 1 +DI.957.018.001A05 CL-LUTH 2C CL-DAMBURA 1 +DI.957.018.001A05 M1C-TBR GOBELET POTERIE M1C-ZERBAGHALI 1 +DI.957.018.001A06 CL-LUTH ?C+SYPA CL-RUBAB 1 +DI.957.018.001B01 VC-SOLO H N 1 +DI.957.018.001B01 CV-VIELE CV-GHICHAK 1 +DI.957.018.001B01 M1C-TBR GOBELET POTERIE M1C-ZERBAGHALI 1 +DI.957.018.001B02 VC-SOLO H = 1 +DI.957.018.001B02 CL-LUTH 2C CL-DAMBURA 1 +DI.957.018.001B02 AAB-HAUTBOIS AAB-SURNAI 1 +DI.957.018.001B02 M2C-TBR 2MEMB2BAGS M2C-DHOL 1 +DI.957.018.001B03 VC-SOLO H = 1 +DI.957.018.001B03 CL-LUTH 2C DAMBURA 1 +DI.957.018.001B03 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.957.018.001B03 HTBOIS SURNAI 1 +DI.957.018.001B03 M-TBR = 1 +DI.957.018.001B03 VC-SOLO H = 1 +DI.957.018.001B03 VC-CHANTE CHR H = 30 +DI.957.018.001B04 VC-SOLO H N 1 +DI.957.018.001B04 CV-VIELE CV-GHICHAK 1 +DI.957.018.001B04 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.957.018.001B04 IPG-GUIMBARDE FER IPG-CHANG[GRAPHIE=? 1 +DI.957.018.001B05 VC-SOLO H = 1 +DI.957.018.001B06 VC-SOLO H = 1 +DI.957.018.001B06 M-TBR = 1 +DI.957.018.001B06 VC-SOLO H = 1 +DI.958.009.001A01 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.001A01 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.001A01 M2C-TBR M2C-TRONG 1 +DI.958.009.001A01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001A01 IFG-GONG IFG-AM LA 1 +DI.958.009.001A02 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.001A02 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.001A02 M2C-TBR 2MEMB M2C-TRONG 1 +DI.958.009.001A02 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001A02 IFG-GONG IFG-AM LA 1 +DI.958.009.001A03 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.001A03 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.001A03 M2M-TBR M2M-TRONG 1 +DI.958.009.001A03 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001A03 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.001A03 0 +DI.958.009.001A04 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.001A04 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.001A04 M2M-TBR M2M-TRONG 1 +DI.958.009.001A04 0 +DI.958.009.001A04 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001A04 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.001A04 0 +DI.958.009.001B01 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.001B01 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.001B01 M2C-TBR M2C-TRONG 1 +DI.958.009.001B01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001B01 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.001B02 AAB-HAUTBOIS AAB-KEN 1 +DI.958.009.001B02 M2M-TBR M2C-TRONG 1 +DI.958.009.001B02 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.001B02 0 +DI.958.009.001B03 M2M-TBR M2M-TRONG 1 +DI.958.009.001B03 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.001B03 IFG-GONG IFG-CHIENG 1 +DI.958.009.001B04 VC-SOLO F N MLLE MINH MAN 1 +DI.958.009.001B04 CL-LUTH 4C CL-DAN TY BA 1 +DI.958.009.001B04 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.001B04 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.001B04 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.001B04 CC-CITHARE/TABLE CC-@AN DOC HUYEN 1 +DI.958.009.001B04 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.001B05 VC-SOLO F N MLLE MINH MAN 1 +DI.958.009.001B05 CL-LUTH 4C CL-DAN TY BA 1 +DI.958.009.001B05 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.001B05 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.001B05 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.001B05 CC-CITHARE/TABLE CC-@AN DOC HUYEN 1 +DI.958.009.001B05 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.001B05 0 +DI.958.009.002A01 AAB-HAUTBOIS AAB-KEN 4 +DI.958.009.002A01 M2M-TBR M2M-TRONG 1 +DI.958.009.002A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.002A01 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.002A02 AAB-HAUTBOIS AAB-KEN 1 +DI.958.009.002A02 CV-VIELE CV-DAN NHI 1 +DI.958.009.002A02 M2M-TBR M2M-TRONG 1 +DI.958.009.002A02 M1M-TBR EN SABLIER M1M-BONG 1 +DI.958.009.002A02 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.002A02 IFT-TBR DE BOIS IFT-MO 1 +DI.958.009.002A02 0 +DI.958.009.002B01 AAB-HAUTBOIS AAB-KEN 2 +DI.958.009.002B01 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.002B01 M2M-TBR M2M-TRONG 1 +DI.958.009.002B01 M1M-TBR EN SABLIER M1M-BONG 1 +DI.958.009.002B01 IFG-GONG IFG-TAM AM LA 1 +DI.958.009.002B01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.002B01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.002B02 VC-SOLO F N MLLE MINH MAN 1 +DI.958.009.002B02 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.002B02 CC-CITHARE/TABLE CC-@AN BAU 1 +DI.958.009.002B02 CL-LUTH CL-DAN TY BA 1 +DI.958.009.002B02 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.002B02 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.002B03 VC-SOLO F N MLLE THU NUONG 1 +DI.958.009.002B03 CV-VIELE 2C CV-DAN NHI 2 +DI.958.009.002B03 M2M-TBR M2M-TRONG 1 +DI.958.009.002B03 IFG-GONG IFG-CHIENG 1 +DI.958.009.002B03 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.002B03 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.002B03 0 +DI.958.009.003A01 VC-SOLO F N MLE THU NUONG 1 +DI.958.009.003A01 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.003A01 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.003A01 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.003A01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.003A02 VC-SOLO F N MLE THU NUONG 1 +DI.958.009.003A02 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.003A02 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.003A02 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.003A02 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003A02 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.003A03 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.003A03 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.003A03 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.003A03 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003A03 M1S-TBR SABLIER M1S-BONG 1 +DI.958.009.003A03 IFG-GONG TRIPLE IFG-TAM AM LA 1 +DI.958.009.003A03 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.003A03 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.003A04 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.003A04 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003A04 M1S-TBR SABLIER M1S-BONG 1 +DI.958.009.003A04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.003A04 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.003B01 VC-SOLO F N MLLE THU NUONG 1 +DI.958.009.003B01 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.003B01 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.003B01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003B01 IFG-GONG TRIPLE IFG-TAM AM LA 1 +DI.958.009.003B01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.003B01 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.003B01 0 +DI.958.009.003B02 VC-SOLO F Mlle Thu Nuong 1 +DI.958.009.003B02 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.003B02 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.003B02 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.003B02 IFG-GONG TRIPLE IFG-TAM AM LA 1 +DI.958.009.003B02 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.003B02 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004A01 VC-SOLO F MLLE THU NUONG 1 +DI.958.009.004A01 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.004A01 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.004A01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.004A01 IFG-3 PETITS GONGS IFG-TAM AM LA 1 +DI.958.009.004A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN 1 +DI.958.009.004A01 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004A01 0 +DI.958.009.004A02 VC-SOLO F 1 +DI.958.009.004A02 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.004A02 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.004A02 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004A02 0 +DI.958.009.004A03 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.004B01 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.004B01 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.004B01 CL-LUTH 4C CL-DAN TY BA 1 +DI.958.009.004B01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.004B01 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.004B01 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004B02 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.004B02 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.004B02 CL-LUTH 4C CL-DAN TY BA 1 +DI.958.009.004B02 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.004B02 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.004B02 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004B03 CL-LUTH 2C CL-DAN NGUYET 1 +DI.958.009.004B03 CL-LUTH 3C CL-DAN TAM 1 +DI.958.009.004B03 CL-LUTH 4C CL-DAN TY BA 1 +DI.958.009.004B03 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.004B03 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.958.009.004B03 IEC-CLIQUETTES IEC-PHACH 1 +DI.958.009.004B03 0 +DI.958.009.004B04 AAB-HAUTBOIS AAB-KEN 1 +DI.958.009.004B04 MIV-TAMBOUR EN SABLIER MIV-BONG 1 +DI.958.009.004B04 M2C-TAMBOUR M2C-TRONG 1 +DI.958.009.004B04 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.004B04 0 +DI.958.009.005A01 VC-SOLO H 1 +DI.958.009.005A01 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.005A01 AAB-HAUTBOIS AAB-KEN 1 +DI.958.009.005A01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.005A01 M2C-TAMBOUR M2C-TRONG 1 +DI.958.009.005A01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.005A01 ISC-CLOCHE ISC-CHUONG 1 +DI.958.009.005A01 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.005B01 VC-SOLO H 1 +DI.958.009.005B01 AFL-FLUTE LAT AFL-SAO 1 +DI.958.009.005B01 AAB-HAUTBOIS AAB-KEN 1 +DI.958.009.005B01 CV-VIELE 2C CV-DAN NHI 1 +DI.958.009.005B01 M2C-TAMBOUR M2C-TRONG 1 +DI.958.009.005B01 IEY-CYMBALES IEY-CHAP CHOA 1 +DI.958.009.005B01 IFT-BLOC DE BOIS IFT-MO 1 +DI.958.009.005B01 ISC-CLOCHE ISC-CHUONG 1 +DI.958.009.005B01 0 +DI.959.003.009A01 IFX-XYLOPHONE IFX- TATUNG 1 +DI.959.003.009A01 IFX-XYLOPHONE IFX- TATUNG 2 +DI.959.003.009A02 VC-SOLO H 1 +DI.959.003.009A02 CC-CITHARE/TUBE CC-@ING NING 1 +DI.959.003.009A03 IET-CARILLON HYDRAULIQUE IET-TANG KOA 1 +DI.959.003.009A03 0 +DI.959.003.009A04 CC-CITHARE/TUBE CC-@ODING 1 +DI.959.003.009A04 0 +DI.959.003.009A05 M2C-TBR 2MEMB M2C-GORR 1 +DI.959.003.009A05 IFG-GONG PLAT IFG-GOK 6 +DI.959.003.009A05 0 +DI.959.003.009B01 M2C-TBR 2MEMB M2C-GORR 1 +DI.959.003.009B01 IFG-GONG IFG-TONG TIENG 12 +DI.959.003.009B01 IEY-CROTALES IEY-RONG RUYH 3 +DI.959.003.009B01 0 +DI.959.003.009B02 CC-CITHARE/TUBE CC-@RO 1 +DI.959.003.009B02 0 +DI.959.003.009B03 CC-CITHARE/TUBE CC-@RO 1 +DI.959.003.009B03 AZ-BOUTEILLE 1 +DI.959.003.009B03 0 +DI.959.003.009B04 AAL-ORGUE A BOUCHE AAL-OM BOAT 1 +DI.959.003.009B04 0 +DI.959.003.009B05 IPG-GUIMBARDE METAL IPG-TOUNG 1 +DI.959.003.009B05 0 +DI.959.003.009B05 0 +DI.959.003.009B06 AZ-SERIE TUBES DE BAMBOU AZ-PAH PUNG 1 +DI.959.003.009B06 0 +DI.959.003.009B07 M2C-TBR 2MEMB M2C-GORR 1 +DI.959.003.009B07 IFG-GONG IFG-GOK 6 +DI.959.003.009B07 0 +DI.959.003.009B07 0 +DI.959.003.013A01 AFT-FLUTE TERM AFT-CHARKA 0 +DI.959.003.013A01 M2C-TBR N 0 +DI.959.003.013A02 AFP-FLUTE DE PAN 13TUY AFP-SIKU 0 +DI.959.003.013A02 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-PFUTU WANKARA 0 +DI.959.003.013A03 AFT-FLUTE TERM AFT-PINCULLU 0 +DI.959.003.013A04 AFT-FLUTE TERM AFT-KENA 0 +DI.959.003.013A04 M2C-TBR 2MEMB N 0 +DI.959.003.013A05 AFP-FLUTE DE PAN 7TUY AFP-SIKU 19 +DI.959.003.013A05 AFP-FLUTE DE PAN 8TUY AFP-SIKU 19 +DI.959.003.013A05 M2C-TBR 2MEMB CAISSE CYL BOIS N 38 +DI.959.003.013B01 AFT-FLUTE TERM AFT-CHARKAS 0 +DI.959.003.013B02 AFP-FLUTE DE PAN 7TUY AFP-SIKU 15 +DI.959.003.013B02 AFP-FLUTE DE PAN 6TUY AFP-SIKU 15 +DI.959.003.013B02 M2C-TBR 2MEMB CAISSE CYL BOIS N 30 +DI.959.003.013B03 AFP-FLUTE DE PAN 7TUY AFP-SIKU 15 +DI.959.003.013B03 AFP-FLUTE DE PAN 6TUY AFP-SIKU 15 +DI.959.003.013B03 M2C-TBR 2MEMB CAISSE CYL BOIS N 30 +DI.959.003.013B04 M2C-TBR 2MEMB CAISSE CYL BOIS N 0 +DI.959.003.013B04 AFT-FLUTE TERM AFT-KENA 0 +DI.959.003.013B05 AFT-FLUTE TERM AFT-PINCULLU 0 +DI.959.003.013B05 M2C-TBR 2MEMB N 0 +DI.959.004.007A01A VC-CHANTE CHR H = 4 +DI.959.004.007A01A M1C- TBR SUR CADRE DAIRA 1 +DI.959.004.007A01B CITHARE SUR CAISSE SANTUR 1 +DI.959.004.007A01B M1C-PAIRE TBRS TABLA 2 +DI.959.004.007A02 VC-SOLO H = 1 +DI.959.004.007A02 M1C-PAIRE TBRS M1C-TABLA 1 +DI.959.004.007A02 CL-LUTH TAMPURA 1 +DI.959.004.007A03 AF-FLUTE N 1 +DI.959.004.007A03 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.959.004.007A04 CL-LUTH SETAR 1 +DI.959.004.007A04 M1C-PAIRE TBRS M1C-TABLA 1 +DI.959.004.007A05 CL-LUTH 6C CL-RUBAB 1 +DI.959.004.007A05 CL-LUTH CL-TANBUR 1 +DI.959.004.007A05 CV-VIELE CV-DILRUBA 1 +DI.959.004.007A05 M1C-PAIRE TBRS M1C-TABLA 1 +DI.959.004.007B01 VC-SOLO H = 1 +DI.959.004.007B01 CL-LUTH TAMBUR 1 +DI.959.004.007B01 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.959.004.007B02 M1C-PAIRE TBRS TABLA 2 +DI.959.004.007B02 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 2 +DI.959.004.007B03 GROUPE RADIO KABUL 10 +DI.959.004.007B03 VC-CHANTE CHR JF = 0 +DI.959.004.007B03 CL-LUTH ?C+SYPA CL-RUBAB 1 +DI.959.004.007B03 CL-LUTH SETAR 1 +DI.959.004.007B03 CL-LUTH TAMBUR[R 1 +DI.959.004.007B03 CL-LUTH TAMPURA 1 +DI.959.004.007B03 CV-VIELE C-DILROBA 2 +DI.959.004.007B03 CV-VIELE SARANG 1 +DI.959.004.007B03 AAL-HARMONIUM PORTATIF HARMUNIA 2 +DI.959.004.007B03 M1C-PAIRE TBRS TABLA 2 +DI.959.004.007B04 VIELE 2C RITCHEK 1 +DI.959.004.007B05 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.959.004.007B06 CV-VIELE C-DILROBA RADIO KABUL 1 +DI.959.004.007B06 M1C-PAIRE TBRS TABLA 2 +DI.959.004.007B07 GROUPE RADIO KABUL 10 +DI.959.004.007B07 CL-LUTH ?C+SYPA CL-RUBAB 1 +DI.959.004.007B07 CL-LUTH SETAR 1 +DI.959.004.007B07 CL-LUTH TAMBUR[R 1 +DI.959.004.007B07 CL-LUTH TAMPURA 1 +DI.959.004.007B07 CV-VIELE C-DILROBA 2 +DI.959.004.007B07 CV-VIELE SARANG 1 +DI.959.004.007B07 AAL-HARMONIUM PORTATIF HARMUNIA 2 +DI.959.004.007B07 M1C-PAIRE TBRS TABLA 2 +DI.959.011.001A01 ORCH- ORCH TRADITONNEL N -1 +DI.959.011.001A02 ORCH- ORCH TRADITONNEL N -1 +DI.959.011.001A02 0 +DI.959.011.001B01 VC-SOLO F & CHR F -1 +DI.959.011.001B01 ORCH- ORCH TRADITONNEL N -1 +DI.959.011.001B01 0 +DI.959.011.002A01 ORCH- ORCH TRADITONNEL ORCH- DAN BAT AM 8 +DI.960.007.007B03 ORCH- ORCH TRADITONNEL ORCH- NGU TUYET 5 +DI.960.007.007B04 VC-SOLO F CHAU LOAN 1 +DI.960.007.007B04 ORCH- ORCH TRADITONNEL ORCH- NGU TUYET 5 +DI.960.007.007B04 0 +DI.961.012.002A01 ORCH-PHLENG KHMER ORCH-PHLENG KHMER 6 +DI.961.012.002A01 VC-SOLO H VC MA SO 1 +DI.961.012.002A01 AAB-HAUTBOIS;CONTINUE AAB-PI A SO PAN 1 +DI.961.012.002A01 CL-LUTH 2OU3C CL-CAPI SAN TE 1 +DI.961.012.002A01 CV-VIELE 2C CV-DRA CHE 1 +DI.961.012.002A01 CV-VIELE 2C CV-DRA U SEM RON 1 +DI.961.012.002A01 M1C-TBR/CAISSE,BOIS,MAINS M1C-SGAR ARAKS MA SO 1 +DI.961.012.002A02 CL-LUTH 2OU3C CL-CAPI SAN TE 1 +DI.961.012.003Z01 VC-SOLO H N M. NAIM MAZARI 1 +DI.961.012.003Z01 CV-VIELE CV-GHICHAK M. NAIM MAZARI 1 +DI.961.012.003Z01 CL-LUTH 2C CL-DAMBURA 1 +DI.961.012.003Z01 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z02 CV-VIELE CV-GHICHAK M. NAIM MAZARI 1 +DI.961.012.003Z02 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z03 AF-FLUTE AF-TULA GHULAM HAIDAR 1 +DI.961.012.003Z03 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.961.012.003Z04 AAB-HAUTBOIS AAB-SURNAI 2 +DI.961.012.003Z04 M2C-TBR 2MEMB M2C-DHOL 2 +DI.961.012.003Z05 VC-SOLO H N ANOUAR SHAH AZAREGUI 1 +DI.961.012.003Z05 CL-LUTH 2C CL-DAMBURA = CHTEUR 1 +DI.961.012.003Z05 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.961.012.003Z06 ENSEMBLE INSTRUMENTAL ORCHESTRE NATIONAL DE RADIO KA 0 +DI.961.012.003Z07 VC-SOLO H N NIYAZ M. 1 +DI.961.012.003Z07 CL-LUTH CL-TANBUR CHTEUR 1 +DI.961.012.003Z07 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.961.012.003Z08 CL-LUTH CL-RUBAB TAWAKHAL SHAH 1 +DI.961.012.003Z08 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z09 VC-DUO ALTERNE & CHR H N 0 +DI.961.012.003Z09 CV-VIELE CV-SARINDA 1 +DI.961.012.003Z09 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z09 M1D-TBR 1MEMB SUR CADRE M1D-DOIRA 1 +DI.961.012.003Z10 VC-SOLO H N BELTOUN 1 +DI.961.012.003Z10 CL-LUTH CL-TANBUR = CHANTEUR 1 +DI.961.012.003Z10 CL-LUTH CL-RUBAB TAWAKHAL SHAH 1 +DI.961.012.003Z10 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z11 VC-SOLO H N FEDOH M. KHODAMANI 1 +DI.961.012.003Z11 CL-LUTH 2C CL-DAMBURA = CHANTEUR 1 +DI.961.012.003Z12 CL-LUTH ?C+SYPA CL-TANBUR HAKIM MAZORI 1 +DI.961.012.003Z12 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI ABDOUL OUDOUD 1 +DI.961.012.003Z13 VC-SOLO H N SHER M. GHAZNAVI 1 +DI.961.012.003Z13 CL-LUTH CL-RUBAB USTAD M. OMAR 1 +DI.961.012.003Z13 CL-LUTH 2C CL-DAMBURA = CHANTEUR 1 +DI.961.012.003Z13 CV-VIELE CV-SARINDA MOSHHIN 1 +DI.961.012.003Z13 M2C-TBR 2MEMB M2C-DHOL RAOUSOUDDIN 1 +DI.961.012.003Z14 VC-SOLO & CHR H N S=PORDEL 1 +DI.961.012.003Z14 M1D-TBR 1MEMB SUR CADRE M1D-DOIRA = CHTEUR SOLO 1 +DI.961.012.003Z15 CV-VIELE CV-SARINDA GHOLAM HASSAN 1 +DI.961.012.003Z15 M2C-TBR 2MEMB M2C-DHOL 1 +DI.961.012.003Z16 CL-LUTH 3C CL-DUTAR ABDOUL KARIM 1 +DI.961.012.003Z16 M1C-TBR GOBELET POTERIE M1C-ZIRBAGHALI 1 +DI.961.012.003Z16 IPG-GUIMBARDE IPG-CHANG[GRAPHIE=? 1 +DI.964.002.001A01 VC-DUO H F N PARRA, ANGEL & ISABEL 1 +DI.964.002.001A01 CH-HARPE CH-ARPA N 1 +DI.964.002.001A02 VC-SOLO H N PARRA, ANGEL 1 +DI.964.002.001A02 IEZ-CUILLERES BOIS IEZ-CUCHARILLAS N 2 +DI.964.002.001A02 IFZ-BOITES EN FER BLANC IFZ-TARRO 1 +DI.964.002.001A02 IFZ-PLANCHE A PAIN FRAPPEE N N 1 +DI.964.002.001A03 VC-DUO F N PARRA,ISABEL 1 +DI.964.002.001A03 CL-LUTH 6C CL-GUITARRA PARRA, ISABEL 1 +DI.964.002.001A04 VC-SOLO H N PARRA, ANGEL 1 +DI.964.002.001A04 CL-LUTH 6C CL-GUITARRA 1 +DI.964.002.001A05 CL-LUTH 6C CL-GUITARRA 1 +DI.964.002.001A05 VC-DUO H F N PARRA, ISABEL & ANGEL 1 +DI.964.002.001A06 VC-SOLO F N PARRA, ISABEL 1 +DI.964.002.001A06 CL-LUTH 6C CL-GUITARRA N 1 +DI.964.002.001B01 VC-SOLO F N PARRA, ISABEL 1 +DI.964.002.001B01 AFT-FLUTE TERM N N 2 +DI.964.002.001B01 IRC-CRECELLE IRC-MATRACA N 1 +DI.964.002.001B01 ISS-SONNAILLES METALLIQUES N N 1 +DI.964.002.001B02 VC-SOLO F N PARRA, ISABEL 1 +DI.964.002.001B02 CL-LUTH 6C CL-GUITARRA N 1 +DI.964.002.001B03 VC-DUO H F N PARRA, ANGEL & ISABEL 1 +DI.964.002.001B03 CH-HARPE CH-ARPA N 1 +DI.964.002.001B03 CL-LUTH 6C CL-GUITARRA 1 +DI.964.002.001B04 VC-DUO F N PARRA, ISABEL 1 +DI.964.002.001B04 M2C-TBR CAISSE CYL BOIS M2C-BOMBO 0 +DI.964.002.001B04 ISI-SISTRES SUR CADRE CIRCULAIRE N N 1 +DI.964.002.001B05 VC-DUO H F N PARRA, ANGEL & ISABEL 1 +DI.964.002.001B05 CH-HARPE CH-ARPA N 1 +DI.965.008.005A01 VC-SOLO F & CHR F THUONG HUYEN (SOLISTE), ENSEMBLE HOA BINH (CHOEUR FS) -1 +DI.965.008.005A01 0 +DI.965.008.005A01 0 +DI.965.008.005A02 VC-SOLO H MAI KHANH 1 +DI.965.008.005A02 AFL-FLUTE LAT AFL-SAO 1 +DI.965.008.005A02 0 +DI.965.008.005A03 VC-SOLO H NGUYEN KHAC TAM 1 +DI.965.008.005A03 ORCH- ORCH TRADITONNEL N -1 +DI.965.008.005A03 0 +DI.965.008.005A04 VC-SOLO H & CHR H NGUYEN CHI HIEU (SOLISTE),ENSEMBLE HOA BINH (CHOEUR) -1 +DI.965.008.005A04 0 +DI.965.008.005B01 VC-DUO ALTERNE H F NGUYEN THI LIEN (F), VU TU LAN (H) 2 +DI.965.008.005B01 0 +DI.965.008.005B01 ORCH- ORCH TRADITONNEL N -1 +DI.965.008.005B02 VC-SOLO H NGUYEN KHAC TAM 1 +DI.965.008.005B02 ORCH- ORCH TRADITONNEL N -1 +DI.965.008.005B02 0 +DI.965.008.005B03 VC-DUO ALTERNE H F THUONG HUYEN (F), MAI KHANH (H) 2 +DI.965.008.005B03 ORCH- ORCH TRADITONNEL N ENSEMBLE HOA BINH -1 +DI.965.008.005B03 0 +DI.965.008.008A01 AFT-FLUTE TERM N N 1 +DI.965.008.008A02 VP-SOLO H N N 1 +DI.965.008.008A03 VCH-CHR E N N 1 +DI.965.008.008A04 VC-SOLO H N 1 +DI.965.008.008A05 VC-CHR M N N 1 +DI.965.008.008A06 AFT-FLUTE TERM N N 1 +DI.965.008.008A07 VC-CHR M N N 1 +DI.965.008.008A07 M2C-TBR 2MEMB CAISSE CYL N N 1 +DI.965.008.008A08 VC-CHR M N N 1 +DI.965.008.008A08 M2C-TBR 2MEMB CAISSE CYL BOIS N N 1 +DI.965.008.008A09 VC-CHR M N N 1 +DI.965.008.008A09 M2C-TBR 2MEMB CAISSE CYL BOIS N N 0 +DI.965.008.008B01 CH-HARPE N N 1 +DI.965.008.008B02 VC-SOLO H N N 1 +DI.965.008.008B02 CL-LUTH 6C CL-GUITARRA 1 +DI.965.008.008B03 VC-SOLO H N N 1 +DI.965.008.008B03 CL-LUTH 6C CL-GUITARRA N 1 +DI.965.008.008B04 AFT-FLUTE TERM AFT-KENA N 0 +DI.965.008.008B04 M2C-TBR CYL BOIS N N 0 +DI.965.008.008B05 ORCHESTRE ENS-BANDA N 1 +DI.965.008.008B06 N N N 0 +DI.965.008.008B07 VC-CHR H N N 1 +DI.965.008.008B07 ATT-TROMPE TERM ATT-CLARIN N 1 +DI.965.008.008B07 ATT-TROMPE TERM ATT-PUTO PUTO N 1 +DI.965.008.008B07 ISS-SONNAILLES METALLIQUES ISS-CENCERROS N 1 +DI.965.008.008B08 VP-SOLO H N N 1 +DI.965.008.008B08 CH-HARPE N N 1 +DI.965.008.008B08 AFP-FLUTE DE PAN AFT-CANAS N 6 +DI.965.008.008B08 M2C-TBR 2MEMB CAISSE CYL BOIS N N 0 +DI.965.009.013A01 CC-CITHARE/TABLE CC-DAN TRANH TRAN VAN KHE 1 +DI.965.009.013A02 VC-SOLO H TRAN VAN KHE 1 +DI.965.009.013A02 CL-LUTH 2C CL-DAN NGUYET TRAN VAN KHE 1 +DI.965.009.013A02 CC-CITHARE/TABLE CC-@AN BAU MAI THU 1 +DI.965.009.013A02 0 +DI.965.009.013A03 CV-VIELE 2C CV-DAN CO TRAN VAN KHE 1 +DI.965.009.013A03 M2C-TBR 2MEMB 2BAG M2C-TRONG CHAU TRAN VAN KHE 1 +DI.965.009.013A03 0 +DI.965.009.013A04 VC-SOLO F MME MONG TRUNG 1 +DI.965.009.013A04 CL-LUTH 2C CL-DAN NGUYET TRAN VAN KHE 1 +DI.965.009.013A04 0 +DI.965.009.013B01 VC-DUO ALTERNE H F MME MONG TRUNG, TRAN VAN KHE 2 +DI.965.009.013B01 CV-VIELE 2C CV-DAN NHI TRAN VAN KHE 1 +DI.965.009.013B01 CC-CITHARE/TABLE CC-@AN BAU MAI THU 1 +DI.965.009.013B01 0 +DI.965.009.013B02 CC-CITHARE/TABLE CC-@AN TRANH TRAN VAN KHE 1 +DI.965.009.013B02 0 +DI.965.009.013B03 VC-SOLO F MME MONG TRUNG 1 +DI.965.009.013B03 CC-CITHARE/TABLE CC-@AN TRANH TRAN VAN KHE 1 +DI.965.009.013B03 0 +DI.965.009.013B04 CL-LUTH 2C CL-DAN KIM TRAN VAN KHE 1 +DI.965.009.013B04 0 +DI.969.005.002A01 ATT-TROMPE TERM ? 0 +DI.969.005.002A01 M-TBR ? 0 +DI.969.005.002A01 IEY-PAIRE CYMBALES ? 0 +DI.969.005.002A02 ATT-TROMPE TERM DUNG-CHEN [R 1 +DI.969.005.002A02 M-TBR RNGA [R 1 +DI.969.005.002A02 IEY-PAIRE CYMBALES SBUG-TSHAL [R 2 +DI.969.005.002A03 ATT-TROMPE TERM DUNG-CHEN [R 1 +DI.969.005.002A03 M-TBR RNGA [R 1 +DI.969.005.002A03 IEY-PAIRE CYMBALES SBUG-TSHAL [R 1 +DI.969.005.002A04 ATT-TROMPE TERM DUNG-CHEN [R 1 +DI.969.005.002A04 M-TBR RNGA [R 1 +DI.969.005.002A04 IEY-PAIRE CYMBALES SBUG-TSHAL [R 2 +DI.969.005.002A05 ATT-TROMPE TERM DUNG-CHEN [R 0 +DI.969.005.002A05 M-TBR RNGA [R 0 +DI.969.005.002A05 IEY-PAIRE CYMBALES SBUG-TSHAL [R 0 +DI.969.005.002A05 HTBOIS N 1 +DI.969.005.002A05 M1C-TIMBALE N 1 +DI.969.005.002A06 VC-CHANTE CHR H = 0 +DI.969.005.002B01 VC-SOLO H = 0 +DI.969.005.002B02 VC-DUO F = 0 +DI.969.005.002B02 FRAPPEMENTS DES PIEDS = 0 +DI.969.005.002B03 VC-SOLO JF = 0 +DI.969.005.002B04 VC-SOLO H = 0 +DI.969.005.002B04 VIELE MONOCORDE ND 0 +DI.969.005.002B05 VC-DUO F = 0 +DI.969.005.002B06 VC-DUO F = 0 +DI.969.005.002B07 VC-SOLO H N 1 +DI.969.005.002B08 VC-CHANTE CHR H = n +DI.969.005.002B08 M2C-TBR 2MEMB/CAISSE M2C-DAMARU 1 +DI.969.005.002B09 VC-CHANTE CHR H = n +DI.969.005.002B09 M2C-TBR 2MEMB/CAISSE M2C-DAMARU n +DI.969.009.002D02 VP-ALTERNE, F,H. JACQUELINE THOMAS 2 +DI.969.016.028A01 +DI.970.007.001A01 CL-LUTH 5CDBL CL-CHARANGO 0 +DI.970.007.001B01 M2D-TBR 2MEMB SUR CADRE M2D-CAJA 0 +DI.970.007.001B01 0 +DI.970.007.001B02 M2C-TBR 2MEMB CAISSE CYL BOIS A M2C-BOMBO 0 +DI.970.007.001B02 0 +DI.970.007.002Z01 AFT-FLUTE TERM AFT-PINCULLO 0 +DI.970.007.002Z02 AFT-FLUTE TERM AFT-ANATA 0 +DI.970.007.002Z03 AFT-FLUTE TERM AFT-FLAUTILLA 0 +DI.970.007.002Z04 AFT-FLUTE TERM AFT-KENA 0 +DI.970.007.002Z05 AFP-FLUTE DE PAN AFP-SIKU 0 +DI.970.007.002Z06 AABS-CLARINETTE AABS-ERKENCHO 1 +DI.970.007.002Z07 ATL-TROMPE LAT ATL-ERKE 0 +DI.970.007.003A01 AAL-ACCORDEON AAL-CORDEON 0 +DI.970.007.003B01 CH-HARPE CH-ARPA 0 +DI.970.007.003B02 CV-VIELE 4C CV-VIOLIN 0 +DI.970.007.004A01 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.004B01 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005A01 CH-HARPE CH-ARPA 0 +DI.970.007.005A01 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005A02 AAL-ACCORDEON AAL-CORDEON 0 +DI.970.007.005A02 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005A03 AAL-ACCORDEON AAL-CORDEON 0 +DI.970.007.005A03 AAL-BANDONEON AAL-ANDONEON 0 +DI.970.007.005A03 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005A03 CV-VIELE 4C CV-CONTRABAJO 0 +DI.970.007.005A03 0 +DI.970.007.005B01 CH-HARPE CH-ARPA 0 +DI.970.007.005B01 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005B02 CH-HARPE CH-ARPA 0 +DI.970.007.005B02 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005B02 CV-VIELE 4C CV-VIOLIN 0 +DI.970.007.005B02 0 +DI.970.007.005B02 0 +DI.970.007.005B03 AAL-BANDONEON AAL-ANDONEON 0 +DI.970.007.005B03 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005B03 CV-VIELE 4C CV-VIOLIN 0 +DI.970.007.005B03 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B04 AFP-FLUTE DE PAN AFP-SIKU 0 +DI.970.007.005B04 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B04 M2D-TBR 2MEMB SUR CADRE M2D-REDOBLANTE 0 +DI.970.007.005B4A AFT-FLUTE TERM AFT-KENA 0 +DI.970.007.005B4A CL-LUTH 5CDBL CL-CHARANGO 0 +DI.970.007.005B4A M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B4A 0 +DI.970.007.005B4B AFT-FLUTE TERM AFT-KENA 2 +DI.970.007.005B4B CL-LUTH 5CDBL CL-CHARANGO 0 +DI.970.007.005B4B CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005B4B M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B4C AFT-FLUTE TERM AFT-KENA 2 +DI.970.007.005B4C CL-LUTH 5CDBL CL-CHARANGO 0 +DI.970.007.005B4C CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.005B4C M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B4D AFT-FLUTE TERM AFT-KENA 2 +DI.970.007.005B4D CL-LUTH 5CDBL CL-CHARANGO 0 +DI.970.007.005B4D CV-VIELE 4C CV-CONTRABAJO 0 +DI.970.007.005B4D M2C-TBR 2MEMB CAISSE CYL BOIS M2C-BOMBO 0 +DI.970.007.005B4D IFX-XYLOPHONE IFX-XILOFONO 0 +DI.970.007.005B4D IFZ-TRIANGLE IFZ-TRIANGULO 0 +DI.970.007.005B4D I-N I-TOC TOC 0 +DI.970.007.006Z01 VC-N VC-N 0 +DI.970.007.006Z01 CL-LUTH 1C CL-N 0 +DI.970.007.006Z02 N N 0 +DI.970.007.006Z02 0 +DI.970.007.006Z03 VC-N VC-N 0 +DI.970.007.006Z03 0 +DI.970.007.006Z04 N N 0 +DI.970.007.006Z04 0 +DI.970.007.006Z05 VC-N VC-N 0 +DI.970.007.006Z05 ISS-SONNAILLES ISS-SONAJERO 0 +DI.970.007.006Z06 CA-ARC MUSICAL CA-ARCO MUSICAL 0 +DI.970.007.006Z06 IPG-GUIMBARDE IPG-BIRIMBAO 0 +DI.970.007.006Z07 VP-VOIX PARLEE H VP-N 0 +DI.970.007.006Z07 VC-CHR M VC-N 0 +DI.970.007.006Z07 CL-LUTH 6C CL-GUITARRA 0 +DI.970.007.006Z08 AFP-FLUTE DE PAN AFP-SIKU 0 +DI.970.007.006Z08 0 +DI.970.007.006Z08 0 +DI.970.007.006Z09 AFT-FLUTE TERM AFT-FLAUTILLA 0 +DI.970.007.006Z09 AFG-FLUTE GLOBULAIRE AFG-NASERE 0 +DI.970.007.006Z09 AFT-FLUTE TERM AFT-SERERE 0 +DI.970.007.006Z10 VC-H N 0 +DI.970.007.006Z10 0 +DI.970.007.006Z10 0 +DI.970.007.006Z11 VZ-H N 0 +DI.970.007.006Z11 0 +DI.970.007.006Z11 0 +DI.970.007.006Z12 VC-N N 0 +DI.970.007.006Z12 0 +DI.970.007.006Z12 0 +DI.970.007.006Z13 VC-H N 0 +DI.970.007.006Z13 VC-F N 0 +DI.970.007.006Z13 VC-CHR N 0 +DI.970.007.006Z13 M1D-TBR 1MEMB SUR CADRE BOIS M1D-KULTRUN 0 +DI.970.007.006Z13 0 +DI.970.007.006Z14 VC-F N 0 +DI.970.007.006Z14 0 +DI.970.007.006Z15 AFT-FLUTE TERM AFT-PIFILCA 0 +DI.970.007.006Z15 ATT-TROMPE TERM ATT-TRUTRUKA 0 +DI.970.017.020A01 M2C-TBR 2MEMB N 1 +DI.970.017.020A01 IFG-GONG N -1 +DI.970.017.020A02 VC-2F & CHR F -1 +DI.970.017.020A02 IFB-BOUTEILLE IFB-BOUTEILLE 1 +DI.970.017.020A02 0 +DI.970.017.020A03 AZ-TUBE DE BAMBOU N -1 +DI.970.017.020A03 0 +DI.970.017.020A04 VC-CHR F -1 +DI.970.017.020A04 IFB-BOUTEILLE N 1 +DI.970.017.020A04 0 +DI.970.017.020A05 VC-CHR F -1 +DI.970.017.020A05 IFB-BOUTEILLE IFB-BOUTEILLE 1 +DI.970.017.020A05 0 +DI.970.017.020A06 M2C-TBR 2MEMB N 1 +DI.970.017.020A06 IFG-GONG N -1 +DI.970.017.020A06 0 +DI.970.017.020A07 AAL-ORGUE A BOUCHE N 1 +DI.970.017.020A07 0 +DI.970.017.020A08 IFX-XYLOPHONE N 2 +DI.970.017.020A08 0 +DI.970.017.020A09 ORCH-N N -1 +DI.970.017.020A09 0 +DI.970.017.020A10 VC-SOLO F 1 +DI.970.017.020A10 0 +DI.970.017.020B01 M2C-TBR 2MEMB N 1 +DI.970.017.020B01 IFG-GONG N -1 +DI.970.017.020B01 0 +DI.970.017.020B02 AABS-CLARINETTE N 1 +DI.970.017.020B03 AF-FLUTE N 1 +DI.970.017.020B03 IFX-XYLOPHONE N 1 +DI.970.017.020B03 0 +DI.970.017.020B04 IFX-XYLOPHONE N 1 +DI.970.017.020B04 0 +DI.970.017.020B04 0 +DI.970.017.020B05 VC-SOLO H & CHR M -1 +DI.970.017.020B05 0 +DI.971.007.002A01 VC-ALTERNE 2H 1F = 0 +DI.971.007.002A01 CL-LUTH 2C CAISSE EN LUNE DAN KIM 0 +DI.971.007.002A01 VIELE 2 C CV-DAN NHI 0 +DI.971.007.002A01 CITHARE 16C CC-DAN TRANH 1 +DI.971.007.002A01 IFZ-BLOC DE BOIS SONG LANG 0 +DI.971.007.002A02 VC-SOLO F = 0 +DI.971.007.002A02 VIELE 2 C CV-DAN NHI 0 +DI.971.007.002A02 IFZ-BLOC DE BOIS SONG LANG 0 +DI.971.007.002A02 CL-LUTH 2C CAISSE EN LUNE DAN KIM 0 +DI.971.007.002A03 CITHARE 16C CC-DAN TRANH 1 +DI.971.007.002A04 CITHARE 16 C CC-DAN TRANH 0 +DI.971.007.002A05 VC-SOLO F = 1 +DI.971.007.002A05 VIELE 2 C DAN CO 0 +DI.971.007.002A05 CL-LUTH 2C CAISSE EN LUNE DAN KIM 0 +DI.971.007.002A05 AFL-FLUTE LAT AFL-SAO 1 +DI.971.007.002A05 IFZ-BLOC DE BOIS SONG LANG 0 +DI.971.007.002A06 VC-SOLO F = 0 +DI.971.007.002A06 VIELE 2 C DAN CO 0 +DI.971.007.002A06 CL-LUTH 2C CAISSE EN LUNE DAN KIM 0 +DI.971.007.002A06 IFZ-BLOC DE BOIS SONG LANG 0 +DI.971.007.002A07 VC-DUO ALTERNE H F 2 +DI.971.007.002A07 CL-LUTH 2C CL-DAN KIM 1 +DI.971.007.002A07 CV-VIELE 2C CV-DAN CO 1 +DI.971.007.002A07 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.971.007.002A07 0 +DI.971.007.002B01 VC-SOLO H 1 +DI.971.007.002B01 VC-SOLO F 1 +DI.971.007.002B01 CL-LUTH 3C CL-DAN DAY 1 +DI.971.007.002B01 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.971.007.002B01 IEC-CLIQUETTES IEC-PHACH 1 +DI.971.007.002B01 0 +DI.971.007.002B02 VC-SOLO H 1 +DI.971.007.002B02 VC-SOLO F 1 +DI.971.007.002B02 CL-LUTH 3C CL-DAN DAY 1 +DI.971.007.002B02 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.971.007.002B02 IEC-CLIQUETTES IEC-PHACH 1 +DI.971.007.002B02 0 +DI.971.007.002B03 VC-SOLO F 1 +DI.971.007.002B03 CL-LUTH 3C CL-DAN DAY 1 +DI.971.007.002B03 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.971.007.002B03 IEC-CLIQUETTES IEC-PHACH 1 +DI.971.007.002B03 0 +DI.971.007.002B04 VC-SOLO F 1 +DI.971.007.002B04 CL-LUTH 3C CL-DAN DAY 1 +DI.971.007.002B04 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.971.007.002B04 IEC-CLIQUETTES IEC-PHACH 1 +DI.971.007.002B04 0 +DI.971.007.002B05 VC-SOLO H 1 +DI.971.007.002B05 VC-SOLO F 1 +DI.971.007.002B05 CL-LUTH 3C CL-DAN DAY 1 +DI.971.007.002B05 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.971.007.002B05 IEC-CLIQUETTES IEC-PHACH 1 +DI.971.007.002B05 0 +DI.971.008.001:ZZZZ CC-CITHARE/TABLE CC-@AN TRANH TRAN Q. H. 1 +DI.971.008.001:ZZZZ IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN Q.H. 1 +DI.971.008.001:ZZZZ VA-CRIE SOLO H +DI.971.008.001A01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001A02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001A03 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001A04 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001B02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.971.008.001B03 CC-CITHARE/TABLE CC-@AN TRANH TRAN Q.H. 1 +DI.971.008.001B03 IEZ-CUILLERS IEZ-MUONG TRAN Q.H. 1 +DI.971.008.001B04 CC-CITHARE/TABLE CC-@AN TRANH TRAN Q. H. 1 +DI.971.008.001B04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN Q.H. 1 +DI.971.009.001A01 IFX-XYLOPHONE IFX-TO RUNG 1 +DI.971.009.001A02 CC-CITHARE/TUBE CCT-TING NING 1 +DI.971.009.001A02 0 +DI.971.009.001A02 0 +DI.971.009.001A03 M2C-TBR 2MEMB N 1 +DI.971.009.001A03 IFG-GONG N -1 +DI.971.009.001A03 0 +DI.971.009.001A04 AAL-ORGUE A BOUCHE AAL-NBOAT 1 +DI.971.009.001A04 0 +DI.971.009.001A05 VC-CHR F -1 +DI.971.009.001A05 CL-LUTH 2C CL-DAN TINH -1 +DI.971.009.001A05 0 +DI.971.009.001A06 AAB-HAUTBOIS AAB-SARINAV 1 +DI.971.009.001A06 M2C-TBR 2MEMB M2C-GANANG 2 +DI.971.009.001A06 M1D-TBR 1MEMB SUR CADRE BOIS N 1 +DI.971.009.001A06 0 +DI.971.009.001A07 VC-2F 2 +DI.971.009.001A08 VC-DUO H 2 +DI.971.009.001A08 M1D-TBR 1MEMB SUR CADRE BOIS N 1 +DI.971.009.001A08 0 +DI.971.009.001A09 CV-VIELE 2C N 2 +DI.971.009.001A09 0 +DI.971.009.001A10 ORCH-ENSEMBLE INSTRUMENTAL ORCH-DAI NHAC -1 +DI.971.009.001A10 0 +DI.971.009.001A11 ORCH-ENSEMBLE INSTRUMENTAL ORCH-TIEU NHAC -1 +DI.971.009.001A11 0 +DI.971.009.001A12 ORCH-ENSEMBLE INSTRUMENTAL ORCH-DAN NHAC HAT BOI -1 +DI.971.009.001B01 CL-LUTH 2C CL-DAN NGUYET 1 +DI.971.009.001B01 CL-LUTH 4C CL-DAN TY BA 1 +DI.971.009.001B01 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.971.009.001B01 CC-CITHARE/TABLE CC-@AN DOC HUYEN 1 +DI.971.009.001B01 CV-VIELE 2C CV-DAN NHI 1 +DI.971.009.001B01 0 +DI.971.009.001B02 ORCH- PETIT ENSEMBLE ORCH-NGU TUYET 5 +DI.971.009.001B02 0 +DI.971.009.001B03 AFL-FLUTE LAT AFL-SAO NGUYEN DINH NGHIA 1 +DI.971.009.001B04 VC-SOLO F 1 +DI.971.009.001B04 0 +DI.971.009.001B05 VC-SOLO & CHR H -1 +DI.971.009.001B05 0 +DI.971.009.001B06 VC-SOLO F & CHR F -1 +DI.971.009.001B06 0 +DI.971.009.001B07 VC-SOLO F 1 +DI.971.009.001B07 0 +DI.971.009.001B08 VC-SOLO & CHR H PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 +DI.971.009.001B08 0 +DI.971.009.001B09 VC-SOLO H PHAM DUY 1 +DI.971.009.001B09 CL-LUTH 6C CL-GUITARE PHAM DUY 1 +DI.971.009.001B09 0 +DI.972.014.001-1/2A01 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A02 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A03 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A04 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A05 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A06 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2A07 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B01 VR-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B02A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B02B VX-CHANTE & RECITE SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B03A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B03B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B04 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B05 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B06 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2B07 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C01A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C01B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C02A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C02B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C03A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C03B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C04A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C04B VX-CHANTE & RECITE SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C05A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C05B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C06A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C06B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C07 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2C08 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D01A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D01B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D02A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D02B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D02C VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D03A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D03B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D04A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D04B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D04C VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D05A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D05B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D06A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D06B VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D07 VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D08A VC-SOLO F N KIEPJA, LOLA 0 +DI.972.014.001-1/2D08B VR-SOLO F N KIEPJA, LOLA 0 +DI.972.019.001A01 VC-SOLO F N KONDE KOUYATE 1 +DI.972.019.001A01 CHL-HARPE-LUTH CHL-KORA 0 +DI.973.004.013A01 VP-CONVERSATION ENTRE HOMMES N N 0 +DI.973.004.013A02 M-TBR N N 0 +DI.973.004.013A04 AFL-FLUTE LAT N N 2 +DI.973.004.013A04 M2C-TBR N N 1 +DI.973.004.013A05 AFT-FLUTE TERM N 2 +DI.973.004.013A05 CH-HARPE CH-ARPA 1 +DI.973.004.013A05 CV-VIELE CV-VIOLIN 0 +DI.973.004.013A05 VC-CHR H N N 1 +DI.973.004.013A06 AFT-FLUTE TERM N 2 +DI.973.004.013A06 CH-HARPE CH-ARPA 1 +DI.973.004.013A06 CV-VIELE CV-VIOLIN 0 +DI.973.004.013A06 VC-CHR H N N 1 +DI.973.004.013A06 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR 1 +DI.973.004.013A06 ATT-CONQUE N 1 +DI.973.004.013A07 AFT-FLUTE TERM AFT-PINKILLO 4 +DI.973.004.013A07 VC-TRIO F N N 1 +DI.973.004.013A08 AFT-FLUTE TERM AFT-PINKILLO 4 +DI.973.004.013A08 VC-TRIO F N N 1 +DI.973.004.013A08 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR 1 +DI.973.004.013A09 AFT-FLUTE TERM AFT-PINKILLO 4 +DI.973.004.013A09 VC-TRIO F N N 1 +DI.973.005.001A01 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001A01 CL-LUTH 4C CL-DAN TY BA TRAN VAN KHE 1 +DI.973.005.001A01 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID.CITHARE 1 +DI.973.005.001A02 CL-LUTH 2C CL-DAN XEN NGUYEN VINH BAO 1 +DI.973.005.001A02 CV-VIELE 2C CV-DAN GAO TRAN VAN KHE 1 +DI.973.005.001A02 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID. LUTH 1 +DI.973.005.001A03 CL-LUTH 2C CL-DAN KIM NGUYEN VINH BAO 1 +DI.973.005.001A04 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001A04 CL-LUTH 2C CL-DAN KIM TRAN VAN KHE 1 +DI.973.005.001A04 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID.CITHARE 1 +DI.973.005.001A05 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001B01 CC-CITHARE/TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001B01 CL-LUTH 3C CL-DAN TAM HAI PHAT 1 +DI.973.005.001B01 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID.CITHARE 1 +DI.973.005.001B02 CC-CITHARE/TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001B02 CL-LUTH CL-DAN KIM VO VAN TIEN 1 +DI.973.005.001B02 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID.CITHARE 1 +DI.973.005.001B03 CC-CITHARE/TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001B03 CL-LUTH 2C CL-DAN KIM SAU TUNG 1 +DI.973.005.001B03 CV-VIELE 2C CV-DAN CO HAI PHAT 1 +DI.973.005.001B03 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID. CITHARE 1 +DI.973.005.001B04 CC-CITHARE/TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.973.005.001B04 CL-LUTH 2C CL-DAN KIM SAU TUNG 1 +DI.973.005.001B04 CV-VIELE 2C CV-DAN CO HAI PHAT 1 +DI.973.005.001B04 IFT-BLOC DE BOIS A FENTE IFT-SONG LANG ID. CITHARE 1 +DI.973.007.001A01 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.007.001A01 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.973.007.001A01 0 +DI.973.007.001A02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.973.007.001A02 0 +DI.973.007.001A03 VC-SOLO H TRAN QUANG HAI 1 +DI.973.007.001A03 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.007.001A03 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.973.007.001A03 0 +DI.973.007.001A04 CC-CITHARE/TABLE CC-@AN TRANH TRUONG TANG 1 +DI.973.007.001A04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.973.007.001A04 0 +DI.973.007.001A05 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.007.001A05 0 +DI.973.007.001A06 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.973.007.001A06 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.973.007.001A06 0 +DI.973.007.001B01 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.007.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.973.007.001B01 0 +DI.973.007.001B02 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.973.007.001B02 0 +DI.973.007.001B03 VC-SOLO H TRAN QUANG HAI 1 +DI.973.007.001B03 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.007.001B03 0 +DI.973.007.001B06 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRUONG TANG 1 +DI.973.023.015A01 ORCH ORCH-PINPEAT DIR.NOL MECH 0 +DI.973.023.015A01 AAB-HAUTBOIS N 1 +DI.973.023.015A01 M2C-PAIRE TBR 2MEMB N 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING MEI 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING THEE 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING THOO 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING RNUUL 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING NDOT 1 +DI.974.003.002A01 IFG-GONG PLAT IFG-CING LUA 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING MEI 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING THEE 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING THOO 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING RNUUL 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING NDOT 1 +DI.974.003.002A02 IFG-GONG PLAT IFG-CING LUA 1 +DI.974.003.002A02 0 +DI.974.003.002A02 0 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING MEI 1 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING THEE 1 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING THOO 1 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING RNUUL 1 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING NDOT 1 +DI.974.003.002A04 IFG-GONG PLAT IFG-CING LUA 1 +DI.974.003.002A04 0 +DI.974.003.002A05 M2C-TBR 2MEMB M2C-NGGOR 1 +DI.974.003.002A05 IFG-GONG PLAT IFG-CING MEI 1 +DI.974.003.002A05 IFG-GONG PLAT IFG-CING RNUUL 1 +DI.974.003.002A05 0 +DI.974.003.002A06 VC-SOLO F 1 +DI.974.003.002A06 0 +DI.974.003.002B01 M2C-TBR 2MEMB M2C-NGGOR BBAANG DU CLAN RLUK & MBIENG DU CLAN BBOON KROONG 1 +DI.974.003.002B01 0 +DI.974.003.002B02 VC-SOLO H CHOONG-KOONG-LE-MILITAIRE 1 +DI.974.003.002B02 0 +DI.974.003.002B03 VC-SOLO F KO'AANG 1 +DI.974.003.002B03 0 +DI.974.003.002B04 VC-SOLO F JIENG DU CLAN NDUU 1 +DI.974.003.002B04 0 +DI.974.003.002B05 AAL-ORGUE A BOUCHE AAL-BUAT 1 +DI.974.003.002B05 0 +DI.974.003.002B06 AAL-ORGUE A BOUCHE AAL-BUAT TAANG DU CLAN RYAAM 1 +DI.974.003.002B06 0 +DI.974.003.002B07 VC-SOLO F SRAE-KROONG DU CLAN RJEE 1 +DI.974.003.002B07 0 +DI.974.003.002B08 VC-DUO ALTERNE H WAN-JOONG DU CLAN MOK ET TOONG-OONG DU CLAN RNAANG 2 +DI.974.003.002B08 0 +DI.974.003.002B09 CC-CITHARE/TUBE CC-@ING BOONG RLAA MBIENG DU CLAN RYAAM 1 +DI.974.003.002B09 0 +DI.974.003.002B10 IFL-LITHOPHONE IFL-GOONG LUU JEAN SCHWARZ 1 +DI.974.003.002B10 0 +DI.974.008.001A01 VC-SOLO F MU THONG DUNG 1 +DI.974.008.001A01 CL-LUTH 2C CL-DAN NGUYET TON THAT DONG 1 +DI.974.008.001A01 IFT-BLOC DE BOIS IFT-SONG LANG TON THAT DONG 1 +DI.974.008.001B01 VC-SOLO F MU THONG DUNG 1 +DI.974.008.001B01 CL-LUTH 2C CL-DAN NGUYET TON THAT DONG 1 +DI.974.008.001B01 IFT-BLOC DE BOIS IFT-SONG LANG TON THAT DONG 1 +DI.974.008.001B01 0 +DI.974.008.002A01 AFL-FLUTE LAT AFL-SAO 1 +DI.974.008.002A01 CL-LUTH 2C CL-DAN KIM 1 +DI.974.008.002A01 CV-VIELE 2C CV-DAN GAO 1 +DI.974.008.002A01 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.974.008.002B01 AFL-FLUTE LAT AFL-SAO 1 +DI.974.008.002B01 CL-LUTH 2C CL-DAN KIM 1 +DI.974.008.002B01 CV-VIELE 2C CV-DAN GAO 1 +DI.974.008.002B01 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.974.008.002B01 0 +DI.975.010.024A01 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024A01 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024A02 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024A02 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024A02 0 +DI.975.010.024A03 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024A03 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024B01 CC-CITHARE/TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024B01 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024B01 0 +DI.975.010.024B02 CL-LUTH 4C CL-DAN TY BA TRAN VAN KHE 1 +DI.975.010.024B02 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024B02 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024B02 0 +DI.975.010.024B02 0 +DI.975.010.024B03 CL-LUTH 4C CL-DAN TY BA TRAN VAN KHE 1 +DI.975.010.024B03 CC-CITHARE /TABLE CC-@AN TRANH NGUYEN VINH BAO 1 +DI.975.010.024B03 IFT-BLOC DE BOIS IFT-SONG LANG NGUYEN VINH BAO 1 +DI.975.010.024B03 0 +DI.976.006.001A01 AFT-FLUTE TERM AFT-PINKILLO CHALLAPA, FRANCISCO 1 +DI.976.006.001A02 VC-SOLO H N CHALLAPA, FRANCISCO 1 +DI.976.006.001A03 CL-LUTH CDBL BOIS 60CM CL-BANDOLA MAMANI, JUAN SEGUNDO 1 +DI.976.006.001A04 VC-SOLO H N CHALLAPA, EUGENIO 1 +DI.976.006.001A05 VC-SOLO H N CHALLAPA, EUGENIO 1 +DI.976.006.001A06 AFT-FLUTE TERM AFT-TARKA CHALLAPA, FRANCISCO 1 +DI.976.006.001A07 VC-SOLO H N CHALLAPA, EUGENIO 1 +DI.976.006.001A08 VC-SOLO H N CHALLAPA,FRANCISCO 1 +DI.976.006.001A09 VC-SOLO H N MAMANI, JUAN SEGUNDO 1 +DI.976.006.001A10 VC-SOLO H N ACHACAZ, ALBERTO 1 +DI.976.006.001A11 VC-SOLO H N N 0 +DI.976.006.001A12 VC-SOLO F N PATERITO, TERESA 1 +DI.976.006.001A13 VC-SOLO F N PATERITO, TERESA 1 +DI.976.006.001A14 VC-SOLO F N PATERITO, TERESA 1 +DI.976.006.001A15 VC-SOLO F N OVANDO, ROSA 1 +DI.976.006.001A16 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A17 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A18 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A19 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A20 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A21 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A22 VC-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001A23 VC-SOLO F N MOLINARI, MARGARITA 1 +DI.976.006.001A24 VC-SOLO F N MOLINARI, MARGARITA 1 +DI.976.006.001A25 VC-SOLO F N MOLINARI, MARGARITA 1 +DI.976.006.001A26 VC-SOLO F N MOLINARI, MARGARITA 1 +DI.976.006.001A27 VC-DUO ALTERNE H F N MOLINARI,M. & LOPEZ, JOSE 1 +DI.976.006.001A28 VP-SOLO H N LOPEZ, JOSE 1 +DI.976.006.001AE! VC-SOLO H N ACHACAZ, ALBERTO 1 +DI.976.006.001AE! VC-SOLO F N MOLINARI, MARGARITA 1 +DI.976.006.001AE! VP-SOLO H N LOPEZ,JOSE 1 +DI.976.006.001B01 VC-SOLO F N 1 +DI.976.006.001B02 VC-SOLO H N MELINAO, JUAN 1 +DI.976.006.001B03 VC-SOLO F N N 1 +DI.976.006.001B04 VC-SOLO F N 1 +DI.976.006.001B05 VC-SOLO H N MELINAO, ARMANDO 1 +DI.976.006.001B06 VC-SOLO F N 1 +DI.976.006.001B06 VC-SOLO F N PAILLALEF, MARIA 1 +DI.976.006.001B07 VC-SOLO F N PAILLALEF, MARIA 1 +DI.976.006.001B08 VC-SOLO H N N 1 +DI.976.006.001B09 VC-SOLO F N MELIVILO, ROSA 1 +DI.976.006.001B10 ATT-TROMPE TERM ATT-TRUTRUKA HUERA, JORGE 1 +DI.976.006.001B11 VC-SOLO F N 1 +DI.976.006.001B12 VC-SOLO H N N 1 +DI.976.006.001B14 VC-SOLO H N LINCONAO, DOMINGO 1 +DI.976.006.001B15 VC-SOLO F N 1 +DI.976.007.001A01 VC-SOLO F HOANG MONG THUY 1 +DI.976.007.001A01 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.976.007.001A02 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRAN QUANG HAI 1 +DI.976.007.001A02 0 +DI.976.007.001A03 VC-DUO ALTERNE H F HOANG MONG THUY & TRAN QUANG HAI 2 +DI.976.007.001A03 0 +DI.976.007.001A04 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.007.001A04 0 +DI.976.007.001A05 VC-SOLO F HOANG MONG THUY 1 +DI.976.007.001A05 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.976.007.001A05 0 +DI.976.007.001A06 VC-SOLO F HOANG MONG THUY 1 +DI.976.007.001A06 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.007.001A06 0 +DI.976.007.001A07 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.976.007.001A07 0 +DI.976.007.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.007.001B01 0 +DI.976.007.001B02 VC-DUO ALTERNE H F HOANG MONG THUY & TRAN QUANG HAI 2 +DI.976.007.001B02 0 +DI.976.007.001B03 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.976.007.001B03 0 +DI.976.007.001B04 VC-SOLO F HOANG MONG THUY 1 +DI.976.007.001B04 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.007.001B04 0 +DI.976.007.001B05 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.007.001B05 0 +DI.976.007.001B06 VC-SOLO F HOANG MONG THUY 1 +DI.976.007.001B06 0 +DI.976.011.001A01 VP- RECITE CHR H N 1 +DI.976.011.001A01 ATT-CONQUE N 2 +DI.976.011.001A01 ATT-TROMPE TERM N 2 +DI.976.011.001A01 ATT-TROMPE TERM N 2 +DI.976.011.001A01 M1C-TBR SUR CADRE N 2 +DI.976.011.001A01 IEY-PAIRE CYMBALES N 1 +DI.976.011.001A02 V- RECITE CHR H / 1 +DI.976.011.001A03 V- RECITE CHR H / 0 +DI.976.011.001A03 AAB-HAUTBOIS AAB-RGYA-GLING [R 2 +DI.976.011.001A03 ATT-TROMPE TERM AAT-DUNG-CHEN [R 2 +DI.976.011.001A03 M1C- TBR SUR CADRE M1C-RNGA [ND 4 +DI.976.011.001A03 IEY-PAIRE CYMBALES / 1 +DI.976.011.001A04 ATT-TROMPE TERM ATT-DUNG CHEN 2 +DI.976.011.001A05 ATT-TROMPE TERM AAT-DUNG-CHEN [R 2 +DI.976.011.001A06 VP- RECITE CHR H N 0 +DI.976.011.001A06 ATT-CONQUE N 2 +DI.976.011.001A06 ATT-TROMPE TERM N 2 +DI.976.011.001A06 ATT-TROMPE TERM N 2 +DI.976.011.001A06 M1C- TBR SUR CADRE N 2 +DI.976.011.001A06 IEY-PAIRE CYMBALES N 1 +DI.976.011.001A06 AAB-HAUTBOIS;CONTINUE N 2 +DI.976.011.001A07 V- RECITE CHR H = 1 +DI.976.011.001A08 V- RECITE CHR H / 0 +DI.976.011.001A08 AABD-HAUTBOIS AABD-RGYA GLING 2 +DI.976.011.001A08 ATT-TROMPE TERM ATT-DUNG-CHEN [R 2 +DI.976.011.001A08 M-TBR GRAND / 2 +DI.976.011.001A08 IEY-PAIRE CYMBALES / 1 +DI.976.011.001A08 M2C-TBR SABL BOULFOUET / 1 +DI.976.011.001B01 V- RECITE CHR H 0 +DI.976.011.001B01 AAB-HAUTBOIS AAB-RGYA-GLING [R 2 +DI.976.011.001B01 ATT-TROMPE TERM ATT-DUNG-CHEN [R 2 +DI.976.011.001B01 M-TBR GRAND 4 +DI.976.011.001B01 IEY-PAIRE CYMBALES 1 +DI.976.011.001B01 M2C-TBR SABL BOULFOUET 1 +DI.976.011.001B01 IFC-CLOCHETTE 1 +DI.976.011.001B02 V- RECITE CHR H / 0 +DI.976.011.001B02 IFC-CLOCHETTE DRIL-BU [R 1 +DI.976.012.001A02 0 +DI.976.012.001A02 Z1-BRUITS NATURE N 0 +DI.976.012.001A02 0 +DI.976.012.001A02 0 +DI.976.012.001A02 0 +DI.976.012.001A02 0 +DI.976.012.001A02 0 +DI.976.012.001A03 0 +DI.976.012.001A03 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A03 0 +DI.976.012.001A03 0 +DI.976.012.001A03 0 +DI.976.012.001A03 0 +DI.976.012.001A03 0 +DI.976.012.001A04 0 +DI.976.012.001A04 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A04 0 +DI.976.012.001A04 0 +DI.976.012.001A04 0 +DI.976.012.001A04 0 +DI.976.012.001A04 0 +DI.976.012.001A05 0 +DI.976.012.001A05 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A05 0 +DI.976.012.001A05 0 +DI.976.012.001A05 0 +DI.976.012.001A05 0 +DI.976.012.001A05 0 +DI.976.012.001A06 0 +DI.976.012.001A06 Z1-BRUITS NATURE N 0 +DI.976.012.001A06 0 +DI.976.012.001A06 0 +DI.976.012.001A06 0 +DI.976.012.001A06 0 +DI.976.012.001A06 0 +DI.976.012.001A07 0 +DI.976.012.001A07 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A07 0 +DI.976.012.001A07 0 +DI.976.012.001A07 0 +DI.976.012.001A07 0 +DI.976.012.001A07 0 +DI.976.012.001A08 0 +DI.976.012.001A08 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A08 0 +DI.976.012.001A08 0 +DI.976.012.001A08 0 +DI.976.012.001A08 0 +DI.976.012.001A08 0 +DI.976.012.001A09 0 +DI.976.012.001A09 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A09 0 +DI.976.012.001A09 0 +DI.976.012.001A09 0 +DI.976.012.001A09 0 +DI.976.012.001A09 0 +DI.976.012.001A10 0 +DI.976.012.001A10 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A10 0 +DI.976.012.001A10 0 +DI.976.012.001A10 0 +DI.976.012.001A10 0 +DI.976.012.001A10 0 +DI.976.012.001A11 0 +DI.976.012.001A11 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A11 0 +DI.976.012.001A11 0 +DI.976.012.001A11 0 +DI.976.012.001A11 0 +DI.976.012.001A11 0 +DI.976.012.001A12 0 +DI.976.012.001A12 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A12 0 +DI.976.012.001A12 0 +DI.976.012.001A12 0 +DI.976.012.001A12 0 +DI.976.012.001A12 0 +DI.976.012.001A13 0 +DI.976.012.001A13 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A13 0 +DI.976.012.001A13 0 +DI.976.012.001A13 0 +DI.976.012.001A13 0 +DI.976.012.001A13 0 +DI.976.012.001A14 0 +DI.976.012.001A14 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A14 0 +DI.976.012.001A14 0 +DI.976.012.001A14 0 +DI.976.012.001A14 0 +DI.976.012.001A14 0 +DI.976.012.001A15 0 +DI.976.012.001A15 Z2-CRIS D'ANIMAUX N 0 +DI.976.012.001A15 0 +DI.976.012.001A15 0 +DI.976.012.001A15 0 +DI.976.012.001A15 0 +DI.976.012.001A15 0 +DI.976.012.001B01 VC-CHR M N 0 +DI.976.012.001B01 ISS-SONNAILLES N 0 +DI.976.012.001B01 0 +DI.976.012.001B01 0 +DI.976.012.001B02 AFT-FLUTE TERM N 4 +DI.976.012.001B02 ISS-SONNAILLES N 0 +DI.976.012.001B02 ISG-GRELOT METAL N 0 +DI.976.012.001B02 0 +DI.976.012.001B03 VC-CHR H N 0 +DI.976.012.001B03 ISH-HOCHET N 0 +DI.976.012.001B03 ILB-BATON DE RYTHME N 0 +DI.976.012.001B03 0 +DI.976.012.001B04 VP-DUO H N 0 +DI.976.012.001B04 0 +DI.976.012.001B04 0 +DI.976.012.001B05 VC-SOLO & CHR H N 0 +DI.976.012.001B05 ISS-SONNAILLES N 0 +DI.976.012.001B05 0 +DI.976.012.001B05 0 +DI.976.012.001B06 VP-H N 0 +DI.976.012.001B06 0 +DI.976.012.001B06 0 +DI.976.012.001B07 VC-M N 0 +DI.976.012.001B07 0 +DI.976.012.001B07 0 +DI.976.012.001B08 AABS-CLARINETTE N 1 +DI.976.012.001B09 VC-SOLO H N 0 +DI.976.012.001B09 ISH-HOCHET N 0 +DI.976.012.001B09 0 +DI.976.012.001B09 0 +DI.976.012.001B10 VC-SOLO H & CHR F N 0 +DI.976.012.001B10 ISH-HOCHET N 0 +DI.976.012.001B10 0 +DI.976.012.001B10 0 +DI.976.012.001B11 VC-SOLO H N 0 +DI.976.012.001B11 0 +DI.976.012.001B11 0 +DI.976.012.001B12 VC-CHR M & CHR E N 0 +DI.976.012.001B12 0 +DI.976.012.001B12 0 +DI.976.013.001A02 V-CH DUO HF = JOSE RAMON & ANTONIA 2 +DI.976.013.001A03 V-CH SOLO H CHR MIXTE = PABLO 0 +DI.976.015.001A01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.015.001A02 VC-DUO ALTERNE H F N CF. TITRE DI. 2 +DI.976.015.001A02 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.976.015.001A03 IPG-GUIMBARDE BAMBOU IPG-DAN MOI TRE TRAN QUANG HAI 1 +DI.976.015.001A04 IPG-GUIMBARDE METAL IPG-DAN MOI SAT TRAN QUANG HAI 1 +DI.976.015.001A05 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.015.001A06 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRAN QUANG HAI 1 +DI.976.015.001A07 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.976.015.001A07 0 +DI.976.015.001A08 VC-SOLO H N TRAN QUANG HAI 1 +DI.976.015.001A08 0 +DI.976.015.001B01 VC-SOLO H N TRAN QUANG HAI 1 +DI.976.015.001B01 IEZ-PAIRE CUILLERS IEZ-MUONG TRAN Q.H. 1 +DI.976.015.001B02 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.976.015.001B03 VC-SOLO F N HOANG MONG THUY 1 +DI.976.015.001B03 CC-CITHARE/TABLE CC-@AN TRANH TRAN Q.H. 1 +DI.976.015.001B03 CL-LUTH 6C N TRAN Q.H. 1 +DI.976.015.001B04 VC-SOLO F N HOANG MONG THUY 1 +DI.976.015.001B04 AFT-FLUTE TERM AFT-TIEU TRAN Q.H. 1 +DI.976.015.001B04 CL-LUTH 6C N TRAN Q.H. 1 +DI.976.015.001B05 VC-SOLO F N HOANG MONG THUY 1 +DI.976.015.001B05 CC-CITHARE/TABLE CC-@AN TRANH TRAN Q.H. 1 +DI.976.015.001B05 CL-LUTH 6C N TRAN Q.H. 1 +DI.976.015.001B06 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.976.016.001A01 CL-LUTH 2C CL-DAN KIM TRAN VAN KHE 1 +DI.976.016.001A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.976.016.001A01 IFT-BLOC DE BOIS IFT-SONG LANG TRAN THI THUY NGOC 1 +DI.976.016.001A02 M2C-TBR 2MEMB M2C-TRONG CHAU TRAN VAN KHE 1 +DI.976.016.001A02 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.976.016.001A02 IFT-BLOC DE BOIS IFT-SONG LANG TRAN THI THUY NGOC 1 +DI.976.016.001A02 0 +DI.976.016.001A03 CL-LUTH 2C CL-DAN KIM TRAN VAN KHE 1 +DI.976.016.001A03 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.976.016.001A03 IFT-BLOC DE BOIS IFT-SONG LANG TRAN THI THUY NGOC 1 +DI.976.016.001A03 0 +DI.976.016.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN VAN KHE 1 +DI.976.016.001B01 0 +DI.976.016.001B01 0 +DI.976.016.001B02 CC-CITHARE /TABLE CC-@AN TRANH TRAN VAN KHE 1 +DI.976.016.001B02 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.976.016.001B02 IFT-BLOC DE BOIS IFT-SONG LANG TRAN THI THUY NGOC 1 +DI.976.016.001B02 0 +DI.976.016.001B03 CC-CITHARE /TABLE CC-@AN TRANH TRAN VAN KHE 1 +DI.976.016.001B03 0 +DI.977.001.002A01 VC-CHR M 0 +DI.977.001.002A01 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002A02 VC-SOLO F 1 +DI.977.001.002A02 AFL-FLUTE LAT AFL-FLUTE TRAVERSIERE 1 +DI.977.001.002A02 CL-LUTH 4CDBL CL-MANDOLINE 1 +DI.977.001.002A02 CV-VIELE 4C CV-CONTREBASSE 1 +DI.977.001.002A02 0 +DI.977.001.002A03 VC-CHR M 0 +DI.977.001.002A03 CL-LUTH 12C CL-GUITARE 12C 1 +DI.977.001.002A04 VC-SOLO F 1 +DI.977.001.002A04 AAL-HARMONICA AALH-HARMONICA 1 +DI.977.001.002A04 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002A04 0 +DI.977.001.002A05 VC-SOLO H 1 +DI.977.001.002A05 VC-CHR H 0 +DI.977.001.002A05 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002A05 0 +DI.977.001.002A05 0 +DI.977.001.002A06 VC-SOLO F 1 +DI.977.001.002A06 AFL-FLUTE LAT AFL-FLUTE TRAVERSIERE 1 +DI.977.001.002A06 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002A06 CV-VIELE 4C CV-CONTREBASSE 1 +DI.977.001.002A06 M2C-TBR 2MEMB M2C-TAMBOUR 1 +DI.977.001.002A06 0 +DI.977.001.002A07 VC-SOLO F 1 +DI.977.001.002A07 CL-LUTH 6C CL-GUITARE 2 +DI.977.001.002A07 AAL-ORGUE AAL-RGUE ELECTRIQUE 1 +DI.977.001.002A07 0 +DI.977.001.002A08 VC-SOLO H 1 +DI.977.001.002A08 AFL-FLUTE LAT AFL-FLUTE TRAVERSIERE 1 +DI.977.001.002A08 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002A08 CV-VIELE 4C CV-VIOLON 2 +DI.977.001.002A08 0 +DI.977.001.002B01 VC-CHR M 0 +DI.977.001.002B01 ORCH-ORCHESTRE SYMPHONIQUE ORCH-DAN NHAC GIAO HUONG 0 +DI.977.001.002B02 VC-SOLO F 1 +DI.977.001.002B02 VC-CHR M 0 +DI.977.001.002B02 AAL-ORGUE AAL-RGUE ELECTRIQUE 1 +DI.977.001.002B02 CV-VIELE 4C CV-CONTREBASSE 1 +DI.977.001.002B03 VC-DUO ALTERNE H 2 +DI.977.001.002B03 CL-LUTH 6C CL-GUITARE 2 +DI.977.001.002B03 IFT-BLOC DE BOIS N 1 +DI.977.001.002B03 IRR-RACLEUR N 1 +DI.977.001.002B04 VC-2H, 2F 4 +DI.977.001.002B04 AFL-FLUTE LAT AFL-FLUTE TRAVERSIERE 1 +DI.977.001.002B04 CL-LUTH 6C CL-GUITARE 3 +DI.977.001.002B05 VC-2F OKTOBER KLUB 2 +DI.977.001.002B05 AFL-FLUTE LAT AFL-FLUTE TRAVERSIERE 1 +DI.977.001.002B05 CL-LUTH 4C CL-BANJO 1 +DI.977.001.002B05 CL-LUTH 6C CL-GUITARE 1 +DI.977.001.002B06 VC-SOLO H & CHR H GILAPAYUN 1 +DI.977.001.002B06 CL-LUTH 6C CL-GUITARE GILAPAYUN 1 +DI.977.001.002B07 VC-SOLO H 1 +DI.977.001.002B07 ORCH-N ORCH-N -1 +DI.977.001.002B08 VC-SOLO F & CHR M JOAN BAEZ -1 +DI.977.001.002B08 CL-LUTH 6C CL-GUITARE JOAN BAEZ 1 +DI.977.001.002B08 0 +DI.977.004.001A01 AAB-HAUTBOIS AAB-KEN NGUYEN HUU DU, TRAN HIEU CAN 2 +DI.977.004.001A01 M2C-TBR 2MEMB M2C-TRONG NHAC NGUYEN NGOC PHUNG 1 +DI.977.004.001A01 M2C-TBR 2MEMB M2C-TRONG COM NGUYEN NGOC CONG 1 +DI.977.004.001A01 IEY-PAIRE CYMBALES IEY-CHAP CHOA DUONG VAN LAM 1 +DI.977.004.001A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN NGUYEN NGOC XU 1 +DI.977.004.001A01 IFZ-CORNE DE BUFFLE EVIDEE IFZ-MO SUNG TRAU LE QUANG DOI 1 +DI.977.004.001A01 ISG-GRELOT METAL ISG-LUC LAC HO KHACH 1 +DI.977.004.001A02 AFL-FLUTE LAT AFL-SAO NGUYEN NGOC XU 1 +DI.977.004.001A02 M2C-TBR 2MEMB M2C-TRONG COM NGUYEN NGOC CONG 1 +DI.977.004.001A02 M2C-TBR 2MEMB CAISSE CYL M2C-TRONG CAI NGUYEN NGOC PHUNG 1 +DI.977.004.001A02 M1S-TBR SABLIER M1S- BONG TRAN HIEU CAN 1 +DI.977.004.001A02 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN HO KHACH 1 +DI.977.004.001A02 IFZ-CORNE DE BUFFLE EVIDEE IFZ-MO SUNG TRAU LE QUANG DOI 1 +DI.977.004.001A02 0 +DI.977.004.001A03 CV-VIELE 2C CV-DAN NHI DUONG VAN LAM 1 +DI.977.004.001A03 AAB-HAUTBOIS AAB-KEN HO KHACH ET NGUYEN HUU DU 2 +DI.977.004.001A03 IFZ-CORNE DE BUFFLE EVIDEE IFZ-MO SUNG TRAU CAO HUU ONG 1 +DI.977.004.001A03 M2C-TBR 2MEMB M2C-TRONG NHAC NGUYEN NGOC PHUNG 1 +DI.977.004.001A03 0 +DI.977.004.001A04 AFL-FLUTE LAT AFL-SAO NGUYEN NGOC XU 1 +DI.977.004.001A04 CL-LUTH 2C CL-DAN NGUYET CAO HUU ONG 1 +DI.977.004.001A04 CL-LUTH 3C CL-DAN TAM HUYNH VIET DANG 1 +DI.977.004.001A04 CL-LUTH 4C CL-DAN TY BA THIEN 1 +DI.977.004.001A04 CV-VIELE 2C CV-DAN NHI DUONG VAN LAM 1 +DI.977.004.001A04 M2C-TBR 2MEMB M2C-TRONG CAI NGUYEN NGOC PHUNG 1 +DI.977.004.001A04 IEC-CLIQUETTES IEC-PHACH LE QUANG DOI 1 +DI.977.004.001A04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN DICH 1 +DI.977.004.001A04 0 +DI.977.004.001A05 VC-SOLO F 1 +DI.977.004.001A05 AFL-FLUTE LAT AFL-SAO 1 +DI.977.004.001A05 CL-LUTH 2C CL-DAN NGUYET 1 +DI.977.004.001A05 CV-VIELE 2C CV-DAN NHI 1 +DI.977.004.001A05 M2C-TBR 2MEMB M2C-TRONG 1 +DI.977.004.001A05 M1S-TBR SABLIER M1S-BONG 1 +DI.977.004.001A05 IEC-CLIQUETTES IEC-PHACH 1 +DI.977.004.001B01 AAB-HAUTBOIS AAB-KEN TRAN HIEU CAN , NGUYEN HUU DU 2 +DI.977.004.001B01 M2C-TBR 2MEMB M2C-DAI CO DUONG VAN LAM 1 +DI.977.004.001B01 M2C-TBR 2MEMB M2C-TRONG NHAC NGUYEN NGOC XU 1 +DI.977.004.001B01 IEY-CYMBALES IEY-CHAP CHOA NGUYEN NGOC PHUNG, NGUYEN NGAN 2 +DI.977.004.001B02 VC-TRIO H TROIS VENERABLES HIEU QUANG,PHO QUANG, MAT NGUYEN 3 +DI.977.004.001B02 IFC-CLOCHE METAL IFC-CHUONG 1 +DI.977.004.001B02 IFT-BLOC DE BOIS A FENTE IFT-MO GIA TRI 1 +DI.977.004.001B03 VC-CHANTE SOLO H & CHR H 1+3 +DI.977.004.001B03 AFL-FLUTE LAT AFL-SAO 1 +DI.977.004.001B03 CL-LUTH CL-DAN NGUYET 1 +DI.977.004.001B03 CV-VIELE CV-DAN NHI 1 +DI.977.004.001B03 M2C-TBR 2MEMB/CAISSE M2C-TRONG NHAC 1 +DI.977.004.001B03 IFC-GONG IFC-TANG 1 +DI.977.004.001B03 IE-CYMBALES IE-CHAP CHOA 1 +DI.977.004.001B03 IFP-IDIOPHONE FRAPPE PLEIN IFP-MO GIA TRI 1 +DI.977.004.001B04 CC-CITHARE/TABLE CC-@AN DOC HUYEN NGUYEN HUU BA 1 +DI.977.004.001B04 0 +DI.977.004.001B05 VC-SOLO F N MME DUONG THI TUYET 1 +DI.977.004.001B05 CC-CITHARE/TABLE CC-DAN TRANH BUU LOC 1 +DI.977.004.001B05 CL-LUTH 2C CL-DAN NGUYET NGUYEN GIA LAM 1 +DI.977.004.001B05 CV-VIELE 2C CV-DAN NHI NGUYEN HUU BA 1 +DI.977.004.001B05 IEC-CLIQUETTES IEC-PHACH MME DUONG THI TUYET 1 +DI.977.004.001B06 VC-SOLO F MME DUONG THI TUYET 1 +DI.977.004.001B06 CC-CITHARE/TABLE CC-@AN TRANH BUU LOC 1 +DI.977.004.001B06 CL-LUTH 2C CL-DAN NGUYET NGUYEN GIA LAM 1 +DI.977.004.001B06 CV-VIELE 2C CV-DAN NHI NGUYEN HUU BA 1 +DI.977.004.001B06 IEC-CLIQUETTES IEC-PHACH MME DUONG THI TUYET 1 +DI.977.004.001B06 0 +DI.977.004.003A01 GROUPE BAILE CHINO 32 +DI.977.004.003A01 VC-SOLO H N VILLALON, G.& VILLAON, O. 2 +DI.977.004.003A01 VC-CHR H N 2 +DI.977.004.003A01 AFT-FLUTE TERM AFT-FLAUTA 30 +DI.977.004.003A01 M2C-TBR CYL BOIS M2C-TAMBOR MAYOR 1 +DI.977.004.003A01 M2C-TBR CYL BOIS M2C-TAMBOR MENOR 1 +DI.977.004.003A01 M2C-TBR CYL METAL M2C- BOMBO 1 +DI.977.004.003A02 VC-DUO ALTERNE H N ULLOA, EDUARDO & MANUEL 1 +DI.977.004.003A02 CL-LUTH 21 CORD PINCEES CAISSE ET MANCHE CL-GUITARRON =CHTEURS 2 +DI.977.004.003B01 CL-LUTH 6C CL-GUITARRA HIDALGO, MANUEL & DANIEL 1 +DI.977.004.003B02 CL-LUTH 6C CL-GUITARRA HIDALGO,MANUEL & DANIEL 2 +DI.977.004.003B03 VC-DUO H F N GUZMAN, O. NEGRETE,J. 1 +DI.977.004.003B03 CH-HARPE CH-ARPA GUZMAN, OLGA 1 +DI.977.004.003B04 VC-SOLO F N PIZARRO, GABRIELA 1 +DI.977.004.003B05 VC-DUO F N FREIRE, GRACIELA & OLGA 2 +DI.977.004.003B05 CL-LUTH 6C CL-GUITARRA 1 +DI.978.001.001-1/2A01 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A01 0 +DI.978.001.001-1/2A01 0 +DI.978.001.001-1/2A03 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A03 0 +DI.978.001.001-1/2A03 0 +DI.978.001.001-1/2A04 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A04 0 +DI.978.001.001-1/2A04 0 +DI.978.001.001-1/2A05 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A05 0 +DI.978.001.001-1/2A05 0 +DI.978.001.001-1/2A06 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A06 0 +DI.978.001.001-1/2A06 0 +DI.978.001.001-1/2A07 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A07 0 +DI.978.001.001-1/2A07 0 +DI.978.001.001-1/2A08 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A08 0 +DI.978.001.001-1/2A08 0 +DI.978.001.001-1/2A09 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A09 0 +DI.978.001.001-1/2A09 0 +DI.978.001.001-1/2A10 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A10 0 +DI.978.001.001-1/2A10 0 +DI.978.001.001-1/2A11 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2A11 0 +DI.978.001.001-1/2A11 0 +DI.978.001.001-1/2B12 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B12 0 +DI.978.001.001-1/2B12 0 +DI.978.001.001-1/2B13 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B13 0 +DI.978.001.001-1/2B13 0 +DI.978.001.001-1/2B14 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B14 0 +DI.978.001.001-1/2B14 0 +DI.978.001.001-1/2B15 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B15 0 +DI.978.001.001-1/2B15 0 +DI.978.001.001-1/2B16 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B16 0 +DI.978.001.001-1/2B16 0 +DI.978.001.001-1/2B17 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B17 0 +DI.978.001.001-1/2B17 0 +DI.978.001.001-1/2B18 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B18 0 +DI.978.001.001-1/2B18 0 +DI.978.001.001-1/2B19 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B19 0 +DI.978.001.001-1/2B19 0 +DI.978.001.001-1/2B20 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2B20 0 +DI.978.001.001-1/2B20 0 +DI.978.001.001-1/2C21 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C21 0 +DI.978.001.001-1/2C21 0 +DI.978.001.001-1/2C22 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C22 0 +DI.978.001.001-1/2C22 0 +DI.978.001.001-1/2C23 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C23 0 +DI.978.001.001-1/2C23 0 +DI.978.001.001-1/2C24 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C24 0 +DI.978.001.001-1/2C24 0 +DI.978.001.001-1/2C25 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C25 0 +DI.978.001.001-1/2C25 0 +DI.978.001.001-1/2C26 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C26 0 +DI.978.001.001-1/2C26 0 +DI.978.001.001-1/2C27 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C27 0 +DI.978.001.001-1/2C27 0 +DI.978.001.001-1/2C28 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C28 0 +DI.978.001.001-1/2C28 0 +DI.978.001.001-1/2C29 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C29 0 +DI.978.001.001-1/2C29 0 +DI.978.001.001-1/2C30 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C30 0 +DI.978.001.001-1/2C30 0 +DI.978.001.001-1/2C31 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2C31 0 +DI.978.001.001-1/2C31 0 +DI.978.001.001-1/2D32 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D32 0 +DI.978.001.001-1/2D32 0 +DI.978.001.001-1/2D33 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D33 0 +DI.978.001.001-1/2D33 0 +DI.978.001.001-1/2D34 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D34 0 +DI.978.001.001-1/2D34 0 +DI.978.001.001-1/2D35 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D35 0 +DI.978.001.001-1/2D35 0 +DI.978.001.001-1/2D36 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D36 0 +DI.978.001.001-1/2D36 0 +DI.978.001.001-1/2D37 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D37 0 +DI.978.001.001-1/2D37 0 +DI.978.001.001-1/2D38 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D38 0 +DI.978.001.001-1/2D38 0 +DI.978.001.001-1/2D39 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D39 0 +DI.978.001.001-1/2D39 0 +DI.978.001.001-1/2D40 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D40 0 +DI.978.001.001-1/2D40 0 +DI.978.001.001-1/2D41 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D41 0 +DI.978.001.001-1/2D41 0 +DI.978.001.001-1/2D42 VC-SOLO F N KIEPJA, LOLA 0 +DI.978.001.001-1/2D42 0 +DI.978.001.001-1/2D42 0 +DI.978.007.001A01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001A02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001A02 0 +DI.978.007.001A03 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001A03 0 +DI.978.007.001A03 0 +DI.978.007.001A04 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001A04 0 +DI.978.007.001A05 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.978.007.001A05 0 +DI.978.007.001A06 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.978.007.001A06 0 +DI.978.007.001A07 CC-CITHARE/TABLE CC-@AN BAU TRAN QUANG HAI 1 +DI.978.007.001A08 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.978.007.001A08 0 +DI.978.007.001A09 IPG-GUIMBARDE BAMBOU IPG-DAN MOI TRE TRAN QUANG HAI 1 +DI.978.007.001A09 0 +DI.978.007.001A10 IPG-GUIMBARDE FER IPG-DAN MOI SAT TRAN QUANG HAI 1 +DI.978.007.001A10 0 +DI.978.007.001B01 VC-SOLO F HOANG MONG THUY 1 +DI.978.007.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001B02 VC-DUO ALTERNE H F HOANG MONG THUY, TRAN QUANG HAI 2 +DI.978.007.001B02 CV-VIELE 2C CV-DAN NHI TRAN QUANG HAI 1 +DI.978.007.001B03 VC-DUO ALTERNE H F HOANG MONG THUY, TRAN QUANG HAI 2 +DI.978.007.001B03 0 +DI.978.007.001B04 VC-DUO ALTERNE H F HOANG MONG THUY, TRAN QUANG HAI 2 +DI.978.007.001B04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.978.007.001B04 0 +DI.978.007.001B05 VC-DUO ALTERNE H F HOANG MONG THUY, TRAN QUANG HAI 2 +DI.978.007.001B05 0 +DI.978.007.001B05 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.978.007.001B06 VC-DUO ALTERNE H F HOANG MONG THUY, TRAN QUANG HAI 2 +DI.978.007.001B06 0 +DI.978.007.001B07 VC-SOLO F HOANG MONG THUY 1 +DI.978.007.001B07 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.978.007.001B08 VC-SOLO F HOANG MONG THUY 1 +DI.978.007.001B08 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.978.007.001B08 0 +DI.978.007.001B09 VC-H TRAN QUANG HAI 1 +DI.978.007.001B09 0 +DI.978.010.001A01 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001A01 CL-LUTH CDBL CL-MANDOLINA 0 +DI.978.010.001A01 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001A01 ISS-SONNAILLES SABOTS DE CHEVRE ISS-CHAJCHAS 0 +DI.978.010.001A01 VC-DUO H N 1 +DI.978.010.001A01 AFT-FLUTE TERM AFT-KENA 0 +DI.978.010.001A02 GROUPE N BOLIVIA MANTA 1 +DI.978.010.001A02 AFT-FLUTE TERM AFT-KENA-KENA 0 +DI.978.010.001A02 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-WANKARA 0 +DI.978.010.001A03 GROUPE N BOLIVIA MANTA 1 +DI.978.010.001A03 AFL-FLUTE LAT AFL-MOHOCENO 0 +DI.978.010.001A03 M2C-TBR 2MEMB/CAISSE M2C-WANKARA 0 +DI.978.010.001A04 AFP-FLUTE DE PAN AFP-SIKU 0 +DI.978.010.001A04 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-WANKARA PHUTUCA 0 +DI.978.010.001A05 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001A05 AFP-FLUTE DE PAN AFT-RONDADOR 0 +DI.978.010.001A05 AFT-FLUTE TERM AFT-DULZAINA 0 +DI.978.010.001A05 AFL-FLUTE LAT AFL-PHALA 0 +DI.978.010.001A05 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001A05 CL-LUTH 6C CAISSE BOIS B CL-GUITARRON 1 +DI.978.010.001A06 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001A06 VC-SOLO H N 1 +DI.978.010.001A06 CL-LUTH CDBL CL-MANDOLINA 0 +DI.978.010.001A06 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001A07 AFL-FLUTE LAT AFL-PHALAHUITA 0 +DI.978.010.001A08 AFP-FLUTE DE PAN AFT-KHORI K'ANTU 0 +DI.978.010.001A08 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-KULLU KEPI 0 +DI.978.010.001A09 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001A09 VC-SOLO H N 1 +DI.978.010.001A09 AFT-FLUTE TERM AFT-KENA 0 +DI.978.010.001A09 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001A09 CL-LUTH 5CDBL CL-CHARANGO 0 +DI.978.010.001A09 CL-LUTH 6C CL-GUITARRON 0 +DI.978.010.001A09 ISS-SONNAILLES ISS-CHAJCHAS 0 +DI.978.010.001B01 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B01 AFT-FLUTE TERM AFT-KENA 0 +DI.978.010.001B01 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001B01 CL-LUTH 5CDBL CL-CHARANGO 0 +DI.978.010.001B01 VC-DUO H N 1 +DI.978.010.001B01 ISS-SONNAILLES SABOTS DE CHEVRE ISS-CHAJCHAS 0 +DI.978.010.001B01 M2C-TBR 2MEMB CAISSE CYL BOIS 1 BAG M2C-TINYA 0 +DI.978.010.001B02 GROUPE N 0 +DI.978.010.001B02 AFP-FLUTE DE PAN AFT-RONDADOR 0 +DI.978.010.001B02 CL-LUTH 6C CL-GUITARRA 0 +DI.978.010.001B02 CL-LUTH EN BOIS CL-BANDOLIN 0 +DI.978.010.001B02 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-TINYA 0 +DI.978.010.001B03 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B03 AFL-FLUTE LAT AFL-PHALA 0 +DI.978.010.001B03 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-PHUTUCA WANKARA 0 +DI.978.010.001B04 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B04 VC-SOLO H N 0 +DI.978.010.001B04 AFT-FLUTE TERM AFT-PINKILLO 0 +DI.978.010.001B05 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B05 AFT-FLUTE TERM AFT-TARKA 0 +DI.978.010.001B05 M2C-TBR 2MEMB CAISSE CYL BOIS M2C-PHUTUCA WANKARA 0 +DI.978.010.001B06 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B06 VC-DUO H N 1 +DI.978.010.001B06 CL-LUTH 6C CL-GUITARRA 1 +DI.978.010.001B06 M2C-TBR 2MEMB CAISSE CYL BOIS 1 BAG M2C-TINYA 1 +DI.978.010.001B07 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B07 VC-DUO H N 0 +DI.978.010.001B07 CL-LUTH 6C CL-GUITARRA 1 +DI.978.010.001B07 CL-LUTH 5CDBL CL-CHARANGO 1 +DI.978.010.001B07 CL-LUTH 6C CL-GUITARRON 1 +DI.978.010.001B07 ISS-SONNAILLES ISS-CHAJCHAS 0 +DI.978.010.001B08 GROUPE N BOLIVIA MANTA 0 +DI.978.010.001B08 AFT-FLUTE TERM AFT-KENA 1 +DI.978.010.001B08 CL-LUTH 6C CL-GUITARRA 1 +DI.978.010.001B08 CL-LUTH 5CDBL CL-CHARANGO 1 +DI.979.003.001A02 GR-NANDA MANACHI N 0 +DI.979.003.001A02 0 +DI.979.003.001A03 CH-HARPE CH-ARPA JUAN CAYAMBE 1 +DI.979.003.001A03 0 +DI.979.003.001A03 0 +DI.979.003.001A03 0 +DI.979.003.001A04 VC-CHR M N 0 +DI.979.003.001A04 0 +DI.979.003.001A04 CV-VIELE 4C CV-VIOLIN 0 +DI.979.003.001A04 0 +DI.979.003.001A04 0 +DI.979.003.001A05 N N 0 +DI.979.003.001A05 0 +DI.979.003.001A05 0 +DI.979.003.001B01 N N 0 +DI.979.003.001B01 0 +DI.979.003.001B01 0 +DI.979.003.001B02 N N 0 +DI.979.003.001B02 0 +DI.979.003.001B02 0 +DI.979.003.001B03 N N 0 +DI.979.003.001B03 0 +DI.979.003.001B04 CL-LUTH CL-BANDOLIN PEDRO TUBUMBANGO 0 +DI.979.003.001B04 0 +DI.979.003.001B05 VC-SOLO F N ROSELENITA MUYUGU 0 +DI.979.003.001B05 0 +DI.979.003.001B06 GR-NANDA MANACHI N 0 +DI.979.003.001B06 0 +DI.979.003.001B06 0 +DI.979.004.001A01 VC-CHR H = 0 +DI.979.004.001A01 M2C-TBR 2MEMB A MANCHE 1B M2C-RNGA 1 +DI.979.004.001A01 IEY-PAIRE CYMBALES A MAMELON IEY-SBUG-CHAL 1 +DI.979.004.001A01 IEY-PAIRE CYMBALES PLATES IEY-SIL-SNYAN 1 +DI.979.004.001A01 ATT-TROMPE TERM ATT-DUNG CHEN 2 +DI.979.004.001A01 AAB-HAUTBOIS AAB-RGYA-GLING 2 +DI.979.004.001B01 AAB-HAUTBOIS AAB-SURNAI 1 +DI.979.004.001B01 M1C-PAIRE TBRS MT-DHA-MAN 1 +DI.979.004.001B02 AAB-HAUTBOIS AAB-SURNAI 1 +DI.979.004.001B02 VC-SOLO F = "BE MO" CHE-BCU LHA-MO 1 +DI.979.004.001B02 M1C-PAIRE TBRS MT-DHA-MAN 1 +DI.979.004.001B03 VC-SOLO F = YE-CES BU-KHRID 1 +DI.979.004.001B04 VC-SOLO H = MORUP NAMGYAL 1 +DI.979.004.001B05 VC-SOLO H = MORUP NAMGYAL 1 +DI.979.004.001B06 VC-SOLO F = "BE MO" CHE-BCU LHA-MO 1 +DI.979.004.001B06 AAB-HAUTBOIS AAB-SURNAI 1 +DI.979.004.001B06 M1C-PAIRE TBRS MT-DHA-MAN 1 +DI.979.009.001Z01 AFT-FLUTE TERM AFT-KENA RAMOS, UNA 1 +DI.979.009.001Z01 0 +DI.979.009.001Z02 AFT-FLUTE TERM AFT-KENA RAMOS, UNA 1 +DI.979.009.001Z02 0 +DI.979.009.001Z03 AFT-FLUTE TERM AFT-KENA RAMOS, UNA 1 +DI.979.009.001Z03 0 +DI.979.009.001Z04 AFT-FLUTE TERM AFT-KENA RAMOS, UNA 1 +DI.979.009.001Z04 0 +DI.979.022.001A01 VC-DUO ALTERNE M N BACH YEN (F)&TRAN QUANG HAI (H) 2 +DI.979.022.001A01 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.979.022.001A02 VC-SOLO F N BACH YEN 1 +DI.979.022.001A02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001A02 0 +DI.979.022.001A02 0 +DI.979.022.001A02 0 +DI.979.022.001A03 VC-CHR M Bach Yên 1 +DI.979.022.001A03 Bach Yên&Trân Quang Hai 6 +DI.979.022.001A04 VC-F Bach Yên 1 +DI.979.022.001A04 CC-CITHARE/TABLE CC-@AN TRANH Trân Quang Hai 1 +DI.979.022.001A04 0 +DI.979.022.001A04 0 +DI.979.022.001A05 VC-SOLO F BACH YEN 1 +DI.979.022.001A05 0 +DI.979.022.001A06 VC-SOLO F N BACH YEN 1 +DI.979.022.001A06 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001A06 0 +DI.979.022.001A07 VC-SOLO F N BACH YEN 1 +DI.979.022.001A07 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001A07 0 +DI.979.022.001A08 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001A08 0 +DI.979.022.001B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001B01 0 +DI.979.022.001B02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.001B02 0 +DI.979.022.001B03 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRAN QUANG HAI 1 +DI.979.022.001B03 0 +DI.979.022.001B03 0 +DI.979.022.001B04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.979.022.001B04 0 +DI.979.022.001B05 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.979.022.001B05 0 +DI.979.022.001B06 IEZ-CUILLERS IEZ-MUONG TRAN QUANG HAI 1 +DI.979.022.001B06 0 +DI.979.022.002A01 VC-SOLO F & CHR M BACH YEN (SOLO), CHOEUR (BACH YEN ET TRAN QUANG HAI) 2 +DI.979.022.002A01 0 +DI.979.022.002A01 IZ-CLIQUETTES A SAPEQUES IZ-SINH TIEN TRAN QUANG HAI 1 +DI.979.022.002A02 VC-SOLO F BACH YEN 1 +DI.979.022.002A02 0 +DI.979.022.002A02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.002A03 VC-DUO ALTERNE H F & CHR M BACH YEN (F), TRAN QUANG HAI (H), CHOEUR (BACH YEN ET TRAN ) 6 +DI.979.022.002A03 CV-VIELE 2C CV-DAN NHI TRAN QUANG HAI 1 +DI.979.022.002A03 0 +DI.979.022.002A04 VC-SOLO H & CHR M TRAN QUANG HAI (SOLO), CHOEUR (BACH YEN ET TRAN QUANG HAI) 3 +DI.979.022.002A04 0 +DI.979.022.002A05 VC-SOLO F BACH YEN 1 +DI.979.022.002A05 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.002A05 0 +DI.979.022.002A06 VC-SOLO F BACH YEN 1 +DI.979.022.002A06 0 +DI.979.022.002A07 VC-SOLO F BACH YEN 1 +DI.979.022.002A07 IZ-CLIQUETTES A SAPEQUES IZ-SINH TIEN TRAN QUANG HAI 1 +DI.979.022.002A07 0 +DI.979.022.002A08 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.002A08 0 +DI.979.022.002B01 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.002B01 0 +DI.979.022.002B02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.979.022.002B02 0 +DI.979.025.004A01 VC-SOLO F MME QUACH THI HO 1 +DI.979.025.004A01 CL-LUTH 3C, CAISSE SANS FOND CL-DAN DAY DINH KHAC BAN 1 +DI.979.025.004A01 M2C-TBR 2MEMB M2C-TRONG CHAU TRUC LIEN NGUYEN NHU LAM 1 +DI.979.025.004A01 IEC-CLIQUETTES IEC-PHACH QUACH THI HO 1 +DI.979.025.004A02 0 +DI.979.025.004A02 0 +DI.979.025.004A02 VC-SOLO F QUACH THI HO 1 +DI.979.025.004A02 CL-LUTH 3C CL-DAN DAY DINH KHAC BAN 1 +DI.979.025.004A02 M2C-TBR 2MEMB 2BAG M2C-TRONG CHAU TRUC HIEN NGUYEN NHU LAM 1 +DI.979.025.004A02 IEC-CLIQUETTES IEC-PHACH QUACH THI HO 1 +DI.979.025.004A03 VC-SOLO F QUACH THI HO 1 +DI.979.025.004A03 CL-LUTH 3C CL-DAN DAY DINH KHAC BAN 1 +DI.979.025.004A03 M2C-TBR 2MEMB M2C-TRONG CHAU TRUC HIEN NGUYEN NHU LAM 1 +DI.979.025.004A03 IEC-CLIQUETTES IEC-PHACH QUACH THI HO 1 +DI.979.025.004A03 0 +DI.979.025.004B01 VC-SOLO F MLLE HAI CAI 1 +DI.979.025.004B01 CV-VIELE 2C CV-DAN NHI VAN TICH, MANH THANG 2 +DI.979.025.004B01 CC-CITHARE/TABLE CC-@AN BAU MLLE PHUONG DUA 1 +DI.979.025.004B01 0 +DI.979.025.004B02 VC-DUO F MLLES BA MANH ET TU VAN 2 +DI.979.025.004B02 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.979.025.004B02 CV-VIELE 2C CV-DAN NHI VAN TICH 1 +DI.979.025.004B02 0 +DI.979.025.004B03 VC-DUO F MLLES NAM DANG ET SAU HA 2 +DI.979.025.004B03 AFL-FLUTE LAT AFL-SAO HUYNH BAT 1 +DI.979.025.004B03 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.979.025.004B03 CL-LUTH 2C CL-DAN NGUYET CONG HUYNH 1 +DI.979.025.004B03 CV-VIELE 2C CV-DAN NHI VAN TICH 1 +DI.979.025.004B03 0 +DI.979.025.004B04 VC-DUO F MLLES BA MANH , TU VAN 2 +DI.979.025.004B04 0 +DI.979.025.004B05 VC-DUO ALTERNE H F BA TRONG (H), MLLE HAI CAI (F) 2 +DI.979.025.004B05 CL-LUTH 2C CL-DAN NGUYET CONG HUYNH 1 +DI.979.025.004B05 CC-CITHARE/TABLE CC-@AN TRANH MLLE NGUYEN NGOC TRAC 1 +DI.979.025.004B05 0 +DI.979.025.004B06 VC-2H, 2F ALTERNE HAI LAM, BA TRONG (H); HAI CAI, TU VAN (F) 4 +DI.979.025.004B06 CL-LUTH 2C CL-DAN NGUYET CONG HUYNH 1 +DI.979.025.004B06 CC-CITHARE/TABLE CC-@AN BAU MLLE PHUONG DUA 1 +DI.979.025.004B06 CC-CITHARE/TABLE CC-@AN TRANH MLLE NGUYEN NGOC TRAC 1 +DI.979.025.004B06 AFL-FLUTE LAT AFL-SAO HUYNH BAT 1 +DI.979.025.004B06 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.979.025.004B06 CV-VIELE 2C CV-DAN NHI VAN TICH, MANH THANG 2 +DI.979.025.004B06 0 +DI.979.025.004B07 VC-2H, 2F ALTERNE HAI LAM, BA TRONG (H); HAI CAI, TU VAN (F) 4 +DI.979.025.004B07 AFL-FLUTE LAT AFL-SAO HUYNH BAT 1 +DI.979.025.004B07 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.979.025.004B07 CL-LUTH 2C CL-DAN NGUYET CONG HUYNH 1 +DI.979.025.004B07 CC-CITHARE/TABLE CC-@AN TRANH MLLE NGUYEN NGOC TRAC 1 +DI.979.025.004B07 CC-CITHARE/TABLE CC-@AN BAU MLLE PHUONG DUA 1 +DI.979.025.004B07 CV-VIELE 2C CV-DAN NHI VAN TICH, MANH THANG 2 +DI.979.025.004B07 0 +DI.979.025.005A01 VC-SOLO & CHR H N HAJI GHULAM FARID SABRI 10 +DI.979.025.005A01 AFT-FLUTE TERM AFT-NAY 1 +DI.979.025.005A01 CL-LUTH 4C CL-TANPURA 2 +DI.979.025.005A01 M2C-TBR 2MEMBMAINS NUES M2C-DHOLAK 2 +DI.979.025.005A01 M1C-PAIRE TBRS MT-TABLA 1 +DI.979.025.005A01 AAL-HARMONIUM PORTATIF N 2 +DI.979.025.005A02 VC-SOLO & CHR H N HAJI GHULAM FARID SABRI 10 +DI.979.025.005A02 AFT-FLUTE TERM AFT-NAY 1 +DI.979.025.005A02 CL-LUTH 4C CL-TANPURA 2 +DI.979.025.005A02 M2C-TBR 2MEMBMAINS NUES M2C-DHOLAK 2 +DI.979.025.005A02 M1C-PAIRE TBRS MT-TABLA 1 +DI.979.025.005A02 AAL-HARMONIUM PORTATIF N 2 +DI.979.025.005B01 VC-SOLO & CHR H N HAJI GHULAM FARID SABRI 10 +DI.979.025.005B01 AFT-FLUTE TERM AFT-NAY 1 +DI.979.025.005B01 CL-LUTH 4C CL-TANPURA 2 +DI.979.025.005B01 M2C-TBR 2MEMBMAINS NUES M2C-DHOLAK 2 +DI.979.025.005B01 M1C-PAIRE TBRS MT-TABLA 1 +DI.979.025.005B01 AAL-HARMONIUM PORTATIF N 2 +DI.979.025.005B02 VC-SOLO & CHR H N HAJI GHULAM FARID SABRI 10 +DI.979.025.005B02 AFT-FLUTE TERM AFT-NAY 1 +DI.979.025.005B02 CL-LUTH 4C CL-TANPURA 2 +DI.979.025.005B02 M2C-TBR 2MEMBMAINS NUES M2C-DHOLAK 2 +DI.979.025.005B02 M1C-PAIRE TBRS MT-TABLA 1 +DI.979.025.005B02 AAL-HARMONIUM PORTATIF N 2 +DI.979.026.001A01 VC-SOLO H & CHR M N HONG VAN, THANH HOAI ET LES AUTRES 6 +DI.979.026.001A01 AFL-FLUTE LAT AFL-SAO NGOC MAI 1 +DI.979.026.001A01 AFT-FLUTE TERM AFT-TIEU TRAN VINH 1 +DI.979.026.001A01 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001A01 CL-LUTH 3C CL-DAN TAM 1 +DI.979.026.001A01 CC-CITHARE/TABLE CC-@AN BAU NGOC CAP 1 +DI.979.026.001A01 CV-VIELE 2C CV-DAN NHI XUAN THINH & THACH TRUNG 2 +DI.979.026.001A01 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A01 M2C-TBR 2MEMB M2C-DAI CO 1 +DI.979.026.001A01 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.979.026.001A01 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A01 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A01 IFG-GONG IFG-THANH LA 1 +DI.979.026.001A01 IFT-BLOC DE BOIS IFT-MO 1 +DI.979.026.001A02 VC-SOLO H N BUI TRONG DAN 1 +DI.979.026.001A02 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001A02 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A02 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A02 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A03 VC-SOLO F MME PHAM 1 +DI.979.026.001A03 AFL-FLUTE LAT AFL-SAO NGOC MAI 1 +DI.979.026.001A03 AFT-FLUTE TERM AFT-TIEU TRAN VINH 1 +DI.979.026.001A03 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001A03 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A03 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A03 CC-CITHARE/TABLE CC-@AN BAU NGOC CAP 1 +DI.979.026.001A03 M2C-TBR 2MEMB M2C-DAI CO 1 +DI.979.026.001A03 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.979.026.001A03 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A03 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A03 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A03 IFG-GONG IFG-THANH LA 1 +DI.979.026.001A03 IFT-BLOC DE BOIS IFT-MO 1 +DI.979.026.001A03 0 +DI.979.026.001A04 VC-SOLO H NAM NGU 1 +DI.979.026.001A04 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001A04 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A04 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A04 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A04 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A04 M2C-TBR 2MEMB M2C-TRONG DE NAM NGU 1 +DI.979.026.001A04 0 +DI.979.026.001A05 VC-SOLO F MME MINH LY 1 +DI.979.026.001A05 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A05 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A05 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A05 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A05 0 +DI.979.026.001A06 VC-SOLO F MME PHAM 1 +DI.979.026.001A06 AFL-FLUTE LAT AFL-SAO NGOC MAI 1 +DI.979.026.001A06 AFT-FLUTE TERM AFT-TIEU TRAN VINH 1 +DI.979.026.001A06 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A06 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A06 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.979.026.001A07 VC-SOLO F MME PHAM 1 +DI.979.026.001A07 AFL-FLUTE LAT AFL-SAO NGOC MAI 1 +DI.979.026.001A07 AFT-FLUTE TERM AFT-TIEU TRAN VINH 1 +DI.979.026.001A07 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001A07 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001A07 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001A07 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001A07 0 +DI.979.026.001A07 0 +DI.979.026.001B01 VC-SOLO H NAM NGU 1 +DI.979.026.001B01 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001B01 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001B01 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001B01 M2C-TBR 2MEMB M2C-DAI CO 1 +DI.979.026.001B01 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.979.026.001B01 M2C-TBR 2MEMB 2BAG M2C-TRONG DE 1 +DI.979.026.001B01 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001B01 IFG-GONG IFG-THANH LA 1 +DI.979.026.001B01 IFT-TBR DE BOIS IFT-MO 1 +DI.979.026.001B01 0 +DI.979.026.001B02 VC-SOLO F MME PHAM 1 +DI.979.026.001B02 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001B02 0 +DI.979.026.001B02 0 +DI.979.026.001B02 0 +DI.979.026.001B03 VC-SOLO F MINH LY 1 +DI.979.026.001B03 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001B03 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001B03 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.979.026.001B03 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.979.026.001B03 IFG-GONG IFG-THANH LA 1 +DI.979.026.001B03 IFT-BLOC DE BOIS IFT-MO 1 +DI.979.026.001B03 0 +DI.979.026.001B04 VC-SOLO H MANH TUAN 1 +DI.979.026.001B04 AFL-FLUTE LAT AFL-SAO NGOC MAI 1 +DI.979.026.001B04 AFT-FLUTE TERM AFT-TIEU TRAN VINH 1 +DI.979.026.001B04 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001B04 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001B04 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001B04 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001B04 M2C-TBR 2MEMB 2BAG M2C-TRONG DE 1 +DI.979.026.001B04 IFG-GONG IFG-THANH LA 1 +DI.979.026.001B04 IFT-BLOC DE BOIS IFT-MO 1 +DI.979.026.001B04 0 +DI.979.026.001B05 VC-SOLO H NAM NGU 1 +DI.979.026.001B05 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.979.026.001B05 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.979.026.001B05 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.979.026.001B05 M2C-TBR 2MEMB 2BAG M2C-TRONG DE 1 +DI.979.026.001B05 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.979.026.001B05 IFG-GONG IFG-THANH LA 1 +DI.979.026.001B05 IFT-BLOC DE BOIS IFT-MO 1 +DI.979.026.001B05 0 +DI.981.005.001A01 VC-SOLO & CHR 6H N YUSUF XAN 7 +DI.981.005.001A01 M1D-TBR 1MEMB SUR CADRE BOIS AVEC SONNAILLES M1D-DOPRI 1 +DI.981.005.001A01 M2C-TBR 2MEMB2BAGS M2C-DHOL 1 +DI.981.005.001A02 VC-SOLO & CHR 4H N HAZAR XAN 5 +DI.981.005.001A02 M1D-TBR 1MEMB SUR CADRE BOIS AVEC SONNAILLES M1D-DOPRI 2 +DI.981.005.001A02 M2C-TBR CYL BOIS 2 BAGS M2C-DHOL 1 +DI.981.005.001A03 VC-SOLO & CHR 5H N XAN MAHMAT 6 +DI.981.005.001A03 M1D-TBR 1MEMB SUR CADRE BOIS AVEC SONNAILLES M1D-DOPRI 2 +DI.981.005.001A03 IFP-POTERIE,FRAP. DOIGTS BAGUES IFP-KAMBORI 1 +DI.981.005.001A04 VC-SOLO & CHR 6H N YUSUF XAN 7 +DI.981.005.001A04 M1D-TBR 1MEMB SUR CADRE BOIS AVEC SONNAILLES M1D-DOPRI 1 +DI.981.005.001A04 M2C-TBR CYL BOIS 2BAG M2C-DHOL 1 +DI.981.005.001A04 AAB-HAUTBOIS AAB-SURNAI 1 +DI.981.005.001A05 AAB-HAUTBOIS AAB-SURNAI 1 +DI.981.005.001A05 M2C-TBR 2MEMB2BAGS M2C-DHOL 1 +DI.981.005.001A06 VC-SOLO & CHR 6H N YUSUF XAN 7 +DI.981.005.001A06 M1D-TBR 1MEMB SUR CADRE BOIS AVEC SONNAILLES M1D-DOPRI 1 +DI.981.005.001A06 M2C-TBR 2MEMB2BAGS M2C-DHOL 1 +DI.981.005.001B01 VC-SOLO & DUO H N DJANUK 3 +DI.981.005.001B02 VC-DUO H N GHULAM DESTEGIR, M. ASAN XAN 2 +DI.981.005.001B03 VC-DUO H N M. ASAN XAN 2 +DI.981.005.001B04 VC-DUO ALTERNE & CHR N MOXUL XAN 4 +DI.981.005.001B05 VC-DUO ALTERNE & CHR N MOXUL XAN 4 +DI.981.005.001B06 VC-SOLO & CHR 4H N MAMAE 5 +DI.981.005.001B07 VC-SOLO & CHR 40H N MAMAE 41 +DI.981.005.001B07 M2C-TBR 2MEMB CAISSE CYL BOIS 2 BAG M2C-DHOL 2 +DI.981.005.001B07 AFT-FLUTE TERM AFT-PINURI 1 +DI.981.012.020A01 VC-CHR H N 0 +DI.981.012.020A01 M-TBR N 0 +DI.981.012.020A01 ISS-SONNAILLES N 0 +DI.981.012.020A02 CV-VIELE 1C CV-NOBIKE 0 +DI.981.012.020A03 CV-VIELE 1C N 0 +DI.981.012.020A03 M-TBR N 0 +DI.981.012.020A03 ISS-SONNAILLES N 0 +DI.981.012.020A03 0 +DI.981.012.020A04 AFT-FLUTE TERM AFT-NASERE 0 +DI.981.012.020A04 M-TBR N 0 +DI.981.012.020A04 ISS-SONNAILLES N 0 +DI.981.012.020A04 0 +DI.981.012.020A05 VC-CHR H N 0 +DI.981.012.020A05 AFT-FLUTE TERM AFT-NASERE 0 +DI.981.012.020A05 M-TBR 0 +DI.981.012.020A05 ISS-SONNAILLES N 0 +DI.981.012.020A05 0 +DI.981.012.020A06 VC-CHR H N 0 +DI.981.012.020A06 M-TBR 0 +DI.981.012.020A06 ISS-SONNAILLES N 0 +DI.981.012.020A06 0 +DI.981.012.020A07 VC-CHR H N 0 +DI.981.012.020A07 M-TBR 0 +DI.981.012.020A07 ISS-SONNAILLES N 0 +DI.981.012.020A07 0 +DI.981.012.020A07 0 +DI.981.012.020A08 VC-CHR H N 0 +DI.981.012.020A08 M-TBR N 0 +DI.981.012.020A08 ISS-SONNAILLES N 0 +DI.981.012.020A08 0 +DI.981.012.020A08 0 +DI.981.012.020A09 CV-VIELE 4C N 0 +DI.981.012.020A09 M-TBR N 0 +DI.981.012.020A09 ISS-SONNAILLES N 0 +DI.981.012.020A09 0 +DI.981.012.020A09 0 +DI.981.012.020B01 AF-FLUTE N 0 +DI.981.012.020B01 M-TBR N 0 +DI.981.012.020B01 ISS-SONNAILLES N 0 +DI.981.012.020B01 0 +DI.981.012.020B01 0 +DI.981.012.020B02 VC-CHR H N 0 +DI.981.012.020B02 M-TBR N 0 +DI.981.012.020B02 ISS-SONNAILLES N 0 +DI.981.012.020B02 0 +DI.981.012.020B02 0 +DI.981.012.020B03 VC-CHR H N 0 +DI.981.012.020B03 CV-VIELE N 0 +DI.981.012.020B03 M-TBR 0 +DI.981.012.020B03 ISS-SONNAILLES N 0 +DI.981.012.020B03 0 +DI.981.012.020B04 VC-CHR H N 0 +DI.981.012.020B04 M-TBR N 0 +DI.981.012.020B04 ISS-SONNAILLES N 0 +DI.981.012.020B04 0 +DI.981.012.020B04 0 +DI.981.012.020B05 M-TBR CERAMIQUE M-KATAKI 0 +DI.981.012.020B05 M-TBR METAL N 0 +DI.981.012.020B05 0 +DI.981.012.020B06 ILB-BATON DE RYTHME N 0 +DI.981.012.020B06 ISH-HOCHET N 0 +DI.981.012.020B06 ISS-SONNAILLES N 0 +DI.981.012.020B06 ISC-CLOCHE N 0 +DI.981.012.020B06 0 +DI.981.012.020B07 M-TBR CERAMIQUE N 0 +DI.981.012.020B07 M-TBR METAL N 0 +DI.981.012.020B07 ILB-BATON DE RYTHME N 0 +DI.981.012.020B07 ISS-SONNAILLES 0 +DI.981.012.020B07 ISC-CLOCHE N 0 +DI.981.012.020B07 ISH-HOCHET N 0 +DI.981.012.020B08 VC-SOLO H N 0 +DI.981.012.020B08 ISC-CLOCHE N 0 +DI.981.012.020B08 ISH-HOCHET N 0 +DI.981.012.020B08 0 +DI.981.012.020B09 CA-ARC MUSICAL N 0 +DI.981.012.020B09 IPG-GUIMBARDE IPG-BIRIMBAO 0 +DI.981.012.020B09 0 +DI.981.012.021A01A VC-SOLO F 0 +DI.981.012.021A01B VC-SOLO H N 0 +DI.981.012.021A01C VC-CHR H 0 +DI.981.012.021A01D VC-SOLO H N 0 +DI.981.012.021A01E VC-CHR H 0 +DI.981.012.021A01F VC-CHR H 0 +DI.981.012.021A02 VC-SOLO H 0 +DI.981.012.021A02 0 +DI.981.012.021A02A VC-CHR H 0 +DI.981.012.021A02B IPG-GUIMBARDE N 0 +DI.981.012.021A02C IPG-GUIMBARDE N 0 +DI.981.012.021A02D IPG-GUIMBARDE N 0 +DI.981.012.021A02E CA-ARC MUSICAL N 0 +DI.981.012.021A03A VC-SOLO H N 0 +DI.981.012.021A03B VC-SOLO H N 0 +DI.981.012.021A03C VC-SOLO H N 0 +DI.981.012.021A03D VC-SOLO H N 0 +DI.981.012.021A03D M-TBR N 0 +DI.981.012.021A03D 0 +DI.981.012.021A03D 0 +DI.981.012.021A04 VC-SOLO H N 0 +DI.981.012.021A04 ISH-HOCHET N 0 +DI.981.012.021A04 ISS-SONNAILLES N 0 +DI.981.012.021A04 0 +DI.981.012.021B01A VC-SOLO H N 0 +DI.981.012.021B01B VC-SOLO H N 0 +DI.981.012.021B02A VC-SOLO H N 0 +DI.981.012.021B02B VC-SOLO H N 0 +DI.981.012.021B02C VC-SOLO H N 0 +DI.981.012.021B03A VC-SOLO H N 0 +DI.981.012.021B03B VC-SOLO H N 0 +DI.981.012.021B03C VC-SOLO H N 0 +DI.981.012.021B03D VC-SOLO H N 0 +DI.981.012.021B03E VC-SOLO H N 0 +DI.981.012.021B03F VC-SOLO H N 0 +DI.981.012.021B03G VC-SOLO H N 0 +DI.981.012.021B04 VC-SOLO H N 0 +DI.981.012.021B04B VC-SOLO H N 0 +DI.981.012.021B04C VC-SOLO H N 0 +DI.981.012.021B05A VC-CHR H N 0 +DI.981.012.021B05A IFO-TBR D'EAU IFO-PIMPIM 0 +DI.981.012.021B05A 0 +DI.981.012.021B05B VC-CHR H N 0 +DI.981.012.021B05B IFO-TBR D'EAU IFO-PIMPIM 0 +DI.981.012.021B05B 0 +DI.981.012.021B05C VC-CHR H N 0 +DI.981.012.021B05C IFO-TBR D'EAU IFO-PIMPIM 0 +DI.981.012.021B05C 0 +DI.981.012.021B05D VC-CHR H N 0 +DI.981.012.021B05D IFO-TBR D'EAU IFO-PIMPIM 0 +DI.981.012.021B05D 0 +DI.981.012.021B06A VC-CHR H N 0 +DI.981.012.021B06B VC-CHR H N 0 +DI.981.012.039A01 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.981.012.039A01 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.981.012.039A01 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.981.012.039A02 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.981.012.039A02 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.981.012.039A02 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.981.012.039A03 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.981.012.039A03 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.981.012.039A03 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.981.012.039A04 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.981.012.039A04 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.981.012.039A04 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.981.012.039A05 AFP-FLUTE DE PAN AFT-ANTARA N 18 +DI.981.012.039A05 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 4 +DI.981.012.039A05 IF-TRIANGLE METAL N N 1 +DI.981.012.039A06 AFP-FLUTE DE PAN AFT-ANTARA N 18 +DI.981.012.039A06 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 4 +DI.981.012.039A06 IF-TRIANGLE METAL N N 1 +DI.981.012.039A07 AFP-FLUTE DE PAN AFT-ANTARA N 18 +DI.981.012.039A07 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 4 +DI.981.012.039A07 IF-TRIANGLE METAL N N 1 +DI.981.012.039A08 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.981.012.039A08 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.981.012.039A08 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.981.012.039A08 AFP-FLUTE DE PAN AFT-ANTARA N 18 +DI.981.012.039A08 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 4 +DI.981.012.039A08 IF-TRIANGLE METAL N N 1 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PANIRI, V. 1 +DI.983.010.006A02 ATT-TROMPE TERM ATT-CLARIN 0 +DI.983.010.006A02 ATT-TROMPE TERM ATT-PUTU 0 +DI.983.010.006A02 VC-CHR M N 12 +DI.983.010.006A02 ISS-SONNAILLES METALLIQUES ISS-CHORROMO 1 +DI.983.010.006A03 ATT-TROMPE TERM ATT-TRUTRUCA COLLIO, DOMINGO 1 +DI.983.010.006A04 ATT-TROMPE TERM ATT-TRUTRUCA QUINTRAQUEO ROSARIO 1 +DI.983.010.006B01 VC-SOLO F N ANCAYE LLANCAO, HORTENSIA 1 +DI.983.010.006B01 M1C-TIMBALE BOIS M1C-KULTRUN ANCAYE LLANCAO, HORTENSIA 1 +DI.983.010.006B02 AFP-FLUTE DE PAN AFP-SIKU 12 +DI.983.010.006B02 M2C-TBR 2MEMB CAISSE CYL N 0 +DI.984.008.007A01 CL-LUTH 6C CL-GUITARRA ALARCON, ROLANDO 1 +DI.984.008.007A01 VC-SOLO H N ALARCON, ROLANDO 1 +DI.984.008.007A02 CL-LUTH 6C CL-GUITARRA ALARCON, ROLANDO 1 +DI.984.008.007A02 VC-SOLO H N ALARCON, ROLANDO 1 +DI.984.008.007A03 CL-LUTH 6C CL-GUITARRA ALARCON, ROLANDO 1 +DI.984.008.007A03 VC-SOLO H N ALARCON, ROLANDO 1 +DI.984.008.007A04 CL-LUTH 6C CL-GUITARRA ALARCON, ROLANDO 1 +DI.984.008.007A04 VC-SOLO H N 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ACHALAY 0 +DI.985.010.001A01 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A02 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A03 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A04 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A05 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A06 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001A07 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B01 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B02 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B03 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B04 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B05 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B06 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B07 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.010.001B08 CL-LUTH 5CDBL CL-CHARANGO CHILLADOR BENAVENTE, JULIO 1 +DI.985.012.028A01 CC-CITHARE/TABLE CC-@AN TRANH BAY BA 1 +DI.985.012.028A01 CC-CITHARE/TABLE CC-@AN DOC HUYEN THANH HAI 1 +DI.985.012.028A01 CL-LUTH 2C CL-DAN KIM BA TU 1 +DI.985.012.028A01 IFT-BLOC DE BOIS IFT-SONG LANG BA TU 1 +DI.985.012.028A02 CC-CITHARE/TABLE CC-@AN TRANH BAY BA 1 +DI.985.012.028A02 IFT-BLOC DE BOIS IFT-SONG LANG BAY BA 1 +DI.985.012.028A02 0 +DI.985.012.028A03 CL-LUTH 2C CL-DAN KIM BA TU 1 +DI.985.012.028A03 IFT-BLOC DE BOIS IFT-SONG LANG BA TU 1 +DI.985.012.028A03 0 +DI.985.012.028A04 VC-SOLO F N THANH BINH 1 +DI.985.012.028A04 VC-DUO H N VU NGOC & MANH PHONG 0 +DI.985.012.028A04 VC-CHR F N THUY HIEN, THUY NGAN & KIM LOAN 3 +DI.985.012.028A04 AFL-FLUTE LAT AFL-SAO DUC HAI 1 +DI.985.012.028A04 CC-CITHARE/TABLE CC-@DAN THAP LUC TRAN DAI 1 +DI.985.012.028A04 CV-VIELE 2C CV-DAN NHI MINH NHUONG 1 +DI.985.012.028A04 M2C-TBR 2MEMB M2C-TRONG CHAU MINH CHI 1 +DI.985.012.028A04 M2C-TBR 2MEMB M2C-TRONG DE MINH CHI 1 +DI.985.012.028A04 M2C-TBR 2MEMB M2C-TRONG COM MINH CHI 1 +DI.985.012.028A04 M2C-TBR 2MEMB M2C-TRONG CAI MINH CHI 1 +DI.985.012.028A04 IFT-BLOC DE BOIS A FENTE IFT-MO THUY NGAN 1 +DI.985.012.028A04 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN THUY HIEN 1 +DI.985.012.028A04 ISG-GRELOT METAL ISG-LUC LAC KIM LOAN 1 +DI.985.012.028A04 M2C-TBR 2MEMB M2C-TIEU CO MINH CHI 1 +DI.985.012.028B01 M2C-TBR 2MEMB M2C-TRONG TRAN VU NGOC 1 +DI.985.012.028B01 M2C-TBR 2MEMB M2C-TRONG CHAU 1 +DI.985.012.028B01 M2C-TBR 2MEMB M2C-TRONG DE 1 +DI.985.012.028B01 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.985.012.028B01 M2C-TBR 2MEMB M2C-TRONG CAI 1 +DI.985.012.028B01 IFT-BLOC DE BOIS A FENTE IFT-MO 1 +DI.985.012.028B01 IFG-GONG IFG-THANH LA 1 +DI.985.012.028B01 IFG-GONG IFG-CHIENG 1 +DI.985.012.028B01 IEY-PAIRE CYMBALES IEY-CHAP CHOA 1 +DI.985.012.028B01 0 +DI.985.012.028B02 VC-SOLO F THANH BINH 1 +DI.985.012.028B02 CL-LUTH 2C CL-DAN NGUYET 1 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ORCH-ORCHESTRE SYMPHONIQUE ORCH-ORQUESTA ORQUESTA DEL TEATRO APOLO 0 +DI.985.015.001/03:01A04 VC-F N THELMA, LINDA 0 +DI.985.015.001/03:01A04 CC-CITHARE/CAISSE,CLAVIER CC-PIANO DE SIANO, ARTURO 0 +DI.985.015.001/03:01A04 0 +DI.985.015.001/03:01A05 ORCH-FANFARE ORCH-BANDA BANDA DE LA POLICIA DE BUENOS AIRES 0 +DI.985.015.001/03:01A06 VC-SOLO H N VILLOLDO, ANGEL 0 +DI.985.015.001/03:01A06 CC-CITHARE/CAISSE,CLAVIER CC-PIANO CAMPOAMOR, MANUEL 0 +DI.985.015.001/03:01A06 IEQ-CASTAGNETTES IEQ-CASTANUELAS 0 +DI.985.015.001/03:01A06 0 +DI.985.015.001/03:01A07 VC-SOLO F N VIVIANNE, ANDREE 0 +DI.985.015.001/03:01A07 ORCH-ORCHESTRE SYMPHONIQUE ORCH-ORQUESTA 0 +DI.986.011.001U02 ORCHESTRE-FLUTES DE PAN AYARACHI 1 +DI.986.011.001U02 AFP-FLUTE DE PAN 6TUY AFP-ANTARA 0 +DI.986.011.001U02 AFP-FLUTE DE PAN 7TUY AFP-ANTARA 0 +DI.986.011.001U02 M2C-TBR 2MEMB CAISSE CYL BOIS 1 BAG M2C-WANKARA 0 +DI.986.011.001U03 ORCHESTRE-FLUTES DE PAN AYARACHI 1 +DI.986.011.001U03 AFP-FLUTE DE PAN 6TUY AFP-ANTARA 0 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0 +DI.986.011.001U08 AFP-FLUTE DE PAN 7TUY AFP-ANTARA 0 +DI.986.011.001U08 M2C-TBR 2MEMB CAISSE CYL BOIS 1 BAG M2C-WANKARA 0 +DI.986.011.001U09 AFP-FLUTE DE PAN AFP-SIKU 36 +DI.986.011.001U10 ORCHESTRE-FLUTES DE PAN AYARACHI 1 +DI.986.011.001U10 AFP-FLUTE DE PAN 6TUY AFP-ANTARA 0 +DI.986.011.001U10 AFP-FLUTE DE PAN 7TUY AFP-ANTARA 0 +DI.986.011.001U10 M2C-TBR 2MEMB CAISSE CYL BOIS 1 BAG M2C-WANKARA 0 +DI.987.001.001A01 VC-SOLO F N 1 +DI.987.001.001A01 CL-LUTH 2C CL-KUSJAPIQ 1 +DI.987.001.001A01 CC-CITHARE/TUBE CCT-PAGANG 2 +DI.987.001.001A02 CL-LUTH 2C CL-KUSJAPIQ 1 +DI.987.001.001A03 VC-SOLO H N 1 +DI.987.001.001A03 CL-LUTH 2C CL-KUSJAPIQ 1 +DI.987.001.001A03 CC-CITHARE/TUBE CCT-PAGANG 1 +DI.987.001.001A04 VC-SOLO H N 1 +DI.987.001.001A04 CL-LUTH 2C CL-KUSJAPIQ 1 +DI.987.001.001A04 CC-CITHARE/TUBE CCT-PAGANG 1 +DI.987.001.001A05 VC-SOLO H N 1 +DI.987.001.001A05 CL-LUTH 2C CL-KUSJAPIQ 1 +DI.987.001.001A06 CC-CITHARE/TUBE CCT-PAGANG 1 +DI.987.001.001A07 CL-LUTH 2C CL-KUSJAPIQ 1 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CV-DAN NHI 1 +DI.987.012.002B03 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.987.012.002B03 0 +DI.987.012.002B04 CL-LUTH 2C CL-DAN KIM 1 +DI.987.012.002B04 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.987.012.002B04 CV-VIELE 2C CV-DAN CO 1 +DI.987.012.002B04 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.987.012.002B04 0 +DI.987.012.002B05 VC-SOLO H NGAN DOAI 1 +DI.987.012.002B05 CL-LUTH 2C CL-DAN KIM 1 +DI.987.012.002B05 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.987.012.002B05 CC-CITHARE/TABLE CC-@AN DOC HUYEN 1 +DI.987.012.002B05 0 +DI.987.012.002B06 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.987.012.002B06 CC-CITHARE /TABLE CC-@AN TRANH 1 +DI.987.012.002B06 0 +DI.988.002.001U01 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U02 VC-SOLO F BACH YEN 1 +DI.988.002.001U02 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U02 0 +DI.988.002.001U03 VC-DUO ALTERNE H F BACH YEN & TRAN QUANG HAI 2 +DI.988.002.001U03 IEZ-CLIQUETTES A SAPEQUES IEZ-SINH TIEN TRAN QUANG HAI 1 +DI.988.002.001U04 VC-SOLO F BACH YEN 1 +DI.988.002.001U04 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U05 VC-SOLO H & CHR M TRAN QUANG HAI , BACH YEN & TRAN QUANG HAI (CHOEUR) 3 +DI.988.002.001U06 VC-SOLO F BACH YEN 1 +DI.988.002.001U06 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U07 VC-SOLO F BACH YEN 1 +DI.988.002.001U08 VC-SOLO F BACH YEN 1 +DI.988.002.001U08 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U09 VC-SOLO F BACH YEN 1 +DI.988.002.001U09 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U10 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U11 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U12 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.988.002.001U13 CC-CITHARE/TABLE CC-@AN DOC HUYEN TRAN QUANG HAI 1 +DI.988.002.001U14 CV-VIELE 2C CV-DAN CO TRAN QUANG HAI 1 +DI.988.003.001A01 AFT-FLUTE TERM AFT-NYAMANGOA IGNACIO 1 +DI.988.003.001A02 AFL-FLUTE LAT AFL-SIHOO N 1 +DI.988.003.001A03 ITC-CARAPACE DE TORTUE FROTTEE ITC-GOO PEDRO 2 +DI.988.003.001A03 AFP-FLUTE DE PAN 7TUY N PEDRO 1 +DI.988.003.001A04 N N N 0 +DI.988.003.001A05 AFP-FLUTE DE PAN 8TUY N N 4 +DI.988.003.001A06 VC-SOLO H N JOANIKO 1 +DI.988.003.001A06 VC-CHR H N N 50 +DI.988.003.001A07 ITC-CARAPACE DE TORTUE FROTTEE ITC-GOO PEDRO 2 +DI.988.003.001A07 AFP-FLUTE DE PAN 7TUY N PEDRO 1 +DI.988.003.001A07 ILB-BATON BAMBOU PILONNE N N 0 +DI.988.003.001A07 ISS-SONNAILLES DE FRUITS SECS N N 0 +DI.988.003.001A07 VC-CHR H N N 0 +DI.988.003.001A07 VC-SOLO F N N 1 +DI.988.003.001A08 ITC-CARAPACE DE TORTUE FROTTEE ITC-GOO PEDRO 2 +DI.988.003.001A08 AFP-FLUTE DE PAN 7TUY N PEDRO 1 +DI.988.003.001A08 AFP-FLUTE DE PAN N N 10 +DI.988.003.001A08 M2C-TBR N N 1 +DI.988.003.001A09 ITC-CARAPACE DE TORTUE FROTTEE ITC-GOO PEDRO 2 +DI.988.003.001A09 AFP-FLUTE DE PAN 7TUY N PEDRO 1 +DI.988.003.001A09 AFL-FLUTE LAT AFL-SIHOO IGNACIO 1 +DI.988.003.001B01 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B01 VCH-DUO H N RODRIGO & MARCELITO 1 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AFT-SUARA N 1 +DI.988.003.001B04 VC-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B04 AFT-FLUTE TERM AFT-KAMMU RODRIGO & MARCELITO 2 +DI.988.003.001B04 ISH-HOCHET CALEBASSE ISH-MARACA N 1 +DI.988.003.001B05 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B05 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B05 AFT-FLUTE TERM AFT-SUARA N 2 +DI.988.003.001B05 AFT-FLUTE TERM AFT-KULI N 6 +DI.988.003.001B06 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B06 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B06 AFT-FLUTE TERM AFT- SUARA N 1 +DI.988.003.001B06 AFT-FLUTE TERM AFT-SUARA N 1 +DI.988.003.001B06 AFT-FLUTE TERM AFT-SUARA N 2 +DI.988.003.001B07 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B07 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B07 AFT-FLUTE TERM AFT-SUARA N 2 +DI.988.003.001B07 AFT-FLUTE TERM AFT-KAMMU RODRIGO 1 +DI.988.003.001B07 ISH-HOCHET CALEBASSE ISH-MARACA OU NASIS RODRIGO 1 +DI.988.003.001B08 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B08 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B08 AFT-FLUTE TERM AFT- SUARA N 1 +DI.988.003.001B08 AFT-FLUTE TERM AFT-SUARA N 1 +DI.988.003.001B08 VC-SOLO H N RAMIREZ, JOSE 1 +DI.988.003.001B08 VC-SOLO H N MIGUEL 1 +DI.988.003.001B08 VC-SOLO F N N 1 +DI.988.003.001B08 ISH-HOCHET CALEBASSE N N 1 +DI.988.003.001B09 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B09 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B09 AFT-FLUTE TERM AFT- SUARA N 1 +DI.988.003.001B09 AFT-FLUTE TERM AFT-SUARA N 1 +DI.988.003.001B09 AFP-FLUTE DE PAN 3TUY AFT-KARMOPURUI N 2 +DI.988.003.001B09 AFP-FLUTE DE PAN 4TUY AFT-KARMOPURUI N 2 +DI.988.003.001B10 ATT-CONQUE ATT-TU OU MORBEP JOSECITO 1 +DI.988.003.001B10 VCH-DUO H N RODRIGO & MARCELITO 1 +DI.988.003.001B10 AFT-FLUTE TERM AFT-SUARA N 1 +DI.988.003.001B10 AFT-FLUTE TERM AFT-SUARA N 1 +DI.988.003.001B10 AFP-FLUTE DE PAN 3TUY AFT-KARMOPURUI N 1 +DI.988.003.001B10 AFP-FLUTE DE PAN 4TUY AFT-KARMOPURUI N 1 +DI.988.003.001B10 ISH-HOCHET CALEBASSE ISH-MARACAS N 1 +DI.988.012.002/03U01.01 VA-SOLO H & CHR M VA-N 0 +DI.988.012.002/03U01.01 IF-TRONC ARBRE FRAPPE BAG IF-N 0 +DI.988.012.002/03U01.01 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.02 VP-SOLO H & CHR M VP-N 0 +DI.988.012.002/03U01.02 IF-TRONC ARBRE FRAPPE BAG IF-N 0 +DI.988.012.002/03U01.02 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.03 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.03 IF-TRONC ARBRE FRAPPE BAG IF-N 0 +DI.988.012.002/03U01.03 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.04 VC-2 CHR ALTERNES M VC-N 0 +DI.988.012.002/03U01.04 IF-TRONC ARBRE FRAPPE BAG IF-N 0 +DI.988.012.002/03U01.04 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.05 VC-SOLI H ALTERNES VC-N 5 +DI.988.012.002/03U01.06 VC-CHR M VC-N 0 +DI.988.012.002/03U01.06 AFT-FLUTE TERM 2TUY AFT-MOBEKE 1 +DI.988.012.002/03U01.06 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.07 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.07 M-TBR BAT MAINS NUES M-N 1 +DI.988.012.002/03U01.07 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 0 +DI.988.012.002/03U01.07 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.08 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.08 IFZ-FEUILLES FRAPPEES/JAMBE IFZ-N 0 +DI.988.012.002/03U01.08 0 +DI.988.012.002/03U01.09 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.09 IFZ-FEUILLES FRAPPEES/JAMBE IFZ-N 0 +DI.988.012.002/03U01.09 0 +DI.988.012.002/03U01.10 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.10 IFZ-FEUILLES FRAPPEES/JAMBE IFZ-N 0 +DI.988.012.002/03U01.10 0 +DI.988.012.002/03U01.11 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.11 IFZ-FEUILLES FRAPPEES/JAMBE IFZ-N 0 +DI.988.012.002/03U01.11 0 +DI.988.012.002/03U01.12 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.12 IFZ-FEUILLES FRAPPEES/JAMBE IFZ-N 0 +DI.988.012.002/03U01.12 0 +DI.988.012.002/03U01.13 VC-DUO F VC-N 2 +DI.988.012.002/03U01.13 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.13 0 +DI.988.012.002/03U01.14 VP-SOLO H & CHR M VP-N 0 +DI.988.012.002/03U01.14 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.14 0 +DI.988.012.002/03U01.15 VC-CHR E VC-N 0 +DI.988.012.002/03U01.15 0 +DI.988.012.002/03U01.16 VC-SOLO E & CHR E VC-N 0 +DI.988.012.002/03U01.16 0 +DI.988.012.002/03U01.17 VC-SOLO E & CHR E VC-N 0 +DI.988.012.002/03U01.17 0 +DI.988.012.002/03U01.18 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.18 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U01.18 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 2 +DI.988.012.002/03U01.18 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.18 0 +DI.988.012.002/03U01.18 0 +DI.988.012.002/03U01.19 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U01.19 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U01.19 0 +DI.988.012.002/03U01.19 0 +DI.988.012.002/03U02.01 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.01 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.01 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.01 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 0 +DI.988.012.002/03U02.02 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.02 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.02 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.03 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.03 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 2 +DI.988.012.002/03U02.03 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.03 0 +DI.988.012.002/03U02.04 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 1 +DI.988.012.002/03U02.04 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.04 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.04 VC-SOLO F & CHR M VC-N 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.04 0 +DI.988.012.002/03U02.05 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.05 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.06 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.06 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.07 VC-CHR M VC-N 0 +DI.988.012.002/03U02.08 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.08 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.08 ISH-HOCHET ISH-N 1 +DI.988.012.002/03U02.08 ISS-SONNAILLES CHEVILLES ISS-N 0 +DI.988.012.002/03U02.08 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.08 0 +DI.988.012.002/03U02.08 0 +DI.988.012.002/03U02.09 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.09 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.09 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.09 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 0 +DI.988.012.002/03U02.09 0 +DI.988.012.002/03U02.10 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.10 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.10 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.10 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 2 +DI.988.012.002/03U02.10 0 +DI.988.012.002/03U02.11 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.11 M-TBR BAT MAINS NUES M-N 3 +DI.988.012.002/03U02.11 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.11 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 0 +DI.988.012.002/03U02.11 0 +DI.988.012.002/03U02.12 VC-SOLO F & CHR M VC-N 0 +DI.988.012.002/03U02.12 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.12 0 +DI.988.012.002/03U02.13 VC-SOLO H & CHR M VC-N 0 +DI.988.012.002/03U02.13 M-TBR BAT MAINS NUES M-N 2 +DI.988.012.002/03U02.13 KM-BAT MAINS KM-N 0 +DI.988.012.002/03U02.13 IEZ-LAMES METAL ENTRECHOQUEES IEZ-N 2 +DI.988.012.002/03U02.13 0 +DI.988.012.002/03U02.14 VC-DUO F VC-N 0 +DI.988.012.002/03U02.14 0 +DI.988.012.006U01 AFT-FLUTE TERM AFT-SERNDU IBRAAHIIMA ARBA 1 +DI.988.012.006U01 IFA-CALEBASSE IFA-TUMMBUDE HAAMIDU HAMMA 1 +DI.988.012.006U02 VC-H VC-N MAHAMUUDI 1 +DI.988.012.006U02 CL-LUTH 3C CL-HODDU SUMAANA 1 +DI.988.012.006U02 IFA-CALEBASSE IFA-TUMMBUDE BRAAHIIMA 1 +DI.988.012.006U03 AAL-AUTRE AAL-TEEKULUWAL AAMADU-BURAYMA 1 +DI.988.012.006U03 IFA-CALEBASSE IFA-TUMMBUDE ABDULLAAY-AAMADU 1 +DI.988.012.006U04 VP-H VP-N 3 +DI.988.012.006U04 IPG-GUIMBARDE SANS CADRE IPG-DONNDOLOORU 1 +DI.988.012.006U04 0 +DI.988.012.006U05 AFT-FLUTE TERM AFT-SERNDU 1 +DI.988.012.006U05 IFA-CALEBASSE IFA-TUMMBUDE 1 +DI.988.012.006U05 0 +DI.988.012.006U06 AFT-FLUTE TERM AFT-SERNDU 1 +DI.988.012.006U06 IFA-CALEBASSE IFA-TUMMBUDE 1 +DI.988.012.006U06 VC-H VC-N 1 +DI.988.012.006U07 VC-SOLO H VC-N GADU 1 +DI.988.012.006U07 0 +DI.988.012.006U08 VC-SOLO H VC-N 1 +DI.988.012.006U08 AFT-FLUTE TERM AFT-FULANNU 1 +DI.988.012.006U08 IFA-CALEBASSE IFA-HELLERE 1 +DI.988.012.006U09 VC-SOLO F & CHR F VC-N DAMII 0 +DI.988.012.006U09 KM-BAT MAINS KM-N 0 +DI.988.012.006U09 0 +DI.988.012.006U10 VC-SOLO F & CHR F VC-N DAMII 0 +DI.988.012.006U10 KM-BAT MAINS KM-N 0 +DI.988.012.006U10 0 +DI.988.012.006U11 ILZ-PILONS ET MORTIER ILZ-N 3 +DI.988.012.006U11 0 +DI.988.012.006U12 AF-FLUTE AF-FULANNU 1 +DI.988.012.006U12 IFA-CALEBASSE IFA-HELLERE 1 +DI.988.012.006U12 KM-BAT MAINS KM-N 0 +DI.988.012.006U12 KP-FRAP PIEDS KP-N 0 +DI.988.012.006U12 0 +DI.988.012.006U13 VC-SOLO H VC-N GADU 1 +DI.988.012.006U13 0 +DI.988.012.006U14 VC-SOLO F & CHR F VC-N 0 +DI.988.012.006U14 KM-BAT MAINS KM-N 0 +DI.988.012.006U14 KP-FRAP PIEDS KP-N 0 +DI.988.012.006U14 0 +DI.988.012.011U01 AFP-FLUTE DE PAN 6TUY AFT-ANTARA N 10 +DI.988.012.011U01 AFP-FLUTE DE PAN 7TUY AFT-ANTARA N 10 +DI.988.012.011U01 M2C-TBR 2MEMB CAISSE CYL M2C-WANKARA N 5 +DI.989.012.001A01 VC-SOLO H NAM NGU 1 +DI.989.012.001A01 CL-LUTH 2C CL-DAN NGUYET MONG UNG 1 +DI.989.012.001A01 CV-VIELE 2C CV-DAN NHI XUAN THINH, THACH TRUNG 2 +DI.989.012.001A01 CV-VIELE 2C CV-DAN HO TRUNG PHU QUANG 1 +DI.989.012.001A01 M2C-TBR 2MEMB M2C-TRONG COM 1 +DI.989.012.001A01 M2C-TBR 2MEMB 2BAG M2C-TRONG DE 1 +DI.989.012.001A01 IFG-GONG IFG-THANH LA 1 +DI.989.012.001A01 IFT-BLOC DE BOIS IFT-MO 1 +DI.989.012.001A02 VC-SOLO H NGUYEN DUONG 1 +DI.989.012.001A02 AAB-HAUTBOIS AAB-KEN 1 +DI.989.012.001A02 CV-VIELE 2C CV-DAN NHI 1 +DI.989.012.001A02 CV-VIELE 2C CV-DAN GAO 1 +DI.989.012.001A02 M2C-TBR 2MEMB 2BAG M2C-TRONG CHIEN 1 +DI.989.012.001A02 IFG-GONG PLAT IFG-DAU DUONG 1 +DI.989.012.001A02 IFT-TBR DE BOIS IFT-MO 1 +DI.989.012.001A02 0 +DI.989.012.001A03 VC-DUO ALTERNE H F MLLE MY CHAU, THANH TUAN 2 +DI.989.012.001A03 CL-LUTH 2C CL-DAN XEN 1 +DI.989.012.001A03 CL-LUTH CL-LUC HUYEN CAM DIEN 1 +DI.989.012.001A03 CC-CITHARE/TABLE CC-@AN TRANH 1 +DI.989.012.001A03 IFT-BLOC DE BOIS IFT-SONG LANG 1 +DI.989.012.001A03 0 +DI.989.012.001A04 VC-SOLO F MME QUACH THI HO 1 +DI.989.012.001A04 CL-LUTH 3C CL-DAN DAY DINH KHAC BAN 1 +DI.989.012.001A04 M2C-TBR 2MEMB M2C-TRONG CHAU TRUC HIEN 1 +DI.989.012.001A04 IEC-CLIQUETTES IEC-PHACH MME QUACH THI HO 1 +DI.989.012.001A04 0 +DI.989.012.001A05 VC-SOLO F DUONG THI TUYET 1 +DI.989.012.001A05 CL-LUTH 2C CL-DAN NGUYET NGUYEN GIA CAM 1 +DI.989.012.001A05 CC-CITHARE/TABLE CC-@AN TRANH BUU LOC 1 +DI.989.012.001A05 CV-VIELE 2C CV-DAN NHI NGUYEN HUU BA 1 +DI.989.012.001A05 0 +DI.989.012.001A06 CL-LUTH 2C CL-DAN KIM SAU TUNG 1 +DI.989.012.001A06 CC-CITHARE/TABLE CC-@AN TRANH CHIN TRICH 1 +DI.989.012.001A06 CV-VIELE 2C CV-DAN CO BAY HAM 1 +DI.989.012.001B01 VC-DUO F MLLES BA MANH, TU VAN 2 +DI.989.012.001B01 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.989.012.001B01 CV-VIELE 2C CV-DAN NHI VAN TICH & MANH THANG 2 +DI.989.012.001B01 0 +DI.989.012.001B02 VC-DUO H HAI LAM, BA TRONG 2 +DI.989.012.001B02 AFL-FLUTE LAT AFL-SAO HUYNH BAT 1 +DI.989.012.001B02 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.989.012.001B02 CV-VIELE 2C CV-DAN NHI VAN TICH , MANH THANG 2 +DI.989.012.001B03 VC-2H, 2F ALTERNE MLLES HAI CAI, TU VAN; MM HAI LAM, BA TRONG 4 +DI.989.012.001B03 AFL-FLUTE LAT AFL-SAO HUYNH BAT 1 +DI.989.012.001B03 AFT-FLUTE TERM AFT-TIEU SON MA 1 +DI.989.012.001B03 CL-LUTH 2C CL-DAN NGUYET CONG HUYNH 1 +DI.989.012.001B03 CC-CITHARE/TABLE CC-@AN BAU MLLE PHUONG DUA 1 +DI.989.012.001B03 0 +DI.989.012.001B04 VC-SOLO F MME CHAU LOAN 1 +DI.989.012.001B04 CL-LUTH 4C CL-DAN TY BA 1 +DI.989.012.001B04 CC-CITHARE/TABLE CC-@AN BAU 1 +DI.989.012.001B04 CV-VIELE 2C CV-DAN NHI 1 +DI.989.012.001B04 0 +DI.989.012.001B04 0 +DI.989.012.001B05 AAB-HAUTBOIS AAB-KEN 1 +DI.989.012.001B05 M2C-TBR 2MEMB M2C-TRONG NHAC 2 +DI.989.012.001B05 M1C-TBR 1MEMB M1C-BONG 1 +DI.989.012.001B05 0 +DI.989.012.001B05 IEY-PAIRE CYMBALES IEY-CHAP BAT 1 +DI.989.012.001B05 IFZ-CORNE DE BUFFLE EVIDEE IFZ-MO SUNG TRAU 1 +DI.989.012.001B06 AAB-HAUTBOIS AAB-SARINAV 1 +DI.989.012.001B06 M1C-TBR SUR CADRE M1C-BARINUNG 1 +DI.989.012.001B06 M2C-TBR 2MEMB M2C-GANANG 1 +DI.989.012.001B06 ISG-GRELOT METAL N 1 +DI.989.012.001B06 0 +DI.989.012.001B07 VC-SOLO F THI THO 1 +DI.989.012.001B07 CC-CITHARE/TABLE CC-@A PING 1 +DI.989.012.001B07 0 +DI.989.012.001B08 VC-SOLO F MI XOAN 1 +DI.989.012.001B08 AAL-ORGUE A BOUCHE AAL-ING NAM Y GER 1 +DI.989.012.001B08 0 +DI.989.012.001B09 IFG-GONG PLAT IFG-CHIENG 7 +DI.989.012.001B09 0 +DI.989.012.001B09 0 +DI.989.013.003U01 CL-LUTH CL-SAROD 1 +DI.989.013.003U01 M1C-PAIRE TBRS M1C-TABLA SWAPAN CHAUDHIRI 1 +DI.989.013.003U01 0 +DI.989.013.003U02 CL-LUTH CL-SAROD U. ALI AKBAR KHAN 1 +DI.989.013.003U02 M1C-PAIRE TBRS M1C-TABLA SWAPAN CHAUDHURI KHAN 1 +DI.989.013.004U01 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U01 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U01 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U01 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U01 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.989.013.004U02 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U02 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U02 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U02 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U02 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.989.013.004U03 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U03 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U03 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U03 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U03 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.989.013.004U04 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U04 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U04 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U04 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U04 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.989.013.004U05 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U05 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U05 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U05 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U05 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.989.013.004U06 AFL-FLUTE LAT = N RAMANI 1 +DI.989.013.004U06 CL-LUTH 4C CL-TANPURA 1 +DI.989.013.004U06 CV-VIELE CV-VIOLIN T. RUKMINI 1 +DI.989.013.004U06 M2C-TBR 2MEMBMAINS NUES M2C-MRDANGAM T. BHAKTAVASALAM 1 +DI.989.013.004U06 IFP-POTERIE IFP-GHATAM T.H. VINAYAGARAM 1 +DI.990.014.001U01 CC-CITHARE/CAISSE CC-SANTUR OMPRAKASH CHOURASIYA 1 +DI.990.014.001U02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.990.014.001U03 CL-LUTH 2C CL-N 1 +DI.990.014.001U04 CL-LUTH 11C CL-TAR 1 +DI.990.014.001U05 CV-VIELE 3C+SYPA CV-KAMAICA 2 +DI.990.014.001U06 CA-ARC MUSICAL CA-MBELA MASEMOKOMBO,NICOLAS 1 +DI.990.014.001U07 VC-DUO H N 2 +DI.990.014.001U07 IFC-CLOCHE DOUBLE FRAPPE 1BAG N 1 +DI.990.014.001U07 CH-HARPE CHQ-NGOMBI 1 +DI.990.014.001U08 CHL-HARPE-LUTH CHL-SORON 1 +DI.990.014.001U09 M1C-TBR/CAISSE,1MEMB,FRAPPE1MAIN,1BAG MIC-DAN HUN 3 +DI.990.014.001U09 IFC-CLOCHE DE FER N 1 +DI.990.014.001U10 M2CS-TBR/CAISSE,2MEMB,1BAG N 2 +DI.990.014.001U10 ISS-SONNAILLE N 1 +DI.990.014.001U11 M1D-TBR/CADRE,1MEMB,FRAPPE 1MAIN,2BAG N 1 +DI.990.014.001U11 IFG-GONG N 1 +DI.990.014.001U11 ISG-GRELOTS CHEVILLES N 1 +DI.990.014.001U12 M1C-TBR/CAISSE,POTERIE,1MEMB,FRAPPE 2MAINS M1C-DARABUKKA 1 +DI.990.014.001U13 MIC-PAIRE TBRS MIC-TABLA CHATUR LAL 1 +DI.990.014.001U13 VZ-VOIX AUTRE VZ-N CHATUR LAL 1 +DI.990.014.001U14 M2D-TBR/CADRE,2MEMB,FRAPPE 2MAINS,BAG M2D-CHENDA N 1 +DI.990.014.001U14 M2C-TBR/CAISSE,BOIS,2MEMB, FRAPPE 2MAINS M2C-SHUDDA MADDALAM 1 +DI.990.014.001U14 IFG-GONG SUSPENDU IFG-CHENGALAM 1 +DI.990.014.001U14 IEY-CYMBALES IEY-ILATTALAM 1 +DI.990.014.001U15 ORCH-ORCH.TROMPES ORCH-ONGO N 1 +DI.990.014.001U15 ATT-TROMPE TERM ATT-ONGO N 10 +DI.990.014.001U15 ATT-TROMPE TERM ATT-ONGO N 2 +DI.990.014.001U15 ATL-TROMPE LAT ATL-ONGO 6 +DI.990.014.001U16 ATT-TROMPE TERM ATT-DUNG CHEN 2 +DI.990.014.001U17 AT-TROMPE AT-BANS N 1 +DI.990.014.001U18 AFT-FLUTE TERM AFT-NAR 1 +DI.990.014.001U18 VZ-BOURDON DE GORGE N 1 +DI.990.014.001U19 AFT-FLUTE TERM 2TUY;CONTINU AFT-SATARA KAMMU KHAN 1 +DI.990.014.001U19 IFP-POTERIE,FRAP. DOIGTS BAGUES N N 1 +DI.990.014.001U20 AFT-FLUTE TERM 2TUY N 2 +DI.990.014.001U21 AFP-FLUTE DE PAN 12TUY N ENSEMBLE AU PAINA 8 +DI.990.014.001U22 AAL-ORGUE A BOUCHE,16TUY AAL-HAEN 1 +DI.990.014.001U23 AAL-ACCORDEON DIATONIQUE AAL-ORGANETTO 1 +DI.990.014.001U24 AAB-HAUTBOIS AAB-RGYA-GLING 2 +DI.990.014.001U25 AAB-CLARINETTE 2TUY AAB-MURALI 1 +DI.990.014.001U26 AAB-CLARINETTE 3TUY;CONTINU AAB-FIORASSIU PORCU,AURELIO 1 +DI.990.014.001U27 ORCH-ORCH.CLARINETTES ORCH-TULE 1 +DI.990.014.001U27 AABS-CLARINETTE AABS-TULE 10 +DI.990.014.001U28 IPG-GUIMBARDE IPG-MORCHANG KHAN,KAMMU 1 +DI.990.014.001U29 IPL-LAMELLOPHONE IPL-SANZA 2 +DI.990.014.001U29 VCI-VOIX CANTILLEE N 2 +DI.990.014.001U30 IFT-TAMBOUR DE BOIS A FENTE IFT-LINGA 2 +DI.990.014.001U31 VC-DUO F N 2 +DI.990.014.001U31 IFX-XYLOPHONE IFX-BALO 3 +DI.990.014.001U31 IFC-CLOCHE N 2 +DI.990.014.001U31 ISG-GRELOT N 3 +DI.990.014.001U32 IFX-XYLOPHONE IFX-DOSO DAHO 1 +DI.990.014.001U32 IFX-XYLOPHONE IFX-DOSO KPEVI 1 +DI.990.014.001U32 IS-HOCHET N 1 +DI.990.014.001U32 IFC-CLOCHE N 1 +DI.990.014.001U32 VC-CHANTE CHR H VC-N -1 +DI.990.014.001U33 IEC-CLAQUETTES IEC-KARTAL SADIQ 2 +DI.990.014.001U34 ILC-SERIE 12TUBES ILC-N 12 +DI.990.014.001U36 ORCH-ORCHESTRE ORCH-GONG 1 +DI.990.014.001U36 M2-TBR 2MEMB M2-KENDANG 1 +DI.990.014.001U36 IFC-GONG IFC-KAJAR 1 +DI.990.014.001U36 IFC-GONG IFC-KEMPUR 1 +DI.990.014.001U36 IE-CYMBALES IE-OENG-OENG 1 +DI.990.014.001U36 IFP-METALLOPHONE IFP-GENDER 1 +DI.990.014.001U37 ORCH-ORCHESTRE ORCH-GONG 1 +DI.990.014.001U37 M2-TBR 2MEMB M2-KENDANG 1 +DI.990.014.001U37 IFG-GONG/POSE IFG-KAJAR 1 +DI.990.014.001U37 IFG-GONG/SUSPENDU IFG-KEMPUR 1 +DI.990.014.001U37 IEY-CYMBALE IEY-OENG-OENG 1 +DI.990.014.001U37 IFM-METALLOPHONE IFM-GENDER 1 +DI.990.014.007U01 VC-SOLO F & CHR F VC-N 1 +DI.990.014.007U01 M2-TBR 2MEMB VC-NANGARA 1 +DI.990.014.007U02 VC-SOLO F & CHR F VC-N 1 +DI.990.014.007U02 KM-BAT MAINS KM-N 0 +DI.990.014.007U02 KG-BRUIT GORGE KG-N 0 +DI.990.014.007U03 VC-SOLO F & CHR F VC-N 1 +DI.990.014.007U04 VC-SOLO F & CHR F VC-N 1 +DI.990.014.007U04 KM-BAT MAINS KM-N 0 +DI.990.014.007U04 KL-BRUIT LANGUE KL-N 0 +DI.990.014.007U05 VC-SOLO F & CHR F VC-N 1 +DI.990.014.007U05 KM-BAT MAINS KM-N 0 +DI.990.014.007U05 KG-BRUIT GORGE KG-N 0 +DI.990.014.007U06 VZ-VOIX F YOUYOU VZ-N 1 +DI.990.014.007U06 VC-SOLO F & CHR F VC-N 0 +DI.990.014.007U06 M2-TBR A 2 MEMB 2 BAG M2-NANGARA 1 +DI.990.014.007U06 M2-TBR 2 MEMB 2 BAG M2-KWELLI 1 +DI.990.014.007U07 VC-SOLO E VC-N 1 +DI.990.014.007U07 IEZ-CAILLOUX IEZ-N 2 +DI.990.014.007U08 VC-SOLO E VC-N 1 +DI.990.014.007U09 VC-SOLO H VC-N 1 +DI.990.014.007U09 M2D-TBR 2 MEMB/CAISSE, 2 MAINS M2D-KIDI 1 +DI.990.014.007U10 CL-LUTH 2C CL-KELELI 1 +DI.990.014.007U11 CL-LUTH 2C CL-KELELI 1 +DI.990.014.007U12 VC-DUO H VC-N 2 +DI.990.014.007U12 CVC-VIELE ARCHET CVC-KIIKI 2 +DI.990.014.007U13 CL-LUTH 2C CL-KELELI 1 +DI.990.014.007U13 VZ-VOIX MURMUREE VZ-N 1 +DI.990.014.007U14 VC-SOLO H VC-N 1 +DI.990.014.007U15 VC-SOLO H VC-N 1 +DI.990.014.007U16 VC-SOLO H VC-N 1 +DI.990.014.007U17 VC-SOLO H VC-N 1 +DI.990.014.007U17 VCR-YOUYOU F VCR-N -1 +DI.990.014.007U17 M2D-TBR 2 MEMB/CAISSE, 2 MAINS M2D-KIDI 2 +DI.990.014.008U01 +DI.990.014.008U01 +DI.992.007.003U01 IFX-XYLOPHONE IFX-ZANGA 2 +DI.992.007.003U01 M-TBR/SOCLE BAT MAIN NUE ET BAG M-N 2 +DI.992.007.003U02 VC-CHR F VC-N 0 +DI.992.007.003U02 IFX-XYLOPHONE IFX-ZANGA 2 +DI.992.007.003U02 M-TBR/SOCLE BAT MAIN NUE ET BAG M-N 2 +DI.992.007.003U02 ISG-GRELOTS CHEVILLES ISG-N 0 +DI.992.007.003U02 0 +DI.992.007.003U03 IFX-XYLOPHONE IFX-KPONINGBO 1 +DI.992.007.003U03 ISG-GRELOT METAL ISG-NZORO 4 +DI.992.007.003U03 IFT-TAMBOUR DE BOIS A FENTE IFT-GAZA 1 +DI.992.007.003U03 M1-TBR 1 MEMB BAT MAIN NUE ET BAG DE BOIS M1-GURU 1 +DI.992.007.003U04 VC-CHR M VC-N 0 +DI.992.007.003U04 IFX-XYLOPHONE IFX-KPONINGBO 1 +DI.992.007.003U04 IFT-TBR DE BOIS IFT-GAZA 1 +DI.992.007.003U04 M1-TBR 1 MEMB BAT MAIN NUE ET BAG DE BOIS M1-GURU 1 +DI.992.007.003U04 ISG-GRELOT METAL ISG-NZORO 4 +DI.992.007.003U04 0 +DI.992.007.003U05 VC-SOLO H VC-N 1 +DI.992.007.003U05 IFX-XYLOPHONE IFX-N 1 +DI.992.007.003U05 0 +DI.992.007.003U06 IFX-XYLOPHONE 9 LAMES IFX-BE ZANGA 1 +DI.992.007.003U06 IFX-XYLOPHONE 7 LAMES IFX-NGIRINGBA 1 +DI.992.007.003U06 IFX-XYLOPHONE 4 LAMES IFX-KPEM BE 1 +DI.992.007.003U06 M2-TBR 2 MEMB BAT MAIN NUE ET BAG DE BOIS M2-BION 1 +DI.992.007.003U06 ISG-GRELOT ISG-N 0 +DI.992.007.003U06 ISO-HOCHET ISO-NGALA 0 +DI.992.007.003U06 KM-BAT MAINS KM-N 0 +DI.992.007.003U06 VC-SOLO H & CHR F VC-N 0 +DI.992.007.003U06 0 +DI.992.007.003U07 VC-SOLO H VC-N SERENDOPE 1 +DI.992.007.003U07 IFX-XYLOPHONE 9 LAMES IFX-BE ZANGA SERENDOPE 1 +DI.992.007.003U07 0 +DI.992.007.003U08 VC-SOLO H VC-N 1 +DI.992.007.003U08 IFX-XYLOPHONE 9 LAMES IFX-BE ZANGA 1 +DI.992.007.003U08 0 +DI.992.007.003U09 VC-CHR M VC-N 0 +DI.992.007.003U09 IFX-XYLOPHONE 7 LAMES IFX-ENGERE MBASA 1 +DI.992.007.003U09 IFX-XYLOPHONE 5 LAMES IFX-AYAN MBSA  1 +DI.992.007.003U09 IFX-XYLOPHONE 8 LAMES IFX-OKONE 1 +DI.992.007.003U09 IFX-XYLOPHONE 7 LAMES IFX-AGUA MBASA 1 +DI.992.007.003U09 M2-TBR 2MEMB M2-KPORO 1 +DI.992.007.003U10 VC-CHR M VC-N 0 +DI.992.007.003U10 IFX-XYLOPHONE 7 LAMES IFX-ENGERE MBASA 1 +DI.992.007.003U10 IFX-XYLOPHONE 5 LAMES IFX-AYAN MBSA  1 +DI.992.007.003U10 IFX-XYLOPHONE 8 LAMES IFX-OKONE 1 +DI.992.007.003U10 IFX-XYLOPHONE 7 LAMES IFX-AGUA MBASA 1 +DI.992.007.003U10 M2-TBR 2MEMB M2-KPORO 1 +DI.992.007.003U10 ATL-TROMPE LAT ATL-LUGBA 1 +DI.992.007.003U10 ISH-HOCHET ROTIN ISH-KOZO 1 +DI.992.007.003U11 VC-CHR M VC-N 0 +DI.992.007.003U11 IFX-XYLOPHONE 5 LAMES IFX-KALANGBA 1 +DI.992.007.003U11 IFT-TBR DE BOIS IFT-N 1 +DI.992.007.003U11 M-TBR M-N 1 +DI.992.007.003U11 ISG-GRELOT ISG-N 1 +DI.992.007.003U11 ISH-HOCHET ROTIN ISH-N 0 +DI.992.007.003U11 ISZ-AUTRE ISZ-N 0 +DI.992.007.003U11 0 +DI.992.007.003U11 0 +DI.992.007.003U12 VC-SOLO F & CHR F VC-N 0 +DI.992.007.003U12 IFX-XYLOPHONE IFX-KANGBA BAWASSAN 1 +DI.992.007.003U12 IFT-TBR DE BOIS IFT-BE WILI LENGA 1 +DI.992.007.003U12 M2-TBR 2MEMB M2-BE BII 1 +DI.992.007.003U12 M2-TBR 2MEMB M2-NAA BII 1 +DI.992.007.003U12 KM-BAT MAINS KM-N 0 +DI.992.007.003U12 0 +DI.992.007.003U13 VC-DUO ALTERNE H F & CHR M VC-N 0 +DI.992.007.003U13 IPL-LAMELLOPHONE IPL-SANZA BAWASSAN 1 +DI.992.007.003U13 KM-BAT MAINS KM-BU KO 0 +DI.992.007.003U13 ISH-HOCHET ISH-N 0 +DI.992.007.003U14 VC-SOLO F & CHR F VC-N 0 +DI.992.007.003U14 IFX-XYLOPHONE IFX-KANGBA  1 +DI.992.007.003U14 IFT-TBR DE BOIS IFT-BE WILI LENGA 1 +DI.992.007.003U14 M2-TBR 2MEMB M2-BE BII 1 +DI.992.007.003U14 M2-TBR 2MEMB M2-NAA BII 1 +DI.992.007.003U14 ISH-HOCHET ISH-N 0 +DI.992.007.003U14 ISG-GRELOT METAL ISG-N 0 +DI.993.003.001U01 VC-QUATUOR H VC-N 0 +DI.993.003.001U01 IPL-LAMELLOPHONE IPL-SANZA NGBOZO (ETIENNE), SAMBA (JOSEPH) 2 +DI.993.003.001U01 ISH-HOCHET ISH-N 1 +DI.993.003.001U01 IEB-BATONS ENTRECHOQUES IEB-N 0 +DI.993.003.001U01 0 +DI.993.003.001U02 VC-TRIO H VC-N 0 +DI.993.003.001U02 IPL-LAMELLOPHONE IPL-SANZA NGBOZO (ETIENNE), SAMBA (JOSEPH) 2 +DI.993.003.001U02 ISH-HOCHET ISH-N SINGA (A.) 2 +DI.993.003.001U02 IEB-BATONS ENTRECHOQUES IEB-N 0 +DI.993.003.001U02 0 +DI.993.003.001U03 VC-QUATUOR H VC-N 0 +DI.993.003.001U03 IPL-LAMELLOPHONE IPL-SANZA ETIENNE DOKO, DAVID 2 +DI.993.003.001U03 ISH-HOCHET ISH-N SINGA (A.) 2 +DI.993.003.001U03 IEB-BATONS ENTRECHOQUES IEB-N 0 +DI.993.003.001U03 0 +DI.993.003.001U04 VC-SOLO H VC-N MARIN KAYO 1 +DI.993.003.001U04 IPL-LAMELLOPHONE IPL-SANZA MARTIN KAYO 1 +DI.993.003.001U04 0 +DI.993.003.001U05 VC-SOLO H VC-N MARIN KAYO 1 +DI.993.003.001U05 IPL-LAMELLOPHONE IPL-SANZA MARTIN KAYO 1 +DI.993.003.001U05 ISH-HOCHET ISH-N 0 +DI.993.003.001U06 VC-SOLO H VC-N PASCAL MINANG 0 +DI.993.003.001U06 IPL-LAMELLOPHONE IPL-SANZA ETIENNE DOKO 1 +DI.993.003.001U06 ISH-HOCHET ISH-N 0 +DI.993.003.001U06 IEB-BATONS ENTRECHOQUES IEB-N 0 +DI.993.003.001U06 0 +DI.993.003.001U07 VC-DUO ALTERNE H VC-N ETIENNE DOKO, ETIENNE NGBOZO 2 +DI.993.003.001U07 IPL-LAMELLOPHONE IPL-SANZA ETIENNE DOKO, ETIENNE NGBOZO 2 +DI.993.003.001U07 ISH-HOCHET ISH-N 0 +DI.993.003.001U07 IEB-BATONS ENTRECHOQUES IEB-N 0 +DI.993.003.001U07 0 +DI.993.005.001U01 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U02 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U03 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U04 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 0 +DI.993.005.001U05 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U06 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U07 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U08 CC-CITHARE/TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U09 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.005.001U10 CC-CITHARE /TABLE CC-@AN TRANH TRAN QUANG HAI 1 +DI.993.006.002U01 +DI.993.009.047U01 ORCH-ORCHESTRE ORCH-PINPEAT CHOEUR ET ORCH. DU BALLET ROYAL 9 +DI.993.009.047U01 VX-CHANTE & PARLE,CHR M VX 0 +DI.993.009.047U01 AFT-FLUTE TERM AFT-KHLUY 1 +DI.993.009.047U01 M2C-TBR,MAINS M2C-SAMBHOR 1 +DI.993.009.047U01 M2C-PAIRE TBR, BATONS M2C-SGAR DHAM 1 +DI.993.009.047U01 IFX-XYLOPHONE 21 LAMES IFX-RANAT AEK 1 +DI.993.009.047U01 IFX-XYLOPHONE 16 LAMES IFX-RANAT DHAM 1 +DI.993.009.047U01 IFM-METALLOPHONE 21 LAMES IFM-RANAT TAEK 1 +DI.993.009.047U01 IFG-SERIE 16 GONGS POSE IFG-GAN TUC 1 +DI.993.009.047U01 IFG-SERIE 16 GONGS POSE IFG-GAN DHAM 1 +DI.993.009.047U01 IEY-PAIRE CYMBALETTES IEY-JHIN 1 +DI.994.010.021U01 0 +DI.994.010.021U01 0 +DI.996.016.005U01 +DI.996.016.005U01 +DI.997.009.001U01 +DI.997.009.001U01 +BM.2005.004.001/10:05-01 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:05-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:05-01 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:05-01 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:05-01 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:05-01 VA-YOUYOU +BM.2005.004.001/10:05-02 VC-CHANTE SOLO H +BM.2005.004.001/10:05-03 AFT-FLUTE TERM 1 +BM.2005.004.001/10:05-03 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-03 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:05-03 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:05-03 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:05-03 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:05-03 VC-SOLO H & 2CHR ALTERNE F 1+10 +BM.2005.004.001/10:05-03 +BM.2005.004.001/10:05-04 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:05-04 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-04 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:05-04 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:05-04 BC-FRAPPEMENTS DES PIEDS +BM.2005.004.001/10:05-04 VA-YOUYOU +BM.2005.004.001/10:05-05 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:05-05 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-05 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:05-05 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:05-06 VC-CHANTE SOLO ALTERNE & CHR H +BM.2005.004.001/10:05-06 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-06 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:05-07 VC-CHANTE SOLO ALTERNE & CHR H +BM.2005.004.001/10:05-07 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:05-07 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-01 VC-CHANTE SOLO ALTERNE & CHR H +BM.2005.004.001/10:06-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-02 VC-CHANTE SOLO ALTERNE & CHR H +BM.2005.004.001/10:06-02 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-02 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-03 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:06-03 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-03 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-04 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:06-04 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-04 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-05 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:06-05 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-05 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-05 VC-CHANTE SOLO & CHR F +BM.2005.004.001/10:06-06 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:06-06 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-06 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-06 VC-CHANTE CHOEUR F +BM.2005.004.001/10:06-07 VC-CHANTE 2CHR ALTERNE H +BM.2005.004.001/10:06-07 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-07 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-08 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:06-08 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-08 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-09 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:06-09 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-09 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:06-10 VC-CHANTE SOLO & 2CHR ALTERNE H +BM.2005.004.001/10:06-10 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:06-10 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:07-01 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H * +BM.2005.004.001/10:07-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:07-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:07-02 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:07-02 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:07-02 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:07-03 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:07-03 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:07-03 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:08-01 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:08-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:08-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:08-01 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:08-01 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:08-01 VA-YOUYOU +BM.2005.004.001/10:08-01 VC-CHANTE CHOEUR F +BM.2005.004.001/10:08-01 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:08-02 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:08-02 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:08-02 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:08-02 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:08-02 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:08-02 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:09-01 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:09-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:09-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:09-01 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:09-01 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:09-01 VA-YOUYOU +BM.2005.004.001/10:09-01 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:09-02 VC-CHANTE SOLO ALTERNE & 2CHR ALTERNE H +BM.2005.004.001/10:09-02 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:09-02 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:09-02 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:09-02 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:09-02 VA-YOUYOU +BM.2005.004.001/10:09-02 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:10-01 VC-CHANTE 2CHR ALTERNES F +BM.2005.004.001/10:10-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:10-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:10-01 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:10-01 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:10-01 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:10-02 VC-CHANTE SOLO H & 2CHR ALTERNES F +BM.2005.004.001/10:10-02 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:10-02 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:10-02 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:10-02 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:10-02 BC-BATTEMENTS DE MAINS +BM.2005.004.001/10:10-03 VC-CHANTE SOLO H & 2CHR ALTERNES F +BM.2005.004.001/10:10-03 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.2005.004.001/10:10-03 M1D-TBR 1MEMB/CADRE M1D-TALLUNT nn +BM.2005.004.001/10:10-03 IE-CLAQUETTES IE-TIQRQQAWIN +BM.2005.004.001/10:10-03 IFC-CLOCHE IFC-NAQUS 1 +BM.2005.004.001/10:10-03 BC-BATTEMENTS DE MAINS +BM.1970.041.001/55:05-03 +BM.1970.041.001/55:05-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:05-03 M2V-TBR 2MEMB VARIABLE hudko +BM.1970.041.001/55:05-04 +BM.1970.041.001/55:05-04 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:05-04 M2V-TBR 2MEMB VARIABLE hudko +BM.1974.012.001/09:08-08 CV-VIELE KIIKI 1 +BM.1974.012.001/09:08-08 VP-PARLE H 1 +BM.1974.012.001/09:08-08 VC-CHANTE 1 +BM.1967.013.001/03:01A-02 VC-CHANTE DUO H 2 +BM.1967.013.001/03:01A-02 BC-BRUITS CORPORELS +BM.1970.041.001/55:06-01 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-01 M2V-TBR 2MEMB VARIABLE hudko +BM.1967.013.001/03:01A-03 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-03 BC-BRUITS CORPORELS +BM.1970.041.001/55:06-02 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-02 M2V-TBR 2MEMB VARIABLE hudko +BM.1967.013.001/03:01A-04 VC-CHANTE CHOEUR H +BM.1967.013.001/03:01A-04 +BM.1967.013.001/03:01A-05 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-05 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-06 VC-CHANTE CHOEUR MIXTE +BM.1967.013.001/03:01A-06 +BM.1967.013.001/03:01A-07 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-07 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-08 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:01A-08 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-09 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-09 +BM.1967.013.001/03:01A-10 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-10 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-11 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:01A-11 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-12 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:01A-12 BC-BRUITS CORPORELS +BM.1967.013.001/03:01A-13 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:01A-13 +BM.1967.013.001/03:01A-14 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:01A-14 +BM.1974.012.001/09:08-09 CL-LUTH 1 +BM.1974.012.001/09:08-09 VC-CHANTE 1 +BM.1967.013.001/03:01A-15 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-15 +BM.1967.013.001/03:01A-16 VC-CHANTE SOLO F 1 +BM.1967.013.001/03:01A-16 +BM.1970.041.001/55:06-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-03 M2V-TBR 2MEMB VARIABLE hudko +BM.1967.013.001/03:01A-17 VP-PARLE H 1 +BM.1967.013.001/03:01A-17 +BM.1967.013.001/03:01B-01 VP-PARLE H 1 +BM.1967.013.001/03:01B-01 +BM.1970.041.001/55:06-04 +BM.1970.041.001/55:06-04 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-04 M2V-TBR 2MEMB VARIABLE hudko +BM.1967.013.001/03:01B-02 VC-CHANTE SOLO ALTERNE H & F 1 +BM.1967.013.001/03:01B-02 +BM.1970.041.001/55:06-05 +BM.1970.041.001/55:06-05 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-05 M2V-TBR 2MEMB VARIABLE hudko +BM.1970.041.001/55:06-06 +BM.1970.041.001/55:06-06 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-06 M2V-TBR 2MEMB VARIABLE hudko +BM.1970.041.001/55:06-07 +BM.1970.041.001/55:06-07 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:06-07 M2V-TBR 2MEMB VARIABLE hudko +BM.1967.013.001/03:01B-03 VP-PARLE H 1 +BM.1967.013.001/03:01B-03 +BM.1967.013.001/03:01B-04 VC-CHANTE H ALTERNE H 1 +BM.1967.013.001/03:01B-04 +BM.1967.013.001/03:01B-05 VP-PARLE H +BM.1967.013.001/03:01B-05 +BM.1967.013.001/03:01B-06 VC-CHANTE SOLO & CHR H +BM.1967.013.001/03:01B-06 +BM.1967.013.001/03:01B-07 VP-PARLE H +BM.1967.013.001/03:01B-07 +BM.1967.013.001/03:01B-08 VC-CHANTE SOLO + CHR H +BM.1967.013.001/03:01B-08 +BM.1967.013.001/03:01B-09 VC-CHANTE +BM.1967.013.001/03:01B-09 +BM.1967.013.001/03:01B-10 VC-CHANTE SOLO H & CHR +BM.1967.013.001/03:01B-10 +BM.1967.013.001/03:01B-11 VC-CHANTE SOLO H & CHR +BM.1967.013.001/03:01B-11 +BM.1967.013.001/03:01B-12 VC-CHANTE SOLO H & CHR +BM.1967.013.001/03:01B-12 +BM.1967.013.001/03:01B-13 VC-CHANTE SOLO H & CHR +BM.1967.013.001/03:01B-13 +BM.1967.013.001/03:02A-01 VC-CHANTE CHOEUR H +BM.1967.013.001/03:02A-01 +BM.1967.013.001/03:02A-02 VC-CHANTE FEMME SOLO 1 +BM.1967.013.001/03:02A-02 +BM.1967.013.001/03:02A-03 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:02A-03 +BM.1967.013.001/03:02A-04 VC-CHANTE FEMME SOLO 1 +BM.1967.013.001/03:02A-04 +BM.1967.013.001/03:02A-05 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:02A-05 +BM.1967.013.001/03:02A-06 VP-PARLE +BM.1967.013.001/03:02A-06 +BM.1967.013.001/03:02A-07 VC- CHANTE F. SOLO 1 +BM.1967.013.001/03:02A-07 +BM.1967.013.001/03:02A-08 VC- CHANTE F. SOLO 1 +BM.1967.013.001/03:02A-08 +BM.1967.013.001/03:03A-01 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03A-01 +BM.1967.013.001/03:03A-02 VP-ENQUETE 1 +BM.1967.013.001/03:03A-02 +BM.1967.013.001/03:03A-03 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03A-03 +BM.1967.013.001/03:03A-04 CL-LUTH CL-GUITARE 1 +BM.1967.013.001/03:03A-04 CL-LUTH CL-BASSE 1 +BM.1967.013.001/03:03A-05 VP-PARLE H 1 +BM.1967.013.001/03:03A-05 +BM.1967.013.001/03:03A-06 CL-LUTH CL-GUITARE 1 +BM.1967.013.001/03:03A-06 CL-LUTH CL-BASSE 1 +BM.1967.013.001/03:03A-07 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03A-07 +BM.1967.013.001/03:03A-07 V-VOIX +BM.1967.013.001/03:03A-08 IFP-XYLOPHONE 1 +BM.1967.013.001/03:03A-08 +BM.1967.013.001/03:03A-09 IFP-XYLOPHONE 1 +BM.1967.013.001/03:03A-09 +BM.1967.013.001/03:03A-10 IFP-XYLOPHONE 1 +BM.1967.013.001/03:03A-10 +BM.1967.013.001/03:03A-11 C-CORDOPHONE NN +BM.1967.013.001/03:03A-11 +BM.1967.013.001/03:03A-12 CL-LUTH 1 +BM.1967.013.001/03:03A-12 +BM.1967.013.001/03:03A-13 C-CORDOPHONE +BM.1967.013.001/03:03A-13 +BM.1967.013.001/03:03B-01 C-CORDOPHONE +BM.1967.013.001/03:03B-01 +BM.1967.013.001/03:03B-02 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03B-02 +BM.1967.013.001/03:03B-03 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03B-03 +BM.1967.013.001/03:03B-04 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03B-04 +BM.1967.013.001/03:03B-05 VC-CHANTE SOLO H 1 +BM.1967.013.001/03:03B-05 +BM.1967.013.001/03:03B-06 VC-CHANTE F.SOLO 1 +BM.1967.013.001/03:03B-06 +BM.1967.013.001/03:03B-07 VC-CHANTE F.SOLO 1 +BM.1967.013.001/03:03B-07 +BM.1967.013.001/03:03B-08 VC-CHANTE F.SOLO 1 +BM.1967.013.001/03:03B-08 +BM.1967.013.001/03:03B-09 VC-CHANTE F.SOLO 1 +BM.1967.013.001/03:03B-09 +BM.1967.013.001/03:03B-10 VC-CHANTE F.SOLO 1 +BM.1967.013.001/03:03B-10 +BM.1974.003.001/10:01-02 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:01-02 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:01-02 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:01-02 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-02 CHL-HARPE-LUTH CHL-KORA 1 +BM.1974.003.001/10:01-03 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:01-03 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:01-03 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:01-03 VP-ENQUETE(EXPLICATION) +BM.1970.045.001/09:01-03 +BM.1974.003.001/10:01-04 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:01-04 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:01-04 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:01-04 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-04 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:01-05 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-05 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:01-06 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-06 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:01-07 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-07 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:01-08 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-08 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:01-08 VP-PARLE 1 +BM.1974.003.001/10:01-05 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:01-05 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:01-05 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:01-09 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-09 CL-LUTH GUITARE 1 +BM.1970.045.001/09:01-09 VP-PARLE 1 +BM.1970.045.001/09:01-10 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-10 CL-LUTH GUITARE 1 +BM.1970.045.001/09:01-10 VP-PARLE 1 +BM.1970.045.001/09:01-11 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:01-11 CL-LUTH GUITARE 1 +BM.1970.045.001/09:01-11 VP-PARLE 1 +BM.1970.045.001/09:02A-01 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:02A-01 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:02A-01 +BM.1970.045.001/09:02A-02 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:02A-02 +BM.1974.003.001/10:02-01 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:02-01 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:02-01 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 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BOKARI 1 +BM.1970.045.001/09:02A-07 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:02A-07 +BM.1970.045.001/09:02A-07 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:02A-07 +BM.1970.045.001/09:02A-08 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:02A-08 +BM.1970.045.001/09:02A-08 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:02A-08 +BM.1970.045.001/09:02A-09 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:02A-09 +BM.1970.045.001/09:02A-09 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:02A-09 +BM.1974.003.001/10:02-04 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:02-04 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:02-04 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:02B-01 VP-PARLE 1 +BM.1970.045.001/09:02B-01 +BM.1970.045.001/09:02B-01 +BM.1970.045.001/09:02B-01 +BM.1974.003.001/10:03-01 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:03-01 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:03-01 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:03-01 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-01 +BM.1970.045.001/09:03-01 +BM.1970.045.001/09:03-01 +BM.1970.045.001/09:03-02 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-02 +BM.1970.045.001/09:03-02 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:03-02 +BM.1970.045.001/09:03-03 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-03 +BM.1970.045.001/09:03-03 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:03-03 +BM.1970.045.001/09:03-04 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-04 +BM.1970.045.001/09:03-04 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:03-04 +BM.1970.045.001/09:03-05 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-05 +BM.1970.045.001/09:03-05 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:03-05 +BM.1970.045.001/09:03-06 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:03-06 +BM.1970.045.001/09:03-06 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:03-06 +BM.1974.003.001/10:03-02 VP-PARLE DUO H ALTERNE HAMMA HAMIDOU & ? 2 +BM.1974.003.001/10:03-03 VP-PARLE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:03-04 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:03-04 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:03-04 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1974.003.001/10:03-05 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:03-05 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:03-05 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1974.003.001/10:04-01 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:04-01 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:04-01 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1974.003.001/10:04-02 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:04-02 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:04-02 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1974.003.001/10:05-01 VC-CHANTE SOLO H HAMMA HAMIDOU 1 +BM.1974.003.001/10:05-01 CL-LUTH CL-MOLAANDOU HAMMAHAMIDOU 1 +BM.1974.003.001/10:05-01 IFC-CORPS HEMISPHERIQUE SAMBA BOKARI 1 +BM.1970.045.001/09:03-07 VP-VOIX PARLE 1 +BM.1970.045.001/09:03-07 +BM.1970.045.001/09:03-07 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SOLO 1 +BM.1970.045.001/09:04B-01 V-VOIX F +BM.1970.045.001/09:04B-02 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-02 +BM.1970.045.001/09:04B-02 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-02 V-VOIX F +BM.1970.045.001/09:04B-03 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-03 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-03 V-VOIX F +BM.1970.045.001/09:04B-04 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-04 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-04 V-VOIX F +BM.1970.045.001/09:04B-05 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-05 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-05 V-VOIX F +BM.1970.045.001/09:04B-06 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-06 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-06 V-VOIX F +BM.1970.045.001/09:04B-07 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-07 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-07 V-VOIX F +BM.1970.045.001/09:04B-08 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-08 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-08 V-VOIX F +BM.1970.045.001/09:04B-09 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-09 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-09 V-VOIX F +BM.1970.045.001/09:04B-10 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-10 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-10 V-VOIX F +BM.1970.045.001/09:04B-11 M-TBR M1C-DJEMBE +BM.1970.045.001/09:04B-11 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:04B-11 V-VOIX F +BM.1970.045.001/09:05-01 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-01 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-01 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-01 I-IDIOPHONE +BM.1970.045.001/09:05-01 BC-BATTEMENTS DE MAINS +BM.1974.003.001/10:06-02 AF-FLUTE SEERENDU BAA SAAJO 1 +BM.1974.003.001/10:07-01 AF-FLUTE SEERENDU BAA SAAJO 1 +BM.1974.003.001/10:07-01 AF -FLUTE SEERENDU SA HAY DARA 1 +BM.1974.003.001/10:08-01 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:08-02 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:08-02 +BM.1974.003.001/10:08-03 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:09-01 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:10-01 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:10-02 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:10-03 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1974.003.001/10:10-04 CL-LUTH HODDU OUSMANE AMADOU OUSSON (TIME) 1 +BM.1970.045.001/09:05-03 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-03 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-03 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-03 I-IDIOPHONE +BM.1970.045.001/09:05-03 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-04 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-04 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-04 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-04 I-IDIOPHONE +BM.1970.045.001/09:05-04 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-05 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:05-05 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-05 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-05 I-IDIOPHONE +BM.1970.045.001/09:05-05 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-06 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-06 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-06 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-06 I-IDIOPHONE +BM.1970.045.001/09:05-06 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-07 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-07 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-07 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-07 I-IDIOPHONE +BM.1970.045.001/09:05-07 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-08 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-08 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-08 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-08 I-IDIOPHONE +BM.1970.045.001/09:05-08 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-09 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-09 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-09 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-09 I-IDIOPHONE +BM.1970.045.001/09:05-09 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-10 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-10 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-10 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-10 I-IDIOPHONE +BM.1970.045.001/09:05-10 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-11 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:05-11 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-11 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-11 I-IDIOPHONE +BM.1970.045.001/09:05-11 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-12 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-12 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-12 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-12 I-IDIOPHONE +BM.1970.045.001/09:05-12 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-13 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:05-13 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-13 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-13 I-IDIOPHONE +BM.1970.045.001/09:05-13 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-14 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-14 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-14 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-14 I-IDIOPHONE +BM.1970.045.001/09:05-14 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-15 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-15 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-15 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-15 I-IDIOPHONE +BM.1970.045.001/09:05-15 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-16 VC-CHANTE F. SOLO 1 +BM.1970.045.001/09:05-16 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-16 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-16 I-IDIOPHONE +BM.1970.045.001/09:05-16 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-17 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-17 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-17 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-17 I-IDIOPHONE +BM.1970.045.001/09:05-17 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-18 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-18 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-18 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-18 I-IDIOPHONE +BM.1970.045.001/09:05-18 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-19 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-19 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-19 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-19 I-IDIOPHONE +BM.1970.045.001/09:05-19 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-20 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-20 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-20 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-20 I-IDIOPHONE +BM.1970.045.001/09:05-20 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:05-21 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:05-21 VC-CHANTE CHOEUR F +BM.1970.045.001/09:05-21 CHL-HARPE LUTH CHL-KORA 1 +BM.1970.045.001/09:05-21 I-IDIOPHONE +BM.1970.045.001/09:05-21 BC-BATTEMENTS DE MAINS +BM.1970.045.001/09:06-01 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-01 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-02 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-02 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-03 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-03 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-04 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-04 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-05 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-05 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-06 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-06 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-07 VC-CHANTE SOLO H 1 +BM.1970.045.001/09:06-07 VC-CHANTE CHOEUR F +BM.1970.045.001/09:06-08 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M-TBR 1 +BM.1974.012.001/09:02-02 M-TBR * 1 +BM.1974.012.001/09:02-03 AABS-CLARINETTE 2TUY AABS-MAGRUNA 2 +BM.1974.012.001/09:02-03 M-TBR 1 +BM.1974.012.001/09:02-03 M-TBR * 1 +BM.1974.012.001/09:02-03 IFP-IDIOPHONE FRAPPE PLEIN 1 +BM.1974.012.001/09:02-04 AABS-CLARINETTE 2TUY AABS-MAGRUNA 2 +BM.1974.012.001/09:02-04 M-TBR 1 +BM.1974.012.001/09:02-04 M-TBR * 1 +BM.1974.012.001/09:02-05 AABS-CLARINETTE 2TUY AABS-MAGRUNA 2 +BM.1974.012.001/09:02-05 M-TBR 1 +BM.1974.012.001/09:02-05 M-TBR * 1 +BM.1974.012.001/09:02-05 VC-CHANTE H 1 +BM.1974.012.001/09:03-01 M-TBR KIDI 1 +BM.1974.012.001/09:03-01 VC-CHANTE H 1 +BM.1974.012.001/09:03-02 CL-LUTH KELELI 1 +BM.1974.012.001/09:03-03 CL-LUTH KELELI 1 +BM.1974.012.001/09:03-03 BC-FRAPPEMENTS DE MAINS +BM.1974.012.001/09:03-03 IF-IDIOPHONE FRAPPE +BM.1974.012.001/09:03-04 CL-LUTH 1 +BM.1974.012.001/09:03-04 VP-PARLE +BM.1974.012.001/09:03-05 CL-LUTH 1 +BM.1974.012.001/09:03-05 VP-PARLE +BM.1974.012.001/09:03-06 CL-LUTH 1 +BM.1974.012.001/09:03-06 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+BM.1970.041.001/55:09-01 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1970.041.001/55:09-02 +BM.1970.041.001/55:09-02 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:09-02 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1970.041.001/55:09-03 +BM.1970.041.001/55:09-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:09-03 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1974.012.001/09:08-01 CL-LUTH 1 +BM.1974.012.001/09:08-01 VC-CHANTE 1 +BM.1974.012.001/09:08-02 VC-CHANTE SOLO H 1 +BM.1974.012.001/09:08-03 VC-CHANTE SOLO H 1 +BM.1974.012.001/09:08-04 BC-BRUITS CORPORELS 1 +BM.1974.012.001/09:08-05 VP-PARLE 1 +BM.1974.012.001/09:08-05 CL-LUTH 1 +BM.1974.012.001/09:08-06 VP-PARLE 1 +BM.1974.012.001/09:08-06 CL-LUTH 1 +BM.1974.012.001/09:08-07 VP-PARLE 1 +BM.1974.012.001/09:08-07 CL-LUTH 1 +BM.1974.012.001/09:08-10 CL-LUTH 1 +BM.1974.012.001/09:08-10 V-VOIX H 1 +BM.1974.012.001/09:08-10 VP-PARLE +BM.1974.012.001/09:08-11 CL-LUTH 1 +BM.1974.012.001/09:08-11 V-VOIX 1 +BM.1974.012.001/09:09-01 AABS-CLARINETTE 2TUY 1 +BM.1974.012.001/09:09-02 AABS-CLARINETTE 2TUY 1 +BM.1974.012.001/09:09-02 M1-TBR 1MEMB DARBOUKA 1 +BM.1974.012.001/09:09-02 BC-FRAPPEMENTS DE MAINS +BM.1970.041.001/55:09-04 +BM.1970.041.001/55:09-04 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:09-04 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1970.041.001/55:09-05 +BM.1970.041.001/55:09-05 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:09-05 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1970.041.001/55:10-01 +BM.1970.041.001/55:10-01 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:10-01 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1970.041.001/55:10-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:10-03 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:10-03 +BM.1970.041.001/55:10-03 +BM.1970.041.001/55:10-03 +BM.1970.041.001/55:10-02 +BM.1970.041.001/55:10-02 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:10-02 M2V-TBR 2MEMB VARIABLE Hudko type BHARAT +BM.1967.016.001/10:01-02 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:01-03 AABC-CORNEMUSE AABC-GAJDA 1 +BM.1967.016.001/10:01-03 M-TBR 1 +BM.1967.016.001/10:01-04 VC-CHANTE +BM.1967.016.001/10:01-04 ORCHESTRE +BM.1972.012.001/18:11-01 VC-CHANTE SOLO H 1 +BM.1972.012.001/18:11-01 VC-CHANTE CHOEUR H n +BM.1972.012.001/18:12-01 VC-CHANTE SOLO H 1 +BM.1967.016.001/10:01-05 M2-TBR 2MEMB 1 +BM.1967.016.001/10:01-05 AF-FLUTE 1 +BM.1967.016.001/10:01-05 CL-LUTH CL-LAUTA 1 +BM.1972.012.001/18:13-01 VC-CHANTE CHOEUR MIXTE n +BM.1972.012.001/18:13-01 ORCH-ENSEMBLE INSTRUMENTAL ORCH-GAMELAN n +BM.1967.016.001/10:01-06 VC-CHANTE SOLO G 1 +BM.1967.016.001/10:01-06 CL-LUTH CL-CIFTELI 1 +BM.1972.012.001/18:13-02 VC-CHANTE ALTERNE H & F CHANTEUSE MME SARAM 2 +BM.1972.012.001/18:13-02 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:13-02 M1-TBR 1MEMB M1-SKOR 1 +BM.1967.016.001/10:01-07 AABS-CLARINETTE 2TUY AABS-ZUMARE 1 +BM.1967.016.001/10:02-01 VC-CHANTE SOLO & CHR H +BM.1967.016.001/10:02-02 VC-CHANTE SOLO & CHR H +BM.1967.016.001/10:02-02 V-VOIX CHR H +BM.1967.016.001/10:02-03 AF-FLUTE 1 +BM.1967.016.001/10:02-03 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:02-04 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:02-04 CL-LUTH CL-LAUTA 1 +BM.1967.016.001/10:02-05 AF-FLUTE 1 +BM.1967.016.001/10:02-06 CL-LUTH CL-CIFTELI 6 +BM.1967.016.001/10:02-06 CV-VIELE 1 +BM.1967.016.001/10:02-07 CL-LUTH CL-CIFTELI 6 +BM.1967.016.001/10:02-07 AF-FLUTE 1 +BM.1982.010.001/03:01-05 AABD-HAUTBOIS AABD-RGYA-GLING +BM.1982.010.001/03:01-05 M2C-TBR 2MEMB/CAISSE M2C-RNGA +BM.1982.010.001/03:01-05 IE-CYMBALES IE-ROLMO +BM.1982.010.001/03:01-05 IE-CYMBALES IE-SIL-SNYAN +BM.1982.010.001/03:01-05 AT-TROMPE AT-DUNG CHEN *RKANG-GLING +BM.1967.016.001/10:03-01 VC-CHANTE +BM.1967.016.001/10:03-01 ORCH-ORCHESTRE SYMPHONIQUE +BM.1967.016.001/10:03-01 +BM.1967.016.001/10:03-02 VC-CHANTE SOLO H 1 +BM.1967.016.001/10:03-02 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:03-03 VC-CHANTE H +BM.1967.016.001/10:03-03 ORCH-ORCHESTRE +BM.1967.016.001/10:03-04 VC-CHANTE F +BM.1967.016.001/10:03-04 VC-CHANTE CHR F +BM.1967.016.001/10:03-04 AAL-ANCHE LIBRE/PLAQUE +BM.1967.016.001/10:03-04 AABS-CLARINETTE 2TUY +BM.1967.016.001/10:03-04 M-TBR +BM.1967.016.001/10:03-05 VC-CHANTE CHR H +BM.1967.016.001/10:03-06 VC-CHANTE SOLO H 1 +BM.1967.016.001/10:03-06 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:04-01 VC-CHANTE SOLO H 1 +BM.1967.016.001/10:04-01 CL-LUTH CL-CIFTELI 1 +BM.1967.016.001/10:04-02 VC-CHANTE SOLO & CHR H +BM.1967.016.001/10:04-02 ORCH-ORCHESTRE +BM.1967.016.001/10:04-02 M1D-TBR 1MEMB/CADRE M1D-DARJE +BM.1967.016.001/10:04-03 VC-CHANTE DUO H 2 +BM.1967.016.001/10:04-03 AABS-CLARINETTE +BM.1967.016.001/10:04-03 CL-LUTH +BM.1967.016.001/10:04-04 VC-CHANTE SOLO & CHR F +BM.1967.016.001/10:05-01 AABS-CLARINETTE +BM.1967.016.001/10:05-01 CL-LUTH 2 +BM.1967.016.001/10:05-01 AAL-ANCHE LIBRE/PLAQUE AAL-ACCORDEON 1 +BM.1967.016.001/10:05-02 C-CORDOPHONE +BM.1967.016.001/10:05-02 VC-CHANTE CHR H +BM.1967.016.001/10:05-03 AABC-CORNEMUSE AABC-GAJDA 1 +BM.1967.016.001/10:05-03 M-TBR 1 +BM.1967.016.001/10:05-04 VC-CHANTE CHR H +BM.1967.016.001/10:05-05 AABC-CORNEMUSE AABC-GAJDA 1 +BM.1967.016.001/10:05-05 M-TBR 1 +BM.1967.016.001/10:05-06 VC-CHANTE SOLO & CHR F +BM.1967.016.001/10:06-01 VC-CHANTE CHR H 8 +BM.1967.016.001/10:06-02 VC-CHANTE CHR H 8 +BM.1967.016.001/10:07-01 VC-CHANTE SOLO F & CHR H ALTERNES +BM.1967.016.001/10:07-01 ORCH-ORCHESTRE +BM.1967.016.001/10:07-01 +BM.1967.016.001/10:09-01 CL-LUTH CL-SAZE NN +BM.1967.016.001/10:09-01 CV-VIELE CV-VIOLON +BM.1967.016.001/10:09-01 M1D-TBR 1MEMB/CADRE M1D-DAJRE 1 +BM.1967.016.001/10:09-01 AAL-ANCHE LIBRE/PLAQUE 1 +BM.1967.016.001/10:09-01 VC-CHANTE H +BM.1972.012.001/18:14-01 V-VOIX F 1 +BM.1967.016.001/10:09-02 CL-LUTH CL-SAZE NN +BM.1967.016.001/10:09-02 CV-VIELE CV-VIOLON +BM.1967.016.001/10:09-02 M1D-TBR 1MEMB/CADRE M1D-DAJRE 1 +BM.1967.016.001/10:09-02 AAL-ANCHE LIBRE/PLAQUE 1 +BM.1967.016.001/10:09-02 VC-CHANTE H +BM.1972.012.001/18:14-02 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-03 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-04 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-04 CV-VIELE CV-TRO 1 +BM.1967.016.001/10:09-03 CL-LUTH CL-SAZE +BM.1967.016.001/10:09-03 CV-VIELE CV-VIOLON +BM.1967.016.001/10:09-03 M1D-TBR 1MEMB/CADRE M1D-DAJRE 1 +BM.1967.016.001/10:09-03 AAL-ANCHE LIBRE/PLAQUE 1 +BM.1967.016.001/10:09-03 VC-CHANTE H +BM.1972.012.001/18:14-05 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-05 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-06 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-06 CV-VIELE CV-TRO 1 +BM.1967.016.001/10:10-01 VC-CHANTE SOLO H ZEF DEDA 1 +BM.1967.016.001/10:10-01 CV-VIELE +BM.1967.016.001/10:10-02 VC-CHANTE SOLO H ZEF DEDA 1 +BM.1967.016.001/10:10-02 CV-VIELE +BM.1967.016.001/10:10-03 VC-CHANTE SOLO H ZEF DEDA 1 +BM.1967.016.001/10:10-03 CV-VIELE +BM.1967.016.001/10:10-04 VC-CHANTE SOLO H HAXHI SAITI 1 +BM.1967.016.001/10:10-04 CL-LUTH CL-CIFTELI HAXHI SAITI 1 +BM.1967.016.001/10:10-05 AABS-CLARINETTE 2TUY +BM.1967.016.001/10:10-06 AABS-CLARINETTE 2TUY +BM.1967.016.001/10:10-07 AF-FLUTE AF-FYELLI MALIQ SEJDINI 1 +BM.1967.016.001/10:10-08 CL-LUTH 1 +BM.1967.016.001/10:10-08 CV-VIELE CV-LAUTA 1 +BM.1967.016.001/10:10-09 CL-LUTH 1 +BM.1967.016.001/10:10-09 CV-VIELE CV-LAUTA 1 +BM.1967.016.001/10:10-10 VC-CHANTE DUO H +BM.1967.016.001/10:10-11 VC-CHANTE SOLO H MALEK SEJDINI 1 +BM.1967.016.001/10:10-11 CL-LUTH CL-CIFTELI +BM.1972.012.001/18:14-07 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-07 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-08 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-08 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-09 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-09 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-10 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-10 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-10 M1-TBR 1MEMB M1-SKOR 1 +BM.1972.012.001/18:14-11 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:14-11 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:14-11 M1-TBR 1MEMB M1-SKOR 1 +BM.1972.012.001/18:15-01 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:15-01 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:15-02 VC-CHANTE SOLO H SANN 1 +BM.1972.012.001/18:15-02 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:15-03 V-VOIX H 1 +BM.1972.012.001/18:15-04 V-VOIX H 1 +BM.1972.012.001/18:15-05 V-VOIX H 1 +BM.1972.012.001/18:15-06 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:15-06 M1-TBR 1MEMB M1-SKOR 1 +BM.1968.020.001/02:01-02 VC-CHANTE CHR F +BM.1968.020.001/02:01-02 VC-CHANTE SOLO F +BM.1968.020.001/02:01-02 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-02 M-TBR +BM.1972.012.001/18:15-07 CV-VIELE CV-TRO 1 +BM.1972.012.001/18:15-07 M1-TBR 1MEMB M1-SKOR 1 +BM.1972.012.001/18:15-07 IF-IDIOPHONE FRAPPE IF-BOUTEILLE 1 +BM.1968.020.001/02:01-03 VC-CHANTE CHR F +BM.1968.020.001/02:01-03 VC-CHANTE SOLO F +BM.1968.020.001/02:01-03 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-03 M-TBR +BM.1968.020.001/02:01-04 VC-CHANTE CHR F +BM.1968.020.001/02:01-04 VC-CHANTE SOLO F +BM.1968.020.001/02:01-04 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-04 M-TBR +BM.1972.012.001/18:16-01 IS-TUBES OSCILLANTS IS-ANKLUNG +BM.1972.012.001/18:16-01 IR-RACLEUR 1 +BM.1972.012.001/18:16-01 IFC-GONG n +BM.1968.020.001/02:01-05 VC-CHANTE CHR H +BM.1968.020.001/02:01-05 IF-IDIOPHONE FRAPPE +BM.1968.020.001/02:01-06 VC-CHANTE CHR F +BM.1968.020.001/02:01-06 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-06 M-TBR +BM.1968.020.001/02:01-07 VC-CHANTE CHR F +BM.1968.020.001/02:01-07 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-07 M-TBR +BM.1968.020.001/02:01-08 VC-CHANTE CHR F +BM.1968.020.001/02:01-08 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-08 M-TBR +BM.1968.020.001/02:01-09 VC-CHANTE CHR F +BM.1968.020.001/02:01-09 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-09 M-TBR +BM.1968.020.001/02:01-10 VC-CHANTE CHR F +BM.1968.020.001/02:01-10 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-10 M-TBR +BM.1968.020.001/02:01-11 VC-CHANTE CHR F +BM.1968.020.001/02:01-11 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-11 M-TBR +BM.1968.020.001/02:01-12 VC-CHANTE CHR F +BM.1968.020.001/02:01-12 BC-BATTEMENTS DE MAINS +BM.1968.020.001/02:01-12 M-TBR +BM.1968.020.001/02:01-13 CA-ARC MUSICAL 1 +BM.1968.020.001/02:01-14 CA-ARC MUSICAL 1 +BM.1968.020.001/02:01-15 CA-ARC MUSICAL 1 +BM.1968.020.001/02:02-02 VC-CHANTE CHR H +BM.1968.020.001/02:02-02 CV-VIELE +BM.1968.020.001/02:02-02 VC-CHANTE SOLO H +BM.1968.020.001/02:02-03 VC-CHANTE CHR H +BM.1968.020.001/02:02-03 CV-VIELE +BM.1968.020.001/02:02-03 VC-CHANTE SOLO H +BM.1968.020.001/02:02-04 VC-CHANTE CHR +BM.1961.001.001/03:02-01 VC-CHANTE SOLO +BM.1961.001.001/03:02-02 VC-CHANTE SOLO & CHR F +BM.1961.001.001/03:02-03 VC-CHANTE CHR +BM.1961.001.001/03:03-01 VC-CHANTE CHR +BM.1961.001.001/03:03-01 M-TBR +BM.1961.001.001/03:03-01 AF-FLUTE +BM.1982.010.001/03:01-06 VC-CHANTE SOLO H +BM.1982.010.001/03:01-07 VC-CHANTE F 2 +BM.1982.010.001/03:01-07 M-TBR M-RNGA 1 +BM.1982.010.001/03:02-01 VC-CHANTE SOLO H +BM.1982.010.001/03:02-02 VC-CHANTE SOLO H +BM.1982.010.001/03:02-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1982.010.001/03:02-04 VC-CHANTE SOLO H +BM.1982.010.001/03:02-04 CV-VIELE CV-PI WANG +BM.1982.010.001/03:02-04 +BM.1982.010.001/03:02-05 CV-VIELE CV-PI WANG +BM.1982.010.001/03:02-05 +BM.1982.010.001/03:02-06 CV-VIELE CV-PI WANG +BM.1982.010.001/03:02-06 +BM.1982.010.001/03:02-07 CV-VIELE CV-PI WANG +BM.1982.010.001/03:02-07 +BM.1982.010.001/03:02-08 CL-LUTH CL-SGRA-SNYAN +BM.1982.010.001/03:02-09 CL-LUTH CL-SGRA-SNYAN +BM.1982.010.001/03:02-09 VC-CHANTE SOLO H +BM.1982.010.001/03:02-10 CL-LUTH CL-SGRA-SNYAN +BM.1982.010.001/03:02-10 VC-CHANTE SOLO H +BM.1982.010.001/03:02-11 CL-LUTH CL-SGRA-SNYAN +BM.1982.010.001/03:02-11 VC-CHANTE SOLO H +BM.1972.012.001/18:16-02 VC-CHANTE CHOEUR MIXTE n +BM.1972.012.001/18:16-02 ORCH-ENSEMBLE INSTRUMENTAL ORCH-GAMELAN n +BM.1972.012.001/18:17-01 VC-CHANTE DUO ALTERNE 2 +BM.1972.012.001/18:17-01 ORCH-ENSEMBLE INSTRUMENTAL ORCH-GAMELAN n +BM.1972.012.001/18:17-02 VC-CHANTE CHOEUR H n +BM.1972.012.001/18:18-01 VC-CHANTE CHOEUR H n +BM.975.006.001/02:01-02 VC-CHANTE SOLO F 1 +BM.975.006.001/02:01-02 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.975.006.001/02:01-03 VC-CHANTE SOLO F 1 +BM.975.006.001/02:01-03 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.975.006.001/02:01-04 VC-CHANTE SOLO H 1 +BM.975.006.001/02:01-04 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.975.006.001/02:01-05 VC-CHANTE SOLO F 1 +BM.975.006.001/02:01-05 AAL-ANCHE LIBRE/TUYAU AAL-KHENE 1 +BM.975.006.001/02:01-06 V-VOIX CHR H n +BM.975.006.001/02:01-07 AAL-ANCHE LIBRE/TUYAU AAL-QEEJ 1 +BM.975.006.001/02:01-08 AAL-ANCHE LIBRE/TUYAU 1 +BM.975.006.001/02:01-09 VP-PARLE SOLO H 1 +BM.975.006.001/02:01-10 ORCH-ENSEMBLE INSTRUMENTAL ORCH- PIPHAT 1 +BM.975.006.001/02:01-11 ORCH-ENSEMBLE INSTRUMENTAL ORCH- PIPHAT 1 +BM.975.006.001/02:01-12 ORCH-ENSEMBLE INSTRUMENTAL ORCH- PIPHAT 1 +BM.975.006.001/0201-13 ORCH-ENSEMBLE INSTRUMENTAL ORCH- PIPHAT 1 +BM.975.006.001/02:01-13 ORCH-ENSEMBLE INSTRUMENTAL ORCH- PIPHAT 1 +BM.975.006.001/02:01-14 VC-CHANTE SOLO H 1 +BM.975.006.001/02:01-15 ORCH-ENSEMBLE INSTRUMENTAL ORCH-PIPHAT +BM.975.006.001/02:015 ORCH-ENSEMBLE INSTRUMENTAL ORCH-PIPHAT +BM.975.006.001/02:01-16 ORCH-ENSEMBLE INSTRUMENTAL ORCH-PIPHAT +BM.1970.041.001/55:10-04 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:10-04 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:10-04 +BM.1970.041.001/55:10-04 +BM.1970.041.001/55:10-04 +BM.1970.041.001/55:10-05 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:10-05 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:10-05 +BM.1970.041.001/55:10-05 +BM.1970.041.001/55:10-05 +BM.1970.041.001/55:11-01 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:11-01 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:11-01 +BM.1970.041.001/55:11-01 +BM.1970.041.001/55:11-01 +BM.1970.041.001/55:11-02 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:11-02 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:11-02 +BM.1970.041.001/55:11-02 +BM.1970.041.001/55:11-02 +BM.1970.041.001/55:11-03 VC- CHANTE SOLO ALTERNE & CHR H +BM.1970.041.001/55:11-03 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:11-03 +BM.1970.041.001/55:11-03 +BM.1970.041.001/55:11-03 +BM.1970.041.001/55:11-04 M2V-TBR 2MEMB VARIABLE HUDKO TYPE BHARAT +BM.1970.041.001/55:11-04 VC-CHANTE SOLO & CHR H +BM.1970.041.001/55:12-01 VC-CHANTE SOLO & CHR H +BM.1970.041.001/55:12-02 VC- CHANTE DUO H +BM.1970.041.001/55:13-01 VP-PARLE SOLO H +BM.1970.041.001/55:13-02 VP-PARLE SOLO H +BM.1970.041.001/55:14-01 VC-CHANTE SOLO H +BM.1970.041.001/55:14-02 VC-CHANTE SOLO H +BM.1970.041.001/55:14-04 VC-CHANTE CHOEUR F +BM.1970.041.001/55:14-05 VC-CHANTE SOLO F +BM.1970.019.001/123:106-02 VC-CHANTE SOLO H & CHR F N N 1 +BM.1970.019.001/123:106-02 M1-TBR 1MEMB M1-BARA N 2 +BM.1970.019.001/123:106-02 M2-TBR 2MEMB M2-DUNU N 1 +BM.1970.019.001/123:106-02 BR-BRUITEUR N N +BM.1970.019.001/123:106-02 IS-SONNAILLES +BM.1970.019.001/123:106-04 VC-CHANTE SOLO F & CHR E N N 1 +BM.1970.019.001/123:106-04 VA-YOUYOU CHR F N N N +BM.1970.019.001/123:106-04 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:106-06 VC-CHANTE SOLO & CHR F N N 1+3 +BM.1970.019.001/123:106-06 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:106-07 VC-CHANTE SOLO & CHR F N N 1+3 +BM.1970.019.001/123:106-07 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:107-07 VC-CHANTE SOLO F N N 1 +BM.1970.019.001/123:107-07 VP-PARLE N N N +BM.1970.019.001/123:104-03 VC-CHANTE SOLO H MAZANKORO SIDIBE 1 +BM.1970.019.001/123:104-03 CHL-HARPE-LUTH CHL-DOZO KONU MAZANKORO SIDIBE 1 +BM.1970.019.001/123:104-03 IR-RACLEUR IR-KARINYA N 1 +BM.1970.019.001/123:104-03 A-AÉROPHONE A-DOZO FLE N N +BM.1970.019.001/123:104-04 VC-CHANTE SOLO H & CHR F MAZANKORO SIDIBE +* 1+5/6 +BM.1970.019.001/123:104-04 CHL-HARPE-LUTH CHL-DOZO KONU MAZANKORO SIDIBE 1 +BM.1970.019.001/123:104-04 IR-RACLEUR IR-KARINYA N 1 +BM.1970.019.001/123:104-04 A-AÉROPHONE A-DOZO FLE N N 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+BM.1970.019.001/123:105-02 A-AÉROPHONE N N 1 +BM.1970.019.001/123:105-03 VC-CHANTE SOLO H N ALIFA DIOBATE 1 +BM.1970.019.001/123:105-03 CH-HARPE CH-KOGBELENU ALIFA DIOBATE 1 +BM.1970.019.001/123:105-04 VC-CHANTE SOLO H & CHR F N ALIFA DIOBATE +N 1+N +BM.1970.019.001/123:105-04 VC-CHANTE CHR F N N N +BM.1970.019.001/123:105-04 CH-HARPE CH-KOGBELENU ALIFA DIOBATE 1 +BM.1970.019.001/123:105-04 IR-IDIOPHONE RACLE IR-KARINYA N 1 +BM.1970.019.001/123:105-04 A-AÉROPHONE N N 1 +BM.1970.019.001/123:105-05 VC-CHANTE SOLO H N ALIFA DIOBATE 1 +BM.1970.019.001/123:105-05 A-AÉROPHONE 1 +BM.1970.019.001/123:105-06 CH-HARPE CH-KOGBELENU ALIFA DIOBATE 1 +BM.1970.019.001/123:107-02 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:107-02 VP-PARLE +BM.1970.019.001/123:107-03 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:107-03 VP-PARLE +BM.1970.019.001/123:107-04 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:107-04 VP-PARLE +BM.1970.019.001/123:107-05 VC-CHANTE SOLO & CHR F N N 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SIBIDÉ 1 +BM.1970.019.001/123:109-02 VC-CHANTE SOLO JH N N 1 +BM.1970.019.001/123:109-02 VC-CHANTE CHR JH N N N +BM.1970.019.001/123:109-02 VC-CHANTE DUO JH N N 2 +BM.1970.019.001/123:109-02 M-TBR M-BARA N 2 +BM.1970.019.001/123:109-02 BR-BRUITEUR +BM.1970.019.001/123:109-03 VC-CHANTE SOLO JH N N 1 +BM.1970.019.001/123:109-03 VC-CHANTE CHR JH N N N +BM.1970.019.001/123:109-03 VC-CHANTE DUO JH N N 2 +BM.1970.019.001/123:109-03 M-TBR M-BARA N 2 +BM.1970.019.001/123:109-03 BR-BRUITEUR +BM.1970.019.001/123:109-04 VC-CHANTE SOLO JH N N 1 +BM.1970.019.001/123:109-04 VC-CHANTE CHR JH N N N +BM.1970.019.001/123:109-04 VC-CHANTE DUO JH N N 2 +BM.1970.019.001/123:109-04 M-TBR M-BARA N 2 +BM.1970.019.001/123:109-04 BR-BRUITEUR +BM.1970.019.001/123:109-05 VC-CHANTE SOLO JH N N 1 +BM.1970.019.001/123:109-05 VC-CHANTE CHR JH N N N +BM.1970.019.001/123:109-05 VC-CHANTE DUO JH N N 2 +BM.1970.019.001/123:109-05 M-TBR M-BARA N 2 +BM.1970.019.001/123:109-05 BR-BRUITEUR +BM.1970.019.001/123:109-06 VC-CHANTE SOLO JH N N 1 +BM.1970.019.001/123:109-06 VC-CHANTE CHR JH N N N +BM.1970.019.001/123:109-06 VC-CHANTE DUO JH N N 2 +BM.1970.019.001/123:109-06 M-TBR M-BARA N 2 +BM.1970.019.001/123:109-06 BR-BRUITEUR +BM.1970.019.001/123:110-02 VC-CHANTE SOLO JH & CHR MIXTE N N +BM.1970.019.001/123:110-02 IS-SISTRE IS-WASAMA N 2 +BM.1970.019.001/123:110-03 VC-CHANTE SOLO JH & CHR MIXTE N N +BM.1970.019.001/123:110-03 IS-SISTRE IS-WASAMA N 2 +BM.1970.019.001/123:110-04 VC-CHANTE SOLO JH & CHR MIXTE N N +BM.1970.019.001/123:110-04 IS-SISTRE IS-WASAMA N 2 +BM.1970.019.001/123:110-05 VC-CHANTE SOLO JH & CHR MIXTE N N +BM.1970.019.001/123:110-05 IS-SISTRE IS-WASAMA N 2 +BM.1970.019.001/123:110-06 VC-CHANTE SOLO JH & CHR MIXTE N N +BM.1970.019.001/123:110-06 IS-SISTRE IS-WASAMA N 2 +BM.1970.019.001/123:111-02 M-TBR M-BARA BA N 1 +BM.1970.019.001/123:111-02 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:111-03 M-TBR M-BARA BA N 1 +BM.1970.019.001/123:111-03 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:111-05 M-TBR M-BARA BA N 1 +BM.1970.019.001/123:111-05 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:111-05 M-TBR N N 1 +BM.1970.019.001/123:111-05 VC-CHANTE DUO ALTERNE JF 2+2 +BM.1970.019.001/123:112-02 M-TBR M-MOSSO BARA N 2 +BM.1970.019.001/123:112-02 VC-CHANTE CHR JF +BM.1970.019.001/123:112-03 M-TBR M-MOSSO BARA N 2 +BM.1970.019.001/123:112-05 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:112-05 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:112-06 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:112-07 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:112-08 VC-CHANTE SOLO & CHR F N N +BM.1970.019.001/123:112-08 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-02 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-02 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-03 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-03 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-04 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-04 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-05 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-05 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-06 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-06 BC-BATTEMENTS DE MAINS N N N +BM.1970.019.001/123:113-07 VC-CHANTE SOLO & CHR JF +BM.1970.019.001/123:113-07 BC-BATTEMENTS DE MAINS N N N +BM.1970.041.001/55:14-06 VC-2CHR ALTERNES F +BM.1970.041.001/55:14-07 VC-CHANTE SOLO F +BM.1970.041.001/55:14-08 VC-2CHR ALTERNES F +BM.1970.041.001/55:15-01 VC-2CHR ALTERNES F +BM.1970.041.001/55:15-02 VC-2CHR ALTERNES F +BM.1970.019.001/123:114-02 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-02 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-02 M-TBR M-MOSSO BARA N 2 +BM.1970.019.001/123:114-03 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-03 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-03 M-TBR M-MOSSO BARA N 2 +BM.1970.019.001/123:114-04 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-04 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-04 M-TBR M-MOSSO BARA 2 +BM.1970.041.001/55:15-03 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.019.001/123:114-05 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-05 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-05 M-TBR M-MOSSO BARA 2 +BM.1970.019.001/123:114-06 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-06 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-06 M-TBR M-MOSSO BARA N 2 +BM.1970.019.001/123:114-07 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-07 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-07 M-TBR M-MOSSO BARA 2 +BM.1970.019.001/123:114-08 VC-CHANTE CHR F N N 7 +BM.1970.019.001/123:114-08 AFL-FLUTE LAT AFL-TAMI FILE SIAMO BAMBA I +BM.1970.019.001/123:114-08 M-TBR M-MOSSO BARA 2 +BM.1970.041.001/55:16-01 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:16-02 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:16-03 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.019.001/123:115-02 VC-CHANTE SOLO & CHR F 1+n +BM.1970.019.001/123:115-02 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:115-02 M1-TBR 1MEMB M1-BARA BA N 1 +BM.1970.019.001/123:115-02 BR-BRUITEUR +BM.1970.019.001/123:115-02 IFC-CORPS HEMISPHERIQUE IFC-DYI DUNU 1 +BM.1970.041.001/55:16-04 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.019.001/123:115-03 VC-CHANTE DUO ALTERNE F N N 2 +BM.1970.019.001/123:115-03 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:115-03 M1-TBR 1MEMB M1-BARA BA N 1 +BM.1970.019.001/123:115-03 BR-BRUITEUR +BM.1970.019.001/123:115-03 IFC-CORPS HEMISPHERIQUE IFC-DYI DUNU 1 +BM.1970.019.001/123:115-04 VC-CHANTE SOLO & CHR F 1+n +BM.1970.019.001/123:115-04 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:115-04 M1-TBR 1MEMB M1-BARA BA N 1 +BM.1970.019.001/123:115-04 BR-BRUITEUR +BM.1970.019.001/123:115-04 IFC-CORPS HEMISPHERIQUE IFC-DYI DUNU 1 +BM.1970.019.001/123:115-05 M1-TBR 1MEMB M1-BARA DENU N 1 +BM.1970.019.001/123:115-05 M1-TBR 1MEMB M1-BARA BA N 1 +BM.1970.019.001/123:115-05 BR-BRUITEUR +BM.1970.019.001/123:115-05 IFC-CORPS HEMISPHERIQUE IFC-DYI DUNU 1 +BM.1970.041.001/55:16-05 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:16-06 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:16-07 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:16-08 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.019.001/123:116-02 VP-PARLE H N N N +BM.1970.019.001/123:116-02 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-02 IS-SONNAILLES N N N +BM.1970.019.001/123:116-02 IR-IDIOPHONE RACLE IR-KARINYA N N +BM.1970.019.001/123:116-02 VC-CHANTE CHR F N N 3 +BM.1970.019.001/123:116-03 VP-PARLE H N N N +BM.1970.019.001/123:116-03 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-03 IS-SONNAILLES N N N +BM.1970.019.001/123:116-03 IR-IDIOPHONE RACLE IR-KARINYA N N +BM.1970.019.001/123:116-03 VC-CHANTE CHR F N N 3 +BM.1970.019.001/123:116-03 VP-PARLE H N N N +BM.1970.019.001/123:116-03 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-03 IS-SONNAILLES N N N +BM.1970.019.001/123:116-03 IR-IDIOPHONE RACLE IR-KARINYA N N +BM.1970.019.001/123:116-03 VC-CHANTE CHR F N N 3 +BM.1970.019.001/123:116-04 VP-PARLE H N N N +BM.1970.019.001/123:116-04 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-04 IS-SONNAILLES N N N +BM.1970.019.001/123:116-04 IR-IDIOPHONE RACLE IR-KARINYA N N +BM.1970.019.001/123:116-04 VC-CHANTE CHR F N N 3 +BM.1970.019.001/123:116-05 VP-PARLE H N N N +BM.1970.019.001/123:116-05 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-05 IS-SONNAILLES N N N +BM.1970.019.001/123:116-05 IR-IDIOPHONE RACLE IR-KARINYA N N +BM.1970.019.001/123:116-05 VC-CHANTE CHR F N N 3 +BM.1970.019.001/123:116-06 VP-PARLE H N N N +BM.1970.019.001/123:116-06 IFP-XYLOPHONE N * 3 +BM.1970.019.001/123:116-06 IS-SONNAILLES N N N +BM.1970.041.001/55:17-01 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:17-02 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:17-03 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:17-04 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:17-05 VC- CHANTE F. SOLO SRIMATI JASU TUMALI +BM.1970.041.001/55:17-06 VC-CHANTE CHR JF +BM.1970.041.001/55:17-07 VC-CHANTE CHR JF +BM.1970.041.001/55:17-08 VC-CHANTE CHR JF +BM.1970.041.001/55:17-09 VC- CHANTE F. SOLO +BM.1970.041.001/55:17-10 VC- CHANTE F. SOLO +BM.1970.041.001/55:18-01 VC-CHANTE SOLO H Bhoj Raj Bhatta Rai +BM.1970.041.001/55:18-02 VC-CHANTE SOLO H Bhoj Raj Bhatta Rai +BM.1970.019.001/123:117-02 VC-CHANTE SOLO & DUO F N KONDE KOUYATE 1&2 +BM.1970.019.001/123:117-02 IFP-XYLOPHONE IFP-BALAN N 2 +BM.1970.019.001/123:117-03 VP-PARLE H N 1 +BM.1970.019.001/123:117-03 VC-CHANTE SOLO & DUO F KONDE KUOUYATE 1&2 +BM.1970.019.001/123:117-03 IFP-XYLOPHONE IFP-BALAN N 2 +BM.1970.019.001/123:117-04 VC-CHANTE SOLO F N KONDÉ KOUYATÉ 1 +BM.1970.019.001/123:117-04 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ N +BM.1970.019.001/123:117-04 VP-PARLE H N N N +BM.1970.019.001/123:117-05 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ N +BM.1970.019.001/123:118-02 VC-CHANTE SOLO H & CHR F N MAMADI DYOUBATE* 1+2 +BM.1970.019.001/123:118-02 CHL-HARPE-LUTH CHL-SERON MAMADI DYOUBATÉ N +BM.1970.019.001/123:118-03 VC-CHANTE SOLO H & CHR F N MAMADI DYOUBATE* 1+2 +BM.1970.019.001/123:118-03 CHL-HARPE-LUTH CHL-SERON MAMADI DYOUBATÉ N +BM.1970.019.001/123:118-03 IR-IDIOPHONE RACLE N N N +BM.1970.019.001/123:119-06 VP-PARLE SOLO H 1 +BM.1970.019.001/123:119-06 IFP-XYLOPHONE 1 +BM.1970.019.001/123:119-06 CL-LUTH CL-GUITARE 1 +BM.1970.019.001/123:119-06 VC-CHANTE SOLO F 1 +BM.1970.019.001/123:120-02 CH-HARPE CH-BOLON BILALI KEITA & LAHI KONE 2 +BM.1970.019.001/123:120-02 BR-BRUITEUR +BM.1970.019.001/123:120-03 VC-CHANTE DUO ALTERNE H & F N N 1 +BM.1970.019.001/123:120-03 CH-HARPE CH-BOLON BILALI KEITA & LAHI KONE 2 +BM.1970.019.001/123:120-03 BR-BRUITEUR +BM.1970.019.001/123:120-04 VC-CHANTE DUO ALTERNE H & F N N 1 +BM.1970.019.001/123:120-04 CH-HARPE CH-BOLON BILALI KEITA & LAHI KONE 2 +BM.1970.019.001/123:120-04 BR-BRUITEUR +BM.1970.019.001/123:120-05 VC-CHANTE SOLO H & DUO MIXTE ** +BM.1970.019.001/123:120-05 CH-HARPE CH-BOLON BILALI KEITA & LAHI KONE 2 +BM.1970.019.001/123:120-05 BR-BRUITEUR +BM.1970.019.001/123:120-06 CH-HARPE CH-BOLON BILALI KEITA & LAHI KONE 2 +BM.1970.019.001/123:120-06 BR-BRUITEUR +BM.1970.019.001/123:121-02 VC-CHANTE SOLO F N KONDÉ KOUYATÉ I +BM.1970.019.001/123:121-02 VP-PARLE H N N N +BM.1970.019.001/123:121-02 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ 1 +BM.1970.019.001/123:121-03 VC-CHANTE SOLO F N KONDÉ KOUYATÉ I +BM.1970.019.001/123:121-03 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ 1 +BM.1970.019.001/123:121-04 VC-CHANTE SOLO F N KONDÉ KOUYATÉ I +BM.1970.019.001/123:121-04 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ 1 +BM.1970.019.001/123:121-05 VC-CHANTE SOLO F N KONDÉ KOUYATÉ I +BM.1970.019.001/123:121-05 CHL-HARPE-LUTH CHL-KORA DIÉMORI KOUYATÉ 1 +BM.1970.019.001/123:122-02 VC-CHANTE SOLO H MAMADI DYOUBATE I +BM.1970.019.001/123:122-02 CHL-HARPE-LUTH CHL-SERON MAMADI DYOUBATÉ 1 +BM.1970.019.001/123:122-03 VC-CHANTE SOLO H MAMADI DYOUBATE I +BM.1970.019.001/123:122-03 CHL-HARPE-LUTH CHL-SERON MAMADI DYOUBATÉ 1 +BM.1970.019.001/123:122-03 VP-PARLE H 1 +BM.1970.019.001/123:122-04 VC-CHANTE SOLO H MAMADI DYOUBATE I +BM.1970.019.001/123:122-04 CHL-HARPE-LUTH CHL-SERON MAMADI DYOUBATÉ 1 +BM.1970.019.001/123:122-04 VP-PARLE H 1 +BM.1970.019.001/123:122-06 VC-CHANTE DUO F & CHR H 2+4 +BM.1970.019.001/123:122-06 IS-SISTRE N N N +BM.1970.019.001/123:123-02 VP-PARLE SOLO H N N I +BM.1970.019.001/123:123-02 CHL-HARPE-LUTH CHL-KORA N 1 +BM.1970.019.001/123:123-03 VP-PARLE SOLO H N N I +BM.1970.019.001/123:123-03 CHL-HARPE-LUTH CHL-KORA N 1 +BM.1970.020.001/31:04-01 VC-CHANTE DUO ALTERNE H N N 2 +BM.1970.020.001/31:04-01 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.020.001/31:04-01 VP-PARLE H N N N +BM.1970.020.001/31:04-01 VC-CHANTE H N N N +BM.1970.020.001/31:04-02 VC-CHANTE DUO ALTERNE H N N 2 +BM.1970.020.001/31:04-02 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.020.001/31:04-02 VP-PARLE H N N N +BM.1970.020.001/31:04-02 VC-CHANTE H N N N +BM.1970.020.001/31:04-03 VC-CHANTE DUO ALTERNE H N N 2 +BM.1970.020.001/31:04-03 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.020.001/31:04-03 VP-PARLE H N N N +BM.1970.020.001/31:04-03 VC-CHANTE H N N N +BM.1970.020.001/31:04-04 VC-CHANTE DUO ALTERNE H N N 2 +BM.1970.020.001/31:04-04 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.020.001/31:04-04 VP-PARLE H N N N +BM.1970.020.001/31:04-04 VC-CHANTE H N N N +BM.1970.020.001/31:04-05 VC-CHANTE DUO ALTERNE H N N 2 +BM.1970.020.001/31:04-05 M1D-TBR 1MEMB/CADRE M1D-TERBANG N N +BM.1970.020.001/31:04-05 VP-PARLE H N N N +BM.1970.020.001/31:04-05 VC-CHANTE H N N N +BM.1970.020.001/31:05-02 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:05-02 M-TBR M-REBANA N N +BM.1970.020.001/31:05-03 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:05-03 M-TBR M-REBANA N N +BM.1970.020.001/31:05-04 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:05-04 M-TBR M-REBANA N N +BM.1970.020.001/31:06-02 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:06-02 M-TBR M-REBANA N N +BM.1970.020.001/31:06-03 VC-CHANTE TRIO H N N 3 +BM.1970.020.001/31:06-03 M-TBR M-REBANA N N +BM.1970.020.001/31:07-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:07-01 AF-FLUTE N N 1 +BM.1970.020.001/31:07-02 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:07-02 AF-FLUTE N N 1 +BM.1970.020.001/31:07-03 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:07-03 AF-FLUTE N N 1 +BM.1970.020.001/31:09-01 IFC-GONG N N N +BM.1970.020.001/31:09-01 M-TBR N N N +BM.1970.020.001/31:09-01 AF-FLUTE N N 1 +BM.1970.020.001/31:09-01 IE-CYMBALES N N N +BM.1970.020.001/31:09-02 IFC-GONG N N N +BM.1970.020.001/31:09-02 M-TBR N N N +BM.1970.020.001/31:09-02 AF-FLUTE N N 1 +BM.1970.020.001/31:09-02 IE-CYMBALES N N N +BM.1970.020.001/31:09-03 IP-GUIMBARDE IP-GENGGONG N 1 +BM.1970.020.001/31:09-03 AF-FLUTE N N 1 +BM.1970.020.001/31:09-03 IFC-GONG N N N +BM.1970.020.001/31:09-04 IP-GUIMBARDE IP-GENGGONG N 1 +BM.1970.020.001/31:09-04 AF-FLUTE N N 1 +BM.1970.020.001/31:09-04 IFC-GONG N N N +BM.1970.020.001/31:09-05 IP-GUIMBARDE IP-GENGGONG N 1 +BM.1970.020.001/31:09-05 AF-FLUTE N N 1 +BM.1970.020.001/31:09-05 IFC-GONG N N N +BM.1970.020.001/31:09-06 IP-GUIMBARDE IP-GENGGONG N 1 +BM.1970.020.001/31:09-06 AF-FLUTE N N 1 +BM.1970.020.001/31:09-06 IFC-GONG N N N +BM.1970.020.001/31:10-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-01 IFC-GONG N N N +BM.1970.020.001/31:10-01 M-TBR N N 2 +BM.1970.020.001/31:10-01 AF-FLUTE N N 1 +BM.1970.020.001/31:10-01 VP-ENQUETE N N 1 +BM.1970.020.001/31:10-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-02 IFC-GONG N N N +BM.1970.020.001/31:10-02 M-TBR N N 2 +BM.1970.020.001/31:10-02 AF-FLUTE N N 1 +BM.1970.020.001/31:10-02 VP-ENQUETE N N 1 +BM.1970.020.001/31:10-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-03 IFC-GONG N N N +BM.1970.020.001/31:10-03 M-TBR N N 2 +BM.1970.020.001/31:10-03 AF-FLUTE N N 1 +BM.1970.020.001/31:10-03 VP-ENQUETE N N 1 +BM.1970.020.001/31:10-04 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-04 IFC-GONG N N N +BM.1970.020.001/31:10-04 M-TBR N N 2 +BM.1970.020.001/31:10-04 AF-FLUTE N N 1 +BM.1970.020.001/31:10-04 VP-ENQUETE N N 1 +BM.1970.020.001/31:10-05 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-05 IFC-GONG N N N +BM.1970.020.001/31:10-05 M-TBR N N 2 +BM.1970.020.001/31:10-05 AF-FLUTE N N 1 +BM.1970.020.001/31:10-05 VP-ENQUETE N N 1 +BM.1970.020.001/31:10-06 IFP-METALLOPHONE N N N +BM.1970.020.001/31:10-06 IFC-GONG N N N +BM.1970.020.001/31:10-06 M-TBR N N 2 +BM.1970.020.001/31:10-06 AF-FLUTE N N 1 +BM.1970.020.001/31:10-06 VP-ENQUETE N N 1 +BM.1970.020.001/31:11-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:11-01 IFC-GONG N N N +BM.1970.020.001/31:11-01 M-TBR N N 2 +BM.1970.020.001/31:11-01 AF-FLUTE N N 1 +BM.1970.020.001/31:11-01 IE-CYMBALES N N N +BM.1970.020.001/31:11-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:11-01 VP-PARLE H N N N +BM.1970.020.001/31:11-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:11-02 IFC-GONG N N N +BM.1970.020.001/31:11-02 M-TBR N N 2 +BM.1970.020.001/31:11-02 AF-FLUTE N N 1 +BM.1970.020.001/31:11-02 IE-CYMBALES N N N +BM.1970.020.001/31:11-02 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:11-02 VP-PARLE H N N N +BM.1970.019.001/123:46-06 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-06 M-TBR M-KELE 1 +BM.1970.019.001/123:46-06 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-06 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-06 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-06 IFC-CLOCHE 1 +BM.1970.019.001/123:46-06 IFC-CLOCHE IFC-OGAN +BM.1970.019.001/123:46-06 VC-CHANTE CHR F +BM.1970.020.001/31:11-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:11-03 IFC-GONG N N N +BM.1970.020.001/31:11-03 M-TBR N N 2 +BM.1970.020.001/31:11-03 AF-FLUTE N N 1 +BM.1970.020.001/31:11-03 IE-CYMBALES N N N +BM.1970.020.001/31:11-03 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:11-03 VP-PARLE H N N N +BM.1970.020.001/31:11-04 IFP-METALLOPHONE N N N +BM.1970.020.001/31:11-04 IFC-GONG N N N +BM.1970.020.001/31:11-04 M-TBR N N 2 +BM.1970.020.001/31:11-04 AF-FLUTE N N 1 +BM.1970.020.001/31:11-04 IE-CYMBALES N N N +BM.1970.020.001/31:11-04 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:11-04 VP-PARLE H N N N +BM.1970.020.001/31:12-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:12-01 IFC-GONG N N N +BM.1970.020.001/31:12-01 M-TBR N N 2 +BM.1970.020.001/31:12-01 IE-CYMBALES N N N +BM.1970.020.001/31:12-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:12-01 VP-ENQUETE N N N +BM.1970.020.001/31:12-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:12-02 IFC-GONG N N N +BM.1970.020.001/31:12-02 M-TBR N N 2 +BM.1970.020.001/31:12-02 IE-CYMBALES N N N +BM.1970.020.001/31:12-02 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:12-02 VP-ENQUETE N N N +BM.1970.020.001/31:12-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:12-03 IFC-GONG N N N +BM.1970.020.001/31:12-03 M-TBR N N 2 +BM.1970.020.001/31:12-03 IE-CYMBALES N N N +BM.1970.020.001/31:12-03 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:12-03 VP-ENQUETE N N N +BM.1970.020.001/31:13-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:13-01 IFC-GONG N N N +BM.1970.020.001/31:13-01 M-TBR N N N +BM.1970.020.001/31:13-01 IE-CYMBALES N N N +BM.1970.020.001/31:13-01 AF-FLUTE N N 1 +BM.1970.020.001/31:13-01 VP-ENQUETE N N N +BM.1970.020.001/31:13-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:13-02 IFP-XYLOPHONE N N N +BM.1970.020.001/31:13-02 IFC-GONG N N N +BM.1970.020.001/31:13-02 M-TBR N N N +BM.1970.020.001/31:13-02 IE-CYMBALES N N N +BM.1970.020.001/31:13-02 AF-FLUTE N N 1 +BM.1970.020.001/31:13-02 VP-ENQUETE N N N +BM.1970.020.001/31:13-02 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:13-03 IFP-XYLOPHONE N N N +BM.1970.020.001/31:13-03 IFC-GONG N N N +BM.1970.020.001/31:13-03 M-TBR N N N +BM.1970.020.001/31:13-03 IE-CYMBALES N N N +BM.1970.020.001/31:13-03 AF-FLUTE N N 1 +BM.1970.020.001/31:13-03 VP-ENQUETE N N N +BM.1970.020.001/31:13-03 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:13-04 IFP-XYLOPHONE N N N +BM.1970.020.001/31:13-04 IFC-GONG N N N +BM.1970.020.001/31:13-04 M-TBR N N N +BM.1970.020.001/31:13-04 IE-CYMBALES N N N +BM.1970.020.001/31:13-04 AF-FLUTE N N 1 +BM.1970.020.001/31:13-04 VP-ENQUETE N N N +BM.1970.020.001/31:13-04 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:13-05 IFP-XYLOPHONE N N 1 +BM.1970.020.001/31:13-05 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:13-06 IFP-XYLOPHONE N N 1 +BM.1970.020.001/31:13-06 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:15-01 IFP-METALLOPHONE N N 4 +BM.1970.020.001/31:15-01 VP-PARLE SOLO H N IBK SUDIJARA 1 +BM.1970.020.001/31:15-02 IFP-METALLOPHONE N N 4 +BM.1970.020.001/31:15-02 VP-PARLE SOLO H N IBK SUDIJARA 1 +BM.1970.020.001/31:15-03 IFP-METALLOPHONE N N 4 +BM.1970.020.001/31:15-03 VP-PARLE SOLO H N IBK SUDIJARA 1 +BM.1970.020.001/31:16-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:16-01 IFC-GONG N N N +BM.1970.020.001/31:16-01 M-TBR N N 2 +BM.1970.020.001/31:16-01 AF-FLUTE N N 1 +BM.1970.020.001/31:16-01 IE-CYMBALES N N N +BM.1970.020.001/31:16-01 VP-PARLE N N N +BM.1970.020.001/31:16-01 SD-AMBIANCES DIVERSES N N N +BM.1970.019.001/123:46-07 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:46-07 M-TBR M-KELE 1 +BM.1970.019.001/123:46-07 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:46-07 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:46-07 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:46-07 IFC-CLOCHE 1 +BM.1970.019.001/123:46-07 IFC-CLOCHE IFC-OGAN +BM.1970.019.001/123:46-07 VC-CHANTE CHR F +BM.1970.020.001/31:16-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:16-02 IFC-GONG N N N +BM.1970.020.001/31:16-02 M-TBR N N 2 +BM.1970.020.001/31:16-02 AF-FLUTE N N 1 +BM.1970.020.001/31:16-02 IE-CYMBALES N N N +BM.1970.020.001/31:16-02 VP-PARLE N N N +BM.1970.020.001/31:16-02 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:16-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:16-03 IFC-GONG N N N +BM.1970.020.001/31:16-03 M-TBR N N 2 +BM.1970.020.001/31:16-03 AF-FLUTE N N 1 +BM.1970.020.001/31:16-03 IE-CYMBALES N N N +BM.1970.020.001/31:16-03 VP-PARLE N N N +BM.1970.020.001/31:16-03 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-01 IE-CYMBALES N N N +BM.1970.020.001/31:17-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-01 IFC-GONG N N N +BM.1970.020.001/31:17-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-02 IE-CYMBALES N N N +BM.1970.020.001/31:17-02 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-02 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-02 IFC-GONG N N N +BM.1970.020.001/31:17-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-03 IE-CYMBALES N N N +BM.1970.020.001/31:17-03 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-03 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-03 IFC-GONG N N N +BM.1970.020.001/31:17-04 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-04 IE-CYMBALES N N N +BM.1970.020.001/31:17-04 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-04 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-04 IFC-GONG N N N +BM.1970.020.001/31:17-05 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-05 IE-CYMBALES N N N +BM.1970.020.001/31:17-05 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-05 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-05 IFC-GONG N N N +BM.1970.020.001/31:17-06 IFP-METALLOPHONE N N N +BM.1970.020.001/31:17-06 IE-CYMBALES N N N +BM.1970.020.001/31:17-06 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:17-06 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:17-06 IFC-GONG N N N +BM.1970.020.001/31:19-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:19-01 IFC-GONG N N N +BM.1970.020.001/31:19-01 M-TBR N N 2 +BM.1970.020.001/31:19-01 IE-CYMBALES N N N +BM.1970.020.001/31:19-01 VP-PARLE H N N N +BM.1970.020.001/31:19-02 IFP-XYLOPHONE N N N +BM.1970.020.001/31:19-02 IFC-GONG N N N +BM.1970.020.001/31:19-02 M-TBR N N 2 +BM.1970.020.001/31:19-02 IE-CYMBALES N N N +BM.1970.020.001/31:19-02 VP-PARLE H N N N +BM.1970.020.001/31:19-03 IFP-XYLOPHONE N N N +BM.1970.020.001/31:19-03 IFC-GONG N N N +BM.1970.020.001/31:19-03 M-TBR N N 2 +BM.1970.020.001/31:19-03 IE-CYMBALES N N N +BM.1970.020.001/31:19-03 VP-PARLE H N N N +BM.1970.020.001/31:20-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:20-01 IFC-GONG N N N +BM.1970.020.001/31:20-01 M-TBR N N 2 +BM.1970.020.001/31:20-01 IE-CYMBALES N N N +BM.1970.020.001/31:20-01 AF-FLUTE N N N +BM.1970.020.001/31:20-03 IFP-XYLOPHONE N N N +BM.1970.020.001/31:20-03 IFC-GONG N N N +BM.1970.020.001/31:20-03 M-TBR N N 2 +BM.1970.020.001/31:20-03 IE-CYMBALES N N N +BM.1970.020.001/31:20-03 AF-FLUTE N N N +BM.1970.020.001/31:20-02 IFP-XYLOPHONE N N N +BM.1970.020.001/31:20-02 IFC-GONG N N N +BM.1970.020.001/31:20-02 M-TBR N N 2 +BM.1970.020.001/31:20-02 IE-CYMBALES N N N +BM.1970.020.001/31:20-02 AF-FLUTE N N N +BM.1970.020.001/31:21-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:21-01 IFC-GONG N N N +BM.1970.020.001/31:21-01 M-TBR N N 2 +BM.1970.020.001/31:21-01 IE-CYMBALES N N N +BM.1970.020.001/31:21-01 AF-FLUTE N N N +BM.1970.020.001/31:21-02 IFP-XYLOPHONE N N N +BM.1970.020.001/31:21-02 IFC-GONG N N N +BM.1970.020.001/31:21-02 M-TBR N N 2 +BM.1970.020.001/31:21-02 IE-CYMBALES N N N +BM.1970.020.001/31:21-02 AF-FLUTE N N N +BM.1970.020.001/31:24-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:24-01 IFP-XYLOPHONE N N N +BM.1970.020.001/31:24-01 IFC-GONG N N N +BM.1970.020.001/31:24-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:24-02 IFP-XYLOPHONE N N N +BM.1970.020.001/31:24-02 IFC-GONG N N N +BM.1970.020.001/31:30B-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:30B-01 IFC-GONG N N N +BM.1970.020.001/31:30B-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:30B-01 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:30B-02 IFP-METALLOPHONE N N N +BM.1970.020.001/31:30B-02 IFC-GONG N N N +BM.1970.020.001/31:30B-02 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:30B-02 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:30B-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:30B-03 IFC-GONG N N N +BM.1970.020.001/31:30B-03 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:30B-03 VP-PARLE H & F N N N +BM.1970.020.001/31:30B-03 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:30B-04 IFP-METALLOPHONE N N N +BM.1970.020.001/31:30B-04 IFC-GONG N N N +BM.1970.020.001/31:30B-04 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:30B-04 VP-PARLE H & F N N N +BM.1970.020.001/31:30B-04 SD-AMBIANCES DIVERSES N N N +BM.1970.020.001/31:31A-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:31A-01 IFC-GONG N N N +BM.1970.020.001/31:31A-01 M-TBR N N N +BM.1970.020.001/31:31A-01 IE-CYMBALES N N N +BM.1970.020.001/31:31A-01 VP-PARLE SOLO H N N 1 +BM.1970.020.001/31:31A-02 VC-CHANTE DUO MIXTE N N 2 +BM.1970.020.001/31:31A-03 IFP-METALLOPHONE N N N +BM.1970.020.001/31:31A-03 IFC-GONG N N N +BM.1970.020.001/31:31A-03 M-TBR N N N +BM.1970.020.001/31:31A-03 IE-CYMBALES N N N +BM.1970.020.001/31:31A-04 VC-CHANTE SOLO H 1 +BM.1970.020.001/31:31A-04 ORCH-ORCHESTRE +BM.1970.020.001/31:31A-05 VC-CHANTE SOLO H 1 +BM.1970.020.001/31:31A-05 ORCH-ORCHESTRE +BM.1970.020.001/31:31A-07 AF-FLUTE N N 1 +BM.1970.020.001/31:31A-07 CL-LUTH CL-GUITARE 1 +BM.1970.020.001/31:31A-07 M-TBR N N 1 +BM.1970.020.001/31:31A-07 VP-PARLE SOLO H 1 +BM.1970.020.001/31:31A-08 AF-FLUTE N N 1 +BM.1970.020.001/31:31A-08 CL-LUTH CL-GUITARE 1 +BM.1970.020.001/31:31A-08 M-TBR N N 1 +BM.1970.020.001/31:31A-09 IFP-METALLOPHONE N N N +BM.1970.020.001/31:31A-09 IFC-GONG N N N +BM.1970.020.001/31:31A-09 M-TBR N N N +BM.1970.020.001/31:31A-09 IE-CYMBALES N N N +BM.1970.020.001/31:31B-01 IFP-METALLOPHONE N N N +BM.1970.020.001/31:31B-01 IFC-GONG N N N +BM.1970.020.001/31:31B-01 M-TBR N N N +BM.1970.020.001/31:31B-01 IE-CYMBALES N N N +BM.1970.019.001/123:44-02 VC-CHANTE CHR H +BM.1970.019.001/123:44-02 M-TBR >1 +BM.1970.019.001/123:44-02 IS-HOCHET >1 +BM.1970.019.001/123:46-08 IFC-CLOCHE 1 +BM.1970.019.001/123:47-01 M-TBR M-BATA >1 +BM.1970.019.001/123:47-02 VP-PARLE +BM.1970.019.001/123:47-03 V-VOIX +BM.1970.019.001/123:47-03 M-TBR M-BATA >1 +BM.1970.019.001/123:47-04 VP-PARLE +BM.1970.019.001/123:47-04 VP-PARLE SOLO H & CHR MIXTE +BM.1970.019.001/123:47-04 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:47-04 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:47-05 M-TBR M-BATA 3 +BM.1970.019.001/123:47-06 M-TBR M-BATA 3 +BM.1970.019.001/123:47-07 M-TBR M-BATA 3 +BM.1970.019.001/123:47-08 M-TBR M-BATA 3 +BM.1970.019.001/123:47-09 M-TBR M-BATA 3 +BM.1970.019.001/123:48-01 VC-CHANTE SOLO F +BM.1970.019.001/123:48-01 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:48-01 M-TBR M-BATA 3 ? +BM.1970.019.001/123:48-01 IS-HOCHET IS-SHERE +BM.1970.019.001/123:48-01 ATL-TROMPE LAT ATL-IPE 1 +BM.1970.019.001/123:49-01 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:49-01 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:49-01 M-TBR M-BATA 3 +BM.1970.019.001/123:49-01 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:49-02 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:49-02 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:49-02 M-TBR M-BATA 3 +BM.1970.019.001/123:49-02 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:49-03 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:49-03 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:49-03 M-TBR M-BATA 3 +BM.1970.019.001/123:49-03 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:50-01 VC-CHANTE SOLO £ 1 +BM.1970.019.001/123:50-01 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:50-01 M-TBR M-BATA 3 +BM.1970.019.001/123:50-01 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:50-01 V-VOIX +BM.1970.019.001/123:50-02 VC-CHANTE SOLO 1 +BM.1970.019.001/123:50-02 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:50-02 M-TBR M-BATA 3 +BM.1970.019.001/123:50-02 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:50-02 V-VOIX +BM.1970.019.001/123:50-03 VC-CHANTE SOLO 1 +BM.1970.019.001/123:50-03 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:50-03 M-TBR M-BATA 3 +BM.1970.019.001/123:50-03 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:50-03 V-VOIX +BM.1970.019.001/123:50-04 VC-CHANTE SOLO 1 +BM.1970.019.001/123:50-04 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:50-04 M-TBR M-BATA 3 +BM.1970.019.001/123:50-04 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:50-04 V-VOIX +BM.1970.019.001/123:51A-01 M-TBR M-BATA 3 +BM.1970.019.001/123:51A-02 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:51A-02 M-TBR M-BATA 3 +BM.1970.019.001/123:51A-02 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:51A-03 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:51A-03 M-TBR M-BATA 3 +BM.1970.019.001/123:51A-03 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:51A-04 M-TBR 3 +BM.1970.019.001/123:51A-05 VP-PARLE +BM.1970.019.001/123:51A-05 M-TBR 3 +BM.1970.019.001/123:51A-06 M-TBR 3 +BM.1970.019.001/123:51B-01 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:51B-02 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:51B-02 VP-PARLE SOLO H +BM.1970.019.001/123:51B-03 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:51B-03 VP-PARLE SOLO H +BM.1970.019.001/123:51B-04 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:51B-04 VP-PARLE SOLO H +BM.1970.019.001/123:51B-05 VC-CHANTE SOLO H & CHR E 1+5 +BM.1970.019.001/123:51B-05 SD-AMBIANCES DIVERSES +BM.1970.019.001/123:52-01 VP-PARLE SOLO H +BM.1970.019.001/123:52-01 VC-CHANTE CHR MIXTE +BM.1970.019.001/123:52-01 IS-HOCHET IS-SHERE 1 +BM.1970.019.001/123:52-02 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:52-02 IS-HOCHET IS-SHERE 2 +BM.1970.019.001/123:52-03 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:52-03 IS-HOCHET IS-SHERE 2 +BM.1970.019.001/123:52-04 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:52-04 IS-HOCHET IS-SHERE 2 +BM.1970.019.001/123:53-01 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:53-01 IS-HOCHET IS-SHERE 2 +BM.1970.019.001/123:53-02 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-02 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-02 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-02 BC-BRUITS CORPORELS +BM.1970.019.001/123:53-03 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-03 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-03 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-03 BC-BRUITS CORPORELS +BM.1970.019.001/123:53-04 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-04 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-04 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-04 BC-BRUITS CORPORELS +BM.1970.019.001/123:53-05 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-05 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-05 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-05 BC-BRUITS CORPORELS +BM.1970.019.001/123:53-06 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-06 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-06 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-06 BC-BRUITS CORPORELS +BM.1979.036.001/17:13-01 VC-CHANTE CHR H +BM.1979.036.001/17:13-01 M1D-TBR 1MEMB/CADRE +BM.1979.036.001/17:13-01 M2-TBR 2MEMB 1 +BM.1970.019.001/123:53-07 VC-CHANTE SOLO H & CHR F 1+6 +BM.1970.019.001/123:53-07 IS-HOCHET IS-HUNSOGWE 3 +BM.1970.019.001/123:53-07 BC-BATTEMENTS DE MAINS +BM.1970.019.001/123:53-07 BC-BRUITS CORPORELS +BM.1970.019.001/123:54-01 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:54-01 I-IDIOPHONE 1 +BM.1970.019.001/123:54-02 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:54-02 I-IDIOPHONE >1 +BM.1970.019.001/123:54-02 Z-AUTRE +BM.1970.019.001/123:55-01 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:55-01 N N-"BATTERIE" AGBE STE DE L'ORCHESTRE "AGBE" +BM.1970.019.001/123:55-01 IS- HOCHET-SONNAILLE IS-AGBE 2 +BM.1970.019.001/123:55-01 IP-LAMELLOPHONE IP-AGIDIGBO 1 +BM.1970.019.001/123:55-01 IFC-CLOCHE IFC-ARO 2 +BM.1970.019.001/123:55-02 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:55-02 N N-"BATTERIE" AGBE STE DE L'ORCHESTRE "AGBE" +BM.1970.019.001/123:55-02 IS- HOCHET-SONNAILLE IS-AGBE 2 +BM.1970.019.001/123:55-02 IP-LAMELLOPHONE IP-AGIDIGBO 1 +BM.1970.019.001/123:55-02 IFC-CLOCHE IFC-ARO 2 +BM.1970.019.001/123:55-03 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:55-03 N N-ENSEMBLE "ATCHOKE" STE DE MUSICIENS AMATEURS +BM.1970.019.001/123:55-03 IF-IDIOPHONE FRAPPE >1 +BM.1970.019.001/123:55-03 IS-HOCHET >1 +BM.1970.019.001/123:55-04 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:55-04 N N-"BATTERIE" SINHUN +BM.1970.019.001/123:55-04 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1970.019.001/123:55-04 IFC-CORPS HEMISPHERIQUE IFC-SINHUN 1 +BM.1970.019.001/123:55-04 IS-HOCHET 2 +BM.1970.019.001/123:55-04 IFC-CLOCHE 1 +BM.1970.019.001/123:55-04 IFC-CLOCHE 1 +BM.1970.019.001/123:56-01 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:56-01 N N-"BATTERIE" SINHUN +BM.1970.019.001/123:56-01 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1970.019.001/123:56-01 IFC-CORPS HEMISPHERIQUE IFC-SINHUN 1 +BM.1970.019.001/123:56-01 IS-HOCHET 2 +BM.1970.019.001/123:56-01 IFC-CLOCHE 1 +BM.1970.019.001/123:56-01 IFC-CLOCHE 1 +BM.1970.019.001/123:56-02 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:56-02 N N-"BATTERIE" AGBE STE DE L'ORCHESTRE "AGBE" +BM.1970.019.001/123:56-02 IS- HOCHET-SONNAILLE IS-AGBE 2 +BM.1970.019.001/123:56-02 IP-LAMELLOPHONE IP-AGIDIGBO 1 +BM.1970.019.001/123:56-02 IFC-CLOCHE IFC-ARO 2 +BM.1970.019.001/123:56-03 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:56-03 N N-"BATTERIE" OGBON STE DES MARIWO DES EGUNGUN +BM.1970.019.001/123:56-03 M-TBR M-OMELE 3 +BM.1970.019.001/123:56-03 M1D-TBR 1MEMB/CADRE M1D-OGBON (TBR DES REVENANTS) 1 +BM.1970.019.001/123:56-04 VC-CHANTE SOLO & CHR H 1+4 +BM.1970.019.001/123:56-04 IFC-IDIOPHONE FRAPPE CREUX IFC-BOUTEILLE 1 +BM.1970.019.001/123:57-01 VP-PARLE SOLO H +BM.1970.019.001/123:57-01 V-VOIX +BM.1970.019.001/123:57-02 VP-PARLE CHR F +BM.1970.019.001/123:57-02 VP-CHR H +BM.1970.019.001/123:57-02 N N-"BATTERIE" OGBON +BM.1970.019.001/123:57-02 M-TBR M-OMELE 3 +BM.1970.019.001/123:57-02 M1D-TBR 1MEMB/CADRE M1D-OGBON 1 +BM.1970.019.001/123:57-03 VP-ENQUETE +BM.1970.019.001/123:57-03 V-VOIX +BM.1970.019.001/123:57-03 V-VOIX CHR F +BM.1970.019.001/123:57-04 VP-PARLE SOLO H +BM.1970.019.001/123:57-04 V-VOIX +BM.1970.019.001/123:57-04 VC-CHANTE SOLO H & CHR F +BM.1970.019.001/123:57-04 N N-"BATTERIE" OGBON +BM.1970.019.001/123:57-04 M-TBR M-OMELE 3 +BM.1970.019.001/123:57-04 M1D-TBR 1MEMB/CADRE M1D-OGBON (TBR DES REVENANTS) 1 +BM.1970.019.001/123:58-01 VC-CHANTE SOLO & CHR H +BM.1970.019.001/123:58-01 N N-"BATTERIE" OGBON STE DES MARIWO DES EGUNGUN +BM.1970.019.001/123:58-01 M-TBR M-OMELE 3 +BM.1970.019.001/123:58-01 M1D-TBR 1MEMB/CADRE M1D-OGBON (TBR DES REVENANTS) 1 +BM.1970.019.001/123:58-02 AF-FLUTE AF-KPETE 2/3* +BM.1970.019.001/123:58-02 VC-CHANTE CHR F 6 +BM.1970.019.001/123:58-02 IFC-CLOCHE 1 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+BM.1970.041.001/55:19-02 A-AÉROPHONE A.Harmoni +BM.1970.041.001/55:19-02 M2C-TBR 2MEMB/CAISSE M2C-DHOL +BM.1970.041.001/55:19-02 IE-CYMBALES IE.MAJIRA +BM.1970.041.001/55:19-02 IS-GRELOT +BM.1970.041.001/55:19-02 +BM.1970.041.001/55:19-03 VC-CHANTE CHOEUR F+H +BM.1970.041.001/55:19-03 A-AÉROPHONE A.Harmoni +BM.1970.041.001/55:19-03 M2C-TBR 2MEMB/CAISSE M2C-DHOL +BM.1970.041.001/55:19-03 IE-CYMBALES IE.MAJIRA +BM.1970.041.001/55:19-03 IS-GRELOT +BM.1970.041.001/55:19-03 +BM.1970.041.001/55:19-05 M2C-TBR 2MEMB/CAISSE M2-DHOL +BM.1970.041.001/55:19-07 VC-CHANTE CHOEUR F+H +BM.1970.041.001/55:19-07 A-AÉROPHONE A.Harmoni +BM.1970.041.001/55:19-07 M2C-TBR 2MEMB/CAISSE M2C-DHOL +BM.1970.041.001/55:19-07 IE-CYMBALES IE.MAJIRA +BM.1970.041.001/55:19-07 IS-GRELOT +BM.1970.041.001/55:19-07 +BM.1970.041.001/55:19-08 VC-CHANTE CHOEUR F+H +BM.1970.041.001/55:19-08 A-AÉROPHONE A.Harmoni +BM.1970.041.001/55:19-08 M2C-TBR 2MEMB/CAISSE M2C-DHOL +BM.1970.041.001/55:19-08 IE-CYMBALES IE.MAJIRA 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+BM.1970.019.001/123:62-06 IS-HOCHET £ >1 +BM.1970.019.001/123:62-06 VC-CHANTE £ +BM.1970.019.001/123:62-07 M-TBR >1 +BM.1970.019.001/123:62-07 IFC-CLOCHE >1 +BM.1970.019.001/123:62-07 IS-HOCHET £ >1 +BM.1970.019.001/123:62-07 VC-CHANTE £ +BM.1970.019.001/123:63-01 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:63-01 IS-HOCHET £ >1 +BM.1970.019.001/123:63-02 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:63-02 IS-HOCHET £ >1 +BM.1970.019.001/123:63-03 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:63-03 IS-HOCHET £ >1 +BM.1970.041.001/55:20-01 VC-CHANTE SOLO H & CHR H +BM.1970.041.001/55:20-01 VP-PARLE +BM.1970.041.001/55:20-01 M2C-TBR 2MEMB/CAISSE M2C-TRB2MEMB/CAISSE HUDKO PRATAP DHOLI DE BHAT GAU +BM.1970.041.001/55:20-01 JOIN MAN DHOLI DE BHAT GAU +BM.1970.041.001/55:20-01 JOGI DHOLI DE SIROLA +BM.1970.041.001/55:20-01 DUMRE DHOLI DE TATAR +BM.1970.041.001/55:21-01 VC-CHANTE SOLO H & CHR H +BM.1970.041.001/55:21-01 VP-PARLE +BM.1970.041.001/55:21-01 M2C-TBR 2MEMB/CAISSE M2C-TRB2MEMB/CAISSE HUDKO +BM.1970.041.001/55:21-01 PRATAP DHOLI DE BHAT GAU +BM.1970.041.001/55:21-01 JAIN MAN DHOLI DE BHAT GAU +BM.1970.041.001/55:21-01 JOGI DHOLI DE SIROLA +BM.1970.041.001/55:21-01 DUMRE DHOLI DE TATAR +BM.1970.019.001/123:64-01 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:64-01 IS-CLOCHE >1 +BM.1970.019.001/123:64-02 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:64-02 IS-CLOCHE >1 +BM.1970.019.001/123:64-03 VC-CHANTE SOLO & CHR F +BM.1970.019.001/123:64-03 IS-CLOCHE >1 +BM.1970.041.001/55:22-01 VC-CHANTE SOLO H & CHR H * +BM.1970.041.001/55:22-01 VP-PARLE +BM.1970.041.001/55:22-01 M2C-TBR 2MEMB/CAISSE M2C-TRB2MEMB/CAISSE HUDKO +BM.1970.019.001/123:64-04 VC-CHANTE SOLO F & CHR MIXTE +BM.1970.019.001/123:64-04 M-TBR >1 +BM.1970.019.001/123:64-04 IS-CLOCHE >1 +BM.1970.019.001/123:65-01 M-TBR >1 +BM.1970.019.001/123:65-01 IS-CLOCHE >1 +BM.1970.019.001/123:65-02 VA-CRIE £ +BM.1970.019.001/123:65-02 VC-CHANTE SOLO F & CHR MIXTE £ +BM.1970.019.001/123:65-03 VA-CRIE £ +BM.1970.019.001/123:65-03 VC-CHANTE SOLO F & CHR MIXTE £ +BM.1970.019.001/123:65-03 Z-AUTRE +BM.1970.019.001/123:65-04 VA-CRIE £ +BM.1970.019.001/123:65-04 VC-CHANTE SOLO F & CHR MIXTE £ +BM.1970.019.001/123:65-04 Z-AUTRE +BM.1970.019.001/123:65-05 VC-CHANTE CHR F +BM.1970.019.001/123:65-05 IS-CLOCHE >1 +BM.1970.019.001/123:65-05 VA-CRIE +BM.1970.019.001/123:65-06 VC-CHANTE CHR F +BM.1970.019.001/123:65-06 IS-CLOCHE >1 +BM.1970.019.001/123:65-06 VA-CRIE +BM.1970.019.001/123:66-01 VP-PARLE +BM.1970.019.001/123:66-01 VP-PARLE +BM.1970.019.001/123:66-01 IS-CLOCHE IS-ADJA >1 +BM.1970.019.001/123:66-02 VP-PARLE +BM.1970.019.001/123:66-02 IS-CLOCHE IS-ADJA >1 +BM.1970.019.001/123:66-03 IFC-CLOCHE 1 +BM.1970.019.001/123:66-03 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:66-03 A-AÉROPHONE A-ITCHE 1 +BM.1970.019.001/123:66-03 V-VOIX £ +BM.1970.019.001/123:66-04 IFC-CLOCHE 1 +BM.1970.019.001/123:66-04 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:66-04 A-AÉROPHONE A-ITCHE 1 +BM.1970.019.001/123:66-04 V-VOIX £ +BM.1972.013.001/29:29-01 V-VOIX SOLO H 1 +BM.1972.013.001/29:29-02 VC-CHANTE ALTERNE DUO H 2 +BM.1972.013.001/29:29-03 VC-CHANTE ALTERNE DUO H 2 +BM.1972.013.001/29:29-04 VC-CHANTE ALTERNE DUO H 2 +BM.1972.013.001/29:29-05 AFLC-FLUTE LAT CONDUIT 1 +BM.1972.013.001/29:29-06 VC-CHANTE SOLO H 1 +BM.1972.013.001/29:29-07 AFLC-FLUTE LAT CONDUIT 1 +BM.1972.013.001/29:29-08 VC-CHANTE SOLO H 1 +BM.1972.013.001/29:29-09 VC-CHANTE SOLO E 1 +BM.1972.013.001/29:29-10 VP-PARLE SOLO H 1 +BM.1972.013.001/29:29-11 VC-CHANTE ALTERNE DUO H 2 +BM.1972.013.001/29:29-12 VC-CHANTE SOLO H 1 +BM.1972.013.001/29:29-13 VC-CHANTE SOLO H 1 +BM.1970.019.001/123:66-05 M-TBR M-AKPOSSI 1 +BM.1970.019.001/123:66-05 M-TBR M-KELE 1 +BM.1970.019.001/123:66-05 M-TBR M-OGIDAN 1 +BM.1970.019.001/123:66-05 IFC-CLOCHE IFC-AGOGO 1 +BM.1970.019.001/123:66-05 IS-CLOCHE IS-ADJA 3 +BM.1970.019.001/123:66-05 A-AÉROPHONE A-ITCHE 1 +BM.1970.019.001/123:66-05 VA-CRIE SOLO F +BM.1970.019.001/123:66-05 VC-CHANTE SOLO & CHR F 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IE-BATONS N N N +BM.2007.001.001/97:24-02 VC-CHANTE DUO F N N 2 +BM.2007.001.001/97:24-02 M-TBR M-NDOUGOU N 3 +BM.2007.001.001/97:24-02 IE-BATONS N N N +BM.1968.039.001/24:22-01 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-02 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-03 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-04 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-05 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-06 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-07 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-08 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-09 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-10 VC-CHANTE SOLO F 1 +BM.1953.002.001:01-02 VC-CHANTE CHR F +BM.1968.039.001/24:22-11 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-12 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-13 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-14 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-15 VC-CHANTE SOLO F 1 +BM.1968.039.001/24:22-16 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-17 VP-PARLE SOLO F 1 +BM.1968.039.001/24:22-18 VP-PARLE SOLO F 1 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VC-CHANTE SOLO H +BM.1969.006.001/11:03-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:03-01 CC-CITHARE 1 +BM.1969.006.001/11:03-01 IE-BATONS +BM.1969.006.001/11:03-01 IS-GRELOT +BM.1969.006.001/11:04-01 VC-CHANTE SOLO H +BM.1969.006.001/11:04-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:04-01 CC-CITHARE 1 +BM.1969.006.001/11:04-01 IE-BATONS +BM.1969.006.001/11:04-01 IS-GRELOT +BM.1969.006.001/11:05-01 VC-CHANTE SOLO H +BM.1969.006.001/11:05-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:05-01 CC-CITHARE 1 +BM.1969.006.001/11:05-01 IE-BATONS +BM.1969.006.001/11:05-01 IS-GRELOT +BM.1969.006.001/11:06-01 VC-CHANTE SOLO H +BM.1969.006.001/11:06-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:06-01 CC-CITHARE 1 +BM.1969.006.001/11:06-01 IE-BATONS +BM.1969.006.001/11:06-01 IS-GRELOT +BM.1969.006.001/11:07-01 VC-CHANTE SOLO H +BM.1969.006.001/11:07-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:07-01 CC-CITHARE 1 +BM.1969.006.001/11:07-01 IE-BATONS +BM.1969.006.001/11:07-01 IS-GRELOT +BM.1969.006.001/11:08-01 VC-CHANTE SOLO H +BM.1969.006.001/11:08-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:08-01 CC-CITHARE 1 +BM.1969.006.001/11:08-01 IE-BATONS +BM.1969.006.001/11:08-01 IS-GRELOT +BM.1969.006.001/11:09-01 VC-CHANTE SOLO H +BM.1969.006.001/11:09-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:09-01 CC-CITHARE 1 +BM.1969.006.001/11:09-01 IE-BATONS +BM.1969.006.001/11:09-01 IS-GRELOT +BM.1969.006.001/11:10-01 VC-CHANTE SOLO H +BM.1969.006.001/11:10-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:10-01 CC-CITHARE 1 +BM.1969.006.001/11:10-01 IE-BATONS +BM.1969.006.001/11:10-01 IS-GRELOT +BM.1969.006.001/11:11-01 VC-CHANTE SOLO H +BM.1969.006.001/11:11-01 VC-CHANTE SOLO H & CHR H +BM.1969.006.001/11:11-01 CC-CITHARE 1 +BM.1969.006.001/11:11-01 IE-BATONS +BM.1969.006.001/11:11-01 IS-GRELOT +BM.1970.046.001/03:03-01 VP-PARLE +BM.1970.046.001/03:03-01 M-TBR +BM.1970.046.001/03:03-01 CV-VIELE +BM.1970.046.001/03:03-01 AABD-HAUTBOIS +BM.1970.046.001/03:03-02 VC-CHANTE SOLO & CHR H +BM.1970.046.001/03:03-02 M-TBR +BM.1970.046.001/03:03-02 CV-VIELE +BM.1970.046.001/03:03-03 VC-CHANTE SOLO & CHR H +BM.1970.046.001/03:03-03 M-TBR +BM.1970.046.001/03:03-03 CV-VIELE +BM.1970.046.001/03:03-04 VC-CHANTE SOLO & CHR H +BM.1970.046.001/03:03-04 M-TBR +BM.1970.046.001/03:03-04 CV-VIELE +BM.1970.046.001/03:03-05 VC-CHANTE SOLO & CHR H +BM.1970.046.001/03:03-05 M-TBR +BM.1970.046.001/03:03-05 CV-VIELE +BM.1970.046.001/03:03-05 AABD-HAUTBOIS +BM.1970.046.001/03:03-05 IFP-METALLOPHONE +BM.1970.046.001/03:03-06 VC-CHANTE SOLO & CHR H +BM.1970.046.001/03:03-06 M-TBR +BM.1970.046.001/03:03-06 CV-VIELE +BM.1970.046.001/03:03-06 AABD-HAUTBOIS +BM.1970.046.001/03:03-06 IFP-METALLOPHONE +BM.1978.007.001/04:01-02 VP-PARLE +BM.1978.007.001/04:01-02 CL-LUTH CL-NGONI 1 +BM.1978.007.001/04:01-03 VC-CHANTE SOLO F +BM.1978.007.001/04:01-04 VC-CHANTE SOLO F +BM.1978.007.001/04:01-05 VC-CHANTE SOLO F +BM.1978.007.001/04:01-06 VP-PARLE +BM.1978.007.001/04:01-07 VP-PARLE SOLO H 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VC-CHANTE CHR H +BM.1974.014.001/11:02-10 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:02-10 VC-CHANTE F +BM.1974.014.001/11:03-01 VC-CHANTE CHR H +BM.1974.014.001/11:03-01 VC-CHANTE CHR H +BM.1974.014.001/11:03-01 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:03-01 VC-CHANTE F +BM.1974.014.001/11:03-02 VC-CHANTE CHR H +BM.1974.014.001/11:03-02 VC-CHANTE CHR H +BM.1974.014.001/11:03-02 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:03-02 VC-CHANTE F +BM.1974.014.001/11:03-03 VC-CHANTE CHR H +BM.1974.014.001/11:03-03 VC-CHANTE CHR H +BM.1974.014.001/11:03-03 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:03-03 VC-CHANTE F +BM.1974.014.001/11:03-04 VC-CHANTE CHR H +BM.1974.014.001/11:03-04 VC-CHANTE CHR H +BM.1974.014.001/11:03-04 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:03-04 VC-CHANTE F +BM.1974.014.001/11:03-05 VC-CHANTE CHR H +BM.1974.014.001/11:03-05 VC-CHANTE CHR H +BM.1974.014.001/11:03-05 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:03-05 VC-CHANTE F +BM.1974.014.001/11:03-06 VC-CHANTE CHR H 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AABD-HAUTBOIS AABD-GAYTA 2 +BM.1974.014.001/11:06-01 M2C-TBR 2MEMB/CAISSE M2C-TABL 2 +BM.1974.014.001/11:06-01 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-01 VC-CHANTE CHR H +BM.1974.014.001/11:07-01 VC-CHANTE CHR H +BM.1974.014.001/11:07-01 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-02 VC-CHANTE CHR H +BM.1974.014.001/11:07-02 VC-CHANTE CHR H +BM.1974.014.001/11:07-02 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-03 VC-CHANTE CHR H +BM.1974.014.001/11:07-03 VC-CHANTE CHR H +BM.1974.014.001/11:07-03 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-04 VC-CHANTE CHR H +BM.1974.014.001/11:07-04 VC-CHANTE CHR H +BM.1974.014.001/11:07-04 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-05 VC-CHANTE CHR H +BM.1974.014.001/11:07-05 VC-CHANTE CHR H +BM.1974.014.001/11:07-05 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-06 VC-CHANTE CHR H +BM.1974.014.001/11:07-06 VC-CHANTE CHR H +BM.1974.014.001/11:07-06 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:07-06 AABD-HAUTBOIS AABD-GAYTA 2 +BM.1974.014.001/11:07-06 M2C-TBR 2MEMB/CAISSE M2C-TABL 2 +BM.1974.014.001/11:07-06 M1D-TBR 1MEMB/CADRE +BM.1974.014.001/11:08-01 VC-CHANTE CHR F & H +BM.1974.014.001/11:08-01 M1D-TBR 1MEMB/CADRE 3 +BM.1974.014.001/11:08-01 CV-VIELE CV-KAMANJA 1 +BM.1974.014.001/11:09-01 VC-CHANTE CHR F & H +BM.1974.014.001/11:09-01 M1D-TBR 1MEMB/CADRE 2 +BM.1974.014.001/11:09-01 CV-VIELE CV-KAMANJA 1 +BM.1974.014.001/11:09-02 VC-CHANTE CHR F & H +BM.1974.014.001/11:09-02 M1D-TBR 1MEMB/CADRE 2 +BM.1974.014.001/11:09-02 CV-VIELE CV-KAMANJA 1 +BM.1970.041.001/55:34-01 VC-CHANTE SOLO H JAI BAHADUR +BM.1970.041.001/55:34-01 +BM.1970.041.001/55:34BIS-01 VC-CHANTE SOLO H JAI BAHADUR +BM.1970.041.001/55:34BIS-01 +BM.1970.041.001/55:34BIS-02 VC-CHANTE SOLO H JAI BAHADUR +BM.1970.041.001/55:34BIS-02 +BM.1970.041.001/55:34BIS-03 VC-CHANTE SOLO H JAI BAHADUR +BM.1970.041.001/55:34BIS-03 +BM.1970.041.001/55:34BIS-04 VC-CHANTE SOLO H JAI BAHADUR +BM.1970.041.001/55:34BIS-04 +BM.1970.041.001/55:34BIS-05 VC-CHANTE SOLO H +BM.1970.041.001/55:34BIS-05 +BM.1970.041.001/55:35-01 VC-2CHR ALTERNES F +BM.1970.041.001/55:35-01 M-TBR +BM.1970.041.001/55:36-01 VC-CHANTE CHOEUR FEMME +BM.1970.041.001/55:36-02 VC-CHANTE SOLO F +BM.1970.041.001/55:36-03 +BM.1970.041.001/55:36-04 VC-CHANTE F. SOLO +BM.1970.041.001/55:37-01 M2C-TBR 2MEMB/CAISSE DHOL +BM.1970.041.001/55:37-01 VC-CHANTE SOLO H +BM.1970.041.001/55:38-01 VC-CHANTE SOLO H GAGUVA TURI +BM.1957.003.001:01-02 V-VOIX H +BM.1957.003.001:01-02 AT-TROMPE +BM.1970.041.001/55:38-02 VC-CHANTE SOLO H GAGUVA TURI +BM.1970.041.001/55:38-03 VC-CHANTE SOLO H GAGUVA TURI +BM.1970.041.001/55:39-01 VC-CHANTE CHOEUR H AJMIR KOT +BM.1970.041.001/55:39-02 VC-CHANTE CHOEUR H AJMIR KOT +BM.1970.041.001/55:39-03 VC-CHANTE CHOEUR H AJMIR KOT +BM.1970.041.001/55:40-01 VC-CHANTE SOLO H BIR SINGH SAUN +BM.1970.041.001/55:40-02 VC-CHANTE SOLO H JAGANAH PADE +BM.1970.041.001/55:40-02 +BM.1970.041.001/55:41-01 VC-CHANTE SOLO H JAGANAH PADE +BM.1970.041.001/55:41-01 +BM.1970.041.001/5541-02 VC-CHANTE SOLO H JAGANAH PADE +BM.1970.041.001/5541-02 +BM.1970.041.001/55:41-02 VC-CHANTE SOLO H JAGANAH PADE +BM.1970.041.001/55:41-02 +BM.1970.041.001/55:41-03 VC-CHANTE SOLO H HARI SUNAR KAMI +BM.1970.041.001/55:41-03 +BM.1970.041.001/55:41-04 VC-CHANTE SOLO H HARI SUNAR KAMI +BM.1970.041.001/55:41-04 +BM.1970.041.001/55:42-01 VC-CHANTE SOLO H +BM.1970.041.001/55:42-01 +BM.1970.041.001/55:42-02 VC-CHANTE SOLO H +BM.1970.041.001/55:42-02 +BM.1970.041.001/55:42-03 VC-CHANTE SOLO H +BM.1970.041.001/55:42-03 +BM.1970.041.001/55:42-04 VC-CHANTE SOLO H BIR BAHADUR BHAJYU +BM.1970.041.001/55:42-04 +BM.1970.041.001/55:43-01 VC- CHANTE DUO H BIRKHA BAHADUR GAINE +BM.1970.041.001/55:43-01 JHALAK MAN GAINE +BM.1970.041.001/55:43-01 CV-VIELE SARANGI +BM.1970.041.001/55:43-01 +BM.1970.041.001/55:43-02 VC- CHANTE DUO H BIRKHA BAHADUR GAINE +BM.1970.041.001/55:43-02 JHALAK MAN GAINE +BM.1970.041.001/55:43-02 CV-VIELE SARANGI +BM.1970.041.001/55:43-02 +BM.1970.041.001/55:44-01 VA-PARLE H JALAK MAN GAINE +BM.1970.041.001/55:44-01 +BM.1970.041.001/55:44-02 VC- CHANTE DUO H BIRKHA BAHADUR GAINE +BM.1970.041.001/55:44-02 JHALAK MAN GAINE +BM.1970.041.001/55:44-02 CV-VIELE SARANGI +BM.1970.041.001/55:44-02 +BM.1970.041.001/55:44-03 VC- CHANTE DUO H BIRKHA BAHADUR GAINE +BM.1970.041.001/55:44-03 JHALAK MAN GAINE +BM.1970.041.001/55:44-03 CV-VIELE SARANGI +BM.1970.041.001/55:44-03 +BM.1970.041.001/55:45-01 VC-CHANTE SOLO H +BM.1970.041.001/55:45-01 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:45-01 +BM.1970.041.001/55:45-02 VC-CHANTE SOLO H +BM.1970.041.001/55:45-02 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:45-02 +BM.1970.041.001/55:45-03 VC-CHANTE SOLO H +BM.1970.041.001/55:45-03 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:45-03 +BM.1970.041.001/55:45-04 VC-CHANTE SOLO H +BM.1970.041.001/55:45-04 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:45-04 +BM.1970.041.001/55:46-01 VC-CHANTE SOLO H +BM.1970.041.001/55:46-01 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:46-01 +BM.1970.041.001/55:46-02 VC-CHANTE SOLO H +BM.1970.041.001/55:46-02 CV-VIELE SARANGI MAGAR GAINE +BM.1970.041.001/55:46-02 +BM.1970.041.001/55:47-01 VC-CHANTE SOLO H +BM.1970.041.001/55:47-01 +BM.1970.041.001/55:47-02A VC-CHANTE SOLO H 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VC-CHANTE CHR +BM.1974.014.001/11:11-01 M1D-TBR 1MEMB/CADRE 4 +BM.1974.014.001/11:11-01 VC-CHANTE CHR 2 +BM.1974.014.001/11:11-02 VC-CHANTE CHR +BM.1974.014.001/11:11-02 M1D-TBR 1MEMB/CADRE 4 +BM.1974.014.001/11:11-02 VC-CHANTE CHR 2 +BM.1974.014.001/11:11-03 VC-CHANTE CHR +BM.1974.014.001/11:11-03 M1D-TBR 1MEMB/CADRE 4 +BM.1974.014.001/11:11-03 VC-CHANTE CHR 2 +BM.1974.014.001/11:11-04 VC-CHANTE CHR +BM.1974.014.001/11:11-04 M1D-TBR 1MEMB/CADRE 4 +BM.1974.014.001/11:11-04 VC-CHANTE CHR 2 +BM.1984.018.001/04:01-02 VC-CHANTE SOLO H +BM.1984.018.001/04:01-02 CH-HARPE 1 +BM.1984.018.001/04:02-03 VC-CHANTE SOLO H +BM.1984.018.001/04:02-03 CH-HARPE 1 +BM.1984.018.001/04:02-04 CH-HARPE 1 +BM.1984.018.001/04:01-05 VC-CHANTE SOLO H +BM.1984.018.001/04:01-05 CH-HARPE 1 +BM.1984.018.001/04:01-06 VC-CHANTE SOLO H +BM.1984.018.001/04:01-06 CH-HARPE 1 +BM.1984.018.001/04:01-07 VC-CHANTE SOLO H +BM.1984.018.001/04:01-07 CH-HARPE 1 +BM.1984.018.001/04:01-08 CH-HARPE 2 +BM.1984.018.001/04:01-09 CH-HARPE 2 +BM.1984.018.001/04:01-10 VC-CHANTE SOLO H +BM.1984.018.001/04:01-10 CH-HARPE 1 +BM.1984.018.001/04:01-11 VC-CHANTE SOLO H +BM.1984.018.001/04:01-11 CH-HARPE 2 +BM.1984.018.001/04:01-12 VC-CHANTE SOLO H +BM.1984.018.001/04:01-12 CH-HARPE 1 +BM.1984.018.001/04:01-12 IS-SONNAILLES +BM.1984.018.001/04:01-13 VC-CHANTE SOLO H +BM.1984.018.001/04:01-13 CH-HARPE 1 +BM.1984.018.001/04:01-14 VC-CHANTE SOLO H +BM.1984.018.001/04:01-14 CH-HARPE 1 +BM.1984.018.001/04:01-15 VC-CHANTE SOLO H +BM.1984.018.001/04:01-15 CH-HARPE 1 +BM.1984.018.001/04:01-16 CH-HARPE 2 +BM.1981.018.001:01-02 VC-CHANTE SOLO F +BM.1981.018.001:01-03 VC-CHANTE SOLO F +BM.1981.018.001:01-04 VC-CHANTE SOLO F +BM.1971.001.001/04:02-01 VC-CHANTE SOLO F TOUTOU MINTABI +BM.1971.001.001/04:02-01 CL-LUTH 1 +BM.1971.001.001/04:03-01 VC-CHANTE SOLO F TOUTOU MINTABI +BM.1971.001.001/04:04-01 VC-CHANTE SOLO F NASSERHALLA MINT NGHEIMICH +BM.1971.001.001/04:04-01 CL-LUTH CL-TIDINIT 1 +BM.1970.029.001:01-02 VC-CHANTE SOLO H & CHR F +BM.1970.029.001:01-02 CH-HARPE 1 +BM.1970.029.001:01-02 M-TBR 5 +BM.1970.029.001:01-03 VP-PARLE +BM.1970.029.001:01-04 VC-CHANTE SOLO F +BM.1970.029.001:01-04 VC-CHANTE SOLO H +BM.1970.029.001:01-04 VC-CHANTE CHR F +BM.1970.029.001:01-04 CH-HARPE 1 +BM.1970.029.001:01-04 M-TBR 5 +BM.1970.029.001:01-05 VP-PARLE +BM.1970.029.001:01-06 VC-CHANTE SOLO F +BM.1970.029.001:01-06 VC-CHANTE SOLO H +BM.1970.029.001:01-06 VC-CHANTE CHR F +BM.1970.029.001:01-06 CH-HARPE 1 +BM.1970.029.001:01-06 M-TBR 5 +BM.1970.029.001:01-07 VP-PARLE +BM.1970.029.001:01-08 VC-CHANTE SOLO F +BM.1970.029.001:01-08 VC-CHANTE SOLO H +BM.1970.029.001:01-08 VC-CHANTE CHR F +BM.1970.029.001:01-08 CH-HARPE 1 +BM.1970.029.001:01-08 M-TBR 5 +BM.1970.029.001:01-09 VC-CHANTE SOLO F +BM.1970.029.001:01-09 VC-CHANTE SOLO H +BM.1970.029.001:01-09 VC-CHANTE CHR F +BM.1970.029.001:01-09 CH-HARPE 1 +BM.1970.029.001:01-09 M-TBR 5 +BM.1970.029.001:01-10 VC-CHANTE SOLO H +BM.1970.029.001:01-10 CH-HARPE 1 +BM.1970.029.001:01-11 VP-PARLE +BM.1970.029.001:01-12 VC-CHANTE SOLO H & CHR F +BM.1970.029.001:01-12 CH-HARPE 1 +BM.1970.029.001:01-12 M-TBR 5 +BM.1970.029.001:01-13 VC-CHANTE CHR MIXTE +BM.1970.029.001:01-13 ZIFC-CLOCHETTES +BM.1970.029.001:01-13 IS-SONNAILLES +BM.1970.029.001:01-14 VP-PARLE +BM.1970.029.001:01-15 VC-CHANTE CHR H +BM.1970.029.001:01-15 ZIFC-CLOCHETTES +BM.1970.029.001:01-15 IS-SONNAILLES +BM.1970.029.001:01-15 +BM.1970.029.001:01-15 VP-PARLE H & F +BM.1970.029.001:01-16 VP-PARLE +BM.1970.029.001:01-16 +BM.1970.029.001:01-16 CH-HARPE 1 +BM.1970.029.001:01-16 VC-CHANTE SOLO H +BM.1970.029.001:01-16 +BM.1970.029.001:01-16 VP-PARLE H & F +BM.1970.029.001:01-17 VP-PARLE +BM.1970.029.001:01-17 +BM.1970.029.001:01-17 VC-CHANTE CHR F +BM.1970.029.001:01-17 M-TBR 4 +BM.1970.029.001:01-17 AF-FLUTE AF-SIFFLET +BM.1970.029.001:01-17 IS-SONNAILLES +BM.1970.029.001:01-18 VP-PARLE +BM.1970.029.001:01-18 +BM.1970.029.001:01-18 VC-CHANTE CHR F & H +BM.1970.029.001:01-18 +BM.1970.029.001:01-18 VP-PARLE H & F +BM.1970.029.001:01-19 VP-PARLE +BM.1970.029.001:01-19 +BM.1970.029.001:01-19 VC-CHANTE CHR F & H +BM.1970.029.001:01-19 +BM.1970.041.001/55:47-06 VC-CHANTE H +BM.1970.041.001/55:47-06 M2-TBR 2MEMB MADAL +BM.1970.041.001/55:48-01 VC-CHANTE SOLO H +BM.1970.041.001/55:48-02 VC-CHANTE TRIO F +BM.1970.041.001/55:49-01 VC-CHANTE SOLO H +BM.1970.041.001/55:49-02 VA-CHANTE-PARLE H SOLO HARI SUNAR KAMI +BM.1970.041.001/55:50-01 VA-CHANTE-PARLE H SOLO HARI SUNAR KAMI +BM.1970.041.001/55:51-01 VA-CHANTE-PARLE H SOLO HARI SUNAR KAMI +BM.1970.041.001/55:51-02 VC- CHANTE F. SOLO +BM.1970.041.001/55:52-01 VC- CHANTE F. SOLO +BM.1970.041.001/55:52-02 VC- CHANTE F. SOLO +BM.1970.041.001/55:52-03 VC- CHANTE F. SOLO +BM.1970.041.001/55:53-01 VC- CHANTE F. SOLO +BM.1970.041.001/55:53-02 VC- CHANTE DUO F. +BM.1970.041.001/55:53-04 VP-PARLE +BM.1970.029.001:01-20 VC-CHANTE CHR F +BM.1970.029.001:01-20 VC-CHANTE SOLO H +BM.1970.029.001:01-20 M-TBR +BM.1970.029.001:01-20 ZIFC-CLOCHETTES +BM.1970.029.001:01-21 VC-CHANTE CHR F +BM.1970.029.001:01-21 VC-CHANTE SOLO H +BM.1970.029.001:01-21 M-TBR +BM.1970.029.001:01-21 ZIFC-CLOCHETTES +BM.1970.029.001:01-22 CV-VIELE 1 +BM.1970.029.001:01-22 ZIFC-CLOCHETTES +BM.1970.029.001:01-22 VC-CHANTE CHR F +BM.1970.029.001:01-23 VC-CHANTE CHR H +BM.1970.029.001:01-23 M-TBR +BM.1970.029.001:01-23 ZIFC-CLOCHETTES +BM.1970.029.001:01-24 VC-CHANTE SOLO H & CHR H +BM.1970.029.001:01-25 VC-CHANTE SOLO H & CHR H +BM.1970.029.001:01-26 VP-PARLE +BM.1970.031.001/07:01-02 AFP-FLUTE DE PAN 10 +BM.1970.031.001/07:01-02 M-TBR M-BOMBO 1 +BM.1970.031.001/07:01-02 AF-FLUTE AF-SIFFLET 1 +BM.1970.031.001/07:01-03 AFP-FLUTE DE PAN 10 +BM.1970.031.001/07:01-03 M-TBR M-BOMBO 1 +BM.1970.031.001/07:01-03 AF-FLUTE AF-SIFFLET 1 +BM.1970.031.001/07:01-04 AFP-FLUTE DE PAN 10 +BM.1970.031.001/07:01-04 M-TBR M-BOMBO 1 +BM.1970.031.001/07:01-04 AF-FLUTE AF-SIFFLET 1 +BM.1970.031.001/07:01-05 AFT-FLUTE TERM AFT-TARKA 2 +BM.1970.031.001/07:01-06 AFT-FLUTE TERM AFT-TARKA 2 +BM.1970.031.001/07:01-07 AF-FLUTE AF-QUENA 2 +BM.1970.031.001/07:01-08 AF-FLUTE AF-QUENA 2 +BM.1970.031.001/07:01-09 AF-FLUTE AF-QUENA 1 +BM.1970.031.001/07:01-10 AFT-FLUTE TERM AFT-TARKA 1 +BM.1970.031.001/07:02-01 AFT-FLUTE TERM AFT-TARKA 1 +BM.1970.031.001/07:02-02 AFT-FLUTE TERM AFT-TARKA 1 +BM.1970.031.001/07:02-03 AF-FLUTE AF-QUENA 2 +BM.1970.031.001/07:02-04 AF-FLUTE AF-QUENA 2 +BM.1970.031.001/07:02-05 AFT-FLUTE TERM AFT-PINKULLU 1 +BM.1970.031.001/07:02-06 VC-CHANTE SOLO H +BM.1970.031.001/07:02-06 CV-VIELE CV-VIOLON 1 +BM.1970.031.001/07:02-07 VC-CHANTE SOLO H +BM.1970.031.001/07:02-07 CV-VIELE CV-VIOLON 1 +BM.1970.031.001/07:02-08 VC-CHANTE SOLO H +BM.1970.031.001/07:02-08 CV-VIELE CV-VIOLON 1 +BM.2007.001.001/97:28-02 VC-CHANTE SOLO F N N 1 +BM.2007.001.001/97:28-02 VC-CHANTE CHR F N N N +BM.1970.041.001/55:54-01 VC- CHANTE F. SOLO +BM.1970.041.001/55:55-01 VC-CHANTE SOLO JH +BM.1970.041.001/55:55-01 CV-VIELE SARANGUI +BM.1970.041.001/55:55-01 M2D-TBR 2MEMB/CADRE DAMARU +BM.1970.041.001/55:55-01 RAM CARAM GAINE +BM.1970.041.001/55:55-03 VC- CHANTE F. SOLO +BM.1970.041.001/55:55-04 VC- CHANTE SOLO H OU F +BM.1970.041.001/55:55-04 CV-VIELE SARANGUI +BM.1970.041.001/55:55-05 VC-CHANTE SOLO H +BM.1970.041.001/55:55-05 CV-VIELE SARANGUI +BM.1970.041.001/55:55-05 +BM.1970.041.001/55:55-06 VC-CHANTE CHR E +BM.1970.041.001/55:55-06 CV-VIELE SARANGUI +BM.1970.041.001/55:55-06 +BM.1970.041.001/55:55-07 VC-CHANTE CHR E +BM.1970.041.001/55:55-07 CV-VIELE SARANGUI +BM.1970.041.001/55:55-07 +BM.1970.041.001/55:55-08 VC-CHANTE SOLO H +BM.1970.041.001/55:55-08 CV-VIELE SARANGUI +BM.1970.041.001/55:55-08 +BM.1970.041.001/55:55-09 VC-CHANTE CHOEUR F +BM.1970.041.001/55:55-09 CV-VIELE SARANGUI +BM.1970.041.001/55:55-09 +BM.1970.041.001/55:55-10 +BM.1970.031.001/07:03-01 VC-CHANTE SOLO H +BM.1970.031.001/07:03-01 CV-VIELE CV-VIOLON 1 +BM.1970.031.001/07:03-02 VC-CHANTE SOLO H +BM.1970.031.001/07:03-02 CV-VIELE CV-VIOLON 1 +BM.1970.031.001/07:03-03 VC-CHANTE SOLO H +BM.1970.031.001/07:03-03 CV-VIELE CV-VIOLON 1 +BM.1970.031.001/07:03-04 VP-PARLE SOLO H 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+BM.1974.013.001/52:06_16 VC-CHANTE SOLO H N N 1 +BM.1974.013.001/52:06_18 VC-CHANTE CHR H N N N +BM.1974.013.001/52:06_18 VC-CHANTE SOLO H N N 1 +BM.1974.013.001/52:06_18 VA-CRIE H N N N +BM.1974.013.001/52:06_18 SD-AMBIANCES DIVERSES N N N +BM.1974.013.001/52:07_01 VC-CHANTE CHR H N N N +BM.1974.013.001/52:07_01 VC-CHANTE SOLO H N N 1 +BM.1974.013.001/52:07_01 VA-CRIE H N N N +BM.1974.013.001/52:07_01 SD-AMBIANCES DIVERSES N N N +BM.1974.013.001/52:07_02 VC-CHANTE CHR H N N N +BM.1974.013.001/52:07_02 VC-CHANTE SOLO H N N 1 +BM.1974.013.001/52:07_02 VA-CRIE H N N N +BM.1974.013.001/52:07_02 SD-AMBIANCES DIVERSES N N N +BM.1997.004.001/14:03-01 VC-CHANTE 2CHR ALTERNES F +BM.1997.004.001/14:03-01 M1D-TBR 1MEMB/CADRE M1D-TALLUNT N +BM.1997.004.001/14:03-01 M2C-TBR 2MEMB/CAISSE M2C-GANGA 1 +BM.1997.004.001/14:03-01 BC-BATTEMENTS DE MAINS +BM.1997.004.001/14:03-01 VA-YOUYOU F +BM.1997.004.001/14:03-01 VC-CHANTE SOLO H +BM.1997.004.001/14:03-01 IF-IDIOPHONE FRAPPE IF-NAQUS 1 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+BM.1974.013.001/52:07_16 VP-PARLE N N N +BM.1974.013.001/52:07_17 M-TBR N N 3 +BM.1974.013.001/52:07_17 VC-CHANTE CHR MIXTE N N N +BM.1974.013.001/52:07_17 VP-PARLE N N N +BM.1974.013.001/52:07_18 M-TBR N N 3 +BM.1974.013.001/52:07_18 VC-CHANTE CHR MIXTE N N N +BM.1974.013.001/52:07_18 VP-PARLE N N N +BM.1997.004.001/14:03-05 VC-CHANTE 2CHR ALTERNES H 3 ou 4 +BM.1997.004.001/14:03-06 VC-CHANTE 2CHR ALTERNES H 3 ou 4 +BM.1997.004.001/14:03-07 VC-CHANTE 2CHR ALTERNES H 3 ou 4 +BM.1997.004.001/14:03-08 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.2007.005.001/77:60-01 VP-ENQUETE N N N +BM.1997.004.001/14:03-09 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.1997.004.001/14:03-10 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.1997.004.001/14:03-11 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.1997.004.001/14:03-12 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.1997.004.001/14:03-13 VC-CHANTE 2CHR ALTERNES F ±2X3 +BM.1997.004.001/14:04-15 VC-CHANTE SOLO ALTERNE H ±2X3 +BM.1997.004.001/14:04-16 VC-CHANTE SOLO ALTERNE H ±2X3 +BM.2007.005.001/77:60-02 VP-ENQUETE N N N +BM.2007.005.001/77:60-02 M1-TBR 1MEMB M1-MBEGN N 1 +BM.2007.005.001/77:60-02 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-02 IFC-BLOC DE BOIS IFC-NKU N 1 +BM.2007.005.001/77:60-02 BM-MIRLITON N N 1 +BM.1997.004.001/14:04-17 VC-CHANTE SOLO ALTERNE & CHR H ±2X3 +BM.1997.004.001/14:04-18 VC-CHANTE SOLO ALTERNE & CHR H ±2X3 +BM.1997.004.001/14:04-19 VC-CHANTE SOLO ALTERNE & CHR H ±2X3 +BM.2007.005.001/77:60-03 VP-PARLE N ALLOGHO ASSUMU 1 +BM.2007.005.001/77:60-03 M1-TBR 1MEMB M1-MBEGN N 1 +BM.2007.005.001/77:60-03 IFC-BLOC DE BOIS IFC-NKU N 1 +BM.2007.005.001/77:60-03 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-03 BM-MIRLITON N N 1 +BM.2007.005.001/77:60-04 VC-CHANTE N ALLOGHO ASSUMU N +BM.2007.005.001/77:60-04 M1-TBR 1MEMB M1-MBEGN N 1 +BM.2007.005.001/77:60-04 IFC-BLOC DE BOIS IFC-NKU N 1 +BM.2007.005.001/77:60-04 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-04 BM-MIRLITON N N 1 +BM.2007.005.001/77:60-05 V-VOIX N N N +BM.2007.005.001/77:60-05 M1-TBR 1MEMB M1-MBEGN N 1 +BM.2007.005.001/77:60-05 IFC-BLOC DE BOIS IFC-NKU N 1 +BM.2007.005.001/77:60-05 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-05 BM-MIRLITON N N 1 +BM.2007.005.001/77:60-06 VP-ENQUETE N N N +BM.2007.005.001/77:60-06 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:60-06 VC-CHANTE CHR F N N N +BM.2007.005.001/77:60-06 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:60-06 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-07 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:60-07 VC-CHANTE CHR F N N N +BM.2007.005.001/77:60-07 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:60-07 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-08 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:60-08 VC-CHANTE CHR F N N N +BM.2007.005.001/77:60-08 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:60-08 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:60-09 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:60-09 VC-CHANTE CHR F N N N +BM.2007.005.001/77:60-09 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:60-09 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:61-01 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-01 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-01 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-01 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:61-02 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-02 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-02 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-02 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:61-03 VP-ENQUETE N N N +BM.2007.005.001/77:61-03 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-03 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-03 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-03 IS-HOCHET IS-NYASS N 1 +BM.1997.004.001/14:04-01 VC-CHANTE 2CHR ALTERNES F 3+3 +BM.1997.004.001/14:04-02 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-02 VA-YOUYOU F +BM.1997.004.001/14:04-03 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-03 VA-YOUYOU F +BM.1997.004.001/14:04-04 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-04 VA-YOUYOU F +BM.1997.004.001/14:04-05 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-05 VA-YOUYOU F +BM.2007.005.001/77:61-04 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-04 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-04 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-04 IS-HOCHET IS-NYASS N 1 +BM.1997.004.001/14:04-06 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-06 VA-YOUYOU F +BM.2007.005.001/77:61-05 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-05 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-05 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-05 IS-HOCHET IS-NYASS N 1 +BM.1997.004.001/14:04-07 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-07 VA-YOUYOU F +BM.2007.005.001/77:61-06 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-06 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-06 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-06 IS-HOCHET IS-NYASS N 1 +BM.1997.004.001/14:04-08 VC-CHANTE SOLO & CHR F +BM.1997.004.001/14:04-08 VA-YOUYOU F +BM.2007.005.001/77:61-07 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:61-07 VC-CHANTE CHR F N N N +BM.2007.005.001/77:61-07 IFP-XYLOPHONE N N 5 +BM.2007.005.001/77:61-07 IS-HOCHET IS-NYASS N 1 +BM.2007.005.001/77:61-08 V-VOIX SOLO F N N 1 +BM.2007.005.001/77:61-08 VC-CHANTE CHR F N N N +BM.2007.005.001/77:62-01 V-VOIX SOLO F N MFONO ALLOGO 1 +BM.1997.004.001/14:04-09 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:04-09 VA-YOUYOU F +BM.1997.004.001/14:04-09 VA-CRIE F +BM.1997.004.001/14:04-10 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:04-10 VA-YOUYOU F +BM.1997.004.001/14:04-10 VA-CRIE F +BM.1997.004.001/14:04-11 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:04-11 VA-YOUYOU F +BM.1997.004.001/14:04-11 VA-CRIE F +BM.1997.004.001/14:04-12 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:04-12 VA-YOUYOU F +BM.1997.004.001/14:04-12 VA-CRIE F +BM.2007.005.001/77:63-01 V-VOIX SOLO F N MFONO ALLOGO 1 +BM.2007.005.001/77:63-01 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-02 V-VOIX SOLO F N M. J. AVOME ABA'A 1 +BM.2007.005.001/77:63-02 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-03 V-VOIX SOLO F N M. J. AVOME ABA'A 1 +BM.2007.005.001/77:63-03 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-04 V-VOIX SOLO F N THERESE OBENG 1 +BM.2007.005.001/77:63-04 VC-CHANTE CHR F N N N +BM.1997.004.001/14:04-14 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:04-14 IFC-IDIOPHONE FRAPPE CREUX 1 +BM.1997.004.001/14:04-14 IFP-DISQUE IFP-NAQUS 1 +BM.1997.004.001/14:04-13 SD-AMBIANCES DIVERSES +BM.1997.004.001/14:05-08 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:05-09 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:05-10 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:05-11 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:05-12 VC-CHANTE 2CHR ALTERNES F ±10 +BM.1997.004.001/14:05-01 SD-AMBIANCES DIVERSES +BM.1997.004.001/14:05-02 VC-CHANTE 2CHR H ±6 +BM.1997.004.001/14:05-02 SA-SONS ANIMAUX +BM.1997.004.001/14:05-03 VC-CHANTE SOLO ALTERNE H +BM.1997.004.001/14:05-04 SD-AMBIANCES DIVERSES +BM.1997.004.001/14:05-05 VC-CHANTE 2CHR H ±6 +BM.1997.004.001/14:05-06 VP-PARLE H 1 +BM.1997.004.001/14:05-07 VC-CHANTE 2CHR H ±6 +BM.2007.005.001/77:63-05 VP-ENQUETE N N N +BM.2007.005.001/77:63-06 VC-CHANTE SOLO F N N 1 +BM.2007.005.001/77:63-06 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-06 AFTC-FLUTE TERM CONDUIT AFTC-ELON N N +BM.2007.005.001/77:63-06 M-TBR N N N +BM.2007.005.001/77:63-06 IFC-BLOC DE BOIS N N 2 +BM.2007.005.001/77:63-06 IS-HOCHET IS-NYASS N N +BM.2007.005.001/77:63-07 VC-CHANTE SOLO F N N 1 +BM.2007.005.001/77:63-07 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-07 AFTC-FLUTE TERM CONDUIT AFTC-ELON N N +BM.2007.005.001/77:63-07 M-TBR N N N +BM.2007.005.001/77:63-07 IFC-BLOC DE BOIS N N 2 +BM.2007.005.001/77:63-07 IS-HOCHET IS-NYASS N N +BM.2007.005.001/77:63-08 VC-CHANTE SOLO F N N 1 +BM.2007.005.001/77:63-08 VC-CHANTE CHR F N N N +BM.2007.005.001/77:63-08 AFTC-FLUTE TERM CONDUIT AFTC-ELON N N +BM.2007.005.001/77:63-08 M-TBR N N N +BM.2007.005.001/77:63-08 IFC-BLOC DE BOIS N N N +BM.2007.005.001/77:63-08 IS-HOCHET IS-NYASS N N +BM.1997.004.001/14:06-01 SD-AMBIANCES DIVERSES +BM.1997.004.001/14:06-02 VC-CHANTE 2CHR H ±6 +BM.2007.005.001/77:63-09 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:63-09 AFTC-FLUTE TERM CONDUIT AFTC-ELON N N +BM.2007.005.001/77:63-09 M-TBR N N N +BM.2007.005.001/77:63-09 IFP-XYLOPHONE N N N +BM.2007.005.001/77:63-09 IFC-BLOC DE BOIS N N N +BM.1997.004.001/14:06-03 VC-CHANTE SOLO & CHR H 1+±4 +BM.1997.004.001/14:06-04 SD-AMBIANCES DIVERSES +BM.2007.005.001/77:64-01 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:64-01 M-TBR N N N +BM.2007.005.001/77:64-01 IFP-XYLOPHONE N N N +BM.2007.005.001/77:64-01 IFC-BLOC DE BOIS N N N +BM.1997.004.001/14:06-05 VC-CHANTE SOLO & CHR H 1+±4 +BM.1997.004.001/14:06-06 SD-AMBIANCES DIVERSES +BM.1997.004.001/14:06-07 VC-CHANTE 2CHR H ±6 +BM.2007.005.001/77:64-02 V-VOIX SOLO H N N 1 +BM.2007.005.001/77:64-02 VC-CHANTE CHR H N N N +BM.2007.005.001/77:64-02 M-TBR N N N +BM.2007.005.001/77:64-02 IFP-XYLOPHONE N N N +BM.2007.005.001/77:64-02 IFC-BLOC DE BOIS N N N 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N 1 +BM.1971.002.001/06:06-05 IF-IDIOPHONE FRAPPE N N ? +BM.1971.002.001/06:06-06 VC-CHANTE CHR MIXTE N N 1 +BM.1971.002.001/06:06-06 CL-LUTH N N N +BM.1971.002.001/06:06-06 M-TBR N N 1 +BM.1971.002.001/06:06-07 VC-CHANTE SOLO H N N 1 +BM.1971.002.001/06:06-07 VC-CHANTE CHR MIXTE N N 1 +BM.1971.002.001/06:06-07 CL-LUTH N N 1 +BM.1971.002.001/06:06-07 M-TBR N N 1 +BM.1971.002.001/06:06-08 VC-CHANTE SOLO F N N 1 +BM.1971.002.001/06:06-08 VC-CHANTE CHR MIXTE N N 1 +BM.1971.002.001/06:06-08 CL-LUTH N N N +BM.1971.002.001/06:06-08 M-TBR N N 1 +BM.1974.008.001/20:01-02 VC-CHANTE SOLO H N N 1 +BM.1974.008.001/20:01-03 VC-CHANTE CHR MIXTE N N 1 +BM.1974.008.001/20:01-03 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:01-03 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:01-03 AF-FLUTE N N 1 +BM.1974.008.001/20:01-04 VC-CHANTE SOLO F N N 1 +BM.1974.008.001/20:01-04 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:01-04 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:01-04 AF-FLUTE N N 1 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VC-CHANTE SOLO H N N 1 +BM.1974.008.001/20:02-02 VC-CHANTE SOLO H N N 1 +BM.1974.008.001/20:02-03 VC-CHANTE CHR MIXTE N N 1 +BM.1974.008.001/20:02-03 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:02-03 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:02-03 AF-FLUTE N N 1 +BM.1974.008.001/20:02-04 VC-CHANTE CHR MIXTE N N 1 +BM.1974.008.001/20:02-04 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:02-04 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:02-04 AF-FLUTE N N 1 +BM.1974.008.001/20:02-05 VC-CHANTE CHR MIXTE N N 1 +BM.1974.008.001/20:02-05 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:02-05 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:02-05 AF-FLUTE N N 1 +BM.1974.008.001/20:02-06A VC-CHANTE SOLO H N GON-GU CHOS-RGYAL 1 +BM.1974.008.001/20:02-06B VC-CHANTE SOLO H N GON-GU CHOS-RGYAL 1 +BM.1974.008.001/20:02-06C VC-CHANTE SOLO H N GON-GU CHOS-RGYAL 1 +BM.1974.008.001/20:03-01 VC-CHANTE SOLO H N GON-GU CHOS-RGYAL ? 1 +BM.1974.008.001/20:03-02A VC-CHANTE DUO H N GON-GU CHOS-RGYAL ? 2 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RGYA-GLIN CHOS-RJE LO-GRUB & CHE-DBAN RIG-'JIN 2 +BM.1974.008.001/20:08-03 AABD-HAUTBOIS RGYA-GLIN CHOS-RJE LO-GRUB & CHE-DBAN RIG-'JIN 2 +BM.1974.008.001/20:09-01 VC-CHANTE CHR H N N N +BM.1974.008.001/20:09-01 AT-TROMPE N N N +BM.1974.008.001/20:09-01 M-TBR N N N +BM.1974.008.001/20:09-01 AABD-HAUTBOIS N N N +BM.1974.008.001/20:09-01 IE-CYMBALES N N N +BM.1974.008.001/20:10-01 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:10-01 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:10-02 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:10-02 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:10-03 CC-CITHARE/TABLE RGYUD-MAN N 1 +BM.1974.008.001/20:10-03 CL-LUTH SGRA-SNAN N 1 +BM.1974.008.001/20:11-01 AT-TROMPE RKAN DUN N 1 +BM.1974.008.001/20:11-02 AT-TROMPE N N N +BM.1974.008.001/20:11-03 AABD-HAUTBOIS RGYA-GLIN N 2 +BM.1974.008.001/20:11-04 AT-CONQUE DUN N N +BM.1974.008.001/20:11-05 VC-CHANTE CHR H N N N +BM.1974.008.001/20:11-06 VP-PARLE H N SANS-RGYAS BSTAN-'JIN 1 +BM.1974.008.001/20:11-07 VC-CHANTE CHR H N N N +BM.1974.008.001/20:12-01 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 +BM.1974.008.001/20:12-01 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:12-01 SD-AMBIANCES DIVERSES N N N +BM.1974.008.001/20:12-02 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 +BM.1974.008.001/20:12-02 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:12-02 SD-AMBIANCES DIVERSES N N N +BM.1974.008.001/20:13-01 VC-CHANTE SOLO H N KRISHNA BAHADUR G 1 +BM.1974.008.001/20:13-01 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:13-02 VC-CHANTE SOLO H N N 1 +BM.1974.008.001/20:13-02 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:13-03 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 +BM.1974.008.001/20:13-03 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:14-01 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 +BM.1974.008.001/20:14-01 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:14-02 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 +BM.1974.008.001/20:14-02 CV-VIELE SARANGI N 1 +BM.1974.008.001/20:15-01 VC-CHANTE DUO H N ASTO BAHADUR G & GOITE G 2 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VP-PARLE N N N +BM.1974.008.001/20:20-05 VP-PARLE N N N +BM.2004.004.001/13:01-02 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-02 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-03 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-03 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-04 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-04 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-05 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-05 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-06 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-06 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-07 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-07 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-08 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-08 VC-CHANTE SOLO F N DAYA FALIW 1 +BM.2004.004.001/13:01-09 VC-CHANTE SOLO H N AKIW KATEPO' 1 +BM.2004.004.001/13:01-09 VC-CHANTE SOLO F N DAYA FALIW 1 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AKIW KATEPO' 1 +BM.2004.004.001/13:01-20 VC-CHANTE H N AKIW KATEPO' & PIYU ASIKU 2 +BM.2004.004.001/13:01-20 VC-CHANTE F N DAYA FALIW 1 +BM.2004.004.001/13:01-21 VC-CHANTE SOLO H N SAWUMAH ITUD' 1 +BM.2004.004.001/13:01-22 VP-PARLE SOLO H N SAWUMAH ITUD' 1 +BM.2004.004.001/13:01-23 VP-PARLE SOLO H N SAWUMAH ITUD' 1 +BM.2004.004.001/13:01-24 VC-CHANTE SOLO H N SAWUMAH ITUD' 1 +BM.2004.004.001/13:01-25 VC-CHANTE SOLO F N KACAW KATANOL 1 +BM.2004.004.001/13:01-26 VC-CHANTE SOLO F N LAKOC FALIW 1 +BM.2004.004.001/13:01-27 VC-CHANTE SOLO F N LAKOC FALIW 1 +BM.2004.004.001/13:01-28 VC-CHANTE SOLO F N LAKOC FALIW 1 +BM.2004.004.001/13:02-01 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-01 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-01 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 2 +BM.2004.004.001/13:02-02 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-03 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-03 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-03 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FI'IK TAPAC 1 +BM.2004.004.001/13:02-09 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-09 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 1 +BM.2004.004.001/13:02-10 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-10 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-10 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 1 +BM.2004.004.001/13:02-11 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-11 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-11 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 1 +BM.2004.004.001/13:02-12 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-12 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-12 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 1 +BM.2004.004.001/13:02-13 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-13 VC-CHANTE H N FAFOY KUWAL 1 +BM.2004.004.001/13:02-13 VC-CHANTE F N DAYA FALIW & KACAW KATONOL 1 +BM.2004.004.001/13:02-14 VC-CHANTE SOLO H N FI'IK TAPAC 1 +BM.2004.004.001/13:02-14 VC-CHANTE H N FAFOY KUWAL 1 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1 +BM.1968.024.001/63:28-05 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:28-06 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:28-06 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:28-07 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:28-07 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:28-08 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:28-08 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:28-09 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:28-09 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1984.006.001/30:07-13 VP-PARLE SOLO H SIDI MOHAMED 1 +BM.1968.024.001/63:29-01 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-01 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:29-03 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-03 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:29-04 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-04 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:29-05 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-05 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:29-06 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-06 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:29-07 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-07 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1984.006.001/30:07-16 CV-VIELE +BM.1968.024.001/63:29-08 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:29-08 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1984.006.001/30:07-17 VC-CHANTE H SIDI MOHAMED 1 +BM.1984.006.001/30:07-17 VC-CHANTE F OULT AMEREOUALTE 1 +BM.1968.024.001/63:30-02 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:30-02 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1968.024.001/63:30-03 VC-CHANTE SOLO H N MAGAR GAINE 1 +BM.1968.024.001/63:30-03 CV-VIELE CV-SARANGI MAGAR GAINE 1 +BM.1984.006.001/30:08-01 VC-CHANTE H SIDI MOHAMED 1 +BM.1984.006.001/30:08-01 CV-VIELE CV-IMZAD OULT AMEREOUALTE 1 +BM.1968.024.001/63:30-04 VC-CHANTE SOLO H N MAGAR GAINE 1 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POETIQ +Z-DRAME MUSICAL +Z-DUO INSTRUMENT +Z-ENSEIGNEMENT +Z-ENSEMBLE +Z-ENTERREMENT +Z-EXORCISME +Z-FUNERAILLES +Z-HOMMAGE GUERRI +Z-HYMNE NATIONAL +Z-IMPROVISATION +Z-INCANTATION +Z-INITIATIQUE +Z-INSTRUMENTAL +Z-INTIATION +Z-JEU D'ENFANTS +Z-LINGUISTIQUE +Z-LO-SAR +Z-LOUANGES +Z-M. D'ART +Z-M. DE BERGER +Z-M. DE CHAMBRE +Z-M. DE FETE +Z-M. DE THEATRE +Z-M. DE VARIETES +Z-M. DES MORTS +Z-M. RITUELLE +Z-M.BOUDDHIQUE +Z-M.DE CHAMBRE +Z-M.RELIGIEUSE +Z-MEDIUM +Z-MYSTIQUE +Z-N +Z-NIYNG-MA-PA +Z-NOUVEL AN +Z-NOUVEL-AN +Z-PAQUES +Z-PILAGE DU RIZ +Z-POLITIQUE +Z-POUVOIR/POLITI +Z-PR TIR A L'ARC +Z-PRELUDE IMPRO. +Z-PRIERE QUOTIDI +Z-PROTECT. RECOL +Z-RADIO KABUL +Z-RECOLTES +Z-RELIGIEUX +Z-RITES INITIATI +Z-RITUEL GUERISO +Z-RITUEL MACHITU +Z-RITUEL NGUILLA +Z-SACRIFICE BUFF +Z-SAISON +Z-SAISON PLUIES +Z-SAISON SECHE +Z-SANTA CRUZ +Z-SANTIAGO +Z-SATIRE +Z-SOLO INSTRUMEN +Z-SONNERIE +Z-SUFI +Z-TCHAI-KHANA +Z-THEATRE D'OMBR +Z-THEATRE DANSE +Z-TINKU +Z-TIR A L'ARC +Z-VEILLEE FUNEBR +Z-VIRTUOSITE +Z-ZOURKHANE +Z-CHASSE +Z-TRAVAIL diff --git a/trunk/import/raw_conversion/src-2008-06-16/Param.txt b/trunk/import/raw_conversion/src-2008-06-16/Param.txt new file mode 100755 index 0000000..b2d89c5 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Param.txt @@ -0,0 +1,2 @@ +Nom Images +About Sous-table non exportée diff --git a/trunk/import/raw_conversion/src-2008-06-16/Phono.txt b/trunk/import/raw_conversion/src-2008-06-16/Phono.txt new file mode 100755 index 0000000..2085fdb --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Phono.txt @@ -0,0 +1,22577 @@ +Réf Format Cote_Support Face_Plage Cote_Phono Durée Dates_Enregistr Etat Région_Village Ethnie_GrSocial Titre_Support Titre_Pièce Transcrip_Trad Auteur Formation Form_Genr_Style Struct_Modale Struct_Rythm Fonction_Usage Comm_FonctUsage Documentation Remarques Moda Exécut Copie_de Enregistré_par Aire_Géo_Cult Année_Enreg FormStyl généri ChoixCollecteur Repère bande NroBand NroPièc Continent +TGMMC-506 K7 BM.000.001.001 :01-01 BM.000.001.001:01-01 00:00:00 GB;ECOSSE ECOSSAIS SCOTISH TRADITION: PIBORCH Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2000.002 CDR BM.2000.002.001/06 :01-01>06 BM.2000.002.001/06:01-01>06 00:31:09 sept-dec 99 INDE;KERALA DST TRICHUR,PALGHAT,MALAPURAM PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 6 VERSIONS D'UN CHANT PERSONNALISE (CONTRE LE MAUVAIS OEIL) NAVERU PATTU' Sous-table non exportée NAVERU PATTU' Sous-table non exportée Chant 1 à 5 enreg. sur demande, chant 6 en situation. Chant de quête par les F Pulluvan • Cordophone= monocorde à tension variable, joué par la chanteuse. Détails des pieces: 01= 4'43, par Girija Pulluvatti; enreg. oct 99, Chitilapilly, Trichur dst; original: 1,4 02=6'18, par Bhargavi Pullluvatti; enreg. nov. 99, Mazhuvancherry, Trichur dst; original: 1,9 03=3'45, par Purukutti; enreg. sept.99, Ambalapara Palghat dst; original: 2,1 04=5'56, par Janaki; enreg. oct.99, Edappal, Malapuram dst; original: 2,6 05=4'36, par Padmavati; enreg. nov.99, Nelluvaya, Trichur dst; original: 2,9 06=5'50, pat Devayani; enreg.déc.99, Arangottukara, Tichur dst; original:3,7. = 1999 Non pertinent cf.Remarques ASIE +BM.2000.002 CDR BM.2000.002.001/06 :01-02 BM.2000.002.001/06:01-02 00:00:00 INDE;KERALA TRICHUR DST, PETRINGOTTUKATA PANAN GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 NARAYANA PUIS SIPOTI PATTU' Sous-table non exportée TUYIL UNARTTU' PATTU' Sous-table non exportée Chant de réveil. Chant de quête en tournée nocturne. Éloge de Déesse eet de Vishnu pour la prospérité de la famille hôte• 1999 RELIGIEUX POPULAIRE ASIE +BM.2000.002 CDR BM.2000.002.001/06 :01-07>08 BM.2000.002.001/06:01-07>08 00:19:02 dec 99 INDE;KERALA DST TRICHUR,CHOONDAL PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 "DEVALOKE" & "KASYAVANUTE" Sous-table non exportée Sous-table non exportée Cordophone= monocorde à tension variable, joué par la chanteuse. Bruiteur= grelots fixés sur le manche de la vièle. Durées: 07=8'50; 08= 10'12• = 1999 Non pertinent 9,8 & 9,9 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :01-09>10 BM.2000.002.001/06:01-09>10 00:08:40 déc 99 INDE;KERALA DST TRICHUR,ARANGOTUKARA PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 2 CHANTS PERSONNALISES NAVERU PATTU' Sous-table non exportée NAVERU PATTU' Sous-table non exportée Enreg. en situation. Chant de quête• Détails des pièces: 09= 5'33, titre "Devaloke" 10= 3'07, titre "kasyavanute", le tout début du chant manque• = 1999 Non pertinent 3,9 & 3,10 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :01-11 BM.2000.002.001/06:01-11 00:04:13 sept 99 INDE;KERALA DST TRICHUR,ARANGOTTUKARA (?) PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 "ASHTANAGA" Sous-table non exportée Sous-table non exportée Cordophone= monocorde à tension variable, joué par la chanteuse. Bruiteur= grelots fixés sur le mache de la vièle• = 1999 Non pertinent 7,1 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :01-12>13 BM.2000.002.001/06:01-12>13 00:07:27 sept-oct 99 INDE;KERALA DST PALGHAT,AMBALAPARA PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 4 CHANTS Sous-table non exportée Sous-table non exportée Codophone= monocorde à tension variable, joué par la chanteuse. Buiteur= grelots fixés sur le manche de l'archet. Détails des pièces 12= 3'15, titre "Sarppararnannale", enreg. sept 99; cht incomplet, manquent les 2 premières strophes. 13= 4'12, 3 chants enchainnés: "Ashatanaga", "Ilake" et "Atatu"• = 1999 Non pertinent 2,1bis ASIE +BM.2000.002 CDR BM.2000.002.001/06 :02-01>04 BM.2000.002.001/06:02-01>04 00:24:30 sept 99 INDE;KERALA DST TRICHUR, COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,1ER JOUR Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, premier jour• *près de Guruvayur. Cordophone= monocorde à tension variable. Détails des pièces: 01= 2'42, pendant l'esquisse du "kalam"dessin des divinités sur le sol. 02= 8'25, idem 03= 5'19, pendant les "puja-s" offrandes 04= 8'08, idem• = 1999 Non pertinent 18,1>4 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :02-05>06 BM.2000.002.001/06:02-05>06 00:06:14 sept 99 INDE;KERALA DST TRICHUR,COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,1ER JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, premier jour• *près de Guruvayur. Cordophone= monocorde à tension variable. Bruiteur= grelots fixés sur le manche de l'archet. La vièle est en tête de procession, au loin, 1 H se joint par moments aux cris des F. Détails des pièces: 05= 5'09, procession des F autour du "kalam" et vers d'autres lieux. 06= 1'05, retour de la procession près du pandal• = 1999 Non pertinent 18,1à9 sélection ASIE +BM.2000.002 CDR BM.2000.002.001/06 :02-07 BM.2000.002.001/06:02-07 00:21:55 sept 99 INDE;KERALA DST TRICHUR, COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,1ER JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, premier jour. Danse du Tiriuliccil, à la fin du sacrifice à Bhadrakali• *près de Guruvayur. Cordophone= monocorde à tension variable La vièle est en tête de procession, au loin. = 1999 Non pertinent 18,1à9, sélection ASIE +BM.2000.002 CDR BM.2000.002.001/06 :03-01 BM.2000.002.001/06:03-01 00:15:14 sept 99 INDE;KERALA DST TRICHUR , COVALURPATI PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,1ER JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, premier jour."• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Détails des pièces: Séquence de2 chants décrivant le pandal et les séquences rituelles: "Kadirave", les cymbales entrent à la fin du cht (à 12'12), puis "Ashta naga"• = 1999 Non pertinent 18,10 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :03-02>03 BM.2000.002.001/06:03-02>03 00:31:59 sept 99 INDE;KERALA DST TRICHUR;COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,1ER JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, premier jour. Séquence de transe "Tullal"• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Cordophone= monocorde à tension variable. Détails des pièces: 02= 24'13; "Sambudam", conte les serpents mythiques, joué sans l'accompagnement des cordophones à tension variable; enchainné à "Ilake" puis "Atatu", accompagnés des cordophones à tension variable, 2chts qui invitent les serpents à s'incarner dans le corps des jeunes femmes. 03= 7'46 , "Hari hara nage", "Ilake", "Atatu", 2ème série de 3 chts qui invitent les serpents à s'incarner dans le corps des jeunes femmes• = 1999 Non pertinent 18,11 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :04-01 BM.2000.002.001/06:04-01 00:18:07 sept 99 INDE;KERALA DST TRICHUR,COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITEUL PAMBIN TULLAL,2ME JOUR Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, deuxième jour. Séquence de transe "Tullal"• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Cordophone= monocorde à tension variable. Détails des pièces: "Hari hara nage", "Ilake", "Atatu"• = 1999 Non pertinent 19,5 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :04-02 BM.2000.002.001/06:04-02 00:05:07 sept 99 INDE;KERALA DST TRICHUR;COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,2EME JOUR Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, deuxième jour. Danse des H de la maison• *près de Guruvayur. Cordophone= monocorde à tension variable. Le chant est composé de 3 syllabes rythmiques• = 1999 Non pertinent 19,15 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :04-03>06 BM.2000.002.001/06:04-03>06 00:40:44 sept 99 INDE;KERALA DST TRICHUR,COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,2EME JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, deuxième jour. Suite de 4 chants précédant une séance depossession• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Détails des pièces: 03= 9'48, "Morimodiname", joué sans les cymbales, original 19,16a 04= 14'25, "Makale ninnal", original 19,16b 05= 6'21, "Gopala Govinda", original 19,17 06= 10'09, "Ninnal kagrabaé, original 19,18• = 1999 Non pertinent 19,16 à 19,18 ASIE +BM.2000.002 CDR BM.2000.002.001/06 :05-01>02 BM.2000.002.001/06:05-01>02 00:29:26 sept 99 INDE;KERALA DST TRICHUR,COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,2EME JOUR Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, deuxième jour. Séquence de transe "Tullal"• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Cordophone= monocorde à tension variable. Détails des pièces: 01= 11'41, bruit du passage de colophane sur la corde, puis "Hari hara nage", "ilake", "Atatu" (incomplet 06 BM.2000.002.001/06:05-03>06 00:32:05 sept 99 INDE;KERALA DST TRICHUR;COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,3EME JOUR Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, troisième jour. Chants devant le bosquet aux serpents• *près de Guruvayur. Bruiteur= grelots fixés sur le manche de la vièle. Cordophone= monocorde à tension variable. Détails des pièces: 03= 9'05," Ashtanaga"; original 20,12 04= 8'08, cht personnalisé "Naverupattu" [chant beau]; original 20,13a 05= 8'28, idem, pour un autre bénéficiaire; original 20,13b 06= 6'23, idem, idem; original 20,14• = 1999 Non pertinent cf. Remarques ASIE +BM.2000.002 CDR BM.2000.002.001/06 :06-01>03 BM.2000.002.001/06:06-01>03 00:13:33 sept 99 INDE;KERALA DST TRICHUR; COVALURPATI* PULLUVAN-C GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 RITUEL PAMBIN TULLAL,3EME JOUR,SUITE Sous-table non exportée Sous-table non exportée Enreg. en situation. Rituel propitiatoire adressé aux serpents, troisième jour. Séquence concernant les Bhuta• *près de Guruvayur. Cordophone= monocorde à tension variable. Détails des pièces: 01= 2'23, danse des Bhuta; original 20,18 02= 3'48, sacrifice de coq pour Nagabhuta; original 21,1 03= 7'19, 3 chants de transe "Valeyallo", "Ilake", "Atatu"; original 21,3• = 1999 Non pertinent cf. Remarques ASIE +BM.2000.003 n BM.2000.003.001/04 :01-01 BM.2000.003.001/04:01-01 00:00:00 COTE D'IVOIRE SENOUFO LANNOY,M. DE; COTE D'IVOIRE:SENOUFO;1982- [ARCHIV. EN COURS] Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2000.004 CDR BM.2000.004.001/09 :01-01 BM.2000.004.001/09:01-01 00:00:00 GUYANE FRANCAISE BONI HURAULT,J.;GUYANE:BONI;1957-58 Sous-table non exportée Sous-table non exportée 1957 AMERIQUE +BM.2000.005 CDR BM.2000.005.001/17 :01-01 BM.2000.005.001/17:01-01 00:00:00 NIGER PEULS BOROROS LONCKE,S;NIGER:PEULS BOROROS;1997-98 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2000.006 CDR BM.2000.006.001/03 :01-01 BM.2000.006.001/03:01-01 00:00:00 PARAGUAY ESTIVAL,J-P;PARAGUAY,CHACO;2000 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2000.007 K7 BM.2000.007.001/04 :01-01 BM.2000.007.001/04:01-01 00:00:00 GRECE GRECS GRECE [EXEMPLES POUR THESE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2000.008 CDR BM.2000.008.001/05 :01-01 BM.2000.008.001/05:01-01 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = Austronésie; Asie du S. E. 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-02 BM.2000.008.001/05:01-02 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-03 BM.2000.008.001/05:01-03 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-04 BM.2000.008.001/05:01-04 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-05 BM.2000.008.001/05:01-05 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-06 BM.2000.008.001/05:01-06 00:00:00 sept. INDONESIE;FLORES REGION DE TANA 'AI TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS CHANTES ALTERNES Sous-table non exportée HEGOR + ABOPARE Sous-table non exportée Enreg. "HS" à Maumere• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Présence de: secondes, tierces, diaphonies croisées (=mouvements croisés), polyphonies. Duos "Hegor" et ronde " Abopare" * Chanteurs: Daniel Mage, Alex Gobang, Paulus Plari Mage, Leonardus Lepe Mage, Franz Juking, Markus Milan Mage• = 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-07 BM.2000.008.001/05:01-07 00:13:42 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CANTILLATION RESPONSORIALE BLEKA Sous-table non exportée BLEKA Sous-table non exportée Population non encore christianisée• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Cantillation unisson responsoriale • = Austronésie; Asie du S. E. 1992 Non pertinent ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-08 BM.2000.008.001/05:01-08 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-09 BM.2000.008.001/05:01-09 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-10 BM.2000.008.001/05:01-10 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-11 BM.2000.008.001/05:01-11 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-12 BM.2000.008.001/05:01-12 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-13 BM.2000.008.001/05:01-13 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :01-14 BM.2000.008.001/05:01-14 00:00:00 sept. INDONESIE;FLORES TANA'AI,PRUDA TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUOS ALTERNES * Sous-table non exportée HEGOR Sous-table non exportée Population non christianisée. Enreg. en situation• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• *Titre de la pièce = l'un des titres suivants: Sasongalo, Radok Baobala, Nona Nonggo, Oho Sajan. $ Les duos ne sont pas mixtes, les chanteurs ou les chanteuses chantent deux par deux alternativement. Les chants sont exécutés en ronde non tenue. BOISSON = alcool Mortiers à riz audibles au second plan• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-01 BM.2000.008.001/05:02-01 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNES "ANA NUREN" ANA NUREN Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" dans la maison d'un chef rituel du clan Ipir• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = Austronésie; Asie du S. E. 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-02 BM.2000.008.001/05:02-02 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNES "NONA NONGGO" NONA NONGGO Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" dans la maison d'un chef rituel du clan Ipir• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-03 BM.2000.008.001/05:02-03 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNES "LOKA LORA LODO" LOKA LORA LODO Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" dans la maison d'un chef rituel du clan Ipir• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-04 BM.2000.008.001/05:02-04 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNES "TETI TERO TERO" TETI TERO TERO Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" dans la maison d'un chef rituel du clan Ipir• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-05 BM.2000.008.001/05:02-05 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNES "O'AN" O'AN Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" dans la maison d'un chef rituel du clan Ipir• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-06 BM.2000.008.001/05:02-06 00:00:00 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 DUO ALTERNE "BAU BALERA" BAU BALERA Sous-table non exportée HEGOR Sous-table non exportée Enreg. "HS" à Lemak, dans la maison d'un chef rituel du clan "Ipir"• Lewis,E.Douglas: "People of the source", Foris Publications, 1988• * Chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = Austronésie; Asie du S. E. 1992 Non pertinent ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-07 BM.2000.008.001/05:02-07 00:05:13 sept. INDONESIE;FLORES LEMAK TANA 'AI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 RONDE MASCULINE AVEC COUTEAU KABANARA Sous-table non exportée Sous-table non exportée Lewis,E.Douglas: "People of the source", Foris Publications, 1988• Chant unisson responsorial. Noms chanteurs: Simon Sina Ipir, Markus Manok, Lukas Luis, Rapa Ipir, Luisa Leing (F), Jawan Mage (F), Yoseph Lise Hewat, Nong Nuha• = Austronésie; Asie du S. E. 1992 Non pertinent ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-08 BM.2000.008.001/05:02-08 00:06:56 sept. INDONESIE;FLORES RAKALABA NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 MORE MASI, CHANT FUNERAIRE Sous-table non exportée TEKE Sous-table non exportée Population très christianisée, catholique. Messe chrétienne catholique. Le défunt est déjà sous terre, c'est la 2e nuit de veille. La veille durera 40 jours• Chanté: 10F + 4H. Chant homorythmique,heptatonique, lent Enreg. à Rakalaba, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E.. 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-09 BM.2000.008.001/05:02-09 00:02:00 sept. INDONESIE;FLORES RAKALABA NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 MESSE NOCTURNE CATHOLIQUE DE FUNERAILLES Sous-table non exportée Sous-table non exportée Population très christianisée, catholique. Messe chrétienne catholique. Le défunt est déjà sous terre, c'est la 2e nuit de veille. La veille durera 40 jours• Chanté : 10F + 4H. Enreg. à Rakalaba, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-10 BM.2000.008.001/05:02-10 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANTS CHOEUR MIXTE "SEU" SEU Sous-table non exportée TEKE Sous-table non exportée Enreg. le soir dans une maison. Normalement ce chant se chante sur les échelons de la maison cérémonielle. Pièce 12 est un choeur funéraire• CHR = 4F agées +5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-11 BM.2000.008.001/05:02-11 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANTS CHOEUR MIXTE "DHOMA GO ROBHA" DHOMA GO ROBHA Sous-table non exportée TEKE Sous-table non exportée Enreg. le soir dans une maison. Normalement ce chant se chante sur les échelons de la maison cérémonielle• CHR = 4F agées +5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-12 BM.2000.008.001/05:02-12 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANTS CHOEUR FUNERAIRE MIXTE "MORE MASI" MORE MASI Sous-table non exportée TEKE Sous-table non exportée Enreg. le soir dans une maison. Normalement ce chant se chante sur les échelons de la maison cérémonielle. Choeur funéraire• CHR = 4F agées +5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-13 BM.2000.008.001/05:02-13 00:00:00 5 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT DE RONDE MIXTE "TEKE" TEKE Sous-table non exportée TEKE Sous-table non exportée Enreg. "HS", le soir dans une maison. Chant funéraire• CHR = 4F âgées + 5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. *Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 RELIGIEUX ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-14 BM.2000.008.001/05:02-14 00:00:00 5 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT DE RONDE MIXTE "TEKE" TEKE Sous-table non exportée TEKE Sous-table non exportée Enreg. "HS", le soir dans une maison. Chant funéraire• CHR = 4F âgées + 5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. *Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :02-15 BM.2000.008.001/05:02-15 00:00:00 5 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT DE RONDE MIXTE "TEKE" TEKE Sous-table non exportée TEKE Sous-table non exportée Enreg. "HS", le soir dans une maison. Chant funéraire• CHR = 4F âgées + 5H. Chant polyphonique, responsorial en deux parties, tierce, quinte. *Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-01 BM.2000.008.001/05:03-01 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT ? Sous-table non exportée TEKE Sous-table non exportée Chanté "HS" le soir dans une maison• CHR= 5H + 4F. Chant répétitif, polyphonique. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-02 BM.2000.008.001/05:03-02 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT "GOE GOE" "GOE GOE" Sous-table non exportée TEKE Sous-table non exportée Chanté "HS" le soir dans une maison• CHR= 5H + 4F. Chant répétitif, polyphonique. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 0 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-03 BM.2000.008.001/05:03-03 00:00:00 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT "LEA NORE NORE" LEA NORE NORE Sous-table non exportée TEKE Sous-table non exportée Chanté "HS" le soir dans une maison• CHR= 5H + 4F. Chant répétitif, polyphonique. Chant polyphonique, responsorial en deux parties, tierce, quinte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-04 BM.2000.008.001/05:03-04 00:04:10 sept. INDONESIE;FLORES WOGO * NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHOEUR MIXTE DANSE Sous-table non exportée DERO Sous-table non exportée Chant rituel enreg. "HS" le soir dans une maison. CHR = 5H + 4F Chant répétitif, polyphonique. *Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-05 BM.2000.008.001/05:03-05 00:04:30 sept. INDONESIE;FLORES WOGO* NGADA/BAJAWA RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHANT FOLKLORISE ORIWUE Sous-table non exportée Sous-table non exportée Chant folklorisé. Le conseiller culturel joue de la flûte. * Lieu: Wogo, Kecamatan Golewa, Kabupaten Ngada• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-06 BM.2000.008.001/05:03-06 00:15:34 sept. INDONESIE;FLORES TANAH RATA* MANGGARAI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHOEUR MIXTE DANSE VERA Sous-table non exportée VERA Sous-table non exportée Enreg. " HS", le soir en extérieur• CHR = 10H + 10 F. 4 parties: chr H unisson, puis chr F, puis chant plus rythmé, puis retour à unisson tenu. Le chant alterne mesuré et non mesuré. Les H forment une ligne et ,devant eux, les F une autre ligne; le soliste est en avant. * Lieu: Dere, Tanah Rata, Perkawilan, Kecamatan Borong• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-07 BM.2000.008.001/05:03-07 00:13:53 sept. INDONESIE;FLORES TANAH RATA* MANGGARAI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 RONDE MIXTE DANSEE EN CHOEUR DANDING Sous-table non exportée DANDING Sous-table non exportée Le soir en extérieur. Chr très dynamique, alcool. Les F se tiennent par 4, les H se tiennent chacun par l'épaule, ils avancent par petits pas. Le soliste génère un dynamisme propulsé à l'ensemble des danseurs• Plusieurs motif. * Lieu: Dere, Tanah Rata, Perkawilan, Kecamatan Borong• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :03-08 BM.2000.008.001/05:03-08 00:19:20 sept. INDONESIE;FLORES ILE DE FLORES* MANGGARAI RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 RONDE MIXTE DANSEE EN CHOEUR MBATA Sous-table non exportée MBATA Sous-table non exportée Chant rituel chanté exclusivement dans la maison cérémonielle (_rumah adat_), maison surélevée sur pilotis toujours gardée par quelqu'un. H & F sont assis, séparés dans l'espace; au centre, gong et tbr• * Lieu: Dere, Tanah Rata, Perkawilan, Kecamatan Borong• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-01 BM.2000.008.001/05:04-01 00:01:46 sept. INDONESIE;FLORES TANAH RATA MANGGARAI TIMUR RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 EMBONG ANAK EMBONG ANAK Sous-table non exportée LAGU AYUNAN Sous-table non exportée La chanteuse a 26 ans. Alias ethnie: Rongga (Est Manggarai). Lieu: Dere, Tanaha Rata, Kecamatan Borong• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-02 BM.2000.008.001/05:04-02 00:01:19 12 sept. INDONESIE;FLORES BEO RUTENG MANGGARAI CENTRE RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 TAKITU Sous-table non exportée Sous-table non exportée Alias ethnie: Beo Ruteng. Lieu: Beo Ruteng, Kampung adast asli• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-03>04 BM.2000.008.001/05:04-03>04 00:00:00 12 sept. INDONESIE;FLORES BEO RUTENG MANGGARAI CENTRE RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 MBATA GAMBER + MBATA NDGENG NDERU Sous-table non exportée MBATA Sous-table non exportée Enreg. dans la maison cérémonielle• Alias ethnie: Beo Ruteng. Interprètes: Franz Sales Pil, Dortes Dopus (40 ans, soliste), Kosmas Genkor (46 ans), Siprianus Selas (24), Mates Natan (31), Vilem Mat, Niko (Petrus) Namat (46 ans, soliste), Moses Wompo (38 ans), Petrus Jedeot (60), Augustinus Bangkut (56) , Ibu Anastasia Seniu, Mawimi Santar (30), Rufino Kant (39 ans). Lieu: Beo Ruteng, Kampung adast asli• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-05 BM.2000.008.001/05:04-05 00:06:17 12 sept. INDONESIE;FLORES BEO RUTENG MANGGARAI CENTRE RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 TURALATUNG Sous-table non exportée Sous-table non exportée Chant de récolte du maïs• Alias ethnie: Beo Ruteng. Interprètes, 9 H et 1 F: Franz Sales Pil, Dortes Dopus (40 ans, soliste), Kosmas Genkor (46 ans), Siprianus Selas (24), Mates Natan (31), Vilem Mat, Niko (Petrus) Namat (46 ans, soliste), Moses Wompo (38 ans), Petrus Jedeot (60), Augustinus Bangkut (56) , Ibu Anastasia Seniu, Mawimi Santar (30), Rufino Kant (39 ans). Lieu: Beo Ruteng, Kampung adast asli• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-06 BM.2000.008.001/05:04-06 00:00:00 12 sept. INDONESIE;FLORES BEO RUTENG MANGGARAI CENTRE RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 SANDA Sous-table non exportée Sous-table non exportée Ce chant est normalement dansé, mais ici il es assis, d'où un moindre dynamisme• Choeur à l'unisson. Alias ethnie: Beo Ruteng. Interprètes, 9 H et 1 F: Franz Sales Pil, Dortes Dopus (40 ans, soliste), Kosmas Genkor (46 ans), Siprianus Selas (24), Mates Natan (31), Vilem Mat, Niko (Petrus) Namat (46 ans, soliste), Moses Wompo (38 ans), Petrus Jedeot (60), Augustinus Bangkut (56) , Ibu Anastasia Seniu, Mawimi Santar (30), Rufino Kant (39 ans). Lieu: Beo Ruteng, Kampung adast asli• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-07 BM.2000.008.001/05:04-07 00:13:29 12 sept. INDONESIE;FLORES BEO RUTENG MANGGARAI CENTRE RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 MANGGARAI TANAGE Sous-table non exportée Sous-table non exportée Choeur à l'unisson. Alias ethnie: Beo Ruteng. Interprètes, 9 H et 1 F: Franz Sales Pil, Dortes Dopus (40 ans, soliste), Kosmas Genkor (46 ans), Siprianus Selas (24), Mates Natan (31), Vilem Mat, Niko (Petrus) Namat (46 ans, soliste), Moses Wompo (38 ans), Petrus Jedeot (60), Augustinus Bangkut (56) , Ibu Anastasia Seniu, Mawimi Santar (30), Rufino Kant (39 ans). Lieu: Beo Ruteng, Kampung adast asli• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :04-08>10 BM.2000.008.001/05:04-08>10 00:13:29 13 sept. INDONESIE;FLORES KENDE MANGGARAI SUD RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHOEUR RESPOSORIAL ASSIS ACCOMPAGNE PAT TBRS ET GONGS * Sous-table non exportée MBATA Sous-table non exportée Enreg. loin dans la montagne ... *Transcription du titre: 8= Mbata Tatare, 9= Mbata Landun, 10= Mbata Raeng. Lieu: Kende, Desa Cekaluju, Kecamatan Satermese• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :05-01>04 BM.2000.008.001/05:05-01>04 00:00:00 13 sept. INDONESIE;FLORES KENDE MANGGARAI SUD RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHR RESPONSORIAL ASSIS ACCOMPAGNE PAR TBR & GONGS * Sous-table non exportée MBATA Sous-table non exportée = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :05-05>07 BM.2000.008.001/05:05-05>07 00:00:00 13 sept. INDONESIE;FLORES KENDE MANGGARAI SUD RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 CHOEUR RESPONSORIAL UNISSON * Sous-table non exportée DERE Sous-table non exportée Enreg. loin dans la montagne... Transcription titres: 5= Dere Moringotang, 6= Dere Maning, 7= Dere Landu Tepong. Lieu: Kende, Desa Cekaluju, Kecamatan Satermese• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.008 CDR BM.2000.008.001/05 :05-08>12 BM.2000.008.001/05:05-08>12 00:00:00 13 sept. INDONESIE;FLORES KENDE MANGGARAI SUD RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 RONDE CHANTEE AUTOUR DU POTEAU DE LA MAISON CEREMONIELLE * Sous-table non exportée SANDA Sous-table non exportée Enreg. loin dans la montagne• Transcription titres: 8= Sanda Ara, 9= Ngoel, 10= Naringau, 11= Linggang Lau, 12= Waling. Lieu: Kende, Desa Cekaluju, Kecamatan Satermese• = Austronésie; Asie du S. E. 1992 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-01 BM.2000.009.001:01-01 00:00:00 INDE;KERALA PALGHAT DST,OTTAPALAM PANAN GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 KURAVAN : KURRATTI Sous-table non exportée PURATTU' KALI Sous-table non exportée Théatre de plein air. Farce mettant en scène un couple de basse caste. Commentaire de la société villageoise sur fond de critique sociale• Le 2me M2C est tenu horizontalement, battu à mains nus, il provient du Karnataka• 2000 SATIRIQUE POPULAIRE ASIE +BM.2000.009 CDR BM.2000.009.001 :01-02 BM.2000.009.001:01-02 00:00:00 INDE;KERALA TRICHUR DST, PETRINGOTTUKARA PANAN GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 NARAYANA, PUIS SIPOTI PATTU' Sous-table non exportée TUYIL UNARTTU' PATTU' Sous-table non exportée "Chant de reveil". Chants de quête en tournée nocturne. Éloge de la Déesse et de Vishnu pour la prospérité de la famille hôte• 1999 RELIGIEUX POPULAIRE ASIE +BM.2000.009 CDR BM.2000.009.001 :01-03 BM.2000.009.001:01-03 00:00:00 INDE;KERALA TRICHUR DST,COMBATELPATI PULLUVAN-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 SARPAVAR Sous-table non exportée Sous-table non exportée Chant contant la lignée des divinités serpents. Ici, chanté en contexte rituel face à l'autel aux serpents• BR-: le bruiteur est fixé sur l'archet• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-04 BM.2000.009.001:01-04 00:00:00 INDE;KERALA TRICHUR DST, COVALURPATI PULLUVAN-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 TAYAMBAKA DE KUDAM Sous-table non exportée PAMBIN TULLAL Sous-table non exportée Séquence insrumentale "tayambaka de kudam" accompagnant les puja-s aux différentes divinités censées "habiter" dans les diférentes directions du "kalam" (= dessin au sol). Dans le cadre d'un rituel pour les divinités serpents "Pambin tullal"• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-05 BM.2000.009.001:01-05 00:00:00 INDE;KERALA TRICHUR DST;NELLUVAYA PULLUVAN-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 NAVERU' PATTU' Sous-table non exportée Sous-table non exportée chant de quête desstiné à protéger les enfants de m'influence néfaste du mauvais-oeil. Chant personnalisé pour un bénéficiaire• C-Cordophone= monocorde à tension variable de petite taille, joué par la chanteuse• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-06 BM.2000.009.001:01-06 00:00:00 INDE;KERALA TRICHUR DST;CHOONDAL PULLUVAN-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 DEVALOKATTU Sous-table non exportée PAMBIN TULLAL Sous-table non exportée chant associé aux divinités serpents, rituel "pambin tullal". Épisode où Garuda dérobe le nectar au pays des dieux• C-Cordophone= monocorde à tension variable, de grande taille ??• 1999 MYTHIQUE ASIE +BM.2000.009 CDR BM.2000.009.001 :01-07 BM.2000.009.001:01-07 00:00:00 INDE;KERALA TRICHUR DST,MALA PARAYA-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 KILIYATTU' PATTU' Sous-table non exportée KRSI PATTU Sous-table non exportée Chant agricole "krsi pattu", de rizière, pour chasser les oiseaux• BR- = sonnailles fixées sur le tbr sur cadre• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-08 BM.2000.009.001:01-08 00:00:00 INDE;KERALA TRICHUR DST,MALA PARAYA-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 CIRA PATTU' Sous-table non exportée KRSI PATTU Sous-table non exportée Chant agricole "krsi pattu", de rizières. Chant humoristique: une F de caste Tantan ne fait aucune différence entre la plante "cira" (comestible) et les mauvaise herbes• BR- = sonnailles fixées sur le tbr sur cadre• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-09 BM.2000.009.001:01-09 00:00:00 INDE;KERALA TRICHUR DST,MALA PARAYA-C GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 PAKKANANAR PATTU' Sous-table non exportée Sous-table non exportée Chant portant le nom du présimé fondateur de la caste Paraya (travailleurs agricoles; ce chatn dénonce le système des castes• BR- = sonnailles fixées sur le tbr sur cadre• 1999 ASIE +BM.2000.009 CDR BM.2000.009.001 :01-10 BM.2000.009.001:01-10 00:00:00 INDE;KERALA TRICHUR DST. GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 VILLU' KOTTU' Sous-table non exportée VILLU' KOTTU' Sous-table non exportée Orchestre d'amateurs se produisant à la maison ou au temple, en particulier lors de la fête d'Onam• 1999 ASIE +BM.2000.010 CDR BM.2000.010.001 :01-01 BM.2000.010.001:01-01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) PUNAN GUERREIRO,A;INDONESIE,KALIMANTAN EST; MISSIONS 1992,94,2000 Sous-table non exportée Sous-table non exportée Ethnie = Punan Kelay• 0 ASIE +BM.2000.010 CDR BM.2000.010.001 :01-? BM.2000.010.001:01-? 00:00:00 INDONESIE;BORNEO(KALIMANTAN) BASAP SELATAN GUERREIRO,A;INDONESIE,KALIMANTAN EST; MISSIONS 1992,94,2000 Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2000.010 CDR BM.2000.010.001 :01-?? BM.2000.010.001:01-?? 00:00:00 INDONESIE;BORNEO(KALIMANTAN) KAYANS GUERREIRO,A;INDONESIE,KALIMANTAN EST; MISSIONS 1992,94,2000 Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2000.011 CDR BM.2000.011.001/05 :01-01 BM.2000.011.001/05:01-01 00:00:00 GABON FANG FANG LE BOMIN,SYLVIE;GABON:FANG FANG;2000 Sous-table non exportée Sous-table non exportée LE BOMIN, SYLVIE 0 AFRIQUE +BM.2001.001 CDR BM.2001.001.001 :01-01 BM.2001.001.001:01-01 00:00:00 BURKINA FASO JELGOOJI PEULS LONCKE,S.;MASTER POUR CD ENCARTE IN "LES CHEMINS DE LA VOIX PEULE" Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2001.001 CDR BM.2001.001.001 :01-15 BM.2001.001.001:01-15 00:00:00 MALI TOUAREGS LONCKE,S.;MASTER POUR CD ENCARTE IN "LES CHEMINS DE LA VOIX PEULE" IHAMMA Sous-table non exportée Sous-table non exportée Enreg. copié de la coll. BM.988.015. Touareg Kel Ansar• LORTAT-JACOB,BERNARD 1988 AFRIQUE +BM.2001.001 CDR BM.2001.001.001 :01-16 BM.2001.001.001:01-16 00:00:00 BURKINA FASO JELGOOJI TOUAREGS LONCKE,S.;MASTER POUR CD ENCARTE IN "LES CHEMINS DE LA VOIX PEULE" Sous-table non exportée Sous-table non exportée = -1 AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-01 BM.2001.002.001/02:01-01 00:10:54 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ENSEMBLE DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée Ensemble instrumental emblématique des sous-groupes Sénoufo du centre, indispensable lors des funérailles et pour les concours de labour aux champs, mais jouant également pour le divertissement de la jeunesse • - Les quatre pièces sont enchaînées sur l'original - Nom des interprètes: Xylophones: Soro Nahoua, Soro Guedenin, Tuo Nahangnon; timbales: Silue Kouana, Soro Manan, Tuo Karna. - L'orchestre KPOYE est composé de deux à quatre xylophones avec le même accord (équipentatonique) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendue de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en le variant également dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales dont le corps est taillé en bois, sont munies de bruiteurs en fer blanc. La grande timbale ponctue les rythmes par des coups espacés, tandis que les petites timbales jouent un rythme plus soutenu • ZEMP,HUGO 1998 Non pertinent 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-02 BM.2001.002.001/02:01-02 00:08:57 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ENSEMBLE DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée Ensemble instrumental emblématique des sous-groupes Sénoufo du centre, indispensable lors des funérailles et pour les concours de labour aux champs, mais jouant également pour le divertissement de la jeunesse • - Les quatre pièces sont enchaînées sur l'original - Nom des interprètes: Xylophones: Soro Nahoua, Soro Guedenin, Tuo Nahangnon; timbales: Silue Kouana, Soro Manan, Tuo Karna. - L'orchestre KPOYE est composé de deux à quatre xylophones avec le même accord (équipentatonique) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendue de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en le variant également dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales dont le corps est taillé en bois, sont munies de bruiteurs en fer blanc. La grande timbale ponctue les rythmes par des coups espacés, tandis que les petites timbales jouent un rythme plus soutenu • BM.001.002.001/02:01-01 ZEMP,HUGO 1998 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-03 BM.2001.002.001/02:01-03 00:10:01 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ENSEMBLE DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée Ensemble instrumental emblématique des sous-groupes Sénoufo du centre, indispensable lors des funérailles et pour les concours de labour aux champs, mais jouant également pour le divertissement de la jeunesse • - Les quatre pièces sont enchaînées sur l'original - Nom des interprètes: Xylophones: Soro Nahoua, Soro Guedenin, Tuo Nahangnon; timbales: Silue Kouana, Soro Manan, Tuo Karna. - L'orchestre KPOYE est composé de deux à quatre xylophones avec le même accord (équipentatonique) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendue de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en le variant également dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales dont le corps est taillé en bois, sont munies de bruiteurs en fer blanc. La grande timbale ponctue les rythmes par des coups espacés, tandis que les petites timbales jouent un rythme plus soutenu • BM.001.002.001/02:01-01 ZEMP,HUGO 1998 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-04 BM.2001.002.001/02:01-04 00:19:44 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ENSEMBLE DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée Ensemble instrumental emblématique des sous-groupes Sénoufo du centre, indispensable lors des funérailles et pour les concours de labour aux champs, mais jouant également pour le divertissement de la jeunesse • - Les quatre pièces sont enchaînées sur l'original - Nom des interprètes: Xylophones: Soro Nahoua, Soro Guedenin, Tuo Nahangnon; timbales: Silue Kouana, Soro Manan, Tuo Karna. - L'orchestre KPOYE est composé de deux à quatre xylophones avec le même accord (équipentatonique) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendue de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en le variant également dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales dont le corps est taillé en bois, sont munies de bruiteurs en fer blanc. La grande timbale ponctue les rythmes par des coups espacés, tandis que les petites timbales jouent un rythme plus soutenu • BM.001.002.001/02:01-03 ZEMP,HUGO 1998 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-05 BM.2001.002.001/02:01-05 00:01:00 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLES DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée - Echelles de deux xylophone jouée dans les enregistrements précédents (:01-01 à -04) BM.001.002.001/02:01-04 ZEMP,HUGO 1998 Non pertinent 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-06 BM.2001.002.001/02:01-06 00:01:08 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLES DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée - Echelles de deux xylophone jouée dans les enregistrements précédents (:01-01 à -04) BM.001.002.001/02:01-05 ZEMP,HUGO 1998 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-07 BM.2001.002.001/02:01-07 00:01:02 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLES DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée VIDEO . H.ZEMP : "Les Maîtres du Balafon, 3ème: la fabrication"• - Echelles de deux xylophones dont la fabrication est filmée • BM.001.002.001/02:01-06 ZEMP,HUGO 0 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :01-08 BM.2001.002.001/02:01-08 00:01:02 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO.NAFOUN SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLES DE XYLOPHONES Sous-table non exportée KPOYE Sous-table non exportée VIDEO . H.ZEMP : "Les Maîtres du Balafon, 3ème: la fabrication"• - Echelles de deux xylophones dont la fabrication est filmée • BM.001.002.001/02:01-07 ZEMP,HUGO 1998 1998-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-01 BM.2001.002.001/02:02-01 00:17:23 dec.1998 COTE D'IVOIRE S:PREF.BOUNDIALI, SIEMPURGO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ENSEMBLE DE HARPES/XYLOPHONES Sous-table non exportée BOLORI Sous-table non exportée Ensemble instrumental jouant pour le divertissement de la jeunesse, mais apparaissant également lors des funérailles où des adultes se joignent aux jeunes danseuses• - L'orchestre BOLORI est composé de deux à quatre xylophones avec le même accord (equipentatonique), et de plusieurs harpes à deux cordes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendue de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent en la variant également dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les harpes BOLOY comportent une caisse de résonance en calebasse; les deux cordes sont frappées avec un bâton. Un râcleur en fer forgé est frappé et râclé avec une tige métallique• BM.001.002.001/02:01-08 ZEMP,HUGO 1998 Non pertinent 1998-2 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-02 BM.2001.002.001/02:02-02 00:00:59 dec.1998 COTE D'IVOIRE S:PREF.BOUNDIALI, SIEMPURGO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLE DE XYLOPHONE, 1ER ACCOMPAGNATEUR Sous-table non exportée BOLORI Sous-table non exportée BM.001.002.001/02:02-01 ZEMP,HUGO 1998 Non pertinent 1998-2 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-03 BM.2001.002.001/02:02-03 00:01:04 dec.1998 COTE D'IVOIRE S:PREF.BOUNDIALI, SIEMPURGO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLE DE XYLOPHONE, SOLISTE Sous-table non exportée BOLORI Sous-table non exportée BM.001.002.001/02:02-02 ZEMP,HUGO 0 1998-2 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-04 BM.2001.002.001/02:02-04 00:01:16 dec.1998 COTE D'IVOIRE S:PREF.BOUNDIALI, SIEMPURGO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 ECHELLE DE XYLOPHONE, ACCOMPAGNATEUR Sous-table non exportée BOLORI Sous-table non exportée BM.001.002.001/02:02-03 ZEMP,HUGO 1998 1998-2 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-05 BM.2001.002.001/02:02-05 00:20:15 dec.1998 COTE D'IVOIRE S:PREF.SIRASSO, SIRASSO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 DANSE DES JEUNES Sous-table non exportée KAPAJAN Sous-table non exportée Danse récente (créée vers 1980) lors de campagne d'élection à Korhogo, la capitale régionale du nord de la Côte d'Ivoire. Très populaire parmi les jeunes. Des garçons masqués, le corps et la tête entièrement enveloppés dans un costume en coton beige, font des danses acrobatiques• BM.001.002.001/02:02-04 ZEMP,HUGO 1998 Non pertinent 1998-3 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-06 BM.2001.002.001/02:02-06 00:02:25 oct. 1999 COTE D'IVOIRE S:PREF.SIRASSO, SIRASSO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 TAMOUBR DE FORGERONS Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt "tambour des forgerons" porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertissement. Enreg. sur demande• - La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu. - Le joueur du tambour en forme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peuax lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure• BM.001.002.001/02:02-05 ZEMP,HUGO 1999 Non pertinent 1999-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-07 BM.2001.002.001/02:02-07 00:10:33 oct. 1999 COTE D'IVOIRE S:PREF.SIRASSO, SIRASSO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 TAMOUBR DE FORGERONS Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt "tambour des forgerons" porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertissement. Enreg. sur demande• - La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu. - Le joueur du tambour en forme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peuax lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure• BM.001.002.001/02:02-06 ZEMP,HUGO 0 1999-1 DAT AFRIQUE +BM.2001.002 CDR BM.2001.002.001/02 :02-08 BM.2001.002.001/02:02-08 00:02:09 oct. 1999 COTE D'IVOIRE S:PREF.SIRASSO, SIRASSO SENOUFO, S/GROUPE KAFIBELE ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 TAMOUBR DE FORGERONS Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt "tambour des forgerons" porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertissement. Enreg. sur demande• - La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu. - Le joueur du tambour en forme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peuax lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure - Suite de la pièce :02-07• BM.001.002.001/02:02-07 ZEMP,HUGO 1999 1999-1 DAT AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-06 BM.2001.003.001/06:04-06 00:01:34 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJOFOUNKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE SIFFLETS Sous-table non exportée Sous-table non exportée Enregistrement sur demande• - Les sifflets, d'une longueur de 20cm environ, sont tenus par les deux mains. Le ouce d'une main et le majeur de l'autre couvrent ou laissent ouvert le trou de jeu percé dans le bois de chaque côté du sifflet. - Le joueur du tambour DJEMBE frappe avec les mains sur la peau fixée par piquets. Le joueur du tambour cylindrique à deux membranes GAGONGO frappe avec une baguette droite sur l'un des peaux• BM.001.003.001/06:04-05 ZEMP,HUGO 1965 1965:35-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-01 BM.2001.003.001/06:01-01 00:10:22 COTE D'IVOIRE S/PREF.KORHOGO SENOUFO, S/GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous-groupes Sénoufo du Centre, indispensable lors des funérailles, mais jouant également pour le divertissement de la jeunesse• Disque: _Percussions de Côte d'Ivoire_. Disque Alvarès C 488, plage 1• L'orchestre JEGELE ou KPOY est composé de deux à quatre xylophones avec même accord (equipentatonique), et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en le variant également, dans le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dont le corps est taillé en bois, sont munies des sonnailles en fer blanc. La grande timbale ponctue les rythmes par des coups espacés, tandis que les petites timbales jouent un rythme plus soutenu• ZEMP,HUGO 1962 Non pertinent AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-02 BM.2001.003.001/06:01-02 00:00:58 COTE D'IVOIRE S/PREF.KORHOGO SENOUFO, S/GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement, les musiciens du PORO, société initiatique des hommes, dansent lentement autour d'une pile de tissus par terre, danns lesquels le mort sera enveloppé avant la mise en terre• H.Zemp, _"Trompes sénoufo"_ Annales de l'Université d'Abidjan, 1969, série F-1, fasc.1, Ethnomusicologie• Plusieurs grandes trompes anthropomorphes , chacune munie d'un mirliton. IS-GRELOT, IS-HOCHET-SONNAILLE et BM-MIRLITON : ???• BM.001.003.001/06:01-01 ZEMP,HUGO 1962 Non pertinent 1962:1-17.2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-03 BM.2001.003.001/06:01-03 00:10:13 COTE D'IVOIRE S/PREF.KORHOGO SENOUFO, S/GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement, les musiciens du PORO, société initiatique des hommes, dansent lentement autour d'une pile de tissus par terre, danns lesquels le mort sera enveloppé avant la mise en terre• H.Zemp, _"Trompes sénoufo"_ Annales de l'Université d'Abidjan, 1969, série F-1, fasc.1, Ethnomusicologie• Plusieurs grandes trompes anthropomorphes , chacune munie d'un mirliton. IS-GRELOT, IS-HOCHET-SONNAILLE et BM-MIRLITON : ???• BM.001.003.001/06:01-02 ZEMP,HUGO 1962 Non pertinent 1962:1-17.3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-04 BM.2001.003.001/06:01-04 00:07:24 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 HARPES MONOCORDES Sous-table non exportée Sous-table non exportée Michel De Lannoy : Disque Côte d'Ivoire , Senoufo. Musiques des funérailles Fodonon , Le chant du monde LDX-74838 ZEMP,HUGO 1962 Non pertinent 1962:1-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-05 BM.2001.003.001/06:01-05 00:07:36 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 HARPES MONOCORDES Sous-table non exportée Sous-table non exportée Michel De Lannoy : Disque Côte d'Ivoire , Senoufo. Musiques des funérailles Fodonon , Le chant du monde LDX-74838 BM.001.003.001/06:01-04 ZEMP,HUGO 1962 Non pertinent 1962:1-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-06 BM.2001.003.001/06:01-06 00:03:14 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 "PORO DE FEMMES" Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "Poro des femmes", exécutée essentiellement aux funérailles d'une femme. Enreg. sur demande• H. Zemp "Tambours de femmes en Côte d'Ivoire", _Objets et Mondes_, 1970,X-2, pp.99-118• M1C = la caisse des tbrs, ornée de bas-reliefs,comporte quatre pieds. La peau, fixée par des piquets, est battue avec les mains• BM.001.003.001/06:01-07 ZEMP,HUGO 1962 Non pertinent 1962:1-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-07 BM.2001.003.001/06:01-07 00:01:52 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 "PORO DE FEMMES" Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "Poro des femmes", exécutée essentiellement aux funérailles d'une femme. Enreg. sur demande• H. Zemp "Tambours de femmes en Côte d'Ivoire", _Objets et Mondes_, 1970,X-2, pp.99-118• M1C = la caisse des tbrs, ornée de bas-reliefs,comporte quatre pieds. La peau, fixée par des piquets, est battue avec les mains• BM.001.003.001/06:01-06 ZEMP,HUGO 1962 1962:1-7 1962:1-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-08 BM.2001.003.001/06:01-08 00:03:05 mai 1965 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 PORO DE FEMMES Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "PORO des femmes" exécutée essentiellement aux funérailles d'une femme Enregistrement sur demande Hugo ZEMP, "Tambours de femme en Côte d'Ivoire", Objets et Mondes, 1970, X-2, pp.99-118 Disque : The Music of the Senufo, 30/33, coll.UNESCO, Barenreiter Musicaphon BM 30 L 2308 (plage 3-04) La caisse des tambours, ornée de bas reliefs, comporte quatre pieds. La peau, fixée par piquets, et battue avec les mains. BM.001.003.001/06:01-07 ZEMP,HUGO 1965 Non pertinent 1965:07-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-09 BM.2001.003.001/06:01-09 00:03:10 mai 1965 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 PORO DE FEMMES Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "PORO des femmes" exécutée essentiellement aux funérailles d'une femme Enregistrement sur demande Hugo ZEMP, "Tambours de femme en Côte d'Ivoire", Objets et Mondes, 1970, X-2, pp.99-118 Disque : The Music of the Senufo, 30/33, coll.UNESCO, Barenreiter Musicaphon BM 30 L 2308 (plage 3-04) La caisse des tambours, ornée de bas reliefs, comporte quatre pieds. La peau, fixée par piquets, et battue avec les mains. BM.001.003.001/06:01-08 ZEMP,HUGO 1965 Non pertinent 1965:07-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-10 BM.2001.003.001/06:01-10 00:03:10 mai 1965 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 PORO DE FEMMES Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "PORO des femmes" exécutée essentiellement aux funérailles d'une femme Enregistrement sur demande Hugo ZEMP, "Tambours de femme en Côte d'Ivoire", Objets et Mondes, 1970, X-2, pp.99-118 Disque : The Music of the Senufo, 30/33, coll.UNESCO, Barenreiter Musicaphon BM 30 L 2308 (plage 3-04) La caisse des tambours, ornée de bas reliefs, comporte quatre pieds. La peau, fixée par piquets, et battue avec les mains. BM.001.003.001/06:01-09 ZEMP,HUGO 1965 Non pertinent 1965:07-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-11 BM.2001.003.001/06:01-11 00:03:12 mai 1965 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 PORO DE FEMMES Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "PORO des femmes" exécutée essentiellement aux funérailles d'une femme Enregistrement sur demande Hugo ZEMP, "Tambours de femme en Côte d'Ivoire", Objets et Mondes, 1970, X-2, pp.99-118 Disque : The Music of the Senufo, 30/33, coll.UNESCO, Barenreiter Musicaphon BM 30 L 2308 (plage 3-04) La caisse des tambours, ornée de bas reliefs, comporte quatre pieds. La peau, fixée par piquets, et battue avec les mains. BM.001.003.001/06:01-10 ZEMP,HUGO 1965 Non pertinent 1965:07-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-12 BM.2001.003.001/06:01-12 00:02:16 mai 1965 COTE D'IVOIRE S/PREF KORHOGO, LATAHA SENOUFO, SOUS-GROUPE FODONON ZEMP,H.;COTE D'IVOIRE;1962-67 PORO DE FEMMES Sous-table non exportée TYEPONO Sous-table non exportée Musique de la société initiatique TYEPONO, "PORO des femmes" exécutée essentiellement aux funérailles d'une femme Enregistrement sur demande Hugo ZEMP, "Tambours de femme en Côte d'Ivoire", Objets et Mondes, 1970, X-2, pp.99-118 Disque : The Music of the Senufo, 30/33, coll.UNESCO, Barenreiter Musicaphon BM 30 L 2308 (plage 3-04) La caisse des tambours, ornée de bas reliefs, comporte quatre pieds. La peau, fixée par piquets, et battue avec les mains. BM.001.003.001/06:01-11 ZEMP,HUGO 1965 Non pertinent 1965:07--5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-13 BM.2001.003.001/06:01-13 00:03:14 mai 1965 COTE D'IVOIRE S/PREF.BOUNDIALI, PONDIOU SENOUFO,SOUS-GROUPE KASSEMBELE ZEMP,H.;COTE D'IVOIRE;1962-67 "TAMBOUR DES FORGERONS" Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt. "tambour des forgerons", porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertisseent.. Enregistrement sur demande . Même musiciens que 1965:52 La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu Le joueur du tambour en forrme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peaux lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure. Les pièces 01 et 02 sont sans battements de mains des femmes. BM.001.003.001/06:01-12 ZEMP,HUGO 1965 Non pertinent 1965:10-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-14 BM.2001.003.001/06:01-14 00:03:13 mai 1965 COTE D'IVOIRE S/PREF.BOUNDIALI, PONDIOU SENOUFO,SOUS-GROUPE KASSEMBELE ZEMP,H.;COTE D'IVOIRE;1962-67 "TAMBOUR DES FORGERONS" Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt. "tambour des forgerons", porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertisseent.. Enregistrement sur demande . Même musiciens que 1965:52 La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu Le joueur du tambour en forrme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peaux lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure. Les pièces 01 et 02 sont sans battements de mains des femmes. BM.001.003.001/06:01-13 ZEMP,HUGO 1965 Non pertinent 1965:10-é AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-15 BM.2001.003.001/06:01-15 00:03:00 mai 1965 COTE D'IVOIRE S/PREF.BOUNDIALI, PONDIOU SENOUFO,SOUS-GROUPE KASSEMBELE ZEMP,H.;COTE D'IVOIRE;1962-67 "TAMBOUR DES FORGERONS" Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt. "tambour des forgerons", porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertisseent.. Enregistrement sur demande . Même musiciens que 1965:52 La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu Le joueur du tambour en forrme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peaux lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure. Les pièces 01 et 02 sont sans battements de mains des femmes. BM.001.003.001/06:01-14 ZEMP,HUGO 1965 Non pertinent 1965:10-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-16 BM.2001.003.001/06:01-16 00:03:34 mai 1965 COTE D'IVOIRE S/PREF.BOUNDIALI, PONDIOU SENOUFO,SOUS-GROUPE KASSEMBELE ZEMP,H.;COTE D'IVOIRE;1962-67 "TAMBOUR DES FORGERONS" Sous-table non exportée FONOPINGE Sous-table non exportée L'ensemble instrumental FONOPINGE, litt. "tambour des forgerons", porte le nom du plus grand tambour. Les musiciens font partie du groupe d'artisans (appelé quelquefois "caste") des forgerons, habitant dans des quartiers particuliers des grands villages sénoufo. L'ensemble joue essentiellement aux funérailles d'une personne (homme ou femme) appartenant à ce groupe, rarement pour le divertisseent.. Enregistrement sur demande . Même musiciens que 1965:52 La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu Le joueur du tambour en forrme de calice (DJEME) frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylindrique à deux peaux lacées (FONOPINGE) avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec 4 anneaux métalliques portés aux doigts de la même main. Les joueurs des tambours d'aisselle (TAMAN) frappe avec une baguette recourbée sur la peau supérieure. Les pièces 01 et 02 sont sans battements de mains des femmes. BM.001.003.001/06:01-15 ZEMP,HUGO 1965 Non pertinent 1965:10-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :01-17 BM.2001.003.001/06:01-17 00:01:54 mai 1965 COTE D'IVOIRE S/PREF.BOUNDIALI, PONDIOU SENOUFO,SOUS-GROUPE KASSEMBELE ZEMP,H.;COTE D'IVOIRE;1962-67 "TAMBOUR DES FORGERONS" Sous-table non exportée FONOPINGE Sous-table non exportée Enregistrement sur demande . La flûte en bois, fermée aux deux extrémités, comporte 4 trous de jeu Même flûtistes que sur 1965:10 1 à 4 et 52:6-8. Les flûtes sont ici jouées, à ma demande, sans l'accompagnement des tambours de l'ensemble FONOPINGE. BM.001.003.001/06:01-16 ZEMP,HUGO 1965 Non pertinent 1965:10-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-01 BM.2001.003.001/06:02-01 00:01:20 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Enregistrement sur demande• ZEMP, HUGO 1965 Non pertinent 1965:11-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-02 BM.2001.003.001/06:02-02 00:01:32 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Enregistrement sur demande• BM.001.003.001/06:02-01 ZEMP, HUGO 1965 1965:11-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-03 BM.2001.003.001/06:02-03 00:01:27 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Enregistrement sur demande• BM.001.003.001/06:02-02 ZEMP, HUGO 1965 1965:11-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-04 BM.2001.003.001/06:02-04 00:02:59 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'UNE FEMME BROYANT DU MIL Sous-table non exportée Sous-table non exportée Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 12 = 06)• Z-autre = bruit du broyage du mil• Les paroles de la chanteuse se réfèrent à sa situation de veuve• BM.001.003.001/06:02-03 ZEMP, HUGO 1965 Non pertinent 1965:11-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-05 BM.2001.003.001/06:02-05 00:02:59 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'UNE FEMME BROYANT DU MIL Sous-table non exportée Sous-table non exportée Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 12 = 06)• Z-autre = bruit du broyage du mil• Les paroles de la chanteuse se réfèrent à sa situation de veuve• BM.001.003.001/06:02-04 ZEMP, HUGO 1965 Non pertinent 1965:11-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-06 BM.2001.003.001/06:02-06 00:04:27 mai 1965 COTE D'IVOIRE S/PREF. FERKE, FERKE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'UNE FEMME BROYANT DU MIL Sous-table non exportée Sous-table non exportée Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 12 = 06)• Z-autre = bruit du broyage du mil• Les paroles de la chanteuse se réfèrent à sa situation de veuve• BM.001.003.001/06:02-05 ZEMP, HUGO 1965 Non pertinent 1965:11-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-07 BM.2001.003.001/06:02-07 00:03:32 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE DES INITIES DU PORO Sous-table non exportée NGORO Sous-table non exportée La danse du NGORO est exécutée à la fin du cycle d'initiation (qui dure six ans) au PORO, société initiatique des hommes sénoufo. Les initiés, qui dansent en compagnie de jeunes filles, vont ensemble en tournée dans les villages voisins. Enregistrement sur demande • Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 13 = 01)• Sifflet en bois, du'ne longueur de 30cm environ, comportant 3 trous de jeu Tambour en forme de calice, frappé avec les mains sur la peau lacée. Tambour d'aisselle à tension variable, la peau supérieure est frappée à l'aide d'une baguette Xylophone à 12 lames, avec résonateurs en calebasses munis de mirlitons, frappé à l'aide de deux mailloches. L'ensemble est incomplet , lors de la sortie des initiés du PORO, la société initiatique des hommes. Il comporte deux ou trois sifflets, le même nombre de tambours d'aisselle et de xylophones. BM.001.003.001/06:02-06 ZEMP, HUGO 1965 Non pertinent 1965:24-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-08 BM.2001.003.001/06:02-08 00:03:28 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE DES INITIES DU PORO Sous-table non exportée NGORO Sous-table non exportée La danse du NGORO est exécutée à la fin du cycle d'initiation (qui dure six ans) au PORO, société initiatique des hommes sénoufo. Les initiés, qui dansent en compagnie de jeunes filles, vont ensemble en tournée dans les villages voisins. Enregistrement sur demande • Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 13 = 01)• Sifflet en bois, du'ne longueur de 30cm environ, comportant 3 trous de jeu Tambour en forme de calice, frappé avec les mains sur la peau lacée. Tambour d'aisselle à tension variable, la peau supérieure est frappée à l'aide d'une baguette Xylophone à 12 lames, avec résonateurs en calebasses munis de mirlitons, frappé à l'aide de deux mailloches. L'ensemble est incomplet , lors de la sortie des initiés du PORO, la société initiatique des hommes. Il comporte deux ou trois sifflets, le même nombre de tambours d'aisselle et de xylophones. BM.001.003.001/06:02-07 ZEMP, HUGO 1965 1965:24-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-09 BM.2001.003.001/06:02-09 00:02:18 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE DES INITIES DU PORO Sous-table non exportée NGORO Sous-table non exportée La danse du NGORO est exécutée à la fin du cycle d'initiation (qui dure six ans) au PORO, société initiatique des hommes sénoufo. Les initiés, qui dansent en compagnie de jeunes filles, vont ensemble en tournée dans les villages voisins. Enregistrement sur demande • Disque : _The Music of the Senufo_, 30/33, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon, BM 30 L 2308 (plage 13 = 01)• Sifflet en bois, du'ne longueur de 30cm environ, comportant 3 trous de jeu Tambour en forme de calice, frappé avec les mains sur la peau lacée. Tambour d'aisselle à tension variable, la peau supérieure est frappée à l'aide d'une baguette Xylophone à 12 lames, avec résonateurs en calebasses munis de mirlitons, frappé à l'aide de deux mailloches. L'ensemble est incomplet , lors de la sortie des initiés du PORO, la société initiatique des hommes. Il comporte deux ou trois sifflets, le même nombre de tambours d'aisselle et de xylophones. BM.001.003.001/06:02-08 ZEMP, HUGO 1965 1965:24-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-10 BM.2001.003.001/06:02-10 00:00:13 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée Echelle du xylophone enregistré sous ORIGINAL 1965:24:1 • BM.001.003.001/06:02-09 ZEMP, HUGO 1965 Non pertinent 1965:24-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-11 BM.2001.003.001/06:02-11 00:03:21 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 HARPES Sous-table non exportée Sous-table non exportée Musique pour encourager les laboureurs faisant avec des houes des buttes dans lesquelles seront plantés les ignames Enregistrement sur demande • Grandes harpes à trois cordes. La caisse de résonance, sculptée en bois, est posée sur le sol. La table de résonance est en peau. Les joueurs, debout, pincent rythmiquement deux cordes avec un petit bâton tenu de la main droite et avec le ouce de la main gauche. Chaque harpe orte au sommet du manche un bruiteur: une plaque en fer blanc munie d'anneaux métalliques• BM.001.003.001/06:02-10 ZEMP, HUGO 1965 Non pertinent 1965:24-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-12 BM.2001.003.001/06:02-12 00:03:19 mai 1965 COTE D'IVOIRE S/PREF. BOUNDIALI, BOUNDIALI SENOUFO, SOUS GROUPE TENOURE ZEMP,H.;COTE D'IVOIRE;1962-67 HARPES Sous-table non exportée Sous-table non exportée Musique pour encourager les laboureurs faisant avec des houes des buttes dans lesquelles seront plantés les ignames Enregistrement sur demande • Grandes harpes à trois cordes. La caisse de résonance, sculptée en bois, est posée sur le sol. La table de résonance est en peau. Les joueurs, debout, pincent rythmiquement deux cordes avec un petit bâton tenu de la main droite et avec le ouce de la main gauche. Chaque harpe orte au sommet du manche un bruiteur: une plaque en fer blanc munie d'anneaux métalliques• BM.001.003.001/06:02-11 ZEMP, HUGO 1965 1965:24-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-13 BM.2001.003.001/06:02-13 00:03:30 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous groupes Sénoufo du centre, indispensable lors des funérailles mais jouant également pour le divertissement de la jeunesse • H.Zemp : disque _The Music of the Senufo_, 30/33, collection UNESCO- Anthologie de la musique africaine. Bärenreiter Musicaphon, BM 30 L 2308 (plage 1= ????) L'orchestre JEGELE ou KPOY est compposé de deux à quatre xylophones avec même accord (équipentatoniuqe) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en levariant également, le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dot le corps est taillé en bois, sont munies de sonnailles en fer blanc. La grand timbale ponctue lesrythmes par des coups espacés, tandis que les petites tibales jouent un rythme plus soutenu • BM.001.003.001/06:02-12 ZEMP, HUGO 1965 Non pertinent 1965:32-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-14 BM.2001.003.001/06:02-14 00:04:20 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous groupes Sénoufo du centre, indispensable lors des funérailles mais jouant également pour le divertissement de la jeunesse • H.Zemp : disque _The Music of the Senufo_, 30/33, collection UNESCO- Anthologie de la musique africaine. Bärenreiter Musicaphon, BM 30 L 2308 (plage 1= ????) L'orchestre JEGELE ou KPOY est compposé de deux à quatre xylophones avec même accord (équipentatoniuqe) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en levariant également, le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dot le corps est taillé en bois, sont munies de sonnailles en fer blanc. La grand timbale ponctue lesrythmes par des coups espacés, tandis que les petites tibales jouent un rythme plus soutenu • BM.001.003.001/06:02-13 ZEMP, HUGO 1965 Non pertinent 1965:32-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-15 BM.2001.003.001/06:02-15 00:04:47 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous groupes Sénoufo du centre, indispensable lors des funérailles mais jouant également pour le divertissement de la jeunesse • H.Zemp : disque _The Music of the Senufo_, 30/33, collection UNESCO- Anthologie de la musique africaine. Bärenreiter Musicaphon, BM 30 L 2308 (plage 1= ????) L'orchestre JEGELE ou KPOY est compposé de deux à quatre xylophones avec même accord (équipentatoniuqe) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en levariant également, le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dot le corps est taillé en bois, sont munies de sonnailles en fer blanc. La grand timbale ponctue lesrythmes par des coups espacés, tandis que les petites tibales jouent un rythme plus soutenu • BM.001.003.001/06:02-14 ZEMP, HUGO 1965 Non pertinent 1965:32-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-16 BM.2001.003.001/06:02-16 00:04:49 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous groupes Sénoufo du centre, indispensable lors des funérailles mais jouant également pour le divertissement de la jeunesse • H.Zemp : disque _The Music of the Senufo_, 30/33, collection UNESCO- Anthologie de la musique africaine. Bärenreiter Musicaphon, BM 30 L 2308 (plage 1= ????) L'orchestre JEGELE ou KPOY est compposé de deux à quatre xylophones avec même accord (équipentatoniuqe) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en levariant également, le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dot le corps est taillé en bois, sont munies de sonnailles en fer blanc. La grand timbale ponctue lesrythmes par des coups espacés, tandis que les petites tibales jouent un rythme plus soutenu • BM.001.003.001/06:02-15 ZEMP, HUGO 1965 Non pertinent 1965:32-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-17 BM.2001.003.001/06:02-17 00:03:34 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONES Sous-table non exportée DJEGELE OU KPOY Sous-table non exportée Ensemble instrumental emblématique des sous groupes Sénoufo du centre, indispensable lors des funérailles mais jouant également pour le divertissement de la jeunesse • H.Zemp : disque _The Music of the Senufo_, 30/33, collection UNESCO- Anthologie de la musique africaine. Bärenreiter Musicaphon, BM 30 L 2308 (plage 1= ????) L'orchestre JEGELE ou KPOY est compposé de deux à quatre xylophones avec même accord (équipentatoniuqe) et de deux à quatre timbales de deux tailles différentes. Un résonateur en calebasse muni de mirlitons est attaché sous chacune des 12 lames du xylophone. Le soliste joue l'air principal en la variant sur toute l'étendu de l'instrument; les xylophones accompagnateurs jouent chacun un ostinato différent, en levariant également, le registre médium et aigu. Les xylophonistes portent aux poignets des grelots en fer forgé. Les timbales, dot le corps est taillé en bois, sont munies de sonnailles en fer blanc. La grand timbale ponctue lesrythmes par des coups espacés, tandis que les petites tibales jouent un rythme plus soutenu • BM.001.003.001/06:02-16 ZEMP, HUGO 1965 Non pertinent 1965:32-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-18 BM.2001.003.001/06:02-18 00:00:55 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLES DE XYLOPHONES Sous-table non exportée Sous-table non exportée Echelles des xylophones de l'orchestre enregistré BM Original: 1965:32.1 à 5 BM.001.003.001/06:02-17 ZEMP, HUGO 1965 Non pertinent 1965:32-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-19 BM.2001.003.001/06:02-19 00:06:25 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT POUR LES CHASSEURS Sous-table non exportée Sous-table non exportée Les musiciens sont attachés aux associations de chasseurs. Le chanteur soliste porte un costume, une coiffe richement ornés de plumes, de fourrures, de miroirs et de cauris. Enregistrement sur demande • Le chanteur soliste porte en bandoulière la harpe luth à 6 cordes. L'instrument étant l'emblème des chanteurs de chasse de même que le costume. Les deux râcleurs, d'une longueur de 3àcm environ, sont en fer forgé, de forme tubulaire. La partie supérieure ouverte, dentée de deux côtés de la fente, est raclée à l'aide d'une mince tige en fer• BM.001.003.001/06:02-18 ZEMP, HUGO 0 Non pertinent 1965:32-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :02-20 BM.2001.003.001/06:02-20 00:03:42 avril 1965 COTE D'IVOIRE S/PREF, KORHOGO, FAMANKAHA SENOUFO, SOUS GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT POUR LES CHASSEURS Sous-table non exportée Sous-table non exportée Les musiciens sont attachés aux associations de chasseurs. Le chanteur soliste porte un costume, une coiffe richement ornés de plumes, de fourrures, de miroirs et de cauris. Enregistrement sur demande • Le chanteur soliste porte en bandoulière la harpe luth à 6 cordes. L'instrument étant l'emblème des chanteurs de chasse de même que le costume. Les deux râcleurs, d'une longueur de 3àcm environ, sont en fer forgé, de forme tubulaire. La partie supérieure ouverte, dentée de deux côtés de la fente, est raclée à l'aide d'une mince tige en fer• BM.001.003.001/06:02-19 ZEMP, HUGO 1965 Non pertinent 1965:32-8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-01 BM.2001.003.001/06:03-01 00:03:05 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAVONONGOKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE TROMPES Sous-table non exportée GBOFE Sous-table non exportée L'ensemble GBOFE jouait traditionnellemnt pendant les manifestations publiques du chef, également à l'occasion de la guerre (avant, pendant, et au retour de l'expédition guerrière), et lors de funérailles d'un homme important. Enregistrement sur demande• H.ZEMP, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc.1, Ethnosoclologie Disque: _The Music of the Senufo_. Collection Unesco, Barenreiter Musicaphon, BM 30 L 2308, (face 1, plages 7-10)• - Le terme GBOFE désigne l'orchestre complet, y compris les tambours et la cloche, la trompe individuelle étant nommée GBOFE-MA'AA, "trompe de GBOFE". Mais dans le langage courant, le terme GBOFE est aussi appliqué à une seule trompe. Les trompes sont taillées dans un seul morceu de bois, ou composées de deux moitiés collées dans le sens de la longueur. Les musiciens bouchent constamment le pavillon avec le creux de la main droite, sauf le joueur de la plus petite trompe dont un trou d'intonation nécessite une main libre. - Le joueur du tambour en forme de calice frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylondrique à deux peaux lacées avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec des anneau métalliques portés aux doigt§s de la même main• 1965 Non pertinent 1965.33.1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-02 BM.2001.003.001/06:03-02 00:04:20 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAVONONGOKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE TROMPES Sous-table non exportée GBOFE Sous-table non exportée L'ensemble GBOFE jouait traditionnellemnt pendant les manifestations publiques du chef, également à l'occasion de la guerre (avant, pendant, et au retour de l'expédition guerrière), et lors de funérailles d'un homme important. Enregistrement sur demande• H.ZEMP, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc.1, Ethnosoclologie Disque: _The Music of the Senufo_. Collection Unesco, Barenreiter Musicaphon, BM 30 L 2308, (face 1, plages 7-10)• - Le terme GBOFE désigne l'orchestre complet, y compris les tambours et la cloche, la trompe individuelle étant nommée GBOFE-MA'AA, "trompe de GBOFE". Mais dans le langage courant, le terme GBOFE est aussi appliqué à une seule trompe. Les trompes sont taillées dans un seul morceu de bois, ou composées de deux moitiés collées dans le sens de la longueur. Les musiciens bouchent constamment le pavillon avec le creux de la main droite, sauf le joueur de la plus petite trompe dont un trou d'intonation nécessite une main libre. - Le joueur du tambour en forme de calice frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylondrique à deux peaux lacées avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec des anneau métalliques portés aux doigt§s de la même main• BM.001.003.001/06:03-01 0 1965.33.2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-03 BM.2001.003.001/06:03-03 00:04:08 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAVONONGOKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE TROMPES Sous-table non exportée GBOFE Sous-table non exportée L'ensemble GBOFE jouait traditionnellemnt pendant les manifestations publiques du chef, également à l'occasion de la guerre (avant, pendant, et au retour de l'expédition guerrière), et lors de funérailles d'un homme important. Enregistrement sur demande• H.ZEMP, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc.1, Ethnosoclologie Disque: _The Music of the Senufo_. Collection Unesco, Barenreiter Musicaphon, BM 30 L 2308, (face 1, plages 7-10)• - MÊME ORCHESTRE QUE 65.33.1, 2, 4 (cf. les remarques), mais avec intermède chanté solo H et battements de mains de jeunes filles• BM.001.003.001/06:03-04 1965 1965.33.3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-04 BM.2001.003.001/06:03-04 00:03:50 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAVONONGOKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE TROMPES Sous-table non exportée GBOFE Sous-table non exportée L'ensemble GBOFE jouait traditionnellemnt pendant les manifestations publiques du chef, également à l'occasion de la guerre (avant, pendant, et au retour de l'expédition guerrière), et lors de funérailles d'un homme important. Enregistrement sur demande• H.ZEMP, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc.1, Ethnosoclologie Disque: _The Music of the Senufo_. Collection Unesco, Barenreiter Musicaphon, BM 30 L 2308, (face 1, plages 7-10)• - Le terme GBOFE désigne l'orchestre complet, y compris les tambours et la cloche, la trompe individuelle étant nommée GBOFE-MA'AA, "trompe de GBOFE". Mais dans le langage courant, le terme GBOFE est aussi appliqué à une seule trompe. Les trompes sont taillées dans un seul morceu de bois, ou composées de deux moitiés collées dans le sens de la longueur. Les musiciens bouchent constamment le pavillon avec le creux de la main droite, sauf le joueur de la plus petite trompe dont un trou d'intonation nécessite une main libre. - Le joueur du tambour en forme de calice frappe avec les mains la peau fixée par piquets. Le joueur frappant le tambour cylondrique à deux peaux lacées avec une baguette courbée, tient dans la main gauche une cloche tubulaire en fer qu'il fait sonner avec des anneau métalliques portés aux doigt§s de la même main• BM.001.003.001/06:03-02 1965 1965.33.4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-05 BM.2001.003.001/06:03-05 00:01:21 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAVONONGOKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLE DE TROMPES Sous-table non exportée GBOFE Sous-table non exportée - Echelles des trompes enregistrées dans 65-33 BM.001.003.001/06:03-04 0 1965.33.5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-06 BM.2001.003.001/06:03-06 00:02:13 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, SIHENGUERIKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE SOCIETE FEMININE Sous-table non exportée SITCHALA Sous-table non exportée Exécuté par des membres de la société initiatique des femmes, DJABELE-PORO (PC des femmes), surtout lors des funérailles d'une femme. Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.6, pièce 08 - Le tambour d'eau est composé d'un récipient en poterie (KOBE) rempli d'au, dans lequel flotte une calebasse retournée, la partie pansur vers le haut. Une plus petite calebasse en forme de cuillère sert de baguette. Le deuxième instrument est un simple mortier en bois (SUGO) dans lequel une femme enfonce rythmiquement un pilon. Une troisième femme secoue un hochet-sonnailles (TCHALU). Elle chante en alternant avec une autre chanteuse et parfois en même temps qu'elle à l'unisson• BM.001.003.001/06:03-05 1965 Non pertinent 1965:33:6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-07 BM.2001.003.001/06:03-07 00:02:23 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, SIHENGUERIKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE SOCIETE FEMININE Sous-table non exportée SITCHALA Sous-table non exportée Exécuté par des membres de la société initiatique des femmes, DJABELE-PORO (PC des femmes), surtout lors des funérailles d'une femme. Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.6, pièce 08 - Le tambour d'eau est composé d'un récipient en poterie (KOBE) rempli d'au, dans lequel flotte une calebasse retournée, la partie pansur vers le haut. Une plus petite calebasse en forme de cuillère sert de baguette. Le deuxième instrument est un simple mortier en bois (SUGO) dans lequel une femme enfonce rythmiquement un pilon. Une troisième femme secoue un hochet-sonnailles (TCHALU). Elle chante en alternant avec une autre chanteuse et parfois en même temps qu'elle à l'unisson• BM.001.003.001/06:03-06 1965 1965:33-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-08 BM.2001.003.001/06:03-08 00:03:13 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, SIHENGUERIKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE SOCIETE FEMININE Sous-table non exportée SITCHALA Sous-table non exportée Exécuté par des membres de la société initiatique des femmes, DJABELE-PORO (PC des femmes), surtout lors des funérailles d'une femme. Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.6, pièce 08 - Le tambour d'eau est composé d'un récipient en poterie (KOBE) rempli d'au, dans lequel flotte une calebasse retournée, la partie pansur vers le haut. Une plus petite calebasse en forme de cuillère sert de baguette. Le deuxième instrument est un simple mortier en bois (SUGO) dans lequel une femme enfonce rythmiquement un pilon. Une troisième femme secoue un hochet-sonnailles (TCHALU). Elle chante en alternant avec une autre chanteuse et parfois en même temps qu'elle à l'unisson• BM.001.003.001/06:03-07 1965 1965:33.8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-09 BM.2001.003.001/06:03-09 00:04:03 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, SIHENGUERIKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE SOCIETE FEMININE Sous-table non exportée SITCHALA Sous-table non exportée Exécuté par des membres de la société initiatique des femmes, DJABELE-PORO (PC des femmes), surtout lors des funérailles d'une femme. Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.6, pièce 08 - Le tambour d'eau est composé d'un récipient en poterie (KOBE) rempli d'au, dans lequel flotte une calebasse retournée, la partie pansur vers le haut. Une plus petite calebasse en forme de cuillère sert de baguette. Le deuxième instrument est un simple mortier en bois (SUGO) dans lequel une femme enfonce rythmiquement un pilon. Une troisième femme secoue un hochet-sonnailles (TCHALU). Elle chante en alternant avec une autre chanteuse et parfois en même temps qu'elle à l'unisson• BM.001.003.001/06:03-08 1965 1965:33-9 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-10 BM.2001.003.001/06:03-10 00:04:50 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, SIHENGUERIKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT DE SOCIETE FEMININE Sous-table non exportée SITCHALA Sous-table non exportée Exécuté par des membres de la société initiatique des femmes, DJABELE-PORO (PC des femmes), surtout lors des funérailles d'une femme. Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.6, pièce 08 - Le tambour d'eau est composé d'un récipient en poterie (KOBE) rempli d'au, dans lequel flotte une calebasse retournée, la partie pansur vers le haut. Une plus petite calebasse en forme de cuillère sert de baguette. Le deuxième instrument est un simple mortier en bois (SUGO) dans lequel une femme enfonce rythmiquement un pilon. Une troisième femme secoue un hochet-sonnailles (TCHALU). Elle chante en alternant avec une autre chanteuse et parfois en même temps qu'elle à l'unisson• BM.001.003.001/06:03-09 1965 1965:33-10 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-11 BM.2001.003.001/06:03-11 00:02:37 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-10 1965 Non pertinent 1965:34-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-12 BM.2001.003.001/06:03-12 00:03:11 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-11 1965 1965:34-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-13 BM.2001.003.001/06:03-13 00:02:50 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-12 1965 1965:34-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-14 BM.2001.003.001/06:03-14 00:01:51 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF SANS TAMBOUR Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-13 1965 1965:34-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-15 BM.2001.003.001/06:03-15 00:02:14 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF SANS TAMBOUR Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-14 1965 1965:34-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-16 BM.2001.003.001/06:03-16 00:02:49 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE FLUTES DU CHEF Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-12 1965 1965:34-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-17 BM.2001.003.001/06:03-17 00:00:38 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 FLUTE SEULE Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-14 1965 1965:34-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-18 BM.2001.003.001/06:03-18 00:01:16 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NAPIE SENOUFO, SOUS-GROUPE NAPIE ZEMP,H.;COTE D'IVOIRE;1962-67 FLUTE SEULE Sous-table non exportée Sous-table non exportée L'ensemble joue lors des manifestations publiques du chef Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.4= 04) H.ZEMP, "Comment on devient musicien", in: T. Nikiprowetzki, _La musique dans la vie_, I, Paris, Ocora, 1967 - Pièces 04 et 05 sans tambour à une membrane ; pièce 07 et 08 une seule flûte sans tambours - Les deux flûtes MANA en bois, entouré de cuir, ont trois trous de jeu - Le tambour en forme de calice (de type DJEMBE) à une peau frappée par les mains et tenu entre les jambes, n'est pas joué lors des déplacements du chef. Les deux tambours à deux membranes (TAMA) sont des tambours d'aisselle frappés avec une baguette recourbée• BM.001.003.001/06:03-17 1965 1965:34-8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-19 BM.2001.003.001/06:03-19 00:02:18 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NANBODIELEKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'HOMME DU PORO Sous-table non exportée KAFO Sous-table non exportée Chant du PORO , société initiatique des hommes Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.5=pièce 11) -Chant psalmodié dans la langue secrète du PORO, société initiatique des hommes• BM.001.003.001/06:03-18 1965 Non pertinent 1965:34-9 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-20 BM.2001.003.001/06:03-20 00:03:00 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NANBODIELEKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'HOMME DU PORO Sous-table non exportée KAFO Sous-table non exportée Chant du PORO , société initiatique des hommes Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.5=pièce 11) -Chant psalmodié dans la langue secrète du PORO, société initiatique des hommes• BM.001.003.001/06:03-19 1965 1965:34-10 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-21 BM.2001.003.001/06:03-21 00:01:43 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NANBODIELEKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'HOMME DU PORO Sous-table non exportée KAFO Sous-table non exportée Chant du PORO , société initiatique des hommes Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.5=pièce 11) -Chant psalmodié dans la langue secrète du PORO, société initiatique des hommes• BM.001.003.001/06:03-20 1965 1965:34-11 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-22 BM.2001.003.001/06:03-22 00:02:38 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NANBODIELEKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'HOMME DU PORO Sous-table non exportée KAFO Sous-table non exportée Chant du PORO , société initiatique des hommes Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.5=pièce 11) -Chant psalmodié dans la langue secrète du PORO, société initiatique des hommes• BM.001.003.001/06:03-21 1965 1965:34-12 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :03-23 BM.2001.003.001/06:03-23 00:02:29 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, NANBODIELEKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT D'HOMME DU PORO Sous-table non exportée KAFO Sous-table non exportée Chant du PORO , société initiatique des hommes Enreg. sur demande• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.5=pièce 11) -Chant psalmodié dans la langue secrète du PORO, société initiatique des hommes• BM.001.003.001/06:03-22 1965 1965:34-13 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-01 BM.2001.003.001/06:04-01 00:27:52 22 avril 1965 COTE D'IVOIRE S/PREF.KORHGO, FODONITIONKAHA SENOUFO, SOUS-GROUPE TIEMBARA ZEMP,H.;COTE D'IVOIRE;1962-67 TAMBOURS DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement, les musiciens du PORO, société initiatique des hommes, dansent lentement autour d'une pile de tissus étendus par terre . Ils sont plus nombreux que le jour précédent. A 10'40 changement de rythme lorsque le corps est apporté et enveloppé dans les tissus• Disque : _The music of the Senufo_, 30/33. Collection Unesco, Anthologie de la musique africaine. Barenreiter Musicaphon BM 30 L 2308, pl.15b H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, série F-A (1), Ethnosociologie - Aux instruments nommés dans la fiche 1965:22 s'ajoutent plusieurs grandes trompes anthropomorphes, chacun munie d'un mirliton• BM.001.003.001/06:03-23 1965 1965:31-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-02 BM.2001.003.001/06:04-02 00:03:22 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJOFOUNKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE SIFFLETS Sous-table non exportée Sous-table non exportée Enregistrement sur demande• - Les sifflets, d'une longueur de 20cm environ, sont tenus par les deux mains. Le ouce d'une main et le majeur de l'autre couvrent ou laissent ouvert le trou de jeu percé dans le bois de chaque côté du sifflet. - Le joueur du tambour DJEMBE frappe avec les mains sur la peau fixée par piquets. Le joueur du tambour cylindrique à deux membranes GAGONGO frappe avec une baguette droite sur l'un des peaux• BM.001.003.001/06:04-01 1965 Non pertinent 1965:35-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-03 BM.2001.003.001/06:04-03 00:03:20 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJOFOUNKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE SIFFLETS Sous-table non exportée Sous-table non exportée Enregistrement sur demande• - Les sifflets, d'une longueur de 20cm environ, sont tenus par les deux mains. Le ouce d'une main et le majeur de l'autre couvrent ou laissent ouvert le trou de jeu percé dans le bois de chaque côté du sifflet. - Le joueur du tambour DJEMBE frappe avec les mains sur la peau fixée par piquets. Le joueur du tambour cylindrique à deux membranes GAGONGO frappe avec une baguette droite sur l'un des peaux• BM.001.003.001/06:04-02 1965 1965:35-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-04 BM.2001.003.001/06:04-04 00:02:58 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJOFOUNKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE SIFFLETS Sous-table non exportée Sous-table non exportée Enregistrement sur demande• - Les sifflets, d'une longueur de 20cm environ, sont tenus par les deux mains. Le ouce d'une main et le majeur de l'autre couvrent ou laissent ouvert le trou de jeu percé dans le bois de chaque côté du sifflet. - Le joueur du tambour DJEMBE frappe avec les mains sur la peau fixée par piquets. Le joueur du tambour cylindrique à deux membranes GAGONGO frappe avec une baguette droite sur l'un des peaux• BM.001.003.001/06:04-03 1965 1965:35-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-05 BM.2001.003.001/06:04-05 00:02:50 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJOFOUNKAHA SENOUFO, SOUS-GROUPE NAFARA ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE SIFFLETS Sous-table non exportée Sous-table non exportée Enregistrement sur demande• - Les sifflets, d'une longueur de 20cm environ, sont tenus par les deux mains. Le ouce d'une main et le majeur de l'autre couvrent ou laissent ouvert le trou de jeu percé dans le bois de chaque côté du sifflet. - Le joueur du tambour DJEMBE frappe avec les mains sur la peau fixée par piquets. Le joueur du tambour cylindrique à deux membranes GAGONGO frappe avec une baguette droite sur l'un des peaux• BM.001.003.001/06:04-04 1965 1965:35-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-07 BM.2001.003.001/06:04-07 00:02:35 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJEGON SENOUFO, SOUS-GROUPE KOFOLO ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT POUR LES CHASSEURS Sous-table non exportée KANRI Sous-table non exportée Les musiciens sont attachés aux associations de chasseurs. Le chanteur soliste porte un costume et une coiffe richement ornés de plumes, de fourrures, de miroirs et de cauris. Enregistrement sur demande• Disque : _The music of the Senufo_ 30cm/33t, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon BM 30 L 2308 (plage 9 = 07)• - Le chanteur soliste porte en bandoulière la harpe-luth à 6 cordes qu'il ne joue pas (cequi semble être souvent le cas chez les Sénoufo); l'instrument étant l'emblème des chanteurs de chasse de même que le costume. - Les deux râcleuers, d'une longueur de 30cm environ, sont en fer forgé, de forme tubulaire. La partie supérieure ouverte, dentée de deux co^tés de la fente, est râclée à l'aide d'une mince tige en fer • BM.001.003.001/06:04-05 1965 Non pertinent 1965:35-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-08 BM.2001.003.001/06:04-08 00:02:23 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJEGON SENOUFO, SOUS-GROUPE KOFOLO ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT POUR LES CHASSEURS Sous-table non exportée KANRI Sous-table non exportée Les musiciens sont attachés aux associations de chasseurs. Le chanteur soliste porte un costume et une coiffe richement ornés de plumes, de fourrures, de miroirs et de cauris. Enregistrement sur demande• Disque : _The music of the Senufo_ 30cm/33t, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon BM 30 L 2308 (plage 9 = 07)• - Le chanteur soliste porte en bandoulière la harpe-luth à 6 cordes qu'il ne joue pas (cequi semble être souvent le cas chez les Sénoufo); l'instrument étant l'emblème des chanteurs de chasse de même que le costume. - Les deux râcleuers, d'une longueur de 30cm environ, sont en fer forgé, de forme tubulaire. La partie supérieure ouverte, dentée de deux co^tés de la fente, est râclée à l'aide d'une mince tige en fer • BM.001.003.001/06:04-07 1965 1965:35-8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-09 BM.2001.003.001/06:04-09 00:03:01 avril 1965 COTE D'IVOIRE S/PREF.NAPIE, DJEGON SENOUFO, SOUS-GROUPE KOFOLO ZEMP,H.;COTE D'IVOIRE;1962-67 CHANT POUR LES CHASSEURS Sous-table non exportée KANRI Sous-table non exportée Les musiciens sont attachés aux associations de chasseurs. Le chanteur soliste porte un costume et une coiffe richement ornés de plumes, de fourrures, de miroirs et de cauris. Enregistrement sur demande• Disque : _The music of the Senufo_ 30cm/33t, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon BM 30 L 2308 (plage 9 = 07)• - Le chanteur soliste porte en bandoulière la harpe-luth à 6 cordes qu'il ne joue pas (cequi semble être souvent le cas chez les Sénoufo); l'instrument étant l'emblème des chanteurs de chasse de même que le costume. - Les deux râcleuers, d'une longueur de 30cm environ, sont en fer forgé, de forme tubulaire. La partie supérieure ouverte, dentée de deux co^tés de la fente, est râclée à l'aide d'une mince tige en fer • BM.001.003.001/06:04-08 1965 1965:35-9 AFRIQUE +TA-002 CD12S DI.2007.002.002 U01 DI.2007.002.002U01 00:00:00 ITALIE;LUCANIE ITALIENS ORGANETTO E TATANTELLE. LE TRADIDIZIONI MUSICALI IN LUCANA, VOL.2 Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2001.003 CDR BM.2001.003.001/06 :04-11 BM.2001.003.001/06:04-11 00:03:18 mai1965 COTE D'IVOIRE S/PREF.BOUNDIALI, BOUNDIALI SENOUFO, SOUS-GROUPE TENEOURE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONE LAKLE Sous-table non exportée LAKLE Sous-table non exportée La danse LAKLE a été emprunté, selon le dire des musiciens, il y a quelques années aux Sénoufo (Minlanka ?) de la région de Sikasso (Mali). Les paroles sont souvent en langue malinké ou mélangeant des mots malinké et sénoufo. Enreg. sur demande• Disque : _The music of the Senufo_ 30cm/33t, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon BM 30 L 2308 (plage8=11)• - Les timbales sont formées de calebasses tendues de peaux. L'un des joueurs de timbale chante; le xylophoniste soliste lui répond sur son instrument à la fin de chaque vers, tandis que le xylophoniste accompagnateur joue un ostinato • BM.001.003.001/06:04-10 1965 1965:35-11 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-12 BM.2001.003.001/06:04-12 00:03:04 mai1965 COTE D'IVOIRE S/PREF.BOUNDIALI, BOUNDIALI SENOUFO, SOUS-GROUPE TENEOURE ZEMP,H.;COTE D'IVOIRE;1962-67 ENSEMBLE DE XYLOPHONE LAKLE Sous-table non exportée LAKLE Sous-table non exportée La danse LAKLE a été emprunté, selon le dire des musiciens, il y a quelques années aux Sénoufo (Minlanka ?) de la région de Sikasso (Mali). Les paroles sont souvent en langue malinké ou mélangeant des mots malinké et sénoufo. Enreg. sur demande• Disque : _The music of the Senufo_ 30cm/33t, collection UNESCO - Anthologie de la musique africaine, Bärenreiter Musicaphon BM 30 L 2308 (plage8=11)• - Les timbales sont formées de calebasses tendues de peaux. L'un des joueurs de timbale chante; le xylophoniste soliste lui répond sur son instrument à la fin de chaque vers, tandis que le xylophoniste accompagnateur joue un ostinato • BM.001.003.001/06:04-11 1965 1965:35-12 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-13 BM.2001.003.001/06:04-13 00:00:39 mai1965 COTE D'IVOIRE S/PREF.BOUNDIALI, BOUNDIALI SENOUFO, SOUS-GROUPE TENEOURE ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLES DE XYLOPHONES LAKLE Sous-table non exportée LAKLE Sous-table non exportée - Echelles des xylophones enregistrés dans 65:35-10-12 • BM.001.003.001/06:04-12 0 1965:35-13 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-14 BM.2001.003.001/06:04-14 00:03:17 mai1965 COTE D'IVOIRE S/PREF.FERKE, DJONGOKAHA SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE GUNO Sous-table non exportée GUNO Sous-table non exportée BM.001.003.001/06:04-13 1965 Non pertinent 1965::36-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-15 BM.2001.003.001/06:04-15 00:02:31 mai1965 COTE D'IVOIRE S/PREF.FERKE, DJONGOKAHA SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE GUNO Sous-table non exportée GUNO Sous-table non exportée BM.001.003.001/06:04-14 0 1965:36-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :04-16 BM.2001.003.001/06:04-16 00:02:51 mai1965 COTE D'IVOIRE S/PREF.FERKE, DJONGOKAHA SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 DANSE GUNO Sous-table non exportée GUNO Sous-table non exportée BM.001.003.001/06:04-15 1965 1965:36-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-01 BM.2001.003.001/06:05-01 00:03:02 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:04-16 1965 1965:36-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-02 BM.2001.003.001/06:05-02 00:03:02 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-01 1965 0 3 25 1965:36-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-03 BM.2001.003.001/06:05-03 00:03:14 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-02 1965 1965:36-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-04 BM.2001.003.001/06:05-04 00:03:16 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-03 1965 1965:36-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-05 BM.2001.003.001/06:05-05 00:03:22 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-04 1965 1965:36-8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-06 BM.2001.003.001/06:05-06 00:02:19 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-05 1965 1965:36-9 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-07 BM.2001.003.001/06:05-07 00:01:24 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-06 1965 1965:36-10 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-08 BM.2001.003.001/06:05-08 00:01:11 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-07 1965 1965:36-11 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-09 BM.2001.003.001/06:05-09 00:01:25 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-08 1965 1965:36-12 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-10 BM.2001.003.001/06:05-10 00:01:00 mai1965 COTE D'IVOIRE SENOUFO, SOUS-GROUPE PALLAKA ZEMP,H.;COTE D'IVOIRE;1962-67 Sous-table non exportée Sous-table non exportée BM.001.003.001/06:05-09 1965 1965:36-13 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-11 BM.2001.003.001/06:05-11 00:04:23 mai1965 COTE D'IVOIRE S/PREF. KOLIA, KOLIA SENOUFO, SOUS-GROUPE NIENEBELE ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE LABOUR Sous-table non exportée GBOGI Sous-table non exportée Enregistré pendant des tavaux de labour avec des houes à manches courts, our faire un nouveau champ de coton• - L'ensemble instrumental est nommé d'après la harpe GBOGI. - Xylophone à 13 lames dont les résonateurs en calebasses sont munis de mirlitons. -Grande harpe à trois cordes. La caisse deréonance, sculptée en bois, est posée sur le sol. La table de résonance est en peau. La harpe porte au somet du manche un bruiteur: une plaque en fer blanc munie d'anneaux métalliques. Le joueur de harpe chante. - La peau du tambour cylindrique (diamètre environ 40cm) est frappée avec les mains• BM.001.003.001/06:05-10 1965 Non pertinent 1965:52-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-12 BM.2001.003.001/06:05-12 00:03:17 mai1965 COTE D'IVOIRE S/PREF. KOLIA, KOLIA SENOUFO, SOUS-GROUPE NIENEBELE ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE LABOUR Sous-table non exportée GBOGI Sous-table non exportée Enregistré pendant des tavaux de labour avec des houes à manches courts, our faire un nouveau champ de coton• H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-A, fasc.1, Ethnosociologie, pp: 25-50• -Même formation que 1965:52-1, mais en plus trois tambours d'aisselle frappés chacun avec une baguette, et une trompe traversière en corne d'antilope. - Xylophone à 13 lames dont les résonateurs en calebasses sont munis de mirlitons. -Grand harpe à trois cordes. La caisse de résonance, sculptée en bois , est posée sur le sol. La table de résonance est en peau. La harpe porte au sommet du manche un bruiteur: une plaque en fer blanc munie d'anneaux métalliques. Le joueur de harpe chante. - La peau du tambour cylindrique (diamètre environ 40cm) est frappée avec les mains • BM.001.003.001/06:05-11 0 1965-52-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-13 BM.2001.003.001/06:05-13 00:00:22 mai1965 COTE D'IVOIRE S/PREF. KOLIA, KOLIA SENOUFO, SOUS-GROUPE NIENEBELE ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée - xylophone à 13 lames dont les résonateurs en calebasses sont munis de mirlitons (cf.1965: 52-1,2)• BM.001.003.001/06:05-12 0 1965:52-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-14 BM.2001.003.001/06:05-14 00:01:20 mai1965 COTE D'IVOIRE S/PREF. KOLIA, KOLIA SENOUFO, SOUS-GROUPE NIENEBELE ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE LABOUR Sous-table non exportée Sous-table non exportée Enregistré pendant des travaux de labour avec des houes à manches courts, pour faire un nouveau champ de coton• H.Zemp, "Trompes senoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc. 1, Ethnosociologie, pp.25-50• - Mêmes tambours d'aiselle et trompe traversière en coorne d'antilope que 1965:52-2• BM.001.003.001/06:05-13 0 ELOGIEUX 1965:52-4 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-15 BM.2001.003.001/06:05-15 00:01:30 mai1965 COTE D'IVOIRE S/PREF. KOLIA, KOLIA SENOUFO, SOUS-GROUPE NIENEBELE ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE LABOUR Sous-table non exportée Sous-table non exportée Enregistré pendant des travaux de labour avec des houes à manches courts, pour faire un nouveau champ de coton• H.Zemp, "Trompes senoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1, fasc. 1, Ethnosociologie, pp.25-50• - Mêmes tambours d'aiselle et trompe traversière en coorne d'antilope que 1965:52-2• BM.001.003.001/06:05-14 1965 ELOGIEUX 1965:52-5 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-16 BM.2001.003.001/06:05-16 00:01:56 mai1965 COTE D'IVOIRE S/PREF. BOUNDIALI, PONDIOU SENOUFO, SOUS GROUPE KASSEMBEL ZEMP,H.;COTE D'IVOIRE;1962-67 DUO DE FLUTES Sous-table non exportée Sous-table non exportée A la demande , les deux flûtes traversières de l'ensemble instrumental FONOPINGE, litt; "tambour des forgerons" (cf. les enregistrements précédents: ORIGINAL 1965:52-1à 3) sont jouées sans tambours, ce qui se fait des fois our des danses de masques• - La flûte de bois, fermée aux deux extrémités, comporte 4 trous de jeu• BM.001.003.001/06:05-15 1965 Non pertinent 1965:52-6 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-17 BM.2001.003.001/06:05-17 00:00:33 mai1965 COTE D'IVOIRE S/PREF. BOUNDIALI, PONDIOU SENOUFO, SOUS GROUPE KASSEMBEL ZEMP,H.;COTE D'IVOIRE;1962-67 DUO DE FLUTES Sous-table non exportée Sous-table non exportée A la demande , les deux flûtes traversières de l'ensemble instrumental FONOPINGE, litt; "tambour des forgerons" (cf. les enregistrements précédents: ORIGINAL 1965:52-1à 3) sont jouées sans tambours, ce qui se fait des fois our des danses de masques• - La flûte de bois, fermée aux deux extrémités, comporte 4 trous de jeu• BM.001.003.001/06:05-16 1965 Non pertinent 1965:52-7 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-18 BM.2001.003.001/06:05-18 00:01:32 mai1965 COTE D'IVOIRE S/PREF. BOUNDIALI, PONDIOU SENOUFO, SOUS GROUPE KASSEMBEL ZEMP,H.;COTE D'IVOIRE;1962-67 DUO DE FLUTES Sous-table non exportée Sous-table non exportée A la demande , les deux flûtes traversières de l'ensemble instrumental FONOPINGE, litt; "tambour des forgerons" (cf. les enregistrements précédents: ORIGINAL 1965:52-1à 3) sont jouées sans tambours, ce qui se fait des fois our des danses de masques• - La flûte de bois, fermée aux deux extrémités, comporte 4 trous de jeu• BM.001.003.001/06:05-17 1965 Non pertinent 19654:52-8 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-19 BM.2001.003.001/06:05-19 00:00:40 mai1965 COTE D'IVOIRE S/PREF. BOUNDIALI, PONDIOU SENOUFO, SOUS GROUPE KASSEMBEL ZEMP,H.;COTE D'IVOIRE;1962-67 DUO DE FLUTES Sous-table non exportée Sous-table non exportée A la demande , les deux flûtes traversières de l'ensemble instrumental FONOPINGE, litt; "tambour des forgerons" (cf. les enregistrements précédents: ORIGINAL 1965:52-1à 3) sont jouées sans tambours, ce qui se fait des fois our des danses de masques• - La flûte de bois, fermée aux deux extrémités, comporte 4 trous de jeu• BM.001.003.001/06:05-18 1965 Non pertinent 1965:52-9 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-20 BM.2001.003.001/06:05-20 00:01:59 mai1965 COTE D'IVOIRE S/PREF. BOUNDIALI, FONODARA SENOUFO, SOUS GROUPE KASSEMBEL ZEMP,H.;COTE D'IVOIRE;1962-67 DUO DE FLUTES Sous-table non exportée Sous-table non exportée Deux masques heaumes du PORO, la société initatique des hommes. Enreg. sur demande• - Deux masques (KPONIUGU) frappent chacun avec une baguette sur une peau d'un petit tambour cylindrique à deux peaux lacées, et avec l'autre main ils secouent un grelot en fer. Considéré comme musiquela plus sacrée et la plus puissante du PORO• BM.001.003.001/06:05-19 1965 Non pertinent 1965:52-10 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-21 BM.2001.003.001/06:05-21 00:03:34 mai1965 COTE D'IVOIRE S/PREF. DABAKALA, KONGOBANADOUGOU SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement des membres du PORO, société initiatique des hommes, sortent du bois sacré avec les instruments du PORO. Ils accompagnent le masque KLUKLO dont la voix est produite par un tambour à friction. Les joueurs de trompes et de rhombes enjambent à tour de rôle le corps qui, enveloppé dans des tissus, est couché sur une natte. Les femmes apportent en pleurant quelques morceaux d'igname qu'ele mettent dans la main du mort. Les tambours restent sur le côté• H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1 (1), Ethnosociologie• - Les cornes d'antilope sont utilisées comme porte-voix ( et non comme véritables trompes), les joueurs prenant l'embouchure dans la bouche, l'enserrant de leurs lèvres, et soufflent , parlent, chantent et crient dans l'instrument. Les râcleurs tubulaires sont en fer forgé• BM.001.003.001/06:05-20 1965 1967:6-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-22 BM.2001.003.001/06:05-22 00:11:56 mai1965 COTE D'IVOIRE S/PREF. DABAKALA, KONGOBANADOUGOU SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement des membres du PORO, société initiatique des hommes, sortent du bois sacré avec les instruments du PORO. Ils accompagnent le masque KLUKLO dont la voix est produite par un tambour à friction. Les joueurs de trompes et de rhombes enjambent à tour de rôle le corps qui, enveloppé dans des tissus, est couché sur une natte. Les femmes apportent en pleurant quelques morceaux d'igname qu'ele mettent dans la main du mort. Les tambours restent sur le côté• H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1 (1), Ethnosociologie• - Les cornes d'antilope sont utilisées comme porte-voix ( et non comme véritables trompes), les joueurs prenant l'embouchure dans la bouche, l'enserrant de leurs lèvres, et soufflent , parlent, chantent et crient dans l'instrument. Les râcleurs tubulaires sont en fer forgé• BM.001.003.001/06:05-21 1965 1967:6-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-23 BM.2001.003.001/06:05-23 00:14:13 COTE D'IVOIRE S/PREF. DABAKALA, KONGOBANADOUGOU SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement des membres du PORO, société initiatique des hommes, sortent du bois sacré avec les instruments du PORO. Ils accompagnent le masque KLUKLO dont la voix est produite par un tambour à friction. Les joueurs de trompes et de rhombes enjambent à tour de rôle le corps qui, enveloppé dans des tissus, est couché sur une natte. Les femmes apportent en pleurant quelques morceaux d'igname qu'ele mettent dans la main du mort. Les tambours restent sur le côté• H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1 (1), Ethnosociologie• - Les cornes d'antilope sont utilisées comme porte-voix ( et non comme véritables trompes), les joueurs prenant l'embouchure dans la bouche, l'enserrant de leurs lèvres, et soufflent , parlent, chantent et crient dans l'instrument. Les râcleurs tubulaires sont en fer forgé• BM.001.003.001/06:05-22 1967 1967:7-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :05-24 BM.2001.003.001/06:05-24 00:01:51 COTE D'IVOIRE S/PREF. DABAKALA, KONGOBANADOUGOU SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DU PORO Sous-table non exportée Sous-table non exportée Le jour de l'enterrement des membres du PORO, société initiatique des hommes, sortent du bois sacré avec les instruments du PORO. Ils accompagnent le masque KLUKLO dont la voix est produite par un tambour à friction. Les joueurs de trompes et de rhombes enjambent à tour de rôle le corps qui, enveloppé dans des tissus, est couché sur une natte. Les femmes apportent en pleurant quelques morceaux d'igname qu'ele mettent dans la main du mort. Les tambours restent sur le côté• H.Zemp, "Trompes sénoufo", _Annales de l'Université d'Abidjan_, 1969, Série F-1 (1), Ethnosociologie• - Les cornes d'antilope sont utilisées comme porte-voix ( et non comme véritables trompes), les joueurs prenant l'embouchure dans la bouche, l'enserrant de leurs lèvres, et soufflent , parlent, chantent et crient dans l'instrument. Les râcleurs tubulaires sont en fer forgé• BM.001.003.001/06:05-23 1967 1967:7-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-01 BM.2001.003.001/06:06-01 00:03:11 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE XYLOPHONE ET CHANT Sous-table non exportée DJABO Sous-table non exportée Cette musique est exécutée pour toute sorte de fêtes, y compris les funérailles avec ou sans danse. Enreg. sur demande• Disque "Percussions de Côte d'Ivoire", disque Alvarès C 488• - Le xylophone comporte 16 lames montées sur un cadre reposant sur 4 pieds. Les résonateurs en calebasse sont munis de mirlitons. Deux musiciens debout, côte à côte, frppent les lames avec deux mailloches• - Une douzaine de jeunes filles chantent en battant des mains• BM.001.003.001/06:05-24 1966 Non pertinent 1967:8-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-02 BM.2001.003.001/06:06-02 00:02:41 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE XYLOPHONE ET CHANT Sous-table non exportée DJABO Sous-table non exportée Cette musique est exécutée pour toute sorte de fêtes, y compris les funérailles avec ou sans danse. Enreg. sur demande• Disque "Percussions de Côte d'Ivoire", disque Alvarès C 488• - Le xylophone comporte 16 lames montées sur un cadre reposant sur 4 pieds. Les résonateurs en calebasse sont munis de mirlitons. Deux musiciens debout, côte à côte, frppent les lames avec deux mailloches• - Une douzaine de jeunes filles chantent en battant des mains• BM.001.003.001/06:06-01 1966 Non pertinent 1967:8-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-03 BM.2001.003.001/06:06-03 00:01:59 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE XYLOPHONE ET CHANT Sous-table non exportée DJABO Sous-table non exportée Cette musique est exécutée pour toute sorte de fêtes, y compris les funérailles avec ou sans danse. Enreg. sur demande• Disque "Percussions de Côte d'Ivoire", disque Alvarès C 488• - Le xylophone comporte 16 lames montées sur un cadre reposant sur 4 pieds. Les résonateurs en calebasse sont munis de mirlitons. Deux musiciens debout, côte à côte, frppent les lames avec deux mailloches• - Une douzaine de jeunes filles chantent en battant des mains• BM.001.003.001/06:06-02 1966 Non pertinent 1967:8-3 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-04 BM.2001.003.001/06:06-04 00:03:28 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE XYLOPHONE ET CHANT Sous-table non exportée DJABO Sous-table non exportée Cette musique est exécutée pour toute sorte de fêtes, y compris les funérailles avec ou sans danse. Enreg. sur demande• Disque "Percussions de Côte d'Ivoire", disque Alvarès C 488• - Le xylophone comporte 16 lames montées sur un cadre reposant sur 4 pieds. Les résonateurs en calebasse sont munis de mirlitons. Deux musiciens debout, côte à côte, frppent les lames avec deux mailloches• - Une douzaine de jeunes filles chantent en battant des mains• - Enregistré à Diendiougoudougou BM.001.003.001/06:06-03 1966 Non pertinent 1967:9-1 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-05 BM.2001.003.001/06:06-05 00:03:29 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 MUSIQUE DE XYLOPHONE ET CHANT Sous-table non exportée DJABO Sous-table non exportée Cette musique est exécutée pour toute sorte de fêtes, y compris les funérailles avec ou sans danse. Enreg. sur demande• Disque "Percussions de Côte d'Ivoire", disque Alvarès C 488• - Le xylophone comporte 16 lames montées sur un cadre reposant sur 4 pieds. Les résonateurs en calebasse sont munis de mirlitons. Deux musiciens debout, côte à côte, frppent les lames avec deux mailloches• - Une douzaine de jeunes filles chantent en battant des mains• - Enregistré à Diendiougoudougou BM.001.003.001/06:06-04 1966 Non pertinent 1967:9-2 AFRIQUE +BM.2001.003 CDR BM.2001.003.001/06 :06-06 BM.2001.003.001/06:06-06 00:01:25 dec.1966 COTE D'IVOIRE S/PREF. DABAKALA SENOUFO, SOUS GROUPE DJIMINI ZEMP,H.;COTE D'IVOIRE;1962-67 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée - Echelle du xylophone des pièces 1967:7-9 BM.001.003.001/06:06-05 1966 Non pertinent 1967:9-3 AFRIQUE +BM.2001.004 CDR BM.2001.004.001 :01-01 BM.2001.004.001:01-01 00:00:00 déc.1996 BURKINA FASO LOBIS BURKINA FASO;LOBI;1996; EX. POUR MAITRISE Sous-table non exportée Sous-table non exportée 1996 AFRIQUE +BM.2001.005 CDR BM.2001.005.001/07 :01-01 BM.2001.005.001/07:01-01 00:00:00 BRESIL BRESILIENS COPIE DI.: BRESIL* Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2001.006 CDR BM.2001.006.001 :01-01 BM.2001.006.001:01-01 00:00:00 avril 2001 PARAGUAY NEULAND, CAYIN O CLIM NIVACLE ESTIVAL,J-P. PARAGUAY:NIVACLE. POLYMC (CHULUPI) Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2001.007 CDR BM.2001.007.001 :01-01? BM.2001.007.001:01-01? 00:00:00 IRAN KHORASSAN TURCS YOUSEFZADEH,A. IRAN ; MASTER CD DU LIVRE "LES BARDES DU KHORASSAN" Sous-table non exportée Sous-table non exportée 1996 ASIE +BM.2001.007 CDR BM.2001.007.001 :01-02? BM.2001.007.001:01-02? 00:00:00 IRAN KHORASSAN KURDES YOUSEFZADEH,A. IRAN ; MASTER CD DU LIVRE "LES BARDES DU KHORASSAN" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2001.007 CDR BM.2001.007.001 :01-03? BM.2001.007.001:01-03? 00:00:00 IRAN KHORASSAN IRANIENS YOUSEFZADEH,A. IRAN ; MASTER CD DU LIVRE "LES BARDES DU KHORASSAN" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2001.008 CDR BM.2001.008.001 :01-01 BM.2001.008.001:01-01 00:00:00 INDE;TAMIL NADU TAMIL NADU TODAS PREVOT,N. INDE; TAMIL NADU: TODA Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2001.009 CDR BM.2001.009.001 01-01 BM.2001.009.00101-01 00:00:00 ROUMANIE OACH ROUMAINS LORTAT-JACOB,B. MASTER PISTE AUDIO DU DVD DU LIVRE "A TUE-TETE" Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2001.009 CDR BM.2001.009.001 :01-? BM.2001.009.001:01-? 00:00:00 ROUMANIE TSIGANES LORTAT-JACOB,B. MASTER PISTE AUDIO DU DVD DU LIVRE "A TUE-TETE" Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2001.010 MD BM.2001.010.001 :01-01 BM.2001.010.001:01-01 00:00:00 ALBANIE TIRANA TSIGANES,ROMS ALBANIE:ROM;"LA KABA:1 FORME MCALE CHEZ LES ROMS DE TIRANA". [EX. POUR MAITRISE Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2002.001 CDR BM.2002.001.001/02 :01-01 BM.2002.001.001/02:01-01 00:00:00 BOLIVIE TARABUCO MARTINEZ,R.;BOLIVIE:TARABUCO,"PUJLLAY-AYARICHI;1998,2001 Sous-table non exportée Sous-table non exportée MARTINEZ,R. 1998 AMERIQUE +BM.2002.002 CDR BM.2002.002.001 :01-01 BM.2002.002.001:01-01 00:00:00 BOLIVIE MARTINEZ,R.;BOLIVIE: MONTAGE POUR LE MUSEE ASUR Sous-table non exportée Sous-table non exportée MARTINEZ,R. 0 AMERIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-01 BM.2002.003.001/04:01-01 00:02:30 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M.DE FÊTE Sous-table non exportée KPANDA Sous-table non exportée Pour toutes sortes de festivités, y compris des funérailles• Les H du choeur (environ une quizaine) entrechoquent des bâtons, les cinq F battent des mains. Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes; les deux tbrs PENDRI sont frappés à mains nues. Le hochet est une calebasse remplie de graines, les deux cloches en fer sont à frappe extérieure• ZEMP,HUGO 1965 Non pertinent 1965:61.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-02 BM.2002.003.001/04:01-02 00:03:53 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M.DE FÊTE Sous-table non exportée KPANDA Sous-table non exportée Pour toutes sortes de festivités, y compris des funérailles• Les H du choeur (environ une quizaine) entrechoquent des bâtons, les cinq F battent des mains. Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes; les deux tbrs PENDRI sont frappés à mains nues. Le hochet est une calebasse remplie de graines, les deux cloches en fer sont à frappe extérieure• ZEMP,HUGO 1965 Non pertinent 1965:61.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-03 BM.2002.003.001/04:01-03 00:03:24 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M.DE FÊTE Sous-table non exportée KPANDA Sous-table non exportée Pour toutes sortes de festivités, y compris des funérailles• Publié sur le CD _Côte d'ivoire: M.vocale des Baoulé_ Auvidis/Unesco D-8048, plage 1• Les H du choeur (environ une quizaine) entrechoquent des bâtons, les cinq F battent des mains. Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes; les deux tbrs PENDRI sont frappés à mains nues. Le hochet est une calebasse remplie de graines, les deux cloches en fer sont à frappe extérieure• ZEMP,HUGO 1965 Non pertinent 1965:61.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-04 BM.2002.003.001/04:01-04 00:02:28 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M.DE FÊTE;POUR TERMINER LA DANSE KPANDA Sous-table non exportée KPANDA Sous-table non exportée Pour toutes sortes de festivités, y compris des funérailles• Publié sur le CD _Côte d'Ivoire: M. vocale baoulé_ Auvidis/Unesco D 8048, plage2• Les deux H chantent en parallèles de tierces. L'un frappe une cloche en fer sur son bord, pressant l'ouverture contre sa poitrine pour stopper la résonnance. Au milieu du chant, un court passage des tbrs ATUNGBLAN. Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:61.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-05 BM.2002.003.001/04:01-05 00:02:10 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-06 BM.2002.003.001/04:01-06 00:00:50 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-07 BM.2002.003.001/04:01-07 00:01:40 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-08 BM.2002.003.001/04:01-08 00:02:19 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-09 BM.2002.003.001/04:01-09 00:04:02 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-10 BM.2002.003.001/04:01-10 00:04:00 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-11 BM.2002.003.001/04:01-11 00:01:48 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.11 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-12 BM.2002.003.001/04:01-12 00:01:20 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:61.12 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-13 BM.2002.003.001/04:01-13 00:00:24 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Échelle de la harpe fourche à cinq cordesenregistrée sur ????• ZEMP,HUGO 1965 Non pertinent 1965:61.13 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-14 BM.2002.003.001/04:01-14 00:02:15 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TBR Sous-table non exportée KLENKPLI Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes• ZEMP,HUGO 1965 Non pertinent 1965:62.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-15 BM.2002.003.001/04:01-15 00:02:41 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TBR Sous-table non exportée KLENKPLI Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes• ZEMP,HUGO 1965 Non pertinent 1965:62.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-16 BM.2002.003.001/04:01-16 00:01:47 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TBR Sous-table non exportée KLENKPLI Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues ; le tbr KLENMAN est frappé avec des baguettes• ZEMP,HUGO 1965 Non pertinent 1965:62.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-17 BM.2002.003.001/04:01-17 01:17:00 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOURS PARLANT Sous-table non exportée ATUNGBLAN Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues. Dans ce langage tambouriné, on invoque les ancêtres et on leur demande la prospérité pour le village• ZEMP,HUGO 1965 Non pertinent 1965:62.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-18 BM.2002.003.001/04:01-18 00:01:27 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOURS PARLANT Sous-table non exportée ATUNGBLAN Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues. Dans ce langage tambouriné, on invoque les ancêtres et on leur demande la prospérité pour le village• ZEMP,HUGO 1965 Non pertinent 1965:62.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-19 BM.2002.003.001/04:01-19 00:01:48 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOURS PARLANT Sous-table non exportée ATUNGBLAN Sous-table non exportée Ensemble de tbrs des chefferies• Les tbrs jumelés ATUNGBLAN sont frappé par un maître tambourinaire à l'aide de deux baguettes crochues. Par ce langage tambouriné, letambourinaire appelle sucessivement deux notables qui répondent• ZEMP,HUGO 1965 Non pertinent 1965:62.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-20 BM.2002.003.001/04:01-20 00:02:50 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TROIS CLOCHES Sous-table non exportée NGANGAMA Sous-table non exportée Ensemble de cloches simplesdes chefferies. Pour accompagner les chefs en voyage. A l'occasion des manifestations publiques du chef et de ses funérailles• Publié sur le disque _Percussion de Côte d'Ivoire_. Disque Alvarès C 488, plage 6• Cloches à frappe externe. La cloche avec le son le plus aigu fournit un ostinato, les deux autres sont utilisées selon le principe du langage tambouriné. Plusieurs proverbes sont enchaînés• ZEMP,HUGO 1965 Non pertinent 1965:62.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-21 BM.2002.003.001/04:01-21 00:02:05 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TROIS CLOCHES Sous-table non exportée NGANGAMA Sous-table non exportée Ensemble de cloches simplesdes chefferies. Pour accompagner les chefs en voyage. A l'occasion des manifestations publiques du chef et de ses funérailles• Cloches à frappe externe. La cloche avec le son le plus aigu fournit un ostinato, les deux autres sont utilisées selon le principe du langage tambouriné. Plusieurs proverbes sont enchaînés• ZEMP,HUGO 1965 Non pertinent 1965:62.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-22 BM.2002.003.001/04:01-22 00:01:20 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TROIS CLOCHES Sous-table non exportée NGANGAMA Sous-table non exportée Ensemble de cloches simplesdes chefferies. Pour accompagner les chefs en voyage. A l'occasion des manifestations publiques du chef et de ses funérailles• Cloches à frappe externe. La cloche avec le son le plus aigu fournit un ostinato, les deux autres sont utilisées selon le principe du langage tambouriné. Plusieurs proverbes sont enchaînés• ZEMP,HUGO 1965 Non pertinent 1965:62.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-23 BM.2002.003.001/04:01-23 00:01:20 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 EMSEMBLE DE TROIS CLOCHES Sous-table non exportée NGANGAMA Sous-table non exportée Ensemble de cloches simplesdes chefferies. Pour accompagner les chefs en voyage. A l'occasion des manifestations publiques du chef et de ses funérailles• Cloches à frappe externe. La cloche avec le son le plus aigu fournit un ostinato, les deux autres sont utilisées selon le principe du langage tambouriné. Plusieurs proverbes sont enchaînés• ZEMP,HUGO 1965 Non pertinent 1965:62.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-24 BM.2002.003.001/04:01-24 00:00:22 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DE L'ENSEMBLE DE TROIS CLOCHES Sous-table non exportée NGANGAMA Sous-table non exportée Échelle de l'emsemble de trois cloches à frappe externe, enregistréee en ????• ZEMP,HUGO 1965 Non pertinent 1965:62.11 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-25 BM.2002.003.001/04:01-25 00:02:33 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FEMMES Sous-table non exportée ALOKO Sous-table non exportée Duo JF = fillettes de 5 et 7 ans. IT-ALOKO : ce racleur, qui a donné son nom au chant, consiste en un bâtonnet denté passé à travers une noix percée en son milieu. Avec des mouvementes rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonnateur sur le bâtonnet• ZEMP,HUGO 1965 Non pertinent 1965:62.12 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-26 BM.2002.003.001/04:01-26 00:02:09 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FEMMES Sous-table non exportée ALOKO Sous-table non exportée Publié sur le CD _Cote d'Ivoire: M. vocale boulé_, Auvidis/Unesco D8048, plage 15; extrait sur le CD _Les voix du monde_, Coll. CNRS/MH. Le Chant du monde ..., CD 3, plage 16• IT-ALOKO : ce racleur, qui a donné son nom au chant, consiste en un bâtonnet denté passé à travers une noix percée en son milieu. Avec des mouvementes rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonnateur sur le bâtonnet• ZEMP,HUGO 1965 Non pertinent 1965:62.13 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-27 BM.2002.003.001/04:01-27 00:02:14 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FEMMES Sous-table non exportée ALOKO Sous-table non exportée IT-ALOKO : ce racleur, qui a donné son nom au chant, consiste en un bâtonnet denté passé à travers une noix percée en son milieu. Avec des mouvementes rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonnateur sur le bâtonnet• ZEMP,HUGO 1965 Non pertinent 1965:62.14 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-28 BM.2002.003.001/04:01-28 00:02:30 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FEMMES Sous-table non exportée ALOKO Sous-table non exportée Duo JF = fillettes de 5 et 7 ans. IT-ALOKO : ce racleur, qui a donné son nom au chant, consiste en un bâtonnet denté passé à travers une noix percée en son milieu. Avec des mouvementes rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonnateur sur le bâtonnet• ZEMP,HUGO 1965 Non pertinent 1965:62.15 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :01-29 BM.2002.003.001/04:01-29 00:02:00 COTE D'IVOIRE S/PREF. TOUMODI,KPOUEBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FEMMES Sous-table non exportée ALOKO Sous-table non exportée Duo JF = fillettes de 5 et 7 ans. IT-ALOKO : ce racleur, qui a donné son nom au chant, consiste en un bâtonnet denté passé à travers une noix percée en son milieu. Avec des mouvementes rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonnateur sur le bâtonnet• ZEMP,HUGO 1965 Non pertinent 1965:62.16 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-01 BM.2002.003.001/04:02-01 00:03:20 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE GUERRE Sous-table non exportée BLA Sous-table non exportée *Deux chanteurs de guerre (appelés "Blafue"ou "Akotofue"), suivaient autrefois les guerriers, les encourageaient avant et pendant le combat, et les louaient après la victoire. Ils accompagnaient aussi les chefs lors de leurs sorties publiques• Publié sur CD _Côte d'Ivoire: m.baoulé_, Auvidis/Unesco D 8048, plage 10• L'un des chanteurs secoue un hochet-sonnaille, l'autre, un grelot de fer• ZEMP,HUGO 1965 Non pertinent 1965:63.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-02 BM.2002.003.001/04:02-02 00:04:50 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE GUERRE Sous-table non exportée BLA Sous-table non exportée *Deux chanteurs de guerre, (appelés "Blafue" ou "Akotofue"), suivaient autrefois les guerriers, les encourageaient avant et pendant le combat, et les louaient après la victoire. Ils accompagnaient aussi les chefs lors de leurs sorties publiques• L'un des chanteurs secoue un hochet-sonnaille, l'autre, un grelot de fer• ZEMP,HUGO 1965 Non pertinent 1965:63.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-03 BM.2002.003.001/04:02-03 00:03:15 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TBRS Sous-table non exportée KLENKPLI Sous-table non exportée Ensemble de tbrs des chefferies. Celui-ci appartient au roi suprême des Baoulé habitant à Sakasso• Publié sur disque _Percussions de Côte d'Ivoire_, Disques Alvarès C 488, plage 7• La trompe latérale est en ivoire. Les tbrs jumelésATUNGBLAN sont frappés par un maître tambourinaire à l'aide de deux baguettes crochues; au milieu de l'enregistrement, tous les autres tbrs s'arrêtent pour laisser place au langage tambouriné de l'Atungblan. Le tbr KLENSI est frappé avec des baguettes crochues. Le grand tbr KRAKRA ainsi que les trois petits tbrs KPUNF, OSOAN et PLAPLO sont frappés avec des baguettes droites. Le PENDREN est frappé à main nues. Le KANGAKEKLEN est un tbr à friction dont la peau est frottée avec deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:63.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-04 BM.2002.003.001/04:02-04 00:03:30 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ENSEMBLE DE TBRS Sous-table non exportée KLENKPLI Sous-table non exportée Ensemble de tbrs des chefferies. Celui-ci appartient au roi suprême des Baoulé habitant à Sakasso• La trompe latérale est en ivoire. Les tbrs jumelésATUNGBLAN sont frappés par un maître tambourinaire à l'aide de deux baguettes crochues; au milieu de l'enregistrement, tous les autres tbrs s'arrêtent pour laisser place au langage tambouriné de l'Atungblan. Le tbr KLENSI est frappé avec des baguettes crochues. Le grand tbr KRAKRA ainsi que les trois petits tbrs KPUNF, OSOAN et PLAPLO sont frappés avec des baguettes droites. Le PENDREN est frappé à main nues. Le KANGAKEKLEN est un tbr à friction dont la peau est frottée avec deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:63.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-05 BM.2002.003.001/04:02-05 00:00:55 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOUR A FRICTION Sous-table non exportée Sous-table non exportée Démonstrationde KANGALEKLEN, tbr à friction dont la peau est frottée avec deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:63.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-06 BM.2002.003.001/04:02-06 00:01:05 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOUR A FRICTION Sous-table non exportée Sous-table non exportée Démonstrationde KANGALEKLEN, tbr à friction dont la peau est frottée avec deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:63.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-07 BM.2002.003.001/04:02-07 00:00:50 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 TAMBOUR A FRICTION Sous-table non exportée Sous-table non exportée Démonstrationde KANGALEKLEN, tbr à friction dont la peau est frottée avec deux baguettes crochues• ZEMP,HUGO 1965 Non pertinent 1965:63.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-08 BM.2002.003.001/04:02-08 00:02:05 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M. D'UN ESPRIT PROTECTEUR Sous-table non exportée SRO Sous-table non exportée M. censée être faite par un esprit protecteur appelé AFU, comme les masques en général. Cet esprit est appelé à l'occasion de funérailles et de sacrifices• Cf. CD _Côte d'Ivoire: M. vocale baoulé_ Auvidis/Unesco D 8048, plage 6• Au début, un H appelle, avec une cloche, l'esprit qui s'exprime par le son obtenu en soufflant et en chantant avec une paille dans une poterie remplie d'eau SRO (= 1* Z-Autre), et par les voix de deux chanteurs utilisant chacun un LAKA (= 2*BM-Mirliton). Quatre autres musiciens accompagnent la voix de l'esprit : deux hochets en calebasse SEGESEGE, 2 calebasses vides frappées contre la main TOA, et une seconde cloche en fer• ZEMP,HUGO 1965 Non pertinent 1965:63.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-09 BM.2002.003.001/04:02-09 00:04:00 COTE D'IVOIRE S/PREF. SAKASSO, SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 M. D'UN ESPRIT PROTECTEUR Sous-table non exportée SRO Sous-table non exportée M. censée être faite par un esprit protecteur appelé AFU, comme les masques en général. Cet esprit est appelé à l'occasion de funérailles et de sacrifices• Publié sur le CD _Côte d'Ivoire: M. vocale baoulé_ Auvidis/Unesco D 8048, plage 6• Au début, un H appelle, avec une cloche, l'esprit qui s'exprime par le son obtenu en soufflant et en chantant avec une paille dans une poterie remplie d'eau SRO (= 1* Z-Autre), et par les voix de deux chanteurs utilisant chacun un LAKA (= 2* BM-Mirliton). Quatre autres musiciens accompagnent la voix de l'esprit : deux hochets en calebasse SEGESEGE, 2 calebasses vides frappées contre la main TOA, et une seconde cloche en fer• ZEMP,HUGO 1965 Non pertinent 1965:36.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-10 BM.2002.003.001/04:02-10 00:01:35 COTE D'IVOIRE S/PREF. SAKASSO, MAHOUNOU-KRO* BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée * Region , village : S/Pref.Sakasso, Mahounou-Krofoinson. Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:63.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-11 BM.2002.003.001/04:02-11 00:01:25 COTE D'IVOIRE S/PREF. SAKASSO, MAHOUNOU-KRO* BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée * Region , village : S/Pref.Sakasso, Mahounou-Krofoinson. Le musicien pince les cinq cordes avec les deux index• ZEMP,HUGO 1965 Non pertinent 1965:63.11 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-12 BM.2002.003.001/04:02-12 00:02:35 COTE D'IVOIRE S/PREF. SAKASSO, MAHOUNOU-KRO* BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée * Region , village : S/Pref.Sakasso, Mahounou-Krofoinson. Les deux chanteurs jouent, l'unde la harpe fourchue DJURU (dont il pince les cinq cordes avec les deux index), l'autre de deux hochets en vannerie SEGESEGE• ZEMP,HUGO 1965 Non pertinent 1965:63.12 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-13 BM.2002.003.001/04:02-13 00:01:10 COTE D'IVOIRE S/PREF. SAKASSO, MAHOUNOU-KRO* BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée * Region , village : S/Pref.Sakasso, Mahounou-Krofoinson. Les deux chanteurs jouent, l'unde la harpe fourchue DJURU (dont il pince les cinq cordes avec les deux index), l'autre de deux hochets en vannerie SEGESEGE• ZEMP,HUGO 1965 Non pertinent 1965:63.13 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-14 BM.2002.003.001/04:02-14 00:00:18 COTE D'IVOIRE S/PREF. SAKASSO, MAHOUNOU-KRO* BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée * Region , village : S/Pref.Sakasso, Mahounou-Krofoinson [[ H. Zemp indique sur le brouillon de fiche "S/Pref. Toumodi, Kpouebo", je pense qu'il s'agit d'un "copié-collé" erroné de la fiche :01-13]]. Échellede la harpe fourchue DJURU, enregistrée sur ???• ZEMP,HUGO 1965 Non pertinent 1965:63.14 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-15 BM.2002.003.001/04:02-15 00:02:15 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANTS DE FILLETTES Sous-table non exportée Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 7• Ce chant (répété en :02-16) avec des passages de claquements de lèvres (= BC)est accompagné de battements sur les fesses (=BC)• ZEMP,HUGO 1965 Non pertinent 1965:64.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-16 BM.2002.003.001/04:02-16 00:01:15 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANTS DE FILLETTES Sous-table non exportée Sous-table non exportée Ce chant (reprise du :02-15) avec des passages de claquements de lèvres (= BC)est accompagné de battements sur les fesses (=BC)• ZEMP,HUGO 1965 Non pertinent 1965:64.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-17 BM.2002.003.001/04:02-17 00:02:05 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANTS DE FILLETTES Sous-table non exportée Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 7• Quatre courts chants, accompagnés de battements sur les fesses (=BC) sont enchaînés. Les fillettes se sont mises en demi-cercle et, l'une après l'autre, se laisse nt tomber en arrière dans lesbras de camarades qui battent des mains• ZEMP,HUGO 1965 Non pertinent 1965:64.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-18 BM.2002.003.001/04:02-18 00:02:05 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO SUR XYLOPHONE Sous-table non exportée DJOMLO Sous-table non exportée Cf. disque 30/33 —Percussions de Côte d'Ivoire_ Disques Alvarès C488• IFP-DJOMLO = xylophone sur tronc de bananier, à six lames, frappées par deux musiciens. Le soliste joue principalement en parallèles de tierces; l'accompagnateur frappe un rythme ostinato sur la plus petite lame• ZEMP,HUGO 1965 Non pertinent 1965:64.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-19 BM.2002.003.001/04:02-19 00:02:00 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO SUR XYLOPHONE Sous-table non exportée DJOMLO Sous-table non exportée Publié sur le disque 30/33 —Percussions de Côte d'Ivoire_ Disques Alvarès C488, face A plage 3• IFP-DJOMLO = xylophone sur tronc de bananier, à six lames, frappées par deux musiciens. Le soliste joue principalement en parallèles de tierces; l'accompagnateur frappe un rythme ostinato sur la plus petite lame• ZEMP,HUGO 1965 Non pertinent 1965:64.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-20 BM.2002.003.001/04:02-20 00:02:25 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO SUR XYLOPHONE Sous-table non exportée DJOMLO Sous-table non exportée Cf. disque 30/33 —Percussions de Côte d'Ivoire_ Disques Alvarès C488• IFP-DJOMLO = xylophone sur tronc de bananier, à six lames, frappées par deux musiciens. Le soliste joue principalement en parallèles de tierces; l'accompagnateur frappe un rythme ostinato sur la plus petite lame• ZEMP,HUGO 1965 Non pertinent 1965:64.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-21 BM.2002.003.001/04:02-21 00:00:30 COTE D'IVOIRE S/PREF. BOUAKE,KANOUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DU XYLOPHONE DJOMLO Sous-table non exportée Sous-table non exportée Cf. disque 30/33 —Percussions de Côte d'Ivoire_ Disques Alvarès C488• IFP-DJOMLO = xylophone sur tronc de bananier, à six lames. Échelle enregistrée en...• ZEMP,HUGO 1965 Non pertinent 1965:64.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-22 BM.2002.003.001/04:02-22 00:03:30 COTE D'IVOIRE S/PREF. BOUAKE,OKO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE-LUTH Sous-table non exportée Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage11• CHL- = harpe-luth à 6 cordes, la ciasse de résonnance en bois est couverte d'une peau. Le joueur récite lui-même; ici, la légende de Aura Poku, considérée comme la reine fondatrice du peuple Baoulé en Côte d'Ivoire. Trois assistants l'accompagent: l'un secoue deux petits hochets en vannerie (= IS-HOCHET), les deux autres frappent avec une baguette métallique sur unoutil en fer (=IS-CLOCHE)qui sert habituellement à déraciner les palmiers• ZEMP,HUGO 1965 MYTHIQUE 1965:64.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-23 BM.2002.003.001/04:02-23 00:04:28 COTE D'IVOIRE S/PREF. BOUAKE,OKO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE-LUTH Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage11• CHL- = harpe-luth à 6 cordes, la ciasse de résonnance en bois est couverte d'une peau. Le joueur chante lui-même. Trois assistants l'accompagent: l'un secoue deux petits hochets en vannerie (= IS-HOCHET), les deux autres frappent avec une baguette métallique sur unoutil en fer (=IS-CLOCHE)qui sert habituellement à déraciner les palmiers• ZEMP,HUGO 1965 Non pertinent 1965:64.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-24 BM.2002.003.001/04:02-24 00:00:45 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-25 BM.2002.003.001/04:02-25 00:00:45 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.11 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-26 BM.2002.003.001/04:02-26 00:01:10 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.12 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-27 BM.2002.003.001/04:02-27 00:00:38 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.13 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-28 BM.2002.003.001/04:02-28 00:00:52 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.14 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-29 BM.2002.003.001/04:02-29 00:00:56 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.15 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-30 BM.2002.003.001/04:02-30 00:00:48 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.16 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-31 BM.2002.003.001/04:02-31 00:01:09 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes• ZEMP,HUGO 1965 Non pertinent 1965:64.17 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-32 BM.2002.003.001/04:02-32 00:01:25 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ORCHESTRE DE TROMPES Sous-table non exportée AWE Sous-table non exportée Pour donner du courage pendant les travaux des champs. L'usage de jouer pendant les funérailles aviat été abandonné• ATL= trompes latérales en corne d'antilope. Les musiciens chantent en alternance avec le jeu des trompes. N.B : erreur de pose d'index de fin• ZEMP,HUGO 1965 Non pertinent 1965:64.18 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :02-33 BM.2002.003.001/04:02-33 00:00:36 COTE D'IVOIRE S/PREF. BROBO,BROUKRO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DES TROMPES AWE Sous-table non exportée AWE Sous-table non exportée ATL= trompes latérales en corne d'antilope• ZEMP,HUGO 1965 Non pertinent 1965:64.19 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-01 BM.2002.003.001/04:03-01 00:03:20 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,LOBOLOBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DU MASQUE ELEPHANT Sous-table non exportée ADREBA Sous-table non exportée Danse d'un masque "éléphant" (_adjangbri_), pour toute sorte de festivités, y compris des funérailles• Les chanteurs du choeur mixte entrechoquent des bâtons. 2 tbr frappés avec des baguettes, 1 tbr battu à mains nues. AFT= sifflet en bois• ZEMP,HUGO 1965 Non pertinent 1965:65.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-02 BM.2002.003.001/04:03-02 00:03:35 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,LOBOLOBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DU MASQUE ELEPHANT Sous-table non exportée ADREBA Sous-table non exportée Danse d'un masque "éléphant" (_adjangbri_), pour toute sorte de festivités, y compris des funérailles• Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 4• Les chanteurs du choeur mixte entrechoquent des bâtons. 2 tbr frappés avec des baguettes, 1 tbr battu à mains nues. AFT= sifflet en bois• ZEMP,HUGO 1965 Non pertinent 1965:65.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-03 BM.2002.003.001/04:03-03 00:03:30 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,LOBOLOBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DU MASQUE ELEPHANT Sous-table non exportée ADREBA Sous-table non exportée Danse d'un masque "éléphant" (_adjangbri_), pour toute sorte de festivités, y compris des funérailles• Les chanteurs du choeur mixte entrechoquent des bâtons. 2 tbr frappés avec des baguettes, 1 tbr battu à mains nues. AFT= sifflet en bois• ZEMP,HUGO 1965 Non pertinent 1965:65.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-04 BM.2002.003.001/04:03-04 00:02:35 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,MOROKINKO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO DE FLUTES _KETE_ Sous-table non exportée BAUN Sous-table non exportée ZEMP,HUGO 1965 Non pertinent 1965:65.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-05 BM.2002.003.001/04:03-05 00:04:30 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,MOROKINKO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO DE FLUTES _KETE_ Sous-table non exportée BAUN Sous-table non exportée ZEMP,HUGO 1965 Non pertinent 1965:65.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-06 BM.2002.003.001/04:03-06 00:03:17 COTE D'IVOIRE S/PREF. YAMOUSSOUKRO,MOROKINKO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DUO DE FLUTES _KETE_ Sous-table non exportée BAUN Sous-table non exportée ZEMP,HUGO 1965 Non pertinent 1965:65.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-07 BM.2002.003.001/04:03-07 00:03:20 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ARC MUSICAL Sous-table non exportée GODYE Sous-table non exportée Le joueur d'arc musical est accompagné par trios chanteurs, dont l'unchante en voix de tête• ZEMP,HUGO 1965 Non pertinent 1965:65.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-08 BM.2002.003.001/04:03-08 00:03:20 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ARC MUSICAL Sous-table non exportée GODYE Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage9• Le joueur d'arc musical est accompagné par trios chanteurs, dont l'unchante en voix de tête• ZEMP,HUGO 1965 Non pertinent 1965:65.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-09 BM.2002.003.001/04:03-09 00:02:45 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ARC MUSICAL Sous-table non exportée GODYE Sous-table non exportée Le joueur d'arc musical est accompagné par trios chanteurs, dont l'unchante en voix de tête• ZEMP,HUGO 1965 Non pertinent 1965:65.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-10 BM.2002.003.001/04:03-10 00:03:35 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 MASQUE GOLI Sous-table non exportée GOLI Sous-table non exportée Danse du masque _Goli_• ATL = corne d'antilope. IS =Les chanteurs du choeur secouent de grands hochets-sonnailles, jusquà 45cm de diamètre. * Z-AUTRE = le masque frappe périodiquement avec un baton sur une peau d'animal su spendue sur son dos.• ZEMP,HUGO 1965 Non pertinent 1965:66.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-11 BM.2002.003.001/04:03-11 00:03:15 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 MASQUE GOLI Sous-table non exportée GOLI Sous-table non exportée Danse du masque _Goli_• ATL = corne d'antilope. IS =Les chanteurs du choeur secouent de grands hochets-sonnailles, jusquà 45cm de diamètre. * Z-AUTRE = le masque frappe périodiquement avec un baton sur une peau d'animal su spendue sur son dose• ZEMP,HUGO 1965 Non pertinent 1965:66.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-12 BM.2002.003.001/04:03-12 00:02:30 COTE D'IVOIRE S/PREF. BEOUMI,KONSOU BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 MASQUE GOLI Sous-table non exportée GOLI Sous-table non exportée Danse du masque _Goli_• ATL = corne d'antilope. IS =Les chanteurs du choeur secouent de grands hochets-sonnailles, jusquà 45cm de diamètre. * Z-AUTRE = le masque frappe périodiquement avec un baton sur une peau d'animal su spendue sur son dos.• ZEMP,HUGO 1965 Non pertinent 1965:66.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-13 BM.2002.003.001/04:03-13 00:02:45 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT ACCOMPAGNE DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• VC = Le joueur de lamellophone chante accompagné par trois autres chanteurs. IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur• ZEMP,HUGO 1965 Non pertinent 1965:66.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-14 BM.2002.003.001/04:03-14 00:03:03 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT ACCOMPAGNE DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• VC = Le joueur de lamellophone chante accompagné par trois autres chanteurs. IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur• ZEMP,HUGO 1965 Non pertinent 1965:66.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-15 BM.2002.003.001/04:03-15 00:02:10 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT ACCOMPAGNE DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• VC = Le joueur de lamellophone chante accompagné par trois autres chanteurs. IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur• ZEMP,HUGO 1965 Non pertinent 1965:66.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-16 BM.2002.003.001/04:03-16 00:01:30 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur• ZEMP,HUGO 1965 Non pertinent 1965:66.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-17 BM.2002.003.001/04:03-17 00:01:25 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur• ZEMP,HUGO 1965 Non pertinent 1965-66.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :03-18 BM.2002.003.001/04:03-18 00:01:30 COTE D'IVOIRE S/PREF. BEOUMI,KONDROBO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DE LAMELLOPHONE Sous-table non exportée Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 12• IP = le lamellophone comporte six touches en fer montées sur une table en bois, sous laquelle est fixée une demi-calebasse servant de résonateur. Échelle du lamellophone enregistré dans ...• ZEMP,HUGO 1965 Non pertinent 1965-66.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-01 BM.2002.003.001/04:04-01 00:03:00 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:1.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-02 BM.2002.003.001/04:04-02 03:30:00 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:1.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-03 BM.2002.003.001/04:04-03 00:03:10 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:1.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-04 BM.2002.003.001/04:04-04 00:03:20 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:1.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-05 BM.2002.003.001/04:04-05 00:02:00 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:1.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-06 BM.2002.003.001/04:04-06 00:03:25 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT AVEC HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. IFC = tube en fer frappé avec une baguette par l'un des deux chanteurs accompaganteurs. * Le surnom très connu du joueur de harpe est "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:2.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-07 BM.2002.003.001/04:04-07 00:02:45 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. * Le joueur de harpe fourchue est surtout connu sous son surnom de "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:2.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-08 BM.2002.003.001/04:04-08 00:02:55 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 SOLO DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. * Le joueur de harpe fourchue est surtout connu sous son surnom de "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:2.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-09 BM.2002.003.001/04:04-09 00:02:45 21/12/1966 COTE D'IVOIRE S/PREF. BEOUMI,BEOUMI BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 ECHELLE DE HARPE FOURCHUE Sous-table non exportée DJURU Sous-table non exportée Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 8. Cf. H.Zemp "Comment on devient musicien: quatre exemples de l'ouest-africain", in T. Nikiprowetzki _La m. dans la vie_, I, Paris Ocora [?] 1967, pp 79-103• CH = harpe fouchue à 6 cordes. Échelle de la harpe fourchue enregistrée sur ???, et nouvel accordage. * Le joueur de harpe fourchue est surtout connu sous son surnom de "De Gaulle"• ZEMP,HUGO 1966 Non pertinent 1967:2.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-10 BM.2002.003.001/04:04-10 00:01:20 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-11 BM.2002.003.001/04:04-11 00:01:40 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-12 BM.2002.003.001/04:04-12 00:02:05 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-13 BM.2002.003.001/04:04-13 00:02:40 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-14 BM.2002.003.001/04:04-14 03:20:00 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-15 BM.2002.003.001/04:04-15 00:03:10 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso et lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:3.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-16 BM.2002.003.001/04:04-16 00:02:15 23/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES MASQUES DES REINES Sous-table non exportée Sous-table non exportée Danse des masques des reines, dont les noms sont liés à l'histoire (légendaire) de l'établissement du peuple Baoulé en Côte d'Ivoire, à la fin du 18e siècle. Ces masques sortent lors de festivités organiées par le roi des Baoulé habitant le village de Sakasso, lors de funérailles d'H. importants• L'une des pièces de ce répertoire (:04-10 à :04-16) est publiée sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 3• M1V = tbr d'aisselle à tension variable, frappé avec une baguette courbée. IFC = corne d'antilope frappée avec une baguette en bois. IS-HOCHET = 2 hochets en vannerie, secoués par un seul H. IT = racleur, servant usuellement à râper du manioc• ZEMP,HUGO 1966 Non pertinent 1967:4.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-17 BM.2002.003.001/04:04-17 00:02:00 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE F Sous-table non exportée Sous-table non exportée Une petite fille enrhumée chante la voix soliste. IR = bâtonnet denté passé à travers une petite noix percée en son milieu. Avec des mouvements rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonateur sur le bâtonnet. Ce racleur est joué par l'une des deux F chanteuses• ZEMP,HUGO 1966 Non pertinent 1967:4.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-18 BM.2002.003.001/04:04-18 00:01:35 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE F Sous-table non exportée Sous-table non exportée Une petite fille enrhumée chante la voix soliste. IR = bâtonnet denté passé à travers une petite noix percée en son milieu. Avec des mouvements rapides de va-et-vient, la main droite fait glisser la noix le long du bâtonnet, alors que la gauche appuie à certains moments un petit résonateur sur le bâtonnet. Ce racleur est joué par l'une des deux F chanteuses• ZEMP,HUGO 1966 Non pertinent 1967:4.3 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-19 BM.2002.003.001/04:04-19 00:00:35 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.4 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-20 BM.2002.003.001/04:04-20 00:00:50 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.5 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-21 BM.2002.003.001/04:04-21 00:01:15 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.6 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-22 BM.2002.003.001/04:04-22 00:00:50 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.7 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-23 BM.2002.003.001/04:04-23 00:00:40 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.8 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-24 BM.2002.003.001/04:04-24 00:01:05 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.9 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-25 BM.2002.003.001/04:04-25 00:01:05 25/12/1966 COTE D'IVOIRE S/PREF. SAKASSO,SAKASSO BAOULE ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les fillettes se sont mises en demi-cercle, et tout en chantant, l'une après l'autre se laisse tomber en arrière dans les bras de ses camarades de jeu qui la repoussent en avant• ZEMP,HUGO 1966 Non pertinent 1967:4.10 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-26 BM.2002.003.001/04:04-26 00:02:35 30/12/1966 COTE D'IVOIRE S/PREF. DIABO,AGBAKRO BAOULE,S/GR GBRO ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES FILLES EXCISEES Sous-table non exportée DO Sous-table non exportée Fête de sortie des filles excisées, marquant la fin de la période d'initiation et le retour au village• Cf. H. Zemp "Tambours de femme en Côte d'Ivoire", _Objets et mondes_, 1970, X-2, pp.99-118. Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 5• Les fillesdansent en cercle, les F âgées chantent et secouent de grands hochets-sonnailles. M1c= long tbr sur pied, appelé "tbr d'excision" (dolken), battu à mains nues par une des F• ZEMP,HUGO 1966 Non pertinent 1967:12.1 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-27 BM.2002.003.001/04:04-27 00:02:55 30/12/1966 COTE D'IVOIRE S/PREF. DIABO,AGBAKRO BAOULE,S/GR GBRO ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES FILLES EXCISEES Sous-table non exportée DO Sous-table non exportée Fête de sortie des filles excisées, marquant la fin de la période d'initiation et le retour au village• Cf. H. Zemp "Tambours de femme en Côte d'Ivoire", _Objets et mondes_, 1970, X-2, pp.99-118. Publié sur CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 5• Les fillesdansent en cercle, les F âgées chantent et secouent de grands hochets-sonnailles. M1c= long tbr sur pied, appelé "tbr d'excision" (dolken), battu à mains nues par une des F• ZEMP,HUGO 1966 Non pertinent 1967:12.2 AFRIQUE +BM.2002.003 CDR BM.2002.003.001/04 :04-28 BM.2002.003.001/04:04-28 00:02:50 30/12/1966 COTE D'IVOIRE S/PREF. DIABO,AGBAKRO BAOULE,S/GR GBRO ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 DANSE DES FILLES EXCISEES Sous-table non exportée DO Sous-table non exportée Fête de sortie des filles excisées, marquant la fin de la période d'initiation et le retour au village• Cf. H. Zemp "Tambours de femme en Côte d'Ivoire", _Objets et mondes_, 1970, X-2, pp.99-118. Cf. CD _Côte d'Ivoire: m.vocale baoulé_, Auvidis/Unesco D 8048, plage 5• Les fillesdansent en cercle, les F âgées chantent et secouent de grands hochets-sonnailles. M1c= long tbr sur pied, appelé "tbr d'excision" (dolken), battu à mains nues par une des F• ZEMP,HUGO 1966 Non pertinent 1967:12.3 AFRIQUE +BM.2002.004 DAT+Ø* BM.2002.004.001/108 :01-01 BM.2002.004.001/108:01-01 00:00:00 PEROU YARANGA VALDERRAMA,A.;PEROU Sous-table non exportée Sous-table non exportée = 0 AMERIQUE +BM.002.005 CDR BM.002.005.001/.28 :01-01 BM.002.005.001/.28:01-01 00:00:00 CONGO • MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CF. FICHES DETAILLEES SV. BM.974.013• Sous-table non exportée Sous-table non exportée CF. FICHES DÉTAILLÉES sv. BM.974.013• 0 AFRIQUE +BM.002.005 CDR BM.002.005.001/.28 :?-? BM.002.005.001/.28:?-? 00:00:00 GABON MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CF. FICHES DETAILLEES SV. BM.974.013• Sous-table non exportée Sous-table non exportée CF. FICHES DÉTAILLÉES sv. BM.974.013• 0 AFRIQUE +BM.002.006 CDR BM.002.006.003/05 :01-01 BM.002.006.003/05:01-01 00:00:00 PARAGUAY ESTIVAL,J-P.;PARAGUAY,CHACO:GUARANI-GNANDEVA;MYTHES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2002.007 CDR BM.2002.007.001 :01-01>12 BM.2002.007.001:01-01>12 00:00:00 début 80' CUBA SANTIAGO DE CUBA CUBAINS "FAMILIA VALERA MIRANDA" COPIE K7 PUBLIEE DEBUT 80' Sous-table non exportée SON Sous-table non exportée Mc paysanne et urbaine• - VC = 2H; 1F. - Détails pièces 01= 5'43 "El choncholi se va pal'monte"; 02= 3'48 "Son de la Loma"; 03= 5'09 "Vicenta" ; 04= 4'06 "El periquito"; 5=2'38 "Cuidadito compay galle"; 06= 4'24 "Maria Belén"; 07= 3'21 "El que siembra su maiz (?); 08= 5'47 "Piña, tobaco y ron"; 9= 4'05 "Doble inconsciencia"; 10= 5'00 "Ay azabache"; 11= 5'39 "Lagrimas negras"; 12= 7'51 "potpourri: El manisera...". - le CONTRABAJO est une contrebasse (= vièle), jouée ici uniquement sans archet• Caraïbe 1980 POPULAIRE AMERIQUE +BM.2002.008 K7-C90 BM.2002.008.001 :01-01 BM.2002.008.001:01-01 00:00:00 FRANCE LIMONSIN FRANCAIS FRANCE, "LE VIOLON TRAD. EN LIMOUIN" [EX. POUR MAITRISE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2002.009 K7 BM.2002.009.001 :01-01 BM.2002.009.001:01-01 00:00:00 PORTUGAL ALENTEJO PORTUGAIS PORTUGAL,ALENTEJO:"PRATIQUES MUSICALE HIER & AUJOURD'HUI..." [EX. POUR MAITRISE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2002.010 K7-C90 BM.2002.010.001 :01-01 BM.2002.010.001:01-01 00:00:00 NEPAL NEPALAIS,CASTE GAINE NEPAL, GÂINE; "GÂINE ET/OU GANDHARVA..." [EX. POUR MAÎTRISE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2002.011 K7-C90 BM.2002.011.001 :01-01 BM.2002.011.001:01-01 00:00:00 GRECE GRECE; "MUSIQUE BYZANTINE..." [EX. POUR THÈSE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2002.012 K7-C90 BM.2002.012.001 :01-01 BM.2002.012.001:01-01 00:00:00 MEXIQUE CHIAPAS MAYA MEXIQUE,CHIAPAS "MS DE FÊTE DANS UN VILLAGE DU CHIAPAS..."(EX. POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2002.013 K7-C90 BM.2002.013.001 :01-01 BM.2002.013.001:01-01 00:00:00 N "FLÛTES A INSUFFLATION SUR LE BORD TERMINAL" [EX; POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 N +BM.2002.014 K7-C90 BM.2002.014.001 :01-01 BM.2002.014.001:01-01 00:00:00 POLYNESIE FRANCAISE POLYNESIE FRANCAISE ; "LES HIMENE..." (EX. POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 OCEANIE +BM.2002.015 CDR BM.2002.015.001/02 :01-01>06 BM.2002.015.001/02:01-01>06 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR EXU Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Les enreg. sont de la forme suivante: 01= 0'42, cloche métallique "agogô" seule; 02=1'47, "agogô" + tbr "marcação"; 03=2'36, "agogô" + "marcação" + "melê-onc‘o"; 04= 4'00, idem; 05= 6'06, idem; 06=?, idem• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-07>10 BM.2002.015.001/02:01-07>10 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR OGUM Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces : 07= 0'45; 08= 1'50; 09= 1'36; 10= 1'42• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-11>14 BM.2002.015.001/02:01-11>14 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR ODE Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces: 11= 0'47; 12= 2'13; 13= 1'29; 14= 1'30• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-15>18 BM.2002.015.001/02:01-15>18 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR NANA* Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. *Ici il s'agit de l'Oricha Nanã Durées pièces: 15= 0'41; 16= 1'18; 17= 1'39; 18= 2'06• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-19>22 BM.2002.015.001/02:01-19>22 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR BÊGI Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. *Ici il s'agit de l'Oricha Bêgi Durées pièces: 19= 1'00; 20= 1'40; 21= 1'36; 21= 1'45• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-23>26 BM.2002.015.001/02:01-23>26 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR OBALUAIÊ Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Ici il s'agit de l'Oricha Obaluaiê. Durées pièces: 23= 0'36; 24= 1'27; 25= 1'09; 26= 1'44• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :01-27>30 BM.2002.015.001/02:01-27>30 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR EV'A / OB'A Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces: 27= 0'34; 28= 1'17; 29= 1'31; 30= 2'14• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :02-01>04 BM.2002.015.001/02:02-01>04 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR XANGO Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces: 01= 0'20; 02=1'55; 03=1'34; 04= 3'28• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :02-05>08 BM.2002.015.001/02:02-05>08 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR IANSA* Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. *Ici il s'agit de l'Oricha Iansã. Durées pièces: 05= 0'47; 06= 1'52; 07= 1'14; 08= 5'27• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :02-09>12 BM.2002.015.001/02:02-09>12 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR OXUM Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces: 09= 0'24; 10= 1'05; 11= 1'30; 12= 3'48• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :02-13>16 BM.2002.015.001/02:02-13>16 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR IEMANJA Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces: 13= 1'04; 14= 2'31; 15= 1'47; 16= 2'46• 2002 RELIGIEUX AMERIQUE +BM.2002.015 CDR BM.2002.015.001/02 :02-17>20 BM.2002.015.001/02:02-17>20 00:00:00 22/03/02 BRESIL OLINDA (PERNAMBUC) NOIRS-BRESIL ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 PERCUSSIONS POUR ORIXALA Sous-table non exportée Sous-table non exportée Orchestre de percussions du Xamba, qui est une des "nations" du Xangô (religion afro-brésilienne pernanboucaine, proche du Candomblé). Enreg. à des fins analytiques• Tous les dieux ("Oricha") ont leur rythme. Durées pièces:17= 0'21; 18= 1'27; 19= 1'57; 20= 3'54• 2002 RELIGIEUX AMERIQUE +BM.2002.016 CDR BM.2002.016.001/01 :01-01 BM.2002.016.001/01:01-01 00:00:00 BRESIL BRESILIENS ESITVAL,J-P.;BESIL,ETAT DE PERNAMBOUC;CONCEICAO DOS CRIOULAS;2002 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.002.017 CDR BM.002.017.001/04 :01-01 BM.002.017.001/04:01-01 00:00:00 juin 1981 BRESIL HAUT XINGU KAMAYURA MENEZES BASTOS,R.DE;BRESIL,HTXINGU:KAMAYURA;RITUEL YAWARI.1981 RITUEL YAWARI (="JAGUAR" - PANTERA PARDALIS) Sous-table non exportée YAWARI Sous-table non exportée Rituel inter tribal• Les 4 CDR contiennent 7 séries de chants. DUO ALTERNE : par le maître de chant et son disciple. V-Voix : par moments, imitations des cris d'animaux sauvages. Les chants sont des épopées• Tupi Guarani (L) 1981 AMERIQUE +BM.2002.018 CDR BM.2002.018.001/04 :01-01 BM.2002.018.001/04:01-01 00:19:27 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Alternance passage récités ou chantés entre lesquels intervient une courte séquence instrumentale, Informations à confirmer auprès de M.Helffer : Section des “ acolyts“ (JES-'BRANG), Cf. texte du rituel : 235-253, notation musicale • Himalaya 1995 K7.1995-1A ASIE +BM.2002.019 CDR BM.2002.019.001 :01-01>24 BM.2002.019.001:01-01>24 00:00:00 N MONTAGE MASTER POUR L'EXPO. "HIMALAYA..." MNHN 2002 [CF. DT, ASIE] Sous-table non exportée Sous-table non exportée Cf. DT• aire himalayenne 0 N +BM.2002.020 CDR BM.2002.020.001/03 :01-01 BM.2002.020.001/03:01-01 00:00:00 YEMEN SANAA YEMENITES LAMBERT,J.;YEMEN;ENCYCLOPEDIE DES MELODIES DU CHANT DE SANAA Sous-table non exportée Sous-table non exportée LAMBERT,JEAN 0 ASIE +BM.2002.021 CDR BM.2002.021.001 :01-01 BM.2002.021.001:01-01 00:00:00 N N COPIE DU DI. ACCOMPAGNANT "LA RESONNANCE DANS LES ECHELLES MUSICALES"* Sous-table non exportée Sous-table non exportée 0 N +BM.2002.022 CDR BM.2002.022.001 :01-01 BM.2002.022.001:01-01 00:00:00 GUYANE FRANCAISE KALINA BEAUDET,J-M.;GUYANE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2002.023 CDR BM.2002.023.001 :01-01 BM.2002.023.001:01-01 00:00:00 N LORTAT-JACOB,B; "PASSEUR DE MUSIQUE" Sous-table non exportée Sous-table non exportée 0 N +BM.2002.024 CDR BM.2002.024.001 :01-01 BM.2002.024.001:01-01 00:00:00 ARGENTINE ESTIVAL,J-P. & PLISSON,M; ARGENTINE : HILDA HERRERA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :01-01>05 BM.2002.025.001/03:01-01>05 00:00:00 27 mai 2002 BRESIL MINAS GERAIS, PRADINHO MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à la vieille "école", avec les élèves. Cf. Notes dans le CD• MAXAKALI, RAFAEL GE(L) 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :01-06>18 BM.2002.025.001/03:01-06>18 00:00:00 28 mai 2002 BRESIL MINAS GERAIS, PRADINHO MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à la maison de la ferme. * Nom des chanteurs: Israel, Isna, Elita, Tohinho Cf. Notes dans le CD• MAXAKALI, RAFAEL 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :01-19>20 BM.2002.025.001/03:01-19>20 00:00:00 28 mai 2002 BRESIL MINAS GERAIS, PRADINHO MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à "Aldeia nova". Cf. Notes dans le CD• MAXAKALI, EURICO 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :01-21>24 BM.2002.025.001/03:01-21>24 00:00:00 28 mai 2002 BRESIL MINAS GERAIS, AGUA BOA MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à la maison de la ferme. Nom des chanteurs: Suely, Badu, Neuza, Erasmo, Nasareno• Cf. Notes dans le CD• MAXAKALI, ATEANDERSON 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :01-25>28 BM.2002.025.001/03:01-25>28 00:00:00 31 mai 2002 BRESIL MINAS GERAIS, AGUA BOA MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à la maison de la ferme. Nom des chanteurs: * Joao Bidé, Geraldao• Cf. Notes dans le CD• MAXAKALI, ATEANDERSON 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :02-01>19 BM.2002.025.001/03:02-01>19 00:00:00 31 mai 2002 BRESIL MINAS GERAIS, AGUA BOA MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. à la maison de Maria Diva. Nom des chanteurs: Joao Bidé, Arlete et petites filles• Cf. Notes dans le CD• MAXAKALI, ATEANDERSON 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :02-20>21 BM.2002.025.001/03:02-20>21 00:00:00 31 mai 2002 BRESIL MINAS GERAIS, AGUA BOA MASHACALI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Enreg. au village de Noemia. Nom des chanteurs: Suely, Noemia, Isabel, Badu, Maméi, Buludo, Maiza, Renata, Isabelinha, Izael, Elisangela• Cf. Notes dans le CD• MAXAKALI, ATEANDERSON 2002 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :03-01* BM.2002.025.001/03:03-01* 00:00:00 29 oct 2000 BRESIL ETAT DE PARA WAIWAI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée * Pièces : 1, 3, 5, 6, 7, 9, 13, 16, 19, 23. Enreg. à l'École de musique de l'universisté fédérale de Minas Gerais (Belo Horizonte) Cf. Notes dans le CD• N Amazonie 2000 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :03-02* BM.2002.025.001/03:03-02* 00:00:00 29 oct 2000 BRESIL ETAT DE PARA WAIWAI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée * Pièces : 2, 4, 8,10, 14, 17, 20, 22, 25. Enreg. à l'école de musique de l'universisté fédérale de Minas Gerais (Belo Horizonte) Cf. Notes dans le CD• N 2000 AMERIQUE +BM.2002.025 CDR BM.2002.025.001/03 :03-11* BM.2002.025.001/03:03-11* 00:00:00 29 oct 2000 BRESIL ETAT DE PARA WAIWAI PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 Sous-table non exportée Sous-table non exportée Mythes et autres récits• * Pièces : 11, 12, 15, 18, 21, 24. Enreg. à l'école de musique de l'universisté fédérale de Minas Gerais (Belo Horizonte) Cf. Notes dans le CD• N 2000 AMERIQUE +BM.2002.026 CDR BM.2002.026.001/02 :01-01 BM.2002.026.001/02:01-01 00:12:44 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang", de 9h à 20 h. Rituel annuel• VP- : déclamé par un récitant (orant). Tradition orale des Wehèa. M1C- : long tbr conique ; "ngesèa tewung" = "frapper le tbr". Orignal = K7 1983, face A, jusqu'à la pièce :01-03• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-02 BM.2002.026.001/02:01-02 00:04:38 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang"), de 9h à 20 h. Rituel annuel• VP- : déclamé par un récitant (orant). Tradition orale des Wehèa. M1C- : long tbr conique ; "ngesèa tewung" = "frapper le tbr"• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-03 BM.2002.026.001/02:01-03 00:02:00 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang", de 9h à 20 h. Rituel annuel• VP- : déclamé par un récitant (orant). Tradition orale des Wehèa. M1C- : long tbr conique ; "ngesèa tewung" = "frapper le tbr"• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-04 BM.2002.026.001/02:01-04 00:18:09 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG (AUX AUGURES NEHON) SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang", de 9h à 20 h. Rituel annuel• VP- : déclamé par deux récitants (orants). Tradition orale des Wehèa. M1C- : long tbr conique. VA-Crié groupe de jeunse garçons , les cris représentent les chiffres "7" et "8" de l'invocation. Orignal = K7 1983, faceB, jusqu'à la pièce :01-06• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-05 BM.2002.026.001/02:01-05 00:01:44 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG (AUX LAMES DE SABRES MLKÈT) SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang", de 9h à 20 h. Rituel annuel• VP- : déclamé par deux récitants (orants). Tradition orale des Wehèa. M1C- : long tbr conique• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-06 BM.2002.026.001/02:01-06 00:11:25 16/02/83 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO INVOCATION SEKEANG (AUX LAMES DE SABRES MLKÈT) SEKEANG NEBLOH Sous-table non exportée SEKEANG Sous-table non exportée Cérémonie "NEBLOH", dans la maison des H (= "ewéang", de 9h à 20 h. Rituel annuel• V-Voix : déclamé et chanté par deux récitants (orants). Tradition orale des Wehèa. M1C- : long tbr conique• GUERREIRO,ANTONIO 1983 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-07 BM.2002.026.001/02:01-07 00:07:21 02/08/94 INDONESIE;BORNEO(KALIMANTAN) KUTAI, NEHAS LIAH BING MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO CHANT NA' YONG NGEDIEN TENGIS Sous-table non exportée NA' YONG Sous-table non exportée Cérémonie "NA' YONG", chant accompagnant l'âme du défunt vers le village des morts. Rituel funéraire collectif. Pour le chef du village Béang Kuu' qui est décédé. Lamentation chantée ; "NGENDIEN TENGIS", au début du NA' YONG, à partir de 21h• VC- : chanté, "pleuré". Original= K7 1994, face A, jusqu'à la pièce :01-08• GUERREIRO,ANTONIO 1994 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-08 BM.2002.026.001/02:01-08 00:08:14 02/08/94 INDONESIE;BORNEO(KALIMANTAN) KUTAI, NEHAS LIAH BING MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO CHANT NA' YONG NA' YONG Sous-table non exportée NA' YONG Sous-table non exportée Cérémonie "NA' YONG", chant accompagnant l'âme du défunt vers le village des morts. Rituel funéraire collectif. Pour le chef du village Béang Kuu' qui est décédé. Lamentation chantée; à partir de 21h• VC- : chanté, 'pleuré"• GUERREIRO,ANTONIO 1994 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-09 BM.2002.026.001/02:01-09 00:05:10 02/08/94 INDONESIE;BORNEO(KALIMANTAN) KUTAI, NEHAS LIAH BING MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO CHANT NA' YONG NEWA' NA' YONG Sous-table non exportée NA' YONG Sous-table non exportée Cérémonie "NA' YONG", chant accompagnant l'âme du défunt vers le village des morts. Rituel funéraire collectif. Pour le chef du village Béang Kuu' qui est décédé. A partir de 21h• V : Déclamation parlée-chantée". Original=K7 1994, face B, jusqu'à la pièce :01-10• GUERREIRO,ANTONIO 1994 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :01-10 BM.2002.026.001/02:01-10 00:08:21 02/08/94 INDONESIE;BORNEO(KALIMANTAN) KUTAI, NEHAS LIAH BING MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO CHANT NA' YONG NA' YONG Sous-table non exportée NA' YONG Sous-table non exportée Cérémonie "NA' YONG", chant accompagnant l'âme du défunt vers le village des morts. Rituel funéraire collectif. Pour le chef du village Béang Kuu' qui est décédé. Entre 21h et 4h du matin• VC- : lamentation chantée• GUERREIRO,ANTONIO 1994 ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-01 BM.2002.026.001/02:02-01 00:05:31 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN, INTRODUCTION NGEL NGUT WA' (= INTRO.) Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• Récit chanté, rimé. Le Chr d'H fait un bourdon [?] Original =K7 1,jusqu'à la pièce :02-05• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-02 BM.2002.026.001/02:02-02 00:03:39 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN NEK' NA' Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• Récit chanté, rimé. Le Chr d'H fait un bourdon [?]• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-03 BM.2002.026.001/02:02-03 00:03:26 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• * Choeur mixte : 5 H, 1F. Récit chanté, rimé. Le Chr d'H fait un bourdon[?]• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-04 BM.2002.026.001/02:02-04 00:12:28 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN, INTRODUCTION NEK' NA' Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• * Choeur mixte : 5H, 2F. Récit chanté, rimé. Le Chr d'H fait un bourdon [?]• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-05 BM.2002.026.001/02:02-05 00:05:49 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN NEK' NA' Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• * Choeur mixte : 5 H, 1F. Récit chanté, rimé. Le Chr d'H fait un bourdon[?]• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-06 BM.2002.026.001/02:02-06 00:03:55 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN Sous-table non exportée NEWA' TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• Récit parlé, rimé. Le soliste ou "souffleur" énonce la version "parlée" du texte rimé qui est reprise en chant par Ding Hong , cf. :02-07. Orignal K7 2, jusqu'à la pièce :02-08• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-07 BM.2002.026.001/02:02-07 00:10:28 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN NEK' NA' Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• * Choeur mixte : 5 H, 1F. Récit chanté, rimé. Le Chr d'H fait un bourdon[?] Cf. pièce :02-06, version "parlée" du même texte• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.026 CDR BM.2002.026.001/02 :02-08 BM.2002.026.001/02:02-08 00:14:49 13/05/90 INDONESIE;BORNEO(KALIMANTAN) KUTAI, BEN HAS MODANG WEHÈA GUERREIRO,A.;INDONESIE,BORNEO EPOPEE TEK' NA' HEJUNG KEJIEN, INTRODUCTION NEK' NA' Sous-table non exportée TEK' NA' Sous-table non exportée A l'occasion du cycle annuel NA' PU', période de fêtes et de rites après la moisson du padi (riz). Fête de prestige, accompagnée de consommation de bière de riz, dans une maison ("msow ")• * Choeur mixte : 5H, 2F. Récit chanté, rimé. Le Chr d'H fait un bourdon [?]• GUERREIRO,ANTONIO 1990 EPIQUE ASIE +BM.2002.027 CDR BM.2002.027.001/02 :01-01 BM.2002.027.001/02:01-01 00:00:00 BOLIVIE JALQ'A MARTINEZ,R.;BOLIVIE: JALQ'A, REPERTOIRE "MONOS";1990-92-2002 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2002.028 CDR BM.2002.028.001/02 :01-01 BM.2002.028.001/02:01-01 00:00:00 ALBANIE ALBANAIS "ALBANIA I & II" [COPIE DE DI] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2002.029 CDR BM.2002.029.001/02 :01-01 BM.2002.029.001/02:01-01 00:06:03 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT D'ACCUEIL DE LA MARIEE, PAR LES SOEURS DU MARIE SIL CHANG MA 1 (STROPHES 1 > 3) Sous-table non exportée Sous-table non exportée 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-02>03 BM.2002.029.001/02:01-02>3 00:06:03 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE DEPLACEMENT DEDIE AUX 4 PTS CARIDNAUX SHAR GYA GLING MA* Sous-table non exportée Sous-table non exportée *:01-02 = 1'15, strophe 1 - HE; :01-03= 046, strophe 2 - FE. Le découpage en plages est fait par le collecteur• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-04 BM.2002.029.001/02:01-04 00:04:46 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT D'ACCUEIL DE LA MARIEE, PAR LES SOEURS DU MARIE SIL CHANG MA 2 (STROPHES 4>6) Sous-table non exportée Sous-table non exportée 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-09 BM.2002.029.001/02:01-09 00:01:57 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE PRIERE* RECITATION RELIGIEUSE DU SMON LAM Sous-table non exportée Sous-table non exportée * au seuil de la maison du marié, par un prètre (ou quelqu'un d'autre). Extrait• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-10 BM.2002.029.001/02:01-10 00:09:48 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE LA PORTE SGO GLU* Sous-table non exportée Sous-table non exportée *Par la mère du marié etses parents proches. Strophes 1 à 5 • 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-11>13 BM.2002.029.001/02:01-11>13 00:13:07 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE LOUANGE BSTOD GLU* Sous-table non exportée Sous-table non exportée * = "chant assis". Chté par les H dans la maison du marié. Pl.11 =3'07, II-3; Pl.12 =3'49, II-4; Pl. 13 =5'11, II-5• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-14>23 BM.2002.029.001/02:01-14>23 00:10:00 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE DEPLACEMENT DEDIE AUX 4 PTS CARIDNAUX SHAR GYA GLING MA* Sous-table non exportée Sous-table non exportée * cf. jaquette du CD. Le découpage en plages est fait par le collecteur• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :01-5>8 BM.2002.029.001/02:01-5>8 00:03:24 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE DEPLACEMENT DEDIE AUX 4 PTS CARIDNAUX SHAR GYA GLING MA* Sous-table non exportée Sous-table non exportée *pl.05 = 1'15, strophe 3 - HS; pl.06= 0'18, strophe 4 - FE; pl.07 = 1'11, strophe 5 - HS ou O; :pl. 08= 0'56, strophe 6 - FE ou N. Le découpage en plages est fait par le collecteur• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :02-01 BM.2002.029.001/02:02-01 00:00:24 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE INTRODUCTION DU GRAL GLU RESPONSORIEL GRAL GLU* Sous-table non exportée Sous-table non exportée * = "chant assis en ligne"• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :02-02>4 BM.2002.029.001/02:02-02>4 00:22:00 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE GRAL GLU RESPONSORIEL GRAL GLU* Sous-table non exportée Sous-table non exportée * = "chant assis en ligne". Le chr de F posent des questions, le chr d'H répond. Cf. détails sur la jaquette du CD• 2002 ASIE +BM.2002.029 CDR BM.2002.029.001/02 :02-05>10 BM.2002.029.001/02:02-05>10 00:22:00 27/3 TIBET (INDE) DHARAMSALA, H.P. SKYID GRONG VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE CHT DE LOUANGE BSTOD GLU* Sous-table non exportée Sous-table non exportée * = "chant assis". REMARQUE : c'est une suite de chants, exécutés soit par un CHR H soit par un CHR F; il ne s'agit pas de chant alterné • 2002 ASIE +BM.2002.030 CDR BM.2002.030.001/02 :01-01 BM.2002.030.001/02:01-01 00:00:00 N "L'IMPROVISATION DANS LES M. DE TRADITION ORALE" [COPIE] Sous-table non exportée Sous-table non exportée 0 N +BM.2002.031 CD-ROM BM.2002.031.001 :01-01 BM.2002.031.001:01-01 00:00:00 INDE "CORNALINES DE L'INDE" [COPIE DE CD-ROM] Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2002.032 CDR BM.2002.032.001/03 :01-01>12 BM.2002.032.001/03:01-01>12 01:13:00 déc* BRESIL MINAS GERAIS,SAO JOAO DAS MISSOES° XACRIABA D. MAGALHAES.BRESIL,MINAS GERAIS:XACRIABA; 2000-2001 FOLIAS DE REIS Sous-table non exportée Sous-table non exportée ° village de Sumaré. *Enreg. déc. 2000 à janv. 2001• ELEVES 2000 Non pertinent AMERIQUE +BM.2002.032 CDR BM.2002.032.001/03 :02-01>11 BM.2002.032.001/03:02-01>11 00:42:00 déc* BRESIL MINAS GERAIS,SAO JOAO DAS MISSOES° XACRIABA D. MAGALHAES.BRESIL,MINAS GERAIS:XACRIABA; 2000-2001 BENDITOS Sous-table non exportée Sous-table non exportée ° village de Terra Preta. *Enreg. déc. 2000 à juillet 2001• ELEVES 2000 AMERIQUE +BM.2002.032 CDR BM.2002.032.001/03 :03-01>19 BM.2002.032.001/03:03-01>19 01:05:00 déc* BRESIL MINAS GERAIS,SAO JOAO DAS MISSOES XACRIABA D. MAGALHAES.BRESIL,MINAS GERAIS:XACRIABA; 2000-2001 CANTOS Sous-table non exportée Sous-table non exportée *Enreg. déc. 2000 à juillet 2001• ELEVES 2000 AMERIQUE +BM.2002.033 CDR BM.2002.033.001 :01-01-18 BM.2002.033.001:01-01-18 00:34:14 juin 2001 BRESIL MINAS GERAIS,JEQUITIBA D. MAGALHAES.BRESIL;MINAS GERAIS:BRESILIENS. 2001 CANTOS DE MUTIRAO DE CAPINA CHANTS DE TRAVAUX AGRICOLES COLLECTIFS Sous-table non exportée Sous-table non exportée MAGALHAES, ED AL. 2001 AMERIQUE +BM.2003.001 CDR BM.2003.001.001/05 :01-01 BM.2003.001.001/05:01-01 00:30:55 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.513-527 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 513-527, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-6A ASIE +BM.2003.002 CDR BM.2003.002.001 :01-01 BM.2003.002.001:01-01 00:00:00 TCHAD KANTIEBO,E.;TCHAD Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.003 CDR BM.2003.003.001/03 :01-01 BM.2003.003.001/03:01-01 00:00:52 06/10/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", ENQUETE SUR LE CHANT "VAJ" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 RELIGIEUX Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-02 BM.2003.003.001/03:01-02 00:01:38 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "E ZEZA" (TRANSCRIT) Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-03 BM.2003.003.001/03:01-03 00:00:24 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", ENQUETE SUR LE CHANT "VAJ" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-04 BM.2003.003.001/03:01-04 00:01:16 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", 2 1ERES PARTIES: MARRES,KTHYESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-05 BM.2003.003.001/03:01-05 00:00:29 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", ENQUETE SUR LE CHANT "VAJ" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-06 BM.2003.003.001/03:01-06 00:00:45 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", PARTIES 1,3: MARRES,HEDHESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-07 BM.2003.003.001/03:01-07 00:01:14 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", ENQUETE SUR LE CHANT "VAJ" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-08 BM.2003.003.001/03:01-08 00:00:47 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI": MARRËS PUIS KTHYESI + HEDHESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• Le "Marrës" lance le cht puis s'arrête pour laisser la place à "Kthyesi" et 'Hedhësi" ensemble• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-09 BM.2003.003.001/03:01-09 00:02:36 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", SUR POSITION DES CHANTEURS * Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *Sur la position respective des chanteurs (avec traduc. des appellations) et info. sur les styles régionaux• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-10 BM.2003.003.001/03:01-10 00:01:37 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", STYLE DE GJIROKASTËR Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-11 BM.2003.003.001/03:01-11 00:00:17 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-12 BM.2003.003.001/03:01-12 00:01:43 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", STYLE DE GJIROKASTËI * Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• * avec inversion des chanteurs• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-13 BM.2003.003.001/03:01-13 00:02:22 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR."BASHKIMI" SUR DISTRIB DES PAROLES ENTRE PARTIES Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-14 BM.2003.003.001/03:01-14 00:00:50 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "E ZEZA" (TRANSCRIT) Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-15 BM.2003.003.001/03:01-15 00:01:09 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", INFO SUR LES VOYELLES DU CHANT Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-16 BM.2003.003.001/03:01-16 00:00:47 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", LE BOURDON "ISO"* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *avec ses varations vocaliques• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-17 BM.2003.003.001/03:01-17 00:00:09 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", LE BOURDON "ISO" SEUL Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-18 BM.2003.003.001/03:01-18 00:00:50 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", LE BOURDON "ISO" SEUL Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-19 BM.2003.003.001/03:01-19 00:02:13 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", SUR LE DEGRE D'OUVERTURE* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *de la voyelle et sur sa fonction• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-20 BM.2003.003.001/03:01-20 00:00:32 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", LE BOURDON SUR "E" FERME* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *à la demande de BLJ• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-21 BM.2003.003.001/03:01-21 00:01:30 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", COMMENTAIRE BLJ, ET SUR "I"* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *et sur l'absence du "i" dans le bourdon• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-22 BM.2003.003.001/03:01-22 00:00:45 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", SUR LE "KTHYESI", ET REGISTRE* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *Info et réalisation du "Kthyesi" et sur le registre des voix• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-23 BM.2003.003.001/03:01-23 00:00:17 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", "KTHYESI" & REGISTRE Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-24 BM.2003.003.001/03:01-24 00:00:15 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", COMMENTAIRE BLJ Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-25 BM.2003.003.001/03:01-25 00:01:22 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "JA KU DOLI" (TRANSCRIT) Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-26 BM.2003.003.001/03:01-26 00:00:23 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", COMMENTAIRE BLJ Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-27 BM.2003.003.001/03:01-27 00:01:29 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", REPRISE DU CHANT "JA KU DOLI" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-28 BM.2003.003.001/03:01-28 00:05:24 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", INFO SUR LE NBRE D'"ISO" ETC* Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• *et sur le dernier chant (plusieurs styles associés) et sur l'émission "douce du "Vaje"• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-29 BM.2003.003.001/03:01-29 00:04:14 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "A SIKUR..." Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 #. Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-30 BM.2003.003.001/03:01-30 00:00:30 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", COMMENTAIRE BLJ Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-31 BM.2003.003.001/03:01-31 00:01:24 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "A SIKUR...": MARRES /KTHYESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-32 BM.2003.003.001/03:01-32 00:00:53 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", PETITE DISPUTE ENTRE CHANTEURS Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-33 BM.2003.003.001/03:01-33 00:01:23 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", CHANT "A SIKUR...": MARRES /EDHESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-34 BM.2003.003.001/03:01-34 00:01:48 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", INFO SUR LA NOTE DU "HEDHESI" Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-35 BM.2003.003.001/03:01-35 00:01:23 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", REPRISE DE L'ASSOC. MARRES /HEDHESI Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :01-36 BM.2003.003.001/03:01-36 00:02:42 06/010/2002 ALBANIE TIRANA LABË LORTAT-JACOB,B.;ALBANIE 2002 POLYPHONIE "LABË", GR. "BASHKIMI", INFO SUR LES ROLES DES CHANTEURS Sous-table non exportée VAJ Sous-table non exportée Au cours d'une répétition du groupe "Bashkimi", 6 chanteurs dont une F; enreg. de chants "vaj" (= lamentations) entrecoupés d'enquête sur les parties polyphoniques, sous forme de questions - réponses, en présence de Viktor Sharra, traducteur• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/1 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-01 BM.2003.003.001/03:02-01 00:00:00 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES, AMBIANCE DISCUSSION Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-02 BM.2003.003.001/03:02-02 00:02:28 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE "MARIKA MOJ" Sous-table non exportée Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-03 BM.2003.003.001/03:02-03 00:00:32 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-04 BM.2003.003.001/03:02-04 00:00:19 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE , REPRISE VOIX SEPAREES "MARIKA MOJ" Sous-table non exportée Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-05 BM.2003.003.001/03:02-05 00:00:13 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-06 BM.2003.003.001/03:02-06 00:00:19 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE , REPRISE, AVEC KHRESSI "MARIKA MOJ" Sous-table non exportée Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-07 BM.2003.003.001/03:02-07 00:00:57 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE + ESSAI Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-08 BM.2003.003.001/03:02-08 00:01:20 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE "E ZEZA" Sous-table non exportée VAJ Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-09 BM.2003.003.001/03:02-09 00:00:23 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 AMBIANCE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-10 BM.2003.003.001/03:02-10 00:01:20 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE REPRISE DE "E ZEZZA" Sous-table non exportée VAJ Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-11 BM.2003.003.001/03:02-11 00:01:40 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-12 BM.2003.003.001/03:02-12 00:01:28 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE "CIOBANI" Sous-table non exportée Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-13 BM.2003.003.001/03:02-13 00:00:53 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-14 BM.2003.003.001/03:02-14 00:01:33 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE "AMAN AMAN" Sous-table non exportée VAJ Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-15 BM.2003.003.001/03:02-15 00:01:00 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE SUR LES VOYAGES DES CHTEURS A L'ETRANGER Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-16 BM.2003.003.001/03:02-16 00:02:50 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE Sous-table non exportée VAJ Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-17 BM.2003.003.001/03:02-17 00:02:07 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE SUR LE CHT PRECEDENT Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :02-18 BM.2003.003.001/03:02-18 00:00:23 17/10/2002 ALBANIE HIMARA LABË LORTAT-JACOB,B.;ALBANIE 2002 CHANT POLYPHONIQUE , VAJ (AUTRE ESSAI, VOIX SEPAREES) Sous-table non exportée VAJ Sous-table non exportée * Chanteurs (partie) = Katerina Belleri (marrës), Elene Cali (edhessi), Spiro Karo (khtessi), Kristi Çipa (iso). Sur certaines pièces du CD " :02- ", le choeur est occasionnellement mixte• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/3 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-01 BM.2003.003.001/03:03-01 00:01:24 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE, DISCUSSION Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-02 BM.2003.003.001/03:03-02 00:00:45 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "ZERIN..." Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-03 BM.2003.003.001/03:03-03 00:00:50 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE, DISCUSSION Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-04 BM.2003.003.001/03:03-04 00:01:30 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "MA KISHE" Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-05 BM.2003.003.001/03:03-05 00:00:11 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRE Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-06 BM.2003.003.001/03:03-06 00:02:05 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "BISBIL, MORE..." Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-07 BM.2003.003.001/03:03-07 00:00:25 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 AMBIANCE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-08 BM.2003.003.001/03:03-08 00:02:05 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "CIOBANI..." Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-09 BM.2003.003.001/03:03-09 00:01:05 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 COMMENTAIRES Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-10 BM.2003.003.001/03:03-10 00:01:04 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "MOJ NANE" Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-11 BM.2003.003.001/03:03-11 00:00:23 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 AMBIANCE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-12 BM.2003.003.001/03:03-12 00:02:16 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 SUITE DE CHANTS POLYPHONIQUES TOSKE "DO T'IA THEM..." Sous-table non exportée Sous-table non exportée * de la famille de Halil Jaçellari et ses voisins• LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.003 CDR BM.2003.003.001/03 :03-13 BM.2003.003.001/03:03-13 00:00:07 22/10/2002 ALBANIE REGION DE LUSHNJA, GRADISHT TOSKË LORTAT-JACOB,B.;ALBANIE 2002 AMBIANCE Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 2002 Minidisc 2002/4 EUROPE +BM.2003.004 CDR BM.2003.004.001/04 :01-01 BM.2003.004.001/04:01-01 00:01:38 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision• Les jeunes filles sont assises sur une natte neuve• ZEMP,HUGO 1962 Non pertinent 1962:1.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-02 BM.2003.004.001/04:01-02 00:01:40 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision• Les jeunes filles sont assises sur une natte neuve• BM.003.004.001/04:01-01 ZEMP,HUGO 1962 1962:1.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-03 BM.2003.004.001/04:01-03 00:01:42 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision• Les jeunes filles sont assises sur une natte neuve• BM.003.004.001/04:01-02 ZEMP,HUGO 1962 1962:1.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-04 BM.2003.004.001/04:01-04 00:03:01 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision• Les jeunes filles sont assises sur une natte neuve• BM.003.004.001/04:01-03 ZEMP,HUGO 1962 1962:1.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-05 BM.2003.004.001/04:01-05 00:01:45 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15) CD: Africa: The Dan , Rounder CD 5105• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-04 ZEMP,HUGO 1962 1962:1.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-06 BM.2003.004.001/04:01-06 00:02:30 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15) CD: Africa: The Dan , Rounder CD 5105• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-05 ZEMP,HUGO 0 1962:1.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-07 BM.2003.004.001/04:01-07 00:02:37 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15) CD: Africa: The Dan , Rounder CD 5105• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-06 ZEMP,HUGO 0 1962:1.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-08 BM.2003.004.001/04:01-08 00:02:40 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15) Publié sur le CD: Africa: The Dan , Rounder CD 5105, plage 7. Pour le texte du chant, cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp 261-302)• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-07 ZEMP,HUGO 0 1962:1.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-09 BM.2003.004.001/04:01-09 00:02:44 30/08/1962 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15) Cf. CD: Africa: The Dan , Rounder CD 5105, plage 7• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-08 ZEMP,HUGO 1962 1962:1.9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-10 BM.2003.004.001/04:01-10 00:02:50 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE FILLES EXCISEES & DANSE Sous-table non exportée DAAGA Sous-table non exportée Fête terminant le rituel de l'excision. Mêmes chanteuses que sur les enregistrements précédants ( :01-01 à -04), mais ici elles da nsent en cercle, en tenant chacune une épée. La danse DAAGA ("épée" en Dan) est empruntée aux Maou (sous-groupe Malinke de la région de Touba, au nord de Man)• H.Zemp, "Musiciens autochtones et griots malinké chez les Dan de Côte d'Ivoire", _Cahiers d'Etudes Africaines_, 1964; IV-3(15)• Trois griots malinké établis chez les Dan jouent de tambours d'aisselle (TAMA en langue malinké. TANG en Dan), muni de bruiteurs en fer-blanc• BM.003.004.001/04:01-09 ZEMP,HUGO 1962 :1962:1.10 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-11 BM.2003.004.001/04:01-11 00:02:15 09/62 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 COURSE DE MASQUES Sous-table non exportée GIATAN Sous-table non exportée Pendant les courses de masques, le choeur d'hommes est normalement accompagné par des tambours à fente ou des tambours à membranes• ZEMP,HUGO 1962 Non pertinent 1962:2.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-12 BM.2003.004.001/04:01-12 00:02:20 09/62 COTE D'IVOIRE S/PREF. MAN, SEPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 COURSE DE MASQUES Sous-table non exportée GIATAN Sous-table non exportée Pendant les courses de masques, le choeur d'hommes est normalement accompagné par des tambours à fente ou des tambours à membranes• BM.003.004.001/04:01-11 ZEMP,HUGO 1962 Non pertinent 1962:2.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-13 BM.2003.004.001/04:01-13 00:02:29 09/1962 COTE D'IVOIRE S/PREF.MAN, GOUETIMBA DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 FETE DE SORTIE DES EXCISEES Sous-table non exportée ZOWUEZE Sous-table non exportée Fête de sortie des filles excisées. Danse collective sur la place du village, réunissant les filles excisées, des femmes et des hommes adultes; tous les danseurs et danseuses chantent, accompagnés par cinq tambourinaires• cf CD: _Africa: The Dan_. Rounder CD 5105 (plages 1+2 = :01-14 & -15). Pour les textes des chants, cf._Musique Dan_, Paris-La Haye 1971, Mouton (pp.262, 302)• Les filles et les femmes portent des grelots en fer-blanc (GBÔNG) aux chevilles. Deux hommes battent à mains nues des tambours en forme de calice (BAA), trois hommes frappent avec des bâtons crochus des tambours d'aisselle (TANG). Les deux types de tambour sont munis de bruiteurs en fer -blanc• 1962 Non pertinent 1962: 2.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-14 BM.2003.004.001/04:01-14 00:02:12 09/1962 COTE D'IVOIRE S/PREF.MAN, GOUETIMBA DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 FETE DE SORTIE DES EXCISEES Sous-table non exportée ZOWUEZE Sous-table non exportée Fête de sortie des filles excisées. Danse collective sur la place du village, réunissant les filles excisées, des femmes et des hommes adultes; tous les danseurs et danseuses chantent, accompagnés par cinq tambourinaires• cf CD: _Africa: The Dan_. Rounder CD 5105 (plages 1+2 = :01-14 & -15). Pour les textes des chants, cf._Musique Dan_, Paris-La Haye 1971, Mouton (pp.262, 302)• Les filles et les femmes portent des grelots en fer-blanc (GBÔNG) aux chevilles. Deux hommes battent à mains nues des tambours en forme de calice (BAA), trois hommes frappent avec des bâtons crochus des tambours d'aisselle (TANG). Les deux types de tambour sont munis de bruiteurs en fer -blanc• BM.003.004.001/04:01-13 1962 Non pertinent 1962:2.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-15 BM.2003.004.001/04:01-15 00:02:26 09/1962 COTE D'IVOIRE S/PREF.MAN, GOUETIMBA DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 FETE DE SORTIE DES EXCISEES Sous-table non exportée ZOWUEZE Sous-table non exportée Fête de sortie des filles excisées. Danse collective sur la place du village, réunissant les filles excisées, des femmes et des hommes adultes; tous les danseurs et danseuses chantent, accompagnés par cinq tambourinaires• cf CD: _Africa: The Dan_. Rounder CD 5105 (plages 1+2 = :01-14 & -15). Pour les textes des chants, cf._Musique Dan_, Paris-La Haye 1971, Mouton (pp.262, 302)• Les filles et les femmes portent des grelots en fer-blanc (GBÔNG) aux chevilles. Deux hommes battent à mains nues des tambours en forme de calice (BAA), trois hommes frappent avec des bâtons crochus des tambours d'aisselle (TANG). Les deux types de tambour sont munis de bruiteurs en fer -blanc• BM.003.004.001/04:01-14 1962 Non pertinent 1962:2.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-16 BM.2003.004.001/04:01-16 00:01:16 09/1962 COTE D'IVOIRE S/PREF.MAN, GOUETIMBA DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 FETE DE SORTIE DES EXCISEES Sous-table non exportée ZOWUEZE Sous-table non exportée Fête de sortie des filles excisées. Danse collective sur la place du village, réunissant les filles excisées, des femmes et des hommes adultes. Mêmes tambourinaires que sur les enregistrements précédents (:01-13 à -15), mais sans le chant du choeur mixte• Deux hommes battent à mains nues des tambours en forme de calice (BAA), trois hommes frappent avec des bâtons crochus des tambours d'aisselle (TANG). Les deux types de tambour sont munis de bruiteurs en fer-blanc• BM.003.004.001/04:01-15 1962 Non pertinent 1962:2.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-17 BM.2003.004.001/04:01-17 00:03:23 09/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, TE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 ENSEMBLE DE TAMBOURS Sous-table non exportée Sous-table non exportée Ensemble de tambours accompagnant généralement des chants et des danses. Quelquefois sans chanteurs• cf. H.Zemp, _Musique Dan_ Paris-La Haye 1971, Mouton (cr.pp.40-44) Disque 30/33: _Percussions de Côte d'Ivoire._ Disques Alvarès C 488 (plage B-1 = :01-17 & 18) Deux accompagnateurs battent à mains nues des ostinatos sur des tambours en forme de calice (BAA); le soliste frappe sur cinq tambours BAA attachés ensemble. Les deux types de tambour sont munis de bruiteurs en fer-blanc• BM.003.004.001/04:01-16 1962 Non pertinent 1962:2:7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-18 BM.2003.004.001/04:01-18 00:01:31 09/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, TE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 ENSEMBLE DE TAMBOURS Sous-table non exportée Sous-table non exportée Ensemble de tambours accompagnant généralement des chants et des danses.Quelquefois sans chanteurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 4°-44) cf: disque 30/33: _Percussions de Côte d'Ivoire_ disque Alvarès C 488 (plage B-1 = :01-17 & 18) Deux accompagnateurs battent à mains nues des ostinatos sur des tambours en forme de calice (BAA); le soliste frappe sur cinq tambours BAA attachés ensemble. Les deux types de tambour sont munis de bruiteurs en fer-blanc• BM.003.004.001/0401-17 1962 Non pertinent 1962:2.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-19 BM.2003.004.001/04:01-19 00:01:44 09/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, TE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 ENSEMBLE DE TAMBOURS Sous-table non exportée Sous-table non exportée Ensemble de tambours accompagnant généralement des chants et des danses.Quelquefois sans chanteurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 4°-44) cf: disque 30/33: _Percussions de Côte d'Ivoire_ disque Alvarès C 488 Deux accompagnateurs battent à mains nues des ostinatos sur des tambours en forme de calice (BAA); le soliste frappe sur cinq tambours BAA attachés ensemble. Les deux types de tambour sont munis de bruiteurs en fer-blanc• BM.003.004.001/04:01-18 1962 1962:2.9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-20 BM.2003.004.001/04:01-20 00:02:07 09/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, TE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 ENSEMBLE DE TAMBOURS Sous-table non exportée Sous-table non exportée Ensemble de tambours accompagnant généralement des chants et des danses.Quelquefois sans chanteurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 4°-44) cf: disque 30/33: _Percussions de Côte d'Ivoire_ disque Alvarès C 488 Deux accompagnateurs battent à mains nues des ostinatos sur des tambours en forme de calice (BAA); le soliste frappe sur cinq tambours BAA attachés ensemble. Les deux types de tambour sont munis de bruiteurs en fer-blanc• BM.003.004.001/04:01-19 1962 1962:2.10 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-21 BM.2003.004.001/04:01-21 00:02:15 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée Musique de la confrérie des chasseurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 54-57) Le manche arqué de la harpe-luth à zix cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Deux chanteurs solistes alternent avec le choeur. Le joueur de harpe-luth chante dans le choeur. Deux chasseurs soufflent périodiquement dans un sifflet en bois (SONCE) entouré d'une peau d'antilope • BM.003.004.001/04:01-20 ZEMP, HUGO 1962 Non pertinent 1962:5.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-22 BM.2003.004.001/04:01-22 00:01:12 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée Musique de la confrérie des chasseurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 54-57) Le manche arqué de la harpe-luth à zix cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Deux chanteurs solistes alternent avec le choeur. Le joueur de harpe-luth chante dans le choeur. Deux chasseurs soufflent périodiquement dans un sifflet en bois (SONCE) entouré d'une peau d'antilope • BM.003.004.001/04:01-21 ZEMP, HUGO 1962 Non pertinent 1962:5.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-23 BM.2003.004.001/04:01-23 00:02:58 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée Musique de la confrérie des chasseurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 54-57) Le manche arqué de la harpe-luth à zix cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Deux chanteurs solistes alternent avec le choeur. Le joueur de harpe-luth chante dans le choeur. Deux chasseurs soufflent périodiquement dans un sifflet en bois (SONCE) entouré d'une peau d'antilope • BM.003.004.001/04:01-22 ZEMP, HUGO 1962 Non pertinent 1962:5.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-24 BM.2003.004.001/04:01-24 00:02:58 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée Musique de la confrérie des chasseurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 54-57) Le manche arqué de la harpe-luth à zix cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Deux chanteurs solistes alternent avec le choeur. Le joueur de harpe-luth chante dans le choeur. Deux chasseurs soufflent périodiquement dans un sifflet en bois (SONCE) entouré d'une peau d'antilope • BM.003.004.001/04:01-23 ZEMP, HUGO 1962 Non pertinent 1962:5.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-25 BM.2003.004.001/04:01-25 00:01:50 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée Musique de la confrérie des chasseurs• cf: H.Zemp, _Musique Dan_, Paris-La Haye 1971, Mouton (cf.pp. 54-57) Le manche arqué de la harpe-luth à zix cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Deux chanteurs solistes alternent avec le choeur. Le joueur de harpe-luth chante dans le choeur. Deux chasseurs soufflent périodiquement dans un sifflet en bois (SONCE) entouré d'une peau d'antilope • BM.003.004.001/04:01-24 ZEMP, HUGO 1962 Non pertinent 1962:5.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-26 BM.2003.004.001/04:01-26 00:03:06 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée cf CD: _Africa : The Dan_, Rounder CD 5105 (plage 19: 06). Plour le texte du chant , cf._Musique Dan_, Paris-La Haye, 1971, Mouton (pp. 295-96) Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer -blanc munie d'anneaux). Le joueur de harpe-luth chante • BM.003.004.001/04:01-25 ZEMP, HUGO 1962 Non pertinent 1962:5.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-27 BM.2003.004.001/04:01-27 00:00:35 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE CHASSEURS Sous-table non exportée KONTAN Sous-table non exportée cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 19 = 06). Pour le texte du chant, cf _Musique Dan_,Paris-La Haye 1971, Mouton (cf.pp.295-96)• Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer-blanc munie d'anneaux). Le joueur de harpe-luth chante • BM.003.004.001/04:01-26 ZEMP, HUGO 0 Non pertinent 1962:5.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-28 BM.2003.004.001/04:01-28 00:00:59 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-27 ZEMP, HUGO 1962 Non pertinent 1962:5.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-29 BM.2003.004.001/04:01-29 00:01:03 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-28 ZEMP, HUGO 1962 Non pertinent 1962:5.9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-30 BM.2003.004.001/04:01-30 00:01:24 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-29 ZEMP, HUGO 1962 Non pertinent 1962:5.30 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-31 BM.2003.004.001/04:01-31 00:01:41 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-30 ZEMP, HUGO 1962 Non pertinent 1962:5.11 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-32 BM.2003.004.001/04:01-32 00:01:31 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-31 ZEMP, HUGO 1962 Non pertinent 1962:5.12 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :01-33 BM.2003.004.001/04:01-33 00:01:29 10/1962 COTE D'IVOIRE S/PREF.BIANKOUMA, SEUPLEU DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTS DE FEMMES Sous-table non exportée KONTAN Sous-table non exportée Conduites par une ZOLE (sage-femme et exciseuse), les femmes chantent et dansent lors d'une naissance pendant l'excision, lors de la mort d'une femme, et pour d'autres occasions de fête• cf: CD: _Africa: The Dan_ Rounder CD 5105 (plage 16+17 = 09). Rééditioin d'un disque 30/33. Collection UNESCO, Bärenreiter Musicaphon• -Une des femmes secoue des grelots en fer-blanc enfilés sur une corde; toutes les autres battent des mains • BM.003.004.001/04:01-32 ZEMP, HUGO 1962 Non pertinent 1962:5.13 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-01 BM.2003.004.001/04:02-01 00:00:00 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE,ZEREGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 "MASQUE DE NUIT" Sous-table non exportée GBINGGEE Sous-table non exportée Cf. le CD:_Masques Dan, Côte d'Ivoire_. Réédition augmentée d'un disque 30cm/33 tours. Ocora C 580048• MIRLITON =???• ZEMP,HUGO 1962 Non pertinent 1962:6.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-02 BM.2003.004.001/04:02-02 00:01:20 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE, ZEREGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée GONG Sous-table non exportée cf. H.Zemp, _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 40-44; 235)• Pièces 05 et 06 avec voix parlée. Deux tambourinairres battent avec les mans nues chacun deux tambours attachés ensemble; le troisième musicien frappe sur trois tambours attachés ensemble . Les tambours sont munis de bruiteurs en fer-blanc. Une femme secoue des grelots en fer-blanc enfilés sur une corde • BM.003.004.001/04:02-01 ZEMP, HUGO 0 Non pertinent 1962.6.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-03 BM.2003.004.001/04:02-03 00:06:23 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE,GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée GONG Sous-table non exportée cf: CD: _Masques Dan_. Paris-La Haye, 1971, Mouton (pp.40-44, 235)• Pièce 5 et 6 avec voix parlée. Deux tambourinaires bttent avec les mains nues chacun deux tambours attachés ensemble, le troisième musicien frappe sur trois tambours attachés ensemble. Les tambours sont munis de bruiteurs en fer-blanc. Une femme secoue des grelots enfer-blanc enfilés sur une corde• BM.003.004.001/04 ZEMP, HUGO 1962 Non pertinent 1962:6.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-04 BM.2003.004.001/04:02-04 00:02:29 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE,GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée GONG Sous-table non exportée cf: CD: _Masques Dan_. Paris-La Haye, 1971, Mouton (pp.40-44, 235)• Pièce 5 et 6 avec voix parlée. Deux tambourinaires bttent avec les mains nues chacun deux tambours attachés ensemble, le troisième musicien frappe sur trois tambours attachés ensemble. Les tambours sont munis de bruiteurs en fer-blanc. Une femme secoue des grelots enfer-blanc enfilés sur une corde• BM.003.004.001/04:02-03 ZEMP, HUGO 1962 1962:6.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-05 BM.2003.004.001/04:02-05 00:02:34 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE,GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée GONG Sous-table non exportée cf: CD: _Masques Dan_. Paris-La Haye, 1971, Mouton (pp.40-44, 235)• Pièce 5 et 6 avec voix parlée. Deux tambourinaires bttent avec les mains nues chacun deux tambours attachés ensemble, le troisième musicien frappe sur trois tambours attachés ensemble. Les tambours sont munis de bruiteurs en fer-blanc. Une femme secoue des grelots enfer-blanc enfilés sur une corde• BM.003.004.001/04:02-04 ZEMP, HUGO 1962 1962:2.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-06 BM.2003.004.001/04:02-06 00:08:32 10/1962 COTE D'IVOIRE S/PREF.LOGOUALE,GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée GONG Sous-table non exportée cf: CD: _Masques Dan_. Paris-La Haye, 1971, Mouton (pp.40-44, 235)• Pièce 5 et 6 avec voix parlée. Deux tambourinaires bttent avec les mains nues chacun deux tambours attachés ensemble, le troisième musicien frappe sur trois tambours attachés ensemble. Les tambours sont munis de bruiteurs en fer-blanc. Une femme secoue des grelots enfer-blanc enfilés sur une corde• BM.003.004.001/04:02-05 ZEMP, HUGO 1962 1962:6.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-07 BM.2003.004.001/04:02-07 00:02:56 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,YENANE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 LAMENTATION FUNEBRE Sous-table non exportée GBO Sous-table non exportée cf H.ZEMP, _Musique Dan_.Paris-La Haye 1971, Mouton (pp.71, 265, 302)• ZEMP,HUGO 1962 Non pertinent 1962:7.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-08 BM.2003.004.001/04:02-08 00:01:39 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,YENANE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 LAMENTATION FUNEBRE Sous-table non exportée GBO Sous-table non exportée cf H.ZEMP, _Musique Dan_.Paris-La Haye 1971, Mouton (pp.71, 265, 302)• BM.003.004.001/04:02-07 ZEMP,HUGO 0 1962:7.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-09 BM.2003.004.001/04:02-09 00:18:15 10-1962 COTE D'IVOIRE S/PREF.MN, NIOOULE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT POUR SEMER LE RIZ Sous-table non exportée KOTAWO Sous-table non exportée Le chant KÖTAWO (KÔ : houe; TA: sur; WO: voix) encourage les semeurs de riz• cf CD: _Africa: The Dan_. Rounder CD 5105 (plage9). Pour le texte du chant , cf. _Musique Dan_.Paris-La Haye, 1971, Mouton (pp. 226-297)• 1962 Non pertinent 1962:7.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-10 BM.2003.004.001/04:02-10 00:03:53 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOUEGUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CRIS DE GUERRIER Sous-table non exportée Sous-table non exportée Cris de guerre par un homme âgé, tenant une lance et faisant des gestes menaçants• Le "guerrier" est accompagné par un homme secouant deux cloches en fer à battant interne• BM.003.004.001/04:02-09 1962 Non pertinent 1962:8.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-11 BM.2003.004.001/04:02-11 00:02:02 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE LOUANGE Sous-table non exportée ZLOO Sous-table non exportée La sage-femme et exciseuse (ZOLE) chante à la mémoire de son mari décédé (02), en l'honneur du chef de cantn qui lui répond (03) et en l'honneur de l'ethnomusicologue (04)• cf CD:_Africa: the Dan_. Rounder CD 5105 (plage 2)• BM.003.004.001/04:02-10 1962 ELOGIEUX 1962:8.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-12 BM.2003.004.001/04:02-12 00:01:38 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE LOUANGE Sous-table non exportée ZLOO Sous-table non exportée La sage-femme et exciseuse (ZOLE) chante à la mémoire de son mari décédé (02), en l'honneur du chef de cantn qui lui répond (03) et en l'honneur de l'ethnomusicologue (04)• cf CD:_Africa: the Dan_. Rounder CD 5105 (plage 2)• BM.003.004.001/04:02-11 0 1962:8.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-13 BM.2003.004.001/04:02-13 00:02:17 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE LOUANGE Sous-table non exportée ZLOO Sous-table non exportée La sage-femme et exciseuse (ZOLE) chante à la mémoire de son mari décédé (02), en l'honneur du chef de cantn qui lui répond (03) et en l'honneur de l'ethnomusicologue (04)• cf CD:_Africa: the Dan_. Rounder CD 5105 (plage 2)• BM.003.004.001/04:02-12 1962 1962:8.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-14 BM.2003.004.001/04:02-14 00:02:03 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée PUNGWUELE Sous-table non exportée - Deux solistes F+H chantent en alternance avec deux autres solistes F+H, accompagnés par le choeur de 14 jeunes filles• BM.003.004 ZEMP,HUGO 1962 1962:8.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-15 BM.2003.004.001/04:02-15 00:01:51 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée PUNGWUELE Sous-table non exportée - Deux solistes F+H chantent en alternance avec deux autres solistes F+H, accompagnés par le choeur de 14 jeunes filles• BM.003.004.001/04:02-14 ZEMP,HUGO 1962 1962:8.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-16 BM.2003.004.001/04:02-16 00:01:43 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE, LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE D'UNE ASSOCIATION DE DISTRACTION Sous-table non exportée PUNGWUELE Sous-table non exportée - Deux solistes F+H chantent en alternance avec deux autres solistes F+H, accompagnés par le choeur de 14 jeunes filles• BM.003.004.001/04:02-15 ZEMP,HUGO 1962 1962:8.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-17 BM.2003.004.001/04:02-17 00:01:13 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT D'ENFANTS Sous-table non exportée GUEZE Sous-table non exportée En tout, 10 garçons• BM.003.004.001/04:02-16 ZEMP,HUGO 1962 1962:8.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-18 BM.2003.004.001/04:02-18 00:01:22 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée Jeu de fillettes, entre six et dix ans. Une fillette se laisse tomber en arrière, elle est alors rattrapée par ses camarades et repoussée en avant , tout en chantant• cf. CD: _Africa: the Dan_. Rounder CD 5105 (plages 10+11= 11+12) Pour le texte du chant, cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.268, 303)• En tout, 24 fillettes• BM.003.004.001/04:02-17 ZEMP,HUGO 1962 1962:8.9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-19 BM.2003.004.001/04:02-19 00:01:31 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée Jeu de fillettes, entre six et dix ans. Une fillette se laisse tomber en arrière, elle est alors rattrapée par ses camarades et repoussée en avant , tout en chantant• cf. CD: _Africa: the Dan_. Rounder CD 5105 (plages 10+11= 11+12) Pour le texte du chant, cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.268, 303)• En tout, 24 fillettes• BM.003.004.001/04:02-18 ZEMP,HUGO 1962 1962:8.10 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-20 BM.2003.004.001/04:02-20 00:01:31 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée Jeu de fillettes, entre six et dix ans. Une fillette se laisse tomber en arrière, elle est alors rattrapée par ses camarades et repoussée en avant , tout en chantant• cf. CD: _Africa: the Dan_. Rounder CD 5105 (plages 10+11= 11+12) Pour le texte du chant, cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.268, 303)• En tout, 24 fillettes• BM.003.004.001/04:02-19 ZEMP,HUGO 1962 1962:8.11 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :02-21 BM.2003.004.001/04:02-21 00:01:31 10-1962 COTE D'IVOIRE S/PREF.LOGOUALE,GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée Jeu de fillettes, entre six et dix ans. Une fillette se laisse tomber en arrière, elle est alors rattrapée par ses camarades et repoussée en avant , tout en chantant• cf. CD: _Africa: the Dan_. Rounder CD 5105 (plages 10+11= 11+12) Pour le texte du chant, cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.268, 303)• En tout, 24 fillettes• BM.003.004.001/04:02-20 ZEMP,HUGO 1962 1962:8.12 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-01 BM.2003.004.001/04:03-01 00:01:21 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE DIVINATION Sous-table non exportée Sous-table non exportée Le devin, enfermé dans une maison, appelle des génies avec un sifflet en bois. Il dialogue avec des personnes devant la maison, et avec les génies qui lui répondent en voix de tête. A certains moments, un génie chante en voix de tête, accompagné par des grelots en fer blanc• cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.154, 291)• BM.003.004.001/04:02-21 ZEMP,HUGO 1962 1962 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-02 BM.2003.004.001/04:03-02 00:30:06 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 MUSIQUE DE DIVINATION Sous-table non exportée Sous-table non exportée Le devin, enfermé dans une maison, appelle des génies avec un sifflet en bois. Il dialogue avec des personnes devant la maison, et avec les génies qui lui répondent en voix de tête. A certains moments, un génie chante en voix de tête, accompagné par des grelots en fer blanc• cf._Musique Dan_. Paris-La Haye 1971, Mouton (pp.154, 291)• BM.003.004.001/04:03-01 ZEMP,HUGO 1962 1962:9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-03 BM.2003.004.001/04:03-03 00:00:38 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Intermèdes chantés de chntes-fables• BM.003.004.001/04:03-02 ZEMP,HUGO 1962 1962:11.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-04 BM.2003.004.001/04:03-04 00:01:53 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Intermèdes chantés de chntes-fables• BM.003.004.001/04:03-03 ZEMP,HUGO 0 1962:11.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-05 BM.2003.004.001/04:03-05 00:00:40 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Intermèdes chantés de chntes-fables• BM.003.004.001/04:03-04 ZEMP,HUGO 1962 1962:11.3 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-06 BM.2003.004.001/04:03-06 00:02:40 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Intermèdes chantés de chntes-fables• BM.003.004.001/04:03-05 ZEMP,HUGO 1962 1962:11.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-07 BM.2003.004.001/04:03-07 00:00:44 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GOZIOGOUINE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Intermèdes chantés de chntes-fables• BM.003.004.001/04:03-06 ZEMP,HUGO 1962 1962:11.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-08 BM.2003.004.001/04:03-08 00:04:05 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE DIVERTISSEMENT Sous-table non exportée ZIAA Sous-table non exportée Le groupe chante quelquefois en l'honneur du chef de canton, mais ne fait pas partie des musiciens attitrés des chefs• cf H.Zemp, _Musique Dan_. Paris-La Haye 1971, Mouton (pp.34, 35) CD: _Africa: The Dan_. Rounder CD 5105 (plage 5=06)• - L'un des chanteurs secoue un hochet-sonnaille (YONG), deux autres agitent rythmiquement des chaines d'anneaux métalliques YOKPO• BM.003.004.001/04:03-07 ZEMP,HUGO 1962 1962:11.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-09 BM.2003.004.001/04:03-09 00:08:21 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE DIVERTISSEMENT Sous-table non exportée ZIAA Sous-table non exportée Le groupe chante quelquefois en l'honneur du chef de canton, mais ne fait pas partie des musiciens attitrés des chefs• cf H.Zemp, _Musique Dan_. Paris-La Haye 1971, Mouton (pp.34, 35) CD: _Africa: The Dan_. Rounder CD 5105 (plage 5=06)• - L'un des chanteurs secoue un hochet-sonnaille (YONG), deux autres agitent rythmiquement des chaines d'anneaux métalliques YOKPO• BM.003.004.001/04:03-08 ZEMP,HUGO 1962 1962:11.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-10 BM.2003.004.001/04:03-10 00:05:42 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANT DE DIVERTISSEMENT Sous-table non exportée ZIAA Sous-table non exportée Le groupe chante quelquefois en l'honneur du chef de canton, mais ne fait pas partie des musiciens attitrés des chefs• cf H.Zemp, _Musique Dan_. Paris-La Haye 1971, Mouton (pp.34, 35) CD: _Africa: The Dan_. Rounder CD 5105 (plage 5=06)• - L'un des chanteurs secoue un hochet-sonnaille (YONG), deux autres agitent rythmiquement des chaines d'anneaux métalliques YOKPO• BM.003.004.001/04:03-09 ZEMP,HUGO 1962 1962:11.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-11 BM.2003.004.001/04:03-11 00:01:13 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Héros de nombreux contes, l'araignée reçoit dans cette chante-fable un melon sur la tête• -Les auditeurs présents se moquent de la voix du conteur dnt ils disent qu'il chante comme s'il pleurait• BM.003.004.001/04:03-10 ZEMP,HUGO 1962 1962:12.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-12 BM.2003.004.001/04:03-12 00:01:54 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Histoire d'un monstre unijambiste Pianlé• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-11 ZEMP,HUGO 0 1962:12.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-13 BM.2003.004.001/04:03-13 00:02:30 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Histoire d'une fille enlevée par les singes• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-12 ZEMP,HUGO 1962 1962:12.03 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-14 BM.2003.004.001/04:03-14 00:02:40 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Histoire de l'araignée et la poudre magique arrêtant les rivières• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-13 ZEMP,HUGO 1962 1962:12.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-15 BM.2003.004.001/04:03-15 00:02:56 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Histoire d'un tambourinaire faisant danser le monstre Pianlé• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-14 ZEMP,HUGO 1962 1962:12.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-16 BM.2003.004.001/04:03-16 00:02:54 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée Histoire d'une femme jetant sa soeur dans la soupe• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-15 ZEMP,HUGO 1962 1962:12.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-17 BM.2003.004.001/04:03-17 00:02:58 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée L'histoire de deux oiseaux rivaux devant chanter sans sendormir pour obtenir une épouse• - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03:16 ZEMP,HUGO 1962 1962:12.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :03-18 BM.2003.004.001/04:03-18 00:02:10 1962 COTE D'IVOIRE S/PREF.LOGOUALE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE-FABLE Sous-table non exportée PIAN Sous-table non exportée L'histoire d'un concours de chant pour obtenir une épouse • - Principe des chantes-fables: le conteur alterne récit et chant . Dans les parties chantées, un autre homme chante la deuxième voix• BM.003.004.001/04:03-17 ZEMP,HUGO 1962 1962:12.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-01 BM.2003.004.001/04:04-01 00:02:54 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KULAETAN Sous-table non exportée Autrefois chanteurs attitrés des chasseurs, ils se produisent pour toutes sortes de fêtes• cf. CD: _Africa: The Dan_. The Rounder CD 5105 (plage 20=05). Pour le texte du chant , cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 215, 294)• - Le chanteur soliste secoue un hochet-sonnailles (YONG), pendant que les trois autres chanteurs frappent chacun avec une baguette sur une carapace de tortue• BM.003.004.001/04:03:16 ZEMP,HUGO 1962 1962:13.1 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-02 BM.2003.004.001/04:04-02 00:02:17 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KULAETAN Sous-table non exportée Autrefois chanteurs attitrés des chasseurs, ils se produisent pour toutes sortes de fêtes• cf. CD: _Africa: The Dan_. The Rounder CD 5105 (plage 20=05). Pour le texte du chant , cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 215, 294)• - Le chanteur soliste secoue un hochet-sonnailles (YONG), pendant que les trois autres chanteurs frappent chacun avec une baguette sur une carapace de tortue• BM.003.004.001/04:04-01 ZEMP,HUGO 1962 1962:13.2 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-03 BM.2003.004.001/04:04-03 00:02:36 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KULAETAN Sous-table non exportée Autrefois chanteurs attitrés des chasseurs, ils se produisent pour toutes sortes de fêtes• cf. CD: _Africa: The Dan_. The Rounder CD 5105 (plage 20=05). Pour le texte du chant , cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 215, 294)• - Le chanteur soliste secoue un hochet-sonnailles (YONG), pendant que les trois autres chanteurs frappent chacun avec une baguette sur une carapace de tortue• BM.003.004.001/04:04-02 ZEMP,HUGO 1962 1962:13.03 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-04 BM.2003.004.001/04:04-04 00:01:56 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KULAETAN Sous-table non exportée Autrefois chanteurs attitrés des chasseurs, ils se produisent pour toutes sortes de fêtes• cf. CD: _Africa: The Dan_. The Rounder CD 5105 (plage 20=05). Pour le texte du chant , cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 215, 294)• - Le chanteur soliste secoue un hochet-sonnailles (YONG), pendant que les trois autres chanteurs frappent chacun avec une baguette sur une carapace de tortue• BM.003.004.001/04:04-03 ZEMP,HUGO 1962 1962:13.4 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-05 BM.2003.004.001/04:04-05 00:03:34 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KULAETAN Sous-table non exportée Autrefois chanteurs attitrés des chasseurs, ils se produisent pour toutes sortes de fêtes• cf. CD: _Africa: The Dan_. The Rounder CD 5105 (plage 20=05). Pour le texte du chant , cf. _Musique Dan_. Paris-La Haye 1971, Mouton (pp. 215, 294)• - Le chanteur soliste secoue un hochet-sonnailles (YONG), pendant que les trois autres chanteurs frappent chacun avec une baguette sur une carapace de tortue• BM.003.004.001/04:04-04 ZEMP,HUGO 1962 1962:13.5 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-06 BM.2003.004.001/04:04-06 00:03:55 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DES CHARMEURS DE SERPENTS Sous-table non exportée MENETAN Sous-table non exportée Danse des charmeurs de serpents rregroupés en une société secrète, spécialisée dans la guérison de morsures de serpents. Un ou deux danseurs, quelquefois une petite fille, tiennent dans leurs mains des serpents venimeux qu'ils laissent ramper sur leur corps et dont ils prennent la tête dans leur bouche• cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.232)• - Les danseurs portent des sonnailles en coques de fruits (ZE) cousues sur des jambières en cuir. Les tambours BAA sont munis de bruiteurs (SEE)• BM.003.004.001/04:04-05 ZEMP,HUGO 1962 1962:13.6 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-07 BM.2003.004.001/04:04-07 00:02:23 1962 COTE D'IVOIRE S/PREF.LOGOUALE, GBLOLE DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DES CHARMEURS DE SERPENTS Sous-table non exportée MENETAN Sous-table non exportée Danse des charmeurs de serpents rregroupés en une société secrète, spécialisée dans la guérison de morsures de serpents. Un ou deux danseurs, quelquefois une petite fille, tiennent dans leurs mains des serpents venimeux qu'ils laissent ramper sur leur corps et dont ils prennent la tête dans leur bouche• cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.232)• - Les danseurs portent des sonnailles en coques de fruits (ZE) cousues sur des jambières en cuir. Les tambours BAA sont munis de bruiteurs (SEE)• BM.003.004.001/04:04-06 ZEMP,HUGO 1962 1962:13.7 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-08 BM.2003.004.001/04:04-08 00:01:59 1962 COTE D'IVOIRE S/PREF.BIANKOUMA, GBABLASSO DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KONGTAN Sous-table non exportée cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.54, 219)• - Le chanteur joue lui-même de la harpe-luth. Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer-blanc munie d'anneaux)• BM.003.004.001/04:04-07 ZEMP,HUGO 1962 1962:13.8 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-09 BM.2003.004.001/04:04-09 00:01:37 1962 COTE D'IVOIRE S/PREF.BIANKOUMA, GBABLASSO DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KONGTAN Sous-table non exportée cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.54, 219)• - Le chanteur joue lui-même de la harpe-luth. Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer-blanc munie d'anneaux)• BM.003.004.001/04:04-08 ZEMP,HUGO 1962 1962:13.9 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-10 BM.2003.004.001/04:04-10 00:01:30 1962 COTE D'IVOIRE S/PREF.BIANKOUMA, GBABLASSO DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KONGTAN Sous-table non exportée cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.54, 219)• - Le chanteur joue lui-même de la harpe-luth. Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer-blanc munie d'anneaux)• BM.003.004.001/04:04-09 ZEMP,HUGO 1962 1962:13.10 AFRIQUE +BM.2003.004 CDR BM.2003.004.001/04 :04-11 BM.2003.004.001/04:04-11 00:00:41 1962 COTE D'IVOIRE S/PREF.BIANKOUMA, GBABLASSO DAN ZEMP,H.;COTE D'IVOIRE:DAN;1962 CHANTE DE CHASSE Sous-table non exportée KONGTAN Sous-table non exportée cf. H.ZEMP, _Musique Dan_. Paris-La Haye 1971, Mouton (p.54, 219)• - Le chanteur joue lui-même de la harpe-luth. Le manche arqué de la harpe-luth à six cordes traverse la caisse de résonance en calebasse, couverte d'une peau d'antilope. Au sommet du manche est fixé un bruiteur (une feuille de fer-blanc munie d'anneaux)• BM.003.004.001/04:04-10 ZEMP,HUGO 1962 1962:13.11 AFRIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-01 BM.2003.005.001/05:01-01 00:00:35 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 DEVINETTES SATU MATO Sous-table non exportée Sous-table non exportée = 1957 POPULAIRE AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-02 BM.2003.005.001/05:01-02 00:06:54 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LES OEUFS Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 1-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-03 BM.2003.005.001/05:01-03 00:04:43 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LA ROCHE A BARBE Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 2-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-04 BM.2003.005.001/05:01-04 00:09:06 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LA MORT Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 2-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-05 BM.2003.005.001/05:01-05 00:05:35 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LE VAMPIRE Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 3-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-06 BM.2003.005.001/05:01-06 00:09:16 20/12/57 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LE GENIE LANCEUR Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 4-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-07 BM.2003.005.001/05:01-07 00:06:10 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LE LAPIN Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 5-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-08 BM.2003.005.001/05:01-08 00:04:52 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI WATAA MAMA ET BUSI MAMA Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 6-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-09 BM.2003.005.001/05:01-09 00:11:50 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LE BATEAU Sous-table non exportée Sous-table non exportée Anansi est le nom d'un personnage• = 1957 Non pertinent 6-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :01-10 BM.2003.005.001/05:01-10 00:10:07 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 PRIERE DU JOUR DE L'AN AU FAAKA TIKI Sous-table non exportée Sous-table non exportée = 1957 RELIGIEUX 7-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-01 BM.2003.005.001/05:02-01 00:06:26 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LA POELE A FRIRE Sous-table non exportée Sous-table non exportée ANANSI EST LE NOM D'UN PERSONNAGE BM.003.005.001/05:01-10 = 1956 D2-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-02 BM.2003.005.001/05:02-02 00:10:04 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANANSI ET LE LAPIN Sous-table non exportée Sous-table non exportée ANANSI EST LE NOM D'UN PERSONNAGE BM.003.005.001/05:02-01 = 1956 Non pertinent D2-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-03 BM.2003.005.001/05:02-03 00:14:43 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 PIKIN BAYA Sous-table non exportée Sous-table non exportée ANANSI EST LE NOM D'UN PERSONNAGE BM.003.005.001/05:02-02 = 1956 Non pertinent D3-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-04 BM.2003.005.001/05:02-04 00:03:26 23/11/64 GUYANE FRANCAISE N HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ESSAIS D'ENREGITREMENT Sous-table non exportée Sous-table non exportée ESSAIS D'ENREGISTREMENT DU MAGNETOPHONE PAR JEAN HURAULT BM.003.005.001/05:02-03 = 1964 Non pertinent 22-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-05 BM.2003.005.001/05:02-05 00:08:50 09/05/64 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE ALANDE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-03 = 1964 Non pertinent 22-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-06 BM.2003.005.001/05:02-06 00:08:03 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE IPO Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-05 = 1964 Non pertinent 22-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-07 BM.2003.005.001/05:02-07 00:08:26 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE WAHAYME Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-06 = 1964 Non pertinent 22-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :02-08 BM.2003.005.001/05:02-08 00:01:26 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE WAHAYME SUITE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-07 = 1964 Non pertinent 22-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-01 BM.2003.005.001/05:03-01 00:03:56 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE LA RESURECTION Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-08 = 0 Non pertinent 23A-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-02 BM.2003.005.001/05:03-02 00:26:47 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE KUYULI & MOPO Sous-table non exportée Sous-table non exportée BM.003.005.001/05:03-01 = 0 Non pertinent 23A-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-03 BM.2003.005.001/05:03-03 00:28:02 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DU MARAKE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:03-02 = 0 Non pertinent 23B-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-04 BM.2003.005.001/05:03-04 00:14:33 GUYANE FRANCAISE VILLAGE TIPITI WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 PHONETIQUE WAYANA Sous-table non exportée Sous-table non exportée BM.003.005.001/05:03-03 = 1962 Non pertinent SN2-FACE1-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-05 BM.2003.005.001/05:03-05 00:03:25 GUYANE FRANCAISE VILLAGE TIPITI WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ENREGISTREMENT COMPLEMENTAIRE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:03-04 = 1962 Non pertinent SN2-FACE1-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :03-06 BM.2003.005.001/05:03-06 00:00:49 GUYANE FRANCAISE VILLAGE TIPITI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LANGUE TRIO Sous-table non exportée Sous-table non exportée BM.003.005.001/05:03-05 = 1962 Non pertinent SN2-FACE1-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-01 BM.2003.005.001/05:04-01 00:03:54 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:01-02 = 0 Non pertinent SN1-FACE1-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-02 BM.2003.005.001/05:04-02 00:01:05 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 GAANTANGI MA BENDYA Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-01 = 0 Non pertinent SN1-FACE1-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-03 BM.2003.005.001/05:04-03 00:01:51 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-02 = 0 Non pertinent SN1-FACE1-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-04 BM.2003.005.001/05:04-04 00:01:58 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ANAADAAY Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-03 = 0 Non pertinent SN1-FACE1-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-05 BM.2003.005.001/05:04-05 00:02:35 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 MIEGWE PAPA BASI NETWAYE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-04 = 0 Non pertinent SN1-FACE1-5 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-06 BM.2003.005.001/05:04-06 00:00:59 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 DYADYA MALOWE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-05 = 0 SN1-FACE1-6 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-07 BM.2003.005.001/05:04-07 00:01:52 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 ZAGI AN MOYN MO Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-06 = 0 Non pertinent SN1-FACE1-7 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-08 BM.2003.005.001/05:04-08 00:01:04 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-07 = 0 Non pertinent SN1-FACE1-8 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-09 BM.2003.005.001/05:04-09 00:01:39 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-08 = 0 Non pertinent SN1-FACE1-9 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-10 BM.2003.005.001/05:04-10 00:01:25 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-09 = 0 Non pertinent SN1-FACE2-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-11 BM.2003.005.001/05:04-11 00:02:39 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-10 = 0 Non pertinent SN1-FACE2-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-12 BM.2003.005.001/05:04-12 00:01:37 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-11 = 0 Non pertinent SN1-FACE2-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-13 BM.2003.005.001/05:04-13 00:02:41 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-12 = 0 Non pertinent SN1-FACE2-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-14 BM.2003.005.001/05:04-14 00:02:48 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 KAYANA LIBA PAPA APAWLOBI Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-13 = 0 Non pertinent SN1-FACE2-5 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-15 BM.2003.005.001/05:04-15 00:01:23 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 MOOGWE PAPA APAWLOBI Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-14 = 0 SN1-FACE2-6 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-16 BM.2003.005.001/05:04-16 00:06:17 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 SEQUENCE DE KUMANTI Sous-table non exportée Sous-table non exportée SEQUENCE DE KUMANTI, REGISTRE ESOTERIQUE, CULTE DU DIEU JAGUAR ENTRECOUPE DE JEUX D'INSTRUMENTS, TAMBOURS ETC. BM.003.005.001/05:04-13 = 0 SN1-FACE2-7 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-17 BM.2003.005.001/05:04-17 00:01:19 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 BRUIT DE MOTEUR Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-16 = 0 Non pertinent SN3-FACE1-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-18 BM.2003.005.001/05:04-18 00:02:04 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 CRIES DE CANNOTIERS Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-17 = 0 Non pertinent SN3-FACE1-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-19 BM.2003.005.001/05:04-19 00:01:24 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 CRIES DE CANNOTIERS & BRUIT DE MOTEUR Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-16 = 0 Non pertinent SN3-FACE1-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-20 BM.2003.005.001/05:04-20 00:01:06 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 BRUIT DE SAUT & BRUIT DE MOTEUR Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-19 = 0 Non pertinent SN3-FACE1-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-21 BM.2003.005.001/05:04-21 00:04:08 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 BRUIT DES HACHES & DISCUTIONS Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-20 = 0 Non pertinent SN3-FACE1-5 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-22 BM.2003.005.001/05:04-22 00:00:51 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 AMBIANCE DE FORET Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-21 = 0 Non pertinent SN3-FACE1-6 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :04-23 BM.2003.005.001/05:04-23 00:03:17 GUYANE FRANCAISE N BONI HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 AMBIANCE DE FORET & SINGE HURLEUR AU LOIN Sous-table non exportée Sous-table non exportée AMBIANCE DE FORET & SINGE HURLEUR AU LOIN TRES PEU PERCEPTIBLE BM.003.005.001/05:04-22 = 0 SN3-FACE1-7 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-01 BM.2003.005.001/05:05-01 00:14:32 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 SYSTEME DE PILIMAN Sous-table non exportée Sous-table non exportée BM.003.005.001/05:04-23 = 1964 Non pertinent SN4-FACE1-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-02 BM.2003.005.001/05:05-02 00:03:58 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE L'INDIEN PERDU DANS LES BOIS Sous-table non exportée Sous-table non exportée BM.003.005.001/05:5-01 = 1964 SN4-FACE1-2 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-03 BM.2003.005.001/05:05-03 00:06:53 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE WAHAYME, ESPRIT DE LA BROUSSE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:5-01 = 1964 SN3-FACE1-3 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-04 BM.2003.005.001/05:05-04 00:07:17 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE KALAO Sous-table non exportée Sous-table non exportée BM.003.005.001/05:5-01 = 1964 SN4-FACE1-4 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-05 BM.2003.005.001/05:05-05 00:15:36 GUYANE FRANCAISE N WAYANA HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 LEGENDE DE L'ESPRIT DES BOIS, WAHAYME Sous-table non exportée Sous-table non exportée BM.003.005.001/05:5-01 = 1964 SN4-FACE2-1 AMERIQUE +BM.2003.005 CDR BM.2003.005.001/05 :05-06>08 BM.2003.005.001/05:05-06>08 00:15:55 AMERIQUE N HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 REPORT DU DISQUE DE MAZIERE Sous-table non exportée Sous-table non exportée BM.003.005.001/05:02-05 MAZIERE 1951 MAZIERE 1951 AMERIQUE +BM.2003.006 CDR BM.2003.006.001 :01-01 BM.2003.006.001:01-01 00:00:00 SURINAM SARAMAKA "M. FROM SARAMAKA. A DYNAMIC AFRO-AMERICAN TRAD."[COPIE DI.] Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.007 CDR BM.2003.007.001 :01-01 BM.2003.007.001:01-01 00:00:00 GUYANE FRANCAISE KALINA "CHANTS KALINA, OAYANA";"CHANTS BONI"(COPIE DI 78T] Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.007 CDR BM.2003.007.001 :01-03 BM.2003.007.001:01-03 00:00:00 GUYANE FRANCAISE WAYANA "CHANTS KALINA, OAYANA";"CHANTS BONI"(COPIE DI 78T] Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.007 CDR BM.2003.007.001 :01-04 BM.2003.007.001:01-04 00:00:00 GUYANE FRANCAISE BONI "CHANTS KALINA, OAYANA";"CHANTS BONI"(COPIE DI 78T] Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.008 CDR BM.2003.008.001 :01-01 BM.2003.008.001:01-01 00:00:00 GUYANE FRANCAISE BONI COPIE MASTER DI"MUSIQUE BONI & WAYANA DE GUYANE"+CHUTE Sous-table non exportée Sous-table non exportée 1957 AMERIQUE +BM.2003.008 CDR BM.2003.008.001 :02-01 BM.2003.008.001:02-01 00:00:00 GUYANE FRANCAISE WAYANA COPIE MASTER DI"MUSIQUE BONI & WAYANA DE GUYANE"+CHUTE Sous-table non exportée Sous-table non exportée 1957 AMERIQUE +BM.2003.009 CDR BM.2003.009.001/10 :01-01 BM.2003.009.001/10:01-01 00:00:00 ALGERIE ALGERIE, TABELBALA; CHAMPAULT,D.;1950-55? Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-01 BM.2003.010.001/29:01-01 00:04:33 19.05.87 YEMEN SANAA ZAYDITES LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (PREMIERE) A'UZU BI-LLAH / INNA ALLAH MALIK... Sous-table non exportée TASBIH Sous-table non exportée Le tasbîh, est une "prière" qui rend grâce à Dieu, et se distingue ainsi à la fois de la prière canonique, salât, et de la prière de demande, du'â. Il a trois parties, psalmodiées à des heures différentes de la nuit. Enregistrement hors situation. L'interprète est le muezzin de la mosquée Dâwud• LAMBERT,JEAN 1987 RELIGIEUX 1 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-02 BM.2003.010.001/29:01-02 00:04:20 19.05.87 YEMEN SANAA ZAYDITES LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (DEUXIEME) AL-FATIHA / ALLAH MALIK AL-HAMD Sous-table non exportée TASBIH Sous-table non exportée Le tasbîh, est une "prière" qui rend grâce à Dieu, et se distingue ainsi à la fois de la prière canonique, salât, et de la prière de demande, du'â. Il a trois parties, psalmodiées à des heures différentes de la nuit. Enregistrement hors situation. L'interprète est le muezzin de la mosquée Dâwud• LAMBERT,JEAN 1987 1 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-03 BM.2003.010.001/29:01-03 00:02:53 19.05.87 YEMEN SANAA LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (TROISIEME) SABHAN MALIK AL-ISBAH Sous-table non exportée TASBIH Sous-table non exportée Le tasbîh, est une "prière" qui rend grâce à Dieu, et se distingue ainsi à la fois de la prière canonique, salât, et de la prière de demande, du'â. Il a trois parties, psalmodiées à des heures différentes de la nuit. Enregistrement hors situation. L'interprète est le muezzin de la mosquée Dâwud• LAMBERT,JEAN 1987 1 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-04 BM.2003.010.001/29:01-04 00:02:40 01.06.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE TRAVAIL WARID WARIDIYYAH+HAWZA YA -L-MUHRA Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho• A partir de 1'30, un deuxième texte : Hawza yâ -l-muhra• LAMBERT,JEAN 1987 SATIRIQUE POPULAIRE 1/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-05 BM.2003.010.001/29:01-05 00:02:45 01.06.87 YEMEN HUFASH QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE TRAVAIL ODEH EULOH EULODIYYAH +YALLAH BI-L-BARUD, YA HOMAH Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho• - Odeh eulo eulodiyaa - A partir de 1'18, nouveau chant :Yallah bi-l-barûd• LAMBERT,JEAN 1987 1/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-06 BM.2003.010.001/29:01-06 00:03:10 01.06.87 YEMEN HUFASH QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE TRAVAIL Sous-table non exportée 'ALLAN Sous-table non exportée Chant d'effeuillage du sorgho• LAMBERT,JEAN 1987 LYRIQUE 1/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-07 BM.2003.010.001/29:01-07 00:01:25 01.06.87 YEMEN HUFASH QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE MARCHE WA-LAYLIYYA LAYLO THANI Sous-table non exportée RAZFAH Sous-table non exportée LAMBERT,JEAN 1987 1/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :01-08 BM.2003.010.001/29:01-08 00:01:50 01.06.87 YEMEN HUFASH QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE BALANCOIRE NAHNA TALA'NA YA L-MADRAHAH Sous-table non exportée MADRAHA Sous-table non exportée Interprété en l'attente du retour des pélerins de la Mekke• LAMBERT,JEAN 1987 LYRIQUE 1/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :02-01 BM.2003.010.001/29:02-01 00:18:15 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT POUR DANSE LU'BA ALA YA 'ALIM AL-ASRAR Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân)• Suite de trois mouvements : - Mantâ, 7 temps ; - wastâ (, 4 temps (6'50) ; ("Nasâlek zulum") - Sâri' (4 temps plus rapide) (12'35) ; (Yimâdînî (?) yisallî dhâ l-galb al-mahmûm)• LAMBERT,JEAN 1987 LYRIQUE ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :02-02 BM.2003.010.001/29:02-02 00:04:15 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT "SENTIMENTAL" POUR DANSE LU'BA LA KAMILI MIN AL-TAYR (?) Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân).• Suite de trois mouvements : - Sulâmiyya, 7 temps ; - wastâ (, 4 temps (2'10) ; ("Yâ 'uraydî yâ zayn" ?) - Sâri' (4 temps plus rapide) (12'35) ; (Yimâdînî (?) yisallî dhâ l-galb al-mahmûm).• LAMBERT,JEAN 1987 LYRIQUE 2/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :03-01 BM.2003.010.001/29:03-01 00:10:22 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT POUR DANSE LU'BA LA MA BISH 'ALA MAN HABB (?) Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân)• Suite de trois mouvements : - Mantâ, 7 temps ; - wastâ (, 4 temps (3'15) ; ("Anta gâlî gad" ?) - Sâri' (4 temps plus rapide) (6'35) ; ("Lammâ tilî (?) yisallînî")• BM.003.010.001:02-02 LAMBERT,JEAN 1987 LYRIQUE 3/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :03-02 BM.2003.010.001/29:03-02 00:09:00 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT POUR DANSE LU'BA ALA HOBBI GABDI SAWWAYYA (?) Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân)• Suite de trois mouvements : - Mantâ, 7 temps ; - wastâ (, 4 temps (3'00) ; ("Yallah innî da'aytek mâ da'aytek insân") - Sâri' (4 temps plus rapide) (5'10) ; ("Gult anâ lek salâm yâ ghusn (?)")• LAMBERT,JEAN 1987 LYRIQUE 3/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :04-01 BM.2003.010.001/29:04-01 00:09:12 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT "SENTIMENTAL" POUR DANSE LU'BA ... GALBI TIWALLA' (?) Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân)• Suite de trois mouvements : - Mantâ, 7 temps ; - wastâ (, 4 temps (3'12) ; ("Lân sîdî yidhakker (?)") - Sâri' (4 temps plus rapide) (5'48) ; ("Yallah annî da'aytek yâ (?)")• LAMBERT,JEAN 1987 LYRIQUE 4/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :04-02 BM.2003.010.001/29:04-02 00:10:15 15.08.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT "SENTIMENTAL" POUR DANSE LU'BA ALA AGBEL LI- L-MALA (?) Sous-table non exportée MAGHNA 'ATIFI Sous-table non exportée Ce type de chant est habituellement accompagné par la clarinette double en roseau, mizmâr et destiné à accompagner la danse lu'ba. Contrairement à la plupart des joueurs de tabl, qui sont de la caste des muzayyin, 'Abdallah al-Jabrî est un qabîlî (tribu de Sanhân)• Suite de trois mouvements, style "baladî" (local) : - Mantâ, 7 temps ; - wastâ , 4 temps (4'15) ; ("Yâ man lagâ galbî al-mudnâ", Ahmed al-Anissî) - Sâri' (4 temps plus rapide) (6'45) ; ("Yâ galbî latîf gâl (?)")• BM.003.010.001:04-01 LAMBERT,JEAN 1987 4/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :05-01 BM.2003.010.001/29:05-01 00:10:15 15.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) YA DHU L-JALAL MINKA AL-SALAH +* Sous-table non exportée NASHID Sous-table non exportée Chants de la zaffah, cortège du marié le jeudi soir, en revenant de la mosquée vers la maison de son père• *- Mashrab : Yâ dhû l-jalâl minka al-salâh - Tawshîh : Rabbu bi-sab' al-mathânî (4 mélodies) (3'08) - prière collective : Allahumâ sallî wa-sallam 'alâ - action de grâce• LAMBERT,JEAN 1987 RELIGIEUX 5/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :05-02 BM.2003.010.001/29:05-02 00:10:15 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) SALLI SALLI YA RABBI DAWAM +* Sous-table non exportée NASHID Sous-table non exportée Chants de la zaffah, cortège du marié le jeudi soir, en revenant de la mosquée vers la maison de son père• *- Mashrab : Sallî sallî yâ rabbî dawâm - Tawshîh : Yâ rabbu yâ musbil al-ghamâm (4 mélodies ? voir Inventaire ghinâ san'ânî) (Ahmed al-Muftî) (3'20) - prière collective : Allahumâ sallî wa-sallam 'alâ - action de grâce• LAMBERT,JEAN 1987 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :06-01 BM.2003.010.001/29:06-01 00:12:10 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) SALLA AL-RAHMAN 'ALA AHMED +* Sous-table non exportée NASHID Sous-table non exportée Chants de mariage, séance de qat (jalsa). Beyt Arhab, al-Jirâf• *- Mashrab : Sallâ al-Rahmân 'alâ Ahmed - Qasîda : Yâ man habbak Allah wu-taqbil (1 mélodie) (Ibn al-Amîr) (4'30) - prière collective : Allahumâ sallî wa-sallam 'alâ - action de grâce, du'╠LAMBERT,JEAN 1987 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :06-02 BM.2003.010.001/29:06-02 00:01:40 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT TRIBAL ? Sous-table non exportée ZAMIL Sous-table non exportée Chant tribal, zâmil, en l'honneur du marié (sur Abû Maslah). Le jeudi soir, pour la sortie du marié de la mosquée et le cortège, ziffa, qui le ramène vers la maison de son père• Texte non compris• LAMBERT,JEAN 1987 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :06-03 BM.2003.010.001/29:06-03 00:11:00 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) SALLI YA RABBI 'ALA TAHA +* Sous-table non exportée NASHID Sous-table non exportée Chants de la zaffah, cortège du marié le jeudi soir, en revenant de la mosquée vers la maison de son père. Enregistré à Beyt Arhab, al-Jirâf• *Mashrab : - Sallî yâ rabbi 'alâ Taha al-habîb (ce mashrab est le premier d'une dizaine de pièces chantées, en tout une heure de musique)• BM.003.010.001:05-01 LAMBERT,JEAN 1987 6/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :07-01 BM.2003.010.001/29:07-01 00:25:00 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) YA DHA AL-JALAL +* Sous-table non exportée NASHID/MASHRAB Sous-table non exportée Chants de la zaffah, cortège du marié le jeudi soir, en revenant de la mosquée vers la maison de son père. Enregistré à Beyt Arhab, al-Jirâf• *Suite de mashrab : - Yâ dhâ al-jalâl minka al-salâ tughshâ an-nabî al-tayyibu - Salât salât rabbî kulla hînneh (6'08) ; - Sallî yâ rabbî dawâm 'alâ Muhammed (13'00) - Sallâ al-Rahmân wa-'alâ al-mukhtâr (19'00) (partie d'une dizaine de pièces chantées, en tout une heure de musique)• LAMBERT,JEAN 1987 7/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :08-01 BM.2003.010.001/29:08-01 00:25:00 20.08.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) - SALLA AL-RAHMAN WA-'ALA AL-MUKHTAR +* Sous-table non exportée NASHID/MASHRAB Sous-table non exportée Chants de la zaffah, cortège du marié le jeudi soir, en revenant de la mosquée vers la maison de son père. Enregistré à Beyt Arhab, al-Jirâf• *Suite de mashrab : - Sallâ al-Rahmân wa-'alâ al-mukhtâr (suite de la bande 07/87) - Sallâ ilâhu s-samâ (3'30) ; - Tala' al-badru 'alaynâ (10'45) + Rabbu b-as-sab' al-mathânî ; - Sallâ Allah 'alâ Muhammad (14'16) ; - Salâtu Allah tughshâ wa-saqâ al-hawd yôm al-nushûr (16'15) (mention du marié, 'Abdallah) ; - Azkâ al-salâtu Allah tughshâ al-Rasûl (19'08) ; - Marhabân mâ marhaban bi-badr al-tamâmeh (20'35) ; (partie d'une dizaine de pièces chantées, en tout une heure de musique)• LAMBERT,JEAN 1987 8/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :09-01 BM.2003.010.001/29:09-01 00:09:10 18.09.87 YEMEN SANAA ARABES-MUEZZIN LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX Sous-table non exportée DU'AT Sous-table non exportée Lecture du Coran et actions de grâces diverses faisant partie du "service" de la prière du maghreb ou de la prière du 'ishâ. En toile de fond, on entend d'autres muezzins faisant de même ou faisant l'appel à la prière• LAMBERT,JEAN 1987 RELIGIEUX SAVANT 9 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :09-02 BM.2003.010.001/29:09-02 00:13:20 18.09.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) ALLAHUMMA SALLI WA-SALLEM 'ALA MUHAM +* Sous-table non exportée NASHID Sous-table non exportée Chant de salon, jalsa, pendant la fête du mariage. Bayt al-Haymî, Bir al-'Azab• *Suite de chants et de prières :l - Mashrab : Allahummâ sallî wa-sallem 'alâ Muhammad wa-âleh - Mashrab : Salâ salâtu Rabbî fî kulli hînin (2'00) - Qasîda : Kayfa tardâ Rabbî lek (4'50) (3 mélodies + refrain : Sallâ 'alâ man kasâ, voir Index chant de Sanaa) - actions de grâce collectives : Allahumâ sallî wa-sallam 'alâ (participation au choeur de Mohammed 'Atiya) - supplique, du'ât - Fâtiha• BM.003.010.001:05-01 LAMBERT,JEAN Hauts Plateaux 1987 9/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :10-01 BM.2003.010.001/29:10-01 00:10:00 18.09.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) AZKA SALAT ALLAH TAGHSHA AL-RASUL +* Sous-table non exportée NASHID Sous-table non exportée Chant de salon, jalsa, pendant la fête du mariage. Beyt al-Haymî, Sanaa• *Suite de chants et de prières : - Mashrab : Azkâ salâtu Allah taghshâ al-Rasûl - Qasîda : Yâ Wâsi' al-... (4'30) : en l'honneur de l'imam 'Alî - supplique, du'ât - Fâtiha - Huwâh (8'40) : imitation vocale de la musique militaire de l'imam (d'influence turque) ; - plaisanteries de félicitations. La voix de Mohammed 'Atiya est jodelée, peut-être par influence turque.• BM.003.010.001:09-02 LAMBERT,JEAN 1987 10/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :10-02 BM.2003.010.001/29:10-02 00:12:50 18.09.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) YA DHA AL-JALAL +* Sous-table non exportée NASHID Sous-table non exportée Chant de salon, jalsa, pendant la fête du mariage. Bayt al-Haymî, Bir al-'Azab• *Suite de chants et de prières : - Mashrab : Yâ dhâ al-jalâl - Mashrab : Sallû ilâh al-samâ (2'30). Participation de Mohammed 'Atiya au choeur. - Tawshîh : Ahlan bi-tal'at al-muhayya sa'îd (4'00) (six mélodies, voir Index chant de Sanaa) + Yâ muhajjib 'an al-sabb (trois mélodies) (suite interrompue)• BM.003.010.001:09-02 LAMBERT,JEAN 1987 10/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :11-01 BM.2003.010.001/29:11-01 00:01:10 19.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 PASTICHE VOCAL YA LAYL Sous-table non exportée ZABIJ Sous-table non exportée Séance de salon, jalsa, pendant la fête du mariage. Bayt al-Haymî, Bir al-'Azab La plaisanterie, zabîj, est aussi une fonction du nashshâd, qui doit divertir les invités autant qu'il doit les exhorter à la prière et à la bonne morale• - Pastiche vocal de Farîd al-Atrash - Moquerie musicale de Matarî et Ghaylân dans le style zajal• BM.003.010.001:10-02 LAMBERT,JEAN 1987 SATIRIQUE 11/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :11-02 BM.2003.010.001/29:11-02 00:19:40 19.09.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) SALLU ILAH AL-WADUD +* Sous-table non exportée NASHID Sous-table non exportée Chant de salon, jalsa, pendant la fête du mariage. Vendredi après-midi, subh, ou lendemain de la ziffa. Bayt al-Haymî, Bir al-'Azab• *Suite de chants et de prières : - Mashrab : Sallû ilâh al-wadûd - Mashrab : Yâ dhâ al-jalâl (3'15) - Tawshîh : Badâ ka-l-badr tuwijju bi-l-thurâyâ (5'00) (deux mélodies, voir Index chant de Sanaa) + Shaddat bikumu al-'ishâq (trois ou quatre mélodies) - actions de grâce collectives : Allahumâ sallî wa-sallam 'alâ (17'00) - supplique, du'ât - Fâtiha• BM.003.010.001:09-02 LAMBERT,JEAN 1987 RELIGIEUX SAVANT 11/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :11-03 BM.2003.010.001/29:11-03 00:00:30 19.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 PASTICHE VOCAL YA MARHABAN YA MASHALA Sous-table non exportée ZABIJ Sous-table non exportée Séance de salon, jalsa, pendant la fête du mariage. Bayt al-Haymî, Bir al-'Azab La plaisanterie, zabîj, est aussi une fonction du nashshâd, qui doit divertir les invités autant qu'il doit les exhorter à la prière et à la bonne morale• - Pastiche vocal de Farîd al-Atrash : Yâ marhaba yâ mashala yâ jôn !• BM.003.010.001:11-01 LAMBERT,JEAN 1987 11/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :12-01 BM.2003.010.001/29:12-01 00:16:48 19.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX (FORME DE SUITE) GHAYRI 'ALA L-SILWANI QADIR +* Sous-table non exportée NASHID Sous-table non exportée Chant de salon, jalsa, pendant la fête du mariage. Vendredi après-midi, subh, ou lendemain de la ziffa. Bayt al-Haymî, Bir al-'Azab• *Suite de chants et de prières : - Tawshîh : Ghayrî 'alâ l-silwâni qâdir - Tawshîh : Yâ man bi-zall 'annî kull al-aâm (7'00) (trois ou quatre mélodies, voir Index chant de Sanaa) - actions de grâce collectives : Allahumâ sallî wa-sallam 'alâ (15'00) - supplique, du'ât - Fâtiha - Félicitations• BM.003.010.001:11-02 LAMBERT,JEAN 1987 12/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :13-01 BM.2003.010.001/29:13-01 00:08:15 22.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 CHANT "RELIGIEUX-PROFANE" YIGARRIB ALLAH * AL -MUFTI Sous-table non exportée NASHID : TAWSHIH Sous-table non exportée Enregistré chez Hammâmî, route de l'aéroport• Yigarrib Allah : publié dans le CD de "La médecine de l'âme" + transcription• *Tawshîh : Yigarrib Allah (trois ou quatre mélodies, voir Index chant de Sanaa)• BM.003.010.001:12-01 LAMBERT,JEAN 1987 LYRIQUE 13/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :13-02 BM.2003.010.001/29:13-02 00:04:10 22.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 CHANT " RELIGIEUX-PROFANE" YA RABB ASALEK BI-L-JALAL Sous-table non exportée NASHID Sous-table non exportée Enregistré chez Hammâmî, dans sa maison sur la route de l'aéroport• Tawshîh : Yâ rabb asâlek bi-l-jalâl (trois mélodies).• BM.003.010.001:12-01 LAMBERT,JEAN 1987 LYRIQUE 13/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :13-03 BM.2003.010.001/29:13-03 00:02:40 22.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 ACTION DE GRACE (PELERINAGE) TAWAKKOL 'ALA AL-RAHMAN Sous-table non exportée TASBIH Sous-table non exportée Enregistré chez Hammâmî, dans sa maison sur la route de l'aéroport. Action de grâce, tasbîh, psalmodiée du minaret des mosquées, pendant la période du pélerinage, dans la journée, à la différence des tasbîh de la nuit.• Publié dans le CD de "La médecine de l'âme", plage 2. Tawakkol 'alâ al-Rahmân• BM.003.010.001:13-02 LAMBERT,JEAN 1987 Non pertinent 13 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :13-04 BM.2003.010.001/29:13-04 00:09:20 22.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 CHANT " RELIGIEUX-PROFANE" AQBIS MATA SHITI ANONYME Sous-table non exportée NASHID / TAWSHIH Sous-table non exportée Enregistré chez Hammâmî, dans sa maison sur la route de l'aéroport• Publié dans le CD de "La médecine de l'âme", plage 12• Tawshîh : Aqbis matâ shiti nâr al-shawq min kabadî (trois mélodies, voir Index du chant de Sanaa).• BM.003.010.001:13-02 LAMBERT,JEAN 1987 LYRIQUE 13/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-01 BM.2003.010.001/29:14-01 00:07:00 21.09.87 YEMEN SANAA ARABES-NASHSHAD LAMBERT,J.;YEMEN,1987 CHANT " RELIGIEUX-PROFANE" ZAMAN AL-SIBA AHMED AL-ANISI Sous-table non exportée NASHID / TAWSHIH Sous-table non exportée Enregistré chez Hammâmî, dans sa maison sur la route de l'aéroport Le tawshîh est une forme de poésie profane, chantée dans un style religieux, inshâdî, par les chantres religieux, nashshâd.• Tawshîh : Zamân al-sibâ (deux mélodies, voir Index du chant de Sanaa).• BM.003.010.001 LAMBERT,JEAN 1987 14/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-02 BM.2003.010.001/29:14-02 00:04:10 01.06.87 YEMEN AL-AHJUR QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE CHAMELIER JAMMALI BA'DA SUDI Sous-table non exportée MAGHRAD JAMMALI Sous-table non exportée Chant de chamelier Beyt al-Gusas, al-Ahjur• Jammâlî ba'da sûdî Yâ laytanî jammâlî ba'd sûdî. Chaque couplet est suivi de cris à destination du chameau. Coupure à 2'10, puis nouveaux couplets• LAMBERT,JEAN 1987 LYRIQUE POPULAIRE 14 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-03 BM.2003.010.001/29:14-03 00:02:20 21.09.87 YEMEN AL-AHJUR QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE LABOUR GULTE YA ... Sous-table non exportée MAGHRAD Sous-table non exportée Chant interprété par le paysan derrière sa charrue pendant qu'il laboure. Par ce chant, il communique fortement avec la nature, et en tire une émotion intense, exprimée par l'"allongement" du chant. Beyt al-Gusas, al-Ahjur• Gulte yâ ... . Voix de fausset caractéristique du style ancien, en voie de disparition. Coupure après 1'10, puis nouveau couplet, 1'00• LAMBERT,JEAN 1987 LYRIQUE ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-04 BM.2003.010.001/29:14-04 00:01:50 21.09.87 YEMEN AL-AHJUR QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE LABOUR GULTE YA ... 'ALI WALD ZAYED Sous-table non exportée MAGHRAD Sous-table non exportée Chant interprété par le paysan derrière sa charrue pendant qu'il laboure. Par ce chant, il communique fortement avec la nature, et en tire une émotion intense, exprimée par l'"allongement" du chant. al-Ahjur• Alâ Yigûl 'Alî Wald Zâyed : Yâ layta lî mâ timannayt Alâ 'ubr al-nagîl : Awlâ jurbat al-zall Alâ al-tilmeh yiddî ghirâreh : Wa-l-mihjânî yishbi' insân Alâ Yigûl 'Alî Wald Zâyed : illa lama' baraq al-sayf... (voir Lambert 1985)• BM.003.010.001:14-03 LAMBERT,JEAN 1987 14 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-05 BM.2003.010.001/29:14-05 00:01:00 21.09.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WARID WARIDIYYAH* Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho. Enregistré à al-Kawâhil (route de Tawîla)• *Wârid wâridiyya, puis Wâridû• BM.003.010.001:01-04 LAMBERT,JEAN 1987 SATIRIQUE POPULAIRE 14/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-06 BM.2003.010.001/29:14-06 00:04:10 01.06.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT D'EFFEUILLAGE DU SORGHO Sous-table non exportée HADI AL-SHARF Sous-table non exportée Chant d'effeuillage du sorgho, hâdî al-sharf Un poète homme souffle à la soliste les vers de poésie.• Suite de couplets par la même soliste appelée... BM.003.010.001:01-06 LAMBERT,JEAN 1987 LYRIQUE 14/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-07 BM.2003.010.001/29:14-07 00:03:40 01.10.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE YA HAWMA BARRID* Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho. Enregistré à al-Kawâhil (route de Tawîla)• *Suite de différents mahjal : Yâ hawma barrid + Yâ hawza + Sallû 'alayh + Wa-l-gasam• BM.003.010.001:14-05 LAMBERT,JEAN 1987 SATIRIQUE 14 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :14-08 BM.2003.010.001/29:14-08 00:03:10 01.06.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT D'EFFEUILLAGE DU SORGHO Sous-table non exportée HADI AL-SHARF Sous-table non exportée Chant d'effeuillage du sorgho, hâdî al-sharf Un poète homme souffle à la soliste les vers de poésie.• Suite de couplets par la même soliste appelée Rajâ ou Rajab• BM.003.010.001:14-06 LAMBERT,JEAN 1987 14 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-01 BM.2003.010.001/29:15-01 00:04:20 02.10.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE SALLU 'ALAYH * Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho. Enregistré à al-Kawâhil (route de Tawîla)• *Suite de différents mahjal : Sallû 'alayh + Wa-l-khatm Muhammed + Wu-sallim 'alayh + Sallû 'alayh• BM.003.010.001:14-07 LAMBERT,JEAN 1987 16 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-02 BM.2003.010.001/29:15-02 00:03:00 02.10.87 YEMEN SANAA QABAIL LAMBERT,J.;YEMEN,1987 CHANT TRIBAL YALLAH AL-YOM MA'ANA Sous-table non exportée ZAMIL Sous-table non exportée Chant tribal, zâmil. Se chante en toutes occasions publiques et cérémonielles• Yallah al-yôm ma'ân╠BM.003.010.001:06-02 LAMBERT,JEAN Hauts Plateaux 1987 Non pertinent 16/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-03 BM.2003.010.001/29:15-03 00:07:00 02.10.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE HAMDU LI-LLAH * Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho. En usage également pour accompagner les travaux de construction. Enregistré à al-Kawâhil (route de Tawîla)• *Suite de différents mahjal : Hamdu li-Llah + Yâ hawza + Sallû 'alayh + Shârigiyya (coupure puis reprise)• BM.003.010.001:16-01 LAMBERT,JEAN 1987 16/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-04 BM.2003.010.001/29:15-04 00:05:25 02.10.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT D'EFFEUILLAGE DU SORGHO YA LLAH ANA SALEK TERUDD AL-'AWAYED* Sous-table non exportée HADI AL-SHARF Sous-table non exportée Chant d'effeuillage du sorgho, hâdî al-sharf Un poète homme ('Abdallah al-Radâ'î ?) souffle à la soliste les vers de poésie.• *Plusieurs couplets dont : - Yâ Llah anâ sâlek terudd al-'awâyed - Salâm yâ rawdat al-Ahjer wa-rawdat bilâdî ('Abd al-Rahmân Sharaf al-Dîn, poésie homaynî) BM.003.010.001:14-08 LAMBERT,JEAN 1987 LYRIQUE 16 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-05 BM.2003.010.001/29:15-05 00:01:50 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE HAMDU LI-LLAH * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho.• *Sallû 'alayh• LAMBERT,JEAN 1987 RELIGIEUX POPULAIRE 16/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :15-06 BM.2003.010.001/29:15-06 00:03:10 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WARIDIYYA * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho.• *Suite de hajla : Wâridiyya (interruption) + Sallû 'alayh • LAMBERT,JEAN 1987 16 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :16-01 BM.2003.010.001/29:16-01 00:06:40 02.10.87 YEMEN HAJAR ABU GHANEM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT D'EFFEUILLAGE DU SORGHO Sous-table non exportée HADI AL-SHARF Sous-table non exportée Chant d'effeuillage du sorgho, hâdî al-sharf (également appelé bâlah) Un poète homme souffle à la soliste les vers de poésie (Husayn Nâsir Abû Ghânim).• Textes difficiles à comprendre, dont : - Gulte mâ li-s-salâh (?)• LAMBERT,JEAN 1987 LYRIQUE POPULAIRE 17/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :16-02 BM.2003.010.001/29:16-02 00:10:30 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE YA HAWMA BARRID * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho.• *Suite de hajla : Yâ hawmâ barrid + Bi-l-'ânî + Lâ wa-ll-layl • BM.003.010.001:16-06 LAMBERT,JEAN 1987 17/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :17-01 BM.2003.010.001/29:17-01 00:09:40 02.10.87 YEMEN HAJAR ABU GHANEM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT D'EFFEUILLAGE DU SORGHO GULTE MA LI-S-SALAT* Sous-table non exportée HADI AL-SHARF Sous-table non exportée Chant d'effeuillage du sorgho, hâdî al-sharf (également appelé bâlah) Un poète homme ou une autre femme soufflent à la soliste les vers de poésie (Husayn Nâsir Abû Ghânim).• *Suite de couplets, dont : - Gulte mâ li-s-salât - Gulte le... - Kullek halâ yâ 'âshiq yâ baddâ' (?) - 'Aduh garîb 'âduh muwalla' - Mâ garib wu-khtem BM.003.010.001:17-01 LAMBERT,JEAN 1987 LYRIQUE POPULAIRE 18 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :17-02 BM.2003.010.001/29:17-02 00:03:00 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WARIDIYYA * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho, mahjal ou hajla.• *Suite de hajla : Wâridiyya + Sallû 'alayh • BM.003.010.001:17-02 LAMBERT,JEAN 1987 18/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :17-03 BM.2003.010.001/29:17-03 00:05:00 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WA-L-GASAM * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho, mahjal ou hajla.• *Suite de hajla : Wa-l-gasam (avec nombreux changements de refrain) + Wâridiyya • BM.003.010.001:18-02 LAMBERT,JEAN 1987 :18 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :18-01 BM.2003.010.001/29:18-01 00:03:40 02.10.87 YEMEN HAJAR ABU GHANIM (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WARIDIYYA * Sous-table non exportée HAJLA Sous-table non exportée Chant de récolte du sorgho, mahjal ou hajla.• *Wâridiyya • BM.003.010.001:18-03 LAMBERT,JEAN 1987 SATIRIQUE POPULAIRE 19 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :18-02 BM.2003.010.001/29:18-02 00:04:00 06.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE RABBU BI-S-SABA' * 'ABD AL-RAHMAN SHARAF AL-DIN Sous-table non exportée GHINA SANAANI Sous-table non exportée Essai avorté. Remarque du hajj Muhammed ... (de Dhamâr) *Mutawwal : Rabbu bi-s-saba' al-mathânî (voir Index chant de Sanaa). 'UD = luth arabe• BM.003.010.001:13-01 LAMBERT,JEAN 1987 LYRIQUE SAVANT 19/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :18-03 BM.2003.010.001/29:18-03 00:10:10 06.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE RABBU BI-S-SABA' * 'ABD AL-RAHMAN SHARAF AL-DIN Sous-table non exportée GHINA SANAANI Sous-table non exportée *Mutawwal : Rabbu bi-s-saba' al-mathânî + tawshîh en sâri' (voir Index chant de Sanaa). 'UD = luth arabe• BM.003.010.001:19-02 LAMBERT,JEAN 1987 LYRIQUE SAVANT rabe 19 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :19-01 BM.2003.010.001/29:19-01 00:15:50 04.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE FERTASH JAM' Sous-table non exportée GHINA SANAANI Sous-table non exportée Le fertash jam' consiste à égrainer plusieurs mélodies de manière instrumentale, en guise de prélude : das'a 11 (sikah) (Wâ-mugharrid wi-Wâdî al-Dûr) ; wastâ (Wâ mughîr al-qamar) ; wastâ' (A-sukkân al-himâ) ; wastâ (voir Index chant de Sanaa); sâri'; wastâ kawkabâniyya ; sâri'. TURBI = luth yéménite.L'instrument a été fabriqué par Fuâd al-Gu'turî et Jean Lambert. La caisse de résonnance est une courge.• BM.003.010.001:21-01 LAMBERT,JEAN 1987 Non pertinent 20 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :20-01 BM.2003.010.001/29:20-01 00:08:10 06.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE FERTASH JAM' 'ABD AL-RAHMAN SHARAF AL-DIN Sous-table non exportée GHINA SANAANI Sous-table non exportée Le fertash jam' consiste a égrainer plusieurs mélodies de manière instrumentale, en guise de prélude : - wastâ ; - sâri' ; - saj' ; - das'a 11 (voir Index chant de Sanaa). TURBI = luth yéménite. L'instrument a été fabriqué par Fuâd al-Gu'turî et Jean Lambert. La caisse de résonnance est une courge.• BM.003.010.001:20-02 LAMBERT,JEAN 1987 Non pertinent 21 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :20-02 BM.2003.010.001/29:20-02 00:08:10 06.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE YA MAN 'ALAYK AL-TAWAKKOL * 'ABD AL-RAHMAN SHARAF AL-DIN Sous-table non exportée GHINA SANAANI Sous-table non exportée *Wastâ kawkabâniyya : Yâ man 'alayk al-tawakkol wa-l-khalaf (avec un blanc vers 2'00) + Sâri' : sans paroles (voir Index chant de Sanaa). TURBI = luth yéménite. L'instrument a été fabriqué par Fuâd al-Gu'turî et Jean Lambert. La caisse de résonnance est une courge.• BM.003.010.001:19-03 LAMBERT,JEAN 1987 LYRIQUE SAVANT 21/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :21-01 BM.2003.010.001/29:21-01 00:11:00 12.10.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX TUHFA TUHDA LI-MAN * Sous-table non exportée NASHID / QASIDA Sous-table non exportée Qasîda, poème religieux, se chante dans les mariage, les enterrements et les mawlid• *Suite de deux qasîda : - Tuhfa tuhdâ li-man yahwâ 'Aliya (avec plusieurs mélodies, dont la troisième en hijâz) (al-Kuhlânî) (7'00) - Yâ badî' al-samawât yâ na'm al-wakîl // Yâ jazîl al-'atâ (Ibn Nâsir) (mélodies de tawshîh, voir Inventaire des Mélodies du Chant de Sanaa)• BM.003.010.001:06-03 LAMBERT,JEAN 1987 RELIGIEUX SAVANT 22/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :22-01 BM.2003.010.001/29:22-01 00:09:00 12.10.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX AL-SABRU HISNU AL-FATA * ISHAQ Sous-table non exportée NASHID / QASIDA Sous-table non exportée Qasîda, poème religieux, se chante dans les mariage, les enterrements et les mawlid• *Qasîda : - Al-sabru hisnu al-fatâ wa-l-sûr Idhâ alamat bika al-ahzân (Ishâq) (avec tawshîh) (7'00)• BM.003.010.001:22-01 LAMBERT,JEAN 1987 RELIGIEUX SAVANT 23 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :23-01 BM.2003.010.001/29:23-01 00:16:20 12.10.87 YEMEN SANAA ARABES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX ALA YA SAHIN* AL-HABAL Sous-table non exportée NASHID / QASIDA Sous-table non exportée Qasîda, poème religieux, se chante dans les mariage, les enterrements et les mawlid• Qasîda : - Alâ yâ sâhin juzt al-gharr (?) / Shâhidt al-maqâm al-Haydariyya (en l'honneur de Ali Ibn Abî Tâleb) (al-Habal) (mêmes mélodies que 22 / 87 ?) - Hattâ ... (12'00) : changement de mélodie (Ghayrî 'alâ al-silwân qâdir) ( voir Inventaire des Mélodies du Chant de Sanaa)• BM.003.010.001:22-01 LAMBERT,JEAN 1987 RELIGIEUX SAVANT 24/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :24-01 BM.2003.010.001/29:24-01 00:22:30 14.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE YA MUKAHHIL 'UYUNI* 'ABD AL-RAHMAN SHARAF AL-DIN Sous-table non exportée GHINA SANAANI / QAWMA Sous-table non exportée *Qawma, suite de trois mouvements (incomplète) : - Mutawwal-D11 : Yâ mukahhil 'uyûnî bi-l-sahar (16'00) - Wastâ (avec tawshîh interne) : Yâ qalbî al-mudnâ 'alaysh tirtâb (voir Index chant de Sanaa). + Sâri''UD = luth arabe, originaire de Syrie.• BM.003.010.001:21-02 LAMBERT,JEAN 1987 LYRIQUE SAVANT 25 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :25-01 BM.2003.010.001/29:25-01 00:22:20 14.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE ALLAHUMMA SALLI WA-SALLAM* Sous-table non exportée GHINA SANAANI / QAWMA Sous-table non exportée *Qawma, suite d'au moins trois mouvements (complète) : - Prélude taqsîm ou fertâsh au 'ûd - D7 : Allahummâ sallî wa-sallam 'alâ Muhammed wa-âleh (mashrab) (5'00) - D11 : Lillah yahwî hadhâ al-maqâm ('Abd al-Rahmân al-Anisî) (13'00) ( - Wastâ : Habîbî shâ-khâlif al-'udhdhâl (Wâ sîd anâ lek min al-khuddâm (17'00) - Sâri' : Al-layla ma'ânâ nesmer 'alâ naghmat al-'ûd. (voir Index chant de Sanaa). 'UD = luth arabe, originaire de Syrie• BM.003.010.001:25-01 LAMBERT,JEAN 1987 26 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :25-02 BM.2003.010.001/29:25-02 00:03:20 02.10.87 YEMEN AL-KAWAHIL (ROUTE DE TAWILA) QABAIL LAMBERT,J.;YEMEN,1987 CHANT DE RECOLTE WARIDIYYA* Sous-table non exportée MAHJAL Sous-table non exportée Chant de récolte du sorgho. Enregistré à al-Kawâhil (route de Tawîla)• *Mahjal : Wâridiyya• BM.003.010.001:16-01 LAMBERT,JEAN 1987 26/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :26-01 BM.2003.010.001/29:26-01 00:17:30 14.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE FARRIJ AL-HAMM Sous-table non exportée GHINA SANAANI Sous-table non exportée - Prélude taqsîm ou fertâsh au 'ûd - D7 : Farrij al-hamm yâ kâshif al-ghamm (Jâbir Rizq) (mélodie avec tawshîh, inventé par Ahmed Sunaydâr ?) (voir Index chant de Sanaa)/ 'UD = luth arabe, originaire de Syrie• BM.003.010.001:26-01 LAMBERT,JEAN 1987 LYRIQUE SAVANT 27/87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :26-02 BM.2003.010.001/29:26-02 00:04:20 19.10.87 YEMEN SANAA ZAYDITES LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (DEUXIEME) AL-HAMD Sous-table non exportée TASBIH Sous-table non exportée Enregistrement la nuit d'un toit à Sanaa• BM.003.010.001:01-02 LAMBERT,JEAN Hauts Plateaux 1987 27 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :27-01 BM.2003.010.001/29:27-01 00:02:20 30.10.87 YEMEN DHAMAR ZAYDITES LAMBERT,J.;YEMEN,1987 CHANT RELIGIEUX LA ILAH ILLA LLAH* Sous-table non exportée Sous-table non exportée Hymne d'accompagnement du défunt. Le cortège passe dans la rue• *Lâ ilâh illâ Llah / Yâ hayy yâ qayyûm• BM.003.010.001:24-01 LAMBERT,JEAN Hauts Plateaux 1987 28 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :27-02 BM.2003.010.001/29:27-02 00:07:10 30.10.87 YEMEN DHAMAR ZAYDITES LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (TROISIEME) SABHAN Sous-table non exportée TASBIH Sous-table non exportée Le tasbîh, est une "prière" qui rend grâce à Dieu, et se distingue ainsi à la fois de la prière canonique, salât, et de la prière de demande, du'â. Il a trois parties, psalmodiées à des heures différentes de la nuit. Enregistrement près de la mosquée Daday, Dhamâr• On entend dans le fond une lecture du Coran par Mohammed Husayn 'Amer, enregistrement de Sanaa, pas un muezzin vivant. Le tasbîh est un cas intéressant de "poly-musique". BM.003.010.001:01-03 LAMBERT,JEAN 1987 RELIGIEUX 28 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :28-01 BM.2003.010.001/29:28-01 00:10:40 30.10.87 YEMEN DHAMAR ZAYDITES LAMBERT,J.;YEMEN,1987 ACTION DE GRACE DE LA NUIT (DEUXIEME + TROISIEME) RABBANA ARHAMNA * Sous-table non exportée TASBIH Sous-table non exportée Le tasbîh, est une "prière" qui rend grâce à Dieu, et se distingue ainsi à la fois de la prière canonique, salât, et de la prière de demande, du'â. Il a trois parties, psalmodiées à des heures différentes de la nuit. Enregistrement près de la mosquée al-Jaylânî, Dhamâr. L'amplification électro-acoustique déforme la voix.• *- Rabbanâ arhamnâ. - (à partir de 5'50) Subhân (enregistrement meilleur) • BM.003.010.001:28-02 LAMBERT,JEAN 1987 Non pertinent 29 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :28-02 BM.2003.010.001/29:28-02 00:07:40 30.10.87 YEMEN DHAMAR ZAYDITES LAMBERT,J.;YEMEN,1987 APPEL A LA PRIERE ALLAHU AKBAR Sous-table non exportée ADHAN Sous-table non exportée L'appel à la prière du matin (fajr). Suit le troisième tasbîh. Enregistrement près de la mosquée al-Jaylânî, Dhamâr. L'amplification électro-acoustique déforme la voix.• - Allahu akbar. Le muezzin de la mosquée Jaylânî ne commence qu'au bout de trois minutes (enregistrement meilleur que les autres) • BM.003.010.001:29-01 LAMBERT,JEAN 1987 29 / 87 ASIE +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 :29-01 BM.2003.010.001/29:29-01 00:08:20 25.10.87 YEMEN SANAA ARABES-MUGHANNI LAMBERT,J.;YEMEN,1987 CHANT ET LUTH PROFANE MATA YASHTAFI MINKA* Sous-table non exportée GHINA SANAANI Sous-table non exportée *Qawma dans le désordre : - wastâ : Matâ yashtafî minka al-fuâd al-mu'adhdhabu. - 3'00 : sâri' : ... al-tafl bi-l-'aql alldhî fîhâ (?) (Qâlat wa-qad nâhat bi-l-qurb minhâ hamâmaton) - 7'00 : das'a : Yâ nasîm al-sahar hal lek khabar (voir Index chant de Sanaa). TURBI = luth yéménite. L'instrument a été fabriqué par Fuâd al-Gu'turî et Jean Lambert. La caisse de résonnance est une courge. Le musicien l'essaie pour la première fois.• BM.003.010.001:21-01 LAMBERT,JEAN 1987 LYRIQUE SAVANT 30 / 87 ASIE +BM.2003.011 CDR BM.2003.011.001 :01-01 BM.2003.011.001:01-01 00:24:48 déc. 1986 TIBET (INDE) KARNATAKA (LIEU D'ENREG.) TIBETAINS HELFFER,M; MATTHIEU RICARD .;TIBET (INDE,NEPAL). RITUEL DE _GCOD_;1986,1993 [RITUEL DE _GCOD_] MKHA'-'GRO GAD-RGYANQO Sous-table non exportée Sous-table non exportée Traduction du texte in: Evans-Wentz,y., _Le Yoga tibétain et les doctrines secrètes_Paris, Adrien Maisonneuve, 1980: 305-336• *Tara Lama, maître de chant du monastère de Dpal yule, en exil à Byakuppe (Inde). Cf. collection BM.987.015• RICARD,MATHIEUX 1986 K7-1987/1 ASIE +BM.2003.011 CDR BM.2003.011.001 :01-02 BM.2003.011.001:01-02 00:31:00 19/02/1993 TIBET (NEPAL) BODNATH (LIEU D'ENREG.)* TIBETAINS HELFFER,M; MATTHIEU RICARD .;TIBET (INDE,NEPAL). RITUEL DE _GCOD_;1986,1993 [RITUEL DE _GCOD_] MKHA'-'GRO GAD-RGYANQO Sous-table non exportée GCOD Sous-table non exportée * enreg. au monastère de Zhe Chen. $ Groupe de nonnes du monastère tibétain de Shugseb, en exil au Népal• HELFFER,MIREILLE 1993 K7 1993-5 A ASIE +BM.2003.011 CDR BM.2003.011.001 :01-03 BM.2003.011.001:01-03 00:10:30 19/02/1993 TIBET (NEPAL) BODNATH (LIEU D'ENREG.)* TIBETAINS HELFFER,M; MATTHIEU RICARD .;TIBET (INDE,NEPAL). RITUEL DE _GCOD_;1986,1993 [RITUEL DE _GCOD_] MKHA'-'GRO GAD-RGYANQO Sous-table non exportée GCOD Sous-table non exportée * enreg. au monastère de Zhe Chen. $ Groupe de nonnes du monastère tibétain de Shugseb, en exil au Népal• HELFFER,MIREILLE 1993 K7 1993-5B ASIE +BM.2003.012 CDR BM.2003.012.001 :01-01 BM.2003.012.001:01-01 00:03:55 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL 1975 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-02 BM.2003.012.001:01-02 00:12:32 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 2 PIÈCES ENCHAINEES ? STYLE KURKUTU Sous-table non exportée KURKUTU Sous-table non exportée Veillée, mariage, rituell d'imposition du nom = ?• CD _Burkina Faso : la voix des peuls_. Le Chant du Monde. CNR-2741079• CV- = vièle monocorde Cl-= luth monocorde IFC= calebasse• RIESMAN,PAUL -1 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-03 BM.2003.012.001:01-03 00:02:48 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL -1 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-04 BM.2003.012.001:01-04 00:02:10 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE KURKUTU Sous-table non exportée KURKUTU Sous-table non exportée Veillée, mariage, rituell d'imposition du nom = ?• CD _Burkina Faso : la voix des peuls_. Le Chant du Monde. CNR-2741079• Cl-= luth monocorde IFC= calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-05 BM.2003.012.001:01-05 00:03:32 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-06 BM.2003.012.001:01-06 00:03:23 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-07 BM.2003.012.001:01-07 00:02:10 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-08 BM.2003.012.001:01-08 00:06:49 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE KURKUTU Sous-table non exportée KURKUTU Sous-table non exportée Veillée, mariage, rituell d'imposition du nom = ?• CD _Burkina Faso : la voix des peuls_. Le Chant du Monde. CNR-2741079• AABS = clarinette à embouchure latérale en tige de mil (trou terminal) IFC= calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-09 BM.2003.012.001:01-09 00:10:28 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 M. DE COUR GRIOT MAABO Sous-table non exportée GUDE WORBE Sous-table non exportée CL = Luth à 4 ou 5 cordes• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-10 BM.2003.012.001:01-10 00:09:11 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 STYLE DOOMI /DOOHAALI Sous-table non exportée DOOMI /DOOHAALI Sous-table non exportée Veillée : ?, mariage: ?• Loncke,Sandrine _Les chemins de la voix peule_. Libreria Musicale Italiana. Lucca; 2000• IFC = calebasse• RIESMAN,PAUL 0 AFRIQUE +BM.2003.012 CDR BM.2003.012.001 :01-11 BM.2003.012.001:01-11 00:12:57 ± 1975 BURKINA FASO PROVINCE DU SOUM PEULS JELGOOBE LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 M. DE COUR GRIOT MAABO Sous-table non exportée GUDE WORBE Sous-table non exportée VA = parlé, crié et chanté solo H avec soutien CHR H CL = Luth à 4 ou 5 cordes / grosse saute de niveau à 6'12. Le CRD comporte une pièce 12 de 0'34" dont il n'a pas été fait de fiche et dont le contenu est: silence puis ronflette • RIESMAN,PAUL 0 AFRIQUE +BM.2003.013 CDR BM.2003.013.001 :01-02 BM.2003.013.001:01-02 00:06:51 sept.1999 INDE;KERALA PULLUVAN-C INDE."MCS DE L'ALEATOIRE.UNE ETHNOG....AU KERAL"[EXEMPLES POUR THESE] Sous-table non exportée Sous-table non exportée 1999 ASIE +BM.2003.013 CDR BM.2003.013.001 :01-15 BM.2003.013.001:01-15 00:01:38 INDE;KERALA MANNÂN-C INDE."MCS DE L'ALEATOIRE.UNE ETHNOG....AU KERAL"[EXEMPLES POUR THESE] L'ORIGINE DU NANTUNI NANTUNI MULAM Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.014 CDR BM.2003.014.001 :01-01 BM.2003.014.001:01-01 00:02:37 USA OJHA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" N Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-02 BM.2003.014.001:01-02 00:03:04 INDE "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.014 CDR BM.2003.014.001 :01-03 BM.2003.014.001:01-03 00:01:31 NEPAL JHANKRI "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.014 CDR BM.2003.014.001 :01-04 BM.2003.014.001:01-04 00:03:37 PEROU AYAHUASCAS "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-05 BM.2003.014.001:01-05 00:02:51 HAITI "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" HAITIAN VODUN MAMBO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-06 BM.2003.014.001:01-06 00:04:54 USA OJIBWA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-07 BM.2003.014.001:01-07 00:04:25 MEXIQUE KUNA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-08 BM.2003.014.001:01-08 00:00:00 N "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée AMAZONIE 0 N +BM.2003.014 CDR BM.2003.014.001 :01-09 BM.2003.014.001:01-09 00:02:25 URSS;RA TOUVA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.014 CDR BM.2003.014.001 :01-10 BM.2003.014.001:01-10 00:03:25 N "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" * Sous-table non exportée Sous-table non exportée * Spiritual Baptist immigrant from St Vincent Island• 0 N +BM.2003.014 CDR BM.2003.014.001 :01-11 BM.2003.014.001:01-11 00:03:22 MEXIQUE HUICHOLES "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-12 BM.2003.014.001:01-12 00:03:51 MEXIQUE LACANDON "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-13 BM.2003.014.001:01-13 00:03:04 MEXIQUE KUNA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-14 BM.2003.014.001:01-14 00:02:53 MEXIQUE TARAHOMARA OWINAME "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-15 BM.2003.014.001:01-15 00:03:51 COREE DU NORD "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.014 CDR BM.2003.014.001 :01-16 BM.2003.014.001:01-16 00:04:57 USA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-17 BM.2003.014.001:01-17 00:03:29 PANAMA "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2003.014 CDR BM.2003.014.001 :01-18 BM.2003.014.001:01-18 00:03:34 TIBET "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.015 CDR BM.2003.015.001 :01-01 BM.2003.015.001:01-01 00:00:00 YEMEN JUIFS "THE YEMENITE JEWS" (COPIE DE DI.) Sous-table non exportée Sous-table non exportée LAMBERT,JEAN 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-01 BM.2003.016.001:01-01 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-02 BM.2003.016.001:01-02 00:00:00 EGYPTE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-03 BM.2003.016.001:01-03 00:00:00 IRAN;KURDISTAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-04 BM.2003.016.001:01-04 00:00:00 JORDANIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-05 BM.2003.016.001:01-05 00:00:00 ABU DHABI MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-06 BM.2003.016.001:01-06 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-07 BM.2003.016.001:01-07 00:00:00 ETHIOPIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-08 BM.2003.016.001:01-08 00:00:00 BAHREIN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-09 BM.2003.016.001:01-09 00:00:00 INDE;ANDHRA PRADESH MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-10 BM.2003.016.001:01-10 00:00:00 LIBAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-11 BM.2003.016.001:01-11 00:00:00 ETHIOPIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-12A BM.2003.016.001:01-12A 00:00:00 EGYPTE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-13 BM.2003.016.001:01-13 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-14 BM.2003.016.001:01-14 00:00:00 IRAK MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-15 BM.2003.016.001:01-15 00:00:00 IRAK MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-16 BM.2003.016.001:01-16 00:00:00 BAHREIN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-17 BM.2003.016.001:01-17 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-18 BM.2003.016.001:01-18 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-19 BM.2003.016.001:01-19 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-20 BM.2003.016.001:01-20 00:00:00 MAROC MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.001 CDR BM.2003.016.001 :01-21 BM.2003.016.001:01-21 00:00:00 TURQUIE MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-22 BM.2003.016.001:01-22 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.001 CDR BM.2003.016.001 :01-23 BM.2003.016.001:01-23 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 01-20 BM.2003.016.00201-20 00:00:00 TURKMENISTAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-01A BM.2003.016.002:01-01A 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-02 BM.2003.016.002:01-02 00:00:00 IRAK MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-03A BM.2003.016.002:01-03A 00:00:00 JORDANIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-03B BM.2003.016.002:01-03B 00:00:00 NIGER MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-04 BM.2003.016.002:01-04 00:00:00 ETHIOPIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-05 BM.2003.016.002:01-05 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-06 BM.2003.016.002:01-06 00:00:00 TURQUIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-07 BM.2003.016.002:01-07 00:00:00 INDONESIE;JAVA MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-08 BM.2003.016.002:01-08 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-09 BM.2003.016.002:01-09 00:00:00 ETHIOPIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-10 BM.2003.016.002:01-10 00:00:00 BAHREIN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-11 BM.2003.016.002:01-11 00:00:00 IRAK MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-12 BM.2003.016.002:01-12 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-13 BM.2003.016.002:01-13 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-14 BM.2003.016.002:01-14 00:00:00 MAROC MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-15 BM.2003.016.002:01-15 00:00:00 TURQUIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-16A BM.2003.016.002:01-16A 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-16B BM.2003.016.002:01-16B 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-17 BM.2003.016.002:01-17 00:00:00 NIGERIA MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-18 BM.2003.016.002:01-18 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-19 BM.2003.016.002:01-19 00:00:00 OUGANDA MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-21 BM.2003.016.002:01-21 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-22 BM.2003.016.002:01-22 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.002 CDR BM.2003.016.002 :01-23 BM.2003.016.002:01-23 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.002 CDR BM.2003.016.002 :01-24 BM.2003.016.002:01-24 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-01 BM.2003.016.003:01-01 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-02 BM.2003.016.003:01-02 00:00:00 TURQUIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-03 BM.2003.016.003:01-03 00:00:00 BAHREIN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-04 BM.2003.016.003:01-04 00:00:00 MALAYSIA MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-05 BM.2003.016.003:01-05 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-06 BM.2003.016.003:01-06 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-07 BM.2003.016.003:01-07 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.003 CDR BM.2003.016.003 :01-08 BM.2003.016.003:01-08 00:00:00 ITALIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2003.016.003 CDR BM.2003.016.003 :01-09 BM.2003.016.003:01-09 00:00:00 TURQUIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-10 BM.2003.016.003:01-10 00:00:00 INDONESIE;SUMATRA MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-112 BM.2003.016.003:01-112 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-11A BM.2003.016.003:01-11A 00:00:00 SYRIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-11B BM.2003.016.003:01-11B 00:00:00 SYRIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-13 BM.2003.016.003:01-13 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-14 BM.2003.016.003:01-14 00:00:00 MAROC MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.003 CDR BM.2003.016.003 :01-15 BM.2003.016.003:01-15 00:00:00 AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-16 BM.2003.016.003:01-16 00:00:00 NIGER MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.003 CDR BM.2003.016.003 :01-17 BM.2003.016.003:01-17 00:00:00 INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-18A BM.2003.016.003:01-18A 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-18B BM.2003.016.003:01-18B 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-19 BM.2003.016.003:01-19 00:00:00 BAHREIN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-20 BM.2003.016.003:01-20 00:00:00 PAKISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-21 BM.2003.016.003:01-21 00:00:00 IRAN;KURDISTAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-22 BM.2003.016.003:01-22 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.003 CDR BM.2003.016.003 :01-23 BM.2003.016.003:01-23 00:00:00 IRAN MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-24 BM.2003.016.003:01-24 00:00:00 ABU DHABI MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-25 BM.2003.016.003:01-25 00:00:00 JORDANIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2003.016.003 CDR BM.2003.016.003 :01-26 BM.2003.016.003:01-26 00:00:00 ALGERIE MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2003.016.003 CDR BM.2003.016.003 :01-27 BM.2003.016.003:01-27 00:00:00 MAROC MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :01-01>08 BM.2004.001.001/08:01-01>08 00:48:24 07/96 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /1: CHANTS ACCOMPAGNANT LE TAMISAGE Sous-table non exportée AROUBI Sous-table non exportée chant du quotidien; tamisage• * et mineurs retraités. 01= 3'04 "Oh ! toi la ceinture relachée" = "Ye hazaïm ye markouf"Ces chants très intimistes ont été enrg.dans un contexte de labeur intense où la concentration de la chanteuse l'isole du milieu environnant. 02=7'45 "fin du 01; puis chant de "Glorification à Dieu et à son prophète"= "Salat al Mohamed"; puis "Oh! Dieu, je suis offensée" = Rani moutham ya rabi rabi"; puis "Zarah à la belle dentition" = Zarah è mazgoulet ennab".Par ce chant, la chanteuse ritualise la vie quotidienne en introduisant cette suite de chant pa r le chant inaugural des soirées rituelles. 03=6'13, texte incompréhensible; la chanteurse très concentrée chante pour elle-même. 04=6'44 texte incompré- hen sible. 05=11'11 "Oh! toi Hamme aujourd'hui ma vie est déclinante" = "Elyoum ye Hamma raw hali fani. 06=2'133 "Oh! toi Dieu je suis en détresse" = Rani mouthma ye rabi rabi. 07=1'18. 08=10'06: idem 01-02 3eme chant• = 1996 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :01-09>12 BM.2004.001.001/08:01-09>12 00:13:45 07/00 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /1: SUITE DE CHANTS Sous-table non exportée AROUBI Sous-table non exportée enreg. sur le terrain. * et mineurs retraités. La chanteuse, en accord avec ma démarche d'enregistrement, tente de retrouver la mémoire des chants ancestraux. 09=3'27 "Oh! toi Zina la belle gazelle" = "Ye cherid leriam Zina". 10=2'48 "Oh! toi le cavalier montre nous tes prouesses" = Law raïd ye elfaris". 11=3'30 "La chachia inclinée" = Ye maïl elarroug". 12=4'00 "Ton oeil noir" = "Ynou Souda"• = 2000 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-01 BM.2004.001.001/08:02-01 00:01:25 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: HYMNE A LA MÈRE YE LOUMMIMA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien. Enreg. sur le terrain. * et mineurs retraités. SD = bruit du barattage. A la demande du collecteur, la chanteuse chante en effectuant un geste de barattage, elle entonne alors spontanémentun chant bouleversant invoquant l'image se la mère• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-02 BM.2004.001.001/08:02-02 00:04:23 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: OH! TOI JARJARA ALA JARJARA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien• Enreg. sur le terrain. * et mineurs retraités• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-03 BM.2004.001.001/08:02-03 00:04:04 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: OH! TOI ZINA LA BELLE GAZELLE ALA CHARED LARIEM ZINA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien. * et mineurs retraités. SD = bruit du pilonnage. Les 2 F assises face à face chantent alternativement en pilonnant des épices odorantes• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-04 BM.2004.001.001/08:02-04 00:09:02 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: SUR LA DOT DE LA MARIEE, PUIS "LA MALADIE D'AMOUR YZ RIDI JABOU KISOUITHA, PUIS MARD** Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien. Enreg. sur le terrain• * et mineurs retraités. ** "La maladie de l'amour m'a rendu malade" = Mard elkawa za ehlia". BC- : par moments. VP- : à partir de ±7'. Plusieurs F se sont mises spontanément à chanter avec Géma• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-05 BM.2004.001.001/08:02-05 00:01:43 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: AH! MYRIAM ALA MYRIAM Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien; accompagne le geste de fabrication du beurre• * et mineurs retraités. SD = bruit du barattage. = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-06 BM.2004.001.001/08:02-06 00:03:25 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: LA FRANGINE MBARKE LOUKAYA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien; accompagne le roulage du couscous• * et mineurs retraités. SD = bruit du roulage du couscous. = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-07 BM.2004.001.001/08:02-07 00:03:42 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: HISSE TA TUNIQUE ET TON VOILE HIZI HARAMEK OU KAMRIK Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien. Enreg. en situation• * et mineurs retraités• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-08 BM.2004.001.001/08:02-08 00:08:03 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: INTERVIEW DE LA CHANTEUSE Sous-table non exportée Sous-table non exportée Chant du quotidien. Enreg. en situation• * et mineurs retraités. La fille de la chanteuse, Féza, m'aide à réaliser cette interview empreinte s'une grande émotion• = 2001 Non pertinent AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-09 BM.2004.001.001/08:02-09 00:02:48 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: OH TOI! VISITEUR CAPRICIEUX ALA MIN YJINA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien• * et mineurs retraités• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-10 BM.2004.001.001/08:02-10 00:02:05 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: RAPPORTER LE MESSAGE A MONFRÈRE ROUDOU ALA KOUYA ROUDA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien; accompagne le roulage du couscous• * et mineurs retraités. SD = bruit du roulage du couscous• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-11 BM.2004.001.001/08:02-11 00:03:22 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: ZARAH A LA BELLE BELLE CANINE BIEN MOULEE ZARAH AA MAZGOULIT ENNAB Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien• * et mineurs retraités. = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-12 BM.2004.001.001/08:02-12 00:03:09 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: ZARAH A LA BELLE BELLE CANINE BIEN MOULEE ZARAH AA MAZGOULIT ENNAB Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien• * et mineurs retraités. Ici, Féza tente d'accompagner sa mère, et l'on entend le décalage qui se produit notamment dans la difficulté de réalisation des ornementations pour la jeune fille• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :02-13 BM.2004.001.001/08:02-13 00:05:26 07/01 TUNISIE SILANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT DU QUOTIDIEN /2: OH! TOI AÏCHA GUIDACHE ETHAOUI YE AÏCHA Sous-table non exportée AROUBI Sous-table non exportée Chant du quotidien• * et mineurs retraités• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-01 BM.2004.001.001/08:03-01 00:05:51 08/97 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: LE VISITEUR CAPRICIEUX OULA MIN YGINA MORAITH DILATA Sous-table non exportée AROUBI Sous-table non exportée Dans le contexte d'un rituel de circoncision, les 2 chteuses interprètent un cht traditionnel• * et mineurs retraités• = 1997 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-02 BM.2004.001.001/08:03-02 00:07:13 08/97 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: LE VISITEUR CAPRICIEUX OULA MIN YGINA MORAITH DILATA Sous-table non exportée AROUBI Sous-table non exportée Pendant un rituel de circoncision, d'autres F se joignent parfois aux 2 chteuses • * et mineurs retraités. 2eme chteuse : Fatma Hammami• = 1997 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-03 BM.2004.001.001/08:03-03 00:07:35 08/02 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: OH! QUE JE SUIS AFFLIGEE RANI MOUTHAM Sous-table non exportée AROUBI Sous-table non exportée Groupe de F pendnat un mariage * et mineurs retraités. Un groupe de F, fait rare dans mes enreg., donne la réponse à une chteuse soliste• = 2002 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-04 BM.2004.001.001/08:03-04 00:01:52 08/01 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: ZARA A LA CANINE BIEN MOULEE ZARA MAZGOULIY ENNAB Sous-table non exportée AROUBI Sous-table non exportée Les 2 chteuses ont commencé à chanter, elles sont ensuite parodiées par une JF dont le talent humoristique est connu dans le village• * et mineurs retraités• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-05 BM.2004.001.001/08:03-05 00:01:21 07/02 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: OH! TOI L'HOMME AGE RENTRE LAW RAWAH YÈ CHAÏB RAWAH Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraités. Cechant a été introduit dans la région par des gens du sud (Sidi Bouzid)• = 2002 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-06 BM.2004.001.001/08:03-06 00:03:48 07/02 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: JE NS UIS NI APAISEE NI REPOSEE LÈ NAHNA LÈ YGINI NOUM Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraités. La communauté n'est pas très attentive témoignant de la désuétude de ces chants• = 2002 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-07 BM.2004.001.001/08:03-07 00:03:05 07/96 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: ZINA LA GAZELLE BLANCHE ALLA CHARÏD LAIRAM ZINA Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraités. ** Et Naïma Argoubi. Ambiance peu propice à l'écoute• = 1996 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-08 BM.2004.001.001/08:03-08 00:04:37 08/01 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: TU ES MINCE ET LA FINESSE T'HABILLE INTÈ REGUIGA WE ERRIGUIG LIBECIQ Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraités. ** Et Naïma Argoubi. Chanson qui vient du sud de la Tunise (Sidi Bouzid); le rythme et la mélodie sont totalement différents de ceux des chansons du nord• = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-09 BM.2004.001.001/08:03-09 00:06:16 07/02 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: IL A REVEIILE MES DOULEURS HAÏR ALIA ALMOUGI' Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation; pendant un mariage dans la maison voisine• * et mineurs retraités• = 2002 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-10 BM.2004.001.001/08:03-10 00:02:03 07/02 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: LES CAVALIERS LAW RAÏD ELFARIS Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraité. Chanson dont le rythme particulieer est sensé reproduire le pas des cavaliers lors des fêtes de circoncision • = 2002 AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-11 BM.2004.001.001/08:03-11 00:04:55 08/01 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: JE SUIS AFFLIGEE RANI MOUTHAM Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraité • = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-12 BM.2004.001.001/08:03-12 00:07:31 07/00 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: ZARAH A LA CANINE BIEN MOULEE ZARAH MAZGOULIT ENNAB Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraité. Chanson de type érotique • = 2000 LYRIQUE POPULAIRE AFRIQUE +BM.2004.001 CDR-extérieur BM.2004.001.001/08 :03-13 BM.2004.001.001/08:03-13 00:07:52 08/01 TUNISIE SILIANA, LE KRIB PAYSANS* ALLIEZ,L.TUNISIE DU N.O., LE KRIB CHT RITUEL /1: ZARAH A LA CANINE BIEN MOULEE ZARAH MAZGOULIT ENNAB Sous-table non exportée AROUBI Sous-table non exportée Enreg. en situation• * et mineurs retraité. Chanson de type érotique • = 2001 LYRIQUE POPULAIRE AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-01>02 BM.2004.002.001:01-01>02 00:12:42 26/8-6/10/46 CONGO PYGMEES BABINGA BANGOMBE MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée Congo = Moyen Congo en 1946. Pièce 01 = "Edzingi" ,10'01" ; 02 = "Yeli", 2'41"• MISSION OGOOUE-CONGO 1946 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-03>04 BM.2004.002.001:01-03>04 00:02:30 26/8-6/10/46 CONGO PYGMEES BABINGA BABENZELE MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée Congo = Moyen Congo en 1946. Pièce 03 = "Yeli" ,0'45" ; 04 = "Elanda",1'45"• MISSION OGOOUE-CONGO 1946 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-05>08 BM.2004.002.001:01-05>08 00:04:23 ITALIE;SARDAIGNE SARDES MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 STABAT MATER Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2004.002 CDR BM.2004.002.001 :01-09>11 BM.2004.002.001:01-09>11 00:06:30 MAROC BERBÈRES MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-12>15 BM.2004.002.001:01-12>15 00:00:00 REP CENTRAFRICAINE GBAYA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-16>19 BM.2004.002.001:01-16>19 00:00:00 BRESIL SUYA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée SEEGER,ANTHONY 0 AMERIQUE +BM.2004.002 CDR BM.2004.002.001 :01-20 BM.2004.002.001:01-20 00:04:15 TIBET TIBETAINS MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée CHAPIN,SAM 1997 ASIE +BM.2004.002 CDR BM.2004.002.001 :01-21>26 BM.2004.002.001:01-21>26 00:00:00 INDONESIE;CELEBES(SULAWESI) TORAJAS MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2004.002 CDR BM.2004.002.001 :01-27>32 BM.2004.002.001:01-27>32 00:00:00 OUGANDA ANCIEN ROYAUME DE BOUGANDA GANDA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-33 BM.2004.002.001:01-33 00:03:05 REP CENTRAFRICAINE NZAKARA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-34>35 BM.2004.002.001:01-34>35 00:01:34 CAMEROUN PYGMEES BEDZAN MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-36 BM.2004.002.001:01-36 00:03:28 TCHAD TIBESTI TEDA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-37>39 BM.2004.002.001:01-37>39 00:00:00 COTE D'IVOIRE SENOUFO MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2004.002 CDR BM.2004.002.001 :01-40 BM.2004.002.001:01-40 00:00:00 ILES SALOMON;MALAITA MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 ROROGWELA Sous-table non exportée Sous-table non exportée ZEMP,HUGO 0 OCEANIE +BM.2004.002 CDR BM.2004.002.001 :01-41 BM.2004.002.001:01-41 00:00:36 "WORLD MUSIC" MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 "DEEP FOREST"- EXTRAIT Sous-table non exportée Sous-table non exportée 0 N +BM.2004.002 CDR BM.2004.002.001 :0142 BM.2004.002.001:0142 00:00:00 "WORLD MUSIC" MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 "PYGMY LULLABY" IN CD "VISBLE WORLD" Sous-table non exportée Sous-table non exportée 0 N +BM.2004.003 CDR BM.2004.003.001/02 :01-01 BM.2004.003.001/02:01-01 00:00:00 été 1999 MAURITANIE MAURITANIE; EX. POUR MAÎTRISE Sous-table non exportée Sous-table non exportée 1999 AFRIQUE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-01 BM.2004.004.001/13:01-01 00:00:46 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE KIMIKAYO Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.005 CDR-extérieur BM.2004.005.001/200 :01-01? BM.2004.005.001/200:01-01? 00:00:00 TADJIKISTAN ARCHIVES MCALES D'OUZBEKISTAN & DU TADJIKISTAN* Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2004.005 CDR-extérieur BM.2004.005.001/200 :02-01? BM.2004.005.001/200:02-01? 00:00:00 URSS;RSS OUZBEKISTAN ARCHIVES MCALES D'OUZBEKISTAN & DU TADJIKISTAN* Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.001 CDR BM.2005.001.001/03 :01-01 BM.2005.001.001/03:01-01 00:00:00 SENEGAL A.SHAEFFNER & GRIAULE:SEL. DAKAR-DJIBOUTI 1931& SAHARA-SOUDAN + GUINEE 1954 Sous-table non exportée Sous-table non exportée 1931 AFRIQUE +BM.2005.003 CDR BM.2005.003.001 :01-01 BM.2005.003.001:01-01 00:00:00 BRESIL MISSION J-P. ESTIVAL.BRESIL Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2005.006 CDR+Ø* BM.2005.006.001 :01-01 BM.2005.006.001:01-01 00:00:00 BOLIVIE COPIE DE CYLINDRES: COLL. CREQUI-MONTFORT1903 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2005.007 CDR+Ø* BM.2005.007.001/14 :01-01 BM.2005.007.001/14:01-01 00:00:00 N LOMAX,ALAN: COPIE DES K7 ACCOMPAGNANT _CANTOMETRICS_ Sous-table non exportée Sous-table non exportée 0 N +BM.2005.008 CDR BM.2005.008.001/02 :01-01 BM.2005.008.001/02:01-01 00:00:00 TIBET TIBET: SEL.DE "MGUR" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.009 Divers* BM.2005.009.001/03 :01-01 BM.2005.009.001/03:01-01 00:00:00 TIBET (INDE) TIBETAINS MISSION MACDONALD,A.W. 1960.KALIMPONG. "DRE-DKAR" Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.010 CDR BM.2005.010.001 :01-01 BM.2005.010.001:01-01 00:00:00 TIBET TIBETAINS "THE HEART OF DHARMA" [COPIE DE CD]. Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-01 BM.2005.011.001/07:01-01 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-02 BM.2005.011.001/07:01-02 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-03 BM.2005.011.001/07:01-03 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-04 BM.2005.011.001/07:01-04 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-05 BM.2005.011.001/07:01-05 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-06 BM.2005.011.001/07:01-06 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-07 BM.2005.011.001/07:01-07 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-08 BM.2005.011.001/07:01-08 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-09 BM.2005.011.001/07:01-09 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-10 BM.2005.011.001/07:01-10 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-11 BM.2005.011.001/07:01-11 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-12 BM.2005.011.001/07:01-12 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-13 BM.2005.011.001/07:01-13 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-14 BM.2005.011.001/07:01-14 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-15 BM.2005.011.001/07:01-15 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-16 BM.2005.011.001/07:01-16 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-17 BM.2005.011.001/07:01-17 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-18 BM.2005.011.001/07:01-18 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-19 BM.2005.011.001/07:01-19 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-20 BM.2005.011.001/07:01-20 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-21 BM.2005.011.001/07:01-21 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-22 BM.2005.011.001/07:01-22 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-23 BM.2005.011.001/07:01-23 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-24 BM.2005.011.001/07:01-24 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-25 BM.2005.011.001/07:01-25 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-26 BM.2005.011.001/07:01-26 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-27 BM.2005.011.001/07:01-27 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-28 BM.2005.011.001/07:01-28 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-29 BM.2005.011.001/07:01-29 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-30 BM.2005.011.001/07:01-30 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-31 BM.2005.011.001/07:01-31 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-32 BM.2005.011.001/07:01-32 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-33 BM.2005.011.001/07:01-33 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-34 BM.2005.011.001/07:01-34 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-35 BM.2005.011.001/07:01-35 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-36 BM.2005.011.001/07:01-36 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-37 BM.2005.011.001/07:01-37 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-38 BM.2005.011.001/07:01-38 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-39 BM.2005.011.001/07:01-39 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-40 BM.2005.011.001/07:01-40 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-41 BM.2005.011.001/07:01-41 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-42 BM.2005.011.001/07:01-42 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-43 BM.2005.011.001/07:01-43 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-44 BM.2005.011.001/07:01-44 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-45 BM.2005.011.001/07:01-45 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-46 BM.2005.011.001/07:01-46 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-47 BM.2005.011.001/07:01-47 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-48 BM.2005.011.001/07:01-48 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-49 BM.2005.011.001/07:01-49 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-50 BM.2005.011.001/07:01-50 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-51 BM.2005.011.001/07:01-51 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-52 BM.2005.011.001/07:01-52 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-53 BM.2005.011.001/07:01-53 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-54 BM.2005.011.001/07:01-54 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-55 BM.2005.011.001/07:01-55 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-56 BM.2005.011.001/07:01-56 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-57 BM.2005.011.001/07:01-57 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-58 BM.2005.011.001/07:01-58 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-59 BM.2005.011.001/07:01-59 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-60 BM.2005.011.001/07:01-60 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-61 BM.2005.011.001/07:01-61 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-62 BM.2005.011.001/07:01-62 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-63 BM.2005.011.001/07:01-63 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-64 BM.2005.011.001/07:01-64 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-65 BM.2005.011.001/07:01-65 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-66 BM.2005.011.001/07:01-66 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-67 BM.2005.011.001/07:01-67 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-68 BM.2005.011.001/07:01-68 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-69 BM.2005.011.001/07:01-69 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-70 BM.2005.011.001/07:01-70 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-71 BM.2005.011.001/07:01-71 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :01-72 BM.2005.011.001/07:01-72 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance avec des prières et invitations aux esprits d'un maître de cérémonie. 1er soir du théâtre de LKHONKHD (theâtre masqué) consacré à la cérémonie d'appel des esprits• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux. N.B. : initialement index 73• KHOURI,STEPHANIE 2005 EPIQUE DAT-SK-LKWSA24/04/05 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-01 BM.2005.011.001/07:02-01 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• BM.005.011.001/07:01-02@ KHOURI,STEPHANIE 2005 EPIQUE LKWSA25/04/05 PART.2 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-02 BM.2005.011.001/07:02-02 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-03 BM.2005.011.001/07:02-03 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-04 BM.2005.011.001/07:02-04 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-05 BM.2005.011.001/07:02-05 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-06 BM.2005.011.001/07:02-06 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-07 BM.2005.011.001/07:02-07 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-08 BM.2005.011.001/07:02-08 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-09 BM.2005.011.001/07:02-09 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-10 BM.2005.011.001/07:02-10 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-11 BM.2005.011.001/07:02-11 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-12 BM.2005.011.001/07:02-12 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-13 BM.2005.011.001/07:02-13 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-14 BM.2005.011.001/07:02-14 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-15 BM.2005.011.001/07:02-15 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-16 BM.2005.011.001/07:02-16 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-17 BM.2005.011.001/07:02-17 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-18 BM.2005.011.001/07:02-18 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-19 BM.2005.011.001/07:02-19 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-20 BM.2005.011.001/07:02-20 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-21 BM.2005.011.001/07:02-21 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-22 BM.2005.011.001/07:02-22 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-23 BM.2005.011.001/07:02-23 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-24 BM.2005.011.001/07:02-24 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-25 BM.2005.011.001/07:02-25 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-26 BM.2005.011.001/07:02-26 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-27 BM.2005.011.001/07:02-27 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-28 BM.2005.011.001/07:02-28 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-29 BM.2005.011.001/07:02-29 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-30 BM.2005.011.001/07:02-30 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-31 BM.2005.011.001/07:02-31 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-32 BM.2005.011.001/07:02-32 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-33 BM.2005.011.001/07:02-33 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-34 BM.2005.011.001/07:02-34 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-35 BM.2005.011.001/07:02-35 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-36 BM.2005.011.001/07:02-36 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-37 BM.2005.011.001/07:02-37 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-38 BM.2005.011.001/07:02-38 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-39 BM.2005.011.001/07:02-39 00:00:00 24/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 1ER JOUR = PRIERE Sous-table non exportée SAMPEA KRU Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• KHOURI,STEPHANIE 0 ASIE +BM.2005.011 CD-ROM BM.2005.011.001/07 :02-40 BM.2005.011.001/07:02-40 00:00:00 25/04/05 CAMBODGE WAT SWAY ANDET KHMERS KHOURY,S.;CAMBODGE:KHMER;2005 THEATRE MASQUE, 2EME JOUR = REPRESENTATION Sous-table non exportée LKHON KHOL Sous-table non exportée Orchestre PINPEAT en alternance, irrégulière, avec la récitation ou le chant de 2 narrateurs. 2eme soir du rituel de LKHON KHOL. Représentation theâtralede la 1ere partie de l'histoire• MANQUE un instrument de l'orchestre : hautbois à anche quadruple. IE = cymbalettes IFC = deux séries de gongs circulaires, horizontaux• KHOURI,STEPHANIE 0 ASIE +BM.2005.012 CDR BM.2005.012.001/17 :01-01 BM.2005.012.001/17:01-01 00:00:00 IRAN IRANIENS MUSIQUE SAVANTE PERSANE 1950-70* Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :01-01>99 BM.2005.013.001/29:01-01>99 00:12:21 14/10/93 INDONESIE;SULAWESI VILLAGE RANDANAN, KEC.RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 OSSORAN BADONG "RECIT DU CHANT BADONG", HAGIOGRAPHIE Sous-table non exportée OSSORAN Sous-table non exportée Exécutés le 14 octobre 1993 par l'officiant Ne'Ambaa. OB: abréviation Ossoran badong, référence textes. 386 premiers vers de l'ossoran badong Chaque unité sonore représente une unité textuelle. Formation 2 narrateurs (prêtres rituels)• toraja 1993 NARRATIF 39'50 à 1. 16. 25 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :02-01>98 BM.2005.013.001/29:02-01>98 00:19:10 14/10/93 INDONESIE;SULAWESI VILLAGE RANDANAN, KEC.RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT OSSORAN BADONG OSSORAN BADONG Sous-table non exportée OSSORAN Sous-table non exportée Exécutés le 14 octobre 1993 par l'officiant Ne'Ambaa. Formation 2 narrateurs (prêtres rituels). Vers OB 386-964• toraja 1993 NARRATIF 39'50-1. 16. 25 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :03-01>27 BM.2005.013.001/29:03-01>27 00:19:10 14/10/93 INDONESIE;SULAWESI VILLAGE RANDANAN, KEC.RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT OSSORAN BADONG OSSORAN BADONG Sous-table non exportée OSSORAN Sous-table non exportée Exécutés le 14 octobre 1993 par 2 officiants de religion aluk nene', Ne'Ambaa et Ne'Sulo. Il s'agit d'une hagiographie. Formation 2 narrateurs (prêtres rituels). Code des plages OB: Ossoran Badong; Réf. texte. Numéro OB 965-1111: correspondace avec les numéros des vers• toraja 1993 NARRATIF vers 1h10 et suiv. ASIE +BM.2005.013 CDR BM.2005.013.001/29 :03-28>71 BM.2005.013.001/29:03-28>71 00:00:00 27/09/93 INDONESIE;SULAWESI BOKKO-BALIK, CANTON DE SANGNGALLA' TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 BADONG : CHANT FUNERAIRE DANSE EN RONDE Sous-table non exportée BATING Sous-table non exportée Première nuit de funérailles en 5 jours (limang bongi). Le chant badong commence à 22h et finira vers minuit. C'est une fête non christianisée, de culte alukta. Les paroles des chants ne sont pas modifiées. Bonne exécution. Nom des fichiers BRB: Badong de Randan Batu. BRB 1 à BRB89• toraja 1993 ELOGIEUX 9'04-1h12.13 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :04-01>03 BM.2005.013.001/29:04-01>03 01:04:09 02/07/93 INDONESIE;SULAWESI TAPPARAN, KEC. SALUPUTTI TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDES FUNERAIRES CHANTEES BADONG Sous-table non exportée BATING Sous-table non exportée Funérailles protestantes d'une très riche aristocrate, Ne'Sakkung. La fête dure 6 jours, du 2 au 7 juillet. Les paroles des chants ne sont pas adaptées au rite protestant. Le "souffleur" de vers (pa'bating) s'appelle Ne'Bassi. C'est le premier jour: le corps est descendu du grenier à riz au champ cérémoniel où il résidera pendant plusieurs jours. Bonne exécution. BRT: Badong de Rantetayo. BRT 53-62. Voir références aux textes• toraja 1993 ELOGIEUX 51'58-55'10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :04-04>34 BM.2005.013.001/29:04-04>34 01:11:32 07/07/93 INDONESIE;SULAWESI BUNTU LEMPONG, KEC. TIKALA ATAS TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDES FUNERAIRES BADONG Sous-table non exportée BATING Sous-table non exportée Funérailles protestantes de 2 défunts, un homme et une femme. Le choeur, d'une trentaine de chanteurs, est invité d'une région éloignée. Bonne exécution. BRP: Badong de la Région de Baruppu'. BRP 1-53• toraja 1993 ELOGIEUX 0'-1h10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-01>10 BM.2005.013.001/29:05-01>10 01:04:52 07/07/93 INDONESIE;SULAWESI VILLAGE BUNTU LEMPONG, KEC. TIKALA ATAS TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDES FUNERAIRES BADONG Sous-table non exportée BATING Sous-table non exportée Funérailles protestantes de 2 défunts, 1 homme et 1 femme. Le choeur, d'une trentaine de chanteurs, est invité d'une région éloignée. Bonne exécution. BRP: Badong de la Région de Baruppu'. BRT 48-68. Voir références aux textes• toraja 1993 ELOGIEUX 1h03.54-1h28 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-11>25 BM.2005.013.001/29:05-11>25 00:00:00 06/01 INDONESIE;SULAWESI VIL DE LEMPOPOTON,KEC.RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 ODE AU DEFUNT SINGGI' TO MATE NE'LUMBAA Sous-table non exportée BATING Sous-table non exportée C'est un éloge pour les défunts de grande noblesse. Bonne exécution. Référence aux textes. STM: code pour Singgi' to mate ("ode au défunt")• toraja 2001 ELOGIEUX 50'12 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-26>31 BM.2005.013.001/29:05-26>31 00:00:00 12/08/91 INDONESIE;SULAWESI RANDANAN, KEC. MENGKENDEK TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR FUNERAIRE ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles de 2 grands dignitaires Toraja, enregistré dans la région des grands nobles. Le choeur vient probablement du nord de la région. Très bonne exécution. DM: Dondi' de Mengkendek. DM 1-18 Références et traductions. Enregistré par Serge Sérafini. RAPPOPORT, DANA 1993 LYRIQUE vers 54'28 et suiv. ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-32>42 BM.2005.013.001/29:05-32>42 00:00:00 18/08/91 INDONESIE;SULAWESI VILLAGE BE'BO, KEC. SANGALLA' TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEURS FUNERAIRES ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles d'un défunt de classe moyenne. Les chanteurs issus de Buntao et Sangalla' ont entre 13 et 18 ans. Quelques uns de leurs noms: Pardi, Yosep, Marcus, Jori, Andarias. Bonne exécution. DS: Dondi' de Sangalla' Références aux textes. Enregistré par Serge Sérafini• toraja 1991 LYRIQUE 58'09 à 1h05 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-43>73 BM.2005.013.001/29:05-43>73 00:00:00 18/08/91 INDONESIE;SULAWESI VILL BUNTU BATU, KEC. TIKALAS ATAS TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEURS FUNERAIRES ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles d'un défunt de moyenne classe. Bonne exécution. DT: Dondi' de Tikala DT 1-72. Références aux textes. Enregistré par Serge Sérafini. toraja 1991 LYRIQUE 1'27-5'28/44'53-1.09 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :05-74>80 BM.2005.013.001/29:05-74>80 00:00:00 02/10/91 INDONESIE;SULAWESI NE'BAKO, PANGALA' KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEURS FUNERAIRES ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles d'un défunt de 34 ans. L'épouse a 19 ans. Les prises d'enregistrement ont eu lieu entre 22h et 6h du matin. Enregistré par Serge Sérafini. Bonne exécution. DP: Dondi' de Pangala'. Références aux textes. DP 1-24• toraja 1991 LYRIQUE 33'16-41'54 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :06-01 BM.2005.013.001/29:06-01 01:02:16 12/08/91 INDONESIE;SULAWESI RANDANAN, CANTON MENGKENDEK TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR FUNERAIRE ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles de 2 grands dignitaires toraja, enregistré dans la région des grands nobles. Le choeur vient probablement du nord de la région. Bonne exécution. DM: Dondi' de Mengkendek. Références et traductions. Enregistré par Serge Sérafini. Ici DM 9-12• toraja 1991 LYRIQUE 56'25 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :06-02>35 BM.2005.013.001/29:06-02>35 00:00:00 02/10/91 INDONESIE;SULAWESI NE'BAKO,PANGALA' CANTON RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR FUNERAIRE ASSIS DONDI' Sous-table non exportée BATING Sous-table non exportée Funérailles d'un défunt de 34 ans. L'épouse a 19 ans. Les prises d'enregistrement ont eu lieu entre 22h et 6h du matin. Enregistré par Serge Sérafini. Bonne exécution. DP: Dondi' de Pangala. Références aux textes. DP 25-132• toraja 1991 LYRIQUE 42'59-1'59/6'-10' dat 14 et 15 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :06-36>49 BM.2005.013.001/29:06-36>49 00:00:00 10/07/93 INDONESIE;SULAWESI GANDANG BATU, SILLANAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR FUNERAIRE ASSIS SENGO Sous-table non exportée BATING Sous-table non exportée Une semaine avant le début des funérailles, le samedi soir, les gens vinnent chanter dans la maison du défunt. SE: Sengo. SE 01 à SE 6 QUAT Cf textes• toraja 1993 LYRIQUE 37'56-59 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :07-01>13 BM.2005.013.001/29:07-01>13 00:53:56 14/05/93 INDONESIE;SULAWESI VILLAGE LEDO, REGION DE BUNTAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 13 PIECES DE CHANT FUNERAIRE SOLISTE ET FLUTE MARAKKA Sous-table non exportée BATING Sous-table non exportée Les deux chanteuses sont soeurs. Enregistré de 21h à 4h du matin dans une maison sur pilotis. Bonne exécution. MA: marakka Ici, MA1 à MA13 correspondant à 13 strophes de marakka. Référence texte. RAPPOPORT, DANA toraja 1993 LYRIQUE 18'28-1.03.06 DAT 1 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :07-14>28 BM.2005.013.001/29:07-14>28 00:00:00 10/07/93 INDONESIE;SULAWESI GANDANG BATU, SILLANAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR FUNERAIRE ASSIS (EQUIVALENT DU DONDI' AU NORD) SENGO Sous-table non exportée BATING Sous-table non exportée Une semaine avant le début des funérailles, le samedi soir, les gens vinnent chanter dans la maison du défunt. SE: sengo SE07 à SE12bis cf textes• RAPPOPORT, DANA toraja 1993 LYRIQUE 59'03-1,13,00 DAT 9 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :08-01>24 BM.2005.013.001/29:08-01>24 00:57:30 14/05/93 INDONESIE;SULAWESI VILLAGE LEDO, REGION BUNTAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 LAMENTATION FUNEBRE MARAKKA Sous-table non exportée BATING Sous-table non exportée Les 2 chanteuses sont soeurs. Enregistré de 21h à 4h du matin dans une maison sur pilotis. Bonne exécution MA: marakka Ici, MA14 à MA37 cf texte• RAPPOPORT,DANA toraja 1993 LYRIQUE 1,03,06-2,00,00 DAT1 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :09-01>04 BM.2005.013.001/29:09-01>04 00:59:40 14/05/93 INDONESIE;SULAWESI VILLAGE LEDO, REGION BUNTAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 LAMENTATION FUNEBRE MARAKKA Sous-table non exportée BATING Sous-table non exportée Les 2 chanteuses sont soeurs. Enregistré de 21h à 4h du matin dans une maison sur pilotis. Bonne exécution MA:marakka Ici, MA38 à MA41 cf textes• RAPPOPORT,DANA toraja 1993 LYRIQUE 0-10' dat 2 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :09-05 BM.2005.013.001/29:09-05 00:00:00 14/05/93 INDONESIE;SULAWESI LEDO, BUNTAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PSALMODIE FUNEBRE, ODE AU DEFUNT RETTENG Sous-table non exportée BATING Sous-table non exportée Le retteng est une forme de pslmodie recto tono chantée en solo pendant les funérailles cf analyse musicale in DVD Code RE1• RAPPOPRT,DANA toraja 1993 LYRIQUE 13'18-16'10 DAT2 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :09-06>28 BM.2005.013.001/29:09-06>28 00:00:00 22/09/93 INDONESIE;SULAWESI RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR DANSE FEMININ JOGE' Sous-table non exportée BATING Sous-table non exportée Chant d'accueil des invités dans les grandes funéailles, exclusif à la région Sa' Dan. Emprunt linguistique et mélodique aux populations Bugis et Makassar. JO: Joge JO1-140 Titre et contenu des textes, cf fichier texte• RAPPOPRT,DANA toraja 1993 LYRIQUE 38'4-1h27,50 DAT4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-01>04 BM.2005.013.001/29:10-01>04 01:10:58 22/09/93 INDONESIE;SULAWESI RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHOEUR DANSE FEMININ JOGE' Sous-table non exportée BATING Sous-table non exportée Chant d'accueil lors des funérailles, exclusif à la région Sa' Dan. JO: Joge' JO141-163 Titre et contenu des textes cf fichier texte• RAPPOPORT,DANA toraja 1993 LYRIQUE 1,23,44(?) DAT4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-05>54 BM.2005.013.001/29:10-05>54 00:00:00 10/93 INDONESIE;SULAWESI LO' KO' LEMO, KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT INTRODUCTIF AU CHANT SIMBONG SAMPARAN SIMBING Sous-table non exportée SAMPARAN Sous-table non exportée Ce répertoire narratif était d'abord dit psalmodié par l'officiant puis repris en choeur par le choeur de chanteurs de manimbong. Nom de code des fichiers:SS: Samparan Simbong SS 1-494 titre et contenu des textes, cf fichier texte RAPPOPORT,DANA toraja 1993 NARRATIF, ELOGIEUX milieu face A K7 audio 1 Ne'Ambaa ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-55>59 BM.2005.013.001/29:10-55>59 00:00:00 INDONESIE;SULAWESI VILLAGE BARUPPU', KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT INTRODUCTIF SAMPARAN SIMBONG Sous-table non exportée SAMPARAN Sous-table non exportée Récit introductif lors de l'entrée dans la fête Bua'. Ce récit était psalmodié par l'officiant puis repris en choeur en partie par les chanteurs de manimbong. SB: Samparan de Barappu' SB1 à 33 cf texte• RAPPOPRT,DANA toraja 1993 NARRATIF K7 audio F Ne' Salombe ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-60>65 BM.2005.013.001/29:10-60>65 00:00:00 INDONESIE;SULAWESI VILL LO' KO' LEMO, KEC.RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT INTRODUCTIF DU CHANT SIMBONG SAMPARAN SIMBONG Sous-table non exportée SAMPARAN Sous-table non exportée Récit introductif lors de l'entrée da,s la fête Bua'. Ce récit était psalmodié par l'officiant puis repris en choeur en partie par les chanteurs de manimbong. SP: abréviation pour Samparan Psalmodié SP1 à 62 Référence texte comportant 62 vers• RAPPOPORT,DANA toraja 1993 NARRATIF plage 5 (K7 cassée) disque "texte officiant" ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-66>69 BM.2005.013.001/29:10-66>69 00:00:00 INDONESIE;SULAWESI LO' KO' LEMO, RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RECIT INTRODUCTIF DE L'OFFICIANT SODE-SODE TO MINAA Sous-table non exportée Sous-table non exportée Récit introductif lors de l'entrée dans la fête Bua'. Ce récit était psalmodié par l'officiant puis repris en choeur en partie par les chanteurs de manimbong.Ici, le contenu du récit concerne l'officiant lui-même qui se présente devant l'assemblée. Code SST1-39 cf texte• RAPPOPORT,DANA toraja 1993 NARRATIF, ELOGIEUX fin face A K7 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-70>72 BM.2005.013.001/29:10-70>72 00:00:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 STROPHES DU GRAND CHOEUR SIMBONG SIMBONG OU MANIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré pendant le grand rituel de fécondité Bua' Sang Rapu. Les officiants chantent dans la maison devant l'effigie Anak Dara. Code SD (Simbong Deri), renvoi aux vers 1 à 7. cf texte• RAPPOPORT,DANA toraja 1993 NARRATIF 26'39-30' DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :10-73>79 BM.2005.013.001/29:10-73>79 00:00:00 23/07/93 INDONESIE;SULAWESI TALODOK, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 7 CHANTS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Le choeur fut abandonné dans cette région, interdit, puis réhabilité en contexte folklorique pour les fêtes du mois d'août (retour des immigré au pays). Code SBR: Simbong de Baruppu'. Ici SBR1-20 réf aux textes• RAPPOPORT,DANA toraja 1993 LYRIQUE 4'-31'27 DAT 10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :11-01>04 BM.2005.013.001/29:11-01>04 00:50:31 07/07/93 INDONESIE;SULAWESI BUNTU LEMPONG, KEC. TIKALA ATAS TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDES FUNERAIRES BADONG Sous-table non exportée BATING Sous-table non exportée Funérailles protestantes de 2 défunts, 1 homme et 1 femme. Le choeur, d'une trentaine de chanteurs, est invité d'une région éloignée. Bonne exécution. BRP: Badong de la région de Baruppu' BRT 48 bis, 49 voir références aux textes• RAPPOPORT,DANA toraja 1993 ELOGIEUX 1h09-1h12 DAT 8 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :11-05>10 BM.2005.013.001/29:11-05>10 00:00:00 23/07/93 INDONESIE;SULAWESI TALODOK, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 5 CHANTS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Le choeur fut abandonné, interdit, puis réhabilité en contexte folklorique pour les fêtes du mois d'août (retour des immigré au pays) Code SBR: Simbong de Baruppu' Ici SBR 21-51 réf aux textes• RAPPOPORT,DANA toraja 1993 LYRIQUE 31'27-1h06 DAT 10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :11-11>16 BM.2005.013.001/29:11-11>16 00:00:00 21/11/93 INDONESIE;SULAWESI BUNTU RURA, ANGIN-ANGIN, RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 6 CHANTS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de maison chrétiennee appelée "Merok Kristen" ou Mangrara Banua ("recouvrir la maison de sang") à Angin-Angin. Le groupe invité vient d'Awan Sangpolo. Code SA: Simbong de Awan ici SA 1 à 25 réf aux textes• RAPPOPORT,DANA toraja 1993 LYRIQUE 0'-48'41 DAT 33 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :12-01>22 BM.2005.013.001/29:12-01>22 01:02:35 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANTS SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de rénovation de maison appelée Bua', (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plusieurs groupes sont invités: 3 grands groupes de simbong de 30 personnes chacun (de Tiroan et Se' Seng et 2 groupes de dandan (l'un de Tiroan et l'autre de Bolokan). L'enregistrement s'est fait entre 12h et 3h du matin. Au total: 6h de chant enregistré quasiment en continu. Code SBI: Simbong de Bittuang ici SBI 0 à 101 réf aux textes NB: plages 16,17,18,introduction de psalmodie retteng au sein du choeur plage 22: ambiance• RAPPOPORT,DANA toraja 1993 LYRIQUE 0-1h10 DAT 35 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :13-01>11 BM.2005.013.001/29:13-01>11 00:57:49 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 11 AIRS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de rénovation de maison appelée bua', (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plusieurs groupes sont invités: 3 grands groupes de simbong de 30 personnes chacun (de Tiroan et Se' Seng) et 2 groupes de dandan (de Tiroan et de Bolokan). L'enregistrement s'est fait entre 12h et 3h du matin. Au total: 6h de chant enregistré quasiment en continu. Code SBI: simbong de Bittuang ici SBI 102 à 153 réf aux textes• RAPPOPORT,DANA toraja 1993 LYRIQUE fin DAT 35/sur dat36 DAT 35-36 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :14-01>06 BM.2005.013.001/29:14-01>06 01:03:12 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 6 AIRS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée enregistré à l'occasion d'une fête de rénovation de maison appelée bua' (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plusieurs groupes de 30 personnes chacun (des villages Tiroan et Se' Seng) et 2 groupes de dandan (l'1 de Tiroan, l'autre de Bolokan), l'enregistrement s'est fait entre 12h et 3h du matin. Au total: 6h de chant enregistré quasiment en continu• Code SBI: simbong de bittuang ici SBI 154-188 réf. aux textes• toraja 1993 LYRIQUE 36'23-1,42,09 DAT 36 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :15-01 BM.2005.013.001/29:15-01 01:00:32 21/11/93 INDONESIE;SULAWESI BUNTU RURA, ANGIN-ANGIN, RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée enregistré à l'occasion d'une fête de maison chrétienne appelée merok kristen ou mangrara banua ("recouvrir la maison de sang")à Angin-Angin. Le groupe vient d'Awan Sangpolo. Code SA: simbong de awan ici SA 26-28 réf. aux textes• toraja 1993 LYRIQUE 48'-53'04 DAT 33 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :15-02>16 BM.2005.013.001/29:15-02>16 01:03:12 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 14 AIRS DE SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de rénovation de maison appelée bua', (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plsuieurs groupes sontinvités: 3 grands groupes de simbong de 30 personnes chacun (de Tiroan et Se' Seng) et 2 groupes de dandan (Tiroan et Bolokan). L'enregistrement s'est fait entre 12h et 3h du matin. Au total: 6h de chant enregistré quasiment en continu Code SBI: simbong de bittuang ici SBI 189-214 réf aux textes• toraja 1993 LYRIQUE DAT 36,37 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-01 BM.2005.013.001/29:16-01 00:43:00 27/10/93 INDONESIE;SULAWESI BEKAK (RANDAN BATU, BUA' KE'PE), MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PRESENTATION DU RITUEL PAR LES MAITRES DE CEREMONIE Sous-table non exportée Sous-table non exportée enregistré à l'occasion d'un rite prophylactique ma' pakorong. Offrandes musicales instrumentales auu dieu Maruru cf DVD musicographie• toraja 1993 18' DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-02>04 BM.2005.013.001/29:16-02>04 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR QUATUOR DE FLUTES SULING DEATA Sous-table non exportée SULING Sous-table non exportée enregistré à l'occasion d'un rite prophylactique ma' pakorong. Offrandes musicales instrumentales au Dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luth, soit 7 groupes. Code SLD ou 1 FA voir DVD animation musicographique• toraja 1993 21'15-24'49 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-05 BM.2005.013.001/29:16-05 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR VIELE MONOCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée enregistré à l'occasion d'un rite prophylactique ma' pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luth, soit 7 groupes. Voir DVD animation musicographique• toraja 1993 24'49-30' DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-06>07 BM.2005.013.001/29:16-06>07 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR DUO DE LUTHS KATAPI Sous-table non exportée KATAPI Sous-table non exportée enregistré à l'occasion d'un rite prophylactique ma' pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. voir DVD animation musicographique• toraja 1993 30'-40' DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-08>09 BM.2005.013.001/29:16-08>09 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR VIELE MONOCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma' pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles, et 1 duo de luths, soit 7 groupes. 2ème groupe de vièles voir animation musicographique sur DVD• toraja 1993 40'-48'46 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-10>18 BM.2005.013.001/29:16-10>18 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 8 PIECES POUR QUATUOR DE FLUTES SULING DEATA Sous-table non exportée SULING Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Succession de quatuors de flûtes voir DVD animation musicographique• toraja 1993 48'46-1h14,58 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-19 BM.2005.013.001/29:16-19 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR VIELE MONOCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. voir DVD animation musicographique• toraja 1993 1,15,34-1,20,53 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :16-20>21 BM.2005.013.001/29:16-20>21 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR DUO DE LUTHS KATAPI Sous-table non exportée KATAPI Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Voir DVD animation musicographique• toraja 1993 1,21,20-1,30,47 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :17-01>02 BM.2005.013.001/29:17-01>02 00:08:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR VIELE MONOCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Voir DVD animation musicographique• toraja 1993 1,30,47-1,38,47 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :17-03>11 BM.2005.013.001/29:17-03>11 00:00:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC.MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 9 PIECES POUR QUATUOR DE FLUTES SULING DEATA Sous-table non exportée SULING Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Succession de quatuor de flûtes voir DVD animation musicographique• toraja 1993 1,38,47-2h02 DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :17-12 BM.2005.013.001/29:17-12 00:07:46 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PRESENTATION DU RITUEL PAR LES MAITRES DE CEREMONIE Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. cf. DVD musicographie• toraja 1993 4' et suiv DAT 26 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :18-01>02 BM.2005.013.001/29:18-01>02 00:06:15 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POOUR VIELE MONCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. voir DVD animation musicographique• toraja 1993 0-6'15 DAT27 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :18-03>04 BM.2005.013.001/29:18-03>04 00:14:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 PIECES POUR DUO DE LUTHS KATAPI Sous-table non exportée KATAPI Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. voir DVD animation musciographique• toraja 1993 6'15-20' DAT 27 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :18-05>08 BM.2005.013.001/29:18-05>08 00:16:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC. MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 4 PIECES POUR VIELE MONOCORDE GESO'-GESO' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Voir DVD animation musicographique• toraja 1993 20'27-36' DAT 27 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :19-01>07 BM.2005.013.001/29:19-01>07 00:20:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC.MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 7 PIECES POUR QUATUOR DE FLUTES SULING DEATA Sous-table non exportée SULING Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes• Succession de quatuor de flûtes voir DVD animation musicographique• toraja 1993 1h004-1h24,44 DAT 27 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :19-09>15 BM.2005.013.001/29:19-09>15 00:30:00 27/10/93 INDONESIE;SULAWESI BEKAK, KEC.MAKALE TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 9 PIECES POUR QUATUOR DE FLUTES SULING DEATA Sous-table non exportée SULING Sous-table non exportée Enregistré à l'occasion d'un rite prophylactique ma'pakorong. Offrandes musicales instrumentales au dieu Maruru de minuit à 3h du matin. Se succèdent 4 quatuors de flûtes, 2 trios de vièles et 1 duo de luths, soit 7 groupes. Succession de quatuor de flûtes voir DVD animation musicographique• toraja 1993 36'08-1h04 DAT 27 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :20-01 BM.2005.013.001/29:20-01 00:17:12 09/09/93 INDONESIE;SULAWESI RANTEBUDA, RAMBU SARATU, MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR LUTH A 2 CORDES, MA' ANDURU KATAP Sous-table non exportée MA'ANDURU Sous-table non exportée Récit de l'histoire politique? Le chanteur s'accompagne lui-même au luth. toraja 1993 NARRATIF 11'24 DAT 20 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :20-02>06 BM.2005.013.001/29:20-02>06 00:20:00 14/09/93 INDONESIE;SULAWESI PENANIAN, DESA BALLA, MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 5 PIECES POUR QUATUOR DE FLUTES SULING BONDE Sous-table non exportée Sous-table non exportée Les pièces ont des titres. Cf DVD toraja 1993 1h16-1h30 DAT 20 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :20-07 BM.2005.013.001/29:20-07 00:02:08 09/09/93 INDONESIE;SULAWESI RANTEBUDA, RAMBU SARATU, MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR LUTH A 2 CORDES, MA'ANDURU KATAPI Sous-table non exportée MA'ANDURU Sous-table non exportée toraja 1993 12' DAT 19 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :20-08>11 BM.2005.013.001/29:20-08>11 00:26:00 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 4 CHANTS SIMBONG, GRAND CHOEUR DE FECODITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de rénovation de maison appelée bua' (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plusieurs groupes invités: 3 grands groupes de simbong de 30 personnes chacun (Tiroan et Se'Seng) et 2 groupes de dandan (Tiroan et Bolokan). L'enregistrement s'est fait entre 12h et 3h du matin. Au total: 6h de chant enregistré quasiment en continu. Code SBI:simbong de Bittuang ici SBI 219-239 Réf aux textes• toraja 1993 LYRIQUE 50'41-1h16,50 DAT 37 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :21-01 BM.2005.013.001/29:21-01 00:08:52 16/12/93 INDONESIE;SULAWESI TIROAN KEC. BITTUANG TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête de rénovation de maison appelée bua', (pesta penthabisan rumah, pakai istilah bua') mais fête catholique. Plusieurs groupes sont invités: 3 grand groupes de simbong de 30 personnes chacun (Tiroan et Se' Seng) et 2 groupes de dandan (Tiroan et Bolokan). L'enregistrement s'est fait entre 12h et 3h du matn. Au total:6h de chant enregistré quasiment en continu. Code SBI: simbong de Bittuang ici SBI 240-245 réf aux textes• toraja 1993 LYRIQUE 1h16'50-1h25 DAT 37 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :21-02>05 BM.2005.013.001/29:21-02>05 00:26:00 20/11/93 INDONESIE;SULAWESI TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANTS DES FOUS" GELONG MARO Sous-table non exportée Sous-table non exportée Rituel maro. Rite de transe de 6 nuits et 6 jours. Dernier jour, apport des mâts cérémoniels. Code M:maro M179-195 réf aux textes• toraja 1993 30'58- DAT 32 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :21-07>26 BM.2005.013.001/29:21-07>26 00:00:00 17/11/93 INDONESIE;SULAWESI PONDING, TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANTS DES FOUS" GELONG MARO Sous-table non exportée Sous-table non exportée Rituel maro. Rite de transe de 6 nuits et 6 jours. Dernier jour, apport des mâts cérémoniels. Code M: maro M196-262 réf aux textes• toraja 1993 1h33,20-1h50 DAT 30 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :21-27>46 BM.2005.013.001/29:21-27>46 00:55:00 17/08/93 INDONESIE;SULAWESI ULUSALU, KEC. SALUPUTTI TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 19 CHANTS DANDAN, GRAND CHOEUR DE FECONDITE DANDAN Sous-table non exportée NANI Sous-table non exportée Chanté normalement à l'occasion du grand rituel bua'. ici, enregistré à l'occasion de la fête nationale. Les chants sont extraitsde prises différentes. Code SU:simbong de Ulusalu ici, SU 1-88 réf aux textes• toraja 1993 LYRIQUE 0'-55' DAT 15 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-01>06 BM.2005.013.001/29:22-01>06 00:05:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 6 CHANTS SIMBONG, GRAND CHOEUR DE FECONDITE MANIMBONG OU SIMBONG Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasio d'une fête bua' kasale, ou bua' sangrapu. Code SD:simbong de DERI ici SD 17-28 réf aux textes• toraja 1993 LYRIQUE 26'39 et suiv 31' DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-07>18 BM.2005.013.001/29:22-07>18 00:00:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 5 CHANTS DU "CANARD SIFFLEUR" SERANG MUDAN Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête Bua' Kasalle, ou Bua' Sangrapu. Deuxième partie de la fête. Enregistré sur le grand chant cérémoniel kala' paran. Code SD: simbong de deri SM 14-31 réf aux textes Ce répertoire est très rare. Les enregistrements très éparses ont été faits sur des originaux fragiles (K7 locales). L'ordre des plages 7 à 18 ne suit pas l'ordre du texte. Voir listing plages• toraja 1993 LYRIQUE face A K7 bua' ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-19>27 BM.2005.013.001/29:22-19>27 00:07:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHOEUR D'OFFICIANT, PRIERE COLLECTIVE MASSARAPA Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'une fête Bua' Kasalle, ou Bua' Sangrapu, 1ère partie de la fête. Chant syllabique sur bourdon. Code MSP: Massarapa. MSP 1-72 réf aux textes• toraja 1993 15'45-22'48 DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-28>42 BM.2005.013.001/29:22-28>42 00:09:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC.SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RITE POUR LA TUMBANG (TUMBANG=OFFICIEE) MANGALUK TO TUMBANG Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'une fête Bua' Kasalle, ou Bua' Sangrapu, 1ère partie de la fête. Chant syllabique sur bourdon. Code MT: mangaluk to tumbang MT 1-121 réf aux textes• toraja 1993 6'15-15'45 DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-43>62 BM.2005.013.001/29:22-43>62 00:00:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 ODE SINGGI' Sous-table non exportée Sous-table non exportée Enregistré à l'occasion d'une fête Bua' Kasalle, ou Bua' Sangrapu, 2ème partie de la fête. Cette ode est déclamée des heures durant du hat d'une tour de 10m érigée sur le chant cérémoniel. Code SG: SINGGI' SG 1-164 réf aux textes• toraja 1993 LOUANGE face A, 2172 K7 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-63>77 BM.2005.013.001/29:22-63>77 00:08:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 MA' TAMBULI MA' TAMBULI Sous-table non exportée NANI Sous-table non exportée Enregistré à l'occasion d'une fête Bua' Kasalle, ou Bua' Sangrapu, 1ère partie . 6h du matin, 3ème jour de fête. L'officiant est assis devant un arbre à viande et tient une lance dans sa main, au milieu d'un flot de cochons prêts à être sacrifiés. Code T: Tambuli T1 à T15 réf textes Alternance parlé-psalmodié• toraja 1993 LYRIQUE 31'-39' DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :22-78-100 BM.2005.013.001/29:22-78-100 00:29:00 09/11/93 INDONESIE;SULAWESI LOMBOK, SEREALE PA'PAPADUNAN,SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANTS DES FOUS" GELONG MARO Sous-table non exportée Sous-table non exportée Rituel maro. Rite de transe de 6 nuits et 6 jours. Ici, le 4ème jour de fête. Code M: maro M3-178 réf textes• toraja 1993 2'50-31' DAT 28 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-01 BM.2005.013.001/29:23-01 00:29:00 20/11/93 INDONESIE;SULAWESI TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANTS DES FOUS" GELONG MARO Sous-table non exportée Sous-table non exportée Rituel maro. Rite de transe de 6 nuits et 6 jours. Ici, 4ème de fête. Code M: maro M170-178 réf textes• toraja 1993 31'-32' DAT 32 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-02>13 BM.2005.013.001/29:23-02>13 00:00:00 INDONESIE;SULAWESI TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANT DE L'ETRE EN DIVINITE" GELONG KANDEATAN Sous-table non exportée GELONG MARO Sous-table non exportée Chanté normalement lors du rituel des "fous" (maro). Rite de transe de 6 nuits et 6 jours. Code GK: Gelong Kandeatan GK 1-96• toraja 1993 ? K7 0 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-14>30 BM.2005.013.001/29:23-14>30 00:00:00 INDONESIE;SULAWESI TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "CHANT DE L'ETRE EN DIVINITE" GELONG KANDEATAN Sous-table non exportée GELONG MARO Sous-table non exportée Chanté normalement lors du rituel des "fous" (maro). Rite de transe de 6 nuits et 6 jours. Code GKR: Gelong Kandeatan Riz GKR 1 à 33• toraja 1993 ? K7 0 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-31>38 BM.2005.013.001/29:23-31>38 00:06:00 18/11/93 INDONESIE;SULAWESI TO TALLANG, TOREA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANT PSALMODIE GELONG BUGI' GELONG BUGI' Sous-table non exportée OSSORAN BUGI' Sous-table non exportée Extrait de récit du bugi' (ossoran bugi') chanté pendant le rituel des "fous" (maro), rite de transe de 6 nuits et 6 jours. Code B: Bugi' psalmodié B1-16 réf textes• toraja 1993 1h17 DAT 31 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-39>59 BM.2005.013.001/29:23-39>59 00:15:00 18/11/93 INDONESIE;SULAWESI BUNTU RURA, ANGIN-ANGIN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 GELONG BUGI' GELONG BUGI' Sous-table non exportée Sous-table non exportée Chant bugi' en choeur et en ronde? Enregistré à l'occasion d'un rituel de maison chrétien, donc en contexte déplacé. Bonne exécution Code BG: Bugi' Gelong Re' Dek BG 1-43• toraja 1993 réf textes• 20'-35'29 DAT 33 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :23-60>144 BM.2005.013.001/29:23-60>144 00:30:00 18/11/93 INDONESIE;SULAWESI RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "RECIT DU BUGI'" OSSORAN BUGI' Sous-table non exportée Sous-table non exportée Récit du Bugi'. Le rituel bugi' (rite de transe collective) a été interdit par l'Eglise et a totalement disparu aujourd'hui. Code Bu: Ossoran Bugi' BU 1-569 réf textes• toraja 1993 face B K7 E ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-01 BM.2005.013.001/29:24-01 00:00:00 30/06/93 INDONESIE;SULAWESI KARONGIAN, BARUPPU', KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée Dernier jour d'une fête de funérailles. PO 1: Polyphonie ici le badong est à la tierce neutre• TORAJA 1993 ELOGIEUX 9'37-10'59 DAT 6 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-02 BM.2005.013.001/29:24-02 00:05:00 14/08/93 INDONESIE;SULAWESI KENDENAN, BARUPPU', KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée La fête de funérailles n'a pas commencé, mais la ronde peut déjà être chantée. PO 2: polyphonie ici, le badong est à la quarte• toraja 1993 ELOGIEUX 1h34,47-1h39,19 DAT 13 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-03 BM.2005.013.001/29:24-03 00:00:00 11/08/93 INDONESIE;SULAWESI LENGKONG, SAPAN, RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée PO 3: polyphonie Ici, le badong est à la quinte• toraja 1993 ELOGIEUX 41'29-42'50 DAT 13 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-04 BM.2005.013.001/29:24-04 00:10:00 14/08/93 INDONESIE;SULAWESI KENDENAN, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée La fête de funérailles n'a pas commencé, mais la ronde peut déjà être chantée. PO4 :polyphonie Ici, le badong est à la quarte• toraja 1993 ELOGIEUX 5'55-14'45 DAT 14 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-05 BM.2005.013.001/29:24-05 00:07:00 14/08/93 INDONESIE;SULAWESI KENDENAN, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée La fête de funérailles n'a pas commencé, mais la ronde peut déjà être chantée. PO 5: polyphonie Ici, le badong est à la quarte• toraja 1993 ELOGIEUX 15'16-22'40 DAT 14 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-06 BM.2005.013.001/29:24-06 00:02:00 05/10/93 INDONESIE;SULAWESI LIMBONG, PANGALA', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée Rite de funérailles protestant. 2 leaders de badong seulement. LIM 1: Badong de Limbong• toraja 1993 ELOGIEUX 45'04-47'17 DAT 22 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-07>08 BM.2005.013.001/29:24-07>08 00:00:00 05/10/93 INDONESIE;SULAWESI LIMBONG, PANGALA', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDE FUNERAIRE BADONG Sous-table non exportée Sous-table non exportée Rite de funérailles protestant. 2 leaders de badong seulement. LIM2 et LIM 3: badong de limbong• toraja 1993 ELOGIEUX DAT 22 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-09 BM.2005.013.001/29:24-09 00:02:00 05/10/93 INDONESIE;SULAWESI LIMBONG, PANGALA', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: RONDE FUNERAIRE + ENSEMBLE DE GONGS BADONG ET PADALING Sous-table non exportée Sous-table non exportée Rite de funérailles protestant. 2 leaders de badong seulement Polymusique lors de l'accueil des invités. Code PM1: polymusique, 1er exemple• toraja 1993 52'-54' DAT 22 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :24-10>12 BM.2005.013.001/29:24-10>12 00:02:00 08/10/93 INDONESIE;SULAWESI POKA, PANGALA', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 3 CHANTS DE SIMBONG SIMBONG Sous-table non exportée Sous-table non exportée Consécration d'une église catholique. Les paroles des chants sont christianisées. SPO: Simbong de Poka SPO 1 à 3• toraja 1993 LYRIQUE DAT 24 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-01 BM.2005.013.001/29:25-01 00:07:00 08/10/93 INDONESIE;SULAWESI POKA, PANGALA', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT DE SIMBONG SIMBONG Sous-table non exportée Sous-table non exportée Consécration d'une église catholique. Les paroles des chants sont christianisées. SPO: simbong de Poka SPO4• toraja 1993 LYRIQUE 30'54-37'30 DAT 24 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-02>04 BM.2005.013.001/29:25-02>04 00:08:00 20/09/93 INDONESIE;SULAWESI TOMALOLO, SA' DAN MATALLO, SA' DAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 3 PIECES DE DONDI', CHOEUR FUNERAIRE MIXTE ASSIS DONDI' Sous-table non exportée Sous-table non exportée funérailles; dondi' à la tierce DO: dondi' : DO2, DO3• toraja 1993 LYRIQUE 0-8' DAT 21 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-05 BM.2005.013.001/29:25-05 00:00:00 23/07/93 INDONESIE;SULAWESI KENDENAN, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR DONI', CHOEUR FUNERAIRE DONDI' Sous-table non exportée Sous-table non exportée Funérailles choeur à la quinte DO: Dondi' DO4• toraja 1993 LYRIQUE 1,05,28-1,07,40 DAT 10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-06 BM.2005.013.001/29:25-06 00:04:00 23/07/93 INDONESIE;SULAWESI KENDENAN, BARUPPU', RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 CHOEURS DE DONDI' EN MEME TEMPS (CHOEUR FUNERAIRE ASSIS) DONDI' Sous-table non exportée Sous-table non exportée Funérailles choeur à la quinte polymusique PM2• toraja 1993 LYRIQUE 1,06,46-1,10,34 DAT 10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-07>08 BM.2005.013.001/29:25-07>08 00:00:00 11/08/93 INDONESIE;SULAWESI LENGKONG, KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 3 EXTRAITS DE LONDE', CHOEUR FUNERAIRE ASSIS LONDE' OU DONDI' Sous-table non exportée Sous-table non exportée Funérailles choeur à la quinte DO : DONDI' DO 5,6,7• toraja 1993 LYRIQUE DAT 13 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :25-09 BM.2005.013.001/29:25-09 00:26:00 13/09/93 INDONESIE;SULAWESI RANTEBALAKALUA,DESA BALLA,MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANT SIMBONG OU SINGGI' BANUA SIMBONG Sous-table non exportée Sous-table non exportée Enregistré le soir dans l'église protestante à ma demande. Choeur sur bourdon avec soliste à la seconde Exécution pas exceptionnelle... SIM: simbong singgi' banua SIM 1-41• toraja 1993 LOUANGE 36'21-1h02 DAT 20 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-01>04 BM.2005.013.001/29:26-01>04 00:07:00 13/07/93 INDONESIE;SULAWESI TALLUNG LIPU, KEC. RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 4 PIECES DE CHOEUR FEMININ DANSE KATIA Sous-table non exportée Sous-table non exportée Danse d'accueil des invités pendant les funérailles. KT: katia KT 1-4 Enregistrement bruyant• toraja 1993 15'16-37'44 DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-05 BM.2005.013.001/29:26-05 00:01:00 13/07/93 INDONESIE;SULAWESI TALLUNG LIPU, KEC. RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE DE LAMENTATION FEMININE ACCOMPAGNEE A LA FLUTE MARAKKA Sous-table non exportée Sous-table non exportée Danse d'accueil des invités pendant les funérailles. MAS: marakka en situation• toraja 1993 27'18-28'18 DAT4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-06 BM.2005.013.001/29:26-06 00:00:00 21/06/93 INDONESIE;SULAWESI MINANGA ULUSALU,KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT CHORAL MA' TEMPA Sous-table non exportée Sous-table non exportée Chant accompagnant les danseuses solites lors d'un rituel merok. Choeur à l'unisson Défaut son: vent, ampli, micro, enregistré vers 12h MTE: ma'tempa• toraja 1993 DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-07 BM.2005.013.001/29:26-07 00:04:00 21/06/93 INDONESIE;SULAWESI MINANGA ULUSALU, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT CHORAL MA' JAGA Sous-table non exportée Sous-table non exportée Choeur à l'unisson dansé Défaut son: vent, ampli, micro, enregistré vers 12h MAJ: Ma' Jaga, forme ocalisée à cette région• toraja 1993 9'32-13'30 DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-08 BM.2005.013.001/29:26-08 00:01:00 24/09/93 INDONESIE;SULAWESI TOMALOLO, KEC.SA' DAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT CHORAL UNNOSONG Sous-table non exportée Sous-table non exportée 10 hommes assis, avant le départ du corps à la sépulture. UN: Unnosong pas de réf texte• 1 chant choral 1993 1,36,39-1,39,41 DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-09 BM.2005.013.001/29:26-09 00:00:08 13/07/93 INDONESIE;SULAWESI TALLUNG LIPU, KEC.RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 SON DU GONG BOMBONGAN Sous-table non exportée Sous-table non exportée BB: bombongan• toraja 1993 30'52-31' DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-10 BM.2005.013.001/29:26-10 00:04:00 13/07/93 INDONESIE;SULAWESI TALLUNG LIPU, KEC. RANTEPAO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 JEU DE MORTIER A RIZ ISSONG Sous-table non exportée Sous-table non exportée I: issong• toraja 1993 17'58-21'22 DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-11 BM.2005.013.001/29:26-11 00:01:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT CHORAL D'OFFICIANTS RITUELS MAGRIA BARANG Sous-table non exportée Sous-table non exportée Chanté par les officiants lors du rituel bua', devant la grande effigie féminine anak dara. 1ère partie de la fête bua'. Formule mélodique de 5 temps. MANG : mangria barang MANG 1• toraja 1993 39'10-40'42 DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-12>13 BM.2005.013.001/29:26-12>13 00:03:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC.SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 2 EXTRAITS DE L'AEROPHONE A ANCHE MULTIPLE PELLE PELLE, BARRUNG Sous-table non exportée Sous-table non exportée Enregistré lors de la grande fête bua'. L'instrument accompagne l'arrivée des offrandes animales (cochons) sur les palaquins. P: pelle, aérophone en brin de riz. L'instrument pelle' est 1 aérophone fabriqué à partir d'une tige de brin de riz fendue en plusieurs endroits. Cette tige constitue l'anche de l'instrument (cas rare d'une anche multiple). Elle est introduite dans un tube résonnateur fait en feuille de palmier en forme d'entonnoir. Le joueur modifie la hauteur et le timbre par un mouvement de la main au niveau du pavillon• toraja 1993 0-1 puis 1'15-2'30 DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-14 BM.2005.013.001/29:26-14 00:05:00 24/05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXTRAITS DE TAMBOUR GANDANG Sous-table non exportée Sous-table non exportée Enregistré lors de la grande bua'. L'instrument accompagne la danse gellu'. GB: gandang bua' Le grand tambour à 2 membranes est frappé par 3 hommes à l'aide de baguettes• toraja 1993 1,04,22-1,09-41 DAT 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-15>23 BM.2005.013.001/29:26-15>23 00:17:00 16/12/93 INDONESIE;SULAWESI TIROAN, BITTUANG, KEC.SALAPUTTI TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 9 PIECES POUR DUO DE TAMBOURS MA' GANDANG Sous-table non exportée Sous-table non exportée Enregistré lors de la célébration catholique de type bua'. Emprunt de la fête bua' par les catholiques. L'instrument accompagne la danse gellu'. GP: gandang de Pana' GP 1 à 9• toraja 1993 1,27,05-1h46 DAT 35 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-24 BM.2005.013.001/29:26-24 00:01:19 12/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PSALMODIE "SCULPTER LE BOEUF" MA' SURAK TEDONG Sous-table non exportée Sous-table non exportée Enregistré lors de la grande fête bua', 2ème partie de la fête, avant le sacrifice du buffle. STE: Surak tedong• toraja 1993 face A K7 audio 10A ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-25 BM.2005.013.001/29:26-25 00:07:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXTRAIT DE PSALMODIE MA' PULUNG Sous-table non exportée Sous-table non exportée Enregistré lors de la grande fête bua', 2ème partie, ces psalmodies se font toute la nuit. 2 types de débit. La voix n'est pas vraiment chnatée, elle est psalmodiée. PU: Pulung PU1 -2• toraja 1993 0-86 / 86-129 K7 audio 6 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-26 BM.2005.013.001/29:26-26 00:04:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXTRAIT DE PSALMODIE MA' PULUNG Sous-table non exportée Sous-table non exportée Enregistré lors de la grande fête bua', 2ème partie, ces psalmodies se font toute la nuit L'officiant rythme sa parole à l'aide d'une clochette. PU: Pulung PU 2• toraja 1993 fin A K7 audio 7 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-27 BM.2005.013.001/29:26-27 00:00:00 24/09/91 INDONESIE;SULAWESI AMBEKAIRI,KEC. UNAHARA,KAB. KENDARI TOLAKI MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXEMPLE DE JEU DE FOURCHE EN BAMBOU ORE-ORE NGGAE OU GONGGALIMA Sous-table non exportée Sous-table non exportée FB: fourche en bambou enregistrement par Serge Sérafini et Dana Rappoport gonggalima "guimbarde à main"• 1991 1'40-3'14 DAT 11 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :26-28 BM.2005.013.001/29:26-28 00:01:00 24/09/91 INDONESIE;SULAWESI AMBEKAIRI, UNAHAHA, KENDARI TOLAKI MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXEMPLE DE JEU DE FOURCHE EN BAMBOU DIMBA-DIMBA NGGOWUNA Sous-table non exportée Sous-table non exportée CT: cithare tubulaire enregistrement par S Sérafini et D Rappoport• 1991 4'58-5'52 DAT 11 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-01 BM.2005.013.001/29:27-01 00:05:00 01/94 INDONESIE;SULAWESI BATUTUMONGA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 GUIMBARDE KAROMBI Sous-table non exportée Sous-table non exportée KA: karombi• toraja 1994 LYRIQUE 10'-15' 38 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-02 BM.2005.013.001/29:27-02 00:05:00 01/94 INDONESIE;SULAWESI BATUTUMONGA, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 EXPLICATION DU CONTEXTE DU JEU DE LA GUIMBARDE Sous-table non exportée Sous-table non exportée toraja 1994 LYRIQUE 10'-15' 38 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-03 BM.2005.013.001/29:27-03 00:04:00 01/94 INDONESIE;SULAWESI BATUTUMONGA, SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 GUIMBARDE KAROMBIE Sous-table non exportée Sous-table non exportée KA: karombi• toraja 1994 LYRIQUE 18'06-22'54 38 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-04>05 BM.2005.013.001/29:27-04>05 00:05:00 05/07/93 INDONESIE;SULAWESI LIMBONG PANGALA, RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 5 GONGS PADALING Sous-table non exportée Sous-table non exportée Pour l'accueil des invités dans les funérailles BB: bombongan BB 3 et BB4 Jeu de gongs très rare en pays toraja• toraja 1993 22 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-06 BM.2005.013.001/29:27-06 00:01:00 14/09/93 INDONESIE;SULAWESI MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 ORCHESTRE DE TROMPES ET FLUTES 'MUSIQUE BAMBOU" MA' POMPANG OU MUSIK BAMBU Sous-table non exportée Sous-table non exportée A l'occasion de l'accueil de notables dans une école élémentaire. PP: pompang trompes et flûtes apportées dans les années 1930 par les missionnaires et évangélisateurs, répandues dans tout le pays toraja• toraja 1993 1h11,41-1h12,42 20 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-07 BM.2005.013.001/29:27-07 00:00:00 11/08/91 INDONESIE;SULAWESI BUNTU KALANDO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 PIECE POUR VIELE MONOCORDE ET VOIX GESO'-GESO' Sous-table non exportée Sous-table non exportée chanté dans les funérailles Exécution faible, résiduel enregistré avec S Sérafini• toraja 1991 41'02-45'47 DAT 3(1991) ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-08 BM.2005.013.001/29:27-08 00:02:00 11/08/91 INDONESIE;SULAWESI BUNTU KALANDO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PIECE POUR 2 FLUTES BILA BULO Sous-table non exportée Sous-table non exportée joué dans les funérailles Exécution faiblre, résiduel enregistré avec S Sérafini GS 2• toraja 1991 48'18-50'57 DAT 3 (1991) ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-09 BM.2005.013.001/29:27-09 00:02:00 11/08/91 INDONESIE;SULAWESI BUNTU KALANDO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 1 CHANT ACCOMPAGNE A LA FLUTE "BAMBOU INCISIF" BILA BULO Sous-table non exportée Sous-table non exportée chanté dans les funérailles Satire contre les belles mères. GS 3 Enregistré avec S Sérafini• toraja 1991 58'25-1,00,38 DAT 3 (1991) ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-10>12 BM.2005.013.001/29:27-10>12 00:08:00 10/07/93 INDONESIE;SULAWESI GANDANG BATU, SILLANAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 RONDES FUNERAIRES BADONG Sous-table non exportée BATING Sous-table non exportée Avant le début des funérailles Code BGB: badong gandang batu• toraja 1993 ELOGIEUX 9 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-13>16 BM.2005.013.001/29:27-13>16 00:08:00 09/09/93 INDONESIE;SULAWESI TONDOK BAKARUN KEC. MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANTS COURTOIS: DONDI' OU IO IO DONDI', IO IO Sous-table non exportée Sous-table non exportée Enregistrement dans les rizières, les paysannes nettoient les rizières tout en chantant des strophes relatives à l'amour, jeu interdit par l'église• Code DD 1-7 cf textes• toraja 1993 0'58-9'46 19 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-17 BM.2005.013.001/29:27-17 00:04:00 10/11/93 INDONESIE;SULAWESI TOREA TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 AMBIANCE "RITE DES FOUS" AVEC CHANT DU MAT CEREMONIEL ET TAMBOURS GELONG BATE ET GANDANG Sous-table non exportée Sous-table non exportée sur le grand champ cérémoniel du rite des fous, 5 immenses mats cérémoniels sont plantés et chantés. Code GM ici, polymusique voix tambours non coordonné• toraja 1993 1h10,53 28 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-18>19 BM.2005.013.001/29:27-18>19 00:08:00 29/08/93 INDONESIE;SULAWESI PANIKI, BUNTAO, KEC. SANGGALANGI TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANT BUGI' BUGI' Sous-table non exportée Sous-table non exportée enregistrement à l'occasion du mariage de Willy Pong Masak et Sarungallo. En fait, normalement chanté autrefois dans le rite de transe appélé ma' bugi', rituel conjuratoire visant à repousser l'ennemi (la maladie, l'envahisseur). Code BUP1 et 2• toraja 1993 35''-5'38 18 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-20>24 BM.2005.013.001/29:27-20>24 00:08:00 29/08/93 INDONESIE;SULAWESI PANIKI, BUNTAO, SANGGALANGI TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANT GELONG MARO (CHANT DES FOUS) GELONG MARO Sous-table non exportée Sous-table non exportée enregistrement à l'occasion du mariage de Willy Pong Masak et Sarungallo. En fait, normalement chanté autrefois dans le rite de transe appélé ma' maro Code MAP: maro paniki MAP1-5• toraja 1993 5'48-12'38 18 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-25 BM.2005.013.001/29:27-25 00:07:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 LES CLOCHETTES DES DANSEURS DE MANGANDA BANGKULA Sous-table non exportée Sous-table non exportée enregistrement pendant le rituel bua', 2ème partie les danseurs de manganda agitent les clochettes tout en criant fébrilement. Code CLO• toraja 1993 289-680 K7 bua' 3 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :27-26>28 BM.2005.013.001/29:27-26>28 00:05:00 12/93 INDONESIE;SULAWESI BAMBA, DERI, SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 3 PIECES AVEC PAROLES ET TAMBOUR A BOULES FOUETTANTES GARATUNG Sous-table non exportée Sous-table non exportée Sur le champ cérémoniel, pendant la fête bua' L'officiant s'adresse aux divinités, à l'invisible. Code GA: Garatung• toraja 1993 K7 bua' 10A et 3A ASIE +BM.2005.013 CDR BM.2005.013.001/29 :28-01 BM.2005.013.001/29:28-01 00:08:00 24/05/00 INDONESIE;SULAWESI KATTUN, KEC. RINDINGALLO TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 MA' TEINDE "ICI" BERCEUSE Sous-table non exportée Sous-table non exportée Code BER: berceuse• toraja 2000 1'47-9' DAT 2000 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :28-02>11 BM.2005.013.001/29:28-02>11 00:00:00 13/09/93 INDONESIE;SULAWESI RANTEBALAKALUA, KEC. MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PLUSIEURS PIECES DE SIMBONG, SINGGI' BANUA Sous-table non exportée Sous-table non exportée Code SIM 1-41• toraja 1993 36'21-1h02 20 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :28-12>18 BM.2005.013.001/29:28-12>18 00:00:00 10/09/93 INDONESIE;SULAWESI TONDOK BAKARU, KEC. MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANTS COURTOIS: DONDI' OU IO IO DONDI', IO IO Sous-table non exportée Sous-table non exportée Code DD 20-84• toraja 1993 31'20-1h11,40 19 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :28-19 BM.2005.013.001/29:28-19 00:05:00 16/08/91 INDONESIE;SULAWESI NANIONG, KEC. MENGKENDEK TORAJA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 DEPLORATION SOLISTE MARAKKA Sous-table non exportée Sous-table non exportée Code MAIB : marakka indo'biri• toraja 1991 43'20-48' 5 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :28-20>23 BM.2005.013.001/29:28-20>23 00:00:00 10/09/93 INDONESIE;SULAWESI TONDOK BAKARU, KEC. MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANTS COURTOIS: DONDI' OU IO IO DONDI', IO IO Sous-table non exportée Sous-table non exportée Code DD 20-84• BM.005.013.001/29:28-12>1 1993 19 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-01>11 BM.2005.013.001/29:29-01>11 00:00:00 10/09/93 INDONESIE;SULAWESI TONDOK BAKARU, KEC. MAMASA TORAJA MAMASA MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 CHANTS COURTOIS: DONDI' OU IO IO DONDI' OU IO IO Sous-table non exportée Sous-table non exportée Code DD 31-66• toraja 1993 40? 19 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-12>16 BM.2005.013.001/29:29-12>16 00:00:00 11/93 INDONESIE;SULAWESI TOREA, KEC.SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 "RECIT DU REPAS" SAMPARAN KANDE Sous-table non exportée Sous-table non exportée Pendant le rituel maro (rite des fous), à chaque offrande alimentaire pour les divinités, les officiants chantent. Code sk: samparan kande 1-101 réf texte• toraja 1993 NARRATIF 0'-5' 31 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-17>18 BM.2005.013.001/29:29-17>18 00:00:00 INDONESIE;SULAWESI TALLUNG LIPU TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: RONDE/CHANTEUSES/MORTIER A RIZ Sous-table non exportée Sous-table non exportée toraja 1993 13'35-19' DAT 4 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-19 BM.2005.013.001/29:29-19 00:00:00 07/93 INDONESIE;SULAWESI TAPPARAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: 2 RONDES FUNERAIRES Sous-table non exportée Sous-table non exportée Prise de son effecutée au centre d'une ronde par conséquent la polymusique n'est audible que lors des pauses• toraja 1993 1,16,50 DAT 7 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-20 BM.2005.013.001/29:29-20 00:03:00 08/93 INDONESIE;SULAWESI BARUPPU' TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: 2 CHOEURS MIXTES ASSIS Sous-table non exportée DONDI' Sous-table non exportée Les gens sont assis dans 2 pièces différentes de la maison du défunt• toraja 1993 1,09,00 DAT 10 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-21 BM.2005.013.001/29:29-21 00:02:40 08/93 INDONESIE;SULAWESI BARUPPU' TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: 2 CHOEURS MASCULIN ET FEMININ NANI Sous-table non exportée Sous-table non exportée Répétition pour la fête nationale• toraja 1993 1,10,48 DAT 13 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-22 BM.2005.013.001/29:29-22 00:02:00 11/93 INDONESIE;SULAWESI TOREA TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: CHANT DE TRANSE ET TAMBOUR Sous-table non exportée Sous-table non exportée rite prophylactique maro. Le chant d'homme s'appelle gelong• toraja 1993 fin de bande DAT 28 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-23 BM.2005.013.001/29:29-23 00:02:00 11/93 INDONESIE;SULAWESI TOREA TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 POLYMUSIQUE: PSALMODIE ET TAMBOUR Sous-table non exportée Sous-table non exportée Rituel maro. 4 vieux officiants chantent un hymne au mât cérémoniel. Derrière des tambours accompagnent la danse des jeunes filles• toraja 1993 fin de bande DAT 28 ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-24 BM.2005.013.001/29:29-24 00:00:00 08/93 INDONESIE;SULAWESI BARUPPU' TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 JUXTAPOSITION DE 2 CHOEURS Sous-table non exportée Sous-table non exportée Edité dans le disque danse "chants du monde"• toraja 1993 vidéo ASIE +BM.2005.013 CDR BM.2005.013.001/29 :29-25 BM.2005.013.001/29:29-25 00:00:00 05/93 INDONESIE;SULAWESI BAMBA, DERI, KEC. SESEAN TORAJA SA'DAN MISSION RAPPOPORT,D.;INDONESSIE,SULAWESI:TORAJA. 993 PSALMODIES TAMBULI Sous-table non exportée Sous-table non exportée Rite bua', 1ère partie Les 2 officiants récitent en même temps sans s'écouter. DTA: double tambuli• toraja 1993 ASIE +BM.2005.014 CDR BM.2005.014.001/02 :01-01 BM.2005.014.001/02:01-01 00:00:00 ALGERIE;AURES COPIE DE CYLINDRES: MISSION TH. RIVIERE. ALGERIE,AURES. 1936 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2005.015 CDR BM.2005.015.001 :01-01 BM.2005.015.001:01-01 00:00:00 ALGERIE;AURES COPIE DE CYLINDRES: MISSION G. TILLON.ALGERIE, AURES.1936 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2005.016 CDR BM.2005.016.001 :01-01 BM.2005.016.001:01-01 00:00:00 MEXIQUE MEXICAINS COPIE DE CYLINDRES: MISSION J. SOUSTELLE. MEXIQUE. Sous-table non exportée Sous-table non exportée 0 AMERIQUE +BM.2005.017 CDR BM.2005.017.001 :01-01 BM.2005.017.001:01-01 00:00:00 IRAN COPIE DE CYLINDRES. IRAN Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.018 CDR BM.2005.018.001 :01-01 BM.2005.018.001:01-01 00:00:00 CAMBODGE COPIE DE CYLINDRES: MISSION S. KARPELES. CAMBOGDE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.019 CDR BM.2005.019.001 :01-01 BM.2005.019.001:01-01 00:00:00 SENEGAL MANDINGUES COPIE DE CYLINDRES.MISSION LABOURET. AFRIQUE OCCIDENTALE.1932 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2005.019 CDR BM.2005.019.001 :01-18 BM.2005.019.001:01-18 00:00:00 MALI MANDINGUES COPIE DE CYLINDRES.MISSION LABOURET. AFRIQUE OCCIDENTALE.1932 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2005.020 CDR BM.2005.020.001 :01-01 BM.2005.020.001:01-01 00:00:00 ARABIE COPIE DE CYLINDRE. A.SCHAEFFNER. ARABIE DU NORD 1933 Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2005.021 Ø13;²19;PPM BM.2005.021.001 :01-01 BM.2005.021.001:01-01 00:00:00 TIBET TIBETAINS TIBET. THEATRE (COPIE DE DI. 78T) Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-01 BM.1958.008.001/08:01-01 00:03:03 N VIETNAM V. CENTRAL, HUE VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 QUATRE GRANDS PAYSAGES TU DAI CANH Sous-table non exportée Sous-table non exportée Musique de Huê Format : Ø13;²19;PP;LD. Cithare= 16 c.• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-02 BM.1958.008.001/08:01-02 00:01:31 N VIETNAM V. CENTRAL, HUE VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "NUAGE FLOTTANT" HANH VAN Sous-table non exportée Sous-table non exportée Musique de Huê - CA HUE Format : Ø13;²19;PP;LD. Cithare= 16 c.• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-03 BM.1958.008.001/08:01-03 00:03:05 N VIETNAM VIETNAM SUD, SAIGON VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "LA NOSTALGIE DU PASSE" VONG CO Sous-table non exportée Sous-table non exportée Pièce musicale VONG CO composée par Mr. SAU LAU vers 1918• Ø13; ²19; PP;LD• CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-04 BM.1958.008.001/08:01-04 00:00:35 N VIETNAM VIETNAM SUD, SAIGON VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANSONS DE JEUX * Sous-table non exportée Sous-table non exportée Chansons de jeux d'enfants très connues dans le Sud du Vietnam• Ø13; ²19; PP;LD. * 3 Chansons : chat cây düa,chiia cây mông; cùm num cum niu; thiên dàng dia nguo• CHAMBURE,G.DE 1957 ENFANTIN ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-05 BM.1958.008.001/08:01-05 00:02:45 N VIETNAM VIETNAM SUD, SAIGON VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 BERCEUSE RU EM Sous-table non exportée Sous-table non exportée Berceuse du Sud Vietnam• Ø13; ²19; PP;LD• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-06 BM.1958.008.001/08:01-06 00:00:45 N VIETNAM VIETNAM NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT D'AMOUR HAT VI Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP• Pham Duy est un grand compositeur vietnamien. Il a chanté cet air a capella. L'enregistrement a été fait dans le Sud du Vietnam• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-07 BM.1958.008.001/08:01-07 00:01:00 N VIETNAM VIETNAM NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 BERCEUSE RU EM Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP• CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :01-08 BM.1958.008.001/08:01-08 00:03:10 N VIETNAM VIETNAM SUD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 BERCEUSE AU O VI DAU Sous-table non exportée Sous-table non exportée Ø13; ²19; PP;LD• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-01 BM.1958.008.001/08:02-01 00:01:05 10/57 CHINE N CHINOIS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 PETITE PIECE DE MUSIQUE CHINOISE Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP. °Enreg. à Saïgon * musicien ambulant• CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-02 BM.1958.008.001/08:02-02 00:02:12 10/57 CHINE N CHINOIS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO DE VIELE A 2 CORDES FOU TE TS'E Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP. °Enreg. à Saïgon. * musicien ambulant Vièle à 2 c.à boîte réson. en noix de coco• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-03 BM.1958.008.001/08:02-03 00:01:07 10/57 CHINE N CHINOIS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP. Enreg. à Saïgon * musicien ambulant CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-04 BM.1958.008.001/08:02-04 00:01:26 10/57 CHINE N CHINOIS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO DE PETITE VIELE A 2 CORDES TCHAO CHE Sous-table non exportée Sous-table non exportée Ø13;²19;LD;PP. Enreg. à Saïgon. * musicien ambulant petite vièle à 2 c.• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-05 BM.1958.008.001/08:02-05 00:01:05 10/57 VIETNAM VIETNAM SUD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 BERCEUSE AU O VI DAU Sous-table non exportée Sous-table non exportée Ø13; ²19; PP;LD• CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :02-06 BM.1958.008.001/08:02-06 00:00:30 10/57 VIETNAM VIETNAM CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "LES QUATRE GRANDS PAYSAGES" TU DAI CANH Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. Cithare 16c. Pièce inachevée• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-01 BM.1958.008.001/08:03-01 00:03:39 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON MNONG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "MA SOEUR EST BELLE" MAI YUAN Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-02 BM.1958.008.001/08:03-02 00:02:05 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON MNONG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "LE GRAND FRERE EST BEAU" AYONG SIAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-03 BM.1958.008.001/08:03-03 00:00:33 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON MNONG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANSON DE LA FEMME ABANDONNEE SAT KON Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-04 BM.1958.008.001/08:03-04 00:00:35 10/57 LAOS N LAOTIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT POPULAIRE DING DENG Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL Musique laotienne enreg au Vietnam• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-05 BM.1958.008.001/08:03-05 00:01:50 10/57 LAOS N LAOTIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL. Khène est un orgue à bouche laotienne. Cette danse enreg au Vietnam• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-06 BM.1958.008.001/08:03-06 00:02:34 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON JARAÏ VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Chant accompagné par la muique de gongs• Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-07 BM.1958.008.001/08:03-07 00:00:45 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON JARAÏ VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-08 BM.1958.008.001/08:03-08 00:01:30 10/57 LAOS N LAOTIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DANSE Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL. ambiance• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :03-09 BM.1958.008.001/08:03-09 00:02:00 10/57 VIETNAM V.CENTRAL VILLAGE BAN DON JARAÏ VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DL• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-01 BM.1958.008.001/08:04-01 00:01:27 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE POUR ENTERREMENT Sous-table non exportée Sous-table non exportée Enterrement• Ø13;²19;LD,PP. * près de Ban Me Thuot• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-02 BM.1958.008.001/08:04-02 00:00:55 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me thuot• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-03 BM.1958.008.001/08:04-03 00:01:10 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE "MNONG DU LAC" Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me Thuot. orgue à bouche 1 tuyaux• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-04 BM.1958.008.001/08:04-04 00:01:25 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE POUR OFFRANDE D'UNE JARRE DE L'AMITIE DANS UNE CASE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me thuot• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-05 BM.1958.008.001/08:04-05 00:01:12 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE POUR OFFRANDE D'UNE JARRE DE L'AMITIE DANS UNE CASE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me thuot• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-06 BM.1958.008.001/08:04-06 00:00:45 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE POUR OFFRANDE D'UNE JARRE DE L'AMITIE DANS UNE CASE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me thuot• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-07 BM.1958.008.001/08:04-07 00:00:38 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ORGUE A BOUCHE ET VOIX PARLEES Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me Thuot. orgue à bouche 1 tuyaux• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :04-08 BM.1958.008.001/08:04-08 00:01:30 10/57 VIETNAM V.CENTRAL VILLAGE DE BUON PAN LAM* RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO FLUTE DE BAMBOU Sous-table non exportée Sous-table non exportée Ø13;²19;LD,PP. * près de Ban me Thuot. 2 pièces (0'50" pour la 1ère pièce)• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-01 BM.1958.008.001/08:05-01 00:03:05 10/57 VIETNAM V.CENTRAL PROV.DONG NAI THAING CHURU VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE JOUEE A L'ARRIVEE DES INVITES Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Orgue à bouche• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-02 BM.1958.008.001/08:05-02 00:03:03 10/57 VIETNAM V.CENTRAL PROV.DONG NAI THAING CHURU VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE JOUEE PENDANT UNE FETE Sous-table non exportée Sous-table non exportée musique jouée pendant une fête• Ø18;²19;LD,PP. Orgue à bouche• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-03 BM.1958.008.001/08:05-03 00:00:00 10/57 VIETNAM V.CENTRAL PROV.DONG NAI THAING KOHO VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE DE GRANDE FETE AU VILLAGE Sous-table non exportée Sous-table non exportée musiquede grande fête au village. musique de réception. musique de cérémonie• Durée des deux piéces ...03 et ...04 = 5'47 (peut-être enchainées). Ø18;²19;LD,PP. Orgue à bouche• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-04 BM.1958.008.001/08:05-04 00:00:00 10/57 VIETNAM V.CENTRAL PROV.DONG NAI THAING KOHO VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE DE GRANDE FETE AU VILLAGE Sous-table non exportée Sous-table non exportée musiquede grande fête au village. musique de réception. musique de cérémonie• Durée des deux piéces ...03 et ...04 = 5'47 (peut-être enchainées). Ø18;²19;LD,PP. AAL = Orgue à bouche• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-05 BM.1958.008.001/08:05-05 00:04:04 10/57 VIETNAM V.CENTRAL PROV.KONTUM* SEDANG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Village de Dak Tô• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-06 BM.1958.008.001/08:05-06 00:01:47 10/57 VIETNAM V.CENTRAL PROV.KONTUM* BAHNAR VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Village de Dak Tô• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-07 BM.1958.008.001/08:05-07 00:01:21 10/57 VIETNAM V.CENTRAL PROV.PLEIKU* JARAÏ VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Village de Che reo. Orgue à bouche• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-08 BM.1958.008.001/08:05-08 00:02:35 10/57 VIETNAM V.CENTRAL RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT "PROMENADE AU PRINTEMPS" Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-09 BM.1958.008.001/08:05-09 00:01:40 10/57 VIETNAM V.CENTRAL RHADE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE POUR CHANT " L'ENGRAIS AUX FLEURS" Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-10 BM.1958.008.001/08:05-10 00:01:52 10/57 VIETNAM V.CENTRAL RE VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 "CHANT DES OISEAUX" Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-11 BM.1958.008.001/08:05-11 00:04:20 10/57 VIETNAM V.CENTRAL PROV.KONTUM* SEDANG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Village de Dak Tô• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-12 BM.1958.008.001/08:05-12 00:02:28 10/57 VIETNAM V.CENTRAL PROV.KONTUM* SEDANG VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE JOUEE POUR LA FETE Sous-table non exportée Sous-table non exportée Jouée aux jours de fête• Ø18;²19;LD,PP. *Village de Dak Tô• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-13 BM.1958.008.001/08:05-13 00:00:00 10/57 VIETNAM V.CENTRAL KALA VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE DE FETE Sous-table non exportée Sous-table non exportée Durée des deux piéces ...13 et ...14 = 5'05 (peut-être enchainées). Ø18;²19;LD,PP• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-14 BM.1958.008.001/08:05-14 00:00:00 10/57 VIETNAM V.CENTRAL KALA VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 MUSIQUE DE FETE Sous-table non exportée Sous-table non exportée Musique de fête• Durée des deux piéces ...13 et ...14 = 5'05 (peut-être enchainées). Ø18;²19;LD,PP• CHAMBURE,G.DE 0 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-15 BM.1958.008.001/08:05-15 00:01:25 10/57 VIETNAM V.CENTRAL VILLAGE BON RONG N VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 SOLO ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Orgue à bouche• CHAMBURE,G.DE 1957 Non pertinent ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :05-16 BM.1958.008.001/08:05-16 00:03:25 10/57 VIETNAM V.CENTRAL VILLAGE BON RONG N VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT SOLO D'HOMME* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Sonnerie de gongs• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-01 BM.1958.008.001/08:06-01 00:00:45 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, PRELUDE Sous-table non exportée Sous-table non exportée Ensemble de 5 instruments s'appelle les 5 parfaits (Ngu Tuyêt)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Prélude avant la pièce• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-02 BM.1958.008.001/08:06-02 00:01:57 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 1ERE PIECE "LA NEIGE" PHAM TUYET Sous-table non exportée Sous-table non exportée 1ère pièce des 10 pièces musicales (10 bài ngu - 10 pièces royales)qui s'enchaînent• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°1• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-03 BM.1958.008.001/08:06-03 00:00:53 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 2EME PIECE "FETE NOCTURNE" NGUYEN TIEU Sous-table non exportée Sous-table non exportée 2ème pièce de la série des 10 pièces royales (10 bài ngu).• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°2• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-04 BM.1958.008.001/08:06-04 00:00:27 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 3EME PIECE HO QUANG Sous-table non exportée Sous-table non exportée 3ème pièce de la série des 10 pièces royales (10 bài ngu) Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°3 d'origine chinoise• CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-05 BM.1958.008.001/08:06-05 01:19:00 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 4EME PIECE "ENCHAINEMENT" LIEN HUON Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°4 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-06 BM.1958.008.001/08:06-06 00:00:24 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 5EME PIECE "MESURES EGALES" BINH BAN Sous-table non exportée Sous-table non exportée 5ème pièce de la série des 10 pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°5 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-07 BM.1958.008.001/08:06-07 00:01:43 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 6EME PIECE * TAY MAI Sous-table non exportée Sous-table non exportée 6ème pièce de la série des 10 pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°6 "cerisiers sous l'auvent de la maison" • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-08 BM.1958.008.001/08:06-08 00:00:48 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 7EME PIECE "SAPEQUES D'OR" KIM TIEN Sous-table non exportée Sous-table non exportée 7ème pièce de la série des 10 pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°7 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-09 BM.1958.008.001/08:06-09 00:00:20 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 8EME PIECE "VENT PRINTANIER" XUAN PHONG Sous-table non exportée Sous-table non exportée 8ème pièce de la série des 10 pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°8 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-10 BM.1958.008.001/08:06-10 00:00:13 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 9EME PIECE "DRAGON ET TIGRE" LONG HO Sous-table non exportée Sous-table non exportée 9ème pièce de la série des 10 pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°9 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-11 BM.1958.008.001/08:06-11 00:00:49 10/57 VIETNAM V.CENTRAL VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 ENSEMBLE DE 5 INSTRUMENTS, 10EME PIECE "CHEVAL AU GALOP" TAU MA Sous-table non exportée Sous-table non exportée 10 ème pièce de la série des pièces royales (10 bài ngu)• Ø18;²19;LD,PP. Cithare 16c. Luth 1 en forme de lune. Luth 2 piriforme. Flûte à 6t. Vièle 2c. Pièce n°10 • CHAMBURE,G.DE 1957 SAVANT ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-12 BM.1958.008.001/08:06-12 00:05:20 10/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT POPULAIRE ALTERNE TRONG QUAN Sous-table non exportée Sous-table non exportée Chant populaire de Bac Ninh• Ø18;²19;LD,PP. Luth en forme de lune. Cithare 16c. Vièle à boîte de résonnance noix de coco. Vièle 2c • CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-13 BM.1958.008.001/08:06-13 00:03:05 10/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT POPULAIRE DE LA PROVINCE DE BAC NINH* CO LA Sous-table non exportée Sous-table non exportée Chant populaire de la province de Bac Ninh• Ø18;²19;LD,PP. *Chant arrangé pour le théâtre populaire rénovéavec un prélude dans le style de Hàt vi. Luth en forme de lune. Vièle 2c • CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :06-14 BM.1958.008.001/08:06-14 00:03:28 10/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT POPULAIRE DE LA PROVINCE DE BAC NINH "QUAN HO"* NGOI TUA MAN THUYEN Sous-table non exportée Sous-table non exportée Chant populaire précédé par un prélude déclamé dans le style Sa Mac (Désert)• Ø18;²19;LD,PP. *Chant arrangé avec un prélude dans le style de Sa mac. Luth en forme de lune. Vièle 2c • CHAMBURE,G.DE 1957 POPULAIRE ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-01 BM.1958.008.001/08:07-01 00:11:45 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE CONG DONG* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *5 facons de chanter Diêu : Bi, Müöu, Thong, Phu binh, Dôn avec une annonce Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-02 BM.1958.008.001/08:07-02 00:05:10 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE TAMTOA* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râp, Cön. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-03 BM.1958.008.001/08:07-03 00:06:15 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE MAU SONG* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *3 facons de chanter Diêu : Müöu, Thong, Dôn. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-04 BM.1958.008.001/08:07-04 00:05:55 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE MAU THUONG* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *3 facons de chanter Diêu : Râp, Sön trang, Cön. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-05 BM.1958.008.001/08:07-05 00:05:09 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE MAU THOAI* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *1 facons de chanter Diêu : Doc thö. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :07-06 BM.1958.008.001/08:07-06 00:06:09 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DEQUAN DE TAM* CHAU VAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *3 facons de chanter Diêu : Râp, hat noi, Dôn. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-01 BM.1958.008.001/08:08-01 00:06:03 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE QUAN DE NGU Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Le chant de possession en l'honneur de Quan Dê Ngu (alias Quan Lon Tuân Chanh) *3 facons de chanter Diêu : Râp, Phu binh, Dôn. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-02 BM.1958.008.001/08:08-02 00:03:50 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE QUAN HOANG CHIN* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râp, Hat bô (nhip môt). Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-03 BM.1958.008.001/08:08-03 00:12:45 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE QUAN HOANG MUOI* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *3 facons de chanter Diêu : Râp, Hat Bô, Thiên thai. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-04 BM.1958.008.001/08:08-04 00:04:43 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE ONG HOANG BAO HA* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râm, Hat Bô. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-05 BM.1958.008.001/08:08-05 00:04:27 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE CO THUONG NGAN* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râp, Sön trang. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-06 BM.1958.008.001/08:08-06 00:06:05 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE CO BA THOAI* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *3 facons de chanter Diêu : Râp, Cheo do. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-07 BM.1958.008.001/08:08-07 00:06:00 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE CO CHIN SONG* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râp, Cön. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 0 RELIGIEUX ASIE +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 :08-08 BM.1958.008.001/08:08-08 00:04:05 12/07/57 VIETNAM V.NORD VIETNAMIENS VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 CHANT DE POSSESSION EN L'HONNEUR DE CO BE* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *2 facons de chanter Diêu : Râp, Sön trang. Luth en forme de lune. IF en bois• CHAMBURE,G.DE 1957 RELIGIEUX ASIE +BM.1959.002 Ø18;²19;PPM BM.1959.002 _0001 BM.1959.002_0001 00:13:23 sept.1958 VIETNAM SAIGON VIETNAMIENS VIETNAM, SUD LES QUATRE GENERATIONS, MODE NAM, NUANCE OAN TU DAI OAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre du Sud Viet Nam• CC-dàn dôc huyên = monocorde. CV-dàn nhi = vièle à 2 cordes avec archet pris entre les 2 cordes. CL-dàn nguyêt = luth en forme de lune à 2 cordes. CC-dàn tranh = cithare sur table à 16 cordes et à chevalets mobiles. AFL-sao = flûte latérale avec un mirliton. IFC-song lang = bloc de bois fendu dans l'épaisseur• N 1958 Non pertinent 0 ASIE +BM.1959.002 Ø18;²19;PPM BM.1959.002 _0002 BM.1959.002_0002 00:04:50 sept.1959 VIETNAM SAIGON VIETNAMIENS VIETNAM, SUD LES LAMENTATIONS DU SUD, MODE NAM, NUANCE AI NAM AI Sous-table non exportée NHAC LE Sous-table non exportée Musique rituelle (Nhac lê ) du Sud Vietnam• AABD-kèn song hi = hautbois à anche double et à pavillon. CV- dàn co = vièle à 2 cordes avec archet pris entre les deux cordes M2-trông com = tambour dit de riz à 2 peaux avec une pastille de riz collée à la partie centrale de la peau M1-bông = tambour en forme de sablier à une peau avec la caisse de résonance en argile cuite IE-phach = deux plaquettes de bois entrechoquées pour marquer le rythme• N 1959 RELIGIEUX POPULAIRE ASIE +BM.1959.002 Ø18;²19;PPM BM.1959.002 _0003 BM.1959.002_0003 00:07:20 sept.1959 VIETNAM SAIGON VIETNAMIENS VIETNAM, SUD INCANTATION POUR INVITER LA DEESSE KEN ROI MOI BA Sous-table non exportée NHAC BA BONG Sous-table non exportée Musique de possession au Sud Vietnam CL-dàn kim= luth en forme de lune à 2 cordes . Terme vernaculaire utilisé uniquement dans la musique du Sud Vietnam CV-dàn co =vièle à 2 cordes avec archet pris entre les 2 cordes . Terme vernaculaire employé principalement par les musiciens du Sud Vietnam N 1959 RELIGIEUX POPULAIRE ASIE +BM.1959.002 Ø18;²19;PPM BM.1959.002 _0004 BM.1959.002_0004 00:01:10 sept.1959 VIETNAM SAIGON VIETNAMIENS VIETNAM, SUD MUSIQUE RITUELLE SONG HI XA CAU Sous-table non exportée NHAC LE Sous-table non exportée Musique rituelle• N 1959 RELIGIEUX POPULAIRE ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-01 BM.1967.014.001:01-01 00:07:30 2 Avril 1967 VIETNAM PROV. PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Musique de divertissement• Cithare tubulaire à 2 cordes ddong muni d'une calebasse comme résonateur• 1967 Non pertinent 0 bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-02 BM.1967.014.001:01-02 00:01:40 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• La cithare tubulaire ddong a deux cordes , munie d'une calebasse comme résonateur• 1967 Non pertinent BANDE XIII [PISTE 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-03 BM.1967.014.001:01-03 00:03:15 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• La cithare tubulaire ddong a deux cordes , munie d'une calebasse comme résonateur• BM.1967.014:01-02 1967 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-04 BM.1967.014.001:01-04 00:04:25 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• La cithare tubulaire ddong a deux cordes , munie d'une calebasse comme résonateur• BM.1967.014:01-03 1967 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-05 BM.1967.014.001:01-05 00:05:25 2 Avril 1967 VIETNAM PROV. PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Musique de divertissement• BM.1967.014:01-01 1967 Non pertinent Bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-06 BM.1967.014.001:01-06 00:02:05 2 Avril 1967 VIETNAM PROV. PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Musique de divertissement• BM.1967.014:01-05 1967 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-07 BM.1967.014.001:01-07 00:01:35 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• BM.1967.014:01-04 1967 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-08 BM.1967.014.001:01-08 00:01:12 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• BM.1967.014:01-07 0 bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-09 BM.1967.014.001:01-09 00:01:45 2 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POPULAIRE Sous-table non exportée Sous-table non exportée musique de divertissement• BM.1967.014:01-08 1967 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-10 BM.1967.014.001:01-10 00:00:20 2 Avril 1967 VIETNAM PROV. PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI SOLO DE CITHARE GONG Sous-table non exportée Sous-table non exportée Musique de divertissement• Cithare tubulaire à13 cordes ddong munie d'une calebasse comme résonateur• BM.1967.014:01-01 0 Non pertinent bande XIII [Piste 1] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-11 BM.1967.014.001:01-11 00:15:30 5 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE KRI JORAI VIETNAM:JORAI CONTES H'BIA YAK ET H'BIA YAI Sous-table non exportée Sous-table non exportée Contes 1967 NARRATIF bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-12 BM.1967.014.001:01-12 00:17:40 5 avril 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE KRI JORAI VIETNAM:JORAI CONTE H'BIA TLAK-TLO Sous-table non exportée Sous-table non exportée Conte Voix d'hommes parlées - ambiance• BM.1967.014:01:11 1967 NARRATIF bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-13 BM.1967.014.001:01-13 00:06:00 5 avril 1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI CONTE TON Sous-table non exportée Sous-table non exportée Conte Voix d'hommes parlées - ambiance• BM.1967.014:01-12 0 bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-14 BM.1967.014.001:01-14 00:29:00 5 avril 1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI DESCRIPTION DU RITE Sous-table non exportée Sous-table non exportée Description du rite Voix d'hommes parlées - ambiance• BM.1967.014:01-13 0 bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-15 BM.1967.014.001:01-15 00:17:00 13 mai 1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI LE NYCTICEBUS QUI JOUE DU TAMBOUR - PROPOS SUR LES YUAN Sous-table non exportée Sous-table non exportée Récits divers Voix d'hommes parlées - ambiance• BM.1967.014:01-14 1967 bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-16 BM.1967.014.001:01-16 00:25:00 19 juin 1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI CONVERSATION AVEC AMA TRE SUR LES NOMS , REVES, REVENANTS,TATOUAGE Sous-table non exportée Sous-table non exportée Conversation Voix d'hommes parlées - ambiance. Conversation sur divers sujets: noms de sous-groupes ethniques, böngat (âme, double), rêves, revenants, tatouage, parures, fêtes funéraires• BM.1967.014:01-15 1967 NARRATIF bande XIII [Piste 2] ASIE +BM.1967.014 Ø13;1/2P BM.1967.014.001 :01-17 BM.1967.014.001:01-17 00:04:40 20 juin 1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI RECIT DE LA GUERISSEUSE YA 'YOK (KRIN) Sous-table non exportée Sous-table non exportée Récit de la guérisseuse• BM.1967.014:01-13 1967 NARRATIF bande XIII [Piste 2] ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-01 BM.1967.022.001/02:01-01 00:02:40 10/10/58 VIETNAM V.CENTRAL, HUE VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 "GALOP DU CHEVAL ET DU CERF" Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2C;idiophone=cliquettes• 1958 0 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-02 BM.1967.022.001/02:01-02 00:03:25 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 "GALOP DU CHEVAL ET DU CERF" 2EME FOIS Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2C;idiophone=cliquettes. Même pièce jouée pour la deuxième fois• 1958 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-03 BM.1967.022.001/02:01-03 00:03:39 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANSON SATIRIQUE "LA FILLE DE LA CAMPAGNE" CO GAI DONG QUE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2C;idiophone=cliquettes;petit tambour• 1958 SATIRIQUE ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-04 BM.1967.022.001/02:01-04 00:02:00 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT DES SAMPANIERES Sous-table non exportée Sous-table non exportée Chant populaire du centre Vietnam• Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2C;choeur de 3f• 1958 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-05 BM.1967.022.001/02:01-05 00:02:15 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT "LE DRAGON QUI CHANTE" LONG NGAM Sous-table non exportée Sous-table non exportée Chant du repertoire Ca Huê• Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2c;choeur à l'unisson;luth à 4c;idiophone=cliquettes• 1958 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-06 BM.1967.022.001/02:01-06 00:08:33 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT DE POSSESSION* Sous-table non exportée Sous-table non exportée chant de possession Hâu Van• Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2c;idiophone=cliquettes;petit tambour. *différentes séquences : a/dai, b/pheo, c/nhi tü, d/ quai, e/vân dôn, f/bai• 1958 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-07 BM.1967.022.001/02:01-07 00:05:32 10/10/58 VIETNAM V.CENTRAL* VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT DE FUNERAILLES Sous-table non exportée Sous-table non exportée chant de funérailles Ø18;²19;LD,PP. *Ancienne capitale Huê. Vièle à 2c;idiophone=cliquettes;grand tambour• 1958 RELIGIEUX ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :01-08 BM.1967.022.001/02:01-08 00:02:15 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT A L'UNISSON Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes• 1958 ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :02-01 BM.1967.022.001/02:02-01 00:02:15 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT POUR LE DECORTIQUAGE DU RIZ Sous-table non exportée Sous-table non exportée Chant de travail• Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes• 1958 Non pertinent ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :02-02 BM.1967.022.001/02:02-02 00:02:53 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 CHANT DU MERLE LY CON SAO Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes• 1958 Non pertinent ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :02-03 BM.1967.022.001/02:02-03 00:01:01 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 AIR ANCIEN DE HUE NAM BINH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes chant interrompu• 1958 Non pertinent ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :02-04 BM.1967.022.001/02:02-04 00:01:38 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 AIR ANCIEN DE HUE NAM BINH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes chant interrompu• 1958 Non pertinent ASIE +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 :02-05 BM.1967.022.001/02:02-05 00:00:30 10/10/58 VIETNAM V.CENTRAL PROV. QUANG BINH VIETNAMIENS VIETNAM:HUE. CHAMBURE,G.DE;1958 AIR ANCIEN DE HUE NAM BINH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Vièle à 2c;choeur à l'unisson;luth en forme de lune;idiophone=cliquettes reprise ,chant interrompu• 1958 Non pertinent ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-01 BM.1967.023.001:01-01 00:09:30 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 DEUX DEGRES "XANG & XE" XANG XE Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c, l'une avec la caisse de résonance en bois cylindrique, et l'autre avec la caisse de résonance en demi noix de coco évidée• CHAMBURE,G.DE 1959 0 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-02 BM.1967.023.001:01-02 00:08:00 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 "LES CINQ REPONSES" 1ERE PIECE NGU DOI THUONG Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c, l'une avec caisse de résonance en bois cylindrique et l'autre en noix de coco evidée• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-03 BM.1967.023.001:01-03 00:03:40 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 "LES CINQ REPONSES" 2EME PIECE NGU DOI HA Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-04 BM.1967.023.001:01-04 00:04:00 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 PIECE "LA JEUNE FILLE AU PRINTEMPS" XUAN NU Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-05 BM.1967.023.001:01-05 00:04:30 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 PIECE "LA LAMPE DU DRAGON" LONG DANG Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-06 BM.1967.023.001:01-06 00:03:30 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 PIECE "LA DECLAMATION DU DRAGON" LONG NGAM Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-07 BM.1967.023.001:01-07 00:05:05 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 PIECE "DIX MILLE CHARS" VAN GIA Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 :01-08 BM.1967.023.001:01-08 00:03:10 04/11/59 VIETNAM V.SUD SAIGON VIETNAMIENS VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 PIECE "LA PETITE MELODIE" TIEU KHUC Sous-table non exportée Sous-table non exportée Enr. au conservatoire de Saïgon Ø18;²19;LD,PP. Copie Trân van Khê. Cithare à 16c;luth en forme de lune;2 vièles à 2c• CHAMBURE,G.DE 1959 ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :01-01 BM.1968.008.001/04:01-01 01:09:30 7 juil.1967 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI RECIT DE VOYAGE EN AMERIQUE Sous-table non exportée Sous-table non exportée Récit de voyage en Amérique• 1967 NARRATIF 0 ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :01-02 BM.1968.008.001/04:01-02 00:48:00 8 juil.1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI DEVINS ET CHAMANES Sous-table non exportée Sous-table non exportée Récit sur les devins et les chamanes Devins et chamanes : l'oiseau "hoac-co", le vampire "asau-röngi' ", le piète "thô et yang dü ", les familiers "ddui-ddiop" de tigres• BM.1968.008@ 1967 NARRATIF bande XIV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :01-03 BM.1968.008.001/04:01-03 01:11:00 11-12 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PAN JORAI VIETNAM:JORAI CONTE DE I-DIER (DEBUT) Sous-table non exportée Sous-table non exportée Conte• Début du conte , la suite est sur la piste 2 de cette bande• BM.1968.008:01-02 1967 bande XIV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :01-04 BM.1968.008.001/04:01-04 03:10:00 11-12 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PAN JORAI VIETNAM:JORAI CONTE DE I-DIER (SUITE) Sous-table non exportée Sous-table non exportée Conte• Suite est sur la piste 2 de cette bande• BM.1968.008:01-03 1967 bande XIV [Piste 2] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-01 BM.1968.008.001/04:02-01 00:03:35 12 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PAN JORAI VIETNAM:JORAI CONTE DE I-DIER (SUITE) Sous-table non exportée Sous-table non exportée Conte• Suite du conte d'I-Dier de la bande précédente• BM.1968.008:01-04 1967 bande XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-02 BM.1968.008.001/04:02-02 00:29:54 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CONTE DE BBUN Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:02-01 1967 bande XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-03 BM.1968.008.001/04:02-03 00:01:15 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI MUSIQUE DE TRUNG Sous-table non exportée Sous-table non exportée musique instrumentale• BM.1968.008:02-02 1967 Non pertinent bande XV [Piste] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-04 BM.1968.008.001/04:02-04 00:01:50 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POLITIQUE ADOI YONG WIT CAR TA Sous-table non exportée Sous-table non exportée chant politique• BM.1968.008:02-03 1967 Non pertinent bande XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-05 BM.1968.008.001/04:02-05 00:02:10 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POLITIQUE AYONG DAM-THON Sous-table non exportée Sous-table non exportée chant politique• BM.1968.008:02-04 0 bande XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-06 BM.1968.008.001/04:02-06 00:01:53 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée musique instrumentale• J.Dournes : La musique chez les Jörai, _Objets et Monde_, t.V, fasc.4: 211-244, photos, 1965• cithare sur tube Gông a 12 cordes• BM.1968.008:02-03 0 XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-07 BM.1968.008.001/04:02-07 00:02:06 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POLITIQUE "BONI KO CAR HOA KY" Sous-table non exportée Sous-table non exportée chant politique• BM.1968.008:02-06 1967 Non pertinent XV[Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-08 BM.1968.008.001/04:02-08 00:00:46 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI SOLO DE FLUTE DE PAN DDING DEK Sous-table non exportée Sous-table non exportée musique instrumentale• BM.1968.008:02-07 1967 Non pertinent XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-09 BM.1968.008.001/04:02-09 00:01:56 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT POLITIQUE "BONI KO KHOA" Sous-table non exportée Sous-table non exportée chant politique• aal- orgue à bouche• BM.1968.008:02-08 1967 Non pertinent XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-10 BM.1968.008.001/04:02-10 00:02:25 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI SOLO DE KONI ET DDONG COMBINES Sous-table non exportée Sous-table non exportée Solo de vièle monocorde köni et cithare à 2 cordes ddong• J.Dournes: La musique chez les Jörai, _Objets et Monde_, t.V, fasc.4 : 211-244, photos, 1965• la vièle monocorde köni est unique instrument à corde frottée • BM.1968.008:02-09 1967 Non pertinent XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-11 BM.1968.008.001/04:02-11 00:02:10 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PLOI PA JORAI VIETNAM:JORAI CHANT ACCOMPAGNE A LA CITHARE Sous-table non exportée Sous-table non exportée chant de divertissement• BM.1968.008:02-10 1967 Non pertinent xv [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-12 BM.1968.008.001/04:02-12 00:01:15 juil.1967 VIETNAM PROV. DE PHU BON, VILLAGE DE PAN JORAI VIETNAM:JORAI SOLO DE XYLOPHONE TRUNG Sous-table non exportée Sous-table non exportée Musique instrumentale• J.Dournes : La musique chez les Jörai, _Objets et Monde_, t.V, fasc.4: 211-244, photos, 1965• BM.1968.008:01-03 1967 Non pertinent XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-13 BM.1968.008.001/04:02-13 00:08:46 13 juil.1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI CONTE NOANG H'KEL ET SOUVENIRS DU LAOS ET DE CHINE Sous-table non exportée Sous-table non exportée Conte• Conte Noang H'Kel est un exemple du chant , mode köjja, et souvenirs du Laos et de Chine• BM.1968.008:02-01 1967 NARRATIF XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-14 BM.1968.008.001/04:02-14 00:27:20 13 juil.1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI CONTE DRONG I TURNG SUIVI DE COMMENTAIRE Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:02-13 1967 NARRATIF xv [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-15 BM.1968.008.001/04:02-15 00:06:20 13 oct.1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI LEGENDE DE YA 'PUM ET ANIMAUX Sous-table non exportée Sous-table non exportée Legende• Legende de Ya 'Pum et animaux Sambam, Ama-cam, Pötao• BM.1968.008:02-14 1967 NARRATIF XV [ Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-16 BM.1968.008.001/04:02-16 00:12:40 13 oct.1967 VIETNAM PROV. DE PHU BON@ JORAI VIETNAM:JORAI INVOCATION IAU-BONGAT Sous-table non exportée Sous-table non exportée Invocation• BM.1968.008:02-15 1967 RELIGIEUX XV [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :02-17 BM.1968.008.001/04:02-17 01:24:00 9 dec.1967 VIETNAM PROV. DE PHU BON JORAI VIETNAM:JORAI CONTES ET RECITS DIVERS Sous-table non exportée Sous-table non exportée contes et récits divers• Ya'Pum, sabre, faucille et origine du Sadet (Pötao), tubercule Jöning, orchidée tösau-atau et les Enfers, histoire de Ama Hlai, combats de Mthur, esclaves et serfs• BM.1968.008:02-16 1967 NARRATIF XV [ Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :03-01 BM.1968.008.001/04:03-01 00:42:00 29 sept 1967 VIETNAM PROV. DE PHU BON, VILLAGE DE BBON AMA JONG JORAI VIETNAM:JORAI RECEPTION RITUELLE DU POTAI APUI Sous-table non exportée Sous-table non exportée Réception rituelle• Invocations rituelles, conversation• 1967 RELIGIEUX XVI [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :04-01 BM.1968.008.001/04:04-01 00:53:30 10 dec.1967 VIETNAM PROV. DE PHU BON, JORAI VIETNAM:JORAI CONTE H'KEL Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:03-01 1967 NARRATIF XVII [Pite 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :04-02 BM.1968.008.001/04:04-02 00:46:30 10 dec.1967 VIETNAM PROV. DE PHU BON, JORAI VIETNAM:JORAI CONTE H'JING-H'CENG Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:04-01 1967 NARRATIF XVII [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :04-03 BM.1968.008.001/04:04-03 00:25:00 dec.1967 VIETNAM PROV. DE PHU BON, JORAI VIETNAM:JORAI CONTE JO-JUNG YUNG H'MENG Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:04-02 1967 NARRATIF XVII [Piste 1] ASIE +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 :04-04 BM.1968.008.001/04:04-04 00:31:00 11 dec.1967 VIETNAM PROV. DE PHU BON, JORAI VIETNAM:JORAI VARIANTE DE LA FINALE DE H'JING-H'CENG Sous-table non exportée Sous-table non exportée Conte• BM.1968.008:04-03 1967 NARRATIF XVII [Piste 1] ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :01-01 BM.1968.022.001/14:01-01 00:03:08 29-30 juil.1967 VIETNAM VIETNAM NORD EURASIENS ET AFRASIENS SIMON,S..VIETNAM.BADONG MUSIQUE DE BAL D'OCCIDENT PAR LE GROUPE LES DRAGONS Sous-table non exportée Sous-table non exportée Musique de bal d'occident• M-tbr et I-idiophone sont des instruments à percussion de la batterie occidentale pour la musique de variétés ou de jazz. Musique de bal par le groupe Les Dragons (musiciens issus des jeunes eurasiens et afrasiens) Enregistrement à la salle de fête du Centre d'accueil de Sainte Livrade sur Lot (France)• SIMON PIERRE & IDA 1967 Non pertinent 0 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :01-02 BM.1968.022.001/14:01-02 00:02:42 29-30 juil.1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG PRIERES AUX BOUDDHAS ET AUX GENIES Sous-table non exportée Sous-table non exportée Prières bouddhiques• Bm 13cm, 9,5cm/s, PP Enregistrement avant une cérémonie de Lên Dông dans la Pagode de Sainte Livrade sur Lot. Bruit de casseroles en fond• SIMON PIERRE & IDA 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :01-03 BM.1968.022.001/14:01-03 00:00:35 29-30 juil.1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CLOCHE FRAPPEE AVANT UNE PRIERE AVANT UNE CEREMONIE BOUDDHIQUE Sous-table non exportée Sous-table non exportée cloche frappée avant une prière• Bm 13cm, 9,5cm/s, PP Enreg. à la pagode de Sainte Livrade sur Lot• SIMON PIERRE & IDA 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :01-04 BM.1968.022.001/14:01-04 00:14:13 29-30 juil.1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG PRIERES BOUDDHIQUES Sous-table non exportée Sous-table non exportée Prières bouddhiques• Bm 13cm, 9,5cm/s, PP Enreg à la Pagode de Sainte Livrade sur Lot• SIMON PIERRE & IDA 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :01-05 BM.1968.022.001/14:01-05 00:25:45 29-30 juil.1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CEREMONIE DE POSSESSION PAR LES GENIES CONG DONG Sous-table non exportée Sous-table non exportée Cérémonie de possession par les Génies Lên Dông• Bm 13cm, 9,5cm/s, PP Enreg à la Pagode de Sainte Livrade sur Lot Cette cérémonie comporte plusieurs phases : Hymne en l'honneur de l'assemblée des Génies Lên Dông (21' - 27'45"; Hymne aux Trois Saintes Mères Thanh Mâu (27'45" - 30'37"; Hymne au Premier Grand Mandarin Van Quan Lon Dê Nhât et possession de ce Génie (30'37" - 37'); Rythme du départ d'un Génie et nouvelle prise de possession (37' - 37'19"); Possession par le Deuxième grand Mandarin Quan Lon Dê Nhi (37'19" - 46')• SIMON PIERRE & IDA 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :02-01 BM.1968.022.001/14:02-01 00:45:00 29-30 juil.1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CEREMONIE DE POSSESSION PAR LES GENIES LEN DONG Sous-table non exportée Sous-table non exportée Cérémonie de possession par les Génies Lên Dông• Bm 13cm, 9,5cm/s, PP Enreg à la Pagode de Sainte Livrade sur Lot Cette cérémonie comporte plusieurs phases : Hymne au 2ème grand mandarin Quan Lon Dê Nhi et possession de ce Génie (0' - 5'09"); Hymne au 3ème Grand mandarin Quan Lon Dê Tam (5'09" - 10'); Hymne et possession par le 5ème Grnd Mandarin Quan Lon De Ngu Tuân (10' - 14'10"); Possession par la 2ème Princesse Châu Dê Nhi (14'10" - 29'); Hymne au 3ème Prince Ong Hoàng Ba et possession de celui-ci (29' - 34'); Hymne au 7ème Prince Ong Hoang Bay, hymne au 10ème Prince Ong Hoàng Muoi et possession notamment chant des notes de la gamme vietnamienne (34' - 45').• SIMON PIERRE & IDA 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :03-01 BM.1968.022.001/14:03-01 00:47:23 juil.1967 VIETNAM VIETNAMIENS SIMON,S..VIETNAM.BADONG MUSIQUE DE POSSESSION BA DONG Sous-table non exportée Sous-table non exportée Plusieurs chants de possession entrecoupés par voix parlées, ambiance• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :04-01 BM.1968.022.001/14:04-01 00:34:10 30 juil 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE ET DANSE DU TROISIEME PETIT PRINCE, SON DEPART, FIN DE CEREMONIE Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-01 BM.1968.022.001/14:05-01 00:47:50 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG MUSIQUE DE POSSESSION BA DONG Sous-table non exportée Sous-table non exportée musique de possession LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France Une série de chants de possession aux différents saints et aux génies cong dong • 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-02 BM.1968.022.001/14:05-02 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG RYTHME DE LA PRISE POSSESSION Sous-table non exportée Sous-table non exportée Rythme de la prise de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-03 BM.1968.022.001/14:05-03 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNES AUX TROIS SAINTES MERES THANH MAU Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-04 BM.1968.022.001/14:05-04 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR THANH HUNG DAO Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-05 BM.1968.022.001/14:05-05 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR LE 5EME GRAND MANDARIN QUAN LON DE NGU Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-06 BM.1968.022.001/14:05-06 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE PARTIEL A LA DEUXIEME PRINCESSE CHAU DE NHI Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-07 BM.1968.022.001/14:05-07 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT DE RAME A LA 4EME PRINCESSE CHEO DO CHAU DE TU Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-08 BM.1968.022.001/14:05-08 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG RYTHME DE LA DANSEDE LA 6EME PRINCESSE CHAU LUC Sous-table non exportée Sous-table non exportée musique de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-09 BM.1968.022.001/14:05-09 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG RYTHME DE LA PRISE DE POSSESSION ET CHANT AU 1ER PRINCE ONG HOANG CA Sous-table non exportée Sous-table non exportée Chant de possession• LD, PP, 9,5cm/s. La durée de la bande n'est pas indiquée . En tout il y a 45minutes• Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-10 BM.1968.022.001/14:05-10 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG RYTHME DE LO'OFFRANDE DE L'ENCENS Sous-table non exportée Sous-table non exportée musique de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-11 BM.1968.022.001/14:05-11 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG DANSE DES GRELOTS Sous-table non exportée Sous-table non exportée musique de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :05-12 BM.1968.022.001/14:05-12 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT D'INVITATION A BOIRE POUR LES PRINCES Sous-table non exportée Sous-table non exportée Chant de possession LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-01 BM.1968.022.001/14:06-01 00:47:30 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT EN L'HONNEUR DU 10E PRINCE ONG HOANG MUOI Sous-table non exportée Sous-table non exportée Musique de possession• LD, PP, 9,5cm/s. Plusieurs chants de possession en l'honneur de plusieurs princesses et divinités, successivement: Ong Hoang Muoi (le 10è Prince), Cô Dôi (la 2ème Demoiselle), Cô ba Thoai (la 3ème Demoiselle des Eaux), Câu Ba (le 3ème Prince). Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-02 BM.1968.022.001/14:06-02 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG DANSE ET INVITATION A BOIRE AU 10E PRINCE Sous-table non exportée Sous-table non exportée Chant de possession • LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-03 BM.1968.022.001/14:06-03 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT AU 10E PRINCE ONG HOANG MUOI Sous-table non exportée Sous-table non exportée Chant de possession • LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-04 BM.1968.022.001/14:06-04 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG RYTHME DE DEPART D'UN GENIE ET RTYME DE NOUVELLE PRISE DE POSSESSION Sous-table non exportée Sous-table non exportée Chant de possession • LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-05 BM.1968.022.001/14:06-05 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG DANSE RYTHMEE ET CHANTEE DE LA 2E DEMOISELLE CO DOI Sous-table non exportée Sous-table non exportée Chant de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-06 BM.1968.022.001/14:06-06 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT DES RAMES VAN CHEO DO EN L'HONNEUR DE LA 3E DEMOISELLE DES EAUX Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-07 BM.1968.022.001/14:06-07 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE EN L'HONNEUR DE LA 3E DEMOISELLE DES EAXU CO BA THOAI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :06-08 BM.1968.022.001/14:06-08 00:00:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR LE 3E PETIT PRINCE CAU BA Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :07-01 BM.1968.022.001/14:07-01 00:45:00 3 aout 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A L'ASSEMBLEE DE GENIES, HYMNE AU 1ER GRAND MANDARIN* Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. La durée n'est pas indiquée pour toute la bande qui dure 45minutes Enreg à Sainte Livrade sur Lot, France *Hymne au 3è Grand Mandarin Quan Lon Dê Tam• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :08-01 BM.1968.022.001/14:08-01 00:13:55 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG MUSIQUE ET HYMNE AU 3E GRAND MANDARIN QUAN LON DE TAM Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :08-02 BM.1968.022.001/14:08-02 00:05:26 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG MUSIQUE ET HYMNE A LA 2E PRINCESSE CHAU DE NHI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :08-03 BM.1968.022.001/14:08-03 00:11:28 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR ONG HOANG BA Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :08-04 BM.1968.022.001/14:08-04 00:08:07 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR ONG HOANG BAY Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :08-05 BM.1968.022.001/14:08-05 00:03:50 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG POSSESSION PAR UN PETIT PRINCE CAU Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :09-01 BM.1968.022.001/14:09-01 00:14:10 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG PRIERES BOUDDHISTES, POSSESSION PAR THANH HUNG DAO* Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France *possession par la 2ème Demoiselle Co Dôi, possession par le petit prince Câu• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :09-02 BM.1968.022.001/14:09-02 00:14:10 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG PRIERES EN L'HONNEUR DE L'ANNIVERSAIRE DU ROI DES EAUX * Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France *prières en l'honneur de l'anniversire du Roi des Eaux du Dông Dinh Duc Vua Cha Bat Hai Dong Dinh• 1967 RELIGIEUX 0 25 50 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-01 BM.1968.022.001/14:10-01 00:04:46 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A L'ASSEMBLEE DES GENIES VAN CONG DONG Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-02 BM.1968.022.001/14:10-02 00:04:19 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AUX TROIS SAINTES MERES VAN TAM TOA THANH MAU Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-03 BM.1968.022.001/14:10-03 00:05:28 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU ROI DES EAUX DU DONG DINH, VAN VUA DONG DINH Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-04 BM.1968.022.001/14:10-04 00:02:38 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 1ER GRAND MANDARIN VAN QUAN LON DE NHAT Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-05 BM.1968.022.001/14:10-05 00:02:01 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 2E GRAND MANDARIN VAN QUAN LON DE NHI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-06 BM.1968.022.001/14:10-06 00:09:52 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 3E GRAND MANDARIN VAN QUAN LON DE TAM Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-07 BM.1968.022.001/14:10-07 00:03:53 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 4E GRAND MANDARIN VAN QUAN LON DE TU Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-08 BM.1968.022.001/14:10-08 00:05:29 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 5E GRAND MANDARIN VAN QUAN LON DE NGU TUAN Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :10-09 BM.1968.022.001/14:10-09 00:04:51 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 7E GRAND MANDARIN VAN QUAN LON DIEU THAT Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-01 BM.1968.022.001/14:11-01 00:03:14 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 8E GRAND MANDARIN VAN QUAN LON DE BAT Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-02 BM.1968.022.001/14:11-02 00:03:25 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 1ERE DEESSE DU CIEL VAN MAU DE NHAT THUONG THEN Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-03 BM.1968.022.001/14:11-03 00:19:28 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 2E PRINCESSE VAN CHAU DE NHI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-04 BM.1968.022.001/14:11-04 00:10:34 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 3E PRINCESSE VAN CHAU DE TAM Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-05 BM.1968.022.001/14:11-05 00:02:41 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 4E PRINCESSE VAN CHAU DE TAM Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-06 BM.1968.022.001/14:11-06 00:04:14 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT DES RAMES POUR LES PRINCESSES CHEO DO CHAU Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :11-07 BM.1968.022.001/14:11-07 00:10:16 14 sept 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 6E PRINCESSE VAN CHAU LUC* Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France *idem à la Petite Princesse, et à la Peite Demoiselle Châu Bé, Cô Bé• 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-01 BM.1968.022.001/14:12-01 00:04:24 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 6E PRINCESSE VAN CHAU LUC (SUITE) Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France *idem à la Petite Princesse, et à la Peite Demoiselle Châu Bé, Cô Bé• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-02 BM.1968.022.001/14:12-02 00:01:51 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE EN L'HONNEUR DE TOUS LES PRINCES VAN HOI DONG ONG HOANG Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-03 BM.1968.022.001/14:12-03 00:03:12 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 3E PRINCE VAN ONG HOANG BA Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-04 BM.1968.022.001/14:12-04 00:04:55 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE INVITANT LE PRINCE A BOIRE Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-05 BM.1968.022.001/14:12-05 00:05:47 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 7E PRINCE VAN ONG HOANG BAY Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-06 BM.1968.022.001/14:12-06 00:02:27 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 7E PRINCE VAN ONG HOANG BAY Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-07 BM.1968.022.001/14:12-07 00:05:00 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 10E PRINCE VAN ONG HOANG MUOI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-08 BM.1968.022.001/14:12-08 00:10:00 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 10E PRINCE, DANSE VAN QUANG HOANG MUOI, MUA Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-09 BM.1968.022.001/14:12-09 00:01:16 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT INVITANT LE PRINCE A BOIRE Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-10 BM.1968.022.001/14:12-10 00:02:40 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 10EME PRINCE VAN QUAN HOANG MUOI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-11 BM.1968.022.001/14:12-11 00:00:10 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU 10EME PRINCE VAN QUAN HOANG MUOI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-12 BM.1968.022.001/14:12-12 00:03:29 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG NOTES DE LA GAMME PENTATONIQUE EN L'HONNEUR DU 10EME PRINCE Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :12-13 BM.1968.022.001/14:12-13 00:09:51 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A TOUTES LES DEMOISELLES VAN CAC CO Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-01 BM.1968.022.001/14:13-01 00:02:32 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A TOUTES LES DEMOISELLES , SUITE ET FIN VAN CAC CO Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-02 BM.1968.022.001/14:13-02 00:04:20 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 3EME DEMOISELLE DES EAUX VAN CO BA THOAI Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-03 BM.1968.022.001/14:13-03 00:01:59 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG CHANT DES RAMES POUR LES DEMOISELLES VAN CHEO DO CO Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-04 BM.1968.022.001/14:13-04 00:07:48 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA 9EME DEMOISELLE VAN CO CUU Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-06 BM.1968.022.001/14:13-06 00:02:59 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE A LA PETITE DEMOISELLE, DANSE VAN CO BE, MUA Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :13-07 BM.1968.022.001/14:13-07 00:07:13 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG HYMNE AU PETIT PRINCE VAN CAU QUAN Sous-table non exportée Sous-table non exportée Hymne de possession• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 ASIE +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 :14-01 BM.1968.022.001/14:14-01 00:26:35 1 oct 1967 VIETNAM VIETNAM NORD VIETNAMIENS SIMON,S..VIETNAM.BADONG MESSE CATHOLIQUE VIETNAMIENNE Sous-table non exportée Sous-table non exportée messe catholique• LD, PP, 9,5cm/s. Enreg à Sainte Livrade sur Lot, France• 1967 RELIGIEUX ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :01-01 BM.1968.023.001/15:01-01 00:04:54 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 CHANT DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 0 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :01-02 BM.1968.023.001/15:01-02 00:03:10 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 CHANT DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :01-03 BM.1968.023.001/15:01-03 00:04:25 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 CHANT DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :01-04 BM.1968.023.001/15:01-04 00:03:50 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 CHANT DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :01-05 BM.1968.023.001/15:01-05 00:05:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 CHANT DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :02-01 BM.1968.023.001/15:02-01 00:06:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :02-02 BM.1968.023.001/15:02-02 00:05:40 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :02-03 BM.1968.023.001/15:02-03 00:04:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :02-04 BM.1968.023.001/15:02-04 00:03:15 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :02-05 BM.1968.023.001/15:02-05 00:05:40 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :03-01 BM.1968.023.001/15:03-01 00:04:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :03-02 BM.1968.023.001/15:03-02 00:08:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :03-03 BM.1968.023.001/15:03-03 00:07:15 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :04-01 BM.1968.023.001/15:04-01 00:05:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :04-02 BM.1968.023.001/15:04-02 00:04:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :04-03 BM.1968.023.001/15:04-03 00:03:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :04-04 BM.1968.023.001/15:04-04 00:03:30 N LAOS SAIYABOURY HMOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :04-05 BM.1968.023.001/15:04-05 00:05:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-01 BM.1968.023.001/15:05-01 00:03:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Région: Houay khane tay• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-02 BM.1968.023.001/15:05-02 00:04:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Région: Houay khane tay• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-03 BM.1968.023.001/15:05-03 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 KH' ÈNG SOLO (ORGUE A BOUCHE) Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-04 BM.1968.023.001/15:05-04 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE FEUILLE Sous-table non exportée Sous-table non exportée Région: Pa Hok• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-05 BM.1968.023.001/15:05-05 00:04:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO D'HOMME Sous-table non exportée Sous-table non exportée Région: Pa Hok• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :05-06 BM.1968.023.001/15:05-06 00:05:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 KH'ENG SOLO (ORGUE A BOUCHE) Sous-table non exportée Sous-table non exportée Région: Près de Pa Hok• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :06-01 BM.1968.023.001/15:06-01 00:07:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :06-02 BM.1968.023.001/15:06-02 00:03:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE CLARINETE A PAVILLON (RAJ) Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :06-03 BM.1968.023.001/15:06-03 00:06:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :06-04 BM.1968.023.001/15:06-04 00:02:05 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :06-05 BM.1968.023.001/15:06-05 00:04:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :07-01 BM.1968.023.001/15:07-01 00:02:50 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE GUIMBARDE (REPRIS) Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :07-02 BM.1968.023.001/15:07-02 00:05:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 DUO DE GUIMBARDE (REPRIS) Sous-table non exportée Sous-table non exportée Région: Houay khane• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :07-03 BM.1968.023.001/15:07-03 00:02:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 KH'ENG SOLO (ORGUE A BOUCHE) Sous-table non exportée Sous-table non exportée Région: Près de Pa Hok• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :07-04 BM.1968.023.001/15:07-04 00:06:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :07-05 BM.1968.023.001/15:07-05 00:07:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-01 BM.1968.023.001/15:08-01 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-02 BM.1968.023.001/15:08-02 00:03:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-03 BM.1968.023.001/15:08-03 00:02:20 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-04 BM.1968.023.001/15:08-04 00:02:20 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-05 BM.1968.023.001/15:08-05 00:03:15 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-06 BM.1968.023.001/15:08-06 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-07 BM.1968.023.001/15:08-07 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-08 BM.1968.023.001/15:08-08 00:04:35 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-09 BM.1968.023.001/15:08-09 00:02:40 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-10 BM.1968.023.001/15:08-10 00:03:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-11 BM.1968.023.001/15:08-11 00:01:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-12 BM.1968.023.001/15:08-12 00:03:25 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-13 BM.1968.023.001/15:08-13 00:03:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-14 BM.1968.023.001/15:08-14 00:09:50 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-15 BM.1968.023.001/15:08-15 00:03:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :08-16 BM.1968.023.001/15:08-16 00:04:15 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-01 BM.1968.023.001/15:09-01 00:04:30 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME X SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-02 BM.1968.023.001/15:09-02 00:03:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME X SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-03 BM.1968.023.001/15:09-03 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-04 BM.1968.023.001/15:09-04 00:07:20 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-05 BM.1968.023.001/15:09-05 00:04:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-06 BM.1968.023.001/15:09-06 00:07:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-07 BM.1968.023.001/15:09-07 00:04:45 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-08 BM.1968.023.001/15:09-08 00:03:45 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO (ZA Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-09 BM.1968.023.001/15:09-09 00:04:13 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO (ZAJ TSHOOB) Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :09-10 BM.1968.023.001/15:09-10 00:02:00 N LAOS SAIYABOURY HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-01 BM.1968.023.001/15:10-01 00:04:35 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-02 BM.1968.023.001/15:10-02 00:02:30 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-03 BM.1968.023.001/15:10-03 00:10:00 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-04 BM.1968.023.001/15:10-04 00:07:55 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-05 BM.1968.023.001/15:10-05 00:00:00 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-06 BM.1968.023.001/15:10-06 00:06:00 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-07 BM.1968.023.001/15:10-07 00:01:45 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-08 BM.1968.023.001/15:10-08 00:02:00 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE CLARINETTE Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-09 BM.1968.023.001/15:10-09 00:02:30 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 SOLO DE FEMME Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :10-10 BM.1968.023.001/15:10-10 00:02:00 N LAOS SAIYABOURY, PHA-HOK HMONG LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-01 BM.1968.023.001/15:11-01 00:08:00 N LAOS BASSE NAMTHA THAILU LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-02 BM.1968.023.001/15:11-02 00:03:00 N LAOS BASSE NAMTHA LAOS LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-03 BM.1968.023.001/15:11-03 00:02:00 N LAOS BASSE NAMTHA LAOS LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME ET CHOEUR Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-04 BM.1968.023.001/15:11-04 00:05:00 N LAOS BASSE NAMTHA THAI LU LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-05 BM.1968.023.001/15:11-05 00:04:00 N LAOS BASSE NAMTHA THAI LAO LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :11-06 BM.1968.023.001/15:11-06 00:03:52 N LAOS BASSE NAMTHA THAI LAO LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO ET ACCOMPAGNEMENT CHOEUR Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1965 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :12-01 BM.1968.023.001/15:12-01 00:05:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :12-02 BM.1968.023.001/15:12-02 00:05:50 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :12-03 BM.1968.023.001/15:12-03 00:02:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1964 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :12-04 BM.1968.023.001/15:12-04 00:05:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :12-05 BM.1968.023.001/15:12-05 00:04:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO, FEMME Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-01 BM.1968.023.001/15:13-01 00:12:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-02 BM.1968.023.001/15:13-02 00:05:00 N LAOS NORD DE HOUAY SAY LAHOU LAOS;HMONG VERT. LEMOINE,J.;1964-66 ORGUE A BOUCHE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-03 BM.1968.023.001/15:13-03 00:02:30 N LAOS SUD DE HOUAY SAY HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-04 BM.1968.023.001/15:13-04 00:01:30 N LAOS SUD DE HOUAY SAY HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-05 BM.1968.023.001/15:13-05 00:02:30 N LAOS SUD DE HOUAY SAY HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :13-06 BM.1968.023.001/15:13-06 00:02:30 N LAOS SUD DE HOUAY SAY HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX DE FEMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :15-01 BM.1968.023.001/15:15-01 00:04:30 N LAOS SUD DE HOUAY SAY HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :15-02 BM.1968.023.001/15:15-02 00:02:30 N THAILANDE SUD CHIENGMAI HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 CLARINETTE SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :15-03 BM.1968.023.001/15:15-03 00:07:00 N THAILANDE (BAN MAE KHUN KLANG) HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 :15-04 BM.1968.023.001/15:15-04 00:07:00 N THAILANDE (BAN MAE KHUN KLANG) HMON LAOS;HMONG VERT. LEMOINE,J.;1964-66 VOIX D'HOMME SOLO Sous-table non exportée Sous-table non exportée Vit.19 cm/s• LEMOINE,JACQUES 1966 ASIE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :01-01 BM.1968.039.001/24:01-01 00:00:00 N ARGENTINE TERRE DE FEU CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 N Sous-table non exportée Sous-table non exportée 1966 0 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :02-01 BM.1968.039.001/24:02-01 00:00:00 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 Sous-table non exportée Sous-table non exportée Voir le collecteur A. Chapman• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-01 BM.1968.039.001/24:03-01 00:10:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée BM.968.039.001/24:03-01 1966 5-245 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-02 BM.1968.039.001/24:03-02 00:02:04 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Chant pour la cérémonie d'initiation: hain - yorse BM.968.039.001/24:03-01 1966 247-290 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-03 BM.1968.039.001/24:03-03 00:02:50 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL DU GUANACO Sous-table non exportée Sous-table non exportée BM.968.039.001/24:03-01 1966 297-469 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-04 BM.1968.039.001/24:03-04 00:01:45 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE GUERRE D'UN XOON Sous-table non exportée Sous-table non exportée BM.968.039.001/24:03-03 1966 470-514 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-05 BM.1968.039.001/24:03-05 00:01:20 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE POUR GUERIR Sous-table non exportée Sous-table non exportée BM.968.039.001/24:03-04 1966 1-33 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-06 BM.1968.039.001/24:03-06 00:03:45 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola: lorsqu'elle devenait _xoon_ =shaman ,pendant le rêve, quand l'esprit de son oncle lui passe son pouvoir• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-05 1966 35-128 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-07 BM.1968.039.001/24:03-07 00:03:50 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Lola pour sa mère• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-06 1966 130-225 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-08 BM.1968.039.001/24:03-08 00:04:10 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant shamanistique de Koin-Xoon (nom d'un shaman)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-07 1966 227-335 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-09 BM.1968.039.001/24:03-09 00:02:40 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Cahil (nom d'une femme)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-08 1966 336-368 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :03-10 BM.1968.039.001/24:03-10 00:03:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Noshitin, nom d'une femme• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-08 1966 370-495 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-01 BM.1968.039.001/24:04-01 00:02:20 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTSHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon (nom de shaman)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:03-10 1966 1-50 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-02 BM.1968.039.001/24:04-02 00:00:00 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTSHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Anik, premier mari de Lola• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-01 1966 51-70 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-03 BM.1968.039.001/24:04-03 00:02:06 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTSHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Minkiol (nom d'un homme)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-02 1966 72-109 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-04 BM.1968.039.001/24:04-04 00:01:15 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTSHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Anik, 1er mari de Lola• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-03 1966 111-136 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-05 BM.1968.039.001/24:04-05 00:02:50 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTSHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon (nom de shaman)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-04 1966 146-208 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-06 BM.1968.039.001/24:04-06 00:02:41 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANTDU HAIN Sous-table non exportée Sous-table non exportée Chant pour la cérémonie d'initiation des garçons _hain_: _yochikoyot_• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-05 1966 210-275 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-07 BM.1968.039.001/24:04-07 00:03:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Lola pour sa mère• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-06 1966 280-358 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-08 BM.1968.039.001/24:04-08 00:02:15 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil pour une autre femme• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-07 1966 370-425 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-09 BM.1968.039.001/24:04-09 00:03:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon (nom de shaman)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-08 1966 427-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-10 BM.1968.039.001/24:04-10 00:01:22 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon (nom de shaman)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-09 1966 1-42 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-11 BM.1968.039.001/24:04-11 00:01:20 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola pour guérir• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-10 1966 72-113 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-12 BM.1968.039.001/24:04-12 00:02:17 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola pendant le rêve• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-11 1966 115-171 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-13 BM.1968.039.001/24:04-13 00:01:18 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION DU CRI DU GUANACO Sous-table non exportée Sous-table non exportée Chant de Lola pendant le rêve• Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-12 1966 203-233 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-14 BM.1968.039.001/24:04-14 00:04:00 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL DU GUANACO Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-13 1966 247-340 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-15 BM.1968.039.001/24:04-15 00:02:44 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'UN CHIEN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:04-14 1966 360-428 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :04-16 BM.1968.039.001/24:04-16 00:02:50 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BERCEUSE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 édité face 4, pièce 7-45• BM.968.039.001/24:04-15 1966 440-510 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-01 BM.1968.039.001/24:05-01 00:01:07 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant shamanistique de Koin-Xoon (nom de shaman)• Repérage sur compteur de Uher 4000 D9• BM.968.039.001/24:04-15 1966 1-27 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-02 BM.1968.039.001/24:05-02 00:01:55 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 K4• BM.968.039.001/24:05-01 1966 28-64 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-03 BM.1968.039.001/24:05-03 00:02:17 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halupe• Repérage sur compteur de Uher 4000 K22• BM.968.039.001/24:05-02 1966 65-122 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-04 BM.1968.039.001/24:05-04 00:01:06 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 K4• BM.968.039.001/24:05-01 1966 123-149 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-05 BM.1968.039.001/24:05-05 00:02:40 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Kternen• Repérage sur compteur de Uher 4000 K12• BM.968.039.001/24:05-04 1966 150-214 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-06 BM.1968.039.001/24:05-06 00:00:29 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halaches• Repérage sur compteur de Uher 4000 K17• BM.968.039.001/24:05-05 1966 215-222 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-07 BM.1968.039.001/24:05-07 00:02:11 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Hosku-Hu• Repérage sur compteur de Uher 4000 K5• BM.968.039.001/24:05-06 1966 223-275 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-08 BM.1968.039.001/24:05-08 00:01:05 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halaches• Repérage sur compteur de Uher 4000 K17• BM.968.039.001/24:05-07 1966 276-295 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-09 BM.1968.039.001/24:05-09 00:01:50 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DES CHANTS DE HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:05-08 1966 296-337 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-10 BM.1968.039.001/24:05-10 00:00:40 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Short• Repérage sur compteur de Uher 4000 K11• BM.968.039.001/24:05-09 1966 338-350 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-11 BM.1968.039.001/24:05-11 00:02:14 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Lola• Repérage sur compteur de Uher 4000 D6• BM.968.039.001/24:05-10 1966 351-405 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-12 BM.1968.039.001/24:05-12 00:01:55 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Short• Repérage sur compteur de Uher 4000 K11• BM.968.039.001/24:05-11 1966 406-440 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-13 BM.1968.039.001/24:05-13 00:02:38 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Mata• Repérage sur compteur de Uher 4000 K16• BM.968.039.001/24:05-12 1966 K16 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-14 BM.1968.039.001/24:05-14 00:01:25 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Lahil• Repérage sur compteur de Uher 4000• BM.968.039.001/24:05-13 1966 2-24 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-15 BM.1968.039.001/24:05-15 00:02:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Ochen (la baleine)• Repérage sur compteur de Uher 4000 D14• BM.968.039.001/24:05-14 1966 25-85 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-16 BM.1968.039.001/24:05-16 00:02:30 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Kosmink• Repérage sur compteur de Uher 4000 K14• BM.968.039.001/24:05-15 1966 86-146 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-17 BM.1968.039.001/24:05-17 00:02:00 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de la mère de Lola• Repérage sur compteur de Uher 4000 K19• BM.968.039.001/24:05-16 1966 147-185 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-18 BM.1968.039.001/24:05-18 00:02:03 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:05-17 1966 186-228 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-19 BM.1968.039.001/24:05-19 00:02:10 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de la mère de Lola• Repérage sur compteur de Uher 4000 K19• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-20 BM.1968.039.001/24:05-20 00:03:45 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de Amilken• Repérage sur compteur de Uher 4000 K24• BM.968.039.001/24:05-19 1966 276-365 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-21 BM.1968.039.001/24:05-21 00:02:20 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de Yoimolka (grand-mère de Garibaldi)• Repérage sur compteur de Uher 4000 K20• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :05-22 BM.1968.039.001/24:05-22 00:00:00 29,30/03/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halupe• Repérage sur compteur de Uher 4000 K22• BM.968.039.001/24:05-21 1966 422-464 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-01 BM.1968.039.001/24:06-01 00:07:05 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL DU GUANACO Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:05-20 1966 10-117 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-02 BM.1968.039.001/24:06-02 00:02:27 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halupe• Repérage sur compteur de Uher 4000 K22• BM.968.039.001/24:06-01 1966 120-164 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-03 BM.1968.039.001/24:06-03 00:02:05 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain de Yoimolka (grand-mère de Garibaldi)• Repérage sur compteur de Uher 4000 K20• BM.968.039.001/24:06-02 1966 165-205 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-04 BM.1968.039.001/24:06-04 00:09:52 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CINQ CHANTS DU HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 K7, K8, K9, K10, K11• BM.968.039.001/24:06-03 1966 206-429 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-05 BM.1968.039.001/24:06-05 00:02:37 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:06-01 1966 420-510 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :06-06 BM.1968.039.001/24:06-06 00:05:55 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:06-09 1966 4-94 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-01 BM.1968.039.001/24:07-01 00:02:00 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA BALEINE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:06-01 1966 7-37 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-02 BM.1968.039.001/24:07-02 00:01:50 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-01 1966 40-70 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-03 BM.1968.039.001/24:07-03 00:01:10 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Maich (un homme)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-02 1966 70-90 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-04 BM.1968.039.001/24:07-04 00:02:19 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE POUR GUERIR Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-05 BM.1968.039.001/24:07-05 00:06:22 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE MERE PENDANT LE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de Yoimolka (grand-mère de Garibaldi)• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-04 1966 135-258 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-06 BM.1968.039.001/24:07-06 00:03:23 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant d'un oncle de Lola :"El sin nombre" = celui qui n'a pas de nom• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-05 1966 260-339 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-07 BM.1968.039.001/24:07-07 00:02:00 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE SHAMAN Sous-table non exportée Sous-table non exportée Chant du shaman de Anik• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-06 1966 340-394 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-08 BM.1968.039.001/24:07-08 00:02:58 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN Sous-table non exportée Sous-table non exportée Hain de Oishta• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-07 1966 395-481 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-09 BM.1968.039.001/24:07-09 00:00:30 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN Sous-table non exportée Sous-table non exportée Hain de Kul Push• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-08 1966 490-513 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-10 BM.1968.039.001/24:07-10 00:04:25 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Noshitin• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-09 1966 0-70 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-11 BM.1968.039.001/24:07-11 00:02:05 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Lahil• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-10 1966 71-105 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-12 BM.1968.039.001/24:07-12 00:03:26 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE MISSION SALESIENNE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-11 1966 108-170 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-13 BM.1968.039.001/24:07-13 00:01:03 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Kul Push• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-12 1966 171-189 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-14 BM.1968.039.001/24:07-14 00:02:56 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE POUR NETTOYER LES LIEUX Sous-table non exportée Sous-table non exportée Nettoyer les lieux: "componer el dia"• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-13 1966 190-248 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-15 BM.1968.039.001/24:07-15 00:01:50 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant Koin-Xoon• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-14 1966 249-293 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-16 BM.1968.039.001/24:07-16 00:01:05 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Yoichikoyot• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-15 1966 294-323 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-17 BM.1968.039.001/24:07-17 00:02:15 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT Sous-table non exportée Sous-table non exportée Chant d'un frère de la mère de Lola• Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-16 1966 324-388 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :07-18 BM.1968.039.001/24:07-18 00:03:28 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 ORIGINE DU NOM YOTER Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000• BM.968.039.001/24:07-17 1966 389-510 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-01 BM.1968.039.001/24:08-01 00:03:06 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 K15• BM.968.039.001/24:07-17 1966 20-70 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-02 BM.1968.039.001/24:08-02 00:02:20 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola Shishkiol, oncle de Lola• Repérage sur compteur de Uher 4000 D2• BM.968.039.001/24:08-01 1966 70-113 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-03 BM.1968.039.001/24:08-03 00:01:09 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola Shishkiol, oncle de Lola• Repérage sur compteur de Uher 4000 D18• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-04 BM.1968.039.001/24:08-04 00:01:03 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola • Repérage sur compteur de Uher 4000 D1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-05 BM.1968.039.001/24:08-05 00:02:29 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de l'oncle de Lola • Repérage sur compteur de Uher 4000 D18• BM.968.039.001/24:08-04 1966 180-230 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-06 BM.1968.039.001/24:08-06 00:02:17 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halaches• Repérage sur compteur de Uher 4000 K17• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-07 BM.1968.039.001/24:08-07 00:01:56 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN DE LA MERE DE LOLA HAIN NEM MAI Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 K19• BM.968.039.001/24:08-06 1966 322-372 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-08 BM.1968.039.001/24:08-08 00:04:08 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Minkiol (nom d'un homme)• Repérage sur compteur de Uher 4000 D10• BM.968.039.001/24:08-07 1966 372-500 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-09 BM.1968.039.001/24:08-09 00:01:15 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Chant de Otrich (grand-mère de Lola)• Repérage sur compteur de Uher 4000 K21• BM.968.039.001/24:08-08 1966 4-15 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-10 BM.1968.039.001/24:08-10 00:02:25 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Hositin (une femme)• Repérage sur compteur de Uher 4000 T4• BM.968.039.001/24:08-09 1966 30-72 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-11 BM.1968.039.001/24:08-11 00:01:47 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de la mère de Lola• Repérage sur compteur de Uher 4000 T1• BM.968.039.001/24:08-10 1966 73-102 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-12 BM.1968.039.001/24:08-12 00:06:48 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CONVERSATION Sous-table non exportée Sous-table non exportée Espagnol, un peu de selk'nam• Repérage sur compteur de Uher 4000• BM.968.039.001/24:08-11 1966 104-128 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-13 BM.1968.039.001/24:08-13 00:01:28 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Noneh• Repérage sur compteur de Uher 4000 K25• BM.968.039.001/24:08-11 1966 125-150 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-14 BM.1968.039.001/24:08-14 00:02:37 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN Sous-table non exportée Sous-table non exportée Hain de Halupa• Repérage sur compteur de Uher 4000 K22• BM.968.039.001/24:08-13 1966 150-200 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-15 BM.1968.039.001/24:08-15 00:01:27 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Hain de Halupa• Repérage sur compteur de Uher 4000 I7• BM.968.039.001/24:08-14 1966 207-232 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-16 BM.1968.039.001/24:08-16 00:03:11 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant d'un oncle de Lola Shiskiol• Repérage sur compteur de Uher 4000 D18• BM.968.039.001/24:08-15 1966 235-302 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-17 BM.1968.039.001/24:08-17 00:02:20 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon• Repérage sur compteur de Uher 4000 D9• BM.968.039.001/24:08-16 1966 310-370 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :08-18 BM.1968.039.001/24:08-18 00:04:08 06/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain de Yoimolka (une femme)• Repérage sur compteur de Uher 4000 K20• BM.968.039.001/24:08-17 1966 370-500 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-01 BM.1968.039.001/24:09-01 00:04:40 13/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Minkiol• Repérage sur compteur de Uher 4000 D10• BM.968.039.001/24:08-10 1966 9-77 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-02 BM.1968.039.001/24:09-02 00:02:00 13/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant deKausel- le père de Minkiol, ou chant à la baleine• Repérage sur compteur de Uher 4000• BM.968.039.001/24:09-01 1966 78-118 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-03 BM.1968.039.001/24:09-03 00:02:12 13/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur de Uher 4000 D15• BM.968.039.001/24:09-02 1966 119-158 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-04 BM.1968.039.001/24:09-04 00:04:30 13/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN Sous-table non exportée Sous-table non exportée Hain de Yorge• Repérage sur compteur de Uher 4000 K2• BM.968.039.001/24:09-03 1966 158-250 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-05 BM.1968.039.001/24:09-05 00:04:38 13/04/06 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain Nem Mai de la mère de Lola• Repérage sur compteur de Uher 4000 K19• BM.968.039.001/24:09-04 1966 250-308 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-06 BM.1968.039.001/24:09-06 00:02:07 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Shorti• Repérage sur compteur Uher 4000•. K 11• BM.968.039.001/24:09.06 1966 310-365 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-07 BM.1968.039.001/24:09-07 00:02:17 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DES MERES HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de la mère de Lola• Repérage sur comteur Uher 4000. K 19• BM.968.039.001/24:09.06 1966 365-430 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-08 BM.1968.039.001/24:09-08 00:00:41 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Yoichikoyot• Repérage sur compteur Uher 4000. K 21• BM.968.039.001/24:09.06 1966 430-453 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-09 BM.1968.039.001/24:09-09 00:02:10 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Akel (des peintures sacrales rouges)• Repérage sur compteur Uher 4000• BM.968.039.001/24:09-08 1966 453-530 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-10 BM.1968.039.001/24:09-10 00:01:05 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000 K 27• BM.968.039.001/24:09-09 1966 1-27 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-11 BM.1968.039.001/24:09-11 00:04:45 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Tilshen (une femme)• Repérage sur compteur Uher 4000 B 20• BM.968.039.001/24:09-10 1966 27-108 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-12 BM.1968.039.001/24:09-12 00:01:40 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de la mère de Lola, pour guérir• Repérage sur compteur Uher 4000 B 1• BM.968.039.001/24:09-11 1966 106-138 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-13 BM.1968.039.001/24:09-13 00:00:50 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola en rêve• Repérage sur compteur Uher 4000 B 6• BM.968.039.001/24:09-12 1966 140-154 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-14 BM.1968.039.001/24:09-14 00:01:00 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Lola• Repérage sur compteur Uher 4000 B 22• BM.968.039.001/24:09-11 1966 154-186 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-15 BM.1968.039.001/24:09-15 00:03:46 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Chant de Lola. Hain de Hoshki-Hu• Repérage sur compteur Uher 4000 K5• BM.968.039.001/24:09-14 1966 187-268 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-16 BM.1968.039.001/24:09-16 00:01:48 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA BALEINE Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000 K14• BM.968.039.001/24:09-15 1966 269-310 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-17 BM.1968.039.001/24:09-17 00:03:30 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000 5B15• BM.968.039.001/24:09-16 1966 311-400 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-18 BM.1968.039.001/24:09-18 00:01:38 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen _ Ya-te-ko• Repérage sur compteur Uher 4000 5 K8• BM.968.039.001/24:09-17 1966 401-450 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-19 BM.1968.039.001/24:09-19 00:01:38 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen _ Ha-tia• Repérage sur compteur Uher 4000 5 K6• BM.968.039.001/24:09-18 1966 451-500 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :09-20 BM.1968.039.001/24:09-20 00:00:51 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen _ Hosh-Kulis• Repérage sur compteur Uher 4000 K7• BM.968.039.001/24:09-19 1966 500-530 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-01 BM.1968.039.001/24:10-01 00:01:20 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen• Repérage sur compteur Uher 4000 K12• BM.968.039.001/24:09-20 1966 6-28 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-02 BM.1968.039.001/24:10-02 00:01:50 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Otrich, grand-mère de Lola• Repérage sur compteur Uher 4000 B19• BM.968.039.001/24:10-01 1966 28-62 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-03 BM.1968.039.001/24:10-03 00:02:25 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT SHAMANISTIQUE Sous-table non exportée Sous-table non exportée Chant de Anik, premier mari de Lola• Repérage sur compteur Uher 4000 B7• BM.968.039.001/24:10-02 1966 58-92 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-04 BM.1968.039.001/24:10-04 00:04:43 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Keterrnen• Repérage sur compteur Uher 4000 K12• BM.968.039.001/24:10-03 1966 95-180 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-05 BM.1968.039.001/24:10-05 00:03:17 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Tanu• Repérage sur compteur Uher 4000 K13• BM.968.039.001/24:10-04 1966 182-250 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-06 BM.1968.039.001/24:10-06 00:03:02 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Mata• Repérage sur compteur Uher 4000 K16• BM.968.039.001/24:10-05 1966 252-320 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-07 BM.1968.039.001/24:10-07 00:01:34 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Ko Shmink• Repérage sur compteur Uher 4000 K14• BM.968.039.001/24:10-06 1966 320-358 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-08 BM.1968.039.001/24:10-08 00:01:48 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Mata• Repérage sur compteur Uher 4000 K16• BM.968.039.001/24:10-07 1966 360-408 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-09 BM.1968.039.001/24:10-09 00:03:01 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Tanu• Repérage sur compteur Uher 4000 K13• BM.968.039.001/24:10-08 1966 410-510 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-10 BM.1968.039.001/24:10-10 00:01:22 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Petrolina• Repérage sur compteur Uher 4000 B10 ou B 11• BM.968.039.001/24:10-09 1966 5-27 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-11 BM.1968.039.001/24:10-11 00:01:50 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Mata• Repérage sur compteur Uher 4000 K16• BM.968.039.001/24:10-10 1966 28-55 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-12 BM.1968.039.001/24:10-12 00:01:13 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Koshmink• Repérage sur compteur Uher 4000 K14• BM.968.039.001/24:10-11 1966 56-75 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-13 BM.1968.039.001/24:10-13 00:01:12 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Kula• Repérage sur compteur Uher 4000 K15• BM.968.039.001/24:10-12 1966 76-97 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-14 BM.1968.039.001/24:10-14 00:07:48 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE HAIN Sous-table non exportée Sous-table non exportée Chant chamanique pour la baleine Ochenkia, avec une partie d'imitation d'oiseaux• Repérage sur compteur Uher 4000 A14• BM.968.039.001/24:10-13 1966 99-247 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-15 BM.1968.039.001/24:10-15 00:01:47 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE HAIN Sous-table non exportée Sous-table non exportée Chant chamanique de Lola, pour guérir• Repérage sur compteur Uher 4000• BM.968.039.001/24:10-14 1966 248-290 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-16 BM.1968.039.001/24:10-16 00:02:26 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Yoimolka, grand-père de Garibaldi• Repérage sur compteur Uher 4000 K20• BM.968.039.001/24:10-15 1966 292-348 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-17 BM.1968.039.001/24:10-17 00:01:29 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE HAIN NEM MAI Sous-table non exportée Sous-table non exportée Chant de l'oncle de Lola: Chichiol• Repérage sur compteur Uher 4000 B8• BM.968.039.001/24:10-16 1966 350-390 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-18 BM.1968.039.001/24:10-18 00:01:01 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Deuil de Lahil• Repérage sur compteur Uher 4000 T3• BM.968.039.001/24:10-17 1966 392-420 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :10-19 BM.1968.039.001/24:10-19 00:02:37 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Deuil de Noshitin• Repérage sur compteur Uher 4000 T4• BM.968.039.001/24:10-18 1966 422-510 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-01 BM.1968.039.001/24:11-01 00:03:10 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Anik• Repérage sur compteur Uher 4000 B7• BM.968.039.001/24:11-01 1966 3-50 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-02 BM.1968.039.001/24:11-02 00:01:48 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Yoter, frère de la mère de Lola• Repérage sur compteur Uher 4000 K23• BM.968.039.001/24:11-01 1966 50-83 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-03 BM.1968.039.001/24:11-03 00:00:57 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Petrolina• Repérage sur compteur Uher 4000 B11• BM.968.039.001/24:11-02 1966 84-97 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-04 BM.1968.039.001/24:11-04 00:01:42 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Koin-Xoon• Repérage sur compteur Uher 4000 B8• BM.968.039.001/24:11-03 1966 98-130 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-05 BM.1968.039.001/24:11-05 00:01:36 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant pour la mère de Lola pour guérir• Repérage sur compteur Uher 4000 B17• BM.968.039.001/24:11-04 1966 131-161 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-06 BM.1968.039.001/24:11-06 00:03:39 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Maich• Repérage sur compteur Uher 4000 B12• BM.968.039.001/24:11-05 1966 172-246 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-07 BM.1968.039.001/24:11-07 00:04:05 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Lola pour guérir• Repérage sur compteur Uher 4000• BM.968.039.001/24:11-06 1966 248-375 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-08 BM.1968.039.001/24:11-08 00:01:02 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Chant pour Kulpush• Repérage sur compteur Uher 4000 I1• BM.968.039.001/24:11-07 1966 376-400 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-09 BM.1968.039.001/24:11-09 00:02:13 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Chant pour Oshta• Repérage sur compteur Uher 4000 J2• BM.968.039.001/24:11-08 1966 401-470 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-10 BM.1968.039.001/24:11-10 00:01:05 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BERCEUSE Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000• BM.968.039.001/24:11-09 1966 471-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-11 BM.1968.039.001/24:11-11 00:04:27 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen• Repérage sur compteur Uher 4000 K26• BM.968.039.001/24:11-10 1966 1-76 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-12 BM.1968.039.001/24:11-12 00:01:45 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BERCEUSE Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000• BM.968.039.001/24:11-11 1966 80-110 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-13 BM.1968.039.001/24:11-13 00:01:40 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Halupa• Repérage sur compteur Uher 4000 K22• BM.968.039.001/24:11-12 1966 111-140 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-14 BM.1968.039.001/24:11-14 00:01:46 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Yoimolka, grand-mère de Garibaldi• Repérage sur compteur Uher 4000 K20• BM.968.039.001/24:11-13 1966 141-170 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-15 BM.1968.039.001/24:11-15 00:03:01 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Yokel, frère de la mère de Lola• Repérage sur compteur Uher 4000 K27• BM.968.039.001/24:11-14 1966 171-228 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-16 BM.1968.039.001/24:11-16 00:00:21 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Hain de Lola pour guérir• Repérage sur compteur Uher 4000 B1• BM.968.039.001/24:11-15 1966 240-246 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-17 BM.1968.039.001/24:11-17 00:02:45 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Deuil de la mère de Lola• Repérage sur compteur Uher 4000 T4• BM.968.039.001/24:11-16 1966 249-315 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-18 BM.1968.039.001/24:11-18 00:01:28 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Deuil de Lahil• Repérage sur compteur Uher 4000 T3• BM.968.039.001/24:11-17 1966 316-350 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :11-19 BM.1968.039.001/24:11-19 00:02:49 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Deuil ddu guanaco• Repérage sur compteur Uher 4000 T2• BM.968.039.001/24:11-18 1966 351-430 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-01 BM.1968.039.001/24:12-01 00:02:20 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil du guanaco• Repérage sur compteur Uher 4000 T2• BM.968.039.001/24:11-11 1966 2-37 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-02 BM.1968.039.001/24:12-02 00:02:25 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de Lola• Repérage sur compteur Uher 4000 T5• BM.968.039.001/24:12-01 1966 38-85 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-03 BM.1968.039.001/24:12-03 00:02:24 13/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant deKunyol, un homme• Repérage sur compteur Uher 4000 5 B23• BM.968.039.001/24:12-02 1966 93-138 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-04 BM.1968.039.001/24:12-04 00:03:08 15/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant deLola pour guérir• Repérage sur compteur Uher 4000 B16• BM.968.039.001/24:12-03 1966 140-178 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-05 BM.1968.039.001/24:12-05 00:01:19 15/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Amilken• Repérage sur compteur Uher 4000 K24• BM.968.039.001/24:12-04 1966 185-210 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-06 BM.1968.039.001/24:12-06 00:00:00 15/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Lola pour guérir• Repérage sur compteur Uher 4000 B22• BM.968.039.001/24:12-05 1966 215-275 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-07 BM.1968.039.001/24:12-07 00:07:00 15/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000• BM.968.039.001/24:12-06 1966 280-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-08 BM.1968.039.001/24:12-08 00:03:40 21/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE D'UN HOMME Sous-table non exportée Sous-table non exportée Repérage sur compteur Uher 4000• BM.968.039.001/24:12-07 1966 1-56 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-09 BM.1968.039.001/24:12-09 00:02:45 21/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Amilken• Repérage sur compteur Uher 4000 K24• BM.968.039.001/24:12-08 1966 58-104 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-10 BM.1968.039.001/24:12-10 00:03:05 21/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Lola dans un rêve• Repérage sur compteur Uher 4000 D6• BM.968.039.001/24:12-09 1966 105-160 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-11 BM.1968.039.001/24:12-11 00:01:50 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen• Repérage sur compteur d'Uher 4000• BM.968.039.001/24:12-11 1966 161-194 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-12 BM.1968.039.001/24:12-12 00:01:42 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT APPRIS A LA MISSION Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000• BM.968.039.001/24:12-11 1966 195-232 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-13 BM.1968.039.001/24:12-13 00:03:25 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de la mère de Lola à propos d'un de ses frères qui fut tué par une flèche• Repérage sur compteur d'Uher 4000• BM.968.039.001/24:12-11 1966 233-334 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :12-14 BM.1968.039.001/24:12-14 00:05:30 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Koin-Xoon• Repérage sur compteur d'Uher 4000• BM.968.039.001/24:12-13 1966 340-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-01 BM.1968.039.001/24:13-01 00:01:12 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen• Repérage sur compteur d'Uher 4000• BM.968.039.001/24:13-01 1966 6-22 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-02 BM.1968.039.001/24:13-02 00:01:02 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Xalpen• Repérage sur compteur d'Uher 4000 K10• BM.968.039.001/24:13-01 1966 23-37 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-03 BM.1968.039.001/24:13-03 00:04:38 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Lola• Repérage sur compteur d'Uher 4000 K18• BM.968.039.001/24:13-02 1966 45-119 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-04 BM.1968.039.001/24:13-04 00:02:43 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000 T6• BM.968.039.001/24:13-01 1966 120-168 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-05 BM.1968.039.001/24:13-05 00:01:30 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE HAIN Sous-table non exportée Sous-table non exportée Chant chamanique de Petrolina• Repérage sur compteur d'Uher 4000 B11• BM.968.039.001/24:13-01 1966 170-190 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-06 BM.1968.039.001/24:13-06 00:01:40 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Otrich, grand-mère de Lola• Repérage sur compteur d'Uher 4000 K21• BM.968.039.001/24:13-01 1966 211-245 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-07 BM.1968.039.001/24:13-07 00:04:13 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Repérage sur compteur d'Uher 4000 D22• BM.968.039.001/24:13-06 1966 246-355 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-08 BM.1968.039.001/24:13-08 00:03:40 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Repérage sur compteur d'Uher 4000 D1• BM.968.039.001/24:13-07 1966 356-447 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-09 BM.1968.039.001/24:13-09 00:01:40 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTIONS Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000• BM.968.039.001/24:13-01 1966 449-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-10 BM.1968.039.001/24:13-10 00:05:50 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Deuil de Haken Par• Repérage sur compteur d'Uher 4000 T6• BM.968.039.001/24:13-01 1966 7-54 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-11 BM.1968.039.001/24:13-11 00:01:30 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT A LA LUNE Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000 5 E.I.• BM.968.039.001/24:13-10 1966 55-70 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-12 BM.1968.039.001/24:13-12 00:01:47 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DU CHANT A LA LUNE PRECEDENT Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000• BM.968.039.001/24:13-11 1966 71-104 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-13 BM.1968.039.001/24:13-13 00:03:18 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Yiyamen Xoon, soeur du père de Lola• Repérage sur compteur d'Uher 4000 D21• BM.968.039.001/24:13-12 1966 115-160 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-14 BM.1968.039.001/24:13-14 00:03:47 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ochenkia à la baleine• Repérage sur compteur d'Uher 4000 K14• BM.968.039.001/24:13-13 1966 165-238 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-15 BM.1968.039.001/24:13-15 00:03:55 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Lola pour un de ses fils• Repérage sur compteur d'Uher 4000 T5• BM.968.039.001/24:13-14 1966 240-329 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-16 BM.1968.039.001/24:13-16 00:02:35 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Haken Par• Repérage sur compteur d'Uher 4000 T6• BM.968.039.001/24:13-15 1966 330-400 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :13-17 BM.1968.039.001/24:13-17 00:03:40 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Otrich, grand-mère de Lola• Repérage sur compteur d'Uher 4000 T7• BM.968.039.001/24:13-16 1966 401-500 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-01 BM.1968.039.001/24:14-01 00:04:35 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUX CHANTS CHAMANIQUES Sous-table non exportée Sous-table non exportée Chants de Lola pour guérir• Repérage sur compteur d'Uher 4000 D4 et D24• BM.968.039.001/24:13-11 1966 2-74 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-02 BM.1968.039.001/24:14-02 00:02:00 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Lola pour guérir• Repérage sur compteur d'Uher 4000 D X• BM.968.039.001/24:14-01 1966 75-112 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-03 BM.1968.039.001/24:14-03 00:01:40 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BERCEUSES Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000 B1 et B2• BM.968.039.001/24:14-01 1966 113-146 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-04 BM.1968.039.001/24:14-04 00:02:08 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant de Kausel (?)• Repérage sur compteur d'Uher 4000 K?• BM.968.039.001/24:14-03 1966 147-175 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-05 BM.1968.039.001/24:14-05 00:02:02 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL DU GUANACO Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000 T2• BM.968.039.001/24:14-04 1966 178-220 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-06 BM.1968.039.001/24:14-06 00:02:45 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Mata• Repérage sur compteur d'Uher 4000 K16• BM.968.039.001/24:14-05 1966 230-290 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-07 BM.1968.039.001/24:14-07 00:03:57 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Koshmink• Repérage sur compteur d'Uher 4000 K14• BM.968.039.001/24:14-06 1966 291-385 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-08 BM.1968.039.001/24:14-08 00:02:16 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai pour Xalpen• Repérage sur compteur d'Uher 4000 K26• BM.968.039.001/24:14-07 1966 386-459 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-09 BM.1968.039.001/24:14-09 00:01:32 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de Haricho• Repérage sur compteur d'Uher 4000 K29• BM.968.039.001/24:14-08 1966 460-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-10 BM.1968.039.001/24:14-10 00:02:00 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN (SUITE DU PRECEDENT) HAIN Sous-table non exportée Sous-table non exportée Hain de Haricho• Repérage sur compteur d'Uher 4000 K29• BM.968.039.001/24:14-09 1966 3-35 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-11 BM.1968.039.001/24:14-11 00:03:05 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Yoimolka, grand-mère de Garibaldi• Repérage sur compteur d'Uher 4000 K20• BM.968.039.001/24:14-05 1966 230-290 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-12 BM.1968.039.001/24:14-12 00:02:50 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de X• Repérage sur compteur d'Uher 4000• BM.968.039.001/24:14-11 1966 90-140 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-13 BM.1968.039.001/24:14-13 00:08:07 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR GUERIR Sous-table non exportée Sous-table non exportée Repérage sur compteur d'Uher 4000• BM.968.039.001/24:14-12 1966 141-309 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-14 BM.1968.039.001/24:14-14 00:02:07 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT Sous-table non exportée Sous-table non exportée Chant du "docteur" Anien• Repérage sur compteur d'Uher 4000 C2• BM.968.039.001/24:14-13 1966 310-365 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-15 BM.1968.039.001/24:14-15 00:02:00 avril 66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Otrich, grand-mère de Lola• Repérage sur compteur d'Uher 4000 D4 et D24• BM.968.039.001/24:14-01 1966 366-420 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :14-16 BM.1968.039.001/24:14-16 00:02:47 24/04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR CHASSER LA NEIGE ANTI-HOSH Sous-table non exportée Sous-table non exportée Original piste 2. K 29• 1966 421-515 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-01 BM.1968.039.001/24:15-01 00:02:20 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR CHASSER LA NEIGE ANTI-HOSH Sous-table non exportée Sous-table non exportée Original piste 1. K29• BM.968.039.001/24:15-01 1966 5-40 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-02 BM.1968.039.001/24:15-02 00:03:00 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR CHASSER LA NEIGE ANTI-CHALU Sous-table non exportée Sous-table non exportée Original piste 1. K30• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-03 BM.1968.039.001/24:15-03 00:03:23 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE DE OCHENKIA - LA BALEINE Sous-table non exportée Sous-table non exportée Original piste 1. D14• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-04 BM.1968.039.001/24:15-04 00:12:40 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA PARLE DE XALPEN Sous-table non exportée Sous-table non exportée Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-05 BM.1968.039.001/24:15-05 00:05:00 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA RACONTE LE MYTHE DE XALPEN Sous-table non exportée Sous-table non exportée Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-06 BM.1968.039.001/24:15-06 00:03:36 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE DE LOLA POUR GUERIR Sous-table non exportée Sous-table non exportée Original piste 1. D4• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-07 BM.1968.039.001/24:15-07 00:05:48 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTIONS Sous-table non exportée Sous-table non exportée Original piste 1. K29• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-08 BM.1968.039.001/24:15-08 00:02:11 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE DE HAKENPAR Sous-table non exportée Sous-table non exportée Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-09 BM.1968.039.001/24:15-09 00:02:51 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Yokel• Original piste 1 K23• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-10 BM.1968.039.001/24:15-10 00:06:05 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kauhulpa, cousine de sa mère, fille de Huaren• Original piste 2 K27• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-11 BM.1968.039.001/24:15-11 00:03:50 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT Sous-table non exportée Sous-table non exportée Chant de Anik, premier mari de Lola• Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-12 BM.1968.039.001/24:15-12 00:01:34 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Minkiol• Original piste 2 K10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-13 BM.1968.039.001/24:15-13 00:07:45 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Koin Xoon• Original piste 2 D9• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :15-14 BM.1968.039.001/24:15-14 00:03:00 04/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kausel• Original piste 2 D10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-01 BM.1968.039.001/24:16-01 00:04:15 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Koyotl, oncle de Lola• Original piste 1 D8• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-02 BM.1968.039.001/24:16-02 00:13:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 MYTHE DE KRIN-LUNE Sous-table non exportée Sous-table non exportée Original piste 1 D8• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-03 BM.1968.039.001/24:16-03 00:03:57 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT A LA LUNE ET MYTHE Sous-table non exportée Sous-table non exportée Original piste 1 D15• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-04 BM.1968.039.001/24:16-04 00:01:03 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée chant chamanique de Kausel• Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-05 BM.1968.039.001/24:16-05 00:04:04 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT Sous-table non exportée Sous-table non exportée chant de Minkiol• Original piste 1 D10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-06 BM.1968.039.001/24:16-06 00:05:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE GUERRE N°2 Sous-table non exportée Sous-table non exportée Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-07 BM.1968.039.001/24:16-07 00:04:03 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR LA NEIGE ET LA PLUIE HOSH / CHALU Sous-table non exportée Sous-table non exportée Original piste 1 K29 et K30• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-08 BM.1968.039.001/24:16-08 00:02:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN Sous-table non exportée Sous-table non exportée Hain de l'esprit de Hain-Hain Kaspi• Original piste 1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-09 BM.1968.039.001/24:16-09 00:20:02 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN Sous-table non exportée Sous-table non exportée Hain pour Kula• Original piste 1 K31• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-10 BM.1968.039.001/24:16-10 00:02:13 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN Sous-table non exportée Sous-table non exportée Original piste 1 K26• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-11 BM.1968.039.001/24:16-11 00:01:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN Sous-table non exportée Sous-table non exportée Original piste 2 K26• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-12 BM.1968.039.001/24:16-12 00:04:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA PARLE DE SON GRAND-PERE ALAKEN Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-13 BM.1968.039.001/24:16-13 00:05:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA RACONTE LE MYTHE DE YOSHIKAIUTL Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-14 BM.1968.039.001/24:16-14 00:01:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT YOCHI-KOYOTL Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-15 BM.1968.039.001/24:16-15 00:01:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DU HAIN HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Otrich Deuil de Otrich• Original piste 2 K32 T7• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-16 BM.1968.039.001/24:16-16 00:07:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Koin Xoon• Original piste 2 D9• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-17 BM.1968.039.001/24:16-17 00:03:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTIONS DE XOON Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-18 BM.1968.039.001/24:16-18 00:01:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA RACONTE LE MYTHE D'ORIGINE DE L'EAU Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-19 BM.1968.039.001/24:16-19 00:01:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA RACONTE LE MYTHE D'ORIGINE DE LA NUIT Sous-table non exportée Sous-table non exportée Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-20 BM.1968.039.001/24:16-20 00:02:42 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Hoortil• Original piste 2 T8• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-21 BM.1968.039.001/24:16-21 00:00:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 LOLA RACONTE DES MOMENTS DE SA VIE Sous-table non exportée Sous-table non exportée Chant de deuil de Hoortil• Original piste 2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :16-22 BM.1968.039.001/24:16-22 00:03:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Hoortil• Original piste 2 T8• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-01 BM.1968.039.001/24:17-01 00:03:12 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE DE KOYOTL Sous-table non exportée Sous-table non exportée Chant chamanique de Koyotl, oncle de Lola• Original piste 1; vitesse 19cm/s D16• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-02 BM.1968.039.001/24:17-02 00:01:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DU CHANT DE KOYOTL Sous-table non exportée Sous-table non exportée Traduction du chant de Koyotl, oncle de Lola• Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-03 BM.1968.039.001/24:17-03 00:02:32 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DE KAUTEMPL Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-04 BM.1968.039.001/24:17-04 00:04:08 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Haricho• Original piste 1; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-05 BM.1968.039.001/24:17-05 00:04:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Hochula et Yaaheu• Original piste 1; vitesse 19cm/s K2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-06 BM.1968.039.001/24:17-06 00:00:32 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DU HAIN Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-07 BM.1968.039.001/24:17-07 00:02:56 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Koin-Xoon• Original piste 1; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-08 BM.1968.039.001/24:17-08 00:02:00 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Halkan• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-09 BM.1968.039.001/24:17-09 00:01:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Otrich, grand-mère de Lola• Original piste 2; vitesse 19cm/s D19• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-10 BM.1968.039.001/24:17-10 00:04:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Deuil de Otrich, grand-mère de Lola• Original piste 2; vitesse 2,4 et 19cm/s T8• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-11 BM.1968.039.001/24:17-11 00:02:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Otrich, grand-mère de Lola• Original piste 2; vitesse 19cm/s K32• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-12 BM.1968.039.001/24:17-12 00:09:28 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-13 BM.1968.039.001/24:17-13 00:02:23 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de la mère de Lola• Original piste 2; vitesse 19cm/s K19• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-14 BM.1968.039.001/24:17-14 00:08:25 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 MYTHE DE KUANIP Sous-table non exportée Sous-table non exportée Lola raconte le mythe de Kuanip• Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :17-15 BM.1968.039.001/24:17-15 00:02:27 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kauyiya• Original piste 2; vitesse 19cm/s K34• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-01 BM.1968.039.001/24:18-01 00:02:35 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kauyiya• Original piste 1; vitesse 19cm/s K34• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-02 BM.1968.039.001/24:18-02 00:01:58 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-03 BM.1968.039.001/24:18-03 01:09:15 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT DE NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-04 BM.1968.039.001/24:18-04 00:02:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT Sous-table non exportée Sous-table non exportée Lola raconte au sujet de son grand-père Alaken• Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-05 BM.1968.039.001/24:18-05 00:11:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 IMITATION D'OISEAUX Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-06 BM.1968.039.001/24:18-06 00:04:00 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kochkonar• Original piste 2; vitesse 19cm/s D31• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-07 BM.1968.039.001/24:18-07 00:02:16 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique du père de la mère de Lola• Original piste 1; vitesse 19cm/s D13• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-08 BM.1968.039.001/24:18-08 00:00:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 VOCABULAIRE DE LA LANGUE HAUSH Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-09 BM.1968.039.001/24:18-09 00:23:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT DE NOMS PROPRES ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-10 BM.1968.039.001/24:18-10 00:19:15 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT DE NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-11 BM.1968.039.001/24:18-11 00:07:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-12 BM.1968.039.001/24:18-12 00:00:33 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Anien• Original piste 2; vitesse 19cm/s K35• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-13 BM.1968.039.001/24:18-13 00:02:13 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-14 BM.1968.039.001/24:18-14 00:03:17 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kachira• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-15 BM.1968.039.001/24:18-15 00:01:17 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-16 BM.1968.039.001/24:18-16 00:01:52 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Chimchi Men, une femme• Original piste 2; vitesse 19cm/s T9• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-17 BM.1968.039.001/24:18-17 00:09:45 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-18 BM.1968.039.001/24:18-18 00:18:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TERMES DE PARENTE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-19 BM.1968.039.001/24:18-19 00:02:18 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kachira• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-20 BM.1968.039.001/24:18-20 00:00:42 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :18-21 BM.1968.039.001/24:18-21 00:03:38 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 19cm/s K25• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-01 BM.1968.039.001/24:19-01 00:02:35 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kachira• Original piste 1; vitesse 19cm/s K36• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-02 BM.1968.039.001/24:19-02 00:07:58 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 1; vitesse 19cm/s D1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-03 BM.1968.039.001/24:19-03 00:02:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-04 BM.1968.039.001/24:19-04 00:00:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 1; vitesse 19cm/s D1• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-05 BM.1968.039.001/24:19-05 00:03:54 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 4,7cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-06 BM.1968.039.001/24:19-06 00:06:08 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-07 BM.1968.039.001/24:19-07 00:01:29 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Deuil de Kayel• Original piste 1; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-08 BM.1968.039.001/24:19-08 00:01:04 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Deuil de Shiker, oncle de Lola• Original piste 1; vitesse 19cm/s T10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-09 BM.1968.039.001/24:19-09 00:10:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Traduction et biographie du chant Kausel• Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-10 BM.1968.039.001/24:19-10 00:02:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-11 BM.1968.039.001/24:19-11 00:28:25 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DU HAIN Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-12 BM.1968.039.001/24:19-12 00:08:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TERMES DE PARENTE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-13 BM.1968.039.001/24:19-13 00:10:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT DES POINTS CARDINAUX Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-14 BM.1968.039.001/24:19-14 00:02:14 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Anien• Original piste 2; vitesse 19cm/s K35• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-15 BM.1968.039.001/24:19-15 00:04:45 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 2,4cm/s D6• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-16 BM.1968.039.001/24:19-16 00:02:02 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s D6• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-17 BM.1968.039.001/24:19-17 00:16:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 DEUIL Sous-table non exportée Sous-table non exportée Deuil de Guanaco et traduction• Original piste 2; vitesse 2,4 et 19 cm/s T2. chant et traduction• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-18 BM.1968.039.001/24:19-18 00:14:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-19 BM.1968.039.001/24:19-19 00:03:11 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s D6• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-20 BM.1968.039.001/24:19-20 00:02:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-21 BM.1968.039.001/24:19-21 00:01:16 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Anien• Original piste 2; vitesse 19cm/s K35• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :19-22 BM.1968.039.001/24:19-22 00:02:20 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s D3• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-01 BM.1968.039.001/24:20-01 00:02:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Kachira• Original piste 1; vitesse 19cm/s K36• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-02 BM.1968.039.001/24:20-02 00:00:00 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 34-36 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-03 BM.1968.039.001/24:20-03 00:03:37 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Chichimen• Original piste 1; vitesse 19cm/s T9• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-04 BM.1968.039.001/24:20-04 00:02:46 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Nonen, soeur de la grand-mère de Lola et Koch• Original piste 1; vitesse 19cm/s D25• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-05 BM.1968.039.001/24:20-05 00:05:52 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de la mère de Lola• Original piste 1; vitesse 19cm/s T11• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-06 BM.1968.039.001/24:20-06 00:00:54 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Lola et traduction• Original piste 1; vitesse 19cm/s T11, chant et traduction• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-07 BM.1968.039.001/24:20-07 00:18:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-08 BM.1968.039.001/24:20-08 00:00:25 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-09 BM.1968.039.001/24:20-09 00:05:35 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de l'oncle de Lola pour guérir• Original piste 2; vitesse 19cm/s D24• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-10 BM.1968.039.001/24:20-10 00:02:09 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique pour guérir• Original piste 2; vitesse 19cm/s D3• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-11 BM.1968.039.001/24:20-11 00:09:10 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-12 BM.1968.039.001/24:20-12 00:12:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 MYTHE DE CHASKILTS Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-13 BM.1968.039.001/24:20-13 00:17:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 MYTHE DE KAAUTL Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-14 BM.1968.039.001/24:20-14 00:00:45 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Terin Xoon• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-15 BM.1968.039.001/24:20-15 00:07:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s N°2• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-16 BM.1968.039.001/24:20-16 00:01:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT Sous-table non exportée Sous-table non exportée Récit de Xalpen• Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-17 BM.1968.039.001/24:20-17 00:25:25 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-18 BM.1968.039.001/24:20-18 00:03:17 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Halkan• Original piste 2; vitesse 19cm/s K33• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :20-19 BM.1968.039.001/24:20-19 00:03:05 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Tilshik• Original piste 2; vitesse 19cm/s D20• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-01 BM.1968.039.001/24:21-01 00:01:40 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Hain latin et traduction• Original piste 1; vitesse 19cm/s K26• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-02 BM.1968.039.001/24:21-02 00:21:30 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION, MYTHES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 4,7 & 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-03 BM.1968.039.001/24:21-03 00:03:48 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Hain latin • Original piste 1; vitesse 19cm/s K26• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-04 BM.1968.039.001/24:21-04 00:04:46 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ochenkia, la baleine• Original piste 1; vitesse 19cm/s D14• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-05 BM.1968.039.001/24:21-05 00:06:35 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kuaut-Tial• Original piste 1; vitesse 19cm/s D26• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-06 BM.1968.039.001/24:21-06 00:18:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-07 BM.1968.039.001/24:21-07 00:05:00 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-08 BM.1968.039.001/24:21-08 00:11:45 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 MYTHES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-09 BM.1968.039.001/24:21-09 00:02:58 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT Sous-table non exportée Sous-table non exportée Récit des points cardinaux• Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-10 BM.1968.039.001/24:21-10 00:03:56 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS DES TERRITOIRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-11 BM.1968.039.001/24:21-11 00:03:33 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Hain pour Hosh-Ke-Riko• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-12 BM.1968.039.001/24:21-12 00:01:09 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Hain pour Kute-Hopa• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-13 BM.1968.039.001/24:21-13 00:01:51 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN Sous-table non exportée Sous-table non exportée Hain pour Hochula• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-14 BM.1968.039.001/24:21-14 00:01:03 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Minquiol• Original piste 2; vitesse 19cm/s D10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-15 BM.1968.039.001/24:21-15 00:03:56 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-16 BM.1968.039.001/24:21-16 00:02:50 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Minquiol• Original piste 2; vitesse 19cm/s D10• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-17 BM.1968.039.001/24:21-17 00:02:15 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kausel• Original piste 2; vitesse 19cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-18 BM.1968.039.001/24:21-18 01:24:00 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOM DES TERRITOIRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :21-19 BM.1968.039.001/24:21-19 00:21:55 05/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• 1966 AMERIQUE +BM.1968.040 Ø18;²19;PPM BM.1968.040.001/03 :01-01 BM.1968.040.001/03:01-01 00:32:24 août 1967 VIETNAM VILLAGE DE DAK SEK MNONG GAR* VIETNAM:MNONG GAR. COMDOMINAS,G.;1967 HISTOIRE DE "CHONG TRANG KON TANG YONG DE" PAR KRIENG (DEBUT) Sous-table non exportée Sous-table non exportée *clan "ndu" conté, solo d'H histoire de "Chong Trang Kon Tang Yông Dê" par Kriêng• 1958 0 ASIE +BM.1968.040 Ø18;²19;PPM BM.1968.040.001/03 :02-01 BM.1968.040.001/03:02-01 00:32:25 août 1967 VIETNAM VILLAGE DE DAK SEK MNONG GAR* VIETNAM:MNONG GAR. COMDOMINAS,G.;1967 HISTOIRE DE "CHONG TRANG KON TANG YONG DE" PAR KRIENG (SUITE) Sous-table non exportée Sous-table non exportée *clan "ndu" conté, solo d'H histoire de "Chong Trang Kon Tang Yông Dê" par Kriêng (suite)• 1967 ASIE +BM.1968.040 Ø18;²19;PPM BM.1968.040.001/03 :03-01 BM.1968.040.001/03:03-01 00:23:32 août 1967 VIETNAM VILLAGE DE DAK SEK MNONG GAR* VIETNAM:MNONG GAR. COMDOMINAS,G.;1967 HISTOIRE DE "CHONG TRANG KON TANG YONG DE" PAR KRIENG (FIN) Sous-table non exportée Sous-table non exportée *clan "ndu" conté, solo d'H histoire de "Chong Trang Kon Tang Yông Dê" par Kriêng (suite)• 1967 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-01 BM.1969.036.001/24:01-01 00:04:00 jan 1958 THAILANDE VILLAGE DE BANG KATING CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée 6' d'essai pour l'appareil récité, solo d'H numération chcn par P'et• 1958 0 bande 1 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-02 BM.1969.036.001/24:01-02 00:03:35 jan 1958 THAILANDE VILLAGE DE BANG KATING CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo de F culuture chcn par Shuây• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-03 BM.1969.036.001/24:01-03 00:00:30 jan 1958 THAILANDE VILLAGE DE PLANG BON CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée berceuse par P'en• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-04 BM.1969.036.001/24:01-04 00:01:13 jan 1958 THAILANDE VILLAGE DE PLANG BON CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de battage du riz par Soon Nö• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-05 BM.1969.036.001/24:01-05 00:01:30 jan 1958 THAILANDE VILLAGE DE BAN PAP PLUONG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée rire chant du mariage par Di Kan Tak Pao Wèo• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-06 BM.1969.036.001/24:01-06 00:01:15 jan 1958 THAILANDE VILLAGE DE NDING DEN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H invocation à l'esprit du riz lors du battage du riz par Ching• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-07 BM.1969.036.001/24:01-07 00:01:09 jan 1958 THAILANDE VILLAGE DE TUONG SA PANG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H invocation des esprits lors du mariage par Kiet• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-08 BM.1969.036.001/24:01-08 00:01:30 jan 1958 THAILANDE VILLAGE DE TUONG SA PANG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant relatant le voyage en forêt par Plik• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-09 BM.1969.036.001/24:01-09 00:00:52 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par Thong• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :01-10 BM.1969.036.001/24:01-10 00:01:28 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par Thong• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-01 BM.1969.036.001/24:02-01 00:00:50 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par le vieillard Pao• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-02 BM.1969.036.001/24:02-02 00:00:51 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant relatant d'un voyage en forêt par Dâm• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-03 BM.1969.036.001/24:02-03 00:00:50 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée solo de F rire chant de réponse au premier chant de Pao par K'an, femme de Dâm• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-04 BM.1969.036.001/24:02-04 00:01:30 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant sur la culture du riz par Bùo• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-05 BM.1969.036.001/24:02-05 00:00:35 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant sur un oiseau de la forêt par Krâm• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-06 BM.1969.036.001/24:02-06 00:00:35 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de voyage en forêt par Si, instituteur de Krong Plu• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-07 BM.1969.036.001/24:02-07 00:00:50 jan 1958 THAILANDE VILLAGE DE KRONG NYAI CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant décrivant une tortue de forêt par Root• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-08 BM.1969.036.001/24:02-08 00:02:30 jan 1958 THAILANDE VILLAGE DE KRONG NYAI CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H invocation à la déesse du paddy précédé par un prologue par Root• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-09 BM.1969.036.001/24:02-09 00:02:53 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de moisson par Pet et Root• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-10 BM.1969.036.001/24:02-10 00:01:56 jan 1958 THAILANDE VILLAGE DE KRONG NYAI CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par Root et Pet• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-11 BM.1969.036.001/24:02-11 00:01:55 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par Samli• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-12 BM.1969.036.001/24:02-12 00:01:42 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée sa propre histoire en chanson par Si, instituteur• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-13 BM.1969.036.001/24:02-13 00:01:15 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de danse par Phai• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-14 BM.1969.036.001/24:02-14 00:00:58 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo de F, soutenu par une autre voix de F, bat. de mains, rire. chant de danse par Châm, soeur de Phai• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-15 BM.1969.036.001/24:02-15 00:01:40 jan 1958 THAILANDE VILLAGE DE KRONG PLU CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant alterné par Phai et Châm• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-16 BM.1969.036.001/24:02-16 00:00:50 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée solo de F, soutenu par une autre voix de F, bat. de mains chant de danse par Mui.• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :02-17 BM.1969.036.001/24:02-17 00:01:18 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée suite du chant précédent par Mui.• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :03-01 BM.1969.036.001/24:03-01 00:01:12 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG, HAMEAU DE NAM KUN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'h invocation aux esprits avant la cérémonie centrale du mariage par Sao, chef du hameau de Nam Kun• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :03-02 BM.1969.036.001/24:03-02 00:01:30 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG, HAMEAU DE NAM KUN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant invocatoire de mariage dit K'Mai par Sa• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :03-03 BM.1969.036.001/24:03-03 00:01:25 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG, HAMEAU DE NAM KUN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant de Korad traduit du thai en chcn par Bun• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :03-04 BM.1969.036.001/24:03-04 00:00:35 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG, HAMEAU DE NAM KUN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chant dit Yun Niè normalement accompagné de danse par Yun• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :03-05 BM.1969.036.001/24:03-05 00:01:25 jan 1958 THAILANDE VILLAGE DE TAK KHIEN THONG, HAMEAU DE NAM KUN CHAN THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité invocation aux esprits et aux ancêtres du demun de venir au Tonpra' par P'ut• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :04-01 BM.1969.036.001/24:04-01 00:08:42 sept 1965 VIETNAM VILLAGE DE CIENG KAO MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan mbuan récité, solo d'H + annonce récit toong pen hoot kuan par Ha Chô'• 1965 0 bande I ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :04-02 BM.1969.036.001/24:04-02 00:09:00 sept 1965 VIETNAM VILLAGE DE CIENG KAO MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * caln rje récitgé, solo de F récit par Bblar• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :04-03 BM.1969.036.001/24:04-03 00:04:12 sept 1965 VIETNAM VILLAGE DE CIENG KAO MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan lieng hoot récité, solo d'H récit par Ha Tiên• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :05-01 BM.1969.036.001/24:05-01 00:12:12 sept 1965 VIETNAM VILLAGE DE CIENG KAO MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clanlieng hoot récité, solo d'H suite du récit de la bande 1 (04-01/03)• 1965 bande 2 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :05-02 BM.1969.036.001/24:05-02 00:11:30 sept 1965 VIETNAM VILLAGE DEBBJA DAAN KONOH MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan r'ông récité, solo d'H récit par Tang• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :06-01 BM.1969.036.001/24:06-01 00:08:00 sept 1965 VIETNAM VILLAGE DE BBJA DAAN KONOH MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée conversation libre sur les dits de justice par Kalur• 1965 bande 3 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :06-02 BM.1969.036.001/24:06-02 00:04:10 sept 1965 VIETNAM VILLAGE DE BBJA DAAN KONOH MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan r'ông récité, solo d'H récit par Kabut• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :06-03 BM.1969.036.001/24:06-03 00:04:00 sept 1965 VIETNAM VILLAGE DE BNIENG MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan buan récité, solo d'H récit par Kachô'• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :06-04 BM.1969.036.001/24:06-04 00:00:44 sept 1965 VIETNAM VILLAGE DE BBJA DAAN KONOH MNONG CIL* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan r'ông récité, solo d'H récit par Kabut (inachevé)• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-01 BM.1969.036.001/24:07-01 00:02:15 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée petits gongs "pong gong"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-02 BM.1969.036.001/24:07-02 00:02:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kasaa' récité, solo d'H récit "dös gong" par K'Iar• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-03 BM.1969.036.001/24:07-03 00:02:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée petits gongs "pong gong"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-04 BM.1969.036.001/24:07-04 00:01:48 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kasaa' récité, solo d'H récit "dös gong" par K'Iar• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-05 BM.1969.036.001/24:07-05 00:01:15 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kasaa' parlé, solo d'H organisation sociale sur la filiation bilinéaire• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :07-06 BM.1969.036.001/24:07-06 00:06:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kasaa' clarinette Köwao 15 morceaux joués par Kijen• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-01 BM.1969.036.001/24:08-01 00:01:30 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" pièce jouée par K'Chun• 0 bande 2 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-02 BM.1969.036.001/24:08-02 00:01:23 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" pièce Upraa'h par K'Chun• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-03 BM.1969.036.001/24:08-03 00:00:50 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" pièce "ü kun nyet" par K'Chun• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-04 BM.1969.036.001/24:08-04 00:01:18 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" plusieurs essais+discussion pièce "ü kun nyet" par K'Chun• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-05 BM.1969.036.001/24:08-05 00:01:50 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" pièce "U kun nyet" par K'Chun• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-06 BM.1969.036.001/24:08-06 00:00:45 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut parlé, solo d'H longue annonce par Baap Sray• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-07 BM.1969.036.001/24:08-07 00:08:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut parlé, solo d'H récit "trên" par K'Mang• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :08-08 BM.1969.036.001/24:08-08 00:00:25 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" "mpöt" par Baap K'Dèu (inachevé)• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :09-01 BM.1969.036.001/24:09-01 00:07:40 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" chant "mpöt" par Baap K'Dèu (suite de la bande précédente)• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :09-02 BM.1969.036.001/24:09-02 00:07:40 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut orgue à bouche "mbuot" chant "mpöt" par Baap K'Dèu• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-01 BM.1969.036.001/24:10-01 00:02:30 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut récité, solo d'H récit "Srên" par Baap K'Dèu• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-02 BM.1969.036.001/24:10-02 00:00:20 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-03 BM.1969.036.001/24:10-03 00:01:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-04 BM.1969.036.001/24:10-04 00:00:52 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-05 BM.1969.036.001/24:10-05 00:00:50 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-06 BM.1969.036.001/24:10-06 00:01:00 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-07 BM.1969.036.001/24:10-07 00:00:40 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Da'Gut jeu de 6gongs plats "tör cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-08 BM.1969.036.001/24:10-08 00:01:35 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6gongs"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-09 BM.1969.036.001/24:10-09 00:03:20 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6gongs"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-10 BM.1969.036.001/24:10-10 00:00:52 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6gongs"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-11 BM.1969.036.001/24:10-11 00:01:35 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6gongs"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :10-12 BM.1969.036.001/24:10-12 00:00:38 sept 1965 VIETNAM VILLAGE DE PANG TIENG PANG TIENG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6gongs"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-01 BM.1969.036.001/24:11-01 00:11:15 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kra Jèn récité, solo d'H, ambiance épopée "Srai Kon Bing" (Srai, fils de Bing) par Bri, quelques arrêts• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-02 BM.1969.036.001/24:11-02 00:05:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan cil récité, solo d'H, ambiance rrécit "Ndu Yang Ba" (Ndu génie du paddy) par Dong• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-03 BM.1969.036.001/24:11-03 00:05:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kra Jèn récité, solo d'H, ambiance épopée "Srai Kon Bing" (Srai, fils de Bing) par Bri• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-04 BM.1969.036.001/24:11-04 00:05:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan cil récité, solo d'H, récit par Dong• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-05 BM.1969.036.001/24:11-05 00:04:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan Kra Jèn récité, solo d'H, ambiance récit par Bri• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-06 BM.1969.036.001/24:11-06 00:04:48 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan cil récité, solo d'H, ambiance, récit par Dong• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-07 BM.1969.036.001/24:11-07 00:04:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan "pan ting" récité, solo d'H, ambiance, récit par Klaêh• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-08 BM.1969.036.001/24:11-08 00:04:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan "cil" récité, solo d'H, récit par Dong• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :11-09 BM.1969.036.001/24:11-09 00:04:00 sept 1965 VIETNAM VILLAGE DE BON DONG LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan "pang ting" récité, solo d'H, récit par Klaêh• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-01 BM.1969.036.001/24:12-01 00:03:00 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing ngan"• 1965 bande 2 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-02 BM.1969.036.001/24:12-02 00:03:05 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing biet"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-03 BM.1969.036.001/24:12-03 00:03:35 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing ting", thème mélodique annoncé• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-04 BM.1969.036.001/24:12-04 00:03:18 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing ntöp", thème mélodique annoncé• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-05 BM.1969.036.001/24:12-05 00:03:30 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing wa kuang"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-06 BM.1969.036.001/24:12-06 00:01:48 sept 1965 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing têh"• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-07 BM.1969.036.001/24:12-07 00:02:04 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing tâm trö wöl"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :12-08 BM.1969.036.001/24:12-08 00:02:04 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing kai dong raang"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :13-01 BM.1969.036.001/24:13-01 00:05:52 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing thi doàn doat" formule mélodique annoncée• 1966 oct 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :13-02 BM.1969.036.001/24:13-02 00:02:40 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing ret khom nhat", formule mélodique annoncée, discussion pour rechercher un thème• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :13-03 BM.1969.036.001/24:13-03 00:03:34 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing kö tèn"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :13-04 BM.1969.036.001/24:13-04 00:03:52 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing trok cing nhök"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :13-05 BM.1969.036.001/24:13-05 00:03:42 oct 1966 VIETNAM VILLAGE DE HANG KROC LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "cing trok yông hat"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-01 BM.1969.036.001/24:14-01 00:07:00 oct 1966 VIETNAM N LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée parlé, solo d'H enquête linguistique"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-02 BM.1969.036.001/24:14-02 00:02:08 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée parlé, solo d'H, annonce par K'Rong (1') jeu de 6 gongs plats "tör cing no têng (1'08") "• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-03 BM.1969.036.001/24:14-03 00:02:00 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing thol yoh"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-04 BM.1969.036.001/24:14-04 00:02:30 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing pak srêh dör"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-05 BM.1969.036.001/24:14-05 00:02:24 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing par kring"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-06 BM.1969.036.001/24:14-06 00:03:00 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing drong yang dit"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-07 BM.1969.036.001/24:14-07 00:02:30 oct 1966 VIETNAM VILLAGE DE BON DUNG JU LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing lin ja nha pek"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-08 BM.1969.036.001/24:14-08 00:02:30 oct 1966 VIETNAM LAAC THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de 6 gongs plats "tör cing dröng rdöng"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :14-09 BM.1969.036.001/24:14-09 00:04:00 oct 1966 VIETNAM MAA' THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H, récit "Yal Yang" par Bê de la rivière Têh• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-01 BM.1969.036.001/24:15-01 00:01:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing ngan"• 1966 0 bande 5 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-02 BM.1969.036.001/24:15-02 00:04:00 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing pep hoong jùn"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-03 BM.1969.036.001/24:15-03 00:03:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing ök klèng"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-04 BM.1969.036.001/24:15-04 00:00:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H, chant drolatique• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-05 BM.1969.036.001/24:15-05 00:01:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs, "cing pok paang paak"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-06 BM.1969.036.001/24:15-06 00:02:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, choeur mixte, prière collective• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-07 BM.1969.036.001/24:15-07 00:01:48 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H, prière d'ouverture de jarre d'alcool de riz par Njèn• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-08 BM.1969.036.001/24:15-08 00:01:42 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs, "cing ngan"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-09 BM.1969.036.001/24:15-09 00:02:00 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs, "cing but hut"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :15-10 BM.1969.036.001/24:15-10 00:01:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan r'ong chanté, solo d'H, "mpro r'ong" par Ngklar• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-01 BM.1969.036.001/24:16-01 00:01:12 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H (suite de la bande précédente) "mpro r'ong" par Nkglar• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-02 BM.1969.036.001/24:16-02 00:01:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H "yong yö bunör" par Köm San Ran• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-03 BM.1969.036.001/24:16-03 00:03:00 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H "yong yö bunör" par Ngos Ran, son frère cadet• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-04 BM.1969.036.001/24:16-04 00:00:42 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H imitation du corcwh nung par Ngklar• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-05 BM.1969.036.001/24:16-05 00:01:00 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée orgue à bouche "mbuot" "mbuot lo nào" par Njèn• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-06 BM.1969.036.001/24:16-06 00:01:00 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée orgue à bouche "mbuot" "mbuot lo nào" par Njèn• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-07 BM.1969.036.001/24:16-07 00:07:12 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée parlé, solo d'H, éléments de vocabulaire bunör• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-08 BM.1969.036.001/24:16-08 00:01:42 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée orgue à bouche "mbuot" "mbuot ngan" par Bui• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :16-09 BM.1969.036.001/24:16-09 00:02:30 nov 1966 CAMBODGE PROVINCE DE MONDOLHORI, VILLAGE DE BU SRA MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée durees: 2'30" et 0'48" (?) jeu de gongs "cing ngan" par Bui (2fois)• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-01 BM.1969.036.001/24:17-01 00:02:24 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing thöt dro"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-02 BM.1969.036.001/24:17-02 00:01:18 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing hùai bu nöt"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-03 BM.1969.036.001/24:17-03 00:01:00 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing ndu klèn" (essai mauvais)• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-04 BM.1969.036.001/24:17-04 00:01:30 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing ngan" (essai avec un autre jeu de gongs)• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-05 BM.1969.036.001/24:17-05 00:02:00 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing hot dro"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-06 BM.1969.036.001/24:17-06 00:01:00 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing hùai bu nöt"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-07 BM.1969.036.001/24:17-07 00:01:42 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing hùai ngan"• 1966 bande 7 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-08 BM.1969.036.001/24:17-08 00:01:00 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing khôk dok"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-09 BM.1969.036.001/24:17-09 00:01:30 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing bic tö dro"• 0 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-10 BM.1969.036.001/24:17-10 00:01:18 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing te mblo tor"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-11 BM.1969.036.001/24:17-11 00:02:48 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée jeu de gongs "cing töp"• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :17-12 BM.1969.036.001/24:17-12 00:00:30 nov 1966 CAMBODGE VILLAGE DE BU JRI MNONG BUNOR THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H récit de "Juan" par Nhong• 1966 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :18-01 BM.1969.036.001/24:18-01 00:11:12 nov 1966 VIETNAM VILLAGE DE PANG TIENG PANG TIENG* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan "kasa'" récité, solo d'H séances de chamanisme par K'Iar "böh nag yau" "tâm böh yau" "dun làn"• 1966 bande A ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :19-01 BM.1969.036.001/24:19-01 00:04:03 sept 1965 VIETNAM MNONG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H suite de l'exécution des sorciers• 1965 bande 1 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :19-02 BM.1969.036.001/24:19-02 00:17:40 sept 1965 VIETNAM MNONG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H "Kriên Pôl Ndu" sur les morts en couches• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :19-03 BM.1969.036.001/24:19-03 00:04:48 sept 1965 VIETNAM MNONG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H histoire du "Rêh Tâm tir sa ple" par Dang Yôk (les cadeaux entre amants faits en cachette portent malheur)• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :19-04 BM.1969.036.001/24:19-04 00:13:55 sept 1965 VIETNAM MNONG THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée récité, solo d'H histoire des Gun• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :19-05 BM.1969.036.001/24:19-05 00:05:08 sept 1965 VIETNAM LAAC* THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée * clan "da'gut" récité, solo d'H histoire sur les morts en couches chez les Laac par Mlör• 1965 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :20-01 BM.1969.036.001/24:20-01 00:05:00 MARS 1959 MADAGASCAR PROV. DE TULEAR VEZU/MOROMBO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée cithare tubulaire "valiha" et hochet "faraha"• 1959 0 bande 1 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :20-02 BM.1969.036.001/24:20-02 00:05:36 MARS 1959 MADAGASCAR PROV. DE TULEAR VEZU/MOROMBO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée cithare tubulaire "valiha" et hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :20-03 BM.1969.036.001/24:20-03 00:03:46 MARS 1959 MADAGASCAR PROV. DE TULEAR VEZU/MOROMBO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée cithare tubulaire "valiha" et hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :20-04 BM.1969.036.001/24:20-04 00:01:45 MARS 1959 MADAGASCAR PROV. DE TULEAR VEZU/MOROMBO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée cithare tubulaire "valiha" et hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-01 BM.1969.036.001/24:21-01 00:01:03 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava"• 1959 bande 2 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-02 BM.1969.036.001/24:21-02 00:01:10 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-03 BM.1969.036.001/24:21-03 00:01:02 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-04 BM.1969.036.001/24:21-04 00:01:40 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo d'H + cithare sur bâton à résonateur "zezulava"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-05 BM.1969.036.001/24:21-05 00:01:20 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava" + hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-06 BM.1969.036.001/24:21-06 00:02:03 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava" + hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-07 BM.1969.036.001/24:21-07 00:03:35 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, duo d'Hs + cithare sur bâton à résonateur "zezulava" + hochet "faraha"• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-08 BM.1969.036.001/24:21-08 00:01:00 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo de F (15") puis duo de Fs, rire• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-09 BM.1969.036.001/24:21-09 00:02:00 MARS 1959 MADAGASCAR MASIKORO? THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et rire• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-10 BM.1969.036.001/24:21-10 00:03:30 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée rire, conversation, pas de danse• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-11 BM.1969.036.001/24:21-11 00:01:05 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-12 BM.1969.036.001/24:21-12 00:01:30 MARS 1959 MADAGASCAR MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée sifflets (1 sifflet avec papier, 1 sifflet sans papier)• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :21-13 BM.1969.036.001/24:21-13 00:00:35 MARS 1959 MADAGASCAR MASIKORO? THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et rire, applaudissement• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-01 BM.1969.036.001/24:22-01 00:06:20 MARS 1959 MADAGASCAR VILLAGE DE FUTIVOLO BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et râcleur (accordage de la vièle)• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-02 BM.1969.036.001/24:22-02 00:06:17 MARS 1959 MADAGASCAR VILLAGE DE FUTIVOLO BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et râcleur (accordage de la vièle)• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-03 BM.1969.036.001/24:22-03 00:02:00 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-04 BM.1969.036.001/24:22-04 00:01:35 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-05 BM.1969.036.001/24:22-05 00:01:35 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-06 BM.1969.036.001/24:22-06 00:02:48 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et râcleur (accordage de la vièle)• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-07 BM.1969.036.001/24:22-07 00:02:30 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-08 BM.1969.036.001/24:22-08 00:03:30 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-09 BM.1969.036.001/24:22-09 00:01:50 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-10 BM.1969.036.001/24:22-10 00:01:05 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-11 BM.1969.036.001/24:22-11 00:01:10 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :22-12 BM.1969.036.001/24:22-12 00:03:25 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA BARA THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée et conversation• 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :23-01 BM.1969.036.001/24:23-01 00:13:05 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée • 1959 bande 4 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :23-02 BM.1969.036.001/24:23-02 00:03:20 MARS 1959 MADAGASCAR VILLAGE DE BEJANGOA MASIKORO THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée harmonica • 1959 AFRIQUE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :24-01 BM.1969.036.001/24:24-01 00:03:15 fev 1958 THAILANDE THAI THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo de F la mort héroïque de la reine thai par Princesse Marasi Paribatra de Nakorn Saviam• 1958 N ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :24-02 BM.1969.036.001/24:24-02 00:02:20 fev 1958 THAILANDE THAI THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo de F chanson d'amour du nord: l'art de la lune par "idem"• 1958 ASIE +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 :24-03 BM.1969.036.001/24:24-03 00:03:30 fev 1958 THAILANDE THAI THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 N Sous-table non exportée Sous-table non exportée chanté, solo de F chanson du nord : l'art des mots parfumés par "idem"• 1958 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-01 BM.1970.019.001/123:01-01 00:01:00 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /1 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-12 BM.1970.019.001/123:01-12 00:04:00 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE LA CIRCONCISION, SUITE D'AIRS /12 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.002 BM69.39.2 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :02-01 BM.1970.019.001/123:02-01 00:03:00 21/05/52 GUINEE CERCLE DE KOUROUSSA* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS /1 Sous-table non exportée Sous-table non exportée Texte traduit cf. cahier 52-1 annexe. Village de Kouroussa. Enregistré à Dakar. *griot des Koroma ("Korma Jeli") CHL =harpe-luth _yulutan siyaman konu_ à 5 cordes en métalé, caisse en casserole. "Käîra"• ROUGET,GILBERT 1952 GR52.003 BM69.39.3 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-01 BM.1970.019.001/123:03A-01 00:02:30 24/05/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 1/4 LENT Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.4. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer _diawuon_• ROUGET,GILBERT 1952 GR52.004 BM69.39.4 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-02 BM.1970.019.001/123:03A-02 00:04:00 24/05/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 2/4 RAPIDE Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.4. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours_ taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer diawuon• ROUGET,GILBERT 1952 GR52.004 BM69.39.4 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-03 BM.1970.019.001/123:03A-03 00:03:00 24/05/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 3/4 LENT Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.4. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer _diawuon_• ROUGET,GILBERT 1952 GR52.004 BM69.39.4 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-04 BM.1970.019.001/123:03A-04 00:03:00 24/05/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 4/4 LENT Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.4. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer diawuon• ROUGET,GILBERT 1952 GR52.004 BM69.39.4 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-05 BM.1970.019.001/123:03A-05 00:01:10 24/05/52 SENEGAL CERCLE DE THIES * WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT CHOEUR H & TBR Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.4. Photos 1.50.02, 03, 11 et 1.50.01 à 04. musique pour une séance de lutte ou de faux-lion ? • ROUGET,GILBERT 1952 GR52.004 BM69.39.31 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-06 BM.1970.019.001/123:03A-06 00:03:30 14/07/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 1/3 Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.31. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer diawuon• ROUGET,GILBERT 1952 GR52.031 BM69.39.31 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-07 BM.1970.019.001/123:03A-07 00:03:00 14/07/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 2/3 Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.31. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS = les deux tambourinaires portent aux poignets des sonnailles en fer diawuon• ROUGET,GILBERT 1952 GR52.031 BM69.39.31 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03A-08 BM.1970.019.001/123:03A-08 00:03:30 14/07/52 SENEGAL CERCLE DE THIES * SOSE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: 3/3 Sous-table non exportée Sous-table non exportée * village de Mbour. enregistré sur commande. copie de GR 52.31. cf. cahier 52-1 pages 1, 3 et 4. Photos 1.50.01, 04 et 05. 5 M1 tbr = le grand tambour _kouti-lo_ ; les deux plus petits courts et larges _beremendeon_ ; les deux hauts et étroits _belengo_. Tous joués avec une main et une baguette. L'ensemble des tambours _taontaon_. IS =les deux tambourinaires portent aux poignets des sonnailles en fer diawuon• ROUGET,GILBERT 1952 GR52.031 BM69.39.31 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03B-01 BM.1970.019.001/123:03B-01 00:03:00 14/07/52 GUINEE FOUTA DJALON FOULA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS. ELOGE DE YASMIN DIAL Sous-table non exportée Sous-table non exportée Les N° III et IV ont été édités par Africavox Ax129 et Ax100. cf. cahier 5261 page 2• Enregistrement fait à Mbour. griots résidant au village de Gekokh près de Mbour au Sénégal. CV =vièle monocorde _fandu_ , IFC =2 calebasses frappées avec des bagues. 4 éloges - I : de Yasmin Dial ; II : de Almani Ibrahima Timbo ; III : d'une femme Binta Kumbia ; IV : d'une femme Ramataba. Musique accompagnant les acrobaties d'un des deux joueurs de calebasse• ROUGET,GILBERT 1952 GR52.030 BM69.39.30 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03B-02 BM.1970.019.001/123:03B-02 00:04:30 14/07/52 GUINEE FOUTA DJALON FOULA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS. ELOGE DE ALMAMI IBRAHIMA TIMBO Sous-table non exportée Sous-table non exportée enregistrement fait à Mbour. griots résidant au village de Gekokh près de Mbour au Sénégal. cf. cahier 5261 page 2. Les N° III et IV ont été édités par Africavox Ax129 et Ax100. vièle monocorde fandu, 2 calebasses frappées avec des bagues. 4 éloges - I : de Yasmin Dial ; II : de Almami Ibrahima Timbo ; III : d'une femme Binta Kumbia ; IV : d'une femme Ramataba. Musique accompagnant les acrobaties d'un des deux joueurs de calebasse• ROUGET,GILBERT 1952 GR52.030 BM69.39.30 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03B-03 BM.1970.019.001/123:03B-03 00:03:20 14/07/52 GUINEE FOUTA DJALON FOULA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS. ELOGE D'UNE FEMME BINTA KUMBIA Sous-table non exportée Sous-table non exportée enregistrement fait à Mbour. griots résidant au village de Gekokh près de Mbour au Sénégal. cf. cahier 5261 page 2. Les N° III et IV ont été édités par Africavox Ax129 et Ax100. vièle monocorde fandu, 2 calebasses frappées avec des bagues. 4 éloges - I : de Yasmin Dial ; II : de Almami Ibrahima Timbo ; III : d'une femme Binta Kumbia ; IV : d'une femme Ramataba. Musique accompagnant les acrobaties d'un des deux joueurs de calebasse• ROUGET,GILBERT 1952 GR52.030 BM69.39.30 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03B-04 BM.1970.019.001/123:03B-04 00:03:50 14/07/52 GUINEE FOUTA DJALON FOULA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS. ELOGE D'UNE FEMME RAMATABA Sous-table non exportée Sous-table non exportée enregistrement fait à Mbour. griots résidant au village de Gekokh près de Mbour au Sénégal. cf. cahier 5261 page 2. Les N° III et IV ont été édités par Africavox Ax129 et Ax100. vièle monocorde fandu, 2 calebasses frappées avec des bagues. 4 éloges - I : de Yasmin Dial ; II : de Almami Ibrahima Timbo ; III : d'une femme Binta Kumbia ; IV : d'une femme Ramataba. Musique accompagnant les acrobaties d'un des deux joueurs de calebasse• ROUGET,GILBERT 1952 GR52.030 BM69.39.30 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :03B-05 BM.1970.019.001/123:03B-05 00:01:00 14/07/52 GUINEE FOUTA DJALON FOULA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE VIELE MONOCORDE "DANDIULU " Sous-table non exportée Sous-table non exportée cf. cahier 52-1 page 2. solo de vièle monocorde "Dandiulu". Musique accompagnant les acrobaties d'un des deux joueurs de calebasse• ROUGET,GILBERT 1952 GR52.030 BM69.39.30 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-01 BM.1970.019.001/123:04-01 00:02:00 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:1** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants. Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-02 BM.1970.019.001/123:04-02 00:03:40 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:2** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants : ** " Frappez et chantez pour que l'opérée reste jusqu'à ce que soit fini ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-03 BM.1970.019.001/123:04-03 00:04:00 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:3, CHT DE MARIAGE** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants : ** " Chant de mariage " : 04'00" ; IV) " Chant pour battre le mil. Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-04 BM.1970.019.001/123:04-04 00:03:00 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:4, POUR BATTRE LE MIL** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants : ** " Chant pour battre le mil ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-05 BM.1970.019.001/123:04-05 00:01:25 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:5** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants : ** " Toubadou, bonjour Monsieur ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :04-06 BM.1970.019.001/123:04-06 00:01:30 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 6 AIRS AVEC TAMBOUR D'EAU:6, POUR LE TRAVAIL DU SEL** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 6, 7, 8. Red.B.Bauer. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 6 airs avec les durées et les intitulés suivants : ** " Chant pour le travail du sel . Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille • ROUGET,GILBERT 1952 GR52.005 BM69.39.5 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05A-01 BM.1970.019.001/123:05A-01 00:03:00 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 AIRS AVEC TAMBOUR D'EAU :1, CHT DE CIRCONCISION** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 8 & 9 . Edité par Africavox Ax52 IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 2 airs avec les durées et les intitulés suivants : **" Chant de circoncision pour louer le courage du circoncis pendant les jours qui suivent la guérison ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05A-02 BM.1970.019.001/123:05A-02 00:04:00 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 AIRS AVEC TAMBOUR D'EAU :2, BERCEUSE** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 8 & 9 . Edité par Africavox Ax52 IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 2 airs avec les durées et les intitulés suivants : ** " Berceuse pour demander à l'enfant de ne pas pleurer ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05A-03 BM.1970.019.001/123:05A-03 00:02:25 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR AVEC TAMBOUR D'EAU** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier1 page 9, red. Bauer. Edité par Africavox Ax52 IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 2 airs avec les durées et les intitulés suivants : **" Chant pour amener un tronc d'arbre au village, pour en faire une pirogue ; chant pour encourager les gens à tirer ". Chant que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure d'une jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05B-01 BM.1970.019.001/123:05B-01 00:03:20 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 3 AIRS AVEC TAMBOUR D'EAU :1** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 10 . IFC =tambour d'eau tuli fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 3 airs avec les durées et les intitulés suivants : ** " Chant pour dire le courage de l'opéré et l'encourager " : 03'20" . Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05B-02 BM.1970.019.001/123:05B-02 00:02:20 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 3 AIRS AVEC TAMBOUR D'EAU :2** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 10 . IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 3 airs avec les durées et les intitulés suivants : ** " Chant de circoncision ". Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :05B-03 BM.1970.019.001/123:05B-03 00:01:15 31/05/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 3 AIRS AVEC TAMBOUR D'EAU :3** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 10 . ** " Louange du Marabout de Yoff ". Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.006 BM69.39.6 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06A-01 BM.1970.019.001/123:06A-01 00:02:20 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS DE PIROGUIERS :1** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 . 3 airs avec les durées et les intitulés suivants : ** "Ma pirogue est plus rapide que les autres . Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06A-02 BM.1970.019.001/123:06A-02 00:04:10 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS DE PIROGUIERS :2** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 . ** " Quand la mer est mauvaise . Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06A-03 BM.1970.019.001/123:06A-03 00:02:45 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS DE PIROGUIERS :3** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 . ** "Quand la mer est mauvaise". Chant que l'on chante pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06B-01 BM.1970.019.001/123:06B-01 00:01:55 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 CHANTS:1, CHT DE PECHEUR Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 & 12 . Chant que l'onpeut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06B-02 BM.1970.019.001/123:06B-02 00:00:55 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 CHANTS:2, CHT DE PAGAYEUR Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 & 12 . Chant que l'onpeut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06B-03 BM.1970.019.001/123:06B-03 00:03:10 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 AIRS AVEC TAMBOUR D'EAU :1** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 & 12 . IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 2 airs avec les durées et les intitulés suivants : ** Chant à la louange d'un des parents de l'opérée ; allusion aux guerres d'autrefois ". Airs que l'on chanter pour accompagner le tatouage de la lèvre inférieure d'une jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :06B-04 BM.1970.019.001/123:06B-04 00:01:20 01/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 2 AIRS AVEC TAMBOUR D'EAU :2** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 page 11 & 12 . IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. 2 airs avec les durées et les intitulés suivants : ** Chant pour encourager les filles qui ne sont pas opérées ce jour-là à bien chanter. Airs que l'on chanter pour accompagner le tatouage de la lèvre inférieure d'une jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.007 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :07-01 BM.1970.019.001/123:07-01 00:02:50 07/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS AVEC TAMBOUR D'EAU :1** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 13, 14, 15. le n°III a été édité par Africavox : Ax53. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. ** " Tu as soif mais tu ne bois pas s autres ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.008 BM69.39.8 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :07-02 BM.1970.019.001/123:07-02 00:03:20 07/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS AVEC TAMBOUR D'EAU :2** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 13, 14, 15. le n°III a été édité par Africavox : Ax53. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. ** Chant de mariage : "La tante pleure sur le départ de la fiancée dont le mari a dit qu'elle devait se marier cette année ". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.008 BM69.39.8 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :07-03 BM.1970.019.001/123:07-03 00:02:25 07/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS AVEC TAMBOUR D'EAU :3** Sous-table non exportée Sous-table non exportée * village de Bargny. cf. cahier 52-1 pages 13, 14, 15. le n°III a été édité par Africavox : Ax53. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. * Chant de mariage : " Eloge du père de la fiancée que l'on compare à un éléphant". Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.008 BM69.39.8 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :07-04 BM.1970.019.001/123:07-04 00:02:15 07/06/52 SENEGAL CERCLE DE THIES * LEBOU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS AVEC TAMBOUR D'EAU :4** Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 pages 13, 14, 15. le n° 03 a été édité par Africavox : Ax53• * village de Bargny. IFC =tambour d'eau _tuli_ fait d'une grande bassine d'eau sur laquelle flotte une calebasse renversée, battue des 2 poings nus par une femme. **Chant de moquerie " Il n'y a plus d'hommes pour la lutte, ce sont nous les femmes qui allons lutter " - chant pour la lutte : " Que personne ne fasse de mal à notre lutteur, nous sommes tranquilles c'est notre lutteur qui battra tous les autres. Suite d'airs que l'on peut chanter pour accompagner le tatouage de la lèvre inférieure de la jeune fille. Enregistrement fait hors cérémonie • ROUGET,GILBERT 1952 GR52.008 BM69.39.8 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-01 BM.1970.019.001/123:08-01 00:00:40 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANSONS ENFANTINES :1* RAY MBELE Sous-table non exportée Sous-table non exportée cf. cahier 52-1 pages 4 & 5. cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles. Chant par deux fillettes. * titre: "ray mbèlé" Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. • ROUGET,GILBERT 1952 ENFANTIN GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-02 BM.1970.019.001/123:08-02 00:00:45 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANSONS ENFANTINES :2* RAY MBELE Sous-table non exportée Sous-table non exportée cf. cahier 52-1 pages 4 & 5. cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles. Chant par deux fillettes. * titre: "ray mbèlé" Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. • ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-03 BM.1970.019.001/123:08-03 00:01:15 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANSONS ENFANTINES :3* RAY MBELE Sous-table non exportée Sous-table non exportée cf. cahier 52-1 pages 4 & 5. cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles. Chant par deux fillettes. * titre: "ray mbèlé" Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-04 BM.1970.019.001/123:08-04 00:02:00 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES-BERCEUSE AYO NENE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Berceuse : " Ayo néné " ; pièce suivante idem, autre version. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 ENFANTIN GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-05 BM.1970.019.001/123:08-05 00:01:00 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES-BERCEUSE AYO NENE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Berceuse : " Ayo néné " ; pièce précédante idem, autre version. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-06 BM.1970.019.001/123:08-06 00:00:45 06/06/52 SENEGAL DAKAR BAMBARA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON ENFANTINE-BERCEUSE Sous-table non exportée Sous-table non exportée Jeux de filles, suite de chansons enfantines. VI) berceuse : 00'45" . Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5. cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• ROUGET,GILBERT 1952 ENFANTIN GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-07 BM.1970.019.001/123:08-07 00:00:50 06/06/52 SENEGAL DAKAR TOUCOULEUR MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON ENFANTINE-BERCEUSE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 ENFANTIN GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-08 BM.1970.019.001/123:08-08 00:01:40 06/06/52 SENEGAL DAKAR TOUCOULEUR MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON ENFANTINE-BERCEUSE (2 FOIS) Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-09 BM.1970.019.001/123:08-09 00:04:30 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES :1 KOTI KOTI Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. " Koti koti " (plusieurs vers ; jeu du type : " Tu me tiens, je te tiens par la barbichette...")• ROUGET,GILBERT 1952 ENFANTIN GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-10 BM.1970.019.001/123:08-10 00:01:00 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES :2 DIALELI DIALANE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. VX = parlé et chanté . Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-11 BM.1970.019.001/123:08-11 00:05:00 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES :2 [AUTRE VERSION?] DIALELI DIALANE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. VX= parlé et chanté. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-12 BM.1970.019.001/123:08-12 00:02:00 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES :3 "COPIEUSE..." Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. "Copieuse, tricheuse, ça me fait très mal ". Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.009 BM69.39.9 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-13 BM.1970.019.001/123:08-13 00:02:30 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON ENFANTINE Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Jeu du type " La petite bête qui monte, qui monte..." . Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 ENFANTIN GR52.011 BM69.39.11 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-14 BM.1970.019.001/123:08-14 00:04:30 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL COMPTINE (DEUX FOIS) SEKHOFALO Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. Sekho falo " (deux fois). Comptine : les enfants sont assis par terre, ll'une d'entre-elles touche leur jambes à la suite pour que le sort en désigne une. Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.011 BM69.39.11 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :08-15 BM.1970.019.001/123:08-15 00:02:30 06/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON ENFANTINE KELE NGATI Sous-table non exportée Sous-table non exportée Cf. les ouvrages de Charles Béart "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", page 77 & 78 ; "Les jeux et jouets de l'ouest africain". Cf. Brailoiu "Le rythme enfantin"• Jeux de filles, suite de chansons enfantines. " Kele ngati ". Enregistrement fait à l'école du Champ de Courses à la Médina de Dakar, en collaboration avec Charles Béart. cf. cahier 52-1 pages 4 & 5• ROUGET,GILBERT 1952 GR52.011 BM69.39.11 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-01 BM.1970.019.001/123:09-01 00:01:30 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS :1 KOTI KOTI Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. "Koti koti "; cf.1970.019:08-09• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-02 BM.1970.019.001/123:09-02 00:02:00 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS :2 KOTI KOTI Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. "Koti koti "; cf.1970.019:08-09• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-03 BM.1970.019.001/123:09-03 00:00:40 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS :2 SA YAY MAY LA MBURU Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. JF = fillette. Jeu du type "la petite bête qui monte"• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-04 BM.1970.019.001/123:09-04 00:01:00 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS :2 BIS SA YAY MAY LA MBURU Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. JF = fillette, différente de celle de la pièce précédente. Jeu du type "la petite bête qui monte"• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-05 BM.1970.019.001/123:09-05 00:02:00 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT DE KASAK* Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. * Cht de kasak pour la circoncision. IFC = tbr d'eau iFC = chaudron frappé• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-06 BM.1970.019.001/123:09-06 00:06:00 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT DE KASAK* Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. * Cht de kasak pour la circoncision. IFC = tbr d'eau iFC = chaudron frappé• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-07 BM.1970.019.001/123:09-07 00:01:30 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : "KHALALI MANDIR BADIO" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. IFC = tbr d'eau• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-08 BM.1970.019.001/123:09-08 00:01:30 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS "VAU MBIDJ" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-09 BM.1970.019.001/123:09-09 00:01:30 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS "NDOYE, NODYE" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. IFC = tbr d'eau iFC = chaudron frappé• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-10 BM.1970.019.001/123:09-10 00:02:00 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS: CHT DE KASAK* "NDOTI, NDOTI" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. * pour la circoncision. IFC = tbr d'eau iFC = chaudron frappé• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-11 BM.1970.019.001/123:09-11 00:02:00 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES : BERCEUSE "ISA NDIAYE" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies• ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-12 BM.1970.019.001/123:09-12 00:01:00 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS ENFANTINES : BERCEUSE "BOUTOU NGALE" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. XI) chanté, solo et choeur de filles, berceuse : "Isa ndiaye " : 02'00" ; XII) idem : "Boutou ngale " : 01'00" ; XIII) chanté, solo et choeur de garçons, tambour d'eau : "Jean-Baptiste nena " : 01'30" ; XIV) chanson précédente (chanté, solo et choeur de garçons, tambour d'eau) enchaînée sur : "Raye mboté " ; XV) Idem : 02'00" ; XVI) chanté, choeur de filles, chant de filles, tambour d'eau pour danse goumbe : "Yayé boyé disklama " ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-13 BM.1970.019.001/123:09-13 00:01:00 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT ET TBR D'EAU "JEAN-BAPTISTE NENA" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. IFC = tbr d'eau. Enchainé au suivant• ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-14 BM.1970.019.001/123:09-14 00:01:30 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT ET TBR D'EAU "RAYE MBOTE" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. IFC = tbr d'eau. Enchainé au précédant• ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-15 BM.1970.019.001/123:09-15 00:02:00 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT ET TBR D'EAU Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. IFC = tbr d'eau. enchaîné au précédant ??• ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-16 BM.1970.019.001/123:09-16 00:02:45 11/06/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS : CHT DE DANSE GOUMBE "YAYE BOYE DISKLAMA" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies. Cht de filles pour la danse _goumbe_ "Yayé boyé disklama" IFC = tbr d'eau• ROUGET,GILBERT 1952 GR52.012 BM69.39.12 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :09-8 BM.1970.019.001/123:09-8 00:01:30 11/06/52 SENEGAL DAKAR N MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEUX DE FILLES ET JEUX DE GARCONS "VAU MBIDJ" Sous-table non exportée Sous-table non exportée Jeux de filles et jeux de garçons. Groupes de petites filles et de petits garçons sénégalais de diverses ethnies.• ROUGET,GILBERT 1952 GR52.010 BM69.39.10 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :100-01 BM.1970.019.001/123:100-01 00:08:50 20/11/52 GUINEE CL.DE BEYLA , SOURIBADOUGOU* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA (2) Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou. danse muso bara. Chanté et parlé duo ou trio et dialogue deux H et une F; choeur F• ROUGET,GILBERT 1952 GR52.106 BM69.39.106 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :100-02 BM.1970.019.001/123:100-02 00:03:13 20/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGO * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA (2) Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou• ROUGET,GILBERT 1952 GR52.106 BM69.39.106 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :100-03 BM.1970.019.001/123:100-03 00:04:05 20/11/52 GUINEE CL.DE BEYLA , SOURIBADOUGOU* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA (2) Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou• ROUGET,GILBERT 1952 GR52.106 BM69.39.106 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :101-01 BM.1970.019.001/123:101-01 00:03:08 21/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE TRAVAIL MALINKE Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chant de travail pour les travaux des champs. Les musiciens et le chanteur sont des griots• Cf. cahier 1952-8 page 57 et cahier 1952.9 page 10. Photos : 1.29.1 à 10 • * village de Souribadougou. M2 = tambour principal à 2 peaux lacées en N, joué avec une baguette et une main nue par le griot, qui porte des sonnailles et une queue de cheval dans la main gauche M1 = le tambour d'accompagnement est à une peau, tendue sur une caisse en forme de calice, à attache indirecte et battu avec les mains nues • ROUGET,GILBERT 1952 GR52.107 BM69.39.107 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :101-02 BM.1970.019.001/123:101-02 00:03:10 21/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE GRIOT MALINKE Sous-table non exportée Sous-table non exportée enreg. sur demande• Cf. cahier 1952-8 page 58 et cahier 1952.9 page 10-12. Les pièces -02 et -04 ont été éditées par Africavox Ax58 et Ax59. une des pièces a été éditée sur le disque : Musique Malinké, Guinée, Vogue LDM 30.13 (30/33), face A, plage 5 • * village de Souribadougou. CL + BR = 1 luth à 4 cordes métalliques _dyeli konu_ et un bruiteur. ENCHAINÉ au suivant • ROUGET,GILBERT 1952 GR52.107 BM69.39.107 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :101-03 BM.1970.019.001/123:101-03 00:03:10 21/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE GRIOT MALINKE Sous-table non exportée Sous-table non exportée enreg. sur demande• Cf. cahier 1952-8 page 58 et cahier 1952.9 page 10-12. Les pièces -02 et -04 ont été éditées par Africavox Ax58 et Ax59. une des pièces a été éditée sur le disque : Musique Malinké, Guinée, Vogue LDM 30.13 (30/33), face A, plage 5 • * village de Souribadougou. CL + BR = 1 luth à 4 cordes métalliques _dyeli konu_ et un bruiteur. ENCHAINÉ au précédent • ROUGET,GILBERT 1952 GR52.107 BM69.39.107 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :101-04 BM.1970.019.001/123:101-04 00:03:00 21/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE GRIOT MALINKE Sous-table non exportée Sous-table non exportée enreg. sur demande• Cf. cahier 1952-8 page 58 et cahier 1952.9 page 10-12. Les pièces -02 et -04 ont été éditées par Africavox Ax58 et Ax59. une des pièces a été éditée sur le disque : Musique Malinké, Guinée, Vogue LDM 30.13 (30/33), face A, plage 5 • * village de Souribadougou. CL + BR = 1 luth à 4 cordes métalliques _dyeli konu_ et un bruiteur• ROUGET,GILBERT 1952 GR52.107 BM69.39.107 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :101-05 BM.1970.019.001/123:101-05 00:02:55 21/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE GRIOT MALINKE Sous-table non exportée Sous-table non exportée enreg. sur demande• Cf. cahier 1952-8 page 58 et cahier 1952.9 page 10-12. Les pièces -02 et -04 ont été éditées par Africavox Ax58 et Ax59. une des pièces a été éditée sur le disque : Musique Malinké, Guinée, Vogue LDM 30.13 (30/33), face A, plage 5 • * village de Souribadougou. CL + BR = 1 luth à 4 cordes métalliques _dyeli konu_ et un bruiteur. BRUIT DE VENT • ROUGET,GILBERT 1952 GR52.107 BM69.39.107 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :102-01 BM.1970.019.001/123:102-01 00:01:15 22/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHOEURS DE GARCONS Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 58. Les p ièces -02 et -03 ont été éditées par Africavox Ax 141• * village de Souribadougou• ROUGET,GILBERT 1952 GR52.108 BM69.39.108 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :102-02 BM.1970.019.001/123:102-02 00:01:50 22/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHOEURS DE GARCONS Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 58. Les p ièces -02 et -03 ont été éditées par Africavox Ax 141• * village de Souribadougou. "glou glou" en refrain. INTERRUPTION à 1'15" • ROUGET,GILBERT 1952 GR52.108 BM69.39.108 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :102-03 BM.1970.019.001/123:102-03 00:02:10 22/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHOEURS DE GARCONS Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 58. Les p ièces -02 et -03 ont été éditées par Africavox Ax 141• * village de Souribadougou. Même air que -01 • ROUGET,GILBERT 1952 GR52.108 BM69.39.108 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :102-04 BM.1970.019.001/123:102-04 00:01:30 22/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHOEURS DE GARCONS Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 58. Les p ièces -02 et -03 ont été éditées par Africavox Ax 141• * village de Souribadougou. ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.108 BM69.39.108 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :102-05 BM.1970.019.001/123:102-05 00:00:45 22/11/52 GUINEE CL.DE BEYLA, SOURIBADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHOEURS DE GARCONS Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 58. Les p ièces -02 et -03 ont été éditées par Africavox Ax 141• * village de Souribadougou. ENCHAÎNÉ au précédent • ROUGET,GILBERT 1952 GR52.108 BM69.39.108 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :103-01 BM.1970.019.001/123:103-01 00:03:20 24/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT MALINKE-KONIYAKE Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Karala. CH =harpe _dozo konu_, à cordes métalliques IR =racleur en métal • ROUGET,GILBERT 1952 GR52.109 BM69.39.109 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :103-02 BM.1970.019.001/123:103-02 00:03:08 25/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE LA DANSE "MUSO BARA" Sous-table non exportée Sous-table non exportée batterie "Muso bara" : terme qui désigne à la fois la batterie et les rythmes battus pour ce genre de danse • Cf. cahier 1952-8 page 59 & 87/88. La pièce-04 a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face A, plage 7, réédition de l'album MC 20.045. Photos : 1.31.1 à 15 • * village de karala. M-ENSEMBLE DE TBR =batterie "Muso bara" = "Tambour des femmes " - composée ici de 3 tambours, tous frappés avec des mains nues : M =un petit tambour à peau clouée _bara den_ ="petit tambour, M + BR = un tambour moyen avec bruiteur _bara den_ -sic -, M + BR =un grand tambour avec bruiteur _bara ba_ ="grand tambour"• ROUGET,GILBERT 1952 GR52.109 BM69.39.109 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :103-03 BM.1970.019.001/123:103-03 00:03:07 25/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE LA DANSE "MUSO BARA" Sous-table non exportée Sous-table non exportée batterie "Muso bara" : terme qui désigne à la fois la batterie et les rythmes battus pour ce genre de danse • Cf. cahier 1952-8 page 59 & 87/88. La pièce-04 a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face A, plage 7, réédition de l'album MC 20.045. Photos : 1.31.1 à 15 • * village de karala. M-ENSEMBLE DE TBR =batterie "Muso bara" = "Tambour des femmes " - composée ici de 3 tambours, tous frappés avec des mains nues : M =un petit tambour à peau clouée _bara den_ ="petit tambour, M + BR = un tambour moyen avec bruiteur _bara den_ -sic -, M + BR =un grand tambour avec bruiteur _bara ba_ ="grand tambour"• ROUGET,GILBERT 1952 GR52.109 BM69.39.109 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :103-04 BM.1970.019.001/123:103-04 00:03:12 25/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE LA DANSE "MUSO BARA" Sous-table non exportée Sous-table non exportée batterie "Muso bara" : terme qui désigne à la fois la batterie et les rythmes battus pour ce genre de danse • Cf. cahier 1952-8 page 59 & 87/88. La pièce-04 a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face A, plage 7, réédition de l'album MC 20.045. Photos : 1.31.1 à 15 • * village de karala. M-ENSEMBLE DE TBR =batterie "Muso bara" = "Tambour des femmes " - composée ici de 3 tambours, tous frappés avec des mains nues : M =un petit tambour à peau clouée _bara den_ ="petit tambour, M + BR = un tambour moyen avec bruiteur _bara den_ -sic -, M + BR =un grand tambour avec bruiteur _bara ba_ ="grand tambour"• ROUGET,GILBERT 1952 GR52.109 BM69.39.109 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :103-05 BM.1970.019.001/123:103-05 00:03:20 25/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE LA DANSE "MUSO BARA" Sous-table non exportée Sous-table non exportée batterie "Muso bara" : terme qui désigne à la fois la batterie et les rythmes battus pour ce genre de danse • Cf. cahier 1952-8 page 59 & 87/88. La pièce-04 a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face A, plage 7, réédition de l'album MC 20.045. Photos : 1.31.1 à 15 • * village de karala. M-ENSEMBLE DE TBR =batterie "Muso bara" = "Tambour des femmes " - composée ici de 3 tambours, tous frappés avec des mains nues : M =un petit tambour à peau clouée _bara den_ ="petit tambour, M + BR = un tambour moyen avec bruiteur _bara den_ -sic -, M + BR =un grand tambour avec bruiteur _bara ba_ ="grand tambour". / Rythme un peu différent• ROUGET,GILBERT 1952 GR52.109 BM69.39.109 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :104-01 BM.1970.019.001/123:104-01 00:00:40 26/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA DANSE DES CHASSEURS. ACCORD HARPE-LUTH Sous-table non exportée Sous-table non exportée Chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 60 et cahier 9 pages 13 à 15. Les pièces II et IV a été éditées sur le disque par Africavox Ax 63 • * village de Karala. airs de la danse muso don enregistré à Karala. chanteur et instrumentiste Mazankoro Sidibé, chanteur des chasseurs et choeur des des dozo muso, femmes des chasseurs. Accords de la CHL =harpe- luth à 3+3 cordes en cuir _dozo konu_, appelée aussi _burunuba_• ROUGET,GILBERT 1952 GR52.110 BM69.39.110 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :104-02 BM.1970.019.001/123:104-02 00:06:50 26/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA DANSE DES CHASSEURS DOZO DON Sous-table non exportée Sous-table non exportée chants pour _dozo don_ = danse des chasseurs • Cf. cahier 1952-8 page 60 et cahier 9 pages 13 à 15. Les pièces-02 et -04 a été éditées sur le disque par Africavox Ax 62 et AX 63• * village de karala. Chanteur et instrumentiste Mazankoro Sidibé, chanteur des chasseurs *Choeur des _dozo muso_ , femmes des chasseurs, elles sont 5 ou6. CHL =harpe- luth à 3+3 cordes en cuir, _dozo konu_ appelée aussi _burunuba_ IR = racleur en métal_ karinya_ A =sifflets en métal, ivoire et bois _dozo flé_ / un FAUX DÉPART au début • ROUGET,GILBERT 1952 GR52.110 BM69.39.110 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-01 BM.1970.019.001/123:105-01 00:03:15 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce-04 sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karala OU village de Koosa. Soliste Alifa Diobaté, chanteur des chasseurs. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche; IR = racleur de métal karinya ; A = sifflet de chasseur• ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-01 BM.1970.019.001/123:106-01 00:03:30 28/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE VIEILLES FEMMES Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 63 • * village de Karala. musique de vieilles femmes. M1 =2 tambours _bara_ à une peau, battus à mains nues et tenus debout, celui à peau cloutée : sans bruiteur, M1 +BR = celui à peau lacée : avec bruiteurs faits de plaques de tôle ourlées d'anneaux ; M2- = 1 tambour _dunu_ à 2 peaux, à attaches en N - ? - , battu avec une baguette et tenu couché ; IS- = 1 calebasse-sonnailles en forme de cuillère avec ferraille et perles• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-03 BM.1970.019.001/123:106-03 00:02:53 30/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON VOTIVE MALINKE "MORIBANIANSA" Sous-table non exportée Sous-table non exportée texte : voir notice du disque : " Musique malinké ". Cf. cahier 1952-8 page 62-63. La pièce -03 a été éditée sur le disque : " Dahomey : Musique du Roi. Guinée : musique malinké ", Vogue contrepoint MC 20.146 (30/33), face II, plage 3, et rééditée sur le disque : "Musique Malinké ", Vogue LDM 30.113 (30/33), face B, plage 3 • * village de Karala. " moriba niansa " , chanson votive. VC =chanté soloF et choeur fillette, you-you, claquements de mains• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-05 BM.1970.019.001/123:106-05 00:02:20 30/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BERCEUSES Sous-table non exportée Sous-table non exportée * village de Karala• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-01 BM.1970.019.001/123:107-01 00:06:00 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AUTOUR DU SACRIFICE D'UN TAUREAU Sous-table non exportée Sous-table non exportée Sacrifice d'un taureau pour le retour au village de Burahima Koroma • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. DURÉE non précisée Parlé et chanté duo H : discours de l'adjudant et chant du grioT• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-06 BM.1970.019.001/123:107-06 00:01:00 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT EN SOUVENIR D'UN DEFUNT Sous-table non exportée Sous-table non exportée Chant de la mère de Koroma, en souvenir de son mari défunt• Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation ENCHAÎNÉ au suivant• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-08 BM.1970.019.001/123:107-08 00:01:40 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DECLAMATION PAR UNE GRIOTTE Sous-table non exportée Sous-table non exportée Déclamation par une griotte Koroma dyeli • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VC =chanté solo H et choeur F , [OU SOLO ET CHR F???], déclamation par une griotte Koroma Dyèli • ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-01 BM.1970.019.001/123:108-01 00:03:20 02&03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA STE DES CHASSEURS Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952-8 page 64, cahier 1952.9 pages 16&17. Ont été éditées les pièces -01 sur le disque "Musique d'afrique Occidentale", Vogue LDM 30.116 (30/33), face A plage 6 ; -02 sur le disque "Musique Malinké, Guinée", Vogue LDM 30.113 (30/33), face B plage 6 ; -03 sur le disque "Pondo Kakaou", Vogue Contrepoint 20.141 (30/33), face II plage 7. Photos : 1.36.07-08 et 1.41.04 & 08 • * village de Karala. chanteur et instrumentiste Mazankoro Sibidé. CHL = harpe-luth _dozo konu_ ou _burunuba _ à 3+3 cordes, IR = racleur en métal _karinya_ , A = sifflet de chasseur• ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-06 BM.1970.019.001/123:108-06 00:03:08 02&03/12/52 GUINEE CL.DE KANKAN , VILLAGE DE KARALA* MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB.1) Sous-table non exportée Sous-table non exportée Chant de circoncision, chanté avant la cérémonie. Enreg. sur demande • Cf. cahier 1952-8 page 64&65, et cahier 1952.9 pages 17&18 • Chanté solo, duo et choeur filles, M + BR = deux tambours _bara_ dont un, le grand, avec bruiteurs. • ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-01 BM.1970.019.001/123:109-01 00:02:40 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2), AIR 1 Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / Choeur assez loin. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10A-01 BM.1970.019.001/123:10A-01 00:01:40 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 1. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• De cette suite de chants, le n°-02 a été édité sur : 1) A.D.F., Ogun dieu du fer, Vogue Contrepoint LD 12 (30/33), Face II, plage 1 ; 2) Africa Vol4 Face A 1 ; le n°-03 sur : 1) Africavox Ax 84 GT 16- 2) Chants maures LD 45-4 Face A1 • Luth _tidinit_ à quatre cordes en crin de cheval. Chant par Ould Meni. "Seîni kar "(?) d'après El Mokhtar Ould Daddah. Poème d'amour du poète arabe pseudo Medjoun, style Trarza-Brakna. [Suite de Réf. discographique] : le n°-04 : Chants Maures LD 45-4 Face A2. ; le n°-05 : a)-b) Chants Maures LD 45 - 4 B (début) - Africavox Ax85 GT 16 ; le n°-06 : Chants Maures LD 45-4 face B (fin)• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10A-02 BM.1970.019.001/123:10A-02 00:02:10 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 2. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• Édité sur: 1) A.O.F., Ogun dieu du fer, Vogue Contrepoint LD 12 (30/33), Face II, plage 1 ; 2) Africa Vol4 Face A 1• luth tidinit à quatre cordes en crin de cheval. Chanté par Mohammed Mbarek Ould Manou. "Seîni kar " (?) d'après El Mokhtar Ould Daddah. Poème d'amour du poète arabe pseudo Medjoun, style Trarza-Brakna. [?, cette information ne concerne peut-être que la pièce-01]• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10B-01 BM.1970.019.001/123:10B-01 00:03:20 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 3. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• Edité sur : 1) Africavox Ax 84 GT 16 ; 2) Chants maures LD 45-4 Face A1 • Luth _tidinit_ à quatre cordes en crin de cheval. Chanté a) par Ould Meni ; b) par Mohammed Mbarek Ould Manou• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10B-02 BM.1970.019.001/123:10B-02 00:03:00 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 4. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• Édité : Chants Maures LD 45-4 Face A2• Luth _tidinit_ à quatre cordes en crin de cheval. Chanté par Ould Meni• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10B-03 BM.1970.019.001/123:10B-03 00:04:20 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 5. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• Edité sur : 1) Africavox Ax 84 GT 16 ; 2) Chants maures LD 45-4 Face A1 • Luth _tidinit_ à quatre cordes en crin de cheval. Chanté a) par Ould Meni ; b) par les deux ; c) Ould Meni• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :10B-04 BM.1970.019.001/123:10B-04 00:01:45 15/06/1952 SENEGAL DAKAR MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHTS ALTERNE AVEC LUTH TIDINIT: 6. Sous-table non exportée Sous-table non exportée Enregistrement fait à Dakar sur demande• Édité sur : a) Chants Maures LD 45-4 Face B (fin)• Luth _tidinit_ à quatre cordes en crin de cheval. Chanté par Ould Meni• Groupe instr ROUGET,GILBERT 1952 GR52.013 BM69.39.13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-01 BM.1970.019.001/123:11-01 00:02:00 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE JEUNES GARCONS "SAMBA KUNGEL" Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17. Cf. Ch. Béart : " Jeux et jouets de l'Ouest africain "• *village de GANDIOLE. VX-composite = chanté, parlé V-voix = rires• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-02 BM.1970.019.001/123:11-02 00:01:00 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE JEUNES GARCONS "SAMBA KUNGEL" Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17. Cf. Ch. Béart : " Jeux et jouets de l'Ouest africain "• *village de GANDIOLE. VX-composite = chanté, parlé V-voix = rires• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-03 BM.1970.019.001/123:11-03 00:07:00 25&26/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE MARABOUTS :1 CF.** Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• * village de GANDIOLE. 4 chanteurs maraboutiques, duo H et chr H en alternance. **Ces deux phonogrammes de "Chants de marabout" comportent trois chants en tout : a) "Mimiou", chanté en arabe, louanges du prophète ; b) "Mbayesi", chanté en arabe et en wolof, louanges du calife de Tiwawane, chef des Tidjianes ; c) louanges du grand fondateur de la secte des Tidjianes, petit-fils du prophète• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-04 BM.1970.019.001/123:11-04 00:03:30 25&26/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE MARABOUTS :2 CF.** Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• * village de GANDIOLE. 4 chanteurs maraboutiques, duo H et chr H en alternance. **Ces deux phonogrammes de "Chants de marabout" comportent trois chants en tout : a) "Mimiou", chanté en arabe, louanges du prophète ; b) "Mbayesi", chanté en arabe et en wolof, louanges du calife de Tiwawane, chef des Tidjianes ; c) louanges du grand fondateur de la secte des Tidjianes, petit-fils du prophète• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-05 BM.1970.019.001/123:11-05 00:03:15 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHT DE FANAL :1 Sous-table non exportée Sous-table non exportée Enreg. fait sur demande• Edité sur Africa vox : Ax 113• *village de GANDIOLE. M-TBR =2 tambours d'aisselle. Chant de fanal chantant plusieurs personnages à la suite : Dondon Fall, Mbaye Sèye, Mar Diop (maire de Saint-Louis), Lamine Gueye (député)• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-06 BM.1970.019.001/123:11-06 00:04:20 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHT DE FANAL :2 Sous-table non exportée Sous-table non exportée Enreg. fait sur demande• *village de GANDIOLE. M-TBR =2 tambours d'aisselle• ROUGET,GILBERT 1952 GR52.014 BM69.39.14 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-07 BM.1970.019.001/123:11-07 00:02:45 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEU DU FAUX-LION Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17. Cf. Ch.Béart : "Recherche des éléments d'une sociologie des peuples africains à partir de leurs jeux", pages 99-100. "Jeux et jouets de l'Ouest africain". Cf. photos 1.54.04. 07 à 10• *village de GANDIOLE. IFC =Tambours d'eau V-VOIX = cris• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-08 BM.1970.019.001/123:11-08 00:03:30 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE LOOUANGE D'UNE F Sous-table non exportée Sous-table non exportée * village de GANDIOLE• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-09 BM.1970.019.001/123:11-09 00:06:15 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHT DE MARIAGE Sous-table non exportée Sous-table non exportée *village de GANDIOLE. VC = chant, 4 solos successifs & chr de 6 F griottes IFC =Tambours d'eau• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-10 BM.1970.019.001/123:11-10 00:02:10 24&25/06/52 SENEGAL ST LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE PIROGUIERS : 1 Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-11 BM.1970.019.001/123:11-11 00:30:00 24&25/06/52 SENEGAL ST LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE PIROGUIERS : 2 Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-12 BM.1970.019.001/123:11-12 00:00:50 24&25/06/52 SENEGAL ST LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE PIROGUIERS : 3 Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :11-13 BM.1970.019.001/123:11-13 00:00:50 24&25/06/52 SENEGAL ST LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE PIROGUIERS : 4 Sous-table non exportée Sous-table non exportée Cf. cahier 52-1 page 17• ROUGET,GILBERT 1952 GR52.017 BM69.39.17 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-01 BM.1970.019.001/123:110-01 00:03:20 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), CHANT 1 Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :111-01 BM.1970.019.001/123:111-01 00:02:35 05/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RYTHMES DE DANSE KUKU Sous-table non exportée Sous-table non exportée Cette pièce est une tentative de dissociation sonore des deux tambours visant à faire ressortir le rythme propre à chacun d'eux • Cf. chier 1952.8 page 65 et cahier 1952.9 pages 7&8. la pièce 01 a été éditée partiellement sur le di."Pondo Kakou", Vogue Contrepoint MC20.141(30/33), B,6. La pièce -06 sur Africavox Ax 65 • M =tambour à attaches indirectes et bruiteurs _bara ba_ M1 = tambour à peau cloutée _bara denu_ • ROUGET,GILBERT 1952 GR52.117* BM69.39.117 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :111-04 BM.1970.019.001/123:111-04 00:03:20 05/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE DANSE KUKU Sous-table non exportée Sous-table non exportée Cf. chier 1952.8 page 65 et cahier 1952.9 pages 7&8. la pièce 01 a été éditée partiellement sur le di."Pondo Kakou", Vogue Contrepoint MC20.141(30/33), B,6. La pièce -06 sur Africavox Ax 65 • VC =chanté, deux duos de jeunes filles alternés, M = tambour à attaches indirectes et bruiteurs _bara ba_ M1 = tambour à peau cloutée _bara denu_ M =un grand tambour en trois parties * Original = GR52.117 1e et 2e partie BM69.39.117• ROUGET,GILBERT 1952 GR52.117* BM69.39.117 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-01 BM.1970.019.001/123:112-01 00:03:10 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE, AIRS DE DANSE MOSSO BARA Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. chier 1952.8 page 66. La pièce -03 a été éditée sur le disque : "Dahomey : Musique du Roi. Guinée : Musique Malinké ", Vogue Contrepoint MC 20.146 (30/33), face II plage 1, et réédité sur le disque : "Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 1. Cf. BM 70.19.99 & 100 • Rythme et airs de danse mosso bara * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-04 BM.1970.019.001/123:112-04 00:01:40 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES Sous-table non exportée Sous-table non exportée * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-01 BM.1970.019.001/123:113-01 00:00:25 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 2 FAUX DEPARTS Sous-table non exportée Sous-table non exportée * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-01 BM.1970.019.001/123:114-01 00:00:20 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_. ESSAI Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :115-01 BM.1970.019.001/123:115-01 00:03:15 10/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE DANSE DE FEMMES _DYI DUNU_ Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chanteuses non professionnelles• Cf. cahier 1952.8, page 69 et cahier 1952.9 pages 4 à 6. Ont été éditées les pièces : -02 par Africavox Ax 64 ; -04 sur le disque " Dahomey : musique du roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), face II plage 7, et rééditée sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 7 ; V) sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), face A plage 4 et sur le disque : "Afrique vol.3 Batteries africaines", Vogue EXTP 1031(17/45), face I plage 2. PHOTOS : 1.37.1 À 12 • IFC = tambour d'eau _dyi dunu_ : deux calebasses flottant au milieu de deux autres calebasses remplies d'eau, frappées avec une autre paire de calebasse en forme de cuillères M 1= un petit tambour à une peau clouée _bara denu_ M1 + BR = tambour à une peau lacée _bara ba_ avec bruiteur externe. * Original = GR52.121 1e et 2e partie BM69.39.121• ROUGET,GILBERT 1952 GR52.121* BM69.39.121 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-01 BM.1970.019.001/123:116-01 00:03:07 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS AVEC XYLOPHONES. 1ER AIR Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. VP = annonce - puis IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens IR-= racleurs métalliques _karynia_ joués par les chanteuses• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :117-01 BM.1970.019.001/123:117-01 00:03:20 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "CHANSON DE D'ATAGNAN", AVEC KORA Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, pages 73-74 et 82 (Cf. BM.70.19.121). Ont été éditées par Africavox les pièces : -01 : Ax 107 ; 04- : Ax108 ;-03 : Ax 138 & 139. Photos de -01 , 04 et -05) : 1.38.07 à 12 et 1.42.07 et 09. photos de-03 : 1.39.05 à 11 • Instrumentistes et chanteurs professionnels. La chanteuse s'appelle Kondé Kouyaté - née à Boké, basse Guinée - le joueur de kora Diémori Kouyaté. "Chanson de d'Artagnan" CHL- harpe-luth à 21 cordes _kora_ • ROUGET,GILBERT 1952 GR52.123 BM69.39.123 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :118-01 BM.1970.019.001/123:118-01 00:06:25 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE COUR: "LOUANGES DE KARAMOKO TALIBI" Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages74. les pièces -02 et -03ont été éditées par Africavox Ax 109 et Ax 110. La pièce -03 a été éditée sur le disque " Musique Malinké ", Vogue LDM 30.113 (30/33) face A plage 3. Photos 1.40.01 à 10 • Musicien et chanteurs professionnels: Mamadi Dyoubaté et ses deux femmes. CHL=harpe-luth à 19 cordes _seron_ / _seron_ très faible• ROUGET,GILBERT 1952 GR52.124 BM69.39.124 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-01 BM.1970.019.001/123:119-01 00:02:10 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DE LA HARPE-LUTH _SERON_ Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox * Original = GR52.125 1e et 2e partie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-02 BM.1970.019.001/123:119-02 00:03:35 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT AVEC XYLOPHONE Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox IR-= racleur de fer. Pleurage à 01'50" * Original = GR52.125 1e et 2epartie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-03 BM.1970.019.001/123:119-03 00:01:50 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DE 2 XYLOPHONES Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox * Original = GR52.125 1e et 2epartie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-04 BM.1970.019.001/123:119-04 00:00:15 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL PRIERE DU SOIR Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox VP =déclamé choeur H. * Original = GR52.125 1e et 2epartie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-05 BM.1970.019.001/123:119-05 00:02:45 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT AVEC GUITARE ET XYLOPHONE Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox VP =annonce parlé H. * Original = GR52.125 1e et 2epartie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-01 BM.1970.019.001/123:12-01 00:04:00 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : POUR PILER LE MIL, 1 Sous-table non exportée Sous-table non exportée * village de GANDIOLE• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-02 BM.1970.019.001/123:12-02 00:02:35 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : POUR PILER LE MIL, 2 Sous-table non exportée Sous-table non exportée * village de GANDIOLE• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-03 BM.1970.019.001/123:12-03 00:01:35 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT DE MARIAGE, 1 Sous-table non exportée Sous-table non exportée * village de GANDIOLE. IFC =Calebasse. M =batterie à mains nues• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-04 BM.1970.019.001/123:12-04 00:03:00 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT DE MARIAGE, 2 Sous-table non exportée Sous-table non exportée * village de GANDIOLE. IFC =Calebasse. M =batterie à mains nues• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-05 BM.1970.019.001/123:12-05 00:02:45 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT POUR CULTIVER, 1 Sous-table non exportée Sous-table non exportée * village de Gandiole• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-06 BM.1970.019.001/123:12-06 00:02:45 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT POUR CULTIVER, 2 Sous-table non exportée Sous-table non exportée * village de Gandiole• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-07 BM.1970.019.001/123:12-07 00:01:45 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT DE CIRCONCISION, 1 Sous-table non exportée Sous-table non exportée * village de Gandiole• ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-08 BM.1970.019.001/123:12-08 00:02:30 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS : CHANT DE CIRCONCISION, 2 Sous-table non exportée Sous-table non exportée * village de GANDIOLE • ROUGET,GILBERT 1952 GR52.015 BM69.39.15 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-09 BM.1970.019.001/123:12-09 00:05:00 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée * village de GANDIOLE. M =tambours d'aisselle.• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-10 BM.1970.019.001/123:12-10 00:00:50 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LUTTEUR, 1ER LUTTEUR Sous-table non exportée Sous-table non exportée * village de GANDIOLE. M = tambour d'aisselle M = 4 tambours• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-11 BM.1970.019.001/123:12-11 00:01:20 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LUTTEUR, REPONSE 2EME LUTTEUR Sous-table non exportée Sous-table non exportée * village de GANDIOLE. M = tambour d'aisselle M = 4 tambours sur u n rythme de faux lion• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-12 BM.1970.019.001/123:12-12 00:04:00 24/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE D'UNE FEMME Sous-table non exportée Sous-table non exportée * village de GANDIOLE. Solo de griot & chant de femmes• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-13 BM.1970.019.001/123:12-13 00:00:30 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEU DU FAUX-LION :1 Sous-table non exportée Sous-table non exportée Jeu du Faux-Lion• Cf. cahier 52.1 pages 19, 20. Cf. Charles Béart : " Recherches des éléments d'une sociologie des peuples africains à partir de leurs jeux" / pages 99-100. "Jeux et jouets de l'Ouest africain"• * village de GANDIOLE. V = rugissement du tambourinaire. M =Solo de batterie• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-14 BM.1970.019.001/123:12-14 00:00:30 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEU DU FAUX-LION :2 Sous-table non exportée Sous-table non exportée Jeu du Faux-Lion• Cf. cahier 52.1 pages 19, 20. Cf. Charles Béart : " Recherches des éléments d'une sociologie des peuples africains à partir de leurs jeux" / pages 99-100. "Jeux et jouets de l'Ouest africain"• * village de GANDIOLE. V = rugissement du tambourinaire. M =Solo de batterie• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-15 BM.1970.019.001/123:12-15 00:01:00 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEU DU FAUX-LION :3 Sous-table non exportée Sous-table non exportée Jeu du Faux-Lion• Cf. cahier 52.1 pages 19, 20. Cf. Charles Béart : " Recherches des éléments d'une sociologie des peuples africains à partir de leurs jeux" / pages 99-100. "Jeux et jouets de l'Ouest africain"• * village de GANDIOLE. V = rugissement du tambourinaire. M =Solo de batterie• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :12-16 BM.1970.019.001/123:12-16 00:04:30 24&25/06/52 SENEGAL CERCLE DE DAGANA, GANDIOLE* WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL JEU DU FAUX-LION [?] Sous-table non exportée Sous-table non exportée Jeu du Faux-Lion• Édité sur Africa vox : Ax 114. Cf. cahier 52.1 pages 19, 20. Cf. Charles Béart : " Recherches des éléments d'une sociologie des peuples africains à partir de leurs jeux" / pages 99-100. "Jeux et jouets de l'Ouest africain"• * village de GANDIOLE. M = batterie• ROUGET,GILBERT 1952 GR52.016 BM69.39.16 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-01 BM.1970.019.001/123:120-01 00:03:15 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE PARADE AVEC HARPE Sous-table non exportée Sous-table non exportée Enreg. sur demande. Musique de parade• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03 eet -05 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45), A,2; -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), B,8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A ,4. Photos 1.38.01 à 06• PHOTOS : 1.38.01 à 06 • **1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, chanteuse Moriyama Kone, tous trois musiciens professionnels. CH-= 2 harpes à 3 cordes bolon : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :121-01 BM.1970.019.001/123:121-01 00:02:43 16/12/52 GUINEE CL.DE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BERCEUSE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77 et 83. Cf.BM.70.19.117.. Ont été éditées les pièces : -01 et -05 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B ,5&7; toutes deux rééditées sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), A ,2&1 ;-02 et -03par Africavox Ax56 et Ax57 ; -04 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,3. Cf. Rouget,G. et Schwartz, J : " Transcrire ou décrire ? chant soudanais et chant fuégien." Echanges et communication. mélanges offerts à Claude Lévy-Strauss. Paris, Mouton 1970 : 677.706. PHOTOS : 1.38.07 à 12 et 1.42.07 et 09 • Chanteuse professionnelle Kondé Kyouaté, musicien professionnel Diémori Kouyaté• ROUGET,GILBERT 1952 GR52.127 BM69.39.127 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-01 BM.1970.019.001/123:122-01 00:01:30 17/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DE LA HARPE-LUTH SERON Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77-78. Ont été éditées les pièces : -02 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,2 ; -03 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33),B,6 • Musicien et chanteur professionnel Mamdi Dyoubaté. CHL = harpe-luth à 19 cordes _seron_• ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-05 BM.1970.019.001/123:122-05 00:02:35 17/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS D'AMOUR TOMA "DIONIBA" Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 79 • ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :123-01 BM.1970.019.001/123:123-01 00:01:30 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DE LA KORA Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 80 • VP = annonce CHL = harpe-luth à 21 cordes_ kora_ • ROUGET,GILBERT 1952 GR52.129 BM69.39.129 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :123-04 BM.1970.019.001/123:123-04 00:03:00 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT AVEC GUITARE Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 80. édité par Africavox Ax 134 • Annonce puis chanté solo F et guitare par Kamori Kouyaté et Nania Kouyaté. /un FAUX DÉPART au début, pas de fin • ROUGET,GILBERT 1952 GR52.129 BM69.39.129 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-01 BM.1970.019.001/123:13A-01 00:01:45 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE PAGAYEUR :1 Sous-table non exportée Sous-table non exportée Cf. cahier 52.1 page 27• V =paslmodié, par un piroguier• Groupe instr ROUGET,GILBERT 1952 GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-02 BM.1970.019.001/123:13A-02 00:01:00 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE PAGAYEUR :2 Sous-table non exportée Sous-table non exportée Cf. cahier 52.1 page 27• V =paslmodié, par un piroguier• Groupe instr ROUGET,GILBERT 1952 GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-03 BM.1970.019.001/123:13A-03 00:02:10 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LOUANGE D'UN PECHEUR TRÈS BRAVE Sous-table non exportée Sous-table non exportée Cf. cahier 52.1 page 27• Groupe instr ROUGET,GILBERT 1952 GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-04 BM.1970.019.001/123:13A-04 00:02:15 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS RELIGIEUX, LOUANGE DU PROPHETE Sous-table non exportée Sous-table non exportée secte Tidjane• Cf. cahier 52.1 page 27/28. Le IV a été édité par Africavox : Ax 150 ; le V a été édité par Africavox : Ax117 & Ax 118 ; le VI a été édité par Africavox : Ax 151• Le chanteur Yatma Ndiaye est aveugle. Chanten arabe, louange du prophète composée par Manavi• Groupe instr ROUGET,GILBERT 1952 RELIGIEUX GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-05 BM.1970.019.001/123:13A-05 00:05:50 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS RELIGIEUX, LOUANGE DE BABAKAR SY Sous-table non exportée Sous-table non exportée secte Tidjane• Cf. cahier 52.1 page 27/28. Édité sur Africavox : Ax117 & Ax 118• Le chanteur Yatma Ndiaye est aveugle. Chanten arabe, louange de Babakar Sy, marabout de Tivaouane• Groupe instr ROUGET,GILBERT 1952 GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13A-06 BM.1970.019.001/123:13A-06 00:03:05 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS RELIGIEUX, LOUANGE DE BABAKAR SY Sous-table non exportée Sous-table non exportée secte Tidjane• Cf. cahier 52.1 page 27/28. Édité sur Africavox : Ax 151• Le chanteur Yatma Ndiaye est aveugle. Chanten arabe, louange de Babakar Sy, marabout de Tivaouane• Groupe instr ROUGET,GILBERT 1952 GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :13B-01 BM.1970.019.001/123:13B-01 00:02:30 27/06/1952 SENEGAL SAINT-LOUIS, GET N'DAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LOUANGE DU PROPHETE "DIASBOU" Sous-table non exportée Sous-table non exportée secte Mouride• Cf. cahier 52.1 page 28• Chanté solo et choeur de 3 H. "Diasbou" composé par Amadou Bamba• Groupe instr ROUGET,GILBERT 1952 RELIGIEUX GR52.018 BM69.39.18 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :14A-01 BM.1970.019.001/123:14A-01 00:03:30 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHT DE LOUANGE D'UN ANCIEN CHEF GUERRIER HANNOUN* Sous-table non exportée Sous-table non exportée Enregistré çà St Louis du Sénégal• Cf.cahier 52.1 pages 21 à 24. Cf. photos 1.55.04 & 05. Publié en partie sur disque "Musique Maure", disque I, face I, 33/25, IFAN avec notice Di.55.7.1.• CL = luth à quatre cordes. I = En guise de tambour, la griotte Mneina Mint Nana frappe sur la caisse de la harpe ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant & griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. concert de musique maure. *Kar en Voie noire. Cf. BM.1970.019.001/123:17 (A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.019 BM69.39.19 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :14A-02 BM.1970.019.001/123:14A-02 00:04:00 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal.• Cf.cahier 52.1 pages 21 à 24. Cf. photos 1.55.04 & 05. Publié en partie sur disque "Musique Maure", disque I, face I, 33/25, IFAN avec notice Di.55.7.1.• CL =luth à quatre cordes. Griot Ali Ould Eide, des Kounta du Tagant . Concert de musique maure. *Fagho en Voie noire; Cf; BM.1970.019.001/123:17(A &B) • Groupe instr ROUGET,GILBERT 1952 GR52.019 BM69.39.19 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :14A-03 BM.1970.019.001/123:14A-03 00:04:35 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Cf.cahier 52.1 pages 21 à 24. Cf. photos 1.55.04 & 05. Publié en partie sur disque "Musique Maure", disque I, face I, 33/25, IFAN avec notice Di.55.7.1.• VC = chanté solo H puis duo H & F CL =Luth à quatre cordes. I = caisse de la harpe ARDIN. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh Concert de musique maure. *Suite en voie blanche - "Chant de guerre" . enregistrement fait à Saint-Louis en Sénégal sur demande. Cf. BM.1970.019.001/123:17 (A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.019 BM69.39.19 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :14B-01 BM.1970.019.001/123:14B-01 00:02:30 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE NOSTALGIE :DEBUT* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 52.1 pages 21 à 24. Cf. photos 1.55.04 & 05. Publié en partie sur disque "Musique Maure", disque I, face I, 33/25, IFAN avec notice Di.55.7.1.• VC = chanté solo puis duo H & F CL = Luth à quatre cordes. I = caisse de la harpe ARDIN à 11 cordes Griot Ali Ould Eide, des Kounta du Tagant. Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. Concert de musique maure. *Sennima en Voie noire - "Chant de nostalgie qui aurait pour sujet la critique d'un maître à son esclave qui ne lui aurait pas été reconnaissant ". Cf. BM.970.019.001/123:17 (A&B).• Groupe instr ROUGET,GILBERT 1952 GR52.019 BM69.39.19 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :14B-02 BM.1970.019.001/123:14B-02 00:03:30 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE NOSTALGIE :FIN* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 52.1 pages 21 à 24. Cf. photos 1.55.04 & 05. Publié en partie sur disque "Musique Maure", disque I, face I, 33/25, IFAN avec notice Di.55.7.1.• CL = Luth à quatre cordes. I = caisse de la harpe ARDIN à 11 cordes Griot Ali Ould Eide, des Kounta du Tagant. Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. Concert de musique maure. *Sennima en Voie noire - "Chant de nostalgie qui aurait pour sujet la critique d'un maître à son esclave qui ne lui aurait pas été reconnaissant ". Cf. BM.970.019.001/123:17 (A&B).• Groupe instr ROUGET,GILBERT 1952 GR52.019 BM69.39.19 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :15-01 BM.1970.019.001/123:15-01 00:04:15 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL " NOSTALGIE DU PAYS NATAL "* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 24 à 26. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• concert de musique Maure. VC = chanté solo H puis duo H & F. CL =Luth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant .Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *Sennima en voie blanche". Cf. BM.970.019.001/123:14(A&B) à :17 (A &B). • Groupe instr ROUGET,GILBERT 1952 GR52.020 BM69.39.20 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :15-02 BM.1970.019.001/123:15-02 00:07:15 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL POEME "BEIGI..." Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 24 à 26. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• VC = chanté solo H pui duo H & F CL =l uth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. "Beigi" en Voie noire Lebteit . Poème "Si en ce bas monde mon juge rend un mauvais jugement, le juge supérieur supprime le premier... ". concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à 17 (A&B)• Groupe instr ROUGET,GILBERT 1952 RELIGIEUX GR52.020 BM69.39.20 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :15-03 BM.1970.019.001/123:15-03 00:01:30 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LOUANGE DU PROPHETE* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 24 à 26. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• CL = luth à quatre cordes. Griot Ali Ould Eide, des Kounta du Tagant . La griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. III) Beigi en voie noire - " Louange du prophète". concert de musique Maure. Cf. BM.970.019.001/123:14(A&B)> 17 (A&B)• Groupe instr ROUGET,GILBERT 1952 RELIGIEUX GR52.020 BM69.39.20 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :16-01 BM.1970.019.001/123:16-01 00:05:00 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 AIRS DE MUSIQUE MAURE :1, DEBUT* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 29 à 30. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• CL =luth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *" Kar Kakhel, Mekkhe Moussa ". concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17 (A&B) .• Groupe instr ROUGET,GILBERT 1952 GR52.021 BM69.39.21 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :16-02 BM.1970.019.001/123:16-02 00:02:15 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 AIRS DE MUSIQUE MAURE :1, SUITE* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 29 à 30. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• CL =luth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *" Kar Kakhel, Mekkhe Moussa ", suite. Concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17 (A&B) .• Groupe instr ROUGET,GILBERT 1952 GR52.021 BM69.39.21 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :16-03 BM.1970.019.001/123:16-03 00:03:15 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 AIRS DE MUSIQUE MAURE :1, SUITE* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 29 à 30. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• CL =luth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *" Kar Kakhel, Mekkhe Moussa ", suite. Concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17 (A&B) .• Groupe instr ROUGET,GILBERT 1952 GR52.021 BM69.39.21 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :16-04 BM.1970.019.001/123:16-04 00:05:25 28/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 AIRS DE MUSIQUE MAURE :2* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 29 à 30. Publié en partie sur disque "Musique Maure", disque I, face II, 33/25, IFAN avec notice Di.55.7.1.• CL =luth à quatre cordes. I = caisse de la harpe Ardin à 11 cordes. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *"Faghou anai Srouzi " puis "Swaiziyat" (Les flûtes) . concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17 (A&B) .• Groupe instr ROUGET,GILBERT 1952 GR52.021 BM69.39.21 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :17A-01 BM.1970.019.001/123:17A-01 00:03:30 29/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 2 AIRS DE MUSIQUE MAURE :1* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 30 à 31. Publié en partie sur disque "Musique Maure", disque 2, face I & II, 33/25, IFAN avec notice Di.55.7.2.• CL =luth à quatre cordes. I= caisse de la harpe Ardin à 11 cordes, battue avec mouvement dansant. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. * "Fagho srouzi ", dans la voie blanche : 03'30" ; II) "Sennima Kaakhel ", dans la voie noire (plus rapide) : 04'00" . concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17(A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.022 BM69.39.22 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :17A-02 BM.1970.019.001/123:17A-02 00:04:00 29/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 2 AIRS DE MUSIQUE MAURE :2* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 30 à 31. Publié en partie sur disque "Musique Maure", disque 2, face I & II, 33/25, IFAN avec notice Di.55.7.2.• CL =luth à quatre cordes. I= caisse de la harpe Ardin à 11 cordes, battue avec mouvement dansant. Griot Ali Ould Eide, des Kounta du Tagant . Griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. * "Sennima Kaakhel ", dans la Voie noire; plus rapide que la pièce précédante . concert de musique Maure. Cf. BM.970.019.001/123:14(A&B) à :17(A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.022 BM69.39.22 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :17B-01 BM.1970.019.001/123:17B-01 00:07:30 29/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE MUSIQUE MAURE* Sous-table non exportée Sous-table non exportée Enregistré à St Loius du Sénégal, sur demande• Cf.cahier 1952.1 pages 30 à 31. Publié en totalité sur disque "Musique Maure", disque 2, face II, plage b, 33/25, IFAN, avec notice = Di.55.7.2.• IF = caisse de harpe Ardin à 11 cordes La griotte Mneina Mint Nana, de la famille Ehl Mhaïmid du Hodh. *"Sennima beida ", en voie blanche. concert de musique Maure. Cf. BM.970.019.001/123:14(A&B)>:17(A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.022 BM69.39.22 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :17B-02 BM.1970.019.001/123:17B-02 00:02:00 29/06/1952 MAURITANIE TAGANT & HODH MAURES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORDS DU LUTH ET DE LA HARPE Sous-table non exportée Sous-table non exportée Enregistré à St Loius du Sénégal, sur demande• concert de musique Maure. Cf. BM.970.019.001/123:14(A&B)>:17(A&B)• Groupe instr ROUGET,GILBERT 1952 GR52.022 BM69.39.22 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18A-01 BM.1970.019.001/123:18A-01 00:04:00 29/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 2 CHANTS DE LA SECTE TIDJANE :1* Sous-table non exportée Sous-table non exportée chant de la secte Tidjane• Cf.cahier 1952.1 pages 30.31. pièce ...-01 édité par Africavox : Ax 50 ; -pièce ...02 édité par Africavox : Ax 51• Trio d'aveugles - chef Yatma N'dye de la secte Tidjane *-01 = 04'00" - "Khila sousab " (en arabe) comparaison du prophète avec les autres prophètes : il est sans pareil ; -02 = 03'05" - "Celui qui détient le chapelet de Cheikh Tidiane est indemne de toute souillure " (en wolof) • Groupe instr ROUGET,GILBERT 1952 GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18A-02 BM.1970.019.001/123:18A-02 00:03:05 29/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 2 CHANTS DE LA SECTE TIDJANE :2* Sous-table non exportée Sous-table non exportée chant de la secte Tidjane• Cf.cahier 1952.1 pages 30.31. pièce ...-01 édité par Africavox : Ax 50 ; -pièce ...02 édité par Africavox : Ax 51• Trio d'aveugles - chef Yatma N'dye de la secte Tidjane -01 = 04'00" - "Khila sousab " (en arabe) comparaison du prophète avec les autres prophètes : il est sans pareil ; * -02 = 03'05" - "Celui qui détient le chapelet de Cheikh Tidiane est indemne de toute souillure " (en wolof) • Groupe instr ROUGET,GILBERT 1952 GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18A-03 BM.1970.019.001/123:18A-03 00:03:05 29/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LA SECTE TIDJANE/LOUANGE DU PROPHETE* Sous-table non exportée Sous-table non exportée chant de la secte Tidjane• Cf.cahier 1952.1 pages 30.31.• Trio d'aveugles - chef Yatma N'dye de la secte Tidjane / SUITE BM.970.019.001/123:18(A)-01>02. * "Nounié " (en arabe), composé par El Hadj Malik Sy, louange du prophète Mohamed • Groupe instr ROUGET,GILBERT 1952 RELIGIEUX GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18B-01 BM.1970.019.001/123:18B-01 00:03:10 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU LUTTEUR* Sous-table non exportée Sous-table non exportée enregistré à St Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 31.32. édité par Africavox : Ax 115 • Femmes du Walo : Fatou Ndiaye & Saynabou Diakharate. *chant du lutteur pour les exorter • Groupe instr ROUGET,GILBERT 1952 GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18B-02 BM.1970.019.001/123:18B-02 00:02:00 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BERCEUSE Sous-table non exportée Sous-table non exportée Enregistré à Saint-Louis du Sénégal sur demande • Femmes du Walo : Fatou Ndiaye & Saynabou Diakharate• Groupe instr ROUGET,GILBERT 1952 GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :18B-03 BM.1970.019.001/123:18B-03 00:02:15 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE* Sous-table non exportée Sous-table non exportée Enregistré à Saint-Louis du Sénégal, sur demande• Cf.cahier 1952.1 pages 31.32. édité par Africavox : Ax 116 • Femmes du Walo : Fatou Ndiaye & Saynabou Diakharate. *Louange du Brach du Walo, Mam Abou M'bodj, grand chef du Walo, mort depuis longtemps • Groupe instr ROUGET,GILBERT 1952 GR52.023 BM69.39.23 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19A-01 BM.1970.019.001/123:19A-01 00:03:20 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 CHANTS DE LOUANGE :I* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 1952.1 pages 32.33. / Cf. photos 1.55 07 à 10. I) a été édité par Africavox : Ax 155 ; II) a été édité par Africavox : Ax 79 ; III) a été édité par Africavox : Ax 154 ; IV) a été édité par Africavox : Ax 79 • En langue fulfudé. CV = nianierou , monocorde, corde en crins de cheval. CL = hoddu à 4 cordes, grattées de l'index droit avec un onglet. 5 griots, 3 de N'Dyalarakhar, environs de Rao, les 2 autres environs du lac de Guère. *I) - louanges de Dyalalu la plus belle femmme du village ("Ras") : 03'20" ; II) - louanges de Fatima Bonyo ("Ras") : 03'20" ; III) - louanges d'une femme qui donne beaucoup d'argent aux griots ("Ame uri Lamba") : 03'50" ; IV) - Louanges d'une femme ("bodial sadiu") : 03'50"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19A-02 BM.1970.019.001/123:19A-02 00:03:20 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 CHANTS DE LOUANGE :II* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 1952.1 pages 32.33. / Cf. photos 1.55 07 à 10. I) a été édité par Africavox : Ax 155 ; II) a été édité par Africavox : Ax 79 ; III) a été édité par Africavox : Ax 154 ; IV) a été édité par Africavox : Ax 79 • En langue fulfudé. CV = nianierou , monocorde, corde en crins de cheval. CL = hoddu à 4 cordes, grattées de l'index droit avec un onglet. 5 griots, 3 de N'Dyalarakhar, environs de Rao, les 2 autres environs du lac de Guère. *I) - louanges de Dyalalu la plus belle femmme du village ("Ras") : 03'20" ; II) - louanges de Fatima Bonyo ("Ras") : 03'20" ; III) - louanges d'une femme qui donne beaucoup d'argent aux griots ("Ame uri Lamba") : 03'50" ; IV) - Louanges d'une femme ("bodial sadiu") : 03'50"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19A-03 BM.1970.019.001/123:19A-03 00:03:50 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 CHANTS DE LOUANGE :III* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 1952.1 pages 32.33. / Cf. photos 1.55 07 à 10. I) a été édité par Africavox : Ax 155 ; II) a été édité par Africavox : Ax 79 ; III) a été édité par Africavox : Ax 154 ; IV) a été édité par Africavox : Ax 79 • En langue fulfudé. CV = nianierou , monocorde, corde en crins de cheval. CL = hoddu à 4 cordes, grattées de l'index droit avec un onglet. 5 griots, 3 de N'Dyalarakhar, environs de Rao, les 2 autres environs du lac de Guère. *I) - louanges de Dyalalu la plus belle femmme du village ("Ras") : 03'20" ; II) - louanges de Fatima Bonyo ("Ras") : 03'20" ; III) - louanges d'une femme qui donne beaucoup d'argent aux griots ("Ame uri Lamba") : 03'50" ; IV) - Louanges d'une femme ("bodial sadiu") : 03'50"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19A-04 BM.1970.019.001/123:19A-04 00:03:50 29/06/1952 SENEGAL WALO PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 4 CHANTS DE LOUANGE :IV* Sous-table non exportée Sous-table non exportée Enregistré à St Louis du Sénégal• Cf.cahier 1952.1 pages 32.33. / Cf. photos 1.55 07 à 10. I) a été édité par Africavox : Ax 155 ; II) a été édité par Africavox : Ax 79 ; III) a été édité par Africavox : Ax 154 ; IV) a été édité par Africavox : Ax 79 • En langue fulfudé. CV = nianierou , monocorde, corde en crins de cheval. CL = hoddu à 4 cordes, grattées de l'index droit avec un onglet. 5 griots, 3 de N'Dyalarakhar, environs de Rao, les 2 autres environs du lac de Guère. *I) - louanges de Dyalalu la plus belle femmme du village ("Ras") : 03'20" ; II) - louanges de Fatima Bonyo ("Ras") : 03'20" ; III) - louanges d'une femme qui donne beaucoup d'argent aux griots ("Ame uri Lamba") : 03'50" ; IV) - Louanges d'une femme ("bodial sadiu") : 03'50"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19B-01 BM.1970.019.001/123:19B-01 00:03:30 29/06/1952 SENEGAL SAINT-LOUIS PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE* Sous-table non exportée Sous-table non exportée Enregistré à ST Loius du Sénégal• Cf.cahier 1952.1 pages 33.34. / Cf. photos : griots fulbé : 1.55 07 à 10.• En langue fulfudé. VC = nianierou , monocorde, corde en crins de cheval. CL =hoddu , à 4 cordes, grattées de l'index droit avec un onglet. Griots. Parlé puis psalmodié. Vièle et luth puis vièle solo. *" Gilrou " (Chant destiné à Diaary Su, femme qui leur a beaucoup donné) • Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19B-02 BM.1970.019.001/123:19B-02 00:03:40 29/06/1952 SENEGAL SAINT-LOUIS PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE* Sous-table non exportée Sous-table non exportée Enregisté à ST Louis du Sénégal• Cf.cahier 1952.1 pages 33.34. / Cf. photos : griots fulbé : 1.55 07 à 10.• En langue fulfudé. Vièle nianierou monocorde, corde en crins de cheval. Griots. Chanté puis psalmodié. long solo H de vièle. *" Basaru " (chant destiné à Banel Dialo, louange d'une femme)• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19B-03 BM.1970.019.001/123:19B-03 00:06:20 29/06/1952 SENEGAL SAINT-LOUIS PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR DE LUTH ET VIELE* Sous-table non exportée Sous-table non exportée Enregistré à St louis du Séngal• Cf.cahier 1952.1 pages 33.34. / Cf. photos : griots fulbé : 1.55 07 à 10.• En langue fulfudé. Vièle nianierou monocorde, corde en crins de cheval. Luth hoddu à 4 cordes, grattées de l'index droit avec un onglet. Griots. " Sanyat gilierou " (chant destiné à Bomel So)• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.32.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19B-04 BM.1970.019.001/123:19B-04 00:01:25 29/06/1952 SENEGAL SAINT-LOUIS PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ARC MUSICAL Sous-table non exportée Sous-table non exportée Enregistré à St louis du Séngal• Cf.cahier 1952.1 pages 33.34. / Cf. photos : griots fulbé : 1.55 07 à 10. arc musical : 1.55.01.01bis 02.02bis• Griots. CA =arc musical baïlol"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.32.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :19B-05 BM.1970.019.001/123:19B-05 00:01:00 29/06/1952 SENEGAL SAINT-LOUIS PEULS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ARC MUSICAL Sous-table non exportée Sous-table non exportée Enregistré à St louis du Séngal• Cf.cahier 1952.1 pages 33.34. / Cf. photos : griots fulbé : 1.55 07 à 10. arc musical : 1.55.01.01bis 02.02bis• Griots. CA =arc musical baïlol"• Groupe instr ROUGET,GILBERT 1952 GR52.024 BM69.39.24 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :20A-01 BM.1970.019.001/123:20A-01 00:02:25 29/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON DE MARABOUT Sous-table non exportée Sous-table non exportée Wolof de la secte mouride• Cf. cahier 52.1, page 35. Edité par Africavox : Ax80 & Ax 81• Wolof de la secte Mouride. Chanson de Mohmmadou Bamba, grand marabout de Touba• Groupe instr ROUGET,GILBERT 1952 GR52.025 BM69.39.25 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :20A-02 BM.1970.019.001/123:20A-02 00:01:30 29/06/1952 SENEGAL SAINT-LOUIS TOUCOULEUR MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT (ESSAI) Sous-table non exportée Sous-table non exportée M- ="percussions", V-= rires• Groupe instr ROUGET,GILBERT 1952 GR52.025 BM69.39.25 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :20A-03 BM.1970.019.001/123:20A-03 00:02:30 29/06/1952 SENEGAL SAINT-LOUIS MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT (ESSAI) Sous-table non exportée Sous-table non exportée essai.• Groupe instr ROUGET,GILBERT 1952 GR52.025 BM69.39.25 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :20A-04 BM.1970.019.001/123:20A-04 00:03:00 29/06/1952 SENEGAL SAINT-LOUIS MAURES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE VIELE MONOCORDE Sous-table non exportée Sous-table non exportée solo de vièle monocorde (passage de voiture, plus intéressant vers 4')• Groupe instr ROUGET,GILBERT 1952 GR52.025 BM69.39.25 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :22-01 BM.1970.019.001/123:22-01 00:02:55 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT ET LUTH Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 38. Cf. photos 1.56 03, 04, 05 & 05bis• * villages de Dimat & Ndyayen. Luth hoddu à 4 cordes.3 griottes - la chanteuse Tiun Malado, les deux autres Diong Budi et So Awo. I) - "Sà diègè " (nom d'un cheval) - Si le cheval crie, un combattant meurt. Enregistrement fait à Saint-Louis du Sénégal sur demande• Groupe instr ROUGET,GILBERT 1952 GR52.027 BM69.39.27 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :22-02 BM.1970.019.001/123:22-02 00:03:15 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT ET LUTH** Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 38. Cf. photos 1.56 03, 04, 05 & 05bis• * villages de Dimat & Ndyayen. Luth hoddu à 4 cordes.3 griottes - la chanteuse Tiun Malado, les deux autres Diong Budi et So Awo. **"Kumbatsila " Kèlè Ndiaye Tikila : nom de femme) • Groupe instr ROUGET,GILBERT 1952 GR52.027 BM69.39.27 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :22-03 BM.1970.019.001/123:22-03 00:01:00 30/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE MENDIANTS :1* Sous-table non exportée Sous-table non exportée Enregistré à St louis du Séngal, sur demande• Cf. cahier 52.1, page 38-39. Cf. photos 1.56 05 à 06bis• * mendiante aveugle. en arabe. *1- texte : " Nul n'est maître que Dieu et le prophète " (chant de mendiant), 2 - idem (avec interruption) : 03'10"• Groupe instr ROUGET,GILBERT 1952 GR52.027 BM69.39.27 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :22-04 BM.1970.019.001/123:22-04 00:03:10 30/06/1952 SENEGAL SAINT-LOUIS WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE MENDIANTS :2* Sous-table non exportée Sous-table non exportée Enregistré à St louis du Séngal, sur demande• Cf. cahier 52.1, page 38-39. Cf. photos 1.56 05 à 06bis• * mendiante aveugle. en arabe. 1- texte : " Nul n'est maître que Dieu et le prophète " (chant de mendiant), *2 - idem (avec interruption) : 03'10"• Groupe instr ROUGET,GILBERT 1952 GR52.027 BM69.39.27 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :23A-01 BM.1970.019.001/123:23A-01 00:03:40 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (3 AIRS)* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 - la pièce I (a) éditée par Africavox : Ax 54• IFC =2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. IFP =2 xylophones M =2 tambours d'aisselle . *Suite d'airs - I) - premier air : 03'40" - II) deuxième air : 02'30" (avec silence dans l'enregistrement) - III) troisième air : 05'00" (avec xyllophone plus en avant). Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.028 BM69.39.28 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :23A-02 BM.1970.019.001/123:23A-02 00:02:30 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (3 AIRS)* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 - la pièce I (a) éditée par Africavox : Ax 54• IFC =2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. IFP =2 xylophones M =2 tambours d'aisselle . *Suite d'airs - I) - premier air : 03'40" - II) deuxième air : 02'30" (avec silence dans l'enregistrement) - III) troisième air : 05'00" (avec xyllophone plus en avant). Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.028 BM69.39.28 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :23A-03 BM.1970.019.001/123:23A-03 00:05:00 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (3 AIRS)* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 - la pièce I (a) éditée par Africavox : Ax 54• IFC =2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. IFP =2 xylophones M =2 tambours d'aisselle . *Suite d'airs - I) - premier air : 03'40" - II) deuxième air : 02'30" (avec silence dans l'enregistrement) - III) troisième air : 05'00" (avec xyllophone plus en avant). Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.028 BM69.39.28 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :23B-01 BM.1970.019.001/123:23B-01 00:03:50 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (2 AIRS)* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 - la pièce I (b) éditée par Africavox : Ax 55• * percussions. suite d'airs - I) - premier air : 03'50" - II) deuxième air : 02'30". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.028 BM69.39.28 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :23B-02 BM.1970.019.001/123:23B-02 02:30:00 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (2 AIRS)* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 - la pièce I (b) éditée par Africavox : Ax 55• * percussions. suite d'airs - I) - premier air : 03'50" - II) deuxième air : 02'30". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.028 BM69.39.28 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :24-01 BM.1970.019.001/123:24-01 00:00:45 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (4 AIRS) :I* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 • * Cf. même ensemble BM.970.019.23(A)01>032 : tambours d'aisselle, 2 xylophones / 2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. suite d'airs - I) - premier air : 00'45" - II) deuxième air : 03'45" - III) troisième air : 02'30" - IV) quatrième air : 02'00". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.029 BM69.39.29 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :24-02 BM.1970.019.001/123:24-02 00:03:45 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (4 AIRS) :II* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 • * Cf. même ensemble BM.970.019.23(A)01>032 : tambours d'aisselle, 2 xylophones / 2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. suite d'airs - I) - premier air : 00'45" - II) deuxième air : 03'45" - III) troisième air : 02'30" - IV) quatrième air : 02'00". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.029 BM69.39.29 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :24-03 BM.1970.019.001/123:24-03 00:02:30 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (4 AIRS) :III* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 • * Cf. même ensemble BM.970.019.23(A)01>032 : tambours d'aisselle, 2 xylophones / 2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. suite d'airs - I) - premier air : 00'45" - II) deuxième air : 03'45" - III) troisième air : 02'30" - IV) quatrième air : 02'00". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.029 BM69.39.29 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :24-04 BM.1970.019.001/123:24-04 00:02:00 10/07/1952 SENEGAL DAKAR SARAKOLE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DE POSSESSION (4 AIRS) :IV* Sous-table non exportée Sous-table non exportée Cf. cahier 52.1, page 39-40. Cf. photos 1.58 01 à 18 • * Cf. même ensemble BM.970.019.23(A)01>032 : tambours d'aisselle, 2 xylophones / 2 tambours d'eau : 2 calebasses dans une énorme bassine, battues chacune avec de longues baguettes, au début battues par des femmes ensuite par H ou F. / 1 énorme calebasse-tambour sphérique, percée d'un trou circulaire au sommet, battue à la main exclusivement par des femmes. suite d'airs - I) - premier air : 00'45" - II) deuxième air : 03'45" - III) troisième air : 02'30" - IV) quatrième air : 02'00". Danse de possession. Enregistrement fait à Dakar pendant la cérémonie• Groupe instr ROUGET,GILBERT 1952 GR52.029 BM69.39.29 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-01 BM.1970.019.001/123:25-01 00:01:25 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52.2 pages 1 à 3 • * village de Anna enregistré à Anna" sur demande CA = arc musical abbè", corde en liane, touche et baguette frappant près de la bouche • ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-02 BM.1970.019.001/123:25-02 00:02:45 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ARC MUSICAL & CHOEUR EBRIE: PROVERBE Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52-2 pages 1 à 3. La pièce-04 a été éditée sur le disque : Afrique, vol.4, Vogue Contrepoint EXTP 1032 (17/45), face II, plage 3. Photos : I.09.01 à 04 • * village de Anna. CA-= arc musical "abbè", corde en liane, touche et baguette frappant près de la bouche. IS-=hochet "modié" : calebasse enmanchée, manche traversant la calebasse et claveté. IFC-= bouteille frappée• ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-03 BM.1970.019.001/123:25-03 00:02:45 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ARC MUSICAL & CHOEUR EBRIE: PROVERBE Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52-2 pages 1 à 3. La pièce-04 a été éditée sur le disque : Afrique, vol.4, Vogue Contrepoint EXTP 1032 (17/45), face II, plage 3. Photos : I.09.01 à 04 • * village de Anna. CA-= arc musical "abbè", corde en liane, touche et baguette frappant près de la bouche. IS-=hochet "modié" : calebasse enmanchée, manche traversant la calebasse et claveté. IFC-= bouteille frappée• ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-04 BM.1970.019.001/123:25-04 00:02:45 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ARC MUSICAL & CHOEUR EBRIE: PROVERBE Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52-2 pages 1 à 3. La pièce-04 a été éditée sur le disque : Afrique, vol.4, Vogue Contrepoint EXTP 1032 (17/45), face II, plage 3. Photos : I.09.01 à 04 • * village de Anna. CA-= arc musical "abbè", corde en liane, touche et baguette frappant près de la bouche. IS-=hochet "modié" : calebasse enmanchée, manche traversant la calebasse et claveté. IFC-= bouteille frappée• ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-05 BM.1970.019.001/123:25-05 00:04:15 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT FUNEBRE Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52-2 pages 1 à 3. éditée sur le disque : Africa Vox, Ax 82, GT 17. Photos des tambours : I.09.05 & 06 • * village de Anna. M1 = "mboromi", tbr sculpté, à 1 peau, joués avec 2 baguettes. M1C = "m ' ferani", tbr sur caisse en forme de mortier, sans sculpture, joué à mains nues. "Chant funèbre pour un guerrier "• ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :25-06 BM.1970.019.001/123:25-06 00:03:15 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Enregistré sur demande• Cf. DT cahier 52-2 pages 1 à 3. Photos des tambours : I.09.05 & 06 • * village de Anna. " Chant de guerre pour encourager les guerriers " • ROUGET,GILBERT 1952 GR52.032 BM69.39.32 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :26-01 BM.1970.019.001/123:26-01 00:04:45 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EBRIES :I** Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 7 la pièce II a été éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 7 • * village de Anna enregistré à Anna sur demande **I) : 04'45" -chant pour avertir ceux qui sont allés en voyage de rentrer au village - duo H alterné avec choeurs et tambours ; II): 04'15" - chant de guerre du village de Anna ; idem • ROUGET,GILBERT 1952 GR52.033 BM69.39.33 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :26-02 BM.1970.019.001/123:26-02 00:04:15 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EBRIES :II** Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 7 la pièce II a été éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 7 • * village de Anna enregistré à Anna sur demande **I) : 04'45" -chant pour avertir ceux qui sont allés en voyage de rentrer au village - duo H alterné avec choeurs et tambours ; II): 04'15" - chant de guerre du village de Anna ; idem • ROUGET,GILBERT 1952 GR52.033 BM69.39.33 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :26-03 BM.1970.019.001/123:26-03 00:03:50 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EBRIES D'AMOUR ET DE DANSE :I** Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 7-8. Éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 8. Photos des tambours : 1.09.01 à 04 * village de Anna enregistré à Anna sur demande **I) : 03'50" - chant d'amour - M-= tambours battus à la main ; IS-=hochet miebi, ; II): 03'40" - chant de femmes pour appeler ls tambourinaires à danser ; idem • ROUGET,GILBERT 1952 GR52.033 BM69.39.33 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :26-04 BM.1970.019.001/123:26-04 00:03:40 30/07/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * EBRIE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EBRIES D'AMOUR ET DE DANSE :II** Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 7-8• * village de Anna enregistré à Anna sur demande **I) : 03'50" - chant d'amour - M-= tambours battus à la main ; IS-=hochet miebi, ; II): 03'40" - chant de femmes pour appeler ls tambourinaires à danser ; idem • ROUGET,GILBERT 1952 GR52.033 BM69.39.33 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27A-01 BM.1970.019.001/123:27A-01 00:03:47 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU :1 "SOMA" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 9 &10. la pièce I a été éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 6 • Photos : I.01,02 et 03 • Village de Orbaf. M = Tbr d'aisselle. Un faux départ. Chant sur le recrutement• ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27A-02 BM.1970.019.001/123:27A-02 00:01:45 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU : 2 "KEDJERE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 9 &10. la pièce I a été éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 6 • Photos : I.01,02 et 03 • Village de Orbaf. M = Tbr d'aisselle. "Que les H sortent vite pour s'amuser• ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27A-03 BM.1970.019.001/123:27A-03 00:01:45 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU : 3 "KEDJERE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 9 &10. la pièce 1 a été éditée sur le disque AOF, Ogum dieu du fer, chants d'Afrique Occidentale. Vogue Contrepoint LD I2 (30/33), face II, plage 6 • Photos : I.01,02 et 03 • Village de Orbaf. M = Tbr d'aisselle. "Que les H sortent vite pour s'amuser• ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27A-04 BM.1970.019.001/123:27A-04 00:03:15 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CANTIQUES ADIOUKROU GODOGODO Sous-table non exportée Sous-table non exportée Chorale protestante• Cf. DT cahier 52.2 pages10 & 11 • "Godogodo " : Dieu reste pour toujours, on a appris que le Christ est mort sur la croix • ROUGET,GILBERT 1952 RELIGIEUX GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27A-05 BM.1970.019.001/123:27A-05 00:03:15 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CANTIQUES ADIOUKROU "MBIA NIAM L'BIA NIETHI" Sous-table non exportée Sous-table non exportée Chorale protestante• Cf. DT cahier 52.2 pages10 & 11 • "Mbia niam l'bia niethi" : "Mon dieu nous te remercions "• ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27B-01 BM.1970.019.001/123:27B-01 00:02:40 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU :1* "GALON" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 11&12 Pièces 1 et 3 éditées sur Africavox Ax 121 et Ax 122. Photos : I.10.01, 02 et 03 • M- = tambour d'aisselle Tonga *1: "Galon", chant sur une personne orgueilleuse. 2: "mari ", chant sur une femme (faux départ) ; idem ; 3 : - idem - idem • ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27B-02 BM.1970.019.001/123:27B-02 00:00:40 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU :2* "MARI" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 11&12 Pièces 1 et 3 éditées sur Africavox Ax 121 et Ax 122. Photos : I.10.01, 02 et 03 • M- = tambour d'aisselle Tonga 1: "Galon", chant sur une personne orgueilleuse. *2: "mari ", chant sur une femme (faux départ) ; idem ; 3 : - idem - idem • ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :27B-03 BM.1970.019.001/123:27B-03 00:01:55 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU :3* "MARI"[?] Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages 11&12 Pièces 1 et 3 éditées sur Africavox Ax 121 et Ax 122. Photos : I.10.01, 02 et 03 • M- = tambour d'aisselle Tonga 1: "Galon", chant sur une personne orgueilleuse. 2: "mari ", chant sur une femme (faux départ) ; idem ; *3 : - idem - idem • ROUGET,GILBERT 1952 GR52.034 BM69.39.34 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28A-01 BM.1970.019.001/123:28A-01 00:00:30 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "MANDOLE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages12 • M = tambour d'aisselle Tonga "Mandole", chant d'un vaniteux / faux départ • ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28A-02 BM.1970.019.001/123:28A-02 00:01:00 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "MANDOLE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages12 • M = tambour d'aisselle Tonga "Mandole", chant d'un vaniteux • ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28A-03 BM.1970.019.001/123:28A-03 00:01:30 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "MANDOLE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages12 • M = tambour d'aisselle Tonga "Mandole", chant d'un vaniteux • ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28A-04 BM.1970.019.001/123:28A-04 00:01:50 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "MANDOLE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 52.2 pages12 • M = tambour d'aisselle Tonga "Mandole", chant d'un vaniteux ** CHR H intervient à la fin • ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28B-01 BM.1970.019.001/123:28B-01 00:03:30 03/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAL ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "LIGBEL" Sous-table non exportée Sous-table non exportée Peut se chanter pendant les funérailles• Cf. DT cahier 1952.2 pages13. Photos : 1.10.04 • "Ligbèl "• ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28B-02 BM.1970.019.001/123:28B-02 00:01:10 03/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAL ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU Sous-table non exportée Sous-table non exportée Peut se chanter pendant les funérailles• Cf. DT cahier 1952.2 pages13. Photos : 1.10.04 • ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28B-03 BM.1970.019.001/123:28B-03 00:02:05 03/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAL ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "LIGBEL" Sous-table non exportée Sous-table non exportée Peut se chanter pendant les funérailles• Cf. DT cahier 1952.2 pages13. Photos : 1.10.04 • "Ligbèl "• ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28B-04 BM.1970.019.001/123:28B-04 00:03:45 03/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "LEGBEL EIK" Sous-table non exportée Sous-table non exportée Chant de travail pour piler les noix de palme• Cf. DT cahier 1952.2 pages14 & 16 • M- BREM AB WÈm = 2 tambours battus à mains nues. M-BREMIK WÈR = tambour battu avec baguettes M-TBR= 1 tbr d'aisselle IS-SÈG BWÈ = 2 hochets paniers vannerie IS-SAKA = 1 hochet calebasse vannerie IFP-GIENGIÉ = 1 tube de fer ouvert• ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :28B-05 BM.1970.019.001/123:28B-05 00:04:00 03/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS ADIOUKROU "BOTIKI" Sous-table non exportée Sous-table non exportée Chant de funérailles• Cf. DT cahier 1952.2 pages14 & 16 • M- BREM AB WÈm = 2 tambours battus à mains nues. M-BREMIK WÈR = tambour battu avec baguettes M-TBR= 1 tbr d'aisselle IS-SÈG BWÈ = 2 hochets paniers vannerie IS-SAKA = 1 hochet calebasse vannerie IFP-GIENGIÉ = 1 tube de fer ouvert• ROUGET,GILBERT 1952 GR52.035 BM69.39.35 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29A-01 BM.1970.019.001/123:29A-01 00:03:10 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, DEBRIMOU ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT D'AMOUR ADIOUKROU "LOSINE EGJE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.2 pages16. Photos : 1.14.10, II, et 12 - 1.15.02 • AT = cornet à piston AT = tuba "Lossine egje ", chant d'amour - AT-= cornet à piston et tuba • ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29A-02 BM.1970.019.001/123:29A-02 00:01:00 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, DEBRIMOU ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE ADIOUKROU Sous-table non exportée Sous-table non exportée Chant de guerre. appel pour faire le fétiche avant d'aller à la guerre• Cf. DT cahier 1952.2 pages 16 • VC= chanté par des vieillards• ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29A-03 BM.1970.019.001/123:29A-03 00:00:30 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, DEBRIMOU ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE ADIOUKROU. FAUX DEPART Sous-table non exportée Sous-table non exportée Chant de guerre. appel pour faire le fétiche avant d'aller à la guerre• Cf. DT cahier 1952.2 pages 16 • VC= chanté par des vieillards. IS = hochet calebasse• ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29A-04 BM.1970.019.001/123:29A-04 00:03:35 02/08/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, DEBRIMOU ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE GUERRE ADIOUKROU Sous-table non exportée Sous-table non exportée Chant de guerre. appel pour faire le fétiche avant d'aller à la guerre• Cf. DT cahier 1952.2 pages 16 • VC= chanté par des vieillards. IS = hochet calebasse IFC = cloche en fer• ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29B-01 BM.1970.019.001/123:29B-01 00:01:00 13/08/52 BENIN CERCLE DE OUIDAH (?) * MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CONVERSATION AVEC LE CHEF DE CANTON Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages1 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : points d'interrogations sur la localisation du Cercle et sur la dénomination de l'ethnie. conversation G.Rouget avec le chef de canton • ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29B-02 BM.1970.019.001/123:29B-02 00:04:50 13/08/52 BENIN CERCLE DE OUIDAH (?) * MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: M. DE FETE "HUNDIDO" Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages1. Photos des tambours : 1.08.01 et 02 • * rive est du lac Ahémé, village de Domé• ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29B-03 BM.1970.019.001/123:29B-03 00:04:30 13/08/52 BENIN CERCLE DE OUIDAH (?) * MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: M. DE FETE "LAZO" Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages1. Photos des tambours : 1.08.01 et 02 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : points d'interrogations sur la localisation du cercle et sur la dénomination de l'ethnie• ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :29B-04 BM.1970.019.001/123:29B-04 00:01:20 13/08/52 BENIN CERCLE DE OUIDAH (?) * MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS: M. DE FETE "GBETOHUN" Sous-table non exportée Sous-table non exportée Pour la danse d'u maque• Cf. DT cahier 1952.3 pages1. Photos des tambours : 1.08.01 et 02 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : points d'interrogations sur la localisation du cercle et sur la dénomination de l'ethnie. suite d'airs • ROUGET,GILBERT 1952 GR52.036 BM69.39.36 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30A-01 BM.1970.019.001/123:30A-01 00:01:25 13/08/52 BENIN CERCLE DE OUIDAH (?), DOME * PEDA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE DE FETE : I** Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages2. Les pièces II) & III) ont été éditées sur Africavox Ax130 et Ax131 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : point d'interrogation sur la localisation du Cercle. IS = 3 hochets à battant externe asogwé M = 2 tambours sur poterie adjala kpesi M =1 tambour sur caisse en bois atinhunvi **I) : 01'25" - 1er air : " Hundido ; II) : 02'55" - 2ème air " Hundido " III) : 03'00" - 3ème air "Djègogo " ("la perle de la fesse") • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30A-02 BM.1970.019.001/123:30A-02 00:02:55 13/08/52 BENIN CERCLE DE OUIDAH (?), DOME * PEDA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE DE FETE : II** Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages2. Les pièces II) & III) ont été éditées sur Africavox Ax130 et Ax131 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : point d'interrogation sur la localisation du Cercle. IS = 3 hochets à battant externe asogwé M = 2 tambours sur poterie adjala kpesi M =1 tambour sur caisse en bois atinhunvi **I) : 01'25" - 1er air : " Hundido ; II) : 02'55" - 2ème air " Hundido " III) : 03'00" - 3ème air "Djègogo " ("la perle de la fesse") • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30A-03 BM.1970.019.001/123:30A-03 00:03:00 13/08/52 BENIN CERCLE DE OUIDAH (?), DOME * PEDA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE DE FETE : III** Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages2. Les pièces II) & III) ont été éditées sur Africavox Ax130 et Ax131 • * rive est du lac Ahémé, village de Domé. Note du rédacteur : point d'interrogation sur la localisation du Cercle. IS = 3 hochets à battant externe asogwé M = 2 tambours sur poterie adjala kpesi M =1 tambour sur caisse en bois atinhunvi **I) : 01'25" - 1er air : " Hundido ; II) : 02'55" - 2ème air " Hundido " III) : 03'00" - 3ème air "Djègogo " ("la perle de la fesse") • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30B-01 BM.1970.019.001/123:30B-01 00:03:00 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/M. DE REJOUISSANCE OU CEREMONIE : 1 Sous-table non exportée Sous-table non exportée Suite d'airs joués pour des réjouissances ou des cérémonies. Cf. DT cahier 1952.3 pages 5 à 11 • Textes lyrico-philosophiques; langue nago Chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, M = 2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des bagues • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30B-02 BM.1970.019.001/123:30B-02 00:03:10 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/M. DE REJOUISSANCE OU CEREMONIE : 2 Sous-table non exportée Sous-table non exportée Suite d'airs joués pour des réjouissances ou des cérémonies. Cf. DT cahier 1952.3 pages 5 à 11 • Textes lyrico-philosophiques; langue nago Chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, M = 2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des bagues • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30B-03 BM.1970.019.001/123:30B-03 00:03:15 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/M. DE REJOUISSANCE OU CEREMONIE : 3 Sous-table non exportée Sous-table non exportée Suite d'airs joués pour des réjouissances ou des cérémonies. Cf. DT cahier 1952.3 pages 5 à 11 • Textes lyrico-philosophiques; langue nago Chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, M = 2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des bagues • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :30B-04 BM.1970.019.001/123:30B-04 00:01:30 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/M. DE REJOUISSANCE OU CEREMONIE : 4 Sous-table non exportée Sous-table non exportée Suite d'airs joués pour des réjouissances ou des cérémonies. Cf. DT cahier 1952.3 pages 5 à 11 • Textes lyrico-philosophiques; langue nago Chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, M = 2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des bagues • ROUGET,GILBERT 1952 GR52.037 BM69.39.37 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31A-01 BM.1970.019.001/123:31A-01 00:03:20 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE POUR DANSER : I* Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 5 à 11 + textes. les pièces II) et III) ont été éditées par Africavox Ax74 et Ax75 • Langue nago. chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, archet okwaba godye M =2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des anneaux passés aux doigts *I) : "sakara", II) : "Aye oluban" III) : "Mokièkiè" IV) : "Rabana kadamsi" • ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31A-02 BM.1970.019.001/123:31A-02 00:03:05 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE POUR DANSER : II* Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 5 à 11 + textes. les pièces II) et III) ont été éditées par Africavox Ax74 et Ax75 • Langue nago. chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, archet okwaba godye M =2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des anneaux passés aux doigts *I) : "sakara", II) : "Aye oluban" III) : "Mokièkiè" IV) : "Rabana kadamsi" • ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31A-03 BM.1970.019.001/123:31A-03 00:03:15 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE POUR DANSER : III* Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 5 à 11 + textes. les pièces II) et III) ont été éditées par Africavox Ax74 et Ax75 • Langue nago. chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, archet okwaba godye M =2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des anneaux passés aux doigts *I) : "sakara", II) : "Aye oluban" III) : "Mokièkiè" IV) : "Rabana kadamsi" • ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31A-04 BM.1970.019.001/123:31A-04 00:03:05 15/08/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE D'AIRS/MUSIQUE POUR DANSER : IV* Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 5 à 11 + textes. les pièces II) et III) ont été éditées par Africavox Ax74 et Ax75 • Langue nago. chanteur soliste et joueur de vièle : Adjado, chef de la troupe qui porte son nom. Musiciens professionnels. CV = vièle monocorde godye, archet okwaba godye M =2 tambours sur col de poterie ilu sakara IFC = 1 calebasse igba battue avec des anneaux passés aux doigts *I) : "sakara", II) : "Aye oluban" III) : "Mokièkiè" IV) : "Rabana kadamsi" • ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-01 BM.1970.019.001/123:31B-01 00:00:20 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :1 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-02 BM.1970.019.001/123:31B-02 00:00:30 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :2 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-03 BM.1970.019.001/123:31B-03 00:00:35 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :3 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-04 BM.1970.019.001/123:31B-04 00:00:35 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :4 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-05 BM.1970.019.001/123:31B-05 00:00:35 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :5 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-06 BM.1970.019.001/123:31B-06 00:01:10 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :6 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-07 BM.1970.019.001/123:31B-07 00:01:30 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :7 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :31B-08 BM.1970.019.001/123:31B-08 00:01:15 24/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE BERCEUSES :8 Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952.3 pages 12, 13 + textes • Ethnie incertaine. Langue yoruba• ROUGET,GILBERT 1952 GR52.038 BM69.39.38 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-01A BM.1970.019.001/123:32-01A 00:03:20 20/08/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS GUN : IA* Sous-table non exportée Sous-table non exportée Chant de fête, y compris pour les funérailles• Cf. DT cahier 1952.3 pages3 et 4. La pièce Ib a été éditée par Africavox Ax 96 • Langue Gun. IP = sanza agidigbo IFC =énorme caisse à savon frappée par un second assis devant IS = cloche double de fer repliée gan *IA) : 03'20" - "Agose", chant de fête y compris pour les funérailles; IB) : 03'20" - chant satirique sur les chauffeurs et "Okoiyawo", chant sur la pureté des mariés ; IC) : 03'20" - "Okoiyawo", chant sur la pureté des mariés. **Pierre Singbo Ngwitèin et sa troupe• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-01B BM.1970.019.001/123:32-01B 00:03:20 20/08/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS GUN : IB* Sous-table non exportée Sous-table non exportée Chant satirique sur les chauffeurs. Chant sur la pureté des mariées [? indications pas claires sur la fiche dactylographiée]• Cf. DT cahier 1952.3 pages3 et 4. La pièce Ib a été éditée par Africavox Ax 96 • Langue Gun. IP = sanza agidigbo IFC =énorme caisse à savon frappée par un second assis devant IS = cloche double de fer repliée gan *IA) : 03'20" - "Agose", chant de fête y compris pour les funérailles; IB) : 03'20" - chant satirique sur les chauffeurs et "Okoiyawo", chant sur la pureté des mariés; IC) : 03'20" - "Okoiyawo", chant sur la pureté des mariés. **Pierre Singbo Ngwitèin et sa troupe• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-01C BM.1970.019.001/123:32-01C 00:03:20 20/08/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE CHANTS GUN : IC* Sous-table non exportée Sous-table non exportée Chant satirique sur les chauffeurs. Chant sur la pureté des mariées [? indications pas claires sur la fiche dactylographiée]• Cf. DT cahier 1952.3 pages3 et 4. La pièce Ib a été éditée par Africavox Ax 96 • Langue Gun. IP = sanza agidigbo IFC =énorme caisse à savon frappée par un second assis devant IS = cloche double de fer repliée gan *IA) : 03'20" - "Agose", chant de fête y compris pour les funérailles; IB) : 03'20" - chant satirique sur les chauffeurs et "Okoiyawo", chant sur la pureté des mariés; IC) : 03'20" - "Okoiyawo", chant sur la pureté des mariés. **Pierre Singbo Ngwitèin et sa troupe• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-02A BM.1970.019.001/123:32-02A 00:02:00 20/08/52 BENIN PORTO-NOVO, PALAIS DE HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS (1) Sous-table non exportée Sous-table non exportée Enreg. fait sur demande• Cf. DT cahier 1952.6 pages11 à 15 (pas de texte) • M = tambour-pot livi IL = cannes de danse Langue Gun Très bon, le tout début est mal chanté, ensuite bonne musique. reines, soliste : Iya Akpoton, batteur de cloche : Gandonu. ENCHAÎNÉ à pièce suivante. Cf. également même collection, BM... :36... à BM...: 41...• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-02B BM.1970.019.001/123:32-02B 00:00:40 20/08/52 BENIN PORTO-NOVO, PALAIS DE HONME * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS:2B, DEVISES DU ROI "ABOBO" Sous-table non exportée Sous-table non exportée Danse des reines :devises du roi _abobo_ • Cf. DT cahier 1952.6 pages11 à 15. texte établi et traduit pour la pièce IIe) • VA = déclamé-chané CHR F Très bon, "Abobo..." complet ENCHAÎNÉ au suivant. Cf. également même collection, BM... :36... à BM...: 41...t • ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-02C BM.1970.019.001/123:32-02C 00:00:25 20/08/52 BENIN PORTO-NOVO, PALAIS DE HONME * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS:2C, HERAULT DU ROI Sous-table non exportée Sous-table non exportée Héraut _gbesato _du roi, nommé Agbokla• Cf. DT cahier 1952.6 pages11 à 15. texte établi et traduit pour la pièce IIe) • Va = déclamé-parlé Très bon, bonne déclamation. ENCHAÎNÉ au suivant• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-02D BM.1970.019.001/123:32-02D 00:00:10 20/08/52 BENIN PORTO-NOVO, PALAIS DE HONME * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS:2D SONNERIE Sous-table non exportée Sous-table non exportée Héraut _gbesato _du roi, nommé Agbokla• Cf. DT cahier 1952.6 pages11 à 15. texte établi et traduit pour la pièce IIe) • Très bon, bonne sonnerie ENCHAÎNÉ au suivant ?. Cf. également même collection, BM... :36... à BM...: 41...• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :32-02E BM.1970.019.001/123:32-02E 00:00:30 20/08/52 BENIN PORTO-NOVO, PALAIS DE HONME * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS:2E DEVISES DU ROI "ABABAO" Sous-table non exportée Sous-table non exportée Devises du roi _abobo_, "Abe à..." Cf. DT cahier 1952.6 pages11 à 15. texte établi et traduit pour la pièce IIe) • Très bon, "abobo" complet. Cf. également même collection, BM... :36... à BM...: 41...• ROUGET,GILBERT 1952 GR52.039 BM69.39.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33A-01 BM.1970.019.001/123:33A-01 00:03:15 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE DEVIN Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33A-02 BM.1970.019.001/123:33A-02 00:04:00 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33B-01 BM.1970.019.001/123:33B-01 00:04:05 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33B-02 BM.1970.019.001/123:33B-02 00:03:25 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33B-03 BM.1970.019.001/123:33B-03 00:00:45 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33B-04 BM.1970.019.001/123:33B-04 00:00:40 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :33B-05 BM.1970.019.001/123:33B-05 00:03:00 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 20 à 22. les pièces33A-02 et 33B-01 ont été éditées par Africavox Ax74-Ax 76 GT. Photos : 1.06.04. à 10 • Mélange de fon et de gun. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.040 BM69.39.40 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :34A-01 BM.1970.019.001/123:34A-01 00:03:55 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 , pages 15 à 20 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.041 BM69.39.41 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :34A-02 BM.1970.019.001/123:34A-02 00:04:30 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 15 à 20 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.041 BM69.39.41 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :34B-01 BM.1970.019.001/123:34B-01 00:04:00 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 15 à 20 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.041 BM69.39.41 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :34B-02 BM.1970.019.001/123:34B-02 00:03:50 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 15 à 20 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.041 BM69.39.41 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :34B-03 BM.1970.019.001/123:34B-03 00:03:35 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 15 à 20 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.041 BM69.39.41 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35A-01 BM.1970.019.001/123:35A-01 00:01:20 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35A-02 BM.1970.019.001/123:35A-02 00:03:20 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35A-03 BM.1970.019.001/123:35A-03 00:03:20 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35A-04 BM.1970.019.001/123:35A-04 00:03:20 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35B-01 BM.1970.019.001/123:35B-01 00:00:40 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, ESSAI RATE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35B-02 BM.1970.019.001/123:35B-02 00:03:25 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35B-03 BM.1970.019.001/123:35B-03 00:03:25 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, SUITE Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :35B-04 BM.1970.019.001/123:35B-04 00:02:30 18/08/52 BENIN PORTO-NOVO, QUARTIER DOTA GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DES SIGNES DIVINATOIRES FA, FIN Sous-table non exportée Sous-table non exportée Enreg.sur demande• Cf. DT cahier 1952.3 pages 22 à 25. les pièces35A-02 et 35A-03 ont été éditées sur Africavox Ax119-Ax 120 • Mélange de fon et de gun. VP = formules parlées en début et fin d'air. IS = cloche simple _gan_ ; IS =cloche double _ganvino_ IS =couteau tenu par la main et le manche formant cloche à battant interne _gudalo_ IS = hochet _asan_, cônes en fer joués par paires ; I = feuille recourbée _kpewetegan_ B =battements de main *Adjibotifa "chef des charlatans", devin. Cf. fiche de pièce BM.970.019.001/123:34(a&b), 35 (a&b)• ROUGET,GILBERT 1952 GR52.042 BM69.39.42 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :36-01A BM.1970.019.001/123:36-01A 00:03:50 20/08/52 BENIN PORTO-NOVO,PALAIS DE HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS /1A Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte établi et traduit. Cahier texte Daho.I . Cf. DT cahier 1952.6 pages 11 à 15 • IL = cannes de danse_ alunlun_, SD =pleurs d'enfant et bruits divers à la strophe 4. " Ajogan" mouvement lent _han ga_. "Okise kpo va de..." Très bon. bon départ. Arrêt à 00'35" avant le bis de la 2ème strophe ; . Enchainé à la pièce suivante (BM.970.019.001/123:36-01B )• ROUGET,GILBERT 1952 GR52.043 BM69.39.43 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :36-01B BM.1970.019.001/123:36-01B 00:01:20 20/08/52 BENIN PORTO-NOVO,PALAIS DE HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS /1B Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte établi et traduit. Cahier texte Daho.I . Cf. DT cahier 1952.6 pages 11 à 15 • IL = cannes de danse alunlun, IS- cloche de cuivre à battant externe " ajogan" mouvementrapide _aya han_. " Kise xolu avo dagbe".... " Gbefa unko ma nyon mon...".. "Okise kpo va de..." Très bon. Bon enchaîné au mouvement précédent, cf. fiche : BM.970.019.001/123:36-01(a) • ROUGET,GILBERT 1952 GR52.043 BM69.39.43 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :36-02 BM.1970.019.001/123:36-02 00:03:05 20/08/52 BENIN PORTO-NOVO * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS /2 Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte non établi. Cf. DT cahier 1952.6 pages 13 • IL = cannes de danse alunlun, IS cloche de cuivre à battant externe "Ajogan" mouvement rapide _aya han. " Ake hundo..." _ Très bon. bien chanté ( bon exemplaire de l'air si difficile à noter)• ROUGET,GILBERT 1952 GR52.043 BM69.39.43 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :36-03 BM.1970.019.001/123:36-03 00:04:55 20/08/52 BENIN PORTO-NOVO * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS /3 Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte non établi. Cf. DT cahier 1952.6 pages 13 • IL = cannes de danse alunlun, IS cloche de cuivre à battant externe "Ajogan" mouvement lent _han ga_ " Ake we ke..." Très bon. bien chanté. Manque la fin (fin de bobine)• ROUGET,GILBERT 1952 GR52.043 BM69.39.43 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37A-01A BM.1970.019.001/123:37A-01A 00:01:30 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS, SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièce I) : texte établi et traduit. Cahier Daho.I. Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun "Hanhun" , mouvement lent _han ga_. "Alada sadonu lèe mi ku-o / un do asevi we tonhwen kaka yi je agonli". Les chanteuses se trompent et s'arrêtent à 1'30". Puis reprise du même chant, lequel est interrompu avant la fin (= pièce...:37A-01B) Bruits de bande• ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37A-01B BM.1970.019.001/123:37A-01B 00:02:45 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS, SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièce I) : texte établi et traduit. Cahier Daho.I. Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun "Ajogan" mouvement lent _han ga_. "Alada sadonu lèe mi ku-o un do asevi we tonhwen kaka yi je agonli". Les chanteuses se trompent et s'arrêtent à 1'30". Reprise du même chant (= pièce...:37A-01A) Bruits de bande• ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37A-02 BM.1970.019.001/123:37A-02 00:02:15 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS, SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Texte établi et traduit. Cahier Daho.I [?]. Même chant que le _hanga_ du film et du disque réf. MC-20146, face A, plage1. Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun IFC =cloche de fer "Ajogan" , (sans doute _han-hun_) mouvement lent _han ga_. " Ozun me lwe we je..." Bon. Un changement de prise de son en cours de route. Bien chanté. • ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37A-03 BM.1970.019.001/123:37A-03 00:03:00 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS, SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun IFC =cloche de fer "Ajogan" , (sans doute _han-hun_) mouvement raîde _aya han_. Écoute le 29/9/86: mal chanté de boute en bout • ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37A-04 BM.1970.019.001/123:37A-04 00:01:00 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS, SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun IFC =cloche de fer Défilement très defectueux, inutilisable• ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37B-01A BM.1970.019.001/123:37B-01A 00:10:05 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS,SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cahier 1952-6, pages 11 à 15. Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun "Ajogan" (sans doute han-hun) mouvement lent _han ga_. " Ayiku lée wa kpo ajogen hun kpo..;" >>cette transcription est purement conjecturale. Texte à établir à tout prix. Très bon, très bien chanté. Enumération des rois • ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :37B-01B BM.1970.019.001/123:37B-01B 00:00:40 20/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS,SUITE Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cahier 1952-6, pages 11 à 15. Photos Rouget 1952 1.05 - 01 à 09 • IL = cannes de danse alunlun M = tbr-pot _livi_ IFC = cloche de fer à battant externe "Ajogan" (sans doute _han-hun_) mouvement rapide _aya han_. " O mi se nue..." . Transcription purement conjecturale, tr-exte à établir. Très bien enchaîné, mais interrompu presque aussitôt : fin de bande • ROUGET,GILBERT 1952 GR52.044 BM69.39.44 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-01A BM.1970.019.001/123:38A-01A 00:00:50 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palaisdu roi, Honmé• texte établi et traduit. Cahier Daho.I. Cahier 1952-6, pages 1 à 3. édité sur le disque "Ajogan" MH 55-1, face A, plage 1-a • Héraut gbesato du roi, nommé Agbokla. "Alada xosu agbo gelegbe...". Déclamé-parlé solo H ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-01B BM.1970.019.001/123:38A-01B 00:00:40 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte établi et traduit. Cahier Daho.I. Cahier 1952-6, pages 1 à 3. édité sur le disque "Ajogan" MH 55-1, face A, plage 1-b. Photos Verger 1952 DMP3 A3 40.656 • Choeur des reines. devise du roi abobo " abe..." ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-01C BM.1970.019.001/123:38A-01C 00:00:18 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS/TROMPES Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• édité sur le disque "Ajogan" MH 55-1, face A, plage 1-c (à vérifier sur le disque). cf. Photo Verger 1952 DM P(3)A(3) 40.645 et 1948 DM P(3)A(3) 27.736 • * palais du roi, Homme. enregistrement fait sur demande au palais Homme. ATL - = 2 trompes traversières ako luvan. bonne sonnerie. ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-02A BM.1970.019.001/123:38A-02A 00:00:30 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte non établi. Cahier 1952-6, pages 1 à 3. édité sur le disque "Dahomey, musique du roi " (à vérifier sur le disque) • Déclamé-parlé solo H Héraut gbesato du roi, nommé Agbokla . ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-02B BM.1970.019.001/123:38A-02B 00:00:45 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• texte non établi. Cahier 1952-6, pages 1 à 3. édité sur le disque "Dahomey, musique du roi " (à vérifier sur le disque) • Déclamé-chanté Chr F ENCHAÎNÉ au suivant • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-02C BM.1970.019.001/123:38A-02C 00:00:17 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cahier 1952-6, pages 1 à 3. édité sur le disque "Dahomey, musique du roi " (à vérifier sur le disque) • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-03 BM.1970.019.001/123:38A-03 00:01:30 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS : FAUX DEPART Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palaisdu roi, Homme. texte établi, traduit, transcrit, Cahier Daho. I . sur sonogramme et noté musicalement. Cahier 1952-6, page 3. edité sur le disque : IVa) : "Ajogan" MH 44-1, face A, plage 2 ;. Photos de Gandonu : P.Verger n° DM P3 A3 40.644 ; des reines : P.Verger n° DM P3 A3 40.639, 40, 42, 43 • * palais du roi, Homme. chanteur soliste : Gandonu, chanteuse Iya Akpoton et choeur des reines. III) : 01'20" - faux départ ; durée précisée : IV a&b) : 05'20" cf. fiche BM.970.019.001/123:38(A)-04 (B) IVa) : chanté solo F et choeur F, IL-= cannes de danse, IS - = cloche de cuivre / "ajogan" mouvement lent han ga. " oye do ajoto gbo xwenon..." • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-04A BM.1970.019.001/123:38A-04A 00:00:00 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palaisdu roi, Homme. texte établi, traduit, transcrit, Cahier Daho. I . sur sonogramme et noté musicalement. Cahier 1952-6, page 3. edité sur le disque : IVa) : "Ajogan" MH 44-1, face A, plage 2 ;. Photos de Gandonu : P.Verger n° DM P3 A3 40.644 ; des reines : P.Verger n° DM P3 A3 40.639, 40, 42, 43 • chanteur soliste : Gandonu, chanteuse Iya Akpoton et choeur des reines. IL = cannes de danse, IFC - = cloche de cuivre "Ajogan" mouvement lent _han ga_. " oye do ajoto gbo xwenon..." NB: DURÉE desPIÈCES ...4A + ...4B = 5'20• ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-04B BM.1970.019.001/123:38A-04B 00:00:00 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palaisdu roi, Homme. texte établi, traduit, transcrit, Cahier Daho. I . sur sonogramme et noté musicalement. Cahier 1952-6, page 3. edité sur le disque : IVa) : "Ajogan" MH 44-1, face A, plage 2 ;. Photos de Gandonu : P.Verger n° DM P3 A3 40.644 ; des reines : P.Verger n° DM P3 A3 40.639, 40, 42, 43 • chanteur soliste : Gandonu, chanteuse Iya Akpoton et choeur des reines. IL = cannes de danse, IFC - = ensemble de cloches de cuivre "Ajogan" mouvement rapide _ayan ha_. " gbefa unko ma nyon mon, kise xolu..." NB: DURÉE desPIÈCES ...4A + ...4B = 5'20. PIÈCE ...4B suivie de deux faux départs =0'15"• ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-05A BM.1970.019.001/123:38A-05A 00:04:40 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• pièces Va) : texte établi et traduit. Cahier Daho.I. ; pièce Vb) : texte non établi Cahier 1952-6, pages 1 à 3. Pièce Va) éditée sur le disque "Dahomey musique du roi ", face A, plage 2, Vogue MC 20146. Photos P.Verger DM P3 A3 • 5" pour deux faux départ, puis : Chanteur soliste : Gandonu, chanteuse : Iya Akpoton, choeur des reines (4+1), IL = cannes de danse, IFC = cloche de cuivre "Ajogan" , mouvement lent _han ga_ : " Ozume lwe je bo han yoyo go..."• ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38A-05B BM.1970.019.001/123:38A-05B 00:03:15 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• pièces Va) : texte établi et traduit. Cahier Daho.I. ; pièce Vb) : texte non établi Cahier 1952-6, pages 1 à 3. Pièce Va) éditée sur le disque "Dahomey musique du roi ", face A, plage 2, Vogue MC 20146. Photos P.Verger DM P3 A3 • IL = cannes de danse, IFC = ensemble de cloches de cuivre "Ajogan" , mouvement rapide _aya han_ : " ajahuto..." • ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38B-01 BM.1970.019.001/123:38B-01 00:04:40 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. Pièce I) éditée sur le disque "Ajogan ", face A, plage III-A, MH 55-1. Photos pièce I) : P.Verger DM P3 A3, Gandonou : 40.644 • IL = cannes de danse IFC =cloches de cuivre - chanteur soliste et batteur de cloche : Gandonu. "Ajogan" , mouvement lent _han ga_ : " Okise kpo va de..."• ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :38B-02 BM.1970.019.001/123:38B-02 00:00:30 23/08/52 BENIN PORTO-NOVO,PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. Pièce I) éditée sur le disque "Ajogan ", face A, plage III-A, MH 55-1. Photos pièce I) : P.Verger DM P3 A3, Gandonou : 40.644 • IL = cannes de danse IFC =cloches de cuivre - "Ajogan" , mouvement lent _aya han_ : " xolu Gbefa, nu kpokpo je we..." Pièce interrompue• ROUGET,GILBERT 1952 GR52.045 Toffa1Def BM69.39.45 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-01 BM.1970.019.001/123:39A-01 00:01:45 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan ", face A, plage III-B, MH 55-1 • Faux départ : 00'40", puis : I) : 01'05" - chanté solo et chr F, IS- cloches de cuivre, IL- cannes de danse - "ajogan", mouvement rapide aya han : " Xolu Gbefa, nu kpokpo je we..." Très bon • ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-02 BM.1970.019.001/123:39A-02 00:05:15 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan " MH 55-1 (à paraître), face A, plage III • Choeur des reines, soliste : Iya Akpoton chanté solo et chr F, IS- cloches de cuivre, IL- cannes de danse - "ajogan", mouvement lent _han ga : "axyiku lee sin ahwanze..." Très bon• ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-03 BM.1970.019.001/123:39A-03 00:01:45 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan "(à paraître) MH 55-1, face A, plage IV-B• Chanté solo et chr F, IS- cloches de cuivre IL- cannes de danse "ajogan", mouvement rapide aya han : " E gbele do mede me..." Très bon • ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-04 BM.1970.019.001/123:39A-04 00:00:25 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan ", face A, plage IV-c, MH 55-1 • Déclamé-parlé solo H. Héraut gbesato du roi, nommé Agbokla. Très bon • ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-05 BM.1970.019.001/123:39A-05 00:00:40 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan " (à paraître), face A, plage IV-d, MH 55-1 • Déclamé-chanté choeur F. Devises du roi abobo. " abe o...". ENCHAÎNÉ au suivant. Très bon • ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39A-06 BM.1970.019.001/123:39A-06 00:00:20 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes établis et traduits. Cahier Daho.I. éditée sur le disque "Ajogan " (à paraître), face A, plage IV-f, MH 55-1 • ENCHAÎNÉ au précédent. Très bon • ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39B-01 BM.1970.019.001/123:39B-01 00:05:00 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièce II) : textes établis et traduits. Cahier Daho.I • ENCHAÎNÉ au suivant. Choeur des reines, soliste : Iya Akpoton I) : 05'00" - "ajogan", mouvement lent han ga : " Adu ma nyi un ko si nude...(?)" bien chanté. enchaîné à : II) : 01'35" - "ajogan", mouvement rapide aya han : " E gbele do me de me..." - idem / bien chanté• ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39B-02 BM.1970.019.001/123:39B-02 00:01:35 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièce II) : textes établis et traduits. Cahier Daho.I • ENCHAÎNÉ précédant. Choeur des reines, soliste : Iya Akpoton I) : 05'00" - "ajogan", mouvement lent han ga : " Adu ma nyi un ko si nude...(?)" bien chanté. enchaîné à : II) : 01'35" - "ajogan", mouvement rapide aya han : " E gbele do me de me..." ; bien chanté• ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39B-03 BM.1970.019.001/123:39B-03 00:02:45 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• "Ajogan", mouvement lent han ga : " Ohwe he na dagba...(? approximatif)" ; bien chanté• ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :39B-04 BM.1970.019.001/123:39B-04 00:01:30 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cafouillage• ROUGET,GILBERT 1952 GR52.046 Toffa2 Def BM69.39.46 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :40A-01A BM.1970.019.001/123:40A-01A 00:06:30 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièces Ia) & Ib) : textes établis et traduits. Cahier Daho.I . Cf. Cahier 1952-6. Dahomey Toffa pages 24 à 37. Pièce Ia) éditée sur disque : "Agojan" MH-55-2, face B, plage I. Pièce Ib) éditée sur disque : "Agojan" MH-55-2, face B, plage I, fin. Photos : Verger 1952 DM P3A3 • ENCHAÎNÉ au suivant. IS- cloches de fer, IL- cannes de danse "Ajogan", mouvement lent han ga : " alada sadonu lee mi ku-o, un do asevi we tonhwen kaka yi je agonli..." / très bon ; l'ORIGINAl et cette COPIE ont quelques DÉFAUTS dûs à l'usure de la bande. La bande de montage du disque en est peut-être exempte• ROUGET,GILBERT 1952 GR52.047 Toffa (Def3) BM69.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :40A-01B BM.1970.019.001/123:40A-01B 00:01:30 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièces Ia) & Ib) : textes établis et traduits. Cahier Daho.I . Cf. Cahier 1952-6. Dahomey Toffa pages 24 à 37. Pièce Ia) éditée sur disque : "Agojan" MH-55-2, face B, plage I. Pièce Ib) éditée sur disque : "Agojan" MH-55-2, face B, plage I, fin. Photos : Verger 1952 DM P3A3 • ENCHAÎNÉ au précédent. M = tambour-pot (?) M1 = tambour à 1 membrane - "ajogan", mouvement rapide aya han : "Axolu Gbefa we yi afokpa, Xogbonu kpon e miyon..." Très bon. L'ORIGINAL et cette COPIE ont quelques DÉFAUTS dûs à l'usure de la bande. La bande de montage du disque en est peut-être exempte• ROUGET,GILBERT 1952 GR52.047 Toffa (Def3) BM69.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :40B-01 BM.1970.019.001/123:40B-01 00:10:00 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Pièces I) & II) : textes établis et traduits. Cahier Daho.I . Cf. Cahier 1952-6. Dahomey Toffa pages 24 à 37. Pièce I) éditée sur disque : "Agojan" MH-55-2, face B, plage II. Pièce II) éditée sur disque : "Agojan" MH-55-2, face B. Photos : Verger 1952 DM P3A3 • Choeur des reines, soliste : Gandonu, choeur des reines IS- cloche de fer IL- cannes de danse "Ajogan", mouvement lent _han ga_ : " Alada sadonu lee mi ku-o, un do gbe me nu he ma jo gbe de..." Très bon ; ENCHAÎNÉ au suivant : 00'40" - "Ajogan", mouvement rapide _aya han_ : "alan wa dan ma kpe ajidan..." - idem + M- tambour-pot (?), M1- = tambour à 1 membrane • ROUGET,GILBERT 1952 GR52.047 Toffa (Def3) BM69.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :40B-02 BM.1970.019.001/123:40B-02 00:00:40 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Textes établis et traduits. Cahier Daho.I . Cf. Cahier 1952-6. Dahomey Toffa pages 24 à 37. Édité sur disque : "Agojan" MH-55-2, face B. Photos : Verger 1952 DM P3A3 • ENCHAÎNÉ au précédent Choeur des reines, soliste : Gandonu, choeur des reines IS =cloche de fer IL =cannes de danse M =tambour-pot (?) M1 = tambour à 1 membrane "Ajogan", mouvement rapide _aya han_ : "alan wa dan ma kpe ajidan..." • ROUGET,GILBERT 1952 GR52.047 Toffa (Def3) BM69.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :40B-03 BM.1970.019.001/123:40B-03 00:02:20 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Textes établis et traduits. Cahier Daho.I . Cf. Cahier 1952-6. Dahomey Toffa pages 24 à 37. Édité sur disque : "Agojan" MH-55-2, face B. Photos : Verger 1952 DM P3A3 • Même chant que pièce précédente. MAUVAIS défilement. Choeur des reines, soliste : Gandonu, choeur des reines IS =cloche de fer IL =cannes de danse M =tambour-pot (?) M1 = tambour à 1 membrane "Ajogan", mouvement rapide _aya han_ : "alan wa dan ma kpe ajidan..." • ROUGET,GILBERT 1952 GR52.047 Toffa (Def3) BM69.39 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41A-00 BM.1970.019.001/123:41A-00 00:01:10 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES:DEUX MAUVAIS DEPARTS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes approximatifs traduits, cf. Cahier 1952-6, page 5. Cahier 1952-6, pages 4 à 9. Photos : Verger DM P3A3 40651-52-53-54-55 ; Rouget 1.05.08 • DEUX MAUVAIS DÉPARTS 1'10" Choeur des reines, soliste : Hunzunken. Suivi de deux chansons différentes, différentes aussi de celles du mauvais départ. I) : 03'00" - chant de danse des reines - chanté solo F et chr F, IS- cloches de cuivre, IL- cannes de danse, IFC- calebasses battues à la main sur les flancs gohun, IS- hochet, M- tambour-pot / moyen ; II) : 02'10" - "idem - idem / moyen • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41A-01 BM.1970.019.001/123:41A-01 00:03:00 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes approximatifs traduits, cf. Cahier 1952-6, page 5. Cahier 1952-6, pages 4 à 9. Photos : Verger DM P3A3 40651-52-53-54-55 ; Rouget 1.05.08 • Choeur des reines, soliste : Hunzunken IS =cloches de cuivre IL =cannes de danse IFC =calebasses battues à la main sur les flancs gohun IS =hochet, M- tambour-pot Chanson différentede celles du mauvais départ. Moyen • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41A-02 BM.1970.019.001/123:41A-02 00:02:10 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes approximatifs traduits, cf. Cahier 1952-6, page 5. Cahier 1952-6, pages 4 à 9. Photos : Verger DM P3A3 40651-52-53-54-55 ; Rouget 1.05.08 • Choeur des reines, soliste : Hunzunken IS =cloches de cuivre IL =cannes de danse IFC =calebasses battues à la main sur les flancs gohun IS =hochet, M- tambour-pot Chanson différentede celles du mauvais départ Moyen • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41A-03 BM.1970.019.001/123:41A-03 00:03:25 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cf. Cahier 1952-6 pages 4 à 9. Pièce III) : même texte que celui du lever du roi, D.64.7 (1), cf. note cahier "Lever du roi ". Pièce IV) : refrain cf. cahier 1952-6, page 7 • Choeur des reines, soliste : Hunzunken. IS- =série de cloches de fer IL = cannes de danse M = tambour-pot M1 = tambour à une peau chant de danse des reines. Dansé ce jour là après la suite de agohan et gohun. _Gansu_ : " Wihwan wihwan, un na le kle..." Moyen• ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41A-04 BM.1970.019.001/123:41A-04 00:03:53 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cf. Cahier 1952-6 pages 4 à 9. Pièce III) : même texte que celui du lever du roi, D.64.7 (1), cf. note cahier "Lever du roi ". Pièce IV) : refrain cf. cahier 1952-6, page 7 • Choeur des reines, soliste : Hunzunken. IS- =série de cloches de fer IL = cannes de danse M = tambour-pot M1 = tambour à une peau chant de danse des reines. Dansé ce jour là après la suite de agohan et gohun. _Gansu_ : " O mi xo bo ze..." Moyen • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41B-01 BM.1970.019.001/123:41B-01 00:01:40 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes approximatifs traduits, cf. Cahier 1952-6 pages 7 & 9. . Cf. Cahier 1952-6 pages 4 à 9. Photos : Verger 1952 DM P3A3 40651-52-53-54-55 ; Rouget 1.05.08 • Chant de danse des reines. Se danse à la suite de ajogan. IS =cloche de fer IL = cannes de danse IFC = calebasses battues à mains nues sur la panse _gohun_ M =tambour-pot M1 = tambour à une peau " Mi bo din na mi..." Bon• ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41B-02 BM.1970.019.001/123:41B-02 00:02:05 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• textes approximatifs traduits, cf. Cahier 1952-6 pages 7 & 9. . Cf. Cahier 1952-6 pages 4 à 9. Edité sur le disque : "Ajogan ", face B, plage 4. Photos : Verger 1952 DM P3A3 40651-52-53-54-55 ; Rouget 1.05.08 • Chant de danse des reines. Se danse à la suite de ajogan. IS =cloche de fer IL = cannes de danse IFC = calebasses battues à mains nues sur la panse _gohun_ M =tambour-pot M1 = tambour à une peau " Axolu Gbefa do nyanlan..."Bon • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41B-03A BM.1970.019.001/123:41B-03A 00:00:45 23/08/52 BENIN PORTO-NOVO, PALAIS HONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cf. Cahier 1952-6 pages 4 à 9 • Héraut _gbesato_ du roi, nommmé Agbokla. Déclamé-parlé, solo H. Pas de texte / bon • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41B-03B BM.1970.019.001/123:41B-03B 00:00:20 23/08/52 BENIN PORTO-NOVO, PALAISHONME GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS/TROMPES Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cf. Cahier 1952-6 pages 4 à 9 • * palais du roi, Homme. enregistrement fait sur demande au palais Homme. 2 trompes traversières en ivoire ako luvan. Très bon, bonne sonnerie. • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :41B-03C BM.1970.019.001/123:41B-03C 00:00:55 23/08/52 BENIN PORTO-NOVO * GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE DES REINES AU PALAIS Sous-table non exportée Sous-table non exportée Enregistrement fait sur demande au palais du roi, Honmé• Cf. Cahier 1952-6 pages 4 à 9 • * palais du roi, Homme. enregistrement fait sur demande au palais Homme. choeur des reines. Déclamé-chanté choeur de F. Devises du roi abobo. " Abe o..." • ROUGET,GILBERT 1952 GR52.048 Toffa4 Def BM69.39.48 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42A-01 BM.1970.019.001/123:42A-01 00:03:10 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en mina (=gen/ Orchestre dulakpohun, chanteur soliste à deux queues de cheval. IS =cloches double. Chanson de Akplogan• ROUGET,GILBERT 1952 GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42A-02 BM.1970.019.001/123:42A-02 00:03:25 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en mina (=gen). rchestre dulakpohun, chanteur soliste à deux queues de cheval. IS =cloche double Chanson de Akplogan• ROUGET,GILBERT 1952 GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42A-03 BM.1970.019.001/123:42A-03 00:03:05 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en mina (=gen) Orchestre dulakpohun, chanteur soliste à deux queues de cheval. IS- cloches double. Chant pour saluer tous les musiciens• ROUGET,GILBERT 1952 GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42A-04 BM.1970.019.001/123:42A-04 00:03:05 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en mina (=gen). IS =cloche double. Orchestre dulakpohun, chanteur soliste à deux queues de cheval. Chanson• ROUGET,GILBERT 1952 GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42B-01 BM.1970.019.001/123:42B-01 00:03:35 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en goun ? Orchestre dulakpohun, chanteur soliste à deux queues de cheval. IS- cloches double. Louange des gens du quartier Akpassa, chanson de Aziagnon• ROUGET,GILBERT 1952 GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :42B-02 BM.1970.019.001/123:42B-02 00:03:10 28/08/52 BENIN PORTO-NOVO MINA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ORCHESTRE DULAKPOHUN Sous-table non exportée Sous-table non exportée Cf. Cahier 1952-3 pages 29-30 • Mina = gen Chanté en gun ? Orchestre dulakpohun, chanteur soliste à deux queues de cheval. IS- cloches double. Louange des gens du quartier Akpassa, chanson de Aziagnon• ROUGET,GILBERT 1952 a GR52.049 BM69.39.49 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :43-01 BM.1970.019.001/123:43-01 00:01:30 1/1/1952 BENIN CERCLE DE PORTO NOVO,ILODO HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN EDEYI, DIEU DU FER Sous-table non exportée RITUEL Sous-table non exportée Cérémonie pour remplacer le "alashe" de Ogun Edeyi, dieu du fer• Cf. Cahier de G. Rouget1952-4, p. 1 & 2 [potocopie au dpt]. Edité partiellement sur le di. " Pondo Kakou", B1, et sur le di. "Afrique, vol.3", B4. Cf. Verger, Pierre "Dieux d'Afrique", et "Notes sur le culte des Orisha et Vodoun"• Tbr KELE: en bois, battu avec 2 bag. longues et très fines; tbrs OGIDAN et AKPOSI: pas d'info.; 1 flûte: "sifflet fourchu"; 1 COUPLE CLOCHES: cloches doubles en fer, séparées, à battant interne --- Le village est dans la subdivision de Pobé, près de Adja Ouèrè• Groupe instr ROUGET,GILBERT 1952 Religieux 0 GR52.050 BM69.39.50 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :43-02 BM.1970.019.001/123:43-02 00:03:00 1/1/1952 BENIN CERCLE DE PORTO NOVO, ILODO HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN EDEYI, DIEU DU FER RAOUL DUPONT Sous-table non exportée RITUEL Sous-table non exportée Cérémonie pour remplacer le alashe de Ogun Edeyi , dieu du fer• Cf. Cahier 1952-4, p.1 & 2. Edité partiellement sur le di. "Pondo Kakou", face B,1. et sur le di. "Afrique, vol. 3", B,4. Cf. Verger, Pierre: "Dieux d'Afrique"; et"Notes sur le culte des Orisha et Vodoun"• 1 Tbr KELE: bois, battu avec 2 bag longues et très fines; 1tbr OGIDAN: idem plus petit; 1 tbr AKPOSI: bois, mains nus; 1 flûte: "sifflet fourchu"; 1 COUPLE CLOCHES: cloches doubles en fer, séparées, à battant interne; CHR M: choeur au loin• Choeur & instrs ROUGET,GILBERT 1952 0 GR52.050 BM69.39.50 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :43-03 BM.1970.019.001/123:43-03 00:00:50 1/1/1952 BENIN CERCLE DE PORTO NOVO, ILODO HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN EDEYI, DIEU DU FER RAOUL DUPONT Sous-table non exportée RITUEL Sous-table non exportée Cérémonie pour remplacer le alashe de Ogun Edeyi , dieu du fer• Cf. Cahier 1952-4, p.1 & 2. Edité partiellement sur le di. "Pondo Kakou", face B,1. et sur le di. "Afrique, vol. 3", B,4. Cf. Verger, Pierre: "Dieux d'Afrique"; et"Notes sur le culte des Orisha et Vodoun"• 1 Tbr KELE: bois, battu avec 2 bag longues et très fines; 1tbr OGIDAN: idem plus petit; 1 tbr AKPOSI: bois, battu à mains nus; 1 flûte: "sifflet fourchu"; 1 COUPLE CLOCHES: cloches doubles en fer, séparées, à battant interne; VC- choeur mixte, plus près• Choeur & instrs ROUGET,GILBERT 1952 0 GR52.050 BM69.39.50 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :43-04 BM.1970.019.001/123:43-04 00:01:30 1/1/1952 BENIN CERCLE DE PORTO NOVO,ILODO HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN EDEYI, DIEU DU FER Sous-table non exportée Sous-table non exportée Cérémonie pour remplacer le "alashe" de Ogun Edeyi, dieu du fer• Cf. Cahier de G. Rouget1952-4, p. 1 & 2 [potocopie au dpt]. Edité partiellement sur le di. " Pondo Kakou", B1, et sur le di. "Afrique, vol.3", B4. Cf. Verger, Pierre "Dieux d'Afrique", et "Notes sur le culte des Orisha et Vodoun"• Tbr KELE: en bois, battu avec 2 bag. longues et très fines; tbrs OGIDAN et APOSI: pas d'info.; 1 flûte: "sifflet fourchu"; 1 COUPLE CLOCHES: cloches doubles en fer, séparées, à battant interne --- Le village est dans la subdivision de Pobé, près de Adja Ouèrè• Groupe instr ROUGET,GILBERT 1952 0 GR52.050 BM69.39.50 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-01 BM.1970.019.001/123:77-01 00:02:45 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU, SALUTATION AUX NOTABLES Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d'âge• Cf. DT cahier 1952.2 pages17 À 19. partiellement édité sur le disque Afrique, vol.3, Batteries africaines, Vogue EXTP 1031 (17/45), face II, plage 1. Photos : 1.11.03 & 11 • village de Orbaf. ENCHAÎNÉ à la pièce suivante ?? M =2 tambours atingbani battus avec 2 baguettes fourchues par un seul tambourinaire • ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-02 BM.1970.019.001/123:77-02 00:02:00 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU, LOUANGES DU COMMANDANT Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d'âge• Cf. DT cahier 1952.2 pages17 À 19. partiellement édité sur le disque Afrique, vol.3, Batteries africaines, Vogue EXTP 1031 (17/45), face II, plage 1. Photos : 1.11.03 & 11 • village de Orbaf. ENCHAÎNÉ à la pièce précédente ?? M =2 tambours atingbani battus avec 2 baguettes fourchues par un seul tambourinaire • ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-03 BM.1970.019.001/123:77-03 00:01:15 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d''âge; chant déambulatoire• Cf. DT cahier 1952.2 pages17 à 19. Photos : 1.13.10 • * village de Orbaf. M-= 1 tambour court porté en bandoulière et battu à mains nues, 1 tambour porté sur l'épaule et frappé par derrière Chant déambulatoire : " Djimina lègbès ", pour mendier du poisson• ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-04 BM.1970.019.001/123:77-04 00:02:40 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d''âge; chant déambulatoire• Cf. DT cahier 1952.2 pages17 à 19. Photos : 1.13.10 • * village de Orbaf. M-= 1 tambour court porté en bandoulière et battu à mains nues, 1 tambour porté sur l'épaule et frappé par derrière Chant déambulatoire : " Djimina lègbès ", pour mendier du poisson• ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-05 BM.1970.019.001/123:77-05 00:07:10 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d''âge; chant déambulatoire• Cf. DT cahier 1952.2 pages17 à 19. Photos : 1.13.10 • * village de Orbaf. M-= 1 tambour court porté en bandoulière et battu à mains nues, 1 tambour porté sur l'épaule et frappé par derrière AT = trompette• ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :77-06 BM.1970.019.001/123:77-06 00:01:00 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE, ORBAF ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU Sous-table non exportée Sous-table non exportée Cérémonie de lohu, rituel de passage de classe d''âge; chant déambulatoire• Cf. DT cahier 1952.2 pages17 à 19. Photos : 1.13.10 • * village de Orbaf. M-= 1 tambour court porté en bandoulière et battu à mains nues, 1 tambour porté sur l'épaule et frappé par derrière AT = trompette• ROUGET,GILBERT 1952 GR52.083 BM69.39.83 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :78-01 BM.1970.019.001/123:78-01 00:06:30 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU (SUITE) Sous-table non exportée Sous-table non exportée enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge• Cf. DT cahier 1952.2 pages19 À 22. partiellement édité sur le disque Afrique, vol.3, Batteries africaines, Vogue EXTP 1031 (17/45), face II, plage 1. Photos : 1.11.05 à 09 • * village de Orbaf. enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge. 2ème bobine (suite). Rituel lohu; M-= 2 tamboursd'aisselle, 1 tambour battu à mains nues, IR-= 1 fer raclé-battu, IE-= bâtons de bambou entrechoqués. Chanté, choeur H et tambours, assez confus, enchainé sur dialogue, chr H et tambours , puis choeur • ROUGET,GILBERT 1952 GR52.084 BM69.39.84 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :78-02 BM.1970.019.001/123:78-02 00:01:30 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU (SUITE) Sous-table non exportée Sous-table non exportée enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge• Cf. DT cahier 1952.2 pages19 À 22. partiellement édité sur le disque Afrique, vol.3, Batteries africaines, Vogue EXTP 1031 (17/45), face II, plage 1. Photos : 1.11.05 à 09 • * village de Orbaf. enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge. 2ème bobine (suite). Rituel lohu; M-= batterie de tambours • ROUGET,GILBERT 1952 GR52.084 BM69.39.84 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :78-03 BM.1970.019.001/123:78-03 00:01:10 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU (SUITE) Sous-table non exportée Sous-table non exportée enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge• Cf. DT cahier 1952.2 pages19 À 22. • * village de Orbaf. enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge. 2ème bobine (suite). Rituel lohu ; IS-= cloches simples de ceinture à battant interne, sèkër • ROUGET,GILBERT 1952 GR52.084 BM69.39.84 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :79-01 BM.1970.019.001/123:79-01 00:01:30 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU (FIN) Sous-table non exportée Sous-table non exportée enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge• * village de Orbaf. enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge. 3ème bobine (fin). M -= tambours, tambour d'aisselle ; IE-= claquettes • ROUGET,GILBERT 1952 GR52.085 BM69.39.85 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :79-02 BM.1970.019.001/123:79-02 00:01:10 23/10/52 COTE D'IVOIRE CERCLE DE BINGERVILLE * ADIOUKROU MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL LOHU (FIN) Sous-table non exportée Sous-table non exportée enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge• * village de Orbaf. enregistré à Orbaf pendant la cérémonie de lohu, rituel de passage de classe d'âge. 3ème bobine (fin). cris de jeunes gens, cloches • ROUGET,GILBERT 1952 GR52.085 BM69.39.85 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :80-01A BM.1970.019.001/123:80-01A 00:05:00 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR,BOB 1,A Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ , enregistré à Atiégouakro pendant la cérémonie • Les pièces :80-01B et :80-01C ont été partiellement éditées par Africavox Ax 125 et Ax 126, et partiellement éditées sur le disque Musque d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 6. Photos : I.22.01 à 12 et I.22bis 01 à 07 • * village de Atiégouakro. ENCHAÎNÉ au suivant. Chanté, choeur mixte, parlé par moments M1C = tambour sur caisse _klinba_ frappé avec une baguette, 2 tambours sur caisse plus grands _klindan_ frappés avec les deux mains, IS =1 hochet entouré d'un filet de perles _sèkèsèkè_ IS =1 cloche de fer _kokwa_• ROUGET,GILBERT 1952 GR52.086 BM69.39.86 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :80-01B BM.1970.019.001/123:80-01B 00:07:00 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR,BOB 1,B Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ , enregistré à Atiégouakro pendant la cérémonie • Les pièces :80-01B et :80-01C ont été partiellement éditées par Africavox Ax 125 et Ax 126, et partiellement éditées sur le disque Musque d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 6. Photos : I.22.01 à 12 et I.22bis 01 à 07 • * village de Atiégouakro. ENCHAÎNÉ au précédent et au suivant. Chanté, choeur mixte, parlé par moments M1C = tambour sur caisse _klinba_ frappé avec une baguette, 2 tambours sur caisse plus grands _klindan_ frappés avec les deux mains, IS =1 hochet entouré d'un filet de perles _sèkèsèkè_ IS =1 cloche de fer _kokwa_• ROUGET,GILBERT 1952 GR52.086 BM69.39.86 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :80-01C BM.1970.019.001/123:80-01C 00:04:00 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR,BOB 1,C Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ , enregistré à Atiégouakro pendant la cérémonie • Les pièces :80-01B et :80-01C ont été partiellement éditées par Africavox Ax 125 et Ax 126, et partiellement éditées sur le disque Musque d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 6. Photos : I.22.01 à 12 et I.22bis 01 à 07 • * village de Atiégouakro. ENCHAÎNÉ au précédent. Chanté, choeur mixte, parlé par moments M1C = tambour sur caisse _klinba_ frappé avec une baguette, 2 tambours sur caisse plus grands _klindan_ frappés avec les deux mains, IS =1 hochet entouré d'un filet de perles _sèkèsèkè_ IS =1 cloche de fer _kokwa_• ROUGET,GILBERT 1952 GR52.086 BM69.39.86 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :81-01 BM.1970.019.001/123:81-01 00:06:40 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR, BOB2, FIN Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ ; enregistré à Atiégouakro pendant la cérémonie • Cf. cahier 1952-8 p. 4 à 9 et 11 à 13 • * village de Atiégouakro. Chanté, choeur mixte, parlé par moments M1C =1 tambour sur caisse _klinba_ frappé avec une baguette, 2 tambours sur caisse plus grands _klindan_ frappés avec les deux mains, IS =1 hochet entouré d'un filet de perles _sèkèsèkè_ IS =1 cloche de fer _kokwa_• ROUGET,GILBERT 1952 GR52.087 BM69.39.87 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :81-02 BM.1970.019.001/123:81-02 00:03:50 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR, BOB2, FIN Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ ; enregistré à Atiégouakro pendant la cérémonie • Cf. cahier 1952-8 p. 9 à 11, textes traduits• * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.087 BM69.39.87 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :81-03 BM.1970.019.001/123:81-03 00:02:00 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR, BOB2, FIN Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ ; enregistré à Atiégouakro pendant la cérémonie • Cf. cahier 1952-8 p. 9 à 11, textes traduits• * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.087 BM69.39.87 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :81-04 BM.1970.019.001/123:81-04 00:04:45 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE POUR DEVIN GUERISSEUR, BOB2, FIN Sous-table non exportée Sous-table non exportée Musique pour devin guérisseur _awé_ ; enregistré à Atiégouakro pendant la cérémonie • Cf. cahier 1952-8 p. 9 à 11, textes traduits• * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.087 BM69.39.87 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :82-01 BM.1970.019.001/123:82-01 00:00:30 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GLAOU (1) Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande, pendant la sortie • cf. cahier 1952-7 p.20 à 23. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 1. Photos : 1.17.01 à 10 & 1.18.01 à 12 • * village de Atiégouakro • ROUGET,GILBERT 1952 GR52.088 BM69.39.88 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :82-02 BM.1970.019.001/123:82-02 00:07:15 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GLAOU (1), ** Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande, pendant la sortie • cf. cahier 1952-7 p.20 à 23. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 1. Photos : 1.17.01 à 10 & 1.18.01 à 12 • * village de Atiégouakro. ** plusieurs airs enchaînés• ROUGET,GILBERT 1952 GR52.088 BM69.39.88 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :82-03 BM.1970.019.001/123:82-03 00:01:15 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GLAOU (1), ** Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande, pendant la sortie • cf. cahier 1952-7 p.20 à 23. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 1. Photos : 1.17.01 à 10 & 1.18.01 à 12 • * village de Atiégouakro. ** plusieurs airs enchaînés [?] Quelques SATURATIONS. NDLR: ambiguité dans les fichesdactylographiées, le masque "Galou" arrive à la pièce :80-03 ou à la :80-04• ROUGET,GILBERT 1952 GR52.088 BM69.39.88 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :82-04 BM.1970.019.001/123:82-04 00:07:45 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORITE DE MASQUE GLAOU (1), ARRIVÉE DE GLAOU Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande, pendant la sortie, arrivée du masque • cf. cahier 1952-7 p.20 à 23. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 1. Photos : 1.17.01 à 10 & 1.18.01 à 12 • * village de Atiégouakro. AT = trompe _soro_ faite d'un tuyau court plongeant dans une poterie - instrument secret IS = cloche _kokwa_ IS =sonnailles de chevilles. NDLR: ambiguité dans les fichesdactylographiées, le masque "Galou" arrive à la pièce :80-03 ou à la :80-04• ROUGET,GILBERT 1952 GR52.088 BM69.39.88 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :83-01 BM.1970.019.001/123:83-01 00:05:30 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GLAOU (2, FIN) Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande • cf. cahier 1952-7 p.23 à 26. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue contrepoint LDM 30.116 (30/33), face b, plage 1) . Photos : 1.17 & 1.18 • * village de Atiégouakro AT =trompe _soro_ faite d'un tuyau court plongeant dans une poterie, instrument secret IS1= cloche _kokwa_ ; IS =3 cloches de fer haute, moyenne et basse _kokwa kan_ , _kokwa sèsè_ et Kokwa dan_ IFC- = calebasse _ntwa_ frappée d'une main IR =tube de métal raclé_ kwando_ IS = sonnailles de chevilles • ROUGET,GILBERT 1952 GR52.089 BM69.39.89 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :83-02 BM.1970.019.001/123:83-02 00:01:00 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GLAOU (2, FIN) Sous-table non exportée Sous-table non exportée Sortie de masque "Glaou", sur demande • cf. cahier 1952-7 p.23 à 26. partiellement édité sur le disque : Musique d'Afrique Occidentale, Vogue contrepoint LDM 30.116 (30/33), face b, plage 1) . Photos : 1.17 & 1.18 • * village de Atiégouakro AT =trompe _soro_ faite d'un tuyau court plongeant dans une poterie, instrument secret IS1= cloche _kokwa_ ; IS =3 cloches de fer haute, moyenne et basse _kokwa kan_ , _kokwa sèsè_ et Kokwa dan_ IFC- = calebasse _ntwa_ frappée d'une main IR =tube de métal raclé_ kwando_ IS = sonnailles de chevilles • ROUGET,GILBERT 1952 GR52.089 BM69.39.89 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :83-03 BM.1970.019.001/123:83-03 00:03:10 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS PROFANES BAOULES Sous-table non exportée Sous-table non exportée Enregistré sur demande• cf. fiche BM/D 70.19.90. la pièce III a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20.141 (30/33), face 1, plage 3) . La pièce IV a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 5). Photos : 1.14.07 à 09 • * village de Atiégouakro. CH =harpe fourchue à cinq cordes IS =cloche de fer• ROUGET,GILBERT 1952 GR52.089 BM69.39.89 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :83-04 BM.1970.019.001/123:83-04 00:03:20 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS PROFANES BAOULES Sous-table non exportée Sous-table non exportée Enregistré sur demande• cf. fiche BM/D 70.19.90. la pièce III a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20.141 (30/33), face 1, plage 3) . La pièce IV a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 5). Photos : 1.14.07 à 09 • * village de Atiégouakro. CH =harpe fourchue à cinq cordes IS =cloche de fer VP =parlé H à un moment 1 FAUX DÉPART au début• ROUGET,GILBERT 1952 GR52.089 BM69.39.89 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :83-05 BM.1970.019.001/123:83-05 00:02:30 03/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS PROFANES BAOULES Sous-table non exportée Sous-table non exportée Enregistré sur demande• cf. fiche BM/D 70.19.90. la pièce III a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20.141 (30/33), face 1, plage 3) . La pièce IV a été éditée sur le disque : Musique d'Afrique Occidentale, Vogue LDM 30.116 (30/33), face b, plage 5). Photos : 1.14.07 à 09 • * village de Atiégouakro. CH =harpe fourchue à cinq cordes IS =cloche de fer. INTERROMPU à 1'30• ROUGET,GILBERT 1952 GR52.089 BM69.39.89 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-01 BM.1970.019.001/123:84-01 00:01:50 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 1 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_ Ni DÉBUT ni FIN• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-02 BM.1970.019.001/123:84-02 00:02:08 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 2 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_ Cloche AU DÉBUT seulement• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-03 BM.1970.019.001/123:84-03 00:02:00 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 3 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_ ENCHAÎNÉ AU SUIVANT• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-04 BM.1970.019.001/123:84-04 00:04:00 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 4 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_ ENCHAÎNÉ AU PRÉCÉDENT• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-05 BM.1970.019.001/123:84-05 00:05:20 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 5 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :84-06 BM.1970.019.001/123:84-06 00:01:35 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE TAMBOURS BAOULES: 6 _GRENPRI_ Sous-table non exportée Sous-table non exportée Enreg. sur demande Grand tambour _grenpri_ battu en l'honneur d'un chef ou d'un grand personnage, énonçant des formules rituelles de salutations. Batterie accompagnant les évolutions d'un danseur soliste• la pièce 4 a été éditée sur le disque : Pondo Kakou, Vogue contrepoint, MC 20 141 (30/33), face 1, plage2). Un autre extrait (pièce II?) a été édité sur le disque " Batteries africaines, Afrique, vol.3, Vogue EXTP1031 (17/45), face II, plage 2) . Photos : I.25.01 à 12 - I.26.01 à 12 - I.27.01 à 10 • * village de Atiégouakro. M =1 grand tambour _grenpri_ M =une paire de tambours "parlants" battus avec 2 baguettes fourchues ; M1 =3 tambours à une peau IS =1 cloche de fer _kokwa_ MANQUE le DÉBUT• ROUGET,GILBERT 1952 GR52.090 BM69.39.90 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-01 BM.1970.019.001/123:85-01 00:02:00 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 1 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 sifflet• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-02 BM.1970.019.001/123:85-02 00:01:45 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 2 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 siffle VP = conversation BRUIT DE BANDE• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-03 BM.1970.019.001/123:85-03 00:03:45 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 3 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 siffle VP = conversation pendant 45" BRUIT DE BANDE• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-04 BM.1970.019.001/123:85-04 00:01:45 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 4 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 sifflet• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-05 BM.1970.019.001/123:85-05 00:03:30 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 5 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 sifflet• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-06 BM.1970.019.001/123:85-06 00:02:00 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 6 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. PAS DE DÉBUT. M =1 tambour d'aisselle_ longa_ M =2 tambours jumelés M =1 gros tambour IS =hochets pla. A = 1 sifflet• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :85-07 BM.1970.019.001/123:85-07 00:02:00 04/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUE GBAGBA, 7 Sous-table non exportée Sous-table non exportée Sortie de masque Gbagba • cf. cahier DT 1952-8, pages 42 à 45. La pièce 3 a été éditée par Africa Vox Ax111 ; les pièces 2 & 4 par Africa Vox Ax 112. . Photos : I.16.01 à 12 • * village de Atiégouakro. A = 1 sifflet VP =conversation• ROUGET,GILBERT 1952 GR52.091 BM69.39.91 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :86-01 BM.1970.019.001/123:86-01 00:01:55 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ , BOB 1 Sous-table non exportée Sous-table non exportée Rituel de danse _Do_ , fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. 1er air : PAS de DÉBUT. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_, joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; Is - sonnailles jambières agben A- sifflet _lolu_ BM = corne d'antilope jouée traversièrement comme un porte-voix_ koli_ ; les sons du _koli_ représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.092 BM69.39.92 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :86-02 BM.1970.019.001/123:86-02 00:04:20 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ , BOB 1 Sous-table non exportée Sous-table non exportée Rituel de danse _Do_ , fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_, joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; Is - sonnailles jambières agben A- sifflet _lolu_ BM = corne d'antilope jouée traversièrement comme un porte-voix_ koli_ ; les sons du _koli_ représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.092 BM69.39.92 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :86-03 BM.1970.019.001/123:86-03 00:02:00 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ , BOB 1 Sous-table non exportée Sous-table non exportée Rituel de danse _Do_ , fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_, joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; Is - sonnailles jambières agben A- sifflet _lolu_ BM = corne d'antilope jouée traversièrement comme un porte-voix_ koli_ ; les sons du _koli_ représentent la voix de _Do_ ; VP =converstion à la fin• ROUGET,GILBERT 1952 GR52.092 BM69.39.92 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :86-04 BM.1970.019.001/123:86-04 00:04:30 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ , BOB 1 Sous-table non exportée Sous-table non exportée Rituel de danse _Do_ , fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. Duo en tierce au début. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_, joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; Is - sonnailles jambières agben A- sifflet _lolu_ BM = corne d'antilope jouée traversièrement comme un porte-voix_ koli_ ; les sons du _koli_ représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.092 BM69.39.92 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :86-05 BM.1970.019.001/123:86-05 00:03:50 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ , BOB 1 Sous-table non exportée Sous-table non exportée Rituel de danse _Do_ , fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_, joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; Is - sonnailles jambières agben A- sifflet _lolu_ BM = corne d'antilope jouée traversièrement comme un porte-voix_ koli_ ; les sons du _koli_ représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.092 BM69.39.92 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :87-01 BM.1970.019.001/123:87-01 00:02:45 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ (BOB 2, FIN) Sous-table non exportée Sous-table non exportée Rituel de danse _Do_, fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_ joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; IS =sonnailles jambières _agben_ A =sifflet _lolu_ BM =corne d'antilope jouée traversièrement comme un porte-voix _koli_ ; les sons de de koli représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.093 BM69.39.93 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :87-02 BM.1970.019.001/123:87-02 00:02:00 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ (BOB 2, FIN) Sous-table non exportée Sous-table non exportée Rituel de danse _Do_, fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. Dui en tierce au début. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_ joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; IS =sonnailles jambières _agben_ A =sifflet _lolu_ BM =corne d'antilope jouée traversièrement comme un porte-voix _koli_ ; les sons de de koli représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.093 BM69.39.93 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :87-03 BM.1970.019.001/123:87-03 00:01:30 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ (BOB 2, FIN) Sous-table non exportée Sous-table non exportée Rituel de danse _Do_, fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_ joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; IS =sonnailles jambières _agben_ A =sifflet _lolu_ BM =corne d'antilope jouée traversièrement comme un porte-voix _koli_ ; les sons de de koli représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.093 BM69.39.93 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :87-04 BM.1970.019.001/123:87-04 00:02:45 05/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RITUEL DE DANSE _DO_ (BOB 2, FIN) Sous-table non exportée Sous-table non exportée Rituel de danse _Do_, fait sur demande • cf. cahier DT 1952-7, pages 13 à 19. Les textes y sont partiellement traduits. Photos : I.19.01 à 12 & I.20.01 à 12 • * village de Atiégouakro. Suite d'airs. Dui en tierce au début. M =1 tambour d'aisselle _longa_ M1 =2 tambours à une peau _kpando_ battus avec une baguette-marteau M2 =2 tambours à 2 peaux _do_ joués par les deux danseurs IS =cloche de fer _kokwa_ IS- = hochet _pla_ ; IS =sonnailles jambières _agben_ A =sifflet _lolu_ BM =corne d'antilope jouée traversièrement comme un porte-voix _koli_ ; les sons de de koli représentent la voix de _Do_• ROUGET,GILBERT 1952 GR52.093 BM69.39.93 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :87-05 BM.1970.019.001/123:87-05 00:02:10 06/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORDAGE DU XYLOPHONE DYOMORO Sous-table non exportée Sous-table non exportée * village de Atiégouakro. 2ème bobine. (cf. BM.970.019.001/123:88-01) IFP = xylophone sur traverse _dyomoro_ , composé de 6 lames piquées sur un tronc de bananier. CF. BM...:88-01 • ROUGET,GILBERT 1952 GR52.093 BM69.39.93 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :88-01 BM.1970.019.001/123:88-01 00:06:00 06/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE XYLOPHONE _DYOMORO_ Sous-table non exportée Sous-table non exportée Enreg. sur demande• Partiellement édité sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30 116 (30/33), face b, plage 4 • * village de Atiégouakro. IFP =xylophone sur traverse _dyomoro_, composé de 6 lames piquées sur un tronc de bananier • ROUGET,GILBERT 1952 GR52.094 BM69.39.94 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :89-02 BM.1970.019.001/123:89-02 00:01:50 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE FLUTES _KETE_ EN DUOS Sous-table non exportée Sous-table non exportée Enreg. sur demande. Les flûtes kété servent également à accompagner la danse "Baon" • cf. cahier 1952.8 pages 2 et 3. La pièce II a été éditée sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30. 116 (30/33), face b, plage 2 Photos : 1.14.01 à 06 et pour la danse baon : 1.23.01 à 11 • * villages de Morotikoro et Atiégouakro. AFL- = flûte traversières _kété_ à tuyau ouvert et à 6 trous, une seule est de facture traditionnelle et faite en bois de _luli_ • ROUGET,GILBERT 1952 GR52.094 BM69.39.94 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :89-01 BM.1970.019.001/123:89-01 00:03:00 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE FLUTE(S) KETE: SOLOS & DUOS Sous-table non exportée Sous-table non exportée Enreg. sur demande. Les flûtes kété servent également à accompagner la danse "Baon" • cf. cahier 1952.8 pages 2 et 3. La pièce II a été éditée sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30. 116 (30/33), face b, plage 2. La pièce V a été édité par Africavox Ax 67. Photos : 1.14.01 à 06 et pour la danse baon : 1.23.01 à 11 • * villages de Morotikoro et Atiégouakro. Une et parfois deux flûtes traversières kété. AFL- = flûte traversières _kété_ à tuyau ouvert et à 6 trous, une seule est de facture traditionnelle et faite en bois de _luli_ • ROUGET,GILBERT 1952 GR52.095 BM69.39.95 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :89-03 BM.1970.019.001/123:89-03 00:03:30 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE FLUTES KETE & CHANT Sous-table non exportée Sous-table non exportée Enreg. sur demande. Les flûtes kété servent également à accompagner la danse "Baon" • cf. cahier 1952.8 pages 2 et 3. La pièce II a été éditée sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30. 116 (30/33), face b, plage 2. La pièce V a été édité par Africavox Ax 67. Photos : 1.14.01 à 06 et pour la danse baon : 1.23.01 à 11 • * villages de Morotikoro et Atiégouakro. Le chant n'intervient pas dès le début. AFL- = flûte traversières _kété_ à tuyau ouvert et à 6 trous, une seule est de facture traditionnelle et faite en bois de _luli_ . VC = chanté choeur mixte ? PROBLÈME MICRO vers 3'• ROUGET,GILBERT 1952 GR52.095 BM69.39.95 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :89-04 BM.1970.019.001/123:89-04 00:04:30 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE FLUTES KETE & CHANT Sous-table non exportée Sous-table non exportée Enreg. sur demande. Les flûtes kété servent également à accompagner la danse "Baon" • cf. cahier 1952.8 pages 2 et 3. La pièce II a été éditée sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30. 116 (30/33), face b, plage 2. La pièce V a été édité par Africavox Ax 67. Photos : 1.14.01 à 06 et pour la danse baon : 1.23.01 à 11 • * villages de Morotikoro et Atiégouakro. PAS DE FIN. AFL- = flûte traversières _kété_ à tuyau ouvert et à 6 trous, une seule est de facture traditionnelle et faite en bois de _luli_ . *VC = chanté choeur mixte ?• ROUGET,GILBERT 1952 GR52.095 BM69.39.95 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :89-05 BM.1970.019.001/123:89-05 00:03:05 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE FLUTES KETE & CHANT Sous-table non exportée Sous-table non exportée Enreg. sur demande. Les flûtes kété servent également à accompagner la danse "Baon" • cf. cahier 1952.8 pages 2 et 3. La pièce II a été éditée sur le disque : Musique d'Afrique Occidentale , Vogue LDM 30. 116 (30/33), face b, plage 2. La pièce V a été édité par Africavox Ax 67. Photos : 1.14.01 à 06 et pour la danse baon : 1.23.01 à 11 • * villages de Morotikoro et Atiégouakro. AFL- = flûte traversières _kété_ à tuyau ouvert et à 6 trous, une seule est de facture traditionnelle et faite en bois de _luli_ . *VC = chanté choeur mixte ?• ROUGET,GILBERT 1952 GR52.095 BM69.39.95 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-01 BM.1970.019.001/123:90-01 00:02:15 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 1 Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-02 BM.1970.019.001/123:90-02 00:00:15 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 2, FAUX DEPART Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-03 BM.1970.019.001/123:90-03 00:01:20 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 3 Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. ENCHAÎNÉE À LA SUIVANTE. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-04 BM.1970.019.001/123:90-04 00:03:05 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 4 Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. ENCHAINÉE à la PRÉCÉDENTE. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-05 BM.1970.019.001/123:90-05 00:01:45 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 5 Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-06 BM.1970.019.001/123:90-06 00:02:30 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC HARPE FOURCHUE : 6 Sous-table non exportée Sous-table non exportée Enreg. sur demande• cf. DT cahier 1952-8 pages 39 à 41. cf. fiche de bobine BM...83 pièces-03 à -05 la pièce 6 a été éditée par africa vox Ax 69. Photos : I.14.07 à 09 • * village de Atiégouakro. IFC =bouteille frappée• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-07 BM.1970.019.001/123:90-07 00:01:50 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO D'ARC MUSICAL _GODYE_ Sous-table non exportée Sous-table non exportée Pièces -07 à-10 partiellement édités sur le disque Musique d'Afrique Occidentale , Vogue LDM 30.116 (30/33), face B, plage 3 • * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-08 BM.1970.019.001/123:90-08 00:01:15 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO D'ARC MUSICAL _GODYE_ Sous-table non exportée Sous-table non exportée Pièces -07 à-10 partiellement édités sur le disque Musique d'Afrique Occidentale , Vogue LDM 30.116 (30/33), face B, plage 3 • * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-09 BM.1970.019.001/123:90-09 00:01:40 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO D'ARC MUSICAL _GODYE_ Sous-table non exportée Sous-table non exportée Pièces -07 à-10 partiellement édités sur le disque Musique d'Afrique Occidentale , Vogue LDM 30.116 (30/33), face B, plage 3 • * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :90-10 BM.1970.019.001/123:90-10 00:00:55 07/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO D'ARC MUSICAL _GODYE_ Sous-table non exportée Sous-table non exportée Pièces -07 à-10 partiellement édités sur le disque Musique d'Afrique Occidentale , Vogue LDM 30.116 (30/33), face B, plage 3 • * village de Atiégouakro• ROUGET,GILBERT 1952 GR52.096 BM69.39.96 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :91-01 BM.1970.019.001/123:91-01 00:04:00 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO,BOB 1 Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. les pièces -02 et -05 ont été éditées par Africa vox Ax 66 & Ax 148 • * village de Atiégouakro. danse abuiro / 1ère bobine A =1 sifflet• ROUGET,GILBERT 1952 GR52.097 BM69.39.97 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :91-02 BM.1970.019.001/123:91-02 00:03:15 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO,BOB 1 Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. les pièces -02 et -05 ont été éditées par Africa vox Ax 66 & Ax 148 • * village de Atiégouakro. danse abuiro / 1ère bobine A =1 sifflet• ROUGET,GILBERT 1952 GR52.097 BM69.39.97 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :91-03 BM.1970.019.001/123:91-03 00:01:25 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO,BOB 1 Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. les pièces -02 et -05 ont été éditées par Africa vox Ax 66 & Ax 148 • * village de Atiégouakro. danse abuiro / 1ère bobine A =1 sifflet• ROUGET,GILBERT 1952 GR52.097 BM69.39.97 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :91-04 BM.1970.019.001/123:91-04 00:03:30 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO,BOB 1 Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. les pièces -02 et -05 ont été éditées par Africa vox Ax 66 & Ax 148 • * village de Atiégouakro. danse abuiro / 1ère bobine A =1 sifflet• ROUGET,GILBERT 1952 GR52.097 BM69.39.97 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :91-05 BM.1970.019.001/123:91-05 00:04:15 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO,BOB 1 Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. les pièces -02 et -05 ont été éditées par Africa vox Ax 66 & Ax 148 • * village de Atiégouakro. danse abuiro / 1ère bobine A =1 sifflet• ROUGET,GILBERT 1952 GR52.097 BM69.39.97 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :92-01 BM.1970.019.001/123:92-01 00:03:00 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO (FIN) Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. La pièce -03 a été éditée par Africa vox, Ax 149 • * village de Atiégouakro. A - = 1 sifflet• ROUGET,GILBERT 1952 GR52.098 BM69.39.98 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :92-02 BM.1970.019.001/123:92-02 00:02:25 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO (FIN) Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. La pièce -03 a été éditée par Africa vox, Ax 149 • * village de Atiégouakro. A - = 1 sifflet• ROUGET,GILBERT 1952 GR52.098 BM69.39.98 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :92-03 BM.1970.019.001/123:92-03 00:03:00 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO (FIN) Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. La pièce -03 a été éditée par Africa vox, Ax 149 • * village de Atiégouakro. A - = 1 sifflet• ROUGET,GILBERT 1952 GR52.098 BM69.39.98 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :92-04 BM.1970.019.001/123:92-04 00:06:35 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE ABUIRO (FIN) Sous-table non exportée Sous-table non exportée danse abuiro • cf. DT cahier 1952-8 page 47. La pièce -03 a été éditée par Africa vox, Ax 149 • * village de Atiégouakro. A - = 1 sifflet• ROUGET,GILBERT 1952 GR52.098 BM69.39.98 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-01 BM.1970.019.001/123:93-01 00:02:40 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE SANZA Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce II a été éditée par Africa vox Ax 146. les pièces IV et V ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IIP = sanza à sept lames de rotin sur table et calebasse _kote_• ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-02 BM.1970.019.001/123:93-02 00:02:55 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR AVEC SANZA Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce -02 a été éditée par Africa vox Ax 146. les pièces -04 et -05 ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IP =sanza à sept lames de rotin sur table et calebasse _kote_. Parlé à la fin• ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-03 BM.1970.019.001/123:93-03 00:01:50 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR AVEC SANZA Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce -02 a été éditée par Africa vox Ax 146. les pièces -04 et -05 ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IP =sanza à sept lames de rotin sur table et calebasse _kote_. Parlé à la fin• ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-04 BM.1970.019.001/123:93-04 00:02:55 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR AVEC SANZA (2 FAUX DEPARTS) Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce -02 a été éditée par Africa vox Ax 146. les pièces -04 et -05 ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IP =sanza à sept lames de rotin sur table et calebasse _kote_. Parlé à la fin• ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-05 BM.1970.019.001/123:93-05 00:03:20 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR AVEC SANZA Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce -02 a été éditée par Africa vox Ax 146. les pièces -04 et -05 ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IP =sanza à sept lames de rotin sur table et calebasse _kote_ • ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :93-06 BM.1970.019.001/123:93-06 00:01:50 08/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL PARLE & SOLO DE SANZA Sous-table non exportée Sous-table non exportée cf. DT cahier 1952-8 page 14 à 18 : textes. la pièce II a été éditée par Africa vox Ax 146. les pièces IV et V ont été éditées par Africa vox Ax 68. Photos : I.24.01 à 07 • * village de Atiégouakro. IIP = sanza à sept lames de rotin sur table et calebasse _kote_• ROUGET,GILBERT 1952 GR52.099 BM69.39.99 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :94-01 BM.1970.019.001/123:94-01 00:01:45 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (1) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 1 à 7. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. IS =cloche de fer simple _kokwa_ VP =parlé G.Rouget /Plusieurs prises• ROUGET,GILBERT 1952 GR52.100 BM69.39.100 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :94-02 BM.1970.019.001/123:94-02 00:01:30 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (1) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 1 à 7. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. IS = solo de cloche de fer simple _kokwa_ • ROUGET,GILBERT 1952 GR52.100 BM69.39.100 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :94-03 BM.1970.019.001/123:94-03 00:10:00 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (1) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 1 à 7. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. IS = solo de cloche de fer simple _kokwa_ M = tambour à friction VC + BM =chanté duo H avec mirlitons et choeur double H• ROUGET,GILBERT 1952 GR52.100 BM69.39.100 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :94-04 BM.1970.019.001/123:94-04 00:04:00 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (1) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 1 à 7. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. IS = solo de cloche de fer simple _kokwa_ M = tambour à friction VC + BM =chanté duo H avec mirlitons et choeur double H• ROUGET,GILBERT 1952 GR52.100 BM69.39.100 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :95-01 BM.1970.019.001/123:95-01 00:14:25 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (FIN) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 7 à 11. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. VC + BM = chanté, duo H avec mirlitons et choeur double H M =tambour à frictions _gooli_ IS = cloche de fer simple _kokwa_ • ROUGET,GILBERT 1952 GR52.101 BM69.39.101 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :95-02 BM.1970.019.001/123:95-02 00:02:45 02/11/52 COTE D'IVOIRE CL. DE DIMBOKRO,SUB. DE TOUMODI * BAOULE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE PONDO KAKOU (FIN) Sous-table non exportée Sous-table non exportée Sortie de Pondo Kakou et de Gooli, génies protecteurs du village. Enreg. pendant la sortie faite sur demande• textes partiellement traduits dans le cahier DT 1952-7 page 7 à 11. des extraits ont été édités sur le disque : Pondo Kakou, Vogue contrepoint MC 20.141 (30/33), face I, plage1. Photos : I.15.01 à 10 • * village de Atiégouakro. VC + BM = chanté, duo H avec mirlitons et choeur double H M =tambour à frictions _gooli_ IS = cloche de fer simple _kokwa_ /VARIATION DE VITESSE en fin de bob. ; pas de fin • ROUGET,GILBERT 1952 GR52.101 BM69.39.101 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-01 BM.1970.019.001/123:96-01 00:03:45 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-02 BM.1970.019.001/123:96-02 00:03:30 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-03 BM.1970.019.001/123:96-03 00:03:14 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours• / Tambours plus présents• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-04 BM.1970.019.001/123:96-04 00:03:10 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-05 BM.1970.019.001/123:96-05 00:00:35 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON /FAUX DEPART Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours /Faux départ• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :96-06 BM.1970.019.001/123:96-06 00:02:10 12/11/52 GUINEE CL. DE NZEREKORE,BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS EROTIQUES KONON Sous-table non exportée Sous-table non exportée textes partiellement transcrits et traduits dans le cahier DT 1952-8 page54-55. les pièces -03 & -04 ont été édités par Africavox Ax 95 & Ax 94 • * village de Bakouré. chants érotiques , chants de danse. M =tambours sur caisse à une peau et à sonnailles, frappés avec les deux mains; BR =sonnailles fixées aux tambours / 1 faux départ, puis OK• ROUGET,GILBERT 1952 GR52.102 BM69.39.102 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :97-01 BM.1970.019.001/123:97-01 00:02:50 12/11/52 GUINEE CL. DE NZEREKORE, BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE POUR FAIRE DANSER LE MASQUE "NYONGPAN" Sous-table non exportée Sous-table non exportée Batterie pour faire danser le masque _nyongpan_ • cf. textes in cahier DT 1952-8 page56. Cf.cahier DT 1952-8 page 48 et pages 55-56. Éditée sur le disque : Afrique, vol.3, Vogue Contrepoint EXTP 1031 (17/45), face I, plage 3 • * village de Bakouré. IFP-= 1 grand et 1 petit "tambour-xylophone" _koko kene_ et _koko koti_ constitués chacun par un cylindre de bois creux dans les flancs duquel sont ouvertes deux fentes parallèles et inégales; on frappe avec des baguettes sur les bords de ces deux fentes et sur la lame de bois qui les sépare • ROUGET,GILBERT 1952 GR52.103 BM69.39.103 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :97-02 BM.1970.019.001/123:97-02 00:05:18 12/11/52 GUINEE CL. DE NZEREKORE, BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE POUR FAIRE DANSER LE MASQUE NYONHINE Sous-table non exportée Sous-table non exportée Batterie pour faire danser le masque _Nyonhine_ • cf. textes in cahier DT 1952-8 page56. Cf.cahier DT 1952-8 page 48 et pages 55-56. la pièce -01 a été éditée sur le disque : Afrique, vol.3, Vogue Contrepoint EXTP 1031 (17/45), face I, plage 3 • * village de Bakouré. batterie pour faire danser le masque. IFP = 1 grand et 1 petit "tambour-xylophone" _koko kene_ et _koko koti_ constitués chacun par un cylindre de bois creux dans les flancs duquel sont ouvertes deux fentes parallèles et inégales; on frappe avec des baguettes sur les bords de ces deux fentes et sur la lame de bois qui les sépare M = tambour d'aisselle _dama _ BR = sonnailles fixées sur le tambour _dama_ IS- 1 hochet à filet extérieur• ROUGET,GILBERT 1952 GR52.103 BM69.39.103 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :97-03 BM.1970.019.001/123:97-03 00:03:05 12/11/52 GUINEE CL. DE NZEREKORE, BAKOURE * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE POUR FAIRE DANSER LE MASQUE "NYONGPO Sous-table non exportée Sous-table non exportée Batterie pour faire danser le masque _NyonGPO_ • cf. textes in cahier DT 1952-8 page56. Cf.cahier DT 1952-8 page 48 et pages 55-56. la pièce-01 a été éditée sur le disque : Afrique, vol.3, Vogue Contrepoint EXTP 1031 (17/45), face I, plage 3 • * village de Bakouré. batterie pour faire danser le masque. IFP = 1 grand et 1 petit "tambour-xylophone" _koko kene_ et _koko koti_ constitués chacun par un cylindre de bois creux dans les flancs duquel sont ouvertes deux fentes parallèles et inégales; on frappe avec des baguettes sur les bords de ces deux fentes et sur la lame de bois qui les sépare M = tambour d'aisselle _dama _ BR = sonnailles fixées sur le tambour _dama_ IS- 1 hochet à filet extérieur• ROUGET,GILBERT 1952 GR52.103 BM69.39.103 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-01 BM.1970.019.001/123:98-01 00:03:12 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS D'AMOUR KONON Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 49 • * village de Kéoulenta. VC =chanté, duos alternés F et choeur F M + BR =3 tambours barlo à une peau, le plus gros avec sonnailles• ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-02 BM.1970.019.001/123:98-02 00:00:35 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS D'AMOUR KONON, FAUX DEPART Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 49 • * village de Kéoulenta. VC =duos alternés F et choeur F M + BR =3 tambours barlo à une peau, le plus gros avec sonnailles• ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-03 BM.1970.019.001/123:98-03 00:03:00 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSONS D'AMOUR KONON (1 FAUX DEPART AU DEBUT) Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 49 • * village de Kéoulenta. VC =duos alternés F et choeur F M + BR =3 tambours barlo à une peau, le plus gros avec sonnailles• ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-04 BM.1970.019.001/123:98-04 00:03:15 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE DANSE Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 50 : texte • * village de Kéoulenta. M2 =un tambour à deux peaux frappé avec une grosse et longue baguette _konbara_ ; M1 + BR =1 tambour à une peau avec sonnailles _barlo_ , frappé à la main IFC =1 bidon frappé avec deux baguettes • ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-05 BM.1970.019.001/123:98-05 00:01:45 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT KONON "BAGE BAGE NIHENE" Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 50 à 53. Ont été éditées les pièces: -05 sur le disque A.O.F. Ogun dieu du fer et chants d'Afrique occidentale, Vogue Contrepoint LD 12 (30/33), face II, plage 5 ; -06 partiellement sur le disque Afrique vol.2, Vogue Contrepoint EXTP 1029 (17/45), face II, plage 1 • * village de Kéoulenta. "bage bage nihene " IS =hochet sonnaillles IS =grelot métallique, IFP = lame de fer frappée • ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :98-06 BM.1970.019.001/123:98-06 00:04:10 13/11/52 GUINEE CL. DE NZEREKORE, KEOULENTA * KONON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE TRAVAIL KONON Sous-table non exportée Sous-table non exportée Cf. DT cahier 1952-8 page 50 à 53. Ont été éditées les pièces: -05 sur le disque A.O.F. Ogun dieu du fer et chants d'Afrique occidentale, Vogue Contrepoint LD 12 (30/33), face II, plage 5 ; -06 partiellement sur le disque Afrique vol.2, Vogue Contrepoint EXTP 1029 (17/45), face II, plage 1 • * village de Kéoulenta. IS =grelot métallique• ROUGET,GILBERT 1952 GR52.104 BM69.39.104 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :99-01 BM.1970.019.001/123:99-01 00:04:15 20/11/52 GUINEE CL.DE BEYLA, SOURIABADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou• ROUGET,GILBERT 1952 GR52.105 BM69.39.105 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :99-02 BM.1970.019.001/123:99-02 00:04:15 20/11/52 GUINEE CL.DE BEYLA, SOURIABADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou• ROUGET,GILBERT 1952 GR52.105 BM69.39.105 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :99-03 BM.1970.019.001/123:99-03 00:07:20 20/11/52 GUINEE CL.DE BEYLA, SOURIABADOUGOU * MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DANSE MUSO BARA Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 59 • * village de Souribadougou 2 FAUX DÉPARTS au début • ROUGET,GILBERT 1952 GR52.105 BM69.39.105 AFRIQUE +BM.1970.026 Ø13 BM.1970.026.001/12 :01-01 BM.1970.026.001/12:01-01 00:00:00 nov-déc. CAMBODGE POREE-MASPERO,E.;CAMBODGE;1969 N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-01 BM.1970.041.001/55:01-01 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 HYMNE A GANESHA Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. A-Aerophone =guide-chant IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• HELFFER,MIREILLE&GABORIEAU,MARC 1969 0 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-02 BM.1970.041.001/55:01-02 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "GITA GOVINDA" Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s A-Aerophone =guide-chant. IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-03 BM.1970.041.001/55:01-03 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "KALIKA " (=MALSIRI) Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s A-Aerophone =guide-chant. IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-04 BM.1970.041.001/55:01-04 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "MAHADEV" Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s A-Aerophone =guide-chant. IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-05 BM.1970.041.001/55:01-05 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "NARAYAN" Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s A-Aerophone =guide-chant. IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :01-06 BM.1970.041.001/55:01-06 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 GOBINDA KRISHNA Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s A-Aerophone =guide-chant. IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 1 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :02-01 BM.1970.041.001/55:02-01 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "BARAMASE"(CACA) Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s. A-Aerophone =guide-chant IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 2 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :02-02 BM.1970.041.001/55:02-02 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "SVASTHANI" Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s. A-Aerophone =guide-chant IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 2 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :02-03 BM.1970.041.001/55:02-03 00:00:00 17/10/1969 NEPAL KATHMANDU NEWAR HELFFER,M. & M. GABORIEAU;NEPAL;1969 "ARATI" Sous-table non exportée Sous-table non exportée Fêtede Phulpati• Vitesse 9,5cm/s. Newar de religion hindouiste. Vitesse =9,5cm/s. A-Aerophone =guide-chant IE-CYMBALES =jhyâli IE-KARTAL =blocs de bois IE-KARTAL + BR= cymbalettes fixées sur les KARTAL IE-CIMTA = grandes pinces metalliques munies de cymbalettes• BM.1970.041.001/55:01-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 2 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-01 BM.1970.041.001/55:03-01 00:04:00 oct/nov/1969 NEPAL MAHAKALI ACAL, GHATESWAR CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LE FORET Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-02 BM.1970.041.001/55:03-02 00:01:50 oct/nov/1969 NEPAL MAHAKALI ACAL, GHATESWAR CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "NYAULOI" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. BM.1970.041.001/55:03-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-03 BM.1970.041.001/55:03-03 00:11:35 oct/nov/1969 NEPAL MAHAKALI ACAL, GHATESWAR CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LE FORET Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. REPRISE -01 BM.1970.041.001/55:03-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-04 BM.1970.041.001/55:03-04 00:14:20 oct/nov/1969 NEPAL MAHAKALI ACAL, GHATESWAR CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LE FORET Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. REPRISE -03• BM.1970.041.001/55:03-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-05 BM.1970.041.001/55:03-05 00:04:20 oct/nov/1969 NEPAL MAHAKALI ACAL, MAURADA CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DR QUÊTE "DEUSIRE" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. BM.1970.041.001/55:03-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-06 BM.1970.041.001/55:03-06 00:04:33 oct/nov/1969 NEPAL MAHAKALI ACAL, MAURADA CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DR QUÊTE "BHAILA" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. BM.1970.041.001/55:03-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :03-07 BM.1970.041.001/55:03-07 00:05:45 oct/nov/1969 NEPAL MAHAKALI ACAL, MAURADA CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "MERI BHAUJYU" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s. BM.1970.041.001/55:03-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 3 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-01 BM.1970.041.001/55:04-01 00:01:00 02/11/1969 NEPAL MAHAKALI ACAL, DANDELDHURA CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS FORET Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/s Chanteur Aveugle• BM.1970.041.001/55:03-07 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-02 BM.1970.041.001/55:04-02 00:04:00 02/11/1969 NEPAL MAHAKALI ACAL, DANDELDHURA CHETRI-C HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE TYPE "CAIT" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Chant de type "cait" en honneur du Dieu Sirkar• HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-03 BM.1970.041.001/55:04-03 00:00:45 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A PROPOS DU CHOLERA Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Homme âgé• BM.1970.041.001/55:04-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-04 BM.1970.041.001/55:04-04 00:01:05 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "NYAULOI" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Homme âgé• HELFFER,MIREILLE&GABORIEAU,MARC 0 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-05 BM.1970.041.001/55:04-05 00:01:45 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DES RATS Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Homme âgé• BM.1970.041.001/55:04-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-06 BM.1970.041.001/55:04-06 00:01:35 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE L'HOMME MANGE PAR LE TIGRE Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Homme âgé• BM.1970.041.001/55:04-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-07 BM.1970.041.001/55:04-07 00:01:10 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE LA VEUVE AUX 1000 PRETENDANTS Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg Homme âgé• BM.1970.041.001/55:04-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-08 BM.1970.041.001/55:04-08 00:01:40 02/11/1969 NEPAL MAHAKALI ACAL, PAISYA JAISERA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "CHEPALI BADA" Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg éléve de la hig school• BM.1970.041.001/55:04-07 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-09 BM.1970.041.001/55:04-09 00:01:15 02/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR LA FETE DE GAURA "NACA, NACA ..." Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg BM.1970.041.001/55:04-08 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-10 BM.1970.041.001/55:04-10 00:01:45 02/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR LE BRATABHANDA Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg• BM.1970.041.001/55:04-09 HELFFER,MIREILLE&GABORIEAU,MARC 1696 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :04-11 BM.1970.041.001/55:04-11 00:02:00 02/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CANDRA PAN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR LES BOUTONS Sous-table non exportée Sous-table non exportée Vitesse 9,5cm/seg• BM.1970.041.001/55:04-10 HELFFER,MIREILLE&GABORIEAU,MARC 1969 4 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :05-01 BM.1970.041.001/55:05-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /1 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:05 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: l'equipement du guerrier BM.1970.041.001/55:04-12 HELFFER,MIREILLE&GABORIEAU,MARC 1969 5 ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-13 BM.1971.003.001/03:01-13 00:01:25 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO PAL. OK Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Pite 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-01 BM.1971.003.001/03:01-01 00:02:05 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA CHANT ACCCOMPAGNE A LA VIELE Sous-table non exportée Sous-table non exportée Enregistrement en 19cm/s DOURNES,R.P.JACQUES 1969 Non pertinent 0 XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-02 BM.1971.003.001/03:01-02 00:07:40 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA INCINERATION DE LUU QUY TAN, INVOCATIONS AUTOUR DU CORPS Sous-table non exportée Sous-table non exportée Funérailles• Enregistrement en 4,75cm/s DOURNES,R.P.JACQUES 1969 RELIGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-03 BM.1971.003.001/03:01-03 00:03:00 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA MUSIQUE D'INCINERATION Sous-table non exportée Sous-table non exportée musique d'incinération• Enregistrement en 9,5cm/s DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-04 BM.1971.003.001/03:01-04 00:02:05 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA MUSIQUE D'INCINERATION Sous-table non exportée Sous-table non exportée musique d'incinération• Enregistrement en 9,5cm/s DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-05 BM.1971.003.001/03:01-05 00:05:15 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA MUSIQUE D'INCINERATION Sous-table non exportée Sous-table non exportée musique d'incinération• Enregistrement en 9,5cm/s DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-06 BM.1971.003.001/03:01-06 00:02:40 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA MUSIQUE D'INCINERATION Sous-table non exportée Sous-table non exportée musique d'incinération• Enregistrement en 9,5cm/s DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-07 BM.1971.003.001/03:01-07 00:02:25 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA INCINERATION DE LUU QUY TAN, INVOCATIONS AUTOUR DU CORPS Sous-table non exportée Sous-table non exportée Funérailles• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-08 BM.1971.003.001/03:01-08 00:18:20 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DAMONOY, CHANT POETIQUE Sous-table non exportée Sous-table non exportée Chant accompagné par la touque• Enregistrement en 4,75cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-09 BM.1971.003.001/03:01-09 00:03:30 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO INU NOGAR Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-10 BM.1971.003.001/03:01-10 00:05:55 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO TUH Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-11 BM.1971.003.001/03:01-11 00:02:10 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO DARA Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-12 BM.1971.003.001/03:01-12 00:04:25 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO BIAH Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-06 BM.1957.003.001:01-06 00:01:18 N CAMEROUN NAGAOUNDERE, MBORYANA MBOUM CAMEROUN INVOCATION AUX ANCETRES POUR LA FECONDITE DES CHAMPS DE MIL Sous-table non exportée Sous-table non exportée -1 AFRIQUE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-14 BM.1971.003.001/03:01-14 00:02:15 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO KLONG GIRAI Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-15 BM.1971.003.001/03:01-15 00:01:20 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO BYA PANUH Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-16 BM.1971.003.001/03:01-16 00:02:50 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO ROME Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-17 BM.1971.003.001/03:01-17 00:01:15 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA DA'A YANG, CHANT DE LOUANGE A PO KLONG CAT Sous-table non exportée Sous-table non exportée chant de louange• Enregistrement en 4,75cm/s. Ambiance• DOURNES,R.P.JACQUES 1970 ELOGIEUX XXII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-18 BM.1971.003.001/03:01-18 00:28:50 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA HISTOIRE DE PO CON, DERNIER ROI CHAM Sous-table non exportée Sous-table non exportée Histoire de Pô Cön, dernier roi cham• Enregistrement en 4,75cm/s• DOURNES,R.P.JACQUES 1970 NARRATIF XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-19 BM.1971.003.001/03:01-19 00:21:40 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA FETE MU RIJA Sous-table non exportée Sous-table non exportée musique de fête• Enregistrement en 4,75cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-20 BM.1971.003.001/03:01-20 00:02:35 1970 SARAWAK VILLAGE DE LONG MOH KENYAK VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA CHANT KENYAK Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-21 BM.1971.003.001/03:01-21 00:03:20 1970 SARAWAK VILLAGE DE LONG MOH KENYAK VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA SOLO DE CITHARE SAMPE Sous-table non exportée Sous-table non exportée musique de sampe• Enregistrement en 9,5cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-22 BM.1971.003.001/03:01-22 00:01:15 1970 INDONESIE , SUMATRA VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA SOLO DE HAUTBOIS SARUNE Sous-table non exportée Sous-table non exportée musique de hautbois sarune• Enregistrement en 9,5cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-23 BM.1971.003.001/03:01-23 00:06:30 Dec.1969-janv.1970 VIETNAM CENTRE VIETNAM, VILLE DE PHAN RANG CHAM VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA SOLO DE HAUTBOIS SARANAI Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-24 BM.1971.003.001/03:01-24 00:02:00 1970 INDONESIE , SUMATRA MINANGKABAU VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA AIR DE FLUTE Sous-table non exportée Sous-table non exportée air jouée par une flûte minangkabau• Enregistrement en 9,5cm/s. Trop de vent• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :01-25 BM.1971.003.001/03:01-25 00:05:00 1970 INDONESIE , SUMATRA MINANGKABAU VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA SOLO DE HAUTBOIS SARUNE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXII [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :02-01 BM.1971.003.001/03:02-01 01:30:00 10 mars 1970 VIETNAM PROV.DE PHU BON JORAI VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA AKHAN DE KING JU' ET H'BIA JAU Sous-table non exportée Sous-table non exportée Récit• Récit inachevé, niveau d'enregistrement trop faible. La piste 2 ne nous intéresse pas particulièrement car toutes les pièces figurées ne concernent pas la musique du monde malayo-indonésienne• DOURNES,R.P.JACQUES 1970 NARRATIF XXIII [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-01 BM.1971.003.001/03:03-01 00:03:25 13 juin 1970 VIETNAM CENTRE VIETNAM KHMER VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA CHANT KHMER Sous-table non exportée Sous-table non exportée Chant khmer• Niveau d'enregistrement trop faible au début, un peu saturé au milieu et à la fin Vitesse d'enregistrement : 9,5cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-03 BM.1971.003.001/03:03-03 00:00:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM, VILLAGE PLOI KLI JORAI VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA CHANT Sous-table non exportée Sous-table non exportée Chant • Enregistrement en 2,4cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXIV [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-04 BM.1971.003.001/03:03-04 00:00:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM, VILLAGE PLOI KLI JORAI VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA COMMENTAIRE AU SUJET DE POTAO IA Sous-table non exportée Sous-table non exportée Commentaire• Enregistrement en 2,4cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXIV [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-05 BM.1971.003.001/03:03-05 00:00:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM, VILLAGE PLOI KU JORAI VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA INVOCATION RITUELLE DU POTAI , MYTHE DE PRONG PHA Sous-table non exportée Sous-table non exportée invocation rituelle et mythe• Enregistrement en 2,4cm/s• DOURNES,R.P.JACQUES 1970 NARRATIF XXIV [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-06 BM.1971.003.001/03:03-06 00:23:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM JORAI , EDE, BAHNAR, ANGLAIS VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA EMISSION DE RADIO HANOI EN JORAI, EDE, BAHNAR ET ANGLAIS Sous-table non exportée Sous-table non exportée emission de radio de Hanoi• Enregistrement en9,5cm/s. Emission de radio Hanoi entre 24 et 26 septembre 1970• DOURNES,R.P.JACQUES 1970 Non pertinent XXIV [Piste 1] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-07 BM.1971.003.001/03:03-07 00:44:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM JORAI, EDE, BAHNAR, ANGLAIS VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA EMISSION DE RADIO DE HANOI Sous-table non exportée Sous-table non exportée Emission de Radio Hanoie• Enregistrement en 2,4cm/s• DOURNES,R.P.JACQUES 1970 XXIV [Piste 2] ASIE +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 :03-02 BM.1971.003.001/03:03-02 00:00:00 24/26 sept.1970 VIETNAM CENTRE VIETNAM, VILLAGE PLOI KLI JORAI VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA CHANT ET CONTE DE DIUNG Sous-table non exportée Sous-table non exportée Chant et conte• Enregistrement en 2,4cm/s• DOURNES,R.P.JACQUES 1970 Non pertinent XXIV [Piste 1] ASIE +BM.1971.024 Divers* BM.1971.024.001/02 :01-01 BM.1971.024.001/02:01-01 00:02:40 nov.1962 VIETNAM PROV. DE BINH LONG, VILLAGE DE SOC TONG CUI STIENG MAA VIETNAM CENTRAL:STIENG MAA' MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée Musique de gongs• Les gongs ont une bosse au dessus et le tambour est frappé avec deux baguettes en bois sur le bord. La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• 1962 Non pertinent 0 ASIE +BM.1971.024 Divers* BM.1971.024.001/02 :01-02 BM.1971.024.001/02:01-02 00:04:10 nov.1962 VIETNAM PROV. DE BINH LONG, VILLAGE DE SOC TONG CUI STIENG MAA VIETNAM CENTRAL:STIENG MAA' HISTOIRE DU PEUPLE STIENG DEPUIS LES ORIGINES Sous-table non exportée Sous-table non exportée Récit• La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• BM.1971.024.001/02:01-01 1962 EPIQUE [Piste 1] ASIE +BM.1971.024 Divers* BM.1971.024.001/02 :01-03 BM.1971.024.001/02:01-03 00:02:00 nov.1962 VIETNAM PROV. DE BINH LONG, VILLAGE DE SOC TONG CUI STIENG MAA VIETNAM CENTRAL:STIENG MAA' MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée Musique de gongs• Les gongs ont une bosse au dessus et le tambour est frappé avec deux baguettes en bois sur le bord. La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• BM.1971.024.001/02:01-01 1962 [Piste 1] ASIE +BM.1971.024 Divers* BM.1971.024.001/02 :01-04 BM.1971.024.001/02:01-04 00:01:10 nov.1962 VIETNAM PROV. DE BINH LONG, VILLAGE DE SOC TONG CUI STIENG MAA VIETNAM CENTRAL:STIENG MAA' SOLO DE CLARINETTE Sous-table non exportée Sous-table non exportée La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• BM.1971.024.001/02:01-03 0 [Piste 1] ASIE +BM.1971.024 Divers* BM.1971.024.001/02 :01-05 BM.1971.024.001/02:01-05 00:01:35 nov.1962 VIETNAM PROV. DE BINH LONG, VILLAGE DE SOC TONG CUI STIENG MAA VIETNAM CENTRAL:STIENG MAA' MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée Musique de gongs• Les gongs ont une bosse au dessus et le tambour est frappé avec deux baguettes en bois sur le bord. La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• BM.1971.024.001/02:01-03 0 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :01-01 BM.1971.035.001/07:01-01 06:15:00 1964 MONDE ARABE N ARABE A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM HISTOIRE DE LA MUSIQUE ARABE Sous-table non exportée ENTRETIEN Sous-table non exportée Entretien sur l'histoire de la musique arabe• Tran Van Khê interviewe Amnon Shiloah sur la théorie de la musique arabe à l'ORTF , à Paris . La bande est à 18cm de diamètre, en 4,75cm/s , 1/2 .C'est une copie ORTF 1964 Non pertinent [Piste 1 & 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :02-01 BM.1971.035.001/07:02-01 01:01:30 1964 MONDE ARABE N ARABE A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM HISTOIRE DE LA MUSIQUE ARABE Sous-table non exportée ENTRETIEN Sous-table non exportée Histoire de la musique arabe Tran Van Khê interviewe Amnon Shiloah sur la théorie de la musique arabe en 1964 à l'ORTF, Paris . Copie faite en 4,75cm/s, 1/2 piste . TRAN VAN KHE 1964 Non pertinent [Piste 1 & 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-01 BM.1971.035.001/07:03-01 00:05:45 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM MUSIQUE DE COUR DE HUE KEN CUNG AI Sous-table non exportée MUSIQUE ROYALE Sous-table non exportée Musique de cour par le grand ensemble instrumental Dai nhac• "Kèn Cung Ai"signifie le haubois au mode Ai (tristesse) . Cette pièce appartient au répertoire du grand ensemble instrumental Dai Nhac de la musique de Cour de Huê (Vietnam central)• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-02 BM.1971.035.001/07:03-02 00:10:40 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM MUSIQUE DE BALLET DE COUR DE HUE Sous-table non exportée NHAC CUNG DINH Sous-table non exportée "Mua kiêm" ballet de cour de Huê "Mua kiêm" est une danse d'épées du répertoire du ballet de cour de Huê, Vietnam central . NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-03 BM.1971.035.001/07:03-03 00:09:20 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM 10 PIECES ROYALES 10 BAI NGU Sous-table non exportée NHA NHAC Sous-table non exportée Musique royale par le petit ensemble Tiêu Nhac (Nha Nhac = musique élégante)• "10 bài ngu" = 10 p!èces royales interprétées successivement par l'ensemble instrumental Tiêu Nhac de la musique élégante Nha Nhac de la musique de Cour de Huê . NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-04 BM.1971.035.001/07:03-04 00:02:08 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM MUSIQUE DE BALLET DE COUR DE HUE MUA BAI BONG Sous-table non exportée MUA CUNG DINH Sous-table non exportée musique de ballet de cour de Huê• "Mua bài bông" = danse de fleurs, appartient au répertoire de danse de ballet de la musique de cour de Huê . Les cliquettes à sapèques (Sinh tiên) est un instrument à percussion composé de trois éléments réunis en un seul instrument : cliquettes, râcleur et sistres• Les trois danses "Mua bài bông" (du 0'00 à 2'08"), "Ma Vu"(du 2'08" à 3'40") et "Mang" (du 3'40" à 6'01")s'enchaînent sans interruption et portent les numéros BM.1971.035.003- 04, BM.1971.035.003- 05 et BM.1971.035.003- 06 NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-05 BM.1971.035.001/07:03-05 00:01:22 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM DANSE DU CHEVAL MA VU Sous-table non exportée MUA CUNG DINH Sous-table non exportée musique de ballet de cour de Huê• "Mua bài bông" = danse de fleurs, appartient au répertoire de danse de ballet de la musique de cour de Huê . Les cliquettes à sapèques (Sinh tiên) est un instrument à percussion composé de trois éléments réunis en un seul instrument : cliquettes, râcleur et sistres• Les trois danses "Mua bài bông" (du 0'00 à 2'08"), "Ma Vu"(du 2'08" à 3'40") et "Mang" (du 3'40" à 6'01")s'enchaînent sans interruption et portent les numéros BM.1971.035.003- 04, BM.1971.035.003- 05 et BM.1971.035.003- 06 BM.1971.035:03-04 NGUYEN HUU BA 0 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-06 BM.1971.035.001/07:03-06 00:02:21 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM DANSE DES BARBARES MANG Sous-table non exportée MUA CUNG DINH Sous-table non exportée musique de ballet de cour de Huê• "Mua bài bông" = danse de fleurs, appartient au répertoire de danse de ballet de la musique de cour de Huê . Les cliquettes à sapèques (Sinh tiên) est un instrument à percussion composé de trois éléments réunis en un seul instrument : cliquettes, râcleur et sistres• Les trois danses "Mua bài bông" (du 0'00 à 2'08"), "Ma Vu"(du 2'08" à 3'40") et "Mang" (du 3'40" à 6'01")s'enchaînent sans interruption et portent les numéros BM.1971.035.003- 04, BM.1971.035.003- 05 et BM.1971.035.003- 06 BM.1971.035:03-04 NGUYEN HUU BA 0 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-07 BM.1971.035.001/07:03-07 00:03:05 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM TAMBOUR DIT LES 5 TONNERRES NGU LOI CO Sous-table non exportée NHAC CUNG DINH Sous-table non exportée musique de cérémonie• L'air joué par les hautbois s'appelle "dang dàng cung" pour accompagner le Roi lorsqu'il monte sur l'esplanade• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-08 BM.1971.035.001/07:03-08 00:03:30 26 dec. 1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM DANSE DU PHENIX PHUNG VU Sous-table non exportée MUA CUNG DINH Sous-table non exportée Ballet de cour NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-09 BM.1971.035.001/07:03-09 00:01:00 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM EN MONTANT SUR L'ESPLANADE DANG DANG CUNG Sous-table non exportée NHAC CUNG DINH Sous-table non exportée Musique de cour. "Dang Dàng Cung" = En montant sur l'esplanade, version simple NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-10 BM.1971.035.001/07:03-10 00:02:15 26 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PIECE XANG XE OU HAUTBOIS POUR ACCOMPAGNER LES SCENES DE BATAILLE XANG XE HAY KEN CHIEN Sous-table non exportée NHAC CUNG DINH Sous-table non exportée Musique de cour. BM.1971.035:03-09 NGUYEN HUU BA 1965 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-11 BM.1971.035.001/07:03-11 00:09:55 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES 2 DEGRES XANG XE XANG XE Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Xàng xê" est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-12 BM.1971.035.001/07:03-12 00:03:35 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LA BELLE TAY THI TAY THI Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Tây Thi" (la belle Tây Thi), mode Bac exprimant la joie, est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:03-11 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-13 BM.1971.035.001/07:03-13 00:17:05 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES 4 GENERATIONS, NUANCE OAN TU DAI OAN Sous-table non exportée DAN TAI TU Sous-table non exportée musique de chambre ou de divertissement , dàn tài tu (musique dite des amateurs)• Cette pièce "Tu Dai Oan" de nuance oan (profonde douleur) fait partie des pièces de base du répertoire de dàn tài tu (musique dite des amateurs) du Sud Vietnam. Elle est accompagnée par la cithare à 16 cordes dàn tranh, le luth en forme de lune à 2 cordes dàn kim , la vièle à 2 cordes dàn co et la flûte traversière sao• NGUYEN HUU BA 1965 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-14 BM.1971.035.001/07:03-14 00:05:35 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LE PRINTEMPS MERIDIONAL NAM XUAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Nam xuân" est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:03-11 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-15 BM.1971.035.001/07:03-15 00:06:00 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Nam ai", nuance ai (tristesse) est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:03-14 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :03-16 BM.1971.035.001/07:03-16 00:04:00 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES CINQ TONS RENVERSES DAO NGU CUNG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Dao ngu cung i", nuance dao(solennité) est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:03-15 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-01 BM.1971.035.001/07:04-01 00:10:10 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES CINQ TONS RENSERVES, 1ERE SECTION DAO NGU CUNG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Dao ngu cung ", nuance dao(solennité), 1ère section, est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:03-16 NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-02 BM.1971.035.001/07:04-02 00:05:45 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM VAN THIEN TUONG , SECTION DUNG VAN THIEN TUONG , LOP DUNG Sous-table non exportée DAN TAI TU Sous-table non exportée Solo de flûte droite tiêu "Van Thiên Tuong", lop dung (section dung) est une pièce de nuance oan (profonde douleur) du répertoire de dàn tài tu (musique dite des amateurs) du Sud Vietnam• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-03 BM.1971.035.001/07:04-03 00:08:20 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM NOSTALGIE DU PASSE, 6 PHRASES VONG CO ,6 CAU Sous-table non exportée DAN TAI TU Sous-table non exportée musique de chambre ou de divertissement , dàn tài tu (musique dite des amateurs)• Cette pièce "Vong cô, 6 câu", composée en 1918 par Mr. Cao Van Lâu, alias Sau Lâu, fait partie des pièces de base du répertoire de dàn tài tu (musique dite des amateurs) du Sud Vietnam. Elle est chantée et accompagnée par la cithare à 16 cordes dàn tranh, le luth en forme de lune à 2 cordes dàn kim , la vièle à 2 cordes dàn co• BM.1971.035:03-13 NGUYEN HUU BA 1965 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-04 BM.1971.035.001/07:04-04 00:07:30 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM L'EAU QUI COULE, VERSION LONGUE LUU THUY TRUONG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Luu thuy truong", mode Bac expriman la joie, est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:04-01 NGUYEN HUU BA 1965 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-05 BM.1971.035.001/07:04-05 00:09:25 26 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM VAN THIEN TUONG VAN THIEN TUONG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de chambre ou musique de divertissement - dàn tài tu dans la tradition du Sud Vietnam• "Van Thien Tuong", nuance Oan (profonde douleur), est une pièce appartenant au répertoire de la musique de chambre (dàn tài tu) du Sud Vietnam . C'est une musique réservée pour un petit auditoire et jouée par une petite formation instrumentale , composée ici d'une cithare à 16 cordes dàn tranh, d'un luth en forme de lune à 2 cordes dàn kim et d'une vièle à 2 cordes dàn co . Le rythme est ponctué par un bloc de bois song lang• BM.1971.035:04-04 NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-06 BM.1971.035.001/07:04-06 00:03:25 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PIECE ANCIENNE CO BAN Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• L'instrument dàn ty bà est un luth piriforme à 4 cordes. Il n'est utilisé principalement qu'au Centre Vietnam , dans la tradition de Huê. La pièce "cô ban" (pièce ancienne) du mode Bac, appartient au répertoire du Ca Huê (centre Vietnam)• BM.1971.035:04-03 NGUYEN HUU BA 1965 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-07 BM.1971.035.001/07:04-07 00:10:35 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Nam Ai" (les lamentations du Sud) est une des pièces principales du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:04-06 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-08 BM.1971.035.001/07:04-08 00:09:45 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LE SUD PACIFIE NAM BINH Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Nam Binh" (le Sud pacifié) est une des pièces principales du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:04-07 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-09 BM.1971.035.001/07:04-09 00:08:15 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM CHANT DE FOLLE DAO DIEN Sous-table non exportée HAT BOI Sous-table non exportée Extrait d'une pièce de théâtre traditionnel du Centre Vietnam "Trông chiên" est un grand tambour de bataille marque . Cet extrait "Dào diên" (chant de folle) est un bon exemple du théâtre traditionnel hat bôi du Centre Vietnam• NGUYEN HUU BA 1965 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-10 BM.1971.035.001/07:04-10 00:06:15 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM VOYAGE PAR VOIE DE TERRE PHU LUC Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Phu luc" (voyage par voie de terre) est une des pièces principales du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:04-07 NGUYEN HUU BA 1965 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-11 BM.1971.035.001/07:04-11 00:06:10 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES QUATRE GRANDS PAYSAGES TU DAI CANH Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Tu Dai Canh" (les 4 grands paysages) est une des pièces principales du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:04-10 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :04-12 BM.1971.035.001/07:04-12 00:01:50 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES QUATRE GRANDS PAYSAGES TU DAI CANH Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Tu Dai Canh" (les 4 grands paysages) est une des pièces principales du répertoire du Ca Huê (Centre Vietnam). Elle est inachevée , fin de bande • BM.1971.035:04-11 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-01 BM.1971.035.001/07:05-01 00:05:45 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM CHANT D'AMOUR GIAO DUYEN Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "giao duyên" d'inspiration de chant populaire, est une pièce du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:04-12 NGUYEN HUU BA 1965 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-02 BM.1971.035.001/07:05-02 00:11:00 dec.1965 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PASSANT DES LAMENTATIONS DU SUD AU SUD PACIFIE NAM AI QUA NAM BINH Sous-table non exportée CA HUE Sous-table non exportée musique de chambre ou de divertissement , ca huê du Centre Vietnam• La pièce "Nam ai qua Nam binh", est une pièce combinée du répertoire du Ca Huê (Centre Vietnam)• BM.1971.035:05-01 NGUYEN HUU BA 1965 [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-03 BM.1971.035.001/07:05-03 00:03:00 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM TAMBOUR POUR LES PROSTERNATIONS TRONG LAY & THET Sous-table non exportée NHAC LE Sous-table non exportée musique de cérémonie par le groupe dit militaire du Sud Vietnam• Deux pièces successives "Trông lay" et "Thet" sont jouées au début de la cérémonie pour la prosternation devant l'autel des ancêtres• 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-04 BM.1971.035.001/07:05-04 00:04:45 dec.1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PRELUDE DE L'ENLEVEMENT DU CERCUEIL / MUSIQUE POUR ENLEVER LE CERCUEIL DONG QUAN & THET Sous-table non exportée NHAC LE Sous-table non exportée musique de funérailles dans le sud du Vietnam• Musique avant l'enlèvement du cercueil suivi par la musique pour enlever le cercueil NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-05 BM.1971.035.001/07:05-05 00:05:55 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PSALMODIE ET CHANT BOUDDHIQUE DU SUD VIETNAM TAN, TUNG Sous-table non exportée MUSIQUE BOUDDHIQUE Sous-table non exportée psalmodie et récitation bouddhique dans la tradition du Sud Vietnam NGUYEN HUU BA 1965 RELIGIEUX [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-06 BM.1971.035.001/07:05-06 00:03:25 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LA BELLE TAY THI, MODE QUANG TAY THI QUANG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu du Sud Vietnam• La pièce "Tay Thi Quang" est précédé par un accordage des 2 cordes du luth en forme de lune dàn kim , et suivi par un prélude improvisé "Rao" et terminé par la pièce proprement dite• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-07 BM.1971.035.001/07:05-07 00:03:15 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES MESURES EGALES BINH BAN Sous-table non exportée DAN TAI TU Sous-table non exportée musique de divertissement dàn tài tu du Sud Vietnam• Cette pièce "binh ban" du mode Bac exprimant la joie, est précédé par un court prélude improvisé de chaque instrument séparément• NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-08 BM.1971.035.001/07:05-08 00:02:15 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM IMPROVISATION A LA FLUTE DANS LE MODE NAM, NUANCE OAN ONG TIEU RAO OAN Sous-table non exportée DAN TAI TU Sous-table non exportée Improvisation à la flûte terminale tiêu dans le mode Nam, nuance Oan de la tradition Dàn Tài tu du Sud Vietnam NGUYEN HUU BA 1965 Non pertinent [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-09 BM.1971.035.001/07:05-09 00:02:30 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM MUSIQUE POUR ACCUEILLIR LE CHAR ROYAL NGHINH THIEN TIEP GIA Sous-table non exportée NHAC CUNG DINH Sous-table non exportée musique royale de Huê• Autrefois cette musique était destinée à accueillr le char royal. De nos jours, elle est jouée en l'honneur du génie tutélaire • (inachevée) NGUYEN HUU BA 1965 RELIGIEUX [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-10 BM.1971.035.001/07:05-10 00:04:05 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM MUSIQUE POUR ACCUEILLIR LE CHAR ROYAL (SUITE) NGHINH THIEN TIEP GIA (TIEP THEO) Sous-table non exportée NHAC CUNG DINH Sous-table non exportée musique royale de Huê• Autrefois cette musique était destinée à accueillr le char royal. De nos jours, elle est jouée en l'honneur du génie tutélaire . Suite de la pièce précédente (bm.1971.035.05-10)• BM.1971.035:05-09 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-11 BM.1971.035.001/07:05-11 00:05:25 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PIECE INFERIEURE BAI HA Sous-table non exportée DAN TAI TU Sous-table non exportée musique dite des amateurs dàn tài tu du Sud Vietnam . Cette pièce "Bài ha" est jouée par 4 vièles accordées différemment. La vièle principaledàn co est accordée selon le dây thiêt . La vièle secondaire dàn co chi est accordée selon le dây chân, la vièle à caisse de résonance en noix de cocodàn gao accordée selon le dây nghich, et la petite vièle dàn co chi accordée selon le dây nguyêt diêu • NGUYEN HUU BA 1965 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-12 BM.1971.035.001/07:05-12 00:05:45 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM SECTION SUPERIEURE METISSEE AVEC LE DOUBLE MODE LOP THUONG LAI SONG DIEU Sous-table non exportée NHAC LE Sous-table non exportée musique rituelle du Sud viet Nam Il y a deux pièces successives : "lop thuuong lai song diêu" et "lop chap" NGUYEN HUU BA 1965 RELIGIEUX [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-13 BM.1971.035.001/07:05-13 00:08:35 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM INVITATION A LA DEESSE DE L'OUEST CHAU MOI TAY NUONG P Sous-table non exportée NHAC LEN DONG Sous-table non exportée musique de possession du Sud vietnam• "Châu moi Tây nuong"= invitation à la Déesse de l'Ouest jouée par le groupe Ban nhac Cân Giuôc dirigé par Mr. Hai Phat . C'est une musique de possession• NGUYEN HUU BA 1965 RELIGIEUX [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-14 BM.1971.035.001/07:05-14 00:08:40 1965 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM TROIS PIECES INSTRUMENTALES DE MUSIQUE RITUELLE "BAI HA", "LONG DANG", "TIEU KHUC" Sous-table non exportée NHAC LE Sous-table non exportée musique rituelle nhac lê du Sud Vietnam• Série de trois pièces jouées successivement dans la musique rituelle nhac lê du Sud Vietnam• NGUYEN HUU BA 1965 RELIGIEUX [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-15 BM.1971.035.001/07:05-15 00:10:05 VIETNAM NORD VIETNAM VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM CHANT DE POSSESSION CHAU VAN Sous-table non exportée CHAU VAN Sous-table non exportée musique de possession du Nord Vietnam• Emission de la Radio de Saigon sur la musique de possession du Nord Vietnam• NGUYEN HUU BA 0 RELIGIEUX [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-16 BM.1971.035.001/07:05-16 00:05:45 1965 VIETNAM NORD VIETNAM VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM CHANT DE POSSESSION CHAU VAN Sous-table non exportée CHAU VAN Sous-table non exportée musique de possession du Nord Vietnam• Emission de la Radio de Saigon sur la musique de possession du Nord Vietnam• BM.1971.035:05-15 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :05-17 BM.1971.035.001/07:05-17 00:04:45 1965 VIETNAM NORD VIETNAM VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM CHANT DE POSSESSION CHAU VAN Sous-table non exportée CHAU VAN Sous-table non exportée musique de possession du Nord Vietnam• Emission de la Radio de Saigon sur la musique de possession du Nord Vietnam• BM.1971.035:05-16 NGUYEN HUU BA 1965 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-01 BM.1971.035.001/07:06-01 01:33:15 mai 1966 VIETNAM HUE VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM OFFICE RELIGIEUX BOUDDHIQUE LE CUNG NGO Sous-table non exportée PHAT GIAO Sous-table non exportée Office religieux bouddhique• Cet office religieux "lê cung ngo" se déroule avec des prières chantées accompagnées et de la musique instrumentale. Deux ensembles se présentent ainsi: 1. hautois, vièle, tambour de cérémonie, cymbales 2. flûte latérale, vièle à 2 cordes, luth en forme de lune à 2 cordes, tambour à une peau, cloche en forme de calotte hémisphérique, grand tambour de bois en forme de grelot, jeu de bols. Le chant , interprété par un solo d'H et un choeur Hs, est accompagné soit par un ensemble instrumental, soit par une cloche et un tambour• VINH PHAN 1966 RELIGIEUX [Piste 1] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-02 BM.1971.035.001/07:06-02 00:01:00 MAI 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM ADRESSE DU DR. PHAM KIM TUONG AU PROF.TRAN VAN KHE Sous-table non exportée CHAO HOI Sous-table non exportée Salutations du Dr. Pham Kim Tuong au Pr. Tran Van Khe• PHAM KIM TUONG 1967 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-03 BM.1971.035.001/07:06-03 00:02:00 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM ADRESSE DU MUSICIEN NGUYEN VINH BAO AU PR.TRAN VAN KHE Sous-table non exportée CHAO HOI Sous-table non exportée Salutation de Mr. Nguyen Vinh Bao au Pr.Tran Van Khe• PHAM KIM TUONG 1967 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-04 BM.1971.035.001/07:06-04 00:03:30 MAI 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM L'EAU QUI COULE, VERSION LONGUE LUU THUY TRUONG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement, "dàn tài tu" de la tradition du Sud Vietnam• Cette pièce "luu thuy truong" (l'eau qui coule, version longue) est jouée à la cithare à 16 cordes dàn tranh par le grand maître Nguyên Vinh Bao, l'un des meilleurs joueurs de cithare au Vietnam • PHAM KIM TUONG 1967 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-05 BM.1971.035.001/07:06-05 00:05:55 MAI 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LE PRINTEMPS MERIDIONAL NAM XUAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement, "dàn tài tu" de la tradition du Sud Vietnam• Cette pièce"nam xuân" (le printemps méridional) du mode nam , nuance xuân, est jouée à la cithare à 16 cordes dàn tranh par le grand maître Nguyên Vinh Bao, l'un des meilleurs joueurs de cithare au Vietnam • BM.1971.035:06-04 PHAM KIM TUONG 0 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-06 BM.1971.035.001/07:06-06 00:13:30 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement, "dàn tài tu" de la tradition du Sud Vietnam• Cette pièce"nam ai" les lamentations du Sud) du mode nam ,est jouée à la cithare à 16 cordes dàn tranh par le grand maître Nguyên Vinh Bao, l'un des meilleurs joueurs de cithare au Vietnam • BM.1971.035:06-05 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-07 BM.1971.035.001/07:06-07 00:11:50 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES QUATRE GENERATIION, NUANCE OAN TU DAI OAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement, "dàn tài tu" de la tradition du Sud Vietnam• Cette pièce"tu dai oani"(les quatre générations, nuance oan) du mode nam , nuance oan,est jouée à la cithare à 16 cordes dàn tranh par le grand maître Nguyên Vinh Bao, l'un des meilleurs joueurs de cithare au Vietnam • Il n'y a que dexu sections de la pièce jouées ici avec 4'25" de prélude improvisé• BM.1971.035:06-06 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-08 BM.1971.035.001/07:06-08 00:04:15 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LA BELLE TAY THI, MODE QUANG TAY THI QUANG Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Le luth en forme de lune à 2 cordes dàn kim était joué par le grand maître NGUYEN VINH BAO• PHAM KIM TUONG 1967 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-09 BM.1971.035.001/07:06-09 00:02:35 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM REGRET DE L'AMOUR HOAI TINH Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Le luth en forme de lune à 2 cordes dàn kim était joué par le grand maître NGUYEN VINH BAO• BM.1971.035:06-08 PHAM KIM TUONG 1967 Non pertinent [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-10 BM.1971.035.001/07:06-10 00:01:55 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LE CHANT DU MERLE LY CON SAO Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Le luth en forme de lune à 2 cordes dàn kim était joué par le grand maître NGUYEN VINH BAO• BM.1971.035.001/07:06-09 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-11 BM.1971.035.001/07:06-11 00:05:50 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LA BELLE TAY THI , VERSION COURTE TAY THI VAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Le luth en forme de lune à 2 cordes dàn kimet la cithare à 16 cordes dàn tranh étaient joués par le grand maître NGUYEN VINH BAO• BM.1971.035.001/07:06-10 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-12 BM.1971.035.001/07:06-12 00:04:40 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM PIECE ANCIENNE, VERSION COURTE CO BAN VAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• Le musicien aveugle VAN VI jouait du luth en forme de lune à 2 cordes dàn kim et le grand maître NGUYEN VINH BAO jouait de la cithare à 16 cordes dàn tranh• BM.1971.035.001/07:06-10 PHAM KIM TUONG 1967 [ Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-13 BM.1971.035.001/07:06-13 00:07:45 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LE PRINTEMPS MERIDIONAL NAM XUAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Quelques paroles de salutations de Mr. VAN VI au Pr. TRAN VAN KHE (1'25") au début• BM.1971.035.001/07:06-12 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-14 BM.1971.035.001/07:06-14 00:11:30 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• Le musicien aveugle VAN VI jouait du luth en forme de lune à 2 cordes dàn kim et le grand maître NGUYEN VINH BAO jouait de la cithare à 16 cordes dàn tranh. 3 sections et demie de cette pièce Nam Ai (les lamentations du Sud) étaient jouées seulement • BM.1971.035.001/07:06-12 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-15 BM.1971.035.001/07:06-15 00:06:35 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LES 4 GENERATIONS, NUANCE OAN TU DAI OAN Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Quelques paroles de salutations de Mr. NGUYEN VINH BAOI au Pr. TRAN VAN KHE (0'15"") au début avant de chanter les deux sections de la pièce "Tu dai oan" (les 4 générations, nuance oan)• BM.1971.035.001/07:06-13 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :06-16 BM.1971.035.001/07:06-16 00:08:25 mai 1967 VIETNAM SAIGON VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM LA NOSTALGIE DU PASSE VONG CO Sous-table non exportée DAN TAI TU Sous-table non exportée Musique de divertissement dàn tài tu de la tradition du Sud Vietnam• La guitare à manche creusé (ghita phim lom ou luc huyen cam) est une guitare espagnole transformée à la vietnamienne avec le manche creusé pour pouvoir faire des notes bien ornées. Le musicien aveugle VAN VI était le meilleur guitariste au Vietnam pour ce type d'instrument vietnamisé. Le luth en forme de lune à 2 cordes dàn kimet la cithare à 16 cordes dàn tranh étaient joués par le grand maître NGUYEN VINH BAO. Les deux musiciens jouaient les 6 phrases de la pièce "vong cô" (la nostalgie du passé)• BM.1971.035.001/07:06-11 PHAM KIM TUONG 1967 [Piste 2] ASIE +BM.1971.035 Divers* BM.1971.035.001/07 :07-01 BM.1971.035.001/07:07-01 00:45:00 aout 1963 VIETNAM HANOI VIETNAMIENS A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM VOYAGE DU LUTH TY BA TY BA HANH Sous-table non exportée CA TRU Sous-table non exportée Musique de divertissement Ca Tru - chant des chanteuses professionnelles du Nord Vietnam• Ce style vocal est caractéristique du Nord Vietnam . L'enregistrement était réalisé à Saigon en aout 1963 . La pièce "Ty Bà Hành" a été enregistrée intégralement • NGUYEN HUU BA 1963 Non pertinent 63VN Cham 3 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-01 BM.1971.037.001/22:01-01 00:01:39 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 ESSAI DE MICRO Sous-table non exportée Sous-table non exportée essai de micro 1vxH Ingenieur Thailandais• 1958 Non pertinent 0 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-02 BM.1971.037.001/22:01-02 00:01:23 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 NUMERISATION CAMBODGIENNE Sous-table non exportée Sous-table non exportée numérisation cambodgienne ambiance voix parlée 1vxH• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-03 BM.1971.037.001/22:01-03 00:04:53 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE VIEILLARD , CHANT NOSTALGIQUE, CHANT MIMANT LES PUISSANTS Sous-table non exportée Sous-table non exportée 1. chant de vieillard 2. chant nostalgique 3. chant mimant les puissants ambiance, toux• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-04 BM.1971.037.001/22:01-04 00:05:10 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE JEUNES GENS Sous-table non exportée Sous-table non exportée 1. chant de jeunes gens ambiance, toux• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-05 BM.1971.037.001/22:01-05 00:04:47 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT NOSTALGIQUE Sous-table non exportée Sous-table non exportée chant nostalgique• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-06 BM.1971.037.001/22:01-06 00:03:35 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 L'ONCTION D'UN ENFANT Sous-table non exportée Sous-table non exportée récitation/invocation ambiance cri de poulet• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :01-07 BM.1971.037.001/22:01-07 00:01:24 3 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée chant d'homme ambiance (interruption, fin de bobine)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :02-01 BM.1971.037.001/22:02-01 00:13:45 4-5 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée • 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :02-02 BM.1971.037.001/22:02-02 00:01:54 4-5 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :02-03 BM.1971.037.001/22:02-03 00:02:52 4-5 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :02-04 BM.1971.037.001/22:02-04 00:02:40 4-5 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :02-05 BM.1971.037.001/22:02-05 00:03:10 4-5 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 LAMENTATIONS FUNEBRES Sous-table non exportée Sous-table non exportée pleurs voix mixte lamentations funèbres (interruption, fin de bobine)• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-01 BM.1971.037.001/22:03-01 00:09:36 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 LAMENTATIONS FUNEBRES Sous-table non exportée Sous-table non exportée lamentation funèbre mort de l'enfant de Bör par Ang Bor et Ang Blak• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-02 BM.1971.037.001/22:03-02 00:01:26 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 BERCEUSE Sous-table non exportée Sous-table non exportée berceuse• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-03 BM.1971.037.001/22:03-03 00:01:42 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 BERCEUSE Sous-table non exportée Sous-table non exportée berceuse• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-04 BM.1971.037.001/22:03-04 00:02:03 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE JEUNES GENS Sous-table non exportée Sous-table non exportée chant de jeunes gens rire + ambiance• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-05 BM.1971.037.001/22:03-05 00:01:39 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 NO GONG Sous-table non exportée Sous-table non exportée "no gong" par Phang Ang ambiance, pleurs du bébé• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-06 BM.1971.037.001/22:03-06 00:01:31 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE KOMBOAT NGAN Sous-table non exportée Sous-table non exportée orgue à bouche "Komboat ngan" ambiance• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-07 BM.1971.037.001/22:03-07 00:01:10 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE DEPIT Sous-table non exportée Sous-table non exportée chant de dépit• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-08 BM.1971.037.001/22:03-08 00:01:42 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE ET GONG CING RLEH Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :03-09 BM.1971.037.001/22:03-09 00:03:13 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 ORGUE A BOUCHE ACCOMPAGNE PAR DEUX GONGS Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-01 BM.1971.037.001/22:04-01 00:01:38 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE PUISSANT Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-02 BM.1971.037.001/22:04-02 00:01:20 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-03 BM.1971.037.001/22:04-03 00:04:13 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée discussion (1'04") puis ensemble de gongs "tör cing" Plusieurs pièces entrecoupées par discussion• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-04 BM.1971.037.001/22:04-04 00:02:34 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 FORMULE ONOMATOPEIQUE PUIS ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée jeu de gongs par 1vxH + ensemble de gongs formule onomatopeïque puis de jeu de gongs• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-05 BM.1971.037.001/22:04-05 00:05:34 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée ensemble de gongs reprise avec la même série• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-06 BM.1971.037.001/22:04-06 00:01:23 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée ensemble de gongs ambiance, vx parlé, essais• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-07 BM.1971.037.001/22:04-07 00:01:00 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DU DEBUT Sous-table non exportée Sous-table non exportée chant du début• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-08 BM.1971.037.001/22:04-08 00:02:02 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée chant d'amour par Jien ambiance• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-09 BM.1971.037.001/22:04-09 00:01:25 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée chant d'amour par Tro• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-10 BM.1971.037.001/22:04-10 00:01:08 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FETE AVANT LE DELUGE Sous-table non exportée Sous-table non exportée Fête avant déluge par Phang Ang• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :04-11 BM.1971.037.001/22:04-11 00:01:44 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FETE AVANT LE DELUGE, SUITE Sous-table non exportée Sous-table non exportée suite du chant précédent (interruption, fin de bobine)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-01 BM.1971.037.001/22:05-01 00:01:52 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 "NO GONG" Sous-table non exportée Sous-table non exportée "No gông"• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-02 BM.1971.037.001/22:05-02 00:01:35 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE TAMBOUR Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-03 BM.1971.037.001/22:05-03 00:01:10 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE TAMBOUR Sous-table non exportée Sous-table non exportée (ambiance vx parlées)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-04 BM.1971.037.001/22:05-04 00:00:30 6-7 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE TAMBOUR Sous-table non exportée Sous-table non exportée (ambiance vx parlées)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-05 BM.1971.037.001/22:05-05 00:00:55 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE KOMBUAT Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-06 BM.1971.037.001/22:05-06 00:00:40 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée chant du coq - ambiance• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-07 BM.1971.037.001/22:05-07 00:01:13 5-6 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 DANSE AU SON DE L'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée danse• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-08 BM.1971.037.001/22:05-08 00:01:19 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE KOMBOAT Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-09 BM.1971.037.001/22:05-09 00:01:17 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ambiance• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-10 BM.1971.037.001/22:05-10 00:01:16 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée chant du cocq• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-11 BM.1971.037.001/22:05-11 00:01:21 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée chant du cocq• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-12 BM.1971.037.001/22:05-12 00:01:15 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée orgue à bouche vx parlées• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-13 BM.1971.037.001/22:05-13 00:04:39 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 2 PIECES DE MUSIQUE DE GONGS CING NGAN ET CING BARDON Sous-table non exportée Sous-table non exportée vx parlées vitesse accélérée à la fin• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :05-14 BM.1971.037.001/22:05-14 00:04:56 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée (interruption, fin de bobine)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-01 BM.1971.037.001/22:06-01 00:07:41 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS CING NGAN Sous-table non exportée Sous-table non exportée ensemble de gongs à partir de 41"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-02 BM.1971.037.001/22:06-02 00:02:57 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS TOR CING Sous-table non exportée Sous-table non exportée ensemble de gongs à partir de 38"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-03 BM.1971.037.001/22:06-03 00:02:20 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 FORMULE DE GONGS RECITEE SUIVIE PAR MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée voix H, récitant la formule• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-04 BM.1971.037.001/22:06-04 00:02:22 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-05 BM.1971.037.001/22:06-05 00:02:25 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 VOIX IMITANT LA FORMULE DES GONGS ET MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée voix H imitant la formule de gongs• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-06 BM.1971.037.001/22:06-06 00:01:40 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée chant normal par Chang (ambiance vx parlées)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-07 BM.1971.037.001/22:06-07 00:01:49 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée un autre chant• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :06-08 BM.1971.037.001/22:06-08 00:02:42 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 AIR DU CING BONG RLA Sous-table non exportée Sous-table non exportée cithare tubulaire l'air du "cing bong rla"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :07-01 BM.1971.037.001/22:07-01 00:04:37 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée ambiance vx parlées• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :07-02 BM.1971.037.001/22:07-02 00:06:27 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée ambiance, rire• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :07-03 BM.1971.037.001/22:07-03 00:01:27 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 RECIT SUR LE PREMIER PARTAGE Sous-table non exportée Sous-table non exportée récit sur le premier partage• 0 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :07-04 BM.1971.037.001/22:07-04 00:11:33 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 EXORCISME - SACRIFICE D'UN CHIEN ET D'UN POULET Sous-table non exportée Sous-table non exportée rire exorcisme - sacrifice d'un chien et d'un poulet (ambiance, rire)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :08-01 BM.1971.037.001/22:08-01 00:24:10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 RECITATION Sous-table non exportée Sous-table non exportée récité (ambiance, vx parlées) Récitation• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :09-01 BM.1971.037.001/22:09-01 00:21:33 11 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CONVERSATION Sous-table non exportée Sous-table non exportée ambiance vx parlées cris des animaux conversation• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :10-01 BM.1971.037.001/22:10-01 00:01:53 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 LA CHANSON DU CERF Sous-table non exportée Sous-table non exportée la chanson du cerf par Bang• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :10-02 BM.1971.037.001/22:10-02 00:07:10 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :10-03 BM.1971.037.001/22:10-03 00:15:13 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ALTERNE NO GONG Sous-table non exportée Sous-table non exportée (interruption, fin de bobine)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :11-01 BM.1971.037.001/22:11-01 00:14:27 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 NO GONG , SUITE Sous-table non exportée Sous-table non exportée suite de la bande précédente par Tong Ong• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :11-02 BM.1971.037.001/22:11-02 00:04:24 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :11-03 BM.1971.037.001/22:11-03 00:02:54 10 juin 1958 VIETNAM CENTRE MNONG GAR VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée (interruption, fin de bobine)• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :12-01 BM.1971.037.001/22:12-01 00:05:12 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE L'ENSEMBLE DE GONG TOR CING CING NGAN Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :12-02 BM.1971.037.001/22:12-02 00:02:37 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE L'ENSEMBLE DE GONG TOR CING CING BAR DON Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :12-03 BM.1971.037.001/22:12-03 00:03:28 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 PIECE "LE CRI DU CERF" PEP TOR JUN Sous-table non exportée Sous-table non exportée le cri du cerf• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :12-04 BM.1971.037.001/22:12-04 00:02:38 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS CING NYONG HAT Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :12-05 BM.1971.037.001/22:12-05 00:02:25 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée chante 1vxH ambiance interruption, fin de bobine• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-01 BM.1971.037.001/22:13-01 00:01:00 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-02 BM.1971.037.001/22:13-02 00:06:44 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME Sous-table non exportée Sous-table non exportée chant par Wêl du clan Kra Jeng• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-03 BM.1971.037.001/22:13-03 00:04:38 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 4 AIRS D'ORGUE A BOUCHE KOMBUOT "CING TOM", "CING BON YOH", "CING NYO", "CING PEP TOR JUN" Sous-table non exportée Sous-table non exportée quatre airs d'orgue à bouche "cing töm", "cing bön yöh" "cing nyö" "cing pep tôr jun"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-04 BM.1971.037.001/22:13-04 00:00:46 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 AIR DE CLARINETTE KOWAO "NUNG BUOC" Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-05 BM.1971.037.001/22:13-05 00:01:30 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE CLARINETTE KOWAO Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :13-06 BM.1971.037.001/22:13-06 00:01:23 11 juillet 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE CLARINETTE KOWAO Sous-table non exportée Sous-table non exportée (interruption, fin de bobine)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-01 BM.1971.037.001/22:14-01 00:01:50 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 PLUSIEURS AIRS DE FLUTE Sous-table non exportée Sous-table non exportée plusieurs airs• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-02 BM.1971.037.001/22:14-02 00:02:05 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS "TONG YANG DIK" Sous-table non exportée Sous-table non exportée • 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-03 BM.1971.037.001/22:14-03 00:01:31 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-04 BM.1971.037.001/22:14-04 00:02:21 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME ET MUSIQUE DE GONGS "TONG YANG DIK" Sous-table non exportée Sous-table non exportée ambiance chanté 1vxH puis ens. de gongs 0'36" chant de la pièce "Tong Yang Dok" puis ensemble de gongs "cing"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-05 BM.1971.037.001/22:14-05 00:02:25 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME ET MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée ambiance chanté 1vxH puis ens. de gongs "cing" pièce chantée "Y a hang" de l'ens. de gongs de gongs puis ens. de gongs "cing"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-06 BM.1971.037.001/22:14-06 00:02:30 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 FORMULE CHANTEE ET MUSIQUE DE GONGS "REK TAH HOH" Sous-table non exportée Sous-table non exportée formule chantée de "Rek Tah Hoh" puis ens de gongs• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-07 BM.1971.037.001/22:14-07 00:02:40 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS "TONG YANG KOUAN" Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :14-08 BM.1971.037.001/22:14-08 00:00:26 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 FORMULE CHANTEE D'UN AIR DE MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée formule chantée de musique de gongs• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-01 BM.1971.037.001/22:15-01 00:02:28 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 LA MORT DU CERF CHOT YUN Sous-table non exportée Sous-table non exportée pièce "Chöt Yun" (a mort du cerf)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-02 BM.1971.037.001/22:15-02 00:01:20 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 LA MER QUI SE SECHE DA LING SUAT Sous-table non exportée Sous-table non exportée pièce "Da' ling suat" (la mer qui se sèche)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-03 BM.1971.037.001/22:15-03 00:01:13 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS "TAP NDRING HING BBOC Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-04 BM.1971.037.001/22:15-04 00:00:58 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 PIECE "LES SQUELETTES" POUR MUSIQUE DE GONGS "LOHNO TING" Sous-table non exportée Sous-table non exportée pièce "löhnoting" (squelettes)• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-05 BM.1971.037.001/22:15-05 00:04:38 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME "POT BODDIP" Sous-table non exportée Sous-table non exportée chant "Pöt böddip" par Lüi de Bösar Lu' Sieng• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-06 BM.1971.037.001/22:15-06 00:03:40 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN YAL YOUR Sous-table non exportée Sous-table non exportée chant ancien• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :15-07 BM.1971.037.001/22:15-07 00:01:37 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée - musique de gongs (interruption, fin de bobine)• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-01 BM.1971.037.001/22:16-01 00:02:24 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME "DO LONG TAI" Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-02 BM.1971.037.001/22:16-02 00:02:11 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME "YAL YAU" Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-03 BM.1971.037.001/22:16-03 00:01:04 25 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 SOLO DE CITHARE TUBULAIRE GONG "TOR CING DIOS" Sous-table non exportée Sous-table non exportée cithare tubulaire gông (type de valiha malgache) - Pièce "tör cing diös" par K'Du• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-04 BM.1971.037.001/22:16-04 00:00:58 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 2 PIECES POUR CITHARE TUBULAIRE GONG "NCHET TUR DIENG" & "TOR CING MA" Sous-table non exportée Sous-table non exportée cithare tubulaire gông 2 pièces "Nchet tür dieng" et "tör cing ma' "• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-05 BM.1971.037.001/22:16-05 00:03:06 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE DE GONGS "CING NGAN" Sous-table non exportée Sous-table non exportée ensemble de gongs cing ambiance "cing ngan"• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-06 BM.1971.037.001/22:16-06 00:03:03 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT EPIQUE "MPOT" Sous-table non exportée Sous-table non exportée 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-07 BM.1971.037.001/22:16-07 00:00:50 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée musique instrumentale• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-08 BM.1971.037.001/22:16-08 00:01:48 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée ambiance (cris)• 1958 ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-09 BM.1971.037.001/22:16-09 00:03:30 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT DE FEMME "YAL YAU GUNG DA" Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-10 BM.1971.037.001/22:16-10 00:00:58 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT EPIQUE "MPOT HOI" Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-11 BM.1971.037.001/22:16-11 00:00:48 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :16-12 BM.1971.037.001/22:16-12 00:00:56 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :17-01 BM.1971.037.001/22:17-01 00:13:00 3 juillet 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT LONG ANCIEN "MPOT YANG " Sous-table non exportée Sous-table non exportée - long chant ancien "Mpöt Yang" par la vieille Köang• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :17-02 BM.1971.037.001/22:17-02 00:01:34 3 juillet 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 GENEALOGIE Sous-table non exportée Sous-table non exportée - généalogie de So' le chef• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :17-03 BM.1971.037.001/22:17-03 00:01:31 3 juillet 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN "MPOT" Sous-table non exportée Sous-table non exportée chant ancien "Mpöt" par Kö Ang (interruption, fin de bobine)• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-01 BM.1971.037.001/22:18-01 00:00:50 30 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 "NOTRE PERE", VERSION DALAT Sous-table non exportée Sous-table non exportée récité, solo H "Notre Père" version Dalat par Pierre Brêu• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-02 BM.1971.037.001/22:18-02 00:00:26 30 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 "NOTRE PERE", VERSION DJIRING Sous-table non exportée Sous-table non exportée récité, solo H "Notre Père" version Djiring par Pierre Brêu• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-03 BM.1971.037.001/22:18-03 00:01:02 30 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN "MPOT" Sous-table non exportée Sous-table non exportée chant Maa' "Mpöt" par Tchong• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-04 BM.1971.037.001/22:18-04 00:01:08 30 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 REGLES EN MARIAGE Sous-table non exportée Sous-table non exportée parlé règles en mariage• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-05 BM.1971.037.001/22:18-05 00:00:40 30 juin 1958 VIETNAM MAA VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN "MPOT" Sous-table non exportée Sous-table non exportée - chant Maa' "Mpöt" par Tchong• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-06 BM.1971.037.001/22:18-06 00:01:39 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT SRE POUR QUESTION DE JEUNES FILLES DE DJIRING Sous-table non exportée Sous-table non exportée - chant srê pour question de jeunes filles de Djiring• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-07 BM.1971.037.001/22:18-07 00:00:30 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-08 BM.1971.037.001/22:18-08 00:01:19 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-09 BM.1971.037.001/22:18-09 00:00:50 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-10 BM.1971.037.001/22:18-10 00:05:16 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN "MPOT" Sous-table non exportée Sous-table non exportée chant "Mpöt"• 1958 NARRATIF ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-11 BM.1971.037.001/22:18-11 00:01:38 30 juin 1958 VIETNAM LAAC VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 TRADUCTION DES PHRASES LAAC EN FRANCAIS Sous-table non exportée Sous-table non exportée récité - Traduction des phrases Laac en français• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-12 BM.1971.037.001/22:18-12 00:01:20 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 TRADUCTION DES MEMES PHRASES SRE EN FRANCAIS Sous-table non exportée Sous-table non exportée récité - Traduction des mêmes phrases de Srê en français par Pierre Brêu• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-13 BM.1971.037.001/22:18-13 00:00:40 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 RECITATION Sous-table non exportée Sous-table non exportée récité - récitation par So, chef de Bor Tong• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-14 BM.1971.037.001/22:18-14 00:03:26 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT D'HOMME Sous-table non exportée Sous-table non exportée parlé ambiance vres 0'49" chanté, par Ngoë• 1958 Non pertinent ASIE +BM.1971.037 Ø13&GF BM.1971.037.001/22 :18-15 BM.1971.037.001/22:18-15 00:02:24 30 juin 1958 VIETNAM SRE VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 CHANT ANCIEN "MPOT" Sous-table non exportée Sous-table non exportée - chant Myöt par la vieille Kö Ang• 1958 NARRATIF ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :007 BM.1972.012.001/18:007 00:04:15 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 L'OMBRE D'UN COCOTIER MLOB DAUNG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Vièle à 2 cordes tro • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :01-01 BM.1972.012.001/18:01-01 00:23:00 11 mai 1962 CAMBODGE REOUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CONTE CHANTE "JEUNE HOMME AU COUTEAU" CHAU KAMBET PANTOH Sous-table non exportée Sous-table non exportée Enreg. 19cm/s, PP, bm 13cm. Ce conte a été traduit par Mme Solange Thierry et François Martini (version écrite de l'institut bouddhique de Phnom Penh). Cette version orale est plus longue que la version écrite de l'Institut bouddhique de Phnom Penh. Variante assez importante par rapport à la version écrite: ex: description très détaillée du personnage. 1ère bobine : 2 jeunes hommes pauvres orphelins dont l'aîné est allé travailler chez le "setthi" (le grand riche). Il aime la fille de "setthi" (jeu de mots). A 8heures du soir, il est allé coucher avec elle. Le matin, setthi les surprend, et leur donne l'autorisation de se marier• 1962 NARRATIF 0 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :02-01 BM.1972.012.001/18:02-01 00:23:30 11 mai 1962 CAMBODGE REOUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CONTE CHANTE "JEUNE HOMME AU COUTEAU", SUITE CHAU KAMBET PANTOH Sous-table non exportée Sous-table non exportée Enreg. 19cm/s, PP, bm 13cm. conte chanté (suite) "Jeune homme au couteau". Fin de 1ère épisode : le jeune homme devient le beau fils de setthi. On parle de petit frère de ce jeune homme. Celui-ci est très pauvre. Il veut aller chercher une aide de son frère. Il s'appelle Chau kambet pantoh. La 2ème bobine (ou 2ème épisode) ressemble beaucoup à la version écrite• 1962 NARRATIF 0 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-01 BM.1972.012.001/18:03-01 00:05:45 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CONTE CHANTE "JEUNE HOMME AU COUTEAU" , SUITE ET FIN CHAU KAMBET PANTOH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm. Conte chanté (suite et fin). Jugement équitable du Roi. Intronisation et mariage de Cham Kambet Pantoh• 1962 NARRATIF 0 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-02 BM.1972.012.001/18:03-02 00:02:10 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BERCEUSE MONTAGNARDE BAT BAMPEI PHUONG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-03 BM.1972.012.001/18:03-03 00:04:10 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 ALTUES FLOTTANTES SARAY ONDET Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-04 BM.1972.012.001/18:03-04 00:03:15 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 LE ROI DORT SDAC PHTUM Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-05 BM.1972.012.001/18:03-05 00:03:10 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 LE ROYAUME "NOKOR RIEC" Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-06 BM.1972.012.001/18:03-06 00:03:25 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR SUR UNE VIETNAMIENNE AU TEINT CLAIR BAT KARE YOUN SA Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :03-07 BM.1972.012.001/18:03-07 00:02:30 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 LES FRANCAIS ENROULENT LES CORDES BARANG SRAV POUR Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-01 BM.1972.012.001/18:04-01 00:00:35 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 NOUER LA POIGNEE POUR GUERIR LA MALADIE. RITE D'APPEL DES 19 AMES CHANG DAI - DOH KROH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 RELIGIEUX ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-02 BM.1972.012.001/18:04-02 00:01:50 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 HISTOIRE DE L'HOMME AU COUTEAU* RUONG CHU KAMBET PANTOH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm *Raccord pour le début de la 1ère bobine bm.1972.012.001• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-03 BM.1972.012.001/18:04-03 00:02:40 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 HISTOIRE DE L'HOMME AU COUTEAU* RUONG CHU KAMBET PANTOH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm *Raccord pour le début de la 3ème bobine bm.1972.012.003• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-04 BM.1972.012.001/18:04-04 00:00:50 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 IMITATION DE LA SONNERIE DU CLAIRON TRE VONG : CLAIRON ROYAL CLAIRON TRE VONG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Vièle à 2 cordes tro • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-05 BM.1972.012.001/18:04-05 00:03:45 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 IMITATION DE LA SONNERIE DU CLAIRON TRE VONG : CLAIRON ROYAL SAMRAK : REPOS Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Vièle à 2 cordes tro • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-06 BM.1972.012.001/18:04-06 00:03:00 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHNT DE MARIAGE "ECHARPE ROUGE " KANSAENG KRAHOM Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Vièle à 2 cordes tro ce chant a été traduit par Jacques Brunet (cf. thèse de 3ème cycle) • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :04-08 BM.1972.012.001/18:04-08 00:04:00 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR DE RAMER LE PIROGUE OM TOUK KHAT Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Vièle à 2 cordes tro • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-01 BM.1972.012.001/18:05-01 00:02:30 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BERCEUSE RENOVEE BAMPE KHLAY Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-02 BM.1972.012.001/18:05-02 00:03:45 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHANT DE STYLE SAROME SAROME Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-03 BM.1972.012.001/18:05-03 00:01:45 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 LE MERLE PARLANT SARIKAKEO Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant traduit par Jacques Brunet (cf. thèse de 3ème cycle)• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-04 BM.1972.012.001/18:05-04 00:01:55 27 juin 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 SORTE DE LEGUME KROSANGTIEB Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant traduit par Jacques Brunet (cf. thèse de 3ème cycle)• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-05 BM.1972.012.001/18:05-05 00:03:00 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 THEATRE DE BASAK BASAK DAM AUNH Sous-table non exportée Sous-table non exportée théâtre populaire basak• enreg. 19cm/s, PP, bm 13cm Théâtre de basak, genre de théâtre de la région de Basak (sud Vietnam) introduit par les Khmers krom au Cambodge vers 1930, influencé par le théâtre vietnamien hat cai luong • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-06 BM.1972.012.001/18:05-06 00:03:33 11 mai 1962 CAMBODGE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 THEATRE DE BASAK = DIVERTISSEMENT KAM SAN Sous-table non exportée Sous-table non exportée théâtre populaire basak• enreg. 19cm/s, PP, bm 13cm Théâtre de basak, genre de théâtre de la région de Basak (sud Vietnam) introduit par les Khmers krom au Cambodge vers 1930, influencé par le théâtre vietnamien hat cai luong • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :05-07 BM.1972.012.001/18:05-07 00:05:55 11 mai 1962 CAMBODGE KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 THEATRE DE BASAK = MELANCOLIE KAM SAT Sous-table non exportée Sous-table non exportée théâtre populaire basak• enreg. 19cm/s, PP, bm 13cm Théâtre de basak, genre de théâtre de la région de Basak (sud Vietnam) introduit par les Khmers krom au Cambodge vers 1930, influencé par le théâtre vietnamien hat cai luong • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :06-01 BM.1972.012.001/18:06-01 00:07:10 21 juin 1962 CAMBODGE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 PANTHERE MUSIQUE DE MARIAGE JOUEE POUR LE RITE DE COUPE CHEVEUX RO KHIN Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm musique de mariage jouée pour le rite de coupe cheveux • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :06-02 BM.1972.012.001/18:06-02 00:06:50 21 juin 1962 CAMBODGE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 PANTHERE MUSIQUE DE MARIAGE JOUEE POUR LE RITE DE COUPE CHEVEUX* PHAT CHIEY Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *Ecartement de bout de pagne, musique de mariage jouée pour le rite de coupe cheveux • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :06-03 BM.1972.012.001/18:06-03 00:02:50 21 juin 1962 CAMBODGE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 PANTHERE MUSIQUE DE MARIAGE JOUEE POUR LE RITE DE COUPE CHEVEUX SAM PAUNG Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm musique de mariage jouée pour le rite de coupe cheveux • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :06-04 BM.1972.012.001/18:06-04 00:03:10 21 juin 1962 CAMBODGE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BALANCER (OU BERCER) LA JEUNE FILLE YOL NEANG Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm musique de mariage jouée pour le rite de coupe cheveux • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :06-05 BM.1972.012.001/18:06-05 00:03:25 21 juin 1962 CAMBODGE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE DE MARIAGE : MONTAGNARDS* PHNAYUNG Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm * musique de mariage jouée au moment des offrandes et du salut aux mânes (ou ancêtres) • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :07-01 BM.1972.012.001/18:07-01 00:03:30 21 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR DE MLLE CHATTE *`` BAT NEANG MEO Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *chant et musique pour le rituel d'invocation de la pluie. L'orchestre ressemble à celui de trot • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :07-02 BM.1972.012.001/18:07-02 00:02:05 21 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 REPANDRE DES HAMECONS RAY SANTUOC Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *chant et musique de mariage. L'orchestre ressemble à celui de trot • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :07-03 BM.1972.012.001/18:07-03 00:03:10 21 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CONDUIRE LES MOINEAUX BO CHAP Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *chant et musique de mariage • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :07-04 BM.1972.012.001/18:07-04 00:01:45 21 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MO KHON MO KHON Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *chant et musique de mariage • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :07-05 BM.1972.012.001/18:07-05 00:02:30 21 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CORBEILLE BLEUE EN FEUILLE DE BANANIER KANTONG KHIEV Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *chant et musique de mariage • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-01 BM.1972.012.001/18:08-01 00:03:45 15 juin 1962 CAMBODGE VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHANT YIKE PAR LES CHAMS (KHMERS ISLAMISES) * CHOM REANG YOUKE Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm *musique repiquée à la radio • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-02 BM.1972.012.001/18:08-02 00:00:55 15 juin 1962 CAMBODGE VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 ERECTION D'UNE MAISON Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Erection d'une maison à Lovea • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-03 BM.1972.012.001/18:08-03 00:02:55 15 juin 1962 CAMBODGE VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 INVOCATION DU VENT HAUV KHRJOI Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-04 BM.1972.012.001/18:08-04 00:02:55 15 juin 1962 CAMBODGE VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHASSE AUX ELEPHANTS DENH DAMREI Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm voix criée et parlée • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-05 BM.1972.012.001/18:08-05 00:03:35 15 juin 1962 CAMBODGE VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE DE JEU D'ANGKUNH PROB KAIY Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm Ce chant est interprété pendant le Nouvel an où l'on joue du jeu d'angkunh qui fait partie des rites agraires des Cambodgiens (dv.E.Porée-Maspéro, thèse d'état) • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :08-06 BM.1972.012.001/18:08-06 00:10:20 15 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHANT DE TROT CHOM REANG TROT Sous-table non exportée Sous-table non exportée musique de mariage• enreg. 19cm/s, PP, bm 13cm *Le chant et la danse de trot sont exécutés au Nouvel an. Ils font partie desrites agraires des Cambodgiens (cf. E. Porée -Maspéro, thèse d'état) • 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-01 BM.1972.012.001/18:09-01 00:07:00 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BEAU SOURIRE NHONHIM SAAT Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-02 BM.1972.012.001/18:09-02 00:05:15 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR POUR APPELER LES ESPRITS MEMOT NEARY THVAY KROU Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm La jeune fille s'incline devant son maître • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-03 BM.1972.012.001/18:09-03 00:03:15 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BERCER LA JEUNE FILLE YOL NEANG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-04 BM.1972.012.001/18:09-04 00:02:25 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE SIAMOISE PHLENG SIEM Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-05 BM.1972.012.001/18:09-05 00:03:15 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE MALAISE PHLENG CHVEAY Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :09-06 BM.1972.012.001/18:09-06 00:01:25 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 IMITATION D'ABOIEMENT Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-01 BM.1972.012.001/18:10-01 00:04:00 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 TREITRACH TREITRACH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-02 BM.1972.012.001/18:10-02 00:03:25 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 RAMER LE PIROGUE OM TOUK Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-03 BM.1972.012.001/18:10-03 00:03:30 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 DANSE POPULAIRE PLENG LAM Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-04 BM.1972.012.001/18:10-04 00:02:15 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHERE MERE MUM ME Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-05 BM.1972.012.001/18:10-05 00:02:45 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR KAMPOR KAMPOR Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-06 BM.1972.012.001/18:10-06 00:03:50 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 GUIRLANDE DE FLEURS PHKAR KRANG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :10-07 BM.1972.012.001/18:10-07 00:03:10 20 juin 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR CHRONG BAT CHRONG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm chant accompagné par l'orchestre de Lovea• 1962 ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :01-01 BM.1972.013.001/29:01-01 00:03:05 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste HAUTECLOQUE,ANNE DE 1961 Non pertinent 0 [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :01-02 BM.1972.013.001/29:01-02 00:00:25 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste HAUTECLOQUE,ANNE DE 1967 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :01-03 BM.1972.013.001/29:01-03 00:08:40 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :01-04 BM.1972.013.001/29:01-04 00:04:30 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste; interrompu , fin de bobine• HAUTECLOQUE,ANNE DE 1961 [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :01-05 BM.1972.013.001/29:01-05 00:16:25 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste; interrompue , fin de bobine• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :02-01 BM.1972.013.001/29:02-01 00:12:00 25 sept.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 MUSIQUE DE GONGS Sous-table non exportée Sous-table non exportée vitesse 9,5cm/s , 1/2 piste;suite de la bande précédente (BM 1971.013.001-05)• HAUTECLOQUE,ANNE DE 1961 [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :03-01 BM.1972.013.001/29:03-01 00:16:40 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 LEGENDE EPIQUE KLEI EKEI NDAM WIT: HISTOIRE DE NDAM WIT Sous-table non exportée Sous-table non exportée chant épique• histoire de Ndam wit (8), suite de BM.1972.013.13, piste 2• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :03-02 BM.1972.013.001/29:03-02 00:16:40 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 LEGENDE EPIQUE KLEI EKEI NDAM WIT: HISTOIRE DE NDAM WIT Sous-table non exportée Sous-table non exportée chant épique• histoire de Ndam wit (9)• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :04-01 BM.1972.013.001/29:04-01 00:05:05 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI MMUIN": CHANSON D'UN GARCON A UNE FILLE QU'IL VEUT SEDUIRE Sous-table non exportée Sous-table non exportée chant d'amour• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :04-02 BM.1972.013.001/29:04-02 00:01:15 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "TIRIRIA": CHANSON TRES POPULAIRE CHANTEE PAR LES PETITES FILLES Sous-table non exportée Sous-table non exportée chant populaire• chanson très populaire chantée par les petites filles de Tuôn Jhat. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :04-03 BM.1972.013.001/29:04-03 00:01:15 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "TIRIRIA": CHANSON TRES POPULAIRE CHANTEE PAR LES PETITES FILLES Sous-table non exportée Sous-table non exportée chant populaire• chanson très populaire chantée par H'Vu du village de Mêwal. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :05-01 BM.1972.013.001/29:05-01 00:15:20 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI IEU YANG TUH EA" RECITATION DE LA PRIERE. Sous-table non exportée Sous-table non exportée récitation de la prière, lors du sacrifice annuel à la source ou rivière du village• Ici, c'est à l'occasion d'un sacrifice au paddy. Le récitant est le maître de l'eau pôtuh êal. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 RELIGIEUX [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :05-02 BM.1972.013.001/29:05-02 00:04:15 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI IEU YANG TUH EA" RECITATION DE LA PRIERE (SUITE) Sous-table non exportée Sous-table non exportée récitation de la prière, lors du sacrifice annuel à la source ou rivière du village• Ici, c'est à l'occasion d'un sacrifice au paddy. Le récitant est le maître de l'eau pôtuh êa (suite). vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 RELIGIEUX(suite [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :06-01 BM.1972.013.001/29:06-01 00:04:15 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI EKEI MNIE" : ECHANGE DE POESIE CHANTEE Sous-table non exportée Sous-table non exportée Chant alterné entre un homme et une femme• Ici, les deux parties sont chantées et improvisées par deux hommes . Le rôle de l'homme est chanté par Y Phet et celui de la femme par Y Wio, un autre homme. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 0 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :06-02 BM.1972.013.001/29:06-02 00:16:45 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI EKEI MNIE" : ECHANGE DE POESIE CHANTEE (SUITE) Sous-table non exportée Sous-table non exportée Chant alterné entre un homme et une femme• Ici, les deux parties sont chantées et improvisées par deux hommes . Le rôle de l'homme est chanté par Y Phet et celui de la femme par Y Wio, un autre homme. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :07-01 BM.1972.013.001/29:07-01 00:01:15 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEITLUR" OU BADINAGE Sous-table non exportée Sous-table non exportée Badinage• Chant de badinage. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 SATIRIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :07-02 BM.1972.013.001/29:07-02 00:02:40 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "YTRUT YGUT": CHANSON SUR L'ELELPHANT Sous-table non exportée Sous-table non exportée Chant sur l'éléphant• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :08-01 BM.1972.013.001/29:08-01 00:14:35 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 POESIE CHANTEE "KLEI BLUR" AVEC DES INTERMEDES Sous-table non exportée Sous-table non exportée badinage• Poésie chantée ou badinage avec des intermèdes d'orgue à bouche buôt tak-ta. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 SATIRIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :08-02 BM.1972.013.001/29:08-02 00:12:30 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 POESIE CHANTEE "KLEI BLUR" Sous-table non exportée Sous-table non exportée badinage• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :09-01 BM.1972.013.001/29:09-01 00:12:50 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI IEU YANG MDONKOING" PRIERE AU SACRIFICE D'UN POULET Sous-table non exportée Sous-table non exportée prière au sacrifice d'un poulet• priere dite au cours du sacrifice mdorkong, sacrifice d'un poulet. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 RELIGIEUX [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :09-02 BM.1972.013.001/29:09-02 00:02:10 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI TAM PAH", MALEDICTION D'UN HOMME CONTRE L'EPOUX DE LA FEMME Sous-table non exportée Sous-table non exportée malédictions d'un homme contre l'époux de la femme qu'i veut séduire• .vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :09-03 BM.1972.013.001/29:09-03 00:14:30 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 POESIE CHANTEE "KLEI BLUR" Sous-table non exportée Sous-table non exportée badinage• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-01 BM.1972.013.001/29:10-01 00:03:35 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE CITHARE TUBULAIRE BRO Sous-table non exportée Sous-table non exportée solo de cithare tubulaire à 2 cordes bro• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-02 BM.1972.013.001/29:10-02 00:02:55 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 "KLEI ERIT ERIM: CHANT D'UN AVEUGLE MALADE A SA FAMILLE Sous-table non exportée Sous-table non exportée chant d'un aveugle malade à sa famille restée au village natal pour qu'elle vienne le visiter. vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-03 BM.1972.013.001/29:10-03 00:01:40 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE FLUTE EN BAMBOU BUOT THOI Sous-table non exportée Sous-table non exportée vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-04 BM.1972.013.001/29:10-04 00:00:50 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE GUIMBARDE GOC Sous-table non exportée Sous-table non exportée vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-05 BM.1972.013.001/29:10-05 00:01:50 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE CITHARE TUBULAIRE BRO Sous-table non exportée Sous-table non exportée solo de cithare tubulaire à 2 cordes bro• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 0 [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-06 BM.1972.013.001/29:10-06 00:01:10 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE FLUTE EN BAMBOU BUOT THOI Sous-table non exportée Sous-table non exportée Solo de flûte à 4 trous en bambou buôt thoi vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-07 BM.1972.013.001/29:10-07 00:09:35 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SACRIFICE POUR LE RACHAT DE L'AME D'UN MALADE TUI MNGAT Sous-table non exportée Sous-table non exportée Musique pour le sacrifice pour le rachat de l'âme d'un malade• vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :10-08 BM.1972.013.001/29:10-08 00:04:05 18 oct 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 PRIERE KHANG HONG Sous-table non exportée Sous-table non exportée Prière vitesse d'enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 RELIGIEUX [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :11-01 BM.1972.013.001/29:11-01 00:05:25 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI BLUR A UNE FEMME Sous-table non exportée Sous-table non exportée Poème chanté• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :11-02 BM.1972.013.001/29:11-02 00:06:00 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI AE ADUON DUM DO Sous-table non exportée Sous-table non exportée Chant relatant des événements historiques dont l'arrivée des Français au Darlac• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :11-03 BM.1972.013.001/29:11-03 00:05:45 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 DAM LUI OH SAP AYONG Sous-table non exportée Sous-table non exportée N'oublie pas la parole de ton frère aîné• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :11-04 BM.1972.013.001/29:11-04 00:17:45 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI ENQUOT ENQUE Sous-table non exportée Sous-table non exportée Nostalgie d'autrefois. Poésie chantée • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :12-01 BM.1972.013.001/29:12-01 00:16:25 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EHEI KDOM WIT Sous-table non exportée Sous-table non exportée Histoire de Kdom Wit, suite de la BM.1972.013.016 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Pite 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :12-02 BM.1972.013.001/29:12-02 00:16:20 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EHEI KDOM WIT Sous-table non exportée Sous-table non exportée suite de la BM.1972.013.016 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :13-01 BM.1972.013.001/29:13-01 00:14:25 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 LAMENTATIONS POUR UN DEFUNG KLEI COK HIA Sous-table non exportée Sous-table non exportée lamentations chantées par son épouse et ses deux soeurs à côté du corps (vers 4h du matin • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :13-02 BM.1972.013.001/29:13-02 00:14:25 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EHEI KDOM WIT Sous-table non exportée Sous-table non exportée suite de la BM.1972.013.012 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :14-01 BM.1972.013.001/29:14-01 00:16:55 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI KHING JU HBIA Sous-table non exportée Sous-table non exportée Légende épique chantée, histoire de Khing Ju et de Hbia Yao • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 NARRATIF [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :14-02 BM.1972.013.001/29:14-02 00:16:45 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE POK RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI KHING JU HBIA, SUITE Sous-table non exportée Sous-table non exportée Légende épique chantée, histoire de Khing Ju et de Hbia Yao, suite • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :15-01 BM.1972.013.001/29:15-01 00:15:55 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI KDOM WIT Sous-table non exportée Sous-table non exportée légende épique chantée, histoire de Kdom Wit • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :15-02 BM.1972.013.001/29:15-02 00:15:55 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI KDOM WIT, SUITE Sous-table non exportée Sous-table non exportée légende épique chantée, histoire de Kdom Wit • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :16-01 BM.1972.013.001/29:16-01 00:17:00 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI KDOM WIT, SUITE 3 Sous-table non exportée Sous-table non exportée légende épique chantée, histoire de Kdom Wit, suite 3 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :16-02 BM.1972.013.001/29:16-02 00:17:00 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI KDOM WIT, SUITE 4 Sous-table non exportée Sous-table non exportée légende épique chantée, histoire de Kdom Wit, suite 4 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :17-01 BM.1972.013.001/29:17-01 00:07:35 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI KDOM WIT, SUITE 10 Sous-table non exportée Sous-table non exportée légende épique chantée, histoire de Kdom Wit, suite 10, suite de la BM.1972.013.003 • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :18-01 BM.1972.013.001/29:18-01 00:02:40 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE FLUTE BUOT THOI Sous-table non exportée Sous-table non exportée Solo de flûte buot thoi • Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :18-02 BM.1972.013.001/29:18-02 00:03:40 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANSON "KLEI MMUIN" Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :18-03 BM.1972.013.001/29:18-03 00:03:45 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI KTUE KNONG LAN Sous-table non exportée Sous-table non exportée récitation sur les limites de la terre de la famille Ayun Cu par le pôlan• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :18-04 BM.1972.013.001/29:18-04 00:04:05 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI MNIE Sous-table non exportée Sous-table non exportée échange de poésie chantée entre 2 hommes dont l'un tieng le rôle de la femme courtisée• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :18-05 BM.1972.013.001/29:18-05 00:14:20 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI EKEI MNIE, SUITE Sous-table non exportée Sous-table non exportée échange de poésie chantée entre 2 hommes dont l'un tieng le rôle de la femme courtisée• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :19-01 BM.1972.013.001/29:19-01 00:16:15 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI Y DU HBIA MLIN, SUITE 5 Sous-table non exportée Sous-table non exportée suite 5 de la BM 1972.013.027• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :19-02 BM.1972.013.001/29:19-02 00:16:15 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI BI KNOI UNG MO Sous-table non exportée Sous-table non exportée voix d'h parlée puis chantée, récitation , établissement d'un contrat de mariage (ici réduit à l'essentiel)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 0 NARRATIF [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :20-01 BM.1972.013.001/29:20-01 00:13:58 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE BUON EA YONG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI MMUIN Sous-table non exportée Sous-table non exportée Improvisation chantée sur des évènements récents ayant marqué la vie des Rhadés depuis l'arrivée des Français• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :20-02 BM.1972.013.001/29:20-02 00:13:53 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE BUON EA YONG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI MMUIN, SUITE Sous-table non exportée Sous-table non exportée Improvisation chantée sur des évènements récents ayant marqué la vie des Rhadés depuis l'arrivée des Français• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :21-01 BM.1972.013.001/29:21-01 00:14:10 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO Sous-table non exportée Sous-table non exportée Légende épique (1)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :21-02 BM.1972.013.001/29:21-02 00:14:30 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (2)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :22-01 BM.1972.013.001/29:22-01 00:15:10 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (3)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :22-02 BM.1972.013.001/29:22-02 00:15:00 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (4)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 0 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :23-01 BM.1972.013.001/29:23-01 00:14:00 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (5)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :23-02 BM.1972.013.001/29:23-02 00:14:00 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (6)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :24-01 BM.1972.013.001/29:24-01 00:13:40 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (7)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :24-02 BM.1972.013.001/29:24-02 00:13:40 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE Sous-table non exportée Sous-table non exportée Légende épique (8)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :25-01 BM.1972.013.001/29:25-01 00:12:00 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI HBIA YAO , SUITE ET FIN Sous-table non exportée Sous-table non exportée Légende épique (9)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :25-02 BM.1972.013.001/29:25-02 00:01:30 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI KUT Sous-table non exportée Sous-table non exportée Chant ancien à un rythme lent• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Pite 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :25-03 BM.1972.013.001/29:25-03 00:13:30 1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE PUOR RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI KUT, SUITE Sous-table non exportée Sous-table non exportée Chant ancien à un rythme lent• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :26-01 BM.1972.013.001/29:26-01 00:02:20 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI Y DU HBIA MLIN (1) Sous-table non exportée Sous-table non exportée Légende épique (1)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :26-03 BM.1972.013.001/29:26-03 00:14:10 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI Y DU HBIA MLIN (2) Sous-table non exportée Sous-table non exportée Légende épique (2)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :27-01 BM.1972.013.001/29:27-01 00:14:30 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI Y DU HBIA MLIN (3) Sous-table non exportée Sous-table non exportée Légende épique (3)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 1) ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :27-02 BM.1972.013.001/29:27-02 00:14:30 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 KLEI Y DU HBIA MLIN (4) Sous-table non exportée Sous-table non exportée Légende épique (4)• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 EPIQUE [Piste 2] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :28-01 BM.1972.013.001/29:28-01 00:10:25 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 PRIERES NON CHANTEES Sous-table non exportée Sous-table non exportée Prieres non chantees, non identifiées• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent [Piste 1] ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :28-02 BM.1972.013.001/29:28-02 00:03:15 2 nov.1961 VIETNAM VIETNAM CENTRAL, VILLAGE DE JUNG RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 INVOCATION Sous-table non exportée Sous-table non exportée Invocation• Enregistrement en 9,5cm/s• HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.020 Ø13;²19;1/2P BM.1972.020.001/04 :01-01 BM.1972.020.001/04:01-01 00:00:45 janv 1970 CAMBODGE KUY CAMBODGE:KUY,CHAM,KHMER CHANT D'HOMME Sous-table non exportée Sous-table non exportée chant au cours d'une réunion de jeunes gens le soir en plein air• 1970 Non pertinent 0 ASIE +BM.1973.001 Divers* BM.1973.001.001/06 :01-01 BM.1973.001.001/06:01-01 00:00:00 THAILANDE THAILANDE N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-01 BM.1987.015.001/13:01-01 00:14:40 17/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 REPERTOIRE DE PIECES POUR HAUTBOIS ET TROMPES LONGUES$ ME-TOG 'THOR-GLING Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe $Sonnerie du soir• HELFFER,MIREILLE 1987 RELIGIEUX 0 k7.1987-2 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-02 BM.1987.015.001/13:01-02 00:13:10 18/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 REPERTOIRE DE PIECES POUR HAUTBOIS ET TROMPES LONGUES$ BLA-MA RIN-PO-CHE Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe $Sonnerie du soir• BM.987.015.001/13:01-01 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-2 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-03 BM.1987.015.001/13:01-03 00:12:20 19/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 REPERTOIRE DE PIECES POUR HAUTBOIS ET TROMPES LONGUES$ LHA SNYAN-PA Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe $Sonnerie du soir• BM.987.015.001/13:01-01 HELFFER,MIREILLE 1987 k7.1987-2 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-04 BM.1987.015.001/13:01-04 00:01:10 20/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 REPERTOIRE DE PIECES POUR HAUTBOIS ET TROMPES LONGUES$ BLA-MA SPYAN-'DREN (ACCUEIL DU BLA-MA) Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe $Sonnerie du soir• BM.987.015.001/13:01-03 HELFFER,MIREILLE 1987 Non pertinent k7.1987-2 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-05 BM.1987.015.001/13:01-05 00:15:35 20/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES RGYA-GLING YA-RGAN Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• BM.987.015.001/13:01-03 HELFFER,MIREILLE 1987 RELIGIEUX K7.1987-2 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-06 BM.1987.015.001/13:01-06 00:17:54 22/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES CHOS-SKU CHI-MED Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• HELFFER,MIREILLE 1987 RELIGIEUX ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :01-07 BM.1987.015.001/13:01-07 00:11:15 23/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• HELFFER,MIREILLE 1987 RELIGIEUX ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-01 BM.1987.015.001/13:02-01 00:11:00 25/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES, SONNERIES DU SOIR RGIA-GLING 'JUB-'DEB Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• HELFFER,MIREILLE 1987 RELIGIEUX ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-02 BM.1987.015.001/13:02-02 00:10:00 25/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES, SONNERIES DU SOIR RGIA-GLING 'JUB-'DEB Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe **Annonce collecteur• BM.987.015.001/13:02-01 HELFFER,MIREILLE 1987 k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-03 BM.1987.015.001/13:02-03 00:09:25 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES, SONNERIES DU SOIR RGIA-GLING LEN-GSUM** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe **incomplet• BM.987.015.001/13:02-01 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-04 BM.1987.015.001/13:02-04 00:06:50 27/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE HAUTBOIS ET TROMPES LONGUES, SONNERIES DU SOIR ME-TOG 'THOR GLING Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• BM.987.015.001/13:02-03 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-05 BM.1987.015.001/13:02-05 00:01:07 02/03/87** TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 DEUX HAUTBOIS ET DEUX CONQUES$ BLA-MA SPYAN-'DREN (ACCUEIL DU BLA-MA) Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe ** enregistré à 8 heures du matin• BM.987.015.001/13:01-04 HELFFER,MIREILLE 1987 k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-06 BM.1987.015.001/13:02-06 00:02:14 02/03/87** TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 DEUX HAUTBOIS ET DEUX CONQUES$ BLA-MA SPYAN-'DREN (ACCUEIL DU BLA-MA) Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe ** enregistré à 11 heures du matin• BM.987.015.001/13:02-05 HELFFER,MIREILLE 1987 k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-07 BM.1987.015.001/13:02-07 00:06:55 04/03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DEUX TROMPES LONGUES ET DEUX HAUTBOIS SANS TITRE, STYLE DE SMIN-GROL-GLING Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• BM.987.015.001/13:02-06 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-08 BM.1987.015.001/13:02-08 00:07:35 05/03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DEUX TROMPES LONGUES ET DEUX HAUTBOIS BLA-MA MKHYEN-NO** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe **style de smin-grol-gling• BM.987.015.001/13:02-07 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :02-09 BM.1987.015.001/13:02-09 00:14:35 07/03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ALTERNANCE DE DEUX HAUTBOIS ET UNE CONQUE BLA-MA SPYAN- 'DREN (ACCUEIL DU BLA-MA) Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe• BM.987.015.001/13:02-08 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-3 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :03-01 BM.1987.015.001/13:03-01 01:30:00 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL B OUDDHIQUE...PHUR-PA** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe **célébré en l'honneur de la divinité protectrice Phur-pa du 27ème au 29ème jour du 12ème mois de l'année tibétaine IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe courte• BM.987.015.001/13:02-09 HELFFER,MIREILLE 1987 RELIGIEUX k7.1987-4 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :04-01 BM.1987.015.001/13:04-01 00:48:04 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø GF• BM.987.015.001/13:03-01 HELFFER,MIREILLE 1987 K7 1987-7 A ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :04-02 BM.1987.015.001/13:04-02 00:48:03 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø gf• BM.987.015.001/13:04-01 HELFFER,MIREILLE 0 k7 1987-7 b ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :05-01 BM.1987.015.001/13:05-01 00:48:00 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø gf• BM.987.015.001/13:04-02 HELFFER,MIREILLE 1987 k7 1987 8a ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :05-02 BM.1987.015.001/13:05-02 00:48:00 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø gf• BM.987.015.001/13:04-02 HELFFER,MIREILLE 1987 k7 1987 8b ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :06-01 BM.1987.015.001/13:06-01 00:48:02 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø gf• BM.987.015.001/13:05-02 HELFFER,MIREILLE 1987 k7 1987 9a ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :06-02 BM.1987.015.001/13:06-02 00:48:02 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø gf• BM.987.015.001/13:06-01 HELFFER,MIREILLE 1987 k7 1987 9b ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :07-01 BM.1987.015.001/13:07-01 00:31:38 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø 18• BM.987.015.001/13:06-02 HELFFER,MIREILLE 0 k7 1987 10a ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :07-02 BM.1987.015.001/13:07-02 00:16:05 26/02/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 RITUEL ANNUEL DE " GRANDE COERCITION" SGRUB-CHEN** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe. **célébré durant la prémiere quinzaine du premier mois de l'année tibetaine (=8-15 mars 1987). Enregistré en continu du 5éme jour de la fete. IS-DRIL-BU = Clochettes dril-bu ; M-DAMARU =petits tambours sablier ; ATT-DUN CHENG = trompe longue ; AT-RKAN GLIN = trompe en fémur; IFC-GONG = gong suspendu. Ø 18• BM.987.015.001/13:07-01 HELFFER,MIREILLE 1987 k7 1987 10b ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :08-01 BM.1987.015.001/13:08-01 00:59:00 02-03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 CHANT DES DBYANGS** Sous-table non exportée Sous-table non exportée ** contenus dans le Nang-sgrub rig-'dzin 'dus pa'i dbyangs-yig p 11-25 Texte de référence: Klong-chen snying-thing dbyangs-yng, 272 p. *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe Chanté par le maitre de chant (dbu-mdzad) du monastére Tara Lama ² 9,5 cm/s• BM.987.015.001/13:03-01 HELFFER,MIREILLE 1987 k7 1987 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :08-02 BM.1987.015.001/13:08-02 00:00:00 02-03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 CHANT DES DBYANGS** Sous-table non exportée Sous-table non exportée ** contenus dans le Thug-sgrub dpal-chen 'dus-pa'i dbyangs-yig p. 32-97 Texte de référence: Klong-chen snying-thing dbyangs-yng, 272 p. *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe Chanté par le maitre de chant (dbu-mdzad) du monastére Tara Lama. ² 9,5 cm/s• BM.987.015.001/13:08-01 HELFFER,MIREILLE 1987 k7 1987 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :08-03 BM.1987.015.001/13:08-03 00:07:30 02-03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 CHANT DES DBYANGS** Sous-table non exportée Sous-table non exportée ** début du chant des dbyangs du Rdo-rje chos-skyong rnams kyi dbyangs-yig/ p.135-138 Texte de référence: Klong-chen snying-thing dbyangs-yng, 272 p. *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe Chanté par le maitre de chant (dbu-mdzad) du monastére Tara Lama. ² 9,5 cm/s• BM.987.015.001/13:08-02 HELFFER,MIREILLE 0 k7 1987 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :09-01 BM.1987.015.001/13:09-01 00:00:00 02-03/87 TIBET (INDE) DPAL-YUL,MONASTERE RNYING-MA-PA* TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 CHANT DES DBYANGS** Sous-table non exportée Sous-table non exportée ** chant des dbyangs du Rdo-rje chos-skyong rnams kyi dbyangs-yig/ p.139-188 (fin) Texte de référence: Klong-chen snying-thing dbyangs-yng, 272 p. *enregistré en INDE, Karnataka, Dt. Mysore Bylakuppe Chanté par le maitre de chant (dbu-mdzad) du monastère Tara Lama. ² 9,5 cm/s• BM.987.015.001/13:08-03 HELFFER,MIREILLE 1987 k7 1987-15 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-01 BM.1987.015.001/13:10-01 00:01:50 02-03/87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 ONOMATOPEES** Sous-table non exportée Sous-table non exportée *enregistré en INDE, Himachal Pradesh **Reproduisant le jeu des trompes longues dung-chen Vitesse 19 cm/sec• BM.987.015.001/13:09-01 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-02 BM.1987.015.001/13:10-02 00:04:15 31-03-87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 GSAR-MA Sous-table non exportée Sous-table non exportée Informateurs: le maitre de chant et deux jeunes moines Texte de référence: Khams-pa-sgar gyi dbyangs dang gdangs-yig, 2 vol. *enregistré en INDE, Himachal Pradesh ATT-= environ 1m30 D'aprés la notation vol. 2 p.261 style "nouveau" (gsar-ma) Vitesse 19 cm/sec• BM.987.015.001/13:10-01 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-03 BM.1987.015.001/13:10-03 00:04:15 31-03-87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 THUGS-RJE CHEN-PO Sous-table non exportée Sous-table non exportée Informateurs: le maitre de chant et deux jeunes moines Texte de référence: Khams-pa-sgar gyi dbyangs dang gdangs-yig, 2 vol. *enregistré en INDE, Himachal Pradesh D'aprés la notation vol. 2 p. 240-241, style "ancien" (rnying-ma) D'aprés la notation vol. 2 p.261 style "nouveau" (gsar-ma) Vitesse 19 cm/sec• BM.987.015.001/13:10-02 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-04 BM.1987.015.001/13:10-04 00:02:05 31-03-87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 BKA'SGO Sous-table non exportée Sous-table non exportée Informateurs: le maitre de chant et deux jeunes moines Texte de référence: Khams-pa-sgar gyi dbyangs dang gdangs-yig, 2 vol. *enregistré en INDE, Himachal Pradesh Annonce: bka'sgo d'aprés la notation vol. 2 p. 279 Vitesse 19 cm/sec• BM.987.015.001/13:10-03 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-05 BM.1987.015.001/13:10-05 00:02:35 31-03-87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 OFFRANDE A MGON PO** Sous-table non exportée Sous-table non exportée Informateurs: le maitre de chant et deux jeunes moines Texte de référence: Khams-pa-sgar gyi dbyangs dang gdangs-yig, 2 vol. *enregistré en INDE, Himachal Pradesh **d'aprés vol 1 p. 105 Vitesse 19 cm/sec• BM.987.015.001/13:10-04 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :10-06 BM.1987.015.001/13:10-06 00:01:55 31-03-87 TIBET (INDE) TASHIJONG MONAST KHAMS-PA SGAR * TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 LOUANGE DE LHA-MO** Sous-table non exportée Sous-table non exportée Informateurs: le maitre de chant et deux jeunes moines Texte de référence: Khams-pa-sgar gyi dbyangs dang gdangs-yig, 2 vol. *enregistré en INDE, Himachal Pradesh **d'aprés vol. 1 p. 198 Vitesse 19 cm/sec• BM.987.015.001/13:10-05 HELFFER,MIREILLE 1987 k7 1987-16 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-01 BM.1987.015.001/13:11-01 00:01:55 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Annonce, puis chant de Ne'u-chung, sur l'air "co-ga drug-'gyur"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-02 BM.1987.015.001/13:11-02 00:06:31 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS Sous-table non exportée Sous-table non exportée Pour les noms de personnages et les noms d'airs cf. M. Helffer/ les chants dans l'épopée tibétaine de Ge-sar Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Annonce, puis chant de 'Dan-ma , sur l'air "tha-la drug-'gyur"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-03 BM.1987.015.001/13:11-03 00:10:33 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS RGYA-CHA Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Rgya-cha, sur l'air "dkar-mo drug-'gyur"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-04 BM.1987.015.001/13:11-04 00:07:16 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS RGYA-CHA Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Rgya-cha, sur l'air "Tshe-glu 'gyur-med"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-05 BM.1987.015.001/13:11-05 00:09:15 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS RGYA-CHA Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Rgya-cha, sur l'air "thogs rgod"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-06 BM.1987.015.001/13:11-06 00:08:45 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 BRUG-MO Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Brug-mo, sur l'air "na-ram khungs 'gyur"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :11-07 BM.1987.015.001/13:11-07 00:07:25 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS PHYNG-SNGON... Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 001. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Phyng-sngon gyi skyo-glu phra-mo• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-01 BM.1987.015.001/13:12-01 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS RGYA-CHA Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Rgya-cha sur l'air "Ngang-rta snyan-pa'i me-tog"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-02 BM.1987.015.001/13:12-02 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS 'BRUG-MO Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de 'Brug-mo sur l'air "dgu-seng drug-'gyur"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-03 BM.1987.015.001/13:12-03 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Ge-sar sur l'air "khrom-chen zil-gnon"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-04 BM.1987.015.001/13:12-04 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANAR DE SPYI-DPON Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain library of works and archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Spyi-dpon sur l'air "dal-ba ring-mo"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-05 BM.1987.015.001/13:12-05 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Ge-sar sur l'air "mda'-bskur 'phrin-glu"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-06 BM.1987.015.001/13:12-06 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAP. DE LA GUERRE CONTRE LES HORSDIEUX DE LA GUERRE Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant sur l'air "tshe-glu dkar-mo"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-07 BM.1987.015.001/13:12-07 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Ge-sar sur l'air "Idem-chen"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :12-08 BM.1987.015.001/13:12-08 00:00:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 002, radio Chengdu. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Ge-sar sur l'air "zhwa-dkar Idem glu"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-01 BM.1987.015.001/13:13-01 00:06:10 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Ge-sar sur l'air "idem-chen Idem-chung"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-02 BM.1987.015.001/13:13-02 00:16:45 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE GE-SAR Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Spyi-dpon, sur l'air "stang-mo ngar-glu"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-03 BM.1987.015.001/13:13-03 00:16:45 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE A-STAG LHA-MO Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de A-stag lha-mo sur l'air "stag-mo ngar-glu"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-04 BM.1987.015.001/13:13-04 00:16:45 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE JO-RU Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Jo-ru sur l'air "ngag-rta ring-mo"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-05 BM.1987.015.001/13:13-05 00:06:30 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE THANG-RTSE Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant de Thang-rtse sur l'air "seng seng dal ring"• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-06 BM.1987.015.001/13:13-06 00:02:00 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DES DIEUX DE LA GUERRE Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Chant des dieux de la guerre sur l'air "dung-dkar g.yas-khil3• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-07 BM.1987.015.001/13:13-07 00:09:35 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DES DIEUX DE LA GUERRE Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Petit chant de joie skyid-glu phra-mo• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-08 BM.1987.015.001/13:13-08 00:04:13 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS CHANT DE JOIE Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Epopée de Ge-sar: chapitre de la guerre contre les Hors. Petit chant de joie skyid-glu phra-mo• HELFFER,MIREILLE 0 ASIE +BM.1987.015 Divers* BM.1987.015.001/13 :13-09 BM.1987.015.001/13:13-09 00:04:13 TIBET (INDE) SE-TCHOUAN TIBETAINS HELFFER,M.;TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR;1987 EPOPEE DE GE-SAR: CHAPITRE DE LA GUERRE CONTRE LES HORS SENG-CHEN... Sous-table non exportée Sous-table non exportée Cassette commercialisée éditée en 1983 SD 003. Donné par Don Tashi Tsering à Dharmsala, Tibetain Library of Works and Archives. Notice en tibetain et en chinois. Seng-chen 'gag-med rdorje'i rang-sgra• HELFFER,MIREILLE 0 ASIE +BM.2005.004 CDR BM.2005.004.001/10 :01-01 BM.2005.004.001/10:01-01 00:21:16 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Choeur inaudible dans cet enreg• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :01-02 BM.2005.004.001/10:01-02 00:01:53 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR (TAMSSUST) Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Choeur inaudible dans cet enreg. Partie conclusive de la joute de la plage -01. BC = le choeur H danse et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :01-03 BM.2005.004.001/10:01-03 00:13:46 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée BU GANGA Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Choeur inaudible dans cet enreg. BC = le choeur Hdanse et frappe des mains. Au second plan on entend des chants responsoriaux _tizrrarin_ et youyous de F dans l'auditoire Forte accélération• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :01-04 BM.2005.004.001/10:01-04 00:12:45 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Ahwash masculin. Choeur inaudible dans cet enreg Au second plan chants responsoriaux _tizrrarin_ et youyous F. BC = le choeur Hdanse et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :02-01 BM.2005.004.001/10:02-01 00:35:15 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• BC = le double choeur H danse en ronde et frappe des mains. Début tambouriné _amkhallif_ (0'27") puis joute poétique _ahnaqqar_ . Au bout de 33' environ, conclusion par un _ahwash_• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :02-02 BM.2005.004.001/10:02-02 00:10:30 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• ahwash masculin. BC = le choeur Hdanse et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 1 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :02-03 BM.2005.004.001/10:02-03 00:15:57 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Ahwash masculin. Au début, deux solistes s'enchaînent. Interventions ponctuelles de formules instrumentales dans les soli/ BC = le choeur Hdanse en ronde et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 2 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :03-01 BM.2005.004.001/10:03-01 00:24:04 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• Au bout de 23' environ , début de l'ahwash de la plage -02• ROVSING OLSEN,MIRIAM 2004 Dat 2 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :03-02 BM.2005.004.001/10:03-02 00:15:04 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• ahwash masculin. BC = le choeur Hdanse en ronde et frappe des mains. Accélération• ROVSING OLSEN,MIRIAM 2004 Dat 2 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :03-03 BM.2005.004.001/10:03-03 00:16:55 nuit 5au6/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée BU GANGA Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avec poètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 1-3 reproduisent la musique pratiquée en continu• /Choeur inaudible dans cet enreg. BC = le choeur Hdanse et frappe des mains. Au second plan on entend des chants responsoriaux _tizrrarin_ et youyous de F dans l'auditoire• ROVSING OLSEN,MIRIAM 2004 Dat 2 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :04-01 BM.2005.004.001/10:04-01 00:33:55 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée Dans le village, à l'extérieur. Chœur dansant masculin avecpoètes chanteurs disposés dans le chœur (les solistes chantent avec une sonorisation). CD 4 et 5,plages 1 à 3 reproduisent la musique pratiquée en continu • Voix médiocres et problème de sonorisation• ROVSING OLSEN,MIRIAM 2004 Dat 3 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :04-02 BM.2005.004.001/10:04-02 00:17:29 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée La nuit jusqu'à 4h. du matin, à l'occasion d'un mariage. Dans le village, à l'extérieur. (les solistes chantent avec une sonorisation). CD 4 et 5 plages 1-3 reproduisent la musique en continu• Ahwash masculin. Intervention ponctuelle dans la partie solo d'une formule de battements de mains par le choeur. BC = le choeur Hdanse en ronde et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 3 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :04-03 BM.2005.004.001/10:04-03 00:06:23 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée La nuit jusqu'à 4h. du matin, à l'occasion d'un mariage. Dans le village, à l'extérieur. (les solistes chantent avec une sonorisation). CD 4 et 5 plages 1-3 reproduisent la musique en continu• Ahwash masculin. Un musicien joue des claquettes dans chaque main. Au début, deux solistes s'enchaînent. Intervention dans le premier solo du double choeur H et des instruments. INTERROMPU , suite sur CD :05-01• ROVSING OLSEN,MIRIAM 2004 Dat 3 AFRIQUE +BM.2006.001 CDR BM.2006.001.001 :01-01 BM.2006.001.001:01-01 00:12:51 1 & 2 nov.1958 BENIN SOKE GOUN ROUGET,G. COMMUNICATION ACADEMIE DES BEAUX ARTS,2005:2 CHANTS INIITATIQUES... KHEVIOSO, LONGUE ACTION DE GRACES KHEVIOSO Sous-table non exportée Sous-table non exportée Publié dans : _Bénin. Initiatique vôdoun. Musique du riutel_, CD 1,plage 2• SN =chant d'oiseaux• ROUGET,GILBERT 1958 AFRIQUE +BM.2006.001 CDR BM.2006.001.001 :01-02 BM.2006.001.001:01-02 00:11:49 Janv. Fév. 19-69 BENIN VAKON GOUN ROUGET,G. COMMUNICATION ACADEMIE DES BEAUX ARTS,2005:2 CHANTS INIITATIQUES... SAKPATA , LONGUE ACTION DE GRACES Sous-table non exportée Sous-table non exportée Publié dans _Bénin. Initiatique vôdoun. Musique du rituel_, CD 2, pl. 1 à 4• ROUGET,GILBERT 1969 AFRIQUE +BM.2006.001 CDR BM.2006.001.001 :01-03 BM.2006.001.001:01-03 00:00:29 Janv. Fév. 19-69 BENIN VAKON GOUN ROUGET,G. COMMUNICATION ACADEMIE DES BEAUX ARTS,2005:2 CHANTS INIITATIQUES... SAKPATA , LONGUE ACTION DE GRACES :EXTRAIT Sous-table non exportée Sous-table non exportée Publié dans _Bénin. Initiatique vôdoun. Musique du rituel_, CD 2, pl. 1 à 4• Court extrait de la pièce 2• ROUGET,GILBERT 1969 AFRIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-01 BM.2006.002.001/25:01-01 00:01:38 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane"• GRENAND, FRANCOISE Amazonie(G) 1978 Non pertinent PA3-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-02 BM.2006.002.001/25:01-02 00:01:01 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:01-01 GRENAND, FRANCOISE 1978 PA3-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-03 BM.2006.002.001/25:01-03 00:00:44 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:01-02 GRENAND, FRANCOISE 1978 PA3-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-04 BM.2006.002.001/25:01-04 00:01:00 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-03 GRENAND, FRANCOISE 1978 PA3-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-05 BM.2006.002.001/25:01-05 00:00:42 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-04 GRENAND, FRANCOISE 1978 PA3-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-06 BM.2006.002.001/25:01-06 00:00:59 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-05 GRENAND, FRANCOISE 1978 PA3-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-07 BM.2006.002.001/25:01-07 00:01:15 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-06 GRENAND, FRANCOISE 1978 PA3-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-08 BM.2006.002.001/25:01-08 00:01:36 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-07 GRENAND, FRANCOISE 1978 PA3-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-09 BM.2006.002.001/25:01-09 00:01:30 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-07 GRENAND, FRANCOISE 1978 PA3-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-10 BM.2006.002.001/25:01-10 00:00:49 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-09 GRENAND, FRANCOISE 1978 PA3-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-11 BM.2006.002.001/25:01-11 00:00:56 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-10 GRENAND, FRANCOISE 1978 PA3-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-12 BM.2006.002.001/25:01-12 00:01:11 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-11 GRENAND, FRANCOISE 1978 PA3-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-13 BM.2006.002.001/25:01-13 00:00:39 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-12 GRENAND, FRANCOISE 1978 PA3-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-14 BM.2006.002.001/25:01-14 00:01:15 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-13 GRENAND, FRANCOISE 1978 PA3-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-15 BM.2006.002.001/25:01-15 00:00:53 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-14 GRENAND, FRANCOISE 1978 PA3-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-16 BM.2006.002.001/25:01-16 00:01:18 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-15 GRENAND, FRANCOISE 1978 PA3-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-17 BM.2006.002.001/25:01-17 00:00:48 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-16 GRENAND, FRANCOISE 1978 PA3-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-18 BM.2006.002.001/25:01-18 00:01:47 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-17 GRENAND, FRANCOISE 1978 PA3-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-19 BM.2006.002.001/25:01-19 00:01:10 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-18 GRENAND, FRANCOISE 1978 PA3-19 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-20 BM.2006.002.001/25:01-20 00:01:32 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-19 GRENAND, FRANCOISE 1978 PA3-20 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-21 BM.2006.002.001/25:01-21 00:01:11 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-20 GRENAND, FRANCOISE 1978 PA3-21 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-22 BM.2006.002.001/25:01-22 00:00:46 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-21 GRENAND, FRANCOISE 1978 PA3-22 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-23 BM.2006.002.001/25:01-23 00:01:02 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-22 GRENAND, FRANCOISE 1978 PA3-23 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-24 BM.2006.002.001/25:01-24 00:01:51 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * Espérance s'appelait autrefois "La savane. ¤ La bonté, Françoise"• BM.006.002.001/...:01-09 GRENAND, FRANCOISE 1978 PA3-24 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-25 BM.2006.002.001/25:01-25 00:01:02 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• BM.006.002.001/...:01-24 GRENAND, FRANCOISE 1978 ————————— PA5a-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-26 BM.2006.002.001/25:01-26 00:01:08 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux, les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• BM.006.002.001/...:01-25 GRENAND, FRANCOISE 1978 PA5a-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-27 BM.2006.002.001/25:01-27 00:00:54 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. BM.006.002.001/...:01-25 GRENAND, FRANCOISE 1978 PA5a-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-28 BM.2006.002.001/25:01-28 00:01:28 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. BM.006.002.001/...:01-25 GRENAND, FRANCOISE 1978 PA5a-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-29 BM.2006.002.001/25:01-29 00:01:33 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. BM.006.002.001/...:01-28 GRENAND, FRANCOISE 1978 PA5a-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-30 BM.2006.002.001/25:01-30 00:05:18 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. VP=commentaire sur le chant. BM.006.002.001/...:01-29 GRENAND, FRANCOISE 1978 PA5a-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-31 BM.2006.002.001/25:01-31 00:01:28 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. VP=commentaire sur le chant. BM.006.002.001/...:01-30 GRENAND, FRANCOISE 1978 PA5a-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-32 BM.2006.002.001/25:01-32 00:01:41 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL? UKIKAPNA(URUPWI) Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. VP=commentaire sur le chant. BM.006.002.001/...:01-31 GRENAND, FRANCOISE 1978 PA5a-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-33 BM.2006.002.001/25:01-33 00:07:50 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL? UKIKAPNA(URUPWI) Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. VP=commentaire sur le chant. BM.006.002.001/...:01-32 GRENAND, FRANCOISE 1978 PA5a-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-34 BM.2006.002.001/25:01-34 00:00:35 08/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. * Espérance s'appelait autrefois "La savane"• .ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur. BM.006.002.001/...:01-28 GRENAND, FRANCOISE 1978 PA5a-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-35 BM.2006.002.001/25:01-35 00:06:13 08/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIREDES MAYO MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée ils racontent l'histoire du peuple Mayo. Auparavant le mayapna était leur chanson, un jour un jeune Parikwene s'est rendu parmi eux et là il a entendu chanter et danser le mayapna, daanse qu'il a rapporté chez les Parikwene • Original = ²9,5• BM.006.002.001/...:01-34 GRENAND, FRANCOISE 1978 PA5a-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-36 BM.2006.002.001/25:01-36 00:03:31 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIREDES MAYO MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée ils racontent l'histoire du peuple Mayo. Auparavant le mayapna était leur chanson, un jour un jeune Parikwene s'est rendu parmi eux et là il a entendu chanter et danser le mayapna, daanse qu'il a rapporté chez les Parikwene • Original = ²9,5• BM.006.002.001/...:01-35 GRENAND, FRANCOISE 1978 PA5a-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :01-37 BM.2006.002.001/25:01-37 00:01:01 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIREDES MAYO MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée ils racontent l'histoire du peuple Mayo. Auparavant le mayapna était leur chanson, un jour un jeune Parikwene s'est rendu parmi eux et là il a entendu chanter et danser le mayapna, daanse qu'il a rapporté chez les Parikwene • Original = ²9,5• BM.006.002.001/...:01-35 GRENAND, FRANCOISE 1978 PA5a-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :02-01 BM.2006.002.001/25:02-01 25:05:00 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DES MAYO UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée Ils racontent l'histoire du peuple Mayo. Comment il organise une fête de deuil • Original = ²9,5• BM.006.002.001/...:01-37 GRENAND, FRANCOISE 1978 PA5a-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :02-02 BM.2006.002.001/25:02-02 00:04:52 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DES MAYO UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée Ils racontent l'histoire du peuple Mayo. Comment il organise une fête de deuil • Original = ²9,5• BM.006.002.001/...:02-01 GRENAND, FRANCOISE 1978 PA5a-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :02-03 BM.2006.002.001/25:02-03 00:02:44 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DES MAYO KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée Ils racontent l'histoire du peuple Mayo. Comment il organise une fête de deuil...?... • Original = ²9,5• BM.006.002.001/...:02-02 GRENAND, FRANCOISE 1978 PA5a-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :02-04 BM.2006.002.001/25:02-04 00:01:10 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DU CAIMAN ET L'IGUANE PUNAPUNA GIKAK IWAN Sous-table non exportée PUNAPUNA GIKAK IWAN Sous-table non exportée Il raconte l'histoiredu caïman et l'iguane. • Original = ²9,5• BM.006.002.001/...:02-03 GRENAND, FRANCOISE 1978 PA5a-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :02-05 BM.2006.002.001/25:02-05 00:18:24 07/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DUPEUPLE PARIKWENE PARIKWENE Sous-table non exportée PARIKWENE Sous-table non exportée Il raconte l'histoiredu peuple parikwene et des différentspeuples qui existaient. • Original = ²9,5• BM.006.002.001/...:02-04 GRENAND, FRANCOISE 1978 PA5a-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-01 BM.2006.002.001/25:03-01 00:02:41 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES TUKUHUNIYE Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:01-10 GRENAND, FRANCOISE 1978 PA5b-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-02 BM.2006.002.001/25:03-02 00:03:05 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-01 GRENAND, FRANCOISE 1978 PA5b-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-03 BM.2006.002.001/25:03-03 00:03:25 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES KARU Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-02 GRENAND, FRANCOISE 1978 PA5b-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-04 BM.2006.002.001/25:03-04 00:02:01 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-03 GRENAND, FRANCOISE 1978 PA5b-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-05 BM.2006.002.001/25:03-05 00:01:33 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES UPEWIYE Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-04 GRENAND, FRANCOISE 1978 PA5b-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-06 BM.2006.002.001/25:03-06 00:02:53 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-05 GRENAND, FRANCOISE 1978 PA5b-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-07 BM.2006.002.001/25:03-07 00:03:49 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAITU Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-06 GRENAND, FRANCOISE 1978 PA5b-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-08 BM.2006.002.001/25:03-08 00:03:55 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES URUPWIY Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-07 GRENAND, FRANCOISE 1978 PA5b-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-09 BM.2006.002.001/25:03-09 00:02:04 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES KUHU Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-08 GRENAND, FRANCOISE 1978 PA5b-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-10 BM.2006.002.001/25:03-10 00:02:46 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-09 GRENAND, FRANCOISE 1978 PA5b-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-11 BM.2006.002.001/25:03-11 00:02:46 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES WAKA Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-10 GRENAND, FRANCOISE 1978 PA5b-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :03-12 BM.2006.002.001/25:03-12 00:02:35 17/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES WANEWNI Sous-table non exportée MAYAPNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. * le village porte le nom de la rivière• BM.006.002.001/...:03-11 GRENAND, FRANCOISE 1978 PA5b-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-01 BM.2006.002.001/25:04-01 00:02:11 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES TAVARA? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:02-03 GRENAND, FRANCOISE 1978 PA8-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-02 BM.2006.002.001/25:04-02 00:02:26 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES WAIKWI? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-01 GRENAND, FRANCOISE 1978 PA8-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-03 BM.2006.002.001/25:04-03 00:02:09 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES WANUS Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-02 GRENAND, FRANCOISE 1978 PA8-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-04 BM.2006.002.001/25:04-04 00:01:19 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES WAHA Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-03 GRENAND, FRANCOISE 1978 PA8-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-05 BM.2006.002.001/25:04-05 00:02:39 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES PAIT Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-04 GRENAND, FRANCOISE 1978 PA8-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-06 BM.2006.002.001/25:04-06 00:02:40 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES PAIT Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-05 GRENAND, FRANCOISE 1978 PA8-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-07 BM.2006.002.001/25:04-07 00:03:32 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES SIGUMAYE? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-06 GRENAND, FRANCOISE 1978 PA8-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-08 BM.2006.002.001/25:04-08 00:04:03 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES SAU? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-07 GRENAND, FRANCOISE 1978 PA8-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-09 BM.2006.002.001/25:04-09 00:01:28 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES TUNURI? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-08 GRENAND, FRANCOISE 1978 PA8-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-10 BM.2006.002.001/25:04-10 00:02:57 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-09 GRENAND, FRANCOISE 1978 PA8-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-11 BM.2006.002.001/25:04-11 00:03:06 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-10 GRENAND, FRANCOISE 1978 PA8-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-12 BM.2006.002.001/25:04-12 00:02:29 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MATURU? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-11 GRENAND, FRANCOISE 1978 PA8-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-13 BM.2006.002.001/25:04-13 00:02:45 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MASUG Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-12 GRENAND, FRANCOISE 1978 PA8-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-14 BM.2006.002.001/25:04-14 00:03:13 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MARINA Sous-table non exportée MAYAPNA Sous-table non exportée chez Dimunti• Original = ²19• BM.006.002.001/...:04-13 GRENAND, FRANCOISE 1978 PA9a-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-15 BM.2006.002.001/25:04-15 00:02:29 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KUMARU? Sous-table non exportée MAYAPNA Sous-table non exportée chez Dimunti• Original = ²19• BM.006.002.001/...:04-14 GRENAND, FRANCOISE 1978 PA9a-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-16 BM.2006.002.001/25:04-16 00:01:53 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MAU Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-15 GRENAND, FRANCOISE 1978 PA9a-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-17 BM.2006.002.001/25:04-17 00:03:34 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KAUWE? Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-16 GRENAND, FRANCOISE 1978 PA9a-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-18 BM.2006.002.001/25:04-18 00:03:26 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES PAKI Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-17 GRENAND, FRANCOISE 1978 PA9a-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-19 BM.2006.002.001/25:04-19 00:04:46 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES PAKI Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-18 GRENAND, FRANCOISE 1978 PA9a-19 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-20 BM.2006.002.001/25:04-20 00:02:22 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES PARAW Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-19 GRENAND, FRANCOISE 1978 PA9a-20 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-21 BM.2006.002.001/25:04-21 00:03:05 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES UVAYAN Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-20 GRENAND, FRANCOISE 1978 PA9a-21 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-22 BM.2006.002.001/25:04-22 00:00:52 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 INSECTE MOTIYEBDI Sous-table non exportée MOTIYEBDI Sous-table non exportée Ambiance insecte. Original = ²19• BM.006.002.001/...:04-21 GRENAND, FRANCOISE 1978 PA9a-22 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-23 BM.2006.002.001/25:04-23 00:03:02 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES YAKOT Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-21 GRENAND, FRANCOISE 1978 PA9a-23 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-24 BM.2006.002.001/25:04-24 00:03:36 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MAYAPNA Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-23 GRENAND, FRANCOISE 1978 PA9a-24 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-25 BM.2006.002.001/25:04-25 00:01:14 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MAITU Sous-table non exportée MAYAPNA Sous-table non exportée Original = ²19• BM.006.002.001/...:04-24 GRENAND, FRANCOISE 1978 PA9a-25 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :04-26 BM.2006.002.001/25:04-26 00:02:03 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KAYNE? Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²19• BM.006.002.001/...:04-25 GRENAND, FRANCOISE 1978 PA9a-26 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-01 BM.2006.002.001/25:05-01 00:02:13 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MASIGU Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²9,5• BM.006.002.001/...:04-26 GRENAND, FRANCOISE 1978 PA9a-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-02 BM.2006.002.001/25:05-02 00:03:54 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES MASIGU Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²9,5• BM.006.002.001/...:05-01 GRENAND, FRANCOISE 1978 PA9a-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-03 BM.2006.002.001/25:05-03 00:02:07 05/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KARAU Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²9,5• BM.006.002.001/...:05-02 GRENAND, FRANCOISE 1978 PA9a-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-04 BM.2006.002.001/25:05-04 00:02:29 06/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES URUPWI Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²9,5• BM.006.002.001/...:05-03 GRENAND, FRANCOISE 1978 PA9a-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-05 BM.2006.002.001/25:05-05 00:01:38 06/09/78 GUYANE FRANCAISE BAS OYAPOCK, TROIS PALETUVIERS PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES BATAMNAKI? Sous-table non exportée MAYAPNA Sous-table non exportée Chez Dimunti• Original = ²9,5• BM.006.002.001/...:05-04 GRENAND, FRANCOISE 1978 PA9a-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-06 BM.2006.002.001/25:05-06 00:00:51 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE KIYAPTUNKA Sous-table non exportée KIYAPTUNKA Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:05-05 GRENAND, FRANCOISE 1978 PA9b-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-07 BM.2006.002.001/25:05-07 00:12:15 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE KIYAPTUNKA Sous-table non exportée KIYAPTUNKA Sous-table non exportée Discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene• Original = ²9,5• BM.006.002.001/...:05-06 GRENAND, FRANCOISE 1978 PA9b-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :05-08 BM.2006.002.001/25:05-08 00:27:48 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE,HISTOIRE DE PARAW ET WARATNA PARAW GIKAK WARATNA Sous-table non exportée PARAW GIKAK WARATNA Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:05-07 GRENAND, FRANCOISE 1978 PA9b-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-01 BM.2006.002.001/25:06-01 00:27:48 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE,HISTOIRE DE DELUGE ET CHANGEMENT DE LANGUE UN WAGEHE, YUWIT UNIYEHWE Sous-table non exportée UN WAGEHE, YUWIT UNIYEHWE Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:05-08 GRENAND, FRANCOISE 1978 PA9b-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-02 BM.2006.002.001/25:06-02 00:18:03 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE,CHANT DU CHAMAN EN KIAPTUNKA AVAT KIAPTUNKA Sous-table non exportée AVAT KIAPTUNKA Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-01 GRENAND, FRANCOISE 1978 PA9b-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-03 BM.2006.002.001/25:06-03 00:06:58 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE,CHANT DU CHAMAN EN KIAPTUNKA AVAT KIAPTUNKA Sous-table non exportée AVAT KIAPTUNKA Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-02 GRENAND, FRANCOISE 1978 PA9b-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-04 BM.2006.002.001/25:06-04 00:08:36 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LINGUISTIQUE,COMMENT DEVIENT-ON UN CHAMAN MMAH UHIMAW IRAMWII Sous-table non exportée MMAH UHIMAW IRAMWII Sous-table non exportée Chez Payuyu, discours sur la langue Kiaptunka, il y a le Kiaptunka grammatical et le Kiaptunka famillier. Le Kiaptunka était la langue des Palikur autrefois, aujourd'hui ils parlent la langue des Kamuyene. Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-03 GRENAND, FRANCOISE 1978 PA9b-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-05 BM.2006.002.001/25:06-05 00:03:17 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson ... •Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-04 GRENAND, FRANCOISE 1978 Non pertinent PA9b-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-06 BM.2006.002.001/25:06-06 00:00:47 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson ... •Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-05 GRENAND, FRANCOISE 1978 PA9b-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-07 BM.2006.002.001/25:06-07 00:00:55 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAUWEM Sous-table non exportée MAUWEM Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson ... •Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-06 GRENAND, FRANCOISE 0 PA9b-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :06-08 BM.2006.002.001/25:06-08 00:01:00 19/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²9,5• BM.006.002.001/...:06-07 GRENAND, FRANCOISE 1978 Non pertinent PA9b-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-01 BM.2006.002.001/25:07-01 00:07:51 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. *Enregistré dans l'école. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:01-01 GRENAND, FRANCOISE 1978 PA10a-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-02 BM.2006.002.001/25:07-02 00:04:46 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. *Enregistré dans l'école. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-01 GRENAND, FRANCOISE 1978 PA10a-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-03 BM.2006.002.001/25:07-03 00:04:01 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. *Enregistré dans l'école. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-02 GRENAND, FRANCOISE 1978 PA10a-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-04 BM.2006.002.001/25:07-04 00:05:11 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. *Enregistré dans l'école. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-03 GRENAND, FRANCOISE 1978 PA10a-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-05 BM.2006.002.001/25:07-05 00:03:04 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-04 GRENAND, FRANCOISE 1978 PA10a-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-06 BM.2006.002.001/25:07-06 00:03:03 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-05 GRENAND, FRANCOISE 1978 PA10a-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-07 BM.2006.002.001/25:07-07 00:04:05 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F + 1 H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-03 GRENAND, FRANCOISE 1978 PA10a-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-08 BM.2006.002.001/25:07-08 00:05:25 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. CHANTÉ: CHOEUR DE 4 F + 1 H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-07 GRENAND, FRANCOISE 1978 PA10a-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-09 BM.2006.002.001/25:07-09 00:03:10 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. CHANTE CHOEUR F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-08 GRENAND, FRANCOISE 1978 PA10a-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-10 BM.2006.002.001/25:07-10 00:03:27 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté CHR de 4 F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-09 GRENAND, FRANCOISE 1978 PA10a-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-11 BM.2006.002.001/25:07-11 00:02:34 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR DE 4 F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-10 GRENAND, FRANCOISE 1978 PA10a-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-12 BM.2006.002.001/25:07-12 00:03:18 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-11 GRENAND, FRANCOISE 1978 PA10-10a AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-13 BM.2006.002.001/25:07-13 00:03:43 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHR de 4 F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-12 GRENAND, FRANCOISE 1978 PA10a-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-14 BM.2006.002.001/25:07-14 00:02:50 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-13 GRENAND, FRANCOISE 1978 PA10a-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-15 BM.2006.002.001/25:07-15 00:03:19 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-14 GRENAND, FRANCOISE 1978 PA10a-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-16 BM.2006.002.001/25:07-16 00:02:37 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-15 GRENAND, FRANCOISE 1978 PA10a-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-17 BM.2006.002.001/25:07-17 00:03:09 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHRde 4 F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:07-16 GRENAND, FRANCOISE 1978 PA10a-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :07-18 BM.2006.002.001/25:07-18 00:03:56 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers BM.006.002.001/...:07-17 GRENAND, FRANCOISE 1978 PA10a-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-01 BM.2006.002.001/25:08-01 00:04:10 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:07-18 GRENAND, FRANCOISE 1978 PA10a-19 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-02 BM.2006.002.001/25:08-02 00:06:37 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-01 GRENAND, FRANCOISE 1978 PA10a-20 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-03 BM.2006.002.001/25:08-03 00:03:29 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:08-02 GRENAND, FRANCOISE 1978 PA10a-21 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-04 BM.2006.002.001/25:08-04 00:04:03 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-03 GRENAND, FRANCOISE 1978 PA10a-22 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-05 BM.2006.002.001/25:08-05 00:04:28 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers• BM.006.002.001/...:08-04 GRENAND, FRANCOISE 1978 PA10a-23 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-06 BM.2006.002.001/25:08-06 00:05:01 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté:CHRde 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-05 GRENAND, FRANCOISE 1978 PA10b-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-07 BM.2006.002.001/25:08-07 00:05:54 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5. Chanté: CHR de 4F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-06 GRENAND, FRANCOISE 0 PA10b-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-08 BM.2006.002.001/25:08-08 00:03:03 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-07 GRENAND, FRANCOISE 1978 PA10b-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-09 BM.2006.002.001/25:08-09 00:02:59 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-08 GRENAND, FRANCOISE 1978 PA10b-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-10 BM.2006.002.001/25:08-10 00:02:00 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-09 GRENAND, FRANCOISE 1978 PA10b-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-11 BM.2006.002.001/25:08-11 00:03:25 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-10 GRENAND, FRANCOISE 1978 PA10b-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-12 BM.2006.002.001/25:08-12 00:02:21 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-11 GRENAND, FRANCOISE 1978 PA10b-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-13 BM.2006.002.001/25:08-13 00:02:49 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-12 GRENAND, FRANCOISE 1978 PA10b-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-14 BM.2006.002.001/25:08-14 00:02:32 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-13 GRENAND, FRANCOISE 1978 PA10b-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-15 BM.2006.002.001/25:08-15 00:04:29 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL UKIKAPNA Sous-table non exportée UKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: CHR de 3F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-14 GRENAND, FRANCOISE 1978 PA10b-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-16 BM.2006.002.001/25:08-16 00:02:26 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Solo F Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-15 GRENAND, FRANCOISE 1978 PA10b-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-17 BM.2006.002.001/25:08-17 00:03:20 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-16 GRENAND, FRANCOISE 1978 PA10b-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-18 BM.2006.002.001/25:08-18 00:01:23 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-17 GRENAND, FRANCOISE 1978 PA10b-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-19 BM.2006.002.001/25:08-19 00:01:33 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-18 GRENAND, FRANCOISE 1978 PA10b-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-20 BM.2006.002.001/25:08-20 00:03:55 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-19 GRENAND, FRANCOISE 1978 PA10b-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-21 BM.2006.002.001/25:08-21 00:02:07 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-19 GRENAND, FRANCOISE 1978 PA10b-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :08-22 BM.2006.002.001/25:08-22 00:02:24 06/09/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ECOLE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU DEUIL KISEPKA Sous-table non exportée KISEPKA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux et se maquillent...C'est pour oublier le défunt... Chanté trois jours après l'enterrement ils font de la fête • Original = ²9,5. Chanté: Duo 1 F+1H Année de Rose Maurice mère de Julienne B.• Cécilia Maurice femme de Joseph Martin, Marie Martin sa fille, Juan Martin son fils,Maria Dos Santos la femme de son fils, Julienne Baptiste femme du capitaine Martin de Trois Palétuviers • BM.006.002.001/...:08-21 GRENAND, FRANCOISE 1978 PA10b-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-01 BM.2006.002.001/25:09-01 00:02:37 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:06-08 GRENAND, FRANCOISE 1978 PA12-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-02 BM.2006.002.001/25:09-02 00:02:26 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-01 GRENAND, FRANCOISE 1978 PA12-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-03 BM.2006.002.001/25:09-03 00:01:39 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-02 GRENAND, FRANCOISE 1978 PA12-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-04 BM.2006.002.001/25:09-04 00:01:46 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-03 GRENAND, FRANCOISE 1978 PA12-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-05 BM.2006.002.001/25:09-05 00:01:38 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-04 GRENAND, FRANCOISE 1978 PA12-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-06 BM.2006.002.001/25:09-06 00:01:46 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-05 GRENAND, FRANCOISE 1978 PA12-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-07 BM.2006.002.001/25:09-07 00:02:39 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-06 GRENAND, FRANCOISE 1978 PA12-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-08 BM.2006.002.001/25:09-08 00:01:14 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-07 GRENAND, FRANCOISE 1978 PA12-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-09 BM.2006.002.001/25:09-09 00:02:56 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-08 GRENAND, FRANCOISE 1978 PA12-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-10 BM.2006.002.001/25:09-10 00:01:00 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-09 GRENAND, FRANCOISE 1978 PA12-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-11 BM.2006.002.001/25:09-11 00:00:48 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-10 GRENAND, FRANCOISE 1978 PA12-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-12 BM.2006.002.001/25:09-12 00:01:44 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-11 GRENAND, FRANCOISE 1978 PA12-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-13 BM.2006.002.001/25:09-13 00:01:02 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-12 GRENAND, FRANCOISE 1978 PA12-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-14 BM.2006.002.001/25:09-14 00:01:23 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-13 GRENAND, FRANCOISE 1978 PA12-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-15 BM.2006.002.001/25:09-15 00:01:08 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-14 GRENAND, FRANCOISE 1978 PA12-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-16 BM.2006.002.001/25:09-16 00:01:03 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-15 GRENAND, FRANCOISE 1978 PA12-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-17 BM.2006.002.001/25:09-17 00:01:04 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE BUKUYU Sous-table non exportée BUKUYU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-16 GRENAND, FRANCOISE 1978 PA13-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-18 BM.2006.002.001/25:09-18 00:01:51 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAGEMGE Sous-table non exportée MAGEMGE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-17 GRENAND, FRANCOISE 1978 PA13-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-19 BM.2006.002.001/25:09-19 00:01:18 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UWAKI Sous-table non exportée UWAKI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-18 GRENAND, FRANCOISE 1978 PA13-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-20 BM.2006.002.001/25:09-20 00:03:21 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KARAKAWI Sous-table non exportée KARAKAWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-19 GRENAND, FRANCOISE 1978 PA13-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-21 BM.2006.002.001/25:09-21 00:02:46 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAYGI Sous-table non exportée MAYGI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-20 GRENAND, FRANCOISE 1978 PA13-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-22 BM.2006.002.001/25:09-22 00:02:38 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KURUWI Sous-table non exportée KURUWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-21 GRENAND, FRANCOISE 1978 PA13-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-23 BM.2006.002.001/25:09-23 00:02:28 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE AKABDAT Sous-table non exportée AKABDAT Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-22 GRENAND, FRANCOISE 1978 PA13-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-24 BM.2006.002.001/25:09-24 00:03:00 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE EPWITI Sous-table non exportée EPWITI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-23 GRENAND, FRANCOISE 0 PA13-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-25 BM.2006.002.001/25:09-25 00:01:55 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ISUU Sous-table non exportée ISUU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-24 GRENAND, FRANCOISE 1978 PA13-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-26 BM.2006.002.001/25:09-26 00:01:42 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ITEYE Sous-table non exportée ITEYE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-25 GRENAND, FRANCOISE 1978 PA13-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-27 BM.2006.002.001/25:09-27 00:01:22 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KIAPWIYE Sous-table non exportée KIAPWIYE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-26 GRENAND, FRANCOISE 1978 PA13-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-28 BM.2006.002.001/25:09-28 00:01:09 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE AUVIGWIN Sous-table non exportée AUVIGWIN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-27 GRENAND, FRANCOISE 1978 PA13-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-29 BM.2006.002.001/25:09-29 00:01:03 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UYAPKON Sous-table non exportée UYAPKON Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-28 GRENAND, FRANCOISE 1978 PA13-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-30 BM.2006.002.001/25:09-30 00:00:48 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAPWI Sous-table non exportée ARAPWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-29 GRENAND, FRANCOISE 1978 PA13-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-31 BM.2006.002.001/25:09-31 00:00:53 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAPWI Sous-table non exportée ARAPWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-30 GRENAND, FRANCOISE 1978 PA14-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-32 BM.2006.002.001/25:09-32 00:01:34 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WARAMWI Sous-table non exportée WARAMWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-31 GRENAND, FRANCOISE 1978 PA14-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :09-33 BM.2006.002.001/25:09-33 00:01:02 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAIGI Sous-table non exportée KAIGI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• BM.006.002.001/...:09-32 GRENAND, FRANCOISE 1978 PA14-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-01 BM.2006.002.001/25:10-01 00:01:16 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KUNAU Sous-table non exportée KUNAU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse :Kausikman• BM.006.002.001/...:09-33 GRENAND, FRANCOISE 1978 Non pertinent PA14-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-02 BM.2006.002.001/25:10-02 00:01:23 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE SAWIPRA Sous-table non exportée SAWIPRA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse :Kausikman BM.006.002.001/...:10-01 GRENAND, FRANCOISE 1978 PA14-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-03 BM.2006.002.001/25:10-03 00:01:29 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PARAWTU Sous-table non exportée PARAWTU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman BM.006.002.001/...:10-02 GRENAND, FRANCOISE 1978 PA14-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-04 BM.2006.002.001/25:10-04 00:01:25 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAYU Sous-table non exportée YAYU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-03 GRENAND, FRANCOISE 1978 PA14-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-05 BM.2006.002.001/25:10-05 00:01:39 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WARA Sous-table non exportée WARA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-04 GRENAND, FRANCOISE 1978 PA14-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-06 BM.2006.002.001/25:10-06 00:01:24 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE SAWAKU Sous-table non exportée SAWAKU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-05 GRENAND, FRANCOISE 1978 PA14-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-07 BM.2006.002.001/25:10-07 00:01:18 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAKOT KUMARU Sous-table non exportée YAKOT KUMARU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Yakot humaw avit kumaru:la flèche pousse(croître) ou qui est fabriqué sur la montagne d'argent• BM.006.002.001/...:10-06 GRENAND, FRANCOISE 1978 PA14-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-08 BM.2006.002.001/25:10-08 00:01:17 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE SIWAU Sous-table non exportée SIWAU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Siwau:nom d'un poisson en parikwaki(ou loubine en créole) • BM.006.002.001/...:10-07 GRENAND, FRANCOISE 1978 PA14-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-09 BM.2006.002.001/25:10-09 00:01:35 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAPTEPKA Sous-table non exportée ARAPTEPKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-08 GRENAND, FRANCOISE 1978 PA14-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-10 BM.2006.002.001/25:10-10 00:01:12 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAUKSI Sous-table non exportée MAUKSI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Mauksi: nom en parikwaki d'un singe hurleur• BM.006.002.001/...:10-09 GRENAND, FRANCOISE 1978 PA14-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-11 BM.2006.002.001/25:10-11 00:01:09 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE DATKA Sous-table non exportée DATKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Datka: nom en parikwaki de l'anaconda(couleuvre)• BM.006.002.001/...:10-10 GRENAND, FRANCOISE 1978 PA14-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-12 BM.2006.002.001/25:10-12 00:01:09 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TIMUVU Sous-table non exportée TIMUVU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Timuvu:nom d'oiseau en parikwaki(agami)• BM.006.002.001/...:10-11 GRENAND, FRANCOISE 1978 PA14-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-13 BM.2006.002.001/25:10-13 00:01:30 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TIMARI Sous-table non exportée TIMARI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Timari:nom en parikwaki, serpent à grand carreau très venimeux• BM.006.002.001/...:10-12 GRENAND, FRANCOISE 1978 PA14-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-14 BM.2006.002.001/25:10-14 00:01:15 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE URUKU Sous-table non exportée URUKU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-13 GRENAND, FRANCOISE 1978 PA14-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-15 BM.2006.002.001/25:10-15 00:01:13 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MARASI Sous-table non exportée MARASI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-14 GRENAND, FRANCOISE 1978 PA14-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-16 BM.2006.002.001/25:10-16 00:01:26 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PARATANOH Sous-table non exportée PARATANOH Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Paratanoh=Flûte soprano• BM.006.002.001/...:10-15 GRENAND, FRANCOISE 1978 PA14-19 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-17 BM.2006.002.001/25:10-17 00:00:50 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE AVITKATNOH Sous-table non exportée AVITKATNOH Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Avitkatnoh=Flûte à encoche en os de cervidé • BM.006.002.001/...:10-16 GRENAND, FRANCOISE 1978 PA14-20 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-18 BM.2006.002.001/25:10-18 00:01:09 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE SAWIKWA Sous-table non exportée SAWIKWA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Sawikwa ou sawikwi:Flûte traversière à 6 trous de jeu, symétrique, se joue à plusieurs, en orchestre • BM.006.002.001/...:10-17 GRENAND, FRANCOISE 1978 PA14-21 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-19 BM.2006.002.001/25:10-19 00:01:37 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TUWAKA Sous-table non exportée TUWAKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Tuwaka:petite flûte en bambou (aramtem) BM.006.002.001/...:10-18 GRENAND, FRANCOISE 1978 PA15-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-20 BM.2006.002.001/25:10-20 00:01:37 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAUKMA Sous-table non exportée WAUKMA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-19 GRENAND, FRANCOISE 1978 PA15-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-21 BM.2006.002.001/25:10-21 00:01:50 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE RIGIWI Sous-table non exportée RIGIWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• BM.006.002.001/...:10-20 GRENAND, FRANCOISE 1978 PA15-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-22 BM.2006.002.001/25:10-22 00:01:05 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WIRAWA Sous-table non exportée WIRAWA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Wirawa:queu de ara(perroquet) BM.006.002.001/...:10-21 GRENAND, FRANCOISE 1978 PA15-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-23 BM.2006.002.001/25:10-23 00:02:08 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE BARIBWI Sous-table non exportée BARIBWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Baribwi=Pavillon• BM.006.002.001/...:10-22 GRENAND, FRANCOISE 1978 PA15-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-24 BM.2006.002.001/25:10-24 00:01:34 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TSHUKEPKA Sous-table non exportée TSHUKEPKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Tshukepka:c'est fini, il n'y a plus de boisson(cachiri), dire au revoir... • BM.006.002.001/...:10-23 GRENAND, FRANCOISE 1978 PA15-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-25 BM.2006.002.001/25:10-25 00:01:57 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PARIKWENE AGIGNIMA Sous-table non exportée PARIKWENE AGIGNIMA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Le nom de la danse:Kausikman• Parikwene agignima: l'instrument de musique parikwene... • BM.006.002.001/...:10-24 GRENAND, FRANCOISE 1978 PA15-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-26 BM.2006.002.001/25:10-26 00:01:47 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE MAYGI Sous-table non exportée MAYGI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Maygi: Le vent... • BM.006.002.001/...:10-25 GRENAND, FRANCOISE 1978 PA15-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-27 BM.2006.002.001/25:10-27 00:01:31 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE WAIKWI Sous-table non exportée WAIKWI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Waikwi: Mouton parésseux... • BM.006.002.001/...:10-26 GRENAND, FRANCOISE 1978 PA15-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-28 BM.2006.002.001/25:10-28 00:01:12 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES YAKOT Sous-table non exportée YAKOT Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Yakot= Flèche...• BM.006.002.001/...:10-27 GRENAND, FRANCOISE 1978 PA15-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-29 BM.2006.002.001/25:10-29 00:01:53 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES WIRAWA Sous-table non exportée WIRAWA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Wirawa = Queu de ara...• BM.006.002.001/...:10-28 GRENAND, FRANCOISE 1978 PA15-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-30 BM.2006.002.001/25:10-30 00:01:40 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE AVEC LA PALETTES MAYTUTU Sous-table non exportée MAYTUTU Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Maytu ou maytutu = Agami...• BM.006.002.001/...:10-29 GRENAND, FRANCOISE 1978 PA15-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-31 BM.2006.002.001/25:10-31 00:01:40 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES WOHSKA Sous-table non exportée WOHSKA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Wõska ou wonska = Cachiri:boisson traditionnelle extraire à partir de jus de manioc ...• BM.006.002.001/...:10-30 GRENAND, FRANCOISE 1978 PA15-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-32 BM.2006.002.001/25:10-32 00:03:31 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALLETTES MAUKSI Sous-table non exportée MAUKSI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Mauksi = Singe hurleur ...• BM.006.002.001/...:10-31 GRENAND, FRANCOISE 1978 PA15-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-33 BM.2006.002.001/25:10-33 00:01:41 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KAMUWI Sous-table non exportée KAMUWI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Kamu ou kamuwi = soleil ...• BM.006.002.001/...:10-32 GRENAND, FRANCOISE 1978 PA15-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-34 BM.2006.002.001/25:10-34 00:01:49 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTES KUMAVU Sous-table non exportée KUMAVU Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Kumavu : nom de la montagne d'argentl ...• BM.006.002.001/...:10-33 GRENAND, FRANCOISE 1978 PA15-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-35 BM.2006.002.001/25:10-35 00:00:40 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSEAVEC LA PALETTES ARAPTEPKA Sous-table non exportée ARAPTEPKA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• BM.006.002.001/...:10-34 GRENAND, FRANCOISE 1978 PA15-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-36 BM.2006.002.001/25:10-36 00:02:32 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE WANUSI Sous-table non exportée WANUSI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Wanusi: natte de collier?...• BM.006.002.001/...:10-35 GRENAND, FRANCOISE 1978 PA16-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-37 BM.2006.002.001/25:10-37 00:01:38 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE NAYNA Sous-table non exportée NAYNA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Nayana, petit oiseau de savane...• BM.006.002.001/...:10-36 GRENAND, FRANCOISE 1978 PA16-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-38 BM.2006.002.001/25:10-38 00:01:07 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE KUWAW Sous-table non exportée KUWAW Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• BM.006.002.001/...:10-37 GRENAND, FRANCOISE 1978 PA16-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-39 BM.2006.002.001/25:10-39 00:01:19 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE MAWIMA Sous-table non exportée MAWIMA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Mawimã:petit oiseau de la forêt, aime rester près d'une petite rivière...• BM.006.002.001/...:10-38 GRENAND, FRANCOISE 1978 PA16-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-40 BM.2006.002.001/25:10-40 00:01:17 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE AVUNHINKET Sous-table non exportée AVUNHINKET Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Avunhinket:cimetière• BM.006.002.001/...:10-39 GRENAND, FRANCOISE 1979 PA16-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-41 BM.2006.002.001/25:10-41 00:01:26 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE KURUWI Sous-table non exportée KURUWI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Kuru /ku ou kuuwi: Papillon• BM.006.002.001/...:10-40 GRENAND, FRANCOISE 1978 PA16-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-42 BM.2006.002.001/25:10-42 00:03:12 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 AMBIANCE DE NUIT AMISNAVIYE GAMANPUYE Sous-table non exportée AMISNAVIYE GAMANPUYE Sous-table non exportée ambiance nuit, chez Payuyu Ambiance de nuit, insectes Original = ²19• BM.006.002.001/...:10-41 GRENAND, FRANCOISE 1978 PA16-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :10-43 BM.2006.002.001/25:10-43 00:09:12 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 AMBIANCE NUIT AMISNAVIYE GAMANPUYE Sous-table non exportée AMISNAVIYE GAMANPUYE Sous-table non exportée Ambiance nuit, chez Payuyu• Ambiance denuit, insectes. Original = ²19• BM.006.002.001/...:10-42 GRENAND, FRANCOISE 1978 PA16-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-01 BM.2006.002.001/25:11-01 00:23:26 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 VOCABULAIRE EN PARIKWAKI YUWIT PARIKWAKI Sous-table non exportée YUWIT PARIKWAKI Sous-table non exportée Payuyu parle en parikwaki. Original = ²9,5• BM.006.002.001/...:10-41 GRENAND, FRANCOISE 1978 PA17-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-02 BM.2006.002.001/25:11-02 00:14:18 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 VOCABULAIRE EN PARIKWAKI YUWIT PARIKWAKI Sous-table non exportée YUWIT PARIKWAKI Sous-table non exportée Payuyu parle en parikwaki. Original = ²9,5• BM.006.002.001/...:11-01 GRENAND, FRANCOISE 1978 PA17-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-03 BM.2006.002.001/25:11-03 00:06:54 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 VOCABULAIRE EN PARIKWAKI YUWIT PARIKWAKI Sous-table non exportée YUWIT PARIKWAKI Sous-table non exportée Payuyu parle en parikwaki. Original = ²9,5• BM.006.002.001/...:11-02 GRENAND, FRANCOISE 1978 PA17-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-04 BM.2006.002.001/25:11-04 00:08:43 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 VOCABULAIRE EN PARIKWAKI YUWIT PARIKWAKI Sous-table non exportée YUWIT PARIKWAKI Sous-table non exportée Payuyu parle en parikwaki. Original = ²9,5• BM.006.002.001/...:11-03 GRENAND, FRANCOISE 1978 PA17-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-05 BM.2006.002.001/25:11-05 00:03:23 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 VOCABULAIRE EN PARIKWAKI YUWIT PARIKWAKI Sous-table non exportée YUWIT PARIKWAKI Sous-table non exportée Payuyu parle en parikwaki. Original = ²9,5• BM.006.002.001/...:11-04 GRENAND, FRANCOISE 1978 PA17-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-06 BM.2006.002.001/25:11-06 00:03:33 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE URUMA Sous-table non exportée URUMA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5• Urumã ou urume: petite touterelle• BM.006.002.001/...:10-41 GRENAND, FRANCOISE 1978 PA17-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-07 BM.2006.002.001/25:11-07 00:02:09 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE TUKUUNYE Sous-table non exportée TUKUUNYE Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5• Tukuunye ou tukuhunye• BM.006.002.001/...:11-06 GRENAND, FRANCOISE 1978 PA17-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-08 BM.2006.002.001/25:11-08 00:01:04 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE PUNAPUNA Sous-table non exportée PUNAPUNA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5• Punãpunã :caïman• BM.006.002.001/...:11-07 GRENAND, FRANCOISE 1978 PA17-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :11-09 BM.2006.002.001/25:11-09 00:02:51 26/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE MARINA Sous-table non exportée MARINA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²9,5• Marinã:tornade• BM.006.002.001/...:11-08 GRENAND, FRANCOISE 1978 PA17-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-01 BM.2006.002.001/25:12-01 00:03:40 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE PAKI Sous-table non exportée PAKI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Paki ou pakira:(cochon bois)pécari à lèvre blanc • BM.006.002.001/...:11-09 GRENAND, FRANCOISE 1978 PA18-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-02 BM.2006.002.001/25:12-02 00:01:46 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE URUPWI Sous-table non exportée URUPWI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Urupwi:un gros caïman à deux queu • BM.006.002.001/...:12-01 GRENAND, FRANCOISE 1978 PA18-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-03 BM.2006.002.001/25:12-03 00:03:56 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE YAWIYU Sous-table non exportée YAWIYU Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Yawii ou yawihu(ru):espèce de cigogne(jaburu) • Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-02 GRENAND, FRANCOISE 1978 PA18-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-04 BM.2006.002.001/25:12-04 00:01:54 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE KAUWI Sous-table non exportée KAUWI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Kauwi/kaguwi ou kahuwi:un petit oiseau • Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-03 GRENAND, FRANCOISE 1978 PA18-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-05 BM.2006.002.001/25:12-05 00:01:22 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE MAUWEM Sous-table non exportée MAUWEM Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Mauwem:Cabassou...• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-04 GRENAND, FRANCOISE 1978 PA18-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-06 BM.2006.002.001/25:12-06 00:04:08 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE MAIWEYO? Sous-table non exportée MAIWEYO? Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• mareyo et maiweyo deux oiseaux différent...• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-05 GRENAND, FRANCOISE 1978 PA18-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-07 BM.2006.002.001/25:12-07 00:02:31 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE WAKAA Sous-table non exportée WAKAA Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• wakaa:grand blanc ou aigrette blanc• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-06 GRENAND, FRANCOISE 1978 PA18-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-08 BM.2006.002.001/25:12-08 00:05:12 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE IYUTI Sous-table non exportée IYUTI Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Iyuti ou yuti : couronne en plume• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-07 GRENAND, FRANCOISE 1978 PA18-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-09 BM.2006.002.001/25:12-09 00:03:18 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE KARAU Sous-table non exportée KARAU Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Karau: Ara rouge• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-08 GRENAND, FRANCOISE 1978 PA18-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-10 BM.2006.002.001/25:12-10 00:04:53 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE PAYT? Sous-table non exportée PAYT? Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Attention, il y a deux chansons sur la plage 10 CD12 payt et mauksi,une mayapna et l'autre wawapna• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-09 GRENAND, FRANCOISE 1978 PA18-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-11 BM.2006.002.001/25:12-11 00:01:48 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC LA PALETTE PAYT? Sous-table non exportée PAYT? Sous-table non exportée Payuyu chante les chants de femmes, danse mayapna• Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19• Il dit que le titre de la chanson s'est mauksi ,mais s'est payt il s'est trompé , c'est la danse mayapna• Payuyu est accompagné d'une de sa fille pour chanter • BM.006.002.001/...:12-10 GRENAND, FRANCOISE 1978 PA18-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-12 BM.2006.002.001/25:12-12 00:03:18 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KATATU Sous-table non exportée KATATU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. BM.006.002.001/...:01-09 GRENAND, FRANCOISE 1978 PA18-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-13 BM.2006.002.001/25:12-13 00:03:50 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAUKMA Sous-table non exportée WAUKMA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur du chaman• Original = ²19• Encore parikwene agignimã, chant sinal (aramtemman• Waukmã: étoile BM.006.002.001/...:10-24 GRENAND, FRANCOISE 1978 PA19-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-14 BM.2006.002.001/25:12-14 00:01:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YANUAKA Sous-table non exportée YANUAKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Yanuaka: grosse roche au levant,en tête amazone...• BM.006.002.001/...:12-13 GRENAND, FRANCOISE 1978 PA19-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-15 BM.2006.002.001/25:12-15 00:01:36 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TAT Sous-table non exportée TAT Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson(l'esprit qui a montré cette chanson a Payuyu, il s'appelle Okis) ... •Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• BM.006.002.001/...:12-14 GRENAND, FRANCOISE 1978 PA19-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-16 BM.2006.002.001/25:12-16 00:01:37 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE BUKUYU Sous-table non exportée BUKUYU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• BM.006.002.001/...:12-15 GRENAND, FRANCOISE 1978 PA19-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-17 BM.2006.002.001/25:12-17 00:02:36 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YUWIVRA Sous-table non exportée YUWIVRA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Yuwivra:bambou• BM.006.002.001/...:12-16 GRENAND, FRANCOISE 1978 PA19-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-18 BM.2006.002.001/25:12-18 00:01:59 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAWA Sous-table non exportée WAWA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Wawa:hochet• Dans le chant est dite marakay...Marakay ou marakiye: un ocelot ?• Marakkaye:l'hochet danse...• BM.006.002.001/...:12-17 GRENAND, FRANCOISE 1978 PA19-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-19 BM.2006.002.001/25:12-19 00:01:34 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAUKMA Sous-table non exportée WAUKMA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Waukmã:étoile BM.006.002.001/...:12-18 GRENAND, FRANCOISE 1978 PA19-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-20 BM.2006.002.001/25:12-20 00:02:13 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TIMAR Sous-table non exportée TIMAR Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Timar:serpent à grand carreau... BM.006.002.001/...:12-19 GRENAND, FRANCOISE 1978 PA19-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-21 BM.2006.002.001/25:12-21 00:01:36 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KUNAIRI Sous-table non exportée KUNAIRI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Kunairi,kunaw ou kunawa: une petite grénouille...• BM.006.002.001/...:12-20 GRENAND, FRANCOISE 1978 PA19-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-22 BM.2006.002.001/25:12-22 00:01:33 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAWKUWI Sous-table non exportée ARAWKUWI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• BM.006.002.001/...:12-21 GRENAND, FRANCOISE 1978 PA19-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-23 BM.2006.002.001/25:12-23 00:02:04 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAU Sous-table non exportée MAU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Mau:coton• BM.006.002.001/...:12-22 GRENAND, FRANCOISE 1978 PA19-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-24 BM.2006.002.001/25:12-24 00:01:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WANAPO Sous-table non exportée WANAPO Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Wanapo: gransd indiens qui reste dans la forêt• BM.006.002.001/...:12-23 GRENAND, FRANCOISE 1978 PA19-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-25 BM.2006.002.001/25:12-25 00:01:41 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE AMAN Sous-table non exportée AMAN Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Aman:un petit lézard de terre• BM.006.002.001/...:12-24 GRENAND, FRANCOISE 1978 PA19-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-26 BM.2006.002.001/25:12-26 00:01:33 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WARIGI Sous-table non exportée WARIGI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Warigi:louche main(petit tamanoir)• BM.006.002.001/...:12-25 GRENAND, FRANCOISE 1978 PA19-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-27 BM.2006.002.001/25:12-27 00:01:28 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KASIVAG Sous-table non exportée KASIVAG Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Kasivag:sabre• BM.006.002.001/...:12-26 GRENAND, FRANCOISE 1978 PA19-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :12-28 BM.2006.002.001/25:12-28 00:01:23 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE AP Sous-table non exportée AP Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Ap:singe araigné• BM.006.002.001/...:12-27 GRENAND, FRANCOISE 1978 PA19-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-01 BM.2006.002.001/25:13-01 00:01:02 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TROIS PITONS Sous-table non exportée TROIS PITONS Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Trois pitons:le nom de la montagne...En palikur le nom est:mbana waxri ou mbana datka waxrine• BM.006.002.001/...:12-28 GRENAND, FRANCOISE 1978 PA20-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-02 BM.2006.002.001/25:13-02 00:02:24 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TAKAA AWAIG Sous-table non exportée TAKAA AWAIG Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Takaa awaig:le coq• BM.006.002.001/...:13-01 GRENAND, FRANCOISE 1978 PA20-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-03 BM.2006.002.001/25:13-03 00:01:24 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MEU Sous-table non exportée MEU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Meu: Coq roche• BM.006.002.001/...:13-02 GRENAND, FRANCOISE 1978 PA20-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-04 BM.2006.002.001/25:13-04 00:01:38 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TUNAKI Sous-table non exportée TUNAKI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Tunaki:une grosse couleuvre• BM.006.002.001/...:13-03 GRENAND, FRANCOISE 1978 PA20-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-05 BM.2006.002.001/25:13-05 00:01:52 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UMUHRU Sous-table non exportée UMUHRU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Umuhru ou um~ur~u: coq canot grosse(pirrogue)• BM.006.002.001/...:13-04 GRENAND, FRANCOISE 1978 PA20-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-06 BM.2006.002.001/25:13-06 00:01:53 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAVITIYE Sous-table non exportée WAVITIYE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Wavitiye: diable• BM.006.002.001/...:13-05 GRENAND, FRANCOISE 1978 PA20-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-07 BM.2006.002.001/25:13-07 00:01:42 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YADIGIS Sous-table non exportée YADIGIS Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Yadigis: nom d'un autre diable qui tape sur les arbres• BM.006.002.001/...:13-06 GRENAND, FRANCOISE 1978 PA20-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-08 BM.2006.002.001/25:13-08 00:01:44 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KARAKAO Sous-table non exportée KARAKAO Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Karakao: un oiseau(cancan)• BM.006.002.001/...:13-07 GRENAND, FRANCOISE 1978 PA20-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-09 BM.2006.002.001/25:13-09 00:01:08 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAUKI Sous-table non exportée YAUKI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Yauki: toucan• BM.006.002.001/...:13-08 GRENAND, FRANCOISE 1978 PA20-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-10 BM.2006.002.001/25:13-10 00:02:05 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PAKIR Sous-table non exportée PAKIR Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Pakir:pékari à lèvre blanche• BM.006.002.001/...:13-09 GRENAND, FRANCOISE 1978 PA20-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-11 BM.2006.002.001/25:13-11 00:01:09 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAVINE Sous-table non exportée KAVINE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Kavine:pékari à collier• BM.006.002.001/...:13-10 GRENAND, FRANCOISE 1978 PA20-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-12 BM.2006.002.001/25:13-12 00:01:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAWIRU Sous-table non exportée YAWIRU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Yawiru ou yawi:cigogne?(jaburu)• BM.006.002.001/...:13-11 GRENAND, FRANCOISE 1978 PA20-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-13 BM.2006.002.001/25:13-13 00:01:43 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MARAKWA Sous-table non exportée MARAKWA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Maikwa ou marakwa : lac...• Le nom de la pièce kunan, suivi d'un lieu ou une rivière formant un lac, qui est marakwa• BM.006.002.001/...:13-12 GRENAND, FRANCOISE 1978 PA20-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-14 BM.2006.002.001/25:13-14 00:01:04 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE EPWIT Sous-table non exportée EPWIT Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Epwit:banc/chaise...• Epwit, est un banc traditionnelle en forme de couleuvre ,caïman etetc...,qui est sculpté, long de 2,5m ou plus • Lors de la cérémonie les gens s'asseyent dessus et attendre que les femmes viennent les servir de la boisson traditionnelle qui est le cachiri • BM.006.002.001/...:13-13 GRENAND, FRANCOISE 1978 PA21-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-15 BM.2006.002.001/25:13-15 00:01:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAKAU Sous-table non exportée ARAKAU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Arakau:gros lézard de terre?• BM.006.002.001/...:13-14 GRENAND, FRANCOISE 1978 PA21-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-16 BM.2006.002.001/25:13-16 00:01:20 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAMU Sous-table non exportée KAMU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Kamu:soleil• BM.006.002.001/...:13-15 GRENAND, FRANCOISE 1978 PA21-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-17 BM.2006.002.001/25:13-17 00:01:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WONSKAHI Sous-table non exportée WONSKAHI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Wonskahi/wonska: Cachiri• BM.006.002.001/...:13-16 GRENAND, FRANCOISE 1978 PA21-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-18 BM.2006.002.001/25:13-18 00:01:37 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MUWOKA Sous-table non exportée MUWOKA Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Muwoka/mwok: pluie• Son esprit vient de marapi , là où il y a beaucoup de pluie• BM.006.002.001/...:13-17 GRENAND, FRANCOISE 1978 PA21-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-19 BM.2006.002.001/25:13-19 00:01:52 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAIGI Sous-table non exportée MAIGI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Maigi: Vent• •L'esprit vient dans le vent• BM.006.002.001/...:13-18 GRENAND, FRANCOISE 1978 PA21-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-20 BM.2006.002.001/25:13-20 00:01:40 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UGUGUNE Sous-table non exportée UGUGUNE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Ugugun~e/ugugune: éclaire• •L'esprit arrive brillant comme l'éclaire• BM.006.002.001/...:13-19 GRENAND, FRANCOISE 1978 PA21-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-21 BM.2006.002.001/25:13-21 00:01:57 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE DIGIDGIYE Sous-table non exportée DIGIDGIYE Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Digidgiye: Tonnerre• *Le troupeau d'animaux qui accompagne l'esprit fait autant de bruit que le tonnerre* BM.006.002.001/...:13-20 GRENAND, FRANCOISE 1978 PA21-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-22 BM.2006.002.001/25:13-22 00:02:46 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KUSIRI Sous-table non exportée KUSIRI Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Kusiri ou kusi: petit singe de couleur noir à main doré• BM.006.002.001/...:13-21 GRENAND, FRANCOISE 1978 PA21-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-23 BM.2006.002.001/25:13-23 00:01:35 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAYTUTU Sous-table non exportée MAYTUTU Sous-table non exportée Payuyu chante le aramtemman, en général la danse aramtemman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson...•Payuyu le nom en Palikur(parikwaki) du chaman• Original = ²19• Maytutu ou maytu : Agami• BM.006.002.001/...:13-22 GRENAND, FRANCOISE 1978 PA21-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-24 BM.2006.002.001/25:13-24 00:08:38 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAYNE Sous-table non exportée KAYNE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Le père commence a chanté avant et après ses deux filles ...* BM.006.002.001/...:08-07 GRENAND, FRANCOISE 1978 PA21-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-25 BM.2006.002.001/25:13-25 00:05:32 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TUMOWKA Sous-table non exportée TUMOWKA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Le père commence a chanté avant et après ses deux filles ...* BM.006.002.001/...:13-24 GRENAND, FRANCOISE 1978 PA21-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-26 BM.2006.002.001/25:13-26 00:11:15 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAKAU Sous-table non exportée WAKAU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Le père commence a chanté avant et après ses deux filles ...* BM.006.002.001/...:13-25 GRENAND, FRANCOISE 1978 PA22-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :13-27 BM.2006.002.001/25:13-27 00:05:37 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TUMOW Sous-table non exportée TUMOW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: DUOde 1F+1H• *Le père commence a chanté avant et après ses deux filles ...* •La suite de tumow chanter plage 25 PA21-12• BM.006.002.001/...:13-26 GRENAND, FRANCOISE 1978 PA22-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-01 BM.2006.002.001/25:14-01 00:03:29 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PINUPI Sous-table non exportée PINUPI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Le père commence a chanté avant et après ses deux filles ...* •Pinupi:poisson (sabre)• BM.006.002.001/...:13-26 GRENAND, FRANCOISE 1978 PA22-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-02 BM.2006.002.001/25:14-02 00:05:33 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MAREYO Sous-table non exportée MAREYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Mareyo:un petit oiseau* BM.006.002.001/...:14-01 GRENAND, FRANCOISE 1978 PA22-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-03 BM.2006.002.001/25:14-03 00:03:39 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MIKKORO Sous-table non exportée MIKKORO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Mikkoro ou atiwi:nègres * •Quisont sortis de la montagne Cajari,des êtres que voyait le chaman, qui habitaient sous la montagne ou dans l'autre monde• BM.006.002.001/...:14-02 GRENAND, FRANCOISE 1978 PA22-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-04 BM.2006.002.001/25:14-04 00:02:06 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARAW Sous-table non exportée PARAW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 2F+1H• *Paraw: la mer• BM.006.002.001/...:14-03 GRENAND, FRANCOISE 1978 PA22-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-05 BM.2006.002.001/25:14-05 00:05:30 27/12/78 GUYANE FRANCAISE OYAPOCK,ST GEORGES,GABARET PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Chanté: CHR de 3F+1H• •Il chante avec ses 3 filles• *Ce chant, c'est un esprit de femmes nommés (Egkis) qui à montré cette chanson à Payuyu* •La danse de hochet• BM.006.002.001/...:14-04 GRENAND, FRANCOISE 1978 PA23-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-06 BM.2006.002.001/25:14-06 00:05:48 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE UNUWEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-05 GRENAND, FRANCOISE 1979 PA24-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-07 BM.2006.002.001/25:14-07 00:02:16 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE WAUKMEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Suite unuwepka* Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-06 GRENAND, FRANCOISE 1979 PA24-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-08 BM.2006.002.001/25:14-08 00:11:44 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-07 GRENAND, FRANCOISE 1979 PA24-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-09 BM.2006.002.001/25:14-09 00:08:25 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE SAAMNEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Saamnã: le nom de la montagne qui se trouve à Urukawa quelques km du village parikwene à Kumene, dans l'état d'Amapa Brésil• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-08 GRENAND, FRANCOISE 1979 PA25-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-10 BM.2006.002.001/25:14-10 00:07:55 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE YAWIYEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-09 GRENAND, FRANCOISE 1979 PA25-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-11 BM.2006.002.001/25:14-11 00:11:07 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE AVANTEMMAN Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Avantemman, vient du mot avat: chant• Avan=chant+tem=clari/nette+man=l'air ou son(aramtemman)• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-10 GRENAND, FRANCOISE 1979 PA25-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :14-12 BM.2006.002.001/25:14-12 00:04:38 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DE LA CLARINETTE KAUMNEPKA Sous-table non exportée KAUKSIKMAN Sous-table non exportée Dans les rituels, le chaman peut jouer cet air• Avantemman, vient du mot avat: chant• Avan=chant+tem=clari/nette+man=l'air ou son(aramtemman)• Original = ²19. VC : le musicien Victor Michel fredonne l'air avant qu'il soit joué par l'ensemble de 3 clarinettes. * AAB-Aramtem: 3 clarinettes à une seule note, appelées respectivement "paukanõ", "arankiwi" et "anagkiwi". $ jouées par : Georges Baptiste, Victor Michel et André Michel• BM.006.002.001/...:14-11 GRENAND, FRANCOISE 1979 PA25-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-01 BM.2006.002.001/25:15-01 00:31:50 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DE LA FEMME ET L' ALLIGATOR TINO GIKAK PUNAPUNA Sous-table non exportée INETIT/ESTWA Sous-table non exportée Histoire de la femme qui s'est mariée avec le caîman(alligator)• Original = ²19. BM.006.002.001/...:14-12 GRENAND, FRANCOISE 1979 PA26-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-02 BM.2006.002.001/25:15-02 00:13:09 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DE MARIBUKU MARIBUKU Sous-table non exportée INETIT/ESTWA Sous-table non exportée Maribuku:les gens qui habitait autre fois sous la terre dans une grande montagne wakayriprès de Urukawa, autre fois ce sont des êtres de l'autre planète•••(Esprit), il y a que les chamans qui peuvent le voir, ils appellent les chaman:kotiye/voyant.Maribuku, Ce sont les Galibis• Original = ²19. BM.006.002.001/...:15-01 GRENAND, FRANCOISE 1979 PA26-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-03 BM.2006.002.001/25:15-03 00:04:35 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE DE MARIBUKU KEKA GIKAK MARIBUK Sous-table non exportée INETIT/ESTWA Sous-table non exportée Guerre contre le Maribuku(Galibi)• Original = ²19. BM.006.002.001/...:15-02 GRENAND, FRANCOISE 1979 PA26-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-04 BM.2006.002.001/25:15-04 00:02:41 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARAW Sous-table non exportée PARAW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:01-01 GRENAND, FRANCOISE 1979 PA27-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-05 BM.2006.002.001/25:15-05 00:00:56 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TAPU GUPINAYE Sous-table non exportée TAPU GUPINAYE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-04 GRENAND, FRANCOISE 1979 PA27-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-06 BM.2006.002.001/25:15-06 00:00:55 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAUWU Sous-table non exportée WAUWU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-05 GRENAND, FRANCOISE 1979 PA27-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-07 BM.2006.002.001/25:15-07 00:01:11 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARAW Sous-table non exportée PARAW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-06 GRENAND, FRANCOISE 1979 PA27-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-08 BM.2006.002.001/25:15-08 00:01:10 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAMMEPKA Sous-table non exportée MARAMMEPKA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-07 GRENAND, FRANCOISE 1979 PA27-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-09 BM.2006.002.001/25:15-09 00:00:46 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KWEYO Sous-table non exportée KWEYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• Kweyepka :batamnaki* kweyo:petit poisson$ BM.006.002.001/...:15-07 GRENAND, FRANCOISE 1979 PA27-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-10 BM.2006.002.001/25:15-10 00:00:56 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET IVAINTI Sous-table non exportée IVAINTI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• Ivainti ou ivaintepka:escalier* BM.006.002.001/...:15-09 GRENAND, FRANCOISE 1979 PA27-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-11 BM.2006.002.001/25:15-11 00:00:50 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KWEYO GUPINA? Sous-table non exportée KWEYO GUPINA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• Kweyo gupina :la maison de kweyo* BM.006.002.001/...:15-10 GRENAND, FRANCOISE 1979 PA27-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-12 BM.2006.002.001/25:15-12 00:00:52 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAYAPO KURI NAHYE? Sous-table non exportée WAYAPO KURI NAHYE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-11 GRENAND, FRANCOISE 1979 PA27-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-13 BM.2006.002.001/25:15-13 00:00:29 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAMMEPKA Sous-table non exportée MARAMMEPKA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:15-12 GRENAND, FRANCOISE 1979 PA27-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-14 BM.2006.002.001/25:15-14 00:01:47 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES WARAM Sous-table non exportée WARAM Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• Waram ou warammepka:ramier BM.006.002.001/...:01-10 GRENAND, FRANCOISE 1979 PA27-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-15 BM.2006.002.001/25:15-15 00:02:38 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES MARINA Sous-table non exportée MARINA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• BM.006.002.001/...:15-14 GRENAND, FRANCOISE 1979 PA27-12 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-16 BM.2006.002.001/25:15-16 00:01:56 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES PAYT Sous-table non exportée PAYT Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• BM.006.002.001/...:15-15 GRENAND, FRANCOISE 1979 PA27-13 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :15-17 BM.2006.002.001/25:15-17 00:02:25 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES YAWI Sous-table non exportée YAWI Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• BM.006.002.001/...:15-16 GRENAND, FRANCOISE 1979 PA27-14 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-01 BM.2006.002.001/25:16-01 00:03:08 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES KAHU Sous-table non exportée KAHU Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• Kahu ou kau:Luciole BM.006.002.001/...:15-17 GRENAND, FRANCOISE 1979 PA27-15 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-02 BM.2006.002.001/25:16-02 00:00:45 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES NAYNA Sous-table non exportée NAYNA Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• BM.006.002.001/...:16-01 GRENAND, FRANCOISE 1979 PA27-16 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-03 BM.2006.002.001/25:16-03 00:01:48 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES WARAM Sous-table non exportée WARAM Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• BM.006.002.001/...:16-02 GRENAND, FRANCOISE 1979 PA27-17 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-04 BM.2006.002.001/25:16-04 00:01:41 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE AVEC PALETTES WAXRI Sous-table non exportée WAXRI Sous-table non exportée Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Annonce bonheur,vie,force et abondance• Original = ²19. * Espérance s'appelait autrefois "La savane. ¤ La bonté Madeleine "• Waxri:terre, se dit aussi pour une montagne• BM.006.002.001/...:16-03 GRENAND, FRANCOISE 1979 PA27-18 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-05 BM.2006.002.001/25:16-05 00:01:40 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAIYEPKA Sous-table non exportée KAIYEPKA Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de lachanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:09-01 GRENAND, FRANCOISE 1979 PA28-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-06 BM.2006.002.001/25:16-06 00:01:35 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de lachanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-05 GRENAND, FRANCOISE 1979 PA28-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-07 BM.2006.002.001/25:16-07 00:01:15 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de lachanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-06 GRENAND, FRANCOISE 1979 PA28-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-08 BM.2006.002.001/25:16-08 00:02:34 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-07 GRENAND, FRANCOISE 1979 PA28-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-09 BM.2006.002.001/25:16-09 00:01:14 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-08 GRENAND, FRANCOISE 1979 PA28-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-10 BM.2006.002.001/25:16-10 00:01:33 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-09 GRENAND, FRANCOISE 1979 PA28-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-11 BM.2006.002.001/25:16-11 00:01:34 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-10 GRENAND, FRANCOISE 1979 PA28-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-12 BM.2006.002.001/25:16-12 00:02:16 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAUSIMAN Sous-table non exportée KAUSIKMAN Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-11 GRENAND, FRANCOISE 1979 PA28-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-13 BM.2006.002.001/25:16-13 00:01:22 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KAMUWEPKA Sous-table non exportée KAMUWEPKA Sous-table non exportée Victor Michel chante le kausikman, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Aramtemman, l'air de la chanson est différente que le kausikman• Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:16-12 GRENAND, FRANCOISE 1979 PA28-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-14 BM.2006.002.001/25:16-14 00:08:37 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE BATAMNEPKA Sous-table non exportée BATAMNEPKA Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Espérance s'apellait autrefois "la savane"• Les musicinens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Romain Norino joue aussi anagkiwi• Puguti ou puruti:gens de wasa* BM.006.002.001/...:16-13 GRENAND, FRANCOISE 1979 PA28-10 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-15 BM.2006.002.001/25:16-15 00:08:16 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMAN Sous-table non exportée ARAMTEMMAN Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Les musiciens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Romain Norino joue aussi anagkiwi• Espérance s'appellait autrefois "la savane"• Puguti ou puruti:gens de wasa* BM.006.002.001/...:16-14 GRENAND, FRANCOISE 1979 PA28-11 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-16 BM.2006.002.001/25:16-16 00:03:17 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PRUGUTI AGIGNIMA Sous-table non exportée PUGUTI AGIGNIMA Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Espérance s'appellait autrefois "la savane"• Les musiciens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Romain Norino joue aussi anagkiwi• Puguti ou puruti:gens de wasa* BM.006.002.001/...:16-15 GRENAND, FRANCOISE 1979 PA29-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-17 BM.2006.002.001/25:16-17 00:02:14 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE PRUGUTI AGIGNIMA Sous-table non exportée PUGUTI AGIGNIMA Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Espérance s'appellait autrefois "la savane"• Les musiciens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Romain Norino joue aussi anagkiwi• Puguti ou puruti:gens de wasa* Chanson batamnepka* BM.006.002.001/...:16-16 GRENAND, FRANCOISE 1979 PA29-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-18 BM.2006.002.001/25:16-18 00:07:29 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE WAYAUSEPKA Sous-table non exportée WAYAUSEPKA Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Espérance s'appellait autrefois "la savane"• Les musiciens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Romain Norino joue aussi anagkiwi• Puguti ou puruti:gens de wasa* BM.006.002.001/...:16-17 GRENAND, FRANCOISE 1979 PA29-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :16-19 BM.2006.002.001/25:16-19 00:07:08 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAWEPKA Sous-table non exportée ARAWEPKA Sous-table non exportée Louis Maurice chante le aramtemman, Pruguti agignima, en général la danse de aramtem se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• Original = ²19• Espérance s'appellait autrefois "la savane"• Les musiciens sont: Louis Maurice joue agankiwi, Ignace Baptiste joue paukano, Georges Baptiste joue anagkiwi et Abelard Norino joue aussi anagkiwi• Puguti ou puruti:gens de wasa* BM.006.002.001/...:16-18 GRENAND, FRANCOISE 1979 PA29-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-01 BM.2006.002.001/25:17-01 00:05:48 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la chanson A TAI WANO? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:01-25 GRENAND, FRANCOISE 1979 PA30-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-02 BM.2006.002.001/25:17-02 00:03:22 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce aku tuwene mikkoro(wonska abatvin)? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:17-01 GRENAND, FRANCOISE 1979 PA30-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-03 BM.2006.002.001/25:17-03 00:03:22 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce yaukeviye? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:17-02 GRENAND, FRANCOISE 1979 PA30-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-04 BM.2006.002.001/25:17-04 00:01:51 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce yaukeviye? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:17-03 GRENAND, FRANCOISE 1979 PA30-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-05 BM.2006.002.001/25:17-05 00:03:26 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce waune sesuwe? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:17-04 GRENAND, FRANCOISE 1979 PA30-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-06 BM.2006.002.001/25:17-06 00:01:43 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce tuwatuwa yanikaye? Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace BM.006.002.001/...:17-05 GRENAND, FRANCOISE 1979 PA30-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-07 BM.2006.002.001/25:17-07 00:04:24 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 CHANT DE DEUIL WUKIKAPNA Sous-table non exportée WUKIKAPNA Sous-table non exportée ce chant est exécuté après un deuil,c'est une prière...les personnes qui sont en deuil coupent leurs cheveux , les femmes se coiffent et se maquillent•La famille s'habille différemment que les invités•...C'est pour oublier le défunt... Chanté trois jours après l'enterrement, ils font de la fête • (Ukikapnã est chanté,dansé aussi pendant l'éclipse de lune mais sans boisson,car celle-ci annonce le bonnheur, la vie , la force et l'abondance)• Titre de la pièce tuwatuwa yanikaye suite?0:0:35 kau•Dans cette plage il y a 3 chansons• Original = ²19. * Espérance s'appelait autrefois "La savane"• Ce chant est chanté avec deux clarinettes(katiwyo) ou avec un groupe de chanteur, qui ne sont pas de la famille• Françoise Labonté(Apux) et ignace Attention a partir de0:3:47 Victor Michel,Louis Mauriceet Ignace Baptiste chante le sabugman(tambour) BM.006.002.001/...:17-06 GRENAND, FRANCOISE 1979 PA30-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-08 BM.2006.002.001/25:17-08 00:03:47 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUGMAN Sous-table non exportée SABUGMAN Sous-table non exportée Sabug=tambour Chanter sans tambour Original = ²19. * Espérance s'appelait autrefois "La savane"• Louis Mauriceet Ignace Baptiste chante le sabugman• BM.006.002.001/...:17-07 GRENAND, FRANCOISE 1979 PA31-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-09 BM.2006.002.001/25:17-09 00:04:36 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUGMAN Sous-table non exportée SABUGMAN Sous-table non exportée Sabug=tambour Chanter sans tambour Original = ²19. * Espérance s'appelait autrefois "La savane"• Louis Mauriceet Ignace Baptiste chante le sabugman• BM.006.002.001/...:17-08 GRENAND, FRANCOISE 1979 PA31-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-10 BM.2006.002.001/25:17-10 00:03:55 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUGMAN Sous-table non exportée SABUGMAN Sous-table non exportée Sabug=tambour Chanter sans tambour Original = ²19. * Espérance s'appelait autrefois "La savane"• Louis Mauriceet Ignace Baptiste chante le sabugman• BM.006.002.001/...:17-09 GRENAND, FRANCOISE 1979 PA31-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :17-11 BM.2006.002.001/25:17-11 00:03:55 08/79 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUGMAN Sous-table non exportée SABUGMAN Sous-table non exportée Sabug=tambour Chanter sans tambour Original = ²19. * Espérance s'appelait autrefois "La savane"• Louis Mauriceet Ignace Baptiste chante le sabugman• BM.006.002.001/...:17-08 GRENAND, FRANCOISE 1979 PA31-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-01 BM.2006.002.001/25:18-01 00:02:36 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE INETIT/ESTWA Sous-table non exportée INETIT/ESTWA Sous-table non exportée Antoine Baptiste raconte l'origine des danses et des clans Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:17-11 BEAUDET,JEAN-MICHEL 1981 PA33-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-02 BM.2006.002.001/25:18-02 00:03:25 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 HISTOIRE INETIT/ESTWA Sous-table non exportée INETIT/ESTWA Sous-table non exportée Antoine Baptiste raconte l'origine des danses et des clans Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:18-01 BEAUDET,JEAN-MICHEL 1981 PA33-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-03 BM.2006.002.001/25:18-03 00:02:08 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUG MEUKA AMA Sous-table non exportée SABUG MEUKA AMA Sous-table non exportée Meuka ama jouée par Antoine Baptiste •On peut appeller meuka ama( gaugaw) Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• le gaugaw est frotté avec la main pour qu'il y ait le son* BM.006.002.001/...:18-02 BEAUDET,JEAN-MICHEL 1981 PA33-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-04 BM.2006.002.001/25:18-04 00:01:08 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU TAMBOUR SABUG MEUKA AMA Sous-table non exportée SABUG MEUKA AMA Sous-table non exportée Meuka ama jouée par Antoine Baptiste •On peut appeller meuka ama( gaugaw) Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• le gaugaw est frotté avec la main pour qu'il y ait le son* BM.006.002.001/...:18-03 BEAUDET,JEAN-MICHEL 1981 PA33-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-05 BM.2006.002.001/25:18-05 00:01:04 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 AMBIANCE AMANVUYE Sous-table non exportée AMANVUYE Sous-table non exportée Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:18-04 BEAUDET,JEAN-MICHEL 1981 PA33-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-06 BM.2006.002.001/25:18-06 00:01:01 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE/GARCON AVAT RIMAKSANE AWAIG Sous-table non exportée AVAT RIMAKSANE AWAIG Sous-table non exportée Rwipti femme de Georges de Baptiste chante en balançant le hamac à son enfant• Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:18-05 BEAUDET,JEAN-MICHEL 1981 PA33-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-07 BM.2006.002.001/25:18-07 00:07:34 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE/GARCON AVAT RIMAKSANE AWAIG Sous-table non exportée AVAT RIMAKSANE AWAIG Sous-table non exportée Rwipti femme de Georges de Baptiste chante en balançant le hamac à son enfant• Original = ²19. Nagra beyer.88.BM BASF LP• * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:18-06 BEAUDET,JEAN-MICHEL 1981 PA33-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-08 BM.2006.002.001/25:18-08 00:01:27 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAMU Sous-table non exportée KAMU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:01-01 BEAUDET,JEAN-MICHEL 1981 PA34-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-09 BM.2006.002.001/25:18-09 00:06:21 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson mauwepka 00:00:51 kamau?, 00:01:49 kwatepka,00:02:50 sinare?, 00:03:34 kunauwepka?, 00:04:03paytepka?, 00:04:50 nawiyo(epka),00:06:10 waukm㕠Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-08 BEAUDET,JEAN-MICHEL 1981 PA34-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-10 BM.2006.002.001/25:18-10 00:03:01 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson mauwaka tout de suite elles enchainent sinarepka?,00:01:05 yumahwa sakaka?,00:02:00 paraw Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-09 BEAUDET,JEAN-MICHEL 1981 PA34-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-11 BM.2006.002.001/25:18-11 00:04:19 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson:wayapo?, 00:01:10 wakaa ou waar?, 00:01:50 mau waka, 00:03:24 kuru weyo• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-09 BEAUDET,JEAN-MICHEL 1981 PA34-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-12 BM.2006.002.001/25:18-12 00:04:05 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson:tapu(ru) gupinaye, 00:01:37 kasipag?, 00:03:08 mau waka, 00:03:57 ? wawapna• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-09 BEAUDET,JEAN-MICHEL 1981 PA34-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-13 BM.2006.002.001/25:18-13 00:04:42 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson:mamatki(epka)?, 00:01:25 mareyo, 00:02:29 tuwesgu?, 00:03:26 tapuru+paraw?,00:04:28 paraw Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-12 BEAUDET,JEAN-MICHEL 1981 PA33-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-14 BM.2006.002.001/25:18-14 00:05:53 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAWAPNA Sous-table non exportée WAWAPNA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La 1ère chanson:wuakmã, 00:05:04 paraw• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-09 BEAUDET,JEAN-MICHEL 1981 PA35-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-15 BM.2006.002.001/25:18-15 00:04:28 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARAW Sous-table non exportée PARAW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-09 BEAUDET,JEAN-MICHEL 1981 PA35-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-16 BM.2006.002.001/25:18-16 00:03:30 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAARIYANO KAYNE? Sous-table non exportée KAARRIYANO KAYNE? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• *Kaariyano ou karariyano* Cap d'orange• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-15 BEAUDET,JEAN-MICHEL 1981 PA35-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-17 BM.2006.002.001/25:18-17 00:00:22 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET BATAMNAKI Sous-table non exportée BATAMNAKI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Faux départ• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-16 BEAUDET,JEAN-MICHEL 1981 PA35-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-18 BM.2006.002.001/25:18-18 00:00:35 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET BATAMNAKI Sous-table non exportée BATAMNAKI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Batamnaki maraka kawayo• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-17 BEAUDET,JEAN-MICHEL 1981 PA35-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-19 BM.2006.002.001/25:18-19 00:03:53 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET BATAMNAKI Sous-table non exportée BATAMNAKI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Batamnaki maraka kawayo• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-18 BEAUDET,JEAN-MICHEL 1981 PA35-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :18-20 BM.2006.002.001/25:18-20 00:03:26 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TURUPANA Sous-table non exportée TURUPANA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Batamnaki turupan ou turuvan kuweyo• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:18-19 BEAUDET,JEAN-MICHEL 1981 PA35-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-01 BM.2006.002.001/25:19-01 00:03:58 17/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE KWASUPINNEPKA Sous-table non exportée KWASUPINNEPKA Sous-table non exportée Victor Michel joue paratanõ• Original = ²38. M1:beyer 88. M2:Seniheiser. * Espérance s'appelait autrefois "La savane"• Paratanõ est une flûte à conduit d'air• BM.006.002.001/...:17-08 BEAUDET,JEAN-MICHEL 1981 PA36-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-02 BM.2006.002.001/25:19-02 00:06:23 17/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE KWASUPINNEPKA Sous-table non exportée KWASUPINNEPKA Sous-table non exportée Victor Michel joue paratanõ• Kwasupinnepka ou kwaswepka• Original = ²38. M1:beyer 88. M2:Seniheiser. * Espérance s'appelait autrefois "La savane"• Paratanõ est une flûte à conduit d'air• BM.006.002.001/...:19-01 BEAUDET,JEAN-MICHEL 1981 PA36-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-03 BM.2006.002.001/25:19-03 00:03:41 17/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE KARAREPKA Sous-table non exportée KARAREPKA Sous-table non exportée Victor Michel joue paratanõ• Original = ²38. M1:beyer 88. M2:Seniheiser. * Espérance s'appelait autrefois "La savane"• Paratanõ est une flûte à conduit d'air• BM.006.002.001/...:19-02 BEAUDET,JEAN-MICHEL 1981 PA36-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-04 BM.2006.002.001/25:19-04 00:03:45 17/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE KARAREPKA Sous-table non exportée KARAREPKA Sous-table non exportée Victor Michel joue paratanõ• Original = ²38. M1:beyer 88. M2:Seniheiser. * Espérance s'appelait autrefois "La savane"• Paratanõ est une flûte à conduit d'air• BM.006.002.001/...:19-03 BEAUDET,JEAN-MICHEL 1981 PA36-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-05 BM.2006.002.001/25:19-05 00:03:36 17/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE KWASUPINNEPKA Sous-table non exportée KWASUPINNEPKA Sous-table non exportée Victor Michel joue paratanõ• Original = ²38. M1:beyer 88. M2:Seniheiser. * Espérance s'appelait autrefois "La savane"• Paratanõ est une flûte à conduit d'air• BM.006.002.001/...:19-04 BEAUDET,JEAN-MICHEL 1981 PA36-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-06 BM.2006.002.001/25:19-06 00:02:40 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE APAT RIMAKSANE TINOSA Sous-table non exportée APAT RIMAKSANE TINOSA Sous-table non exportée Elle chante la berçeuse pour unepetite fille• Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:19-05 BEAUDET,JEAN-MICHEL 1981 PA37-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-07 BM.2006.002.001/25:19-07 00:02:29 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE APAT RIMAKSANE AWAIGISA Sous-table non exportée APAT RIMAKSANE AWAIGISA Sous-table non exportée Elle chante la berçeuse pour un petit garçon • Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:19-06 BEAUDET,JEAN-MICHEL 1981 PA37-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-08 BM.2006.002.001/25:19-08 00:03:17 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE APAT RIMAKSANE AWAIGISA Sous-table non exportée APAT RIMAKSANE AWAIGISA Sous-table non exportée Elle chante la berçeuse pour un petit garçon • Original = ²19. * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:19-07 BEAUDET,JEAN-MICHEL 1981 PA37-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-09 BM.2006.002.001/25:19-09 00:03:37 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE APAT RIMAKSANE TINOSA Sous-table non exportée APAT RIMAKSANE TINOSA Sous-table non exportée Elles chantent la berçeuse pour une petite fille• Original = ²19. * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(bayo)• BM.006.002.001/...:19-08 BEAUDET,JEAN-MICHEL 1981 PA37-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-10 BM.2006.002.001/25:19-10 00:03:04 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UNUWEPKA Sous-table non exportée UNUWEPKA Sous-table non exportée Victor Michel chante, il donne l'air du kausikman aux autres, en général la danse de kausikman se joue avec des clarinettes quatre ou cinq musiciens, autrefois cette chanson est composé par un chaman,dans ses rêve il voyait un esprit vient lui montré la chanson• De 00:00:49 chante solo et 00:01:03 instruments mais faux départ• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* BM.006.002.001/...:16-05 BEAUDET,JEAN-MICHEL 1981 PA37-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-11 BM.2006.002.001/25:19-11 00:03:42 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE UNUWEPKA Sous-table non exportée UNUWEPKA Sous-table non exportée reprise la chanson unuwepka• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* BM.006.002.001/...:19-10 BEAUDET,JEAN-MICHEL 1981 PA37-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-12 BM.2006.002.001/25:19-12 00:02:10 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Victor chante et il explique comment il faut joue••• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* BM.006.002.001/...:19-10 BEAUDET,JEAN-MICHEL 1981 PA37-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-13 BM.2006.002.001/25:19-13 00:02:27 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* BM.006.002.001/...:19-10 BEAUDET,JEAN-MICHEL 1981 PA37-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-14 BM.2006.002.001/25:19-14 00:05:11 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Commentaire et explication par rapport au resonnance de l'instrument• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• BM.006.002.001/...:19-13 BEAUDET,JEAN-MICHEL 1981 PA38-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-15 BM.2006.002.001/25:19-15 00:00:50 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Twemmepka suite• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• BM.006.002.001/...:19-14 BEAUDET,JEAN-MICHEL 1981 PA38-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-16 BM.2006.002.001/25:19-16 00:03:14 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Twemmepka suite• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• BM.006.002.001/...:19-15 BEAUDET,JEAN-MICHEL 1981 PA38-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-17 BM.2006.002.001/25:19-17 00:01:48 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE TWEMMEPKA Sous-table non exportée TWEMMEPKA Sous-table non exportée Twemmepka suite• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• BM.006.002.001/...:19-16 BEAUDET,JEAN-MICHEL 1981 PA38-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-18 BM.2006.002.001/25:19-18 00:02:59 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE HEUWEPKA Sous-table non exportée HEUWEPKA Sous-table non exportée Heu= rapace ou (un autre heu qui est la cendre)• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* BM.006.002.001/...:19-17 BEAUDET,JEAN-MICHEL 1981 PA38-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-19 BM.2006.002.001/25:19-19 00:02:13 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE HEUWEPKA Sous-table non exportée HEUWEPKA Sous-table non exportée Heu= rapace ou (un autre heu qui est la cendre)• Suite de heuwepka• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* BM.006.002.001/...:19-18 BEAUDET,JEAN-MICHEL 1981 PA38-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :19-20 BM.2006.002.001/25:19-20 00:04:55 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE HEUWEPKA Sous-table non exportée HEUWEPKA Sous-table non exportée Heu= rapace ou (un autre heu qui est la cendre)• Suite de heuwepka• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* BM.006.002.001/...:19-19 BEAUDET,JEAN-MICHEL 1981 PA38-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-01 BM.2006.002.001/25:20-01 00:06:08 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAREIYEPKA Sous-table non exportée MAREIYEPKA Sous-table non exportée Marei:petit oiseau(fringillidé)• Suite kausikman• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:19-19 BEAUDET,JEAN-MICHEL 1981 PA39-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-02 BM.2006.002.001/25:20-02 00:06:07 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE MAREIYEPKA Sous-table non exportée MAREIYEPKA Sous-table non exportée Marei:petit oiseau(fringillidé)• Suite kausikman• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-01 BEAUDET,JEAN-MICHEL 1981 PA39-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-03 BM.2006.002.001/25:20-03 00:04:28 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KARINEPKA Sous-table non exportée KARINEPKA Sous-table non exportée Kari ou kahi: (petit roseau?) où pousse des nénuphars ils poussent aussi • Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-02 BEAUDET,JEAN-MICHEL 1981 PA39-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-04 BM.2006.002.001/25:20-04 00:10:13 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE KARINEPKA Sous-table non exportée KARINEPKA Sous-table non exportée Kari ou kahi: (petit roseau?) où pousse des nénuphars ils poussent aussi • Chanté solo, commentaire et explication• Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-03 BEAUDET,JEAN-MICHEL 1981 PA39-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-05 BM.2006.002.001/25:20-05 00:04:45 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE SARAMNEPKA Sous-table non exportée SARAMNEPKA Sous-table non exportée Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Saramnã:montagne qui se trouve à Rocawa(Urukawa)• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-04 BEAUDET,JEAN-MICHEL 1981 PA39-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-06 BM.2006.002.001/25:20-06 00:04:18 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMEPKA Sous-table non exportée ARAMTEMMEPKA Sous-table non exportée Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Aramtemmepka :titre de la pièce• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-05 BEAUDET,JEAN-MICHEL 1981 PA40-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-07 BM.2006.002.001/25:20-07 00:06:58 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE ARAMTEMMEPKA Sous-table non exportée ARAMTEMMEPKA Sous-table non exportée Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Aramtemmepka :titre de la pièce• Suite* Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-06 BEAUDET,JEAN-MICHEL 1981 PA40-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-08 BM.2006.002.001/25:20-08 00:00:40 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAAREPKA Sous-table non exportée YAAREPKA Sous-table non exportée Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Explication et essais• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-07 BEAUDET,JEAN-MICHEL 1981 PA40-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-09 BM.2006.002.001/25:20-09 00:02:03 18/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA CLARINETTE YAAREPKA Sous-table non exportée YAAREPKA Sous-table non exportée Un nouveau musicien, Nex ou Nesh nom palikour deLoulou Norino* Yaarepka suite• Yaar:mur, clôture• Original = ²19• Musiciens:V. Michel joue paukanõ+anakiwi, André Michel joue arankiwi, Baptiste Léo-paul(Yopol) joue anag, Georges Baptiste(xitab) joue paukanõ et Robert Baptiste joue anagkiwi• *Ce sont des instruments mono note* Clarinette en bambou• *Danse kausikman* Espérance s'appellait autrefois "la savane"• BM.006.002.001/...:20-08 BEAUDET,JEAN-MICHEL 1981 PA40-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-10 BM.2006.002.001/25:20-10 00:11:02 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAYNE Sous-table non exportée KAYNE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Batamnaki maraka kawayo• 00:04:43 mamatki Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...18-19 BEAUDET,JEAN-MICHEL 1981 PA41-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-11 BM.2006.002.001/25:20-11 00:04:05 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MAU WAKA Sous-table non exportée MAU WAKA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:20-10 BEAUDET,JEAN-MICHEL 1981 PA41-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-12 BM.2006.002.001/25:20-12 00:04:44 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KURU WEYO Sous-table non exportée KURU WEYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:20-11 BEAUDET,JEAN-MICHEL 1981 PA41-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :20-13 BM.2006.002.001/25:20-13 00:04:00 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TAPURU GUPINAYE Sous-table non exportée TAPURU GUPINAYE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• 00:03:08 wanar? Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:20-12 BEAUDET,JEAN-MICHEL 1981 PA41-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-01 BM.2006.002.001/25:21-01 00:03:13 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARAW? Sous-table non exportée PARAW? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:20-13 BEAUDET,JEAN-MICHEL 1981 PA42-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-02 BM.2006.002.001/25:21-02 00:01:47 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAMMA? Sous-table non exportée MARAMMA? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-01 BEAUDET,JEAN-MICHEL 1981 PA42-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-03 BM.2006.002.001/25:21-03 00:05:27 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAMMA? Sous-table non exportée MARAMMA? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• 00:00:53 waar et 00:03:36 kuhuwa• Il y a trois chansons• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-02 BEAUDET,JEAN-MICHEL 1981 PA42-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-04 BM.2006.002.001/25:21-04 00:03:17 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET NORE NUWAKE Sous-table non exportée NORE NUWAKE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-03 BEAUDET,JEAN-MICHEL 1981 PA42-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-05 BM.2006.002.001/25:21-05 00:02:48 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WEYO MARAKA KAYNE? Sous-table non exportée WEYO MARAKA KAYNE? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Chanson (batamnaki)• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-04 BEAUDET,JEAN-MICHEL 1981 PA42-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-06 BM.2006.002.001/25:21-06 00:03:49 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAKA KAWAYO Sous-table non exportée MARAKA KAWAYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Chanson (batamnaki)• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-05 BEAUDET,JEAN-MICHEL 1981 PA42-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-07 BM.2006.002.001/25:21-07 00:03:30 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET PARW Sous-table non exportée PARAW Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-05 BEAUDET,JEAN-MICHEL 1981 PA42-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-08 BM.2006.002.001/25:21-08 00:05:59 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAUKMA Sous-table non exportée WAUKMA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-05 BEAUDET,JEAN-MICHEL 1981 PA43-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-09 BM.2006.002.001/25:21-09 00:05:15 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET UWAKAREPIYE? Sous-table non exportée UWAKAREPIYE? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• *Soit c'est uwakarapiye ou kasimãre?* Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-08 BEAUDET,JEAN-MICHEL 1981 PA43-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-10 BM.2006.002.001/25:21-10 00:03:53 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET UPINWA WANAR? Sous-table non exportée UPINWA WANAR? Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Upinwa wanar ou (wanar)?• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-09 BEAUDET,JEAN-MICHEL 1981 PA43-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-11 BM.2006.002.001/25:21-11 00:05:50 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KWEKWE WEUNO Sous-table non exportée KWEKWE WEUNO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Kwekwe weuno ou (twesgu?)• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-10 BEAUDET,JEAN-MICHEL 1981 PA43-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-12 BM.2006.002.001/25:21-12 00:03:00 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WARAM Sous-table non exportée WARAM Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Waram ou (waramã karariyene)• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-11 BEAUDET,JEAN-MICHEL 1981 PA43-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-13 BM.2006.002.001/25:21-13 00:05:48 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WARAM Sous-table non exportée WARAM Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• La suite de waram (waramã karariyene)• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• Labonté Madeleine(Bayo) et Françoise Labonté(Apux)* chacune des chanteuses ont un waw(hochet) à la main• BM.006.002.001/...:21-11 BEAUDET,JEAN-MICHEL 1981 PA44-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-14 BM.2006.002.001/25:21-14 00:02:23 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE PARATANO Sous-table non exportée PARATANO Sous-table non exportée Louis joue de la flûte à encoche, imitation de kena, il l'appelle paratanõ• Kamu agigene* Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:21-11 BEAUDET,JEAN-MICHEL 1981 PA44-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-15 BM.2006.002.001/25:21-15 00:02:15 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA FLUTE PARATANO Sous-table non exportée PARATANO Sous-table non exportée Louis joue de la flûte à encoche, imitation de kena, il l'appelle paratanõ• Kamu agigene•Suite• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:21-14 BEAUDET,JEAN-MICHEL 1981 PA44-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-16 BM.2006.002.001/25:21-16 00:01:36 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE PARATANO Sous-table non exportée PARATANO Sous-table non exportée Louis joue de la flûte à encoche, imitation de kena, il l'appelle paratanõ• Berçeuse pour une petite fille(tinãya, vient de tino) • Berçeuse:dodone turutru kakiman* Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:21-15 BEAUDET,JEAN-MICHEL 1981 PA44-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :21-17 BM.2006.002.001/25:21-17 00:02:35 19/04/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE PARATANO Sous-table non exportée PARATANO Sous-table non exportée Louis joue de la flûte à encoche, imitation de kena, il l'appelle paratanõ• Berçeuse, dodone awaig* Awaigisa: petit garçon• Original = ²19. Seniheser, Beyer 88 * Espérance s'appelait autrefois "La savane"• BM.006.002.001/...:21-15 BEAUDET,JEAN-MICHEL 1981 PA44-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-01 BM.2006.002.001/25:22-01 00:02:02 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PAPILLON KUWAPNA Sous-table non exportée KUWAPNA Sous-table non exportée Kuu:papillon• Kuwi/ peswiye/ amadga/ rigiw=papillon/sortir/surface ou dans/place• Comment pour sortir à la cour* Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:21-15 BEAUDET,JEAN-MICHEL 1981 PA45-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-02 BM.2006.002.001/25:22-02 00:01:18 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PAPILLON KU AYEWEYO Sous-table non exportée KU AYEWEYO Sous-table non exportée Ku ayeweyo:papillon bleu(papillon morpho)• Pour joue dans la cour• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-01 BEAUDET,JEAN-MICHEL 1981 PA45-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-03 BM.2006.002.001/25:22-03 00:05:17 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PAPILLON KUWAPNA Sous-table non exportée KUWAPNA Sous-table non exportée Cachiri(boisson traditionnelle) fini•(WONSKA=CACHIRI)* Ku unirapa makageniye• Fini de danser- s'assoir on apporte du cachiri pour nous• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-01 BEAUDET,JEAN-MICHEL 1981 PA45-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-04 BM.2006.002.001/25:22-04 00:04:05 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA SARCELLE MASIWGU Sous-table non exportée MASIWGU Sous-table non exportée Masiwgu:sarcelle(famille de canard sauvage)• Toujour kuwapna• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-02 BEAUDET,JEAN-MICHEL 1981 PA45-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-05 BM.2006.002.001/25:22-05 00:02:49 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PAPILLON KUWAPNA Sous-table non exportée KUWAPNA Sous-table non exportée Ku unirapara makageniye•(ibekeviye wonska?)• Cachiri fini: partage le cachiri* Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-04 BEAUDET,JEAN-MICHEL 1981 PA45-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-06 BM.2006.002.001/25:22-06 00:02:33 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PERDRIX INAMU Sous-table non exportée INAMU Sous-table non exportée Inamun: perdrix•(inam)• Apat kuwapna• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-05 BEAUDET,JEAN-MICHEL 1981 PA45-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-07 BM.2006.002.001/25:22-07 00:03:29 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DE LA COULEUVRE DATKA Sous-table non exportée DATKA Sous-table non exportée Datka: couleuvre Toujour kuwapna• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-06 BEAUDET,JEAN-MICHEL 1981 PA45-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-08 BM.2006.002.001/25:22-08 00:01:35 17/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,BAMBOU* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 DANSE DU PAPILLON KUWAPNA Sous-table non exportée KUWAPNA Sous-table non exportée Danse kuwapna• tukuru makege twemme?• Original = ²19. Seniheser, Beyer 88 * Bambou c'est le nom du village•Parceque il ya beaucoup des bambous • BM.006.002.001/...:22-07 BEAUDET,JEAN-MICHEL 1981 PA45-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-09 BM.2006.002.001/25:22-09 00:04:46 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET YANUKAY Sous-table non exportée YANUKAY Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Yunukay(epka) Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:07-02 BEAUDET,JEAN-MICHEL 1978 PA47-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-10 BM.2006.002.001/25:22-10 00:02:13 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TAPURU Sous-table non exportée TAPURU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-09 BEAUDET,JEAN-MICHEL 1978 PA47-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-11 BM.2006.002.001/25:22-11 00:01:24 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TAPURU Sous-table non exportée TAPURU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-10 BEAUDET,JEAN-MICHEL 1978 PA47-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-12 BM.2006.002.001/25:22-12 00:10:14 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TAPURU Sous-table non exportée TAPURU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-11 BEAUDET,JEAN-MICHEL 0 PA47-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-13 BM.2006.002.001/25:22-13 00:05:19 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MAU WAKAYE Sous-table non exportée MAU WAKAYE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-12 BEAUDET,JEAN-MICHEL 1978 PA47-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-14 BM.2006.002.001/25:22-14 00:03:52 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MAU WAKAYE Sous-table non exportée MAU WAKAYE Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-13 BEAUDET,JEAN-MICHEL 1978 PA48-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-15 BM.2006.002.001/25:22-15 00:11:42 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MAMATKI Sous-table non exportée MAMATKI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-14 BEAUDET,JEAN-MICHEL 1978 PA48-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :22-16 BM.2006.002.001/25:22-16 00:07:56 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET TEYA UGUSI Sous-table non exportée TEYA UGUSI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-15 BEAUDET,JEAN-MICHEL 1978 PA48-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-01 BM.2006.002.001/25:23-01 00:06:49 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WAIK Sous-table non exportée WAIK Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:22-16 BEAUDET,JEAN-MICHEL 1978 PA49-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-02 BM.2006.002.001/25:23-02 00:09:25 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAKA Sous-table non exportée MARAKA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune. Mikkoro ou atiwi= noir, maraka• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-01 BEAUDET,JEAN-MICHEL 1978 PA49-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-03 BM.2006.002.001/25:23-03 00:07:16 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET NUVINU MAHWAN Sous-table non exportée NUVINU MAHWAN Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune. Nuvinu mahwan=notre maison• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-02 BEAUDET,JEAN-MICHEL 1978 PA49-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-04 BM.2006.002.001/25:23-04 00:06:11 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET NUVIGU YATWA Sous-table non exportée NUVIGU YATWA Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune. Nuvigu yatwa=mon aminal(pian)grand rat• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-03 BEAUDET,JEAN-MICHEL 1978 PA50-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-05 BM.2006.002.001/25:23-05 00:06:29 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET MARAKA KAWAYO Sous-table non exportée MARAKA KAWAYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-04 BEAUDET,JEAN-MICHEL 1978 PA50-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-06 BM.2006.002.001/25:23-06 00:06:05 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KWEYO Sous-table non exportée KWEYO Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Kweyo=esprit• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-05 BEAUDET,JEAN-MICHEL 1978 PA50-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-07 BM.2006.002.001/25:23-07 00:02:32 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET ATIWI Sous-table non exportée ATIWI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Atiwi privye=noir• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-06 BEAUDET,JEAN-MICHEL 1978 PA50-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-08 BM.2006.002.001/25:23-08 00:02:10 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET ATIWI Sous-table non exportée ATIWI Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Atiwi privye=noir• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-07 BEAUDET,JEAN-MICHEL 1978 PA50-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-09 BM.2006.002.001/25:23-09 00:11:08 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET WARAM Sous-table non exportée WARAM Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-08 BEAUDET,JEAN-MICHEL 1978 PA51-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-10 BM.2006.002.001/25:23-10 00:00:41 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAMU Sous-table non exportée KAMU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-09 BEAUDET,JEAN-MICHEL 1978 PA51-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :23-11 BM.2006.002.001/25:23-11 00:12:08 18/11/78 GUYANE FRANCAISE BAS OYAPOCK,TROIS PALETUVIERS* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 LA DANSE DU HOCHET KAMU Sous-table non exportée KAMU Sous-table non exportée Dans les rituels, ce chant est exécuté par le chaman. Chanté dans toutes les occasions de fête, et lors d'éclipses du soleil ou de l a lune• Original = ²19. M1 BEYER 88:92 M2 SENHEISER:95 Cécilia Mauricia(Mamaday) , Julienne Baptiste,Emilienne Edouard, Marie Martin(Matil), Joseph Martin • Trois palétuviers (le nom du village)• Chante avec hochet• BM.006.002.001/...:23-10 BEAUDET,JEAN-MICHEL 1978 PA51-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-01 BM.2006.002.001/25:24-01 00:00:37 20/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE AVAT RIMAKSANE AWAIG Sous-table non exportée AVAT RIMAKSANE AWAIG Sous-table non exportée Shikenuye chante la berçeuse(petit garçon)• Dodo yani himak naba:petit dors• Dodo nabavey:dors il faut• Original = ²38. Enre. sur Nagra; M1:SENHEISER, M2:BEYER88• Espérance s'appellait autrefois"la savane"• BM.006.002.001/...:18-06 BEAUDET,JEAN-MICHEL 1981 PA52-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-02 BM.2006.002.001/25:24-02 00:00:45 20/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE AVAT RIMAKSANE AWAIG Sous-table non exportée AVAT RIMAKSANE AWAIG Sous-table non exportée Shikenuye chante la berçeuse(petit garçon)• Dodo dodo "Cléry "dodo naba himak naba Original = ²38. M1:SENHEISER M2:BEYER88• Espérance s'appellait autrefois"la savane"• BM.006.002.001/...:24-01 BEAUDET,JEAN-MICHEL 1981 PA52-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-03 BM.2006.002.001/25:24-03 00:03:43 20/11/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 BERCEUSE AVAT RIMAKSANE AWAIG Sous-table non exportée AVAT RIMAKSANE AWAIG Sous-table non exportée Shikenuye chante la berçeuse(petit garçon)• Dodo dodo "Cléry "dodo naba himak naba Original = ²38. M1:SENHEISER M2:BEYER88• Espérance s'appellait autrefois"la savane"• BM.006.002.001/...:24-02 BEAUDET,JEAN-MICHEL 1981 PA52-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-04 BM.2006.002.001/25:24-04 00:09:39 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-03 BEAUDET,JEAN-MICHEL 1981 PA32-01 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-05 BM.2006.002.001/25:24-05 00:08:20 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-04 BEAUDET,JEAN-MICHEL 1981 PA32-02 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-06 BM.2006.002.001/25:24-06 00:01:27 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-05 BEAUDET,JEAN-MICHEL 1981 PA32-03 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-07 BM.2006.002.001/25:24-07 00:04:26 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-06 BEAUDET,JEAN-MICHEL 1981 PA32-04 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-08 BM.2006.002.001/25:24-08 00:18:18 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-07 BEAUDET,JEAN-MICHEL 1981 PA32-05 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :24-09 BM.2006.002.001/25:24-09 00:09:59 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-08 BEAUDET,JEAN-MICHEL 1981 PA32-06 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :25-01 BM.2006.002.001/25:25-01 00:05:51 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:24-09 BEAUDET,JEAN-MICHEL 1981 PA32-07 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :25-02 BM.2006.002.001/25:25-02 00:08:26 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:25-01 BEAUDET,JEAN-MICHEL 1981 PA32-08 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :25-03 BM.2006.002.001/25:25-03 00:10:34 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:25-02 BEAUDET,JEAN-MICHEL 1981 PA32-09 AMERIQUE +BM.2006.002 CDR BM.2006.002.001/25 :25-04 BM.2006.002.001/25:25-04 00:06:50 03/81 GUYANE FRANCAISE OYAPOCK,ST GEORGES,ESPERANCE* PARIKWENE GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 ENQUETE IVEGENE Sous-table non exportée IVEGENE Sous-table non exportée Enquête,explication,musiques• Ivegene ou iverene=enquête(chercher)• Original = ²4,7. Uher.Senheiser.BM.AGFA• Espérance s'appellait autrefois"la savane"• Norino Louis , (Apux) Françoise Labonté et Mme Martin Eugène(pawnay)* BM.006.002.001/...:25-03 BEAUDET,JEAN-MICHEL 1981 PA32-10 AMERIQUE +BM.2006.003 CDR BM.2006.003 :001 BM.2006.003:0001 00:00:00 BURKINA FASO PEULS LONCKE,S.;BURKINA FASO:PEULS,BELLA,FULSE;1994-96 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2006.004 CDR BM.2006.004 :001 BM.2006.004:0001 00:07:19 08/02/06 VIETNAM HANOI VIETNAMIENS ANISENSEL,A.;VIETNAM. ENSEMBLE "CA TRU THAI HA" BERCEUSE HAT GIAI - HAT RU Sous-table non exportée HAT CHOI Sous-table non exportée Enreg. privé, réalisé chez les musiciens. H'at choi = "chant de divertissement. D'après Tran Van Khê :Le h‘at giai était autrefois chanté par les H dans le répertoire de Ca tru chanté dans les temples. De nos jours, le H'at ru (= "berceuse") est toujours précédé du chant h'at giai dans lequel la chanteuse raconte l'histoire de l'injustice faite à Thî Kinh. Celle-ci voulut couper un poil qui poussait de travers sous le menton de son mari Thiên Sî alors endormi. Celui-ci, réveillé en sursaut, accusa son épouse d'avoir voulu attenter à sa vie. Thi Kinh dut s'enfuir et se déguiser en garçon pour se faire admettre au temple comme bonze (d'où le nom "H‘at giai). Accusé une seconde fois injustement par la fille d'un riche propriétaire d'être le "père" de son bébé, elle dut prendre l'enfant en charge et le bercer pour l'endormir (d'où le "H‘at ru" = berceuse)• Nguyen Kiên Anh (née en 1994) est la nièce de Nguyên Vân Khuê (né en 1962). IFP- pha'ch = planchette de bambou frappée avec 2 baguettes en bois, dont une estpartiellement fendue. CL-dân-d'ay = luth à 3 C de nylon (autrefois de soie), caisse trapézoÏdale• ANISENSEL,ALIENOR 2006 ASIE +BM.2006.004 CDR BM.2006.004 :002 BM.2006.004:0002 00:08:19 08/02/06 VIETNAM HANOI VIETNAMIENS ANISENSEL,A.;VIETNAM. ENSEMBLE "CA TRU THAI HA" CHANT PARLE : "PAYSAGE DU MONT PARFUME" MUOU & HAT NOI Sous-table non exportée HAT CHOI Sous-table non exportée Enreg. privé, réalisé chez les musiciens. H'at choi = "chant de divertissement• Nguyen Thu Tha?o (née en ...) est la fille de Nguyên Vân Khuê (ne ne 1962). IFP- pha'ch = planchette de bambou frappée avec 2 baguettes en bois, dont une est fendue. CL-dân-d'ay = luth à 3 C de nylon (autrefois de soie), caisse trapézoÏdale. _Mro~u_ (2 vers), suivi d'un _H‘at n‘oi_ (19 vers) sur un poème du célèbre Chu Manh Trinm (1862-1905). "Chant parlé" = le genre (_H‘at n‘o_) appartenant au _H‘at cho:_ (chant de divertissement; l'une des branches du répertoire de _Ca trû_• ANISENSEL,ALIENOR 2006 ASIE +BM.2006.004 CDR BM.2006.004 :003 BM.2006.004:0003 00:14:28 08/02/06 VIETNAM HANOI VIETNAMIENS ANISENSEL,A.;VIETNAM. ENSEMBLE "CA TRU THAI HA" "CHANT DU TY BA" (LUTH PIRIFORME VIETNAMIEN) TY BA HANH BAI JU Y* Sous-table non exportée HAT CHOI Sous-table non exportée Enreg. privé, réalisé chez les musiciens. H'at choi = "chants de divertissement• Nguyen Thuy Hoa (née en 1974) est la soeur de Nguyên Vân Khuê (né en 1962). IFP- pha'ch = planchette de bambou frappée avec 2 baguettes en bois, dont une est fendue. CL-dân-d'ay = luth à 3 C de nylon (autrefois de soie), caisse trapézoÏdale. * Bai Ju Y =poète chinois du IXe siècle, poème traduti en vietnamien par Phan Huy Vinh (fin XVIIIe s.). Uen pièce pour chanteuses chevronnées• ANISENSEL,ALIENOR 2006 ASIE +BM.2006.004 CDR BM.2006.004 :004 BM.2006.004:0004 00:10:24 08/02/06 VIETNAM HANOI VIETNAMIENS ANISENSEL,A.;VIETNAM. ENSEMBLE "CA TRU THAI HA" CHANT DE "LA DAME DE L'ENNUI" I.E. "CHANT DE L'OPIUM" A PHIEN Sous-table non exportée Sous-table non exportée Enreg. privé, réalisé chez les musiciens. Pot-pourri de plusieurs trad. musicales, remaniées pour le Ca tru• Nguyen Thuy Hoa (née en 1974) est la soeur de Nguyên Vân Khuê (né en 1962). IFP- pha'ch = planchette de bambou frappée avec 2 baguettes en bois, dont une est fendue. CL-dân-d'ay = luth à 3 C de nylon (autrefois de soie), caisse trapézoÏdale• ANISENSEL,ALIENOR 2006 ASIE +BM.2006.005 Divers* BM.2006.005.001 :01-01 BM.2006.005.001:01-01 00:00:00 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) "TRAVERSER LA RUE" PASCALLE Sous-table non exportée Sous-table non exportée Enregistré en studio. Se chante pour les processions dansées et pour le nettoyage rituel des canaux d'irrigation des champs.Fête dite "Fête de l'eau". Copie d'une cassette commercialisée par "Producciones musicales de Tres Estrellas". Perou. R.U.C. 10085553467• * province Lucanas, district Aucara. ¤ Chanteuses: Magdalena Rimachi "Chunka Chakicha" de Morcolla, Berleny Quispe de Mayo Luren, Carmen Inca "Perlita" de Andamarca, Gertrudis Huamani "Sankaycha" de Chacralla• ARCE SOTELO,MANUEL 2003 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-02 BM.2006.005.001:01-02 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) "TRAVERSER LA RUE" PASCALLE Sous-table non exportée Sous-table non exportée Enreg. chez le responsable annuel de la fête, la veille au soir du rituel lors de la répétiton "Anticipa". Se chante pour les processions dansées et pour le nettoyage rituel des canaux d'irrigation des champs.Fête dite "Fête de l'eau"• * province Lucanas, district Aucara. ¤ Chanteuse leader: Berleny Quispe de Mayo Luren. IS= cloche à battan interne, fixé au haut d'un baton de ±2 m, tenu par chaque chanteuse• ARCE SOTELO,MANUEL 2004 Non pertinent AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-03 BM.2006.005.001:01-03 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ATIPANAKUY DE TONADAS "OUVERTURE" Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 2004 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-04 BM.2006.005.001:01-04 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-1) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-05 BM.2006.005.001:01-05 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-2) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-06 BM.2006.005.001:01-06 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-3) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-07 BM.2006.005.001:01-07 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-4) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-08 BM.2006.005.001:01-08 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-5) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-09 BM.2006.005.001:01-09 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-6) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-10 BM.2006.005.001:01-10 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-7) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-11 BM.2006.005.001:01-11 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-8) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-12 BM.2006.005.001:01-12 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION (TONADA A-9) ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-13 BM.2006.005.001:01-13 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (INTRODUCTION) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-14 BM.2006.005.001:01-14 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-1) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-15 BM.2006.005.001:01-15 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-2) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-16 BM.2006.005.001:01-16 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-3) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-17 BM.2006.005.001:01-17 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-4) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-18 BM.2006.005.001:01-18 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-5) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-19 BM.2006.005.001:01-19 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-6) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-20 BM.2006.005.001:01-20 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-7) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-21 BM.2006.005.001:01-21 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-8) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-22 BM.2006.005.001:01-22 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) PIÈCE DE COMPETITION ("DE NAVIDAD") TONADAS DE NAVIDAD (N-9) Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-23 BM.2006.005.001:01-23 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) NEGRITO Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-24 BM.2006.005.001:01-24 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) CUATRO ESQUINAS :01-24 Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-25 BM.2006.005.001:01-25 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) SIU SAO ATIPANAKUY DE TONADAS Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-26 BM.2006.005.001:01-26 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) HUAMANGUINO Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-27 BM.2006.005.001:01-27 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) CONCEBIDA Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-28 BM.2006.005.001:01-28 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) SANTA ROSA Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-29 BM.2006.005.001:01-29 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) SANTA ROSA - VARIANTE SANTA ROSA - QAWACHAN Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.005 Divers* BM.2006.005.001 :01-30 BM.2006.005.001:01-30 00:00:00 août/sept.2004 PEROU DPT AYACUCHO* PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) UCHUCUTA Sous-table non exportée Sous-table non exportée Dans le cadre de la "Fête de l'eau" pour le nettoyage rituel des canaux d'irrigation des champs• * province Lucanas, district Aucara• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-01 BM.2006.006.001:02-01 00:02:30 23/08/2003 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) "TRAVERSER LA RUE" PASACALLE ALBA Sous-table non exportée Sous-table non exportée Fête de l'eau, deuxième jour , appelé "Vispera". Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ¤ "Huamancha de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs. Nom des danseurs: Froilan Ramos "Chuspicha" de Andamarca, Mario Huamani "Ccoronta" de Andamarca, Pablo Astovilca "Kiliwara" de Andamarca, Lisandro Villegas "Paccha Ccapari3 de Acos • ARCE SOTELO,MANUEL ANDES DU S. 2003 Non pertinent AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-02 BM.2006.006.001:02-02 00:01:58 24/08/2003 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) "TRAVERSER LA RUE" PASACALLE MAYOR Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL ANDES DU S. 2003 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-03 BM.2006.006.001:02-03 00:01:10 25/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) TONADA Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de primera (danseurs confirmés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** "OJICHA" DE SONDONDO ; *** "LAPLA" DE HUAYCAHUACHO ; **** "LLASPA" DE HUACAÑA. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs Tonada fait partie d'une serie de pièces connue comme "Atipanakuy de Tonadas"• ARCE SOTELO,MANUEL ANDES DU S. 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-04 BM.2006.006.001:02-04 00:00:44 27/07/2003 PEROU DPT AYACUCHO,PROV.SUCRE* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) JUEGO Sous-table non exportée Sous-table non exportée Fête de l'eau, "Dia Central" . Fête propitiatoire pour le bon déroulement de l'année agricole• *village Morcolla. ** "PATRON" DE HUAYCAHUACHO ; *** "INCACHA" DE ANDAMARCA ; **** "VOLCAN" DE MORCOLLA. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs Tonada fait partie d'une serie de pièces connue comme "Atipanakuy de Tonadas"• ARCE SOTELO,MANUEL ANDES DU S. 2003 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-05 BM.2006.006.001:02-05 00:00:45 24/08/2003 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) "LE CHANT DU COQ" WALLPA WACCAY Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **"Huamancha" de Puquio; *** "Killiwara" de Andamarca IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL ANDES DU S. 2003 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-06 BM.2006.006.001:02-06 00:00:50 24/08/2003 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) TIPAC TIPAC TIPAC TIPAC Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **"Huamancha" de Puquio; *** "Killiwara" de Andamarca IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL ANDES DU S. 2003 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-07 BM.2006.006.001:02-07 00:00:44 27/07/2003 PEROU DPT AYACUCHO,PROV.SUCRE* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) ALTO ENSAYO ALTO ENSAYO***** Sous-table non exportée Sous-table non exportée Fête de l'eau, "Dia Central" . Fête propitiatoire pour le bon déroulement de l'année agricole.***** La choréographie de Alto Ensayo se caracterise par des sauts des danseurs• *village Morcolla. ** "PATRON" DE HUAYCAHUACHO ; *** "INCACHA" DE ANDAMARCA ; **** "VOLCAN" DE MORCOLLA.***** La choréographie de Alto Ensayo se caracterise par des sauts des danseurs. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2003 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-08 BM.2006.006.001:02-08 00:00:52 24/08/2003 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) ALTO ENSAYO: SIU SAO ALTO ENSAYO: SIU SAO**** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **"Huamancha" de Puquio; *** "Killiwara" de Andamarca **** La choréographie Alto Ensayo est composé de différents morceaux. Siu Sao est le seul morceau qui a un nom propre. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 0 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-09 BM.2006.006.001:02-09 00:00:48 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) PAMPA ENSAYO PAMPA ENSAYO** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** La choréographie "Pampa Ensayo" se characterise par des acrobaties par terre. Elle est composé de differents morceau sans nom particulier. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-10 BM.2006.006.001:02-10 00:01:07 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) PAMPA ENSAYO PAMPA ENSAYO** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** La choréographie "Pampa Ensayo" se characterise par des acrobaties par terre. Elle est composé de differents morceau sans nom particulier. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-11 BM.2006.006.001:02-11 00:01:22 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) TONADA EN ZAPATEO ET TACON DE PALO TONADA EN ZAPATELO ET TACON DE PALO** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** Tonada en zapateo (jeu de pieds) et Tacon de Palo sont deux pièces différents enregistrées ici l'une àpres l'autre. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-12 BM.2006.006.001:02-12 00:01:48 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) HUAMANGUINO ET PAYASO HUAMANGUINO ET PAYASO** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **Huamanguino et Payaso sont deux piéces diffèrents enregistrées ici l'une après l'autre. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-13 BM.2006.006.001:02-13 00:00:39 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) PATARA PATARA** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **Pièce dont la choréographie se fait principalement sur la pointe des pieds. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-14 BM.2006.006.001:02-14 00:00:46 25/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) PRUEBA PRUEBA** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de primera (danseurs confirmés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** La danse est remplacée par des acrobaties. ***"OJICHA" DE SONDONDO ; **** "LAPLA" DE HUAYCAHUACHO ; ***** "LLASPA" DE HUACAÑA. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-15 BM.2006.006.001:02-15 00:01:24 24/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) PASTA PASTA** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de segunda (danseurs moins expérimentés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. **La danse est remplacée par des épreuves de fakirisme. ***"Cholo Victor" de Puquio; **** "Zurdo" de Lucanas; ***** "Picaflor" de Puquio IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-16 BM.2006.006.001:02-16 00:00:32 25/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) TORRE BAJAY TORRE BAJAY** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de primera (danseurs confirmés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** Dernière épreuve de la competition. Le danseur descend depuis le clocher de l'église, à l'aide d'une corde, en faisant de périlleuses acrobaties. *** "OJICHA" DE SONDONDO ; **** "LAPLA" DE HUAYCAHUACHO ; ***** "LLASPA" DE HUACAÑA. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.006 CDR-extérieur BM.2006.006.001 :02-17 BM.2006.006.001:02-17 00:02:00 25/08/2002 PEROU DPT AYACUCHO,PROV.LUCANAS* PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) KARAMUSA KARAMUSA** Sous-table non exportée Sous-table non exportée Fête de l'eau, troisième jour , appelé "Dia Central" danzantes de primera (danseurs confirmés). Fête propitiatoire pour le bon déroulement de l'année agricole• *village Andamarca. ** Karamusa est la danse générale du village aprés la competition , avec la participation de tous les interprètes. IS-Tijeras: deux barres métalliques indépendantes tenues dans la main droite des danseurs• ARCE SOTELO,MANUEL 2002 AMERIQUE +BM.2006.007 CDR BM.2006.007.001 :01 BM.2006.007.001:01 00:05:39 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 PRELUDE 1 MAMA LER Sous-table non exportée LER Sous-table non exportée Ce Prélude a été transmis aux ancêtres des Lobi par les génies d la brousse pour être joué comme tel dans les funérailles• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 MYTHIQUE AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :02 BM.2006.007.001:02 00:00:55 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 PRELUDE 2 DEPANA LER Sous-table non exportée LER Sous-table non exportée Ce Prélude a été créé par les musiciens, pour le distinguer du "Prélude 1" réservé aux funérailles• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :03 BM.2006.007.001:03 00:00:22 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE KUN GARAN BINA Sous-table non exportée LER Sous-table non exportée Formule pour annoncer le décèsd 'un H.• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :04 BM.2006.007.001:04 00:00:25 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE KHER GARAN BINA Sous-table non exportée LER Sous-table non exportée Formule pour annoncer le décèsd 'une F.• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :05 BM.2006.007.001:05 00:01:23 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE DANSE REJOUISSANCE, AU XYLOPHONE GOM PIR Sous-table non exportée Sous-table non exportée IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :06 BM.2006.007.001:06 00:02:28 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE, POUR L'INITIATION DJORO Sous-table non exportée Sous-table non exportée Rituel d'initiation• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO" • HIEN,SIE 0 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :07 BM.2006.007.001:07 00:02:03 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE, POUR LA CONFRERIE DES CHASSEURS BAMBA Sous-table non exportée Sous-table non exportée Rituel funéraire• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 0 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :08 BM.2006.007.001:08 00:02:40 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE, POUR LA CONFRERIE DES CHASSEURS TCHOTCHOL BINA Sous-table non exportée Sous-table non exportée Rituel funéraire• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :09 BM.2006.007.001:09 00:02:48 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE,POUR LES GRANDS CULTIVATEURS DJU KUL BINA Sous-table non exportée Sous-table non exportée Rituel funéraire, pour la mort d'un cultivateur• IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 0 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :10 BM.2006.007.001:10 00:03:27 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE,POUR LESFUNERAILLES BE GB'UN Sous-table non exportée Sous-table non exportée Rituel funéraire, musique jouée durant les 3 ou 4 nuits suivant l'enterrement • IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 0 AFRIQUE +BM.2006.007 CDR BM.2006.007.001 :11 BM.2006.007.001:11 00:05:01 21/08/96 BURKINA FASO KAMPTI LOBI HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 AIR DE XYLOPHONE,POUR LESFUNERAILLES DJORO Sous-table non exportée Sous-table non exportée Rituel funéraire, musique jouée durant les 3 ou 4 nuits suivant l'enterrement • IFP + BR : xylophone posé, à 14 lames de bois, avec résonateurs en calebasse, comportant des orifices couverts de cocon d'araignée, faisant office de mirliton, joué avec deux mailloches à embouts en sève de karité. IFP-BATON : utilisé pour remplacer la pulsation normalement frappée sur la lèvre supérieure d'un tbr appelé "BAMBAN BO". Le joueur de xylophone est facteur de _yolon bo_• HIEN,SIE 1996 AFRIQUE +BM.953.001 ØGF;²38;PPM;SD BM.953.001.001/02 :01-01 BM.953.001.001/02:01-01 01:00:00 2/1953 INDONESIE;BALI CONCERT M. BALINAISE; A PARIS PRELUDE D'ORCHESTRE GAMELAN Sous-table non exportée Sous-table non exportée Concert donné au Théâtre Marigny (Paris)• 1953 0 ASIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-01 BM.1953.002.001:01-01 00:00:16 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE LAMENTATION Sous-table non exportée Sous-table non exportée Chant de lamentation alternant chant en choeur mixte et complainte en solo• Enregistrement mauvais• 0 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-17 BM.1953.002.001:01-17 00:02:19 ILES MARSHALL ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Ancien chant de guerre responsorial accompagné par des rythmes frappés avec des batons• 0 0 OCEANIE +BM.953.004 Ø18;²38;PPM BM.953.004.001 :01-01 BM.953.004.001:01-01 00:02:35 N VIETNAM VIETNAM.JEU DU LITHOPHONE DEPOSE AU MH N Sous-table non exportée Sous-table non exportée 1) Enreg. au MH Solo instr 1953 0 ASIE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-01 BM.1953.005.001:01-01 00:01:32 N MEXIQUE LACANDON MEXIQUE:LACANDON N Sous-table non exportée Sous-table non exportée Vit: 76• DELPRAT, SERGE 0 0 AMERIQUE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-02 BM.1953.005.001:01-02 00:03:06 N MEXIQUE LACANDON MEXIQUE:LACANDON "LE VENT" Sous-table non exportée Sous-table non exportée VC=Chanté jeune garçon de 10 ans. Vit 76• DELPRAT, SERGE 0 AMERIQUE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-03 BM.1953.005.001:01-03 00:01:34 N MEXIQUE LACANDON MEXIQUE:LACANDON "LE VENT" Sous-table non exportée Sous-table non exportée VC=Chanté jeune garçon de 10 ans. Vit 76• DELPRAT, SERGE 0 AMERIQUE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-04 BM.1953.005.001:01-04 00:04:14 N MEXIQUE LACANDON MEXIQUE:LACANDON "LE VENT" Sous-table non exportée Sous-table non exportée VC=Chanté le père du jeune garçon. Vit 76• DELPRAT, SERGE 0 AMERIQUE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-05 BM.1953.005.001:01-05 00:00:28 N MEXIQUE LACANDON MEXIQUE:LACANDON Sous-table non exportée Sous-table non exportée VC=Chanté voix d'homme fragment.Vit 76• DELPRAT, SERGE 0 AMERIQUE +BM.1953.005 ØGF;²76 BM.1953.005.001 :01-06 BM.1953.005.001:01-06 00:00:12 N MEXIQUE LACANDON MEXIQUE:LACANDON Sous-table non exportée Sous-table non exportée VC=Chanté voix d'homme fragment.Vit 76• DELPRAT, SERGE 0 AMERIQUE +BM.1953.006 ØGF;²76 BM.1953.006.001 :01-01 BM.1953.006.001:01-01 00:00:00 8/1953 GUINEE FRANCAISE SUBDIVISION DE YOUKOUNKOUN KONYAGI GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 Sous-table non exportée Sous-table non exportée Vitesse 76 cm/s• NB. LA DURÉE TOTALE DE LA BANDE SERAIT DE 6'50"• 1953 0 AFRIQUE +BM.1954.001 ØGF;²38;PPM;SD BM.1954.001.001/02 :01-01 BM.1954.001.001/02:01-01 00:00:00 7/52 MAURITANIE MASTER DI."MUSIQUE MAURE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :01-01 BM.1954.002.001/03:01-01 00:03:34 GUINEE FRANCAISE BAEZIA, VILLAGE BIVEILAZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée vitesse 38 cm/s. 0 AFRIQUE +BM.954.003 n;²38 BM.954.003.001 :01-01 BM.954.003.001:01-01 00:00:00 N SOUDAN MASTER DI.78T: SOUDAN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.954.004 ØGF;²38;PPM;SD BM.954.004.001/04 :01-01 BM.954.004.001/04:01-01 00:00:00 N PEROU MASTER DI.33T + CHUTES: PEROU N Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +BM.954.005 ØGF;²38;PPM;SD BM.954.005.001/02 :01-01 BM.954.005.001/02:01-01 00:00:00 N VENEZUELA MASTER DI."VENEZUELA. SEANCE DE CHAMANISME" N Sous-table non exportée Sous-table non exportée 1949 0 AMERIQUE +BM.954.006 ØGF;²38;PPM;SD BM.954.006.001 :01-01 BM.954.006.001:01-01 00:00:00 N BENIN MASTER DI.33T: DAHOMEY;SHANGO N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.954.007 N BM.954.007.001 :01-01 BM.954.007.001:01-01 00:00:00 N REP CENTRAFRICAINE MOYEN CONGO MOYEN CONGO: BABENZELE DE BACKBALI N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.954.008 Ø18;²19;PPM BM.954.008.001/02 :01-01 BM.954.008.001/02:01-01 00:00:00 N LIBAN LIBAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.954.009 Ø13;²19;PPM BM.954.009.001 :01-01 BM.954.009.001:01-01 00:00:00 N LIBAN CHANTS LITURGIQUES SYRIAQUES CHANT LITURGIQUE SYRIAQUE Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1954.010 CDR+Ø* BM.1954.010.001 :01-01>04 BM.1954.010.001:01-01>04 00:30:01 15/10/1954 FRANCE CINQUANTENAIRE DE LA STE PREHISTO. FRANC., DISCOURS ABBE BREUIL & M.GAUDRON N Sous-table non exportée Sous-table non exportée Discours de M. Gaudron et de l'abbé Breuil, avec présentation• 1954 0 EUROPE +BM.955.001 ØGF;²38;PPM;SD BM.955.001.001 :01-01 BM.955.001.001:01-01 00:00:00 N TIBET COPIE DI.78T: TIBET N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.002 ØGF;²38;PPM;SD BM.955.002.001 :01-01 BM.955.002.001:01-01 00:00:00 N INDE INDE DU NORD COPIE DI.78T: INDE, JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.002 ØGF;²38;PPM;SD BM.955.002.001 :01-03 BM.955.002.001:01-03 00:00:00 N JAPON COPIE DI.78T: INDE, JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.003 ØGF;²38;PPM;SD BM.955.003.001 :01-01 BM.955.003.001:01-01 00:00:00 N VIETNAM COCHINCHINE COPIE DI.78 T: VIETNAM, BOURIATIE, TURKMENISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.003 ØGF;²38;PPM;SD BM.955.003.001 :01-07 BM.955.003.001:01-07 00:00:00 N URSS;BOURIATIE COPIE DI.78 T: VIETNAM, BOURIATIE, TURKMENISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.003 ØGF;²38;PPM;SD BM.955.003.001 :01-09 BM.955.003.001:01-09 00:00:00 N TURKMENISTAN COPIE DI.78 T: VIETNAM, BOURIATIE, TURKMENISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.004 Ø18;²19;PPM BM.955.004.001 :01-01 BM.955.004.001:01-01 00:00:00 N NIGERIA NIGERIA:ORIKI-S DE SHANGO ET DE TIMI N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.955.005 Ø13;²38;PPM BM.955.005.001 :01-01 BM.955.005.001:01-01 00:00:00 N VIETNAM TONKIN COPIE DU CYLINDRE N°192 DE LA STE D'ANTHROPOLOGIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 :01-01 BM.1955.006.001:01-01 00:02:30 N COREE DU NORD M. DE COREE Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. M2=Tambour en sablier Vitesse38• 0 0 N ASIE +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 :01-02 BM.1955.006.001:01-02 00:04:40 N COREE DU NORD COREENS M. DE COREE Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. M2=Tambour en sablier. Vitesse 38• BM.955.006.001:01-01 0 N ASIE +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 :01-03 BM.1955.006.001:01-03 00:04:00 N COREE DU NORD COREENS M. DE COREE Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. M2=Tambour en sablier. Vitesse 38• BM.955.006.001:01-02 0 N ASIE +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 :01-04 BM.1955.006.001:01-04 00:04:35 N COREE DU NORD COREENS M. DE COREE Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. M2=Tambour en sablier. Vitesse 38• BM.955.006.001:01-03 0 N ASIE +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 :01-05 BM.1955.006.001:01-05 00:02:40 N COREE DU NORD COREENS M. DE COREE Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. M2=Tambour en sablier. Vitesse 38• BM.955.006.001:01-04 0 N ASIE +BM.955.007 ØGF;²38;PPM;SD BM.955.007.001 :01-01 BM.955.007.001:01-01 00:00:00 N JAPON COPIE DI. 78T: JAPON, CHINE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.007 ØGF;²38;PPM;SD BM.955.007.001 :01-05 BM.955.007.001:01-05 00:00:00 N CHINE COPIE DI. 78T: JAPON, CHINE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-01 BM.1955.008.001:01-01 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 76• 0 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-02 BM.1955.008.001:01-02 00:00:00 N BOLIVIE BOLIVIE MAFCHE DEL INCA Sous-table non exportée Sous-table non exportée Vitesse 76• BM.955.008.001:01-01 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-03 BM.1955.008.001:01-03 00:00:00 N BOLIVIE BOLIVIE MAFCHE DEL INCA Sous-table non exportée Sous-table non exportée Vitesse 76• BM.955.008.001:01-02 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-04 BM.1955.008.001:01-04 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 76• BM.955.008.001:01-03 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-05 BM.1955.008.001:01-05 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 38• BM.955.008.001:01-04 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-06 BM.1955.008.001:01-06 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 38• BM.955.008.001:01-05 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-07 BM.1955.008.001:01-07 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 38• BM.955.008.001:01-05 0 N AMERIQUE +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 :01-08 BM.1955.008.001:01-08 00:00:00 N BOLIVIE BOLIVIE Sous-table non exportée Sous-table non exportée Vitesse 38• BM.955.008.001:01-05 0 N AMERIQUE +BM.955.009 Ø13;²38;PPM BM.955.009.001 :01-01 BM.955.009.001:01-01 00:00:00 N TURQUIE TURQUIE:MONTREUR D'OURS, BATRACIENS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.010 ØGF;²38;PPM;SD BM.955.010.001/02 :01-01 BM.955.010.001/02:01-01 00:00:00 N COREE DU NORD COPIE DI.78T: COREE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.955.011 Ø13;²38;PPM BM.955.011.001 :01-01 BM.955.011.001:01-01 00:02:19 N ETHIOPIE ADDIS ABEBA ETHIOPIE:FETES DE L'EMPEREUR FETES DE L'EMPEREUR Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.956.001 ØGF;²38;PPM;SD BM.956.001.001/02 :01-01 BM.956.001.001/02:01-01 00:00:00 N PAPOUASIE-NLE-GUINEE DISTRICT DE MOROBE (MANDAT AUSTRALIEN) NELLE GUINEE:BUANG N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.1956.002 Ø18;²19;PPM BM.1956.002.001 :01-01 BM.1956.002.001:01-01 00:00:27 1955 IRAN TEHERAN, ZUR-XANEH BQ MELLI IRAN:M. DE ZUR KHANE. BALLIF,N.;1955 MUSIQUE DE GYMNASE ZUR-XANEH Sous-table non exportée Sous-table non exportée M=Tambour sur bois de cache de bois table• 1955 0 ASIE +BM.1956.002 Ø18;²19;PPM BM.1956.002.001 :01-02 BM.1956.002.001:01-02 00:02:32 1955 IRAN TEHERAN, ZUR-XANEH BQ MELLI IRAN:M. DE ZUR KHANE. BALLIF,N.;1955 MUSIQUE DE GYMNASE ZUR-XANEH Sous-table non exportée Sous-table non exportée Faux départ, reprises de formule par un choeur homme à la fin/ amorce rouge en fin de pièce• 1955 ASIE +BM.1956.002 Ø18;²19;PPM BM.1956.002.001 :01-03 BM.1956.002.001:01-03 00:14:47 1955 IRAN TEHERAN, ZUR-XANEH BQ MELLI IRAN:M. DE ZUR KHANE. BALLIF,N.;1955 MUSIQUE DE GYMNASE ZUR-XANEH Sous-table non exportée Sous-table non exportée Edité sur la musique persane, Vol. 1 Vogue contrepoint EXTP 1033 (17/45). Faux départ, par moment une cloche, formules psalmodiées par un choeur d'hommes, bruit d'un arc en fer à corde de fer• 1955 ASIE +BM.1956.002 Ø18;²19;PPM BM.1956.002.001 :01-04 BM.1956.002.001:01-04 00:02:56 1955 IRAN TEHERAN, ZUR-XANEH BQ MELLI IRAN:M. DE ZUR KHANE. BALLIF,N.;1955 MUSIQUE DE GYMNASE ZUR-XANEH Sous-table non exportée Sous-table non exportée Parlé conversation en français. Mauvais défilement de bande. N.B. A la fin de la bande (+ - 2' de musique orchestre occidentale et 9' vierges) est à recupérer• 1955 ASIE +BM.956.003 Ø18;²19;PPM BM.956.003.001/02 :01-01 BM.956.003.001/02:01-01 00:00:00 N URSS M. DES PEUPLES DE L'EXTREME NORD (URSS) N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.957.001 Ø18;²19;PPM BM.957.001.001 :01-01 BM.957.001.001:01-01 00:00:00 N ALBANIE COPIE DI. + ENREG.: ALBANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.957.002 Ø13;²38;PPM BM.957.002.001 :01-01 BM.957.002.001:01-01 00:03:00 N CHILI MAPUCHE COPIE DI.:CHILI; ARAUCAN N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-01 BM.1957.003.001:01-01 00:02:27 N CAMEROUN CAMEROUN LOUANGES DU LAMIDO DE BANYO Sous-table non exportée Sous-table non exportée Par les griots Nya(vr?)ala• -1 0 AFRIQUE +BM.957.004 Ø18;²19;PPM BM.957.004.001 :01-01 BM.957.004.001:01-01 00:00:00 N SENEGAL SENEGAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.958.001 Ø18;²9.5;1/2P BM.958.001.001 :01-01 BM.958.001.001:01-01 00:00:00 N SOUDAN SOUDAN: FUNG N Sous-table non exportée Sous-table non exportée 1955 0 AFRIQUE +BM.958.002 Ø18 BM.958.002.001/03 :01-01 BM.958.002.001/03:01-01 00:00:00 N ARGENTINE CATALOGO DE MUSICA ABORIGEN Y FOLKLORICA ARGENTINA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.958.003FANTOME Fantome BM.958.003 FANTOME :01-01 BM.958.003 FANTOME:01-01 00:00:00 N COLLECTION INEXISTANTE Sous-table non exportée Sous-table non exportée 0 N +BM.958.004 Ø13;²19;PPM BM.958.004.001 :01-01 BM.958.004.001:01-01 00:00:00 2/56 TCHAD TCHAD: SARA-DEME N Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +BM.1958.005 Divers* BM.1958.005.001/04 :01-01 BM.1958.005.001/04:01-01 00:00:32 10/55 PHILIPPINES KALINGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• 1955 0 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :02-01 BM.1958.005.001/04:02-01 00:02:55 MALAYSIA MALAISIE PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 MUSIQUE CEREMONIELLE Sous-table non exportée Sous-table non exportée Enreg. Radio Malaya Vitesse 19 Piste 1• 1955 0 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :03-01 BM.1958.005.001/04:03-01 00:09:57 N INDONESIE;BALI DEN PASAR BALINAIS PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SENGUIDI Sous-table non exportée Sous-table non exportée Gamelan balinais• Vitesse 19 Piste 1• 1955 0 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :04-01 BM.1958.005.001/04:04-01 00:15:40 N INDONESIE;JAVA SARAKARTA JAVANAIS PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT ET GAMELAN Sous-table non exportée Sous-table non exportée Chanté solo H, gamelan , puis vers 6' chanté solo F. Gending Kuwung-introduction (bowo) par Asekar Ageng Pusporukmi, Gamelan Association Mardi Karawitan. Ladrang Sribi Waddo-Pelog-Barang• Vitesse 19. Piste 1• 1955 0 ASIE +BM.958.006 Ø18;²19;1/2P BM.958.006.001 :01-01 BM.958.006.001:01-01 00:00:00 N MALI FALAISES DE BANDIAGARA DOGON MALI: DOGON N Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +BM.958.007 ØGF;²19;1/2P BM.958.007.001/02 :01-01 BM.958.007.001/02:01-01 00:00:00 N AUSTRALIE COPIE DI.33T:AUSTRALIE N Sous-table non exportée Sous-table non exportée Copie de di. 30/33 non microsillon -1 0 OCEANIE +BM.958.007 ØGF;²19;1/2P BM.958.007.001/02 :02-02 BM.958.007.001/02:02-02 00:10:00 N BENIN COTONOU FON COPIE DI.33T:AUSTRALIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.958.009 ØGF;²19;PPM BM.958.009.001/06 :01-01 BM.958.009.001/06:01-01 00:00:00 N VIETNAM COPI E DI:VIETNAM N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.958.010 ØGF;²19;1/2P BM.958.010.001 :01-01 BM.958.010.001:01-01 00:00:00 N BENIN PORTO-NOVO NAGO-YORUBA DAHOMEY: NAGO N Sous-table non exportée Sous-table non exportée DT = -1 0 AFRIQUE +BM.958.011 ØGF;²19;1/2P BM.958.011.001 :01-01 BM.958.011.001:01-01 00:00:00 N BENIN NAGO-YORUBA DAHOMEY: NAGO, SANGO-SAKETE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.958.012 Ø13;²19;1/2P BM.958.012.001 :01-01 BM.958.012.001:01-01 00:00:00 N PEROU CUZCO COPIE DI.:PEROU,CUZCO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.958.013 ØGF;²19;PPM BM.958.013.001 :01-01 BM.958.013.001:01-01 00:51:00 12/11/57 BURKINA FASO OUAGADOUGOU HAUTE VOLTA: FUNERAILLES DE NABA SAGA, 33EME EMPEREUR DES MOSSI N Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +BM.958.014 Ø18;²19;PPM BM.958.014.001/02 :01-01 BM.958.014.001/02:01-01 00:00:00 N REP D'AFRIQUE DU SUD KALAHARI (REP SUD-AFRICAINE),KALAHARI: BOSHIMAN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.958.015 ØGF;²19;PPM BM.958.015.001 :01-01 BM.958.015.001:01-01 00:00:00 N INDE;ASSAM GARO TERRIER,MR;INDE, ASSAM:GARO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.959.001 Ø18;²19;PPM BM.959.001.001 :01-01 BM.959.001.001:01-01 00:00:00 N ROUMANIE ROUMANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.959.003 Ø13;²19;PPM BM.959.003.001 :01-01 BM.959.003.001:01-01 00:00:00 N CHINE COPIE DI: OPERA DE PEKIN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.959.004 Ø18;²38;PPM BM.959.004.001/05 :01-01 BM.959.004.001/05:01-01 00:00:00 27/2/58 INDE VILAYAT KHAN & NIKHIL GOSH (CONCERT GUIMET) N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-01 BM.1959.005.001/03:01-01 00:03:40 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET MUSIQUE DU TEMPLE DE CONFUCIUS "UNG-AN-JI-AK" Sous-table non exportée Sous-table non exportée IFC=Carillon phonolithes et carillon de cloches. M=Tambour râcleur. Vitesse 19• 0 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-02 BM.1959.005.001/03:01-02 00:01:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET MUSIQUE POUR ACCOMPAGNER LA DANSE "SAMHYAN YANGSAN HOI-SANG" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-01 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-03 BM.1959.005.001/03:01-03 00:02:55 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET RECITATION DE POEMES LYRIQUES " UJO CHOT JE CHI " MODE UJO Sous-table non exportée Sous-table non exportée CC=Cithare à cordes frottées. Vitesse 19• BM.959.005.001/03:01-02 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-04 BM.1959.005.001/03:01-04 00:02:18 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET ANCIENNE BALLADE "CHU-MYON-KOK" Sous-table non exportée Sous-table non exportée Chu-myon-kok signifie la longueur du printemps. Vitesse 19• BM.959.005.001/03:01-03 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-05 BM.1959.005.001/03:01-05 00:04:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET CHANTS DRAMATIQUES:3 CHANTS DE "SHIM CHONG" "CHU-MYON-KOK" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-04 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-06 BM.1959.005.001/03:01-06 00:01:17 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes. Vitesse 19• BM.959.005.001/03:01-05 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-07 BM.1959.005.001/03:01-07 00:01:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET CHANT POPULAIRE DE LA PROVINCE DE WANGHAI "SAN YANBL" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-08 BM.1959.005.001/03:01-08 00:03:45 N COREE DU SUD MUSIQUE DE COREE. MUSEE GUIMET CHANT POPULAIRE DU SUD "YUKJA BARJI" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-07 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-09 BM.1959.005.001/03:01-09 00:01:40 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET DANSE DE JEUNES FILLES AU CLAIR DE LUNE AU BORD DE LA MER "KANG KANG SULNE" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-08 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-10 BM.1959.005.001/03:01-10 00:00:30 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET CHANT POPULAIRE "KUVE JI NA CHUNG CHUNG-NA NE Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-09 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-11 BM.1959.005.001/03:01-11 00:00:30 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET ORCHESTRE POPULAIRE "KUVE JI NA CHUNG CHUNG-NA NE Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-10 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :01-12 BM.1959.005.001/03:01-12 00:00:45 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET CHANT DE BATTAGE "BORI TAJAK" Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-11 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-01 BM.1959.005.001/03:02-01 00:00:50 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-12 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-02 BM.1959.005.001/03:02-02 00:00:50 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée AT=Longues trompes.Vitesse 19• BM.959.005.001/03:02-01 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-03 BM.1959.005.001/03:02-03 00:01:00 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée CC=Cithare à cordes percutées.Vitesse 19• BM.959.005.001/03:02-01 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-04 BM.1959.005.001/03:02-04 00:01:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-03 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-05 BM.1959.005.001/03:02-05 00:07:55 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-07 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-06 BM.1959.005.001/03:02-06 00:00:50 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-05 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-07 BM.1959.005.001/03:02-07 00:00:55 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-08 BM.1959.005.001/03:02-08 00:03:55 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-09 BM.1959.005.001/03:02-09 00:02:20 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-10 BM.1959.005.001/03:02-10 00:01:05 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-11 BM.1959.005.001/03:02-11 00:00:30 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée IR=Carillon de phonolithes.Vitesse 19• BM.959.005.001/03:02-06 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-12 BM.1959.005.001/03:02-12 00:01:05 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET MUSIQUE DU TEMPLE DE CONFUCIUS Sous-table non exportée Sous-table non exportée IR=Carillon de cloches et carillon de phonolithes.Vitesse 19• BM.959.005.001/03:02-11 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-13 BM.1959.005.001/03:02-13 00:01:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée (AMORCE BLEUE) Vitesse 19• BM.959.005.001/03:02-12 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-14 BM.1959.005.001/03:02-14 00:02:55 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-05 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-15 BM.1959.005.001/03:02-15 00:00:45 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-14 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-16 BM.1959.005.001/03:02-16 00:04:00 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-15 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-17 BM.1959.005.001/03:02-17 00:01:10 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• 0 ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-18 BM.1959.005.001/03:02-18 00:01:00 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-17 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-19 BM.1959.005.001/03:02-19 00:00:50 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-17 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-20 BM.1959.005.001/03:02-20 00:02:05 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-17 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-21 BM.1959.005.001/03:02-21 00:00:50 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-17 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-22 BM.1959.005.001/03:02-22 00:01:05 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-17 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-23 BM.1959.005.001/03:02-23 00:01:45 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:01-07 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :02-24 BM.1959.005.001/03:02-24 00:01:35 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET Sous-table non exportée Sous-table non exportée Vitesse 19• BM.959.005.001/03:02-23 0 N ASIE +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 :03-01 BM.1959.005.001/03:03-01 00:03:30 N COREE DU SUD COREENS MUSIQUE DE COREE. MUSEE GUIMET PIÈCE A MOUVEMENT LENT, MODERE, RAPIDE " Sous-table non exportée Sous-table non exportée CC=Cithare à 12 cordes appelé probablement Kayakeum. M=Tambour appelé Kayakeum sanjo.Vitesse 19• BM.959.005.001/03:01-09 0 N ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :01-01 BM.1959.006.001/19:01-01 00:03:08 05/03/58 INDE;KERALA TRIVANDRUM TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 RECITAION DES VEDAS RIG VEDA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 0 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :01-02 BM.1959.006.001/19:01-02 00:05:10 05/03/58 INDE;KERALA TRIVANDRUM TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 RECITATION DES VEDAS YAJUR VEDA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 0 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :01-03 BM.1959.006.001/19:01-03 00:01:40 05/03/58 INDE;KERALA TRIVANDRUM TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 RECITATION DES VEDAS SA:MA VEDA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :01-04 BM.1959.006.001/19:01-04 00:02:25 05/03/58 INDE;KERALA TRIVANDRUM TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 RECITATION DES VEDAS A:SHIRVA:DA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :01-05 BM.1959.006.001/19:01-05 00:09:15 05/03/58 INDE;KERALA TRIVANDRUM MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 "DRUM BEATING" KE:LIKOTTU Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. IE-cymbales =cymbalettes. Ethnie : Malayali ?• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :02-01 BM.1959.006.001/19:02-01 00:22:00 27/02/58 INDE;TAMIL NADU NAGERKOIL TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE L'ARC* "HISTOIRE DE SHA:STA KATAI" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *trad."villupa:ttu". Ethnie : Tamil ?. Arc musical de 2,40m posé sur une poterie kudam, laquelle est battue avec une feuille de palmier;des clochettes sont fixées au bois de l'arc;la corde est frappée avec des baguettes en bois. Tambour sablier à tension variable;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :03-01 BM.1959.006.001/19:03-01 00:23:41 27/02/58 INDE;TAMIL NADU NAGERKOIL TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE L'ARC* "HISTOIRE DE DRAUPATTI"* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *trad."villupa:ttu". *histoire extraite de l'épopée du Maha:bharata. Ethnie : Tamil ?. Arc musical de 2,40m posé sur une poterie kudam, laquelle est battue avec une feuille de palmier;des clochettes sont fixées au bois de l'arc;la corde est frappée avec des baguettes en bois. Tambour sablier à tension variable;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :04-01 BM.1959.006.001/19:04-01 00:08:45 27/02/58 INDE;TAMIL NADU NAGERKOIL TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE L'ARC* "HISTOIRE EXTRAITE DE L'EPOPEE DU RA:MAYANA" BA:LAKA:NDA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *trad."villupa:ttu". Ethnie : Tamil ?. Arc musical de 2,40m posé sur une poterie kudam, laquelle est battue avec une feuille de palmier;des clochettes sont fixées au bois de l'arc;la corde est frappée avec des baguettes en bois. Tambour sablier à tension variable;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :04-02 BM.1959.006.001/19:04-02 00:05:15 27/02/58 INDE;KERALA INDE DU SUD INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 6 EXTRAITS DE LA BATTERIE D'INTRODUCTION AU KATHAKALI Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Ethnie : ?• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :04-03 BM.1959.006.001/19:04-03 00:11:30 27/02/58 INDE;KERALA TRAVANCORE,PERUMKADAVILA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE L'ARC* BA:LAKA:NDA Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *trad."villupa:ttu": a) Ganapati Stuti;b) chant sur De:sha:bhima:ni Ra:ma Pillai- un héros ancien. Arc musical de 2,40m posé sur une poterie kudam, laquelle est battue avec une feuille de rondier;des clochettes sont fixées au bois de l'arc;la corde est frappée avec des baguettes en bois. Tambour sablier à tension variable;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :05-01 BM.1959.006.001/19:05-01 00:13:45 26/01/58 INDE;KERALA TRIVANDRUM MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 MUSIQUE POUR LE FESTIVAL DU NOUVEL AN MALAYALI ONAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Villinme: 1 Tayyampaka• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :05-02 BM.1959.006.001/19:05-02 00:05:23 26/01/58 INDE;KERALA TRIVANDRUM MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 MUSIQUE POUR LE FESTIVAL DU NOUVEL AN MALAYALI ONAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Villinme: 1 Tayyampaka. Même pièce , extraits d'une autre interprétation• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :05-03 BM.1959.006.001/19:05-03 00:05:50 27/01/58 INDE;KERALA TRIVANDRUM MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 RA:GA KHAMA:S Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *IFC : tambour de poterie sans peau• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :06-01 BM.1959.006.001/19:06-01 00:24:58 26/03/58 INDE;KERALA TRIVANDRUM MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL "BHAIRAVI RA:GAM, A:DI TA:LAM" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *IFC : tambour de poterie sans peau• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :07-01A BM.1959.006.001/19:07-01A 00:08:00 15/03/58 INDE;KERALA AMBALAPUZHA INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL * Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *para:mukha, ka:nada ra:gam, a:di ta:lam. 1 hautbois bourdon uttu• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :07-01B BM.1959.006.001/19:07-01B 00:12:05 15/03/58 INDE;KERALA AMBALAPUZHA INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL * Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *ki:rtanam, sa:ve:ri ra:gam. 1 hautbois bourdon uttu• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :07-01C BM.1959.006.001/19:07-01C 00:03:22 15/03/58 INDE;KERALA AMBALAPUZHA INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL * Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *a:varttanam. 1 hautbois bourdon uttu• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :08-01 BM.1959.006.001/19:08-01 00:06:32 15/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'ASTROLOGUE "KANIYA:N PA:TTU" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Chanté solo h et trio h;tambour sablier à tension variable: udukku;cymbalettes : jallarai• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :08-02 BM.1959.006.001/19:08-02 00:00:57 15/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'EXORCISME "VE:LAN PRAVARTTI" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour bha:ratachara. cf DT pp.10,11 et BM 959.006.10• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :08-03 BM.1959.006.001/19:08-03 00:02:25 15/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'EXORCISME "VE:LAN PRAVARTTI" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour bha:ratachara. cf DT pp.10,11 et BM 959.006.10• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :08-04 BM.1959.006.001/19:08-04 00:03:00 15/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'EXORCISME "VE:LAN PRAVARTTI" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour bha:ratachara. cf DT pp.10,11 et BM 959.006.10• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :08-05 BM.1959.006.001/19:08-05 00:01:13 15/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT (EXTRAIT? DE PA:NAN PA:TTU) Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour sablier ;cymbalettes. cf DT p.11, tapes item 6• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :09-01 BM.1959.006.001/19:09-01 00:25:42 15/03/58 INDE;KERALA AMBALAPUZHA INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. 1 hautbois bourdon uttu• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :10-01 BM.1959.006.001/19:10-01 00:18:50 15/03/58 INDE;KERALA AMBALAPUZHA INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 INSTRUMENTAL "UNE GUIRLANDE DE RA:GAS"* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *vara:li ra:gam, introduisant ra:ga ma:lika. dont 1 hautbois utilisé comme bourdon uttu• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :10-02 BM.1959.006.001/19:10-02 00:03:29 17/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'EXORCISME VE:LAN PRAVARTTI* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour bha:ratachara. *cf. DT pp.10 et 11 et BM/D 959.006.08• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :10-03 BM.1959.006.001/19:10-03 00:01:57 17/03/58 INDE;KERALA MALAKARA MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT D'EXORCISME VE:LAN PRAVARTTI* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour bha:ratachara. *cf. DT pp.10 et 11 et BM/D 959.006.08• LEVY,J 0 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-01 BM.1959.006.001/19:11-01 00:02:31 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-02 BM.1959.006.001/19:11-02 00:02:18 16/03/58 INDE;KERALA IBIDEM/TRIVANDRUM INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 DANSE DE GARUDA NRITTAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Cymbalettes hallari (i.e. jallarai ?)• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-03 BM.1959.006.001/19:11-03 00:04:06 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-04 BM.1959.006.001/19:11-04 00:01:37 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-05 BM.1959.006.001/19:11-05 00:02:09 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-06 BM.1959.006.001/19:11-06 00:01:52 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-07 BM.1959.006.001/19:11-07 00:02:49 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-08 BM.1959.006.001/19:11-08 00:03:02 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :11-09 BM.1959.006.001/19:11-09 00:02:18 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. cf. également BM/D 959.006.12-01 et 02, .17-03• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :12-01 BM.1959.006.001/19:12-01 00:03:48 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. cf. également BM/D 959.006.11-03 à 09 et .17-03• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :12-02 BM.1959.006.001/19:12-02 00:04:11 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI "DANSE DES BATONS DES KURAVAR ?" Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. cf. également BM/D 959.006.11-03 à 09 et .17-03• LEVY,J 0 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :12-03 BM.1959.006.001/19:12-03 00:09:36 28/03/58 INDE;KERALA COCHIN INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT GITA GOVINDA, ASHTAPADI-VERSET 4 Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour sablier à tension variable• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :12-04 BM.1959.006.001/19:12-04 00:03:15 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :12-05 BM.1959.006.001/19:12-05 00:02:19 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :13-01 BM.1959.006.001/19:13-01 00:09:30 28/03/58 INDE;KERALA COCHIN INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT GITA GOVINDA, ASHTAPADI-VERSET 17? Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour sablier à tension variable• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :13-02 BM.1959.006.001/19:13-02 00:09:39 28/03/58 INDE;KERALA COCHIN INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT GITA GOVINDA, ASHTAPADI-VERSET 20? Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. tambour sablier à tension variable;autre chanteur• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :13-03 BM.1959.006.001/19:13-03 00:03:40 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :13-04 BM.1959.006.001/19:13-04 00:04:40 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-01 BM.1959.006.001/19:14-01 00:05:31 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-02 BM.1959.006.001/19:14-02 00:02:34 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-03 BM.1959.006.001/19:14-03 00:00:45 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-04 BM.1959.006.001/19:14-04 00:02:17 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-05 BM.1959.006.001/19:14-05 00:02:57 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-06 BM.1959.006.001/19:14-06 00:01:29 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM (INCOMPLET) Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :14-07 BM.1959.006.001/19:14-07 00:05:50 28/03/58 INDE;KERALA COCHIN TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT DE PANDA:RAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. vièle monocorde;claquettes en bois• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :15-01 BM.1959.006.001/19:15-01 00:04:45 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. Naiya:ndi pa:ttu, cf DT pp. 11-12• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :15-02 BM.1959.006.001/19:15-02 00:05:06 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. Na:varasa, cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :15-03 BM.1959.006.001/19:15-03 00:04:12 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam. Sifflements à partir de 3'. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. Na:varasa, cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :16-01 BM.1959.006.001/19:16-01 00:04:10 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam;danse du serpent na:gin? Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT pp. 11-12• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :16-02 BM.1959.006.001/19:16-02 00:04:39 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam;danse du serpent ma:kudi?? Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :16-03 BM.1959.006.001/19:16-03 00:03:11 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam;danse du serpent ma:kudi?? Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :16-04 BM.1959.006.001/19:16-04 00:03:24 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam;danse du serpent ma:kudi? Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :16-05 BM.1959.006.001/19:16-05 00:02:48 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam;danse du serpent ma:kudi? Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT• LEVY,J 0 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :17-01 BM.1959.006.001/19:17-01 00:05:31 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM-PIECE RYTHMIQUE* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam; Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT pp.11-12• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :17-02 BM.1959.006.001/19:17-02 00:04:35 20/03/58 INDE MADRAS;TIRUNELVELLI;VIRAVANALLUR TAMIL INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 ENSEMBLE INSTRUMENTAL POUR LA DANSE KARAGAM-DANSE DE LA CONQUE* Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. *Naiya:ndi me:lam; Sifflements par moment. 1 hautbois utilisé comme bourdon uttu;tambours doubles pambai. cf DT• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :17-03 BM.1959.006.001/19:17-03 00:01:40 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT; cf BM.959.006.11-03 à 09 et 12-1• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :17-04 BM.1959.006.001/19:17-04 00:03:26 16/03/58 INDE;KERALA TRIVANDRUM OU KOTTARAKARA KURAVAR INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANT KURAVARKALI Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT; cf BM.959.006.11-03 à 09 et 12-1. le reste de la bobine n'est pas enregistré• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :18-01 BM.1959.006.001/19:18-01 00:01:54 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :18-02 BM.1959.006.001/19:18-02 00:03:20 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :18-03 BM.1959.006.001/19:18-03 00:04:59 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :18-04 BM.1959.006.001/19:18-04 00:05:20 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :19-01 BM.1959.006.001/19:19-01 00:04:10 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :19-02 BM.1959.006.001/19:19-02 00:04:33 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :19-03 BM.1959.006.001/19:19-03 00:02:56 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Bruits de bande. Bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :19-04 BM.1959.006.001/19:19-04 00:03:47 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Bruits de bande. Bande hors collection• LEVY,J 1958 ASIE +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 :19-05 BM.1959.006.001/19:19-05 00:02:15 1958? INDE INDE DU SUD MALAYALI INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 CHANTS DEVOTIONNELS KI:RTANAM Sous-table non exportée Sous-table non exportée Ø13;²19;PP,DT. Bruits de bande. Bande hors collection• LEVY,J 1958 ASIE +BM.960.001 Ø15;²9.5;1/2P BM.960.001.001 :01-01 BM.960.001.001:01-01 00:00:00 N TOGO NORD TOGO NORD TOGO: KABRE N Sous-table non exportée Sous-table non exportée 1958 0 AFRIQUE +BM.960.002 Ø15 BM.960.002.001 :01-01 BM.960.002.001:01-01 00:00:00 N INDONESIE;IRIAN JAYA ANCIENNE NLE GUINEE NEERLANDAISE NLLE GUINEE NEERLANDAISE N Sous-table non exportée Sous-table non exportée 1958 0 OCEANIE +BM.960.003 Ø13;²19;1/2P BM.960.003.001 :01-01 BM.960.003.001:01-01 00:00:00 N PANAMA PANAMA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.960.004 Ø13;²19;PPM BM.960.004.001/02 :01-01 BM.960.004.001/02:01-01 00:00:00 N EX YOUGOSLAVIE COPIE DI.78T: YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.960.005 Ø13;²19;1/2P BM.960.005.001 :01-01 BM.960.005.001:01-01 00:00:00 N HONGRIE HONGRIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.960.006 ØGF;²38;PPM;SD BM.960.006.001 :01-01 BM.960.006.001:01-01 00:00:00 MAURITANIE MASTER DI."REP. ISLAMIQUE DE MAURITANIE. CHANTS DE F." & "ID. CHANTS D'H." Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.960.007 Ø18;²19;1/2P BM.960.007.001/08 :01-01 BM.960.007.001/08:01-01 00:00:00 N LESOTHO LESOTHO, REP SUDAFRICAINE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.960.007 Ø18;²19;1/2P BM.960.007.001/08 :07-01 BM.960.007.001/08:07-01 00:00:00 N REP D'AFRIQUE DU SUD LESOTHO, REP SUDAFRICAINE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 :01-01 BM.1961.001.001/03:01-01 00:00:00 -1 GUYANE FRANCAISE SAINT-LAURENT DU MARONI KALINA ET BONI GUYANE FRANCAISE:KALINA, BONI Sous-table non exportée Sous-table non exportée /vc= chanté choeurs d'H et de F. (cf. DT)• CHARPENTIER-VIANES -1 0 AMERIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-01 BM.1961.002.001/11:01-01 00:03:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 0 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-02 BM.1961.002.001/11:01-02 00:01:40 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-03 BM.1961.002.001/11:01-03 00:02:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-04 BM.1961.002.001/11:01-04 00:01:45 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-05 BM.1961.002.001/11:01-05 00:01:25 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-07 BM.1961.002.001/11:01-07 00:01:50 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-08 BM.1961.002.001/11:01-08 00:03:25 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme moins de ronflette. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-09 BM.1961.002.001/11:01-09 00:01:40 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme moins ronflette. VC=Choeur de femmes (marovavy). Cette pièce renferme un défaut de défilement à une minute. Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-10 BM.1961.002.001/11:01-10 00:01:25 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme moins de ronflette. VC=Choeur de femmes (marovavy). Sans défaut. Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-11 BM.1961.002.001/11:01-11 00:01:30 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme moins de ronflette. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :01-12 BM.1961.002.001/11:01-12 00:01:15 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme moins de ronflette. VC=Choeur de femmes (marovavy). Reste 3' vierge. Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-01 BM.1961.002.001/11:02-01 00:06:20 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tambour sur poterie amnongavilany par les jeunes de Fanjakamandroso. / Défaut de défilement à 5'. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-01 BM.1961.002.001/11:03-01 00:02:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-02 BM.1961.002.001/11:02-02 00:01:30 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tambour sur poterie amnongavilany par les jeunes de Fanjakamandroso. / Saturé à 1'45 enchainé à. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-02 BM.1961.002.001/11:03-02 00:01:35 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-03 BM.1961.002.001/11:02-03 00:03:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tmabour sur poterie amnongavilany par les jeunes de Fanjakamandroso. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-03 BM.1961.002.001/11:03-03 00:01:20 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-04 BM.1961.002.001/11:02-04 00:01:30 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tmabour sur poterie amnongavilany par les jeunes de Fanjakamandroso. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-04 BM.1961.002.001/11:03-04 00:03:05 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-05 BM.1961.002.001/11:02-05 00:01:20 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tmabour sur poterie amnongavilany par les jeunes de Fanjakamandroso. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-05 BM.1961.002.001/11:03-05 00:04:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-06 BM.1961.002.001/11:02-06 00:02:15 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tmabour sur poterie amnongavilany par les jeunes de Fanjakamandroso. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-06 BM.1961.002.001/11:03-06 00:03:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-07 BM.1961.002.001/11:02-07 00:02:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tambour sur poterie amnongavilany par les jeunes de Fanjakamandroso Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-07 BM.1961.002.001/11:03-07 00:02:20 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-08 BM.1961.002.001/11:02-08 00:02:00 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée M=Tambour sur poterie amnongavilany par les jeunes de Fanjakamandroso Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-08 BM.1961.002.001/11:03-08 00:00:15 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :02-09 BM.1961.002.001/11:02-09 00:01:35 1960 MADAGASCAR DST DE TSIROANA-MANDIDY MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée M=Tambour sur poterie amnongavilany par les jeunes de Fanjakamandroso. Vitesse 19• 1960 BM.61.2.2-P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-09 BM.1961.002.001/11:03-09 00:02:10 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?) Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-10 BM.1961.002.001/11:03-10 00:00:55 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?). A la fin de la pièce cris. Vitesse 19 piste 2• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :03-11 BM.1961.002.001/11:03-11 00:01:15 1960 MADAGASCAR DST DE TSIROANA-MANDIDY BETSILEO + MERINA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT RANGO OU TANDONAKA Sous-table non exportée Sous-table non exportée Etat=Madagascar district de (Andohunankivoke ?). VP=Parler en alternance par deux hommes. Vitesse 19 piste 2• 1960 n AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :04-01 BM.1961.002.001/11:04-01 00:02:10 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.3- P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :04-02 BM.1961.002.001/11:04-02 00:03:55 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT KAO ITY Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.3- P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :04-03 BM.1961.002.001/11:04-03 00:09:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR AIR POUR LES TROMBA (REVENANTS) Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.3- P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-01 BM.1961.002.001/11:05-01 00:01:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-02 BM.1961.002.001/11:05-02 00:00:50 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-03 BM.1961.002.001/11:05-03 00:02:45 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-04 BM.1961.002.001/11:05-04 00:01:50 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-05 BM.1961.002.001/11:05-05 00:01:45 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-06 BM.1961.002.001/11:05-06 00:03:15 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-07 BM.1961.002.001/11:05-07 00:02:50 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-08 BM.1961.002.001/11:05-08 00:02:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-09 BM.1961.002.001/11:05-09 00:01:10 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée / Beaucoup d'ambiance; prise de son médiocre. Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :05-10 BM.1961.002.001/11:05-10 00:03:55 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.3- P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-01 BM.1961.002.001/11:06-01 00:01:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ? Karatsaké( (?). Défilement défectueux. 0'15" inaudible, à la fin. Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-02 BM.1961.002.001/11:06-02 00:03:20 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ? Karatsaké( (?). Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-03 BM.1961.002.001/11:06-03 00:03:10 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ?. VEthnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-04 BM.1961.002.001/11:06-04 00:02:35 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ?. Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-05 BM.1961.002.001/11:06-05 00:03:05 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ?. Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-06 BM.1961.002.001/11:06-06 00:05:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée VP = Pièce précédée d'une annonce en français dite par un homme. / Variations dans la modulation./; Jelo lava= "arc long" (dzezu). Hochet boîte de conserve ?. Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-07 BM.1961.002.001/11:06-07 00:02:15 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Annonce faite par un Homme (en Magache), pui parlé H (en malgache; l'annonce ne doit pas correspondre). Ethnie : Sakalava (probablement). Vitesse 19 piste 1 [?]• 1960 BM.61.2.4 -P1 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :06-08 BM.1961.002.001/11:06-08 00:00:35 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée VP = parlé H, en malgache . / interrompu, fin de bande• 1960 N AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-01 BM.1961.002.001/11:07-01 00:00:20 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). VP=Parler homme ( malgache ?). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-02 BM.1961.002.001/11:07-02 00:01:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée CA=Arc musical jejo lava "arc long" (dzezu). Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-03 BM.1961.002.001/11:07-03 00:01:30 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CHANT POUR LES REVENANTS TROMBA Sous-table non exportée Sous-table non exportée BC =Bruits de bouche. Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-04 BM.1961.002.001/11:07-04 00:01:30 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR PROBABLEMENT IMITATION DE LA POSSESSION (TROMBA) Sous-table non exportée Sous-table non exportée BC = bruits de bouche. Cette pièce comporte les éléments suivants: parlé, ambiance (avec halètement par moments, probablement imitation de la possession). Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-05 BM.1961.002.001/11:07-05 00:01:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR PROBABLEMENT IMITATION DE LA POSSESSION TROMBA Sous-table non exportée Sous-table non exportée BC = bruits de bouche. Cette pièce comporte les éléments suivants: parlé, ambiance (avec halètement par moments, probablement imitation de la possession). Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-06 BM.1961.002.001/11:07-06 00:01:55 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR PROBABLEMENT IMITATION DE LA POSSESSION (TROMBA) Sous-table non exportée Sous-table non exportée BC = bruits de bouche. Cette pièce comporte les éléments suivants: parlé, ambiance (avec halètement par moments, probablement imitation de la possession). Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-07 BM.1961.002.001/11:07-07 00:07:05 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CONTE DU CYCLE ZATUVU Sous-table non exportée Sous-table non exportée VP=Parlé femme auxquels s'ajoutent des rires avec une partie chantée. Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-08 BM.1961.002.001/11:07-08 00:01:15 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR CONTE DU CYCLE ZATUVU Sous-table non exportée Sous-table non exportée VC=Chanté en sourdine par hommes et femmes. Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-09 BM.1961.002.001/11:07-09 00:02:05 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée VC = chanté en sourdine, a u début, puis arc musical seul avec battements de mains. Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-10 BM.1961.002.001/11:07-10 00:00:40 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR BEKU Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-11 BM.1961.002.001/11:07-11 00:01:20 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR BEKU Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-12 BM.1961.002.001/11:07-12 00:01:00 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR BEKU Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-13 BM.1961.002.001/11:07-13 00:00:30 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR BEKU Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.1961.002 Divers* BM.1961.002.001/11 :07-14 BM.1961.002.001/11:07-14 00:01:05 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR BEKU Sous-table non exportée Sous-table non exportée Ethnie : Sakalava (probablement). Vitesse 19 piste 2 [?]• 1960 BM.61.2.4 -P2 AFRIQUE +BM.961.003 Ø18;²9.5;1/2P;SD BM.961.003.001 :01-01 BM.961.003.001:01-01 00:00:00 N FINLANDE FINLANDE.ARCHI.SONORES STE LITT. FINNOISE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.961.004 Ø18;²19;PPM BM.961.004.001 :01-01 BM.961.004.001:01-01 00:00:00 N MAROC MAROC:BERBERE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :01-01 BM.1962.001.001/07:01-01 00:05:29 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT RELIGIEUX DES DERVICHES BEKTAC H Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 0 12 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :01-02 BM.1962.001.001/07:01-02 00:14:35 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT RELIGIEUX DES DERVICHES BEKTAC H Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 12 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :01-03 BM.1962.001.001/07:01-03 00:09:54 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT RELIGIEUX DES DERVICHES BEKTAC H Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas. Interrompu en fin de bande; défaut de copie?• 1959 12 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-01 BM.1962.001.001/07:02-01 00:05:00 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 AIR DE LA VILLE DE KARS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-02 BM.1962.001.001/07:02-02 00:05:10 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 AIR DE LA VILLE DE URFA Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-03 BM.1962.001.001/07:02-03 00:05:15 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 AIR DE LA VILLE DE MALATIA Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-04 BM.1962.001.001/07:02-04 00:03:26 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 COMPOSE PAR "ACIKH" ALI ALKISH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-05 BM.1962.001.001/07:02-05 00:03:42 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 COMPOSE PAR "ACIKH" ALI ALKISH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :02-06 BM.1962.001.001/07:02-06 00:08:59 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 AIR DE LA VILLE DE D'UKSEK Sous-table non exportée Sous-table non exportée Dans la région de Sivas. Copie faite à partir du même original que BM 70.36.14• 1959 19 ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-01 BM.1962.001.001/07:03-01 00:02:37 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT DE BERGER Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme dans la région de Sivas• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-02 BM.1962.001.001/07:03-02 00:00:07 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 ANNONCE EN TURC Sous-table non exportée Sous-table non exportée VC=Parlé, solo homme dans la région de Sivas• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-03 BM.1962.001.001/07:03-03 00:14:30 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT EPIQUE DU KOROGLOU Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans la région de Sivas• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-04 BM.1962.001.001/07:03-04 00:03:22 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 DANSE Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme, choeur et sifflements, couplets chantés et CL=Luths et claquement de mains; pièce exécuté dans la région de Sivas• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-05 BM.1962.001.001/07:03-05 00:02:25 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth exécuté dans la région de Sivas• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :03-06 BM.1962.001.001/07:03-06 00:02:45 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme exécuté dans la région de Sivas. Copie faite à partir du même original que BM 70.36.15 et ?• 1959 20 et ? ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-01 BM.1962.001.001/07:04-01 00:06:45 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copie faite à partir du même original que BM .970.036.022. Fin schuntée• 1959 34 et 35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-02 BM.1962.001.001/07:04-02 00:02:46 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Sans doute suite de la pièce 01. Copie faite à partir du même original que BM .970.036.022.• 1959 34 et 35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-03 BM.1962.001.001/07:04-03 00:07:57 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copie faite à partir du même original que BM .970.036.022.• 1959 34 et 35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-04 BM.1962.001.001/07:04-04 00:00:15 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Extrait. Copie faite à partir du même original que BM .970.036.022.• 1959 34 et 35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-05 BM.1962.001.001/07:04-05 00:04:54 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Fin shuntée. Copie faite à partir du même original que BM .970.036.022.• 1959 34 et35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :04-06 BM.1962.001.001/07:04-06 00:07:39 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté solo homme en régistre suraigu. CV=Vièle (début shuntée). Copie faite à partir du même original que BM 70.36.23• 1959 34 et 35 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-01 BM.1962.001.001/07:05-01 00:05:11 IRAN DU NORD-EST GUMBED-I-KABUS BALOUTCHES TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08. 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-02 BM.1962.001.001/07:05-02 00:04:22 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08. 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-03 BM.1962.001.001/07:05-03 00:03:49 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08• 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-04 BM.1962.001.001/07:05-04 00:04:59 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08• 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-05 BM.1962.001.001/07:05-05 00:03:24 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08• 1959 34,37, 38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-06 BM.1962.001.001/07:05-06 00:00:45 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée IP=Solo Guimbarde. Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08• 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-07 BM.1962.001.001/07:05-07 00:03:40 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08• 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :05-08 BM.1962.001.001/07:05-08 00:03:26 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Les copies :05-01 à :05-08 sont d'assez mauvaise qualité. Elles sont faites à partir du même original que BM. 970.036.022 pour la pièce 01; BM.970.036.025 pour les pièces 02 et 03; BM.970.036.026 pour les pièces 04 à 07 et BM 970.036.027 pour la pièce 08. 1959 34,37,38 et 39 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-01 BM.1962.001.001/07:06-01 00:03:20 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.027 pour les pièces 01à 02• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-02 BM.1962.001.001/07:06-02 00:04:16 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.027 pour les pièces 01à 02• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-03 BM.1962.001.001/07:06-03 00:03:34 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.028pour les pièces 03 à 05• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-04 BM.1962.001.001/07:06-04 00:03:33 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.028 pour les pièces 03 à 05• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-05 BM.1962.001.001/07:06-05 00:05:40 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.028 pour les pièces 03 à 05• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-06 BM.1962.001.001/07:06-06 00:04:19 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.029 pour les pièces 06 à 09• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-07 BM.1962.001.001/07:06-07 00:02:55 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copies faites à partir du même original que BM.970.036.029 pour les pièces 06 à 09• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-08 BM.1962.001.001/07:06-08 00:00:53 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée AF=Flûte oblique, de roseau (?) avec V=Voix en bourdon. -Extrait (?). Copies faites à partir du même original que BM.970.036.029 pour les pièces 06 à 09• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :06-09 BM.1962.001.001/07:06-09 00:02:47 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo Homme et AF=Flûte oblique, de roseau (?) avec voix en oblique. Copies faites à partir du même original que BM.970.036.029 pour les pièces 06 à 09• 1959 39, 40 et 41 AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-01 BM.1962.001.001/07:07-01 00:07:50 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 CHANT EPIQUE DE KOROGLOU (EXTRAIT) Sous-table non exportée Sous-table non exportée Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-02 BM.1962.001.001/07:07-02 00:07:50 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-03 BM.1962.001.001/07:07-03 00:00:42 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo femme avec effet d'écho sur cette bande. Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-04 BM.1962.001.001/07:07-04 00:02:59 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo Homme et AF=Flûte oblique, de roseau (?) avec voix en bourdon. Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-05 BM.1962.001.001/07:07-05 00:01:15 TURQUIE ANATOLIE TURCS TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo femme. Mauvaise copie. Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT ASIE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-06 BM.1962.001.001/07:07-06 00:01:37 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme alterné avec flûte oblique, de roseau (?) avec voix en bourdon. Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 NÉANT AFRIQUE +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 :07-07 BM.1962.001.001/07:07-07 00:02:45 IRAN DU NORD-EST GUMBAD-I-KABUS TURKEMÈNE TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme alterné avec flûte oblique, de roseau (?) avec voix en bourdon. Copie faite à partir de même originaux que la collection Lubtchanschy BM .970.036... • 1959 AFRIQUE +BM.962.002 Ø18;²19;PPM BM.962.002.001 :01-01 BM.962.002.001:01-01 00:00:00 N ILE DE LA REUNION ILES DE LA REUNION & DE LA POSSESSION: BRUITS D'ANIMAUX N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-02 BM.1962.003.001/02:01-02 00:00:20 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 PRELUDE SE JOUANT AVANT L'ENTREE EN SCENE DES ACTEURS BAI CHIÊN OU TRONG RAO Sous-table non exportée Sous-table non exportée CV=Vièle à caisse de raisonance en noix de coco. M =Tambour Trô'ng. IFC =Gong Ch‘iêng. Piste N, vitesse 19 • BM.962.003.001/02:01-02 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-01 BM.1962.003.001/02:01-01 00:00:47 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 OUVERTURE AVANT LE LEVER DU RIDEAU-THEÂTRE TRADITIONNEL KHAI TRUONG OU TRONG DUONG DAU Sous-table non exportée Sous-table non exportée CV=Vièle à caisse de résonance en noix de coco. Piste N, vitesse 19 • 1960 0 N ASIE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-04 BM.1957.003.001:01-04 00:01:42 N CAMEROUN CAMEROUN GRIOTS DU LAMIDO DE REI BOUBA Sous-table non exportée Sous-table non exportée Griots tama• VC-CHT F = ?, selon le cahier d'inventaire• -1 AFRIQUE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-03 BM.1962.003.001/02:01-03 00:00:27 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DECLAMATION FAITE PAR UN ACTEUR OU UNE ACTRICE BOP Sous-table non exportée Sous-table non exportée CV=Vièle à caisse de raisonance en noix de coco. M=Tambour Trong, Gong chieng. Semblable à la pièce 01-02, à cette pièce s'ajoute un bloc de bois mo. Bôp: ponctuer le noi loî bô, déclamation faite par un acteur ou une actrice en station debout. Piste N, vitesse 19 • BM.962.003.001/02:01-03 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-04 BM.1962.003.001/02:01-04 00:00:41 28 JUILLET VIETNAM CENTRE VIETNAM, BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DO POUR ACCOMPAGNER LES 2 DIFFERENTES FACON DE CHANTER DO Sous-table non exportée Sous-table non exportée CV=Vièle à deux cordes DANCO, vièle à caisse de résonance en noix de coco DAN GAO. Dô se joue pour accompagner les Bach, Ngâm, Xuong, 3 façons différentes de chanter, (lesquelles ressemblent plutôt à des récitatifs) Piste N, vitesse 19 • BM.962.003.001/02:01-03 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-05 BM.1962.003.001/02:01-05 00:00:34 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DECLAMATION DITE PAR UN ACTEUR OU UNE ACTRICE DO CHIEU Sous-table non exportée Sous-table non exportée Dô chiêu se jouepour ponctuer les noi loi, déclamation dite par un acteur ou une actrice qui marche en rond sur la scène. Piste N, vitesse 19 • BM.962.003.001/02:01-01 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-06 BM.1962.003.001/02:01-06 00:00:20 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DECLAMATION DITE PAR UN PERSONNAGE MILITAIRE ASSIS RUP DO SANG Sous-table non exportée Sous-table non exportée Rup do sang se joue pour ponctuer les noi loi (déclamations) dites par un rôle militaire (assis) Piste N, vitesse 19 • BM.962.003.001/02:01-04 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-07 BM.1962.003.001/02:01-07 00:00:30 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DECLAMATION DITE PAR UN ACTEUR ASSIS DO SAY TA Sous-table non exportée Sous-table non exportée DO SAY TA pour accompagner les noi loi, déclamations dites par un acteur en train de déguster du vin. Piste N, vitesse 19 • BM.962.003.001/02:01-06 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-08 BM.1962.003.001/02:01-08 00:03:04 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 LAMENTATION, MI-RESSENTIMENT BAN THAN BAN OAN Sous-table non exportée Sous-table non exportée BAN THAN BAN SAN, littéralement mi-lamentation, mi ressentiment. Cette scène tirée de la pièce " phi ho qua quan": le général phi ho traverse les frontières, ecrite par DAO TAN, décrit l'annonce des nouvelles de GIA THI à son mari. Ce chant divisé en deux parties: nam xuan luy et hat cu, est interprété par l'actrice NGOC CAM ( 34 ans) de Tuy Phuoc à Binh Dinh. Piste N, vitesse 19 • BM.962.003.001/02:01-07 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-09 BM.1962.003.001/02:01-09 00:03:22 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 CHANT DE SCÈNE DE "DICH THANG O THON QUOC": DICH THANG AU PAYS THON XUONG Sous-table non exportée Sous-table non exportée Le luth est en forme de lune. Cette pièce est tirée de la pièce de "NGU HO BINH TAY": la pacification de l'ouiest par les 5 tigres, de Nguyen Dieu. Genre de récitatif pour l'exposition des entiments par des rôles de général ou moine. Ce chant est interprété par le maître acteur TAN THANH, 50 ans. Piste N, vitesse 19 • BM.962.003.001/02:01-08 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-10 BM.1962.003.001/02:01-10 00:03:19 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 LE PRINTEMPS MERIDIONAL NAM XUAN Sous-table non exportée Sous-table non exportée Scène de "trieu tu cung" qui quitte sa robe de moine pour sauver son pays. Scène tirée de la pièce revue et argumentée par DAO TAN "Tam nu dô" vuong: le complot des trois femmes. Ce chant dans le mode Nam, nuance xuân, est interprété par M.Hai Liêu, 42 ans fils d'acteurs de 4 ème génération, qui tient de rôle d'un personnage exposant une situation. Piste N, vitesse 19 • BM.962.003.001/02:01-09 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-11 BM.1962.003.001/02:01-11 00:02:01 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 SOUPIRER THAN Sous-table non exportée Sous-table non exportée Dans cette pièce, le luth comporte 3 cordes. Scène de Luu Bi pensant à Quan Công, d'après le roman chinois Tam Quôc Chi (les trois royaumes) - tiré d'une pièce ancienne anonyme. Ce genre de récitatif convient à une situation triste. Ce chant est interprété par M. CHIN THO, 54 ans , à An Nhon, Binh Dinh. Piste N, vitesse 19 • BM.962.003.001/02:01-10 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-12 BM.1962.003.001/02:01-12 00:00:53 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 CHANT DE LA POURSUITE KHACH TAU Sous-table non exportée Sous-table non exportée Cette pièce (Khach = chinois; Tâu = pour Tâu Ma qui signifie le cheval qui court) aurait du être acccompagnée par un hautbois; elle est innterprétée par l'actrice Ngoc Câm. Piste N, vitesse 19 • BM.962.003.001/02:01-11 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-13 BM.1962.003.001/02:01-13 00:02:45 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 7 TEMPS NHIP BAY Sous-table non exportée Sous-table non exportée Il s'agit dans cet exemple d'un chant de moine interprété par M. CHIN THO. (Phrase de 8 mesures avec un silence d'une mesure au début de chaque phrase). Piste N, vitesse 19 • BM.962.003.001/02:01-12 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-14 BM.1962.003.001/02:01-14 00:02:45 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 3 TEMPS NHIP BA Sous-table non exportée Sous-table non exportée Ce chant est interprété par M. TU CA, acteur entrain de boire de l'alcool de riz. L'acteur a 40 ans. Les vièles ont chacune deux cordes. Piste N, vitesse 19 • BM.962.003.001/02:01-13 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-15 BM.1962.003.001/02:01-15 00:01:43 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 1 TEMPS NHIP MOT Sous-table non exportée Sous-table non exportée Chant interprété par 4 acteurs MM. CUU VI, TAM THANH, TU CA et CHIN THO. Piste N, vitesse 19 • BM.962.003.001/02:01-14 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-16 BM.1962.003.001/02:01-16 00:01:25 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 5 TEMPS OU MESURE ROULEE NHIP NAM OU NHIP LANG Sous-table non exportée Sous-table non exportée Chant interprété par TU CA et TU BONG. Piste N, vitesse 19 • BM.962.003.001/02:01-15 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-17 BM.1962.003.001/02:01-17 00:03:05 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 4 TEMPS OU CHANT DE FOLLE NHIP TU OU BAI DIEN Sous-table non exportée Sous-table non exportée Chant interprété par l'actrice Ngoc Câm. Piste N, vitesse 19 • BM.962.003.001/02:01-14 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-18 BM.1962.003.001/02:01-18 00:02:30 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 MESURE A 5 TEMPS NHIP NAM Sous-table non exportée Sous-table non exportée Chant interprété par les actrices Cuc et Hoa. Piste N, vitesse 19 • BM.962.003.001/02:01-17 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-19 BM.1962.003.001/02:01-19 00:05:00 28 JUILLET VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée Sous-table non exportée Chant interprété par l'actrice Ngoc Câm. Piste N, vitesse 19 • BM.962.003.001/02:01-17 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-01 BM.1962.003.001/02:02-01 00:05:50 N VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 RECITATIF ET DECLAMATION BACH, NOI LOI, XUONG Sous-table non exportée Sous-table non exportée Scène tirée de la pièce de TAMQUOC CHI (les trois royaumes). BACH est le récitatif chanté par un personnag militaire, un génie ou un moine avant la déclamation. Xuong est le récitatif propre au militaire ou au moine avant la déclamation du théâtre noi lôi. Noi lôi est la déclamation. Xuong est le récitatif propre au militaire ou au moine bouddhique. Ici, après le Bach et le Noi lôi, il y'a un récitatif qui ressemble beaucoup à un than, suivi d'un Hat khach, chant chinois. Ces récitatifs et déclamations sont interprétés par MM. XA DAI, TAM THANH et CUU VI d'après les notes de Pham Duy, ou Xâu, Tam, et Nông d'après l'annonce sur la bande• 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-02 BM.1962.003.001/02:02-02 00:02:26 N VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 CHANTS DIVERS LY MOI, LY XUAN, LY CHEN, LY AI - HAT NIEU Sous-table non exportée Sous-table non exportée Ly moi, ly xuân, ly chênh, ly ai, chants divers : chant de fou ou de bouffon; chanté en vietnamien avec l'accent cambodgien ou proto-indochinois, et interprété ici par l'acteur TAM THANH• BM.962.003.001/02:02-01 1960 N ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-03 BM.1962.003.001/02:02-03 00:03:35 N VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 LEVER DU RIDEAU DE LA PIECE HAU SANH DANG MO MAN TUONG HAU SANH DANG Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.962.003.001/02:02-02 1960 N ASIE +BM.962.004 Ø18;²19;PPM BM.962.004.001/03 :01-01 BM.962.004.001/03:01-01 00:00:00 N URSS CHANSONS POPULAIRES ET AUTRES D'URSS (ARRANGEES) N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.962.005 Ø18;²19;PPM BM.962.005.001 :01-01 BM.962.005.001:01-01 00:00:00 N KAZAKHSTAN COPIE DI.: KHAZAKHE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.962.006 Ø18;²9.5;PPM BM.962.006.001 :01-01 BM.962.006.001:01-01 00:00:00 N PARAGUAY PARAGUAY: GUAYAKI N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.962.007 Ø18;²19;PPM BM.962.007.001/02 :01-01 BM.962.007.001/02:01-01 00:00:00 N VENEZUELA REG. TUKOKO VENEZUELA;REG. DE TUKOKO: INDIENS MOTILON, VOCABULAIRE BARI N Sous-table non exportée Sous-table non exportée 1961 0 AMERIQUE +BM.962.008 Ø18;²19;PPM BM.962.008.001/04 :01-01 BM.962.008.001/04:01-01 00:00:00 N PAPOUASIE-NLE-GUINEE MISSION J. VILLEMINOT: PAPOUASIE ET NOUVELLE-GUINEE N Sous-table non exportée Sous-table non exportée 1960 0 OCEANIE +BM.962.009 Divers* BM.962.009.001/06 :01-01 BM.962.009.001/06:01-01 00:00:00 N DANEMARK;GROENLAND GROENLAND DE L'EST: ESQUIMOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.963.001 Ø18;²19;PPM BM.963.001.001/02 :01-01 BM.963.001.001/02:01-01 00:00:00 N AZERBAIDJAN COPIE DI. 78&33T: M. POPU URSS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.963.001 Ø18;²19;PPM BM.963.001.001/02 :01-07 BM.963.001.001/02:01-07 00:00:00 N URSS;RSS ARMENIE COPIE DI. 78&33T: M. POPU URSS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.963.002 Ø13;²19;PPM BM.963.002.001 :01-01 BM.963.002.001:01-01 00:00:00 N PAPOUASIE-NLE-GUINEE NLE GUINEE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.963.003 Ø18;²19;1/2P BM.963.003.001 :01-01 BM.963.003.001:01-01 00:00:00 N FINLANDE FINLANDE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A01 BM.1963.004.001:01-A01 00:03:46 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 0 bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A02 BM.1963.004.001:01-A02 00:02:30 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A03 BM.1963.004.001:01-A03 00:04:10 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 0 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A04 BM.1963.004.001:01-A04 00:10:42 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A05 BM.1963.004.001:01-A05 00:08:07 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-A06 BM.1963.004.001:01-A06 00:06:07 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-B01 BM.1963.004.001:01-B01 00:05:25 7 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation, vers 21h-22h. Funérailles d'unenfant• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 9,5 cm/s, 1/2P, Piste A Qualités sonores médiocres (déplacement du micro, différences d'intensité sonore). Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-B02 BM.1963.004.001:01-B02 00:05:37 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 JUGEMENT POPULAIRE TRADITIONNEL Sous-table non exportée Sous-table non exportée Enreg. en situation, dit de justice. Au cours d'un jugement populaire traditionnel sur une affaire entre deux personnes: la femme jugée avait la collique chaque fois qu'elle venait voir Ama h'diè• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 4,7 cm/s, 1/2P, Piste B Qualités sonores faibles. Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 Bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-B03 BM.1963.004.001:01-B03 00:04:50 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. INSTRUMENTALE Sous-table non exportée Sous-table non exportée Enreg. en situation, m. instrumentale; xylophone à 11 tuyaux de bambou: _ trüng _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 19 cm/s, 1/2P, Piste B Qualités sonores moyennes. Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 Bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-B04 BM.1963.004.001:01-B04 00:02:44 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. INSTRUMENTALE Sous-table non exportée Sous-table non exportée Enreg. en situation, m. instrumentale; xylophone à 11 tuyaux de bambou: _ trüng _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 19 cm/s, 1/2P, Piste B Qualités sonores moyennes. Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 Bande 1 ASIE +BM.1963.004 CDR+CD-ROM+Ø13;²9, BM.1963.004.001 :01-B05 BM.1963.004.001:01-B05 00:03:07 fev. 1963 VIETNAM V.CENTRAL,PROV.DE PHU BON JARAÏ VIETNAM;JORAI. DOURNES,R.P.J.;1963 M. INSTRUMENTALE Sous-table non exportée Sous-table non exportée Enreg. en situation, m. instrumentale; xylophone à 11 tuyaux de bambou: _ trüng _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg. 19 cm/s, 1/2P, Piste B Qualités sonores moyennes. Cf. DT. Rédacteur fiche / Tran Quang Haï• DOURNES, R.P. JACQUES 1963 Bande 1 ASIE +BM.963.005 Ø18;²19;PPM BM.963.005.001 :01-01 BM.963.005.001:01-01 00:00:00 N AFRIQUE (AFRIQUE) LANGAGE TAMBOURINE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.963.006 Ø18;²19;PPM BM.963.006.001 :01-01 BM.963.006.001:01-01 00:00:00 N YOUGOSLAVIE SERBIE EST, KNJAZEVAC M. POPU. SERBE CHANT DE KOLEDA Sous-table non exportée Sous-table non exportée 1953 0 EUROPE +BM.963.007 Ø18;²19;PPM BM.963.007.001 :01-01 BM.963.007.001:01-01 00:00:00 N MADAGASCAR MADAGASCAR / VERNIER 1E SERIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.963.008 ØGF;²9.5;PP BM.963.008.001/02 :01-01 BM.963.008.001/02:01-01 00:00:00 N MADAGASCAR MADAGASCAR / VERNIER 2E SERIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.963.009 Ø15;²9.5;1/2P BM.963.009 :01-01 BM.963.009:01-01 00:00:00 mars BRESIL IGARAPE PEDRA ALTA* GAVIOES R.P.CARON;BRESIL:GAVIOÈS N Sous-table non exportée Sous-table non exportée * à 50 km au N. de Maraba• 1963 0 AMERIQUE +BM.964.001 Ø18;²19;PPM BM.964.001.001 :01-01 BM.964.001.001:01-01 00:00:00 N ALBANIE ALBANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.964.002 Ø13;²9.5;PPM BM.964.002.001 :01-01 BM.964.002.001:01-01 00:00:00 N TCHAD TCHAD: MBAY N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.964.003 Ø13;²9.5;PPM BM.964.003.001 :01-01 BM.964.003.001:01-01 00:00:00 N NOUVELLE-CALEDONIE NLE CALEDONIE; REGIONS DE TOUHO, VOH ET POYA N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-01 BM.964.004.001/02:01-01 00:00:12 25/07/60 TURQUIE ANATOLIE CENTRALE,ENTRE GOPSUN * TURCS TURQUIE,ANATOLIE CENTRALE FREQUENCE Sous-table non exportée Sous-table non exportée *et Maras. EL = fréquence d' un générateur de fréquences• MAUGUIN,BERNARD 1960 0 01-01 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-02 BM.964.004.001/02:01-02 00:02:16 25/07/60 TURQUIE ANATOLIE CENTRALE,ENTRE GOPSUN *ET MARAS TURCS TURQUIE,ANATOLIE CENTRALE CHANSON POPULAIRE Sous-table non exportée Sous-table non exportée * et Maras VP: annonce en turc avant le chant. DT: Notes de A.Schaeffner?• MAUGUIN,BERNARD 1960 01-01 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-03 BM.964.004.001/02:01-03 00:03:46 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE CHANT LONG LELE KURBAN-OZUN HAVA Sous-table non exportée Sous-table non exportée * et Maras. Parlé: annonce en turc, avant le chant. Selon DT ( notes de A. Schaeffner?): même langage musical que pièce :01-02; l'échelle est notée; strophes libres• MAUGUIN,BERNARD 1960 01-02 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-04 BM.964.004.001/02:01-04 00:03:51 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE CHANT DE BANDIT Sous-table non exportée Sous-table non exportée * et Maras VP: annonce en turc, avant le chant. Selon DT (notes de A. Schaeffner?): 7 syllabes, strophes à 4 vers isométriques; aksak, dessin mélodique descendant• MAUGUIN,BERNARD 1960 01-03 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-05 BM.964.004.001/02:01-05 00:02:29 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE CHHANT D'AMOUR Sous-table non exportée Sous-table non exportée * et Maras VP: annonce en turc, avant le chant. Selon DT (notes de A. Schaeffner??): voir lamentation pièce :01-06; l'échelle est notée• MAUGUIN,BERNARD 1960 01-04 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-06 BM.964.004.001/02:01-06 00:02:43 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE LAMENTATION Sous-table non exportée Sous-table non exportée * et Maras. VC- = garçonde 14 ans. Selon DT (notes de A. Schaeffner?): cf. chant psalmodique long.; variante: "Elmenta mada'ika"; strophique 4 vers isométriques; vers à 12 syllabes; pentaphoniqu l'échelle est notée• MAUGUIN,BERNARD 1960 01-05 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-07 BM.964.004.001/02:01-07 00:02:02 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE CHANSON MODERNE Sous-table non exportée Sous-table non exportée * et Maras• VC: chanté par un vieillard. Selon DT (notes de A. Schaeffner?): apparemment parlando, structure difficile à déterminer; vers izométriques ? ; 3-4 vers répétés; l'échelle est notée• MAUGUIN,BERNARD 1960 01-06 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-08 BM.964.004.001/02:01-08 00:02:40 25/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE COMPLAINTE Sous-table non exportée Sous-table non exportée * et Maras VC =chant solo vieillard. Selon DT (notes de A. Schaeffner?): apparemment parlando, structure difficile à déterminer; vers izométriques ? ; 3-4 vers répétés; l'échelle est notée• MAUGUIN,BERNARD 1960 01-07 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-09 BM.964.004.001/02:01-09 00:03:59 25/07/60 TURQUIE ANATOLIE CENTRALE,ENTRE GOPSUN* TURCS TURQUIE,ANATOLIE CENTRALE TROIS POEMES DE KARACOLAN Sous-table non exportée Sous-table non exportée * et Maras Selon DT (notes de A. Schaeffner?): même voix que pièces :01-07 et :01-08; dessin mélodique descendant; cadences(4(3)2); q-structure strophique très nette; même gamme que mélodie précédente; trois poèmes sur la même mélodie; l'échelle est notée• MAUGUIN,BERNARD 1960 01-08 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-10 BM.964.004.001/02:01-10 00:03:06 26/07/60 TURQUIE ANATOLIE CENTRALE,ENTRE MARAS * TURCS TURQUIE,ANATOLIE CENTRALE CHANT AVEC KEMAN LLOGUZLUM BEN GUIDEN GIDERSEN Sous-table non exportée Sous-table non exportée *et Osmanye. Selon DT (notes de A. Schaeffner?): rythme binaire, déplacement d'accents d'un instrument par rapport à l'autre, musique de danse?, mélodie descendante• MAUGUIN,BERNARD 1960 02-01 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-11 BM.964.004.001/02:01-11 00:02:59 26/07/60 TURQUIE ANATOLIE CENTRALE,ENTRE MARAS* TURCS TURQUIE,ANATOLIE CENTRALE CHANT ACCOMPAGNE KEMAN GEITMA LEILAN (1° VERSION INCOMPLETE) Sous-table non exportée Sous-table non exportée *ET OSMANYE Selon DT ( notes de A. Schaeffner?): chant melodique descendant, strophique, 6 vers, l'echelle est notée• MAUGUIN,BERNARD 1960 02-02 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-12 BM.964.004.001/02:01-12 00:02:59 26:07:60 TURQUIE ANATOLIE CENTRALE, ENTRE MARAS* TURCS TURQUIE,ANATOLIE CENTRALE CHANT AVEC KEMAN GETMA LEILAN(2°VERSION) Sous-table non exportée Sous-table non exportée *et OSMANYE Selon DT ( notes de A. Schaeffner?): chant melodique descendant, strophique, 6 vers, l'echelle est notée• MAUGUIN,BERNARD 1960 02-03 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-13 BM.964.004.001/02:01-13 00:03:27 26/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE MARAS* TURCS TURQUIE,ANATOLIE CENTRALE CHANT AVEC KEMAN CEREM Sous-table non exportée Sous-table non exportée * et Osmanye Selon DT (notes de A.Schaeffner?) : chant, melodie descendante,strophique,parlando,majeur,4 vers, quelque fois deuxième reprise(une fois sur deux), l'echelle est notée• MAUGUIN,BERNARD 1960 02-04 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-14 BM.964.004.001/02:01-14 00:04:13 26/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE MARAS* TURCS TURQUIE,ANATOLIE CENTRALE CHANT AVEC KEMAN EVOGALEM Sous-table non exportée Sous-table non exportée * et Osmanye Selon DT ( notes de A. Schaeffner?): chant libre monostrophique (chant long), l'échelle est notée• MAUGUIN,BERNARD 1960 02-05 ASIE +BM.964.004 CDR+Ø* BM.964.004.001/02 :01-15 BM.964.004.001/02:01-15 00:03:26 26/07/60 TURQUIE ANATOLIE CENTRALE, ENTRE MARAS* TURCS TURQUIE,ANATOLIE CENTRALE CHANT AVEC KEMAN ZALIM AUCI Sous-table non exportée Sous-table non exportée Et Osmanye Selon DT ( notes de A. Schaeffner?): même famille mélodique que :01-14, chant long)• MAUGUIN,BERNARD 1960 02-06 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-01 BM.964.005.001:01-01 00:05:02 N AFGHANISTAN KABOUL PASHTOUN AFGHANISTAN[RADIO] AIR DE LA DANSE ATAN Sous-table non exportée ATAN Sous-table non exportée Vièle en parallélisme? -1 0 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-02 BM.964.005.001:01-02 00:04:31 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] Sous-table non exportée Sous-table non exportée pour la personne qui a enregistré , il s'agit d'un tambour à deux peaux, frappé à mains nues. On peut cependant croire qu'il s'agit de deux tambours: le tabla -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-03 BM.964.005.001:01-03 00:00:06 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] FAUX DEPART Sous-table non exportée Sous-table non exportée -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-04 BM.964.005.001:01-04 00:03:15 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] Sous-table non exportée Sous-table non exportée -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-05 BM.964.005.001:01-05 00:04:45 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] CHANT DU LOGAR Sous-table non exportée Sous-table non exportée AAL= aérophone comme "petit harmonium"• -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-06 BM.964.005.001:01-06 00:04:09 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] "MON AMOUR" Sous-table non exportée Sous-table non exportée Aérophone comme Harmonium Le luth serait un rebab Plusieurs Luth pour la personne qui a enregistré -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-07 BM.964.005.001:01-07 00:06:40 AFGHANISTAN CHAAMALI AFGHANISTAN[RADIO] TCHOBAI Sous-table non exportée Sous-table non exportée Sur fiche dacrtylographiée hésite flûte oblique/claienette Tchobaï : quartier de la province Chaamali (Nord de Kaboul) -1 ASIE +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 :01-08 BM.964.005.001:01-08 00:02:12 AFGHANISTAN KABOUL AFGHANISTAN[RADIO] Sous-table non exportée Sous-table non exportée Sur fiche dactylographiée luth supposé comme dotar -1 ASIE +BM.964.006 Ø18;²19;PPM BM.964.006.001 :01-01 BM.964.006.001:01-01 00:00:00 N PEROU PEROU,ANDES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.1964.007 Ø18;²19;PPM BM.1964.007.001/03 :01-01 BM.1964.007.001/03:01-01 00:00:00 N NEPAL NEPAL;DAULALGHAT, BODNATH, CHINGUMBMA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.964.008 ØGF;²19;PPM;SD BM.964.008.001/05 :01-01 BM.964.008.001/05:01-01 00:00:00 N ANGOLA ANGOLA FOLK-MUSIC 1;LUNDA:CHOKWE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.964.009 Ø13;²19;PPM BM.964.009.001 :01-01 BM.964.009.001:01-01 00:00:00 N BANGLADESH PAKISTAN ORIENTAL (BANGLADESH);CHITTAGONG HILL TRACKS: MRO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.964.010 Ø18;²19;PPM BM.964.010.001 :01-01 BM.964.010.001:01-01 00:00:00 N ITALIE;SARDAIGNE SARDAIGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A01 BM.1964.011.001/03:01-A01 00:04:41 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AMBIANCE DU VILLAGE LE SOIR Sous-table non exportée Sous-table non exportée Enreg. en situation: annonce de J. Dournes sur la description de l'ambiance du village pendant la nuit; voix d'hommes chantés assez faibles et voix d'hommes parlées• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 0 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A02 BM.1964.011.001/03:01-A02 00:02:35 mai 1963 VIETNAM PROVINCE PHU BON, BON AMADIAN JARAÏ VIETNAM:JORAI M. RITUELLE Sous-table non exportée Sous-table non exportée Enreg. en situation: m. rituelle instrumentale. Annonce par la voix d'un homme (J. Dournes) du jeu de neuf gongs _ cing mönyüm _ accompagnant les orgies de bière de riz et de maïs. Rythme pur qui saoûle autant que la boisson• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores mauvaises, assez faibles (bruit de fond). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A03 BM.1964.011.001/03:01-A03 00:07:32 24 avril1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE CEREMONIE RITUELLE Sous-table non exportée Sous-table non exportée Enreg. en situation: m. de cérémonie rituelle instrumentale. Annonce par la voix d'un homme, J. Dournes, du jeu de trois gongs _ cing trum _ accompagné d'un tambour _ högor _ • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores médiocres (niveau faible, bruits divers, vent). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A04 BM.1964.011.001/03:01-A04 00:01:50 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR CLASSIQUE _ POYOA _ Sous-table non exportée Sous-table non exportée Enreg. en situation: Annoncepar J. Dournes de la m. de _ gông _ , air classique _ pöyoa _ et une série d'airs anciens joués par Ralan Sit de Plei Par • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông _. Le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A05 BM.1964.011.001/03:01-A05 00:01:21 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR D'ENTERREMENT Sous-table non exportée Sous-table non exportée Enreg. en situation:Annonce par J. Dournes d'une m. de _ gông _ , air d'enterrement. • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A06 BM.1964.011.001/03:01-A06 00:00:59 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR POUR ENTRER DANS UNE NOUVELLE MAISON Sous-table non exportée Sous-table non exportée Enreg. en situation: musique de _ gông _ , air pour entrer dans une nouvelle maison avec danse de guerre• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông_. Le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A07 BM.1964.011.001/03:01-A07 00:01:29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , PLUSIEURS AIRS MODERNES Sous-table non exportée Sous-table non exportée Enreg. en situation: Annonce par J. Dournes d'une m. de _ gông _ , plusieurs airs modernes• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông _. Le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A08 BM.1964.011.001/03:01-A08 00:01:44 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _, AIR MODERNE Sous-table non exportée Sous-table non exportée Enreg. en situation: m. de _ gông _ • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông _. Le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A09 BM.1964.011.001/03:01-A09 00:01:55 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , ACCORDAGE DE L'INSTRUMENT Sous-table non exportée Sous-table non exportée Enreg. en situation: Annonce par J. Dournes d'une m. de _ gông _ , accordage de l'instrument. Vers 0'43": air moderne par la cithare _ gông _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommé _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A10 BM.1964.011.001/03:01-A10 00:01:43 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR DE LA PLUIE QUI FRAPPE LA PAILLOTE Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air de la pluie qui frappe la paillote. • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A11 BM.1964.011.001/03:01-A11 00:01:00 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR "LE SOLEIL SE PENCHE SUR LA FORET" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air "le soleil se penche sur la fôret" • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A12 BM.1964.011.001/03:01-A12 00:00:51 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR POPULAIRE Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air populaire • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A13 BM.1964.011.001/03:01-A13 00:01:11 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR "ON APPELLE L'ENFANT QD IL RENTRE A LA MAISON" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air "on appelle l'enfant quand il rentre à la maison" • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 0 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A14 BM.1964.011.001/03:01-A14 00:00:57 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR "SOUVENIR D'ENFANCE" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air "souvenir d'enfance" • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A15 BM.1964.011.001/03:01-A15 00:01:43 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR "AUTREFOIS NOUS ETIONS DANS LA VASES DES ETANGS" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air "autrefois nous étions dans la vase des étangs" • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A16 BM.1964.011.001/03:01-A16 00:01:02 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , AIR "COUR D'AMOUR" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. M. de _ gông _ , air "cour d'amour" • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare à treize cordes métalliques nommée _ gông _. le collecteur annonce "cithare gông dodécacordes" [??]. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A17 BM.1964.011.001/03:01-A17 00:09:35 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR "EN CHASSANT LE GIBBON" Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes.• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Le jeu de la vièle monocorde _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores mauvaises (divers bruits de fond). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-A18 BM.1964.011.001/03:01-A18 00:02:45 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Particularités: la pièce est joué par un seul musicien qui combine les deux instruments (la vièle _ köni _ et la cithare à deux cordes _ddong _). Par ailleurs le jeu de la vièle monocorde _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores médiocres (faible niveau). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B01 BM.1964.011.001/03:01-B01 00:02:32 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée Enreg. en situation; Annonce de J. Dournes. musique instrumentale: flûte de pan à treize tuyaux en faisceau: _dding dek _ • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• AFP- FLUTE DE PAN: flûte de pan à treize tuyaux en faisceau _dding dek _. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores mauvaises. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B02 BM.1964.011.001/03:01-B02 00:06:02 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR BAHNAR Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce de J. Dournes.• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CV-VIELE: vièle monocorde _köni _; CC-CITHARE: cithare à deux cordes _ ddong _. Particularités: la pièce est joué par un seul musicien qui combine les deux instruments (la vièle _ köni _ et la cithare à deux cordes _ddong _). Par ailleurs le jeu de la vièle monocorde _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B03 BM.1964.011.001/03:01-B03 00:02:52 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR JORAI , CHANTS ACCOMPAGNES DE _ KONI _ Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce de J. Dournes• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CV-VIELE: vièle monocorde _köni _; Le jeu de la vièle monocorde _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B04 BM.1964.011.001/03:01-B04 00:02:57 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR JORAI "ELEPHANT" , CHANTS ACCOMPAGNES DE _ KONI _ Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce de j. Dourneso• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CV-VIELE: vièle monocorde _köni _; Le jeu du _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bnade 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B05 BM.1964.011.001/03:01-B05 00:03:30 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. Chant d'homme solo: le musicien de _köni _ qui se nomme A'Me, chante le même air que celui joué sur le _köni _ dans la pièce précédente (BM.964.011.001/03:01-B04)• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B06 BM.1964.011.001/03:01-B06 00:01:15 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR NOSTALGIQUE Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes. Chant de femme en solo: air nostalgique chanté par Asentua Hmé• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 2 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :01-B07 BM.1964.011.001/03:01-B07 00:03:44 29 mai 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR SUR LES PARENS DEFUNTS Sous-table non exportée Sous-table non exportée Enreg. en situation. Annonce par J. Dournes• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Le jeu de la vièle monocorde _ köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche. Il chantonne les dents serrées. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes (aboiement, cri-cri du grillon). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A01 BM.1964.011.001/03:02-A01 00:06:10 sept.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR PROCESSIONNEL: MUSIQUE DE GONGS _ CING TRUM _ Sous-table non exportée Sous-table non exportée Enreg. en situation; air processionnel de gongs: musique de gongs _cing trum _ avec trois gongs _böt _, _ ci _ et _ ania _ ,et un tambour _högor _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A02 BM.1964.011.001/03:02-A02 00:07:10 sept.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR PROCESSIONNEL: MUSIQUE DE GONGS _ TRUM YANG DLONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation; air processionnel de gongs: musique de gongs _cing trum _ avec trois gongs _böt _, _ ci _ et _ ania _ ,et un tambour _högor _ . Musique de procession se jouant autour du buffle à sacrifier• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A03 BM.1964.011.001/03:02-A03 00:06:42 sept.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR PROCESSIONNEL: AIR DU ROI DES ELEMENTS _ YANG PTAU _ Sous-table non exportée Sous-table non exportée Enreg. en situation; air processionnel de gongs: musique de gongs _cing trum _ avec trois gongs _böt _, _ ci _ et _ ania _ ,et un tambour _högor _. Air du roi des éléments _ yang ptau _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A04 BM.1964.011.001/03:02-A04 00:01:30 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR "LANGUEUR DE L'EPOUSE" Sous-table non exportée Sous-table non exportée Enreg. en situation; air "langueur de l'épouse", solo chanté par une femme • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A05 BM.1964.011.001/03:02-A05 00:00:45 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR ENTENDU PENDANT L'OCCUPATION VIET MINH Sous-table non exportée Sous-table non exportée Enreg. en situation; air entendu pendant l'occupation Viêt Minh, duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A06 BM.1964.011.001/03:02-A06 00:00:55 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT A LA GLOIRE DE DEUX JORAI Sous-table non exportée Sous-table non exportée Enreg. en situation; chant à la gloire de deux Jörai, duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A07 BM.1964.011.001/03:02-A07 00:01:00 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT DES TRAVAUX MASCULINS Sous-table non exportée Sous-table non exportée Enreg. en situation; chant des travaux masculins, solo chanté par une femme • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 0 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A08 BM.1964.011.001/03:02-A08 00:01:32 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT DU SOIR Sous-table non exportée Sous-table non exportée Enreg. en situation; chant du soir, duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A09 BM.1964.011.001/03:02-A09 00:00:59 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT D'AMOUR POUR FAIRE LA COUR Sous-table non exportée Sous-table non exportée Enreg. en situation; chant d'amour pour faire la cour _tang tang _ , duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A10 BM.1964.011.001/03:02-A10 00:03:14 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT D'AMOUR POUR FAIRE LA COUR Sous-table non exportée Sous-table non exportée Enreg. en situation; chant d'amour pour faire la cour, duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A11 BM.1964.011.001/03:02-A11 00:01:10 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT "NOIR MAIS PELE" Sous-table non exportée Sous-table non exportée Enreg. en situation; chant "noir mais pêle", duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-A12 BM.1964.011.001/03:02-A12 00:00:50 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT "EVOCATION PLAISANTE DES ANCETRES"1/2 Sous-table non exportée Sous-table non exportée Enreg. en situation; chant"évocation plaissantedes ancêtres", duo chanté à l'unisson par deux femmes 1/2• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Début du chant à la fin de la Piste A, suite et fin au début de la PisteB (BM.964.011.001/03:02-B01). Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores médiocres (mauvaises à la fin), chant inachevé. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B01 BM.1964.011.001/03:02-B01 00:00:48 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT "EVOCATION PLAISANTE DES ANCETRES" 2/2 Sous-table non exportée Sous-table non exportée Enreg. en situation; chant "évocation plaisante des ancêtres", duo chanté à l'unisson par deux femmes 2/2 • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Suite et fin du chant dont le début est enregistré à la fin de la piste A (BM.964.011.001/03:02-A12). Enreg.: 9,5cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B02 BM.1964.011.001/03:02-B02 00:00:50 déc.1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT "ALLONS-Y PETIT FRERE" Sous-table non exportée Sous-table non exportée Enreg. en situation; chant "allons-y petit frère", duo chanté à l'unisson par deux femmes • Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B03 BM.1964.011.001/03:02-B03 00:01:00 déc. 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. DE _ GONG _ , NOTES DE LA CITHARE: MAIN GAUCHE ET MAIN DROITE Sous-table non exportée Sous-table non exportée Enreg. en situation: m. de _ gông _ , sonorité des treize cordes métallique de la cithare. Notes données par la main gauche et par la main droite• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• CC-CITHARE: cithare tubulaire à treize cordes métalliques nommé _ gông _. Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores assez bonnes, micro placé à l'intérieur de la calebasse qui est le résonateur de cet instrument. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B04 BM.1964.011.001/03:02-B04 00:01:27 déc. 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. INSTRUMENTALE DE 13 GONGS _ CING ARAP _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale de treize gongs _ cing arap _; sonorité des treize gongs• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores assez bonnes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B05 BM.1964.011.001/03:02-B05 00:01:05 déc. 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. INSTRUMENTALE DE 9 GONGS _ CING MONYUM _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale de neuf gongs _ cing mönyum _; sonorité des neufgongs• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :02-B06 BM.1964.011.001/03:02-B06 00:11:00 déc. 1963 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. INSTRUMENTALE , SOLO DE _ KONI _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale de vièle monocorde _ köni _ ; solo de _ köni _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 19cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1963 Bande 3 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :03-A01 BM.1964.011.001/03:03-A01 01:10:00 2-3 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CONTE TRADIONNEL _DAM DROAL _ Sous-table non exportée Sous-table non exportée Enreg. en situation: Chant de conte traditionnel _dam droal _, conte traditionnel récité par une femme: Ami ' Bbhul• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste A. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 4 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :03-B01 BM.1964.011.001/03:03-B01 00:14:00 2-3 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT _ KIN KE _ Sous-table non exportée Sous-table non exportée Enreg. en situation: Chant _ kin kê _, solo chanté par un homme: Ama H'Dueng• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 4 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :03-B02 BM.1964.011.001/03:03-B02 00:10:12 2-3 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT _ JONG WONG BBLONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation: Chant _ jöng wöng bblöng _, solo chanté par un homme: Ama H'Dueng• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 4 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :03-B03 BM.1964.011.001/03:03-B03 00:20:35 2-3 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI RECIT _ JUONG KONG CHOM _ Sous-table non exportée Sous-table non exportée Enreg. en situation: Pièce _ juöng kong chom _, solo récité par un homme: Ama Ring avec ambiance de l'auditoire• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 4 ASIE +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 :03-B04 BM.1964.011.001/03:03-B04 00:17:25 2-3 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI RECIT _OI DUR _ Sous-table non exportée Sous-table non exportée Enreg. en situation: récit _ öi dur _, solo récité par un homme: Kösor Kötum, avec ambiance de l'auditoire• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste B. Qualités sonores moyennes, récit inachevé dû à la fin de la bande. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 bande 4 ASIE +BM.964.012 Ø18;²19;PPM BM.964.012.001 :01-01 BM.964.012.001:01-01 00:00:00 N MEXIQUE MEXIQUE, GUATEMALA, ARGENTINE NORD, COLOMBIE: POPULATIONS BLANCHES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.964.012 Ø18;²19;PPM BM.964.012.001 :01-02 BM.964.012.001:01-02 00:00:00 N GUATEMALA MEXIQUE, GUATEMALA, ARGENTINE NORD, COLOMBIE: POPULATIONS BLANCHES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.964.012 Ø18;²19;PPM BM.964.012.001 :01-04 BM.964.012.001:01-04 00:00:00 N VENEZUELA MEXIQUE, GUATEMALA, ARGENTINE NORD, COLOMBIE: POPULATIONS BLANCHES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.964.012 Ø18;²19;PPM BM.964.012.001 :01-09 BM.964.012.001:01-09 00:00:00 N ARGENTINE MEXIQUE, GUATEMALA, ARGENTINE NORD, COLOMBIE: POPULATIONS BLANCHES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.964.012 Ø18;²19;PPM BM.964.012.001 :01-10 BM.964.012.001:01-10 00:00:00 N COLOMBIE MEXIQUE, GUATEMALA, ARGENTINE NORD, COLOMBIE: POPULATIONS BLANCHES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.964.013 Ø18;²19;1/2P BM.964.013.001/02 :01-01 BM.964.013.001/02:01-01 00:00:00 N HONGRIE HONGRIE:TZIGANE, HONGROIS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.001 Ø18;²19;PPM BM.965.001.001 :01-01 BM.965.001.001:01-01 00:00:00 N COTE D'IVOIRE COTE D'IVOIRE. MISSION MUEL - LORIQUET N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.965.002 CDR+Ø15;²19;1/2P BM.965.002.001 :01-01>02 BM.965.002.001:01-01>02 00:22:46 N GUYANA AKAWAIO MISSION AUDREY BUTT;GUYANE BRITANNIQUE;COPIE SELECTIVE SEANCE DE GUERISON? Sous-table non exportée Sous-table non exportée Enr.sur le terrain Seulement deux minutes de chants, le reste étant l'ambiance sonore de la scène supposée de guérison. Possession?• BM.965.003.001 :01-01 "Shamanism among the Akawaio", et transcription s'y référant. • I -Idiophone = branches secoueés et frappées. SD- Ambiances diverses (râles, crachats, rires, murmures, discussions, crix, toux, souffles...)• BUTT,AUDREY AMAZONIE(G) 1963 0 BM.965.002.001.PISTE1 AMERIQUE +BM.965.002 CDR+Ø15;²19;1/2P BM.965.002.001 :01-03>24 BM.965.002.001:01-03>24 00:23:48 N GUYANE BRITANNIQUE AKAWAIO MISSION AUDREY BUTT;GUYANE BRITANNIQUE;COPIE SELECTIVE EXTRAITS MUSICAUX DE LA MISSION 1960-1961 Sous-table non exportée Sous-table non exportée Enr.sur le terrain possession? Guerison? Les quatre dernières plages semblent appartenir à un autre contexte d'enregistrement, la voix du supposé chamane étant beaucoup plus détendue, à la différence de celle hachée et étranglée des précédantes.• BM.965.003.001 :01-01 "Shamanism among the Akawaio", et transcription s'y référant. • I-Idiophone = branches secouées et frappées. SD-ambiances diverses (insectes, toux, discussions, paroles d'hommes et femmes, rires...) IL-Idiophone pilonné plein (sur lequel s'entrechoquent des sonnailles)...• BUTT,AUDREY AMAZONIE(G) 1960 0 BM.965002.001.PISTE2 AMERIQUE +BM.965.003 Ø18;²19;PPM BM.965.003.001 :01-01 BM.965.003.001:01-01 00:29:20 N GUYANA CONFERENCE DE AUDREY BUTT A LA BBC: "SHAMANISM AMONG THE AKAWAIO" SPIRIT RAISING AMONG THE AKAWAIO Sous-table non exportée Sous-table non exportée DT, dont transcription de la conférence (6p.), établie par Estelle Couturier , avril 2004• -1 0 AMERIQUE +BM.965.004 Ø18;²19;1/2P BM.965.004.001/12 :01-01 BM.965.004.001/12:01-01 00:00:00 N GUYANA MISSION AUDREY BUTT;GUYANE BRITANNIQUE;1960-63 N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.965.005 Ø13;²19;PPM BM.965.005.001 :01-01 BM.965.005.001:01-01 00:00:00 N SENEGAL SENGAL ORIENTAL; KEDOUGOU FERRY,M-P.SENEGAL ORIENTAL,KEDOUGOU XYLOPHONES... Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A01 BM.965.006.001:01-A01 00:12:28 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. INSTRUMENTALE D'UN CHANT FUNEBRE _ DDI TOK _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale d'un chant funèbre _ ddi tok _ interprété par un solo de vièle monocorde _ köni _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Le jeu de la vièle monocorde _köni _ implique que le musicien produit également des sons avec sa voix: une ficelle fixée à la corde de l'instrument est retenue par sa bouche.Il chantonne les dents serrées. Enreg.: 4,7cm/s, 1/2 PisteA. Qualités sonores médiocres (bruit du déplacement du micro). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 0 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A02 BM.965.006.001:01-A02 00:06:03 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT FUNEBRE Sous-table non exportée Sous-table non exportée Enreg. en situation: pleureuse funéraire• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A03 BM.965.006.001:01-A03 00:02:47 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT FUNEBRE Sous-table non exportée Sous-table non exportée Enreg. en situation: pleureuse funéraire• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A04 BM.965.006.001:01-A04 00:07:29 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT DE FUNERAILLES Sous-table non exportée Sous-table non exportée Enreg. en situation: duo chant de femmes par tuilag• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• BM.965.006.001:01-A02 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A05 BM.965.006.001:01-A05 00:03:53 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI M. INSTRUMENTALE D'UN CHANT FUNEBRE _ DDI TOK _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale; flûte de pan _ dding deck _ jouée par Kötek • Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Dans l'enregistrement, J. Dournes annonce un orgue à bouche, mais dans son article (cf. ci-dessous), il définit le _ dding deck _ comme "flûte de pan à treize tuyaux"(cf.p.231). [??]. Enreg.: 9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 0 Bande 2 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A06 BM.965.006.001:01-A06 00:01:47 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Enreg. en situation: duo chant de femmes à l'unisson• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5 cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A07 BM.965.006.001:01-A07 00:00:50 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ PONG TUR _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A08 BM.965.006.001:01-A08 00:00:34 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ PAH _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A09 BM.965.006.001:01-A09 00:00:44 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ TUONG KE DOT _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A10 BM.965.006.001:01-A10 00:00:28 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ HOGOR HROAI _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A11 BM.965.006.001:01-A11 00:00:19 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ TO LOI HOR KAT _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A12 BM.965.006.001:01-A12 00:00:41 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ TUONG DAK _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A13 BM.965.006.001:01-A13 00:00:28 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ PONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A14 BM.965.006.001:01-A14 00:00:34 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ KOR NHENG _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A15 BM.965.006.001:01-A15 00:00:43 30 janv. 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI AIR DE _ DDING PONG _; FRAPPE _ AK TO BBLAH _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, aérophone tubulaire (tige de bambou) frappé par trois femmes. Il y a différentes frappes (cf. fiches: de BM.965.006.001:A-07 à :A-15): _ pông tur _ ; _ pah _ ; _ tuöng ke döt _ ; _ högor hroai _ (rythme accéléré) ; _ tö löi hor kat _ ; _ tuöng dak _ ; _ pöng _ ; _ kor nheng _ (rythme accéléré) ; _ ak tö bblah _• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A16 BM.965.006.001:01-A16 00:01:34 30 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI AIR DE _ DDING NAM _; AIR "POUR JOUER" Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, orgue à bouche à six trous nommé _dding nam _ joué par Köpak Lur. Il y a cinq pièces (cf. fiches: de BM.965.006.001:A-16 à :A-20): un air sans titre "pour jouer" ; un air _ ding yaap _ ; un air _ ding pak _ [ un aide musicien ouvre et ferme avec la main l'ouverture des tuyaux de l'instrument] ; un air _ ding öi _ ; un air sans titre avecdes interruptions• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• AAL-ANCHE LIBRE/TUYAU: orgue à bouche à six trous. Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A17 BM.965.006.001:01-A17 00:02:34 30 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI AIR DE _ DDING NAM _; AIR _ DING YAAP _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, orgue à bouche à six trous nommé _dding nam _ joué par Köpak Lur. Il y a cinq pièces (cf. fiches: de BM.965.006.001:A-16 à :A-20): un air sans titre "pour jouer" ; un air _ ding yaap _ ; un air _ ding pak _ [ un aide musicien ouvre et ferme avec la main l'ouverture des tuyaux de l'instrument] ; un air _ ding öi _ ; un air sans titre avecdes interruptions• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• AAL-ANCHE LIBRE/TUYAU: orgue à bouche à six trous. Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A18 BM.965.006.001:01-A18 00:01:32 30 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI AIR DE _ DDING NAM _; AIR _ DING PAK _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, orgue à bouche à six trous nommé _dding nam _ joué par Köpak Lur. Il y a cinq pièces (cf. fiches: de BM.965.006.001:A-16 à :A-20): un air sans titre "pour jouer" ; un air _ ding yaap _ ; un air _ ding pak _ [ un aide musicien ouvre et ferme avec la main l'ouverture des tuyaux de l'instrument] ; un air _ ding öi _ ; un air sans titre avecdes interruptions• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• AAL-ANCHE LIBRE/TUYAU: orgue à bouche à six trous. Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A19 BM.965.006.001:01-A19 00:01:58 30 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI AIR DE _ DDING NAM _; AIR _ DING OI _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, orgue à bouche à six trous nommé _dding nam _ joué par Köpak Lur. Il y a cinq pièces (cf. fiches: de BM.965.006.001:A-16 à :A-20): un air sans titre "pour jouer" ; un air _ ding yaap _ ; un air _ ding pak _ [ un aide musicien ouvre et ferme avec la main l'ouverture des tuyaux de l'instrument] ; un air _ ding öi _ ; un air sans titre avecdes interruptions• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• AAL-ANCHE LIBRE/TUYAU: orgue à bouche à six trous. Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A20 BM.965.006.001:01-A20 00:02:17 30 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI AIR DE _ DDING NAM _; AIR SANS TITRE Sous-table non exportée Sous-table non exportée Enreg. en situation: m. instrumentale, orgue à bouche à six trous nommé _dding nam _ joué par Köpak Lur. Il y a cinq pièces (cf. fiches: de BM.965.006.001:A-16 à :A-20): un air sans titre "pour jouer" ; un air _ ding yaap _ ; un air _ ding pak _ [ un aide musicien ouvre et ferme avec la main l'ouverture des tuyaux de l'instrument] ; un air _ ding öi _ ; un air sans titre avecdes interruptions• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• AAL-ANCHE LIBRE/TUYAU: orgue à bouche à six trous. Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• BM.965.006.001:01-A17 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-A21 BM.965.006.001:01-A21 00:00:30 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI Sous-table non exportée Sous-table non exportée Enreg. en situation• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteA. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 bande 2 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-B01 BM.965.006.001:01-B01 00:11:45 14 juin 1964 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI JEU DE GONGS _ CING JUAR _, AIR _ JUAR _ Sous-table non exportée Sous-table non exportée Enreg. en situation: m. de gongs _cing juar _ avec huit gongs (trois renflés + cinq plats) ,et un tambour _högor _• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste B. Qualités sonores médicocres (coupures). Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 :01-B02 BM.965.006.001:01-B02 00:33:56 14 janv. 1964 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BONG TUOR JARAÏ VIETNAM:JORAI ETUDE LINGUISTIQUE - LES PREGLOTTALISEES Sous-table non exportée Sous-table non exportée Enreg. en situation: voix d'homme parlée; exercice phonétique: prononciation des phonèmes• Dourmes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.:9,5cm/s, 1/2 PisteB. Qualités sonores assez bonnes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 Bande 5 ASIE +BM.965.007 Ø18;²19;PPM BM.965.007.001 :01-01 BM.965.007.001:01-01 00:00:00 8/64 FRANCE;CORSE CORSE N Sous-table non exportée Sous-table non exportée 1964 0 EUROPE +BM.965.008 Ø18;²19;1/2P BM.965.008.001 :01-01 BM.965.008.001:01-01 00:00:00 N NIGER NIGER,REGION DE DALLOL N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.965.009 Ø18;²9.5;PPM BM.965.009.001 :01-01 BM.965.009.001:01-01 00:00:00 4/65 NEPAL NEPAL N Sous-table non exportée Sous-table non exportée 1965 0 ASIE +BM.965.010 Ø15;²9,5;PP BM.965.010.001 :01-01 BM.965.010.001:01-01 00:00:00 N VENEZUELA VENEZUELA:GUARO;FETE DU NAHANANU N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.965.011 Ø18;²19;PPM BM.965.011.001 :01-01 BM.965.011.001:01-01 00:00:00 N GEORGIE URSS,RSS GEORGIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.011-BIS Ø18;²19;PPM BM.965.011-BIS.001/04 :01-01 BM.965.011-BIS.001/04:01-01 00:00:00 N BRESIL ETAT DE PARA R.P. CARON;BRESIL: KAYAPO;1963-64 N Sous-table non exportée Sous-table non exportée 1963 0 AMERIQUE +BM.965.012 Ø18;²19;1/2P BM.965.012.001/05 :01-01 BM.965.012.001/05:01-01 00:00:00 N GUYANA MISSION AUDREY BUTT;GUYANE BRITANNIQUE; 1960-63 N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.965.013 ØGF;²38;PPM;SD BM.965.013.001 :01-01 BM.965.013.001:01-01 00:02:30 N ALBANIE ALBANIE.ARCHIVES SONORES DE L'INSTITUT DE FOLKLORE DE TIRANA: 12 PIECES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-01 BM.965.014.001:01-01 00:00:15 N YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT SOLO FEMME Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.015 Ø18;²38;PPM BM.965.015.001 :01-01 BM.965.015.001:01-01 00:02:05 N VENEZUELA VENEZUELA / CONCOURS INTERNATIONAL ENRG. SONORES AMATEURS DE STRASBOURG N Sous-table non exportée Sous-table non exportée 1962 0 AMERIQUE +BM.965.016 Ø18;²19;1/2P BM.965.016.001 :01-01 BM.965.016.001:01-01 00:01:30 N FINLANDE FINLANDE.ARCHI.SONORES STE LITT. FINNOISE: EXTRAITS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :01-01 BM.965.017.001/23:01-01 00:00:00 N MAROC CHLEUH COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :01-03 BM.965.017.001/23:01-03 00:00:00 N EGYPTE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :01-04 BM.965.017.001/23:01-04 00:00:00 N ALGERIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :01-09 BM.965.017.001/23:01-09 00:00:00 N AFRIQUE DU NORD COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :03-01 BM.965.017.001/23:03-01 00:00:00 N ISLAM COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :03-07 BM.965.017.001/23:03-07 00:00:00 N TURQUIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :04-02 BM.965.017.001/23:04-02 00:00:00 N TUNISIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :09-01 BM.965.017.001/23:09-01 00:00:00 N SUEDE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :09-02 BM.965.017.001/23:09-02 00:00:00 N NORVEGE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :10-01 BM.965.017.001/23:10-01 00:00:00 N MALAYSIA COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :10-02 BM.965.017.001/23:10-02 00:00:00 N URSS;RSFS RUSSIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :10-04 BM.965.017.001/23:10-04 00:00:00 N INDONESIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :12-01 BM.965.017.001/23:12-01 00:00:00 N DANEMARK COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :12-02 BM.965.017.001/23:12-02 00:00:00 N FINLANDE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :13-01 BM.965.017.001/23:13-01 00:00:00 N GRECE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :14-01 BM.965.017.001/23:14-01 00:00:00 N SYRIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :14-06 BM.965.017.001/23:14-06 00:00:00 N IRAK COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :15-01 BM.965.017.001/23:15-01 00:00:00 N TANZANIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :17-02 BM.965.017.001/23:17-02 00:00:00 N AFGHANISTAN COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :17-03 BM.965.017.001/23:17-03 00:00:00 N IRAN COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :18-01 BM.965.017.001/23:18-01 00:00:00 N ETHIOPIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :18-04 BM.965.017.001/23:18-04 00:00:00 N ESPAGNE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.965.017 Divers* BM.965.017.001/23 :18-06 BM.965.017.001/23:18-06 00:00:00 N AUSTRALIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.965.017 Divers* BM.965.017.001/23 :20-04 BM.965.017.001/23:20-04 00:00:00 N INDE INDEE DU SUD COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :20-05 BM.965.017.001/23:20-05 00:00:00 N CANADA COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.965.017 Divers* BM.965.017.001/23 :20-07 BM.965.017.001/23:20-07 00:00:00 N ILES HAWAI COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.965.017 Divers* BM.965.017.001/23 :20-08 BM.965.017.001/23:20-08 00:00:00 N REP D'AFRIQUE DU SUD COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.965.017 Divers* BM.965.017.001/23 :20-12 BM.965.017.001/23:20-12 00:00:00 N ANTILLES COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.965.017 Divers* BM.965.017.001/23 :21-01 BM.965.017.001/23:21-01 00:00:00 N VIETNAM COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :21-11 BM.965.017.001/23:21-11 00:00:00 N ISRAEL COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.965.017 Divers* BM.965.017.001/23 :21-12 BM.965.017.001/23:21-12 00:00:00 N NLE-ZELANDE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.965.017 Divers* BM.965.017.001/23 :22-01 BM.965.017.001/23:22-01 00:00:00 N INDONESIE COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :01-A01 BM.1965.018.001/02:01-A01 00:24:50 28 oct. 1964 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. DITS DE JUSTICE Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1964 0 Bande 6 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :01-A02 BM.1965.018.001/02:01-A02 00:33:35 21 fév. 1965 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. UNE EXPERIENCE PARA-NORMALE Sous-table non exportée Sous-table non exportée Enreg. en situation: voix d'homme qui récite une expérience para-normale• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 bande 6 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :01-B01 BM.1965.018.001/02:01-B01 00:15:17 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. INVOCATIONS RITUELLES Sous-table non exportée Sous-table non exportée Enreg. en situation: voix d'homme qui récite des invocations rituelles• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 6 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :01-B02 BM.1965.018.001/02:01-B02 00:02:45 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. CHANTS D'OISEAUX Sous-table non exportée Sous-table non exportée Enreg. en situation: gazouillis d'oiseaux + bruit de fond• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 9,5cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• BM.965.018.001/02:01-A01 1965 Bande 5 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :01-B03 BM.1965.018.001/02:01-B03 00:54:32 26 juin. 1964 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. DITS DE JUSTICE Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 9,5cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 6 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :02-A01 BM.1965.018.001/02:02-A01 00:46:17 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. DITS DE JUSTICE Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste A. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 7 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :02-A02 BM.1965.018.001/02:02-A02 01:40:00 7 sept.1965 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. REGLEMENT D'UNE AFFAIRE Sous-table non exportée Sous-table non exportée Enreg. en situation: voix parlées d'hommes et de femme(s?)• Dournes, J. "La m. chez les Joraï" in _ Objets et mondes _, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 4,7cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 7 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :02-B01 BM.1965.018.001/02:02-B01 02:28:00 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. INFORMATIONS Sous-table non exportée Sous-table non exportée Enreg. en situation: Une hommeparle et donne des informations sur l'origine des ethnies et sur le déplacement de la popuation• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 7 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :02-B02 BM.1965.018.001/02:02-B02 00:02:00 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. JEU DE GONGS Sous-table non exportée Sous-table non exportée Enreg. en situation: m. de gongs• Dournes, J. "La m. chez les Joraï"in _Objets et mondes_, t. V, fasc.4, hiver 1965 pp.211-244, photos• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médicocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 7 ASIE +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 :02-B03 BM.1965.018.001/02:02-B03 00:06:00 VIETNAM PROVINCE DE PHU BON VIETNAM:JORAI. DOURNES,R.P.J. CHANT Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche/ Tran Quang Hai• 1965 Bande 7 ASIE +BM.966.001 Ø18;²19;PPM BM.966.001.001 :01-01 BM.966.001.001:01-01 00:00:00 N FINLANDE FINLANDE.ARCHI.SONORES STE LITT. FINNOISE:JAIKKU & LAMENTATIONS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.966.002 Ø18;²19;PPM BM.966.002.001 :01-01 BM.966.002.001:01-01 00:00:00 N CAMBODGE COPIE DI.78T: CAMBODGE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(1)A01 BM.1966.003.001:01-(1)A01 00:31:48 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE DE SING-KONGA' Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 0 bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(1)A02 BM.1966.003.001:01-(1)A02 00:27:01 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE DE GIUNG-GIO Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(1)A03 BM.1966.003.001:01-(1)A03 00:05:21 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RECIT H'KEL Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(2)A04 BM.1966.003.001:01-(2)A04 00:46:26 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE DE GIUNG DU Sous-table non exportée Sous-table non exportée Enreg. en situation: conte de Giung Dü ( noter que le tigre parle bböhnar)• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(3)A05 BM.1966.003.001:01-(3)A05 00:52:40 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE DE TUNG SUIVI DE DISCUSSIONS ET EXPLIQUATIONS Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(4)A06 BM.1966.003.001:01-(4)A06 00:49:17 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE DE SING-KONGA' Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-(4)A07 BM.1966.003.001:01-(4)A07 00:11:23 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. INVOCATION RITUELLE DU _ POTAO _ ET LEGENDE DU COL TONG-A' Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B01 BM.1966.003.001:01-B01 00:34:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RITES ET COUTUMES Sous-table non exportée Sous-table non exportée Enreg. en situation: rites et coutumes: _ gun-hödre' _, _ kih-kor _, chamanisme, _ jörak _ récité par Ama Tre• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B02 BM.1966.003.001:01-B02 00:00:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RITES ET COUTUMES Sous-table non exportée Sous-table non exportée Enreg. en situation:prière _ Pöbrau kông _ , alliance, rite funeraire, jarres récité par Ama Tre• Suite de la séance précédente (cf. BM.966.003.001:01-B01). Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B03 BM.1966.003.001:01-B03 00:00:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RITES ET COUTUMES Sous-table non exportée Sous-table non exportée Enreg. en situation:prière _ Pöbrau kông _ , alliance, rite funeraire, jarres récité par Ama Tre• Suite de la séance précédente (cf. BM.966.003.001:01-B01). Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B04 BM.1966.003.001:01-B04 00:35:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RITES ET COUTUMES Sous-table non exportée Sous-table non exportée Enreg. en situation. Rites et coutumes: _ höpo' _, _ pöda-pödar _, _ yang cü' _, _ boah_, _ tring _, _ cörong _, ordalies, entrée dans une nouvelle maison, récité par Ama Tre "Ogotomeli"• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores médiocres. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B05 BM.1966.003.001:01-B05 00:27:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE H'THING Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B06 BM.1966.003.001:01-B06 00:51:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. CONTE _ DAM-YI _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.1966.003 CDR+Ø* BM.1966.003.001 :01-B07 BM.1966.003.001:01-B07 00:39:00 fév-juin 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI. DOURNES,R.P.J. RITES ET COUTUMES Sous-table non exportée Sous-table non exportée Enreg. en situation? Tites et coutumes en quatre séances: rite _lak _, _ wah _, purification de la femme qui a accouché, ouverture des oreilles de l'enfant• Enreg.: 2,4cm/s, 1/2 Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 8 ASIE +BM.966.004 Ø13;²9.5;1/2P BM.966.004.001/02 :01-01 BM.966.004.001/02:01-01 00:00:00 N MAURITANIE MAURITANIE & SENEGAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.966.004 Ø13;²9.5;1/2P BM.966.004.001/02 :02-02 BM.966.004.001/02:02-02 00:00:00 N SENEGAL MAURITANIE & SENEGAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.966.005 Ø18;²19;PPM BM.966.005.001/03 :01-01 BM.966.005.001/03:01-01 00:00:00 N MALI DOGON MALI:DOGON; DEVISE DES AROUS, RECITATION SUIVANT LE DYUGUNI N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.966.006 Ø18;²19;PPM BM.966.006.001 :01-01 BM.966.006.001:01-01 00:00:00 N BRESIL BRESIL:YAOLAPITI & KAYAPO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-01 BM.1966.007.001:01-01 00:02:00 1962 MAROC BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 INTRODUCTION PARLEE EN FRANCAIS: CAUSERIE SUR LA MUSIQUE BERBÈRE Sous-table non exportée Sous-table non exportée 1962 0 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-02 BM.1966.007.001:01-02 00:00:45 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-03 BM.1966.007.001:01-03 00:04:00 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE, ENUMERATION DES DANSES BERBÈRES, HOMMAGE AU ROI Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-04 BM.1966.007.001:01-04 00:00:45 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée (ISRAN DU PAYS ZAÎAN) 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-05 BM.1966.007.001:01-05 00:02:00 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-06 BM.1966.007.001:01-06 00:00:40 1962 MAROC HAUT ATLAS BERBÈRES SUD MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-07 BM.1966.007.001:01-07 00:01:20 1962 MAROC HAUT ATLAS BERBÈRES SUD MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-08 BM.1966.007.001:01-08 00:00:20 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-09 BM.1966.007.001:01-09 00:01:15 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-10 BM.1966.007.001:01-10 00:00:20 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée (En fait , izran zaîan)• 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-11 BM.1966.007.001:01-11 00:01:00 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-12 BM.1966.007.001:01-12 00:00:30 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 MUSIQUE DES TASKIMIN Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-13 BM.1966.007.001:01-13 00:01:00 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-14 BM.1966.007.001:01-14 00:00:35 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 MUSICIENS DE PAYS TAMAZIRT Sous-table non exportée Sous-table non exportée VC=Chanté duo homme, accompagnement de allun• 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-15 BM.1966.007.001:01-15 00:01:50 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-16 BM.1966.007.001:01-16 00:01:50 1962 MAROC HAUT ATLAS ARABE MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 Sous-table non exportée Sous-table non exportée CV=Violon (musique arabe). 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-17 BM.1966.007.001:01-17 00:01:20 1962 MAROC HAUT ATLAS ARABE MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 SUITE DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-18 BM.1966.007.001:01-18 00:01:20 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 MUSIQUE DES AYT BUGMMAZ Sous-table non exportée Sous-table non exportée Présence d'Allun dans cette musique. 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-19 BM.1966.007.001:01-19 00:00:30 1962 MAROC HAUT ATLAS BERBÈRES MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 FIN DE LA CAUSERIE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-20 BM.1966.007.001:01-20 00:02:00 1962 MAROC HAUT ATLAS ARABE MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 PARLE EN ARABE Sous-table non exportée Sous-table non exportée 1962 AFRIQUE +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 :01-21 BM.1966.007.001:01-21 00:02:00 1962 MAROC HAUT ATLAS ARABE MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 PARLE EN ARABE Sous-table non exportée Sous-table non exportée Enchaîné à de la " musique de film". (L'auteur de cette réalisation anthologique est sans doute, J. Mazel)• 1962 AFRIQUE +BM.966.008 Ø18;²19;PPM BM.966.008.001/03 :01-01 BM.966.008.001/03:01-01 00:00:00 N HONGRIE HONGRIE.ARCHI.SONORES ACAD.SCIENCES BUDAPEST N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.966.009 Divers* BM.966.009.001 :01-01 BM.966.009.001:01-01 00:00:00 N REP CENTRAFRICAINE REPUBLIQUE CENTRAFRICAINE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.966.010 Ø18;²19;PPM BM.966.010.001 :01-01 BM.966.010.001:01-01 00:00:00 N SOUDAN REPUBLIQUE DU SOUDAN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A01 BM.1967.001.001/02:01-A01 00:02:20 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI SOLO DE CLARINETTE _ DDING-GUIH _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 0 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A02 BM.1967.001.001/02:01-A02 00:01:20 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI SOLO DE GUIMBARDE _ RODING _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• IP-GUIMBARDE: _röding _ modèle cuivre. Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A03 BM.1967.001.001/02:01-A03 00:05:38 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI INTERMEDE: SAUTERELLES BRUITEUSES DE NUIT Sous-table non exportée Sous-table non exportée Enreg. en situation. Intemède: deux types de sauterelles bruiteuses de nuit: _ ya' grec _ , _ lang jap _ et _ gecko _• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A04 BM.1967.001.001/02:01-A04 00:01:12 12 mars 1966 VIETNAM PROVINCE DE PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI CHANT D' HOMME Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A05 BM.1967.001.001/02:01-A05 00:02:10 12 mars 1966 VIETNAM PROVINCE DE PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI CHANT D' HOMME Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A06 BM.1967.001.001/02:01-A06 00:01:45 12 mars 1966 VIETNAM PROVINCE DE PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI VIELE _ KONI _ AVEC ACCOMPAGNEMENT DE LA CITHARE _ DDONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Particularités: la pièce est joué par un seul musicien qui combine les deux instruments (la vièle monocorde _ köni _ et la cithare à deux cordes _ ddong _). Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A07 BM.1967.001.001/02:01-A07 00:04:23 12 mars 1966 VIETNAM PROVINCE DE PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI VIELE _ KONI _ , AIR DE PLEURS FUNERAIRES Sous-table non exportée Sous-table non exportée Enreg. en situation. La vièle _ köni _ est jouée à la manière du _ dding pi _. C'est un air de pleurs funéraires à la manière des légendes mélodiées à Plöi Ku• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Particularités: la pièce est joué par un seul musicien qui combine les deux instruments (la vièle monocorde _ köni _ et la cithare à deux cordes _ ddong _). Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-A06 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A08 BM.1967.001.001/02:01-A08 00:01:40 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS MODERNES POLITIQUES Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-A04 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A09 BM.1967.001.001/02:01-A09 00:53:00 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS MODERNES POLITIQUES Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A10 BM.1967.001.001/02:01-A10 00:01:07 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI SOLO DE FLUTE DE PAN _ DDING DEK _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A11 BM.1967.001.001/02:01-A11 00:00:32 12 mars 1966 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI SOLO DE CHALUMEAU _ DDING PI _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• AABS-CLARINETTE: J. Dournes défini le _ dding pi _ comme étant un chalumeau. Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-A12 BM.1967.001.001/02:01-A12 00:00:54 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS DE JEUNES Sous-table non exportée Sous-table non exportée Enreg. en situation. Duo de femmes à l'unisson• Enreg.: 19cm/s, Piste A. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B01 BM.1967.001.001/02:01-B01 00:00:39 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS DE JEUNES Sous-table non exportée Sous-table non exportée Enreg. en situation. Duo de femmes à l'unisson• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B02 BM.1967.001.001/02:01-B02 00:02:37 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS DE JEUNES Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B03 BM.1967.001.001/02:01-B03 00:01:00 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS DE JEUNES Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-B02 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B04 BM.1967.001.001/02:01-B04 00:01:05 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS DE JEUNES Sous-table non exportée Sous-table non exportée Enreg. en situation• Le chant est accompagné de rires. Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B05 BM.1967.001.001/02:01-B05 00:02:40 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI SOLO DE CITHARE _ GONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• CC-CITHARE: Le _ gông _ est une cithare à treize cordes. Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B06 BM.1967.001.001/02:01-B06 00:01:45 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANTS D'AMOUR POUR FAIRE LA COUR Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-B04 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B07 BM.1967.001.001/02:01-B07 00:02:05 VIETNAM PROVINCE DE PHU BON, VILLAGE DE PLOI PA JARAÏ VIETNAM:JORAI SOLO D'AEROPHONE TUBULAIRE _ DDING PONG _ Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B08 BM.1967.001.001/02:01-B08 00:04:15 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste B. Qualités sonores mauvaises (plusieurs coupures). Cf. DT; rédacteur fiche: Tran Quang Hai• 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B09 BM.1967.001.001/02:01-B09 00:00:50 VIETNAM PROVINCE DE PHU BON JARAÏ VIETNAM:JORAI CHANT MODERNE Sous-table non exportée Sous-table non exportée Enreg. en situation• Enreg.: 19cm/s, Piste B. Qualités sonores moyennes. Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-B04 1966 Bande 9 ASIE +BM.1967.001 CDR+Ø* BM.1967.001.001/02 :01-B10 BM.1967.001.001/02:01-B10 00:03:45 VIETNAM PROVINCE DE PHU BON, VILLAGE DE BBON-AMA-JJONG JARAÏ VIETNAM:JORAI MUSIQUE DE GONGS FUNERAIRES Sous-table non exportée Sous-table non exportée Enreg. en situation• Dournes, J. "La m. chez les Joraï" in _Objets et Mondes _, T.V, fasc.4, hiver 1965, pp.221-244, photos• Enreg.: 19cm/s, Piste B. Qualités sonores mauvaises (coupures, intensités sonore irrégulière). Cf. DT; rédacteur fiche: Tran Quang Hai• BM.967.001.001/02:01-B07 1966 Bande 9 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-01 BM.1967.002.001:01-01 00:18:35 IRAN IRANIENS IRAN_MINISTERE CULTURE & ARTS DE TEHERAN CHANT DE DEZFOUL DU SUD DE L'IRAN SHIR ALI MORDAN Sous-table non exportée Sous-table non exportée Orchestre symphonique. "Shir Ali Morda", musique harmonisée par Hossein Delavi et jouée par l'orchestre des Beaux arts et de la Culture• -1 0 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-02 BM.1967.002.001:01-02 00:18:35 IRAN IRANIENS IRAN_MINISTERE CULTURE & ARTS DE TEHERAN REYHASNI, CHANT KURDE Sous-table non exportée Sous-table non exportée Orchestre symphonique. "Reyhâni" ou "Reyhasni" [?], musique harmonisée par Hossein Delavi et jouée par l'orchestre des Beaux arts et de la Culture• -1 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-03 BM.1967.002.001:01-03 00:18:35 IRAN IRANIENS IRAN_MINISTERE CULTURE & ARTS DE TEHERAN FILLE BOVIR AHMADI, CHANT DE TRIBU DU FARS Sous-table non exportée Sous-table non exportée Orchestre symphonique. Chant harmonisée par Hossein Delavi et jouée par l'orchestre des Beaux arts et de la Culture• -1 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-04 BM.1967.002.001:01-04 00:09:30 IRAN IRANIENS IRAN_MINISTERE CULTURE & ARTS DE TEHERAN CHANT DE KOUTCHAN Sous-table non exportée Sous-table non exportée -1 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-05 BM.1967.002.001:01-05 00:01:25 IRAN KURDES IRAN_MINISTERE CULTURE & ARTS DE TEHERAN CHANT DE AGHAGOLI Sous-table non exportée Sous-table non exportée -1 ASIE +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 :01-06 BM.1967.002.001:01-06 00:01:15 IRAN KURDES IRAN_MINISTERE CULTURE & ARTS DE TEHERAN "COTON, COTON" Sous-table non exportée Sous-table non exportée -1 ASIE +BM.1967.003 CDR+CDR-ROM+Ø13* BM.1967.003.001 :01-01 BM.1967.003.001:01-01 00:00:00 N VIETNAM VIETNAM;JORAI. DOURNES,R.P.J. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :14-01 BM.1967.004.001/14:14-01 00:15:00 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE EN DUO ALTERNE* JONAN DOS CIRIH DAM LUAN MO DAN KUH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Réponse de K'Brus, Il remercie son frère de la leçon. Réponse de K'Brok , il ne faut pas se disputer à la maison pour ne pas perdre la face, travailler la main dans la main : pour avoir du riz, pour avoir assez à manger. Réponse de K'Brus, il remercie son frère, promet de bien travailler, faire le ray, nourrir les animaux. Adieux. Nota : les deux Sré de Krot-Döng et de Kala (originaires de Klong-Dium vallée de Djirai)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-01 BM.1967.004.001/14:01-01 00:02:52 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "QUAND LES POISSONS REMONTENT LA RIVIERE POUR LE FRAI" HAO KA REN Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-02 BM.1967.004.001/14:01-02 00:01:22 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE AU MOMENT DE L'OUVERTURE D'UNE PETITE JARRE TONG YANG HEE Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-03 BM.1967.004.001/14:01-03 00:00:59 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "LES COUPS DE BEC DU PIVERT" CHO RLE Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-04 BM.1967.004.001/14:01-04 00:00:27 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "LE TIGRE GRATTE LES FEUILLES MOISIES" KLIU KAC NHA PAS Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-05 BM.1967.004.001/14:01-05 00:00:40 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "FRAPPE A LA MANIERE DES GONGS MAA" TUR CING MAA Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-06 BM.1967.004.001/14:01-06 00:01:17 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "FRAPPE IMITANT UN ESSAIM D'ABEILLES" TUR CING SUT Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-07 BM.1967.004.001/14:01-07 00:01:07 16/10/60 VIETNAM V.CENTRAL VILLAGE B'SAR LU SIONG* MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "LE TUBE DE BAMBOU QUI ROULE (LE LONG D'UNE PENTE) ROHUNG DING Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Réalisé chez M. BOULBET• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-08 BM.1967.004.001/14:01-08 00:00:45 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "SOIREE DE SAISON SECHE" PRANG MHO Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-09 BM.1967.004.001/14:01-09 00:01:37 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "LE GENIE DES ELEPHANTS" YANG ROAS Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-10 BM.1967.004.001/14:01-10 00:01:10 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CONVERSATION DE JEUNES GENS" (COUR D'AMOUR) YAL TIR Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-11 BM.1967.004.001/14:01-11 00:01:24 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE IMITANT LE KOWAO (RYTHME DUT DUL) DUT DUL Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-12 BM.1967.004.001/14:01-12 00:01:43 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE LA TRIBU DES RODEH (RHADE) UH RODEH Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-13 BM.1967.004.001/14:01-13 00:01:55 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE SUR LE RYTHME TANG TAE TANG TAE Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-14 BM.1967.004.001/14:01-14 00:01:47 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE* SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE D'IMITATION DU JEU DE 6 GONGS PLATS DRANG CING Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *à la frontière maa'-sré. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-15 BM.1967.004.001/14:01-15 00:02:35 16/10/60 VIETNAM V.CENTRAL VILLAGE B'REDE MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DU POT* Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Legende où sont énumérées les beautés du village maa'• CHAMBURE,G.DE 1960 MYTHIQUE ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-16 BM.1967.004.001/14:01-16 00:02:02 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT TRIO DE FEMMES* CENAN LING LEO Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *improvisation où il est question de camions GMC, de jeep militaires des convois qui se rendent à Djiring ou Saïgon• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-17 BM.1967.004.001/14:01-17 00:02:18 16/10/60 VIETNAM V.CENTRAL VILLAGE B'REDE MAA VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DU POT (SUITE DE LA PIECE 15)* Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *Legende où sont énumérées les beautés du village maa'• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-18 BM.1967.004.001/14:01-18 00:00:52 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT "LONG"POUR ENFANTS Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP'• CHAMBURE,G.DE 1960 ENFANTIN ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-19 BM.1967.004.001/14:01-19 00:01:26 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT "LONG"CELEBRANT D'ANCIENNES AMOURS Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP'• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-20 BM.1967.004.001/14:01-20 00:01:28 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DU "DES CIRI" CELEBRANT DAM BOT (BOULBET*) Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP. *hôte de passage de la tribu des Sré• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :01-21 BM.1967.004.001/14:01-21 00:40:00 16/10/60 VIETNAM V.CENTRAL VILLAGE NAU SRE SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE MUSICALE TUR CING NHO Sous-table non exportée Sous-table non exportée Ø13;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-01 BM.1967.004.001/14:02-01 00:01:50 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE L'ORPHELIN ROBAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de XA BAC• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-02 BM.1967.004.001/14:02-02 00:03:37 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 COMPLAINTE SUR LA DUREE DE LA VIE ROBAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de XA BAC• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-03 BM.1967.004.001/14:02-03 00:04:50 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SUR L'AMOUR DU VOYAGE ROGLAI Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Tur Cham• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-04 BM.1967.004.001/14:02-04 00:04:21 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SUR L'AMOUR DE DEUX FRERES Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Phan Ran• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-05 BM.1967.004.001/14:02-05 00:04:05 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SUR L'AMOUR NON PARTAGE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Phan Ran• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-06 BM.1967.004.001/14:02-06 00:01:53 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE DEUX CONSCRITS Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Gia Can• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-07 BM.1967.004.001/14:02-07 00:03:32 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SUR LE TRAVAIL QUOTIDIEN Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Gia Can• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-08 BM.1967.004.001/14:02-08 00:03:27 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SUR UNE BELLE FILLE DANS LE JARDIN DES FLEURS Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Gia Can• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-09 BM.1967.004.001/14:02-09 00:02:48 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE DE FLUTE JOUEE AU COURS D'UNE FETE AU VILLAGE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Gia Can• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-10 BM.1967.004.001/14:02-10 00:03:12 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE DE GUIMBARDE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Gia Can• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-11 BM.1967.004.001/14:02-11 00:03:12 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CHAM VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Phan Ran• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-12 BM.1967.004.001/14:02-12 00:04:38 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Xa bac• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-13 BM.1967.004.001/14:02-13 00:04:37 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DU ROUET Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Xa bac• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :02-14 BM.1967.004.001/14:02-14 00:03:06 22/10/60 VIETNAM V.CENTRAL PROV. AN LOC* CON CHAU VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SOLO D'HOMME Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Village de Xa bac• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03-01 BM.1967.004.001/14:03-01 00:04:45 25/10/60 VIETNAM V.CENTRAL VILLAGE TOR NON LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE JOUEE A L'OCCASION D'UN SACRIFICE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. pièce jouée à l'occasion d'un sacrifice. Gongs renflés frappés avec un maillet en épi de maïs (gong rung)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03-02 BM.1967.004.001/14:03-02 00:00:15 25/10/60 VIETNAM V.CENTRAL VILLAGE TOR NON LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 3 COUPS SUR CHAQUE GONG Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Gongs renflés frappés avec un maillet en épi de maïs (gong rung)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03-03 BM.1967.004.001/14:03-03 00:04:17 25/10/60 VIETNAM V.CENTRAL VILLAGE TOR NON LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 RECITATIF CHANTE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. récitaitf faisant suite à la séance du jeu de gongs dit "dih gong"• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03-04 BM.1967.004.001/14:03-04 00:17:09 25/10/60 VIETNAM V.CENTRAL VILLAGE NAH BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 RECIT SUR LE MALHEUR DEH RO BAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Pièce récitée• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03-05 BM.1967.004.001/14:03-05 00:12:40 25/10/60 VIETNAM V.CENTRAL VILLAGE NAH BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 RECIT SUR LE MALHEUR* DEH RO BAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *Pièce récitée (trous de mémoire) avec coll.du R.P. Boutary• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-01 BM.1967.004.001/14:03B-01 00:19:00 25/10/60 VIETNAM V.CENTRAL VILLAGE TOR NON LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT ALTERNE MPOT Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-02 BM.1967.004.001/14:03B-02 00:01:27 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO D'ORGUE A BOUCHE GUNG CENGRO DA Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-03 BM.1967.004.001/14:03B-03 00:01:21 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO D'ORGUE A BOUCHE GUNG CIH PRAH Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-04 BM.1967.004.001/14:03B-04 00:01:03 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO D'ORGUE A BOUCHE DAN BIAP DAN GOL Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-05 BM.1967.004.001/14:03B-05 00:35:00 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE GUNG ME, GUNG KON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-06 BM.1967.004.001/14:03B-06 00:00:23 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE TER DOK TER DONG KONDUL Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-07 BM.1967.004.001/14:03B-07 00:00:25 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE "POULE CAQUETTE" IAR KOLTAT Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-08 BM.1967.004.001/14:03B-08 00:00:20 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE TER DOK TER DONG KONDUL Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-09 BM.1967.004.001/14:03B-09 00:00:23 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE IAR KOLTAT Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-10 BM.1967.004.001/14:03B-10 00:00:26 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE GUNG ME, GUNG KON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-11 BM.1967.004.001/14:03B-11 00:00:15 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SOLO DE CLARINETTE* Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *pièce dont le titre n'est pas connu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-12 BM.1967.004.001/14:03B-12 00:02:20 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE "LA ROUTE MERE" Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-13 BM.1967.004.001/14:03B-13 00:01:09 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE SUR UN AIR COURANT ET ORDINAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :03B-14 BM.1967.004.001/14:03B-14 00:03:18 25/10/60 VIETNAM V.CENTRAL VILLAGE NHA BAR LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE DE GONGS PLATS* Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. *1er thème (2'30");2ème thème (0'48"). faite avec la coll. du R.P. Boutary• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-01 BM.1967.004.001/14:04-01 00:02:10 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE BIENVENUE AUX VISITEURS DEH CHO TAM BOL Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Clan Krajan. *(50-60 ans)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-02 BM.1967.004.001/14:04-02 00:07:15 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE BIENVENUE AUX VISITEURS DEH CHO TAM BOL Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Clan Cil. *(50 ans)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-03 BM.1967.004.001/14:04-03 00:05:30 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT EXPRIMANT LE MALHEUR ET LES SOUFFRANCES ROBAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-04 BM.1967.004.001/14:04-04 00:03:03 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT "MORT DES PARENTS" Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-05 BM.1967.004.001/14:04-05 00:02:50 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE D'ORGUE A BOUCHE RO DAA Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-06 BM.1967.004.001/14:04-06 00:02:01 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE D'ORGUE A BOUCHE "PIED DE RENARD, PIED DE CHAT" JONG PI JONG MEO Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-07 BM.1967.004.001/14:04-07 00:01:03 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE D'ORGUE A BOUCHE "REGRET DE SES AMIS" KLONG GOP Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. Orgue à bouche• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-08 BM.1967.004.001/14:04-08 00:01:19 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "COMPARAISONS ET CHANT SUR UN AMI QUI JOUE DU KOMBOAT" DEH JOAR UH KOMBOAT Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-09 BM.1967.004.001/14:04-09 00:01:00 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR "BERCER L'ENFANT" UH POYONG KON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-10 BM.1967.004.001/14:04-10 00:03:52 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "COMPARAISONS SUR CEUX QUI VIENNENT ASSISTER A UNE FETE" DEH JOAR GOPNAN TORGUM MA HAI Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-11 BM.1967.004.001/14:04-11 00:03:28 26/10/60 VIETNAM V.CENTRAL VILLAGE LANG BIAN LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE MUSICALE TOR CING YO Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. gongs plats anciens• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-12 BM.1967.004.001/14:04-12 00:06:37 26/10/60 VIETNAM V.CENTRAL VILLAGE BON DONG PANGTING VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE BIENVENUE RECITE DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. chant récité• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :04-13 BM.1967.004.001/14:04-13 00:06:30 26/10/60 VIETNAM V.CENTRAL VILLAGE BON DONG PANGTING VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT RECITE "ROBAH DON" ROBAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;DD,PP. chant récité. réalisé avec la coll.de R.P. Boutary• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-01 BM.1967.004.001/14:05-01 00:00:40 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "AIR DE LA MERE ET DE L'ENFANT" UH GUNG ME GUNG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-02 BM.1967.004.001/14:05-02 00:00:34 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "AIR DU TIGRE QUI MORD LA JEUNE FILLE QUI A FORNIQUE"* UH KLIN KAP JONG RONG CHON GUNG CAN TRU Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. * (le tigre mord le torse de la jeune fille en plein devant la maison au bord de la route)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-03 BM.1967.004.001/14:05-03 00:02:16 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "AIR DU JEU DE GONG" GUNG TOR CING Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-04 BM.1967.004.001/14:05-04 00:02:27 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR DE GONG R'LEH" CING CHONG TOR CING R'LEH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-05 BM.1967.004.001/14:05-05 00:02:27 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR TUL DI TUL DI Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-06 BM.1967.004.001/14:05-06 00:01:05 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR ROKEL GUNG ROKEL Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-07 BM.1967.004.001/14:05-07 00:11:45 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE SACRIFICE ANCIEN POT JONON PU KON GRIENG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-08 BM.1967.004.001/14:05-08 00:02:45 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANTPOUR ENFANTS POT OH KON Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ENFANTIN ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-09 BM.1967.004.001/14:05-09 00:05:48 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SOLO D'HOMME SAK KONDAK KONOM DUH YANG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :05-10 BM.1967.004.001/14:05-10 00:14:48 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "HISTOIRE DE SRE FILLE DE BING" POT JONON K'SRE KON BING Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-01 BM.1967.004.001/14:06-01 00:05:13 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR "BIET" ET AIR "NGAN" TOR CING BIET, TOR CING NGAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-02 BM.1967.004.001/14:06-02 00:02:48 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR IMITANT LE KOMBOAT TOR CING KOMBOAT, CING CHONG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-03 BM.1967.004.001/14:06-03 00:01:48 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR TOR CING TING DOAT TOR CING TING DOAT Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-04 BM.1967.004.001/14:06-04 00:03:57 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR DE DEMANDE DE LEGUMES ET DE COEUR DE ROTIN TOR CING DAN BIAP DAN GOL Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-05 BM.1967.004.001/14:06-05 00:05:40 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR OU L'ON FRAPPE AVEC LA MAIN TOR CING TOT TE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-06 BM.1967.004.001/14:06-06 00:04:35 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "BRUIT DES EPOUVANTAILS DANS LES ARBRES" TOR CING TOR KLING Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-07 BM.1967.004.001/14:06-07 00:03:07 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG MAA' VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "LE CRI DU JEUNE CERF" TOR CING PEP KON JUN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Clan B'aré. gongs plats avec bracelets. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :06-08 BM.1967.004.001/14:06-08 00:03:47 27/10/60 VIETNAM V.CENTRAL VILLAGE BOTONG BIET VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR TING DE LA TRIBU BIET TOR CING GUNG TING CAN BIET Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. sous-tribu de Maa. gongs plats. *meneur de jeu• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-01 BM.1967.004.001/14:07-01 00:14:34 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 JEU DE GONG ET VOIX* Sous-table non exportée Sous-table non exportée sacrifice du poulet précédé et suivi de gongs Ø18;²19;STD,PP. *jeu de gongs (2');bruit et voix parlée(50'); récitée; solod'H; reprise du jeu de gong• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-02 BM.1967.004.001/14:07-02 00:00:43 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE LA PERDRIX, ENSEMBLE DE 5 SIFFLETS PAK KRA Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. sifflets• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-03 BM.1967.004.001/14:07-03 00:01:00 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE LA TOURTERELLE, ENSEMBLE DE 5 SIFFLETS KHOA KUT KU Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. sifflets• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-04 BM.1967.004.001/14:07-04 00:01:38 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE "LE VOL DU HANNETON", ENSEMBLE DE 5 SIFFLETS KLIU PLING Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. sifflets• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-05 BM.1967.004.001/14:07-05 00:11:38 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 LEGENDE DU PRINCE DAM YI* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. *puissance de Dam Yi, son règne (extraits)• CHAMBURE,G.DE 1960 NARRATIF ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-06 BM.1967.004.001/14:07-06 00:01:23 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR "VOL D'UN TOUCAN" DRANG PHIOR Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. Flûte à 4t• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-07 BM.1967.004.001/14:07-07 00:02:05 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 AIR "COUPS DE BEC DU PIVERT" KLEH COH Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. Flûte à 4t• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-08 BM.1967.004.001/14:07-08 00:02:06 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 THEME DE LA CHASSE AUX SINGES* NTUC KRA Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. *"qui mangent le paddy dans le ray"• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-09 BM.1967.004.001/14:07-09 00:01:50 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE DE DEPART POUR LA GUERRE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. *annonce aux habitants du village qu'ils partent en guerre• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :07-10 BM.1967.004.001/14:07-10 00:02:12 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KRAM LAAC VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE "LE CORBEAU QUI EFFLEURE LA SURFACE" AK CHUAT EA Sous-table non exportée Sous-table non exportée Ø18;²19;STD,PP. *cithare "type de ding dhut des Sré"• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :08-01 BM.1967.004.001/14:08-01 00:12:10 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "SACRIFICE D'UNE VACHE STERILE ET 3 JARRES D'ALCOOL ...*" NGA YANG PHAT ATAO KPIE TLAO CEH EMO TLIU Sous-table non exportée Sous-table non exportée sacrifice. 12 jarres alignées séparées par un bambou fourchu• Ø18;²19;LD,PP. *aux âmes des morts. 4 gongs moyens, 2 grands;grand tambour garni de clochettes. gong renflé cing;gong plat knah;grand gong plat char• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :08-02 BM.1967.004.001/14:08-02 00:10:50 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "ON BOIT A LA JARRE" MNAN RING Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :08-03 BM.1967.004.001/14:08-03 00:06:45 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PRIERES DU SACRIFICE SANS GONGS LIANG TI MTIH Sous-table non exportée Sous-table non exportée sacrifice. 12 jarres alignées séparées par un bambou fourchu• Ø18;²19;LD,PP. Même morceau que le n°1 de cette bande• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :09-01 BM.1967.004.001/14:09-01 00:03:25 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CONSULTATION PAR LE BATON EPA GIE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. consultation (objets disparus, maladies, vols, emplacement éventuel d'une maison...)• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :09-02 BM.1967.004.001/14:09-02 00:01:42 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CONSOLATION A UN ENFANT QUI PLEURE Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. guimbarde en bambou• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :09-03 BM.1967.004.001/14:09-03 00:26:25 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON EA KMAT RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT DE DEMANDE DE MARIAGE* E MUH UNG MO Sous-table non exportée Sous-table non exportée demande de mariage adressée par la famille de la fille au père ou frêre aîné du jeune homme• Ø18;²19;LD,PP. *1 de la famille de la fille et 1 de la famille du jeune homme• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-01 BM.1967.004.001/14:10-01 00:17:30 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 SACRIFICE DU PORC EN L'HONNEUR D'UN VISITEUR Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. jeu de gongs. prieres avec gongs, prières sans gongs, puis gongs seuls• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-02 BM.1967.004.001/14:10-02 00:01:50 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE AVEC SIFFLETS TOT MDON Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. 5 sifflets;onomatopées sans sens défini• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-03 BM.1967.004.001/14:10-03 00:02:04 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE AVEC SIFFLETS WAK WAO Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. 5 sifflets;onomatopées sans sens défini• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-04 BM.1967.004.001/14:10-04 00:01:58 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE AVEC SIFFLETS HRI MONG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. 5 sifflets;le 5ème sifflet passe en avant• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-05 BM.1967.004.001/14:10-05 00:01:34 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* RHADE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE AVEC SIFFLETS KDOR KDOK Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. 5 sifflets;onomatopées• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :10-06 BM.1967.004.001/14:10-06 00:02:08 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE ME* JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE POUR LA PROMENADE BODOP Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Thuot. Cithare 11C à 2 calebasses• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :11-01 BM.1967.004.001/14:11-01 00:02:45 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KENH HMEK JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE CHANTEE AVEC CITHARE KLEI MGUE EMAN DLIE* Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *titre en Rhadé. Cithare 11C à calebasses• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :11-02 BM.1967.004.001/14:11-02 00:01:40 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON KENH HMEK JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 "CHANT DE JOIE" KLEI MNUM HEK Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. Cithare 11C à calebasses• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :11-03 BM.1967.004.001/14:11-03 00:06:39 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE* JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT "SOUHAITS DE BIENVENUE" HOEC HMUI KO ADUOR HRIE CHUR Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Me Thuot• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :11-04 BM.1967.004.001/14:11-04 00:06:30 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE* JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT SOLO "LOUANGE AU VISITEUR" MNI Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Me Thuot• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :11-05 BM.1967.004.001/14:11-05 00:05:22 29/10/60 VIETNAM V.CENTRAL VILLAGE BUON ALE* JARAÏ VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 CHANT "SOUHAITS DE BIENVENUE AU VISITEUR" KHI MNUM HOEC HMUI KO ADUON HRIE CHUN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *Me Thuot• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :12-01 BM.1967.004.001/14:12-01 00:06:45 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN DOS CIRIH TAM KOH TAMBONOM Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *les anciens du pays interrogent K'Bông, le premier génie sorti du "Brating" : quel est le nom et le génie des montagnes? Comment s'enrichir en les invoquant? K'Bông leur enseigne• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :12-02 BM.1967.004.001/14:12-02 00:13:50 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN KUANG LOT JU TAM BON Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *tous les villages s'apprêtent à recevoir leur seigneur, alors les chefs de village donnent leurs ordres, préparer les maisons, le repas, les réjouissances, pas de disputes• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :12-03 BM.1967.004.001/14:12-03 00:08:25 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN LOT MU DOS CIRIH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *des jeunes de différents villages de la région Sré Boh-Njan se rencontrent et s'interrogent pour les possibilités de fiançailles "K'Jông kon Diong"• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :12-04 BM.1967.004.001/14:12-04 00:08:35 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN LOT JU LOT NHOL - DOS RENG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *les montagnards du Bra yang vont visiter les villages de kontac et Komplang, ils racontent leur vie, leur travail, leur pauvreté• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :12-05 BM.1967.004.001/14:12-05 00:15:53 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN LOT JU LOT NHOL DOS JONG CAN DRONG Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *les gens des villages Sré rendent visite au village de Drong. Ils partagent leur repas, leur maison• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :13-01 BM.1967.004.001/14:13-01 00:08:23 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN DOS CIRIH DAM LUAN MO DAN KUH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *il raconte sa vie à son frère aîné, à l'occasion de leur rencontre, rappel de souvenirs. Il n'a pas assez à manger• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :13-02 BM.1967.004.001/14:13-02 00:15:28 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN DOS CIRIH DAM KUH MO DAM LUAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *il répond à son frère, lui réplique pourquoi ils sont pauvres. Leçon• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :13-03 BM.1967.004.001/14:13-03 00:05:24 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN DOS CIRIH DAM LUAN MO DAN KUH Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *réponse du frère : il n'a pas assez de nattes pour s'asseoir• CHAMBURE,G.DE 1960 ASIE +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 :13-04 BM.1967.004.001/14:13-04 00:03:26 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 PIECE RECITEE* JONAN DOS CIRIH DAM KUH MO DAM LUAN Sous-table non exportée Sous-table non exportée Ø18;²19;LD,PP. *il faut travailler pour avoir du riz. Préparer le repas de bonne heure• CHAMBURE,G.DE 1960 ASIE +BM.967.004 Ø13&18;²19;PPM BM.967.004.001/14 :14-01 BM.967.004.001/14:14-01 00:15:00 31/10/60 VIETNAM V.CENTRAL VILLAGE KALA SRE CHAMBURE,G.DE;VIETNAM:MINORITES DES HAUTS PLATEAUX;1960 DIALOGUE RECITE* JONAN DOS CIRIH DAM KUH MO DAM KUH Sous-table non exportée Sous-table non exportée Dialogue récitée Ø18;²19;LD,PP. *K'Brus remercie son frere de la leçon. K'Brok dit qu'il ne faut pas se disputer à la maison pour ne pas perdre la face. K'Brus répond qu'il promet de bien travailler • CHAMBURE,G.DE 1960 NARRATIF ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :01-01 BM.1967.005.001/32:01-01 00:12:10 01/01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP Le reste de la bande est encore vierge• JEST,CORNEILLE 1961 0 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :04-01 BM.1967.005.001/32:04-01 00:06:15 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 RECIT DU GESAR Sous-table non exportée Sous-table non exportée Récit du Gésar par Achi (Tachi ?) Karma, Druk pa de Pawa• 35" de silence au début. Il faut supprimer ce temps.15" de silence à la fin Vitesse 19. Piste PP• JEST,CORNEILLE 1961 EPIQUE 0 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :01-01 BM.1967.006.001/34:01-01 00:16:00 12/08/1965 NEPAL PATAN TAMANG NEPAL FETE DE JANAIPURNIMA Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • Voix chanté: au second plan. Tbr: ensemble de tbr sur cadre• JEST,CORNEILLE 1965 65-1 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :02-01 BM.1967.006.001/34:02-01 00:15:45 13/08/1965 NEPAL KATHMANDU NEWAR,CASTE JYAPU NEPAL FETE DE GAI JATRA Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • ATT-PENTA: trompes droites avec baguette support. M2-DHYAMAYA: tbr à deux peaux lacées. IFC-TAINAI: gongs en bronze. + Instruments militaires [?]• JEST,CORNEILLE 1965 65-2 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :03-01 BM.1967.006.001/34:03-01 00:08:15 18/08/1965 NEPAL VALLEE KATHMANDU, BUNGAMATI NEWAR NEPAL CEREMONIE EN L'HONNEUR DE MATSYENDRANATH Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • AABD-MUHALI: hautbois courbe à pavillon de cuivre. ATT-BA NGEKU: buffle mâle. ATT-MA NGEKU: bufflonne. JEST,CORNEILLE 1965 65-3 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :03-02 BM.1967.006.001/34:03-02 00:07:55 18/08/1965 NEPAL VALLEE KATHMANDU, BUNGAMATI SHERPA NEPAL N Sous-table non exportée Sous-table non exportée VX-COMPOSITE SOLO H: conversation [?] JEST,CORNEILLE 1965 65-3 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :04-01 BM.1967.006.001/34:04-01 00:03:45 25/08/1965 TIBET (NEPAL) LAN-THAN TIBETAINS NEPAL Sous-table non exportée Sous-table non exportée Ethnie: TibétainBhotiya (?)• JEST,CORNEILLE 1965 65-4 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :04-02 BM.1967.006.001/34:04-02 00:02:55 25/08/1965 NEPAL LAN-THAN TIBETAINS NEPAL Sous-table non exportée Sous-table non exportée Ethnie: Tibétain Bhotiya (?). VC-CHANTE CHR MIXTE + accompagnement rythmé (danse)• JEST,CORNEILLE 1965 65-4 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :04-03 BM.1967.006.001/34:04-03 00:03:30 25/08/1965 NEPAL LAN-THAN TIBETAINS NEPAL AIR DE DANSE Sous-table non exportée Sous-table non exportée Ethnie: Tibétain Bhotiya (?). Air de danse avec bruits de pas• JEST,CORNEILLE 1965 65-4 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :04-04 BM.1967.006.001/34:04-04 00:02:00 25/08/1965 NEPAL LAN-THAN TIBETAINS NEPAL CHANT DE BON AUGURE Sous-table non exportée Sous-table non exportée Ethnie: Tibétain Bhotiya (?)• JEST,CORNEILLE 1965 65-4 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :04-05 BM.1967.006.001/34:04-05 00:16:15 25/08/1965 NEPAL LAN-THAN TIBETAINS NEPAL "BA-PAR DGON-PA" Sous-table non exportée Sous-table non exportée Ethnie: Tibétain Bhotiya (?). VP-PARLE SOLO H: histoire du monastère Rgnin-ma-pa appelé "Ba-par Dgon-pa"• JEST,CORNEILLE 1965 65-4 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :05-01 BM.1967.006.001/34:05-01 00:12:15 30/08/1965 NEPAL LAMJE TAMANG DE L'OUEST NEPAL Sous-table non exportée Sous-table non exportée BC-BATTEMENTS DE MAINS: 10 ' du début (chanteurs et flute ne sont pas accordés)• JEST,CORNEILLE 1965 65-5 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :06-01 BM.1967.006.001/34:06-01 00:03:15 30/08/1965 NEPAL DUMJE TAMANG NEPAL "GAWA DE GA" Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-6 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :06-02 BM.1967.006.001/34:06-02 00:04:00 30/08/1965 NEPAL DUMJE TAMANG NEPAL "LASOYA" Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-6 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :06-03 BM.1967.006.001/34:06-03 00:00:45 30/08/1965 NEPAL DUMJE TAMANG NEPAL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-6 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :06-04>05 BM.1967.006.001/34:06-04>05 00:07:00 30/08/1965 NEPAL DUMJE TAMANG NEPAL "RTEN'BREL" & ? Sous-table non exportée Sous-table non exportée -04: 3'30, "Rten 'brel" -05: 3'30, titre incertain• JEST,CORNEILLE 1965 65-6 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :06-05 BM.1967.006.001/34:06-05 00:03:30 30/08/1965 NEPAL DUMJE TAMANG NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-6 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :07-01 BM.1967.006.001/34:07-01 00:06:00 09/09/1965 NEPAL KATHMANDU NEPAL FETE D'INDRAJATRA Sous-table non exportée Sous-table non exportée ORCH-FANFARE: fanfare militaire• JEST,CORNEILLE 1965 65-7 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :08-01 BM.1967.006.001/34:08-01 00:15:30 05/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL FETE DU 8EME MOIS DANS UN DGON-PA DE L'ORDRE RGNIN-MAPA Sous-table non exportée Sous-table non exportée V-VOIX: psalmodiée• JEST,CORNEILLE 1965 65-8 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :09-01 BM.1967.006.001/34:09-01 00:03:15 05/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL MCHOGS GLU Sous-table non exportée Sous-table non exportée MCHOGS GLU: poème chanté en Tibétain• JEST,CORNEILLE 1965 65-9 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :09-02 BM.1967.006.001/34:09-02 00:01:00 05/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL Sous-table non exportée Sous-table non exportée V-VOIX: voix psalmodiées choeur d'H; psalmodie en népali (?)• JEST,CORNEILLE 1965 65-9 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :09-03 BM.1967.006.001/34:09-03 00:03:00 05/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL "PANI PARYO KERAIKO" Sous-table non exportée Sous-table non exportée VC-CHANTE SOLO H & CHR: "pani paryo keraiko" alterné avec "pataima lagcha maya dukhiko sathaima"• JEST,CORNEILLE 1965 65-9 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :10-01 BM.1967.006.001/34:10-01 00:02:15 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-10 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :10-02 BM.1967.006.001/34:10-02 00:01:15 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-10 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :11-01 BM.1967.006.001/34:11-01 00:00:00 13/10/1965 NEPAL DOLPO, VILLAGE DE TARAP NEPAL AMBIANCE FILM Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-11 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :12-01>02 BM.1967.006.001/34:12-01>02 00:00:00 15/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL AMBIANCE FILM* Sous-table non exportée Sous-table non exportée *Bruitage, battage au fléau et sifflements. 12-01: 3'00, 12-02: durée ?• JEST,CORNEILLE 1965 65-12 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :12-03 BM.1967.006.001/34:12-03 00:01:50 15/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL AMBIANCE FILM, LECTURE Sous-table non exportée Sous-table non exportée Lecture par un enfant?• JEST,CORNEILLE 1965 65-12 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :12-04 BM.1967.006.001/34:12-04 00:00:00 15/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL AMBIANCE FILM, LE VILLAGE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-12 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :12-05>06 BM.1967.006.001/34:12-05>06 00:00:00 15/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL AMBIANCE FILM* Sous-table non exportée Sous-table non exportée *12-05: quête de grains. 12-06: règles du jeu de la marelle ?• JEST,CORNEILLE 1965 65-12 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :13-01>02 BM.1967.006.001/34:13-01>02 00:04:45 17/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL "PHAGS-PA CHE DAN YECES" & PRIERE A "SGROL-MA" Sous-table non exportée Sous-table non exportée 13-01: 4'45, lecture du texte " 'Phags-pa che dan yeçes" par un religieux Rgnin-ma-pa; 13-02: durée?, par la même personne: prière à "Sgrol-ma"• JEST,CORNEILLE 1965 65-13 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :13-03 BM.1967.006.001/34:13-03 00:00:50 17/10/1965 NEPAL DOLPO, VILLAGE DE TARAP KHAMS-PA NEPAL QUETE DU GRAIN Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-13 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :13-04 BM.1967.006.001/34:13-04 00:00:00 17/10/1965 NEPAL DOLPO, VILLAGE DE TARAP KHAMS-PA NEPAL DESCRPTION D'UNE PEINTURE Sous-table non exportée Sous-table non exportée Description d'une peinture représentant "Padmasambhava"• BM.967.006.001/34:13-03 JEST,CORNEILLE 1965 65-13 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :14-01 BM.1967.006.001/34:14-01 00:01:35 18/10/1965 NEPAL DOLPO NEPAL LEGENDE D'ORIGINE DE TARAP Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-14 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :14-02 BM.1967.006.001/34:14-02 00:06:15 18/10/1965 NEPAL DOLPO NEPAL "CHOGS-GLU" Sous-table non exportée Sous-table non exportée VC-CHANTE DUO H: chantent "chogs-glu" composé par le lama de Kegar• JEST,CORNEILLE 1965 65-14 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :15-01 BM.1967.006.001/34:15-01 00:14:20 18/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL CEREMONIE DU THE COLLECTIF OFFERT PAR UN FIDELE Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • Situé ua Monastère Rgnin-ma-pa. V_VOIX CHR H: V psalmodiées; I-IDIOPHONE: clochette épisodique• JEST,CORNEILLE 1965 65-15 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :15-02 BM.1967.006.001/34:15-02 00:02:30 18/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL MANTRA DE PADMASAMBHAVA Sous-table non exportée Sous-table non exportée Situé au Monastère Rgnin-ma-pa. VC-CHANTE CHR H: chantent le mantra de Padmasambhava "Om vajra guru padma siddhi hum"• JEST,CORNEILLE 1965 65-15 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :15-03 BM.1967.006.001/34:15-03 00:06:35 18/10/1965 NEPAL DOLPO, VILLAGE DE KEGAR TIBETAINS NEPAL HISTOIRE DU LAMA LDON-NANOR-BU Sous-table non exportée Sous-table non exportée Situé au Monastère Rgnin-ma-pa. VP-PARLE SOLO H: Histoire du lama Ldon-nanor-bu, fondateur du monastère de Kegar• JEST,CORNEILLE 1965 65-15 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :16-01 BM.1967.006.001/34:16-01 00:01:20 19/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL RECITATION DE LA LEGENDE D'ORIGINE DE TARAP Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-16 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :16-02 BM.1967.006.001/34:16-02 00:06:18 19/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL RITUEL DE FUMIGATION PAR LE LAMA RGNIN-MA-PA DE KEGAR Sous-table non exportée Sous-table non exportée V-VOIX SOLO H: voix psalmodiée• JEST,CORNEILLE 1965 65-16 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :17-01 BM.1967.006.001/34:17-01 00:02:45 20/10/1965 NEPAL DOLPO, VILLAGE DE MDO TIBETAINS NEPAL MUSIQUE ACCOMPAGNANT LA DANSE DE MASQUE BRON Sous-table non exportée Sous-table non exportée Ensemble instrumental d'H accompgnat la danse de masque "Bron"• JEST,CORNEILLE 1965 65-17 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :17-02 BM.1967.006.001/34:17-02 00:13:00 20/10/1965 NEPAL DOLPO, VILLAGE DE MDO TIBETAINS NEPAL RECITATION DU TEXTE BONPO "PHUR PA'I RGYND" Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane; A,5. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • V_VOIX CHR H: voix psalmodiées; Récitation du texte Bonpo "Phur pa'i rgynd" ("le tantra du poignard magique") par des religieux du monastère Bonpo de "Ship Phyogs"• JEST,CORNEILLE 1965 65-17 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :18-01>02 BM.1967.006.001/34:18-01>02 00:07:45 20/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL DANSE CHANTEE (RONDE) Sous-table non exportée Sous-table non exportée 18-01: 2'15"; danse chanté (ronde), accord de l'instrument [?]; 18-02: 5'30", même formation pour une autre danse chantée. cf. enreg. Jest 61• JEST,CORNEILLE 1965 65-18 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :19-01>02 BM.1967.006.001/34:19-01>02 00:16:00 21/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL EXTRAIT DU "GNAS-BDAG GSER-SKYEMS" & LECTURE D'UN "CHOGS GLU" Sous-table non exportée Sous-table non exportée V-VOIX SOLO H: voix psalmodiée; 19-01: 8'00"; Lecture par un religieux Rgnin-ma-pa (offrande à la divinité protectrice du pélerinage de Tarap); 19-02: 8'00" [?]; lecture par la même personne d'un Chogs Glu composé par le lama de Kegar. Cf. texte conservé par C. Jest• JEST,CORNEILLE 1965 65-19 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :20-01>05 BM.1967.006.001/34:20-01>05 00:15:05 21/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL CHANTS DE FEMME (ORIGINAIRE DE GLO-MAN-THAN) Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • 20-01: 2'50", Chant de danse "Cargyi thin bzan dkar-po". 20-02: 4'30", Chant "Lha mo gun-than la nas". 20-03: 3'45", Chant de pélerinage "Gnas la bzan-po gcig dan bzan-po gnis" 20-04: 2'00", ?. 20-05: 2'00", ?• JEST,CORNEILLE 1965 65-20 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :21-01>05 BM.1967.006.001/34:21-01>05 00:15:05 22/10/1965 NEPAL DOLPO TIBETAINS NEPAL Sous-table non exportée Sous-table non exportée 21-01: 1'20" 21-02: 3'55" 21-03: 3'30" 21-04: 2'25" 21-05: 3'55"• JEST,CORNEILLE 1965 65-21 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :22-01 BM.1967.006.001/34:22-01 00:05:05 22/10/1965 NEPAL DOLPO, VILLAGE DE TARAP TIBETAINS NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-22 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :22-02 BM.1967.006.001/34:22-02 00:06:30 22/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-22 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :22-03 BM.1967.006.001/34:22-03 00:03:00 22/10/1965 NEPAL TICHURONG, VILLAGE DE KANE MAGAR TIBETANISES NEPAL CHANT EN NEPALI Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-22 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :23-01>02 BM.1967.006.001/34:23-01>02 00:15:20 31/10/1965 NEPAL JUMLA NEPALAIS,CASTE GAINE NEPAL "KALIKAKO BHAJAN" & "MAHARAJ JANG BAHADUR SABAI" Sous-table non exportée Sous-table non exportée *Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • 23-01: 6'50", "kalikako bhajan"* 23-02: 8'30", "Maharaj Jang Bahadur Sabai" (fragment)• JEST,CORNEILLE 1965 65-23 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :24-01>02 BM.1967.006.001/34:24-01>02 00:15:25 31/10/1965 NEPAL JUMLA NEPALAIS,CASTE GAINE NEPAL "BHOTKO SABAI" & "SRI KRISHNA GOBINDA GOKULMA DHAYA" Sous-table non exportée Sous-table non exportée 24-01: 13'10"; "Bhotko sabai", histoire de Bhuddhibal Rana par Gokul Gaine de Dailekh. 24-02: 2'15"; "Sri Krishna Gobinda Gokulma Dhaya" par le même interprète• JEST,CORNEILLE 1965 65-24 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :25-01>03 BM.1967.006.001/34:25-01>03 00:13:55 31/10/1965 NEPAL NEPALAIS,CASTE GAINE NEPAL "ANGREJI DHAWA" & CHANT DE LA REGION DE DANG SALLYAN & 3EME PIECE Sous-table non exportée Sous-table non exportée 25-01: 5'50"; "Angreji dhawa", chant racontant la vie d'un soldat gurkha pendant la guerre "1939-1945"; 25-02: 2'20"; chant de la région de Dang Sallyan par le même interprète; 25-03: 5'45"; pas de précision sur la pièce, mais même interprète• JEST,CORNEILLE 1965 65-25 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :26-01 BM.1967.006.001/34:26-01 00:07:50 12/11/1965 NEPAL DHAULAGIRI, DORPATHAN TIBETAINS NEPAL ENSEMBLE INSTRUMENTAL ACCOMPAGNANT LA LECTURE D'UNTEXTE RELIGIEUX Sous-table non exportée Sous-table non exportée Lieu: chez les réfugiés tibétains du centre Tibet. Ethnie: tibétains religieux de l'ordre Sa-skya-pa. IS-CLOCHE: clochette. V-VOIX CHR H: voix psalmodiées qui récitent le texte au deuxième plan• JEST,CORNEILLE 1965 65-26 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :27-01 BM.1967.006.001/34:27-01 00:00:00 20/11/1965 NEPAL POKHARA THAKALI NEPAL PRIERES ET CHANTS RITUELS DU DROM Sous-table non exportée Sous-table non exportée Prières et chants rituels du Drom (intercesseur thakali); 4 prières et plusieurs chants. Le dernier a pour nom: "chant du mois de To Ran La". Pas de détails sur les pièces et durée(s) inconnue(s)• JEST,CORNEILLE 1965 65-27 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :28-01 BM.1967.006.001/34:28-01 00:06:00 20/11/1965 NEPAL POKHARA-BAZAM GURUNG JHAKRI NEPAL CEREMONIE POUR DETERMINER LA CAUSE D'UNE MALADIE Sous-table non exportée Sous-table non exportée V-VOIX H: psalmodiée. M-TBR: tambour sur cadre. IS-CLOCHE: bruit d'un collier de clochettes porté par le Jhakri• JEST,CORNEILLE 1965 65-28 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :28-02 BM.1967.006.001/34:28-02 00:06:00 20/11/1965 NEPAL POKHARA-BAZAM NEPAL Sous-table non exportée Sous-table non exportée Cf. C. Jest " Tibet - Népal. M. bouddhiste lamaïque. M. rituelle & profane. BAM LD 104 = DI.968.008.001; rééd. BAM 5104 = DI.972.004.001 • IE-CYMBALES: petites cymbales "Roila"• JEST,CORNEILLE 1965 65-28 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :29-01 BM.1967.006.001/34:29-01 00:09:20 22/11/1965 NEPAL TIBETAINS, 'BROG-PA NEPAL EPOPEE DE GE-SAR Sous-table non exportée Sous-table non exportée Réfugié Tibetain à Pokhara. Début de l'histoire de Ge-Sar• JEST,CORNEILLE 1965 65-29 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :29-02 BM.1967.006.001/34:29-02 00:18:00 22/11/1965 NEPAL TIBETAINS, 'BROG-PA NEPAL RECIT DU BDUD A-KHYUN RGYAL-PO PAR TSAWONG TRASI Sous-table non exportée Sous-table non exportée L'interprète Tsawong Trasi, agé de 61 ans, vient de Tankar, Tibet• JEST,CORNEILLE 1965 65-29 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :29-03 BM.1967.006.001/34:29-03 00:01:42 22/11/1965 NEPAL TIBETAINS NEPAL CHANT DE "BKRACIS BDE LEGS" PAR UN CHOEUR D'ENFANTS Sous-table non exportée Sous-table non exportée VC-CHANTE CHR E: enfants du camp de réfugiés de Pokhara• JEST,CORNEILLE 1965 65-29 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :30-01 BM.1967.006.001/34:30-01 00:02:00 23/11/1965 NEPAL POKHARA TIBETAINS NEPAL "OM MANI PAD-ME HUM RE" Sous-table non exportée Sous-table non exportée V-VOIX H&F: psalmodiées• JEST,CORNEILLE 1965 65-30 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :30-02 BM.1967.006.001/34:30-02 00:00:00 23/11/1965 NEPAL WEST N°2, KANDRANG GHARI CHEPANG NEPAL CONVERSATION Sous-table non exportée Sous-table non exportée Westn°2, village de Kandrang Ghari. Conversation, pas de détails sur la pièce• JEST,CORNEILLE 19650 65-30 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :31-01 BM.1967.006.001/34:31-01 00:21:00 29/11/1965 NEPAL CHEPANG NEPAL QUESTION ET ENQUETE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-31 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :31-02 BM.1967.006.001/34:31-02 00:01:00 29/11/1965 NEPAL CHEPANG NEPAL ESSAIS DE CHANTS Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-31 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :32-01 BM.1967.006.001/34:32-01 00:31:45 02/12/1965 NEPAL EST N°1, TEMAL TAMANG NEPAL TAMANG COMPRENANT UN VOCABULAIRE DE PARENTE Sous-table non exportée Sous-table non exportée VP-PARLE: vocabulaire népali• JEST,CORNEILLE 1965 65-32 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :33-01 BM.1967.006.001/34:33-01 00:00:00 NEPAL BODNATH* TIBETAINS NEPAL RITUEL DE PURIFICATION "BSANS GI CHO GA DGE LEGS CHAR 'BEBS NES..." Sous-table non exportée Sous-table non exportée V-VOIX H:voix chantées psalmodiées. ORCH: orchestre "lamaique" [?] *ou KATHMANDU ?• JEST,CORNEILLE 1965 65-33 ASIE +BM.1967.006 CDR+Ø* BM.1967.006.001/34 :34-01 BM.1967.006.001/34:34-01 00:10:00 05/12/1965 NEPAL KATHMANDU SHERPA NEPAL ANECDOTES DE BRUG-PA KUN-LEGS CONNU SOUS LE SURNOM DE TCHAN 'AO Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1965 65-34 ASIE +BM.967.007 Ø18;²19;PPM BM.967.007.001 :01-01 BM.967.007.001:01-01 00:00:00 AUSTRALIE AUSTRALIE: SELECTION DES DI. DE ELKIN PAR G. ROUGET POUR CONFERENCE Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-01 BM.1967.008.001:01-01 00:03:25 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée (Enrégistré par J. Schawarz au département d'ethnomusicologi du musée de l'homme avec la collaboration de Mme Nelly Caron) M=Tambour tombak ou zarb solo de tombak• 1967 0 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-02 BM.1967.008.001:01-02 00:02:50 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée (Enrégistré par J. Schawarz au département d'ethnomusicologi du musée de l'homme avec la collaboration de Mme Nelly Caron) M=Tambour tombak ou zarb solo de tombak• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-03 BM.1967.008.001:01-03 00:05:10 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée (Enrégistré par J. Schawarz au département d'ethnomusicologi du musée de l'homme avec la collaboration de Mme Nelly Caron) M=Tambour tombak ou zarb solo de tombak• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-04 BM.1967.008.001:01-04 00:04:40 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-05 BM.1967.008.001:01-05 00:01:30 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI. Différents rythmes 5/4 ou 2/4 par DJAMCHID CHÉMIRANI• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-06 BM.1967.008.001:01-06 00:00:30 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée Enrégistré par J.Schawarz au département d'ethnomusicologie du Musée de l'homme avec la collaboration de Mme Nelly Caron• M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI. (7 temps). Différents rythmes 5/4 ou 2/4 par DJAMCHID CHÉMIRANI• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-07 BM.1967.008.001:01-07 00:00:25 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée Enrégistré par J.Schawarz au département d'ethnomusicologie du Musée de l'homme avec la collaboration de Mme Nelly Caron• M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI. (6 temps). Différents rythmes 5/4 ou 2/4 par DJAMCHID CHÉMIRANI• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-08 BM.1967.008.001:01-08 00:03:05 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée Enrégistré par J.Schawarz au département d'ethnomusicologie du Musée de l'homme avec la collaboration de Mme Nelly Caron• M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI. (6 temps). Différents rythmes 5/4 ou 2/4 par DJAMCHID CHÉMIRANI• 1967 ASIE +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 :01-09 BM.1967.008.001:01-09 00:02:20 1967 IRAN IRANIENS IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON Sous-table non exportée Sous-table non exportée Enrégistré par J.Schawarz au département d'ethnomusicologie du Musée de l'homme avec la collaboration de Mme Nelly Caron• M=Tambour tombak ou zarb solo de tombak. Démonstration de différentes techniques du tambour tombak par DJAMCHID CHÉMIRANI. (6 temps). Différents rythmes 5/4 ou 2/4 par DJAMCHID CHÉMIRANI. Techniques balai, riz et rainures• 1967 ASIE +BM.1967.009 CDR+Ø* BM.1967.009.001 :01-01 BM.1967.009.001:01-01 00:00:00 N VIETNAM VIETNAM;JORAI. DOURNES,R.P.J.;1966 N Sous-table non exportée Sous-table non exportée 1966 0 ASIE +BM.967.010 Ø13 BM.967.010.001 :01-01 BM.967.010.001:01-01 00:00:00 N MALI SANGA DOGON MALI, SANGA N Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.967.011 Ø13;²9.5;PPM BM.967.011.001/03 :01-01 BM.967.011.001/03:01-01 00:00:00 -1 SENEGAL SERER SENEGAL;SERER. NIGER;BORORO N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.967.011 Ø13;²9.5;PPM BM.967.011.001/03 :02-02 BM.967.011.001/03:02-02 00:00:00 -1 NIGER BORORO SENEGAL;SERER. NIGER;BORORO N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.967.012 Ø13;²9.5;1/2P BM.967.012.001.001 :01-01 BM.967.012.001.001:01-01 00:00:00 -1 TIBET M. TIBETAINE (NEPAL) N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-01 BM.1967.013.001/03:01A-01 00:00:20 -1 ROUMANIE TSIGANES ROUMANIE CHANT DUO H / ESSAI Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 0 EUROPE +BM.967.015 Ø18;²19;PPM BM.967.015.001/15 :01-01 BM.967.015.001/15:01-01 00:00:00 -1 BRESIL GAMELON,S.;BRESIL,HAUT XINGU & BAHIA;1953 N Sous-table non exportée Sous-table non exportée 1953 0 AMERIQUE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-01 BM.1967.016.001/10:01-01 00:04:20 -1 ALBANIE *DPT. DE KORCA,ARRONDT.DE ERSEKA ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée /v=choeur h. avec orchestre. *département de korça,arrondissement de "Erseka• 1956 0 Bob. I EUROPE +BM.1967.017 Ø13* BM.1967.017.001/37 :01-01 BM.1967.017.001/37:01-01 00:00:00 1966 NEPAL SAGAN,P.;NEPAL (EST); 1966-67 N Sous-table non exportée Sous-table non exportée 1966 0 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-01 BM.1967.018.001/12:01-01 00:06:45 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT TURKMEN Sous-table non exportée Sous-table non exportée Chant turkrmen. tradition de Tashkent • enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. M1 - = tambour à 1 peau sur poterie tabla. IE - = cymbales en laiton Chant turkrmen. tradition de Tashkent. Chanté par un villageois turkmen des environs • DUPAIGNE,BERNARD 1966 0 BM/D 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-02 BM.1967.018.001/12:01-02 00:04:35 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT TURKMEN Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. M1 - = tambour à 1 peau sur poterie tabla. IE - = cymbales en laiton Chant turkrmen par Aiderkup d'Andkhoï • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-03 BM.1967.018.001/12:01-03 00:04:05 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTUZBEK, STYLE TADJIK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CL - = luth à 3 cordes dambura M - = tambour tabla. IE - = cymbales en laiton Chant uzbek : " Oh xanom kodja meri ? " = " Oh ! ma femme, où vas-tu ? " . chanté en dari, style tadjik • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-04 BM.1967.018.001/12:01-04 00:00:55 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT POPULAIRE TURKMEN Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. IE - = petites cymbales. Chant populaire turkrmen • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-05 BM.1967.018.001/12:01-05 00:03:15 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTAVEC VIELE Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-06 BM.1967.018.001/12:01-06 00:07:40 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 DUO DE GARCONS Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. IE - = petites cymbales. chanté duo garçons • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-07 BM.1967.018.001/12:01-07 00:04:20 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT DE STYLE FARSI Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. CL - = luth dambura IE - = petites cymbales. M- = tambour tabla chant de style farsi par un vieux turkmen • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-08 BM.1967.018.001/12:01-08 00:07:55 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK, DUO DE GARCONS Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. IE - = petites cymbales. chant uzbek • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-09>11 BM.1967.018.001/12:01-09>11 00:18:20 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 2 CHANTS UZBEKS Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CV - = vièle à 2 cordes radkak. CL - = luth dambura IE - = petites cymbales. M- = tambour tabla IS- = sonnailles attachées au poignet du joueur de luth. IX) : 08'55" - chant uzbek / incomplet, fin pièce X. X) : 04'45" - chant uzbek/ fin du IX, piste 1 XI) : 04'40" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-12 BM.1967.018.001/12:01-12 00:07:55 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CV - = vièle à 2 cordes radkak. IE - = petites cymbales • DUPAIGNE,BERNARD 1966 BM 67.19.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-13 BM.1967.018.001/12:01-13 00:05:20 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CV - = vièle à 2 cordes radkak. IE - = petites cymbales " Jerakosu " • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-14 BM.1967.018.001/12:01-14 00:02:40 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK " MAKAELI " Sous-table non exportée Sous-table non exportée CV - = vièle à 2 cordes radkak. CL - = luth dambura IE - = petites cymbales. M- = tambour tabla chant uzbek " Makaeli " • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-15 BM.1967.018.001/12:01-15 00:09:50 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK " DANA, DANA " Sous-table non exportée Sous-table non exportée CL - = luth dambura M- = tambour tabla chant uzbek " Dana, dana " • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-16 BM.1967.018.001/12:01-16 00:00:45 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 SOLO DE TAMBOUR TABLA Sous-table non exportée Sous-table non exportée M- = tambour tabla solo de tambour tabla • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-17 BM.1967.018.001/12:01-17 00:01:45 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 SOLO DE LUTH DAMBURA Sous-table non exportée Sous-table non exportée M- = tambour tabla solo de luth dambura / niveau varié, larsen • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :01-18 BM.1967.018.001/12:01-18 00:08:40 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé, le 1er soir du jeûne musulman, Ramazan. CL - = luth à 3 cordes dambura M - = tambour tabla. IE - = petites cymbales. Chant uzbek • DUPAIGNE,BERNARD 1966 BM 67.18.1 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-01 BM.1967.018.001/12:02-01 00:06:30 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK, MUSIQUE DE MAISON DE THE Sous-table non exportée Sous-table non exportée musique de maison de thé • enregistré dans une maison de thé.. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. CV- = vièle radjak Chant uzbek. musique de maison de thé / niveau varié, larsen au début • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-02 BM.1967.018.001/12:02-02 00:06:00 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 DUO TURKMEN Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth à 3 cordes dambura M - = tambour tabla. IE - = petites cymbales Chant uzbek : " Oh xanom kodja meri ? " = " Oh ! ma femme, où vas-tu ? " . chanté en dari, style tadjik • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-03 BM.1967.018.001/12:02-03 00:01:15 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 SOLO DE TAMBOUR TABLA Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. M- = tambour tabla solo de tambour tabla • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-04 BM.1967.018.001/12:02-04 00:01:30 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 SOLO DE LUTH DAMBURA Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. M- = tambour tabla solo de luth dambura • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-05 BM.1967.018.001/12:02-05 00:03:45 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CV - = vièle à 2 cordes radkak. CL - = luth dambura IE - = petites cymbales. M- = tambour tabla, joué par l'un des chanteurs. chant uzbek • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-06 BM.1967.018.001/12:02-06 00:03:40 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT TURKMEN Sous-table non exportée Sous-table non exportée CV - = vièle à 2 cordes radkak. CL - = luth dambura IE - = petites cymbales. M- = tambour tabla. chant turkmen / inachevé • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-07 BM.1967.018.001/12:02-07 00:11:30 1966/67 AFGHANISTAN AQCHA TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 THEATRE TURKMEN "MASKARABAZ " Sous-table non exportée Sous-table non exportée théâtre turkmen improvisé "maskarabaz " : jeu du bouffon, farces, mascarades • SD - = ambiance, applaudissements. théâtre turkmen improvisé "maskarabaz " : jeu du bouffon, farces, mascarades • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :02-08 BM.1967.018.001/12:02-08 00:12:00 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CL - = luth à 3 cordes dambura M - = tambour tabla. IE - = petites cymbales. Chant uzbek • DUPAIGNE,BERNARD 1966 BM 967.018 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-01 BM.1967.018.001/12:03-01 00:04:45 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT DE STYLE TADJIK Sous-table non exportée Sous-table non exportée CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. Chant de style tadjik par Azizillah de Maïmamé • DUPAIGNE,BERNARD 1966 BM 67.18.2 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-02 BM.1967.018.001/12:03-02 00:19:15 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS UZBEK Sous-table non exportée Sous-table non exportée CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. chants uzbeks. plusieurs airs enchaînés • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-03 BM.1967.018.001/12:03-03 00:01:50 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. chant uzbek • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-04 BM.1967.018.001/12:03-04 00:11:30 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 AIRS JOUES A L'ENTREE D'UN CIRQUE Sous-table non exportée Sous-table non exportée M - = petit tambour tabla. M2 - grand tambour à 2 peaux dôl airs joués à l'entrée du cirque, annonçant une représentation • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-05 BM.1967.018.001/12:03-05 00:10:00 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 AMBIANCE DE CIRQUE Sous-table non exportée Sous-table non exportée Parlé Hs, ambiance, rire. comédies, farces du cirque • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-06 BM.1967.018.001/12:03-06 00:03:50 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 DANSE Sous-table non exportée Sous-table non exportée CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. danse. Une des danses d'un homme déguisé en femme ; se danse entre deux farces • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :03-07 BM.1967.018.001/12:03-07 00:02:00 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 AMBIANCE DE CIRQUE Sous-table non exportée Sous-table non exportée Parlé Hs, ambiance. comédies, farces du cirque • DUPAIGNE,BERNARD 1966 BM 67.18.3 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :04-01 BM.1967.018.001/12:04-01 00:33:00 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 REPRESENTATION DE CIRQUE Sous-table non exportée Sous-table non exportée Parlé Hs, ambiance. représentation de cirque. à la 28ème minute, tambour, grelots, luth : musique de danse entre deux farces • DUPAIGNE,BERNARD 1966 BM 67.18.4 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :04-02 BM.1967.018.001/12:04-02 00:06:30 1966/67 AFGHANISTAN MANDADJIK TURKMENES DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT TURKMEN Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé• DUPAIGNE,BERNARD 1966 BM 67.18.4 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :04-03>04 BM.1967.018.001/12:04-03>04 00:11:00 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 2 CHANTS UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales III) : 08'50" - chant uzbek ; IV) : 02'10" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.4 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :04-05 BM.1967.018.001/12:04-05 00:11:45 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales • DUPAIGNE,BERNARD 1966 BM 67.18.4 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :04-06 BM.1967.018.001/12:04-06 00:07:00 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 2 CHANTS UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales • DUPAIGNE,BERNARD 1966 BM 67.18.4 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :05-01 BM.1967.018.001/12:05-01 00:14:55 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 AIRS UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales. Chant uzbek. plusieurs airs encaînés • DUPAIGNE,BERNARD 1966 BM 67.18.5 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :05-02 BM.1967.018.001/12:05-02 00:06:10 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 "MASKARABAZ",BOUFFONNERIES Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. CL - = luth dambura M - = tambour tabla. IE - = petites cymbales "Maskarabaz". le chanteur, Sari, fait des bouffoneries, des bruits divers • DUPAIGNE,BERNARD 1966 BM 67.18.5 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :05-03 BM.1967.018.001/12:05-03 00:03:30 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 "MASKARABAZ",BOUFFONNERIES Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. M - = tambour tabla. IE - = petites cymbales. "maskarabaz", avec bouffonneries • DUPAIGNE,BERNARD 1966 BM 67.18.5 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :05-04 BM.1967.018.001/12:05-04 00:05:45 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT: " MARDON-E TURKESTAN " Sous-table non exportée Sous-table non exportée CL - = luth dambura IE - = petites cymbales " Mardon-e Turkestan " : " Les hommes du Turkestan " • DUPAIGNE,BERNARD 1966 BM 67.18.5 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :05-05 BM.1967.018.001/12:05-05 00:06:45 1966/67 AFGHANISTAN SHIBERGHAN UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée CL - = luth dambura IE - = petites cymbales chant uzbek • DUPAIGNE,BERNARD 1966 BM 67.18.5 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-01 BM.1967.018.001/12:06-01 00:40:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 DANS UNE ECOLE DE THEOLOGIE Sous-table non exportée Sous-table non exportée enregistré dans une école de théologie. a) Allocution aux incroyants ; b) prière pendant la leçon c) leçons ; d) histoire de djinn (démon) par un professeur puis par un lettré • DUPAIGNE,BERNARD 1966 RELIGIEUX BM% 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-02>03 BM.1967.018.001/12:06-02>03 00:02:50 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 2 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée enregistré dans une école de théologie. II) : 01'15" - solo de guimbarde tchang ; III) : 01'35" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-04 BM.1967.018.001/12:06-04 00:08:00 1966/67 AFGHANISTAN AQCHA UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 PRIERES POUR ATTRAPER LES SERPENTS Sous-table non exportée Sous-table non exportée exorcismes et prières pour attraper les serpents • exorcismes et prières pour attraper les serpents. Par un prêtre mollah guérisseur • DUPAIGNE,BERNARD 1966 RELIGIEUX BM 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-05>09 BM.1967.018.001/12:06-05>09 00:14:05 1966/67 AFGHANISTAN MOZAR - I -SHARIF UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 SOLO & ACCORD DE LUTH TAMBUR Sous-table non exportée Sous-table non exportée enregistré dans la boutique du luthier. CL - = luth à cordes sympathiques tambur. V) : 04'20" - solo de luth tambur ; VI) : 00'30" - accord du luth tambur ; VII) : 03'45" - Idem ; VIII): 03'45" - Idem ; IX) : 00 '45" - Idem / bruit de fond • DUPAIGNE,BERNARD 1966 BM 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-10>11 BM.1967.018.001/12:06-10>11 00:07:25 1966/67 AFGHANISTAN TASH-QURGHAN UZBEK & TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK ET GUIMBARDE Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. IP - = guimbarde tchang. X) : 04'05 " - chant uzbek par Bengetcha Tashqurghani, dit Bangi / baisse de niveaux à certains endroits ; XI) : 03'20" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :06-12 BM.1967.018.001/12:06-12 00:03:00 1966/67 AFGHANISTAN TASH-QURGHAN UZBEK & TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 AIR AVEC FLUTES Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. IP - = guimbarde tchang • DUPAIGNE,BERNARD 1966 BM 67.18.6 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :07-01 BM.1967.018.001/12:07-01 00:03:35 1966/67 AFGHANISTAN TASH-QURGHAN UZBEK & TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé • DUPAIGNE,BERNARD 1966 BM 67.18.7 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :07-02>03 BM.1967.018.001/12:07-02>03 00:03:35 1966/67 AFGHANISTAN TASH-QURGHAN UZBEK & TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé II) 04'10" ; III) : 05'50" • DUPAIGNE,BERNARD 0 BM 67.18.7 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :07-04>05 BM.1967.018.001/12:07-04>05 00:11:40 1966/67 AFGHANISTAN AQCHA TADJIK D'HERAT DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT PAR L'ENSEMBLE "FARUXI NANDARI" Sous-table non exportée Sous-table non exportée AAL- = harmonium. SD - = applaudissements. IV) : 04'00" - chant par le chanteur Morxak Herawi, ensemble "Faruxi Nandari', connu, de Kaboul, en tournée en province ; V) : 07'40" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.7 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :07-06 BM.1967.018.001/12:07-06 00:04:30 1966/67 AFGHANISTAN AQCHA TADJIK D'HERAT DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT PAR L'ENSEMBLE "FARUXI NANDARI" Sous-table non exportée Sous-table non exportée AAL- = Harmonium. SD - = applaudissements. chanté solo F par la chanteuse Setare, style de Kaboul. ensemble "Faruxi Nandari', connu, de Kaboul, en tournée en province • DUPAIGNE,BERNARD 1966 BM 67.18.7 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :07-07>08 BM.1967.018.001/12:07-07>08 00:07:40 1966/67 AFGHANISTAN AQCHA TADJIK D'HERAT DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT PAR L'ENSEMBLE "FARUXI NANDARI" Sous-table non exportée Sous-table non exportée AAL- = harmonium. SD - = applaudissements. VII) : 03'25" - chanté solo F par Marbuha, style de Kaboul. ensemble "Faruxi Nandari', connu, de Kaboul, en tournée en province ; VIII) : 04'15" - Idem • DUPAIGNE,BERNARD 1966 BM 67.18.7 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :08-01 BM.1967.018.001/12:08-01 00:02:05 1966/67 AFGHANISTAN HERAT TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 LUTH ET TABLA Sous-table non exportée Sous-table non exportée musique de maison de thé • enregistré dans une maison de thé.. CL - = luth à 4 cordes dambura. M - = tambour tabla • DUPAIGNE,BERNARD 1966 BM 67.18.8 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :08-02>09 BM.1967.018.001/12:08-02>09 00:35:20 1966/67 AFGHANISTAN HERAT TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS TADJIK-LUTH ET TAMBOUR Sous-table non exportée Sous-table non exportée chanté solo H par Abdulahtif. CL - = luth à 4 cordes dambura. M - = tambour tabla II) : 06'35" ; III) : 05'45" ; IV) : 05'00" ; VI) : 03'20" ; VII) : 03'30" ; VIII) : 01'35" ; IX) : 02'15" • DUPAIGNE,BERNARD 1966 BM 67.18.8 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :08-10 BM.1967.018.001/12:08-10 00:10:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 RECIT D'UN MARIAGE UZBEK Sous-table non exportée Sous-table non exportée maison de thé • récit d'un mariage uzbek par le gérant d'une maison de thé • DUPAIGNE,BERNARD 1966 BM 67.18.8 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :08-11>12 BM.1967.018.001/12:08-11>12 00:06:20 1966/67 AFGHANISTAN HERAT TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS TADJIK-LUTH ET TAMBOUR Sous-table non exportée Sous-table non exportée chanté solo H par Abdulahtif. CL - = luth à 4 cordes dambura. M - = tambour tabla XI) : 02'40" ; XII) : 03'40" • DUPAIGNE,BERNARD 1966 BM 67.18.8 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-01 BM.1967.018.001/12:09-01 00:02:15 1966/67 AFGHANISTAN AQCHA TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 ENSEMBLE "FARUXI NANDARI' Sous-table non exportée Sous-table non exportée AAL- = Harmonium. SD - = applaudissements. Musique de style de Kaboul. ensemble "Faruxi Nandari' de Kaboul • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-02 BM.1967.018.001/12:09-02 00:04:15 1966/67 AFGHANISTAN AQCHA TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 ENSEMBLE "FARUXI NANDARI' Sous-table non exportée Sous-table non exportée CL- luth à caisse échancrée rebab. Musique de style de Kaboul. ensemble "Faruxi Nandari' de Kaboul • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-03>04 BM.1967.018.001/12:09-03>04 00:06:55 1966/67 AFGHANISTAN AQCHA TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS DE STYLE HAZARA Sous-table non exportée Sous-table non exportée chant de style hazara • AAL- = Harmonium. SD - = applaudissements. III) : 02'55" -chant de style hazara par le chanteur de Kabul Faraz. en persan ; IV): 04'00" - Idem + SD - = applaudissements • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-05 BM.1967.018.001/12:09-05 00:02:30 1966/67 AFGHANISTAN AQCHA TADJIK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 LUTH ET TAMBOUR Sous-table non exportée Sous-table non exportée CL- luth à caisse échancrée rebab. N.B. : annonce d'une voix H avant chaque pièce. suite sur fiche BM.967.018.001/12:09-06 • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-06 BM.1967.018.001/12:09-06 00:05:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT RELIGIEUX ALLAHU AKBER Sous-table non exportée Sous-table non exportée Chant religieux Allahu Akber• enregistré dans une maison de thé. Chant religieux Allahu Akber. Pleurage à la fin. suite BM.967.018.001/12:09-05 • DUPAIGNE,BERNARD 1966 RELIGIEUX BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-07 BM.1967.018.001/12:09-07 00:02:35 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-08 BM.1967.018.001/12:09-08 00:01:15 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT UZBEK Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé Chanté solo H, voix étouffée par les mains, ambiance • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-09 BM.1967.018.001/12:09-09 00:01:20 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé• DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-10 BM.1967.018.001/12:09-10 00:04:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT TARALALEI Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé. Chant taralalei / variation de niveau • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-11 BM.1967.018.001/12:09-11 00:04:45 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT "MAN NEMIDUNAM" EN DARI Sous-table non exportée Sous-table non exportée chant "man nemidunam"en dari, style tadjik• enregistré dans une maison de thé. chant "man nemidunam" en dari, style tadjik. • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-12 BM.1967.018.001/12:09-12 00:05:55 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT "SHAMALI" EN DARI Sous-table non exportée Sous-table non exportée chant "shamali" en dari, stylede Kabul • enregistré dans une maison de thé. chant "shamali" en dari, style de Kabul. influences de la radio • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :09-13 BM.1967.018.001/12:09-13 00:02:45 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT "SUZLEJAN" EN DARI Sous-table non exportée Sous-table non exportée chant "suzlejan" en dari • enregistré dans une maison de thé. chant "suzlejan" en dari. • DUPAIGNE,BERNARD 1966 BM 67.18.9 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :10-01 BM.1967.018.001/12:10-01 00:20:20 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 ENQUETE LINGUISTIQUE Sous-table non exportée Sous-table non exportée 1) : 20'00" - Parlé Hs. enquête linguistique ; 2) : 00'20" - parlé solo H• DUPAIGNE,BERNARD 1966 BM 67.18.10 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :10-02>03 BM.1967.018.001/12:10-02>03 00:08:15 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 2 CHANTS UZKEB Sous-table non exportée Sous-table non exportée Chanté duo H. CL- = luth à 2 cordes dotar. II) : 03'15" - chant uzbek, par Qafar Xan ; III): 05'00" - Idem (mauvais défilement jusqu'à la fin de la bobine) • DUPAIGNE,BERNARD 1966 BM 67.18.10 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-01 BM.1967.018.001/12:11-01 00:08:35 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT AVEC LUTH DOTAR Sous-table non exportée Sous-table non exportée PARLÉ (10") puis chanté solo H, luth dotar. chant uzbek, par Qafar Xan • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-02 BM.1967.018.001/12:11-02 00:09:05 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT AVEC LUTH SETAR Sous-table non exportée Sous-table non exportée PARLÉ (25") puis chanté solo H CL- = luth à 3 cordes setar. chant uzbek, par Qafar Xan • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-03 BM.1967.018.001/12:11-03 00:01:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 ECHELLE MUSICALE DU LUTH SETAR Sous-table non exportée Sous-table non exportée a) : 00'20" - (vit. 19) - échelle musicale jouée sur le luth à 3 cordes setar. b) : 00'40" - (vit.4,75)- Parlé solo H• DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-04 BM.1967.018.001/12:11-04 00:04:00 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT "GUL-E BAQMAL " Sous-table non exportée Sous-table non exportée M - = tambour ensonnaillé. chant "gul-e baqmal " par Gulandom • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-05>06 BM.1967.018.001/12:11-05>06 00:03:45 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 BERCEUSE Sous-table non exportée Sous-table non exportée V) (piste 1) : 01'50" - " Jamila ", berceuse, par Gulandom ; VI)(piste 2) : 01'55" - Idem (suite) • DUPAIGNE,BERNARD 1966 ENFANTIN BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-07 BM.1967.018.001/12:11-07 00:03:05 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 " KILMEN-A-SHAHIR" Sous-table non exportée Sous-table non exportée M - = tambour ensonnaillé. " Kilmen-a-Shahir" • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-08>09 BM.1967.018.001/12:11-08>09 00:05:25 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 BERCEUSE Sous-table non exportée Sous-table non exportée BC - = Claquements de doigts. chanté solo F. VIII) : 01'25" - " Alterini ", berceuse, avec claquements de doigts ; IX) : 04'00" - " Alterini ", berceuse, sans claquements de doigts • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-10 BM.1967.018.001/12:11-10 00:03:40 1966/67 AFGHANISTAN ANDKHOI FARSI DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT Sous-table non exportée Sous-table non exportée M - = tambour ensonnaillé. chant à la manière du Turkestan afghan • DUPAIGNE,BERNARD 1966 BM 67.18.10 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-11 BM.1967.018.001/12:11-11 00:03:30 1966/67 AFGHANISTAN ANDKHOI FARSI DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT A LA MANIERE INDIENNE Sous-table non exportée Sous-table non exportée M - = tambour ensonnaillé. chant à la manière indienne • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-12 BM.1967.018.001/12:11-12 00:03:35 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT DE MARIAGE "NAI-NAI" Sous-table non exportée Sous-table non exportée chant de mariage "Nai-nai" • chant de mariage "Nai-nai" • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :11-13 BM.1967.018.001/12:11-13 00:02:15 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANT : "WILEGN-WILEGN" Sous-table non exportée Sous-table non exportée "Wilegn-wilegn". mauvais défilement en fin de bobine • DUPAIGNE,BERNARD 1966 BM 67.18.11 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :12-01>05 BM.1967.018.001/12:12-01>05 00:30:30 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS ET LUTH Sous-table non exportée Sous-table non exportée CL- = luth à 2 cordes dotar. Chanté solo H par Qfar Xan, cordonnier et musicien très connu localement. I) : 04'40" (piste 1) ; II) : 09'05" (piste 1) ; III): 07'15" (piste 1); IV): 02'15" - (piste 1) baisse de niveau ; V): 07'15" (piste 2) • DUPAIGNE,BERNARD 1966 BM 67.18.12 ASIE +BM.1967.018 CDR+Ø* BM.1967.018.001/12 :12-06 BM.1967.018.001/12:12-06 00:03:50 1966/67 AFGHANISTAN ANDKHOI UZBEK DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 CHANTS ET LUTH Sous-table non exportée Sous-table non exportée CL- = luth à 2 cordes dotar. Chanté solo H . (piste 2) • DUPAIGNE,BERNARD 1966 BM 67.18.12 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :01-01 BM.1967.019.001/54:01-01 00:02:40 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 "LE PROGRES" RAM CARAN Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. *Enfant de 12 ans• HELFFER,M 1966 0 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :01-02 BM.1967.019.001/54:01-02 00:07:54 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 MORT DE JANG BAHADUR* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. *Mort de Jang Bahadur (1877 A D.);(cf. enregistrement Macdonald 7-I/I, chant par Iman Singh, maïtre de Magàr-Gàiné). *Père de Ram-Caran• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :01-03 BM.1967.019.001/54:01-03 00:04:45 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 GUERRE DU TIBET* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. *Guerre du Tibet (1911 B. S. =1954). *Père de Ram-Caran• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :01-04 BM.1967.019.001/54:01-04 00:05:15 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 EXTRAIT DU KRISHNA LILA Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. *Enfant de 12 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :01-05 BM.1967.019.001/54:01-05 00:01:30 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 "JHYAURE" MODERNE (EXTRAIT) Sous-table non exportée JHYAURE Sous-table non exportée Ø13;²19;L:270m;PP. *Enfant de 12 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :02-01-02 BM.1967.019.001/54:02-01-02 00:06:10 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT SOLO D'HOMME AVEC ACC. AU SARANGI GAULE DAI, GAULE BHAI MAGAR Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m. 1ere pièce "Gaule dài, gaule bhài". 2ème pièce "Le sari de nylon" (début) (cf B IV-I). *Père de Ram-Caran• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :03-01 BM.1967.019.001/54:03-01 00:02:15 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT MODERNE Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m;PP. *Enfant de 12 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :03-02>03 BM.1967.019.001/54:03-02>03 00:01:45 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 AIR SUR LE SARANGI* Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m;PP. Pièce n°1 : air sur le sarangi. Pièce n°2 : accord du sarangi et execution d'une gamme ascendante et descendante sur le sarangi *Air fréquemment chanté à la radio par Tara Davi. *Enfant de 12 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :04-01>02 BM.1967.019.001/54:04-01>02 00:01:30 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT D'HOMME ET D'ENFANT ACCOMPAGNE A LA VIELE Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m;PP. Pièce n°1 :Le sari de nylon" par Magar accomp. de 2 sarangi (cf B 2-2). Pièce n°2 : chant en l'honneur du Roi Mahendra "dans le style savài" pa r Ram Caran, voix chantée solo d'enfant accomp. de 2 sarangi *Enfant de 12 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :05-01 BM.1967.019.001/54:05-01 00:07:15 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 VOIX D'HOMME ET SARANGI JYAN KHUKURI BHIRERA GORKHALI Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m;PP. D'après Magar, il s'agit d'un savài (cf enregistrement de Macdonald 7 II-3 - version + conte - texte établi)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :06-01 BM.1967.019.001/54:06-01 00:05:15 20/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 AIR APPELE "GHUMNAU NE BHAKHA"* MERA KANCHI NANILAI Sous-table non exportée Sous-table non exportée Ø9;²19;L:90m;PP. *Nom donné par Magar• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :07-01 BM.1967.019.001/54:07-01 00:06:35 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT SUR LA LOI INTERDISANT LA POLYGAMIE JHALAK BAHADUR THAPA CHETRI DE PHAIMAL Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :07-02 BM.1967.019.001/54:07-02 00:10:55 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 REPRISE DU CHANT SUR LA LOI INTERDISANT LA POLYGAMIE* JHALAK BAHADUR THAPA CHETRI DE PHAIMAL Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Il manquait le début dans la pièce n°1• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :07-03 BM.1967.019.001/54:07-03 00:04:00 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CRITIQUE DE LA JUSTICE UN CHETRI Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :08-01 BM.1967.019.001/54:08-01 00:04:14 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 PLAINTE DE L'ORPHELINE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet texte en devanagari. Forme à couplet et refrain• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :08-02 BM.1967.019.001/54:08-02 00:10:55 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 EXTRAIT DU SVASTHANI KATHA* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *texte en devanagari. Désigné comme chant en l'honneur de Pashupeti nath, par le fils d'Iman singh, à propos du mariage de Mahadev et Satyadevi. Strophes de 4 vers• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :08-03 BM.1967.019.001/54:08-03 00:04:50 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT POUR L'INDRA JATRA "MALSIRI GIT"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *texte en devanagari. Celèbre la victoire de la déesse sur les Asura• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :08-04 BM.1967.019.001/54:08-04 00:03:10 29/09/66 NEPAL VALLEE DE KATHMANDU KIRTIPUR NEPALI-GAINE-C NEPAL. HELFFER,M.;1966 CHANT MALSIRI GIT* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *texte en newari• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :09-01-02 BM.1967.019.001/54:09-01-02 00:00:00 02/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 ECOLIER LISANT UN POEME-QUESTIONNAIRE DE L'ENFANT* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *ecolier lisant un poème puis questionnaire de l'enfant-le nom de ses maîtres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :09-03 BM.1967.019.001/54:09-03 00:02:50 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 "SILUK" CHANT DE FEMME* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *chant de femme Chetri d'une cinquantaine d'années (interrompu à de nombreuses reprises) terminé par "bida hum" - texte• HELFFER,M 0 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :09-04>06 BM.1967.019.001/54:09-04>06 00:03:00 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 RECITATION DE FEMME Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *pièces IV, V, VI : texte----d°----• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :09-07 BM.1967.019.001/54:09-07 00:01:05 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT DE FEMME, REPRISE DU MOTIF MELODIQUE DE LA PIECE 3* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *chant de femme Chetri d'une cinquantaine d'années• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :10-01 BM.1967.019.001/54:10-01 00:01:10 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT DE FEMMES, REPRISE DE SILUK* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *reprise dela pièce (B IX/III)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :10-02 BM.1967.019.001/54:10-02 00:02:35 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 BHAJAN A KRISHNA* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *coupure;au bout de 5', une autre voix essaye de se joindre à la première• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :10-03 BM.1967.019.001/54:10-03 00:05:10 02/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE "ROILA" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *coupure;au bout de 5', une autre voix essaye de se joindre à la première• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :11-01 BM.1967.019.001/54:11-01 00:10:10 07/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT KARKHA DE BAHKTI THAPA* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Bahkti Thapa : fin XVIII è siècle, commandant militaire de 1785 à 1799 lors de la conquête de kumacu, mort aux causes de la guerre anglo-népalaise en menant l'attaque contre Debthal, son corps fut remis parOchterloug à Amber Singh. A comparer avec bobine n° XXXXVIII/VIII et II / I chanté par Chobi Pal Gâiné de Penga-Musikot• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :11-02 BM.1967.019.001/54:11-02 00:12:45 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT KARKHA DE "JANG BAHADUR A LUCKNOW" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *de thàr vis'và Karma• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :12-01 BM.1967.019.001/54:12-01 00:00:00 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 SUITE DU KARKHA DE "JANG BAHADUR A LUCKNOW" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *de thàr vis'và Karma• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :12-02 BM.1967.019.001/54:12-02 00:03:40 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 KARKHA DE "JANG BAHADUR A LUCKNOW" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :12-03 BM.1967.019.001/54:12-03 00:10:05 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 KARKHA DE "NARBIR MAHAT"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"Jhuma gadi ma ra paryo ghamasàan...", il y eut un rude combat à Jhuma Gadi... guerre contre le tibet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :12-04 BM.1967.019.001/54:12-04 00:07:35 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HISTOIRE DES 4 AGES* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"satya yug-treta yug-duapar yug-kali yug"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :12-05 BM.1967.019.001/54:12-05 00:00:00 07/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT POUR LA FETE DE "TIG" Sous-table non exportée Sous-table non exportée Enreg.sur le terrain, hors situation• Ø13;²19;L:270m;PP. Original Musée Guimet. *enfant de 10 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :13-01 BM.1967.019.001/54:13-01 00:07:20 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DU "LAHURE"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) a été selectionné pour participer au voyage en Chine. *chant composé collectivement pendant la guerre entre l'Inde et la Chine 1963 (texte établi)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :13-02 BM.1967.019.001/54:13-02 00:04:10 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "JHYAURE" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) a été selectionné pour participer au voyage en Chine• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :13-03 BM.1967.019.001/54:13-03 00:05:10 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT D'AMOUR TYPE "JHYAURE" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) a été selectionné pour participer au voyage en Chine• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :13-04 BM.1967.019.001/54:13-04 00:06:50 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT BHAJAN Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) a été selectionné pour participer au voyage en Chine refrain : "Krsna munari Sudarsan dhari, murali/bajaune timi kaha chau"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :14-01 BM.1967.019.001/54:14-01 00:10:20 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT A "RUMANI", HISTOIRE D'APRES LE RAMAYANA Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) et Dil Bahadur Gainé. (cf 12/III, histoire des 4 âges). "Madhubanaîma Sitalai lekhyau bhasyai Tamani"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :14-02 BM.1967.019.001/54:14-02 00:11:15 09/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE "YO DINAI MA" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Birkha bahadur, Gainé de thar (25 à 30 ans) et Dil Bahadur Gainé. "timle hamle bhaneva bhaina lalataima lekhekocha, chaina dai, yo dinaima"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :15-01 BM.1967.019.001/54:15-01 00:07:45 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "HAVI SAMSAR"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *chant qui fait probablement parti du répertoire des Gorakh jathis• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :15-02 BM.1967.019.001/54:15-02 00:00:00 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT COMPOSE A L'OCCASION DE LA GUERRE INDO-PAKISTANAISE (1965) Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"tte ama ma janchu Cinmé, ba ce bheta hola ni koi dinma". fin de l'enregistrement, utilisation de la peau du sarangi comme tambour en remplacement d'un madal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :15-03 BM.1967.019.001/54:15-03 00:06:50 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"Maya rai cha, maya rai ché cantari petima moile ta man, maile ta man ghonda ni bhetna nir paryotira"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :15-04 BM.1967.019.001/54:15-04 00:02:00 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SOLO DE FEMME ET CHANT D'OISEAUX Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *chant enregistré de très loin• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :16-01 BM.1967.019.001/54:16-01 00:06:40 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT POUR ALLER DANS LA FORET "GHASE GIT"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Enregistré dans la batti du Gainé tol. *pour couper le fourrage ou le bois à bruler, ou pour garder les troupeaux• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :16-02 BM.1967.019.001/54:16-02 00:03:40 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT POUR ALLER DANS LA FORET II* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Enregistré dans la batti du gainé tol. *sur un air différent• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :16-03 BM.1967.019.001/54:16-03 00:04:35 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Enregistré dans la batti du Gainé tol• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :16-04 BM.1967.019.001/54:16-04 00:04:30 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT POUR ALLER DANS LA FORET* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Enregistré dans la batti du Gainé tol. *A comparer avec la pièce 16-1 (au début le micro est resté dans la poche extérieure du magnéto)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :16-05 BM.1967.019.001/54:16-05 00:03:50 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT POUR PLANTER LE KODO (MILLET) OU LE DHAN (RIZ) Sous-table non exportée Sous-table non exportée Enregistré dans la batti du gainé tol• Ø13;²19;L:270m;PP. Original Musée Guimet. Enregistré dans la batti du Gainé tol• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :17-01 BM.1967.019.001/54:17-01 00:03:50 09/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 REPRISE DU CHANT POUR PLANTER LE KODO Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Voix de femmes à l'unisson. Reprise de la pièce 16-05• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :17-02 BM.1967.019.001/54:17-02 00:02:30 09/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT DE FEMMES CHOEURS A L'UNISSON Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :17-03 BM.1967.019.001/54:17-03 00:07:42 09/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT DE TYPE SAVAI* SHIVA BAHADUR* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"sun sun panca homa kehi bhanchu Samudrako laharighai man ma gouchu". *Gainé de thar buddha thoki, dit "rithe".Texte édité différent du texte chanté• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :18-01 BM.1967.019.001/54:18-01 00:23:30 10/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 HISTOIRE DE SARAMAI MAHARANI TYPE KARKA* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Composé de 12 à 15 caran (cf.version en anglais de l'histoire établie par D.P rajoure d'après le récit qu'a fait Shiva bahadur après l'enregistrement. D'après un informateur newar, il s'agirait d'une princesse de tanaha mariée à un roi de Kaski. *dit Khite de Thar Buddha thuki• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :19-01 BM.1967.019.001/54:19-01 00:02:00 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HISTOIRE DE SARAMAI MAHARANI SUITE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Composé de 12 à 15 caran (cf.version en anglais de l'histoire établie par D.P rajoure d'après le récit qu'a fait Shiva bahadur après l'enregistrement. D'après un informateur newar, il s'agirait d'une princesse de tanaha mariée à un roi de Kaski. *dit Khite de Thar Buddha thuki• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :19-02 BM.1967.019.001/54:19-02 00:06:40 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT TYPE NIRGUN BHAJAN Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :19-03 BM.1967.019.001/54:19-03 00:05:45 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT D'UNE VEUVE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :19-04 BM.1967.019.001/54:19-04 00:04:45 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *composé par un Chetri de Palpa• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :19-05 BM.1967.019.001/54:19-05 00:03:40 10/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HYMNE A LA DEESSE MANGAL GIT CHANTE POUR LES MARIAGES* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *suite sur bande 20 / 01• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :20-01 BM.1967.019.001/54:20-01 00:02:00 11/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HYMNE A LA DEESSE MANGAL GIT CHANTE POUR LES MARIAGES SUITE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *suite de la bande 19/01• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :20-02 BM.1967.019.001/54:20-02 00:04:30 11/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HYMNE DE TYPE "MANGAL" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *même timbre mélodique que 19-05• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :20-03 BM.1967.019.001/54:20-03 00:06:45 11/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SOLO "SARANJA GIT" * Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *composé par le grand-père du chanteur. Doit être chanté entre 13h30 et 17h à peu près• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :20-04 BM.1967.019.001/54:20-04 00:10:15 11/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 "KARKHA DE BUDDHIBAL RANA"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *guerre contre le Tibet au temps de Jang Bahadur qui se termina par un traîté en 1856 (suite en pièce 21-01)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :21-01 BM.1967.019.001/54:21-01 00:12:00 11/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 "KARKHA DE BUDDHIBAL RANA" SUITE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *guerre contre le Tibet au temps de Jang Bahadur qui se termina par un traîté en 1856 (suite de la pièce 20-04)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :21-02 BM.1967.019.001/54:21-02 00:00:00 12/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HISTOIRE DE MANAKOLE RANI (FRAGMENT)* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *"Sapanama dars'an maile paina srami raja Sapana mai timro dars'an maile paina". Version coupée de nombreux arrêts et de répétitions (cf texte établi par D.P Rajaure), à comparer avec 33-03 enregistré par Hira Bahadur• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :21-03 BM.1967.019.001/54:21-03 00:06:15 12/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HISTOIRE DE JAYELA ET JAYATULA (FRAGMENT)* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Mauvaise version coupée d'hésitation et de répétitions (cf texte établi par D.P Rajaure)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :21-04 BM.1967.019.001/54:21-04 00:03:20 12/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHAURE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Il y est question du roi d'Angleterre• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :22-01 BM.1967.019.001/54:22-01 00:14:00 12/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE CUEILLETTE "GHASE GIT"* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *texte composé par les chanteurs mais non improvisé. Pour des népalis qui n'habitent pas la région, ce chant semble gurung• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :22-02 BM.1967.019.001/54:22-02 00:01:44 12/10/66 NEPAL BATULECAUR NEPALI-NEWAR(C) NEPAL. HELFFER,M.;1966 CHANT MODERNE EN L'HONNEUR DU ROI MAHENDRA* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *chant par une jeune fille Newar qui a été à Kathmandu• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :22-03 BM.1967.019.001/54:22-03 00:00:55 12/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 FRAGMENT DE CHANT MODERNE EN L'HONNEUR DU ROI MAHENDRA Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :22-04 BM.1967.019.001/54:22-04 00:02:13 12/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT DE 2 FEMMES Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :23-01 BM.1967.019.001/54:23-01 00:10:40 13/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SUR LE TREMBLEMENT DE TERRE EN ANDHIKHOLA (1954 AD) Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. A comparer avec les enregistrements de Magar Gaine (Mission Macdonald 12 I-06)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :23-02 BM.1967.019.001/54:23-02 00:14:40 13/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE LA REGION DE DEHRA DUN* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *"Aja pani jham, bholi pani jham jham parsi ta gai jauta"(jham jham : onomatopée pour la pluie qui tombe à torrents)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :24-01 BM.1967.019.001/54:24-01 00:02:25 13/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT EN L'HONNEUR DU PANCAYAT* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *"Pancaiko des'ma, pancaiko rajya pancaiko sarkar"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :24-02 BM.1967.019.001/54:24-02 00:09:00 13/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHAURE* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *"Kalo kapal rato cha riban..."• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :24-03 BM.1967.019.001/54:24-03 00:04:45 13/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "GHASE GIT"* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *(Bruit de fond, rivière qui coule en contrebas)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :24-04 BM.1967.019.001/54:24-04 00:04:00 13/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT "GHASE GIT" Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :24-05 BM.1967.019.001/54:24-05 00:02:00 13/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT "GHASE GIT" Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :26-01 BM.1967.019.001/54:26-01 00:00:00 14/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT "VOYAGE DU MAHARAJA CAUDRA SAMSER EN ANGLETERRE (1908)"* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *Type Karkha (suite sur bobine 27). A comparer avec mission Macdonald 1961 3. 1-1 par Krisna Bahadur gainé de Deo Patan et 8. 1-5 par Magar gaine de Kirtipur. Texte manuscrit donné par Magar en 1966• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :27-01 BM.1967.019.001/54:27-01 00:02:30 14/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "VOYAGE DU MAHARAJA CAUDRA SAMSER EN ANGLETERRE" SUITE* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *Type Karkha (suite de la bobine 26). A comparer avec mission Macdonald 1961 3. 1-1 par Krisna Bahadur gainé de Deo Patan et 8. 1-5 par Magar gaine de Kirtipur. Texte manuscrit donné par Magar en 1966• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :27-02 BM.1967.019.001/54:27-02 00:11:10 14/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT KARKHA GUJA SIMBA RANA Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :27-03 BM.1967.019.001/54:27-03 00:13:15 14/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT DE CUEILLETTE "GHASE GIT" GUJA SIMBA RANA Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :28-01 BM.1967.019.001/54:28-01 23:15:00 14/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT DE CUEILLETTE "GHASE GIT" Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :29-01 BM.1967.019.001/54:29-01 00:11:35 15/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "KARKHA" BAM BAHADUR THAPA* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *célébrité locale. *Chanteur =fils de Mijhar Durga• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :29-02 BM.1967.019.001/54:29-02 00:00:00 15/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT JHYAURE SUR L'AIR DE "NIRMAYA" Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *Chanteur =fils de Mijhar Durga• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :30-01 BM.1967.019.001/54:30-01 00:24:00 15/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SUR L'HISTOIRE DU FAISAN DE L'HIMALAYA Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. Daphe Cari. *Chanteur =fils de Mijhar Durga. texte établi par D.P Rajaure en caractère nagari• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :31-01 BM.1967.019.001/54:31-01 00:08:00 15/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SUR L'HISTOIRE DU FAISAN DE L'HIMALAYA SUITE Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. Daphe Cari. *Chanteur =fils de Mijhar Durga. texte établi par D.P Rajaure en caractère nagari. A comparer avec version enregistrée par A.W. Macdonald 5 - II-02• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :31-02 BM.1967.019.001/54:31-02 00:15:50 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "MORT DE JANG BAHADUR"* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. (1877 A.D.). Pour l'executant, il s'agit d'un savai qui fut composé par Naré de Hyangja• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :32-01 BM.1967.019.001/54:32-01 00:23:00 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "MORT DE JANG BAHADUR" SUITE* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. (1877 A.D.). Suite bobine 31.Pour l'executant, il s'agit d'un savai qui fut composé par Naré de Hyangja• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :33-01 BM.1967.019.001/54:33-01 00:03:15 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "MORT DE JANG BAHADUR" SUITE* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. (1877 A.D.). Suite bobine 32.Pour l'executant, il s'agit d'un savai qui fut composé par Naré de Hyangja• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :33-02 BM.1967.019.001/54:33-02 00:08:45 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "KARKHA" D'UN BRAHMANE QUI PART EN PELERINAGE * Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *Composé par le grand-père du chanteur• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :33-03 BM.1967.019.001/54:33-03 00:11:25 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "FRAGMENT DE MAMIKOLE RANI" Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. Texte établi par D.P. Rajaure. A comparer avec 2i-b enregistré par Caudré Gainé• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :34-01 BM.1967.019.001/54:34-01 00:08:25 16/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT PAR UNE JEUNE HAGARNI Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :34-02 BM.1967.019.001/54:34-02 00:00:00 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "KARKHA"* * Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *A propos d'un fait divers dans la région de Tanahu : un tigre a emporté une bufflesse qui donne du lait. Le père d'Arjun Thapa veut l'envoyer chasser le tigre. Il refuse d'abord, puis il y va mais il est tué. Cest le fils d'Arjun Thapa, agé seulement de 5 ans qui, avant de finir le rite mortuaire tua le tigre (cf texte en nagari). *composé par le père du chanteur• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :34-03 BM.1967.019.001/54:34-03 00:04:30 16/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "KARKHA"AU SUJET DE NANDA RAM JAISI* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. *(Caste de Brahmane)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :35-01 BM.1967.019.001/54:35-01 00:09:00 15/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 CHANT Sous-table non exportée Sous-table non exportée Enregistré dans la Bhatti du Gainé tol Ø15;²19;L:270m;PP. Original Musée Guimet. Castes Gainé & Kami Chant alterné : 1 H, chr, 2 F, chr. Kul bahadur Sresta: Newar et Masina Gaineni (caste Gaine) + Putali Kamini (caste Kami)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :35-02 BM.1967.019.001/54:35-02 00:14:30 15/10/66 NEPAL BATULECAUR NEPALAIS NEPAL. HELFFER,M.;1966 AIR DE "KARPUTARE" Sous-table non exportée Sous-table non exportée Enregistré dans la Bhatti du Gainé tol Ø15;²19;L:270m;PP. Original Musée Guimet. Castes Gainé & Kami Chant alterné : 1 H, chr, 2 F, chr. Kul bahadur Sresta: Newar et Masina Gaineni (caste Gaine) + Putali Kamini (caste Kami)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :36-01 BM.1967.019.001/54:36-01 00:11:15 17/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT MALSIRI CHANTE AU MOMENT DE DASAI Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. * de Thar Kala paurdal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :36-02 BM.1967.019.001/54:36-02 00:06:00 18/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE LOUANGE DU ROI MAHENDRA* SUN SUN PACA MA KEHI BHAMCHU Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. * de Thar Kala paurdal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :36-03 BM.1967.019.001/54:36-03 00:06:40 18/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT KHYALI Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. * de Thar Kala paurdal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :37-01 BM.1967.019.001/54:37-01 00:07:45 19/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT LES 10 INCANTATIONS DE VISNU* Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. a-Matsya (le poisson);b-Kûrma (la tortue);c-Varaha (le sanglier);d-Nrsinha (l'homme lion);e-Vamana (le nain);f-Paraçurama;g-Rama;h-Krsna (prononcer Kihirina);i-Buddha;j-Kalkin (tête de cheval + corps d'homme) * de Thar Jogi vaikar• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :37-02 BM.1967.019.001/54:37-02 00:05:18 19/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "LE RETOUR DU LAHURE" TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. * de Thar Jogi vaikar. photo cf. 33-34-35)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :37-03 BM.1967.019.001/54:37-03 00:02:20 19/10/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANSON MODERNE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø15;²19;L:270m;PP. Original Musée Guimet. * de Thar Jogi vaikar• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :38-01 BM.1967.019.001/54:38-01 00:01:45 20/10/66 NEPAL BATULECAUR NEPALI-DAMAI(C) NEPAL. HELFFER,M.;1966 SONNERIE EXECUTEE PAR LES DAMAI Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. sonnerie executée le jour de Phulpati• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :38-02 BM.1967.019.001/54:38-02 00:05:45 20/10/66 NEPAL BATULECAUR NEPALI-TAMANG NEPAL. HELFFER,M.;1966 CHANT HVAI TAMANG Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. tamang du village de Timal. Langue tamang• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :38-03 BM.1967.019.001/54:38-03 00:09:35 20/10/66 NEPAL BATULECAUR NEPALI-DAMAI(C) NEPAL. HELFFER,M.;1966 SONNERIE EXECUTEE PAR LES DAMAI Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :38-04 BM.1967.019.001/54:38-04 00:00:00 20/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 FRAGMENT DE CHANTS DIVERS Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39A-01 BM.1967.019.001/54:39A-01 00:04:50 23/10/66 NEPAL BATULECAUR NEPALI-GAINE-DAMAI(C) NEPAL. HELFFER,M.;1966 CHANT MALSIRI Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet * de caste Gaine• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39A-02 BM.1967.019.001/54:39A-02 00:07:15 23/10/66 NEPAL BATULECAUR NEPALI-DAMAI(C) NEPAL. HELFFER,M.;1966 SONNERIE ET RECITATION EN SANSKRIT ALTERNEE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet Trompes courbes. (photos Ch2 à 7)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39A-03 BM.1967.019.001/54:39A-03 00:12:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT SOLO DE JEUNE FEMME* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *lamentation de la jeune épouse qui quite la maison de ses parents 2'; Chant de type Siluk (texte établi) 10'• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-01 BM.1967.019.001/54:39B-01 00:04:35 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-02 BM.1967.019.001/54:39B-02 00:03:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-03 BM.1967.019.001/54:39B-03 00:01:30 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-04 BM.1967.019.001/54:39B-04 00:00:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-05 BM.1967.019.001/54:39B-05 00:02:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-06 BM.1967.019.001/54:39B-06 00:10:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :39B-07 BM.1967.019.001/54:39B-07 00:00:00 25/10/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CONVERSATION* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. * Conversation entre Drona Prasad Rajoure et Sahila Tamang• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :40-01 BM.1967.019.001/54:40-01 00:35:00 29/10/66 NEPAL BHALAM NEPALAIS NEPAL. HELFFER,M.;1966 CHANT BALAN AVEC DANSE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. * Episode de la vie de Krisna dansé par un groupe de jeunes avec intermèdes concernant l'histoire d'un roi qui cherche une femme pour son fils. Vers chantés par le soliste, repris plusieurs fois par le choeur avec accompagnement de tambours et cymbales. Chaque épisode chanté est suivi d'une longue exclamation "Hari". A 19mn changement de thème musical;24mn cf. soliste (chant en hindi...). A la fin de la bande toutes les répétitions n'ont pas été enregistrées mais l'enchainement des épisodes est respecté• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :41-01 BM.1967.019.001/54:41-01 00:09:00 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DOHARI SUR L'AIR DIT "KARPUTARE BHAKHA" BHOTE GAINE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :41-02 BM.1967.019.001/54:41-02 00:12:30 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 KHARKHA EN L'HONNEUR DE KARNA KUMARI RANI* * Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *Rani (femme de Deu Samsher?) *Aurait été composé par un Newar, 22 jours après la mort de la Rani. Appris à kathmandu lorsque Bhote gainé avait 16 ans• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :41-03 BM.1967.019.001/54:41-03 00:12:30 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 KHARKHA SUR L'OEUVRE DES ANGLAIS EN INDE GANJE GAINE* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *de Hyangja (version imprimée dans "Dharma Rajthapa Maro Népal Bhramana" p.142-145)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :41-04 BM.1967.019.001/54:41-04 00:12:00 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE QUETE "BHAILO" SUR LE THEME DE LA CREATION DU MONDE* * Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet *Théoriquement chanté le 3ème jour de la fête de Tihar. *Texte établi par Khem Bdr Bista à Paris en 1967. *Et 3 enfants qui répondent "Bhailo"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-01 BM.1967.019.001/54:42-01 00:01:15 31/10/66 NEPAL HYANGJA NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT "CURRICULUM VITAE D'UN VIEUX CHETRI Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-02 BM.1967.019.001/54:42-02 00:04:00 31/10/66 NEPAL HYANGJA NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT SUR L'AIR DE "NAYA RAILMA" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Chanté par un jeune garçon• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-03 BM.1967.019.001/54:42-03 00:04:00 31/10/66 NEPAL HYANGJA NEPALI-MAGAR(C) NEPAL. HELFFER,M.;1966 CHANT "YANIMA"* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Voyageur Magar qui passait la nuit là mais qui chantait en Népali• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-04 BM.1967.019.001/54:42-04 00:05:30 31/10/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT BHAJAM Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-05 BM.1967.019.001/54:42-05 00:05:40 31/10/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE SANIMAYA Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Photo Ch 25• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-06 BM.1967.019.001/54:42-06 00:05:20 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE MIGRATION A CHITWAN * Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Composé en 1957 apr Tika ram, Kule, Pchal Singh, sano jahar Singh (texte établi en mai 1967)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-07 BM.1967.019.001/54:42-07 00:07:45 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT KARKHA EN L'HONNEUR DE DIL BAHADUR* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Dil bahadur était originaire de Talukdar mukhiya c.a.d. collecteur d'impôts. A son retour de Pokhara où il avait été déposer le montant de l'imposition des villages, il est mort à Hyangja. Cela se passait il y a une quarantaine d'année• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-08 BM.1967.019.001/54:42-08 00:04:15 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 AIR DIT "LAHATI BHAKHA" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Au début, la femme de Bhote Gaine a voulu se joindre aux chanteurs mais a été gènée par le rythme trop lent. Le tambour n'est pas accordé• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-09 BM.1967.019.001/54:42-09 00:04:30 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. Pour le timbre musical, identique à pièce 42-05• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-10 BM.1967.019.001/54:42-10 00:04:00 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 REPRISE DU CHANT DE TYPE JHYAURE SUR UN AIR DIFFERENT Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :42-11 BM.1967.019.001/54:42-11 00:01:45 01/11/66 NEPAL HYANGJA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE SUR L'AIR "KANCHO DAI" Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :43-01 BM.1967.019.001/54:43-01 00:17:00 03/11/66 NEPAL BATULECAUR NEPALI-TAMANG-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT HVAI* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Extrait du Tambakaiten Kajiman tamang, légerement soutenu par Sahila tamang - Création du monde. A 4'45", changement de méthode concernant la fabrication du tambour damphu (tambour sur cadre à membrane chevillée - MH.65.102.72° - Création de l'homme). *Originaires de Timal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :43-02 BM.1967.019.001/54:43-02 00:20:00 04/11/66 NEPAL BATULECAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 BHAJAN EN L'HONNEUR DE KRISHNA Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. photo 5/16 A et 17A MH65-105-62 (1 et 2)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :43-03 BM.1967.019.001/54:43-03 00:00:00 04/11/66 NEPAL BATULECAUR NEPAL. HELFFER,M.;1966 FIN DE BANDE DIVERS VOIX* Sous-table non exportée Sous-table non exportée Ø13;²19;L:270m;PP. Original Musée Guimet. *Divers étudiants ayant demané à enregistrer• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :44-01 BM.1967.019.001/54:44-01 00:00:00 12/11/66 NEPAL AMALACAUR NEPALI-DAMAI(C) NEPAL. HELFFER,M.;1966 ECHANTILLONAGE DE REPERTOIRE DE MARIAGE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. Musiciens de Balewa/bas Base. *1.Sajhatal (pour les mariages de pacabali : sacrifice de 5 animaux);2. Nacarital;3.a).Khyalital, b).Jyaure;4.beth tal (Khet ropda bajaune);5.Bharasai bhakha;6.Jhyaure;7.du Lahi liera avne (Dulahiko bida-départ de la mariée);8.retour à la maison du marié;9.nagara tal, joué pour les mariages et dans les temples;10.Bhote Selo;11.Bhailo, normalement chanté dans les cours des maisons;12.Salaiju (avec chant);13.Jhyaure;14.;15.;16.Départ des mariés à la maison. Grandes harpes;trompe courbe;hautbois courbe;1gde, 1 pte timbale (cf.photos noires n°4-1 à 17)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-01 BM.1967.019.001/54:45A-01 00:05:30 12/11/66 NEPAL AMALACAUR NEPALI-CHETRI(C) NEPAL. HELFFER,M.;1966 CHANT A "NANILAI" Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-02 BM.1967.019.001/54:45A-02 00:02:00 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT "HARE KRISHNA" Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-03 BM.1967.019.001/54:45A-03 00:00:30 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-04 BM.1967.019.001/54:45A-04 00:03:00 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT SOLO D'HOMME (BHAJAN?) Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-05 BM.1967.019.001/54:45A-05 00:05:15 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT JEUNE GARCON* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Pré-écho à l'enregistrement• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-06 BM.1967.019.001/54:45A-06 00:05:30 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT SOLO HOMME Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-07 BM.1967.019.001/54:45A-07 00:03:20 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT SOLO HOMME* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. A 3' se joint une 2ème voix d'homme• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-08 BM.1967.019.001/54:45A-08 00:09:50 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT POUR TRAVAILLER DANS LES CHAMPS DE KODO Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-09 BM.1967.019.001/54:45A-09 00:08:45 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet *A comparer avec thème fondamental du Balan, bobine n°40• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45A-10 BM.1967.019.001/54:45A-10 00:03:20 12/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-01 BM.1967.019.001/54:45B-01 00:05:00 13/11/66 NEPAL AMALACAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 "ARATI BHAJAN" (FRAGMENT?)* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *les chanteurs sont partiellement ivres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-02 BM.1967.019.001/54:45B-02 00:03:10 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 SABAI, EXTRAIT DU SAMUDRA LAHARI (DEBUT) Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-03 BM.1967.019.001/54:45B-03 00:03:25 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 FRAGMENT DE CACARI Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-04 BM.1967.019.001/54:45B-04 00:04:25 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT DE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. Le Sarangi est utlisé comme tambour Madal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-05 BM.1967.019.001/54:45B-05 00:03:00 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT MODERNE Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-06 BM.1967.019.001/54:45B-06 00:03:45 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-07 BM.1967.019.001/54:45B-07 00:04:30 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT DE DANSE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *tempo croissant• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45B-08 BM.1967.019.001/54:45B-08 00:03:55 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT A LA MODE "KANCHI NEPALMA"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *(radio Népal)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45C-01 BM.1967.019.001/54:45C-01 00:05:00 13/11/66 NEPAL AMALACAUR NEPALI-MUSULMAN NEPAL. HELFFER,M.;1966 PSALMODIE DU CORAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45C-02 BM.1967.019.001/54:45C-02 00:03:50 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45C-03 BM.1967.019.001/54:45C-03 00:02:40 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 "DHAULAGIRI ACOL..." Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45C-04 BM.1967.019.001/54:45C-04 00:03:30 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :45C-05 BM.1967.019.001/54:45C-05 00:08:15 13/11/66 NEPAL AMALACAUR NEPALI NEPAL. HELFFER,M.;1966 ECOLIERS ET ETUDIANTS QUI ENREGSITRENT POUR LEUR PLAISIR Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-01 BM.1967.019.001/54:46-01 00:04:00 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 2 CHANTS DE JEUNES GARCONS* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Style influencé par la radio• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-02 BM.1967.019.001/54:46-02 00:14:15 16/11/66 NEPAL HARICAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANTS POUR ACCOMPAGNER LE REPIQUAGE DU RIZ "WALI"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *(entre les strophes, la chanteuse se palint de son âge, de sa mauvaise voix). Etaient chantés autrefois mais ne le sont plus. Chanté par une vielle femme, mère de Pharse Bahadur, de Thar Karmavaikar, habitant Galkot (Khas gau)-texte établi à Paris-mai 1967• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-03 BM.1967.019.001/54:46-03 00:07:00 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 "ASARE GIT" CHANT POUR ACCOMPAGNER LE REPIQUAGE DU RIZ Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-04 BM.1967.019.001/54:46-04 00:03:00 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT POUR ACCOMPAGNER LA DANSE "GHATU"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *chant précédé par une annonce• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-05 BM.1967.019.001/54:46-05 00:01:30 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT POUR ACCOMPAGNER LA DANSE "MARUNI" Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-06 BM.1967.019.001/54:46-06 00:03:50 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT POUR ACCOMPAGNER LA DANSE "MARUNI"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-07 BM.1967.019.001/54:46-07 00:03:50 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :46-08 BM.1967.019.001/54:46-08 00:09:50 16/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 DANSE MARUNI, EPISODE DE LA VIE DE KRISHNA* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Exécuté presque tous les soirs dans des villages différents• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-01 BM.1967.019.001/54:47-01 00:05:25 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 SEQUENCE DESTINEE A ACCOMPAGNER DES EPISODES DE LA DANSE MARUNI* Sous-table non exportée Sous-table non exportée cf. Hitchcock, "The Magars of Bayan Hill" p.92-94 Ø13;²9,5;L:270m;PP. Original Musée Guimet. *à proximité de Golkot/Haricaur. *dansé exclusivement par des hommes même pour les rôles féminins. Chanteurs + ou - ivres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-02 BM.1967.019.001/54:47-02 00:02:00 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 SEQUENCE DESTINEE A ACCOMPAGNER DES EPISODES DE LA DANSE MARUNI* Sous-table non exportée Sous-table non exportée cf. Hitchcock, "The Magars of Bayan Hill" p.92-94 Ø13;²9,5;L:270m;PP. Original Musée Guimet. *à proximité de Golkot/Haricaur. *dansé exclusivement par des hommes même pour les rôles féminins. Chanteurs + ou - ivres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-03 BM.1967.019.001/54:47-03 00:01:20 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 SEQUENCE DESTINEE A ACCOMPAGNER DES EPISODES DE LA DANSE MARUNI* Sous-table non exportée Sous-table non exportée cf. Hitchcock, "The Magars of Bayan Hill" p.92-94 Ø13;²9,5;L:270m;PP. Original Musée Guimet. *à proximité de Golkot/Haricaur. *dansé exclusivement par des hommes même pour les rôles féminins. Chanteurs + ou - ivres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-04 BM.1967.019.001/54:47-04 00:01:50 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 SEQUENCE DESTINEE A ACCOMPAGNER DES EPISODES DE LA DANSE MARUNI* Sous-table non exportée Sous-table non exportée cf. Hitchcock, "The Magars of Bayan Hill" p.92-94 Ø13;²9,5;L:270m;PP. Original Musée Guimet. *à proximité de Golkot/Haricaur. *dansé exclusivement par des hommes même pour les rôles féminins. Chanteurs + ou - ivres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-05 BM.1967.019.001/54:47-05 00:02:10 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 SEQUENCE DESTINEE A ACCOMPAGNER DES EPISODES DE LA DANSE MARUNI* Sous-table non exportée Sous-table non exportée cf. Hitchcock, "The Magars of Bayan Hill" p.92-94 Ø13;²9,5;L:270m;PP. Original Musée Guimet. *à proximité de Golkot/Haricaur. *dansé exclusivement par des hommes même pour les rôles féminins. Chanteurs + ou - ivres +2'35"• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-06 BM.1967.019.001/54:47-06 00:07:15 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 CHANT" DOHARI" Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *a proximité de Golkot-Haricaur• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-07 BM.1967.019.001/54:47-07 00:11:25 16/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 CHANT" DOHARI" SUR L'AIR DE YANUMAYA Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *a proximité de Golkot-Haricaur• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :47-08 BM.1967.019.001/54:47-08 00:10:15 17/11/66 NEPAL VILLAGE MAGAR* NEPALI NEPAL. HELFFER,M.;1966 CHANT" CACARI" NARBIRE* * Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *A proximité de khas gau. *Théoriquement chanté pendant lemois de Bhadan et concernanit l'histoire du roi Bhartrhari (cf enreg 45B-3. *Thar Jogi Vaikar & Hira Bahadur Gainé de Thar Karma Vaikar• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-01 BM.1967.019.001/54:48-01 00:03:40 17/11/66 NEPAL KHAS GAU NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DU LAHURE Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-02 BM.1967.019.001/54:48-02 00:04:50 17/11/66 NEPAL KHAS GAU NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SUR LA GUERRE INDE-CHINE Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-03 BM.1967.019.001/54:48-03 00:00:00 17/11/66 NEPAL KHAS GAU NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 ? Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-04 BM.1967.019.001/54:48-04 00:04:20 17/11/66 NEPAL KHAS GAU NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 NIRGUN (FRAGMENT) Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-05 BM.1967.019.001/54:48-05 00:05:50 19/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 BHAILO-VOIX DE FEMMES QUÊTANT DANS LA RUE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. Les femmes quêtent pour obtenir les fonds nécessaires à des cours du soir, elles parcourent la nuit tombée la rue principale• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-06 BM.1967.019.001/54:48-06 00:03:30 19/11/66 NEPAL HARICAUR NEPALI NEPAL. HELFFER,M.;1966 BHAILO-VOIX D'HOMMES* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *groupe formé de maîtres d'école• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-07 BM.1967.019.001/54:48-07 00:06:35 19/11/66 NEPAL PENHA NEPALI NEPAL. HELFFER,M.;1966 VOYAGE DU ROI MAHENDRA POUR VISITER SES ETATS (1959) Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :48-08 BM.1967.019.001/54:48-08 00:11:45 19/11/66 NEPAL PENHA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 ANNONCE ET KARKHA BHAKTI THAPA Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. Suite sur bobine 49-1• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :49-01 BM.1967.019.001/54:49-01 00:00:00 19/11/66 NEPAL PENHA NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 ANNONCE ET KARKHA SUITE BHAKTI THAPA Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. Suite de bobine 48-8• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :49-02 BM.1967.019.001/54:49-02 00:06:00 21/11/66 NEPAL DANG KATUCKI THARU NEPAL. HELFFER,M.;1966 RECITATION POUR ECARTER LA MALADIE* Sous-table non exportée Sous-table non exportée a) à l'intérieur de la maison de Droma Prasad rajaure (ds la 2ème cuisine). b) dans la cour. Rite effectué 2 fois par an dans toutes les maisons où il y a de jeunes enfants• Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Maladie dite "rath" qui s'attaque particulièrement aux jeunes enfants• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :50-01 BM.1967.019.001/54:50-01 00:04:50 26/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 CHANT D'HOMMES* "SARE MAINA" Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *chanté au printemps (maina : type d'oiseau gracula religiosa)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :50-02 BM.1967.019.001/54:50-02 00:03:40 26/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 CHANT SAJANA Sous-table non exportée Sous-table non exportée cf. Mero Népal Bhramana p.65 et enregistrement Macdonald Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :50-03 BM.1967.019.001/54:50-03 00:08:00 26/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 FRAGMENT DE MAHABHARATA* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *en tharu : Bad Kimar• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :50-04 BM.1967.019.001/54:50-04 00:04:00 26/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 INVOCATION ENCHAINEE DIRECTEMENT A UNE DANSE "COCKARA"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Invocation "shire..."• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :50-05 BM.1967.019.001/54:50-05 00:08:40 26/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 CHANT POUR ACCOMPAGNER UNE DANSE DE FEMMES Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. 2 rangs de joueuses de cymbales se font face. Ce sont elles qui normalement dansent;au milieu un joueur de madal• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :51-01 BM.1967.019.001/54:51-01 00:12:15 27/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 CHANT CERIYA BAHINIK CHAPIYA MAGAR Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :51-02 BM.1967.019.001/54:51-02 00:29:00 27/11/66 NEPAL DANG KATUCKI NEPALI-THARU NEPAL. HELFFER,M.;1966 MUSIQUE INSTRUMENTALE POUR ACCOMPAGNER UNE DANSE DE FEMMES Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :52-01 BM.1967.019.001/54:52-01 00:07:45 01/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HYMNE* ASTUTI :TIRTHAVALI Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Hymne énumérant les lieux de pélerinage chantés dans le Raga Bilaval• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :52-02 BM.1967.019.001/54:52-02 00:09:20 01/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT MANGAL Sous-table non exportée Sous-table non exportée chanté à l'occasion de la naissance d'un enfant, pour les cérémonies du 6ème jour (chaitau) Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :52-03 BM.1967.019.001/54:52-03 00:05:00 01/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT "JAYAMAL PATTA" (FRAGMENT*) Sous-table non exportée Sous-table non exportée HS : chanté à l'occasion du mariage des gainés Ø13;²9,5;L:270m;PP. Original Musée Guimet. *les informateurs ne le savaient plus• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :52-04 BM.1967.019.001/54:52-04 00:09:45 01/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 NIRGUN DANS LE RAGA DHANAS'RI Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :52-05 BM.1967.019.001/54:52-05 00:15:15 01/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT SABAI DES 4 CASTES* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *extrait du Samudra Lahari• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-01 BM.1967.019.001/54:53-01 00:05:35 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DES 4 MOIS DE LA SAISON DES PLUIES "CAUMASA"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *chanté dans les régions Malhar (le prince des Ragas, tout comme Ganga est la reine des rizieres• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-02 BM.1967.019.001/54:53-02 00:12:40 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 CHANT DES 12 MOIS "BARAMASA"* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *commence au mois de Cait, probablement d'origine maithilé (txte établi)• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-03 BM.1967.019.001/54:53-03 00:16:00 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 HISTOIRE DE KALIKA* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *théoriquement chanté au mois de Sann• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-04 BM.1967.019.001/54:53-04 00:07:30 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 MANGAL SARASVALI Sous-table non exportée Sous-table non exportée Exécuté lors de la Puja au sarangi Ø13;²9,5;L:270m;PP. Original Musée Guimet. Musiciens: Mijhar Durga et son fils Jhalak Man• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-05 BM.1967.019.001/54:53-05 00:05:30 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 MANGAL A S'IVA SANKAR GORAKHNATH Sous-table non exportée Sous-table non exportée HS, normalement chanté à l'occasion de mariages• Ø13;²9,5;L:270m;PP. Original Musée Guimet. Musiciens: Mijhar Durga et son fils Jhalak Man• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :53-06 BM.1967.019.001/54:53-06 00:00:45 04/12/66 NEPAL BATULECAUR NEPALI-GAINE(C) NEPAL. HELFFER,M.;1966 SOLO DE LUTH ARBAJO* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Luth à 4c qui était primitivement l'instrument des gainés. On en voit encore mais ils sont en très mauvais état. Ils seraient utilisés à l'occasion des mariages. Un arbajo de fabrication récente avait été monté de cordes de nylon pour la présente démonstration• HELFFER,M 1966 ASIE +BM.1967.019 Ø15* BM.1967.019.001/54 :54-01 BM.1967.019.001/54:54-01 00:03:15 06/12/66 NEPAL BATULECAUR NEPALI NEPAL. HELFFER,M.;1966 LECTURE DE TEXTE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;L:270m;PP. Original Musée Guimet. *Lecture de texte donnant à Mijhar Durga, Gainédé Batulecaur, juridiction sur les Gainés de la région (texte établi• HELFFER,M 1966 ASIE +BM.967.020 Ø13;²9.5;1/2P BM.967.020.001/10 :01-01 BM.967.020.001/10:01-01 00:00:00 -1 NEPAL NEPAL:TAMANG;THARU;NEPALI N Sous-table non exportée Sous-table non exportée 1966 0 ASIE +BM.967.021 Ø18;²38;PPM;SD BM.967.021.001/02 :01-01 BM.967.021.001/02:01-01 00:00:00 -1 N GUIMBARDES DU DPT JOUEES PAR JOHN WRIGHT N Sous-table non exportée Sous-table non exportée 1967 N +BM.1967.024 Ø18;²19;PPM BM.1967.024.001 :01-01 BM.1967.024.001:01-01 01:03:40 02/10/58 VIETNAM V. NORD VIETNAMIENS VIETNAM, COMMEMORATION DE L'ANNIVERSAIRE DU MARECHAL TRAN-HUNG-DAO. 1958 CELEBRATION ANNIVERSAIRE DE LA MORT DU GENERAL TRAN HUNG DAO Sous-table non exportée Sous-table non exportée Enr. à Saïgon. Le 2 octobre 1958, les Vietnamiens célèbrent à Saïgon l'anniversaire de la mort du Général Trân Hung Dao à son nouveau temple inauguré le 02 octobre 1958 au 36 rue Hiên Vuong à Saïgon• Ø18;²19;DD,PP. La cérémonie célèbrée à la manière du Nord Vietnam comporte plusieurs offrandes : offrande de l'encens, offrande de l'alcool (2 fois), offrande du riz gluant. Les déclamations du chanteur se trouvent entre les parties instrumentales. L'orchestre se compose d'un hautbois, d'une flûte, d'un tambour, des gongs, des cliquettes en bois, des cliquettes à sapèques. Le rythme change suivant l'offrande La voix d'homme déclamée à intervalle s entre chaque offrande• CHAMBURE,G.DE 1958 0 ASIE +BM.968.002 Ø13;²9.5;1/2P BM.968.001.001/04 :01-01 BM.968.001.001/04:01-01 00:00:00 N OUGANDA AFRIQUE ORIENTALE: OUGANDA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.968.001 Ø18;²19;PPM BM.968.001.001 :01-01 BM.968.001.001:01-01 00:00:00 janv.1968 CAMEROUN CAMEROUN. LANGAGE TAMBOURINE PAR M. MAHEND N Sous-table non exportée Sous-table non exportée 1968 0 AFRIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-01 BM.1968.003.001:01-01 00:01:15 CHILI SUD CHILI,PROVINCE ARAUCO,VILLE DE TEMUCO ARAUCANOS CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR SOLO DE TROMPE Sous-table non exportée Sous-table non exportée Indiens Araucanos. Enregistré en plein air• Vitesse 19• N 1964 0 AMERIQUE +BM.968.004 Ø13;²19;1/2P BM.968.004.001 :01-01 BM.968.004.001:01-01 00:00:00 N INDE;SIKKIM TIBETAINS SIKKIM:ORDRE NINGMA-PA N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-01 BM.1968.005.001/03:01-01 00:04:55 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG "PERERMAN" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Perereman"• 1967 0 50 ASIE +BM.968.006 Ø18;²19;PPM BM.968.006.001/05 :01-01 BM.968.006.001/05:01-01 00:00:00 N TIBET TIBET(SIKKIM);BHOUTAN;NEPAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.968.006 Ø18;²19;PPM BM.968.006.001/05 :03-01? BM.968.006.001/05:03-01? 00:00:00 N BHOUTAN TIBET(SIKKIM);BHOUTAN;NEPAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.968.006 Ø18;²19;PPM BM.968.006.001/05 :04-01 BM.968.006.001/05:04-01 00:00:00 N NEPAL TIBET(SIKKIM);BHOUTAN;NEPAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.968.007 Ø13 BM.968.007.001/16 :01-01 BM.968.007.001/16:01-01 00:00:00 N TCHAD TCHAD N Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :01-01 BM.1968.009.001/18:01-01 00:12:10 19/06/67 IRAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE IMPROVISEE CHEZ UN POETE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P; Luth à 4c. BATTESTI,T 1967 0 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :01-02 BM.1968.009.001/18:01-02 00:15:15 19/06/67 IRAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE IMPROVISEE CHEZ UN POETE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P; Luth à 4c;applaudissement, de temps en temps des choeurs d'Hs. au début de la bande 10 minutes environ de musique occidentale• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-01 BM.1968.009.001/18:02-01 00:01:00 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 SOLO DE VIELE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-02 BM.1968.009.001/18:02-02 00:03:30 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT ET VIELE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-03 BM.1968.009.001/18:02-03 00:00:50 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-04 BM.1968.009.001/18:02-04 00:00:40 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC PERCUSSION Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce. IFC=percussion en boîte de conserve• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-05 BM.1968.009.001/18:02-05 00:00:55 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC PERCUSSION Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce. IFC=percussion en boîte de conserve• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-06 BM.1968.009.001/18:02-06 00:00:45 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC PERCUSSION Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce. IFC=percussion en boîte de conserve• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-07 BM.1968.009.001/18:02-07 00:05:00 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC VIELE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-08 BM.1968.009.001/18:02-08 00:03:05 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC VIELE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-09 BM.1968.009.001/18:02-09 00:02:30 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC VIELE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :02-10 BM.1968.009.001/18:02-10 00:07:05 15/07/67 IRAN ARAK IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN SUR L'ARAK ET SES ENVIRONS EN FARSI Sous-table non exportée Sous-table non exportée Ø13;²4,7;LD,1/2P; Présentation et annonce avant chaque pièce• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :03-01 BM.1968.009.001/18:03-01 00:09:00 09/07/67 IRAN SENEDJAN* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENQUETE SUR L'ARTISANANT DES GUIVEH Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *à 5 km de l'arak• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :03-02 BM.1968.009.001/18:03-02 00:17:30 09/07/67 IRAN SENEDJAN* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CONTES ET POEMES Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *à 5 km de l'arak. Rires, ambiance• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :03-03 BM.1968.009.001/18:03-03 00:32:00 11/07/67 IRAN SENEDJAN* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN SUR LA TAPISSERIE AVEC HADJI DJAFFA AGHAVAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *à 5 km de l'arak• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :04-01 BM.1968.009.001/18:04-01 00:04:25 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 BRUITAGES DE L'ATELIER A. DE TURQUOISE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :04-02 BM.1968.009.001/18:04-02 00:00:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 PRESENTATION ET EXPOSE SUR LES TRAVAUX DE LA TURQUOISE EN FARSI Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :04-03 BM.1968.009.001/18:04-03 00:00:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN AVEC M.OSKOUYAN (ATELIER DE TURQUOISE) Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Rien enregistré après puis bruitsde foule, cris, affolement• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :04-04 BM.1968.009.001/18:04-04 00:00:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN SUR LATURQUOISE DANS L'HISTOIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :04-05 BM.1968.009.001/18:04-05 00:00:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN SUR LATURQUOISE, LES PROBLEMES TECHNIQUES ET L'ORGANISATION Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Entretien en farsi avec l'ingénieur Shaffaï, directeur général de l'économie du Khorassan• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :05-01 BM.1968.009.001/18:05-01 00:35:00 29/06/67 IRAN TESHESHEH ALI* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC VIELE ET TAMBOUR Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. *près de Shah Abdal Azim• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :05-02 BM.1968.009.001/18:05-02 00:15:30 29/06/67 IRAN TESHESHEH ALI* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT SOLO D'HOMME AVEC VIELE ET TAMBOUR Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. *près de Shah Abdal Azim• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :07-01 BM.1968.009.001/18:07-01 00:17:00 00/08/67 IRAN CHIRAZ IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANTS EN DIALECTE CHIRAZI* Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. *plusieurs chants;battement de mains pour certains chants. Le quart de la piste 1 seulement a été enregistré• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-01 BM.1968.009.001/18:08-01 00:03:10 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE DE KHORASSAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 POPULAIRE ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-02 BM.1968.009.001/18:08-02 00:02:30 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE DE KHORASSAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 POPULAIRE ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-03 BM.1968.009.001/18:08-03 00:01:30 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 SOLO DE FLUTE DOSAZ Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Double flûte• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-04 BM.1968.009.001/18:08-04 00:01:45 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 INSTRUMENTAL BESHEKAN BESHEKAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Double flûte• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-05 BM.1968.009.001/18:08-05 00:01:30 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 INSTRUMENTAL POUR DANSE DE 6 DANSEURS KURDES Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Double flûte• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-06 BM.1968.009.001/18:08-06 00:01:20 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 INSTRUMENTAL KORDI HADJI NARENDJI Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. Double flûte• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-07 BM.1968.009.001/18:08-07 00:02:15 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 INSTRUMENTAL QHAZAL AKH Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-08 BM.1968.009.001/18:08-08 00:03:10 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-09 BM.1968.009.001/18:08-09 00:03:45 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-10 BM.1968.009.001/18:08-10 00:01:50 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-11 BM.1968.009.001/18:08-11 00:01:00 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-12 BM.1968.009.001/18:08-12 00:00:45 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE LEYLA Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-13 BM.1968.009.001/18:08-13 00:00:40 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE DJIRAN Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-14 BM.1968.009.001/18:08-14 00:01:25 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE SAGHRA Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :08-15 BM.1968.009.001/18:08-15 00:00:40 00/08/67 IRAN KHORASSAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT POPULAIRE* DJA' HARGHOLI Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. *interrompu. Suite bande sans intérêt-vitesse accélérée, ambiance...• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :09-01 BM.1968.009.001/18:09-01 00:22:00 00/08/67 IRAN KHORASSAN;MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE DU NAGHAREH KHANEH Sous-table non exportée Sous-table non exportée jouée dans une tour du sanctuaire de l'Iman Réza, au lever et au coucher du soleil• Ø13;²9,5;DD,1/2P. Trompettes à partir de 5'50". très mauvais, bruit de vent au début• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :10-01 BM.1968.009.001/18:10-01 00:30:00 00/08/67 IRAN TEHERAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 ENTRETIEN AVEC MME BATTESTI LORS DU CONGRES DE TEHERAN EN 1967* Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. *emission de la radio iranienne en farsi. Le tiers de la bande a été enregistré• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-01 BM.1968.009.001/18:11-01 00:04:30 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT EN DIALECTE DE LA REGION* Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *partie non enregistrée pendant 2'• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-02 BM.1968.009.001/18:11-02 00:03:40 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE POPULAIRE Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 POPULAIRE ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-03 BM.1968.009.001/18:11-03 00:01:40 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT DU DACHTESTAN Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-04 BM.1968.009.001/18:11-04 00:02:05 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT DU DACHTESTAN Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-05 BM.1968.009.001/18:11-05 00:03:35 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT CHIRAZI Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-06 BM.1968.009.001/18:11-06 00:05:25 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT CHIRAZI Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-07 BM.1968.009.001/18:11-07 00:01:45 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT CHIRAZI Sous-table non exportée Sous-table non exportée Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :11-08 BM.1968.009.001/18:11-08 00:01:00 28/07/67 IRAN MAHALLAT IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CHANT CHIRAZI "VASSOUNAK" Sous-table non exportée Sous-table non exportée chanté au cours des festivités de mariage• Ø13;²19;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :12-01 BM.1968.009.001/18:12-01 00:28:00 31/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 RECITATION PSALMODIEE DU LIVRE DES ROIS Sous-table non exportée Sous-table non exportée enregistré dans une maison de thé• Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :13-01 BM.1968.009.001/18:13-01 00:30:25 00/08/67 IRAN TEHERAN IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 SEANCE DE ZOURKHANE* Sous-table non exportée Sous-table non exportée *à la banque nationale à Téhéran• Ø13;²9,5;LD,1/2P. Bruit des chaînes, applaudissements• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :14-01 BM.1968.009.001/18:14-01 00:35:00 00/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 CONVERSATION ET BRUITAGES EN RELATION AVEC LA TURQUOISE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *ateliers, azzan, calèche, mine, dynamitage. plusieurs arrêts• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :15-01 BM.1968.009.001/18:15-01 00:22:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 EXPOSE DU DOCTEUR MOCHTAHED-SADEH DOYEN DE LA FACULTE DE THEOLOGIE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :15-02 BM.1968.009.001/18:15-02 00:10:00 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 BRUITAGE D'ATELIER DE DJAVAERI Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :15-03 BM.1968.009.001/18:15-03 00:13:30 20/08/67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 INTERVIEW DES GENS DANS LA RUE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-01 BM.1968.009.001/18:16-01 00:06:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 POEMES MYSTIQUES CHANTES Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-02 BM.1968.009.001/18:16-02 00:04:30 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE DE RUE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. Ambiance=bruits de rue• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-03 BM.1968.009.001/18:16-03 00:25:30 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 AIRS DE MUSIQUE ACCULTUREE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. cymbales = cymbalettes;sifflements. Plusieurs arrêts• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-04 BM.1968.009.001/18:16-04 00:05:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 AIRS DE MUSIQUE DE DANSE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. mauvais enregistrements• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-05 BM.1968.009.001/18:16-05 00:12:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 MUSIQUE INSTRUMENTALE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *ambiance= cris, sifflements, foule, applaudissements;plusieurs coupures• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-06 BM.1968.009.001/18:16-06 00:15:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 PRIERE DU PELERINAGE AU SANCTUAIRE PAR UN DERVICHE* Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. *priere psalmodiée• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-07 BM.1968.009.001/18:16-07 00:00:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 VOIX PARLEE SUR L'EPOQUE DU PELERINAGE DU 17 SEPTEMBRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-08 BM.1968.009.001/18:16-08 00:00:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 VOIX ET BRUITAGE DE L'ATELIER Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. Bruitage, ambiance• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :16-09 BM.1968.009.001/18:16-09 00:00:00 00 00 00 IRAN HARAM IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 AMBIANCE DANS LES RUES Sous-table non exportée Sous-table non exportée Ø13;²9,5;LD,1/2P. Aambiance= voitures, calèches, foule• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :17-01 BM.1968.009.001/18:17-01 00:10:50 00 08 67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 PRIERES DU HAUT SANCTUAIRE Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :17-02 BM.1968.009.001/18:17-02 00:08:30 00 08 67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 SEANCE DE MARIONETTES Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. vx-composite = conté et chanté;1 voix déguisée• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :17-03 BM.1968.009.001/18:17-03 00:43:50 00 08 67 IRAN MACHAD IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 SEANCE DE ZOURKHANE A MACHAD Sous-table non exportée Sous-table non exportée Ø13;²9,5;DD,1/2P. vx-composite = crié, chanté, parlé• BATTESTI,T 1967 ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :18-01 BM.1968.009.001/18:18-01 00:28:00 14/09/67 IRAN MACHAD* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 RECITATION DE POEMES, ELOGE D'ALI AU TOMBEAU DE KHADJE Sous-table non exportée Sous-table non exportée Ø8,5;²9,5;LD,1/2P. * à 10 km ouest de Machad. Psalmodié• BATTESTI,T 1967 ELOGIEUX ASIE +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 :18-02 BM.1968.009.001/18:18-02 00:02:35 14/09/67 IRAN MACHAD* IRANIENS IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 RECITATION DE POEMES, ELOGE D'ALI AU TOMBEAU DE KHADJE Sous-table non exportée Sous-table non exportée Ø8,5;²9,5;LD,1/2P. * à 10 km ouest de Machad. Psalmodié• BATTESTI,T 1967 ASIE +BM.968.010 Divers* BM.968.010.001/14 :01-01 BM.968.010.001/14:01-01 00:00:00 1949-50 ETHIOPIE ETHIOPIE N Sous-table non exportée Sous-table non exportée Support=fils magnétique, rangé dans une boite ØGF 1949 0 AFRIQUE +BM.968.011 n BM.968.011.001/04 :01-01 BM.968.011.001/04:01-01 00:00:00 N COLOMBIE COLOMBIE:PAEZ; GUAMBIANO N Sous-table non exportée Sous-table non exportée ATTENTION: support papier, très fragile 1951 0 AMERIQUE +BM.968.012 Ø18;²19;PPM BM.968.012.001/11 :01-01 BM.968.012.001/11:01-01 00:00:00 N GUINEE GUINEE (EX FRANCAISE),DURANT TOURNAGE DE FILMS:NALOU,BASSARI,TOMA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.968.013 Ø15;²19;1/2P BM.968.013.001 :01-01 BM.968.013.001:01-01 00:00:00 N CHINE COPIE DE DI.78T: CHINE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.968.014 ØGF;²76 BM.968.014.001/10 :01-01 BM.968.014.001/10:01-01 00:00:00 N GUINEE GUINEE (EX FRANCAISE), DURANT TOURNAGE DE "FORET SACREE":TOMA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1968.015 CDR+Ø* BM.1968.015.001/03 :01-01 BM.1968.015.001/03:01-01 00:00:00 N PAPOUASIE-NLE-GUINEE NOUVELLE GUINEE,DURANT TOURNAGE DE FILMS:CHIMBU, MENDI, TARI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.968.016 Ø13&18;²19;PPM BM.968.016.001/09 :01-01 BM.968.016.001/09:01-01 00:00:00 N MALI MALI:DOGON, BAMBARA* N Sous-table non exportée Sous-table non exportée 1953 0 AFRIQUE +BM.968.017 Ø13&18;²19;PPM BM.968.017.001/09 :01-01 BM.968.017.001/09:01-01 00:00:00 N MALI MALI:MALINKE, DOGON N Sous-table non exportée Sous-table non exportée 1954 0 AFRIQUE +BM.968.018 Ø8;²19 BM.968.018.001/04 :01-01 BM.968.018.001/04:01-01 00:00:00 N MALI MALI:DOGON N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.968.019 K7-C90 BM.968.019.001/04 :01-01 BM.968.019.001/04:01-01 00:00:00 N MALI MALI:DOGON;SIGI, VARIA. N Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-01 BM.1968.020.001/02:01-01 00:02:00 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté et choeur solo f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 0 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :02-01 BM.1968.020.001/02:02-01 00:05:30 1952 SENEGAL DAGANA PEULS SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté solo et choeur h. /louanges pour Dubail et ses soeurs Tobo et Sado qui lui ont donné le cheval toujours vainqueur en course Gadio Todi• DUCHEMIN 1952 0 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :01-01>04 BM.1968.021.001/10:01-01>04 00:11:55 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA AVEC LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 03'15" - Bu Kamel - chanté solo H, chr H, CL- = luth à 3 cordes gambri ; II): 01'15" - Soudani - Idem + BC-= claquements de mains ; III) : 04'00" - Sabomé - chanté solo H, chr H, BC-= claquements de mains ; IV): 03'25" - Bar 'ma kanka, saltami - chanté solo H, chr H, CL- = luth à 3 cordes gambri, BC-= claquements de mains, IE- = crotales • AIT YOUSSEF,MOHAMMED 1966 0 BM 68.21.1 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :02-01>07 BM.1968.021.001/10:02-01>07 00:24:20 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 04'50" - Soudani ganga - chanté solo H, chr H, CL- = luth à 3 cordes gambri, BC-= claquements de mains ; II): 02'20" - Mimoun - Idem + IE-=crotales ; III) : 03'40" - Jilali - chanté solo H, chr H, CL- = luth à 3 cordes gambri, BC-= claquements de mains ; IV): 03'30" - Buki ??? - chanté solo H, chr H, CL- = luth à 3 cordes gambri, BC-= claquements de mains, IE-=crotales ; V) : 04'30" - Banyia - idem ; VI) : 02'30" - Ba n'Kavda - idem ; VII) : 02'00" - M'Bambra - chanté solo H, chr H, CL- = luth à 3 cordes gambri, BC-= claquements de mains • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.2 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :03-01>02 BM.1968.021.001/10:03-01>02 00:15:30 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / TAMBOUR Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 05'00" - chanté solo H, chr mixte, M-=tambour, IE- = crotales ; II): 10'30" - idem • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.3 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :04-01>05 BM.1968.021.001/10:04-01>05 00:22:40 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 09'00" - chanté solo H, chr H, CL- = luth à 3 cordes gambri, IE- = crotales ; II): 03'00" - Idem ; III) : 03'45" - idem ; IV): 03'55" - chanté solo H, chr H, CL- = luth à 3 cordes gambri, V) : 03'00" - idem • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.4 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :05-01 BM.1968.021.001/10:05-01 00:04:15 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANT GNAWA AVEC TAMBOUR Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa, berbèrophones. chanté chr H, M-= tambour tabal, IE- = crotales • AIT YOUSSEF,MOHAMMED 1952 BM 68.21.5 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :05-02>03 BM.1968.021.001/10:05-02>03 00:07:20 1966 MAROC MARRAKECH GNAOUA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnaoua-Derbistes. II) : 01'50" - CL- luth gambri,BC- battements de mains, IE- = crotales; III) : 03'30" - chanté chr H, CL- luth gambri, BC- claquements de mains, A- sifflet du porteur d'eau ; IV) : 02'00" - CL- luth gambri, IE- crotales • AIT YOUSSEF,MOHAMMED 1952 BM 68.21.5 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :06-01>02 BM.1968.021.001/10:06-01>02 00:09:25 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / TAMBOUR Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa, berbèrophones. I) : 04'55" - chanté chr H, M-= 2 tambours tabal, IE- = crotales ; II): 04'30" - idem • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.6 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :06-03>04 BM.1968.021.001/10:06-03>04 00:13:45 1966 MAROC MARRAKECH GNAOUA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAOUA/TAMBOUR&LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnaoua-Derbistes. III) : 08'45" - chanté solo et chr H, M-= 2 tambours, IE- = crotales; IV) : 05'00" - chanté solo et chr H, CL- luth gambri, BC- claquements de mains • AIT YOUSSEF,MOHAMMED 1952 BM 68.21.6 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :07-01 BM.1968.021.001/10:07-01 00:08:15 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA /CROTALES Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes. chanté H, chr H, IE-=crotales • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.7 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :07-02 BM.1968.021.001/10:07-02 00:03:00 1966 MAROC MARRAKECH GNAOUA MAROC. MARRAKECH;M. DE CONFRERIE SOLO DE FLUTE GNAOUA Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnaoua berbèrophones. 1 flûte oblique • AIT YOUSSEF,MOHAMMED 1952 BM 68.21.7 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :07-03 BM.1968.021.001/10:07-03 00:04:10 1966 MAROC MARRAKECH GNAOUA MAROC. MARRAKECH;M. DE CONFRERIE CHANT GNAOUA/LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnaoua berbèrophones • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.7 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :08-01>02 BM.1968.021.001/10:08-01>02 00:08:00 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 04'30" - chanté solo H, CL- = luth gambri, BC-= claquements de mains ; II): 03'30" - idem • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.8 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :08-03 BM.1968.021.001/10:08-03 00:02:15 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CLOCHE DE PORTEUR D'EAU Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. IFC- = cloche de porteur d'eau • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.8 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :08-04>05 BM.1968.021.001/10:08-04>05 00:09:15 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. IV) : 03'35" - chanté solo H, CL- = luth gambri, IE- = crotales, BC-= battements de mains ; V): 05'40" -chanté solo H, CL- = luth gambri, BC-=battements de mains • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.8 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :09-01>03 BM.1968.021.001/10:09-01>03 00:10:20 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. I) : 04'30" - chanté solo H, CL- = luth gambri ; II): 03'30" - idem ; III) : 02'20" - idem• AIT YOUSSEF,MOHAMMED 1966 BM 68.21.9 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :09-04>05 BM.1968.021.001/10:09-04>05 00:04:45 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. IV) : 03'30" - chanté 2 voix H alternées, CL- = luth gambri, IE- = crotales ; V): 01'15" - chanté solo H, CL- = luth gambri, BC-=battements de mains • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.9 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :10-01 BM.1968.021.001/10:10-01 00:08:55 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE CHANTS GNAWA / LUTH Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. chanté solo H, chr H, CL- = luth gambri, IE- = crotales • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.10 AFRIQUE +BM.1968.021 CDR+Ø* BM.1968.021.001/10 :10-02>03 BM.1968.021.001/10:10-02>03 00:10:25 1966 MAROC MARRAKECH GNAWA MAROC. MARRAKECH;M. DE CONFRERIE SOLO DE LUTH EUD Sous-table non exportée Sous-table non exportée confrérie d'anciens esclaves noirs Gnawa-Derbistes, Bambara. II) : 05'40" - solo de luth eud ; III): 04'45" - idem • AIT YOUSSEF,MOHAMMED 1966 BM 68.21.10 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :08-02 BM.1997.004.001/14:08-02 00:29:58 1996_06_29 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 4 CHANTS DE VANNAGE + AMBIANCES Sous-table non exportée LADKAR Sous-table non exportée Choeur : 3 H & 6 F, 6 séquences : 4 chants et 2 ambiances • ROVSING OLSEN,MIRIAM 1996 Dat 8 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-03 BM.1968.024.001/63:01-03 00:10:47 10/64-01/65 NEPAL DT DE SALLYAN / SIRKULA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS HINDI Sous-table non exportée Sous-table non exportée " Marthya" (?), En hindi, Correspondrait à la plage 4 du support original, Plusieurs séquences : 1er chant, coupé à 04'35, Puis autre chant, vers 09'30 : parlé solo h, puis plusieurs voix, à 10'28 : annonce en français (Par Gaboriau ?): " à Sirkula : Histoire d'Hasan et Husain, racontée par Mohammad" : en introduction de la plage suivante • GABORIEAU,MARC 1964 BM 68.24.1 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-04 BM.1968.024.001/63:01-04 00:13:22 10/64-01/65 NEPAL DT DE SALLYAN / SIRKULA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE RECITE Sous-table non exportée Sous-table non exportée Conte récité : histoire (romancée) d'Hasan et Husain (prose népali et vers hindi mélangés), Correspond à la plage 05 du support original, Cf. plage précédente : à 10'28 : annonce en français : "Histoire d'Hasan et Husain, racontée par Mohammad" • GABORIEAU,MARC 1964 BM 68.24.1 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-05 BM.1968.024.001/63:01-05 00:05:38 10/64-01/65 NEPAL DT DE SALLYAN / SIRKULA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA VIE DE MOHAMMET Sous-table non exportée Sous-table non exportée Correspondrait à la plage 6 du support original : poème récité en Hindi sur la vie ascétique de Mohammet, Fin interrompue (?) • GABORIEAU,MARC 1964 BM 68.24.1 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-07 BM.1968.024.001/63:01-07 00:04:11 10/64-01/65 NEPAL DT DE SALLYAN / SIRKULA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE D'AMBRA Sous-table non exportée Sous-table non exportée Conte récité, Histoire d'Ambra, (voir si commence avec le début de cette plage ou sur la fin de la plage précédente ?) Fin à 03'05, A 03'15 : autre voix solo h parlé pendant quelques secondes, puis absence de signal à partir de 03'32 jusqu'à la fin de la plage • GABORIEAU,MARC 1964 BM 68.24.1 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-01 BM.1968.024.001/63:02-01 00:02:22 10/64-01/65 NEPAL DT DE GORKHA / KHOKE MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du village de Khoke, par le chef du village • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-02 BM.1968.024.001/63:02-02 00:01:02 10/64-01/65 NEPAL DT DE GULMI / KANYABAS MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du village de Kanyabas • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-03 BM.1968.024.001/63:02-03 00:05:42 10/64-01/65 NEPAL DT DE GULMI / PALI ET GULMI MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRAD. ORALES & CHANT Sous-table non exportée Sous-table non exportée 2 en parties : -1ère partie : Correspond à la plage 3 du support original : traditions orales sur l'histoire du village de Pali - V parlée, à 01'05 : chantée, solo H, fin à 02'00, -2ème partie : Correspondrait au début de la plage 4 du support original : voix parlée H (suivie d'une annonce en français) : tradtition du village de Wangla, suivi d'ambiance du village • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-04 BM.1968.024.001/63:02-04 00:03:37 10/64-01/65 NEPAL DT DE GULMI / WANGLA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRAD. ORALES & CHANT Sous-table non exportée Sous-table non exportée Correspondrait à la fin de la plage 4 (?) et à la plage 5 du support original : traditions orales sur l'histoire du village, - VH parlée : trad. orales ou spécimen de dialecte musulman ?, - puis à 01'25 : VH chanté, fin à 03'15, - puis VH parlée (qui semble être l'intro parlé au chant enchainé sur la plage suivante ? et correspondrait au début de la plage 6 du support original ?), • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-06 BM.1968.024.001/63:02-06 00:13:32 10/64-01/65 NEPAL DT DE KASKI / KUDAHAR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS & DIALECTES Sous-table non exportée Sous-table non exportée En 3 séquences : 1) Correspondant à la fin de la plage 6 du support original : - Voix chantée solo H, chant composé et chantés par Ali Miya, fin à 04'35, 2) Correspondant à la plage 7 du support original : - Annonce puis spécimen de dialecte : par le chef de village Ali Husman (70 ans) et autres voix (ambiances), fin à 08'20, 3) Correspondant à la plage 8 du support original : - Voix parlée et chantée solo h par Ali Miya (en népali puis en dialecte musulman) • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-09 BM.1968.024.001/63:02-09 00:07:33 10/64-06/65 NEPAL KATHMANDU MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA LANGUE NEPALI (3/3) Sous-table non exportée Sous-table non exportée Enregistrement de Clark : " Introduction to Nepali ", Annonce : "chapitre 2". Suite et fin de la plage précédente, Indications de la fiche d'écoute : Chapitres 3 et 4 (= 1 et 2 de la partie écrite en Devanagri ) • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-08 BM.1968.024.001/63:02-08 00:07:36 10/64-06/65 NEPAL KATHMANDU MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA LANGUE NEPALI (2/3) Sous-table non exportée Sous-table non exportée enregistrement de Clark : " Introduction to Nepali ", Suite de la plage précédente : - alphabet - excercises : 10, 11, 12, 13 ; - Chapitres 3 et 4 (= 1 et 2 de la partie écrite en Devanagri ) • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-07 BM.1968.024.001/63:02-07 00:16:20 10/64-06/65 NEPAL KATHMANDU MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA LANGUE NEPALI (1/3) Sous-table non exportée Sous-table non exportée Enregistrement de Clark : " Introduction to Nepali " Correspond au début de la plage 9 du support original, qui était composée de 3 parties : - alphabet ; - excercises 10, 11, 12, 13 ; - Chapitres 3 et 4 (= 1 et 2 de la partie écrite en Devanagri ) • GABORIEAU,MARC 1964 BM 68.24.2 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-01 BM.1968.024.001/63:03-01 00:03:55 10/64-01/65 NEPAL DT DE GORKHA / DUMRE MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée 00'35 : traditions orales sur l'histoire du village de Dumre, Rq : très court passage (jusqu'à 00'35) : fragment d'1 enregistrement différent• GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-02 BM.1968.024.001/63:03-02 00:01:07 10/64-01/65 NEPAL DT DE GORKHA / BAYAPANI MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du village de Bayapani • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-03 BM.1968.024.001/63:03-03 00:02:15 10/64-01/65 NEPAL DT DE LAMJUNG/SIKAR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du village de Sikar, Rq : la plage 3 du support original est indiquée : 03'40. • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-04 BM.1968.024.001/63:03-04 00:01:29 10/64-01/65 NEPAL DT DE LAMJUNG/SIKAR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITATION DU CORAN Sous-table non exportée Sous-table non exportée V psalmodiée solo H : récitation du Coran • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-05 BM.1968.024.001/63:03-05 00:00:26 10/64-01/65 NEPAL DT.TANAHU/MULABARI PURKOT MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du villagede Mulabari Purkot • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-06 BM.1968.024.001/63:03-06 00:02:05 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) TRADITIONS ORALES Sous-table non exportée Sous-table non exportée traditions orales sur l'histoire du village de Samjur, Cf. suite sur la plage suivante • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-07 BM.1968.024.001/63:03-07 00:08:55 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SACRIFICE D'ISAAC Sous-table non exportée Sous-table non exportée histoire du sacrifice d'Isaac • GABORIEAU,MARC 1964 RELIGIEUX BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-08 BM.1968.024.001/63:03-08 00:12:23 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE D'HASAN ET HUSAIN Sous-table non exportée Sous-table non exportée histoire d'Hasan et Husain, débute conversation, puis récitation vers 01'20 • GABORIEAU,MARC 1964 RELIGIEUX BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-10 BM.1968.024.001/63:03-10 00:02:04 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée Sous-table non exportée Intro parlée, à 00'34 : V chantée solo H, Marthiya en Urdu • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-11 BM.1968.024.001/63:03-11 00:03:17 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUNNITE ET SHI'ITE Sous-table non exportée Sous-table non exportée sur la différence entre sunnite et Shi'ite, en Urdu • GABORIEAU,MARC 1964 RELIGIEUX BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-12 BM.1968.024.001/63:03-12 00:03:45 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CANTIQUE EN URDU Sous-table non exportée Sous-table non exportée Voix psalmodiée, solo H - cantique en Urdu • GABORIEAU,MARC 1964 RELIGIEUX BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-13 BM.1968.024.001/63:03-13 00:03:09 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITATION DU CORAN Sous-table non exportée Sous-table non exportée Voix psalmodiée, solo H - récitation du Coran • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-14 BM.1968.024.001/63:03-14 00:03:26 10/64-01/65 NEPAL DT. DE TANAHU/CAWK MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) PSALMODIE Sous-table non exportée Sous-table non exportée Voix psalmodiée, 1- solo F (01'05" ), 2- solo H (01'50"), 3- fin voix parlées très faible, puis début de la plage suivante enchainée • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-15 BM.1968.024.001/63:03-15 00:08:11 10/64-01/65 NEPAL DT. DE TANAHU/CAWK MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE EN URDU Sous-table non exportée Sous-table non exportée V parlée solo H - conte en Urdu, fin chantée (à 07'45, très court) • GABORIEAU,MARC 1964 BM 68.24.3 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :04-01 BM.1968.024.001/63:04-01 00:15:23 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE Sous-table non exportée Sous-table non exportée histoire d'Ibrahim Adham (en dialecte musulman) • GABORIEAU,MARC 1966 BM 68.24.4 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :04-02 BM.1968.024.001/63:04-02 00:00:50 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU (1/2) Sous-table non exportée Sous-table non exportée Gazal en urdu - chanté solo H • GABORIEAU,MARC 1966 BM 68.24.4 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :05-01 BM.1968.024.001/63:05-01 00:15:46 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE CALIFES (1/2) Sous-table non exportée Sous-table non exportée histoire des deux premiers califes (en dialecte musulman) • GABORIEAU,MARC 1966 BM 68.24.5 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :05-03 BM.1968.024.001/63:05-03 00:02:55 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée Sous-table non exportée Gazal en urdu - chanté solo H GABORIEAU,MARC 1966 BM 68.24.5 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :06-01 BM.1968.024.001/63:06-01 00:03:09 NEPAL DT. DE KASKI/KUNDAHUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée Sous-table non exportée Gazal en urdu - chanté chr de 2 H • GABORIEAU,MARC 1964 BM 68.24.6 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :06-02 BM.1968.024.001/63:06-02 00:02:48 NEPAL DT. DE KASKI/KUNDAHUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITATION DU CORAN Sous-table non exportée Sous-table non exportée récitation du Coran (sourate Ya Sin ) - psalmodié, solo H • GABORIEAU,MARC 1964 RELIGIEUX BM 68.24.6 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :07-01 BM.1968.024.001/63:07-01 00:42:23 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA LANGUE DES MUSULMANS Sous-table non exportée Sous-table non exportée * près de Nuwakot Parlées, plusieurs H. dialecte et argot des musulmans. liste de mots avec équivalents népali, et phrases • GABORIEAU,MARC 1965 BM 68.24.7 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :07-02 BM.1968.024.001/63:07-02 00:02:04 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT Sous-table non exportée Sous-table non exportée * près de Nuwakot " Ka (kaha) rahyo jovana pharkerai audaina " - chanté solo H • GABORIEAU,MARC 1965 BM 68.24.7 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-01 BM.1968.024.001/63:08-01 00:03:00 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HIST. LUE (EN FR.) & CHANT Sous-table non exportée Sous-table non exportée * près de Nuwakot, 2 en parties : 1) Histoire lue en français + 1 reprise, fin à 01'35, 2) Chant duo h (avec un faux départ) : " Gau ma tori - - - suna maya - - - la ri-ri. lara ra " (rq : correspondrait à une partie de la plage 1 du support original, suite sur la plage suivante du CD) • GABORIEAU,MARC 1965 BM 68.24.8 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-02 BM.1968.024.001/63:08-02 00:00:45 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT H (1/2) Sous-table non exportée Sous-table non exportée * près de Nuwakot Reprise du chant précédent : "gau ma tori...suna maya...la ri-i. Lara ra" (correspondrait à une partie de la plage 1 du support original), Début du chant sur cette plage puis suite sur la plage suivante (avec entrée d'un chr de jeunes garçons) • GABORIEAU,MARC 1965 BM 68.24.8 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-03 BM.1968.024.001/63:08-03 00:01:36 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT H (2/2) Sous-table non exportée Sous-table non exportée * près de Nuwakot 2 parties : 1) chant : suite de la plage précédente : chant "Gau ma tori.....suna maya....la ri-i. Lara ra." (correspondrait à une partie de la plage 1 du support original), voix H (meneurs) et jeunes garçons, fin coupée à 01'10, 2) : voix parlées H • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-07 BM.1968.024.001/63:08-07 00:06:25 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHR H Sous-table non exportée Sous-table non exportée * près de Nuwakot Chant chr H en homophonie, (Correspondrait à une partie de la plage 7 du support original) • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-06 BM.1968.024.001/63:08-06 00:01:24 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS (CHR H PUIS CHR JF) Sous-table non exportée Sous-table non exportée * près de Nuwakot -1er chant : chr H, pb de vitesse (de 00'12 à 00'34), - 2ème chant : chr de fillettes, tempo lent, fin à 01'16, les dernières secondes semblent être le début de • GABORIEAU,MARC 1965 BM 68.24.8 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-08 BM.1968.024.001/63:08-08 00:02:48 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHR H (PUIS FRAGMENT CHR F) Sous-table non exportée Sous-table non exportée * près de Nuwakot, (Correspondrait à des parties des plages 7 et 8 du support original) - Chant chr H en homophonie (avec bruits d'ambiance), fin à 01'54, - Puis ambiance du village (voix diverses), - Vers 02'10 début chr F (niveau très faible puis bon, avec rires, toux, interruptions et bruit de la nature, etc), chant " Marthiya " (?), enchainé sur la plage suivante • GABORIEAU,MARC 1965 BM 68.24.8 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-09 BM.1968.024.001/63:08-09 00:03:08 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHOEUR DE FILLETTES Sous-table non exportée Sous-table non exportée * près de Nuwakot, Chant chr de fillettes en homophonie, niveau variable, plusieurs interruptions et reprises, avec intervention de voix F, et sons d'ambiances (bruit de la nature, voix parlées, toux, etc), Chant "Marthiya" ? • GABORIEAU,MARC 1965 BM 68.24.8 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :09-01 BM.1968.024.001/63:09-01 00:02:07 10/65 NEPAL DT.KASKI / RUPAKOT MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS RELIGIEUX EN URDU Sous-table non exportée Sous-table non exportée Gazal en l'honneur du Prophète (en Urdu) • GABORIEAU,MARC 1965 RELIGIEUX BM 68.24.9 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :10-01 BM.1968.024.001/63:10-01 00:02:15 10/65 NEPAL DT.TANAHU / THUPRIAK ? MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONVERSATIONS + CHANT EN URDU Sous-table non exportée MARTHIYA Sous-table non exportée Conversation, puis Marthiya en Urdu : " Hukum kudaka aisa hua " - chanté solo H ; Gazal en Urdu ; Marthiya en Urdu : "Sattara pinaka " • GABORIEAU,MARC 1965 BM 68.24.10 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :10-04 BM.1968.024.001/63:10-04 00:07:55 10/65 NEPAL DT.TANAHU / THUPRIAK ? MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT POUR LE MARIAGE EN HINDI Sous-table non exportée Sous-table non exportée " Suhila " (chant auspicieux pour le mariage) en Hindi, Plusieurs interruptions/pauses et reprises, avec ambiance (voix parlées, toux) , avec pb de vitesse après 07'00 • GABORIEAU,MARC 1965 BM 68.24.10 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :10-05 BM.1968.024.001/63:10-05 00:00:55 10/65 NEPAL DT.TANAHU / THUPRIAK ? MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITATION DU CORAN Sous-table non exportée Sous-table non exportée Récitation du Coran (sourate Ya Sin) - psalmodié solo H, (Rq : les quelques secondes à la fin de la plage précédente seraient le début -ambiance- de cette prise ?) • GABORIEAU,MARC 1965 BM 68.24.10 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :11-01 BM.1968.024.001/63:11-01 00:01:16 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN NEPALI Sous-table non exportée GAZAL Sous-table non exportée Gazal en népali , Chanté solo et duo H, en alternance avec les 2 chr (en répons, successivement) de jeunes garçons et filles, Plusieurs prises • GABORIEAU,MARC 1965 BM 68.24.11 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :11-02 BM.1968.024.001/63:11-02 00:06:21 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN NEPALI Sous-table non exportée GAZAL Sous-table non exportée Gazal en népali , titre : "Yo maya" (?), Chanté solo et duo H, en alternance avec le chr (en répons) de jeunes garçons et filles, Plusieurs prises, avec ambiance • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :11-03 BM.1968.024.001/63:11-03 00:08:15 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN NEPALI Sous-table non exportée GAZAL Sous-table non exportée Gazal en népali , titre : "Runa lagyo saïtan", Chanté chr H, en alternance avec le chr (en répons) de jeunes garçons et filles, Plusieurs prises, avec ambiance, Pb de pile = pb de vitesse sur l'ensemble de la plage • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :11-04 BM.1968.024.001/63:11-04 00:05:46 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN ARABE Sous-table non exportée GAZAL Sous-table non exportée Gazal en arabe : (prélude : prière en arabe) - chanté solo H, interruptions/pauses et reprises, Pb de vitesse • GABORIEAU,MARC 1965 BM 68.24.11 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :11-05 BM.1968.024.001/63:11-05 00:02:47 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée GAZAL Sous-table non exportée Gazal en urdu - chanté solo H, Pb de vitesse • GABORIEAU,MARC 1965 BM 68.24.11 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :12-01 BM.1968.024.001/63:12-01 00:02:47 10/65 NEPAL DT.TANAHU / SAMJUR CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT POUR KRISHNA Sous-table non exportée Sous-table non exportée chant en l'honneur de Krishna - chanté solo de vieille femme (enregistrement très mauvais)• GABORIEAU,MARC 1965 RELIGIEUX BM 68.24.12 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :12-02 BM.1968.024.001/63:12-02 00:06:09 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée Sous-table non exportée Gazal en urdu- chanté solo H, avec interruptions/pauses et reprises • GABORIEAU,MARC 1965 BM 68.24.12 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :12-03 BM.1968.024.001/63:12-03 00:12:20 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL SUR LE RAMADAN Sous-table non exportée GAZAL Sous-table non exportée - Conversation sur l'aparition de la nouvelle lune de Ramadan, - Chant Gazal en népali sur le mois de Ramadan, Voix alternées (parlées ou chantées) d'H (en solo ou chr) et chr de garçons • GABORIEAU,MARC 1965 RELIGIEUX BM 68.24.12 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :13-01 BM.1968.024.001/63:13-01 00:13:57 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL SUR LE RAMADAN Sous-table non exportée Sous-table non exportée Suite de:12-04, Voix chantées en alternance chr H et chr garçons en Népali, Pb de vitesse sur la fin ? • GABORIEAU,MARC 1967 BM 68.24.13 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :13-02 BM.1968.024.001/63:13-02 00:01:53 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) PRIERE EN ARABE Sous-table non exportée Sous-table non exportée Prière en arabe - psalmodié solo H• GABORIEAU,MARC 1967 RELIGIEUX BM 68.24.13 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :13-03 BM.1968.024.001/63:13-03 00:03:11 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL SUR LE PROPHETE Sous-table non exportée Sous-table non exportée Gazal en urdu sur l'enfance du Prophète : " Pyare Muhammad " - chanté solo H • GABORIEAU,MARC 1967 BM 68.24.13 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :13-04 BM.1968.024.001/63:13-04 00:03:44 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL SUR LA PRIERE Sous-table non exportée GAZAL Sous-table non exportée Gazal en Népali sur la prière , Voix chantées : choeurs H et chr garçons alternés • GABORIEAU,MARC 1967 RELIGIEUX BM 68.24.13 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :14-01 BM.1968.024.001/63:14-01 00:04:38 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL EN URDU Sous-table non exportée GAZAL Sous-table non exportée Gazal en urdu- chanté solo H • GABORIEAU,MARC 1967 BM 68.24.14 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :14-03 BM.1968.024.001/63:14-03 00:11:02 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN MUSULMAN Sous-table non exportée Sous-table non exportée Chanté alterné solo H et chr garçons • GABORIEAU,MARC 1967 BM 68.24.14 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :14-04 BM.1968.024.001/63:14-04 00:03:15 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LE DIALECTE MUSULMAN Sous-table non exportée Sous-table non exportée Bribes de dialecte musulman, avec ambiances (voix parlées, rires, etc) • GABORIEAU,MARC 1967 BM 68.24.14 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :15-01 BM.1968.024.001/63:15-01 00:02:41 1965 ou 1967 NEPAL KATHMANDU MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) AUTOBIOGRAPHIE DE ABU-L-HASSAN Sous-table non exportée Sous-table non exportée Autobiographie de Abu-I-Hasan - voix récitée solo H, (Rq : il se pourrait que la 1ère partie de la plage 2 - jusqu'à 07'10- soit la suite de cette histoire récitée car il s'agit de la même voix) • GABORIEAU,MARC 0 BM 68.24.15 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :16-01 BM.1968.024.001/63:16-01 00:27:21 21/10/1967 NEPAL KATHMANDU * MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS SUR LE PROPHETE Sous-table non exportée Sous-table non exportée * Mosquée des Kashmiri, Plusieurs chants en Urdu pour célébrer l'anniversaire de la naissance du Prophète, Intro et conculsion : voix solo H parlée, Voix soli H (plusieurs interprètes), sur certains chants répons d'un Chr H, quelques passages quasi-psalmodiés • GABORIEAU,MARC 1967 BM 68.24.16 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :17-01 BM.1968.024.001/63:17-01 00:19:11 12/1965 NEPAL PASHUPATINATH NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS DIT : "BHAJAN" Sous-table non exportée Sous-table non exportée * un point d'interrogation accompagne le nom de l'ethnie, Chant dit "Bhajan" chanté solo H, chr H, cymbales, tambour, Plusieurs reprises, Pb de vitesse après 14mn (baisse des piles dans la seconde moitié), Court fragment différent en intro • GABORIEAU,MARC 1965 BM 68.24.17 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :18-01 BM.1968.024.001/63:18-01 00:06:39 12/1965 NEPAL POKHARA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) LEGENDE DE HASAN ET HUSAIN Sous-table non exportée Sous-table non exportée Fragment de la légende de Hasan et Husain - Voix parlée solo H, à 05'50 : Voix psalmodiée solo H, suite sur le début de la plage suivante (voix psalmodiée solo garçon) • GABORIEAU,MARC 1965 BM 68.24.18 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :18-02 BM.1968.024.001/63:18-02 00:07:07 12/1965 NEPAL POKHARA BRAHMANE THUKURNI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT THUKURNI Sous-table non exportée Sous-table non exportée En 2 séquences : 1ère : fin de la plage précédente (musulman) : psalmodie solo garçon, fin à 00'41; 2ème : chant thukurni : voix chantées solo (H ou F) et chr (ou duo), ensemble ou en alternance, plusieurs reprises • GABORIEAU,MARC 1965 BM 68.24.18 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :19-01 BM.1968.024.001/63:19-01 00:09:54 08/1966 NEPAL KATHMANDU JHAKRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SOLO DE TAMBOUR DHYAGRO Sous-table non exportée Sous-table non exportée Solo de tambour Dhyagro + IS-= grelots et petites clochettes, Pb de vitesse sur quasiment l'ensemble de la pièce, retablie vers la fin à 09'06 • GABORIEAU,MARC 1966 BM 68.24.19 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :20-01 BM.1968.024.001/63:20-01 00:16:26 01/1966 NEPAL DT.TANAHU / SAMJUR DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SOLO DE HAUTBOIS Sous-table non exportée Sous-table non exportée Solo de hautbois Sahanaai, divers airs • GABORIEAU,MARC 1966 BM 68.24.20 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-01 BM.1968.024.001/63:21-01 00:05:09 1966 NEPAL KATHMANDU NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POESIES LUES Sous-table non exportée Sous-table non exportée Ethnie : Brahmane Népali, Poésies lues en style moderne, 1ère séquence : "Mrityu pachi ko- - - " de Bal Krishna Sama, fin à 04'35, 2ème séquence : à 04'35 : début de "Badhu siksa " de Bhanu Bhakta (rq : correspond au début de la plage 2 du support original) , suite sur la plage suivante • GABORIEAU,MARC 1966 BM 68.24.21 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-05 BM.1968.024.001/63:21-05 00:00:54 1966 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHETRI Sous-table non exportée Sous-table non exportée Reprise du "chant du district East n°3", chanté solo H, (rq : 1ère prise de ce chant - faux départ- en fin de plage précédente) Suite ou reprise sur la plage suivante • GABORIEAU,MARC 1966 BM 68.24.21 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-08 BM.1968.024.001/63:21-08 00:11:52 1966 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RADIO NEPAL Sous-table non exportée Sous-table non exportée Emission de Radio Népal : mariage de la deuxième fille du roi du Népal • GABORIEAU,MARC 1966 BM 68.24.21 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :22-01 BM.1968.024.001/63:22-01 00:07:58 1966 NEPAL BODDHNATH TAMANGS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS DE FESTIVAL Sous-table non exportée Sous-table non exportée Ethnies : " Tamangs et divers". Voix divers. Chants lors d'un festival à Boddhnath • GABORIEAU,MARC 1966 BM 68.24.22 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :22-02 BM.1968.024.001/63:22-02 00:38:57 1966 NEPAL BODDHNATH TAMANGS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CEREMONIE D'EXPULSION DU MAL Sous-table non exportée Sous-table non exportée Voix diverses (2 H, voix chantées, parlées, psalmodiées), ambiance (avec clochettes, objet de bois creux percuté, etc) Cérémonie d'expulsion du mal par 2 lamas Tamangs • GABORIEAU,MARC 1966 RELIGIEUX BM 68.24.22 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :23-01 BM.1968.024.001/63:23-01 00:06:19 11/1966 NEPAL DIT.POKHARA / BATULECAUR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DUO H & VIELES Sous-table non exportée Sous-table non exportée Voix chantées en unison de 2 H, CV- 2 vièles Sarangi, Mangal par Jhalak Man et Brikha Bahadur • GABORIEAU,MARC 1966 BM 68.24.23 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :23-05 BM.1968.024.001/63:23-05 00:23:17 11/1966 NEPAL DIT.POKHARA / BATULECAUR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT AVEC VIELE Sous-table non exportée Sous-table non exportée chanté solo H, CV-vièle Sarangi, Cancari git, par Mijhar Durga, Chant long ou suite de chants ? avec bruits d'ambiances (nature, enfants, etc) • GABORIEAU,MARC 1966 BM 68.24.23 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :24-01 BM.1968.024.001/63:24-01 00:09:46 08/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Par Magar Gaine de Kirtipur, Chanté solo H, CV-vièle Sarangi, Sur la démission de Juddha Shamsher • GABORIEAU,MARC 1966 BM 68.24.24 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :25-01 BM.1968.024.001/63:25-01 00:08:18 08/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE (2/2) Sous-table non exportée Sous-table non exportée par Magar Gaine de Kirtipur, Suite du CD24-03 sur le voyage de Candra Shamsher en Angleterre, Chanté solo H, CV-vièle Sarangi, fin coupée, (Rq : la fiche d'écoute précise une suite de cet enregistrement sur la piste 2 de la bande originale d'une durée de 01'05", vérifier si numérisée ?)• GABORIEAU,MARC 1966 BM 68.24.25 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :26-01 BM.1968.024.001/63:26-01 00:02:35 09/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE MALSRI GIT Sous-table non exportée Sous-table non exportée chanté solo h par Magar Gaine, vièle sarangi ? • GABORIEAU,MARC 1966 BM 68.24.26 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :27-01 BM.1968.024.001/63:27-01 00:05:13 10/1966&67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Hamro népal : "Hera kati ramailo Nepala, raja naya Nepala " • GABORIEAU,MARC 1966 BM 68.24.27 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-01 BM.1968.024.001/63:28-01 00:06:19 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur, " Nylon ko sari " • GABORIEAU,MARC 1967 BM 68.24.28 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-02 BM.1968.024.001/63:29-02 00:04:34 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Mero ma " (?), complainte de la veuve • GABORIEAU,MARC 1967 BM 68.24.29 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :30-01 BM.1968.024.001/63:30-01 00:06:57 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur. " Bhotko ladai " (mort de Buddhibal Rana) • GABORIEAU,MARC 1967 BM 68.24.30 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-01 BM.1968.024.001/63:31-01 00:18:09 05/67 NEPAL BHATGAU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEME DE MARIAGE Sous-table non exportée Sous-table non exportée mariage Khado Jagaune • Parle solo H, poème récité lors du mariage Khado Jagaune, par sher Bahadur, Faux départ, début à partir de 00'27 • GABORIEAU,MARC 1967 BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-02 BM.1968.024.001/63:31-02 00:03:50 05/67 NEPAL BHATGAU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT D'ENFANT Sous-table non exportée Sous-table non exportée mariage Khado Jagaune • " Kaha bata aeko hola Nepala ma yo naulo calana " - chanté solo garçon de 10-12 ans, Cv-=vièle Sarangi, IS- clochettes • GABORIEAU,MARC 1967 BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-03 BM.1968.024.001/63:31-03 00:17:37 05/67 NEPAL BHATGAU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ORACLE DE GAIDU Sous-table non exportée Sous-table non exportée mariage Khado Jagaune • Possession de Sher Bahadur, oracle Lila Kammardevi, oracle de Gaidu - voix diverses, M-=tambour Dhyagro, IS- = clochettes • GABORIEAU,MARC 1967 RELIGIEUX BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-04 BM.1968.024.001/63:31-04 00:01:52 05/67 NEPAL BHATGAU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEME RECITE Sous-table non exportée Sous-table non exportée mariage Khado Jagaune • Parlé solo H, poème récité : fin de " Khado Jagaune " (pièce I) par Omar Bahadur, fils de Sher Bahadur, fin à 01'35, En fin de plage : fragment de vièle • GABORIEAU,MARC 1967 BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-05 BM.1968.024.001/63:31-05 00:05:08 05/1967 NEPAL BHATGAU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par par Omar Bahadur, fils de Sher Bahadur. "Pirati ko yomala gasera " • GABORIEAU,MARC 1967 BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-06 BM.1968.024.001/63:31-06 00:06:29 05/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " K.I. singh " (Krantikari vira ke ai singh, katai na jau Nepal chodera) • GABORIEAU,MARC 1967 BM 68.24.31 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-01 BM.1968.024.001/63:32-01 00:04:33 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ENTRETIENS SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Conversation sur les exorcismes • GABORIEAU,MARC 1967 BM 68.24.32 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-10 BM.1968.024.001/63:32-10 00:02:13 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ORIGINE DES CHETRI Sous-table non exportée Sous-table non exportée Sur l'origine mythique des Chetri • GABORIEAU,MARC 1967 BM 68.24.32 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :33-01 BM.1968.024.001/63:33-01 00:17:12 05/1967 NEPAL KATHMANDU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DESCRIPTION D'UN KHALI Sous-table non exportée Sous-table non exportée GABORIEAU,MARC 1967 BM 68.24.33 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :33-03 BM.1968.024.001/63:33-03 00:04:04 05/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE Sous-table non exportée Sous-table non exportée Conte : " Abala maya " • GABORIEAU,MARC 1967 BM 68.24.33 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-01 BM.1968.024.001/63:34-01 00:04:31 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Kickani " • GABORIEAU,MARC 1967 BM 68.24.34 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-08 BM.1968.024.001/63:34-08 00:03:30 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LES MAUVAIS ESPRITS Sous-table non exportée Sous-table non exportée Enumération des mauvais esprits • GABORIEAU,MARC 1967 BM 68.24.34 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-01 BM.1968.024.001/63:35-01 00:08:01 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) 2 CONTES CHETRI Sous-table non exportée Sous-table non exportée 1er : "Le khyak et la servante ", 2ème : " le Khyak blanc • GABORIEAU,MARC 1967 BM 68.24.35 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :36-01 BM.1968.024.001/63:36-01 00:15:52 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Pisac " • GABORIEAU,MARC 1967 BM 68.24.36 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-07 BM.1968.024.001/63:37-07 00:04:00 07/1967 NEPAL KATHMANDU MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE KASHMIRI (2/2) Sous-table non exportée Sous-table non exportée Conte " Le Raj guru et le Pasi" , suite • GABORIEAU,MARC 1967 BM 68.24.37 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-01 BM.1968.024.001/63:37-01 00:04:29 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Kal " • GABORIEAU,MARC 1967 BM 68.24.37 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :38-01 BM.1968.024.001/63:38-01 00:11:51 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte "Histoire de Raune " • GABORIEAU,MARC 1967 BM 68.24.38 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :38-02 BM.1968.024.001/63:38-02 00:04:34 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LES DANSES DE L'INDRAJATRA Sous-table non exportée Sous-table non exportée Conversation sur les danses de l'Indrajatra • GABORIEAU,MARC 1967 BM 68.24.38 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :39-01 BM.1968.024.001/63:39-01 00:12:43 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Iman et Beiman • GABORIEAU,MARC 1967 BM 68.24.39 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :40-01 BM.1968.024.001/63:40-01 00:09:18 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Kudin et sudin " • GABORIEAU,MARC 1967 BM 68.24.40 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :41-01 BM.1968.024.001/63:41-01 00:02:24 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte "Bhut et Naugraha" • GABORIEAU,MARC 1967 BM 68.24.41 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :42-01 BM.1968.024.001/63:42-01 00:32:35 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE ET DANSE Sous-table non exportée Sous-table non exportée Conte "siddhi " et sur les danse des Bhut • GABORIEAU,MARC 1967 BM 68.24.42 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-01 BM.1968.024.001/63:43-01 00:21:36 10/10/67 NEPAL DT DE JUMLA / TOPANI NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) EN L'HONNEUR DE MASTA (1/2) Sous-table non exportée Sous-table non exportée * Temple de Babiromasta. Femmes de diverses castes népalis : Damai et Chetri. M-tbr = timbales, 1) Mangal en l'honneur de Masta - chanté choeur de F (débute à 00'08), avec voix parlées h & f et ambiances, fin coupée à 01'27 ; 2) à 01'28 : timbales, coupée à 10'17, 3) à 10'18 : timbales, cloches et voix solo H : Dhami posédé par Masta, plusieurs pauses et reprises, avec ambiances et conversations, Suite sur la plage suivante • GABORIEAU,MARC 1967 BM 68.24.43 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-03 BM.1968.024.001/63:43-03 00:11:15 10/10/67 NEPAL DT DE JUMLA * NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) VIELE EN L'HONNEUR DE MASTA Sous-table non exportée Sous-table non exportée * chef-lieu du dt. de Jumla. Par Gokul Gaine Mangal en l'honneur de Masta - chanté solo H + CV-= vièle Sarangi • GABORIEAU,MARC 1967 BM 68.24.43 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-04 BM.1968.024.001/63:43-04 00:02:02 10/10/67 NEPAL DT DE JUMLA * NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECIT D'UNE CONSULTATION Sous-table non exportée Sous-table non exportée * chef-lieu du dt. de Jumla. Récit d'une consultation du Dhami de Babiromasta, Suite sur la plage suivante • GABORIEAU,MARC 1967 BM 68.24.43 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-06 BM.1968.024.001/63:43-06 00:10:16 21/10/67 NEPAL DT DE JUMLA * NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) VIELE ET CHANT Sous-table non exportée Sous-table non exportée * chef-lieu du dt. de Jumla. Mangal de Muktinath, Chanté solo H + CV-= vièle Sarangi • GABORIEAU,MARC 1967 BM 68.24.43 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-01 BM.1968.024.001/63:44-01 00:08:18 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) MANGAL DE LAMA DEUTA Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie : Chetri (?). Mangal de Lama Deuta - voix chantée solo de vieille femme, plusieurs prises, avec passages en duo, fin coupée • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-02 BM.1968.024.001/63:44-02 00:01:56 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHOEUR D'HOMMES Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie : Chetri & 1 Samnjasi. " Cutkilo " - chr H • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-03 BM.1968.024.001/63:44-03 00:01:24 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie :Thakuri (?). à 00'48 : " Selo " - voix chantée solo H (précédé de voix parlée), se poursuit sur la plage suivante • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-07 BM.1968.024.001/63:44-07 00:02:16 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-14 BM.1968.024.001/63:44-14 00:14:47 mi-11/67 NEPAL DT DE DAILEKH / RAVATKOT * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & TAMB / CHANTS H Sous-table non exportée Sous-table non exportée En 2 parties : 1)Suite de la plage précédente : chant et tambour : Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru, fin coupée à 03'45, (rq : cf.détails de la formation sur la fiche de la plage précédente); 2) Chants H : * près de Dullu, -chant solo h, à 03''46, fin à 08'20, puis voix parlée - chant solo et chr alternance, à 08'45, fin à 12'33, - chant chr h, à 12'39, fin à 13'40, reprise à 13'49, fin à 14'18, reprise à 14'21, autre chant de la même formation sur la plage suivante • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-18 BM.1968.024.001/63:44-18 00:08:54 mi-11/67 NEPAL DT DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEMES LUS & CHANTES Sous-table non exportée Sous-table non exportée * près de Dullu. • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-19 BM.1968.024.001/63:44-19 00:12:45 mi-11/67 NEPAL DT DE DAILEKH / LAMJI * INTOUCHABLES MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DANSE JHODA Sous-table non exportée Sous-table non exportée * près de Dullu. danse Jhoda • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-20 BM.1968.024.001/63:44-20 00:16:00 mi-11/67 NEPAL DT DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DE LA FETE TIHAR Sous-table non exportée Sous-table non exportée * près de Dullu. ethnies : Brahmanes + Gharti. chant de la fête Tihar (Jaya bhama), Fin à 15'03 puis voix parlée H • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-21 BM.1968.024.001/63:44-21 00:06:34 mi-11/67 NEPAL DT DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEME CHANTE BRAHMANE Sous-table non exportée Sous-table non exportée * près de Dullu, Plusieurs reprises • GABORIEAU,MARC 1967 BM 68.24.44 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :45-01 BM.1968.024.001/63:45-01 00:18:56 10/1967 NEPAL DT DE DAILEKH / DULLU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITS BRAHMANES Sous-table non exportée Sous-table non exportée Récit d'un mariage, Récit d'un voyage dans le Terai • GABORIEAU,MARC 1967 BM 68.24.45 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :45-04 BM.1968.024.001/63:45-04 00:15:15 10/1967 NEPAL DT DE JUMLA / CHILKAYA BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECIT ET CONTES BRAHMANES Sous-table non exportée Sous-table non exportée Histoire des Brahmanes de Chilkaya ; Conte : " Ruse d'un roi pour obtenir la main d'une princesse " ; Conte : " Les trois mauvais plaisants " ; Suite sur la plage suivante • GABORIEAU,MARC 1967 BM 68.24.45 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :46-03 BM.1968.024.001/63:46-03 00:31:17 11/1967 NEPAL DT DE JUMLA / LEKPARA CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LE DIEU LAMA Sous-table non exportée Sous-table non exportée Prédication sur l'histoire du dieu lama , parlé solo H, accompagnement de : IS- = clochettes • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :46-02 BM.1968.024.001/63:46-02 00:17:43 11/1967 NEPAL DT DE JUMLA / LEKPARA CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LE DIEU LAMA Sous-table non exportée Sous-table non exportée Dhami récitant l'histoire du dieu lama , parlé solo H, accompagnement de : IS- = clochettes • GABORIEAU,MARC 1967 BM 68.24.46 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-01 BM.1968.024.001/63:47-01 00:18:22 11/1967 NEPAL DT DE JUMLA / CHILKAYA BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR UN PELERINAGE A MUKTINATH Sous-table non exportée Sous-table non exportée sur un pélerinage de Muktinath • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-02 BM.1968.024.001/63:47-02 00:02:02 11/1967 NEPAL DT DE JUMLA / CHILKAYA BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR UNE QUERELLE (1/E) Sous-table non exportée Sous-table non exportée Sur une querelle à propos d'un bois - Voix chantées d'un puis deux hommes (voir sur la plage suivante) • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-04 BM.1968.024.001/63:47-04 00:02:17 11/1967 NEPAL DT DE JUMLA / NALIMA BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DANSE ET VIELE SARANGI Sous-table non exportée Sous-table non exportée Voix chantées, CV-= vièle sarangi, M-= tambours avec une danseuse • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-08 BM.1968.024.001/63:47-08 00:11:04 11/1967 NEPAL DT DE JUMLA / SIJA KAMI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) MANGAL DE MASTA Sous-table non exportée Sous-table non exportée Mangal de Masta - voix chantées chr H, Suite de la plage précédente • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-09 BM.1968.024.001/63:47-09 00:04:07 11/1967 NEPAL DT DE JUMLA / SIJA NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) MANGAL DE MASTA Sous-table non exportée Sous-table non exportée Ethnies : diverses castes népalies. Mangal de Masta - chr de vieille F • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-10 BM.1968.024.001/63:47-10 00:11:10 11/1967 NEPAL DT DE JUMLA / SIJA THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRES THAKURIES Sous-table non exportée Sous-table non exportée Histoire de Budu Masta ; Histoire de Bat Masta ; Histoire de Kantu Acarya (rq : pb d'indexation, à vérifier) • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-11 BM.1968.024.001/63:47-11 00:06:26 11/1967 NEPAL DT DE JUMLA / SIJA THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SPECIMEN DE DIALECTE Sous-table non exportée Sous-table non exportée Spécimen de dialecte de Jumla , (rq : pb d'indexation, à vérifier) • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-12 BM.1968.024.001/63:47-12 00:26:06 11/1967 NEPAL DT DE JUMLA / SIJA THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) 2 CONTES Sous-table non exportée Sous-table non exportée Conte : " Histoire d'animaux " ; Conte : " Le créancier et son débiteur " Pb technique : à partir de 19'00, (rq : pb d'indexation, à vérifier) • GABORIEAU,MARC 1967 BM 68.24.47 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :48-01 BM.1968.024.001/63:48-01 00:04:55 11/1967 NEPAL DT DE MUGU / GUM THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE MASTA Sous-table non exportée Sous-table non exportée Histoire de Khapar Masta • GABORIEAU,MARC 1967 BM 68.24.48 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :48-03 BM.1968.024.001/63:48-03 01:08:18 11/1967 NEPAL DT DE MUGU / THARPA CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONSULTATION DU DHAMI Sous-table non exportée Sous-table non exportée Séance de consultation du dhami de Tharpa • GABORIEAU,MARC 1967 BM 68.24.48 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :48-04 BM.1968.024.001/63:48-04 00:06:30 11/1967 NEPAL DT DE MUGU / THARPA INTOUCHABLES MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RONDE KHEL Sous-table non exportée Sous-table non exportée Ronde Khel - Voix chantées Garçons et Filles alternées • GABORIEAU,MARC 1967 BM 68.24.48 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :49-01 BM.1968.024.001/63:49-01 00:21:03 10/1967 NEPAL DT DE DAILEKH / DULLU BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS BADIS Sous-table non exportée Sous-table non exportée Suite de 7 chants badi : V chanté solo F (danseuse), M-= tambours et IS-=grelots de chevilles, avec alternance H/F (sauf pour le 1er et 5ème chant ?), 6 chants courts, le dernier chant est très long : 17'02 • GABORIEAU,MARC 1967 BM 68.24.49 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :49-03 BM.1968.024.001/63:49-03 00:07:55 11/1967 NEPAL DT DEDAILEKH / GUM NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHR NEPALIS / CHANT F & INSTRU Sous-table non exportée Sous-table non exportée En 2 parties : -1ère partie : Choeur népalis : ethnies : diverses castes népalies, voix chantées choeurs de garçons et de filles alternés, fin à 05'11 -2ème partie : Chant F et instru, ethnie : Badi, à 05'15 voix solo F, A = harmonium, M-Tbr = tambours, et ambiance, suite et fin sur la plage suivante (fini à 01'05) • GABORIEAU,MARC 1967 BM 68.24.49 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :49-02 BM.1968.024.001/63:49-02 00:02:15 10/1967 NEPAL DT DE DAILEKH / DULLU BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & TAMB (BADIS ?) Sous-table non exportée Sous-table non exportée Suite de la plage précédente ? V chanté solo H , M-= tambours • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :49-04 BM.1968.024.001/63:49-04 00:15:57 11/1967 NEPAL DT DEDAILEKH / GUM NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHOEURS NEPALIS Sous-table non exportée Sous-table non exportée Etnies : diverses castes népalies. à partir de 01'06 : Plusieurs prises : voix chantées choeurs de garçons et de filles alternés, fin coupée, Rq : au début, suite et fin de la plage précédente (chant solo F et tambour, fin à 01'06) • GABORIEAU,MARC 1967 BM 68.24.49 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-01 BM.1968.024.001/63:50-01 00:07:20 03/1968 NEPAL DT.DE TANAHU / SUR BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE & CHANT Sous-table non exportée Sous-table non exportée Histoire de Panc Bhayya : Voix parlée solo H, Gazal en Népali : voix chantée solo H • GABORIEAU,MARC 1968 BM 68.24.50 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-02 BM.1968.024.001/63:50-02 00:10:09 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN H Sous-table non exportée Sous-table non exportée Voix chantée solo H, M-=tambour Madal, Interruption à 04'30, puis reprise avec chr H • GABORIEAU,MARC 1968 BM 68.24.50 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-07 BM.1968.024.001/63:50-07 00:09:43 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) FLUTE & CHANT Sous-table non exportée Sous-table non exportée Solo de flûte, chants (solo et chr H et jeunes garçons), battements de mains, tambour, cymbales, Plusieurs reprises, à partir de 07'00 : pb de vitesse • GABORIEAU,MARC 1968 BM 68.24.50 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :51-01 BM.1968.024.001/63:51-01 00:07:10 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS MUSULMAN Sous-table non exportée Sous-table non exportée Titre : " Sagun " - chanté solo de vieille F, avec pauses et reprises • GABORIEAU,MARC 1968 BM 68.24.51 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :51-03 BM.1968.024.001/63:51-03 00:10:56 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN EN HINDI Sous-table non exportée Sous-table non exportée Intro : conversation et ambiances, à 02'20 : " Marthiya " - chanté solo H, en Hindi, avec pauses et reprises • GABORIEAU,MARC 1968 BM 68.24.51 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :52-01 BM.1968.024.001/63:52-01 00:13:24 03/1968 NEPAL DT.DE TANAHU / PURKOT MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE MOISE Sous-table non exportée Sous-table non exportée Histoire de Myuza (Moïse) et Khaz Khizr (en dialecte musulman) • GABORIEAU,MARC 1968 BM 68.24.52 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-01 BM.1968.024.001/63:53-01 00:08:18 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS SOLO H & TAMB Sous-table non exportée Sous-table non exportée Suite de chants : Voix H + tambour • GABORIEAU,MARC 1968 BM 68.24.53 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-02 BM.1968.024.001/63:53-02 00:01:17 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SOLO DE FLUTE Sous-table non exportée Sous-table non exportée GABORIEAU,MARC 1968 BM 68.24.53 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-04 BM.1968.024.001/63:53-04 00:12:54 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS F MUSULMAN Sous-table non exportée Sous-table non exportée Chants de fête de Tij - chanté solo & chr F (femmes et jeunes filles) , avec parfois battements de mains • GABORIEAU,MARC 1968 BM 68.24.53 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-06 BM.1968.024.001/63:53-06 00:14:04 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS MUSULMANS Sous-table non exportée Sous-table non exportée Chants divers (voix H, F, enfants), M-= tambour Madal, IE-= cymbales, plusieurs prises et interruptions, Pour un chant : à 04'00 : solo flûte, reprend l'air de la mélodie chantée, puis flûte et formation • GABORIEAU,MARC 1968 BM 68.24.53 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :54-01 BM.1968.024.001/63:54-01 00:06:15 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN Sous-table non exportée Sous-table non exportée " Marthiya " - chanté solo de vieille F en Népali • GABORIEAU,MARC 1968 BM 68.24.54 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :54-02 BM.1968.024.001/63:54-02 00:06:00 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONVERSATIONS EN DIALECTE Sous-table non exportée Sous-table non exportée conversations en dialecte musulman - voix parlées diverses • GABORIEAU,MARC 1968 BM 68.24.54 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :55-01 BM.1968.024.001/63:55-01 00:06:37 02-03/1968 NEPAL DT.DE GORKHA / LIG-LIG NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Mangal de la dynastie Gorkha - chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 BM 68.24.55 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :55-03 BM.1968.024.001/63:55-03 00:02:42 02-03/1968 NEPAL DT.DE GORKHA / LIG-LIG NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) COMMENTAIRES SUR LA MUSIQUE Sous-table non exportée Sous-table non exportée Commmentaire sur la ballade précédente • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :56-01 BM.1968.024.001/63:56-01 00:10:17 03/1968 NEPAL DT.DE LAMJUNG / DUDE KUNA NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Par Priti Ram Gaine. Fragments de "Mankole rani " - chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 BM 68.24.56 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :57-01 BM.1968.024.001/63:57-01 00:08:35 12/03/1968 NEPAL DT.DE GORKHA / PALUNGTAR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Karkha de Bhakti Thapa -- chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 EPIQUE BM 68.24.57 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :57-03 BM.1968.024.001/63:57-03 00:07:59 12/03/1968 NEPAL DT.DE GORKHA / PALUNGTAR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONVERSATION A PALUNGTAR Sous-table non exportée Sous-table non exportée Conversation - voix parlées diverses • GABORIEAU,MARC 1968 BM 68.24.57 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :58-01 BM.1968.024.001/63:58-01 00:16:24 02-05/1968 NEPAL DT.DE GORKHA / LIG-LIG NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONSULTATION D'UN DHAMI Sous-table non exportée Sous-table non exportée consultation d'un dhami possédé par Kalo Vir - voix parlées diverses • GABORIEAU,MARC 1968 BM 68.24.58 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :58-02 BM.1968.024.001/63:58-02 00:19:39 02-05/1968 NEPAL DT.DE TANAHU / SUR MAGAR MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT : ORIGINE DE DHAMI Sous-table non exportée Sous-table non exportée poème chanté sur l'origine de Dhami et Boksi • Poème chanté (chanté-parlé) sur l'origine de Dhami et Boksi - chanté solo H • GABORIEAU,MARC 1968 BM 68.24.58 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :58-03 BM.1968.024.001/63:58-03 00:05:26 02-05/1968 NEPAL KATHMANDU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POESIE NEPALAISE Sous-table non exportée Sous-table non exportée exemples de récitation chantée des différents mètres de la poésie népalaise (extraits du Ramayana de Bhanu Bhakta et de "Upades manjari"). Voix parlées H puis F. • GABORIEAU,MARC 1968 BM 68.24.58 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :59-01 BM.1968.024.001/63:59-01 00:35:53 04/1968 NEPAL DT.DE DAILEKH / LAMJI * KAMI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) MANGAL DE MARIAGE Sous-table non exportée Sous-table non exportée * près de Dullu. ethnie : Kami (?). Mangal de mariage - chanté choeur 2 F • GABORIEAU,MARC 1968 BM 68.24.59 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :59-02 BM.1968.024.001/63:59-02 00:02:28 04/1968 NEPAL DT.DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEME DE MARIAGE Sous-table non exportée Sous-table non exportée * près de Dullu. "Palti phukaune " (poème à propos de la procession de mariage) • GABORIEAU,MARC 1968 BM 68.24.59 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :59-03 BM.1968.024.001/63:59-03 00:05:10 04/1968 NEPAL DT.DEACCHAM / BINAYAK CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE MASTA Sous-table non exportée Sous-table non exportée Début de l'histoire de Masta, Conversation H, Sur la fin : pd de vitesse + pb de signal • GABORIEAU,MARC 1968 BM 68.24.59 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :60-01 BM.1968.024.001/63:60-01 00:07:18 04/1968 NEPAL DT.DEACCHAM / BINAYAK CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRES SUR MASTA Sous-table non exportée Sous-table non exportée Histoires sur Masta • GABORIEAU,MARC 1968 BM 68.24.60 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :60-02 BM.1968.024.001/63:60-02 00:13:10 04/1968 NEPAL DT.DE ACCHAM / DARNA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONVERSATION PUIS CHANTS Sous-table non exportée Sous-table non exportée Ethnies : " diverses castes ". Conversations, voix parlées (suite de la plage précédente ?), à 08'40 =Voix chantés choeur H, puis solo H & choeur alterné • GABORIEAU,MARC 1968 BM 24.68.60 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :60-03 BM.1968.024.001/63:60-03 00:19:34 04/1968 NEPAL DT.DE ACCHAM / DARNA THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DE HOLI Sous-table non exportée Sous-table non exportée ethnies : " Thakuri & Damai ". " chant de Holi, - - - Hort " - pas de précision de formation • GABORIEAU,MARC 1968 BM 68.24.60 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :60-04 BM.1968.024.001/63:60-04 00:04:54 04/1968 NEPAL DT.DE ACCHAM / DARNA HUDKYA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS & DANSE Sous-table non exportée Sous-table non exportée Danse avec accompagnement : M-= tambour sablier hudka - Voix chantés solo H & choeur alterné • GABORIEAU,MARC 1968 BM 68.24.60 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-01 BM.1968.024.001/63:61-01 00:05:35 04/1968 NEPAL DT.DE ACCHAM / DARMA HUDKYA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT HUDKYA Sous-table non exportée Sous-table non exportée M-= tambour sablier hudka - Voix chantés alternées de 2 • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-02 BM.1968.024.001/63:61-02 00:04:37 04/1968 NEPAL DT.DE ACCHAM / DARMA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS DITS PUTALA Sous-table non exportée Sous-table non exportée ethnies : " castes variées ". 01'40" + 02'40" - chants dits Putala - chanté duo F • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-03 BM.1968.024.001/63:61-03 00:04:02 04/1968 NEPAL DT.DE ACCHAM / DARMA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT Sous-table non exportée Sous-table non exportée ethnies : " castes variées ". chanté chr H puis court commentaire • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-04 BM.1968.024.001/63:61-04 00:03:44 04/1968 NEPAL DT.DE ACCHAM / DARMA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO F Sous-table non exportée Sous-table non exportée ethnies : " castes variées ". chanté solo F • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-05 BM.1968.024.001/63:61-05 00:02:00 04/1968 NEPAL DT.DE ACCHAM / DARMA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée ethnies : " castes variées ". chanté chr H + M= tambour • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :61-06 BM.1968.024.001/63:61-06 00:10:05 04/1968 NEPAL DT.DE ACCHAM / DARMA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) KHEL, RONDE Sous-table non exportée Sous-table non exportée ethnies : " castes variées ". " Khel - - - ronde " - chanté choeurs alterné H & F, Pb de vitesse après 03'30 • GABORIEAU,MARC 1968 BM 68.24.61 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :62-01 BM.1968.024.001/63:62-01 00:10:06 05/1968 NEPAL DT.DE DAILEKH / LAMJI * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) PROCESSION DE BALA-PIR Sous-table non exportée Sous-table non exportée * près de Dullu. ethnies : Musulmans et Damai . procession de Bala-pir - IFP- = timbales, IS-= cloches + voix diverses chantées au fond / timbales jouées par Damai + chants par Musulmans • GABORIEAU,MARC 1968 BM 68.24.62 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :62-02 BM.1968.024.001/63:62-02 00:07:44 05/1968 NEPAL DT.DE DAILEKH / LAMJI * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) EN L'HONNEUR DE BALA-PIR Sous-table non exportée Sous-table non exportée * près de Dullu. Suhila en l'honneur de Bala-pir - choeur de F • GABORIEAU,MARC 1968 BM 68.24.62 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :62-03 BM.1968.024.001/63:62-03 00:07:55 05/1968 NEPAL DT.DE DAILEKH / LAMJI * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUHILA DE MARIAGE Sous-table non exportée Sous-table non exportée * près de Dullu. suhila de mariage - d'abord chanté chr F, puis à 05'30 : chanté solo H • GABORIEAU,MARC 1968 BM 68.24.62 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :62-04 BM.1968.024.001/63:62-04 00:22:13 05/1968 NEPAL DT.DE DAILEKH / LAMJI * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DHAMARI (DEBUT) Sous-table non exportée Sous-table non exportée * près de Dullu. Dhamari (chant du 6ème jour après la naissance) - choeur H, IFP-= cymbales. cf. suite : sur le CD suivant • GABORIEAU,MARC 1968 BM 68.24.62 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :63-01 BM.1968.024.001/63:63-01 00:09:59 05/1968 NEPAL DT.DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DHAMARI (SUITE ET FIN) Sous-table non exportée Sous-table non exportée * près de Dullu. Dhamari, suite et fin (chant du 6ème jour après la naissance) - choeur H, IFP-= cymbales. Suite du CD précédent (62-04) • GABORIEAU,MARC 1968 BM 68.24.63 ASIE +BM.968.025 Ø18;²19;PPM BM.968.025.001/03 :01-01 BM.968.025.001/03:01-01 00:00:00 N TURQUIE TURQUIE N Sous-table non exportée Sous-table non exportée 1964 0 ASIE +BM.968.026 Ø13;²19;1/2P BM.968.026.001 :01-01 BM.968.026.001:01-01 00:00:00 N GEORGIE URSS,GEORGIE; MONTAGE N Sous-table non exportée Sous-table non exportée 1967 0 EUROPE +BM.968.027 Ø13;²9.5;1/2P BM.968.027.001/03 :01-01 BM.968.027.001/03:01-01 00:00:00 N PAPOUASIE-NLE-GUINEE NOUVELLE GUINEE,SEPIK N Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +BM.968.028 Ø18;²19;PPM BM.968.028.001 :01-01 BM.968.028.001:01-01 00:00:00 N INDONESIE;BORNEO(KALIMANTAN) EXPEDITION IVANOFF;BORNEO N Sous-table non exportée Sous-table non exportée 1954 0 ASIE +BM.968.029 Ø13;²19;PPM BM.968.029.001/06 :01-01 BM.968.029.001/06:01-01 00:00:00 N IRAN;BALOUTCHISTAN BALOUCHISTAN N Sous-table non exportée Sous-table non exportée Baloutchistan 1955 0 ASIE +BM.968.030 Ø18;²19;1/2P BM.968.030.001/04 :01-01 BM.968.030.001/04:01-01 00:00:00 12/1953 NOUVELLE-CALEDONIE NLE-CALEDONIE; ILES LOYAUTE; NLES-HEBRIDES N Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +BM.968.030 Ø18;²19;1/2P BM.968.030.001/04 :02-02 BM.968.030.001/04:02-02 00:00:00 3-9/1954 NOUVELLE-CALEDONIE ILES LOYAUTE NLE-CALEDONIE; ILES LOYAUTE; NLES-HEBRIDES N Sous-table non exportée Sous-table non exportée 1954 0 OCEANIE +BM.968.030 Ø18;²19;1/2P BM.968.030.001/04 :03-01 BM.968.030.001/04:03-01 00:00:00 1954 VANUATU NLE-CALEDONIE; ILES LOYAUTE; NLES-HEBRIDES N Sous-table non exportée Sous-table non exportée Pays dénommé Nouvelles-Hébrides à l'époque de l'enreg. 1954 0 OCEANIE +BM.1968.031 Ø13;²19;PPM BM.1968.031.001 :01-01 BM.1968.031.001:01-01 00:00:00 oct. VANUATU NLES HEBRIDES. DANSES MELSISSI N Sous-table non exportée Sous-table non exportée Pays dénommé Nouvelles-Hébrides à l'époque de l'enreg• 1956 0 OCEANIE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-01 BM.1968.032.001/11:01-01 00:01:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE DES ANCETRES Sous-table non exportée Sous-table non exportée mythe des ancêtres. par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-02 BM.1968.032.001/11:01-02 00:01:25 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE D'ORIGINE DE LA NUIT Sous-table non exportée Sous-table non exportée Mythe sur Baion (mythe d'origine de la nuit) • Mythe sur Baion (mythe d'origine de la nuit). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-03 BM.1968.032.001/11:01-03 00:01:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR JAKARENDY Sous-table non exportée Sous-table non exportée Mythe sur Jakarendy (personnage mythique) • Mythe sur Jakarendy (personnage mythique). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-04 BM.1968.032.001/11:01-04 00:01:05 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR IANVE Sous-table non exportée Sous-table non exportée Mythe sur Ianve (l'âme mauvaise) • Mythe sur Ianve (l'âme mauvaise). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-05 BM.1968.032.001/11:01-05 00:00:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR OVE Sous-table non exportée Sous-table non exportée Mythe sur Ove (l'âme céleste) • Mythe sur Ove (l'âme céleste). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-06 BM.1968.032.001/11:01-06 00:00:35 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR BARENDY Sous-table non exportée Sous-table non exportée Mythe sur Barendy (personnage mythique) • Mythe sur Barendy (personnage mythique). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-07 BM.1968.032.001/11:01-07 00:00:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR KREI Sous-table non exportée Sous-table non exportée Mythe sur Krei (personnage mythique) • Mythe sur Krei (personnage mythique). par Kare Kyrumbugi • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-08 BM.1968.032.001/11:01-08 00:00:50 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LES PHENOMENES METEOROLOGIQUES Sous-table non exportée Sous-table non exportée sur les phénomènes météorologiques. pichva • sur les phénomènes météorologiques. pichva par Kare Kyrumbugi • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-09 BM.1968.032.001/11:01-09 00:00:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR TAPERU Sous-table non exportée Sous-table non exportée Mythe sur Taperu (personnage mythique) • Mythe sur Taperu (personnage mythique). par Kare Kyrumbugi • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-10 BM.1968.032.001/11:01-10 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LES OISEAUX DU TONNERRE Sous-table non exportée Sous-table non exportée sur les oiseaux du tonnerre • sur les oiseaux du tonnerre. par Kare Kyrumbugi • CLASTRES,PIERRE 1963 0 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-11 BM.1968.032.001/11:01-11 00:00:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR TATAPUKUGE Sous-table non exportée Sous-table non exportée mythe surTatapukuge (personnage mythique) • mythe surTatapukuge (personnage mythique). par Kare Kyrumbugi • CLASTRES,PIERRE 1963 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-12 BM.1968.032.001/11:01-12 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR L'ECLIPSE DU SOLEIL Sous-table non exportée Sous-table non exportée sur l'eclipse du soleil • sur l'eclipse du soleil. par Kare Kyrumbugi • CLASTRES,PIERRE 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-13>16 BM.1968.032.001/11:01-13>16 00:00:40 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR L'ARC-EN-CIEL Sous-table non exportée Sous-table non exportée sur l'arc-en-ciel• XIII) : 00'20" - sur l'arc-en-ciel ; XIV) : 00'20" - Idem ; XV) : (non précisé) - comportements pour faire partir l'arc-en-ciel ; XVI): (non précisé) - Idem • CLASTRES,PIERRE 1936 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-17>18 BM.1968.032.001/11:01-17>18 00:15:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR L'ORIGINE DES GUAYAKIS Sous-table non exportée Sous-table non exportée Mythe sur l'origine des Guayakis et autres mythes enchaînés. mythe sur les ancêtres • Durée approximative des items XVII) & XVIII) = 15'00". XVII) : Mythe sur l'origine des Guayakis et autres mythes enchaînés ; XVIII) : mythe sur les ancêtres • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-19 BM.1968.032.001/11:01-19 00:10:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR L'ORIGINE DE L'OBSCURITE Sous-table non exportée Sous-table non exportée Mythe sur l'origine de l'obscurité, et autres mythes enchaînés • Mythe sur l'origine de l'obscurité, et autres mythes enchaînés • CLASTRES,P. 1963 MYTHIQUE BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-20 BM.1968.032.001/11:01-20 00:02:05 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DU COATI Sous-table non exportée Sous-table non exportée chant au retour de la chasse • voix chante solo H, interrompu de paroles. chant du coati. petit animal qu'on chasse et qu'on mange ; ce chant est chanté au retour de la chasse • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-21 BM.1968.032.001/11:01-21 00:02:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DU COCHON SAUVAGE Sous-table non exportée Sous-table non exportée Chant du cochon sauvage • Voix H, solo, interrompu de paroles. Chant du cochon sauvage • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-23 BM.1968.032.001/11:01-23 00:00:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CRIS DE CHASSE Sous-table non exportée Sous-table non exportée information sur les cris que l'on pousse après avoir tué le jaguar • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-24 BM.1968.032.001/11:01-24 00:01:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CRIS DE CHASSE Sous-table non exportée Sous-table non exportée information sur les cris que l'on pousse après avoir tué le cochon. chant interrompu de paroles • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-25 BM.1968.032.001/11:01-25 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CRIS DE CHASSE Sous-table non exportée Sous-table non exportée information sur les cris que l'on pousse après avoir tué un oiseau de proie• CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-26 BM.1968.032.001/11:01-26 00:00:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CRIS DE CHASSE Sous-table non exportée Sous-table non exportée information sur les cris que l'on pousse après avoir tué un tapir • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-27 BM.1968.032.001/11:01-27 00:02:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE DEUIL SUR UN COATI Sous-table non exportée Sous-table non exportée chant de deuil sur un coati tué. (le coati est un nom d'animal et aussi un nom donné aux hommes) • Chanté, solo F et pleurs. chant de deuil sur un coati tué. (le coati est un nom d'animal et aussi un nom donné aux hommes) • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-28>29 BM.1968.032.001/11:01-28>29 00:00:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI POUR FAIRE PARTIR L'ARC-EN-CIEL Sous-table non exportée Sous-table non exportée cris pour faire partir l'arc-en-ciel• XXVIII) : 00'15" - cris H (aigu) pour faire partir l'arc-en-ciel ; XXIX) : 00'15" - Idem, par F • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-30 BM.1968.032.001/11:01-30 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI POUR L'ECLIPSE DE LUNE Sous-table non exportée Sous-table non exportée cris pour l'éclipse de lune• cris H (aigu) pour l'éclipse de lune • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :01-31>32 BM.1968.032.001/11:01-31>32 00:00:40 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR BARENDY Sous-table non exportée Sous-table non exportée Mythe sur Barendy (personnage mythique) • XXXI) : 00'20" - parlé, H - Mythe sur Barendy (personnage mythique) ; XXXII) : 00'20" - Idem, par F • CLASTRES,P. 1963 BM 68.32.1 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :02-01>02 BM.1968.032.001/11:02-01>02 00:09:35 1963 PARAGUAY GUARANI * PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE D'ORIGINE DES GUARANIS Sous-table non exportée Sous-table non exportée mythe d'origine des Guaranis, mythe des jumeaux • * tribu des Chiripa. I) : 00'35" - Parlé, H - en espagnol : texte de présentation ; II) : 09'00" - Parlé, H, mythe d'origine des Guaranis, mythe des jumeaux• CLASTRES,P. 1963 MYTHIQUE BM 68.32.2 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :03-01>03 BM.1968.032.001/11:03-01>03 00:26:25 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LA MORT D'UNE MERE Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé H (émission récitative) I) : 06'40" - sur la mort de sa mère tuée par un jaguar ; II) : 07'45" - sur l'enterrement de sa mère ; III) : 12'00" - Idem • CLASTRES,P. 1963 NARRATIF BM 68.32.3 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :03-04 BM.1968.032.001/11:03-04 00:08:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI Sous-table non exportée Sous-table non exportée Parlé H (sans précisions)• CLASTRES,P. 1963 BM 68.32.3 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :04-01 BM.1968.032.001/11:04-01 00:00:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LE CANNIBALISME Sous-table non exportée Sous-table non exportée enquêtes ethnographiques sur le cannibalisme • enquêtes ethnographiques sur le cannibalisme. N.B. : durée = toute la BM (sans plus de précision)• CLASTRES,P. 1963 BM 68.32.4 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-01 BM.1968.032.001/11:05-01 00:01:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LE RETOUR D'UN HOMME Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) - Lorsque le parrain ne revient pas au campement par Baïpurangi. / écho de bande. • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-02 BM.1968.032.001/11:05-02 00:01:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI POUR CALMER LE MARI JALOUX Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) - pour calmer le mari jaloux, par id. • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-03 BM.1968.032.001/11:05-03 00:00:25 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI POUR LES PREMIERES MENSTRUATIONS Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) - pour les premières menstruations, par id. • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-04 BM.1968.032.001/11:05-04 00:02:50 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI LE MARI A LA CHASSE Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) - lorsque son mari va à la chasse, par id. • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-05 BM.1968.032.001/11:05-05 00:01:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI LE MARI MORDU PAR UN SERPENT Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) - lorsque sonépoux a été mordu par un serpent, par id. • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :05-06>09 BM.1968.032.001/11:05-06>09 00:18:35 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI REPRISE DES RECITS PRECEDENTS Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé F (émission récitative) VI) : 08'30" - reprise des récits précédents (cf. 68.32.05-01>05) VII) : 04'45" - Idem ; VIII): 02'10" - Idem ; IX) : 03'10" - Idem • CLASTRES,P. 1963 BM 68.32.5 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-07 BM.1968.032.001/11:07-07 00:01:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU COATI Sous-table non exportée Sous-table non exportée losqu'on a tué un coati• CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-08 BM.1968.032.001/11:07-08 00:01:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU CAPIVARA Sous-table non exportée Sous-table non exportée lorsqu'on a tué un capivara (voix surtout parlée) • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-09 BM.1968.032.001/11:07-09 00:00:08 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU CROCODILE Sous-table non exportée Sous-table non exportée sifflé, lorsqu'on a tué un crocodile • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-10 BM.1968.032.001/11:07-10 00:00:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU VAUTOUR Sous-table non exportée Sous-table non exportée sifflé-crié, lorsqu'on a tué un vautour • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-11 BM.1968.032.001/11:07-11 00:01:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE A L'OISEAU DE PROIE Sous-table non exportée Sous-table non exportée I- = flêches entrechoquées. lorsqu'on a tué un oiseau de proie kimira • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-12 BM.1968.032.001/11:07-12 00:00:40 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU COATI Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué un coati (alterné avec parlé) • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-13 BM.1968.032.001/11:07-13 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHASSE AU TAPIR Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué un tapir • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-14>17 BM.1968.032.001/11:07-14>17 00:00:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI DIFFERENTS ANIMAUX Sous-table non exportée Sous-table non exportée parlé-sifflé, lorsqu'on a tué : XIV) : 00'05" - un petit cochon sauvage ; XV) : 00'05" - un chevreuil ; XVI) : 00'05" - un capivara ; XVII) : 00'15" - un grand cochon sauvage • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-18>23 BM.1968.032.001/11:07-18>23 00:03:05 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué : XVIII) : 00'05" - un fourmilier (alterné avec parlé) ; XIX) : 00'10" - un jaguar (id.) ; XX) : 00'10" - un singe hurleur (id.) ; XXI) : 00'10" - un putois ; XXII) : 01'45" - un coati ; XXIII) : 00'45" - un chevreuil • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-24 BM.1968.032.001/11:07-24 00:00:35 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE Sous-table non exportée Sous-table non exportée parlé-sifflé, lorsqu'on a tué un petit cochon sauvage • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-25 BM.1968.032.001/11:07-25 00:01:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué un grand cochon sauvage (alterné avec parlé) • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-26 BM.1968.032.001/11:07-26 00:02:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE AU JAGUAR Sous-table non exportée Sous-table non exportée Parlé-crié H, lorsqu'on voit un jaguar• CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-27>30 BM.1968.032.001/11:07-27>30 00:06:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué : XXVII) : 01'10" - un fourmilier (alterné avec parlé) ; XXVIII) : 00'40" - un singe hurleur ; XXIX) : 02'00" - un tapir (id.) ; XXX) : 01'20" - un capivara (id.) • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-31 BM.1968.032.001/11:07-31 00:00:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE AU VAUTOUR Sous-table non exportée Sous-table non exportée chanté parlé-crié lorsqu'on a tué un vautour• CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-32 BM.1968.032.001/11:07-32 00:01:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU SINGE HURLEUR Sous-table non exportée Sous-table non exportée Parlé-crié, lorsqu'on chasse un singe hurleur • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-33 BM.1968.032.001/11:07-33 00:00:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE A L'OISEAU DE PROIE Sous-table non exportée Sous-table non exportée Parlé-sifflé, H, lorsqu'on a tué un oiseau de proie kimira • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-34 BM.1968.032.001/11:07-34 00:03:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU COATI Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'on a tué un coati (alterné avec parlé) • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-35 BM.1968.032.001/11:07-35 00:00:35 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT POUR L'ARC-EN-CIEL Sous-table non exportée Sous-table non exportée chanté solo H, lorsqu'onvoit l'arc-en-ciel • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-36 BM.1968.032.001/11:07-36 00:01:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI POUR L'ECLIPSE DE LUNE Sous-table non exportée Sous-table non exportée chanté solo H pour l'éclipse de lune • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-37 BM.1968.032.001/11:07-37 00:01:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU VAUTOUR Sous-table non exportée Sous-table non exportée crié, H, pour la chasse au vautour • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-38 BM.1968.032.001/11:07-38 00:00:05 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU COATI Sous-table non exportée Sous-table non exportée Parlé-crié lorsqu'on a tué un coati • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-39 BM.1968.032.001/11:07-39 00:00:15 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU COCHON Sous-table non exportée Sous-table non exportée Parlé-sifflé lorsqu'on a tué un grand cochon sauvage • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-40 BM.1968.032.001/11:07-40 00:00:05 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE CHASSE AU CHEVREUIL Sous-table non exportée Sous-table non exportée Parlé, H, lorsqu'on a tué un chevreuil • CLASTRES,P. 1963 BM 68.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :07-41>42 BM.1968.032.001/11:07-41>42 00:03:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTS DE CHASSE Sous-table non exportée Sous-table non exportée crié-parlé lorsqu'on a tué : XLI) : 00'30" - un jaguar ; XLII): 00'20" - un fourmilier • CLASTRES,P. 1963 BM 67.32.7 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :08-01>04 BM.1968.032.001/11:08-01>04 00:49:45 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI INFORMATIONS ETHNOGRAPHIQUES Sous-table non exportée Sous-table non exportée I) : 09'35" - Parlé, H, informations ethnographiques ; réponses aux questions de P.Castres ; II) : 10'40" - Idem ; III) : 14'30" - Idem ; IV) : 15'00" - Idem • CLASTRES,P. 1963 BM 67.37.8 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-01 BM.1968.032.001/11:09-01 00:06:25 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR D'ORIGINE DES GUAYAKIS Sous-table non exportée Sous-table non exportée Mythe d'origine des Guayakis • Mythe d'origine des Guayakis • CLASTRES,P. 1963 MYTHIQUE BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-02 BM.1968.032.001/11:09-02 00:04:20 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI RECIT DE CHASSE Sous-table non exportée Sous-table non exportée récit de chasse • CLASTRES,P. 1963 BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-03 BM.1968.032.001/11:09-03 00:04:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHOLOGIES ANIMALES Sous-table non exportée Sous-table non exportée mythologies portant sur les animaux • CLASTRES,P. 1963 MYTHIQUE BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-04 BM.1968.032.001/11:09-04 00:04:50 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI INFORMATIONS SUR : PERFORATION DE LA LEVRE Sous-table non exportée Sous-table non exportée Informations sur un rite d'initiation des garçons : perforation de la lèvre • CLASTRES,P. 1963 BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-05 BM.1968.032.001/11:09-05 00:01:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI INFORMATIONS SUR : SCARIFICATION DANS LE DOS Sous-table non exportée Sous-table non exportée Informations sur un rite d'initiation des garçons : scarification dans le dos • CLASTRES,P. 1963 BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-06 BM.1968.032.001/11:09-06 00:04:50 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI INFORMATIONS SUR : PERFORATION DE LA LEVRE Sous-table non exportée Sous-table non exportée Informations sur un rite d'initiation des garçons : perforation de la lèvre • CLASTRES,P. 1963 BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-07 BM.1968.032.001/11:09-07 00:03:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI INFORMATIONS SUR : LA NAISSANCE Sous-table non exportée Sous-table non exportée Informations sur la la naissance d'un enfant • CLASTRES,P. 1963 BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :09-08 BM.1968.032.001/11:09-08 00:00:00 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI MYTHE SUR L'ORIGINEDE L'OBSCURITE Sous-table non exportée Sous-table non exportée Mythe sur l'origine de l'obscurité • Mythe sur l'origine de l'obscurité. durée non communiquée • CLASTRES,P. 1963 MYTHIQUE BM 68.32.9 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :10-01>02 BM.1968.032.001/11:10-01>02 00:16:50 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI SUR LA FIN DU PEUPLE GUAYAKI Sous-table non exportée Sous-table non exportée sur la fin du peuple guayaki• AFP- = flûte de Pan en roseau. alternée avec parlé H (émission récitative), par Jyvu Kugi / écho de bande. I) : 13'40" - sur la fin du peuple guayaki; II) : 03'10" - Idem • CLASTRES,P. 1963 MYTHIQUE BM 68.32.10 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :10-03 BM.1968.032.001/11:10-03 00:05:10 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT DE RECONCILIATION Sous-table non exportée Sous-table non exportée AFP- = flûte de Pan en roseau. alternée avec parlé H (émission récitative) chant de réconciliation entre le mari et l'épouse • CLASTRES,P. 1963 BM 68.32.10 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :10-04>05 BM.1968.032.001/11:10-04>05 00:08:15 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT SUR LA MORT DE SON PERE Sous-table non exportée Sous-table non exportée sur la fin du peuple guayaki• AFP- = flûte de Pan en roseau. alternée avec parlé H (émission récitative) I) : 04'45" - chant sur la mort de son père; II) : 03'30" - Idem • CLASTRES,P. 1963 BM 68.32.10 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :11-01 BM.1968.032.001/11:11-01 00:04:30 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANT Sous-table non exportée Sous-table non exportée Chanté, solo H (quasiment sur une note) • CLASTRES,P. 1963 BM 68.32.11 AMERIQUE +BM.1968.032 CDR+Ø* BM.1968.032.001/11 :11-02>07 BM.1968.032.001/11:11-02>07 00:23:40 1963 PARAGUAY GUAYAKI PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI CHANTEUR FAISANT SON APOLOGIE Sous-table non exportée Sous-table non exportée Chanté, solo H (quasiment sur une note), avec passages parlés. I I) : 05'20" - Le chanteur fait son apologie ; III) : 04'15" - Idem ; IV : 06'40" - Idem ; V) : 02'00" - Idem ; VI): 03'00" - Idem VII):02'25" - Idem • CLASTRES,P. 1963 BM 68.32.11 AMERIQUE +BM.968.033 Ø18;²19;PPM;SD BM.968.033.001/04 :01-01 BM.968.033.001/04:01-01 00:00:00 N GUINEE MASTER DI. "M. SOSSO & MALINKE"; "CHANTS & M. MAURES" N Sous-table non exportée Sous-table non exportée 1954 0 AFRIQUE +BM.968.033 Ø18;²19;PPM;SD BM.968.033.001/04 :03-01 BM.968.033.001/04:03-01 00:00:00 N MAURITANIE MASTER DI. "M. SOSSO & MALINKE"; "CHANTS & M. MAURES" N Sous-table non exportée Sous-table non exportée 1954 0 AFRIQUE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-01 BM.1971.002.001/06:06-01 00:10:05 été 1969 TURQUIE ANAMUR EKIBI* TURC IRAN&TURQUIE CHANT : "INDIM GILDIM SILIFKE DEN BURAYA" INDIM GILDIM SILIFKE DEN BURAYA Sous-table non exportée Sous-table non exportée * Face à l'ile de Chypre, M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-01 BM.1968.034.001/02:01-01 00:04:00 1965 MAROC MARRAKECH GNAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée GNAWA: Confrérie d'anciens esclaves noirs. Vitesse 4,75 piste 1• 1965 0 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-02 BM.1968.034.001/02:01-02 00:01:15 1965 MAROC MARRAKECH GNAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée GNAWA: Confrérie d'anciens esclaves noirs. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-03 BM.1968.034.001/02:01-03 00:03:00 1965 MAROC MARRAKECH GNAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée GNAWA: Confrérie d'anciens esclaves noirs. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-04 BM.1968.034.001/02:01-04 00:04:00 1965 MAROC MARRAKECH GNAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée GNAWA: Confrérie d'anciens esclaves noirs. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-05 BM.1968.034.001/02:01-05 00:01:45 1965 MAROC MARRAKECH GNAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée GNAWA: Confrérie d'anciens esclaves noirs. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-06 BM.1968.034.001/02:01-06 00:09:15 1965 MAROC SAHARA, ASSA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-07 BM.1968.034.001/02:01-07 00:06:00 1965 MAROC SAHARA, ASSA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-08 BM.1968.034.001/02:01-08 00:12:15 1965 MAROC SAHARA, ASSA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-09 BM.1968.034.001/02:01-09 00:07:40 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Dans cette pièce on note l'existence d'un instrument métalique non identifié. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-10 BM.1968.034.001/02:01-10 00:05:45 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-11 BM.1968.034.001/02:01-11 00:14:00 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 2. (Absente)• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-12 BM.1968.034.001/02:01-12 00:06:30 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Dans cette pièce on note l'existence d'un instrument métalique non identifié. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-13 BM.1968.034.001/02:01-13 00:09:50 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Dans cette pièce on note l'existence d'un instrument métalique non identifié. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-14 BM.1968.034.001/02:01-14 00:02:05 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-15 BM.1968.034.001/02:01-15 00:02:45 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-16 BM.1968.034.001/02:01-16 00:04:30 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-17 BM.1968.034.001/02:01-17 00:04:30 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-18 BM.1968.034.001/02:01-18 00:03:10 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-19 BM.1968.034.001/02:01-19 00:04:30 1965 MAROC SAHARA BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée CL=Luth à 3 cordes. Cette pièce est exécutée par les berbères du Drâa. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-20 BM.1968.034.001/02:01-20 00:32:00 1965 MAROC MARRAKECH QUARTIER SEBTEIN BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :01-21 BM.1968.034.001/02:01-21 00:29:00 1965 MAROC MARRAKECH QUARTIER SEBTEIN BERBÈRES MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-01 BM.1968.034.001/02:02-01 00:27:00 1965 MAROC MARRAKECH DANS UN NMONASTÈRE HAMMADCHA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Pièce exécutée par la confrérie réligieuse des Hammadcha. VC=Chanté voix d'homme (au début). Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-02 BM.1968.034.001/02:02-02 00:06:00 1965 MAROC MARRAKECH AQQALAL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Musique originaire de la vallée du Drâa. Pièce exécutée par la confrérie des Aqqalal. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-03 BM.1968.034.001/02:02-03 00:02:30 1965 MAROC MARRAKECH AQQALAL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Musique originaire de la vallée du Drâa. Pièce exécutée par la confrérie des Aqqalal. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-04 BM.1968.034.001/02:02-04 00:02:00 1965 MAROC MARRAKECH AQQALAL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Musique originaire de la vallée du Drâa. Pièce exécutée par la confrérie des Aqqalal. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-05 BM.1968.034.001/02:02-05 00:05:00 1965 MAROC MARRAKECH AQQALAL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Musique originaire de la vallée du Drâa. Pièce exécutée par la confrérie des Aqqalal. Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-06 BM.1968.034.001/02:02-06 00:04:20 1965 MAROC MARRAKECH DALLIL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée VC=Chanté psalmodié choeur d'homme. Cette pièce est exécutée par la confrérie Dallil.Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-07 BM.1968.034.001/02:02-07 00:08:00 1965 MAROC MARRAKECH DALLIL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée VC=Chanté psalmodié choeur d'hommes. Cette pièce est exécutée par la confrérie Dallil.Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-08 BM.1968.034.001/02:02-08 00:09:10 1965 MAROC MARRAKECH DALLIL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée VC=Chanté psalmodié choeur d'hommes. Cette pièce est exécutée par la confrérie Dallil.Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-09 BM.1968.034.001/02:02-09 00:04:55 1965 MAROC MARRAKECH DALLIL MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée VC=Chanté psalmodié choeur d'hommes. Cette pièce est exécutée par la confrérie Dallil.Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-10 BM.1968.034.001/02:02-10 00:06:20 1965 MAROC MARRAKECH MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-11 BM.1968.034.001/02:02-11 00:03:00 1965 MAROC MARRAKECH MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-12 BM.1968.034.001/02:02-12 00:04:15 1965 MAROC MARRAKECH MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-13 BM.1968.034.001/02:02-13 00:04:10 1965 MAROC MARRAKECH CONFRERIE (SIDI BENNAMOUR) MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Confrérie des Ouled Sidi Bennamour (-branche de la confrérie des Aqqalal-) ,(- non Berbères-). IE=Grands ciseaux en fer. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-14 BM.1968.034.001/02:02-14 00:00:50 1965 MAROC MARRAKECH CONFRERIE (SIDI BENNAMOUR) MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Confrérie des Ouled Sidi Bennamour (-branche de la confrérie des Aqqalal-) ,(- non Berbères-). IE=Grands ciseaux en fer. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-15 BM.1968.034.001/02:02-15 00:06:00 1965 MAROC MARRAKECH CONFRERIE (SIDI BENNAMOUR) MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Confrérie des Ouled Sidi Bennamour (-branche de la confrérie des Aqqalal-) ,(- non Berbères-). IE=Grands ciseaux en fer. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-16 BM.1968.034.001/02:02-16 00:01:10 1965 MAROC MARRAKECH CONFRERIE (SIDI BENNAMOUR) MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Confrérie des Ouled Sidi Bennamour (-branche de la confrérie des Aqqalal-) ,(- non Berbères-). IE=Grands ciseaux en fer. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-17 BM.1968.034.001/02:02-17 00:03:50 1965 MAROC MARRAKECH CONFRERIE (SIDI BENNAMOUR) MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Confrérie des Ouled Sidi Bennamour (-branche de la confrérie des Aqqalal-) ,(- non Berbères-). IE=Grands ciseaux en fer. Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-18 BM.1968.034.001/02:02-18 00:00:55 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-19 BM.1968.034.001/02:02-19 00:09:05 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-20 BM.1968.034.001/02:02-20 00:07:05 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-21 BM.1968.034.001/02:02-21 00:05:20 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-22 BM.1968.034.001/02:02-22 00:05:40 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-23 BM.1968.034.001/02:02-23 00:06:30 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• 1965 AFRIQUE +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 :02-24 BM.1968.034.001/02:02-24 00:36:20 1965 MAROC MARRAKECH CONFRERIE AÎSSAWA MAROC. AIT YOUSSEF,M.;1965 Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 2• 1965 AFRIQUE +BM.968.035 Ø18;²19;1/2P BM.968.035.001/07 :01-01 BM.968.035.001/07:01-01 00:00:00 N CAMEROUN TARDITS,C & PARE;CAMEROUN:BAMOUN.CHRONIQUE ROYALE DE NSA'NGU,LUE PAR M.PARE;1963 N Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +BM.968.036 Ø18;²19;PPM BM.968.036.001/04 :01-01 BM.968.036.001/04:01-01 00:00:00 N REP D'AFRIQUE DU SUD AFRIQUE DU SUD:BOCHIMAN, KUNG N Sous-table non exportée Sous-table non exportée 1953 0 AFRIQUE +BM.968.037 Ø18;²19;PPM BM.968.037.001/12 :01-01 BM.968.037.001/12:01-01 00:00:00 N ILES SALOMON ILE DE MALAITA COPPET,D. DE;ILES SALOMON:MALAITA:ARE'ARE' N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.968.038 Ø18;²9.5;PPM BM.968.038.001 :01-01 BM.968.038.001:01-01 00:00:00 N VANUATU COPIE DE 2 DI.(REPIQUAGE DE CYLINDRES): NLES HEBRIDES N Sous-table non exportée Sous-table non exportée Pays dénommé Nouvelles-Hébrides à l'époque de l'enreg. -1 0 OCEANIE +BM.968.041 Ø18;²38;PPM BM.968.041.001 :01-01 BM.968.041.001:01-01 00:00:00 N ALLEMAGNE COPIE DI. 78T COLL. UNIV. M. POPU ENREG.: ALLEMAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.968.042 Ø13;²9.5;PPM BM.968.042.001 :01-01 BM.968.042.001:01-01 00:00:00 N HONG KONG HONG KONG:CHINOIS, HAKKA N Sous-table non exportée Sous-table non exportée 1957 0 ASIE +BM.968.043 Ø13;²19;PPM BM.968.043.001/02 :01-01 BM.968.043.001/02:01-01 00:00:00 N TAIWAN TAIWAN:MUSIQUE TAOISTE & BOUDDHIQUE N Sous-table non exportée Sous-table non exportée 1964 0 ASIE +BM.968.044 Divers* BM.968.044.001/02 :01-02 BM.968.044.001/02:01-02 00:10:00 N AUSTRALIE MONTAGE AUDIO-VISUEL POUR EXPO."PASSAGE A L'AGE D'HOMME";MH 12-1968 SEQUENCE "RITES D'INITIATION EN AUSTRALIE":TEXTE DE M. ESPAGNE,MUSIQUE Sous-table non exportée Sous-table non exportée 1968 0 OCEANIE +BM.968.044 Divers* BM.968.044.001/02 :02-02 BM.968.044.001/02:02-02 00:13:15 1967 MALI DOGON MONTAGE AUDIO-VISUEL POUR EXPO."PASSAGE A L'AGE D'HOMME";MH 12-1968 SEQUENCE "SIGI 1967": COMMENTAIRE DE G. ROUGET ET MUSIQUE Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.968.045 Ø18;²19;PPM BM.968.045.001 :01-01 BM.968.045.001:01-01 00:00:00 N N MONTAGE AUDITORIUM POUR EXPO. "PASSAGE A L'AGE D'HOMME";MH 12-1968 N Sous-table non exportée Sous-table non exportée 1968 N +BM.968.046 Ø18;²19;PPM BM.968.046.001 :01-01 BM.968.046.001:01-01 00:00:00 N INDONESIE COPIE DI. "INDONESIA MENARI. BALINESE GAMELAN MUSIC" N Sous-table non exportée Sous-table non exportée n -1 0 ASIE +BM.968.047 Ø18;²19;PPM BM.968.047.001 :01-01 BM.968.047.001:01-01 00:00:00 N INDONESIE COPIE DI. "GAMELAN, MUSIC FOR DANCING" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.001 ØGF;²19;PPM;SD BM.969.001.001/06 :01-01 BM.969.001.001/06:01-01 00:00:00 N ANGOLA ANGOLA FOLK-MUSIC 2;LUNDA:CHOKWE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.969.002 Ø13 BM.969.002.001/06 :01-01 BM.969.002.001/06:01-01 00:00:00 N MALI MALI (SOUDAN) N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.969.003 Ø13;²9.5;1/2P BM.969.003.001 :01-01 BM.969.003.001:01-01 00:00:00 N MEXIQUE COMMENTAIRE DE L'AUDIO-VISUEL POUR EXPO."ARTS MAYA";MH 1968 N Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +BM.969.004 Ø15;²9.5;1/2P BM.969.004.001 :01-01 BM.969.004.001:01-01 00:00:00 N N MONTAGE AUDITORIUM DE L'EXPO "PASSAGE A L'AGE D'HOMME";MH 12-1968 N Sous-table non exportée Sous-table non exportée -1 N +BM.969.005 Ø18;²19;1/2P BM.969.005.001 :01-01 BM.969.005.001:01-01 00:00:00 N N MONTAGE AUDIO-VISUEL DE L'EXPO"PASSAGE A L'AGE D'HOMME";MH 12-1968 N Sous-table non exportée Sous-table non exportée 1968 N +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :01-01 BM.1969.006.001/11:01-01 00:50:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU DEBUT A CHANT 2EME, VERSET 62 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.58 / p.55. Grelot "omvoe" et cithare 'mvet"• 1960 0 AFRIQUE +BM.969.007 ØGF;²38;PPM;SD BM.969.007.001/04 :01-01 BM.969.007.001/04:01-01 00:00:00 N ARGENTINE TERRE DE FEU MASTER DI."SELK'NAM.CHANTS OF TIERRA DEL FUEGO.ARGENTINA" N Sous-table non exportée Sous-table non exportée 1966 0 AMERIQUE +BM.969.008 ØGF;²38;PPM;SD BM.969.008.001/03 :01-01 BM.969.008.001/03:01-01 00:00:00 N GUYANE FRANCAISE MASTER DI"MUSIQUE BONI & WAYANA DE GUYANE"+CHUTE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.969.009 ØGF;²38;PPM;SD BM.969.009.001/02 :01-01 BM.969.009.001/02:01-01 00:00:00 N INDE;SIKKIM MASTER DI.REEDIT."MUSIQUE TIBETAINE DU SIKKIM" N Sous-table non exportée Sous-table non exportée 1955 0 ASIE +BM.969.010 ØGF;²38;PPM;SD BM.969.010.001/02 :01-01 BM.969.010.001/02:01-01 00:00:00 N BRESIL MASTER DI. REEDIT."MUSIQUE INDIENNE DU BRESIL" N Sous-table non exportée Sous-table non exportée 1955 0 AMERIQUE +BM.969.011 ØGF;²38;PPM;SD BM.969.011.001/02 :01-01 BM.969.011.001/02:01-01 00:00:00 1964-66 ETHIOPIE MASTER DI. "ETHIOPIE. MUSIQUE TRADITONNELLE" N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.969.012 ØGF;²38;PPM;SD BM.969.012.001/04 :01-01 BM.969.012.001/04:01-01 00:00:00 N COREE DU SUD MASTER DI."MUSIQUE BOUDDHIQUE DE COREE"+CHUTE N Sous-table non exportée Sous-table non exportée 1964 0 ASIE +BM.969.013 ØGF;²38;PPM;SD BM.969.013.001/02 :01-01 BM.969.013.001/02:01-01 00:00:00 N GUINEE MANDINGUES MASTER DI. REEDIT."MUSIQUE D'AFRIQUE OCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.013 ØGF;²38;PPM;SD BM.969.013.001/02 :02-02 BM.969.013.001/02:02-02 00:00:00 N COTE D'IVOIRE BAOULE MASTER DI. REEDIT."MUSIQUE D'AFRIQUE OCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.1969.014 CDR+Ø* BM.1969.014.001/04 :01-01 BM.1969.014.001/04:01-01 00:00:00 1948-50 VENEZUELA MISSION P.D. GAISSEAU "ORENOQUE-AMAZONE" N Sous-table non exportée Sous-table non exportée 1948 0 AMERIQUE +BM.1969.014 CDR+Ø* BM.1969.014.001/04 :01-02 BM.1969.014.001/04:01-02 00:00:00 1948-50 COLOMBIE MISSION P.D. GAISSEAU "ORENOQUE-AMAZONE" N Sous-table non exportée Sous-table non exportée 1948 0 AMERIQUE +BM.969.015 Ø13;²9.5;PPM BM.969.015.001/02 :01-01 BM.969.015.001/02:01-01 00:00:00 N ROUMANIE ROUMANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.969.016 Ø13;²9.5;PPM BM.969.016.001 :01-01 BM.969.016.001:01-01 00:00:00 N GUINEE COPIE DE DI. DE LA COLL. MH* COPIE DE "M. D'AFRIQUE OCCIDENTALE",FACE A Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-01 BM.1969.017.001/02:01-01 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT SOLO H : "KAE THLE PA" KAE THLE PA Sous-table non exportée Sous-table non exportée Vieille mélodie des Lautu, Ambiance et voix parlées avant le début du chant • 0 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-02 BM.1969.017.001/02:01-02 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-05 BM.1969.017.001/02:01-05 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-04 BM.1969.017.001/02:01-04 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.969.018 Ø8 BM.969.018.001 :01-01 BM.969.018.001:01-01 00:00:00 N MAROC JUIFS MME GERSON-KIWI.MAROC:JUIFS N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.969.019 ØGF;²38;PPM;SD BM.969.019.001/02 :01-01 BM.969.019.001/02:01-01 00:00:00 N AFGHANISTAN MASTER DI."AFGHANISTAN & IRAN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.019 ØGF;²38;PPM;SD BM.969.019.001/02 :02-02 BM.969.019.001/02:02-02 00:00:00 N IRAN MASTER DI."AFGHANISTAN & IRAN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.020 K7 BM.969.020.001/06 :01-01 BM.969.020.001/06:01-01 00:00:00 N MALI DOGON DIETERLEN,G.;MALI:DOGON; 3 SIGI, 2 OZU BOY;1969 N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1969.021 Divers* BM.1969.021.001/03 :01-01 BM.1969.021.001/03:01-01 00:30:00 N PEROU PROV. AYACOCHO,CTE QAQANAN PEROU:POKRA,CHANKA,CAMPA,QUECHUA SUITE DE CHANTS RITUELS POUR LA MOISSON Sous-table non exportée HARAWI Sous-table non exportée Région, village: Communauté de Qaqañan. Ethnie : Chanka-Pokra 1964 0 AMERIQUE +BM.1969.022 Ø13;²9.5;1/2P BM.1969.022.001 :01-01 BM.1969.022.001:01-01 00:00:00 N MALAYSIA MALAISIE MALAYSIA & MALAISIE. DOURNES,R.P.J.;1969 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.023 Divers* BM.969.023.001/04 :01-01 BM.969.023.001/04:01-01 00:00:00 N ILES TONGA MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.969.023 Divers* BM.969.023.001/04 :01-02 BM.969.023.001/04:01-02 00:00:00 N ILE SAMOA MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.969.023 Divers* BM.969.023.001/04 :01-03 BM.969.023.001/04:01-03 00:00:00 N ILES SALOMON ILE TIKOPIA MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.969.023 Divers* BM.969.023.001/04 :01-04 BM.969.023.001/04:01-04 00:00:00 N ILES SALOMON;I.BELLONA MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.969.023 Divers* BM.969.023.001/04 :01-05 BM.969.023.001/04:01-05 00:00:00 N NLE-GUINEE MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.969.024 Ø18;²19;PPM BM.969.024.001 :01-01 BM.969.024.001:01-01 00:00:00 N CANADA MASTER MONTAGE POUR EXPO."CANADA" N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.969.025 Ø13;²9.5;1/2P BM.969.025.001 :01-01 BM.969.025.001:01-01 00:00:00 N VANUATU NOUVELLES HEBRIDES;AMBRYM N Sous-table non exportée Sous-table non exportée Pays dénommé Nouvelles-Hébrides à l'époque de l'enreg. -1 0 OCEANIE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-01 BM.1969.026.001:01-01 00:02:55 MALTE POPULATION MALTAISE MALTE. GALLEY,M. PRESENTATION DE L'ILE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 0 EUROPE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-01 BM.1969.027.001/03:01-01 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE D'OUDJILA PODOKO CAMEROUN. JUILLERAT, B.;1967-68 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée Accumulation de bruits de meules• vitesse 19 piste 1• 1966 0 AFRIQUE +BM.969.028 Ø8;²19 BM.969.028.001 :01-01 BM.969.028.001:01-01 00:00:00 N ILES SALOMON ILES SALOMON N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.1969.029 Ø13;²9.5;1/2P BM.1969.029.001 :01-01 BM.1969.029.001:01-01 00:00:00 N MALAYSIA MALAYSIA & MALAISIE & SARAWAK & INDONESIE;SUMATRA. DOURNES,R.P.J. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1969.029 Ø13;²9.5;1/2P BM.1969.029.001 :01-02 BM.1969.029.001:01-02 00:00:00 N INDONESIE;SUMATRA MALAYSIA & MALAISIE & SARAWAK & INDONESIE;SUMATRA. DOURNES,R.P.J. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.030 ØGF;²38;PPM;SD BM.969.030.001/02 :01-01 BM.969.030.001/02:01-01 00:00:00 N EQUATEUR MASTER DI."JIVARO" N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.969.031 ØGF;²38;PPM;SD BM.969.031.001/02 :01-01 BM.969.031.001/02:01-01 00:00:00 N REP D'AFRIQUE DU SUD MASTER DI."MUSIQUE BOCHIMAN & MUSIQUE PYGMEE" N Sous-table non exportée Sous-table non exportée 1953 0 AFRIQUE +BM.969.031 ØGF;²38;PPM;SD BM.969.031.001/02 :01-02 BM.969.031.001/02:01-02 00:00:00 N CONGO MOYEN CONGO MASTER DI."MUSIQUE BOCHIMAN & MUSIQUE PYGMEE" N Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +BM.969.032 ØGF;²38;PPM;SD BM.969.032.001/02 :01-01 BM.969.032.001/02:01-01 00:00:00 N GUINEE MASTER DI."DAHOMEY,MUSIQUE DU ROI. GUINEE,MUSIQUE MALINKE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.032 ØGF;²38;PPM;SD BM.969.032.001/02 :02-02 BM.969.032.001/02:02-02 00:00:00 N BENIN MASTER DI."DAHOMEY,MUSIQUE DU ROI. GUINEE,MUSIQUE MALINKE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.033 ØGF;²19;PPM;SD BM.969.033.001 :01-01 BM.969.033.001:01-01 00:00:00 N BENIN MASTER DI."DAHOMEY. MUSIQUE DES PRINCES" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.034 Ø18;²38;PPM;SD BM.969.034.001 :01-01 BM.969.034.001:01-01 00:00:00 N BENIN MASTER DI."AFRIQUE, VOL.1. MUSIQUE DES REVENANTS" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.035 Ø18;²38;PPM;SD BM.969.035.001 :01-01 BM.969.035.001:01-01 00:00:00 N GUINEE MASTER DI."AFRIQUE,VOL.2" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.035 Ø18;²38;PPM;SD BM.969.035.001 :01-05 BM.969.035.001:01-05 00:00:00 N SENEGAL MASTER DI."AFRIQUE,VOL.2" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.035 Ø18;²38;PPM;SD BM.969.035.001 :01-06 BM.969.035.001:01-06 00:00:00 N BENIN MASTER DI."AFRIQUE,VOL.2" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.037 Ø8 BM.969.037.001/11 :01-01 BM.969.037.001/11:01-01 00:00:00 N IRAN BATTESTI,T.;IRAN:IRANIEN,BALOUTCHE,ZABOLI,CAUCASIEN,KURDE;1968 N Sous-table non exportée Sous-table non exportée 1968 0 ASIE +BM.969.038 ØGF BM.969.038.001/05 :01-01 BM.969.038.001/05:01-01 00:00:00 N NIGER NIGER N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.969.039 ØGF BM.969.039.001/129 :01-01 BM.969.039.001/129:01-01 00:00:00 N COTE D'IVOIRE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.039 ØGF BM.969.039.001/129 :01-02 BM.969.039.001/129:01-02 00:00:00 N BENIN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.039 ØGF BM.969.039.001/129 :01-03 BM.969.039.001/129:01-03 00:00:00 N GUINEE MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.039 ØGF BM.969.039.001/129 :01-04 BM.969.039.001/129:01-04 00:00:00 N SENEGAL MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-01 BM.969.041.001/50:01-01 00:00:00 N INDE COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-02 BM.969.041.001/50:01-02 00:00:00 N IRAN COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-03 BM.969.041.001/50:01-03 00:00:00 N ISRAEL COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-04 BM.969.041.001/50:01-04 00:00:00 N HONGRIE COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-05 BM.969.041.001/50:01-05 00:00:00 N BULGARIE COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 :01-06 BM.969.041.001/50:01-06 00:00:00 N EX YOUGOSLAVIE COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGIRE,BULGARIE,YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.969.042 Ø18 BM.969.042.001/06 :01-01 BM.969.042.001/06:01-01 00:00:00 N N BANDES DE LABORATOIRE N Sous-table non exportée Sous-table non exportée -1 N +BM.1969.043 Ø13 BM.1969.043.001/18 :01-01 BM.1969.043.001/18:01-01 00:04:35 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 0 M.1 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :02-01 BM.1969.043.001/18:02-01 00:09:40 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée Pièce publiée LD 786/ • MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.2 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :02-04 BM.1969.043.001/18:02-04 00:01:00 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.2 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-01 BM.1969.043.001/18:03-01 00:04:00 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :04-01 BM.1969.043.001/18:04-01 00:21:20 09/1969 MAROC HAUT-ATLAS,TASLLI AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" Sous-table non exportée Sous-table non exportée chanté chr H, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,Bc- = claquements de mains. "Ahwas" enchaîné à " lmsaq". interruption au milieu due à un changement de bobine • LORTAT-JACOB,B. 1969 M.4 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :05-01 BM.1969.043.001/18:05-01 00:14:00 09/1969 MAROC HAUT-ATLAS,TASLLI AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" Sous-table non exportée Sous-table non exportée Publié : disque LD 786/ • chanté chr H, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,Bc- = claquements de mains, Ie - = bijoux entrechoqués, VA- = youyous de femmes. "Ahwas" • LORTAT-JACOB,B. 1969 M.5 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :06-01 BM.1969.043.001/18:06-01 00:20:00 09/1969 MAROC HAUT-ATLAS,TASLLI AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,Bc- = claquements de mains, Ie - = bijoux entrechoqués, VA- = youyous de femmes. "Ahwas". léger "cloc" au 3/4 de la BM • LORTAT-JACOB,B. 1969 M.6 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :07-01 BM.1969.043.001/18:07-01 00:15:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS"AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,BC- = claquements de mains. "Ahwas" • LORTAT-JACOB,B. 1969 M.7 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :08-01 BM.1969.043.001/18:08-01 00:14:40 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS"AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,BC- = claquements de mains, VA- = youyous de femmes. "Ahwas" • LORTAT-JACOB,B. 1969 M.8 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :09-01 BM.1969.043.001/18:09-01 00:25:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,BC- = claquements de mains. "Ahwas" enchaîné à "lmsaq". interrompu en fin de BM ; continue en BM.969.043.001/18:10-01 • LORTAT-JACOB,B. 1969 M.9 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :10-01 BM.1969.043.001/18:10-01 00:03:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,BC- = claquements de mains. "Ahwas" . suite BM.969.043.001/18:09-01 • LORTAT-JACOB,B. 1969 M.10 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :10-02 BM.1969.043.001/18:10-02 00:05:05 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHIDUS" . Sous-table non exportée Sous-table non exportée chanté chr H, M- tambour sur cadre tgnza,BC- = claquements de mains. "Ahidus" • LORTAT-JACOB,B. 1969 M.10 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :11-01 BM.1969.043.001/18:11-01 00:08:00 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEUR "AHWAS" Sous-table non exportée Sous-table non exportée chanté chr mixte, M2- tambour à deux peaux bngri , M- tambour sur cadre tgnza,BC- = claquements de mains. "Ahwas". début coupé • LORTAT-JACOB,B. 1969 M.11 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :11-02 BM.1969.043.001/18:11-02 00:02:20 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANTS POUR LA CIRCONCISION Sous-table non exportée Sous-table non exportée circoncision • Versets coraniques / circoncision • LORTAT-JACOB,B. 1969 RELIGIEUX M.11 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :12-01 BM.1969.043.001/18:12-01 00:03:00 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 MARIAGE : URAR Sous-table non exportée Sous-table non exportée Chant pour le départ de la mule qui va chercher la mariée chez elle • LORTAT-JACOB,B. 1969 M.12 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :13-01 BM.1969.043.001/18:13-01 00:10:30 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 DANSE DE LA MARIEE Sous-table non exportée Sous-table non exportée Danse de la mariée _tamghra_ • MID- = tambour sur cadre _tgnza_ Chant _youyous_ de femmes • LORTAT-JACOB,B. 1969 M.13 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-01 BM.1969.043.001/18:14-01 00:10:45 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" . Sous-table non exportée Sous-table non exportée _Lmsaq_ • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-06 BM.1969.043.001/18:14-06 00:00:20 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Comptine, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-11 BM.1969.043.001/18:14-11 00:00:04 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULETTES ENFANTINES Sous-table non exportée Sous-table non exportée Formulette, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-14 BM.1969.043.001/18:15-14 00:01:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANT DE MARIAGE, URAR Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1969 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-16 BM.1969.043.001/18:15-16 00:05:45 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d'ahwas • LORTAT-JACOB,B. 1969 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-01 BM.1969.043.001/18:16-01 00:02:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANTS DE MARIAGE URAR Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-04 BM.1969.043.001/18:16-04 00:01:10 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-09 BM.1969.043.001/18:16-09 00:01:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANT DE CIRCONCISION Sous-table non exportée Sous-table non exportée Chant de circoncision • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-11 BM.1969.043.001/18:16-11 00:04:15 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :17-01 BM.1969.043.001/18:17-01 00:16:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AHWAS & LMSAQ Sous-table non exportée Sous-table non exportée _Lmsaq_ M2- tambour à deux peaux _bngri_ M- tambour sur cadre _tgnza_ BC- claquements de mains IE- bijoux entrechoqués Cette BM est la bande-so n d'u n film réalisé par/en collaboration avec Ariane Bruneton • LORTAT-JACOB,B. 1969 M.17 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :18-01 BM.1969.043.001/18:18-01 00:00:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 BARRATAGE ET PETRISSAGE Sous-table non exportée Sous-table non exportée Pas de durées précisées ; Barratage, son avec caméra. Cette BM est la bande sonde deux films réalisés par Ariane Bruneton • LORTAT-JACOB,B. 1969 M.18 AFRIQUE +BM.970.001 Ø13 BM.970.001.001 :01-01 BM.970.001.001:01-01 00:00:00 BURKINA FASO DORI MANDINGUES HAUTE VOLTA;MALINKÈ: MESURES GAMMES XYLOPHONES 14 & 9 TOUCHES Sous-table non exportée Sous-table non exportée Malinké(E) 0 AFRIQUE +BM.970.002 Ø10 BM.970.002.001 :01-01 BM.970.002.001:01-01 00:00:00 BURKINA FASO MANDINGUES ARNOTT,DR. D..;1956. HAUTE-VOLTA: XYLOPHONES MALINKÈ Sous-table non exportée Sous-table non exportée Malinké (E) 1956 AFRIQUE +BM.970.003 Ø13;²9.5;PPM BM.970.003.001/02 :01-01 BM.970.003.001/02:01-01 00:00:00 avril VENEZUELA AMAZONAS VENEZUELA;AMAZONAS:PIAROA N Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +BM.970.004 Ø18 BM.970.004.001/06 :01-01 BM.970.004.001/06:01-01 00:00:00 N BENIN TARDITS,C.:DAHOMEY,PORTO-NOVO N Sous-table non exportée Sous-table non exportée 1959 0 AFRIQUE +BM.970.005 ØGF;²38;PPM;SD BM.970.005.001/02 :01-01 BM.970.005.001/02:01-01 00:00:00 1965 & 67 COTE D'IVOIRE MASTER DI."MUSIQUE GUERE. COTE D'IVOIRE" N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.970.006 Ø18;²38;PPM BM.970.006.001/02 :01-01 BM.970.006.001/02:01-01 00:00:00 N NEPAL MASTER DI."CASTES DE MUSICIENS AU NEPAL" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 :01-01 BM.970.007.001/02:01-01 00:00:00 N GUINEE MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 :01-02 BM.970.007.001/02:01-02 00:00:00 N MAURITANIE MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 :01-03 BM.970.007.001/02:01-03 00:00:00 N GUINEE MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 :02-01 BM.970.007.001/02:02-01 00:00:00 N BENIN MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 :02-02 BM.970.007.001/02:02-02 00:00:00 N COTE D'IVOIRE MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.008 ØGF;²38;PPM;SD BM.970.008.001/02 :01-01 BM.970.008.001/02:01-01 00:00:00 N GUINEE MASTER DI."GUINEE FRANCAISE. MUSIQUE TOMA" N Sous-table non exportée Sous-table non exportée 1953 0 AFRIQUE +BM.970.009 ØGF BM.970.009.001 :01-01 BM.970.009.001:01-01 00:00:00 N NEPAL MONTAGE POUR EXPO. "NEPAL";MH 1969-70 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.010 ØGF;²38;PPM;SD BM.970.010.001/02 :01-01 BM.970.010.001/02:01-01 00:00:00 N BENIN MASTER DI."A.O.F. OGUN DIEU DU FER & CHANTS D'AFRIQUE OCCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.010 ØGF;²38;PPM;SD BM.970.010.001/02 :01-02 BM.970.010.001/02:01-02 00:00:00 N MAURITANIE MASTER DI."A.O.F. OGUN DIEU DU FER & CHANTS D'AFRIQUE OCCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.010 ØGF;²38;PPM;SD BM.970.010.001/02 :02-01 BM.970.010.001/02:02-01 00:00:00 N SENEGAL MASTER DI."A.O.F. OGUN DIEU DU FER & CHANTS D'AFRIQUE OCCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.010 ØGF;²38;PPM;SD BM.970.010.001/02 :02-05 BM.970.010.001/02:02-05 00:00:00 N COTE D'IVOIRE MASTER DI."A.O.F. OGUN DIEU DU FER & CHANTS D'AFRIQUE OCCIDENTALE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.011 ØGF;²38;PPM;SD BM.970.011.001/02 :01-01 BM.970.011.001/02:01-01 00:00:00 N COTE D'IVOIRE MASTER DI."PONDO KAKOU. MUSIQUE DE SOCIETE SECRETE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.011 ØGF;²38;PPM;SD BM.970.011.001/02 :02-02 BM.970.011.001/02:02-02 00:00:00 N BENIN MASTER DI."PONDO KAKOU. MUSIQUE DE SOCIETE SECRETE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.011 ØGF;²38;PPM;SD BM.970.011.001/02 :02-06 BM.970.011.001/02:02-06 00:00:00 N GUINEE MASTER DI."PONDO KAKOU. MUSIQUE DE SOCIETE SECRETE" N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-01 BM.1970.012.001/46:01-01 00:00:45 00/12/56 MALI SEGOU BOZO MALI. CALAME,B.;1956-67 CHANT SOLO H LAMINE-KARABINTA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-02 BM.1970.012.001/46:01-02 00:01:30 00/12/56 MALI SEGOU SONGHAI MALI. CALAME,B.;1956-67 SOLO DE VIELE BOW KURU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 0 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-03 BM.1970.012.001/46:01-03 00:02:50 00/12/56 MALI SEGOU SONGHAI MALI. CALAME,B.;1956-67 SOLO DE VIELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-04 BM.1970.012.001/46:01-04 00:02:45 00/12/56 MALI SEGOU SONGHAI MALI. CALAME,B.;1956-67 SOLO DE VIELE PLUS SOLO H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-05 BM.1970.012.001/46:01-05 00:00:35 00/12/56 MALI SEGOU SONGHAI MALI. CALAME,B.;1956-67 SOLO DE VIELE PLUS SOLO H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-06 BM.1970.012.001/46:01-06 00:00:30 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 TAMBOURS : RYTHME "SOGOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). 1 gros tbr "tu" & 1 petit tbr "ba golo"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-07 BM.1970.012.001/46:01-07 00:00:25 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 TAMBOURS : RYTHME "KOFIRI" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). 1 gros tbr "tu" & 1 petit tbr "ba golo"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-08 BM.1970.012.001/46:01-08 00:00:25 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 TAMBOURS : RYTHME "NDOMO NDNU" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). 1 gros tbr "tu" & 1 petit tbr "ba golo"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-09 BM.1970.012.001/46:01-09 00:00:30 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 CHANT "MEUGLEMENT DE LA VACHE" PAR DES ENFANTS MISILU KOMBO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-10 BM.1970.012.001/46:01-10 00:01:50 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 CHANT DE CIRCONCISION SENA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). solo et choeurs E sous forme responsoriale• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-11 BM.1970.012.001/46:01-11 00:01:30 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 CHANT ENFANTS ACCOMPAGNE PAR 2 TAMBOURS* SOGOLO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *essai :0'15"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :01-12 BM.1970.012.001/46:01-12 00:00:55 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 CHANT ENFANTS DE DANSE ACCOMPAGNE PAR TAMBOURS WOLOSO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-01 BM.1970.012.001/46:02-01 00:00:45 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KOMO DNU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-02 BM.1970.012.001/46:02-02 00:00:40 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR WOLO (DANSE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-03 BM.1970.012.001/46:02-03 00:00:55 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR BARA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-04 BM.1970.012.001/46:02-04 00:00:40 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 CHANT CHOEUR D'ENFANTS KORO DUGA NDU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-05 BM.1970.012.001/46:02-05 00:01:00 00/12/56 MALI MBEBA PEULS MALI. CALAME,B.;1956-67 SOLO LUTH PAR UN BERGER SAY GALARE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-06 BM.1970.012.001/46:02-06 00:01:10 00/12/56 MALI MBEBA PEULS MALI. CALAME,B.;1956-67 SOLO LUTH PAR UN BERGER YA BABA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-07 BM.1970.012.001/46:02-07 00:01:35 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 CHANT PAR DES ENFANTS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-08 BM.1970.012.001/46:02-08 00:01:25 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 TAMBOURS BARA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-09 BM.1970.012.001/46:02-09 00:00:55 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR BONDALA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-10 BM.1970.012.001/46:02-10 00:01:15 00/12/56 MALI MBEBA BAMBARA MALI. CALAME,B.;1956-67 SOLO DE PETIT TAMBOUR KOMA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 0 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :02-11 BM.1970.012.001/46:02-11 00:01:20 00/12/56 MALI BANANKORO BAMBARA MALI. CALAME,B.;1956-67 SOLO DE VIELE KILAWA;BAKARIDA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-01 BM.1970.012.001/46:03-01 00:00:45 00/12/56 MALI BANANKORO BOZO MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'INCIRCONCIS KELEMEYE FUNGU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-02 BM.1970.012.001/46:03-02 00:01:00 00/12/56 MALI BANANKORO BOZO MALI. CALAME,B.;1956-67 RYTHME "SOGOLO" DE 4 TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-03 BM.1970.012.001/46:03-03 00:01:30 00/12/56 MALI BANANKORO BOZO MALI. CALAME,B.;1956-67 DANSE "WARA FUNGU" PAR 4 TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-04 BM.1970.012.001/46:03-04 00:02:45 00/12/56 MALI BANANKORO BOZO MALI. CALAME,B.;1956-67 DANSE "KONYA FU" PAR 4 TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-05 BM.1970.012.001/46:03-05 00:02:00 00/12/56 MALI MARKALA SONGHAI MALI. CALAME,B.;1956-67 SOLO DE PETITE VIELE "SANKARE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-06 BM.1970.012.001/46:03-06 00:02:00 00/12/56 MALI MARKALA SONGHAI MALI. CALAME,B.;1956-67 SOLO DE PETITE VIELE "DYABA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-07 BM.1970.012.001/46:03-07 00:02:45 00/12/56 MALI SINZANI MARKA MALI. CALAME,B.;1956-67 DANSE "BARA" AVEC TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-08 BM.1970.012.001/46:03-08 00:00:50 00/12/56 MALI SINZANI MARKA MALI. CALAME,B.;1956-67 SOLO TAMBOUR D'INCIRCONCIS, RYTHME Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :03-09 BM.1970.012.001/46:03-09 00:01:20 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR UN GRIOT "KALA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Luth 4c• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :04-01 BM.1970.012.001/46:04-01 00:04:50 00/12/56 MALI KOKIRI SOMONO MALI. CALAME,B.;1956-67 CHANT AVEC ACC. CALEBASSE "KONINGELE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :04-02 BM.1970.012.001/46:04-02 00:10:50 00/12/56 MALI KOKIRI SOMONO MALI. CALAME,B.;1956-67 CHANT AVEC ACC. CALEBASSE* "KONINGELE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). incident technique après 4'50''• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-01 BM.1970.012.001/46:05-01 00:02:25 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR GRIOT "NAMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-02 BM.1970.012.001/46:05-02 00:03:30 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 ACCORD DU LUTH PUIS SOLO DE LUTH PAR GRIOT "DUGO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-03 BM.1970.012.001/46:05-03 00:00:45 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 ACCORD DU LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-04 BM.1970.012.001/46:05-04 00:02:20 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR UN GRIOT, LOUANGE "DYARO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-05 BM.1970.012.001/46:05-05 00:03:00 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 ACCORD DU LUTH PUIS AIR "SUNDYATA" PAR UN GRIOT "SUNDYATA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-06 BM.1970.012.001/46:05-06 00:01:15 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 ACCORD DU LUTH PUIS AIR "KONDYO" PAR UN GRIOT "KONDYO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :05-07 BM.1970.012.001/46:05-07 00:01:20 00/12/56 MALI SINZANI BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR GRIOT "AIR MODERNE"* "KOITA MAKANDOU" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *incident technique• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :06-01 BM.1970.012.001/46:06-01 00:07:30 00/12/56 MALI KOKIRI BOZO MALI. CALAME,B.;1956-67 CHANT MODERNE "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :06-02 BM.1970.012.001/46:06-02 00:07:30 00/12/56 MALI SAGURA MINIANKA MALI. CALAME,B.;1956-67 AIR DE XYLOPHONES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-01 BM.1970.012.001/46:07-01 00:00:35 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 RECIT PAR UN GRIOT, DISCOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-02 BM.1970.012.001/46:07-02 00:01:30 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 ACCORD DU LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-03 BM.1970.012.001/46:07-03 00:04:15 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 RECIT PAR UN GRIOT ACCOMPAGNEMENT AU LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-04 BM.1970.012.001/46:07-04 00:02:45 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR UN GRIOT ET PRESENTATION DE LA PIECE "DUGA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-05 BM.1970.012.001/46:07-05 00:02:10 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR UN GRIOT, ELOGE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-06 BM.1970.012.001/46:07-06 00:01:30 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 SOLO DE LUTH PAR UN GRIOT "NAMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :07-07 BM.1970.012.001/46:07-07 00:02:40 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'AISSELLE PAR UN GRIOT. AIR DE DANSE "DYELI NAMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :08-01 BM.1970.012.001/46:08-01 00:03:45 00/12/56 MALI KOKIRI SARAKOLE MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'AISSELLE PAR UN GRIOT. AIR DE DANSE POUR FEMMES "TEGERE TLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :08-02 BM.1970.012.001/46:08-02 00:12:00 00/12/56 MALI KOKIRI MINIANKA MALI. CALAME,B.;1956-67 SOLO DE XYLOPHONE ET TAMBOUR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :09-01 BM.1970.012.001/46:09-01 00:10:00 00/12/56 MALI MADUGU MINIANKA MALI. CALAME,B.;1956-67 DANSES PAR ORCHESTRE DE XYLOPHONES ET TAMBOUR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :09-02 BM.1970.012.001/46:09-02 00:02:00 00/12/56 MALI MADUGU MINIANKA MALI. CALAME,B.;1956-67 SOLO DE XYLOPHONE, PREMIER JOUEUR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :09-03 BM.1970.012.001/46:09-03 00:01:00 00/12/56 MALI MADUGU MINIANKA MALI. CALAME,B.;1956-67 SOLO DE XYLOPHONE AVEC SONNAILLES, DEUXIEME JOUEUR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :09-04 BM.1970.012.001/46:09-04 00:01:30 00/12/56 MALI MADUGU MINIANKA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'ACCOMPAGNEMENT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-01 BM.1970.012.001/46:10-01 00:01:45 00/12/56 MALI KEBOZO BOZO MALI. CALAME,B.;1956-67 SOLO DE TROMPE, APPEL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-02 BM.1970.012.001/46:10-02 00:00:40 00/12/56 MALI KEBOZO BOZO MALI. CALAME,B.;1956-67 CHANT SOLO DE FEMME "BATUMA MBE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-03 BM.1970.012.001/46:10-03 00:01:00 00/12/56 MALI KEBOZO BOZO MALI. CALAME,B.;1956-67 CHANT SOLO DE FEMME "BATUMA MBE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-04 BM.1970.012.001/46:10-04 00:00:15 00/12/56 MALI KEBOZO BOZO MALI. CALAME,B.;1956-67 CHANT SOLO DE FEMME "BATUMA MBE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-05 BM.1970.012.001/46:10-05 00:05:25 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 CHANT DU CHASSEUR AVEC ACCOMPAGNEMENT AU LUTH "DOZI NGONI" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-06 BM.1970.012.001/46:10-06 00:00:15 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 ACCORD DU LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-07 BM.1970.012.001/46:10-07 00:00:20 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :10-08 BM.1970.012.001/46:10-08 00:05:15 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 CHANT SUR LES EXPLOITS D'UN CHASSEUR AVEC ACCOMPAGNEMENT AU LUTH "MUKTAR" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :11-01 BM.1970.012.001/46:11-01 00:15:00 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 CHANT "LES EXPLOITS D'UN CHASSEUR" AVEC ACCOMPAGNEMENT AU LUTH (SUITE) "MUKTAR" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). suite pièce10-08• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :12-01 BM.1970.012.001/46:12-01 00:05:10 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 CHANT "LES EXPLOITS D'UN CHASSEUR" AVEC ACCOMPAGNEMENT LUTH (FIN ) "MUKTAR" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). suite et fin pièce11-01• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :12-02 BM.1970.012.001/46:12-02 00:04:40 00/12/56 MALI KE MACINA BOZO MALI. CALAME,B.;1956-67 CHANT DES PIROGUIERS "KONINGELE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :12-03 BM.1970.012.001/46:12-03 00:05:15 00/12/56 MALI KE MACINA BOZO MALI. CALAME,B.;1956-67 CHANT SOLO H "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :13-01 BM.1970.012.001/46:13-01 00:04:50 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 DANSE : TBR D'AISSELLE PAR GRIOT PUIS CHANT CHR JF AVEC ACC. CALEBASSE "MAMA KUITA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :13-02 BM.1970.012.001/46:13-02 00:02:10 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 SOLO TBR D'AISSELLE PAR GRIOT, RYTHME "SANDA" "MAMA KUITA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :13-03 BM.1970.012.001/46:13-03 00:01:20 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 SOLO TBR D'AISSELLE PAR GRIOT, RYTHME "SANDA" "MAMA KUITA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :13-04 BM.1970.012.001/46:13-04 00:03:25 00/12/56 MALI KE MACINA PEULS MALI. CALAME,B.;1956-67 SOLO DE VIELE, ELOGE "NDYARE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :13-05 BM.1970.012.001/46:13-05 00:02:30 00/12/56 MALI KE MACINA DOGON MALI. CALAME,B.;1956-67 SOLO DE FIFRE ""ANASARA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :14-01 BM.1970.012.001/46:14-01 00:03:00 00/12/56 MALI KE MACINA DOGON MALI. CALAME,B.;1956-67 SOLO DE FLUTE ""YERE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :14-02 BM.1970.012.001/46:14-02 00:03:20 00/12/56 MALI KE MACINA MINIANKA MALI. CALAME,B.;1956-67 PIECE DE XYLOPHONES ET TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :14-03 BM.1970.012.001/46:14-03 00:03:00 00/12/56 MALI KE MACINA MINIANKA MALI. CALAME,B.;1956-67 PIECE DE XYLOPHONES ET TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :14-04 BM.1970.012.001/46:14-04 00:01:20 00/12/56 MALI KE MACINA MINIANKA MALI. CALAME,B.;1956-67 PIECE DE XYLOPHONES ET TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :14-05 BM.1970.012.001/46:14-05 00:05:25 00/12/56 MALI KE MACINA BAMBARA MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :15-01 BM.1970.012.001/46:15-01 00:02:30 00/12/56 MALI KOGURU BAMBARA MALI. CALAME,B.;1956-67 SOLO DE LUTH MONOCORDE, ELOGE "BAKARI DA PASA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :15-02 BM.1970.012.001/46:15-02 00:05:00 00/12/56 MALI KOGURU BAMBARA MALI. CALAME,B.;1956-67 CHANT, ELOGE "BELESE NDYAY PASA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :15-03 BM.1970.012.001/46:15-03 00:03:40 00/12/56 MALI KOGURU BAMBARA MALI. CALAME,B.;1956-67 CHANT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :15-04 BM.1970.012.001/46:15-04 00:04:30 00/12/56 MALI KOGURU BOZO-BAMBARA MALI. CALAME,B.;1956-67 CHANT "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-01 BM.1970.012.001/46:16-01 00:04:00 00/12/56 MALI KOGURU BOZO MALI. CALAME,B.;1956-67 CHANT "MAMU" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-02 BM.1970.012.001/46:16-02 00:02:45 00/12/56 MALI KOGURU BOZO-BAMBARA MALI. CALAME,B.;1956-67 CHANT, ELOGE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 0 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-03 BM.1970.012.001/46:16-03 00:02:15 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 SOLO DE VIELE :ELOGE D'UN MARABOUT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-04 BM.1970.012.001/46:16-04 00:02:30 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 SOLO DE VIELE : ELOGE D'UN MARABOUT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-05 BM.1970.012.001/46:16-05 00:01:30 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 SOLO DE TROMPE, SONNERIE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :16-06 BM.1970.012.001/46:16-06 00:01:45 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 SOLO DE LUTH "BAGARI DA PASA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :17-01A>C BM.1970.012.001/46:17-01A>C 00:02:45 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 SOLO DE LUTH, ELOGE D'UN PEUL "KAPALAR" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :17-02 BM.1970.012.001/46:17-02 00:05:40 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 CHANT DE MARIAGE "BUBAKARI SIDIKI" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). IFC=calebasse• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :17-03 BM.1970.012.001/46:17-03 00:04:00 00/12/56 MALI TWARA MARKA MALI. CALAME,B.;1956-67 CHANT DE MARIAGE "SINALI" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). IFC=calebasse• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :17-04 BM.1970.012.001/46:17-04 00:02:25 00/12/56 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 AIR DE DANSE "BARANGA" Sous-table non exportée Sous-table non exportée Voix de B. Calame présentant chaque tambour successivement• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :18-01 BM.1970.012.001/46:18-01 00:02:45 00/12/56 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 AIR DE DANSE "YERE MAMA" Sous-table non exportée Sous-table non exportée Voix de B. Calame présentant chaque tambour successivement• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :18-02 BM.1970.012.001/46:18-02 00:00:30 00/12/56 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 ACCORD DES TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :18-03 BM.1970.012.001/46:18-03 00:04:15 00/12/56 MALI KOMARA BAMBARA MALI. CALAME,B.;1956-67 CHANT "DARA DORIGI" Sous-table non exportée Sous-table non exportée Présentation des tambours par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :18-04 BM.1970.012.001/46:18-04 00:05:05 00/12/56 MALI KOMARA BOZO-BAMBARA MALI. CALAME,B.;1956-67 CHANT BAMBARA & BOZO "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :18-05 BM.1970.012.001/46:18-05 00:03:00 00/12/56 MALI KOMARA BAMBARA MALI. CALAME,B.;1956-67 CHANT "KONINGELE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-01 BM.1970.012.001/46:19-01 00:02:45 00/12/67 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 SOLO DE CORNE D'ANTILOPE, SONNERIE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-02 BM.1970.012.001/46:19-02 00:01:40 00/12/67 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 SOLO DE LUTH MONOCORDE, ELOGE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-03 BM.1970.012.001/46:19-03 00:01:30 00/12/67 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 SOLO DE LUTH MONOCORDE, ELOGE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-04 BM.1970.012.001/46:19-04 00:01:15 00/12/67 MALI KOMARA BOZO MALI. CALAME,B.;1956-67 SOLO DE LUTH, ELOGE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-05 BM.1970.012.001/46:19-05 00:01:20 00/12/67 MALI KULI BOZO SOMONO-BOZO MALI. CALAME,B.;1956-67 APPEL DE TAMBOURS Sous-table non exportée Sous-table non exportée Présentation des tambours par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-06 BM.1970.012.001/46:19-06 00:01:00 00/12/67 MALI KULI BOZO SOMONO-BOZO MALI. CALAME,B.;1956-67 IMITATION AVEC LA BOUCHE DU RYTHME "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-07 BM.1970.012.001/46:19-07 00:01:30 00/12/67 MALI KULI BOZO SOMONO-BOZO MALI. CALAME,B.;1956-67 RYTHME "TUMA" Sous-table non exportée Sous-table non exportée Présentation des tambours• LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :19-08 BM.1970.012.001/46:19-08 00:04:00 00/12/67 MALI KULI BOZO SOMONO-BOZO MALI. CALAME,B.;1956-67 CHANT POUR L'ELOGE DES FILLES Sous-table non exportée Sous-table non exportée Présentation des tambours• LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-01 BM.1970.012.001/46:20-01 00:04:15 00/12/67 MALI KULI SIRE BAMBARA-BOZO MALI. CALAME,B.;1956-67 CHANT, CHOEUR DE FILLES "TUMA" Sous-table non exportée Sous-table non exportée Présentation des tambours par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-02 BM.1970.012.001/46:20-02 00:03:00 00/12/67 MALI KULI SIRE BOZO MALI. CALAME,B.;1956-67 CHANT, CHOEUR DE FILLES "NYARE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-03 BM.1970.012.001/46:20-03 00:00:40 00/12/67 MALI KULI SIRE BOZO MALI. CALAME,B.;1956-67 CHANT SOLO H FAISANT UN RYTHME AVEC LA BOUCHE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Homme faisant avec la bouche un rythme repris par un tambour• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-04 BM.1970.012.001/46:20-04 00:02:50 00/12/67 MALI KULI SIRE BOZO MALI. CALAME,B.;1956-67 PIECE PSALMODIEE "KONINGELE" Sous-table non exportée Sous-table non exportée Présentation des tambours par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-05 BM.1970.012.001/46:20-05 00:01:30 00/12/67 MALI DJAFARABE MARKA MALI. CALAME,B.;1956-67 ACCORD DE 2 LUTH A 4 CORDES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :20-06 BM.1970.012.001/46:20-06 00:03:00 00/12/67 MALI DJAFARABE PEULS MALI. CALAME,B.;1956-67 ELOGE DE CHEFS PEULS (RECITE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :21-01 BM.1970.012.001/46:21-01 00:02:40 00/12/67 MALI DJAFARABE PEULS MALI. CALAME,B.;1956-67 ELOGE DE CHEFS PEULS (RECITE)-SUITE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :21-02 BM.1970.012.001/46:21-02 00:02:20 00/12/67 MALI DJAFARABE PEULS MALI. CALAME,B.;1956-67 SOLO DE FLUTE PEULE SAW IL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :21-03 BM.1970.012.001/46:21-03 00:05:15 00/12/67 MALI DJAFARABE RYMAYBE MALI. CALAME,B.;1956-67 AIR DE 3 FLUTES "ELOGE" AMIN DYALLO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :21-04 BM.1970.012.001/46:21-04 00:03:20 00/12/67 MALI DJAFARABE RYMAYBE MALI. CALAME,B.;1956-67 ENREGISTREMENT SUCCESSIF DE 3 FLUTES* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *a)0,50'';b)0,40";c)0,50";d)1'• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-01 BM.1970.012.001/46:22-01 00:01:30 00/12/67 MALI DJAFARABE RYMAYBE MALI. CALAME,B.;1956-67 AIR DE 4 FLUTES SIDI BABA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-02 BM.1970.012.001/46:22-02 00:02:40 00/12/67 MALI DJAFARABE RYMAYBE MALI. CALAME,B.;1956-67 AIR DE 4 FLUTES JOUEES DEUX A DEUX TORIFA MAUNDE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-03 BM.1970.012.001/46:22-03 00:07:05 00/12/67 MALI DJAFARABE PEUL-RYMAYBE MALI. CALAME,B.;1956-67 ELOGE PSALMODIE WOGERU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-04 BM.1970.012.001/46:22-04 00:03:20 00/12/67 MALI DJAFARABE RYMAYBE MALI. CALAME,B.;1956-67 SOLO DE VIELE : ELOGE DES PEULS NDYARU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-05 BM.1970.012.001/46:22-05 00:06:45 00/12/67 MALI DJAFARABE PEULS MALI. CALAME,B.;1956-67 RECIT DE LA TRANSHUMANCE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 NARRATIF piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-06 BM.1970.012.001/46:22-06 00:01:20 00/12/67 MALI NU BOZO MALI. CALAME,B.;1956-67 IMPROVISATION D'UNE GRIOTTE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). improvisation soutenue par les cris et chants des autres femmes• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-07 BM.1970.012.001/46:22-07 00:01:15 00/12/67 MALI NU BOZO MALI. CALAME,B.;1956-67 CHANT SOLO D'UNE GRIOTTE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-08 BM.1970.012.001/46:22-08 00:01:15 00/12/67 MALI NU BOZO MALI. CALAME,B.;1956-67 CHANT SOLO JEUNE FILLE, RYTHME "TUMA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :22-09 BM.1970.012.001/46:22-09 00:01:30 00/12/67 MALI NU BOZO MALI. CALAME,B.;1956-67 CHANT JEUNE FILLE, IMPROVISATION POUR L'ELOGE DU CHEF Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX POUR DIGNITAIRE piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-01 BM.1970.012.001/46:23-01 00:02:00 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 ELOGE PARLE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-02 BM.1970.012.001/46:23-02 00:03:15 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 CHANT "JOLIE JEUNE FILLE" KALA PADI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-03 BM.1970.012.001/46:23-03 00:07:00 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 CHANT SOLO H LALLA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-04 BM.1970.012.001/46:23-04 00:03:00 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 PSALMODIE SOLO H BURUDI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-05 BM.1970.012.001/46:23-05 00:04:40 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 CHANT SUR LES BOEUFS SENKOR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-06 BM.1970.012.001/46:23-06 00:03:50 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 RECIT DE GUERRE DECLAME POI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 NARRATIF piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :23-07 BM.1970.012.001/46:23-07 00:07:00 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 CHANT : ELOGE DES FILLES PEULES KALAPADI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-01 BM.1970.012.001/46:24-01 00:01:30 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 SOLO DE PETITE VIELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-02 BM.1970.012.001/46:24-02 00:02:00 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 SOLO DE DE LUTH A 3 CORDES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-03 BM.1970.012.001/46:24-03 00:02:30 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 CHANT SOLO H NARKAL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-04 BM.1970.012.001/46:24-04 00:03:40 00/12/67 MALI KWA PEULS MALI. CALAME,B.;1956-67 HISTOIRE DE LA TRANSHUMANCE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1967 NARRATIF AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-05 BM.1970.012.001/46:24-05 00:04:30 00/12/56 MALI MAKAME RYMAYBE MALI. CALAME,B.;1956-67 DUO DE FLUTE ET DE VIELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-06 BM.1970.012.001/46:24-06 00:06:00 00/12/56 MALI MAKAME RYMAYBE MALI. CALAME,B.;1956-67 CHANT ANCIEN PAR VIELES ET FLUTES DIRI Sous-table non exportée Sous-table non exportée Présentation des instruments par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-07 BM.1970.012.001/46:24-07 00:03:00 00/12/56 MALI MAKAME RYMAYBE MALI. CALAME,B.;1956-67 PIECE DE VIELES ET DE FLUTES BARAIMA BOREL BARU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-08 BM.1970.012.001/46:24-08 00:01:45 00/12/56 MALI MAKAME RYMAYBE MALI. CALAME,B.;1956-67 ELOGE DES VACHES NDERO Sous-table non exportée Sous-table non exportée Présentation des vieles par B. Calame• LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :24-09 BM.1970.012.001/46:24-09 00:02:20 00/12/56 MALI MAKAME RYMAYBE MALI. CALAME,B.;1956-67 HISTOIRE DES ANIMAUX SAUVAGES POY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 NARRATIF AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-01 BM.1970.012.001/46:25-01 00:03:50 00/12/56 MALI OURO MODI RYMAYBE MALI. CALAME,B.;1956-67 ELOGE DES RYMAYBE PAR 2 VIELES FARA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-02 BM.1970.012.001/46:25-02 00:03:30 00/12/56 MALI OURO MODI RYMAYBE MALI. CALAME,B.;1956-67 CHANSON POUR FILLES ET GARCONS KALAPADI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-03 BM.1970.012.001/46:25-03 00:03:05 00/12/56 MALI OURO MODI RYMAYBE MALI. CALAME,B.;1956-67 ELOGE DES PEULS, PSALMODIE DIRIGA MAVE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-04 BM.1970.012.001/46:25-04 00:03:15 00/12/56 MALI OURO MODI RYMAYBE MALI. CALAME,B.;1956-67 RECIT SOLOS H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 NARRATIF AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-05 BM.1970.012.001/46:25-05 00:01:20 00/12/56 MALI SANNE SOMONO MALI. CALAME,B.;1956-67 CHANT DE GARCONS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-06 BM.1970.012.001/46:25-06 00:04:40 00/12/56 MALI SANNE SOMONO MALI. CALAME,B.;1956-67 CHANT DE GARCONS (SUITE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-07 BM.1970.012.001/46:25-07 00:03:20 00/12/56 MALI NGOMI SOMONO MALI. CALAME,B.;1956-67 SOLO DE LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-08 BM.1970.012.001/46:25-08 00:01:45 00/12/56 MALI NGOMI SOMONO MALI. CALAME,B.;1956-67 SOLO DE LUTH, ELOGE D'UN PEUL KALAPAR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-09 BM.1970.012.001/46:25-09 00:02:45 00/12/56 MALI NGOMI SOMONO MALI. CALAME,B.;1956-67 SOLO DE LUTH, ELOGE D'UN GUERRIER PEUL GELADU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-10 BM.1970.012.001/46:25-10 00:01:30 00/12/56 MALI NGOMI BOZO MALI. CALAME,B.;1956-67 CHOEUR DE FILLES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :25-11 BM.1970.012.001/46:25-11 00:01:00 00/12/56 MALI NGOMI BOZO MALI. CALAME,B.;1956-67 CHOEUR DE FILLES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-01 BM.1970.012.001/46:26-01 00:01:30 00/12/56 MALI MOPTI SONGHAI MALI. CALAME,B.;1956-67 SOLO DE VIELE, ELOGE D'UN PEUL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-02 BM.1970.012.001/46:26-02 00:13:30 00/12/56 MALI MOPTI BAMBARA-MARKA MALI. CALAME,B.;1956-67 ELOGE AU XYLOPHONE ET TAMBOUR D'AISSELLE KEIRA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-03 BM.1970.012.001/46:26-03 00:03:00 00/12/56 MALI MOPTI BAMBARA MALI. CALAME,B.;1956-67 SOLO DE XYLOPHONE, ELOGE ALFA YAYA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). IS-sonnailles de poignet• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-04A BM.1970.012.001/46:26-04A 00:00:30 00/12/56 MALI MOPTI MARKA MALI. CALAME,B.;1956-67 ACCORD DE LUTH A 4 CORDES ALFA YAYA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-04B BM.1970.012.001/46:26-04B 00:09:00 00/12/56 MALI MOPTI BAMBARA-MARKA MALI. CALAME,B.;1956-67 SOLO DE LUTH ET CHANT : ELOGE D'UN GUERRIER BAMBARA* BOKARI DYA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Chant très bref revenant 3 fois dans la piece ainsi qu'un texte récité• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :26-05 BM.1970.012.001/46:26-05 00:03:00 00/12/56 MALI MOPTI MARKA MALI. CALAME,B.;1956-67 ACCORD ET SOLO DE LUTH, ELOGE D'UN BAMBARA ET D'UN COMMERCANT "BUGUDE SAROFO" ET "ISSA SISSE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 ELOGIEUX AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-01 BM.1970.012.001/46:27-01 00:02:00 00/12/56 MALI MOPTI MARKA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'AISSELLE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-02 BM.1970.012.001/46:27-02 00:03:00 00/12/56 MALI MOPTI MARKA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'AISSELLE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-03 BM.1970.012.001/46:27-03 00:02:40 00/12/56 MALI MOPTI MARKA MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR D'AISSELLE AVEC XYLOPHONE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-04 BM.1970.012.001/46:27-04 00:05:40 00/12/56 MALI MOPTI BAMBARA MALI. CALAME,B.;1956-67 MUSIQUE DE MARIAGE (PEUL) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). M2c-tbr=tambour d'aisselle• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-05 BM.1970.012.001/46:27-05 00:01:05 00/12/56 MALI MOPTI BAMBARA MALI. CALAME,B.;1956-67 MUSIQUE DE MARIAGE (PEUL) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). M2c-tbr=tambour d'aisselle• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-06 BM.1970.012.001/46:27-06 00:01:37 00/12/56 MALI MOPTI BAMBARA MALI. CALAME,B.;1956-67 PIECE INSTRUMENTALE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-07 BM.1970.012.001/46:27-07 00:07:00 00/12/56 MALI MOPTI BAMBARA MALI. CALAME,B.;1956-67 PIECE INSTRUMENTALE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Voix de femmes en arriere plan;changement de niveau à l'enregistrement• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-08 BM.1970.012.001/46:27-08 00:03:50 00/12/56 MALI MOPTI MINIANKA MALI. CALAME,B.;1956-67 PIECE MUSICALE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-09 BM.1970.012.001/46:27-09 00:03:12 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 CHANT PAR GRIOT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Accompagnement luth à 3c• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-10 BM.1970.012.001/46:27-10 00:00:20 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 ACCORD DE 2 LUTHS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :27-11 BM.1970.012.001/46:27-11 00:01:40 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 CHANT, ELOGE D'UN PEUL PAR GRIOT KAPALARI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Luth à 3c• 1956 ELOGIEUX piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-01 BM.1970.012.001/46:28-01 00:01:15 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 CHANT SOLO PAR GRIOT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-02 BM.1970.012.001/46:28-02 00:06:53 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 CHANT SOLO PAR GRIOT, PAROLES DE FLATTERIE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *chanté puis + récité que chanté• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-03 BM.1970.012.001/46:28-03 00:06:48 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 CHANSON POUR LES BAMBARAS ET LES PEULS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-04 BM.1970.012.001/46:28-04 00:00:25 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 ACCORD D'UN LUTH Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-05 BM.1970.012.001/46:28-05 00:02:45 00/12/56 MALI MOPTI PEULS MALI. CALAME,B.;1956-67 SOLO DE LUTH, AIR "NDYARU" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-06 BM.1970.012.001/46:28-06 00:01:05 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE FLUTES* SUR L' AIR "FLUTE DU CHEMIN" OZU KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl. *Rythmes "tolo" et "na"• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-07 BM.1970.012.001/46:28-07 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE FLUTES* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Duo de flûte puis 1èr flûte puis 2ème flûte• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-08 BM.1970.012.001/46:28-08 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO FLUTE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-09 BM.1970.012.001/46:28-09 00:01:27 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO FLUTE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl) *petit incident technique à 35"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-10 BM.1970.012.001/46:28-10 00:02:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE 2 FLUTES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl) Echange des 2 parties• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-11 BM.1970.012.001/46:28-11 00:01:35 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE 2 FLUTES EN ALTERNANCE : "SALUT" PO KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-12 BM.1970.012.001/46:28-12 00:01:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE 2 FLUTES EN ALTERNANCE : "DEMANDE" SELUME KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-13 BM.1970.012.001/46:28-13 00:01:05 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE 2 FLUTES EN ALTERNANCE : "REMERCIEMENT" BIREPO KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :28-14 BM.1970.012.001/46:28-14 00:01:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE 2 FLUTES EN ALTERNANCE : "FEMME" TAGO KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-01 BM.1970.012.001/46:29-01 00:01:40 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CORNE D'ANTILOPE : AVERTISSEMENT FUNERAILLES DIGILU BOY Sous-table non exportée Sous-table non exportée avertissement funérailles• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-02 BM.1970.012.001/46:29-02 00:00:40 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ESSAIS : SOLO DE CORNE D'ANTILOPE , AVERTISSEMENT FUNERAILLES DIGILU BOY Sous-table non exportée Sous-table non exportée essais;avertissement funérailles• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-03 BM.1970.012.001/46:29-03 00:00:42 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DEBUT CHANT SOLO H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-04 BM.1970.012.001/46:29-04 00:00:09 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT SOLO H ET CHR H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-05 BM.1970.012.001/46:29-05 00:03:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE FUNERAILLES DE FEMME Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-06 BM.1970.012.001/46:29-06 00:05:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE SALUTATION PO KUNNE YERE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). M2C=tambours d'aisselle• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :29-07 BM.1970.012.001/46:29-07 00:05:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT SOLO ET CHOEUR H BORO PO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). M2C=tambours d'aisselle;VA=cris huchés• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-01 BM.1970.012.001/46:30-01 00:01:40 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS SUR DANSE, RYTHME "TOLO" ET "NA" DANSE "GO YALA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-02 BM.1970.012.001/46:30-02 00:01:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS SUR DANSE MERE DANSE "GONA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-03 BM.1970.012.001/46:30-03 00:00:35 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS SANDIRU BA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-04 BM.1970.012.001/46:30-04 00:01:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS SANDIRU BA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-05 BM.1970.012.001/46:30-05 00:01:55 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS SANDIRU BA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-06 BM.1970.012.001/46:30-06 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TAMBOUR : LUTTE ASORI KORO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-07 BM.1970.012.001/46:30-07 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOUR ULUME DOMU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-08 BM.1970.012.001/46:30-08 00:01:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOUR KORO BA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-09 BM.1970.012.001/46:30-09 00:02:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS* ADULA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Deux parties : 0'45" & 1'15"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-10 BM.1970.012.001/46:30-10 00:02:40 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TROMPES (CORNES DE VACHES)* KA BOUMO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Deux parties : 02'30" & 0'10", ka boumo & ka boumo suzu• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :30-11 BM.1970.012.001/46:30-11 00:12:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANTS DE FUNERAILLES DE FEMMES* KOSU PELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *chants n°1-2-3-4-5. IFC=calebasses• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-01 BM.1970.012.001/46:31-01 00:04:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANTS DE FUNERAILLES DE FEMMES (SUITE)* KOSU PELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *chants n°6-7-8. IFC=calebasses• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02A BM.1970.012.001/46:31-02A 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE PETITE CORNE KA KELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02B BM.1970.012.001/46:31-02B 00:00:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE PETITE CORNE (APPEL) OLU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02C BM.1970.012.001/46:31-02C 00:01:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE PETITE CORNE (ENTREE SUR LA PLACE TAY) TAY YOY KA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02D BM.1970.012.001/46:31-02D 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE PETITE CORNE (LE CHEMIN) OSU KA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02E BM.1970.012.001/46:31-02E 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE PETITE CORNE (POUR ACTIVER LES PREPARATIFS DE FUNERAILLES)* KA USI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Plus sonnerie autre camps "ka tolo"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02F BM.1970.012.001/46:31-02F 00:01:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PETITE CORNE ET TAMBOUR DIGILU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-02G BM.1970.012.001/46:31-02G 00:01:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PETITE CORNE ET TAMBOUR ADULO KA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-03 BM.1970.012.001/46:31-03 00:01:30 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 2 SOLOS DE LITHOPHONE* DOUMO YNOU ET IMINA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1er solo1er batteur:1', 2ème solo 2ème batteur:0'30"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-04 BM.1970.012.001/46:31-04 00:01:15 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-05 BM.1970.012.001/46:31-05 00:01:00 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE YAGO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-06 BM.1970.012.001/46:31-06 00:01:10 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE SANDY EROU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-07 BM.1970.012.001/46:31-07 00:00:35 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE (2 BATTEURS)* SANDY EROU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *2ème version;1er batteur puis 2ème batteur• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-08 BM.1970.012.001/46:31-08 00:01:00 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE (2 BATTEURS)* GONA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1er batteur puis 2ème batteur• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-09 BM.1970.012.001/46:31-09 00:01:20 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE (2 BATTEURS)* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1er batteur puis 2ème batteur• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-10 BM.1970.012.001/46:31-10 00:01:30 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE (2 BATTEURS)* DYOMOY BOY (1ERE VERSION) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1er batteur puis 2ème batteur• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-11 BM.1970.012.001/46:31-11 00:02:30 00/12/56 MALI DOLO KOMO DOGON MALI. CALAME,B.;1956-67 SOLO DE LITHOPHONE (2 BATTEURS)* DYOMOY BOY (2EME VERSION) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1er batteur puis 2ème batteur• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-12 BM.1970.012.001/46:31-12 00:01:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 LITHOPHONE ET TAMBOUR YAGO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-13 BM.1970.012.001/46:31-13 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE SANZA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-14 BM.1970.012.001/46:31-14 00:03:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT AVEC ACC. SANZA* DRUGUBOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme "na" puis "tolo"• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :31-15 BM.1970.012.001/46:31-15 00:03:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT "GUERISSEUR, FAIT GOUTER LA MEDECINE"* DUINGENE BANA MUY NEMME BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme "na" puis "tolo"• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-01 BM.1970.012.001/46:32-01 00:04:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Pièce a.1'15" : duo;Pièce b.1'20": rythme "tolo" puis "na";Pièce c.0'30": rythme "na" simplifié;Pièce d. 1' : rythme "na" plus compliqué;Pièce g. 0'25" : "anam boy"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-02 BM.1970.012.001/46:32-02 00:03:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TAMBOURS* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Pièce a.0'50" : "tolo" et "na";Pièce b.0'45": rythme "tolo" seul;Pièce c.0'45": rythme "na" seul et simplifié;Pièce d. 0'40" : "anam boy" 2ème version• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-03 BM.1970.012.001/46:32-03 00:01:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME DE PETRISSAGE DE LA PATE A BEIGNET Sous-table non exportée Sous-table non exportée Jeunes filles au marché• LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-04 BM.1970.012.001/46:32-04 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO D'INSTRUMENT A CORDES, RYTHME DE SACRIFICE H Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-05 BM.1970.012.001/46:32-05 00:00:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO D'INSTRUMENT A CORDES, RYTHME POUR LES FEMMES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-06 BM.1970.012.001/46:32-06 00:00:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ACCORD DU GINGIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-07 BM.1970.012.001/46:32-07 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO GINGIRU, RYTHME POUR GUERIR LES HOMMES Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-08 BM.1970.012.001/46:32-08 00:00:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO TAMBOUR, RYTHME TOLO & NA* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *"na" seul, "tolo" seul, "anam boy"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-09 BM.1970.012.001/46:32-09 00:00:55 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CORNE D'ANTILOPE : "TRAVAIL COLLECTIF" (2 VERSIONS)* "GILE" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1ere version de "Gilé": 0'30"; 2ème version de "Gilé": 0'25"• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-10A BM.1970.012.001/46:32-10A 00:01:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CORNE D'ANTILOPE : RYTHME "ANAM BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-10B BM.1970.012.001/46:32-10B 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CORNE D'ANTILOPE & TAMBOUR DU HOGON Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-10C BM.1970.012.001/46:32-10C 00:00:40 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR DU HOGON : RYTHME "ANAM BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-11 BM.1970.012.001/46:32-11 00:05:20 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE TRAVAIL H, PILAGE DES OIGNONS AVEC ACC. PILON* GAO POTU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *a)2'20";b)1'15";c)1'45"• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-12 BM.1970.012.001/46:32-12 00:02:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CLOCHES A PERCUSSION EXTERNE* ANAM BOGUM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *1ere puis 2ème cloche• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-13 BM.1970.012.001/46:32-13 00:00:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CLOCHES A PERCUSSION EXTERNE* ANAM BOGUM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *3ème cloche• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :32-14 BM.1970.012.001/46:32-14 00:01:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TRIO DE CLOCHES A PERCUSSION EXTERNE ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-01 BM.1970.012.001/46:33-01 00:03:00 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLOCHES A PERCUSSION EXTERNE, 3 RYTHMES* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *nom des 3 cloches : gendamman, tahda, sodamma. *Rythme 1 "na" gendamman: 1'; rythme 2 "tolo" tahda : 1'; rythme 3 "tolo" sodamma: 1'; Piece totale = "anam boy"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-02A BM.1970.012.001/46:33-02A 00:02:15 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TRIO DE CLOCHES A PERCUSSION EXTERNE ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *nom des 3 cloches : gendamman, tahda, sodamma• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-02B BM.1970.012.001/46:33-02B 00:01:00 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLOCHES A PERCUSSION EXTERNE "SODAMMA"* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *nom de la cloche=sodamma• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-02C BM.1970.012.001/46:33-02C 00:00:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLOCHES A PERCUSSION EXTERNE "GANDAMMAN"* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *nom de la cloche=gandamman• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-02D BM.1970.012.001/46:33-02D 00:00:55 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLOCHES A PERCUSSION EXTERNE "TAHDA"* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *nom de la cloche=tahda• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-03 BM.1970.012.001/46:33-03 00:04:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE TRAVAIL H "PILAGE DES TIGES VERTES D'OIGNONS", ACC. PILONS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-04 BM.1970.012.001/46:33-04 00:04:00 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE TRAVAIL H "PILAGE DES TIGES VERTES D'OIGNONS", ACC. PILONS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-05 BM.1970.012.001/46:33-05 00:02:15 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR DU HOGON : RYTHME "OGO BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-06 BM.1970.012.001/46:33-06 00:01:05 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR DU HOGON "TARA BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-07 BM.1970.012.001/46:33-07 00:02:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR, 4 PARTIES* "ULU BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *a) 0'50" : 2 parties ensembles;b) 0'40" : 2 parties ensemble;c) 0'40" : rythme "tolo" seul;d) 0'35" : rythme "na" seul• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08A BM.1970.012.001/46:33-08A 00:01:50 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY & KALAMU* "ANAM BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *duo puis alterné puis à nouveau duo• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08B BM.1970.012.001/46:33-08B 00:01:20 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08C BM.1970.012.001/46:33-08C 00:00:35 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08D BM.1970.012.001/46:33-08D 00:00:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "TOLO" (REPRISE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08E BM.1970.012.001/46:33-08E 00:01:25 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KALAMU, RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-08F BM.1970.012.001/46:33-08F 00:00:35 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KALAMU, RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-09A BM.1970.012.001/46:33-09A 00:01:50 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY & KALAMU* "ADULO BOY" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Duo puis solo kalamu puis solo gomboy• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-09B BM.1970.012.001/46:33-09B 00:00:50 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :33-09C BM.1970.012.001/46:33-09C 00:00:30 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "NA"* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Reprise à 10"• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-01 BM.1970.012.001/46:34-01 00:01:30 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KALAMU, RYTHME "TOLO" & "NA* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *0'50" rythme tolo & 0'40" rythme na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-02A BM.1970.012.001/46:34-02A 00:01:50 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY & KALAMU PUIS ALTERNE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-02B BM.1970.012.001/46:34-02B 00:00:10 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-02C BM.1970.012.001/46:34-02C 00:00:30 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR GOMBOY, RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-02D BM.1970.012.001/46:34-02D 00:00:25 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KALAMU, RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-02E BM.1970.012.001/46:34-02E 00:00:40 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR KALAMU, RYTHME "NA" ALLOGU BOY* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Piece de funérailles jouée après "anam boy"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-03A BM.1970.012.001/46:34-03A 00:02:10 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS BOYNA & DUNNULE* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Duo puis tambour dunnulé, rythme "tolo" puis tambour boyna, rythme "na"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-03B BM.1970.012.001/46:34-03B 00:00:40 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOURS DUNNULE, RYHTME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-03C BM.1970.012.001/46:34-03C 00:00:20 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOURS DUNNULE, RYHTME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-03D BM.1970.012.001/46:34-03D 00:00:30 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOURS BOYNA, RYHTME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-03E BM.1970.012.001/46:34-03E 00:00:15 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOURS BOYNA, RYHTME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-04 BM.1970.012.001/46:34-04 00:02:40 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS BOYNA & DUNNULE PUIS ALTERNE (SOLOS)* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Duo 1'20";solo dunnulé, rythme "tolo" 0'10"; rythme "na"0'10 & 0'20";tambour boyna, rythme "tolo" 0'15 & ryhtme "na" 0'25"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-05 BM.1970.012.001/46:34-05 00:01:40 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TAMBOURS BOYNA & DUNNULE EN ALTERNANCE PUIS SOLOS* ALLOGU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Duo alterné 0'30";solo dunnulé, rythme "tolo" 0'10"; rythme "na"0'15";tambour boyna, rythme "tolo" 0'25 & ryhtme "na" 0'20"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-06 BM.1970.012.001/46:34-06 00:02:25 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. TAMBOUR DUNNULE ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-07 BM.1970.012.001/46:34-07 00:04:40 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. TAMBOUR DUNNULE* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). a) "yapani dagapo" :2'10";b) "cadyule ni jaivano" : 2'30"• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-08 BM.1970.012.001/46:34-08 00:05:50 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. TAMBOURS & CLOCHES* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *tambours boyna & dunnulé;cloches à percussion externe "ganana". a) "anam bayané, bahéya";b) "anam boyna"• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :34-09 BM.1970.012.001/46:34-09 00:01:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. TAMBOURS & CLOCHES* "AYE BOYNA YAGA YOMA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *tambours boyna & dunnulé;cloches à percussion externe "ganana"• 1957 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :35-01 BM.1970.012.001/46:35-01 00:06:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. TAMBOURS & CLOCHE* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *tambours boyna & dunnulé;cloche à percussion externe "ganana". a) "yaé kahuru yana nambé";b) "akoyla nimi omohana yaya";c) "amasagu pa yawa yellé sopo yawallé deya";enchaîné• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :35-02 BM.1970.012.001/46:35-02 00:08:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. CALEBASSES* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *IFC=calebasses. a) "daha ou koroba" rythme "na";b) "epoe po no ninu aleonu";c) "sugo o cara sugo alami yeye" dernière phrase mal shuntée• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :35-03 BM.1970.012.001/46:35-03 00:15:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H ACC. CALEBASSES* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). * a) "yaguné iré";b) "cumu goro";c) "sana yam";d) sirugineho"; pièces enchaînées• 1956 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01A BM.1970.012.001/46:36-01A 00:00:50 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE BOYNA (TAMBOUR) ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01B BM.1970.012.001/46:36-01B 00:01:05 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE GANGANG (TAMBOUR) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01C BM.1970.012.001/46:36-01C 00:00:15 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE GANGANG (TAMBOUR), RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01D BM.1970.012.001/46:36-01D 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE GANGANG (TAMBOUR), RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01E BM.1970.012.001/46:36-01E 00:00:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE BOYNA (TAMBOUR), RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-01F BM.1970.012.001/46:36-01F 00:00:38 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE BOYNA (TAMBOUR), RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-02A BM.1970.012.001/46:36-02A 00:02:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CLOCHE GANANA PUIS TAMBOUR BOYNA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-02B BM.1970.012.001/46:36-02B 00:00:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO GANANA , RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-02C BM.1970.012.001/46:36-02C 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO GANANA , RYTHME "NA" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-02D BM.1970.012.001/46:36-02D 00:00:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO BOYNA , RYTHME "TOLO" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-02E BM.1970.012.001/46:36-02E 00:00:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO BOYNA , RYTHME "NA" ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-03 BM.1970.012.001/46:36-03 00:00:30 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *a) solo cloche;b) rythme "na";c) rythme "tolo"• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-04A BM.1970.012.001/46:36-04A 00:01:00 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-04B BM.1970.012.001/46:36-04B 00:01:05 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU AVEC ACCOMP. BRUITS DE BOUCHE SIGIMENU BOY GINNU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-05 BM.1970.012.001/46:36-05 00:00:45 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU AVEC ACCOMP. BRUITS DE BOUCHE IMINA KILI BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :36-06 BM.1970.012.001/46:36-06 00:01:25 00/12/56 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU AVEC ACCOMP. BRUITS DE BOUCHE TAYIO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1956 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :37-01 BM.1970.012.001/46:37-01 00:01:10 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO CLOCHE GINNU AVEC ACCOMP. BRUITS DE BOUCHE OSU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :37-02 BM.1970.012.001/46:37-02 00:03:55 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENTERREMENT DE IGNEMON A ENGELE* Sous-table non exportée Sous-table non exportée (3 prises).Enterrement pris sur le vif• LD, 1/2 piste;ATP (dupli-accèl). Psalmodié H, lamentations F, tambours, cris huchés de F, psalmodié H, accomp tambours, lamentations• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :37-03 BM.1970.012.001/46:37-03 00:06:20 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DE TRAVAIL POUR LE PILAGE DES OIGNONS Sous-table non exportée Sous-table non exportée 2 prises• LD, 1/2 piste;ATP (dupli-accèl). IL=pilons• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :37-04 BM.1970.012.001/46:37-04 00:01:25 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE GINU :1ERE DANSE DES MASQUES PUIS RYTHMES TOLO & NA WARU SEGURU KORO Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-01 BM.1970.012.001/46:38-01 00:00:40 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 INAUDIBLE - PRISE DE SON Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-02A BM.1970.012.001/46:38-02A 00:01:20 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 FORMATION ORCHESTRALE (PRISE DE SON DEFFECTUEUSE)* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cloches à percussion "gananas"; 2 gros tambours et 2 petits tambours• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-02B BM.1970.012.001/46:38-02B 00:00:30 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 FORMATION ORCHESTRALE (2EME VERSION)* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cloches à percussion "gananas"; 2 gros tambours et 2 petits tambours• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-02C BM.1970.012.001/46:38-02C 00:01:40 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 FORMATION ORCHESTRALE (3EME VERSION)* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cloches à percussion "gananas"; 2 gros tambours et 2 petits tambours• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-02D BM.1970.012.001/46:38-02D 00:03:55 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 FORMATION ORCHESTRALE (3EME VERSION BIS)* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cloches à percussion "gananas"; 2 gros tambours et 2 petits tambours• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-02E BM.1970.012.001/46:38-02E 00:02:15 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 FORMATION ORCHESTRALE (4EME VERSION)* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cloches à percussion "gananas"; 2 gros tambours et 2 petits tambours• 1957 la meilleure version AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :38-03 BM.1970.012.001/46:38-03 00:02:10 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT ACCOMP. DE GRAND ORCHESTRE (2 VERSIONS) ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-01 BM.1970.012.001/46:39-01 00:02:15 10/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO HARPE-LUTH* DJUNGUNG DJELE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). * solo harpe-luth puis équivalent en paroles sur accomp. gingiru; accord sur les 2 cordes de gauche avec le pouce gauche après chgt d'accord, accord des cordes droites haut et bas, accord des cordes gauches haut et bas puis à nouveau solo• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02A BM.1970.012.001/46:39-02A 00:00:30 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme tolo puis na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02B BM.1970.012.001/46:39-02B 00:00:40 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES ALU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02C BM.1970.012.001/46:39-02C 00:00:40 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de tolo puis partie de na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02D BM.1970.012.001/46:39-02D 00:00:40 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* AGANANU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme tolo puis ryhtme de na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02E BM.1970.012.001/46:39-02E 00:01:20 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* YMU DYUNGU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme tolo puis ryhtme de na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02F BM.1970.012.001/46:39-02F 00:02:45 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* DANAM BOY* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *2 reprise de tolo puis tolo puis na. *Mort d'un chasseur. Pieces f et g séparées par une fausse annonce suivie d'une coupure• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02G BM.1970.012.001/46:39-02G 00:02:00 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* YUMBOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie de tolo puis na, reprise, fin du na• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :39-02H BM.1970.012.001/46:39-02H 00:02:00 08/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ETUDE ET ANALYSE DE RYTHMES AVEC PAROLES CORRESPONDANTES* YA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie de na puis tolo• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-01 BM.1970.012.001/46:40-01 00:03:00 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT SOLO ET LUTH : RYTHMES DU GUERISSEUR* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Décomposition de la pièce : a) "muwesem, myawesem", b) "angaso"=1'; c) "rutanyinomay"=0'40"; d) accord des cordes du gingiru=0'15"; e) ordre de succession des cordes=0'25"; f)ordre de succession des cordes pour la mort du guerisseur, g) danse mort du guerisseur chant solo h=0'40"• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-02 BM.1970.012.001/46:40-02 00:00:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR BAMBA YAGO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-03 BM.1970.012.001/46:40-03 00:01:45 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE TAMBOUR BAMBA BASUNI BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-04 BM.1970.012.001/46:40-04 00:00:20 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENQUETE SUR LE GINGIRU (LUTH-HARPE)* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *a) accord des 4 cordes : corde droite haut-bas, corde gauche haut-bas;b) équivalent en paroles pour montrer la montée suivant les cordes• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-05 BM.1970.012.001/46:40-05 00:00:30 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT, DEMANDE DE PARDON GE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :40-06 BM.1970.012.001/46:40-06 00:00:20 00/01/57 MALI SANGA DOGON MALI. CALAME,B.;1956-67 NOUVEL ACCORD DES CORDES DU GINGIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1957 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-01 BM.1970.012.001/46:41-01 00:02:15 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME SCANDE A LA VOIX AVEC ACCOMP. TAMBOUR* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythmes : partie de "na" puis "tolo", puis "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-02 BM.1970.012.001/46:41-02 00:02:15 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS* DANA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Même partie sur les 2 tambours puis alternée rythmes "tolo"et "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-03 BM.1970.012.001/46:41-03 00:03:40 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS* YO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie "na" puis "tolo"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-04 BM.1970.012.001/46:41-04 00:02:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS* DJUGU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie "tolo" sur le gomboy et "na" sur le boydunulé• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-05 BM.1970.012.001/46:41-05 00:00:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS PUIS EQUIVALENT EN PAROLES* DJUGU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie "tolo" sur le gomboy et "na" sur le boydunulé puis eq. paroles• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-06 BM.1970.012.001/46:41-06 00:00:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE POUR LES FUNERAILLES D'UNE FEMME* TIGE BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *tambours plus voix scandée H• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-07 BM.1970.012.001/46:41-07 00:02:40 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME DES SISTRES POUR LES CHANTS DE CIRCONCISION Sous-table non exportée Sous-table non exportée Changement de rythme suivant l'habileté des danseurs LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-08 BM.1970.012.001/46:41-08 00:01:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS* YA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Les 2 tambours convoquent le boyna et le boydunulé• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-09 BM.1970.012.001/46:41-09 00:02:40 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS (SUITE)* YA BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythmes "tolo et "na" seuls• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-10 BM.1970.012.001/46:41-10 00:00:40 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 EQUIVALENT EN PAROLES D'UN RYTHME SUR LE TAMBOUR GOMBOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-11 BM.1970.012.001/46:41-11 00:00:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PIECE DE TAMBOURS : LES 2 VOIX DU GOMBOY* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *première voix :15" et 2ème voix :15"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-12 BM.1970.012.001/46:41-12 00:01:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CAQUETEMENTS D'OISEAUX Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-13 BM.1970.012.001/46:41-13 00:02:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 VOIX DE 3 RHOMBES ET LEUR SIGNIFICATION Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-14 BM.1970.012.001/46:41-14 00:02:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ANNONCE DES FUNERAILLES RITUELLES DIGILU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-15 BM.1970.012.001/46:41-15 00:00:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 TROMPE ET TAMBOUR OLU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :41-16 BM.1970.012.001/46:41-16 00:05:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 6 CHANTS ENCHAINES PELU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-01 BM.1970.012.001/46:42-01 00:02:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO LIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). 1ère prise de son nasillarde, 2ème prise de son plus douce• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-02 BM.1970.012.001/46:42-02 00:13:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT AVEC ACCOMP.* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *"solo pie goy":"kadila dyam (idem accomp. 2 lirus);"Eyomele": eyoyami yoro, bélu girum, eyo belu né, samba dalié (enchaînés). * instrument non identifié : 2 Kemme• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-03 BM.1970.012.001/46:42-03 00:02:15 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-04 BM.1970.012.001/46:42-04 00:00:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME WARU SEGRU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-05 BM.1970.012.001/46:42-05 00:00:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME KINE DANE BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). début reprise 3 fois• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-06 BM.1970.012.001/46:42-06 00:00:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENREGISTREMENT CORDES DU GINGIRU MALE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *cordes droites supérieures, gauches supérieures - droites supérieures, gauches inférieures. Reprise : cordes mâles drte et gche. Enregistrement des 4 cordes après accord• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-07 BM.1970.012.001/46:42-07 00:05:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE GINGIRU : DANSE DES GUERISSEURS* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie du rythme "na",description de la danse de mort du guerisseur; enregistrement du rythme "tolo" et du rythme "na" pendant la danse du guérisseur. Partie de "na"• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-08 BM.1970.012.001/46:42-08 00:01:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENREGISTREMENT DES VOIX DU LIRU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Voix soufflée femelle-voix aspirée mâle, partie du rythme "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-09 BM.1970.012.001/46:42-09 00:00:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT DU GUERISSEUR EN CAS DE MALADIE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie du rythme "tolo"• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-10 BM.1970.012.001/46:42-10 00:00:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT ET DANSE POUR LA MORT DU GUERISSEUR Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-11 BM.1970.012.001/46:42-11 00:01:25 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME FRAPPE SUR LA TABLE AVEC ACCOMP. PAROLES* SIGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de "na" & "tolo" puis 2 parties superposées• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :42-12 BM.1970.012.001/46:42-12 00:00:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENREGISTREMENT DE 2 LIRU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Composition du nombre de voix "na" et "tolo"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-01 BM.1970.012.001/46:43-01 00:03:50 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY* SEGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *"tolo" et "na" ensemble=2', suivi de "tolo" seul puis "tolo" et "na"=0'30", enfin "na" seul =1'20• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-02 BM.1970.012.001/46:43-02 00:03:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY (2EME ENREGISTREMENT)* SEGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme préparant la danse, partie de "tolo "seul + eq. paroles, partie de na" seul eq. en paroles• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-03A BM.1970.012.001/46:43-03A 00:00:10 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DEPART D'UN DUO DE TAMBOURS GOMBOY ET BOYNA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-03B BM.1970.012.001/46:43-03B 00:02:20 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY ET BOYNA* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *reprise, rythme "na" seul• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-03C BM.1970.012.001/46:43-03C 00:01:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS GOMBOY ET DUNNULE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-03D BM.1970.012.001/46:43-03D 00:00:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME PSALMODIE AVEC ACCOMP. TAMBOURS DONO DAIA Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-03E BM.1970.012.001/46:43-03E 00:01:15 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHMES DE TAMBOURS Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythme "tolo" sur le dunnulé et "tolo" sur le gomboy, "donodaia sur le rythme "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-04 BM.1970.012.001/46:43-04 00:03:00 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLARINETTE (OU HAUTBOIS) LIRU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *le plus grave puis 2 autres• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-05 BM.1970.012.001/46:43-05 00:01:10 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLARINETTE (OU HAUTBOIS) LIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-06 BM.1970.012.001/46:43-06 00:04:30 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 REPRISE ENREGISTREMENT DE TAMBOUR* SIGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Répétition du rythme "tolo" plus eq. paroles• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-07 BM.1970.012.001/46:43-07 00:00:40 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 SOLO DE CLARINETTE (OU HAUTBOIS) LIRU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *le 5ème, le plus petit• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-08 BM.1970.012.001/46:43-08 00:03:20 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANTS SUPERPOSES SIGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-09 BM.1970.012.001/46:43-09 00:02:15 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANTS SUPERPOSES (2EME VERSION) SIGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :43-10 BM.1970.012.001/46:43-10 00:03:45 00/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS BOYNA ET DUNNULE* ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie de "tolo" puis partie de "na", à nouveau "tolo" seul puis "na" seul + eq. paroles• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-01 BM.1970.012.001/46:44-01 00:00:50 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT F. "PILAGE DU MIL" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). IL=pilons• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-02A BM.1970.012.001/46:44-02A 00:03:00 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO TAMBOURS DE CALEBASSE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *partie de "tolo" puis "na", enregistrement de "bulu boy"=2'10". Interruption puis reprise : partie de "tolo"=0'50"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-02B BM.1970.012.001/46:44-02B 00:01:40 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de "tolo" sur le tambour rond (dunnulé)puis "na"sur le grand tambour (boyna)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-02C BM.1970.012.001/46:44-02C 00:01:15 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 ENREGISTREMENT DES PAROLES D'UN RYTHME* BULU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-02D BM.1970.012.001/46:44-02D 00:06:30 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DIFFERENTS ASPECTS DU RYTHME "NA" EXPLIQUES ET JOUES* Sous-table non exportée Sous-table non exportée Voix de Calame comptant les battements de la main droite et comptant les rythmes LD, 1/2 piste;ATP (dupli-accèl). *Partie de "na", reprise de la partie de "na" commentée par calame• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-03 BM.1970.012.001/46:44-03 00:04:15 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHMES AU TAMBOUR* ADULO BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de "tolo" + eq. paroles, partie de "tolo" par Amadigné puis "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-04A BM.1970.012.001/46:44-04A 00:06:50 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H : CEREMONIE DE FUNERAILLES D'UNE FEMME Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *SD = intervention clairons et tambours, coups de fusil• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-04B BM.1970.012.001/46:44-04B 00:03:10 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H : CEREMONIE DE FUNERAILLES D'UNE FEMME (SUITE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *SD = intervention clairons et tambours, coups de fusil. interruption à 1' environ• 0 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-04C BM.1970.012.001/46:44-04C 00:04:15 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H : CEREMONIE DE FUNERAILLES D'UNE FEMME (SUITE) Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Enregistrement de qualité défectueuse• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-05 BM.1970.012.001/46:44-05 00:02:00 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT CHOEUR H : CEREMONIE DE FUNERAILLES D'UNE FEMME (SUITE) ADULO BOY Sous-table non exportée Sous-table non exportée Les gens de Banini viennent saluer la famille de la défunte LD, 1/2 piste;ATP (dupli-accèl). Après les salutations de la famille de la défunte viennent le tambour boyna et dunnulé puis la grosse cloche gangana et le tambour d'aisselle• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-06A BM.1970.012.001/46:44-06A 00:01:15 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CEREMONIE DE FUNERAILLES D'UNE FEMME (SUITE) SIGI MENU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-06B BM.1970.012.001/46:44-06B 00:02:30 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CEREMONIE DE FUNERAILLES D'UNE FEMME, 2EME JOUR ANAM BOY Sous-table non exportée Sous-table non exportée autour de la maison du défunt LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-07A BM.1970.012.001/46:44-07A 00:01:20 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE CLARINETTES (OU HAUTBOIS) LIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-07B BM.1970.012.001/46:44-07B 00:00:50 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE CLARINETTES (OU HAUTBOIS) LIRU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-08 BM.1970.012.001/46:44-08 00:00:00 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE TAMBOURS BULU BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). variantes sur le rythme "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-09 BM.1970.012.001/46:44-09 00:01:00 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO DE CLARINETTES (OU HAUTBOIS) LIRU* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Rythmes "tolo" et "na"• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-10 BM.1970.012.001/46:44-10 00:00:00 18/11/60 MALI DUMI, INU DOGON MALI. CALAME,B.;1956-67 SOLO LITHOPHONE* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *intervention B. Calame. Reprise partie "na", bulu boy. Adulo boy, partie de "tolo" puis de "na". Anam boy, partie "na", partie de "tolo". Comparaison du "na" et "tolo" main gauche puis main droite• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-11 BM.1970.012.001/46:44-11 00:00:15 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 PAROLES AVEC ACCOMP. GINNU Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). IFC=clochettes de fer• 1960 piste AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :44-12 BM.1970.012.001/46:44-12 00:09:00 18/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RYTHME "ANAM BOY", 1ERE MANIERE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). "Tolo" puis "na" et avec accomp. paroles à nouveau "tolo"• 1960 piste 2 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-01 BM.1970.012.001/46:45-01 00:04:45 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 RECIT DU "TIGE" PAR LE CHEF DES MASQUES PENDANT DES FUNERAILLES* "DJUGUNI" Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Enregistrement à distance, pratiquement inaudible, au début aboiements de chiens• 1960 inaudible AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-02 BM.1970.012.001/46:45-02 00:01:30 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-03 BM.1970.012.001/46:45-03 00:00:50 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT POUR MOUDRE LE MIL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-04 BM.1970.012.001/46:45-04 00:00:20 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT POUR MOUDRE LE MIL Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-05 BM.1970.012.001/46:45-05 00:00:30 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT SOLO H GOGOURKURAI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-06 BM.1970.012.001/46:45-06 00:01:30 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 CHANT SOLO H ABARATUNAIRAI Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl)• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-07A BM.1970.012.001/46:45-07A 00:02:25 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO TAMBOURS ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Etude des points de frappe. Les 2 "tolo" puis partie de "na". Partie de "na" + eq. paroles• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-07B BM.1970.012.001/46:45-07B 00:01:50 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO TAMBOURS SUITE ANAM BOY Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). Partie de "na"• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-08 BM.1970.012.001/46:45-08 00:02:15 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO TAMBOURS* ALLOGU TEBEZE Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *Partie de "tolo" et de "na"=1'15" puis à nouveau partie de "na" et "tolo"=1'• 1960 AFRIQUE +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 :45-09 BM.1970.012.001/46:45-09 00:16:15 24/11/60 MALI SANGA DOGON MALI. CALAME,B.;1956-67 DUO TAMBOURS* Sous-table non exportée Sous-table non exportée LD, 1/2 piste;ATP (dupli-accèl). *A) "allogu boy" avec partie de "na" et eq. paroles, 3ème rythme et reprise du "na" = 0'50". B) "seruve" avec eq. paroles=4'30". C) "atimme yovoya et eq. paroles du "na"=4'. D) "kelle" et eq. paroles=1'15". E)"adulo" (partie de tolo puis na, même rythme et eq. paroles)=2'35". F)"bluboy" (partie de tolo, voix de Calame qui compte)=1'45". G) "tolo" seul=30". H) "na" seul=0'50"• 1960 AFRIQUE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :01-01 BM.1970.013.001/11:01-01 00:02:35 N CHINE PROVINCE DE HUPEI CHINOIS CHINE. RIERA,Y. CUCUMBER PLUCKING Sous-table non exportée Sous-table non exportée 1955 Non pertinent 0 n°1 - 1955 ASIE +BM.1970.014 Ø13 BM.1970.014.001/02 :01-01 BM.1970.014.001/02:01-01 00:00:00 N MALAYSIA SARAWAK MALAYSIA;SARAWAK;MINORITES. DOURNES,R.P. J. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.015 Ø13;²19;PPM BM.970.015.001/03 :01-01 BM.970.015.001/03:01-01 00:00:00 BURKINA FASO MANDINGUES BANDES DE LABORATOIRE* Sous-table non exportée Sous-table non exportée DR ARNOTT 0 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :01-01 BM.1970.016.001/08:01-01 00:36:00 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 19 piste 1• ZEMP,HUGO 1960 0 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :02-01 BM.1970.016.001/08:02-01 00:17:00 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 9,5 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :02-02 BM.1970.016.001/08:02-02 00:27:00 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 9,5 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :03-01 BM.1970.016.001/08:03-01 00:08:30 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :03-02 BM.1970.016.001/08:03-02 00:07:00 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :03-03 BM.1970.016.001/08:03-03 00:04:30 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Viteese 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :03-04 BM.1970.016.001/08:03-04 00:00:20 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Solo de Bandir, rythme d'ahidus. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :03-05 BM.1970.016.001/08:03-05 00:13:30 1960 MAROC TAHALA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Solo de Bandir, rythme d'ahidus. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :04-01 BM.1970.016.001/08:04-01 00:03:00 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 MUSIQUE POUR UN MARIAGE RAÎTA, TBAL Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :04-02 BM.1970.016.001/08:04-02 00:39:00 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 MUSIQUE POUR UN MARIAGE RAÎTA, TBAL Sous-table non exportée Sous-table non exportée Par endroit, chant ( réligieux ) dans le lointain, cris. / Interrompu en fin de B.M. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :05-01 BM.1970.016.001/08:05-01 00:01:00 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :05-02 BM.1970.016.001/08:05-02 00:17:00 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :06-01 BM.1970.016.001/08:06-01 00:19:00 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 MUSIQUE POUR UN MARIAGE RAITA, TBAL Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :07-01 BM.1970.016.001/08:07-01 00:04:50 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE TARBUKA JOUE PAR UN MAGREBIEN DE PEAU NOIRE Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :07-02 BM.1970.016.001/08:07-02 00:02:10 1960 MAROC TAZA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE BANDIR Sous-table non exportée Sous-table non exportée Bandir joué sur un rythme d'ahidus. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :08-01 BM.1970.016.001/08:08-01 00:01:40 1960 MAROC MERHAOUA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Flûte à bec de fabrication Allemande. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :08-02 BM.1970.016.001/08:08-02 00:00:30 1960 MAROC MERHAOUA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Flûte à bec de fabrication Allemande. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :08-03 BM.1970.016.001/08:08-03 00:03:15 1960 MAROC MERHAOUA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Flûte à bec de fabrication Allemande. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :08-04 BM.1970.016.001/08:08-04 00:01:20 1960 MAROC MERHAOUA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Flûte à bec de fabrication Allemande. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.1970.016 Divers* BM.1970.016.001/08 :08-05 BM.1970.016.001/08:08-05 00:00:50 1960 MAROC MERHAOUA BERBÈRES MAROC. ZEMP,H;1960 SOLO DE FLÛTE Sous-table non exportée Sous-table non exportée Flûte oblique en métal de fabrication locale. Vitesse 19 piste 1• ZEMP,HUGO 1960 AFRIQUE +BM.970.017 Ø13 BM.970.017.001 :01-01 BM.970.017.001:01-01 00:00:00 N ALGERIE ALGERIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1970.018 Divers* BM.1970.018.001/49 :01-01 BM.1970.018.001/49:01-01 00:06:26 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HO,HO,HO HO HO, HELE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. chant "ho, ho, ho ho ho, hélé" nouveaux, sont apparus durant l'occupation japonaise [note: mention ajoutée en fin de fiche, il n'est pas clair si elle s'applique à l'ensemble des 4 chants ou seulement au dernier...]• BERTHE,CLAUDINE 1957 0 1957-1 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :01-02 BM.1970.018.001/49:01-02 00:10:39 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "SOGE LIKOSAEN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. BERTHE,CLAUDINE 1957 19571-1 II ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :01-03 BM.1970.018.001/49:01-03 00:03:25 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI HOLO HAEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. BERTHE,CLAUDINE 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :01-04 BM.1970.018.001/49:01-04 00:04:04 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEBE LIKOSAEN" Sous-table non exportée Sous-table non exportée nouveaux, sont apparus durant l'occupation japonaise *Ø13²19;LD. 1' avant la fin de la bande : saturé, mauvais. BERTHE,CLAUDINE 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :02-01 BM.1970.018.001/49:02-01 00:03:47 02/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 DANSE TEBERAI, ENSEMBLE DE TAMBOURS Sous-table non exportée TEBERAI Sous-table non exportée rythme des tambours accompagnant une danse des femmes, exécutée en plein jour; filmée sur les bobines kodachrome I et II, première partie *Ø13²19;1/2P;LD. BERTHE,CLAUDINE 1957 1957 - II ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :02-02 BM.1970.018.001/49:02-02 00:20:13 02/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 ENSEMBLE DE TAMBOURS Sous-table non exportée TEBERAI Sous-table non exportée parlé, 2H - ambiance : tambours, cri d'enfants, chant du cocq, chant de F début de la 1ère séance sur l'origine du peuple bunaq racontée par le Ketunrant Kewar mali Lesu *Ø13²19;1/2P;LD. 17'03"-17'06" : mauvais déroulement BERTHE,CLAUDINE 1957 1957 - II ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :03-01 BM.1970.018.001/49:03-01 00:17:25 30/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 TEI GOL LAMKNEN Sous-table non exportée Sous-table non exportée *Ø13²19;1/2P;LD. 15'25" : ambiance parlé 15'50" : chanté, choeur H et choeur F 17'10" : ambiance parlé BERTHE,CLAUDINE 1957 1957 - IV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :03-02 BM.1970.018.001/49:03-02 00:08:02 30/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 TEBE MAU GATAL - TEI GOL MAU GATAL Sous-table non exportée Sous-table non exportée *Ø13²19;1/2P;LD. 3'50" : tei gol mau gatal à la fin saturé BERTHE,CLAUDINE 1957 1957 - IV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-01 BM.1970.018.001/49:04-01 00:02:30 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "OLO HOHO - TEBE - TEIGOL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-02 BM.1970.018.001/49:04-02 00:03:49 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "EMA KEMAK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-03 BM.1970.018.001/49:04-03 00:06:42 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LOILETE EMA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-04 BM.1970.018.001/49:04-04 00:18:43 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEBE KEMAK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-05 BM.1970.018.001/49:04-05 00:00:30 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 ESSAI AMBIANCE Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :04-06 BM.1970.018.001/49:04-06 00:03:04 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEBE KEMAK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :05-01 BM.1970.018.001/49:05-01 00:04:22 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 "TASE TAWAKA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. • BERTHE,CLAUDINE 1957 1957 - VIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :05-02 BM.1970.018.001/49:05-02 00:10:50 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 "TEI MASAK" POLYPHONIE Sous-table non exportée Sous-table non exportée *Ø13²19;LD. bruits de danse • BERTHE,CLAUDINE 1957 1957 - VIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :05-03 BM.1970.018.001/49:05-03 00:07:12 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 "TEI GOL MAGIL" POLYPHONIE Sous-table non exportée Sous-table non exportée *Ø13²19;LD. bruits de danse • BERTHE,CLAUDINE 1957 1957 - VIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :06-01 BM.1970.018.001/49:06-01 00:03:55 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 "TEI TETUM" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. ambiances : cris • BERTHE,CLAUDINE 1957 1957 - IX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :06-02 BM.1970.018.001/49:06-02 00:06:15 25/10/57 INDONESIE;TIMOR VILLAGE DE KEWAR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 "TEI TETUM" Sous-table non exportée Sous-table non exportée *Ø13²19;LD. ambiances : cris après et jusqu'à la fin de la bobine : faible intensité, coupure (défaut technique) • BERTHE,CLAUDINE 0 1957 - IX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :07-01 BM.1970.018.001/49:07-01 00:04:50 8/11/57 INDONESIE;TIMOR LEO SOGO; VILLAGE DE BAI LALU BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HELO LOIKO" POLYPHONIE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1957 1957 - X ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :07-02 BM.1970.018.001/49:07-02 00:04:40 8/11/57 INDONESIE;TIMOR LEO SOGO; VILLAGE DE BAI LALU BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "ILSU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1957 1957 - X ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :07-03 BM.1970.018.001/49:07-03 00:06:20 8/12/57 INDONESIE;TIMOR LEO SOGO; VILLAGE DE BAI LALU BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD parlé puis chanté• BERTHE,CLAUDINE 1957 1957 - X ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :07-04 BM.1970.018.001/49:07-04 00:02:00 8/12/57 INDONESIE;TIMOR LEO SOGO; VILLAGE DE BAI LALU BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "LOIKO HO HO FRELE LOIKE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1957 1957 - X ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :07-05 BM.1970.018.001/49:07-05 00:02:00 8/12/57 INDONESIE;TIMOR LEO SOGO; VILLAGE DE BAI LALU BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "SASOKA DADULA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD cri du cochon?• BERTHE,CLAUDINE 1957 1957 - X ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :08-01 BM.1970.018.001/49:08-01 00:15:45 6/05/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD I pillete "maumerad Kebun Ziogbon" Teigol début très mauvais • BERTHE,CLAUDINE 1958 1957 - XII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :09-01 BM.1970.018.001/49:09-01 00:01:20 8/05/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD "i pi lete di Kebun zigobon"• BERTHE,CLAUDINE 1958 1957 - XIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :09-02 BM.1970.018.001/49:09-02 00:07:03 8/05/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD "i pi lete di Kebun zigobon"• BERTHE,CLAUDINE 1958 1957 - XIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :09-03 BM.1970.018.001/49:09-03 00:01:10 8/05/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD "i pi lete di Kebun zigobon"• BERTHE,CLAUDINE 1958 1957 - XIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :10-01 BM.1970.018.001/49:10-01 00:05:28 7/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX Sous-table non exportée Sous-table non exportée *Ø13²19;LD "i pi lete di Kintal La' lawar Kahun Keljil"• BERTHE,CLAUDINE 1958 1957 - XV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :10-02 BM.1970.018.001/49:10-02 00:08:43 7/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "HELE HO" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "hele ho"• BERTHE,CLAUDINE 1958 1957 - XV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :10-03 BM.1970.018.001/49:10-03 00:07:14 7/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "HOHO HELE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "hoho hele"• BERTHE,CLAUDINE 1958 1957 - XV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :10-04 BM.1970.018.001/49:10-04 00:00:00 7/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "TEI KAWEN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 0 1957-XV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :11-01 BM.1970.018.001/49:11-01 00:11:35 11/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "TUMBUK DJAGUNG" Sous-table non exportée Sous-table non exportée *Ø13²19;LD ambiance : rire, bruit de pierres cassées (?) "tumbuk djagung" du moment du travail forcé pour les hollandais, 1938• BERTHE,CLAUDINE 0 1957 - XVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :11-02 BM.1970.018.001/49:11-02 00:05:24 11/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 TEI TUMBUK DJAGUNG Sous-table non exportée Sous-table non exportée *Ø13²19;LD "tei tumbuk djagung" nouveaux, après la guerre merdeha• BERTHE,CLAUDINE 1957 1957 - XVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-01 BM.1970.018.001/49:12-01 00:02:30 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX TEI Sous-table non exportée Sous-table non exportée *Ø13²19;LD chnaté, solo F, choeur F ou choeur mixte• BERTHE,CLAUDINE 1958 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-02 BM.1970.018.001/49:12-02 00:01:50 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX TEI Sous-table non exportée Sous-table non exportée *Ø13²19;LD chnaté, solo F, choeur F ou choeur mixte• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-03 BM.1970.018.001/49:12-03 00:02:53 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX TEI Sous-table non exportée Sous-table non exportée *Ø13²19;LD chnaté, solo F, choeur F ou choeur mixte• BERTHE,CLAUDINE 1958 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-04 BM.1970.018.001/49:12-04 00:00:54 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX TEI Sous-table non exportée Sous-table non exportée *Ø13²19;LD chnaté, solo F, choeur F ou choeur mixte• BERTHE,CLAUDINE 0 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-05 BM.1970.018.001/49:12-05 00:03:20 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX EMISSION RADIO Sous-table non exportée Sous-table non exportée *Ø13²19;LD émission radio, puis parlé, v. H et F, rire, ambiance• BERTHE,CLAUDINE 1958 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :12-06 BM.1970.018.001/49:12-06 00:00:00 12/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD kawen pour la mort du fils d'un instituteur de Dirun• BERTHE,CLAUDINE 1958 1957 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :13-01 BM.1970.018.001/49:13-01 00:23:25 13/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "KEWAN KAMAHAU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD Kewan kamahau pour la mort d'un jeune fils d'un instituteur mauvais enregistrement, pleurage• BERTHE,CLAUDINE 1958 1957 - XVIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-01 BM.1970.018.001/49:14-01 00:07:20 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX "RUMAH' RA'I DI SABUL TOI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD arrêts de temps en temps• BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-02 BM.1970.018.001/49:14-02 00:02:40 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 N Sous-table non exportée Sous-table non exportée *Ø13²19;LD • BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-03 BM.1970.018.001/49:14-03 00:01:55 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 N Sous-table non exportée Sous-table non exportée *Ø13²19;LD ambiance début déficient• BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-04 BM.1970.018.001/49:14-04 00:04:40 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 N Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-05 BM.1970.018.001/49:14-05 00:02:13 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 N Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :14-06 BM.1970.018.001/49:14-06 00:03:15 14/03/58 INDONESIE;TIMOR DIRUN TETUNS INDONESIE,TIMOR.BERTHE,C.;1957-66 N Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :15-01 BM.1970.018.001/49:15-01 00:11:30 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TETUM" Sous-table non exportée Sous-table non exportée *Ø13²19;LD 5'35" à 5'40" - vitesse déformée• BERTHE,CLAUDINE 1958 1957 - XX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :15-02 BM.1970.018.001/49:15-02 00:00:30 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX PARLE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :15-03 BM.1970.018.001/49:15-03 00:07:42 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HOLEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD HOLEK pour la récolte du miel• BERTHE,CLAUDINE 1958 1957 - XX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :16-01 BM.1970.018.001/49:16-01 00:02:30 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 VOIX ET CRI Sous-table non exportée Sous-table non exportée *Ø13²19;LD cri du cochon• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :16-02 BM.1970.018.001/49:16-02 00:02:50 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 FLUTE Sous-table non exportée Sous-table non exportée *Ø13²19;LD flûte courte et ambiance • BERTHE,CLAUDINE 1958 1957 - XXI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :16-03 BM.1970.018.001/49:16-03 00:04:25 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XXI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :16-04 BM.1970.018.001/49:16-04 00:07:12 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XXI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :16-05 BM.1970.018.001/49:16-05 00:00:58 14/03/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD interrompu• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :17-01 BM.1970.018.001/49:17-01 00:04:50 18-19/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XXII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :17-02 BM.1970.018.001/49:17-02 00:09:51 18-19/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD parlé, converstaion; ambiance puis chanté, choeur H, choeur F • BERTHE,CLAUDINE 0 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :17-03 BM.1970.018.001/49:17-03 00:06:58 18-19/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XXII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :18-01 BM.1970.018.001/49:18-01 00:10:25 19-20/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 IPI LETE Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1957 - XXIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :19-01 BM.1970.018.001/49:19-01 00:21:30 19-20/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI BERE LESU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD fête de l' Ipi lete • BERTHE,CLAUDINE 1958 1957 - XXIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :19-02 BM.1970.018.001/49:19-02 00:00:43 19-20/04/58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI BERE LESU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD fête de l' Ipi lete • BERTHE,CLAUDINE 1958 1957 - XXIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :20-01 BM.1970.018.001/49:20-01 00:07:09 avril-mai 58 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HELAN IPI LETE KEMAK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD 19/20 avril 1958 6/7 mai 1958• BERTHE,CLAUDINE 1958 1957 - XXV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :20-02 BM.1970.018.001/49:20-02 00:13:58 avril-mai 58 INDONESIE;TIMOR MAUMERAK BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LET (KEBUMZIGOBON)" Sous-table non exportée Sous-table non exportée *Ø13²19;LD 19/20 avril 1958 6/7 mai 1958• BERTHE,CLAUDINE 1958 1957 - XXV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :21-01 BM.1970.018.001/49:21-01 00:07:45 21/0458 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 BRUITAGE Sous-table non exportée Sous-table non exportée *Ø13²19;LD bruitage• BERTHE,CLAUDINE 1958 1957 - XXVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :21-02 BM.1970.018.001/49:21-02 00:13:59 21/0458 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 KEBUN SAS (SIN GATAL) Sous-table non exportée Sous-table non exportée *Ø13²19;LD rituel pour la récolte du paddy cf.: cahier AD et film• BERTHE,CLAUDINE 1958 1957 - XXVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :22-01 BM.1970.018.001/49:22-01 00:02:55 avril et juill 1958 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD 26 avril 1958 14 juillet 1958 • BERTHE,CLAUDINE 1958 1957 - XXVII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :22-02 BM.1970.018.001/49:22-02 00:04:17 avril et juill 1958 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD 26 avril et 14 juillet • BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :22-03 BM.1970.018.001/49:22-03 00:11:52 avril et juill 1958 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD bruit de fond fort 26 avril et 14 juillet• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :22-04 BM.1970.018.001/49:22-04 00:02:02 avril et juill 1958 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PAROLES Sous-table non exportée Sous-table non exportée *Ø13²19;LD 26 avril 1958 14 juillet 1958• BERTHE,CLAUDINE 1958 1957 - XXVII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :23-01 BM.1970.018.001/49:23-01 00:22:24 6 nov 1958 INDONESIE;TIMOR DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PAROLES Sous-table non exportée Sous-table non exportée *Ø13²19;LD psalmodié, solo H par Lal Gonu Asa Uka Te'a : Abis tas pesta lal bebis deu lo• BERTHE,CLAUDINE 1958 1958 - XXVIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :24-01 BM.1970.018.001/49:24-01 00:01:00 17/11/58 INDONESIE;TIMOR VILLAGE DE SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 FLUTE Sous-table non exportée Sous-table non exportée *Ø13²19;LD parlé, solo H, solo flûte "he'u gemel" par Mau Karé• BERTHE,CLAUDINE 1958 1958 - XXIX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :24-02 BM.1970.018.001/49:24-02 00:00:50 17/11/58 INDONESIE;TIMOR VILLAGE DE SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 FLUTE Sous-table non exportée Sous-table non exportée *Ø13²19;LD 1 flûte "he'u gemel" et deux flûtes "he'u gol"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :24-03 BM.1970.018.001/49:24-03 00:12:25 17/11/58 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "AQUA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par Gonu Bei Luan (Tes) choeur H et choeur F "Aqua"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :24-04 BM.1970.018.001/49:24-04 00:06:45 17/11/58 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "AQUA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par Gonu Bei Luan (Tes) choeur H et choeur F "Aqua"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :25-01 BM.1970.018.001/49:25-01 00:07:37 9/10 mai 1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE SISI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 1958 - XXX ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :25-02 BM.1970.018.001/49:25-02 00:13:36 9/10 mai 1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE SISI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1956 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :26-01 BM.1970.018.001/49:26-01 00:10:00 11/12 mai 1958 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PSALMODIE "TASSE TAWAKA : PAIL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD psalmodié, solo H "tase tawaka : pail" 9'55" à 10'05" : vitesse accélérée• BERTHE,CLAUDINE 1958 1958 - XXXI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :26-02 BM.1970.018.001/49:26-02 00:01:00 11/12 mai 1958 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :26-03 BM.1970.018.001/49:26-03 00:09:06 11/12 mai 1958 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI LOLI MANU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD tei Loli "manu"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :27-01 BM.1970.018.001/49:27-01 00:03:32 2/3 juin 1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BAU HO - KEBUN SALORE, KEBUN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par radja Takirin choeur F cris, ambiance "Bau Ho - Kebun salore, kebun• BERTHE,CLAUDINE 1958 1958 - XXXII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :27-02 BM.1970.018.001/49:27-02 00:00:00 2/3 juin 1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "SMA HARE, IPI LETE MUTMUT" Sous-table non exportée Sous-table non exportée *Ø13²19;LD débute à 3'42", durée inconnue chanté, solo H par radja Tasifeto, choeur H, choeur F, cris "Sma Hare, ipi lete mutmut"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :28-01 BM.1970.018.001/49:28-01 00:02:22 2/3 juin 1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BAU HO - IPI LETE MUMUT" Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par radja Tasifeto "Bau Ho - ipi lete mumut"• BERTHE,CLAUDINE 1958 1958 - XXXIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :28-02 BM.1970.018.001/49:28-02 00:07:45 2/3 juin 1958 INDONESIE;TIMOR VILLAGE DE ZOBA BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "SOGE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD avec cris "Soge"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-01 BM.1970.018.001/49:29-01 00:01:05 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI HOLOHAHEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "tei Holohaek - tei dari mau gatal"• BERTHE,CLAUDINE 1958 1958 - XXXIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-02 BM.1970.018.001/49:29-02 00:01:03 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI HOLOHAHEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD parasité "tei Holohaek - tei dari mau gatal"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-03 BM.1970.018.001/49:29-03 00:06:34 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI HOLOHAHEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD après 2'17" vitesse déficiente pendant 20" "tei Holohaek - tei dari mau gatal"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-04 BM.1970.018.001/49:29-04 00:00:23 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI HOLOHAHEK" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "tei Holohaek - tei dari mau gatal"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-05 BM.1970.018.001/49:29-05 00:07:20 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "OKEN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "oken - tei leti mau gatal"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :29-06 BM.1970.018.001/49:29-06 00:05:35 17/18 nov 1958 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "AQUA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD solo H par lal gomo matar Bere Koi (?) "Aqua - tei Abis"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :30-01 BM.1970.018.001/49:30-01 00:03:37 5 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 Sous-table non exportée Sous-table non exportée *Ø13²19;LD parlé, rire puis chanté, solo H, choeur H, choeurF• BERTHE,CLAUDINE 1958 1958 - XXXV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :30-02 BM.1970.018.001/49:30-02 00:16:55 5 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT MAGALIA Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par Asa, cchoeur Magalia pour la fête de reconstruction• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :30-03 BM.1970.018.001/49:30-03 00:02:30 5 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT MAGALIA Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H par Bei Luan choeur H, choeur F - Magalia, pour la fête de reconstruction inachevé• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :31-01 BM.1970.018.001/49:31-01 00:00:57 22 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, choeur enfant - Kawen lors de la mort d'un enfant du sukû umah Lo • BERTHE,CLAUDINE 1958 1958 - XXXVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :31-02 BM.1970.018.001/49:31-02 00:03:47 22 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD kawen • BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :31-03 BM.1970.018.001/49:31-03 00:08:27 22 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD Kawen • BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :31-04 BM.1970.018.001/49:31-04 00:06:07 22 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD • BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :31-05 BM.1970.018.001/49:31-05 00:02:38 22 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT KAWEN Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté, solo H, choeur mixte, toux, ambiance inachevé• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :32-01 BM.1970.018.001/49:32-01 00:00:23 30 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 Sous-table non exportée Sous-table non exportée *Ø13²19;LD faux départ fréquence puis choeur chanté H • BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :32-02 BM.1970.018.001/49:32-02 00:01:40 30 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 Sous-table non exportée Sous-table non exportée *Ø13²19;LD bande fragile• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :32-03 BM.1970.018.001/49:32-03 00:09:15 30 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD bande fragile choeur mixte??• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :32-04 BM.1970.018.001/49:32-04 00:10:26 30 nov 1958 INDONESIE;TIMOR VILLAGE D'ABIS SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT BAITO'AN Sous-table non exportée Sous-table non exportée *Ø13²19;LD bande fragile solo de Lal Gomô Ana Uka• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :33-01 BM.1970.018.001/49:33-01 00:15:03 9 dec1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 RECITATION "TE'A" Sous-table non exportée Sous-table non exportée *Ø13²19;LD récité, solo H par Lal gomo Matas Bere (grand barde) "Te'a"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :33-02 BM.1970.018.001/49:33-02 00:01:41 9 dec1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KONTILIL GITIBA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD récité, solo H par Lal gomoAsa Uka "kontilil Gitiba"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :33-03 BM.1970.018.001/49:33-03 00:03:35 9 dec1958 INDONESIE;TIMOR BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI MAU GATAL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Tei mau gatal"• BERTHE,CLAUDINE 1958 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :34-01 BM.1970.018.001/49:34-01 00:04:39 6 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEIGOL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Teigol""• BERTHE,CLAUDINE 1966 1966 - IV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :34-02 BM.1970.018.001/49:34-02 00:04:01 6 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "MAGALIA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD solo H par Lal gomo Asa Uka "magalia"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :34-03 BM.1970.018.001/49:34-03 00:00:00 6 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LAGUL LAHAHE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD débute à 11'05" sur la bande durée inconnue solo H par Bei Sorun "Lagul Lahahé"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-01 BM.1970.018.001/49:35-01 00:04:45 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "MAGALIA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD solo H par Lal gomo Asa Uka "Magalia - Lagu Ero"• BERTHE,CLAUDINE 1966 1966 - V ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-02 BM.1970.018.001/49:35-02 00:01:42 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-03 BM.1970.018.001/49:35-03 00:04:32 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Ipi lete - Melo Laga" air connu à Abis, Henes, Lakmaras, Kotasai• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-04 BM.1970.018.001/49:35-04 00:04:09 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Ipie lete - umum Lamaknen• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-05 BM.1970.018.001/49:35-05 00:01:49 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI BABA LAKA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD - Tei Baba Laka (gvling kapas)• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :35-06 BM.1970.018.001/49:35-06 00:02:10 7 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TOMAN GOL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD - Toman Gol• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :36-01 BM.1970.018.001/49:36-01 00:06:43 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 SUITE DE CHANTS ET DANSE Sous-table non exportée Sous-table non exportée *Ø13²19;LD chanté solo H, choeur H et choeur F alternés, danse - Tei LeseLuan, densan perkatan - Lese Luan ohoho Hele - Hele Hou - Hele Matin Gol• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :36-02 BM.1970.018.001/49:36-02 00:03:05 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT TEI LETO LE' Sous-table non exportée Sous-table non exportée *Ø13²19;LDl• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :36-03 BM.1970.018.001/49:36-03 00:03:30 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT TEI LESE LUAN Sous-table non exportée Sous-table non exportée *Ø13²19;LDl Tei Lese Luan• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :36-04 BM.1970.018.001/49:36-04 00:04:07 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI MANUMUTIN" Sous-table non exportée Sous-table non exportée *Ø13²19;LD amibance, rire Tei Manumutin - Lengam bahasa tétun en langue tétun• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :36-05 BM.1970.018.001/49:36-05 00:01:45 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI GOL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Tei Gol" fragment inachevé• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :37-01 BM.1970.018.001/49:37-01 00:06:10 8 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "GALI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD solo H par Koliuka "Gali"• BERTHE,CLAUDINE 1966 1966 - VII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :37-02 BM.1970.018.001/49:37-02 00:05:30 8 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "UNDOR" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Undor - Tei waktu ipi lete" a) ope sawa• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :37-03 BM.1970.018.001/49:37-03 00:04:10 8 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "UNDOR" Sous-table non exportée Sous-table non exportée *Ø13²19;LD et solo H b) kalimeta• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :37-04 BM.1970.018.001/49:37-04 00:00:00 8 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT ET DANSE Sous-table non exportée Sous-table non exportée *Ø13²19;LD durée inconnue (dernier morceau) et danse• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :38-01 BM.1970.018.001/49:38-01 00:23:24 14 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HOLON" Sous-table non exportée Sous-table non exportée *Ø13²19;LD inachevé "Holon" chant des pleureuses • BERTHE,CLAUDINE 1966 1966 - 14 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :39-01 BM.1970.018.001/49:39-01 00:23:17 19 mai 1966 INDONESIE;TIMOR VILLAGE D'ABIS-SABUL MIL BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HOLON" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "Holon" (II) chant des pleureuses • BERTHE,CLAUDINE 1966 1966 - XV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :40-01 BM.1970.018.001/49:40-01 00:04:45 21/22 mai 1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPIE LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD avec cris et ambiance "Ipi lete"• BERTHE,CLAUDINE 1966 1966 - 17 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :40-02 BM.1970.018.001/49:40-02 00:13:32 21/22 mai 1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPIE LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD avec cris et ambiance "Ipi lete"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :40-03 BM.1970.018.001/49:40-03 00:02:10 21/22 mai 1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI SMASAI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "tei samasai"• BERTHE,CLAUDINE 0 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :40-04 BM.1970.018.001/49:40-04 00:01:20 21/22 mai 1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPIE LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD avec cris et ambiance "Ipi lete"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-01 BM.1970.018.001/49:41-01 00:01:15 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "MAGALIA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "magalia", pour la fête de la reconstruction"• BERTHE,CLAUDINE 1966 XXIII - 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-02 BM.1970.018.001/49:41-02 00:07:00 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "MAGALIA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "magalia", pour la fête de la reconstruction"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-03 BM.1970.018.001/49:41-03 00:04:50 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TIE GETAL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-04 BM.1970.018.001/49:41-04 00:04:34 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TIE GETAL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-05 BM.1970.018.001/49:41-05 00:01:34 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TIE GETAL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-06 BM.1970.018.001/49:41-06 00:06:35 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BERE LOE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-07 BM.1970.018.001/49:41-07 00:00:52 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BERE LOE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-08 BM.1970.018.001/49:41-08 00:03:57 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BERE LOE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-09 BM.1970.018.001/49:41-09 00:02:01 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "ZALO" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-10 BM.1970.018.001/49:41-10 00:07:15 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BUTOL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :41-11 BM.1970.018.001/49:41-11 00:02:55 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TIE GETAL" Sous-table non exportée Sous-table non exportée *Ø13²19;LD inachevé• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :42-01 BM.1970.018.001/49:42-01 00:03:13 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "MAGALIA" Sous-table non exportée Sous-table non exportée *Ø13²19;LD "magalia", pour la fête de la reconstruction puis parlé, plusieurs voix• BERTHE,CLAUDINE 1966 1966 - XXIV ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :42-02 BM.1970.018.001/49:42-02 00:23:04 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD plusieurs voix, toux• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :42-03 BM.1970.018.001/49:42-03 00:17:12 26 juin1966 INDONESIE;TIMOR VILLAGE D'HENES BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :43-01 BM.1970.018.001/49:43-01 00:00:36 27 juin1966 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LOLAI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD cris d'H puis pssalmodié, solo H par Lal gomo Asa Mau' ambiance aboiement - "Lolai" faible volume sonore• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :43-02 BM.1970.018.001/49:43-02 00:00:45 27 juin1966 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LOLAI" Sous-table non exportée Sous-table non exportée *Ø13²9.5;LD parlé, plusieurs voix, puis psalmodié, solo H par Lal gomo Asa Bele'' ambiance - "Lolai" faible volume sonore• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :43-03 BM.1970.018.001/49:43-03 00:00:00 27 juin1966 INDONESIE;TIMOR VILLAGE D'ABIS TAS BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LOLAI" Sous-table non exportée Sous-table non exportée *Ø13²9.5;LD durée inconnue (dernier morceau) psalmodié, solo H par Lal gomo Asa Bele'' ambiance - "Lolai" volume sonore plus fort inachevé• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-01 BM.1970.018.001/49:44-01 00:25:00 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BAITOLAN" Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD Baitolan (polyphonie)• BERTHE,CLAUDINE 1966 1966 - XXXII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-02 BM.1970.018.001/49:44-02 00:09:13 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-03 BM.1970.018.001/49:44-03 00:06:07 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-04 BM.1970.018.001/49:44-04 00:06:09 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN" Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-05 BM.1970.018.001/49:44-05 00:02:30 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN MUMUT" Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD a) Tolon• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-06 BM.1970.018.001/49:44-06 00:00:22 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CONVERSATION Sous-table non exportée Sous-table non exportée *Ø15²9.5;LD parlé, conversation• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-07 BM.1970.018.001/49:44-07 00:00:29 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN MUMUT" Sous-table non exportée Sous-table non exportée *Ø15²19;LD Kawen mumut b) Lakukmetin• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-08 BM.1970.018.001/49:44-08 00:04:15 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "BAITOLAN" Sous-table non exportée Sous-table non exportée *Ø15²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-09 BM.1970.018.001/49:44-09 00:05:08 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "LOLAN GOL" Sous-table non exportée Sous-table non exportée *Ø15²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-10 BM.1970.018.001/49:44-10 00:02:24 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN" Sous-table non exportée Sous-table non exportée *Ø15²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-11 BM.1970.018.001/49:44-11 00:04:08 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN MUMUT" Sous-table non exportée Sous-table non exportée *Ø15²19;LD "Kawen mumut; lelen"• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :44-12 BM.1970.018.001/49:44-12 00:03:27 8 juillet1966 INDONESIE;TIMOR LEOWAHE BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "KAWEN MUMUT" Sous-table non exportée Sous-table non exportée *Ø15²19;LD "Kawen mumut; lelen" mal enregistré• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :45-01 BM.1970.018.001/49:45-01 00:07:23 6 sept 1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TONI MAU" Sous-table non exportée Sous-table non exportée *Ø13²19;LD composé en 1963• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :45-02 BM.1970.018.001/49:45-02 00:02:48 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ OU KEMAK INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD pas de danse• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :45-03 BM.1970.018.001/49:45-03 00:03:35 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ OU KEMAK INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD pas de danse• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :45-04 BM.1970.018.001/49:45-04 00:02:43 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ OU KEMAK INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "HOULA' HOHOHO HOHELE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD pas de danse "Houla' hohoho hohele" (cf. BM/D 70.18.1, pièce I)• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :45-05 BM.1970.018.001/49:45-05 00:00:00 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ OU KEMAK INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "SAMA ME" Sous-table non exportée Sous-table non exportée *Ø13²19;LD pas de danse• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :46-01 BM.1970.018.001/49:46-01 00:11:57 6 sept 1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 1966 - XL ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :46-02 BM.1970.018.001/49:46-02 00:01:06 6 sept 1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :46-03 BM.1970.018.001/49:46-03 00:09:02 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :46-04 BM.1970.018.001/49:46-04 00:04:32 6 sept1966 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :47-01 BM.1970.018.001/49:47-01 00:09:35 23/24 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "TEI SAMASAI" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 1966 - XLVI ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :47-02 BM.1970.018.001/49:47-02 00:01:20 23/24 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD début manqué• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :47-03 BM.1970.018.001/49:47-03 00:01:40 23/24 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :48-01 BM.1970.018.001/49:48-01 00:11:01 22/23 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT "IPI LETE" Sous-table non exportée Sous-table non exportée *Ø13²19;LD cris "Ipi lete" : fête de la récolte• BERTHE,CLAUDINE 1966 1966 - XLVII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :48-02 BM.1970.018.001/49:48-02 00:09:11 22/23 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD cris• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :48-03 BM.1970.018.001/49:48-03 00:03:14 22/23 oct 1966 INDONESIE;TIMOR VILLAGE DE WELULI BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 CHANT Sous-table non exportée Sous-table non exportée *Ø13²19;LD cris• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :49-01 BM.1970.018.001/49:49-01 00:05:25 oct 1966 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PAROLE "HULO HEP" Sous-table non exportée Sous-table non exportée *Ø13²19;LD psalmodié, solo H par Radja Dirun, toux "Hulo hep"• BERTHE,CLAUDINE 1966 1966 - XLVIII ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :49-02 BM.1970.018.001/49:49-02 00:03:05 oct 1966 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PAROLE "HULO HEP" [?] Sous-table non exportée Sous-table non exportée *Ø13²19;LD psalmodié, solo H par Radja Dirun, toux "Hulo hep" [?]• BERTHE,CLAUDINE 1966 ASIE +BM.1970.018 Divers* BM.1970.018.001/49 :49-03 BM.1970.018.001/49:49-03 00:00:20 oct 1966 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ INDONESIE,TIMOR.BERTHE,C.;1957-66 PAROLE "HULO HEP" [?] Sous-table non exportée Sous-table non exportée *Ø13²19;LD psalmodié, solo H par Radja Dirun, toux "Hulo hep" [?]• BERTHE,CLAUDINE 1966 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :01-01 BM.1970.020.001/31:01-01 00:25:00 24/08/57 INDONESIE;BALI ROYAUME DE KLUNGKUNG * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 DANSE KETJAK Sous-table non exportée Sous-table non exportée danse Ketjak : danse assise des singes. Hanuman roi des singes • Bali du Sud. * village de Buna. danse Ketjak : danse assise des singes. Hanuman roi des singes - chanté et crié, solo H, BC-battements des mains. (début de BM non enregistrée de 00'00" à 03'08". fin de BM : pleurage BM interrompu) • BERTHE,LOUIS 1957 BALI 1957.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :02-01 BM.1970.020.001/31:02-01 00:10:52 24-25/08/57 INDONESIE;BALI ROYAUME DE KLUNGKUNG * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 DANSE KETJAK (SUITE) Sous-table non exportée Sous-table non exportée danse Ketjak : danse assise des singes. Hanuman roi des singes • Bali du Sud. * village de Buna. danse Ketjak : danse assise des singes (suite BM.970.020.001/31:11-01). Hanuman roi des singes - chanté et crié, solo H, chr H. à 10'20" : applaudissements • BERTHE,LOUIS 1957 BALI 1957.2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :02-02 BM.1970.020.001/31:02-02 00:05:22 24-25/08/57 INDONESIE;BALI ROYAUME DE KLUNGKUNG * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN Sous-table non exportée Sous-table non exportée Bali du Sud. * Village de Buna. gamelanpegulingan. Air tumbelilingan, musique de temple • BERTHE,LOUIS 1957 BALI 1957.2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :03-01 BM.1970.020.001/31:03-01 00:24:10 26/08/57 INDONESIE;BALI ROYAUME DE KLUNGKUNG BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 POUR LA DANSE KETJAK Sous-table non exportée Sous-table non exportée Bali du Sud. ambiance gamelan barong pour la danse ketjak - (au début : pleurage) • BERTHE,LOUIS 1957 0 BALI 1957.3 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-05 BM.1970.019.001/123:46-05 00:06:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-06 BM.1970.020.001/31:04-06 00:05:28 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 PANTUN MALAIS Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. pantun malais - chanté duo H et à l'unisson • BERTHE,LOUIS 1961 SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-07 BM.1970.020.001/31:04-07 00:05:38 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 LECON CORANIQUE Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. Leçon coranique - chanté solo E -• BERTHE,LOUIS 1961 RELIGIEUX SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :05-01 BM.1970.020.001/31:05-01 00:03:57 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 PANTUN MALAIS Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. pantun malais - chanté duo H à l'unisson, MID-=tambour sur cadre terbang • BERTHE,LOUIS 1961 SUMBAWA 1961.2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-04 BM.1970.019.001/123:46-04 00:00:50 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer. Tambourinage très rapide• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :06-01 BM.1970.020.001/31:06-01 00:04:07 23/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal. (sans item) : 00'50" - parlé solo H I) : 04'07"- chanté trio H, M-= tambour rebana ; II) : 03'18" - idem ; III) : 15'21" - idem • BERTHE,LOUIS 1961 SUMBAWA 1961.3 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-03 BM.1970.019.001/123:46-03 00:00:40 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer. Tambourinage avec des arrêts• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :08-01 BM.1970.020.001/31:08-01 00:09:40 1962 INDONESIE;BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 MARIAGE Sous-table non exportée Sous-table non exportée Bali. mariage d'Ernest - récité, solo H, IS-= cloche de temps à autre • BERTHE,LOUIS 1962 BALI 1962.10 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-02 BM.1970.019.001/123:46-02 00:01:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer. Tambourinage rapide, puis lent avec cloches• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-01 BM.1970.019.001/123:46-01 00:01:15 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer. Tambourinage lent avec cloches• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-07 BM.1970.019.001/123:45-07 00:00:50 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. M = tambourinage. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-07 BM.1970.020.001/31:10-07 00:02:08 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. IP-= gimbardes genggong, AF-= flûte à bandeau, IFC- = 2 gongs • BERTHE,LOUIS 1962 BALI 1962 SANUR 2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-06 BM.1970.019.001/123:45-06 00:01:30 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : solo H au premier plan, chanté chr H enchaîné avec tbrs, hochets, clochette. V et SD = acclamation de F, foule et choeur. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :11-05 BM.1970.020.001/31:11-05 00:03:57 30/04/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN AMBAK SUTJI Sous-table non exportée Sous-table non exportée Bali du Sud. gamelan ambak sutji : gamelan tingklik ou gandriung. - lagu tabuktelu - lagu tarian kebiar • BERTHE,LOUIS 1962 BALI 1962 SANUR 3 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-05 BM.1970.019.001/123:45-05 00:01:15 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : solo H au premier plan, chanté chr H enchaîné avec tbrs, hochets, clochette. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-04 BM.1970.019.001/123:45-04 00:01:15 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : solo H au premier plan, chanté chr H enchaîné avec tbrs, hochets, clochette. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-03 BM.1970.019.001/123:45-03 00:01:40 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : solo H au premier plan, chanté chr H enchaîné avec tbrs, hochets, clochette. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :14-01 BM.1970.020.001/31:14-01 00:01:16 1962 INDONESIE;BALI BALI DU SUD/SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AIR DE XYLOPHONE/GONG Sous-table non exportée Sous-table non exportée durée : 01'16". de 00'00" à 00'48" - " Lagu gilak untuk penari baris " - xylophones ; de 00'48 à 01'16" - parlé solo H, IFC-= gong kempul, annonce • BERTHE,LOUIS 1962 BALI 1962 SANUR 6 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :14-02 BM.1970.020.001/31:14-02 00:02:02 1962 INDONESIE;BALI BALI DU SUD/SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AIR DE FLUTE/GONG Sous-table non exportée Sous-table non exportée durée : 02'02". de 01'16" à 02'05" (durée 00'50") - " Lagu tetangisan " - AFs-= 2 flûtes à bandeau suling ; de 02'05 à 03'17" (durée 01'12") - parlé solo H, gong, cymbale, tambours, annonce • BERTHE,LOUIS 1962 BALI 1962 SANUR 6 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :14-03 BM.1970.020.001/31:14-03 00:10:01 1962 INDONESIE;BALI BALI DU SUD/SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 PSALMODIE/LONTAR N°3 Sous-table non exportée Sous-table non exportée Lontar n°3, début : " Lagu putjung, awi-awian dari Radja Péni " - psalmodié, solo H • BERTHE,LOUIS 1962 BALI 1962 SANUR 6 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-02 BM.1970.019.001/123:45-02 00:01:15 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : solo H au premier plan, chanté chr H enchaîné avec tbrs, hochets, clochette. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :15-04 BM.1970.020.001/31:15-04 00:13:27 21/05-17/06/62 INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 PSALMODIE / LONTAR N°26 Sous-table non exportée Sous-table non exportée Lecture des 7 premières pages du lontar n°26 : " Berata Juda ". psalmodié, solo H • BERTHE,LOUIS 1962 BALI 1962 SANUR 7 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :45-01 BM.1970.019.001/123:45-01 00:02:00 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /2ème bobine, fin. Détails : chanté chr H enchaîné avec tbrs, hochets, clochette sur solo H. £ Original = GR52.52B BM69.39.52B et GR52.53A BM69.39.53A• ROUGET,GILBERT 1952 GR52.052B & 53A*£ AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-11 BM.1970.019.001/123:44-11 00:03:00 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = acclamations, enchaînées sur CHR H SD = foule IFC = cloche a battant interne• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :18-01 BM.1970.020.001/31:18-01 00:11:45 18/08/63 INDONESIE;BALI BALI DU SUD/SANGSI * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SARON Sous-table non exportée Sous-table non exportée * près de Singadapu. gamelan saron : " Gending lilit : untuk ngaben ", musique funéraire - xylophones, cymbales, tambours, gongs • BERTHE,LOUIS 1963 BALI 1963.2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-10 BM.1970.019.001/123:44-10 00:01:00 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = acclamations, enchaînées sur CHR H• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-08 BM.1970.019.001/123:44-08 00:01:10 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = acclamations, enchaînées sur CHR H• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-07 BM.1970.019.001/123:44-07 00:00:45 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie• Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. Tambours pendant que les F marchent en ligne _botrotro_• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :22-01 BM.1970.020.001/31:22-01 00:10:00 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG Sous-table non exportée Sous-table non exportée * près de Tuban. gamelan gandrung : " Gandrangan ", musique de danse et de concert - xylophones, cymbales, flûte, tambours, gongs • BERTHE,LOUIS 1963 BALI 1963.6 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :23-01 BM.1970.020.001/31:23-01 00:09:00 13/09/63 INDONESIE;BALI TANGGUN TITI/SINDU * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AMBIANCE DE VILLAGE Sous-table non exportée Sous-table non exportée Bali. * près de Den Pasar. Bruit du village le soir chez Lombot • BERTHE,LOUIS 1963 BALI 1963.7 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :23-02 BM.1970.020.001/31:23-02 00:01:47 13/09/63 INDONESIE;BALI TANGGUN TITI/SINDU * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GAMBANG Sous-table non exportée Sous-table non exportée Bali. * près de Den Pasar. gamelan gambang : " Gending manuk kaba " - début musique funéraire (pièce interrompue) • BERTHE,LOUIS 1963 BALI 1963.7 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-09 BM.1970.019.001/123:44-09 00:01:00 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = acclamations, enchaînées sur CHR H• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :25-01 BM.1970.020.001/31:25-01 00:08:24 13/09/63 INDONESIE;BALI TANGGUN TITI/SINDU * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GAMBANG Sous-table non exportée Sous-table non exportée Bali. * près de Den Pasar. gamelan gambang : " Gending 3 : tetalagang ", musique funéraire - xylophones, métallophones • BERTHE,LOUIS 1963 BALI 1963.9 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :26-01 BM.1970.020.001/31:26-01 00:20:15 27/09/63 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 MUSIQUE DE THEATRE ARDJA Sous-table non exportée Sous-table non exportée * près de Sanur. Musique jouée par la troupe Ida Bagus Sudiyasa. Musique de théâtre Ardja - chanté, solo F, flûte, gongs, tambours, cymbales. suite bobine suivante : BM.970.020.001/31:27 • BERTHE,LOUIS 1963 BALI 1963.10 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :27-01 BM.1970.020.001/31:27-01 00:23:07 27/09/63 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 MUSIQUE DE THEATRE ARDJA (SUITE) Sous-table non exportée Sous-table non exportée * près de Sanur. Musique jouée par la troupe Ida Bagus Sudiyasa. Musique de théâtre Ardja - chanté, solo F, flûte, gongs, tambours, cymbales. suite de la bobine : BM.970.020.001/31:26 • BERTHE,LOUIS 1963 BALI 1963.11 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :28-01 BM.1970.020.001/31:28-01 00:15:40 27-28/09/63 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 MUSIQUE DE THEATRE ARDJA (SUITE) Sous-table non exportée Sous-table non exportée * près de Sanur. Musique jouée par la troupe Ida Bagus Sudiyasa. Musique de théâtre Ardja - chanté et parlé duo F, solo H, et duo H, flûte, gongs, tambours, cymbales. suite des bobines : BM.970.020.001/31:26, 27 • BERTHE,LOUIS 1963 BALI 1963.ARDJA 12 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :29-01 BM.1970.020.001/31:29-01 00:15:18 28/09/63 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 MUSIQUE DE THEATRE ARDJA (FIN) Sous-table non exportée Sous-table non exportée * près de Sanur. Musique jouée par la troupe Ida Bagus Sudiyasa. Musique de théâtre Ardja - chanté, solo H, duo F et duo H, flûte, gongs, tambours, cymbales. suite des bobines : BM.970.020.001/31:26, 27, 28 • BERTHE,LOUIS 1963 BALI 1963.ARDJA 4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :30A-01 BM.1970.020.001/31:30A-01 00:22:30 26/08/57 INDONESIE;BALI BALI / BATUBULAN BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 DANSE BARONG Sous-table non exportée Sous-table non exportée PISTE 1• BERTHE,LOUIS 1957 COPIE 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31B-03 BM.1970.020.001/31:31B-03 00:01:10 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AIR DE VIELE (INCOMPLET) Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée)• BERTHE,L./YZERDRAAT,B -1 COPIE 2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-06 BM.1970.019.001/123:44-06 00:00:30 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = Psalmodié, IS = cloche de fer, SD = acclamations• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-05 BM.1970.019.001/123:44-05 00:00:30 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. V = Psalmodié, IS = cloche de fer, SD = acclamations• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-06 BM.1970.020.001/31:31A-06 00:05:55 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AIR MODERNE Sous-table non exportée Sous-table non exportée BERTHE,L./YZERDRAAT,B -1 COPIE 2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-04 BM.1970.019.001/123:44-04 00:01:20 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31B-02 BM.1970.020.001/31:31B-02 00:00:25 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN: SONS SEPARES Sous-table non exportée Sous-table non exportée BERTHE,L./YZERDRAAT,B -1 COPIE 2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-03 BM.1970.019.001/123:44-03 03:50:00 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. I- =CLOCHE• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-01 BM.1970.019.001/123:44-01 00:02:20 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Veillée précédant les cérémonies d'offrandes aux _Toxosu_ royaux. Enreg. fait le soir, sous la galerie du temple, pendant la cérémonie• Cf; cahier 1952-4,p.3 . Cf. BM...61 à 64. Édité sur le disque "Pondo Kakou", Vogue MC 20.141 (30/33), B,5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. VC = chanté choeur F puis choeur H (et Solo F ?]• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-01 BM.1970.021.001/03:01-01 00:09:00 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL = mandoline. BC =pas des danseurs• 1969 0 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-02 BM.1970.021.001/03:02-02 00:03:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= Mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-01 BM.1970.021.001/03:03-01 00:02:00 08/1968 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée 1968 0 69.3 EUROPE +BM.970.022 Ø18;²19;PPM BM.970.022.001/05 :01-01 BM.970.022.001/05:01-01 00:00:00 N NIGER NIGER N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1970.023 Divers* BM.1970.023.001/03 :01-01 BM.1970.023.001/03:01-01 01:30:00 -1 TUNISIE PRÈS TUNIS ARABE TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. RITUEL ENREGISTRE DANS LA ZAWIYA Sous-table non exportée Sous-table non exportée Cf. Ferchiou (s): "survivances mystiques et culte de possession dans le maraboutisme tunisien" L'Homme, XII, 3 XX pp.47-69• VC=Choeur d'hommes a capella hizb s'enchaînant: versets du coran, du â , énumération des attributs et des noms de Dieu. Pièce exécutée par la confrérie de Sidi Bel Hassen Essedl. Vit 9,5i• -1 0 AFRIQUE +BM.1970.023 Divers* BM.1970.023.001/03 :02-01 BM.1970.023.001/03:02-01 00:32:26 -1 TUNISIE PRÈS TUNIS ARABE TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. RITUEL ENREGISTRE DANS LA ZAWIYA Sous-table non exportée Sous-table non exportée VC=Choeur d'homme a capella hizb. Pièce exécuté par la confrérie de Sidi Bel Hassen Essedli. Vit 9,5 • -1 AFRIQUE +BM.1970.023 Divers* BM.1970.023.001/03 :02-02 BM.1970.023.001/03:02-02 00:32:13 -1 TUNISIE PRÈS TUNIS ARABE TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. REPETITION PAR CHOEUR D'HOMMES DU NOM D'ALLAH DIKR Sous-table non exportée Sous-table non exportée Avant 3e amorce correspondant au début de BM 5-6. Pièce exécutée par la confrérie de Sidi Bel Hassen Essedli. Vit 9,5• -1 AFRIQUE +BM.1970.023 Divers* BM.1970.023.001/03 :02-03 BM.1970.023.001/03:02-03 00:27:58 -1 TUNISIE PRÈS TUNIS ARABE TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. Sous-table non exportée Sous-table non exportée Après 3 amorces correspondant au début de BM 6: choeur de femmes chantant des madhapanégyriques qui louent les mérites des saints et racontent leurs miracles. SA=Chants d'oiseaux. Pièce exécutée par la confrérie de Sidi Ahmed Ettizâni. Vit 9,5• -1 AFRIQUE +BM.1970.023 Divers* BM.1970.023.001/03 :03-01 BM.1970.023.001/03:03-01 00:20:00 -1 TUNISIE PRÈS TUNIS ARABE TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. RITUEL ENREGISTRE DANS LA ZAWIYA Sous-table non exportée Sous-table non exportée Les informations portées sur cette fiche sont déduites de l'article de S.Ferchiou cité sur la fiche BM 70.23.1• Choeur de femmes chantant des madhapanégyriques qui louent les mérites des saints et racontent leurs miracles. SA=Chants d'oiseaux. Cette pièce est suivie de nawba, chant de possession (la dernière pièce seule semble être une nawba). Pièce exécutée par la confrérie de Sidi Ahmed Ettizâni. Vit 9,5• -1 AFRIQUE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-01 BM.1970.024.001/03:01-01 00:02:35 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ YO POBRE GITANILLA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 0 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-02 BM.1970.024.001/03:01-02 00:02:06 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DIEGO CORRIENTES Sous-table non exportée Sous-table non exportée Original piste 1 *Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-03 BM.1970.024.001/03:01-03 00:13:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN * Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda *Titres des chants: Rosita encarnada, La Montaraza de Grandes, Jariche, Y estando en mi portal Chants incomplets• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-04 BM.1970.024.001/03:01-04 00:01:16 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LA MONTARAZA DE GRANDES Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 0 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-05 BM.1970.024.001/03:01-05 00:01:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN Y UNA Y OTRA VEZ Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 0 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-06 BM.1970.024.001/03:01-06 00:00:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN SENOR ALCALDE MAYOR Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-07 BM.1970.024.001/03:01-07 00:01:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LAS CABRILLAS VAN DE PASO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-08 BM.1970.024.001/03:01-08 00:01:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN YA SE MURIO EL BURRO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-09 BM.1970.024.001/03:01-09 00:03:18 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LA TORRINA DE LA FUENTE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-10 BM.1970.024.001/03:01-10 00:01:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN Y AL SALIR EL SOL BRILLANTE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-11 BM.1970.024.001/03:01-11 00:03:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN EL CARBONERO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-12 BM.1970.024.001/03:01-12 00:01:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN Y AL OLIVO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-13 BM.1970.024.001/03:01-13 00:00:34 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN DUERMETE MI NINO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-14 BM.1970.024.001/03:01-14 00:03:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN JARICHE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-15 BM.1970.024.001/03:01-15 00:00:49 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN RO RO NINO DE LA CUNA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-16 BM.1970.024.001/03:01-16 00:02:17 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LEVANTATE MORENITA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-17 BM.1970.024.001/03:01-17 00:01:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LA MONTARAZA DE GRANDES Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-18 BM.1970.024.001/03:01-18 00:00:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN LA CLARA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-19 BM.1970.024.001/03:01-19 00:03:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 SUITE DE BRIBES DE CHANT Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-20 BM.1970.024.001/03:01-20 00:01:11 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT AVEC TAMBOUR A FRICTION SACA EL BOLSILLO VERDE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-21 BM.1970.024.001/03:01-21 00:01:42 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO MASCULIN DIEGO CORRIENTE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-22 BM.1970.024.001/03:01-22 00:00:23 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT AVEC TAMBOUR A FRICTION LA ZAZOMBA ESTA RONCA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-23 BM.1970.024.001/03:01-23 00:00:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ CARCELERO, CARCELERO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-24 BM.1970.024.001/03:01-24 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DICEN QUE NO TENGO GRACIA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-25 BM.1970.024.001/03:01-25 00:01:23 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT EN DUO MERENCIANA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-26 BM.1970.024.001/03:01-26 00:00:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA GRACIA PARA CANTAR Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-27 BM.1970.024.001/03:01-27 00:01:52 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT D'ETUDIANTS YA SE MURIO EL BURRO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-28 BM.1970.024.001/03:01-28 00:04:05 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT ET GUITARRE FANDANGUILLO DE HUELVA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. [cl-guitarre]???• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-29 BM.1970.024.001/03:01-29 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SE HA DADO UN CASO CURIOSO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-30 BM.1970.024.001/03:01-30 00:00:50 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y A TU PUERTA RONDE ANOCHE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :01-31 BM.1970.024.001/03:01-31 00:00:43 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SI JUAN ANTONIO VA AL MONTE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-01 BM.1970.024.001/03:02-01 00:00:07 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT LOS MOZOS DE MOLLON Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Parfois solo h prend le début des phrases• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-02 BM.1970.024.001/03:02-02 00:00:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOMOS DE SANTA MARIA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Parfois solo h prend le début des phrases• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-03 BM.1970.024.001/03:02-03 00:06:34 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT LOS MOZOS DE MOLLON Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Parfois solo h prend le début des phrases• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-04 BM.1970.024.001/03:02-04 00:02:31 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT LEVANTATE MORENITA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Parfois solo h prend le début des phrases• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-05 BM.1970.024.001/03:02-05 00:03:05 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT JARICHE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Parfois solo h prend le début des phrases• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-06 BM.1970.024.001/03:02-06 00:00:43 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ MANOLO MIO NO FUMES TANTO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-07 BM.1970.024.001/03:02-07 00:00:41 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LAS HIJAS DEL PENAL Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-08 BM.1970.024.001/03:02-08 00:00:47 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y AYER TARDE EN EL RETIRO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-09 BM.1970.024.001/03:02-09 00:00:38 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LAS MOCITAS QUE VAN A LA PLAYA (LA MUJER SEGOVIANA) Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-10 BM.1970.024.001/03:02-10 00:00:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ MORENAS HE VISITO YO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-11 BM.1970.024.001/03:02-11 00:00:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ HAY QUE VER LA INTELIGENCIA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-12 BM.1970.024.001/03:02-12 00:00:38 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ YA VIENEN LOS REYES MAGOS Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-13 BM.1970.024.001/03:02-13 00:09:05 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DEL ORIENTE SALEN TRES REYES Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-14 BM.1970.024.001/03:02-14 00:01:34 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ BUENOS DIAS, BUENOS ANOS Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-15 BM.1970.024.001/03:02-15 00:04:25 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-16 BM.1970.024.001/03:02-16 00:00:50 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA GITANILLA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-17 BM.1970.024.001/03:02-17 00:00:18 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA VIRGEN DEL PILAR DICE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-18 BM.1970.024.001/03:02-18 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EL SENOR CURA NO BAILA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-19 BM.1970.024.001/03:02-19 00:00:19 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EL SENOR CURA NO BAILA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-20 BM.1970.024.001/03:02-20 00:00:23 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA CASA DEL SENOR CURA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-21 BM.1970.024.001/03:02-21 00:00:35 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EL CURA DE SAN VICENTE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-22 BM.1970.024.001/03:02-22 00:00:35 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SI QUIERES QUE TE LO DIGA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-23 BM.1970.024.001/03:02-23 00:00:17 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA SENORA MUY GORDA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-24 BM.1970.024.001/03:02-24 00:00:37 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA PERRITA CHINA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-25 BM.1970.024.001/03:02-25 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA HIJA DE DON JUAN ALBA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-26 BM.1970.024.001/03:02-26 00:00:28 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ COMO QUIERES QUE TE QUIERA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-27 BM.1970.024.001/03:02-27 00:00:40 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ MIRA NINA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-28 BM.1970.024.001/03:02-28 00:00:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ CENTINELA, CENTINELA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-29 BM.1970.024.001/03:02-29 00:00:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EL DIRA QUE YO ME CASE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-30 BM.1970.024.001/03:02-30 00:00:39 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EL DIA QUE NACI YO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-31 BM.1970.024.001/03:02-31 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ APAREJAME EL BORRICO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-32 BM.1970.024.001/03:02-32 00:00:18 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y AL HIJO DE LA TENDERA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-33 BM.1970.024.001/03:02-33 00:00:45 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PASTORCITO QUE TE VAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-34 BM.1970.024.001/03:02-34 00:01:07 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DONDE VAS A DAR AGUA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-35 BM.1970.024.001/03:02-35 00:00:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ TE ACUERDAS CUANDO ME DAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-36 BM.1970.024.001/03:02-36 00:00:36 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ QUIEN FUERA CLAVITO DE ORO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-37 BM.1970.024.001/03:02-37 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ POR LAS CALLES VAN VEN DIENDO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-38 BM.1970.024.001/03:02-38 00:01:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ EL SENOR FERNANDO EL MOSCO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-39 BM.1970.024.001/03:02-39 00:00:24 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y YO CON LAS PULGAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-40 BM.1970.024.001/03:02-40 00:00:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SI ME QUIERES ESCRIBIR Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-41 BM.1970.024.001/03:02-41 00:00:40 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA MI MORENA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-42 BM.1970.024.001/03:02-42 00:00:28 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ COMO QUIERES QUE TE QUIERA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-43 BM.1970.024.001/03:02-43 00:00:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ COMO QUIERES QUE TE DE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-44 BM.1970.024.001/03:02-44 00:00:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LOS AMORES QUE TU TIENES Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-45 BM.1970.024.001/03:02-45 00:00:29 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PA CANTAR COMO MARCHENA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-46 BM.1970.024.001/03:02-46 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ TU ME "ENSENASTE" A AMAR Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-47 BM.1970.024.001/03:02-47 00:17:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ MADRECITA DE MI TIERRA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-48 BM.1970.024.001/03:02-48 00:00:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SE HA DADO UN CASO CURIOSO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-49 BM.1970.024.001/03:02-49 00:00:27 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y ESTA NOCHE NO HAY COCHE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-50 BM.1970.024.001/03:02-50 00:00:49 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ AGUA MENUDITA LLUEVE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-51 BM.1970.024.001/03:02-51 00:00:33 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA ACEITUNA EN EL OLIVA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-52 BM.1970.024.001/03:02-52 00:00:29 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ APANANDO ACEITUNAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-53 BM.1970.024.001/03:02-53 00:00:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DESDE MI CASA A LA IGLESIA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-54 BM.1970.024.001/03:02-54 00:00:14 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ EL VINO DE LA ASUNCION Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-55 BM.1970.024.001/03:02-55 00:00:16 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ EL VIN DE LA ASUNCION Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-56 BM.1970.024.001/03:02-56 00:01:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y AL OLIVO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-57 BM.1970.024.001/03:02-57 00:00:31 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ QUIERO LE DICE A SU MADRE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-58 BM.1970.024.001/03:02-58 00:00:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y ESTOY RONCA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-59 BM.1970.024.001/03:02-59 00:01:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ME ESTAN HACIENDO UNA BATA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-60 BM.1970.024.001/03:02-60 00:00:23 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y ME HAN DICHO QUE ESTOY LOCA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-61 BM.1970.024.001/03:02-61 00:01:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA VACA JARRA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-62 BM.1970.024.001/03:02-62 00:00:32 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y AHORA SI QUE ESTAMOS BIEN Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-63 BM.1970.024.001/03:02-63 00:00:29 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DICE QUE NO ME QUIERE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-64 BM.1970.024.001/03:02-64 00:00:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ YA VENIMOS DE LA GUERRA DE AFRICA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-65 BM.1970.024.001/03:02-65 00:01:32 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DONDE ESTAS LUNA LUNERA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-66 BM.1970.024.001/03:02-66 00:00:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EN TU CARA TIENES PECAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :02-67 BM.1970.024.001/03:02-67 00:01:30 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PRIMITIVA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-01 BM.1970.024.001/03:03-01 00:09:40 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 HISTOIRE DE PRIMITIVA PRIMITIVA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda. Vitesse de défilement de la bande:2,8 Qualité médiocre• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-02 BM.1970.024.001/03:03-02 00:03:30 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ESTANDO EN MI PORTAL Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-03 BM.1970.024.001/03:03-03 00:02:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ROSITA ENCARNADA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-04 BM.1970.024.001/03:03-04 00:01:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ YA MURIO AGUSTINITA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-05 BM.1970.024.001/03:03-05 00:00:30 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA MONTARAZA DE GRANDES Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-06 BM.1970.024.001/03:03-06 00:01:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LOS MOZOS DE MOLLON Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-07 BM.1970.024.001/03:03-07 00:01:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DONDE ESTAS LUNA LUNERA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-08 BM.1970.024.001/03:03-08 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ROSARIO, LA CAVA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-09 BM.1970.024.001/03:03-09 00:02:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ UNA MANANA TEMPRANO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-10 BM.1970.024.001/03:03-10 00:01:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA FERIA LA CORREDERA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-11 BM.1970.024.001/03:03-11 00:00:22 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ EN EL PUEBLO DE MIRANDA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-12 BM.1970.024.001/03:03-12 00:01:30 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PRIMITIVA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-13 BM.1970.024.001/03:03-13 00:00:03 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PADRE NUESTRO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-14 BM.1970.024.001/03:03-14 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y A TU PUERTA HE DE RONDAR Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-15 BM.1970.024.001/03:03-15 00:00:18 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DICEN QUE TUS MANOS PICAN Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-16 BM.1970.024.001/03:03-16 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LEVANTATE MORENITA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-17 BM.1970.024.001/03:03-17 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DE TU VENTANA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-18 BM.1970.024.001/03:03-18 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ME TIRASTE UN LIMON Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-19 BM.1970.024.001/03:03-19 00:00:08 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA PENA Y OTRA PENA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-20 BM.1970.024.001/03:03-20 00:00:08 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA RUBIA VA POR AGUA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-21 BM.1970.024.001/03:03-21 00:00:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LOS AMORES QUE TU TIENES Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-22 BM.1970.024.001/03:03-22 00:00:18 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PALMIRA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-23 BM.1970.024.001/03:03-23 00:00:16 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ UNA ESTRELLA SA HA PERDICO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-24 BM.1970.024.001/03:03-24 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ME "QUISISTES", ME "OLVIDASTES" Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-25 BM.1970.024.001/03:03-25 00:02:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ UNA MANANA TEMPRANO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-26 BM.1970.024.001/03:03-26 00:08:00 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ A SU PUERTA LLAMO PUERTA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-27 BM.1970.024.001/03:03-27 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ROSA ME PONES A MI Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-28 BM.1970.024.001/03:03-28 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ TE PASAS Y NO ME HABLAS Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-29 BM.1970.024.001/03:03-29 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA MORENA CON GARBO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-30 BM.1970.024.001/03:03-30 00:00:15 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PAJARO QUE VAS VOLANDO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-31 BM.1970.024.001/03:03-31 00:00:11 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EN TU CARA TIENES PECAS Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-32 BM.1970.024.001/03:03-32 00:00:17 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LOS ARBOLES DE ARANJUEZ Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-34 BM.1970.024.001/03:03-34 00:00:17 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ CATALINA FUE A LA FUENTE Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-35 BM.1970.024.001/03:03-35 00:00:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LAS PALOMAS EN EL BANDO Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-36 BM.1970.024.001/03:03-36 00:00:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ DE QUE LE SIRVE A SERAFIN Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-37 BM.1970.024.001/03:03-37 00:01:22 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y EN LO MAS ALTO DE ASTURIAS Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-38 BM.1970.024.001/03:03-38 00:00:43 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA CLARA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-39 BM.1970.024.001/03:03-39 00:00:37 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ TIENES UNOS OJOS, NINA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-40 BM.1970.024.001/03:03-40 00:00:10 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ UN ROSAL CRIA UNA ROSA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-41 BM.1970.024.001/03:03-41 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ AY, LA CHAMELONA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-42 BM.1970.024.001/03:03-42 00:00:08 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA PEPA PLANCHABA EN AGUA Sous-table non exportée Sous-table non exportée Original piste 1 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-43 BM.1970.024.001/03:03-43 00:00:45 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LAS MADRES TIENEN LA CULPA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-44 BM.1970.024.001/03:03-44 00:00:30 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ COMO QUIERES QUE TE QUIERA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-45 BM.1970.024.001/03:03-45 00:00:20 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ TODOS LOS QUE CANTAN BIEN Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-46 BM.1970.024.001/03:03-46 00:03:55 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ YO CONOCI UNA MOZA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-47 BM.1970.024.001/03:03-47 00:00:12 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ARJIMIRO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-48 BM.1970.024.001/03:03-48 00:00:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ POR EL PUEBLO DE LA ENCINA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-49 BM.1970.024.001/03:03-49 00:03:49 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ESTANDO YO EN MI PORTAL Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-50 BM.1970.024.001/03:03-50 00:00:55 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA COLOMBIANA VI Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-51 BM.1970.024.001/03:03-51 00:14:06 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 RECIT DE PRIMITIVA HISTORIA DE PRIMITIVA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda Parlé, récit informations en espagnol• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-52 BM.1970.024.001/03:03-52 00:04:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ ESTANDO YO EN MI PORTAL Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-53 BM.1970.024.001/03:03-53 00:01:21 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PAJARO QUE ESTAS VOLANDO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-54 BM.1970.024.001/03:03-54 00:00:26 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA VEZ QUE TE PISE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-55 BM.1970.024.001/03:03-55 00:00:25 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA JOTA CANTE UN DIA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-56 BM.1970.024.001/03:03-56 00:00:23 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y UNA JOTA Y NADA MAS Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-57 BM.1970.024.001/03:03-57 00:00:27 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y ANDA DICIENDO TU MADRE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-58 BM.1970.024.001/03:03-58 00:00:13 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y ANDA Y DILE A TU MADRE Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-59 BM.1970.024.001/03:03-59 00:00:47 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ SOY TEJERO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-60 BM.1970.024.001/03:03-60 00:00:52 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ Y CUANDO ESTABA YO EN LA CARCEL Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-61 BM.1970.024.001/03:03-61 00:00:33 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ PA CANTAR COMO MARCHENA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-62 BM.1970.024.001/03:03-62 00:00:46 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ QUITATE ESE LUTO NEGRO Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-63 BM.1970.024.001/03:03-63 00:02:08 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA HIJA DE DON JUAN ALBA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 :03-64 BM.1970.024.001/03:03-64 00:01:45 03/70 ESPAGNE PROV. DE SALAMANCA* ESPAGNE. FARGEOT,S.;1970 CHANT SOLO FEMININ LA GITANILLA Sous-table non exportée Sous-table non exportée Original piste 2 Province de Salamanca, Aldehuela de la Boveda• 1970 EUROPE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :01-01 BM.1970.025.001/12:01-01 00:05:12 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MAHAMA SURGU Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :01-02 BM.1970.025.001/12:01-02 00:03:38 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MAHAMA SURGU Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :01-03 BM.1970.025.001/12:01-03 00:06:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MALI KIRAI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :01-04 BM.1970.025.001/12:01-04 00:03:45 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MALI KIRAI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :01-05 BM.1970.025.001/12:01-05 00:02:10 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MUSA GURMA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :02-01 BM.1970.025.001/12:02-01 00:05:12 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MUSA GURMA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :02-02 BM.1970.025.001/12:02-02 00:05:04 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAUSA KOI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :02-03 BM.1970.025.001/12:02-03 00:04:20 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAUSA KOI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :02-04 BM.1970.025.001/12:02-04 00:04:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 FARAMBARU Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :03-01 BM.1970.025.001/12:03-01 00:03:34 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 FARAMBURA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :03-02 BM.1970.025.001/12:03-02 00:04:10 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KAGU Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :03-03 BM.1970.025.001/12:03-03 00:04:35 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KAGU Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :03-04 BM.1970.025.001/12:03-04 00:03:55 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KAGU Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :04-01 BM.1970.025.001/12:04-01 00:03:28 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LOMBO KABE MIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :04-02 BM.1970.025.001/12:04-02 00:02:40 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LOMBO KABE MIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :04-03 BM.1970.025.001/12:04-03 00:03:10 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LOMBO KABE MIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :04-04 BM.1970.025.001/12:04-04 00:05:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 SAGIERA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :04-05 BM.1970.025.001/12:04-05 00:03:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 SAGIERA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-01 BM.1970.025.001/12:05-01 00:03:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZINIZINA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-02 BM.1970.025.001/12:05-02 00:02:25 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZINIZINA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-03 BM.1970.025.001/12:05-03 00:01:45 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 FULAM BANIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-04 BM.1970.025.001/12:05-04 00:03:23 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 FULAM BANIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-05 BM.1970.025.001/12:05-05 00:02:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZAMBARKI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-06 BM.1970.025.001/12:05-06 00:02:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZAMBARKI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-07 BM.1970.025.001/12:05-07 00:02:45 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZAMBARKI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-08 BM.1970.025.001/12:05-08 00:03:40 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAMNI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :05-09 BM.1970.025.001/12:05-09 00:02:10 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAMNI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :06-01 BM.1970.025.001/12:06-01 00:04:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAMNI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :06-02 BM.1970.025.001/12:06-02 00:04:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 DUMABA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :06-03 BM.1970.025.001/12:06-03 00:04:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HAMNI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :07-01 BM.1970.025.001/12:07-01 00:04:35 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MALO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :07-02 BM.1970.025.001/12:07-02 00:04:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 MOSI IZE Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :07-03 BM.1970.025.001/12:07-03 00:02:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 GAMDE Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :07-04 BM.1970.025.001/12:07-04 00:02:40 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 WAO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :08-01 BM.1970.025.001/12:08-01 00:04:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 WAO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :08-02 BM.1970.025.001/12:08-02 00:03:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZAGANI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :08-03 BM.1970.025.001/12:08-03 00:04:25 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZAGANI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :08-04 BM.1970.025.001/12:08-04 00:07:10 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 DONGO IZE Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :08-05 BM.1970.025.001/12:08-05 00:04:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 DONGO IZE Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :09-01 BM.1970.025.001/12:09-01 00:07:45 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KURSE NIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :09-02 BM.1970.025.001/12:09-02 00:06:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KURSE NIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :09-03 BM.1970.025.001/12:09-03 00:05:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 KURSE NIA Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :09-04 BM.1970.025.001/12:09-04 00:02:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LAM BULI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :10-01 BM.1970.025.001/12:10-01 00:05:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LAM BULI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :10-02 BM.1970.025.001/12:10-02 00:08:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LADI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :10-03 BM.1970.025.001/12:10-03 00:03:50 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 LADI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :10-04 BM.1970.025.001/12:10-04 00:03:25 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 GIAMBALO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :10-05 BM.1970.025.001/12:10-05 00:02:25 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 GIAMBALO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :11-01 BM.1970.025.001/12:11-01 00:05:20 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 GOZOGORMI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :11-02 BM.1970.025.001/12:11-02 00:03:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 GOZOGORMI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :11-03 BM.1970.025.001/12:11-03 00:06:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZUDUBA Sous-table non exportée Sous-table non exportée VC=Déclamé solo homme• 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :11-04 BM.1970.025.001/12:11-04 00:02:55 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZUDUBA Sous-table non exportée Sous-table non exportée VC=Déclamé solo homme• 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-01 BM.1970.025.001/12:12-01 00:03:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZABERI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-02 BM.1970.025.001/12:12-02 00:02:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 ZABERI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-03 BM.1970.025.001/12:12-03 00:03:20 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HARA KOI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-04 BM.1970.025.001/12:12-04 00:04:00 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 HARA KOI Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-05 BM.1970.025.001/12:12-05 00:07:30 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 DONGO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 :12-06 BM.1970.025.001/12:12-06 00:05:15 sept. NIGER NIAMEY DJERMA-SONGHAY NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 DONGO Sous-table non exportée Sous-table non exportée 1969 AFRIQUE +BM.970.027 Ø13;²19;1/2P BM.970.027.001 :01-01 BM.970.027.001:01-01 00:00:00 N VENEZUELA VENEZUELA:PARI (MONTILONES) N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.028 Ø13;²19;PPM BM.970.028.001/04 :01-01 BM.970.028.001/04:01-01 00:00:00 N N COPIE DE CYLINDRES DES MUSEES DE BUDAPEST, BERLIN ET SYRACUSE N Sous-table non exportée Sous-table non exportée -1 N +BM.1970.029 K7-C90 BM.1970.029.001 :01-01 BM.1970.029.001:01-01 00:03:10 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Chant solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de main• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 0 AFRIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-01 BM.1970.030.001/03:01-01 00:00:00 1966-1967 BRESIL MATTO GROSO TURMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT RITUEL OIWAL Sous-table non exportée Sous-table non exportée VC=Chanté solo homme et choeur homme en refrain. SD=Huchements. Cette pièce est éxécutée dans le parc national de Xingu. Vit: 9,5• 0 0 N AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-02 BM.1970.030.001/03:01-02 00:00:00 1966-1967 BRESIL MATTO GROSSO TURMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT RITUEL JAVARI Sous-table non exportée Sous-table non exportée Vit: 9,5• 1 N AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-03 BM.1970.030.001/03:01-03 00:00:00 1966-1967 BRESIL MATTO GROSO SUJAS BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU (PLUSIEURS COUPLETS) Sous-table non exportée Sous-table non exportée SD=Cris et huchements démarcatifs. Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-04 BM.1970.030.001/03:01-04 00:00:00 1966-1967 BRESIL MATTO GROSO TRIBUS HAUT XINGU BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU JAKUI Sous-table non exportée Sous-table non exportée IS=Sonnailles de pieds. 3 Flûtes (1m/ 006 de diam.) Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-05 BM.1970.030.001/03:01-05 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRIBUS HAUT XINGU BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU JAKUI Sous-table non exportée Sous-table non exportée 3 Flûtes (1m/ 006 de diam.). Chant appel solo homme. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-06 BM.1970.030.001/03:01-06 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT RITUEL Sous-table non exportée Sous-table non exportée VC= Chanté solo homme, puis entrée progressive de choeurs Homme et Femme. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-07 BM.1970.030.001/03:01-07 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT RITUEL JAVARI Sous-table non exportée Sous-table non exportée VC= Chanté solo homme et choeur Homme et Femme. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :01-08 BM.1970.030.001/03:01-08 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT RITUEL Sous-table non exportée Sous-table non exportée VC= Chanté solo homme et choeur Homme et Femme. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-01 BM.1970.030.001/03:02-01 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. SUJAS-TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU CHANT DANSE TAWARA WARA Sous-table non exportée Sous-table non exportée IFP=Bâton de rythme. IS=Maracas. VA=Cris d'hommes démarcatifs. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-02 BM.1970.030.001/03:02-02 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. SUJAS BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU IMMITATION DE CHANTS DE TRIBUS VOISINES Sous-table non exportée Sous-table non exportée Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-03 BM.1970.030.001/03:02-03 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. JURUNA BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU BERCEUSE: CHANSON DU SINGE Sous-table non exportée Sous-table non exportée Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• BM.970.030.001/03:02-02 0 N AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-04 BM.1970.030.001/03:02-04 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU ENSBLE DE CLARINETTES Sous-table non exportée Sous-table non exportée Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-05 BM.1970.030.001/03:02-05 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU ENSBLE DE FLÛTES Sous-table non exportée Sous-table non exportée Ethnie: Trumai-juruna. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-06 BM.1970.030.001/03:02-06 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. JURUNA BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU Sous-table non exportée Sous-table non exportée Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-07 BM.1970.030.001/03:02-07 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU Sous-table non exportée Sous-table non exportée AF=Solo de petite flûte jouée de façon à donner un son accompagné de souffle. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-08 BM.1970.030.001/03:02-08 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU (PLUSIEURS COUPLETS) Sous-table non exportée Sous-table non exportée VC=Chanté choeur homme et femme (lent) cirs démarcatifs. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :02-09 BM.1970.030.001/03:02-09 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU Sous-table non exportée Sous-table non exportée Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :03-01 BM.1970.030.001/03:03-01 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU JAVARI Sous-table non exportée Sous-table non exportée SD=Huchements mélodiques non modulés. VC=Solo Homme meneur du chant. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 :03-02 BM.1970.030.001/03:03-02 00:00:00 1966-1967 BRESIL MATTO GROSO, PARQUE N. TRUMAI BRESIL;MATO GROSSO;PARQUE NACIONAL DO XINGU JAVARI Sous-table non exportée Sous-table non exportée SD=Huchements mélodiques non modulés. VC=Solo Homme meneur du chant. Cette pièce est exécutée au Parque National de Xingo. (P.N.X). Vit: 9,5• 0 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-01 BM.1970.031.001/07:01-01 00:00:50 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,CANTON TIAHVANACO,CHAMBI CHICO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 HUAYNO: AIR DE DANSE Sous-table non exportée Sous-table non exportée Les flûtes de pan (sicus) sont de différentes tailles. 8 sont des sicus maltas et 2 sont des sicus chulis. La grosse caisse bombo est frappée par une baguette. Air de danse pour réjouissances de toutes sortes• Vitesse 19 piste 1• 1959 0 AMERIQUE +BM.970.032 Ø13;²9.5;1/2P BM.970.032.001 :01-01 BM.970.032.001:01-01 00:00:00 N MEXIQUE COMMENTAIRE DE L'AUDIO-VISUEL POUR EXPO."ARTS MAYA";MH 1968 N Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +BM.970.033 Ø13;²19;1/2P BM.970.033.001 :01-01 BM.970.033.001:01-01 00:00:00 N CAMEROUN CAMEROUN. MVET (DANIEL OSSOMO N°2) N Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.970.034 Ø13;²9.5;1/2P BM.970.034.001 :01-01 BM.970.034.001:01-01 00:00:00 N TUAMOTU POLYNESIE;ILES TUAMOTU N Sous-table non exportée Sous-table non exportée 1968 0 OCEANIE +BM.970.035 Ø13;²19;PPM BM.970.035.001/05 :01-01 BM.970.035.001/05:01-01 00:00:00 N AFGHANISTAN AFGHANISTAN:PASHAI N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :08-02 BM.1975.008.001/14:08-02 00:02:20 28/06/73 INDONESIE;CELEBES(SULAWESI) A'BANUANGE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DISCOURS Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :01-01 BM.1970.036.001/29:01-01 00:15:38 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CL=Annonce, puis solo de luth saz exécuté dans le village de Kizilkoy• 1959 0 1 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :01-02 BM.1970.036.001/29:01-02 00:15:38 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, duo hommes et CL=Luth• BM.970.036.001/29:01-01 1959 1 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :01-03 BM.1970.036.001/29:01-03 00:09:14 N TURQUIE DST DE SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:10-02 1959 15 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :02-01 BM.1970.036.001/29:02-01 00:03:25 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:01-02 1959 6 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :02-02 BM.1970.036.001/29:02-02 00:07:51 N TURQUIE DST DE SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• 1959 0 6 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :02-03 BM.1970.036.001/29:02-03 00:00:50 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CL=Solo luth SAZ• BM.970.036.001/29:02-01 1959 6 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :02-04 BM.1970.036.001/29:02-04 00:01:50 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:02-01 1959 6 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :02-05 BM.1970.036.001/29:02-05 00:03:25 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/2902-04 1959 6 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-01 BM.1970.036.001/29:03-01 00:01:51 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:02-03 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-02 BM.1970.036.001/29:03-02 00:01:39 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-01 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-03 BM.1970.036.001/29:03-03 00:01:07 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-02 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-04 BM.1970.036.001/29:03-04 00:01:26 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-03 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-05 BM.1970.036.001/29:03-05 00:01:34 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-04 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-06 BM.1970.036.001/29:03-06 00:01:06 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-05 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-07 BM.1970.036.001/29:03-07 00:01:59 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-05 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-08 BM.1970.036.001/29:03-08 00:01:56 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-07 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-09 BM.1970.036.001/29:03-09 00:03:37 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-08 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-10 BM.1970.036.001/29:03-10 00:04:25 N TURQUIE DST SIVAS, VILLAGE KIZILKOY TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:03-11 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :03-11 BM.1970.036.001/29:03-11 00:03:20 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Village de Kizilköy• BM.970.036.001/29:02-01 1959 7 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :04-01 BM.1970.036.001/29:04-01 00:06:22 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AAL=Accordéon diatonique (?)• BM.970.036.001/29:03-11 1959 8 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :04-02 BM.1970.036.001/29:04-02 00:01:43 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:04-01 1959 8 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :04-03 BM.1970.036.001/29:04-03 00:00:27 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté solo homme• BM.970.036.001/29:04-02 1959 8 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :04-04 BM.1970.036.001/29:04-04 00:05:39 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VP=Parlé, solo homme par "Açikh. Introduction, puis chanté, solo homme et luth saz par ALI ALKISH• BM.970.036.001/29:04-03 1959 8 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-01 BM.1970.036.001/29:05-01 00:04:45 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:04-04 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-02 BM.1970.036.001/29:05-02 00:04:16 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-01 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-03 BM.1970.036.001/29:05-03 00:02:32 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-02 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-04 BM.1970.036.001/29:05-04 00:03:28 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-03 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-05 BM.1970.036.001/29:05-05 00:03:05 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-04 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-06 BM.1970.036.001/29:05-06 00:05:00 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-05 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :05-07 BM.1970.036.001/29:05-07 00:01:35 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH• BM.970.036.001/29:05-06 1959 Non donné ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-01 BM.1970.036.001/29:06-01 00:05:52 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE TCHERKESS Sous-table non exportée Sous-table non exportée AAL=Accordéon diatonique (?) et BC=Claquement ou battement de mains• BM.970.036.001/29:04-01 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-02 BM.1970.036.001/29:06-02 00:02:19 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE TCHERKESS Sous-table non exportée Sous-table non exportée AAL=Accordéon diatonique (?) et BC=Claquement de mains• BM.970.036.001/29:06-01 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-03 BM.1970.036.001/29:06-03 00:02:19 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE TCHERKESS Sous-table non exportée Sous-table non exportée AAL=Accordéon diatonique (?) et BC=Claquement de mains• BM.970.036.001/29:06-02 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-04 BM.1970.036.001/29:06-04 00:01:12 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE TCHERKESS Sous-table non exportée Sous-table non exportée AAL=Accordéon diatonique (?) et BC=Claquement de mains. Description de la danse en Français• BM.970.036.001/29:06-03 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-05 BM.1970.036.001/29:06-05 00:00:59 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté solo homme et CL=Luth SAZ par "Açikh" ALI ALKISH. Le chanteur accorde son SAZ• BM.970.036.001/29:05-01 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-06 BM.1970.036.001/29:06-06 00:05:01 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Il y'a a dans les pièces 06 à 09 des chansons relatives respectivement aux villages de EMLEK et Gilçak• BM.970.036.001/29:05-01 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-07 BM.1970.036.001/29:06-07 00:02:37 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Il y'a a dans les pièces 06 à 09 des chansons relatives respectivement aux villages de EMLEK et Gilçak• BM.970.036.001/29:06-06 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-08 BM.1970.036.001/29:06-08 00:05:08 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Il y'a a dans les pièces 06 à 09 des chansons relatives respectivement aux villages de EMLEK et Gilçak• BM.970.036.001/29:06-07 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :06-09 BM.1970.036.001/29:06-09 00:03:54 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Il y'a a dans les pièces 06 à 09 des chansons relatives respectivement aux villages de EMLEK et Gilçak• BM.970.036.001/29:06-08 1959 10 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :07-01 BM.1970.036.001/29:07-01 00:06:25 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 BERCEUSE Sous-table non exportée Sous-table non exportée VC=Chanté duo femmes dans le village de çubuk• BM.970.036.001/29:06-09 1959 11 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :07-02 BM.1970.036.001/29:07-02 00:01:25 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE TRAVAIL POUR LA MOISSON Sous-table non exportée Sous-table non exportée VC=Chanté, duo femmes dans le village de çubuk• BM.970.036.001/29:07-01 1959 11 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :07-03 BM.1970.036.001/29:07-03 00:02:18 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANSON DE JEU Sous-table non exportée Sous-table non exportée VC=Chanté, solo fillette dans le village de çubuk• BM.970.036.001/29:07-02 1959 11 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :07-04 BM.1970.036.001/29:07-04 00:01:21 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANSON DE JEU Sous-table non exportée Sous-table non exportée VC=Chanté, duo femmes dans le village de çubuk• BM.970.036.001/29:07-02 1959 11 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :08-01 BM.1970.036.001/29:08-01 00:06:19 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT A THEME RELIGIEUX DES DERVICHES BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:02-01 1959 12 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :08-02 BM.1970.036.001/29:08-02 00:14:35 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT A THEME RELIGIEUX DES DERVICHES BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:08-01 1959 12 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :08-03 BM.1970.036.001/29:08-03 00:09:45 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT A THEME RELIGIEUX DES DERVICHES BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:08-02 1959 12 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-01 BM.1970.036.001/29:09-01 00:01:50 N TURQUIE DST SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AF=Flûte à bloc antérieur KAVAL• BM.970.036.001/29:08-03 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-02 BM.1970.036.001/29:09-02 00:01:12 N TURQUIE DST SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AF=Flûte à bloc antérieur KAVAL• BM.970.036.001/29:09-01 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-03 BM.1970.036.001/29:09-03 00:01:50 N TURQUIE DST SIVAS VILLAGE DE AYAKILLISI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ • BM.970.036.001/29:08-03 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-04 BM.1970.036.001/29:09-04 00:03:02 N TURQUIE DST SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth• BM.970.036.001/29:09-03 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-05 BM.1970.036.001/29:09-05 00:02:19 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ exécuté dans le village de Ayakilissi• BM.970.036.001/29:09-04 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :09-06 BM.1970.036.001/29:09-06 00:02:58 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT BEKTACH Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:09-05 1959 14 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :10-01 BM.1970.036.001/29:10-01 00:02:25 N TURQUIE DST DE SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• 1959 15 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :10-02 BM.1970.036.001/29:10-02 00:03:17 N TURQUIE DST DE SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:10-01 1959 15 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :10-03 BM.1970.036.001/29:10-03 00:09:14 N TURQUIE DST DE SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée La pièce 03 ou 04 (les deux ?) est une préparation à une cérémonie Bektach• BM.970.036.001/29:10-02 1959 15 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :10-04 BM.1970.036.001/29:10-04 00:07:11 N TURQUIE DST DE SIVAS VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée La pièce 03 ou 04 (les deux ?) est une préparation à une cérémonie Bektach• BM.970.036.001/29:10-03 1959 15 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :11-01 BM.1970.036.001/29:11-01 00:13:33 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• 1959 16 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :11-02 BM.1970.036.001/29:11-02 00:06:24 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:12-01 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-01 BM.1970.036.001/29:12-01 00:16:21 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:11-01 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-02 BM.1970.036.001/29:12-02 00:06:24 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:12-01 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-03 BM.1970.036.001/29:12-03 00:13:39 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VA=Parlé/ chanté et CL=Luth SAZ. Séquence comàposée de 10 pièces, peut être différentes• BM.970.036.001/29:12-02 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-04 BM.1970.036.001/29:12-04 00:03:44 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté duo hommes• BM.970.036.001/29:07-01 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-05 BM.1970.036.001/29:12-05 00:02:44 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:12-01 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :12-06 BM.1970.036.001/29:12-06 00:01:12 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:12-05 1959 17 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-01 BM.1970.036.001/29:13-01 00:01:15 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE TRAVAIL DANS LES CHAMPS DE BLE Sous-table non exportée Sous-table non exportée VC=Chanté, choeur hommes• BM.970.036.001/29:12-06 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-02 BM.1970.036.001/29:13-02 00:02:48 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée VC=Chanté, choeur hommes• BM.970.036.001/29:13-01 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-03 BM.1970.036.001/29:13-03 00:01:15 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGER Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:12-05 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-04 BM.1970.036.001/29:13-04 00:03:29 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGER Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:13-03 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-05 BM.1970.036.001/29:13-05 00:02:11 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGER Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:13-04 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :13-06 BM.1970.036.001/29:13-06 00:02:29 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGER Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme et CL=Luth SAZ• BM.970.036.001/29:13-05 1959 18 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-01 BM.1970.036.001/29:14-01 00:00:25 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée Introduction (?) • BM.970.036.001/29:13-02 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-02 BM.1970.036.001/29:14-02 00:04:21 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 HISTOIRE DE SHAH ISMAEL Sous-table non exportée Sous-table non exportée BM.970.036.001/29:13-03 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-03 BM.1970.036.001/29:14-03 00:08:58 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 HISTOIRE DE SHAH ISMAEL Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-02 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-04 BM.1970.036.001/29:14-04 00:04:45 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR DE LA VILLE DE KARS Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-03 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-05 BM.1970.036.001/29:14-05 00:05:11 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR DE LA VILLE D'URFA Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-04 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-06 BM.1970.036.001/29:14-06 00:05:16 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR DE LA VILLE DE MALATIA Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-05 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-07 BM.1970.036.001/29:14-07 00:03:26 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR COMPOSE PAR "ACIKH" ALI ALKISH Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-06 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-08 BM.1970.036.001/29:14-08 00:03:42 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR COMPOSE PAR "ACIKH" ALI ALKISH Sous-table non exportée Sous-table non exportée Reprise du même air ( 14-07.1)• BM.970.036.001/29:14-07.1 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :14-09 BM.1970.036.001/29:14-09 00:08:59 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR DE LA VILLE D'UKSEK Sous-table non exportée Sous-table non exportée BM.970.036.001/29:14-07.2 1959 19 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :15-01 BM.1970.036.001/29:15-01 00:08:10 N TURQUIE DST SIVAS, VILLAGE DE AYAKILISSI TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VA=Parlé/ chanté alternés, solo homme et CL=Luth SAZ à 6 trous. La séquence est peut être composée de pièces différentes• BM.970.036.001/29:12-03 1959 20 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :15-02 BM.1970.036.001/29:15-02 00:15:51 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT EPIQUE DU KOROGLOU Sous-table non exportée Sous-table non exportée Annonce de la pièce, puis accordage du luth SAZ• 1959 20 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :15-03 BM.1970.036.001/29:15-03 00:03:18 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE Sous-table non exportée Sous-table non exportée BM.970.036.001/29:15-02 1959 20 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :15-04 BM.1970.036.001/29:15-04 00:02:01 TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 DANSE (?) Sous-table non exportée Sous-table non exportée BM.970.036.001/29:15-03 1959 20 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-01 BM.1970.036.001/29:16-01 00:00:45 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:14-07.1 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-02 BM.1970.036.001/29:16-02 00:01:45 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-01 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-03 BM.1970.036.001/29:16-03 00:01:56 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-02 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-04 BM.1970.036.001/29:16-04 00:01:05 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-03 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-05 BM.1970.036.001/29:16-05 00:01:30 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-04 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-06 BM.1970.036.001/29:16-06 00:01:43 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-05 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-07 BM.1970.036.001/29:16-07 00:02:01 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-06 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-08 BM.1970.036.001/29:16-08 00:02:30 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, duo homme• BM.970.036.001/29:16-07 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :16-09 BM.1970.036.001/29:16-09 00:00:40 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-07 1959 21 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :17-01 BM.1970.036.001/29:17-01 00:03:45 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:16-09 1959 52 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :17-02 BM.1970.036.001/29:17-02 00:01:30 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:17-01 1959 52 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :17-03 BM.1970.036.001/29:17-03 00:02:30 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:17-02 1959 52 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :17-04 BM.1970.036.001/29:17-04 00:03:52 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:17-03 1959 52 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :17-05 BM.1970.036.001/29:17-05 00:01:15 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT DE BERGERS Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:17-04 1959 52 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :18-01 BM.1970.036.001/29:18-01 00:03:25 N IRAN DST AZERBAIDJAN TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AF=Solo de flûte oblique avec V=voix en bourdon• BM.970.036.001/29:17-05 1959 28 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :18-02 BM.1970.036.001/29:18-02 00:03:30 N IRAN DST AZERBAIDJAN TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AF=Solo de flûte oblique avec V=voix en bourdon• BM.970.036.001/29:18-01 1959 28 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :18-03 BM.1970.036.001/29:18-03 00:03:09 N IRAN DST AZERBAIDJAN TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AABS=Clarinette à 7 trous BALABAN avec V=voix en bourdon• BM.970.036.001/29:18-02 1959 28 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :18-04 BM.1970.036.001/29:18-04 00:02:08 N IRAN DST AZERBAIDJAN TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AABS=Clarinette à 7 trous BALABAN avec V=voix en bourdon• BM.970.036.001/29:18-03 1959 28 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :19-01 BM.1970.036.001/29:19-01 00:04:52 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AABS=Clarinette à 7 trous BALABAN avec V=voix en bourdon• BM.970.036.001/29:17-05 1959 29 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :19-02 BM.1970.036.001/29:19-02 00:05:23 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 AIR DE LUTTE PUIS AIR DE MARIAGE Sous-table non exportée Sous-table non exportée AABD=Hautbois• BM.970.036.001/29:19-01 1959 29 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :19-03 BM.1970.036.001/29:19-03 00:05:01 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AABS=Clarinette à 7 trous BALABAN avec V=voix en bourdon intermittante• BM.970.036.001/29:19-01 1959 29 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :20-01 BM.1970.036.001/29:20-01 00:04:40 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. AABS=Clarinette à 7 trous BALABAN• BM.970.036.001/29:17-05 1959 30 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :20-02 BM.1970.036.001/29:20-02 00:06:21 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme accompagné au Balaban enchaîné à un solos de Balaban avec claquement de mains à 5'20''. AABS=Clarinette à 7 trous BALABAN• BM.970.036.001/29:20-01 1959 30 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :21-01 BM.1970.036.001/29:21-01 00:04:31 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme avec accompagnement de clarinette à 7 trous Balaban. AABS=Clarinette à 7 trous BALABAN• BM.970.036.001/29:20-02 1959 31 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :21-02 BM.1970.036.001/29:21-02 00:02:35 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT TURCOMAN Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme • BM.970.036.001/29:21-01 1959 31 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :21-03 BM.1970.036.001/29:21-03 00:03:45 N TURQUIE DST SIVAS TURCS LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 CHANT TURCOMAN Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme • BM.970.036.001/29:21-02 1959 31 ASIE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :22-01 BM.1970.036.001/29:22-01 00:06:00 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo enfants et CV=Vièle• 1959 34 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :22-02 BM.1970.036.001/29:22-02 00:00:38 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CV=Solo Vièle• BM.970.036.001/29:22-01 1959 34 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :22-03 BM.1970.036.001/29:22-03 00:07:08 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC= Chanté solo homme: voiw suraigue et CV=Vièle• BM.970.036.001/29:22-02 1959 34 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :22-04 BM.1970.036.001/29:22-04 00:02:24 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CV=Solo Vièle• BM.970.036.001/29:22-02 1959 34 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :22-05 BM.1970.036.001/29:22-05 00:04:45 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC= Chanté solo homme: voix suraigue et CV=Vièle• BM.970.036.001/29:22-03 1959 34 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :23-01 BM.1970.036.001/29:23-01 00:21:15 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth. Introductu-ion au luth, puis chanté, solo homme et luth• BM.970.036.001/29:22-05 1959 35 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :23-02 BM.1970.036.001/29:23-02 00:09:28 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS BALOUTCHES LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CV=Vièle. Chanté solo homme; en fin de la pièce, alternance de voix en régistre normal et suraigu; accompagnement à la vièle• BM.970.036.001/29:23-01 1959 35 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :24-01 BM.1970.036.001/29:24-01 00:01:45 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme• BM.970.036.001/29:23-02 1959 36 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :24-02 BM.1970.036.001/29:24-02 00:01:45 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. Essai de magnétophone• BM.970.036.001/29:24-01 1959 36 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :24-03 BM.1970.036.001/29:24-03 00:03:08 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:24-02 1959 36 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :25-01 BM.1970.036.001/29:25-01 00:03:33 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:25-02 1959 37 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :25-02 BM.1970.036.001/29:25-02 00:04:27 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:24-03 1959 37 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :25-03 BM.1970.036.001/29:25-03 00:03:54 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:25-02 1959 37 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :26-01 BM.1970.036.001/29:26-01 00:05:05 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:25-03 1959 38 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :26-02 BM.1970.036.001/29:26-02 00:03:31 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=Luth• BM.970.036.001/29:26-01 1959 38 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :26-03 BM.1970.036.001/29:26-03 00:00:48 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée IP=GUIMBARDE• BM.970.036.001/29:26-02 1959 38 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :26-04 BM.1970.036.001/29:26-04 00:03:12 IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CL=Solo de Luth• BM.970.036.001/29:26-02 1959 38 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :27-01 BM.1970.036.001/29:27-01 00:03:31 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• 1959 39 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :27-02 BM.1970.036.001/29:27-02 00:03:20 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:27-01 1959 39 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :27-03 BM.1970.036.001/29:27-03 00:04:16 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:27-02 1959 39 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :28-01 BM.1970.036.001/29:28-01 00:03:34 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:27-03 1959 40 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :28-02 BM.1970.036.001/29:28-02 00:03:33 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée CL=Solo de luth• BM.970.036.001/29:40-03 1959 40 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :28-03 BM.1970.036.001/29:28-03 00:05:07 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:28-01 1959 40 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :29-01 BM.1970.036.001/29:29-01 00:04:19 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:28-03 1959 41 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :29-02 BM.1970.036.001/29:29-02 00:02:55 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. CL=deux luths• BM.970.036.001/29:29-01 1959 41 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :29-03 BM.1970.036.001/29:29-03 00:01:42 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée AF=Flûte oblique avec V=Voix en bourdon• BM.970.036.001/29:29-04 1959 41 AFRIQUE +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 :29-04 BM.1970.036.001/29:29-04 00:02:47 N IRAN DU NORD-EST DST DE GUMBAD-I-KABUS TURKEMÈNE LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 Sous-table non exportée Sous-table non exportée VC=Chanté, solo homme. AF=Flûte oblique avec V=Voix en bourdon• BM.970.036.001/29:29-02 1959 41 AFRIQUE +BM.970.038 Ø13;²9.5;PPM BM.970.038.001 :01-01 BM.970.038.001:01-01 00:00:00 N KUWEIT GOLF PERSIQUE;ILE DE FAILAKA:ARABE. PECHEURS & PECHEURS DE PERLES N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +BM.970.039 Ø13;²9.5;1/2P BM.970.039.001/04 :01-01 BM.970.039.001/04:01-01 00:00:00 N PHILIPPINES PHILIPPINES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.040 Ø13;²19;PPM BM.970.040.001/04 :01-01 BM.970.040.001/04:01-01 00:00:00 N POLYNESIE FR;ARCHIPEL SOCIETE TAHITI POLYNESIE FRANCAISE, ARCHIPEL DE LA SOCIETE,TAHITI,BORA BORA N Sous-table non exportée Sous-table non exportée 1964 0 OCEANIE +BM.970.040 Ø13;²19;PPM BM.970.040.001/04 :?-? BM.970.040.001/04:?-? 00:00:00 N POLYNESIE FR;ARCHIPEL SOCIETE BORA BORA POLYNESIE FRANCAISE, ARCHIPEL DE LA SOCIETE,TAHITI,BORA BORA N Sous-table non exportée Sous-table non exportée 1964 0 OCEANIE +BM.970.042 ØGF;²38;PPM;SD BM.970.042.001/02 :01-01 BM.970.042.001/02:01-01 00:00:00 INDONESIE;BALI MASTERD DI."BARONG. DRAME MUSICAL BALINAIS" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.043 Ø13;²19;1/2P BM.970.043.001 :01-01 BM.970.043.001:01-01 00:00:00 N NEPAL NEPAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-07 BM.1970.044.001/32:05-07 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 LMAIT Sous-table non exportée Sous-table non exportée Région, village: El Harcha. Fin du 70.44.4.VIII• 1970 AFRIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-03 BM.1957.003.001:01-03 00:02:24 N CAMEROUN CAMEROUN GRIOTS DU LAMIDO DE REI BOUBA Sous-table non exportée Sous-table non exportée Griots tama• VC-CHT F = ?, selon le cahier d'inventaire• -1 AFRIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-05 BM.1957.003.001:01-05 00:01:35 N CAMEROUN CAMEROUN GRIOTS DU LAMIDO DE REI BOUBA Sous-table non exportée Sous-table non exportée Griots tama• VC-CHT F = ?, selon le cahier d'inventaire• -1 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-01 BM.1970.044.001/32:01-01 00:01:25 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 N IMAIT Sous-table non exportée Sous-table non exportée Pièce enchainée à Izran. 1970 0 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-02 BM.1970.044.001/32:01-02 00:01:30 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 N Sous-table non exportée Sous-table non exportée Parlé, simulation d'une tonte de mouton, ciseaux• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-03 BM.1970.044.001/32:01-03 00:01:05 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-04 BM.1970.044.001/32:01-04 00:01:30 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-05 BM.1970.044.001/32:01-05 00:00:25 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN CHANTE EN AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-06 BM.1970.044.001/32:01-06 00:01:05 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN CHANTE EN AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons. Parlé, histoire enchaînée à• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-07 BM.1970.044.001/32:01-07 00:01:40 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN CHANTE EN AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons. Parlé, histoire enchaînée à• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-08 BM.1970.044.001/32:01-08 00:01:05 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL CHANT DE MEULE (?) Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons. Cette pioèce est chantée en ahidus• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-09 BM.1970.044.001/32:01-09 00:02:30 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-10 BM.1970.044.001/32:01-10 00:01:40 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-11 BM.1970.044.001/32:01-11 00:01:00 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons. Parlé, histoire• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-12 BM.1970.044.001/32:01-12 00:01:20 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-13 BM.1970.044.001/32:01-13 00:02:45 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-14 BM.1970.044.001/32:01-14 00:02:00 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-15 BM.1970.044.001/32:01-15 00:02:31 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-16 BM.1970.044.001/32:01-16 00:01:30 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons. Sur BM.Std.• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-17 BM.1970.044.001/32:01-17 00:00:45 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons. Sur BM.Std.• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-18 BM.1970.044.001/32:01-18 00:00:40 9 à 11-1970 MAROC OULMES, C/O M.AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons. Sur BM.Std.• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-19 BM.1970.044.001/32:01-19 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL POUR LA TONTE Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :01-20 BM.1970.044.001/32:01-20 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Chant exécuté pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-01 BM.1970.044.001/32:02-01 00:03:20 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-02 BM.1970.044.001/32:02-02 00:01:05 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée (Youyou dépalcé)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-03 BM.1970.044.001/32:02-03 00:00:20 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée (Youyou dépalcé)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-05 BM.1970.044.001/32:02-05 00:03:05 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée Chanté choeur de femme et un homme accompagnement avec un plat métallique faisont tambour sur un rythme ahidus• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-06 BM.1970.044.001/32:02-06 00:00:45 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFART Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-07 BM.1970.044.001/32:02-07 00:00:45 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-08 BM.1970.044.001/32:02-08 00:00:35 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-09 BM.1970.044.001/32:02-09 00:00:45 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :02-10 BM.1970.044.001/32:02-10 00:00:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-01 BM.1970.044.001/32:03-01 00:00:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-02 BM.1970.044.001/32:03-02 00:00:45 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-03 BM.1970.044.001/32:03-03 00:04:00 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-04 BM.1970.044.001/32:03-04 00:00:30 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-05 BM.1970.044.001/32:03-05 00:00:30 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-06 BM.1970.044.001/32:03-06 00:08:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 LMAIT Sous-table non exportée Sous-table non exportée ATTENTION!!! CE CHANT NE DOIT EN AUCUN CAS ETRE PUBLIE• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :03-07 BM.1970.044.001/32:03-07 00:05:15 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-01 BM.1970.044.001/32:04-01 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Région ,village : route de Khenifra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-02 BM.1970.044.001/32:04-02 00:00:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région ,village : route de Khenifra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-03 BM.1970.044.001/32:04-03 00:01:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région,village : route de Khenifra (Essai)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-04 BM.1970.044.001/32:04-04 00:00:20 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région,village : route de Khenifra (Essai)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-05 BM.1970.044.001/32:04-05 00:01:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS POUR LA CIRCONCISION Sous-table non exportée Sous-table non exportée Région,village : route de Khenifra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-06 BM.1970.044.001/32:04-06 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS "AYWA" POUR LA CIRCONCISION Sous-table non exportée Sous-table non exportée Région,village : route de Khenifra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-07 BM.1970.044.001/32:04-07 00:00:40 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS "AKSTU" POUR LA CIRCONCISION Sous-table non exportée Sous-table non exportée Région,village : route de Khenifra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :04-08 BM.1970.044.001/32:04-08 00:05:25 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFART Sous-table non exportée Sous-table non exportée Région,village : chez les Haddane. Le soliste principal est Mohammed Leurabti, d'Oulmes• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-01 BM.1970.044.001/32:05-01 00:04:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFART Sous-table non exportée Sous-table non exportée Région,village : chez les Haddane. Fin du 70.44.4.VIII•. 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-02 BM.1970.044.001/32:05-02 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Fin du 70.44.4.VIII• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-03 BM.1970.044.001/32:05-03 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-04 BM.1970.044.001/32:05-04 00:00:40 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-05 BM.1970.044.001/32:05-05 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région, village: El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-06 BM.1970.044.001/32:05-06 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Région, village: El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-08 BM.1970.044.001/32:05-08 00:00:20 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région, village: El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-09 BM.1970.044.001/32:05-09 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région, village: El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :05-10 BM.1970.044.001/32:05-10 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région, village: El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :06-01 BM.1970.044.001/32:06-01 00:07:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFARTY Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :06-02 BM.1970.044.001/32:06-02 00:08:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFARTY Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-01 BM.1970.044.001/32:07-01 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-02 BM.1970.044.001/32:07-02 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-03 BM.1970.044.001/32:07-03 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-04 BM.1970.044.001/32:07-04 00:00:53 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-05 BM.1970.044.001/32:07-05 00:00:48 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-06 BM.1970.044.001/32:07-06 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-07 BM.1970.044.001/32:07-07 00:05:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 1 ALLUN IZRAN Sous-table non exportée Sous-table non exportée Région: chez Haddane. Attention parfois un garçon ne frappe pas en mesure• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :07-08 BM.1970.044.001/32:07-08 00:01:40 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 1 ALLUN IZRAN Sous-table non exportée Sous-table non exportée Région: chez Haddane. Attention parfois un garçon ne frappe pas en mesure. Ahidus interrompu en fin de BM• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-01 BM.1970.044.001/32:08-01 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-02 BM.1970.044.001/32:08-02 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-03 BM.1970.044.001/32:08-03 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-04 BM.1970.044.001/32:08-04 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-05 BM.1970.044.001/32:08-05 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL(?) (ECHO) Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-06 BM.1970.044.001/32:08-06 00:00:48 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) AHLLL(?) (ECHO) Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-07 BM.1970.044.001/32:08-07 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) ITTU AMAR Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-08 BM.1970.044.001/32:08-08 00:00:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) ITTU AMAR -AHIDUS Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria. Pièce interrompu par B.L.J• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-09 BM.1970.044.001/32:08-09 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) IMAIT Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria. Pièce interrompu par B.L.J• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-10 BM.1970.044.001/32:08-10 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE (SANS MEULE) IMAIT Sous-table non exportée Sous-table non exportée Région, village: tente de Ittu Amar ayt Iria. Pièce interrompu par B.L.J• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-11 BM.1970.044.001/32:08-11 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région, village:piste de Meknès• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-12 BM.1970.044.001/32:08-12 00:01:12 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région, village:piste de Meknès• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :08-13 BM.1970.044.001/32:08-13 00:01:12 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Région, village:piste de Meknès• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-01 BM.1970.044.001/32:09-01 00:00:40 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-02 BM.1970.044.001/32:09-02 00:00:35 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-03 BM.1970.044.001/32:09-03 00:00:35 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-04 BM.1970.044.001/32:09-04 00:00:40 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-05 BM.1970.044.001/32:09-05 00:00:50 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-06 BM.1970.044.001/32:09-06 00:01:10 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-07 BM.1970.044.001/32:09-07 00:00:50 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-08 BM.1970.044.001/32:09-08 00:00:30 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-09 BM.1970.044.001/32:09-09 00:01:10 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-10 BM.1970.044.001/32:09-10 00:00:40 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Aboiements• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-11 BM.1970.044.001/32:09-11 00:01:30 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Ahlll pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-12 BM.1970.044.001/32:09-12 00:01:15 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFART Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :09-13 BM.1970.044.001/32:09-13 00:01:50 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Ahlll pour la tonte des moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-01 BM.1970.044.001/32:10-01 00:01:50 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Ahlll pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-02 BM.1970.044.001/32:10-02 00:01:00 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-03 BM.1970.044.001/32:10-03 00:02:10 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée Une femme sur les deux est originaire de Demnate• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-04 BM.1970.044.001/32:10-04 00:04:36 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée Originaire de Demnate• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-05 BM.1970.044.001/32:10-05 00:01:50 9 à 11-1970 MAROC OULMES, BUTZIWANIN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée Originaire de Demnate• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-07 BM.1970.044.001/32:10-07 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-08 BM.1970.044.001/32:10-08 00:00:45 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-09 BM.1970.044.001/32:10-09 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-10 BM.1970.044.001/32:10-10 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-11 BM.1970.044.001/32:10-11 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-12 BM.1970.044.001/32:10-12 00:01:20 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-13 BM.1970.044.001/32:10-13 00:02:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-14 BM.1970.044.001/32:10-14 00:01:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :10-15 BM.1970.044.001/32:10-15 00:00:50 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-01 BM.1970.044.001/32:11-01 00:03:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-02 BM.1970.044.001/32:11-02 00:00:45 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour tondre les moutons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-03 BM.1970.044.001/32:11-03 00:00:45 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour tondre les moutons avecdes pairs de ciseaux• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-04 BM.1970.044.001/32:11-04 00:00:35 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour tondre les moutons avecdes pairs de ciseaux• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-05 BM.1970.044.001/32:11-05 00:04:45 9 à 11-1970 MAROC OULMES, MEKNÈS BERBÈRES IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée VC=Chanté solo alterné avec deux hommes• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :11-06 BM.1970.044.001/32:11-06 00:00:45 9 à 11-1970 MAROC OULMES, MEKNÈS BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-01 BM.1970.044.001/32:12-01 00:07:15 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAIFFART Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-02 BM.1970.044.001/32:12-02 00:01:15 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-03 BM.1970.044.001/32:12-03 00:01:05 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée AHLLL pour la moisson• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-04 BM.1970.044.001/32:12-04 00:01:00 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-05 BM.1970.044.001/32:12-05 00:00:10 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAMAWAIT Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-06 BM.1970.044.001/32:12-06 00:00:05 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-07 BM.1970.044.001/32:12-07 00:00:05 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Sans paroles• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :12-08 BM.1970.044.001/32:12-08 00:00:05 9 à 11-1970 MAROC OULMES, MEKNÈS IGHROUAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHLLL Sous-table non exportée Sous-table non exportée Sans paroles• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-01 BM.1970.044.001/32:13-01 00:00:25 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-02 BM.1970.044.001/32:13-02 00:02:00 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-03 BM.1970.044.001/32:13-03 00:01:25 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-04 BM.1970.044.001/32:13-04 00:00:40 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-05 BM.1970.044.001/32:13-05 00:00:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-06 BM.1970.044.001/32:13-06 00:00:40 1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée VP= Parlé infiniment sur l'ahlll• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-07 BM.1970.044.001/32:13-07 00:00:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-08 BM.1970.044.001/32:13-08 00:00:55 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL Sous-table non exportée Sous-table non exportée Pour les moissons• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :13-09 BM.1970.044.001/32:13-09 00:03:25 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :14-01 BM.1970.044.001/32:14-01 00:02:00 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Ayt yahia ou ayssa (Akefli)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :14-02 BM.1970.044.001/32:14-02 00:04:50 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Ayt yahia ou ayssa (Akefli)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :14-03 BM.1970.044.001/32:14-03 00:09:00 9 à 11-1970 MAROC OULMES, ASELLALU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Ayt yahia ou ayssa (Akefli)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-01 BM.1970.044.001/32:15-01 00:00:45 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté sous la tente• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-02 BM.1970.044.001/32:15-02 00:00:45 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté sous la tente• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-03 BM.1970.044.001/32:15-03 00:00:48 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-04 BM.1970.044.001/32:15-04 00:02:35 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-05 BM.1970.044.001/32:15-05 00:02:20 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-06 BM.1970.044.001/32:15-06 00:03:20 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté sous la tente• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-07 BM.1970.044.001/32:15-07 00:00:35 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté sous la tente• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-08 BM.1970.044.001/32:15-08 00:03:35 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté à (Taddart)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :15-09 BM.1970.044.001/32:15-09 00:01:55 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprète: Fatima Lafien et la 2ème femme de son père. Chant exécuté sous la tente. VC= Duo femmes mais alterné• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-01 BM.1970.044.001/32:16-01 00:06:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Sur la fiche dactylographiée, note manuscrite de B. L-J. : "(A) ? . pas sur la bande. Puis après la pièce :16-09 (IX sur la fiche dactylographiée) "+ 1 ahllil (?)"• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-02 BM.1970.044.001/32:16-02 00:03:40 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-03 BM.1970.044.001/32:16-03 00:02:15 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-04 BM.1970.044.001/32:16-04 00:02:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-05 BM.1970.044.001/32:16-05 00:03:10 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-06 BM.1970.044.001/32:16-06 00:02:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-07 BM.1970.044.001/32:16-07 00:01:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-08 BM.1970.044.001/32:16-08 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :16-09 BM.1970.044.001/32:16-09 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête: Ulieco ou Amar• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-01 BM.1970.044.001/32:17-01 00:01:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Solo de femme (âgée)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-02 BM.1970.044.001/32:17-02 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Solo de femme (âgée)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-03 BM.1970.044.001/32:17-03 00:01:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-04 BM.1970.044.001/32:17-04 00:00:30 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-05 BM.1970.044.001/32:17-05 00:03:15 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-06 BM.1970.044.001/32:17-06 00:01:25 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-07 BM.1970.044.001/32:17-07 00:02:15 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-08 BM.1970.044.001/32:17-08 00:05:05 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-09 BM.1970.044.001/32:17-09 00:06:00 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée (Avec du blé dans la meule)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-10 BM.1970.044.001/32:17-10 00:01:25 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :17-11 BM.1970.044.001/32:17-11 00:00:20 9 à 11-1970 MAROC OULMES, AYT BOUHOU BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-01 BM.1970.044.001/32:18-01 00:00:55 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-02 BM.1970.044.001/32:18-02 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-03 BM.1970.044.001/32:18-03 00:01:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-04 BM.1970.044.001/32:18-04 00:04:15 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-05 BM.1970.044.001/32:18-05 00:01:05 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-06 BM.1970.044.001/32:18-06 00:02:20 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-07 BM.1970.044.001/32:18-07 00:01:15 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-08 BM.1970.044.001/32:18-08 00:01:35 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) N ARABE Sous-table non exportée Sous-table non exportée Interprête:Ayt Alla de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-09 BM.1970.044.001/32:18-09 00:01:45 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) EN BERBÈRE Sous-table non exportée Sous-table non exportée Interprête: ils sont de Tedders• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-10 BM.1970.044.001/32:18-10 00:02:30 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-11 BM.1970.044.001/32:18-11 00:02:00 9 à 11-1970 MAROC OULMES, TERMILET BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-12 BM.1970.044.001/32:18-12 00:00:40 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-13 BM.1970.044.001/32:18-13 00:00:35 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-14 BM.1970.044.001/32:18-14 00:01:15 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-15 BM.1970.044.001/32:18-15 00:01:00 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) + (RIRES) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-16 BM.1970.044.001/32:18-16 00:00:30 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :18-17 BM.1970.044.001/32:18-17 00:00:15 9 à 11-1970 MAROC MOULAY-BOU-AZZA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :19-01 BM.1970.044.001/32:19-01 00:01:00 9 à 11-1970 MAROC EL KEBAB BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée La chanteuse est âgée de 85 ans• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :19-02 BM.1970.044.001/32:19-02 00:03:40 9 à 11-1970 MAROC EL KEBAB BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée La chanteuse est âgée de 85 ans• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :19-03 BM.1970.044.001/32:19-03 00:03:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :19-04 BM.1970.044.001/32:19-04 00:09:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (A) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-01 BM.1970.044.001/32:20-01 00:03:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-02 BM.1970.044.001/32:20-02 00:01:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-03 BM.1970.044.001/32:20-03 00:01:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-04 BM.1970.044.001/32:20-04 00:02:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-05 BM.1970.044.001/32:20-05 00:02:20 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-06 BM.1970.044.001/32:20-06 00:01:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :20-07 BM.1970.044.001/32:20-07 00:02:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MEULE AHLLL (B) Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-01 BM.1970.044.001/32:21-01 00:03:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (A) Sous-table non exportée Sous-table non exportée Région, village: Oulmes 6kms sur la piste de Meknès, campagne d'Hajine• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-02 BM.1970.044.001/32:21-02 00:02:00 9 à 11-1970 MAROC OULMES BERBÈRES ARABE MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (A) Sous-table non exportée Sous-table non exportée Ethnie: Berbère/ arabe (originaire de chez les zemmours)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-03 BM.1970.044.001/32:21-03 00:01:30 9 à 11-1970 MAROC OULMES BERBÈRES ARABE MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (A) Sous-table non exportée Sous-table non exportée Ethnie: Berbère/ arabe (originaire de chez les zemmours)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-04 BM.1970.044.001/32:21-04 00:03:30 9 à 11-1970 MAROC OULMES BERBÈRES ARABE MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (A) Sous-table non exportée Sous-table non exportée Ethnie: Berbère/ arabe (originaire de chez les zemmours)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-05 BM.1970.044.001/32:21-05 00:02:30 9 à 11-1970 MAROC OULMES BERBÈRES ARABE MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (B) Sous-table non exportée Sous-table non exportée Ethnie: Berbère/ arabe (originaire de chez les zemmours)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :21-06 BM.1970.044.001/32:21-06 00:03:45 9 à 11-1970 MAROC OULMES BERBÈRES ARABE MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TOUX AHLLL (A) Sous-table non exportée Sous-table non exportée Ethnie: Berbère/ arabe (originaire de chez les Zemmours). Chanté en arabe• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-01 BM.1970.044.001/32:22-01 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-02 BM.1970.044.001/32:22-02 00:00:50 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-03 BM.1970.044.001/32:22-03 00:00:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-04 BM.1970.044.001/32:22-04 00:00:35 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-05 BM.1970.044.001/32:22-05 00:05:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN IZRAN Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-06 BM.1970.044.001/32:22-06 00:02:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS IHIT Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-07 BM.1970.044.001/32:22-07 00:02:05 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-08 BM.1970.044.001/32:22-08 00:01:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-09 BM.1970.044.001/32:22-09 00:01:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-10 BM.1970.044.001/32:22-10 00:01:05 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-11 BM.1970.044.001/32:22-11 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-12 BM.1970.044.001/32:22-12 00:01:45 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-13 BM.1970.044.001/32:22-13 00:01:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-14 BM.1970.044.001/32:22-14 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-15 BM.1970.044.001/32:22-15 00:01:40 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :22-16 BM.1970.044.001/32:22-16 00:00:35 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane. Les Ahidus des pièces 22-12 à 22-16 sont enchaînés les uns aux autres• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :23-01 BM.1970.044.001/32:23-01 00:07:45 9 à 11-1970 MAROC OULMES BERBÈRES MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :23-02 BM.1970.044.001/32:23-02 00:06:00 9 à 11-1970 MAROC OULMES BERBÈRES MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :23-03 BM.1970.044.001/32:23-03 00:01:15 9 à 11-1970 MAROC OULMES BERBÈRES MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ATZ Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :23-04 BM.1970.044.001/32:23-04 00:02:00 9 à 11-1970 MAROC OULMES BERBÈRES MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes chez Haddane. /BM A MOITIÉ PLEINE• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :24-01 BM.1970.044.001/32:24-01 00:10:30 9 à 11-1970 MAROC OULMES BERBÈRES MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 Sous-table non exportée IZRAN Sous-table non exportée Région: Oulmes route de Khenifra (6kms d'Oulmes), à l'occasion de la circoncision des enfants Haddane. Allun joué surtout par les garçons, claquement de mains, (polyphonie)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :25-01 BM.1970.044.001/32:25-01 00:04:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :25-02 BM.1970.044.001/32:25-02 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IMAIT Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :25-03 BM.1970.044.001/32:25-03 00:04:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ALLUN-AHIDUS Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :26-01 BM.1970.044.001/32:26-01 00:04:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. Ahidus enchaîné à• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :26-02 BM.1970.044.001/32:26-02 00:02:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha. Autre Ahidus enchaîné à• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :26-03 BM.1970.044.001/32:26-03 00:04:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 ATZ Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha. Autre Ahidus• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :26-04 BM.1970.044.001/32:26-04 00:02:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS TAGZAFT Sous-table non exportée Sous-table non exportée Région: OulmeS El Harcha. LA FIN DE LA BANDE EST SANS VALEUR, DOIT ÊTRE EFACÉE• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-01 BM.1970.044.001/32:27-01 00:07:15 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-02 BM.1970.044.001/32:27-02 00:00:35 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 TAMAWAIT Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-03 BM.1970.044.001/32:27-03 00:09:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-04 BM.1970.044.001/32:27-04 00:02:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 DANSE DES CHIKHAT Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. SD=Bruits de bouche• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-05 BM.1970.044.001/32:27-05 00:02:25 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. SD=Bruits de bouche• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-06 BM.1970.044.001/32:27-06 00:03:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. SD=Bruits de bouche• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-07 BM.1970.044.001/32:27-07 00:00:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IHIT Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. SD=Bruits de bouche• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-08 BM.1970.044.001/32:27-08 00:05:30 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 IZRAN Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha. Pièce enchaîné à• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :27-09 BM.1970.044.001/32:27-09 00:05:10 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 DANSE DES CHIKHAT Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :28-01 BM.1970.044.001/32:28-01 00:02:00 9 à 11-1970 MAROC OULMES, EL HARCHA BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS IHIT Sous-table non exportée Sous-table non exportée Région: Oulmes El Harcha• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :28-02 BM.1970.044.001/32:28-02 00:06:00 9 à 11-1970 MAROC OULMES BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AHIDUS IHIT Sous-table non exportée Sous-table non exportée Région: Oulmes (Taqbilt des environs)• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-01 BM.1970.044.001/32:29-01 00:01:40 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_. AIR POUR LES "DIABLES" LAHUEJ Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-02 BM.1970.044.001/32:29-02 00:00:30 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée Autre air• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-03 BM.1970.044.001/32:29-03 00:00:20 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-04 BM.1970.044.001/32:29-04 00:03:50 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée VP=Voix parlées• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-05 BM.1970.044.001/32:29-05 00:01:00 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-06 BM.1970.044.001/32:29-06 00:00:30 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée • 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-07 BM.1970.044.001/32:29-07 00:03:00 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 DUO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-08 BM.1970.044.001/32:29-08 00:01:25 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO TBR _ALLUN_ & FLUTE OBLIQUE Sous-table non exportée Sous-table non exportée AF= flûte oblique• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-09 BM.1970.044.001/32:29-09 00:01:45 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO & DUO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée M1D=Solo et duo de tambours• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :29-10 BM.1970.044.001/32:29-10 00:04:35 9 à 11-1970 MAROC OULMES C/O M. AHERDAN BERBÈRES ZAIAN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 SOLO & DUO TBR _ALLUN_ Sous-table non exportée Sous-table non exportée M1D=Solo et duo de tambours. V-VOIX =Bruits de bouche• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-01 BM.1970.044.001/32:30-01 00:02:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT SOLO DE F. IMSAQ / TLGMAS/ Sous-table non exportée Sous-table non exportée Publié, réf. LD-786• Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-02 BM.1970.044.001/32:30-02 00:00:30 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT SOLO DE F. IMSAQ / TLGMAS/ Sous-table non exportée Sous-table non exportée LD (enregistrement. publié, 786)• Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-03 BM.1970.044.001/32:30-03 00:01:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 AMBIANCE Sous-table non exportée Sous-table non exportée LD (enregistrement. publié, 786)• Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-04 BM.1970.044.001/32:30-04 00:01:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT SOLO DE F., ESSAI _AHWAS_ Sous-table non exportée Sous-table non exportée Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-05 BM.1970.044.001/32:30-05 00:00:45 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT SOLO DE F., _LMSAQ_ Sous-table non exportée LMSAQ Sous-table non exportée • Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :30-06 BM.1970.044.001/32:30-06 00:01:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DUO DE F., _LMSAQ Sous-table non exportée LMSAQ Sous-table non exportée Région: Azrzm, le moulin• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :31-01 BM.1970.044.001/32:31-01 00:15:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 VERS _TAGZZUMT_ & DANSE _TAMGRA_ Sous-table non exportée Sous-table non exportée • Région: Haut Atlas, Ayt Attik. Tambours tagnza munis de timbre tagzzut. Vers tagzzumt enchaînés à la danse tamgra• 1970 AFRIQUE +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 :32-01 BM.1970.044.001/32:32-01 00:15:00 9 à 11-1970 MAROC HAUT ATLAS BERBÈRES AYT MGUN MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 CHANT DE MARIAGE _URAR_ Sous-table non exportée URAR Sous-table non exportée LD (enregistrement. publié, 786)• Région: Haut Atlas, Taslli (plusieurs interruptions, ambiance, rires etc...)• 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-01 BM.1970.045.001/09:01-01 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5cm/s 1970 0 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :01-01 BM.1970.046.001/03:01-01 00:00:00 11/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Chant solo et choeur alternés. En fin de pièce on entend une clochette• Vitesse 9,5 piste 1• 1968 0 AFRIQUE +BM.970.047 ØGF BM.970.047.001/04 :01-01 BM.970.047.001/04:01-01 00:00:00 BENIN MASTER DI."DAHOMEY. MUSIQUE DES PRINCES" &: ADJOGAN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.048 ØGF BM.970.048.001 :01-01 BM.970.048.001:01-01 00:00:00 GUYANE FRANCAISE MASTER DI."GUYANE. INDIENS KALINA & OAYANA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.049 ØGF BM.970.049.001/02 :01-01 BM.970.049.001/02:01-01 00:00:00 AFGHANISTAN MASTER DI."AFGHANISTAN & IRAN" [1ERE ED.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.049 ØGF BM.970.049.001/02 :02-02 BM.970.049.001/02:02-02 00:00:00 IRAN MASTER DI."AFGHANISTAN & IRAN" [1ERE ED.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.970.050 ØGF BM.970.050.001/02 :01-01 BM.970.050.001/02:01-01 00:00:00 BENIN MASTER DI."FETES POUR L'OFFRANDE DES PREMIERES IGNAMES A SHANGO" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.051 ØGF BM.970.051.001/02 :01-01 BM.970.051.001/02:01-01 00:00:00 BRESIL MASTER DI."BRESIL, VOL.1: MUSIQUE INDIENNE"[1ERE ED.] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.052 ØGF BM.970.052.001/02 :01-01 BM.970.052.001/02:01-01 00:00:00 BRESIL MASTER DI."BRESIL,VOL.2: MUSIQUE DE BAHIA" N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.053 ØGF BM.970.053.001 :01-01 BM.970.053.001:01-01 00:00:00 GUATEMALA MASTER DI."GUATEMALA..." VOL.1 & 2 N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.054 ØGF BM.970.054.001/02 :01-01 BM.970.054.001/02:01-01 00:00:00 INDE;SIKKIM TIBETAINS MASTER DI."MUSIQUE TIBETAINE DU SIKKIM"[1ERE ED.] N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +BM.970.055 ØGF BM.970.055.001/02 :01-01 BM.970.055.001/02:01-01 00:00:00 GUINEE MASTER DI."M. D'AFRIQUE OCCIDENTALE. M. DES MALINKE. M. DES BAOULE"[1ERE ED.] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.055 ØGF BM.970.055.001/02 :02-02 BM.970.055.001/02:02-02 00:00:00 COTE D'IVOIRE MASTER DI."M. D'AFRIQUE OCCIDENTALE. M. DES MALINKE. M. DES BAOULE"[1ERE ED.] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.056 ØGF BM.970.056.001/02 :01-01 BM.970.056.001/02:01-01 00:00:00 VENEZUELA MASTER DI.: ORENOQUE - AMAZONE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.057 ØGF BM.970.057.001/02 :01-01 BM.970.057.001/02:01-01 00:00:00 CONGO MASTER DI."MOYEN CONGO. PYGMEE BABIBGA" & "M. BANTOU D'A.E.F." N Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +BM.970.057 ØGF BM.970.057.001/02 :02-02 BM.970.057.001/02:02-02 00:00:00 GABON MASTER DI."MOYEN CONGO. PYGMEE BABIBGA" & "M. BANTOU D'A.E.F." N Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +BM.970.058 ØGF BM.970.058.001 :01-01 BM.970.058.001:01-01 00:00:00 GUINEE FRANCAISE GUINEE FRANCAISE:TOMA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.059 ØGF BM.970.059.001 :01-01 BM.970.059.001:01-01 00:00:00 IRAN MASTER DI."MUSIQUE PERSANE" VOL.1 & 2 N Sous-table non exportée Sous-table non exportée 1955 0 ASIE +BM.970.060 Ø13;²19;PPM BM.970.060.001 :01-01 BM.970.060.001:01-01 00:00:00 AFRIQUE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON (COPIE DE 5 PIECES) N Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +BM.970.061 ØGF BM.970.061.001 :01-01 BM.970.061.001:01-01 00:00:00 BIRMANIE MASTER DI."BIRMANIE. MUSIQUE CLASSIQUE & POPULAIRE" N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.970.062 Ø18;²19;1/2P BM.970.062.001 :01-01 BM.970.062.001:01-01 00:00:00 USA ETATS-UNIS;LOUISIANE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.970.063 Ø18;²38;PPM BM.970.063.001 :01-01 BM.970.063.001:01-01 00:00:00 BENIN MASTER DI."DEUX CHANTS LITURGIQUES YORUBA"[ENCARTE] N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.970.064 Ø18 BM.970.064 :01-01 BM.970.064:01-01 00:00:00 BENIN MAQUETTE DI.: DAHOMEY (BAM EDITEUR) N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.970.065 ØGF BM.970.065.001 :01-01 BM.970.065.001:01-01 00:00:00 BENIN MASTER DI."DAHOMEY. PORTO-NOVO. INVOCATIONS A SAKPATA" N Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +BM.1970.066 Ø18 BM.1970.066.001 :01-01 BM.1970.066.001:01-01 00:00:00 ALBANIE MAQUETTE DI.: ALBANIE* N Sous-table non exportée Sous-table non exportée 1956 0 EUROPE +BM.970.067 ØGF;²76 BM.970.067.001/02 :01-01 BM.970.067.001/02:01-01 00:00:00 NIGER NIGER N Sous-table non exportée Sous-table non exportée 1950 0 AFRIQUE +BM.1971.001 Ø18;²19;PPM BM.1971.001.001/04 :01-01 BM.1971.001.001/04:01-01 00:30:00 MAURITANIE AIOUM EL ATROUSS MAURES-GRIOTS RADIO MAURITANIE;MAURITANIE CHANT SOLO Sous-table non exportée Sous-table non exportée Accompagné aussi par les percussions "kar-seyni", "vagho" et "tahrar"• Vitesse 19• 1957 0 AFRIQUE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :01-01 BM.1971.002.001/06:01-01 00:06:55 IRAN IRANIENS IRAN&TURQUIE CHANT SOLO F: "JE PENSAIS A TOI" Sous-table non exportée Sous-table non exportée Copie d'un enregistrement de la Radio Iranienne, Annonce puis chant, solo F et orchestre, Musique de style occidental • 1969 0 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-01 BM.1971.002.001/06:03-01 00:01:45 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE SOLO DE FLUTE Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 0 ASIE +BM.1971.004 Ø13 BM.1971.004.001/05 :01-01 BM.1971.004.001/05:01-01 00:00:00 INDONESIE;JAVA INDONESIE,JAVA. BERTHE,L. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1971.005 Ø13 BM.1971.005.001/02 :01-01 BM.1971.005.001/02:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR;BUNAQ. BERTHE,L. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.971.006 Ø13;²19;1/2P BM.971.006.001 :01-01 BM.971.006.001:01-01 00:00:00 ALGERIE;HOGGAR ALGERIE;AHAGGAR:TOUAREG N Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +BM.971.007 Ø13;²9.5;1/2P BM.971.007.001 :01-01 BM.971.007.001:01-01 00:00:00 ALGERIE;HOGGAR ALGERIE;AHAGGAR:TOUAREG N Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +BM.971.008 ØGF BM.971.008.001/02 :01-01 BM.971.008.001/02:01-01 00:00:00 REP CENTRAFRICAINE MASTER DI."MUSIQUE BANDA. REP. CENTRAFRICAINE" N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.971.009 ØGF;²38;PPM;SD BM.971.009.001/02 :01-01 BM.971.009.001/02:01-01 00:00:00 REP CENTRAFRICAINE MASTER DI."CONTE & CHANTEFABLES NGBAKA-MA'BO"[ENCARTES] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.971.010 ØGF;²38;PPM;SD BM.971.010.001/02 :01-01 BM.971.010.001/02:01-01 00:00:00 MAROC MASTER DI."MUSIQUE BERBERE DU HAUT ATLAS" N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.971.011 ØGF;²38;PPM;SD BM.971.011.001/02 :01-01 BM.971.011.001/02:01-01 00:00:00 ILES SALOMON ILE DE ONTONG JAVA MASTER DI."M. TRAD. POLYNESIENNE D'ONTONG JAVA" VOL.1 N Sous-table non exportée Sous-table non exportée 1970 0 OCEANIE +BM.971.012 N BM.971.012 :01-01 BM.971.012:01-01 00:00:00 N COLLECTION INEXISTANTE N Sous-table non exportée Sous-table non exportée -1 N +BM.971.013 ØGF;²19;PP BM.971.013.001/02 :01-01 BM.971.013.001/02:01-01 00:00:00 JAPON MONTAGE AUDIO-VISUEL JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.971.014 Ø13 BM.971.014.001 :01-01 BM.971.014.001:01-01 00:00:00 ILES GILBERT & ELLICE ILES GILBERT ILES GILBERT N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :01-01>02 BM.971.015.001/44:01-01>02 00:15:48 28/06/1967 TIBET (NEPAL) DHAULAGIRI, TICHURONG * 'BROG-PA JEST,C.;TIBET & NEPAL;1967 RECITS "A CAN PHA" & "DPE I - JE WA -MO" Sous-table non exportée Sous-table non exportée * village Bâ. Ethnie: 'Brog-pa (gzun-ru) Récit "a-can-pha" & "dpe i - je wa-mo": "Grande soeur renarde". Langue tibétaine, dialecte de l'ouest tibétain• BM.971.015.001/44:01-01>0 JEST,CORNEILLE 1967 BM71.15.1 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :02-01 BM.971.015.001/44:02-01 00:15:20 28/06/1967 TIBET (NEPAL) DHAULAGIRI, TICHURONG * 'BROG-PA JEST,C.;TIBET & NEPAL;1967 KAN RIN-PO-CHE Sous-table non exportée Sous-table non exportée * village Bâ. Ethnie:'Brog-pa , Gzun-ru. Récit de pèlerinage, itinéraire de gzun-ru au Mont Kailas, la circumambulation du sanctuaire, les monastères et lieux saints visités. Langue tibétaine• JEST,CORNEILLE 1967 BM 71.15.2 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :03-01>02 BM.971.015.001/44:03-01>02 00:03:15 02/07/1967 NEPAL DHAULAGIRI, TICHURONG MAGAR TIBETANISES JEST,C.;TIBET & NEPAL;1967 PEINTURE D'UNE THAN-KA Sous-table non exportée Sous-table non exportée Lieu: village Chun-Chun-Para. Sujet: questions sur la fabriquation de la peinture d'une Than-ka• JEST,CORNEILLE 1967 BM 71.15.3 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :03-03 BM.971.015.001/44:03-03 00:05:15 02/07/1967 NEPAL DHAULAGIRI, TICHURONG MAGAR TIBETANISES JEST,C.;TIBET & NEPAL;1967 BRUITAGE Sous-table non exportée Sous-table non exportée Lieu: village Chun-Chun-Para. Pas de précision sur la pièce• JEST,CORNEILLE 1967 3 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :03-04 BM.971.015.001/44:03-04 00:05:45 02/07/1967 NEPAL DHAULAGIRI, TICHURONG MAGAR TIBETANISES JEST,C.;TIBET & NEPAL;1967 LECTURE PAR DES ENFANTS Sous-table non exportée Sous-table non exportée Lieu: village Chun-Chun-Para. Lecture des enfants en langue tibétaine. Ambiance pour film "Ma-gtchig"• JEST,CORNEILLE 1967 3 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :04-01>03 BM.971.015.001/44:04-01>03 00:15:15 04&05/07/1967 TIBET (NEPAL) DHAULAGIRI, TICHURONG * RGNIN-MA-PA JEST,C.;TIBET & NEPAL;1967 THAN-KA DE MA-GCIG & VIE DU LA MA NA G DBAN THAGS MED Sous-table non exportée Sous-table non exportée * village Chun-Chun Para. Ethnie: ordre religieux Rgnin-ma-pa. V-VOIX: langue tibétaine; AT-TROMPE: trompe de fémur; M-TBR: tambour à boules fouettantes; IS-Cloche: clochette. I) - : 5'45"; à propos de la "Than-ka" de Ma-gcig: texte "Gcog gdan thog gcig ma'i sgrub thabs bzugs-so". II) - : durée?; explication concernant un Than-ka de Ma-gcig: récitation des attributs de chaque divinité peinte sur le Than-ka. III) - : 9'30": vie du lama Nag dban thags med, un des saints lamas de Tichurong• JEST,CORNEILLE 1967 BM 71.15.4 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :05-01 BM.971.015.001/44:05-01 00:21:50 09/07/1967 TIBET (NEPAL) DHAULAGIRI, TICHURONG * RGNIN-MA-PA JEST,C.;TIBET & NEPAL;1967 RECITATION DU TEXTE" MNAN-MED BLA MYI GSAN SGRUB" Sous-table non exportée Sous-table non exportée * village : Pale. Ethnie: ordre religieux bon-po. AT-DUN = conque. VP récitée et choeur de 3 H. "Lama rcu-phud rgyal-can". Récitation du texte" mnan-med bla myi gsan sgrub" • JEST,CORNEILLE 1952 BM 71.15.5 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :06-01>02 BM.971.015.001/44:06-01>02 00:14:40 09/07/1967 TIBET (NEPAL) DHAULAGIRI, TICHURONG * RGNIN-MA-PA JEST,C.;TIBET & NEPAL;1967 RECITATION DU TEXTE" MNAN-MED BLA MYI GSAN SGRUB" Sous-table non exportée Sous-table non exportée * village : Pale ; Temple (dgon-pa) bon-po Ethnie: ordre religieux bon-po. I) - : 08'05" - II) : 06'35" chanté choeur - " Om ma tri mu yz sa le'du" ; pièce "Gsan-snags bden-chig smon-lam".• JEST,CORNEILLE 1967 BM 71.15.06 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :06-03 BM.971.015.001/44:06-03 00:00:00 09/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * BON-PO JEST,C.;TIBET & NEPAL;1967 HISTOIRES DE LAMA Sous-table non exportée Sous-table non exportée * village : Pale ; Temple (dgon-pa) bon-po Ethnie: ordre religieux bon-po. III)) : (durée non comuniquée) - histoire "bla-ma me-lha" (lama bon-po) & "bla-ma nag-po mju med" (lama chospa) JEST,CORNEILLE 1967 BM 71.15.6 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :06-04 BM.971.015.001/44:06-04 00:00:00 09/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * MAGAR JEST,C.;TIBET & NEPAL;1967 Sous-table non exportée Sous-table non exportée * village : Pale ; Temple (dgon-pa) bon-po. Item sans précision aucune• JEST,CORNEILLE 1967 BM 71.15.6 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :07-01>02 BM.971.015.001/44:07-01>02 00:10:50 13/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 AMBIANCE DU FILM "TARAP FÊTE DU SIXIÈME MOIS" Sous-table non exportée Sous-table non exportée I) : VH et enfants. bruitage caméra. Ambiance du film animé des yaks. II) : ambiance du film "Tarap fête du sixième mois"• JEST,CORNEILLE 1967 BM 71.15.7 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :08-01>02 BM.971.015.001/44:08-01>02 00:00:00 07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 PRIERE Sous-table non exportée Sous-table non exportée * village : Tarap ; Ethnie: Dolpo-pa, ordre religieux rnin-ma pa. I & II) : (durée non comuniquée) - psalmodié, langue tibétaine• JEST,CORNEILLE 1967 RELIGIEUX BM 71.15.8 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :09-01 BM.971.015.001/44:09-01 00:16:15 14/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 HISTOIRE DE MA - GCIG Sous-table non exportée Sous-table non exportée * village : Tarap. récit en langue tibétaine. Lama ma-ni-pa : "Histoire de ma - gcig", précédée d'une prière à avalokites'vara. Texte : Ma-gig labs-spronmas rnam - thar dbus - bathar pa'i sgo byed bzugs-so". suite sur la bande 10• JEST,CORNEILLE 1967 BM 71.15.9 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :10-01 BM.971.015.001/44:10-01 00:13:20 14/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 MA - GCIG, EXPLICATION DE LA PEINTURE Sous-table non exportée Sous-table non exportée Cf. film "Tarap, fête du sixième mois". Rep.Népal 68.01• * village : Tarap. Solo H par lama de l'ordre rin-ma-pa : choeur d'une dizaine de voix, bruit sec de caméra. magcig, explication de la peinture : biographie de la ma gcig. suite de la bande 09 et suite 971.10-02 • JEST,CORNEILLE 1967 BM 71.15.10 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :10-02 BM.971.015.001/44:10-02 00:02:50 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 RESUME DE LA VIE DE MA - GCIG Sous-table non exportée Sous-table non exportée Cf. film "Tarap, fête du sixième mois". Rep.Népal 68.01• * village : Tarap. Solo H par le même lama de l'ordre rin-ma-pa que bande 10-01 : résumé de la vie de ma -gcig. suite de la bande 971.09 et suite 971.10-01 • JEST,CORNEILLE 1967 BM 71.15.10 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :11-01 BM.971.015.001/44:11-01 00:21:00 16/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * 'BROG-PA JEST,C.;TIBET & NEPAL;1967 VOEUX POUR LE NOUVEL AN Sous-table non exportée Sous-table non exportée * village : Tarap. Psalmodié solo H par le 'dre-dkar Norbu. Voeux pour le Nouvel An : description du masque qui se termine par un sautillement. • JEST,CORNEILLE 1967 BM 71.15.11 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :11-02 BM.971.015.001/44:11-02 00:05:05 16/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * 'BROG-PA JEST,C.;TIBET & NEPAL;1967 EXTRAIT DE L'EPOPEEDE GE - SAR RGYAL - SGRUG Sous-table non exportée Sous-table non exportée * village : Tarap. Chanté/parlé solo H : extrait de l'épopéede ge - sar rgyal - sgrug. L'informateur n'est pas un psécialiste du Ge-sar ; il porte un masque de diable blanc et un bâton à la main • JEST,CORNEILLE 1967 BM 71.15.11 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :12-01>03 BM.971.015.001/44:12-01>03 00:06:30 17/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 HISTOIRES Sous-table non exportée Sous-table non exportée * village : Tarap. I) : 03'30" - histoire : le foyer à trois pierres. film son synchrone 16mm II) : 03'00" - Ri'u bum - pa dgon - pa • III) : 05'25" - lecture du Yun• JEST,CORNEILLE 1967 BM 71.15.12 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :12-04 BM.971.015.001/44:12-04 00:00:00 17/07/1967 TIBET (NEPAL) DHAULAGIRI, DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 PROCESSION Sous-table non exportée Sous-table non exportée Cf. film "Tarap, fête du sixième mois"• * village : Tarrap. Arrivée en procession de Khra -rigs rinpoche. Orchestre : AT-DUN : conque. • JEST,CORNEILLE 1967 BM 71.15.12 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :13-01 BM.971.015.001/44:13-01 00:19:00 19/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 CEREMONIE DE L'ORDRE RNING - MA - PA Sous-table non exportée Sous-table non exportée * village : Tarap. Voix psalmodiée, tambour à boule fouettante, claquements, clochettes et grelots entrechoqués. cérémonie de l'ordre rning - ma - pa : phrin - las kun - khyaab enregistré pendant la fête du sixième mois• JEST,CORNEILLE 1967 BM 71.15.13 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :14-01 BM.971.015.001/44:14-01 00:31:30 19/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * 'BROG-PA JEST,C.;TIBET & NEPAL;1967 GLING GE - SAR : CHAPITRE Sous-table non exportée Sous-table non exportée * village : Tarap. * ethnie : 'Brog-pa (gzun-ru) parlé/chanté par le conteur Nor-bu." Gling Ge - sar " : chapitre " Bdud A-khyung ". Le conteur de basse strate sociale, dit "mangeur de marmottes", n'est pas spécialiste du Ge-sar, mais a entendu souvent raconter ce récit• JEST,CORNEILLE 1967 BM 71.15.14 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :15-01 BM.971.015.001/44:15-01 00:02:55 20/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 PREPARATIFS POUR LE TEMPLE Sous-table non exportée Sous-table non exportée * village : Tarap. bruitage de forge ; les forgerons préparent le lait de chaux pour le blanchiment du temple. (ambiance du film)• JEST,CORNEILLE 1967 BM 71.15.15 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :15-02>03 BM.971.015.001/44:15-02>03 00:37:00 20/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 AMBIANCE ET BLANCHIMENT DU TEMPLE Sous-table non exportée Sous-table non exportée * village : Tarap. II) : 10'00" - ambiance à l'extérieur du temple III) : 27'00" - blanchiment du temple• JEST,CORNEILLE 1967 BM 71.15.15 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :15-04 BM.971.015.001/44:15-04 00:11:30 20/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 PROCESSION DES LAMAS, SORTIE DU TEMPLE Sous-table non exportée Sous-table non exportée * village : Tarap. procession des lamas, sortie du temple. Choeur H- IS- clochettes, ATT-trompette, IS-clochettes, AT-conque. Pendant la fête du sixième mois• JEST,CORNEILLE 1967 BM 71.15.15 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :16-01>02 BM.971.015.001/44:16-01>02 00:31:50 20/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 PROCESSION, DANSE Sous-table non exportée Sous-table non exportée * village : Tarap. TEMPLE : RI'U BUM-PA (?). Choeur H psalmodié - IS- petites et grandes cloches, AT-trompes & conques, M-tambours à boules fouettantes et tambours. " sri - sngon " : danse de masques gign dans le temple Pendant la fête du sixième mois I) A 06'00" : sortie du temple A 27'00" : interruption II) (pas de durée précisée) : danse masquée 'cham par magiciens et masques gisi (?) texte : " rdo - rje phur - pa" • JEST,CORNEILLE 1967 BM 71.15.16 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :17-01 BM.971.015.001/44:17-01 00:11:00 07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 AMBIANCE KEGAR Sous-table non exportée Sous-table non exportée * village : Tarap. • JEST,CORNEILLE 1967 BM 71.15.17 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :17-02 BM.971.015.001/44:17-02 00:01:40 07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * SHERPA JEST,C.;TIBET & NEPAL;1967 A PROPOS DE L'EPOPEE GE-SAR Sous-table non exportée Sous-table non exportée * village : Tarap. conversation à propos de l'épopée Ge-sar, chapitre "bdud - A - khyung "• JEST,CORNEILLE 1967 BM 71.15.17 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :17-04>05 BM.971.015.001/44:17-04>05 00:17:00 07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 AMBIANCE PREPARATOIRE DU 'KHYIL, PRIERE Sous-table non exportée Sous-table non exportée * village : Tarap. Temple : Ri-bo bum-pa IV) - Ambiance préparatoire du 'khyil-'khar. Choeur H psalmodié - IS- cloches, M-tambours à boules fouettantes et tambours. V) - texte : " Seny-ge gdong - pa" (très bons cuivres)• JEST,CORNEILLE 1967 BM 71.15.17 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :18-01>03 BM.971.015.001/44:18-01>03 00:17:45 21/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 INVOCATION DE DIVINITE PROTECTRICE/SMAN-SGRUB Sous-table non exportée Sous-table non exportée * village : Tarap. Temple : Ri-bo bum-pa I) : 19'15" - psalmodie, chr H. Mgo-po ma-nin (nom d'une divinité protectice II & III) - 08'30" - II) - chanté, chr H, orchestre sman-sgrub, début de la cérémonie, circumambulation du temple III) - sman-sgrub • JEST,CORNEILLE 1967 BM 71.15.18 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :18-04 BM.971.015.001/44:18-04 00:03:15 21/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * JEST,C.;TIBET & NEPAL;1967 RECITATION DU MANTRA VAJRA GURU Sous-table non exportée Sous-table non exportée * village : Tarap. Temple : Ri-bo bum-pa. Ethnie : Villageois de Tarap. récitation du mantra Vajra guru par les laïcs assis au fond du temple• JEST,CORNEILLE 1967 BM 71.15.18 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :19-01>03 BM.971.015.001/44:19-01>03 00:29:50 22/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 APPEL AUX DIVINITES Sous-table non exportée Sous-table non exportée * village : Tarap. (pas de précision de durées). fête du sixième mois. I) psalmodie, chr H, orchestre (sans précision). - "Dkon - mchog spyig - 'dus" (appel aux divinités) II ) - danse masquée, lamas sngags-pa et ging - ambiance. III) -danse des lamas • JEST,CORNEILLE 1967 RELIGIEUX BM 71.15.19 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :20-01 BM.971.015.001/44:20-01 00:02:00 23/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 CHANT DU "RDO-RJE PHUR-PA" Sous-table non exportée Sous-table non exportée * village : Tarap. texte : "rdo-rje phur-pa" • JEST,CORNEILLE 1967 BM 71.15.20 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :20-02 BM.971.015.001/44:20-02 00:29:45 23/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 CEREMONIE DU HO-MA Sous-table non exportée Sous-table non exportée * village : Tarap. AT-TROMPE = conque ; IS-CLOCHE = clochettes. cérémonie du ho-ma ; fête du sixième mois • JEST,CORNEILLE 1967 BM 71.15.20 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :21-01 BM.971.015.001/44:21-01 00:05:30 27/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * MAGAR TIBETANISES JEST,C.;TIBET & NEPAL;1967 PSALMODIE MAGAR Sous-table non exportée Sous-table non exportée * village : Pale. Temple : Bon-po dgon-pa • JEST,CORNEILLE 1967 BM 71.15.21 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :21-02 BM.971.015.001/44:21-02 00:26:00 23/07/1967 TIBET (NEPAL) DHAULAGIRI,DOLPO * MAGAR TIBETANISES JEST,C.;TIBET & NEPAL;1967 RITUEL DE L'ORDRE BON-PO Sous-table non exportée Sous-table non exportée * village : Tarap. AT-TROMPE = conque ; AF-FLUTE = "flûte" en cuivre. psalmodié, 2H, tambour sur cadre à deux peaux , précédé par orchestre. texte : " rgyal- po ni pan san gyi bsang - mchod dang yul - sa bstod - pa ". Rituel de l'ordre bon-po. Cet enregistrement correspond à la fin de la lecture du texte.• JEST,CORNEILLE 1967 BM 71.15.21 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :22-01 BM.971.015.001/44:22-01 00:30:00 31/07/1967 TIBET (NEPAL) DHAULAGIRI,TICHURONG * JEST,C.;TIBET & NEPAL;1967 CEREMONIE DU HO-MA Sous-table non exportée Sous-table non exportée * village : Ba. parlé, conversation entre le chercheur et un garçon sur le vocabulaire de la langue ba • JEST,CORNEILLE 1967 71.15.22 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :23-01 BM.971.015.001/44:23-01 00:00:00 06/08/1967 TIBET (NEPAL) ZONE DE DHAULAGIRI,DORPATAN JEST,C.;TIBET & NEPAL;1967 MUSIQUE SUR TEXTE BON-PO Sous-table non exportée Sous-table non exportée *Ethnie : Tibétains réfugiés, originaires du Trepa musique religieuse bon-po (sans précision de durée) AT-TROMPE = conque ; IE - cymbale à grosse bosse. texte bon-po : " mnyam-med bla-ma'i gsang-ba skyab snan sens-don grub ". • JEST,CORNEILLE 1967 RELIGIEUX BM 71.15.23 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :24-01 BM.971.015.001/44:24-01 00:05:00 11/08/1967 TIBET (NEPAL) DHAULAGIRI * DOLPO-PA JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. • JEST,CORNEILLE 1967 BM 71.15.24 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :25-01 BM.971.015.001/44:25-01 00:05:00 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. • JEST,CORNEILLE 1968 BM 71.15.25 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :25-02>03 BM.971.015.001/44:25-02>03 00:10:40 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 2 CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. I) : 05'05" II) : 05'35" • JEST,CORNEILLE 1967 BM 71.15.25 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-01 BM.971.015.001/44:26-01 00:02:30 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 DANSE RYTHME CANDEL Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. chanté, chr F, danse rythme candel, langue népali • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-02 BM.971.015.001/44:26-02 00:04:30 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 DANSE Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. Danse, langue népali • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-03 BM.971.015.001/44:26-03 00:08:50 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. chanté sol H/ choeur F ou mixte alterné • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-04>05 BM.971.015.001/44:26-04>05 00:03:35 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. IV) : 02'35" V) : 01'00" • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-06 BM.971.015.001/44:26-06 00:02:20 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-07 BM.971.015.001/44:26-07 00:03:35 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. CHR F chante le refrain.• JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-08 BM.971.015.001/44:26-08 00:01:50 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :26-09 BM.971.015.001/44:26-09 00:02:15 15/08/1967 TIBET (NEPAL) DHAULAGIRI * CANDEL JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * village : MANGALE KHANI. • JEST,CORNEILLE 1967 BM 71.15.26 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :27-01 BM.971.015.001/44:27-01 01:04:35 25/08/1967 TIBET (NEPAL) DHAULAGIRI * THAKALI JEST,C.;TIBET & NEPAL;1967 PROCESSION DE LA FETE DU PHAG-ZLA Sous-table non exportée Sous-table non exportée caste damai• * village : Chhin. Ethnie : Thakali + caste damai. chanté, solo H, choeur H, choeur F, choeur H & F alternés. - accompagnements épisodiques : M1- timbales dahama tambours, tambours drom, trompes, hautbois, cloches, cymbales, grelots. procession de la fête du phag-zla sortie des masques à 07'30". Début de la procession à 26'05" • JEST,CORNEILLE 1967 BM 71.15.27 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :28-01 BM.971.015.001/44:28-01 00:04:00 30/08/1967 TIBET (NEPAL) DHAULAGIRI,THAK.TUKUCHA THAKALI JEST,C.;TIBET & NEPAL;1967 CHANT THAKALI Sous-table non exportée Sous-table non exportée (repris à 01'00") • JEST,CORNEILLE 1967 BM 71.15.28 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :28-02 BM.971.015.001/44:28-02 00:02:00 30/08/1967 TIBET (NEPAL) DHAULAGIRI,THAK.TUKUCHA THAKALI JEST,C.;TIBET & NEPAL;1967 CHANT THAKALI Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.28 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :28-03 BM.971.015.001/44:28-03 00:03:45 30/08/1967 TIBET (NEPAL) DHAULAGIRI,THAK.TUKUCHA THAKALI JEST,C.;TIBET & NEPAL;1967 Sous-table non exportée Sous-table non exportée conversation H, F & E• JEST,CORNEILLE 1967 BM 71.15.28 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :29-01 BM.971.015.001/44:29-01 00:30:00 01/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée * village Chim. parlé, puis chanté. choeur H des villageois. chantent le chant de mariage.• JEST,CORNEILLE 1967 BM 71.15.29 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :30-01 BM.971.015.001/44:30-01 00:17:21 04/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée *village Thini. Deux indications : chant du bara - gau : 08'45". chant de mariage pour rdo-rje : 08'36"• JEST,CORNEILLE 1967 BM 71.15.30 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :30-02 BM.971.015.001/44:30-02 00:16:18 04/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée * village Thini. chanté, H & F ( 2H ?) • JEST,CORNEILLE 1967 BM 71.15.30 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-01 BM.971.015.001/44:31-01 00:04:20 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 PRIERE PENDANT LA CONFECTION DES KANTU Sous-table non exportée Sous-table non exportée prière pendant la confection des Kantu. • * village de TUKUCHA . SD-ambiances = bruitages. psalmodié, solo H, prière pendant la confection des Kantu. • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-02 BM.971.015.001/44:31-02 00:01:45 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 Sous-table non exportée Sous-table non exportée * village de TUKUCHA . Parlé, solo H puis plusieurs voix • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-03 BM.971.015.001/44:31-03 00:01:30 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 JEU DE TAMBOUR Sous-table non exportée Sous-table non exportée * village de TUKUCHA • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-04>05 BM.971.015.001/44:31-04>05 00:07:40 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 PSALMODIE Sous-table non exportée Sous-table non exportée * village de TUKUCHA . IV) : 06'30" - psalmodié, solo H V) : 01'00" - chanté, solo H• JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-06 BM.971.015.001/44:31-06 00:00:25 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 TAMBOUR Sous-table non exportée Sous-table non exportée * village de TUKUCHA • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-07 BM.971.015.001/44:31-07 00:05:00 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée * village de TUKUCHA • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-08 BM.971.015.001/44:31-08 00:04:00 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 PSALMODIE Sous-table non exportée Sous-table non exportée * village de TUKUCHA. psalmodié, solo H, tambour au fond • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :31-09 BM.971.015.001/44:31-09 00:06:15 06/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée * village de TUKUCHA Chanté, choeur 2 H • JEST,CORNEILLE 1967 BM 71.15.31 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :32-01 BM.971.015.001/44:32-01 00:04:00 06&07/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée * village de TUKUCHA . Lha-mchod de Sankarman Sercan. Chanté, choeur 2 H - " rgyud-pa bzi go "• JEST,CORNEILLE 1967 BM 71.15.32 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :32-02 BM.971.015.001/44:32-02 00:02:00 06&07/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CONTE Sous-table non exportée Sous-table non exportée * village de TUKUCHA . Lha-mchod de Sankarman Sercan. conte récité• JEST,CORNEILLE 1967 BM 71.15.32 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :32-03>04 BM.971.015.001/44:32-03>04 00:09:20 06&07/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 2 CHANTS Sous-table non exportée Sous-table non exportée * village de TUKUCHA . Lha-mchod de Sankarman Sercan. III) : 05'10" IV) : 04'10"• JEST,CORNEILLE 1967 BM 71.15.32 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :32-05 BM.971.015.001/44:32-05 00:02:30 06&07/09/1967 TIBET (NEPAL) DHAULAGIRI,THAK * JEST,C.;TIBET & NEPAL;1967 CONVERSATION Sous-table non exportée Sous-table non exportée * village de TUKUCHA . Lha-mchod de Sankarman Sercan.• JEST,CORNEILLE 1967 BM 71.15.32 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :33-01 BM.971.015.001/44:33-01 00:07:35 22/09/1967 TIBET (NEPAL) KATHMANDU HAYU JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.33 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :33-02>03 BM.971.015.001/44:33-02>03 00:07:00 22/09/1967 TIBET (NEPAL) KATHMANDU HAYU JEST,C.;TIBET & NEPAL;1967 CHANT & TAMBOUR Sous-table non exportée Sous-table non exportée II) : 05'00" - solo H, tambour madal. III) : 02'00" - idem - chant de l'ouest du Népal• JEST,CORNEILLE 1967 BM 71.15.33 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :34-01 BM.971.015.001/44:34-01 00:06:20 22/09/1967 TIBET (NEPAL) KATHMANDU HAYU JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.34 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :34-02 BM.971.015.001/44:34-02 00:30:00 22/09/1967 TIBET (NEPAL) KATHMANDU NEWAR JEST,C.;TIBET & NEPAL;1967 ORCHESTRE DE LA GARDE ROYALE Sous-table non exportée Sous-table non exportée orchestre de la garde royale (sans précision). Festival d'Indrajatra. Ambiance• JEST,CORNEILLE 1967 BM 71.15.34 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :35-01 BM.971.015.001/44:35-01 00:03:30 02/10/1967 TIBET (NEPAL) KATHMANDU GAINE JEST,C.;TIBET & NEPAL;1967 CHANT ET LUTH Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.35 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :35-02 BM.971.015.001/44:35-02 00:03:00 02/10/1967 TIBET (NEPAL) KATHMANDU GAINE JEST,C.;TIBET & NEPAL;1967 CHANT - SARANGI Sous-table non exportée Sous-table non exportée sarangi• chanté, solo H, sarangi par Magar Gaine. Enregistrement fait à l'intérieur JEST,CORNEILLE 1967 BM 71.15.35 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :35-03 BM.971.015.001/44:35-03 00:03:45 02/10/1967 TIBET (NEPAL) KATHMANDU GAINE JEST,C.;TIBET & NEPAL;1967 CHANT - 2 SARANGI Sous-table non exportée Sous-table non exportée sarangi• chanté, solo H puis choeur 2 H, 2 sarangi • JEST,CORNEILLE 1967 BM 71.15.35 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :35-04 BM.971.015.001/44:35-04 00:05:10 02/10/1967 TIBET (NEPAL) KATHMANDU GAINE JEST,C.;TIBET & NEPAL;1967 CHANT Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.35 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :36-01 BM.971.015.001/44:36-01 00:03:20 03-05/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 PRIERE-TEXTE DE L'ORDRE RNIN-MA-PA Sous-table non exportée Sous-table non exportée Ordre Rnin-ma-pa• * temple de Kwa-Baha. Psalmodié, choeur H, tambour, battements prière. texte de l'ordre Rnin-ma-pa• JEST,CORNEILLE 1967 RELIGIEUX BM 71.15.36 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :36-02 BM.971.015.001/44:36-02 00:04:45 03-05/10/1967 TIBET (NEPAL) PATAN NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCE DE FETE Sous-table non exportée Sous-table non exportée trompes, voix divers• JEST,CORNEILLE 1967 BM 71.15.36 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :36-03 BM.971.015.001/44:36-03 00:02:00 03-05/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCE DE MONASTÈRE Sous-table non exportée Sous-table non exportée *Monastère de Kwa-Baha. ambiance, voix divers - surtout bruits de martelage• JEST,CORNEILLE 1967 BM 71.15.36 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :36-04 BM.971.015.001/44:36-04 00:02:00 03-05/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCE DE MONASTÈRE/ORFEVRE Sous-table non exportée Sous-table non exportée * Monastère de Kwa-Baha. parlé, bruits de martelage. V. d'un orfèvre• JEST,CORNEILLE 1967 BM 71.15.36 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :36-05 BM.971.015.001/44:36-05 00:02:45 03-05/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCE DE MONASTÈRE/TISSAGE Sous-table non exportée Sous-table non exportée * Monastère de Kwa-Baha. parlé, F & H. bruit de tissage • JEST,CORNEILLE 1967 BM 71.15.36 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :37-01 BM.971.015.001/44:37-01 00:02:00 10/10/1967 TIBET (NEPAL) PATAN NEWAR JEST,C.;TIBET & NEPAL;1967 TRAVAIL DE REPOUSSAGE DU CUIVRE Sous-table non exportée Sous-table non exportée Ambiance film. bruitage de marteau. travail de repoussage du cuivre• JEST,CORNEILLE 1967 BM 71.15.37 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :37-02 BM.971.015.001/44:37-02 00:00:30 10/10/1967 TIBET (NEPAL) PATAN NEWAR JEST,C.;TIBET & NEPAL;1967 DEVIDAGE DE LA LAINE Sous-table non exportée Sous-table non exportée Bruitage de marteau.dévidage de la laine• JEST,CORNEILLE 1967 BM 71.15.37 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :37-03 BM.971.015.001/44:37-03 00:21:30 10/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 CEREMONIE DE THIM - LA LHA Sous-table non exportée Sous-table non exportée cérémonie de thim - la lha de la divinité du clan Mukhtan• Psalmodié, choeur H. cérémonie de thim - la lha de la divinité du clan Muktan• JEST,CORNEILLE 1967 BM 71.15.37 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :38-01 BM.971.015.001/44:38-01 00:02:00 11/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 DECORTICAGE DU RIZ Sous-table non exportée Sous-table non exportée Cf. : film "Tamang" Ambiance de film. Bruitage de décorticage du riz• BM.971.015.001/44:38- JEST,CORNEILLE 1967 BM 71.15.38 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :38-02>03 BM.971.015.001/44:38-02>03 00:10:30 11/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 SACRIFICE D'UN BUFFLE Sous-table non exportée Sous-table non exportée sacrifice du buffle. Fête du Dasai• Cf. : film "Tamang" Bruitage sacrifice du buffle. Fête du Dasai. II) : 01'30" III) : 04'00"• JEST,CORNEILLE 1967 BM 71.15.38 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :38-04 BM.971.015.001/44:38-04 00:04:00 11/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 AMBIANCE VILLAGE Sous-table non exportée Sous-table non exportée Cf. film "Tamang"• ambiance village. Voix distantes • JEST,CORNEILLE 1967 BM 71.15.38 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :39-01 BM.971.015.001/44:39-01 00:04:25 12/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL MAGAR JEST,C.;TIBET & NEPAL;1967 SACRIFICE DU COCHON Sous-table non exportée Sous-table non exportée Ambiance, sacrifice du cochon, voix diverses. Cris du cochon.• JEST,CORNEILLE 1967 BM 71.15.39 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :39-02 BM.971.015.001/44:39-02 00:00:35 12/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 PRIERE POUR LA FETE DE DASAI Sous-table non exportée Sous-table non exportée prière pour la fête de Dasai à Bhimsen• Psalmodié, solo H. prière pour la fête de Dasai à Bhimsen• JEST,CORNEILLE 1967 BM 71.15.39 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :39-03 BM.971.015.001/44:39-03 00:11:30 12/10/1967 TIBET (NEPAL) EST N°1, TIMAL-PARSEL TAMANG JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.39 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :40-01>03 BM.971.015.001/44:40-01>03 00:15:00 14/10/1967 TIBET (NEPAL) EST N°2 * HAYU JEST,C.;TIBET & NEPAL;1967 CHANTS Sous-table non exportée Sous-table non exportée * près de Dumjatar Sun-Kosi. I) : 04'00" II) : 11'00" III) : (durée non précisée) (silence de 20' ???) - chanté solo H ou F (?) . plusieurs reprises de chants • BM.971.015.001/44:40-04 JEST,CORNEILLE 1967 BM 71.15.40 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :40-04 BM.971.015.001/44:40-04 00:01:45 14/10/1967 TIBET (NEPAL) EST N°2 * HAYU JEST,C.;TIBET & NEPAL;1967 CHANT AVEC GRANDS CRIS Sous-table non exportée Sous-table non exportée * près de Dumjatar Sun-Kosi. chanté, solo H, chant avec grands cris • JEST,CORNEILLE 1967 BM 71.15.40 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :40-05 BM.971.015.001/44:40-05 00:03:00 14/10/1967 TIBET (NEPAL) EST N°2 HAYU JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * près de Dumjatar Sun-Kosi. Chanté, tambour madal (?), solo H• JEST,CORNEILLE 1967 BM 71.15.40 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :41-01 BM.971.015.001/44:41-01 00:00:20 15/10/1967 TIBET (NEPAL) EST N°2 * DHAMI HAYU JEST,C.;TIBET & NEPAL;1967 CHANT AVEC CRIS Sous-table non exportée Sous-table non exportée chanté. Chants, cris. • JEST,CORNEILLE 1967 BM 71.15.41 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :41-02 BM.971.015.001/44:41-02 00:10:00 15/10/1967 TIBET (NEPAL) EST N°2 * DHAMI HAYU JEST,C.;TIBET & NEPAL;1967 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1967 BM 71.15.41 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :41-03 BM.971.015.001/44:41-03 00:02:20 15/10/1967 TIBET (NEPAL) EST N°2 * DHAMI HAYU JEST,C.;TIBET & NEPAL;1967 "LETTRE", MESSAGE DE HAYA SILA Sous-table non exportée Sous-table non exportée parlé, solo H. "lettre", message de Haya Sila à Haya Mila à Kat • JEST,CORNEILLE 1967 BM 71.15.41 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :41-04>05 BM.971.015.001/44:41-04>05 00:06:25 15/10/1967 TIBET (NEPAL) PATAM,KWA - BAHA NEWAR JEST,C.;TIBET & NEPAL;1967 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée IV) : 00'45" - ambiance, récolte du riz, voix divers. V) : 05'40" - ambiance, récolte du riz • JEST,CORNEILLE 1967 BM 71.15.41 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :42-01 BM.971.015.001/44:42-01 00:08:00 23/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCE FILM Sous-table non exportée Sous-table non exportée * Cour du monastère Kwa-Baha. ambiance film. voix divers. bruits d'oiseaux, de pigeons • JEST,CORNEILLE 1967 BM 71.15.14 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :42-02>04 BM.971.015.001/44:42-02>04 00:10:55 23/10/1967 TIBET (NEPAL) PATAN * NEWAR JEST,C.;TIBET & NEPAL;1967 AMBIANCES COUR DE MONASTERE Sous-table non exportée Sous-table non exportée * Cour du monastère Kwa-Baha. II) : 04'00" - bruits de martelage, travail de bois. III) : 02'15" - bruits de limage et de martelage. travail d'os. IV) : 04'40" - bruits de tissage • JEST,CORNEILLE 1967 BM 71.15.42 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :43-01>03 BM.971.015.001/44:43-01>03 00:14:45 26/10/1967 TIBET (NEPAL) PATAN ,KWA-BAHA JEST,C.;TIBET & NEPAL;1967 CEREMONIE DU 8EME JOUR APRES LA PLEINE LUNE Sous-table non exportée Sous-table non exportée chanté, choeur H, harmonium et tambour. cérémonie du 8ème jour après la pleine lune. I) : 05'45". II) : 07'30". III) - même formation (chanté, choeur H, harmonium et tambour) + trompe-: 01'30" • JEST,CORNEILLE 1967 BM 71.15.43 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :44-01 BM.971.015.001/44:44-01 00:02:50 31/10/&01/11/1967 TIBET (NEPAL) PATAN JEST,C.;TIBET & NEPAL;1967 AMBIANCE FILM Sous-table non exportée Sous-table non exportée Ambiance film. Voix divers. Martelage intérieur d'un orfèvre • JEST,CORNEILLE 1967 BM 71.015.44 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :44-02 BM.971.015.001/44:44-02 00:07:40 31/10/&01/11/1967 TIBET (NEPAL) PATAN JEST,C.;TIBET & NEPAL;1967 CONTE Sous-table non exportée Sous-table non exportée parlé, solo H, conte• JEST,CORNEILLE 1967 BM 71.015.44 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :44-03 BM.971.015.001/44:44-03 00:02:30 31/10/&01/11/1967 TIBET (NEPAL) KATHMANDU JEST,C.;TIBET & NEPAL;1967 FETE LAXMI PUJA Sous-table non exportée Sous-table non exportée Caste Bahun• fête Laxmi puja. Cf.BM.971.015.001/44:44-03>05 • JEST,CORNEILLE 1967 BM 71.015.44 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :44-04 BM.971.015.001/44:44-04 00:02:20 31/10/&01/11/1967 TIBET (NEPAL) KATHMANDU JEST,C.;TIBET & NEPAL;1967 FETE LAXMI PUJA Sous-table non exportée Sous-table non exportée Caste Bahun• fête Laxmi puja. Cf.BM.971.015.001/44:44-03>05• JEST,CORNEILLE 1967 BM 71.015.44 ASIE +BM.971.015 CDR+Ø* BM.971.015.001/44 :44-05 BM.971.015.001/44:44-05 00:00:00 31/10/&01/11/1967 TIBET (NEPAL) KATHMANDU JEST,C.;TIBET & NEPAL;1967 FETE LAXMI PUJA Sous-table non exportée Sous-table non exportée Caste Bahun• fête Laxmi puja. ambiance soirée. Cf.BM.971.015.001/44:44-03>05• JEST,CORNEILLE 1967 BM 71.015.44 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :01-01 BM.971.016.001/37:01-01 00:00:00 10/1968 NEPAL EST, N°2, JIRI TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CHANT DE JHAKRI Sous-table non exportée Sous-table non exportée Jhakri = médium. Début du chant, qui dure normalement 1h15'• JEST,CORNEILLE 1968 BM.1 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :01-02 BM.971.016.001/37:01-02 00:00:00 10/1968 NEPAL EST, N°2, JIRI TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 INVOCATION DE TOUTES LES DIVINITES DU JHAKRI Sous-table non exportée Sous-table non exportée Invocation de toutes les divinités tutélaires du Jhakri par Butiman Muktan, du village de Temal• JEST,CORNEILLE 1968 BM.1 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :02-01 BM.971.016.001/37:02-01 00:06:10 19/10/1968 NEPAL EST, N°2,MARCHE DE JIRI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE FILM Sous-table non exportée Sous-table non exportée Marché de Jiri• JEST,CORNEILLE 1968 II-2 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :02-02>03 BM.971.016.001/37:02-02>03 00:08:55 19/10/1968 NEPAL EST, N°2, JIRI TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 DEUX CHANTS Sous-table non exportée Sous-table non exportée :02-02= 6'05" :02-03=2'50" Butiman Muktan, du village de Temal• JEST,CORNEILLE 1968 II-2 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :03-01 BM.971.016.001/37:03-01 00:54:30 21 /10/ 67 NEPAL EST N°2,VILLAGE DE MIRGE TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 PSALMODIE Sous-table non exportée Sous-table non exportée voix solo H: psalmodié. photo du texte en langue tamang et caractères tibétains• JEST,CORNEILLE 1967 II-3 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :03-02 BM.971.016.001/37:03-02 00:02:40 21 /10/ 67 NEPAL EST N°2,VILLAGE DE MIRGE TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CONVERSATIONS AVEC ECHANTILLON DE CHANSONS Sous-table non exportée Sous-table non exportée conversation avec petits échantillons de chansons• JEST,CORNEILLE 1967 II-3 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :04-01 BM.971.016.001/37:04-01 00:00:00 NEPAL EST N°2, VILLAGE DE JIRI TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 BM 4 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :04-02 BM.971.016.001/37:04-02 00:00:00 NEPAL EST N°2, VILLAGE DE JIRI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée Femme de Mirge, en Népali• JEST,CORNEILLE 1968 BM 4 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :04-03 BM.971.016.001/37:04-03 00:00:00 NEPAL EST N°2, VILLAGE DE JIRI TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CONTE Sous-table non exportée Sous-table non exportée conte• JEST,CORNEILLE 1968 BM 4 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :05-01 BM.971.016.001/37:05-01 00:00:00 22 10 1968 NEPAL EST N°2, VILLAGE DE THULOPATAL DAMAÏ JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR JOUE DEVANT LA MAISON DE LA FIANCEE Sous-table non exportée Sous-table non exportée Publication M.H. : " Castes de Musiciens au Népal" Orchestre du village de Mirge. (cf.publication M.H. " Castes de misiciens au Népal"). musique de mariage. air joué devant la maison de la fiancée• JEST,CORNEILLE 1968 BM 5 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :05-02 BM.971.016.001/37:05-02 00:00:00 22 10 1968 NEPAL EST N°2,VILLAGE DE THULOPATAL DAMAÏ JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE MARIAGE Sous-table non exportée Sous-table non exportée air joué pour la procession allant de la maison de la mariée à celle du mariage• JEST,CORNEILLE 1968 BM 5 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :06-01 BM.971.016.001/37:06-01 00:00:00 22 10 1968 NEPAL EST N°2, VILLAGE DE THULOPATAL DAMAÏ JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 ARRIVEE DEVANT LA MAISON DU MARI Sous-table non exportée Sous-table non exportée Publication M.H. : " Castes de Musiciens au Népal" Orchestre du village de Mirge. (cf.publication M.H. " Castes de musiciens au Népal"). musique de mariage. air joué devant la maison du marié • JEST,CORNEILLE 1968 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :06-02>03 BM.971.016.001/37:06-02>03 00:00:00 22/10/1968 NEPAL EST N°2, VILLAGE DE THULOPATAL DAMAÏ JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE DANSE Sous-table non exportée Sous-table non exportée Tambour madal et cymbales. danse• JEST,CORNEILLE 1968 BM 6 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :06-04 BM.971.016.001/37:06-04 00:00:00 22 10 1968 NEPAL EST N°2,VILLAGE DE THULOPATAL DAMAÏ JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée Chanté en duo par des Baun et des Chetri• JEST,CORNEILLE 1968 BM 6 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :07-01 BM.971.016.001/37:07-01 00:00:00 22/10/68 NEPAL EST N°2,VILLAGE DE MIRGE CASTES BAHUN ET CHETRI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CHANT DE FETE BAHUN ET CHETRI Sous-table non exportée Sous-table non exportée Tambour à une peau, cadre en poterie ou pot en bois. fête de TIHAR• JEST,CORNEILLE 1968 II - 7 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :07-02 BM.971.016.001/37:07-02 00:00:00 22/10/68 NEPAL EST N°2,VILLAGE DE MIRGE TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée Choeur H et E prend le refrain• JEST,CORNEILLE 1968 II - 7 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :08-01 BM.971.016.001/37:08-01 00:16:00 29/11/68 NEPAL ESTN°1,VILLAGE DE PARSIL TEMAL CASTE MAJHI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée Chant religieux des Majhi (caste de pêcheurs)• JEST,CORNEILLE 1968 RELIGIEUX II - 8 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :09-01 BM.971.016.001/37:09-01 00:16:05 02/12/68 NEPAL EST N°1, TEMAL CASTE MAJHI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CHANT DE LA FÊTE DES MORTS Sous-table non exportée Sous-table non exportée Chant de la fête des morts (début d'un chant qui dure toute la journée)• JEST,CORNEILLE 1968 II - 9 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :10-01>05 BM.971.016.001/37:10-01>05 00:13:10 30/11/68 NEPAL DISTRICT DHAULAGIRI / DANA BARA-GAU JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CHANT DE MUKTINATH Sous-table non exportée Sous-table non exportée Chant de Muktinath en langue tibétaine• pièce 01 = 3'40" ; pièce 2 : 3'20" ; pièce 3 : 2'40" ; pièce 4 : 2'00" ; pièce 5 : 1'30" Choeur de deux femmes en langue tibétaine• JEST,CORNEILLE 1968 II - 10 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :10-06 BM.971.016.001/37:10-06 00:01:30 30/11/68 NEPAL DISTRICT DHAULAGIRI / DANA BARA-GAU JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CONVERSATION AVEC LE CHERCHEUR Sous-table non exportée Sous-table non exportée Conversation avec le chercheur• JEST,CORNEILLE 1968 II - 10 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :11-01 BM.971.016.001/37:11-01 00:05:50 02/12/68 NEPAL DISTRICT DHAULAGIRI THAK/VILLAGE DE TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FIN DE LA CEREMONIE DU BLA-MCHOD Sous-table non exportée Sous-table non exportée Psalmodié.prière du drom à la fin de la cérémonie du bla-mchod (fête des ancêtres) chez N.Tula-can• JEST,CORNEILLE 1968 I - III ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :11-02 BM.971.016.001/37:11-02 00:01:30 02/12/68 NEPAL DICTRICT DHAULAGIRI THAK/VILLAGE DE TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 PRIERE CHA-KA-SA Sous-table non exportée Sous-table non exportée Psalmodié.chanté par le drom Bhaktiman gau - can.prière cha-ka-sa.remerciements aux divinités Cha• JEST,CORNEILLE 1968 II - 11 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :11-03 BM.971.016.001/37:11-03 00:17:45 02/12/68 NEPAL DISCTRICT DHAULAGIRI THAK/VILLAGE DE TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée le drom Bhaktiman gau - can du village de Khanti.enquête sur les drom• JEST,CORNEILLE 1968 II - 11 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :12-01>03 BM.971.016.001/37:12-01>03 00:10:00 07/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ JOMOSON THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 PASSAGE DE CARAVANE DE MULETS Sous-table non exportée Sous-table non exportée ambiance film.passage de caravane de mulets avec grelots et clochettes.1) :2'50" ; 2) : 2'40" ; 3) 4'30"• JEST,CORNEILLE 1968 II - 12 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :13-01 BM.971.016.001/37:13-01 00:00:00 13/12/68 NEPAL ZONE DE DHOLAGIRI, TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE DANSE Sous-table non exportée Sous-table non exportée luth à trois cordes (modèle tibétain).air de danse• JEST,CORNEILLE 1968 BM 13 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :13-02 BM.971.016.001/37:13-02 00:00:00 13/12/68 NEPAL ZONE DE DHOLAGIRI, TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE DANSE Sous-table non exportée Sous-table non exportée essai, puis air de danse• JEST,CORNEILLE 1968 BM 13 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :13-03 BM.971.016.001/37:13-03 00:00:00 13/12/68 NEPAL ZONE DE DHOLAGIRI, TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE DANSE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 BM 13 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :14-01 BM.971.016.001/37:14-01 00:02:10 15/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée jeu de guimbarde en bambou• JEST,CORNEILLE 1968 II - 14 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :14-02 BM.971.016.001/37:14-02 00:07:00 15/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée accordage de luth à trois cordes, air de danse• JEST,CORNEILLE 1968 II - 14 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :14-03 BM.971.016.001/37:14-03 00:02:00 15/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 ESSAI DE LUTH Sous-table non exportée Sous-table non exportée essai d'un luth qui vient d'être terminé• JEST,CORNEILLE 1968 II - 14 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :14-04 BM.971.016.001/37:14-04 00:04:00 15/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée jeu de flûte sur le thème mélodique du chant des garçons et ds filles• JEST,CORNEILLE 1968 II - 14 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :14-05 BM.971.016.001/37:14-05 00:00:45 15/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE FLÛTE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 II - 14 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :15-01 BM.971.016.001/37:15-01 00:24:10 22/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ GOPANG THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FETE DU VILLAGE DE GOPANG/PROCESSION Sous-table non exportée Sous-table non exportée ambiance film.fête de Gopang.chanté, accompagnement épisodique de sonnailles, cloches.choeur 3 H : "prière à mar-tsan gyü." à 3'10 : départ de la procession ; choeur H : pa-re bhatta-can. à 6'50" : ambiance khanti. à 14'10" : prière à 20'50" : chanté, choeur 2 H à 22'40" : choeur 2 h : chant du bani rituel• JEST,CORNEILLE 1968 II - 15 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :16-01 BM.971.016.001/37:16-01 00:24:10 23/12/68 NEPAL DISTRICT DHAULAGIRI THAK/TUKUCHA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 INTERVIEW DE LAMA KANSA Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 II - 16 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :17-01 BM.971.016.001/37:17-01 00:03:15 2312/68 NEPAL DISTRICT DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 JEU DE FLÛTE Sous-table non exportée Sous-table non exportée jeu de flûte (non terminé)• JEST,CORNEILLE 1968 II - 17 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :18-01 BM.971.016.001/37:18-01 00:00:00 25,28,30/12/68 NEPAL DHAULAGIRI , TEMPLE DE NA-KUNG THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE POUR LE FILM DE C.JEST : "SPRE - LO " Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 BM 18 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :18-02 BM.971.016.001/37:18-02 00:00:00 25,28,30/12/68 NEPAL DHAULAGIRI , TEMPLE DE NA-KUNG THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 PRIERE DEVANT LE TEMPLE DE NA-KUNG Sous-table non exportée Sous-table non exportée prière• JEST,CORNEILLE 1968 RELIGIEUX BM 18 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :18-03 BM.971.016.001/37:18-03 00:00:00 25,28,30/12/68 NEPAL DHAULAGIRI , TEMPLE DE NA-KUNG THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE POUR LE FILM DE C.JEST : "SPRE - LO " Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 BM 18 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :18-04 BM.971.016.001/37:18-04 00:00:00 25,28,30/12/68 NEPAL DHAULAGIRI , TEMPLE DE NARI JOBO THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CEREMONIE RELIGIEUSE LAMAIQUE Sous-table non exportée Sous-table non exportée cérémonie religieuse lamaïque• cérémonie religieuse lamaïque.ambiance• JEST,CORNEILLE 1968 RELIGIEUX BM 18 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :19-01 BM.971.016.001/37:19-01 00:02:30 25/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ NA-KUN DGON-PA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 PRIÈRE DEVANT LE TEMPLE Sous-table non exportée Sous-table non exportée Psalmodié, choeur 3 H pari - pa. prière devant le temple.ambiance film• JEST,CORNEILLE 1968 II - 19 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :19-02 BM.971.016.001/37:19-02 00:08:00 28/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ NA-KUN DGON-PA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE FILM Sous-table non exportée Sous-table non exportée ambiance film.peinture des masques• JEST,CORNEILLE 1968 II - 19 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :19-03 BM.971.016.001/37:19-03 00:07:00 30/12/68 NEPAL DISTRICT DHAULAGIRI THAK/ NA-KUN DGON-PA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE FILM ET CHOEUR Sous-table non exportée Sous-table non exportée psalmodié, choeur H. tambours cymbales. tambours à boules fouettantes• JEST,CORNEILLE 1968 II - 19 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :20-01 BM.971.016.001/37:20-01 00:04:10 31/12/68 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AMBIANCE FILM / PREPARATIFS DE FETE Sous-table non exportée Sous-table non exportée ambiance film.parlé, voix divers, bruits de scies et de marteaux ; construction d'un petit temple• JEST,CORNEILLE 1968 II - 20 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :20-02 BM.971.016.001/37:20-02 00:02:00 31/12/68 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FETE DANS L'APRES-MIDI AUTOUR DU TEMPLE Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1968 II - 20 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :20-03 BM.971.016.001/37:20-03 00:10:00 31/12/68 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FETE SPU - LA Sous-table non exportée Sous-table non exportée fête de Spu - la• JEST,CORNEILLE 1968 II - 20 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :21-01 BM.971.016.001/37:21-01 00:16:00 01/01/69 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FOULE DE SANCTUAIRE Sous-table non exportée Sous-table non exportée ambiance foule de sanctuaire• JEST,CORNEILLE 1969 II - 21 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :21-02 BM.971.016.001/37:21-02 00:03:00 01/01/69 NEPAL DISTRICT DE DHAULAGIRI THAK, INT.DE LOMA KANSA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 SUR L'ORIGINE DES THAKALI Sous-table non exportée Sous-table non exportée Sur l'origine des Thakali . en langue tibétaine• Intérieur de Loma Kansa• JEST,CORNEILLE 1969 II - 21 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :21-03>04 BM.971.016.001/37:21-03>04 00:13:50 01/01/69 NEPAL DISTRICT DHAULAGIRI THAK,LOMA KANSA THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée Solo H psalmodié.bruits de foule, grands cris• JEST,CORNEILLE 1969 II - 21 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :22-01 BM.971.016.001/37:22-01 00:00:00 22/12/68 NEPAL ZONE DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 FETE DE SPRE-LO Sous-table non exportée Sous-table non exportée Récit d'origine du clan Bhatta Can (histoire du yak)• Fête de spre-lo• JEST,CORNEILLE 1968 MYTHIQUE BM 22 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :23-01 BM.971.016.001/37:23-01 00:24:00 22/12/68 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 SACRIFICE DU BOUC/PRIÈRE DU DROM Sous-table non exportée Sous-table non exportée ambiance du film : sacrifice du bouc. voix solo psalmodiée, frappements, tbrs épisodiques À 15' : prière du drom après le sacrifice• JEST,CORNEILLE 1969 II - 23 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :24-01 BM.971.016.001/37:24-01 00:45:00 02/01/69 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT DU CLAN TULA-CAN Sous-table non exportée Sous-table non exportée récit du clan tula-can : pa - re• au début du chant, grands cris et cris de foule. (suite sur la bande C.JEST II-25 (cf.:25-01)) du 2 janvier 1969• JEST,CORNEILLE 1969 II - 24 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :25-01 BM.971.016.001/37:25-01 00:30:00 02/01/69 NEPAL DISTRICT DE DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT DU CLAN TULA-CAN Sous-table non exportée Sous-table non exportée récit du clan tula-can : pa - re• au début du chant, grands cris et cris de foule. (suite de la bande C.JEST II-24 (cf.:24-01)) du 2 janvier 1969• JEST,CORNEILLE 1969 II-25 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :26-01 BM.971.016.001/37:26-01 00:45:00 04/01/69 NEPAL DIST. DHAULAGIRI THAK* THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT DU CLAN BHATTA-CAN Sous-table non exportée Sous-table non exportée récit du clan bhatta-can• * Village de Gopang. (suite sur la bande C.JEST II-27 (cf.:27-01)) du 4 janvier 1969• JEST,CORNEILLE 1969 II - 26 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :27-01 BM.971.016.001/37:27-01 00:30:00 04/01/69 NEPAL DST. DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT DU CLAN BHATTA-CAN Sous-table non exportée Sous-table non exportée récit du clan bhatta-can• (suite de la bande de C.JESTII - 26 (cf.:26-01). (suite sur la bande C.JEST II-28 (cf.:28-01)) du 2 janvier 1969• JEST,CORNEILLE 1969 II - 27 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :28-01 BM.971.016.001/37:28-01 00:28:00 04/01/69 NEPAL DST. DHAULAGIRI THAK* THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT DU CLAN BHATTA-CAN Sous-table non exportée Sous-table non exportée récit du clan bhatta-can• * village de Gopang.(suite de la bande de C.JEST II - 27 (cf.:27-01). du 4 janvier 1969• JEST,CORNEILLE 1969 II - 28 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :29-01 BM.971.016.001/37:29-01 00:00:00 05/01/69 NEPAL DST. DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 EXPLICATION DE LA PEINTURE Sous-table non exportée Sous-table non exportée Explication de la peinture en langue tibétaine• JEST,CORNEILLE 1969 II - 29 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :29-03 BM.971.016.001/37:29-03 00:32:00 05/01/69 NEPAL DST. DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT CONCERNANT NA - RI JO - BO Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1969 II - 29 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :30-01 BM.971.016.001/37:30-01 00:32:00 06/01/69 NEPAL DST. DHAULAGIRI THAK THAKALI JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 DERNIÈRE JOURNEE DU SPRE - LO Sous-table non exportée Sous-table non exportée dernière journée du spre - lo• chanté, chant alterné.solo H/choeur alterné puis solo F, choeur H prend le refrain• JEST,CORNEILLE 1969 II - 30 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :31-01>02 BM.971.016.001/37:31-01>02 00:49:10 09/01/69 NEPAL DST. DHAULAGIRI THAK * MAGAR JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 RECIT SUR LES DIVINITES DES MAGAR Sous-table non exportée Sous-table non exportée * village Shika. jusqu'à 47'40" : récit solo H sur les divinités des Magar. puis, 1'30" de bruitage (sans précisions)• JEST,CORNEILLE 1969 RELIGIEUX II - 31 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :32-01 BM.971.016.001/37:32-01 01:15:00 10/01/69 NEPAL DST. DHAULAGIRI * MAGAR JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée * village de Shika. questions au sujet des clous et de l'histoire locale• JEST,CORNEILLE 1969 II - 32 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :33-01 BM.971.016.001/37:33-01 00:05:20 NEPAL KHATMANDU TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR SUR GUIMBARDE EN FER Sous-table non exportée Sous-table non exportée air sur guimbarde en fer (Temal-)• JEST,CORNEILLE 1969 II - 33 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :33-02 BM.971.016.001/37:33-02 00:01:50 NEPAL KHATMANDU TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE CHANT DE LA FÊTE DE TIHAR Sous-table non exportée Sous-table non exportée air de chant de la fête de Tihar qui a lieu en novembre• cf. : bande Jest - II - 7 du 22 oct.1968• JEST,CORNEILLE 1969 II - 33 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :33-03 BM.971.016.001/37:33-03 00:01:20 01/69 NEPAL KHATMANDU TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 Sous-table non exportée Sous-table non exportée tambour dhol• JEST,CORNEILLE 1969 II - 33 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :34-01>04 BM.971.016.001/37:34-01>04 00:22:10 21/01/69 NEPAL KHATMANDU TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 NOUVEL AN SO - NAM - SAR Sous-table non exportée Sous-table non exportée Le nombre de choristes n'est pas précisé. chant alterné choeur F/ choeur H, danse, pour le Nouvel An so - nam - sar 1) 13'10" ; 2) 6'35" ; 3) 50" ; 4) 1'35"• JEST,CORNEILLE 1969 II - 34 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :35-01 BM.971.016.001/37:35-01 00:04:10 01/69 NEPAL EST N°1, VILLAGE YOL-MO N JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 AIR DE NOUVEL AN Sous-table non exportée Sous-table non exportée accordage de luth sur l'air du chant de longue vie pour le nouvel an• JEST,CORNEILLE 1969 II - 35 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :35-02 BM.971.016.001/37:35-02 00:01:30 01/69 NEPAL EST N°1, VILLAGE YOL-MO N JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 JEU D'AIR DE DANSE Sous-table non exportée Sous-table non exportée jeu d'air de danse par Meme Urgyen• JEST,CORNEILLE 1969 II - 35 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :35-03 BM.971.016.001/37:35-03 00:01:45 01/69 NEPAL EST N°1, VILLAGE YOL-MO N JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 JEU DE TAMBOUR Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1969 II - 35 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :35-04 BM.971.016.001/37:35-04 00:05:20 01/69 NEPAL EST N°1, VILLAGE YOL-MO SHERPA JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 TRADITION A PROPOS DE LA RECOLTE Sous-table non exportée Sous-table non exportée Lo - sar slon 'a, tradition à propos de la récolte• JEST,CORNEILLE 1969 II - 35 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :35-05 BM.971.016.001/37:35-05 00:11:40 01/69 NEPAL EST N°1, VILLAGE YOL-MO SHERPA JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 EXPLICATIONS SUR LE NOUVEL AN Sous-table non exportée Sous-table non exportée explications sur le chant et le nouvel an en pays sherpa (Khumba)• JEST,CORNEILLE 1969 II - 35 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :36-01 BM.971.016.001/37:36-01 00:00:00 31/01/69 NEPAL EST N°1, VILLAGE DE TEMAL-LARSEL TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 SOLO DE GUIMBARDE DE FER Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 1969 BM 36 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :36-02 BM.971.016.001/37:36-02 00:00:00 31/01/69 NEPAL EST N°1, VILLAGE DE TEMAL-LARSEL TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée tambour à 2 peaux dhol• JEST,CORNEILLE 1969 BM 36 ASIE +BM.971.016 CDR+Ø* BM.971.016.001/37 :37-01 BM.971.016.001/37:37-01 00:00:00 11/02/69 NEPAL KHATMANDU,BODNATH TAMANG JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 INITIATION D'UN JEUNE ELEVE Sous-table non exportée Sous-table non exportée initiation, face au grand stupa de Bodnath, d'un jeune élève jhaku Tamang, par son père Lal Bahadur Bomtsan Tamang de Chilaune Deorali (West n°1). suite de prières• JEST,CORNEILLE 1969 BM 37 ASIE +BM.971.017 Ø13 BM.971.017.001/03 :01-01 BM.971.017.001/03:01-01 00:00:00 NEPAL NEPAL N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :01-01 BM.1971.018.001/07:01-01 00:00:00 07/04/68 NEPAL KATHMANDU NEWAR NEPAL AMBIANCE DE FILM Sous-table non exportée Sous-table non exportée ambiance du film de C.Jest "Seto Matsyendranath"• JEST,CORNEILLE 1968 0 BM 1 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :01-02 BM.1971.018.001/07:01-02 00:00:00 07/04/68 NEPAL KATHMANDU NEPALAIS NEPAL MUSIQUE MILITAIRE Sous-table non exportée Sous-table non exportée musique militaire de l'armée népalaise• JEST,CORNEILLE 1968 BM 1 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :01-03 BM.1971.018.001/07:01-03 00:00:00 07/04/68 NEPAL KATHMANDU NEWAR NEPAL ORCHESTRE NEWAR Sous-table non exportée Sous-table non exportée orchestre Newar• JEST,CORNEILLE 1968 BM 1 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :01-04 BM.1971.018.001/07:01-04 00:00:00 07/04/68 NEPAL KATHMANDU NEWAR NEPAL AMBIANCE DE FILM Sous-table non exportée Sous-table non exportée ambiance du film de C.Jest "Seto Matsyendranath"• JEST,CORNEILLE 1968 BM 1 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :02-01 BM.1971.018.001/07:02-01 00:09:15 07/04/68 NEPAL KATHMANDU NEWAR NEPAL Sous-table non exportée Sous-table non exportée JEST,CORNEILLE 0 I - 2 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :02-02 BM.1971.018.001/07:02-02 00:00:00 07/04/68 NEPAL LAGANTOL NEWAR NEPAL AMBIANCE DE FILM Sous-table non exportée Sous-table non exportée ambiance film : voix diverses à proximité du char de Matsyendranath. mois de caït. film "Seto Matsyendranath"• JEST,CORNEILLE 1968 I - 2 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :03-01 BM.1971.018.001/07:03-01 00:02:15 13/04/68 NEPAL VALLE DE KATHMANDU * NEWAR NEPAL FETE DE BISKET-BHAIRAV Sous-table non exportée Sous-table non exportée fête de Bisket-Bhairav• *vallée de Kathmandu Bhatagaon. clochettes ambiance, près du linga érigé à l'est de la ville• JEST,CORNEILLE 1968 I - 3 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :03-02 BM.1971.018.001/07:03-02 00:11:50 13/04/68 NEPAL VALLE DE KATHMANDU * NEWAR NEPAL CORTEGE DE INDRA RANI Sous-table non exportée Sous-table non exportée Orchestre Newar ppour les cortèges de la déesse Indra Rani•• *vallée de Kathmandu Bhatagaon. VC- = voix diverses.• JEST,CORNEILLE 1968 I - 3 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :04-01 BM.1971.018.001/07:04-01 00:15:40 04/68 NEPAL EST, N°2* TAMANG-SHERPA NEPAL PRIERE SMON - LAM Sous-table non exportée Sous-table non exportée *monastère de Bigu-Gyang. psalmodié, choeur H et F. récitation de la prière smon - lam par les trente A - ni de l'ordre 'brug-pabka - rgyud.• JEST,CORNEILLE 1968 RELIGIEUX I - 4 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :05-01 BM.1971.018.001/07:05-01 00:05:20 19/04/68 NEPAL EST, N°2* TAMANG-SHERPA NEPAL CHANT MAN - DRAL Sous-table non exportée Sous-table non exportée *monastère de Bigu-Gyang. chant "man - dral", rituel 'brug - pa bka'- rgyudpa.• JEST,CORNEILLE 1968 I - 5 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :05-02 BM.1971.018.001/07:05-02 00:05:15 20/04/68 NEPAL EST, N°2* TAMANG-SHERPA NEPAL AMBIANCE MOULIN Sous-table non exportée Sous-table non exportée *monastère de Bigu-Gyang. ambiance moulin• JEST,CORNEILLE 1968 I - 5 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :05-03 BM.1971.018.001/07:05-03 00:05:00 25/04/68 NEPAL EST, N°2* TAMANG-SHERPA NEPAL KULDEVATA ET LA VIANDE DE PORC Sous-table non exportée Sous-table non exportée *monastère de Bigu-Gyang. récit sur les Kuldevata et la consommation de la viande de porc• JEST,CORNEILLE 1968 I - 5 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :06-01 BM.1971.018.001/07:06-01 00:03:15 26/04/68 NEPAL VALLEE DE KATHMANDU * N NEPAL AMBIANCE FILM Sous-table non exportée Sous-table non exportée *Swayambunath. ambiance film, voix diverses.• JEST,CORNEILLE 1968 I - 6 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :06-02 BM.1971.018.001/07:06-02 00:12:30 26/04/68 NEPAL PATAN NEWAR NEPAL LEGENDE DU MATSYENDRANATH DE PATAN Sous-table non exportée Sous-table non exportée *récit de la légende du Matsyendranath de Patan. (suite sur la bande 1968 - I-6 ; BM.971.018.001/07:07-01) • JEST,CORNEILLE 1968 I - 6 ASIE +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 :07-01 BM.1971.018.001/07:07-01 00:15:00 28/04/68 NEPAL PATAN NEWAR NEPAL LEGENDE DU MATSYENDRANATH DE PATAN Sous-table non exportée Sous-table non exportée *récit de la légende du Matsyendranath de Patan. (suite de la bande 1968 - I-6 ; BM.971.018.001/07:06-02) • JEST,CORNEILLE 1968 I - 7 ASIE +BM.971.019 Ø13;²9.5;1/2P BM.971.019.001/21 :01-01 BM.971.019.001/21:01-01 00:00:00 INDE;UTTAR PRADESH ALMORA DISTRICT INDE;UTTAR PRADESH N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.971.020 Ø18;²19;PPM BM.971.020.001 :01-01 BM.971.020.001:01-01 00:00:00 ROUMANIE ROUMANIE;MOLDAVIE,OLTENIE,TRANSYLVANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.971.021 Ø13;²19;PPM BM.971.021.001/10 :01-01 BM.971.021.001/10:01-01 00:00:00 EX YOUGOSLAVIE ROUMAINS YOUGOSLAVIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :01-01 BM.1971.022.001:01-01 00:00:30 YEMEN KEILON YEMEN;KEILON & SANAA ANNONCE EN FRANCAIS Sous-table non exportée Sous-table non exportée FAYEN,CLAUDIE -1 0 ASIE +BM.971.023 Ø13;²19;1/2P BM.971.023.001 :01-01 BM.971.023.001:01-01 00:00:00 PHILIPPINES PALAWAN PHILIPPINES:PALAWAN N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-01 BM.1971.025.001/29:01-01 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES MARUVANI Sous-table non exportée Sous-table non exportée Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• KOECHLIN,BERNARD 1967 0 AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-02 BM.1971.025.001/29:01-02 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES RUTSI Sous-table non exportée Sous-table non exportée Solo de maruvani, air de possession. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-03 BM.1971.025.001/29:01-03 00:01:05 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES ARIAKU Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-04 BM.1971.025.001/29:01-04 00:01:25 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES AKALUTELU Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-05 BM.1971.025.001/29:01-05 00:01:25 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES BIBIAJUMBE Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-06 BM.1971.025.001/29:01-06 00:01:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES KINETSANETSA Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-07 BM.1971.025.001/29:01-07 00:01:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES KADIDUKI (THEME TANALANA) Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-08 BM.1971.025.001/29:01-08 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES NIZEKE (THEME TANALANA) Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-09 BM.1971.025.001/29:01-09 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES GAINU (THÈME POUR DANSE DE POSSESSION) Sous-table non exportée Sous-table non exportée Vitesse 19, piste 1. La durée de cette pièce est d'environ 2 minutes. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-10 BM.1971.025.001/29:01-10 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES TANE LAARANU Sous-table non exportée Sous-table non exportée Le terme "TANE LAVARANU" signifie la terre longue eaux grandes". Vitesse 19, piste 1. La durée de cette pièce est environ 1'30'' minutes. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :01-11 BM.1971.025.001/29:01-11 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE SUR CAISSE A CHEVALETS MOBILES MAHAMANE Sous-table non exportée Sous-table non exportée Le terme "MAHAMANE" qui rend triste". Vitesse 19, piste 1. La durée de cette pièce est d'environ 1'30'' minutes. Les pièces sont séparées par une annonce. Les termes vernaculaires après tiret désignent des rythmes de danse• BM.971.025.001/29:01-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-01 BM.1971.025.001/29:02-01 00:04:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECONSTITUTION D'UNE PHASE D'UNE CEREMONIE DE POCESSION Sous-table non exportée Sous-table non exportée Les bruits d'ambiances sont fait à partir des percussions. Vitesse 9,5; piste 1• BM.971.025.001/29:01-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-02 BM.1971.025.001/29:02-02 00:05:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECONSTITUTION D'UNE PHASE D'UNE CEREMONIE DE POCESSION Sous-table non exportée Sous-table non exportée Les bruits d'ambiances sont fait à partir des percussions. Vitesse 9,5; piste 1. La pièce dure environ 5 mn• BM.971.025.001/29:02-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-03 BM.1971.025.001/29:02-03 00:05:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE DU MARUVANI Sous-table non exportée Sous-table non exportée Vitesse 9,5; piste 1. La pièce dure environ 5 mn• BM.971.025.001/29:02-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-04 BM.1971.025.001/29:02-04 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Mauvais début. Vitesse 9,5; piste 1• BM.971.025.001/29:02-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-05 BM.1971.025.001/29:02-05 00:02:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION ARIAKU Sous-table non exportée Sous-table non exportée Mauvais début. Vitesse 9,5; piste 1• BM.971.025.001/29:02-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-06 BM.1971.025.001/29:02-06 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION ARIAKU Sous-table non exportée Sous-table non exportée Présence d'un choeur mahamane (interprétation pour touriste) Vitesse 19; piste 1• BM.971.025.001/29:02-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-07 BM.1971.025.001/29:02-07 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION SURU NE RANU Sous-table non exportée Sous-table non exportée SURU NE RANU signifi "haute la mer". Vitesse 19; piste 1• BM.971.025.001/29:02-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-08 BM.1971.025.001/29:02-08 00:00:45 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION SURU NE RANU Sous-table non exportée Sous-table non exportée Pleurage. Vitesse 19; piste 1• BM.971.025.001/29:02-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-09 BM.1971.025.001/29:02-09 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION [?] Sous-table non exportée Sous-table non exportée Vitesse 9,5; piste 2• BM.971.025.001/29:02-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-10 BM.1971.025.001/29:02-10 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION [?] RUTSI Sous-table non exportée Sous-table non exportée Cette pièce dure environ 3 minutes. Vitesse 9,5; piste 2• BM.971.025.001/29:02-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-11 BM.1971.025.001/29:02-11 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION EKINABU Sous-table non exportée Sous-table non exportée A cette pièce s'ajoute des voix d'enfants. Le terme EKINEBA signifie (jeu d'enfants; mal chanté). Cette pièce dure environ 2 minutes. Vitesse 9,5; piste 2• BM.971.025.001/29:02-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-12 BM.1971.025.001/29:02-12 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION MERINA Sous-table non exportée Sous-table non exportée A cette pièce s'ajoute des voix d'enfants. Pièce mal chanté. Cette pièce dure environ 2 minutes. Vitesse 9,5; piste 2• BM.971.025.001/29:02-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-13 BM.1971.025.001/29:02-13 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 JEU D'ENFANTS Sous-table non exportée Sous-table non exportée Pièce mal chanté. Cette pièce dure environ 2 minutes. Vitesse 9,5; piste 2• BM.971.025.001/29:02-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-14 BM.1971.025.001/29:02-14 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce mal chanté. Vitesse 9,5; piste 2• BM.971.025.001/29:02-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-15 BM.1971.025.001/29:02-15 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Choeur d'enfants ( mal chanté).Vitesse 9,5; piste 2• BM.971.025.001/29:02-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-16 BM.1971.025.001/29:02-16 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Choeur d'enfants ( mal chanté).Vitesse 9,5; piste 2• BM.971.025.001/29:02-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-17 BM.1971.025.001/29:02-17 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RUTSI Sous-table non exportée Sous-table non exportée Choeur d'enfants ( mal chanté).Vitesse 9,5; piste 2• BM.971.025.001/29:02-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :02-18 BM.1971.025.001/29:02-18 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMITATION DE LA POSSESSION GAINU Sous-table non exportée Sous-table non exportée Choeur d'enfants ( mal chanté).Vitesse 9,5; piste 2• BM.971.025.001/29:02-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-01 BM.1971.025.001/29:03-01 00:01:45 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT MADADALA "FAIRE LE FOU" Sous-table non exportée Sous-table non exportée On chante ce chant quand on est seul, lorsqu'on pêche en attente du poisson.Vitesse 9,5; piste 1• BM.971.025.001/29:02-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-02 BM.1971.025.001/29:03-02 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE SATIRIQUE SUR LES DEVINS GUERISSEURS Sous-table non exportée Sous-table non exportée Vitesse 19; piste 1• BM.971.025.001/29:03-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-03 BM.1971.025.001/29:03-03 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Cette pièce dure environ 2 minutes. Enrégistrement un peu lointain. Vitesse 9,5; piste 1• BM.971.025.001/29:02-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-04 BM.1971.025.001/29:03-04 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-05 BM.1971.025.001/29:03-05 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-04 KOECHLIN,BERNARD 1969 ERCU N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-06 BM.1971.025.001/29:03-06 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-07 BM.1971.025.001/29:03-07 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-08 BM.1971.025.001/29:03-08 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Mauvais début. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-07 KOECHLIN,BERNARD 1969 M N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-09 BM.1971.025.001/29:03-09 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-10 BM.1971.025.001/29:03-10 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-11 BM.1971.025.001/29:03-11 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Formules chantées, mauvais début. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-12 BM.1971.025.001/29:03-12 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE POSSESSION, IMITATION DE POSSESSION AKALUTELU Sous-table non exportée Sous-table non exportée Percussion. Formules chantées, mauvais début. Cette pièce dure environ 2 minutes. Enrégistrement un peu déséquilibré. Vitesse 9,5; piste 1• BM.971.025.001/29:03-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-13 BM.1971.025.001/29:03-13 00:04:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 KINETSANINTSA Sous-table non exportée Sous-table non exportée Présence percussion dans cette pièce. Vitesse 19; piste 2• BM.971.025.001/29:03-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-14 BM.1971.025.001/29:03-14 00:04:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 KINETSANINTSA Sous-table non exportée Sous-table non exportée Le choeur d'homme est constitué de garçons. Il y'a donc une présence de chant de garçons dans cette pièce. Vitesse 19; piste 2• BM.971.025.001/29:03-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-15 BM.1971.025.001/29:03-15 00:04:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THÈME DE RAKOTOSAFY Sous-table non exportée Sous-table non exportée Thème de Rakotosafy: RAKOTOSAFY est un célèbre joueur de Valiha. Vitesse 19; piste 2• BM.971.025.001/29:03-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-16 BM.1971.025.001/29:03-16 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Dans cette pièce, le joueur joue à la manière de TANANARIVE. Vitesse 19; piste 2• BM.971.025.001/29:03-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-17 BM.1971.025.001/29:03-17 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Dans cette pièce, le joueur joue à la manière de TANANARIVE. Vitesse 19; piste 2• BM.971.025.001/29:03-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-18 BM.1971.025.001/29:03-18 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Dans cette pièce, le joueur joue à la manière de TANANARIVE. Vitesse19; piste 2• BM.971.025.001/29:03-17 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :03-19 BM.1971.025.001/29:03-19 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAMPA-TUNU DIT A MOITIE Sous-table non exportée Sous-table non exportée Vitesse 19; piste 2• BM.971.025.001/29:03-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-01 BM.1971.025.001/29:04-01 00:10:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PRINCIPALES PHASES D'UNE CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Cette pièce renferme plusieurs séquences enchaînées enrégistrées en situation. Les vitesses varient au sein de cette pièce: 19- 9,5- 2,4- • BM.971.025.001/29:03-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-02 BM.1971.025.001/29:04-02 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 JEUX D'ENFANTS Sous-table non exportée Sous-table non exportée Cette pièce se chante au clair de lune. Elle est empruntée au sous-groupe tanalana. Elle est exécutée sur une vitesse de 4,75 sur la piste 1• BM.971.025.001/29:04-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-03 BM.1971.025.001/29:04-03 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 JEUX D'ENFANTS Sous-table non exportée Sous-table non exportée Cette pièce se chante au clair de lune. Elle est empruntée au sous-groupe tanalana. Elle est exécutée sur une vitesse de 9,5 sur la piste 1• BM.971.025.001/29:04-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-04 BM.1971.025.001/29:04-04 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 JEUX D'ENFANTS Sous-table non exportée Sous-table non exportée Cette pièce se chante au clair de lune. Elle est empruntée au sous-groupe tanalana. Elle est exécutée sur une vitesse de 4,75 sur la piste 1• BM.971.025.001/29:04-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-05 BM.1971.025.001/29:04-05 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 HYMNE AUX VEZO Sous-table non exportée Sous-table non exportée Elle est exécutée sur une vitesse de 4,75 sur la piste 1• BM.971.025.001/29:04-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-06 BM.1971.025.001/29:04-06 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AKALUTELU Sous-table non exportée Sous-table non exportée Vitesse : 19 • BM.971.025.001/29:04-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-07 BM.1971.025.001/29:04-07 00:00:20 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE Sous-table non exportée Sous-table non exportée Elle est exécutée sur une vitesse de 19 sur la piste1• BM.971.025.001/29:04-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-08 BM.1971.025.001/29:04-08 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 FORME POETIQUE DZIHE Sous-table non exportée Sous-table non exportée Cette pièce est une poesie satirique grivoise. Elle est exécutée sur une vitesse de 9,5 sur la piste1• BM.971.025.001/29:04-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-09 BM.1971.025.001/29:04-09 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 FORME POETIQUE DZIHE Sous-table non exportée Sous-table non exportée Cette pièce est une poesie satyrique grivoise. Elle est exécutée sur une vitesse de 9,5 sur la piste1• BM.971.025.001/29:04-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-10 BM.1971.025.001/29:04-10 00:01:15 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Cette pièce comporte des bruits de micro au début et du vent. Elle est exécutée sur une vitesse de 9,5 sur la piste1• BM.971.025.001/29:04-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-11 BM.1971.025.001/29:04-11 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MANADALA OU DZIHE Sous-table non exportée Sous-table non exportée Elle est exécutée sur une vitesse de 9,5 sur la piste1• BM.971.025.001/29:04-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-12 BM.1971.025.001/29:04-12 00:04:15 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Elle est exécutée sur une vitesse de 9,5 sur la piste1• BM.971.025.001/29:04-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-13 BM.1971.025.001/29:04-13 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Elle est exécutée sur une vitesse de 9,5 sur la piste2. - à l'envers• BM.971.025.001/29:04-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-14 BM.1971.025.001/29:04-14 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE (TAMPA-SIRI) TEO TSILAKULU Sous-table non exportée Sous-table non exportée Cette pièce est exécutée de la façon suivante: parlé, alterné avec hcnat homme; Elle est enchaînée à Ampela mananuhi = "la femme qui a une queue." Elle est exécutée sur une vitesse de 9,5 sur la piste2. - à l'envers• BM.971.025.001/29:04-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-15 BM.1971.025.001/29:04-15 00:02:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT NOSTALGIQUE MANADALA Sous-table non exportée Sous-table non exportée BM.971.025.001/29:04-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-16 BM.1971.025.001/29:04-16 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BEKU Sous-table non exportée Sous-table non exportée Scènette reconstituant en raccourci une séance de possession (message des revenants ...) BM.971.025.001/29:04-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-17 BM.1971.025.001/29:04-17 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée BM.971.025.001/29:04-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-18 BM.1971.025.001/29:04-18 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée BM.971.025.001/29:04-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-19 BM.1971.025.001/29:04-19 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Parlé alterné avec chanté• BM.971.025.001/29:04-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-20 BM.1971.025.001/29:04-20 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MANADALA Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-21 BM.1971.025.001/29:04-21 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR REMERCIER LES REVENANTS MAHAVELU Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-22 BM.1971.025.001/29:04-22 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR APPELER LES REVENANTS Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-23 BM.1971.025.001/29:04-23 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE "LE PETIT MALIN" TEO KELI MAHIHITSE Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-24 BM.1971.025.001/29:04-24 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 HISTOIRE AUTOUR DU PETIT POISSON TEO I LUVU Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :04-25 BM.1971.025.001/29:04-25 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE CHANTEE SUR LES SAUTERELLES Sous-table non exportée Sous-table non exportée Vitesse 19, piste 2• BM.971.025.001/29:04-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-01 BM.1971.025.001/29:05-01 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ECHELLE D'UNE CITHARE MARUVANI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par le sous-groupe Mahafali• BM.971.025.001/29:01-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-02 BM.1971.025.001/29:05-02 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par une voix de femme, Kinetsanetsa• BM.971.025.001/29:05-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-03 BM.1971.025.001/29:05-03 00:01:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AKALUTELU Sous-table non exportée Sous-table non exportée BM.971.025.001/29:05-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-04 BM.1971.025.001/29:05-04 00:00:40 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RYTHME POUR LE REVENANT RALEVO Sous-table non exportée Sous-table non exportée Thème emprunté à un célèbre danseur Renitra sous-groupe masikoro. BM.971.025.001/29:05-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-05 BM.1971.025.001/29:05-05 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE TAMPSATRI, RAKUTU MILA FAORIA Sous-table non exportée Sous-table non exportée Tampastri, rakutu mila faoria = "Rakutu cherche la pauvreté". Vitesse: 4,75 piste 1• BM.971.025.001/29:05-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-06 BM.1971.025.001/29:05-06 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TUSI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo• BM.971.025.001/29:05-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-07 BM.1971.025.001/29:05-07 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TUSI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo• BM.971.025.001/29:05-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-08 BM.1971.025.001/29:05-08 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TUSI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo• BM.971.025.001/29:05-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-09 BM.1971.025.001/29:05-09 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TUSI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo• BM.971.025.001/29:05-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-10 BM.1971.025.001/29:05-10 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION BILU Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo• BM.971.025.001/29:05-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-11 BM.1971.025.001/29:05-11 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-ANDROKA SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE PASTEUR (CHANT D'AMOUR) Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo. Cette pièce est exécutée par les Mahafali. Automobile au début.Vitesse 9,5 piste 1• BM.971.025.001/29:05-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-12 BM.1971.025.001/29:05-12 00:03:10 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE PASTEUR (CHANT D'AMOUR) Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les MAHAFALI. Automobile au début.Vitesse 19 piste 1• BM.971.025.001/29:05-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-13 BM.1971.025.001/29:05-13 00:02:10 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE PASTEUR (CHANT D'AMOUR) Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les MAHAFALI. Automobile au début.Vitesse 19 piste 1• BM.971.025.001/29:05-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-14 BM.1971.025.001/29:05-14 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE PASTEUR (CHANT D'AMOUR) Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les MAHAFALI. Défaut en fin de pièce.Vitesse 19 piste 1• BM.971.025.001/29:05-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-15 BM.1971.025.001/29:05-15 00:10:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Cette pièce est un chant grande ampleur. Elle est exécutée par les VEZO. La anche libre sur plaque est un accordéon.Vitesse 19 piste 1• BM.971.025.001/29:05-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-16 BM.1971.025.001/29:05-16 00:10:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Cette pièce est un chant grande ampleur. Elle est exécutée par les VEZO. La anche libre sur plaque est un accordéon + interventions chantées hommes.Vitesse 19 piste 1• BM.971.025.001/29:05-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-17 BM.1971.025.001/29:05-17 00:10:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Cette pièce est un chant grande ampleur. Elle est exécutée par les VEZO. La anche libre sur plaque est un accordéon . + interventions chantées hommes.Vitesse 19 piste 1• BM.971.025.001/29:05-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-18 BM.1971.025.001/29:05-18 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TUSI Sous-table non exportée Sous-table non exportée Cette pièce est exécutée par les Vezo, pour le revenant Ralevo. + Interventions chantées hommes• BM.971.025.001/29:05-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-19 BM.1971.025.001/29:05-19 00:04:25 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-20 BM.1971.025.001/29:05-20 00:02:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-21 BM.1971.025.001/29:05-21 00:02:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-22 BM.1971.025.001/29:05-22 00:02:15 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-23 BM.1971.025.001/29:05-23 00:02:15 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-24 BM.1971.025.001/29:05-24 00:02:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes.Vitesse 19 piste 2• BM.971.025.001/29:05-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :05-25 BM.1971.025.001/29:05-25 00:05:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Elle est enrégistrée en situation. Cette pièce comporte épisodiquement des voix d'hommes. Pleurage à la fin. Vitesse 19 piste 2• BM.971.025.001/29:05-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-01 BM.1971.025.001/29:06-01 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Chant de grande ampleur, les claquements de mains sont effectués par des mains de femmes. Cette pièce est enrégistrée en situation. Vitesse 19, piste 1• BM.971.025.001/29:05-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-02 BM.1971.025.001/29:06-02 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Chant de grande ampleur, les claquements de mains sont effectués par des mains de femmes. Cette pièce est enrégistrée en situation. Vitesse 19, piste 1• BM.971.025.001/29:06-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-03 BM.1971.025.001/29:06-03 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION BEKUBE Sous-table non exportée Sous-table non exportée Même formation tsilisu emprunté à la cérémonie bilu. Elle est exécutée par les VEZO. Chant de grande ampleur, les claquements de mains sont effectués par des mains de femmes. Cette pièce est enrégistrée en situation. Vitesse 19, piste 1• BM.971.025.001/29:06-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-04 BM.1971.025.001/29:06-04 00:04:20 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION TUSI Sous-table non exportée Sous-table non exportée Même formation tsilisu emprunté à la cérémonie bilu. Elle est exécutée par les VEZO. Chant de grande ampleur, les claquements de mains sont effectués par des mains de femmes. Ce chant provient de la région de l'Onilany. Cette pièce est enrégistrée en situation. Mauvais début. Vitesse 19, piste 1• BM.971.025.001/29:06-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-05 BM.1971.025.001/29:06-05 00:05:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION Sous-table non exportée Sous-table non exportée Présence de beaucoup d'accordéon dans cette pièce. Elle est exécutée par les VEZO. Chant de grande ampleur, les claquements de mains sont effectués par des mains de femmes. Ce chant provient de la région de l'Onilany. Cette pièce est enrégistrée en situation. Vitesse 19, piste 1• BM.971.025.001/29:06-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-06 BM.1971.025.001/29:06-06 00:05:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BEKUBE Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Chant de grande ampleur. Enrégistrement lointain. Vitesse 19, piste 1• BM.971.025.001/29:06-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-07 BM.1971.025.001/29:06-07 00:05:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BEKUBE Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Chant de grande ampleur. Enrégistrement lointain. Vitesse 19, piste 1• BM.971.025.001/29:06-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-08 BM.1971.025.001/29:06-08 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Vitesse 19, piste 1• BM.971.025.001/29:06-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-09 BM.1971.025.001/29:06-09 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Vitesse 19, piste 1• BM.971.025.001/29:06-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-10 BM.1971.025.001/29:06-10 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Vitesse 19, piste 1• BM.971.025.001/29:06-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-11 BM.1971.025.001/29:06-11 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE DANSE DE POSSESSION Sous-table non exportée Sous-table non exportée La voix de la femme qui chante est un peu loin. Elle est exécutée par les VEZO. Vitesse 19, piste 2• BM.971.025.001/29:06-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-12 BM.1971.025.001/29:06-12 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THEME DE DANSE DE POSSESSION Sous-table non exportée Sous-table non exportée La voix de la femme qui chante est un peu loin. Elle est exécutée par les VEZO. Vitesse 19, piste 2• BM.971.025.001/29:06-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-13 BM.1971.025.001/29:06-13 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE: LE POISSON APPELE HANKA Sous-table non exportée Sous-table non exportée La voix de la femme qui chante est un peu loin. Elle est exécutée par les VEZO. Vitesse 9,5, piste 2• BM.971.025.001/29:06-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-14 BM.1971.025.001/29:06-14 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE: LE POISSON APPELE HANKA Sous-table non exportée Sous-table non exportée La voix de la femme qui chante est un peu loin. Elle est exécutée par les VEZO. "Les animaux de la basse-cour en goelette prennent le large. Vitesse 9,5, piste 2• BM.971.025.001/29:06-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-15 BM.1971.025.001/29:06-15 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DE BIBI LAHIMANITSE "LE MONSTRE LAHIMANITSE" Sous-table non exportée Sous-table non exportée Elle est exécutée par les VEZO. Vitesse 9,5, piste 2• BM.971.025.001/29:06-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-16 BM.1971.025.001/29:06-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR LE VILLAGE DE SUNGERITELU Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-17 BM.1971.025.001/29:06-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR L' ORIGINE DES ANIMAUX DE MER Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-18 BM.1971.025.001/29:06-18 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAKASI VEZU Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-19 BM.1971.025.001/29:06-19 00:02:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Quelques fréquences graves parasites. Vitesse 9,5 piste 2• BM.971.025.001/29:06-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-20 BM.1971.025.001/29:06-20 00:02:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-21 BM.1971.025.001/29:06-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DZIHE Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-22 BM.1971.025.001/29:06-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES NOMS DE POISSONS Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-23 BM.1971.025.001/29:06-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE AMPELAMANANI SA "FEMMES POSSEDANT DES OUIES" DZIHE Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-24 BM.1971.025.001/29:06-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 "LE TAMARIN QUI PARLE" Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 2• BM.971.025.001/29:06-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-25 BM.1971.025.001/29:06-25 00:02:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR LE BILU Sous-table non exportée Sous-table non exportée Chant exécuté par les vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:06-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :06-26 BM.1971.025.001/29:06-26 00:02:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 COMPTINE D'ENFANT DITE PAR UN HOMME Sous-table non exportée Sous-table non exportée Chant exécuté par les vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:06-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-01 BM.1971.025.001/29:07-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE MAHAFALY KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAKASI Sous-table non exportée Sous-table non exportée Ethnie : sous-groupe SAKALAVA. Introduction parlée, puis sifflée par 2 hommes, puis chanté par 2 hommes. Chant du groupe Mahafali. Vitesse 9,5 piste 1• KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-02 BM.1971.025.001/29:07-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE MAHAFALY KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAKASI Sous-table non exportée Sous-table non exportée Ethnie : sous-groupe SAKALAVA. Vitesse 9,5 piste1• BM.971.025.001/29:07-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-03 BM.1971.025.001/29:07-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE MAHAFALY KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAKASI Sous-table non exportée Sous-table non exportée Ethnie : sous-groupe SAKALAVA. Vitesse 9,5 piste1• BM.971.025.001/29:07-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-04 BM.1971.025.001/29:07-04 00:03:15 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE MAHAFALY KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 TAKASI Sous-table non exportée Sous-table non exportée Sous-groupe SAKALAVA, Mahafali. Voir également BM- 05. 11. Vitesse 9,5 piste1• BM.971.025.001/29:07-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-05 BM.1971.025.001/29:07-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE MAHAFALY KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LE CONTE 06 -23 PAR-H ETHNIE : SOUS-GROUPE SAKALAVA. Sous-table non exportée Sous-table non exportée Ethnie : sous-groupe SAKALAVA. Vitesse 9,5 piste1• BM.971.025.001/29:07-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-06 BM.1971.025.001/29:07-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT PAR UN HOMME SUR L'ORIGINE DES GOELETTES Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:07-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-07 BM.1971.025.001/29:07-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT PAR UN HOMME SUR L'ORIGINE DES MURÈNES Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-08 BM.1971.025.001/29:07-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT PAR UN HOMME SUR LA PECHE AU POISSON LAMATSA Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-09 BM.1971.025.001/29:07-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR TEO I ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-10 BM.1971.025.001/29:07-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT PAR UN HOMME SUR LA RICHESSE DE LA MER Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-11 BM.1971.025.001/29:07-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT PAR UN HOMME SUR LA RICHESSE DE LA MER Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-12 BM.1971.025.001/29:07-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PROVERBE PAR UN HOMME Sous-table non exportée Sous-table non exportée Pièce exécutée par le Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-13 BM.1971.025.001/29:07-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION PAR LES FEMMES SUR LES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-14 BM.1971.025.001/29:07-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES INTERDITS DES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-15 BM.1971.025.001/29:07-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES INTERDITS DES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-16 BM.1971.025.001/29:07-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES SAISONS ET LES ETOILES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-17 BM.1971.025.001/29:07-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DEBUT PAR UN HOMME DU CONTE TEO LAHI PURITSA Sous-table non exportée Sous-table non exportée "De l'homme qui défèque en pétant". Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-18 BM.1971.025.001/29:07-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUITE DU CONTE 07-17 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:07-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-19 BM.1971.025.001/29:07-19 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo• BM.971.025.001/29:01-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-20 BM.1971.025.001/29:07-20 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE POUR CEREMONIE DE POSSESSION MANGERUKERUKE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo• BM.971.025.001/29:07-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-21 BM.1971.025.001/29:07-21 00:02:30 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE POUR CEREMONIE DE POSSESSION MANGERUKERUKE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo, avec présence d'une voix de femmes et autre rythme. Vitesse 19, piste 2• BM.971.025.001/29:07-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-22 BM.1971.025.001/29:07-22 00:01:15 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE POUR CEREMONIE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 2• BM.971.025.001/29:07-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :07-23 BM.1971.025.001/29:07-23 00:03:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE POUR CEREMONIE DE POSSESSION KINETSANETSA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo, avec présence d'une voix de femmes et autre rythme. VITESSE 19, piste 2• BM.971.025.001/29:07-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-01 BM.1971.025.001/29:08-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION Sous-table non exportée Sous-table non exportée KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-02 BM.1971.025.001/29:08-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR RE PEHA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-03 BM.1971.025.001/29:08-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR LES BALEINES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-04 BM.1971.025.001/29:08-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR UN C OMBAT ENTRE UN REQUIN ET UN CROCODILE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-05 BM.1971.025.001/29:08-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR L'INTERDIT DE LA RAIE VOLANTE CHEZ LES MARUSARANA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-06 BM.1971.025.001/29:08-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR L'ORIGINE DES TORTUES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-07 BM.1971.025.001/29:08-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-08 BM.1971.025.001/29:08-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-09 BM.1971.025.001/29:08-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-10 BM.1971.025.001/29:08-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste 1• BM.971.025.001/29:08-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-11 BM.1971.025.001/29:08-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BEKU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Bruits de micro au début.Vitesse 19, piste 1• BM.971.025.001/29:08-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-12 BM.1971.025.001/29:08-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste1• BM.971.025.001/29:08-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-13 BM.1971.025.001/29:08-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT MOQUEUR BEKU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Défauts techniques.Vitesse 19, piste 1• BM.971.025.001/29:08-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-14 BM.1971.025.001/29:08-14 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION BEKU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Légèrement sous modulé, bruits parasites. Vitesse 19, piste2• BM.971.025.001/29:08-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-15 BM.1971.025.001/29:08-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLAISANTERIE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-16 BM.1971.025.001/29:08-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-17 BM.1971.025.001/29:08-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un homme. Vitesse 19, piste2• BM.971.025.001/29:08-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-18 BM.1971.025.001/29:08-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un homme. Vitesse 19, piste2• BM.971.025.001/29:08-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-19 BM.1971.025.001/29:08-19 00:01:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un homme. Vitesse 19, piste2• BM.971.025.001/29:08-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-20 BM.1971.025.001/29:08-20 00:01:25 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un homme. Vitesse 19, piste2• BM.971.025.001/29:08-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-21 BM.1971.025.001/29:08-21 00:01:17 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un homme. Vitesse 19, piste2• BM.971.025.001/29:08-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-22 BM.1971.025.001/29:08-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE POESIE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-23 BM.1971.025.001/29:08-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE SUR LES BUVEURS D'ALCOOL POESIE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-24 BM.1971.025.001/29:08-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT POETIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-25 BM.1971.025.001/29:08-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PARTIE CHANTEE D'UN CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-26 BM.1971.025.001/29:08-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT HISTORIQUE SUR UN COMBAT DES VEZO CONTRE LES AMBANIANDRU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :08-27 BM.1971.025.001/29:08-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Conte incluant des parties chantées c omprises dans le cycle de Zatuvu. Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-01 BM.1971.025.001/29:09-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR LE REQUIN MAÎTRE DE LA MER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:08-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-02 BM.1971.025.001/29:09-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 FRAGMENT DE CONTE INCLUANT UNE PARTIE CHANTEE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19, piste2• BM.971.025.001/29:09-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-03 BM.1971.025.001/29:09-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Piles déficientes. Vitesse 19, piste1• BM.971.025.001/29:09-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-04 BM.1971.025.001/29:09-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES CLANS Sous-table non exportée Sous-table non exportée Informations sur l'histoire et les modes de vie dans le village de Antsihake. Vitesse 19, piste1• BM.971.025.001/29:09-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-05 BM.1971.025.001/29:09-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Sur la procédure pour une cérémonie de Bilu et Trumba. Pièce exécutée par les Vézo. Vitesse 19, piste1• BM.971.025.001/29:09-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-06 BM.1971.025.001/29:09-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VERSION DU CONTE "LA FEMME AUX OUIES" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:09-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-07 BM.1971.025.001/29:09-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AUTOBIOGRAPHIE DE TSIAVINULU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Comment T a obtenu sa première goelette. Vitesse 9,5 piste2• BM.971.025.001/29:09-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-08 BM.1971.025.001/29:09-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 HISTOIRE DE BOEUFS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:09-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-09 BM.1971.025.001/29:09-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme sur les Clans dans la région. Vitesse 9,5 piste2• BM.971.025.001/29:09-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-10 BM.1971.025.001/29:09-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé su!r lkes activités du Vézo en mer. Vitesse 9,5 piste2• BM.971.025.001/29:09-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-11 BM.1971.025.001/29:09-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SOLO D'ACCORDEON Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. Vitesse 9,5 piste2• BM.971.025.001/29:09-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-12 BM.1971.025.001/29:09-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SOLO D'ACCORDEON Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. Vitesse 9,5 piste2• BM.971.025.001/29:09-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-13 BM.1971.025.001/29:09-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SOLO D'ACCORDEON Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon (les pièceds d'accordéon ont été composées par le musicien). Vitesse 9,5 piste2• BM.971.025.001/29:09-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-14 BM.1971.025.001/29:09-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur l'armement d'une goelette et sur un voyage en goelette. Vitesse 9,5 piste2• BM.971.025.001/29:09-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-15 BM.1971.025.001/29:09-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 HISTOIRE DE LA PERTE DE SA GOELETTE DENOMMEE "FLEUR D'AMOUR" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:09-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-16 BM.1971.025.001/29:09-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ILLUSTRATION DE 15 EN ACORDEON Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. Vitesse 9,5 piste2• BM.971.025.001/29:09-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-17 BM.1971.025.001/29:09-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:09-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :09-18 BM.1971.025.001/29:09-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES CLANS DANS LA REGION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:09-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-01 BM.1971.025.001/29:10-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:09-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-02 BM.1971.025.001/29:10-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:10-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-03 BM.1971.025.001/29:10-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBE DE CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme avec partie chantée. Vitesse 9,5 piste1• BM.971.025.001/29:10-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-04 BM.1971.025.001/29:10-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBE DE CONTE Sous-table non exportée Sous-table non exportée Partie chantée du conte de la pièce ...:10-03. Pièce exécutée par les Vézo. Parlé homme avec partie chantée. Vitesse 9,5 piste1• KOECHLIN,BERNARD 0 AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-05 BM.1971.025.001/29:10-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT APPARTENANT A UN CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:10-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-06 BM.1971.025.001/29:10-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CROCODILE ROUGE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme avec une partie chantée. Vitesse 9,5 piste1• BM.971.025.001/29:10-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-07 BM.1971.025.001/29:10-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:10-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-08 BM.1971.025.001/29:10-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LK'ORIGINE DES VEZO ENCHAINE A " LA FEMME AUX OUIES" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:10-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-09 BM.1971.025.001/29:10-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LES RESSOURCES DELA MER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Liste des noms de poissons. Vitesse 9,5 piste1• BM.971.025.001/29:10-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-10 BM.1971.025.001/29:10-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Cette pièce est une version assez complète . Elle est exécutée par un jeune Betsileo parlant vezo étudiant à Manumbo. Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:10-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-11 BM.1971.025.001/29:10-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTESUR L'OEUF Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le récit de cette pièce est le suivant: l'ogre itrinube et "la femme à queue " enchaîné avec le conte sur la naissance de Zatuvu. Vitesse 9,5 piste1• BM.971.025.001/29:10-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-12 BM.1971.025.001/29:10-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ? Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 2,4 piste2• BM.971.025.001/29:10-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-13 BM.1971.025.001/29:10-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBE DE CONTE SUR LES BÊTES-OGRES DE LA FORÊT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:10-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :10-14 BM.1971.025.001/29:10-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR L'ORIGINE DES CITHARES MARUVANI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le maruvani seraint utilisé pour appeler le vent par les calmes en goelettes. Vitesse 9,5 piste2• BM.971.025.001/29:10-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-01 BM.1971.025.001/29:11-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE PARTIE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:10-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-02 BM.1971.025.001/29:11-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LA FEMME AUX OUIES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. La femme est à l'origne du groupe ethnique Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-03 BM.1971.025.001/29:11-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR LE DEBUT DU VILLAGE DE TSIFOTA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-04 BM.1971.025.001/29:11-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 EXPLICATION DE L'INTERDIT SUR LES OISEAUX KIBU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-05 BM.1971.025.001/29:11-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LES TORTUES DE MER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. (qui descendent des tortues de terre) Vitesse 4,75 piste1• BM.971.025.001/29:11-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-06 BM.1971.025.001/29:11-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LA FACON DONT LES DENTS SONT VENUES AUX REQUINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-07 BM.1971.025.001/29:11-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LE COQ, EPOUVANTAIL A BÊTES-OGRES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-08 BM.1971.025.001/29:11-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR BILU (CHANT DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le tambour comporte deux peaux lacées. Vitesse 4,75 piste1• BM.971.025.001/29:11-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-09 BM.1971.025.001/29:11-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR BILU (CHANT DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le tambour comporte deux peaux lacées. Vitesse 4,75 piste1• BM.971.025.001/29:11-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-10 BM.1971.025.001/29:11-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT POUR BILU (CHANT DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le tambour comporte deux peaux lacées. Vitesse 4,75 piste1• BM.971.025.001/29:11-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-11 BM.1971.025.001/29:11-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DE TSIMAMANALAHI ENCHAÎNE A LA "FEMME A QUEUE" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-12 BM.1971.025.001/29:11-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LES INTERDITS ET LES CLANS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-13 BM.1971.025.001/29:11-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES ACTIVITES DES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-14 BM.1971.025.001/29:11-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES CLANS (RAZA) DANS LE VILLAGE DE TSIANDAMBA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-15 BM.1971.025.001/29:11-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR L'ORIGINE DES ENFANTS (MERINISE ?) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-16 BM.1971.025.001/29:11-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT SUR LES ACTIVITES DES VEZO ET DE MASIKORO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-17 BM.1971.025.001/29:11-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT SUR UNE PREPARATION DE LA TUBERCULE BALU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-18 BM.1971.025.001/29:11-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT SUR LES INTERDITS SUR L'OR Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-19 BM.1971.025.001/29:11-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT SUR LES ACTIVITES DES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-20 BM.1971.025.001/29:11-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES CLANS ET INTERDITS DANS LE VILLAGE DE ANDZAVONE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-21 BM.1971.025.001/29:11-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Ce conte developpe le thème suivant: "pourquoi les femmes ne gardent-elles pas leurs enfants dans leur lignage? Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-22 BM.1971.025.001/29:11-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION Sous-table non exportée Sous-table non exportée Chanté 4 voix femmes et une voix homme imitant la possession. Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:11-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-23 BM.1971.025.001/29:11-23 00:02:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION Sous-table non exportée Sous-table non exportée Chanté 4 voix femmes et une voix homme imitant la possession. Pièce exécutée par les Vézo. Peut être un coup de saturation vers la fin. Légers bruits de micro. Vitesse 4,75 piste1• BM.971.025.001/29:11-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-24 BM.1971.025.001/29:11-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BERCEUSE/ PLEURS DE BEBE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 4,75 piste1• BM.971.025.001/29:11-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-25 BM.1971.025.001/29:11-25 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Rien sur la BM. Vitesse 19 piste2• BM.971.025.001/29:11-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-26 BM.1971.025.001/29:11-26 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Rien sur la BM. Vitesse 19 piste2• BM.971.025.001/29:11-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-27 BM.1971.025.001/29:11-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES CLANS DANS LE VILLAGE DE AMBATOMILO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 9,5 piste2• BM.971.025.001/29:11-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-28 BM.1971.025.001/29:11-28 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR L'OISEAU KUIKUIK ET LE SANGLIER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 4,75 piste2• BM.971.025.001/29:11-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-29 BM.1971.025.001/29:11-29 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LA RECHERCHE DES BOIS POUR LA CONSTRUCTION DES PIROGUES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 4,75 piste2• BM.971.025.001/29:11-28 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-30 BM.1971.025.001/29:11-30 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA TERMINOLOGIE DE PARENTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 4,75 piste2• BM.971.025.001/29:11-29 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :11-31 BM.1971.025.001/29:11-31 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES RAZA VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa. Vitesse 4,75 piste2• BM.971.025.001/29:11-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-01 BM.1971.025.001/29:12-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrumentiste n'est pas très bon. Vitesse 19 piste1• BM.971.025.001/29:11-31 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-02 BM.1971.025.001/29:12-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrumentiste n'est pas très bon. Vitesse 19 piste1• BM.971.025.001/29:12-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-03 BM.1971.025.001/29:12-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrumentiste n'est pas très bon. Vitesse 19 piste1• BM.971.025.001/29:12-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-04 BM.1971.025.001/29:12-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrumentiste n'est pas très bon. Vitesse 19 piste1• BM.971.025.001/29:12-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-05 BM.1971.025.001/29:12-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrumentiste n'est pas très bon. Vitesse 19 piste1• BM.971.025.001/29:12-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-06 BM.1971.025.001/29:12-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR L'ORIGINE DU VILLAGE DE LAMBOHARA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Les informations renferment également la toponymie. Vitesse 19 piste1• BM.971.025.001/29:12-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-07 BM.1971.025.001/29:12-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA LISTE DES CLANS A LAMBOHARA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:12-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-08 BM.1971.025.001/29:12-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES ACTIVITES DU CLAN TEMAROFOHA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette pièce developpe le thème de la chasse à la tortue de mer. Vitesse 9,5 piste1• BM.971.025.001/29:12-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-09 BM.1971.025.001/29:12-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AUTOBIOGRAPHIE D'UN VIEUX Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:12-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-10 BM.1971.025.001/29:12-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:12-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-11 BM.1971.025.001/29:12-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Meilleurs que 12-01. Vitesse 19 piste1• BM.971.025.001/29:12-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-12 BM.1971.025.001/29:12-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:12-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-13 BM.1971.025.001/29:12-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:12-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-14 BM.1971.025.001/29:12-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:12-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-15 BM.1971.025.001/29:12-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:12-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-16 BM.1971.025.001/29:12-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:12-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-17 BM.1971.025.001/29:12-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:12-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-18 BM.1971.025.001/29:12-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:12-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-19 BM.1971.025.001/29:12-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:12-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-20 BM.1971.025.001/29:12-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-21 BM.1971.025.001/29:12-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikora Mikea. Ce xylophone sur jambe est joué par un jeune garçon ( normalement, cet instrument est joué par les jeunes filles en milieu forestier). Vitesse 19 piste2• BM.971.025.001/29:12-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-22 BM.1971.025.001/29:12-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-23 BM.1971.025.001/29:12-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-24 BM.1971.025.001/29:12-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-25 BM.1971.025.001/29:12-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :12-26 BM.1971.025.001/29:12-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. L'instrument semble désaccordé. Vitesse 19 piste2• BM.971.025.001/29:12-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-01 BM.1971.025.001/29:13-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES INTERDITS DES HOMMES POSSEDES PAR LES DUANI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Duani: noms de revenants. Vitesse 19 piste1• BM.971.025.001/29:12-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-02 BM.1971.025.001/29:13-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES INTERDITS DES HOMMES POSSEDES PAR LES DUANI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Duani: noms de revenants. Vitesse 9,5 piste1• BM.971.025.001/29:13-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-03 BM.1971.025.001/29:13-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES MONSTRES MARINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-04 BM.1971.025.001/29:13-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR CE QUE CRAIGNENT LES VEZO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-05 BM.1971.025.001/29:13-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES GOELETTES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-06 BM.1971.025.001/29:13-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LE PARLE VEZO D'AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-07 BM.1971.025.001/29:13-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES MAUVAISES MANIÈRES ACTUELLES DES ENFANTS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-08 BM.1971.025.001/29:13-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LESCLANS DANS LE VILLAGE D'ANDAVADOAK Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-09 BM.1971.025.001/29:13-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA PÊCHE A LA TORTUE ET AU MARSOUIN Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-10 BM.1971.025.001/29:13-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA NAVIGATION EN GOELETTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-11 BM.1971.025.001/29:13-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES ACTIVITES AVANT L'ARRIVEE DES EUROPEENS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-12 BM.1971.025.001/29:13-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR L'INTERDIT DE MANGER DU MOUTON Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-13 BM.1971.025.001/29:13-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES INTERDITS DE CLANS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Iformation sur les hommes qui sont touchés par les revenants. Vitesse 9,5 piste1• BM.971.025.001/29:13-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-14 BM.1971.025.001/29:13-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA VIE AU TEMPS DES ROIS ANDRE VOLA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-15 BM.1971.025.001/29:13-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE:"POURQUOI LA MER PLEURE TOUJOURS ?" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-16 BM.1971.025.001/29:13-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA CHASSE AU BALEINEAU (DUGONG ?) TSUZU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-17 BM.1971.025.001/29:13-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA CHASSE ET LA CUISSON DE LA TORTUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-18 BM.1971.025.001/29:13-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA PREPARATION DES ALIMENTS AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-19 BM.1971.025.001/29:13-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR L'ESCLAVAGE AU TEMPS DES ANDREVOLA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-20 BM.1971.025.001/29:13-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES INTERDITS DE CLANS (TORTUE, REQUIN, RAIE...) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-21 BM.1971.025.001/29:13-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur les hommes qui veulent accaparer les enfants pour leur lignage, mais qui n'ont pas de seins pour les allaiter. Vitesse 9,5 piste1• BM.971.025.001/29:13-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-22 BM.1971.025.001/29:13-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR L'ORIGINE DU TABAC Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:13-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-23 BM.1971.025.001/29:13-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES ROIS D'AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:13-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-24 BM.1971.025.001/29:13-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES MODES DE VIE DES VEZO AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:13-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-25 BM.1971.025.001/29:13-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Elle developpe le thème suivant: "pourquoi les Vézo et les Mikéa ne sont pas des éleveurs de boeufs ?" Vitesse 4,75 piste2• BM.971.025.001/29:13-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-26 BM.1971.025.001/29:13-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LES ANIMAUX DE MER DISPARUS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:13-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-27 BM.1971.025.001/29:13-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DE MARIN SUR GOELETTE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:13-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-28 BM.1971.025.001/29:13-28 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR L'ESCLAVAGE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:13-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-29 BM.1971.025.001/29:13-29 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les rois de la région avant l'arrivée des français (1890). Vitesse 4,75 piste2• BM.971.025.001/29:13-28 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-30 BM.1971.025.001/29:13-30 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur la préparation des aliments autrefois. Vitesse 9,5 piste2• BM.971.025.001/29:13-29 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-31 BM.1971.025.001/29:13-31 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les rois de la région de Manombo. Vitesse 4,75 piste2• BM.971.025.001/29:13-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-32 BM.1971.025.001/29:13-32 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les clans tsimanavadzaza et tsanutelu. Vitesse 4,75 piste2• BM.971.025.001/29:13-31 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-33 BM.1971.025.001/29:13-33 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 GENEALOGIE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Généalogie des rois enterrés dans le cimétière de Benetse. Vitesse 4,75 piste2• BM.971.025.001/29:13-32 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-34 BM.1971.025.001/29:13-34 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est ne tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste2• BM.971.025.001/29:13-33 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-35 BM.1971.025.001/29:13-35 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est ne tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste2• BM.971.025.001/29:13-34 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-36 BM.1971.025.001/29:13-36 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est ne tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste2• BM.971.025.001/29:13-35 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :13-37 BM.1971.025.001/29:13-37 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est ne tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste2• BM.971.025.001/29:13-36 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-01 BM.1971.025.001/29:14-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste1• BM.971.025.001/29:13-37 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-02 BM.1971.025.001/29:14-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste1• BM.971.025.001/29:14-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-03 BM.1971.025.001/29:14-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste1• BM.971.025.001/29:14-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-04 BM.1971.025.001/29:14-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste1• BM.971.025.001/29:14-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-05 BM.1971.025.001/29:14-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR MODERNE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Vitesse 19 piste1• BM.971.025.001/29:14-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-06 BM.1971.025.001/29:14-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR MODERNE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le Maruvani est en tôle. Enrégistrement médiocre; l'instrumentiste est cependant excellent. Défaut technique. Vitesse 19 piste1• BM.971.025.001/29:14-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-07 BM.1971.025.001/29:14-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur le village de Belavenoka. Vitesse 9,5 piste1• BM.971.025.001/29:14-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-08 BM.1971.025.001/29:14-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur la liane et son rapport avec avec la possession. Vitesse 9,5 piste1• BM.971.025.001/29:14-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-09 BM.1971.025.001/29:14-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur les produist de la forêt. Vitesse 9,5 piste1• BM.971.025.001/29:14-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-10 BM.1971.025.001/29:14-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBE DE CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste1• BM.971.025.001/29:14-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-11 BM.1971.025.001/29:14-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur l'interdit du mouton chez les Sara. Vitesse 4,75 piste1• BM.971.025.001/29:14-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-12 BM.1971.025.001/29:14-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur la toponymie de la région. Vitesse 4,75 piste1• BM.971.025.001/29:14-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-13 BM.1971.025.001/29:14-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur les interdits. Vitesse 4,75 piste2• BM.971.025.001/29:14-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-14 BM.1971.025.001/29:14-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur les marins. Vitesse 4,75 piste2• BM.971.025.001/29:14-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-15 BM.1971.025.001/29:14-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ACCORD DU MARUVANI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:14-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-16 BM.1971.025.001/29:14-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 19 piste2• BM.971.025.001/29:14-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-17 BM.1971.025.001/29:14-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 19 piste2• BM.971.025.001/29:14-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-18 BM.1971.025.001/29:14-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 9,5 piste2• BM.971.025.001/29:14-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-19 BM.1971.025.001/29:14-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 9,5 piste2• BM.971.025.001/29:14-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-20 BM.1971.025.001/29:14-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 9,5 piste2• BM.971.025.001/29:14-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-21 BM.1971.025.001/29:14-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistrement médiocre. Vitesse 9,5 piste2• BM.971.025.001/29:14-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-22 BM.1971.025.001/29:14-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ACCORD DU MARUVANI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-23 BM.1971.025.001/29:14-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-24 BM.1971.025.001/29:14-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-25 BM.1971.025.001/29:14-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-26 BM.1971.025.001/29:14-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-27 BM.1971.025.001/29:14-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-28 BM.1971.025.001/29:14-28 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste2• BM.971.025.001/29:14-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-29 BM.1971.025.001/29:14-29 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste2• BM.971.025.001/29:14-28 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-30 BM.1971.025.001/29:14-30 00:02:10 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Changement de niveau à l'enrégistrement. Vitesse 19 piste2• BM.971.025.001/29:14-29 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :14-31 BM.1971.025.001/29:14-31 00:02:40 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Fin "cut". Léger pleurage à la fin 50" Vitesse 19 piste2• BM.971.025.001/29:14-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-01 BM.1971.025.001/29:15-01 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:14-31 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-02 BM.1971.025.001/29:15-02 00:02:10 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:15-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-03 BM.1971.025.001/29:15-03 00:02:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Phénomène de résonnace ?/ au début. / baisse de niveau à 2', 05" Vitesse 19 piste1• BM.971.025.001/29:15-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-04 BM.1971.025.001/29:15-04 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIR DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Phénomène de résonnace ?/ au début. / baisse de niveau à 2', 05" Vitesse 19 piste1• BM.971.025.001/29:15-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-05 BM.1971.025.001/29:15-05 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Vitesse 4,75 piste1• BM.971.025.001/29:15-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-06 BM.1971.025.001/29:15-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la chasse à la tortue. Vitesse 4,75 piste1• BM.971.025.001/29:15-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-07 BM.1971.025.001/29:15-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la chasse à la tortue dit par un autre homme. Vitesse 4,75 piste1• BM.971.025.001/29:15-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-08 BM.1971.025.001/29:15-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Vitesse 4,75 piste1• BM.971.025.001/29:15-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-09 BM.1971.025.001/29:15-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Vitesse 4,75 piste1• BM.971.025.001/29:15-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-10 BM.1971.025.001/29:15-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Vitesse 4,75 piste1• BM.971.025.001/29:15-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-11 BM.1971.025.001/29:15-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Vitesse 4,75 piste1• BM.971.025.001/29:15-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :15-12 BM.1971.025.001/29:15-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit sur la taille des monoxyles en forêt. Reste de la BM vierge / Rien sur la piste 2. Vitesse 4,75 piste1• BM.971.025.001/29:15-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-01 BM.1971.025.001/29:16-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté deux voix de filles du groupe ethnique tandroy. Vitesse 4,75 piste1• BM.971.025.001/29:15-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-02 BM.1971.025.001/29:16-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté deux voix de filles du groupe ethnique tandroy. Vitesse 4,75 piste1• BM.971.025.001/29:16-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-03 BM.1971.025.001/29:16-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRITIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté un peu timidement. Vitesse 19 piste1• BM.971.025.001/29:16-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-04 BM.1971.025.001/29:16-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRITIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté un peu timidement. Vitesse 19 piste1• BM.971.025.001/29:16-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-05 BM.1971.025.001/29:16-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRITIVE RANU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste1• BM.971.025.001/29:16-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-06 BM.1971.025.001/29:16-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur le mariage de Zatuvu avec la femme aux ouies. Vitesse 4,75 piste1• BM.971.025.001/29:16-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-07 BM.1971.025.001/29:16-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur le mariage de Zatuvu avec la femme aux ouies. Version du conte plus developpée. Vitesse 4,75 piste1• BM.971.025.001/29:16-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-08 BM.1971.025.001/29:16-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur le mariage de Zatuvu avec la femme aux ouies. Conte appartenant au cycle de zatuvu. Vitesse 4,75 piste1• BM.971.025.001/29:16-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-09 BM.1971.025.001/29:16-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DANSE DE REJOUISANCE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Présence de percussion dans cette pièce; AAL=Accordéon. Effet de parsen. Vitesse 4,75 piste1• BM.971.025.001/29:16-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-10 BM.1971.025.001/29:16-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MESSAGE D'UN REVANT A UNE FEMME Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Mauvais enrégistrement. Vitesse 4,75 piste2• BM.971.025.001/29:16-09 KOECHLIN,BERNARD 1969 NN AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-11 BM.1971.025.001/29:16-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE DESCRIPTIVE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:16-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-12 BM.1971.025.001/29:16-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE LECTURE DIVINATOIRE PAR LES GRAINES (SIKILE) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:19-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-13 BM.1971.025.001/29:16-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONVERSATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:16-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-14 BM.1971.025.001/29:16-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONVERSATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Bruit de moteur. Vitesse 4,75 piste2• BM.971.025.001/29:16-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-15 BM.1971.025.001/29:16-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Plusieurs hommes parlent. Cette supplique est adressée aux ancêtres lors du sacrifice d'un boeuf. Vitesse 4,75 piste2• BM.971.025.001/29:16-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :16-16 BM.1971.025.001/29:16-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONVERSATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:16-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-01 BM.1971.025.001/29:17-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE VURUMBE "L'OISEAU GROS" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ce conte renferme des parties chantées. La transcription phonétiqure de ce conte est accompagnée de notes linguistiques et ethnographiques L'Homme IV-71. Vitesse 4,75 piste1• BM.971.025.001/29:16-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-02 BM.1971.025.001/29:17-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur une préparation culinaire du requin. Vitesse 4,75 piste1• BM.971.025.001/29:17-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-03 BM.1971.025.001/29:17-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE ZATUVU (DIEU N'A PAS CREE Z) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Bruit de moteur ? Vitesse 4,75 piste1• BM.971.025.001/29:17-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-04 BM.1971.025.001/29:17-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE " L'HOMME PARESSEUX" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte "l'homme paresseux" enchaîné avec le conte sur "la femme aux ouies" Vitesse 4,75 piste1• BM.971.025.001/29:17-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-05 BM.1971.025.001/29:17-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR MASUARIVU, "MILLE YEUX" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme avec des parties chantées. Vitesse 4,75 piste1• BM.971.025.001/29:17-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-06 BM.1971.025.001/29:17-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR LES RAPPORTS AÎNE-CADET Sous-table non exportée Sous-table non exportée Ce conte est relaté dans un mariage avec des montres de la forêt. Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:17-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-07 BM.1971.025.001/29:17-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE AUX ANCÊTRES POUR L'ERECTION DE PIEUX (KUMBA) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette supplique marque une ancienne résidence pour d'un homme pour la communauté villageoise. Vitesse 4,75 piste2• BM.971.025.001/29:17-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-08 BM.1971.025.001/29:17-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PAROLES D'UN HOMME Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Paroles d'un homme possédé pour es soins qu'il doit prodiguer à un malade. Vitesse 4,75 piste2• BM.971.025.001/29:17-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-09 BM.1971.025.001/29:17-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 UNE FEMME PILONNANT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:17-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-10 BM.1971.025.001/29:17-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUIT DE VANNAGE DU MAIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:17-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-11 BM.1971.025.001/29:17-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme avec parties chantées. Vitesse 4,75 piste2• BM.971.025.001/29:17-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-12 BM.1971.025.001/29:17-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Les envies de la femme enceinte de Zatuvu. / Défaut de défilement / Vitesse 4,75 piste2• BM.971.025.001/29:17-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-13 BM.1971.025.001/29:17-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE DE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Une fille née d'un chien refuse tous les prétendants à l'exception d'un vezo (Zatuvu). Vitesse 4,75 piste2• BM.971.025.001/29:17-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :17-14 BM.1971.025.001/29:17-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONT SUR LAHITUKEDZA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:17-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-01 BM.1971.025.001/29:18-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PHASES ENCHAINEES D'UNE CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Danses, chants accompagnant aux possédés, accompagnant l'absorption d'alcol, conservation de possédés. Vitesse 4,75 piste 1• BM.971.025.001/29:17-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-02 BM.1971.025.001/29:18-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ce conte porte sur l'histoire suivante: "Seul le coq connait l'heure du réveil des humains". Vitesse 4,75 piste1• BM.971.025.001/29:18-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-03 BM.1971.025.001/29:18-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONVERSATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:18-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-04 BM.1971.025.001/29:18-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur le mauvais comportment d'un homme à l'égard 'un dieu (Ndzanahare); l'homme est ransformé en chien. Vitesse 4,75 piste1• BM.971.025.001/29:18-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-05 BM.1971.025.001/29:18-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur les rivalités entre soeurs cadettes et aînées enchaînées. Vitesse 4,75 piste1• BM.971.025.001/29:18-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-06 BM.1971.025.001/29:18-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE: L'OISEAU IMMENSE VURUMBE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé garçons avec parties chantée. Vitesse 4,75 piste1• BM.971.025.001/29:18-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-07 BM.1971.025.001/29:18-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. (Un homme possédé communique une ordonnace à un malade). Vitesse 4,75 piste1• BM.971.025.001/29:18-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-08 BM.1971.025.001/29:18-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MOTIVATION SUR LA TOPONYMIE DES LIEUX DE PÊCHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste1• BM.971.025.001/29:18-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-09 BM.1971.025.001/29:18-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les bêtes qui autorisent une onction au sang de l'avant de la pirogue et sur la répartition des parts aux chasseurs. Vitesse 4,75 piste2• BM.971.025.001/29:18-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-10 BM.1971.025.001/29:18-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Supplique lors de la mise à mort de la tortue devant l'autel aux tortues. Vitesse 4,75 piste2• BM.971.025.001/29:18-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-11 BM.1971.025.001/29:18-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RÈGLE SUR LES ANIMAUX PRIS EN MER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Cf archipel 1: "Notes sur les implications de l'emploi privilégié de l'organe de la vue chez les vezo et mikéa du Sud-Ouest de Madagascar", par B. Koechlin 1971. Ed : Sté pour l'étude et la connaissance du Monde insulindien. / Vitesse 4,75 piste2• BM.971.025.001/29:18-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-12 BM.1971.025.001/29:18-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte en rapport avec la toponymie de la région. Vitesse 4,75 piste2• BM.971.025.001/29:18-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-13 BM.1971.025.001/29:18-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DEVINETTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste2• BM.971.025.001/29:18-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-14 BM.1971.025.001/29:18-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les collecteurs de miel en forêt. Vitesse 4,75 piste2• BM.971.025.001/29:18-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-15 BM.1971.025.001/29:18-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DE TERMES SUR LA PARENTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-16 BM.1971.025.001/29:18-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Récit d'une course en forêt de forestiers mikéa. Vitesse 4,75 piste 2• BM.971.025.001/29:18-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-17 BM.1971.025.001/29:18-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBE D'UN CONTE SUR LA FEMME NOMMEE TSIKARI Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:18-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-18 BM.1971.025.001/29:18-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les moeurs des forestiers mikéa. Vitesse 4,75 piste 2• BM.971.025.001/29:18-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-19 BM.1971.025.001/29:18-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les interdits sur les mikéa et sur leur activité par saison. Vitesse 4,75 piste 2• BM.971.025.001/29:18-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-20 BM.1971.025.001/29:18-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur "celui qui fait du bien meurt, celui qui fait du mal survit". Vitesse 4,75 piste 2• BM.971.025.001/29:18-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-21 BM.1971.025.001/29:18-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES CLANS (RAZA) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:18-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-22 BM.1971.025.001/29:18-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations par un vieux sur le mode de vie des Vézo et des Masikoro (sans intérêt). Vitesse 4,75 piste 2• BM.971.025.001/29:18-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-23 BM.1971.025.001/29:18-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:18-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :18-24 BM.1971.025.001/29:18-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE HUMORISTIQUE ET DESCRIPTIVE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:18-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-01 BM.1971.025.001/29:19-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 FORMULE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Formule pour l'ouvertue d'une lecture divinatoire par les graines. / très sous-modulé / Vitesse 4,75 piste 1• BM.971.025.001/29:18-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-02 BM.1971.025.001/29:19-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / G rave défaut technique à peine audible./ Vitesse 4,75 piste 1• BM.971.025.001/29:19-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-03 BM.1971.025.001/29:19-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR CINQ PENSEE OU PRECEPTES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:19-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-04 BM.1971.025.001/29:19-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR KELEMAHIHITSE "LE PETIT MALIN" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme avec parties chantées. Vitesse 4,75 piste 1• BM.971.025.001/29:19-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-05 BM.1971.025.001/29:19-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE "L'HOMME PARESSEUX" Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:19-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-06 BM.1971.025.001/29:19-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Conte sur les envies de la femme enceinte de Zatuvu. Vitesse 4,75 piste 1• BM.971.025.001/29:19-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-07 BM.1971.025.001/29:19-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Supplique pour annuler le mauvais jour correspondant à une mort (mamalitsandzu, "hanger la face du jour") Vitesse 4,75 piste 1• BM.971.025.001/29:19-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-08 BM.1971.025.001/29:19-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ENONCE DES INTERDITS CORRESPONDANT AUX JOURS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:19-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-09 BM.1971.025.001/29:19-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur la correspondance entre les boeufs et les sorts fastes ou néfastes. Vitesse 4,75 piste 1• BM.971.025.001/29:19-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-10 BM.1971.025.001/29:19-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES INTERDITS ET LES OISEAUX Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:19-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-11 BM.1971.025.001/29:19-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMPRECATIONS POUR L'ALLIANCE PAR LE SANG (TITIKE FATIDZA) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Parlé homme rythmé par percussion. / Reste 1/4 vierge sur la BM / Vitesse 4,75 piste 1• BM.971.025.001/29:19-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-12 BM.1971.025.001/29:19-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Le tambour est joué par une femme. Aux voix, s'ajoutent des cris d'enfnats et des bruits divers et confus. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-13 BM.1971.025.001/29:19-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-14 BM.1971.025.001/29:19-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Saturé / Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-15 BM.1971.025.001/29:19-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Avec claquement de mains dans le lointain. / meilleur / Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-16 BM.1971.025.001/29:19-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-17 BM.1971.025.001/29:19-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 :VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-18 BM.1971.025.001/29:19-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 1• BM.971.025.001/29:19-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-19 BM.1971.025.001/29:19-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 1• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-20 BM.1971.025.001/29:19-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 1• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-21 BM.1971.025.001/29:19-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 1• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-22 BM.1971.025.001/29:19-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 1• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-23 BM.1971.025.001/29:19-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-24 BM.1971.025.001/29:19-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-25 BM.1971.025.001/29:19-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Les femmes chantent des chants dzihe. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-26 BM.1971.025.001/29:19-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Les femmes chantent des chants dzihe. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :19-27 BM.1971.025.001/29:19-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Choeur constitué de plusieurs hommes et femmes, puis voix parlées. Les femmes chantent des chants dzihe. Enrégistré en situation beaucoup d'ambiance parasite. Vitesse 19 piste 2• BM.971.025.001/29:19-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-01 BM.1971.025.001/29:20-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Supplique devant le pieu des ancêtres (hazumanga). Vitesse 4,75 piste 1• BM.971.025.001/29:19-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-02 BM.1971.025.001/29:20-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE SOINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Séance de soins par un homme possédé par un revenant divinisé. Vitesse 4,75 piste 1• BM.971.025.001/29:20-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-03 BM.1971.025.001/29:20-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE SOINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Séance de soins par un homme possédé par un revenant divinisé. Vitesse 4,75 piste 1• BM.971.025.001/29:20-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-04 BM.1971.025.001/29:20-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE SOINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Séance de soins par un homme possédé par un revenant divinisé. Vitesse 4,75 piste 1• BM.971.025.001/29:20-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-05 BM.1971.025.001/29:20-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE SOINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Séance de soins par un homme possédé par un revenant divinisé. Vitesse 4,75 piste 1• BM.971.025.001/29:20-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-06 BM.1971.025.001/29:20-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE SOINS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Séance de soins par un homme possédé par un revenant divinisé. Vitesse 4,75 piste 1• BM.971.025.001/29:20-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-07 BM.1971.025.001/29:20-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA GUERISON PAR LA POSSESSION (BILU) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:20-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-08 BM.1971.025.001/29:20-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES POUR UN MORT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Mal enregistré. Vitesse 4,75 piste 1• BM.971.025.001/29:20-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-09 BM.1971.025.001/29:20-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES POUR UN MORT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Mal enregistré. Vitesse 4,75 piste 1• BM.971.025.001/29:20-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-10 BM.1971.025.001/29:20-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES POUR UN MORT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Mal enregistré. Vitesse 4,75 piste 1• BM.971.025.001/29:20-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-11 BM.1971.025.001/29:20-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES POUR UN MORT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Mal enregistré. Enchainé à la pièce 20-12. Vitesse 4,75 piste 1• BM.971.025.001/29:20-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-12 BM.1971.025.001/29:20-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:20-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-13 BM.1971.025.001/29:20-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:20-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-14 BM.1971.025.001/29:20-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:20-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-15 BM.1971.025.001/29:20-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:20-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-16 BM.1971.025.001/29:20-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES DURANT LA VEILLEE DU CORPS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-17 BM.1971.025.001/29:20-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Dans cette pièce, se distinguent des pleurs, des cris et un choeur de femmes. Vitesse 4,75 piste 1• BM.971.025.001/29:20-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-18 BM.1971.025.001/29:20-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-19 BM.1971.025.001/29:20-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-20 BM.1971.025.001/29:20-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Au instrument de cette pièce s'ajoute une conque. Vitesse 4,75 piste 2• BM.971.025.001/29:20-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-21 BM.1971.025.001/29:20-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-22 BM.1971.025.001/29:20-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-23 BM.1971.025.001/29:20-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-24 BM.1971.025.001/29:20-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-23 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-25 BM.1971.025.001/29:20-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:20-24 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-26 BM.1971.025.001/29:20-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THÈME MASIKORO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. Vitesse 4,75 piste 2• BM.971.025.001/29:20-25 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-27 BM.1971.025.001/29:20-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THÈME MASIKORO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. Vitesse 4,75 piste 2• BM.971.025.001/29:20-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :20-28 BM.1971.025.001/29:20-28 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 THÈME MASIKORO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. AAL=Accordéon. / Reste 2/3 de la BM vierge/ Vitesse 4,75 piste 2• BM.971.025.001/29:20-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-01 BM.1971.025.001/29:21-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:20-28 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-02 BM.1971.025.001/29:21-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-03 BM.1971.025.001/29:21-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-04 BM.1971.025.001/29:21-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-05 BM.1971.025.001/29:21-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-06 BM.1971.025.001/29:21-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-07 BM.1971.025.001/29:21-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19, piste 1• BM.971.025.001/29:21-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-08 BM.1971.025.001/29:21-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 "JE SUIS UN PEU FOU" MIREBAREBA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 4,75 piste 1• BM.971.025.001/29:21-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-09 BM.1971.025.001/29:21-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 "JE SUIS UN PEU FOU" MIREBAREBA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Un peu confus. Vitesse 19 piste 1• BM.971.025.001/29:21-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-10 BM.1971.025.001/29:21-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEULLEE MORTUAIRE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Vitesse 19 piste 1• BM.971.025.001/29:21-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-11 BM.1971.025.001/29:21-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEULLEE MORTUAIRE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Vitesse 19 piste 1• BM.971.025.001/29:21-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-12 BM.1971.025.001/29:21-12 00:02:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEULLEE MORTUAIRE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Léger bruit de micro. Vitesse 19 piste 1• BM.971.025.001/29:21-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-13 BM.1971.025.001/29:21-13 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VEULLEE MORTUAIRE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Les femmes chantent un autre dzihé dans le lointain. Vitesse 19 piste 1• BM.971.025.001/29:21-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-14 BM.1971.025.001/29:21-14 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMPROVISATION DE STYLE MODERNE SUR UN DZIHE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Vitesse 19 piste 1• BM.971.025.001/29:21-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-15 BM.1971.025.001/29:21-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMPROVISATION DE STYLE MODERNE SUR UN DZIHE CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés claquements de mains. Vitesse 19 piste 1• BM.971.025.001/29:21-14 KOECHLIN,BERNARD 0 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-16 BM.1971.025.001/29:21-16 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés. Vitesse 19 piste 1• BM.971.025.001/29:21-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-17 BM.1971.025.001/29:21-17 00:01:35 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT DZIHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux hommes alternés. Vitesse 19 piste 2• BM.971.025.001/29:21-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-18 BM.1971.025.001/29:21-18 00:01:35 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Jeu de bouche et d'aisselle, imitation de percussion. Vitesse 19 piste 2• BM.971.025.001/29:21-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-19 BM.1971.025.001/29:21-19 00:02:15 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT FUNERAIRE (APPARENTE AU DZIHE) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Chanté solo et deux femmes alternées. Vitesse 19 piste 2• BM.971.025.001/29:21-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :21-20 BM.1971.025.001/29:21-20 00:00:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PLEURS DE FEMMES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Reste 2/3 de la BM vierge / Vitesse 19 piste 2• BM.971.025.001/29:21-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-01 BM.1971.025.001/29:22-01 00:01:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Une cithare à 0'45" entrée d'un hochet. Vitesse 19 piste 1• BM.971.025.001/29:21-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-02 BM.1971.025.001/29:22-02 00:02:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Une cithare à 0'45" entrée d'un hochet. Vitesse 19 piste 1• BM.971.025.001/29:22-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-03 BM.1971.025.001/29:22-03 00:01:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AIRS DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-04 BM.1971.025.001/29:22-04 00:00:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-05 BM.1971.025.001/29:22-05 00:01:15 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-06 BM.1971.025.001/29:22-06 00:01:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-07 BM.1971.025.001/29:22-07 00:01:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-08 BM.1971.025.001/29:22-08 00:01:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-09 BM.1971.025.001/29:22-09 00:01:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE DISTRACTION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-10 BM.1971.025.001/29:22-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ANNONCE DES MUSICIENS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-11 BM.1971.025.001/29:22-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES PLANTES ET DE LEURS UTILISATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:22-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-12 BM.1971.025.001/29:22-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES PLANTES ET DE LEURS UTILISATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:22-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-22 BM.1971.025.001/29:22-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-23 BM.1971.025.001/29:22-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-24 BM.1971.025.001/29:22-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :22-25 BM.1971.025.001/29:22-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-01 BM.1971.025.001/29:23-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:22-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-02 BM.1971.025.001/29:23-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CEREMONIE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:22-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-03 BM.1971.025.001/29:23-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CEREMONIE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 1• BM.971.025.001/29:22-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-04 BM.1971.025.001/29:23-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PAROLES D'HOMME POSSEDE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:22-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-05 BM.1971.025.001/29:23-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PAROLES D'HOMME POSSEDE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-06 BM.1971.025.001/29:23-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-07 BM.1971.025.001/29:23-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-08 BM.1971.025.001/29:23-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-09 BM.1971.025.001/29:23-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-10 BM.1971.025.001/29:23-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-11 BM.1971.025.001/29:23-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-12 BM.1971.025.001/29:23-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-13 BM.1971.025.001/29:23-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-14 BM.1971.025.001/29:23-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT D'IMPLORATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-15 BM.1971.025.001/29:23-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CHANT D'IMPLORATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-17 BM.1971.025.001/29:23-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-18 BM.1971.025.001/29:23-18 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-19 BM.1971.025.001/29:23-19 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-20 BM.1971.025.001/29:23-20 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-21 BM.1971.025.001/29:23-21 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-25 BM.1971.025.001/29:23-25 00:01:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-26 BM.1971.025.001/29:23-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). Très court. Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-27 BM.1971.025.001/29:23-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ajout de petite percussion (baguette). / Court fragment / (très court). Vitesse 4,75 piste 1• BM.971.025.001/29:23-20 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-28 BM.1971.025.001/29:23-28 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-29 BM.1971.025.001/29:23-29 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-28 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-30 BM.1971.025.001/29:23-30 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-28 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-31 BM.1971.025.001/29:23-31 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-32 BM.1971.025.001/29:23-32 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-33 BM.1971.025.001/29:23-33 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-34 BM.1971.025.001/29:23-34 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-35 BM.1971.025.001/29:23-35 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-36 BM.1971.025.001/29:23-36 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:23-30 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-37 BM.1971.025.001/29:23-37 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:23-36 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-38 BM.1971.025.001/29:23-38 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:23-36 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-39 BM.1971.025.001/29:23-39 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 9,5 piste 2• BM.971.025.001/29:23-36 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-40 BM.1971.025.001/29:23-40 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUITAGE DE FILM Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-36 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-41 BM.1971.025.001/29:23-41 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR UNE CHASSE AU SANGLIER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Défilement déficient / (une version de ce récit se trouve dans Archipel N 1 sus-cité) Vitesse 4,75 piste 2• BM.971.025.001/29:23-36 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-42 BM.1971.025.001/29:23-42 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR UNE CHASSE DE SANGLIER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Défilement correct. Vitesse 4,75 piste 2• BM.971.025.001/29:23-41 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-43 BM.1971.025.001/29:23-43 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LE CLAN NDZABALA Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-42 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-44 BM.1971.025.001/29:23-44 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 VERSION SUR L'ORIGINE DU VILLAGE DE BEVATO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-43 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-45 BM.1971.025.001/29:23-45 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUR LA TUERIE COLLECTIVE DES OISEAUX DANS LES GROTTES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-44 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-46 BM.1971.025.001/29:23-46 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUITAGE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-45 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-47 BM.1971.025.001/29:23-47 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUITAGE, CORVEE DE BOIS, COUPE DE BOIS MORT DANS LA MANGROVE. Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-46 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-48 BM.1971.025.001/29:23-48 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUITAGE EN PIROGUE; CONVERSATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-46 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-49 BM.1971.025.001/29:23-49 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUITAGE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:23-46 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-50 BM.1971.025.001/29:23-50 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Vitesse 4,75 piste 2• BM.971.025.001/29:23-49 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-51 BM.1971.025.001/29:23-51 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Autre chant. Vitesse 9,5 piste 2• BM.971.025.001/29:23-50 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-52 BM.1971.025.001/29:23-52 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Autre chant. Vitesse 9,5 piste 2• BM.971.025.001/29:23-51 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-53 BM.1971.025.001/29:23-53 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Autre chant. Vitesse 9,5 piste 2• BM.971.025.001/29:23-50 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-54 BM.1971.025.001/29:23-54 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Autre chant. Vitesse 9,5 piste 2• BM.971.025.001/29:23-53 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :23-55 BM.1971.025.001/29:23-55 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Buits d'eau. / enrégistrement lointain./ Autre chant. Vitesse 9,5 piste 2• BM.971.025.001/29:23-53 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-01 BM.1971.025.001/29:24-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur le transport des marchandises en pirogue sur le Mangoky. Vitesse 4,75• BM.971.025.001/29:23-53 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-02 BM.1971.025.001/29:24-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRUIT DES PLONGUEURS POUR ALLER CHERCHER DES HALOTHURIES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75• BM.971.025.001/29:24-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-03 BM.1971.025.001/29:24-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MARCHANDAGE LORS D'UNE VENTE DE POISSONS SECHES CHEZ LES CULTIVATEURS. Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75• BM.971.025.001/29:24-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-04 BM.1971.025.001/29:24-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT SUR LE VOL DES MARCHANDS INDIENS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75• BM.971.025.001/29:24-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-05 BM.1971.025.001/29:24-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR MODERNE) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Duo fillettes accompagné de frappements sur cuvette et boîtes de conserves. Vitesse 19• BM.971.025.001/29:24-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-06 BM.1971.025.001/29:24-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR PROVENANT DE CHEZ LES MASIKORO) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Duo fillettes accompagné de frappements sur cuvette et boîtes de conserves. Vitesse 19• BM.971.025.001/29:24-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-07 BM.1971.025.001/29:24-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 DANSE MASIKORO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Duo fillettes accompagné de frappements sur cuvette et boîtes de conserves. Vitesse 19• BM.971.025.001/29:24-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-08 BM.1971.025.001/29:24-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 POESIE CHANTEE RANGU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:24-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-09 BM.1971.025.001/29:24-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro /. La cithare maruvani est en tôle. Vitesse 19 piste 1• BM.971.025.001/29:24-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-10 BM.1971.025.001/29:24-10 00:03:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro au début /. La cithare maruvani est en tôle. Vitesse 19 piste 1• BM.971.025.001/29:24-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-11 BM.1971.025.001/29:24-11 00:02:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro au début /. La cithare maruvani est en tôle. Vitesse 19 piste 1• BM.971.025.001/29:24-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-12 BM.1971.025.001/29:24-12 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro au début /. La cithare maruvani est en tôle. Vitesse 19 piste 1• BM.971.025.001/29:24-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-13 BM.1971.025.001/29:24-13 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR MODERNE) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro au début /. La cithare maruvani est en tôle. Vitesse 19 piste 2• BM.971.025.001/29:24-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-14 BM.1971.025.001/29:24-14 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruit de micro / Vitesse 19 piste 2• BM.971.025.001/29:24-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-15 BM.1971.025.001/29:24-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION DU SUD) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruits de micro / Vitesse 19 piste 2• BM.971.025.001/29:24-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-16 BM.1971.025.001/29:24-16 00:02:05 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION DU NORD) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruits de micro / Vitesse 19 piste 2• BM.971.025.001/29:24-14 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-17 BM.1971.025.001/29:24-17 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION ) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bien enrégistré jusqu'à l'entrée du Karatsake. Vitesse 19 piste 2• BM.971.025.001/29:24-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :24-18 BM.1971.025.001/29:24-18 00:02:50 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 (AIR DE POSSESSION ) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bien enrégistré jusqu'à l'entrée du Karatsake. Vitesse 19 piste 2• BM.971.025.001/29:24-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-01 BM.1971.025.001/29:25-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 LISTE DES PLANTES (SUITE E 71.25.22) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:24-18 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-02 BM.1971.025.001/29:25-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE IMPROMPTUE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Quelques coups de tambour. Vitesse 4,75 piste 1• BM.971.025.001/29:25-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-03 BM.1971.025.001/29:25-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMFORMATION SUR LA CHASSE A LA TORTUE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:25-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-04 BM.1971.025.001/29:25-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 IMFORMATION SUR LA FINITION DE LA PIROGUE MONOXYLE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:25-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-05 BM.1971.025.001/29:25-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AUTOBIOGRAPHIE D'UN HABITANT DU VILLAGE DE BEVATO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:25-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-06 BM.1971.025.001/29:25-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 RECIT DE CHASSE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Ce récit de chase porte sur la chasse à la tortue ainsi que des règles convernant son dépeçage. Vitesse 4,75 piste 1• BM.971.025.001/29:25-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-07 BM.1971.025.001/29:25-07 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AUTOBIOGRAPHIE D'UNE HABITANTE DU VILLAGE DE BEVATO Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:25-04 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-08 BM.1971.025.001/29:25-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LA PÊCHE AU FILET Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-09 BM.1971.025.001/29:25-09 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES NOMS DE CLANS DANS LA REGION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-10 BM.1971.025.001/29:25-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LA PREPARATION D'UN MORT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-11 BM.1971.025.001/29:25-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES ACTIVITES PAR SAISONS ET MAREES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-12 BM.1971.025.001/29:25-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LA GROSSESSE ET LES SOINS A LA FUTURE PARTURIANTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-13 BM.1971.025.001/29:25-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LA MANIÈRE DE PÊCHER LE POISSON FINATSIFA (NASO LONGI ROSTRIS) Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-14 BM.1971.025.001/29:25-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LA GROSSESSE ET L'ACCOUCHEMENT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :25-15 BM.1971.025.001/29:25-15 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR LES FONDS DE PÊCHE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette information porte sur les fillets, les poissons, et sur les activités par saison et marées. Vitesse 4,75 piste 2• BM.971.025.001/29:25-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-01 BM.1971.025.001/29:26-01 00:00:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) IFS=Xylophone joué uniquement par les jeunes filles. Vitesse 19 piste 1• BM.971.025.001/29:25-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-02 BM.1971.025.001/29:26-02 00:00:40 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) IFS=Xylophone joué uniquement par les jeunes filles. Vitesse 19 piste 1• BM.971.025.001/29:26-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-03 BM.1971.025.001/29:26-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Sons des cinq lames composant kilangaj. Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-04 BM.1971.025.001/29:26-04 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) IFS=duo de Kilangaj. Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-05 BM.1971.025.001/29:26-05 00:00:40 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) IFS=Xylophone joué uniquement par les jeunes filles. / Essai / Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 n AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-06 BM.1971.025.001/29:26-06 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-07 BM.1971.025.001/29:26-07 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-08 BM.1971.025.001/29:26-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) / Essai / Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-09 BM.1971.025.001/29:26-09 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-10 BM.1971.025.001/29:26-10 00:00:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-11 BM.1971.025.001/29:26-11 00:00:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) / Reprise / Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-12 BM.1971.025.001/29:26-12 00:00:35 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-13 BM.1971.025.001/29:26-13 00:01:15 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) / Bruits de micro ou extérieur / Vitesse 19 piste 1• BM.971.025.001/29:26-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-14 BM.1971.025.001/29:26-14 00:00:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers. ) / Bruits de micro ou extérieur / Vitesse 19 piste 1• BM.971.025.001/29:26-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-15 BM.1971.025.001/29:26-15 00:01:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers). Murmures des jeunes filles (même pièce que 26-14) Vitesse 19 piste 1• BM.971.025.001/29:26-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-16 BM.1971.025.001/29:26-16 00:01:40 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, (semi-nomades forestiers). / Bruits de micro / Vitesse 19 piste 1• BM.971.025.001/29:26-15 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-17 BM.1971.025.001/29:26-17 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, Mahafali. Chanté deux voix hommes. CH=Harpe (?). Vitesse 19 piste 1• BM.971.025.001/29:26-16 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-18 BM.1971.025.001/29:26-18 00:00:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, Mahafali. Chanté deux voix hommes. CH=Harpe (?). / Interrompu / Vitesse 19 piste 1• BM.971.025.001/29:26-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-19 BM.1971.025.001/29:26-19 00:02:10 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa, Mahafali. Chanté deux voix hommes. CH=Harpe (?). Moins bon que 26-17. Vitesse 19 piste 1• BM.971.025.001/29:26-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-20 BM.1971.025.001/29:26-20 00:02:15 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa Mahafali. Chanté deux voix hommes. CH=Harpe (?). Le chant est un dzihé. Vitesse 19 piste 1• BM.971.025.001/29:26-19 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-21 BM.1971.025.001/29:26-21 00:02:25 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa Mahafali. Chanté deux voix hommes. CH=Harpe (?). /Bruit de micro /. Vitesse 19 piste 2• BM.971.025.001/29:26-17 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-22 BM.1971.025.001/29:26-22 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS SUR L'ORIGINE DU XYLOPHONE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa Mahafali. (Ininteressant). Vitesse 4,75 piste 2• BM.971.025.001/29:26-21 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-23 BM.1971.025.001/29:26-23 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo-Mikéa Mahafali. Conte avec parteis chantées- Un héritage de boeufs provoque un conflit entre deux frères et, par l'arbitrage de Dieu, un d'entre eux est transformé en chien. Vitesse 4,75 piste 2• BM.971.025.001/29:26-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-24 BM.1971.025.001/29:26-24 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 BRIBES DE CONTE OU NDZAMBAHUOK INTERVIENT Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. Vitesse 4,75 piste 2• BM.971.025.001/29:26-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-25 BM.1971.025.001/29:26-25 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE SUR UNE JEUNE FILLE DIFFICILE A MARIER Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa . Vitesse 4,75 piste 2• BM.971.025.001/29:26-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-26 BM.1971.025.001/29:26-26 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. Vitesse 19 piste 2• BM.971.025.001/29:26-22 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-27 BM.1971.025.001/29:26-27 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. Vitesse 19 piste 2• BM.971.025.001/29:26-26 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-28 BM.1971.025.001/29:26-28 00:00:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. Vitesse 19 piste 2• BM.971.025.001/29:26-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-29 BM.1971.025.001/29:26-29 00:00:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. Vitesse 19 piste 2• BM.971.025.001/29:26-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-30 BM.1971.025.001/29:26-30 00:01:55 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. / Bruit de micro / Vitesse 19 piste 2• BM.971.025.001/29:26-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-31 BM.1971.025.001/29:26-31 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. / Bruits de micro /. Vitesse 19 piste 2• BM.971.025.001/29:26-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-32 BM.1971.025.001/29:26-32 00:01:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. /Variation de modulation /. Vitesse 19 piste 2• BM.971.025.001/29:26-27 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-33 BM.1971.025.001/29:26-33 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. /Variation de modulation /. Vitesse 19 piste 2• BM.971.025.001/29:26-32 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-34 BM.1971.025.001/29:26-34 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. /Variation de modulation /. Arrêt/. Vitesse 19 piste 2• BM.971.025.001/29:26-32 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :26-35 BM.1971.025.001/29:26-35 00:04:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Masikoro-Mikéa. /Variation de modulation /. Reprise. Vitesse 19 piste 2• BM.971.025.001/29:26-32 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-01 BM.1971.025.001/29:27-01 00:00:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruits de micro /. Vitesse 19 piste 1• BM.971.025.001/29:26-35 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-02 BM.1971.025.001/29:27-02 00:08:55 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Bruits de micro au début /. Vitesse 19 piste 1• BM.971.025.001/29:27-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-03 BM.1971.025.001/29:27-03 00:00:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 19 piste 1• BM.971.025.001/29:27-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-04 BM.1971.025.001/29:27-04 00:00:45 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Autre phase de la possession. Vitesse 19 piste 1• BM.971.025.001/29:27-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-05 BM.1971.025.001/29:27-05 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Autre phase de la possession. Vitesse 19 piste 1• BM.971.025.001/29:27-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-06 BM.1971.025.001/29:27-06 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Autre phase de la possession. Vitesse 19 piste 1• BM.971.025.001/29:27-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-07 BM.1971.025.001/29:27-07 00:01:30 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Autre phase de la possession. Vitesse 19 piste 1• BM.971.025.001/29:27-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-08 BM.1971.025.001/29:27-08 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. ( Cette séance est enrégistrée contrairement à la précédente, à l'intérieur d'une maison). Vitesse 4,75 piste 1• BM.971.025.001/29:27-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-09 BM.1971.025.001/29:27-09 00:01:20 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SEANCE DE POSSESSION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette séance est enrégistrée contrairement à la précédente, à l'intérieur d'une maison. Vitesse 19 piste 1• BM.971.025.001/29:27-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-10 BM.1971.025.001/29:27-10 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PARLE CONVERSATION ENTRE ASSISTANCE ET HOMMES POSSEDES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette séance est enrégistrée contrairement à la précédente, à l'intérieur d'une maison. Vitesse 4,75 piste 1• BM.971.025.001/29:27-09 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-11 BM.1971.025.001/29:27-11 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA PREPARATION DES HOLOTHURIES Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cette séance est enrégistrée contrairement à la précédente, à l'intérieur d'une maison. Vitesse 4,75 piste 2• BM.971.025.001/29:27-10 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-12 BM.1971.025.001/29:27-12 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 ELEMENTS D'UNE INTERVIEW D'UN VIEL INDIEN DE MOROMBE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:27-11 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-13 BM.1971.025.001/29:27-13 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUPPLIQUE AU REVENANT DIVINISE NDZANBAHUOK Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 2• BM.971.025.001/29:27-12 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :27-14 BM.1971.025.001/29:27-14 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Informations sur les moeurs et les modes de pêche des poissons. Vitesse 4,75 piste 2• BM.971.025.001/29:27-13 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :28-01 BM.1971.025.001/29:28-01 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LES POISSONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:27-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :28-02 BM.1971.025.001/29:28-02 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 SUITE DE LA PIÈCE 28-01 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur les poissons. Vitesse 4,75 piste 2• BM.971.025.001/29:27-14 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :28-03 BM.1971.025.001/29:28-03 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. VP=Chanté femme avec parties chantées- conte du cycle Zatuvu, sur les rivalités aîné-cadet. Vitesse 4,75 piste 2• BM.971.025.001/29:28-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :28-04 BM.1971.025.001/29:28-04 00:00:00 1967-69 MADAGASCAR REGION DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 CONTE DU CYCLE ZATUVU Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Cont du cycle Zatuvu de Zatuvu, sur Zatuvu non conçu par Dieu. Vitesse 4,75 piste 2• BM.971.025.001/29:28-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-01 BM.1971.025.001/29:29-01 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 MARCHANDAGE LORS D'UNE VENTE DE TORTUE A MOROMBE Sous-table non exportée Sous-table non exportée Vitesse 4,75 piste 1• BM.971.025.001/29:01-08 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-02 BM.1971.025.001/29:29-02 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée M=Tambour fait d'un fût renversé joué par deux hommes- (pour stimuler les protagonistes de la lutte duranga); cris homme dans le lointain / bruits de micro / enregistrement lointain /. Vitesse 19 piste 1• BM.971.025.001/29:29-01 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-03 BM.1971.025.001/29:29-03 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur la mise à mort et le dépéçage de la tortue de mer devant l'autel. Vitesse 4,75 piste 1• BM.971.025.001/29:29-02 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-04 BM.1971.025.001/29:29-04 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. M=Tambours (V.II). Vitesse 19 piste 1• BM.971.025.001/29:29-03 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-05 BM.1971.025.001/29:29-05 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATIONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Information sur la mise à mort et le dépéçage de la tortue de mer devant l'autel. Vitesse 4,75 piste 1• BM.971.025.001/29:29-04 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-06 BM.1971.025.001/29:29-06 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 PILLAGE DU MAIS PAR LES FEMMES; CLICS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:29-05 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-07 BM.1971.025.001/29:29-07 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LA CHASSE AUX POISSONS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:29-06 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-08 BM.1971.025.001/29:29-08 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 AUTOBIOGRAPHIE D'UN HOMME POSSEDE Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:29-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-09 BM.1971.025.001/29:29-09 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LE VILLAGE DE BEVATO AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. Vitesse 4,75 piste 1• BM.971.025.001/29:29-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 :29-10 BM.1971.025.001/29:29-10 00:00:00 1967-69 MADAGASCAR SUD OUEST DE TULEAR-MOROMBE SAKALAVA KOECHLIN,B.;MADAGASCAR,SUD OUEST:SAKALAVA,VEZO,MAHAFALI;1967 INFORMATION SUR LE VILLAGE DE BEVATO AUTREFOIS Sous-table non exportée Sous-table non exportée Pièce exécutée par les Vézo. / Reste 2/3 de la B.M. vierge / Vitesse 4,75 piste 2• BM.971.025.001/29:29-07 KOECHLIN,BERNARD 1969 N AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :01-01 BM.1971.026.001/14:01-01 00:11:00 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE ANJDAL Sous-table non exportée ANJDAL Sous-table non exportée LORTAT-JACOB,BERNARD 1971 0 I AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :01-02 BM.1971.026.001/14:01-02 00:02:30 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AHWACH DES AYT MELLA Sous-table non exportée AHWACH Sous-table non exportée BM.971.026.001/14:01-01 LORTAT-JACOB,BERNARD 1971 I AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :02-01 BM.1971.026.001/14:02-01 00:17:00 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AHWACH° Sous-table non exportée AHWACH Sous-table non exportée ° deux lga différents. Polyphon• BM.971.026.001/14:01-02 LORTAT-JACOB,BERNARD 1971 II AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :03-01 BM.1971.026.001/14:03-01 00:06:30 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE TAZRRART Sous-table non exportée TAZRRART Sous-table non exportée • BM.971.026.001/14:02-01 LORTAT-JACOB,BERNARD 1971 III AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :03-02 BM.1971.026.001/14:03-02 00:06:45 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE ISMAQ Sous-table non exportée Sous-table non exportée Enregistrement automatique• BM.971.026.001/14:03-01 LORTAT-JACOB,BERNARD 1971 III AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :04-01 BM.1971.026.001/14:04-01 00:13:00 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AHWACH AHWACH Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:03-02 LORTAT-JACOB,BERNARD 1971 IV AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :05-01 BM.1971.026.001/14:05-01 00:10:05 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE ANJDAL° Sous-table non exportée Sous-table non exportée °Anjdal enchainé à ahwach• BM.971.026.001/14:04-01 LORTAT-JACOB,BERNARD 1971 V AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :06-01 BM.1971.026.001/14:06-01 00:11:30 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AHWACH Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:05-01 LORTAT-JACOB,BERNARD 1971 VI AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :07-01 BM.1971.026.001/14:07-01 00:13:30 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AJDDAL0° Sous-table non exportée Sous-table non exportée °enchainé à ahwach• BM.971.026.001/14:06-01 LORTAT-JACOB,BERNARD 1971 :VII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :08-01 BM.1971.026.001/14:08-01 00:15:00 08/1971 MAROC HT ATLAS, INFDWAK, AYT MGUN, AZRZM BERBÈRES AYT MGUN MAROC:HAUT-ATLAS:BERBERE AHWACH Sous-table non exportée Sous-table non exportée Le txllif est Mohammed Ayt Sliman• BM.971.026.001/14:07-01 LORTAT-JACOB,BERNARD 1971 VIII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :09-01 BM.1971.026.001/14:09-01 00:19:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE IMSAQ Sous-table non exportée ISMAQ Sous-table non exportée Ismaq enchainé à ahwas. 1971 IX AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :10-01 BM.1971.026.001/14:10-01 00:19:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE IMSAQ° Sous-table non exportée ISMAQ Sous-table non exportée °Ismaq enchainé à ahwas (interrompu en fin de BM). Ponctuation de tambours• BM.971.026.001/14:09-01 1971 X AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :11-01 BM.1971.026.001/14:11-01 00:19:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE TLAWT Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:10-1 1971 XI AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :11-02 BM.1971.026.001/14:11-02 00:07:50 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE TLAWT Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:11-01 1971 XI AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :12-01 BM.1971.026.001/14:12-01 00:05:50 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS ADRSIY° Sous-table non exportée Sous-table non exportée °enchainé à II. Mauvais début• BM.971.026.001/14:11-02 1971 XII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :12-02 BM.1971.026.001/14:12-02 00:02:15 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS IMENA Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:12-01 1971 XII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :12-03 BM.1971.026.001/14:12-03 00:02:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS AHAWA Sous-table non exportée Sous-table non exportée Aihidus Ahawa sans flute enchainé à Ahisus Imena joué toujours avec flute• BM.971.026.001/14:12-02 1971 XII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :13-01 BM.1971.026.001/14:13-01 00:07:25 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS ADRSIY Sous-table non exportée Sous-table non exportée Solo flute oblique, puis M1D• BM.971.026.001/14:12-03 1971 XIII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :13-02 BM.1971.026.001/14:13-02 00:06:35 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS N'AYT EBBAS "ARRASAL" Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:13-1 1971 XIII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :13-03 BM.1971.026.001/14:13-03 00:04:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS IMENA Sous-table non exportée Sous-table non exportée • BM.971.026.001/14:13-1 1971 XIII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :13-04 BM.1971.026.001/14:13-04 00:03:00 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE AHIDUS AEWADI Sous-table non exportée Sous-table non exportée Fin shuntée• BM.971.026.001/14:13-1 1971 XIII AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :14-01 BM.1971.026.001/14:14-01 00:10:05 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE TAMDIAZT Sous-table non exportée Sous-table non exportée Joué par des imdiazn. AABS = clarinette double aganim (le roseau). Introduction à clarinette double, puis solo H alterné avec choeurs H, puis tambours, clarinette et choeur • BM.971.026.001/14:13-04 1971 XIV AFRIQUE +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 :14-02 BM.1971.026.001/14:14-02 00:05:30 09-71 MAROC HAUT ATLAS IMGRAN AYT EFFAN BERBERES MAROC:HAUT-ATLAS:BERBERE TAMDIAZT Sous-table non exportée Sous-table non exportée Joué par des imdiazn. AABS = clarinette double aganim (le roseau). Introduction à clarinette double, puis solo H alterné avec choeurs H, puis tambours, clarinette et choeur • BM.971.026.001/14:14-01 1971 XIV AFRIQUE +BM.971.027 Divers* BM.971.027.001/14 :01-01 BM.971.027.001/14:01-01 00:00:00 SENEGAL SENEGAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-01 BM.1971.028.001/32:01-01 00:19:45 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée 3' de conversation, 16'45 chanté, duo Hs - plusieurs chants diaphoniques• 1966 0 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-02 BM.1971.028.001/32:01-02 00:17:20 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée solo H• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-03 BM.1971.028.001/32:01-03 00:03:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chanté; alterné, choeur Hs, choeur Fs - chant "O ho o he lele"• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-04 BM.1971.028.001/32:01-04 00:00:26 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - chant• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-05 BM.1971.028.001/32:01-05 00:06:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée ambiance, rire - chant / saturé• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :01-B01 BM.1971.028.001/32:01-B01 00:46:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée solo H• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-A01 BM.1971.028.001/32:02-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques / fond musical par un ensemble de gongs et de tambour• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-B01 BM.1971.028.001/32:02-B01 00:03:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée ensemble de gongs et de tambour• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-B02 BM.1971.028.001/32:02-B02 00:17:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs pièces instrumentales• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-B03 BM.1971.028.001/32:02-B03 00:09:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée psalmodié, solo H., cris, choeur mixte• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-B04 BM.1971.028.001/32:02-B04 00:15:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs pièces instrumentales vitesse de défilement variée• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :02-B05 BM.1971.028.001/32:02-B05 00:09:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée psalmodié, solo H., cris, choeur mixte• 0 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :03-A01 BM.1971.028.001/32:03-A01 00:00:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :03-B01 BM.1971.028.001/32:03-B01 00:14:10 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :03-B02 BM.1971.028.001/32:03-B02 00:05:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :03-B03 BM.1971.028.001/32:03-B03 00:04:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :03-B04 BM.1971.028.001/32:03-B04 00:11:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :04-A01 BM.1971.028.001/32:04-A01 00:02:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité, solo H étude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :04-A02 BM.1971.028.001/32:04-A02 00:43:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - plusieurs chants diaphoniques ENREGISTREMENT INTERROMPU PAR LA FIN DE BOBINE• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :04-B01 BM.1971.028.001/32:04-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité, solo H étude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-A01 BM.1971.028.001/32:05-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité étude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-B01 BM.1971.028.001/32:05-B01 00:11:40 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité étude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-B02 BM.1971.028.001/32:05-B02 00:17:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-B03 BM.1971.028.001/32:05-B03 00:08:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-B04 BM.1971.028.001/32:05-B04 00:03:55 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :05-B05 BM.1971.028.001/32:05-B05 00:02:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité étude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A01 BM.1971.028.001/32:06-A01 00:02:45 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A02 BM.1971.028.001/32:06-A02 00:00:45 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité etude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A03 BM.1971.028.001/32:06-A03 00:02:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A04 BM.1971.028.001/32:06-A04 00:21:45 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité etude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A05 BM.1971.028.001/32:06-A05 00:00:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée saturé• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A06 BM.1971.028.001/32:06-A06 00:03:40 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée récité etude linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-A07 BM.1971.028.001/32:06-A07 00:14:15 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-B01 BM.1971.028.001/32:06-B01 00:22:15 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :06-B02 BM.1971.028.001/32:06-B02 00:22:05 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :07-A01 BM.1971.028.001/32:07-A01 00:37:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants diaphoniques• 0 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :07-B01 BM.1971.028.001/32:07-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :08-A01 BM.1971.028.001/32:08-A01 00:02:20 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :08-A02 BM.1971.028.001/32:08-A02 00:30:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :08-A03 BM.1971.028.001/32:08-A03 00:14:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :08-B01 BM.1971.028.001/32:08-B01 00:27:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :08-B02 BM.1971.028.001/32:08-B02 00:19:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :09-A01 BM.1971.028.001/32:09-A01 00:38:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :09-B01 BM.1971.028.001/32:09-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-A01 BM.1971.028.001/32:10-A01 00:06:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-A02 BM.1971.028.001/32:10-A02 00:34:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs coupures• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-B01 BM.1971.028.001/32:10-B01 00:03:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-B02 BM.1971.028.001/32:10-B02 00:15:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs coupures• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-B03 BM.1971.028.001/32:10-B03 00:20:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :10-B04 BM.1971.028.001/32:10-B04 00:07:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée faible niveau• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :11-A01 BM.1971.028.001/32:11-A01 00:05:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :11-A02 BM.1971.028.001/32:11-A02 00:35:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs coupures• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :11-A03 BM.1971.028.001/32:11-A03 00:03:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :11-B01 BM.1971.028.001/32:11-B01 00:20:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :11-B02 BM.1971.028.001/32:11-B02 00:24:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 0 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :12-A01 BM.1971.028.001/32:12-A01 00:36:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :12-A02 BM.1971.028.001/32:12-A02 00:09:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :12-B01 BM.1971.028.001/32:12-B01 00:15:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée saturé un peu au début• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :12-B02 BM.1971.028.001/32:12-B02 00:30:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs coupures• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-A01 BM.1971.028.001/32:13-A01 00:10:40 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée 0'30 au début, rien• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-A02 BM.1971.028.001/32:13-A02 00:04:40 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-A03 BM.1971.028.001/32:13-A03 00:30:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée 0'25 au début, rien• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-B01 BM.1971.028.001/32:13-B01 00:30:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-B02 BM.1971.028.001/32:13-B02 00:15:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée ATTENTION VITESSE = 4'75• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :13-B03 BM.1971.028.001/32:13-B03 00:07:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :14-A01 BM.1971.028.001/32:14-A01 00:05:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :14-A02 BM.1971.028.001/32:14-A02 00:12:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée reste bande vierge• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :14-B01 BM.1971.028.001/32:14-B01 00:40:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée reste un peu de bande vierge• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :15-A01 BM.1971.028.001/32:15-A01 00:06:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :15-A02 BM.1971.028.001/32:15-A02 00:39:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :15-B01 BM.1971.028.001/32:15-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :16-A01 BM.1971.028.001/32:16-A01 00:19:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :16-A02 BM.1971.028.001/32:16-A02 00:04:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :16-A03 BM.1971.028.001/32:16-A03 00:21:10 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :16-B01 BM.1971.028.001/32:16-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :17-A01 BM.1971.028.001/32:17-A01 00:23:40 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :17-B01 BM.1971.028.001/32:17-B01 00:06:35 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée reste encore de la bande vierge• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :18-A01 BM.1971.028.001/32:18-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :18-B01 BM.1971.028.001/32:18-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants parlé, solo H• 0 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :19-A01 BM.1971.028.001/32:19-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :19-B01 BM.1971.028.001/32:19-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :20-A01 BM.1971.028.001/32:20-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée etude linguistique en francais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :21-A01 BM.1971.028.001/32:21-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :21-B01 BM.1971.028.001/32:21-B01 00:22:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :22-A01 BM.1971.028.001/32:22-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée suite d'airs• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :22-B011 BM.1971.028.001/32:22-B011 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée suite d'airs• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :23-A01 BM.1971.028.001/32:23-A01 00:45:00 INDONESIE;TIMOR TIMOR PORTUGAIS, VILLAGE DE VAILANA FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chants alternés "lele" en diaphonie. vers 6'40 on entend la corne "olemakar". chant "lele" est entrecoupé par un chant acclamatoire avec battements de mains et son de la corne - chants de mariage• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :23-B01 BM.1971.028.001/32:23-B01 00:45:00 INDONESIE;TIMOR TIMOR PORTUGAIS, VILLAGE DE VAILANA FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée - chants de mariage et de voyage à pied chaque samedi jusqu'au bazar. chanst avec les gamines• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-A01 BM.1971.028.001/32:24-A01 00:17:15 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-A02 BM.1971.028.001/32:24-A02 00:00:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-A03 BM.1971.028.001/32:24-A03 00:14:35 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-B01 BM.1971.028.001/32:24-B01 00:06:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-B02 BM.1971.028.001/32:24-B02 00:01:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :24-B03 BM.1971.028.001/32:24-B03 00:19:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :25-A01 BM.1971.028.001/32:25-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :25-B01 BM.1971.028.001/32:25-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :26-A01 BM.1971.028.001/32:26-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :26-B01 BM.1971.028.001/32:26-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs chants• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :27-A01 BM.1971.028.001/32:27-A01 00:16:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :27-B01 BM.1971.028.001/32:27-B01 00:16:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :28-A01 BM.1971.028.001/32:28-A01 00:09:25 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée vocabulaire et linguistique• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :28-A02 BM.1971.028.001/32:28-A02 00:11:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :28-A03 BM.1971.028.001/32:28-A03 00:25:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :28-B01 BM.1971.028.001/32:28-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :29-A01 BM.1971.028.001/32:29-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chants divers• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :29-B01 BM.1971.028.001/32:29-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chants divers• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :30-A01 BM.1971.028.001/32:30-A01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chants divers• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :30-B01 BM.1971.028.001/32:30-B01 00:45:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée plusieurs coupures• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :31-A01 BM.1971.028.001/32:31-A01 00:31:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :31-B01 BM.1971.028.001/32:31-B01 00:32:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A01 BM.1971.028.001/32:32-A01 00:23:20 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A02 BM.1971.028.001/32:32-A02 00:02:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chant moderne en portugais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A03 BM.1971.028.001/32:32-A03 00:01:50 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chant moderne en portugais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A04 BM.1971.028.001/32:32-A04 00:02:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chant moderne en portugais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A05 BM.1971.028.001/32:32-A05 00:00:35 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chant moderne en portugais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A06 BM.1971.028.001/32:32-A06 00:01:15 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée chant moderne en portugais• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A07 BM.1971.028.001/32:32-A07 00:03:45 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-A08 BM.1971.028.001/32:32-A08 00:18:00 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-B01 BM.1971.028.001/32:32-B01 00:45:30 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-B02 BM.1971.028.001/32:32-B02 00:01:20 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée avec rire• 1966 ASIE +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 :32-B03 BM.1971.028.001/32:32-B03 00:03:15 INDONESIE;TIMOR FATALUKU TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 N Sous-table non exportée Sous-table non exportée • 1966 ASIE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :01-01 BM.1971.029.001/02:01-01 00:11:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA N Sous-table non exportée Sous-table non exportée Le chaman s'adresse aux esprits; se déplace en chantant. (bruits de bouche, bruits de foule, toux, pleurs d'enfants.)• V=Récit solo homme• 0 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :01-02 BM.1971.029.001/02:01-02 00:55:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA N Sous-table non exportée Sous-table non exportée (Bruits de bouche, rugissement, cris, ronflements)• Toute la BM est sous modulée + bruit cyclique parasite/ déficience technique en milieu de BM/ rien sur la piste 2• 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-01 BM.1971.029.001/02:02-01 00:16:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA RITUEL DE CHASSE Sous-table non exportée Sous-table non exportée • 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-02 BM.1971.029.001/02:02-02 00:08:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA RITUEL DE CHASSE Sous-table non exportée Sous-table non exportée • 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-03 BM.1971.029.001/02:02-03 00:12:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA RITUEL DE CHASSE Sous-table non exportée Sous-table non exportée • 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-04 BM.1971.029.001/02:02-04 00:10:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA RITUEL DE CHASSE Sous-table non exportée Sous-table non exportée • 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-05 BM.1971.029.001/02:02-05 00:05:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA DUEL ORATOIRE Sous-table non exportée Sous-table non exportée • 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-06 BM.1971.029.001/02:02-06 00:38:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA DUEL ORATOIRE Sous-table non exportée Sous-table non exportée Duel oratoire supperposé à rituel de chasse par un Homme• 0 AMERIQUE +BM.1971.029 Ø13&18 BM.1971.029.001/02 :02-07 BM.1971.029.001/02:02-07 00:03:00 N VENEZUELA HT ORENOQUE YANOMANI VENEZUELA Sous-table non exportée Sous-table non exportée Chaman faisant des manipulations sur un patient. / Toute la bande est sous-modulée + bruit cyclique parasite/ rien sur la piste 2• 0 AMERIQUE +BM.971.030 Ø13;²19;PPM BM.971.030.001 :01-01 BM.971.030.001:01-01 00:00:00 ROUMANIE ROUMANIE. CONFERENCE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.971.031 Ø13 BM.971.031.001 :01-01 BM.971.031.001:01-01 00:00:00 ARGENTINE ARGENTINE N Sous-table non exportée Sous-table non exportée 1969 0 AMERIQUE +BM.971.032 Ø13 BM.971.032.001/08 :01-01 BM.971.032.001/08:01-01 00:00:00 PEROU PEROU N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.971.033 Ø13;1/2P BM.971.033.001/13 :01-01 BM.971.033.001/13:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR:EMA N Sous-table non exportée Sous-table non exportée 1966 0 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :01-01 BM.1971.034.001/03:01-01 00:06:30 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT WADJO, VILL SINGKANG BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 DANSES DE TISSERANDES Sous-table non exportée Sous-table non exportée Le luth ketjapi a 2 cordes. "Tari pattenung" danses de tisserandes. Plusieurs airs enchaînés se répétant. "sabbé-sabbéna": la soie. "masa' ala": problèmes. "néné' Mallomo": grand-père Mallomo. "masa' ala". "néné' Mallomo". "masa' ala". sabbé-sabbéna"• Vitesse 19• PELRAS,CHRISTIAN 1968 0 ASIE +BM.971.036 Ø13&18 BM.971.036.001/22 :01-01 BM.971.036.001/22:01-01 00:00:00 INDONESIE;BALI INDONESIE:BALI & JAVA N Sous-table non exportée Sous-table non exportée 1956 0 ASIE +BM.971.036 Ø13&18 BM.971.036.001/22 :?-? BM.971.036.001/22:?-? 00:00:00 INDONESIE;JAVA INDONESIE:BALI & JAVA N Sous-table non exportée Sous-table non exportée 1956 0 ASIE +BM.972.001 Ø13;²19;1/2P BM.972.001.001/06 :01-01 BM.972.001.001/06:01-01 00:00:00 SUEDE SUEDE. NORVEGE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.972.001 Ø13;²19;1/2P BM.972.001.001/06 :05-01? BM.972.001.001/06:05-01? 00:00:00 NORVEGE SUEDE. NORVEGE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.972.002 ØGF;²38;PPM;SD BM.972.002.001 :01-01 BM.972.002.001:01-01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) MASTER DI."BORNEO. MUSIQUE DES CHASSEURS DE TETE" N Sous-table non exportée Sous-table non exportée 1953 0 ASIE +BM.972.003 ØGF;²38;PPM;SD BM.972.003.001 :01-01 BM.972.003.001:01-01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) MASTER DI."MUSIQUE DAYAK, BORNEO (KALIMANTAN)"[REEDITION]* N Sous-table non exportée Sous-table non exportée 1953 0 ASIE +BM.972.004 ØGF;²38;PPM;SD BM.972.004.001/02 :01-01 BM.972.004.001/02:01-01 00:00:00 1952-53 GUINEE MASTER DI."MUSIQUE TOMA. GUINEE"[REEDITION] N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.972.005 ØGF;²38;PPM;SD BM.972.005.001/02 :01-01 BM.972.005.001/02:01-01 00:00:00 ILES SALOMON MASTER DI."FLUTE DE PAN MELANESIENNES 'ARE'ARE" VOL.1 N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.972.006 Ø18;²19;PPM BM.972.006.001 :01-01 BM.972.006.001:01-01 00:00:00 MEXIQUE MEXIQUE;ETAT DE ST LOUIS POTOSI: RITUEL DU PALO N Sous-table non exportée Sous-table non exportée 1954 0 AMERIQUE +BM.972.007 Ø13;1/2P BM.972.007.001/02 :01-01 BM.972.007.001/02:01-01 00:00:00 ILES SALOMON ILE DE ONTONG JAVA ILES SALOMON; ONTONG-JAVA. I. HOGBIN 1928-29:POLYNESIEN N Sous-table non exportée Sous-table non exportée 1928 0 OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-01 BM.1972.008.001/06:01-01 00:02:15 1970 NLE-GUINEE VILLAGE DRE OBAMI WESTERN DST BIAMI NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• 1970 0 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-02 BM.1972.008.001/06:01-02 00:00:50 1970 NLE-GUINEE VILLAGE DRE OBAMI WESTERN DST BIAMI NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• 1970 OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-03 BM.1972.008.001/06:01-03 00:01:20 1970 NLE-GUINEE VILLAGE DRE OBAMI WESTERN DST BIAMI NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• BM.972.008.001/06:01-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-04 BM.1972.008.001/06:01-04 00:00:45 1970 NLE-GUINEE VILLAGE DRE OBAMI WESTERN DST BIAMI NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VC=Chanté solo et choeur jeunes hommes. Vitesse 19 piste 2• BM.972.008.001/06:01-03 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-05 BM.1972.008.001/06:01-05 00:02:45 1970 NLE-GUINEE VILLAGE DRE OBAMI WESTERN DST BIAMI NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VC=Chanté solo et choeur jeunes hommes. BM.972.008.001/06:06-04 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-06 BM.1972.008.001/06:01-06 00:01:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• Intrruption. Vitesse 19 piste 2• BM.972.008.001/06:06-04 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-07 BM.1972.008.001/06:01-07 00:02:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VA=Cinq sifflets pépéro en balmbou joués par des garçons de 8 à 12 ans. Vitesse 19 piste 2• BM.972.008.001/06:01-06 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-08 BM.1972.008.001/06:01-08 00:03:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VA=Cinq sifflets pépéro en balmbou joués par des garçons de 8 à 12 ans. Vitesse 19 piste 2• BM.972.008.001/06:01-07 0 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-09 BM.1972.008.001/06:01-09 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VA=Trois sifflets pépéro en bambou joués par des garçons de 8 à 12 ans. Vitesse 19 piste 2• BM.972.008.001/06:01-08 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-10 BM.1972.008.001/06:01-10 00:02:50 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• VA=Cinq sifflets pépéro en bambou joués par des garçons de 8 à 12 ans. Vitesse 19 piste 2• BM.972.008.001/06:01-09 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-11 BM.1972.008.001/06:01-11 00:02:50 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• AT=7 trompes jouées successivement. Vitesse 19 piste 2• BM.972.008.001/06:01-10 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-12 BM.1972.008.001/06:01-12 00:02:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• Intrruption et reprise. Vitesse 19 piste 2• BM.972.008.001/06:01-11 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-13 BM.1972.008.001/06:01-13 00:01:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR2 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• AT=2 trompes en bois. Vitesse 19 piste 1• BM.972.008.001/06:01-11 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-14 BM.1972.008.001/06:01-14 00:02:50 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR2 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CEREMONIE POUR LES ESPRITS DE LA FORÊT Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• AT1= Une grande trompe pup; AT2= Une petite trompe pupuk. Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-11 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-15 BM.1972.008.001/06:01-15 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-14 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-16 BM.1972.008.001/06:01-16 00:01:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• Confère pièce 01-13 et 01-14. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-17 BM.1972.008.001/06:01-17 00:02:25 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• Présence d'harmonica dans cette pièce. Vitesse 19 piste 1• BM.972.008.001/06:01-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-18 BM.1972.008.001/06:01-18 00:02:10 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Présence d'harmonica dans cette pièce. Vitesse 19 piste 1• BM.972.008.001/06:01-17 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-19 BM.1972.008.001/06:01-19 00:01:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• Confère la pièce 01-17. Vitesse 19 piste 1• BM.972.008.001/06:01-17 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-20 BM.1972.008.001/06:01-20 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-21 BM.1972.008.001/06:01-21 00:00:35 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-22 BM.1972.008.001/06:01-22 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-23 BM.1972.008.001/06:01-23 00:00:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-24 BM.1972.008.001/06:01-24 00:02:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VC=Choeur chanté homme (wésko). Les tambours sont en forme de sablier. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-25 BM.1972.008.001/06:01-25 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Présence d'harmonica dans cette pièce. Vitesse 19 piste 1• BM.972.008.001/0601-18 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-26 BM.1972.008.001/06:01-26 00:00:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Coléoptère attaché et tenu devant la bouche entreouverte. put mwag (jeu g). Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :01-27 BM.1972.008.001/06:01-27 00:01:10 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 PUT MWAG (JEU GARCON) Sous-table non exportée Sous-table non exportée Coléoptère attaché et tenu devant la bouche entreouverte. put mwag (jeu g). Vitesse 19 piste 1• BM.972.008.001/06:01-26 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-01 BM.1972.008.001/06:02-01 00:02:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=Trompes jouées au village pour favoriser la croissance des cultures de jardins. Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-02 BM.1972.008.001/06:02-02 00:02:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=Trompes jouées au village pour favoriser la croissance des cultures de jardins. Vitesse 19 piste 1• BM.972.008.001/06:02-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-03 BM.1972.008.001/06:02-03 00:09:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée VP=Parlé (en français) fabrication d'une flûte de pan à cinq tuyau (bambou) échelle. Vitesse 19 piste 1• BM.972.008.001/06:02-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-04 BM.1972.008.001/06:02-04 00:01:35 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• BM.972.008.001/06:01-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-05 BM.1972.008.001/06:02-05 00:01:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• BM.972.008.001/06:02-04 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-06 BM.1972.008.001/06:02-06 00:03:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Fin vitesse de défilement instable.Vitesse 19 piste 1• BM.972.008.001/06:02-04 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-07 BM.1972.008.001/06:02-07 00:02:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-04 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-08 BM.1972.008.001/06:02-08 00:02:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-09 BM.1972.008.001/06:02-09 00:03:25 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-10 BM.1972.008.001/06:02-10 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-11 BM.1972.008.001/06:02-11 00:04:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-12 BM.1972.008.001/06:02-12 00:04:35 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouer pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-13 BM.1972.008.001/06:02-13 00:04:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouées pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :02-14 BM.1972.008.001/06:02-14 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes pup jouées pour favoriser la croissance des cultures de jardins; jouées au village la nuit. Enrégistrement de loin avec bruit de la brousse.Vitesse 19 piste 2• BM.972.008.001/06:02-13 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-01 BM.1972.008.001/06:03-01 00:01:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:02-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-02 BM.1972.008.001/06:03-02 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-03 BM.1972.008.001/06:03-03 00:06:15 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-04 BM.1972.008.001/06:03-04 00:01:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-05 BM.1972.008.001/06:03-05 00:04:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-06 BM.1972.008.001/06:03-06 00:03:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-07 BM.1972.008.001/06:03-07 00:03:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :03-08 BM.1972.008.001/06:03-08 00:00:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée AT=6 Trompes. Fin : défilement instable.Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-01 BM.1972.008.001/06:04-01 00:00:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 INTRODUCTION POUR LES CHANTS DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons. Vitesse 19 piste 1• BM.972.008.001/06:03-08 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-02 BM.1972.008.001/06:04-02 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-03 BM.1972.008.001/06:04-03 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-04 BM.1972.008.001/06:04-04 00:01:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-05 BM.1972.008.001/06:04-05 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-06 BM.1972.008.001/06:04-06 00:00:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-07 BM.1972.008.001/06:04-07 00:00:50 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-08 BM.1972.008.001/06:04-08 00:00:45 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-09 BM.1972.008.001/06:04-09 00:00:50 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-10 BM.1972.008.001/06:04-10 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-11 BM.1972.008.001/06:04-11 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-12 BM.1972.008.001/06:04-12 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-13 BM.1972.008.001/06:04-13 00:00:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-14 BM.1972.008.001/06:04-14 00:01:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE NAY1 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 (POUR LE CYCLE RITUEL WONGU) Sous-table non exportée Sous-table non exportée VC=Choeur composé de garçons pour ?.Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-15 BM.1972.008.001/06:04-15 00:01:15 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-16 BM.1972.008.001/06:04-16 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-15 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-17 BM.1972.008.001/06:04-17 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-18 BM.1972.008.001/06:04-18 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-19 BM.1972.008.001/06:04-19 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-20 BM.1972.008.001/06:04-20 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-21 BM.1972.008.001/06:04-21 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-22 BM.1972.008.001/06:04-22 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-23 BM.1972.008.001/06:04-23 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT POUR LE RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 1• BM.972.008.001/06:04-16 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-24 BM.1972.008.001/06:04-24 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-23 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-25 BM.1972.008.001/06:04-25 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-26 BM.1972.008.001/06:04-26 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-27 BM.1972.008.001/06:04-27 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-28 BM.1972.008.001/06:04-28 00:01:15 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-29 BM.1972.008.001/06:04-29 00:01:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-30 BM.1972.008.001/06:04-30 00:00:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Chant indiquant la fin d'une série de chant. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-31 BM.1972.008.001/06:04-31 00:01:10 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-24 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-32 BM.1972.008.001/06:04-32 00:01:10 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-31 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-33 BM.1972.008.001/06:04-33 00:02:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-32 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-34 BM.1972.008.001/06:04-34 00:00:55 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-32 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-35 BM.1972.008.001/06:04-35 00:01:05 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-32 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-36 BM.1972.008.001/06:04-36 00:01:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE OWENIAK AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée VC=Choeur composé d'hommes + accompagnement choeur de femmes. Chant pour le rite sité ci-dessus et pour les esprits de la forêt qui contrôlent le gibier. Vitesse 19 piste 2• BM.972.008.001/06:04-32 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-37 BM.1972.008.001/06:04-37 00:01:20 1970 NLE-GUINEE WEST SEPIK DST AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée M=Tambour en forme de sablier et etuis péniens (frappant sur ceinture d'os). Vitesse 19 piste 2• BM.972.008.001/06:04-32 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :04-38 BM.1972.008.001/06:04-38 00:03:20 1970 NLE-GUINEE WEST SEPIK DST AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT DU RITE WONGU Sous-table non exportée Sous-table non exportée M=Tambour en forme de sablier et etuis péniens (frappant sur ceinture d'os). Défaut de défilement de la bande. Vitesse 19 piste 2• BM.972.008.001/06:04-37 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-01 BM.1972.008.001/06:05-01 00:03:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE POUR LES ESPRITS DE LA FORÊT (CHANT WESKO) Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• BM.972.008.001/06:03-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-02 BM.1972.008.001/06:05-02 00:09:00 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 "CHANT DU VENT" (CHANT WESKO) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. VC=Chanté choeur d'homme plus étuis péniens frappant sur ceinture d'os: "chant du vent" pour les esprits de la forêt. Vitesse 19 piste 1• BM.972.008.001/06:05-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-03 BM.1972.008.001/06:05-03 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 "CHANT DU VENT" (CHANT WESKO) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. VC=Chanté choeur d'homme plus étuis péniens frappant sur ceinture d'os: "chant du vent" pour les esprits de la forêt. / Silence / Vitesse 19 piste 1• BM.972.008.001/06:05-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-04 BM.1972.008.001/06:05-04 00:02:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 "CHANT DU VENT" (CHANT WESKO) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. VC=Chanté choeur d'homme plus étuis péniens frappant sur ceinture d'os: "chant du vent" pour les esprits de la forêt. Vitesse 19 piste 1• BM.972.008.001/06:05-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-05 BM.1972.008.001/06:05-05 00:04:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (CHANT WESKO) Sous-table non exportée Sous-table non exportée Rite sawango: fin thérapeutique dédié aux esprits sawango. Fin :conservations. Présence d'étuis péniens frappant sur ceinture d'os et sonnailles metalliques. Vitesse 19 piste 1• BM.972.008.001/06:05-01 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-06 BM.1972.008.001/06:05-06 00:03:10 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (ESPRITS DE LA FORÊT) Sous-table non exportée Sous-table non exportée Rite sawango: fin thérapeutique dédié aux esprits sawango. Fin :conservations. Fin thérapeutique / Défaut de défilement de la bande (piles défectueuse) /.Vitesse 19 piste 2• BM.972.008.001/06:05-05 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-07 BM.1972.008.001/06:05-07 00:01:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (ESPRITS DE LA FORÊT) Sous-table non exportée Sous-table non exportée Rite sawango: fin thérapeutique dédié aux esprits sawango. Fin :conservations. Fin thérapeutique / Défaut de défilement de la bande (piles défectueuse, variation de vitesse) /.Vitesse 19 piste 2• BM.972.008.001/06:05-06 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-08 BM.1972.008.001/06:05-08 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (ESPRITS DE LA FORÊT) Sous-table non exportée Sous-table non exportée Rite sawango: fin thérapeutique dédié aux esprits sawango. Fin :conservations. Fin thérapeutique / Défaut de défilement de la bande (piles défectueuse, variation de vitesse) /.Vitesse 19 piste 2• BM.972.008.001/06:05-07 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-11 BM.1972.008.001/06:05-11 00:03:15 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 "CHANT DU VENT" (CHANT WESKO) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. VC=Chanté choeur d'homme sans étuis péniens frappant sur ceinture d'os: "chant du vent" pour les esprits de la forêt. / Défauts de défilement/. Vitesse 19 piste 2• BM.972.008.001/06:05-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-12 BM.1972.008.001/06:05-12 00:03:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CHANT WESKO Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. / Défilement irrégulier : piles défectueuses /. Vitesse 19 piste 2• BM.972.008.001/06:05-11 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-13 BM.1972.008.001/06:05-13 00:00:30 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 CRIS D'HOMMES Sous-table non exportée Sous-table non exportée Vitesse 19 piste 2• BM.972.008.001/06:04-19 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :05-14 BM.1972.008.001/06:05-14 00:03:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. Présence d'étuis péniens frappant sur ceinture d'os. / Défaut de défilement de la bande (piles défectueuses) /. Vitesse 19 piste 2• BM.972.008.001/06:05-12 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :06-01 BM.1972.008.001/06:06-01 00:00:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (THERAPEUTIQUE) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. Présence d'étuis péniens frappant sur ceinture d'os.Vitesse 19 piste 2• BM.972.008.001/06:05-14 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :06-02 BM.1972.008.001/06:06-02 00:01:15 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (THERAPEUTIQUE) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. Présence d'étuis péniens frappant sur ceinture d'os.Vitesse 19 piste 2• 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :06-03 BM.1972.008.001/06:06-03 00:00:40 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (THERAPEUTIQUE) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. Présence d'étuis péniens frappant sur ceinture d'os.Vitesse 19 piste 2• BM.972.008.001/06:06-02 1970 N OCEANIE +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 :06-04 BM.1972.008.001/06:06-04 00:04:20 1970 NLE-GUINEE WEST SEPIK DST V ILLAGE DE IAFAR3 AMANAB NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 RITE SAWANGO (THERAPEUTIQUE) Sous-table non exportée Sous-table non exportée Chant exécuté lors du rite sawango au milieu de la nuit. Présence d'étuis péniens frappant sur ceinture d'os. (Conversation).Vitesse 19 piste 2• BM.972.008.001/06:06-02 1970 N OCEANIE +BM.972.009 ØGF BM.972.009.001/02 :01-01 BM.972.009.001/02:01-01 00:00:00 COLOMBIE COLOMBIE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.972.010 Ø13;²19;1/2P BM.972.010.001/12 :01-01 BM.972.010.001/12:01-01 00:00:00 IRAN IRAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-01 BM.1972.011.001/05:01-01 00:02:15 07/1965 COTE D'IVOIRE SOUS-PREFECTURE DE ZOUAN-HOUNIEN (PAYS DAN) MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE VIELE MONOCORDE Sous-table non exportée Sous-table non exportée Le musicien est originaire de la Guinée, cercle de Beyla village de Mbanidou• Vitesse 19 Piste PP• ZEMP,HUGO 1965 0 65-57 AFRIQUE +BM.972.014 Ø13 BM.972.014.001/08 :01-01 BM.972.014.001/08:01-01 00:00:00 TIBET (NEPAL) TIBET. CEREMONIE D'ANNIVERSAIRE DE PADMASAMBHAVA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.972.015 Ø13;²19;PPM BM.972.015.001/10 :01-01 BM.972.015.001/10:01-01 00:00:00 ILES SALOMON ILE DE MALAITA ILES SALOMON;MALAITA:'ARE 'ARE. ECHELLES DES FLUTES DE PAN N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :01-01>09 BM.1972.016.001/186:01-01>09 00:13:50 03/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 4 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 01'20" - "Suru 'au" / 2 fois ; II) : 01'30" - " Suri " / 2 fois ; III) : 01'55" - "Kiki 'oro ni Toraha " / 2 fois ; IV) : 01'20" - " Roropau " / 2 fois ; V) : 02'05" - " Tama 'au " / 2 fois ; VI) : 01'45" - " Pora " / 2 fois ; VII) : 01'25" - " Kiro " / 2 fois ; VIII) : 01'05" - " Wara Hoasimarua " / 2 fois ; IX) : 01'25" - " Uhi rihu " / 2 fois• ZEMP,H. 1969 0 BM 72.16.1 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :02-01>09 BM.1972.016.001/186:02-01>09 00:26:31 03/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX VOIX POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 voix doublées à l'octave. pour les fêtes cérémonielles. I) : 01'47" - "Rawako" / 2 fois ; II) : 01'25" - " Wisi " / 2 fois ; III) : 01'27" - "Rawauuruuru " / 2 fois ; IV) : 01'07" - " Pina " / 2 fois ; V) : 01'45" - " Uhi mauri " / 2 fois ; VI) : 14'35" - " Pora " / 2 fois ; VII) : 01'45" - " Oopiha " / 2 fois ; VIII) : 01'25" - "Haihaimani " / 2 fois ; IX) : 01'15" - " O'era 'i manu " / 2 fois• ZEMP,H. 1969 BM 72.16.2 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :03-01>07 BM.1972.016.001/186:03-01>07 00:14:17 03/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 02'10" - "Mou isu " / 2 fois ; II) : 01'45" - " Toto 'au " / essai à faible niveau ; III) : 02'22" - "Toto 'au " / 2 fois ; IV) : 01'50" - "Uhi horo " / 2 fois ; V) : 02'43" - " Moumou " / 2 fois ; VI) : 01'40" - " Pata'i 'au " / 2 fois ; VII) : 01'47" - " Hi' ona " / 2 fois • ZEMP,H. 1969 BM 72.16.3 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :04-01>10 BM.1972.016.001/186:04-01>10 00:14:30 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 01'12 " - "Nuu 'isisu " / 2 fois ; II) : 01'08" - " Aanoaanoha " / 2 fois ; III) : 01'40" - "Usuusuha " / 2 fois ; IV) : 01'20" - " Raaraaha " / 2 fois ; V) : 01'40" - "Suri 'au " / 2 fois ; VI) : 01'20" - " Kirakira no Ohoramu " / 2 fois ; VII) : 01'17" - " Para 'vro ni Nimahoro " / 2 fois ; VIII) : 01'45" - " Kiu Taraewaro " / 2 fois ; IX) : 01'38" - " Poo we " / 2 fois ; X) : 01'10" - " Kusi nemo " • ZEMP,H. 1969 BM 72.16.4 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :05-01>10 BM.1972.016.001/186:05-01>10 00:15:52 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 01'28 " - "Aari 'au " / 2 fois ; II) : 01'13" - " Pisi ni tootorahu " / 2 fois ; III) : 01'45" - " Numunumu " / 2 fois ; IV) : 01'45" - " Oosi 'au " / 2 fois ; V) : 01'52" - "Riko kiteitoro " / 2 fois ; VI) : 01'25" - " Manaki " / 2 fois ; VII) : 01'25" - " Awawasitani " / 2 fois ; VIII) : 02'20" - " Pisi ni tootora " / 2 fois ; IX) : 01'27" - " 'Au hiru " / 2 fois ; X) : 01'15" - " Asuha " • ZEMP,H. 1969 BM 72.16.5 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :06-01>09 BM.1972.016.001/186:06-01>09 00:18:06 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 01'15 " - "Kurukuru Maruitaro " / 2 fois ; II) : 01'27" - " Kurukuru Maruitaro " / 2 fois ; III) : 01'57" - "Poraporaha " / 2 fois ; IV) : 02'15" - " Wara na 'Aunama " / 2 fois ; V) : 01'57" - "Nanarata na Roraiimae " / 2 fois ; VI) : 01'30" - " 'Asi " / 2 fois ; VII) : 01'25" - " Wara na Ahero'va " / 2 fois ; VIII) : 02'43" - " Aarawe " / 2 fois IX) : 01'07" - " Hairikisi • ZEMP,H. 1969 BM 72.16.6 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :07-01>08 BM.1972.016.001/186:07-01>08 00:14:07 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 01'08 " - "'Eero aa 'i " / 2 fois ; II) : 01'33" - " Rahe manoha " / 2 fois ; III) : 01'53" - "Maasurei " / 2 fois ; IV) : 01'40" - " Pirina " / 2 fois ; V) : 02'40" - "Uhi tonaai " / 2 fois ; VI) : 01'43" - " Peaha " / 2 fois ;VII) : 01'22" - "Roropau " / 2 fois ; VIII) : 02'08" - " Ha 'aparasinema " / 2 fois • ZEMP,H. 1969 BM 72.16.7 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :08-01>07 BM.1972.016.001/186:08-01>07 00:15:02 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 02'03 " - "Riko m'Osinameru " / 2 fois ; II) : 02'33" - " Pisi ni tootora " / 2 fois ; III) : 02'23" - "Mani 'au maehanua Tapuhana " / 2 fois ; IV) : 01'40" - " Hakenake aana Mato'oraena " / 2 fois ; V) : 02'00" - "Ier Paruïa " / 2 fois ; VI) : 01'53" - " 2ème Paruïa " / 2 fois ; VII) : 02'30" - " 3ème Paruïa " / 2 fois • ZEMP,H. 1969 BM 72.16.8 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :09-01>07 BM.1972.016.001/186:09-01>07 00:12:33 04/69 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A DEUX PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 4 flûtes de Pan 'au tahana.Polyphonie à 2 parties doublées à l'octave. pour les fêtes cérémonielles. I) : 02'10 " - "4ème Paru'i'a " / 2 fois ; II) : 01'25" - " 5ème Paru'i'a " / 2 fois ; III) : 02'13" - " 6ème Paru'i'a " / 2 fois ; IV) : 02'10" - " 7ème Paru'i'a " / 2 fois ; V) : 01'40" - " Mani 'au Kokohuto " / 2 fois ; VI) : 01'30" - " 'Toto 'au Raketorea " / 2 fois ; VII) : 02'50" - "Mani 'au maea " / 2 fois • ZEMP,H. 1969 BM 72.16.9 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :10-01>07 BM.1972.016.001/186:10-01>07 00:14:33 04/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 10 flûtes de Pan 'au taka 'iori. Danseurs et danseuses tapant sur des paquets de feuilles. Polyphonie à 4 parties : 2 parties doublées et 2 parties triplées à l'octave. Pour les fêtes cérémonielles. I) : 01'48 " - "Mani rehe, suru 'au " / 4 fois ; II) : 01'45" - " Punu " / 4 fois ; III) : 02'00" - " Mani 'au paina " / 3 fois ; IV) : 02'00" - " Mani ma'eta " / 2 fois ; V) : 01'55" - "Maani 'au " / 4 fois ; VI) : 03'00" - " Mani ma'eta " / 5 fois ; VII) : 02'05" - " Mani rehe " / 4 fois • ZEMP,H. 1969 BM 72.16.10 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :100-01>06 BM.1972.016.001/186:100-01>06 00:15:30 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN 'AU SANGO Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sango. BC- les musiciens portent des sonnailles aux chevilles. Danseurs avec des sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. I) : 00'55" - " Waewaelaa " ; II) : 01'50" - " Ribo " ; III) : 02'00" - " 'Ea " ; IV) : 04'45" - " Tou " ; V) : 00'55" - " Ribo " ; VI) 05'05" - " Labua 'inga " • ZEMP,H. 1970 BM 72.16.100 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :101-01 BM.1972.016.001/186:101-01 00:06:20 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN 'AU SANGO Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sango. BC- les musiciens portent des sonnailles aux chevilles. Danseurs avec des sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. " Gegelma " • ZEMP,H. 1970 BM 72.16.101 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :101-02 BM.1972.016.001/186:101-02 00:04:20 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 CHANT Sous-table non exportée Sous-table non exportée Chanté, chr H. IFP- = les chanteurs frappent des bâtons sur le sol. chant pour attendre à la plage l'arrivée des vers pololo • ZEMP,H. 1970 BM 72.16.101 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :101-03 BM.1972.016.001/186:101-03 00:05:25 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF Sous-table non exportée Sous-table non exportée chant narratif susuxu. Pour les fêtes • Chanté, chr H. IE- = bâtons entrechoqués. chant narratif susuxu. Pour les fêtes • ZEMP,H. 1970 BM 72.16.101 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :102-01>02 BM.1972.016.001/186:102-01>02 00:09:15 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF GILO Sous-table non exportée Sous-table non exportée chant narratif gilo. Pour les fêtes • Chanté, chr H. IE- = bâtons entrechoqués. I) : 03'05" - chant narratif gilo. Pour les fêtes II) : 06'10" - Idem • ZEMP,H. 1970 BM 72.16.102 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :102-03>06 BM.1972.016.001/186:102-03>06 00:06:20 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 DUO DE TUYAUX PILONNANTS Sous-table non exportée Sous-table non exportée IFP-BATON = duo de tuyaux pilonnants 'au basiaxwa. Musique de divertissement. III) : 01'25" - " Giigilo " ; IV) : 01'30" - " Fiifio 'iba 'u " ; V) : 01'55" - " Olonga i xwailafa " VI) : 01'30" - " Go 'e " • ZEMP,H. 1970 BM 72.16.102 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :103-01>07 BM.1972.016.001/186:103-01>07 00:07:15 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 DUO DE TUYAUX PILONNANTS 'AU BASIAXWA Sous-table non exportée Sous-table non exportée IFP-BATON = duo de tuyaux pilonnants 'au basiaxwa. Musique de divertissement. I) : 01'00 - "Gana ni maemae " ; II) : 01'10" - " Lali 'ieba " ; III) : 02'00" - " Xwala ni afalmo " ; IV) : 00'55" - " Fisufi " ; V) : 01'25" - " Go 'e " VI) : 01'35" - " Fiifio 'iba 'u " VII) : 01'20" - " Olonga i xwailafa " • ZEMP,H. 1970 BM 72.16.103 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :103-08 BM.1972.016.001/186:103-08 00:03:50 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sisile. BC- les musiciens se frappent la cuisse droite avec la main droite. Pour les fêtes cérémonielles. " Sagali " / 2 fois • ZEMP,H. 1970 BM 72.16.103 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :104-01>15 BM.1972.016.001/186:104-01>15 00:16:55 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 16 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de tambours-de-bois 'o'o'. langage tambouriné. I) : 01'00" - " Fada " ; II) : 00'50" - " Xooxoo ; III) : 00'55" - "La 'e" / 2 fois ; IV) : 00'45" - " Nago " / 2 fois ; V) : 00'45" - " Lumagwa 'u " / 2 fois ; VI) : 00'45" - " Lada 'o'o " / 2 fois ; VII) : 01'00" - " Gou 'efu" ; / 2 fois ; VIII) : 01'00" - " Gaogao " ; / 2 fois IX) : 00'55" - " Maatotonga " / 2 fois ; X) : 01'05" - " Diidi 'u " ; XI) : 01'05" - " Xwalafilifili 'a " ; / 2 fois ; XII) : 01'20" - " Xaxalasi " ; / 2 fois XIII) : 02'20" : " Diodioxo" / 2 fois ; XIV) : 01'00" - "Wadolai " / 2 fois ; XV) : 01'10" : "Daafou " / 2 fois • ZEMP,H. 1970 BM 72.16.104 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :105-01>04 BM.1972.016.001/186:105-01>04 00:03:45 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 4 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de tambours-de-bois 'o'o'. langage tambouriné. I) : 00'55" - " 'O 'o ai sixwa " ; II) : 01'45" - " 'Ele 'afunga " / 2 fois ; III) : 00'30" - "Xwaixwaisoenga" / 2 fois ; IV) : 00'35" - "To 'etalonga " / 2 fois • ZEMP,H. 1970 BM 72.16.105 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :105-05>08 BM.1972.016.001/186:105-05>08 00:11:15 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 CHANT D'AMOUR XWAISULEI Sous-table non exportée Sous-table non exportée V) : 01'30" - " Chant d'amour xwaisulei " / trio F ; VI) : 03'20" - Idem / duo F ; VII) : 02'25" - Idem / duo F ; VIII) : 04'00" - Idem / duo F • ZEMP,H. 1970 BM 72.16.105 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :106-01>04 BM.1972.016.001/186:106-01>04 00:03:32 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU SULITALA Sous-table non exportée Sous-table non exportée I) : 00'35" - Solo de flûte de Pan 'au sulitala. Musique de divertissement ; II) : 00'35" - Idem ; III) : 01'07" - Idem ; IV) : 01'15" - Idem • ZEMP,H. 1970 BM 72.16.106 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :106-05>06 BM.1972.016.001/186:106-05>06 00:06:20 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU BULUBULU Sous-table non exportée Sous-table non exportée Solo de flûte de Pan en faisceau, tenue obliquement, 'au bulubulu. Musique de divertissement. V) : 03'10" - " Anianinga " / 3 fois ; VI : 03'10" - " Xoongeo " / 3 fois • ZEMP,H. 1970 BM 72.16.106 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :106-07>09 BM.1972.016.001/186:106-07>09 00:04:45 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN SUXUXWAXWA Sous-table non exportée Sous-table non exportée Solo de flûte de Pan en faisceau, tenue verticalement, suxuxwaxwa. Musique de divertissement. VII) : 01'05" - " Ruruwela " / 2 fois ; VIII) : 01'25" - " Boloxwao " / 2 fois ; IX) : 02'15" - " Fa 'anisuela " / 2 fois • ZEMP,H. 1970 BM 72.16.106 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :107-01>07 BM.1972.016.001/186:107-01>07 00:03:50 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN SUXUBONO Sous-table non exportée Sous-table non exportée Solo de flûte de Pan, tenue verticalement, suxubono. IFC- = Frappement des tuyaux par les ongles de la main droite. Musique de divertissement. I) : 00'45" - " Taga 'eoli " / 2 fois ; II) : 00'45" - " Maatotonga " / 2 fois ; III) : 01'05" - " Bebe " / 3 fois ; IV) : 00'50" - " Lamu 'o " / 3 fois ; V) : 00'35" - " Talixo " / 2 fois ; VI) : 00'35" - " Xoteo " / 2 fois ; VII) : 00'35" - " Maatotonga " / 2 fois • ZEMP,H. 1970 BM 72.16.107 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :107-08>14 BM.1972.016.001/186:107-08>14 00:06:35 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN LOLONIUO Sous-table non exportée Sous-table non exportée Solo de flûte de Pan, tenue verticalement, loloniuo. IFC- = Frappement des tuyaux par les ongles de la main droite. Musique de divertissement. VIII) : 02'20" - " Nguu ni geni " / 6 fois ; IX) : 00'40" - "Nguu ni geni " ; X) : 00'40" - " didioxo " ; XI) : 00'40" - " Totolofa " ; XII) : 00'45" - " 'Ege " ; XIII) : 00'40" - " singeo " ; XIV) : 00'50" - " Nguu ni geni " • ZEMP,H. 1970 BM 72.16.107 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :108-01>18 BM.1972.016.001/186:108-01>18 00:15:30 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAEKWAREO ZEMP,H.;ILES SALOMON; 1969 18 SOLO DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée IFC- = Ensemble de tambours-de-bois 'o'o'. langage tambouriné. I) : 0'55" - "Kwisi " / 2 fois ; II) : 00'55" - " Neke nau kae " / 2 fois ; III) : 01'10" - " Uutu fara " / 2 fois ; IV) : 00'55" - "Boraibau " / 2 fois ; V) : 01'05" - " Fena kii " / 2 fois ; VI) : 01'00" - " Didi 'ire " / 2 fois ; VII) : 01'05" - " Tigurei tamu" ; / 2 fois ; VIII) : 0055" - " Fao " ; / 2 fois ; IX) : 00'55" - " Aabu " / 2 fois ; X) : 00'55" - " Kwisi" ; XI) : 00'30" - " Kalumai " ; / 2 fois ; XII) : 00'45" - " Fai 'isinga " ; / 2 fois XIII) : 00'35" : " Daundaunga" / 2 fois ; XIV) : 01'00" - " 'Ui ni biringa " / 2 fois ; XV) : 00'50" : "Maarau " / 3 fois ; XVI) : 00'50" - " Tonganga " / 2 fois ; XVII) : 00'35" - " Tonganga " / 2 fois ; XVIII) : 00'35" - " Kirakira i toro " / 2 fois • ZEMP,H. 1969 BM 72.16.108 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :109-01>08 BM.1972.016.001/186:109-01>08 00:08:35 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 SOLO DE 10 TUYAUX PILONNANTS Sous-table non exportée Sous-table non exportée IFP- Ensemble de 10 tuyaux pilonnants GIGILO. Musique de divertissement. I) : 00'55 " - " Agegenga " / 2 fois ; II) : 00'50" - " Kikioro " / 2 fois ; III) : 02'05" - " Bora " / 2 fois ; IV) : 00'40" - " Taaka 'iori " / 2 fois ; V) : 00'45" - " Nafo " / 2 fois ; VI) : 01'00" - " Dodore " / 2 fois ; VII) : 01'10" - " Riko " / 3 fois ; VIII) : 01'10" - " Fiu " / 2 fois • ZEMP,H. 1969 BM 72.16.109 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :109-09>12 BM.1972.016.001/186:109-09>12 00:07:40 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU KETO Sous-table non exportée Sous-table non exportée IFP- ensemble de 6 flûtes de Pan 'au keto. Polyphonie à 3 parties, doublées à l'octave. Pour les fêtes cérémonielles. IX) : 02'10 " - " Mani eeta " / 2 fois ; X) : 01'45" - " Titiolo " / 2 fois ; XI) : 01'35" - " Fufuluialo " / 2 fois ; XII) : 02'10" - " Angiangi lana Wili " / 2 fois • ZEMP,H. 1969 BM 72.16.109 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :11-01>06 BM.1972.016.001/186:11-01>06 00:13:56 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 10 flûtes de Pan 'au taka 'iori. IFP- = Danseurs et danseuses tapant sur des paquets de feuilles. Polyphonie à 4 parties : 2 parties doublées et 2 parties triplées à l'octave. Pour les fêtes cérémonielles. I) : 01'53 " - " 'U'u " / 4 fois ; II) : 01'30" - " 'au ni tootora " / 4 fois ; III) : 01'58" - " Wera nara " / 4 fois ; IV) : 02'35" - "'Asi " / 4 fois ; V) : 01'30" - " Kiitora " / 4 fois ; VI) : 02'30" - " 'Aitaru " / 4 fois • ZEMP,H. 1969 BM 72.16.11 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :110-01>08 BM.1972.016.001/186:110-01>08 00:13:00 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU KETO Sous-table non exportée Sous-table non exportée IFP- ensemble de 6 flûtes de Pan 'au keto. Polyphonie à 3 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'20 " - " Angiangi lana Waneangu " / 2 fois ; II) : 01'40" - " Angiangi lana Gaiaafuna " / 2 fois ; III) : 02'45" - " Riko " / 2 fois ; IV) : 01'50" - " Angiangi lana Gualae " / 2 fois ; V) : 02'10" - " Kilakila " / 2 fois ; VI) : 01'40" - " Angiangi lana aaburu " / 2 fois ; VII) : 01'40" - " Angiangi lana kookoo " / 2 fois ; VIII) : 00'55" - " Nguri " / 2 fois • ZEMP,H. 1969 BM 72.16.110 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :111-01>02 BM.1972.016.001/186:111-01>02 00:03:55 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU PAINA Sous-table non exportée Sous-table non exportée IFP- ensemble de 6 flûtes de Pan 'au paina. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'00 " - " Mani eeta na gilo " / 2 fois ; II) : 01'55" - " Labufafia " / 2 fois • ZEMP,H. 1969 BM 72.16.111 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :111-03>07 BM.1972.016.001/186:111-03>07 00:05:10 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PILER LE TARO Sous-table non exportée Sous-table non exportée chant pour piler le taro, gilo ni wado• Chant pour piler le taro, gilo ni wado. VA- = cris des hommes qui manient les pilons. SD- = bruit des pilons. Pour les fêtes cérémonielles. III) : 00'55" - " Tootola " ; IV) : 01'10" - "Fofo supila " ; V) : 00'50" - " Alagau " ; VI) : 01'00" - " Golei " ; VII) : 01'15" - " Giu " • ZEMP,H. 1969 BM 72.16.111 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :112-01>02 BM.1972.016.001/186:112-01>02 00:07:40 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PILER LE TARO Sous-table non exportée Sous-table non exportée chant pour piler le taro, gilo ni wado• Chant pour piler le taro, gilo ni wado. VA- = cris des hommes qui manient les pilons. SD- = bruit des pilons. Pour les fêtes cérémonielles. I) : 04'50" - " Giu " II) : 02'55" - " Tootola " • ZEMP,H. 1969 BM 72.16.112 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :113-01>04 BM.1972.016.001/186:113-01>04 00:06:45 10/69 ILES SALOMON MALAITA,VILLAGE DE BIRA KWAREKWAREO ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF NGUU TARA 'A 'I Sous-table non exportée Sous-table non exportée chant narratif nguu tara 'a 'i• chanté solo H. chant de divertissement. I) : 01'30" - Chant narratif nguu tara 'a 'i ; II) : 01'00" - Idem ; III) : 01'05" - Idem" ; IV) : 03'10" - Idem • ZEMP,H. 1969 BM 72.16.113 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :114-01>06 BM.1972.016.001/186:114-01>06 00:15:00 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF U 'ULA Sous-table non exportée Sous-table non exportée chant narratif u 'ula• chanté chr H. IS - = sonnailles-sur-bâton. Chant narratif u 'ula. I) : 01'50" - " Nioesa lau 'ova " ; II) : 02'25" - " Tea 'ae " ; III) : 03'15" - " Sina 'ae " ; IV) : 01'20" - " Mae keni 'ana bora " ; V) : 02'55" - " OIsa labenamae ; VI) : 03'15" - " Tea 'ae maa 'ae " • ZEMP,H. 1969 BM <72;16;114 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :115-01>04 BM.1972.016.001/186:115-01>04 00:10:55 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF U 'ULA Sous-table non exportée Sous-table non exportée chant narratif u 'ula• IIS - = sonnailles-sur-bâton. Chant narratif u 'ula. I) : 02'25" - " Mai oolo aana gao " ; II) : 04'20" - " No oesa lau nuu " ; III) : 01'25" - " Mai oolo aana uuta " ; IV) : 02'45" - " Mae dudu aana rii " • ZEMP,H. 1969 BM 72.16.115 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :115-04>06 BM.1972.016.001/186:115-04>06 00:05:25 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF KUSU Sous-table non exportée Sous-table non exportée chant narratif kusu• chanté chr H. IS - = sonnailles-sur-bâton. Chant narratif kusu. Pour les fêtes cérémonielles. V) : 02'10" - " Wela te lori masa barasi lori " ; VI) : 03'15" - " Oelo sa baero " • ZEMP,H. 1969 BM 72.16.115 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :116-01>02 BM.1972.016.001/186:116-01>02 00:11:35 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER KUSU YASI Sous-table non exportée Sous-table non exportée chanté chr H. IFP- = frappement des rebords de la pirogue avec les pagaies. Chantépour pagayer kusu yasi. I) : 04'40" - " Mai oolo aana gao " ; II) : 06'55" - " No oesa lau nuu " • ZEMP,H. 1969 BM 72.16.116 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :116-03 BM.1972.016.001/186:116-03 00:04:00 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF KUSU Sous-table non exportée Sous-table non exportée Pour les fêtes cérémonielles. Chant narratif kusu • Pour les fêtes cérémonielles. Chant narratif kusu. " Oelo sa baero " • ZEMP,H. 1969 BM 72.16.116 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :117-01>03 BM.1972.016.001/186:117-01>03 00:14:55 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER GALA YASI Sous-table non exportée Sous-table non exportée IFP- = frappement des rebords de la pirogue avec les pagaies. I) : 05'15" - Chant pour pagayer gala yasi ; II) : 05'00" - "Idem ; III) : 04'40" - Idem • ZEMP,H. 1969 BM 72.16.117 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :118-01>02 BM.1972.016.001/186:118-01>02 00:03:35 10/69 ILES SALOMON MALAITA,VILLAGE DE FIRIFAU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 2 SOLO DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée IFC- = solo de tambours-de-bois 'o'o'. langage tambouriné. I) : 01'40" - "Farano alia lolimae " / 2 fois ; II) : 01'55" - "Farano alia mae e dado fi ame uulu " / 2 fois • ZEMP,H. 1969 BM 72.16.118 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :118-03>04 BM.1972.016.001/186:118-03>04 00:12:45 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT Sous-table non exportée Sous-table non exportée chant pour accompagner la fabrication de la monnaie en perles de coquillages, gala • III) : 06'35" - chant pour accompagner la fabrication de la monnaie en perles de coquillages, gala; IV) : 06'10" - Idem • ZEMP,H. 1969 BM 723.16.118 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :119-01>02 BM.1972.016.001/186:119-01>02 00:16:30 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT Sous-table non exportée Sous-table non exportée chant pour accompagner la fabrication de la monnaie en perles de coquillages, gala • I) : 06'40" - chant pour accompagner la fabrication de la monnaie en perles de coquillages, gala; II) : 09'50" - Idem • ZEMP,H. 1969 BM 72.16.119 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :12-01>05 BM.1972.016.001/186:12-01>05 00:09:37 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 10 flûtes de Pan 'au taka 'iori. IFP- = Danseurs et danseuses tapant sur des paquets de feuilles. Polyphonie à 4 parties : 2 parties doublées et 2 parties triplées à l'octave. I) : 01'50" - " Ire 'ire " / 4 fois ; II) : 02'05" - " Wara na Rau'are " / 4 fois ; III) : 01'50" - " Waru hau ni aahe na'ona aau " / 4 fois IV) : 01'52 - "Toutae " / 4 fois ; V) : 02'00" - " Wara aapora " / 4 fois • ZEMP,H. 1969 BM 72.16.12 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :120-01>05 BM.1972.016.001/186:120-01>05 00:07:45 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANTS EDUCATIFS RAERAE MALATA Sous-table non exportée Sous-table non exportée chants éducatifs raerae malata • IE - = 2 chaneurs s'accompagnent de bâtons entrechoqués. Chants éducatifs raerae malata. I) : 01'40" - " Salesale " II) : 01'20" - " Aniani si wai " ; III) : 00'40" - " Rorongwela " / sans bâtons ; IV) : 01'35" - " 'Au 'au 'au " / sans bâtons ; V) : 02'30" - " Kokoelo " / sans bâtons • ZEMP,H. 1969 BM 72.16.120 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :120-06>06 BM.1972.016.001/186:120-06>06 00:04:00 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER KUSU YASI Sous-table non exportée Sous-table non exportée IFP- = frappement des rebords de la pirogue avec les pagaies. VI) : 04'00" - Chant pour pagayer kusu yasi • ZEMP,H. 1969 BM 72.16.120 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :120-07 BM.1972.016.001/186:120-07 00:01:50 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 SOLO DE CONQUE Sous-table non exportée Sous-table non exportée AT - conque • ZEMP,H. 1969 BM 72.16.120 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :121-01>03 BM.1972.016.001/186:121-01>03 00:14:45 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER KUSU YASI Sous-table non exportée Sous-table non exportée IFP- = frappement des rebords de la pirogue avec les pagaies. I) : 04'40" - Chant pour pagayer kusu yasi ; II) : 05'15" - "Idem ; III) : 04'50" - Idem • ZEMP,H. 1969 BM 72.16.121 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :122-01>05 BM.1972.016.001/186:122-01>05 00:15:05 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF KUSU Sous-table non exportée Sous-table non exportée chant narratif kusu • IE - = bâtons entrechoqués. chant narratif kusu I) : 02'15" - " Wela te lori masabari si lori " ; II) : 03'20" - " Gwau fula liliu" ; III) : 03'15" - " Oisa ramo lilia " ; IV) : 02'50" - " Oisa tofolea " ; V) : 03'25" - " Oisa sakae kodo " • ZEMP,H. 1969 BM 72.16.12 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :123-01>04 BM.1972.016.001/186:123-01>04 00:05:00 10/69 ILES SALOMON MALAITA,VILLAGE DE FODORU LANGALANGA ZEMP,H.;ILES SALOMON; 1969 BERCEUSE RORO WELA Sous-table non exportée Sous-table non exportée I) : 00'45" - berceuse, roro wela II) : 01'40" - Idem ; III) : 01'35" - Idem ; IV) : 01'00" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.123 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :124-01>06 BM.1972.016.001/186:124-01>06 00:13:17 12/69 ILES SALOMON MALAITA,VILLAGE DE GWAUNARUU KWARA'AE ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF U 'UNA Sous-table non exportée Sous-table non exportée chant narratif u 'una• chanté chr H. IS - = sonnailles-sur-bâton. Chant narratif u 'una. Pour les fêtes cérémonielles. I) : 01'35" - "Obi ana ramo " ; II) : 01'25" - " Gau ilifu asi " ; III) : 02'40" - " Ma i sili ana gau " ; IV) : 01'50" - " Ao nau " ; V) : 02'47" - " Oe sa langosimae " ; VI) : 03'00" - " Gwau hungu " / fin coupée • ZEMP,H. 1969 BM 72.16.124 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :125-01 BM.1972.016.001/186:125-01 00:03:50 12/69 ILES SALOMON MALAITA,VILLAGE DE GWAUNARUU KWARA'AE ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF U 'UNA Sous-table non exportée Sous-table non exportée chant narratif u 'una• chanté chr H. IS - = sonnailles-sur-bâton. Chant narratif u 'una. Pour les fêtes cérémonielles. I) : " Gwau hungu " • ZEMP,H. 1969 BM 72.16.125 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :125-01>03 BM.1972.016.001/186:125-01>03 00:07:20 01/70 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 CHOEUR POUR PILER LE TARO Sous-table non exportée Sous-table non exportée choeur d'hommes pour piler le taro, atodako • I) : 02'25" - choeur d'hommes pour piler le taro, atodako ; II) : 02'25" - Idem ; III) : 01'30" - Idem • ZEMP,H. 1970 BM 72.16.125 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :125-02>06 BM.1972.016.001/186:125-02>06 00:09:35 12/69 ILES SALOMON MALAITA,VILLAGE DE GWAUNARUU KWARA'AE ZEMP,H.;ILES SALOMON; 1969 DANSE D'HOMMES MAO Sous-table non exportée Sous-table non exportée danse d'hommes mao • chanté chr H. IS - = sonnailles-sur-bâton et sonnailles attachées aux chevilles. IFC - = petit tambour-de-bois Danse d'H mao. Pour les fêtes cérémonielles. II) : 01'55" - " rofine tino " : III) : 02'05" - " Ioio belefa " ; IV) : 01'20" - " Ndoua kiolo kiaa " ; V) : 02'15" - " Laeli manu riri " ; VI) : 02'00" - " Rua saototo " • ZEMP,H. 1969 BM 72.16.125 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :126-01>05 BM.1972.016.001/186:126-01>05 00:08:45 12/69 ILES SALOMON MALAITA,VILLAGE DE GWAUNARUU KWARA'AE ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF KANA Sous-table non exportée Sous-table non exportée chant narratif kana• chanté chr H. IEB - = bâtons entrechoqués. I) : 01'20" - Chant narratif kana. Pour les fêtes cérémonielles ; II) : 01'50" - Idem ; III) : 01'50" - Idem ; IV): 01'30" - Idem ; V) : 02'15" - Idem • ZEMP,H. 1969 BM 72.16.126 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :126-06>07 BM.1972.016.001/186:126-06>07 00:01:50 12/69 ILES SALOMON MALAITA,VILLAGE DE GWAUNARUU KWARA'AE ZEMP,H.;ILES SALOMON; 1969 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée chanté chr H. IFC - = tambours-de-bois. solo de tambours-de-bois. Langage tambouriné. VI) : 01'05" - " Uiui ana maea " / 2 fois ; VII) : 00'45" - " Rurufuli " / 2 fois • ZEMP,H. 1969 BM 72.16.126 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :127-01>04 BM.1972.016.001/186:127-01>04 00:02:15 01/69 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 FRAPPEMENT D'EAU, JEU DANS LA RIVIERE Sous-table non exportée Sous-table non exportée chanté CHR13 jeunes filles SD - = frappement d'eau, sii jeu dans la rivière I) : 00'40" - frappement d'eau, par 13 jeunes filles, sii ; II) : 00'30" - Idem ; III) : 00'40" - Idem ; IV): 00'25" - Idem • ZEMP,H. 1969 BM 72.16.127 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :127-05>08 BM.1972.016.001/186:127-05>08 00:04:45 01/69 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 BERCEUSE, RORONGELA Sous-table non exportée Sous-table non exportée I) : 00'55" - berceuse, rorongela ; II) : 01'10" - Idem ; III) : 01'00" - Idem ; IV): 01'40" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.127 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :127-09 BM.1972.016.001/186:127-09 00:00:25 01/69 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 INTRODUCTION AU JEU DE FLUTE DE PAN, MAE 'AU Sous-table non exportée Sous-table non exportée chanté, chr H. introduction au jeu de flûte de Pan, Mae 'au . Par les 8 musiciens • ZEMP,H. 1969 BM 72.16.127 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :127-10>13 BM.1972.016.001/186:127-10>13 00:05:25 01/69 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN 'AU SANGO Sous-table non exportée Sous-table non exportée Ensemble de 8 flûtes de Pan 'au sango. IS - = sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. X) : 00'40" - " Wae laa " ; XI) : 00'30" - " Rereotaba 'a " ; XII) : 00'40" - " Fa 'i sango " ; XIII): 00'25" - " Fa 'i lae 'a " • ZEMP,H. 1969 BM 72.16.127 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :128-01>04 BM.1972.016.001/186:128-01>04 00:08:50 01/70 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN 'AU SANGO Sous-table non exportée Sous-table non exportée Ensemble de 8 flûtes de Pan 'au sango. IS - = sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. I) : 01'05" - " Fa 'i kali 'a " ; II) : 01'15" - " Rereotaba 'a " ; III) : 00'40" - " Fa 'i sifo'a " ; IV): 05'50" - Echelles des 8 flûtes de Pan • ZEMP,H. 1970 BM 72.16.128 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :128-05>08 BM.1972.016.001/186:128-05>08 00:05:25 01/70 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 CHOEUR POUR PILER LE TARO Sous-table non exportée Sous-table non exportée choeur d'hommes pour piler le taro, atodako • V) : 00'45" - choeur d'hommes pour piler le taro, atodako ; VI) : 00'50" - Idem ; VII) : 01'25" - Idem ; VIII): 02'25" - Idem • ZEMP,H. 1970 BM 72.16.128 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :129-04>09 BM.1972.016.001/186:129-04>09 00:06:25 01/70 ILES SALOMON MALAITA,VILLAGE DE DALA KWARA'AE ZEMP,H.;ILES SALOMON; 1969 SOLO DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée solo de tambours-de-bois 'o'o. Langage tambouriné. IV) : 02'15" - " Koakairingi 'a " V) : 01'10" - " Kwaitaofi 'i " / 2 fois ; VI) : 01'35" - " U' ui rodo " / 2 fois ; VII) : 00'20" - " Fofolo lalamua " / 2 fois ; VIII): 00'20" - " Titi 'a " / 2 fois ; IX) : 00'45" - " 'O'o ana maoma " / 2 fois • ZEMP,H. 1970 BM 72.16.129 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :13-01>07 BM.1972.016.001/186:13-01>07 00:14:37 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 10 flûtes de Pan 'au taka 'iori. IFP- = Danseurs et danseuses tapant sur des paquets de feuilles. Polyphonie à 4 parties : 2 parties doublées et 2 parties triplées à l'octave. Pour les fêtes cérémonielles. I) : 02'03 " - " Honu ta' amai " / 4 fois ; II) : 01'38" - " Mani hiromasina " / 4 fois ; III) : 02'08" - "Roiroipau " / 4 fois ; IV) : 02'50" - "'Mani hauhoura " / 4 fois ; V) : 01'53" - " Mani 'au ni Marau" / 4 fois ; VI) : 01'50" - " 'Uhi rihu " / 4 fois ; VII) : 02'15" - "Mani 'au Kauaava " / 4 fois • ZEMP,H. 1969 BM 72.16.13 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :130-01>05 BM.1972.016.001/186:130-01>05 00:08:25 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT, ROIROA Sous-table non exportée Sous-table non exportée chant narratif u 'una• I) : 02'30" - chant de divertissement, roiroa ; II) : 02'15" - Idem ; III): 01'15" - Idem ; IV) : 01'10" - Idem ; V) : 01'45" - Idem • ZEMP,H. 1970 BM 72.16.130 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :130-06 BM.1972.016.001/186:130-06 00:01:45 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF NGUU FOLO Sous-table non exportée Sous-table non exportée chant narratif nguu folo. Pour les fêtes cérémonielles• IEB - = bâtons entrechoqués. chant narratif nguu folo. Pour les fêtes cérémonielles • ZEMP,H. 1970 BM 72.16.130 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :131-01>03 BM.1972.016.001/186:131-01>03 00:09:40 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF KANA Sous-table non exportée Sous-table non exportée chant narratif kana. Pour les fêtes cérémonielles• IEB - = bâtons entrechoqués. I) : 02'30" - chant narratif kana. Pour les fêtes cérémonielles ; II) : 03'30" - Idem ; III): 03'40" - Idem / à la fin : discours • ZEMP,H. 1970 BM 72.16.131 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :131-04>05 BM.1972.016.001/186:131-04>05 00:05:10 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVINATION 'AUKWE Sous-table non exportée Sous-table non exportée chant de divination 'aukwe• IS - = sonnailles-sur-bâton. IV) : 02'40" - chant de divination 'aukwe ; V) : 02'30" - Idem • ZEMP,H. 1970 BM 72.16.131 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :132-01>03 BM.1972.016.001/186:132-01>03 00:08:45 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVINATION 'AUKWE Sous-table non exportée Sous-table non exportée chant de divination 'aukwe• IS - = sonnailles-sur-bâton. I) : 03'15" - chant de divination 'aukwe ; II) : 02'45" - Idem III) : 02'45" - Idem • ZEMP,H. 1970 BM 72.16.132 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :132-04>07 BM.1972.016.001/186:132-04>07 00:01:25 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN SUSUKU Sous-table non exportée Sous-table non exportée IV) : 00'25" - " Angi lana gouro " ; V) : 00'20" - " Ruru lana bole " ; VI : 00'20" - " Angi lana fao " ; VII) : 00'20 - " Kuburu " • ZEMP,H. 1970 BM 72.16.132 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :133-01>05 BM.1972.016.001/186:133-01>05 00:15:05 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Ensemble de 6 flûtes de Pan 'au sisile. IS - = sonnailles attachées aux chevilles, 16 danseurs avec des sonnailles. Pour les fêtes cérémonielles. I) : 00'25" - " Sasafi fuli 'au " ; Sans danseurs : II) : 00'20" - "Sasafi fuli 'au " ; III) : 00'20" - " Fa eta fafo " ; IV) : 00'20 - " Fa bungu" ; V) : 03'10" - " Fa sasaka " • ZEMP,H. 1970 BM 72.16.133 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :134-01>07 BM.1972.016.001/186:134-01>07 00:12:40 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Ensemble de 6 flûtes de Pan 'au sisile. IS - = sonnailles attachées aux chevilles, 16 danseurs avec des sonnailles. Pour les fêtes cérémonielles. I) : 00'25" - " 'Ae 'au " ; II) : 00'20" - " 'Ae 'au " ; Sans danseurs : III) : 00'20" - " Fa 'ae 'au " " ; IV) : 00'20 - " Fa fane " ; V) : 03'10" - " Fa gani 'ae boso " / alterné avec choeur H ; VI) : 01'10" - " Fa afoafa " ; VII) : 02'00" - " Fa to gouna " • ZEMP,H. 1970 BM 72.16.134 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :135-01 BM.1972.016.001/186:135-01 00:02:50 02/70 ILES SALOMON MALAITA,VILLAGE DE KWAIFALU FATALEKA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Ensemble de 6 flûtes de Pan 'au sisile. IS - = sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. I) : " Fa lele kae " • ZEMP,H. 1970 BM 72.16.135 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :136-01>02 BM.1972.016.001/186:136-01>02 00:03:10 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANTS D'ENFANTS BARSIL Sous-table non exportée Sous-table non exportée Chanté, Chr H. I) : 01'55" - chants d'enfants barsil ; II) : 01'15" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.136 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :136-03>04 BM.1972.016.001/186:136-03>04 00:00:35 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANTS D'ENFANTS BARSIL Sous-table non exportée Sous-table non exportée Chanté, solo H. I) : 00'20" - chants d'enfants barsil ; II) : 00'15" - Idem • ZEMP,H. 1969 BM 72.16.136 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :136-05>13 BM.1972.016.001/186:136-05>13 00:10:45 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 9 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC - = tambours-de-bois 'o'o. Langage tambouriné. V) : 0'45" - " Aa ai lae " / 2 fois ; VI) : 01'20" - " Ai ta bubuta " / 2 fois ; VII) : 02'10" - " Gwalu lae " / 2 fois ; VIII) : 01'10" - " 'Ui rondo " / 2 fois ; IX) : 01'35" - " 'Ui ni kwala lae " / 2 fois ; X) : 01'35" - " Tafo lae " / 2 fois ; XI) : 01'05" - " Tatai abu " / 2 fois ; XII) : 00'50" - " Fuula mae " / 2 fois ; XIII) : 00'15" - " Iduidu " / 2 fois • ZEMP,H. 1969 BM 72.16.136 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :137-01>07 BM.1972.016.001/186:137-01>07 00:15:30 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 7 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC - = tambours-de-bois 'o'o. Langage tambouriné. I) : 04'30" - "Iduidu " / 2 fois ; II) : 01'55" - " Toli akalo lae " / 2 fois ; III) : 01'40" - " Nunuli boso e " / 2 fois ; IV):02'00" - " 'Sau boso e " / 2 fois ; V) : 02'05" - " Huri ngwai boso e " / 2 fois ; VI): 02'10" - " Bii lae " / 2 fois ; VIII): 01'10" - " Suue " / 2 fois • ZEMP,H. 1969 BM 72.16.137 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :138-01 BM.1972.016.001/186:138-01 00:00:50 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 7 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC - = tambours-de-bois 'o'o. Langage tambouriné. " Suue " • ZEMP,H. 1969 BM 72.16.138 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :138-04>08 BM.1972.016.001/186:138-04>08 00:04:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE OBLIQUE, SUKWADE Sous-table non exportée Sous-table non exportée AF - = solo de flûte oblique sukwade. IV) : 00'50" - " Kekero " / 2 fois ; V) : 00'40" - " Nguu gwana " / 2 fois ; VI) : 01'15" - " Nguu " / 2 fois ; VII) : 01'15" - " Nguu " / 2 fois ; VIII): 01'40" - " Nguu " / 2 fois • ZEMP,H. 1969 BM 72.16.138 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :138-09>11 BM.1972.016.001/186:138-09>11 00:05:45 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT ROROA Sous-table non exportée Sous-table non exportée IX) : 02'20" - chant de divertissement roroa ; X) : 01'20" - Idem ; XI) : 02'05" - " Idem • ZEMP,H. 1969 BM 72.16.138 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :139-01>06 BM.1972.016.001/186:139-01>06 00:14:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 12 FLUTES DE PAN 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 12 flûtes de Pan 'au ero. IS - = sonnailles attachées aux chevilles. I) : 01'55" - " Ae sfali 'au " ; II) : 01'30" - " Ae 'au " ; III) : 04'45" - " Susulae " ; IV) : 01'20" - " Ae 'au " ; V) : 03'00" - " Fafane " ; X) : 02'25" - " Buburu " • ZEMP,H. 0 BM 72.16.139 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :14-01>07 BM.1972.016.001/186:14-01>07 00:14:23 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 POLYPHONIE A QUATRE PARTIES POUR LES FÊTES CEREMONIELLES Sous-table non exportée Sous-table non exportée Ensemble de 10 flûtes de Pan 'au taka 'iori. IFP- = Danseurs et danseuses tapant sur des paquets de feuilles. Polyphonie à 4 parties : 2 parties doublées et 2 parties triplées à l'octave. Pour les fêtes cérémonielles. I) : 02'15 " - " Mani 'au Aa'ohanua " / 4 fois ; II) : 01'50" - " 'Mani 'au Narihe " / 4 fois ; III) : 01'23" - " Mani 'au ma'eta Oihaihu " / 4 fois ; IV) : 01'17" - " Mani 'au Maraumae " / 4 fois ; V) : 01'55" - "Mani Rosiniuha " / 4 fois ; VI) : 02'00" - " Roko 'au " / 4 fois ; VII) : 03'43" - "Mani teniteni Huko " / 5 fois • ZEMP,H. 1969 BM 71.16.14 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :140-01>03 BM.1972.016.001/186:140-01>03 00:14:35 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 12 FLUTES DE PAN 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 12 flûtes de Pan 'au ero. IS - = sonnailles attachées aux chevilles. I) : 03'30" - " Buburu " ; II) : 02'05" - " Ae 'au " ; III) : 09'00" - " Waetikwae " • ZEMP,H. 1969 BM 72.16.140 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :140-04>06 BM.1972.016.001/186:140-04>06 00:01:50 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée CA - = arc musical, kwadili. Pour le divertissement. IV) : 00'40" - " Roroe" ; V) : 00'35" - " Roroe " ; VI) : 00'35" - " Roroe " • ZEMP,H. 1969 BM 72.16.140 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :140-07>09 BM.1972.016.001/186:140-07>09 00:01:40 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN IIFISUKU Sous-table non exportée Sous-table non exportée AFP - : flûte de Pan en faisceau iifisuku. Pour le divertissement. VII) : 00'20" - "Koburu " / 2 fois ; VIII) : 00'30" - " Lologo " / 2 fois ; IX) : 00'50" - " Ngwangwau saru " • ZEMP,H. 1969 BM 72.16.140 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :141-01>05 BM.1972.016.001/186:141-01>05 00:16:35 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AINIMAE Sous-table non exportée Sous-table non exportée chanté, chr H. chant narratif 'ainimae. IE - = bâtons entrechoqués. Pour les fêtes cérémonielles. I) : 02'50" - " Ae safali 'nguu " ; II) : 03'05" - " Ruani 'ae nguu " ; III) : 03'20" - " Ooluna 'ae nguu " ; IV) : 03'10" - " Aama " ; V) : 04'10" - sans titre • ZEMP,H. 1969 BM 72.16.141 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :142-01 BM.1972.016.001/186:142-01 00:04:05 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AINIMAE Sous-table non exportée Sous-table non exportée chanté, chr H. chant narratif 'ainimae. IE - = bâtons entrechoqués. Pour les fêtes cérémonielles • ZEMP,H. 1969 BM 72.16.142 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :142-02>05 BM.1972.016.001/186:142-02>05 00:12:30 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 INTRODUCTION AU JEU DES FLUTES DE PAN MAE 'AU Sous-table non exportée Sous-table non exportée chanté, chr H. II) : 02'15" - chant d'introduction au jeu des flûtes de Pan mae 'au ; III) : 01'50" - Idem; IV) : 01'55" - Idem ; V) : 01'40" - Idem • ZEMP,H. 1969 BM 72.16.142 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :142-06>11 BM.1972.016.001/186:142-06>11 00:03:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 INTRODUCTION AU JEU DES FLUTES DE PAN MAE 'AU Sous-table non exportée Sous-table non exportée AFL - = flûte traversière 'au dodore. Pour le divertissement. VI) : 02'15" - " Wese " / 2 fois ; VII) : 01'50" - " Oolo kwalo " / 2 fois ; VIII) : 01'55" - " Bola 'i gamua" / 2 fois ; IX) : 01'40" - " Kero" / 2 fois ; X) : 00'35" - " Nguu" / 2 fois ; XI) : 00'30" - " Nguu" • ZEMP,H. 1969 BM 72.16.142 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-01>02 BM.1972.016.001/186:143-01>02 00:04:50 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT, ROROA Sous-table non exportée Sous-table non exportée I) : 02'25" - Chant de divertissement, roroa ; III) : 02'25" - Idem • ZEMP,H. 1969 BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-03>04 BM.1972.016.001/186:143-03>04 00:02:25 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT D'ENFANT, BARSILI Sous-table non exportée Sous-table non exportée III) : 01'35" - Chant d'enfant, barsili ; IV) : 00'50" - Idem • ZEMP,H. 1969 BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-05>06 BM.1972.016.001/186:143-05>06 00:03:50 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT D'ENFANT, BARSILI Sous-table non exportée Sous-table non exportée V) : 02'05" - Chant d'enfant, barsili ; VI) : 01'45" - Idem • ZEMP,H. 1969 BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-07 BM.1972.016.001/186:143-07 00:01:40 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 BERCEUSE, RORONGWELA Sous-table non exportée Sous-table non exportée berceuse, rorongwela • ZEMP,H. 1969 ENFANTIN BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-08 BM.1972.016.001/186:143-08 00:01:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT, ROROA Sous-table non exportée Sous-table non exportée chant de divertissement, roroa • ZEMP,H. 1969 BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :143-09 BM.1972.016.001/186:143-09 00:00:45 09/69 ILES SALOMON MALAITA,VILLAGE DE FULUNU BAEGU ZEMP,H.;ILES SALOMON; 1969 CHANT D'ENFANT, BARSILI Sous-table non exportée Sous-table non exportée Chant d'enfant, barsili • ZEMP,H. 1969 BM 72.16.143 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :144-01>09 BM.1972.016.001/186:144-01>09 00:15:20 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 DANSE D'HOMMES MAO Sous-table non exportée Sous-table non exportée I) : 01'40" - Danse d'hommes mao. Pour le divertissement ; II) : 01'20" - Idem ; III) : 01'30" - Idem ; IV) : 01'50" - Idem ; V) : 02'20" - Idem ; VI) : 01'35" - Idem ; VII) : 01'20" - Idem ; VIII) : 01'40" - Idem ; IX) : 02'05" - Idem • ZEMP,H. 1969 BM 72.16.144 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :145-01>08 BM.1972.016.001/186:145-01>08 00:14:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 DANSE D'HOMMES MAO Sous-table non exportée Sous-table non exportée I) : 01'10" - Danse d'hommes mao. Pour le divertissement ; II) : 01'55" - Idem ; III) : 02'05" - Idem ; IV) : 02'30" - Idem ; V) : 01'15" - Idem ; VI) : 01'35" - Idem ; VII) : 02'25" - Idem ; VIII) : 02'15" - Idem • ZEMP,H. 1969 BM 72.16.145 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :146-01 BM.1972.016.001/186:146-01 00:00:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 DISCOURS Sous-table non exportée Sous-table non exportée Parlé H. Discours (sans précisions de durée ni de contenu) • ZEMP,H. 1969 BM 72.16.146 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :146-02>03 BM.1972.016.001/186:146-02>03 00:11:50 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF ROIROA Sous-table non exportée Sous-table non exportée chant narratif roiroa. Pour les fêtes• II) : 04'25" - chant narratif roiroa. Pour les fêtes ; III) : 07'25" - Idem • ZEMP,H. 1969 BM 72.16.146 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :147-01>03 BM.1972.016.001/186:147-01>03 00:16:30 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF ROIROA Sous-table non exportée Sous-table non exportée chant narratif roiroa. Pour les fêtes• I) : 03'50" - chant narratif roiroa. Pour les fêtes ; II) : 04'40" - Idem III) : 08'00 - Idem • ZEMP,H. 1969 BM 72.16.147 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :148-01>03 BM.1972.016.001/186:148-01>03 00:12:30 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF ROIROA Sous-table non exportée Sous-table non exportée chant narratif roiroa. Pour les fêtes• I) : 05'15" - chant narratif roiroa. Pour les fêtes ; II) : 04'05" - Idem III) : 03'10 - Idem • ZEMP,H. 1969 BM 72.16.148 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :149-01>07 BM.1972.016.001/186:149-01>07 00:12:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF GWAI NGUU Sous-table non exportée Sous-table non exportée chant narratif gwai nguu• chanté chr H. IEB - = bâtons entrechoqués. I) : 01'25" - Chant narratif gwai nguu. Pour les fêtes ; II) : 01'45" - Idem ; III) : 01'50" - Idem ; IV): 01'30" - Idem ; V) : 02'15" - Idem ; VI) : 02'20" - Idem ; VII) : 01'50" - Idem • ZEMP,H. 1969 BM 72.16.149 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :15-01>12 BM.1972.016.001/186:15-01>12 00:13:33 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 12 TUYAUX PILONNANTS Sous-table non exportée Sous-table non exportée IFP- Ensemble de 12 tuyaux pilonnants 'au ni mako. 3 musiciens frappent chacun 4 tuyaux sur une pierre. Pour les divertissements. I) : 01'05 " - " 'Wisi " / 2 fois ; II) : 00'47" - "Roiroipau " / 2 fois ; III) : 01'03" - " Aamamata na Tarokuma " / 2 fois ; IV) : 01'27" - "'Uusuusuha Reepi " / 2 fois ; V) : 01'25" - "Na 'aha Aunamae " / 2 fois/10 tuyaux ; VI) : 01'55" - " Kana Simarore " / 3 fois/10 tuyaux ; VII) : 00'53" - " Ire 'ire Reepi " / 3 fois/10 tuyaux ; VIII) : 00'47" - " Rawako Ha'akenia " / 2 fois/10 tuyaux ; IX) : 00'55" - " Na 'aha Erokeni " / 2 fois ; X) : 00'48" - " Nuu mauri " / 2 fois/10 tuyaux ; XI) : 01'15 - " Kana simarore " / 2 fois ; XII) : 01'13" - " Uusuusuha Reepi " / 2 fois • ZEMP,H. 1969 BM 72.16.15 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :150-01>08 BM.1972.016.001/186:150-01>08 00:15:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 9 FLUTES DE PAN 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 9 flûtes de Pan 'au ero. IS - = sonnailles attachées aux chevilles. I) : 01'05" - " Afali aga " / 2 fois ; II) : 02'10" - " Oolufa hafali aga " / 3 fois ; ; III) : 02'10" - " Susula " / 3 fois ; IV) : 01'20" - " Uulu la fate " / 3 fois ; V) : 02'10" - " Fa fanea " / 3 fois ; VI) : 03'20" - " Buru " / 3 fois ; VII) : 01'00 - " Angi lana futo " / 2 fois ; VIII) : 01'45" - " Ngwangwae tekwa " / 3 fois • ZEMP,H. 1969 BM 72.16.150 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :151-01>05 BM.1972.016.001/186:151-01>05 00:09:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 9 FLUTES DE PAN 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 9 flûtes de Pan 'au ero. IS - = sonnailles attachées aux chevilles. I) : 00'35" - " Ngwangwae tekwa " / 3 fois ; II) : 02'50" - " Buru " / 3 fois ; ; III) : 02'20" - " ' Ae 'au buira Buru " / 3 fois ; IV) : 01'50" - " 'Ae agaa " / 2 fois ; V) : 01'25" - " Sisifoa " / 3 fois • ZEMP,H. 1969 BM 72.16.151 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :152-01>06 BM.1972.016.001/186:152-01>06 00:14:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF UUNGU Sous-table non exportée Sous-table non exportée Chant narratif Uungu• Chant narratif Uungu. Pour les fêtes. IS - = sonnailles sur bâton. I) : 03'30" - " Ri fafanea " ; II) : 01'10" - " Oe sa fale i nau " ; III) : 02'05" - " Gouni Namoeala " ; IV) : 02'15" - " Saari lokau 'ae " ; V) : 03'00" - " Saka 'asi " + " Naamasato ; VI) : 02'00" - " Akwa ruururua " • ZEMP,H. 1969 BM 72.16.152 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :153-01 BM.1972.016.001/186:153-01 00:02:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF UUNGU Sous-table non exportée Sous-table non exportée Chant narratif Uungu• Chant narratif Uungu. Pour les fêtes. IS - = sonnailles sur bâton. " Au loi wae mai " • ZEMP,H. 1969 BM 72.16.153 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :153-02>06 BM.1972.016.001/186:153-02>06 00:13:30 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AI NI MAE Sous-table non exportée Sous-table non exportée Chant narratif 'ai ni mae• Chant narratif 'ai ni mae. Pour les fêtes. IE - = bâtons entrechoqués. II) : 02'10" - " Linge ana Bora " ; III) : 02'20" - " Rowisi 'odo " ; IV) : 02'10" - " Lausukuni 'aia " ; V) : 03'45" - " Uuia " ; VI) : 03'05" - " Kidi musia " • ZEMP,H. 1969 BM 72.16.153 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :154-01>02 BM.1972.016.001/186:154-01>02 00:06:40 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AI NI MAE Sous-table non exportée Sous-table non exportée Chant narratif 'ai ni mae• Chant narratif 'ai ni mae. Pour les fêtes. IE - = bâtons entrechoqués. I) : 03'30" - " Ae nguu " ; II) : 03'10" - " Hama " • ZEMP,H. 1969 BM 72.16.154 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :154-03>06 BM.1972.016.001/186:154-03>06 00:07:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 11 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Chant narratif 'ai ni mae• ensemble de 11 flûtes de Pan 'au sisile. IS - sonnailles attachées aux chevilles. Pour les fêtes cérémonielles. III) : 01'30" - " Hafali agaa " ; IV) : 01'50" - " Hare ga moi " ; V) : 01'20" - " Aara " ; VI) : 03'15" - " Sulua " • ZEMP,H. 1969 BM 72.16.154 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :155-01>06 BM.1972.016.001/186:155-01>06 00:16:05 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 11 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Chant narratif 'ai ni mae• ensemble de 11 flûtes de Pan 'au sisile. IS - sonnailles attachées aux chevilles. Pour les fêtes cérémonielles I) : 01'20" - "Kookoo " / 2 fois ; II) : 02'25" - " Fafanea " III) : 03'15" - " Hoolufe kanila " / 2 fois ; ; IV) : 03'10" - " Aafoaafo " / 3 fois ; V) : 01'20" - " Lelebe 'au " / 2 fois ; ; VI) : 04'35" - " Agaa ngwora " / 3 fois ; • ZEMP,H. 1969 BM 72.16.155 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :156-01>03 BM.1972.016.001/186:156-01>03 00:02:20 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 11 FLUTES DE PAN 'AU SISILE Sous-table non exportée Sous-table non exportée Chant narratif 'ai ni mae• ensemble de 11 flûtes de Pan 'au sisile. IS - sonnailles attachées aux chevilles. Pour les fêtes cérémonielles I) : 00'50" - "Masata 'a " / 2 fois ; II) : 00'15" - " 'Isi agaa " / 2 fois III) : 01'15" - " Sisifoa " • ZEMP,H. 1969 BM 72.16.156 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :156-04>05 BM.1972.016.001/186:156-04>05 00:13:55 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER TOLI FOTE Sous-table non exportée Sous-table non exportée chanté chr H. IFP- = frappement des rebords de la pirogue avec les pagaies. IV) : 08'10" - Chant pour pagayer toli fote ; V) : 05'45" - Idem • ZEMP,H. 1969 BM 72.16.156 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :157-01>03 BM.1972.016.001/186:157-01>03 00:15:15 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER TOLI FOTE Sous-table non exportée Sous-table non exportée chanté chr H. IFP- = frappement des rebords de la pirogue avec les pagaies. I) : 05'30" - Chant pour pagayer toli fote ; II) : 05'00" - Idem III) : 04'45" - Idem• ZEMP,H. 1969 BM 72.16.157 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :158-01>06 BM.1972.016.001/186:158-01>06 00:13:10 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE OBLIQUE SUKWADI Sous-table non exportée Sous-table non exportée AF- flûte oblique sukwadi. Pour le divertissement. I) : 01'25" - " Rurua " / 2 fois ; II) : 01'30" - " Rua 'i aena fata " / 2 fois III) : 01'15" - " Aai 'e liodela uria ruana nia " / 2 fois ; IV): 01'30" - " Aai 'e goru ana fe hatodiana " / 2 fois ; V): 04'00" - " Aai 'e kwae ai ana " / 2 fois ; VI): 02'30" - " Aai 'e to 'i maana kafo " / 2 fois • ZEMP,H. 1969 BM 72.16.158 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :158-07 BM.1972.016.001/186:158-07 00:03:00 09/69 ILES SALOMON MALAITA,VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 CHANT POUR ARRETER LA PLUIE Sous-table non exportée Sous-table non exportée Chanté, solo F. Chant pour arrêter la pluie, Kwekweua ana uute / 5 fois • ZEMP,H. 1969 BM 72.16.158 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :159-01>04 BM.1972.016.001/186:159-01>04 00:14:15 69 ILES SALOMON MALAITA ZEMP,H.;ILES SALOMON; 1969 4 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = 1 tambour-de-bois 'o'o'. langage tambouriné. I) : 04'10" - "'Oo aliali mac " ; II) : 02'45" - " 'Oo aana macha " ; III) : 04'30" - " 'Oo aana welakepaita " ; IV) : 02'50" - " 'Au ko waru " • ZEMP,H. 1969 BM 72.16.159 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :16-01>11 BM.1972.016.001/186:16-01>11 00:14:36 05/69 ILES SALOMON MALAITA,VILLAGE DE HAUHARII AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 12 TUYAUX PILONNANTS Sous-table non exportée Sous-table non exportée IFP- Ensemble de 12 tuyaux pilonnants 'au ni mako. 3 musiciens frappent chacun 4 tuyaux sur une pierre. Pour les divertissements. I) : 00'55 " - " Ke 'etou " ; II) : 01'03" - " Tautaru " / 2 fois ; III) : 02'15" - " Mani ko 'apu " ; IV) : 01'15" - "'Pina " ; V) : 01'08" - " Hohoo " ; VI) : 01'20" - " Honu " ; VII) : 01'10" - "Riiri "; VIII) : 01'30" - " Hata " / 10 tuyaux ; IX) : 00'35" - " 'Ekei " / 2 musiciens/10 tuyaux ; X) : 01'45" - " Wara na Patamaaea " / 2 musiciens/9 tuyaux ; XI) : 01'40 - " Mani taka 'iori " / 10 tuyaux • ZEMP,H. 1969 BM 72.16.16 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :160-01 BM.1972.016.001/186:160-01 00:01:41 09/69 ILES SALOMON MALAITA, VILLAGE DE AISIKI BAELELEA ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT RUA Sous-table non exportée Sous-table non exportée Chant de divertissement rua • ZEMP,H. 1969 BM 72.16.160 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :160-02>12 BM.1972.016.001/186:160-02>12 00:10:57 09/69 ILES SALOMON MALAITA, VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 SOLO DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée IFC- = 1 tambour-de-bois 'o'o'. langage tambouriné. II) : 01'33" - " Oo ana maoma " / 2 fois ; III) : 01'49" - " Gwalu ana maoma " / 2 fois ; IV) : 01'00" - " 'Au ko waru " / 2 fois ; V) : 00'29" - " Oo ana tolingi lana maoma " / 2 fois ; VI) : 01'38" - " Oo ana fufuli mae lana waenifoa " / 2 fois ; VII) : 01'22" - " Oo ana fufuli mae " / 2 fois ; VIII) : 00'56" - " Oo ana kwalala " IX) : 00'31" - " Oo ana fatare boso " ; X) : 00'55" - " Oo ana maoma ni geni " / 2 fois ; XI) : 00'38" - " Oo ana sosoila " / 2 fois ; XII) : 00'31" - " Oo ana oomea 'e fu " / 2 fois • ZEMP,H. 1969 BM 72.16.160 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :160-13>15 BM.1972.016.001/186:160-13>15 00:03:32 09/69 ILES SALOMON MALAITA, VILLAGE DE FOUEDA LAU ZEMP,H.;ILES SALOMON; 1969 IMITATION DES SIGNAUX DE CONQUE Sous-table non exportée Sous-table non exportée Chanté et parlé, solo H. imitant des signaux de conque. XIII) : 00'44" - " Bung ana sosoila " / 2 fois ; XIV) : 01'06" - "Bung ana rurila " ; XV) : 01'42" - " Bung ana fafateila ana barukwakwa " / 2 fois • ZEMP,H. 1969 BM 72.16.160 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :161-01>05 BM.1972.016.001/186:161-01>05 00:14:43 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AINIMAE Sous-table non exportée Sous-table non exportée chant narratif 'ainimae• IE- = bâtons entrechoqués. chant narratif 'ainimae. I) : 01'45" - " Fa tae kana " ; II) : 01'50" - " Fa ngwangwari " ; III) : 04'10" - " Fa ndondora " ; IV): 04'05" - "Sifo ana rondo " ; V) : 02'53" - " Toowelana " • ZEMP,H. 1969 BM 72.16.161 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :162-01>02 BM.1972.016.001/186:162-01>02 00:03:10 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF 'AINIMAE Sous-table non exportée Sous-table non exportée chant narratif 'ainimae• IE- = bâtons entrechoqués. chant narratif 'ainimae. I) : 01'50" - "Sifoa " ; II) : 01'45" - Parlé, discours à la fin des chants • ZEMP,H. 1969 BM 72.16.162 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :162-03>05 BM.1972.016.001/186:162-03>05 00:03:45 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT D'INTRODUCTION AU JEU DES FLUTES DE PAN Sous-table non exportée Sous-table non exportée chant narratif 'ainimae• III) : 01'15" - chant d'introduction au jeu des flûtes de Pan, mae 'au ; IV): 01'15" - Idem ; V) : 01'15" - Idem • ZEMP,H. 1969 BM 72.16.162 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :162-06>08 BM.1972.016.001/186:162-06>08 00:07:40 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE TRAVERSIERE, SUKUKWADI Sous-table non exportée Sous-table non exportée solo de flûte traversière, sukukwadi. trois femmes jouent alternativement, pour le vivertissement. VI) : 02'40" - " Kekeoro " ; VII) : 02'15" - " Siki siako " ; VIII) : 02'45" - " Kwandi sulau " • ZEMP,H. 1969 BM 72.16.162 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :163-01>06 BM.1972.016.001/186:163-01>06 00:05:40 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT DE DIVERTISSEMENT KANA Sous-table non exportée Sous-table non exportée Chant de divertissement kana• I) : 01'30" - Chant de divertissement kana ; II) : 00'25" - Idem ; III) : 01'35" - Idem ; IV): 01'10" - Idem ; V) : 00'25" - Idem ; VI) : 00'35" - Idem • ZEMP,H. 1969 BM 72.16.163 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :163-07 BM.1972.016.001/186:163-07 00:00:30 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANTPOUR ARRETER LA PLUIE Sous-table non exportée Sous-table non exportée chant pour arrêter la pluie• ZEMP,H. 1969 BM 72.16.163 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :163-08>11 BM.1972.016.001/186:163-08>11 00:04:20 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT D'ENFANT SIISILA Sous-table non exportée Sous-table non exportée chantd'enfant siisila• VIII) : 01'10" - Chant d'enfant siisila ; IX) : 00'45" - Idem ; X) : 0145" - Idem ; XI): 00'40" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.163 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :163-12>13 BM.1972.016.001/186:163-12>13 00:03:35 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR CASSER LES AMANDES, AIRIRIA Sous-table non exportée Sous-table non exportée Chant pour casser les amandes, airiria• XII) : 01'20" - Chant pour casser les amandes, airiria XIII) : 02'15 - " Idem • ZEMP,H. 1969 BM 72.16.163 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :164-01>03 BM.1972.016.001/186:164-01>03 00:10:57 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 CHANT POUR CASSER LES AMANDES, AIRIRIA Sous-table non exportée Sous-table non exportée Chant pour casser les amandes, airiria• I) : 01'30" - Chant pour casser les amandes, airiria II) : 02'35 - " Idem III): 06'52" - parlé, discours de chaque danseur • ZEMP,H. 1969 BM 72.16.196 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :164-04>07 BM.1972.016.001/186:164-04>07 00:08:15 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 16 FLUTES DE PAN, 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 16 flûtes de Pan, 'au ero. IS- = Sonnailles attachées aux chevilles des musiciens et des danseurs. Pour les fêtes cérémonielles. IV) : 02'10" - " Tonaa " / 3 fois ; V) : 03'55 - " Tatalaure " / 3 fois ; VI) : 00'40" - " Ae anga " ; VII) : 01'30" - " Fafanea " • ZEMP,H. 1969 BM 72.16.164 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :165-01>06 BM.1972.016.001/186:165-01>06 00:16:00 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 16 FLUTES DE PAN, 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 16 flûtes de Pan, 'au ero. IS- = Sonnailles attachées aux chevilles des musiciens et des danseurs. Pour les fêtes cérémonielles. I) : 00'45" - " Falake ngaengae" ; II) : 05'15 - " Meme kafo " / 2 fois III) : 00'55" - " Rani " ; IV) : 03'40" - " Wua 'ee tekwa " V) : 00'45" - " Kwikwisi " VI) : 04'40" - " Usutekwa " / 2 fois • ZEMP,H. 1969 BM 72.16.165 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :166-01 BM.1972.016.001/186:166-01 00:03:00 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 16 FLUTES DE PAN, 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 16 flûtes de Pan, 'au ero. IS- = Sonnailles attachées aux chevilles des musiciens et des danseurs. Pour les fêtes cérémonielles. I) : 03'00" - " Usutekwa " 3ème fois • ZEMP,H. 1969 BM 72.16.166 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :166-02>04 BM.1972.016.001/186:166-02>04 00:01:30 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 16 FLUTES DE PAN, 'AU ERO Sous-table non exportée Sous-table non exportée ensemble de 16 flûtes de Pan, 'au ero. sans danseurs. IFC- =tambour-de-bois. Pour les fêtes cérémonielles. II) : 00'30 - " Sisifoa " ; III) : 00'30" - Idem ; IV) : 00'30" - Idem • ZEMP,H. 1969 BM 72.16.166 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :166-05>08 BM.1972.016.001/186:166-05>08 00:05:15 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN, SUKU Sous-table non exportée Sous-table non exportée solo de flûte de Pan en faisceau, suku. Pour le divertissemen.. V) : 01'10" - " Aani lathatalo 'a " / 2 fois ; VI) : 01'00" - " Gwang gwang rokata " / 2 fois ; VII) : 01'00" - " Kafarifau " / 2 fois ; VIII) : 02'05" - " Kwakweihu 'undru / 2 fois • ZEMP,H. 1969 BM 72.16.166 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :166-09>11 BM.1972.016.001/186:166-09>11 00:04:45 09/69 ILES SALOMON MALAITA, VILLAGE DE TALAFE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 SOLO D'ARC MUSICAL KWANDILI Sous-table non exportée Sous-table non exportée CA- = solo d'arc musical kwandili. Pour le divertissement. IX) : 01'40" - solo d'arc musical kwandili / 2 fois ; X) : 01'45 - Idem / 2 fois ; XI) : 01'20" - Idem / 2 fois • ZEMP,H. 1969 BM 72.16.166 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :167-01>11 BM.1972.016.001/186:167-01>11 00:16:49 09/69 ILES SALOMON MALAITA,VILLAGE DE TAFILE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 11 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = solo de tambours-de-bois SU 'ARI. langage tambouriné. I) : 01'38" - " Oolo lana maama " / 3 fois ; II) : 0134" - " Kini bilibili " / 3 fois; III) : 01'16" - " Kpendu maise" / 3 fois ; IV) : 01'45" - "Ki kpaitorai " / 3 fois ; V) : 02'27" - " Noambu " / 3 fois ; VI) : 01'20" - " Siromindi " / 3 fois ; VII) : 02'55" - " Kisikisi " ; / 3 fois ; VIII) : 01'25" - " Uuni kwakwala " ; / 3 fois IX) : 00'55" - " Mbule maea " / 3 fois ; X) : 00'48" - " Mbule maea " / 3 fois ; XI) : 00'46" - " Mbule maea " / 3 fois • ZEMP,H. 1969 BM 72.16.167 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :168-01>06 BM.1972.016.001/186:168-01>06 00:09:49 09/69 ILES SALOMON MALAITA,VILLAGE DE TAFILE TO 'ABAITA ZEMP,H.;ILES SALOMON; 1969 11 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = solo de tambours-de-bois SU 'ARI. langage tambouriné. I) : 00'24" - "Mbule maea " / 3ème fois ; II) : 01'15" - " Tafotekwa " / 3 fois; III) : 02'00" - " Uuni kwaiambei " / 3 fois ; IV) : 02'17" - " Rurila " ; V) : 01'21" - " ' U'u rondoa" ; VI) : 02'22" - " Te 'ema 'i bothoa " • ZEMP,H. 1969 BM 72.16.168 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :169-01>10 BM.1972.016.001/186:169-01>10 00:13:45 03/69 ILES SALOMON GUALDACANAL,VILLAGE DE KAKABONA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 12 FLUTES DE PAN Sous-table non exportée Sous-table non exportée I) : 01'50" - " Borobo " ; II) : 01'50" - " Tei " ; III) : 01'35" - " Toku " ; IV) : 02'35" - " Tsui " ; V) : 01'50" - " Kurau " ; VI) : 01'10" - Pièce dont il manque le nom ; VII) : 01'05 - " Kiko muku " ; VIII) 01'00" - " Kiko muku " / joué par 2 flûtes de Pan ; IX) : 00'35" - " Kiko muku " / joué par 1 flûte de Pan ; X) : 00'15" - " Kokumoku " / joué par "1 flûte de Pan • ZEMP,H. 1969 BM 72.16.169 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :169-11>12 BM.1972.016.001/186:169-11>12 00:00:35 03/69 ILES SALOMON GUALDACANAL,VILLAGE DE KAKABONA ZEMP,H.;ILES SALOMON; 1969 2 SOLO DE PETITE FLUTE BOURDON Sous-table non exportée Sous-table non exportée AF - = 1 petite flûte bourdon X) : 00'15" - " Kokumoku " / joué par 1 petite flûte bourdon ; XI) : 00'20" - " Kokumoku " / joué par 1 petite flûte bourdon • ZEMP,H. 1969 BM 72.16.169 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :169-13>14 BM.1972.016.001/186:169-13>14 00:00:40 03/69 ILES SALOMON GUALDACANAL,VILLAGE DE KAKABONA ZEMP,H.;ILES SALOMON; 1969 2 SOLO DE TROMPE Sous-table non exportée Sous-table non exportée XIII) : 00'20" - " Kokumoku " / joué par la petite trompe ; XIV) : 00'20" - " Kokumoku " / joué par la grande trompe• ZEMP,H. 1969 BM 72.16.169 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :17-01>04 BM.1972.016.001/186:17-01>04 00:04:50 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée AFP-flûte de Pan en faisceau, tenue obliquement, 'au ware Pour les divertissements. I) : 01'00 " - "Aamamata " ; II) : 01'00" - Idem ; III) : 01'30" - Idem ; IV) : 01'20" - Idem• ZEMP,H. 1969 BM 72.16.17 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :170-01>09 BM.1972.016.001/186:170-01>09 00:07:30 03/69 ILES SALOMON GUADALCANAL,VILLAGE DE KAKABONA ZEMP,H.;ILES SALOMON; 1969 CHANT ROPE Sous-table non exportée Sous-table non exportée chant rope. I) : 00'50" - "Tsivi " ; II) : 00'50" - "Kiseo " ; III) : 01'00" - " Takulisi " ; IV) : 00'45" - " Gengele lo " ; V) : 00'35" - " Veto " ; VI) : 00'40" - " Ruu " ; VII) : 01'15" - " Tsugere " ; VIII) : 00'50" - " Kiho " ; IX) : 00'45" - " Kokoroko " • ZEMP,H. 1969 BM 72.16.170 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :170-10 BM.1972.016.001/186:170-10 00:07:20 03/69 ILES SALOMON GADALCANAL,VILLAGE DE KAKABONA ZEMP,H.;ILES SALOMON; 1969 ECHELLES DE FLUTES DE PAN Sous-table non exportée Sous-table non exportée échelles de flûtes de Pan et de trompes • ZEMP,H. 1969 BM 72.16.170 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :171-01>04 BM.1972.016.001/186:171-01>04 00:05:10 03/69 ILES SALOMON GUADALCANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 JEUX MUSICAUX Sous-table non exportée Sous-table non exportée Chr de femmes et de jeunes filles. jeux musicaux I) : 03'30" - "Karu tavila " ; II) : 00'40" - "Wuiwui taitangi " ; III) : 00'30" - " Toloa " ; IV) : 00'30" - " Kobebe " • ZEMP,H. 1969 BM 72.16.171 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :171-05 BM.1972.016.001/186:171-05 00:03:45 03/69 ILES SALOMON GUALDACANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT DE DANSE ROPE Sous-table non exportée Sous-table non exportée chant de danse rope. " Aate " • ZEMP,H. 1969 BM 72.16.171 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :172-01>03 BM.1972.016.001/186:172-01>03 00:09:00 03/70 ILES SALOMON GUALDACANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT DE DANSE ROPE Sous-table non exportée Sous-table non exportée chant de danse rope. I) : 04'15" - " Ulumoa " ; II) : 02'30" - " Rondo kama " ; III) : 02'15" - " Ghalughi " • ZEMP,H. 1970 BM 72.16.172 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :172-04>05 BM.1972.016.001/186:172-04>05 00:04:05 03/70 ILES SALOMON GUALDACANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT DE DANSE LOLOELE POUR LE TATOUAGE Sous-table non exportée Sous-table non exportée chant de danse loloele pour le tatouage • chant de danse loloele pour le tatouage. IV) : 01'45" - " Navi di taramai " ; V) : 02'20" - "sambiria" • ZEMP,H. 1970 BM 72.16.172 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :172-06 BM.1972.016.001/186:172-06 00:03:30 03/70 ILES SALOMON GUALDACANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 ORGUE EOLIEN POUR LES CEREMONIES FUNERAIRES Sous-table non exportée Sous-table non exportée C- = Orgue éolien ghau kilori. 4 grands bambous. Pour les cérémonies funéraires • ZEMP,H. 1970 BM 72.16.172 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :173-01>02 BM.1972.016.001/186:173-01>02 00:02:45 03/70 ILES SALOMON GUALDACANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT DE DANSE LOLOELE POUR LE TATOUAGE Sous-table non exportée Sous-table non exportée chant de danse loloele pour le tatouage • chant de danse loloele pour le tatouage. I) : 01'05" - "Siosi manidoku " ; II) : 01'40" - "Pana tha na panani " • ZEMP,H. 1970 BM 72.16.173 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :173-03>07 BM.1972.016.001/186:173-03>07 00:11:15 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 DANSE SIKIOLE Sous-table non exportée Sous-table non exportée danse sikiole • Chanté, chr H. Danse sikiole. III) : 02'25" - "Bovi " ; IV) : 02'00" - "Kubo " ; V) : 02'35" - " Loloele" ; VI) : 01'45" - " Kola " ; VII) : 02'30" - " Vaka " • ZEMP,H. 1970 BM 72.16.173 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :174-01>05 BM.1972.016.001/186:174-01>05 00:13:27 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT SILARU Sous-table non exportée Sous-table non exportée chant silaru • Chanté, chr H. Chant silaru. I) : 02'50" - "Uva" ; II) : 02'55" - "Tarangau " ; III) : 02'47" - ? ; IV) : 02'15" - " Tarangau " ; V) : 02'40" - " Uva " • ZEMP,H. 1970 BM 72.16.174 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :174-06 BM.1972.016.001/186:174-06 00:02:50 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE MALIKE ZEMP,H.;ILES SALOMON; 1969 CHANT TUTUKONI Sous-table non exportée Sous-table non exportée chant tutukoni. Chant d'introduction au chant rope • Chanté, chr H. Chant tutukoni. Chant d'introduction au chant rope • ZEMP,H. 1970 BM 72.16.174 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :175-01>05 BM.1972.016.001/186:175-01>05 00:12:05 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE KONGGA ZEMP,H.;ILES SALOMON; 1969 LAMENTATIONS FUNERAIRES KOLEO Sous-table non exportée Sous-table non exportée lamentations funéraires koleo • I) : 00'55" - lamentations funéraires koleo ; II) : 02'15" - Idem ; III) : 02'15" - Idem ; IV) : 03'15" - Idem ; V) : 03'25" - Idem • ZEMP,H. 1970 BM 72.16.175 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :175-06 BM.1972.016.001/186:175-06 00:01:45 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE KONGGA ZEMP,H.;ILES SALOMON; 1969 BERCEUSE PORUNGARI Sous-table non exportée Sous-table non exportée berceuse porungari • ZEMP,H. 1970 BM 72.16.175 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :175-07>08 BM.1972.016.001/186:175-07>08 00:02:00 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE KONGGA ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE TRAVERSIERE TUBIU Sous-table non exportée Sous-table non exportée AFL - = solo de flûte traversière tubiu. Musique de divertissement. VII) : 00'55" - " Tei " ; VIII) : 01'05" - " Tsui " • ZEMP,H. 1970 BM 72.16.175 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :176-01>10 BM.1972.016.001/186:176-01>10 00:16:00 03/70 ILES SALOMON GUADALCANAL,VILLAGE DE KONGGA ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 11 FLUTES DE PAN Sous-table non exportée Sous-table non exportée ensemble de 11 flûtes de Pan. AT - = Trompe hau kesa Pour les fêtes cérémonielles. I) : 02'20 - " Savuto " ; II) : 01'45" - " Mano Lala 'ua " ; III) : 01'10" - " Kira " ; IV) : 02'00 - " Llova " ; V) : 01'40" - " Hilahila kiki " ; VI) : 01'40" - "Hau kesa " ; VII) : 01'30" - " Hau ni boro" ; VIII) : 01'20" - " Tasi " ; IX) : 01'20" - " Dzava " ; X) : 01'15" - " Makahambua "• ZEMP,H. 1970 BM 72.16.176 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :177-01>03 BM.1972.016.001/186:177-01>03 00:07:42 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT OLIOLI, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant olioli, pour le rituel du sanga• * Village de Luangiua IL - tuyaux pilonnés. chant olioli, pour le rituel du sanga. I) : 03'00" - " Kengei kaukai " II) : 02'36 - " Au ia kali mai" ; III) : 02'06" - " Kaumaku " • ZEMP,H. 1969 BM 72.16.177 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :177-04>06 BM.1972.016.001/186:177-04>06 00:08:45 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT FUNERAIRE HUAKANGA Sous-table non exportée Sous-table non exportée chant funéraire huakanga • * Village de Luangiva chant funéraire huakanga. VI) : 03'00" - " Hakui eiho ngaikungae " V) : 02'45" - " Ie kehengua hakingamai " ; VI) : 03'00" - " Eo kauhengua Laoi " • ZEMP,H. 1969 BM 72.16.177 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :178-01>02 BM.1972.016.001/186:178-01>02 00:07:15 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT FUNERAIRE HUAKANGA Sous-table non exportée Sous-table non exportée chant funéraire huakanga• * Village de Luangiua chant funéraire huakanga. I) : 04'15" - " Kela 'au ikai mai" II) : 03'00 - " Hakue kelai ake aiku i" • ZEMP,H. 1969 BM 72.16.178 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :178-03>04 BM.1972.016.001/186:178-03>04 00:08:20 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT KU 'I POUR LA NAISSANCE Sous-table non exportée Sous-table non exportée chant ku 'i pour la naissance • * Village de Luangiua chant ku 'i pour la naissance. III) : 04'15" - " O kau henguangei " IV) : 04'05 - " kelai ngai 'a " • ZEMP,H. 1969 BM 72.16.178 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :179-01>03 BM.1972.016.001/186:179-01>03 00:10:25 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT KU 'I POUR LA NAISSANCE Sous-table non exportée Sous-table non exportée chant ku 'i pour la naissance • * Village de Luangiua chant ku 'i pour la naissance. I) : 03'15" - " kau kama aihuli keia " II) : 04'25 - " O kau hengua nga ila " ; III) : 02'45" - " Keingoa " • ZEMP,H. 1969 BM 72.16.179 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :179-04>05 BM.1972.016.001/186:179-04>05 00:04:25 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LOPU, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant lopu, pour le rituel du sanga• * Village de Luangiua IL - tuyaux pilonnés. chant lopu, pour le rituel du sanga. IV) : 03'00 - " Nga kili pakuai" ; V) : 01'25" - " Kalakala mai kaukama " • ZEMP,H. 1969 BM 72.16.179 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :18-01>08 BM.1972.016.001/186:18-01>08 00:13:33 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 03'40 " - " Suru 'au " / 2 fois ; II) : 01'37" - " Paoro " / 2 fois ; III) : 01'03" - " Mani 'au ni tootora " / 2 fois ; IV) : 01'48" - " Roromera " / 2 fois ; V) : 02'05" - " Aaniaanita na 'Oko 'ohimane " / 2 fois ; VI) : 01'45" - " Suasuarora naWa' ikao " / 2 fois ; VII) : 02'00" - "Hakehake na Pa 'itoro " / 2 fois ; VIII) : 02'10" - " Heshe 'o na Waitotomanu " " / 2 fois • ZEMP,H. 1969 BM 72.16.18 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :180-01 BM.1972.016.001/186:180-01 00:03:15 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LOPU, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant lopu, pour le rituel du sanga• * Village de Luangiua IL - tuyaux pilonnés. chant lopu, pour le rituel du sanga I) : " Keali 'i " • ZEMP,H. 1969 BM 72.16.180 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :180-02>05 BM.1972.016.001/186:180-02>05 00:03:05 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT PAPASAU, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant papasau, pour le rituel du sanga• * Village de Luangiua IL - tuyaux pilonnés. chant papasau, pour le rituel du sanga. II) : 00'45" - " Kau kehala " ; III) : 00'50" - " Momoa momoa " ; IV) : 00'35" - " Hula pa 'ila " ; V) : 00'55" - " anga hinga " • ZEMP,H. 1969 BM 72.16.180 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :180-06>08 BM.1972.016.001/186:180-06>08 00:09:15 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LANGI, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant langi, pour le rituel du sanga• * Village de Luangiua chant langi, pour le rituel du sanga. VI) : 03'40 - " Kahui kekama " ; VII) : 02'45" - " Koukoukama " ; VIII): 02'50" - " O kingo kehinga " • ZEMP,H. 1969 BM 72.16.180 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :181-01>04 BM.1972.016.001/186:181-01>04 00:12:45 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LANGI, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant langi, pour le rituel du sanga• * Village de Luangiua chant langi, pour le rituel du sanga. I) : 03'40 - " Kahui kekama " ; II) : 03'20" - " Haele kauhinga " ; III): 02'05" - "Hihai " ; IV): 02'40" - " Moe kauhinga " • ZEMP,H. 1969 BM 72.16.181 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :181-05>07 BM.1972.016.001/186:181-05>07 00:03:10 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE SEA, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée danse sea pour le rituel du sanga• * Village de Luangiua danse sea, pour le rituel du sanga. V) : 01'00 - " Kahui kekama " ; VI) : 01'05" - " Koukoukama " ; VII): 01'05" - " O kingo kehinga " • ZEMP,H. 1969 BM 72.16.181 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :182-01>04 BM.1972.016.001/186:182-01>04 00:03:35 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE SEA, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée danse sea pour le rituel du sanga• * Village de Luangiua danse sea, pour le rituel du sanga. I) : 00'50 - " Oke mangu aihe " ; II) : 01'15" - Idem ; III): 00'45" - " Iku 'u maikaongi "; IV): 00'45" - Idem • ZEMP,H. 1969 BM 72.16.182 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :182-05>08 BM.1972.016.001/186:182-05>08 00:10:40 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LANGI, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant langi pour le rituel du sanga• * Village de Luangiua chant langi, pour le rituel du sanga. V) : 02'45 - " Hango ka " ; VI) : 02'45" - " Kela 'i " ; VII): 02'45" - " Ngimalanga " ; VIII) : 02'25" - " Halongo haingapa " • ZEMP,H. 1969 BM 72.16.182 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :183-01 BM.1972.016.001/186:183-01 00:02:15 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT LANGI, POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée chant langi pour le rituel du sanga• * Village de Luangiua chant langi, pour le rituel du sanga. " Keilileu " • ZEMP,H. 1969 BM 72.16.183 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :183-02>07 BM.1972.016.001/186:183-02>07 00:08:35 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE DE FEMMES LUA Sous-table non exportée Sous-table non exportée danse de femmes lua • * Village de Luangiua. IFC - = Tambour-de-bois. danse de femmes lua. Pour le divertissement. II) : 01'35 - " Uae mai kai " ; III) : 01'00" - " Ke palaie " ; IV): 01'00" - " Ke la hohoe " ; V) : 00'45" - " Ahuilo ikahangae " ; VI) : 01'10" - " Kuanga le " ; VII) : 00'50" - " Kau pa tuku " • ZEMP,H. 1969 BM 72.16.183 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :183-08>09 BM.1972.016.001/186:183-08>09 00:04:30 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT FUNEBRE KANGI Sous-table non exportée Sous-table non exportée chant funèbre kangi• * Village de Luangiua chant funèbre kangi. VIII) : 02'00" - "Kau makiala " ; XI) : 02'30" - " Keupapalei 'a " • ZEMP,H. 1969 BM 72.16.183 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :184-01>04 BM.1972.016.001/186:184-01>04 00:08:20 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 CHANT FUNEBRE KANGI Sous-table non exportée Sous-table non exportée chant funèbre kangi• * Village de Luangiua chant funèbre kangi. I) : 03'30" - "Eiaie " ; II) : 00'50" - " Keise " ; " ; III) : 02'00" - " Keise " ; IV) : 02'00" -" Kaumakiala " • ZEMP,H. 1969 BM 72.16.184 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :184-05>08 BM.1972.016.001/186:184-05>08 00:06:55 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE D'HOMMES LUA Sous-table non exportée Sous-table non exportée danse d'hommes lua • * Village de Luangiua. IFC - = Tambour-de-bois. danse d'hommes lua. Pour le divertissement. V) : 00'55" - " Nga kehenguai " ; VI) : 02'05" - Idem ; VII): 01'45" - " Kau kui kau kamanga " ; VIII) : 02'10" - " Bou ka inga " • ZEMP,H. 1969 BM 72.16.184 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :185-01>06 BM.1972.016.001/186:185-01>06 00:08:01 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE D'HOMMES LUA Sous-table non exportée Sous-table non exportée danse d'hommes lua • * Village de Luangiua. IFC - = Tambour-de-bois. danse d'hommes lua. Pour le divertissement. I) : 00'55" - " Nga kehengua ai " ; II) : 02'05" - " Ohu e ke 'i ai " ; III): 01'45" - " E uta malafine " ; IV) : 02'10" - " Aisea e kingi kauvele "; V) : 01'40" - " Hau ke vele mako" ; VI) : 01'36" - " Iva keakanga • ZEMP,H. 1969 BM 72.16.185 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :185-07>13 BM.1972.016.001/186:185-07>13 00:06:28 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 JEUX CHANTES KAHAO VAKAI Sous-table non exportée Sous-table non exportée jeux chantés kahao vakai • * Village de Luangiua. jeux chantés kahao vakai . VII) : 01'12" - " Saele " ; VIII) : 00'46" - " Kipukipu kelaukia " ; IX) : 00'16" - " Avikie " ; X) : 00'15" - " Kepara "; XI) : 01'38" - " Suesuei " ; XII) : 01'09" - " Paea ue " ; XIII) : 01'12" - " Momoea " • ZEMP,H. 1969 BM 72.16.185 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :186-01 BM.1972.016.001/186:186-01 00:03:03 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 JEUX CHANTES KAHAO VAKAI Sous-table non exportée Sous-table non exportée jeux chantés kahao vakai • * Village de Luangiua. jeux chantés kahao vakai . " Kangi memea " • ZEMP,H. 1969 BM 72.16.186 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :186-02>06 BM.1972.016.001/186:186-02>06 00:05:09 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 JEUX CHANTES KAHAO VAVAIHALE Sous-table non exportée Sous-table non exportée jeux chantés kahao vavaihale • * Village de Luangiua. jeux chantés kahao vavaihale . II) : 00'40" - " Koli angae " ; III) : 00'30" - "Solonga " ; IV) : 01'53" - " Kaukaumao " ; V) : 01'21" - " Kangi memea "; VI) : 01'45" - Idem • ZEMP,H. 1969 BM 72.16.186 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :186-07>10 BM.1972.016.001/186:186-07>10 00:03:14 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 DANSE SUAMELE,POUR LE RITUEL DU SANGA Sous-table non exportée Sous-table non exportée danse suamele,pour le rituel du sanga • * Village de Luangiua. IFC - = Tambour-de-bois. danse suamele,pour le rituel du sanga VII) : 00'44" - " Kaumao" ; VIII) : 00'38" - " Keaale Ikaie " ; IX) : 01'01" - Idem ; X) : 00'53" - Idem • ZEMP,H. 1969 BM 72.16.186 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :186-11 BM.1972.016.001/186:186-11 00:01:07 11/69 ILES SALOMON ATOLL D'ONTONG JAVA * POLYNESIENS ZEMP,H.;ILES SALOMON; 1969 PRIERE HAMAHA Sous-table non exportée Sous-table non exportée prière hamaha• * Village de Luangiua • ZEMP,H. 1969 BM 72.16.186 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :19-01>07 BM.1972.016.001/186:19-01>07 00:14:58 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 02'12 " - " Hakehake na Kaihirua " / 2 fois ; II) : 01'55" - " Iisisuu na Hariraata " / 2 fois ; III) : 02'03" - "Aaniaanita na paupora'a " / 2 fois + chant ; IV) : 02'55" - " Hakehake na Keniupasia " / 2 fois + chant ; V) : 01'48" - " Hoehoeta ni poo " / 2 fois ; VI) : 01'37" - " Mani ripi " / 2 fois ; VII) : 02'28" - " Nuu iisisuu Namohani'ai " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.19 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :20-01>08 BM.1972.016.001/186:20-01>08 00:15:44 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 01'35 " - " Wara hana Uurira'o " / 2 fois ; II) : 02'18" - "Mani 'au ni Waareo " / 2 fois + chant ; III) : 02'18" - "Mani 'au Uwakomu " / 2 fois ; IV) : 01'55" - " Kosuho'e " / 2 fois ; V) : 01'33" - " 'Eke " / 2 fois ; VI) : 02'05" - " Mani 'au Houpua " / 2 fois ; VII) : 02'03" - "Roko 'au " / 2 fois ; VIII) : 01'57" - " Pora na suaaparoro / 2 fois • ZEMP,H. 1969 BM 72.16.20 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :21-01>07 BM.1972.016.001/186:21-01>07 00:13:52 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 02'10 " - " Mani 'au maepara " / 2 fois ; II) : 02'45" - "Mani 'au Houpua " / 2 fois + chant ; III) : 02'15" - "Hakehake na Keniohia " / 2 fois + chant ; IV) : 02'15" - " 'ai awareo " / 2 fois + chant ; V) : 01'13" - "Mani 'au Wa'iahana " / 2 fois ; VI) : 00'57" - " Mani hoo aana taka 'iori " / 2 fois ; VII) : 02'17" - "Ma 'ama 'asuu aana Hauoota " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.21 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :22-01>07 BM.1972.016.001/186:22-01>07 00:14:03 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au : "Répertoire de musique ". Certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer les pièces, nous les avons numérotées. I) : 02'05 " - " Naho Naewakio " / 2 fois + chant ; II) : 02'23" - "1er P.Maneaania " / 2 fois ; III) : 02'13" - "2ème P.Maneaania " / 2 fois + chant ; IV) : 01'23" - " 3ème P.Maneaania " / 2 fois ; V) : 01'42" - " 4ème P.Maneaania " / 2 fois ; VI) : 02'17" - " 5ème P.Maneaania " / 2 fois + chant ; VII) : 02'00" - "Mani 'au ni Kou " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.22 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :23-01>07 BM.1972.016.001/186:23-01>07 00:14:27 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 02'05 " - " 2ème Mani 'au ni kou " / 2 fois + chant ; II) : 01'40" - " 3ème Mani 'au ni kou " / 2 fois + chant ; III) : 01'47" - "4ème Mani 'au ni kou " / 2 fois + chant ; IV) : 02'05" - " Mani 'au Maekahu " / 2 fois + chant ; V) : 02'40" - " Mani kenihura kenisikoana " / 2 fois + chant ; VI) : 01'55" - " Ookeooke aatara na kuukuuku " / 2 fois + chant ; VII) : 02'15" - " Kiu na Aetaumanu " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.23 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :24-01>07 BM.1972.016.001/186:24-01>07 00:15:34 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 02'05 " - " Mani 'au ni Oora " / 2 fois + chant ; II) : 02'15" - "6ème P. Maneaania " / 2 fois + chant ; III) : 02'20" - "7ème P. Maneaania " / 2 fois ; IV) : 02'02" - " 5ème P. Maneaania " / 2 fois ; V) : 03'00" - "Aamaamata na houpua " / 2 fois + chant ; VI) : 02'10" - " Mani 'au ni kou " / 2 fois ; VII) : 01'42" - "Roropau " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.24 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :25-01>07 BM.1972.016.001/186:25-01>07 00:15:24 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 01'47 " - " Hoohoo nae hito " / 2 fois ; II) : 02'40" - " Mani 'au aani 'Oa " / 2 fois ; III) : 01'55" - "7ème P. Maneaania " / 2 fois ; IV) : 02'40" - " 7ème Mani 'au ni kou " / 2 fois ; V) : 02'07" - "8ème P. Maneaania " / 2 fois ; VI) : 02'20" - " Ma 'ama 'asuu aana Waisu" / 2 fois ; VII) : 01'55" - " 8ème Mani 'au ni kou " / 2 fois • ZEMP,H. 1969 BM 72.16.25 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :26-01>08 BM.1972.016.001/186:26-01>08 00:15:07 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. I) : 02'05 " - " 7ème Mani 'au ni kou " / 2 fois + chant ; II) : 01'40" - " Hakehake na Teremaesia " / 2 fois ; III) : 01'40" - "9ème P. Maneaania " / 2 fois + chant ; IV) : 02'05" - " 10ème Mani 'au ni kou " / 2 fois ; V) : 01'55" - " 11ème Mani 'au ni kou " / 2 fois ; VI) : 01'30"" - " 10ème P. Maneaania " / 2 fois ; VII) : 02'12" - " 11ème P. Maneaania " / 2 fois ; VIII) : 02'00" - " 12ème P. Maneaania " / 2 fois + chant • ZEMP,H. 1969 BM 72.16.26 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :27-01>07 BM.1972.016.001/186:27-01>07 00:15:07 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 02'05 " - " Mani 'au hou ' aisu " / 2 fois + chant ; II) : 02'15" - "13ème P. Maneaania " / 2 fois ; III) : 02'20" - "12ème Mani 'au ni kou " / 2 fois ; IV) : 02'02" - " 13ème Mani 'au ni kou " / 2 fois ; V) : 03'00" - "14ème P. Maneaania" / 2 fois ; VI) : 02'10" - " 14ème Mani 'au ni kou " / 2 fois ; VII) : 01'42" - " 15ème Mani 'au ni kou " / 2 fois • ZEMP,H. 1969 BM 72.16.27 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :28-01>07 BM.1972.016.001/186:28-01>07 00:16:08 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 02'00 " - "16ème Mani 'au ni kou " / 2 fois ; II) : 02'03" - "15ème P. Maneaania " / 2 fois ; III) : 02'23" - "16ème P. Maneaania " / 2 fois + chant ; IV) : 02'40" - " 17ème P. Maneaania " / 2 fois + chant; V) : 02'10" - "18ème P. Maneaania" / 2 fois ; VI) : 01'57" - " 17ème Mani 'au ni kou " / 2 fois ; VII) : 02'15" - " Suru 'au ni kou " / 2 fois • ZEMP,H. 1969 BM 72.16.28 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :29-01>06 BM.1972.016.001/186:29-01>06 00:14:29 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 03'42 " - "19ème Mani 'au ni kou " / 2 fois ; II) : 02'15" - "19ème P. Maneaania " / 2 fois ; III) : 02'05" - "20ème P. Maneaania " / 2 fois ; IV) : 02'05" - " 21ème P. Maneaania " / 2 fois + chant; V) : 01'52" - "22ème P. Maneaania" / 2 fois + chant ; VI) : 02'30" - " 20ème Mani 'au ni kou " / 2 fois • ZEMP,H. 1969 BM 72.16.29 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :30-01>04 BM.1972.016.001/186:30-01>04 00:09:34 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au paina. Polyphonie à deux parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni'au, " Répertoire de musique " / Cf. fiche 72.16.22 . / BM.972.016.001/186:22-01>07. I) : 02'05 " - "21ème Mani 'au ni kou " / 2 fois ; II) : 02'17" - "23ème P. Maneaania " / 2 fois ; III) : 02'25" - "Ma 'ama 'asuu aana 'Irisitapa 'a " / 2 fois + chant ; IV) : 02'47" - " Mani 'au ni houpua" / 2 fois + chant • ZEMP,H. 1969 BM 72.16.30 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :31-01>17 BM.1972.016.001/186:31-01>17 00:04:27 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS-(1) Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. SUITE 972.016.31-18>34 I) : 00'15" - " Kusia" ; II) : 00'15" - "Parahisina " ; III) : 00'13" - " Mani hero " ; IV) : 00'18" - " Parahisina " ; V) : 00'13" - " 2ème Mani hero " ; VI) : 00'17" - " Parahisina " VII) : 00'22" - " 3ème Mani hero" ; VIII) : 00'17" - Parahisina ; IX) : 00'15" - " 4ème Mani hero " ; X) : 00'15 - Parahisina ; XI) : 00'25" - " Kurukuru " ; XII) : 00'18 - Parahisina ; XIII) : 00'32" : " Repi kautora " ; XIV) : 00'15 - Parahisina ; XV) : 00'13" : " 1er P.Horanamae " ; XVI) : 00'15 - Parahisina ; XVII) 00'32" : " 2ème P.Horanamae " • ZEMP,H. 1969 BM 72.16.31 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :31-18>34 BM.1972.016.001/186:31-18>34 00:06:02 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS- (2) Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. SUITE DE 972.016.31-01>17 XVIII) : 00'32 - Parahisina ; XIX) : 00'28" : " 1er P.He'aenima " ; XX) : 00'15 - Parahisina ; XXI) : 00'37" : " 2ème P.He'aenima " ; XXII) : 00'15 - Parahisina ; XXIII) : 00'20" : " 3ème P.He'aenima " ; XXIV) : 00'25 - Parahisina ; XXV) : 00'35" : " 4ème P.Horanamea, Taremae ta'amai " ; XXVI) : 00'33 - Parahisina ; XXVII) : 00'40 - " 5ème P.Horanamea, watei paro P.Horanamea ; XXVIII) : 00'37" - Parahisina ; XXIX) : 00"30" - " 6ème P.Horanamea, Tanimae tei " ; XXX) : 00'38" - Parahisina ; XXXI) : 00'38" - " 7ème P.Horanamea, " ; XXXII) : 00'22" - Parahisina ; XXXIII) : 00'40" - " 8ème P.Horanamea, Pina XXXIV) : 00'25" - Parahisina • ZEMP,H. 1969 BM 72.16.31 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :32-01>17 BM.1972.016.001/186:32-01>17 00:07:22 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS-(1) Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. SUITE 972.016.32-18>26 I) : 00'32" - " 4ème P.He 'aenima " ; II) : 00'28" - "Parahisina " ; III) : 00'28" - " 5ème P.He 'aenima, kiriko " ; IV) : 00'32" - " Parahisina " ; V) : 00'28" - " 6ème P.He 'aenima, Tautaru " ; VI) : 00'25" - " Parahisina " VII) : 00'33" - " 9ème P.Horanamae" ; VIII) : 00'28" - Parahisina ; IX) : 00'23" - " 7ème P.He 'aenima, nokunoku " ; X) : 00'27 - Parahisina ; XI) : 00'43" - " 10ème P.Horanamae " ; XII) : 00'25 - Parahisina ; XIII) : 00'30" : " Kusiha " ; XIV) : 00'20" - Parahisina ; XV) : 00'40" : " 8ème P.He 'aenima " ; XVI) : 00'20 - Parahisina ; XVII) 00'30" : " 9ème P.He 'aenima " • ZEMP,H. 1969 BM 72.16.32 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :32-18>26 BM.1972.016.001/186:32-18>26 00:04:37 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS- (2) Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. SUITE DE 972.016.32-01>17 XVIII) : 00'23" - Parahisina ; XIX) : 00'33" : " 10ème P.He'aenima " ; XX) : 00'20" - Parahisina ; XXI) : 00'40" : " 11ème P.He'aenima, Sua e to'o a ku " ; XXII) : 00'20" - Parahisina ; XXIII) : 00'38" : " 12ème P.He'aenima, Pirina " ; XXIV) : 00'23" - Parahisina ; XXV) : 00'55" : " 13ème P.He'aenima, Kui " ; XXVI) : 00'25" - Parahisina • ZEMP,H. 1969 BM 72.16.32 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :33-01>21 BM.1972.016.001/186:33-01>21 00:14:51 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 00'50" - " 11ème P.Horanamae, Ha'apuna " ; II) : 00'45" - "12ème P.Horanamae, Tori 'au 'ahva " ; III) : 01'08 " - "13ème P.Horanamae, Kana " ; IV) : 01'52" - " 14ème P.Horanamae, 'Asiha " ; V) : 00'43" - " 15ème P.He'aenima " ; VI) : 00'43" - " 15ème P.Horanamae, Waraworana " VII) : 00'50" - " 16ème P.Horanamae " ; VIII) : 00'40" - " 17ème P.Horanamae " ; IX) : 00'35" - "18ème P.Horanamae " ; X) : 00'30 - " Mani ra'e Warousu " ; XI) : 00'25" - " 19ème P.Horanamae " ; XII) : 00'35 - " Mani 'o'o Tauhairiu Ma ' ehunu " ; XIII) : 00'35" : "20ème P.Horanamae " ; XIV) : 00'15 - " 21ème P.Horanamae, Pirisi " ; XV) : 00'37" : " 22ème P.Horanamae " ; XVI) : 00'33" - " 23ème P.Horanamae " ; XVII) 00'55" : " 24ème P.Horanamae, Wara na Ra'auhanua " ; XVIII) : 00'28" - " P.Horanamae" XIX) : 00'33" - "P.He'aenima" ; XX) : 00'35" - " P.He'aenima, Ra'e " ; XXI) : 00'44" - " 17ème P.He'aenima "• ZEMP,H. 1969 BM 72.16.33 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :34-01>17 BM.1972.016.001/186:34-01>17 00:12:38 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de 10 tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. Parahisina = intermède. P. = Panipani ni 'o'o, " répertoire de tambours-de-bois". certaines pièces dont le titre est oublié sont connues sous le nom de répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 02'15" - " 18ème P.He'aenima, Mani nununu" ; II) : 00'35" - "26ème P.Horanamae " ; III) : 00'40" - "19ème P.He'aenima " ; IV) : 0 '35" - " 27ème P.Horanamae, 'Asi " ; V) : 00'33" - " 20ème P.He'aenima, Nokunoku " ; VI) : 00'33" - " 21ème P.He'aenima, Wisi " ; VII) : 00'27" - Wara hana Namori " ; VIII) : 00'35" - " 22ème P.He'aenima, Kurukuru" ; IX) : 00'35" - " 23ème P.He'aenima " ; X) : 03'10" - " Tahu " ; XI) : 00'30" - " Huro 'o'ha ; XII) : 00'40" - " Tomaha " ; XIII) : 00'20" - " Tahomaneha ; XIV) : 00'25" : "Warauha/piruaeha " ; XV) : 00'45" - " Poimane " ; XVI) : 00'50" : " Tau ni pirinaha " ; XVII) : 00'30 - " Karu maiha " • ZEMP,H. 1969 BM 72.16.34 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :35-01>20 BM.1972.016.001/186:35-01>20 00:14:37 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 20 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = tambours-de-bois "para ni 'o'o". Solo de tambours-de-bois. Langage tambouriné. I) : 00'50" - " Hauhauna " ; II) : 00'45" - " 'Uiha su'a noni " ; III) : 01'08 " - "Aara tautau " ; IV) : 01'52" - " Uiha sane su'u mae " ; V) : 00'43" - " Horo pauha " ; VI) : 00'43" - " Huru 'o'oha "+ " Tahomaniha " VII) : 00'50" - " Tomaha " ; VIII) : 00'40" - " Warauha" ; IX) : 00'35" - "Tau ni pirinaha " ; X) : 00'30 - " Karu maiha " ; XI) : 00'25" - " Horo pauha " ; XII) : 00'35 - " Mani 'o'o Tauhairiu Ma ' ehunu " ; XIII) : 00'35" : "Mani hata " ; XIV) : 00'15 - " Mani 'o'o Warousu, 'Orou " ; XV) : 00'37" : " Mani kaukarumae 'Irisitapa 'a " ; XVI) : 00'33" - " Karu maiha " ; XVII) 00'55" : " Hahauna " / 2 fois ; XVIII) : 00'28" - " Poiha 'ohia noni " / 2 fois XIX) : 00'33" - " Aara tautau " / 2 foix ; XX) : 00'35" - " Mani 'o'o 'Orou " / 2 fois • ZEMP,H. 1969 BM 72.16.35 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :36-01>04 BM.1972.016.001/186:36-01>04 00:16:12 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT DIVINATOIRE KANA Sous-table non exportée Sous-table non exportée chant divinatoire kana• IFP- = bois d'un arc frappé avec des baguettes. I) : 03'40" - " Chant divinatoire kana " ; II) : 00'20" - Idem / essai ; III) : 06'05 " - Idem ; IV) : 06'07" - Idem • ZEMP,H. 1969 BM 72.16.36 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :37-01>04 BM.1972.016.001/186:37-01>04 00:06:45 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 BERCEUSE ROROMERA Sous-table non exportée Sous-table non exportée I) : 03'53" - " berceuse roromera " ; II) : 00'57" - Idem ; III) : 00'40 " - Idem ; IV) : 01'15" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.37 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :37-05 BM.1972.016.001/186:37-05 00:04:05 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 LAMENTATION FUNEBRE AAMAMATA Sous-table non exportée Sous-table non exportée Chanté, duo H / imitation de duo F. Lamentation funèbre aamamata.• ZEMP,H. 1969 BM 72.16.37 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :37-06>07 BM.1972.016.001/186:37-06>07 00:03:13 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 LAMENTATION FUNEBRE AAMAMATA Sous-table non exportée Sous-table non exportée Chanté, duo F VI) : 02'28" : " Lamentation funèbre aamamata " ; VII) : 00'45" - Idem • ZEMP,H. 1969 BM 72.16.37 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :38-01>03 BM.1972.016.001/186:38-01>03 06:32:00 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 LAMENTATION FUNEBRE AAMAMATA Sous-table non exportée Sous-table non exportée Chanté, duo F. I) : 02'17" : " Lamentation funèbre aamamata " ; II) : 02'30" - Idem ; III) : 01'45" - Idem • ZEMP,H. 1969 BM 72.16.38 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :38-04 BM.1972.016.001/186:38-04 00:01:30 05/69 ILES SALOMON MALAITA,VILLAGE DE 'AINIASI AREARE ZEMP,H.;ILES SALOMON; 1969 BERCEUSE ROROMERA Sous-table non exportée Sous-table non exportée Berceuse roromera • ZEMP,H. 1969 ENFANTIN BM 72.16.38 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :39-01>16 BM.1972.016.001/186:39-01>16 00:13:55 06/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 16 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de tambours-de-bois "para ni 'o'o". Pour les fêtes cérémonielles. P. = "Panipani ni 'au ", "répertoire des tambours-de-bois ". Cf fiche 72.16.31. I) : 02'25" - Inauguration de nouveaux tambours-de-bois ; II) : 01'35" - Inauguration de nouveaux tambours-de-bois ; III) : 00'30" - "Kusiha " / 2 fois ; IV) : 00'20" - " 1er Mani hero " / 2 fois ; V) : 00'30" - " 2ème Mani hero " / 2 fois ; VI) : 00'40" - " 3ème Mani hero " / 2 fois ; VII) : 00'30" - " 4ème Mani hero" ; / 2 fois ; VIII) : 00'50" - " Kurukuru " ; / 2 fois IX) : 00'55" - " Repi kautora " / 2 fois ; X) : 00'30" - " 1er P.Horanamae " ; XI) : 00'25" - " 2ème P.Horanamae " ; / 2 fois ; XII) : 00'55" - " 1er P. He 'aenima " ; / 2 fois XIII) : 01'05" : "2ème P. He 'aenima " / 2 fois ; XIV) : 00'45" - "3ème P. He 'aenima " / 2 fois ; XV) : 01'05" : " 4ème P.Horanamae " / 2 fois ; XVI) : 00'55" - " 5ème P.Horanamae " / 2 fois • ZEMP,H. 1969 BM 72.16.39 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :40-01>14 BM.1972.016.001/186:40-01>14 00:14:55 06/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 14 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = solo de tambours-de-bois, les mêmes que 72.16.31-34. P. = "Panipani ni 'au ", "répertoire des tambours-de-bois ". Cf fiche 72.16.31. I) : 01'00" - " 6ème P.Horanamae " / 2 fois ; II) : 01'05" - " 7ème P.Horanamae " / 2 fois ; III) : 01'10" - " 8ème P.Horanamae " / 2 fois ; IV) : 01'02" - " 4ème P. He 'aenima " / 2 fois ; V) : 00'55" - "5ème P. He 'aenima " / 2 fois ; VI) : 01'00" - "6ème P. He 'aenima " / 2 fois ; VII) : 00'48" - " 9ème P.Horanamae " ; / 2 fois ; VIII) : 00'45" - "7ème P. He 'aenima " ; / 2 fois IX) : 01'08" - " 10ème P.Horanamae " / 2 fois ; X) : 01'05" - "8ème P. He 'aenima " / 2 fois ; XI) : 01'45" - "9ème P. He 'aenima " ; / 2 fois ; XII) : 01'12" - "10ème P. He 'aenima " ; / 2 fois XIII) : 01'30" : "11ème P. He 'aenima " / 2 fois ; XIV) : 00'30" - "12ème P. He 'aenima " / 1 fois • ZEMP,H. 1969 BM 72.16.40 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :41-01>13 BM.1972.016.001/186:41-01>13 00:14:41 06/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 13 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = solo de tambours-de-bois / les mêmes pièces que fiche 72.16.31-34. P. = "Panipani ni 'au ", "répertoire des tambours-de-bois ". Cf fiche 72.16.31-34. I) : 02'25" - " 12ème P. He 'aenima, Pirina " / 2 fois ; II) : 01'35" - " 13ème P. He 'aenima, Kui " / 2 fois ; III) : 00'30" - " 11ème P.Horanamae, Ha'apunu " / 2 fois ; IV) : 00'20" - " 12ème P.Horanamae, Tori 'au'ahua " / 2 fois ; V) : 00'30" - " 13ème P.Horanamae, Kana " / 2 fois ; VI) : 00'40" - " 14ème P.Horanamae, 'Asi " / 2 fois ; VII) : 00'30" - " 14ème P. He 'aenima " ; / 2 fois ; VIII) : 00'50" - " 15ème P.Horanamae, Woraworana " ; / 2 fois IX) : 00'55" - " 16ème P.Horanamae " / 2 fois ; X) : 00'30" - " 17ème P.Horanamae, Pina " ; XI) : 00'25" - " 18ème P.Horanamae " ; / 2 fois ; XII) : 00'55" - " Mani ra'e Warousu " ; / 2 fois XIII) : 01'05" : " 19ème P.Horanamae " / 2 fois • ZEMP,H. 1969 BM 72.16.41 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :42-01>14 BM.1972.016.001/186:42-01>14 00:15:32 06/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 14 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée IFC- = Ensemble de tambours-de-bois / les mêmes pièces que 72.16.31-34. P. = "Panipani ni 'au ", "répertoire des tambours-de-bois ". Cf fiche 72.16.31-34. I) : 00'45" - " Mani 'o'o Tauhairiu Ma 'ehunu " / 2 fois ; II) : 00'53" - " 20ème P.Horanamae " / 2 fois; III) : 00'25" - " 21ème P.Horanamae, Pirisi" / 2 fois ; IV) : 00'55" - " 22ème P.Horanamae " / 2 fois ; V) : 00'53" - " 23ème P.Horanamae " / 2 fois ; VI) : 01'27" - " 24ème P.Horanamae " / 2 fois ; VII) : 00'33" - " 25ème P.Horanamae " ; / 2 fois ; VIII) : 00'55" - "15ème P. He 'aenima " ; / 2 fois IX) : 00'50" - " 16ème P. He 'aenima " / 2 fois ; X) : 01'03" - " 17ème P. He 'aenima " ; XI) : 03'50" - " 18ème P. He 'aenima, Nununu " ; / 2 fois ; XII) : 00'55" - " 26ème P.Horanamae " ; / 2 fois XIII) : 01'08" : "19ème P. He 'aenima " / 2 fois ; XIV) : 01'00" - " 27ème P.Horanamae, 'asi " / 2 fois • ZEMP,H. 1969 BM 72.16.42 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :43-01>16 BM.1972.016.001/186:43-01>16 00:14:15 06/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 16 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée langage tambouriné• IFC- = solo de tambours-de-bois / langage tambouriné. les mêmes pièces que 72.16.31-34. P. = "Panipani ni 'au ", "répertoire des tambours-de-bois ". Cf fiche 72.16.31-34. I) : 00'45" - " 20ème P. He 'aenima, Nukuku " / 2 fois ; II) : 01'00" - " 21ème P. He 'aenima, Wisi " / 2 fois ; III) : 00'40" - " Wara hana Namoriu" / 2 fois ; IV) : 01'00" - " 20ème P. He 'aenima, kurukuru " / 2 fois ; V) : 01'00" - " 23ème P. He 'aenima " / 2 fois ; VI) : 01'20" - " Tahu " / 2 fois ; VII) : 00'45" - " Mani huto" ; / 2 fois ; VIII) : 00'55" - "Huru 'o'ha" ; / 2 fois IX) : 01'30" - " Tomaha" / 2 fois ; X) : 00'25" - " Tahomaueha " ; XI) : 00'45" - " Warauba " ; / 2 fois ; XII) : 01'45" - " Poimaneha " ; / 2 fois XIII) : 00'40" : "Huru 'o'ha" + "Taroha " ; XV) : 00'30" - " Taroha " / 2 fois ; XVI) : 01'15" - " Toipirina " / 2 fois ( l'item XIV) est manquant) • ZEMP,H. 1969 BM 72.16.43 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :44-01>11 BM.1972.016.001/186:44-01>11 00:13:55 06-08/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 11 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée solo de tambour-de-bois 'o'o. Langage tambouriné : signes de généalogie• IFC- = solo de tambours-de-bois, 'o'o. Langage tambouriné : signes de généalogie. / les mêmes pièces que 72.16.31-34. I) : 01'05" - " Are, are maasina " ; II) : 01'40" - " Paira 'iaara " / 3 fois ; III) : 00'45" - " Kurukuru" / 3 fois ; IV) : 01'20" - " Hu'u " / 3 fois ; V) : 01'15" - " Paupausinau " / 3 fois ; VI) : 01'15" - " Raununu " ; VII) : 01'45" - " Pua" ; / 3 fois ; VIII) : 00'55" - " Rawauururu" ; / 3 fois IX) : 01'05" - " Oorou " / 3 fois ; X) : 01'25" - " Ra'e Waipaina " / 3 fois ; XI) : 01'25" - " Suupe " • ZEMP,H. 1969 BM 72.16.44 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :45-01>12 BM.1972.016.001/186:45-01>12 00:14:40 08/69 ILES SALOMON MALAITA,VILLAGE DE KIU AREARE ZEMP,H.;ILES SALOMON; 1969 12 SOLO DE TAMBOURS-DE-BOIS Sous-table non exportée Sous-table non exportée Langage tambouriné : signes de généalogie• IFC- = solo de tambours-de-bois. Langage tambouriné : signes de généalogie. I) : 01'20" - "Woraworana " / 2 fois ; II) : 01'30" - " 'Asuha " / 3 fois ; III) : 01'45" - " 'Iki 'iki" / 3 fois ; IV) : 01'30" - " 'Ai rasu " / 3 fois ; V) : 01'10" - " Teterekurana " / 3 fois ; VI) : 01'15" - "Karosire werawera" ; VII) : 00'50" - " Piu " ; / 3 fois ; VIII) : 01'40" - " Reperepe" ; / 3 fois IX) : 01'35" - " Poipoi rana Tohumaa " / 3 fois ; X) : 02'05" - " Kurukuru hiumane " / 3 fois ; XI) : 01'05" - " Taremae ta ' amai " / 3 fois ; XII) : 01'20" - " Wisi 'Ahikua " / 3 fois • ZEMP,H. 1969 BM 72.16.45 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :46-01>06 BM.1972.016.001/186:46-01>06 00:14:07 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'15" - " Pupuara 'i 'au " / 4 fois ; II) : 02'07" - " Mani 'au 'isii " / 4 fois ; III) : 01'15" - " Rihe 'isii " / 4 fois ; IV) : 02'10" - " Poipoira " / 4 fois ; V) : 03'00" - " 'Eke nai Haoro " / 4 fois ; VI) : 03'20" - " Taukae " / 4 fois • ZEMP,H. 1969 BM 72.16.46 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :47-01>06 BM.1972.016.001/186:47-01>06 00:15:03 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 03'15" - " Wisi " / 4 fois ; II) : 02'00" - " Punu " / 4 fois, 3ème fois effacée ; III) : 02'15" - " Meo " / 4 fois ; IV) : 03'45" - " 'Ore 'ore hadu " / 4 fois ; V) : 01'30" - " ''Asuhe " / 4 fois ; VI) : 02'18" - " Hote " / 4 fois • ZEMP,H. 1969 BM 72.16.47 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :48-01>06 BM.1972.016.001/186:48-01>06 00:16:24 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'25" - " Suasuanora aana Mamoiasi " / 4 fois ; II) : 02'30" - " Tarawara na Ro 'asi " / 4 fois ; III) : 02'10" - " 'Ero " / 4 fois ; IV) : 02'40" - " Mani Ma 'eore " / 4 fois ; V) : 02'12" - " Nanarata na 'Arona 'auna " / 4 fois ; VI) : 03'27" - " Kioni wara " / 4 fois • ZEMP,H. 1969 BM 72.16.48 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :49-01>08 BM.1972.016.001/186:49-01>08 00:15:14 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'47" - " Mimisi 'ito " / 3 fois ; II) : 02'35" - " Nanarata ana Hotekari " / 3 fois ; III) : 02'40" - " 'Nanarata " / 3 fois ; IV) : 01'45" - " 'Orinaho " / apprentissage du morceau + chant ; V) : 01'25" - " 'Orinaho " / 3 fois ; VI) : 01'55" - " Honu " / 3 fois ; VII) : 02'07" - " Meo 'ipuri " / +chant / 3 fois ; VIII) : 01'00" - " Taruwaiha " / + chant / 3 fois • ZEMP,H. 1969 BM 72.16.49 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :50-01>08 BM.1972.016.001/186:50-01>08 00:15:28 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'30" - "Taruwaihe " / 2 fois ; II) : 02'00" - " Ma 'eore " / 3 fois ; III) : 01'35" - " 'Koikoiro " / 3 fois ; IV) : 01'55" - " 'Apai raru " / 3 fois ; V) : 02'35" - " 'Are 'arere na Amasi " / + chant / 3 fois ; VI) : 01'43" - " Rawako " / 3 fois ; VII) : 02'00" - " 'Au ni tootora " / +chant / 3 fois ; VIII) : 02'10" - " kikio nai Nu 'ura 'a " / + chant / 3 fois • ZEMP,H. 1969 BM 72.16.50 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :51-01>09 BM.1972.016.001/186:51-01>09 00:20:02 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'40" - " 'Au Manai " / 3 fois ; II) : 01'57" - " Maramara Raia " / +chant / 3 fois ; III) : 01'40" - " Wai aahe rararia " / 3 fois ; IV) : 01'32" - " Nanarata na Waokai " / 3 fois ; V) : 02'03" - " Kioni wara " / + chant / 3 fois ; VI) : 01'45" - " Toutee " / 3 fois ; VII) : 01'25" - " Tarara nai Haumera " / 3 fois ; VIII) : 01'50" - "Towao " / +chant / 3 fois ; IX) : 01'47" - " Houramu torenau " • ZEMP,H. 1969 BM 72.16.51 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :52-01>07 BM.1972.016.001/186:52-01>07 00:14:52 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'22" - " 'Auwaromauri " / 3 fois ; II) : 02'30" - " Uuta " / 3 fois ; III) : 01'35" - " Mani 'au Maaaputoa " / 3 fois ; IV) : 01'45" - " Riri nai Maropa " / 3 fois ; V) : 02'50" - " Nanarata na 'au huko na " / + chant / 2 fois ; VI) : 01'50" - " Koohuto " / 3 fois ; VII) : 02'00" - " 'Hata kaakaa " / 3 fois • ZEMP,H. 1969 BM 72.16.52 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :53-01>10 BM.1972.016.001/186:53-01>10 00:14:51 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 FLUTES DE PAN + SOLO Sous-table non exportée Sous-table non exportée Solo de flûte de Pan 'au ni aau. Pour chercher des amandes, et pour le divertssement• AFP- Ensemble de 10 flûtes de Pan 'au taka ' iori ni Marau. AFP-Solo de flûte de Pan 'au ni aau. Pour chercher des amandes, et pour le divertssement. Danseurs et danseuses entrechoquant des morceaux de bois. Polyphonie à 4, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'40" - " Rua waritere " / 3 fois ; II) : 01'20" - "Kirakira " / 3 fois ; III) : 01'32" - " Kiraiiara" / 3 fois ; IV) : 01'47" - " Mani 'au Wakioniha'a " / 3 fois ; V) : 02'12" - " Mani 'au Ko'ua " / 3 fois ; VI) : 01'25" - " Pora Iiotoro " / 3 fois ; VII) : 01'30" - " Mera ka nara " / 3 fois ; VIII) : 01'05" - " Sisihoi kahu Porena " / 2 fois ; IX) : 01'05" - " Pina " / 2 fois ; X) : 01'15" - " Rua iioni ka wowa 'u " / 3 fois • ZEMP,H. 1969 BM 72.16.53 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :54-01>02 BM.1972.016.001/186:54-01>02 00:08:00 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN EN FAISCEAU Sous-table non exportée Sous-table non exportée AFP- solo de flûte de Pan en faisceau, tenue obliquement, 'au ware. Musique de divertissement. I) : 05'15" - " Mata 'iha 'asi 'asi " / 3 fois ; II) : 02'45" - "Kiro " / 3 fois • ZEMP,H. 1969 BM 72.16.54 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :54-03>05 BM.1972.016.001/186:54-03>05 00:02:59 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée AFP- solo de flûte de Pan pupuramarama. Musique de divertissement. III) : 01'10" - "Rerei tara " / 3 fois ; IV) : 00'57" - " 'Ereo " / 3 fois ; V) : 00'52" - " Sisihoi kahu " / 3 fois • ZEMP,H. 1969 BM 72.16.54 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :54-06>07 BM.1972.016.001/186:54-06>07 00:04:00 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée CA- solo d'arc musical pasiawa. Musique de divertissement. VI) : 01'55" - " Kana " / 3 fois ; V II) : 02'05" - "Nuuha " / 3 fois • ZEMP,H. 1969 BM 72.16.54 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :55-01>02 BM.1972.016.001/186:55-01>02 00:03:30 06/69 ILES SALOMON MALAITA,VILLAGE DE TA'ARUAMANU AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée CA- solo d'arc musical pasiawa. Musique de divertissement. I) : 02'15" - " Nanarata " / 4 fois ; II) : 02'05" - " Aamamata " / 3 fois • ZEMP,H. 1969 BM 72.16.55 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :56-01>09 BM.1972.016.001/186:56-01>09 00:15:15 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, quadruplées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 01'30 " - " Maani 'au " / 2 fois ; II) : 01'25" - " Oorioori aa 'i " / 2 fois ; III) : 01'45" - "Pora Rai 'uhanua " / 2 fois ; IV) : 01'25" - " Oorioori aa 'i " / 2 fois ; V) : 02'00" - " Mani 'au Kaukau " / 2 fois ; VI) : 01'45" - " Oorioori aa 'i " / 2 fois ; VII) : 02'13" - " 1er P.Houmei " / 2 fois ; VIII) : 01'37" - " 2ème P.Houmei " / 2 fois ; IX) : 01'45" - " 3ème P.Houmei " / 2 fois • ZEMP,H. 1969 BM 69.16.56 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :57-01>09 BM.1972.016.001/186:57-01>09 00:14:26 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, doublées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 01'33 " - " 4ème P.Houmei " / 2 fois ; II) : 01'15" - " Mousiki " / 2 fois ; III) : 01'50" - " Mani 'au ni taka 'iori " / 2 fois ; IV) : 01'25" - " 2ème Mani 'au ni taka 'iori " / 2 fois ; V) : 02'03" - " Mani 'Arukeninaanau " / 2 fois ; VI) : 02'55" - "Uuhi ha 'arua " / 2 fois ; VII) : 01'45" - " 5ème P.Houmei " / 2 fois ; VIII) : 01'40" - " 3ème Mani 'au ni taka 'iori " / 2 fois ; IX) : 01'05" - " 6ème P.Houmei, Mou ha 'arua " • ZEMP,H. 1969 BM 72.16.57 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :58-01>08 BM.1972.016.001/186:58-01>08 00:16:20 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, doublées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 02'05 " - " 6ème P.Houmei, Mou ha 'arua " / 2 fois ; II) : 01'40" - " 7ème P.Houmei " / 2 fois ; III) : 01'30" - "'Uta 'uta paraha " / 2 fois ; IV) : 01'55" - " 8ème P.Houmei " / 2 fois ; V) : 02'40" - "Mousiki " / 2 fois ; VI) : 01'47" - " 9ème P.Houmei " / 2 fois ; VII) : 01'48" - " 10ème P.Houmei " / 2 fois ; VIII) : 01'55" - " 11ème P.Houmei " / 2 fois • ZEMP,H. 1969 BM 72.16.58 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :59-01>08 BM.1972.016.001/186:59-01>08 00:15:09 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, doublées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 02'28 " - " Pina " / 2 fois ; II) : 02'45" - " Riko Ri 'uhanua " / 3 fois / = chant ; III) : 02'13" - " Raerae aana Siriharu " / 2 fois ; IV) : 01'58" - " 13ème P.Houmei " / 2 fois ; V) : 01'30" - " Mara hana Haikau " / 2 fois ; VI) : 01'35" - " 14ème P.Houmei " / 2 fois ; VII) : 01'40" - " 15ème P.Houmei " / 2 fois ; VIII) : 01'00" - " Mani Waihaho " / 2 fois • ZEMP,H. 1969 BM 72.16.59 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :60-01>08 BM.1972.016.001/186:60-01>08 00:13:58 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, doublées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 01'03 " - " Mani Waihaho " / 2 fois ; II) : 01'50" - " Kikioro " / 3 fois / = chant ; III) : 02'08" - " 16ème P.Houmei " / 2 fois ; IV) : 01'57" - " 17ème P.Houmei " / 2 fois ; V) : 01'35" - "18ème P.Houmei " / 2 fois ; VI) : 01'42" - " 19ème P.Houmei " / 2 fois ; VII) : 02'08" - " Kiitora " / 2 fois ; VIII) : 01'35" - " 20ème P.Houmei " / 2 fois • ZEMP,H. 1969 BM 72.16.60 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :61-01>07 BM.1972.016.001/186:61-01>07 00:14:06 07/69 ILES SALOMON MALAITA,VILLAGE DE HONOA AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 6 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 6 flûtes de Pan 'au keto. Polyphonie à trois parties, doublées à l'octave. Pour les fêtes cérémonielles. P. = Panipani ni 'au, "Répertoire de musique ". Certaines pièces, dont le titre est oublié, sont connues sous le nom d'un répertoire. Afin de distinguer ces pièces, nous les avons numérotées. I) : 01'50 " - " 21ème P.Houmei " / 2 fois ; II) : 02'03" - " 22ème P.Houmei, Mou ha 'arua " / 2 fois ; III) : 02'00" - " Mousiki rua ha 'arua " / 2 fois ; IV) : 02'25" - " 23ème P.Houmei " / 2 fois ; V) : 01'30" - "Too 'au " / 2 fois ; VI) : 02'13" - " Kikioro " / 2 fois ; VII) : 02'05" - " Matae 'asi 'asi " / 2 fois • ZEMP,H. 1969 BM 72.16.61 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :62-01>04 BM.1972.016.001/186:62-01>04 00:04:20 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN PUPU Sous-table non exportée Sous-table non exportée solo de flûte de Pan pupu. musique de divertissement. I) : 01'00 " - " 'Ereo keni " / 3 fois ; II) : 01'07" - " 'Ereo mane " / 3 fois ; III) : 01'08" - "Poni iikura porena " / 3 fois ; IV) : 01'05" - "Sisihoi aasi " / 3 fois • ZEMP,H. 1969 BM 72.16.62 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :62-05>07 BM.1972.016.001/186:62-05>07 00:04:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU NI 'AAU Sous-table non exportée Sous-table non exportée Pour chercher des amandes et pour le divertissement• solo de flûte de Pan 'au ni 'aau. Pour chercher des amandes et pour le divertissement. V) : 01'15 " - " Suraha " / 3 fois ; VI) : 01'00" - " Roinariha " / 3 fois ; VII) : 01'55" - "Sisihona " / 3 fois • ZEMP,H. 1969 BM 72.16.62 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :62-08>11 BM.1972.016.001/186:62-08>11 00:06:40 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN KIRAKIRA Sous-table non exportée Sous-table non exportée solo de flûte de Pan kirakira. musique de divertissement. VIII) : 01'45 " - " Kirakira " / 3 fois ; IX) : 01'25" - " Rikoriko " / 3 fois ; X) : 01'35" - "Siiri " / 3 fois ; XI) : 01'55" - "Riirii " / 3 fois • ZEMP,H. 1969 BM 72.16.62 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :63-01>03 BM.1972.016.001/186:63-01>03 00:05:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN KIRAKIRA Sous-table non exportée Sous-table non exportée solo de flûte de Pan kirakira. musique de divertissement. I) : 01'20 " - " Kiori " / 3 fois ; II) : 01'25" - " Koohuto " / 3 fois ; III) : 02'15" - "Kirakira " / 3 fois • ZEMP,H. 1969 BM 72.16.63. OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :63-04 BM.1972.016.001/186:63-04 00:09:30 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT DE PILONNAGE RARAPA Sous-table non exportée Sous-table non exportée chant de pilonnage raparapa. Pour les fêtes cérémonielles• IEB- = bambou frappé avec une baguette. Cris. chant de pilonnage raparapa. Pour les fêtes cérémonielles • ZEMP,H. 1969 BM 72.16.63 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :64-01 BM.1972.016.001/186:64-01 00:11:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT DE PILONNAGE RARAPA Sous-table non exportée Sous-table non exportée chant de pilonnage raparapa. Pour les fêtes cérémonielles• IE- = bambou frappé avec une baguette. Cris. chant de pilonnage raparapa. Pour les fêtes cérémonielles • ZEMP,H. 1969 BM 72.16.64 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :64-02 BM.1972.016.001/186:64-02 00:05:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT/BAMBOU PILONNE SUR LE SOL Sous-table non exportée Sous-table non exportée bambou pilonné sur le sol et bambous frappés contre la main, kiro. Pour les fêtes cérémonielles• IE- = bambou pilonné sur le sol et bambous frappés contre la main, kiro. Pour les fêtes cérémonielles• ZEMP,H. 1969 BM 72.16.64 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :65-01>03 BM.1972.016.001/186:65-01>03 00:12:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT/BAMBOU PILONNE SUR LE SOL Sous-table non exportée Sous-table non exportée Pour les fêtes cérémonielles• I = bambou pilonné sur le sol et bambous frappés contre la main,"KIRO". I) : 04'00" ; II) : 04'25" ; III) : 03'35" • ZEMP,H. 1969 BM 72.16.65 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :66-01 BM.1972.016.001/186:66-01 00:03:45 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT/BAMBOU PILONNE SUR LE SOL Sous-table non exportée Sous-table non exportée bambou pilonné sur le sol et bambous frappés contre la main, kiro. Pour les fêtes cérémonielles• IEB- = bambou pilonné sur le sol et bambous frappés contre la main, kiro. Pour les fêtes cérémonielles I) : 04'00" ; II) : 04'25" ; III) : 03'35" • ZEMP,H. 1969 BM 72.16.66 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :66-02 BM.1972.016.001/186:66-02 00:01:55 07/69 ILES SALOMON MALAITA,VILLAGE DE HAUTAHE AREARE ZEMP,H.;ILES SALOMON; 1969 ECHELLE DE TOUS LES BAMBOUS FRAPPES Sous-table non exportée Sous-table non exportée Echelle de tous les bambous frappés • ZEMP,H. 1969 BM 72.16.66 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :67-01>08 BM.1972.016.001/186:67-01>08 00:09:00 07/69 ILES SALOMON MALAITA,VILLAGE DE HUNANAAWA AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE TRAVERSIERE Sous-table non exportée Sous-table non exportée Solo de flûte traversière 'au ware. Musique de divertissement. I) : 01'35" - Pièce sans nom / 2 fois ; II) : 02'20"- Idem / 3 fois III) : 01'00" - " Rato kaoro " / 2 fois ; IV) : 01'05" - " Ririhataraaku " / 2 fois ; V) : 01'15 - " Kokohahuto " / 2 fois ; VI) : 01'05" - " Hata kakaa " ; VIII) : 00'40" - " Nanarata ni Wakio "• ZEMP,H. 1969 BM 72.16.67 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :68-01>04 BM.1972.016.001/186:68-01>04 00:14:40 07/69 ILES SALOMON MALAITA,VILLAGE DE TARAPAINA AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER Sous-table non exportée Sous-table non exportée IE- = Frappement des pagaies sur le rebord des pirogues I) : 03'15" - " Chant pour pagayer mani hote ", chanté duo H ; II) : 02'15" - " Chant pour pagayer mani hote ", chanté duo H ; III) : 02'30" - " Chant pour pagayer mani hote ", solo H, cris ; IV) : 06'40" - " Chant pour pagayer mani hote ", duo H • ZEMP,H. 1969 BM 72.16.68 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :69-01>03 BM.1972.016.001/186:69-01>03 00:16:05 07/69 ILES SALOMON MALAITA,VILLAGE DE TARAPAINA AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER Sous-table non exportée Sous-table non exportée IE- = Frappement des pagaies sur le rebord des pirogues I) : 04'35" - " Chant pour pagayer mani hote ", chanté duo H ; II) : 05'55" - " Chant pour pagayer mani hote ", chanté duo H ; III) : 05'35" - " Chant pour pagayer mani hote ", chanté duo H • ZEMP,H. 1969 BM 72.16.69 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :70-01>02 BM.1972.016.001/186:70-01>02 00:08:15 07/69 ILES SALOMON MALAITA,VILLAGE DE TARAPAINA AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER Sous-table non exportée Sous-table non exportée IFP- = Frappement des pagaies sur le rebord des pirogues I) : 05'20" - " Chant pour pagayer mani hote ", chanté duo H ; II) : 02'55" - " Chant pour pagayer mani hote ", chanté duo H • ZEMP,H. 1969 BM 69.16.70 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :70-03 BM.1972.016.001/186:70-03 00:04:50 07/69 ILES SALOMON MALAITA,VILLAGE DE TARAPAINA AREARE ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PAGAYER Sous-table non exportée Sous-table non exportée IFP- = Frappement des pagaies sur le rebord des pirogues " Chant pour pagayer mani hote " • ZEMP,H. 1969 BM 69.16.70 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :71-01>09 BM.1972.016.001/186:71-01>09 00:15:30 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'15" - " Kiro Aihirupora " / 2 fois ; II) : 01'30" - " Mara ha'a Haikeni " / 2 fois ; III) : 01'55" - "Ra'e Kiteitoro " / 2 fois ; IV) : 01'25" - " Mani 'au Raketorea " / 2 fois V) : 01'25" - " Manomano na Hepe " / 2 fois ; VI) : 01'45" - " Mara Huniarasi " / 2 fois ; VII) : 02'05" - " 2ème Manomano na Hepe " / 2 fois ; VIII) : 01'20" - " Mani kiro Uurahu " / 2 fois ; IX) : 02'50" - " Kiu na Waihau " / 2 fois • ZEMP,H. 1970 BM 72.16.71 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :72-01>09 BM.1972.016.001/186:72-01>09 00:14:45 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 03'00" - "Aamamata na Aanaetoho " / 2 fois ; II) : 02'10" - " Teitari " / 2 fois ; III) : 01'40" - " Mara Ai 'apu" / 2 fois ; IV) : 01'15" - " Kiro Ai 'apu " / 2 fois V) : 01'25" - " Kiro hiruania " / 2 fois ; VI) : 01'20" - " Rikora Aihunu " / 2 fois ; VII) : 01'30" - " Mani 'au Porauwa " / 2 fois ; VIII) : 01'20" - " Nanarata na Riotarau " / 2 fois ; IX) : 01'05" - " Mani kuma " / 2 fois • ZEMP,H. 1970 BM 72.16.72 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :73-01>10 BM.1972.016.001/186:73-01>10 00:13:55 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'05" - "Mani kuma " ; II) : 02'25" - " Mara Maehanua " / 2 fois ; III) : 01'15" - " Mara hiruania " / 2 fois ; IV) : 01'25" - " Nanaratana Hero 'au " / 2 fois V) : 01'50" - " Hakehake tana Houharu " / 2 fois ; VII) : 01'20" - " Nanarata na rewasihanua " / 2 fois ; VIII) : 01'15" - "Mara Moke 'oha " / 2 fois ; IX) : 01'50" - " Roko harine " / 2 fois ; X) : 01'30" - " Uuhina ni Kenitiota'a "/ 2 fois. (l'item VI) est manquant) • ZEMP,H. 1970 BM 72.16.73 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :74-01>08 BM.1972.016.001/186:74-01>08 00:15:46 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'35" - "Mara Ahimauri " / 2 fois ; II) : 02'20" - "Hai mane ka uuhi " / 2 fois ; III) : 02'15" - " Mara Taremae" / 2 fois ; IV) : 00'01" - " Puara 'iaato " / 2 fois V) : 02'20" - " 3ème Toto 'au " / 2 fois ; VI) : 01'35" - " Nuu iisiu Ha 'atani " / 2 fois ; VII) : 02'05" - " 'Ire 'Iire Porawa" / 2 fois ; VIII) : 03'35" - " Oihiroakora 'ai " / 2 fois • ZEMP,H. 1970 BM 72.16.74 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :75-01>07 BM.1972.016.001/186:75-01>07 00:14:05 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'20" - "Pasiawa Kiteitoro " / 2 fois ; II) : 03'00" - "Ruha ai 'ahina " / 2 fois ; III) : 01'35" - " Pisi Poramauri" / 2 fois ; IV) : 02'05" - " Mara Aeroponi " / 2 fois V) : 02'05" - " Nanarata na siosehasi 'au " / 2 fois ; VI) : 01'35" - " Mara Maeasi " ; VII) : 02'25" - " Aamamata na Tora 'asi " / 2 fois • ZEMP,H. 1970 BM 72.16.75 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :76-01>09 BM.1972.016.001/186:76-01>09 00:15:10 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'35" - " Nanarata na Maeniuta " / 2 fois ; II) : 02'25" - " Pisi Rahu " / 2 fois ; III) : 01'35" - " 3ème Nanarata na Hiruania " / 2 fois ; IV) : 01'05" - " Kara nari pae " / 2 fois V) : 01'20" - " Veveta na To 'oinari " / 2 fois ; VI) : 01'25" - " 'Awawasitani Pururara " ; VII) : 01'30" - " 'Hakehake aana aara 'ahiua " / 2 fois ; VIII) : 01'45" - " Tatarae Keniha " / 2 fois ; IX) : 01'30" - " Hakehake aana 'aneitohu " / 2 fois • ZEMP,H. 1970 BM 72.16.76 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :77-01>08 BM.1972.016.001/186:77-01>08 00:15:25 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 02'25" - "Mara Hasi 'au " / 2 fois ; II) : 02'05" - " Vasinarau " / 2 fois ; III) : 01'40" - " Ta 'ina manu " / 2 fois ; IV) : 02'10" - " Mara Ooanimana " / 2 fois V) : 02'05" - " Nuu iisisu na Pataanikeni " / 2 fois ; VI) : 01'20" - " Pasiawa Rahu " ; VII) : 01'20" - " Harake " / 2 fois ; VIII) : 02'10" - " Poroururuwatawa " / 2 fois • ZEMP,H. 1970 BM 72.16.77 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :78-01>08 BM.1972.016.001/186:78-01>08 00:14:15 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'30" - " Kiu Hai 'aukawaahuia " / 2 fois ; II) : 02'05" - " Kurukuru Tawaehuro " / 2 fois ; III) : 01'40" - " 'Eke Hausiva " / 2 fois ; IV) : 01'25" - " Rotoni huu " / 2 fois V) : 01'40" - " 'Oke 'oke aatara " / 2 fois ; VI) : 01'35" - " Kiu 'aiakia " ; VII) : 01'40" - " Pe 'aha ni keni " / 2 fois ; VIII) : 02'40" - " Sususu raoha " / 2 fois • ZEMP,H. 1970 BM 72.16.78 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :79-01>08 BM.1972.016.001/186:79-01>08 00:15:25 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'40" - " 'Awa awasina " / 2 fois ; II) : 02'10" - " Tautaruha " / 2 fois ; III) : 02'00" - " 'Si 'a " / 2 fois ; IV) : 01'20" - "Tahana ni tootora " / 2 fois V) : 02'25" - " Aamamata " / 2 fois ; VI) : 01'30" - " susu kana " ; VII) : 02'30" - " Aamamata aana Pisinapata " / 2 fois ; VIII) : 01'50" - " Ho 'ota " / 2 fois • ZEMP,H. 1970 BM 72.16.79 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :80-01>09 BM.1972.016.001/186:80-01>09 00:14:15 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'45" - " Horiho 'ana " / 2 fois ; II) : 01'20" - " Tetereha " / 2 fois ; III) : 01'30" - " 'Kirio " / 2 fois ; IV) : 01'40" - " Marata " / 2 fois V) : 02'40" - " Toto 'au Waetoina " / 2 fois ; VI) : 01'15" - Parlé. discours de l'un des musiciens, presque possédé ; VII) : 01'25" - " Nara na Huko " / 2 fois ; VIII) : 01'55" - " Nuu iisisu aana maenihaka " / 2 fois ; IX) : 02'25" - " Nanarata na Rorea " / 2 fois • ZEMP,H. 1970 BM 72.16.80 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :81-01>09 BM.1972.016.001/186:81-01>09 00:16:10 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'45" - " 'Ire 'ire sierara " / 2 fois ; II) : 02'05" - " 'Au paina " / 2 fois ; III) : 02'05" - " 'Rahu 'ana " / 2 fois ; IV) : 01'50" - " Aaruha " / 2 fois V) : 02'05" - " Pokau Haikau " / 2 fois ; VI) : 01'35" - " Pokau Haikau " / 2 fois ; VII) : 01'40" - "Hakehake aana 'aimaea " / 2 fois ; VIII) : 02'05" - " Toto 'au Rarahiearaena " / 2 fois ; IX) : 01'00" - " Kiu Aakeaake " / 2 fois • ZEMP,H. 1970 BM 72.16.81 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :82-01>10 BM.1972.016.001/186:82-01>10 00:14:55 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'00" - "Kiu Aakeaake " / 2 fois ; II) : 02'00" - " Meo " / 2 fois ; III) : 01'45" - " 'Aho 'ana" / 2 fois ; IV) : 01'25" - " Nanarata na Waorara " / 2 fois V) : 01'50" - " 'Ainimae " / 2 fois ; VI) : 01'40" - "Nuunuuaha Korasi 'a " / 2 fois ; VII) : 01'10" - " Poia na 'Aranikao " / 2 fois ; VIII) : 01'35" - " Masusu 'u " / 2 fois ; IX) : 01'30" - " Wateha " / 2 fois X) : 01'00 - " Raaraamai " / 2 fois • ZEMP,H. 1970 BM 72.16.82 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :83-01>04 BM.1972.016.001/186:83-01>04 00:07:05 01/70 ILES SALOMON MALAITA,VILLAGE DE WAISISI AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 4 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 4 flûtes de Pan 'au tahana. Polyphonie à 2 parties, doublées à l'octave. Pour les fêtes cérémonielles. I) : 01'45" - " Uuhi rihu " / 2 fois ; II) : 01'15" - " Hakona" / 2 fois ; III) : 01'35" - " 'Au susupa" / 2 fois ; IV) : 02'30" - " Toto 'au Tahunimake " / 2 fois • ZEMP,H. 1970 BM 72.16.83 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :84-01>11 BM.1972.016.001/186:84-01>11 00:08:15 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 10 TUYAUX PILONNANTS Sous-table non exportée Sous-table non exportée IFP - solo de 10 tuyaux pilonnants, frappés sur des pierres,'au ni mako. Musique de divertissement. I) : 00'35 " - " nima ni aaru " ; II) : 00'30" - " Ho 'oho 'oha " ; III) : 00'30" - " 'Au paina " ; IV) : 00'55" - " Maihai " / 2 fois; V) : 00'45" - " Haehae " ; VI) : 00'45" - " Taka 'iori " ; VII) : 00'35" - " Kana"; VIII) : 00'55" - " Aamamata " ; IX) : 00'45" - " O 'era 'i manu " ; X) : 00'35" - " Mara na hu 'atama " ; XI) : 01'25" - échelle des 10 tuyaux pilonnants, 'au ni mako • ZEMP,H. 1970 BM 72.16.84 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :84-12 BM.1972.016.001/186:84-12 00:03:20 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU WARE Sous-table non exportée Sous-table non exportée AFP- solo de flûte de Pan en faisceau, tenue obliquement, 'au ware. Musique de divertissement. XII) : 03'20" - " Aaniaanita " / 3 fois • ZEMP,H. 1970 BM 72.16.84 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :84-13>15 BM.1972.016.001/186:84-13>15 00:03:10 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU WAA Sous-table non exportée Sous-table non exportée AFP- solo de flûte de Pan en faisceau, tenue verticalement, 'au waa. Musique de divertissement. XIII) : 01'00" - " Maamaasuha " / 2 fois ; XIV) : 01'00" - " 'Au siana " / 2 fois ; XV) : 01'00" - " Suku " / 2 fois • ZEMP,H. 1970 BM 72.16.84 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :85-01>06 BM.1972.016.001/186:85-01>06 00:04:40 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE DE PAN 'AU WAA Sous-table non exportée Sous-table non exportée AFP- solo de flûte de Pan en faisceau, tenue verticalement, 'au waa. Musique de divertissement. I) : 01'15" - " Haiku " / 3 fois ; II) : 01'05" - " Ha 'aponia " / 2 fois ; III) : 00'40" - " Taka 'iori " / 2 fois ; IV) : 00'30" - " Suku " / Echelle de la flûte de Pan en faisceau, tenue verticalement, 'au waa ; V) : 00'30" - " Kiikiro " ; VI) : 00'40" - " Kiro " • ZEMP,H. 1970 BM 72.16.85 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :85-07 BM.1972.016.001/186:85-07 00:08:10 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE FLUTES 'AU PAINA Sous-table non exportée Sous-table non exportée VII) : 08'10 " - Echelles d'un ensemble de flûtes de Pan 'au paina• ZEMP,H. 1970 BM 72.16.85 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :86-01>02 BM.1972.016.001/186:86-01>02 00:08:40 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 ECHELLES D'UN ENSEMBLE DE FLUTE DE PAN 'AU TAHANA Sous-table non exportée Sous-table non exportée Echelles d'un ensemble de flûtes de Pan 'au tahana I) : 04'30" ; II) : 04'10" - " Ha 'aponia " • ZEMP,H. 1970 BM 72.16.86 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :86-03>06 BM.1972.016.001/186:86-03>06 00:06:35 02/70 ILES SALOMON MALAITA,VILLAGE DE MARUITARO AREARE ZEMP,H.;ILES SALOMON; 1969 PLUSIEURS VERSIONS DU CHANT : " NUU IISIU " Sous-table non exportée Sous-table non exportée Chant " énumératif ", nuu iisiu • Chant " énumératif ", nuu iisiu. Plusieurs formations. IIII) : 02'40" - Chant " énumératif ", nuu iisiu - Solo F IV) : 01'05" - Chant " énumératif ", nuu iisiu - Duo F V) : 01'10" - Chant " énumératif ", nuu iisiu - Solo F VI : 01'40" - Chant " énumératif ", nuu iisiu - Duo H & F • ZEMP,H. 1970 BM 72.16.86 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :87-01>03 BM.1972.016.001/186:87-01>03 00:04:25 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 BERCEUSE RUROMELA Sous-table non exportée Sous-table non exportée Chanté solo F. I) : 02'00" - Berceuse ruromela ; II) : 01'05" - Idem ; III) : 01'20" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.87 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :87-04>05 BM.1972.016.001/186:87-04>05 00:02:50 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 CHOEUR DE SEPT PETITES FILLES Sous-table non exportée Sous-table non exportée IV) : 01'30" - chanté, choeur de sept petites filles. I- frappent des demi-noix de coco sur le sol / jeu musical ; V) : 01'25" - Idem • ZEMP,H. 1969 BM72.16.87 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :87-06> BM.1972.016.001/186:87-06> 00:01:05 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE A ENCOCHE Sous-table non exportée Sous-table non exportée AF - Solo de flûte à encoche 'AU WALE . Musique de divertissement. / 2 fois• ZEMP,H. 1969 BM 72.16.87 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :87-07>08 BM.1972.016.001/186:87-07>08 00:01:30 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 BERCEUSE RUROMELA Sous-table non exportée Sous-table non exportée Chanté solo F.V VII) : 00'55" - Berceuse ruromela ; VIII) : 00'35" - Idem • ZEMP,H. 1969 ENFANTIN BM 72.16.87 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :87-09>10 BM.1972.016.001/186:87-09>10 00:02:30 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 SOLO DE FLUTE A ENCOCHE Sous-table non exportée Sous-table non exportée AF - Solo de flûte à encoche 'AU WALE . Musique de divertissement. IX) : 01'10" - " Uleku karahaku / 2 fois ; X) : 01'20" - " Ngurutepahiru " / 2 fois• ZEMP,H. 1969 BM 72.16.87 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :88-01>04 BM.1972.016.001/186:88-01>04 00:13:30 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 DANSE LELEAPU POUR LES FETES Sous-table non exportée Sous-table non exportée Danse leleapu pour les fêtes• Chanté, duo H et bourdon par 3 H. IS-sonnailles attachées sur des lances portées par 20 danseurs. Danse leleapu pour les fêtes I) : 02'20" - " Koko " II) : 04'00" - " Sau lei rara jilina " III) : 03'55" - " Io jilina leleapu " iV) : 03'15" - " Puma toto matawa " • ZEMP,H. 1969 BM 72.16.88 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :89-01>06 BM.1972.016.001/186:89-01>06 00:15:55 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 DANSE LELEAPU POUR LES FETES Sous-table non exportée Sous-table non exportée Danse leleapu pour les fêtes• Chanté, duo H et bourdon par 3 H. IS-sonnailles attachées sur des lances portées par 20 danseurs. Danse leleapu pour les fêtes I) : 04'00" - " Sau i rere matawa " II) : 01'55" - " Ilirarae iasi " III) : 02'35" - "Nimo nimo " - à partir d'ici, avec des battements de mains. IV) : 02'25" - " sau nae lolomata " V) : 02'30" - " Ielata i matawa " VI) : 02'30" - " Mano aro i matawa " • ZEMP,H. 1969 BM 72.16.89 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :90-01 BM.1972.016.001/186:90-01 00:02:50 12/69 ILES SALOMON PETITE-MALAITA,VILLAGE DE SA'A SA'A ZEMP,H.;ILES SALOMON; 1969 DANSE LELEAPU POUR LES FETES Sous-table non exportée Sous-table non exportée Danse leleapu pour les fêtes• Chanté, duo H et bourdon par 3 H. IS-sonnailles attachées sur des lances portées par 20 danseurs. Battements de mains. Danse leleapu pour les fêtes. " Mano aro i matawa " • ZEMP,H. 1969 BM 72.16.90 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :91-01 BM.1972.016.001/186:91-01 00:16:45 02/70 ILES SALOMON PETITE-MALAITA,VILLAGE DE LEDE SA'A ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF TEO Sous-table non exportée Sous-table non exportée chant narratif teo. Pour les fêtes et les veillées funèbres• Chant narratif teo. Pour les fêtes et les veillées funèbres • ZEMP,H. 1970 NARRATIF BM 72.16.91 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :92-01 BM.1972.016.001/186:92-01 00:08:00 02/70 ILES SALOMON PETITE-MALAITA,VILLAGE DE LEDE SA'A ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF TEO Sous-table non exportée Sous-table non exportée chant narratif teo. Pour les fêtes et les veillées funèbres• Chant narratif teo. Pour les fêtes et les veillées funèbres • ZEMP,H. 1970 BM 72.16.92 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :92-02>04 BM.1972.016.001/186:92-02>04 00:03:05 02/70 ILES SALOMON PETITE-MALAITA,VILLAGE DE LEDE SA'A ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée Ensemble de tambours-de-bois 'o'o. Pour les fêtes cérémonielles II) : 00'30" - " Huuhuu " ; III) : 00'35" - " Te ni liu " ; IV) : 02'00" - " Ahau " • ZEMP,H. 1970 BM 72.16.92 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :93-01>04 BM.1972.016.001/186:93-01>04 00:07:10 02/70 ILES SALOMON PETITE-MALAITA,VILLAGE DE LEDE SA'A ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE TAMBOURS-DE-BOIS 'O'O Sous-table non exportée Sous-table non exportée Ensemble de tambours-de-bois 'o'o. Pour les fêtes cérémonielles. I) : 02'35" - " Ahai " II) : 00'30" - " Liuliuhe " ; III) : 00'35" - " Ahai " ; IV) : 02'00" - " Ahai " • ZEMP,H. 1970 BM 72.16.93 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :94-01>04 BM.1972.016.001/186:94-01>04 00:15:40 02/70 ILES SALOMON PETITE-MALAITA,VILLAGE DE ROONE SA'A ZEMP,H.;ILES SALOMON; 1969 CHANT POUR PILER LE TARO Sous-table non exportée Sous-table non exportée Chant pour piler le taro, kana sausau. Pour les fêtes cérémonielles • chanté, duo H, cris. Chant pour piler le taro, kana sausau. Pour les fêtes cérémonielles. I) : 04'05" - " Leu marodi " II) : 03'05" - " Riirii sulin ola talaku " ; III) : 04'10" - " Dili rongo wala " ; IV) : 04'20" - " Leu marodi " • ZEMP,H. 1970 BM 72.16.94 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :95-01>14 BM.1972.016.001/186:95-01>14 00:15:05 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sisile. BC- les musiciens se frappent la cuisse droite avec la main droite. Pour les fêtes cérémonielles. I) : 00'45 " - " Eta " ; II) : 00'30" - " Lalafaafi " ; III) : 00'30" - " Lalaa " ; IV) : 01'25" - " 'Aunixwa 'ixwa 'inga " / 2 fois ; V) : 02'00" - " 'Isiole " / 2 fois ; VI) : 01'15" - " 'Aunixwa 'ixwa 'inga " ; VII) : 00'25" - "Daangeo " / 2 fois ; VIII) : 01'05" - " Me 'e gwi 'i " / 2 fois ; IX) : 01'20" - " 'Isiole " / 2 fois ; X) : 01'20" - " Luuluu welanga " / 2 fois ; XI) : 00'35" - " Daangeo " / 2 fois ; XII) : 01'15" - " Daani " / 2 fois ; XIII) : 01'25" - " 'Isiole " / 2 fois ; XIV) : 01'15" - " Sifo "• ZEMP,H. 1970 BM 72.16.95 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :96-01>10 BM.1972.016.001/186:96-01>10 00:14:10 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sisile. BC- les musiciens se frappent la cuisse droite avec la main droite. Pour les fêtes cérémonielles. I) : 02'05 " - "Libo " ; II) : 01'00" - " 'Aunixwa 'ixwa 'inga " ; III) : 01'30" - " Mimi " ; IV) : 02'20" - " 'Isiole " / 2 fois ; V) : 01'20" - " 'Au bili " / 2 fois ; VI) : 01'30" - " 'Isiole " ; VII) : 01'20" - " Xootelo " / 2 fois ; VIII) : 01'10" - " Daangeo toototo " / 2 fois ; IX) : 01'00" - " Afunimou " / 2 fois ; X) : 00'55" - " Xotofibinubinu " / 2 fois • ZEMP,H. 1970 BM 72.16.96 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :97-01>04 BM.1972.016.001/186:97-01>04 00:04:25 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au sisile. BC- les musiciens se frappent la cuisse droite avec la main droite. Pour les fêtes cérémonielles. I) : 01'05" - " Lumagwa 'u " / 2 fois ; II) : 01'35" - " 'Isiole " / 2 fois ; III) : 01'10" - " Olixwailiu " / 2 fois ; IV) : 00'35" - " Bului " / 2 fois • ZEMP,H. 1970 BM 72.16.97 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :97-05>14 BM.1972.016.001/186:97-05>14 00:08:00 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 ENSEMBLE DE 8 FLUTES DE PAN Sous-table non exportée Sous-table non exportée AFP- Ensemble de 8 flûtes de Pan 'au tage 'eoli BC-= les musiciens se frappent la cuisse droite avec la main droite. I- = danseurs et danseuses frappent sur des paquets de feuilles. . Pour les fêtes cérémonielles. V) : 00'50" - " 'Isiole " / 2 fois ; VI) : 00'50" - " Lalafaafi " ; VII) : 00'50" - " 'Aunixwa 'ixwa 'inga " / 2 fois ; VIII) : 00'55" - " Lalaa " / 2 fois ; IX) : 00'50" - " 'Aunixwa 'ixwa 'inga " / 2 fois ; X) : 00'45" - " Lalaa " / 2 fois ; XI) : 00'55" - "'Aunixwa 'ixwa 'inga " / 2 fois ; XII) : 00'55" - "Bina " / 2 fois ; XIII) : 00'50" - " 'Aunixwa 'ixwa 'inga " / 2 fois ; XIV) : 01'10" - " Sifo "• ZEMP,H. 1970 BM 72.16.97 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :98-01>05 BM.1972.016.001/186:98-01>05 00:14:35 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 CHANT NARRATIF NGUU Sous-table non exportée Sous-table non exportée chant narratif nguu• IE- = bâtons entrechoqués. chant narratif nguu. I) : 01'05" - " Xwalo" / pour les fêtes ; II) : 01'35" - " Idem ; III) : 01'10" - Idem ; IV) : 00'35" - Idem ; V) : 04'00" - Idem • ZEMP,H. 1970 BM 72.16.98 OCEANIE +BM.1972.016 CDR+Ø* BM.1972.016.001/186 :99-01>07 BM.1972.016.001/186:99-01>07 00:08:55 01/70 ILES SALOMON MALAITA,VILLAGE DE NGARINASULU KWAIO ZEMP,H.;ILES SALOMON; 1969 LAMENTATIONS FUNEBRES Sous-table non exportée Sous-table non exportée lamentations funèbres anianinga• I) : 02'10" - " lamentations funèbres anianinga" ; II) : 02'05" - " Idem ; III) : 00'50" - Idem ; IV) : 01'00" - Idem ; V) : 01'00" - Idem ; VI : 00'55" - Idem ; VII) ; 00'55" - Idem • ZEMP,H. 1970 BM 72.16.99 OCEANIE +BM.1972.017 Divers* BM.1972.017.001/08 :01-01 BM.1972.017.001/08:01-01 00:00:00 ILES SALOMON MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.1972.017 Divers* BM.1972.017.001/08 :03-01 BM.1972.017.001/08:03-01 00:00:00 GUINEE MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1972.017 Divers* BM.1972.017.001/08 :05-01 BM.1972.017.001/08:05-01 00:00:00 GABON MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1972.017 Divers* BM.1972.017.001/08 :06-01 BM.1972.017.001/08:06-01 00:00:00 ILES SALOMON MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.1972.017 Divers* BM.1972.017.001/08 :08-01 BM.1972.017.001/08:08-01 00:00:00 ILES SALOMON MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.972.018 Ø18;²19;PPM BM.972.018.001 :01-01 BM.972.018.001:01-01 00:00:00 MONGOLIE (REP POPU) COPIE DI: MONGOLIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :01-01 BM.972.019.001/14:01-01 00:23:45 07/10/71 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE CH‘AO D`U Sous-table non exportée Sous-table non exportée Cérémonie funéraire pour accompagner l'âme du mort dans l'au-delà. Chaque divinité est invoquée pour qu'elle accompagne le mort jusqu'au ciel. Les paroles sont en formosan. Il y a 2 manières de réciter les prières:voir tableau instruments• IFC- = m‘u yù original piste 1• 1971 0 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :01-02 BM.972.019.001/14:01-02 00:24:00 07/10/71 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE CH‘AO D`U Sous-table non exportée Sous-table non exportée Cérémonie funéraire pour accompagner l'âme du mort dans l'au-delà. Chaque divinité est invoquée pour qu'elle accompagne le mort jusqu'au ciel. Les paroles sont en formosan. Il y a 2 manières de réciter les prières:voir tableau instruments• IFC- = m‘u yù original piste 2 Yang Qin: cithare sur caisse trapézoïdale à cordes frappées• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :02-01 BM.972.019.001/14:02-01 00:01:15 12/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée IFC- = m‘u yù original piste 1• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :02-02 BM.972.019.001/14:02-02 00:05:05 12/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée IFC- = m‘u yù original piste 1 Yang Qin: cithare sur caisse trapézoïdale à cordes frappées• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :02-03 BM.972.019.001/14:02-03 00:40:00 12/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée IFC- = m‘u yù original piste 1 Dans le 2ème cas, le chant est accompagné par un orchestre. Pleurage à la fin de la bobine• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :02-04 BM.972.019.001/14:02-04 00:02:35 12/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée IFC- = m‘u yù original piste 2 Chant avec orchestre• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :02-05 BM.972.019.001/14:02-05 00:23:30 12/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée IFC- = m‘u yù original piste 2 Chant avec orchestre pleurage à la fin de la bobine• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :03-01 BM.972.019.001/14:03-01 00:24:00 13/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée original piste 1 Chant avec orchestre Vers 18'35" commence une pièce instrumentale qui dure 3'• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :03-02 BM.972.019.001/14:03-02 00:24:00 13/10/70 TAIWAN FORMOSE, A TAIPEI FORMOSAN RAULT,L.;TAIWAN;1971 CEREMONIE FUNERAIRE Sous-table non exportée Sous-table non exportée original piste 1 Chant avec orchestre Vers 18'35" commence une pièce instrumentale qui dure 3'• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-01 BM.972.019.001/14:04-01 00:02:25 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 SPECTACLE FOLKLORIQUE Sous-table non exportée Sous-table non exportée Spectacle folklorique destiné aux touristes. Chant japonais• original piste 1 Bruit de micro• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-02 BM.972.019.001/14:04-02 00:01:50 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-03 BM.972.019.001/14:04-03 00:00:45 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 RYTHME DE TAMBOUR Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-04 BM.972.019.001/14:04-04 00:03:00 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE(?) Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-05 BM.972.019.001/14:04-05 00:03:25 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-06 BM.972.019.001/14:04-06 00:05:55 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1 arrêt vers 13'35" pendant 10"• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-07 BM.972.019.001/14:04-07 00:00:55 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT MODERNE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-08 BM.972.019.001/14:04-08 00:01:00 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT MODERNE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-09 BM.972.019.001/14:04-09 00:02:10 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-10 BM.972.019.001/14:04-10 00:02:40 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-11 BM.972.019.001/14:04-11 00:03:20 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-12 BM.972.019.001/14:04-12 00:03:25 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-13 BM.972.019.001/14:04-13 00:02:55 10/01/71 TAIWAN FORMOSE, A HUALIAN AMEI RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-14 BM.972.019.001/14:04-14 00:00:30 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-15 BM.972.019.001/14:04-15 00:00:45 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-16 BM.972.019.001/14:04-16 00:00:40 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-17 BM.972.019.001/14:04-17 00:02:05 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-18 BM.972.019.001/14:04-18 00:00:50 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-19 BM.972.019.001/14:04-19 00:00:35 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-20 BM.972.019.001/14:04-20 00:01:35 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-21 BM.972.019.001/14:04-21 00:00:40 10/01/71 TAIWAN FORMOSE, A XIU TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-22 BM.972.019.001/14:04-22 00:00:25 10/01/71 TAIWAN FORMOSE, A FUSHICIEN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT EN JAPONAIS Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-23 BM.972.019.001/14:04-23 00:00:20 10/01/71 TAIWAN FORMOSE, A FUSHICIEN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-24 BM.972.019.001/14:04-24 00:00:15 10/01/71 TAIWAN FORMOSE, A FUSHICIEN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-25 BM.972.019.001/14:04-25 00:00:20 10/01/71 TAIWAN FORMOSE, A FUSHICIEN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-26 BM.972.019.001/14:04-26 00:00:45 10/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Maman, il est tout droit le chemin, il mène tout droit à la maison..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-27 BM.972.019.001/14:04-27 00:00:40 10/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous voici toutes deux ensemble qui revenons à la maison..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-28 BM.972.019.001/14:04-28 00:00:30 10/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Merci à toi qui es si bon envers moi et qui aujourd'hui me tiens enlacée..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-29 BM.972.019.001/14:04-29 00:00:35 10/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes bien vieux, grand-père et grand-mère..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-30 BM.972.019.001/14:04-30 00:00:35 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Jeune Fille, tu es belle. Viens, voici du poulet si bon à manger le jour du mariage, nous allons nous régaler"• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-31 BM.972.019.001/14:04-31 00:00:30 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Toi et moi, nous nous entendrons très bien ensemble..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-32 BM.972.019.001/14:04-32 00:01:00 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Ne crains rien, nous ne sommes pas en danger. Papa et maman nous défendront"• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-33 BM.972.019.001/14:04-33 00:00:40 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Tu veux partir, monter là-haut, mais les herbes sont piquantes. Il ne faut pas y aller, la masion est accueillante..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-34 BM.972.019.001/14:04-34 00:00:40 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL FUSHI TAIRUKE RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-35 BM.972.019.001/14:04-35 00:02:20 01/02/71 TAIWAN FORMOSE, A GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-36 BM.972.019.001/14:04-36 00:00:25 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous allons manger le riz, le poisson salé, le pâté de porc. Nous qui sommes vieux, nous aimons manger cela..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-37 BM.972.019.001/14:04-37 00:00:45 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 ANCIENNE CHANSON Sous-table non exportée Sous-table non exportée "Lorsque vient l'époque où se fiancent les jeunes, on voit des couples un peu partout."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-38 BM.972.019.001/14:04-38 00:00:35 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Toute seule dans la montagne, je me sens perdue. Dans cette nuit froide d'hiver, je suis toute seule..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-39 BM.972.019.001/14:04-39 00:01:40 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous, dans les montagnes, nous sommes heureux et sans soucis. Les hommes qui ont une femme vont à la chasse, tandis qu'à la maison leur femme coud des couvertures pour l'hiver"• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-40 BM.972.019.001/14:04-40 00:01:20 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Dans les montagnes quand on se marie, on se met tous à danser ensemble, les petits enfants commencent, puis leurs mères, enfin les plus vieux..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-41 BM.972.019.001/14:04-41 00:01:20 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Dans les montagnes, les femmes restent à la maison et chaque année, cousent les vêtements, ensuite tout le monde va danser. Garçons et filles dansent ensemble..."• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-42 BM.972.019.001/14:04-42 00:00:50 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 DANSE MONTAGNARDE DU PETIT RIZ Sous-table non exportée Sous-table non exportée original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :04-43 BM.972.019.001/14:04-43 00:02:40 11/01/71 TAIWAN FORMOSE, DST HUALIAN, VILL XIU LIN TAIRUKE RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "On se met à danser en buvant du thé, nous les vieilles portons le même nom, nous sommes très malicieuses, en voici une qui porte un panier d'où elle sort légumes et pommes de terre. Celle-ci qui porte des vêtements déchirés va à la cueillette d'une herbe qu'on mange avec le riz jaune. Les filles des montagnes sont orgueilleuses, sales et difficiles à fréquenter. Si pour l'année nouvelle, on n'a pas encore de femme, on peut en acheter une avec ses économies"• original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-01 BM.972.019.001/14:05-01 00:02:10 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-02 BM.972.019.001/14:05-02 00:00:55 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE REJOUISSANCE APRES LES RECOLTES Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-03 BM.972.019.001/14:05-03 00:01:55 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT AUTOUR DU MORT Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-04 BM.972.019.001/14:05-04 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT EN COUPANT DU BOIS Sous-table non exportée Sous-table non exportée original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-05 BM.972.019.001/14:05-05 00:00:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT FEMININ Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-06 BM.972.019.001/14:05-06 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1 On entend des pleurs d'enfant• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-07 BM.972.019.001/14:05-07 00:02:45 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE RONDE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-08 BM.972.019.001/14:05-08 00:00:55 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'HOMMAGES RENDUS AVANT LE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-09 BM.972.019.001/14:05-09 00:01:25 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'UNE FILLE HEUREUSE D'AVOIR RECU UN BOUQUET Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-10 BM.972.019.001/14:05-10 00:01:10 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE RETOUR DE CHASSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-11 BM.972.019.001/14:05-11 00:00:15 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE RETOUR DE CHASSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-12 BM.972.019.001/14:05-12 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE DIVORCE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-13 BM.972.019.001/14:05-13 00:01:05 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT DE VIEUX QUI SE REUNISSENT POUR BOIRE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-14 BM.972.019.001/14:05-14 00:02:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT POUR FETER LES INVITES Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-15 BM.972.019.001/14:05-15 00:02:05 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT A BOIRE Sous-table non exportée Sous-table non exportée Chanté en balançant les bras• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-16 BM.972.019.001/14:05-16 00:00:45 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT CHRETIEN EN JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-17 BM.972.019.001/14:05-17 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'EGLISE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-18 BM.972.019.001/14:05-18 00:02:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL GUANGFU AMEI RAULT,L.;TAIWAN;1971 CHANT D'EGLISE CATHOLIQUE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-19 BM.972.019.001/14:05-19 00:01:35 02/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT DE BOUVIER DANS LES MONTAGNES Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-20 BM.972.019.001/14:05-20 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT EN PLANTANT LE RIZ Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-21 BM.972.019.001/14:05-21 00:01:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-22 BM.972.019.001/14:05-22 00:02:13 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT DES MONTAGNES Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-23 BM.972.019.001/14:05-23 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-24 BM.972.019.001/14:05-24 00:02:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Paroles mi-amei mi-japonaises• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-25 BM.972.019.001/14:05-25 00:00:35 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT GAI DE DANSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-26 BM.972.019.001/14:05-26 00:02:10 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR: EN ATTENDANT LA LETTRE DE SON AMANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-27 BM.972.019.001/14:05-27 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-28 BM.972.019.001/14:05-28 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée "Jeune homme, tu ressembles aux feuilles des arbres."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-29 BM.972.019.001/14:05-29 00:01:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL HELELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée "Jeune homme, tu ressembles aux feuilles des arbres."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-30 BM.972.019.001/14:05-30 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL HELELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée "Je pense à lui et ne trouve pas le sommeil."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-31 BM.972.019.001/14:05-31 00:00:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL HELELI AMEI RAULT,L.;TAIWAN;1971 CHANT EN GARDANT LES BUFFLES Sous-table non exportée Sous-table non exportée "Je pense à lui et ne trouve pas le sommeil."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-32 BM.972.019.001/14:05-32 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL HELELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-33 BM.972.019.001/14:05-33 00:00:35 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL HELELI AMEI RAULT,L.;TAIWAN;1971 CHANT SUR LA BEAUTE DE TAIWAN Sous-table non exportée Sous-table non exportée Original piste 1 Interruption en fin de bobine• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-34 BM.972.019.001/14:05-34 00:01:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Autrefois, il n'y avait pas de médecins, on se contentait de manger des bananes cuites."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-35 BM.972.019.001/14:05-35 00:01:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-36 BM.972.019.001/14:05-36 00:01:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT DE PECHEUR Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-37 BM.972.019.001/14:05-37 00:02:15 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "On se repose après le travail et on pense à son amie. Aimera-t-elle le mouchoir que je vais lui offrir?"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-38 BM.972.019.001/14:05-38 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Le bouvier sommeille, assis dans la montagne, écoutant le bruit des buffles mâchant l'herbe..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-39 BM.972.019.001/14:05-39 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Le paysage des montagnes est beau."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-40 BM.972.019.001/14:05-40 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée "tu ne dois pas oublier ce que nous nous sommes juré. Tu ne veux plus de moi, mais il ne faut pas oublier;..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-41 BM.972.019.001/14:05-41 00:01:15 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI? AMEI RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-42 BM.972.019.001/14:05-42 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il revient de la guerre et la rencontrant sur le chemin, il lui parle et la trouve timide."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-43 BM.972.019.001/14:05-43 00:01:45 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée "Nous reviendrons pour le Nouvel An car tous là-bas se réjouissent."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-44 BM.972.019.001/14:05-44 00:02:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Quand les Japonais étaient là, il a dû quitter le village, et son amie, il a dû la laisser, et lui dit adieu."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-45 BM.972.019.001/14:05-45 00:01:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELE AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Pendant l'oocupation japonaise, il quitte son amie et part en auto, puis en entendant des avions, leur bruit lui rappelle celui de cette auto."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-46 BM.972.019.001/14:05-46 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-47 BM.972.019.001/14:05-47 00:01:35 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-48 BM.972.019.001/14:05-48 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "C'est un homme bizarre, ses chaussures craquent et il s'habille comme un gentleman..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-49 BM.972.019.001/14:05-49 00:02:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-50 BM.972.019.001/14:05-50 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DU NOUVEL AN Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-51 BM.972.019.001/14:05-51 00:01:05 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-52 BM.972.019.001/14:05-52 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Dans la famille, tous les enfants sont sortis pour travailler et les parents sont fatigués du travail de la maison."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-53 BM.972.019.001/14:05-53 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Voici le soleil qui se lève: je dois partir. Toute ma famille est en bonne santé."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-54 BM.972.019.001/14:05-54 00:00:40 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-55 BM.972.019.001/14:05-55 00:01:05 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon ami part pour faire la guerre et il me promet de ne pas être ami avec une autre fille..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-56 BM.972.019.001/14:05-56 00:01:00 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée "Ma mère s'est mariée et mon beau-père me traite bien mal."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-57 BM.972.019.001/14:05-57 00:01:15 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL POUR LES INVITES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-58 BM.972.019.001/14:05-58 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Son père est mort et il est parti très loin pêcher en mer..."• Original piste 2• 1970 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-59 BM.972.019.001/14:05-59 00:00:55 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-60 BM.972.019.001/14:05-60 00:01:35 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il cherche une femme à sa convenance sans la trouver, la sienne est trop maigre, les gosses mangent trop, le mieux est d'en avoir une qui sache chanter."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-61 BM.972.019.001/14:05-61 00:01:25 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR MALHEUREUX Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-62 BM.972.019.001/14:05-62 00:00:50 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Une jeune fille bien habillée marche devant moi. Je la suis, mais lorsqu'elle tourne le visage, je la trouve sale..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-63 BM.972.019.001/14:05-63 00:01:20 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 2 Interrompu• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-64 BM.972.019.001/14:05-64 00:01:30 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE FETE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :05-65 BM.972.019.001/14:05-65 00:02:05 01/02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE CHASSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-01 BM.972.019.001/14:06-01 00:01:15 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE FETE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-02 BM.972.019.001/14:06-02 00:00:55 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT EN COUPANT DU BOIS Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-03 BM.972.019.001/14:06-03 00:01:00 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Elle est restée vieille fille, et voilà qu'elle rencontre à nouveau son ami d'antan, mais il ne la regarde pas."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-04 BM.972.019.001/14:06-04 00:01:10 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il est vieux et ses parents sont tous morts, il se sent seul et accablé par le destin."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-05 BM.972.019.001/14:06-05 00:05:15 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE MONTAGNARDS Sous-table non exportée Sous-table non exportée Complainte racontant les misères qu'ils ont eu à supporter pendant l'occupation japonaise• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-06 BM.972.019.001/14:06-06 00:01:50 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT ET RIRE Sous-table non exportée Sous-table non exportée "Tout seul dans la montagne, j'écoute l'eau qui coule et le bruit que font les buffles en mangeant..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-07 BM.972.019.001/14:06-07 00:01:10 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 AIR JAPONAIS Sous-table non exportée Sous-table non exportée "Il a quitté la maison depuis déjà quatre mois, il pense à son foyer et à sa bien-aimée."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-08 BM.972.019.001/14:06-08 00:00:55 02/71 TAIWAN FORMOSE,DST HUALIAN, VILL LEHELI AMEI RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-09 BM.972.019.001/14:06-09 00:00:45 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE FEMME POUR LA NAISSANCE DE SON ENFANT Sous-table non exportée Sous-table non exportée Original piste 1 Interrompu• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-10 BM.972.019.001/14:06-10 00:01:15 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE FEMME POUR LA NAISSANCE DE SON ENFANT Sous-table non exportée Sous-table non exportée Original piste 1 Reprise du précédent qui fut interrompu [:06-09]• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-11 BM.972.019.001/14:06-11 00:01:30 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE: FELICITATIONS Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-12 BM.972.019.001/14:06-12 00:05:10 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE: FELICITATIONS Sous-table non exportée Sous-table non exportée Original piste 1 Le duo d'homme est en fait un solo d'homme soutenu par une autre voix d'homme• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-13 BM.972.019.001/14:06-13 00:06:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE VIEILLES PERSONNES Sous-table non exportée Sous-table non exportée Une personne chante ainsi en exprimant tous les sentiments de son coeur• Original piste 1 Le choeur d'homme intervient en fin de strophe• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-14 BM.972.019.001/14:06-14 00:01:15 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Une personne chante ainsi en exprimant tous les sentiments de son coeur• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-15 BM.972.019.001/14:06-15 00:01:35 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-16 BM.972.019.001/14:06-16 00:00:55 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-17 BM.972.019.001/14:06-17 00:02:35 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Revenant de lanyu, le vent trop violent empêche le bateau d'accoster à Taidong..."• Original piste 1 D'abord solo de femme, puis duo de femmes• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-18 BM.972.019.001/14:06-18 00:00:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI GAI Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-19 BM.972.019.001/14:06-19 00:01:45 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-20 BM.972.019.001/14:06-20 00:02:00 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT QUE CHANTENT LES VIEUX QUI SE REUNISSENT POUR BOIRE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-21 BM.972.019.001/14:06-21 00:01:55 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT QUE CHANTENT LES VIEUX QUI SE REUNISSENT POUR BOIRE Sous-table non exportée Sous-table non exportée "Nous sommes vieilles et sans soucis et aimons boire ensemble."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-22 BM.972.019.001/14:06-22 00:04:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT POUR ACCUEILLIR LES HOTES Sous-table non exportée Sous-table non exportée "Nous sommes vieilles et sans soucis et aimons boire ensemble."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-23 BM.972.019.001/14:06-23 00:04:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-24 BM.972.019.001/14:06-24 00:00:45 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-25 BM.972.019.001/14:06-25 00:04:55 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI JOYEUX Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-26 BM.972.019.001/14:06-26 00:02:30 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-27 BM.972.019.001/14:06-27 00:03:45 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon village natal est à Taidong"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-28 BM.972.019.001/14:06-28 00:02:10 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Quel est le nom de mon amour?"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-29 BM.972.019.001/14:06-29 00:00:30 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-30 BM.972.019.001/14:06-30 00:02:40 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée "Je t'attends à la maison"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-31 BM.972.019.001/14:06-31 00:02:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Ouvre la porte, maman, nous voulons sortir..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-32 BM.972.019.001/14:06-32 00:01:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL AMEI Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-33 BM.972.019.001/14:06-33 00:01:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée "Je travaille, sans prendre garde à la sueur qui coule."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-34 BM.972.019.001/14:06-34 00:01:25 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 2 Solo de femme puis duo de femmes• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-35 BM.972.019.001/14:06-35 00:00:25 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-36 BM.972.019.001/14:06-36 00:00:35 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ADIEU Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-37 BM.972.019.001/14:06-37 00:01:25 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-38 BM.972.019.001/14:06-38 00:00:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-39 BM.972.019.001/14:06-39 00:01:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-40 BM.972.019.001/14:06-40 00:00:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-41 BM.972.019.001/14:06-41 00:01:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-42 BM.972.019.001/14:06-42 00:01:00 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 ANCIEN CHANT DE DANSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-43 BM.972.019.001/14:06-43 00:00:58 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-44 BM.972.019.001/14:06-44 00:00:15 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-45 BM.972.019.001/14:06-45 00:00:40 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-46 BM.972.019.001/14:06-46 00:01:05 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE VICTOIRE APRES LA BATAILLE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-47 BM.972.019.001/14:06-47 00:00:55 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 PRIERE POUR LA PAIX Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-48 BM.972.019.001/14:06-48 00:00:45 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT DE BANQUET Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-49 BM.972.019.001/14:06-49 00:02:15 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Merci à toi, soldat, jeune combattant..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :06-50 BM.972.019.001/14:06-50 00:00:50 02/71 TAIWAN FORMOSE,DST TAIDONG, VILL BINGLANG PUYAMA RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "On fête le nouveau dieu apporté dans notre village..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-01 BM.972.019.001/14:07-01 00:02:00 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Duo d'hommes, choeur de 3 hommes et 2 femmes• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-02 BM.972.019.001/14:07-02 00:03:00 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE RECOLTE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-03 BM.972.019.001/14:07-03 00:02:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE TRIOMPHE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-04 BM.972.019.001/14:07-04 00:02:35 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE CHASSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-05 BM.972.019.001/14:07-05 00:01:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-06 BM.972.019.001/14:07-06 00:01:55 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-07 BM.972.019.001/14:07-07 00:02:40 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-08 BM.972.019.001/14:07-08 00:03:25 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE JOIE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-09 BM.972.019.001/14:07-09 00:04:05 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL ET D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-10 BM.972.019.001/14:07-10 00:02:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-11 BM.972.019.001/14:07-11 00:02:25 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE CONCOURS Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-12 BM.972.019.001/14:07-12 00:03:05 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT A SON AMIE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-13 BM.972.019.001/14:07-13 00:02:35 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT EN RACCOMPAGNANT SON AMIE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-14 BM.972.019.001/14:07-14 00:02:40 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il est beau ce chant que nous chantons tous ensemble."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-15 BM.972.019.001/14:07-15 00:02:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE ROUTE Sous-table non exportée Sous-table non exportée "Il est beau ce chant que nous chantons tous ensemble."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-16 BM.972.019.001/14:07-16 00:02:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée "Il est beau ce chant que nous chantons tous ensemble."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-17 BM.972.019.001/14:07-17 00:05:40 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-18 BM.972.019.001/14:07-18 00:01:15 02/71 TAIWAN FORMOSE,DST PINGDONG,V SAN KIMEN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DES JEUNES Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-19 BM.972.019.001/14:07-19 00:01:55 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DES JEUNES (SUITE) Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-20 BM.972.019.001/14:07-20 00:03:15 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT D'ADIEU Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-21 BM.972.019.001/14:07-21 00:06:35 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 REPONSE ENTRE HOMMES ET FEMMES SE FAISANT LA COUR INALAINA Sous-table non exportée Sous-table non exportée Choeur mixte de 10 hommes et 6 femmes• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-22 BM.972.019.001/14:07-22 00:01:15 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT POUR LA NOUVELLE MARIEE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-23 BM.972.019.001/14:07-23 00:02:10 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE ROYAL Sous-table non exportée Sous-table non exportée Chanté lors du mariage d'une princesse• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-24 BM.972.019.001/14:07-24 00:01:50 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-25 BM.972.019.001/14:07-25 00:01:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-26 BM.972.019.001/14:07-26 00:00:55 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONG CUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Chant remerciant le gouvernement qui a aidé les montagnards à s'installer dans la plaine, leur procurant une vie plus confortable• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-27 BM.972.019.001/14:07-27 00:01:00 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis vieux déjà et n'ai plus d'espoir de redevenir jeune."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-28 BM.972.019.001/14:07-28 00:01:15 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Lorsque je me suis marié, j'étais pauvre, c'étaient des temps difficiles et ma femme ne m'a pas apporté de dot..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-29 BM.972.019.001/14:07-29 00:01:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Il raconte la mort de sa mère et son enterrement• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-30 BM.972.019.001/14:07-30 00:02:05 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis seul dans la montagne loin de tous les miens et me sens épuisé de fatigue."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-31 BM.972.019.001/14:07-31 00:00:40 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Lorsque j'étais jeune, j'étais satisfait de moi..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-32 BM.972.019.001/14:07-32 00:06:45 02/71 TAIWAN FORMOSE,DST PINGDONG,V ZHONGCUN PAIWAN RAULT,L.;TAIWAN;1971 DANSES ET CHANTS Sous-table non exportée Sous-table non exportée Hommes et femmes font la ronde en chantant et simulent la chasse au sanglier• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-33 BM.972.019.001/14:07-33 00:04:50 02/71 TAIWAN FORMOSE,DST PINGDONG,V NANGCUN RUKAI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR EN REPONSE Sous-table non exportée Sous-table non exportée Choeur de 8 hommes et 8 femmes alternés• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-34 BM.972.019.001/14:07-34 00:05:55 02/71 TAIWAN FORMOSE,DST PINGDONG,V NANGCUN RUKAI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR EN REPONSE Sous-table non exportée Sous-table non exportée Choeur de 8 hommes et 8 femmes alternés• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :07-35 BM.972.019.001/14:07-35 00:03:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V NANGCUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE TISSAGE EN REPONSE Sous-table non exportée Sous-table non exportée Choeur de 8 hommes et 8 femmes alternés. "Depuis leur plus jeune âge, deux filles et deux garçons sont ensemble; ils jouent, rient et travaillent, vont à la danse et finalement se marient."• Original piste 2 Interrompu fin de BM• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-01 BM.972.019.001/14:08-01 00:00:55 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE TISSAGE EN REPONSE (SUITE) Sous-table non exportée Sous-table non exportée Choeur de 8 hommes et 8 femmes alternés. "Depuis leur plus jeune âge, deux filles et deux garçons sont ensemble; ils jouent, rient et travaillent, vont à la danse et finalement se marient."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-02 BM.972.019.001/14:08-02 00:05:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Une personne entonne la première phrase en solo• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-03 BM.972.019.001/14:08-03 00:04:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE MONTAGNE Sous-table non exportée Sous-table non exportée On chante lors de la cuisson des patates pendant la nuit sur la montagne• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-04 BM.972.019.001/14:08-04 00:04:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE DEPART Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-05 BM.972.019.001/14:08-05 00:04:35 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-06 BM.972.019.001/14:08-06 00:03:30 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 SOLO DE FLUTE PAR UN BOUVIER Sous-table non exportée Sous-table non exportée Flûte droite à encoche• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-07 BM.972.019.001/14:08-07 00:04:25 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT ANCIEN Sous-table non exportée Sous-table non exportée Chant très ancien que seules les vieilles femmes savent encore chanter. Six couplets / son de flûte intervient• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-08 BM.972.019.001/14:08-08 00:11:00 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT DE TRIOMPHE Sous-table non exportée Sous-table non exportée solo h et chr h qui alternent avec solo f et chr f. 13 couplets• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-09 BM.972.019.001/14:08-09 00:11:00 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT A LA MAISON APRES LE TRAVAIL Sous-table non exportée Sous-table non exportée Chanté après une dure journée de travail, quand on revient à la maison. 12 couplets• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-10 BM.972.019.001/14:08-10 00:00:40 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1 Interrompu fin de bande• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-11 BM.972.019.001/14:08-11 00:01:20 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT D'AMOUR (SUITE) Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-12 BM.972.019.001/14:08-12 00:02:25 02/71 TAIWAN FORMOSE,DST PINGDONG,V NAN CUN RUKAI RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-13 BM.972.019.001/14:08-13 00:01:20 14/03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-14 BM.972.019.001/14:08-14 00:00:45 14/03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-15 BM.972.019.001/14:08-15 00:00:45 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-16 BM.972.019.001/14:08-16 00:01:00 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 2 hommes et 1 femme. "Dans le fleuve, on attrape des écrevisses, si l'une d'elles vous pince, ça fait mal. Dans la montagne, on chasse, mais parfois on trouve rien et on revient fatigué. Dans le fleuve on pêche des poissons et on attrape en plus beaucoup de crevettes"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-17 BM.972.019.001/14:08-17 00:02:40 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT DE DANSE AU COURS DES FETES ANNUELLES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-18 BM.972.019.001/14:08-18 00:01:45 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-19 BM.972.019.001/14:08-19 00:01:10 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-20 BM.972.019.001/14:08-20 00:01:10 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANSON Sous-table non exportée Sous-table non exportée "C'est parce que mon amant est mort que je chante ainsi, seuls ceux qui ont été aussi tristes que moi savent chanter et pleurer."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-21 BM.972.019.001/14:08-21 00:01:20 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-22 BM.972.019.001/14:08-22 00:00:40 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL ET DE RETROUVAILLES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-23 BM.972.019.001/14:08-23 00:01:05 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-24 BM.972.019.001/14:08-24 00:01:00 03/71 TAIWAN FORMOSE,DST JIA YI,BRG FEN QIHU,LEYE TSAO RAULT,L.;TAIWAN;1971 CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-25 BM.972.019.001/14:08-25 00:00:55 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 SOLO DE GUIMBARDE PAR 1 FEMME Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-26 BM.972.019.001/14:08-26 00:00:45 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 DUO DE GUIMBARDES PAR 2 FEMMES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-27 BM.972.019.001/14:08-27 00:01:15 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 TRIO DE GUIMBARDES PAR 3 FEMMES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-28 BM.972.019.001/14:08-28 00:01:15 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-29 BM.972.019.001/14:08-29 00:00:50 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-30 BM.972.019.001/14:08-30 00:02:20 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 ANCIEN CHANT D'AMOUR DES MONTAGNES Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-31 BM.972.019.001/14:08-31 00:00:40 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 PRIERE AUX DIEUX Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-32 BM.972.019.001/14:08-32 00:01:30 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-33 BM.972.019.001/14:08-33 00:02:30 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon mari est parti chasser dans la montagne, il chasse le sanglier, le cerf, le coq de bruyères. Quand il rapporte beaucoup de gibier, tout le monde chante ensemble."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-34 BM.972.019.001/14:08-34 00:01:00 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT D'AMOUR JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-35 BM.972.019.001/14:08-35 00:01:00 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Autrefois deux chefs de village s'étaient mesurés en un concours de chant, et le vaincu s'est soumis au vainqueur."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-36 BM.972.019.001/14:08-36 00:01:30 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Un homme et une femme sont restés ensemble 3 mois, ils s'aimaient et se le disaient, mais ils ne se sont pas unis..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-37 BM.972.019.001/14:08-37 00:01:35 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 AIR JAPONAIS Sous-table non exportée Sous-table non exportée "Je suis déjà mariée mais mon mari m'a quitté et me voici à nouveau seule."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-38 BM.972.019.001/14:08-38 00:00:30 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il faut que j'aille me faire tatouer sinon comment pourrais-je me marier?"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-39 BM.972.019.001/14:08-39 00:02:10 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je reprends le chemin de la maison, malgré la fatigue, je marche sans ralentir mes pas, car je sais que là-bas tu m'attends et cette seule pensée me suffit..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-40 BM.972.019.001/14:08-40 00:00:50 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 RECIT Sous-table non exportée Sous-table non exportée "Autrefois, les hommes du village se rassemblaient pour chercher quel était le plus valeureux d'entre eux, ils rivalisaient de courage et d'audace et, en allant couper la tête d'un de leurs ennemis, gagnaient ainsi le coeur de la plus belle fille du village."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :08-41 BM.972.019.001/14:08-41 00:03:25 04/71 TAIWAN FORMOSE,VILLAGE WULAI ATAYAL RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je vais vite apprendre à tisser. J'aime chanter tout en tissant et sachant tisser, je vais pouvoir me marier..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-01 BM.972.019.001/14:09-01 00:01:10 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-02 BM.972.019.001/14:09-02 00:00:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-03 BM.972.019.001/14:09-03 00:00:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-04 BM.972.019.001/14:09-04 00:01:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT GAI Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-05 BM.972.019.001/14:09-05 00:02:05 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-06 BM.972.019.001/14:09-06 00:00:50 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-07 BM.972.019.001/14:09-07 00:01:20 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-08 BM.972.019.001/14:09-08 00:03:00 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Pleurs d'enfant• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-09 BM.972.019.001/14:09-09 00:01:05 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-10 BM.972.019.001/14:09-10 00:02:00 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-11 BM.972.019.001/14:09-11 00:02:25 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-12 BM.972.019.001/14:09-12 00:02:15 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-13 BM.972.019.001/14:09-13 00:01:25 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-14 BM.972.019.001/14:09-14 00:01:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL INUIRUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-15 BM.972.019.001/14:09-15 00:01:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGGING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-16 BM.972.019.001/14:09-16 00:04:35 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGG YAMEI RAULT,L.;TAIWAN;1971 CHANT APRES AVOIR FINI D'AVOIR BATI UNE MAISON Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-17 BM.972.019.001/14:09-17 00:02:15 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGG YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Du matin au soir, je suis au bord de la mer, attrapant des oiseaux de mer..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-18 BM.972.019.001/14:09-18 00:01:25 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGG YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je me souviens comme c'était plaisant lorsque je suis allé faire un voyage à Taiwan..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-19 BM.972.019.001/14:09-19 00:02:00 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGG YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Le paysage de Lanyu, qu'il est beau."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-20 BM.972.019.001/14:09-20 00:02:05 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGG YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Dongging est un village magnifique."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-21 BM.972.019.001/14:09-21 00:02:55 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGGING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je débroussaille un champ, ôtant les pierres et mauvaises herbes, je ne sens pas la fatigue."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-22 BM.972.019.001/14:09-22 00:02:15 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGGING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'ai sept fen de terrain, je l'aménage de mon mieux en un champ inondé."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-23 BM.972.019.001/14:09-23 00:01:30 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGGING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'avais une maison vieille et délabrée, maintenant j'en ai construit une neuve, propre et confortable."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :09-24 BM.972.019.001/14:09-24 00:02:35 04/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONGGING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "La première fois que je suis montée dans une voiture pour rentrer au village, que j'étais contente!."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-01 BM.972.019.001/14:10-01 00:01:25 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon mari était parti dans les montagnes, couper du bois...."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-02 BM.972.019.001/14:10-02 00:03:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon père était parti sur la mer, pêcher des poissons..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-03 BM.972.019.001/14:10-03 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Autrefois il y avait beaucoup de chèvres sauvages dans les montagnes, noires, brunes et blanches, elles gambadaient dans les hautes herbes..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-04 BM.972.019.001/14:10-04 00:00:40 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'étais parti dans les montagnes, faire paître mes chèvres."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-05 BM.972.019.001/14:10-05 00:01:10 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Aurefois mon grand-père savait très bien construire des maisons, il nous en a fait une grande et belle, et nous avions tout ce qu'il fallait pour vivre..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-06 BM.972.019.001/14:10-06 00:01:25 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 ANCIEN CHANT Sous-table non exportée Sous-table non exportée "En gardant les chèvres dans la montagne."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-07 BM.972.019.001/14:10-07 00:01:05 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 3 hommes et 2 femmes. "Nous chantons tous ensemble maintenant que la maison est construite"• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-08 BM.972.019.001/14:10-08 00:02:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VIL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes partis en mer attraper des poissons volants..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-09 BM.972.019.001/14:10-09 00:01:50 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "En attrapant des poissons volants..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-10 BM.972.019.001/14:10-10 00:09:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Lorsque la maison est construite, on se réunit tous ainsi pour chanter..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-11 BM.972.019.001/14:10-11 00:04:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allée à Taidong travailler et ai gagné assez d'argent pour acheter du bon bois, revenant ici je me suis ainsi construit une nouvelle maison et je ne crains plus le taifong..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-12 BM.972.019.001/14:10-12 00:02:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Notre grand-père, lorsqu'il allait en mer attraper des poissons en pêchait en quantité; lors des fêtes religieuses, nous en sacrifiions plus que tout le monde et en mangions aussi plus que tous..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-13 BM.972.019.001/14:10-13 00:01:05 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "En allant à Taiwan, sur le bateau, nous étions près de soixante dix Yamei et nous sommes vraiment bien amusés."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-14 BM.972.019.001/14:10-14 00:01:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT DE BALANCOIRE Sous-table non exportée Sous-table non exportée Le choeur mixte est composé de 10 hommes et 1 femme• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-15 BM.972.019.001/14:10-15 00:01:55 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes partis dans les montagnes tous ensemble, chasser le renard..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-16 BM.972.019.001/14:10-16 00:01:05 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-17 BM.972.019.001/14:10-17 00:02:55 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Les chanteurs sont à l'unisson. "Nous, à Dong Qing, sommes forts et braves, nous savons faire la guerre et nous défendre. Ici, tous sont des braves..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-18 BM.972.019.001/14:10-18 00:03:10 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Les chanteurs sont à l'unisson. "Si d'autres personnes viennent dans notre village, qu'ils prennent garde! Si des habitants d'autres villages veulent venir ici, nous les recevront avec nos piques de combat et ainsi les chasserons..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :10-19 BM.972.019.001/14:10-19 00:05:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL DONG QING YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 3 hommes et 1 femme. "Depuis des générations, nous sommes allés sur la mer attraper d'innombrables poissons et dans les montagnes chasser des renards sans nombre. Nous sommes ainsi fiers de nous..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-01 BM.972.019.001/14:11-01 00:00:40 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT DU PETIT LANYU (PETITE ILE AU SUD DE LANYU) Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-02 BM.972.019.001/14:11-02 00:03:15 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT APRES LA CONSTRUCTION D'UNE MAISON OU D'UN GRAND BATEAU Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-03 BM.972.019.001/14:11-03 00:04:25 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT CHANTE PAR LES GRAND-MERE Sous-table non exportée Sous-table non exportée "Quand je me suis mariée, j'ai apporté avec moi tous mes trésors, mes plus beaux habits."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-04 BM.972.019.001/14:11-04 00:03:05 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé à Taiwan acheter une bonne bêche et j'ai avec cette bêche défriché tout un champ dans la montagne et j'ai pu planter d'innombrables patates. Comme je suis fort."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-05 BM.972.019.001/14:11-05 00:02:25 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Alors que j'allais à la pêche, j'ai rencontré un fantôme sur mon chemin, je me suis mis à le frapper et lui poussait des cris démoniaques. Je n'ai pas peur des fantômes car je suis un homme de Lanyu et un brave."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-06 BM.972.019.001/14:11-06 00:01:00 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Comme nous étions partis en mer pour pêcher, nous avons attrapé un poisson si lourd que tous les hommes ensemble n'arrivaient pas à dégager le filet. Ils ont tous si bien tirés que le bâteau a chaviré; après que nous ayons pu remonter dessus, nous avons sorti le poisson du filet et constaté avec étonnement qu'il s'agissait d'une jupe de femme ."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-07 BM.972.019.001/14:11-07 00:02:20 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Revenant de Taiwan, mon coeur est plein d'émotions et de souvenirs.. ."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-08 BM.972.019.001/14:11-08 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous étions six frères et soeurs, maintenant nous nous sommes tous séparés et mariés, et de notre champ, je n'ai eu qu'un tout petit arpent ."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-09 BM.972.019.001/14:11-09 00:01:55 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Tous les enfants sont revenus de Taiwan et nous leur avons donné à manger des patates ."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-10 BM.972.019.001/14:11-10 00:02:20 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Solo d'homme PUIS duo d'hommes. "Lorsque nous avons fini de construire la maison, nous exposons nos patates et les rangeons sur le toit. Comme nous sommes riches!"• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-11 BM.972.019.001/14:11-11 00:04:00 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Quand mon père est allé à la pêche, il a rencontré un fantôme et tous deux ont rivalisé à celui qui attrape le plus de poissons, lorsque mo frère est allé à la chasse au renard, il a rencontré un fantôme et celui-ci lui a dit:"comment peux-tu chasser les renards, ils sont tous mes cochons..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-12 BM.972.019.001/14:11-12 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Sur la presqu'île du dromadaire, les oiseaux de mer se rassemblent quand vient la nuit, jadis mon père allait là-bas en attraper, maintenant, c'est mon oncle qui y va..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-13 BM.972.019.001/14:11-13 00:01:10 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mes duex fils sont partis à Taiwan, je suis seul à la maison et mon travail me pèse, quand donc vont-ils revenir m'aider?"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-14 BM.972.019.001/14:11-14 00:02:10 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé dans la montagne couper du bois, mes frères ainés et cadets ont aussi leur travail et ne sont pas venus m'aider, je suis revenu bien las"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-15 BM.972.019.001/14:11-15 00:02:45 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon grand-père autrefois était le meilleur des pêcheurs, il savait pêcher toutes sortes de poissons, même les plus rares. Il était le plus expert des chasseurs et savait attraper toutes les bêtes de la montagne, me^me les plus étranges, c'était ainsi qu'il avait fait fortune."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-16 BM.972.019.001/14:11-16 00:01:35 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon père va en mer prendre des poissons et attraper des oiseaux de mer, ce n'est pas un travail facile."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-17 BM.972.019.001/14:11-17 00:01:35 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'étais allé à la pêche et j'avais attrapé un grand nombre de poissons sans beaucoup d'effort, je suis parti pêcher plus loin pour rapporter une pêche encore meilleure."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-18 BM.972.019.001/14:11-18 00:03:00 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon grand-père chantait: comme j'aimais aller à la pêche aux crabes et aux petits poissons! J'en récoltais toujours un plein panier, comme c'était amusant!"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-19 BM.972.019.001/14:11-19 00:01:05 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon grand-père allait dans la montagne chasser le renard et quand il revenait, il en portait une telle quantité sur son dos que c'était aussi lourd qu'un chargement de bois..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-20 BM.972.019.001/14:11-20 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 4 hommes et 2 femmes. "Je suis allé en mer et j'ai rapporté tant de poissons qu'on n'en finit pas de les manger, il y en a toujours encore et encore, il semble que j'ai pêché la mer entière. Je suis allé en montagne chasser les renards et j'en ai rapporté tellement qu'on peut faire un tas aussi haut qu'une montagne. Quelle prospérité!"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :11-21 BM.972.019.001/14:11-21 00:03:05 08/71 TAIWAN FORMOSE,ILE DE LANYU YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 4 hommes et 2 femmes. "Lorsque nous avons fini de construire une maison, le mieux est d'avoir un cochon, sinon ça ne va pas..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-01 BM.972.019.001/14:12-01 00:03:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Sur la mer, mon bâteau a heurté un si gros poisson qu'il a failli chavirer."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-02 BM.972.019.001/14:12-02 00:02:50 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé à Taiwan et de retour, j'ai beaucoup de souvenirs et de pensées de toutes sortes..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-03 BM.972.019.001/14:12-03 00:02:35 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Un garçon et une fille sont allés passer quelque temps à Taiwan, en revenant, ils étaient mariés et portaient de beaux habits..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-04 BM.972.019.001/14:12-04 00:00:55 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé m'amuser et Taiwan est de retour ici, j'ai repris avec joie mes vêtements yamei."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-05 BM.972.019.001/14:12-05 00:05:35 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je travaille durement, chaque jour, plantant des patates."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-06 BM.972.019.001/14:12-06 00:02:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'ai planté beaucoup de patates dans la montagne. J'ai péché dans la mer beaucoup de poissons. Ainsi je m'endors le soir ontent de moi..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-07 BM.972.019.001/14:12-07 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé au plus haut de la montagne et ai rapporté des renards en grand nombre; il n'est certainement personne qui puisse en attraper plus..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-08 BM.972.019.001/14:12-08 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Au village, j'étais la plus jolie entre toutes les filles..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-09 BM.972.019.001/14:12-09 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'ai été en mer pêcher beaucoup de poissons et suis allé à Taiwan les vendre, j'ai ainsi pu gagner beaucoup d'argent et me suis acheter une valise..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-10 BM.972.019.001/14:12-10 00:04:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée SD: bruit de fond. "Pendant les fêtes religieuses, on a tué beaucoup de cochons dans ma maison..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-11 BM.972.019.001/14:12-11 00:01:40 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "A la maison j'ai beaucoup d'enfants mais presque tous sont des filles et je n'ai personne pour m'aider à travailler."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-12 BM.972.019.001/14:12-12 00:04:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes allés en mer pêcher sur un bâteau immense, la pêche était très abondante et au retour, nous avions partagé: chacun a obtenu ainsi tellement de poissons qu'on a pu en manger plusieus jours et comme il en reste encore beaucoup, on les a mis à sécher au soleil..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-13 BM.972.019.001/14:12-13 00:01:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous étions partis six amis ensemble à Taiwan, mais arrivés là-bas, nous n'avions pas d'argent pour manger, alors l'ainé d'entre nous est allé à la pêche et nous a rapporté assez de poissons pour manger autant que nous voulions..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-14 BM.972.019.001/14:12-14 00:02:05 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL EN MONTAGNE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-15 BM.972.019.001/14:12-15 00:03:40 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Chr de 2 hommes et 1 femme. "Nous avons pêché beaucoup de poissons dans la mer. Nous avons chassé beaucoup de renards dans la montagne."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-16 BM.972.019.001/14:12-16 00:03:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Quand nous allons en mer sur les grands bâteaux, les dangers sont grands, le chef nous donne des ordres, et nous lui obéissons sans réplique..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-17 BM.972.019.001/14:12-17 00:01:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Quand j'ai vu arriver le bâteau, je me suis dit que je serais le plus heureux des hommes si j'en avais un si grand..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :12-18 BM.972.019.001/14:12-18 00:00:50 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il y a chez moi un bâteau très grand qui peut porter dix hommes."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-01 BM.972.019.001/14:13-01 00:02:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT (SUITE DE LA DERNIERE PIECE DE LA BANDE 12) Sous-table non exportée Sous-table non exportée "Il y a chez moi un bâteau très grand qui peut porter dix hommes."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-02 BM.972.019.001/14:13-02 00:01:25 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il y a chez moi un bâteau immense, excellent pour aller pêcher beaucoup de poissons, mais mon mari ne fait rien, il dort toute la journée."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-03 BM.972.019.001/14:13-03 00:01:40 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Assis dans mon bâteau, je pêche..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-04 BM.972.019.001/14:13-04 00:01:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Parti chasser dans la montagne, j'ai aperçu une bête étrange et l'ai poursuivie sans arriver à l'attraper..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-05 BM.972.019.001/14:13-05 00:01:35 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Mon mari est parti pêcher et a rapporté beaucoup de poissons, je suis fière de lui..."• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-06 BM.972.019.001/14:13-06 00:03:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Chr de 2 hommes et 1 femme. "Nous sommes tous allés ensemble travailler dans les champs mais il semble que les hommes n'aient pas fait grand chose"• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-07 BM.972.019.001/14:13-07 00:01:40 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Chr de 2 hommes et 1 femme. "Nous avons revêtu nos cuirasses de combat et vaincu nos ennemis, les frappant de nos piques..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-08 BM.972.019.001/14:13-08 00:02:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je suis allé pêcher et ai attrapé un énorme poisson que j'ai vendu très cher..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-09 BM.972.019.001/14:13-09 00:01:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Après être marié, l'homme va en mer à la pêche, tandis qu'a la maison sa femme travaille..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-10 BM.972.019.001/14:13-10 00:01:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Sur le seuil de ma maison, je pile le petit riz avec mon pilon..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-11 BM.972.019.001/14:13-11 00:02:55 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Etant allé pêché, j'ai rencontré sous la mer un requin qui a voulu me mordre la cuisse, mais il ne m'a pas fait peur et je l'ai transpercé de mon harpon..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-12 BM.972.019.001/14:13-12 00:02:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes partis à deux pêcher en mer et sommes déconfits, presque bredouilles..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-13 BM.972.019.001/14:13-13 00:00:50 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Lorsque j'étais tout jeune homme, j'ai rencontré, un jour que j'allais travailler, une très jolie fille, nous sommes allés dormir ensemble et comme elle me plaisait, je l'ai ramenée avec mi pour en faire ma femme..."• Original piste 1 Interrompu, fin de bobine• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-14 BM.972.019.001/14:13-14 00:01:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT (SUITE DE XIII, PISTE 1) Sous-table non exportée Sous-table non exportée "Lorsque j'étais tout jeune homme, j'ai rencontré, un jour que j'allais travailler, une très jolie fille, nous sommes allés dormir ensemble et comme elle me plaisait, je l'ai ramenée avec mi pour en faire ma femme..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-15 BM.972.019.001/14:13-15 00:55:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Lanyu est une île magnifique, tous les paysages sont très beaux, nous sommes tous heureux de vivre ici..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-16 BM.972.019.001/14:13-16 00:01:15 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes partis à deux pêcher en mer, mais les poissons étaient rares et nous avons sommeillé au soleil..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-17 BM.972.019.001/14:13-17 00:01:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'ai pêché un poisson immense et je l'ai rapporté chez moi très fier; nous avons pu le manger avec grand plaisir."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-18 BM.972.019.001/14:13-18 00:00:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Etant partis chasser le renard dans la montagne, nous en avons rencontré un très beau, tout rouge avec des yeux brillants, et l'avons poursuivi tout le jour et il a finalement disparu sous nos yeux."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-19 BM.972.019.001/14:13-19 00:00:50 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'ai un fils chez moi, il est encore enfant, mais aussitôt qu'il grandira, je l'emmènerai pêcher avec moi..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-20 BM.972.019.001/14:13-20 00:01:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Je me suis marié avec une jolie fille, nous avons invité beaucoup de monde à manger et nous avons déménagé de mon ancienne maison que je partageais avec mes parents."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-21 BM.972.019.001/14:13-21 00:02:10 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Les fils à la maison refusent d'accompagner leur père au travail, ils préfèrent rester là à lézarder ou bien aller se promener."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-22 BM.972.019.001/14:13-22 00:01:20 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "J'étais allée à Taiwan m'amuser, j'en ai gardé de bons souvenirs."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-23 BM.972.019.001/14:13-23 00:00:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Voilà longtemps, mon fils est parti pour Taiwan et je l'attends impatiemment, pensant à lui."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-24 BM.972.019.001/14:13-24 00:01:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "C'est un homme qui vit seul, il vieillit et n'a pas pris de femme."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-25 BM.972.019.001/14:13-25 00:02:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "La fontaine du village était endommagée, nous sommes venus pour la réparer."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-26 BM.972.019.001/14:13-26 00:02:30 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous avons aidé à construire cette église, le coeur plein de respect."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-27 BM.972.019.001/14:13-27 00:01:35 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes venus dans le village creuser des rigoles pour que l'eau puisse s'écouler..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-28 BM.972.019.001/14:13-28 00:01:00 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Il fait beau, les vagues ne sont pas hautes, nous pouvons aller à la pêche..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-29 BM.972.019.001/14:13-29 00:00:45 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous sommes allés pêcher et avons rapporté une pêche abondante..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :13-30 BM.972.019.001/14:13-30 00:02:10 08/71 TAIWAN FORMOSE,ILE DE LANYU,VILL IMURUD YAMEI RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Venant de Taiwan, un bâteau est arrivé ici endommagé et une de ses passagères, une jeune Formosane, est restée avec nous quelques joours pendant les réparations..."• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-01 BM.972.019.001/14:14-01 00:01:50 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-02 BM.972.019.001/14:14-02 00:01:20 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-03 BM.972.019.001/14:14-03 00:00:50 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT A BOIRE Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-04 BM.972.019.001/14:14-04 00:01:30 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-05 BM.972.019.001/14:14-05 00:07:30 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 LEGENDE Sous-table non exportée Sous-table non exportée Légende que le roi récitait chaque année à ses sujets; avec traductions en chinois• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-06 BM.972.019.001/14:14-06 00:01:00 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-07 BM.972.019.001/14:14-07 00:00:20 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT CONTEMPORAIN Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-08 BM.972.019.001/14:14-08 00:01:20 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANTJAPONAIS Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-09 BM.972.019.001/14:14-09 00:02:10 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Choeur de 5 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-10 BM.972.019.001/14:14-10 00:00:50 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 ? Sous-table non exportée Sous-table non exportée Choeur de 5 hommes et 1 femme• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-11 BM.972.019.001/14:14-11 00:00:50 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 5 hommes et 1 femme. "Nous sommes tous joyeux"• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-12 BM.972.019.001/14:14-12 00:01:10 09/71 TAIWAN FORMOSE, DST JIA YI, VILLAGE SHEZI TSAO RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 5 hommes et 1 femme. "Amour réciproque"• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-13 BM.972.019.001/14:14-13 00:00:25 09/71 TAIWAN FORMOSE, DST NANTON,VILLAGE JIU MEI SAO RAULT,L.;TAIWAN;1971 CHANT DE RECOLTE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-14 BM.972.019.001/14:14-14 00:01:15 09/71 TAIWAN FORMOSE, DST NANTON,VILLAGE JIU MEI SAO RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-15 BM.972.019.001/14:14-15 00:01:15 09/71 TAIWAN FORMOSE, DST NANTON,VILLAGE JIU MEI SAO RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-16 BM.972.019.001/14:14-16 00:01:05 09/71 TAIWAN FORMOSE, DST NANTON,VILLAGE JIU MEI SAO RAULT,L.;TAIWAN;1971 CHANT DE COMBAT Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-17 BM.972.019.001/14:14-17 00:00:25 09/71 TAIWAN FORMOSE, DST NANTON,VILLAGE JIU MEI SAO RAULT,L.;TAIWAN;1971 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-18 BM.972.019.001/14:14-18 00:00:40 09/71 TAIWAN FORMOSE, DST JIAYI,VILLAGE SHIZI SAO RAULT,L.;TAIWAN;1971 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-19 BM.972.019.001/14:14-19 00:03:35 09/71 TAIWAN FORMOSE, DST JIAYI,VILLAGE SHIZI SAO RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-20 BM.972.019.001/14:14-20 00:01:20 09/71 TAIWAN FORMOSE, DST NANTON,VILL NEILIAO SAO RAULT,L.;TAIWAN;1971 CARILLON DE MORTIERS EN BOIS Sous-table non exportée Sous-table non exportée Carillon de mortiers en bois frappé. Sons de différentes hauteurs= polyrythmicomélodique• Original piste 1• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-21 BM.972.019.001/14:14-21 00:00:55 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-22 BM.972.019.001/14:14-22 00:00:55 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-23 BM.972.019.001/14:14-23 00:00:57 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT TRISTE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-24 BM.972.019.001/14:14-24 00:01:30 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-25 BM.972.019.001/14:14-25 00:01:35 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-26 BM.972.019.001/14:14-26 00:03:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE RECOLTE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-27 BM.972.019.001/14:14-27 00:02:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE FETE ANNUELLE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-28 BM.972.019.001/14:14-28 00:02:00 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT POUR LE JOYEUX RETOUR DE CHASSE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-29 BM.972.019.001/14:14-29 00:01:05 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL ZHUOXI BUNUN RAULT,L.;TAIWAN;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-30 BM.972.019.001/14:14-30 00:01:25 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 5 femmes• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-31 BM.972.019.001/14:14-31 00:01:35 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE VICTOIRE Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 5 femmes• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-32 BM.972.019.001/14:14-32 00:00:45 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CRI SCANDE Sous-table non exportée Sous-table non exportée "Nos enfants sont les meilleurs guerriers"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-33 BM.972.019.001/14:14-33 00:01:05 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 5 femmes• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-34 BM.972.019.001/14:14-34 00:00:50 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE GUERRE CONTRE LES JAPONAIS Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 5 femmes• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-35 BM.972.019.001/14:14-35 00:01:00 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 6 hommes et 5 femmes "Si quelqu'un vous aide il faut savoir le remercier"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-36 BM.972.019.001/14:14-36 00:02:25 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Choeur de 3 hommes et 1 femme. "Sachez dire merci"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-37 BM.972.019.001/14:14-37 00:00:30 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Ma bien-aimée ne m'aime pas, ma mère est morte. Je n'ai personne qui m'aime"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-38 BM.972.019.001/14:14-38 00:00:45 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT AMEI Sous-table non exportée Sous-table non exportée "Je vais me marier avec lui, mais nous devons nous séparer, je pleure et lui dit adieu"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-39 BM.972.019.001/14:14-39 00:04:05 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée "Nous demandons pardon à Dieu de nos fautes"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-40 BM.972.019.001/14:14-40 00:01:40 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée "J'aimerais me marier, mais je n'ai pas d'argent, et sans doute resterai-je toute ma vie célibataire"• Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-41 BM.972.019.001/14:14-41 00:00:45 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-42 BM.972.019.001/14:14-42 00:00:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-43 BM.972.019.001/14:14-43 00:01:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-44 BM.972.019.001/14:14-44 00:01:05 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-45 BM.972.019.001/14:14-45 00:00:45 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-46 BM.972.019.001/14:14-46 00:00:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT JAPONAIS Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-47 BM.972.019.001/14:14-47 00:00:15 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.019 Ø13;1/2P BM.972.019.001/14 :14-48 BM.972.019.001/14:14-48 00:01:20 09/71 TAIWAN FORMOSE, DST HUALIAN,VILL WU SI BUNUN RAULT,L.;TAIWAN;1971 CHANT EN REVENANT DE CHASSE DANS LA MONTAGNE Sous-table non exportée Sous-table non exportée Original piste 2• 1971 ASIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-01 BM.972.021.001/02:01-01 00:01:40 fev,mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE RURIGATA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE TIRERE Sous-table non exportée a l'écoute , l'enregistrement semble avoir ete fait hors situation• IFP : batons frappés ou entrechoqués. 10 personnes assises face à face 4 première pièces débutent par la même formule chantée• LATOUCHE,JEAN-PAUL 1972 0 BM.1,P1 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-02 BM.972.021.001/02:01-02 00:01:09 fev;mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE RURIGATA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE TIRERE Sous-table non exportée A l'écoute , l'enregistrement semble avoir ete fait hors situation• IFP : batons frappés ou entrechoqués. 10 personnes assises face à face 4 première pièces débutent par la même formule chantée bruits de micro par moments• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-03 BM.972.021.001/02:01-03 00:03:14 fev;mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE RURIGATA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE TIRERE Sous-table non exportée A l'écoute , l'enregistrement semble avoir ete fait hors situation• IFP : batons frappés ou entrechoqués. 10 personnes assises face à face 4 première pièces débutent par la même formule chantée• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-04 BM.972.021.001/02:01-04 00:01:37 fev;mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE RURIGATA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE TIRERE Sous-table non exportée A l'écoute , l'enregistrement semble avoir ete fait hors situation• IFP : batons frappés ou entrechoqués. 10 personnes assises face à face 4 première pièces débutent par la même formule chantée• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-05 BM.972.021.001/02:01-05 00:02:14 fev,mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE RURIGATA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE TIRERE Sous-table non exportée a l'écoute , l'enregistrement semble avoir ete fait hors situation• IFP : batons frappés ou entrechoqués. 10 personnes assises face à face 4 première pièces débutent par la même formule chantée• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-06 BM.972.021.001/02:01-06 00:01:13 fev,mars,avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE KAABURE Sous-table non exportée A l'écoute , l'enregistrement semble avoir ete fait hors situation• chanteurs assis en quadrille• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-07 BM.972.021.001/02:01-07 00:00:38 fev,mars,avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE KAABURE Sous-table non exportée A l'écoute , l'enregistrement semble avoir ete fait hors situation• chanteurs assis en quadrille• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-08 BM.972.021.001/02:01-08 00:03:52 fev,mars,avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE KAABURE Sous-table non exportée a l'écoute , l'enregistrement semble avoir été fait hors situation• chanteurs assis en quadrille• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-09 BM.972.021.001/02:01-09 00:15:04 fev,mars,avril REP DE KIRIBATI ILE DE NIKUNAN,VILLAGE DE MURIBENUA ILES GILBERT CHANTE CHR MIXTE Sous-table non exportée TE RUOIA Sous-table non exportée a l'écoute , l'enregistrement semble avoir ete fait hors situation• chanteurs debout chant de danse,propriété du village Première partie:5' 00" (durée théorique de fiche) deuxième par tie 9'45" (durée théorique de fiche) plage 9 en deuxième piste de la bande et manque début• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-10 BM.972.021.001/02:01-10 00:05:29 avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANT SOLO H Sous-table non exportée TE KATAKE Sous-table non exportée chants commémoratifs, possibilité d'avoir été enregistré en contexte• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-11 BM.972.021.001/02:01-11 00:06:26 avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANT SOLO F Sous-table non exportée TE KATAKE Sous-table non exportée chants commémoratifs, possibilité d'avoir ete enregistré en contexte• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-12 BM.972.021.001/02:01-12 00:04:18 avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANT SOLO H Sous-table non exportée TE KATAKE Sous-table non exportée chants commémoratifs, possibilité d'avoir ete enregistré en contexte• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.972.021 CDR+Ø* BM.972.021.001/02 :01-13 BM.972.021.001/02:01-13 00:04:10 avril REP DE KIRIBATI ILE DE TARAWA,VILLAGE DE BAURAEALA ILES GILBERT CHANT SOLO H Sous-table non exportée TE KATAKE Sous-table non exportée chants commémoratifs, possibilité d'avoir ete enregistré en contexte leger ronflement sur l'ensemble des pièces• LATOUCHE,JEAN-PAUL 1972 OCEANIE +BM.1972.022 Ø13 BM.1972.022.001/13 :01-01 BM.1972.022.001/13:01-01 00:15:00 CANADA CANADA. RECITS L'ARBRE SINISTRE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• 0 0 AMERIQUE +BM.972.023 ØGF;²38;PPM;SD BM.972.023.001 :01-01 BM.972.023.001:01-01 00:00:00 MALI MASTER DI."SILAMAKA & POULLORI"[3 DI. ENCARTES] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.972.024 ØGF;²38;PPM;SD BM.972.024.001/02 :01-01 BM.972.024.001/02:01-01 00:00:00 ILES SALOMON MASTER DI."MUSIQUE MALESIENNE; 'ARE'ARE" VOL.3 N Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +BM.972.025 ØGF;²38;PPM;SD BM.972.025.001 :01-01 BM.972.025.001:01-01 00:00:00 MONGOLIE (REP POPU) MASTER DI."CHANTS MONGOLS & BOURIATES" N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +BM.972.025 ØGF;²38;PPM;SD BM.972.025.001 :02-02 BM.972.025.001:02-02 00:00:00 URSS;BOURIATIE MASTER DI."CHANTS MONGOLS & BOURIATES" N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +BM.972.026 Ø13 BM.972.026.001/05 :01-01 BM.972.026.001/05:01-01 00:00:00 ALGERIE;HOGGAR ALGERIE;HOGGAR.H.LHOTE [COPIE DI.78T] N Sous-table non exportée Sous-table non exportée 1948 0 AFRIQUE +BM.1973.002 Divers* BM.1973.002.001/50 :01-01 BM.1973.002.001/50:01-01 00:08:30 VIETNAM VCENTRAL;LANG LIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H CONO MPOT Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 0 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-02 BM.1973.002.001/50:01-02 00:37:00 00/00/61 VIETNAM VCENTRAL;TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-03 BM.1973.002.001/50:01-03 00:14:00 00/00/61 VIETNAM VCENTRAL;TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT F Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-04 BM.1973.002.001/50:01-04 00:08:30 00/00/61 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-05 BM.1973.002.001/50:01-05 00:08:00 00/00/61 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-06 BM.1973.002.001/50:01-06 00:06:30 00/00/61 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-07 BM.1973.002.001/50:01-07 00:06:30 00/00/61 VIETNAM VCENTRAL;TOR NON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-08 BM.1973.002.001/50:01-08 00:03:30 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-09 BM.1973.002.001/50:01-09 00:11:30 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :01-10 BM.1973.002.001/50:01-10 00:07:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²9,5;STD 1/2p• 1961 Piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-01 BM.1973.002.001/50:02-01 00:00:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. Suite de la pièce 973.002.01-10• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-02 BM.1973.002.001/50:02-02 00:07:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO H* Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *chant dialogué• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-03 BM.1973.002.001/50:02-03 00:19:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-04 BM.1973.002.001/50:02-04 00:11:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-05 BM.1973.002.001/50:02-05 00:10:30 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-06 BM.1973.002.001/50:02-06 00:06:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-07 BM.1973.002.001/50:02-07 00:04:30 00/00/61 VIETNAM VCENTRAL;BON DEUNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE, DUO F* Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *chant dialogué• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-08 BM.1973.002.001/50:02-08 00:10:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE, F & H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-09 BM.1973.002.001/50:02-09 00:01:12 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO DE F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-10 BM.1973.002.001/50:02-10 00:17:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-11 BM.1973.002.001/50:02-11 00:26:00 00/00/61 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLOF Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-12 BM.1973.002.001/50:02-12 00:06:00 00/00/61 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLOF Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-13 BM.1973.002.001/50:02-13 00:03:00 00/00/61 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLOF Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-14 BM.1973.002.001/50:02-14 00:12:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO E Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-15 BM.1973.002.001/50:02-15 00:17:00 00/00/61 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F* ROPONG DOM LET DING NGE DO ROH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *Mélopée alternée• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-16 BM.1973.002.001/50:02-16 00:09:30 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-17 BM.1973.002.001/50:02-17 00:01:00 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-18 BM.1973.002.001/50:02-18 00:02:30 00/00/61 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-19 BM.1973.002.001/50:02-19 00:00:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-20 BM.1973.002.001/50:02-20 00:07:30 00/00/61 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H KU PRIT KUK TAM NE HER NGAN Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-21 BM.1973.002.001/50:02-21 00:03:00 00/00/61 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NON INVENTORIE MAUVAISE QUALITE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 non inventorié piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-22 BM.1973.002.001/50:02-22 00:03:00 00/00/61 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NON INVENTORIE MAUVAISE QUALITE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-23 BM.1973.002.001/50:02-23 00:04:00 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H O OH MI ME BAP DEN NU ME BAP Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-24 BM.1973.002.001/50:02-24 00:09:00 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H MPOT BENH LONG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-25 BM.1973.002.001/50:02-25 00:01:30 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H - INAUDIBLE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 inaudible piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-26 BM.1973.002.001/50:02-26 00:02:00 00/00/61 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H - INAUDIBLE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 inaudible piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-27 BM.1973.002.001/50:02-27 00:04:30 00/00/61 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H ET PERCUSSION PU SOR HE LAE DONG CRI BA BAL... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-28 BM.1973.002.001/50:02-28 00:03:00 00/00/61 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H* Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *chant énumératif rythmé• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-29 BM.1973.002.001/50:02-29 00:13:00 00/00/61 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-30 BM.1973.002.001/50:02-30 00:11:30 00/00/61 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F* CHI CHANG CHANG LONG RANG PONDEH... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *thème répété plusieurs fois• 1961 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :02-31 BM.1973.002.001/50:02-31 00:11:30 00/00/61 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F NGGO YA CHAE ANG TANG BRAE ROMIT Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1961 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-01 BM.1973.002.001/50:03-01 00:07:30 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H AVEC INTERMEDE INSTRUMENTAL Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-02 BM.1973.002.001/50:03-02 00:04:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-03 BM.1973.002.001/50:03-03 00:02:10 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-04 BM.1973.002.001/50:03-04 00:06:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-05 BM.1973.002.001/50:03-05 00:42:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO H BAR HOI CO TAM NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-06 BM.1973.002.001/50:03-06 00:03:00 00/00/60 VIETNAM VCENTRAL;NHA BAR CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F TANG GO JE TANG GO JON HE... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-07 BM.1973.002.001/50:03-07 00:01:00 00/00/60 VIETNAM VCENTRAL;NHA BAR CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-08 BM.1973.002.001/50:03-08 00:01:00 00/00/60 VIETNAM VCENTRAL;NHA BAR CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-09 BM.1973.002.001/50:03-09 00:00:30 00/00/60 VIETNAM VCENTRAL;NHA BAR CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-10 BM.1973.002.001/50:03-10 00:02:00 00/00/60 VIETNAM VCENTRAL;DARAHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H MHIU BROE BROE EO YANG KODONG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-11 BM.1973.002.001/50:03-11 00:00:00 00/00/60 VIETNAM VCENTRAL;DARAHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTEH NGGOR ME TING TUNG NDO ME Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-12 BM.1973.002.001/50:03-12 00:00:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H O KUE PHO ANG SIH MA PIENG SORWA DO YANG KUE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-13 BM.1973.002.001/50:03-13 00:00:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H AHA O TAO PO... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-14 BM.1973.002.001/50:03-14 00:00:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H O YANG MOI... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-15 BM.1973.002.001/50:03-15 00:00:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F KON CAL YOT TOR JONG NUIH ANG MA MOI NU ME Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-16 BM.1973.002.001/50:03-16 00:00:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F NA LO THIT NA OM OM NA OH... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-17 BM.1973.002.001/50:03-17 00:00:00 00/00/60 VIETNAM VCENTRAL;DAROHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F DRO DRO IER O KWO O YA NGE DO OH E... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-18 BM.1973.002.001/50:03-18 00:00:00 00/00/60 VIETNAM VCENTRAL;DAROHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS BIET* Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p. *treize thèmes joués sur ce jeu de gongs• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-19 BM.1973.002.001/50:03-19 00:09:25 00/00/60 VIETNAM VCENTRAL CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-20 BM.1973.002.001/50:03-20 00:01:18 00/00/60 VIETNAM VCENTRAL;DAROHO CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-21 BM.1973.002.001/50:03-21 00:02:00 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-22 BM.1973.002.001/50:03-22 00:04:30 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F TAM KONDOL OH NGA O DEOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-23 BM.1973.002.001/50:03-23 00:10:25 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F DORO ROBOP TAM TIP... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-24 BM.1973.002.001/50:03-24 00:02:30 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H YAN RO ANG I K'SAN Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-25 BM.1973.002.001/50:03-25 00:02:00 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H O YANG A CHOP ANG KHUOL... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-26 BM.1973.002.001/50:03-26 00:06:35 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H CONO HAE YANG KUE... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-27 BM.1973.002.001/50:03-27 00:03:40 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT CHOEUR DE F TAM TRO YO RIEE... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-28 BM.1973.002.001/50:03-28 00:10:30 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DA ME UM DING DUM MO BO MO... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-29 BM.1973.002.001/50:03-29 00:05:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F BUNG NHIM DRIM KOJO... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-30 BM.1973.002.001/50:03-30 00:01:05 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H TE YA BIOI TE YA ROSAC Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-31 BM.1973.002.001/50:03-31 00:08:25 00/00/60 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H TE YA BIOI TE YA ROSAC Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-32 BM.1973.002.001/50:03-32 00:03:42 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H POLE RO PA KOWAO KON PROH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-33 BM.1973.002.001/50:03-33 00:10:42 00/00/60 VIETNAM VCENTRAL;DONG CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F DO RO CHOP ANG TOM KON NOM ROLAH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-34 BM.1973.002.001/50:03-34 00:16:00 00/00/60 VIETNAM VCENTRAL;DONG CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE DUO F NO ME KUP NHI NHI... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-35 BM.1973.002.001/50:03-35 00:02:30 00/00/60 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F TRO KONG ANG YANG DO O AI... Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-36 BM.1973.002.001/50:03-36 00:07:00 00/00/60 VIETNAM VCENTRAL CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F HO O HOH OH ANG ON NHIM. Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-37 BM.1973.002.001/50:03-37 00:03:48 00/00/60 VIETNAM VCENTRAL CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F HO O HOH OH ANG ON NHIM. Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-38 BM.1973.002.001/50:03-38 00:03:25 00/00/60 VIETNAM VCENTRAL CIL VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F ON NHIM TU POYA MA NAI NU YO HOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :03-39 BM.1973.002.001/50:03-39 00:12:00 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F DO RO ROBAH CANG COT ANG DO YO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-01 BM.1973.002.001/50:04-01 00:00:00 00/00/60 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H ARIH' Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-02 BM.1973.002.001/50:04-02 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H KONO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-03 BM.1973.002.001/50:04-03 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-04 BM.1973.002.001/50:04-04 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH LONG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-05 BM.1973.002.001/50:04-05 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-06 BM.1973.002.001/50:04-06 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DUO F DEH LONG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-07 BM.1973.002.001/50:04-07 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO F ADOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-08 BM.1973.002.001/50:04-08 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-09 BM.1973.002.001/50:04-09 00:00:00 00/00/60 VIETNAM VCENTRAL;DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-10 BM.1973.002.001/50:04-10 00:00:00 00/00/60 VIETNAM VCENTRAL;YENGHI LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-11 BM.1973.002.001/50:04-11 00:00:00 00/00/60 VIETNAM VCENTRAL;BO NOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-12 BM.1973.002.001/50:04-12 00:00:00 00/00/60 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-13 BM.1973.002.001/50:04-13 00:00:00 00/00/60 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H ADOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-14 BM.1973.002.001/50:04-14 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-15 BM.1973.002.001/50:04-15 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-16 BM.1973.002.001/50:04-16 00:00:00 00/00/60 VIETNAM VCENTRAL;NBA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-17 BM.1973.002.001/50:04-17 00:01:55 00/00/60 VIETNAM VCENTRAL;NBA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-18 BM.1973.002.001/50:04-18 00:01:20 00/00/60 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-19 BM.1973.002.001/50:04-19 00:01:05 00/00/60 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE TONIA JAT GUNG KODU Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-20 BM.1973.002.001/50:04-20 00:00:50 00/00/60 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE JAT GUNG KOT BOH CHOM TONGAI UH DOAH Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-21 BM.1973.002.001/50:04-21 00:01:55 00/00/60 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE GUIMBARDE JAT GUNG TONIA Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. SD=Bruits de l'appareil, voix d'enfant• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-22 BM.1973.002.001/50:04-22 00:01:35 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS BOSRAM KONHOL MA CENG Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-23 BM.1973.002.001/50:04-23 00:01:00 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS "IMITATION DU ROULEMENT DE TAMBOUR" BOSRAM TO SONGOR Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-24 BM.1973.002.001/50:04-24 00:01:05 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS TUR CING YO Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-25 BM.1973.002.001/50:04-25 00:01:25 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS HUAE SONGOR PE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. instruments : percussion et sifflement en plus du jeu de gongs• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-26 BM.1973.002.001/50:04-26 00:01:40 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CHO DA RA DE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. VA=sifflement• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-27 BM.1973.002.001/50:04-27 00:01:15 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT CHOEUR H DEH IER DAM KRA Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. VA=sifflement• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-28 BM.1973.002.001/50:04-28 00:00:55 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT CHOEUR H DI RONDEH PLUP ANG O BAE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. VA=sifflement• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-29 BM.1973.002.001/50:04-29 00:00:25 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CRIH DJRING DE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. I=percussion• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-30 BM.1973.002.001/50:04-30 00:01:00 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H HOE YANG CA KOH DJRING Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. I=percussion• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-31 BM.1973.002.001/50:04-31 00:00:35 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H KOT CAU DJRING DEH GONG Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-32 BM.1973.002.001/50:04-32 00:00:45 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH DU TONG LOH RUP Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-33 BM.1973.002.001/50:04-33 00:01:30 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H KOLA DEH TONG Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-34 BM.1973.002.001/50:04-34 00:00:55 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H KOT CAU DJRING HOE YANG KOE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-35 BM.1973.002.001/50:04-35 00:00:25 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H KOT NTONG BO CADE Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-36 BM.1973.002.001/50:04-36 00:01:00 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING PROH Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-37 BM.1973.002.001/50:04-37 00:01:00 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING BAR DON Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-38 BM.1973.002.001/50:04-38 00:01:10 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING MHANG Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-39 BM.1973.002.001/50:04-39 00:01:15 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING KUOT Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-40 BM.1973.002.001/50:04-40 00:01:15 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING PANGBAH Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-41 BM.1973.002.001/50:04-41 00:01:10 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 FLUTES IMITANT LE JEU DE GONGS UH CING KOLA Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :04-42 BM.1973.002.001/50:04-42 00:00:45 00/00/60 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PIECE DE FLUTES* UH CING DAN BIEP Sous-table non exportée Sous-table non exportée Ø18;²19;STD 1/2p. *interrompu, fin de bobine• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-01 BM.1973.002.001/50:05-01 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-02 BM.1973.002.001/50:05-02 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-03 BM.1973.002.001/50:05-03 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-04 BM.1973.002.001/50:05-04 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H CO NO RAC CA-KOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-05 BM.1973.002.001/50:05-05 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-06 BM.1973.002.001/50:05-06 00:00:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CHO ROBAH DON Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-07 BM.1973.002.001/50:05-07 00:00:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-08 BM.1973.002.001/50:05-08 00:00:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-09 BM.1973.002.001/50:05-09 00:00:00 00/00/60 VIETNAM VCENTRAL;NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-10 BM.1973.002.001/50:05-10 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-11 BM.1973.002.001/50:05-11 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-12 BM.1973.002.001/50:05-12 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-13 BM.1973.002.001/50:05-13 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-14 BM.1973.002.001/50:05-14 00:00:00 00/00/60 VIETNAM VCENTRAL;SRE LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT H BOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-15 BM.1973.002.001/50:05-15 00:00:00 00/00/60 VIETNAM VCENTRAL;SRE LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT H BREO KALA Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-16 BM.1973.002.001/50:05-16 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-17 BM.1973.002.001/50:05-17 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT H HOE YANG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-18 BM.1973.002.001/50:05-18 00:00:00 00/00/60 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT H HOE YANG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-19 BM.1973.002.001/50:05-19 00:00:00 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-20 BM.1973.002.001/50:05-20 00:00:00 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-21 BM.1973.002.001/50:05-21 00:00:00 00/00/60 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-22 BM.1973.002.001/50:05-22 00:00:00 00/00/60 VIETNAM VCENTRAL;RIONG DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-23 BM.1973.002.001/50:05-23 00:00:00 00/00/60 VIETNAM VCENTRAL;RIONG DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-24 BM.1973.002.001/50:05-24 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT H NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-25 BM.1973.002.001/50:05-25 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H HOE YANG KUE Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-26 BM.1973.002.001/50:05-26 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H HOE YANG TAM BO Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-27 BM.1973.002.001/50:05-27 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H POUR ACCOUCHEMENT HOE YANG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-28 BM.1973.002.001/50:05-28 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H HOE YANG SAH DUIH Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-29 BM.1973.002.001/50:05-29 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT SOLO H NTONG YANG Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-30 BM.1973.002.001/50:05-30 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-31 BM.1973.002.001/50:05-31 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :05-32 BM.1973.002.001/50:05-32 00:00:00 00/00/60 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée Ø18;²4,75;STD 1/2p• 1960 piste 2 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-01 BM.1973.002.001/50:06-01 00:02:15 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-02 BM.1973.002.001/50:06-02 00:00:30 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-03 BM.1973.002.001/50:06-03 00:03:55 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-04 BM.1973.002.001/50:06-04 00:08:10 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-05 BM.1973.002.001/50:06-05 00:07:10 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-06 BM.1973.002.001/50:06-06 00:02:05 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :06-07 BM.1973.002.001/50:06-07 00:00:35 05/04/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :07-01 BM.1973.002.001/50:07-01 00:19:38 11/10/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO H Sous-table non exportée Sous-table non exportée Ø18;²19;PP;STD. Original : RP Desplanques. D'après le père Desplanques, cette piece a l'air de se tenir toute seule avec d'imperceptibles changements de rythme. C'est le même jeune homme qui la chante et récite d'un bout à l'autre• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :08-01 BM.1973.002.001/50:08-01 00:01:40 18/10/58 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE COUR D'AMOUR ENTRE JEUNES GENS ET JEUNES FILLES DEH CHO CO NO NO KONHOL M'DROH KLO PONN Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;LD. Original : RP Boutary• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :08-02 BM.1973.002.001/50:08-02 00:03:50 18/10/58 VIETNAM VCENTRAL;DA ROHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE BERCEUSE POUR CONSOLER UN ENFANT QUI PLEURE POYONG OH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;LD. Original : RP Boutary• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :08-03 BM.1973.002.001/50:08-03 00:04:55 18/10/58 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT MONTAGNARD DEH CHO CO NO KON CO Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;LD. Original : RP Boutary• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :08-04 BM.1973.002.001/50:08-04 00:08:50 18/10/58 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT D'AMOUR ENTRE FIANCES DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;LD. Original : RP Boutary• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :08-05 BM.1973.002.001/50:08-05 00:27:55 18/10/58 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT IMPROVISE* DEH CHO Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;LD. Original : RP Boutary. Improvisation ayant pour thème : nous désirons que vous demeuriez avec nous. Nous sommes malheureux parce que nous cherchons nos parents et nous ne les trouvons pas• 1958 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-01 BM.1973.002.001/50:09-01 00:12:30 19/10/59 VIETNAM VCENTRAL;DA ROHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SUR LES CHEFS* DEH CHO CO NO URING KUANG Sous-table non exportée Sous-table non exportée Ø18;²19;1/2P;DD. Original : RP Boutary. *Les chefs doivent nous aimer et nous aider• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-02 BM.1973.002.001/50:09-02 00:21:35 19/10/59 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTS DE NOSTALGIE* DEH LONG Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *chants que chantent ceux qui vont dans les villages éloignés pour faire de l'échange et du commerce. Nostalgie de la maison, de ceux restés etc.... R'Bo Panting est maître au centre montagnard• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-03 BM.1973.002.001/50:09-03 00:08:15 19/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT IMPROVISE RACONTANT LES DIFFICULTES D'AUTREFOIS* DEH CHO CONO ROBBAH DON Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Difficultés =malheurs personnels des parents, des montagnards en général• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-04 BM.1973.002.001/50:09-04 00:06:29 19/10/59 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTD'ACCUEIL* DEH CHO LOT PA TROEH CONAC Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Chant à l'occasion de la venue, de la réception d'un visiteur parent chez soi• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-05 BM.1973.002.001/50:09-05 00:06:20 19/10/59 VIETNAM VCENTRAL;LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT IMPROVISE SUR UN THEME* NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Thème : vous êtes venus nous voir et nous regrettons de n'avoir rien à vous offrir. Formule des souhaits pour un heureux voyage et retour en France• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :09-06 BM.1973.002.001/50:09-06 00:10:40 19/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTSOLO GARCON IMPROVISE* NTONG SOH. SROH IN DROH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Thème1): improvisation sur la rencontre avec vous. 2) : paraboles au sujet de jeunes gens qui désirent de jeunes filles• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :10-01 BM.1973.002.001/50:10-01 00:09:10 19/10/59 VIETNAM VCENTRAL;CIL MUP LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE BERCEUSE* POYONG OH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Berceuse que la mère chante à son enfant qui pleure• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :10-02 BM.1973.002.001/50:10-02 00:05:22 19/10/59 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE BERCEUSE* POYONG OH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. *Berceuse que la mère chante à son enfant qui pleure• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :10-03 BM.1973.002.001/50:10-03 00:07:15 19/10/59 VIETNAM VCENTRAL;LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT D'AMOUR ENTRE UN JEUNE H ET UNE JEUNE F AEH KO Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :10-04 BM.1973.002.001/50:10-04 00:20:25 19/10/59 VIETNAM VCENTRAL;CIL MUP LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT SOLO F* NTONG SOH Sous-table non exportée Sous-table non exportée Ø18;²19;1/2;DT. Original : RP Boutary. * Thème 1 : autrefois les chefs nous firent souffrir : incendies de maisons, de villages et nous sommes devenus malheureux. Thème 2 : nous n'avons plus de parents. Regrets• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-01 BM.1973.002.001/50:11-01 00:04:45 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DANSE LENTE DES HOMMES SEULS Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. Orgue à bouche=rokel, 4 gongs renflés, maillets à clochettes• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-02 BM.1973.002.001/50:11-02 00:10:20 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DANSE DES HOMMES Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. Orgue à bouche=rokel, 4 gongs renflés, maillets à clochettes• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-03 BM.1973.002.001/50:11-03 00:10:05 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DANSE DES FEMMES ET DES HOMMES* Sous-table non exportée Sous-table non exportée Selon le père Boutary, les cérémonies de danses avaient lieu à l'occasion des sacrifices de fin de moisson, après que l'on ait ramené le riz au grenier dans la maison. A cette occasio on invitait les villages voisins. Il y avait un sacrifice de buffle. La fête durait 2 jours et 2 nuits• Ø18;²19;PP;DT. Original : RP Boutary. Orgue à bouche=rokel, 4 gongs renflés, maillets à clochettes • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-04 BM.1973.002.001/50:11-04 00:00:50 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-05 BM.1973.002.001/50:11-05 00:01:15 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 VOIX D'HOMMES, PARLE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-06 BM.1973.002.001/50:11-06 00:01:03 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary . Durée :1'03 avec annonce début et fin• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-07 BM.1973.002.001/50:11-07 00:01:12 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary . Durée :1'12 avec annonce• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-08 BM.1973.002.001/50:11-08 00:01:40 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO H PARLE ET CHANTE NRI Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-09 BM.1973.002.001/50:11-09 00:05:56 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ALTERNE H & F Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. ambiance = pleurs d'enfants • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-10 BM.1973.002.001/50:11-10 00:01:20 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. ambiance = pleurs d'enfants • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-11 BM.1973.002.001/50:11-11 00:02:20 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO H PARLE PUIS GONGS ET TAMBOUR Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. 2 gongs plats • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :11-12 BM.1973.002.001/50:11-12 00:04:35 24/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PIECE DE GONGS ET TAMBOUR Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary. Gongs sur portique • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-01 BM.1973.002.001/50:12-01 00:04:30 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS PLATS, AIR "RO DA" CO TUR CING RO DA Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-02 BM.1973.002.001/50:12-02 00:02:15 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS PLATS, AIR "BIET" CO TUR CING BIET Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary . Le tintement est produit par un bracelet qui frappe le gong• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-03 BM.1973.002.001/50:12-03 00:01:50 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS PLATS, AIR "YONG HAT" CO TUR CING YONGHAT Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary . Aboiements d'un chien• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-04 BM.1973.002.001/50:12-04 00:01:30 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS PLATS, AIR "YONG HAT" CO TUR CING YONGHAT Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary . m^me air que pièce précédente avec moins d'bboiements de chien• 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-05 BM.1973.002.001/50:12-05 00:02:10 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS PLATS CO TUR CING BAR DON Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-06 BM.1973.002.001/50:12-06 00:01:40 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING PANG TIENG Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-07 BM.1973.002.001/50:12-07 00:01:40 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING NTING Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-08 BM.1973.002.001/50:12-08 00:01:35 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING NTOP Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-09 BM.1973.002.001/50:12-09 00:02:20 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING ROKEL Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-10 BM.1973.002.001/50:12-10 00:01:35 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING PORTO KLENG Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • 1959 ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-11 BM.1973.002.001/50:12-11 00:01:45 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING DAN POR DAN BIÊP Sous-table non exportée Sous-table non exportée Le titre orginal signifie: "demander soupe, demander légumes". Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-12 BM.1973.002.001/50:12-12 00:02:20 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING TAM TORWOL Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-13 BM.1973.002.001/50:12-13 00:01:45 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING PEP TORJUN:LE CERF BRÂME Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-14 BM.1973.002.001/50:12-14 00:02:50 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS CO TUR CING TI TAP-TAP Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-15 BM.1973.002.001/50:12-15 00:01:40 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS UH KOMBUÔT RO DA Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-16 BM.1973.002.001/50:12-16 00:01:30 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔT PORLANG RAC Sous-table non exportée Sous-table non exportée A=Orgue à bouche Kombuot. Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-17 BM.1973.002.001/50:12-17 00:01:30 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔT POYONG OH Sous-table non exportée Sous-table non exportée Uh Kombôt poyong oh: air de berceuse pour consoler l'enfant qui pleure. Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-16 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-18 BM.1973.002.001/50:12-18 00:01:05 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔTNDON KHU KHU Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-17 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-19 BM.1973.002.001/50:12-19 00:01:30 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔT GUNG CING NTING Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-18 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-20 BM.1973.002.001/50:12-20 00:01:00 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔTCÔ UR KHIÊNG PHAE Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-19 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-21 BM.1973.002.001/50:12-21 00:01:15 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH KOMBUÔTCÔ DON DEN Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-22 BM.1973.002.001/50:12-22 00:01:10 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH SUÔT DA LÊNG DA DONG Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-21 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-23 BM.1973.002.001/50:12-23 00:01:05 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUES A BOUCHE KOMBUOT UH NDOT THO THO Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-22 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-24 BM.1973.002.001/50:12-24 00:01:10 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PETIT ORGUE A BOUCHE ROKEL UH ROKEL TONIA Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-23 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-25 BM.1973.002.001/50:12-25 00:01:00 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PETIT ORGUE A BOUCHE ROKEL UH DAM DRA Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-26 BM.1973.002.001/50:12-26 00:01:00 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PETIT ORGUE A BOUCHE ROKEL UH WA KÔANG Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-27 BM.1973.002.001/50:12-27 00:00:55 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PETIT ORGUE A BOUCHE ROKEL UHWA DAM DAR Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-28 BM.1973.002.001/50:12-28 00:01:10 25/10/59 VIETNAM VCENTRAL;MANGLING LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PETIT ORGUE A BOUCHE ROKEL UHTONIA DAM JRAI Sous-table non exportée Sous-table non exportée Ø18;²19;PP;DT. Original : RP Boutary • BM.973.002.001/50:12-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-29 BM.1973.002.001/50:12-29 00:01:10 25/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE GUIMBARDE GÔC Sous-table non exportée Sous-table non exportée Trop de bruit. Original : RP Boutary • BM.973.002.001/50:12-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :12-30 BM.1973.002.001/50:12-30 00:01:40 25/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE PONUNG BÔC, INSTRUMENT A ANCHE Sous-table non exportée Sous-table non exportée Original : RP Boutary • BM.973.002.001/50:12-29 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-01 BM.1973.002.001/50:13-01 00:02:00 25/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 O LA VIEN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:12-30 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-02 BM.1973.002.001/50:13-02 00:02:15 25/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO KÊNG ANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-03 BM.1973.002.001/50:13-03 00:01:30 25/10/59 VIETNAM VCENTRAL;ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A 1 TUYAU KOYOL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-04 BM.1973.002.001/50:13-04 00:02:05 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A 1 TUYAU KOYOL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-05 BM.1973.002.001/50:13-05 00:01:50 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE CITHARE TUBULAIIRE ET GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-06 BM.1973.002.001/50:13-06 00:01:05 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE CITHARE TUBULAIIRE ET GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-07 BM.1973.002.001/50:13-07 00:02:20 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TUR CING MA UH KOYOL BAL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-08 BM.1973.002.001/50:13-08 00:01:50 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TUR CING MA UH KOYOL NDAL DUA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-07 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-09 BM.1973.002.001/50:13-09 00:01:55 25/10/59 VIETNAM VCENTRAL;KORTÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TUR CING TENG TÔI MA UH KOYOL BAL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-10 BM.1973.002.001/50:13-10 00:00:45 25/10/59 VIETNAM VCENTRAL;RIONG DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG KOC Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-11 BM.1973.002.001/50:13-11 00:01:30 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING BONG KORLA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-12 BM.1973.002.001/50:13-12 00:01:30 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING BAR DON (IMITATION DU JEU) Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-11 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-13 BM.1973.002.001/50:13-13 00:01:50 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING RÔLEH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-12 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-14 BM.1973.002.001/50:13-14 00:01:55 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING KÊT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-13 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-15 BM.1973.002.001/50:13-15 00:02:25 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING MBUH DA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-16 BM.1973.002.001/50:13-16 00:01:45 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING CHOT DUL DO LÔH DUL DO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-17 BM.1973.002.001/50:13-17 00:01:25 25/10/59 VIETNAM VCENTRAL;N'DU LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 REH CING MPEP TÔR JUN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-16 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-18 BM.1973.002.001/50:13-18 00:00:50 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PHIAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 1• BM.973.002.001/50:13-17 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-19 BM.1973.002.001/50:13-19 00:01:20 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 KOSOT Sous-table non exportée Sous-table non exportée Orgue à tuyau. Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-18 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-20 BM.1973.002.001/50:13-20 00:00:55 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TO CO NAH RODÊ Sous-table non exportée Sous-table non exportée Orgue à bouche. Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-19 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-21 BM.1973.002.001/50:13-21 00:01:05 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 KÊT Sous-table non exportée Sous-table non exportée AR=Orgue à bouche. Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-22 BM.1973.002.001/50:13-22 00:00:55 25/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PANG MBAH Sous-table non exportée Sous-table non exportée AR=Orgue à bouche. Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-21 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-23 BM.1973.002.001/50:13-23 00:01:30 25/10/59 VIETNAM VCENTRAL;KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CO LANG Sous-table non exportée Sous-table non exportée AR=Orgue à bouche. Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-22 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-25 BM.1973.002.001/50:13-25 00:01:45 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING PRÔ Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-22 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-26 BM.1973.002.001/50:13-26 00:01:40 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-25 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-27 BM.1973.002.001/50:13-27 00:00:55 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING KORLA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-25 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-28 BM.1973.002.001/50:13-28 00:01:10 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING PANG BAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-25 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-29 BM.1973.002.001/50:13-29 00:01:05 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING CAP JA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-25 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-30 BM.1973.002.001/50:13-30 00:01:25 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING YONG HAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-25 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-31 BM.1973.002.001/50:13-31 00:01:30 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING MPÈP TÔR JUN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-30 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-32 BM.1973.002.001/50:13-32 00:01:25 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BIÊT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-33 BM.1973.002.001/50:13-33 00:01:25 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING DAN BIAP Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-34 BM.1973.002.001/50:13-34 00:00:35 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING MP BOT RAO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-35 BM.1973.002.001/50:13-35 00:01:10 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING MPÈP TAP TÂY Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :13-36 BM.1973.002.001/50:13-36 00:01:35 25/10/59 VIETNAM VCENTRAL;KONOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING RO LÔ Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 19 piste 2• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-01 BM.1973.002.001/50:14-01 00:23:55 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée IFC=Petits gongs renflés. / Présence d'intermèdes instrumentals entre chaque couplet. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-02 BM.1973.002.001/50:14-02 00:18:45 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée IFC=Petits gongs renflés. / Présence d'intermèdes instrumentals entre chaque couplet. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-03 BM.1973.002.001/50:14-03 00:03:50 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG Sous-table non exportée Sous-table non exportée IFC=Petits gongs renflés. / Présence d'intermèdes instrumentals entre chaque couplet. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-04 BM.1973.002.001/50:14-04 00:01:50 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING GUNG ME Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:13-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-05 BM.1973.002.001/50:14-05 00:02:00 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BIÊT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-06 BM.1973.002.001/50:14-06 00:01:55 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BO NOM Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-07 BM.1973.002.001/50:14-07 00:02:15 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING TÔR ROKEL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-08 BM.1973.002.001/50:14-08 00:02:25 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING PÈP TÔR JUN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-07 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-09 BM.1973.002.001/50:14-09 00:01:55 25/10/59 VIETNAM VCENTRAL;LANG BIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING DING BIAP DING GOL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-10 BM.1973.002.001/50:14-10 00:01:40 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING PÊ BIAP JRÊ Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-11 BM.1973.002.001/50:14-11 00:01:00 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING TONG GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-12 BM.1973.002.001/50:14-12 00:07:15 25/10/59 VIETNAM VCENTRAL;PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-13 BM.1973.002.001/50:14-13 00:06:35 25/10/59 VIETNAM VCENTRAL;TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-14 BM.1973.002.001/50:14-14 00:04:15 25/10/59 VIETNAM VCENTRAL;TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 POYONG OH:BERCEUSE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-13 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-15 BM.1973.002.001/50:14-15 00:01:20 25/10/59 VIETNAM VCENTRAL;TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-16 BM.1973.002.001/50:14-16 00:01:50 25/10/59 VIETNAM VCENTRAL;DA MNONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-17 BM.1973.002.001/50:14-17 00:00:20 25/10/59 VIETNAM VCENTRAL;DA MNONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche à un tuyau. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-16 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-18 BM.1973.002.001/50:14-18 00:00:30 25/10/59 VIETNAM VCENTRAL;DA MNONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche à un tuyau. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-17 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-19 BM.1973.002.001/50:14-19 00:01:20 25/10/59 VIETNAM VCENTRAL;DA MNONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-18 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-20 BM.1973.002.001/50:14-20 00:01:15 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-19 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-21 BM.1973.002.001/50:14-21 00:01:30 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-22 BM.1973.002.001/50:14-22 00:01:30 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-21 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-23 BM.1973.002.001/50:14-23 00:01:00 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-22 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-24 BM.1973.002.001/50:14-24 00:01:15 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-23 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-25 BM.1973.002.001/50:14-25 00:01:35 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-26 BM.1973.002.001/50:14-26 00:01:35 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-27 BM.1973.002.001/50:14-27 00:02:10 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT PONG SONGOR Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche à 1 tuyau Koyol. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-28 BM.1973.002.001/50:14-28 00:03:10 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE KOMBUÔT PONG SONGOR Sous-table non exportée Sous-table non exportée AR=Solo d' Orgue à bouche à 1 tuyau Koyol. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-27 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-29 BM.1973.002.001/50:14-29 00:02:30 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TUR CING UH KONUN LABÊN SONGOR Sous-table non exportée Sous-table non exportée A=Orgue à bouche à 1 tuyau. Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-28 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-30 BM.1973.002.001/50:14-30 00:01:05 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-29 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-31 BM.1973.002.001/50:14-31 00:01:10 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-30 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-32 BM.1973.002.001/50:14-32 00:00:50 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:14-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :14-33 BM.1973.002.001/50:14-33 00:01:10 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. / Reste encore de la bande vierge./Vitesse 9,5 piste 2• BM.973.002.001/50:14-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-01 BM.1973.002.001/50:15-01 00:01:05 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:14-31 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-02 BM.1973.002.001/50:15-02 00:01:20 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-03 BM.1973.002.001/50:15-03 00:01:25 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-04 BM.1973.002.001/50:15-04 00:01:50 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-05 BM.1973.002.001/50:15-05 00:01:25 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING KOR TÔNG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-06 BM.1973.002.001/50:15-06 00:01:15 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-07 BM.1973.002.001/50:15-07 00:01:25 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-08 BM.1973.002.001/50:15-08 00:01:30 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING BAR DON Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-09 BM.1973.002.001/50:15-09 00:01:40 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-10 BM.1973.002.001/50:15-10 00:01:30 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-11 BM.1973.002.001/50:15-11 00:01:20 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING CÔ MA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-12 BM.1973.002.001/50:15-12 00:01:30 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING CÔ MA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-13 BM.1973.002.001/50:15-13 00:01:30 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS TUR CING MPEP TOR JUN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse variée. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-14 BM.1973.002.001/50:15-14 00:01:40 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CING RODA Sous-table non exportée Sous-table non exportée A=Orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-15 BM.1973.002.001/50:15-15 00:01:50 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-16 BM.1973.002.001/50:15-16 00:01:55 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-17 BM.1973.002.001/50:15-17 00:01:50 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-18 BM.1973.002.001/50:15-18 00:01:50 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-19 BM.1973.002.001/50:15-19 00:00:40 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Vitesse variée. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-20 BM.1973.002.001/50:15-20 00:01:25 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-21 BM.1973.002.001/50:15-21 00:01:20 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-22 BM.1973.002.001/50:15-22 00:01:35 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-23 BM.1973.002.001/50:15-23 00:01:05 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO D'ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-24 BM.1973.002.001/50:15-24 00:02:00 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS, TAMBOUR Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-25 BM.1973.002.001/50:15-25 00:02:30 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS, TAMBOUR Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse variée. Vitesse 9,5 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-26 BM.1973.002.001/50:15-26 00:02:40 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS, TAMBOUR Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse variée. Vitesse 9,5 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-27 BM.1973.002.001/50:15-27 00:01:35 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS, TAMBOUR Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-28 BM.1973.002.001/50:15-28 00:02:20 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-29 BM.1973.002.001/50:15-29 00:03:10 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse irrégulière. Vitesse 9,5 piste 1• BM.973.002.001/50:15-28 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-30 BM.1973.002.001/50:15-30 00:09:55 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-31 BM.1973.002.001/50:15-31 00:09:45 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH GONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. (Suite de la pièce précédente). Vitesse 9,5 piste 2• BM.973.002.001/50:15-30 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-32 BM.1973.002.001/50:15-32 00:15:15 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-33 BM.1973.002.001/50:15-33 00:18:15 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH LONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:15-32 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :15-34 BM.1973.002.001/50:15-34 00:07:35 25/10/59 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH LONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:15-33 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-01 BM.1973.002.001/50:16-01 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée VP=Parlé par plusieurs hommes et femmes. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:15-24 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-02 BM.1973.002.001/50:16-02 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée VP=Parlé par plusieurs hommes et femmes. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-03 BM.1973.002.001/50:16-03 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-04 BM.1973.002.001/50:16-04 00:00:00 25/10/59 VIETNAM VCENTRAL; KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Traduction du texte: il y'a longtemps que je t'aime./ Mélodie française, texte en dialecte. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-05 BM.1973.002.001/50:16-05 00:00:00 25/10/59 VIETNAM VCENTRAL; KLONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DA TORLUT TÊL TÔNG Sous-table non exportée Sous-table non exportée Traduction du texte: il y'a longtemps que je t'aime./ Mélodie française, texte en dialecte. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-06 BM.1973.002.001/50:16-06 00:00:00 25/10/59 VIETNAM VCENTRAL; SRÊ LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 BLANG DI BLANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-07 BM.1973.002.001/50:16-07 00:00:00 25/10/59 VIETNAM VCENTRAL; SRÊ LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT ACULTUREE BLANG DI BLANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-08 BM.1973.002.001/50:16-08 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-09 BM.1973.002.001/50:16-09 00:00:00 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-10 BM.1973.002.001/50:16-10 00:00:00 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-11 BM.1973.002.001/50:16-11 00:00:00 25/10/59 VIETNAM VCENTRAL;KOR TÔNG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-12 BM.1973.002.001/50:16-12 00:00:00 25/10/59 VIETNAM VCENTRAL; DA ROHÔ LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-13 BM.1973.002.001/50:16-13 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-14 BM.1973.002.001/50:16-14 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 POYONG OH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-13 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-15 BM.1973.002.001/50:16-15 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 POYONG OH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-16 BM.1973.002.001/50:16-16 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-17 BM.1973.002.001/50:16-17 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-16 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-18 BM.1973.002.001/50:16-18 00:00:00 25/10/59 VIETNAM VCENTRAL; DA ROHÔ LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-17 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-19 BM.1973.002.001/50:16-19 00:00:00 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG Sous-table non exportée Sous-table non exportée VA=Psalmodié solo femme. Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:16-18 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-20 BM.1973.002.001/50:16-20 00:00:00 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JONAM DÔNG LANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:16-19 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-21 BM.1973.002.001/50:16-21 00:00:00 25/10/59 VIETNAM VCENTRAL; TOR NÔN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG KOÊ Sous-table non exportée Sous-table non exportée VA=Psalmodié solo homme. Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:16-20 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-22 BM.1973.002.001/50:16-22 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:16-21 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :16-23 BM.1973.002.001/50:16-23 00:00:00 25/10/59 VIETNAM VCENTRAL; PANG TIENG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:16-22 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-01 BM.1973.002.001/50:17-01 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Copie d'enrégistrement. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:16-23 1961 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-02 BM.1973.002.001/50:17-02 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-03 BM.1973.002.001/50:17-03 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-04 BM.1973.002.001/50:17-04 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-05 BM.1973.002.001/50:17-05 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-06 BM.1973.002.001/50:17-06 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-07 BM.1973.002.001/50:17-07 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :17-08 BM.1973.002.001/50:17-08 00:00:00 13 ET 14 JANV 1961 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG UR Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-01 BM.1973.002.001/50:18-01 00:03:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:17-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-02 BM.1973.002.001/50:18-02 00:05:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:18-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-03 BM.1973.002.001/50:18-03 00:03:35 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. On entend l'ancien enrégistrement surimpression né, vitesse 9,5 cm/s. Vitesse 4,75 piste 1• BM.973.002.001/50:18-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-04 BM.1973.002.001/50:18-04 00:08:55 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-05 BM.1973.002.001/50:18-05 00:02:40 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-06 BM.1973.002.001/50:18-06 00:05:15 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH LONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-07 BM.1973.002.001/50:18-07 00:04:45 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-08 BM.1973.002.001/50:18-08 00:04:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-07 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-09 BM.1973.002.001/50:18-09 00:00:45 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MPOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-10 BM.1973.002.001/50:18-10 00:04:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :18-11 BM.1973.002.001/50:18-11 00:28:50 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:18-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-01 BM.1973.002.001/50:19-01 00:00:00 VIETNAM VCENTRAL; ANKROÈT LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:18-11 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-02 BM.1973.002.001/50:19-02 00:00:00 VIETNAM VCENTRAL; ANKROÈT LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 POYONG OH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:19-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-03 BM.1973.002.001/50:19-03 00:00:00 VIETNAM VCENTRAL; DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:19-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-04 BM.1973.002.001/50:19-04 00:00:00 VIETNAM VCENTRAL; DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:19-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-05 BM.1973.002.001/50:19-05 00:00:00 VIETNAM VCENTRAL; DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ROBAH DÔN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-06 BM.1973.002.001/50:19-06 00:00:00 VIETNAM VCENTRAL; PÔN NÔR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-07 BM.1973.002.001/50:19-07 00:00:00 VIETNAM VCENTRAL; PÔN NÔR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH LONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-08 BM.1973.002.001/50:19-08 00:00:00 VIETNAM VCENTRAL; PÔN NÔR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-07 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-09 BM.1973.002.001/50:19-09 00:00:00 VIETNAM VCENTRAL; PÔN NÔR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :19-10 BM.1973.002.001/50:19-10 00:00:00 VIETNAM VCENTRAL; PÔN NÔR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:19-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-01 BM.1973.002.001/50:21-01 00:33:15 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO HOMME Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-02 BM.1973.002.001/50:21-02 00:06:45 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:21-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-03 BM.1973.002.001/50:21-03 00:00:35 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-04 BM.1973.002.001/50:21-04 00:00:45 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-05 BM.1973.002.001/50:21-05 00:00:35 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-06 BM.1973.002.001/50:21-06 00:00:25 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-07 BM.1973.002.001/50:21-07 00:01:05 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 GUNG DAM DIA POUR JEUNES (G ET J F) Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-08 BM.1973.002.001/50:21-08 00:02:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 GUNG TAM IA KODU Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:19-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-09 BM.1973.002.001/50:21-09 00:01:40 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PA GONANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-10 BM.1973.002.001/50:21-10 00:01:45 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TAM IA KON EN KLONG DIONG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Oscillation de la hauteur due au défaut de l'appareil. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-11 BM.1973.002.001/50:21-11 00:01:05 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 GUNG BOL RONGAL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Oscillation de la hauteur. Vitesse 9,5 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-12 BM.1973.002.001/50:21-12 00:01:25 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-13 BM.1973.002.001/50:21-13 00:01:20 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:21-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-14 BM.1973.002.001/50:21-14 00:34:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:21-13 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :21-15 BM.1973.002.001/50:21-15 00:01:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 4,75 piste 2• BM.973.002.001/50:21-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-01 BM.1973.002.001/50:22-01 00:03:15 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:21-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-02 BM.1973.002.001/50:22-02 00:02:20 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée A=Orgue à bouche à un tuyau. Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-03 BM.1973.002.001/50:22-03 00:02:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée A=Orgue à bouche à un tuyau. Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-04 BM.1973.002.001/50:22-04 00:01:35 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-05 BM.1973.002.001/50:22-05 00:01:55 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-06 BM.1973.002.001/50:22-06 00:01:45 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-07 BM.1973.002.001/50:22-07 00:01:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-08 BM.1973.002.001/50:22-08 00:02:40 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-09 BM.1973.002.001/50:22-09 00:02:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-10 BM.1973.002.001/50:22-10 00:21:45 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :22-11 BM.1973.002.001/50:22-11 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Plusieurs invocations et récits chantés souvent par les hommes en solo sur la piste 2. Un récit est chanté par une femme.Vitesse 4,75 piste 2• BM.973.002.001/50:22-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-01 BM.1973.002.001/50:23-01 00:01:35 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée A=Solo d'orgue à bouche rokel. Original : RP Boutary. Mauvais enrégistrement. Vitesse 9,5 piste 1• BM.973.002.001/50:22-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-02 BM.1973.002.001/50:23-02 00:02:05 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-03 BM.1973.002.001/50:23-03 00:01:45 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-04 BM.1973.002.001/50:23-04 00:01:35 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-05 BM.1973.002.001/50:23-05 00:02:30 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-06 BM.1973.002.001/50:23-06 00:03:40 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-07 BM.1973.002.001/50:23-07 00:02:20 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-08 BM.1973.002.001/50:23-08 00:02:40 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ENSEMBLE DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :23-09 BM.1973.002.001/50:23-09 00:00:00 VIETNAM VCENTRAL; DONG KRIAN LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-01 BM.1973.002.001/50:24-01 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:23-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-02 BM.1973.002.001/50:24-02 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:24-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-03 BM.1973.002.001/50:24-03 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:24-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-04 BM.1973.002.001/50:24-04 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:24-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-05 BM.1973.002.001/50:24-05 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:24-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-06 BM.1973.002.001/50:24-06 00:01:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:24-05 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-07 BM.1973.002.001/50:24-07 00:00:35 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:24-06 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-08 BM.1973.002.001/50:24-08 00:00:40 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE A UN TUYAU Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:24-07 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-09 BM.1973.002.001/50:24-09 00:01:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBOAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:24-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-10 BM.1973.002.001/50:24-10 00:00:40 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBOAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 9,5 piste 1• BM.973.002.001/50:24-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-12 BM.1973.002.001/50:24-12 00:00:35 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBOAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 9,5 piste 1• BM.973.002.001/50:24-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-13 BM.1973.002.001/50:24-13 00:01:05 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBOAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 9,5 piste 1• BM.973.002.001/50:24-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-14 BM.1973.002.001/50:24-14 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 4,75 piste 1• BM.973.002.001/50:24-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-15 BM.1973.002.001/50:24-15 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 4,75 piste 2• BM.973.002.001/50:24-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-16 BM.1973.002.001/50:24-16 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Accélération de la vitesse.Vitesse 4,75 piste 2• BM.973.002.001/50:24-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :24-17 BM.1973.002.001/50:24-17 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Interrompu fin de bobine;Vitesse 4,75 piste 2• BM.973.002.001/50:24-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-01 BM.1973.002.001/50:25-01 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTS RELIGIEUX CHRETIENS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Chant religieux chrétiens: kyrié, credo, sanctus, agnus. Chant religieux en français et en laac. Vitesse 9,5 piste 1• BM.973.002.001/50:24-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-02 BM.1973.002.001/50:25-02 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:25-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-03 BM.1973.002.001/50:25-03 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:25-02 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-04 BM.1973.002.001/50:25-04 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-05 BM.1973.002.001/50:25-05 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-06 BM.1973.002.001/50:25-06 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-07 BM.1973.002.001/50:25-07 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-08 BM.1973.002.001/50:25-08 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :25-09 BM.1973.002.001/50:25-09 00:00:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Interrompu, fin de bobine. Vitesse 4,75 piste 2• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-01 BM.1973.002.001/50:27-01 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:25-03 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-02 BM.1973.002.001/50:27-02 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-03 BM.1973.002.001/50:27-03 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-04 BM.1973.002.001/50:27-04 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-05 BM.1973.002.001/50:27-05 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-06 BM.1973.002.001/50:27-06 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DÊH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-07 BM.1973.002.001/50:27-07 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-08 BM.1973.002.001/50:27-08 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée VP=Récité solo homme. Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:27-04 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-09 BM.1973.002.001/50:27-09 00:01:50 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée A=Orgue à bouche. Imitation du jeu de gongs. Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:27-08 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-10 BM.1973.002.001/50:27-10 00:01:20 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:27-09 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-11 BM.1973.002.001/50:27-11 00:00:40 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING BARDÔN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Interrompu fin de bobine.Vitesse 9,5 piste 1• BM.973.002.001/50:27-10 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-12 BM.1973.002.001/50:27-12 00:01:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING HO BOUR DA Sous-table non exportée Sous-table non exportée Original : RP Boutary. Interrompu fin de bobine.Vitesse 9,5 piste 2• BM.973.002.001/50:27-11 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-13 BM.1973.002.001/50:27-13 00:01:30 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING BÂP TORYOUN Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:27-12 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-14 BM.1973.002.001/50:27-14 00:01:20 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING SIÊNG DÔNG RIÊNG YOR LAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:27-13 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-15 BM.1973.002.001/50:27-15 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:27-14 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-16 BM.1973.002.001/50:27-16 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG Sous-table non exportée Sous-table non exportée VX=Psalmodié solo femme. Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:27-15 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-17 BM.1973.002.001/50:27-17 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOÈ YANG Sous-table non exportée Sous-table non exportée VX=Psalmodié solo homme. Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:27-16 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :27-18 BM.1973.002.001/50:27-18 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Interrompu, fin de bobine. Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:27-17 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :28-01 BM.1973.002.001/50:28-01 00:04:35 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:27-18 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :28-02 BM.1973.002.001/50:28-02 00:08:25 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Jeu de gongs mêlé avec un chant d'homme. Saturation. Le chant continue tout seul après 7,25". Vitesse 9,5 piste 1• BM.973.002.001/50:28-01 0 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :28-03 BM.1973.002.001/50:28-03 00:00:35 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Enrégistrement saturé. Vitesse 9,5 piste 1• BM.973.002.001/50:28-01 1961 R.P Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :28-04 BM.1973.002.001/50:28-04 00:02:10 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Enrégistrement saturé. Vitesse 9,5 piste 1• BM.973.002.001/50:28-01 1961 R.P. Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :28-05 BM.1973.002.001/50:28-05 00:04:00 VIETNAM VCENTRAL; LIENG TRANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Enrégistrement saturé. Piste 2: musique réligieuse catholique. Cloches de l'église et copie de disques de la musique religieuse catholique. Vitesse 9,5 piste 1• BM.973.002.001/50:28-01 0 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :29-01 BM.1973.002.001/50:29-01 00:00:00 VIETNAM VCENTRAL; LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE AU SUJET DE NOEL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :29-02 BM.1973.002.001/50:29-02 00:00:00 VIETNAM VCENTRAL; LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE DU PERE DE K'JOT DONNE LE SOIR DE NEOL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :29-03 BM.1973.002.001/50:29-03 00:00:00 VIETNAM VCENTRAL; LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE DU PERE DE K'JOT DONNE LE SOIR DE NOEL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Suite de la pièce 29-02.Vitesse 4,75 piste 2• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :29-04 BM.1973.002.001/50:29-04 00:00:00 VIETNAM VCENTRAL; LANG BIANG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 INVOCATION AU YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-01 BM.1973.002.001/50:30-01 00:00:00 VIETNAM VCENTRAL; DONG KOKO ET BON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS INVOCATIONS ET CHANTS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-02 BM.1973.002.001/50:30-02 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO FEMME DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:28-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-03 BM.1973.002.001/50:30-03 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO FEMME DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-04 BM.1973.002.001/50:30-04 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO FEMME DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-05 BM.1973.002.001/50:30-05 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO FEMME DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :30-06 BM.1973.002.001/50:30-06 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTE SOLO HOMME Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :31-01 BM.1973.002.001/50:31-01 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS CHANTS OU RECITS CHANTES DE FAIBLE AMBITUS. Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :31-02 BM.1973.002.001/50:31-02 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS CHANTS OU RECITS CHANTES DE FAIBLE AMBITUS. Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:31-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :32-01 BM.1973.002.001/50:32-01 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES ET HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:30-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :32-02 BM.1973.002.001/50:32-02 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES ET HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:32-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :33-01 BM.1973.002.001/50:33-01 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS CHANTS ET RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:30-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :33-02 BM.1973.002.001/50:33-02 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS CHANTS ET RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:33-01 1961 N ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :34-01 BM.1973.002.001/50:34-01 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:33-02 0 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :34-02 BM.1973.002.001/50:34-02 00:00:00 VIETNAM VCENTRAL;DONG KONO ET BON JA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:34-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-01 BM.1973.002.001/50:35-01 00:00:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES ET HOE YANG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:34-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-02 BM.1973.002.001/50:35-02 00:00:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SUIE DE LA PISTE 1 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:35-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-03 BM.1973.002.001/50:35-03 00:00:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:35-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-04 BM.1973.002.001/50:35-04 00:00:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES ET INVOCATIONS AUX FEMMES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:35-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-05 BM.1973.002.001/50:35-05 00:00:50 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOUMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. A=Orgue à bouche Kombuôt. Vitesse 9,5 piste 2• BM.973.002.001/50:35-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-06 BM.1973.002.001/50:35-06 00:01:17 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOUMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. A=Orgue à bouche Kombuôt. Vitesse 9,5 piste 2• BM.973.002.001/50:35-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-07 BM.1973.002.001/50:35-07 00:00:55 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOUMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. A=Orgue à bouche Kombuôt. Vitesse 9,5 piste 2• BM.973.002.001/50:35-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-08 BM.1973.002.001/50:35-08 00:00:45 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:35-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-09 BM.1973.002.001/50:35-09 00:00:50 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:35-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-10 BM.1973.002.001/50:35-10 00:00:40 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. AAL=Orgue à bouche à tuyau ou corne à anche. Vitesse 9,5 piste 2• BM.973.002.001/50:35-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-11 BM.1973.002.001/50:35-11 00:01:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 GUIMBARDE TOUNG Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:35-10 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-13 BM.1973.002.001/50:35-13 00:01:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. AAL=Orgue à bouche à tuyau ou corne à anche. Vitesse 9,5 piste 2• BM.973.002.001/50:35-10 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-14 BM.1973.002.001/50:35-14 00:01:00 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 MESSAGE DES PARENTS POUR LES ELÈVES DE KOR TÔNG A DALAT Sous-table non exportée Sous-table non exportée Original : RP Boutary. AAL=Orgue à bouche à tuyau ou corne à anche. Vitesse 9,5 piste 2• BM.973.002.001/50:35-13 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-15 BM.1973.002.001/50:35-15 00:00:55 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:35-14 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-16 BM.1973.002.001/50:35-16 00:00:50 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:35-15 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-17 BM.1973.002.001/50:35-17 00:00:35 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:35-16 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-18 BM.1973.002.001/50:35-18 00:00:40 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:35-17 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :35-19 BM.1973.002.001/50:35-19 00:00:35 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Un cours passage d'orgue à bouche sans intérêt à la fin de la bobine.Vitesse 9,5 piste 2• BM.973.002.001/50:35-18 1961 R.P;Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-01 BM.1973.002.001/50:36-01 00:02:30 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE 6 GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:35-19 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-02 BM.1973.002.001/50:36-02 00:01:35 VIETNAM VCENTRAL;KOR TONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE 6 GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:36-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-03 BM.1973.002.001/50:36-03 00:05:15 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:36-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-04 BM.1973.002.001/50:36-04 00:03:45 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-05 BM.1973.002.001/50:36-05 00:14:10 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-06 BM.1973.002.001/50:36-06 00:02:30 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié, solo homme. Vitesse 9,5 piste 1• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-07 BM.1973.002.001/50:36-07 00:00:30 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SOLO DE KOYOL GENRE DE CORNE A ANCHE Sous-table non exportée Sous-table non exportée Original : RP Boutary. AAL=Corne à anche ?. Vitesse 9,5 piste 1• BM.973.002.001/50:36-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-08 BM.1973.002.001/50:36-08 00:06:45 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :36-09 BM.1973.002.001/50:36-09 00:24:00 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 2• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-01 BM.1973.002.001/50:37-01 00:14:50 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 9,5 piste 1• BM.973.002.001/50:36-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-02 BM.1973.002.001/50:37-02 00:02:25 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Batterie à plat, oscillation de la hauteur.Vitesse 9,5 piste 1• BM.973.002.001/50:37-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-03 BM.1973.002.001/50:37-03 00:02:00 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Batterie à plat, oscillation de la hauteur.Vitesse 9,5 piste 1• BM.973.002.001/50:37-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-04 BM.1973.002.001/50:37-04 00:02:30 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Batterie à plat, oscillation de la hauteur.Vitesse 9,5 piste 1• BM.973.002.001/50:37-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-05 BM.1973.002.001/50:37-05 00:05:00 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:37-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-06 BM.1973.002.001/50:37-06 00:01:45 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psamodié, solo homme. Vitesse 4,75 piste 1• BM.973.002.001/50:37-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-07 BM.1973.002.001/50:37-07 00:00:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Vitesse 4,75 piste 1• BM.973.002.001/50:37-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-08 BM.1973.002.001/50:37-08 00:00:50 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Vitesse 9,5 piste 1• BM.973.002.001/50:37-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-09 BM.1973.002.001/50:37-09 00:00:35 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Vitesse 9,5 piste 1• BM.973.002.001/50:37-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-10 BM.1973.002.001/50:37-10 00:00:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Immitation du jeu de gongs. Vitesse 4,75 piste 1• BM.973.002.001/50:37-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-11 BM.1973.002.001/50:37-11 00:00:35 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Immitation du jeu de gongs. Vitesse 9,5 piste 1• BM.973.002.001/50:37-10 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-12 BM.1973.002.001/50:37-12 00:00:25 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Immitation du jeu de gongs. Vitesse 9,5 piste 1• BM.973.002.001/50:37-11 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-13 BM.1973.002.001/50:37-13 00:01:40 VIETNAM VCENTRAL;CIANG WIR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 1• BM.973.002.001/50:37-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :37-14 BM.1973.002.001/50:37-14 00:56:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:37-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :38-01 BM.1973.002.001/50:38-01 00:00:50 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Vitesse 4,75 piste 1• BM.973.002.001/50:37-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :38-02 BM.1973.002.001/50:38-02 00:00:50 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. CC=Cithare tubulaire. Vitesse 4,75 piste 2• BM.973.002.001/50:38-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :38-03 BM.1973.002.001/50:38-03 00:00:50 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:38-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :39-01 BM.1973.002.001/50:39-01 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:39-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :39-02 BM.1973.002.001/50:39-02 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Suite pièce 39-01.Vitesse 4,75 piste 2• BM.973.002.001/50:38-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :39-03 BM.1973.002.001/50:39-03 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:39-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :39-04 BM.1973.002.001/50:39-04 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:39-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :40-01 BM.1973.002.001/50:40-01 00:00:00 VIETNAM VCENTRAL; DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:39-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :40-02 BM.1973.002.001/50:40-02 00:00:00 VIETNAM VCENTRAL; DONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:40-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :41-01 BM.1973.002.001/50:41-01 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES ET INVOCATION Sous-table non exportée Sous-table non exportée Original : RP Boutary.VP=Chanté ou psalmodié solo homme.Vitesse 4,75 piste 1• BM.973.002.001/50:40-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :41-02 BM.1973.002.001/50:41-02 00:00:00 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLUSIEURS RECITS CHANTES ET INVOCATION Sous-table non exportée Sous-table non exportée Original : RP Boutary.VP=Chanté ou psalmodié solo homme. Bande mal effectuée, melange avec la musique européenne de cabaret en 9,5 cm/ s. Vitesse 4,75 piste 2• BM.973.002.001/50:41-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :42-07 BM.1973.002.001/50:42-07 00:00:00 VIETNAM VCENTRAL; ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 (SUITE LA PIÈCE 1) DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mélange avec un autre enregistrement sur le jeu de gongs en 9,5 cm/s. Vitesse 4,75 piste 2• BM.973.002.001/50:41-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :42-08 BM.1973.002.001/50:42-08 00:00:00 VIETNAM VCENTRAL; ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DISCUSSIONS Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Parlé, voix hommes. Vitesse 4,75 piste 2• BM.973.002.001/50:42-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :42-09 BM.1973.002.001/50:42-09 00:00:00 VIETNAM VCENTRAL; ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:42-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :42-10 BM.1973.002.001/50:42-10 00:00:00 VIETNAM VCENTRAL; ANKROET VIETNAMIENS VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANSON RENOVEE DE STYLE CABARET DES VIETNAMIENS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Extrait. VC=Chanté solo homme et orchestre.Vitesse 9,5 piste 2• BM.973.002.001/50:42-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :42-11 BM.1973.002.001/50:42-11 00:00:00 VIETNAM VCENTRAL; ANKROET VIETNAMIENS VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANSON RENOVEE DE STYLE CABARET DES VIETNAMIENS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Extrait. VC=Chanté solo femme et orchestre. Interrompu, fin de bobine. Vitesse 9,5 piste 2• BM.973.002.001/50:42-10 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-01 BM.1973.002.001/50:43-01 00:00:00 VIETNAM VCENTRAL; ANKROET LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:37-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-02 BM.1973.002.001/50:43-02 00:00:00 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-03 BM.1973.002.001/50:43-03 00:00:00 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-04 BM.1973.002.001/50:43-04 00:01:45 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-05 BM.1973.002.001/50:43-05 00:01:40 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-06 BM.1973.002.001/50:43-06 00:00:55 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-07 BM.1973.002.001/50:43-07 00:01:50 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-08 BM.1973.002.001/50:43-08 00:01:35 VIETNAM VCENTRAL; DAN GIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-09 BM.1973.002.001/50:43-09 00:00:45 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-10 BM.1973.002.001/50:43-10 00:19:25 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :43-12 BM.1973.002.001/50:43-12 00:18:30 VIETNAM VCENTRAL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:43-10 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-01 BM.1973.002.001/50:44-01 00:04:50 VIETNAM VCENTRAL; PHI KOL, QUANG DUC LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTS RELIGIEUX DE LA VEILLE DE NOEL EN LANGUE LAAC Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:43-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-02 BM.1973.002.001/50:44-02 00:01:15 VIETNAM VCENTRAL; PHI KOL, QUANG DUC LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANTS RELIGIEUX DE LA VEILLE DE NOEL EN LANGUE LAAC Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:44-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-03 BM.1973.002.001/50:44-03 00:01:00 VIETNAM VCENTRAL; PHI KOL, QUANG DUC LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 A LA CLAIRE FONTAINE Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:44-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-04 BM.1973.002.001/50:44-04 00:02:20 VIETNAM VCENTRAL; PHI KOL, QUANG DUC LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE LA VEILLEE DE NOEL Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:44-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-05 BM.1973.002.001/50:44-05 00:03:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE LA VEILLEE DE NOEL Sous-table non exportée Sous-table non exportée Original : RP Boutary. Coupure au milieu de la chanson vers 1,50 et reprise. Vitesse 4,75 piste 1• BM.973.002.001/50:44-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-06 BM.1973.002.001/50:44-06 00:02:35 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT DE LA VEILLEE DE NOEL Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:44-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-07 BM.1973.002.001/50:44-07 00:06:30 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:44-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-08 BM.1973.002.001/50:44-08 00:01:10 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 1• BM.973.002.001/50:44-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-09 BM.1973.002.001/50:44-09 00:01:45 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-10 BM.1973.002.001/50:44-10 00:01:40 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-11 BM.1973.002.001/50:44-11 00:01:55 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-12 BM.1973.002.001/50:44-12 00:01:45 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-13 BM.1973.002.001/50:44-13 00:01:55 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-14 BM.1973.002.001/50:44-14 00:02:00 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-13 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-15 BM.1973.002.001/50:44-15 00:00:50 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-14 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-16 BM.1973.002.001/50:44-16 00:01:05 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-15 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-17 BM.1973.002.001/50:44-17 00:02:50 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary. Mauvais enrégistrement.Vitesse 9,5 piste 1• BM.973.002.001/50:44-16 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-18 BM.1973.002.001/50:44-18 00:00:55 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 1• BM.973.002.001/50:44-17 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-19 BM.1973.002.001/50:44-19 00:00:30 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 1• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-20 BM.1973.002.001/50:44-20 00:00:40 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 1• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-22 BM.1973.002.001/50:44-22 00:01:25 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-20 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-23 BM.1973.002.001/50:44-23 00:00:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-24 BM.1973.002.001/50:44-24 00:03:35 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vibrato particulier. Vitesse 4,75 piste 2• BM.973.002.001/50:44-23 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-25 BM.1973.002.001/50:44-25 00:08:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vibrato particulier. Vitesse 4,75 piste 2• BM.973.002.001/50:44-24 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-26 BM.1973.002.001/50:44-26 00:02:05 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-27 BM.1973.002.001/50:44-27 00:01:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-26 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-28 BM.1973.002.001/50:44-28 00:02:35 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-27 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-29 BM.1973.002.001/50:44-29 00:01:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-28 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-30 BM.1973.002.001/50:44-30 00:01:10 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING NGAN Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-29 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-31 BM.1973.002.001/50:44-31 00:01:30 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 PLEURS D'ENFANTS Sous-table non exportée Sous-table non exportée Original : RP Boutary. SD=Pleurs d'enfants.Vitesse 9,5 piste 2• BM.973.002.001/50:44-29 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-32 BM.1973.002.001/50:44-32 00:00:50 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-33 BM.1973.002.001/50:44-33 00:01:10 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-34 BM.1973.002.001/50:44-34 00:01:30 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-35 BM.1973.002.001/50:44-35 00:00:40 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-18 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-36 BM.1973.002.001/50:44-36 00:00:55 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• © 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-37 BM.1973.002.001/50:44-37 00:01:30 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt. SD=Ambiance, pleurs d'enfants. Vitesse 9,5 piste 2• BM.973.002.001/50:44-36 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-38 BM.1973.002.001/50:44-38 00:01:35 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt. SD=Ambiance, pleurs d'enfants.Vitesse 9,5 piste 2• BM.973.002.001/50:44-36 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-39 BM.1973.002.001/50:44-39 00:00:25 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt. SD=Ambiance, pleurs d'enfants.Vitesse 9,5 piste 2• BM.973.002.001/50:44-38 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-40 BM.1973.002.001/50:44-40 00:00:55 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt. SD=Ambiance, pleurs d'enfants.Vitesse 9,5 piste 2• BM.973.002.001/50:44-38 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-41 BM.1973.002.001/50:44-41 00:01:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-40 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-42 BM.1973.002.001/50:44-42 00:00:40 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-41 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-43 BM.1973.002.001/50:44-43 00:00:50 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-42 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :44-44 BM.1973.002.001/50:44-44 00:00:20 VIETNAM VCENTRAL; PHI KOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 ORGUE A BOUCHE KOMBUOT Sous-table non exportée Sous-table non exportée Original : RP Boutary. Orgue à bouche kombuôt.Vitesse 9,5 piste 2• BM.973.002.001/50:44-43 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :45-01 BM.1973.002.001/50:45-01 00:01:25 VIETNAM VCENTRAL; POKOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DISCUSSION AU MOMENT DU DEPART Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 2• BM.973.002.001/50:44-44 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :45-02 BM.1973.002.001/50:45-02 00:01:00 VIETNAM VCENTRAL; POKOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 CHANT MEDIOCRE Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 1• BM.973.002.001/50:45-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :45-03 BM.1973.002.001/50:45-03 00:06:10 VIETNAM VCENTRAL; POKOL LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 9,5 piste 1• BM.973.002.001/50:45-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :45-04 BM.1973.002.001/50:45-04 00:53:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:45-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :45-05 BM.1973.002.001/50:45-05 01:00:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:45-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-01 BM.1973.002.001/50:46-01 00:23:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (TEXTE INACHEVE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:45-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-02 BM.1973.002.001/50:46-02 00:35:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (TEXTE INACHEVE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:46-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-03 BM.1973.002.001/50:46-03 00:32:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (TEXTE INACHEVE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:46-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-04 BM.1973.002.001/50:46-04 00:28:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (TEXTE INACHEVE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:46-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-05 BM.1973.002.001/50:46-05 00:32:45 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (TEXTE INACHEVE) Sous-table non exportée Sous-table non exportée Original : RP Boutary. Coupe entre 16,05 et 16,25 ". Vitesse 4,75 piste 1• BM.973.002.001/50:46-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :46-06 BM.1973.002.001/50:46-06 00:31:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE PO (SUITE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:46-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :47-01 BM.1973.002.001/50:47-01 01:30:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES K'JUT KON BROS ET PO (SUITE) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:46-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :47-02 BM.1973.002.001/50:47-02 00:20:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES K'JUT KON BROS ET PO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:46-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :47-03 BM.1973.002.001/50:47-03 01:10:00 VIETNAM VCENTRAL; BTONG LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECITS CHANTES K'JUT KON BROS ET PO (FIN) Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:47-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-01 BM.1973.002.001/50:48-01 00:06:30 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:47-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-02 BM.1973.002.001/50:48-02 00:42:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Textes donnés par BÔ K'JOT ET K' SIN. Vitesse 4,75 piste 1• BM.973.002.001/50:48-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-03 BM.1973.002.001/50:48-03 00:10:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Textes donnés par BÔ K'JOT ET K' SIN. Vitesse 4,75 piste 1• BM.973.002.001/50:48-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-04 BM.1973.002.001/50:48-04 00:06:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Textes donnés par BÔ K'JOT ET K' SIN. Vitesse 4,75 piste 1• BM.973.002.001/50:48-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-05 BM.1973.002.001/50:48-05 00:25:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Textes donnés par BÔ K'JOT ET K' SIN. Vitesse 4,75 piste 1• BM.973.002.001/50:48-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-06 BM.1973.002.001/50:48-06 00:08:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 HOE YANG KOE Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 4,75 piste 1• BM.973.002.001/50:48-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-07 BM.1973.002.001/50:48-07 00:40:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-08 BM.1973.002.001/50:48-08 00:50:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-09 BM.1973.002.001/50:48-09 00:52:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-10 BM.1973.002.001/50:48-10 00:30:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-11 BM.1973.002.001/50:48-11 00:01:10 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-12 BM.1973.002.001/50:48-12 00:01:05 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-13 BM.1973.002.001/50:48-13 00:00:50 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-14 BM.1973.002.001/50:48-14 00:01:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-15 BM.1973.002.001/50:48-15 00:40:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-16 BM.1973.002.001/50:48-16 00:01:05 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 JEU DE GONGS CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :48-17 BM.1973.002.001/50:48-17 01:00:00 VIETNAM VCENTRAL; DANJIA LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 GARDE DU DEFUNT PARLENT DU PADE K'MOI CING RO DAH Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Psalmodié solo homme. Vitesse 4,75 piste 1• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :49-01 BM.1973.002.001/50:49-01 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE ENREGISTRE DANS LA MAISON DE K'MOI (SUITE) Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :49-02 BM.1973.002.001/50:49-02 00:00:00 VIETNAM VCENTRAL; LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DIALOGUE ENTRE K'YONG GARDE DU DEFUNT ET LE PERE DE K'BO Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:49-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :49-03 BM.1973.002.001/50:49-03 00:50:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT Sous-table non exportée Sous-table non exportée Original : RP Boutary. VP=Récité solo homme. Texte de HOE YANG PHOT, par le père de K'BIANG, et quelques autres textes du même genre. Vitesse 9,5 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :49-04 BM.1973.002.001/50:49-04 01:30:00 VIETNAM VCENTRAL; NHA BAR LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO ET AUTRE RECITS Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:49-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-01 BM.1973.002.001/50:50-01 00:01:45 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 OUVERTURE DE LA JARRE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 1• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-02 BM.1973.002.001/50:50-02 00:14:00 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 TEXTE CHANTE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Texte chanté au moment où les femmes sont autour d'une jarre.Vitesse 4,75 piste 1• BM.973.002.001/50:50-01 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-03 BM.1973.002.001/50:50-03 00:30:00 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DOS GONG DEVANT LE BUFFLE Sous-table non exportée Sous-table non exportée Original : RP Boutary. Texte chanté au moment où les femmes sont autour d'une jarre.Vitesse 4,75 piste 1• BM.973.002.001/50:50-02 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-04 BM.1973.002.001/50:50-04 00:50:00 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:50-03 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-05 BM.1973.002.001/50:50-05 00:01:25 31 02 62 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:50-04 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-06 BM.1973.002.001/50:50-06 00:25:00 VIETNAM VCENTRAL; CIANG BO NOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 1• BM.973.002.001/50:50-05 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-07 BM.1973.002.001/50:50-07 00:11:05 VIETNAM VCENTRAL; DA KOHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary. La suite sur la piste 2.Vitesse 4,75 piste 1• BM.973.002.001/50:50-06 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-08 BM.1973.002.001/50:50-08 00:11:05 VIETNAM VCENTRAL; DA KOHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 SUITE DE DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:50-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-09 BM.1973.002.001/50:50-09 00:11:05 VIETNAM VCENTRAL; CIANG BO NOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT CHANTE SUITE DE DEH CHO Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:50-08 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-10 BM.1973.002.001/50:50-10 00:11:05 VIETNAM VCENTRAL; DA KOHO LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 RECIT CHANTE Sous-table non exportée Sous-table non exportée Original : RP Boutary.Vitesse 4,75 piste 2• BM.973.002.001/50:50-09 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-11 BM.1973.002.001/50:50-11 00:00:00 VIETNAM VCENTRAL; BON TRON LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:48-07 1961 R.P.Boutary ASIE +BM.1973.002 Divers* BM.1973.002.001/50 :50-12 BM.1973.002.001/50:50-12 00:00:00 VIETNAM VCENTRAL; BON NOM LAAC VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 NTONG SOH Sous-table non exportée Sous-table non exportée Original : RP Boutary. Vitesse 4,75 piste 2• BM.973.002.001/50:50-11 1961 R.P.Boutary ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :05-02 BM.1970.041.001/55:05-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /2 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:05 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Récit chant: jeu du couteau BM.1970.041.001/55:05-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 5 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :01-01 BM.1973.003.001/39:01-01 00:23:40 4 nov 1957 INDONESIE;TIMOR KEWAR BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée "Mau ipi gulo" (début) [Bere Koen]• 1957 0 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :02-01 BM.1973.003.001/39:02-01 00:19:35 4 nov 1957 INDONESIE;TIMOR KEWAR BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "MAU IPI GULO" Sous-table non exportée Sous-table non exportée "Mau ipi gulo" (suite) [Bere Koen]• 1957 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-01 BM.1973.003.001/39:03-01 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS/SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "SEKAL" Sous-table non exportée Sous-table non exportée récité solo homme -"Sekal" pour lal gomo Bere• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-02 BM.1973.003.001/39:03-02 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS/SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HOKBATA' (1)" Sous-table non exportée Sous-table non exportée récité solo homme "hokbata' (1)" par Lal gomo Asa Uka• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-03 BM.1973.003.001/39:03-03 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS/SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HOKBATA' (2)" Sous-table non exportée Sous-table non exportée récité solo homme "hokbata' (2)" par Lal gomo Asa Uka• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-04 BM.1973.003.001/39:03-04 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS/SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HOKBATA' (3)" Sous-table non exportée Sous-table non exportée récité solo homme "hokbata' (3)" par Lal gomo Asa Uka• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-05 BM.1973.003.001/39:03-05 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "LUBURATO-SALAER" Sous-table non exportée Sous-table non exportée récité solo homme "luburato-salaer" : origine de Tese à Sibil de Hol Uka' et Meal par Lal gomo Asa Uka• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-06 BM.1973.003.001/39:03-06 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "SO'E O ARI" Sous-table non exportée Sous-table non exportée récité solo homme "So'e o Ari" par Matas Bere• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-07 BM.1973.003.001/39:03-07 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "DAWA KAIHALE'" Sous-table non exportée Sous-table non exportée récité solo homme "dawa kaihale'"(?) en forme de "Sapal" par Matas Bere (Apa' Atok)• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-08 BM.1973.003.001/39:03-08 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "DAWA KAIHALE" Sous-table non exportée Sous-table non exportée récité solo homme "dawa kaihale'(?) en forme de "Sapal" par Matas Bere (Apa' Atok)• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-09 BM.1973.003.001/39:03-09 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "PAN GILAN HOZEP" Sous-table non exportée Sous-table non exportée récité solo homme "pan gilan hozep" par Matas Bere• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-10 BM.1973.003.001/39:03-10 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS / SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "SAPAL RAILLULI : BUI PORMAU POR" Sous-table non exportée Sous-table non exportée récité solo homme "sapal railluli : bui pormau por" par Lal gomo Josef Koidak• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :03-11 BM.1973.003.001/39:03-11 00:00:00 13 mai 1966 INDONESIE;TIMOR ABIS/SABUL MIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "OREL HALALI LENUK" Sous-table non exportée Sous-table non exportée récité solo homme "OREL HALALI LENUK" par Lal gomo Bere Loe'• 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :04-01 BM.1973.003.001/39:04-01 00:40:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme Cérémonie d'ouverture• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :04-02 BM.1973.003.001/39:04-02 00:10:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée parlé solo homme - Urubana Waluhan Sika Bora Weto'i• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :05-01 BM.1973.003.001/39:05-01 00:00:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :06-A01 BM.1973.003.001/39:06-A01 00:40:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :06-B01 BM.1973.003.001/39:06-B01 00:45:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée parlé, voix Hs, abiance - Conversation avec dato gol pour l'organisation précise de Lal Hogsa. / Interrompu, fin de bobine• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :07-A01 BM.1973.003.001/39:07-A01 00:45:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ A GUA _ Sous-table non exportée Sous-table non exportée récité solo homme - "A gua" : itinéraire du riz cuit, de la nourriture, des plantes cultivées• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :07-B01 BM.1973.003.001/39:07-B01 00:20:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HURUK GIE" Sous-table non exportée Sous-table non exportée Parlé, psalmodié, solo H, voix Hs, ambiance "huruk gie" (?)• reste encore de la bande vierge• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :08-A01 BM.1973.003.001/39:08-A01 00:35:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ A GUA _ Sous-table non exportée Sous-table non exportée récité solo homme - "A gua" : itinéraire du riz cuit• / restede la bande vierge• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :08-B01 BM.1973.003.001/39:08-B01 00:01:10 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée / volume très faible / reste de la bande vierge• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A01 BM.1973.003.001/39:09-A01 00:07:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme "Holek" ?• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A02 BM.1973.003.001/39:09-A02 00:06:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme "Holek" ?• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A03 BM.1973.003.001/39:09-A03 00:16:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée Le chanteur chante faux• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A04 BM.1973.003.001/39:09-A04 00:02:50 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HOLEK" Sous-table non exportée Sous-table non exportée "Holek" par Mata Bere• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A05 BM.1973.003.001/39:09-A05 00:08:00 1969/70 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :09-A06 BM.1973.003.001/39:09-A06 00:10:00 1969/70 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HOGSA" Sous-table non exportée Sous-table non exportée récité solo H - "Hogsa" (suite). reste de la bande vierge• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :10-A01 BM.1973.003.001/39:10-A01 00:30:00 1969/70 INDONESIE;TIMOR VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :10-A02 BM.1973.003.001/39:10-A02 00:15:00 1969/70 INDONESIE;TIMOR VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :10-B01 BM.1973.003.001/39:10-B01 00:03:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée psalmodié, solo H - fin de "il gie tei"• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :10-B02 BM.1973.003.001/39:10-B02 00:30:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée psalmodié, solo H - fin de "il gie tei"• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :11-A01 BM.1973.003.001/39:11-A01 00:06:00 1969/70 INDONESIE;TIMOR VILLAGE DE HIASSA BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :11-B01 BM.1973.003.001/39:11-B01 00:40:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo homme• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :12-A01 BM.1973.003.001/39:12-A01 00:13:35 1969/70 INDONESIE;TIMOR VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "TAIS PANA" Sous-table non exportée Sous-table non exportée psalmodié, alterné solo H "tais pana"• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :12-A02 BM.1973.003.001/39:12-A02 00:08:15 1969/70 INDONESIE;TIMOR VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :12-A03 BM.1973.003.001/39:12-A03 00:17:30 1969/70 INDONESIE;TIMOR VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée - Histoire de ... / avec un arrêt ves 11'10"• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :12-B01 BM.1973.003.001/39:12-B01 00:22:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "BELE GATAL" Sous-table non exportée Sous-table non exportée • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :12-B02 BM.1973.003.001/39:12-B02 00:23:00 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HWUK GIE" Sous-table non exportée Sous-table non exportée • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :13-A01 BM.1973.003.001/39:13-A01 00:23:50 1969/70 INDONESIE;TIMOR VILLAGE DE TAQ POQ BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "MAGALIA" Sous-table non exportée Sous-table non exportée • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :13-B01 BM.1973.003.001/39:13-B01 00:04:25 1969/70 INDONESIE;TIMOR VILLAGE DE TAQ POQ BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "MENE HITU" ? Sous-table non exportée Sous-table non exportée / coupure nette• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :13-B02 BM.1973.003.001/39:13-B02 00:19:30 1969/70 INDONESIE;TIMOR VILLAGE DE TAQ POQ BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "MENE HITU" ? Sous-table non exportée Sous-table non exportée / plusieurs coupures• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :14-A01 BM.1973.003.001/39:14-A01 00:23:30 23/04 15/10 1969/70 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "IPI LETE" Sous-table non exportée Sous-table non exportée et cris / à 8'50" changement de mélodie ? à 11'05" changement de mélodie? à 12'30" changement de mélodié? interrompu fin de bobine • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :14-B01 BM.1973.003.001/39:14-B01 00:38:00 23/04 15/10 1969/70 INDONESIE;TIMOR VILLAGE DE TAQ POQ BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :15-A01 BM.1973.003.001/39:15-A01 00:18:30 22 avril 1969/70 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "IPI LETE" Sous-table non exportée Sous-table non exportée et cris / plusieurs coupures au début. Aboiement. • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :15-B01 BM.1973.003.001/39:15-B01 00:14:55 22 avril 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "TEI GOL" Sous-table non exportée Sous-table non exportée petit chant / coupures à 3' • 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :15-B02 BM.1973.003.001/39:15-B02 00:03:20 22 avril 1969/70 INDONESIE;TIMOR VILLAGE DE OE LEQU BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée / est-ce le même morceau? [que le précédent s'entend = "tei gol"]• 1969 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :16-A01 BM.1973.003.001/39:16-A01 00:05:30 9 aout 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "HINA GUA" Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :16-B01 BM.1973.003.001/39:16-B01 00:21:10 9 aout 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "MAGALIA" Sous-table non exportée Sous-table non exportée / interrompu, fin de bobine. Rien sur la piste 2• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :17-A01 BM.1973.003.001/39:17-A01 00:16:00 22 avril 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée cris d'H à la fin / arrêt vers 3'35" et reprise vers 4'05" / chant du type invocation sur 2 notes d'un intervalle de tierce majeure• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :17-A02 BM.1973.003.001/39:17-A02 00:19:25 22 avril 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :17-A03 BM.1973.003.001/39:17-A03 00:01:30 22 avril 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée / rien sur la piste 2• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :18-A01 BM.1973.003.001/39:18-A01 00:30:00 20 sept 1970 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :18-A02 BM.1973.003.001/39:18-A02 00:05:00 20 sept 1970 INDONESIE;TIMOR VILLAGE DE TAHON BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité / rien sur la piste 2• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :19-A01 BM.1973.003.001/39:19-A01 00:33:00 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité - suite de Subul Huaq• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :19-B01 BM.1973.003.001/39:19-B01 00:09:05 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE MUTUL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée récité solo H soutenu par une voix H - cérémonie / reste de la bande vierge • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :20-A01 BM.1973.003.001/39:20-A01 00:19:40 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE TALE BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 HOLEK Sous-table non exportée Sous-table non exportée - "Holek" = récolte du miel. Paroles en tétun. Chante celui qui monte dans l'arbre pour recueillir le miel et la cire• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :20-B01 BM.1973.003.001/39:20-B01 00:05:30 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE TALE BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 KAWEN Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :20-B02 BM.1973.003.001/39:20-B02 00:01:30 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE TALE BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 IPILETE Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :20-B03 BM.1973.003.001/39:20-B03 00:07:30 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS VILLAGE DE TALE BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :21-A01 BM.1973.003.001/39:21-A01 00:01:45 24-25 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 A GUA Sous-table non exportée Sous-table non exportée Essai et converstaion sans intérêt - A gua : itinéraire des semences de plantes cultivées (raté)• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :21-A02 BM.1973.003.001/39:21-A02 00:04:20 24-25 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 KAWEN Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :21-A03 BM.1973.003.001/39:21-A03 00:05:10 24-25 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :21-A04 BM.1973.003.001/39:21-A04 00:12:00 24-25 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :21-B01 BM.1973.003.001/39:21-B01 00:07:25 24-25 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-A01 BM.1973.003.001/39:22-A01 00:04:05 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée - Origine du feu• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-A02 BM.1973.003.001/39:22-A02 00:01:05 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-A03 BM.1973.003.001/39:22-A03 00:20:15 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "BARTOGAN" Sous-table non exportée Sous-table non exportée - "Bartogan" pour les fêtes funéraires / interrompu, fin de bobine• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-B01 BM.1973.003.001/39:22-B01 00:09:40 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 "BARTOGAN" Sous-table non exportée Sous-table non exportée - "Bartogan" pour les fêtes funéraires• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-B02 BM.1973.003.001/39:22-B02 00:06:00 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée • 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :22-B03 BM.1973.003.001/39:22-B03 00:07:15 24 juillet 1970 INDONESIE;TIMOR PORTUGAIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée / interrompu, fin de bobine• 1970 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :23-A01 BM.1973.003.001/39:23-A01 00:03:30 25 juillet 1970 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée Nettoyage du riz récolté• 1970 20.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :23-A02 BM.1973.003.001/39:23-A02 00:21:00 25 juillet 1970 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE 1/4 BAITOQAN*, 1/4 Sous-table non exportée Sous-table non exportée * _Baitoqan_ pour les fêtes funéraires. _Sambungan Djalan Tuan_ = "continuation (suite) de la route de Dieu"• Interrompu fin bobine, suite sur piste B• 1970 20.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :23B-01 BM.1973.003.001/39:23B-01 00:23:00 25 juillet 1970 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE 2/4 BAITOQAN*, 2/4 Sous-table non exportée Sous-table non exportée * _Baitoqan_ pour les fêtes funéraires. _Sambungan Djalan Tuan_ = "continuation (suite) de la route de Dieu"• Interrompu fin bobine, suite sur bande BM.973.003.001/39:24• 0 20.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :24-A01 BM.1973.003.001/39:24-A01 00:24:00 25 juillet 1970 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE 3/4 BAITOQAN*, 3/4 Sous-table non exportée Sous-table non exportée * _Baitoqan_ pour les fêtes funéraires. _Sambungan Djalan Tuan_ = "continuation (suite) de la route de Dieu"• Interrompu fin bobine, suite sur piste B• 0 21.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :24-B01 BM.1973.003.001/39:24-B01 00:20:00 25 juillet 1970 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE 4/4 BAITOQAN*, 4/4 Sous-table non exportée Sous-table non exportée * _Baitoqan_ pour les fêtes funéraires. _Sambungan Djalan Tuan_ = "continuation (suite) de la route de Dieu"• Fin de ce _Baitoqan_• 1970 21.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :25-A01 BM.1973.003.001/39:25-A01 00:10:30 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 BAN NAK, 1/2 Sous-table non exportée Sous-table non exportée _ Ban Nak _• 0 22.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :25-A02 BM.1973.003.001/39:25-A02 00:35:00 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 BAN NAK, 2/2 Sous-table non exportée Sous-table non exportée _Ban Nak_ Interrompu, fin de bobine• 0 22. 1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :25-B01 BM.1973.003.001/39:25-B01 00:22:30 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 1/10 BAITOQAN LOUIS 1/10 Sous-table non exportée Sous-table non exportée 0 22.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :26-A01 BM.1973.003.001/39:26-A01 00:09:30 25-26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _HULO LEP_ (?) Sous-table non exportée Sous-table non exportée _Hulo Lep _ (?)• 1970 23.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :26-A02 BM.1973.003.001/39:26-A02 00:14:00 25-26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS 2/10) _BAITOQAN LOUIS_ 2/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ 2/10 ; interrompu fin de bobine• 1970 23.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :26-B01 BM.1973.003.001/39:26-B01 00:02:45 25-26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _KAWEN_ HOMME Sous-table non exportée Sous-table non exportée _Kawen_ homme• 1970 23.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :26-B02 BM.1973.003.001/39:26-B02 00:06:00 25-26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _KAWEN_ FEMME Sous-table non exportée Sous-table non exportée _Kawen_ femme• 1970 23.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :26-B03 BM.1973.003.001/39:26-B03 00:13:30 25-26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 3/10 _BAITOQAN LOUIS_ 3/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 3/10; interrompu, fin de bobine• 1970 23.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :27-A01 BM.1973.003.001/39:27-A01 00:23:55 26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 4/10 _BAITOQAN LOUIS_ 4/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite)4/10. Vers 11'15'', une courte coupure de 10 ". Interrompu, fin de bobine• 1970 24.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :27-B01 BM.1973.003.001/39:27-B01 00:23:50 26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 5/10 _BAITOQAN LOUIS_ 5/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 5/10, Vers 12' 40", baisse de niveau. interrompu, fin de bobine• 1970 24.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :28-A01 BM.1973.003.001/39:28-A01 00:23:50 26 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 6/10 _BAITOQAN LOUIS_ 6/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 6/10, interrompu, fin de bobine• 1970 25.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :28-B01 BM.1973.003.001/39:28-B01 00:23:50 26-27 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 7/10 _BAITOQAN LOUIS_ 7/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 7/10, interrompu, fin de bobine• 1970 25.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :29-A01 BM.1973.003.001/39:29-A01 00:01:30 27 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée BM.973.003.001/39:27-B01 1970 26.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :29-A02 BM.1973.003.001/39:29-A02 00:22:00 27 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 8/10 _BAITOQAN LOUIS_ 8/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 8/10, interrompu, fin de bobine• 1970 26.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :29-B01 BM.1973.003.001/39:29-B01 00:22:55 27 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 9/10 _BAITOQAN LOUIS_ 9/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite) 9/10, interrompu, fin de bobine• 1970 26.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :30-01 BM.1973.003.001/39:30-01 00:06:50 27 juillet 1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ELOGE FUNERAIRE (LOUIS) 10/10 _BAITOQAN LOUIS_ 10/10 Sous-table non exportée Sous-table non exportée _Baitoqan Louis_ (suite et fin) 10/10, reste de la bande vierge jusqu'à la fin de la piste A et toute la piste B• 1970 27.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-A01 BM.1973.003.001/39:31-A01 00:03:07 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _A GUA _ Sous-table non exportée Sous-table non exportée _ A gua _• 0 28.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-A02 BM.1973.003.001/39:31-A02 00:04:15 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 IPI LETE _ Sous-table non exportée Sous-table non exportée _ Ipi lete _• 0 28.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-A03 BM.1973.003.001/39:31-A03 00:08:30 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _A GUA _ Sous-table non exportée Sous-table non exportée _ A gua _• 0 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-B01 BM.1973.003.001/39:31-B01 00:05:20 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _DE SE GOL _ Sous-table non exportée Sous-table non exportée _ De se gol _• 0 28.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-B02 BM.1973.003.001/39:31-B02 00:08:35 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1'20" début inutile• 0 28.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :31-B03 BM.1973.003.001/39:31-B03 00:15:40 31/12/1969& 1/8/1970 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ KON TILIL GOMO GITIBA _ Sous-table non exportée Sous-table non exportée _ Kon tilil gomo gitiba _ ; temps d'enregistrement sectoinné: 1'35" et 14'05"• 0 28.1969/70 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :32-A01 BM.1973.003.001/39:32-A01 00:30:00 1970/71 INDONESIE;TIMOR VILLAGE DE ABIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 RECITATION DE TEXTES LORS DE RITUELS, CEREMONIES A SIMULU _ DIOL TETUK _ Sous-table non exportée Sous-table non exportée _Diol tetuk_ = texte récité par Petrus Bere loeq lors de différents rituels, cérémonies à Simulu, village de Abis• 0 1.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :32-A02 BM.1973.003.001/39:32-A02 00:10:00 1970/71 INDONESIE;TIMOR VILLAGE DE ABIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 RECITATION DE TEXTES LORS DE RITUELS, CEREMONIES A SIMULU _ DIOL TOTA _ Sous-table non exportée Sous-table non exportée _ Diol tota _ = texte récité par Petrus Bere loeq lors de différents rituels, cérémonies à Simulu, village de Abis• 0 1.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :32-B01 BM.1973.003.001/39:32-B01 00:22:00 1970/71 INDONESIE;TIMOR VILLAGE DE DIRUN BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 RECITATIONS A DIFFERENTS AUTELS _SESULOET ET TUBUK _ Sous-table non exportée Sous-table non exportée _Sesuloet et Tubuk _ =récitations à différents autels• Reste de la bande vierge• 0 1.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-A01 BM.1973.003.001/39:33-A01 00:41:30 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B01 BM.1973.003.001/39:33-B01 00:10:00 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 5' au début inutiles et inutilisables• 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B02 BM.1973.003.001/39:33-B02 00:01:40 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 CHANT MODERNE RELIGIEUX Sous-table non exportée Sous-table non exportée Chant moderne religieux• 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B03 BM.1973.003.001/39:33-B03 00:02:05 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 CHANT MODERNE RELIGIEUX Sous-table non exportée Sous-table non exportée Chant moderne religieux• 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B04 BM.1973.003.001/39:33-B04 00:06:05 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 AVE MARIA Sous-table non exportée Sous-table non exportée 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B05 BM.1973.003.001/39:33-B05 00:00:40 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :33-B06 BM.1973.003.001/39:33-B06 00:02:10 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 CHANT RELIGIEUX CHRETIEN Sous-table non exportée Sous-table non exportée Chant religieux chrétien• Le reste n'est pas intéressant• 1971 2.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :34-A01 BM.1973.003.001/39:34-A01 00:14:10 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ENSEMBLE DE TAMBOURS Sous-table non exportée Sous-table non exportée Ensemble de tambours• 1971 3.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :34-A02 BM.1973.003.001/39:34-A02 00:06:00 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1971 3.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :34-B01 BM.1973.003.001/39:34-B01 00:09:35 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée 1971 3.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :34-B02 BM.1973.003.001/39:34-B02 00:06:00 INDONESIE;TIMOR VILLAGE DE HENES BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 Sous-table non exportée Sous-table non exportée Applaudissements à la fin• 1971 3.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :35-A01 BM.1973.003.001/39:35-A01 00:23:00 26/12/1970 INDONESIE;TIMOR VILLAGE DE SAKARBUIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ HOLEK _ Sous-table non exportée Sous-table non exportée Voix parlées trop fort et près du micro. Interrompu, fin de bobine• 1970 4.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :35-B01 BM.1973.003.001/39:35-B01 00:23:00 26/12/1970 INDONESIE;TIMOR VILLAGE DE SAKARBUIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ HOLEK _ Sous-table non exportée Sous-table non exportée Voix parlées trop fort et près du micro. Interrompu, fin de bobine• 1970 4.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :36-A01 BM.1973.003.001/39:36-A01 00:15:30 Octobre1971 INDONESIE;TIMOR VILLAGE DE LATAQ A ABIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ITINERAIRE DES SEMENCES DE PLANTES CULTIVEES _ A GUA _ Sous-table non exportée Sous-table non exportée _ A gua _: itinérraire des semences de plantes cultivées. Le chant est mené par Sorum• 1971 5.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :36-A02 BM.1973.003.001/39:36-A02 00:08:45 Octobre1971 INDONESIE;TIMOR VILLAGE DE LATAQ A ABIS BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _ BERE LESU _ Sous-table non exportée Sous-table non exportée _ Bere Lesu _ s'intercale entre les épisodes de _ A gua _• 1971 5. 1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :36-B01 BM.1973.003.001/39:36-B01 00:08:20 Octobre1971 INDONESIE;TIMOR VILLAGE DE MA DAPIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 CHANT DE GUERRE POUR ALLER A L'ATTAQUE _ LORO SAEN _ Sous-table non exportée Sous-table non exportée _ Loro Saen _: chant de guerre pour aller à l'attaque• 1971 5. 1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :36-B02 BM.1973.003.001/39:36-B02 00:04:45 Octobre1971 INDONESIE;TIMOR VILLAGE DE MA DAPIL BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 RECOLTE DU MIEL _ HOLEK _ Sous-table non exportée Sous-table non exportée _ Holek _: récolte du miel; chanté uniquement par le soliste Linus• Reste encore de la bande vierge• 1971 5.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :37-01 BM.1973.003.001/39:37-01 00:15:30 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _DIOL LOTA HOTO BOHO HOSOK _ Sous-table non exportée Sous-table non exportée _ Diol lota hoto boho hosok _• Rete de la bande vierge. Rien sur la piste B• 0 6.1971 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :38-01 BM.1973.003.001/39:38-01 00:06:00 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _TEI GOL_ Sous-table non exportée Sous-table non exportée _ Tei gol _• Montage de 1966• 1966 Montage 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :38-02 BM.1973.003.001/39:38-02 00:04:45 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _TOM MAU_ Sous-table non exportée Sous-table non exportée _ Tom mau _• Montage de 1966• 1966 Montage 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :38-03 BM.1973.003.001/39:38-03 00:05:15 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _BERE LESUQ_ Sous-table non exportée Sous-table non exportée _Bere Lesuq _• Montage de 1966• 1966 Montage 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :38-04 BM.1973.003.001/39:38-04 00:02:30 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _LESE LUAN_ Sous-table non exportée Sous-table non exportée _ Lese luan_ + pas de danse• Montage de 1966• 1966 Montage 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :38-05 BM.1973.003.001/39:38-05 00:03:45 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _IPI LETE_ Sous-table non exportée Sous-table non exportée _ Ipi lete _ • Montage de 1966. Le reste de la bande est une copie de musique classique occidentale sans intérêt ethnomusicologique• 1966 Montage 1966 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-01 BM.1973.003.001/39:39-01 00:06:00 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 ENSEMBLE DE TAMBOURS _TEBERAI_ Sous-table non exportée Sous-table non exportée _ Teberai _ ensemble de tambours• Montage • BM.973.003.001/39:38-01 0 Montage ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-02 BM.1973.003.001/39:39-02 00:02:50 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _TEI GOL_ Sous-table non exportée Sous-table non exportée _ Tei gol _• Montage • 0 Montage ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-03 BM.1973.003.001/39:39-03 00:02:18 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _HO LESE LUAN_ Sous-table non exportée Sous-table non exportée _Ho lese luan _• Montage • 0 Montage ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-04 BM.1973.003.001/39:39-04 00:03:05 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _TEI LOLI MANU_ Sous-table non exportée Sous-table non exportée _ Tei loli manu _• Montage • 0 Montage ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-05 BM.1973.003.001/39:39-05 00:01:15 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 RITUEL AU _ MAR VMON _ ET SACRIFICE DU PORC Sous-table non exportée Sous-table non exportée Cri du porc. Rituel au _ Mar vmon _ et sacrifice du porc• Montage • 0 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-06 BM.1973.003.001/39:39-06 00:03:20 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _IPI LETE_ Sous-table non exportée Sous-table non exportée _ Ipi letel _ (fragment)• Montage • 0 Montage ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-07 BM.1973.003.001/39:39-07 00:02:00 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _KAWEN_ Sous-table non exportée Sous-table non exportée _ Kawen _ (fragment)• 0 ASIE +BM.1973.003 Divers* BM.1973.003.001/39 :39-08 BM.1973.003.001/39:39-08 00:03:57 INDONESIE;TIMOR BUNAQ BERTHE,L. & C.;INDONESIE,TIMOR:KEWAR,BUNAQ;1957-71 _LAKUMERIN_ Sous-table non exportée Sous-table non exportée _Lakumerin _• Montage • 0 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-01 BM.1973.004.001/06:01-01 00:01:45 14 avril 1973 VIETNAM VILLAGE DE UNG KAM LAHA VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 PHRASES EN LAHA & TRADUC EN VIETNAMIEN Sous-table non exportée Sous-table non exportée Parlé, 3 voix H - Phrases en Laha traduites en Vietnamien puis en Laha. 1973 0 bande 1 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-02 BM.1973.004.001/06:01-02 00:02:20 14 avril 1973 VIETNAM VILLAGE DE UNG KAM LAHA VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 HISTOIRE DE LA VIE DES LAHA Sous-table non exportée Sous-table non exportée Parlé, 3 voix H - Histoire de la vie des Laha pendant la période féodale en Thai, en Laha et en Vietnamien• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-03 BM.1973.004.001/06:01-03 00:00:35 14 avril 1973 VIETNAM VILLAGE DE UNG KAM LAHA VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 RÉCIT SUR L'ORIGINE DU VILLAGE DES LAHA Sous-table non exportée Sous-table non exportée Parlé, solo H - Origine du village des Laha• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-04 BM.1973.004.001/06:01-04 00:03:35 14 avril 1973 VIETNAM VILLAGE DE UNG KAM LAHA VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 VOCAB. EN KHMU, LAHA ETVIETNAMIEN Sous-table non exportée Sous-table non exportée Parlé, solo H - Etude linguistique : vocabulaire sur les travaux des champs et sur la construction d'une maison en khmu, en laha et en vietnamien• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-05 BM.1973.004.001/06:01-05 00:01:50 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT POUR FÊTER LA MAISON NEUVE Sous-table non exportée Sous-table non exportée chanté, solo H - Chant pour fêter la maison neuve par Tong Chonré• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-06 BM.1973.004.001/06:01-06 00:01:45 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 AIR DE CLARINETTE PI LANG BLANG Sous-table non exportée Sous-table non exportée par Tong Chonré• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-07 BM.1973.004.001/06:01-07 00:00:45 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 SOLO DE "DAO" Sous-table non exportée Sous-table non exportée solo de l'instrument à percussion et à corde "dao" par Mme Lô thi Uong• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-08 BM.1973.004.001/06:01-08 00:01:45 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée chanté, solo H - Chant d'amour par Lô van Piên de la famille Om• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-09 BM.1973.004.001/06:01-09 00:02:05 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée chanté, solo H - Chant d'amour par Lô van Piên de la famille Om• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-10 BM.1973.004.001/06:01-10 00:01:30 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT POUR INVITER A BOIRE Sous-table non exportée Sous-table non exportée chanté, solo F - Invitation à boire par Mme Inh• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :01-11 BM.1973.004.001/06:01-11 00:03:20 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 AIR DE DANSE Sous-table non exportée Sous-table non exportée - danse de 6 danseuses• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-01 BM.1973.004.001/06:02-01 00:02:00 14 avril 1973 VIETNAM VILLAGE DE FIENG FLOH KHMU VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT & CLARINETTE PI LANG BLANG Sous-table non exportée Sous-table non exportée 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-02 BM.1973.004.001/06:02-02 00:02:40 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT DE REBOISEMENT HAY HUA PONG BAU MAN Sous-table non exportée Sous-table non exportée "hay hua pông bau' mân" de Ca vân O'n, chanté par Mle Lô thi Diêm. Chant de reboisement sur un air Thuân Châu• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-03 BM.1973.004.001/06:02-03 00:03:20 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 AIR POPULAIRE...* XON PIEU Sous-table non exportée Sous-table non exportée *"Xôn piêu" de Câm Biêu chanté par Mle Lô thi Diêm. Air populaire de mai son sur la broderie d'un mouchoir pour un soldat de la D.C.A.• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-04 BM.1973.004.001/06:02-04 00:01:50 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 VOEUX POUR LE NOUVEL AN CHOM CHENG Sous-table non exportée Sous-table non exportée "Chôm Chêng de Mao van Et, chanté par Mle Lô thi Diêm. Voeux pour le Nouvel An sur des paroles nouvelles• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-05 BM.1973.004.001/06:02-05 00:01:50 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 EXTRAIT DU GRAND POÈME* SONG CHU SON SAO Sous-table non exportée Sous-table non exportée *Extrait de 8 vers du grand poème "Sông chu son sao" sur un air de Thai Môc Châu, chanté par Mle Lô thi Diêm• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-06 BM.1973.004.001/06:02-06 00:03:25 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 AIR POPU. DES TAY DE YÊN CHÂU SANG AI PAY BO DO Sous-table non exportée Sous-table non exportée orgue à bouche "khène" - "Sang ai pay bô dôi" de Hoang thi Do, chanté par Mle Hoang thi Mai et accompagné au khène par Lu van Bun. Air populaire des Tay de Yên Châu sur l'adieu à celui qui part sur le front• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-07 BM.1973.004.001/06:02-07 00:01:55 15 avril 1973 VIETNAM SON LA TAY DAM VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 AIR POPU. DES TAY DE YÊN CHÂU SANG AI PAY BO DOI Sous-table non exportée Sous-table non exportée orgue à bouche "khène" - "Xeng dèn hung cang muong" de Tong In. Air populaire de Yên Châu sur la lumière des lampes dans les muong• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :02-08 BM.1973.004.001/06:02-08 00:02:50 15 avril 1973 VIETNAM PROVINCE DE LAI CHAU TAY NOIR VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 RECONNAISSANCE AUX VICTIMES DU FRONT SANG AI PAY BO DOI Sous-table non exportée Sous-table non exportée chanté, solo F soutenu par une voix de F - "Chu on liêt" de Quang Panh, chanté par Mlle Hoang thi Ngoai, avec accompagnement vocal de Mlle Lô thi Diêm. Reconnaissance à ceux qui sont tombés sur le front• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :03-01 BM.1973.004.001/06:03-01 00:02:35 25 avril 1973 VIETNAM TAY VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 ENQUETE LINGUISTIQUE Sous-table non exportée Sous-table non exportée Parlé, solo F - Information linguistique avec traduction en français• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :03-02 BM.1973.004.001/06:03-02 00:16:30 25 avril 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 EXTRAIT PIECE THÉÂTRE TRAD. HÂT TUÔNG Sous-table non exportée Sous-table non exportée VX = Chanté et parlé, solo H CV = vièle à deux cordes "dan nhi" CC = cithare à 16 cordes "dan tranh" Extraits de la pièce "Trân Quôe Toan ra quân" du théâtre traditionnel "Hat tuông"• Saturé à la fin de la bobine.• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-01 BM.1973.004.001/06:04-01 00:02:20 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 DEUX PIÈCES DE M. DE HUÊ "LUU THUY" ET "KIM TIEN" Sous-table non exportée Sous-table non exportée CV= vièle à 2 cordes "dan nhi" CC= cithare à 16 cordes "dan tranh"; CL= luth en forme de lune à 2 cordes "dan nguyêt" C= monocrde "dan bau" ; I= cliquettes "sanh" ; IE= tasses entrechoquées "chen". - "Luu Thuy" et "Kim Tien" : "L'eau qui coule" et "Les sapèques d'or". Deux pièces de la musique de Huê chantées par Mme Kim Oanh, et accompagnées à la cithare par Mlle Bich Huong, à la vièle par M. Van Hap, au monocrde par M. Viêt Tiên, au luth par M. Nguyen Phi Co• 1973 bande 4 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-02 BM.1973.004.001/06:04-02 00:01:55 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 MUSIQUE DE CHAMBRE "PHAM TUYET" Sous-table non exportée Sous-table non exportée CV= vièle à 2 corddes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" CL= luth en forme de lune à 2 cordes "dan nguyêt" ; C= monocorde "dan bau" I= cliquettes "sanh" ; IE= tasses entrechoquées "chen"• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-03 BM.1973.004.001/06:04-03 00:04:15 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 "VOYAGE PAR VOIE DE TERRE" "PHU LUC" Sous-table non exportée Sous-table non exportée CV= vièle à 2 cordes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" CL= luth en forme de lune à 2 corddes "dan nguyêt" ; C= monocorde "dan bau" I= cliquettes "sanh" ; IE= tasses entrechoquées "chen"• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-04 BM.1973.004.001/06:04-04 00:03:40 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 PIÈCE ANCIENNE PRINTANIÈRE CÔ BAN XUÂN Sous-table non exportée Sous-table non exportée chanté; solo F CV= vièle à 2 cordes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" CL= luth en forme de lune à 2 corddes "dan nguyêt" ; C= monocorde "dan bau" I= cliquettes "sanh"; IE= tasses entrechoquées "chen". -Titre original = "Cô ban xuân"• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-05 BM.1973.004.001/06:04-05 00:02:10 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 "LE PASSAGE DES NUAGES" "HANH VAN" Sous-table non exportée Sous-table non exportée CV= vièle à 2 corddes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" CL= luth en forme de lune à 2 corddes "dan nguyêt" ; C= monocorde dan bau" I= cliquettes "sanh" ; IE= tasses entrechoquées "chen"• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :04-06 BM.1973.004.001/06:04-06 00:05:00 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 "PRINTEMPS 61" "XUÂN 61" Sous-table non exportée Sous-table non exportée - "Xuân 61" ("Printemps 61"), poème de Tô Huu,déclamé par Mlle Hông Tuyêt• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :05-01 BM.1973.004.001/06:05-01 00:05:40 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 "LA MÈRE SUÔT" "BA ME SUOT" Sous-table non exportée HAT VE Sous-table non exportée CV= vièle à 2 cordes "dan nhi"; I= cliquettes "sanh", I= tasses entrechoquées "chen". - Poème "Bà Me Suôt" ("La mère Suôt") de Tô Huu, dans le style de Hat Ve. /Bruit de fond• 1973 bande 5 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :05-02 BM.1973.004.001/06:05-02 00:05:05 VIETNAM VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 DEUX CHANTS "HO MAI NHI" ET "NAM BINH" Sous-table non exportée Sous-table non exportée Deux chants populaires• CV= vièle à 2 corddes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" ; CL= luth en forme de lune à 2 corddes "dan nguyêt" ; I= cliquettes "sanh" - "Ho mai nhi" et "nam binh" par Mlle Châu Dinh. / Bruit de fond• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :05-03 BM.1973.004.001/06:05-03 00:02:05 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT DU CHEVAL BAI ""LY NGUA Ô" Sous-table non exportée Sous-table non exportée Chant populaire• CV= vièle à 2 cordes "dan nhi" ; CC= cithare à 16 cordes "dan tranh" CL= luth en forme de lune à 2 cordes "dan nguyêt" ; C= monocrde "dan bau" IE= tasses entrechoquées "chen" ; IE= cliquettes "sanh" - "Ly ngua ô" par Mlle Hông Tuyêt.• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :05-04 BM.1973.004.001/06:05-04 00:06:40 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 POEME DECLAME "MARCHE" Sous-table non exportée Sous-table non exportée Déclamation poétique• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bau" - Poème "Marche" de Thanh Huyên déclamé par Quang Thach• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :05-05 BM.1973.004.001/06:05-05 00:02:35 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 DEUX CHANTS DE TRAVAIL HO GIA GAO & HO HUI Sous-table non exportée Sous-table non exportée Deux chants populaires : ho gia gao (chant pour le décortiquage du riz) et ho hui (chant des terrassiers)• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bau" cliquettes - "Ho gia gao" et "ho hui" par Mlle Chân Dinh et M. Quang Thach /interrrompu fin de bobine• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-01 BM.1973.004.001/06:06-01 00:02:15 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT DES BATELIERES HO MAI NHI Sous-table non exportée Sous-table non exportée chant des batelières du Centre Vietnam• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bau" - "Ho mai nhi" par Mlle Hông Tuyêt• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-02 BM.1973.004.001/06:06-02 00:01:25 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT POPULAIRE DU CENTRE VIETNAM LY TUONG TU Sous-table non exportée Sous-table non exportée chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bau" cliquettes - "Ly tuong tu" par Mme Minh Tâm• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-03 BM.1973.004.001/06:06-03 00:02:15 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 CHANT D'AMOUR LY GIAO DUYEN Sous-table non exportée Sous-table non exportée chant populaire du Centre Vietnam• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bâu" cliquettes - "Ly giao duyên" par Mlle Hông Tuyêt• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-04 BM.1973.004.001/06:06-04 00:04:15 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 LES 4 GRANDS PAYSAGES TU DAI CANH Sous-table non exportée Sous-table non exportée musique de chambre Ca Huê• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bâu" cliquettes "sanh" - "Tu dai canh" par Mlle Manh Vân• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-05 BM.1973.004.001/06:06-05 00:04:25 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 LES 4 GRANDS PAYSAGES TU DAI CANH Sous-table non exportée Sous-table non exportée musique de chambre Ca Huê• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bâu" cliquettes - idem par Minh Tâm• 1973 ASIE +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 :06-06 BM.1973.004.001/06:06-06 00:08:00 1973 VIETNAM HANOI VIETNAMIENS VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 TROIS CHANTS POPULAIRES NAM AI , NAM BANG & LY TU VI Sous-table non exportée Sous-table non exportée Trois chants populaires successifs Nam Ai , Nam Bang et Ly Tu Vi• chanté; solo F cithare à 16 cordes "dan tranh" vièle à 2 corddes "dan nhi" luth en forme de lune à 2 corddes "dan nguyêt" monocrde "dan bâu" cliquettes - "Nam ai" et "Nam bang" par Mme Kim Oanh, puis "Ly tu vi" par Mlle Hông Tuyêt. /interrompu, fin de bobine• 1973 ASIE +BM.973.005 Ø13;²19;PPM BM.973.005.001/02 :01-01 BM.973.005.001/02:01-01 00:00:00 URSS;YAKOUTIE COPIE DI. "EXTRAITS DU FOLKLORE MUSICAL YAKOUTE" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.973.006 Ø13&18 BM.973.006.001/03 :01-01 BM.973.006.001/03:01-01 00:00:00 COREE DU SUD COREE N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :01-01 BM.1973.007.001/44:01-01 00:07:37 1/11/1971 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR _ JHALO_ Sous-table non exportée Sous-table non exportée AAL-ANCHE LIBRE/PLAQUE: harmonium• 1971 0 BM 1 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :01-02 BM.1973.007.001/44:01-02 00:07:35 1/11/1971 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR _ KESARIA BALAM_ Sous-table non exportée Sous-table non exportée Disque Harmonia Mundi HMU 959• AAL-ANCHE LIBRE/PLAQUE: harmonium. _ kesaria balam _: couleur safran (couleur dela joie, du courage) ; _ balam _: bien aimé• 0 BM 1 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :01-03 BM.1973.007.001/44:01-03 00:05:25 1/11/1971 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL POUR LA DEESSE GANGAUR Sous-table non exportée Sous-table non exportée AAL-ANCHE LIBRE/PLAQUE: harmonium. Introduction parlée par la soliste.• 1971 BM1 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-01 BM.1973.007.001/44:02-01 00:06:28 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 DANSE DE FEMME _ GHUMER _ Sous-table non exportée Sous-table non exportée _Ghumer _, danse de femme dont les paroles ont un rapport avec le mariage. Ce sont deux musiciennes professionnelles qui chantent à l'occasion des mariages, naissances, et à la demande de leurs "patrons"• AAL-ANCHE LIBRE/PLAQUE: harmonium. La pièce est présentée par une brève introduction faite par la soliste elle-même• 1971 BM 2 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-02 BM.1973.007.001/44:02-02 00:08:48 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR _ JALO _ Sous-table non exportée Sous-table non exportée _ jalo _ (amant): chant d'amour et de louange à la beauté du futur époux• AAL-ANCHE LIBRE/PLAQUE: harmonium. La pièce est présentée par une brève introduction faitepar la soliste elle-même• 1971 BM 2 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-03 BM.1973.007.001/44:02-03 00:01:40 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 FRAGMENTS DE RYTHME SUR LE TAMBOUR _ DHOLAK _ Sous-table non exportée Sous-table non exportée Rythme: quatorze temps• Tambour frappé à mains nues avec utilisation intermittente d'une bague de métal ce qui provoque une vibration des anneaux de métal des cordes de tensions• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-04 BM.1973.007.001/44:02-04 00:01:49 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 FRAGMENTS DE RYTHME SUR LE TAMBOUR _ DHOLAK _ Sous-table non exportée Sous-table non exportée Tambour frappé à mains nues avec utilisation intermittente d'une bague de métal ce qui provoque une vibration des anneaux de métal des cordes de tensions• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-05 BM.1973.007.001/44:02-05 00:02:14 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 FRAGMENTS DE RYTHME SUR LE TAMBOUR _ DHOLAK _ Sous-table non exportée Sous-table non exportée Rythme: six temps• Tambour frappé à mains nues avec utilisation intermittente d'une bague de métal ce qui provoque une vibration des anneaux de métal des cordes de tensions• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :02-06 BM.1973.007.001/44:02-06 00:01:55 INDE;RAJASTHAN JODHPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 FRAGMENTS DE RYTHME SUR LE TAMBOUR _ DHOLAK _ Sous-table non exportée Sous-table non exportée Tambour frappé à mains nues avec utilisation intermittente d'une bague de métal ce qui provoque une vibration des anneaux de métal des cordes de tensions. Interrompu en fin de bobine• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :03-01 BM.1973.007.001/44:03-01 00:36:00 11/1971 INDE;RAJASTHAN BORUNDA BHOPA ET BHOPI INDE:RAJASTHAN. DOURNON,G.;1971 CHANTRES DE LA LEGENDE PEINTE DU HEROS MYTHIQUE PABUJI Sous-table non exportée Sous-table non exportée Enreg. en situation. Chanté, parlé, dansé par un homme qui s'accompagne avec une vièle _ ravanhata _, et sonnailles de chevilles, et une femme qui assurent les réponses. Différents épisodes (ou parties d'épisodes) de _ Pabuji parh _, enregistrés à divers moments de la cérémonie qui dure toute la nuit• Enreg: 9,5 cm/s, un micro. CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. IE_SONNAILLES: sonnailles de chevilles. Le découpage des pièces n'est pas définis. Dans certains épisodes interviennent une conque et des cymbales. Bruits de l'assistance et quelques interruptions brusque de l'enregistrement• 1971 BM 4 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-01 BM.1973.007.001/44:04-01 00:00:15 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Chant d'enfant. Le garçon a sept ans.Pièce nachevée• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-02 BM.1973.007.001/44:04-02 00:00:48 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA RAJPUTE-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LA NAISSANCE Sous-table non exportée Sous-table non exportée Chant pour la naissance. Choeur de sept ou huit femmes.• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-03 BM.1973.007.001/44:04-03 00:00:48 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA RAJPUTE-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de femme. Choeur de sept ou huit femmes.• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-04 BM.1973.007.001/44:04-04 00:04:35 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA RAJPUTE-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant devotionnel de femme pendant les préparatifs d'un mariage. Choeur de 3 femmes. L'assistance est bruyante• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-05 BM.1973.007.001/44:04-05 00:03:25 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA THORI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LE HEROS TEJA-JI Sous-table non exportée Sous-table non exportée Chant célébrant le héros légendaire des Jat et des Gujar nommé Teja-ji. L'interprête, Kaluram Nayaka, est un homme de quarante ans. Le chant est exécuté avec une technique vocale particulière, registre aigu, voix de tête• Après l'annonce, un long silence avant le début de cette pièce. Mauvaise qualité sonore (toux, écho). La même pièce est enregistrée à nouveau avec une meilleure qualité sonore (cf.BM.973.007.001/44:05-06)• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-06 BM.1973.007.001/44:04-06 00:02:00 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR ET DEVOTIONNEL Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes. Chant pour le mois de Baishak, chant d'amour et dévotionnel (Krishna et Radha)• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-07 BM.1973.007.001/44:04-07 00:02:00 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LA NAISSANCE D'UN GARCON Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes• BM.973.007.001/44:04-06 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-08 BM.1973.007.001/44:04-08 00:01:23 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LA NAISSANCE D'UN GARCON Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-09 BM.1973.007.001/44:04-09 00:01:40 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'ACCUEIL DU FRERE Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-10 BM.1973.007.001/44:04-10 00:00:35 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE TYPE _ LUR _, POUR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :04-11 BM.1973.007.001/44:04-11 00:00:36 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE TYPE _ LUR _, POUR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes• 1971 BM 5 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-01 BM.1973.007.001/44:05-01 00:02:25 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DU MOIS DE BAISHAK Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes. Chant du mois de Baishak (textes avec référence au peuplier)• Enreg.: 19 cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-02 BM.1973.007.001/44:05-02 00:01:10 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT A PROPOS DE MIRAI BAI Sous-table non exportée Sous-table non exportée Choeur de cinq à six femmes et jeunes femmes. Chant au sujet de Mirai Bai, poétesse et dévote, originaire du Rajasthan (16ème siècle) • Enreg.: 19 cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-03 BM.1973.007.001/44:05-03 00:05:50 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MOISSON _ BHANAT _ Sous-table non exportée Sous-table non exportée Enreg.: 19 cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-04 BM.1973.007.001/44:05-04 00:01:20 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE PROVOCATION, _ GALI _ Sous-table non exportée Sous-table non exportée Solo de jeune femme et choeur de jeunes femmes: chanté et parlé-chanté. _ gali _, chant de provocation tiré du répertoire des chants de mariage.• Enreg.: 19 cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-05 BM.1973.007.001/44:05-05 00:00:50 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA BAMBI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE PROVOCATION, _ GALI _ Sous-table non exportée Sous-table non exportée Solo de jeune femme et choeur de jeunes femmes: chanté et parlé-chanté. _ gali _, chant de provocation tiré du répertoire des chants de mariage.• Enreg.: 19cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-06 BM.1973.007.001/44:05-06 00:05:45 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA THORI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LE HEROS TEJA-JI Sous-table non exportée Sous-table non exportée Chant célébrant le héros légendaire des Jat et des Gujar nommé Teja-ji. L'interprête, Kaluram Nayaka, est un homme de quarante ans. Le chant est exécuté avec une technique vocale particulière, registre aigu, voix de tête• La même pièce est enregistrée avec une mauvaise qualité sonore (cf.BM.973.007.001/44:04-05). Enreg.: 19cm/s, un micro• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-07 BM.1973.007.001/44:05-07 00:03:05 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA DHOLI, BAMBI ET AUTRES-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ wani _• Cf. disque Harmunia Mundi HMU 959• CL-LUTH _tandûrâ _ est à quatre cordes. Enreg.: 19cm/s, deux micros. Au début faux départ et reprise• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :05-08 BM.1973.007.001/44:05-08 00:02:25 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA DHOLI, BAMBI ET AUTRES-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ wani _• CL-LUTH _ tandûrâ _ est à quatre cordes. Enreg.: 19cm/s, deux micros• 1971 BM 6 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-01 BM.1973.007.001/44:06-01 00:04:30 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA DHOLI, BAMBI ET AUTRES-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ wani _• CL-LUTH _ tandûrâ _ est à quatre cordes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-02 BM.1973.007.001/44:06-02 00:02:50 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA DHOLI, BAMBI ET AUTRES-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ wani _inspiré d'un poème d'amour mystique à Krishna de la poétesse rajasthani Mirai Bai (16ème siècle)• CL-LUTH _ tandûrâ _ est à quatre cordes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-03 BM.1973.007.001/44:06-03 00:02:15 15/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA DHOLI, BAMBI ET AUTRES-C INDE:RAJASTHAN. DOURNON,G.;1971 ACCOMPAGNEMENT INSTRUMENTAL DES MELODIES Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ wani _• CL-LUTH: _ tandûrâ _ est à quatre cordes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-04 BM.1973.007.001/44:06-04 00:02:20 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée De l'ethnie Nagarshi, les musiciens appartiennent à une formation instrumentale _ naubat _• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-05 BM.1973.007.001/44:06-05 00:04:00 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 _PANIHARI _, AIR DES FEMMES QUI VONT AU PUITS Sous-table non exportée Sous-table non exportée _ panihari _, air des femmes qui vont au puits, sur un rythme _ kherava _. De l'ethnie Nagarshi, les musiciens appartiennent à une formation instrumentale _ naubat _• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 0 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-06 BM.1973.007.001/44:06-06 00:00:40 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _ NAGARA _, RYTHME _ KHERAVA _ Sous-table non exportée Sous-table non exportée De l'ethnie Nagarshi, les musiciens appartiennent à une formation instrumentale _ naubat _• Cf. disque MH OCR 81• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-07 BM.1973.007.001/44:06-07 00:03:40 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 _ VANJA RAJA MARIYO JASI _, M. DE GUERRE SUR UN RYTHME _ KHERAVA _ Sous-table non exportée Sous-table non exportée De l'ethnie Nagarshi, les musiciens appartiennent à une formation instrumentale _ naubat _• Cf. disque MH OCR 81• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-08 BM.1973.007.001/44:06-08 00:00:40 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée Les paroles du chant sont fredonnées faiblement par le batteur• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :06-09 BM.1973.007.001/44:06-09 00:00:37 15-17/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 _ NAGARA _, RYTHME TRIBAL Sous-table non exportée Sous-table non exportée Cf. disque MH OCR 81• M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Interrompu, fin de bobine. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-01 BM.1973.007.001/44:07-01 00:03:30 17-18/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA NAGARSHI INDE:RAJASTHAN. DOURNON,G.;1971 _ GANGAUR _, M. DE PROCESSION A LA DEESSE GANGAUR Sous-table non exportée Sous-table non exportée Rythme _ dipshandi _. De l'ethnie Nagarshi, les musiciens appartiennent à une formation instrumentale _ naubat _• Grande plage vierge. M1-TBR 1MEMB: la paires de timbales _ nagara _ est joué par un batteur avec deux baguettes. Enreg.: 19cm/s, deux micros• 1971 BM 7 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-02 BM.1973.007.001/44:07-02 00:02:54 17-18/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DE LA LEGENDE DE PABUJI Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-03 BM.1973.007.001/44:07-03 00:02:10 17-18/11/71 INDE;RAJASTHAN JODHPUR, BORUNDA MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DE LA LEGENDE DE PABUJI Sous-table non exportée Sous-table non exportée Un chant en relation avec Pabuji, concernant un mangeur d'opium• Interrompu par rires, coupé et repris. Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-04 BM.1973.007.001/44:07-04 00:01:30 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DE LA LEGENDE DE PABUJI Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant de mariage de la légende Pabuji• Cf. disque Harmonia Mundi HMU 959. Suite de la pièce BM.973.007.001:07-2 . Annonce fausse. Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-05 BM.1973.007.001/44:07-05 00:02:35 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE COMPLAINTE DE LA FUTURE MARIEE Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant d'une autre communauté (que celui de la pièce BM.973.007.001/44:07-04). C'est une complainte de la future mariée: le mariage va l'éloigner de sa famille• Cf. disque Harmonia Mundi HMU 959. Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-06 BM.1973.007.001/44:07-06 00:01:30 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DE LA LEGENDE DE PABUJI Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant de mariage de la légende Pabuji• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-07 BM.1973.007.001/44:07-07 00:01:50 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DEVOTIONNEL A KRISHNA Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant d'une autre communauté que dans les pièces précedentes• Enreg.: 19cm/s, un micro• 0 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-08 BM.1973.007.001/44:07-08 00:01:15 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant d'une autre communauté que dans les pièces précedentes• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-09 BM.1973.007.001/44:07-09 00:01:15 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 UN CHANT DE LA LEGENDE DE PABUJI Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant martial de la légende Pabuji• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-10 BM.1973.007.001/44:07-10 00:00:50 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT OU BERCEUSE _ HILARIO _ Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. C'est un chant ou berceuse pour la naissance d'u n enfant. Le chant est précédé d'une annonce de la chanteuse• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-11 BM.1973.007.001/44:07-11 00:01:05 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL CONCERNANT MIRA BAI Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :07-12 BM.1973.007.001/44:07-12 00:01:25 17-18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT COMPOSITE Sous-table non exportée Sous-table non exportée L'interprête est une femme de 50 à 60 ans. Chant composite, paroles récentes, air tradtionnel• Enreg.: 19cm/s, un micro• 1971 BM 8 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-01 BM.1973.007.001/44:08-01 00:02:25 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BHAVANI _ CHANT AU SUJET DE LA DEESSE _ BHAVANI _ Sous-table non exportée Sous-table non exportée _ Bhavani _ chant extrait de la légende de Pabuji• Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-02 BM.1973.007.001/44:08-02 00:04:35 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ KHANDJI _ CHANT DEVOTIONNEL A KRISHNA Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-03 BM.1973.007.001/44:08-03 00:03:25 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ THUMRI _ CHANT SE RAPPORTANT A KRISHNA Sous-table non exportée Sous-table non exportée _ Thumri _, chant se rapportant à Krishna, en rajasthani et hindi, à l'occasion du festival Swan ki tij• Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-04 BM.1973.007.001/44:08-04 00:02:30 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 _ PHAGUNIA _ CHANT DU MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. IS-GRELOT: les _ ramjhol _ sont des chevillères à grelots portées par deux danseurs. Enreg.: 19cm/s, deux micros• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-05 BM.1973.007.001/44:08-05 00:02:05 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 _ PHAGUNIA _ CHANTDU MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée Pièce chanté et dansé• M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. IS-GRELOT: les _ ramjhol _ sont des chevillères à grelots portées par deux danseurs. Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-06 BM.1973.007.001/44:08-06 00:01:25 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME POUR LE MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-07 BM.1973.007.001/44:08-07 00:02:25 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 _ PHAGUNIA _ CHANTDU MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :08-08 BM.1973.007.001/44:08-08 00:01:35 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 _ PHAGUNIA _ CHANTDU MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. Enreg.: 19cm/s, un micro• 1971 BM 9 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-01 BM.1973.007.001/44:09-01 00:02:25 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME DE _ PHAGUNIA _ PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. IS-GRELOT: les _ ramjhol _ sont des chevillères à grelots portées par deux danseurs. Faux départ. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-02 BM.1973.007.001/44:09-02 00:07:45 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 _ PHAGUNIA _ CHANT DU MOIS DE PHAGUN (MAI), PR LES FETES DE HOLI Sous-table non exportée Sous-table non exportée Pièce chanté et dansé, avec des cris scandés• M1D-TBR 1MEMB/CADRE: le _ chang _ est frappé par une main et deux fines baguettes par un autre batteur. IS-GRELOT: les _ ramjhol _ sont des chevillères à grelots portées par deux danseurs. Enreg.: 19cm/s, un micro• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-03 BM.1973.007.001/44:09-03 00:01:18 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME POUR DANSES CEREMONIELLES (MARIAGE, NAISSANCE...) Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ dhol _ est frappé par une main nue et un bâton, et deux fines baguettes par un autre batteur. IS-GRELOT: les _ ramjhol _ sont des chevillères à grelots portées par deux danseurs. IFC-GONG: le _ thali _ est un petit gong plat frappé par un bâton. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-04 BM.1973.007.001/44:09-04 00:01:03 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME DE _ BHALAT _ (PROCESSION, MARIAGE, NAISSANCE...) Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ dhol _ est frappé par une main nue et un bâton, et deux fines baguettes par un autre batteur. IFC-GONG: le _ thali _ est un petit gong plat frappé par un bâton. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-05 BM.1973.007.001/44:09-05 00:01:10 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME POUR LA FETE _ DASHERA _ Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ dhol _ est frappé par une main nue et un bâton, et deux fines baguettes par un autre batteur. IFC-GONG: le _ thali _ est un petit gong plat frappé par un bâton. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-06 BM.1973.007.001/44:09-06 00:01:35 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME DEDANSE (MARIAGE) Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ dhol _ est frappé par une main nue et un bâton, et deux fines baguettes par un autre batteur. IFC-GONG: le _ thali _ est un petit gong plat frappé par un bâton. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-07 BM.1973.007.001/44:09-07 00:01:10 18/11/71 INDE;RAJASTHAN JODHPUR RAJPUTE, DHOLI, BAMBI, KUMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 RYTHME DE DANSE Sous-table non exportée Sous-table non exportée M1D-TBR 1MEMB/CADRE: le _ dhol _ est frappé par une main nue et un bâton, et deux fines baguettes par un autre batteur. IFC-GONG: le _ thali _ est un petit gong plat frappé par un bâton. Interrompu par un bruit de train. Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-08 BM.1973.007.001/44:09-08 00:02:25 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ KULADI _ CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ Kuladi _ chant dévotionnel de type _ bajan _ d'après un poème de _ Kabir _ (15ème siècle). L'interprète est une _ Bhopi _, chantre populaire de la légende peinte de Pabuji• Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :09-09 BM.1973.007.001/44:09-09 00:03:52 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BHANAT _ CHANT DE MOISSON Sous-table non exportée Sous-table non exportée Les interprètes sont une _ Bhopi _ et un _ Bhopa _ , chantres populaires de la légende peinte de Pabuji• Enreg.: 19cm/s, deux micros• 1971 BM 10 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-01 BM.1973.007.001/44:10-01 00:01:15 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ MAKANO _ CHANT DES JEUNES BERGERES Sous-table non exportée Sous-table non exportée L'interprète est une Bhopi, chantres populaire de la légende peinte de Pabuji. Chant réparti sur deux pièces (BM.973.007.001/44:10-01 et 10-02) Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-02 BM.1973.007.001/44:10-02 00:01:20 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ MAKANO _ CHANT DES JEUNES BERGERES Sous-table non exportée Sous-table non exportée L'interprète est une Bhopi, chantres populaire de la légende peinte Pabuji• Chant réparti sur deux pièces (BM.973.007.001/44:10-01 et 10-02). Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-03 BM.1973.007.001/44:10-03 00:02:08 18/11/71 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ IDHONI _ CHANT DES JEUNES FILLES ALLANT AU PUITS Sous-table non exportée Sous-table non exportée L'interprète est une Bhopi, chantre populaire de la légende peinte de Pabuji• Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-04 BM.1973.007.001/44:10-04 00:03:05 11/1971 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 ACCORDS DE LA VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée Accord de l'instrument (la vièle _ ravanhata _ ) avec interruptions et nom des notes. L'interprète est un Bhopa, chantre populaire de la légendepeinte de Pabuji• Enreg: 19 cm/s, un micro. CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. Musiciens médiocres• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-05 BM.1973.007.001/44:10-05 00:02:45 11/1971 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 ACCORDS DE LA VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée Notes séparées de l'instrument (la vièle _ ravanhata _ ) désignées par des chiffres ascendants. L'interprète est un Bhopa, chantre populaire de la légende peinte de Pabuji• Enreg: 19 cm/s, un micro. CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. Intérêt musical médiocre• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-06 BM.1973.007.001/44:10-06 00:03:15 11/1971 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE LA LEGENDE PABUJI Sous-table non exportée Sous-table non exportée Chant de la légende de Pabuji citant un épisode du Ramayana. Les interprètes sont un Bhopa et une Bhopi, chantres populaires de la légendepeinte de Pabuji• Enreg: 19 cm/s, un micro. CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-07 BM.1973.007.001/44:10-07 00:01:18 11/1971 INDE;RAJASTHAN JODHPUR MAJHIRANA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée L'interprète est un Bhopa, chantre populaire de la légende peinte de Pabuji• Enreg: 19 cm/s, un micro. CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. Intérêt musical médiocre• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-08 BM.1973.007.001/44:10-08 00:01:50 18/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ GHORALIO _ Sous-table non exportée Sous-table non exportée La guimbarde _ ghoralio _ est joué par un homme• IP-GUIMBARDE: le _ ghoralio _ est en bambou. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-09 BM.1973.007.001/44:10-09 00:00:30 18/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ GHORALIO _ Sous-table non exportée Sous-table non exportée La guimbarde _ ghoralio _ est joué par une femme• IP-GUIMBARDE: le _ ghoralio _ est en bambou. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-10 BM.1973.007.001/44:10-10 00:01:45 18/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ GHORALIO _ Sous-table non exportée Sous-table non exportée La guimbarde _ ghoralio _ est joué par un homme, avec reprise• Pas bon. IP-GUIMBARDE: le _ ghoralio _ est en bambou. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• BM.973.007.001/44:10-08 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-11 BM.1973.007.001/44:10-11 00:00:45 18/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ GHORALIO _ Sous-table non exportée Sous-table non exportée La guimbarde _ ghoralio _ est joué par un homme, avec reprise• Pas bon. IP-GUIMBARDE: le _ ghoralio _ est en bambou. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :10-12 BM.1973.007.001/44:10-12 00:01:05 18/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ GHORALIO _ Sous-table non exportée Sous-table non exportée La guimbarde _ ghoralio _ est joué par une femme, avec arrêts et reprises• Pas bon. IP-GUIMBARDE: le _ ghoralio _ est en bambou. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• BM.973.007.001/44:10-09 1971 BM 11 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-01 BM.1973.007.001/44:11-01 00:04:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ NILOBI _ CHANT DES FEMMES KALBELIA Sous-table non exportée Sous-table non exportée _nilobi _ est le nom d'un fruit doux-amer• BR-BRUITEUR: le _ khanjhiri _ est un tambour sur cadre à cymbalettes. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-02 BM.1973.007.001/44:11-02 00:02:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ VARDA _ COMPOSITION RECENTE SUR UNE MELODIE TRADIONNELLE Sous-table non exportée Sous-table non exportée Le batteur suit mal les chanteuses. Le tambour est frappé par un homme. BR-BRUITEUR: le _ khanjhiri _ est un tambour sur cadre à cymbalettes. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-03 BM.1973.007.001/44:11-03 00:02:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ LAVAJI _ COMPOSITION RECENTE SUR UNE MELODIE TRADIONNELLE Sous-table non exportée Sous-table non exportée Interrompu. Le tambour est frappé par un homme. BR-BRUITEUR: le _ khanjhiri _ est un tambour sur cadre à cymbalettes. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-04 BM.1973.007.001/44:11-04 00:02:35 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée AA-PUNGI: aérophone à anches et réservoir d'air. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-05 BM.1973.007.001/44:11-05 00:02:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE QUETE DES FEMMES Sous-table non exportée Sous-table non exportée Le chant de la quête des femmes eset souvent accompagné de danses• La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• BM.973.007.001/44:11-04 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-06 BM.1973.007.001/44:11-06 00:02:05 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BIRA _ COMPLAINTE DE LA JEUNE MARIEE Sous-table non exportée Sous-table non exportée Complainte relative aux tourments de la jeune mariée séparée de sa famille et de son frère• Le tambour est frappé par un homme. BR-BRUITEUR: le _ khanjhiri _ est un tambour sur cadre à cymbalettes. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• BM.973.007.001/44:11-03 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-07 BM.1973.007.001/44:11-07 00:02:30 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-08 BM.1973.007.001/44:11-08 00:02:15 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ HILARIO _, CHANT Sous-table non exportée Sous-table non exportée Chant pour la naissance d'un enfant faisant aussi fonction de berceuse: _ hilario _• La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :11-09 BM.1973.007.001/44:11-09 00:02:15 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ HILIO _, BERCEUSE Sous-table non exportée Sous-table non exportée Berceuse: _ hilio _, chanté-parlé par une seule femme• Coupé de rires. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 12 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-01 BM.1973.007.001/44:12-01 00:03:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ HILIO _, BERCEUSE Sous-table non exportée Sous-table non exportée Berceuse: _ hilio _, chanté-parlé par une seule femme• Coupé de rires et bruits de vent. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-02 BM.1973.007.001/44:12-02 00:02:30 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LA NAISSANCE D'UN ENFANT Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-03 BM.1973.007.001/44:12-03 00:02:50 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 BERCEUSE Sous-table non exportée Sous-table non exportée Berceuse: _ hilio _, chanté-parlé par une seule femme• Coupé de rires . La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-04 BM.1973.007.001/44:12-04 00:02:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Battements de mains à la fin. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-05 BM.1973.007.001/44:12-05 00:03:35 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée BC-BATTEMENTS DE MAINS: à la fin. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-06 BM.1973.007.001/44:12-06 00:03:00 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE SEPARATION _ JHURAWO _ Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-07 BM.1973.007.001/44:12-07 00:03:20 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE SEPARATION _ JHURAWO _ Sous-table non exportée Sous-table non exportée Ce chant accompagne le broyage matinal du grain par la ménagère• SD-AMBIANCES DIVERSES: meule à grain en marche. Interruption, reprise, rires. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :12-08 BM.1973.007.001/44:12-08 00:02:25 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE SEPARATION _ JHURAWO _ Sous-table non exportée Sous-table non exportée Ce chant accompagne le broyage matinal du grain par la ménagère• SD-AMBIANCES DIVERSES: meule à grain en marche. Interruption, reprise, rires. La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 13 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-01 BM.1973.007.001/44:13-01 00:01:05 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BHANAT _ , CHANT DE MOISSON Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-02 BM.1973.007.001/44:13-02 00:01:28 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BHANAT _ , CHANT DE MOISSON Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-03 BM.1973.007.001/44:13-03 00:02:12 21/11/71 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ BHANAT _ , CHANT DE MOISSON Sous-table non exportée Sous-table non exportée La caste Kalbélia est un sous-groupe de la caste Jogi, charmeur de serpents. Enreg.: 19cm/s, un micro• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-04 BM.1973.007.001/44:13-04 00:02:30 11/1971 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. Intérêt musical relatif. La caste _ kalbelia _ est un sous groupe de la caste _ jogi _ , charmeurs de serpents. Enreg: 19 cm/s, un micro.• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-05 BM.1973.007.001/44:13-05 00:02:55 11/1971 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée Un des airs des chants dédiés à Mira Bai• CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. Mal joué. La caste _ kalbelia _ est un sous groupe de la caste _ jogi _ , charmeurs de serpents. Enreg: 19 cm/s, un micro.• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-06 BM.1973.007.001/44:13-06 00:06:05 11/1971 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée Un des airs de la légende pabuji• CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. La caste _ kalbelia _ est un sous groupe de la caste _ jogi _ , charmeurs de serpents. Enreg: 19 cm/s, un micro.• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :13-07 BM.1973.007.001/44:13-07 00:04:55 11/1971 INDE;RAJASTHAN JODHPUR KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1971 _ GUMER _ DANSE CHANTEE DE LA LEGENDE PABUJI Sous-table non exportée Sous-table non exportée CV_VIELE: _ ravanhata _, a deux cordes, sympathiques et archet avec grelots. La caste _ kalbelia _ est un sous groupe de la caste _ jogi _ , charmeurs de serpents. Enreg: 19 cm/s, un micro.• 1971 BM 14 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-01 BM.1973.007.001/44:14-01 00:02:20 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _ MADAL _ Sous-table non exportée Sous-table non exportée Rythme _ektali _• M2-TBR 2MEMB: Le _ Madal _ est frappé à mains nues. Enreg: 19 cm/s, un micro• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-02 BM.1973.007.001/44:14-02 00:02:05 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _ MADAL _ Sous-table non exportée Sous-table non exportée Rythme _ektali _ avec variations _ dharbo _• SD-AMBIANCES DIVERSES: aboiement de chien à la fin. M2-TBR 2MEMB: Le _ Madal _ est frappé à mains nues. Enreg: 19 cm/s, un micro• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-03 BM.1973.007.001/44:14-03 00:02:50 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée Autre rythme que le _ektali _, avec variations (cf. pièce BM.973.007.001/44:14-02)• M2-TBR 2MEMB: Le _ Madal _ est frappé à mains nues. IFC-GONG: Le _ thali _ est un petit gong plat frappé par un bâton. Enreg: 19 cm/s, un micro• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-04 BM.1973.007.001/44:14-04 00:02:20 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 _ BHARATARO _ , CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes (2 et 3) antiphonal• Enreg: 19 cm/s, un micro• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-05 BM.1973.007.001/44:14-05 00:03:45 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes (2 et 3) antiphona. Chanté en diverses occasionsl• Enreg: 19 cm/s, un micro.• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :14-06 BM.1973.007.001/44:14-06 00:05:35 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes (2 et 3) antiphona. Chanté en diverses occasions, fêtes et réjouissances• Enreg: 19 cm/s, un micro• 1971 BM 15 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-01 BM.1973.007.001/44:15-01 00:04:10 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE PROTESETATION Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes (2 et 3) antiphonal. Chanté de protestation contre le travail imposé par les autorités lors de la construction d'une place forte • Enreg: 19 cm/s, deux micros• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-02 BM.1973.007.001/44:15-02 00:04:40 25/1971 INDE;RAJASTHAN GHANERAO BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE PELERINAGE Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes (2 et 3) antiphonal. Chant de pélerinage au monastère jain de Ranakpur • Enreg: 19 cm/s, deux micros.• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-03 BM.1973.007.001/44:15-03 00:00:23 25/1971 INDE;RAJASTHAN GHANERAO GARASIA INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée M-TBR: le _ dak _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ deru _. BR-BRUITEUR: les grelots du tambour _dak_. Garasia, groupe ethnique ou "tribe". Enreg: 19 cm/s, deux micros• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-04 BM.1973.007.001/44:15-04 00:03:20 25/1971 INDE;RAJASTHAN GHANERAO GARASIA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE CREATION Sous-table non exportée Sous-table non exportée Chant religieux célébrant la grandeur de celui qui créa le monde• M-TBR: le _ dak _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ deru _. BR-BRUITEUR: les grelots du tambour _dak_. IFC-GONG: le _thali _ est un petit gong plat frappépar un bâton. Garasia, groupe ethnique ou "tribe". Enreg: 19 cm/s, deux micros• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-05 BM.1973.007.001/44:15-05 00:08:00 25/1971 INDE;RAJASTHAN GHANERAO GARASIA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ BHUNIA _ Sous-table non exportée Sous-table non exportée Chant célébrantun saint jogi• VC-CHANTE CHR H: antiphonal. M-TBR: le _ dak _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ deru _. BR-BRUITEUR: les grelots du tambour _dak_. IFC-GONG: le _thali _ est un petit gong plat frappépar un bâton. Garasia, groupe ethnique ou "tribe". Enreg: 19 cm/s, deux micros• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :15-06 BM.1973.007.001/44:15-06 00:02:00 25/1971 INDE;RAJASTHAN GHANERAO GARASIA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ BHUNIA _ Sous-table non exportée Sous-table non exportée Chant célébrantun saint jogi• Interrompu, fin de bobine. VC-CHANTE CHR H: antiphonal. M-TBR: le _ dak _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ deru _. BR-BRUITEUR: les grelots du tambour _dak_. IFC-GONG: le _thali _ est un petit gong plat frappépar un bâton. Garasia, groupe ethnique ou "tribe". Enreg: 19 cm/s, deux micros• 1971 BM 16 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :16-01 BM.1973.007.001/44:16-01 00:04:45 25-27/1971 INDE;RAJASTHAN GHANERAO GARASIA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Deux choeurs d'hommes, antiphonal • Garasia, groupe ethnique ou "tribe". Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, deux micros• 1971 BM 17 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :16-02 BM.1973.007.001/44:16-02 00:08:54 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ MIRA BAI RO BIYAVALO _ Sous-table non exportée Sous-table non exportée Chant contant un épisode de la vie de la poétesse mystique Mira Bai• CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, deux micros• 1971 BM 17 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :16-03 BM.1973.007.001/44:16-03 00:04:53 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ MANYARA _ Sous-table non exportée Sous-table non exportée CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. SD-AMBIANCES DIVERSES: toux d'une personne. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, deux micros• 1971 BM 17 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :16-04 BM.1973.007.001/44:16-04 00:04:15 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Cf. disque Harmonia Mundi HMU 959 CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, deux micros• 1971 BM 17 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-01 BM.1973.007.001/44:17-01 00:01:40 27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 ACCORDS DE LA VIELE _ SARANGI _ Sous-table non exportée Sous-table non exportée CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, deux micros• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-02 BM.1973.007.001/44:17-02 00:02:45 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée La vièle _ sarangi _ est jouée par le chanteur• CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-03 BM.1973.007.001/44:17-03 220:00:00 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT POUR LES COUPLES SANS ENFANTS Sous-table non exportée Sous-table non exportée La vièle _ sarangi _ est jouée par le chanteur. Chant au sujet de _ Bariyi _, divinité masculine locale invoquée par les couples sans enfants qui souhaitent en avoir• CV-VIELE: le _sarangi _ ou _ chikara _ est une vièle à trois cordes en crin et se joue avec un archet à grelots. BR-BRUITEUR: archet à grelot de la vièle. Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-04 BM.1973.007.001/44:17-04 00:02:15 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-05 BM.1973.007.001/44:17-05 00:01:50 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-06 BM.1973.007.001/44:17-06 00:00:20 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-07 BM.1973.007.001/44:17-07 00:02:15 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Chant de mariage; liste des cadeaux que le jeune homme promet à sa fiancée• Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :17-08 BM.1973.007.001/44:17-08 00:00:45 25-27/1971 INDE;RAJASTHAN GHANERAO NATH BABA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Chant de mariage; chanté lorsque le cortège nuptial se rend chez la fiancée• Caste _ nath baba _, sous-groupe local _ jogi _. Enreg: 19 cm/s, un micro• 1971 BM 18 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-01 BM.1973.007.001/44:18-01 00:02:25 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT RELIGIEUX _ ARATI _ Sous-table non exportée Sous-table non exportée Chant religieux _ arati _, invocation religieuse (sorte de dédicace à la divinité) accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-02 BM.1973.007.001/44:18-02 00:02:40 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL _MIRA BHAJAN _ Sous-table non exportée Sous-table non exportée Chant dévotionnel _ mira bhajan _re latif à Mira Bai accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-03 BM.1973.007.001/44:18-03 00:03:05 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL _MIRA BHAJAN _ Sous-table non exportée Sous-table non exportée Chant dévotionnel _ mira bhajan _re latif à Mira Bai accompagné d'une danse acrobatique assise _ teratali _• Cf. disque harmunia Mundi HMU 959• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-04 BM.1973.007.001/44:18-04 00:03:50 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel dont le sens est le suivant: la vie est si difficile et pleine d'embuches qu'il vaut mieux abandonner le monde et se dévouer au service de Dieu. Le chant est accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-05 BM.1973.007.001/44:18-05 00:03:10 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL SUR L'ENFANCE DE KRISHNA Sous-table non exportée Sous-table non exportée Le chant est accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-06 BM.1973.007.001/44:18-06 00:03:15 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel de type _ heli _, célébrant avec une série de métaphores la création du monde. Le chant est accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :18-07 BM.1973.007.001/44:18-07 00:02:50 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Le chant est accompagné d'une danse acrobatique assise _ teratali _• Interrompu, fin de bobine. CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 19 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-01 BM.1973.007.001/44:19-01 00:01:20 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 DANSE _ TERATALI _ Sous-table non exportée Sous-table non exportée Il s'agit d'une danse acrobatique assise qui se nomme_ teratali _• CL-LUTH: _ tandûrâ_ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-02 BM.1973.007.001/44:19-02 00:02:05 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 DANSE _TERATALI _ Sous-table non exportée Sous-table non exportée Il s'agit d'une danse acrobatique assise qui se nomme_ teratali _ (une autre figure que dans les pièces précédentes)• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-03 BM.1973.007.001/44:19-03 00:02:40 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 DANSE _ TERATALI _ Sous-table non exportée Sous-table non exportée Il s'agit d'une danse acrobatique assise qui se nomme _ teratali _ (autre figure que dans les pièces précédentes)• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-04 BM.1973.007.001/44:19-04 00:01:55 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 DANSE _ TERATALI _ Sous-table non exportée Sous-table non exportée Il s'agitd'une danse acrobatique assise qui se nomme _ teratali _ (autre figure que dans les pièces précédentes)• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-05 BM.1973.007.001/44:19-05 00:03:50 28/11/71 INDE;RAJASTHAN SAYARA KAMAD INDE:RAJASTHAN. DOURNON,G.;1971 CHANT ET DANSE Sous-table non exportée Sous-table non exportée Le chant est relatif à la dévotion de Mira Bai pour Krishna. Le chant est accompagné d'une danse acrobatique assise _ teratali _• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: série de cymbalettes _ manjira _ attachées autour de la jambe de la danseuse qui les frappe alternativement avec une paire de cymbales dans chaque main. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-06 BM.1973.007.001/44:19-06 00:01:55 28/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel exprimant l'amour mystique de Mira Bai envers Krishna.• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-07 BM.1973.007.001/44:19-07 00:04:25 28/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel célébrant les noms et les vivissitudes des saints mythiques ou réels qui ont consacrés leur vie à la divinité (ie: Krishna)• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ majira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :19-08 BM.1973.007.001/44:19-08 00:03:30 28/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Paroles traditionnelles. Mélodie vraisemblement inspirée de musique de radio• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paires de cymbalettes _manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 20 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-01 BM.1973.007.001/44:20-01 00:03:25 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel célébrant le dévouement de Laxman, frère de Rama• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-02 BM.1973.007.001/44:20-02 00:01:40 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel célébrantune des épreuves de la vie de Mira Bai• Cf. disque MH OCR 81?• Cette pièce est semblable à la suivante (BM.973.007.001/44:20-03) avec néanmoins une introduction différente. Interrompu par bruit de camion ( SD-AMBIANCES DIVERSES). CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-03 BM.1973.007.001/44:20-03 00:04:00 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant d'après un poème de Mira Bai, exprimant l'extrême amour et l'abandon total au Bien-Aimé (Krishna)• Cf. disque MH OCR 81?• Cette pièce est semblable à la pièce précédente (BM.973.007.001/44:20-02) avec néanmoins une introduction différente. CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-04 BM.1973.007.001/44:20-04 00:02:55 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée Chant dévotionnel inspiré d'un épisode de la vie de Mira Bai• Cf. disque MH OCR 81• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-05 BM.1973.007.001/44:20-05 00:03:15 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant inspiré d'un poème de Kabir, mystique et moralisateur du XVIème siècle• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-06 BM.1973.007.001/44:20-06 00:04:00 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant inspiré d'un poème de Kabir, mystique et moralisateur du XVIème siècle• CL-LUTH:_ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :20-07 BM.1973.007.001/44:20-07 00:02:50 29/11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Parvati _ chantdu matin dont l'auteur est Rajachanda• CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: paire de cymbalettes _ manjira _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 21 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-01 BM.1973.007.001/44:21-01 00:01:43 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Accompagnement instrumental des chants jogi• CL-LUTH: _ tandûrâ _ est à quatre cordes. IJOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-02 BM.1973.007.001/44:21-02 00:02:20 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Accompagnement instrumental des chants jogi• CL-LUTH: _ tandûrâ _ est à quatre cordes. IJOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-03 BM.1973.007.001/44:21-03 00:00:22 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée M2-TBR 2MEMB: _damaru _ est un tambour à boules fouettantes. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-04 BM.1973.007.001/44:21-04 00:02:05 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Musique d'accompagnement des charmeurs de serpents et des tours de prestidigitation. Le musicien joue les deux instruments ensemble• M2-TBR 2MEMB: _damaru _ est un tambour à boules fouettantes. AFT-FLUTE TERM: flûte à bec en métal à sept trous. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-05 BM.1973.007.001/44:21-05 00:02:40 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée AABS-CLARINETTE 2TUY: _ pungi _ aérophone à réservoir d'air, deux tuyaux avec anches battantes, dont un bourdon. M-TBR: _ deru _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ dak _. BR-BRUITEUR: les grelots qui sont sur le _ deru _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-06 BM.1973.007.001/44:21-06 00:02:55 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée AABS-CLARINETTE 2TUY: _ pungi _ aérophone à réservoir d'air, deux tuyaux avec anches battantes, dont un bourdon. M-TBR: _ deru _ est un tambour-sablier à tension variable, avec grelots, frappé avec une baguette courbe. Ce tambour se nomme également _ dak _. BR-BRUITEUR: les grelots qui sont sur le _ deru _. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :21-07 BM.1973.007.001/44:21-07 00:02:00 11/71 INDE;RAJASTHAN SAYARA JOGI INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée L'interprête du chant est un jeune garçon de neuf ans. AABS-CLARINETTE 2TUY: _ pungi _ aérophone à réservoir d'air, deux tuyaux avec anches battantes, dont un bourdon. JOGI: groupe de charmeurs de serpents et de chanteurs errants. Enreg.: 19cm/s, un micro• 1971 BM 22 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-01 BM.1973.007.001/44:22-01 00:03:10 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ devali _ (nom d'une femme), chant strophique à l'unisson• BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-02 BM.1973.007.001/44:22-02 00:03:40 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ amba devi _ (nom d'une divinité des Bhils), chant dévotionnel• Deux choeurs alternés (trois hommes, quatre femmes), antiphonal. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-03 BM.1973.007.001/44:22-03 00:04:50 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ parakhi _ nom d'une jeune fille bhil partie avec un homme jogi• Deux choeurs alternés (quatre hommes, trois femmes), antiphonal. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-04 BM.1973.007.001/44:22-04 00:05:00 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ amba devi _ (nom d'une divinité des Bhils), chant dévotionnel• Deux choeurs alternés (quatre hommes et trois femmes), antiphonal. Il s'agit de la même pièce que dans la pièce précédente (BM.973.007.001/44:22-03). BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-05 BM.1973.007.001/44:22-05 00:01:40 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Chant de mariage chanté par des jeunes garçons et/ou des jeunes filles• BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :22-06 BM.1973.007.001/44:22-06 00:02:25 11/71 INDE;RAJASTHAN SAYARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Chant de mariage chanté par des jeunes garçons et/ou des jeunes filles• Repris deux fois. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 23 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-01 BM.1973.007.001/44:23-01 00:04:05 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE LEGENDAIRE RELATIVE AU ROI PINGAL Sous-table non exportée Sous-table non exportée CV-VIELE: _ harangi _ est une vièle à une corde. Le chanteur (homme) s'accompagne de cet instrument. IE-CYMBALES: les _ manjira _ sont jouées par les chanteuses. M1D-TBR 1MEMB/CADRE: les trois tambours sur cadre à une peau sont frappés à la main par des hommes. AFL-FLUTE LAT: _ bansuri _ est une flûte traversière à quatre trous. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-02 BM.1973.007.001/44:23-02 00:03:45 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE Sous-table non exportée Sous-table non exportée Ballade du même style que la pièce précédente (BM.973.007.001/44:23-01)• CV-VIELE: _ harangi _ est une vièle à une corde. Le chanteur (homme) s'accompagne de cet instrument. M1D-TBR 1MEMB/CADRE: les trois tambours sur cadre à une peau sont frappés à la main par des hommes. AFL-FLUTE LAT: _ bansuri _ est une flûte traversière à quatre trous. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-03 BM.1973.007.001/44:23-03 00:03:55 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant avec paroles récentes chanté les nuits précédant les fêtes de Holi et accompagnant également danses• Deux choeurs alternés (quatre hommes, quatre femmes). BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-04 BM.1973.007.001/44:23-04 00:03:45 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE FETE Sous-table non exportée Sous-table non exportée Deux choeurs alternés (quatre hommes, quatre femmes). BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-05 BM.1973.007.001/44:23-05 00:04:00 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL CELEBRANT LA DEESSE GUJARI Sous-table non exportée Sous-table non exportée CV-VIELE: _ harangi _ est une vièle à une corde. Le chanteur (homme) s'accompagne de cet instrument. IE-CYMBALES: les _ manjira _ sont jouées par les chanteuses. AFL-FLUTE LAT: _ bansuri _ est une flûte traversière à quatre trous. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• ¹ 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :23-06 BM.1973.007.001/44:23-06 00:01:30 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _BANSURI _ Sous-table non exportée Sous-table non exportée AFL-FLUTE LAT: _ bansuri _ est une flûte traversière à quatre trous. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, un micro• BM.973.007.001/44:23-01 1971 BM 24 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :24-01 BM.1973.007.001/44:24-01 00:03:30 04/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA BHIL INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL AU DIEU SERPENT _ WASUKI _ Sous-table non exportée Sous-table non exportée Chant interrompu par l'entrée en transe du chanteur. CV-VIELE: _ harangi _ est une vièle à une corde. Le chanteur (homme) s'accompagne de cet instrument. IE-CYMBALES: les _ manjira _ sont jouées par les chanteuses. M1D-TBR 1MEMB/CADRE: les trois tambours sur cadre à une peau sont frappés à la main par des hommes. BHIL: groupe ethnique ou tribe. Enreg.: 19cm/s, deux micros• BM.973.007.001/44:23-01 1971 BM 25 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :24-02 BM.1973.007.001/44:24-02 00:13:20 05-18/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE DEVOTIONNELLE Sous-table non exportée Sous-table non exportée _ Biyavalo _, type de ballade dévotionnelle. Celle-ci se rapporte au mariage de Shiva et de Parvati avec de nombreuses invocations chantées en _ braj _ (langue poétique archaïque du Nord et du centre de l'Inde)• CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. IE-CYMBALES: la paire de _ manjira _ est jouée par intermittence. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable. Enreg.: 19cm/s, deux micros• 1971 BM 25 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :24-03 BM.1973.007.001/44:24-03 00:04:40 05-18/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE DEVOTIONNELLE Sous-table non exportée Sous-table non exportée _ Biyavalo _, type de ballade dévotionnelle. Celle-ci se rapporte au mariage de Shiva et de Parvati avec de nombreuses invocations chantées en _ braj _ (langue poétique archaïque du Nord et du centre de l'Inde)• Texte, parlé par un des chanteurs du chant précédent (Cf. BM.973.007.001/44:24-02); les paroles sont les mêmes. Enreg.: 9,5cm/s, deux micros• 1971 BM 25 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-01 BM.1973.007.001/44:25-01 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes appariées ensemble et jouées par un seul musicien. Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-02 BM.1973.007.001/44:25-02 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée Autre air que dans la pièce précédente (BM.973.007.001/44:25-01). AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes appariées ensemble et jouées par un seul musicien. Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-03 BM.1973.007.001/44:25-03 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ MORCHANG _ Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-04 BM.1973.007.001/44:25-04 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée AABS-CLARINETTE 2TUY: _ murali _ est une double clarinette à réservoir. Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-05 BM.1973.007.001/44:25-05 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE VIELE _ RAVANHATA _ Sous-table non exportée Sous-table non exportée CV-VIELE: _ravanhata_ a deux cordes, sympathiques et archet avec grelots. Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-06 BM.1973.007.001/44:25-06 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-07 BM.1973.007.001/44:25-07 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-08 BM.1973.007.001/44:25-08 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :25-09 BM.1973.007.001/44:25-09 00:00:00 INDE;RAJASTHAN LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée Enreg.: 19cm/s• 0 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :26-01 BM.1973.007.001/44:26-01 00:01:55 18/12/71 INDE;RAJASTHAN JAIPUR MIRASI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant de type _ mand (raga?)i _ , intercalent un passage de la légende de _Dhola Maru _• Le chanteur frappe à la main le tambour _ dholak _. Enreg.: 19cm/s, un micro• 1971 BM 27 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :26-02 BM.1973.007.001/44:26-02 00:03:15 18/12/71 INDE;RAJASTHAN JAIPUR MIRASI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant de type _ mand (raga?)i _ , intercalent un passage de la légende de _Dhola Maru _• Le duo est interprété par un jeune homme et un homme d'âge plus mûre. Enreg.: 19cm/s, un micro• 1971 BM 27 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :26-03 BM.1973.007.001/44:26-03 00:03:30 18/12/71 INDE;RAJASTHAN JAIPUR MIRASI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ kyal _ ,chant extrait du drame lyrique populaire Chavel Maliagri• Il y a un chanteur principal qui effectue un solo mais un autre chanteur lui donne la réplique de manière irrégulière. Pièce reprise deux fois. Enreg.: 19cm/s, un micro• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :26-04 BM.1973.007.001/44:26-04 00:06:22 18/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ Kabir bhajan _ , chant dévotionnel dédié à kabir (16ème siècle), dévot et poète mystique. Dans ce _ bhajan _ se trouvent de nombreuses références tantriques comme souvent dans le répertoire des Jogi.• Cf. disque HMU 959• Faux départ. CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. IE-CYMBALES: la paire de _ manjira _ est jouée par intermittence. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable. Enreg.: 19cm/s, deux micros• BM.973.007.001/44:24-02 1971 BM 27 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :26-05 BM.1973.007.001/44:26-05 00:06:00 18/12/71 INDE;RAJASTHAN ARAVALLI, KOTARA JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ Mira bhajan _ , chant célébrant un épisode de la vie de Mira Bai, sainte et poétesse mystique du 16ème siècle• Faux départ. CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. IE-CYMBALES: la paire de _ manjira _ est jouée par intermittence. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable. Enreg.: 19cm/s, deux micros• 1971 BM 27 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :27-01 BM.1973.007.001/44:27-01 00:14:15 19/12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Sorte de ballade ou de chant narratif du répertoire mystique des Jogi• Au cours de la pièce un des deux musiciens frappe la caisse de sa vièle. CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Enreg.: 19cm/s, deux micros• 1971 BM 28 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :27-02 BM.1973.007.001/44:27-02 00:08:00 19/12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Même mélodie que dans la pièce précédente (BM.973.007.001/44:27-01) mais avec un autre épisode de la ballade du répertoire mystique Jogi. Ce genre de ballade nécéssite parfois plusieurs nuits pour être chantée en totalité• CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Enreg.: 19cm/s, deux micros• 1971 BM 28 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :28-01 BM.1973.007.001/44:28-01 00:05:48 12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Ballade héroïque légendaire.L'épisode concerne la mort du héros, le roi Amar Singh, et celle de sa femme• Cf. disque MH OCR81• CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Enreg.: 19cm/s,un micro• 1971 BM 29 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :28-02 BM.1973.007.001/44:28-02 00:01:55 12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 Sous-table non exportée Sous-table non exportée CV-VIELE: _ sarangi _ est une vièle à une corde. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable, pincé avec un plectre. Enreg.: 19cm/s, un micro• 1971 BM 29 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :28-03 BM.1973.007.001/44:28-03 00:04:40 12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ Baratara hari _ , chant dévotionnel: dialogue entre le futur jogi et sa femme• CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable. Enreg.: 19cm/s, un micro• 1971 BM 29 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :28-04 BM.1973.007.001/44:28-04 00:08:55 12/71 INDE;RAJASTHAN JAIPUR JOGI DE ALWAR INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée CV-VIELE: _ sarangi _ est une vièle à une corde. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. C-CORDOPHONE: _ bhapang _ est un monocorde à tension variable. Enreg.: 19cm/s, un micro• 1971 BM 29 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-01 BM.1973.007.001/44:29-01 00:01:45 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ KAMAN _ Sous-table non exportée Sous-table non exportée _ Kaman _, (mauvais esprit), chant pour protéger les nouveaux époux des mauvaises in fluences. Type de chant du répertoire des cérémonies de mariage• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-02 BM.1973.007.001/44:29-02 00:01:46 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ MUNG _ Sous-table non exportée Sous-table non exportée _ Mung _, type de chant de mariage qui prend place en début de cérémonie• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-03 BM.1973.007.001/44:29-03 00:02:00 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ ARATI _ Sous-table non exportée Sous-table non exportée Type de chant du répertoire des cérémonies de mariage. _ Arati _désigne à la fois le plateau sur lequel on dépose les offrandes et la dédicace chantée précédent certaines cérémonies• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-04 BM.1973.007.001/44:29-04 00:02:20 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ BINAYAKA _ Sous-table non exportée Sous-table non exportée _ Binayaka _ autre nom du dieu Ganesh, chant dévotionnel. L'évocation de Ganesh est liée aux travaux domestiques• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 0 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-05 BM.1973.007.001/44:29-05 00:03:20 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ MAND _ Sous-table non exportée Sous-table non exportée Chant de type _ Mand _ (raga), chant d'amour et de séparation• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-06 BM.1973.007.001/44:29-06 00:06:55 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant extrait ou inspiré de la légende Dhola Maru. Ici sans accompagnement• Cf.BM.973.007.001/44:29-01. Enreg.: 19cm/s, deux micros• 1971 BM 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :29-07 BM.1973.007.001/44:29-07 00:03:00 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ BIRA _ Sous-table non exportée Sous-table non exportée _ Bira _, (frère), type de chant du répertoire des cérémonies de mariage; autre type de chant de mariage exprimant l'amour de la soeur pour son frère. Les paroles sont sous forme d'énigmes et d'interrogations• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 Bm 30 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :30-01 BM.1973.007.001/44:30-01 00:09:45 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant extrait ou inspiré de la légende Dora Maru• Cf. disque MHOCR81• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 31 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :30-02 BM.1973.007.001/44:30-02 00:02:15 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant pour la naissance d'un enfant qui sert également de berceuse• Cf. disque HMU959• Enreg.: 19cm/s, deux micros• 1971 BM 31 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :30-03 BM.1973.007.001/44:30-03 00:03:15 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE PROCESSION Sous-table non exportée Sous-table non exportée Chant de procession à la déesse Gangaur, divinité célébrée par les femmes non-mariées. Paroles symboliques sur la sanctification du mariage• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 31 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :30-04 BM.1973.007.001/44:30-04 00:02:55 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Javara _ , chant pour la déesse Gangaur• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 31 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :30-05 BM.1973.007.001/44:30-05 00:03:10 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant pour la déesse Gangaur• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 31 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :31-01 BM.1973.007.001/44:31-01 00:02:03 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ GALI _ Sous-table non exportée Sous-table non exportée _ Gali_ (ou "abuse-song"), type de chant de mariage, chanté par les femmes et les jeunes filles de la famille de la fiancée, comportant moqueries, injures, grivoiseries à l'intention des membres de la famille du fiancé• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 32 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :31-02 BM.1973.007.001/44:31-02 00:04:17 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ MAYARA _ Sous-table non exportée Sous-table non exportée _ Mayara _, chant des cérémonies de mariage accompagnant la remise des présents par le fiancé à sa belle-mère• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 32 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :31-03 BM.1973.007.001/44:31-03 00:03:00 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ BIRA _ Sous-table non exportée Sous-table non exportée _ Bira _, chant de mariage célébrant l'amour fraternel et la séparation de la fiancée d'avec sa famille• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 32 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :31-04 BM.1973.007.001/44:31-04 00:04:45 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée Chant contant l'épisode de la vie de la poétesse mystique Mira Bai (16 ème siècle)• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 32 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :31-05 BM.1973.007.001/44:31-05 00:03:00 23/12/71 INDE;RAJASTHAN JAIPUR DHOLI-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT _ GALI _ Sous-table non exportée Sous-table non exportée Chant du répertoire des fêtes de Holi• M2C-TBR: _ dhol _, frappé à mains nues par la chanteuse principale, caisse en métal Ø80 cm. Enreg.: 19cm/s, deux micros• 1971 BM 32 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :32-01 BM.1973.007.001/44:32-01 00:09:40 24/12/71 INDE;RAJASTHAN SHAHPURA, NAYAPURA CHAMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE EPIQUE _ DEVA-JI _ Sous-table non exportée Sous-table non exportée _ Deva-ji _ , ballade à caractère épique et religieux (Cf. Pabuji, Bagrawat, autres types de ballade du Rajasthan)• VX-COMPOSITE: chanté, parlé et dansé par un soliste masculin. Ethnie: groupe de villageois et de paysans. Caste _ Chamar _ (travailleurs du cuir). Enreg.: 19cm/s, deux micros• 1971 EPIQUE BM 33 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :32-02 BM.1973.007.001/44:32-02 00:12:35 24/12/71 INDE;RAJASTHAN SHAHPURA, NAYAPURA CHAMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 COMPOSITION Sous-table non exportée Sous-table non exportée Composition du soliste au sujet d'une inondation qui eut lieu dans cette région semi-désertique une trentaine d'années plus tôt• Interrompu et repris au milieu. VX-COMPOSITE: chanté, parlé et dansé par un soliste masculin. Ethnie: groupe de villageois et de paysans. Caste _ Chamar _ (travailleurs du cuir). Enreg.: 19cm/s, deux micros• 1971 BM 33 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-01 BM.1973.007.001/44:33-01 00:04:20 24/12/71 INDE;RAJASTHAN SHAHPURA, NAYAPURA CHAMAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT RELIGIEUX _ ARATI _ Sous-table non exportée Sous-table non exportée _ Arati _ , (offrande musicale), chant religieux précédant les cérémonies et les manifestations telles que l'éxécution de ballade épiques• BC-BATTEMENTS DE MAINS: par intermittence. Ethnie: groupe de villageois et de paysans. Caste _ Chamar _ (travailleurs du cuir). Enreg.: 19cm/s, deux micros• BM.973.007.001/44:32-01 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-02 BM.1973.007.001/44:33-02 00:05:25 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT SATIRIQUE Sous-table non exportée Sous-table non exportée Chant satirique. ce type de chant avec _ algoja _ es t particulier à la région de Shahpura; chanté en diverses circonstances, veillées, foires etc. Il s'agit d'une sorte de compétition entre chanteurs• VC-CHANTE DUO JH: voix de têtes. AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-03 BM.1973.007.001/44:33-03 00:04:00 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT SATIRIQUE Sous-table non exportée Sous-table non exportée Chant satirique. ce type de chant avec _ algoja _ es t particulier à la région de Shahpura; chanté en diverses circonstances, veillées, foires etc. Il s'agit d'une sorte de compétition entre chanteurs• VC-CHANTE DUO JH: voix de têtes. AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-04 BM.1973.007.001/44:33-04 00:04:50 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée VC-CHANTE DUO JH: voix de têtes. AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-05 BM.1973.007.001/44:33-05 00:01:30 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ ALGOJA _ Sous-table non exportée Sous-table non exportée AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :33-06 BM.1973.007.001/44:33-06 00:01:00 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ ALGOJA _ Sous-table non exportée Sous-table non exportée Solo de flûtes _ Algoja _ jouées avec changement de timbres par obturation des trous de jeu• AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :34-01 BM.1973.007.001/44:34-01 00:03:45 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT SATIRIQUE Sous-table non exportée Sous-table non exportée Chant satirique. ce type de chant avec _ algoja _ es t particulier à la région de Shahpura (cfBM.973.007.001/44:33-02) ; chanté en diverses circonstances, veillées, foires etc. Il s'agit d'une sorte de compétition entre chanteurs• VC-CHANTE DUO JH: voix de têtes. AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. IE-CYMBALES: la paire de _ Thal _ n'est jouée qu'au début. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 35 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :34-02 BM.1973.007.001/44:34-02 00:03:30 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. BC-BATTEMENTS DE MAINS: par intermittence. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 34 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :34-03 BM.1973.007.001/44:34-03 00:03:30 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée AFT-FLUTE TERM: il y a deux _ algoja _, flûtes à bec à cinq trous, jouées par un seul musicien. BC-BATTEMENTS DE MAINS: par intermittence. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :34-04 BM.1973.007.001/44:34-04 00:02:45 24/12/71 INDE;RAJASTHAN SHAHPURA INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Chant de travail• Cf. disque MH OCR "villageois et minorités ethniques"; maquette non publiée. Ethnie: villageois et porteurs d'eau. Enreg.: 19cm/s, deux micros• 1971 BM 35 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :35-01 BM.1973.007.001/44:35-01 00:13:45 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL _ ARATI _ Sous-table non exportée Sous-table non exportée _ Arati _, chant dévotionnel précédant l'éxécution de la ballade épique du bagrawat et constituant une sortre d'offrande ou de dédicace musicale• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes métalliques et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes _ bhopa _ du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s, un micro• 1971 BM 36 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :35-02 BM.1973.007.001/44:35-02 00:00:00 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODE NARRATIF DU BAGRAWAT Sous-table non exportée Sous-table non exportée Partie narrative d'une séquence d'un épisode du Bagrawat, ballade épique légendaire chantée et parlée, parfois dansée. Accompagnement de _ jantar _ devant une toile _ parh _• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes métalliques et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes _ bhopa _ du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s, un micro• 1971 EPIQUE BM 36 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :36-01 BM.1973.007.001/44:36-01 00:00:30 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODE DE LA BALLADE EPIQUE BAGRAWAT Sous-table non exportée Sous-table non exportée Un épisode du Bagrawat, ballade épique: dialogue des deux frères qui ont trouvé une lampe d'or et s'enquièrent de son utilisation ainsi que de la richesse en général . (langue marwari)• VX-COMPOSITE DUO H: chanté, psalmodié, parlé. CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse qui est jouée par le chanteur principal. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 9,5cm/s• 1971 EPIQUE BM 37 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :36-02 BM.1973.007.001/44:36-02 00:00:00 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODES DE LA BALLADE EPIQUE BAGRAWAT Sous-table non exportée Sous-table non exportée Parties chantées de différents épisodes du Bagrawat• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 9,5cm/s• 1971 EPIQUE BM 37 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :37-01 BM.1973.007.001/44:37-01 00:00:00 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _ JANTAR _ Sous-table non exportée Sous-table non exportée Accords de l'instrument et solo; notes de la gamme• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s• 1971 BM 38 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :37-02 BM.1973.007.001/44:37-02 00:00:00 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODE DE LA BALLADE EPIQUE BAGRAWAT Sous-table non exportée Sous-table non exportée _ Bijiri kanjiri _ , chant du Bagrawat, ballade épique• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s• 1971 EPIQUE BM 38 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :37-03 BM.1973.007.001/44:37-03 00:00:00 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODE DE LA BALLADE EPIQUE BAGRAWAT Sous-table non exportée Sous-table non exportée _ Lur _ , chant du Bagrawat, ballade épique• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s• 1971 BM 38 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :37-04 BM.1973.007.001/44:37-04 00:00:00 12/1971 INDE;RAJASTHAN JODHPUR KUMARH-C INDE:RAJASTHAN. DOURNON,G.;1971 EPISODE DE LA BALLADE EPIQUE BAGRAWAT Sous-table non exportée Sous-table non exportée Chant du Bagrawat, ballade épique• CC-CITHARE/BATON: le _ Jantar _ est une cithare sur bâton à quatre cordes et résonateurs en calebasse. KUMARH-C: caste de potiers et d'agriculteurs. Les interprêtes bhopa du Bagrawat sont originaires de Borunda. Enreg.: 19cm/s• 1971 BM 38 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :38-01 BM.1973.007.001/44:38-01 00:05:10 12/71 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée Ballade d'amour• BC-BATTEMENTS DE MAINS: par intermittence par un des deux chanteurs. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. INTERPRÊTES: Alladin, premier soliste; Shumar Khan , deuxième soliste et _ sindhi sarangi _ ; et Nur Mohamed, _ gurutan sarangi _. Ethnie: Langa,groupe sarangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s• 1971 BM 39 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :38-02 BM.1973.007.001/44:38-02 00:04:50 12/71 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée Ballade d'amour, autre version de la pièce précédente (BM.973.007.001/44:38-01)• BC-BATTEMENTS DE MAINS: par intermittence par un des deux chanteurs. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. INTERPRÊTES: Alladin, premier soliste; Shumar Khan , deuxième soliste et _ sindhi sarangi _ ; et Nur Mohamed, _ gurutan sarangi _. Ethnie: Langa, groupe de sarangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s• 1971 BM 39 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :38-03 BM.1973.007.001/44:38-03 00:03:25 12/71 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée Ballade d'amour, troisième version de la pièce BM.973.007.001/44:38-01• BC-BATTEMENTS DE MAINS: par intermittence par un des deux chanteurs. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. INTERPRÊTES: Alladin, premier soliste; Shumar Khan , deuxième soliste et _ sindhi sarangi _ ; et Nur Mohamed, _ gurutan sarangi _. Ethnie: Langa, groupe de satangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s• 1971 BM 39 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :38-04 BM.1973.007.001/44:38-04 00:07:50 12/71 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée _ Jasma _, ballade d'amour• Bruit de toux. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Ethnie: Langa, groupe sarangiya-Langa; caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s• 1971 BM 39 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :38-05 BM.1973.007.001/44:38-05 00:02:25 12/71 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée _ Jasma _, ballade d'amour, autre version de la pièce précédente (BM.973.007.001/44:38-04)• Interrompu, fin de bobine. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Ethnie: Langa, groupe sarangiya-Langa; caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s• 1971 BM 39 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :39-01 BM.1973.007.001/44:39-01 00:07:50 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée _ Binjha _, chant d'amour• Bruit de toux. CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Ethnie: Langa, groupe de sarangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s, deux micros• 0 BM 40 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :39-02 BM.1973.007.001/44:39-02 00:04:10 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée _ Kinvigi _, chant d'amour• CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Ethnie: Langa, groupe de sarangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s, deux micros• 0 BM 40 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :39-03 BM.1973.007.001/44:39-03 00:09:20 INDE;RAJASTHAN DISTRICT DE BARMER, BADANAVA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Nadji _, chant• Cf. disque M.H OCR81 face A• CV-VIELE: _ sarangi _ est une vièle à cordes sympathiques. Les chanteurs (deux hommes) s'accompagnent chacun de cet instrument. Ethnie: Langa, groupe de sarangiya-Langa, caste de musiciens et de chanteurs musulmans. Enreg.: 19cm/s, deux micros• 0 BM 40 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :40-01 BM.1973.007.001/44:40-01 00:04:15 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée _ Sindhi Bhairavi_ (nom du _ raga _)• Bruit du souffle du musicien. AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 41 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :40-02 BM.1973.007.001/44:40-02 00:04:00 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée _ Sorath _ , précédé d'une introduction _ doha _ • AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 41 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :40-03 BM.1973.007.001/44:40-03 00:04:20 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée _ Gund malhar _ , précédé d'une introduction _ doha _ • Cf. disque M.H OCR81 face B• AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 41 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :40-04 BM.1973.007.001/44:40-04 00:00:00 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 FLUTES _ SATARA _ ET VIELE _ SARANDI _ Sous-table non exportée Sous-table non exportée _ Sub-mand_ (nom du _ raga _)• CV-VIELE: _ sarinda _, vièle à cordes sympathiques et archet à grelots. AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, un micro• BM.973.007.001/44:40-01 0 BM 41 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :40-05 BM.1973.007.001/44:40-05 00:00:00 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 FLUTES _ SATARA _ ET VIELE _ SARANDI _ Sous-table non exportée Sous-table non exportée _ Sammeri_ • CV-VIELE: _ sarinda _, vièle à cordes sympathiques et archet à grelots. AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 41 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :41-01 BM.1973.007.001/44:41-01 00:06:20 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 AEROPHONE _ MURALI _ ET VIELE _ SARANDI _ Sous-table non exportée Sous-table non exportée _ Karima _ (nom du _ raga _)• Bruit de vent. CV-VIELE: _ sarinda _, vièle à cordes sympathiques et archet à grelots. AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et deux tuyaux dont un bourdon. Ethnie: Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, deux micros• 0 BM 42 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :41-02 BM.1973.007.001/44:41-02 00:06:03 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 AEROPHONE _ MURALI _ ET VIELE _ SARANDI _ Sous-table non exportée Sous-table non exportée _ Sindhi Bhairavi _ , l'air proprement dit est précédé d'un long _ doha _ (introduction)• Cf. disque M.HOCR81, face A• CV-VIELE: _ sarinda _, vièle à cordes sympathiques et archet à grelots. AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et deux tuyaux dont un bourdon. Ethnie: Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, deux micros• 0 BM 42 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :41-03 BM.1973.007.001/44:41-03 00:05:55 INDE;RAJASTHAN DISTR. POKARAN, BHIKODAI LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 AEROPHONE _ MURALI _ ET VIELE _ SARANDI _ Sous-table non exportée Sous-table non exportée _ Sûb _ , précédé d'un _ doha _ (introduction)• Cf. disque M.HOCR81, face A• CV-VIELE: _ sarinda _, vièle à cordes sympathiques et archet à grelots. AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et deux tuyaux dont un bourdon. Ethnie: Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Enreg.: 19cm/s, deux micros• 0 BM 42 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :42-01 BM.1973.007.001/44:42-01 00:03:10 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 VIELE _ KAMAYACHA _ Sous-table non exportée Sous-table non exportée Accords de l'instruments• CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 43 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :42-02 BM.1973.007.001/44:42-02 00:05:10 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée _ Mandari_ , chant d'amour• VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 43 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :42-03 BM.1973.007.001/44:42-03 00:05:00 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Janghra_ , type de chant désignant une romance épique. L'extrait décrit l'attente par son épouse de l'arrivée du roi Jaisalmer• VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 EPIQUE BM 43 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :42-04 BM.1973.007.001/44:42-04 00:05:00 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANTSUR L'AMOUR Sous-table non exportée Sous-table non exportée Accords de l'instrument, puis autre _ janghra_ dont le sujet est l'amour. Souvent chanté à l'occasion des mariages• VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 43 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :42-05 BM.1973.007.001/44:42-05 00:03:25 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Chant d'enfant• VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 43 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :43-01 BM.1973.007.001/44:43-01 00:02:15 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DEVOTIONNEL Sous-table non exportée Sous-table non exportée _ Sur-pad_ , chant de type dévotionnel, inspiré d'une composition du poète mystique Surdas (14ème siècle), dévot de Krishna• VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 44 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :43-02 BM.1973.007.001/44:43-02 00:04:30 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Jhidar_ • VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 44 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :43-03 BM.1973.007.001/44:43-03 00:04:00 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 44 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :43-04 BM.1973.007.001/44:43-04 00:07:55 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 CHANT Sous-table non exportée Sous-table non exportée _ Mumal_ , chant décrivant point par point et de la tête au pied la beauté de la femme• Mélodie semblable à la pièce BM.973.007.001/44:42-03. VC-CHANTE SOLO H: l'interprête du chant s'accompagne de la vièle _ kamayacha _. CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 44 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :43-05 BM.1973.007.001/44:43-05 00:02:50 INDE;RAJASTHAN POKARAN MANGHANIYAR-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE _ KAMAYACHA _ Sous-table non exportée Sous-table non exportée Même air que celui de la pièce BM.973.007.001/44:43-04, mais joué en pinçant les cordes sympathiques • CV-VIELE: _ kamayacha _, vièle à caisse hémisphérique, à cordes mélodiques et sympathiques. Ethnie: Manghaniyar, caste de musiciens mendiants. Région: désert de Thar. Enreg.: 19cm/s, un micro• 0 BM 44 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :44-01 BM.1973.007.001/44:44-01 00:00:00 INDE;RAJASTHAN JODHPUR LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ MORCHANG _ Sous-table non exportée Sous-table non exportée IP-GUIMBARDE: _ morchang _, guimbarde hétéroglotte en métal. Ethnie: Langa, caste de musiciens musulmans, groupe suraniya originaire du village de Barnawa. Enreg.: 19cm/s, un micro• 0 BM 45 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :44-02 BM.1973.007.001/44:44-02 00:03:10 INDE;RAJASTHAN JODHPUR LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ MORCHANG _ Sous-table non exportée Sous-table non exportée Le _ morchang _ utlisé dans cette pièce est plus aigu que celui joué dans la pièce BM.973.007.001/44:44-01. IP-GUIMBARDE: _ morchang _, guimbarde hétéroglotte en métal. Ethnie: Langa, caste de musiciens musulmans, groupe suraniya originaire du village de Barnawa. Enreg.: 19cm/s, un micro• BM.973.007.001/44:44-01 0 BM 45 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :44-03 BM.1973.007.001/44:44-03 00:02:05 INDE;RAJASTHAN JODHPUR LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE GUIMBARDE _ MORCHANG _ Sous-table non exportée Sous-table non exportée IP-GUIMBARDE: _ morchang _, guimbarde hétéroglotte en métal. Ethnie: Langa, caste de musiciens musulmans, groupe suraniya originaire du village de Barnawa. Enreg.: 19cm/s, un micro• 0 BM 45 ASIE +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 :44-04 BM.1973.007.001/44:44-04 00:03:30 INDE;RAJASTHAN JODHPUR LANGA-C INDE:RAJASTHAN. DOURNON,G.;1971 SOLO DE FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée AFT-FLUTE TERM 2TUY: _ satârâ _ sont deux flûtes (une mélodique, et une bourdon) appariées ensemble et jouées par un seul musicien. Ethnie: Langa, groupe suraniya-Langa, caste de musiciens et chanteurs musulmans. Région: désert de Thar. Cf. même instrument et autre interprétation que dans la pièce BM.973.007.001/44:40-01...05. Enreg.: 19cm/s, un micro• 0 BM 45 ASIE +BM.973.008 Ø13&18 BM.973.008.001/32 :01-01 BM.973.008.001/32:01-01 00:00:00 MONGOLIE (REP POPU) MONGOLIE & BOURIATIE N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +BM.973.008 Ø13&18 BM.973.008.001/32 :02-02 BM.973.008.001/32:02-02 00:00:00 URSS;BOURIATIE MONGOLIE & BOURIATIE N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +BM.973.009 ØGF;²19;PP BM.973.009.001 :01-01 BM.973.009.001:01-01 00:00:00 REP CENTRAFRICAINE MONTAGE: REP. CENTRAFRICAINE;DAHOMEY;NIGER N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.973.009 ØGF;²19;PP BM.973.009.001 :01-02 BM.973.009.001:01-02 00:00:00 BENIN MONTAGE: REP. CENTRAFRICAINE;DAHOMEY;NIGER N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.973.009 ØGF;²19;PP BM.973.009.001 :01-03 BM.973.009.001:01-03 00:00:00 NIGER MONTAGE: REP. CENTRAFRICAINE;DAHOMEY;NIGER N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.973.010 ØGF;²19;PPM BM.973.010.001 :01-01 BM.973.010.001:01-01 00:00:00 VIETNAM CHUTE DI. "M. MNONG GAR DU VIETNAM" DI.974.003.001 N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.973.011 ØGF;²38;PPM;SD BM.973.011.001 :01-01 BM.973.011.001:01-01 00:00:00 oct. VIETNAM VIETNAM. SEANCE D'ENREG. DE 2 MUSICIENS, AU DPT. N Sous-table non exportée Sous-table non exportée 1968 0 ASIE +BM.973.012 Ø13;²9.5;PPM BM.973.012.001 :01-01 BM.973.012.001:01-01 00:00:00 AFRIQUE AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.973.013 Ø18;²19;PPM BM.973.013.001 :01-01 BM.973.013.001:01-01 00:00:00 TURQUIE MONTAGE EXPO MH 1973: TURQUIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.973.014 Ø13;²19;1/2P BM.973.014.001/07 :01-01 BM.973.014.001/07:01-01 00:00:00 AFGHANISTAN AFGHANISTAN:PASHAI N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +BM.973.015 Ø13;²19;1/2P BM.973.015.001 :01-01 BM.973.015.001:01-01 00:00:00 TCHAD TCHAD;MAYO-KEBBI:PEUL BORORO WADAABE N Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +BM.974.001 Ø13;²19;1/2P BM.974.001.001/07 :01-01 BM.974.001.001/07:01-01 00:00:00 COREE DU SUD COREE N Sous-table non exportée Sous-table non exportée 1973 0 ASIE +BM.974.002 Ø8;²9,5;1/2P BM.974.002.001/09 :01-01 BM.974.002.001/09:01-01 00:00:00 POLYNESIE FR;ARCHIPEL SOCIETE TAHITI TAHITI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :01-01 BM.1974.003.001/10:01-01 00:05:10 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. IFC = calebasse• SEYDOU,CHRISTIANE 1973 0 AFRIQUE +BM.974.004 Ø13 BM.974.004.001 :01-01 BM.974.004.001:01-01 00:00:00 NEPAL NEPAL:NEWAR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.974.005 Ø13 BM.974.005.001 :01-01 BM.974.005.001:01-01 00:00:00 TAIWAN COPIE DI.33T: TAIWAN, M. NAN KOUAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.974.006 Ø13 BM.974.006.001/32 :01-01 BM.974.006.001/32:01-01 00:00:00 PHILIPPINES PHILIPPINES:PALAWAN N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.974.007 Ø13;²19;PPM BM.974.007.001/05 :01-01 BM.974.007.001/05:01-01 00:00:00 FINLANDE FINLANDE:LAPON N Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-01 BM.1974.008.001/20:01-01 00:01:20 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT SOLO H Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-08 BM.1974.008.001/20:11-08 00:09:00 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE TYPE "JHYAURE" Sous-table non exportée JHYAURE Sous-table non exportée Chant de type "Jhyaure" à couplet et refrain hétéromorphes, CV-Vièle = vièle à archet porteur de grelots • 1971 0 ASIE +BM.974.009 Ø18;²19;PPM;SD BM.974.009.001/04 :01-01 BM.974.009.001/04:01-01 00:00:00 MADAGASCAR COPIE DI.78T: MADAGASCAR / H.CLERISSE N Sous-table non exportée Sous-table non exportée 1939 0 AFRIQUE +BM.974.010 Ø13;²9.5;PPM BM.974.010.001 :01-01 BM.974.010.001:01-01 00:00:00 ROUMANIE ROUMANIE:AROUMAIN N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.974.011 Ø13;²19;PPM BM.974.011.001/02 :01-01 BM.974.011.001/02:01-01 00:00:00 ALBANIE ALBANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-02 BM.1974.012.001/09:01-02 00:03:13 08/1969 LIBYE TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "KELE" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=luth à deux cordes• BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_01 BM.1974.013.001/52:01_01 00:04:23 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS & INTRUMENTS Sous-table non exportée Sous-table non exportée IP- = sanza à lames métalliques, IFC- =bouteille (remplaçant peut-être la cloche habituellement jouée pour cette musique), 3 séquences, chacune précédée d'une explication (par G.Rouget ?) : 1ère : chant 3 voix H, sanza et bouteille, fin à 01'46 2ème : choeurs H & F, tambours, de 02'00 à 02'56, 3ème : cordophone (accompagné de quelques murmures), de 03'20 à 04'23, N.B : copie de la bande magnétique BM.1974.013.001 plage 1 • ROUGET,GILBERT 1946 0 Pyral_001_faceA AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_02 BM.1974.013.001/52:01_02 00:04:15 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT ET SANZA 1 Sous-table non exportée Sous-table non exportée édité MH 48-72 B 14.b • IFC- = une petite calebasse contenant quelques graines, frappée contre le dos de la sanza (caisse), IP-= sanza à 10 lames métalliques jouée par le chanteur soliste, Chant solo H, réponse Chr H, avec sanza, puis avec calebasse frappée, Il s'agit certainement du même joueur de sanza enregistré sur le disque pyral face 001 (cf. CD n°1 plage 1, séquence 1 et explications précédentes), N.B : copie de la bande magnétique BM.1974.013.001 plage 2 • ROUGET,GILBERT 1946 Pyral_001_faceB AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_08 BM.1974.013.001/52:01_08 00:04:10 07 ou 08/08/46 CONGO DJAMBAALA, LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ANGONZINI 2 ANGONZINI Sous-table non exportée Sous-table non exportée Musiciens, chanteurs et danseurs forment un cercle. Notes cahier G.Rouget (cf. p.17) : musique pour les femmes, musique de danse pour les funérailles ? Les hommes chantent que "le caoutchouc demande beaucoup de travail et ne rapporte rien". • M-TBR : Trois tambours à 1 peau, le plus grand est un tambour à emplâtre doté de sonnailles (plaque de fer ourlée d'anneaux vibrant pendant le jeu) IS-Cloche : cloches doubles en fer, l'une est battue sur un seul battant, l'autre sur les 2, Cf. indications sur les instruments in cahier notes de terrain G.Rouget (p.14-16) N.B : copie de la bande magnétique BM.1974.013:01 plage 8, Disque Pyral face11 abimé • ROUGET,GILBERT 1946 Pyral_face_011 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_09 BM.1974.013.001/52:01_09 00:04:20 07 ou 08/08/46 CONGO DJAMBALA , LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE FUNERAIRE Sous-table non exportée Sous-table non exportée Musique de funérailles pour un personnage important, jouée lors de la sortie du corps de la case et de son exposition sur la place du village. Le tambourinaire et le joueur de pluriarc se tiennent près du corps, le joueur de calebasse circule sur la place. Le présent enregistrement a été effectué en dehors de la cérémonie. • édité MH 48-21 B6-a • chanté solo H + cris. IFC - = 1 callebasse avec hochet, le joueur frappe le côté de la calebasse avec un hochet, en alternance il souffle devant l'ouverture de la calebasse ou chante quelques paroles, notamment "mawa" ("meilleur"), en tournant la tête; le son du pluriarc est couvert par cemui des autres instruments, M-TBR : tambour à 1 peau, à emplâtre, doté de sonnailles (plaques de fer et anneaux), Cf. indications sur les instruments in cahier note de terrain G.Rouget (p.14-16), et p.18 : Le tambourinaire chante des proverbes : "Içi où nous sommes nous voyons quand le soleil se lève mais quand il se couche on le voit pareillement". "Partout où vous irez vous verrez les mêmes gens mais les coutumes sont diffèrentes", N.B : Copie de la bande magnétique BM.1974.013.2 plage 1 • ROUGET,GILBERT 1946 RELIGIEUX POUR DIGNITAIRE Pyral_face_017 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_10 BM.1974.013.001/52:01_10 00:04:33 07 ou 08/08/46 CONGO DJAMBALA , LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MITAN Sous-table non exportée Sous-table non exportée danse de divertissement, mitan signifierait "amusement", musiciens, chanteurs et danseurs forment un cercle. Les femmes adoptent une posture spéciale : elles poussent des cris aigu en se tenant courbées, penchant la tête sur une épaule et se bouchant une oreille avec un doigt• édité MH 48-20 B4-a • M-TBR : Trois tambours à 1 peau, le plus grand est un tambour à emplâtre doté de sonnailles (plaque de fer ourlée d'anneaux vibrant pendant le jeu), IS-Cloche : cloches doubles en fer, l'une est battue sur un seul battant, l'autre sur les 2, IS-Hochet : faits avec les causses d'un fruit ressemblant à un immense haricot plat, contenant des graines, joué par les hommes, Cf. indications sur les instruments in cahiers notes de terrain G.Rouget (p.14-16) N.B : copie de la bande magnétique BM.1974.013.2 plage 2 • ROUGET,GILBERT 1946 Pyral_face_018 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_11 BM.1974.013.001/52:01_11 00:04:37 08/08/46 CONGO DJAMBALA , LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TROMPES D'IVOIRES 1 Sous-table non exportée Sous-table non exportée Les trompétistes sont des vieillards et forment une troupe de semi-professionnels qui ne se font entendre que dans les grandes occasions, notamment pour l'enterrement des chefs (n'est pas précisé si en situation ou non)• édité MH 48-22 B5-a • AT-trompe : trompes traversières faites à partir de défenses d'éléphant, M-TBR : 2 tambours à une peau, et un petit tambour cylindrique à 3 pieds, Cf. indications sur l'instrumentation in cahiers notes G.Rouget (p.15-16, 20-21) : les noms des trompes sont : ntara, okale, koko, kari, olumi. N.B : copie de la bande magnétique BM.1974.013.2 plage 3 • ROUGET,GILBERT 1946 POUR DIGNITAIRE Pyral_face_021 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_12 BM.1974.013.001/52:01_12 00:02:40 08/08/46 CONGO DJAMBALA , LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TROMPES D'IVOIRES 2 : ACCORD Sous-table non exportée Sous-table non exportée Les trompétistes sont des vieillards et forment une troupe de semi-professionnels qui ne se font entendre que dans les grandes occasions, notamment pour l'enterrement des chefs• Cf. indications insturments in cahier notes de terrain G.Rouget (p.16, 21) : les trompes sont jouées l'une après l'autre, 3 fois, les noms des trompes sont : ntara, okale, koko, kari, olumi. NB : copie de la bande magnétique BM.1974.013.2 plage 4• ROUGET,GILBERT 1946 Pyral_face_022 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_13 BM.1974.013.001/52:01_13 00:04:23 08/08/46 CONGO DJAMBALA , LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TROMPES D'IVOIRES 3 Sous-table non exportée Sous-table non exportée Les trompétistes sont des vieillards et forment une troupe de semi-professionnels qui ne se font entendre que dans les grandes occasions, notamment pour l'enterrement des chefs (n'est pas précisé si en situation ou non)• AT-trompe : trompes traversières faites à partir de défenses d'éléphant, M-TBR : 2 tambours à une peau, et un petit tambour cylindrique à 3 pieds, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.15-16, 21) : les noms des trompes sont : ntara, okale, koko, kari, olumi. NB : copie de la bande magnétique BM.1974.013.2 plage 5• ROUGET,GILBERT 1946 Pyral_face_023 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_14 BM.1974.013.001/52:01_14 00:04:23 12/08/46 CONGO EWO / OKA MBETI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SORTIE DE MASQUES 1 Sous-table non exportée Sous-table non exportée Présence de 2 masques : deux personnages, vétus de costumes de raphia, coiffés d'une peau de singe, portent un masque, l'un masculin, l'autre féminin. Dans l'assistance, la plupart des hommes portent l'ancien costumes de raphia. Lors de cet épisode, les masques ne participent pas encore à la danse• ATL - = 1 trompe traversière en bambou. Cf. indications sur l'enregistrement et l'instrumentation in cahier notes de terrain G.Rouget (p.25-27) : noms des tambours : ngomo, fungu, ombélé, NB : copie de la bande magnétique BM.1974.013.2 plage 6• ROUGET,GILBERT 1946 Pyral_face_024 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_16 BM.1974.013.001/52:01_16 00:04:22 12/08/46 CONGO EWO / OKA MBETI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SORTIE DE MASQUES 3 Sous-table non exportée Sous-table non exportée Présence de 2 masques : deux personnages, vétus de costumes de raphia, coiffés d'une peau de singe, portent un masque, l'un masculin, l'autre féminin. Dans l'assistance, la plupart des hommes portent l'ancien costumes de raphia. Lors de cet épisode, les masques sont venus en grande procession danser au centre du cercle formé par les chanteurs (hommes et femmes) et les tambours. Avant leur arrivée, un dansuer soliste avait occupé la piste. La trompe n'est plus jouée.• édité MH 48-56 B 34-b 2ème plage • Idem que les 2 plages précédentes, mais sans trompe, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.25-27) : noms des tambours : ngomo, fungu, ombélé. NB : copie de la bande magnétique BM.1974.013.2 plage 8• ROUGET,GILBERT 1946 Pyral_face_026 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_01 BM.1974.013.001/52:02_01 00:04:14 12/08/46 CONGO EWO / OKA MBETI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SORTIE DE MASQUES 4 Sous-table non exportée Sous-table non exportée Présence de 2 masques : deux personnages, vétus de costumes de raphia, coiffés d'une peau de singe, portent un masque, l'un masculin, l'autre féminin. Dans l'assistance, la plupart des hommes portent l'ancien costumes de raphia. Lors de cet épisode, la trompe est jouée et il semble que les masques ne participent pas à la danse ?• ATL - = 1 trompe traversière en bambou, Cf. indications sur les instruments in cahier notes de terrain G.Rouget (p.27) : les noms des tambours : ngomo, fungu, ombélé, un passage (meilleur) avec deux voix de femmes seules, NB : copie de la bande magnétique BM.1974.013.3 plage 1 • ROUGET,GILBERT 1946 Pyral_face_027 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_03 BM.1974.013.001/52:02_03 00:04:37 12/8/46 CONGO EWO / OKA MBETI-MBOSHI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES FEMMES - 1ERE PARTIE Sous-table non exportée Sous-table non exportée Danse de fête dites "des femmes". Les hommes sont assis en groupe et chantent en frappant le hochet dans leur main gauche, d'un côté les tambours sont battus par des hommes, de l'autre le chanteur soliste debout. Les femmes forment un cercle autour des hommes et dansent sur place, avec des mouvements des épaules et des hanches, le cercle se déplaçant lentement sur lui-même.• M-TBR : 2 tambours à 1 peau, couchés, battus mains nues par tambourinaires assis à califourchon, IS-Hochet : calebasses au long col rempli de graines, tenus par la main droite et battue dans le creux de la main gauche, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.28), NB : copie de la bande magnétique BM.1974.013.3 plage 3 • ROUGET,GILBERT 1946 Pyral_face_029 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_07 BM.1974.013.001/52:02_07 00:03:58 12/08/46 CONGO EWO / OKA DJIKINI ET BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT ET INSTRUMENTS Sous-table non exportée Sous-table non exportée musique de danse ? • M- = 3 tambours couchés joués par 1 homme, 1 tambour sur pied battu avec masse d'herbes, A- = sifflet, Chr h et f en 2 cercles et hochets, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.29) NB : copie de la bande magnétique BM.1974.013.3 plage 7 • ROUGET,GILBERT 1946 Pyral_face_033 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_08 BM.1974.013.001/52:02_08 00:04:35 12/08/46 CONGO EWO / OKA DJIKINI ET BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE POUR LA CHASSE Sous-table non exportée Sous-table non exportée Danse précédent une chasse• A- = sifflet Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p29) : 1 tambour sur pied battu avec une masse d'herbes, 1 tambour oblique battu mains, 1 tambour à 2 peaux battu baguette NB : copie de la bande magnétique BM.1974.013.3. plage 8• ROUGET,GILBERT 1946 Pyral_face_034 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_09 BM.1974.013.001/52:02_09 00:04:42 12/8/46 CONGO EWO / OKA ? DJIKINI ET BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES "BANDITS" 1 Sous-table non exportée Sous-table non exportée Musique de la danse de la confrérie des bandits, dans le sens de "hommes redoutables" (sans doute une société secrète d'homme à l'origine). Ces hommes portent des peintures corporelles blanches et rouges, des costumes, des coiffures en plumes. A la fin de la danse, ils miment une scène de chasse. Les "bandits" s'exhibent dans les grandes fêts administratives, pour le passage d'un fonctionnaire important par exemple. Leur spécialité est de creuser le sol avec les pieds, en dansant longtemps sur place et la profondeur du trou est en rapport avec la générosité du spectateur. Les danseurs forment un double cercle, l'un enserrant l'autre. Au centre, 5 d'entre eux accroupis, entourant le "fétiche", soufflent dans des calebasses. Les danseurs ont comme instruments soit une cloche de fer, soit un hochet. Les porteurs de hochets sont à l'extérieur du cercle. Un vieillard souffle en intermittence dans un sifflet (instrument de chasseur)• édité MH 48-17 B7-a • A- =sifflet en petite corne. IS - hochet = hochet tubulaire (appelé okuaka) et hochet calebasse (appelé djaka), IS-cloche = cloches simples (la grande est appelée okombé et la petite okombi), Cf. indications importantes sur la danse des bandits (en référence à un enregistrement précédent qui n'est pas archivé : disque pyral 035) in cahier notes de terrain G.Rouget (p.30-32) NB : copie de la bande magnétique BM.1974.013.4 plage 1 • ROUGET,GILBERT 1946 Pyral_face_036 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_12 BM.1974.013.001/52:02_12 00:04:00 13/08/46 CONGO FORT-ROUSSET/ OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT OWOKO AVEC TROMPE OWOKO Sous-table non exportée Sous-table non exportée ATL - = trompe traversière en corne, Cf. indications sur les instruments et leur disposition in cahier notes de terrain G.Rouget (p.35), les chanteurs sont en cercle, ils battent des mains et le creux du bras • ROUGET,GILBERT 1946 Pyral_face_039 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_13 BM.1974.013.001/52:02_13 00:04:17 13/08/46 CONGO FORT-ROUSSET/OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ISOGOU ISOGOU Sous-table non exportée Sous-table non exportée Chant de la danse isogou : les hommes sont assis par terre en groupe formant un cercle, et jouent des hochets ; à l'extérieur : le soliste, debout, fait des mouvements de danse, des bras et du torse sans changer de place, à ses côtés sont groupés les 4 tambours (joués par 3 tambourinaires)• édité MH 48-16 B 10-a • ATL - = trompe traversière en corne, M-TBR = 4 tambours à 1 peau battus mains (sauf le plus petit à 3 pieds battu baguette), IS-hochet = calebases au long col, contenant des graines, tenus dans la main droite et frappées contre la paume de la main gauche, jouées par les hommes assis, Cf. indications sur les instruments et leur diposition in cahier notes de terrain G.Rouget (p.35-36), NB : copie de la bande magnétique BM.1974.013.4 plage 5 autre enregistrement de "isogou" : cf. CD n°3 plage 4• ROUGET,GILBERT 1946 Pyral_face_040 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_14 BM.1974.013.001/52:02_14 00:03:55 13/08/46 CONGO FORT-ROUSSET/OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE GUERISON IKANGO IKANGO Sous-table non exportée Sous-table non exportée n'est pas précisé si en situation ou non• Cf. indications in cahier notes de terrain G.Rouget (p.35-36) : le choeur est assis en cercle, le soliste est l'homme assis au centre, il intervient à la 3ème minute, NB : copie de la bande magnétique BM.1974.013.4 plage 6 • ROUGET,GILBERT 1946 Pyral_face_041 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_15 BM.1974.013.001/52:02_15 00:03:41 13/08/46 CONGO FORT-ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT KABE DE PIROGUIERS KABE Sous-table non exportée Sous-table non exportée Chant exécuté par les piroguiers pour faire venir les caïmans, autrefois chanté avec les féticheurs• IFP= baton frappé contre le sol (en situation : contre le fond de la pirogue), Cf. indications sur l'orchestre in cahier notes de terrain G.Rouget (p.36) NB : copie de la bande magnétique BM.1974.013.4 plage 7• ROUGET,GILBERT 1946 Pyral_face_042 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_01 BM.1974.013.001/52:03_01 00:04:09 13/08/46 CONGO FORT-ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE Sous-table non exportée Sous-table non exportée (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'orseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• TBR = 3 tambours (1 grand umbangi + 2 petits tambours couchés), batterie incomplète, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.41) (rq : p.37 : titre de la pièce noté ezingi mais il ne s'agit pas d'ezingi, la danse kébékébé ressemble à celle de ezingi chez les bangombé ) autres enregistrements de la danse kébékébé : pyral 51-52 (manquant mais édités MH48-15 B9.b et avec batterie complète), 435-439 (CD 20, édités MH 48-14), NB : copie de la bande magnétique BM.1974.013.5 plage 1• ROUGET,GILBERT 1946 Pyral_face_044 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_02 BM.1974.013.001/52:03_02 00:04:22 14/08/46 CONGO EWO / OCHELE BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT GANGANDJELE AVEC CITHARE GANGANDJELE Sous-table non exportée Sous-table non exportée Musique de divertissement, musique "intime", instrument à cordes très répandu, la table de résonance est une demi-calebasse dont la partie ouverte est appuyée contre ou écartée de l'estomac. En même temps qu'il pince les cordes, le musicien agite son instrument en frappant une extrémité contre son genou et fait ainsi vibrer les sonnailles, petites plaques de fer blanc ourlées d'anneaux en métal. Le musicien est aussi le chanteur soliste, il lui arrive d'échanger sa partie avec un chanteur du choeur• édité MH 48-23 B 8.b 2ème plage • Cf. indications sur l'instrumentation in cahiers note de terrain G.Rouget (p.38 et 35) : Solo H avec : IS - = hochet calebasse, chr 2 enfants dont 1 avec IS-. CC- = cithare-sur-bâton lengé (avec résonateur en demi calebasse) NB : copie de la bande magnétique BM.1974.013.5 plage 2• ROUGET,GILBERT 1946 Pyral_face_045 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_04 BM.1974.013.001/52:03_04 00:04:13 14/08/46 CONGO FORT ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ISOGOU ISOGOU Sous-table non exportée Sous-table non exportée Chant de la danse isogou : les hommes sont assis par terre en groupe formant un cercle, et jouent des hochets ; à l'extérieur : le soliste, debout, fait des mouvements de danse, des bras et du torse sans changer de place.• Solo H + 3 voix H., CC- = cithare sur bâton okolobongo, IS-hochet = calebases au long col, contenant des graines, tenus dans la main droite et frappées contre la paume de la main gauche, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.39), NB : copie de la bande magnétique BM.1974.013.5 plage 4 autre enregistrement d "isogou" avec tambours : cf. CD n°02 plage 13• ROUGET,GILBERT 1946 Pyral_face_047 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_08 BM.1974.013.001/52:03_08 00:03:54 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 1 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, enregistrement : en 2 parties Cf. indications in cahier notes de terrain G.Rouget (p.115) NB : copie de la bande magnétique BM.1974.013.5 plage 8 • ROUGET,GILBERT 1946 Pyral_face_095 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_05 BM.1974.013.001/52:04_05 00:04:27 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 6 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.117) NB : copie de la bande magnétique BM.1974.013.6 plage 5 • ROUGET,GILBERT 1946 Pyral_face_100 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_07 BM.1974.013.001/52:04_07 00:04:36 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 8 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • édité MH 48-44 B 23.b• * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, chant yodlé en répond, Cf. indications in cahier notes de terrain G.Rouget (p.117) : avec danseurs dont un avec hochet, NB : copie de la bande magnétique BM.1974.013.6 plage 7 • ROUGET,GILBERT 1946 Pyral_face_102 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_06 BM.1974.013.001/52:04_06 00:04:41 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 7 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • édité MH 48-44 B 23.a• * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, chant yodlé en répond, Cf. indications in cahier notes de terrain G.Rouget (p.117) : avec 3 danseurs dont un avec hochet, NB : copie de la bande magnétique BM.1974.013.6 plage 6 • ROUGET,GILBERT 1946 Pyral_face_101 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_11 BM.1974.013.001/52:04_11 00:04:54 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 2 MOGONGO Sous-table non exportée Sous-table non exportée danse mogongo des hommes, en file et en cercle, habillés avec des feuillages à la taille et dans les mains• * campement près du village de Gatongo, M- = 3 tambours battus et frottés, IF- : machette battue, vérifier instrumentation pour cet enregistrement, beaucoup de parlé et d'interruption Cf. indications in cahier notes de terrain G.Rouget (p119) : danse à cropeton ? NB : copie de la bande magnétique BM.1974.013.7 plage 3• ROUGET,GILBERT 1946 Pyral_face_106 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_10 BM.1974.013.001/52:04_10 00:04:02 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 1 MOGONGO Sous-table non exportée Sous-table non exportée danse mogongo des hommes, en file et en cercle, habillés avec des feuillages à la taille et dans les mains• * campement près du village de Gatongo, M- = 3 tambours battus et frottés, IF- : machette battue, Cf. indications in cahier notes de terrain G.Rouget (p118) : 2 danseurs NB : copie de la bande magnétique BM.1974.013.7 plage 2• ROUGET,GILBERT 1946 Pyral_face_105 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_14 BM.1974.013.001/52:04_14 00:03:54 10-14?/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON AMBIANCE (FORET ET CONVERSATIONS) Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, NB : copie de la bande magnétique BM.1974.013.7 plage 6, sur la fiche d'écoute bleue de la BM.1974.013.7 plage 6 : il est indiqué une durée de 04:35 La plage suivante (plage 7 : ambiance et conversations, avec une fréquence parasite 500Hz, correspondant au disque pyral n°110) de la bande magnétique BM.1974.013.7 n'a pas été numérisée• ROUGET,GILBERT 1946 Pyral_face_109 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_15 BM.1974.013.001/52:04_15 00:01:05 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 11 (1/2) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, 1ère partie : choeurs et tambours, suite sur la plage suivante du CD, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.127), NB : copie de la bande magnétique BM.1974.013.7 plage 8 (début) • ROUGET,GILBERT 1946 Pyral_face_116 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_01 BM.1974.013.001/52:05_01 00:03:38 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 12 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications G.Rouget in cahier notes de terrain (p.127), NB : copie de la bande magnétique BM.1974.013.8 plage 1 • ROUGET,GILBERT 1946 Pyral_face_117 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_03 BM.1974.013.001/52:05_03 00:02:15 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RETOUR DE CHASSE 1 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, enregistrement en 2 parties (coupure à 01'00), indication de la fiche d'écoute (bleue) : son d'un film (?), NB : copie de la bande magnétique BM.1974.013.8 plage 3• ROUGET,GILBERT 1946 Pyral_face_119 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_05 BM.1974.013.001/52:05_05 00:01:40 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 1: CHOEUR F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Seules les femmes du chef du campement ont le droit de chanter la partie en solo, en adoptant une attitude coutumière : la main droite (ou les deux mains) derrières la tête, l'avant-bras droit plaqué contre la joue, le coude pointant en l'air.• * campement près du village de Gatongo, NB : copie de la bande magnétique BM.1974.013.8 plage 5 • ROUGET,GILBERT 1946 Pyral_face_121 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_07 BM.1974.013.001/52:05_07 00:02:42 14/9/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 3: SOLO F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Il s'agit içi d'une interprétation solo • * campement près du village de Gatongo chant solo F, yodlé, claquements de mains enregistrement en 3 parties (coupure à 01'07 et reprise du chant nivau faible, puis coupure à 01'36, suivi d'une conversation en français), NB : copie de la bande magnétique BM.1974.013.8.7• ROUGET,GILBERT 1946 Pyral_face_123 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_08 BM.1974.013.001/52:05_08 00:04:16 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 4: DUO F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. • édité MH 48-57 B.16b • * campement près du village de Gatongo chant yodlé, exécuté en déplacement dans la forêt, débute par un solo de la femme du chef, niveau très faible, avec des arrêts, NB : copie de la bande magnétique BM.1974.013.8 plage 8• ROUGET,GILBERT 1946 Pyral_face_124 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_09 BM.1974.013.001/52:05_09 00:02:41 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 5: SOLO F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Il s'agit içi d'une interprétation solo • * campement près du village de Gatongo Cf. indications in cahier note de terrain G.Rouget (p.129) : interpréte par la femme du chef, se déplaçant dans la forêt, niveau très faible, très bon NB : copie de la bande magnétique BM.1974.013.8 plage 9• ROUGET,GILBERT 1946 Pyral_face_125 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_11 BM.1974.013.001/52:05_11 00:04:17 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 7: SOLO F Sous-table non exportée Sous-table non exportée Chanté par une femme (dans une posture particulière : avec les mains sur la tête) se déplaçant dans la forêt, avec des arrêts ; Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Il s'agit içi d'une interprétation solo • * campement près du village de Gatongo, yodlé, niveau faible, Cf. indications in cahier notes de terrain G.Rouget (p.130), NB : copie de la bande magnétique BM.1974.013.9 plage 1 • ROUGET,GILBERT 1946 Pyral_face_127 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :37-01 BM.2007.005.001/77:37-01 00:00:00 16/07/66 GABON MEKAMBO,ELAHONENE KOTA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE. CHANTS PRELIMINAIRES Sous-table non exportée Sous-table non exportée Conte, par Madeline Etombo, relatant les histoires de _zambi_, ses femmes et ses filles• _ebela_ = petit tambour. *Les deux _massokou_ sont joués par une femme, par mouvements alternatifs des deux bras, avec percussion sur les genoux• BM.2007.005:36-01 SALLEE,P. 1966 1966.6.08-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_16 BM.1974.013.001/52:05_16 00:04:28 14/09/46 CONGO OUESSO / GATONGA* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 1 ELENDA Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52. • * campement près du village de Gatongo Cf. indications in cahier notes de terrain G.Rouget (p.135) : beaucoup de conversations NB : copie de la bande magnétique BM.1974.013.9 plage 16• ROUGET,GILBERT 1946 Pyral_face_132 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_17 BM.1974.013.001/52:05_17 00:04:29 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELANDA 2 : INTERLUDE Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo. interlude entre deux reprises du choeur pendant la danse Elanda, petite reprise du choeur en fin de pièce, chanté, parlé, cris F, grondements, claquements de mains ; Cf. indications in cahier notes de terrain G.Rouget (p.135) NB : copie de la bande magnétique BM.1974.013.9 plage 7 • ROUGET,GILBERT 1946 Pyral_face_133 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-02 BM.1997.004.001/14:03-02 00:17:28 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AGUAL Sous-table non exportée Danse en ronde• Séquence de 2_agual_ (= chants dansés); durées : 10'59" , 06'29".. AVEC 2MARQUEURS: _01 à _02. IF-NAQUS : dans les séquences 2 et 3. Dans la 1ere séquence : chants responsoriaux _Tazrrart_ émanant de groupes dans le public• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_01 BM.1974.013.001/52:06_01 00:04:28 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 4 Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Royget (p.135-136) : choeur puis cris des femmes et ronflements des hommes, NB : copie de la bande magnétique BM.1974.013.10 plage 1• ROUGET,GILBERT 1946 Pyral_face_135 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_07 BM.1974.013.001/52:06_07 00:04:30 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE EBANDJO 1 Sous-table non exportée Sous-table non exportée musique de danse et de joute ?• * campement près du village de Gatongo, choeur et tambours avec plusieurs interruptions, M- = 2 tambours ébandjo joués avec baguettes, Cf. autres musique dite "bandjo" pour danse et joute : CD 09 plages 9 et 10. NB : copie de la bande magnétique BM.1974.013.10 plage 7 • ROUGET,GILBERT 1946 Pyral_face_141 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_09 BM.1974.013.001/52:06_09 00:04:06 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE EBANDJO 3 Sous-table non exportée Sous-table non exportée musique de danse et de joute ?• * campement près du village de Gatongo, M- = 2 tambours, baguettes et mains. Cf. indications in cahier notes de terrain G.Rouget (p.137-138) : 2ème moitié très bon, parfois avec cris, Cf. autres musique dite "bandjo" pour danse et joute : CD 09 plages 9 et 10. NB : copie de la bande magnétique BM.1974.013.11 plage 1 • ROUGET,GILBERT 1946 Pyral_face_143 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_11 BM.1974.013.001/52:06_11 00:03:28 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE CHASSE Sous-table non exportée Sous-table non exportée Départ des hommes pour la chasse• * campement près du village de Gatongo, son du film, NB : copie de la bande magnétique BM.1974.013.11 plage 3• ROUGET,GILBERT 1946 Pyral_face_145 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_12 BM.1974.013.001/52:06_12 00:04:17 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON BERCEUSE 1 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, chanté solo F, yodlé, (avec interruptions ou en 3 parties ? ), Nb : copie de la bande magnétique BM.1974.013.11 plage 4• ROUGET,GILBERT 1946 Pyral_face_146 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_14 BM.1974.013.001/52:06_14 00:04:28 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 1 Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas• * campement près du village de Gatongo, avec des Babenzélé d'un campement voisin, dépendant des Yassoua de Ndalo, venus en visite et se joignant aux chants et danses, Cf. indications in cahier notes de terrain de G.Rouget (p.143) : très bon, avec la pluie, début chanté long solo, puis entrée du choeur, fin sur cri d'ensemble, NB : copie de la bande magnétique BM.1974.013.11 plage 6 • ROUGET,GILBERT 1946 Pyral_face_148 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_17 BM.1974.013.001/52:06_17 00:04:40 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 4 (CHANT) Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.143) : seulement chanté, pas d'instrumentation, hors situation ? chanté solo H + 2 autres H + ambiance et oiseaux , niveau faible ; NB : copie de la bande magnétique BM.1974.013.12 plage 1 • ROUGET,GILBERT 1946 Pyral_face_151 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_03 BM.1974.013.001/52:07_03 00:03:11 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 1 Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli".• édité MH 48-57 B 16.b • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.144) : cris H pour la chasse quand le filet est fermé, mougonbi, NB : copie de la bande magnétique BM.1974.013.12 plage 5• ROUGET,GILBERT 1946 Pyral_face_155 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_04 BM.1974.013.001/52:07_04 00:03:11 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS YELI (SOLO F) Sous-table non exportée Sous-table non exportée Chant yodlé sans paroles, exécuté rituellement par les femmes, en solo ou choeur, avant le départ des hommes pour la chasse à l'éléphant. la soliste adopte une posture particulière : la main droite ou les deux mains derrière la tête, l'avant bras plaqué contre la joue. En choeur, les femmes sont debout en groupe et battent des mains, la soliste est souvent la femme du chef • édité MH 48-57 B 16.b • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Suite de plusieurs chants yéli : Cf. indications in cahier notes de terrain G.Rouget : 1ère plage : 3 yeli, le 1er est très bon, puis 2 yeli, le 1er est très bon ; chanté par Mulumba, NB : Copie de la BM.1974.013.12 plage 6• ROUGET,GILBERT 1946 Pyral_face_156 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_05 BM.1974.013.001/52:07_05 00:04:27 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 2 Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli".• * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.145) : En 2 parties : 1ère mongombi, très bon; 2ème partie : cris et mongombi : chant alterné, NB : copie de la bande magnétique BM.1974.013.12 plage 7 • ROUGET,GILBERT 1946 Pyral_face_157 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_06 BM.1974.013.001/52:07_06 00:04:41 16/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CRIS DE CHASSE 1 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier note de terrain G.Rouget (p.145) : plusieurs séries de cris de femmes puis d'hommes, NB : copie de la bande magnétique BM.1974.013.12 plage 7• ROUGET,GILBERT 1946 Pyral_face_158 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_08 BM.1974.013.001/52:07_08 00:03:28 16/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE TAMBOUR Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, solo de tambour à mains nues par Dangawé, NB : copie de la bande magnétique BM.1974.013.13 plage 1• ROUGET,GILBERT 1946 Pyral_face_160 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_09 BM.1974.013.001/52:07_09 00:02:40 16/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE JF Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, Cf.indications in cahier notes de terrain G.Rouget (p.146) : débute après 00'30, au loin, chanté solo fillette et choeur JF, avec yodel, parlé, arrêts, NB : copie de la bande magnétique BM.1974.013.13 plage 2• ROUGET,GILBERT 1946 Pyral_face_163 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_10 BM.1974.013.001/52:07_10 00:04:13 17/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 3 Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli". * campement près du village de Gatongo, Cf. Indications in cahier notes de terrain G.Rouget (p.147) : en 2 parties : cris de chasse, avec branchage agité, 2ème partie : yodlage, avec arrêts, NB : copie de la bnde magnétique BM.1974.013.13 plage 3 • ROUGET,GILBERT 1946 Pyral_face_164 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_11 BM.1974.013.001/52:07_11 00:02:00 16/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON BERCEUSE Sous-table non exportée Sous-table non exportée édité MH 48-57 B 16.b • * campement près du village de Gatongo, 1ère séquence enregistrée sur disque pyral face 165, Cf. indications in cahier notes de terrain G.Rouget (p.147) : chant yodlé, très bon, NB : copie de la bande magnétique BM.1974.013.13 plage 4 • ROUGET,GILBERT 1946 Pyral_face_165a AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_12 BM.1974.013.001/52:07_12 00:02:30 16/09/46 CONGO OUESSO / GATONGO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE : SOLO 1 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, - IFP - = solo de xylophone portatif mangia, 2nde séquence enregistrée sur disque pyral face 165, Cf. indications sur l'instrument in cahier note de terrain G.Rouget (p.147-148), NB : copie de la bande magnétique BM.1974.013.13 plage 5• ROUGET,GILBERT 1946 Pyral_face_165b AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_14 BM.1974.013.001/52:07_14 00:04:40 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR ET DANSE DJANGA 1 Sous-table non exportée Sous-table non exportée Danse de parodie• * campement près du village de Gatongo, -M - = 3 tambours battus avec baguettes. Cf. indications in cahoer notes de terrain G.Rouget (p.120 : sur les tambours Ndumu +p.149) : Chr de jeunes H et F au loin, conversation, mauvaise qualité ; NB : copie de la bande magnétique BM.1974.013.13 plage 7 • ROUGET,GILBERT 1946 Pyral_face_167 AFRIQUE +BM.2007.008 CDR BM.2007.008.001 :01_01 BM.2007.008.001:01_01 00:00:00 jj_mm_aaaa BURKINA FASO PROVINCE DU SOUM , POBE MANGAO KURUMBA BURKINA FASO;PROVINCE DU SOUM.LONCKE,S.;1994 A 1996 Sous-table non exportée Sous-table non exportée Cérémonie en l'honneur de la chefferie• Ethnie KURUMBA dits aussi FULSE• LONCKE, SANDRINE 1995 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_19 BM.1974.013.001/52:07_19 00:01:52 17/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CRIS DE CHASSE : BOLOKO Sous-table non exportée Sous-table non exportée Boloko signifie antilopes, nom donné aux cris de chasse, pour faire venir les antilopes et autres animaux (pantère, cochon, mais pas l'éléphant)• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Rouget (p.150) : 1er et 2ème cri , sur ce type de cri, cf. interview CD 08 plage 09, NB : copie de la bande magnétique BM.1974.013.14 plage 2 • ROUGET,GILBERT 1946 Pyral_face_172 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_20 BM.1974.013.001/52:07_20 00:03:58 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 1) Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, début solo h puis entrée du choeur, avec batons entrechoqués, niveau faible, NB : copie de la bande magnétique BM.1974.013.14 plage 3 • ROUGET,GILBERT 1946 Pyral_face_173 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_06 BM.1974.013.001/52:08_06 00:04:40 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 1 Sous-table non exportée Sous-table non exportée Suite d'entretiens avec des personnes du village (3 femmes du village et un homme : Nzumbangi), par J.Dupont et G.Rouget, traducteur Léonard• * campement près du village de Gatongo, Suite de questions-réponses (questions par Dupont ou Rouget) et traduction, en langue lingala et benzélé, sur différents sujets, d'abord avec léonard, puis avec une vieille femme du village, question sur les hommes partis à la chasse, sur les blancs, Copie de la bande magnétique BM.1974.013.14 plage 10• ROUGET,GILBERT 1946 Pyral_face_180 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_08 BM.1974.013.001/52:08_08 00:04:58 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 3 Sous-table non exportée Sous-table non exportée Suite d'entretiens avec des personnes du village (3 femmes et un homme : Nzumbangi), par J.Dupont et G.Rouget, traducteur Léonard• * campement près du village de Gatongo, Interview des femmes, suite de questions-réponses avec traduction, en langue balingala et babenzélé, sur différents sujets : questions de Rouget sur les occupations, les peintures corporelles, puis intervention du Nzumbangi sur un cochon, puis intervention de Dupont, Copie de la bande magnétique BM.1974.013.15 plage 1• ROUGET,GILBERT 1946 Pyral_face_182 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_10 BM.1974.013.001/52:08_10 00:04:21 18/09/46 CONGO OUESSO / GATONGO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 1 Sous-table non exportée Sous-table non exportée Entretien de G.Rouget avec le chef des Pomo-Bomassa : Motodjele, qui a autorité sur les pygmées babinga babenzélé• * au campement pygmé babinga babenzélé près du village de Gatongo (le village de Gatongo est un village pomo, et le campement des pygmées est sous l'autorité du chef des Pomo), Questions-réponses, traduction par Alexandre, sur les pomo, les bomassa, sur les occupations des babinga (chasse) Très intéressant, NB : copie de la bande magnétique BM.1974.013.15 plage 3• ROUGET,GILBERT 1946 Pyral_face_186 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_15 BM.1974.013.001/52:08_15 00:02:55 18/09/46 CONGO OUESSO / GATONGO PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON AMBIANCE VILLAGE Sous-table non exportée Sous-table non exportée musique babenzélé ou pomo ? enregistrement au village (pomo) ou au campement babenzélé dans les environs ? NB : copie de la bande magnétique BM.1974.013.15 plage 8• ROUGET,GILBERT 1946 Pyral_face_194 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_16 BM.1974.013.001/52:08_16 00:04:40 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON AMBIANCE VILLAGE Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo choeurs et tambours lointains, ambiance village, NB : copie de la bande magnétique BM.1974.013.16 plage 1 • ROUGET,GILBERT 1946 Pyral_face_195 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_01 BM.1974.013.001/52:09_01 00:03:21 18/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO ET CHR PARLE 1 Sous-table non exportée Sous-table non exportée Parlé H et réponse choeur H, en 2 parties, 1ère partie : fin à 01'20, solo par le père du chef Mukundi, 2ème partie : solo par le chef Motodjélé Sur les intervenants : cf. indications in cahier notes de terrain G.Rouget (p.154-155) : le chef Motodjélé est le chef des populations Pomo, Bomassa et Babinga, NB : copie de la bande magnétique BM.1974.013.16 plage 3• ROUGET,GILBERT 1946 Pyral_face_199 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_03 BM.1974.013.001/52:09_03 00:03:29 18-20 ?/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI : CHOEUR F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Seules les femmes du chef du campement ont le droit de chanter la partie en solo, en adoptant une attitude coutumière : la main droite (ou les deux mains) derrières la tête, l'avant-bras droit plaqué contre la joue, le coude pointant en l'air.• * campement près du village de Gatongo, chanté solo F et choeur F, yodlé, en 2 parties, 1ère partie : fin à 02'00, puis 2ème partie un peu lointaine, avec bruits d'ambiance de la forêt, NB : copie de la bande magnétique BM.1974.013.16 plage 5 • ROUGET,GILBERT 1946 Pyral_face_204 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_04 BM.1974.013.001/52:09_04 00:04:45 20?/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 1 Sous-table non exportée Sous-table non exportée Interview du chef Mugindi des Mbabenzélé en plusieurs langues (babinga, lingala, français), avec traduction par Léonard, questions par G.Rouget• * campement près du village de Gatongo, sur les blancs, pas très intéressant, NB : Copie de la bande magnétique BM.1974.013.16 plage 6 • ROUGET,GILBERT 1946 Pyral_face_206 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_08 BM.1974.013.001/52:09_08 00:04:14 20/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON PARLE SOLO ET CHR Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, Parlé H et réponse choeur H ("hé"), avec pause, ambiance du village, par le chef mugundi ? récit de chasse ? NB : copie de la bande magnétique BM.1974.013.17 plage 1 • ROUGET,GILBERT 1946 Pyral_face_211 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_09 BM.1974.013.001/52:09_09 00:04:41 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE " BANDJO " 1 Sous-table non exportée Sous-table non exportée Danse composée de deux lignes, qui avancent et reculent d'un pas, avec deux adversaires au centre qui effectuent une joute, cri d'ensemble à la fin de celle-ci.• * campement près du village de Gatongo, Chanté solo H, réponse chr H, battements de mains, tambours à baguettes, en 2 parties, 1ère partie : fin à 02'00, 2ème partie : début à 02'22, Cf. indications in cahier notes de terrain G.Rouget (p.165) NB : copie de la bande magnétique BM.1974.013.17 plage 2 • ROUGET,GILBERT 1946 Pyral_face_212 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_11 BM.1974.013.001/52:09_11 00:04:34 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 1 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.17 plage 4• ROUGET,GILBERT 1946 Pyral_face_214 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_02 BM.1974.013.001/52:10_02 00:04:38 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 9 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, suite de l'enregistrement précédent, avec quelques solo tamb. et cris très bon, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 3• ROUGET,GILBERT 1946 Pyral_face_222 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_07 BM.1974.013.001/52:10_07 00:02:22 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT NGWA 2 Sous-table non exportée Sous-table non exportée - IS - = sonnailles du danseur, chanté solo H et choeur H & F, 1 trompe, 1 cloche, Cf. indications in cahier notes de terrain G.Rouget (p.169), NB : copie de la bande magnétique BM.1974.013.18 plage 8 • ROUGET,GILBERT 1946 Pyral_face_227 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_01 BM.1974.013.001/52:10_01 00:04:29 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 8 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, en 2 parties : 1ère partie : suite de l'enregistrement précédent, fin à 00'23 2ème partie : reprise, yodel des femmes, fin chr femmes, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 2• ROUGET,GILBERT 1946 Pyral_face_221 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_05 BM.1974.013.001/52:10_05 00:04:05 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CONVERSATION ET TAMB. Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, tambours (ndumu ?) à mains nues, quelques battements de mains, fin de la série d'enregistrement de la danse mogongo, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 6• ROUGET,GILBERT 1946 Pyral_face_225 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_06 BM.1974.013.001/52:10_06 00:03:01 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT NGWA 1 Sous-table non exportée Sous-table non exportée - IS - = sonnailles du danseur, chanté solo H et choeur H & F, 1 trompe, 1 cloche, Cf. indications in cahier notes de terrain G.Rouget (p.169), NB : copie de la bande magnétique BM.1974.013.18 plage 7 • ROUGET,GILBERT 1946 Pyral_face_226 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_10 BM.1974.013.001/52:10_10 00:04:48 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MASANA 1 Sous-table non exportée Sous-table non exportée Danse des femmes assises, battant des mains, avec choeur d'hommes en ligne devant• 1ère partie éditée MH 48-25 B 12.b • - IS - = sonnailles du danseur - M - = tambours à baguettes - chanté solo H puis choeur H & F, 1 trompe, hochet par le soliste, En 2 parties : 1ère partie : fin à 01'35, suivi de courte conversation, 2ème partie : reprise à 01'50, NB : copie de la bande magnétique BM.1974.013.19 plage 1• ROUGET,GILBERT 1946 Pyral_face_230 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_13 BM.1974.013.001/52:10_13 00:04:27 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BEMBEKULE 1 Sous-table non exportée Sous-table non exportée danse en ligne : les hommes dansent en ligne sur place et les femmes idem derrière eux• • Chant solo h, chr, cloche,hochet par le soliste, trompe, entrée des tamb. peu avant 02'00, avec plusieurs interruptions sur cri d'ensemble et reprises immédiates, Cf. indications in cahier notes de terrain G.Rouget (p.170) : bon NB : copie de la bande magnétique BM.1974.013.19 plage 4 • ROUGET,GILBERT 1946 Pyral_face_233 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_15 BM.1974.013.001/52:10_15 00:03:39 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 1 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 2 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femme• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours à 1 peau battus mains, IS-cloche = cloche fichée en terre, battue baguette par 1 femme, début de la danse, Cf. indications in cahier notes de terrain G.Rouget (p.171-172), NB : copie de la bande magnétique BM.1974.013.19 plage 6• ROUGET,GILBERT 1946 Pyral_face_235 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_02 BM.1974.013.001/52:11_02 00:04:42 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 6 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, suite de l'enregistrement précédent, final cri + battements de mains, très bon, reprise du choeur après 03'00, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) NB : copie de la bande magnétique BM.1974.013.20 plage 2• ROUGET,GILBERT 1946 Pyral_face_240 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_16 BM.1974.013.001/52:11_16 00:02:42 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 3 YELI Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Le solo d'ouverture est effectué içi par la première femme du chef du campement. Elle adopte une posture particulière : la main droite ou les deux mains derrière la tête, l'avant bras plaqué contre la joue. Les femmes sont debout en groupe et battent des mains. • éditée MH 48-69 B17b plage 1 et BAM (Boite à musique) • * campement du chef Mopéta près du village de Gandicolo. En 2 séquences : 1ère : débute par un court solo et battements de mains, puis entrée du choeur, cri d'ensemble à 00'55, 2ème : reprise immédiate du choeur , fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.177-178) : très bon NB : copie de la bande manétique BM.1974.013.21 plage 7 • ROUGET,GILBERT 1946 Pyral_face_254 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_14 BM.1974.013.001/52:11_14 00:04:14 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 1 YELI Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Le solo d'ouverture est effectué içi par la première femme du chef du campement. Elle adopte une posture particulière : la main droite ou les deux mains derrière la tête, l'avant bras plaqué contre la joue. Les femmes sont debout en groupe et battent des mains. • * campement du chef Mopéta près du village de Gandicolo. chant yéli en 4 séquences : 1ère : prise en cour, fin à 00'25 2ème : début manqué, de 00'33 à 01'24 3ème : 01'44 : faux départ, 4ème : très bon : 02'34 : débute solo yodlé, fin interrompue, Cf. indications in cahier notes de terrain G.Rouget (p.177-178) NB : copie de la bande manétique BM.1974.013.21 plage 5 • ROUGET,GILBERT 1946 Pyral_face_252 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_15 BM.1974.013.001/52:11_15 00:02:04 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 2 YELI Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Le solo d'ouverture est effectué içi par la première femme du chef du campement. Elle adopte une posture particulière : la main droite ou les deux mains derrière la tête, l'avant bras plaqué contre la joue. Les femmes sont debout en groupe et battent des mains. • * campement du chef Mopéta près du village de Gandicolo. débute par un court solo puis entrées successives du choeur, fin sur cri d'ensemble, bon, Cf. indications in cahier notes de terrain G.Rouget (p.177-178) NB : copie de la bande manétique BM.1974.013.21 plage 6 • ROUGET,GILBERT 1946 Pyral_face_253 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_18 BM.1974.013.001/52:11_18 00:04:31 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 1 : SUR EDZINGI Sous-table non exportée Sous-table non exportée Interview des hommes du campement : Mopéta, le chef ; Wamata, le meneur de plusieurs danses précédentes dont bukéla ; Mbato ; Monbungi. Traduction par Ambega et Ndumbemba. Questions par G.Rouget. • * campement du chef Mopéta près du village de Gandicolo. Sur les préparatifs pour la danse Edzingi (Cérémonie la plus importante du rituel de chasse des pygmées Bagombé, suite à l'abatage d'un éléphant mâle porteur de grandes défenses. Invocations à Edzingi pour assurer le succès des chasses à venir, fonction propitiatoire et valeur purificatrice puisque cette cérémonie lève les interdits sexuels liés à la chasse à l'éléphant), NB : copie de la bande magnétique BM.1974.013.21 plage 9 • ROUGET,GILBERT 1946 Pyral_face_256 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_05 BM.1974.013.001/52:12_05 00:04:29 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 2 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. enregistrées avec micro fixe : En 2 parties : début en plein choeur, final sur série de cris (00'10) puis reprise enchainée, fin sur cri d'ensemble, Wamata est le doyen du campement, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 3 • ROUGET,GILBERT 1946 Pyral_face_261 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_04 BM.1974.013.001/52:12_04 00:04:33 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 1 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. enregistrées avec micro-perche : débute par le final d'un chant sur un cri d'ensemble, reprise immédiate à 00'12 par un solo de Wamata (le doyen du campement) accompagné de battements de mains + cloche, puis entrée des 2 chr, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 2 • ROUGET,GILBERT 1946 Pyral_face_260 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_10 BM.1974.013.001/52:12_10 00:04:28 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 1 : AVEC UN CHASSEUR DE GORILLE Sous-table non exportée Sous-table non exportée Interview d'un chasseur de gorille par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement du chef Mopéta près du village de Gandicolo. Récit de la chasse du gorille ( au fusil et à la sagaie) qui vient d'être ramené au campement, NB : copie de la bande magnétique BM.1974.013.22 plage 8 • ROUGET,GILBERT 1946 Pyral_face_266 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_14 BM.1974.013.001/52:12_14 00:04:31 25/09/46 CONGO OUESSO / GANDICOLO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 1 : SUR LA CHASSE Sous-table non exportée Sous-table non exportée Interview du "capitat" (un chaseur du groupe des Pomo) par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement des pygmées babinga bangombé du chef Mopéta près du village de Gandicolo, le chasseur interviewé est du groupe des Pomo, Sur les peintures de figure suite à la chasse à la panthère de la veille (au fusil, apporté par la mission), Récit de la chasse, Imitation de cris d'animaux, NB : copie de la bande magnétique BM.1974.013.23 plage 3 • ROUGET,GILBERT 1946 Pyral_face_270 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_01 BM.1974.013.001/52:13_01 00:04:26 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 1 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, début : introduction instrumentale, à 01'00 : interruption sur court solo h, suivi de quelques chants, cris et battements de mains, début des choeurs après 03'00, avec tambourinage après 04'00, puis entrée de la cloche, fin coupée, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.23 plage 6• ROUGET,GILBERT 1946 Pyral_face_273 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_04 BM.1974.013.001/52:13_04 00:04:11 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 4 (ENTREE DE EDZINGI) Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement précédent : cloche par Mopéta à l'entrée de la forêt, battements de mains, quelques voix chantées, solo F et choeur, entrée des tambours après 02'00. Ls femmes debout dansent sur placen les hommes en ligne, avançant et reculant, battant des mains, fin coupée, Pendant cet extrait, Edzingi est arrivé de la forêt précédé de quelques chasseurs, sur la place de danse, il s'accroupie et s'immobilise pendant que les hommes dansent en cercle autour de lui. Il effecue plusieurs zller-retour entre la place et la forêt (voir détails de l'extrait in réf. G.Rouget ci-dessous, p.183) Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 1• ROUGET,GILBERT 1946 Pyral_face_276 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :14-01 BM.2007.010.001/63:14-01 00:00:00 15/08/67 GABON LIBREVILLE,ZOLERMITANG FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée Chez Ntumu Ndong. Rite de _nzimba_ et début de _ngoze_• BM.2007.010:13-01 SALLEE,P. 1967 1967.1.14-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_09 BM.1974.013.001/52:14_09 00:04:21 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 25 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Suite de l'enregistrement précédent, fin à 00'20, battue de la cloche constante, puis reprise chant et rythmique, fin coupée juste avant la période criée finale (sur enregistrement suivant). Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201) NB : copie de la bande magnétique BM.1974.013.26 plage 5• ROUGET,GILBERT 1946 Pyral_face_297 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_17 BM.1974.013.001/52:14_17 00:04:33 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW SUR LA CHASSE 2 Sous-table non exportée Sous-table non exportée Interview d'un chasseur appelé Ngoma du village de Gatongo , chasseur à l'arbalète pour chasser le singe (boko) et les oiseaux (toucan, perdrie, etc), traduction par Alexandre, question par Noël Baillif.• *Campement du chef Mopéta près du village de Gandicolo. Suite de l'enregistrement précédent : interview sur l'arbalète, sur la chasse : description de l'arbalète, fabrication des flèches, description d'une expédition de chasse au singe, le cri pour appeler le singe, fin coupée. NB : copie de la bande magnétique BM.1974.013.27 plage 4 • ROUGET,GILBERT 1946 Pyral_face_305 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_16 BM.1974.013.001/52:14_16 00:04:34 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW SUR LA CHASSE 1 Sous-table non exportée Sous-table non exportée Interview d'un chasseur appelé Ngoma du village de Gatongo , chasseur à l'arbalète pour chasser le singe (boko) et les oiseaux (toucan, perdrie, etc), traduction par Alexandre, question par Noël Baillif.• *Campement du chef Mopéta près du village de Gandicolo. interview sur l'arbalète, sur la chasse, sur les flèches empoisonnées, sur la fabrication du poison néha à partir d'un fruit, suite sur l'enregistrement suivant, NB : copie de la bande magnétique BM.1974.013.27 plage 3 • ROUGET,GILBERT 1946 Pyral_face_304 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_02 BM.1974.013.001/52:15_02 00:02:56 26/09/46 CONGO OUESSO / GANDICOLO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ETUDE DE LINGUISTIQUE POMO 1 Sous-table non exportée Sous-table non exportée Enquête linguistique (questionnaire de l'institut d'ethnologie de l'institut de Paris) par Noël Baillif, informateur Alexandre Djambabo du village de Gatongo• * Campement pygmées bangombé du chef Mopéta près du village de Gandicolo, Série de phrases énoncées en français par N.Baillif et traduites par Alexandre, en 4 séquences, NB : copie de la bande magnétique BM.1974.013.27 plage 6 • ROUGET,GILBERT 1946 Pyral_face_307 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_07 BM.1974.013.001/52:15_07 00:02:30 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 1 : MUSIQUE ALILI Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, Musique de danse Alili, IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 1• ROUGET,GILBERT 1946 Pyral_face_312 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_17 BM.1974.013.001/52:15_17 00:03:50 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 11 : MUSIQUE BATOKO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, début xylo et solo puis choeur, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 1• ROUGET,GILBERT 1946 Pyral_face_322 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_09 BM.1974.013.001/52:16_09 00:02:44 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 23 : MUSIQUE BATOKO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• MH 48-19 B3.b • * Campement babenzélé yassoua (ou ngundi ?) près de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.30 plage 01 • ROUGET,GILBERT 1946 Pyral_face_334 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_10 BM.1974.013.001/52:16_10 00:03:52 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 1 : MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé baguette, pilonnant le sol, "munzélé paku" est un plat à base de manioc, danse des filles en cercle, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 2 • ROUGET,GILBERT 1946 Pyral_face_334bis AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_01 BM.1974.013.001/52:17_01 00:02:19 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 10 : MUSIQUE SUMALA ? Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début sanza, cloche et baton, chant solo h, puis choeurs, battements de mains, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.31 plage 1• ROUGET,GILBERT 1946 Pyral_face_343 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_05 BM.1974.013.001/52:17_05 00:01:46 01/10/46 CONGO OUESSO/ GANDICOLO * POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON LINGUISTIQUE POMO 1 Sous-table non exportée Sous-table non exportée Enregistrement linguistique, histoire pomo racontée par Alexandre Djambabo. • * près du village de Gandicolo. Suite sur l'enregistrement suivant, NB : copie de la bande magnétique BM.1974.013.31 plage 5 • ROUGET,GILBERT 1946 Pyral_face_352 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_06 BM.1974.013.001/52:17_06 00:01:34 01/10/46 CONGO OUESSO/ GANDICOLO * POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON LINGUISTIQUE POMO 2 Sous-table non exportée Sous-table non exportée Enregistrement linguistique, histoire racontée avec Alexandre Djambabo. • * près du village de Gandicolo, suite de l'enregistrement précédent ? NB : copie de la bande magnétique BM.1974.013.31 plage 6 • ROUGET,GILBERT 1946 Pyral_face_353 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_08 BM.1974.013.001/52:17_08 00:01:41 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON NUMEROTATION NGUNDI Sous-table non exportée Sous-table non exportée Enquête linguistique avec Akili, numérotation en langue ngundi• * près du village de Gandicolo. Cf. indications in cahier G.Rouget (p.217) NB : copie de la bande magnétique BM.1974.013.31 plage 8• ROUGET,GILBERT 1946 Pyral_face_357 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_09 BM.1974.013.001/52:17_09 00:03:25 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MESSE EN LINGALA Sous-table non exportée Sous-table non exportée Enquête linguistique, la messe dite en lingala par Rose.• * près du village de Gandicolo, NB : copie de la bnade magnétique BM.1974.013.31 plage 9• ROUGET,GILBERT 1946 RELIGIEUX Pyral_face_358 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_10 BM.1974.013.001/52:17_10 00:03:53 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS SANGO PAMBA Sous-table non exportée Sous-table non exportée * près du village de Gandicolo, chant solo (avec un peu de yodel) et choeur de fillettes + battements de mains, 1er chant, fin à 02'30, puis reprise, fin coupée, Nb : copie de la bande magnétique BM.1974.013.31 plage 10• ROUGET,GILBERT 1946 Pyral_face_359 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_11 BM.1974.013.001/52:17_11 00:03:36 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON VOCABULAIRE NGUNDI 1 Sous-table non exportée Sous-table non exportée Enquête linguistique ngundi, étude du vocabulaire, à partir du questionnaire de linguistique de l'institut d'ethnologie de Paris, questions par G.Rouget, réponses par Ambenga • * près du village de Gandicolo, suite sur enregistremernts suivants, Cf. indications in cahier notes de terrain G.Rouget (p.217-218) NB : copie de la bande magnétique BM.1974.013.31 plage 11 • ROUGET,GILBERT 1946 Pyral_face_360 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_14 BM.1974.013.001/52:17_14 00:02:57 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : DANSE OWESO 1 Sous-table non exportée Sous-table non exportée Chant de la danse owëso : danse en cercle, des jeunes hommes et filles makwa, exécuté généralement en plein air, avec un accompagnement de tambour • chant solo accompagné par le second chanteur bouche fermée, les deux battent des mains, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 1• ROUGET,GILBERT 1946 Pyral_face_365 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_19 BM.1974.013.001/52:17_19 00:03:06 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : IKANGO 4 Sous-table non exportée Sous-table non exportée Chant de guerre ikango : exécuté seulement par les hommes "forts" (peut-être des initiés ?), formation entière : chanteur solo, choeur d'homme (réponds), tambours et hochet. Ce chant célèbre les qualités des guerriers Makwa et particulièrement le chanteur lui-même. Cet enregistrement n'a pas eu lieu en pays makwa. • chant solo voix modulée, parfois en parlé-chanté, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 6• ROUGET,GILBERT 1946 Pyral_face_370 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_20 BM.1974.013.001/52:17_20 00:03:25 02/10/46 CONGO OUESSO / GANDICOLO * KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT KUYU : ISOKU 1 Sous-table non exportée Sous-table non exportée Chant de danse Isoku, interprété içi en solo par un chanteur kuyu hors du pays kuyu. Formation entière : 1 chanteur soliste, en réponds : choeur d'hommes et choeurs de femmes, tambours et hochets • * au village de gandicolo ou dans un campement proche du village, voix modulée et en parlé-chanté, très bon, Cf. indications in cahier notes de terrain G.Rouget (p. 220) NB : copie de la bande magnétique BM.1974.013.32 plage 7• ROUGET,GILBERT 1946 Pyral_face_371 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_23 BM.1974.013.001/52:17_23 00:03:08 03/10/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR DE FILLETTES : CHANT ALELAMENGO Sous-table non exportée Sous-table non exportée Chanté par 4 fillettes agées entre 10 et 14 ans.• Cf. indications in cahier notes de terrain G.Rouget (p.221), NB : copie de la bande magnétique BM.1974.013.32 plage 10• ROUGET,GILBERT 1946 Pyral_face_374 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_01 BM.1974.013.001/52:18_01 00:03:25 03/10/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR DE FILLETTES : CHANT SANGO PAMBA 3 Sous-table non exportée Sous-table non exportée Chanté par 4 fillettes agées entre 10 et 14 ans.• chant de la soliste avec du yodel, Cf. indications in cahier notes de terrain G.Rouget (p.221+ texte du chant p.223), NB : copie de la bande magnétique BM.1974.013.33 plage 1• ROUGET,GILBERT 1946 pyral_face_377 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_02 BM.1974.013.001/52:18_02 00:03:28 03/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT OWESO 1 Sous-table non exportée Sous-table non exportée Chant de la danse owëso : danse en cercle, des jeunes hommes et filles makwa, exécuté généralement en plein air, avec un accompagnement de tambour.• début solo homme et battements de mains, puis entré du choeur après 00'30, Cf. indications in cahier notes de terrain G.Rouget (p.221-222), NB : copie de la bande magnétique BM.1974.013.33 plage 2 • ROUGET,GILBERT 1946 Pyral_face_378 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_05 BM.1974.013.001/52:18_05 00:04:15 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 1 (1ERE REPRISE) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 1ère reprise : plusieurs solo h et reprises du chr, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 5 • ROUGET,GILBERT 1946 Pyral_face_383 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_11 BM.1974.013.001/52:18_11 00:04:26 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 7 (4E REPRISE : 1/2) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, Cf. indications in cahier notes de terrain G.Rouget (p.225-227) : 4ème reprise : 1ère partie : plusieurs solo et réponses du choeur, très bon, fin coupée, suite sur l'enregistrement suivant, NB : copie de la bande magnétique BM.1974.013.34 plage 1• ROUGET,GILBERT 1946 Pyral_face_389 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_20 BM.1974.013.001/52:18_20 00:02:44 03/10/46 CONGO OUESSO / GANDICOLO PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON PRIERES POUR EDZINGI 1 Sous-table non exportée Sous-table non exportée Prières propitiatoires pour l'esprit de la forêt appelé edzingi, (cf.La cérémonie de chasse "edzingi"), effectuées avant et/ou après une chasse à l'éléphant mâle. • enregistré au village de gandicolo ou au campement des bangombé près du village ? en 2 parties : prière pour le 1er jour, fin à 00'50, courte interruption avec intervention de G.Rouget, prière pour le 2ème jour, de 01'30 à fin, Cf. indications sur les textes récités in cahier notes de terrain G.Rouget (p.228-229) NB : copie de bande magnétique BM.1974.013.35 plage 1• ROUGET,GILBERT 1946 RELIGIEUX Pyral_face_399 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_02 BM.1974.013.001/52:19_02 00:00:48 03/10/46 CONGO OUESSO / GANDICOLO PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DISCOURS POUR LA CHASSE Sous-table non exportée Sous-table non exportée Discours à un chasseur pendant la chasse • enregistré au village de gandicolo ou au campement des bangombé près du village ? Cf. indications sur les textes récités in cahier notes de terrain G.Rouget (p.228-229) NB : copie de bande magnétique BM.1974.013.35 plage 3• ROUGET,GILBERT 1946 Pyral_face_401 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_03 BM.1974.013.001/52:19_03 00:04:29 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 1: BOLINGONAMISO Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, débute solo sanza et baguettes frappées avec chant syllabique, d'abord solo puis accompagné du choeur (en murmure), puis début du chant solo avec paroles et toujours accompagnement du choeur, battements de mains vers la fin, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 4• ROUGET,GILBERT 1946 Pyral_face_402 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_05 BM.1974.013.001/52:19_05 00:03:47 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 3: SUMALA 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le titre "sumala" est le nom d'un commandant (de l'administration militaire) qui se rendit célèbre par sa brutalité, débute avec quelques hésitations, intro solo sanza et baguettes frappées, puis chant solo, après 01'15 : entrée du choeur, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 6• ROUGET,GILBERT 1946 Pyral_face_404 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_09 BM.1974.013.001/52:19_09 00:03:18 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 7: SUMALA 5 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le titre "sumala" est le nom d'un commandant (de l'administration militaire) qui se rendit célèbre par sa brutalité, longue intro solo de sanza et baguettes, chant solo et chr (murmures et syllabiques), à 02'10 : courte interruption avec reprise enchainée, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 10• ROUGET,GILBERT 1946 Pyral_face_412 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_13 BM.1974.013.001/52:19_13 00:04:11 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 11: MUNZELE PAKU 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, "munzélé paku" est un manioc, dans ce chant une femme exhorte son mari à ne plus manger de manioc parce qu'il ne pourra plus bander, début confus, après 00'50 : solo sanza, baguettes, chant solo, entrée des choeurs en partie murmurée, une partie du chant solo en "pleuré" (heyéyéyé) et yodlé, fin sur cri d'ensemble, très beau, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 2• ROUGET,GILBERT 1946 Pyral_face_418 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_19 BM.1974.013.001/52:19_19 00:02:32 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 17: KWEGWE TUKA 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Ce chant raconte une histoire "morale" : la vieille femme a fait des enfants, la jeune fille nouvellement épousée n'a rien fait, courte intro sanza et baguettes, chant solo, puis entrée du chr, à partir de 01'30 : belles séquences de chanté solo ("pleuré", yodlé, cris), très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 8• ROUGET,GILBERT 1946 Pyral_face_424 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_17 BM.1974.013.001/52:19_17 00:03:15 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 15: MBALUMA 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, "Mbaluma" est le nom d'un homme qui mange tout seul les produits de sa chasse car il n'a pas d'enfant, courte intro sanza et baguettes, chant solo puis entrée du chr (répond constant tout au long de la pièce), quelques passage de "cris" du soliste, très bonne fin chantée solo, fini sur cri d'ensemble, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 6• ROUGET,GILBERT 1946 Pyral_face_422 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_18 BM.1974.013.001/52:19_18 00:03:08 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 16: KWEGWE TUKA 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Ce chant raconte une histoire "morale" : la vieille femme a fait des enfants; la jeune fille nouvellement épousée n'a rien fait, belle intro sanza et baguettes, peu avant 01'00 : chant solo, puis entrée du chr, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 7• ROUGET,GILBERT 1946 Pyral_face_423 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_21 BM.1974.013.001/52:19_21 00:03:03 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 19: DONGBO 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Dongbo : chant dit de "miracle" qui accompagne la scarification (sur les bras) des garçons lors de l'initiation, les jeunes sont alors appelés "fils de so" (l'animal qui aurait causé les marques apparentées à des morsures), pour la danse dongbo tous les danseurs portent un pagne en fibres tissées, intro solo sanza et baguettes, chant solo et chr, plusieurs styles de chants solo, psalmodie du chr, très bonne fin, sur cri d'ensemble, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 10• ROUGET,GILBERT 1946 Pyral_face_426 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_20 BM.1974.013.001/52:19_20 00:03:06 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 18: DONGBO 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Dongbo : chant dit de "miracle" qui accompagne la scarification (sur les bras) des garçons lors de l'initiation, les jeunes sont alors appelés "fils de so" (l'animal qui aurait causé les marques apparentées à des morsures), pour la danse dongbo tous les danseurs portent un pagne en fibres tissées, intro solo sanza et baguettes, chant solo et chr, plusieurs styles de chant solo, psalmodie du chr, excellent, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 9• ROUGET,GILBERT 1946 Pyral_face_425 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_04 BM.1974.013.001/52:20_04 00:03:59 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 25: DONGBO 4 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Dongbo : chant dit de "miracle" qui accompagne la scarification (sur les bras) des garçons lors de l'initiation, les jeunes sont alors appelés "fils de so" (l'animal qui aurait causé les marques apparentées à des morsures), pour la danse dongbo tous les danseurs portent un pagne en fibres tissées, intro solo sanza et baguettes, chant solo et chr, plusieurs styles de chants solo, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.37 plage 4• ROUGET,GILBERT 1946 Pyral_face_433 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_03 BM.1974.013.001/52:20_03 00:04:01 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 24: MOYAYANGELE 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • édité MH 48-63 B16.a • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Chant d'un musicien bungili, dite "chanson pour le mort", intro de sanza et baguettes, chant solo, puis entrée du chr (très faible), yodel, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.37 plage 3• ROUGET,GILBERT 1946 Pyral_face_432 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_02 BM.1974.013.001/52:20_02 00:02:43 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 23: MOYAYANGELE 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Chant d'un musicien bungili, dite "chanson pour le mort" courte intro de sanza et baguettes, chant solo, (coup de feu et chiens), puis entrée du chr (très faible), Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.37 plage 2• ROUGET,GILBERT 1946 Pyral_face_431 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_07 BM.1974.013.001/52:20_07 00:04:03 08/10/46 CONGO SUD DE OUESSO / PIKOUNDA KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE 2 KEBEKEBE Sous-table non exportée Sous-table non exportée Danse pour la mort d'un grand chef et pour les fêtes (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'oseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• édité MH48-14 B9.a • TBR = 3 tambours (2 grands tamb. cylindriques tenus debouts et 1 petit tamb., batterie incomplète), épisode de l'appel du masque : le masque arrive, conduit par le chef de musique, quand le kébékébé est brandi les hommes crient ensembles, le soliste danse devant kébékébé quand celui-ci tourne, En plusieurs séquences : 1ère : débute plein choeur en répond du soliste, tamb. et battements de mains, interruption à 01'15, conversations, coupure, 2ème : reprise à 01'25 : plein choeur, moins vigoureux, fini sur cri d'ensemble, courte interruption 3ème : reprise à 02'10 : battements de mains, solo, tambours et choeur, cris, fin sur cri d'ensemble à 02'35, conversations, 4ème : reprise à 02'50 sur cri du soliste, battements de mains, tamb. et chr, cris, interruption, fin sur cri d'ensemble à 03'37, puis conversations, ambiance, rires, etc. Cf. indications in cahier notes de terrain G.Rouget (p.237-238 ; p.247), autres enregistrements de la danse kébékébé : pyral 44 et 51-52 (les deux derniers disques sont manquants mais édités MH48-15 B9.b) NB : copie de la bande magnétique BM.1974.013.37 plage 7• ROUGET,GILBERT 1946 Pyral_face_436 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_06 BM.1974.013.001/52:20_06 00:04:03 08/10/46 CONGO SUD DE OUESSO / PIKOUNDA KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE 1 KEBEKEBE Sous-table non exportée Sous-table non exportée Danse pour la mort d'un grand chef et pour les fêtes (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'oseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• TBR = 3 tambours (2 grands tamb. cylindriques tenus debouts et 1 petit tamb., batterie incomplète), épisode précédent l'appel du masque, Débute par battements de mains, solo du chef de musique, tambours, choeur (par intermittence, en répond), fin ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.237-238 ; p.247), autres enregistrements de la danse kébékébé : pyral 44 et 51-52 (les deux derniers disques sont manquants mais édités MH48-15 B9.b) NB : copie de la bande magnétique BM.1974.013.37 plage 6• ROUGET,GILBERT 1946 Pyral_face_435 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_11 BM.1974.013.001/52:20_11 00:04:13 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DE J.FILLES 1: MOTUAKA Sous-table non exportée Sous-table non exportée Une dizaine de jeunes filles assises par terre, en cercle, chantent en battant des mains, entourant les danseuses. • le titre Motuaka signifie "banane tapée", Départ sur ordre, refrain court à pleine voix, peu de solo, après 01'15 courte interruption du chant, reprise solo puis chr en antiphonie, fin et conversations, Cf. indications in cahier notes de terrain G.Rouget (p.239-242) : disque recopié, un peu abimé, NB : copie de la bande magnétique BM.1974.013.38 plage 1• ROUGET,GILBERT 1946 Pyral_face_440 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_15 BM.1974.013.001/52:20_15 00:03:56 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 1: YANBANGA Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, le chant yanbanga : un homme appelle son camarade à venir le chercher en pirogue, débute hochets et percussions, entrée du chant solo (niveau très faible) puis réponses du chr, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 5• ROUGET,GILBERT 1946 Pyral_face_444 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_01 BM.1974.013.001/52:21_01 00:04:01 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 1 (SOLO) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, chanson dite des "bugongo", Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 1 • ROUGET,GILBERT 1946 Pyral_face_450 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_07 BM.1974.013.001/52:21_07 00:02:36 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, IFC - = 1 fût d'essence, On peut noter içi l'absence de sonneries de trompes, caractéristiques des chants de piroguiers baduma, peut-être s'agit-il içi d'un chant de départ à terre (?), les tambours et IFC seront remplacés dans les enregistrements suivants par une trompe, l'enregistrement commence en plein chant et instruments, chant du soliste un peu loin, réponse du choeur, conversations, médiocre, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 6 • ROUGET,GILBERT 1946 0 Pyral_face_500 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_08 BM.1974.013.001/52:21_08 00:03:49 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 2 : DIA TALEBONGA Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, débute chant solo et choeur et baguettes entrechoquées, avec quelques voix parlées, puis quelques interventions de la trompe, fin sur note tenue du choeur, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 7, autres enregistrements de chants de piroguiers baduma, en situation, disques pyral 539-548 (CD 23) • ROUGET,GILBERT 1946 Pyral_face_501 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_13 BM.1974.013.001/52:21_13 00:04:06 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 1: RECIT DU PERE HAG (1/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville • * Mission catholique de Franceville, Récit du Père Hag sur son arrivée à Franceville et à Lastourville, NB : copie de la bande magnétique BM.1974.013.40 plage 1 • ROUGET,GILBERT 1946 Pyral_face_506 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_19 BM.1974.013.001/52:21_19 00:03:13 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 1 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif. • * Mission catholique de Franceville ? sur les problèmes rencontrés par la colonie, le manque de machinerie (agricole), de réseau routier, NB : copie de la bande magnétique BM.1974.013.40 plage 7 • ROUGET,GILBERT 1946 Pyral_face_512 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_05 BM.1974.013.001/52:22_05 00:03:23 28/10/46 CONGO FRANCEVILLE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANSON DE BRAZZA 2 Sous-table non exportée Sous-table non exportée Chanson dite de Brazza par les enfants de l'école à Franceville, conduits par l'instituteur Pierre Mongele. NB : copie de la bande magnétique BM.1974.013.41 plage 04 • ROUGET,GILBERT 1946 Pyral_face_519 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_04 BM.1974.013.001/52:22_04 00:02:40 28/10/46 CONGO FRANCEVILLE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANSON DE BRAZZA 1 Sous-table non exportée Sous-table non exportée Chanson dite de Brazza par les enfants de l'école à Franceville, conduits par l'instituteur Pierre Mongele. Départ à faux, reprise des 1er et 2ème couplets à la fin NB : copie de la bande magnétique BM.1974.013.41 plage 03 • ROUGET,GILBERT 1946 ENFANTIN Pyral_face_518 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_06 BM.1974.013.001/52:22_06 00:03:42 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 1 : NZOBI Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Nzobi : musique funéraire pour pleurer un homme mort (on chante oyo), débute court solo h et sonnailles-hochets, choeurs h et f se répondant, tambours, court passage solo h et instrumental, reprise des chr. Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 5 • ROUGET,GILBERT 1946 Pyral_face_522 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_12 BM.1974.013.001/52:22_12 00:03:52 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 1 : BANDU BAMAMA Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ?• is-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, bandu = frêre, bamama = mère, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 1 • ROUGET,GILBERT 1946 Pyral_face_528 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_01 BM.1974.013.001/52:23_01 00:02:53 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE FLUTE MVULE 2 Sous-table non exportée Sous-table non exportée Flûte nasale fabriquée par l'exécutant, instrument classique des bambamba, joué par les hommes. ORGANOLOGIE ET TECHNIQUE DE JEU : fait d'un tuyau de bois tendre cylindrique aux parois épaisses. La base est ouverte. Au sommet une rondelle de calebasse, fixée par un emplâtre de cire et percée d'un trou rétrécit l'orifice du tuyau. Le bord intérieur de cette rondelle sert de biseau et c'est contre lui que le musicien dirige l'air qui fait sonner le tuyau. Le musicien tient la flûte de la main droite, il applique le sommet contre la base du nez, de son index il bouche sa narine gauche, de sa narine droite il insuffle le tuyau. La main gauche, ouverte, bouche ou débouche le tuyau à sa base (tuyau ouvert-fermé), ou bien le bouche à moitié, ou le frappe rythmiquement pour obtenir un autre effet.• en 2 parties : 1ère : fin à 01'40, 2ème : à 01'43, meilleur, avec technique de la main gauche frappée, Cf. indications in cahier notes de terrain G.Rouget (p.261), NB : copie de la bande magnétique BM.1974.013.42 plage 10 Instrument ramené par la mission et conservé au Musée du Quai Branly : n° d'inventaire 71.1946.92.18 • ROUGET,GILBERT 1946 Pyral_face_537 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_20 BM.1974.013.001/52:22_20 00:03:39 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE FLUTE MVULE 1 Sous-table non exportée Sous-table non exportée Flûte nasale fabriquée par l'exécutant, instrument classique des bambamba, joué par les hommes. ORGANOLOGIE ET TECHNIQUE DE JEU : fait d'un tuyau de bois tendre cylindrique aux parois épaisses. La base est ouverte. Au sommet une rondelle de calebasse, fixée par un emplâtre de cire et percée d'un trou rétrécit l'orifice du tuyau. Le bord intérieur de cette rondelle sert de biseau et c'est contre lui que le musicien dirige l'air qui fait sonner le tuyau. Le musicien tient la flûte de la main droite, il applique le sommet contre la base du nez, de son index il bouche sa narine gauche, de sa narine droite il insuffle le tuyau. La main gauche, ouverte, bouche ou débouche le tuyau à sa base (tuyau ouvert-fermé), ou bien le bouche à moitié, ou le frappe rythmiquement pour obtenir un autre effet.• édité MH 48-32 B 30.b 1ère plage• en 2 parties : 1ère : enregistré à l'extérieur, avec bruits de la nature (insectes), fin à 01'56, 2ème partie : à 02'07, meilleur, Cf. indications in cahier notes de terrain G.Rouget (p.261), NB : copie de la bande magnétique BM.1974.013.42 plage 9 Instrument ramené par la mission et conservé au Musée du Quai Branly : n° d'inventaire 71.1946.92.18 • ROUGET,GILBERT 1946 Pyral_face_536 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_19 BM.1974.013.001/52:23_19 00:03:36 04/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BADUMA 4 Sous-table non exportée Sous-table non exportée M-tbr = 4 tambours coniques dont 1 à 1 peau (de gorille) et à socle, et 3 autres à 2 peaux, IFP-plaque = plaque de tôle, IE-batons = baguettes de bambou entrechoquées, solo h et baguettes, entrée du chr (réponds), puis tambours et plaque de tôle frappée, fin coupée, Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 6 • ROUGET,GILBERT 1946 Pyral_face_555 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_18 BM.1974.013.001/52:23_18 00:04:00 04/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BADUMA 3 Sous-table non exportée Sous-table non exportée Danse de masques (à la demande du réalisateur de l'expédition Jacques Dupont) • M-tbr = 4 tambours coniques dont 1 à 1 peau (de gorille) et à socle, et 3 autres à 2 peaux, IE-batons = baguettes de bambou entrechoquées, solo h et baguettes, entrée du chr (réponds), puis tambours, fin coupée, Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 5 • ROUGET,GILBERT 1946 Pyral_face_554 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_15 BM.1974.013.001/52:23_15 00:03:32 04/11/46 GABON LASTOURVILLE / MUKUMAMUYABI* SHAKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWAKUE 3 Sous-table non exportée Sous-table non exportée Danse de femmes. Les femmes, qui forment la majorité du choeur, et les tambourinaires sont disposés en cercle. La chanteuse soliste est aussi danseuse, elle a le visage peint en blanc, sur son dos et ses épaules sont peints des soleils en rouge et en blanc. Elle porte à la main une queue de buffle avec un manche en bois sculpté anthropomorphe dont elle se sert pour diriger tambours et choeur. Elle porte des sonnailles aux chevilles. La chanteuse débute toujours par un solo, à la fin duquel elle commande l'entrée du choeur et des tambours, avant de danser seule au milieu du cercle, en frappant violemment les pieds sur le sol, effectuant de grandes enjambées, vire-voltes rapides et déhanchements secs. Ce type de danse semble être lié à l'existence d'importantes sociétés de femmes. • * : les musiciens ont été enregistrés à Lastourville où ils avaient été convoqués par l'administrateur. Leur village Mukumayumbabi est le 3ème sur la rive droite de l'ougooué, en aval de Lastourville, IE- batons = baguettes de bambou entrechoquées, jouées par les femmes, IS-sonnailles : sonnailles de cheville, en noyaux fixés sur des genouillères avec grelot en cuivre, M-tbr : 2 tambours côniques à 2 peaux, battus baguettes, par des hommes, très bon, avec long solo en début, très beau, entrée du choeur en suraigu, belle fin, Cf. indications in cahier notes de terrain G.Rouget (p.264), NB : copie de la bande magnétique BM.1974.013. 44 plage 2• ROUGET,GILBERT 1946 Pyral_face_551 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_13 BM.1974.013.001/52:23_13 00:02:47 04/11/46 GABON LASTOURVILLE / MUKUMAMUYABI* SHAKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWAKUE 1 Sous-table non exportée Sous-table non exportée Danse de femmes. Les femmes, qui forment la majorité du choeur, et les tambourinaires sont disposés en cercle. La chanteuse soliste est aussi danseuse, elle a le visage peint en blanc, sur son dos et ses épaules sont peints des soleils en rouge et en blanc. Elle porte à la main une queue de buffle avec un manche en bois sculpté anthropomorphe dont elle se sert pour diriger tambours et choeur. Elle porte des sonnailles aux chevilles. La chanteuse débute toujours par un solo, à la fin duquel elle commande l'entrée du choeur et des tambours, avant de danser seule au milieu du cercle, en frappant violemment les pieds sur le sol, effectuant de grandes enjambées, vire-voltes rapides et déhanchements secs. Ce type de danse semble être lié à l'existence d'importantes sociétés de femmes. • édité MH 48-29 B 26.a • * : les musiciens ont été enregistrés à Lastourville où ils avaient été convoqués par l'administrateur. Leur village Mukumayumbabi est le 3ème sur la rive droite de l'ougooué, en aval de Lastourville, IE- batons = baguettes de bambou entrechoquées, jouées par les femmes, IS-sonnailles : sonnailles de cheville, en noyaux fixés sur des genouillères avec grelot en cuivre, M-tbr : 2 tambours côniques à 2 peaux, battus baguettes, par des hommes, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.264), NB : copie de la bande magnétique BM.1974.013. 43 plage 11• ROUGET,GILBERT 1946 Pyral_face_549 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_14 BM.1974.013.001/52:23_14 00:03:37 04/11/46 GABON LASTOURVILLE / MUKUMAMUYABI* SHAKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWAKUE 2 Sous-table non exportée Sous-table non exportée Danse de femmes. Les femmes, qui forment la majorité du choeur, et les tambourinaires sont disposés en cercle. La chanteuse soliste est aussi danseuse, elle a le visage peint en blanc, sur son dos et ses épaules sont peints des soleils en rouge et en blanc. Elle porte à la main une queue de buffle avec un manche en bois sculpté anthropomorphe dont elle se sert pour diriger tambours et choeur. Elle porte des sonnailles aux chevilles. La chanteuse débute toujours par un solo, à la fin duquel elle commande l'entrée du choeur et des tambours, avant de danser seule au milieu du cercle, en frappant violemment les pieds sur le sol, effectuant de grandes enjambées, vire-voltes rapides et déhanchements secs. Ce type de danse semble être lié à l'existence d'importantes sociétés de femmes. • * : les musiciens ont été enregistrés à Lastourville où ils avaient été convoqués par l'administrateur. Leur village Mukumayumbabi est le 3ème sur la rive droite de l'ougooué, en aval de Lastourville, IE- batons = baguettes de bambou entrechoquées, jouées par les femmes, IS-sonnailles : sonnailles de cheville, en noyaux fixés sur des genouillères avec grelot en cuivre, M-tbr : 2 tambours côniques à 2 peaux, battus baguettes, par des hommes, très bon, avec très bonne fin sur note tenue, Cf. indications in cahier notes de terrain G.Rouget (p.264), NB : copie de la bande magnétique BM.1974.013. 44 plage 1• ROUGET,GILBERT 1946 Pyral_face_550 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_16 BM.1974.013.001/52:23_16 00:03:58 04/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BADUMA 1 : BUDI Sous-table non exportée Sous-table non exportée Danse des femmes en ligne (mais ne participant pas au chant) • IE - = bâguettes en bambou entrechoquées par les hommes du choeur, IFP-= plaque de tôle battue, M-tbr : 4 tambours coniques dont 1 à 1 peau (de gorille) et à socle, et 3 autres à 2 peaux, Bon, Cf. indications in cahier G.Rouget (p.264), NB : copie de la bande magnétique BM.1974.013.44 plage 3• ROUGET,GILBERT 1946 Pyral_face_552 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_17 BM.1974.013.001/52:23_17 00:03:47 04/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BADUMA 2 Sous-table non exportée Sous-table non exportée M-tbr = 4 tambours coniques dont 1 à 1 peau (de gorille) et à socle, et 3 autres à 2 peaux, IE-batons = baguettes de bambou entrechoquées, Bon, mais niveau assez faible et forts grésillements, solo h et baguettes, entrée des chr (réponds), puis tambours, fin coupée, Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 4 • ROUGET,GILBERT 1946 Pyral_face_553 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_04 BM.1974.013.001/52:24_04 00:03:30 04/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MUPENGA 1 Sous-table non exportée Sous-table non exportée Danse des hommes : cinq hommes, groupés au centre du cercle formé par les tambourinaires et le choeur, dansent sur place, agitant les hanches et les épaules, et frappant le sol du pied • M-tbr = 4 tambours coniques à 2 peaux frappés baguettes (sauf un tamb. couché battu mains), IS-hochet = sonnailles en fer en forme de gousse, attachées à de longues jambières, portées par 5 danseurs, A-= sifflet à roulette, IE-batons = batons en bambou entrechoqués, intro long soloh (en parlé-chanté), puis batons, choeurs et tambours, sifflet, hochets, bonne fin (a cappella), Cf. indications in cahier notes de terrain G.Rouget (p.266), NB : copie de la bande magnétique BM.1974.013.44 plage 10 • ROUGET,GILBERT 1946 Pyral_face_559 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_09 BM.1974.013.001/52:24_09 00:02:44 04/11/46 GABON LASTOURVILLE BADUMA ET BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE LESIMBU Sous-table non exportée Sous-table non exportée Danse des Baduma et des Bawanji : populations voisines parlant la même langue. Danse des femmes ? • M-tbr = 3 tambours coniques à 2 peaux battus baguettes, IE-batons = lames de bambous entrechoquées jouées par les femmes, intro solo de f, puis entrée du chr, avec baguettes et tambours, fin très courte, moins bon que l'enregistrement précédent, Cf. indications in cahier notes de terrain G.Rouget (p.267) NB : copie de la bande magnétique BM.1974.013.45 plage 5 • ROUGET,GILBERT 1946 Pyral_face_564 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_08 BM.1974.013.001/52:24_08 00:03:33 04/11/46 GABON LASTOURVILLE BADUMA ET BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SIBWEWALA Sous-table non exportée Sous-table non exportée Danse des Baduma et des Bawanji : populations voisines parlant la même langue. Les femmes forment un cercle, quelques unes se tiennent au centre. Coiffées d'un foulard, vétues de robes courtes à l'européenne, la taille ceinte de serviettes blanches, elles dansent sur place en agitant, de chaque main, un mouchoir. D'autres entrechoquent des bambous• édité MH 48-55 B 33-a • M-tbr = 3 tambours coniques à 2 peaux battus baguettes, IE-batons = lames de bambous entrechoquées jouées par les femmes, intro long solo de f, puis entrée du chr (divisé), avec baguettes et tambours, très bonne fin a cappella et sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.267) NB : copie de la bande magnétique BM.1974.013.45 plage 4 • ROUGET,GILBERT 1946 Pyral_face_563 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_10 BM.1974.013.001/52:24_10 00:02:41 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 1: ITSENGE Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • débute chant solo h en parlé-chanté, puis entrée du chr en répond, fin coupée, choeur mixte ? Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 6• ROUGET,GILBERT 1946 Pyral_face_565 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_16 BM.1974.013.001/52:24_16 00:03:25 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 1 Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-bâtons = bâtons de bambous entrechoqués joués par les femme du choeur, Débute solo f, puis batons, grelots, et entrée du chr (en réponds, divisé) et des tambours, hochets, quelques voix parlées, peu après 02'00 : interruption du chant, passage instrumental et dansé, voix parlées, reprise du chr, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.269), NB : copie de la bande magnétique BM.1974.013.46 plage 1• ROUGET,GILBERT 1946 Pyral_face_571 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_04 BM.1974.013.001/52:25_04 00:04:01 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWUNDA 1 Sous-table non exportée Sous-table non exportée Chant pour la danse mawunda, les hommes sont assis par terre, serrés les uns contre les autres et dansent seulement du buste, de la tête et des mains • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IL-idiophone pilonne creux = 4 tubes de bambous de différentes tailles, fermés par un noeud à la base, ouverts au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.46 plage 9 • ROUGET,GILBERT 1946 Pyral_face_579 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_08 BM.1974.013.001/52:25_08 00:04:30 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE DANSE 2: SERE Sous-table non exportée Sous-table non exportée Chant de danse exécuté lors des fêtes • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, intro sanza et hochets, chant solo, alternance 2 solistes, quelques voix parlées en fond, Bon, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 3• ROUGET,GILBERT 1946 Pyral_face_583 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_13 BM.1974.013.001/52:25_13 00:04:12 09/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES PIROGUIERS 2 : KOMBEYA & GOMBA Sous-table non exportée Sous-table non exportée Chant d'une quinzaine de pagayeurs, enregistré à terre, les pagayeurs disposés en rangs comme ils le seraient à bord de la pirogue. Le soliste, généralement le meilleur chanteur, n'occupe pas de place particulière dans l'équipage. Lors de la descente du fleuve , le type de chant varie selon la cadence, ce chant accompagnerait une cadence assez lente. • "Kombeya" : édité MH 48-67 B 28-a • En 2 parties : vérifier l'ordre : 1ère : titre : titre : "Kombeya" (kombé = pagayer) , le chant demande où est le soleil, solo et choeur (assez faible), avec petit cri d'homme à contretemps, fin à 01'46, 2ème partie : à 02'02 , "Gomba" (= porc épic) un homme est allé chasser le porc-épic dans la fôret, intro solo h, très bonne fin, Cf. indications in cahier notes de terrain G.Rouget (p.274), NB : copie de la bande magnétique BM.1974.013.47 plage 8, Autres chants de piroguiers baduma (en navigation et à terre) : disques pyral 500-505 (CD 21) et 539-548 (CD 23)• ROUGET,GILBERT 1946 Pyral_face_590 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_12 BM.1974.013.001/52:25_12 00:03:25 09/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES PIROGUIERS 1 : TATA DZAMBI Sous-table non exportée Sous-table non exportée Chant d'une quinzaine de pagayeurs, enregistré à terre, les pagayeurs disposés en rangs comme ils le seraient à bord de la pirogue. Le soliste, généralement le meilleur chanteur, n'occupe pas de place particulière dans l'équipage. Lors de la descente du fleuve , le type de chant varie selon la cadence, ce chant accompagnerait une cadence assez lente. • 2ème partie : édité MH 48-67 B 28-a • Titre : Tata Dzambi = "Dieu le père, En 2 parties : 1ère : fin à 01'36, 2ème partie : 01'41 Cf. indications in cahier notes de terrain G.Rouget (p.274) : bon, mais pb de bruits de fond périodique, NB : copie de la bande magnétique BM.1974.013.47 plage 7 Autres chants de piroguiers baduma (en navigation et à terre) : disques pyral 500-505 (CD 21) et 539-548 (CD 23)• ROUGET,GILBERT 1946 Pyral_face_589 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_14 BM.1974.013.001/52:25_14 00:02:59 11/11/46 GABON BOUE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE SANZA 1 Sous-table non exportée Sous-table non exportée Le musicien joue ce genre de musique en divertissement, le plus souvent le soir, lorsqu'il est seul. Un même thème donne lieu à de très longs développements, les enregistrements précentés içi n'en sont que des extraits.• IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, Cf. indications in cahier G.Rouget (p.275), NB : copie de la bande magnétique BM.1974.013.47 plage 9 Cet instrument est aussi joué en accompagnement de chants de danse baduma : Cf. autres enregistrements de sanzi jouée par Patrice Mabuedi : disques pyral 579-586 (CD 25) • ROUGET,GILBERT 1946 Pyral_face_592 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_16 BM.1974.013.001/52:25_16 00:03:31 11/11/46 GABON BOUE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE SANZA 3 Sous-table non exportée Sous-table non exportée Le musicien joue ce genre de musique en divertissement, le plus souvent le soir, lorsqu'il est seul. Un même thème donne lieu à de très longs développements, les enregistrements précentés içi n'en sont que des extraits.• IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, En 2 parties : 1ère : fin à 01'35, 2ème : à 01'39, Indications in cahier G.Rouget (p.275) : très bon, NB : copie de la bande magnétique BM.1974.013.48 plage 1, Cet instrument est aussi joué en accompagnement de chants de danse baduma : Cf. autres enregistrements de sanzi jouée par Patrice Mabuedi : disques pyral 579-586 (CD 25) • ROUGET,GILBERT 1946 Pyral_face_594 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_18 BM.1974.013.001/52:25_18 00:03:33 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 1: ENIGA BWENDE 1 Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : Eniga Bwendé = chanson sur les danseuses, Solo f et chr f en répond (parfois chr divisé), d'abord très courte intro a cappella puis avec tambourinage et grelots, fin sur cri d'ensemble, Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 3 • ROUGET,GILBERT 1946 Pyral_face_596 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_02 BM.1974.013.001/52:26_02 00:04:11 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 6: MBONGOYE Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • 1ère partie : édité MH 48-70 B33.b 2ème plage • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : mbongoyé (de mbongu : la pirogue), En 2 parties : 1ère : fin à 01'12, 2ème : à 01'25, fin coupée, Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 8 • ROUGET,GILBERT 1946 Pyral_face_610 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :31-02 BM.2007.012.001/58:31-02 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Invocations au pied de l'arbre _epoukou_ à Teta Nzambe pour donner les ongles, les cheveux qui forment le fétiche _mbando_• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée• BM.2007.012:32-01 SALLEE,P. 1968 1968.5.07-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :31-03 BM.2007.012.001/58:31-03 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Allumage de la pirogue : invocations, puis mise à l'eau de la pirogue avec invocations du _povi_ et corne d'appel. Choeur d'hommes• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée. AT = corne d'appel• BM.2007.012:32-02 SALLEE,P. 1968 1968.5.07-03/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_13 BM.1974.013.001/52:26_13 00:03:45 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 1: OKWI Sous-table non exportée Sous-table non exportée Musique de la danse de Okwi (personnage masqué), exécutée avant que ne débute véritablement la danse, pour "s'échauffer". • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFC-bloc de bois : long fût d'arbre, frappé par 2 musiciens avec de courtes baguettes. IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, Cf. indications in cahier notes de terrain G.Rouget (p.281 et 285-287) NB : copie de la bande magnétique BM.1974.013.49 plage 7 • ROUGET,GILBERT 1946 Pyral_face_621 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_01 BM.1974.013.001/52:27_01 00:03:05 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • En 2 parties :1ère : fin à 01'44 enchainé (avec un "saut" de l'enregistrement) à la 2ème, avec changement de soliste, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.281-284), NB : copie de la bande magnétique BM.1974.013.50 plage 1, Autres enregistrements de chants de piroguiers okandé : CD 26 plage : 19-20, Sinon autres enregistrements de chants des piroguiers par les Baduma • ROUGET,GILBERT 1946 Pyral_face_627 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_05 BM.1974.013.001/52:27_05 00:03:56 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CONVERSATIONS DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Pierre Moignon est un chef de pirogue • Cf. indications in cahier notes de terrain G.Rouget (p.282) : En 3 parties : 1ère : discours, fin à 00'40, 2ème : Conversations avec le reste de l'équipage, fin à 01'34, reprise, fin à 02'40, 3ème : conversation en partie en français, NB : copie de la bande magnétique BM.1974.013.50 plage 5, Autres enregistrements avec Pierre Moignon, Discours à Lambaréné : Pyral 642 : CD 27 plage : 16 • ROUGET,GILBERT 1946 Pyral_face_631 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_07 BM.1974.013.001/52:27_07 00:02:35 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES F.OKANDES 1: GEBOKA Sous-table non exportée Sous-table non exportée Chants des femmes okandé, exécutés pour le départ des hommes en pirogues ? Sur la formation : cf. autres enregistrements de danse des femmes okandé, à Achuka (CD 25 et 26) • M-tbr : 3 tambours (peut-être coniques à 2 peaux, battus mains par hommes) IS-grelots : attachés à la ceinture des femmes ? Titre : Gèboka : celui qui coupe bien les arbres, Cf.cahier notes de terrain G.Rouget (p.282-283), NB : copie de la bande magnétique BM.1974.013.50 plage 7 • ROUGET,GILBERT 1946 Pyral_face_633 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_12 BM.1974.013.001/52:27_12 00:02:39 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve Ogooué vers Lambaréné. On entend le bruit des pagaies, de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. L'équipage compte une dizaine de membres. La cadence varie et avec elle le type de chant • chant (chr ou solo et chr) et cloches, avec bruits des pagaies, titre : Lalmakola (?), En 2 parties :1ère : fin à 01'10, 2ème : à 01'20, avec quelques problèmes techniques (notamment à la fin de la 1ère partie, et à la fin vers 02'25), Cf. cahier G.Rouget (p.283), NB : copie de la bande magnétique BM.1974.013.51 plage 1• ROUGET,GILBERT 1946 Pyral_face_638 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_16 BM.1974.013.001/52:27_16 00:03:25 fin nov.46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DISCOURS DU CHEF DE PIROGUE Sous-table non exportée Sous-table non exportée Pierre Moignon est un chef de pirogue • Cf. indications in cahier notes de terrain G.Rouget (p.288) : En 5 parties : 1ère : réclamations en okandé, 2ème : 00'30 : en français, sur le voyage, le paiement, 3ème : 01'40 : en français, sur le commandement, sur les blancs, 4ème : 02'20 : sur son frêre, sur commandement, 5ème : 02'57 : beaucoup de rapides, NB : copie de la bande magnétique BM.1974.013.51 plage 5 , Autres enregistrements avec Pierre Moignon, Discours à Lambaréné : Pyral 650 : CD 26 plage : 21 • ROUGET,GILBERT 1946 Pyral_face_642 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-02 BM.2007.012.001/58:35-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : en allant à l'_ébandza_. Descritpion : pleurs d'une homme (_muyiya_)• V = pleurs. M = tambour au loin. Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:36-01 SALLEE,P. 1968 1968.5.11-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-01 BM.2007.012.001/58:35-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Phase de la cérémonie : préparatifs des _mighonji_. Lieu du déroulement : dehors. Descritpion : séance nocturne, à 22 h. Préparatifs des _mighondji_ et procession pour aller au _nzimbe_• BM.2007.012:33-01 SALLEE,P. 1968 1968.5.11-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_21 BM.1974.013.001/52:26_21 00:02:11 fin/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DISCOURS DU CHEF DE PIROGUE Sous-table non exportée Sous-table non exportée Pierre Moignon est chef de pirogue • En 2 parties : 1ère : Discours en okandé pour l'éléphant, fin à 00'47, 2ème : Traduction en français, pour découper l'éléphant, NB : copie de la bande magnétique BM.1974.013.52 plage 3 • ROUGET,GILBERT 1946 Pyral_face_650 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_22 BM.1974.013.001/52:26_22 00:04:04 fin/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CONVERSATION DES PIROGUIERS Sous-table non exportée Sous-table non exportée En 3 parties : 1ère : fin à 01'55, 2ème : fin à 02'52, 3ème : fin coupée (disque rayé), NB : copie de la bande magnétique BM.1974.013.52 plage 4 • ROUGET,GILBERT 1946 Pyral_face_651 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :01-01 BM.1974.014.001/11:01-01 00:05:40 09/1973 MAROC TOUNFITE, VILLAGE DE MASSU BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Le chanteur s'accompagne lui-même à l'alto. Deux accompagnateurs jouent du tambour• Haut-Atlas oriental 1973 0 AFRIQUE +BM.974.015 Ø18;²19;PPM BM.974.015.001 :01-01 BM.974.015.001:01-01 00:00:00 ILES TONGA ILES TONGA N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.974.016 Ø13;²19;PPM BM.974.016.001 :01-01 BM.974.016.001:01-01 00:00:00 N VIETNAM VIETNAM. DESCRIPTION DU LITHOPHONE MNONG,ET JEU D'UNE COURTE PIECE N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +BM.974.017 ØGF;²19;PPM BM.974.017.001 :01-01 BM.974.017.001:01-01 00:00:00 COTE D'IVOIRE DAN COTE D'IVOIRE:DAN N Sous-table non exportée Sous-table non exportée ZEMP,HUGO 1965 0 AFRIQUE +BM.975.001 Ø13;²19;1/2P BM.975.001.001/06 :01-01 BM.975.001.001/06:01-01 00:00:00 TURQUIE TURKESTAN CHINOIS & TURQUIE:KAZAKH,OGHOUZ,TURC N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +BM.975.001 Ø13;²19;1/2P BM.975.001.001/06 :05-01 BM.975.001.001/06:05-01 00:00:00 CHINE;XINJIANG TURKESTAN CHINOIS & TURQUIE:KAZAKH,OGHOUZ,TURC N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.1975.002 Ø18 BM.1975.002.001/11 :01-01 BM.1975.002.001/11:01-01 00:00:00 TIBET HELFFER,M.;TIBET:EPOPEE DE GE-SAR;1971 N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +BM.975.003 Ø13;²9.5;1/2P BM.975.003.001/03 :01-01 BM.975.003.001/03:01-01 00:00:00 EIRE IRLANDE N Sous-table non exportée Sous-table non exportée 1966 0 EUROPE +BM.975.004 Ø13;²19;PPS BM.975.004.001/25 :01-01 BM.975.004.001/25:01-01 00:00:00 ETHIOPIE ETHIOPIE;PROVINCE DE GAMO-GOFA:DORZE N Sous-table non exportée Sous-table non exportée 1974 0 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-01 BM.1975.005.001/03:01-01 00:01:00 Février 1975 MALI BAMAKO ? MALI;BAMAKO:SONINKE N Sous-table non exportée Sous-table non exportée Ethnie : Soninké (à vérifier auprès de G.Dieterlen), voix parlées dont G.Dieterlen • 1975 0 K7 n°1 AFRIQUE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-01 BM.975.006.001/02:01-01 00:04:30 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT ACCOMPAGNE A L'ORGUE A BOUCHE KHENE Sous-table non exportée Sous-table non exportée Chant alterné de cour d'amour• bande 13cm, 9,5cm/s; 1/2 piste• 1973 Non pertinent 0 ASIE +BM.975.007 Ø13;²19;1/2P BM.975.007.001/12 :01-01 BM.975.007.001/12:01-01 00:00:00 TAIWAN TAIWAN:CHINOIS. M. TAOISTE N Sous-table non exportée Sous-table non exportée 1968 0 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-01 BM.1975.008.001/14:01-01 00:05:45 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES PECHEURS TARI NELAYAN Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 0 ASIE +BM.975.009 Divers* BM.975.009.001/02 :01-01 BM.975.009.001/02:01-01 00:00:00 ALBANIE ALBANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.975.010 Ø13;²19;PPS BM.975.010.001/42 :01-01 BM.975.010.001/42:01-01 00:00:00 ILES SALOMON ILES SALOMON:'ARE 'ARE, NGINIA, POLYNESIEN, TO'ABAITA, SAVOSAVO N Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-01 BM.1975.011.001/03:01-01 00:03:55 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 MUSIQUE CLASSIQUE CITADINE MAKAM HLEILAWI Sous-table non exportée Sous-table non exportée Cithare à cordes frappées. La vièle djoza a 4 cordes• Vitesse 19 Extrait, cf. enregistrement intégral BM.75.11.3,I. Original collection privée n°37• 1972 0 ASIE +BM.975.012 Ø18;²19;PPM BM.975.012.001 :01-01 BM.975.012.001:01-01 00:00:00 NIGER LUBTCHANSKY,J-C.;NIGER:PEUL BORORO N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.975.013 Ø13;²19;1/2P BM.975.013.001/04 :01-01 BM.975.013.001/04:01-01 00:00:00 LAOS LAOS:HMONG VERT N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +BM.975.014 Ø13;²9.5;1/2P BM.975.014.001/05 :01-01 BM.975.014.001/05:01-01 00:00:00 PAPOUASIE-NLE-GUINEE NOUVELLE GUINEE:BARUYA (DU GROUPE KUHUKUKU) N Sous-table non exportée Sous-table non exportée 1968 0 OCEANIE +BM.1975.015 Ø13;²19;1/2P BM.1975.015.001 :01-01 BM.1975.015.001:01-01 00:05:00 03-1973 MEXIQUE ETAT DU CHIAPAS, VILLAGE BACHAJON TZELTAL BECQUELIN-MONOD,A.:MEXIQUE:ETAT DE CHIAPAS:TZELTAL (GROUPE MAYA),1973 N Sous-table non exportée Sous-table non exportée Maya 1973 0 0'00 à 5' 15Bach-1,p.1 AMERIQUE +BM.975.016 Ø13;²19;1/2P BM.975.016.001 :01-01 BM.975.016.001:01-01 00:00:00 1968 FRANCE CORSE CORSE N Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD @ 1968 0 EUROPE +BM.976.001 Ø13;²19;PPS BM.976.001.001/03 :01-01 BM.976.001.001/03:01-01 00:00:00 URSS;BOURIATIE BOURIATIE N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +BM.976.002 Ø13;²19;1/2P BM.976.002.001 :01-01 BM.976.002.001:01-01 00:00:00 NOUVELLE-CALEDONIE COPIE DI.:NOUVELLE CALEDONIE:CANAQUE N Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +BM.976.003 Ø13;1/2P BM.976.003.001/18 :01-01 BM.976.003.001/18:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR:EMA N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +BM.976.004 Ø18;²19;PPM BM.976.004.001 :01-01 BM.976.004.001:01-01 00:00:00 AFGHANISTAN AFGHANISTAN (COPIE SELECTIVE) N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.976.005 Ø18;²19;PPM BM.976.005.001/04 :01-01 BM.976.005.001/04:01-01 00:00:00 DANEMARK;GROENLAND DANEMARK;GROENLAND:INUIT N Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +BM.976.006 Ø13;²9.5;1/2P BM.976.006.001/70 :01-01 BM.976.006.001/70:01-01 00:00:00 INDE;UTTAR PRADESH INDE;UTTAR PRADESH,ALMORA DISTRICT N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.976.007 Ø13;²19;PPM BM.976.007.001 :01-01 BM.976.007.001:01-01 00:00:00 ETHIOPIE ETHIOPIE;PROVINCE DE GAMO-GOFA:DORZE N Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +BM.976.008 Ø13;²19;PPS BM.976.008.001/02 :01-01 BM.976.008.001/02:01-01 00:00:00 DANEMARK;GROENLAND DANEMARK;GROENLAND,AMMASSALIK:INUIT (CONCERT AU MH, 13/3/76) N Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-A01 BM.1976.009.001/14:01-A01 00:05:55 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 GANES STUTI Sous-table non exportée Sous-table non exportée prière à ganesha 1961 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-A02 BM.1976.009.001/14:01-A02 00:05:17 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 SATA GUNA Sous-table non exportée Sous-table non exportée les vertus du samyasi 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-A03 BM.1976.009.001/14:01-A03 00:04:05 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 NIRGUNA GAN Sous-table non exportée Sous-table non exportée cf. D.T.• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-A04 BM.1976.009.001/14:01-A04 00:06:53 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DE BRHAMANANDA BHAJAN Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-A05 BM.1976.009.001/14:01-A05 00:09:45 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 NIRMAYA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-B01 BM.1976.009.001/14:01-B01 00:09:45 4 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 COMPLAINTE D'UNE MAL MARIEE Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-B02 BM.1976.009.001/14:01-B02 00:21:00 6 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 BATAILLE CONTRE LE TIBET Sous-table non exportée Sous-table non exportée type : karkha• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-B03 BM.1976.009.001/14:01-B03 00:04:03 6 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 SURYA BAMSHI RAJA BIRNAR SINGH Sous-table non exportée Sous-table non exportée type : karkha• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :01-B04 BM.1976.009.001/14:01-B04 00:03:14 6 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 MEUTRE/ASSASSINAT DE MATH BAR SINGH KAJI (1844) Sous-table non exportée Sous-table non exportée (incomplet) type : karkha• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-A01 BM.1976.009.001/14:02-A01 00:01:35 9 nov 1965 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée cina Lama en tibétain 1965 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-A02 BM.1976.009.001/14:02-A02 00:06:50 9 nov 1965 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée type : bhajar 1965 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-A03 BM.1976.009.001/14:02-A03 00:03:10 N NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 VERTUS DE LA BONNE MENAGERE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-A04 BM.1976.009.001/14:02-A04 00:01:45 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 DYEUSIRE Sous-table non exportée Sous-table non exportée Récité, groupe de garçons - chant de quête pour le 3e jour de la fête de Tinwar. texte établi d'après l'enregistrement 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-A05 BM.1976.009.001/14:02-A05 00:09:30 N NEPAL KATMANDOU TAMANG NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée parlé puis chanté solo H., - énumération des divinités Tamang, cf. D.T.• 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :02-B01 BM.1976.009.001/14:02-B01 00:33:20 N NEPAL KATMANDOU TAMANG NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée suite de 02-A05 parlé puis chanté solo H., - énumération des divinités Tamang, cf. D.T.• 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :03-A01 BM.1976.009.001/14:03-A01 00:07:45 N NEPAL TAMANG NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée suite de la bande précédente chanté et parlé solo H., - énumération des divinités Tamang ? (1/2 piste et piste 2 : vierge) BM.976.009.001/14:02-05 0 bande 2 bis ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :03-A02 BM.1976.009.001/14:03-A02 00:02:20 N NEPAL TAMANG NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée invocation des "naga-ma"? 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :03-A03 BM.1976.009.001/14:03-A03 00:05:00 N NEPAL TAMANG NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée chanté et parlé solo H., - chanson de l'Est ? /N.B. cf. D.T. 0 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :04-A01 BM.1976.009.001/14:04-A01 00:00:30 11 nov 1961 NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 VISITE DU MAHARAJA LANDRA SAMFER EN ANGLETERRE (1908) Sous-table non exportée KARKHA Sous-table non exportée BM.976.009.001/14:01-01 1961 bande 3 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :04-A02 & :04-B01 BM.1976.009.001/14:04-A02 & :04-B01 00:05:50 11 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DE RAMAYANA : EXIL DE RAMACANDOA Sous-table non exportée KARKHA Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• BM.976.009.001/14:04-A01 1961 bande 3 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :04-B02 BM.1976.009.001/14:04-B02 00:19:50 11 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 L'OISEAU DE L'HIMALAYA Sous-table non exportée Sous-table non exportée cf. bake, B84, enreg le 17/6/56. même interprète 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :04-B03 BM.1976.009.001/14:04-B03 00:10:30 11 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 CHANT A PROPOS D'UN PARESSEUX Sous-table non exportée Sous-table non exportée BM.976.009.001/14:04-B02 1961 bande 3 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :05-A01 BM.1976.009.001/14:05-A01 00:02:43 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 VERTUS DE LA BONNE MENAGERE Sous-table non exportée Sous-table non exportée cf. D.T. texte établli d'après l'enregistrement• BM.976.009.001/14:04-01 1961 bande 4 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :05-A02 BM.1976.009.001/14:05-A02 00:20:50 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 LES BATAILLONS DE L'ARMEE NEPALAISE AUX INDES (1914) Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :05-A03 & :05-B01 BM.1976.009.001/14:05-A03 & :05-B01 00:06:25 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 MEURTRE DE MATH BAR SINGH KAJI (1844) Sous-table non exportée KARKHA Sous-table non exportée ATTENTION : PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• BM.976.009.001/14:05-A02 1961 bande 4 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :05-B02 BM.1976.009.001/14:05-B02 00:08:40 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 COMMENT LA DEMOCRATIE EST VENUE AU NEPAL Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :05-B03 & :06-A01 BM.1976.009.001/14:05-B03 & :06-A01 00:30:55 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 LA MORT DE JANG BAHADUR RANA (1877) Sous-table non exportée KARKHA Sous-table non exportée cf. Bake. 25/2, enregistré le 31/10/55 à Kathmandou, par Kainlo gaine (cf GuBM 65-9-1, copie SOAS) ATTENTION PIECE A CHEVAL SUR DEUX BANDES 21'45" sur bande 5 9'10" sur bande 6• BM.976.009.001/14:05-B02 1961 bande s5 et 6 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-08 BM.1976.009.001/14:06-08 00:05:25 1961-1962 NEPAL KATMANDOU SUNWAR NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée - 5 chansons modernes cf. D.T. 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-09 BM.1976.009.001/14:06-09 00:11:30 1961-1962 NEPAL KATMANDOU TAMANG NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée chanté, solo puis duo F. - chants de type "hvrâi" cf. D.T. 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-A02 BM.1976.009.001/14:06-A02 00:07:05 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DU MAHABHARATA Sous-table non exportée Sous-table non exportée louange de Bhimsen• BM.976.009.001/14:05-01 1961 bande 5 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-A03 BM.1976.009.001/14:06-A03 00:08:20 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 VISITE DE LA REINE D'ANGLETERRE AU NEPAL Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-A04 BM.1976.009.001/14:06-A04 00:04:45 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 GENEALOGIE DU ROI MAHENDRA (COURONNE EN 1955) Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-A05 & :06-B01 BM.1976.009.001/14:06-A05 & :06-B01 00:07:40 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 JUDDHA SAMSER QUITE LE POUVOIR (1932-1945) Sous-table non exportée KARKHA Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-B02 BM.1976.009.001/14:06-B02 00:05:50 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 L'ATTAQUE DE PRITHIVI NARAYAN S'AH DANS LA VALLEE (1768) Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-B03 BM.1976.009.001/14:06-B03 00:05:25 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 CHANSONS MODERNES Sous-table non exportée CHANSON DE FILM Sous-table non exportée exécutants : un groupe de sunwars• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :06-B04 BM.1976.009.001/14:06-B04 00:11:30 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée v.f. d'abord sdo puis rejointe par une 2eme v.f.• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :07-A01 BM.1976.009.001/14:07-A01 00:03:50 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 N Sous-table non exportée Sous-table non exportée 2 v.f.• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :07-A02 BM.1976.009.001/14:07-A02 00:05:00 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 INVOCATION AU "KULDENTA" / DESCRIPTION DES ETAGES DU MONDE Sous-table non exportée Sous-table non exportée INVOCATION AU "KULDENTA" 1' DESCRIPTION DES ETAGES DU MONDE 4' 1 v.h. harka bhadur • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :07-A03 BM.1976.009.001/14:07-A03 00:23:20 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 LES DIVINITES DU NEPAL, DE LA VALLE DE KATMANDOU Sous-table non exportée Sous-table non exportée INVOCATION AU "KULDENTA" 1' DESCRIPTION DES ETAGES DU MONDE 4' 1 v.h. harka bhadur • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :07-B01 BM.1976.009.001/14:07-B01 00:10:50 nov 1961 ? NEPAL KATMANDOU NEPAL. MACDONALD,A.;1961 LOUANGE DU "MAHARAJA BIR SAMS'ER" RAMA (1885-1901) Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :07-B02 BM.1976.009.001/14:07-B02 00:23:00 nov 1961 ? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LOUANGE DU "LAKSMI MAHARANI" (FEMME DE CANDRA SAMSER) Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A01 BM.1976.009.001/14:08-A01 00:09:15 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 JANG BAHADUR MAHARAJ A LUCKNOW (? 1857) Sous-table non exportée KARKHA Sous-table non exportée • BM.976.009.001/14:07-03 1961 bande 7 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A02 BM.1976.009.001/14:08-A02 00:06:15 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 PRISE DU FORT DE KANDA (AU KUMAEN) PAR BHAKTI THAPA Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A03 BM.1976.009.001/14:08-A03 00:08:25 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LES DIVINITES DE LA VALLEE DE KATHMANDOU Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A04 BM.1976.009.001/14:08-A04 00:03:35 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 CHANSON DE L'OUEST (PASCIMA JHYAURE) Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A05 BM.1976.009.001/14:08-A05 00:03:15 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 CHANSON DE L'EST (PASCIMA JHYAURE) Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A06 BM.1976.009.001/14:08-A06 00:02:30 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 CHANSON DE LA VALLEE DU NEPAL (NEPAL KALLO JHYAURE) Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-A07 & :08-B01 BM.1976.009.001/14:08-A07 & :08-B01 00:00:00 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 AIR TAMANG Sous-table non exportée Sous-table non exportée ponctué de frappements de mains. ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-B02 BM.1976.009.001/14:08-B02 00:00:00 21 nov 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 CHANSON DE LA VALLEE DU NEPAL (NEPAL KALLO JHYAURE) Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-B03 BM.1976.009.001/14:08-B03 00:05:45 1961? NEPAL N NEPAL. MACDONALD,A.;1961 LES GURKHA VONT SE BATTRE A L'ETRANGER (1939-1945) Sous-table non exportée JHYAURE Sous-table non exportée cf. D.T. texte établi d'après l'enregistrement• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-B04 BM.1976.009.001/14:08-B04 00:05:15 1961? NEPAL NEPAL. MACDONALD,A.;1961 LE COURONNEMENT DU ROI MAHENDRA (1955-56) Sous-table non exportée JHYAURE Sous-table non exportée cf. D.T. texte établi d'après l'enregistrement• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-B05 BM.1976.009.001/14:08-B05 00:12:25 1961? NEPAL N NEPAL. MACDONALD,A.;1961 BATAILLE CONTRE LE TIBET Sous-table non exportée KARKHA? Sous-table non exportée cf. D.T. texte établi d'après l'enregistrement• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :08-B06 & :09-A01 BM.1976.009.001/14:08-B06 & :09-A01 00:14:30 1961? NEPAL N NEPAL. MACDONALD,A.;1961 JUDDHA SANGER QUITTE LE POUVOIR (1945) Sous-table non exportée KARKHA Sous-table non exportée cf. D.T. texte établi d'après l'enregistrement ATTENTION CET ENREGISTREMENT EST A CHEVAL SUR DEUX BANDES• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-A02 BM.1976.009.001/14:09-A02 00:04:05 25 nov 1961 NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 CHANSON D'AMOUR "PATALI" Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-A03 BM.1976.009.001/14:09-A03 00:06:35 25 nov 1961 NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 COMPLAINTE DE LA MAL-MARIEE Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-A04 BM.1976.009.001/14:09-A04 00:07:08 25 nov 1961 NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 CHANT COMIQUE Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-A05 & :09-B01 BM.1976.009.001/14:09-A05 & :09-B01 00:19:20 25 nov 1961 NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 VOYAGE DE CANDRA SAMSER EN ANGLETERRE (1908) Sous-table non exportée JHYAURE Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-B02 BM.1976.009.001/14:09-B02 00:06:00 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 SATIRE POLITIQUE Sous-table non exportée JHYAURE? Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-B03 BM.1976.009.001/14:09-B03 00:05:00 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LAHURE GIT Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-B04 BM.1976.009.001/14:09-B04 00:04:05 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 CHANT A LA GLOIRE DU NEPAL Sous-table non exportée JHYAURE Sous-table non exportée composé par Narada Muni Thulung (Kurati)• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :09-B05 & :10-A01 BM.1976.009.001/14:09-B05 & :10-A01 00:07:45 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LA FIN DU MINISTERE KOIRALA (1960) Sous-table non exportée KARKHA Sous-table non exportée ATTENTION CET ENREGISTREMENT EST A CHEVAL SUR LES DEUX PISTES DE LA BANDE 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-A02 BM.1976.009.001/14:10-A02 00:14:50 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LA MORT DE TRIBHWAN (1955) Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-A03 & :10-B01 BM.1976.009.001/14:10-A03 & :10-B01 00:20:07 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 SITALAMAJU, DEESSE DE LA PETITE VEROLE Sous-table non exportée STUTI? Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-B02 BM.1976.009.001/14:10-B02 00:07:54 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 RAJAMATI KUMATI Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-B03 BM.1976.009.001/14:10-B03 00:05:00 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 KRISHNA LILA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-B04 BM.1976.009.001/14:10-B04 00:04:08 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 CRITIQUE DE MATRIKA PRASAD ET YAK THUMBA (PERSONNAGES POLITIQUES)1960 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :10-B05 & :11-A01 BM.1976.009.001/14:10-B05 & :11-A01 00:17:10 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LA MORT DE LAKSHMI MAHARANI (FEMME DE CANDRE SEMSA) Sous-table non exportée Sous-table non exportée ATTENTION PIECE A CHEVAL SUR DEUX BANDES• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A02 BM.1976.009.001/14:11-A02 00:14:25 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DE KRISHNA CARITRA -- LA NAISSANCE DE KRISHNA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A03 BM.1976.009.001/14:11-A03 00:04:45 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 COMPLAINTE DU GAINE Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A04 BM.1976.009.001/14:11-A04 00:05:17 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A05 BM.1976.009.001/14:11-A05 00:03:50 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LOUANGE DE GORAKH NATH, DIVINITE TUTELAIRE DU NEPAL Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A06 BM.1976.009.001/14:11-A06 00:06:40 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 "BIJULA" Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-A07 BM.1976.009.001/14:11-A07 00:07:30 25 nov 1961? NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DU RAMAYANA : LA NAISSANCE DE RAMACANDRA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-B01 BM.1976.009.001/14:11-B01 00:04:35 N NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 EXTRAIT DU MAHABHARATA : LOUANGE DE BHIMSEN Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-B02 BM.1976.009.001/14:11-B02 00:10:55 N NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 COMPLAINTE D'UNE VEUVE Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :11-B03 BM.1976.009.001/14:11-B03 00:10:00 N NEPAL KATHMANDOU NEPAL. MACDONALD,A.;1961 LAKSHMI MAHARANI Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A01 BM.1976.009.001/14:12-A01 00:04:35 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 LOUANGES DE MATSYENDRANATH Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A02 BM.1976.009.001/14:12-A02 00:09:15 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 COMPLAINTE D'UNE FILLETTE DE 12 ANS Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A03 BM.1976.009.001/14:12-A03 00:09:15 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 "PALANG BAS" Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A04 BM.1976.009.001/14:12-A04 00:04:05 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 LOUANGE DU MAHARAJA BIR SAMSER (1ER MIN. DE 1885-1901) Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A05 BM.1976.009.001/14:12-A05 00:10:20 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 CHANT DES 12 MOIS (BAHRAMASA) Sous-table non exportée BAHRAMASA Sous-table non exportée "ce que Krishna fait pendant les 12 mois de l'année"• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-A06 & :12-B01 BM.1976.009.001/14:12-A06 & :12-B01 00:27:15 28 nov 1961 NEPAL BHATGAON NEPAL. MACDONALD,A.;1961 VIDYA LAKSHMI MAHARANI, FEMME DE DEV SAMSHEN Sous-table non exportée KARKHA Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B02 BM.1976.009.001/14:12-B02 00:00:00 3 dec 1961 NEPAL DEO PATAN NEPAL. MACDONALD,A.;1961 HISTOIRE DU ROI MADHO Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B03 BM.1976.009.001/14:12-B03 00:04:05 3 dec 1961 NEPAL DEO PATAN NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B04 BM.1976.009.001/14:12-B04 00:03:50 3 dec 1961 NEPAL DEO PATAN NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B05 BM.1976.009.001/14:12-B05 00:00:00 3 dec 1961 NEPAL DEO PATAN NEPAL. MACDONALD,A.;1961 CHANT DE MATSYENDRANATH Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B06 BM.1976.009.001/14:12-B06 00:08:45 4 dec 1961 NEPAL BHAKLAPUR NEPAL. MACDONALD,A.;1961 COMPLAINTE D'UNE JEUNE FEMME Sous-table non exportée JHYAURE MODERNE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :12-B07 BM.1976.009.001/14:12-B07 00:06:50 N NEPAL BHAKLAPUR NEPAL. MACDONALD,A.;1961 CHANT EN L'HONNEUR DU LEADER POLITIQUE K.I. SINGH Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A01 BM.1976.009.001/14:13-A01 00:05:45 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 "RANI BANEYMA" Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A02 BM.1976.009.001/14:13-A02 00:05:38 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 CRITIQUE POLITIQUE Sous-table non exportée Sous-table non exportée composé par Bharat Shamsher• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A03 BM.1976.009.001/14:13-A03 00:03:25 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 BHAJU ET MAIJU Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A04 BM.1976.009.001/14:13-A04 00:06:50 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 CHANT A LA GLOIRE DE TENZING SHERPA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A05 BM.1976.009.001/14:13-A05 00:06:28 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A06 BM.1976.009.001/14:13-A06 00:07:32 4 dec 1961 NEPAL BHAKTIPUR NEPAL. MACDONALD,A.;1961 LE PAUVRE FERMIER Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A07 BM.1976.009.001/14:13-A07 00:05:17 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LA MODE D'AUJOURD'HUI Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-A08 & :13-B01 BM.1976.009.001/14:13-A08 & :13-B01 00:09:45 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 "BHANAO KASORIYO DUKHI MANTAI" Sous-table non exportée JHYAURE Sous-table non exportée ATTENTION PIECE A CHEVAL SUR LES DEUX PISTES DE LA BANDE• 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B02 BM.1976.009.001/14:13-B02 00:05:35 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 "HOHO AGREJI RAJALE CAUTHAI GORKA BAKULA" Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B03 BM.1976.009.001/14:13-B03 00:06:20 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LA FILLE KHASI Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B04 BM.1976.009.001/14:13-B04 00:05:56 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 COMPLAINTE D'UNE JEUNE FILLE Sous-table non exportée CUTKE JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B05 BM.1976.009.001/14:13-B05 00:11:35 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 EXTRAIT DU RAMAYANA : LAMENTATION DE TARA, FEMME DE BALI Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B06 BM.1976.009.001/14:13-B06 00:04:00 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 EXTRAIT DU RAMAYANA : EXIL DE RAMACCANDRA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B07 BM.1976.009.001/14:13-B07 00:06:24 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 "HAI HAI GORI..." Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :13-B08 BM.1976.009.001/14:13-B08 00:02:10 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 "SIRIRI VATASAI CELYO..." CHANT MODERNE Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A01 BM.1976.009.001/14:14-A01 00:04:00 4 dec 1961 NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 "JANAI JARNE PAKKAI..." Sous-table non exportée NIRGUN BHAJAN? Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A01BIS BM.1976.009.001/14:14-A01BIS 00:03:15 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LA MORT EST INELUCTABLE Sous-table non exportée NIRGUN BHAJAN? Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A02 BM.1976.009.001/14:14-A02 00:04:50 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LES ELECTIONS AU NEPAL (1959) Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A03 BM.1976.009.001/14:14-A03 00:03:25 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A04 BM.1976.009.001/14:14-A04 00:05:34 N NEPAL KIRTIPUR NEPAL. MACDONALD,A.;1961 LE MEURTRE DE JANAK LAL Sous-table non exportée KARKHA Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-A05 BM.1976.009.001/14:14-A05 00:12:30 N NEPAL NEPAL. MACDONALD,A.;1961 RECITATION DE MANTRAS Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B01 BM.1976.009.001/14:14-B01 00:03:12 N NEPAL NEPAL. MACDONALD,A.;1961 "PHAKAI PHAKAI LAGYO..." Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B02 BM.1976.009.001/14:14-B02 00:05:37 N NEPAL NEPAL. MACDONALD,A.;1961 "UDEKO CANGA SITA JANDHU NABHANA..." Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B03 BM.1976.009.001/14:14-B03 00:05:00 N NEPAL NEPAL. MACDONALD,A.;1961 "HE DAJU JWAN BYARTHAI ..." Sous-table non exportée JHYAURE Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B04 BM.1976.009.001/14:14-B04 00:03:15 N NEPAL NEPAL. MACDONALD,A.;1961 "HOLA RELIMAI JE JE HUNE HOLA" Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B05 BM.1976.009.001/14:14-B05 00:02:05 N NEPAL NEPAL. MACDONALD,A.;1961 "MALAI KHUTRULAI PARI..." Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B06 BM.1976.009.001/14:14-B06 00:06:48 N NEPAL NEPAL. MACDONALD,A.;1961 MAICA Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 :14-B07 BM.1976.009.001/14:14-B07 00:00:00 N NEPAL NEPAL. MACDONALD,A.;1961 Sous-table non exportée Sous-table non exportée • 1961 ASIE +BM.976.010 Ø13;²19;PPS BM.976.010.001/02 :01-01 BM.976.010.001/02:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE:SARDAIGNE. GROUPE "ORUNE" N Sous-table non exportée Sous-table non exportée 1976 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-01 BM.1976.011.001/45:01-01 00:02:50 ALLEMAGNE HANOVRE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, EVANGILE SELON ST LUC CH. XV, 11 ET SUIVANTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. 1ère partie lue, 2ème partie épelée. N°1 ex 56 1900 AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-02 BM.1976.011.001/45:01-02 00:02:30 ALLEMAGNE PRESBOURG EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE POUR LES ENFANTS* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *chant par une Hongroise de Presbourg. N°2 ex 58• 1900 ENFANTIN B EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-03 BM.1976.011.001/45:01-03 00:01:30 GB SUD EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEILLE CHANSON POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°3 ex 59• 1900 POPULAIRE AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-04 BM.1976.011.001/45:01-04 00:02:51 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LES 6 TONS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°4 ex 184• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-05 BM.1976.011.001/45:01-05 00:02:51 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. L'ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°5 ex 185• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-06 BM.1976.011.001/45:01-06 00:02:53 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. L'ENFANT PRODIGUE (SYLLABISE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°6 ex 186• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-07 BM.1976.011.001/45:01-07 00:02:51 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION, 2ÈME PARTIE, ENFANT PRODIGUE EN FRANCAIS Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. N°7 ex 187 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-08 BM.1976.011.001/45:01-08 00:02:35 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DECLAMATION THEATRALE DU GUERRIER HANG-WON* Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. *2 parties;N°8 ex 188• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-09 BM.1976.011.001/45:01-09 00:02:21 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POUR ENDORMIR LES ENFANTS* Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. *chanté et syllabisé;N°9 ex 189• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-10 BM.1976.011.001/45:01-10 00:02:52 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE ET CHANT COMIQUE Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. N°10 ex 190• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-11 BM.1976.011.001/45:01-11 00:01:05 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. N°11 ex 191• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :01-12 BM.1976.011.001/45:01-12 00:02:51 VIETNAM TONKIN;HANOÏ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée ]18;²19;STD, 2 pistes. N°12 ex 192• 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-01 BM.1976.011.001/45:02-01 00:02:51 VIETNAM TONKIN;HANOI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. *N°13 ex 193• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-02 BM.1976.011.001/45:02-02 00:02:52 VIETNAM TONKIN;HANOI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POPULAIRE CHANTE PUIS CHANT D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. *chanté puis syllabisé;N°14 ex 194• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-03 BM.1976.011.001/45:02-03 00:02:30 VIETNAM SAIGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. *N°15 ex 195• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-04 BM.1976.011.001/45:02-04 00:02:51 VIETNAM TOKIN;BAC-NINH EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. *chanté et syllabisé;N°16 ex 196• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-05 BM.1976.011.001/45:02-05 00:02:42 VIETNAM HANOI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 AIRS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. Flûte à 6t;N°17 ex 198• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-06 BM.1976.011.001/45:02-06 00:02:45 VIETNAM HANOI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 AIRS POPULAIRES AU VIOLON Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. Violon à 2c;N°18 ex 199• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-07 BM.1976.011.001/45:02-07 00:03:00 SYRIE SYRIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. Syrien vivant à beyrouth (en arabe);épelé;. N°19 ex 273• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-08 BM.1976.011.001/45:02-08 00:02:45 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DEBUT DU CORAN* Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. en arabe littéraire;N°20 ex 283• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-09 BM.1976.011.001/45:02-09 00:01:45 URSS;CAUCASE DAGHESTAN AWARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CORAN Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°21 ex 260• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-10 BM.1976.011.001/45:02-10 00:02:22 TURKMENISTAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CORAN ET 2 CHANTS POPULAIRES* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *langue tatare;N°22 ex 238• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-11 BM.1976.011.001/45:02-11 00:02:35 COMORES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE REJOUISSANCE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *langue souahili;N°23 ex 340• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-12 BM.1976.011.001/45:02-12 00:02:33 LIBAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEUX CONTE DU VOLEUR DE CHEVAL Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°24 ex 274• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :02-13 BM.1976.011.001/45:02-13 00:02:48 TUNISIE T.SUD;NEFTA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. chanté puis parlé;N°25 ex 288• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-01 BM.1976.011.001/45:03-01 00:02:32 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°26 ex 284• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-02 BM.1976.011.001/45:03-02 00:02:21 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°27 ex 285• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-03 BM.1976.011.001/45:03-03 00:02:21 SYRIE ZGHARTA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°28 ex 277• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-04 BM.1976.011.001/45:03-04 00:02:52 SYRIE ZGHARTA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR DUO Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°29 ex 278• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-05 BM.1976.011.001/45:03-05 00:02:23 SYRIE ZGHARTA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE RECONCILIATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°30 ex 279• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-06 BM.1976.011.001/45:03-06 00:02:37 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS : BURLESQUE, D'AMOUR, DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°31 ex 286• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-07 BM.1976.011.001/45:03-07 00:02:24 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'HOMME Sous-table non exportée Sous-table non exportée Ø18;²19;STD,2 pistes. N°32 ex 287• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-08 BM.1976.011.001/45:03-08 00:02:48 ALGERIE A.SUD;OULED NAIL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LAMENTATIONS ET CHANTS D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *5 parties;N°33 ex 300• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-09 BM.1976.011.001/45:03-09 00:02:38 ALGERIE A.SUD;OULED NAIL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS: CONTE, MARIAGE ET CIRCONCISION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°34 ex 301• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-10 BM.1976.011.001/45:03-10 00:02:37 SYRIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS DE MARIAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Syrie chretienne;N°35 ex 275• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-11 BM.1976.011.001/45:03-11 00:02:15 SYRIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Syrie chrétienne;N°36 ex 276• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-12 BM.1976.011.001/45:03-12 00:02:45 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIRS MANDOLINE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°37 ex 291• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :03-13 BM.1976.011.001/45:03-13 00:02:36 TUNISIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIRS SUR UN MEZOUED Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°38 ex 292• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-01 BM.1976.011.001/45:04-01 00:02:45 CHILI MAPUCHE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte mapuche;N°39 ex 371. Ethnie : la fiche indique "Araucan"• 1900 0 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-02 BM.1976.011.001/45:04-02 00:02:37 CHILI MAPUCHE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte mapuche;N°40 ex 372. Ethnie ; la fiche indique "Araucan"• 1900 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-03 BM.1976.011.001/45:04-03 00:02:39 CHILI MAPUCHE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. araucan & espagnol;N°41 ex 373. Ethnie : la fiche indique" Araucan"• 1900 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-04 BM.1976.011.001/45:04-04 00:02:21 URSS;RSS ARMENIE CAUCASE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE "L'HIVER EST PASSE" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°42 ex 258• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-05 BM.1976.011.001/45:04-05 00:02:45 URSS;RSS ARMENIE CAUCASE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS POPULAIRES "L'ALOUETTE" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°43 ex 259• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-06 BM.1976.011.001/45:04-06 00:02:45 URSS DAGHESTAN;CAUCASE AWARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, COULEURS, NOMBRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°44 ex 261• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-07 BM.1976.011.001/45:04-07 00:02:24 URSS DAGHESTAN;CAUCASE AWARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, ALPHABET, CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°45 ex 281• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-08 BM.1976.011.001/45:04-08 00:02:43 URSS DAGHESTAN;CAUCASE AWARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE ANCIEN ET CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°46 ex 262• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-09 BM.1976.011.001/45:04-09 00:02:28 URSS DAGHESTAN;CAUCASE AWARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DAMOUR, CHANT HEROIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°47 ex 263• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-10 BM.1976.011.001/45:04-10 00:02:25 SENEGAL TOUCOULEUR,BAMBARA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE, CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2pistes. Par un wolof de Dakar. N°48 ex 317• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-11 BM.1976.011.001/45:04-11 00:02:23 FRANCE;P. BASQUE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. EVANGILE DE ST JEAN, CHAP 20 Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Lu et syllabisé; dialecte Souletin. N°49 ex 85• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-12 BM.1976.011.001/45:04-12 00:02:55 FRANCE;P. BASQUE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. EVANGILE DE ST JEAN, CHAP 20 Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Lu et syllabisé; dialecte Souletin. N°50 ex 85bis• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :04-13 BM.1976.011.001/45:04-13 00:02:49 ESPAGNE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de guipuzcoa. N°51 ex 89• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-01 BM.1976.011.001/45:05-01 00:01:27 FRANCE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *Dialecte souletin; 2 parties puis lu. N°52 ex 87• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-02 BM.1976.011.001/45:05-02 00:02:21 FRANCE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR "LA BELLE HERITIERE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *Dialecte souletin. N°53 ex 88• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-03 BM.1976.011.001/45:05-03 00:03:00 ESPAGNE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTSATIRIQUE ET 2 AIRS DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *Dialecte guipuzcoa. N°54 ex 91• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-04 BM.1976.011.001/45:05-04 00:01:42 ESPAGNE BASQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'AMOUR ET SATIRIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *Dialecte guipuzcoa. N°55 ex 92• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-05 BM.1976.011.001/45:05-05 00:02:52 ALGERIE GRANDE KABYLIE BERBÈRES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°56 ex 293• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-06 BM.1976.011.001/45:05-06 00:02:58 ALGERIE GRANDE KABYLIE BERBÈRES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DU CAFETIER Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°57 ex 294• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-07 BM.1976.011.001/45:05-07 00:02:32 ALGERIE GRANDE KABYLIE BERBÈRES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DU CAFETIER (SUITE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°58 ex 295• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-08 BM.1976.011.001/45:05-08 00:02:47 ALGERIE GRANDE KABYLIE BERBÈRES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DU CAFETIER EPELE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°59 ex 296• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-09 BM.1976.011.001/45:05-09 00:02:46 ALGERIE GRANDE KABYLIE BERBÈRES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS RELIGIEUX Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. vx : chanté, lu, épelé. N°60 ex 297• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-10 BM.1976.011.001/45:05-10 00:02:15 ALGERIE GRANDE KABYLIE;TIZI-OUZOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°61 ex 299• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-11 BM.1976.011.001/45:05-11 00:03:00 ALGERIE GRANDE KABYLIE;TIZI-OUZOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°62 ex 298• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :05-12 BM.1976.011.001/45:05-12 00:03:00 FRANCE;BRETAGNE BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE + COULEURS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte Léon• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-01 BM.1976.011.001/45:06-01 00:02:56 FRANCE;BRETAGNE FINISTERE;PONT L'ABBE BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Bigouden. N°64 ex 72• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-02 BM.1976.011.001/45:06-02 00:02:57 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Vannes. N°65 ex 82• 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-03 BM.1976.011.001/45:06-03 00:01:51 FRANCE;BRETAGNE FINISTERE;PONT L'ABBE BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POPULAIRE SUR L'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Bigouden. N°66 ex 73• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-04 BM.1976.011.001/45:06-04 00:02:17 FRANCE;BRETAGNE FINISTERE;LEON BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT "MON CLOCHER A JOUR" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Bigouden. N°67 ex 71• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-05 BM.1976.011.001/45:06-05 00:02:42 FRANCE;BRETAGNE FINISTERE;QUIMPER BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIELLE CHANSON DE GUINGAMP* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *chantée et parlée. N°68 ex 74• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-06 BM.1976.011.001/45:06-06 00:02:13 FRANCE;BRETAGNE FINISTERE;PONT L'ABBE BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIELLE CHANSON DE PONT L'ABBE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°69 ex 75• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-07 BM.1976.011.001/45:06-07 00:02:45 FRANCE;BRETAGNE FINISTERE;QUIMPER BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIELLE CHANSON DE LA SEPARATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°70 ex 76• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-08 BM.1976.011.001/45:06-08 00:02:02 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. QUAND J'ETAIS JEUNE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°71 ex 77• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-09 BM.1976.011.001/45:06-09 00:02:15 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT "LA CAILLE" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°72 ex 78• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-10 BM.1976.011.001/45:06-10 00:02:15 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT "OU TROUVERAI-JE LE PASSAGE?" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°71 ex 77• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-11 BM.1976.011.001/45:06-11 00:02:52 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°74 ex 81• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :06-12 BM.1976.011.001/45:06-12 00:02:43 FRANCE;BRETAGNE FINISTERE;VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 AIRS DE BOMBARDE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°75 ex 84• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-01 BM.1976.011.001/45:07-01 00:02:55 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LES 4 TONS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°76 ex 109• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-02 BM.1976.011.001/45:07-02 00:02:52 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LES 4 TONS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°77 ex 110• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-03 BM.1976.011.001/45:07-03 00:02:32 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LES LIVRES CLASSIQUES 2 PARTIES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. trop lent;N°78 ex 115• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-04 BM.1976.011.001/45:07-04 00:03:03 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LA VENGEANCE DU CONSEILLER DU ROI TCHO Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. trop rapide;N°79 ex 116• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-05 BM.1976.011.001/45:07-05 00:02:55 CHINE SANGHAI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT EN PLUSIEURS DIALECTES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°80 ex 121• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-06 BM.1976.011.001/45:07-06 00:02:57 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LEGENDE DE TAO-YUAN-MIN" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;épelé;N°81 ex 111• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-07 BM.1976.011.001/45:07-07 00:02:54 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LE RETOUR AU FOYER" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;épelé;N°82 ex 112• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-08 BM.1976.011.001/45:07-08 00:02:26 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;épelé;N°83 ex 113• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-09 BM.1976.011.001/45:07-09 00:02:28 CHINE PEKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT PUIS CHANT DU CONSEILLER DU ROI TCHO Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;épelé;N°84 ex 114• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-10 BM.1976.011.001/45:07-10 00:01:45 CHINE NANKIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT PUIS CHANT DU CONSEILLER DU ROI TCHO* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *incomprehensible, très abimé. med;épelé;N°85 ex 129• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-11 BM.1976.011.001/45:07-11 00:02:15 CHINE HOU-PEH EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°86 ex 130• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :07-12 BM.1976.011.001/45:07-12 00:02:10 CHINE HANG-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°87 ex 131• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-01 BM.1976.011.001/45:08-01 00:02:27 CHINE YANG-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LE RETOUR AU FOIYER" DE TAO-YUNAN MIN Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°88 ex 132• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-02 BM.1976.011.001/45:08-02 00:02:30 CHINE SOU-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°89 ex 134• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-03 BM.1976.011.001/45:08-03 00:02:45 CHINE SHANGHAI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°90 ex 120• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-04 BM.1976.011.001/45:08-04 00:02:16 CHINE NING-PO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med, trop lent;N°91 ex 136• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-05 BM.1976.011.001/45:08-05 00:02:06 CHINE KIN HOA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med, trop lent, félé;N°92 ex 137• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-06 BM.1976.011.001/45:08-06 00:01:45 CHINE WEN-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°93 ex 124• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-07 BM.1976.011.001/45:08-07 00:02:12 CHINE WEN-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB, trop lent, félé;N°94 ex 138• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-08 BM.1976.011.001/45:08-08 00:02:09 CHINE AMOY EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. trop lent;N°95 ex 140• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-09 BM.1976.011.001/45:08-09 00:02:08 CHINE SWATAO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med, trop lent;N°96 ex 141• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-10 BM.1976.011.001/45:08-10 00:02:26 CHINE CANTON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LE RETOUR AU FOYER" DE TAO-YUNAN MINH Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°97 ex 123• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-11 BM.1976.011.001/45:08-11 00:02:00 CHINE CANTON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LE RETOUR AU FOYER" DE TAO-YUNAN MINH Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med, trop lent;N°98 ex 143• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-12 BM.1976.011.001/45:08-12 00:02:32 CHINE HANOI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LE RETOUR AU FOYER" DE TAO-YUNAN MINH Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°99 ex 126• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-13 BM.1976.011.001/45:08-13 00:01:15 CHINE WEN-TCHEOU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION SYLLABISE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°100 ex 127• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-14 BM.1976.011.001/45:08-14 00:01:47 CHINE NANKIN & CANTON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION ENTRE DEUX HOMMES DE NANKIN ET CANTON Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°101 ex 118• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :08-15 BM.1976.011.001/45:08-15 00:02:20 CHINE PEKIN, TIEN-TSIN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. BONIMENTS DE PRESDIGITATEURS & CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. trop lent;N°102 ex 117• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-01 BM.1976.011.001/45:09-01 00:01:26 CHINE CANTON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE SUR L'AUTOMNE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°103 ex 122• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-02 BM.1976.011.001/45:09-02 00:02:56 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. med;N°104 ex 144• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-03 BM.1976.011.001/45:09-03 00:02:55 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°105 ex 145• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-04 BM.1976.011.001/45:09-04 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°106 ex 146• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-05 BM.1976.011.001/45:09-05 00:02:44 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°107 ex 147• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-06 BM.1976.011.001/45:09-06 00:02:56 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. med;N°108 ex 148• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-07 BM.1976.011.001/45:09-07 00:02:54 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°109 ex 149• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-08 BM.1976.011.001/45:09-08 00:02:51 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°110 ex 150• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-09 BM.1976.011.001/45:09-09 00:03:00 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°111 ex 151• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-10 BM.1976.011.001/45:09-10 00:03:00 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. AB;N°112 ex 152• 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :09-11 BM.1976.011.001/45:09-11 00:02:54 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°113 ex 153• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-01 BM.1976.011.001/45:10-01 00:02:57 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°114 ex 154• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-02 BM.1976.011.001/45:10-02 00:02:47 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. med;N°115 ex 155• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-03 BM.1976.011.001/45:10-03 00:02:57 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°116 ex 156• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-04 BM.1976.011.001/45:10-04 00:02:50 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°117 ex 157• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-05 BM.1976.011.001/45:10-05 00:03:00 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°118 ex 158• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-06 BM.1976.011.001/45:10-06 00:02:50 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. AB;N°119 ex 159• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-07 BM.1976.011.001/45:10-07 00:03:00 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°120 ex 161• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-08 BM.1976.011.001/45:10-08 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°121 ex 162• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-09 BM.1976.011.001/45:10-09 00:02:56 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B, félé 1ère partie;N°122 ex 163• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-10 BM.1976.011.001/45:10-10 00:02:56 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. med;N°123 ex 164• 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-11 BM.1976.011.001/45:10-11 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°124 ex 165• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-12 BM.1976.011.001/45:10-12 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°125 ex 166• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :10-13 BM.1976.011.001/45:10-13 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°126 ex 167• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-01 BM.1976.011.001/45:11-01 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. med;N°127 ex 168• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-02 BM.1976.011.001/45:11-02 00:02:53 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. AB;N°128 ex 169• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-03 BM.1976.011.001/45:11-03 00:02:53 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. AB;N°129 ex 170• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-04 BM.1976.011.001/45:11-04 00:02:58 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. dist;N°130 ex 171• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-05 BM.1976.011.001/45:11-05 00:02:55 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°131 ex 172• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-06 BM.1976.011.001/45:11-06 00:02:56 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°132 ex 173• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-07 BM.1976.011.001/45:11-07 00:02:57 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°133 ex 174• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-08 BM.1976.011.001/45:11-08 00:02:58 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. TB;N°134 ex 175• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-09 BM.1976.011.001/45:11-09 00:02:51 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°135 ex 176• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-10 BM.1976.011.001/45:11-10 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B, félé;N°136 ex 177• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :11-11 BM.1976.011.001/45:11-11 00:02:52 CHINE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *fait en chine. B;N°137 ex 178• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-01 BM.1976.011.001/45:12-01 00:02:52 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE PLUS ALPHABET Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°138 ex 9• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-02 BM.1976.011.001/45:12-02 00:03:00 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION ET CHANT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°139 ex 10• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-03 BM.1976.011.001/45:12-03 00:03:00 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ALPHABET, COULEURS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°140 ex 12• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-04 BM.1976.011.001/45:12-04 00:02:57 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°141 ex 13• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-05 BM.1976.011.001/45:12-05 00:02:56 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT "L'AMOUR DE 2 VIEILLARDS" PUIS CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°142 ex 14• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-06 BM.1976.011.001/45:12-06 00:03:00 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT "LES 3 SOEURS" Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°143 ex 15• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-07 BM.1976.011.001/45:12-07 00:01:30 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT LYRIQUE ET HYMNE NATIONAL CROATE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°144 ex 11• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-08 BM.1976.011.001/45:12-08 00:02:15 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIRS DE CLARINETTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°145 ex 18• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :12-09 BM.1976.011.001/45:12-09 00:02:52 EX YOUGOSLAVIE;CROATIE CROATE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIRS DE CLARINETTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°146 ex 19• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-01 BM.1976.011.001/45:13-01 00:02:53 BENIN OUIDAH EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT, TONS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°147 ex 322• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-02 BM.1976.011.001/45:13-02 00:02:52 BENIN OUIDAH EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANSON DU ROI, CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°148 ex 323• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-03 BM.1976.011.001/45:13-03 00:02:52 BENIN OUIDAH EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°149 ex 324• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-04 BM.1976.011.001/45:13-04 00:02:53 BENIN AGOUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT RELIGIEUX* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *le même chant épelé également. TB;N°150 ex 325• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-05 BM.1976.011.001/45:13-05 00:02:51 BENIN PORTO-NOVO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE EPELE, CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°151 ex 328• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-06 BM.1976.011.001/45:13-06 00:02:26 BENIN PORTO-NOVO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°152 ex 329• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-07 BM.1976.011.001/45:13-07 00:02:35 TURQUIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR PUIS PARLE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Israelite (espagnol) de constantinople; B;N°153 ex 26• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-08 BM.1976.011.001/45:13-08 00:02:52 FINLANDE SAVO SUOMI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°154 ex 36• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-09 BM.1976.011.001/45:13-09 00:02:52 FINLANDE SAVO SUOMI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°155 ex 37• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-10 BM.1976.011.001/45:13-10 00:02:52 FINLANDE SAVO SUOMI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°156 ex 38• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :13-11 BM.1976.011.001/45:13-11 00:02:50 FINLANDE SAVO SUOMI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. épelé. B;N°157 ex 39• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-01 BM.1976.011.001/45:14-01 00:02:45 FINLANDE SAVO SUOMI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT LE KALWALA Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°158 ex 40• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-02 BM.1976.011.001/45:14-02 00:01:58 FRANCE LOIRE;BELIGNY EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°159 ex 60• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-03 BM.1976.011.001/45:14-03 00:02:52 FRANCE JURA;RECANOZ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, NOMBRES, COULEURS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°160 ex 61• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-04 BM.1976.011.001/45:14-04 00:01:45 GUYANE FRANCAISE CAYENNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. en français par une créole. N°161 ex 374• 1900 0 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-05 BM.1976.011.001/45:14-05 00:02:30 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DU LOUP ET DU LAPIN Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. en français. AB;N°162 ex 311• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-06 BM.1976.011.001/45:14-06 00:01:44 GUYANE FRANCAISE CAYENNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEUX CONTE DU TIGRE ET DE LA TORTUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. en français par une créole. AB;N°163 ex 375• 1900 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-07 BM.1976.011.001/45:14-07 00:02:28 GUYANE FRANCAISE CAYENNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEILLE CHANSON COMIQUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. épelé;en français par une créole. B;N°164 ex 376• 1900 AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-08 BM.1976.011.001/45:14-08 00:02:35 FRANCE BEARN;PAU FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE ET CHANT DE BERGER Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°165 ex 62• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-09 BM.1976.011.001/45:14-09 00:02:38 FRANCE BEARN;PAU FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEUX CONTE : LES 3 FEES ET LE ROI Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°166 ex 63• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-10 BM.1976.011.001/45:14-10 00:02:51 FRANCE MARSEILLE FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LES RELIGIEUSES DE L'ABBAYE DE SAINT VICTOR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°167 ex 64• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-11 BM.1976.011.001/45:14-11 00:02:46 FRANCE MARSEILLE FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CONTES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°168 ex 65• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :14-12 BM.1976.011.001/45:14-12 00:02:53 FRANCE MARSEILLE FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°169 ex 66• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-01 BM.1976.011.001/45:15-01 00:02:44 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°170 ex 264• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-02 BM.1976.011.001/45:15-02 00:02:48 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. épelé. B;N°171 ex 265• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-03 BM.1976.011.001/45:15-03 00:02:51 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (SUITE ) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. épelé; suite pièce 15-02. B;N°172 ex 266• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-04 BM.1976.011.001/45:15-04 00:02:50 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ALPHABET Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°173 ex 267• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-05 BM.1976.011.001/45:15-05 00:02:51 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES, D'AMOUR, FUNEBRE, DE TABLE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°174 ex 269• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-06 BM.1976.011.001/45:15-06 00:02:55 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS : A BOIRE, BERCEUSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°175 ex 270• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-07 BM.1976.011.001/45:15-07 00:01:24 GEORGIE GEORGIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°176 ex 271• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-08 BM.1976.011.001/45:15-08 00:02:36 INDE;GUJARAT GUDJERATI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°177 ex 223• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-09 BM.1976.011.001/45:15-09 00:02:43 INDE;GUJARAT GUDJERATI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. épelé. AB;N°178 ex 224• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-10 BM.1976.011.001/45:15-10 00:01:24 INDE;GUJARAT GUDJERATI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE BAYADERE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. B;N°179 ex 225• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-11 BM.1976.011.001/45:15-11 00:02:45 INDE;GUJARAT GUDJERATI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS DE BAYADERE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°180 ex 226• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :15-12 BM.1976.011.001/45:15-12 00:02:41 INDE;GUJARAT GUDJERATI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°181 ex 227• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-01 BM.1976.011.001/45:16-01 00:02:52 ISRAEL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE : CANTILLATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Par un espagnol né à constantinple; Hébreu. med;n°182 ex 27• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-02 BM.1976.011.001/45:16-02 00:02:52 ISRAEL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LA GENESE CANTILLEE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Par un tunisien. med;n°183 ex 290• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-03 BM.1976.011.001/45:16-03 00:02:45 ISRAEL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. BIBLE CHANTEE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Par un algérien; Hébreu. med;n°184 ex 302• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-04 BM.1976.011.001/45:16-04 00:02:40 ISRAEL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. BIBLE EPELEE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. Par un algérien; Hébreu. AB;n°185 ex 303• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-05 BM.1976.011.001/45:16-05 00:02:46 ISLANDE REJKJAVIK ISLANDAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE LU Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°186 ex 51• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-06 BM.1976.011.001/45:16-06 00:02:45 ISLANDE ISLANDAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE LU Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°187 ex 52• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-07 BM.1976.011.001/45:16-07 00:02:52 ISLANDE ISLANDAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. POESIE FUNEBRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°188 ex 53• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-08 BM.1976.011.001/45:16-08 00:02:38 ISLANDE ISLANDAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°189 ex 54• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-09 BM.1976.011.001/45:16-09 00:01:31 ISLANDE ISLANDAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PUIS CHANT H Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°190 ex 55• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-10 BM.1976.011.001/45:16-10 00:02:35 SYRIE SYRIEN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H DE RECONCILIATION SYRIEN ET CHANT FUNEBRE ISLANDAIS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°191 ex 381• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-11 BM.1976.011.001/45:16-11 00:02:42 ITALIE;CALABRE REGGIO CALABRAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. chanté puis lu, épelé. AB;N°192 ex 67• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :16-12 BM.1976.011.001/45:16-12 00:02:52 ITALIE;CALABRE REGGIO CALABRAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. chanté puis lu. AB;N°193 ex 68• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-01 BM.1976.011.001/45:17-01 00:02:51 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, LU Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°194 ex 96• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-02 BM.1976.011.001/45:17-02 00:02:55 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, SYLLABISE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°195 ex 97• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-03 BM.1976.011.001/45:17-03 00:02:52 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, LU Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°196 ex 98• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-04 BM.1976.011.001/45:17-04 00:01:16 JAPON ILE DE KIOU-SIOU JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°197 ex 99• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-05 BM.1976.011.001/45:17-05 00:02:52 JAPON SHIZUOKA JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE, VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. med;N°198 ex 100• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-06 BM.1976.011.001/45:17-06 00:02:44 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVESRATION, DECLAMATION THEATRALE. TCHO-BE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°199 ex 101• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-07 BM.1976.011.001/45:17-07 00:01:35 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT, AIR DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. med;N°200 ex 102• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-08 BM.1976.011.001/45:17-08 00:02:52 JAPON EBARAKI JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. POESIE ANCIENNE, KOKIVWA KASIEU PUIS 6 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°201 ex 103• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-09 BM.1976.011.001/45:17-09 00:02:54 JAPON JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES : TOKIVASBOUNGO, NAGA OUTRA, GITAIO Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°202 ex 104• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-10 BM.1976.011.001/45:17-10 00:02:40 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. femme shamizen. AB;N°203 ex 105• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-11 BM.1976.011.001/45:17-11 00:02:36 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. femme shamizen. med;N°204 ex 106• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-12 BM.1976.011.001/45:17-12 00:02:48 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE FLUTE H : AIR DU JOUR DE L'AN Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. B;(vitesse);N°205 ex 107• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-13 BM.1976.011.001/45:17-13 00:02:52 JAPON EBARAKI JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE FLUTE SHAKEHATI, H : 2 AIRS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°206 ex 108• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :17-14 BM.1976.011.001/45:17-14 00:01:20 JAPON TOKYO JAPONAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE TAMBOURIN TSOUZOUMI PAR UNE F Sous-table non exportée Sous-table non exportée Ø18;²19•STD, 2 pistes. AB;N°207 ex 383• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-01 BM.1976.011.001/45:18-01 00:02:47 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°208 ex 200• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-02 BM.1976.011.001/45:18-02 00:02:47 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°209 ex 201• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-03 BM.1976.011.001/45:18-03 00:02:52 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°210 ex 202• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-04 BM.1976.011.001/45:18-04 00:02:44 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE (MANIERE LAOTIENNE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°211 ex 203• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-05 BM.1976.011.001/45:18-05 00:02:48 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT DE VOYAGE (MANIERE LAOTIENNE) SUITE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°212 ex 204• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-06 BM.1976.011.001/45:18-06 00:02:38 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°213 ex 205• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-07 BM.1976.011.001/45:18-07 00:02:19 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°214 ex 207• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-08 BM.1976.011.001/45:18-08 00:02:50 LAOS PAC-NAM-HIM-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS POPULAIRES D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°215 ex 208• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-09 BM.1976.011.001/45:18-09 00:02:45 URSS;RSS LETTONIE RIGA LETTE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°216 ex 41• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-10 BM.1976.011.001/45:18-10 00:02:40 URSS;RSS LETTONIE RIGA LETTE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°217 ex 42• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :18-11 BM.1976.011.001/45:18-11 00:02:50 URSS;RSS LETTONIE MITTAU LETTE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE, DAINIA Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°218 ex 43• 1900 POPULAIRE EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-01 BM.1976.011.001/45:19-01 00:03:00 MALAYSIA PRESQU'ILE DE MALACCA MALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DES MILLES ET UNE NUIT & CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med, félé;N°220 ex 377• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-02 BM.1976.011.001/45:19-02 00:02:48 HONGRIE ESTERGOM MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°221 ex 28• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-03 BM.1976.011.001/45:19-03 00:02:50 HONGRIE SZOLNOK MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°222 ex 29• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-04 BM.1976.011.001/45:19-04 00:02:41 HONGRIE BUDAPEST MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. inaudible;N°223 ex 30• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-05 BM.1976.011.001/45:19-05 00:02:45 HONGRIE BUDAPEST MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (SYLLABISE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°224 ex 31• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-06 BM.1976.011.001/45:19-06 00:02:54 HONGRIE SZOLNOK MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR, CHANT DE PAYSAN Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°225 ex 32• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-07 BM.1976.011.001/45:19-07 00:02:50 HONGRIE SZOLNOK & ESTERGOM MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE & CHANT A BOIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°226 ex 33• 1900 POPULAIRE EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-08 BM.1976.011.001/45:19-08 00:02:48 HONGRIE SZOLNOK MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PATRIOTIQUE & CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°227 ex 34• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-09 BM.1976.011.001/45:19-09 00:01:04 HONGRIE SZOLNOK MAGYAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANSON A BOIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°228 ex 35• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-10 BM.1976.011.001/45:19-10 00:02:45 CONGO MAKOUA,COTE ORIENTALE D'AFRIQUE NOURRIMA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION ET ALLOCATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°229 ex 331• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :19-11 BM.1976.011.001/45:19-11 00:02:40 CONGO MAKOUA,COTE ORIENTALE D'AFRIQUE NOURRIMA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT : QUERELLE DE MENAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°230 ex 333• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-01 BM.1976.011.001/45:20-01 00:02:42 CONGO MAKOUA,COTE ORIENTALE D'AFRIQUE NOURRIMA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT SYLLABISE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°231 ex 334• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-02 BM.1976.011.001/45:20-02 00:02:38 CONGO MAKOUA,COTE ORIENTALE D'AFRIQUE NOURRIMA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT SYLLABISE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°232 ex 336• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-03 BM.1976.011.001/45:20-03 00:02:48 MADAGASCAR EMYRNE HOVA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°233 ex 346• 1900 0 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-04 BM.1976.011.001/45:20-04 00:02:45 MADAGASCAR EMYRNE HOVA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. félé;N°234 ex 347• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-05 BM.1976.011.001/45:20-05 00:02:50 MADAGASCAR EMYRNE HOVA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°236 ex 350• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-06 BM.1976.011.001/45:20-06 00:01:50 MADAGASCAR BETSIMISARAKA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°237 ex 355• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-07 BM.1976.011.001/45:20-07 00:01:50 MADAGASCAR BETSIMISARAKA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°238 ex 384• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-08 BM.1976.011.001/45:20-08 00:02:10 MADAGASCAR BETSIMISARAKA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE (PLUS SYLLABISE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°239 ex 385• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-09 BM.1976.011.001/45:20-09 00:02:53 MADAGASCAR CENTRE BETSILEU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE POPULAIRE (PLUS EPELE PLUS CONVERSATION) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. félé;N°240 ex 356• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-10 BM.1976.011.001/45:20-10 00:02:56 MADAGASCAR CENTRE BETSILEU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE POUR LA GUERISON DE LA REINE (PLUS EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°241 ex 357• 1900 POPULAIRE AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-11 BM.1976.011.001/45:20-11 00:02:22 MADAGASCAR COTE EST ANTEMOUR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR (PLUS EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°242 ex 358• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-12 BM.1976.011.001/45:20-12 00:02:44 MADAGASCAR COTE EST ANTEMOUR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DECLAMATIONS, SALUTATIONS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°243 ex 386• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :20-13 BM.1976.011.001/45:20-13 00:02:48 MADAGASCAR SIANAK EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H.DE CIRCONCISION @CHANT F. DE REJOUISSANCE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°244 ex 360 1 & 2• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-01 BM.1976.011.001/45:21-01 00:02:15 MADAGASCAR SIANAK EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS CONVERSATION EPELE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°245 ex 359• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-02 BM.1976.011.001/45:21-02 00:02:38 MADAGASCAR ANTANKARANA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE DE GUERRE (PLUS EPELE) PLUS CONVERSATION F. Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°246 ex 361• 1900 POPULAIRE AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-03 BM.1976.011.001/45:21-03 00:02:42 MADAGASCAR ANTANKARANA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANT DE DANSE H. & F. Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°247 ex 362• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-04 BM.1976.011.001/45:21-04 00:02:52 MADAGASCAR MAHAFALY EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT POUR ENFANT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°248 ex 363. Ethnie, l'auteur compil. note : "MAHAFOLI"• 1900 NARRATIF AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-05 BM.1976.011.001/45:21-05 00:02:48 MADAGASCAR MAHAFALY EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE & CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°249 ex 364. Ethnie, l'Auteur Compil. note : "MAHAFOLI"• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-06 BM.1976.011.001/45:21-06 00:02:49 MADAGASCAR COTE OUEST SAKALAVA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT POUR ENFANT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. rayé;N°250 ex 366? Ethnie, l'Auteur Compil; note "SAKALAVE"• 1900 NARRATIF AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-07 BM.1976.011.001/45:21-07 00:02:40 MADAGASCAR COTE OUEST SAKALAVA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE PIROGUIER & CHANT D'AMOUR (PLUS EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°251 ex 369. L'Auteur Compil. note "SAKALAVE"• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-08 BM.1976.011.001/45:21-08 00:02:00 MADAGASCAR ANTANOSY EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°252 ex 388. Ethnie, l'Auteur Compil. note "ANTANOUSSI"• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-09 BM.1976.011.001/45:21-09 00:02:42 MADAGASCAR EMYRNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR POPULAIRE ANCIEN Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;faible;N°253 ex 351• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-10 BM.1976.011.001/45:21-10 00:02:45 MADAGASCAR EMYRNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MARCHE MILITAIRE ANCIENNE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°254 ex 352• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :21-11 BM.1976.011.001/45:21-11 00:02:55 MADAGASCAR EMYRNE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR DE DANSE ANCIEN SIFFLE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°255 ex 353• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-01 BM.1976.011.001/45:22-01 00:02:46 SENEGAL MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°256 ex 318• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-02 BM.1976.011.001/45:22-02 00:02:50 SENEGAL MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT ET VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°257 ex 319• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-03 BM.1976.011.001/45:22-03 00:02:51 SENEGAL MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 AIRS DE KORA Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°259 ex 321• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-04 BM.1976.011.001/45:22-04 00:02:54 SENEGAL MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 AIRS DE DANSE DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°259 ex 321• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-05 BM.1976.011.001/45:22-05 00:02:50 NOUVELLE-CALEDONIE ILE DE MARE NENGONE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. PSAUMES DE DAVID (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°260 ex 378• 1900 0 OCEANIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-06 BM.1976.011.001/45:22-06 00:02:52 NOUVELLE-CALEDONIE ILE DE MARE NENGONE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. PSAUMES DE DAVID (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°261 ex 379• 1900 OCEANIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-07 BM.1976.011.001/45:22-07 00:01:20 NOUVELLE-CALEDONIE ILE DE MARE NENGONE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'AMOUR, DE FETE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;N°262 ex 380• 1900 OCEANIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-08 BM.1976.011.001/45:22-08 00:02:36 NORVEGE LILLEHAMMER EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) & VIEILLE CHANSON Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°263 ex 46• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-09 BM.1976.011.001/45:22-09 00:02:50 NORVEGE SUD EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°264 ex 47• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :22-10 BM.1976.011.001/45:22-10 00:02:52 NORVEGE SUD EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (SYLLABISE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°265 ex 48• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-01 BM.1976.011.001/45:23-01 00:02:30 NORVEGE SUD EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;faible;N°266 ex 49• 1900 POPULAIRE EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-02 BM.1976.011.001/45:23-02 00:02:32 NORVEGE SUD EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 5 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°267 ex 50• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-03 BM.1976.011.001/45:23-03 00:02:52 IRAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE DE SADI (SYLLABISE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Kernan. AB;N°268 ex 250• 1900 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-04 BM.1976.011.001/45:23-04 00:02:00 IRAN TURKESTAN SARTE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. dialecte de Kernan. med;faible;N°269 ex 280• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-05 BM.1976.011.001/45:23-05 00:02:53 IRAN TURKESTAN TADJIK EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEUX CONTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°270 ex 244• 1900 NARRATIF ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-06 BM.1976.011.001/45:23-06 00:02:40 IRAN TURKESTAN TADJIK EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. VIEUX CONTE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°271 ex 246• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-07 BM.1976.011.001/45:23-07 00:02:56 IRAN TURKESTAN TADJIK EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 RECITS PLUS CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°272 ex 247• 1900 NARRATIF ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-08 BM.1976.011.001/45:23-08 00:02:50 IRAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR NATIONAL, ESSAIS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;N°273 ex 251• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-09 BM.1976.011.001/45:23-09 00:02:55 IRAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR NATIONAL Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°274 ex 252• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-10 BM.1976.011.001/45:23-10 00:02:48 IRAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR DE REJOUISSANCE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°275 ex 254• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :23-11 BM.1976.011.001/45:23-11 00:02:55 IRAN EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;N°276 ex 255• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-01 BM.1976.011.001/45:24-01 00:02:43 SENEGAL PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR ET DE GUERRE (PLUS EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;N°277 ex 312• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-02 BM.1976.011.001/45:24-02 00:02:20 URSS;RSFS RUSSIE SUD RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;n°278 ex 1• 1900 0 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-03 BM.1976.011.001/45:24-03 00:02:43 URSS;RSFS RUSSIE SUD RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;n°279 ex 2• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-04 BM.1976.011.001/45:24-04 00:02:40 URSS;RSFS RUSSIE SUD RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;n°280 ex 4• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-05 BM.1976.011.001/45:24-05 00:02:40 URSS;RSFS RUSSIE KIEV RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT A BOIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;n°281 ex 5• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-06 BM.1976.011.001/45:24-06 00:02:48 URSS;RSFS RUSSIE KHARKOW RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;n°282 ex 6• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-07 BM.1976.011.001/45:24-07 00:01:16 URSS;RSFS RUSSIE KHARKOW RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;n°283 ex 7• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-08 BM.1976.011.001/45:24-08 00:02:45 URSS;RSFS RUSSIE KHARKOW RUTHENE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT HUMORISTIQUE D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;n°284 ex 8• 1900 EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-09 BM.1976.011.001/45:24-09 00:02:39 SENEGAL CAP VERT WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;n°285 ex 313• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-10 BM.1976.011.001/45:24-10 00:02:40 SENEGAL CAP VERT WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE (IDEM EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;n°286 ex 314• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-11 BM.1976.011.001/45:24-11 00:02:50 SENEGAL CAP VERT WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. B;n°287 ex 315• 1900 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :24-12 BM.1976.011.001/45:24-12 00:02:30 LAOS PAC-NAM-HIN-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ALPHABET SELON LE PSIUS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. TB;n°288 ex 210• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-01 BM.1976.011.001/45:25-01 02:45:00 LAOS PAC-NAM-HIN-BOUM EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. EVANGILE DE SAINT MATHIEU Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. AB;n°289 ex 211• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-02 BM.1976.011.001/45:25-02 00:02:36 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT D'UNE VIEILLE LEGENDE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;n°290 ex 216• 1900 NARRATIF 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-03 BM.1976.011.001/45:25-03 00:02:50 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR (PLUS EPELE), VIEILLE LEGENDE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. med;n°291 ex 217• 1900 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-04 BM.1976.011.001/45:25-04 00:02:45 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°291 ex 217• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-05 BM.1976.011.001/45:25-05 00:02:12 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE MARIAGE (LU,EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°293 ex 213• 1900 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-06 BM.1976.011.001/45:25-06 00:02:30 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE MARIAGE (LU,EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°294 ex 214• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-07 BM.1976.011.001/45:25-07 00:02:30 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°295 ex 215• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-08 BM.1976.011.001/45:25-08 00:02:33 SRI LANKA CEYLAN CANDY SINGALAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°296 ex 218• 1900 POPULAIRE AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-09 BM.1976.011.001/45:25-09 00:01:33 EX YOUGOSLAVIE;BOSNIE BOSNIE HERZEGOVINE SLAVE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS LITURGIQUES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°297 ex 17• 1900 RELIGIEUX med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-10 BM.1976.011.001/45:25-10 00:02:33 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT : QUERELLE DE MENAGE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°298 ex 337• 0 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-11 BM.1976.011.001/45:25-11 00:02:43 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT : QUERELLE DE MENAGE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°299 ex 338• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-12 BM.1976.011.001/45:25-12 00:02:53 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR (PLUS EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°300 ex 339• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :25-13 BM.1976.011.001/45:25-13 00:02:38 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANT EPELE PLUS CORAN Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°301 ex 344• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-01 BM.1976.011.001/45:26-01 00:02:20 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE LU Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°302 ex 341• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-02 BM.1976.011.001/45:26-02 00:02:15 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE LU Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°303 ex 342• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-03 BM.1976.011.001/45:26-03 00:02:40 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE EPELE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°304 ex 343• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-04 BM.1976.011.001/45:26-04 00:01:23 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°305 ex 345• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-05 BM.1976.011.001/45:26-05 00:02:40 COMORES SOUHAHILI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS DE DANSE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. n°306 ex 387• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-06 BM.1976.011.001/45:26-06 00:02:48 SUEDE GOTTLAND EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°307 ex 45• 1900 POPULAIRE med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-07 BM.1976.011.001/45:26-07 00:02:40 INDE;TAMIL NADU SUD TAMOUL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (EPELE) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°308 ex 220• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-08 BM.1976.011.001/45:26-08 00:00:45 INDE;TAMIL NADU SUD TAMOUL EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°309 ex 221• 1900 RELIGIEUX AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-09 BM.1976.011.001/45:26-09 00:02:58 TCHECOSLOVAQUIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE PLUS VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°310 ex 20• 1900 B EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-10 BM.1976.011.001/45:26-10 00:02:10 SENEGAL TOUCOULEUR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°311 ex 316• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-11 BM.1976.011.001/45:26-11 00:02:37 TURQUIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;SDT, 2 pistes. N°312 ex 21• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :26-12 BM.1976.011.001/45:26-12 00:02:40 TURQUIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;SDT, 2 pistes. N°313 ex 22• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-01 BM.1976.011.001/45:27-01 00:02:45 TURQUIE CONSTANTINOPLE TURC EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;SDT, 2 pistes. N°314 ex 23• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-02 BM.1976.011.001/45:27-02 00:01:45 TURQUIE CONSTANTINOPLE TURC EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE GAI Sous-table non exportée Sous-table non exportée Ø18;²19;SDT, 2 pistes. N°315 ex 25• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-03 BM.1976.011.001/45:27-03 00:02:45 URSS;RSS OUZBEKISTAN OUZBEKS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE DE BIENVENUE, PLUS EPELE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°316 ex 234• 1900 POPULAIRE B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-04 BM.1976.011.001/45:27-04 00:02:46 URSS;RSS OUZBEKISTAN OUZBEKS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT MILITAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°317 ex 235• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-05 BM.1976.011.001/45:27-05 00:02:47 URSS;RSS OUZBEKISTAN OUZBEKS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT MILITAIRE (LU) PLUS VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°318 ex 236• 1900 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-06 BM.1976.011.001/45:27-06 00:02:45 URSS;RSS OUZBEKISTAN OUZBEKS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°319 ex 237• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-07 BM.1976.011.001/45:27-07 00:02:45 URSS;RA TATAR TATARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°320 ex 329• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-08 BM.1976.011.001/45:27-08 00:01:53 URSS;RA TATAR TATARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS DE GUERRE & D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°321 ex 240• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-09 BM.1976.011.001/45:27-09 00:02:50 URSS;RA TATAR TURKESTAN TATARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°322 ex 241• 1900 POPULAIRE med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-10 BM.1976.011.001/45:27-10 00:01:47 URSS;RA TATAR TURKESTAN, ASKHABAD TATARE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°323 ex 242• 1900 POPULAIRE med, félé ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-11 BM.1976.011.001/45:27-11 00:02:36 INDE NORD, AUDH SECTE DES SADH (PARSI) HINDOUSTANI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°324 ex 230• 1900 TB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-12 BM.1976.011.001/45:27-12 00:02:34 INDE NORD, AUDH SECTE DES SADH (PARSI) HINDOUSTANI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°325 ex 231• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :27-13 BM.1976.011.001/45:27-13 00:02:33 INDE;MAHARASTRA BOMBAY HINDOUSTANI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°326 ex 226• 1900 med,félé ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-01 BM.1976.011.001/45:28-01 00:00:50 INDE;MAHARASTRA BOMBAY HINDOUSTANI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT EPELE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°327 ex 229• 1900 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-02 BM.1976.011.001/45:28-02 00:02:36 INDE;MAHARASTRA BOMBAY HINDOUSTANI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 PROVERBES CHANTES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°328 ex 232• 1900 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-03 BM.1976.011.001/45:28-03 00:02:36 GB;ANGLETERRE ANGLAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. HISTOIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°329 ex ? (233)• 1900 NARRATIF AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-04 BM.1976.011.001/45:28-04 00:02:45 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CONTES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°330 ex 310• 1900 NARRATIF med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-05 BM.1976.011.001/45:28-05 00:01:48 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°331 ex 306• 1900 TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-06 BM.1976.011.001/45:28-06 00:02:45 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°332 ex 307• 1900 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-07 BM.1976.011.001/45:28-07 00:02:42 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 3 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°333 ex 308• 1900 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-08 BM.1976.011.001/45:28-08 00:02:32 SENEGAL SAINT LOUIS WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°334 ex 309• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-09 BM.1976.011.001/45:28-09 00:02:48 NIGERIA LAGOS YORUBA;NAGO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT D'AMOUR PLUS CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°335 ex 326• 1900 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-10 BM.1976.011.001/45:28-10 00:02:53 BENIN PORTO-NOVO YORUBA;NAGO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE GUERRE (LU) Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°336 ex 327• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-11 BM.1976.011.001/45:28-11 00:01:15 BENIN PORTO-NOVO YORUBA;NAGO EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE REJOUISSANCE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°337 ex 330• 1900 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-12 BM.1976.011.001/45:28-12 00:02:33 ALLEMAGNE HANOVRE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POPULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°338 ex 57• 1900 POPULAIRE TB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :28-13 BM.1976.011.001/45:28-13 00:01:55 NORVEGE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°339 ex 95• 1900 AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-01 BM.1976.011.001/45:29-01 00:01:55 SRI LANKA SRI-LANKAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. PRIERE PLUS TEXTE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°340 ex 400• 1900 RELIGIEUX AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-02 BM.1976.011.001/45:29-02 00:03:00 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONVERSATION Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°342 ex 401• 1900 rayé EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-03 BM.1976.011.001/45:29-03 00:03:00 FRANCE BRETAGNE,VANNES BRETON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°343 ex 403• 1900 B EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-04 BM.1976.011.001/45:29-04 00:02:45 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°344 ex 404• 1900 med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-05 BM.1976.011.001/45:29-05 00:02:10 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ? Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°345 ex 405• 1900 med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-06 BM.1976.011.001/45:29-06 00:02:45 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT COMIQUE, ESSAIS Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°347 ex 407• 1900 AB rayé EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-07 BM.1976.011.001/45:29-07 00:02:53 URSS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°348 ex 408• 1900 med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-08 BM.1976.011.001/45:29-08 00:02:42 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°349 ex 409• 1900 med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-09 BM.1976.011.001/45:29-09 00:00:50 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°350 ex 410• 1900 med EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :29-10 BM.1976.011.001/45:29-10 00:02:30 FRANCE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS VOCABULAIRE Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°351 ex 411• 1900 AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-01 BM.1976.011.001/45:30-01 00:01:25 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MARCHE MILITAIRE DE LOS COLORADOS - 2EME BAT. D'INFANTERIE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°351 cy 03-01-3bis• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 TB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-02 BM.1976.011.001/45:30-02 00:01:07 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DUO POUR PISTON Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°353 cy 03-01-4• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-03 BM.1976.011.001/45:30-03 00:02:40 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LAMENTAOS DE YURA Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°354 cy 03-01-7• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-04 BM.1976.011.001/45:30-04 00:00:52 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHOEURS H "PALOMITA" Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°355 cy 03-01-8• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-05 BM.1976.011.001/45:30-05 00:01:33 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE "ROSALIA-CUECA" Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°356 cy 03-01-9• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 TB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-06 BM.1976.011.001/45:30-06 00:01:02 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHOEURS "TRISTE BOLIVIANA" Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°357 cy 03-01-13• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB manque début felé AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-07 BM.1976.011.001/45:30-07 00:01:50 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE TOCADA Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°358 cy 03-01-14• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-08 BM.1976.011.001/45:30-08 00:01:22 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TOCADA PAR LA BANDA DES BATAILLONS Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°359 cy 03-01-17• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 B félé AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-09 BM.1976.011.001/45:30-09 00:02:43 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CORI CANASTITA Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°360 cy 03-01-18• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-10 BM.1976.011.001/45:30-10 00:02:41 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TALACOCHA, MARCHE MILITAIRE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°361 cy 03-01-20• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 B, lent AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-11 BM.1976.011.001/45:30-11 00:02:45 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT SOLO H, 2 PARTIES Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°362 cy 03-01-21• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med, félé AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-12 BM.1976.011.001/45:30-12 00:02:38 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H PLUS HARMONIUM Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°363 cy 03-01-23• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med, félé AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-13 BM.1976.011.001/45:30-13 00:02:04 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE, 2EME BATAILLON D'INFANTERIE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°364 cy 03-01-24• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-14 BM.1976.011.001/45:30-14 00:01:32 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE SERENADA (TRISTE) Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°365 cy 03-01-27• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-15 BM.1976.011.001/45:30-15 00:02:48 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHOEUR PLUS PIANO MECANIQUE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°366 cy 03-01-31• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-16 BM.1976.011.001/45:30-16 00:02:26 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DUO DE PISTONS Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°367 cy 03-01-33• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :30-17 BM.1976.011.001/45:30-17 00:01:25 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE BAILE DE TIERRA Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°368 cy 03-01-34• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-01 BM.1976.011.001/45:31-01 00:02:35 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°369 cy 03-01-35• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-02 BM.1976.011.001/45:31-02 00:01:30 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHOEUR H Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°370 cy 03-01-36• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med, lent AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-03 BM.1976.011.001/45:31-03 00:02:02 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°371 cy 03-01-37• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med, lent AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-04 BM.1976.011.001/45:31-04 00:02:05 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR MANDOLINE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°372 cy 03-01-44• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-05 BM.1976.011.001/45:31-05 00:02:05 BOLIVIE LA PAZ EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°373 cy 03-01-46• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 NARRATIF med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-06 BM.1976.011.001/45:31-06 00:01:30 BOLIVIE LA PAZ FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°374 cy 03-01-48• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 NARRATIF med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-07 BM.1976.011.001/45:31-07 00:01:32 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FANFARE Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°375 cy 03-01-50• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-08 BM.1976.011.001/45:31-08 00:01:17 BOLIVIE FRANCAIS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. PRIERE PATER NOSTER Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°377 cy 03-01-54• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 RELIGIEUX med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-09 BM.1976.011.001/45:31-09 00:01:15 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. NUMEROTATION Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°378 cy 03-01-56• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-10 BM.1976.011.001/45:31-10 00:03:00 BOLIVIE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TEXTE ECOLOGIQUE MONSIEUR GUYOT 1 (902) Sous-table non exportée Sous-table non exportée Jusqu'à BM....31-10. STD, 2 pistes. N°379 cy 03-01-58• CREQUI MONTFORT &SENECHAL DE LA GRANGE 1903 AB AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-11 BM.1976.011.001/45:31-11 00:01:00 SENEGAL KAOLAK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LA PART DU PLUS JEUNE CHEZ LE ROI Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°380 cy 32-1-1• LABOURET 1932 NARRATIF TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-12 BM.1976.011.001/45:31-12 00:02:10 SENEGAL KAOLAK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LE LIEVRE ET L'ELEPHANT Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°381 cy 32-1-2• LABOURET 1932 NARRATIF TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-13 BM.1976.011.001/45:31-13 00:01:10 SENEGAL KAOLAK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LE PARI DU LIEVRE ET DU SINGE Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°382 cy 32-1-3• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-14 BM.1976.011.001/45:31-14 00:02:06 SENEGAL KAOLAK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : L'HYENE MEDECIN Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°383 cy 32-1-4• LABOURET 1932 TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-15 BM.1976.011.001/45:31-15 00:01:13 SENEGAL KAOLACK WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LES TROIS POLTRONS Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°384 cy 32-1-5• LABOURET 1932 TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-16 BM.1976.011.001/45:31-16 00:02:16 SENEGAL KAOLACK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LE PUITS DU LION Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°385 cy 32-1-6• LABOURET 1932 NARRATIF AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :31-17 BM.1976.011.001/45:31-17 00:01:15 SENEGAL KAOLACK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LA HYENE ET LE CHIEN Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°386 cy 32-1-8• LABOURET 1932 AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-01 BM.1976.011.001/45:32-01 00:01:40 SENEGAL KAOLACK SERERE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LA HYENE ET LE CHIEN (FIN) Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°387 cy 32-1-9• LABOURET 1932 TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-02 BM.1976.011.001/45:32-02 00:01:07 SENEGAL KAOLACK WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LE RUSE BARMA Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°388 cy 32-1-10• LABOURET 1932 NARRATIF TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-03 BM.1976.011.001/45:32-03 00:01:50 SENEGAL KAOLACK WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : COMMENT SAMBA TROMPA LE BOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°389 cy 32-1-11• LABOURET 1932 NARRATIF TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-04 BM.1976.011.001/45:32-04 00:01:24 SENEGAL KAOLACK WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CONTE : LES TROIS TOUFFES DE CHEVEUX DE BANDIN Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°390 cy 32-1-12• LABOURET 1932 NARRATIF B, félé AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-05 BM.1976.011.001/45:32-05 00:01:42 SENEGAL CONAKRY MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE KONIANKE DE BEYLA Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°391 cy 32-1-13• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-06 BM.1976.011.001/45:32-06 00:01:58 SENEGAL CONAKRY MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE MALINKE DE KANKAN Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°392 cy 32-1-14• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-07 BM.1976.011.001/45:32-07 00:01:58 SENEGAL CONAKRY MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE MALINKE DE KOUROUSSA Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°393 cy 32-1-15• LABOURET 1932 TB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-08 BM.1976.011.001/45:32-08 00:01:38 SENEGAL CONAKRY PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE LABI Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°394 cy 32-1-16• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-09 BM.1976.011.001/45:32-09 00:02:10 SENEGAL CONAKRY PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE MALI Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°395 cy 32-1-17• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-10 BM.1976.011.001/45:32-10 00:01:40 SENEGAL CONAKRY PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE LIMBO Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°396 cy 32-1-18• LABOURET 1932 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-11 BM.1976.011.001/45:32-11 00:02:04 SENEGAL CONAKRY PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE N'ZEROKORO Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°397 cy 32-1-19• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-12 BM.1976.011.001/45:32-12 00:01:50 SENEGAL CONAKRY PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE N'ZEROKORO Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°398 cy 32-1-20• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-13 BM.1976.011.001/45:32-13 00:02:00 SENEGAL CONAKRY SUSU EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE FANGUIE Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°399 cy 32-1-21• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-14 BM.1976.011.001/45:32-14 00:02:00 SENEGAL CONAKRY TOMA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE ZARABAGA Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°400 cy 32-1-22• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-15 BM.1976.011.001/45:32-15 00:01:12 SENEGAL CONAKRY SONGHAI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°401 cy 32-1-23• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-16 BM.1976.011.001/45:32-16 00:02:20 SENEGAL CONAKRY SONGHAI EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°402 cy 32-1-24• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-17 BM.1976.011.001/45:32-17 00:01:37 SENEGAL CONAKRY MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE BAMBARA Sous-table non exportée Sous-table non exportée Jusqu'à BM....32-17. STD, 2 pistes. N°403 cy 32-1-25• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :32-18 BM.1976.011.001/45:32-18 00:01:15 MALI BAMAKO MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE MALINKE Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°404 cy 32-1-26• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-01 BM.1976.011.001/45:33-01 00:01:15 MALI BAMAKO MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE MALINKE, RECIT Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°405 cy 32-1-27• LABOURET 1932 NARRATIF AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-02 BM.1976.011.001/45:33-02 00:02:20 MALI BAMAKO MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE BAMBARA Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°406 cy 32-1-28• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-03 BM.1976.011.001/45:33-03 00:00:47 MALI BAMAKO MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE BAMBARA SUITE Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°407 cy 32-1-29• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-04 BM.1976.011.001/45:33-04 00:01:45 MALI BAMAKO MANDINGUES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE HASOKE Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°408 cy 32-1-30• LABOURET 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-05 BM.1976.011.001/45:33-05 00:01:45 MALI BAMAKO KADOS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RECIT, 2 PARTIES Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°409 cy 32-1-31• LABOURET 1932 NARRATIF B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-06 BM.1976.011.001/45:33-06 00:01:36 MALI BAMAKO PEULS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DIALECTE DE KASSO Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-06. STD, 2 pistes. N°410 cy 32-1-32• LABOURET 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-07 BM.1976.011.001/45:33-07 00:01:53 KUWEIT ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT BEDOUIN PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-08. STD 2 pistes. N°411 cy 33-1-1• SCHAEFFNER,ANDRE Arabie du nord 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-08 BM.1976.011.001/45:33-08 00:02:20 KUWEIT ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DES GUERRIERS PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....33-08. STD 2 pistes. N°412 cy 33-1-2• SCHAEFFNER,ANDRE 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-09 BM.1976.011.001/45:33-09 00:00:00 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE LA HODA PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2pistes. N°413 cy 33-1-3• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-10 BM.1976.011.001/45:33-10 00:02:22 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR DE DANSE PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°414 cy 33-1-4• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-11 BM.1976.011.001/45:33-11 00:02:15 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DES GUIRASSIS PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°415 cy 33-1-5• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-12 BM.1976.011.001/45:33-12 00:02:03 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DES MEHARISTES PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°416 cy 33-1-6• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-13 BM.1976.011.001/45:33-13 00:02:03 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT POUR LES CHAMEAUX PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°417 cy 33-1-7• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-14 BM.1976.011.001/45:33-14 00:02:10 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE POETE PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°418 cy 33-1-8• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-15 BM.1976.011.001/45:33-15 00:02:10 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE DANSE PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°419 cy 33-1-9• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :33-16 BM.1976.011.001/45:33-16 00:02:15 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°420 cy 33-1-10• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-01 BM.1976.011.001/45:34-01 00:02:15 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DANSE PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°421 cy 33-1-11• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-02 BM.1976.011.001/45:34-02 00:02:30 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°422 cy 33-1-12• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-03 BM.1976.011.001/45:34-03 00:02:05 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT BEDOUIN PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°423 cy 33-1-13• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-04 BM.1976.011.001/45:34-04 00:02:23 ARABIE SAOUDITE ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DRUSE PLUS REBAB Sous-table non exportée Sous-table non exportée Jusqu'à BM....34-04. STD 2 pistes. N°424 cy 33-1-14• SCHAEFFNER,A 1933 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-05 BM.1976.011.001/45:34-05 00:02:42 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°425 cy 36-1-1• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-06 BM.1976.011.001/45:34-06 00:02:40 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°426 cy 36-1-2• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-07 BM.1976.011.001/45:34-07 00:02:56 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°427 cy 36-1-3• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-08 BM.1976.011.001/45:34-08 00:02:45 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°428 cy 36-1-4• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-09 BM.1976.011.001/45:34-09 00:02:45 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°429 cy 36-1-5• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-10 BM.1976.011.001/45:34-10 00:03:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°430 cy 36-1-6• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-11 BM.1976.011.001/45:34-11 00:02:36 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°431 cy 36-1-7• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :34-12 BM.1976.011.001/45:34-12 00:02:50 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°432 cy 36-1-8• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-01 BM.1976.011.001/45:35-01 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°433 cy 36-1-9• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-02 BM.1976.011.001/45:35-02 00:02:52 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°434 cy 36-1-10• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-03 BM.1976.011.001/45:35-03 00:03:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°435 cy 36-1-11• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-04 BM.1976.011.001/45:35-04 00:02:34 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°436 cy 36-1-12• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-05 BM.1976.011.001/45:35-05 00:03:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°437 cy 36-1-13• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-06 BM.1976.011.001/45:35-06 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°438 cy 36-1-14• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-07 BM.1976.011.001/45:35-07 00:02:36 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°439 cy 36-1-15• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-08 BM.1976.011.001/45:35-08 00:02:35 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°440 cy 36-1-16• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-09 BM.1976.011.001/45:35-09 00:02:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT SOLO Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°441 cy 36-1-17• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-10 BM.1976.011.001/45:35-10 00:01:20 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT SOLO Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°442 cy 36-1-18• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-11 BM.1976.011.001/45:35-11 00:00:40 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE BERGER Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°443 cy 36-1-19• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-12 BM.1976.011.001/45:35-12 00:02:53 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H PLUS FLUTE A BEC ET TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°444 cy 36-1-20• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-13 BM.1976.011.001/45:35-13 00:01:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DANSE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°445 cy 36-1-21• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :35-14 BM.1976.011.001/45:35-14 00:02:55 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. DANSE DE FETE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°446 cy 36-1-22• RIVIERE,THERESE 1936 med,vitesse variable AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-01 BM.1976.011.001/45:36-01 00:02:50 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO FLUTE A BEC Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°447 cy 36-1-23• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-02 BM.1976.011.001/45:36-02 00:02:42 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°448 cy 36-1-24• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-03 BM.1976.011.001/45:36-03 00:02:07 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT PLUS FLUTE PLUS TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°449 cy 36-1-25• RIVIERE,THERESE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-04 BM.1976.011.001/45:36-04 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°450 cy 36-1-26• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-05 BM.1976.011.001/45:36-05 00:00:56 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°451 cy 36-1-27• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-06 BM.1976.011.001/45:36-06 00:02:25 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°452 cy 36-1-28• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-07 BM.1976.011.001/45:36-07 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°453 cy 36-1-29• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-08 BM.1976.011.001/45:36-08 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT 3 F Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°454 cy 36-1-30• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-09 BM.1976.011.001/45:36-09 00:02:36 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°455 cy 36-1-31• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-10 BM.1976.011.001/45:36-10 00:03:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°456 cy 36-1-32• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-11 BM.1976.011.001/45:36-11 00:02:45 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°457 cy 36-1-33• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :36-12 BM.1976.011.001/45:36-12 00:02:50 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H PLUS FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....36-12. STD 2 pistes. N°458 cy 36-1-34• RIVIERE,THERESE 1936 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-01 BM.1976.011.001/45:37-01 00:01:10 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°467 cy 36-2-1• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-02 BM.1976.011.001/45:37-02 00:02:00 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°468 cy 36-2-2• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-03 BM.1976.011.001/45:37-03 00:02:10 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°469 cy 36-2-3• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-04 BM.1976.011.001/45:37-04 00:02:30 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FLUTE, CHANT, TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°470 cy 36-2-4• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-05 BM.1976.011.001/45:37-05 00:01:53 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FLUTE, CHANT, TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°471 cy 36-2-5• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-06 BM.1976.011.001/45:37-06 00:01:45 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FLUTE, CHANT, TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°472 cy 36-2-6• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-07 BM.1976.011.001/45:37-07 00:02:20 ALGERIE;AURES ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. FLUTE, CHANT, TAMBOUR Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-07. STD 2 pistes. N°473 cy 36-2-7• TILLON,GERMAINE 1936 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-08 BM.1976.011.001/45:37-08 00:02:00 MEXIQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-10. STD 2 pistes. N°474• SOUSTELLE,JACQUES -1 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-09 BM.1976.011.001/45:37-09 00:01:30 MEXIQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-10. STD 2 pistes. N°475• SOUSTELLE,JACQUES 0 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :37-10 BM.1976.011.001/45:37-10 00:02:04 MEXIQUE EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS Sous-table non exportée Sous-table non exportée Jusqu'à BM....37-10. STD 2 pistes. N°476• SOUSTELLE,JACQUES 0 med AMERIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-01 BM.1976.011.001/45:38-01 00:02:40 SENEGAL WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ALPHABET, NOMBRES Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°478• 0 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-02 BM.1976.011.001/45:38-02 00:02:27 ALLEMAGNE ALLEMANDS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. PARLE H Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°479• 0 AB EUROPE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-03 BM.1976.011.001/45:38-03 00:02:20 N ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LAMENTATIONS F ARABE, CHANT ALLEMAND Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. N°480• 0 AB N +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-04 BM.1976.011.001/45:38-04 00:02:50 N N EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. ENFANT PRODIGUE* Sous-table non exportée Sous-table non exportée Ø18;²19;STD, 2 pistes. *Enfant israelite. N°481• 0 N +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-05 BM.1976.011.001/45:38-05 00:03:00 IRAN AROUMIA ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°483• N/COLL.MUSEE GUIMET -1 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-06 BM.1976.011.001/45:38-06 00:02:56 IRAN SANIKALIA ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°484• N/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-07 BM.1976.011.001/45:38-07 00:03:05 IRAN TABRIZ ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°485• N/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-08 BM.1976.011.001/45:38-08 00:02:53 IRAN TEHERAN ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 4 CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°486• N/COLL.MUSEE GUIMET 0 ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-09 BM.1976.011.001/45:38-09 00:03:02 IRAN TEHERAN ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LUTH, CHANT, LUTH Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°487• N/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-10 BM.1976.011.001/45:38-10 00:02:05 IRAN MARAGHA ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°488• N/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-11 BM.1976.011.001/45:38-11 00:03:05 IRAN TABRIZ ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°489• N/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :38-12 BM.1976.011.001/45:38-12 00:03:00 IRAN TEHERAN ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR LUTH Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°490• N/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-01 BM.1976.011.001/45:39-01 00:03:00 IRAN TABRIZ ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°491• N/COLL.MUSEE GUIMET 0 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-02 BM.1976.011.001/45:39-02 00:03:00 IRAN MARAGHA ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS F Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°492• N/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-03 BM.1976.011.001/45:39-03 00:03:07 IRAN KAZWIN ARABES EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS H Sous-table non exportée Sous-table non exportée Jusqu'à BM....39-03 STD 2 pistes. N°493• N/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-04 BM.1976.011.001/45:39-04 00:02:24 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°494• KARPELES,SUZANNE/COLL.MUSEE GUIMET -1 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-05 BM.1976.011.001/45:39-05 00:02:35 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°495• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-06 BM.1976.011.001/45:39-06 00:02:28 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°496• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-07 BM.1976.011.001/45:39-07 00:02:24 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°497• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-08 BM.1976.011.001/45:39-08 00:02:22 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°498• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-09 BM.1976.011.001/45:39-09 00:02:32 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°499• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-10 BM.1976.011.001/45:39-10 00:02:36 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°500• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-11 BM.1976.011.001/45:39-11 00:02:24 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°501• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :39-12 BM.1976.011.001/45:39-12 00:02:32 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°502• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-01 BM.1976.011.001/45:40-01 00:02:35 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°503• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-02 BM.1976.011.001/45:40-02 00:02:33 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°504• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-03 BM.1976.011.001/45:40-03 00:02:22 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°505• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 B ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-04 BM.1976.011.001/45:40-04 00:02:03 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°506• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-05 BM.1976.011.001/45:40-05 00:02:30 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°507• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-06 BM.1976.011.001/45:40-06 00:02:30 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°508• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-07 BM.1976.011.001/45:40-07 00:02:25 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°509• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-08 BM.1976.011.001/45:40-08 00:02:32 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°510• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-09 BM.1976.011.001/45:40-09 00:02:26 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°511• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-10 BM.1976.011.001/45:40-10 00:02:32 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°512• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 inaud. ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-11 BM.1976.011.001/45:40-11 00:02:30 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT H Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°513• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 med ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :40-12 BM.1976.011.001/45:40-12 00:02:23 CAMBODGE CAMBODGIENS EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT F Sous-table non exportée Sous-table non exportée Jusqu'à BM....40-12. STD 2 pistes. N°514• KARPELES,SUZANNE/COLL.MUSEE GUIMET 0 AB ASIE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-01 BM.1976.011.001/45:41-01 00:05:10 SENEGAL KIDIRA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LUTH PLUS CHANT H Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°515 cy 31-1-1• Schaeffner,André 1931 med, vitesse ? AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-02 BM.1976.011.001/45:41-02 00:05:03 SENEGAL KIDIRA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. LUTH PLUS CHANT H Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°516 cy 31-1-2;pleurage• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-03 BM.1976.011.001/45:41-03 00:05:00 SENEGAL KITA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIRS DIVERS BALAFONS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°517 cy 31-1-3;pleurage• Schaeffner,André 1931 inaud. AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-04 BM.1976.011.001/45:41-04 00:04:45 SENEGAL KITA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR BALAFONS PLUS CHOEUR Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°518 cy 31-1-4;pleurage• Schaeffner,André 1931 med, vitesse ? AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-05 BM.1976.011.001/45:41-05 00:05:15 SENEGAL KITA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR BALAFONS PLUS CHOEUR Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°519 cy 31-1-5;pleurage• Schaeffner,André 1931 med, vitesse ? AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :41-06 BM.1976.011.001/45:41-06 00:04:50 SENEGAL KIDIRA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. AIR BALAFONS PLUS CHOEUR Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°520 cy 31-1-6;pleurage• Schaeffner,André 1931 med, vitesse? AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-01 BM.1976.011.001/45:42-01 00:01:50 SENEGAL KITA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS DE CIRCONCISION Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....42-01. N°521 cy 31-1-7• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-02 BM.1976.011.001/45:42-02 00:03:10 MALI BAMAKO WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS FUNERAIRES, CIRCONCISION Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°523 cy 31-1-8A• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-03 BM.1976.011.001/45:42-03 00:01:50 MALI BAMAKO WOLOF EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DE CIRCONCISION Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°524 cy 31-1-9• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-04 BM.1976.011.001/45:42-04 00:04:37 MALI BAMAKO DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RYTHMES DE DANSES Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°525 cy 31-1-10• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-05 BM.1976.011.001/45:42-05 00:04:30 MALI BAMAKO DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RYTHMES DE DANSES Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°526 cy 31-1-11• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-06 BM.1976.011.001/45:42-06 00:03:15 MALI BAMAKO DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. RYTHMES DE DANSES Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°527 cy 31-1-12• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-07 BM.1976.011.001/45:42-07 00:04:30 MALI SANGA DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS H Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°529 cy 31-1-14• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-08 BM.1976.011.001/45:42-08 00:02:15 MALI SANGA DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOURS PLUS FLUTE Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°530 cy 31-1-15• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :42-09 BM.1976.011.001/45:42-09 00:04:45 MALI SANGA DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. JEUX D'ENFANTS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°531 cy 31-1-16• Schaeffner,André 1931 ENFANTIN med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-01 BM.1976.011.001/45:43-01 00:03:30 MALI SANGA DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. HISTOIRE DU BOUC ET DE LA HYENE Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°532 cy 31-1-17• Schaeffner,André 1931 NARRATIF med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-02 BM.1976.011.001/45:43-02 00:04:15 MALI SANGA DOGON EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANT DU BERGER, SALUTATIONS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-02. N°533 cy 31-1-18• Schaeffner,André 1931 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-03 BM.1976.011.001/45:43-03 00:04:30 CAMEROUN MORA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. MUSIQUE DU SULTAN DES MADARA Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-07. N°534 cy 31-1-19• Schaeffner,André 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-04 BM.1976.011.001/45:43-04 00:04:30 CAMEROUN GAROUA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. JOUEUR DE SIFFLET, GUIMBARDES, CHANT* Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-07 *Successivement : 1 air de "sifflet" par un Kirdi (enreg. le 16/01/32) ; 2 airs enchaînés de guimbarde haoussa ; chant de circoncision fulbé ; 2 chants de circoncision et de soir kirdi (enreg. le 23/01/32) N°535 cy 31-1-20• Schaeffner,André 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-05 BM.1976.011.001/45:43-05 00:04:37 CAMEROUN GAROUA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. HAUTBOIS PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-07 N°536 cy 31-1-21• Schaeffner,André 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-06 BM.1976.011.001/45:43-06 00:04:15 CAMEROUN GAROUA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. HAUTBOIS PLUS TAMBOURS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-07 N°537 cy 31-1-22• Schaeffner,André 1932 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-07 BM.1976.011.001/45:43-07 00:04:45 CAMEROUN GAROUA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOURS D'AISSELLE Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....43-07 N°538 cy 31-1-23• Schaeffner,André 1932 B AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :43-08 BM.1976.011.001/45:43-08 00:02:25 ETHIOPIE GONDAR EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 2 CHANTS Sous-table non exportée Sous-table non exportée La fiche dit : "Abyssinie. Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. N°540 cy 31-1-25• Schaeffner,André 1932 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-01 BM.1976.011.001/45:44-01 00:01:45 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°547 cy 35-1-1• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-02 BM.1976.011.001/45:44-02 00:01:45 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°548 cy 35-1-1bis• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-03 BM.1976.011.001/45:44-03 00:02:20 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°549 cy 35-1-1ter• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-04 BM.1976.011.001/45:44-04 00:03:00 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°550 cy 35-1-2• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-05 BM.1976.011.001/45:44-05 00:02:00 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°551 cy 35-1-3• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-06 BM.1976.011.001/45:44-06 00:03:30 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°552 cy 35-1-4• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-07 BM.1976.011.001/45:44-07 00:02:35 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°553 cy 35-1-5• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-08 BM.1976.011.001/45:44-08 00:03:00 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°554 cy 35-1-6• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-09 BM.1976.011.001/45:44-09 00:02:40 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°555 cy 35-1-7• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-10 BM.1976.011.001/45:44-10 00:02:30 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOURS DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°556 cy 35-1-8• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :44-11 BM.1976.011.001/45:44-11 00:02:30 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOURS DE BOIS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°557 cy 35-1-9• Schaeffner,André 1935 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-01 BM.1976.011.001/45:45-01 00:02:10 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS ANAM BOY Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°558 cy 35-1-10• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-02 BM.1976.011.001/45:45-02 00:01:40 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS ANAM BOY Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°559 cy 35-1-11• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-03 BM.1976.011.001/45:45-03 00:02:55 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS UZU BOY Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°560 cy 35-1-12• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-04 BM.1976.011.001/45:45-04 00:02:55 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS AUTU Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°561 cy 35-1-13• Schaeffner,André 1935 AB AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-05 BM.1976.011.001/45:45-05 00:03:15 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. TAMBOUR DE BOIS AUTU Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°562 cy 35-1-14• Schaeffner,André 1935 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-06 BM.1976.011.001/45:45-06 00:01:30 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS DE CHASSEURS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°563 cy 35-1-15• Schaeffner,André 1935 med AFRIQUE +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 :45-07 BM.1976.011.001/45:45-07 00:02:30 MALI SANGA EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. CHANTS DE CHASSEURS Sous-table non exportée Sous-table non exportée Cf. DT Cylindres Divers : Carnet noir rédigé par A. Schaeffner. Jusqu'à BM....45-07. N°564 cy 35-1-16• Schaeffner,André 1935 inaud. AFRIQUE +BM.976.012 Ø13;²19;PPS BM.976.012.001 :01-01 BM.976.012.001:01-01 00:00:00 MAROC MAROC;HAUT -ATLAS:BERBERE N Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +BM.976.013 ØGF;²19;PP BM.976.013.001 :01-01 BM.976.013.001:01-01 00:00:00 JAPON JAPON:AINOU (COPIE DE DI. ENCARTES DANS L'OUVRAGE "AINU NO ONGAKU") N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.976.014 Ø18 BM.976.014.001 :01-01 BM.976.014.001:01-01 00:00:00 REP D'AFRIQUE DU SUD AFRIQUE DU SUD:VENDA.BANDE ACCOMPAGNANT L'OUVRAGE "HOW MUSICAL IS MAN?" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.976.015 Ø13;²9.5;1/2P BM.976.015.001/20 :01-01 BM.976.015.001/20:01-01 00:00:00 INDONESIE;TIMOR CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES;69-70 Sous-table non exportée Sous-table non exportée CAMPAGNOLO,HENRI 0 ASIE +BM.977.001 K7 BM.977.001/13 :01-01 BM.977.001/13:01-01 00:00:00 NEPAL NEPAL N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A01 BM.1977.002.001:01-A01 00:02:18 05/1968 MALI PEUL MALI:PEUL AIR DE L'ELEPHANT Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 0 AFRIQUE +BM.977.003 Ø13;²19;PPS BM.977.003.001/02 :01-01 BM.977.003.001/02:01-01 00:00:00 LIBYE LIBYE:TOUAREG, ARABE FEZZANE (MONTAGE) N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +BM.977.004 Ø13&18 BM.977.004.001/32 :01-01 BM.977.004.001/32:01-01 00:00:00 BRESIL BRESIL:KRAHO, SUYA, KARAJA,TEBYARKWA, WAURA,JAVARE N Sous-table non exportée Sous-table non exportée 1960 0 AMERIQUE +BM.977.005 Ø13;²19;PPM BM.977.005.001 :01-01 BM.977.005.001:01-01 00:00:00 NOUVELLE-CALEDONIE COPIE DI 78T:NOUVELLE CALEDONIE N Sous-table non exportée Sous-table non exportée 1939 0 OCEANIE +BM.977.006 Ø13;²19;PPS BM.977.006.001/15 :01-01 BM.977.006.001/15:01-01 00:00:00 INDE;JAMMU & KASHMIR LADAKH TIBETAINS LADAKH:TIBETAIN, LADAKHI N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +BM.977.006 Ø13;²19;PPS BM.977.006.001/15 :02-02 BM.977.006.001/15:02-02 00:00:00 TIBET (INDE) LADAKHIS LADAKH:TIBETAIN, LADAKHI N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +BM.977.007 Ø13;²19;PPM BM.977.007.001/03 :01-01 BM.977.007.001/03:01-01 00:00:00 URSS COPIE DES DI ACCOMPAGNANT "ATLAS DES I. DE M. RUSSE"+ ENREG. ALEXEYEV N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.977.008 ØGF;²19;PP BM.977.008.001/10 :01-01 BM.977.008.001/10:01-01 00:00:00 N "VOIX TRACEES" (COPIE DE L'EMISION & MONTAGES EX..M.)[RADIO] N Sous-table non exportée Sous-table non exportée -1 N +BM.977.009 Ø13;²19;PPM BM.977.009.001 :01-01 BM.977.009.001:01-01 00:00:00 ROUMANIE ROUMANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.977.010 Ø13;²9,5;PPS BM.977.010.001/05 :01-01 BM.977.010.001/05:01-01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) INDONESIE;KALIMANTAN N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +BM.977.011 Ø13;1/2P BM.977.011.008/09 :01-01 BM.977.011.008/09:01-01 00:00:00 PHILIPPINES PHILIPPINES & BORNEO:PALAWAN, KALINGA,BONTOR, NEGRITO, IFUGAO N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +BM.977.011 Ø13;1/2P BM.977.011.008/09 :02-02 BM.977.011.008/09:02-02 00:00:00 MALAYSIA PHILIPPINES & BORNEO:PALAWAN, KALINGA,BONTOR, NEGRITO, IFUGAO N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +BM.977.012 Ø13&18 BM.977.012.001/09 :01-01 BM.977.012.001/09:01-01 00:00:00 PORTUGAL PORTUGAL N Sous-table non exportée Sous-table non exportée 1968 0 EUROPE +BM.978.001 Ø13;²19;1/2P BM.978.001.001/02 :01-01 BM.978.001.001/02:01-01 00:00:00 PAKISTAN PAKISTAN,VALLEE DE TCHAKDARA: PASHTUN (COPIE SELECTIVE) N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +BM.978.002 Ø13;²19;PPM BM.978.002.001 :01-01 BM.978.002.001:01-01 00:00:00 INDE;RAJASTHAN INDE;RAJASTHAN N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +BM.978.003 Ø13;²19;1/2P BM.978.003.001 :01-01 BM.978.003.001:01-01 00:00:00 NOUVELLE-CALEDONIE NOUVELLE CALEDONIE:CANAQUE N Sous-table non exportée Sous-table non exportée 1958 0 OCEANIE +BM.978.004 Ø15;²9,5;PP BM.978.004.001/02 :01-01 BM.978.004.001/02:01-01 00:00:00 IRAN IRAN. M. SAVANTE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.978.005 Ø18;²9.5;PPM BM.978.005.001 :01-01 BM.978.005.001:01-01 00:00:00 BRESIL BRESIL N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.978.006 Ø13;²19;PPM BM.978.006.001 :01-01 BM.978.006.001:01-01 00:00:00 NIGERIA NIGERIA:YORUBA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-01 BM.1978.007.001/04:01-01 00:19:20 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO CHANT Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse. Annonce (0'03'') puis le chant comence. Claquements de doigts• Vitesse 9,5 Piste 1 Enregistrement médiocre• 1969 0 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :02-01 BM.1978.007.001/04:02-01 00:46:45 05/1971 MALI BAMAKO BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRES Sous-table non exportée Sous-table non exportée Histoire de Bakari Dian et son fils, puis histoire de Bakari Dian et Bilissi. Bruit de vent presque tout le temps• Vitesse 9,5 Piste 1 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• 1971 0 AFRIQUE +BM.978.008 Ø13 BM.978.008.001/32 :01-01 BM.978.008.001/32:01-01 00:00:00 N VIETNAM VIETNAM:LAAC N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.978.009 ØGF;²19;PPM;SD BM.978.009.001/03 :01-01 BM.978.009.001/03:01-01 00:00:00 CAMEROUN COPIE DI 78T: CAMEROUN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.978.010 Ø18;²19;PPM BM.978.010.001/02 :01-01 BM.978.010.001/02:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR (COPIE SELECTIVE) N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :01-01 BM.1978.011.001/40:01-01 00:04:11 10-11/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Kalali _ (raga Sorath)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 0 BM 1 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :01-02 BM.1978.011.001/40:01-02 00:06:42 10-11/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Ridamal _ (raga Souba?)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 1 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :01-03 BM.1978.011.001/40:01-03 00:03:48 10-11/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Djilalo bilalo _ (raga Sameri)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 1 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :01-04 BM.1978.011.001/40:01-04 00:02:57 10-11/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Minraho _ ? (raga Sorath) précédé du son bourdon seul• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 1 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :01-05 BM.1978.011.001/40:01-05 00:03:23 10-11/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Kimrho _ (raga Sorath)• Pointes saturées, bourdon pas très stable. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 1 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :02-01 BM.1978.011.001/40:02-01 00:04:37 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Balochan _ (raga Sorath)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 2 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :02-02 BM.1978.011.001/40:02-02 00:03:43 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Introduction non mesurée ou _ doha _ pour une des compositions dans e raga _ Sorath _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 2 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :02-03 BM.1978.011.001/40:02-03 00:05:56 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée _ Minraho _ (raga Sorath), précédé des sons des cordes sympathiques pincées dans les mode utilisé pour cette composition• Un des chanteurs joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 2 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :02-04 BM.1978.011.001/40:02-04 00:03:28 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée _ Kimrho _ (raga Sorath)• Un des chanteurs joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 2 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :02-05 BM.1978.011.001/40:02-05 00:04:10 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée _ Balochan _ (raga Sorath)• Un des chanteurs joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 2 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-01 BM.1978.011.001/40:03-01 00:04:25 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée Introduction libre _ doha _ d'une des pièces dans le raga _ Sorath _• Le chanteur joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 3 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-02 BM.1978.011.001/40:03-02 00:03:56 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée _ Kalani _ (raga Sorath)• Un des chanteurs joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 3 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-03 BM.1978.011.001/40:03-03 00:03:02 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Jangra _ (raga _ Kamayachi _)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 3 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-04 BM.1978.011.001/40:03-04 00:02:47 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée _ Banara _ (raga _ Kamayachi _)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 3 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-05 BM.1978.011.001/40:03-05 00:02:38 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Introduction _ doha _ de compositions dans le raga _ Kamayachi _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :03-06 BM.1978.011.001/40:03-06 00:03:02 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée _ Yangra _ (raga _ Kamayachi_ )• Un des chanteurs joue la vièle _ sindhi-sarangi _ . Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 3 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :04-01 BM.1978.011.001/40:04-01 00:07:32 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ MURALI _ Sous-table non exportée Sous-table non exportée Mélodie proprement dite qui est précédée par une introduction libre• AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et de deux tuyaux dont un bourdon. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 4 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :04-02 BM.1978.011.001/40:04-02 00:03:50 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ MURALI _ Sous-table non exportée Sous-table non exportée Mélodie proprement dite qui est précédée par une introduction libre• AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et de deux tuyaux dont un bourdon. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 4 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :04-03 BM.1978.011.001/40:04-03 00:05:38 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ MURALI _ Sous-table non exportée Sous-table non exportée Mélodie proprement dite qui est précédée par une introduction libre• AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et de deux tuyaux dont un bourdon. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 4 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :04-04 BM.1978.011.001/40:04-04 00:05:22 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE FLUTE _ SATARA _ ET GUIMBARDE _ MORCHANG _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 4 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-01 BM.1978.011.001/40:05-01 00:04:13 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Pièce: _ jhadar _ dans le raga _ sarang _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-02 BM.1978.011.001/40:05-02 00:03:02 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Pièce: _ Halaryo _ dans le raga _ sarang _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-03 BM.1978.011.001/40:05-03 00:03:18 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Pièce: _ Savanyo _ dans le raga _ sarang _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-04 BM.1978.011.001/40:05-04 00:03:02 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Introduction libre _ doha _ despièces du raga _ sarang _• Bruit de ventet jeux très fort à environ 2'23. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-05 BM.1978.011.001/40:05-05 00:02:15 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Reprise de la pièce précédente: BM.978.011.001/40:05-04• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :05-06 BM.1978.011.001/40:05-06 00:04:34 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition dans le raga _ Gund Malhar _• Faux départ. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 5 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :06-01 BM.1978.011.001/40:06-01 00:04:36 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Introductionlibre ou _ doha _ de la compositiondans le raga _ Gund malhar _ (cf. BM.978.011.001/40:05-06)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 6 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :06-02 BM.1978.011.001/40:06-02 00:04:36 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition dans le raga _ Bhairavi _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 6 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :06-03 BM.1978.011.001/40:06-03 00:03:09 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition _ Ayal _ dans le raga _ Bhairavi _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 6 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :06-04 BM.1978.011.001/40:06-04 00:05:33 12/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition _ Shakur Khan _ dans le raga _ Bhairavi _• Reprise après 1'20". AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 6 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :07-01 BM.1978.011.001/40:07-01 00:05:55 12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ ET PERCUSSION Sous-table non exportée Sous-table non exportée Composition _ Shakur Khan _ dans le raga _ Bhairavi _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. IFC-IDIOPHONE FRAPPE CREUX: percussion sur un pot en terre avec bague métallique au doigt. Les interprêtes sont: Kammu Khan et son fils Ridjmal. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 7 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :07-02 BM.1978.011.001/40:07-02 00:07:20 12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Deux compositions enchainées _ Miniyaro _ et _ Kachbijo _ du raga _ Kalyan _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 7 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :07-03 BM.1978.011.001/40:07-03 00:05:57 12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition _ Rinamal _ du raga _ Souba _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 7 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :08-01 BM.1978.011.001/40:08-01 00:07:00 14/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition _ Motoro _ du raga _ Sorath _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 8 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :08-02 BM.1978.011.001/40:08-02 00:04:49 14/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Cadence et variations diverses• Pas de fin. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 8 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :08-03 BM.1978.011.001/40:08-03 00:03:30 14/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Cadence et variations diverses• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 8 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :08-04 BM.1978.011.001/40:08-04 00:05:22 14/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée L'interprête, Ridjmal, est un jeune musicien. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 8 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :08-05 BM.1978.011.001/40:08-05 00:02:00 14/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Fin coupée net. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 8 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :09-01 BM.1978.011.001/40:09-01 00:07:07 12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Chant _ Karyo _ du raga _ Kalyan _• Le chant est saturé par moment. Les deux interprêtes sont: Kamu Khan et son fils Ridjmal. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 9 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :09-02 BM.1978.011.001/40:09-02 00:08:48 12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 EXERCICES POUR APPRENDRE LE JEU DES FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée Différents exercices pour apprendre: a) la technique de la respiration circulaire (souffle seul, dans l'eau, dans le tuyau bourdon, la respiration circulaire) b) dans un seul tube par un petit garçon de dix ans c) la permière mélodie apprise: successivement jouée sur les flûtes pui s chantée: _ Jîudalo _ par Kamu Khan (50 ans); _ Jelo _ par Mehar (16ans) • (Explications confuses). Fin coupée net. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 9 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-01 BM.1978.011.001/40:10-01 00:05:50 15-18/12/75 INDE;RAJASTHAN DISTR. DE BARMER, BARNAWA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 APPRENTISSAGE DU JEU DES FLUTES _ SATARA _ Sous-table non exportée Sous-table non exportée Suite de la bande BM.978.011.001/40:09-02. a)première mélodie apprise par Neg Mohamed : _ Panyari _ d'abord chantée puis jouée; b) Idem avec Gani (27 ans) avec le chant _ Gorband _ ; c) deux pièces par un tout jeune débutant (13-14 ans) jouées sur deux flûtes • AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Langa _, communauté de musiciens populaires. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-02 BM.1978.011.001/40:10-02 00:01:17 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1975 GUIMBARDE _ GHORALIYO _ Sous-table non exportée Sous-table non exportée Bruit de vent et de perroquet. IP-GUIMBARDE: _ ghoraliyo _ guimbarde en bambou à traction jouée par une femme. Ethnie: _ Kalbeliya _, communauté de charmeurs de serpents itinérants. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-03 BM.1978.011.001/40:10-03 00:00:50 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA KALBELIA-C INDE:RAJASTHAN. DOURNON,G.;1975 GUIMBARDE _ GHORALIYO _ Sous-table non exportée Sous-table non exportée Bruit de vent et de perroquet. IP-GUIMBARDE: _ ghoraliyo _ guimbarde en bambou à traction jouée par une femme. Ethnie: _ Kalbeliya _, communauté de charmeurs de serpents itinérants. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-04 BM.1978.011.001/40:10-04 00:02:50 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET LUTH _ RAVAJ _ Sous-table non exportée Sous-table non exportée Passage de la ballade de Bagrawat par un homme âgé (meilleur conteur que musicien)• CL-LUTH: _ ravaj - luth à quatre cordes. Ethnie: _ Meghwal _, communauté de généalogistes. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-05 BM.1978.011.001/40:10-05 00:04:38 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée CL-LUTH: _ ravaj - luth à quatre cordes. Ethnie: _ Meghwal _, communauté de généalogistes. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-06 BM.1978.011.001/40:10-06 00:03:58 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT Sous-table non exportée Sous-table non exportée Chant relatif à la caste _ Meghwal _• CL-LUTH: _ ravaj - luth à quatre cordes. Ethnie: _ Meghwal _, communauté de généalogistes. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-07 BM.1978.011.001/40:10-07 00:01:30 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 SALUTATIONS TRADITIONNELLES Sous-table non exportée Sous-table non exportée Salutations traditionnelles du généalogiste meghwal quand il rencontre un membre de la famille de la caste patronne _ Rawat rajput _• Ethnie: _ Meghwal _, communauté de généalogistes. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :10-08 BM.1978.011.001/40:10-08 00:01:45 15-18/12/75 INDE;RAJASTHAN JODHPUR, VILL. BORUNDA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT Sous-table non exportée Sous-table non exportée CL-LUTH: _ ravaj - luth à quatre cordes. Ethnie: _ Meghwal _, communauté de généalogistes. Enreg.:19cm/s; stéréo• 1975 BM 10 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :11-01 BM.1978.011.001/40:11-01 00:22:00 21/12/75 INDE;RAJASTHAN DISTR. PHALODI NAYAK INDE:RAJASTHAN. DOURNON,G.;1975 DIFFERENTES PARTIES DE LA BALLADE EPIQUE PABUJI Sous-table non exportée Sous-table non exportée Différentes parties de la ballade épique Pabuji par deux bardes du village d'Osian. a) _ Arti _ , dédicace aux divinités; b) un épisode chanté; c) récitationde l'épisode; d) suite de l'épisode chanté; e) récitation d'un autre épisode; Dans la région de Phalodi, la ballade de Pabuji est narrée et chantée par deux _ bhopa - (bardes)du culte de Pabuji. Dans d'autres régions du Rajasthan cette même ballade est présentée devant une toile peinte (au préalable) par un _ bhopa _ qui joue de la vièle et une _ bhopi _ qui l'accompagne• M1-TBR 1MEMB: timbales sur poterie. Enreg.:19cm/s; stéréo• 1975 EPIQUE BM 11 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :12-01 BM.1978.011.001/40:12-01 00:07:10 22/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Pièce du répertoire de Pura Ram berger. (pot-pourri des fragments mélodiques, de variations et de ritournelles)• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 12 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :12-02 BM.1978.011.001/40:12-02 00:12:14 22/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 12 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :12-03 BM.1978.011.001/40:12-03 00:03:33 22/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Bruit de vent et deux pointes saturées. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 12 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :13-01 BM.1978.011.001/40:13-01 00:11:47 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Fragments de différents chants enchainés avec variation et formules répétitives et cadentielles autour du chant Gorband• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 13 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :13-02 BM.1978.011.001/40:13-02 00:06:00 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Autre composition par le même joueur que dans la pièce BM.978.011.001/40:13-01• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 13 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :13-03 BM.1978.011.001/40:13-03 00:02:37 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Fragments de différents chants enchainés avec variation et formules répétitives et cadentielles autour du chant Gorband• Disque Musée de l'Homme /CDM/CNRS 78• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 13 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :13-04 BM.1978.011.001/40:13-04 00:02:20 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. DERI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition autour du raga _ Bhairavi _• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 13 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :14-01 BM.1978.011.001/40:14-01 00:03:15 23/12/75 INDE;RAJASTHAN DISTR. JAISALMER BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition interprétée par le jeune berger Gordham• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 14 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :14-02 BM.1978.011.001/40:14-02 00:03:34 23/12/75 INDE;RAJASTHAN DISTR. JAISALMER BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition interprétée par le jeune berger Gordham• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 14 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :14-03 BM.1978.011.001/40:14-03 00:05:25 23/12/75 INDE;RAJASTHAN DISTR. JAISALMER BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ SATARA _ Sous-table non exportée Sous-table non exportée Composition interprétée par Pura Ram. Différentes pièces du répértoire de ces musiciens non-professionnels• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ alghoja _ , sont deux flûtes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté de bergers. Enreg.:19cm/s; stéréo• 1975 BM 14 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :14-04 BM.1978.011.001/40:14-04 00:10:30 23/12/75 INDE;RAJASTHAN DISTR. JAISALMER SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Essais avec Gazi Khan, un vieux berger, sur deux _ narh _ de tailles différentes• Bruit de vent. AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 14 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :15-01 BM.1978.011.001/40:15-01 00:02:30 12/75 INDE;RAJASTHAN DISTR. JAISALMER SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs petites pièces avec deux _ narh _ de tailles différentes jouées successivement par Gazi Khan, un vieux berger• AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 15 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :15-02 BM.1978.011.001/40:15-02 00:05:30 12/75 INDE;RAJASTHAN DISTR. JAISALMER SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs petites pièces avec deux _ narh _ de tailles différentes jouées successivement par Gazi Khan, un vieux berger• Bruit de vent par moment. AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 15 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :15-03 BM.1978.011.001/40:15-03 00:03:30 12/75 INDE;RAJASTHAN DISTR. JAISALMER SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs petites pièces avec deux _ narh _ de tailles différentes jouées successivement par Gazi Khan, un vieux berger• Bruit de vent. AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 15 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :15-04 BM.1978.011.001/40:15-04 00:06:30 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée Ballade d'amour. Le chanteur scande son chant en frappant une boîte d'allumettes• La vièle _ sarangi _ est jouée par un musicien Mirasi et la pièce est chantée en langue sindhi. Ethnie: _ Langa _, communauté originaire du Sind (Pakistan) et du village de Dedaseri (Rajasthan). Enreg.:19cm/s; stéréo• 1975 BM 15 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :15-05 BM.1978.011.001/40:15-05 00:03:57 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 BALLADE D'AMOUR Sous-table non exportée Sous-table non exportée Ballade d'amour (extrait "Sasavi-Punnu)• La vièle _ sarangi _ est jouée par un musicien Mirasi et la pièce est chantée en langue sindhi. Ethnie: _ Langa _, communauté originaire du Sind (Pakistan) et du village de Dedaseri (Rajasthan). Enreg.:19cm/s; stéréo• 1975 BM 15 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :16-01 BM.1978.011.001/40:16-01 00:05:07 25/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chant d'amour en sindhi mêlé de rajashtani. Composition du type Kafi-sindhi sur le raga _ Bhairavi _ • Cf. disque DI.985.001.002, CNRS MH , _ Rajasthan vièles et guimbardes _, pièce B.6 • La vièle _ sarangi _ est jouée par un musicien Mirasi et la pièce est chantée en langue sindhi. Ethnie: _ Langa _, communauté originaire du Sind (Pakistan) et du village de Dedaseri (Rajasthan). Enreg.:19cm/s; stéréo• 1975 BM 16 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :16-02 BM.1978.011.001/40:16-02 00:04:15 25/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chanté en Sindhi mêlé de Rajasthani. Composition du type Kafi-sindhi, sur le raga _Bhairavi_• La vièle _ sarangi _ est jouée par un musicien Mirasi. Ethnie: _ Langa _, communauté originaire du Sind (Pakistan) et du village de Dedaseri (Rajasthan). Enreg.:19cm/s; stéréo• 1975 BM 16 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :16-03 BM.1978.011.001/40:16-03 00:04:38 25/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MIRASI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ SARANGUI _ Sous-table non exportée Sous-table non exportée Solo de _ sarangui _ sur le raga _ Soub _ • Enreg.:19cm/s; stéréo• 1975 BM 16 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :16-04 BM.1978.011.001/40:16-04 00:02:45 25/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MIRASI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ SARANGUI _ Sous-table non exportée Sous-table non exportée Solo de _ sarangui _ , composition _ Joug _ • Enreg.:19cm/s; stéréo• 1975 BM 16 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :16-05 BM.1978.011.001/40:16-05 00:03:47 25/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 BALLADE Sous-table non exportée Sous-table non exportée Ballade dans le style _ Veta _, en sindhi mêlé de rajashtani • Enreg.:19cm/s; stéréo• 1975 BM 16 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :17-01 BM.1978.011.001/40:17-01 00:03:55 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Différents essais avec deux _ narh _ de tailles différentes jouées successivement par un vieux berger• AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 17 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :17-02 BM.1978.011.001/40:17-02 00:04:57 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 COMPOSITION "HELI" Sous-table non exportée Sous-table non exportée Composition "Heli" dans le raga Kamayachi• Enreg.:19cm/s; stéréo• 1975 BM 17 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :17-03 BM.1978.011.001/40:17-03 00:04:15 12/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 COMPOSITION "DORA" Sous-table non exportée Sous-table non exportée Composition "Dora"• AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et de deux tuyaux dont un bourdon. Enreg.:19cm/s; stéréo• 1975 BM 17 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :17-04 BM.1978.011.001/40:17-04 00:04:28 12/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 COMPOSITION "BANARO" Sous-table non exportée Sous-table non exportée Composition "Banaro"• AABS CLARINETTE 2TUY: _ murali _ aérophone à anches battantes, réservoir d'air et de deux tuyaux dont un bourdon. Enreg.:19cm/s; stéréo• 1975 BM 17 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :17-05 BM.1978.011.001/40:17-05 00:04:26 12/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "JALO" Sous-table non exportée Sous-table non exportée Chant "Jalo"• Enreg.:19cm/s; stéréo• 1975 BM 17 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :18-01 BM.1978.011.001/40:18-01 00:04:25 12/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "HALARIO" Sous-table non exportée Sous-table non exportée Chant "Halario" célébrant la naissance deKrishna• Enreg.:19cm/s; stéréo• 1975 BM 18 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :18-02 BM.1978.011.001/40:18-02 00:02:25 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Enreg.:19cm/s; stéréo• 1975 BM 18 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :18-03 BM.1978.011.001/40:18-03 00:05:30 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Enreg.:19cm/s; stéréo• 1975 BM 18 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :18-04 BM.1978.011.001/40:18-04 00:10:20 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ KAMAYACHA _ Sous-table non exportée Sous-table non exportée Interruption et nouvelle pièces à 5'98". Enreg.:19cm/s; stéréo• 1975 BM 18 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :19-01 BM.1978.011.001/40:19-01 00:16:13 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE _ KAMAYACHA _ Sous-table non exportée Sous-table non exportée Enreg.:19cm/s; stéréo• 1975 BM 19 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :19-02 BM.1978.011.001/40:19-02 00:16:13 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Suite de petites pièces avec deux _ narh _ de tailles différentes (une de 1 m., et l'autre de 50cm.) jouées alternativement par un vieux berger, Gazi Khan• La dernière pièce avec chant "Lali" (?). AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 1975 BM 19 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :20-01 BM.1978.011.001/40:20-01 00:18:45 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Le vieux berger, Gazi Khan joue une suite de petites pièces sur un _ narhati _ (petit _ narh _ de 50cm)• Les premières pièces avec le chant "Lali" (?). AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 1975 BM 20 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :20-02 BM.1978.011.001/40:20-02 00:01:30 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Le vieux berger, Gazi Khan joue une suite de petites pièces sur un _ narhati _ (petit _ narh _ de 50cm)• Flûte jouée sans bourdon vocal. AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 19752 BM 20 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :20-03 BM.1978.011.001/40:20-03 00:01:50 12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 1975 BM 20 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :21-01 BM.1978.011.001/40:21-01 00:04:15 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Le vieux berger joue sur le petit _ narh _ avec chant "Lali"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 1975 BM 21 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :21-02 BM.1978.011.001/40:21-02 00:07:35 26/12/75 INDE;RAJASTHAN DISTR. JAISALMER, VILL. HALMIRA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Le vieux berger joue sur la grande flûte _ narh _ une série de petites pièces, essais de notes séparées et de bourdon seul• Bruit du micro. AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Ethnie: Sindhi-Sipahi du village Deri. Enreg.:19cm/s; stéréo• 1975 BM 21 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :21-03 BM.1978.011.001/40:21-03 00:05:07 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "NADKAR" Sous-table non exportée Sous-table non exportée Chant de séparation "Nadkar", sur le raga Souba• Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Enreg.:19cm/s; stéréo• 1975 BM 21 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :21-04 BM.1978.011.001/40:21-04 00:05:15 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "BANARO" Sous-table non exportée Sous-table non exportée Chant "Banaro"du raga Sameri• Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Enreg.:19cm/s; stéréo• 1975 BM 21 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :22-01 BM.1978.011.001/40:22-01 00:03:30 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "SORO" Sous-table non exportée Sous-table non exportée Chant épique "Soro"du raga Jog, relatif au Roi de Jaisalmer• Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Ethnie: _ Manghaniyar _, communauté de musiciens professionnles. Enreg.:19cm/s; stéréo• 1975 EPIQUE BM 22 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :22-02 BM.1978.011.001/40:22-02 00:05:30 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "DHUMALRI" Sous-table non exportée Sous-table non exportée Chant de mariage "Dhumalri"du raga Sorath• Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Ethnie: _ Manghaniyar _, communauté de musiciens professionnles. Enreg.:19cm/s; stéréo• 1975 BM 22 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :22-03 BM.1978.011.001/40:22-03 00:03:20 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "KACHI KARIHO" Sous-table non exportée Sous-table non exportée Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Ethnie: _ Manghaniyar _, communauté de musiciens professionnles. Enreg.:19cm/s; stéréo• 1975 BM 22 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :22-04 BM.1978.011.001/40:22-04 00:04:37 28/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Chant de mariage : départ de la fiancée vers la maison de l'époux• Deux des trois chanteurs s'accompagnent avec une vièle _ kamayacha _ . Ethnie: _ Manghaniyar _, communauté de musiciens professionnles. Enreg.:19cm/s; stéréo• 1975 BM 22 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :23-01 BM.1978.011.001/40:23-01 00:05:08 29/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE _ KAMAYACHA _ Sous-table non exportée Sous-table non exportée Enreg.:19cm/s; stéréo• 1975 BM 23 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :23-02 BM.1978.011.001/40:23-02 00:01:45 29/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: cymbalettes. A-AEROPHONE: poterie dans laquelle un homme souffle tout en frappant la paroi avec les bagues de ses doigts. Ethnie: _ Megwal _, non-professionnels. Enreg.:19cm/s; stéréo• 1975 BM 23 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :23-03 BM.1978.011.001/40:23-03 00:02:07 29/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL. HADUVA MEGHWAL INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Reprise. CL-LUTH: _ tandûrâ _ est à quatre cordes. IE-CYMBALES: cymbalettes. A-AEROPHONE: poterie dans laquelle un homme souffle tout en frappant la paroi avec les bagues de ses doigts. Ethnie: _ Megwal _, non-professionnels. Enreg.:19cm/s; stéréo• 1975 BM 23 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :23-04 BM.1978.011.001/40:23-04 00:05:20 29/12/75 INDE;RAJASTHAN BARMER, SAROPE KA-TALA BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Bhil _, communauté non-professionnels. Enreg.:19cm/s; stéréo• 1975 BM 23 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :23-05 BM.1978.011.001/40:23-05 00:07:37 29/12/75 INDE;RAJASTHAN BARMER, SAROPE KA-TALA BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Joueur médiocre. Ethnie: _ Bhil _, communauté non-professionnels. Enreg.:19cm/s; stéréo• 1975 BM 23 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :24-01 BM.1978.011.001/40:24-01 00:11:42 29/12/75 INDE;RAJASTHAN BARMER, SAROPE KA-TALA INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _ Sous-table non exportée Sous-table non exportée Trois pièces succesives• AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _ Meghwal _ OU _ Bhil _ ( communauté non-professionnels)? Enreg.:19cm/s; stéréo• 1975 BM 24 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :24-02 BM.1978.011.001/40:24-02 00:08:40 29/12/75 INDE;RAJASTHAN DISTR. BARMER, VILL.SAROPE KA-TALA SINDHI-SIPAHI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs pièces d'intérêt moyen. La dernière pièce est jouée avec chant "Lali" par un joueur peu entrainé• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 24 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-01 BM.1978.011.001/40:25-01 00:03:15 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs pièces jouées par un musicien d'une trentaine d'années, Ahmed. (excellent)• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-02 BM.1978.011.001/40:25-02 00:01:50 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs pièces jouées par un musicien d'une trentaine d'années, Ahmed. (excellent)• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-03 BM.1978.011.001/40:25-03 00:01:20 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs pièces jouées par un musicien d'une trentaine d'années, Ahmed. (excellent)• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-04 BM.1978.011.001/40:25-04 00:01:11 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Plusieurs pièces jouées par un musicien d'une trentaine d'années, Ahmed. (excellent)• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-05 BM.1978.011.001/40:25-05 00:02:53 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MOISSON "BANO" Sous-table non exportée Sous-table non exportée Chant de moisson "Bano"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-06 BM.1978.011.001/40:25-06 00:02:16 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE "KURJA" Sous-table non exportée Sous-table non exportée Chant de mariage "Kurja"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-07 BM.1978.011.001/40:25-07 00:02:07 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "DORAKI" Sous-table non exportée Sous-table non exportée Différentes pièces jouées par un musicien d'une trentaine d'années, Ahmed (excellent). Chant "Doraki"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-08 BM.1978.011.001/40:25-08 00:04:07 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "HUNGAR" Sous-table non exportée Sous-table non exportée Différentes pièces jouées par un musicien d'une trentaine d'années, Ahmed (excellent). Chant "Hungar"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :25-09 BM.1978.011.001/40:25-09 00:02:49 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 CHANT "KAFI" Sous-table non exportée Sous-table non exportée Différentes pièces jouées par un musicien d'une trentaine d'années, Ahmed (excellent). Chant "Kafi" du Sindh (Pakistan)• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 25 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-01 BM.1978.011.001/40:26-01 00:02:20 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-02 BM.1978.011.001/40:26-02 00:02:20 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Flûte jouée sans bourdon vocal. AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-03 BM.1978.011.001/40:26-03 00:03:55 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Flûte jouée sans bourdon vocal. AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-04 BM.1978.011.001/40:26-04 00:02:05 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Flûte jouée sans bourdon vocal. AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-05 BM.1978.011.001/40:26-05 00:02:45 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.RABHASSAR SINDHI-DARAS FAKIR INDE:RAJASTHAN. DOURNON,G.;1975 Sous-table non exportée Sous-table non exportée Essai avec chant "Lali"• AFT- FLUTE TERM : _ narh _ , flûte à biseau, quatre trous, jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-06 BM.1978.011.001/40:26-06 00:04:45 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.JAMFLI MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CLAQUETTES _ KHARTAL _ Sous-table non exportée Sous-table non exportée Improvisation sur le rythme _ dadara _ (6 temps)• IE-CLAQUETTES: _ khartal _, deux paires de claquettes en bois , tenues transversalement deux par deux. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :26-07 BM.1978.011.001/40:26-07 00:03:40 30/12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.JAMFLI MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CLAQUETTES _ KHARTAL _ Sous-table non exportée Sous-table non exportée Improvisation sur le rythme _ tintal _ • IE-CLAQUETTES: _ khartal _, deux paires de claquettes en bois , tenues transversalement deux par deux. Enreg.:19cm/s; stéréo• 1975 BM 26 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-01 BM.1978.011.001/40:27-01 00:05:30 12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.JAMFLI MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CLAQUETTES _ KHARTAL _ Sous-table non exportée Sous-table non exportée Rythme _ Kalwada _ • IE-CLAQUETTES: _ khartal _, deux paires de claquettes en bois , tenues transversalement deux par deux. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-02 BM.1978.011.001/40:27-02 00:04:10 12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.JAMFLI MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CLAQUETTES _ KHARTAL _ Sous-table non exportée Sous-table non exportée Rythme _ Zup _ • Même interprète que dans la bande précédente BM.978.011.001/40:26....(Sadip?). IE-CLAQUETTES: _ khartal _, deux paires de claquettes en bois , tenues transversalement deux par deux. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-03 BM.1978.011.001/40:27-03 00:03:35 12/75 INDE;RAJASTHAN DISTR.BARMER, VILL.JAMFLI MANGHANIYAR INDE:RAJASTHAN. DOURNON,G.;1975 CLAQUETTES _ KHARTAL _ Sous-table non exportée Sous-table non exportée Même interprète que dans la bande précédente BM.978.011.001/40:26... (Sadip?). IE-CLAQUETTES: _ khartal _, deux paires de claquettes en bois , tenues transversalement deux par deux. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-04 BM.1978.011.001/40:27-04 00:03:52 12/75 INDE;RAJASTHAN DISTR.BARMER INDE:RAJASTHAN. DOURNON,G.;1975 EXTRAIT DE LA BALLADE DE PABUJI Sous-table non exportée Sous-table non exportée Extrait de la ballade de Pabuji par deux _ bhopa _ (chantres)• Les chanteurs s'accompagnent chacun d'une vièle _ ravanhata _. CV-VIELE: _ ravanhata _ deux cordes, sympathiques, et archet avec grelots. Ethnie: Nayak ou Bhil. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-05 BM.1978.011.001/40:27-05 00:01:30 12/75 INDE;RAJASTHAN DISTR.BARMER INDE:RAJASTHAN. DOURNON,G.;1975 EXTRAIT DE LA BALLADE DE PABUJI Sous-table non exportée Sous-table non exportée Extrait de la ballade de Pabuji par deux _ bhopa _ (chantres)• Les chanteurs s'accompagnent chacun d'une vièle _ ravanhata _. CV-VIELE: _ ravanhata _ deux cordes, sympathiques, et archet avec grelots. Ethnie: Nayak ou Bhil. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :27-06 BM.1978.011.001/40:27-06 00:03:53 12/75 INDE;RAJASTHAN DISTR.BARMER INDE:RAJASTHAN. DOURNON,G.;1975 EXTRAIT DE LA BALLADE DE PABUJI Sous-table non exportée Sous-table non exportée Extrait de la ballade de Pabuji par deux _ bhopa _ (chantres), avec une séquence narrative• Les chanteurs s'accompagnent chacun d'une vièle _ ravanhata _. CV-VIELE: _ ravanhata _ deux cordes, sympathiques, et archet avec grelots. Ethnie: Nayak ou Bhil. Enreg.:19cm/s; stéréo• 1975 BM 27 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :28-01 BM.1978.011.001/40:28-01 00:06:07 02/01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTES _ PAWA * MEHNDI [=?] Sous-table non exportée Sous-table non exportée * Chant manghaniyar: "Mehndi". AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: ce chant vient de la régionde Barmer mais l'enregistrement s'est fait à Jodhpur• 1976 BM 28 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :28-02 BM.1978.011.001/40:28-02 00:06:06 02/01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _* CHARAMI [=?] Sous-table non exportée Sous-table non exportée *Chant "Charami", raga Malhar. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: cette pièce est originaire de Barmer mais a été enregistrée à Jodhpur• 1976 BM 28 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :28-03 BM.1978.011.001/40:28-03 00:06:44 02/01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _ JHEDAR [=?] Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: cette pièce est originaire de Barmer mais a été enregistrée à Jodhpur• 1976 BM 28 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :28-04 BM.1978.011.001/40:28-04 00:02:20 02/01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _ Sous-table non exportée Sous-table non exportée AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Différentes notes de la flûte, ascendant et descendant; bourdon à l'unisson. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 28 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :29-01 BM.1978.011.001/40:29-01 00:01:14 01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'ENFANT DORO Sous-table non exportée Sous-table non exportée Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 29 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :29-02 BM.1978.011.001/40:29-02 00:01:25 01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _* DORO Sous-table non exportée Sous-table non exportée *Reprise à la flûte du chant d'enfant, Doro, en version simplifiée. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Différentes notes de la flûte, ascendant et descendant; bourdon à l'unisson. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 29 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :29-03 BM.1978.011.001/40:29-03 00:06:20 01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _* DORO Sous-table non exportée Sous-table non exportée *Reprise à la flûte du chant d'enfant, Doro; version avec variations. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Différentes notes de la flûte, ascendant et descendant; bourdon à l'unisson. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 29 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :29-04 BM.1978.011.001/40:29-04 00:07:00 01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _* RAO KHANGAR [=?] Sous-table non exportée Sous-table non exportée Doha ou introductiondans le raga Sorath. AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Différentes notes de la flûte, ascendant et descendant; bourdon à l'unisson. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 29 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :29-05 BM.1978.011.001/40:29-05 00:06:20 01/16 INDE;RAJASTHAN BARMER, DUDHYAKALA LANGA-C INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ PAWA _* Sous-table non exportée Sous-table non exportée *Trois mélodies successives d'après les ragas Sorath, Malhar, Gund malhar et Khambati (sorath). AFT- FLUTE TERM 2TUY: _ Sâtâra _ ou _ pawa _ , sont deux flûtes de longueurs différentes (un tuyau mélodique et un tuyau bourdon plus court, alimenté par respiration circulaire), appariées ensemble et jouées par un seul musicien. Différentes notes de la flûte, ascendant et descendant; bourdon à l'unisson. Ethnie: _Langa _ , communauté de musiciens professionnels populaires. Enreg.:19cm/s; stéréo NB: Cette pièce est originaire du Barmer mais a été enregistrée à Jodhpur• 1976 BM 29 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :30-01 BM.1978.011.001/40:30-01 00:03:25 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _* Sous-table non exportée Sous-table non exportée *Solo avec reprises. AFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo Enregistrement fait à la prison de Jodhpur• 1976 BM 30 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :30-02 BM.1978.011.001/40:30-02 00:04:40 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo Enregistrement fait à la prison de Jodhpur• 1976 BM 30 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :30-03 BM.1978.011.001/40:30-03 00:04:30 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo Enregistrement fait à la prison de Jodhpur• 1976 BM 30 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :30-04 BM.1978.011.001/40:30-04 00:03:08 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 RECIT* Sous-table non exportée Sous-table non exportée *Récité; _Veta _: fragment d'un type de récitation chantée (Pakistanais avec interludes de _ narh _). BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo Enregistrement fait à la prison de Jodhpur• 1976 BM 30 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-01 BM.1978.011.001/40:31-01 00:05:13 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _*, CHANT LALI Sous-table non exportée Sous-table non exportée *Chant Lali, de tradition pastorale. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-02 BM.1978.011.001/40:31-02 00:03:55 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-03 BM.1978.011.001/40:31-03 00:03:15 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-04 BM.1978.011.001/40:31-04 00:06:00 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-05 BM.1978.011.001/40:31-05 00:01:15 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Echelle de l a flûte sans bourdon, puis avec bourdon. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :31-06 BM.1978.011.001/40:31-06 00:04:41 01/76 INDE;RAJASTHAN VILLAGE BHU (JAISALMER) BHIL INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ Sous-table non exportée Sous-table non exportée Un air du repertoire. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo• 1976 BM 31 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-01 BM.1978.011.001/40:32-01 00:05:08 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ ET CHANT LALI Sous-table non exportée Sous-table non exportée Avec chant _ Lali _interprété par Fatah Mohamed. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-02 BM.1978.011.001/40:32-02 00:04:03 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ ET CHANT LALI Sous-table non exportée Sous-table non exportée Avec chant _ Lali _interprété par Fatah Mohamed. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-03 BM.1978.011.001/40:32-03 00:02:00 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ ET CHANT LALI Sous-table non exportée Sous-table non exportée Avec chant _ Lali _interprété par Fatah Mohamed. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-04 BM.1978.011.001/40:32-04 00:00:40 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ ET CHANT LALI Sous-table non exportée Sous-table non exportée Avec chant _ Lali _interprété par Fatah Mohamed. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-05 BM.1978.011.001/40:32-05 00:02:30 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ ET CHANT LALI Sous-table non exportée Sous-table non exportée Avec chant _ Lali _interprété par Fatah Mohamed. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :32-06 BM.1978.011.001/40:32-06 00:02:30 14/01/76 INDE;RAJASTHAN DISTR. PHALODI, VILL. NURAKA BHURAJ INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE FLUTE _ NARH _ * Sous-table non exportée Sous-table non exportée *Flûte seule et différents essais des notes séparées. Musicien sans grand intérêt. BAFT- FLUTE TERM : _ narh _ , flûte à biseau jouée obliquement. V-VOIX: le musicien créé un bourdon vocal en même temps qu'il joue de la flûte. Enreg.:19cm/s; stéréo. (Enregistrement à Borunda)• 1976 BM 32 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :33-01 BM.1978.011.001/40:33-01 00:01:05 01/76 INDE;RAJASTHAN RAWAT* INDE:RAJASTHAN. DOURNON,G.;1975 ACCORD DE LA VIELE Sous-table non exportée Sous-table non exportée *enregistré à Borunda. IS-GRELOT= grelots fixés à l'archet de la vièle Chantres de Pabuji, du groupe social Bhopa• DOURNON,GENVIEVE 1976 EPIQUE ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :33-02 BM.1978.011.001/40:33-02 00:12:50 01/76 INDE;RAJASTHAN BORUNDA RAWAT INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée une épisode de la ballade de Pabuji, dialogue entre Bapu et Deval. Bhopa et Bhopi (chantres de Pabuji) 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :33-03 BM.1978.011.001/40:33-03 00:06:15 01/76 INDE;RAJASTHAN BORUNDA RAWAT INDE:RAJASTHAN. DOURNON,G.;1975 CHANT ET VIELE Sous-table non exportée Sous-table non exportée bhopa et bhopi (chantres de pabuji) Un épisode de la ballade de Pabuji• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-01 BM.1978.011.001/40:34-01 00:04:45 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKIA BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée 3 paires de cymbales. 1 petit tambour. Des grandes claquettes avec cymbalettes 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-02 BM.1978.011.001/40:34-02 00:04:20 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKIA BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT RELIGIEUX EN L'HONNEUR DE RAMA Sous-table non exportée Sous-table non exportée Plusieurs luths ektara 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-03 BM.1978.011.001/40:34-03 00:03:57 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKIA BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Claquettes avec cymbalettes. 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-04 BM.1978.011.001/40:34-04 00:01:09 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimarde en bambou à traction. 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-05 BM.1978.011.001/40:34-05 00:01:35 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbarde en bambou à traction. 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :34-06 BM.1978.011.001/40:34-06 00:01:00 21/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:PUNJAKHURALI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE GUERISON ET D'EXORCISME Sous-table non exportée Sous-table non exportée Râcleur en bambou 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :35-01 BM.1978.011.001/40:35-01 00:00:09 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:PUNJAKHURALI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE GUERISON ET D'EXORCISME Sous-table non exportée Sous-table non exportée Râcleur en bambou. [faux départ-pas copié]• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :35-02 BM.1978.011.001/40:35-02 00:06:20 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE GUERISON ET D'EXORCISME Sous-table non exportée Sous-table non exportée Râcleur en bambou. [copie compressé -3dB] 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :35-03 BM.1978.011.001/40:35-03 00:01:15 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI BHIL INDE:RAJASTHAN. DOURNON,G.;1975 RECITATION D'UN MANTRA Sous-table non exportée Sous-table non exportée Texte récité• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :35-04 BM.1978.011.001/40:35-04 00:02:45 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbarde en bambou à traction. Grelot tenu par un jeune garçon• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :35-05 BM.1978.011.001/40:35-05 00:01:50 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbarde en bambou à traction. Greolt tenu par un jeune garçon• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-01 BM.1978.011.001/40:36-01 00:01:42 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbarde en bambou à traction. Grelot tenu par un jeune par un jeune garçon• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-02 BM.1978.011.001/40:36-02 00:02:33 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbarde en bambou à traction. Grelot tenu par un jeune homme• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-03 BM.1978.011.001/40:36-03 00:02:47 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Duo de guimbardes en bambou dont 1 avec 1 grelot• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-04 BM.1978.011.001/40:36-04 00:02:00 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Duo de guimbardes dont 1 avec 1 grelot. Interruption et reprise• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-05 BM.1978.011.001/40:36-05 00:02:29 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUNJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Duo de guimbardes en bambou. Interruption d'un des 2 joueurs• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-06 BM.1978.011.001/40:36-06 00:02:30 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:PUJAKHURALI THORI INDE:RAJASTHAN. DOURNON,G.;1975 DUO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Duo de guimbardes en bambou dont une avec un grelot. Intrerruption de l'un des deux joueurs• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-07 BM.1978.011.001/40:36-07 00:05:00 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:BHUKYA JOGI INDE:RAJASTHAN. DOURNON,G.;1975 LEGENDE CHANTEE Sous-table non exportée Sous-table non exportée Cithare sur bâton à 2 cordes avec résonnateursen calebasse. Une paire de cymbalettes manjira• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :36-08 BM.1978.011.001/40:36-08 00:03:40 26/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKYA JOGI INDE:RAJASTHAN. DOURNON,G.;1975 CHANT AVEC CITHARE ET CYMBALES Sous-table non exportée Sous-table non exportée Cithare à 2 cordes avec reésonnateurs en calebasse. Une paire de cymbales• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :37-01 BM.1978.011.001/40:37-01 00:04:17 27/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAG:BHUKYA YOGI INDE:RAJASTHAN. DOURNON,G.;1975 BALLADE SARAWAN Sous-table non exportée Sous-table non exportée Cithare sur bâton à 2 cordes avec résonnateurs en calebasse. 1 paire de cymbalettes• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :37-02 BM.1978.011.001/40:37-02 00:04:02 27/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKYA YOGI INDE:RAJASTHAN. DOURNON,G.;1975 CHANT HIRAL Sous-table non exportée Sous-table non exportée Une paire de cymbalettes manjira. Cithare à 2 cordes avec résonnateurs en calebasse• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :37-03 BM.1978.011.001/40:37-03 00:03:35 27/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKYA YOGI INDE:RAJASTHAN. DOURNON,G.;1975 LEGENDE CHANTEE LAKANLACHALI Sous-table non exportée Sous-table non exportée Une paire de cymbalettes manjira. Cithare à 2 cordes avec résonnateurs en calebasse• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :37-04 BM.1978.011.001/40:37-04 00:04:15 27/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE BHUKYA YOGI INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE DEVOTION MIRA BHAJAN Sous-table non exportée Sous-table non exportée 2 paires de manjira. Une paire de claquettes avec cymballettes kartâl• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :37-05 BM.1978.011.001/40:37-05 00:04:37 27/01/76 INDE;RAJASTHAN DST:BANSWARA VILLAGE:BHUKYA YOGI INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE DEVOTION MIRA BHAJAN Sous-table non exportée Sous-table non exportée 2 paires de manjira. 1 paire de claquettes avec cymbalettes kartâl• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-01 BM.1978.011.001/40:38-01 00:02:35 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'EXORCISME Sous-table non exportée Sous-table non exportée Chant d'xorcisme par un barua (medecine-man). Râcleur en bambou. Chanté à 2 voix• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-02 BM.1978.011.001/40:38-02 00:04:54 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT D'EXORCISME Sous-table non exportée Sous-table non exportée Râcleur en bambou• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-03 BM.1978.011.001/40:38-03 00:01:15 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-04 BM.1978.011.001/40:38-04 00:01:15 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 REPRISE DU CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-05 BM.1978.011.001/40:38-05 00:03:30 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-06 BM.1978.011.001/40:38-06 00:02:50 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-07 BM.1978.011.001/40:38-07 00:02:00 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE MURLO Sous-table non exportée Sous-table non exportée Vénération du pilon de la maison• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :38-08 BM.1978.011.001/40:38-08 00:03:15 01/76 INDE;RAJASTHAN DST KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :39-01 BM.1978.011.001/40:39-01 00:05:15 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT RELATIF A UNE FAMINE Sous-table non exportée Sous-table non exportée 2 voix f et 2 voix h alternées• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :39-02 BM.1978.011.001/40:39-02 00:04:30 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 CHANT DE DEPLACEMENT VERS LES FOIRES Sous-table non exportée Sous-table non exportée 2 voix de femme et 2 voix d'homme alternées• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :39-03 BM.1978.011.001/40:39-03 00:03:07 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 MUSIQUE DE FETE Sous-table non exportée Sous-table non exportée M1C = timbale• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :39-04 BM.1978.011.001/40:39-04 00:03:45 01/76 INDE;RAJASTHAN DST:KUSHAL GAR VILLAGE:BHIMGARH BHIL INDE:RAJASTHAN. DOURNON,G.;1975 MUSIQUE DE FETE Sous-table non exportée Sous-table non exportée M1C =timbale• 1976 ASIE +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 :40-01 BM.1978.011.001/40:40-01 00:05:00 01/76 INDE;RAJASTHAN REGION:BHILWARA BHOPA-BHOPI INDE:RAJASTHAN. DOURNON,G.;1975 SOLO DE CORNEMUSE MASHAK Sous-table non exportée Sous-table non exportée Chantre Beruji. [copie d'un enregistrement de la Sangeet Natak Akademi de Jodhpur]• 1976 ASIE +BM.978.012 Ø13;²19;PPM BM.978.012.001 :01-01 BM.978.012.001:01-01 00:00:00 1919-1923 ARGENTINE COPIE DE CYLINDRES:ARGENTINE:SELKNAM (1919-23) N Sous-table non exportée Sous-table non exportée 1919 0 AMERIQUE +BM.978.013 Ø13;²19;PPM BM.978.013.001 :01-01 BM.978.013.001:01-01 00:00:00 INDONESIE INDONESIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +FOLK-001 K7 BM.978.014.001 :01-01 BM.978.014.001:01-01 00:00:00 INDE;PANJAB "FOLK M. OF PUNJAB" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1979.001 Ø13;²38;PPS BM.1979.001.001/04 :01-01 BM.1979.001.001/04:01-01 00:00:00 INDONESIE;CELEBES(SULAWESI) INDONESIE:SULAWESI N Sous-table non exportée Sous-table non exportée PELRAS,CHRISTIAN -1 0 ASIE +BM.979.002 Ø13;²19;PPS BM.979.002.001/39 :01-01 BM.979.002.001/39:01-01 00:00:00 CAMEROUN CAMEROUN:EVUZOK N Sous-table non exportée Sous-table non exportée 1978 0 AFRIQUE +BM.979.003 Ø13;²19;PPM BM.979.003.001 :01-01 BM.979.003.001:01-01 00:00:00 URSS;SIBERIE SIBERIE EXTREME INUIT URSS;SIBERI:INUIT N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.2002.018 CDR BM.2002.018.001/04 :02-01 BM.2002.018.001/04:02-01 00:22:08 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section de la propitiation (bskang ba) aux 9 divinités protectrices (chos-skyong), enchainé à la confession des erreurs (bshagspa) entièrement récitée avec interludes instrumentaux, Cf. texte du rituel • Himalaya 1995 K7.1995-4A ASIE +BM.979.005 ØGF;²38;PPM;SD BM.979.005.001/02 :01-01 BM.979.005.001/02:01-01 00:00:00 INDE;RAJASTHAN MASTER DI."INDE.RAJASTHAN.MUSICIENS PROFESSIONNELS POPULAIRES" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.006 ØGF;²38;PPM;SD BM.979.006.001/02 :01-01 BM.979.006.001/02:01-01 00:00:00 1958-66 VIETNAM MASTER DI."MUSIQUE MNONG GAR DU VIETNAM" N Sous-table non exportée Sous-table non exportée 1958 0 ASIE +BM.979.007 ØGF;²38;PPM;SD BM.979.007.001/02 :01-01 BM.979.007.001/02:01-01 00:00:00 MADAGASCAR MASTER DI."POSSESSION & POESIE A MADAGASCAR" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.008 ØGF;²38;PPM;SD BM.979.008.001/03 :01-01 BM.979.008.001/03:01-01 00:00:00 GABON MASTER DI."GABON. M. DES MITSOGHO & DES BATEKE" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.009 ØGF;²38;PPM;SD BM.979.009.001/03 :01-01 BM.979.009.001/03:01-01 00:00:00 AFRIQUE MONTAGE "MOUSSEY" GARINE N Sous-table non exportée Sous-table non exportée -1 AFRIQUE +BM.979.010 ØGF;²38;PPM;SD BM.979.010.001/02 :01-01 BM.979.010.001/02:01-01 00:00:00 NEPAL NEPAL [MONTAGE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.011 ØGF;²38;PPM;SD BM.979.011.001/02 :01-01 BM.979.011.001/02:01-01 00:00:00 INDE;RAJASTHAN MASTER DI.: RAJASTHAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.012 ØGF;²38;PPM;SD BM.979.012.001/06 :01-01 BM.979.012.001/06:01-01 00:00:00 ETHIOPIE MASTER DI."ETHIOPIE. POLYPHONIES DES DORZE" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.013 ØGF;²38;PPM;SD BM.979.013.001/02 :01-01 BM.979.013.001/02:01-01 00:00:00 COLOMBIE MASTER DI."MUSIQUE DES INDIENS BORA & WITOTO D'AMAZONIE COLOMBIENNNE" N Sous-table non exportée Sous-table non exportée Amazonie(G) -1 0 AMERIQUE +BM.979.014 ØGF;²38;PPM;SD BM.979.014.001 :01-01 BM.979.014.001:01-01 00:00:00 AMERIQUE MONTAGE:AMERIQUE DU SUD N Sous-table non exportée Sous-table non exportée -1 AMERIQUE +BM.979.015 ØGF;²38;PPM;SD BM.979.015.001/02 :01-01 BM.979.015.001/02:01-01 00:00:00 INDE;RAJASTHAN MASTER DI."FLUTES DU RAJASTHAN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.016 ØGF;²38;PPM;SD BM.979.016.001/02 :01-01 BM.979.016.001/02:01-01 00:00:00 N MONTAGE: CYLINDRES N Sous-table non exportée Sous-table non exportée -1 N +BM.979.017 ØGF;²38;PPM;SD BM.979.017.001/02 :01-01 BM.979.017.001/02:01-01 00:00:00 INDE;RAJASTHAN MONTAGE: RAJASTHAN. VIELES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.018 ØGF;²19;PP BM.979.018.001 :01-01 BM.979.018.001:01-01 00:00:00 IRAK IRAK [MONTAGE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.019 ØGF;²19;PP BM.979.019.001 :01-01 BM.979.019.001:01-01 00:00:00 TIBET COPIE DI. TIBET N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.020 ØGF;²38;PPM;SD BM.979.020.001/02 :01-01 BM.979.020.001/02:01-01 00:00:00 ILES SALOMON MASTERD I."POLYPHONIES DE ILES SALOMON. M. DE GUADALCANAL & SAVO" N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.979.021 ØGF;²19;PP BM.979.021.001 :01-01 BM.979.021.001:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR [MONTAGE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.022 ØGF;²19;PP BM.979.022.001 :01-01 BM.979.022.001:01-01 00:00:00 INDE INDE: CONCERT "FRERES DAGAR" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.023 ØGF;²19;PP BM.979.023.001/04 :01-01 BM.979.023.001/04:01-01 00:00:00 TIBET TIBET: MOINES AU THEATRE DES BOUFFES DU NORD N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.024 ØGF;²38;PPM;SD BM.979.024.001/05 :01-01 BM.979.024.001/05:01-01 00:00:00 AFGHANISTAN MASTER DI"AFGHANISTAN. CHANTS DES PASHAI" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.025 ØGF;²38;PPM;SD BM.979.025.001/04 :01-01 BM.979.025.001/04:01-01 00:00:00 ILES SALOMON MONTAGE ILES SALOMON. 'ARE'ARE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.979.026 ØGF;²38;PPM;SD BM.979.026.001/03 :01-01 BM.979.026.001/03:01-01 00:00:00 INDE;JAMMU & KASHMIR LADAKH MASTER DI."LADAKH. MUSIQUE DE MONASTER & DE VILLAGE" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.027 ØGF;²19;PP BM.979.027.001/04 :01-01 BM.979.027.001/04:01-01 00:00:00 BENIN BENIN [MONTAGE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.028 ØGF;²38;PPM;SD BM.979.028.001/04 :01-01 BM.979.028.001/04:01-01 00:00:00 ARGENTINE MASTER DI."SELK'NAM..." VOL.2 N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.979.029 ØGF;²38;PPM;SD BM.979.029.001/02 :01-01 BM.979.029.001/02:01-01 00:00:00 INDONESIE;TIMOR MASTER DI."TIMOR. CHANTS DES EMA" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.030 ØGF;²38;PPM;SD BM.979.030.001/02 :01-01 BM.979.030.001/02:01-01 00:00:00 TCHAD MONTAGE: TCHAD N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.031 ØGF;²38;PPM;SD BM.979.031.001/02 :01-01 BM.979.031.001/02:01-01 00:00:00 N MASTER DI."MUSIQUES DU MONDE. LES INSTRUMENTS TRADITIONNELS" N Sous-table non exportée Sous-table non exportée -1 N +BM.979.032 ØGF;²38;PPM;SD BM.979.032.001/02 :01-01 BM.979.032.001/02:01-01 00:00:00 SUISSE MONTAGE SUISSE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.979.033 ØGF;²38;PPM;SD BM.979.033.001/02 :01-01 BM.979.033.001/02:01-01 00:00:00 MAROC MASTER DI."BERBERES DU MAROC. AHWACH" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.034 Ø18;²19;PPM BM.979.034.001/10 :01-01 BM.979.034.001/10:01-01 00:00:00 COTE D'IVOIRE COTE D'IVOIRE : MONTAGE,OPERATION"RETOUR AU PAYS D'ORIGINE" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.035 Ø18;²9.5;1/2P;SD BM.979.035.001 :01-01 BM.979.035.001:01-01 00:00:00 CANADA ILE VICTORIA CANADA;ILE VICTORIA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :01-01 BM.1979.036.001/17:01-01 00:05:30 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AQSID Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison• Vitesse 9,5• LORTAT-JACOB,BERNARD 1978 0 1978-01 AFRIQUE +BM.979.037 Ø13&18;²19;PPS BM.979.037.001/03 :01-01 BM.979.037.001/03:01-01 00:00:00 SUISSE SUISSE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.979.038 Ø13;²19;PPS BM.979.038.001/05 :01-01 BM.979.038.001/05:01-01 00:00:00 ILES SALOMON ILES SALOMON:'ARE 'ARE N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :01-01 BM.1979.039.001:01-01 00:02:14 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "UN BON MATIN JE ME SUIS LEVE" Sous-table non exportée Sous-table non exportée Piste 1 • 1950 0 AMERIQUE +BM.979.040 Ø13;²19;PPM BM.979.040.001 :01-01 BM.979.040.001:01-01 00:00:00 REP CENTRAFRICAINE REP.CENTRAFRICAINE:BAYAKA N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +BM.979.041 Ø13;²19;PPM BM.979.041.001 :01-01 BM.979.041.001:01-01 00:00:00 USA;ALASKA ALASKA: CHANTS ALEOUTES N Sous-table non exportée Sous-table non exportée 1971 0 AMERIQUE +BM.979.042 Ø13;²19;PPM BM.979.042.001 :01-01 BM.979.042.001:01-01 00:00:00 N MONTAGE POUR GALERIE DES INSTRUMENTS DU MH N Sous-table non exportée Sous-table non exportée -1 N +BM.979.043 Ø18;²19;PPM BM.979.043.001/02 :01-01 BM.979.043.001/02:01-01 00:00:00 NLE-GUINEE NOUVELLE GUINEE:BUANG, LAMENTATION FUNEBRES N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.979.044 K7 BM.979.044.001 :01-01 BM.979.044.001:01-01 00:00:00 MAROC MAROC : "AMARG N AYT UDRAR" [PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.979.045 Ø18;²19;PPM BM.979.045.001 :01-01 BM.979.045.001:01-01 00:00:00 INDONESIE;BALI INDONESIE:BALI&JAVA [COPIE DI. PYRAL] N Sous-table non exportée Sous-table non exportée 1950 0 ASIE +BM.979.045 Ø18;²19;PPM BM.979.045.001 :01-02 BM.979.045.001:01-02 00:00:00 INDONESIE;JAVA INDONESIE:BALI&JAVA [COPIE DI. PYRAL] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.046 K7-C60 BM.979.046.001/15 :01-01 BM.979.046.001/15:01-01 00:00:00 JAPON COPIE DI. 33T : "JAPON.ANTHOLOGIE DE LA M. D'OKINAWA" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.047 K7 BM.979.047.001 :01-01 BM.979.047.001:01-01 00:00:00 N VIETNAM K7 PUBLIEE"M.INSTRUMENTALE & CHANTS POPU.PAR TRAN QUANG HAI & BACH YEN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.048 Ø13&18 BM.979.048.001/02 :01-01 BM.979.048.001/02:01-01 00:00:00 ITALIE;SARDAIGNE SARDAIGNE ITALIE;SARDAIGNE[RADIO] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.979.049 Ø18;²19;PPM BM.979.049.001/08 :01-01 BM.979.049.001/08:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE;SARDAIGNE, LAUNEDDAS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.979.050 Ø13;²19;1/2P BM.979.050.001 :01-01 BM.979.050.001:01-01 00:00:00 IRAN LURISTAN LUR IRAN:LORISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.051 Ø13&18 BM.979.051.001/28 :01-01 BM.979.051.001/28:01-01 00:00:00 MAROC ITALIE;SARDAIGNE N Sous-table non exportée Sous-table non exportée 1979 0 AFRIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-01 BM.1979.052.001/03:01-01 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 0 Pa-8 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-01 BM.1979.053.001/02:01-01 00:02:44 08/1978 BOLIVIE PROVINCE NOR YUNGAS, CHICALOMA NEGRITOS BOLIVIE & PEROU AIR DE DANSE Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• _Le Festival Luz Mila Patiño. 30 ans de rencontres interculturelles à travers la musique_ ; Genève, Fondation Simon I.Patiño, 2001. pp 60-62• M2= Tbrs tenus verticalement et battus avec une baguette. Z-Autre= Coups de feu. N.B.=A la fin de la pièce on peut entendre l'arrivée des flûtes de la deuxième pièce• ARGUEDAS,CARLOS 1978 0 7 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-02 BM.1979.053.001/02:01-02 00:04:51 08/1978 BOLIVIE PROVINCE OMASUYOS LACKACHI BOLIVIE & PEROU AIR DE DANSE PHUSIPIA Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• AFT= Flûtes à encoche, 4 trous; de 2 tailles différentes jouées par paires. M2D= avec un timbre, battu avec 2 baguettes• ARGUEDAS,CARLOS 1978 7 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-03 BM.1979.053.001/02:01-03 00:01:16 08/1978 BOLIVIE PROVINCE OMASUYOS INDIENS BOLIVIE & PEROU CHANT ET GUITARE Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• CL= guitare• ARGUEDAS,CARLOS 1978 7 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-04 BM.1979.053.001/02:01-04 00:01:23 08/1978 BOLIVIE PROVINCE OMASUYOS INDIENS BOLIVIE & PEROU CHANT ET GUITARE* Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• *Chant populaire du Sud Pérou-Nord Bolivie. CL= guitare• ARGUEDAS,CARLOS 1978 7 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-05 BM.1979.053.001/02:01-05 00:01:34 08/1978 PEROU PROV. PUNO,VILLAGE TACNA TARACA BOLIVIE & PEROU ENSEMBLE DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• M-BOMBO= tbr grosse caisse M-REDOBLANTE= tbr caisse claire SD= cris par moments• ARGUEDAS,CARLOS 1978 8 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-06 BM.1979.053.001/02:01-06 00:05:01 08/1978 PEROU PROV. PUNO,VILLAGE TACNA TARACA BOLIVIE & PEROU ENSEMBLE DE FLUTE DE PAN,AIR DE DANSE SURISIKURI Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• M-BOMBO= tbr grosse caisse M-REDOBLANTE= tbr caisse claire SD= cris par moments• ARGUEDAS,CARLOS 1978 8 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-07 BM.1979.053.001/02:01-07 00:06:07 08/1978 PEROU PROV. PUNO,VILLAGE TACNA TARACA BOLIVIE & PEROU ENSEMBLE DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• M-BOMBO= tbr grosse caisse M-REDOBLANTE= tbr caisse claire SD= cris par moments• ARGUEDAS,CARLOS 1978 8 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-08 BM.1979.053.001/02:01-08 00:03:12 08/1978 BOLIVIE PROVINCE OMASUYOS LACKACHI BOLIVIE & PEROU AIR DE DANSE QUENA QUENA Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• AFT= Flûtes à encoche, 4 trous; de 2 tailles différentes jouées par paires. M2D= avec un timbre, battu avec 2 baguettes VC= chanté à un moment• ARGUEDAS,CARLOS 1978 8 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-09 BM.1979.053.001/02:01-09 00:04:04 08/1978 PEROU LA PAZ BOLIVIE & PEROU MUSIQUE PANDILLAS Sous-table non exportée PANDILLAS Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• M-BOMBO= tbr grosse caisse M-REDOBLANTE= tbr caisse claire AFT= sifflet à roulette Orchestre de métisses professionnels Copie shuntée à la fin• ARGUEDAS,CARLOS 1978 9 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-10 BM.1979.053.001/02:01-10 00:01:38 08/1978 BOLIVIE LACKACHI BOLIVIE & PEROU AIR DE FLUTE ET TAMBOURS Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• 1978 9 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-11 BM.1979.053.001/02:01-11 00:04:32 08/1978 BOLIVIE LACKACHI BOLIVIE & PEROU DISCOURS PUIS PRIÈRE Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca Discours en espagnol puis prière à la Vierge de Copacabana dite en langue Aymara par la "cabeza"- le chef qui amène la communauté Lackachi au pélerinage• Au second plan, musique de flûtes et tambours• 1978 9 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-12 BM.1979.053.001/02:01-12 00:03:10 08/1978 BOLIVIE LACKACHI BOLIVIE & PEROU PRIERE A LA VIERGE DE COPACABANA Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• SD= Tambours et flûtes par moments en arriere-plan. Chanté en langue Aymara• ARGUEDAS,CARLOS 1978 10 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-13 BM.1979.053.001/02:01-13 00:02:22 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE DE COLQUE QUECHUA BOLIVIE & PEROU CHANT DE DANSE DU TYPE WAINO Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• Accord du luth au début. Chanté en Espagnol et en Quechua. Bc=par moments• ARGUEDAS,CARLOS 1978 10 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-14 BM.1979.053.001/02:01-14 00:02:04 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE* QUECHUA BOLIVIE & PEROU CHANT DE DANSE DU TYPE WAINO Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• Chanté en Espagnol et en Queshua *Village de Colque• BM.979.053.001:01-13 ARGUEDAS,CARLOS 1978 10 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-15 BM.1979.053.001/02:01-15 00:00:24 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE* QUECHUA BOLIVIE & PEROU ACCORD DU LUTH CHARANGO Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• *village de Colque• ARGUEDAS,CARLOS 1978 11 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-16 BM.1979.053.001/02:01-16 00:05:36 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE* QUECHUA BOLIVIE & PEROU CHANT DE DANSE POUR LA FIESTA CRUZ Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• Rythme musical tinku. Chanté en Quechua. Bc= par moment• ARGUEDAS,CARLOS 1978 11 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-17 BM.1979.053.001/02:01-17 00:01:11 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE* QUECHUA BOLIVIE & PEROU ACCORD DU LUTH CHARANGO Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• *village de Colque Voix parlées hommes et femmes au début• BM.979.053.001:01-18 ARGUEDAS,CARLOS 0 11 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-18 BM.1979.053.001/02:01-18 00:03:07 08/1978 BOLIVIE REGION DE POTOSI, VILLAGE* QUECHUA BOLIVIE & PEROU CHANT DE DANSE DU TYPE WAINO Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• *village de Colque• ARGUEDAS,CARLOS 1978 11 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-19 BM.1979.053.001/02:01-19 00:03:02 08/1978 BOLIVIE REGION DE LA PAZ, TIHUANACU BOLIVIE & PEROU FANFARES CIVILES Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• Trois fanfares civiles professionnelles réunies pour la fête du 14 Septembre. BR=Timbre caisse claire. IR=Peut-être crecelle à un moment ARGUEDAS,CARLOS 1978 13 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-20 BM.1979.053.001/02:01-20 00:02:34 08/1978 BOLIVIE PROVINCE DE CHUMA BOLIVIE & PEROU AIR DE DANSE KULLAHUA Sous-table non exportée Sous-table non exportée enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca (?)• AFT=ensemble de flûtes traversières. copie d'un disque 78T. bolivien• ARGUEDAS,CARLOS 1978 Non pertinent 13 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-21 BM.1979.053.001/02:01-21 00:02:16 08./1978 PEROU DPT. DE PUNO, VILLAGE DE COJATA BOLIVIE & PEROU AIR SURIKISIKURI SURIKISIKURI Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca (?)• AFP=ensemble de flûtes de pan. copie de disque 78T• ARGUEDAS,CARLOS 1978 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :01-22 BM.1979.053.001/02:01-22 00:02:44 08/1978 BOLIVIE DPT. DE LA PAZ, REGION DE CHARAZANI BOLIVIE & PEROU AIR DE LA DANSE KANTU KANTU Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• AFP=Ensemble de flûtes de pan. Copie d'un disque 78 T• ARGUEDAS,CARLOS 1978 13 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :02-01 BM.1979.053.001/02:02-01 00:02:24 08/1978 BOLIVIE DPT. DE LA PAZ, CURAHUARA DE CARANGAS BOLIVIE & PEROU AIR DE LA DANSE TARKAS WAYNU TARKAS WAYNU Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• AFTC=ensemble de flûtes à bec• ARGUEDAS,CARLOS 1978 13 AMERIQUE +BM.1979.053 CDR+Ø* BM.1979.053.001/02 :02-02 BM.1979.053.001/02:02-02 00:02:45 08/1978 BOLIVIE DPRT DE LA PAZ, REGION DE CHARAZANI BOLIVIE & PEROU ENSEMBLE DE FLUTES DE PAN Sous-table non exportée Sous-table non exportée Enregistrement réalisé au cours de la Fête de la Vierge, à Copacabana, Lac Titicaca• AFP= + ou - 20 flûtes. Problème de lecture de la bande magnétique : crissements à deux moments• ARGUEDAS,CARLOS 1978 13 AMERIQUE +BM.979.054 Ø15;²9,5;PP BM.979.054.001 :01-01 BM.979.054.001:01-01 00:00:00 URSS;YAKOUTIE YAKOUITE RSF RUSSIE;YAKOUTIE:YAKOUTE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.979.055 Ø13 BM.979.055.001/09 :01-01 BM.979.055.001/09:01-01 00:00:00 NEPAL NEPAL N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +BM.979.056 Ø18;²19;PPM BM.979.056.001/10 :01-01 BM.979.056.001/10:01-01 00:00:00 BENIN BENIN : MONTAGE,OPERATION "RETOUR AU PAYS D'ORIGINE" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.980.001 Ø18;²19;PPM;LD BM.980.001.001 :01-01 BM.980.001.001:01-01 00:00:00 N "ESSAI DE MUSICOLOGIE & AUTRES FANTAISIES"[RADIO] N Sous-table non exportée Sous-table non exportée 1980 N +BM.980.002 K7 BM.980.002.001/05 :01-01 BM.980.002.001/05:01-01 00:00:00 PAPOUASIE-NLE-GUINEE PAPOUASIE - NOUVELLE GUINEE, MALAYSIA, INDONESIE, PHILIPPINES N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +BM.980.002 K7 BM.980.002.001/05 :02-02 BM.980.002.001/05:02-02 00:00:00 MALAYSIA PAPOUASIE - NOUVELLE GUINEE, MALAYSIA, INDONESIE, PHILIPPINES N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +BM.980.002 K7 BM.980.002.001/05 :03-01 BM.980.002.001/05:03-01 00:00:00 INDONESIE PAPOUASIE - NOUVELLE GUINEE, MALAYSIA, INDONESIE, PHILIPPINES N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +BM.980.002 K7 BM.980.002.001/05 :04-01 BM.980.002.001/05:04-01 00:00:00 PHILIPPINES PAPOUASIE - NOUVELLE GUINEE, MALAYSIA, INDONESIE, PHILIPPINES N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +BM.980.003 K7 BM.980.003.001 :01-01 BM.980.003.001:01-01 00:00:00 N VIETNAM "VIETNAM. CITHARE & CHANSONS POPULAIRES PAR TRAN QUANG HAI & BACH YEN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.980.004-BIS Ø18;²19;PPM;SD BM.980.004-BIS.001/07 :01-01 BM.980.004-BIS.001/07:01-01 00:00:00 CANADA CANADA:ESKIMO DU CUIVRE [COPIE CYLINDRES 1913-16] N Sous-table non exportée Sous-table non exportée 1913 0 AMERIQUE +BM.980.004 Ø13 BM.980.004.001/31 :01-01 BM.980.004.001/31:01-01 00:00:00 CANADA CANADA: ESKIMO DU CUIVRE (1980) N Sous-table non exportée Sous-table non exportée 1980 0 AMERIQUE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :01-01 BM.1980.005.001/23:01-01 00:05:42 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR,VILLAGE TELI BANDA GOND DEWAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT H ET VIELE CHANDA GWALIN Sous-table non exportée Sous-table non exportée VC= homme de 30 ans.CV= vièle monocorde. BR= grelots adjoints à l'archet. M2C= dholak frappé à mains nues. " Chanda gwalin": nom d'une jeune laitière dont l'histoire est le thème du chant. Gond Dewar : communauté h indoue ou groupe semi tribal. Langue Hindi, dialecte Chhatisgarhi• 1979 0 M.P. 1 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :01-02 BM.1980.005.001/23:01-02 00:05:55 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR,VILLAGE TELI BANDA GOND DEWAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT H ET VIELE CHANDA GWALIN Sous-table non exportée Sous-table non exportée VC= homme de 50 ans.CV= vièle monocorde. BR= grelots adjoints à l'archet. M2C= dholak frappé à mains nues. " Chanda gwalin": nom d'une jeune laitière dont l'histoire est le thème du chant. Gond Dewar : communauté h indoue ou groupe semi tribal. Langue Hindi, dialecte Chhatisgarhi• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :01-03 BM.1980.005.001/23:01-03 00:05:23 Janv. 1979 INDE;MADHYA PRADESH DST DE RAIPUR, VILLAGE DE TELI BANDHA. GOND DEWAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée VC = homme de 40 ans , CV= vièle monocorde et corde sympathique; BR= archet à grelot. Interruption à 4'22 et reprise , fin brusque et enchainement avec la IV pièce. Gond Dewar : communauté h indoue ou groupe semi tribal. Langue Hindi, dialecte Chhatisgarhi• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :01-04 BM.1980.005.001/23:01-04 00:01:30 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR , VILLAGE TELI BANDHA GOND DEWAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée TBR DHOLAK , frappé à mains nues. Reprise et interruption. Le chant dure < 20' Gond Dewar : communauté h indoue ou groupe semi tribal. Langue Hindi, dialecte Chhatisgarhi• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :01-05 BM.1980.005.001/23:01-05 00:03:58 Janv. 1979 INDE;MADHYA PRADESH DST DE RAIPUR, VILLAGE DE CHERKHEDI SATNAMI INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE DEVOTIONNEL Sous-table non exportée Sous-table non exportée Danse dévotionnelle• M2-= joué à mains nues. Les 3 paires de cymbales MANJIRA se dénomment également GHANTA. Les claquettes KHARTAL sont faites en bois et comportent des cymbalettes (= BR) Cette pièce est exécutée par les Satnami, communauté ou secte hindoue, pendant une danse dévotionnelle. Départ brusque, fin shuntée• 1979 MP2-5 (?) ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :02-01 BM.1980.005.001/23:02-01 00:05:42 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR, RAIPUR RAWAUT INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée AT= longue trompe en bambou, 4 T; exécuté par Jagmohan domestique à Raipur. Il utilise la technique du souffle continu pour jouer de son instrument. Ethnie : Rawaut ou Rawat, appelés ailleurs Ahir, communauté hindoue de pasteur dont certains membres se sont placés en ville comme domestiques• 1979 MP2-1 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :02-02 BM.1980.005.001/23:02-02 00:05:45 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR HINDI INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE D'UNE EPOPEE RAWAUT MP2 Sous-table non exportée Sous-table non exportée VX= chanté alternant avec psalmodié et trompe BANS à 4T, joué en souffle continu. Chant exécuté en Hindi, dialecte CHHATISGARHI. 1979 EPIQUE M.P.2 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :02-03 BM.1980.005.001/23:02-03 00:10:22 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR RAWAUT INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE D'UNE EPOPEE RAWAUT Sous-table non exportée Sous-table non exportée VX= Chanté, psalmodié et parlé.Accompagné par trompe à 4T, Bans, joué en souffle continu .Les deux interprètes sont domestiques à Raipur. Exécuté en Hindi , dialecte Chhatisgarhi (?)• 1979 M.P.2 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :03-01 BM.1980.005.001/23:03-01 00:09:30 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR, VILLE DE RAIPUR RAWAUT INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée AF=SOLO FLUTE jouée en souffle continu, par DANESH (homme de 45 ans). Ethnie : Rawaut ou Rawat, appelés ailleurs Ahir, communauté hindoue de pasteur dont certains membres se sont placés en ville comme domestiques• 1979 M.P.3 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :04-01 BM.1980.005.001/23:04-01 00:12:20 Janv. 1979 INDE;MADHYA PRADESH DST RAIPUR , VILLE DE RAIPUR RAWAUT INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE D'UNE EPOPEE RAWAUT. Sous-table non exportée Sous-table non exportée VX=Chanté ét psalmodié par PANCHAM (65 ans) et acccompagné à la flûte BANS par DANESH qui pour jouer de la flute utilise la technique du souffle continu. Chanté en dialecte Chhastigardhi. Ethnie : Rawaut ou Rawat, appelés ailleurs Ahir, communauté hindoue de pasteur dont certains membres se sont placés en ville comme domestiques• 1979 M.P.4 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :05-01 BM.1980.005.001/23:05-01 00:00:30 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• ATL=Solo trompe à embouchure latérale en bronze, par un jeune homme du ghotul. SD=Bruits divers, murmures. Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon• 1979 M.P.5 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :05-02 BM.1980.005.001/23:05-02 00:04:40 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 2 CHANTS DE GHOTUL POUR LE MARIAGE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= choeur de 8 jeunes filles du _ghotul_. Chanté en langue Gondi. Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon. Cette pièce comporte un faux départ, des bruits d'ambiance. Saturation• 1979 M.P.5 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :05-03 BM.1980.005.001/23:05-03 00:03:40 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 MARMA PATA Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= choeur 8 jeunes filles du _ghotul_. Chant du _ghotul_ pour le mariage. À 1'24 interruption. Bruit de fond. Saturations. Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon• 1979 B M.P.5 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :05-04 BM.1980.005.001/23:05-04 00:03:40 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE MARIAGE "VELA PATA" Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001•Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= choeur 8 jeunes filles du _ghotul_. Chant du _ghotul_ pour le mariage. Avant le début: ambiance, converstion, bruits divers. Audébut: hésitations. Ambiance. Saturations. Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :05-05 BM.1980.005.001/23:05-05 00:05:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DEBAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT POUR LA NAISSANCE D'UN ENFANT "PUTUL PATA " Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC: choeur de JF du _ghotul_. Iinterruptions, hésitations, reprises. Saturations. Mauvais >? Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon• 1979 M.P.5 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :06-01 BM.1980.005.001/23:06-01 00:04:50 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE DE GHOTUL Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chant par intermittence par JF du _ghotul_. IE=Cymbalettes. IFC= Tbr à fente, sans doute "koturka" ou "koturi" (cf. Di. "Inde. M. tribale du Bastar"). Région/village : district de Bastar, Tahsil de Narayanpur, village de Devagaon• 1979 Non pertinent M.P.6 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :06-02 BM.1980.005.001/23:06-02 00:02:28 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, VIL DE DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Par intermittence sons de trompes, claquement de mains, sonnailles. / Bruits d'ambiance. Interruption, pas d'homogénéité• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :06-03 BM.1980.005.001/23:06-03 00:03:50 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, VIL DE DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE DES ECHASSES DITONG ENDANA Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IFC=Tbr de bois à fente. IS=Bruits des échasses dont les poses-pieds creux pleins de cailloux jouent le rôles de hochets. SD=Bruits divers, peu de cohésion• 1979 M.P.6 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :06-04 BM.1980.005.001/23:06-04 00:00:45 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, VIL DE DEVAGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Saturé• 1979 M.P.6 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :06-05 BM.1980.005.001/23:06-05 00:05:35 Janv. 1979 INDE;MADHYA PRADESH DST DE BASTAR, BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DU REPERTOIR E DE HULKI Sous-table non exportée Sous-table non exportée Dans le ghotul• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= choeur de jeunes filles (7 à 9, de 12 à 16 ans) séparé en deux petits groupes. Chanté en en langue Gondi émaillée de Halbi. Chant du repertoire de Hulki, l'une des danses que les jeunes présentent lors des sorties du Ghotul, à l'occasion des fêtes saisonnières comme Pus Kolang. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.6 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :07-01 BM.1980.005.001/23:07-01 00:05:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DEUX CHANTS DE GHOTUL Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Deux chants de Ghotul enchaînés. VC= choeur de jeunes filles (7 à 9 , de 12 à 16 ans), séparé en deux petits groupes. Chanté en en langue Gondi émaillée de Halbi et de Hindi. (Chants du repertoire de Hulki >> INFORMATION à VÉRIFIER, la fiche dactylographiée n'est pas claire) , Hulki = une des danses que les jeunes présentent lors des sorties du Ghotul, à l'occasion des fêtes saisonnières comme Pus Kolang. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR. / Bruits de fond (corbeaux). Saturé par moment. N.B. : la copie d'archive est compressée de -3dB• 1979 M.P.7 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :07-02 BM.1980.005.001/23:07-02 00:07:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR , BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE KULHI Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= 2CHR Alternés JH / JF. Même chant que le précédant (i.e. le 2eme chant de la pièce :...:07-01), enchainé avec un autre chant pour les danses Hulki, mentionnant une divinité clanique Kanda Mundyal Pen. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.7 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :07-03 BM.1980.005.001/23:07-03 00:10:12 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE GHOTUL Sous-table non exportée RELO Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chanté2 Chr altérnés JH/JF, mêmes participants que BM. 980.005:07-02 . 2 "RELO" chant de GHOTUL enchaînés. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• / Quelques passages avec saturation et faux départs• 1979 M.P.7 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :08-01 BM.1980.005.001/23:08-01 00:04:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE GHOTUL Sous-table non exportée RELO Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= RUBJI 16 ans. La significationdu chant : "Sajan, Salo, Dolosa. Les nuages sont dans le ciel. "Sajan, salo, Dolosa, les nuages sont dans le ciel". "La rosée du ciel tombe. Viens filles, visiter mon pays". Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.8 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :08-02 BM.1980.005.001/23:08-02 00:09:40 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 3 CHANTS DE GHOTUL Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= jeunes filles de13/14 ans. 3 chants de ghotul enchaînés. (a) un chant-devinette: " Cette boite, avec le bois de quel: arbre? Hé JALKO / Cette boîte en bois de Sagan. Hé Malko. Qu'y a t'il dans la boîte? Hé Jalko / Un livre dans la boîte hé Malko. Qu'y a t'il dans ce livre hé Jalko? / De l'écrit il y'a dans le livre, Hé Malko". (b) chant de mariage: " Pas encore mariée chère petite soeur, le jeune âge ne reviendra plus / Amie chérie ne dit non à rien, les villageois viendront danser et chanter ma chère". [Pas d'indication sur le 3me chant]. // Reprise, hésitations, arrêts. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.8 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :08-03 BM.1980.005.001/23:08-03 00:02:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, BAWADI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT RELO (INTERROMPU) Sous-table non exportée RELO Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= J.H., RUBJI 16 ans. /Chant RELO interrompu. Région/village : district de Bastar, Tahsil de Narayanpur, village de Bawadi Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.8 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :08-04 BM.1980.005.001/23:08-04 00:04:10 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, MARKABERA MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 4 CHANTS DANSES DE QUETE Sous-table non exportée Sous-table non exportée Chant dansé de quête• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IFP, BC = frappement de bâton sur le sol pour le premier chant, de mains pour le quatrième. 4 Chants dansés de quête. / Reprise quelques saturations. Région/village : district de Bastar, Tahsil de Narayanpur, village de Markabera (ghotul). Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.8 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :09-01 BM.1980.005.001/23:09-01 00:01:45 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, MARKABERA MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE QUETE Sous-table non exportée Sous-table non exportée Chant de quête généralement exécuté par les enfants de l'époque de la cueillette des mangues• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IL=Bâtons frappés sur le sol. Région/village : district de Bastar, Tahsil de Narayanpur, village de Markabera, ghotul. Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.9 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :09-02 BM.1980.005.001/23:09-02 00:16:46 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, MARKABERA MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE CHANTEE ENDANA Sous-table non exportée Sous-table non exportée Cette pièce est une danse chantée "Endana"où le groupe des filles et celui des garçons évoluent indépendament sur la même aire de danse à quelques mêtres l'un de l'autre, avec des chants et des rythmes différents• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Chanté en langue Gondi. IE=Cymbalettes de fer. IFC=Tambour de bois à fente. / Arrêt, et reprise sur un autre chant des filles; injonction des tambourinaires avec arrêts et changements de rythme. Région/village : district de Bastar, Tahsil de Narayanpur, village de Markabera. Ethnie: MURIA, se dénomment également KOITOR• 1979 M.P.9 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :10-01 BM.1980.005.001/23:10-01 00:13:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, JAITPURI MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 3 CHANTS DE GHOTUL "RELO" Sous-table non exportée RELO Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= 2 choeurs alternés de 9 ou 10 JH et 6 JF. 3 chants de GHOTUL "RELO" enchaînés, a) 4'20, b) et c )7'40. Chanté en langue Gondi. Région/village : district de Bastar, Tahsil de Kondagaon, village de Jaitpuri, ghotul. Ethnie: MURIA, se dénomment également KOITOR. / Quelques passges saturés• 1979 M.P.10 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :10-02 BM.1980.005.001/23:10-02 00:06:45 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GANGALUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 "CHANT EN KOYA" KOYA PATA Sous-table non exportée Sous-table non exportée Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.6 (Cote DI.980.009.001)• VC=KOYA PATA = "chant en koya" forme de chant où alternent questions et réponses; chant de danse en ligne avec pas de côté.Chant exécuté en langue Koya . Région/village : district de Bastar, Tahsil de Bijapur, village de Gangalur• /Bruits de toux, baisse de niveau en fin.• 1979 M.P.10 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-01 BM.1980.005.001/23:11-01 00:06:56 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GANGALUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT CHOEUR JF EN 2 PARTIES Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=choeur en 2 parties. Chanté en langue Koya (Gondi). Région/village : district de Bastar, Tahsil de Bijapur, village de Gangalur /Rires, interruptions, quelques saturations• 1979 M.P.11 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-02 BM.1980.005.001/23:11-02 00:04:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GANGALUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE DANSE EN CERCLE Sous-table non exportée Sous-table non exportée Danseen cercle• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• V-Voix = sifflotements des JH. Chanté en langue Koya (Gondi) [?], après une longue introductin des tbrs seuls. Région/village : district de Bastar, Tahsil de Bijapur, village de Gangalur /Pas de cohésion• 1979 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-03 BM.1980.005.001/23:11-03 00:01:40 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chanté, trio de trois femmes très âgées. SD= Bruits des bracelets en métal que portent probablement les femmes• 1979 M.P.11 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-04 BM.1980.005.001/23:11-04 00:01:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GANGALUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 BERCEUSE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= trois femmes très âgées, chanté en langue Koya (Gondi). Région/village : district de Bastar, Tahsil de Bijapur, village de Gangalur. / Interruption reprise• 1979 M.P11 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-05 BM.1980.005.001/23:11-05 00:01:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GANGALUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 BERCEUSE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Chanté en langue Koya (Gondi). Région/village : district de Bastar, Tahsil de Bijapur, village de Gangalur• 1979 M.P.11 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :11-06 BM.1980.005.001/23:11-06 00:04:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GOTPAL RAWAUT INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 SOLO DE CLARINETTE BRICOLEE Sous-table non exportée Sous-table non exportée AABS=Solo d'instrument à anche battante simple sur corps de hautbois "bricolé" par le joueur, sur le modèle du HAUTBOIS MOHRI des MAHARA (tanneurs); cet insturment est joué sur la technique du souffle continu. Ethnie : Rawaut ou Rawat, communauté hindoue, appelés ailleurs Ahir• 1979 M.P.11 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :12-01 BM.1980.005.001/23:12-01 00:05:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GOTPAL MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 NANO PATA Sous-table non exportée Sous-table non exportée Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.6 (Cote DI.980.009.001)• VC= choeur en deux groupes. "NANO PATA " évoquant les liens entre frère et soeur (?). Chanté en langue Koya (Gondi) dans le village de GOTPAL. Région/village : district de Bastar, Tahsil de Dantewara, village de Gotpal• 1979 M.P.12 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :12-02 BM.1980.005.001/23:12-02 00:03:15 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, GOTPAL MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= choeur en deux groupes. "NANO PATA " évoquant les liens entre frère et la soeur (?). Chanté en langue Koya (Gondi). Région/village : district de Bastar, Tahsil de Dantewara, village de Gotpal• 1979 M.P.12 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :12-03 BM.1980.005.001/23:12-03 00:02:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, ORCHA MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 SOLO DE GUIMBARDE + VOIX MURMURE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IP= guimbarde en fer à languette pincée. Par un vieil homme qui murmure en jouant. L'homme, le même que pièces ...:12-04 et -05, est du village de Jabhugunda. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Orcha• 1979 M.P.12 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :12-04 BM.1980.005.001/23:12-04 00:04:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, JABHUGUNDA MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT SOLO H & GUIMBARDE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chanté solo homme s'accompagnant à la guimbarde, par un vieil homme; en langue Gondi. IP= guimbarde en fer à languette pincée. L'homme, le même que pièce ...:12-03, est du village de Jabhugunda. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Jabhugunda• 1979 M.P.12 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :12-05 BM.1980.005.001/23:12-05 00:05:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, TAHSIL DE CHOTA DONGAR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.9 (Cote DI.980.009.001)• VC=Chanté solo hommes'accompagnant à la guimbarde, par un vieil homme; en langue Gondi. IP+ guimbarde n feer à languette pincée. L'homme, le même que pièce ...:12-03, est du village de Jabhugunda. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Orcha• 1979 M.P.12 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :13-01 BM.1980.005.001/23:13-01 00:02:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DUDARI MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 SOLO DE TROMPE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• ATL= trompe à embouchure latérale en bronze AKUM Plusieurs sonneries par deux jeunes hommes différents. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Dudari (proche de Orcha)• 1979 M.P.13 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :13-02 BM.1980.005.001/23:13-02 00:10:23 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DUDARI MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE POUR LA FETE DE KOKSAR Sous-table non exportée Sous-table non exportée Enregistrement hors situation. Danse qui a lieu pour la fête clanique de KOKSAR• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• M1=Deux grosses timbales suspendues DHOL. ATL= trompe en bronze. IS-CLOCHE et IS-GRELOT=Cloches et grelôts IRNA et MUYA attachés au dos des danseurs. SD= cris, sifflements. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Dudari (proche de Orcha)• 1979 M.P.13 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :13-03 BM.1980.005.001/23:13-03 00:03:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DUDARI MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE CHANTEE EN CERCLE POUR KOKSAR Sous-table non exportée Sous-table non exportée Danse chantée en cercle pour la fête clanique de Koskar• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chanté, choeur de jeunes hommes et choeur de jeunes filles. IS=Cloches attchées au dos des danseurs. Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Dudari (proche de Orcha). / Vent; pointes saturée?• 1979 M.P.13 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :13-04 BM.1980.005.001/23:13-04 00:06:20 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DUDARI MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE FETE KURO Sous-table non exportée Sous-table non exportée Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.10 (Cote DI.980.009.001)• VC=Chanté, choeur de jeunes hommes en voix de tête et choeur de jeunes filles en voix naturelle. KURO = oiseau dont les plumes noires servent à faire les coiffures cérémonielles). Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Dudari (proche de Orcha)• /Saturé au début• 1979 M.P.13 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :14-01 BM.1980.005.001/23:14-01 00:02:30 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, DUDARI MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 KURO Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• Région/village : district de Bastar, Tahsil de Chota Dongar, Monts Abujhmar, village de Dudari (proche de Orcha)• 1979 M.P.14 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :14-02 BM.1980.005.001/23:14-02 00:06:08 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, TAKANAR MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 2 CHANTS DE DANSE EN CERCLE Sous-table non exportée Sous-table non exportée Danse en cercle• Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.5 (Cote DI.980.009.001)• VC=Sifflé et chanté. IFP=2 bâtons de rythmes. Deux chants enchaînés. Région/village : district de Bastar, Tahsil de Chota Dongar, village de Takanar• 1979 M.P.14 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :14-03 BM.1980.005.001/23:14-03 00:11:00 Janv. 1979 INDE;MADHYA PRADESH DST BASTAR, TAKANAR MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE MIXTE DE MARIAGE "DES BISONS" PANDULA ENDANA Sous-table non exportée Sous-table non exportée Danse exécutée en large cercle• Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face B, pl.3 (Cote DI.980.009.001)• ATT= en corne. M2C=Tambours cylindriques à deux peaux, battu avecune baguette (main droite) et la main gauche nue . IL + IS = tige de fer garnie de sonnailles métalliques (bâton de rythme) que manient deux danseuses. Le chant débute à 05 '40. Région/village : district de Bastar, Tahsil de Chota Dongar, village de Takanar• 1979 M.P.14 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :15-01 BM.1980.005.001/23:15-01 00:04:45 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, TAKANAR MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IP= guimbardes en fer à languette pincée. 2 Airs enchaînés. Région/village : district de Bastar, Tahsil de Chota Dongar, village de Takanar• /vent au début, rires à la fin• 1979 M.P.15 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :15-02 BM.1980.005.001/23:15-02 00:02:30 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, TAKANAR MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• AFL= flûte en bambou, 3 trous. Région/village : district de Bastar, Tahsil de Chota Dongar, village de Takanar• 1979 M.P.15 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :15-03 BM.1980.005.001/23:15-03 00:04:00 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, TAKANAR MARIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• "Idem 6-IV" [indication portée su r la fiche dactylographiée. Région/village : district de Bastar, Tahsil de Chota Dongar, village de Takanar. / Interruption et reprise• 1979 M.P.15 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :15-04 BM.1980.005.001/23:15-04 00:03:00 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, NARAYANPUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT RELATIF A LINGO PEN DIEU DES MURIA Sous-table non exportée Sous-table non exportée LINGO PEN, DIEU des MURIA est le Dieu fondateur du GHOTUL qui inventa leur 18 instruments de musique. Ici 5 sont seulement mentionnés• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC=Chanté par 3 hommes du village de Bakulwahi. Les chanteurs sont du village de Bakulwahi. / Faux départ. Fin abrupte• 1979 MYTHIQUE M.P.15 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :15-05 BM.1980.005.001/23:15-05 00:05:35 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, NARAYANPUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT RELATIF A LINGO PEN DIEU DES MURIA Sous-table non exportée Sous-table non exportée LINGO PEN, DIEU des MURIA est le Dieu fondateur du GHOTUL qui inventa leur 18 instruments de musique. Ici 5 sont seulement mentionnés• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• VC= Chanté par 3 hommes du village de Bakulwahi• 1979 MYTHIQUE M.P.15 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :16-01 BM.1980.005.001/23:16-01 00:06:30 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, MUNDPAL MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE DE MARIAGE EN CERCLE Sous-table non exportée Sous-table non exportée Dans le ghotul• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IR= Racleur en bambou. IE=Cymbalettes de fer. Région/village : district de Bastar, Tahsil de Narayanpur, village de Mundpal • 1979 M.P.16 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :16-02 BM.1980.005.001/23:16-02 00:04:50 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, MUNDPAL MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE MARIAGE MARMIN PATA Sous-table non exportée Sous-table non exportée Dans le ghotul• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• IE= cymbalettes en fer. Région/village : district de Bastar, Tahsil de Narayanpur, village de Mundpal• 1979 M.P.16 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :16-03 BM.1980.005.001/23:16-03 00:05:00 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, NARAYANPUR MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DANSE EN CERCLE CHANTE KOKORIN PATA Sous-table non exportée Sous-table non exportée Dans le ghotul• Pièce publiée dans Di. "Inde. Musique tribale du Bastar". Le Chant du Monde LDX 74736; face A, pl.7 (Cote DI.980.009.001), cf. photo• VC= Chanté, choeur et jeunes homme (en voix de tête) et de jeunes filles (voix naturelle). IS= Cloches et grelos de bronze portées en ceinture par les danseurs. Région/village : district de Bastar, Tahsil de Narayanpur, village de Mundpal• 1979 M.P.16 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :17-01 BM.1980.005.001/23:17-01 00:05:45 Fev. 1979 INDE;MADHYA PRADESH DST BASTAR, NARAYANPUR, AMGAON MURIA INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 UNE SOIREE DE DANSE AU GHOTUL Sous-table non exportée Sous-table non exportée Dans le ghotul• Di.: "Inde. M. tribale du Bastar" = DI.980.009.001• M2= battu à maisn nues. IE= Cymbalettes en fer CHATKULI. Région/village : district de Bastar, Tahsil de Narayanpur, village de Amgaon. / Essai en enreg. automatique, arrêté pour cause de panne du Stellavox• 1979 M.P.17 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :18-01 BM.1980.005.001/23:18-01 00:11:00 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BHUA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODES D'UNE EPOPEE GOND* Sous-table non exportée Sous-table non exportée *Episode d'une épopée célébrant un roi GOND, Hidrisai Raj. VC= homme + de 60 ans s'accompagnant à la vièle à 3 codes de crins, avec archet à grelots. Langue hindi et une forme de langue gondi appelée ici parsi. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhua. /Ronflement micro condensateur (pluie)• 1979 EPIQUE M.P.18 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :18-02 BM.1980.005.001/23:18-02 00:12:00 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA TAHSIL BICHHIA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE DU ROYAUME DE CHANDA* Sous-table non exportée Sous-table non exportée *Episode relatif à Pali Birwa Raja de Balipur et du royaume de Chanda• VA= chanté et parlé , homme + de 60 ans s'accompagnant à la vièle à 3 codes de crins, avec archet à grelots. Langue hindi et une forme de langue gondi appelée ici parsi. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds. Région/village : district de Mandla, Tahsil de Bicchia, village de Bhua• 1979 EPIQUE M.P.18 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :19-01 BM.1980.005.001/23:19-01 00:05:00 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BHUA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE DEUIL "DAN PATA" OU "MOHAR PATA" Sous-table non exportée Sous-table non exportée Quand un membre des familles gonds à laquelle le Barde est lié (par système jajmani) meurt, le Pardhan doit venir présenter, 3 ans après , les condoléances chantés et recevoir les vêtements, ustensils, ornements, et lit du défunt• VC= homme + de 60 ans s'accompagnant à la vièle à 3 codes de crins, avec archet à grelots. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhua.• 1979 M.P.19 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :19-02 BM.1980.005.001/23:19-02 00:02:40 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BHIMA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DEDICACE AUX SEPT DIVINITES* SUMARNI* Sous-table non exportée Sous-table non exportée *"Sumarni" = dédicace aux 7 divinités du clan Maravi auquel appartient les familles Gond de ce Pardhan. VC= homme 30 ans . Chanté en Hindi. VÉRIFIER SI l'archet porte des grelots. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• 1979 M.P.19 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :19-03 BM.1980.005.001/23:19-03 00:03:30 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BHIMA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DEDICACE AUX SEPT DIVINITES SUMARNI Sous-table non exportée Sous-table non exportée *"Sumarni" = dédicace aux 7 divinités du clan Maravi auquel appartient les familles Gond de ce Pardhan. Même chant ou suite de ...:19-02 VC= homme 30 ans . Chanté en Hindi. VÉRIFIER SI l'archet porte des grelots. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• 1979 M.P.19 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :19-04 BM.1980.005.001/23:19-04 00:05:00 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA,TAHSIL DE BICHHIA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE D'UNE BALLADE EPIQUE HIRDISAI Sous-table non exportée Sous-table non exportée VC= homme de 60 ans s'accompagnant à la vièle à 3 codes de crins, avec archet à grelots. [VÉRIFIER SI l'archet orte des grelots]. Langue Gondi appelée ici Parsi. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima. 1979 EPIQUE M.P.19 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :20-01 BM.1980.005.001/23:20-01 00:24:00 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA,BHIMA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE DE "PANDAVANI" Sous-table non exportée Sous-table non exportée Episodes de "PANDAVANI", histoire des Pandavas qui se trouve dans le Mahabharata• Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds VA= Chanté et parlé solo homme (50 ans), qui est un Pardhandes Gonds du clan Maravi langue Hindi. Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• 1979 EPIQUE M.P.20 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :21-01 BM.1980.005.001/23:21-01 00:03:24 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BICHHIA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 CHANT DE DEUIL "MOHAR PATA" OU "DAN PATA" Sous-table non exportée Sous-table non exportée Chant de deuil que le Pardhan vient chanter en hommage pour un Gond défunt (cf. :19-01) en échange du Dan "don du mort" que doit lui donner la famille• Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds. VC= homme (50 ans), qui est un Pardhan des Gonds du clan Maravi. Chanté en langue Gondi dite "Parsi". Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• 1979 M.P.21 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :21-02 BM.1980.005.001/23:21-02 00:03:20 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA, BHIMA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 DEDICACE AUX SEPT DIVINITES (LE MEME CHANT DE DEUIL) CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil que le Pardhan vient chanter en hommage pour un Gond défunt (cf. :19-01) en échange du Dan "don du mort" que doit lui donner la famille• Même chant que ...:21-01. VC= homme 30 ans. Beau-fils de Goleram (cf. ...:20-01, et :21-01 Les familles Gond de ce Pardhan sont du clan Maravi. Chanté en Hindi. Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• 1979 M.P.21 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :21-03 BM.1980.005.001/23:21-03 00:16:15 Fev. 1979 INDE;MADHYA PRADESH DST DE MANDLA,BHIMA GONDS-PARDHAN INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 EPISODE D'UNE EPOPEE LIEE A LA REINE NINGAL PALU Sous-table non exportée Sous-table non exportée Ethnie= GONDS- PARDHAN = sous-groupe tribal GOND, bardes des Gonds. VA=Chanté et parlé solo homme (30 ans). Langue Hindi. Région/village : district de Mandla, Tahsil de Bicchia, village de Bhima• Cette pièce est exécutée dans le village BHIMA , par les PARDHAN en langue Hindi• 1979 EPIQUE M.P.21 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :22-01 BM.1980.005.001/23:22-01 00:07:12 Mars 1979 INDE;RAJASTHAN JODHPUR MANGHANIYAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 BALLADE Sous-table non exportée Sous-table non exportée Ethnie Manghaniyar= communauté de musiciens populaires de la région de Jaisalmer. CC= cithare à cordes pincées avec onglets. / Faux départ• 1979 R.1 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :22-02 BM.1980.005.001/23:22-02 00:07:25 Mars 1979 INDE;RAJASTHAN JODHPUR MANGHANIYAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 SOLO DE CITHARE SURMANDAL Sous-table non exportée Sous-table non exportée Ethnie Manghaniyar= communauté de musiciens populaires de la région de Jaisalmer CC= cithare sur caisse trapézoidale à cordes métaliques pincées- . Précédé de l'accord de l'instrument. En jouant, le musicien frappe rythmiquement avec un onglet sur la table de l'instrument• 1979 R.1 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :22-03 BM.1980.005.001/23:22-03 00:04:00 Mars 1979 INDE;MADHYA PRADESH HADUVA MANGHANIYAR INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 AIR DANS LE RAGA JOG Sous-table non exportée Sous-table non exportée Manghaniyar= communauté de musiciens populaires de la région de Jaisalme CV=vièle avec cordes sympathiques. Enregistré à Jodhpur• 1979 R.1 ASIE +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 :23-01 BM.1980.005.001/23:23-01 00:17:00 Mars 1979 INDE;MADHYA PRADESH BHOPAL INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 RAGA DU SOIR KIRVANI Sous-table non exportée Sous-table non exportée CC= cithar sur table à corde frappées. *Par O.P. Chourasiya , Musicien classique de Bhopal et Directeur adjoint du M.P . Kala Pariskad (et assistant de G. Dournon pendant sa mission au M.P). Rraga du soir "Kirvani ": Alap, Jod, Jhala• 1979 ASIE +BM.980.006 ØGF;²19;PP BM.980.006.001 :01-01 BM.980.006.001:01-01 00:00:00 INDE;MADHYA PRADESH MADHYA PRADESH INDE;MADHYA PRADESH [MONTAGE POUR CONFERENCE] N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +BM.980.007 ØGF;²38;PPM;SD BM.980.007.001/02 :01-01 BM.980.007.001/02:01-01 00:00:00 INDE;BENGALE MASTER DI."BENGALE. CHANTS DES <>" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.980.008 ØGF;²38;PPM;SD BM.980.008.001/02 :01-01 BM.980.008.001/02:01-01 00:00:00 SUISSE MASTER DI."<>. JODEL DU MUOTATAL. SUISSE" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.980.009 ØGF;²38;PPM;SD BM.980.009.001/02 :01-01 BM.980.009.001/02:01-01 00:00:00 INDE;MADHYA PRADESH MASTER DI."INDE. MUSIQUE TRIBALE DU BASTAR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.980.010 ØGF;²38;PPM;SD BM.980.010.001 :01-01 BM.980.010.001:01-01 00:00:00 INDE;MADHYA PRADESH CHUTE DI."INDE. MUSIQUE TRIBALE DU BASTAR" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.980.011 ØGF;²38;PPM;SD BM.980.011.001/02 :01-01 BM.980.011.001/02:01-01 00:00:00 TCHAD MASTER DI."TCHAD. MUSIQUE DU TIBESTI" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.980.012 ØGF;²38;PPM;SD BM.980.012.001 :01-01 BM.980.012.001:01-01 00:00:00 TCHAD CHUTE DI."TCHAD. MUSIQUE DU TIBESTI" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.980.013 ØGF;²38;PPM;SD BM.980.013.001/02 :01-01 BM.980.013.001/02:01-01 00:00:00 SENEGAL MASTER DI."SENEGAL. M. DES BASSARI" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.980.014 ØGF;²38;PPM;SD BM.980.014.001 :01-01 BM.980.014.001:01-01 00:00:00 SENEGAL CHUTE DI. SENEGAL; M. DES BASSARI N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :01-01 BM.1980.015.001/12:01-01 00:02:02 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE". SUITE D'AIRS "ANILASEKELELU" Sous-table non exportée Sous-table non exportée VP = conversation. Faux départs (1'22) • BEAUDET,JEAN MICHEL 1977 0 7-1 à 7-8 AMERIQUE +BM.1981.001 Ø13 BM.1981.001.001/14 :01-01 BM.1981.001.001/14:01-01 00:00:00 INDONESIE;CELEBES(SULAWESI) CELEBES PELRAS,C.;INDONESIE:SULAWESI:BUGIS & MAKASSAR N Sous-table non exportée Sous-table non exportée PELRAS,CHRISTIAN -1 0 ASIE +BM.981.002 Ø18;²19;PPS;SD BM.981.002.001/05 :01-01 BM.981.002.001/05:01-01 00:00:00 N "A LA DECOUVERTE DE A. SCHAEFFNER",IN "LA M. & LES HOMMES"[RADIO] N Sous-table non exportée Sous-table non exportée 1980 N +BM.981.003 Ø18;²19;PPM BM.981.003.001/02 :01-01 BM.981.003.001/02:01-01 00:00:00 BENIN BENIN. CHANTS PAR P. HAZOUME N Sous-table non exportée Sous-table non exportée 1939 0 AFRIQUE +BM.981.004 Ø18;²19;PPM;LD BM.981.004.001 :01-01 BM.981.004.001:01-01 00:00:00 CANADA CANADA:ESKIMO [MONTAGE EXPO AU MH] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.981.005 Ø13;²19;PPM BM.981.005.001/13 :01-01 BM.981.005.001/13:01-01 00:00:00 BENIN BENIN:FON, YORUBA, GOUN N Sous-table non exportée Sous-table non exportée 1958 0 AFRIQUE +BM.981.006 Ø13;²19;PPM BM.981.006.001/24 :01-01 BM.981.006.001/24:01-01 00:00:00 BENIN ROUGET,G.;BENIN:M. VODUN;1958,59,66,69,71 N Sous-table non exportée Sous-table non exportée 1958 0 AFRIQUE +BM.981.007 Ø13;²19;PPS BM.981.007.001/19 :01-01 BM.981.007.001/19:01-01 00:00:00 INDE;KERALA KERALA PITOEFF,P.;INDE,KERALA;1980 N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.981.008 Divers* BM.981.008.001/78 :01-01 BM.981.008.001/78:01-01 00:00:00 MADAGASCAR COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :02-02 BM.981.008.001/78:02-02 00:00:00 ILE MAURICE COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :03-01 BM.981.008.001/78:03-01 00:00:00 COMORES COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :04-01 BM.981.008.001/78:04-01 00:00:00 SOMALIE COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :05-01 BM.981.008.001/78:05-01 00:00:00 ETHIOPIE COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :06-01 BM.981.008.001/78:06-01 00:00:00 KENYA COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.008 Divers* BM.981.008.001/78 :07-01 BM.981.008.001/78:07-01 00:00:00 INDE COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.981.008 Divers* BM.981.008.001/78 :08-01 BM.981.008.001/78:08-01 00:00:00 CHINE COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.981.008 Divers* BM.981.008.001/78 :09-01 BM.981.008.001/78:09-01 00:00:00 JAPON COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.981.009 Ø18;²19;PPM;LD BM.981.009.001 :01-01 BM.981.009.001:01-01 00:00:00 CHINE;MONGOLIE INTERIEURE MONGOLIE INTERIEURE : EPOPEE [COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.981.010 Ø18;²19;PPM;LD BM.981.010.001 :01-01 BM.981.010.001:01-01 00:00:00 CHINE;MONGOLIE INTERIEURE MONGOLIE INTERIEURE: CHANTS D'UN BARDE N Sous-table non exportée Sous-table non exportée 1959 0 ASIE +BM.981.011 Ø18;²19;PPM BM.981.011.001/09 :01-01 BM.981.011.001/09:01-01 00:00:00 TURQUIE MAUGUIN,B.;TURQUIE;1960 N Sous-table non exportée Sous-table non exportée 1960 0 ASIE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :01-01 BM.1981.012.001/07:01-01 00:00:00 1954 GUINEE BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée Rituel Baga : 1ère partie du rituel dénomée "Abul". 2'10" : Chanté choeur H. déguisés en F., 3 tambours, sistres. 7'00" : Parlé 30" puis idem. 6'03 : Idem, autre prise 0'22" : Idem enchaîné, rythme plus lent / incomplet; fin de la bobine N.B. : Cf. Schaeffer, A. "Musiques rituelles baga" apud "Actes du VIe Congrès International des Sciences Anthropologiques et Ethnologiques". Paris 1960, pp. 123-125. 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :02-01 BM.1981.012.001/07:02-01 00:00:00 1954 GUINEE KATANGARO BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée Rituel Baga : 2ème partie du rituel dénomée "Bansonyi", chants des circoncis "walang", I. I : 3'22" : Chanté (solo E.?) et choeur E. et H., claquements de mains, par les F., un tambour de bois, deux poutres frappées avec une paire de batons. / fin coupée net. II : 1'49 : Idem / fin coupée net. III : 2'48" : Idem / un faux départ au début, fin coupée net. IV : 2'39" : Parlé (12") puis chanté solo H et choeur E et H, claquements de mains, (un?) tambour. V : 1'02" Chanté solo H et choeur E / fin coupée net. VI : 1'30" Idem / idem VII : 1'11" Idem. VIII : 1'59" : Idem. IX : 0'51" : Idem. / manque le début : fin coupée net. 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :03-01 BM.1981.012.001/07:03-01 00:00:00 1954 GUINEE KATANGARO BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée Chants des circoncis "wwalang", II. I : 2'44 Chanté solo H et choeur E, 1 tambour / 15" vierge au début II : 1'31 Idem, un H crie de formules par moments / idem. III : 2'02 Idem enchaîné à II puis parlé 0'13. IV : 2'38 Idem, idem V : 0'24 Parlé et clameurs VI : 1'52 Chanté solo H et choeur E 1 tambour, 1 ou 2 H lancent des formules par moments. VII : 0'23 Un faux départ puis parlé. VIII : 1'04 Un faux départ (10") / puis chanté solo et choeur H, claquements de mains, tambour / fin coupée net. IX : 2'54 Idem, plus trompe dans les dernières secondes / cris saturés pr moments N.B. Il y a de la ronflette sur toute la bande. 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :04-01 BM.1981.012.001/07:04-01 00:00:00 1954 GUINEE KATANGARO BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée Chants des circoncis "walang", III. I : 1'29 Plusieurs débuts e chants interrompus et entrecoupés de conversations. II : 2'34 Chanté solo H et chopeur E., 1 tambour, 1 H. crie des formules par moments, une trompe (?) u second plan par moment. / le début manque, gros collant à 2'02. III : 0'52 Idem (II) / fin coupée net IV : 1'56 Idem / idem V : 1'31 Idem / idem VI : 1'04 Parlé (à12) puis idem / idem. (fin de la bobine vierge) N.B. A. Schaeffner "note" Batterie de plus en plus affaiblies 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :05-01 BM.1981.012.001/07:05-01 00:00:00 1954 GUINEE BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée I : 3'15 Extrait ed la bande 81.12.1 / bande endommagée à 1'15 II : 3'40 Extrait dde la bande 81.12.2 III : 2'40 Extrati de la bande 81.12.3 N.B. Cette fiche a été établie selon les indications manuscrites de Odile Vivier• 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :06-01 BM.1981.012.001/07:06-01 00:00:00 1954 GUINEE BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée A copie de la bobine 81.12.1 B Kantangoro, copie de la bobine 81.12.2• 1954 AFRIQUE +BM.1981.012 Ø13&18 BM.1981.012.001/07 :07-01 BM.1981.012.001/07:07-01 00:00:00 1954 GUINEE KATANGARO BAGA GUINEE;BAGA. SCHAEFFNER,A.;1954* N Sous-table non exportée Sous-table non exportée A / =copie de la bobine 81.12.3 B/ =Kantangoro, copie de la bobine 81.12.4• 1954 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-01 BM.1981.013.001/08:01-01 00:03:17 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ESSAIS Sous-table non exportée Sous-table non exportée Essais, effet de lassen, puis parlé en langue africaine (0'15") puis jazz. 1964 0 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-02 BM.1981.013.001/08:01-02 00:03:28 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ESSAIS Sous-table non exportée Sous-table non exportée Essais, effet de lassen, puis parlé en langue africaine (0'15") puis jazz. 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-03 BM.1981.013.001/08:01-03 00:02:11 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE SANS DOUTE FORMULES D'ACCUEIL DANS UN VILLAGE. Sous-table non exportée Sous-table non exportée VC=Choeur plus récent• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-04 BM.1981.013.001/08:01-04 00:01:12 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée VC=Choeur plus récent• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-05 BM.1981.013.001/08:01-05 00:00:13 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée VP=Parlé foule. Tambours (cloches de fer ou bouteilles frappées)• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-06 BM.1981.013.001/08:01-06 00:02:16 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée M=Tambours (cloche de fer ou bouteilles frappées?) à 1,54 fin d'un chant• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :01-07 BM.1981.013.001/08:01-07 00:02:51 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée M=Tambours (cloche de fer ou bouteilles frappées?) à 1,54 fin d'un chant. Faux départ au début• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-01 BM.1981.013.001/08:02-01 00:02:53 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE DU COLLECTEUR Sous-table non exportée Sous-table non exportée IFC= bouteilles frappées et cloches de fer ?. 2 prises saturées par moment• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-02 BM.1981.013.001/08:02-02 00:02:22 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée VP=Parler solo homme (0'45) avec de l'écho enchaîné choeur homme• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-03 BM.1981.013.001/08:02-03 00:01:33 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée AT=Solo de trompes (0'32) . M=Batterie de tambour s et hochets (0'31)• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-04 BM.1981.013.001/08:02-04 00:04:15 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Parlé solo homme puis "dialogue" homme et trompe (1'20) puis enchaîné, chanté choeur homme, batterie de tambours et hochets, trompe (jusqu'à 2,58) puis parlé solo homme (jusqu'à 3'24) puis chant et batterie (jusqu'à 4,15) fin de la prise; puis blanc• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-05 BM.1981.013.001/08:02-05 00:04:58 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Parlé solo homme (0'55), dialogue homme et trompe (jusqu'à 1'13) chant et batterie (2'01), dialogue homme et trompe (2,21) chant et baterrie (3,08) , dialogue (3'22) chant et batterie (3'58), parlé et coup de trompe (4'21), chant et batterie (4'58)• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-06 BM.1981.013.001/08:02-06 00:06:25 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée IFC=Bois frappés. Chanté solo et choeur (F?) batterie de tambours et hoichets, un sifflet par moment. 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-07 BM.1981.013.001/08:02-07 00:02:25 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée IFC=Bois frappés. Chanté solo et choeur (F?) batterie de tambours et hoichets, un sifflet par moment. Autre prise• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-08 BM.1981.013.001/08:02-08 00:01:54 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée IFC=Bois frappés. Chanté solo et choeur (F?) batterie de tambours et hoichets, un sifflet par moment. Autre prise. Un faux départ au début, fin coupée net• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-09 BM.1981.013.001/08:02-09 00:02:07 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Fin coupée net• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-10 BM.1981.013.001/08:02-10 00:02:16 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE "MUSIQUE FUNERAIRE, LEVEE DE DEUIL, GRAND ALEPE MERCREDI 6 MAI Sous-table non exportée Sous-table non exportée Mauvais défilement de la bande. Vitesse 9,5• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :02-11 BM.1981.013.001/08:02-11 00:02:16 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE "MUSIQUE FUNERAIRE, LEVEE DE DEUIL, GRAND ALEPE MERCREDI 6 MAI Sous-table non exportée Sous-table non exportée Mauvais défilement de la bande. vitesse 9,5• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-01 BM.1981.013.001/08:03-01 00:04:00 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée A= Sifflet• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-02 BM.1981.013.001/08:03-02 00:00:20 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE PAR DENISE PAULME "... FUNERAILLES..." LE 10 MAI..." Sous-table non exportée Sous-table non exportée • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-03 BM.1981.013.001/08:03-03 00:07:20 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée M=Solo de batterie +/- 0'10"; fin coupée net• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-04 BM.1981.013.001/08:03-04 00:02:43 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée VP=Parlé solo homme en attié• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-05 BM.1981.013.001/08:03-05 00:20:00 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE RECITS CONCERNANT LES CLASSES D'AGE (SELON D.PAULME, EN 1981) Sous-table non exportée Sous-table non exportée Alternances de formules parlées et formules tambourinées. Mauvais défilement au début• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :03-06 BM.1981.013.001/08:03-06 00:15:00 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE CHANT DU TYPE FOKWE Sous-table non exportée Sous-table non exportée Annonce D.P. "Montézo, le matin, générations" puis parlé solo H. 2,45 puis enchaîné solo H, puis enchaîné solo et choeur homme, une trompe par moment, puis alternance de parlé et de chants avec une trompe par moment. Chant du Fokwè= Chants de génération", i.e. chants de classes d'âge. Mauvais défilement• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :04-01 BM.1981.013.001/08:04-01 00:08:00 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE RECITS CONCERNANT LES CLASSES D'AGE. Sous-table non exportée Sous-table non exportée Alternance de parlé solo hoimme et de chanté choeur homme accompagné ou non de hochets et d'une trompe• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :04-02 BM.1981.013.001/08:04-02 00:08:00 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE DU COLLECTEUR LE LIEVRE ET L'ELEPHANT" Sous-table non exportée Sous-table non exportée VP=Parlé solo homme. Mauvais défilement, forte reverbération, parasites• 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-01 BM.1981.013.001/08:05-01 00:02:50 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ESSAIS , PUIS ANNONCE COLLECTEUR"LE LEIVRE ET LA CHAUVE-SOURIS" Sous-table non exportée Sous-table non exportée VP=Parlé solo homme. • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-02 BM.1981.013.001/08:05-02 00:13:35 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE SUITE DE CONTES Sous-table non exportée Sous-table non exportée Annonce D.P., à très faible niveau "Montézo le 12/06/64 " puis alternance de chanté choeur homme et déclamé solo homme. Suite de contes "l'ogre", "le rat et le lièvre" à 15) sans titres • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-03 BM.1981.013.001/08:05-03 00:02:50 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE DEUX AIRS ? Sous-table non exportée Sous-table non exportée Mauvais défilement au début • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-04 BM.1981.013.001/08:05-04 00:04:30 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Alternance de parlé solo homme et de chanté solo et choeur homme. Enchaîné à III; niveau très faible à partir de 3,45 • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-05 BM.1981.013.001/08:05-05 00:03:37 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Niveau très faible à partir de 3,20 • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :05-06 BM.1981.013.001/08:05-06 00:15:50 COTE D'IVOIRE ALEPE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE Sous-table non exportée Sous-table non exportée Parlé solo homme, à partir de 4,25 alternance de parlé solo homme et chanté solo et choeur homme./ Plusieurs prises; vitesse d'enrégistrement trop lente; à partir de 5 pleurage sur les chants • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-01 BM.1981.013.001/08:06-01 00:10:15 COTE D'IVOIRE BIASSO ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE CHANTS HARRISTES-DISCIPLES DE HARISTES REFORMATEUR RELIGIEUX AFRICAIN Sous-table non exportée Sous-table non exportée Alternance de parlé solo homme et de chanté solo et choeur homme. Chants harrsites-disciples de Harris, r&formateur réligieux africian-puis conte "le lièvre et son ami" Boto è mwè (à partir de 3'45 ?) Plusieurs prises, souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-02 BM.1981.013.001/08:06-02 00:02:10 COTE D'IVOIRE BIASSO ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE GENERATION" Sous-table non exportée Sous-table non exportée Souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-03 BM.1981.013.001/08:06-03 00:01:20 COTE D'IVOIRE ANANGUIE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE FOKWÈ VILLAGE DE ANANGUIE" Sous-table non exportée Sous-table non exportée Souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-04 BM.1981.013.001/08:06-04 00:01:00 COTE D'IVOIRE ANANGUIE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE FOKWÈ VILLAGE DE ANANGUIE Sous-table non exportée Sous-table non exportée Souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-05 BM.1981.013.001/08:06-05 00:01:06 COTE D'IVOIRE ANANGUIE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE FOKWÈ VILLAGE DE ANANGUIE Sous-table non exportée Sous-table non exportée Souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-06 BM.1981.013.001/08:06-06 00:01:48 COTE D'IVOIRE ANANGUIE ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE FOKWÈ VILLAGE DE ANANGUIE Sous-table non exportée Sous-table non exportée Souvent saturé • 1964 AFRIQUE +BM.1981.013 Divers* BM.1981.013.001/08 :06-07 BM.1981.013.001/08:06-07 00:11:00 COTE D'IVOIRE BIASSO ATTIE COTE-D'IVOIRE:REGION DE ALEPE:ATIE ANNONCE D.P. "CHANTS DE FOKWÈ VILLAGE DE BIASSO" Sous-table non exportée Sous-table non exportée La fin de la piste ert toute la piste 2 sont vierges• 1964 AFRIQUE +BM.981.014 Ø13;²19;PPS BM.981.014.001/12 :01-01 BM.981.014.001/12:01-01 00:00:00 ITALIE;SARDAIGNE SARDAIGNE ITALIE;SARDAIGNE N Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +BM.981.015 Ø13;²19;PPS BM.981.015.001/19 :01-01 BM.981.015.001/19:01-01 00:00:00 ROUMANIE ROUMANIE:DOBROGEA,OLTENIE N Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +BM.981.016 K7-C60 BM.981.016.001 :01-01 BM.981.016.001:01-01 00:00:00 CAMEROUN CAMEROUN:EVUZOK [MONTAGE POUR THESE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.981.017 Ø13;²19;PPM BM.981.017.001/03 :01-01 BM.981.017.001/03:01-01 00:00:00 FRANCE CHAMPSAUR FRANCE;CHAMPSAUR N Sous-table non exportée Sous-table non exportée 1978 0 EUROPE +BM.1981.018 Ø13;²9,5;PPS BM.1981.018.001 :01-01 BM.1981.018.001:01-01 00:00:00 03/1978 ALGERIE;KABYLIE KABYLIE ALGERIE;KABYLIE. MECHERI SAADA,N;1978 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée Vitesse 9,5• 1978 0 AFRIQUE +BM.981.019 Ø18;²19;PPS;LD BM.981.019.001/03 :01-01 BM.981.019.001/03:01-01 00:00:00 MAROC MAROC:BERBERE N Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +BM.981.020 Ø18;²19;PPM BM.981.020.001 :01-01 BM.981.020.001:01-01 00:00:00 INDE;UTTAR PRADESH UTTAR PRADESH INDE;UTTAR PRADESH N Sous-table non exportée Sous-table non exportée 1973 0 ASIE +BM.981.021 Ø13;²19;PPS BM.981.021.001/07 :01-01 BM.981.021.001/07:01-01 00:00:00 INDE;MADHYA PRADESH MADHYA PRADESH INDE,MADHYA PRADESH & RAJASTHAN N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.981.021 Ø13;²19;PPS BM.981.021.001/07 :02-01 BM.981.021.001/07:02-01 00:00:00 INDE;RAJASTHAN RAJASTHAN INDE,MADHYA PRADESH & RAJASTHAN N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.981.022 ØGF;²19;PPM BM.981.022.001 :01-01 BM.981.022.001:01-01 00:00:00 MALI MALI:DOGON; DEVISE DES AROU N Sous-table non exportée Sous-table non exportée 1953 0 AFRIQUE +BM.982.001 K7-C60 BM.982.001.001/02 :01-01 BM.982.001.001/02:01-01 00:00:00 ESPAGNE ESPAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.982.002 Ø13 BM.982.002.001/04 :01-01 BM.982.002.001/04:01-01 00:00:00 THAILANDE THAILANDE N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.982.003 Ø13&18;²19;PPM BM.982.003.001/06 :01-01 BM.982.003.001/06:01-01 00:00:00 INDE;ASSAM ASSAM INDE;ASSAM. BANGLADESH; MADHUPUR FOREST N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.982.003 Ø13&18;²19;PPM BM.982.003.001/06 :02-01 BM.982.003.001/06:02-01 00:00:00 BANGLADESH INDE;ASSAM. BANGLADESH; MADHUPUR FOREST N Sous-table non exportée Sous-table non exportée CANZIO,RICCARDO 1981 0 ASIE +BM.982.004 Ø18;²19;PPM BM.982.004.001/03 :01-01 BM.982.004.001/03:01-01 00:00:00 GAMBIE GAMBIE;KOMBO CENTRAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.982.005 Ø13;²19;PPM BM.982.005.001 :01-01 BM.982.005.001:01-01 00:00:00 AFRIQUE SANZAS [MONTAGE] N Sous-table non exportée Sous-table non exportée 1982 0 AFRIQUE +BM.982.006 Ø13;²19;PPM BM.982.006.001 :01-01 BM.982.006.001:01-01 00:00:00 N VIETNAM VIETNAM.ESSAI DU LITHOPHONE DEPOSE AU MH ,PAR LE PROF. LUU HUU PHUOC N Sous-table non exportée Sous-table non exportée 1982 0 ASIE +BM.982.007 Ø13 BM.982.007.001 :01-01 BM.982.007.001:01-01 00:00:00 VENEZUELA VENEZUELA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.982.008 K7-C60 BM.982.008.001 :01-01 BM.982.008.001:01-01 00:00:00 URSS;YAKOUTIE YAKOUTIE URSS;YAKOUTIE:YAKOUTE, INUIT [COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.982.009 Ø18;²19;PPS;LD BM.982.009.001/05 :01-01 BM.982.009.001/05:01-01 00:00:00 ESPAGNE ESPAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :01-04 BM.1982.010.001/03:01-04 00:04:27 BHOUTAN DISTRICT DE TONGSA TIBETAINS BHOUTAN AIR DEDIE A MANJUSHRI Sous-table non exportée Sous-table non exportée /aabs=petite clarinette te-te-lim (phred phred gling) (instrument déposé au musée de l'homme). /air dédié par un manjushri "a-ra-sparca" par un religieux "brug-pa bka "-brgyud-pa• 1981 0 ASIE +BM.982.011 ØGF;²19;PPM;SD BM.982.011.001 :01-01 BM.982.011.001:01-01 00:00:00 BURUNDI "RUANDA URUNDI. LES TROUBADOURS DES HAUTS-PLATEAUX" [COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.982.012 Ø13;²19;PPM BM.982.012.001 :01-01 BM.982.012.001:01-01 00:00:00 BENIN BENIN : CITHARE N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.982.013 Ø13;²19;PPS BM.982.013.001/15 :01-01 BM.982.013.001/15:01-01 00:00:00 INDE;KERALA KERALA INDE:KERALA & TAMIL NADU N Sous-table non exportée Sous-table non exportée 1981 0 ASIE +BM.982.013 Ø13;²19;PPS BM.982.013.001/15 :02-01 BM.982.013.001/15:02-01 00:00:00 INDE;TAMIL NADU INDE:KERALA & TAMIL NADU N Sous-table non exportée Sous-table non exportée 1981 0 ASIE +BM.982.014 Ø15 BM.982.014.001 :01-01 BM.982.014.001:01-01 00:00:00 AFGHANISTAN AFGHANISTAN;VALLEE DU KUNAR N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.982.015 ØGF;²19;PPM BM.982.015.001 :01-01 BM.982.015.001:01-01 00:00:00 JAPON JAPON & VIETNAM. [COPIE DE DI.78T DEPOSES AU MUSEE GUIMET] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.982.015 ØGF;²19;PPM BM.982.015.001 :01-11 BM.982.015.001:01-11 00:00:00 N VIETNAM JAPON & VIETNAM. [COPIE DE DI.78T DEPOSES AU MUSEE GUIMET] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.982.016 Ø13;²19;PPM BM.982.016.001/07 :01-01 BM.982.016.001/07:01-01 00:00:00 BHOUTAN BHOUTAN N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-01 BM.1982.017.001:01-01 00:02:23 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR SOLO DE VIELE MONOCORDE KONI Sous-table non exportée Sous-table non exportée annonce (0'15) puis solo de vièle monocorde "köni"• 1982 0 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-02 BM.1982.017.001:01-02 00:02:37 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR SOLO DE CITHARE TUBULAIRE BRO Sous-table non exportée Sous-table non exportée Annonce (0'30) puis solo de cithare "bro'"• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-03 BM.1982.017.001:01-03 00:01:58 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR SOLO DE CITHARE TUBULAIRE BRO Sous-table non exportée Sous-table non exportée Annonce (0'15) puis solo de cithare "bro'"• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-04 BM.1982.017.001:01-04 00:03:00 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Annonce et parlé (0'32) puis chanté solo F. - chanson d'amour • 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-05 BM.1982.017.001:01-05 00:01:45 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Annonce et parlé (0'16) puis chanté solo F. - chant de travail • 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-06 BM.1982.017.001:01-06 00:18:08 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR MUSIQUE DE GONGS ET TAMBOUR Sous-table non exportée Sous-table non exportée Ensemble de gongs et tambour• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-07 BM.1982.017.001:01-07 00:02:13 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR CHANSON MODERNE Sous-table non exportée Sous-table non exportée Annonce (0'17) puis chanté solo H et guitare - répertoire moderne• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-08 BM.1982.017.001:01-08 00:01:32 1982 VIETNAM MNONG GAR VIETNAM:MNONG GAR CHANT MODERNE Sous-table non exportée Sous-table non exportée Annonce (0'10) puis chanté solo F et guitare. Chant du répertoire moderne• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-09 BM.1982.017.001:01-09 00:01:20 27 mai 1982 VIETNAM HOCHIMINVILLE MNONG GAR VIETNAM:MNONG GAR SON DU LITHOPHONE Sous-table non exportée Sous-table non exportée Son du lithophone à l'institut de musicologie à Ho Chi Minh Ville• enregistré à l'Institut de musicologie• 1982 ASIE +BM.1982.017 Ø15;²19;PP BM.1982.017.001 :01-10 BM.1982.017.001:01-10 00:01:20 27 mai 1982 VIETNAM HOCHIMINVILLE MNONG GAR VIETNAM:MNONG GAR SON DU LITHOPHONE Sous-table non exportée Sous-table non exportée enregistré à l'Institut de musicologie à Ho chi Minh ville. même pièce copiée deux fois• 0 ASIE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :01-01 BM.1982.018.001/22:01-01 00:30:56 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 MYTHE D'ORIGINE DE LA LANGUE SECRÈTE, EN LANGUE SECRÈTE Sous-table non exportée Sous-table non exportée Cf . Le Moal, G. _Les Bobo, Nature et fonction des masques_ Paris, ORSTOM, 1980• Chanté/ déclamé solo et choeur d'envirion 10H; par un groupe de l'échelon sinkyèprè. Mythe d'origine de la langue secrète, en langue secrète/ 1ère partie/ fin coupée net• LE MOAL,GUY 1952 0 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :02-01 BM.1982.018.001/22:02-01 00:17:26 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 MYTHE D'ORIGINE DE LA LANGUE SECRETE, EN LANGUE SECRETE Sous-table non exportée Sous-table non exportée Chanté/ déclamé solo et choeur d'envirion 10H; par un groupe de l'échelon sinkyèprè. Mythe d'origine de la langue secrète, en langue secrète/ 2ère partie/ fin • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :02-02 BM.1982.018.001/22:02-02 00:14:42 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 MYTHE D'ORIGINE DES MASQUES/ DEBUT Sous-table non exportée Sous-table non exportée Chanté/ déclamé solo et choeur d'envirion 10H; par un groupe de l'échelon sinkyèprè• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :03-01 BM.1982.018.001/22:03-01 00:04:45 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 MYTHE D'ORIGINE DES MASQUES/ FIN DE L'ENREGISTREMENT, RECIT INCOMPLET Sous-table non exportée Sous-table non exportée Chanté/ déclamé solo et choeur d'envirion 10 H; par un groupe de l'échelon sinkyèprè• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :04-01 BM.1982.018.001/22:04-01 00:03:23 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 FRAGMENT DE MYTHE NON IDENTIFIE Sous-table non exportée Sous-table non exportée Chanté/ déclamé solo et choeur d'envirion 10 H; par un groupe de l'échelon sinkyèprè• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :04-02 BM.1982.018.001/22:04-02 00:07:06 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , KOUROUMANIE BOBO BURKINA FASO. LE MOAL,G.;1952-81 JEUX VERBAUX: JEUX DU PORTRAIT, EN LANGUE SECRÈTE. Sous-table non exportée Sous-table non exportée Bande originale endommagée• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-01 BM.1982.018.001/22:05-01 00:02:13 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR D'UN CHANT D'INITIES YELETINE: LOUANGE DE LA DIVINITE DWO Sous-table non exportée Sous-table non exportée Ensemble de trois flûtes traversières à deux trous yélé té rè. Annonce à la fin (0'16)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-02 BM.1982.018.001/22:05-02 00:02:26 Nov-Dec 1952 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LOUANGE POUR UN CHEF DU CULTE DE DWO Sous-table non exportée Sous-table non exportée "Les oiseaux de Dwo pondent leurs oeufs dans le sac du Dwobwa"=chef du culte• LE MOAL,GUY 1953 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-03 BM.1982.018.001/22:05-03 00:02:18 Mars 1953 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 ANNONCE (0'10) PUIS CHAQUE FLUTE JOUEE SEPAREMMENT Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1953 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-04 BM.1982.018.001/22:05-04 00:01:35 Mars 1953 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE PROTECTION POUR L'ESPRIT PROTECTEUR DOUBA Sous-table non exportée Sous-table non exportée Saturé• LE MOAL,GUY 1953 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-05 BM.1982.018.001/22:05-05 00:03:14 Mars 1953 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE FUNERAILLES Sous-table non exportée Sous-table non exportée A=Sifflets pyéné. 2 prises enchaînées• LE MOAL,GUY 1953 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :05-06 BM.1982.018.001/22:05-06 00:05:29 Mars 1953 BURKINA FASO S/P SOLENZO , TOULA BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE FUNERAILLES Sous-table non exportée Sous-table non exportée A=Sifflets pyéné. Le choeur d'homme intervient par moment.3 airs pour les jumeaux. 3 prises enchaînées. (La suite de l'originale n'a pas été copiée: sous modulé puis saturé)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :06-01 BM.1982.018.001/22:06-01 00:05:35 JANV 1962 BURKINA FASO S/P NDOROLA , KAYA BOLON BURKINA FASO. LE MOAL,G.;1952-81 DANSE DES MASQUES KOUFÈ Sous-table non exportée Sous-table non exportée Annonce (0'10) puis ensemble de deux tambours d'aisselle et de 3 types de tambours à une et à deux eaux battues avec une baguette. 2 prise enchaînées• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :06-02 BM.1982.018.001/22:06-02 00:03:55 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LOUANGE POUR UN FORGERON NOMME DWOKALE PUIS ANNONCE (0'12) Sous-table non exportée Sous-table non exportée Duo de flûtes traversières à deux trous de jeu yélétérè• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :06-03 BM.1982.018.001/22:06-03 00:02:50 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LOUANGE POUR UN DANSEUR Sous-table non exportée Sous-table non exportée Annonce (0'9)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :06-04 BM.1982.018.001/22:06-04 00:03:14 JANV 1982 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR POUR DEMANDER QU'ON OFFRE UN DE LA BIÈRE DE MIL AUX MUSICIENS Sous-table non exportée Sous-table non exportée Annonce (0'6). Air "pour mouiller leur gorge"• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :06-05 BM.1982.018.001/22:06-05 00:01:07 JANV 1982 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LOUANGE POUR UN DANSEUR Sous-table non exportée Sous-table non exportée Annonce (0'15). Incomplet fin de bande• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-01 BM.1982.018.001/22:07-01 00:02:23 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE LOUANDE D'UN DANSEUR Sous-table non exportée Sous-table non exportée Annonce à la fin (0'30)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-02 BM.1982.018.001/22:07-02 00:02:45 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE LOUANDE D'UN DANSEUR Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-03 BM.1982.018.001/22:07-03 00:02:28 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT D'INVITATION A LA DANSE Sous-table non exportée Sous-table non exportée Annonce (0'12)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-04 BM.1982.018.001/22:07-04 00:02:53 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT POUR SE MOQUER D'UN DANSEUR Sous-table non exportée Sous-table non exportée Annonce (0'13)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-05 BM.1982.018.001/22:07-05 00:02:21 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE LOUANGE D'UN DANSEUR Sous-table non exportée Sous-table non exportée Annonce (0'09)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :07-06 BM.1982.018.001/22:07-06 00:01:57 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT A PROPOS DE LA "DANSE DU COU" Sous-table non exportée Sous-table non exportée Annonce (0'08). Incomplet fin de la bande• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :08-01 BM.1982.018.001/22:08-01 00:02:40 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE TRAVAIL, CHANT DE LOUANGE D'UN GUERRIER VAINQUEUR Sous-table non exportée Sous-table non exportée Chanté choeur femme accompagnant des battoirs damant le sol• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :08-02 BM.1982.018.001/22:08-02 00:02:34 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DES "DAMEUSES" DU VILLAGE DE ZOKOEMA Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :08-03 BM.1982.018.001/22:08-03 00:00:41 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 ANNONCE COLLECTEUR Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-01 BM.1982.018.001/22:09-01 00:03:20 JANV 1962 BURKINA FASO S/P SOLENZO, KIBE BOBO BURKINA FASO. LE MOAL,G.;1952-81 FÊTE ANNUELLE DU RETOUR DES MASQUES DE FEUILLES APPELEE BIREWA DANGA Sous-table non exportée Sous-table non exportée Bruit de vent. A=Ensemble de deux sifflets pyéné• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-02 BM.1982.018.001/22:09-02 00:00:29 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 ANNONCE COLLECTEUR Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-03 BM.1982.018.001/22:09-03 00:02:53 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR POUR FAIRE VENIR LE MASQUE GNONFOUROU Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-04 BM.1982.018.001/22:09-04 00:01:57 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AUTRE AIR DE LA FÊTE ANNUELLE Sous-table non exportée Sous-table non exportée Annonce (0'09)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-05 BM.1982.018.001/22:09-05 00:02:50 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AUTRE AIR DE LA FÊTE ANNUELLE Sous-table non exportée Sous-table non exportée Annonce (0'08). Cf annocne/ un "blanc" à 1,14• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-06 BM.1982.018.001/22:09-06 00:00:18 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 ANNONCE COLLECTEUR Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :09-07 BM.1982.018.001/22:09-07 00:03:47 JANV 1962 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 ANNONCE Sous-table non exportée Sous-table non exportée Cf annonce/ Incomplet fin bande. LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-01 BM.1982.018.001/22:10-01 00:01:22 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CRIS D'ACCUEIL POUR LES MASQUES: YORÈ Sous-table non exportée Sous-table non exportée VA=Cris modulés hommes. LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-02 BM.1982.018.001/22:10-02 00:01:03 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CRIS D'ACCUEIL POUR LES MASQUES: YORÈ Sous-table non exportée Sous-table non exportée VA=Cris modulés hommes. Saturé par moment• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-03 BM.1982.018.001/22:10-03 00:02:11 FEVR-AVR 1965 BURKINA FASO S/P TENKODOGO, GARANGO BISSA BURKINA FASO. LE MOAL,G.;1952-81 SOLO DE CLARINETTE IDIOGLOTTE BOUKARI BAMBERA OU BOUKARI YAOURE Sous-table non exportée Sous-table non exportée Enrégistré à Ouagadougou• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-04 BM.1982.018.001/22:10-04 00:00:35 FEVR-AVR 1965 BURKINA FASO S/P TENKODOGO, GARANGO BISSA BURKINA FASO. LE MOAL,G.;1952-81 ENQUÊTE Sous-table non exportée Sous-table non exportée Cf. Disque de Ch. Duvelle Musique Bissa. OCR 58. LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-05 BM.1982.018.001/22:10-05 00:01:24 FEVR-AVR 1965 BURKINA FASO S/P TENKODOGO, KOUROUMANI BISSA BURKINA FASO. LE MOAL,G.;1952-81 RITE DE PURIFICATION ZIRI DANGA Sous-table non exportée Sous-table non exportée Annonce (0'10) puis parlé solo homme. LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :10-06 BM.1982.018.001/22:10-06 00:01:30 FEVR-AVR 1965 BURKINA FASO S/P TENKODOGO, KOUROUMANI BISSA BURKINA FASO. LE MOAL,G.;1952-81 PRIÈRE A LA DIVINITE DWO POUR LA VENUE DU MASQUE GNONFOUROU Sous-table non exportée Sous-table non exportée Annonce (0'07) puis parlé solo homme. LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-01 BM.1982.018.001/22:11-01 00:03:06 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DES DIVINITES DE LA CHASSE DIBI ET NANKO Sous-table non exportée Sous-table non exportée Annonce (0'28). Solo de luth. Beaucoup de bruit de vent• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-02 BM.1982.018.001/22:11-02 00:02:53 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DES DIVINITES DE LA CHASSE DIBI ET NANKO Sous-table non exportée Sous-table non exportée Annonce à la fin (0'6). Beaucoup de vent• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-03 BM.1982.018.001/22:11-03 00:02:58 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT POUR LA DIVINITE KOUELE DWO/ VENT Sous-table non exportée Sous-table non exportée Annonce à la fin (0'3)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-04 BM.1982.018.001/22:11-04 00:03:25 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE JEUNE FILLE Sous-table non exportée Sous-table non exportée Annonce (0'5), 2 prises, présence de vent• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-05 BM.1982.018.001/22:11-05 00:02:19 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE JEUNE FILLE Sous-table non exportée Sous-table non exportée Annonce (0'5), 2 prises, présence de moins de vent• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :11-06 BM.1982.018.001/22:11-06 00:01:18 FEVR-AVR 1965 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE JEUNE FILLE Sous-table non exportée Sous-table non exportée Absence de vent dans cette pièce. Incomplet fin de bande• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :12-01 BM.1982.018.001/22:12-01 00:09:07 DEC1969 JANV1970 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITE ANNUEL DE LA DIVINITE SINDON PREMIÈRE SORTIE DES FLÛTES SACREES Sous-table non exportée Sous-table non exportée Par moment chanté solo femme par une griotte et choeur homme/ plusieurs prises. N.B. Sur toute la bande il y'a des tops de synchronisation, et de la ronflette grave par moment. (Original = 6.4 2ème partie)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :12-02 BM.1982.018.001/22:12-02 00:08:27 DEC1969 JANV1970 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITE DE SINDO, SUITE: LE MATIN Sous-table non exportée Sous-table non exportée Déclamé solo homme soutenu par un tambour d'aiselle, cloche de fer, flûte par moment-prières reprises à voix haute par un griot-; à 4,30 air de flûtes et tambours d'aiselle, youyou à 5,50 conversation animée, à 6,34 tambours. (Original = 6.5)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :12-03 BM.1982.018.001/22:12-03 00:11:28 DEC1969 JANV1970 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 PROCESSION ET DANSES DES MEMBRES DE LA SOCIETE DU SINDO Sous-table non exportée Sous-table non exportée IS=Grelots de chevilles des danseurs. Plusieurs prises, bruit de vent par moment• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :13-01 BM.1982.018.001/22:13-01 00:12:14 DEC1969 JANV1970 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DES MEMBRES DE LA SOCIETE SINDO ET DANSE DE CHIEN Sous-table non exportée Sous-table non exportée Chant des membres de la société Sindo dans lequel ils insultent leurs aînés à 10'22 =sifflet idem: -danse du chien: gwayalé à 12'12 : bruit de foule (pas copié)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :13-02 BM.1982.018.001/22:13-02 00:02:28 DEC1969 JANV1970 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT WOURI (="CRI"), POUR MARQUER UN TEMPS FORT D'UNE ACTION RITUELLE Sous-table non exportée Sous-table non exportée Chant wouri pour marquer également une action profane• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :14-01 BM.1982.018.001/22:14-01 00:09:28 FEVR-MAI 1972 BURKINA FASO S/P SOLENZO, SAMA BOBO BURKINA FASO. LE MOAL,G.;1952-81 " FUNERAILLES SECHES" = SYEKWE, 3 ANS APRES L'ENTERREMENT, D'UN CHEF Sous-table non exportée Sous-table non exportée 1'20 conversation; 1'49 prière ponctuée de vocalise de la griotte; 3'00 énoncéde la devise du clan du defunt par la griotte- + vent -; 5'02 fin de la prière; 5'19 tambours et hochets; original saturé jusqu'à 7'05 et de 7'50 à 8'22; autre prise• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :15-01 BM.1982.018.001/22:15-01 00:05:51 FEVR-MAI 1972 BURKINA FASO S/P SOLENZO, SAMA BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANTS FUNÈBRES Sous-table non exportée Sous-table non exportée VA= les youyou interviennent par moment. Pointes saturées une ou deux fois; fin coupée net• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :15-02 BM.1982.018.001/22:15-02 00:06:36 FEVR-MAI 1972 BURKINA FASO S/P SOLENZO, SAMA BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANTS FUNÈBRES Sous-table non exportée Sous-table non exportée VA= les youyou interviennent par moment. Pointes saturées une ou deux fois; fin coupée net• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :15-03 BM.1982.018.001/22:15-03 00:03:50 FEVR-MAI 1972 BURKINA FASO S/P SOLENZO, SAMA BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANTS FUNÈBRES Sous-table non exportée Sous-table non exportée VA= les youyou interviennent par moment. Pointes saturées une ou deux fois; fin coupée net• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :15-04 BM.1982.018.001/22:15-04 00:08:17 FEVR-MAI 1972 BURKINA FASO S/P SOLENZO, SAMA BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANTS FUNÈBRES Sous-table non exportée Sous-table non exportée VA= les youyou interviennent par moment. Pointes saturées une ou deux fois; fin coupée net• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :16-01 BM.1982.018.001/22:16-01 00:02:25 AOUT 1976 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 CEREMONIE DU DEPART DES MASQUES DE FIBRES AU DEBUT DE L'HIVERNAGE Sous-table non exportée Sous-table non exportée VA=Cris pour les masques lors du départ des masques dans la forêt• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :16-02 BM.1982.018.001/22:16-02 00:03:59 AOUT1976 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITE CIRCUMAMBULATOIRE DANS LE VILLAGE GOURA DANGA Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :16-03 BM.1982.018.001/22:16-03 00:05:00 AOUT1976 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITE CIRCUMAMBULATOIRE DANS LE VILLAGE GOURA DANGA Sous-table non exportée Sous-table non exportée Bruit de vent assez grave• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :16-04 BM.1982.018.001/22:16-04 00:03:22 AOUT1976 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITE CIRCUMAMBULATOIRE DANS LE VILLAGE GOURA DANGA Sous-table non exportée Sous-table non exportée Plusieurs prises fin coupée net• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-01 BM.1982.018.001/22:17-01 00:02:32 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CEREMONIE DE LA VENUE DU MASQUE SORO MA SAN Sous-table non exportée Sous-table non exportée (Origine 8-5)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-02 BM.1982.018.001/22:17-02 00:01:01 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CEREMONIE DE LA VENUE DU MASQUE SORO MA SAN Sous-table non exportée Sous-table non exportée (Origine 8-5)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-03 BM.1982.018.001/22:17-03 00:01:29 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CEREMONIE DE LA VENUE DU MASQUE SORO MA SAN Sous-table non exportée Sous-table non exportée (Origine 8-5)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-04 BM.1982.018.001/22:17-04 00:01:21 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 TROMPES D'APPEL POUR LES CULTIVATEURS-PLANS FILM N2,3, ET 4 Sous-table non exportée Sous-table non exportée AT= Ensemble de 3 trompes en corne. (Original 8-6)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-05 BM.1982.018.001/22:17-05 00:01:32 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CORTÈGE SE RENDANT AU VILLAGER AU CHAMP Sous-table non exportée Sous-table non exportée AT= Ensemble de 3 trompes en corne. (Original 8-6)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-06 BM.1982.018.001/22:17-06 00:01:08 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CORTÈGE SE RENDANT AU VILLAGER AU CHAMP Sous-table non exportée Sous-table non exportée AT= Ensemble de 3 trompes en corne. (Original 8-6)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-07 BM.1982.018.001/22:17-07 00:02:47 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 CHANT DU TYPE WOURI =" CRI", CHANTE JUSTE AVANT DE DEBUTER LE TRAVAIL Sous-table non exportée Sous-table non exportée VC= Femme griotte. Cette pièce est chantée juste avant de débuter le travail dans les champs• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :17-08 BM.1982.018.001/22:17-08 00:02:05 JUIL1976 BURKINA FASO S/P SOLENZO, SILENKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 MUSIQUE QUI ACCOMPAGNE LE TRAVAIL DANS LES CHAMPS Sous-table non exportée Sous-table non exportée Plans film N 16, 17 , 18• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-01 BM.1982.018.001/22:18-01 00:03:19 JUIL1976 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR COMPOSES PAR SAMBA CHANTEUR SENOUFO REPUTE DANS LA REGION Sous-table non exportée Sous-table non exportée Ce type de bala, plus petit et léger que celui des bwa, a été inventé par Sidiki, sénufo originaire de Sikasso, chef à Orodara. (sous-préfecture à l'Ouest e Bobo Dioulasso). Ce bala a été adopté par les populations de la région de Samoro gwan avant de se généraliser dans les poays bwa et bobo. N.B La bande est endomagée par moment• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-02 BM.1982.018.001/22:18-02 00:04:08 JUIL1976 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR COMPOSES PAR SAMBA CHANTEUR SENOUFO REPUTE DANS LA REGION Sous-table non exportée Sous-table non exportée Ce type de bala, plus petit et léger que celui des bwa, a été inventé par Sidiki, sénufo originaire de Sikasso, chef à Orodara. (sous-préfecture à l'Ouest e Bobo Dioulasso). Ce bala a été adopté par les populations de la région de Samoro gwan avant de se généraliser dans les poays bwa et bobo. N.B La bande est endomagée par moment. Un trou à 2'12 et à 4'22, plusieurs airs• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-03 BM.1982.018.001/22:18-03 00:02:33 FEVR 1960 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 RITUEL D'INITIATION Sous-table non exportée Sous-table non exportée Rituel d'initiation: épreuve de la fustigation par les marques de feuilles• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-04 BM.1982.018.001/22:18-04 00:03:53 FEVR 1960 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 RETOUR DES INITIES AU VILLAGE Sous-table non exportée Sous-table non exportée Annonce (0'06)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-05 BM.1982.018.001/22:18-05 00:06:35 FEVR 1960 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 PRESENTATION ET DANSE DES MASQUES KELE Sous-table non exportée Sous-table non exportée Annonce (0'11)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :18-06 BM.1982.018.001/22:18-06 00:02:49 FEVR 1960 BURKINA FASO S/P SOLENZO, LÈKORO BOBO BURKINA FASO. LE MOAL,G.;1952-81 RETOUR DES MASQUES AU VILLAGE Sous-table non exportée Sous-table non exportée Annonce (0'10)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-01 BM.1982.018.001/22:19-01 00:02:17 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LA " DANSE DE LA GOURDE" Sous-table non exportée Sous-table non exportée Annonce (0'12). Air de la " danse de la gourde" = "yalza némi" ou "danse du cou" = "mouga di gniémi" 1er mouvement: le pas de danse• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-02 BM.1982.018.001/22:19-02 00:03:23 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LA " DANSE DE LA GOURDE": LA DANSE DU COU EN TEMPO LENT 2EME MV Sous-table non exportée Sous-table non exportée Annonce (0'10). Air de la " danse de la gourde" = "yalza némi" ou "danse du cou" = "mouga di gniémi" 2ème mouvement: la danse du cou en tempo lent/ 1 faux départ• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-03 BM.1982.018.001/22:19-03 00:05:26 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE LA " DANSE DE LA GOURDE": LA DANSE DU COU AU TEMPO NORM AL 3 MV Sous-table non exportée Sous-table non exportée Annonce (0'5). Air de la " danse de la gourde" = "yalza némi" ou "danse du cou" = "mouga di gniémi" 3ème mouvement: la danse du cou au tempo normal / 2 faux départs, 3 prises. 3'09, 1'22 et 0'55• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-04 BM.1982.018.001/22:19-04 00:02:38 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE DANSE DES MASQUES DE FIBRES. / COPIE DU DEBUT Sous-table non exportée Sous-table non exportée Annonce (0'12). ( Copie du début seulement jusqu'au passage où la bande est endommagée)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-05 BM.1982.018.001/22:19-05 00:00:25 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 EXEMPLE DE SONS D'UN DEDÈNE Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-06 BM.1982.018.001/22:19-06 00:00:48 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 LE PAS DE DANSE DU MASQUE GWALA Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :19-07 BM.1982.018.001/22:19-07 00:01:46 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE DANSE DES MASQUES DU TYPE GWARAMA Sous-table non exportée Sous-table non exportée LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-01 BM.1982.018.001/22:20-01 00:02:08 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR POUR FLATTER LA CLASSE D'ÂGE DES YELEBIRÈ DE KOUROUMANI Sous-table non exportée Sous-table non exportée Suite d'airs jouées à l'époquedu nouvel an yaza némi danga . Deux flûtes traversières térézomblé/ = flûte-vrombissements/ à 4 trous de jeu• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-02 BM.1982.018.001/22:20-02 00:02:22 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR DE YAKALA, DANSEUR LEGENDAIRE DU VILLAGE DE KYEBANI Sous-table non exportée Sous-table non exportée Annonce (0'7) puis air de yakala. Bande effacée de 0'25 à 1'04• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-03 BM.1982.018.001/22:20-03 00:01:39 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR POUR FLATTER LE CHEF DE CANTON DE DYONTALA Sous-table non exportée Sous-table non exportée Annonce (0'7). Le début a été effacé• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-04 BM.1982.018.001/22:20-04 00:02:43 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR JOUE LORSQUE LES FEMMES ECRASENT LE MIL Sous-table non exportée Sous-table non exportée Annonce (0'9)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-05 BM.1982.018.001/22:20-05 00:02:49 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR E LA DANSE YALSA NEMI Sous-table non exportée Sous-table non exportée Annonce (0'10)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :20-06 BM.1982.018.001/22:20-06 00:03:44 FEVR 1960 BURKINA FASO S/P SOLENZO, KOUROUMANI BOBO BURKINA FASO. LE MOAL,G.;1952-81 AIR POUR ACCOMPAGNER LES PILLLEUSES DE MIL Sous-table non exportée Sous-table non exportée Annonce (0'9). Bande endommagée par moment ( puis ambiances, non copié)• LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-01 BM.1982.018.001/22:21-01 00:03:28 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 CHANSON DU MASQUE GENA Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-02 BM.1982.018.001/22:21-02 00:02:52 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 AUTRE CHANSON Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-03 BM.1982.018.001/22:21-03 00:06:44 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 AUTRE CHANSON Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments. Autre chanson plus un sifflet vers 5'30/ un faux départ, saturé un peu à 4'40 fin coupée net • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-04 BM.1982.018.001/22:21-04 00:01:30 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 AUTRE CHANSON Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-05 BM.1982.018.001/22:21-05 00:01:04 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 AUTRE CHANSON Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments. Même chanson que la pièce 2, chanté sur demande du collecteur • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :21-06 BM.1982.018.001/22:21-06 00:00:43 FEVR 1979 BURKINA FASO S/P SOLENZO, KOUROUMANI ZARA DIT BOBO DIOULA BURKINA FASO. LE MOAL,G.;1952-81 AUTRE CHANSON Sous-table non exportée Sous-table non exportée Danses nocturnes des masques bolo-dits masques blancs- . IS=sonnailles de chevilles des masques par moments. Autre chanson plus un sifflet vers 5'30/ un faux départ, saturé un peu à 4'40 fin coupée net. Idem que la pièce 3 • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :22-01 BM.1982.018.001/22:22-01 00:05:06 JANV 1981 BURKINA FASO S/P SOLENZO, KOUROUMANI BWA DIT BOBO OULE BURKINA FASO. LE MOAL,G.;1952-81 CHANT POUR ACCOMPAGNER LE TRAVAIL DANS LES CHAMPS Sous-table non exportée Sous-table non exportée IFP= xylophone sur cadre, exécuté par un griot. Chant exécuté egalement pour célébrer un bon cultivateur lors de ces funérailles • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :22-02 BM.1982.018.001/22:22-02 00:05:01 JANV 1981 BURKINA FASO S/P SOLENZO, KOUROUMANI BWA DIT BOBO OULE BURKINA FASO. LE MOAL,G.;1952-81 CHANT DE DIVERTISSEMENT Sous-table non exportée Sous-table non exportée Annonce (0'23). Enrégistré à très faible niveau • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :22-03 BM.1982.018.001/22:22-03 00:04:07 JANV 1981 BURKINA FASO S/P SOLENZO, KOUROUMANI BWA DIT BOBO OULE BURKINA FASO. LE MOAL,G.;1952-81 CHANT POUR ACCOMPAGNER LES LUTTES Sous-table non exportée Sous-table non exportée Annonce (0'10) • LE MOAL,GUY 1952 AFRIQUE +BM.1982.018 CDR+Ø* BM.1982.018.001/22 :22-04 BM.1982.018.001/22:22-04 00:04:51 JANV 1981 BURKINA FASO S/P SOLENZO, KOUROUMANI BWA DIT BOBO OULE BURKINA FASO. LE MOAL,G.;1952-81 AIR DE DANSE COMPOSE EN L'HONNEUR DU CHEF DU CANTON DE KYE Sous-table non exportée Sous-table non exportée Annonce (0'8) • LE MOAL,GUY 1952 AFRIQUE +BM.982.019 Ø18;²19;PPM BM.982.019.001 :01-01 BM.982.019.001:01-01 00:00:00 TAIWAN TAIWAN [MONTAGE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.982.020 Ø13;²19;PPS BM.982.020.001/04 :01-01 BM.982.020.001/04:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE;SARDAIGNE N Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +BM.982.021 K7 BM.982.021.001 :01-01 BM.982.021.001:01-01 00:00:00 EUROPE "LA PEDAGOGIE DE LA VOIX & TECHNIQUES DU CHANT EN EUROPE".CF.LIVRE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.982.022 Ø13;²9.5;1/2P BM.982.022.001/03 :01-01 BM.982.022.001/03:01-01 00:00:00 INDE;BENGALE INDE;BENGALE, BIHAR, MADHYA PRADESH N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.982.022 Ø13;²9.5;1/2P BM.982.022.001/03 :01-02 BM.982.022.001/03:01-02 00:00:00 INDE;BIHAR INDE;BENGALE, BIHAR, MADHYA PRADESH N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.982.022 Ø13;²9.5;1/2P BM.982.022.001/03 :01-03 BM.982.022.001/03:01-03 00:00:00 INDE;MADHYA PRADESH INDE;BENGALE, BIHAR, MADHYA PRADESH N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +BM.982.023 ØGF BM.982.023.001 :01-01 BM.982.023.001:01-01 00:00:00 MAROC HAUT-ATLAS MAROC;HAUT-ATLAS:BERBERE N Sous-table non exportée Sous-table non exportée ROVSING-OLSEN,MIRIAM 1977 0 AFRIQUE +BM.982.024 Ø13 BM.982.024.001 :01-01 BM.982.024.001:01-01 00:00:00 USA PRECHE (EGLISE; USA) PRECHE Sous-table non exportée Sous-table non exportée SCHWARZ,JEAN 1978 0 AMERIQUE +BM.983.001 Divers* BM.983.001.001/71 :01-01 BM.983.001.001/71:01-01 00:00:00 REP CENTRAFRICAINE REP. CENTRAFRICAINE N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.983.002 Ø13;²19;PPM BM.983.002.001 :01-01 BM.983.002.001:01-01 00:00:00 PAKISTAN CHITRAL PAKISTAN;CHITRAL:KALASH N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.003 n BM.983.003 :01-01 BM.983.003:01-01 00:00:00 N COLL. RENUMEROTEE N Sous-table non exportée Sous-table non exportée -1 N +BM.983.004 n BM.983.004.001 :01-01 BM.983.004.001:01-01 00:00:00 BENIN BENIN;PORTO NOVO : DANSE DES REINES N Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +BM.983.005 K7 BM.983.005.001 :01-01 BM.983.005.001:01-01 00:00:00 PEROU "PEROU. AYARCHI & CHIRINGUANO" [PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.983.006 ØGF;²9.5;PP BM.983.006.001 :01-01 BM.983.006.001:01-01 00:00:00 TIBET TIBET;LHASSA : THEATRE [COPIE K7 PUBLIEE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.007 Ø13;²9,5;PPS BM.983.007.001 :01-01 BM.983.007.001:01-01 00:00:00 ILES WALLIS-ET-FUTUNA ILES WALLIS [COPIE K7 PUBLIEE] N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.983.008 Ø13;²19;PPM BM.983.008.001 :01-01 BM.983.008.001:01-01 00:00:00 GUINEE GUINEE [COPIE SELECTIVE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.983.009 Divers* BM.983.009.001/33 :01-01 BM.983.009.001/33:01-01 00:00:00 ROUMANIE ROUMANIE N Sous-table non exportée Sous-table non exportée 1981 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-01 BM.1983.010.001:01-01 00:02:40 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* CHANT SOLO DE F Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.983.011 Ø15;²9,5;PP BM.983.011.001 :01-01 BM.983.011.001:01-01 00:00:00 PARAGUAY PARAGUAY:MAK'A N Sous-table non exportée Sous-table non exportée 1979 0 AMERIQUE +BM.983.012 ØGF;²38;PPS;SD BM.983.012.001 :01-01 BM.983.012.001:01-01 00:00:00 N CONQUES, TROMPES & GONGS DU DPT N Sous-table non exportée Sous-table non exportée 1983 N +BM.983.013 K7-C60 BM.983.013.001 :01-01 BM.983.013.001:01-01 00:00:00 INDE;ANDHRA PRADESH INDE;ANDHRA PRADESH:KHOND ; ORISSA:BONDO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.013 K7-C60 BM.983.013.001 :01-02 BM.983.013.001:01-02 00:00:00 INDE;ORISSA INDE;ANDHRA PRADESH:KHOND ; ORISSA:BONDO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.014 Ø18;²19;PPM BM.983.014.001/02 :01-01 BM.983.014.001/02:01-01 00:00:00 URSS;YAKOUTIE "MUSIQUE FOLKLORIQUE DES YAKOUTES"[COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.015 Ø18;²19;PPM;SD BM.983.015.001/03 :01-01 BM.983.015.001/03:01-01 00:00:00 NIGERIA NIGERIA;OSHOGBO:YORUBA N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM.983.016 ØGF;²19;PP BM.983.016.001/03 :01-01 BM.983.016.001/03:01-01 00:00:00 GUYANE FRANCAISE GUYANE FR.;HAUT OYAPOCK:CORPUS CLARINETTES_TULE_&DOUBLES CHANTES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.983.017 Ø18;²19;PPM;SD BM.983.017.001 :01-01 BM.983.017.001:01-01 00:00:00 GUYANE FRANCAISE GUYANE FRANCAISE:WAYAMPI [EXEMPLES POUR THESE] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.983.018 Ø18;²19;PPS;LD BM.983.018.001 :01-01 BM.983.018.001:01-01 00:00:00 DANEMARK;GROENLAND GROENLAND:INUIT[ RADIO] N Sous-table non exportée Sous-table non exportée 1983 0 AMERIQUE +BM.983.019 ØGF;²19;PPM BM.983.019.001/02 :01-01 BM.983.019.001/02:01-01 00:00:00 PHILIPPINES PHILIPPINES:PALAWAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.983.020 K7-C60 BM.983.020.001/02 :01-01 BM.983.020.001/02:01-01 00:00:00 N "ET TOUJOURS LE MUSEE DE L'HOMME"[RADIO] N Sous-table non exportée Sous-table non exportée 1983 N +BM.983.021 ØGF;²19;PP BM.983.021.001 :01-01 BM.983.021.001:01-01 00:00:00 INDONESIE;BALI INDONESIE;BALI N Sous-table non exportée Sous-table non exportée LEOTHAUD,GILLES 1978 0 ASIE +BM.984.001 Ø18;²19;PPS;SD BM.984.001.001 :01-01 BM.984.001.001:01-01 00:00:00 N "CANTATE POUR L'INAUGURATION DU M.H." DARIUS MILHAUD / ROBERT DESNOS CANTATE POUR L'INAUGURATION DU M.H. MILHAUD,DARIUS / DESNOS,ROBERT Sous-table non exportée Sous-table non exportée 1982 N +BM.984.002 Ø18;²19;PPM BM.984.002.001/10 :01-01 BM.984.002.001/10:01-01 00:00:00 GUINEE GUINEE:TOMA N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +BM.984.003 ØGF;²19;PP BM.984.003.001/03 :01-01 BM.984.003.001/03:01-01 00:00:00 URSS OUIGOUR M.OUIGOUR & M. DES PEUPLES DE L'EXTREME ORIENT SOVIETIQUE [COPIE DI.] N Sous-table non exportée Sous-table non exportée Copie de 3 disques Mélodia: "12 Muqam Ouigou: Rak", réf. C-3010751-52; "12 Muqam Ouigour:Adjan; Bayat", réf. c-3019825-26003; "M. des peuples de l'extrème Orient sovietique", réf. D-033187-88; cf. DI.983.010.004. Prêtés par Mme Czekanowska• -1 0 EUROPE +BM.984.003 ØGF;²19;PP BM.984.003.001/03 ?? BM.984.003.001/03?? 00:00:00 CHINE;XINJIANG OUIGOUR M.OUIGOUR & M. DES PEUPLES DE L'EXTREME ORIENT SOVIETIQUE [COPIE DI.] Sous-table non exportée Sous-table non exportée Copie de 3 disques Mélodia: "12 Muqam Ouigou: Rak", réf. C-3010751-52; "12 Muqam Ouigour:Adjan; Bayat", réf. c-3019825-26003; "M. des peuples de l'extrème Orient sovietique", réf. D-033187-88; cf. DI.983.010.004. Prêtés par Mme Czekanowska• 0 ASIE +BM.984.004 Ø13;²19;PPS BM.984.004.001/08 :01-01 BM.984.004.001/08:01-01 00:00:00 ALBANIE ALBANIE:TOSK & LAB N Sous-table non exportée Sous-table non exportée 1983 0 EUROPE +BM.984.005 ØGF;²38;PPM;SD BM.984.005.001 :01-01 BM.984.005.001:01-01 00:00:00 PAPOUASIE-NLE-GUINEE PAPOUASIE-NOUVELLE GUINEE N Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-01 BM.1984.006.001/30:01-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :01-01 + :01 -02 = 4'32 Cris de chameaux que l'on charge, ambiance de caravane avec cris d'hommes• LHOTE,HENRI 1948 0 Di-1A. n°1 AFRIQUE +BM.984.007 K7-C60 BM.984.007.001 :01-01 BM.984.007.001:01-01 00:00:00 LIBAN "MES YEUX ONT DES RIDEAUX" N Sous-table non exportée Sous-table non exportée 1984 0 ASIE +BM.984.008 Divers* BM.984.008.001/37 :01-01 BM.984.008.001/37:01-01 00:00:00 INDE;KERALA INDE;KERALA N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +BM.984.009 Ø18;²38;PPM BM.984.009.001 :01-01 BM.984.009.001:01-01 00:00:00 BENIN "IMAGE DE LA RECHERCHE 1984" EXPO. CNRS (BENIN) N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.984.010 Ø15²38;PP BM.984.010.001 :01-01 BM.984.010.001:01-01 00:00:00 REP CENTRAFRICAINE BANDA LINDA "IMAGES DE LA RECHERCHE 1984: LANGAGES TAMBOURINES", EXPO. CNRS N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.984.010 Ø15²38;PP BM.984.010.001 :01-02 BM.984.010.001:01-02 00:00:00 PAPOUASIE-NLE-GUINEE KWOMA "IMAGES DE LA RECHERCHE 1984: LANGAGES TAMBOURINES", EXPO. CNRS N Sous-table non exportée Sous-table non exportée Zemp,H et C. Kaufmann "Pour une transcription automatique des <> mélanésiens (un ex. kwoma, Nle-Guinée)". in L'Homme vol. 9, 2 : 38-88; 1969• -1 0 OCEANIE +BM.984.011 ØGF;²38;PPM;SD BM.984.011.001/02 :01-01 BM.984.011.001/02:01-01 00:00:00 MAURITANIE MASTER NOUVEAU DU DI."MUSIQUE MAURE" Sous-table non exportée Sous-table non exportée = 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-01 BM.1984.018.001/04:01-01 00:02:18 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• 0 0 AFRIQUE +BM.984.019 Divers* BM.984.019.001/02 :01-01 BM.984.019.001/02:01-01 00:00:00 BENIN BENIN;PORTO NOVO :"TANUWIWA" N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +BM.984.020 Ø13;²9.5;1/2P BM.984.020.001/53 :01-01 BM.984.020.001/53:01-01 00:00:00 CAMEROUN CAMEROUN:FOULBE N Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +BM.984.021 Ø18;²19;PPM;SD BM.984.021.001 :01-01 BM.984.021.001:01-01 00:00:00 ROUMANIE "M. POPULAIRE ROUMAINE" [COPIE DI. 78T] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.984.022 ØGF;²38;PPS;SD BM.984.022.001 :01-01 BM.984.022.001:01-01 00:00:00 N "EXOTICA" DE MAURICIO KAGEL "EXOTICA" KAGEL,MAURICIO Sous-table non exportée Sous-table non exportée 1975 N +BM.984.023 ØGF;²19;PP BM.984.023.001 :01-01 BM.984.023.001:01-01 00:00:00 REP CENTRAFRICAINE "IMAGES DE LA RECHERCHE 1984: POLYRYTHMIES AFRICAINES", EXPO. CNRS N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.984.024 Ø13;²38;PPS BM.984.024.001 :01-01 BM.984.024.001:01-01 00:00:00 N VIETNAM VIETNAM.JEU SUR LITHOPHONE DEPOSE AU MH, PAR STEVE SHEHAM N Sous-table non exportée Sous-table non exportée 1984 0 ASIE +BM.985.001 ØGF BM.985.001.001/12 :01-01 BM.985.001.001/12:01-01 00:00:00 BENIN "MUSIQUE DU PALAIS DE PORTO NOVO" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.985.002 ØGF;²19;PPM;SD BM.985.002.001/02 :01-01 BM.985.002.001/02:01-01 00:00:00 N SELECTION DANS LES DI. COLL."CNRS-MH" N Sous-table non exportée Sous-table non exportée 1985 N +BM.985.003 ØGF;²19;PP BM.985.003.001 :01-01 BM.985.003.001:01-01 00:00:00 MAROC MAROC:BERBERE [MONTAGE POUR THESE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.985.005 ØGF;²19;PP BM.985.005.001 :01-01 BM.985.005.001:01-01 00:00:00 INDONESIE;BALI GONG KEBYAR PAR LE GROUPE BHINNEKA TUNGGAL IKA [CONCERT AU MH] N Sous-table non exportée Sous-table non exportée 1985 0 ASIE +BM.985.006 K7-C60 BM.985.006.001/04 :01-01 BM.985.006.001/04:01-01 00:00:00 EIRE IRLANDE. GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.985.006 K7-C60 BM.985.006.001/04 :02-01 BM.985.006.001/04:02-01 00:00:00 DANEMARK;GROENLAND IRLANDE. GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.985.006 K7-C60 BM.985.006.001/04 :03-01? BM.985.006.001/04:03-01? 00:00:00 BULGARIE IRLANDE. GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.985.006 K7-C60 BM.985.006.001/04 :03-02? BM.985.006.001/04:03-02? 00:00:00 ALBANIE IRLANDE. GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] N Sous-table non exportée Sous-table non exportée Cf. DI.974.001.001 -1 0 EUROPE +BM.985.006 K7-C60 BM.985.006.001/04 :04-01 BM.985.006.001/04:04-01 00:00:00 MALAYSIA IRLANDE. GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.985.007 K7 BM.985.007.001/03 :01-01 BM.985.007.001/03:01-01 00:00:00 N "JEU SOCIAL / JEU MUSICAL EN MEDITERRANEE"[RADIO] N Sous-table non exportée Sous-table non exportée 1984 N +BM.985.008 ØGF;²19;PPM BM.985.008.001/18 :01-01 BM.985.008.001/18:01-01 00:00:00 MONDE ARABE CONGRES DE MUSIQUE ARABE. LE CAIRE 1932 [COPIE DI.78T] N Sous-table non exportée Sous-table non exportée 1932 0 ASIE +BM.985.009 Ø18;²9.5;PPM BM.985.009.001 :01-01 BM.985.009.001:01-01 00:00:00 N "LE GROUPE DU MUSEE DE L'HOMME".EMISSIONS DE F. CREMIEUX[RADIO] N Sous-table non exportée Sous-table non exportée -1 N +BM.985.010 K7 BM.985.010.001/02 :01-01 BM.985.010.001/02:01-01 00:00:00 TAIWAN "LES MILLE FACETTES DE LA M. TRAD. A TAIWAN" [PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.985.011 ØGF;²38;PPS;SD BM.985.011.001/02 :01-01 BM.985.011.001/02:01-01 00:00:00 N "LE SALON DE MUSIQUE" [MONTAGE EXPO] N Sous-table non exportée Sous-table non exportée -1 N +BM.985.012 Ø18;²19;PPS;LD BM.985.012.001/04 :01-01 BM.985.012.001/04:01-01 00:00:00 HONGRIE "GYPSY. FOLKSONGS FROM HUNGARY" [COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.985.013 K7 BM.985.013.001 :01-01 BM.985.013.001:01-01 00:00:00 N "L'ETHNOMUSICOLOGIE AU MH, AVEC G. ROUGET"[RADIO] N Sous-table non exportée Sous-table non exportée 1984 N +BM.985.014 ØGF;²19;PPM BM.985.014.001 :01-01 BM.985.014.001:01-01 00:00:00 URSS;RSS OUZBEKISTAN "CHANTS ET MELODIES DE NOCE UZBEK". "LAUREATS ... MAKAMS" [COPIE DI] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.985.015 Ø13&18 BM.985.015.001/05 :01-01 BM.985.015.001/05:01-01 00:00:00 ROUMANIE ROUMANIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.985.016 K7 BM.985.016.001 :01-01 BM.985.016.001:01-01 00:00:00 DANEMARK;GROENLAND GREOENLAND:INUIT [PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.985.017 Divers* BM.985.017.001/03 :01-01 BM.985.017.001/03:01-01 00:00:00 N "ETHNOMUSICLOLOGIE. LE SALON DE MUSIQUE DU MH"[RADIO] N Sous-table non exportée Sous-table non exportée 1985 N +BM.985.018 K7 BM.985.018.001 :01-01 BM.985.018.001:01-01 00:00:00 NOUVELLE-CALEDONIE "NOUVELLE-CALEDONIE. CHANTS DE HIENGHENE"[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM.985.019 Divers* BM.985.019.001/03 :01-01 BM.985.019.001/03:01-01 00:00:00 NIGERIA NIGERIA : ELOGE FUNEBRE ET LOUANGES POUR LE COLONEL FAJUYI N Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +BM.985.020 K7-C60 BM.985.020.001/02 :01-01 BM.985.020.001/02:01-01 00:00:00 4/6/85 N INAUGURATION DU SALON DE MUSIQUE DU MH N Sous-table non exportée Sous-table non exportée 1985 N +BM.1986.001 Divers* BM.1986.001.001/10 :01-01 BM.1986.001.001/10:01-01 00:18:47 8/85 YEMEN SANAA, QUARTIER DE BIR AL 'AZAB ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CHANT DU TYPE MADRAHA Sous-table non exportée MADRAHA Sous-table non exportée Les chants du type madraha (="balançoire") sont chantés les veilles de départ en pélerinage à la Mecque et pendant l'absence des pélerins• Enreg. mauvais au début, puis saturé par moments. Suite sur BM...:02-01• LAMBERT,JEAN; YAMMINE,HABIB 1985 0 1 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :02-01 BM.1986.001.001/10:02-01 00:15:40 8/85 YEMEN SANAA, QUARTIER DE BIR AL 'AZAB ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CHANT DU TYPE MADRAHA Sous-table non exportée MADRAHA Sous-table non exportée Les chants du type madraha (="balançoire") sont chantés les veilles de départ en pélerinage à la Mecque et pendant l'absence des pélerins• Fin de l'enreg. de la BM...:01-01. Enreg. mauvais au début, puis saturé assez souvent• LAMBERT,JEAN; YAMMINE,HABIB 1985 Non pertinent 2 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :03-01>04 BM.1986.001.001/10:03-01>04 00:22:13 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE; DANSE BAR'A Sous-table non exportée BAR'A Sous-table non exportée Danse tribale• M1C : les deux tbrs sont en forme de timbale, battus avec 2 bag., le TASSA est plus grand que le MARFA'. Durée pièce -01 =3'42, saturé au début; -02 =8'20; -03 =7'16; -04 =2'55• LAMBERT,JEAN; YAMMINE,HABIB 1985 3 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :04-01>07 BM.1986.001.001/10:04-01>07 00:35:30 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE; CORTEGE ZAFFA, CHANT DU TYPE NASHID Sous-table non exportée NASHID Sous-table non exportée Chants religieux du type nashid accompagnant le cortège "zaffa"• Durée pièces: -01 =7'56; -02 =7'24; -03 =0'43; -04 = 6'18, saturé; -05= 4'49; -06 =4'12; -07 =4'25. Copie filtrée (original médiocre). Bobine Ø13; ²9,5• LAMBERT,JEAN; YAMMINE,HABIB 1985 RELIGIEUX 4 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :04-08>09 BM.1986.001.001/10:04-08>09 00:06:26 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE; CORTEGE ZAFFA, CHANT DU TYPE NASHID Sous-table non exportée NASHID Sous-table non exportée Chant religieux du type nashid accompagnant le cortège "zaffa". Les battements de mains interviennent à la fin du cortège• Durée pièces: -08 =4'16; -09 =2'10. Copie filtrée (original médiocre). Bobine Ø13; ²9,5• LAMBERT,JEAN; YAMMINE,HABIB 1985 RELIGIEUX 4 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :04-10 BM.1986.001.001/10:04-10 00:07:24 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 POEME DASXISHAN Sous-table non exportée LOUANGE DE DAWSHAN Sous-table non exportée Durant la cérémonie de mariage. Le dawshân est un crieur public de statut casté. Il déclame les louanges de la tribu et celles des invités• VP- : déclamé. Copie filtrée (original médiocre). Bobine Ø13; ²9,5• LAMBERT,JEAN; YAMMINE,HABIB 1985 RELIGIEUX 4 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :04-11 BM.1986.001.001/10:04-11 00:01:12 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CERMONIE DE MARIAGE, CHANT D'H Sous-table non exportée Sous-table non exportée M1C : les deux tbrs sont en forme de timbale, battus avec 2 bag., le TASSA est plus grand que le MARFA'. Copie filtrée (original médiocre). Bobine Ø13; ²9,5• LAMBERT,JEAN; YAMMINE,HABIB 1985 4 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :05-01 BM.1986.001.001/10:05-01 00:01:57 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE -SUITE Sous-table non exportée RIFD Sous-table non exportée Annonce des cadeaux et des sommes d'argent que les invités offrent au marié• Ø13;²9,5• LAMBERT,JEAN; YAMMINE,HABIB 1986 5 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :05-02>05 BM.1986.001.001/10:05-02>05 23:09:00 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE, AIR DE LA DANSE LU'BA Sous-table non exportée LU'BA Sous-table non exportée Air de la danse lu'ba (="jeu")• Le tbr TABL est tenu horizontalement, il est joué par le chanteur. Le disque SAHN est un plateau métallique battu avec une baguette métallique. Durée des pièces: -02 =2'29; -03 =4'09, au cours du morceau: vitesse d'enreg. ²9,5 puis ²19 ; -04 = parlé pendant 0'43 puis 10'26; -05 =6'09. Ronflette à environ 125 Hz due à un générateur. La fin de la bande originale est vierge• LAMBERT,JEAN; YAMMINE,HABIB 1985 5 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :06-01 BM.1986.001.001/10:06-01 00:10:36 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE, AIR DE LA DANSE LU'BA Sous-table non exportée LU'BA Sous-table non exportée Air de la danse lub'a (="jeu")• Le tbr TABL est tenu horizontalement, il est joué par le chanteur• LAMBERT,JEAN; YAMMINE,HABIB 1985 6 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :06-02 BM.1986.001.001/10:06-02 00:06:26 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE, AIR DE LA DANSE LU'BA Sous-table non exportée LU'BA Sous-table non exportée Air de la danse lu'ba (="jeu")• Le tbr TABL est tenu horizontalement, il est joué par un des chanteur. Le disque SAHN est un plateau métallique battu avec une baguette métallique• LAMBERT,JEAN; YAMMINE,HABIB 1985 6 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :06-03 BM.1986.001.001/10:06-03 00:01:12 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE, SOLO DE MIZMAR Sous-table non exportée Sous-table non exportée LAMBERT,JEAN; YAMMINE,HABIB 1985 6 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :06-04 BM.1986.001.001/10:06-04 00:04:24 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE, AIR DE LA DANSE LU'BA Sous-table non exportée LU'BA Sous-table non exportée Air de la danse lu'ba (="jeu"))• Le tbr TABL est tenu horizontalement, il es joué par l'un des chanteurs. Le disque SAHN est plateau métallique battu avec une baguette métallique, il est joué par l'autre chanteur. Pièce incomplète < fin de la bande• LAMBERT,JEAN; YAMMINE,HABIB 1985 6 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :07-01>06 BM.1986.001.001/10:07-01>06 00:07:00 9/85 YEMEN REGION DE AL AHJUR, AL RA'NI ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 CEREMONIE DE MARIAGE -CHANTS ZAMIL & DANSE BAR'A Sous-table non exportée ZAMIL Sous-table non exportée Le _zâmil_ est un chant tribal. Parfois chanté en polymusique avec la danse _bara'_, mais, le plus souvent, séparement• Chants responsorial du type "zamil". Au 2ème plan, on entend les 2 tbrs qui jouent des rythmes de la danse "ba'ra" (= virtuosité). M1C : les deux tbrs sont en forme de timbale, battus avec 2 bag., le TASSA est plus grand que le MARFA'. -01 =1'10, saturé; -02 =1'24, l'un des 2 groupes de chanteurs est loin, le 2ème plan rythlique s'interromp, saturé; -03 =0'54, récitation par un H des textes des chants de -01 et -02; -04 =1'00, reprise du chant -02; -05 =1'28, reprise du chant -01; -06 = 1'27, récitation du texte d'un autre chant par un H, puis exécution de ce chant• LAMBERT,JEAN; YAMMINE,HABIB 195 7 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :07-07 BM.1986.001.001/10:07-07 00:10:45 9/85 YEMEN REGION DE AL AHJUR, AL MAHJAR ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 AIR DE LA DANSE LU'BA Sous-table non exportée LU'BA Sous-table non exportée Air de la danse lu'ba (= "jeu")• Le tbr TABL est tenu horizontalement, il est joué par l'un des chanteurs. Le disque SAHN est un plateau métallique battu avec une baguette métallique, joué par l'autre chanteur• LAMBERT,JEAN; YAMMINE,HABIB 1985 7 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :08-01>03 BM.1986.001.001/10:08-01>03 00:22:43 9/85 YEMEN REGION DE AL AHJUR, AL MAHJAR ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 MUSIQUE DE MARIAGE Sous-table non exportée LU'BA Sous-table non exportée Airs de la danse lu'ba (= "jeu")• Le tbr TABL est tenu horizontalement, il est joué par l'un des chanteurs. Le disque SAHN est un plateau métallique battu avec une baguette métallique, joué par l'autre chanteur. Durée des pièces: -01 =6'10; -02 =8'23; -03 =8'10• LAMBERT,JEAN; YAMMINE,HABIB 1985 8 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :09-01>02 BM.1986.001.001/10:09-01>02 00:19:11 9/85 YEMEN REGION DE AL AHJUR, HUSN ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 MUSIQUE DE MARAIGE Sous-table non exportée LU'BA Sous-table non exportée Airs de la danse lu'ba (="jeu")• Le tbr TABL est tenu horizontalement, il est joué par l'un des chanteurs. Le disque SAHN est un plateau métallique battu avec une baguette métallique, joué par l'autre chanteur/ Durée des pièces: -01 =8'19; -02 = 10'52. La fin de la bande originale est vierge• LAMBERT,JEAN; YAMMINE,HABIB 1985 ASIE +BM.1986.001 Divers* BM.1986.001.001/10 :10-01>02 BM.1986.001.001/10:10-01>02 00:00:00 9/85 YEMEN REGION DE AL AHJUR, AL HUSN ARABES LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 MUSIQUE DE MARIAGE Sous-table non exportée LU'BA Sous-table non exportée Airs de la danse lu'ba (= "jeu")• Le tbr TABL est tenu horizontalement, il est joué par l'un des chanteurs. Le disque SAHN est un plateau métallique battu avec une baguette métallique, joué par l'autre chanteur. Détails des pièces : -01 =9'12, au début accordage du mizmar; -02 =8'10, incident au début de l'enreg., arrêt du micro pendant 0'13", pui suite normale en stéréo• LAMBERT,JEAN; YAMMINE,HABIB 1985 ASIE +BM.986.002 Ø18;²19;PPS;LD BM.986.002.001/06 :01-01 BM.986.002.001/06:01-01 00:00:00 YEMEN REP. DEMOCRATIQUE YEMEN DU SUD N Sous-table non exportée Sous-table non exportée LAMBERT,JEAN; YAMMINE,HABIB 1985 0 ASIE +BM.986.003 Divers* BM.986.003.001/04 :01-01 BM.986.003.001/04:01-01 00:00:00 BRESIL BRESIL:TRUMAI N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +BM.986.004 K7 BM.986.004.001/06 :01-01 BM.986.004.001/06:01-01 00:00:00 TAIWAN TAIWAN (M.TRAD., CONCERTS) N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.005 ØGF;²19;PPM;LD BM.986.005.001 :01-01 BM.986.005.001:01-01 00:00:00 INDONESIE CONCERT PAR LE GR. DE GAMELAN DU MH N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +BM.986.006 ØGF;²19;PPM;SD BM.986.006.001 :01-01 BM.986.006.001:01-01 00:00:00 IRAN IRAN[COPIE DI. 78T DU DPT] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.007 ØGF;²19;PPM BM.986.007.001 :01-01 BM.986.007.001:01-01 00:00:00 INDONESIE;TIMOR INDONESIE;TIMOR:BUNAQ N Sous-table non exportée Sous-table non exportée 1973 0 ASIE +BM.986.008 ØGF;²19;PPM BM.986.008.001/02 :01-01 BM.986.008.001/02:01-01 00:00:00 YEMEN REP. DEMOCRATIQUE YEMEN DU SUD[COPIE DI.78T DU DPT] N Sous-table non exportée Sous-table non exportée LAMBERT,JEAN; YAMMINE,HABIB -1 0 ASIE +BM.986.009 Ø13;²19;PPS BM.986.009.001/12 :01-01 BM.986.009.001/12:01-01 00:00:00 MAROC MAROC:BERBERE N Sous-table non exportée Sous-table non exportée 1984 0 AFRIQUE +BM.986.010 ØGF;²19;PPM BM.986.010.001 :01-01 BM.986.010.001:01-01 00:00:00 N "RITES DE LA MORT" [EXPO. MH] N Sous-table non exportée Sous-table non exportée 1986 N +BM.986.011 ØGF;²19;PP BM.986.011.001 :01-01 BM.986.011.001:01-01 00:00:00 N "FEMMES"[EXPO. MH] N Sous-table non exportée Sous-table non exportée 1986 N +BM.986.012 Ø18;²19;PPM BM.986.012.001 :01-01 BM.986.012.001:01-01 00:00:00 N "PLUMES"[EXPO MNHN] N Sous-table non exportée Sous-table non exportée 1986 N +BM.986.013 ØGF;²38;PPS;SD BM.986.013.001 :01-01 BM.986.013.001:01-01 00:00:00 PHILIPPINES PALAWAN PHILIPPINES:PALAWAN; 3 PIECES DE M. DE GONGS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.014 Ø13;²19;PPM BM.986.014.001 :01-01 BM.986.014.001:01-01 00:00:00 PEROU PEROU: FLUTES DE PAN EN TERRE DU DPT N Sous-table non exportée Sous-table non exportée 1986 0 AMERIQUE +BM.986.015 Ø18;²19;PPS;SD BM.986.015.001 :01-01 BM.986.015.001:01-01 00:00:00 INDE;KERALA INDE;KERALA (ENREG. ILES MALDIVES) N Sous-table non exportée Sous-table non exportée 1981 0 ASIE +BM.986.016 Divers* BM.986.016.001/02 :01-01 BM.986.016.001/02:01-01 00:00:00 TIBET TIBETAINS TIBET (INDE) [TERRAIN+PUBLICATION] N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +BM.986.017 K7 BM.986.017.001/17 :01-01 BM.986.017.001/17:01-01 00:00:00 INDONESIE;JAVA INDONESIE;JAVA, SUNDA, BALI[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.017 K7 BM.986.017.001/17 :10-01 BM.986.017.001/17:10-01 00:00:00 INDONESIE;SUNDA INDONESIE;JAVA, SUNDA, BALI[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.017 K7 BM.986.017.001/17 :14-01 BM.986.017.001/17:14-01 00:00:00 INDONESIE;BALI INDONESIE;JAVA, SUNDA, BALI[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.018 K7 BM.986.018.001 :01-01 BM.986.018.001:01-01 00:00:00 N "MUSIC COGNITION"[PUBLICATION+LIVRE] N Sous-table non exportée Sous-table non exportée -1 N +BM.986.019 ØGF;²19;PPM;SD BM.986.019.001 :01-01 BM.986.019.001:01-01 00:00:00 NIGER NIGER N Sous-table non exportée Sous-table non exportée 1968 0 AFRIQUE +BM.986.020 K7 BM.986.020.001 :01-01 BM.986.020.001:01-01 00:00:00 CHINE CHINE:MINORITE DONG N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.986.021 ØGF;²19;PPM;SD BM.986.021.001 :01-01 BM.986.021.001:01-01 00:00:00 N "LE DPT; EXPO. MUSICORA 1986" N Sous-table non exportée Sous-table non exportée 1986 N +BM.986.022 ØGF;²38;PPS;SD BM.986.022.001 :01-01 BM.986.022.001:01-01 00:00:00 ROUMANIE ROUMANIE: "M. TZIGANE & PAYSANNE" N Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +BM.986.023 ØGF;²19;PPM BM.986.023.001/05 :01-01 BM.986.023.001/05:01-01 00:00:00 ESPAGNE ESPAGNE;ANDALOUSIE[COPIE DI.78T DU DPT] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.986.024 Ø18 BM.986.024.001 :01-01 BM.986.024.001:01-01 00:00:00 ESPAGNE BALEARES ESPAGNE; BALEARES N Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 1986 0 EUROPE +BM.987.001 Ø18 BM.987.001.001/03 :01-01 BM.987.001.001/03:01-01 00:00:00 TIBET TIBET DE L'EST TIBETAINS TIBET:EPOPEE DE GE-SAR(FRAGMENT)[ORIGINAL+COPIE] N Sous-table non exportée Sous-table non exportée 1957 0 ASIE +BM.987.002 ØGF;²38;PPS;SD BM.987.002.001 :01-01 BM.987.002.001:01-01 00:00:00 BRESIL BRESIL:DEMONSTRATION ARC MUSICAL _BERIMBAU_ N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +BM.987.003 ØGF BM.987.003.001/08 :01-01 BM.987.003.001/08:01-01 00:00:00 NOUVELLE-CALEDONIE NOUVELLE-CALEDONIE:KANAK N Sous-table non exportée Sous-table non exportée 1985 0 OCEANIE +BM.987.004 ØGF;²19;PPM;SD BM.987.004.001 :01-01 BM.987.004.001:01-01 00:00:00 REP D'AFRIQUE DU SUD REP.SUD-AFRICAINE;TRANSKEI:XHOSA N Sous-table non exportée Sous-table non exportée 1979 0 AFRIQUE +BM.987.005 ØGF;²19;PPM;LD BM.987.005.001 :01-01 BM.987.005.001:01-01 00:00:00 N SELECTION DE PIECES DE DI. DU DPT N Sous-table non exportée Sous-table non exportée 1987 N +BM.987.006 Ø13;²19;PPS BM.987.006.001/10 :01-01 BM.987.006.001/10:01-01 00:00:00 ITALIE;SARDAIGNE SARDAIGNE ITALIE;SARDAIGNE N Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +BM.987.007 Ø15;²19;PP BM.987.007.001 :01-01 BM.987.007.001:01-01 00:00:00 TIBET "TRESORS DU TIBET"[EXPO MNHN] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.987.008 Ø18;²19;PPS;SD BM.987.008.001/52 :01-01 BM.987.008.001/52:01-01 00:00:00 ZAIRE ZAIRE & TOGO N Sous-table non exportée Sous-table non exportée 1984 0 AFRIQUE +BM.987.008 Ø18;²19;PPS;SD BM.987.008.001/52 :44-01 BM.987.008.001/52:44-01 00:00:00 janv.86 TOGO ZAIRE & TOGO N Sous-table non exportée Sous-table non exportée 1986 0 AFRIQUE +BM.987.009 K7 BM.987.009.001/02 :01-01 BM.987.009.001/02:01-01 00:00:00 INDONESIE INDONESIE: "CONCERT DE GAMELAN AU MH" N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +BM.987.010 ØGF;²19;PP BM.987.010.001/08 :01-01 BM.987.010.001/08:01-01 00:00:00 AZERBAIDJAN AZERBAIDJAN & IRAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.987.010 ØGF;²19;PP BM.987.010.001/08 :06-01 BM.987.010.001/08:06-01 00:00:00 IRAN AZERBAIDJAN & IRAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.987.011 Ø18;²19;PPM;SD BM.987.011.001 :01-01 BM.987.011.001:01-01 00:00:00 POLOGNE POLOGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.987.012 K7 BM.987.012.001/15 :01-01 BM.987.012.001/15:01-01 00:00:00 21-24/10/87 N SEMINAIRE EUROPEEN D'ETHNOMUSICOLOGIE.SEVRES,OCT.1987 N Sous-table non exportée Sous-table non exportée 1987 N +BM.987.013 ØGF;²38;PPS;SD BM.987.013.001/02 :01-01 BM.987.013.001/02:01-01 00:00:00 REP CENTRAFRICAINE REP.CENTRAFRICAINE: "SATIRES DE LAMADANI"[MASTER DI.] N Sous-table non exportée Sous-table non exportée 1987 0 AFRIQUE +BM.987.014 ØGF;²38;PPM;SD BM.987.014.001 :01-01 BM.987.014.001:01-01 00:00:00 PHILIPPINES PALAWAN PHILIPPINES:PALAWAN[MASTER DI.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.987.016 ØGF;²19;PPM;SD BM.987.016.001/03 :01-01 BM.987.016.001/03:01-01 00:00:00 URSS URSS[COPIE DI.] N Sous-table non exportée Sous-table non exportée 1987 0 EUROPE +BM.988.001 K7-C90 BM.988.001.001 :01-01 BM.988.001.001:01-01 00:00:00 N "L'IMPROVISATION DANS LES M. DE TRADITION ORALE" N Sous-table non exportée Sous-table non exportée -1 N +BM.988.002 ØGF;²19;PP BM.988.002.001/02 :01-01 BM.988.002.001/02:01-01 00:00:00 CHINE CHINE;PROVINCE DE SHANSI N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +BM.988.003 K7 BM.988.003.001/02 :01-01 BM.988.003.001/02:01-01 00:00:00 GAMBIE "THE MENDIKA BALAFON. AN INTRODUCTION WITH NOTATION FOR TEACHING" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.988.004 ØGF;²9.5;PP BM.988.004.001/03 :01-01 BM.988.004.001/03:01-01 00:00:00 TIBET TIBET:EPOPEE DE GE-SAR N Sous-table non exportée Sous-table non exportée 1963 0 ASIE +BM.988.005 K7-C90 BM.988.005.001 :01-01 BM.988.005.001:01-01 00:00:00 MALAYSIA MALAYSIA;SARAWAK. INDONESIE;KALIMANTAN:PUNAN N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +BM.988.005 K7-C90 BM.988.005.001 :01-02 BM.988.005.001:01-02 00:00:00 INDONESIE;BORNEO(KALIMANTAN) MALAYSIA;SARAWAK. INDONESIE;KALIMANTAN:PUNAN N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +BM.988.006 K7-C60 BM.988.006.001 :01-01 BM.988.006.001:01-01 00:00:00 INDONESIE;BALI INDONESIE;BALI: GAMELAN SELUNDING N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-01 BM.1988.007.001/12:01-01 00:00:37 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-02 BM.1988.007.001/12:01-02 00:01:16 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-03 BM.1988.007.001/12:01-03 00:01:22 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-04 BM.1988.007.001/12:01-04 00:01:07 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-05 BM.1988.007.001/12:01-05 00:01:21 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-06 BM.1988.007.001/12:01-06 00:02:11 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-07 BM.1988.007.001/12:01-07 00:00:38 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-08 BM.1988.007.001/12:01-08 00:01:20 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-09 BM.1988.007.001/12:01-09 00:01:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-10 BM.1988.007.001/12:01-10 00:00:26 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-11 BM.1988.007.001/12:01-11 00:01:23 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-12 BM.1988.007.001/12:01-12 00:00:57 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-13 BM.1988.007.001/12:01-13 00:00:37 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-14 BM.1988.007.001/12:01-14 00:01:26 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-15 BM.1988.007.001/12:01-15 00:03:09 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :01-16 BM.1988.007.001/12:01-16 00:03:56 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :02-01 BM.1988.007.001/12:02-01 00:05:15 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :02-02 BM.1988.007.001/12:02-02 00:03:15 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :02-03 BM.1988.007.001/12:02-03 00:02:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :02-04 BM.1988.007.001/12:02-04 00:02:50 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :02-05 BM.1988.007.001/12:02-05 00:00:00 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :03-01 BM.1988.007.001/12:03-01 00:08:03 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT SOLO MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :03-02 BM.1988.007.001/12:03-02 00:09:16 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT SOLO MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :03-03 BM.1988.007.001/12:03-03 00:00:49 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :03-04 BM.1988.007.001/12:03-04 00:02:41 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-01 BM.1988.007.001/12:04-01 00:04:26 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-02 BM.1988.007.001/12:04-02 00:02:51 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-03 BM.1988.007.001/12:04-03 00:01:42 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-04 BM.1988.007.001/12:04-04 00:04:56 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-05 BM.1988.007.001/12:04-05 00:00:27 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-06 BM.1988.007.001/12:04-06 00:06:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :04-07 BM.1988.007.001/12:04-07 00:01:07 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :05-01 BM.1988.007.001/12:05-01 00:09:15 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :05-02 BM.1988.007.001/12:05-02 00:08:00 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :05-03 BM.1988.007.001/12:05-03 00:06:06 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :06-01 BM.1988.007.001/12:06-01 00:05:31 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :06-02 BM.1988.007.001/12:06-02 00:06:03 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :06-03 BM.1988.007.001/12:06-03 00:12:13 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :07-01 BM.1988.007.001/12:07-01 00:04:32 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :07-02 BM.1988.007.001/12:07-02 00:14:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :07-03 BM.1988.007.001/12:07-03 00:02:52 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :07-04 BM.1988.007.001/12:07-04 00:01:53 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :08-01 BM.1988.007.001/12:08-01 00:06:26 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :08-02 BM.1988.007.001/12:08-02 00:17:21 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :09-01 BM.1988.007.001/12:09-01 00:08:32 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 TROMPES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :10-01 BM.1988.007.001/12:10-01 00:01:39 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :10-02 BM.1988.007.001/12:10-02 00:01:59 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :10-03 BM.1988.007.001/12:10-03 00:01:14 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-01 BM.1988.007.001/12:11-01 00:03:06 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN AREWE PIPO Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-02 BM.1988.007.001/12:11-02 00:00:22 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-03 BM.1988.007.001/12:11-03 00:00:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-04 BM.1988.007.001/12:11-04 00:00:44 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-05 BM.1988.007.001/12:11-05 00:00:23 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-06 BM.1988.007.001/12:11-06 00:00:40 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-07 BM.1988.007.001/12:11-07 00:01:11 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-08 BM.1988.007.001/12:11-08 00:01:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-09 BM.1988.007.001/12:11-09 00:03:40 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-10 BM.1988.007.001/12:11-10 00:01:23 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :11-11 BM.1988.007.001/12:11-11 00:04:57 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-01 BM.1988.007.001/12:12-01 00:04:30 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-02 BM.1988.007.001/12:12-02 00:01:34 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 FLUTE DE PAN Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-03 BM.1988.007.001/12:12-03 00:01:29 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT SOLO MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-04 BM.1988.007.001/12:12-04 00:00:59 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CHANT SOLO MASCULIN AREMULE Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-05 BM.1988.007.001/12:12-05 00:01:25 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-06 BM.1988.007.001/12:12-06 00:01:15 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 ACCORD DES CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-07 BM.1988.007.001/12:12-07 00:02:47 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-08 BM.1988.007.001/12:12-08 00:01:33 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-09 BM.1988.007.001/12:12-09 00:02:45 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 :12-10 BM.1988.007.001/12:12-10 00:02:12 oct-nov 87 BRESIL ETAT DE PARA,MUNICIPIO D'ALTAMIRA INDIENS OGARANG 'MA (ARARA) BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 CLARINETTES Sous-table non exportée Sous-table non exportée 1987 AMERIQUE +BM.988.008 K7 BM.988.008.001/03 :01-01 BM.988.008.001/03:01-01 00:00:00 GHANA GHANA:"DRUM GAHU.A SYSTEMATICAL METHOD FOR AN AFRICAN PERCUSSION PIECE" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.988.009 K7 BM.988.009.001/03 :01-01 BM.988.009.001/03:01-01 00:00:00 AFRIQUE "AFRIKANISCHE SAITEN INSTRUMENTE". "MUSIK IN AFRIKA" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.988.010 K7-C90 BM.988.010.001 :01-01 BM.988.010.001:01-01 00:00:00 CHINE CHINE: MINORITES[COPIE DI.] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.988.011 ØGF;²19;PPM;SD BM.988.011.001/02 :01-01 BM.988.011.001/02:01-01 00:00:00 N "L'IMPROVISATION DANS LES M. DE TRADITION ORALE"[MASTER] N Sous-table non exportée Sous-table non exportée -1 N +BM.988.012 ØGF;²19;PP BM.988.012.001/02 :01-01 BM.988.012.001/02:01-01 00:00:00 AFGHANISTAN AFGHANISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.988.013 K7-C60 BM.988.013.001 :01-01 BM.988.013.001:01-01 00:00:00 N "EUPHONIA: LA MONTAGNE. POLYPHONIE AGRO-PASTORALE"[EMISSION RADIO] N Sous-table non exportée Sous-table non exportée 1988 N +BM.988.014 Divers* BM.988.014.001/02 :01-01 BM.988.014.001/02:01-01 00:00:00 ALGERIE;HOGGAR "SAHARA"(ALGERIE;HOGGAR)[COPIE DI.] N Sous-table non exportée Sous-table non exportée 1948 0 AFRIQUE +BM.988.015 Ø13;²19;PPS BM.988.015.001/09 :01-01 BM.988.015.001/09:01-01 00:00:00 MALI TOUAREGS MALI:TOUAREG N Sous-table non exportée Sous-table non exportée Touareg Kel Ansar• 1988 0 AFRIQUE +BM.989.001 K7 BM.989.001.001/34 :01-01 BM.989.001.001/34:01-01 00:00:00 N "MUSIQUE VIVE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 N +BM.989.002 K7 BM.989.002.001/07 :01-01 BM.989.002.001/07:01-01 00:00:00 CHINE CHINE: MUSIQUE BOUDDHIQUE[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.989.003 ØGF;²19;PP BM.989.003.001/05 :01-01 BM.989.003.001/05:01-01 00:00:00 EGYPTE EGYPTE: M. COPTE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.989.004 ØGF;²19;PPM;SD BM.989.004.001/03 :01-01 BM.989.004.001/03:01-01 00:00:00 TIBET (NEPAL) TIBETAINS HELFFER,M.;TIBET; MC BOUDDHIQUE; MISSION 1983-84 N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +BM.989.005 ØGF;²19;PPM BM.989.005.001/10 :01-01 BM.989.005.001/10:01-01 00:02:30 1938-39 CHINE;MONGOLIE INTERIEURE KUEI-HUA (KHUKHU KHOTO) MONGOLS CHINE;MONGOLIE INTERIEURE "DEN GUDDOMMELIGE CHINGGIS" Sous-table non exportée Sous-table non exportée Sangen menes at stamme frakhalha Mongoliet. Choortaidaghu. VC=chanté solo homme aigu, soutenu par une voix d'homme grave• 1938 0 ASIE +BM.989.005 ØGF;²19;PPM BM.989.005.001/10 :01-02 BM.989.005.001/10:01-02 00:02:40 1938-39 CHINE;MONGOLIE INTERIEURE KUEI-HUA (KHUKHU KHOTO) MONGOLS CHINE;MONGOLIE INTERIEURE SANGENES NAVNE: 1/ DORBEN TSAG-YI.2 / COM DJANDAN. Sous-table non exportée Sous-table non exportée Flûte solo suivi par une annonce et un duo de vièle et luth. Sangene er Khalaha Sange. 1938 ASIE +BM.989.005 ØGF;²19;PPM BM.989.005.001/10 :01-03 BM.989.005.001/10:01-03 00:02:40 1938-39 CHINE;MONGOLIE INTERIEURE KUEI-HUA (KHUKHU KHOTO) MONGOLS CHINE;MONGOLIE INTERIEURE CHANT COURT Sous-table non exportée Sous-table non exportée Sangens Navn: DORBEN TSAG-YI. SAME SON III/I med sunget tekst khalha sang• 1938 ASIE +BM.989.006 K7-C90 BM.989.006.001/05 :01-01 BM.989.006.001/05:01-01 00:00:00 EGYPTE EGYPTE: M. COPTE N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +BM.989.007 K7 BM.989.007.001/02 :01-01 BM.989.007.001/02:01-01 00:00:00 FINLANDE "CHANTS LAPONS"[PUBLICATION+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.989.008 K7 BM.989.008.001 :01-01 BM.989.008.001:01-01 00:00:00 N "SELECTED REPORTS IN ETHNOMUSICOLOGY,VOL.7" N Sous-table non exportée Sous-table non exportée -1 N +BM.989.009 ØGF;²19;PPM;SD BM.989.009.001 :01-01 BM.989.009.001:01-01 00:00:00 INDE COPIE DI.:"ECHOES OF A GOLDEN VOICE. KHAN SAHIB ABDUK KARIM KHAN" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.989.010 K7-C60 BM.989.010.001/03 :01-01 BM.989.010.001/03:01-01 00:00:00 MONGOLIE (REP POPU) "LE CHANT DIPHONIQUE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +BM.989.010 K7-C60 BM.989.010.001/03 :01-02 BM.989.010.001/03:01-02 00:00:00 URSS;RA TOUVA "LE CHANT DIPHONIQUE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +BM.989.010 K7-C60 BM.989.010.001/03 :01-03 BM.989.010.001/03:01-03 00:00:00 INDE;RAJASTHAN "LE CHANT DIPHONIQUE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +BM.989.010 K7-C60 BM.989.010.001/03 :01-04 BM.989.010.001/03:01-04 00:00:00 REP D'AFRIQUE DU SUD "LE CHANT DIPHONIQUE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 0 AFRIQUE +BM.989.010 K7-C60 BM.989.010.001/03 :01-05 BM.989.010.001/03:01-05 00:00:00 TIBET "LE CHANT DIPHONIQUE"[RADIO] N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +BM.990.001 K7 BM.990.001.001/13 :01-01 BM.990.001.001/13:01-01 00:00:00 N "MUSIQUE VIVE"[RADIO] N Sous-table non exportée Sous-table non exportée -1 N +BM.990.002 K7 BM.990.002.001 :01-01 BM.990.002.001:01-01 00:00:00 CHINE CHINE "MUSIQUE DE LA DYNASTIE DES TANG" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.990.003 K7 BM.990.003.001/02 :01-01 BM.990.003.001/02:01-01 00:00:00 N VISITE DU "SALON DE MUSIQUE" PAR G. DOURNON N Sous-table non exportée Sous-table non exportée 1990 N +BM.990.004 K7-C90 BM.990.004.001/03 :01-01 BM.990.004.001/03:01-01 00:00:00 N "ORGANOLOGIE"(SEMINAIRE UPR165) PAR G.DOURNON,S.FURNISS,M-B. LE GONIDEC N Sous-table non exportée Sous-table non exportée 1990 N +BM.990.005 K7 BM.990.005.001 :01-01 BM.990.005.001:01-01 00:00:00 N "SELECTED REPORTS IN ETHNOMUSICOLOGY,VOL.7"[PUBLICATION] N Sous-table non exportée Sous-table non exportée -1 N +BM.990.006 K7 BM.990.006.001 :01-01 BM.990.006.001:01-01 00:00:00 REP D'AFRIQUE DU SUD REP. SUDAFRICAINE: "XHOSA MUSIC"[PUBLICATION+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.990.007 K7 BM.990.007.001/02 :01-01 BM.990.007.001/02:01-01 00:00:00 TURQUIE "SANGER & POETEN MIT DER LAUTE.TURKISCHE ASIK & OZAN"[PUBL.+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +ARCOS-2 K7 BM.990.008.001 :01-01 BM.990.008.001:01-01 00:00:00 ILES CAROLINES "CALL OF THE MORNING BIRD.CHANTS & SONGS OF PALAU,YAP & PONAPE"[PUBLICATION] N Sous-table non exportée Sous-table non exportée 1936 0 OCEANIE +BM.990.009 K7 BM.990.009.001 :01-01 BM.990.009.001:01-01 00:00:00 ALGERIE;HOGGAR "DIE IMZAD-MUSIK DER KEL-AHAGGAR-FRAUEN IN SUD-ALGERIEN"[PUBLI.+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.990.010 K7-C90 BM.990.010.001 :01-01 BM.990.010.001:01-01 00:00:00 INDONESIE;SUNDA "SUNDANESE MUSIC IN THE CIANJURAN STYLE"[PUBLI.+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.991.001 ØGF;²19;PPM;SD BM.991.001.001/12 :01-01 BM.991.001.001/12:01-01 00:00:00 INDONESIE;BALI INDONESIE;BALI[COPIE DE 2 COLL. DEPOSEES] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.991.002 Ø13&GF BM.991.002.001/32 :01-01 BM.991.002.001/32:01-01 00:00:00 N COPIE DE DI.PYRAL DU DPT N Sous-table non exportée Sous-table non exportée -1 N +BM.991.003 K7-C90 BM.991.003.001/15 :01-01 BM.991.003.001/15:01-01 00:00:00 EGYPTE EGYPTE: M. COPTE N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +BM.991.004 Ø13;²19;PPM BM.991.004.001/05 :01-01 BM.991.004.001/05:01-01 00:00:00 YEMEN REPUBLIQUE DEMOCRATIQUE YEMEN DU SUD N Sous-table non exportée Sous-table non exportée LAMBERT,JEAN; YAMMINE,HABIB 1990 0 ASIE +BM.991.005 Ø18;²19;PPM BM.991.005.001 :01-01 BM.991.005.001:01-01 00:00:00 N VIETNAM VIETNAM. SOLO DE MONOCORDE PAR MLE QUYNH HANH N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +BM.1991.006 Divers* BM.1991.006.001/06 :01-01 BM.1991.006.001/06:01-01 00:00:00 N TOGO LAMA-KARA KABRE TOGO. PIERRE SALLEE. 1963 MESSAGE EN LANGAGE SIFFLE PUIS CHANTE Sous-table non exportée Sous-table non exportée AFTC = sifflets en bois• SALLEE,PIERRE 1962 ATP.63.1-01/N AFRIQUE +BM.991.007 K7-C90 BM.991.007.001 :01-01 BM.991.007.001:01-01 00:00:00 PEROU "MUSIC & DANCE OF INDIANS & MESTIZOS IN AN ANDEAN VALLEY OF PERU"[+LI.] N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.991.008 K7-C90 BM.991.008.001 :01-01 BM.991.008.001:01-01 00:00:00 N "OCCASIONAL PAPERS IN PACIFIC ETHNOMUSICOLOGY"[+LIVRE] N Sous-table non exportée Sous-table non exportée -1 N +BM.991.009 ØGF;²19;PPM;SD BM.991.009.001/21 :01-01 BM.991.009.001/21:01-01 00:00:00 NEPAL NEPAL[COPIE DE 2 COLL. DEPOSEES] N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +BM.991.010 K7 BM.991.010.001/04 :01-01 BM.991.010.001/04:01-01 00:00:00 INDONESIE;BALI "BALI ABIANBASE"[+LIVRE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.992.001 K7 BM.992.001.001/03 :01-01 BM.992.001.001/03:01-01 00:00:00 CHINE CHINE: OPERA JINGXI[EX. ACCOMPAGNE THESE] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-01 BM.1992.002.001:01-01 00:01:26 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée * Sanwara Tintiro. SD = bruit de la meule• 1991 0 2,A AFRIQUE +BM.992.003 Divers* BM.992.003.001/41 :01-01 BM.992.003.001/41:01-01 00:00:00 N FONDS C. BRAILOIU N Sous-table non exportée Sous-table non exportée -1 N +BM.992.004 ØGF;²19;PPS;SD BM.992.004.001/04 :01-01 BM.992.004.001/04:01-01 00:00:00 TURQUIE TURQUIE, REGION DU SUD-OUEST N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +BM.992.005 K7 BM.992.005.001 :01-01 BM.992.005.001:01-01 00:00:00 ALGERIE;KABYLIE ALGERIE[EX. ACCOMPAGNE THESE] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-01 BM.1992.006.001/04:01-01 00:20:55 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une congrérie kabyle en Kabyle / saturé (début) par moments, déséquilibre entre les deux choeurs• MAHFOUFI,MEHENNA 1991 31-8-91,I AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-02 BM.1992.006.001/04:01-02 00:04:19 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une congrérie kabyle en Kabyle / saturé (début) par moments, déséquilibre entre les deux choeurs. Fin de la pièce -01• MAHFOUFI,MEHENNA 1991 31-8-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-03 BM.1992.006.001/04:01-03 00:09:44 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée VP= Récité par 8 imams, versets coraniques• MAHFOUFI,MEHENNA 1991 31-8-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-04 BM.1992.006.001/04:01-04 00:05:14 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle. Saturé (début) par moments, déséquilibre entre les deux choeurs• MAHFOUFI,MEHENNA 1991 31-8-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-05 BM.1992.006.001/04:01-05 00:05:45 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Fin de la pièce IV. 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle Saturé (début) par moments, déséquilibre entre les deux choeurs• MAHFOUFI,MEHENNA 1991 31-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-06 BM.1992.006.001/04:01-06 00:10:07 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle. Enchainé au précédent• MAHFOUFI,MEHENNA 1991 31-8-91 AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :01-07 BM.1992.006.001/04:01-07 00:12:31 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle. VP= conversation à la fin, 0'24. Manque le début.• MAHFOUFI,MEHENNA 1991 31-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-01 BM.1992.006.001/04:02-01 00:08:43 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle. Saturé. Original = 9,5 cm/s.• MAHFOUFI,MEHENNA 1991 31-8-91,IV-II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-02 BM.1992.006.001/04:02-02 00:08:02 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Chant d'une confrérie kabyle en Kabyle. Incomplet. Moins saturée Original = 9.5 cm/s• MAHFOUFI,MEHENNA 1991 31-8-91, IV-II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-03 BM.1992.006.001/04:02-03 00:08:10 31/08/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée VC-...= 2 CHR alternés de 10 et 10 F Chant de veillée mortuaire/extrait. Bruits de camions sur l'original• MAHFOUFI,MEHENNA 1991 31-8-91,V AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-04 BM.1992.006.001/04:02-04 00:02:06 01/09/1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée 2CHR ALTRENÉS= chanteurs non initiés. Cortège funèbre vers la tombe. Extrait• MAHFOUFI,MEHENNA 1991 1-9-91 AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-05 BM.1992.006.001/04:02-05 00:04:55 01/09 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée VP= Récité choeur H (Imams). Versets coraniques. Extrait• MAHFOUFI,MEHENNA 1991 1-9-91 AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-06 BM.1992.006.001/04:02-06 00:05:00 aout 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 RITUEL DE VEILLEE MORTUAITRE POUR UNE FEMME Sous-table non exportée Sous-table non exportée VP-CHR H= Récité choeur H (Imams). Versets coraniques. VP-SOLO & CHR H= déclamé solo H par le doyen des imams et répons choeur H. Fin de récitation des versets coraniques enchainée aux imprécations bénéfiques.• MAHFOUFI,MEHENNA 1991 1-9-91 AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-07 BM.1992.006.001/04:02-07 00:23:05 aout 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE LOUANGE POUR UNE NAISSANCE Sous-table non exportée Sous-table non exportée Chant de louange pour une naissance, dernière strophe incomplète; enreg. hors situation; saturé de 15' à 15'20.• MAHFOUFI,MEHENNA 1991 27-8-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :02-08 BM.1992.006.001/04:02-08 00:07:58 aout 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 JOUTE ENTRE BRUS ET BELLES-MERES Sous-table non exportée Sous-table non exportée IFC= jerrican. N.B. Total de bande = 68' • MAHFOUFI,MEHENNA 1991 27-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-01 BM.1992.006.001/04:03-01 00:06:26 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE LOUANGE... ; AUTRE CHANT* Sous-table non exportée Sous-table non exportée *Chant de louange pour une naissance, puis début d'un autre chant shunté; enreg. hors situation. N.B sur la copie archivée: amorce jaune à chaque changement de bobine originale• MAHFOUFI,MEHENNA 1991 27-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-02 BM.1992.006.001/04:03-02 00:01:56 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE LOUANGE...* Sous-table non exportée Sous-table non exportée Chant de louange pour une naissance[?]. Enchaîné au chant suivant• MAHFOUFI,MEHENNA 1991 27-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-03 BM.1992.006.001/04:03-03 00:00:47 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE CLOTURE DU RITUEL Sous-table non exportée Sous-table non exportée Chant de cloture du rituel, enchaîné au précédent; incomplet. IFC= jerrican • MAHFOUFI,MEHENNA 1991 27-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-04 BM.1992.006.001/04:03-04 00:19:00 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT SUR LA GUERRE D'ALGERIE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Chanté 3 F= organisées en deux duo. Chant de F sur la guerre d'Algerie au village de Aït-Issaad • MAHFOUFI,MEHENNA 1991 27-8-91, IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-05 BM.1992.006.001/04:03-05 00:03:33 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT SUR LA GUERRE D'ALGERIE Sous-table non exportée Sous-table non exportée Enreg sur demande• Chanté 3 F= organisées en deux duo. Chant de F sur la guerre d'Algerie • MAHFOUFI,MEHENNA 1991 27-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-06 BM.1992.006.001/04:03-06 00:03:25 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT RELIGIEUX "ADEKKER" Sous-table non exportée Sous-table non exportée Enreg sur demande• Chanté 3 F= organisées en deux duo. • MAHFOUFI,MEHENNA 1991 30-8-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-07 BM.1992.006.001/04:03-07 00:02:23 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE LOUANGE° Sous-table non exportée Sous-table non exportée Sans doute, enreg. Hors Situation• °pour le hénné de marié ou de circoncis. COPIE filtrée avec Elison • MAHFOUFI,MEHENNA 1991 30-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-08 BM.1992.006.001/04:03-08 00:04:50 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT° Sous-table non exportée Sous-table non exportée ° sur le frère de la chanteuse, héros de la guerre d'Algérie • MAHFOUFI,MEHENNA 1991 30-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-09 BM.1992.006.001/04:03-09 00:03:20 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 POEME DECLAME Sous-table non exportée Sous-table non exportée poéme dit lors du rituel du hénné du marié ou du circoncis. Sans doute enreg. Hors Situation• Déclamé solo, ° de Iaaguachène (Aghrib), 80 ans • MAHFOUFI,MEHENNA 1991 30-8-91,III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-10 BM.1992.006.001/04:03-10 00:03:30 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT RELIGIEUX ADEKKER Sous-table non exportée Sous-table non exportée Copie filtrée Elison. °de Iaaguachéne (Aghrib) 80 ans • MAHFOUFI,MEHENNA 1991 30-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-11 BM.1992.006.001/04:03-11 00:01:59 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT RELIGIEUX ADEKKER Sous-table non exportée Sous-table non exportée Copie filtrée Elison. ° de Iaaguachène (Aghrib) 80 ans • MAHFOUFI,MEHENNA 0 30-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-12 BM.1992.006.001/04:03-12 00:01:08 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT RELIGIEUX ADEKKER Sous-table non exportée Sous-table non exportée Copie filtrée Elison. Chant de cortège funèbre vers la tombe, version actuelle puis version ancienne • MAHFOUFI,MEHENNA 1991 30-8-91,IV AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-13 BM.1992.006.001/04:03-13 00:02:02 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT D'ABILLAGE DE LA MARRIEE Sous-table non exportée Sous-table non exportée MAHFOUFI,MEHENNA 1991 1-9-91,BI AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-14 BM.1992.006.001/04:03-14 00:02:08 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT D'ARRIVEE DE LA MARRIEE Sous-table non exportée Sous-table non exportée MAHFOUFI,MEHENNA 1991 1-9-91, BI AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-15 BM.1992.006.001/04:03-15 00:06:28 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT D'HABILLAGE LA MARRIEE° Sous-table non exportée Sous-table non exportée °le lendemain de son arrivée chez son époux. Youyou saturés à la fin• MAHFOUFI,MEHENNA 1991 1-9-91, BI AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :03-16 BM.1992.006.001/04:03-16 00:01:06 aout,septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE POSE DE LA CEINTURE DE LA MARRIEE Sous-table non exportée Sous-table non exportée N.B = total de la bande : 64'42• MAHFOUFI,MEHENNA 1991 1-9-91, BI AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-01 BM.1992.006.001/04:04-01 00:02:10 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE PROPITIATION * Sous-table non exportée Sous-table non exportée * du début d'une fête familiale. Suite de chants, sans doute enchaînés• N.B. sur la copie archivée: amorce jaune à chaque changement de bobine originale• MAHFOUFI,MEHENNA 1991 21-9-91, II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-02 BM.1992.006.001/04:04-02 00:01:20 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE L'ESCARGOT Sous-table non exportée Sous-table non exportée Fête familiale. Suite de chants, sans doute enchaînés• MAHFOUFI,MEHENNA 1991 21-1-91,II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-03 BM.1992.006.001/04:04-03 00:00:42 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE LOUANGE DE LA MARIEE FETE FAMILIALE. SUITE DE CHANTS, SANS DO Sous-table non exportée Sous-table non exportée Fête familiale. Suite de chants, sans doute enchaînés• MAHFOUFI,MEHENNA 1991 21-9-91, II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-04 BM.1992.006.001/04:04-04 00:10:25 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT D'EVOCATION AMOUREUSE Sous-table non exportée Sous-table non exportée Fête familiale. Suite de chants, sans doute enchaînés• Plusieurs reprises• MAHFOUFI,MEHENNA 1991 21-9-91, II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-05 BM.1992.006.001/04:04-05 00:01:56 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 POEMES SUR LA GUERRE Sous-table non exportée Sous-table non exportée VP = déclamé• MAHFOUFI,MEHENNA 1991 21-9-91, II AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-06 BM.1992.006.001/04:04-06 00:10:04 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 CHANT DE VEILLEE MORTUAIRE Sous-table non exportée Sous-table non exportée Copie: voie droite filtrée Elison• MAHFOUFI,MEHENNA 1991 1-9-91, III AFRIQUE +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 :04-07 BM.1992.006.001/04:04-07 00:07:57 septembre 1991 ALGERIE;KABYLIE GDE KABYLIE,AIT-ISSAAD ,APC DE IFIGHA BERBERES ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 BERCEUSE Sous-table non exportée Sous-table non exportée * par une femme originaire du village Ait-Zellal• N.B. Total bande = 35'30• MAHFOUFI,MEHENNA 1991 1-9-91, IV AFRIQUE +BM.992.007 K7 BM.992.007.001 :01-01 BM.992.007.001:01-01 00:00:00 MEXIQUE MEXIQUE: "BANDA DE TOTONTEPEC. MIXES. OAXACA" N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.992.008 Ø13;²19;PPM BM.992.008.001 :01-01 BM.992.008.001:01-01 00:00:00 BRESIL BRESIL;ETAT DE AMAZONE:SATERE-MAWE N Sous-table non exportée Sous-table non exportée PENNIGTON,DAVID 1983 0 AMERIQUE +BM.992.009 Ø18 BM.992.009.001 :01-01 BM.992.009.001:01-01 00:00:00 REP D'AFRIQUE DU SUD "HOW MUSICAL IS MAN?" & "VENDA CHILDREN'S SONGS" N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BM.992.010 ØGF;²19;PPS;SD BM.992.010.001/10 :01-01 BM.992.010.001/10:01-01 00:00:00 TIBET (INDE) TIBETAINS HELFFER,M.;TIBET:REPERTOIRE BOUDDHIQUE.CHANTS DE L'AMDO;MISSION 1973-74 N Sous-table non exportée Sous-table non exportée 1973 0 ASIE +BM.992.011 ØGF BM.992.011.001/03 :01-01 BM.992.011.001/03:01-01 00:00:00 ALGERIE;KABYLIE ALGERIE;GRANDE KABYLIE N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +BM.992.012 K7 BM.992.012.001 :01-01 BM.992.012.001:01-01 00:00:00 MEXIQUE MEXIQUE: "RECORDAR ES VIVIR. BANDE DE STA CATARINA ALBARRADAS. OAXACA" N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.992.013 K7 BM.992.013.001 :01-01 BM.992.013.001:01-01 00:00:00 FRANCE;CORSE "CONTRIBUTIONS AUX RECHERCHES SUR LE CHANT CORSE" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.992.014 Divers* BM.992.014.001/02 :01-01 BM.992.014.001/02:01-01 00:00:00 EQUATEUR EQUATEUR:SHUAR N Sous-table non exportée Sous-table non exportée 1991 0 AMERIQUE +BM.992.015 ØGF;²19;PPM;SD BM.992.015.001/06 :01-01 BM.992.015.001/06:01-01 00:00:00 ALBANIE ALBANIE. TYPOLOGIE DES POLYPHONIES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.992.016 K7-C90 BM.992.016.001 :01-01 BM.992.016.001:01-01 00:00:00 URSS URSS: JEU DE LA COLL. DES INSTRUMENTS DE M. N°999.41 N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.992.017 K7 BM.992.017.001 :01-01 BM.992.017.001:01-01 00:00:00 BULGARIE "DIE BULGARISCHEN VOLKMUSIKINSTRUMENTE" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.992.018 K7x2-Coffret BM.992.018.001/02 :01-01 BM.992.018.001/02:01-01 00:00:00 CANADA NORD INUIT MUSICHE DELLA AMERICA INDIGENA [PUBLICATION] N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM.992.018 K7x2-Coffret BM.992.018.001/02 :01-02 BM.992.018.001/02:01-02 00:00:00 CANADA MUSICHE DELLA AMERICA INDIGENA [PUBLICATION] N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM.992.018 K7x2-Coffret BM.992.018.001/02 :01-03 BM.992.018.001/02:01-03 00:00:00 USA MUSICHE DELLA AMERICA INDIGENA [PUBLICATION] Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM.992.018 K7x2-Coffret BM.992.018.001/02 :01-04 BM.992.018.001/02:01-04 00:00:00 MEXIQUE MUSICHE DELLA AMERICA INDIGENA [PUBLICATION] N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM.993.001 ØGF;²9.5;PP BM.993.001.001 :01-01 BM.993.001.001:01-01 00:00:00 INDE;ANDHRA PRADESH INDE;ANDHRA PRADESH,EAST GODAVERI DST.,PEDDDAPURAM N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-01 BM.993.002.001:01-01 00:04:12 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA SURAT DU CORAN "YASIN" Sous-table non exportée Sous-table non exportée VC- :F de 73 ans ?• SULTANOVA,ROSIA 1992 RELIGIEUX 0 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-02 BM.993.002.001:01-02 00:03:46 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA ,REGION ANDIZAN* OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHAZEL DE MASHARAB** MASHARAB Sous-table non exportée GHAZEL Sous-table non exportée * village de Doudour **poète du XVIIe s ***Otin-oy = musicienne professionnelle• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-03 BM.993.002.001:01-03 00:04:04 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN* OUZBEKS UZBEKISTAN;VALLEE DE FERGANA EPOPEE SUR SOFI MAKSHIBANDI** Sous-table non exportée Sous-table non exportée *village Boutacora **fondateur du sufisme à boukhara ***f de 77 et 66 ans• SULTANOVA,ROSIA 1992 EPIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-04 BM.993.002.001:01-04 00:08:23 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA CHANT RELIGIEUX SUR LA NAISSANCE DU PROPHETE Sous-table non exportée NAHT Sous-table non exportée *chantéen Zhak• SULTANOVA,ROSIA 1992 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-05 BM.993.002.001:01-05 00:02:17 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA POEME DE AHMAD YASAVI* AHMAD YASAVI Sous-table non exportée MOURRABA Sous-table non exportée *poète du XIIe s• SULTANOVA,ROSIA 1992 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-06 BM.993.002.001:01-06 00:02:47 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA PRIERE FUNEBRE ANTALYHO Sous-table non exportée Sous-table non exportée SULTANOVA,ROSIA 1992 RELIGIEUX ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-07 BM.993.002.001:01-07 00:07:29 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA CHANT DE FECONDITE MALIKA ASKAROVA Sous-table non exportée Sous-table non exportée SULTANOVA,ROSIA 1992 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-08 BM.993.002.001:01-08 00:02:35 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHUGEL DE MASHRAB Sous-table non exportée Sous-table non exportée SULTANOVA,ROSIA 1992 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-09 BM.993.002.001:01-09 00:09:58 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA EPOPEE "SER-MALAK"* Sous-table non exportée Sous-table non exportée * sur le prophète Mahomed et Husain El Hassan• SULTANOVA,ROSIA 1992 EPIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-10 BM.993.002.001:01-10 00:03:41 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA,REGION ANDIZAN* OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHAZEL DE HUVAISO** Sous-table non exportée GHAZEL Sous-table non exportée * village de Doudour ** poète du XVIIIe s• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-11 BM.993.002.001:01-11 00:01:18 mars-juillet REP. OUZBEKISTAN VALLEE DE FARGANA,REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHAZEL DE HUVAISO HUVAISO Sous-table non exportée GHAZEL Sous-table non exportée *grand-mère de Malika qui est une otin-oy (=musicienne professionnelle)• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-12 BM.993.002.001:01-12 00:02:35 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA POEME DE AHMAD YASABI AHMAD YASAVI Sous-table non exportée HIKMET Sous-table non exportée SULTANOVA,ROSIA 1992 ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-13 BM.993.002.001:01-13 00:05:53 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHAZAL DE ZAVKI Sous-table non exportée GHAZAL Sous-table non exportée enregistré à la radio uzbekistan• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-14 BM.993.002.001:01-14 00:04:01 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA GHAZAL DE ZAVKI ZAVSKI Sous-table non exportée GHAZAL Sous-table non exportée enregistré à la radio uzbekistan• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.002 CDR+Ø* BM.993.002.001 :01-15 BM.993.002.001:01-15 00:08:29 mars-juillet REP. OUZBEKISTAN VALLEE DE FERGANA, REGION ANDIZAN OUZBEKS UZBEKISTAN;VALLEE DE FERGANA "MOUNODJAT" GHAZAL DE MAVOIY MAVOIY Sous-table non exportée GHAZAL Sous-table non exportée enregistré à la radio uzbekistan• SULTANOVA,ROSIA 1992 LYRIQUE ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :01-01 BM.993.003.001/05:01-01 00:00:00 Août-Oct.1991 INDONESIE;CELEBES(SULAWESI) SA'DAN TORAJA INDONESIE;SULAWESI;FLORES;SUMBAWA N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :02-10 BM.993.003.001/05:02-10 00:00:00 Août-Oct.1991 INDONESIE;CELEBES(SULAWESI) BUGIS INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1991 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :03-06 BM.993.003.001/05:03-06 00:00:00 Août-Oct.1991 INDONESIE;CELEBES(SULAWESI) KAJANG MAKASSAR INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1991 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :04-01 BM.993.003.001/05:04-01 00:00:00 Août-Oct.1991 INDONESIE;CELEBES(SULAWESI) SULAWESI SUD-EST TOLAKI INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1991 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :04-06 BM.993.003.001/05:04-06 00:00:00 Août-Oct.1991 INDONESIE;CELEBES(SULAWESI) SULAWESI CENTRE PAMONA INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1991 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :04-13 BM.993.003.001/05:04-13 02:35:00 aout-sept.1992 INDONESIE;FLORES TANA 'AI INDONESIE;SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée RAPPOPORT,DANA Austronésie 1991 0 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :05-04 BM.993.003.001/05:05-04 00:00:00 Août-Sept.1992 INDONESIE;FLORES NGADAS INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1992 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :05-08 BM.993.003.001/05:05-08 00:00:00 Août-Sept.1992 INDONESIE;FLORES MANGGARAIS INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1992 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :05-14 BM.993.003.001/05:05-14 00:00:00 Août-Sept.1992 INDONESIE;SUMBAWA DONGGO INDONESIE;SULAWESI;FLORES;SUMBAWA N Sous-table non exportée Sous-table non exportée RAPPOPORT,DANA 1992 0 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :05-15 BM.993.003.001/05:05-15 00:00:00 Août-Sept.1992 INDONESIE;SUMBAWA BAJAU INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1992 ASIE +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 :05-16 BM.993.003.001/05:05-16 00:00:00 Août-Sept.1992 INDONESIE;SUMBAWA BIMA INDONESIE:SULAWESI;FLORES;SUMBAWA Sous-table non exportée Sous-table non exportée 1992 ASIE +BM.993.004 ØGF;²19;PPS;SD BM.993.004.001/02 :01-01 BM.993.004.001/02:01-01 00:00:00 MALAYSIA MALAYSIA;MALAISIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.993.005 ØGF;²19;PPS;SD BM.993.005.001/04 :01-01 BM.993.005.001/04:01-01 00:00:00 PARAGUAY PARAGUAY N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.993.006 ØGF;²9.5;PP BM.993.006.001/04 :01-01 BM.993.006.001/04:01-01 00:00:00 CAMEROUN CAMEROUN;DOUALA: 2 RECITS EPIQUES "DJEKI-LA-NJAMBI" N Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +BM.993.007 ØGF;²19;PPM;SD BM.993.007.001 :01-01 BM.993.007.001:01-01 00:00:00 CAMEROUN "RECIT EPIQUE DJEKI-LA NJAMBI..." N Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +BM.993.008 ØGF;²19;PPM;SD BM.993.008.001/05 :01-01 BM.993.008.001/05:01-01 00:00:00 VIETNAM VIETNAM: COPIE DI.78T DU DPT N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.993.009 K7 BM.993.009.001 :01-01 BM.993.009.001:01-01 00:00:00 VIETNAM VIETNAM: COPIE DES CYLINDRES EXPO UNIVERSELLE 1900 N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +BM.993.010 K7 BM.993.010.001/03 :01-01 BM.993.010.001/03:01-01 00:00:00 TIBET TIBET[COPIE K7 PUBLIEES] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.993.011 K7-C60 BM.993.011.001 :01-01 BM.993.011.001:01-01 00:00:00 IRAN IRAN: ZURKHANE, DIR. MORCHED FARAMARZ NADJAFI TEHERANI N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +BM.993.012 K7 BM.993.012.001/03 :01-01 BM.993.012.001/03:01-01 00:00:00 TAIWAN "M. DE TAIWAN". "PIPA SOLO". "ZELTA KOLKES. LATVIAN TRAD. INSTRUM. M." N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM.993.012 K7 BM.993.012.001/03 :03-01 BM.993.012.001/03:03-01 00:00:00 URSS;RSS LETTONIE "M. DE TAIWAN". "PIPA SOLO". "ZELTA KOLKES. LATVIAN TRAD. INSTRUM. M." N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.993.013 K7 BM.993.013.001/03 :01-01 BM.993.013.001/03:01-01 00:00:00 TCHECOSLOVAQUIE "MY FATHER'S GOT A BAGPIPE". "TDZ VOLKSMUSIKI OSTERREICH,VOL 1 & 2" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.993.013 K7 BM.993.013.001/03 :02-01 BM.993.013.001/03:02-01 00:00:00 AUTRICHE "MY FATHER'S GOT A BAGPIPE". "TDZ VOLKSMUSIKI OSTERREICH,VOL 1 & 2" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +BM.993.014 ØGF;²19;PPS;SD BM.993.014.001 :01-01 BM.993.014.001:01-01 00:00:00 Août EQUATEUR REGION DE CASCALES (NE), CENTRE " TARUKA" SHUAR EQUATEUR:SHUAR N Sous-table non exportée Sous-table non exportée Solo vocal SALIVAS,PIERRE 1993 0 AMERIQUE +BM.993.015 DAT BM.993.015.001 :01-01 BM.993.015.001:01-01 00:00:00 EX YOUGOSLAVIE;MACEDONIE MACEDOINE-1990 N Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 1990 0 EUROPE +BM.993.016 DAT BM.993.016.001/02 :01-01 BM.993.016.001/02:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE;SARDAIGNE. CONFRERERIE DE LA STA CROCE[CONCERT ST JULIEN LE PAUVRE,PARIS] N Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B.;PITOEFF,P. 1991 0 EUROPE +BM.993.017 DAT BM.993.017.001 :01-01 BM.993.017.001:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE;SARDAIGNE 1992 N Sous-table non exportée Sous-table non exportée LORTAT-JACOB,BERNARD 1992 0 EUROPE +BM.994.001 Divers* BM.994.001.001/02 :01-01 BM.994.001.001/02:01-01 00:02:29 août 1993 BOLIVIE ETAT DE BENI,VILLAGE ALTO IVON CHACOBO BOLIVIE:CHACOBO AMBIANCE CAMPEMENT Sous-table non exportée Sous-table non exportée Rire BEAUDET,JEAN-MICHEL G:Amazonie; L:Pano 1993 0 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-02 BM.994.001.001/02:01-02 00:06:20 aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO 10 CHANTS DE CHASSE AVEC DES EXPLICATIONS Sous-table non exportée Sous-table non exportée Chaque chant dure environ 10 secondes, précédé et suivi de commentaires• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-03 BM.994.001.001/02:01-03 00:12:17 aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO 11 CHANTS DE CHASSE AVEC DES EXPLICATIONS Sous-table non exportée Sous-table non exportée Chaque chant dure environ 10 secondes• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-04 BM.994.001.001/02:01-04 00:07:27 Aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO COMMENTAIRES SUR LA MUSIQUE DE FLUTES DE PAN Sous-table non exportée Sous-table non exportée 1) Commentaires sur la musique de flûtes de pan, surtout sur les titres des pièces. 2)La vitesse de l'enregistrement change: 9,5 cm/s• = G:AMAZONIE; L:PANO 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-05 BM.994.001.001/02:01-05 00:01:27 aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO ESSAIS DE L'ORCHESTRE DE FLUTE DE PAN Sous-table non exportée Sous-table non exportée = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-06 BM.994.001.001/02:01-06 00:02:06 aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée 1) Chant entrecoupé par voix parlée. 2) Le chant, dans ce morceau, monte de registre ± 1 ton• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-07 BM.994.001.001/02:01-07 00:01:51 aôut BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée 1) Chants entrecoupé par des explications en espagnol. 2) Le chanteur dit que ces chants servent à guerir autant qu'à tuer• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-08 BM.994.001.001/02:01-08 00:01:13 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Chants entrecoupés par des explications• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-09 BM.994.001.001/02:01-09 00:00:35 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-10 BM.994.001.001/02:01-10 00:01:05 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-11 BM.994.001.001/02:01-11 00:00:20 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Après les explications, le chant dure ± 5 secondes• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-12 BM.994.001.001/02:01-12 00:01:48 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Il s'agit d'un pilon• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-13 BM.994.001.001/02:01-13 00:00:26 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Il s'agit d'un pilon• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-14 BM.994.001.001/02:01-14 00:02:49 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - SD: inclue sons d'animaux (coq), voix d'enfants, rires, voix de femmes, etc...• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-15 BM.994.001.001/02:01-15 00:04:10 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Ambiences defête• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-16 BM.994.001.001/02:01-16 00:14:19 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée 1) Cette pièce est la suite de la précedente (n.01-15). 2) Au milieu de la pièce, s'ajoute une troisièeme orchestre• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-17 BM.994.001.001/02:01-17 00:02:35 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête. Continuation de la pièce préecedente, après une coupure• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :01-18 BM.994.001.001/02:01-18 00:04:55 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - 3 femmes dansent seules, sans les orchestres et certains hommes rigolent• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :02-01 BM.994.001.001/02:02-01 00:01:00 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête: continuation de la pièce précedente (BM.001/02)• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :02-02 BM.994.001.001/02:02-02 00:01:17 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête: Continuation de la pièce précedente; enregistrement de plus loin• = G:Amazonie;L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :02-03 BM.994.001.001/02:02-03 00:03:54 août BOLIVIE CHACOBO CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête: continuation; enregistrement de plus prés, beaucoup de rires, rigolade• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :02-04 BM.994.001.001/02:02-04 00:01:12 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête: continuation; orchestres; quelques morceaux chantés, comme des chants incidentals; tambours ?• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.001 Divers* BM.994.001.001/02 :02-05 BM.994.001.001/02:02-05 00:04:22 août BOLIVIE BENI, ALTO IVON CHACOBO BOLIVIE:CHACOBO Sous-table non exportée Sous-table non exportée - Fête: continuation de la pièce précedente aprés une coupure; orchestres; orchestres, quelques morceaux chantés , tambours (?)• = G:Amazonie; L:Pano 1993 DAT 93.1 AMERIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-01 BM.994.002.001/07:01-01 00:08:10 27/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES A L'EPOUSE DU SULTAN Sous-table non exportée Sous-table non exportée enregistrement effectué sur demande de la chanteuse, âgée de 80 ans. Louanges pour l'épouse du sultan• Technique parlé-chanté Original=94.1.1.01 Solo vocal BRANDILY,MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-02 BM.994.002.001/07:01-02 00:03:31 27/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES A L'EPOUSE DU SULTAN Sous-table non exportée Sous-table non exportée enregistrement effectué sur demande de la chanteuse, âgée de 80 ans. Louanges pour l'épouse du sultan• Qualité tech. : bonne, mais bruits micro par moments et en fin de pièce. Original=94.1.1.02 Solo vocal BRANDILY,MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-03 BM.994.002.001/07:01-03 00:00:24 27/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée enregistrement effectué sur demande de la chanteuse, âgée de 80 ans. Louanges• Ce chant s'exécute au cours de fêtes dansées. En début de pièce : explication parlée du chant. Qualité tech. : médiocre, problèmes techniques. Original=94.1.1.03• Solo vocal BRANDILY,MONIQUE 1994 15'25 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-04 BM.994.002.001/07:01-04 00:05:42 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES POUR LE SULTAN OURADA Sous-table non exportée Sous-table non exportée Chant de louange pour le sultan Ourada (le père)• Débute par un faux départ. Qualité tech. : bruits d'ambiance au 3ème plan. Original=94.1.1.04• Solo vocal BRANDILY,MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-05 BM.994.002.001/07:01-05 00:01:45 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES POUR LE FILS DU SULTAN IBRAHIM OURADA Sous-table non exportée Sous-table non exportée Louanges pour le fils du sultan Ibrahim Ourada. Original = 94.1.1.05• Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-06 BM.994.002.001/07:01-06 00:01:54 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES POUR LE FILS DU SULTAN IBRAHIM OURADA Sous-table non exportée Sous-table non exportée Louanges pour le fils du sultan Ibrahim Ourada. chant déclamé sur la fin Original = 94.1.1.06• Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-07 BM.994.002.001/07:01-07 00:00:58 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES POUR LE FILS DU SULTAN IBRAHIM OURADA Sous-table non exportée Sous-table non exportée Louanges pour le fils du sultan Ibrahim Ourada. Incomplet, fin bobine originale, reprise sur :01-08 Original = 94.1.1.07• Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-08 BM.994.002.001/07:01-08 00:02:14 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES POUR LE FILS DU SULTAN IBRAHIM OURADA Sous-table non exportée Sous-table non exportée Louanges pour le fils du sultan Ibrahim Ourada. Incomplet, fin bobine originale, le début se trouve sur :01-07. Commentaire en fin de pièce de 15" Original = 94.1.2.01• Solo vocal BRANDILY, MONIQUE 1994 Elogieux AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-09 BM.994.002.001/07:01-09 00:01:20 28/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée Louanges pour la mère du sultan et sa 1ère femme Original = 94.1.2.02 Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-10 BM.994.002.001/07:01-10 00:04:17 29/03/94 TCHAD ABECHE MABA TCHAD 1994 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée Chant de salutation pour les hôtes invités à un mariage 2 boites de conserves battues à mains nues par la chanteuse servent de tambour Original = 94.1.2.03• Solo voc & 1 instr BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-11 BM.994.002.001/07:01-11 00:06:06 29/03/94 TCHAD ABECHE MABA TCHAD 1994 RETOUR DE LA MECQUE Sous-table non exportée Sous-table non exportée Chant pour le retour de la Mecque Faux départ et bruit de vent au début• 2 boites de conserves battues à mains nues par la chanteuse servent de tambour• Original = 94.1.2.04• Solo voc & 1 instr BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-12 BM.994.002.001/07:01-12 00:03:29 29/03/94 TCHAD ABECHE MABA TCHAD 1994 CHANT Sous-table non exportée Sous-table non exportée En fin de prestation, la chanteuse demande une récompense• Bruit de vent à certains moments• Original = 94.1.2.05• Solo voc & 1 instr BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-13 BM.994.002.001/07:01-13 00:03:30 29/03/94 TCHAD ABECHE ARABES DU OUADDAI TCHAD 1994 SALUT AU SULTAN Sous-table non exportée Sous-table non exportée Salut au Sultan. Contenu de la chanson : Les pigeons sauvages viennent chez le sultan pour boire de l'eau, et il leur donne du mil• gros bruits de vent• Original : 94.1.2.06• Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-14 BM.994.002.001/07:01-14 00:04:03 29/03/94 TCHAD ABECHE MABA TCHAD 1994 CHANT D'AMOUR MALHEUREUX Sous-table non exportée Sous-table non exportée chant d'amour malheureux (la femme demandée par le garçon lui est refusée)• Chant accompagné d'un couple de tambours (boites de conserves), battu à 3 mains. Début bobine 3.01 du collecteur non copié. Qualité technique médiocre : beaucoup de vent. Rythme aksak. Original : 94.1.3.03 ou ....04• Solo vocal BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :01-15 BM.994.002.001/07:01-15 00:06:01 29/03/94 TCHAD ABECHE TOUAREGS TCHAD 1994 EZELE Sous-table non exportée Sous-table non exportée Musique de fête. Bruits d'ambiance, youyou, cris d'hommes, les 2 tambours sont frappés à mains nues par les femmes, le tambour d'eau est frappé avec une sandale. Qualité technique : bonne, mais la fin est coupée nette. Original : 94.1.3.05 ou....06• Choeur BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-01 BM.994.002.001/07:02-01 00:04:54 31/03/94 TCHAD OUADAI/ABECHE MABA TCHAD 1994 LOUANGES POUR LE SULTAN Sous-table non exportée Sous-table non exportée Louanges pour le sultan Qualité tech. : bruit au démarrage, arrêt brutal sur la fin.Flûte "SUFFARA": 4T, en corne. Original : 94.1.4.01• Groupe instr BRANDILY,MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-02 BM.994.002.001/07:02-02 00:19:00 31/03/94 TCHAD OUADAI/ABECHE MABA TCHAD 1994 LOUANGES POUR LE SULTAN Sous-table non exportée Sous-table non exportée Louanges pour le sultan• Les 2 voix de femmes se succèdent mais ne forment pas un duo ; quelques passages de parlé-chanté. Rythme ternaire• Qualité tech. : bruit à la mise en route et arrêt brutal à la fin de la bobine (d'où pièce incomplète). Flûte "SUFFARA": 4T, en corne• Original : 94.1.4.02• Solo voc & groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-03 BM.994.002.001/07:02-03 00:11:54 2/04/94 TCHAD OUADAI/ABECHE MABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Qualité tech. : bonne mais bruits de vent par moments. Copie compressée -3dB.Flûte "SUFFARA": 4T, en corne. Original : 94.1.5.03• Solo instr BRANDILY,MONIQUE 1994 3 15'20 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-04 BM.994.002.001/07:02-04 00:03:46 3/04/94 TCHAD BATHA/ASSILET MISSIRIE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Vièle: caisse en calebasse, corde en crin de cheval, archet pris.Voix parlée au début. Qualité tech. : bruits de micro au début, de vent et bruit lié à l'instrument. Original : 94.1.6.01. Missirié : tribu arabe vivaant dans l'Est du Tchad selon la base Rameau de l a BNF• Solo instr BRANDILY,MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-05 BM.994.002.001/07:02-05 00:01:47 4/04/94 TCHAD BATA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée orchestre du Sultan Bilala, pièce liée au pouvoir• Cris et youyous dans le lointain. Le chef des musiciens du sultan : Mahamat Garmay. Original : 94.1.6.02• Groupe instr BRANDILY,MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-06 BM.994.002.001/07:02-06 00:03:08 4/04/94 TCHAD BATA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée orchestre du Sultan Bilala, pièce liée au pouvoir• Le Saltaya est un tambour très grand, de forme ovoïde, frappé par le Sultan. Le chef des musiciens du sultan : Mahamat Garmay. Original : 94.1.6.03• Groupe instr BRANDILY,MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-07 BM.994.002.001/07:02-07 00:02:31 4/04/94 TCHAD BATHA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée orchestre du Sultan• ATT-TROMPE TERM: clairon. Youyous et cris en bruits de fond. Original : 94.1.6.04• Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-08 BM.994.002.001/07:02-08 00:02:23 4/04/94 TCHAD BATHA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée orchestre du Sultan• Original : 94.1.6.05• Groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-09 BM.994.002.001/07:02-09 00:03:50 4/04/94 TCHAD BATA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Orchestre du Sultan• Vièle: archet arqué. Hochet: en calebasse. Morceau ponctué de cris de femmes et d'hommes avec youyous en bruit de fond. Qualité tech. : bruit de micro et de vent sur toute la pièce ; les hochets trop près couvrent tout, la vièle est trop loin. Original : 94.1.6.06• Groupe instr BRANDILY, MONIQUE 1994 -1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-10 BM.994.002.001/07:02-10 00:02:44 4/04/94 TCHAD BATA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Danse• Morceau ponctué de cris de femmes qui servent à encourager les danseurs. Les femmes chantent en dansant. Qualité tech. : bonne, avec saturation• Original : 94.1.6.07; copie compressée -3dB• Solo & choeur BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :02-11 BM.994.002.001/07:02-11 00:01:46 4/04/94 TCHAD BATA/YAO BILALA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Vièle: archet arqué. Hoche: en calebasse. Alternance de voix criée et chantée ; la voix d'homme intervient épisodiquement ; voix éloignées en fond. Qualité tech. : Hochets très près du micro ; voix chantée très éloignée ; fin de bobine donc coupée à cause de la fin. Original : 94.1.6.08; copie compressée -3dB• Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-01 BM.994.002.001/07:03-01 00:07:04 9/04/94 TCHAD MOYEN CHARI/SARH SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Danse accompagnant des funérailles. Cris accompagnant le choeur mixte. Le rythme des timbales s'accélère au cours du déroulement. Langue : Bwa. Qualité tech. : bonne. Original : 94.1.7.01• Solo voc & groupe instr BRANDILY,MONIQUE 1994 Religieux 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-02 BM.994.002.001/07:03-02 00:06:31 9/04/94 TCHAD MALIMBA/SARH MAYELE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique de danse pour funéraille. Seule une membrane du tambour (qui en comporte 2) est frappée à main nue. Voix parlées et cris en bruit de fond. Qualité tech. : Bonne, mais début raté. Original : 94.1.7.02• Monique B. doit vérifier le nom vernaculaire du tambour : Kod ? Choeur & groupe instr BRANDILY, MONIQUE 1994 Religieux 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-03 BM.994.002.001/07:03-03 00:07:31 9/04/94 TCHAD GOUNDI/SARH TOUMAC TCHAD 1994 N Sous-table non exportée Sous-table non exportée Changement de solistes, pris tour à tour dans le groupe d'hommes composant le choeur. Voix d'homme tremblée. Voix de femmes et youyous en bruit de fond. Qualité tech. : Bonne, mais début raté. Original : 94.1.7.03; copie compressée -3 dB• Monique B. doit vérifier le nom vernaculaire du tambour : Kod ? Solo voc & groupe instr BRANDILY, MONIQUE 1994 Elogieux 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-04 BM.994.002.001/07:03-04 00:05:20 9/04/94 TCHAD MOYEN CHARI/SARH SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Pièce de salutation pour le retour à son village des os de Tombalbaye (assassiné le 13 avril 1975). Chant alterné avec choeur homophone ; le choeur reprend la phrase dite par la chanteuse. Intervention occasionnelle de voix d'hommes dans le choeur de femmes. Youyous et brouhaha en bruit de fond (un millier de personnes présentes). Qualité tech. : moyenne. Original : 94.1.8.01; copie compressée -3dB• Monique B. doit vérifier le nom vernaculaire du tambour : Kod ? Solo voc + 1 instr BRANDILY, MONIQUE 1994 Pour dignitaire 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-05 BM.994.002.001/07:03-05 00:04:23 9/04/94 TCHAD MOYEN CHARI/SARH SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Pièce de salutation pour le retour à son village des os de Tombalbaye (assassiné le 13 avril 1975). Pièce semblable à la précédente. Solo de femme alterné avec choeur de femmes à 2 voix. Youyous et brouhaha en bruit de fond (un millier de personnes présentes). Qualité tech. : moyenne. Original : 94.1.8.02; copie compressée -3dB• Monique B. doit vérifier le nom vernaculaire du tambour : Kod ? Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-06 BM.994.002.001/07:03-06 00:11:23 9/04/94 TCHAD MOYEN CHARI/SARH SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Chant de louange pour fêter le retour à son village des restes de Tombalbaye, assassiné le 13 avril 1975. Harpe "GUNDI": à manche arqué, 6C. Suites de pièces différentes qui se succèdent. Youyous de femmes, des battements de mains interviennent occasionnellement. Qualité tech. : bonne. Disque. Original : 94.1.8.03• Choeur & 1 instr BRANDILY, MONIQUE 1994 Elogieux pour dignitaire 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-07 BM.994.002.001/07:03-07 00:04:48 9/04/94 TCHAD MOYEN CHARI/SARH SARA/MIELLIM TCHAD 1994 N Sous-table non exportée Sous-table non exportée Chant de louange et danse pour fêter le retour à son village des restes de Tombalbaye, assassiné le 13 avril 1975. Les calebasses, non recouvertes de membranes, sont tapées par des danseuses qui tournent en rond. Les 3 timbales sont au milieu des danseuses. Cris et youyous de femmes. Qualité tech. : bonne. Original : 94.1.9.01• Choeur & groupe instr BRANDILY, MONIQUE 1994 Pour dignitaire 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-08 BM.994.002.001/07:03-08 00:02:53 9/04/94 TCHAD MOYEN CHARI/SARH SARA KABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Suite de plusieurs pièces pour saluer le retour des restes de Tombalbaye vers son village natal. Suite de plusieurs pièces. Qualité technique : bonne Original : 94.1.9.02• Choeur & groupe instr BRANDILY, MONIQUE 1994 Pour dignitaire 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-09 BM.994.002.001/07:03-09 00:03:55 9/04/94 TCHAD MOYEN CHARI/SARH SARA KABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Pièce pour saluer le retour des restes de Tombalbaye vers son village natal. Faux départ, pièce enchaînée aux précédentes. Voix d'homme tremblée. Qualité technique : bonne Original : 94.1.9.03• Choeur & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-10 BM.994.002.001/07:03-10 00:08:09 10/4/94 TCHAD KINDA SARA KABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Danse Mbilé dans laquelle les danseurs imitent les animaux. Suite de 2 pièces. AT-"KOKO": corne d'antilope, pavillon en cire. IFX "KINDI": xylo sur calebasse, 12 lames. Cris et youyous perçus en bruit de fond. Qualité technique : bonne, fin coupée brutalement. Original : 94.1.9.04• Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :03-11 BM.994.002.001/07:03-11 00:02:42 10/4/94 TCHAD KINDA SARA KABA TCHAD 1994 DANSE MBILE Sous-table non exportée Sous-table non exportée Danse Mbilé dans laquelle les danseurs imitent les animaux. Bruits de fond, voix. Qualité technique : bonne, incomplet, fin bobine originale. Original : 94.1.9.05• Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-01 BM.994.002.001/07:04-01 00:03:40 10/4/94 TCHAD MOYEN CHARI/KINDA SARA KABA TCHAD 1994 DANSE MBILE Sous-table non exportée Sous-table non exportée Danse Mbilé dans laquelle les danseurs imitent les animaux. En bruits de fonds : youyous. Original : 94.1.10.01• Groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-02 BM.994.002.001/07:04-02 00:07:55 10/04/94 TCHAD BESSADO SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Funérailles de Tombalbaye. Technique de voix tremblée. Youyous en bruits de fond. Qualité tech. : bonne. Disque. Original : 94.1.10.02• Solo voc & groupe instr BRANDILY,MONIQUE 1994 Pour dignitaire 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-03 BM.994.002.001/07:04-03 00:04:18 12/04/94 TCHAD SARH SARA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Appels de chasse à la flûte : 8 consécutifs : 1)ouya, 2) danger, 3) de Mbayam Gali, Monique, Saramounghé, iram, 4) Kadki (l'éléphant), 5) inguéssé (lion), 6) doogo (buffle), 7) signal pour quelqu'un d'égaré, 8) pour amener les enfants pour être initiés. Musique de brousse. Parfois le joueur de flûte dit le nom qu'il reproduit à la flûte. Flûte: en corne de gazelle Qualité tech. : bonne. Original : 94.1.10.03• Solo instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-04 BM.994.002.001/07:04-04 00:06:01 12/04/94 TCHAD BESSADA/KYABE SARA KABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique de sortie d'initiés. Suite de deux pièces (2'56 et 3'05).Voix en bruit de fond, youyous. Flûte "GALIMISSI": corne de gazelle. Trompe "KOKO": corne d'antilope, pavillon en cire. Xylo "KINDI": sur calebasse, 12 lames. Qualité technique : bonne. Original : 94.1.10.04• Solo voc & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-05 BM.994.002.001/07:04-05 00:06:11 12/04/94 TCHAD BESSADA/MOUROUM SARA/GOULAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Rappel de danse de sortie d'initiation. Funérailles de Tombalbaye. Monique doit se renseigner pour le nom vernaculaire des instruments utilisés. Voix , chants , cris et Youyous en bruits de fond. Qualité tech. : bonne. Original : 94.1.11.01• Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-06 BM.994.002.001/07:04-06 00:03:46 12/04/94 TCHAD BESSADA SARA/BODO TCHAD 1994 N Sous-table non exportée Sous-table non exportée Ce groupe vient du Logone oriental. Les participants sont maquillés au Kaolin. Monique doit donner des précisions sur nom vernaculaire du tambour (et sur xylo : nombre de lames ? résonnance ?) Intervention de voix d'hommes parlées en fond. Qualité tech. : Breuit micro à 2'28. Original : 94.1.11.02• Duo instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-07 BM.994.002.001/07:04-07 00:02:28 12/04/94 TCHAD BESSADA SARA/BODO TCHAD 1994 N Sous-table non exportée Sous-table non exportée Monique doit rechercher le nom vernaculaire du tambour et en faire une description. Quelques interventions parlées. Qualité technique : médiocre, chant un peu loin. original : 94.1.11.03• Solo & choeur BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-08 BM.994.002.001/07:04-08 00:04:43 12/04/94 TCHAD BESSADA SARA PEN TCHAD 1994 N Sous-table non exportée Sous-table non exportée Funerailles de Tombalbaye. Groupe venant de Peni, sous préfecture de Koumra. Qualité tech. : bonne mais interruption brutale à la fin Les participants sont maquillés au kaolin. Original : 94.1.11.04 Solo voc & groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-09 BM.994.002.001/07:04-09 00:05:42 12/04/94 TCHAD BESSADA SARA/GOR TCHAD 1994 N Sous-table non exportée Sous-table non exportée Les musiciens sont maquillés au Kaolin. Qualité tech. : Les Xylophones en premier plan couvrent la voix de la chanteuse. Voix de femmes en bruit de fond. Incomplet, fin de la bande originale. Original : 4.1.11.05• Solo voc & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-10 BM.994.002.001/07:04-10 00:06:23 13/04/94 TCHAD BESSADA SARA KABA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Funérailles de Tombalbaye. Groupe originaire de Kyabé venus jouer à Bessada. Monique doit donner le nom vernaculaire des instruments. qualité tech. : bonne mais dans le lointain on entend un autre groupe d'instrumentistes. Original : 94.1.12.2 Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-11 BM.994.002.001/07:04-11 00:05:48 13/04/94 TCHAD BESSADA SARA/MADJINGAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Funérailles de Tombalbaye. Qualité tech. : bonne. Disque. Original : 94.1.12.03• Solo instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-12 BM.994.002.001/07:04-12 00:03:36 13/04/94 TCHAD BESSADA SARA/MADJINGAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique pour accompagner les laboureurs et les travaux des champs. Qualité tech. : bonne. Original : 94.1.12.04• Solo instr BRANDILLY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :04-13 BM.994.002.001/07:04-13 00:04:22 13/04/94 TCHAD BESSADA SARA/MADJINGAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Accord du xylo et hymn e national tchadien. Sur 2 exercices, l'instrumentiste présente tous les sons des lames de l'instrument, puis il exécute l'hymne national de son pays. Qualité tech. : bonne. Original : 94.1.12.05• Solo instr BRANDILLY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-01 BM.994.002.001/07:05-01 00:00:50 13/04/94 TCHAD KOUMRA SARA/GOULAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Sortie d'initiation (cachés sous des masques de feuilles). qualité technique : médiocre. Original : 94.1.13.02• Choeur & 1 instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-02 BM.994.002.001/07:05-02 00:03:07 13/04/94 TCHAD KOUMRA SARA/GOULAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Sortie d'initiation (cachés sous des masques de feuilles). Choeur et chant alterné ; voix parlée par le chef d'initiation. qualité technique : médiocre. Original : 94.1.13.03• Choeur & 1 instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-03 BM.994.002.001/07:05-03 00:05:35 16/04/94 TCHAD KOUMRA SARA/MADJINGAYE TCHAD 1994 N Sous-table non exportée Sous-table non exportée Seule une des deux peaux du tambour, la grande, est frappée par les mains ; le second xylo joue une sorte d'ostinato. Cette pièce est suivie par l'accord du xylophone. Qualité technique : bonne Original : 94.1.13.04• Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-04 BM.994.002.001/07:05-04 00:10:45 18/04/94 TCHAD TANDJILE/LAI GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée 1er chant : chant à la propre louange du chanteur qui évoque ses victoires à la lutte ; 2ème chant : regret d'un gendre qui se lamente de devoir payer à vie la dot à ses beaux-parents. Harpe: à manche arqué, 5C. Deux pièces enchaînées ; cordes à vide avec léger arrêt entre les 2 pièces. Qualité technique : bonne. Disque. Original : 94.1.13.05• Solo voc + 1 instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-05 BM.994.002.001/07:05-05 00:11:48 18/4/94 TCHAD TANDJILE/LAI GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée Retour de chasse au village. Harpe: à manche arqué, 5C. Débute par accord des deux harpes. Qualité technique : bonne, un peu de vent à la 6' et à la 9'. Original : 94.1.14.02• Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-06 BM.994.002.001/07:05-06 00:03:39 18/04/94 TCHAD KOUYOUM GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée Cercle des flûtistes (dont certaines sont jouées par des femmes), autour des tambours. Ronde. Chaque flûte donne une seule note ; ces flûtes en roseau, sans trous de son, sont taillées au canif, elles ont une emb. ezn biseau. La trompe est faite avec un tuyau d'arrosoir, elle est "en cornet". Qualité tech. : bonne. Original : 94.1.14.03• Groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-07 BM.994.002.001/07:05-07 00:03:53 18/04/94 TCHAD KOUYOUM GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée Fête pour la fin des récoltes. Des roseaux sont plantés exprès pour tailler ces flûtes qui ne peuvent être conservées plus de cinq jours dans l'eau. Chaque flûte ne produit qu'un son. Paul Djibrin a taillé toutes les flûtes et les a accordfées; elles ont une emb en biseau. La trompe est faite avec un tuyau d'arrosoir, elle a une forme "en cornet".Youyous de femmes ponctués par des bruits de foule. Qualité tech. : bonne. Original : 94.1.15.01• Choeur & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-08 BM.994.002.001/07:05-08 00:02:32 18/04/94 TCHAD KOUYOUM GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée Chant de femmes pour pousser les hommes à la lutte. Bruits de foule. La trompe est faite avec un tuyau d'arrosoir, elle a une forme "en cornet". Qualité tech. : bonne. Original : 94.1.15.02• Choeur & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-09 BM.994.002.001/07:05-09 00:02:30 18/04/94 TCHAD KOUYOUM MARBA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Harpe: à manche arqué, 5C. Débute par une voix d'homme parlée qui explique que le chef est très content de pouvoir exécuter cette musique traditionnelle devant Monique Brandily et il termine en faisant sonner les cinq cordes de sa harpe. Qualité techn. : bonne (l'introduction parlée peut être coupée). Original : 94.1.15.3• Solo voc + 1 instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-10 BM.994.002.001/07:05-10 00:06:00 18/04/94 TCHAD KOUYOUM GABRI TCHAD 1994 N Sous-table non exportée Sous-table non exportée Chant qui raconte ce qu'a fait un homme courageux et ce qu'il va faire en chassant les animaux sauvages. Harpe: à manche arqué, 5C. Qualité techn. : très bonne. Disque. Original : 94.1.15.4• Solo voc + 1 instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-11 BM.994.002.001/07:05-11 00:03:50 18/04/94 TCHAD KOUYOUM MARBA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Harpe: à manche arqué, 5C. Débute par voix parlée, le musicien joue ensuite de la harpe et enchaîne avec le chant. Qualité techn. : très bonne. Original : 94.1.15.5• Solo voc + 1 instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :05-12 BM.994.002.001/07:05-12 00:03:21 19/04/94 TCHAD KOUYOUM MARBA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Harpe: à manche arqué, 5C. Qualité techn. : très bonne. Original : 94.1.15.6• Solo voc + 1 instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-01 BM.994.002.001/07:06-01 00:12:06 19/4/94 TCHAD KOUYOUM MARBA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Commentaire sur la vie quotidienne par le chanteur qui s'accompagne à la harpe. Harpe: à manche arqué, 5C. Débute par une voix parlée, puis harpe, puis chant à bouche fermée, puis chant. Qualité techn. : très bonne. Disque. Original : 94.1.16.1• Solo voc + 1 instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-02 BM.994.002.001/07:06-02 00:09:22 26/04/94 TCHAD GUERA/TCHELME KENGA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique de funéraille, la 3ème pièce est à la mémoire de Deyé, un guerrier mort. Suite de 4 séquences qui sont jouées dans le même ordre. Les flûtes "chantent les paroles". Le chef joue de la plus grande flûte et du hochet sonnaille. Youyou de femmes en bruit de fond. Les 5 flûtes sont toutes à encoche et à 3 trous. Qualité tech. : bonne. Disque : la 3ème reprise est la meilleure. Original : 94.1.16.02• groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-03 BM.994.002.001/07:06-03 00:03:35 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Salutations, danse. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Suite composée de 2 pièces. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.01• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-04 BM.994.002.001/07:06-04 00:04:02 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Louanges du mort. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.02• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-05 BM.994.002.001/07:06-05 00:01:04 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée . Séquence où les flûtes donnent chacune leurs notes, ceci est suivi d'un cafouillage avec les autres instruments. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : médiocre. Original : 94.1.17.03• groupe instr BRANDILY, MONIQUE 1994 -1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-06 BM.994.002.001/07:06-06 00:02:12 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Chant de labour pour encourager les laboureurs. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes. Au début, conversation qui précède l'air de flûtes. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.04• groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-07 BM.994.002.001/07:06-07 00:04:10 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Divertissement, danse. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.06• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-08 BM.994.002.001/07:06-08 00:04:04 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Divertissement, danse, fête. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.07• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-09 BM.994.002.001/07:06-09 00:02:20 27/04/94 TCHAD GUERA/KORBO GOLE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Divertissement, danse, fête. Incomplet, fin bobine. Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes ainsi que le nom vernaculaire du 3ème tambour, avec sa description scientifique. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.17.08• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-10 BM.994.002.001/07:06-10 00:21:10 27/04:94 TCHAD GIERA/KORBO GOLE DANGALEAT TCHAD 1994 BUB GERE, KURMA, KABBA, SANS TITRE Sous-table non exportée Sous-table non exportée Bubgeré : musique pour provoquer l'adversaire ; Kurma : musique pour donner du courage aux hommes pendant le combat ; Kabba : nom d'un bon guerrier. Harpe: à manche arqué, 5C. Suite de 4 pièces enchaînées, dont les 3 premières portent un titre. Chaque pièce est reliée par un interlude sur la harpe, mais sans interruption. Le chanteur s'accompagne à la harpe. La 3e pièce est ponctuée rythmiquement par des lames de couteau frappées sur une branche et une voix et youyou d'homme. Toux du musicien au début et à la fin de la 2e pièce. Qualité tech. : bruit de vent vers 1'30 et 13'30. Fin de la pièce à 21' puis voix parlée et accord de la pièce suivante. Original : 94.1.18.01• Solo voc + 1 instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :06-22 BM.994.002.001/07:06-22 00:09:22 26/04/94 TCHAD GUERA/TCHELME KENGA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Les 5 flûtes ont une emb à encoche et 5T• Groupe instr BRANDILY, MONIQUE 1994 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-01 BM.994.002.001/07:07-01 00:04:37 27/04/94 TCHAD G UERA/KORBO BE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique de salutation ATT "PARNA": en bois. 4 prises successives qui forment un tout. Qualité tech. : bonne. Original = 94.1.19.01• Groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-02 BM.994.002.001/07:07-02 00:02:14 27/04/94 TCHAD G UERA/KORBO BE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée ATT "PARNA": en bois. Annonce du collecteur au début. Qualité tech. : bonne. Original = 94.1.19.02• Groupe instr BRANDILY, MONIQUE 1994 3 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-03 BM.994.002.001/07:07-03 00:01:42 27/04/94 TCHAD G UERA/KORBO BE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Musique pour accompagner les travaux des champs. ATT "PANA": en bois. Annonce du collecteur au début. Qualité tech. : bonne. Original = 94.1.19.03• Groupe instr BRANDILY, MONIQUE 1994 0 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-04 BM.994.002.001/07:07-04 00:01:57 27/04/94 TCHAD G UERA/KORBO BE DANGALEAT TCHAD 1994 N Sous-table non exportée Sous-table non exportée Appels successifs. 5 appels différents interrompus par arrêt magneto, mais même pièce.Trompe en corne d'antilope. Mêlé au 4 ème appel : youyou d'homme. qualité tech. : bonne. Original = 94.1.19.04• Solo instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-05 BM.994.002.001/07:07-05 00:02:02 27/04/94 TCHAD GUERA/TCHELME KENGA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Attention : Monique doit donner des précisions sur l'embouchure et le nombre de trous des flûtes et vérifier si le hochet sonnailles est bien un kortyoko. Les joueurs de flûtes se mettent la main en pavillon pour s'écouter les uns les autres. Qualité tech. : bonne Original : 94.1.19.05• groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-06 BM.994.002.001/07:07-06 00:02:10 27/04/94 TCHAD GUERA/TCHELME KENGA TCHAD 1994 N Sous-table non exportée Sous-table non exportée Qualité tech. : bonne, interruption avec voix du collecteur. Original : 94.1.19.06• Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-07 BM.994.002.001/07:07-07 00:05:39 27/04/94 TCHAD GUERA/TCHELME KENGA TCHAD 1994 DOLI Sous-table non exportée Sous-table non exportée Chanson pour le retour de l'enterrement. Pièce composée de 2 parties : la 1ère : musique de funéraille avec la chanteuse et les instr., dans la 2de, qui débute à 3'06, chaque flûte joue séparément sa partie ; une interruption partage chacune de ces parties. Qualité tech. : bonne, mais cafouillage de 20" et silence au début de la bande. Original : 94.1.19.07• Solo voc & groupe instr BRANDILY, MONIQUE 1994 2 ±15' AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-08 BM.994.002.001/07:07-08 00:00:59 28/04/94 TCHAD GUERA/BARO DJONGOR TCHAD 1994 N Sous-table non exportée Sous-table non exportée musique pour prévenir d'un événement important. Pour sortir ces grands tambours (dont le nugarre est le plus grand, le Waaga, le moyen et le bargallé le plus petit des trois), il faut une autorisation des autorités, car ces tambours sont conservés à la sous préfecture. Qualité techn. : plat, pas très bon. Original : 94.1.20.1• Solo voc & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-09 BM.994.002.001/07:07-09 00:04:55 28/04/94 TCHAD GUERA/BARO DJONGOR TCHAD 1994 N Sous-table non exportée Sous-table non exportée musique pour prévenir d'un événement important. Pour sortir ces grands tambours (dont le nugarre est le plus grand, le Waaga, le moyen et le bargallé le plus petit des trois), il faut une autorisation des autorités, car ces tambours sont conservés à la sous préfecture. Voix de la chanteuse peu présente, youyous de femmes et bruits de foule. Qualité techn. : pas très bonne. Original : 94.1.20.6• Solo voc & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.002 Divers* BM.994.002.001/07 :07-10 BM.994.002.001/07:07-10 00:01:57 28/04/94 TCHAD GUERA/BARO DJONGOR TCHAD 1994 N Sous-table non exportée Sous-table non exportée musique pour prévenir d'un événement important. Pour sortir ces grands tambours (dont le nugarre est le plus grand, le Waaga, le moyen et le bargallé le plus petit des trois), il faut une autorisation des autorités, car ces tambours sont conservés à la sous préfecture. Pièce incomplète, interruption causée par fin de bobine originale. Voix de la chanteuse peu présente, youyous de femmes et bruits de foule. Qualité techn. : pas très bonne. Original : 94.1.20.7• Solo voc & groupe instr BRANDILY, MONIQUE 1994 1 AFRIQUE +BM.994.003 ØGF;²19;PPS;SD BM.994.003.001/02 :01-01 BM.994.003.001/02:01-01 00:00:00 VIETNAM VIETNAM.CHANTS POPULAIRES & M. DE CITHARE DAN TRAN N Sous-table non exportée Sous-table non exportée Solo vocal N 1992 0 ASIE +BM.994.004 ØGF;²19;PPM;SD BM.994.004.001 :01-01 BM.994.004.001:01-01 00:00:00 INDE INDE;CONCERT DES FRERES DAGAR (MUSEE GUIMET 1964) N Sous-table non exportée Sous-table non exportée Duo vocal N 1964 0 ASIE +BM.994.005 ØGF;²38;PPM;SD BM.994.005.001 :01-01 BM.994.005.001:01-01 00:00:00 VIETNAM JARAÏ VIETNAM:JORAI [NOUVELLE COPIE SELECTIVE] N Sous-table non exportée Sous-table non exportée DOURNES,JACQUES -1 0 ASIE +BM.994.006 ØGF;²19;PPM BM.994.006.001/05 :01-01 BM.994.006.001/05:01-01 00:00:00 CONGO CONGO:PYGMEE N Sous-table non exportée Sous-table non exportée BALLIF,NOEL -1 0 AFRIQUE +BM.994.007 Ø18;²19;PPM BM.994.007.001 :01-01 BM.994.007.001:01-01 00:00:00 URSS;YAKOUTIE YAKOUTIE; GUIMBARDE N Sous-table non exportée Sous-table non exportée TRAN QUANG HAI 1992 0 ASIE +BM.994.008 Ø13;²19;PPM BM.994.008.001 :01-01 BM.994.008.001:01-01 00:00:00 VIETNAM VIETNAM: MONOCORDE N Sous-table non exportée Sous-table non exportée TRAN QUANG HAI 1991 0 ASIE +04176/79 K7x2-Coffret BM.994.009.001/04 :01-01 BM.994.009.001/04:01-01 00:00:00 ARGENTINE TERRE DE FEU SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL.I & II N Sous-table non exportée Sous-table non exportée CHAPMAN,ANNE -1 0 AMERIQUE +BM.994.010 Ø13;²19;PPM BM.994.010.001 :01-01 BM.994.010.001:01-01 00:00:00 VIETNAM CENTRE VIETNAM: CHANTS TRADTIONNELS DU CENTRE N Sous-table non exportée Sous-table non exportée TRAN QUANG HAI 1992 0 ASIE +BM.994.011 ØGF;²19;PPS;SD BM.994.011.001 :01-01 BM.994.011.001:01-01 00:00:00 REP D'AFRIQUE DU SUD AFRIQUE DU SUD:XHOSA; TECHNIQUES VOCALES N Sous-table non exportée Sous-table non exportée DARGIE,DAVID -1 0 AFRIQUE +BM.994.012 ØGF;²38;PPM;SD BM.994.012.001 :01-01 BM.994.012.001:01-01 00:00:00 URSS;YAKOUTIE "CHANTS POPULAIRES DES YAKOUTES" N Sous-table non exportée Sous-table non exportée ALEKSEEV,E. -1 0 ASIE +BM.994.013 Ø13;²19;PPS BM.994.013.001 :01-01 BM.994.013.001:01-01 00:00:00 VIETNAM VIETNAM: JEUX DE CUILLERS PAR TRAN QUANG HAI N Sous-table non exportée Sous-table non exportée PITOEFF,P. 1993 0 ASIE +BM.994.014 K7 BM.994.014.001 :01-01 BM.994.014.001:01-01 00:00:00 SLOVAQUIE SLOVAQUIE;"NOCES & MUSIQUE"[MONTAGE POUR MEMOIRE DE MAITRISE] N Sous-table non exportée Sous-table non exportée PINKAVA,SYLVIE -1 0 EUROPE +BM.994.015 K7 BM.994.015.001 :01-01 BM.994.015.001:01-01 00:00:00 INDONESIE;BALI BALI, "LE GAMELAN SELUNDING ..."[MONTAGE POUR MAITRISE] N Sous-table non exportée Sous-table non exportée BOUDARD,C -1 0 ASIE +BM.994.016 K7 BM.994.016.001 :01-01 BM.994.016.001:01-01 00:00:00 REP D'AFRIQUE DU SUD AFRIQUE DU SUD, "ASPECTS DE LA M. DES TOWNSHIPS..." [MONTAGE POUR MAITRISE] N Sous-table non exportée Sous-table non exportée N -1 0 AFRIQUE +BM.994.017 K7 BM.994.017.001 :01-01 BM.994.017.001:01-01 00:00:00 MALAYSIA MALAYSIA "UN THEATRE MUSICAL DE MALAYSIA: LE MAK YONG" [MONTAGE POUR MAITRISE] N Sous-table non exportée Sous-table non exportée MENICHETTI,ANNA -1 0 ASIE +BM.994.018 K7 BM.994.018.001/02 :01-01 BM.994.018.001/02:01-01 00:00:00 1985-90 ZAIRE KONGO "LES TRADITIONS MUSICALES KONGO (AFR.CENTRALE OCC.)" [EX. POUR THESE] N Sous-table non exportée Sous-table non exportée N 1985 0 AFRIQUE +BM.995.001 K7-C90 BM.995.001.001 :01-01 BM.995.001.001:01-01 00:00:00 BRESIL BRESIL:ASURINI & ARARA [MONTAGE POUR THESE] N Sous-table non exportée Sous-table non exportée ESTIVAL,JEAN-PIERRE -1 0 AMERIQUE +C-007 K7 BM.995.002.001 :01-01 BM.995.002.001:01-01 00:00:00 ROUMANIE MARAMURES N ROUMANIE:MUSICIENS PAYSANS DE CODRU (MARAMURES) N Sous-table non exportée Sous-table non exportée HOTOIU,Adrian -1 0 EUROPE +C-008 K7 BM.995.002.002 :01-01 BM.995.002.002:01-01 00:00:00 ROUMANIE VALACHIE ROUMANIE:MUSIQUE DE NOCES DE VALACHIR N Sous-table non exportée Sous-table non exportée HOTOIU,Adrian -1 0 EUROPE +BM.995.003 ØGF;²9,5;PPS;SD BM.995.003.001/03 :01-01 BM.995.003.001/03:01-01 00:00:00 mars-juillet 1989 BRESIL PARA, MOYEN XINGU ASURINI DO XINGU BRESIL;ETAT DE PARA: ASURINI: MC INSTRUMENTALE TULE Sous-table non exportée TULE Sous-table non exportée Cf. Estival, J-P. Thèse de doctorat "Musiques instrumentales du moyen Xingu et de l'Iriri". "Quelques aspects des polyphonies instrumentales tulé des Asurini do Xingu", Cahiers de musiques traditionnelles n°6• Clarinette "TULE": idioglotte, sans trou de jeu• Groupe instr ESTIVAL,JEAN-PIERRE GL- Tupi-Guarani 1989 0 AMERIQUE +BM.995.003 ØGF;²9,5;PPS;SD BM.995.003.001/03 :03-01 BM.995.003.001/03:03-01 00:00:00 Déc.1989 BRESIL PARA, TO CANTINS ASURINI DO TROCARA BRESIL;ETAT DE PARA: ASURINI: MC INSTRUMENTALE N Sous-table non exportée Sous-table non exportée Enreg. fournis à J-P. E. par les Asurini do Xingu qui les ont réalisés avec l'aide des missionnaires Irmanzinhas de Jésus. Groupe instr INDIENS ET MISSIONNAIRES GL-Tupi-Guarani 1989 0 AMERIQUE +BM.995.004 Divers* BM.995.004.001/04 :01-01 BM.995.004.001/04:01-01 00:00:00 Août-Nov.90 BRESIL PARA, MOYEN XINGU ASURINI DO XINGU BRESIL;ETAT DE PARA:ASURINI DU XINGU:MUSIQUE VOCALE TIWA GAWA LE PEUPLE DES ETRES JAGUARS Sous-table non exportée TIWA GAWA Sous-table non exportée Cf. Estival, J-P.Thèse de doctorat "Musiques instrumentales du moyen Xingu et de l'Iriri". Solo & choeur ESTIVAL,JEAN-PIERRE GL-Tupi-Guarani 1990 0 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-01 BM.995.005.001/12:01-01 00:04:45 Juillet,août BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD PUTUTU Sous-table non exportée Sous-table non exportée appel aux réunions Trompe; en corne Solo instr MARTINEZ,FLETY Andes 1990 0 0:00:00 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-02 BM.995.005.001/12:01-02 00:00:00 Juillet BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD MALAWIRA Sous-table non exportée Sous-table non exportée Luth: caisse en carapace de tatou• Solo voc & 1 instr MARTINEZ, FLETY Andes 1990 0 0:04:45 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-03 BM.995.005.001/12:01-03 00:00:00 Juillet BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD MALAWIRA Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Solo voc & 1 instr MARTINEZ,FLETY Andes 1990 0 0:17:00 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-04 BM.995.005.001/12:01-04 00:00:00 Juillet BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD TEMPLE DE CHARANGO (HATUN) Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Solo instr MARTINEZ,FLETY Andes 1990 0 0:16:50 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-05 BM.995.005.001/12:01-05 00:00:10 Juillet BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD MALAWIRA Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Solo voc & 1 instr MARTINEZ,FLETY Andes 1990 0 0:16:50 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-06 BM.995.005.001/12:01-06 00:00:00 Juillet BOLIVIE SUCRE, COMMUNAUTE YANANI JALQ'A BOLIVIE; REGION CENTRE-SUD MALAWIRA Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Solo voc & 1 instr MARTINEZ,FLETY Andes 1990 0 0:33:00 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-07 BM.995.005.001/12:01-07 00:04:00 Juillet BOLIVIE SUCRE, COMMUNAUTE SOICOCO LLAMERO BOLIVIE; REGION CENTRE-SUD WAYNO CRUZ Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Choeur & 1 instr MARTINEZ,FLETY Andes 1990 0 0:49:02 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-08 BM.995.005.001/12:01-08 00:04:02 Juillet BOLIVIE SUCRE, COMMUNAUTE SOICOCO JALQ'A BOLIVIE; REGION CENTRE-SUD SAN PEDRO WAYNO Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Choeur & 1 instr MARTINEZ,FLETY Andes 1990 0 O:53:02 AMERIQUE +BM.995.005 DAT BM.995.005.001/12 :01-09 BM.995.005.001/12:01-09 00:05:00 Juillet BOLIVIE SUCRE, COMMUNAUTE SOICOCO LLAMERO BOLIVIE; REGION CENTRE-SUD WAYNO DE PASCUA Sous-table non exportée Sous-table non exportée Luth "CHARANGO": caisse en carapace de tatou• Solo voc & 1 instr MARTINEZ,FLETY Andes 1990 0 0:57:04 AMERIQUE +BM.995.006 CDR+Ø* BM.995.006.001 :01-01 BM.995.006.001:01-01 00:02:59 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée Autre nom pour l'instrument : Chatrang? Enregistré au Kazakhstan DURING,JEAN 1995 0 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-02 BM.995.006.001:01-02 00:02:36 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée *Autre graphie : Sybyzghy, flûte Kazakh Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-03 BM.995.006.001:01-03 00:02:27 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée Indications de J. During mais à l'écoute peut être des luths Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-04 BM.995.006.001:01-04 00:02:34 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique et alternance de partie chantées et parlées Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-05 BM.995.006.001:01-05 00:02:18 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique et alternance de partie chantées et parlées Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-06 BM.995.006.001:01-06 00:02:08 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique et alternance de partie chantées et parlées Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-07 BM.995.006.001:01-07 00:03:39 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-08 BM.995.006.001:01-08 00:01:34 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-09 BM.995.006.001:01-09 00:06:28 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique et alternance de chanté et parlé Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-10 BM.995.006.001:01-10 00:05:34 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée peut être une guimbarde Shanqobyz Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-11 BM.995.006.001:01-11 00:02:36 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-12 BM.995.006.001:01-12 00:01:14 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-13 BM.995.006.001:01-13 00:00:26 REP. KHAKHASSIA REP. DE KHAKHASSIA ET KAZAKHSTAN CHANT TCHATAGAN Sous-table non exportée Sous-table non exportée Chant diphonique Enregistré au Kazakhstan DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-14 BM.995.006.001:01-14 00:02:59 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-15 BM.995.006.001:01-15 00:03:57 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-16 BM.995.006.001:01-16 00:03:40 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N OSSBASSA* Sous-table non exportée Sous-table non exportée *Graphie de l'auteur douteuse (entendu à l'oreille) DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-17 BM.995.006.001:01-17 00:02:19 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-18 BM.995.006.001:01-18 00:03:39 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN AIR AIMAK Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-19 BM.995.006.001:01-19 00:02:42 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-20 BM.995.006.001:01-20 00:02:24 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN N Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.006 CDR+Ø* BM.995.006.001 :01-21 BM.995.006.001:01-21 00:02:46 KAZAKHSTAN REP. DE KHAKHASSIA ET KAZAKHSTAN AIR KARAKALPAK Sous-table non exportée Sous-table non exportée DURING,JEAN 1995 ASIE +BM.995.007 K7 BM.995.007.001/06 :01-01 BM.995.007.001/06:01-01 00:00:00 IRAN "LE REPERTOIRE MODELE DE LA MUSIQUE IRANIENNE"[+LIVRE] N Sous-table non exportée Sous-table non exportée DURING,JEAN -1 0 ASIE +BM.995.008 Divers* BM.995.008.001/03 :01-01 BM.995.008.001/03:01-01 00:00:00 MEXIQUE MEXIQUE. A) VIOLON TZELTAL; B) ST SEBASTIAN A BACHAJON N Sous-table non exportée Sous-table non exportée ESTIVAL, JEAN-PIERRE 1993 0 AMERIQUE +BM.995.009 Ø18;²19;PPS;SD BM.995.009.001 :01-01 BM.995.009.001:01-01 00:00:00 EQUATEUR MISSION SALIVAS 1994;EQUATEUR: SHUAR N Sous-table non exportée Sous-table non exportée SALIVAS,PIERRE 1994 0 AMERIQUE +BM.995.010 K7 BM.995.010.001 :01-01 BM.995.010.001:01-01 00:00:00 GEORGIE GEORGIE N Sous-table non exportée Sous-table non exportée ZIEGLER,S.;GARAKANIDZE,E. -1 0 EUROPE +BM.995.011 K7 BM.995.011.001 :01-01 BM.995.011.001:01-01 00:00:00 VIETNAM PROVINCE DE CAO BANG VIETNAM;PROVINCE DE CAO BANG N Sous-table non exportée Sous-table non exportée KERALE,PATRICK 1993 0 ASIE +BM.995.012 DAT BM.995.012.001 :01-01 BM.995.012.001:01-01 00:00:00 URSS;RA TOUVA RUSSIE;TUVA N Sous-table non exportée Sous-table non exportée VEIHS,PAUL -1 0 ASIE +BM.995.013 Ø13 BM.995.013.001 :01-01 BM.995.013.001:01-01 00:00:00 INDE;RAJASTHAN INDE;RAJASTHAN 1993 N Sous-table non exportée Sous-table non exportée DOURNON,GENEVIEVE 1993 0 ASIE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-01 BM.995.014.001/19-DEPOT:01-01 00:14:00 Début septembre 1990 ROUMANIE SOPORUL DE CIMPIE TSIGANES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 CHANT DES MORTS Sous-table non exportée Sous-table non exportée Enregistré à la maison sur demande• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * Transylvanie 1990 RELIGIEUX B Début 90.VI.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-02 BM.995.014.001/19-DEPOT:01-02 00:00:40 9 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT. ESSAI Sous-table non exportée Sous-table non exportée Danse dominicale enregistrée sous le porche de l'école• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Fragment, les voix sont un peu loin• * Transylvanie 1990 C 00 14 30 90.VI.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-03 BM.995.014.001/19-DEPOT:01-03 00:08:50 9 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Danse dominicale enregistrée sous le porche de l'école• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Fragment, les voix sont un peu loin• * Transylvanie 1990 B 00 15 30 90.VI.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-04 BM.995.014.001/19-DEPOT:01-04 00:03:00 9 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée Pause entre les danses• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * Transylvanie 1990 B 00 24 10 90.VI.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-05 BM.995.014.001/19-DEPOT:01-05 00:06:00 9 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Danse dominicale enregistrée sous le porche de l'école. Suivi d'ambiance• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * Transylvanie 1990 B 00 27 10 90.VI.5 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-06 BM.995.014.001/19-DEPOT:01-06 00:07:43 9 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANS DE JUCAT. Sous-table non exportée Sous-table non exportée Danse dominicale enregistrée sous la ciuperca ("champignon")• Disque: le Chant du Monde. LDX 274937. pièce 9. *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Manque le début. Voix un peu loin• * Transylvanie 1990 A 00 34 09 90.VI.6 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-07 BM.995.014.001/19-DEPOT:01-07 00:08:00 9 Septembre 1990 ROUMANIE PAYS DE L'OACH,TIRSOLT ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Danse dominicale enregistrée sous la ciuperca ("champignon")• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Complet. Le son est plus présent• * Transylvanie 1990 A 00 42 10 90.VI.7 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-08 BM.995.014.001/19-DEPOT:01-08 00:03:00 9 septembre 1990 ROUMANIE PAYS DE L'OACH,TIRSOLT ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée Pause après la danse• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Précédé de l'accord des instruments suivi de discussions• * Transylvanie 1990 B 00 48'20 90.VI.8 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-09 BM.995.014.001/19-DEPOT:01-09 00:04:07 9 Septembre 1990 ROUMANIE PAYS DE L'OACH,TIRSOLT ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée Disque: Le Chant du Monde. LDX 274937, pièce 8• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * Transylvanie 1990 A 00 54 30 90.VI.09 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-10 BM.995.014.001/19-DEPOT:01-10 00:19:00 Début septembre 1990 ROUMANIE BAIA MARE ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 JOC DANSE Sous-table non exportée Sous-table non exportée Enregistré à la Maison de la Culture• Disque: 1 pièce publiée dans le Chant du Monde. LDX 274937, plage 4• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Une partie des musiciens est tsigane.Suite de danses - successivement: 1 Joc de inceput; 2) Scuturat dîn chioar; 3) Codranesc; 4) Invirtita din Finata; 5) Scuturat din Baia Mare; 6) ?; 7) Barrinesc din inceput; 8) Jocul Mamei; 9) Scuturat• * Transylvanie 1990 A 00 59 10 90.VI.10 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :01-11 BM.995.014.001/19-DEPOT:01-11 00:02:00 Début septembre 1990 ROUMANIE BAIA MARE ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 JOC DANSE Sous-table non exportée Sous-table non exportée 1 Danse: Joc de araduit• *Bernard Lortat Jacob; Jacques Bouët; Speranta Radulescu. - violon-cetera = à 5 cordes. Une partie des musiciens est tsigane• * Transylvanie 1990 B 0118 00 90.VI.11 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :02-01 BM.995.014.001/19-DEPOT:02-01 00:06:00 16 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Enregistré chez le musicien• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. 3 dant enchaînés• * 1990 B Début 90.IX.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :02-02 BM.995.014.001/19-DEPOT:02-02 00:05:25 16 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Enregistré chez le musicien: cette pièce est supposée être la même que la précédente• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. 3 dant enchaînés• * 1990 B 00 06 40 90.IX.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :02-03 BM.995.014.001/19-DEPOT:02-03 00:05:50 16 septembre 1990 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Les voix entrent successivement. Normalement le chant est crié, mais ici le registre est plus celui du chant que celui du cri• * 1990 A- 00 12 25 90.IX.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :03-01 BM.995.014.001/19-DEPOT:03-01 01:05:00 27 août 1991 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE JEU DU VIOLON Sous-table non exportée Sous-table non exportée Enquête en français et en roumain auprès de Vasile Toderel à partir d'un enregistrement de lui-même réalisé par nous l'année précédente (cf. enregistrement correspondant au phonogramme 02-01). Il s'agit de dégager avec son concours les parties constitutives de son dant• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. * 1991 Début 91.I.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :03-02 BM.995.014.001/19-DEPOT:03-02 00:50:00 28 aout 1991 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE JEU DU VIOLON Sous-table non exportée Sous-table non exportée Enquête auprès de Ioan Tatar portant: 1) Sur l'apprentissage avec intervention d'un tsigane qui a accordé son premier violon. 2) Le dant de la mariée jouée au violon, puis sifflée. 3) Données techniques sur l'apprentissage. 4) Le 2ème dant qu'il a appris (dant de tipurit), joué au violon et sifflé. 5) Sur le pont. 6) Demande d'éxécution d'un dant simple sifflé. 7) Inventaire des pont• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Cf. également pour les parties en re-cording, la cassette OACH 1 - Jacques Bouët. La pièce analysée se trouve à 1h 40 du début• * 1991 01 06 00 ( Index 7) EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-01 BM.995.014.001/19-DEPOT:04-01 50:10:00 28 août 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE DANT Sous-table non exportée Sous-table non exportée Enquête, hors situation, à la maison, en roumain et en français. * CD Livre OACH = plage.cf. également pour les parties. *cf. en re-recording la cassette OACH 2 - Jacques Bouët• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. 00'00: Premier air* appris par Ioan Bumb, repris sous forme-modèle. - 05'40: Information sur la cadence standard. 06'00: Sur le début de la danse. - 10'00: Sur les partenaires dans la danse. 13'00: Sur les danses. - 15'20: Exécution sur les pont* 22'00: Danse "populaire" et version ochénisée de cette danse. - 28'00: Dant avec pont et sans pont. 38'00: Apprentissage (pour Jacques Bouët). - 45'00: Reproduction d'une danse hongroise de Brahms. * 1991 Début 91.II.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-02 BM.995.014.001/19-DEPOT:04-02 00:10:12 29 août 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE DANT Sous-table non exportée Sous-table non exportée Enregistré chez le musicien. *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Flûte = à 6 trous; le musicien a 43 ans, il est surnommé Gabor. (Le musicien enchaîne dant de Tipurit (pour le chant) et dant de Jucat (pour la danse). La flûte est doublée occasionnellement par un bourdon vocal)• * 1991 00 50 20 91.II.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-03 BM.995.014.001/19-DEPOT:04-03 00:02:30 29 août 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT ET ENQUETE Sous-table non exportée Sous-table non exportée Probablement trois dant, enchaînés*; suivis d'informations, à partir de 02'30, sur les "pont", sur les ambitus et registres des dant• * CD in livre" OACH..." = plage 2. * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. - Anche libre = feuillle. Irinca est la femme de Isac• * 1991 01 00 48 91.II.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-04 BM.995.014.001/19-DEPOT:04-04 00:09:20 29 août 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 BERCEUSE PEAGAN Sous-table non exportée Sous-table non exportée Apparemment il ne s'agit pas d'un dant. * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Deux versions successives; la seconde est meilleure, chantée plus bas• * 1991 01 07 15 91.II.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-05 BM.995.014.001/19-DEPOT:04-05 00:09:00 29 aout 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 PLAINTE FUNEBRE BOCETE OU VAIETE Sous-table non exportée BOCETE Sous-table non exportée Enregistré hors situation, ce qui n'a pas empêché les voisines de venir en visite croyant que Madame Ciulan, avait perdu son mari. Suivi d'informations sur le "vaiete"• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Deux versions successives; la seconde est plus assurée• * 1991 01 17 06 91.II.5 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :04-06 BM.995.014.001/19-DEPOT:04-06 00:30:00 29 août 1991 ROUMANIE PAYS DE L'OACH,NEGRESTI TSIGANES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT JOUES AU VIOLON, COMPLETE PAR DES ENQUETES Sous-table non exportée Sous-table non exportée Enregistrement hors-situation et brèves enquêtes chez le musicien. Successivement: 2 dant de tipurit enchaînés, dant de Jucat (deux fois), roata feciorilor et dant, dant de tipurit, dant Fetilor• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** Le fils de Gheorghe Meti. Très beau son• * 1991 01 26 10 91.II.6 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-01 BM.995.014.001/19-DEPOT:05-01 00:05:00 03 septembre 1991 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Enregistré chez le musicien. Plusieurs dant: celui de la Famille Finta, celui de Grigore Aluvanu. Elements d'enquête sur les "dant" de famille• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Flûte = 6 trous• * 1991 Début 91.III.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-02 BM.995.014.001/19-DEPOT:05-02 00:19:00 03 septembre 1991 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 LAMENTATIONS FUNEBRES Sous-table non exportée BOCETE Sous-table non exportée Enregistré à la ferme le jour des funérailles, en situation. Les phrases musicales se terminent par un sanglot• Publié dans CD "Le Chant du Monde" CNR 274646, disque 1 plage 6 et dans CD in livre "OACH...", plage 16• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Trois prises successives.Forme/style : "bocete" ou "vaiete"• * 1991 00 05 00 91.III.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-03 BM.995.014.001/19-DEPOT:05-03 00:05:40 03 septembre 1991 ROUMANIE PAYS DE L'OACH,NEGRESTI TSIGANES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Enregistrement chez le musicien. Dant joué "à l'ancienne", c'est-à-dire à deux violons, le second faisant le contra. Successivement dant de tipurit, de jucat• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Justesse approximative. Vasile est le fils de Gheorghe• * 1991 00 24 00 91.III.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-04 BM.995.014.001/19-DEPOT:05-04 00:35:50 3 septembre 1991 ROUMANIE PAYS DE L'OACH,NEGRESTI TSIGANES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT ET ENQUETE SUR LE DANT Sous-table non exportée Sous-table non exportée Enregistrement chez le musicien. Successivement dant de tipurti, de jucat (deux prises). Tipurituri après 13'. Enquête sur registre "pejos / pesus", sur le" pont"; commentaires du musicien en même temps qu'il joue, puis à l'écoute d'une cassette enregistrée• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. "Figure" exécutées sur la corde grave. Les commantaires ont un caractère didactique intéressant• * 1991 B 00 29 40 9.III.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-05 BM.995.014.001/19-DEPOT:05-05 00:06:00 3 septembre 1991 ROUMANIE PAYS DE L'OACH,NEGRESTI TSIGANES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Dant joué "à l'ancienne", c'est-à-dire à deux violons• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Préférable au 05-03 sans être excellent toutefois• * 1991 B 01 05 40 91.III.5 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :05-06 BM.995.014.001/19-DEPOT:05-06 00:21:00 3 septembre 1991 ROUMANIE PAYS DE L'OACH,NEGRESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT CHANTES ET ACCOMPAGNES AU VIOLON Sous-table non exportée Sous-table non exportée Soirée à la maison. Successivement 5 dant chantés. Les 3 et 4 sont chantés par Madame Ciulan. Tous les dant sont "de tipurit"• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** Ioan Flori, Ioan Ciorcas et Maria Ciulan. Guitare trop présente le 4 est bien phrasé; le 5 est assez bon• * 1991 B 01 12 00 91.III.6 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :06-01 BM.995.014.001/19-DEPOT:06-01 00:32:30 4 septembre 1991 ROUMANIE PAYS DE L'OACH,BIXAD,TRIP ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE. ANALYSE DU DANT DE TODEREL (1979) PAR TODEREL LUI-MEME. Sous-table non exportée Sous-table non exportée Re-Recording - en écoutant un enregistrement de lui-même, de 1979, Toderel propose une segmentation.Suivi de commentaires en roumain et en français. L'opération est faite deux fois. Identification des segments sous forme sifflée et chantée• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. VX = voix-alternativement chanté, sifflé, parlé• * 1991 Début 91.IV.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :06-02 BM.995.014.001/19-DEPOT:06-02 00:09:00 6 septembre 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 PLAINTE FUNEBRE BOCETE OU VAIETE Sous-table non exportée BOCETE Sous-table non exportée Enregistré hors-contexte. Le 1er bocete est pour son père• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1991 00 32 40 91.IV.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :06-03 BM.995.014.001/19-DEPOT:06-03 00:10:00 6 septembre 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 BERCEUSE LEAGAN Sous-table non exportée Sous-table non exportée 6 berceuses: la 1ère est en dant, la 2ème en rythme enfantin, la 3ème de type hora; les trois dernières sont des dant• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Les silences entre les phrases pour la 1ère berceuse tiennent plutôt à une émotion non contenue de la chanteuse• * 1991 00 41 40 91.IV.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :06-04 BM.995.014.001/19-DEPOT:06-04 00:12:40 6 septembre 1991 ROUMANIE PAYS DE L'OACH,CALINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée Le dant est d'abord sifflé avant d'être joué et chanté• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Exécution partiellement en registre grave• * 1991 B 00 51 51 91.IV.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :06-05 BM.995.014.001/19-DEPOT:06-05 00:44:10 10 septembre 1991 ROUMANIE SATU MARE,CAREI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANTU MARE GRANDE DANSE Sous-table non exportée Sous-table non exportée Quatre prises successives, avec arrêts. Successivement = dantu mare, romaneste, codreanesc, fecioresc, de batrinesc, idem, idem, scuturat, idem• CD "Le Chant du Monde" LDX 274937, plage 3• * Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Troisième prise correcte (à 01:31:10) - quatrième prise bonne (à 01:40:40). Les instruments joués et fabriqués par Iederan sont au Musée de l'Homme (braci et gordon).• * 1991 01 04 30 91.IV.5 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :07-01 BM.995.014.001/19-DEPOT:07-01 00:47:15 29 juin 1993 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT (TIPURITURI) Sous-table non exportée Sous-table non exportée Enregistré en situation sous le préau de l'école durant la danse dominicale. Plusieurs chanteurs interviennent à tour de rôle dant de jucat, puis de tipurit, puis à nouveau de jucat (2 fois) puis de tipurit• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Faux contact de microphone tantôt sur un canal, tantôt sur l'autre (sur la 1ère pièce surtout) danseurs et chanteurs très présents. A récupérer en sélectionnant les moments non détériorés. Nombreux chanteurs de bonne qualité. Toutes les voix sont criées• * 1993 #. Début 93.I.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :07-02 BM.995.014.001/19-DEPOT:07-02 00:12:00 30 juin 1993 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Enregistré chez les compères flûtistes. Dant de jucat et de tipurit. Les flûtistes jouent tantôt en alternance, tantôt ensemble, tantôt pour accompagner le chant• Publié dans CD in livre "OACH...", plage 6 = à 49'10 (2ème pièce) de l'original• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. AFT-... = flûte à 6 trous• * 1993 00 47 50 93.I.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :07-03 BM.995.014.001/19-DEPOT:07-03 00:24:30 02/07/93 ROUMANIE BIXAD, DANS LES CHAMPS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Enregistré en situation pendant la fenaison et pendant le travail au rateau. Occasionnellement voix parlée et échange avec les autres faneurs• Vidéo Bernard Lortat-Jacob; publié in livre "OACH...", CD plage 4, à 01:h06'30" de l'original• *Bernard Lortat-Jacob; Jacques Bouët et Speranta Radulescu. VX = chanté et sifflé solo H. Pb technique a 01'09", quelques pbs de micro• * 1993 93.I.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :07-04 BM.995.014.001/19-DEPOT:07-04 00:04:00 20 juillet 1993 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT Sous-table non exportée Sous-table non exportée Dant chanté en berçant un petit enfant; enregistré en situation• Vidéo Bernard Lortat-Jacob; publié in livre "OACH...", CD plage 3, à 01h30'40" de l'original• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. * 1993 01 30 40 93.I.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :07-05 BM.995.014.001/19-DEPOT:07-05 00:09:30 3 juillet 1993 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LES TRANSCRIPTIONS DE BARTOK: DICTEE MUSICALE. Sous-table non exportée Sous-table non exportée L'enquête commence par le N° 520 du volume 2 de R.F.M. puis le n° 519 (non reconnu), puis le 669 du volume 1 exécuté initialement au violon et toutes produites par l'ordinateur• Bela Bartök: Rumanian Folk Music. Benjamen Suchoff édit• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 01 35 00 93.I.5 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :08-01 BM.995.014.001/19-DEPOT:08-01 00:38:00 Juin ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE DANT;VIOLON Sous-table non exportée Sous-table non exportée Enquête en roumain et en français sur les registres pesus, pejos pemijloc, suivie d'exécutions de dant chanté, information sur la transmission des dant à l'intérieur des familles• * Bernard Lortat-Jacob; Jaques Bouët; Speranta Radulescu• * 1993 B- Début 93.II.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :08-02 BM.995.014.001/19-DEPOT:08-02 00:59:00 Juin ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENQUETE SUR LE DANT;VIOLON Sous-table non exportée Sous-table non exportée Enregistré sur la route de Bixad, de nuit; visite sérénade aux jeunes filles (merge la fete). - dant de tipurit, de jucat - Arrivée des musiciens à 00:57:30• * Bernard Lortat-Jacob; Jaques Bouët; Speranta Radulescu. Ambiance avec chats-huants chiens et batraciens divers. Sons intéressants, problèmes de micro• * 1993 A 00 39 00 93.II.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :08-03 BM.995.014.001/19-DEPOT:08-03 00:31:00 Juin ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT ET ENQUETES Sous-table non exportée Sous-table non exportée Dant de tipurit, enregistré sous les cerisiers suivi d'enquêtes sur les registres• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 B+ 00 59 00 93.II.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :09-01 BM.995.014.001/19-DEPOT:09-01 00:15:00 5 juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT (TIPURITURI) ET ENQUETE Sous-table non exportée Sous-table non exportée Dant dehors, entre deux collectes de cerises. Trois dant• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Les dant sont séparés par un silence. Le second est dant de la mariée• * 1993 Début 93.III.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :09-02 BM.995.014.001/19-DEPOT:09-02 00:17:00 5 juillet 1993 ROUMANIE PAYS DE L'OACH,BOINESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT (TIPURITURI) ET ENQUETE Sous-table non exportée Sous-table non exportée Dant de tipurit et de jucat enregistré chez le musicien: alternance de violon, d'informations, de dant sifflés et chantés• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Qualité moyenne• * 1993 00 15 00 93.III.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :09-03 BM.995.014.001/19-DEPOT:09-03 00:50:30 6 juillet 1993 ROUMANIE PAYS DE L'OACH,BIXAD ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT (TIPURITURI) ET ENQUETE Sous-table non exportée Sous-table non exportée Enregistré à la maison, lors d'une petite fête. Présence d'une dizaine jeunes filles, dont Florica, notre jeune voisine. Répertoire de dant de jeunes filles exécuté en choeur. (dant de tipurti, dant de jucat et roata)• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. 1 beau dant: celui de Madame Lusca mère, à 1H01. (1ère fois saturé) qualité d'enregistrement assez médiocre• * 1993 00 37 30 93.III.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :10-01 BM.995.014.001/19-DEPOT:10-01 01:22:00 ROUMANIE PAYS DE L'OACH ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT ET ENQUETE Sous-table non exportée Sous-table non exportée Enquête chez le musicien; les enquêteurs lui proposent les dant (son synthétique Macintosh) qu'il reproduit en les "enrichissant". Dant de tipurti, dant de jucat• Publié dans CD in livre "OACH...", plages 18-20• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 93.IV.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :11-01 BM.995.014.001/19-DEPOT:11-01 01:00:00 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENTRETIEN/ENQUETE SUR LA MUSIQUE DOMNEASCA Sous-table non exportée Sous-table non exportée Entretien dans le jardin, chez les enquêteurs: quelques illustrations musicales, à la voix ou au taragot s'ajoutent à la discussion• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 93.V.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :12-01 BM.995.014.001/19-DEPOT:12-01 01:04:00 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT ET ENQUETE Sous-table non exportée Sous-table non exportée Soirée-fête, à la maison des enquêteurs - suites de dant chantés et accompagnés au violon, entrecoupé d'entretiens . (La zongora est présente à partir de la 3ème suite)• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. La première pièce, d'une quinzaine de minutes est de bonne qualité. La 2ème à 19'45 est très belle et dure 7', sans guitare• * 1993 #. 93.VI.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :13-01 BM.995.014.001/19-DEPOT:13-01 00:56:30 Juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 SUITE DE DANT DE TIPURTI Sous-table non exportée Sous-table non exportée Soirée à la maison avec les meilleurs chanteurs de Moiseni - une suite se compose éventuellement de plusieurs dant enchaînés• CD. Livre sur l'Oach, plage 8. Sélectionné: le premier dant, à 00'46. L'extrait dure 3'36 à partir du début du dant• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** En alternance avec Vasîi Bura [sic!]. Problèmes de micro, localement. A 00'46 = premier dant transcrit au chap. 16B de 00' à 2'40, et 12 B: transcript. complète de 2'19 à 3'36 (compteur à zéro à partir du début de la pièce)• * 1993 A+ Début 93.VII.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :13-02 BM.995.014.001/19-DEPOT:13-02 00:05:40 Juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE JUCAT Sous-table non exportée Sous-table non exportée Soirée à la maison; ce dant de jucat conclut l'ensemble de dant de tipurit précédent• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 00 57 16 93.VII.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :13-03 BM.995.014.001/19-DEPOT:13-03 00:04:00 Juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée Soirée à la maison; ce dant de tipurit s'éxécute sans alternance régulière• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 01 06 00 93.VII.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :13-04 BM.995.014.001/19-DEPOT:13-04 00:02:10 Juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ROATA FECIORILOR Sous-table non exportée Sous-table non exportée Soirée à la maison, se concluant par une roata (ronde)• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• 1993 01 11 00 93.VII.4 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :14-01 BM.995.014.001/19-DEPOT:14-01 00:12:30 11 juillet 1993 ROUMANIE MARAMOURECH ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 SUITE DE DANSES Sous-table non exportée Sous-table non exportée Dejeuner champêtre, sous les arbres• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** (Laurenteanu) Par moments un peu trop de guitare, sinon, le son est bon• * 1993 #. Début 93.VIII.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :14-02 BM.995.014.001/19-DEPOT:14-02 00:33:00 11 juillet 1993 ROUMANIE MARAMOURECH, SARASAV ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 HORA LUNGA, ET ENQUETE Sous-table non exportée Sous-table non exportée Il s'agit de la fameuse hora lunga dete "de Bartok" plusieurs versions successives• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 # 00 13 00 93.VIII.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :14-03 BM.995.014.001/19-DEPOT:14-03 00:30:00 12 juillet 1993 ROUMANIE LAPUSENI** ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 ENSEMBLE DE PIECES PASTORALES, ET ENQUETE Sous-table non exportée Sous-table non exportée Enregistrements réalisés dans les pâturages, chez les bergers, notamment Nicolae Pitis• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. AFTC-...= flûte double• La fiche regroupe plusieurs prestations à la trompe (trimbita), à la flûte, et chantées. La flûte est double, alternée avec chant, lequel s'apparente à la hora lunga• * 1993 93.VIII.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :15-01 BM.995.014.001/19-DEPOT:15-01 00:04:50 12 juillet 1993 ROUMANIE MARAMOURECH (NORD),UNGURENI ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 HORA LUNGA, ET ENQUETE Sous-table non exportée Sous-table non exportée Il s'agit de la fameuse hora lunga dite "de Bartok" plusieurs versions successives• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** (Lui Stefan)• * 1993 Début 93.IX.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :15-02 BM.995.014.001/19-DEPOT:15-02 00:13:00 13 juillet 1993 ROUMANIE NARAMOURECH (NORD),CUPSENI ROUMAINS LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 HORA LUNGA ET ENQUETE Sous-table non exportée Sous-table non exportée Il s'agit de la fameuse hora lunga dite de Bartok• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. C'est de loin la meilleure version et la meilleure chanteuse• * 1993 [A?] 00 13 45 93.IX.2 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :15-03 BM.995.014.001/19-DEPOT:15-03 00:08:00 Juillet 1993 ROUMANIE PAYS DE L'OACH,NEGRESTI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT ET ENQUETE Sous-table non exportée Sous-table non exportée L'enquête porte plus précisément sur les intreiatura et les pont. Gamme descendante exécutée par le violoniste• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu• * 1993 00 36 20 93.IX.3 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :16-01 BM.995.014.001/19-DEPOT:16-01 00:28:00 17 juillet 1993 ROUMANIE PAYS DE L'OACH,TURT ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 SUITE DE DANT DE JUCAT ET DE TIPURIT Sous-table non exportée Sous-table non exportée Enregistré durant une noce: deux violonistes en situation de joute dont l'un est Gheorghe Meti. Deux danses de jucat suivis d'un dant de tipurit transformé en de jucat. A 16'30 essai de la distribution des rôles violon/contra, sans la guitare; à 22' entre un chanteur• Titre de la pièce : "Suite de dant de Juca t et de Tîpurit. *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. ** et Gheorghe Petreulest. Il s'agit d'excellents musiciens mais le résultat est plutôt décevant• * 1993 93.X.1 EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :17-01 BM.995.014.001/19-DEPOT:17-01 00:42:00 3 juillet 1996 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT Sous-table non exportée Sous-table non exportée En compagnie: sont rassemblés les meilleurs chanteurs de Moiseni ainsi que deux jeunes filles, dont Maria Mois. *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. Enregistrement à deux micros disjoints. - 1 violoniste est tsigane. * 1996 96.A 96.A EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :18-01 BM.995.014.001/19-DEPOT:18-01 01:30:00 3 juillet 1993 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT ET ENQUETE SUR LE DANT Sous-table non exportée Sous-table non exportée En compagnie: sont rassemblés les meilleurs chanteurs de Moiseni, ainsi que deux jeunes filles, dont Maria Mois, (elle chante son dant à 00 56 00); les chants de femmes sont à la fin de l'enregistrement. Enregistrement à deux micros disjoints. *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. * 1996 96.B EUROPE +BM.995.014 DAT BM.995.014.001/19-DEPOT :19-01 BM.995.014.001/19-DEPOT:19-01 01:20:00 11 juillet 1996 ROUMANIE PAYS DE L'OACH,MOISENI ROUMAINS;OCHENES LORTAT-JACOB B.; BOUET J.; RADULESCU S. ROUMANIE, 1990-96 DANT DE TIPURIT ET ENQUETE Sous-table non exportée Sous-table non exportée Chez Maria Mois. Soirée entre amis avec information sur son dant. Le violoniste est arrivé en fin de soirée. Publié dans C D in livre "OACH..."; plage 14• *Bernard Lortat-Jacob; Jacques Bouët; Speranta Radulescu. À 00'18 Dant de Maria Mois, (très beau) Reprise à 00'37• * 1996 96.C EUROPE +BM.995.015 DAT BM.995.015.001 :01-01 BM.995.015.001:01-01 00:00:00 TAIWAN TAIWAN:BUNUN N Sous-table non exportée Sous-table non exportée WU,RUNG SHUN 1993 0 ASIE +BM.995.016 DAT BM.995.016.001.001 :01-01 BM.995.016.001.001:01-01 00:00:00 EIRE IRELAND. GUIMBARDE PAR J. WRIGHT N Sous-table non exportée Sous-table non exportée Solo instr UMR9957 1995 0 EUROPE +BM.995.017 K7-C60 BM.995.017.001 :01-01 BM.995.017.001:01-01 00:00:00 AFGHANISTAN "AFGHANISTAN. MUSIQUES POPULAIRES" [PUBLICATION] POESIE MODERNE D'AMOUR Sous-table non exportée Sous-table non exportée Solo voc + instrs DUPAIGEN,BERNARD 1973 0 ASIE +BM.995.018 ØGF;²9,5;PPS;SD BM.995.018.001/02 :01-01 BM.995.018.001/02:01-01 00:00:00 BULGARIE COLL. PROF. N. KAUFMANN. BULGARIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CP-201 K7 BM.995.019.001 :01-01 BM.995.019.001:01-01 00:00:00 MEXIQUE MUSICA POPULAR PARA DIFUNTOS. OAXACA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-202 K7 BM.995.019.002 :01-01 BM.995.019.002:01-01 00:00:00 MEXIQUE MUSICA POPULAR DE CUERDAS DE LA COMARCA LAGUNERA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-203 CDR+Ø* BM.1995.019.003 :01-01 BM.1995.019.003:01-01 00:02:49 MEXIQUE YUCATAN, TIXCACALCUPUL MUSICA POPULAR. JARANAS YUCATECAS AIRES YUCATECOS Sous-table non exportée JARANA 3/4 Sous-table non exportée Enreg. entre 1979 et 1981. Le M1C-TIMBALES est peut-être remplacé par un "REDOBLANTE"• MAX JARDOW PEDERSEN 1979 RELIGIEUX POPULAIRE 0 A-01 AMERIQUE +CP-204 K7 BM.995.019.004 :01-01 BM.995.019.004:01-01 00:00:00 MEXIQUE MUSICA POPULAR. CHILENAS DE LA COSTA CHICA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-205 K7 BM.995.019.005 :01-01 BM.995.019.005:01-01 00:00:00 MEXIQUE MUSICA POPULAR. HUAPANGOS DE LA HUASTECA N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-206 K7 BM.995.019.006 :01-01 BM.995.019.006:01-01 00:00:00 MEXIQUE MUSICA POPULAR. LA CANCION CARDENCHE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-207 K7 BM.995.019.007 :01-01 BM.995.019.007:01-01 00:00:00 MEXIQUE MUSICA POPULAR. MAYAPAX. QUITANA ROO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-208 K7 BM.995.019.008 :01-01 BM.995.019.008:01-01 00:00:00 MEXIQUE MUSICA POPULAR. DANZAS DE VERACRUZ N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CP-209 K7 BM.995.019.009 :01-01 BM.995.019.009:01-01 00:00:00 MEXIQUE MUSICA POPULAR. POLKAS DE NUEVO LEON N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +BM.995.020 Ø13 BM.995.020.001 :01-01 BM.995.020.001:01-01 00:00:00 ITALIE;SARDAIGNE ITALIE; SARDAIGNE: SEMAINE SAINTE (1995) JESU( SAMAINE SAINTE) Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1995 0 EUROPE +BM.996.001 ØGF;²19;PPS;SD BM.996.001.001 :01-01>10 BM.996.001.001:01-01>10 00:36:00 mars95 COTE D'IVOIRE PAYS SENOUFO,NABONGNONKAHA SENOUFO,S.GR. TYEMBARA COTE D'IVOIRE:SENOUFO /LEMAIRE 95 DIX DE CHTS DE TRAVAIL (DAMAGE) Sous-table non exportée KPA'A FELE WUNUYI Sous-table non exportée HS: sur demande. Chts qui accompagnent le damage du sol intérieur d'une case. Les 2 chanteuses ne dament pas. 2) Copie de 10 pièces : 01 = 5'06 (Original =95.7,A3); 02 = 5'25 (Id.,B1); 03 = 2'56 (Id.,B2); 04 = 2'30 (Id.,B3); 05 = 3'24 (Id.,B5); 06 = 3'23 (Id.,B6) cris SATURÉS; 07 = 3'31 (95.10,A1) cris SATURÉS; 08 = 2'44 (Id.,A2 ) cris SATURÉS; 09 = 3'23 (Id.,A 3); 10 = 3'23 (Id.,A ) cris SATURÉS• Duo vocal LEMAIRE,MARIANNE 1995 0 Cf.Remarques AFRIQUE +BM.996.001 ØGF;²19;PPS;SD BM.996.001.001 :01-11,12 BM.996.001.001:01-11,12 00:08:24 mars 95 COTE D'IVOIRE PAYS SENOUFO, NABONGNONKAHA SENOUFO,S.GR. TYEMBARA COTE D'IVOIRE:SENOUFO /LEMAIRE 95 DEUX CHTS DE TRAVAIL (DAMAGE) Sous-table non exportée Sous-table non exportée HS: sur demande. Chts qui accompagnent le damage du sol intérieur d'une case. Ces 2 chts ont été enreg. avant les 10 de. :01-01>10, les F n'ont pas les battes de damage• 2) Copie de 2 pièces: -11=4'18 (Original =95.7,A1; -11=4'06 (Id.,A2)• LEMAIRE, MARIANNE 1995 0 Cf. Remarques AFRIQUE +BM.996.001 ØGF;²19;PPS;SD BM.996.001.001 :01-13>15 BM.996.001.001:01-13>15 00:08:04 mars 95 COTE D'IVOIRE PAYS SENOUFO,NABONGNONKAHA SENOUFO,S.GR. TYEMBARA COTE D'IVOIRE:SENOUFO /LEMAIRE 95 TROIS CHTS DE TRAVAIL (DAMAGE) Sous-table non exportée Sous-table non exportée HS= sur demande. Chts qui accompagnent la dernière étape du damage du sol• 2) 2chts qui se succèdent = de 0'00 à 2'40 et de 3'04 à 5'04; 3eme cht= 3'00• Solo & choeur LEMAIRE,MARIANNE 1995 0 AFRIQUE +BM.996.001 ØGF;²19;PPS;SD BM.996.001.001 :01-16>19 BM.996.001.001:01-16>19 00:06:51 avril 95 COTE D'IVOIRE PAYS SENOUFO,NABONGNONKAHA SENOUFO,S.GR. TYEMBARA COTE D'IVOIRE:SENOUFO /LEMAIRE 95 QUATRE CHTS DE TRAVAIL (DEFRICHAGE) Sous-table non exportée Sous-table non exportée HS: sur demande. Accompagne le défrichage et le battage par les H• 2) pièce 16= 2'21 (Original= 3MA, A1); 17= 1'33 (= 3MA, A5); 18= 1'31 (= 3MA, A8); 19= 1'26 (= 3MA, A10)• Solo & choeur LEMAIRE,MARIANNE 1995 0 Cf. Remarques AFRIQUE +BM.996.002 ØGF;²19;PPS;SD BM.996.002.001/02 :01-01 BM.996.002.001/02:01-01 00:00:00 COTE D'IVOIRE COTE D'IVOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/02 :01-01 BM.996.003.001/02:01-01 00:00:00 BENIN BENIN. TCHETTI 1969 (IFE); PIRA 1958 (ITCHA) Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-01 BM.996.003.001/03:01-01 00:01:05 18/02/1969 BENIN S.P. SAVALOU,TCHETTI NAGO-IFE BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT POUR LA DIVINITE NAA BUKU Sous-table non exportée Sous-table non exportée En situation ? Exécuté au cours d'un rituel hebdomadaire pour célébrer Naa Buku. IFC=cloche métallique à battant externe. = Yoruba(L) 1969 ELOGIEUX 00:00:00 69.2.8 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-02>03 BM.996.003.001/03:01-02>03 00:04:46 18/02/1969 BENIN S.P. SAVALOU,TCHETTI NAGO-IFE BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 CHANTS POUR LA DIVINITE NAA BUKU Sous-table non exportée Sous-table non exportée En situation ? Exécutés au cours d'un rituel hebdomadaire pour célébrer Naa Buku. IFC=cloche métallique à battant externe. 2 chants: 02'01; 02'55. = Yoruba(L) 1969 ELOGIEUX 00:01:06 69.2.9 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-04>06 BM.996.003.001/03:01-04>06 00:08:58 18/02/1969 BENIN S.P. SAVALOU,TCHETTI NAGO-IFE BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 4 CHANTS POUR LA DIVINITE NAA BUKU Sous-table non exportée Sous-table non exportée En situation ? Habituellement exécutés au cours d'un rituel hedomadaire pour célébrer Naa Buku. Ces chants ont été entendus dans le même village, en 1996, lors de cérémonies funéraires. Alternance solo-choeur. Tuilage au moment où la soliste termine sa phrase chantée pendant que le choeur commence sa partie chantée. 4 chants : 03'06 (2 chants); 00'14; 05'58. = Yoruba(L) 1969 ELOGIEUX 00:06:02 69.2.9 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-07 BM.996.003.001/03:01-07 00:11:36 12/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) AUBE POUR BUUKU ATCHOKO Sous-table non exportée Sous-table non exportée Probablement enregistré en situation. Salutation, chant et danse exécutés juste avant et après le coucher du soleil, dédiés à la divinité Buuku Atchoko. Rouget,G. "Un chromatisme africain", l'Homme,1961, vol. 1/2; p.32-46. Le choeur exécute une phrase mélodique sur la voyelle nasale "en". Une soliste intervient quelques fois entre chacune des reprises du choeur, qui à chaque fois fait entendre le même contour mélodique,qui comprend cependant des "inflexions" descendantes (hauteur) sur deux valeurs longues. Vers 06'00: pause, puis changment de soliste. Autre arrêt vers 09'30. Autre cote: BM.998.004.001/08:06-01 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:14:31 58.12-I AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-08 BM.996.003.001/03:01-08 00:04:06 12/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) AIR DE DANSE POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Executé à la demande de G. Rouget. Danse exécutée par les adeptes de Buku Atcholo pendant qu'on accorde les tambours (timbales) qui seront joués par la suite. Entendu en 1996 à Pira (M. Leclair) Alternance solo-choeur (voix parallèles). Un très court extrait faisant entendre le jeu d'un tambour est enchainé, par erreur. Autre cote: BM.998.004.001/08:06-02 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:27:38 58.12-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-09>11 BM.996.003.001/03:01-09>11 00:08:33 12/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 AIRS DE DANSE POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécutés à la demande de G. Rouget. Entendus en 1996 à Pira (M. Leclair) M1 = paire de timbales sur poterie accordées entre elles. IFC=cloche métallique à battant externe. Annonce faite par G. Rouget. 3 pièces: a) (05'50) Annonce faite par G. Rouget, puis solo de timbales. Le choeur entre vers 01'30 , et la cloche vers 04'18. b) (01'29) Alternance entre une soliste et le choeur. c) (01'07) Idem. On perçoit bien l'accord des timbales, lors de leur entrée. Autre cote: BM.998.004.001/08:06-3>6 (sur CD) ; 01'29; 01'07. = Yoruba(L) 1958 RELIGIEUX 00:31:41 58.12-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-12>14 BM.996.003.001/03:01-12>14 00:12:38 12/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 AIRS DE DANSE POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécutés à la demande de G. Rouget. Entendus en 1996 à Pira (M. Leclair) M1= paire de timbales sur poterie accordées entre elles. IFC=cloche métallique à battant externe. Choeur présentant une conduite polyphonique. 3 pièces : 05'27; 02'27; 04'37 Autre cote: BM.998.004.001/08: 06-7>9 (sur CD) = Yoruba(L) 1958 RELIGIEUX 00:40:19 58.12-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :01-15>16 BM.996.003.001/03:01-15>16 00:16:32 15/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 PIECES POUR TAMBOURS ET VOIX Sous-table non exportée Sous-table non exportée En situation ? Ce répertoire n'a pas été repéré en 1996. Il s'agit probablement d'un répertoire de musique de divertissement, et semble être du même type que les chants Toba enregistrés à Pira en 1996 (M. Leclair) M1= timbales ? IFC=cloche métallique à battant externe. Polyphonie en ostinato: choeur en ostinato (sur duex voyelles), pendant que la soliste (H ou F ?) exécute la voix principale (parlé-chanté). On perçoit une autre source sonore en arrièe plan; est-ce un aérophone ? Choeur en polyphonie dans le deuxième chant. 2 pièces: 07'06; 08'25. Autre cote: BM.998.004.001/08:06-10>11 (sur CD) = Yoruba(L) 1958 Non pertinent 00:53:03 58.12-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-01>05 BM.996.003.001/03:02-01>05 00:08:39 12/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 5 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Chants exécutés à la demande G.Rouget dans la case de Naa Buku, grande prêtresse de la divinité Buku Atchoko. Entendus en 1996 à Pira (à l'exception du dernier chant), mais avec un exécutés par un groupe moins nombreux de chanteuses, et de manière moins "élaborée". (M. Leclair) Alternance soliste choeur. 5 chants: 1) (01'34) duo F et chr F. Dans le duo, on distingue une voix principale et une seconde plus ou moins présente à chaque reprise du couplet. 2) (01'58) duo F et chr F (précédé d'un faux départ, qui n'a pas été reproduit sur le CD) 3) ( 01'35) idem; 4) (01'47) idem 5) (01'04) soloF et chr F, ce dernier prolongeant le denier son pendant que la soliste chante. Autre cote: BM.998.004.001/08:07-1>5 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:00:00 58-13-I AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-06>07 BM.996.003.001/03:02-06>07 00:04:48 12/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Chants exécutés à la demande de G. Rouget dans la case de Naa Buku, grande prêtresse de la divinité Buku Atchoko. Entendus en 1996 à Pira (M. Leclair) Alternance silo-choeur. Tuilage entre la fin de la partie chorale et le début de la partie soliste. Pendant l'enregistrement, des femmes parlent assez fort. BC= battement de mains ou frappement sur un objet sourd? 2 chants: 02'42; 02'00. Autre cote: BM.998.004.001/08:07-6>7 (sur CD) = Yoruba (L) 1958 ELOGIEUX 00:08:49 58.13-I AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-08 BM.996.003.001/03:02-08 00:01:24 12/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécuté à la demande G. Rouget, dans la case de Naa Buku, grande prêtresse de la divinité Buku Atchoko. Durant que la soliste exécute sa partie, on entend au 2ème plan soit une autre chanteuse, soit le choeur qui soutiennent et/ou accompagnent la soliste. 1 chant et une annonce (00'16) faite par G. Rouget concernant le début de cette bande. Autre cote: BM.998.004.001/08:07-8 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:13:52 58.13-I AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-09 BM.996.003.001/03:02-09 00:01:59 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) DUO DE TIMBALES Sous-table non exportée Sous-table non exportée Instruments exclusivement joués à l'occasion de manifestations cultuelles concernant a divinité Buku Atchoko. M1=paire de timbales sur poterie, a ccordées entre elles. Accord des 2 timbales (intervalle de 2de ± Maj), puis interprétation d'une pièce. Autre cote: BM.998.004.001/08:07-9 (sur CD) = Yoruba(L) 1958 Non pertinent 00:15:43 58.13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-10 BM.996.003.001/03:02-10 00:02:10 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) DUO DE TIMBALES Sous-table non exportée Sous-table non exportée Instruments exclusivements joués à l'occasion de manifestations cultuelles concernant la divinité Buku Atchoko. M1=paire de timbales sur poterie, accordées entre elles. Accord des 2 timbales (intervalle de 2de ± Maj.), puis interprétation d'une pièce. Autre cote: BM.998.004.001/08:07-10 (sur CD) = Yoruba(L) 1958 Non pertinent 00:17:44 58.13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-11>14 BM.996.003.001/03:02-11>14 00:03:27 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 4 DUO POUR TAPE-CUISSE Sous-table non exportée Sous-table non exportée Instruments exclusivement joués des femmes, le plus souvent de jeunes filles. Se rencontrent rarement aujourd'hui (1996), et ont complètement disparus du village de Pira. IL= tape-cuisse. Courge de forme allongée, évidée et ouverte aux 2 extrémités. Une extrémité vient frapper l'intérieur de la cuisse, tandis que l'autre est bouchée par la paume de la main. 4 courtes pièces( précédées d'un faux départ-00'24"):00'44; 00'40; 00'43; 00'49. Autre cote: BM.998.004.001/08:07-11 (sur CDR) = Yoruba(L) 1958 Non pertinent 00:20:04 58.13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-15 BM.996.003.001/03:02-15 00:03:44 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) ORIKI POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée ALEDJIKA Sous-table non exportée Exécuté à la demande de G. Rouget. Panégyrique. Autre cote: BM.998.004.001/08:07-12 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:23:33 58.13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-16 BM.996.003.001/03:02-16 00:01:25 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Entendu en 1996 à Pira (M. Leclair) De forme couplet refrain. Le couplet est chanté soit par des solistes successives, soit par un duo de femmes. Le refrain est exécuté par le choeur composé des adeptes de Buku Atchoko. Un faux départ précède le chant. Autre cote: BM.998.004.001/08:07-13 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:27:20 58-13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-17>18 BM.996.003.001/03:02-17>18 00:01:53 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécutés à la demande de G. Rouget. Le deuxième chant a été entendu en 1996 à Pira (M. Leclair) Le premier chant est entrepri par une soliste, rejointe presque aussitôt par le choeur. 2 chants: 00'55; 00'49. Autre cote: BM.998.004.001/08:07-14>15 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:28:52 58.13-II AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-19>21 BM.996.003.001/03:02-19>21 00:02:58 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécutés à la demande de G. Rouget. IFC=cloche métallique à battant externe. 3 chants: 1) (01'04) le choeur prolonge son dernier son quand la soliste reprend. 2) (00'58) précédé d'un faux départ (qui n'a pas été reproduit sur le CD). La soliste est parfois "doublée" par une seconde voix plus grave. 3) (00'39) le choeur prolonge son dernier son quand la soliste reprend. Autre cote: BM.998.004.001/08:07-16>18 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:30:48 58.14 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-22>24 BM.996.003.001/03:02-22>24 00:05:29 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécutés à la demande de G. Rouget. 3 chants: 1) (02'12) solo F ou duo F alternant avec choeur F 2) (00'50) idem 3) (02'12) solo F alternant avec chr F. Tuilage entre la fin de la partie chorale et la reprise de la soliste. L'une des voix du choeur possède un timbre qui s'apparente au mirliton. Autre cote: BM.998.004.001/08:07-19>21 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:33:58 58.14 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-25 BM.996.003.001/03:02-25 00:03:14 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécuté à la demande de G. Rouget Les parties en duo font entendre des sections contrapuntique; on distingue une voix principale et une autre qui semble l'accompagner. Tuilage entre la fin e la partie chorale et la reprise du duo. L'une des voix du choeur a un timbre qui s'apparente à celui du mirliton. Autre cote: BM.998.004.001/08:07-22 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:39:37 58.14 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :02-26 BM.996.003.001/03:02-26 00:02:31 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Exécuté à la demande G Rouget. Entendu en 1996 à Pira (M. Leclair) IFC=cloche métalliques à battant externe. Les parties en duo font entendre des sections contrapuntiques. Autre cote: BM.998.004.001/08:07-23 (sur CD) = Yoruba(L) 1958 ELOGIEUX 00:42:55 58.14 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-01>03 BM.996.003.001/03:03-01>03 00:05:38 13/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 PIECES POUR LUTH A 2 CORDES Sous-table non exportée Sous-table non exportée Répertoire de musique à caractère intime (probablement réservé aux hommes), aujourd'hui délaissé dans ce village. Cl= luth à deux cordes auquel s'ajoute, en cours de jeu, le son de buiteurs métalliques. IFC= bouteille de verre frappée. Forme des chants: a) alternance soliste duo, ou b) une voix en ostinato et l'autre qui exécute la ligne mélodique principale. 3 pièces: 01'37; 02'11;01'42. = Yoruba(L) 1958 Non pertinent 00:00:00 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-04 BM.996.003.001/03:03-04 00:01:01 13/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) PIECE POUR LUTH A 2 CORDES Sous-table non exportée Sous-table non exportée Répertoire de musique à caractère intime (probablement réservé aux hommes), aujourdh'ui délaissé dans ce village. Cl= luth à 2 cordes auquel s'ajoute, en cours de jeu, le son de bruiteurs métalliques. = Yoruba (L) 1958 Non pertinent 00:05:43 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-05 BM.996.003.001/03:03-05 00:03:10 13/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) ACCORD D'UN LUTH A 2 CORDES Sous-table non exportée Sous-table non exportée Accord de l'instrument : cordes à vide (distantes d'une 4te), et avec utilisation de la touche (transposition de la 4te, une 2de ±Maj plus haut). CL= luth à 2 cordes auquel s'ajoute, en cours de jeu, le son de buiteurs métalliques. Avec annonce de G. Rouget. = Yoruba(L) 1958 Non pertinent 00:06:47 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-06>08 BM.996.003.001/03:03-06>08 00:06:32 14/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Chants exécutés par les jeunes filles, le soir au clair de lune. Plusieurs de ces chants ont été entendus en 1996. Forme des chants: a) alternance solo-choeur, ou b) choeur en ostinato et soliste exécutant la ligne mélodique principale. 3 chants: 01'19; 02'28; 02'28. = Yoruba(L) 1958 ENFANTIN 00:10:03 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-09>12 BM.996.003.001/03:03-09>12 00:04:05 14/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 4 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Chants exécutés par les jeunes filles ( le soir au clair de lune ?). IL= tape-cuisse; les bruiteurs sont peut-être constitués de bracelets portés par les jeunes filles jouant de ces instruments. Alternance solo-choeur; voix parallèles. 4 chants: 00'30; 00'43; 00'48; 01'55. = Yoruba(L) 1958 ENFANTIN 00:17:11 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-13>14 BM.996.003.001/03:03-13>14 00:06:08 14/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 CHANTS POUR BATTRE LE SOL Sous-table non exportée Sous-table non exportée Chanté pendant qu'on bat le sol avec une truelle. Les chanteuses sont en position accroupies. IL= truelle dont les femmes se servent pour battre le sol. Alternance solo-choeur; le timbre particulier de la voix (avec, entre autre, la présence de vibrato) pourrait être lié à la position des chanteuses qui sont accroupies. 2 chants: 01'48; 04'15; = Yoruba(L) 1958 Non pertinent 00:21:20 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-15 BM.996.003.001/03:03-15 00:03:48 14/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) CHANT DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Chant exécuté par les jeunes filles, le soir au clair de lune. Alternance solo-choeur. = Yoruba(L) 1958 ENFANTIN 00:27:28 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-16>17 BM.996.003.001/03:03-16>17 00:01:41 14/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Chants exécutés par les adeptes de Buku Atchoko, en remerciement pour de l'argent reçu. Soliste= Sodja . Duo: 2 adeptes de la Buku Atchoko. 2 chants: 00'49; 00'50. = Yoruba(L) 1958 ELOGIEUX 00:31:18 58.15 AFRIQUE +BM.996.003 ØGF;²19;PPM;SD BM.996.003.001/03 :03-18 BM.996.003.001/03:03-18 00:04:01 15/11/1958 BENIN S.P. BANTE,PIRA NAGO-ITCHA BENIN. IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 2 PIECES POUR XYLOPHONE SUR JAMBES Sous-table non exportée Sous-table non exportée Instrument joué par les hommes au champ, durant les périodes de repos. Maintenant délaissé dans la région (1996). Le xylophone est constitué de lames de bois (3 ou 4) déposées transversalement sur les jambes du musicien, et frappés avec 2 pierres (une dans chaque main). 2 pièces: 02'22; 01'37. = Yoruba(L) 1958 Non pertinent 00:33:09 58.16 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :01-01 BM.996.004.001/10:01-01 00:02:10 27/09/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANT POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée N Sous-table non exportée Foule nombreuse et bruyante. Les instrumentistes se "réchauffent". Les chanteuses dansent. Cloche métallique à battant externe. Interventions ponctuelles de la soliste. = Yoruba(L) 1996 ELOGIEUX DAT-96.1.5 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :01-02 BM.996.004.001/10:01-02 00:08:30 10/10/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 9 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Chants exécutés à ma demande. Enregistrements faits dans la case de la prêtresse Na Buku. Choeur constitué d'un petit groupe de femmes (4 à 6); alternance, soliste-choeur. 9 chants: 00'35; 00'31; 00'40; 00'35; 01'26; 00'53; 00'47; 00'49; 01'00. = Yoruba(L) 1996 ELOGIEUX DAT-96.4 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :01-03 BM.996.004.001/10:01-03 00:30:39 20/11/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 26 CHANTS POUR LA DIVINITE BUKU ATCHOKO Sous-table non exportée Sous-table non exportée Chants exécutés à ma demande. Enregistrements faits dans la case de la prêtresse Na Buku. Choeur constitué d'un petit groupe de femmes (4 à 6); alternance soliste-choeur. 26 chants: 00'54; 01'13; 00'56; 01'04; 00'50; 01'13; 00'55; 00'59; 00'46; 01'10; 00'56; 00'51; 00'37; 00'30; 00'49; 00'51; 00'58; 00'55; 00'52; 01'24; 01'00; 00'49; 00'30; 01'04; 01'21; 02'07. = Yoruba(L) 1996 ELOGIEUX DAT-96.17.1>25 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :01-04 BM.996.004.001/10:01-04 00:22:30 11/10/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 UNE PIECE D'INTRODUCTION ET 3 CHANTS POUR LA DIVINITE BUKU BANON Sous-table non exportée Sous-table non exportée Chants exécutés à ma demande. Les chanteuses dansent. M1 = timbales sur poterie. Cloche métallique à battant externe. Pièce d'introduction: rythme d'appel (timbales; 01'45) 3 chants; alterance soliste choeur: 05'57; 03'43; 06'55. Pièce de conclusion: timbales & cloche (01'07). = Yoruba(L) 1996 ELOGIEUX DAT-96.6.1>4 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :01-05 BM.996.004.001/10:01-05 00:08:35 23/11/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 3 CHANTS POUR LA DIVINITE BUKU BANON Sous-table non exportée Sous-table non exportée Les chanteuses dansent. M1 = timbales sur poterie. Cloche métallique à battant externe. 3 chants; choeur peu nombreux. Alternance soliste-choeur: 03'45; 01'31; 02'45. = Yoruba(L) 1996 ELOGIEUX DAT-96.19.1>4 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :02-01 BM.996.004.001/10:02-01 00:18:15 23/11/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 5 CHANTS POUR LA DIVINITE BUKU BANON Sous-table non exportée Sous-table non exportée Les chanteuses dansent. M1 = timbales sur poterie. Cloche métallique à battant externe. 5 chants; alternance soliste choeur: 05'09; 00'27; 04'46; 04'12; 02'17. = Yoruba(L) 1996 ELOGIEUX DAT-96.19.5>13 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :02-02>12 BM.996.004.001/10:02-02>12 00:54:18 11/11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 16 CHANTS POUR LA DIVINITE NONON ADJAKPA. Sous-table non exportée Sous-table non exportée Cloche métallique à battant externe. 16 chants; alternance soliste-choeur: 01'40; 02'19; 02'25; 01'53; 02'38; 02'55; 03'27; 03'05; 02'46; 02'06; 05'54; 03'29; 04'58; 06'47; 04'40; 02'54• = Yoruba(L) 1996 ELOGIEUX DAT-96.14.1>12 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :03-01>04 BM.996.004.001/10:03-01>04 00:19:49 11/ 11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 4 CHANTS POUR LA DIVINITE NONON ADJAKPA Sous-table non exportée Sous-table non exportée Cloche métallique à battant externe. 4 chants; alternance soliste-choeur; 02'02; 04'28; 06'35; (défaut entre 04' et 05'); 06'44. = Yoruba(L) 1996 ELOGIEUX DAT-96.14>26 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :03-05 BM.996.004.001/10:03-05 00:02:53 11/11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 ORIKI POUR LA DIVINITE NAA BUKU Sous-table non exportée ALEDJIKA Sous-table non exportée Interprété sur la terrasse du couvent des adeptes de Naa Buku. Panégyrique. Soliste: Aditche Amuro. Choeur: les Nonon Ndale. Chant: texte chanté par la soliste, ponctué du choeur qui chante sur des syllabes. = Yoruba(L) 1996 ELOGIEUX DAT-96.14.22 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :03-06 BM.996.004.001/10:03-06 00:01:51 11/11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 ORIKI POUR SHAPANAN Sous-table non exportée ALEDJIKA Sous-table non exportée Interprété sur la terrasse du couvent des adeptes de Naa Buku. Panégyrique. Soliste: Ahounton-Onton Tolodou (Ogalagbe). Choeur: les Nonon Ndale. Certaines parties du chant = alternance soliste-choeur, et d'autres parties = soliste et choeur ensemble. = Yoruba(L) 1996 ELOGIEUX DAT-96.14.23 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :03-07 BM.996.004.001/10:03-07 00:01:24 11/11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 ORIKI POUR NAA BUKU Sous-table non exportée ALEDJIKA Sous-table non exportée Interpreté à ma demande, malgré la mauvaise qualité de la voix de cette personne agée, au dire, des gens présents lors de l'enregistrement. Panégyrique. Défaut de ruban (DAT), audible à un moment. = Yoruba(L) 1996 ELOGIEUX DAT-96.14.26 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :03-08>17 BM.996.004.001/10:03-08>17 00:44:30 23/10/1996 BENIN S.P.SAVALOU,TCHETTI NAGO-IFE LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 10 CHANTS POUR LA DIVINITE NAA BUKU Sous-table non exportée Sous-table non exportée En contexte: chants exécutés tôt le matin, dans la cour d'une défunte. Les chanteuses constituant le choeur dansent en cercle, et tiennent un long bâton à la main. Cloche métallique à battant externe, jouée par une adepte de Naa Buku. 10 chants: alternance soliste-choeur; 05'11; 05'20; 06'15; 05'19; 02'17; 04'20; 01'36; 04'37; 04'08; 05'27. = Yoruba(L) 1996 ELOGIEUX DAT-96.7.1 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :04-01 BM.996.004.001/10:04-01 00:09:42 23/10/1996 BENIN S.P.SAVALOU,TCHETTI NAGO-IFE LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANT POUR LA DIVINITE NAA BUKU Sous-table non exportée Sous-table non exportée Enregistrement en situation. Chant exécuté tôt le matin dans la cour d'une défunte. Les chanteuses constituant le choeur dansent en cercle et tiennent un long bâton à la main. Cloche métallique à battant externe, jouée par une adepte de Naa Buku. = Yoruba(L) 1996 ELOGIEUX DAT-96.7.1 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :04-02 BM.996.004.001/10:04-02 00:26:50 24/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 SEANCE CHEZ LE DEVIN ODU Sous-table non exportée IFA Sous-table non exportée Enregistrement réalisé à l'intérieur de la case du chef des devins, à ma demande. Incantation, divination. IFC=Idiophone inconnu. Cloche métallique à battant externe. Séance de divination comprenant une suite d'événements musicaux différents: récitation, chant (alternance soliste-choeur) accompagné ou non par le rythme des idiophones. = Yoruba(L) 1996 MYTHIQUE DAT-96.20.1>17 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :04-03 BM.996.004.001/10:04-03 00:19:58 24/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 2 ORIKI ET 1 CHANT POUR LA DIVINITE SHAPANAN Sous-table non exportée ALEDJIKA Sous-table non exportée Enregistrement à ma demande à l'intérieur d'une pièce du couvent des adeptes de Shapanan. Les musiciens sont assis, et retiennent leur jeu. Interprètes: adeptes de Shapanan et jeunes gens en cours d'initiation. Panégyrique. Cloche métallique à battant externe. Les 2 premiers chants (00'39 & 01'05) a capella, sans accompagnement, sont des incantations. Le 3° est un chant du repertoire consacré à Shapanan (18'16). = Yoruba(L) 1996 ELOGIEUX DAT-96.20.18 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :04-04 BM.996.004.001/10:04-04 00:13:21 11/10/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 ORIKI (?) & CHANT POUR LA DIVINITE SAKPATA Sous-table non exportée ALEDJIKA Sous-table non exportée Enregistrement inégal, foule bruyante. A Bonon, on parle de Sakpata et non pas de Shapanan. Cloche métallique à battant externe. Choeur = adeptes de la divinité Sakpata. 1° chant d'introduction (1'26) par une soliste accompagnée de la cloche. 2° chant (11'43) par l'ensemble (alternance soliste-choeur, avec accompagnement des instrumentistes. = Yoruba(L) 1996 ELOGIEUX DAT-96.6.5>7 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :04-05 BM.996.004.001/10:04-05 00:01:03 11/10/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANT POUR LA DIVINITE SAKPATA Sous-table non exportée Sous-table non exportée Foule bruyante. A Banon, on parle de Sakpata et non pas de Shapanan. Choeur = adeptes de la divinité Sakpata. Cloche métallique à battant externe. = Yoruba(L) 1996 ELOGIEUX DAT-96.6.7 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :05-01>11 BM.996.004.001/10:05-01>11 01:09:34 23/10/1996 BENIN S.P. SAVALOU,TCHETTI NAGO-IFE LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 11 CHANTS POUR LES DIVINITES SHAPANAN ET ORISHA AGBADJI Sous-table non exportée Sous-table non exportée Les filles en cours d'initiation forment un large cercle au cente duquel je me suis placée pour enregister, d'où la prise de son parfois défaillante. Choeur = adeptes de Shapanan et de Orisha Agbadji. Cloche métallique à battant externe. 11 chants: alternance soliste-choeur, ponctués de voix ioulées: 11'44; 06'10; 08'11; 15'31; 05' 45; 01'55; 01'36; 04'22; 06'03; 01'54; 06'18. = Yoruba(L) 1996 ELOGIEUX DAT-96.8.1>11 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :06-01>04 BM.996.004.001/10:06-01>04 00:20:23 23/10/1996 BENIN S.P. SAVALOU,TCHETTI NAGO-IFE LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 5 CHANTS POUR LES DIVINITES SHAPANAN & ORISHA AGBADJI. Sous-table non exportée Sous-table non exportée Les filles en cours d'initiation forment un large cerle au centre duquel je me suis placée pour enregistrer. Choeur = adeptes des divinités Shapanan & Orisha Agbadji. Cloche métallique à battant externe. 5 chants; alternance soliste-choeur, ponctués de voix ioulées: 05'30; 03'35; 04'17; 02'12; 05'01. = Yoruba(L) 1996 ELOGIEUX DAT-96.8.12>17 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :06-05 BM.996.004.001/10:06-05 00:15:38 27/10/1996 BENIN S.P.BANTE,AGOUA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANTS POUR LA DIVINITE SHAPANAN Sous-table non exportée Sous-table non exportée Les instrumentistes et chanteurs sont assis en demi-cercle; quelques uns se lèvent, tout à tour, pour venir danser. M2V joué par une jeune fille. Cloche métallique à battant externe. Choeur: futurs adeptes de Shapanan (en cours d'initiation). Plusieurs chants qui s'enchaînent sans que les moments de transition soient facilement repérables. Alternance soliste-choeur. = Yoruba(L) 1996 ELOGIEUX DAT-96.11.1 >3 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :06-06>09 BM.996.004.001/10:06-06>09 00:27:08 18/11/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 6 AIRS DE DANSE Sous-table non exportée TOBA Sous-table non exportée Exécutés à mon intention. Radio en arrière plan. Choeur formé d'adolescents (filles et garçons) qui dansent par petits groupes, sous la direction d'un jeune homme. Répertoire récemment importé de Dassa-Zoumé• Cloche = plaque de métal enroulée. Battant externe. 6 chants. Introduction par le chanteur soliste, puis longues parties chorales entrecoupées de passages ± longs du soliste: 03'14; 04'02; 05'54; 04'16; 03'44; 05'53• = Yoruba(L) 1996 Non pertinent DAT-96.16.1>5 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :06-10 BM.996.004.001/10:06-10 00:10:18 29/09/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 4 CHANTS DE CHASSEURS Sous-table non exportée IJELE Sous-table non exportée Habituellement exécuté avant un voyage de chasse important. Les chants s'adressent à la divinité Ogun. Le soliste danse en portant un crâne de boeuf. IE = Paires de cornes de boeuf. Cloche métallique à battant externe. Choeur = chasseurs. 4 chants: alternance soliste-choeur, répétitifs: 03'10; 01'45; 01'39; 03'44. = Yoruba(L) 1996 ELOGIEUX DAT-96.1.14 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :07-01>04 BM.996.004.001/10:07-01>04 00:17:33 11/10/1996 BENIN S.P.BANTE,BANON NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 MUSIQUE DE DANSE GELEDE (4 CHANTS) Sous-table non exportée ORIN Sous-table non exportée Rituel de fertilité. Sortie de masque organisée à mon intention, en plein après-midi. IS= Hochets fixés en grappes aux chevilles du danseur. Cloche métallique à battant externe. 1° chant (04'56) = choeur d'enfants. 2° chant (05'23) = intro d'un soliste (le danseur porte le masque) suivi du choeur d'enfants. 3° et 4° chants (02'39 & 04'35) = choeur d'enfants. = Yoruba(L) 1996 NARRATIF DAT-96.6.8>11 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :07-05>14 BM.996.004.001/10:07-05>14 00:47:21 10/11/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 10 CHANTS GELEDE Sous-table non exportée ORIN Sous-table non exportée Rituel de fertilité. Version intime des chants qui furent composés et exécutés publiquement lors de la fêterituelle Gèlèdè au printemps 1996. IFC=bouteille de verre frappée. Un chanteur principal accompagné d'un autre. A ce duo vient se joindre un troisième chanteur qui frappe aussi la bouteille, à la toute fin de chaque chant. 10 chants: 04'22; 05'00; 08'04; 03'35; 03'40; 05'09; 02'53; 06'40; 04'21; 03'37. = Yoruba(L) 1996 NARRATIF DAT-96.12/13 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :08-01>10 BM.996.004.001/10:08-01>10 00:58:27 12/11/1996 BENIN S.P.BANTE,DJAGBALO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 10 CHANTS GELEDE Sous-table non exportée ORIN Sous-table non exportée Enregistré à l'intérieur (d'où l'écho). Ces chants ont été composés et exécutés publiquement lors de la fête rituelle Gèlèdè au printemps 1996. 1° partie du chant = agbagba ? IFP = plaque de métal frappée. 10 chants; 1° partie soliste, ponctuée de courts passages avec le tambour. Un choeur de 3 hommes dont l'un frappe sur une plaque métallique se joint au chanteur et au joueur de tambour pour la toute dernière partie du chant. 14'36; 06'09; 10'45; 02'03; 01'07; 03'19; 02'06; 07'45; 05'48; 04'49. = Yoruba(L) 1996 NARRATIF DAT-96.15.1>18 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :08-11 BM.996.004.001/10:08-11 00:06:54 23/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANT DE LOUANGE GELEDE Sous-table non exportée AGBAGBA Sous-table non exportée Style dithyrambique. Chant composé pour la fête rituelle Gèlèdè du printemps 1996. Habituellement exécuté à l'intérieur d'une enceinte, par le porteur du masque masculin. IFC = Ustensile de cuisine. Longue partie soliste comprenant une courte section où chante le choeur (17 hommes) à l'unission. Partie finale: choeur (voix ± parallèles) accompagné du jeu de l'idiophone. = Yoruba(L) 1996 ELOGIEUX DAT-96.19.14 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :08-12 BM.996.004.001/10:08-12 00:08:01 23/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 CHANT GELEDE Sous-table non exportée ORIN Sous-table non exportée Chant composé pour la fête rituelle Gèlèdè du printemps 1996. Habituellement éxécuté en public, par l'un des porteurs de masque. IFC= Ustensile de cuisine. Longue partie soliste à laquelle s'enchaîne la partie finale, faisant entendre le choeur (17 hommes) et le jeu de l'idiophone frappé. = Yoruba(L) 1996 NARRATIF DAT-96.19.14 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :09-01>04 BM.996.004.001/10:09-01>04 00:27:01 23/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 4 CHANTS GELEDE Sous-table non exportée ORIN Sous-table non exportée Chants composés pour la fête rituelle Gèlèdè du printemps 1996. Habituellement exécuté en public, par l'un des porteurs de masque. IFC = ustensile de cuisine. Solistes = Adissa Daniel, Iroko Pierre, Degny Joseph. Longue partie soliste à laquelle s'enchaîne la partie finale faisant entendre le choeur (17 hommes) et le jeu de l'idiophone frappé. 4 chants: 05'34; 08'12; 06'18; 06'57. = Yoruba(L) 1996 NARRATIF DAT-96.19.14>17 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :09-05 BM.996.004.001/10:09-05 00:09:02 23/11/1996 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 LOUANGE ET CHANT GELEDE (MORCEAU EN 2 PARTIES) Sous-table non exportée AGBAGBA & ORIN Sous-table non exportée Style dithyrambique. Composé à l'occasion de la fête rituelle Gèlèdè du printemps 1996. Habituellement exécuté par le porteur du masque masculin: 1° partie à l'intérieur d'une enceinte, 2° partie en public. IFC = Ustensile de cuisine. 2 parties différentes qui s'enchaînent, chacune se terminant par une section chorale (17 hommes) accompagnée du jeu de l'idiophone frappé. = Yoruba(L) 1996 NARRATIF DAT-96.19.18 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :09-06>14 BM.996.004.001/10:09-06>14 00:34:24 10/11/1996 BENIN S.P.BANTE,BANTE NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 9 PIECES POUR ENSEMBLE DE TROMPES ROYALES Sous-table non exportée Sous-table non exportée Pièces interprétées à ma demande dans la cour de la famille royale. Habituellement jouées lors d'évènements importants (mariage, funérailles...) concernant un membre de la famille royale. ATT = trompes d'ivoire. Cloche métallique à battant externe. Joueurs de trompes: princes de la famille Lahourou. Cinq trompes qui jouent à 4 voix (2 sont quasiment à l'unisson), en utilisant la technique du hoquet. 9 pièces: 04'15; 03'35; 04'11; 03'37; 03'17; 02'51; 05'39; 03'11; 03'48. = Yoruba (L) 1996 Non pertinent DAT-96.13.1>8 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :10-01 BM.996.004.001/10:10-01 00:30:17 24/10/1996 BENIN S.P.SAVALOU,TCHETTI NAGO-IFE LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 24 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Chants des jeunes filles au clair de lune, exécutés et enregistrés à ma demande. 24 chants courts de 2 formes différentes: 1) alternance soliste-choeur, ou 2) choeur en basse continue par dessus lequel la soliste évolue. = Yoruba(L) 1996 ENFANTIN DAT-96.10.1>2 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :10-02 BM.996.004.001/10:10-02 00:33:21 08/11/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 18 CHANTS DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Chants des jeunes filles au clair de lune interprétés et enregistrés à ma demande. 18 chants courts. De forme couplet-refrain (alternance soliste-choeur). Des changements de rythme (sur le même tempo) interviennent souvent au cours d'un chant. = Yoruba (L) 1996 ENFANTIN DAT-96.12.1>2 AFRIQUE +BM.996.004 CDR BM.996.004.001/10 :10-03 BM.996.004.001/10:10-03 00:10:20 18/11/1996 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 MUSIQUE DE LIGNAGE Sous-table non exportée TULU Sous-table non exportée Répertoire qui pourrait être lié à un lignage, et très ancien. Enregistrement effectué le soir, à ma demande. Tambour frappé sur les 2 membranes. Aérophones: flûtes faites d'une petite corne (double encoche ?). Cloche métallique à battant externe. = Yoruba(L) 1996 Non pertinent DAT-96.16.6>7 AFRIQUE +BM.996.005 DAT BM.996.005.001 :01-01 BM.996.005.001:01-01 00:00:00 IRAN IRAN:JALIL SHANHNAZ (TAR), MOHAMMAD GHAVI-HELM (ZARB) Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.996.006 DAT BM.996.006.001/07 :01-01 BM.996.006.001/07:01-01 00:00:00 VIETNAM VIETNAM; NORD /PITOEFF 96 Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.996.007 K7-C60 BM.996.007.001 :01-01 BM.996.007.001:01-01 00:00:00 TIBET "TIMBRE & ATTRIBUTIONS SYMBOL. DANS LA M. DU BOUDDHISME TIBETAIN"[EX. POUR DEA] Sous-table non exportée Sous-table non exportée 0 ASIE +BM.996.008 CDR BM.996.008.001/02 :01-01 BM.996.008.001/02:01-01 00:00:00 BENIN PORTO-NOVO GUN ROUGET,G. MASTER CD ACCOMPAGNANT _UN ROI AFRICAIN & SA M. DE COUR_ Sous-table non exportée Sous-table non exportée -1 AFRIQUE +BM.996.009 CDR BM.996.009.001 :01-01 BM.996.009.001:01-01 00:00:00 YEMEN SANA'A YEMENITES LAMBERT,J. PRE-MASTER CD ACCOMPAGNANT _LA MEDECINE DE L'AME_ Sous-table non exportée Sous-table non exportée LAMBERT,JEAN -1 ASIE +BM.996.010 CDR BM.996.010.001 :01-01 BM.996.010.001:01-01 00:00:00 TAIWAN BUNUN WU,R.S. MONTAGE POUR THESE Sous-table non exportée Sous-table non exportée -1 ASIE +BM.996.011 CDR BM.996.011.001/05 :01-01 BM.996.011.001/05:01-01 00:00:00 -1 CUBA COPIE DE DI. DE CUBA N Sous-table non exportée Sous-table non exportée Copie de 2 disques 30/33. Plages -01 à -19 = "Viejos Cantos", vol 1 EGREM LD 3325. Plages -20 à -23 = "Musica Iyesa "Vol. 3, EGREM LD 3767• -1 0 AMERIQUE +BM.996.011 CDR BM.996.011.001/05 :02-01 BM.996.011.001/05:02-01 00:00:00 CUBA COPIE DE DI. DE CUBA Sous-table non exportée Sous-table non exportée Copie de 2 disques 30/33 sur CD Plages -01 à -18 = "Oru de Igbodu", EGREM LD 3995 vol. 2. Plages -19 à -20 = "Fiesta de Bembé", EGREM LD 3997 vol. 3• 0 AMERIQUE +BM.996.011 CDR BM.996.011.001/05 :03-01 BM.996.011.001/05:03-01 00:00:00 CUBA COPIE DE DI. DE CUBA Sous-table non exportée Sous-table non exportée Copie de 2 disques 30/33. Plages -01 à -19 = "Musica Arara", EGREM LD 3996, vol.4. Plages -20 à -41 = "Congos", EGREM LD 4493, vol.9• 0 AMERIQUE +BM.996.011 CDR BM.996.011.001/05 :04-01 BM.996.011.001/05:04-01 00:00:00 CUBA CUBAINS COPIE DE DI. DE CUBA Sous-table non exportée Sous-table non exportée Copie de 2 disques 30/33. Plages -01 à -06 = "Tambor Yuka", EGREM LD 3994 vol. 5. Plages -07 à -13 = "Tumba Francesa "EGREM LD 3606 face A, vol-7A• 0 AMERIQUE +BM.996.011 CDR BM.996.011.001/05 :05-01 BM.996.011.001/05:05-01 00:00:00 CUBA CUBAINS COPIE DE DI. DE CUBA Sous-table non exportée Sous-table non exportée Copie de 2 disques 30/33. Plages -01 à -02 = "Tumba Francesa", EGREM LD 3606, Face B, Vol 7B. Plages -0 3 à -15 = "Toque de Guiros", EGEMLD4483, vol. 8• 0 AMERIQUE +BM.997.001 CDR BM.997.001.001/03 :01-01 BM.997.001.001/03:01-01 00:00:00 BOLIVIE POTOSI CALCHA MARTINEZ,R.; BOLIVIE: CALCHA; MISSION1996 & JALQ'A; MISSION 1995 Sous-table non exportée Sous-table non exportée 1996 0 AMERIQUE +BM.997.001 CDR BM.997.001.001/03 :02-01 BM.997.001.001/03:02-01 00:00:00 BOLIVIE POTOSI CALCHA MARTINEZ,R.; BOLIVIE: CALCHA; MISSION1996 & JALQ'A; MISSION 1995 Sous-table non exportée Sous-table non exportée 1996 AMERIQUE +BM.997.001 CDR BM.997.001.001/03 :03-01 BM.997.001.001/03:03-01 00:00:00 BOLIVIE POTOSI CALCHA MARTINEZ,R.; BOLIVIE: CALCHA; MISSION1996 & JALQ'A; MISSION 1995 Sous-table non exportée Sous-table non exportée 1996 AMERIQUE +BM.997.001 CDR BM.997.001.001/03 :03-08 BM.997.001.001/03:03-08 00:00:00 BOLIVIE REGION DE SUCRE JALQ'A MARTINEZ,R.; BOLIVIE: CALCHA; MISSION1996 & JALQ'A; MISSION 1995 Sous-table non exportée Sous-table non exportée 1995 AMERIQUE +BM.997.002 Divers* BM.997.002.001/02 :01-01 BM.997.002.001/02:01-01 00:00:00 MAROC BERTRAND,RENE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.997.003 K7-C60 BM.997.003.001 :01-01 BM.997.003.001:01-01 00:00:00 MONDE YIDDISH TIERCE,V;_CLARINETTE & YDDISHLAND_ RAPPORT I.F.E.D.E.M. Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BM.1997.004 CDR BM.1997.004.001/14 :01-01 BM.1997.004.001/14:01-01 00:02:16 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE QUETE POUR L'ACHOURA Sous-table non exportée Sous-table non exportée Rythmique enfantine. Au début, 0'55 de "préparation". Cri d'un enfant dans les micros. A la fin de la pièce, des jeunes filles interviennent avec un chant pour la pluie• ROVSING OLSEN,MIRIAM 1996 ENFANTIN 0 Dat 1 AFRIQUE +BM.997.005 K7 BM.997.005.001 :01-01 BM.997.005.001:01-01 00:00:00 ITALIE;SICILE ITALIE:SICILE [EXEMPLES POUR MAITRISE] Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BM.997.006 K7-C60 BM.997.006.001 :01-01 BM.997.006.001:01-01 00:00:00 ILE DE LA REUNION ILE DE LA REUNION [EXEMPLES POUR MAITRISE] Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.997.007 K7-C60 BM.997.007.001 :01-01 BM.997.007.001:01-01 00:00:00 NEPAL NEPAL:NEWAR /BERNEDE,F.:DEA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-01 K7-C60 BM.997.008.001 :01-01 BM.997.008.001:01-01 00:00:00 MALAYSIA;SARAWAK MAJLIS ADAT ISTIADAT, SARAWAK; ORANG ULU TRAD. MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.009 K7-C60 BM.997.009.001 :01-01 BM.997.009.001:01-01 00:00:00 AFRIQUE DU SUD AFRIQUE DU SUD,BOTSWANA: BOCHIMAN !KUNG /PUNTOS,D.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.997.009 K7-C60 BM.997.009.001 :01-02 BM.997.009.001:01-02 00:00:00 BOTSWANA AFRIQUE DU SUD,BOTSWANA: BOCHIMAN !KUNG /PUNTOS,D.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM.997.010 K7-C60 BM.997.010.001 :01-01 BM.997.010.001:01-01 00:00:00 GEORGIE GEORGIE /BRIERE,S.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BM.997.011 K7-C60 BM.997.011.001 :01-01 BM.997.011.001:01-01 00:00:00 TIBET TIBET/HEYRIES,P.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.012 K7-C60 BM.997.012.001 :01-01 BM.997.012.001:01-01 00:00:00 JAPON JAPON /PEPIN,C.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.013 K7-C60 BM.997.013.001 :01-01 BM.997.013.001:01-01 00:00:00 TIBET TIBET /PASCAL,R.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.014 K7-C60 BM.997.014.001 :01-01 BM.997.014.001:01-01 00:00:00 TURQUIE TURQUIE /KRUGELL,PH.: MEMOIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.015 Ø13;²19;PPM BM.997.015.001 :01-01 BM.997.015.001:01-01 00:00:00 SENEGAL SENEGAL: BEDIK,BASSARI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +9005-M K7 BM.997.016.001 :01-01 BM.997.016.001:01-01 00:00:00 CHINE TEMPLE TAOISTE DU NUAGE BLANC Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-8-ZCCMA-51 K7 BM.997.016.002 :01-01 BM.997.016.002:01-01 00:00:00 CHINE RECITATIONS DU MATIN AU BOUDDHA SAKYAMUNI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SO-21 K7 BM.997.016.003 :01-01 BM.997.016.003:01-01 00:00:00 CHINE BOUDDHISME TIBETAIN (FUGIAN) Sous-table non exportée Sous-table non exportée 0 0 ASIE +CGW-230 K7 BM.997.016.004 :01-01 BM.997.016.004:01-01 00:00:00 CHINE FLIGHTS OF THE WHITE CRANES. TEMPLE TAOISTE DU NUAGE BLANC,BEIJING Sous-table non exportée Sous-table non exportée 0 0 ASIE +SO-22 K7 BM.997.016.005 :01-01 BM.997.016.005:01-01 00:00:00 CHINE PSALMODIES TAOISTES AU TEMPLE DU NUANGE BLANC(2), BEIJING Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-02 K7 BM.997.016.006 :01-01 BM.997.016.006:01-01 00:00:00 CHINE MUSIQUE INSTRUMENTALE DE CHINE-VOL.1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-03 K7 BM.997.016.007 :01-01 BM.997.016.007:01-01 00:00:00 CHINE MUSIQUE INSTRUMENTALE DE CHINE-VOL.2 Sous-table non exportée Sous-table non exportée 0 ASIE +BM.997.017 K7 BM.997.017.001 :01-01 BM.997.017.001:01-01 00:00:00 IRAN IRAN /YOUSSEFZADEH,A.: THESE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.997.018 K7 BM.997.018.001 :01-01 BM.997.018.001:01-01 00:00:00 CHILI CARNAVAL EN AIQUINA. TIEMPO DEL VERDE; TIEMPO DE LLUVIA N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM.997.019 DAT BM.997.019.001/05 :01-01 BM.997.019.001/05:01-01 00:00:00 VIETNAM VIETNAM: NORD/PITOEFF 97 Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM.998.001 Ø13;²19;PPM BM.998.001.001/30 :01-01 BM.998.001.001/30:01-01 00:00:00 BULGARIE LE GONIDEC, M-B; MISSION 1992-93:BULGARIE Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.998.002 CDR BM.998.002.001/07 :01-01 BM.998.002.001/07:01-01 00:03:15 26/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI, PRESENTATION CYMBALES NEUVES Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année. Enreg. en situation. Présentation de 4 paires de cymbales neuves au maitre de chant, pour qu'il en vérifie la qualité. Les 4 paires sont jouées successivement, dans l'ordre où elles sont énumérées dans la rubrique Voix/ Instr• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :01-02>14 BM.998.002.001/07:01-02>14 01:03:40 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI (SUITE) Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année• - Cet ensemble est la composition normale de l'ensemble instrumental monastique. Le choeur est constitué de l'ensemble des moines présents. Les cymbales IFP- SBUG CHAL sont jouées par le maître de chant, les cymbales IFP-SIL SNYAN par son acolyte; la cloche et le tbr M2C-DAMARU sont joués par le célébrant. - ATT-DUNG DKAR = conque• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :02-01 BM.998.002.001/07:02-01 00:46:03 04/02/1997 TIBET (NEPAL) ENREG. A BODHATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI (SUITE) Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année. - Cet ensemble est la composition normale de l'ensemble instrumental monastique. Le choeur est constitué de l'ensemble des moines présents. Les cymbales IFP- SBUG CHAL sont jouées par le maître de chant, les cymbales IFP-SIL SNYAN par son acolyte; la cloche et le tbr M2C-DAMARU sont joués par le célébrant. - ATT-DUNG DKAR = conque• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :03-01 BM.998.002.001/07:03-01 01:13:28 04/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI (SUITE) Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année. - Cet ensemble est la composition normale de l'ensemble instrumental monastique. Le choeur est constitué de l'ensemble des moines présents. Les cymbales IFP- SBUG CHAL sont jouées par le maître de chant, les cymbales IFP-SIL SNYAN par son acolyte; la cloche et le tbr M2C-DAMARU sont joués par le célébrant. - ATT-DUNG DKAR = conque• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :04-01 BM.998.002.001/07:04-01 00:26:00 04/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI (SUITE) Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année. - Cet ensemble est la composition normale de l'ensemble instrumental monastique. Le choeur est constitué de l'ensemble des moines présents. Les cymbales IFP- SBUG CHAL sont jouées par le maître de chant, les cymbales IFP-SIL SNYAN par son acolyte; la cloche et le tbr M2C-DAMARU sont joués par le célébrant. - ATT-DUNG DKAR = conque• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :05-01 BM.998.002.001/07:05-01 01:01:40 04/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU GTOR ZLOG,5ÈME JOUR APRES-MIDI (FIN) Sous-table non exportée GTOR ZLOG Sous-table non exportée Rituel de fin d'année. - Cet ensemble est la composition normale de l'ensemble insturmental monastique. Le choeur est constitué de l'ensemble des moines présents. Les cymbales IFP- SBUG CHAL sont jouées par le maître de chant, les cymbales IFP-SIL SNYAN par son acolyte; la cloche et le tbr M2C-DAMARU sont joués par le célébrant. - ATT-DUNG DKAR = conque• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :06-01 BM.998.002.001/07:06-01 00:50:30 26/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. RITUEL DU TSHOGS CHEN 'DUS PA : DANSES DE KUN THUB RGYAL MO Sous-table non exportée RITUEL TYPE SGRUB-CHEN Sous-table non exportée Musique accompagnant une danse rituelle ('cham) effectuée à l'intérieur du monastère• Enreg. en situation• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-01 BM.998.002.001/07:07-01 00:13:41 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. VICTOIRE AUX DIEUX LHA-RGYAL Sous-table non exportée SNYAN-GSAN Sous-table non exportée Pour annoncer une fête ou la présence d'une personnalité importante. 1ère pièce d'une suite de 6 pièces considérée comm "agréable à entendre" (= "snyan-gsan)• 1) ATT...= trompe longue. 2) Enreg. de nuit sur le toit du monastère de Zhe-chen. Coupure d'électricité; arrêt de l'enreg.; pluie• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-02 BM.998.002.001/07:07-02 00:07:59 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. HOMMAGE AU BLA-MA BLA-MA MKHYEN-NO Sous-table non exportée SNYAN-GSAN Sous-table non exportée 2e pièce de la suite snyan-gsan• Enreg. de nuit sur le toit du monastère de Zhe-chen. Reprise après arrêt dû à la pluie• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-03 BM.998.002.001/07:07-03 00:05:12 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. EN TETE DES "LIES PAR SERMENT" DAM-CAN 'GO-THOG Sous-table non exportée SNYAN-GSAN Sous-table non exportée 3e pièce de la suite snyan-gsan• 1) ATT-... = trompe longue. 2) Enreg. de nuit sur le toit du monastère de Zhe-chen• = tibetaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-04 BM.998.002.001/07:07-04 00:12:00 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. ? KHROM-'BUD Sous-table non exportée SNYAN-GSAN Sous-table non exportée 4e pièce de la suite snyan-gsan• Enreg. de nuit sur le toit du monastère de Zhe-chen. = tibétaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-05 BM.998.002.001/07:07-05 00:08:34 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. "ENROULEMENT DE BON AUGURE" (=EPITHETE DESIGNANT LA CONQUE) BKRA-SHIS 'KHYIL-BA Sous-table non exportée SNYAN-GSAN Sous-table non exportée 5e pièce de la suite snyan-gsan• 1) ATT-...= trompe longue 2) Enreg. de nuit sur le toit du monastère de Zhe-chen• = tibétaine 1997 ASIE +BM.998.002 CDR BM.998.002.001/07 :07-06 BM.998.002.001/07:07-06 00:10:36 27/02/1997 TIBET (NEPAL) ENREG. A BODNATH TIBETAINS HELFFER,M.; TIBET:MONASTERE DE ZHE-CHEN (NEPAL). MISSION 1997. L'ABEILLE BUNG-MA Sous-table non exportée SNYAN-GSAN Sous-table non exportée 6e (et dernière) pièce de la suite snyan-gsan• Enreg. de nuit sur le toit du manstère deZhe-chen• = tibétaine 1997 ASIE +BM.998.003 CDR BM.998.003.001/05 :01-01 BM.998.003.001/05:01-01 00:22:56 27/03/1998 BENIN S.P.BANTE,BANTE NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 CHANT GELEDE (2 PARTIES QUI S'ENCHAINENT) Sous-table non exportée Sous-table non exportée Enregistré en situation, au cours d'une soirée où un maître de chant enseigne à un groupe de jeunes gens les chants qui seront exécutés à l'occasion de la sortie des masques Gèlèdè. 2 parties (orin et agbagba) s'enchaînent. M2V= frappé sur une seule peau, av"c une baguette et la paume d'une main. IFC= cloche métallique à battant externe. = Yoruba(L) 1998 NARRATIF DAT-98.1 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :01-02 BM.998.003.001/05:01-02 00:22:13 19/04/1998 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 CHANT GELEDE Sous-table non exportée AGBAGBA Sous-table non exportée Enregistré en situation durant la" nuit des Gèledè". Chant exécuté par le porteur du masque masculin, avant sa sortie en public. Panégyrique. Longues parties solistes, auxquelles la foule répond ponctuellement. = Yoruba(L) 1998 ELOGIEUX DAT-98.9.3 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :01-03 BM.998.003.001/05:01-03 00:13:57 27/03/1998 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 JEUX DES TAMBOURS GELEDE Sous-table non exportée Sous-table non exportée Enregistré au cours de la " nuit des Gèlèdè". La foule danse en cercle, autour des instrumentistes. ATL= fabriquée dans une corne d'antilope.Trou d'intonation percé à l'extrémité près de l'embouchure. 4 M1C= de tailles différentes, frappés avec baguettes ou mains. IFC= cloche métallique à battant externe. Plusieurs patrons rythmiques différents. On perçoit quelques fois où le porteur du masque masculinqui chante, accompagné d'un joueur de tambour à tension variable et du joueur de cloche. = Yoruba (L) 1998 Non pertinent DAT-98.9.4 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :02-01>08 BM.998.003.001/05:02-01>08 00:39:56 29/03/1998 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 8 CHANTS GELEDE Sous-table non exportée ORIN Sous-table non exportée Exécutés à ma demande. Version intime des chants qui ont été exécutés publiquement au cours de la fête rituelle nocturne Gèlèdè du mois de février 1998. IFC= bouteille de verre frappée. Une longue partie à 2 voix (bourdon et ligne mélodique), qui se conclut par une courte partie à 3 voix et idiophone frappé. 8 chants: 05'58; 06'15; 03'26; 05'42; 04'52; 05'06; 04'57; 03'40. = Yoruba(L) 1998 NARRATIF DAT-98.2.3>20 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :02-09 BM.998.003.001/05:02-09 00:03:02 29/03/1998 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 CHANT GELEDE Sous-table non exportée AGBAGBA Sous-table non exportée Exécuté à ma demande. Version intime d'un chant habituellement exécuté par le porteur de masque masculin, avant sa sortie en public (au cours de la fête rituelle nocturne Gèlèdè). Panégyrique. IFC= bouteille de verre frappée. Une longue partie à 2 voix (bourdon + ligne mélodique) qui se conclut par une courte partie à 3 voix et idiophone frappé. = Yoruba(L) 1998 ELOGIEUX DAT-98.2.24 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :02-10>11 BM.998.003.001/05:02-10>11 00:10:00 08/04/1998 BENIN S.P.BANTE,BANTE NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 2 CHANTS POUR LA DIVINITE OGUN Sous-table non exportée ALEDJIKA Sous-table non exportée Exécutés à ma demande par le grand spécialiste de ce type de répertoire, reconnu dans toute la sous préfecture. IFP= plaque de métal frappée. Une longue partie soliste qui se conclut par une partie à 3 voix (± parallèles) et idiophone frappé. = Yoruba(L) 1998 ELOGIEUX DAT-98.5.3>4 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :02-12>13 BM.998.003.001/05:02-12>13 00:11:41 08/04/1998 BENIN S.P.BANTE,BANTE NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 2 CHANTS GELEDE Sous-table non exportée ORIN Sous-table non exportée Exécutés à ma demande. Version intime de chants qui sont habituellement exécutés publiquement au cours de la fête rituellenocturne Gèlèdè. IFP= plaque de métal frappée. Longue partie soliste qui se conclut par une partie à 3 voix (± parallèles) et idiopphone frappé. 2 chants: 06'58; 04'43. = Yoruba(L) 1998 NARRATIF DAT-98.5.6>9 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :03-01>08 BM.998.003.001/05:03-01>08 00:58:17 08/04/1998 BENIN S.P.BANTE,KOKO NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 8 CHANTS AGBADJA Sous-table non exportée AGBADJA Sous-table non exportée Séance d'enregistrement sollicitée par les gens du village, désirant conserver ce répertoire sur cassette. Répertoire probablement lié à un lignage. ATL=fabriquée dans une pitite corne d'antilope. Trou d'intonation percé à l'extrémité près de l'embouchure. 8 chants: 07'36; 07'33; 07'28; 08'06; 07'55; 08'09; 06'02; 05'28. = Yoruba(L) 1998 Non pertinent DAT-98.6.2>11 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :03-09 BM.998.003.001/05:03-09 00:05:46 05/04/1998 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 LES FORMULES MELODICO-RYTHMIQUES DES TIMBALES KOLOBI Sous-table non exportée Sous-table non exportée Les 7 formules mélodico-rythmiques que connaît ce joueur de timbales. Ces instruments sont exclusivement joués dans le cadre des manifestations liées à la divinité Buku Atchoko. M1=paire de timbales sur poterie, accordées entre elles. = Yoruba(L) 1998 Non pertinent DAT-98.4.1 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :04-01 BM.998.003.001/05:04-01 00:02:58 BENIN LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 ERREUR Sous-table non exportée Sous-table non exportée = 0 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :04-02>04 BM.998.003.001/05:04-02>04 00:51:03 06/04/1998 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 3 CHANTS AGBE Sous-table non exportée AGBE Sous-table non exportée Exécutés à ma demande. Répertoire réputé être le plus ancien dans ce village. Lié à un lignage. 3 chants: 17'22; 18'19; 15'17. = Yoruba(L) 1998 NARRATIF DAT-98.4.8>11 AFRIQUE +BM.998.003 CDR BM.998.003.001/05 :05-01>10 BM.998.003.001/05:05-01>10 01:02:36 14/04/1998 BENIN S.P.BANTE,PIRA NAGO-ITCHA LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 11 CHANTS DJENDJELE Sous-table non exportée DJENDJELE Sous-table non exportée Exécutés à ma demande. Les textes chantés ont une vocation didactique, mettant en scène des personnages dans des situations compliquées. Ce répertoire serait originaire de Manigri. CA= arc musical pincé avec les doits. IFC-= bouteille de verre frappée. 11 chants: 06'46; 08'55(bris du ruban DAT; suite= 06'28);07'48; 10'14(2 chants);05'51;04'07; 01'17; 02'35; 08'31(2 chants). = Yoruba(L) 1998 NARRATIF DAT-98.7.1>9 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-01 BM.998.004.001/08:06-01 00:01:05 18/02/1969 BENIN S.P. SAVALOU, TCHETTI NAGO-IFE NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 CHANT POUR LA DIVINITE NAA BUKU [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-01 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. Yoruba (L) 1969 69.2.8 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-02>03 BM.998.004.001/08:06-02>03 00:04:52 18/02/1969 BENIN S.P. SAVALOU, TCHETTI NAGO-IFE NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 CHANTS POUR LA DIVINITE NAA BUKU [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-02>03 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1969 69.2.9 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-04>06 BM.998.004.001/08:06-04>06 00:09:39 18/02/1969 BENIN S.P. SAVALOU, TCHETTI NAGO-IFE NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 4 CHANTS POUR LA DIVINITE NAA BUKU [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-04>06 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1969 69.2.9 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-07 BM.998.004.001/08:06-07 00:11:42 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 AUBE POUR BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-07 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.12-I AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-08 BM.998.004.001/08:06-08 00:04:28 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 AIR DE DANSE POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-08 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.12-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-09>12 BM.998.004.001/08:06-09>12 00:08:15 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 AIRS DE DANSE POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Index 11= ERREUR (00'05) Copie de BM.996.003.001/03:01-09>11 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.12-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-13>15 BM.998.004.001/08:06-13>15 00:12:45 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 AIRS DE DANSE POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-12>14 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.12-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :06-16>17 BM.998.004.001/08:06-16>17 00:15:39 15/11/1958 BENIN S.P.BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 PIECES POUR TAMBOURS ET VOIX [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:01-15>16 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.12-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-01>05 BM.998.004.001/08:07-01>05 00:08:25 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 5 CHANTS POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-01>05 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-I AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-06>07 BM.998.004.001/08:07-06>07 00:04:55 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 CHANTS POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-06>07 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-I AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-08 BM.998.004.001/08:07-08 00:01:15 12/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 CHANT POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-08 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-I AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-09 BM.998.004.001/08:07-09 00:02:04 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 DUO DE TIMBALES [COPIE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-09 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-10 BM.998.004.001/08:07-10 00:02:16 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 DUO DE TIMBALES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-10 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-11 BM.998.004.001/08:07-11 00:03:31 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 4 DUO POUR TAPE-CUISSE [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-11>14 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-12 BM.998.004.001/08:07-12 00:03:49 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 ORIKI POUR BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-15 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-13 BM.998.004.001/08:07-13 00:01:26 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 CHANT POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-16 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-14>15 BM.998.004.001/08:07-14>15 00:02:03 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 CHANTS POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-17>18 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.13-II AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-16>18 BM.998.004.001/08:07-16>18 00:03:00 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 CHANTS POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-19>21 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.14 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-19>21 BM.998.004.001/08:07-19>21 00:05:38 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 CHANTS POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-22>24 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.14 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :07-22 BM.998.004.001/08:07-22 00:03:18 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 CHANT POUR LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:02-26 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.14 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-01>03 BM.998.004.001/08:08-01>03 00:05:48 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 PIECES POUR LUTH A 2 CORDES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-01>03 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-04 BM.998.004.001/08:08-04 00:01:07 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 PIECE POUR LUTH A 2 CORDES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-04 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-05 BM.998.004.001/08:08-05 00:03:18 13/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 ACCORD DU LUTH A 2 CORDES "ADU" [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-05 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-06>08 BM.998.004.001/08:08-06>08 00:06:15 14/11/1958 BENIN S.P.BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 CHANTS DE JEUNES FILLES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-06>08 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-09 BM.998.004.001/08:08-09 00:04:11 14/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 4 CHANTS DE JEUNES FILLES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-09>12 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-10>11 BM.998.004.001/08:08-10>11 00:06:10 14/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 CHANTS DE TRAVAIL (POUR BATTRE LE SOL) [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-13>14 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-12 BM.998.004.001/08:08-12 00:03:52 14/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 CHANT DE JEUNES FILLES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-15 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-13 BM.998.004.001/08:08-13 00:01:46 14/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 CHANTS : SALUTATION A LA DIVINITE BUKU ATCHOKO [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-16>17 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-14>16 BM.998.004.001/08:08-14>16 00:04:05 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 PIECES POUR XYLOPHONE SUR JAMBES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-18 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-17 BM.998.004.001/08:08-17 00:00:49 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 ACCORD DU XYLOPHONE SUR JAMBES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-19 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-18 BM.998.004.001/08:08-18 00:01:02 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 PIECE POUR XYLOPHONES SUR JAMBES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-20 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-19 BM.998.004.001/08:08-19 00:01:12 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 JEU DE LA COCHE DOUBLE [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-21 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-20A BM.998.004.001/08:08-20A 00:03:06 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 2 FORMULES JOUES A LA CLOCHE DOUBLE [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-22 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-20B BM.998.004.001/08:08-20B 00:03:06 15/11/1958 BENIN S.P.BANTE,PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 APPELS A LA TROMPE, ET TRADUCTION LITTERAIRE [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-23 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-21 BM.998.004.001/08:08-21 00:02:42 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 TECHNIQUE DE JEU DU XYLOPHONE A 3 LAMES, SUR JAMBES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-24 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-22 BM.998.004.001/08:08-22 00:01:05 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 TECHNIQUE DE JEU DU XYLOPHONE A 4 LAMES, SUR JAMBES [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-24 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.15 AFRIQUE +BM.998.004 CDR BM.998.004.001/08 :08-23>25 BM.998.004.001/08:08-23>25 00:08:48 15/11/1958 BENIN S.P. BANTE, PIRA NAGO-ITCHA NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 3 CHANTS, ACCOMPAGNES DES TAMBOURS WAYA [COPIE DE *] Sous-table non exportée Sous-table non exportée * Copie de BM.996.003.001/03:03-25>28 (bande magnétique Ø GF) Se référer à cette cote pour la fiche complète. = Yoruba (L) 1958 58.16 AFRIQUE +BM.998.005 CDR BM.998.005.001/05 :01-01,10 BM.998.005.001/05:01-01,10 00:11:00 oct-déc 97 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANTS SOLO (ET HOCHET POUR LES H) Sous-table non exportée POCANINGANE Sous-table non exportée Pièce 1 =4'11 ; pièce 10 =8'49• Chaco 1997 EPIQUE AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :01-02ETC* BM.998.005.001/05:01-02ETC* 00:00:00 oct-déc 97 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANT SOLO (ET HOCHET POUR LES H) Sous-table non exportée JNUSIETIGADE Sous-table non exportée Le pakan n'est utilisé que par les Hs. Nons des interprètes: Dosgai, Caai et Gusna (?) *Pièces n° 02 =?mn; 04 =?mn, 2 prises; 06 =2'37; 08 =3'35; 11 =5'23; 12 =4'32• Chaco 1997 NARRATIF AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :01-03 BM.998.005.001/05:01-03 00:03:46 oct-déc 97 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANT SOLO Sous-table non exportée ORE ENOMINONE Sous-table non exportée Il s'agit de récits de visions de chamanes et non pas de cures chamaniques• Pièces03 =1'28; 07 =2'18• Chaco 1997 RELIGIEUX AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :02-01ETC* BM.998.005.001/05:02-01ETC* 00:13:41 mai-juin 98 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANT SOLO (ET HOCHET POUR LES H) Sous-table non exportée JNUSIETIGADE Sous-table non exportée Le pakan n'est utilisé que par les H, pièces n° -01 à -03, -06, -09, -13, -15, -16. Nom des interprètes: OOjoi, Caai et Damquei. Durées pièces: -01=3'51; -02=5'18; -03=4'32; -06=3'04; -09=2'13: -13=2'17; -15=2'11; -16=1'51 Pb: pièce non ventilées par Forme style: -22 • Chaco 1998 NARRATIF AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :02-04ETC* BM.998.005.001/05:02-04ETC* 00:00:00 mai-juin 978 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANT SOLO H Sous-table non exportée ORE ENOMINONE Sous-table non exportée Il s'agit de récits de visions de chamanes et non pas de cures chamaniques• *Pièces n° -04=6'16; -07=3'04; -10=2'23; -11=2'09; -18=3'50; -19=1'27; -20=2'23. Nom des interprètes: Oojo, Caai et Damaquei• Chaco 1998 RELIGIEUX AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :02-05ETC* BM.998.005.001/05:02-05ETC* 00:00:00 mai-juin 98 PARAGUAY CHACO, ALTO PARAGUAY, ISLA ALTA AYOREODE ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CHANT SOLO H ET HOCHET Sous-table non exportée POCANINGANE Sous-table non exportée *Pièces n° -05=4'40; -08=2'45; -12=2'55; -14=2'02; -17=1'40; -21=2'10. Nom s des interprètes: Ooji, Caai, Damaquei• Chaco 1998 EPIQUE AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :03-01>10 BM.998.005.001/05:03-01>10 00:56:28 oct-déc 97 PARAGUAY CHACO, BOQUERON, SANTA TERESITA CHIRIGUANO ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 CYCLE DU CARNAVAL, FLUTE & TBR Sous-table non exportée Sous-table non exportée Tbr battu avec 2 bag. Info sur les pièces: ...-01=5'21 titre "Jaguarlapegua" = "<> caminando"; ...-02=5'44 "Opytaopegua" = "Que se queda"; ...-03=6'24 "Jeropo pegua" = "empiezando a bailar"; ...-04=5'18 "Mburukujaty" = "Pasionaria" = "Fruit de la passion" i.e. nom du lieu d'origine du musicien (Bolivie); ...-05=5'23 "Okangnypegua" = "La que se ha perdido"; ...-06=4'36 "Acarosa"= nom du village de Bolivie, l'air commence après 1'; ...-07=5'18 "Mbokyo" = "Sucio"; ...-08=5'07 "Pinte" =[?]; ...-09=3'09 "Oguatapegua" ="<> caminando; ...-10=5'55 "Ohasanpegua" = [?]• ESTIVAL,J-P Chaco(G) Guarani occ. (L) 1997 RELIGIEUX AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :04-01>09 BM.998.005.001/05:04-01>09 00:00:00 oct-nov 97 PARAGUAY CHACO, BOQUERON, SANTA TERESITA CHIRIGUANO ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 MUSIQUE DE VIOLON GUARANI Sous-table non exportée Sous-table non exportée A compléter ultérieurement. Il y a des pièces pour le rituel de Pâques et des pièces de divertissement jouées pour la danse• Le musicien joue sur l'alto de J-P. Estival, dont la longueur vibrante des cordes correspond à 5 mm près à celle du violon trad. qui était hors d'usage• CDR , non "fix upé" A COMPLETER AVEC DES PIÈCES POUR FLÛTE ESTIVAL,J-P. Chaco(G) Guarani occ. (L) 1997 Non pertinent AMERIQUE +BM.998.005 CDR BM.998.005.001/05 :04-10>12 BM.998.005.001/05:04-10>12 00:10:11 oct-déc 98 PARAGUAY CHACO, BOQUERON, SANTA TERESITA CHIRIGUANO ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 AIRS DE FLUTE TRAVERSIERE GUARANI Sous-table non exportée Sous-table non exportée COPIE A FAIRE Chaco(G) Guarani occ. (L) 1998 AMERIQUE +BM.998.006 CDR BM.998.006.001/03 :01-01>18 BM.998.006.001/03:01-01>18 01:14:00 juin 1995 CUBA HABANA CAMPO, BAUTA MUSICIENS PRO & RELIGIEUX ESTIVAL,J-P. CUBA; 1995 MUSIQUE RITUELLE DE SANTERIA Sous-table non exportée TAMBOURS BATA Sous-table non exportée Fête de cumpleano de santo, dédiée à Yemanya. Enreg. intégral de ce rituel, en situation• Le chr comporte jusqu'à 40 personnes. Les index sur le CD ont été mis de façon arbitraire. Un travail de segmentation avec un specialiste de la Santeria est nécessaire• ESTIVAL,J-P. 1995 RELIGIEUX AMERIQUE +BM.998.006 CDR BM.998.006.001/03 :02-01>07 BM.998.006.001/03:02-01>07 01:12:24 juin 1995 CUBA HABANA CAMPO, BAUTA MUSICIENS PRO & RELIGIEUX ESTIVAL,J-P. CUBA; 1995 MUSIQUE RITUELLE DE SANTERIA Sous-table non exportée TAMBOURS BATA Sous-table non exportée Fête de cumpleano de santo, dédiée à Yemanya. Enrg. intégral de ce rituel, en situation• Le chr comporte jusqu'à 40 personnes. Les index sur le CD ont été mis de façon arbitraire. Un travail de segmentation avec un specialiste de la Santeria est nécessaire• ESTIVAL,J-P. 1995 RELIGIEUX AMERIQUE +BM.998.006 CDR BM.998.006.001/03 :03-01 BM.998.006.001/03:03-01 00:14:48 juin 1995 CUBA HABANA CAMPO, BAUTA MUSICIENS PRO & RELIGIEUX ESTIVAL,J-P. CUBA; 1995 MUSIQUE RITUELLE DE SANTERIA Sous-table non exportée TAMBOURS BATA Sous-table non exportée Fête de cumpleano de santo, dédiée à Yemanya. Enreg. intégral de ce rituel, en situation• Le chr comporte jusqu'à 40 personnes. Les index sur le CD ont été mis de façon arbitraire. Un travail de segmentation avec un specialiste de la Santeria est nécessaire• ESTIVAL,J-P. 1996 RELIGIEUX AMERIQUE +BM.998.007 CDR BM.998.007.001/10 :01-01 BM.998.007.001/10:01-01 01:13:12 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 GARAN MADIAGA ET SEKOU AMADOU GARAN MAAJAGA E SEEKU AAMADU Sous-table non exportée HODDU Sous-table non exportée En contexte CLLUTH: tricorde, caisse de résonnance naviforme en bois, recouverte d'une peau. - Original 9,5cm/s, 1/2 p. mono. SEYDOU,CHRISITIANE PEULE (L) 1970 EPIQUE SP 1, P1 + P2 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :02-01 BM.998.007.001/10:02-01 00:12:36 13/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 HISTOIRE DE GUELADIO (1ERE COPIE, FILTREE) GELAAJO Sous-table non exportée HODDU Sous-table non exportée En contexte - Très forte ronflette sur l'original > copie filtrée avec Graphic Equalizer = - 12 db jusqu'à 100 Hz; Parametric = end cut à 130 Hz. Une copie droite de cette pièce se trouve sur la plage 5 de ce CDR. - Original 9,5 cm/s. 1/2 p. mono, de 0'00 à 12'26. SEYDOU,CHRISITIANE PEULE (L) 1977 EPIQUE SP 2. 1, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :02-02 BM.998.007.001/10:02-02 00:27:14 13/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 HISTOIRE DE HAMMADI ARDO ET FATOUMATA ARDO HAMMADI ARDO ET FATOUMATA ARDO Sous-table non exportée JANTOL Sous-table non exportée En contexte L'histoire de Hammadi Ardo et Fâtoumata Ardo est constituée de toute une série de motifs de conte enchâssés les uns dans les autres, mais sa formulation ainsi que son mode de déclamation relèvent du style épique. - Copie droite. Original 9,5 cm/s. 1/2p. mono, de 13'18 à 40'32. SEYDOU,CHRISITIANE PEULE (L) 1977 NARRATIF SP 2. 1, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :02-03,04* BM.998.007.001/10:02-03,04* 00:02:50 20/09/67 NIGER NIAMEY PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 PETITE OUTARDE DOOBEL Sous-table non exportée HODDU Sous-table non exportée En contexte SEYDOU, Christiane, "Panorama de la littérature peule", Dakar, Bulletin de l'IFAN, TXXXV, sér. B, n° 1, 1973. CL-LUTH: tricorde, caisse de résonnance naviforme en bois, recouverte d'une peau. "Doobel" est un cheval couleur outarde, dont les exploits sont racontés dans le style épique, bien qu'il ne s'agisse pas d'un personnage historique. - Original 9,5 cms, 1/2p. mono de 0'00 à 2'50. * index pour une seule pièce. SEYDOU,CH. PEULE (L) 1967 NARRATIF SP 7, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :02-05 BM.998.007.001/10:02-05 00:12:36 13/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 HISTOIRE DE GUELADIO (2EME COPIE, DROTE) GELAAJO Sous-table non exportée HODDU Sous-table non exportée En contexte - Une copie filtrée de cette pièce se trouve sur la plage 1 de ce CDR. - Original 9,5 cm/s. 1/2 p. mono, de 0'00 à 12'26. SEYDOU,CHRISITIANE PEULE (L) 1977 EPIQUE SP 2. 1, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :03-01>03* BM.998.007.001/10:03-01>03* 00:31:12 04/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 HISTOIRE DE FATOUMATA ARDO ET LE TAMBOUR DE HYENE Sous-table non exportée JANTOL Sous-table non exportée En contexte Histoire d'un mariage à épreuves. CL-LUTH: tricorde, caisse de résonnance naviforme en bois, recouverte d'une peau. L'histoire de Hammadi Ardo et Fâtoumata Ardo est constituée de toute une série de motifs de conte enchâssés les uns dans les autres, mais sa formulation ainsi que son mode de déclamation relèvent du style épique. - Original 9,5cm/s, 1/2p. mono du début à 31'17. * index = faux départ; index 02 + 03: 31'12. SEYDOU,CHRISITIANE PEULE (L) 1977 NARRATIF SP 2. 2,P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :03-04 BM.998.007.001/10:03-04 00:30:52 04/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 HISTOIRE DE MAROUF MAARUF Sous-table non exportée JANTOL Sous-table non exportée En contexte CL-LUTH: tricorde, caisse de résonnance naviforme en bois, recouverte d'une peau. - Original 9,5cm/s, 1/2p. mono à partir de 31'18. SEYDOU,CHRISTIANE PEULE (L) 1977 NARRATIF SP2.2, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :04-01 BM.998.007.001/10:04-01 00:55:29 04/03/77 MALI MOPTI PEULS-GRIOTS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 Sous-table non exportée JANTOL Sous-table non exportée En contexte CL-LUTH: tricorde, caisse de résonnance naviforme en bois, recouverte d'une peau. Baisse de niveau sur l'original et la copie de 43' à 44'15. Original 9,5cm/s, 1/2p. mono. SEYDOU,CHRISTIANE PEULE (L) 1977 NARRATIF SP 2.2, P2 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :05-01>02 BM.998.007.001/10:05-01>02 00:12:11 03/77 MALI TENENKOU, TOGGERE KUMBE PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 CHANTS D'AMOUR MYSTIQUE MODIBBO MAMOUDOU BOKARI MODI Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons. - Pièce 01 = 7'00; 02 = 5'00. Original 9,5cm/s; 1/2 p. mono, du début à 12'11. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 3, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :05-03>06* BM.998.007.001/10:05-03>06* 00:52:56 03/77 MALI TENENKOU, TOGGERE KUMBE PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 CHANTS D'AMOUR MYSTIQUE MODIBBO MAMOUDOU BOKARI MODI Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte: Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... -Original 9,5 cm/s; 1/2 p. mono. *Pièce 03=22'13, original P1 de 12'18 à 34'24; pièce 04 et 05 (2 index)= 15'31, original P1 de 34'29 à 47'56 = P2 début; pièce 05 = 14'21, original P2 suite. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 3, P1 + P2 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :06-01 BM.998.007.001/10:06-01 00:11:49 14/03/77 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 LA GAZELLE LEWLA AMADOUN FODIYA MOUSSA Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons..."Lewla" est un poème mystique.- Original 9,5 cm/s, 1/2p. mono, du début à 11'49. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 4,P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :06-02 BM.998.007.001/10:06-02 00:30:02 14/03/77 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 LE CHAMEAU NGELOOBAL AMADOUN FODIYA MOUSSA Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. SEYDOU, Christiane, "Le chameau", poème mystique... ou pastoral ? _ Itinérances... en pays peul et ailleurs, mélanges à la mémoire de Pierre Fracis Lacroix _ Paris, Mémoires de la société des africanistes, T II, P. 25-52, 1981. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... - Original 9,5cm/s, 1/2p. mono, de 11'43 à 41'39. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 4, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :06-03 BM.998.007.001/10:06-03 00:20:40 14/03/77 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 AMADOUN FODIYA MOUSSA Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... - Original 9,5cm/s, 1/2p. mono, de 41'40 à 62'20. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 4. P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :06-04 BM.998.007.001/10:06-04 00:01:04 14/03/77 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 AMADOUN YERO OUMAROU Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... - Original 9,5 cm/s, 1/2p. mono, de 62'20 à 63'24. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 4, P1 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :06-05 BM.998.007.001/10:06-05 00:02:56 14/03/77 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 SHEKOU OUSMAN DAN FODIO Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous -genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... - Original 9,5cm/s, 1/2p. mono, à partir du début. SEYDOU,CHRISTIANE PEULE (L) 1977 RELIGIEUX SP 4, P2 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :07-01>05* BM.998.007.001/10:07-01>05* 00:39:15 02/70 MALI SEVARE-MOPTI,SOKOURA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 CORPUS DE POEMES MYSTIQUES MOUHAMMADOU SOU'ADOU (1811-1856) Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte, par les élèves de l'école coranique de Môdibbo Kanou, à Sôkouwa. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du réperoire de tel ou tel cheikh et poète célèbre, tel Mouhammadou Sou'adou, auteur d'un corpus de 11 poèmes mystiques (seuls les cinq derniers sont présentés ici). Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... Poèmes VII: Prône (waajoore) contre les ignorants (l'enregistrement commence au vers 11). VIII: action de grâce (yettoore). IX et X: Chant d'amour au prophète (beegoore). XI: Prédiction sur la guerre de Hamdallaye (poème politiquement engagé). - Original 9,5cm/s, 1/2p. mono depuis le début. * Pièce 01 = 6'47; 02 = 7'40; 03 = 7'46; 04 = 6'15; 05 = 10'47. SEYDOU,CHRISTIANE PEULE (L) 1970 RELIGIEUX AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :07-06>08* BM.998.007.001/10:07-06>08* 00:24:35 28/02/73 MALI TENENKOU,KUMBE SAARE PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 LA CREATION NJIDO KAWDO TAMBOURA Sous-table non exportée MERGOL Sous-table non exportée En contexte. Récités sous une forme figée par leurs propres auteurs, en toute occasion où se puissent rencontrer des amateurs de belle parole. Seydou, Christiane: _ Bergers des mots, poésie peule du Mâssina_, Paris, Classiques Africains, Coll. Les Belles Lettres, 1991. Les mergi (sg.mergol) relèvent d'un genre poétique: ils peuvent traiter des sujets les plus divers, porteurs d'une sagesse populaire, mais aussi d'un savoir technique sur la vie économique et sociale des Peuls du Mâssina. L'harmonisation sonore des mots et des phrases est un principe majeur de leur composition. Leur mode de déclamation est rapide et monocorde. - Original 9,5cm/s, 1/2p. mono, * pièces 06 et 07 = faux départs 0'08), pièce 08 = 23'48 (+ blanc à la fin = 24'27). SEYDOU,CHRISTIANE peule (L) 1973 Non pertinent AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :08-01 BM.998.007.001/10:08-01 00:49:13 02/70 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 LA GRANDE ETAPE TIFAL ALFA BOKARI MAHMOUDOU Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poséie d'inspiration peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grand prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... "Tifal" est un poème d'amour mystique, considéré comme un grand classique du genre. - Original : SP 5, P1 à partir de 39'45 + P2 jusqu'à 27'35 + SP 5, P2 de 27'42 à 29'58. PEULE (L) 1970 RELIGIEUX SP 5, P1 + P2* AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :08-02 BM.998.007.001/10:08-02 00:09:24 02/70 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 "JE DEMANDE L'AIDE A CELUI QUI NOUS AIDE" MI FAFTORI... MABAL Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poèsie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous -genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... "Mi faftori" est un poème d'amour mystique composé par Mâbal en l'honneur d'EI Hadj Omar - *Original: SP 5, P2 de +/- 30'00 à +/- 39'30. SEYDOU,CHRISTIANE PEULE (L) 1970 RELIGIEUX SP 5, P2* AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :08-03 BM.998.007.001/10:08-03 00:11:14 02/70 MALI BANDIAGARA PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 POEME POUR BOKARI SALIHOU YIMRE BOOKARI SAALIHOU MABAL Sous-table non exportée BAYTUWOL (PL: BAYTUUJI) Sous-table non exportée En contexte. Cette poésie d'inspiration islamique peut être entendue de la bouche de vieilles dévotes ou de chanteurs, souvent aveugles, postés à la sortie de la mosquée, après la grande prière du vendredi, durant les nuits du mois de Ramadan, ou encore, dans les écoles coraniques, chantée par les élèves (talibés) qui perpétuent ainsi le souvenir du répertoire de tel ou tel cheikh et poète célèbre. Cette poésie religieuse est toujours chantée dans un style mélismatique, soit par une seule voix, soit en groupe. Elle comprend plusieurs sous-genres: poèmes d'amour mystique, poèmes didactiques, oraisons funèbres, sermons... - Original SP 5, P2 de +/- 40'00 à 51'14. SEYDOU,CHRISTIANE PEULE (L) 1970 RELIGIEUX SP 5,P2* AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :09-01>03* BM.998.007.001/10:09-01>03* 00:42:53 03/03/73 MALI MASSINA,LARDEBALI PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 YEROWAL Sous-table non exportée MERGOL Sous-table non exportée En contexte. Récités sous une forme figée par leurs propres auteurs, en toute occasion où se puissent rencontrer des amateurs de belle parole. Extrait publé dans: Seydou, Christiane _ Bergers des mots, poésie peule du Mâssina _ Paris, Classiques Africains Coll. Les Belles Lettres, 1991. Les mergi (sg. mergol) relèvent d'un genre poétique: ils peuvent traiter des sujets les plus divers, porteurs d'une sagesse populaire, mais aussi d'un savoir technique sur la vie économique et sociale des Peuls du Mâssina. L'harmonisation sonore des mots et des phrases est un principe majeur de leur composition. Leur mode de déclamation est rapide et monocorde. * 3 index pour une seule pièce, interruption puis reprise du récit à 18'40 sur l'original. Fin incomplète, original coupé net. Original 9,5cm/s, 1/2p. mono, P1 depuis 20'08 et P2 depuis 23'09 (?). SEYDOU,CHRISTIANE PEULE (L) 1973 Non pertinent SP 8, P1 + 1 P2 AFRIQUE +BM.998.007 CDR BM.998.007.001/10 :10-01 BM.998.007.001/10:10-01 00:00:00 11/02/73 MALI MASSINA,OUMMERE PEULS SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 LOUANGE AUX BOVINS ALLAY TEGGUE Sous-table non exportée JAMMOOJE NA'I Sous-table non exportée En contexte de veillée où les bergers aiment à réciter leurs poèmes. Pendant la transhumance, chaque berger isolé avec son troupeau compose et mémorise un interminable poème qu'il déclamera à son retour, lors de la "descente" (degal) vers le fleuve des troupeaux qui reviennent investir les terres libérées par la décrue. Seydou, Christiane: _Bergers des mots, poésie peule du Mâssina_ Paris, Classiques Africains, Coll. Les Belles lettres, 1991. Les "Jammooje na'i" ont pour thème central la marche interminable des troupeaux en quête d'herbe et d'eau. Ils sont littéralement vociférés à tue-tête par leurs auteurs, au milieu du brouhaha des troupeaux. Leur composition accorde la primauté à l'aspect phonique des mots, cherchant à créer un effet de continuum sonore. -Original 19cm/s, 1/2p. mono. SP 10, P1 depuis 4'43, original coupé net; SP 11, P1 et P2. SEYDOU,CHRISTIANE PEULE (L) 1973 Non pertinent AFRIQUE +BM.998.008 CDR BM.998.008.001/05 :01-01 BM.998.008.001/05:01-01 00:00:00 NIGERIA YORUBA SACHNINE,M.; NIGERIA: YORUBA. ENREG.1977-85. Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.998.009 CDR BM.998.009.001/03 :01-01>03 BM.998.009.001/03:01-01>03 01:07:38 15/01/1997 BURKINA FASO PROV. PONI,REGION DE KAMPTI, PEER SALELA LOBI BOSC,J.; BURKINA FASO: LOBI. MISSION 1997 FETE A PEER SALELA Sous-table non exportée Sous-table non exportée Pièce 01= 28'13; 02=13'40; 03=25'37. = 1997 AFRIQUE +BM.998.009 CDR BM.998.009.001/03 :02-01 BM.998.009.001/03:02-01 00:57:48 15/01/1997 BURKINA FASO PROV. PONI, REGION DE KAMPTI, PEER SALELA LOBI BOSC,J.; BURKINA FASO: LOBI. MISSION 1997 FETE A PEER SALELA Sous-table non exportée Sous-table non exportée = 1997 AFRIQUE +BM.998.009 CDR BM.998.009.001/03 :03-01>07 BM.998.009.001/03:03-01>07 00:41:51 9/01/1997 BURKINA FASO PROV. PONI, REGION DE GAOUA LOBI BOSC,J.; BURKINA FASO: LOBI. MISSION 1997 CHANT DE F Sous-table non exportée Sous-table non exportée Soliste: Sib Ebagyiléna. Pièce01= 4'55; 02= 0'55; 03=6'46; 04= 10'07; 05= 10'00; 06= 6'57; 07= 2'11• = 1997 AFRIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-01>02 BM.1998.010.001/04:01-01>02 00:02:59 13/02/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE FLUTE LATERALE Sous-table non exportée Sous-table non exportée Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 141,182,287. Flûte à 2 trous de jeu, dont les deux extrémités sont fermées (noeuds du bambou). 01=01'32; 02=01'27. Amazonie(G) 1977 Non pertinent 2B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-03>04 BM.1998.010.001/04:01-03>04 00:02:18 20/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE FLUTE LATERALE Sous-table non exportée Sous-table non exportée Flûte traversière à embouchure latérale comportant 2 trous de jeu. Leduc,Brigitta. 1991. Les chants magiques Achuar et leurs avatars instrumentaux. Mémoire de D.E.A., Université Paris X-Nanterre. Ex.8 et 9p. 20,21. et Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 141, 182, 287. crépuscule. Relations Jivaros, Haute-Amazonie. P 03=1'09 04=1'09 Amazonie(G) 1977 Non pertinent 03-04 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-05>06 BM.1998.010.001/04:01-05>06 00:02:31 20/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE FLUTE LATERALE Sous-table non exportée Sous-table non exportée Leduc,Birgitta. 1991. Les chants magiques Achuar et leurs avatars instrumentaux. Mémoire de D.E.A., Université Paris X-Nanterre. Ex. 10. p. 22 (pièce 05). et Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie, Paris, Plon: 141, 182, 287. Flûte traversière à embouchure latérale comportant 2 trous de jeu. 05=1'02 06= 1'29 Amazonie(G) 1977 Non pertinent 05+06 AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-07>08 BM.1998.010.001/04:01-07>08 00:03:02 20/11/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE FLUTE LATERALE Sous-table non exportée Sous-table non exportée 08= pour les fêtes de boisson Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 141, 182, 287. Flûte traversière à embouchure latérale comportant 2 trous de jeu. 07=2'17 08= 0'45 Amazonie(G) 1977 Non pertinent 07-08 8B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-09>12 BM.1998.010.001/04:01-09>12 00:08:22 30/11/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 4 PIECES DE FLUTE LATERALE Sous-table non exportée Sous-table non exportée Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 141,182, 287. Flûte traversière à embouchure latérale comportant 2 trous de jeu. 0 9=2'14 10 =2'01 11 =1'48 12 = 2'19. Amazonie(G) 1977 Non pertinent 09-12 10B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-13 BM.1998.010.001/04:01-13 00:01:09 30/11/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 PIECE DE FLUTE LATERALE Sous-table non exportée PEEM Sous-table non exportée Le peem est plutôt destiné aux anent (chants propitiatoires) qu'aux nampet (chants ou musiques de fêtes). Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 141, 182, 287. Flûte traversière courte à embouchure latérale comportant 5 trous de jeu. Amazonie(G) 1977 Non pertinent 13 10B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-14>15 BM.1998.010.001/04:01-14>15 00:03:46 14/02/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE VIELE Sous-table non exportée Sous-table non exportée 14 = Joué pour l'âme d'une femme (pour le nuaru wakani) 15 = La pièce est nommée Nantu (la lune) Leduc,Birgitta. 1991. Les chants magiques Achuar et leurs avatars instrumentaux. Mémoire de D.E.A., Université Paris X-Nanterre. Ex. 11 p. 27. (pièce 14). Descola, Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme : 327. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 231-232. Vièle à 2 cordes, frottée 14 = 1'49 15 = 1'57 Amazonie(G) 1977 Non pertinent 14-15 2B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-16 BM.1998.010.001/04:01-16 00:02:18 sd EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 PIECE DE VIELE Sous-table non exportée Sous-table non exportée Joué pour tuer les yakini chinki (les oiseaux qui sont haut) Leduc,Birgitta. 1991. Les chants magiques Achuar et leurs avatars instrumentaux. Mémoire de D.E.A., Université Paris X-Nanterre. Ex. 12 p. 28. Descola, Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme : 327. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 231-232. Vièle à 2 cordes, frottée. Sifflé par moments. Amazonie(G) 1977 Non pertinent 16 AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-17 BM.1998.010.001/04:01-17 00:01:28 22/08/77 EQUATEUR CHIRIBOGA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 PIECE DE VIELE Sous-table non exportée Sous-table non exportée On joue de la vièle plutôt le soir, pour appeler des rêves nommés kuntuknar. Descola, Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme : 327. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 231-232. Vièle à 2 cordes, souvent accordée en quinte. Amazonie(G) 1977 Non pertinent 17 AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-18>19 BM.1998.010.001/04:01-18>19 00:06:30 03/11/76 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE VIELE Sous-table non exportée Sous-table non exportée Descola, Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme : 327. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 231-232. Vièle à 2 cordes. (Enregistrement mono). 18 = 2'07; 19 = 4'23 Amazonie(G) 1976 18-19 25A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-20>24 BM.1998.010.001/04:01-20>24 00:12:35 sd EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 5 PIECES DE VIELE Sous-table non exportée Sous-table non exportée 20 = pour bien se réveiller. Descola, Philippe, 19893. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie, Paris, Plon: 231-232. Vièle à 2 cordes. 20 =02'58 ;21 =1'23 ; 22 =2'55 ; 23 =02'42 ; 24 =2'39 22 = la pièce est nommée Natish 23 = la pièce est nommée Peesipis 24 = la pièce est nommée Kunkun• Amazonie(G) 1977 Non pertinent 20-24 6A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :01-25>26 BM.1998.010.001/04:01-25>26 00:02:35 20/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 PIECES DE TAMBOUR DE BOIS Sous-table non exportée Sous-table non exportée Pour avertir le voisinage ou pour convoquer les âmes. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 60 & 164. 25 = 00'51 26 = 01'44• Amazonie(G) 1977 Non pertinent 25-26 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-01 BM.1998.010.001/04:02-01 00:06:11 31/01/77 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 NARRATION DE MYTHE Sous-table non exportée YAUNCHU AUJMATSAMU Sous-table non exportée Narration du mythe de Nunkui. Mythe sur la "créatrice des jardins". Vers 5'35, courte séquence chantée (VC-chantée) (chant de Nunkui aux bambous). Amazonie(G) 1977 Non pertinent 1B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-02 BM.1998.010.001/04:02-02 00:07:09 31/01/77 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 NARRATION DE MYTHE Sous-table non exportée YAUNCHU AUJMATSAMU Sous-table non exportée Narration du mythe de Nunkui Mythe sur la "créatrice des jardins". Descola, Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme : 239-241. & Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon : 108-109. Vers 11'48 et 12'22, courte séquence chantée (VC-chanté) (chant de Nunkui aux bambous). Amazonie(G) 1977 Non pertinent 4A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-03 BM.1998.010.001/04:02-03 00:02:51 19/02/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 DISCOURS LENT Sous-table non exportée YAITIAS CHICHAM Sous-table non exportée Discours lent Contexte d'une visite entre proches parents. Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 69-70, 72, 79, 194, 202, 281, 313. Amazonie(G) 1977 Non pertinent 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-04 BM.1998.010.001/04:02-04 00:04:02 20/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 GRAND DIALOGUE DE VISITE Sous-table non exportée AUJMATIN Sous-table non exportée Grand dialogue de visite aujmatin Ce dialogue est utilisé lors de visites à des maisons distantes Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 69-70, 72, 79, 194, 202, 281, 312-313, 385-386. Amazonie(G) 1977 Non pertinent 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-05 BM.1998.010.001/04:02-05 00:03:03 13/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 GRAND DIALOGUE DE VISITE Sous-table non exportée AUJMATIN Sous-table non exportée Grand dialogue de visite aujmatin Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 69-70, 72, 79, 194, 202, 281, 312-313, 385-386. Amazonie(G) 1977 Non pertinent 6B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-06>07 BM.1998.010.001/04:02-06>07 00:02:01 19/12/77 EQUATEUR COPATAZA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 TIRADES DE DEFI Sous-table non exportée IMPIKMARTIN Sous-table non exportée Tirades de défi "Impikmartin" Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 299, 315-317• 06=0'41; 07=1'20. Juan puis Sunti parlent• Amazonie(G) 1977 Non pertinent 12A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-08>09 BM.1998.010.001/04:02-08>09 00:02:01 19/12/77 EQUATEUR COPATAZA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 MONOLOGUES DE REFUS DE VISITE Sous-table non exportée ATSANMARTIN Sous-table non exportée Monologue de refus de visite "Atsanmartin" Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 313. 08=0'35; 09=1'26 Juan puis Sunti parlent • Amazonie(G) 1977 Non pertinent 12A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-10 BM.1998.010.001/04:02-10 00:04:27 13/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 CONVERSATION CEREMONIELLE Sous-table non exportée ANEMARTIN Sous-table non exportée Conversation ceremonielle "Anemartin" L'anemat est une conversation cérémonielle, une passe d'arme chorégraphiée; c'est l'un des très rares rites d'affrontement collectifs chez les Achuar. Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 326, 417, 419-420, 422-424, 429. Alternance de voix parlée, criée et haltée. Environ 10 Hommes ? Amazonie(G) 1977 6B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-11 BM.1998.010.001/04:02-11 00:06:03 23/12/77 EQUATEUR COPATAZA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 CONVERSATION CEREMONIIELLE Sous-table non exportée ANEMARTIN Sous-table non exportée Conversation cérémonnielle "Anemartin" (precédé d'un bref imbikmartin) Pour les Impikmartin, cf.BM.998.010.001/03. Face Plage: 02-6>7: Tirades de défi "Impikmartin". Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 326, 417, 419-420, 422-424, 429. Enregistrement mono. Amazonie(G) 1977 Non pertinent 12B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-12 BM.1998.010.001/04:02-12 00:13:22 24/12/77 EQUATEUR COPATAZA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 CONVERSAITON CEREMONNIELLE Sous-table non exportée ANEMARTIN Sous-table non exportée Conversation cérémonielle Anemartin Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 326, 417, 419-420, 422-424, 429. Enregistrement mono Amazonie(G) 1977 Non pertinent 12B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :02-13 BM.1998.010.001/04:02-13 00:13:35 13/04/78 EQUATEUR CONAMBO JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 CHANT DE CURE Sous-table non exportée Sous-table non exportée Cure Descola,Philippe. 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 346-367. Début sifflé (Va-Sifflé). Accompagnement d'un hochet de feuilles secouées (Shinki Shinki). Parfois "Va-Bruits de Gorge". Amazonie(G) 1978 RELIGIEUX 16A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-01>03 BM.1998.010.001/04:03-01>03 00:02:49 26/01/78 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 ANENT Sous-table non exportée ANENT Sous-table non exportée 01=1'00; 02=0'48; 03=1'01. Amazonie(G) 1978 LYRIQUE 1A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-04>05 BM.1998.010.001/04:03-04>05 00:02:56 17/03/77 EQUATEUR CHIRIBOGA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 ANENT Sous-table non exportée ANENT Sous-table non exportée Le mari chante pour que sa compagne, restée à la maison, éprouve de la mélancolie et pense à lui. Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". in Amerindia n° 8. 04=Anent € 3p... 108-109 (Achuar/anglais). 04=Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 221-222 (français). Chant à caractère propitiatoire; (il s'agit bien d'un homme) 04=1'31; 05=1'25. Amazonie(G) 1977 LYRIQUE 3A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-06>07 BM.1998.010.001/04:03-06>07 00:03:17 08/09/77 EQUATEUR CHIRIBOGA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 ANENT Sous-table non exportée ANENT Sous-table non exportée Anent pour que la femme nourisse bien son mari Taylor,Anne-Christine,1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n°8. 06=Anent € 8p. 120-121 (Achuar/anglais). 06=Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Hautre-Amazone. Paris, Plon: 211 (français). Chant à caractère propitiatoire 06=1'09; 07=2'08 Amazonie(G) 1977 LYRIQUE 7B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-08 BM.1998.010.001/04:03-08 00:01:21 01/01/78 EQUATEUR CHIRIBOGA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT D'ARUTAM Sous-table non exportée ANENT Sous-table non exportée Anent particulier pour attirer la commisération d'Arutam Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 338. (jusquà "Abats-toi"). Chant à caractère propitiatoire Amazonie(G) 1978 LYRIQUE 13B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-09>10 BM.1998.010.001/04:03-09>10 00:03:39 02/11/76 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 ANENT Sous-table non exportée ANENT Sous-table non exportée Anent pour stimuler les chiens 09=Descola,Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme: 289 b. Chant à caractère propitiatoire 09=1'37; 10=2'02 Amazonie(G) 1976 LYRIQUE 25A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-11 BM.1998.010.001/04:03-11 00:01:38 02/03/79 EQUATEUR KAPAWI OU SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 ANENT Sous-table non exportée ANENT Sous-table non exportée Chant à caractère propitiatoire Chanté et parfois sifflé (VA-Sifflé). Niveau original très faible > -10 dB. Amazonie(G) 1979 LYRIQUE 24A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-12>13 BM.1998.010.001/04:03-12>13 00:00:00 02/03/79 EQUATEUR KAPAWI OU SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 NAMPET MASCULIN Sous-table non exportée NAMPET Sous-table non exportée 12 =02'33 ; 13 =01'41• 1979 EPIQUE AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-14 BM.1998.010.001/04:03-14 00:01:07 04/02/77 EQUATEUR KAPAWI ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Patukmai yawaru: le chien de patukmai Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 96. Amazonie(G) 1977 LYRIQUE 2A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-15 BM.1998.010.001/04:03-15 00:03:39 13/02/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Chant à caractère propitiatoire. Amazonie(G) 1977 LYRIQUE 2B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-16 BM.1998.010.001/04:03-16 00:02:13 13/02/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Amazonie(G) 1977 LYRIQUE 2B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-17 BM.1998.010.001/04:03-17 00:03:37 20/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Hâter le retour du mari Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 10p. 124-127 (Achuar/anglais). Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, PLon: 220-221 (français). Amazonie(G) 1977 LYRIQUE 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-18 BM.1998.010.001/04:03-18 00:01:26 22/06/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Anent pour désarmer les colères du mari, le rendre tendre et joyeux. Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 9p. 122-123. Chant à caractère propitiatoire. Amazonie(G) 1977 LYRIQUE 5A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-19 BM.1998.010.001/04:03-19 00:00:57 11/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Anent adressé au mari absent, pour qu'il pense à sa femme. Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 2 p. 106-107. Chant à caractère propitiatoire. Amazonie(G) 1977 LYRIQUE 6A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-20>21 BM.1998.010.001/04:03-20>21 00:02:23 11/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 ANENT Sous-table non exportée ANENT Sous-table non exportée Chant à caractère propitiatoire 20 = 1'17 21 = 1'06 Amazonie(G) 1977 LYRIQUE AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-22>23 BM.1998.010.001/04:03-22>23 00:09:34 22/08/77 EQUATEUR CHIRIBOGA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 ANENT Sous-table non exportée ANENT Sous-table non exportée 22=Pour que le mari ne batte pas sa femme 23=Pour influer sur les sentiments du mari• 22=Taylor, Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 6p. 114-117. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 212. 23= Taylor, Anne-christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 4 p. 110-111. Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon : 209-210• 22=04'30 ; 23 =05'04 Chant à caractère propitiatoire.• Amazonie(G) 1977 LYRIQUE 7B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-24 BM.1998.010.001/04:03-24 00:02:02 07/04/78 EQUATEUR CONAMBO JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Anent pour conjurer des mauvais traitements, pour que le mari absent retourne à la maison, pensant à la santé de ses enfants. Taylor,Anne-Christine,1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia N° 8. Anent € 7p. 118-119. Chant à caractère propitiatoire Amazonie(G) 1978 LYRIQUE 14B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-25 BM.1998.010.001/04:03-25 00:01:42 19/04/78 EQUATEUR CONAMBO JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Chant à caractère propitiatoire Amazonie(G) 1978 LYRIQUE 17B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-26>28 BM.1998.010.001/04:03-26>28 00:02:47 31/10/76 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 3 ANENT Sous-table non exportée ANENT Sous-table non exportée Anents horticoles destinés à Nunkui, la maîtresse des jardins, pour entretenir de bonnes relations avec elle et espérer de meilleures récoltes. 26=Descola,Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme: 249b. 27= Descola,Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme: 250a. 28=Descola,Philippe, 1986. La nature domestique. Symbolique et praxis dans l'écologie des Achuar. Paris, Maison des sciences de l'homme: 250 b. Chant à caractère propitiatoire. 26=0'46; 27=0'41; 28=01'20. Amazonie(G) 1976 LYRIQUE 25A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-29>30 BM.1998.010.001/04:03-29>30 00:01:58 03/11/76 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 ANENT Sous-table non exportée ANENT Sous-table non exportée Pour empêcher la colère du mari. Pour prevenir des mauvais traitements infligés par le mari. 29=Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 1p. 104-105. 30=Taylor,Anne-Christine, 1983. "Jivaroan magical songs: Achuar anent of connubial love". In Amerindia n° 8. Anent € 5p. 112-113. Chant à caractère propitiatoire Amazonie(G) 1976 LYRIQUE 25A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-31 BM.1998.010.001/04:03-31 00:03:57 18/04/78 EQUATEUR CONAMBO JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 ANENT Sous-table non exportée ANENT Sous-table non exportée Feuille de manioc doux tendue probablement entre les deux pouces, sur la tranche de laquelle on souffle. Jouée par une F. Durée 3'57, en plusieurs séquences• Amazonie(G) 1978 Non pertinent 17A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-32>33 BM.1998.010.001/04:03-32>33 00:02:04 02/08/77 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 NAMPET Sous-table non exportée NAMPET Sous-table non exportée 32=0'40; 33=1'24 Amazonie(G) 1977 EPIQUE 6B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :03-34>35 BM.1998.010.001/04:03-34>35 00:01:51 04/04/78 EQUATEUR CONAMBO JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 NAMPET Sous-table non exportée NAMPET Sous-table non exportée 34=01'02; 35=0'49 Amazonie(G) 1978 RELIGIEUX 14A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-01>11 BM.1998.010.001/04:04-01>11 00:07:14 12/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 11 UJAJ Sous-table non exportée UJAJ Sous-table non exportée Chant propitiatoire• Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 302, 303, 427-433. 01= 0'32 02=0'37 03=0'33 04=0'30 05=0'45 06=0'42 07=0'56 08=0'24 09=0'47 10=0'46 11=0'42 Attention: 7&8 sont peut-être enchaînés. Amazonie(G) 1977 Non pertinent 6B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-12>13 BM.1998.010.001/04:04-12>13 00:01:26 09/07/77 EQUATEUR SASAIME JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 2 UJAJ Sous-table non exportée UJAJ Sous-table non exportée HS Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 302, 303, 427-433. 12=0'30; 13=0'56. Chant à caractère propitiatoire• Amazonie(G) 1977 POPULAIRE 6B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-14>17 BM.1998.010.001/04:04-14>17 00:02:48 23/12/77 EQUATEUR COPATAZA JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 4 UJAJ Sous-table non exportée UJAJ Sous-table non exportée Chant propitiatoire• Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 428. 14=0'52; 15=0'37; 16=0'40; 17=0'39. Amazonie(G) 1977 Non pertinent 12B AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-18>22 BM.1998.010.001/04:04-18>22 00:02:14 19/07/78 EQUATEUR KAVAVI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 5 UJAJ Sous-table non exportée UJAJ Sous-table non exportée Chant propitiatoire• Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, PLon: 428. 18=0'34; 19=0'23; 20=0'33; 21=0'22; 22=0'22• Amazonie(G) 1978 Non pertinent 22A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-23 BM.1998.010.001/04:04-23 00:00:56 19/07/78 EQUATEUR KAPAVI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 UJAJ Sous-table non exportée UJAJ Sous-table non exportée Chant propitiatoire• Descola, Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 428. Amazonie(G) 1978 Non pertinent 22A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-24 BM.1998.010.001/04:04-24 00:01:19 19/07/78 EQUATEUR KAPAWI JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 1 UJAJ Sous-table non exportée UJAJ Sous-table non exportée Chant propitiatoire• Descola,Philippe, 1993. Les lances du crépuscule. Relations Jivaros, Haute-Amazonie. Paris, Plon: 428. Amazonie(G) 1978 Non pertinent 22A AMERIQUE +BM.1998.010 CDR BM.1998.010.001/04 :04-25>48 BM.1998.010.001/04:04-25>48 00:16:00 EQUATEUR JIVARO,ACHUAR DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 COPIE DES PIECES NON MONTEES 01 A 24 Sous-table non exportée Sous-table non exportée Copie des pièces 01 à 24 non montées, de façon à conserver le maximum des chants car les enreg. originaux sont souvent "démarrés en marche"• Amazonie(G) 1978 AMERIQUE +BM.998.011 CDR BM.998.011.001 :01-01>12* BM.998.011.001:01-01>12* 00:39:10 sept 1998 PARAGUAY CHACO,MARESCAL ESTIGARRIBIA,STA TERESITA GUARANI GNANDEVA TAPIETE ESTIVAL,J-P. PARAGUAY:TAPIETE (GUARANI GNANDEVA);1998 SUITE DE CHANTS WAKARA'Y Sous-table non exportée WAKARA'Y Sous-table non exportée Durées pièces: 01=6'55; 02=30; 03=1'08; 04=1'54; 05=2'35; 06= faux départ; 07=1'09; 08=1'50; 09=4'00; 10=4'06; 11=6'12; 12=5'37• Chaco(G) Guarani (L) 1998 Non pertinent AMERIQUE +BM.998.012 CDR BM.998.012.001 U01 BM.998.012.001U01 00:00:00 LAOS M.POPULAIRES DE LA RETRAITE MONASTIQUE AU LAOS [MONTAGE MAITRISE] Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.01-1>6 K7x6-Coffret BM.998.013.001-1>6 :01-01 BM.998.013.001-1>6:01-01 00:00:00 IRAN KHORASAN THE LOCAL IRANIAN MUSIC-1 THE MUSIC OF KHORASAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.02-1>6 K7x6-Coffret BM.998.013.002-1>6 :01-01 BM.998.013.002-1>6:01-01 00:00:00 IRAN QASHQAI THE LOCAL IRANINA MUSIC-2 THE QASHQAI MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.03-1>6 K7x6-Coffret BM.998.013.003-1>6 :01-01 BM.998.013.003-1>6:01-01 00:00:00 IRAN MAZANDARAN THE LOCAL IRANIAN MUSIC-3 THE MUSIC OF MAZANDARAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.04-1>6 K7x6-Coffret BM.998.013.004-1>6 :01-01 BM.998.013.004-1>6:01-01 00:00:00 IRAN LURISTAN LUR THE LOCAL IRANIAN MUSIC-4 THE MUSIC OF LORESTAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.05-1>6 K7x6-Coffret BM.998.013.005-1>6 :01-01 BM.998.013.005-1>6:01-01 00:00:00 IRAN TURKMENISTAN TURKMENES THE LOCAL IRANIAN MUSIC-5 THE TURKMAN MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.06-1>6 K7x6-Coffret BM.998.013.006-1>6 :01-01 BM.998.013.006-1>6:01-01 00:00:00 IRAN GILAN & TALESH THE LOCAL IRANIAN MUSIC-6 THE MUSIC OF GILAN & TALESH Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.07-1>6 K7x6-Coffret BM.998.013.007-1>6 :01-01 BM.998.013.007-1>6:01-01 00:00:00 IRAN AZERBAIDJAN THE LOCAL IRANIAN MUSIC-5 THE AZERBAIJAN MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.08-1>6 K7x6-Coffret BM.998.013.008-1>6 :01-01 BM.998.013.008-1>6:01-01 00:00:00 IRAN KORDESTAN THE LOCAL IRANIAN MUSIC-5 THE MUSIC OF KORDESTAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.09-1>6 K7x6-Coffret BM.998.013.009-1>6 :01-01 BM.998.013.009-1>6:01-01 00:00:00 IRAN SOUTH OF THE ALBROZ (KUMES - THE LOCAL IRANIAN MUSIC-9 THE MUSIC OF SOUTH OF THE ALBROZ (KUMES - TÂLEQÂN) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.10-1>6 K7x6-Coffret BM.998.013.010-1>6 :01-01 BM.998.013.010-1>6:01-01 00:00:00 IRAN ALBROS THE LOCAL IRANIAN MUSIC-10 THE RITUAL & RELIGIOUS M. OF BOTH SIDES OF THE ALBROZ Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.11-1>6 K7x6-Coffret BM.998.013.011-1>6 :01-01 BM.998.013.011-1>6:01-01 00:00:00 IRAN BALUCHISTAN BALOUTCHES THE LOCAL IRANIAN MUSIC-11 BALUCHESTÂN MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.12-1>6 K7x6-Coffret BM.998.013.012-1>6 :01-01 BM.998.013.012-1>6:01-01 00:00:00 IRAN KORDESTAN THE LOCAL IRANIAN MUSIC-12 THEKORDESTAN MUSIC (2) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.13-1>6 K7x6-Coffret BM.998.013.013-1>6 :01-01 BM.998.013.013-1>6:01-01 00:00:00 IRAN KHORASAN THE LOCAL IRANIAN MUSIC-13 THE KHORASAN MUSIC (2) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.14-1>6 K7x6-Coffret BM.998.013.014-1>6 :01-01 BM.998.013.014-1>6:01-01 00:00:00 IRAN KHORASAN THE LOCAL IRANIAN MUSIC-14 THE KHORASAN MUSIC (3) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.15-1>6 K7x6-Coffret BM.998.013.015-1>6 :01-01 BM.998.013.015-1>6:01-01 00:00:00 IRAN MAZANDARAN THE LOCAL IRANIAN MUSIC-15 THE MUSIC OF MAZANDARAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.16-1>6 K7x6-Coffret BM.998.013.016-1>6 :01-01 BM.998.013.016-1>6:01-01 00:00:00 IRAN BAKHTIARI THE LOCAL IRANIAN MUSIC-16 THE MUSIC OF BAKHTIARI Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.16-1>6 K7x6-Coffret BM.998.013.016-1>6 :02-01 BM.998.013.016-1>6:02-01 00:00:00 PAKISTAN THE LOCAL IRANIAN MUSIC-16 THE MUSIC OF BAKHTIARI NUSRTAT FATHE ALI KHAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.17-1>6 K7x6-Coffret BM.998.013.017-1>6 :01-01 BM.998.013.017-1>6:01-01 00:00:00 IRAN THE LOCAL IRANIAN MUSIC-17 THE BUSHEHR MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.18-1>6 K7x6-Coffret BM.998.013.018-1>6 :01-01 BM.998.013.018-1>6:01-01 00:00:00 IRAN KHORASAN THE LOCAL IRANIAN MUSIC. THE MUSIC OF KHORASAN (GHAUCHAN;CHIRVAN;TORBAT-E JAM) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.19-1>6 K7x6-Coffret BM.998.013.019-1>6 :01-01 BM.998.013.019-1>6:01-01 00:00:00 INDE LA MUSIQUE DES PAYS MUSULMANS (INDE;PAKISTAN;TADJIKISTAN; REP. D'AZERBAIDJAN) USTAD BISMILLAH KHAN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.19-1>6 K7x6-Coffret BM.998.013.019-1>6 :03-10 BM.998.013.019-1>6:03-10 00:00:00 TADJIKISTAN LA MUSIQUE DES PAYS MUSULMANS (INDE;PAKISTAN;TADJIKISTAN; REP. D'AZERBAIDJAN) Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-41.19-1>6 K7x6-Coffret BM.998.013.019-1>6 :06-01 BM.998.013.019-1>6:06-01 00:00:00 AZERBAIDJAN LA MUSIQUE DES PAYS MUSULMANS (INDE;PAKISTAN;TADJIKISTAN; REP. D'AZERBAIDJAN) ALEM QASIMOV Sous-table non exportée Sous-table non exportée 0 ASIE +BM.999.001 CDR BM.999.001.001 :01-01>29* BM.999.001.001:01-01>29* 01:07:55 Juil-Sept 1994 PARAGUAY CANENDIYU, COLONIES CHUPA POU* ACHE (GUAYAKI) EDEB PIRAGI,PH. PARAGUAY: ACHE;1994 SUITE DE PIECES "LA PAROLE DES ANCETRES" JYPYWAREGI JAWU Sous-table non exportée JYPYWAREGI JAWU Sous-table non exportée Ces récits ont une fonction pédagogique. Contenu: mythes, contes moraux et immoraux, fables animalières, histoires vraies et légendes sur des êtres ou des peuples étranges, histoires récréatives• Cf. fiche Support/Coll.BM• *et Arroyo Bandera. Cf.DT pour le titre des pièces. Emission vocale: voix parlée avec des modulations suraigues; index 30: pièce chantée. Total 29 pièces+4 faux départs. Durées: -01=4'01; -02=faux départ; -03=3'53; -04=2'41; -05=faux départ; -06=2'17; -07=3'18 (=orginal1, index11 ); -08=3'23 (=orginal1, index13); -09=1'11 (=orginal1, index15); -10=2'15 (=orginal1, index16); -11=2'17 (=orginal1, index18); -12=1'50 (=orginal1, index19); -13=5'06 (=orginal1, index20); -14=1'53 (=orginal1, index21); -15=faux départ; -16=1'45 (=orginal1, index22); -17=faux départ; -18=0'59 (=orginal1, index24); -19=3'15 (=orginal1, index26); -20=1'35 (=orginal1, index27); -21=1'29 (=orginal2, index6 ); -22=2'41 (=orginal2, index 11); -23=0'48 (=orginal2, index 20); -24=3'18 (=orginal2, index 21); -25=3'41 (=orginal2, index 25); -26=2'49 (=orginal2, index 26); -27=0'37 (=orginal2, index 27); -28=2'02; (=orginal2, index 28); -29=1'57 (=orginal3, index2 ); -30=1'51 (=orginal3, index 15); -31=1'22 (=orginal3, index 13 sic!); -32=1'01 (=orginal3, index 08); -33=0'40 (=orginal3, index 17)• EDEB PIRAGI & SEQUERA 1994 NARRATIF AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-01>05* BM.999.002.001/02:01-01>05* 00:11:42 juillet 1998 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANTS DE DANSE, RITUEL GNANEMANA Sous-table non exportée Sous-table non exportée Rituel gnanemana: pour l'entrée dans la classe d'âge pubère• Idiophone: un grelot (en cuivre?) entouré d'ongles d'animaux (cervidés et autres "popiet") faisant sonnailles, le tout attaché à un baton qui est pilonné sur le sol; joué par la chanteuse. Index 01=5'49 chanté par Malicia, enreg. le 8/7; 02=0'29 chanté par Alexandra - sans idiophone -, enreg. le 8/7; 03=faux départ; 04=0'56 chanté par Cécilia, enreg. le 16/7; 05=4'18 par Cécilia, même chant que 04. Copie compréssée avec Urei LA-4• DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-06>08* BM.999.002.001/02:01-06>08* 00:04:30 26-07-1998 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANTS DANSES MANEN Sous-table non exportée MANEN Sous-table non exportée Musique attaché à un rituel (passage à l'âge adulte des jeunes hommes) qui n'est plus pratiqué en tant que tel aujourd'hui• Index 06 à 37 = suite de chants enchaînés, de différentes formes appartenant à un même répertoire appelé "Manen". Chr de 2 à 5 H. "Alphon" signifie tambour . Ici, le tbr est fait soit du tronc d'un jeune palmier haut de1,20m creusé sur 0,20m à demi rempli d'eau et de Ø 0,20m, recouvert d'une peau de petit chevreuil ("popiet"), soit, à défaut, d'un thermos à demi rempli d'eau dont l'ouverture est couverte d'un morceau de tissu de jean; la membrane est battue avec une baguette très fine. *Index 06=1'32; 07=1'17;08=1'41 • DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-09>11* BM.999.002.001/02:01-09>11* 00:04:41 26-07-98 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANTS DANSES ABATISOKA Sous-table non exportée MANEN ABATISOKA Sous-table non exportée Musique attaché à un rituel (passage à l'âge adulte des jeunes hommes) qui n'est plus pratiqué en tant que tel aujourd'hui• Index 06 à 37 = suite de chants enchaînés, de différentes formes appartenant à un même répertoire appelé "Manen". Chr de 2 à 5 H. Chr de 2 à 5 H. "Alphon" signifie tambour . Ici, le tbr est fait soit du tronc d'un jeune palmier haut de1,20m creusé sur 0,20m à demi rempli d'eau et de Ø 0,20m, recouvert d'une peau de petit chevreuil ("popiet"), soit, à défaut, d'un thermos à demi rempli d'eau dont l'ouverture est couverte d'un morceau de tissu de jean; la membrane est battue avec une baguette très fine. *Index 09=1'37; 10=1'21; 11=1'42• DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-12 BM.999.002.001/02:01-12 00:01:41 26/07/9 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANT DANSE PALANCA Sous-table non exportée MANEN PALANCA Sous-table non exportée Musique attaché à un rituel (passage à l'âge adulte des jeunes hommes) qui n'est plus pratiqué en tant que tel aujourd'hui• Index 06 à 37 = suite de chants enchaînés, de différentes formes appartenant à un même répertoire appelé "Manen". Chr de 2 à 5 H. "Alphon" signifie tambour . Ici, le tbr est fait soit du tronc d'un jeune palmier haut de1,20m creusé sur 0,20m à demi rempli d'eau et de Ø 0,20m, recouvert d'une peau de petit chevreuil ("popiet"), soit, à défaut, d'un thermos à demi rempli d'eau dont l'ouverture est couverte d'un morceau de tissu de jean; la membrane est battue avec une baguette très fine. DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-13>19* BM.999.002.001/02:01-13>19* 00:12:24 26/07/98 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANTS DANSES SIGNUELO Sous-table non exportée SIGNUELO Sous-table non exportée Musique attaché à un rituel (passage à l'âge adulte des jeunes hommes) qui n'est plus pratiqué en tant que tel aujourd'hui• Index 06 à 37 = suite de chants enchaînés, de différentes formes appartenant à un même répertoire appelé "Manen". Chr de 2 à 5 H. "Alphon" signifie tambour . Ici, le tbr est fait soit du tronc d'un jeune palmier haut de1,20m creusé sur 0,20m à demi rempli d'eau et de Ø 0,20m, recouvert d'une peau de petit chevreuil ("popiet"), soit, à défaut, d'un thermos à demi rempli d'eau dont l'ouverture est couverte d'un morceau de tissu de jean; la membrane est battue avec une baguette très fine. *Index 13=1'32; 14=0'57; 15=1'02; 16=1'59; 17=3'17; 18=1'41; 19=1'56• DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-20>22 BM.999.002.001/02:01-20>22 00:05:22 26/07/98 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANTS DANSES MANEN Sous-table non exportée MANEN Sous-table non exportée Musique attaché à un rituel (passage à l'âge adulte des jeunes hommes) qui n'est plus pratiqué en tant que tel aujourd'hui• Index 06 à 37 = suite de chants enchaînés, de différentes formes appartenant à un même répertoire appelé "Manen". Chr de 2 à 5 H. "Alphon" signifie tambour . Ici, le tbr est fait soit du tronc d'un jeune palmier haut de1,20m creusé sur 0,20m à demi rempli d'eau et de Ø 0,20m, recouvert d'une peau de petit chevreuil ("popiet"), soit, à défaut, d'un thermos à demi rempli d'eau dont l'ouverture est couverte d'un morceau de tissu de jean; la membrane est battue avec une baguette très fine. *Index 20=1'14; 21=1'50; 22=2'17• DOS SANTOS,SANDRINE Chaco 1998 Non pertinent A, p.1 AMERIQUE +BM.999.002 CDR BM.999.002.001/02 :01-23>25* BM.999.002.001/02:01-23>25* 00:05:08 26/07/98 PARAGUAY CHACO CENTRAL,CAMPO AROMA ENENLHET DOS SANTOS,S.;PARAGUAY,1998:ENENLHET CHANT VANDA Sous-table non exportée VANDA Sous-table non exportée Index 06 à 37 = suite de chants enchaînés, de différentes formes. Chr de 2 à 5 H. Le tbr est fait d'un thermos dont l'ouverture est couverte d'un morceau de tissu de jean, cette membrane est battue avec une baguette très fine. Index 23=1'28; 24=1'43; 25=1'56• DOS SANTOS,SANDRINE Chaco 1998 A, p.1 et p.2 AMERIQUE +BM.999.003 CDR BM.999.003.001 :01-01 BM.999.003.001:01-01 00:00:00 TAIWAN BOUDDHISTE MUSIQUES BOUDDHIQUES DE TAIWAN [EXEMPLES POUR THESE] N Sous-table non exportée Sous-table non exportée 0 ASIE +BM.999.004 CDR BM.999.004.001 :01-01 BM.999.004.001:01-01 00:00:00 aout 1998 BOLIVIE CALCHA MARTINEZ,R.;BOLIVIE: CALCHA. MISSION AOUT 98 Sous-table non exportée Sous-table non exportée = 1998 AMERIQUE +BM.999.005 CDR BM.999.005.001/03 :01-01 BM.999.005.001/03:01-01 00:00:00 avril 1999 BENIN DASSI-ZOUME FON,S.GR. MAKI COMMUNE DE DASSI-ZOUME; BENIN:MAKI (SOUS-GROUPE FON) Sous-table non exportée Sous-table non exportée LECLAIR,MADELEINE 1999 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-01>02 BM.999.006.001/04:01-01>02 00:05:20 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DEUX CHANTS DE GUERRE Sous-table non exportée Sous-table non exportée Cette musique était exécutée autrefois au village lorsqu'on s'attendait à l'attaque de l'ennemi ; le musicien gardait ainsi les villageois éveillées et les exhortait. Enreg. sur demande• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 5 = 02)• __________________________________________________________________________ - Durées pièces: 01 = 2'06; 02 = 3'04. - La harpe-luth à 6 cordes comporte une caisse de résonance rectangulaire en bois sculpté, traversée par le manche arqué. Sur la table de résonance, faite d'un morceau d'écorce, s'élève le cordier sur lequel sont fixées en deux rangs les six cordes en fibres de raphia. Le chanteur s'accompagne lui-même à la harpe-luth. - Analyse des intervalles et de la polyphonie, cf. CD• = 1965 ELOGIEUX 1965.29-1>2 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-03 BM.999.006.001/04:01-03 00:00:30 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLE DE HARPE-LUTH "DUU" Sous-table non exportée Sous-table non exportée CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 • - La harpe-luth à 6 cordes comporte une caisse de résonance rectangulaire en bois sculpté, traversée par le manche arqué. Sur la table de résonance, faite d'un morceau d'écorce, s'élève le cordier sur lequel sont fixées en deux rangs les six cordes en fibres de raphia. Le chanteur s'accompagne lui-même à la harpe-luth. - Echelle de l'instrument enregistré 1965:29-1, 2. - Analyse des intervalles, cf. CD• = 1965 Non pertinent 1965.29-3 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-04>06 BM.999.006.001/04:01-04>06 00:10:58 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 3 CHANTS DE CHASSE Sous-table non exportée KULADO Sous-table non exportée Le chant de chasse KULADO (litt. "chant de forêt") est entonné par le KULABLENYON ("l'homme qui chante la forêt") avant le départ à la chasse ; il rappelle les noms des chasseurs les plus célèbres afin d'exhorter ceux qui partent. Autrefois, au retour d'une chasse à l'éléphant, les chanteurs montaient sur l'animal abattu. Le chant est également exécuté lors des funérailles d'un chasseur. Enreg. sur demande• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 4 = 05)• - Durée pièces: 04 = 3'22; 05 = 3'37; 06 = 3'50. *Trio H : Tcheoulou,Victor; WehiI,Denis; Bohwin. - Les trois chanteurs accompagnant le soliste frappent chacun avec une baguette sur une carapace de tortue. Pour plus d'informations musicologiques, cf. le CD• = 1965 ELOGIEUX 1965.29-4>6 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-07>08 BM.999.006.001/04:01-07>08 00:06:25 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 2 DANSES DE JEUNES FILLES Sous-table non exportée Sous-table non exportée Danse répétée pendant la réclusion et exécutée lors de la sortie des excisées au village. Les jeunes filles ont le corps peint au caolin. 8 danseuses : au sifflement, deux s'avancent pour danser, et sont relayées par deux autres au prochain sifflement• - Durée pièces: 07 = 2'25; 08 = 3'55. - Le sifflet métallique européen est de type "police". La peau, tendue par piquet, du tambour en forme de calice est frappée à mains nues. Les danseuseuses portent aux chevilles des sonnailles en coques séchées de fruit• = 1965 Non pertinent 1965.29-7>8 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-09 BM.999.006.001/04:01-09 00:03:24 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 MUSIQUE POUR ABATTRE UN ARBRE Sous-table non exportée Sous-table non exportée Pour abattre un arbre, lors des travaux de préparation de nouveaux champs (culture sur brûlis). Cette musique "introduit la force" dans les hommes maniant la hache• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 1)• Rythmées par cette musique, les haches de quatre homme s'enfoncent avec force dans le tronc d'un immense arbre. Un musicien frappe avec deux minces baguettes sur un petit tambour tripode dont la peau est tendue par des piquets. Le chanteur soliste encourage les quatre hommes avec des phrases en grande partie improvisées. Un petit choeur d'hommes chante un motif ostinato. Pour plus d'informations musicologiques, cf. le CD• = 1965 ELOGIEUX 1965.29-09 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-10>14 BM.999.006.001/04:01-10>14 00:05:23 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée Enreg. sur demande• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 11 = 11, 12 et 14)• - Durée pièces: 10 = 0'50; 11 = 1'08; 12 = 0'45; 13 = 1'20; 14 = 0'53. - Les airs joués sur l'arc musical reprennent de courtes mélodies de chants, que le musicien chante quelquefois tout en jouant de l'arc. Pour plus d'informations ethnographiques et musicologiques, cf. le CD• = 1965 1965.29-10>14 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-15>17 BM.999.006.001/04:01-15>17 00:09:50 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, TINHOU WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 3 CHANTS DE LOUANGE Sous-table non exportée SAULE Sous-table non exportée Chants louant les chefs de guerre. Enreg. sur demande\ CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 8 = 15)• _______________________________________________________________________________ - Durée pièces: 12 = 3'12; 16 = 3'28; 17 = 3'00. Les deux chanteurs, dont l'un est aveugle, s'accompagnent eux-mêmes avec des hochets-sonnailles. Pour plus d'information musicologiques, cf. le CD• = 1965 ELOGIEUX 1965.30-1>3 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-18>20 BM.999.006.001/04:01-18>20 00:08:40 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, TINHOU WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 3 CHANTS DE FEMMMES Sous-table non exportée ULE Sous-table non exportée Enreg.sur demande\ ____________________________________________________________________________ - Durée pièces: 18 = 2'20; 19 = 2'52; 20 = 3'19. - Tendue par piquets, la peau du tambour en forme de calice est frappée à mains nues. Chants en langue fanti (?), langue parlée sur la côte par des immigrés venus du Ghana. Le style du chant est cependant wè (guéré)• = 1965 Non pertinent 1965.30-4>6 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-21>22 BM.999.006.001/04:01-21>22 06:48:00 juin 1965 COTE D'IVOIRE S/PREF. BLOLEQUIN,BLOLEQUIN WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 MUSIQUE POUR UN MASQUE DE DANSE Sous-table non exportée Sous-table non exportée Les DEGLA ("masques de danse") apparaissent pour plusieurs circonstances (funérailles, fêtes organisées par le chef du village, etc). Ils viennent à tour de rôle sur la place de danse. Ici, à l'occasion des funérailles d'un masque important• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 16 = 22)• Durée pièces: 21 = 3'10; 22 = 3'38 Chanteurs: Dja, Kogba; Baha, Gbepou; Zoue, Tche; Kpon, Dhjiakpean; Baha, Nahin; Kei, Honore; Yahi, Gody. - La danse s'intensifie lorsque les tambourinaires commencent à jouer avec beaucoup d'énérgie, lorsque ces derniers s'arrêtent par moment et que l'on entend à nouveau distinctement les chanteurs, le masque de calme, reste sur place. - 3 tambourinaires frappent avec des bag. sur 4 tbrs cylindriques posés verticalement sur le sol (un musicien joue de 2 tbrs). Les peaux sont tendues par des piquets. 5 chanteurs secouent des hochet-sonnailles, le 6ème frappe avec une bag. sur une cloche en fer. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD• = 1965 Non pertinent 1965.30-7>8 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :01-23>24 BM.999.006.001/04:01-23>24 00:06:58 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, TOYEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 VOIX DU MASQUE PANKELE Sous-table non exportée Sous-table non exportée La voix de ce masque se fait entendre uniquement la nuit. Lorsqu'il arrive dans les ruelles du village, les enfants et les femmes doivent s'enfermer. C'est un masque divertissant, sans grand pouvoir, ce qui ne l'empêche pas de chanter pour les funérailles ou lors d'autres manifestations coutumières. Enreg. sur demande• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 17 = 23)• Durée pièces: 23= 3'34; 24= 3'23. Ce masque (PANKELE, "masques groupe") consiste uniquement en sa voix : son déguisement n'est pas visuel, mais acoustique. Il est formé par le chant de cinq hommes chantant dans des mirlitons. Pour plus d'informations ethnographiques et musicologiques, cf. le CD• = 1965 Non pertinent 1965.30-9>10 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-01 BM.999.006.001/04:02-01 00:02:45 Juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, ZIOUEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE SEMAILLES DU RIZ Sous-table non exportée GLOAPODO Sous-table non exportée Pour semer le riz et labourer la terre avec des houes à manche court (GLOAPODO, "chant de semaille"). CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 2). * (S) Manhan, Colette & Djeoue, Rose. Quatres femmes courbées chantent en travaillant; les deux solistes ne manient la houe qu'épisodiquement et se tiennent le plus souvent debout pour mieux chanter. Pour plus d'information musicologiques, cf. le CD. 1965 ELOGIEUX 1965.50-1 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-02>03 BM.999.006.001/04:02-02>03 00:03:05 juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, TOYEBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 JEU DE TAMBOURS Sous-table non exportée Sous-table non exportée Pour appeler les gens en cas de guerre, ou pour les appeler lors d'une fête. DISQUE: Percussions de Côte d'Ivoire. Disques Alvarès C 488 (plage 5). Collecteur: - Durée pièces: 02 = 1'38; 03 = 1'25. - Les deux tambours sont de forme cylindrique; la peau, attachée par piquets, est frappée avec deux baguettes. En raison de sa grande taille, le tambour TUGBA (hauteur 185 cm, diamètre 50cm) est appuyé diagonalement sur un support; le tambour GBELE (hauteur 67 cm, diamètre 30cm) peut être posé verticalement sur le sol. 1965 Non pertinent 1965.50-02>03 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-04>05 BM.999.006.001/04:02-04>05 00:03:09 Juin 1965 COTE D'IVOIRE S/PREF. TOULEPLEU, DOELLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 SOLO DE TAMBOUR A FENTE Sous-table non exportée Sous-table non exportée Ce grand tambour à fente (longueur 110 cm, diamètre 60 cm) repose sous un abri spécialement construit (petite case sans murs). Joué lorsqu'une panthère est tuée; à la mort d'un descendant de Pela (chef célèbre). Le foie des animaux sacrifié est mis dans la fente de l'instrument. Durée pièces: 04 = 1'12; 05 = 1'55. Le tambour à fente est frappé à l'aide de deux baguettes. 1965 Non pertinent 1965.50-04>05 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-06>11 BM.999.006.001/04:02-06>11 00:05:42 juin 1965 COTE D'IVOIRE S/PREF. GUIGLO, KPANDY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 AIR DE XYLOPHONE Sous-table non exportée Sous-table non exportée Les garçons surveillant les champs en jouent pendant la journée pour chasser les oiseaux et les singes lorsque le riz parvient à maturité, tandis que les jeunes hommes en jouent plutôt le soir, au campement de la plantation ou même au village, pour se reposer de leurs durs travaux. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 3a = 07, plage 3b = 09). - Durée pièces: 06 = 0'47; 07 =0'55; 08 = 0'53; 09 = 1'03; 10 = 0'50; 11 = 0'58. - Ce xylophone sur troncs de bananier peut être joué par une seule personne, mais en général il l'est par deux musiciens, accroupis face à face, chacun frappant sur son côté les extrémités des lames avec deux baguettes. Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 Non pertinent 1965.50-06>11 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-12>14 BM.999.006.001/04:02-12>14 00:08:00 juin 1995 COTE D'IVOIRE S/PREF. GUIGLO, KPANDY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 SOLO DE HARPE FOURCHUE Sous-table non exportée Sous-table non exportée CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 12 = 13). - Durée pièces: 12 = 2'17; 13 = 2'37; 14 = 3'00. - Harpe fourchue à 7 cordes en fibres de raphia. La caisse de résonance est faite d'une calebasse sphérique dont la partie inférieure, ouverte, est appuyée contre le ventre du musicien. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 Non pertinent 1965.50.12>14 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-15 BM.999.006.001/04:02-15 00:00:30 juin 1995 COTE D'IVOIRE S/PREF. GUIGLO, KPANDY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLE DE HARPE FOURCHUE Sous-table non exportée Sous-table non exportée CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105. 1965 1965.50-15 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-16 BM.999.006.001/04:02-16 00:00:20 juin 1995 COTE D'IVOIRE S/PREF. GUIGLO, KPANDY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée Enreg. sur demande 1965 Non pertinent 1965.50-16 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-17>22 BM.999.006.001/04:02-17>22 00:08:58 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, GUINGLO-ZIA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE FEMMES Sous-table non exportée BAI Sous-table non exportée - Durée pièces: 17 = 2'12; 18 = 1'22; 19 = 1'25; 20 = 1'08; 21 = 1'15; 22 = 1'14. - Une douzaine de femmes dansent en cercle, chacune pilonnant sur le sol un bâton de rythme. 1965 Non pertinent 1965.51-1>6 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-23>25 BM.999.006.001/04:02-23>25 00:04:47 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, DIEHIBA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ENSEMBLE DE PERCUSSION Sous-table non exportée Sous-table non exportée Autrefois, pour annoncer la mort d'un homme important. - Durée pièces: 23 = 1'25; 24 = 2'08; 25 = 1'06. Le tambour SAADYEN est de forme cylindrique (hauteur 104 cm, diamètre 24 cm); la peau est attachée par des piquets. Le tambour BOLODJU a la forme d'une calice (hauteur 44 cm, diamètre 20 cm); attache par piquets. Le tambour à fente GULE (longueur 61 cm, diamètre 25) est posé horizontalement sur le sol. Les trois instruments sont frappés chacun à l'aide de deux baguettes. 1965 Non pertinent 1965.51-7>8 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-26>28 BM.999.006.001/04:02-26>28 00:07:06 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, DIEHIBA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ORCHESTRE DE TROMPES Sous-table non exportée GWEN Sous-table non exportée - L'orchestre jouait pour les chefs de guerre, avant le départ et au retour des guerriers, pour les sorties publiques des chefs de guerre, et pour leurs funérailles. Enreg. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 6 = 27). * Setmoi; Sye, Dhibohi; Lahou, Prospere; Yero, Bohe. - Durée pièces: 26 = 1'27; 27 = 3'17; 28 = 2'09. - L'orchestre est composé de quatre trompes en bois et d'une cinquième en corne d'antilope, et de deux tambours frappés à mains nues, l'un en forme de calice, et l'autre de forme cylindrique. Dans le n° 11, trois pièces sont enchaînées, avec des transitions commençant à 1'04 et 2'02. Pour plus d'information ethnographiques et musicologiques, cf. le CD. 1965 ELOGIEUX 1965.51-10>12 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-29 BM.999.006.001/04:02-29 00:01:23 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, DIEHIBA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLES DE TROMPES Sous-table non exportée Sous-table non exportée CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 6). - Quatre trompes en bois et une cinquième en corne d'antilope. - Pour plus d'information sur les intervalles, cf. le CD. 1965 ELOGIEUX 1965.51-13 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-30>31 BM.999.006.001/04:02-30>31 00:04:28 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, DAHOUA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE GUERRE Sous-table non exportée SAOBA Sous-table non exportée Le crieur d'exhortation (SAOBA, "exhortation"; POI, "crieur") est un chanteur spécialisé qui encourageait autrefois les guerriers avant leur départ en guerre, et à leur retour après une victoire, louait leurs exploits. Depuis l'arrêt des guerres, il chante lors de rituels périodiques au cours desquels des sacrifices sont offerts aux ancêtres guerriers, représentés par leurs armes. Des hommes en tenue de guerre traditionnel exécutent une danse simulant une attaque. Enreg. sur demande CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 7 = 31). - Durée pièces: 30 = 2'00; 31 = 2'23. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 ELOGIEUX 1965.28-1>2 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-32>33 BM.999.006.001/04:02-32>33 00:05:14 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, GUEHOUO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 MUSIQUE DE SOCIETE SECRETE KWI Sous-table non exportée Sous-table non exportée La société secrète KWI, dont l'un des buts est de lutter contre la sorcellerie, se manifeste par une musique qui peut être entendue de tous, mais dont les exécutants ne doivent pas être vus par les femmes et les enfants. Cette musique n'est pas censée être faite par des hommes, mais par des esprits. Enr. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 18 = 33)• - Durée pièces: 32 = 2'41; 33 = 2'25. La musique du (ou des) KWI est formée de trois parties. Dans la première, un homme frappe avec deux baguettes sur un tambour à fente, qui n'a pas ici de fonction musicale, mais qui "parle" (langage tambouriné). Le tambourinaire tient dans la bouche un mirliton. La voix mirlitonnée et le tambour à fente dialoguent. Un autre homme, sans mirliton, répond. Par moments les deux hommes chantent à deux voix. Pour plus d'informations ethnographiques et musicologiques, cf. le CD• 1965 Non pertinent 1965.28-3>4 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-34>35 BM.999.006.001/04:02-34>35 00:05:15 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, GUEHOUO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 MUSIQUE DE SOCIETE SECRETE KWI Sous-table non exportée Sous-table non exportée La société secrète KWI, dont l'un des buts est de lutter contre la sorcellerie, se manifeste par une musique qui peut être entendue de tous, mais dont les exécutants ne doivent pas être vus par les femmes et les enfants. Cette musique n'est pas censée être faite par des hommes, mais par des esprits. Enreg. sur demande• CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 19 = 35)• - Durée pièces: 34 = 2'28; 35= 2'44. - La musique du (ou des) KWI est formée de trois parties. Ici (la deuxième partie), quatre hommes se joigent aux deux hommes de la première partie: l'un secoue un hochet-sonnaille et un autre frappe avec une baguette sur un petit tambour. Le tambour à fente ne "parle" pas ici, mais fait entendre un rythme strictement musical. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD• 1965 Non pertinent 1965.28-5>6 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-36 BM.999.006.001/04:02-36 00:04:21 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, GUEHOUO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 MUSIQUE DE SOCIETE SECRETE KWI Sous-table non exportée Sous-table non exportée La société secrète KWI, dont l'un des buts est de lutter contre la sorcellerie, se manifeste par une musique qui peut être entendue de tous, mais dont les exécutants ne doivent pas être vus par les femmes et les enfants. Cette musique n'est pas censée être faite par des hommes, mais par des esprits. Enreg. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 20). - La musique du (ou des) KWI est formée de trois parties. La troisième partie commence par un appel vocal, puis interviennent cinq sifflets en bois et deux hochets-sonnailles aux sons desquels se mêlent périodiquement les voix des chanteurs. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 Non pertinent 1965.28-7 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :02-37 BM.999.006.001/04:02-37 00:00:50 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, GUEHOUO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLES DE SIFFLETS DE LA SOCIETE KWI Sous-table non exportée Sous-table non exportée . CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 20). - Echelles de cinq sifflets en bois. - Pour plus d'informations sur les intervalles, cf. le CD. 1965 Non pertinent 1965.28-8 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-01 BM.999.006.001/04:03-01 00:03:23 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, HAHIN WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DANSE DES JEUNES Sous-table non exportée ZUA Sous-table non exportée La danse ZUA (ce mot connotant quelque chose de peu d'importance) est exécutée pour toutes sortes de fêtes - ou simplement le soir au clair de lune - par les jeunes hommes et les jeunes filles du village. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 10). Deux airs sont enchaînés ici. Dans le premier, une chanteuse soliste lance l'ostinato que le choeur reprend. Dans le second air (à 1'08), deux couples de solistes alternent, l'un formé de deux jeunes filles, l'autre d'une jeune fille (première voix) et d'un jeune homme, toujours sur un ostinato du choeur. Un petit tambour en forme de calice, à une peau tendue par des piquets, est battu avec deux baguettes. Un autre tambour du même type et un petit tambour cylindrique à deux peaux lacées sont frappés de la main gauche et, avec une baguette, de la main droite. Les sons des tambours s'intensifient lorsque deux chanteuses s'avancent en dansant. Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 1965.1-1 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-02>04 BM.999.006.001/04:03-02>04 00:04:31 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, DIEOU WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DUO DE JEUNES FEMMES Sous-table non exportée Sous-table non exportée Enr. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 9a et b = 02 et 03). - Durée pièces: 02 = 1'55; 03 = 1'14; 04 = 1'12. - Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 1965.1-2>4 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-05>06 BM.999.006.001/04:03-05>06 00:06:50 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, BANGOLO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE MASQUE Sous-table non exportée Sous-table non exportée Le BLEGA ("masque de chant") occupe une place en bas de l'échelle hérarchique des masques. Il apparait pour toutes sortes d'occasions. Enreg. sur demande. - Durée pièces: 05 = 3'35; 06 = 3'15. - La voix du masque prend par moment un timbre rauque et guttural: c'est la voix caractéristique des masques. Trois chanteurs, dont deux secouent des hochets-sonnailles, forment un peitit choeur. Un quatrième homme souffle sporadiquement dans un sifflet en bois dont le son a pour fonction de chasser les mauvais esprits. Le cinquième homme bat à mains nues un petit tambour cylindrique dont la peau est tendue par des piquets. 1965 Non pertinent 1965:1-5>6 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-07>11 BM.999.006.001/04:03-07>11 00:08:26 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, TAOUAKE WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE FEMMES Sous-table non exportée BAYA Sous-table non exportée Durée pièces: 07 = 1'34; 08 = 1'31; 09 = 1'27; 10 = 1'32; 11 = 2'13. 1965 Non pertinent 1965.47.1>5 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-12>15 BM.999.006.001/04:03-12>15 00:15:56 juin 1965 COTE D'IVOIRE S/PREF. BANGOLO, GOHOUO WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DANSE MODERNE Sous-table non exportée ULE Sous-table non exportée - Durée pièces: 12 = 2'54; 13 = 3'14; 14 = 4'26; 15 = 5'07. - Danse qualifiée de moderne. Les rythmes semblent inspirés d'Amérique latine. Les tambours, de forme cylindrique, ont des peaux attachées par piquets. Ils sont frappés à l'aide de baguettes. L'un des tambourinaires joue de deux tambours jumelés. 1965 Non pertinent 00 15 56 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-16>31 BM.999.006.001/04:03-16>31 00:10:11 juin 1965 COTE D'IVOIRE S/PREF. TAI, DJDOUBAYE WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 AIRS DE XYLOPHONE Sous-table non exportée Sous-table non exportée - Les garçons surveillant les champs en jouent pendant la journée pour chasser les oiseaux et les singes lorsque le riz parvient à maturité, tandis que les jeunes hommes en jouent plutôt le soir, au campement de la plantation ou même au village, pour se reposer de leurs durs travaux. - Les deux musiciens sont d'origine krou (ethnie voisine au sud), travaillant pendant quelques temps chez les Guéré. Enreg. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 3c = 17; 3d = 19). - Durée pièces: 16 = 1'18; 17 = 0'52; 18 = 0'21; 19 = 0'47; 20 = 0'24; 21 = 0'22; 22 = 0'46; 23 = 0'16; 24 = 0'50; 25 = 0'15; 26 = 0'46; 27 = 0'18; 28 = 0'56; 29 = 0'15; 30 = 0'47; 31 = 0'13. - A l'exception de la première pièce qui est jouée par 3 musiciens, les pièces sont jouées par 2 musiciens assis face à face. A ma demande, les musiciens ont rejoué chacun sa partie à la suite de la pièce qu'ils venaient de jouer à deux (18; 20, 21; 23; 25; 27; 29; 31). - Les troncs de bananier, sur lesquels reposent généralement les lames, sont ici remplacés par un cadre rectangulaire fabriqué avec des planches de caisse. Le xylophone peut être joué par une seule personne, mais en général il l'est par deux musiciens, accroupis face à face, chacun frappant sur son côté les extrémités des lames avec deux baguettes. Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 Non pertinent 1965.49-1>16 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-32 BM.999.006.001/04:03-32 00:00:22 juin 1995 COTE D'IVOIRE S/PREF. TAI, DJIDOUBAYE WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée Enr. sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 (plage 3). - Les troncs de bananier, sur lesquels reposent généralement les lames, sont ici remplacés par un cadre rectangulaire fabriqué avec des planches de caisse. Le xylophone peut être joué par une seule personne, mais en général il l'est par deux musiciens, accroupis face à face, chacun frappant sur son côté les extrémités des lames avec deux baguettes. Pour plus d'informations sur les intervalles, cf. le CD. 1965 Non pertinent 1965.49-17 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-33>34 BM.999.006.001/04:03-33>34 00:01:58 juin 1965 COTE D'IVOIRE S/PREF. TAI, DJIDOUBAYE WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée Enreg. sur demande - Durée pièces: 33 = 0'42; 34 = 1'14. 1965 1965.49-18>19 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :03-35>37 BM.999.006.001/04:03-35>37 00:11:03 juin 1965 COTE D'IVOIRE S/PREF. DUEKOUE, PONA WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 CHANT DE MASQUE Sous-table non exportée Sous-table non exportée Le BLEGLA ( "masque de chant") occupe une place en bas de l'échelle hiérarchique des masques. Il apparait pour toutes sortes d'occasions. Enreg. sur demande. CD: Côte d'Ivoire Musiques des Wè (Guéré). Collection CNRS/Musée de l'homme, Le Chant du Monde CNR 2741105 (plage 15 = 36). - Durée pièces: 35 = 3'16; 36 = 3'57; 37 = 3'38. - La voix du masque prend par moment un timbre rauque et guttural: c'est la voix caractéristique des masques. Un adjoint lui répond en chantant tout en secouant un hochet-sonaille. Trois hommes formant un petit choeur jouent également de hochets-sonnailles. Un cinquième souffle sporadiquement dans un sifflet en bois dont le son a pour fonction de chasser les mauvais esprits. Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1965 Non pertinent 1965.49.20>22 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-01 BM.999.006.001/04:04-01 01:29:00 N COTE D'IVOIRE S/PREF. TAI, KEIBLY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 AIR DE XYLOPHONE Sous-table non exportée Sous-table non exportée Les garçons surveillant les champs en jouent pendant la journée pour chasser les oiseaux et les singes lorsque le riz parvient à maturité, tandis que les jeunes hommes en jouent plutôt le soir, au campement de la plantation du même village, pour se reposer de leurs durs travaux. Ce xylophone sur troncs de bananier peut être joué par une seule personne, mais en général il l'est par deux musiciens, accroupis face à face, chacun frappant sur son côté les extrémités des lames avec deux baguettes. 1967 Non pertinent 1967.11-1 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-02 BM.999.006.001/04:04-02 01:03:00 N COTE D'IVOIRE S/PREF. TAI, KEIBLY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 ECHELLE DE XYLOPHONE Sous-table non exportée Sous-table non exportée 1967 Non pertinent 1967.11-2 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-03 BM.999.006.001/04:04-03 01:23:00 N COTE D'IVOIRE S/PREF. TAI, KEIBLY WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 LOUANGE DE GUERRE Sous-table non exportée Sous-table non exportée Executé après la victoire. 1967 ELOGIEUX 1967:11-3 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-04 BM.999.006.001/04:04-04 00:01:09 N COTE D'IVOIRE S/PREF. TAI, KEIB LI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 TAMBOURS DU CHEF Sous-table non exportée Sous-table non exportée Les deux tambours juméles sont frappés à l'occasion de différentes manifestations impliquant le pouvoir du chef: retour d'une expédition guerrière, retour d'une chasse d'un gibier important (éléphant, panthère), fêtes organisées par le chef. Ici, pour terminer une danse. Coup de fusil. - Suite de l'enregistrement 999.006.001.04-10. Les deux tambours jumélés sont frappés à l'aide de baguettes par un seul musicien. - Langage tambouriné dialogant avec la voix du chef et de son adjoint. 1967 1967.11-4 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-05>07 BM.999.006.001/04:04-05>07 00:09:30 N COTE D'IVOIRE S/PREF. GUIGLO, ZOUAN WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DANSE DU MASQUE DE FEMMES Sous-table non exportée Sous-table non exportée Les "masques de femmes" (NYENOGBAEGLA), appelé également GODUWE, reçoivent des sacrifices comme les masques des hommes. Ils portent des coiffes et de large jupes en fibres végétales comme les masques des hommes, mais pas de masque facial en bois: leur visage est peint. Ils sortent Iors des funérailles, sur le conseil du devin lorsque les décès sont nombreux, ils peuvent aider les femmes à semer le riz, ou tout simplement danse pour le divertissement. Enregistrement sur demande. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 ( plage 13 = 07). Durée des pièces: 05 = 2'38; 06 = 3'24; 07 = 3'21. Un tambour est battu à mains nues, les deux autres avec des baguettes. Pour plus d'informations ethnographiques et musicologiques, cf. le CD. 1967 1967.05>07 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-08>09 BM.999.006.001/04:04-08>09 00:03:55 N COTE D'IVOIRE S/PREF. TAI, KEIBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 DANSE DES FILLES EXCISEES Sous-table non exportée Sous-table non exportée Sortie des filles excisées, à la fin de leur réclusion. L'une danse avec un petit tambour. Durée pièces: 08 = 1'49; 09 = 2'03. 1967 1967:24-1>2 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-10 BM.999.006.001/04:04-10 00:04:03 N COTE D'IVOIRE S/PREF. TAI, KEIBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 TAMBOURS DU CHEF Sous-table non exportée Sous-table non exportée Les deux tambours jumélés sont frappés à l'occasion de différentes manifestations impliquant le pouvoir du chef: retour d'une expédition guerrière, retour d'une chasse d'un gibier important (éléphant, panthère), fêtes organisées par le chef. Ici pour terminer une danse. Coup de fusil. Les deux tambours jumélés sont frappés à l'aide de baguettes par un seul musicien. - Langage tambouriné dialoguant avec la voix du chef et de son adjoint. 1967 1967.24-3 AFRIQUE +BM.999.006 CDR BM.999.006.001/04 :04-11>13 BM.999.006.001/04:04-11>13 00:06:30 N COTE D'IVOIRE S/PREF. TAI, KEIBLI WE (GUERE) ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 TAMBOUR DE FEMMES Sous-table non exportée Sous-table non exportée Après l'opération, les jeunes filles vivaient quelques semaines dans une maison clôturée par un rideau de rap au bord du village. H. Zemp, "Tambours de femme en Côte d'Ivoire", Objets et mondes, 1970, X-2. CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, CNR 2741105 (plage 13 =11 et 12). (plage 13 = 11 et 12). - Durée pièces: 11 = 1'54; 12 = 2'15; 13= 2'14. - Le tambour en forme de calice (BLOTOU, "tambour des excisées"), à une peau tendue par des piquets, est frappé à mains nues par une surveillante du camp des excisées. Dans l'enregistrement, des passages "parlés" du tambour alternent avec le chant des femmes sans accompagnement rythmique. - Pour plus d'informations ethnographiques et musicologiques, cf. réf. biblio/discographique. * Bohouo, Madeleine; Yegnonlon, Marguerite. 1967 1967.24-4 AFRIQUE +BM.999.007 CDR BM.999.007.001 :01-01 BM.999.007.001:01-01 00:00:00 INDONESIE;CELEBES(SULAWESI) TORAJA INDONESIE, CELBES-SUD: "M. RITUELLES DES TORAJA SA'DAN" [EXEMPLES POUR THESE] Sous-table non exportée Sous-table non exportée = -1 ASIE +BM.999.008 CDR BM.999.008.001 :01-01 BM.999.008.001:01-01 00:00:00 ITALIE;SICILE SICILIENS ITALIE, SICILE:"LE CHANT ET LA SANTE PATRONNE" [MONTAGE POUR THESE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.999.009 CDR BM.999.009.001/09 :01-01 BM.999.009.001/09:01-01 00:21:25 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.144 / NOTATION P.277 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • tibétaine 1995 ASIE +BM.999.010 CDR BM.999.010.001/03 :01-01 BM.999.010.001/03:01-01 00:02:06 juillet1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 ACCORD DE BAJONES Sous-table non exportée NON PERTINENT Sous-table non exportée Le BAJON consiste en un ensemble de grands tuyaux de paille (tuyaux allant de 33 cm à 1m50) attachés de manière semblable à une flûte de Pan et dont chacun est en effet une trompe. Il se joue en hoquet, par paire, chaque musicien ayant dans son instrument 10 tuyaux• Moxos 1999 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-02 BM.999.010.001/03:01-02 00:04:24 juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 SALUDO A LA VIRGEN Sous-table non exportée Sous-table non exportée Moxos 1999 RELIGIEUX 2 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-03 BM.999.010.001/03:01-03 00:02:56 juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 GLORIA NAVIDAD Sous-table non exportée Sous-table non exportée MARTINEZ Moxos 1999 3 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-04 BM.999.010.001/03:01-04 05:04:09 juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 BUENAS PASCUAS Sous-table non exportée Sous-table non exportée Enregistrement fait par les membres du Cabildo Indigenal de Trinidad Moxos 1999 4 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-05 BM.999.010.001/03:01-05 00:38:13 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 PAJARILLO Sous-table non exportée Sous-table non exportée L'instrument appelé pajarillo en espagnol (petit oiseau) est une flûte de 10 cm en canne avec conduit d'air sans trous de jeu. Elle se joue submergée dans un verre d'eau. Moxos 1999 5 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-06 BM.999.010.001/03:01-06 05:03:25 juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 ALABANZA, BUENAS NOCHES TENGAI MADRE Sous-table non exportée Sous-table non exportée Interprété par les membres du Cabildo Indigenal de Trinidad Moxos 1999 6 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-07 BM.999.010.001/03:01-07 06:32:41 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 ALABANZA, BUENAS NOCHES TENGAI MADRE Sous-table non exportée Sous-table non exportée Moxos 1999 7 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-08 BM.999.010.001/03:01-08 05:13:41 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 CANTO DE DOS ANGELES Sous-table non exportée Sous-table non exportée Répertoire religieux catholique populaire Musiciens du Cabildo Indigenal de Trinidad Moxos 1999 8 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-09 BM.999.010.001/03:01-09 05:49:56 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 YA VIENE LA VIRGEN Sous-table non exportée Sous-table non exportée Chant de carnaval Musiciens du Cabildo Indigenal de Trinidad Moxos 1999 9 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-10 BM.999.010.001/03:01-10 03:15:40 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 TORITO Sous-table non exportée Sous-table non exportée Musique des danses Torito, "petit taureau", fête de Santisima Trinidad Moxos 1999 10 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-11 BM.999.010.001/03:01-11 03:25:34 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 TORITO Sous-table non exportée Sous-table non exportée Moxos 1999 11 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-12 BM.999.010.001/03:01-12 00:56:39 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 CANTO A LA VIRGEN DE MERCEDES Sous-table non exportée Sous-table non exportée Moxos 1999 12 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-14 BM.999.010.001/03:01-14 02:58:46 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 VICHI VICHI Sous-table non exportée Sous-table non exportée Vichi c'est le grillon. Ce chant est joué "dans n'importe quelle fête pour se réjouir" Moxos 1999 14 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-15 BM.999.010.001/03:01-15 03:22:52 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 YURI SAMURE Sous-table non exportée Sous-table non exportée Yuri samure "nous sommes contents". Chanté dans n'importe quelle occasion. Moxos 1999 15 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-16 BM.999.010.001/03:01-16 10:06:36 Juillet 1999 BOLIVIE SAN IGNACIO MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 REPIQUE DE MACHETEROS Sous-table non exportée Sous-table non exportée Fête de San Ignacio dans le village du même nom, le 25 juillet. Musique de la danse de macheteros. Il s'agit là du groupe de macheteros de Trinidad venu danser à San Ignacio. Chaque danseur porte de sonnailles aux jambes. Moxos 1999 16 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :01-17 BM.999.010.001/03:01-17 05:07:42 Juillet 1999 BOLIVIE SAN IGNACIO MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 MACHETEROS TRINITARIOS Sous-table non exportée Sous-table non exportée FÊTE DE SAN IGNACIO LE 25 JUILLET DANS LE VILLAGE DU MÊME NOM. MUSIQUE DE LA DANSE DE MACHETEROS. CHAQUE DANSEUR PORTE DE SONNAILLES AUX JAMBES. Moxos 1999 17 AMERIQUE +BM.999.010 CDR BM.999.010.001/03 :O1-13 BM.999.010.001/03:O1-13 03:24:00 Juillet 1999 BOLIVIE TRINIDAD MOXENOS MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 BARTOLITA Sous-table non exportée Sous-table non exportée Moxos 1999 13 AMERIQUE +BM.999.011 K7 BM.999.011.001 :01-01 BM.999.011.001:01-01 00:00:00 NORVEGE "FLÛTES A PARTIELS: TECHNIQUES DE JEU & ACOUSTIQUE [EX. POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.999.011 K7 BM.999.011.001 :01-05 BM.999.011.001:01-05 00:00:00 SLOVAQUIE "FLÛTES A PARTIELS: TECHNIQUES DE JEU & ACOUSTIQUE [EX. POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.999.011 K7 BM.999.011.001 :01-0? BM.999.011.001:01-0? 00:00:00 ROUMANIE "FLÛTES A PARTIELS: TECHNIQUES DE JEU & ACOUSTIQUE [EX. POUR MAÎTRISE] Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :28-02 BM.1970.041.001/55:28-02 00:05:15 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 RONDE CHANTEE LORS DE LA FETE DE GAURA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Plein Lune de kartik. Village de Pokhara- Sirola Chanté, Choeur F. Fragment de ronde chantée lors de la fête de Gaur╠BM.1970.041.001/55:28-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 28 ASIE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-02 BM.1970.045.001/09:05-02 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• 1970 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :01-01 BM.1969.040.001/18:01-01 00:33:45 30/06/67 SENEGAL CLE.DE KEDOUGOU,IGNISSARA BASSARI SENEGAL:BASSARI, BEDIK CEREMONIE DE AMBISYA Sous-table non exportée Sous-table non exportée cérémonie de Ambisya chez Kaprin • cérémonie de Ambisya chez Kaprin - Voix parlée 1 H et conversation générale + ambiance. de 00'00" à 00'08" - voix parlée GR+ 1 H. rires. conversation. chèvres. Léonard explique qu'on se trouve chez Kaprin. de 00'08" à la fin : changement de vitesse (9,5). conversation. moteur de caméra. rires. quelques cris perçants. toujours conversation et bruit de vent jusqu'à la fin. Grands rires et fin. ROUGET,GILBERT 1967 0 BM 69/D.40.1 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :02-01>04 BM.1969.040.001/18:02-01>04 00:23:15 30/06/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK CHANTS EN DEFRICHANT Sous-table non exportée Sous-table non exportée Gilbert Rouget explique : défrichage sur 30 mètres de long avec 12 petits garçons. Ilanin explique en Bassari les mots qu'il chantait • * dans le champ de Kinyrin. I) : 02'40" - conversation. rires. ambiance (durée : 00'45") ; - VC- chant de jeunes garçons défrichant. VC- solo par Ilanin (durée : 01'15") ; - fin du chant. silence. bruits d'outils. voix parlées (durée : 00'40") ; II) : 10'10" - VC- reprise du chant à 2 puis à plusieurs voix, I-= rythmé par les outils (durée : 08'30"); - stop. voix parlées, rires, outils (durée : 01'40") ; III) : 07'00" - VC- chanté, chr de jeunes garçons, composé de 2 phrases qui se répètent. battement des outils. (le chant est interrompu 1" à 16'40" du début de la bande, puis repris) (durée : 05'15") ; - Gilbert Rouget explique : défrichage sur 30 mètres de long avec 12 petits garçons. Ilanin explique en Bassari les mots qu'il chantait (durée : 01'45") IV) : 03'25" - VC-chanté chr de garçons. • ROUGET,GILBERT 1967 BM/D 69.40.2 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :03-01 BM.1969.040.001/18:03-01 00:03:30 30/06/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK BERCEUSE & AMBIANCE Sous-table non exportée Sous-table non exportée * Chez Dudyefo, femme de Ilanin. annonce de Gilbert Rouget : " chez Dudyefo " (durée : 00'20"). VC- berceuse, plusieurs fois sinterrompue par des rires, cris de bébé, etc. • ROUGET,GILBERT 1967 BM/D 69.40.3 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :03-02 BM.1969.040.001/18:03-02 00:12:00 30/06/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK AMBIANCE DE VILLAGE Sous-table non exportée Sous-table non exportée * Chez Kadyrin. ambiance de village (durée : 06'35"). Même bruits + voix parlées de F + vent + oiseaux (durée : 05'25") • ROUGET,GILBERT 1967 BM/D 69.40.03 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :03-03 BM.1969.040.001/18:03-03 00:04:10 30/06/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO BASSARI SENEGAL:BASSARI, BEDIK FLUTES ET TAMBOUR Sous-table non exportée Sous-table non exportée AF-flûtes seules rires d'enfants à 17'. les flûtes continuent. (durée : 02'10"). reprise du tambour derrière. (durée : 00'30"). 1 flûte seule. tambours par moments (durée : 01'10") • ROUGET,GILBERT 1967 BM/D 69.40.3 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :03-04 BM.1969.040.001/18:03-04 00:03:45 30/06/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK CHANTS Sous-table non exportée Sous-table non exportée * Chez Kadyrin. chantonnement lointain. conversation. silence.1 H chante très bas. Gilbert Rouget interroge : " qu'est-ce qu'il chantait ?" / chanson par Kadyrin• ROUGET,GILBERT 1967 BM/D 69.40.3 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :04-01 BM.1969.040.001/18:04-01 00:12:00 30/06/67 SENEGAL CLE.DE KEDOUGOU,EBARAK BASSARI SENEGAL:BASSARI, BEDIK CEREMONIE DE BANDU-AMBIANCE Sous-table non exportée Sous-table non exportée cérémonie de bandu (les puits). début à 00'25". voix parlées. toux. rires.S- = clochettes, sonnailles, etc. Gilbert Rouget : " On est à l'arbre où ils sont avec leur costume de fête ". Même bruits. ROUGET,GILBERT 1967 BM/D 69.40.4 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :04-02 BM.1969.040.001/18:04-02 00:29:40 30/06/67 SENEGAL CLE.DE KEDOUGOU,EBARAK BASSARI SENEGAL:BASSARI, BEDIK CHANT DU BANDU Sous-table non exportée Sous-table non exportée cérémonie de bandu (les puits). 1H parle puis chante. cris stridents dans la foule. Voix parlées. gémissements sourds (durée : 05'10"). Voix parlées plus proches (H&F). cris plus forts. tumulte de voix. cris nombreux. (durée : 03'20"). conversations seulement (durée : 01'45"). Gilbert Rouget commente. puis conversation (durée : 09'45") • ROUGET,GILBERT 1967 BM/D 69.40.4 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :04-03>05 BM.1969.040.001/18:04-03>05 00:38:15 30/06/67 SENEGAL CLE.DE KEDOUGOU;EBARAK BASSARI SENEGAL:BASSARI, BEDIK CHANT DU BANDU (FIN) Sous-table non exportée Sous-table non exportée cérémonie de bandu (les puits). III) : 09'30" - chant H à plusieurs voix. cris brefs. bruits de ferrailles. 1 phrase chantée très très près par 1 H. Le chant continue derrière ponctué par les cris et les bruits métalliques. (durée : 08'25") - Fin du chant. ambiance (durée : 05'40") ; IV) : 04'15" - Reprise du chant - solo H réponse chr H (durée : 01'45") ; - interruption de 15". reprise même chant + battements de ferraile lents d'abord, rapides ensuite (durée : 05'40") ; - fin du chant. conversation (durée : 01'10") ; V) : 09'30" - commentaire de G.Rouget et conversation (durée : 07'00") - reprise du chant avec battements de ferrailles (durée : 02'30") • ROUGET,GILBERT 1967 BM/D 69.40.4 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :05-01>03 BM.1969.040.001/18:05-01>03 01:07:10 01/07/67 SENEGAL CLE.DE KEDOUGOU,IGNISSARA BASSARI SENEGAL:BASSARI, BEDIK MASQUE DE GWANGURAN Sous-table non exportée Sous-table non exportée Masque Gwanguran des semailles chez le chef Mularin. enregistré pendant le travail aux champs. son pour le film de M.Gessain et photos • son pour le film de M.Gessain et photos • I) : 16'45" - voix de femmes chantant au loin- G.Rouget : " 4 photos n'ont pas compté. Nous n'étions pas connectés ; voix et rires des femmes (durée : 03'50") ; - G.Rouget annonce : " son pour le film", etc. 1 photo voilée avant l'arrivée de Gwanguran. ambiance. rires (durée : 02'55") ; - rafales photos. ambiance. voix au loin. (durée : 03'25") ; II) : 38'35" - sonnailles au loin puis se rapprochant. cris et voix de femmes chantant, sonnailles se rapprochant, voix plus fortes. Cris d'H. cris de F. chant alterné 1 H plus femmes. (durée : 06'05") ; - 1 H chante seul. clochettes puis d'autres voix l'accompagnent (durée : 02'55") ; - fin du chant. conversation. vent. (durée : 00'45") ; - L'H reprend son chant. Voix parlées se mêlent au chant. sonnailles. (durée : 00'50") ; - reprise du chr alterné avec solo accompagné de battements métalliques + voix parlées + cris stridents + sonnailles (durée : 04'40") ; - fin du chant. ambiance (durée : 00'50") ; - reprise du choeur avec sonnailles et bruits des houes (durée : 03'45") ; - Fin. ambiance. conversation. 1 phrase chantée. long cri. rires de femmes (durée : 04'25") ; - solo H. réponse du choeur. sonnailles. bruits de houes. rires. grand cri (durée : 13'15") ; - G.Rouget : " Après ce cri le chanteur est descendu au bas du champ. les 2 lukuta avaient apostrophé les gens..." (durée : 01'05") ; III) : 11'50" - cris. bruits des houes. (durée : 02'10") ; - H solo + choeur. houes, quelques cris (durée : 09'40") • ROUGET,GILBERT 1967 BM/D 69.40.5 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :06-01>03 BM.1969.040.001/18:06-01>03 00:25:30 01/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO BASSARI SENEGAL:BASSARI, BEDIK MASQUE POUR EBUT Sous-table non exportée Sous-table non exportée Masque pour Ebut (caméléon à Ambofor)• Voix parlée 1 H et conversation générale. Puis chant d'H solo et cris d'H (voix masquée) + choeur. Masque pour Ebut (caméléon à Ambofor). I) : 02'40" - voix parlées très bas, au premier plan, conversation au loin - (durée : 02'00") ; - commentaire de G.Rouget - reprise des conversations (durée : 00'40") ; - G.Rouget : suite dehors puis dans la case (durée : 01'50") ; II) : 08'30" - sifflets et cris. voix de Tyandenin. cris intercalés aux phrases parlées. Toutjours ambiance et conversation (durée : 04'15") ; - nombreux cris. 1 phrase chantée par 1 H (durée : 01'40") ; - G.Rouget : commentaire (durée : 00'35") ; - à nouveau cris. 1 H chante, le choeur répond (durée : 01'40") ; - Stop. ambiance (durée : 04'40") ; - fin du chant. ambiance (durée : 00'20") ; III) : 12'30" - G.Rouget explique : grande beuverie d'hydromel dans la maison de Odug. Grelots. conversation, sifflets, cris (durée : 02'45") ; -Voix masque très bonne. choeur dehors. solo au premier plan. quelques bruits de micro (durée : 09'35") • ROUGET,GILBERT 1967 BM/D 69.40.6 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :07-01>02 BM.1969.040.001/18:07-01>02 00:09:30 02/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO* BASSARI SENEGAL:BASSARI, BEDIK COMPTINE Sous-table non exportée Sous-table non exportée * chez Kadyirin. Parlé-chanté : comptine "Compter les étoiles"'. I) : 06'20" - comptine, chanté-parlé par plusieurs femmes ( 3 durées : 01'15", 00'45" & 00'40") ; - comptine, chanté- parlé par 1 seule femme ( 9 durées : 00'20", 00'15", 00'30", 00'15", 00'20", 00'15", 00'25", 00'40", 00'20") ; I) : 03'10" - 1 femme parle (raconte ?) = Dyerfo ; G.Rouget dit : les 3 femmes qui ont dit tout à tour sont Idark, Kumba, Syinganeké. la dernière est Dyerfo (durée : 04'15") • ROUGET,GILBERT 1967 BM/D 69.40.7 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :07-03 BM.1969.040.001/18:07-03 00:09:30 02/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO* BASSARI SENEGAL:BASSARI, BEDIK CONTE Sous-table non exportée Sous-table non exportée * chez Kadyirin. - 02'50" - conte dit par Dyerfo avec traduction phrase par phrase ; - 03'00" - M.G. demande à Kadyirin de raconter en bassari un autre conte. Conte dit par Kadyirin ; - 03'40" - même conte dit par une femme (Kumba) - voix de M.G. et Gilbert Rouget • ROUGET,GILBERT 1967 BM/D 69.40.7 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :08-01>03 BM.1969.040.001/18:08-01>03 00:42:45 03/07/67 SENEGAL CLE.DE KEDOUGOU,AKANYIRA BASSARI SENEGAL:BASSARI, BEDIK CEREMONIE DE SACRIFICE Sous-table non exportée Sous-table non exportée Sacrifice. enregistrement de ce qui est dit pendant la cérémonie, par Dyurin et les autres. I) : 06'10" - G.Rouget : "Les photos précdentes n'étaient pas marquées ". silence. (durée : 01'45") ; - Bruits d'appareil photo se déclenchant. 2 fois. voix de M.G. et G.Rouget . grincements. silence. (durée : 03'20") ; - rafales photos. 2 fois. 1 H parle (durée : 01'05") ; - rafales. G.R. : " La consultation est terminée". (durée : 00'30") II) : 02'35" - quelques enfants chantent au loin ; III) : 33'30" - rafales. voix de M.G. et G.R.. 1 H parle 25". Photo. rire (durée : 02'05") ; Rafales photo + caméra 4 fois. quelques voix basses, bruits divers. 1 H dit quelques mots disrtinctement (durée : 04'25") ; A nouveau photo et cvaméra (durée : 00'45") ; G.R. : " On est allé chercher une calebasse pour le sacrifice ". 2 H se parlent à voix basse. 2 photos (durée : 01'30") ; G.R. : " Je remarque une photo avec deux doigts". Rafale. Les 2 H parlent toujours. Caméra à 19'10" (durée : 01'25") ; G.R. : " Un des garçons a mis de la bière au milieu" (durée : 00'25") ; Rafales, voix plus distinctes. A 20'30" : 2 rafales, puis caméra, puis 2 rafales (durée : 00'25") ; Stop caméra. 1 H parle bas. caméra 15". 3 rafales. caméra 08". Bruits divers. 2 H parlent (durée : 01'50") ; 2 rafales. caméra 20". rafale. cri d'oiseau. caméra (durée : 02'05") ; Rafale. reprise de la conversation (durée : 00'20") ; 2 rafales. 01' de silence. Caméra. 1 H parle (durée : 02'15") ; Rafale et caméra 12". 4 rafales. Caméra (durée : 00'55") ; Rafale et caméra 12". 4 rafales. Caméra (durée : 00'45") ; Rafales. caméra + silence environnant pendant 01'40" (durée : 01'50") ; Bruit de liquide qui coule. Rafale. G.R. : " C'est de la bière de mil fumé. Je m'arrête un instant". La bière coule. Voix d'H. Rafale à 33'10". La bière coule. Rafale. Caméra. voix. Bruit de la bière. Rafale à 34'07". Bière. Murmures et rires. Rafale à 34'57". R.G. : " 2 photos non marquées.". 2 H parlent. Bière. rires (durée : 05'15") ; Photo marquée. Voix. Bière. Rafale. Rires. Voix (durée : 03'10") ; Caméra. 2 rafales. 1 H parle. caméra. 2 rafales. caméra. / G.R. : " Compteur à 150. Photo marquée". (durée : 03'00") ; ROUGET,GILBERT 1967 BM/D 69.40.8 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :09-01 BM.1969.040.001/18:09-01 00:21:30 03/07/67 SENEGAL CLE.DE KEDOUGOU,AKANYIRA BASSARI SENEGAL:BASSARI, BEDIK FABRICATION D'UNE PAIRE DE FLUTES Sous-table non exportée Sous-table non exportée fabrication d'une paire de flûtes. commentaires. Essais de flûtes. G.R. " 1 photo marquée". 2 rafales. " Il va souffler dans sa flûte. caméra. conversation G.R. et M.G. (durée : 01'40") ; Rafale. G.R. parle. Rafales plus caméra. Commentaires de R.G. Bruits de scie. à 03'15" : Caméra. Rafales photo. Commentaire de G.R. puis 9 rafales en 1 minute et quelques secondes de caméra, 2 fois (durée : 05'20") ; Bruits de fer battu. caméra. voix. 1 H souffle dans une flûte. caméra. Photo (à 08'00") : Gros plan du trou. Caméra. G.R. : " Il marque le troisième trou au couteau". (durée : 02'15") ; Caméra. Rafale. caméra. G.R. : " Il a fait les 3 trous et fignole à nouveau les trous du bas". Caméra. On entend l'homme souffler dans la deuxième flûte qu'il compare à la première (durée : 01'10") ; Rafale. G.R. : " L'homme reprend à nouveau une des flûtes pour agrandir le trou au poinçon. Il souffle dans la flûte". à 11'35" : rafale, voix diverses. L'homme souffle dans une des flûtes. Rafale à 12'30". G.R. : " Il vient de changer de flûte. C'est le fabricant qui a la plus longue.Le premier qui jouait était Tyandenin. Les 2 flûtes jouent. (durée : 02'40") ; Rafale. R.G. demande qu'on change de flûte. Les 2 H changent et jouent. Rafales (3 fois). R.G. : " J'ai fini sur la fabrication". Caméra. G.R. " Tyanddenin a regardé la flûte et arrondi les angles." Caméra. 2 rafales à 17'15" pendant que les flûtes jouent (durée : 05'55") ; 1 photo voilée / fin. G.R. : " photo voilée en V". (durée : 01'45") • ROUGET,GILBERT 1967 BM/D 69.40.9 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :09-02 BM.1969.040.001/18:09-02 00:03:10 03/07/67 SENEGAL CLE.DE KEDOUGOU * BASSARI SENEGAL:BASSARI, BEDIK CEREMONIE DE WOBETA Sous-table non exportée Sous-table non exportée * entre Etyolo et Ignissara, lieu-dit Ekoyèt. Cérémonie de wobeta. 5 rafales. caméra 2 fois (durée : 01'25") ; Photo (durée : 00'10") ; Photo + grands cris (10") (durée : 00'35") ; Grads cris (15"). 3 photos. Rires, conversation (durée : 00'40") • ROUGET,GILBERT 1967 BM/D 69.40.9 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :09-03>05 BM.1969.040.001/18:09-03>05 00:42:40 03/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK RITUEL DE CONTRE-DON Sous-table non exportée Sous-table non exportée *chez Gwenfomi. Rituel de contre-don. III) : 09'05" - Voix basses. 1 homme raconte. battements de mains (07"). Le masque chante. réponse du choeur de jeunes filles et bruit de hochets defer ou grelots (durée : 06'05") ; Introduction d'une voix de jeune fille chantant en solo après le masque. cris du masque. Fin brutale du chant à 33'55". reprisedu chant à 34'00". choeur +hochets+claquements (durée : 09'25") ; Fin du chant. claquements seuls. le masque reprend, puis le choeur, puis les grelots. fin (durée : 01'35") ; IV) : 16'05" - Voix de G.R. puis 1 H parle - raconte. divers bruits gênants (vent, toux, etc.) Le masque coupe de temps à autre son récit de bruits de gorge (sorte de roucoulements). Conversation générale dans le fond, plus forte par moments (durée : 05'55") ; fin du discours du masque (durée : 00'10") ; V) : 07'30" - chant solo H + choeur + sonnailles. Grands cris mêlés au chant, bruits de gorge. fin du chant • ROUGET,GILBERT 1967 BM/D 69.40.9 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :10-01>02 BM.1969.040.001/18:10-01>02 00:22:50 04/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO BASSARI SENEGAL:BASSARI, BEDIK CHANT POUR PILLER MIL Sous-table non exportée Sous-table non exportée Chant de filles pour piller le mil de la bière des initiés. chanté voix de filles, IFP- = bruit de pilon (2 mortiers, l'un de 4, l'autre de 5 pilons). I) : 19'30" - silence (10"), puis chant de filles. bruits de pilons. cris mêlés au chant (durée : 03'40") ; 1 seule fille chante (durée : 00'30") ; Fin du chant et du travail. Elles parlent (durée : 00'40") ; reprise du chant et du travail (durée : 02'20") ; Fin du chant. le travail continue. conversation des filles (durée : 00'25") ; reprise du chant et du travail (durée : 01'05") ; 1 fille chante seule. Les autres répondent. elles pilent toujours (durée : 01'30") ; Fin du chant. les filles rient et pilent (durée : 00'35") ; elles se remettent à chanter (durée : 01'50") ; fin du chant (durée : 00'10") ; Reprise du chant + pilage entrecoupé de longs cris. le chant s'interrompt à 13'45". Rires puis il reprend avec les cris jusqu'à 19'15" où il prend fin (durée : 06'55") ; II) : 03'20" - changement de chant. Toujours avec bruits de pilons. cris (durée : 01'45") ; 1 fille chante seule, les autres reprennent (durée : 01'05") ; Rires et bavardages mais le chant et le pilage continuent (durée : 00'30") • ROUGET,GILBERT 1967 BM/D 69.40.10 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :11-01 BM.1969.040.001/18:11-01 00:07:00 05/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK "INVECTIVE DES INITIES" Sous-table non exportée Sous-table non exportée * chez Kadyirin "invective des initiés". 1 H parle puis un autre H lui répond. ils parlent très fort ; G.R. questionne. réponse : " 5 initiés demandaient de la nourriture et prononçaient des éinsultes " • ROUGET,GILBERT 1967 BM 69/D 69.40.11 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :11-02 BM.1969.040.001/18:11-02 00:06:00 05/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK JEU DE FLUTES OKIMAN Sous-table non exportée Sous-table non exportée * Chez Kadyirin. (pblms de durées, non clairement données) technique de jeu des 2 flûtes okiman. Interview de G.R. : Tyandenin et Nyémeraneké. Tyandenin joue I° 1-C, 2°) 1-L : les deux flûtes ont la même voix. Rouget commente la notion de l'unisson. Tyandenin énumère le nombre de chansons qu'il peut jouer sur sa flûte et donne la différence entre ofarix et onongut. Tyandenin et Nyémeraneké jouent de leur flûte tour à tour ou ensemble, quelques fois en changeant de flûte. Ils chantent parfois ce qu'ils vont jouer • ROUGET,GILBERT 1967 BM/D 69.40.11 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :12-01>03 BM.1969.040.001/18:12-01>03 00:37:15 05/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK JEU DE FLUTES OKIMAN Sous-table non exportée Sous-table non exportée * Chez Kadyirin. (problèmes de durée) technique de jeu des 2 flûtes okiman. I) : 06'00" - jeu des flûtes à 2 ou l'une après l'autre - G.R. marque une photo. Les flûtes jouent quelques secondes, s'interrompent et reprennent. G.R. questionne, Tyandenin répond en français puis en bassari. annonce en bassari le morceau qui va suivre (durée : 02'30") ; Les flûtes jouent. on entend le bruit de plusieurs rafales photo. Cet air était pour "danser ambésar" (durée : 02'30") ; conversation, reprise de la flûte (durée : 02130") ; II) : 17'00" - interview, remarques techniques. quelques airs de flûte - G.R. : on recommence ce qui a été fait hier avec Tyandenin et Nyémeraneké (durée : 05'00") ; Tyandenin joue des deux flûtes et compare. Ils jouent les deux ensemble. Ils changent (durée : 07'00") ; questions de G.R. sur l'unisson. explications. Ils changent la voix de leur flûte (durée : 05'00") ; III) : 09'15" - enregistrements musicaux / jeu des 2 flûtes - les deux flûtes jouent "la danse des odénèr" (durée : 02'15") ; les deux flûtes jouent leurs airs en alternant avec des explications de G.R. Quelques fois les 2 jouent ensemble . sur la fin au cours d'un air à deux, deux sons s'accrochent et font dun ronflement (durée : 07'00") • ROUGET,GILBERT 1967 BM/D 69.40.12 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :13-01 BM.1969.040.001/18:13-01 00:03:55 05&06/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK COMPTINE Sous-table non exportée Sous-table non exportée * Chez Kadyirin. G.R. demande : " Combien de garçons ? " on lui répond 4, 5 ou 10. Kadyirin dit une comptine en tapant sur son genou. R.Gessain et Kadyirin expliquent la comptine (durée : 01'00") ; Comptine une deuxième fois (durée : 00'55") ; Puis Tyandenin recommence en comptant les syllabes (durée : 01'10") ; Tyandenin récite la comptine sans la jouer, à 2 reprises (durée : 00'50") • ROUGET,GILBERT 1967 BM/D 69.40.13 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :13-02 BM.1969.040.001/18:13-02 00:23:30 05&06/07/67 SENEGAL CLE.DE KEDOUGOU/ETYOLO BASSARI SENEGAL:BASSARI, BEDIK CHANT DES 2 ODENER Sous-table non exportée Sous-table non exportée "chant des 2 odénèr" pour le tournage de M. et R.Gessin • apostrophes d'initiés. chant des 2 odénèr. conver sations d'initiés pendant le repas sous un arbre, dans le champ de Tyandenin (durée : 05'30") ; bruit de houes, coupé de longs cris (durée : 03'20") ; début de chant, très loin. Le chant et le bruit des houes continue. C'est l'enresgistrement des 2 odénèr dès leur arrivée au début de la montée (durée : 06'00") ; Le chant continue vers le haut de la montée avec roulements de gorge et toujours bruit des houes • ROUGET,GILBERT 1967 BM/D 69.40.13 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :14-01 BM.1969.040.001/18:14-01 00:38:00 06/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK ODENER DE TYANDENIN Sous-table non exportée Sous-table non exportée * champ de Tyandenin. (pblms de durée) "odénèr de Tyandenin ". Voix et bruit de photos (durée : 02'20") ; Conversations éloignées et photos (durée : 03'30") ; Début d'un chant et bruit de houes. 1 homme, réponse choeur (durée : 04'45") ; reprise d'un chant,bruit de houes, vent, cri, roulement de gorge. Le chant s'interrompt, les houes continuent pendant 20" (durée : 07'35") ; Reprise du chant par 1 homme seul, les autres répondent; bruit de houes (durée : 02'00") ; Bribes de conversation. 1 h chante, d'autres parlent, puis 2 hommes chantent et les houes reprennent. Craquements, mauvais bruits, conversation, photos, tous ces bruits continuent pendant 4" (durée : 02'50") ; Reprise du chant et des houes. Voix de G.R. Le chant s'éloigne, puis se rapproche, conversations tout près (durée : 03'00") ; Chant très près avec houes. Cris de femmes. Roulements de gorges. (durée : 05'00") ; Début de chant et conversation. Bruit de houes, reprise à plusieurs (durée : 02'50") • ROUGET,GILBERT 1967 BM/D 69.40.14 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :15-01 BM.1969.040.001/18:15-01 00:22:50 06/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK ODENER CHEZ TYANDENIN Sous-table non exportée Sous-table non exportée * champ de Tyandenin. (pblms de durée) "odénèr chez Tyandenin ". Début du chant par plusieurs hommes. Bruits de houes. Roulements de gorges.G.R. dit :" C'était une séquence à M2.". Le chant continue mais par moment on entend une conversation (durée : 05'10") ; Fin du chant mais les houes continuent. Conversations. Bruit de photo, rires, etc. (durée : 09'00") ; 1 homme chante, 1 autre répond assez loin. ils chantent à 2 puis à plusieurs. Bruit des houes (durée : 06'30") • ROUGET,GILBERT 1967 BM/D 69.40.15 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :16-01>02 BM.1969.040.001/18:16-01>02 01:33:30 06/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO * BASSARI SENEGAL:BASSARI, BEDIK CORVEE AU CHAMP DE TYANDENIN Sous-table non exportée Sous-table non exportée * champ de Tyandenin. corvée au champ deTyandenin . I) : 40'30" - bruit de houes, chantonnement, conversation au loin, c'est l'arrivée de Gwanguran. invectives. Le chant s'arrête. Conversation, cris, houes, grelots - cette scène a été tournée au télé par R.Gessain (durée : 06'40") ; Chant d'hommes assez loin, grelots et houes tout près. Le chant se rapproche, plusieurs hommes se répondent. Changement de rythme dans le bruit des houes. Roulements de gorges, cris de femmes (durée : 15'00") ; Chatonnement d'un H, conversation, quelques phrases chantées et reprise des bruits de houes, 1 F se mêle quelques secondes au chant. G.R. explique : " Cétait l'arrivée de Gwanguran et sa rencontre avec les odénèr". - Tout a été tourné synchrone (durée : 08'50") ; Reprise du chant + cloche de fer + grelots. Le chant s'interrompt parfois pour une conversation. C'était les 2 odénèr à l'entrée du village. Les voilà avec les filles (durée : 08'00") ; Battements de mains. Des filles répondent en chantant au chant des odénèr. Fin de la danse de Gwanguran avec demi cercle des filles (durée : 10'00") ; II) - 23'00" - G.R. : " Les 3 masques sont assis. On va leur donner à boire et de l'argent". Flûtes, cloche, grelots, conversation, battements de mains, roulements de gorge. Chant alterné H et filles. Ce sont 2 petits garçons qui jouent de la flûte pendant la danse des masques • ROUGET,GILBERT 1967 BM /D 69.40.16 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :16-03 BM.1969.040.001/18:16-03 00:00:00 06/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO BASSARI SENEGAL:BASSARI, BEDIK SUR LES FLUTES OKIMAN Sous-table non exportée Sous-table non exportée (pas de précision de durée) G.R. questionne sur la fabrication et le jeu des flûtes okiman. Nyémeraneké et Tyandenin répondent et jouent quelques airs. Explications sur ofarix, onongut, ofarix orodénèr, onongut orodénèr • ROUGET,GILBERT 1967 BM/D 69.40.16 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :17-01 BM.1969.040.001/18:17-01 00:17:50 08/07/67 SENEGAL CLE.DE KEDOUGOU,ETYOLO BASSARI SENEGAL:BASSARI, BEDIK SUR LES FLUTES OKIMAN Sous-table non exportée Sous-table non exportée G.R. questionne sur 2 flûtes okiman. Nyémeraneké et Tyandenin répondent et jouent tout à tout ou ensemble : ofarix orodénèr, ofarix oranguran, onongut orodénèr, onongut oralug (durée : 09'50") ; orafix oroya. La flûte s'appelle inguelechira, elle est jouée par un petit garçon. Nyémeraneké joue et explique (durée : 08'00") • ROUGET,GILBERT 1967 BM/D 69.40.17 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :17-02 BM.1969.040.001/18:17-02 00:20:05 08/07/67 SENEGAL CLE.DE KEDOUGOU,ETYWAR BEDIK SENEGAL:BASSARI, BEDIK MASQUE TYAMURA Sous-table non exportée Sous-table non exportée corvée dans les champs , masque tyamura . Bruit de photos, ambiance, arrivée du masque. Début d'un chant phrase par phrase. Voix parlées très fort. 1 H récite très vite. Photos, voix parlées, pagaille (durée : 05'00") ; Début de chant d'hommes se répondent + cloche de fer. I H chante seul, cris, choeur (durée : 05'00") ; Brouhaha, cloche, grands cris, 1 H commence à chanter, battements de mains. Le choeur des femmes répond. Cris (durée : 05'20") ; A la fin bruits défectueux dans l'appareil. G.R. : " Toutes rafales ont été faites à M.2.M1.". Reprise du chant et des voix parlées. On entend la cloche (durée : 04'45") • ROUGET,GILBERT 1967 BM/D 69.40.17 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :18-01 BM.1969.040.001/18:18-01 00:13:00 08&09/07/67 SENEGAL CLE.DE KEDOUGOU,ETYWAR BEDIK SENEGAL:BASSARI, BEDIK MASQUE TYAMURA Sous-table non exportée Sous-table non exportée corvée dans les champs , masque tyamura . Chant d'H + chr + cloche de fer. Quelques phrases presque parlées-chantées. Au fond, conversation de femmes. choeur de femmes, long cri. L'homme reste seul à parler-chanter. Reprise du chant et de la cloche avec claquements de mains. puis le chanteur seul. conversations, rires • ROUGET,GILBERT 1967 BM/D 69.40.18 AFRIQUE +BM.1969.040 Ø13 BM.1969.040.001/18 :18-02 BM.1969.040.001/18:18-02 00:02:25 08&09/07/67 SENEGAL CLE.DE KEDOUGOU,KEDOUGOU BASSARI SENEGAL:BASSARI, BEDIK COMPTINES Sous-table non exportée Sous-table non exportée 1 H parlé-chanté plusieurs fois, 1 autre répond à la comptine. B ruit de pilage (durée 02'00") ; Comptine par un homme seul (Ikar du village Ékès) à 2 reprises. Puis c'est Endéga d'Etyolo (20"). Plusieurs comptines dont 1 chantée en 2 versions : 1 fois par Ikara, 1 autre par Endéga • ROUGET,GILBERT 1967 BM/D 69.40.18 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-01 BM.1970.037.001/13:01-01 00:02:25 1964 MAROC IMIN, TANOUT (OUEST MARRAKECH) NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Début d'ahwas• 1964 0 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-02 BM.1970.037.001/13:01-02 00:00:25 1964 MAROC IMIN, TANOUT (OUEST MARRAKECH) NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Même soliste que pour la pièce 1. Peut servir de début d'ahwas• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-03 BM.1970.037.001/13:01-03 00:01:05 1964 MAROC IMIN, TANOUT (OUEST MARRAKECH) NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Même soliste que pour la pièce 1. (Chant à caractère religieux, plainte personnelle)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-04 BM.1970.037.001/13:01-04 00:00:50 1964 MAROC TISSINT (OUEST MARRAKECH) AIT OUIRANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Même soliste que pour la pièce 1. (Chant à caractère religieux, plainte personnelle)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-05 BM.1970.037.001/13:01-05 00:02:10 1964 MAROC TISSINT (OUEST MARRAKECH) AIT OUIRANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée (Chant à caractère religieux, plainte personnelle)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-06 BM.1970.037.001/13:01-06 00:02:30 1964 MAROC IMIN TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Soliste de 1, 2, 3 Ahwas• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-07 BM.1970.037.001/13:01-07 00:01:20 1964 MAROC IMIN TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée ( Ahwas)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-08 BM.1970.037.001/13:01-08 00:01:20 1964 MAROC IMIN TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Interrompu en fin de BM• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-09 BM.1970.037.001/13:01-09 00:03:20 1964 MAROC IMIN TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée (Ahwas)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-10 BM.1970.037.001/13:01-10 00:02:50 1964 MAROC IMIN TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Fin shuntée. (Ahwas)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-11 BM.1970.037.001/13:01-11 00:01:25 1964 MAROC IMIN TANOUT AIT BOUGMEZ MAROC. ROUGET,G.;1964 DEUX PIÈCES MSUCIALES DISTINCTS POUVANT ETRE LIEES AU MARIAGE Sous-table non exportée Sous-table non exportée Pièce pouvant être chantée en dehors de la circonstance du mariage• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-12 BM.1970.037.001/13:01-12 00:01:50 1964 MAROC IMIN TANOUT AIT BOUGMEZ MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées -(-ahidus) fin shuntée• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-13 BM.1970.037.001/13:01-13 00:02:55 1964 MAROC IMIN TANOUT AIT BOUGMEZ MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :01-14 BM.1970.037.001/13:01-14 00:01:00 1964 MAROC IMIN TANOUT AIT BOUGMEZ MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées (Ahidus)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-01 BM.1970.037.001/13:02-01 00:01:55 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE MAIS POUVANT ÊTRE CHANTE EN D'AUTRE CIRCONSTANC Sous-table non exportée Sous-table non exportée ( Chant lié au mariage mais pouvant être chanté en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-02 BM.1970.037.001/13:02-02 00:02:00 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée ( Chant lié au mariage mais pouvant être chanté en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-03 BM.1970.037.001/13:02-03 00:03:15 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 FORMULE CORANIQUE CHANTEE EN ARABE Sous-table non exportée Sous-table non exportée Deux de ces femmes sont les mêmes pour que pour la pièce 2. Ces formules coraniques peuvent être chantée en arabe; peut être une berceuse Ahidus• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-04 BM.1970.037.001/13:02-04 00:02:20 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 FORMULE CORANIQUE CHANTEE EN ARABE Sous-table non exportée Sous-table non exportée Deux de ces femmes sont les mêmes pour que pour la pièce 2. Ces formules coraniques peuvent être chantée en arabe; peut être une berceuse Ahidus• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-05 BM.1970.037.001/13:02-05 00:01:15 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 FORMULE CORANIQUE CHANTEE EN ARABE Sous-table non exportée Sous-table non exportée Deux de ces femmes sont les mêmes pour que pour la pièce 2. Ces formules coraniques peuvent être chantée en arabe; peut être une berceuse Ahidus• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-06 BM.1970.037.001/13:02-06 00:01:55 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Pièce chantée quand on arrive à un douar, pour une fête par exemple• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-07 BM.1970.037.001/13:02-07 00:02:00 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 CHANT A CARACTÈRE RELIGIEUX PROVENANT DE LA ZAUIA DU SUD Sous-table non exportée Sous-table non exportée Slat uslm• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-08 BM.1970.037.001/13:02-08 00:05:00 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 CHANT A CARACTÈRE RELIGIEUX PROVENANT DE LA ZAUIA DU SUD Sous-table non exportée Sous-table non exportée Le soliste est un chanteur de la pièce 1• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-09 BM.1970.037.001/13:02-09 00:04:30 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 GEDRA; CRIS EN ARABE Sous-table non exportée Sous-table non exportée VA=Concert de cris d'hommes• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :02-10 BM.1970.037.001/13:02-10 00:01:30 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 CHANTE POUR L'ASUR Sous-table non exportée Sous-table non exportée Fin schuntée• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-01 BM.1970.037.001/13:03-01 00:01:10 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté pour l'asur• 19640 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-02 BM.1970.037.001/13:03-02 00:01:45 1964 MAROC TISSINT AIT OUIRANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté pour l'asur• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-03 BM.1970.037.001/13:03-03 00:02:20 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Bandir exécuté sur le rythme ahidus munis de timbres• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-04 BM.1970.037.001/13:03-04 00:02:15 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Bandir exécuté sur le rythme ahidus munis de timbres• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-05 BM.1970.037.001/13:03-05 00:04:45 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées. ( Chant lié au mariage mais pouvant être chanté en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-06 BM.1970.037.001/13:03-06 00:03:00 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 CHANT DE MARIAGE (POUR LE PASSAGE DU HENNE) Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées. Au début quelques clacs, parfois de la conversation• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-07 BM.1970.037.001/13:03-07 00:01:55 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 CHANT DE MARIAGE (POUR LE PASSAGE DU HENNE) Sous-table non exportée Sous-table non exportée Chanté, 2 + 2 femmes alternées. A la fin youyou et quelques clacs• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-08 BM.1970.037.001/13:03-08 00:02:00 1964 MAROC IMI LCHIL AIT KADDIDOU MAROC. ROUGET,G.;1964 CHANT POUR LE LEVER DE LA MARIE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-09 BM.1970.037.001/13:03-09 00:01:10 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 BANDIR (AHIDUS) Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-10 BM.1970.037.001/13:03-10 00:02:20 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 BANDIR (AHIDUS) Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :03-11 BM.1970.037.001/13:03-11 00:02:00 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 BANDIR (AHIDUS) Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-01 BM.1970.037.001/13:04-01 00:00:20 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-02 BM.1970.037.001/13:04-02 00:01:30 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-03 BM.1970.037.001/13:04-03 00:01:25 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée M=Tambour sur cadre• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-04 BM.1970.037.001/13:04-04 00:03:40 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée M=Tambour sur cadre et sur poterie. A la fi solo de flûte sur percussion. Cette pièce est semblable à la 04-03 et inclu un breaks de percussion (tambours sur cadre et poterie)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-05 BM.1970.037.001/13:04-05 00:03:20 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Contrairement aux précédentes cette pièce est sans flûte( type d'ahwas ? , apparemment un peu artificiel) (inf. H. Jouad)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-06 BM.1970.037.001/13:04-06 00:01:00 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée VC=2 Choeurs de femmes alternés• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-07 BM.1970.037.001/13:04-07 00:00:00 1964 MAROC IMI N'TANOUT NFIFA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée Reprise des pièces 04-01 et 04-02, à cause d'une erreur dans 2 reprise du début de 1• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-08 BM.1970.037.001/13:04-08 00:08:40 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 CHANT DU MATIN, FIN DES CEREMONIES DE MARIAGE Sous-table non exportée Sous-table non exportée 1 Bandir• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :04-09 BM.1970.037.001/13:04-09 00:02:15 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée Chant pouvant être exécuté en dehors de cette circonstance• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :05-01 BM.1970.037.001/13:05-01 00:05:15 1964 MAROC TAZARINE AIT HADDIDOU MAROC. ROUGET,G.;1964 CHANT DE MARIAGE POUR LE LEVE DE LA MARIEE Sous-table non exportée Sous-table non exportée • 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :05-02 BM.1970.037.001/13:05-02 00:02:20 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE POUR LE PASSAGE DU HENNE Sous-table non exportée Sous-table non exportée Cette pièce est excutée par les mêmes chanteuses que dans la pièce 3. (Elle peut être excutée en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :05-03 BM.1970.037.001/13:05-03 00:01:20 1964 MAROC TAZARINE AIT HAHA MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE POUR LE PASSAGE DU HENNE Sous-table non exportée Sous-table non exportée Cette pièce est excutée par les mêmes chanteuses que dans la pièce 3. (Elle peut être excutée en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :05-04 BM.1970.037.001/13:05-04 00:01:10 1964 MAROC TAZARINE AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. (Elle peut être excutée en dehors de cette circonstance)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :05-05 BM.1970.037.001/13:05-05 00:00:25 1964 MAROC TAZARINE AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. Phrase chantée par les 4 chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-01 BM.1970.037.001/13:06-01 00:02:25 1964 MAROC TAZARINE AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. Chant pouvant être exécuté en dehors de la circonstance de mariage• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-02 BM.1970.037.001/13:06-02 00:00:45 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. Chant pouvant être exécuté en dehors de la circonstance de mariage. Phrase chantée par les quatre chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-03 BM.1970.037.001/13:06-03 00:01:55 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT POUR LE PASSAGE DU HENNE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. (Chant lié au mariage pour moudre le henné) 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-04 BM.1970.037.001/13:06-04 00:00:20 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT POUR LE PASSAGE DU HENNE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. (Chant lié au mariage pour moudre le henné). Phrase chantée par les quatre chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-05 BM.1970.037.001/13:06-05 00:02:10 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIE DANS LA MAISON DU MARIE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-06 BM.1970.037.001/13:06-06 00:00:40 1964 MAROC AIT BOUGMEZ MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIE DANS LA MAISON DU MARIE Sous-table non exportée Sous-table non exportée VC= 2+2 femmes alternées. Phrase chantée par les quatre chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-07 BM.1970.037.001/13:06-07 00:02:50 1964 MAROC AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIE DANS LA MAISON DU MARIE Sous-table non exportée Sous-table non exportée VC= 2+4 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :06-08 BM.1970.037.001/13:06-08 00:02:50 1964 MAROC AIT OUZINE MAROC. ROUGET,G.;1964 CHANTDE MARIAGE Sous-table non exportée Sous-table non exportée VC= 2+4 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-01 BM.1970.037.001/13:07-01 00:00:00 1964 MAROC AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR LE PASSAGE DU HENNE Sous-table non exportée Sous-table non exportée Chant lié au mariage• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-02 BM.1970.037.001/13:07-02 00:00:00 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIE Sous-table non exportée Sous-table non exportée Chant lié au mariage (Variation de vitesse)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-03 BM.1970.037.001/13:07-03 00:00:00 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT APRÈS LA CONSOMMATION DU MARIAGE Sous-table non exportée Sous-table non exportée Chant lié au mariage (Variation de vitesse)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-04 BM.1970.037.001/13:07-04 00:02:20 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée Chant pouvant être exécuté pour d'autres cironstances• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-05 BM.1970.037.001/13:07-05 00:01:25 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT LIE AU MARIAGE Sous-table non exportée Sous-table non exportée Phrase chantée par 4 chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-06 BM.1970.037.001/13:07-06 00:01:25 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR LE HENNE Sous-table non exportée Sous-table non exportée Chant lié au mariage (rythme d'ahidus? )• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :07-07 BM.1970.037.001/13:07-07 00:00:35 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR LE HENNE Sous-table non exportée Sous-table non exportée Chant lié au mariage (rythme d'ahidus? ). Phrase chantée par les 4 chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-01 BM.1970.037.001/13:08-01 00:00:50 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIEE Sous-table non exportée Sous-table non exportée Cf la pièce 07-02• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-02 BM.1970.037.001/13:08-02 00:00:20 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA MARIEE Sous-table non exportée Sous-table non exportée Cf la pièce 07-02. Phrase chantée par les 4 chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-03 BM.1970.037.001/13:08-03 00:02:00 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT APRÈS LA CONSOMMATION DU MARIAGE Sous-table non exportée Sous-table non exportée Cf la pièce 07-03• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-04 BM.1970.037.001/13:08-04 00:00:35 1964 MAROC TAZARINE AIT ATTA MAROC. ROUGET,G.;1964 CHANT APRÈS LA CONSOMMATION DU MARIAGE Sous-table non exportée Sous-table non exportée Cf la pièce 07-03. Phrase chantée par les 4 chanteuses successivement• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-05 BM.1970.037.001/13:08-05 00:01:20 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-06 BM.1970.037.001/13:08-06 00:01:45 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 POUR LE HENNE Sous-table non exportée Sous-table non exportée VC=2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-07 BM.1970.037.001/13:08-07 00:01:00 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 POUR LE HENNE Sous-table non exportée Sous-table non exportée VC=2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-08 BM.1970.037.001/13:08-08 00:01:40 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 POUR AMENER LA MARIE CHEZ LE MARIE Sous-table non exportée Sous-table non exportée VC=2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :08-09 BM.1970.037.001/13:08-09 00:01:00 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 POUR LE LENDEMAIN DES NOCES Sous-table non exportée Sous-table non exportée VC=2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :09-01 BM.1970.037.001/13:09-01 00:01:30 1964 MAROC MGOUNA MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée VC=2+2 femmes alternées• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :09-02 BM.1970.037.001/13:09-02 00:05:25 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée 1 Bandir "hit"• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :10-01 BM.1970.037.001/13:10-01 00:06:20 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 Sous-table non exportée Sous-table non exportée 2 Bandir "aghkche"• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :10-02 BM.1970.037.001/13:10-02 00:02:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 DANSE DU COUSSIN 2 FILLES SE FAISSANT FACE, TAHRIT Sous-table non exportée Sous-table non exportée (-Tgnza, terija)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :10-03 BM.1970.037.001/13:10-03 00:06:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 TAMAWAIT Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :11-01 BM.1970.037.001/13:11-01 00:06:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 TAMAWAIT Sous-table non exportée Sous-table non exportée Bandir "tamaust"• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :11-02 BM.1970.037.001/13:11-02 00:02:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT POUR LA TONTE Sous-table non exportée Sous-table non exportée 2 Bandir ciseaux (-tuzlin) frappés• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :11-03 BM.1970.037.001/13:11-03 00:01:00 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 TAMAWAIT Sous-table non exportée Sous-table non exportée Pièce terminée par les cris d'un choeur• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :11-04 BM.1970.037.001/13:11-04 00:01:00 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 TAMAWAIT Sous-table non exportée Sous-table non exportée Pièce terminée par les cris d'un choeur• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :11-05 BM.1970.037.001/13:11-05 00:01:20 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 TAMAWAIT Sous-table non exportée Sous-table non exportée Chanté choeur d'hommes puis mixte, Bandir (plusieurs)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-01 BM.1970.037.001/13:12-01 00:00:15 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 PRIÈRE D'HOMME POUR UNE ENTENTE DE MARIAGE Sous-table non exportée Sous-table non exportée RÉCITɕ 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-02 BM.1970.037.001/13:12-02 00:01:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 A L'OCCASION DE LA DEMANDE EN MARIAGE Sous-table non exportée Sous-table non exportée Bandir, (Coupure après les 30 secondes)• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-03 BM.1970.037.001/13:12-03 00:01:25 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 DONS A LA FIANCEE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-04 BM.1970.037.001/13:12-04 00:01:00 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA FIANCEE CHEZ SON MARI (1ER AIR) Sous-table non exportée Sous-table non exportée Bandir• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-05 BM.1970.037.001/13:12-05 00:00:40 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA FIANCEE CHEZ SON MARI (2ER AIR) Sous-table non exportée Sous-table non exportée Bandir• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :12-06 BM.1970.037.001/13:12-06 00:06:15 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT POUR AMENER LA FIANCEE CHEZ SON MARI (2ER AIR) TAMAUST Sous-table non exportée Sous-table non exportée Bandir• 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :13-01 BM.1970.037.001/13:13-01 00:01:00 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT DE MEULE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :13-02 BM.1970.037.001/13:13-02 00:01:00 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT DE MEULE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :13-03 BM.1970.037.001/13:13-03 00:02:25 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT DE MEULE Sous-table non exportée Sous-table non exportée 1964 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :13-04 BM.1970.037.001/13:13-04 00:00:30 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT DE MEULE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 :13-05 BM.1970.037.001/13:13-05 00:01:25 1964 MAROC OULMES ZAIANE MAROC. ROUGET,G.;1964 CHANT POUR LE PASSGE DU HENNE Sous-table non exportée Sous-table non exportée Bandir• 1964 AFRIQUE +CSA-126 Cylindre CY.1900.126 A01 CY.1900.126A01 00:00:00 -1 VIETNAM LEGENDE DE TAO YUNAN MIN SYLLABISEE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-184 Cylindre CY.1900.184 A01 CY.1900.184A01 00:00:00 -1 VIETNAM PHONETIQUE: 6 TONS N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-185 Cylindre CY.1900.185 A01 CY.1900.185A01 00:00:00 -1 VIETNAM PHONETIQUE:PARABOLE DE L'ENFANT PRODIGUE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-186 Cylindre CY.1900.186 A01 CY.1900.186A01 00:00:00 -1 VIETNAM PHONETIQUE:PARABOLE DE L'ENFANT PRODIGUE SYLLABISEE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-187 Cylindre CY.1900.187 A01 CY.1900.187A01 00:00:00 -1 VIETNAM PHONETIQUE: CONVERSATION N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-188 Cylindre CY.1900.188 A01 CY.1900.188A01 00:00:00 -1 VIETNAM DECLAMATION THEATRALE: LE GUERRIER HANG VO N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-189 Cylindre CY.1900.189 A01 CY.1900.189A01 00:00:00 -1 VIETNAM CHANT POPULAIRE:BERCEUSE CHANTEE ET SYLLABISEE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-190 Cylindre CY.1900.190 A01 CY.1900.190A01 00:00:00 -1 VIETNAM AIR D'UN GUERRIER/DECLAMATION COMIQUE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-191 Cylindre CY.1900.191 A01 CY.1900.191A01 00:00:00 -1 VIETNAM CHANT DE GUERRE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-192 Cylindre CY.1900.192 A01 CY.1900.192A01 00:00:00 -1 VIETNAM CHANT POPULAIRE D'AMOUR DE THUX KIEU N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-193 Cylindre CY.1900.193 A01 CY.1900.193A01 00:00:00 -1 VIETNAM CHANT D'AMOUR LUC VAN TIEN N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-194 Cylindre CY.1900.194 1 CY.1900.1941 00:00:00 VIETNAM CONTE POPULAIRE ET CHANT TRONG QUAN Sous-table non exportée Sous-table non exportée 0 ASIE +CSA.194 Cylindre CY.1900.194 A01 CY.1900.194A01 00:00:00 -1 VIETNAM VIETNAMIENS CONTE POPULAIRE ET CHANT TRONG QUAN N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-195 Cylindre CY.1900.195 A01 CY.1900.195A01 00:00:00 -1 VIETNAM CHANT D'AMOUR N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-196 Cylindre CY.1900.196 A01 CY.1900.196A01 00:00:00 -1 VIETNAM CHANSON D'AMOUR CHANTE ET SYLLABISE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-198 Cylindre CY.1900.198 A01 CY.1900.198A01 00:00:00 -1 VIETNAM FLUTE A 6 TROUS: AIR POPULAIRE DE FETE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +CSA-199 Cylindre CY.1900.199 A01 CY.1900.199A01 00:00:00 -1 VIETNAM VIELE A 2 CORDES: AIR POPULAIRE DE FETE N Sous-table non exportée Sous-table non exportée 1900 0 ASIE +11661-1825-2 CD12S DI.2000.001.001 U01 DI.2000.001.001U01 00:00:00 USA DEEP RIVER OF SONG: MISSISSIPPI - THE BLUES LINEAGE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +11661-1724-2 CD12S DI.2000.001.002 U01 DI.2000.001.002U01 00:00:00 ANTILLES CARIBBEAN VOYAGE:DOMINICA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +11661-1803-2 CD12S DI.2000.001.003 U01 DI.2000.001.003U01 00:00:00 ITALIE ITALIAN TREASURY:CALABRIA Sous-table non exportée Sous-table non exportée 0 EUROPE +D-8279 CD12S DI.2000.002.001 U01 DI.2000.002.001U01 00:00:00 NEPAL NEPAL -RITUAL AND ENTERTAINMENT Sous-table non exportée Sous-table non exportée 0 ASIE +792-CD CD12S DI.2000.003.001 U01 DI.2000.003.001U01 00:00:00 ESPAGNE ALGEMESI. DANSES DE LA PROCESSO Sous-table non exportée Sous-table non exportée 0 EUROPE +TEKO-001 CD12S DI.2000.004.001 U01 DI.2000.004.001U01 00:00:00 GUYANE FRANCAISE TEKO D ZEMBI'A/MUSIQUES DES EMERILLONS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +AAA-162 CD12S DI.2000.006.001 U01 DI.2000.006.001U01 00:00:00 MAURITANIE MAURITANIE/MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +AAA-163 CD12S DI.2000.006.002 U01 DI.2000.006.002U01 00:00:00 MAURITANIE LE MEDEH DES HARATINES DE MAURITANIE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560022/23 CD12S DI.2000.006.003/04 U01 DI.2000.006.003/04U01 00:00:00 KENYA KENYA/MUSIQUES DU NYANZA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +LC-3098 CD-Livre DI.2000.006.005/06 U01 DI.2000.006.005/06U01 00:00:00 EGYPTE EGYPT/MUSIC OF THE NILE FROM THE DESERT TO THE SEA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CAP-21479 CD12S DI.2000.007.002 U01 DI.2000.007.002U01 00:00:00 VIETNAM MUSIC FROM VIETNAM 3/ETHNIC MINORITIES Sous-table non exportée Sous-table non exportée 0 ASIE +SFW-40456 CD12S DI.2000.007.003 U01 DI.2000.007.003U01 00:00:00 LAOS BAMBOO ON THE MOUNTAINS Sous-table non exportée Sous-table non exportée 0 ASIE +SFW-40456 CD12S DI.2000.007.003 U18 DI.2000.007.003U18 00:00:00 THAILANDE BAMBOO ON THE MOUNTAINS Sous-table non exportée Sous-table non exportée 0 ASIE +SFW-40456 CD12S DI.2000.007.003 U28 DI.2000.007.003U28 00:00:00 VIETNAM BAMBOO ON THE MOUNTAINS Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-2741120 CD12S DI.2000.008.001 U01 DI.2000.008.001U01 00:00:00 BOLIVIE BOLIVIE:MUSIQUE DES CALCHA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +WAG-38 CD12S DI.2000.009.001/02 U01 DI.2000.009.001/02U01 00:00:00 EGYPTE LE SULTAN DE TOUS LES MUNSHIDIN. SHEIKH AHMAD AL-TUNI Sous-table non exportée Sous-table non exportée 0 AFRIQUE +PEOCD-998 CD12S DI.2000.010.001 U01 DI.2000.010.001U01 00:00:00 BURKINA FASO BURKINA FASO. ELOGES DE LA CONFRERIE DES CHASSEURS SENOUFO TAGOUA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +TERTON-007 CD12S DI.2000.011.001 U01 DI.2000.011.001U01 00:00:00 TIBET 12 TREASURES FROM THE SALTMEN OF TIBET Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-49 CD12S DI.2000.012.001 U01 DI.2000.012.001U01 00:00:00 THAILANDE THAIS THAI CLASSICAL SONGS IN THE STORY OF PHRALOR Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-50 CD12S DI.2000.012.002 U01 DI.2000.012.002U01 00:00:00 THAILANDE THAIS THAI CLASSICAL SONGS FROM "RANRA-EK" Sous-table non exportée Sous-table non exportée 0 ASIE +464618-2 CD12S DI.2000.013.001 U01 DI.2000.013.001U01 00:00:00 TCHAD N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U02 DI.2000.013.001U02 00:00:00 SENEGAL N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U03 DI.2000.013.001U03 00:00:00 PAPOUASIE-NLE-GUINEE HULI UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 OCEANIE +464618-2 CD12S DI.2000.013.001 U04 DI.2000.013.001U04 00:00:00 NIGER N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U05 DI.2000.013.001U05 00:00:00 MAURITANIE N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U06 DI.2000.013.001U06 00:00:00 MADAGASCAR N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U07 DI.2000.013.001U07 00:00:00 CONGO N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U08 DI.2000.013.001U08 00:00:00 REP CENTRAFRICAINE N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U09 DI.2000.013.001U09 00:00:00 BURKINA FASO N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U10 DI.2000.013.001U10 00:00:00 BENIN BARIBA UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U11 DI.2000.013.001U11 00:00:00 SENEGAL MANDINGUES UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U12 DI.2000.013.001U12 00:00:00 MALI TOUAREGS UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U13 DI.2000.013.001U13 00:00:00 BENIN MAHI UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U14 DI.2000.013.001U14 00:00:00 PAPOUASIE-NLE-GUINEE;I.TROBRIAND N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 OCEANIE +464618-2 CD12S DI.2000.013.001 U15 DI.2000.013.001U15 00:00:00 COTE D'IVOIRE BAOULE UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U16 DI.2000.013.001U16 00:00:00 MADAGASCAR MALAGASY UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U17 DI.2000.013.001U17 00:00:00 GABON FANG UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U18 DI.2000.013.001U18 00:00:00 CONGO N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U19 DI.2000.013.001U19 00:00:00 TCHAD N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464618-2 CD12S DI.2000.013.001 U20 DI.2000.013.001U20 00:00:00 MAURITANIE N UN MONDE DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-51 CD12S DI.2000.014.001 U01 DI.2000.014.001U01 00:00:00 CHILI CHILIENS CANCIONERO TRADICIONAL I. ROMANCES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +SANSREF-52 CD12S DI.2000.014.002 U01 DI.2000.014.002U01 00:00:00 CHILI CHILIENS CANCIONERA TRADICIONAL II. CUECCAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +92755-2 CD12S DI.2000.015.002 U01 DI.2000.015.002U01 00:00:00 SYRIE N LES ORIENTS DU LUTH N°3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-45 CD12S DI.2000.016.001 U01 DI.2000.016.001U01 00:00:00 TAIWAN CHINOIS YA YUEH SHYR SAN YIN Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64518 CD12S DI.2000.017.001 U01 DI.2000.017.001U01 00:00:00 ALGERIE ALGERIENS MOHAMED MAHDI-D'UNE RIVE A L'AUTRE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-60377 CD12S DI.2000.017.002 U01 DI.2000.017.002U01 00:00:00 CHINE CHINOIS L'ART DU PIPA CHINOIS/CHENG SHUI CHENG Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-60477 CD12S DI.2000.017.003 U01 DI.2000.017.003U01 00:00:00 USA AMERICAINS L'ART DE LA GUITARE A 12 CORDES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARN-60477 CD12S DI.2000.017.003 U11 DI.2000.017.003U11 00:00:00 MALI MANDINGUES L'ART DE LA GUITARE A 12 CORDES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +DI.000.017.004 CD12S DI.2000.017.004 U01 DI.2000.017.004U01 00:00:00 IRAN IRANIENS L'ART DU SANTUR PERSAN Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-60443 CD12S DI.2000.017.005 U01 DI.2000.017.005U01 00:00:00 URSS;RSS ARMENIE ARMENIENS L'ART DU KAMANTCHA D'ARMENIE Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64487 CD12S DI.2000.017.006 U01 DI.2000.017.006U01 00:00:00 INDE INDIENS G.S. SACHDEV/MASTER FO BAMBOO FLUTE Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64510 CD12S DI.2000.017.007 U01 DI.2000.017.007U01 00:00:00 ILE DE LA REUNION TAMOULS PERCUSSIONS RITUELLES MALBARS ILE DE LA REUNION Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64528 CD12S DI.2000.017.008 U01 DI.2000.017.008U01 00:00:00 BRESIL BRESILIENS MARROM CAPOEIRA/BRESIL Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARN-64340 CD12S DI.2000.017.009 U01 DI.2000.017.009U01 00:00:00 INDONESIE INDONESIENS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U06 DI.2000.017.009U06 00:00:00 BRESIL BRESILIENS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARN-64340 CD12S DI.2000.017.009 U09 DI.2000.017.009U09 00:00:00 GUINEE SOUSOUS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64340 CD12S DI.2000.017.009 U12 DI.2000.017.009U12 00:00:00 INDE KANNADA LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U14 DI.2000.017.009U14 00:00:00 THAILANDE THAIS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U16 DI.2000.017.009U16 00:00:00 ILE DE PAQUES PASCUAN LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 OCEANIE +ARN-64340 CD12S DI.2000.017.009 U18 DI.2000.017.009U18 00:00:00 NEPAL GURUNG LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U20 DI.2000.017.009U20 00:00:00 ARGENTINE ARGENTINS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARN-64340 CD12S DI.2000.017.009 U23 DI.2000.017.009U23 00:00:00 CHINE CHINOIS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U24 DI.2000.017.009U24 00:00:00 TIBET TIBETAINS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U25 DI.2000.017.009U25 00:00:00 CHINE MIAOS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64340 CD12S DI.2000.017.009 U26 DI.2000.017.009U26 00:00:00 SENEGAL POULAR LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64340 CD12S DI.2000.017.009 U27 DI.2000.017.009U27 00:00:00 SENEGAL MANDINGUES LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64340 CD12S DI.2000.017.009 U28 DI.2000.017.009U28 00:00:00 SENEGAL OUOLOFS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64340 CD12S DI.2000.017.009 U29 DI.2000.017.009U29 00:00:00 CHILI CHILIENS LE CHANT DES ENFANTS DU MONDE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARN-64280 CD12S DI.2000.017.010 U01 DI.2000.017.010U01 00:00:00 INDE INDIENS LE CHANT DES ENFANTS DU MONDE, VOL.2 Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64520 CD12S DI.2000.017.011 U01 DI.2000.017.011U01 00:00:00 INDE INDIENS VOCAL RAGA-LE CHANT DE RAGA Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-60521 CD12S DI.2000.017.012 U01 DI.2000.017.012U01 00:00:00 MADAGASCAR MALGACHES L'ART DE LA VALIHA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64522 CD12S DI.2000.017.013 U01 DI.2000.017.013U01 00:00:00 MADAGASCAR MALGACHES RAKOTOFRAH-CHANTS ET DANSES EN IMERINA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64500 CD12S DI.2000.017.014 U01 DI.2000.017.014U01 00:00:00 PALESTINE PALESTINIENS NUZHA. ADEL SALAMEH Sous-table non exportée Sous-table non exportée 0 ASIE +RCD-10173 CD12S DI.2000.018.001 U01 DI.2000.018.001U01 00:00:00 PAPOUASIE-NLE-GUINEE MT.BOSAVI;SOUTH.HIGHLANDS PROV. KALULI VOICES OF THE RAIN FOREST Sous-table non exportée Sous-table non exportée 0 OCEANIE +GN-9113-2 CD12S DI.2000.018.002 U01 DI.2000.018.002U01 00:00:00 CHINE CHINOIS LIANG MINGYUE'S GU-QIN SOLO Sous-table non exportée Sous-table non exportée 0 ASIE +9757-04-MDCD-4 CD12S DI.2000.019.001 U01 DI.2000.019.001U01 00:00:00 INDONESIE;SUMATRA KAROS MUSIC OF NIAS & NORTH SUMATRA Sous-table non exportée Sous-table non exportée 0 ASIE +9757-04-MDCD-4 CD12S DI.2000.019.001 U03 DI.2000.019.001U03 00:00:00 INDONESIE;NIAS NIAS MUSIC OF NIAS & NORTH SUMATRA Sous-table non exportée Sous-table non exportée 0 ASIE +9757-04-MDCD-4 CD12S DI.2000.019.001 U07 DI.2000.019.001U07 00:00:00 INDONESIE;SUMATRA TOBAS MUSIC OF NIAS & NORTH SUMATRA Sous-table non exportée Sous-table non exportée 0 ASIE +9758-05-MDCD-5 CD12S DI.2000.019.002 U01 DI.2000.019.002U01 00:00:00 INDONESIE;SUNDA SUNDANAIS BETAWI & SUNDANESE MUSIC OF THE NORTH COAST OF JAVA Sous-table non exportée Sous-table non exportée 0 ASIE +9759-06-MDCD CD12S DI.2000.019.003 U01 DI.2000.019.003U01 00:00:00 INDONESIE;SUMATRA MINANGKABAU NIGHT MUSIC OF WEST SUMATRA Sous-table non exportée Sous-table non exportée 0 ASIE +99054-07-MDCD CD12S DI.2000.019.004 U01 DI.2000.019.004U01 00:00:00 INDONESIE;SUMATRA PETALANGANS MUSIC FROM THE FORESTS OF RIAU AND MENTAWAI Sous-table non exportée Sous-table non exportée 0 ASIE +99054-07-MDCD CD12S DI.2000.019.004 U09 DI.2000.019.004U09 00:00:00 INDONESIE;SUMATRA ANAKS SUKU DALAM MUSIC FROM THE FORESTS OF RIAU AND MENTAWAI Sous-table non exportée Sous-table non exportée 0 ASIE +99054-07-MDCD CD12S DI.2000.019.004 U11 DI.2000.019.004U11 00:00:00 INDONESIE;SUMATRA SIKEREIS MUSIC FROM THE FORESTS OF RIAU AND MENTAWAI Sous-table non exportée Sous-table non exportée 0 ASIE +99055-08-MDCD CD12S DI.2000.019.005 U01 DI.2000.019.005U01 00:00:00 INDONESIE;FLORES SIKKAS VOCAL AND INSTRUMENTAL MUSIC FORM EAST AND CENTRAL FLORES Sous-table non exportée Sous-table non exportée 0 ASIE +99055-08-MDCD CD12S DI.2000.019.005 U12 DI.2000.019.005U12 00:00:00 INDONESIE;FLORES NGADAS VOCAL AND INSTRUMENTAL MUSIC FORM EAST AND CENTRAL FLORES Sous-table non exportée Sous-table non exportée 0 ASIE +99056-09-MDCD CD12S DI.2000.019.006 U01 DI.2000.019.006U01 00:00:00 INDONESIE;FLORES NGADAS VOCAL MUSIC FROM CENTRAL AND WEST FLORES Sous-table non exportée Sous-table non exportée 0 ASIE +99056-09-MDCD CD12S DI.2000.019.006 U09 DI.2000.019.006U09 00:00:00 INDONESIE;FLORES MANGGARAIS VOCAL MUSIC FROM CENTRAL AND WEST FLORES Sous-table non exportée Sous-table non exportée 0 ASIE +99057-10-MDCD CD12S DI.2000.019.007 U01 DI.2000.019.007U01 00:00:00 INDONESIE;IRIAN JAYA BIAKS MUSIC OF BIAK, IRIAN JAYA Sous-table non exportée Sous-table non exportée 0 OCEANIE +SFCD-40427 CD12S DI.2000.019.008 U01 DI.2000.019.008U01 00:00:00 INDONESIE;SUMATRA MELAYUS MELAYU MUSIC OF SUMATRA AND THE RIAU ISLANDS Sous-table non exportée Sous-table non exportée 0 ASIE +SFCD-40429 CD12S DI.2000.019.009 U01 DI.2000.019.009U01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) INDONESIENS KALIMANTAN STRINGS Sous-table non exportée Sous-table non exportée 0 ASIE +SFCD-40441 CD12S DI.2000.019.010 U01 DI.2000.019.010U01 00:00:00 INDONESIE;LOMBOK SASAKS LOMBOK,KALIMANTAN,BANYUMAS:LITTLE KNOWN FORMS OF GAMELAN AND WAYANG Sous-table non exportée Sous-table non exportée 0 ASIE +SFCD-40441 CD12S DI.2000.019.010 U04 DI.2000.019.010U04 00:00:00 INDONESIE;JAVA JAVANAIS LOMBOK,KALIMANTAN,BANYUMAS:LITTLE KNOWN FORMS OF GAMELAN AND WAYANG Sous-table non exportée Sous-table non exportée 0 ASIE +SFCD-40441 CD12S DI.2000.019.010 U07 DI.2000.019.010U07 00:00:00 INDONESIE;BORNEO(KALIMANTAN) BANJARS LOMBOK,KALIMANTAN,BANYUMAS:LITTLE KNOWN FORMS OF GAMELAN AND WAYANG Sous-table non exportée Sous-table non exportée 0 ASIE +DFCD-40442 CD12S DI.2000.019.011 U01 DI.2000.019.011U01 00:00:00 INDONESIE;SULAWESI BUGIS SOUTH SULAWESI STRINGS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40443 CD12S DI.2000.019.012 U01 DI.2000.019.012U01 00:00:00 INDONESIE;SUMBAWA SUMBAWANAIS MUSIC FROM THE SOUTHEAST:SUMBAWA, SUMBA, TIMOR Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40443 CD12S DI.2000.019.012 U03 DI.2000.019.012U03 00:00:00 INDONESIE;SUMBA SUMBANAIS MUSIC FROM THE SOUTHEAST:SUMBAWA, SUMBA, TIMOR Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40443 CD12S DI.2000.019.012 U07 DI.2000.019.012U07 00:00:00 INDONESIE;TIMOR METOS MUSIC FROM THE SOUTHEAST:SUMBAWA, SUMBA, TIMOR Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40443 CD12S DI.2000.019.012 U09 DI.2000.019.012U09 00:00:00 INDONESIE;TIMOR TETUNS MUSIC FROM THE SOUTHEAST:SUMBAWA, SUMBA, TIMOR Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40443 CD12S DI.2000.019.012 U12 DI.2000.019.012U12 00:00:00 INDONESIE;TIMOR BUNAQS MUSIC FROM THE SOUTHEAST:SUMBAWA, SUMBA, TIMOR Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40444 CD12S DI.2000.019.013 U01 DI.2000.019.013U01 00:00:00 INDONESIE;BORNEO(KALIMANTAN) KENYAHS KALIMANTAN:DAYAK RITUAL AND FESTIVAL MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40444 CD12S DI.2000.019.013 U12 DI.2000.019.013U12 00:00:00 INDONESIE;BORNEO(KALIMANTAN) KAYANS KALIMANTAN:DAYAK RITUAL AND FESTIVAL MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40444 CD12S DI.2000.019.013 U13 DI.2000.019.013U13 00:00:00 INDONESIE;BORNEO(KALIMANTAN) BENUAQS KALIMANTAN:DAYAK RITUAL AND FESTIVAL MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40444 CD12S DI.2000.019.013 U16 DI.2000.019.013U16 00:00:00 INDONESIE;BORNEO(KALIMANTAN) DUSUN DEYAH KALIMANTAN:DAYAK RITUAL AND FESTIVAL MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40445 CD12S DI.2000.019.014 U01 DI.2000.019.014U01 00:00:00 INDONESIE;SULAWESI MAKASARS SULAWESI:FESTIVALS, FUNERALS, AND WORK Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40445 CD12S DI.2000.019.014 U03 DI.2000.019.014U03 00:00:00 INDONESIE;SULAWESI KAJANGS SULAWESI:FESTIVALS, FUNERALS, AND WORK Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40445 CD12S DI.2000.019.014 U05 DI.2000.019.014U05 00:00:00 INDONESIE;SULAWESI TORAJAS SULAWESI:FESTIVALS, FUNERALS, AND WORK Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40446 CD12S DI.2000.019.015 U01 DI.2000.019.015U01 00:00:00 INDONESIE;MALUKU INDONESIENS MUSIC OF MALUKU:HALMAHERA,BURU,KEI Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U01 DI.2000.019.016U01 00:00:00 INDONESIE;SULAWESI MANDARS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U02 DI.2000.019.016U02 00:00:00 INDONESIE;SUMATRA ABUNGS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U04 DI.2000.019.016U04 00:00:00 INDONESIE;SUMBA SUMBANAIS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U05 DI.2000.019.016U05 00:00:00 INDONESIE;SULAWESI BUGIS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U08 DI.2000.019.016U08 00:00:00 INDONESIE;JAVA JAVANAIS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U09 DI.2000.019.016U09 00:00:00 INDONESIE;TIMOR METOS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40447 CD12S DI.2000.019.016 U12 DI.2000.019.016U12 00:00:00 INDONESIE;SUMATRA BATAKS INDONESIAN GUITARS Sous-table non exportée Sous-table non exportée 0 ASIE +C-560142 CD12S DI.2000.020.001 U01 DI.2000.020.001U01 00:00:00 URSS;RSS OUZBEKISTAN OUZBEKS OUZBEKISTAN/LES GRANDES VOIX DU PASSE (1940-1965) Sous-table non exportée Sous-table non exportée 0 ASIE +C-560131 CD12S DI.2000.020.002 U01 DI.2000.020.002U01 00:00:00 MAROC MAROCAINS MAROC-CONFRERIE DES JILALA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560120 CD12S DI.2000.020.003 U01 DI.2000.020.003U01 00:00:00 VENEZUELA VENEZUELIENS VENEZUELA-BANDOLA DES LLANOS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560130 CD12S DI.2000.020.004 U01 DI.2000.020.004U01 00:00:00 TURQUIE TURCS TURQUIE/CANTILLATION CORANIQUE Sous-table non exportée Sous-table non exportée 0 ASIE +C-560153 CD12S DI.2000.020.005 U01 DI.2000.020.005U01 00:00:00 BOLIVIE BOLIVIENS BOLIVIE-MUSIQUE DE NORTE POTOSI Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560145 CD12S DI.2000.020.006 U01 DI.2000.020.006U01 00:00:00 NORVEGE NORVEGIENS NORVEGE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-560141 CD12S DI.2000.020.007 U01 DI.2000.020.007U01 00:00:00 FRANCE FRANCAIS FRANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-560152 CD12S DI.2000.020.008 U01 DI.2000.020.008U01 00:00:00 INDE INDIENS INDE DU SUD-PADAM, LE CHANT DE TANJORE Sous-table non exportée Sous-table non exportée 0 ASIE +C-560143 CD12S DI.2000.020.009 U01 DI.2000.020.009U01 00:00:00 INDE INDIENS INDE DU SUD-KUTIYATTAM-THEATRE CLASSIQUE DES TEMPLES DU KERALA Sous-table non exportée Sous-table non exportée 0 ASIE +C-560154 CD12S DI.2000.020.010 U01 DI.2000.020.010U01 00:00:00 INDE INDIENS INDE DU NORD-KUSHAL DAS Sous-table non exportée Sous-table non exportée 0 ASIE +FA-157-CD1/2 CD12S DI.2000.021.001/02 U01 DI.2000.021.001/02U01 00:00:00 CUBA CUBAINS CUBA 1923-95 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-176-CD1/4 CD12S DI.2000.021.003/06 U01 DI.2000.021.003/06U01 00:00:00 CUBA CUBAINS RETROSPECTIVE OFFICIELLE DES MUSIQUES CUBAINES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-188 CD12M DI.2000.021.007 U01 DI.2000.021.007U01 00:00:00 CUBA CUBAINS FELIX VALVERT LES ANNEES CUBAINES 1944-1948 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-191 CD12M DI.2000.021.008/09 U01 DI.2000.021.008/09U01 00:00:00 MEXIQUE MEXICAINS LATIN CROONEERS 1930-1949 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-191 CD12M DI.2000.021.008/09 U02 DI.2000.021.008/09U02 00:00:00 ARGENTINE ARGENTINS LATIN CROONEERS 1930-1949 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-191 CD12M DI.2000.021.008/09 U03 DI.2000.021.008/09U03 00:00:00 BRESIL BRESILIENS LATIN CROONEERS 1930-1949 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-182 CD12M DI.2000.021.010/11 U01 DI.2000.021.010/11U01 00:00:00 ARGENTINE ARGENTINS ASTOR PIAZZOLLA 1946-1948 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FA-153 CD12M DI.2000.021.012/13 U01 DI.2000.021.012/13U01 00:00:00 PORTUGAL PORTUGAIS FADO 1926-1931 Sous-table non exportée Sous-table non exportée 0 EUROPE +FA-190 CD12M DI.2000.021.014/15 U01 DI.2000.021.014/15U01 00:00:00 PORTUGAL PORTUGAIS FADO 1950-1999 Sous-table non exportée Sous-table non exportée 0 EUROPE +FA-430 CD12S DI.2000.021.016/17 U01 DI.2000.021.016/17U01 00:00:00 INDE INDIENS RAGHUNATH MANET & UMAYALPURAM SIVARAMAN. VEENA RECITAL II Sous-table non exportée Sous-table non exportée 0 ASIE +FA-185 CD12S DI.2000.021.018/19 U01 DI.2000.021.018/19U01 00:00:00 HONGRIE TSIGANES MUSIC OF THE GYPSY ROUTE Sous-table non exportée Sous-table non exportée 0 EUROPE +FA-185 CD12S DI.2000.021.018/19 U02 DI.2000.021.018/19U02 00:00:00 ROUMANIE TSIGANES MUSIC OF THE GYPSY ROUTE Sous-table non exportée Sous-table non exportée 0 EUROPE +BOLBOL-CD-1 CD12S DI.2000.022.001 U01 DI.2000.022.001U01 00:00:00 AFGHANISTAN AFGHANS FROM CABOOL TO CALIFORNIA Sous-table non exportée Sous-table non exportée 0 ASIE +C-560149 CD12S DI.2000.023.001 U01 DI.2000.023.001U01 00:00:00 MADAGASCAR MASIKOROS MADAGASCAR-PAYS MASIKORO-L'ACCORDEON Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560148 CD12S DI.2000.023.002 U01 DI.2000.023.002U01 00:00:00 BURKINA FASO LOBIS BURKINA FASO-XYLOPHONE DE FUNERAILLES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560135 CD12S DI.2000.023.003 U01 DI.2000.023.003U01 00:00:00 NIGER DENDIS NIGER,PAYS DENDI, HAROUNA GOGE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560155 CD12S DI.2000.023.004 U01 DI.2000.023.004U01 00:00:00 TANZANIE WAGOGOS TANZANIE-CHANTS WAGOGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560138 CD12S DI.2000.023.005 U01 DI.2000.023.005U01 00:00:00 ILE DE LA REUNION REUNIONAIS ILE DE LA REUNION, MALOYA/FIRMIN VIRY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560137 CD12S DI.2000.023.006 U01 DI.2000.023.006U01 00:00:00 ILE MAURICE MAURICIENS ILE MAURICE/SEGA RAVANNE/FANFAN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64525 CD12S DI.2000.024.001 U01 DI.2000.024.001U01 00:00:00 MAURITANIE MAURES LE CHANT DES ENFANTS DU MONDE VOL 8 MAURITANIE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64530 CD12S DI.2000.024.002 U01 DI.2000.024.002U01 00:00:00 BRESIL BRESILIENS EU SOULIA/LIA DE ITAMARACA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +EL-2001 CD12S DI.2000.025.001 U01 DI.2000.025.001U01 00:00:00 SENEGAL SENEGALAIS MEISSA-NIGHT IN CASAMANCE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +EL-2003 CD12S DI.2000.025.002 U01 DI.2000.025.002U01 00:00:00 CONGO CONGOLAIS BORRINA MAPAKA/YULA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +NZ-001 CD12M DI.2000.026.001 U01 DI.2000.026.001U01 00:00:00 HONGRIE TSIGANES,HONGROIS NEPRAJZI MUZEUM FONOGRAFHENGER GYUJTEMENY 1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NZ-002 CD12M DI.2000.026.002 U01 DI.2000.026.002U01 00:00:00 HONGRIE TSIGANES,HONGROIS NEPRAJZI MUZEUM FONOGRAFENGER GYUJTEMENY 2 Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-001 CD12S DI.2001.001.001 U01 DI.2001.001.001U01 00:00:00 ROUMANIE ROUMAINS THE END OF THE MILLENIUM IN THE ROMANIAN VILLAGE Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-002 CD12S DI.2001.001.002 U01 DI.2001.001.002U01 00:00:00 ROUMANIE ROUMAINS FANFARE PAYSANNE DE MOLDAVIE:ZECE PRAJINI Sous-table non exportée Sous-table non exportée 0 EUROPE +DS-154 CD12S DI.2001.002.001 U01 DI.2001.002.001U01 00:00:00 GRECE GRECS TWENTY MACEDONIAN DANCES Sous-table non exportée Sous-table non exportée 0 EUROPE +Y-225211 CD12S DI.2001.002.003 U01 DI.2001.002.003U01 00:00:00 URSS;RSS UKRAINE UKRAINIENS MUSIQUES TRADITIONNELLES D'UKRAINE Sous-table non exportée Sous-table non exportée 0 EUROPE +Y-225111 CD12S DI.2001.002.004 U01 DI.2001.002.004U01 00:00:00 ITALIE ITALIENS ZAMPOGNE EN ITALIE Sous-table non exportée Sous-table non exportée 0 EUROPE +Y-225219 CD12S DI.2001.002.005 U01 DI.2001.002.005U01 00:00:00 ITALIE ITALIENS TRADITIONS DU PIFFERO Sous-table non exportée Sous-table non exportée 0 EUROPE +Y-225109 CD12S DI.2001.002.006 U01 DI.2001.002.006U01 00:00:00 FRANCE FRANCAIS LA VIELLE EN FRANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +Y-225205 CD12S DI.2001.002.007 U01 DI.2001.002.007U01 00:00:00 FRANCE FRANCAIS ZEPHIRIN CASTELLON-SIBLAR E CANTAR EN VESUBIA Sous-table non exportée Sous-table non exportée 0 EUROPE +ODAC-01 CD12S DI.2001.002.008 U01 DI.2001.002.008U01 00:00:00 FRANCE FRANCAIS MUSIQUES DES JOUTES NAUTIQUES Sous-table non exportée Sous-table non exportée 0 EUROPE +TRM-0108-CD CD12S DI.2001.002.009 U01 DI.2001.002.009U01 00:00:00 ESPAGNE ESPAGNOLS VA ANAR A FER CUIERES Sous-table non exportée Sous-table non exportée 0 EUROPE +TRCD-9504/5 CD12S DI.2001.002.010/11 U01 DI.2001.002.010/11U01 00:00:00 CANADA CANADIENS 100 ANS DE MUSIQUE TRADITIONNELLE QUEBECOISE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +TRCD-9506/07 CD12S DI.2001.002.012/13 U01 DI.2001.002.012/13U01 00:00:00 CANADA CANADIENS 100 ANS DE MUSIQUE TRADITIONNELLE QUEBECOISE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +AN-27001-4 CD12S DI.2001.002.014 U01 DI.2001.002.014U01 00:00:00 CANADA CANADIENS LA BOLDUC/L'INTEGRALE,VOL.1 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560150 CD12S DI.2001.002.015 U01 DI.2001.002.015U01 00:00:00 REP DU CAP-VERT ILE DE FOGO CAP-VERDIENS CAP-VERT. RAIZ DI DJARFOGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +IRTEM-990/1 CD12S DI.2001.004.001 U01 DI.2001.004.001U01 00:00:00 ITALIE ITALIENS GOFFREDO PETRASSI Sous-table non exportée Sous-table non exportée 0 EUROPE +IRTEM-991/2 CD12S DI.2001.004.002 U01 DI.2001.004.002U01 00:00:00 ITALIE ITALIENS BASILICATA Sous-table non exportée Sous-table non exportée 0 EUROPE +ED-13118 CD12S DI.2001.004.003 U01 DI.2001.004.003U01 00:00:00 ALGERIE SEFARADES NAGUILA/CHANTS MYSTIQUES SEFARADES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +IMA-CD-19 CD12S DI.2001.004.006 U01 DI.2001.004.006U01 00:00:00 INDE;RAJASTHAN RAJASTHANAIS LA FLUTE DU RAJASTHAN Sous-table non exportée Sous-table non exportée 0 ASIE +KCDI-001 CD12S DI.2001.004.007 U01 DI.2001.004.007U01 00:00:00 CAMBODGE CAMBODGIENS TRADITIONAL MUSIC OF CAMBODIA Sous-table non exportée Sous-table non exportée 0 ASIE +HCD-12560-2 CD12S DI.2001.004.008 U01 DI.2001.004.008U01 00:00:00 TURQUIE TURCS ANCIENT TURKISH MUSIC IN EUROPE Sous-table non exportée Sous-table non exportée 0 ASIE +BM-55803 CD12S DI.2001.004.009 U01 DI.2001.004.009U01 00:00:00 ITALIE ITALIENS FOLK MUSIC OF CALABRIA-ITALIY Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580047 CD12S DI.2001.004.010 U01 DI.2001.004.010U01 00:00:00 TURQUIE TURCS TURQUIE/L'ART VIVANT DE TALIP OZKAN Sous-table non exportée Sous-table non exportée 0 ASIE +C-560056 CD12S DI.2001.004.011 U01 DI.2001.004.011U01 00:00:00 INDE INDIENS INDE DU NORD/GIRIJA DEVI EN CONCERT Sous-table non exportée Sous-table non exportée 0 ASIE +C-56043 CD12S DI.2001.004.012 U01 DI.2001.004.012U01 00:00:00 SENEGAL PEULS SENEGAL/MUSIQUE DES PEUL ET DES TENDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-56043 CD12S DI.2001.004.012 U04 DI.2001.004.012U04 00:00:00 SENEGAL BEDIKS SENEGAL/MUSIQUE DES PEUL ET DES TENDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-56043 CD12S DI.2001.004.012 U08 DI.2001.004.012U08 00:00:00 SENEGAL CONIAGUIS SENEGAL/MUSIQUE DES PEUL ET DES TENDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-56043 CD12S DI.2001.004.012 U10 DI.2001.004.012U10 00:00:00 SENEGAL BOINS SENEGAL/MUSIQUE DES PEUL ET DES TENDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-56043 CD12S DI.2001.004.012 U12 DI.2001.004.012U12 00:00:00 SENEGAL BASSARI SENEGAL/MUSIQUE DES PEUL ET DES TENDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +IMA-CD18 CD12S DI.2001.004.014 U01 DI.2001.004.014U01 00:00:00 IRAK IRAKIENS CHANTS DE BAGDAD Sous-table non exportée Sous-table non exportée 0 ASIE +191906-2 CD12S DI.2001.004.015 U01 DI.2001.004.015U01 00:00:00 MAROC MAROCAINS MAROC/VOIES SACREES-VOIX DE FES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BLCD-1015 CD12S DI.2001.004.016 U01 DI.2001.004.016U01 00:00:00 LIBAN LIBANAIS ABOUT THE DIVINE LOVE Sous-table non exportée Sous-table non exportée 0 ASIE +MR-10019 CD12S DI.2001.004.017 U01 DI.2001.004.017U01 00:00:00 IRAK IRAKIENS NASEER SHAMMA/ISHRAQ Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-46 CD12S DI.2001.004.018 U01 DI.2001.004.018U01 00:00:00 PARAGUAY MBYA GUARANI PARAGUAY/MUSICA MBYA GUARANI Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-01 CD12S DI.2001.004.019 U01 DI.2001.004.019U01 00:00:00 AFGHANISTAN AFGHANS FROM CABOOL TO CALIFORNIA Sous-table non exportée Sous-table non exportée 0 ASIE +92681-2 CD12S DI.2001.004.020 U01 DI.2001.004.020U01 00:00:00 PAKISTAN PAKISTANAIS LITURGIES MUSICALES DU PAKISTAN-PANJAB Sous-table non exportée Sous-table non exportée 0 ASIE +CD232 CD12S DI.2001.004.025 U01 DI.2001.004.025U01 00:00:00 ITALIE;SARDAIGNE SARDES IRGOLI/SARDEGNA/CANTI LITURGIA DE TRADIZIONE ORALE Sous-table non exportée Sous-table non exportée 0 EUROPE +321029 CD12S DI.001.005.001 U01 DI.001.005.001U01 00:00:00 YEMEN YEMENITES YEMEN.LE CHANT DE SANAA. H. AL-AJAMI & A. USHAYSH Sous-table non exportée Sous-table non exportée 0 ASIE +321032 CD12S DI.001.005.002 U01 DI.001.005.002U01 00:00:00 YEMEN YEMENITES L'HEURE DE SALOMON/YEMEN Sous-table non exportée Sous-table non exportée 0 ASIE +321035 CD12S DI.001.005.003 U01 DI.001.005.003U01 00:00:00 YEMEN YEMENITES CHANTS SACRES DE SANAA. LES CHANTRES YEMENITES Sous-table non exportée Sous-table non exportée 0 ASIE +TAKA-0003 CD12S DI.001.006.001 :U01 DI.001.006.001:U01 00:00:00 ILE MAURICE ILE RODRIGUES RODRIGUAIS ILE RODRIGUES.VOL 1: VOIX & TAMBOURS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +TAKA-0004 CD12S DI.001.006.002 U01 DI.001.006.002U01 00:00:00 ILE MAURICE ILES RODRIGUES RODRIGUAIS ILE RODRIGUES.VOL2: ACCORDEON Sous-table non exportée Sous-table non exportée 0 AFRIQUE +2400-2402 D2578 DI.001.007.001 U01 DI.001.007.001U01 00:00:00 NOUVELLE-CALEDONIE KANAKS CHANT DE MARCHE/LA POULPE ET LE RAT (NLLE CALEDONIE) Sous-table non exportée Sous-table non exportée 0 OCEANIE +2401-2403 D2578 DI.001.007.002 U01 DI.001.007.002U01 00:00:00 NOUVELLE-CALEDONIE KANAKS CHANT D'AMOUR/HISTOIRE DE 2 GUERRIERS Sous-table non exportée Sous-table non exportée 0 OCEANIE +SFCD-40428 CD12S DI.001.008.001 U01 DI.001.008.001U01 00:00:00 INDONESIE;SUMATRA GONGS AND VOCAL MUSIC FROM SUMATRA Sous-table non exportée Sous-table non exportée 0 ASIE +OULALA-1 CD12S DI.001.009.001 U01 DI.001.009.001U01 00:00:00 TAIWAN BUNUNS MYSTIC CHANTS OF THE BUNUN Sous-table non exportée Sous-table non exportée 0 ASIE +OULALA-2 CD12S DI.001.009.002 U01 DI.001.009.002U01 00:00:00 TAIWAN RUKAIS GHOST LAKE/RUKAI TRADITIONS Sous-table non exportée Sous-table non exportée 0 ASIE +OULALA-3 CD12S DI.001.009.003 U01 DI.001.009.003U01 00:00:00 TAIWAN AMI AMIS HERITAGE/MA LAN STYLE Sous-table non exportée Sous-table non exportée 0 ASIE +OULALA-6 CD12S DI.001.009.004 U01 DI.001.009.004U01 00:00:00 TAIWAN BUNUNS CHILDREN SONGS OF THE BUNUN Sous-table non exportée Sous-table non exportée 0 ASIE +ASI-011 CD12S DI.001.010.001 U01 DI.001.010.001U01 00:00:00 EIRE CELTES NAGIA DELL'ARPA CELTICA Sous-table non exportée Sous-table non exportée 0 EUROPE +ASI-011 CD12S DI.001.010.001 U06 DI.001.010.001U06 00:00:00 GB;ECOSSE CELTES NAGIA DELL'ARPA CELTICA Sous-table non exportée Sous-table non exportée 0 EUROPE +ASI-016 CD12S DI.001.010.002 U01 DI.001.010.002U01 00:00:00 TURQUIE TURCS SUFI-LA DANZA DEL COSMO Sous-table non exportée Sous-table non exportée 0 ASIE +ASI-022 CD12S DI.001.010.003 U01 DI.001.010.003U01 00:00:00 CUBA CUBAINS SANTERIA-CUBA PROFONDA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ASI-023 CD12S DI.001.010.004 U01 DI.001.010.004U01 00:00:00 EIRE IRLANDAIS CELTICA-LA VOCE DELLE DONE Sous-table non exportée Sous-table non exportée 0 EUROPE +ASI-024 CD12S DI.001.010.005 U01 DI.001.010.005U01 00:00:00 TIBET TIBETAINS CAMPANE TIBETANE Sous-table non exportée Sous-table non exportée 0 ASIE +ASI-030 CD12S DI.001.010.006 U01 DI.001.010.006U01 00:00:00 AUSTRALIE AUSTRALIENS IL TEMPO DEL SOGNO Sous-table non exportée Sous-table non exportée 0 OCEANIE +AFI-040 CD12S DI.001.010.007 U02 DI.001.010.007U02 00:00:00 INDE INDIENS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +AFI-040 CD12S DI.001.010.007 U05 DI.001.010.007U05 00:00:00 TIBET TIBETAINS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +AFI-040 CD12S DI.001.010.007 U07 DI.001.010.007U07 00:00:00 JAPON JAPONAIS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +AFI-040 CD12S DI.001.010.007 U10 DI.001.010.007U10 00:00:00 SRI LANKA CINGALAIS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +AFI-040 CD12S DI.001.010.007 U12 DI.001.010.007U12 00:00:00 THAILANDE THAIS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +AFI-040 CD12S DI.001.010.007 U14 DI.001.010.007U14 00:00:00 CHINE CHINOIS SIDDHARTA Sous-table non exportée Sous-table non exportée 0 ASIE +ASI-43 CD12S DI.001.010.008 U01 DI.001.010.008U01 00:00:00 GHANA GHANEENS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ASI-43 CD12S DI.001.010.008 U02 DI.001.010.008U02 00:00:00 CONGO CONGOLAIS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ASI-43 CD12S DI.001.010.008 U03 DI.001.010.008U03 00:00:00 BENIN BENINOIS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ASI-43 CD12S DI.001.010.008 U04 DI.001.010.008U04 00:00:00 NIGER NIGERIENS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ASI-43 CD12S DI.001.010.008 U05 DI.001.010.008U05 00:00:00 HAITI HAITIENS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ASI-43 CD12S DI.001.010.008 U08 DI.001.010.008U08 00:00:00 CUBA CUBAINS BAKONGO ! IL MONDO RITMO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ASI-046 CD12S DI.001.010.009 U01 DI.001.010.009U01 00:00:00 NORVEGE NORVEGIENS IL VENTO TRA I FIORDI Sous-table non exportée Sous-table non exportée 0 EUROPE +RR-003 CD12S DI.001.011.001 U01 DI.001.011.001U01 00:00:00 NIGERIA YORUBAS AYANAGALU Sous-table non exportée Sous-table non exportée 0 AFRIQUE +4502 CD12S DI.001.012.001 U01 DI.001.012.001U01 00:00:00 KENYA SWAHILIS ZEIN L'ABDIN/THE SWAHILI SONG BOOK Sous-table non exportée Sous-table non exportée 0 AFRIQUE +4507 CD12S DI.001.012.002 U01 DI.001.012.002U01 00:00:00 COMORES COMORIENS MOHAMED HASSAN-DUNIYA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-47 CD12S DI.001.013.001 U01 DI.001.013.001U01 00:00:00 PAKISTAN;BALOUTCHISTAN BALOUTCHES MUSIC OF MAKRAN Sous-table non exportée Sous-table non exportée 0 ASIE +TSCD-917 CD12S DI.001.013.002 U01 DI.001.013.002U01 00:00:00 TANZANIE;ZANZIBAR ZANZIBAR ZANZIBARIS ZANZIBAR:MUSIC OF CELEBRATION Sous-table non exportée Sous-table non exportée 0 AFRIQUE +TSCD-918 CD12S DI.001.013.003 U01 DI.001.013.003U01 00:00:00 PAPOUASIE-NLE-GUINEE;I.NLE BRETAGNE PAPOUS SONGS & DANCES FROM PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée 0 OCEANIE +TSCD-919 CD12S DI.001.013.004 U01 DI.001.013.004U01 00:00:00 MALAYSIA MOKENS THE MOKEN/SEA GYPSIES OF THE ANDAMAN SEA Sous-table non exportée Sous-table non exportée 0 ASIE +NSA-CD8 CD12S DI.001.013.005 U01 DI.001.013.005U01 00:00:00 GB;ANGLETERRE BRITANNIQUES THE CENTURY IN SOUND Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-48 CD12M DI.001.014.001 U01 DI.001.014.001U01 00:00:00 ESPAGNE ESPAGNOLS CILINDROS DE CERA POR LOS AMIGOS DEL ARCHEOPHONE Sous-table non exportée Sous-table non exportée 0 EUROPE +OEAW-PHA-CD8-01/05 CD12M DI.001.015.001/05 U01 DI.001.015.001/05U01 00:00:00 AUTRICHE AUTRICHIENS STIMMPORTRATS Sous-table non exportée Sous-table non exportée 0 EUROPE +OEAW-PHA-CD9-01/06 CD12S DI.001.015.006/10 U01 DI.001.015.006/10U01 00:00:00 PAPOUASIE-NLE-GUINEE;I.NLE BRETAGNE PAPOUS PAPUA NEW GUINEA (1904-1909) Sous-table non exportée Sous-table non exportée 0 OCEANIE +11661-1759-2 CD12S DI.001.016.001 U01 DI.001.016.001U01 00:00:00 ROUMANIE ROUMAINS ROMANIA Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-003 CD12S DI.001.016.003 U01 DI.001.016.003U01 00:00:00 ROUMANIE TSIGANES LES "HAIDOUKS" D'AUTREFOIS / OUTLAWS OF YORE (I) Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-004 CD12S DI.001.016.004 U01 DI.001.016.004U01 00:00:00 ROUMANIE TSIGANES LES "HAIDOUKS" D'AUTREFOIS / OUTLAWS OF YORE (II) Sous-table non exportée Sous-table non exportée 0 EUROPE +CNR-2741121 CD12S DI.001.017.001 U01 DI.001.017.001U01 00:00:00 REP CENTRAFRICAINE GBANZILI CENTRAFRIQUE. RITUELS GBANZILI & MBUGU DE L'OUBANGUI Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-2741121 CD12S DI.001.017.001 U02 DI.001.017.001U02 00:00:00 REP CENTRAFRICAINE BANDA MBUGU CENTRAFRIQUE. RITUELS GBANZILI & MBUGU DE L'OUBANGUI ORCHESTRE DE TROMPES MBUGU Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82222-2 CD12S DI.001.019.001 U01 DI.001.019.001U01 00:00:00 ETHIOPIE ETHIOPIENS TEZETA.ETHIOPIAN BLUES & BALLADS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82232-2 CD12S DI.001.019.002 U01 DI.001.019.002U01 00:00:00 ETHIOPIE ETHIOPIENS ALEMU AGRA. THE HARP OF KING DAVID Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64543 CD12S DI.001.020.001 U01 DI.001.020.001U01 00:00:00 AFGHANISTAN AFGHANS ENSEMBLE KABOUL. NASTARAN Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64544 CD12S DI.001.020.002 U01 DI.001.020.002U01 00:00:00 MALI MALIENS SOUNGALO COULIBALY. DENGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64546 CD12S DI.001.020.003 U01 DI.001.020.003U01 00:00:00 CAMEROUN BALIS FETE DU LELA.TRADITIONS DES BALIS AU CAMEROUN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ARN-64556 CD12S DI.001.020.004/05 U01 DI.001.020.004/05U01 00:00:00 CAMBODGE CAMBODGIENS MUSIQUES KHMÈRES.CAMBODGE. CD1: M.ROYALE; CD2: M.POPULAIRES Sous-table non exportée Sous-table non exportée 0 ASIE +W-260080 CD12S DI.002.001.001 U01 DI.002.001.001U01 00:00:00 ETHIOPIE ETHIOPIENS ETHIOPIE.CHANTS D'AMOUR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260082 CD12S DI.002.001.002 U01 DI.002.001.002U01 00:00:00 VIETNAM VIETNAMIENS VIETNAM. M. BOUDDHIQUE DE HUÊ'.KHAI KINH Sous-table non exportée Sous-table non exportée 0 ASIE +W-260086 CD12S DI.002.001.003 U01 DI.002.001.003U01 00:00:00 GUINEE KPELLE GUINEE. MS DES KPELLE.CHANTSPOLYPHONIQUES, TROMPES & PERCUSSIONS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260085 CD12S DI.002.001.004 U01 DI.002.001.004U01 00:00:00 FED.RUSSIE COSAQUES CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 N +W-260085 CD12S DI.002.001.004 U02 DI.002.001.004U02 00:00:00 EUROPE ORIENTALE JUIFS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260085 CD12S DI.002.001.004 U03 DI.002.001.004U03 00:00:00 ALBANIE PAYS LAB ALBANAIS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée @ 0 EUROPE +W-260085 CD12S DI.002.001.004 U04 DI.002.001.004U04 00:00:00 REP DE LETTONIE LETTONS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260085 CD12S DI.002.001.004 U05 DI.002.001.004U05 00:00:00 REP DE CROATIE DALMATIE CROATES CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260085 CD12S DI.002.001.004 U06 DI.002.001.004U06 00:00:00 PAYS KURDE KURDES CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260085 CD12S DI.002.001.004 U07 DI.002.001.004U07 00:00:00 ARABIE SAOUDITE BEDOUINS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260085 CD12S DI.002.001.004 U08 DI.002.001.004U08 00:00:00 MAROC BERBÈRES CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260085 CD12S DI.002.001.004 U09 DI.002.001.004U09 00:00:00 AZERBAIDJAN AZERIS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260085 CD12S DI.002.001.004 U10 DI.002.001.004U10 00:00:00 TURKMENISTAN TURKMENES CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260085 CD12S DI.002.001.004 U11 DI.002.001.004U11 00:00:00 FED.RUSSIE;KALMOUKIE KALMOUKS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 N +W-260085 CD12S DI.002.001.004 U12 DI.002.001.004U12 00:00:00 INDE;RAJASTHAN BHIL CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260085 CD12S DI.002.001.004 U13 DI.002.001.004U13 00:00:00 VIETNAM VIETNAMIENS CELEBRATION DU CHEVAL Sous-table non exportée Sous-table non exportée 0 ASIE +W-260084 CD12S DI.002.001.005 U01 DI.002.001.005U01 00:21:13 BANGLADESH MURUNG ORGUES A BOUCHES. RITUELS DES MURUNG Sous-table non exportée Sous-table non exportée 1997 ASIE +W-260083 CD12S DI.002.001.006 U01 DI.002.001.006U01 00:00:00 JORDANIE JORDANIENS JORDANIE.CHANTS BEDOUINS, DE MARIAGE, DES PÊCHEURS D'AQABA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260102 CD12S DI.002.001.007 U01 DI.002.001.007U01 00:00:00 HONDURAS GARIFUNA HONDURA. M. GARIFUNA. LA TRAD. DES CARIBS NOIRS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +W-260081 CD12S DI.002.001.008 U01 DI.002.001.008U01 00:00:00 NIGER PEULS NIGER.PEULS WODAABE.CHANTS DU WORSO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260087 CD12S DI.002.001.009 U01 DI.002.001.009U01 00:00:00 ARABIE SAOUDITE SAOUDIENS ARABIE SAOUDITE. M. DE 'UNAYZAH, ANCIENNE CITE DU NADJ Sous-table non exportée Sous-table non exportée 0 ASIE +W-260088 CD12S DI.002.001.010 U01 DI.002.001.010U01 00:00:00 AZERBAIDJAN AZERIS MELEK EYUBOVA. ANTHOL. DU MUGAM D'AZERBAIDJAN, VOL.9 Sous-table non exportée Sous-table non exportée 0 ASIE +W-260089 CD12S DI.002.001.011 U01 DI.002.001.011U01 00:00:00 MALI DOGON MALI.LES DOGONS.M. DES MASQUES & DES FUNERAILLES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260090 CD12S DI.002.001.012 U01 DI.002.001.012U01 00:00:00 GEORGIE GEORGIENS GEORGIE.POLYPHONIES VOCALES DE SVANETIE. ENSEMBLE RIHO Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260091 CD12S DI.002.001.013 U01 DI.002.001.013U01 00:00:00 BRESIL BRESILIENS BRESIL.CANDOMBLE DE ANGOLA. M. RITUELLE AFRO-BRESILEINNE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +W-260092 CD12S DI.002.001.014 U01 DI.002.001.014U01 00:00:00 PAKISTAN PAKISTANAIS PAKISTAN.LA NUIT DES QAWWALS. MEHR ALI & SHER ALI.ALI FAIZ & REHMAT ALI Sous-table non exportée Sous-table non exportée 0 ASIE +W-260093 CD12S DI.002.001.015 U01 DI.002.001.015U01 00:00:00 MADAGASCAR SAKALAVA MENABE MADAGASCAR. M.DES SAKALAVA MENABE. HOMMAGE A MAMA SANA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260094 CD12S DI.002.001.016 U01 DI.002.001.016U01 00:00:00 INDONESIE;BALI BALINAIS GAMBUH.DRAME MUSICAL BALINAIS PAR L'ENSEMBLE DE KEDISTAN Sous-table non exportée Sous-table non exportée 0 ASIE +W-260095 CD12S DI.002.001.017 U01 DI.002.001.017U01 00:00:00 CAMEROUN PYGMEES BEDZAN CAMEROU.PYGMEES BEDZAN DE LA PLAINE DE TIKAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260096 CD12S DI.002.001.018 U01 DI.002.001.018U01 00:00:00 INDE;KERALA MALAYALI INDE DU SUD.DRAMES DANSES.KATHAKALI,TERU KOOTHU, YAKSHAGANA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260096 CD12S DI.002.001.018 U02 DI.002.001.018U02 00:00:00 INDE;TAMIL NADU TAMOULS INDE DU SUD.DRAMES DANSES.KATHAKALI,TERU KOOTHU, YAKSHAGANA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260096 CD12S DI.002.001.018 U03 DI.002.001.018U03 00:00:00 INDE;KARNATAKA INDIENS INDE DU SUD.DRAMES DANSES.KATHAKALI,TERU KOOTHU, YAKSHAGANA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260097 CD12S DI.002.001.019 U01 DI.002.001.019U01 00:00:00 SLOVAQUIE SLOVAQUES SLOVAQUIE.MS DE POLANA.FUJARA, CORNEMUSES,ENSEMBLE A CORDES Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260098 CD12S DI.002.001.020 U01 DI.002.001.020U01 00:00:00 HONGRIE HONGROIS MS HONGROISES DE TRANSYLVANIE. TRAD. DU GYIMES ET DE LA GRANDE PLAINE Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260099 CD12S DI.002.001.021 U01 DI.002.001.021U01 00:00:00 YEMEN YEMENITES YEMEN.YAHYA AL-NUNU. LE CHANT DE SANAA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260101 CD12S DI.002.001.022 U01 DI.002.001.022U01 00:00:00 URUGUAY URUGUAYENS URUGUAY.OLGA DELGROSSI. TANGO DEL RIO DE LA PLATA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +AMTI-10 CD12S DI.002.002.001 U01 DI.002.002.001U01 00:00:00 FED.RUSSIE;DAGHESTAN JUIFS MONTAGNARDS THE MUSIC OF THE MOUNTAIN JEWS Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-60558 CD12S DI.002.003.001 U01 DI.002.003.001U01 00:00:00 TIBET TIBETAINS L'ART DU LUTH TIBETAIN.SHERAP DORJEE Sous-table non exportée Sous-table non exportée 0 ASIE +1987872 CD12S DI.002.004.001 U01 DI.002.004.001U01 00:00:00 PHILIPPINES T'BOLI PHILIPPINES. M. DE LUTH EN PAYS T'BOLI Sous-table non exportée Sous-table non exportée 0 ASIE +SAS-068 CD12S DI.002.005.001 U01 DI.002.005.001U01 00:00:00 ROUMANIE ROUMAINS AUTHENTIC ROMANIA Sous-table non exportée Sous-table non exportée 0 EUROPE +C-560158 CD12S DI.002.005.002 U01 DI.002.005.002U01 00:00:00 ARABIE SAOUDITE SAOUDIENS ARABIE SAOUDITE. MOHAMMED AMAN. LA TRAD; DU HEJAZ Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-65 CD12S DI.002.005.003 U01 DI.002.005.003U01 00:00:00 TUNISIE LA HADRA DE SFAX, VOL.2 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +0533 CD12S DI.002.006.001 :01-01 DI.002.006.001:01-01 00:00:00 TAIWAN CHINOIS YA YUEH SHYR SAN YN. M. DU TEMPLE DE CONFUCIUS Sous-table non exportée Sous-table non exportée 0 ASIE +TCD-1520 CD12S DI.002.006.002/03 :01-01 DI.002.006.002/03:01-01 00:00:00 TAIWAN TSOU,HLA'ALUA SONGS OF HLA'ALUA & KANAKANAVU Sous-table non exportée Sous-table non exportée 0 ASIE +TCD-1520 CD12S DI.002.006.002/03 :02-01 DI.002.006.002/03:02-01 00:00:00 TAIWAN TSOU,KANAKANAVU SONGS OF HLA'ALUA & KANAKANAVU Sous-table non exportée Sous-table non exportée 0 ASIE +PAN-9902 CD12S DI.002.006.004 :01-01 DI.002.006.004:01-01 00:00:00 TAIWAN CHINOIS HWANG-LONG PAN. DIALOGUE. LABYRINTH-PROMENADE. YIJING Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-53 CD12S DI.002.007.001 U01 DI.002.007.001U01 00:00:00 CHILI CHILIENS LA ORALIDAD EN EL CANTO MAPUCHE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CSC-001 CD12S DI.002.008.001 :01-01 DI.002.008.001:01-01 00:00:00 ITALIE;SICILE SICILE SICILIENS DOCUMENTI SONORI DELL'ARCHIVIO ETNOMUSICALE SICILIANO. IL CICLO DELLA VITA Sous-table non exportée Sous-table non exportée 0 EUROPE +CIMS-006 CD12S DI.002.008.002 :01-01 DI.002.008.002:01-01 00:00:00 ITALIE;SICILE SICILE SICILIENS DOCUMENTI SONORI DELL'ARCHIVIO ETNOMUSICALE SICILIANO. IL CICLO DELL'ANNO Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-2.24 CD12S DI.002.008.003 :01-01 DI.002.008.003:01-01 00:00:00 ITALIE;SICILE SICILE SICILIENS ISUONI DELLE FESTE Sous-table non exportée Sous-table non exportée 0 EUROPE +VOL.28/29/30 CD12S DI.002.009.001/03 :01-01 DI.002.009.001/03:01-01 00:00:00 ESPAGNE PROV. DE VALENCIA ESPAGNOLS FONOTECA DE MATERIALS.CANTS DE L'AURORA. Sous-table non exportée Sous-table non exportée 0 EUROPE +VOL.10 CD12S DI.002.009.004 U01 DI.002.009.004U01 00:00:00 ESPAGNE ESPAGNOLS FONOTECA DE MATERIAL.CANT DELS PELEGRINS DE LES USERS Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-24/25 CD12S DI.002.010.003/04 U01.01 DI.002.010.003/04U01.01 00:00:00 INDONESIE;SUMATRA BATAKS,TOBAS INSTRUMENTALMUSIK DER TOBA UND KARO BATAK. NORDSUMATRA/INDONESIEN Sous-table non exportée Sous-table non exportée 0 ASIE +CD-24/25 CD12S DI.002.010.003/04 U? DI.002.010.003/04U? 00:00:00 INDONESIE;SUMATRA BATAKS,KAROS INSTRUMENTALMUSIK DER TOBA UND KARO BATAK. NORDSUMATRA/INDONESIEN Sous-table non exportée Sous-table non exportée 0 ASIE +INAH-38 CD12S DI.002.012.001 U01 DI.002.012.001U01 00:00:00 MEXIQUE MEXICAINS ATENCION PONGAN SENORES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INAH-24 CD12S DI.002.012.002 U01 DI.002.012.002U01 00:00:00 MEXIQUE MEXICAINS ABAJENOS Y SONES DE LA FIESTA PUREPECHA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INAH-23 CD12S DI.002.012.003 U01 DI.002.012.003U01 00:00:00 MEXIQUE NAHUATL IN XOCHITL IN CUICATL.CANTOS DE TRAD. NAHUATL DE MORELOS Y GUERRERO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U01 DI.002.012.004U01 00:00:00 MEXIQUE TZOZIL MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U02 DI.002.012.004U02 00:00:00 MEXIQUE MAYA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U03 DI.002.012.004U03 00:00:00 MEXIQUE TRIQUI MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U04 DI.002.012.004U04 00:00:00 MEXIQUE TZELTAL MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U05 DI.002.012.004U05 00:00:00 MEXIQUE HIDALGO HNAHNU MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U06 DI.002.012.004U06 00:00:00 MEXIQUE CHOL MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U07 DI.002.012.004U07 00:00:00 MEXIQUE GUERRERO NAHUA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U08 DI.002.012.004U08 00:00:00 MEXIQUE PUREPECHA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U09 DI.002.012.004U09 00:00:00 MEXIQUE VERACRUZ TOTONACO MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U10 DI.002.012.004U10 00:00:00 MEXIQUE PUEBLA NAHUA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U11 DI.002.012.004U11 00:00:00 MEXIQUE VERACRUZ NAHUA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U12 DI.002.012.004U12 00:00:00 MEXIQUE MESTIZO MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U13 DI.002.012.004U13 00:00:00 MEXIQUE PUEBLA OTOMIS MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U14 DI.002.012.004U14 00:00:00 MEXIQUE PUEBLA NAHUA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INI-ETM-XIII-01 CD12S DI.002.012.004 U15 DI.002.012.004U15 00:00:00 MEXIQUE HIDALGO TEPEHUA MUSICA DE CARNAVAL.FIESTAS INDIGENAS Sous-table non exportée Sous-table non exportée 0 AMERIQUE +N.1 CD12S DI.002.012.005 U01 DI.002.012.005U01 00:00:00 MEXIQUE MEXICAINS CANCIONES DE VIDA Y MUERTE EN EL ISTMO OAXAQUENO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +INAH-02 CD12S DI.002.012.006 U01 DI.002.012.006U01 00:00:00 MEXIQUE MEXICAINS DANZAS DE LA CONQUISTA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +TA-001 CD12S DI.002.013.001 U01 DI.002.013.001U01 00:00:00 ITALIE;LUCANIE ITALIENS LA ZAMPOGNA LUCANA. LE TRADIDIZIONI MUSICALI IN LUCANA, VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-005 CD12S DI.002.014.001 U01 DI.002.014.001U01 00:00:00 ROUMANIE TRANSYLVANIE CENTALE ROUMAINS M. ROUMAINE & MAGYARE DE TRANSYLVANIE CENTRALE Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-005 CD12S DI.002.014.001 U08 DI.002.014.001U08 00:00:00 HONGRIE TSIGANES,HONGROIS M. ROUMAINE & MAGYARE DE TRANSYLVANIE CENTRALE Sous-table non exportée Sous-table non exportée 0 EUROPE +TRHM-21/24 CD12 DI.002.015.001/04 U101 DI.002.015.001/04U101 00:00:00 ESPAGNE ESPAGNOLS HISTORIA DE LA M. CATALANA,VALENCIANA I BALEAR.VOL.6:M. POPULAR I TRADICIONAL Sous-table non exportée Sous-table non exportée 0 EUROPE +MTM-01 CD12 DI.002.015.005 U01 DI.002.015.005U01 00:00:00 ITALIE ITALIENS LA RACCOLTA 23 DEGLLI ARCHIVI DI ETNOMUSICOLOGIA Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-54 CD12S DI.002.016.001 U01 DI.002.016.001U01 00:00:00 VIETNAM JARAÏ R'COM TIH FOLK ARTIST Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-55 CD12S DI.002.016.002 U01 DI.002.016.002U01 00:00:00 VIETNAM VIETNAMIENS TUNES OF HO' OF M RIVER Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-56 CD12S DI.002.016.003 U01 DI.002.016.003U01 00:00:00 VIETNAM CHAM FOLKSONGS OF CHAM ETHNIC GROUP IN NINH THUAN PROVINCE Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-57 CD12S DI.002.016.004 U01 DI.002.016.004U01 00:00:00 VIETNAM THAI FOLKSONGS OF TAHI ETHNIC GROUP IN THE NORTH WEST Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U01 DI.002.016.005U01 00:00:00 VIETNAM VIETNAMIENS SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U05 DI.002.016.005U05 00:00:00 VIETNAM MUONG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U06 DI.002.016.005U06 00:00:00 VIETNAM THAI SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U07 DI.002.016.005U07 00:00:00 VIETNAM GIANG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U08 DI.002.016.005U08 00:00:00 VIETNAM KHOMU SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U09 DI.002.016.005U09 00:00:00 VIETNAM TA OI ALUOI SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U10 DI.002.016.005U10 00:00:00 VIETNAM PAKO SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U11 DI.002.016.005U11 00:00:00 VIETNAM EDE SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U13 DI.002.016.005U13 00:00:00 VIETNAM MNONG GAR SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U14 DI.002.016.005U14 00:00:00 VIETNAM CHAM SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U15 DI.002.016.005U15 00:00:00 VIETNAM RAGLAI SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-58 VCD DI.002.016.005 U16 DI.002.016.005U16 00:00:00 VIETNAM KHMERS SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U02 DI.002.016.006U02 00:00:00 VIETNAM HMONG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U04 DI.002.016.006U04 00:00:00 VIETNAM YAO SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U05 DI.002.016.006U05 00:00:00 VIETNAM LU SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U06 DI.002.016.006U06 00:00:00 VIETNAM THAI SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U09 DI.002.016.006U09 00:00:00 VIETNAM MUONG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U12 DI.002.016.006U12 00:00:00 VIETNAM VIETNAMIENS SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U14 DI.002.016.006U14 00:00:00 VIETNAM TA OI ALUOI SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U16 DI.002.016.006U16 00:00:00 VIETNAM PAKO SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U18 DI.002.016.006U18 00:00:00 VIETNAM JARAÏ SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U23 DI.002.016.006U23 00:00:00 VIETNAM MNONG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-59 VCD DI.002.016.006 U25 DI.002.016.006U25 00:00:00 VIETNAM EDE SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U11 DI.002.016.007U11 00:00:00 VIETNAM VIETNAMIENS SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U12 DI.002.016.007U12 00:00:00 VIETNAM MUONG SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U14 DI.002.016.007U14 00:00:00 VIETNAM PAKO SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U19 DI.002.016.007U19 00:00:00 VIETNAM JARAÏ SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U22 DI.002.016.007U22 00:00:00 VIETNAM BAHNAR SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-60 VCD DI.002.016.007 U24 DI.002.016.007U24 00:00:00 VIETNAM KHMERS SOLO & ENSEMBLE OF VIETNAMESE TRAD. MUSICAL INSTRUMENTS 3 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U01 DI.002.016.008U01 00:00:00 VIETNAM MUONG VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U02 DI.002.016.008U02 00:00:00 VIETNAM BAHNAR VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U03 DI.002.016.008U03 00:00:00 VIETNAM RAGLAY VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U04 DI.002.016.008U04 00:00:00 VIETNAM EDE VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U05 DI.002.016.008U05 00:00:00 VIETNAM JARAÏ VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U06 DI.002.016.008U06 00:00:00 VIETNAM MA VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U12 DI.002.016.008U12 00:00:00 VIETNAM PAKO VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U13 DI.002.016.008U13 00:00:00 VIETNAM MNONG RLAM VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U14 DI.002.016.008U14 00:00:00 VIETNAM XEDRA VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-61 CD12S DI.002.016.008 U19 DI.002.016.008U19 00:00:00 VIETNAM ROMAM VIETNAMESE GONGS 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-62 CD12S DI.002.016.009 U01 DI.002.016.009U01 00:00:00 VIETNAM VIETNAMIENS TRAD. SONGS OF VIETNAM 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-63 CD12S DI.002.016.010 U01 DI.002.016.010U01 00:00:00 VIETNAM VIETNAMIENS TRAD. SONGS OF VIETNAM 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-64 CD-ROM DI.002.017.001 U01 DI.002.017.001U01 00:00:00 VIETNAM VIETNAMIENS TRAD. MUSICAL INSTRUMENTS OF VIET ETHNIC GROUP Sous-table non exportée Sous-table non exportée 0 ASIE +C-560133/34 CD-Livre DI.003.001.001/02 U01 DI.003.001.001/02U01 00:00:00 TIBET TIBETAINS TIBET MONSASTERE DE GYUTO. LA VOIX DES TANTRA Sous-table non exportée Sous-table non exportée 0 ASIE +VDECD-1105 CD12S DI.003.002.001 U01 DI.003.002.001U01 00:00:00 NIGER TOUAREGS NIGER. M. DES TOUAREGS, VOL.1: AZAWAGH Sous-table non exportée Sous-table non exportée 0 AFRIQUE +VDECD-1106 CD12S DI.003.002.002 U01 DI.003.002.002U01 00:00:00 NIGER TOUAREGS NIGER. M. DES TOUAREGS, VOL.2: IN GALL Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CDNS-1101/2 CD12S DI.003.003.001/02 U01 DI.003.003.001/02U01 00:00:00 NLE-GUINEE DANI LES DANI DE NLE GUINEE, VOL.1 Sous-table non exportée Sous-table non exportée 0 OCEANIE +CDNS-1102/2 CD12S DI.003.003.003/04 U01 DI.003.003.003/04U01 00:00:00 NLE-GUINEE DANI LES DANI DE NLE GUINEE, VOL.2 Sous-table non exportée Sous-table non exportée 0 OCEANIE +ARN-64577 CD12S DI.003.004.001 U01 DI.003.004.001U01 00:00:00 JAPON JAPONAIS JUNKO UEDA. SATSUMA-BIWA Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64574 CD12S DI.003.004.002 U01 DI.003.004.002U01 00:00:00 ARMENIE ARMENIENS ARMENIE. MUSIQUES DE TABLEES. SAMVEL & JIORA Sous-table non exportée Sous-table non exportée 0 ASIE +ARN-64576 CD12S DI.003.004.003 U01 DI.003.004.003U01 00:00:00 IRAN;KURDISTAN KURDES LEYLI. IRAN. ENSEMBLE RAZBAR. CHANTS SACRES KURDES Sous-table non exportée Sous-table non exportée 0 ASIE +PAMAP-102 CD12S DI.003.004.004 U01 DI.003.004.004U01 00:00:00 CONGO CONGOLAIS NGOMA.SOUVENIR YA L'INDEPENDANCE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SBCD-02 CD12S DI.003.005.001 U01 DI.003.005.001U01 00:00:00 DANEMARK DANOIS DANSK REFRAINSANG I 1930' ERNE Sous-table non exportée Sous-table non exportée 0 EUROPE +EDC-322 CD12S DI.003.006.001 U01 DI.003.006.001U01 00:00:00 ROUMANIE ROUMAINS ROMANIAN FOLK ARCHIVES. ROOTS Sous-table non exportée Sous-table non exportée 0 EUROPE +SM-1708-2 CD12S DI.003.007.001 U01 DI.003.007.001U01 00:00:00 SOUDAN BERTA WAZA. BLUE NILE. SUDAN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +332018 CD12S DI.003.008.001 U01 DI.003.008.001U01 00:00:00 ALBANIE LABS VRANISHT.KENGE POLIFONIKE LABE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-582084 CD12S DI.003.009.001 U01 DI.003.009.001U01 00:00:00 FRANCE;BRETAGNE BRETONS FRANCE. CHANTS DU CENTRE BRETAGNE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-560144 CD12S DI.003.009.002 U01 DI.003.009.002U01 00:00:00 JAPON JAPONAIS JAPON. NAGAUTA.ENSEMBLE KINEYA Sous-table non exportée Sous-table non exportée 0 ASIE +SFWCD-40487 CD12S DI.003.010.001/03 U01-01 DI.003.010.001/03U01-01 00:00:00 PAPOUASIE-NLE-GUINEE MT BOSAVI, SOUTH.HIGHLANDS PROV. KALULI BOSAVIA.RAINFOREST MUSIC FROM PAPUA NEW GUINEA. A 3 CD ANTHOLOGY Sous-table non exportée Sous-table non exportée 0 OCEANIE +CD-1 CD12S DI.003.011.001 U01 DI.003.011.001U01 00:00:00 ARGENTINE PATAGONIE TEHUELCHE CAMINOS SONOROS DE LA PATAGONIA.CULTURA TEHUELCHE Y MAPUCHE. CD 01 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-1 CD12S DI.003.011.001 U? DI.003.011.001U? 00:00:00 ARGENTINE PATAGONIE MAPUCHE CAMINOS SONOROS DE LA PATAGONIA.CULTURA TEHUELCHE Y MAPUCHE. CD 01 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-2 CD12S DI.003.011.002 U01 DI.003.011.002U01 00:00:00 ARGENTINE PATAGONIE TEHUELCHE CAMINOS SONOROS DE LA PATAGONIA .CULTURA TEHUELCHE Y MAPUCHE. CD 02 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-2 CD12S DI.003.011.002 U? DI.003.011.002U? 00:00:00 ARGENTINE PATAGONIE MAPUCHE CAMINOS SONOROS DE LA PATAGONIA .CULTURA TEHUELCHE Y MAPUCHE. CD 02 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +SANSREF-66 CD12S DI.003.013.001 U01 DI.003.013.001U01 00:00:00 VIETNAM VIETNAMIENS MELODIES OF VIETNAM 1. DAN BAU SOLO BY HUY ORSTROM MOLLER Sous-table non exportée Sous-table non exportée 0 ASIE +CD-007 CD12S DI.003.014.002 U01 DI.003.014.002U01 00:00:00 ROUMANIE TSIGANES GYPSY MUSIC FORM TRANSYLVANIA Sous-table non exportée Sous-table non exportée 0 EUROPE +030974 CD12M DI.004.001.001 U01 DI.004.001.001U01 00:00:00 TIBET (NEPAL) TIBETAINS TIBET - NEPAL. M. BOUDDHISTE LAMAIQUE. M. RITUELLE & PROFANE Sous-table non exportée Sous-table non exportée 0 ASIE +030974 CD12M DI.004.001.001 U14 DI.004.001.001U14 00:00:00 NEPAL NEPALAIS TIBET - NEPAL. M. BOUDDHISTE LAMAIQUE. M. RITUELLE & PROFANE Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-67 CD12 DI.004.002.001 U01 DI.004.002.001U01 00:00:00 INDONESIE;JAVA JAVANAIS TRAD. M. OF THE ARCHIPELAGO. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-67 CD12 DI.004.002.001 U11 DI.004.002.001U11 00:00:00 INDONESIE;BALI INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-67 CD12 DI.004.002.001 U12 DI.004.002.001U12 00:00:00 INDONESIE;NUSA TENGGARA INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-67 CD12 DI.004.002.001 U17 DI.004.002.001U17 00:00:00 INDONESIE;MALUKU INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-67 CD12 DI.004.002.001 U18 DI.004.002.001U18 00:00:00 INDONESIE;SULAWESI INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-68 CD12 DI.004.002.002 U01 DI.004.002.002U01 00:00:00 INDONESIE;IRIAN JAYA INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 OCEANIE +SANSREF-68 CD12 DI.004.002.002 U04 DI.004.002.002U04 00:00:00 INDONESIE;TIMOR INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-68 CD12 DI.004.002.002 U05 DI.004.002.002U05 00:00:00 INDONESIE;ACEH INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-68 CD12 DI.004.002.002 U07 DI.004.002.002U07 00:00:00 INDONESIE;SUMATRA INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-68 CD12 DI.004.002.002 U0? DI.004.002.002U0? 00:00:00 INDONESIE INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-68 CD12 DI.004.002.002 U20 DI.004.002.002U20 00:00:00 INDONESIE;BORNEO(KALIMANTAN) INDONESIENS TRAD. M. OF THE ARCHIPELAGO. VOL. 2 Sous-table non exportée Sous-table non exportée 0 ASIE +TA-020 CD12S DI.004.003.001 U01 DI.004.003.001U01 00:00:00 ITALIE;CAMPANIE ITALIENS SUONI D'IRPINIA.BALLI E CANTI TRAD. D' IRPINIA. VOL. 3 Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-2-40 CD12S DI.004.004.001 U01 DI.004.004.001U01 00:00:00 ITALIE;SICILE ITALIENS SICILIA. LICODIA EUBEA. 1.LA SETTIMANA SANTA Sous-table non exportée Sous-table non exportée 0 EUROPE +CLRMDT-1018 CD12S DI.004.005.001 U01 DI.004.005.001U01 00:00:00 FRANCE HERAULT FRANCAIS HERAULT: LA BOUVINE. CHANSONS, CONTES & M.DE FETES Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-69 CD-ROM DI.004.007.001 U01 DI.004.007.001U01 00:00:00 REP CENTRAFRICAINE PYGMEES AKA LES PYGMEES.PEUPLE & MUSIQUE Sous-table non exportée Sous-table non exportée -1 AFRIQUE +SANSREF-69 CD-ROM DI.004.007.001 U02 DI.004.007.001U02 00:00:00 CONGO PYGMEES AKA LES PYGMEES.PEUPLE & MUSIQUE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SFCD-40080 CD-ROM DI.004.008.001 U01 DI.004.008.001U01 00:00:00 USA CROSSROADS.SOUTHERN ROUTES. M. OF THE AMERICAN SOUTH Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560164 CD12S DI.004.009.001 U01 DI.004.009.001U01 00:00:00 PARAGUAY GUARANI-NANDEVA PARAGUAY. GUARANI NANDEVA & AYOREO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560164 CD12S DI.004.009.001 U16 DI.004.009.001U16 00:00:00 PARAGUAY AYOREO PARAGUAY. GUARANI NANDEVA & AYOREO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560199 CD12S DI.004.010.001 U01 DI.004.010.001U01 00:00:00 GABON ATEGE GABON. CHANTS ATEGE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +C-560146/47 CD-Livre DI.004.011.001/02 U01 DI.004.011.001/02U01 00:00:00 REP DU CAP-VERT CAP-VERDIENS CAP-VERT. UN ARCHIPEL DE MUSIQUES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260104 CD12S DI.004.012.001 U01 DI.004.012.001U01 00:00:00 CAMEROUN OULDEME NORD CAMEROUN.M DES OULDEME Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260114 CD12S DI.004.012.002 U01 DI.004.012.002U01 00:00:00 REP DU CAP-VERT CAP-VERDIENS CAP-VERT.BATUCO DE L'ILE DE SANTIAGO.BATUCADEIRAS DE RINCON Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260113 CD12S DI.004.012.003 U01 DI.004.012.003U01 00:00:00 CHINE;XINJIANG OUIGOUR ASIE CENTRALE. M. DES OUIGOURS. TRADITIONS D'ILI & DE KACHGAR Sous-table non exportée Sous-table non exportée 0 ASIE +W-260113 CD12S DI.004.012.003 U09 DI.004.012.003U09 00:00:00 KAZAKHSTAN OUIGOUR ASIE CENTRALE. M. DES OUIGOURS. TRADITIONS D'ILI & DE KACHGAR Sous-table non exportée Sous-table non exportée 0 ASIE +W-260112 CD12S DI.004.012.004 U01 DI.004.012.004U01 00:00:00 CAMBODGE CAMBODGIENS KONG NAY. UN BARDE CAMBODGIEN. CHANT & LUTH CHAPEY Sous-table non exportée Sous-table non exportée 0 ASIE +W-260119 CD12S DI.004.012.005 U01 DI.004.012.005U01 00:00:00 INDE;KERALA MALAYALI INDE DU SUD. O.K.SUBRAMANIAM.LE NAGASWARAM DANS LA TRAD. CARNATIQUE Sous-table non exportée Sous-table non exportée 0 ASIE +W-260116 CD12S DI.004.012.006/07 U01 DI.004.012.006/07U01 00:00:00 IRAN IRANIENS,BAKHSHI IRAN - KHORASSAN. L'HISTOIRE DE TAHER & ZOHRE.ROWSHAN GOLAFRUZ Sous-table non exportée Sous-table non exportée 0 ASIE +W-260103 CD12S DI.004.012.008 U01 DI.004.012.008U01 00:00:00 IRAN KURDES M. KURDE D'IRAN. ALI AKBAR MORADI. ODES MYSTIQUES & M. PROFANE Sous-table non exportée Sous-table non exportée 0 ASIE +W-260110 CD12S DI.004.012.009/12 U01 DI.004.012.009/12U01 00:00:00 IRAN;KURDISTAN KURDES,YARSAN KURDISTAN IRANIEN. LES MAQAM RITUELS DES YARSAN. ALI AKBAR MORADI Sous-table non exportée Sous-table non exportée 0 ASIE +W-260115 CD12S DI.004.012.013 U01 DI.004.012.013U01 00:00:00 KAZAKHSTAN KAZAKHS KAZAKHSTAN. LE KOBYZ.L'ANCIENNE VIOLE DES CHAMANES Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U01 DI.004.012.014U01 00:00:00 LAOS KHMU MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U08 DI.004.012.014U08 00:00:00 LAOS OÏ MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U10 DI.004.012.014U10 00:00:00 LAOS BRAO MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U12 DI.004.012.014U12 00:00:00 LAOS LAO MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U17 DI.004.012.014U17 00:00:00 LAOS PHOU-NOÏ MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U19 DI.004.012.014U19 00:00:00 LAOS KUI MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U22 DI.004.012.014U22 00:00:00 LAOS LOLO MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U26 DI.004.012.014U26 00:00:00 LAOS AKHA MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U31 DI.004.012.014U31 00:00:00 LAOS HMONG MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260118 CD12S DI.004.012.014 U36 DI.004.012.014U36 00:00:00 LAOS LANTENE MUSIQUES DU LAOS.TRAD DES KHMOU', OI, BRAO, LAO, PHOU-NOI, KUI, LOLO, AKHA * Sous-table non exportée Sous-table non exportée 0 ASIE +W-260111 CD12S DI.004.012.015 U01 DI.004.012.015U01 00:00:00 URSS;RSS OUZBEKISTAN OUZBEKS OUZBEKISTAN. MAQAM DUGAH. LE SAHSH-MAQAM OUZBEK-TADJIK Sous-table non exportée Sous-table non exportée 0 ASIE +W-260105 CD12S DI.004.012.016 U01 DI.004.012.016U01 00:00:00 SYRIE ARABES SYRIE. MUHAMMAD QADRI DALAL. MAQAMAT INSOLITES Sous-table non exportée Sous-table non exportée 0 ASIE +W-260109 CD12S DI.004.012.017 U01 DI.004.012.017U01 00:00:00 SYRIE ARABES CHANT SOUFI DE SYRIE.DHIKR QÂSIRI KHÂLWATÎ Sous-table non exportée Sous-table non exportée 0 ASIE +W-260106 CD12S DI.004.012.018 U01 DI.004.012.018U01 00:00:00 ARMENIE ARMENIENS ARMENIE.BENIK ABOVIAN & ZAVEN AZIBEKIAN. MUSICIENS TRAD. DU TAVUSH Sous-table non exportée Sous-table non exportée 0 ASIE +W-26018 CD12S DI.004.012.019 U01 DI.004.012.019U01 00:00:00 BULGARIE BULGARES BILGARIE.CHANTS DE NEVELINO.TRAD. DES RHODOPES Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260117 CDR DI.004.012.020 U01 DI.004.012.020U01 00:00:00 GRECE;EPIRE GRECS GRÈCE.EPIRE.KOUPANIA XALKIAS Sous-table non exportée Sous-table non exportée 0 EUROPE +ARN-64661 CD12S DI.004.013.001 U01 DI.004.013.001U01 00:00:00 MADAGASCAR MALGACHES MADAGASCAR.TSAPIKY. PANORAMA D'UNE JEUNE M. DE TULEAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +VOXLOX-104 CD12S DI.004.014.001 U01 DI.004.014.001U01 00:00:00 ITALIE ITALIENS THE TIME OF BELLS. VOL.1. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-104 CD12S DI.004.014.001 U02 DI.004.014.001U02 00:00:00 FINLANDE FINLANDAIS THE TIME OF BELLS. VOL.1. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-104 CD12S DI.004.014.001 U03 DI.004.014.001U03 00:00:00 GRECE GRECS THE TIME OF BELLS. VOL.1. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELDS,STEVEN 0 EUROPE +VOXLOX-104 CD12S DI.004.014.001 U04 DI.004.014.001U04 00:00:00 FRANCE FRANCAIS THE TIME OF BELLS. VOL.1. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-204 CD12S DI.004.014.002 U01 DI.004.014.002U01 00:00:00 FINLANDE FINLANDAIS THE TIME OF BELLS. VOL.2. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-204 CD12S DI.004.014.002 U04 DI.004.014.002U04 00:00:00 NORVEGE NORVEGIENS THE TIME OF BELLS. VOL.2. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-204 CD12S DI.004.014.002 U05 DI.004.014.002U05 00:00:00 ITALIE ITALIENS THE TIME OF BELLS. VOL.2. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +VOXLOX-204 CD12S DI.004.014.002 U06 DI.004.014.002U06 00:00:00 GRECE GRECS THE TIME OF BELLS. VOL.2. SOUNDSCAPE COMPOSITIONS BY STEVEN FELD Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +SFWCD-50401 CD12S DI.004.014.003 U01 DI.004.014.003U01 00:00:00 GRECE;MACEDOINE GRECS BELLS & WINTER FESTIVALS OF GREEK MACEDONIA Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 EUROPE +EE-1062 CD12S DI.004.014.004 U01 DI.004.014.004U01 00:00:00 PAPOUASIE-NLE-GUINEE MT. BOSAVI;SOUTH. HIGHLANDS PROV. RAINFOREST SOUNDWALKS Sous-table non exportée Sous-table non exportée FELD,STEVEN 0 OCEANIE +3016793 CD12S DI.004.015.001/02 U01 DI.004.015.001/02U01 00:00:00 SRI LANKA SRI-LANKAIS SRI LANKA.MAÎTRES-TAMBOURS GUERISSEURS Sous-table non exportée Sous-table non exportée JOUFFA,FRANCOIS 0 ASIE +C-560188 CD12S DI.004.016.001 U01 DI.004.016.001U01 00:00:00 ALBANIE LABË ALBANIE.PAYS LABË.PLAINTES ET CHANTS D'AMOUR Sous-table non exportée Sous-table non exportée RADIO FRANCE:PH.MALIDIN 2003 EUROPE +AA-0002-000 CD12S DI.005.001.001/03 U01-01 DI.005.001.001/03U01-01 00:00:00 BRESIL CANELO-APANIEKR'A AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Canela-Apãniekr‘a • GÉ(L); TIMBIRA(E) 0 AMERIQUE +AA-0002-000 CD12S DI.005.001.001/03 U01-10 DI.005.001.001/03U01-10 00:00:00 BRESIL KRI(N)KATI AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Kri~kati • GÉ(L); TIMBIRA(E) 0 AMERIQUE +AA-0002-000 CD12S DI.005.001.001/03 U01-21 DI.005.001.001/03U01-21 00:00:00 BRESIL CANELO-RAMKOKAMEKRA AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Canela-Ramkokamekra • GÉ(L); TIMBIRA(E) 0 AMERIQUE +AA-0002-000 CD12S DI.005.001.001/03 U02-01 DI.005.001.001/03U02-01 00:00:00 BRESIL URUBU KAAPOR AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Gavião-Pykopjê • GÉ(L); TIMBIRA(E) 0 AMERIQUE +AA-0002-000 CD12S DI.005.001.001/03 U02-29 DI.005.001.001/03U02-29 00:00:00 BRESIL APINAYE AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Apinajé • GÉ(L); TIMBIRA(E) 0 AMERIQUE +AA-0002-000 CD12S DI.005.001.001/03 U03-01 DI.005.001.001/03U03-01 00:00:00 BRESIL CRAHO AMJËKIN. MUSICA DOS POVOS TIMBIRA Sous-table non exportée Sous-table non exportée Ethnie dans la notice du CD : Krahaô • GÉ(L); TIMBIRA(E) 0 AMERIQUE +SANSREF-70 CDR DI.005.002.001 U01 DI.005.002.001U01 00:00:00 BRESIL BRESILIENS REPETITION DE CAPOEIRA A RIO DE JANEIRO, AU BRESIL & DANS LE MONDE* Sous-table non exportée Sous-table non exportée 0 AMERIQUE +9754-01-MDCD CD12S DI.005.003.001 U01 DI.005.003.001U01 00:00:00 INDONESIE;JAVA JAVANAIS M. OF INDONESIA 1. SONGS BEFOR DAWN Sous-table non exportée Sous-table non exportée 0 ASIE +9755-02-MDCD CD12S DI.005.003.002 U01 DI.005.003.002U01 00:00:00 INDONESIE INDONESIENS INDONESIAN POPULAR M. Sous-table non exportée Sous-table non exportée 0 ASIE +9756-03-MDCD CD12S DI.005.003.003 U01 DI.005.003.003U01 00:00:00 INDONESIE INDONESIENS M. FROM THE OUTSKIRTS OF JAKARTA Sous-table non exportée Sous-table non exportée 0 ASIE +C-560189 CD12S DI.005.004.001 U01 DI.005.004.001U01 00:00:00 ESPAGNE VALENCE ESPAGNOLS VALENCIA, CANT D'ESTIL.JOUTES CHANTEES Sous-table non exportée Sous-table non exportée 0 EUROPE +472593-2 CD12S DI.005.005.001 U01 DI.005.005.001U01 00:00:00 ALGERIE ALGERIENS SOUFIS D'ALGERIE.MOSTAGANEM Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464489-2 CD12 DI.005.005.002 U01 DI.005.005.002U01 00:00:00 BENIN MAHI BENIN.MAHI Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538721-2 CD12 DI.005.005.003 U01 DI.005.005.003U01 00:00:00 BENIN BARIBA BENIN.BARIBA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468452-2 CD12 DI.005.005.004 U01 DI.005.005.004U01 00:00:00 BENIN YORUBA YORUBA DU BENIN.SAKARA & GELÈDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U01 DI.005.005.005U01 00:00:00 BENIN BARIBA MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée Ethnie : l'auteur écrit: BERBA• 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U03 DI.005.005.005U03 00:00:00 BENIN DENDI MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U05 DI.005.005.005U05 00:00:00 BENIN DOMPAGO MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U07 DI.005.005.005U07 00:00:00 BENIN TEM MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée Ethnie: l'auteur écrit KOKOLI 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U08 DI.005.005.005U08 00:00:00 BENIN YOM MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée Ethnie: l'auteur écrit PILA.• 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U10 DI.005.005.005U10 00:00:00 BENIN SOMBA MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U15 DI.005.005.005U15 00:00:00 BENIN TANEKA MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981430-9 CD12 DI.005.005.005 U17 DI.005.005.005U17 00:00:00 BENIN YOWABOU MUSICIENS DU NORD BENIN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +472505-2 CD12 DI.005.005.006 U01 DI.005.005.006U01 00:00:00 BENIN FON CHOEURS ROYAUX DU BENIN.FON-GBE D'ABOMEY Sous-table non exportée Sous-table non exportée Ethnie, l'auteur écrit :FON-GBɕ 0 AFRIQUE +538720-2 CD12 DI.005.005.007 U01 DI.005.005.007U01 00:00:00 BURKINA FASO LOBI BURKINA FASO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538720-2 CD12 DI.005.005.007 U02 DI.005.005.007U02 00:00:00 BURKINA FASO GAN BURKINA FASO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538720-2 CD12 DI.005.005.007 U05 DI.005.005.007U05 00:00:00 BURKINA FASO BISSA BURKINA FASO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538720-2 CD12 DI.005.005.007 U06 DI.005.005.007U06 00:00:00 BURKINA FASO MOSSI BURKINA FASO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468453-2 CD12 DI.005.005.008 U01 DI.005.005.008U01 00:00:00 BURKINA FASO MOSSI MOSSI DU BURKINA FASO. M. DE COUR & DE VILLAGE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +472504-2 CD12 DI.005.005.009 U01 DI.005.005.009U01 00:00:00 BURKINA FASO BISSA BISSA DU BURKINA FASO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468449-2 CD12 DI.005.005.010 U01 DI.005.005.010U01 00:00:00 CAMEROUN MBUM MBUM DU CAMEROUN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538719-2 CD12 DI.005.005.011 U01 DI.005.005.011U01 00:00:00 REP CENTRAFRICAINE AKA CENTRAFIQUE Sous-table non exportée Sous-table non exportée Ethnie, l'auteur note :BABINGA ; le chant est en langue "Bagandou", sur la plage U03 la langue est "Bofi"• 0 AFRIQUE +538719-2 CD12 DI.005.005.011 U06 DI.005.005.011U06 00:00:00 REP CENTRAFRICAINE AKA CENTRAFIQUE Sous-table non exportée Sous-table non exportée Ethnie: l'auteur indique "BABINGA", la langue est "Bofi"• 0 AFRIQUE +538719-2 CD12 DI.005.005.011 U08 DI.005.005.011U08 00:00:00 REP CENTRAFRICAINE ISONGO CENTRAFIQUE Sous-table non exportée Sous-table non exportée Ethnie: ce nom ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +468448-2 CD12 DI.005.005.012 U01 DI.005.005.012U01 00:00:00 REP CENTRAFRICAINE BANDA MUSIQUES BANDA.CENTRAFRIQUE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538718-2 CD12 DI.005.005.013 U01 DI.005.005.013U01 00:00:00 CONGO BALARI CONGO.BABEMBE;BAKONGO;BALARI Sous-table non exportée Sous-table non exportée Ethnie: ce nom ne figure pas dans le Répertoire "Rameau"; cf. TEKÉ ?• 0 AFRIQUE +538718-2 CD12 DI.005.005.013 U04 DI.005.005.013U04 00:00:00 CONGO KONGO CONGO.BABEMBE;BAKONGO;BALARI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique: BAKONGO • 0 AFRIQUE +538718-2 CD12 DI.005.005.013 U06 DI.005.005.013U06 00:00:00 CONGO KONGO CONGO.BABEMBE;BAKONGO;BALARI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique : BAKONGO-NSÉKÉ. Le nom NSÉKÉ ne figure pas dans le Répertoire Rameau • 0 AFRIQUE +538718-2 CD12 DI.005.005.013 U07 DI.005.005.013U07 00:00:00 CONGO BEMBE CONGO.BABEMBE;BAKONGO;BALARI Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464494-2 CD12 DI.005.005.014 U01 DI.005.005.014U01 00:00:00 CONGO MBOSHI CONGO.LARI ; MBOCHI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur note "MBOCHI", mot qui ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +464494-2 CD12 DI.005.005.014 U02 DI.005.005.014U02 00:00:00 CONGO LARI CONGO.LARI ; MBOCHI Sous-table non exportée Sous-table non exportée Ethnie, "LARI" ce mot figure comme "Terme exclu" dans le Répertoire "Rameau", qu renvoie à "TEKE (langue)"• 0 AFRIQUE +464491-2 CD12 DI.005.005.015 U01 DI.005.005.015U01 00:00:00 COTE D'IVOIRE BAOULE COTE D'IVOIRE. BAOULE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464493-2 CD12S DI.005.005.016 U01 DI.005.005.016U01 00:00:00 GABON FANG XYLOPHONES FANG.GABON Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981431-0 CD12 DI.005.005.017 U01 DI.005.005.017U01 00:00:00 GUINEE BAMBARA-GRIOTS GRIOTS DE GUINEE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981431-0 CD12 DI.005.005.017 U02 DI.005.005.017U02 00:00:00 GUINEE MANDINGUES-GRIOTS GRIOTS DE GUINEE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981431-0 CD12 DI.005.005.017 U06 DI.005.005.017U06 00:00:00 GUINEE PEULS-GRIOTS GRIOTS DE GUINEE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981431-0 CD12 DI.005.005.017 U08 DI.005.005.017U08 00:00:00 GUINEE BALANTE-GRIOTS GRIOTS DE GUINEE Sous-table non exportée Sous-table non exportée Ethnie: le nom "BALANTÉ" ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U01 DI.005.005.018U01 00:00:00 MADAGASCAR BETSIMISARAKA MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U03 DI.005.005.018U03 00:00:00 MADAGASCAR SAKALAVA MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U05 DI.005.005.018U05 00:00:00 MADAGASCAR ANTANOSY MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U06 DI.005.005.018U06 00:00:00 MADAGASCAR MAHAFALY MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U07 DI.005.005.018U07 00:00:00 MADAGASCAR ANTANDROY MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U08 DI.005.005.018U08 00:00:00 MADAGASCAR BARA MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U09 DI.005.005.018U09 00:00:00 MADAGASCAR BETSILEO MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538717-2 CD12 DI.005.005.018 U10 DI.005.005.018U10 00:00:00 MADAGASCAR MERINA MADAGASCAR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U01 DI.005.005.019U01 00:00:00 MADAGASCAR VEZO VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U02 DI.005.005.019U02 00:00:00 MADAGASCAR MERINA VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U03 DI.005.005.019U03 00:00:00 MADAGASCAR ANTANOSY VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U05 DI.005.005.019U05 00:00:00 MADAGASCAR TSIMIHETY VALIHA MALAGASY Sous-table non exportée Sous-table non exportée Ethnie, l'Auteur indique "TSIMIHETY-MAROFOTSY". Le nom MAROFOTSY ne figure pas dans le Répertoire "Rameau", voir TSIMAKOFOTSI ?• 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U07 DI.005.005.019U07 00:00:00 MADAGASCAR BETSIMISARAKA VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U09 DI.005.005.019U09 00:00:00 MADAGASCAR SAKALAVA VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U12 DI.005.005.019U12 00:00:00 MADAGASCAR BEZANOZANO VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464492-2 CD12 DI.005.005.019 U13 DI.005.005.019U13 00:00:00 MADAGASCAR TSIMIHETY VALIHA MALAGASY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468451-2 CD12 DI.005.005.020 U01 DI.005.005.020U01 00:00:00 MADAGASCAR MASIKORO MADAGASCAR COTE OUEST Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468451-2 CD12 DI.005.005.020 U10 DI.005.005.020U10 00:00:00 MADAGASCAR ANTANDROY MADAGASCAR COTE OUEST Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468451-2 CD12 DI.005.005.020 U11 DI.005.005.020U11 00:00:00 MADAGASCAR VEZO MADAGASCAR COTE OUEST Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538716-2 CD12 DI.005.005.021 U01 DI.005.005.021U01 00:00:00 MAURITANIE MAURES MAURITANIE.CONCERT SOUS LA TENTE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464488-2 CD12 DI.005.005.022 U01 DI.005.005.022U01 00:00:00 MALI TOUAREGS TOUAREG DU MALI.TEHARDEN & MZAD Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464496-2 CD12 DI.005.005.023 U01 DI.005.005.023U01 00:00:00 MAURITANIE MAURES-GRIOTS GRIOTS DE MAURITANIE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +468455-2 CD12 DI.005.005.024 U01 DI.005.005.024U01 00:00:00 MAURITANIE MAURES MUSIQUE MAURE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538715-2 CD12 DI.005.005.025 U01 DI.005.005.025U01 00:00:00 NIGER SONGHAI NIGER.HAOUSSA.SONGHAY.ZARMA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538715-2 CD12 DI.005.005.025 U03 DI.005.005.025U03 00:00:00 NIGER ZARMA NIGER.HAOUSSA.SONGHAY.ZARMA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538715-2 CD12 DI.005.005.025 U06 DI.005.005.025U06 00:00:00 NIGER HAOUSSA NIGER.HAOUSSA.SONGHAY.ZARMA Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique :HAOUSSA-ZARMA"• 0 AFRIQUE +468450-2 CD12 DI.005.005.026 U01 DI.005.005.026U01 00:00:00 NIGERIA HAOUSSA NIGERIA.GRIOTS HAUSA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538713-2 CD12 DI.005.005.027 U01 DI.005.005.027U01 00:00:00 SENEGAL DIOLA SENEGAL.BASSARI.DIOLA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538713-2 CD12 DI.005.005.027 U06 DI.005.005.027U06 00:00:00 SENEGAL BASSARI SENEGAL.BASSARI.DIOLA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538464487-2 CD12 DI.005.005.028 U01 DI.005.005.028U01 00:00:00 SENEGAL MANDINGUES KORA MALINKE.SENEGAL Sous-table non exportée Sous-table non exportée 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U01 DI.005.005.029U01 00:00:00 TCHAD TUBURI TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique :"TOUPOURI"• 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U02 DI.005.005.029U02 00:00:00 TCHAD BAÏNAOUWA TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie: ce nom ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U03 DI.005.005.029U03 00:00:00 TCHAD MASA TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique :BANANA . Ce nom est un terme exclu dans le Répertoire "Rameau• 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U05 DI.005.005.029U05 00:00:00 TCHAD KADO TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie "KADO" Ce nom est un terme exclu dans le Répertoire "Rameau". "Rameau" renvoie à : "Dogon" (sic!)• 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U06 DI.005.005.029U06 00:00:00 TCHAD MOUNDANG TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique : "Moundang-Touro"• 0 AFRIQUE +538712-2 CD12 DI.005.005.029 U09 DI.005.005.029U09 00:00:00 TCHAD MASA TCHAD.BAINAOUA.BANANA.KADO.MOUNDANG.TOUPOURI Sous-table non exportée Sous-table non exportée Ethnie, l'auteur indique "Banana-Hoho"• 0 AFRIQUE +464495-2 CD12 DI.005.005.030 U01 DI.005.005.030U01 00:00:00 TCHAD KANEMBOU TCHAD.ARABE DEKAKIRE,SALAMAT.BARMA.KANEMBOU Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464495-2 CD12 DI.005.005.030 U02 DI.005.005.030U02 00:00:00 TCHAD BARMA TCHAD.ARABE DEKAKIRE,SALAMAT.BARMA.KANEMBOU Sous-table non exportée Sous-table non exportée 0 AFRIQUE +464495-2 CD12 DI.005.005.030 U05 DI.005.005.030U05 00:00:00 TCHAD ARABES SALAMAT TCHAD.ARABE DEKAKIRE,SALAMAT.BARMA.KANEMBOU Sous-table non exportée Sous-table non exportée Ethnie, le nom "SALAMAT" ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +464495-2 CD12 DI.005.005.030 U06 DI.005.005.030U06 00:00:00 TCHAD ARABES DEKAKIRE TCHAD.ARABE DEKAKIRE,SALAMAT.BARMA.KANEMBOU Sous-table non exportée Sous-table non exportée Ethnie, le nom "DÉKAKIRÉ" ne figure pas dans le Répertoire "Rameau"• 0 AFRIQUE +472506-2 CD12 DI.005.005.031 U01 DI.005.005.031U01 00:00:00 TCHAD SARA SARA DU TCHAD Sous-table non exportée Sous-table non exportée 0 AFRIQUE +981431-2 CD12S DI.005.005.032 U01 DI.005.005.032U01 00:00:00 CAMBODGE KHMERS CAMBODGE.M. KHMÈRE Sous-table non exportée Sous-table non exportée 0 ASIE +468454-2 CD12S DI.005.005.033 U01 DI.005.005.033U01 00:00:00 INDE INDIENS L'ART DE LA FLÛTE.INDE DU NORD Sous-table non exportée Sous-table non exportée 0 ASIE +468456-2 CD12S DI.005.005.034 U01 DI.005.005.034U01 00:00:00 INDE INDIENS SITAR DE BENARES.INDE DU NORD Sous-table non exportée Sous-table non exportée 0 ASIE +981431-3 CD12S DI.005.005.035 U01 DI.005.005.035U01 00:00:00 LAOS LAOTIENS MUSIQUES DU LAOS.LAO; HMONG; PHOUNOÏ Sous-table non exportée Sous-table non exportée 0 ASIE +981431-1 CD12S DI.005.005.036 U01 DI.005.005.036U01 00:00:00 VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM Sous-table non exportée Sous-table non exportée 0 ASIE +538714-2 CD12S DI.005.005.037 U01 DI.005.005.037U01 00:00:00 PAPOUASIE-NLE-GUINEE HULI PAPUA NEW GUINEA.HULI (HIGHLANDS) Sous-table non exportée Sous-table non exportée 0 OCEANIE +464490-2 CD12S DI.005.005.038 U01 DI.005.005.038U01 00:00:00 PAPOUASIE-N.GUINEE;I.TROBRIAND KIRIWINA ILES TROBRAIND.PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, ce nom ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +468447-2 CD12S DI.005.005.039 U01 DI.005.005.039U01 00:00:00 PAPOUASIE-N.GUINEE;I.NLE IRELANDE KARA NEW IRELAND.PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, ce nom indique une langue d'Afrique dans le "Répertoire Rameau"• 0 OCEANIE +468447-2 CD12S DI.005.005.039 U08 DI.005.005.039U08 00:00:00 PAPOUASIE-N.GUINEE;I.NLE IRELANDE LUME NEW IRELAND.PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, le nom "LUMÉ" ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +468447-2 CD12S DI.005.005.039 U09 DI.005.005.039U09 00:00:00 PAPOUASIE-N.GUINEE;I.NLE IRELANDE NALIK NEW IRELAND.PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée 0 OCEANIE +468447-2 CD12S DI.005.005.039 U12 DI.005.005.039U12 00:00:00 PAPOUASIE-N.GUINEE;I.NLE IRELANDE MARAWAKA NEW IRELAND.PAPUA NEW GUINEA ETHNIE, LE NOM "LUME NE FIGURE PAS DANS LE "REPERTOIRE RAMEAU"• Sous-table non exportée Sous-table non exportée Ethnie, le nom "MARAWAKA" ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +468447-2 CD12S DI.005.005.039 U13 DI.005.005.039U13 00:00:00 PAPOUASIE-N.GUINEE;I.NLE IRELANDE NOTSI NEW IRELAND.PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, le nom "NOTSI" ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +472507-2 CD12S DI.005.005.040 U01 DI.005.005.040U01 00:00:00 PAPOUASIE-N.GUINEE;I.DE L'AMIRAUTE SAMISI ADMIRALTY ISLANDS. PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, le nom "SAMISI" ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +472507-2 CD12S DI.005.005.040 U06 DI.005.005.040U06 00:00:00 PAPOUASIE-N.GUINEE;I.DE L'AMIRAUTE AKARA ADMIRALTY ISLANDS. PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, le nom "AKARA" indique une langue d'Afrique dans le "Répertoire Rameau"• 0 OCEANIE +472507-2 CD12S DI.005.005.040 U10 DI.005.005.040U10 00:00:00 PAPOUASIE-N.GUINEE;I.DE L'AMIRAUTE TITAN ADMIRALTY ISLANDS. PAPUA NEW GUINEA Sous-table non exportée Sous-table non exportée Ethnie, le nom de peuple "TITAN" ne figure pas dans le "Répertoire Rameau"• 0 OCEANIE +CD-1-BRUNEI.DARUSAL CD12S DI.005.006.001 U01 DI.005.006.001U01 00:00:00 BRUNEI BRUNIEIENS BRUNEI.DARUSALAM. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-2-INDONESIA CD12 DI.005.006.002 U01 DI.005.006.002U01 00:00:00 INDONESIE INDONESIENS INDONESIA. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-3-LAOS CD12 DI.005.006.003 U01 DI.005.006.003U01 00:00:00 LAOS LAOTIENS LAOS. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-4-MALAYSIA CD12 DI.005.006.004 U01 DI.005.006.004U01 00:00:00 MALAYSIA MALAIS MALAYSIA. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-5-MYANMAR CD12 DI.005.006.005 U01 DI.005.006.005U01 00:00:00 BIRMANIE BIRMANS MYNAMAR. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-6-PHILIPPINES CD12 DI.005.006.006 U01 DI.005.006.006U01 00:00:00 PHILIPPINES PHILIPPINS PHILIPPINES. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-7-SINGAPORE CD12 DI.005.006.007 U01 DI.005.006.007U01 00:00:00 SINGAPOUR SINGAPOURIENS SINGAPORE. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-7-A-SINGAPORE CD12S DI.005.006.008 U01 DI.005.006.008U01 00:00:00 SINGAPOUR INDIENS SINGAPORE(2). ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-8-THAILAND CD12S DI.005.006.009 U01 DI.005.006.009U01 00:00:00 THAILANDE THAILANDAIS THAILAND. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +CD-9-VIETNAM CD12S DI.005.006.010 U01 DI.005.006.010U01 00:00:00 VIETNAM VIETNAMIENS VIETNAM. ACCOMPAGNE L'OUVRAGE _SONIC ORDERS IN ASIAN MCS_ Sous-table non exportée Sous-table non exportée 0 ASIE +ARCADE-04-01 CD12S DI.005.007.001/02 U01 DI.005.007.001/02U01 00:00:00 FRANCE FRANCAIS ENTRE MER ET MONTAGNE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-680204 CD12S DI.005.008.001 U01 DI.005.008.001U01 00:00:00 GABON MYENE GABON.CHANTS MYENE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260121 CD12S DI.005.009.001 U01 DI.005.009.001U01 00:00:00 ETHIOPIE ETHIOPIENS EGLISE CHRETIENNE ORTHODOXE D'ETHIIOPIE.'AQWAQWAM Sous-table non exportée Sous-table non exportée 0 AFRIQUE +HF-1001 D253M DI.005.010.001 A01 DI.005.010.001A01 00:00:00 BENIN M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE VIELE MONOCORDE ET ACCOMPAGNEMENT D'ORCHESTRE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-17• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 A02 DI.005.010.001A02 00:00:00 NIGER M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE SOLO DE LUTH MONOCORDE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora /Bam LD-409• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 A03 DI.005.010.001A03 00:00:00 GABON M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE SOLO DE HARPE A HUIT CORDES Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-41• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 A04 DI.005.010.001A04 00:00:00 CAMEROUN M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE SOLO DE HARPE-CITHARE "MVET" Sous-table non exportée Sous-table non exportée Extrait du disque Cam-03, Ministère de l'Éducation Nationale de la République fédérale du Cameroun• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 A05 DI.005.010.001A05 00:00:00 GABON M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE ARC-EN-BOUCHE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-41• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B01 DI.005.010.001B01 00:00:00 NIGER M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE SOLO DESIFFLET PEUL Sous-table non exportée Sous-table non exportée Extrait d'un disque Ocora , retiré du catalogue• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B02 DI.005.010.001B02 00:00:00 TCHAD M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE ALGHAÏTA & KAKAKI AVEC ORCHESTRE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-36 (OCR-36-38)• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B03 DI.005.010.001B03 00:00:00 BURKINA FASO M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE CLARINETTE "BOUMPA" Sous-table non exportée Sous-table non exportée Extrait du disque Ocora SOR-10• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B04 DI.005.010.001B04 00:00:00 CONGO M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE SANZA Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-35• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B05 DI.005.010.001B05 00:00:00 BURKINA FASO M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE XYLOPHONE ANIMANT LA DANSE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora SOR-10• 0 AFRIQUE +HF-1001 D253M DI.005.010.001 B06 DI.005.010.001B06 00:00:00 TCHAD M. DE L 'AFRIQUE. DI. ACCOMPAGNANT L'OUVRAGE DE MEME TITRE CHANT AVEC ACCOMPAGNEMENT DE HARPE Sous-table non exportée Sous-table non exportée Extrait du disque Ocora OCR-37 (OCR-36-38)• 0 AFRIQUE +NOTA-CD-2-23 CD12 DI.005.011.001 U01 DI.005.011.001U01 00:00:00 ITALIE ITALIENS CANTI DI TRADIZIONE FAMILIARE. IL REPERTORIO DELLA FAMIGLIA GUERINI Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-2-77 CD12 DI.005.011.002 U01 DI.005.011.002U01 00:00:00 ITALIE ITALIENS VOCI NELLA VALLE. ANTOLOGIA DI CANTI TRADIZIONALI Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-428 CD12S DI.005.011.003 U01 DI.005.011.003U01 00:00:00 ITALIE;LOMBARDIE ITALIENS LOMBARDIA.CANTI DI TRADIZIONE ORALE NEL BRESCIANO.SERLE Sous-table non exportée Sous-table non exportée 0 EUROPE +MUCGT-04-04 CD12 DI.005.011.004 U01 DI.005.011.004U01 00:00:00 ITALIE;TOSCANE ITALIENS DA LA CUNA AL NAR DE LA** Sous-table non exportée Sous-table non exportée 0 EUROPE +BELST-2CD-001 CD12 DI.005.012.001/02 U01 DI.005.012.001/02U01 00:00:00 ESPAGNE ESPAGNOLS LOS NUMEROS 1 DISCOS BELTER Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-71 CD-ROM DI.005.012.003 U01 DI.005.012.003U01 00:00:00 ESPAGNE ESPAGNOLS MUSICA Y ESPACIOS. PARA LA VANGUARDIA ESPA(G)NOLA Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-72 DVD DI.005.012.004 U01 DI.005.012.004U01 00:00:00 ESPAGNE ESPAGNOLS BIBLIOTECA NACIONAL DE ESPA(G)NA.VIDEO INSTITUCIONAL 2005 Sous-table non exportée Sous-table non exportée 0 EUROPE +W-260120 CD12S DI.005.013.001 U01 DI.005.013.001U01 00:00:00 ETHIOPIE MALE ETHIOPIE MERIDIONALE. M DES MAALE. ELOGES & BENEDICTIONS Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-73 VCD DI.005.014.001/02 U01 DI.005.014.001/02U01 00:00:00 INDONESIE INDONESIENS MUSIK POPULER Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-74 VCD DI.005.014.003/04 U01 DI.005.014.003/04U01 00:00:00 INDONESIE INDONESIENS TOPENG Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-75 CD12S DI.005.014.005 U01 DI.005.014.005U01 00:00:00 INDONESIE INDONESIENS GONG VCD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-76 CD12S DI.005.014.006 U01 DI.005.014.006U01 00:00:00 INDONESIE INDONESIENS GONG CD2 Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-77 DVD DI.005.015.001 U01 DI.005.015.001U01 00:00:00 ESPAGNE;I. BALEARES ÎLE DE MAJORQUE CATALANS TONADES DE PEINA A MALLORCA Sous-table non exportée Sous-table non exportée 0 EUROPE +SANSREF-78 CD12S DI.005.016.001 U01 DI.005.016.001U01 00:00:00 TAIWAN TAIWANAIS NANGUAN BAYIN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-79 CD12S DI.005.016.002 U01 DI.005.016.002U01 00:00:00 TAIWAN TAIWANAIS YA YUE SHYR SAN YIN Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-80 CD12S DI.005.016.003 U01 DI.005.016.003U01 00:00:00 TAIWAN TAIWANAIS YA YUE SHYR SAN YIN [2] Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-81 CD12S DI.005.016.004 U01 DI.005.016.004U01 00:00:00 TAIWAN TAIWANAIS SUN MOON LAKE Sous-table non exportée Sous-table non exportée 0 ASIE +W-260122 CD12S DI.005.017.001 U01 DI.005.017.001U01 00:00:00 URSS;RSS KIRGHIZISTAN KIRGHIZ MUSIQUE DU KIRGHIZISTAN Sous-table non exportée Sous-table non exportée 0 ASIE +AMTI-0401 CD12S DI.005.018.001 U01 DI.005.018.001U01 00:00:00 ISRAEL JUIFS THE WESTERN SEPHARDI LITURGICAL TRADITION Sous-table non exportée Sous-table non exportée 0 ASIE +AMTI-0402 CD12S DI.005.018.002/03 U01 DI.005.018.002/03U01 00:00:00 ISRAEL JUIFS THE HASIDIC NUGGUN AS SUNG BY THE HASIDIM Sous-table non exportée Sous-table non exportée 0 ASIE +AMTI-0403 CD12S DI.005.018.004 U01 DI.005.018.004U01 00:00:00 INDE;KERALA JUIFS-MALAYALIS OH, LOVELY PARROT! JEWISH WOMEN'S OSNGS FROM KERALA Sous-table non exportée Sous-table non exportée 0 ASIE +W-260123 CD12S DI.2006.001.001 U01 DI.2006.001.001U01 00:00:00 LIBAN LIBANAIS MUSIQUE DE L'EPOQUE ABBASSIDE. LE LEG DE SAFIY A-D-DIN AL-URMAWI (D.1294) Sous-table non exportée Sous-table non exportée 0 ASIE +W-260125 CD12S/Coffret* DI.2006.002.001/04 U01-01 DI.2006.002.001/04U01-01 00:00:00 INDONESIE;JAVA JAVANAIS INDONESIE, JAVA CENTRE. GAMELAN DE SOLO. LE JEU DES SENTIMENTS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-82 CD12S DI.2006.003.001 U01 DI.2006.003.001U01 00:00:00 ALGERIE;KABYLIE KABYLES "CHANTS DE F EN KABYLIE. FÊTES ET RITES AU VILLAGE"* Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-83 CD12 DI.2006.003.002 U01 DI.2006.003.002U01 00:00:00 PALESTINE PALESTINIENS PALESTINIAN ARAB MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-84 CD12 DI.2006.003.003 U01 DI.2006.003.003U01 00:00:00 BRESIL BRESILIENS XANGÔ DA MANGUEIRA. RECORDACOES DE UM VELHO BATUQUEIRO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +SANSREF-85 CD12S DI.2006.003.004 U01 DI.2006.003.004U01 00:00:00 USA JUIFS "FIDLER ON THE MOVE. EXPLORING THE KLEZMER WORLD" Sous-table non exportée Sous-table non exportée 0 AMERIQUE +HM-01 CD12 DI.2006.004.001 U01 DI.2006.004.001U01 00:00:00 YEMEN YEMENITES "LA MEDECINE DE L'AME" Sous-table non exportée Sous-table non exportée 0 ASIE +NOTA-CD-225 CD12S DI.2006.005.001 U01 DI.2006.005.001U01 00:00:00 ITALIE;SICILE SICILIENS SICILIA.LA SETTIMA SANTA A MONTEDORO Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-231 CD12 DI.2006.005.002 U01 DI.2006.005.002U01 00:00:00 SLOVENIE SLOVENES FRIULI. REZIJA. CANTE E MUSICHE DELLA VAL RESIA Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U01 DI.2006.005.003U01 00:00:00 ITALIE;POUILLES ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U02 DI.2006.005.003U02 00:00:00 ITALIE;SARDAIGNE SARDES GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U03 DI.2006.005.003U03 00:00:00 ITALIE;PIEDMONT ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U04 DI.2006.005.003U04 00:00:00 ITALIE;LATIUM ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U05 DI.2006.005.003U05 00:00:00 ITALIE;TOSCANE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U06 DI.2006.005.003U06 00:00:00 ITALIE;LOMBARDIE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U07 DI.2006.005.003U07 00:00:00 ITALIE;CALABRE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U08 DI.2006.005.003U08 00:00:00 ITALIE;SICILE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U09 DI.2006.005.003U09 00:00:00 ITALIE;FRIOUL ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U10 DI.2006.005.003U10 00:00:00 ITLAIE;BASILICATE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U11 DI.2006.005.003U11 00:00:00 ITALIE;EMILIE-ROMAGNE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U12 DI.2006.005.003U12 00:00:00 ITALIE;EMILIE-ROMAGNE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U13 DI.2006.005.003U13 00:00:00 ITALIE;LIGURIE ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U14 DI.2006.005.003U14 00:00:00 ITALIE;SARDAIGNE SARDES GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-250 CD12 DI.2006.005.003 U15 DI.2006.005.003U15 00:00:00 ITALIE;POUILLES ITALIENS GEOS.SOUNDS OF THE EARTH. ATLANTE DI MUSICHE DI TRADIZIONE ORALE IN ITALIA,VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +NOTA-CD-505 CD12S DI.2006.005.004 U01 DI.2006.005.004U01 00:00:00 ITALIE;LIGURIE ITALIENS LIGURIA. CANTI DELLE CONFRATERNITE Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-253-34394-1 CD12 MP3 DI.2006.006.001 U01 DI.2006.006.001U01 00:00:00 NIGERIA HAOUSSA MUSLIM WOMEN SING. HAUSA POPULAR SONG Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-253-34489-1 CD12S DI.2006.006.002 U01 DI.2006.006.002U01 00:00:00 POLOGNE POLONAIS MAKING MUSIC IN THE POLISH TATRAS Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U01 DI.2006.006.003U01 00:00:00 VENEZUELA YANOMANI THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U02 DI.2006.006.003U02 00:00:00 VENEZUELA MAKIRITARE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U03 DI.2006.006.003U03 00:00:00 VENEZUELA WARRAU THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U04 DI.2006.006.003U04 00:00:00 VENEZUELA WARRAU THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U05 DI.2006.006.003U05 00:00:00 BOLIVIE POTOSI BOLIVIENS THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U11 DI.2006.006.003U11 00:00:00 BRESIL BRESILIENS THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U12 DI.2006.006.003U12 00:00:00 MOZAMBIQUE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U17 DI.2006.006.003U17 00:00:00 CHILI CHILIENS THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U19 DI.2006.006.003U19 00:00:00 EQUATEUR EQUATORIEN THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U21 DI.2006.006.003U21 00:00:00 PEROU THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U26 DI.2006.006.003U26 00:00:00 VENEZUELA VENEZUELIENS THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U28 DI.2006.006.003U28 00:00:00 MEXIQUE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U31 DI.2006.006.003U31 00:00:00 BELIZE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U32 DI.2006.006.003U32 00:00:00 NICARAGUA THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U34 DI.2006.006.003U34 00:00:00 REP DOMINICAINE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U36 DI.2006.006.003U36 00:00:00 HAITI THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3833-3 CD12 DI.2006.006.003 U38 DI.2006.006.003U38 00:00:00 MARTINIQUE THE GARLAND HANDBOOK OF LATIN AMERICAN MUSIC,VOL.2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U01 DI.2006.006.004U01 00:00:00 LIBERIA THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U02 DI.2006.006.004U02 00:00:00 ETHIOPIE THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U03 DI.2006.006.004U03 00:00:00 BURUNDI THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U05 DI.2006.006.004U05 00:00:00 GHANA THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U08 DI.2006.006.004U08 00:00:00 SIERRA LEONE THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U11 DI.2006.006.004U11 00:00:00 ALGERIE THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U13 DI.2006.006.004U13 00:00:00 OUGANDA THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U15 DI.2006.006.004U15 00:00:00 SOMALIE THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U18 DI.2006.006.004U18 00:00:00 REP CENTRAFRICAINE AKA THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-8153-3473-7 CD12 DI.2006.006.004 U20 DI.2006.006.004U20 00:00:00 ZIMBABWE THE GARLAND ENCYCLOPEDIA OF WORL M., VOL.1: AFRICA Sous-table non exportée Sous-table non exportée Le pays s'appelait Rhodesie à l'époque de l'enreg.• 1972 AFRIQUE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U01 DI.2006.006.005U01 00:00:00 AUSTRALIE ABORIGENES WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 OCEANIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U02 DI.2006.006.005U02 00:00:00 PAPOUASIE-NLE-GUINEE WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 OCEANIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U03 DI.2006.006.005U03 00:00:00 ILES HAWAI WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 OCEANIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U04 DI.2006.006.005U04 00:00:00 REP DE KIRIBATI ABAIANG ISLAND KIRIBATI WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée Micronésie 0 OCEANIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U05 DI.2006.006.005U05 00:00:00 INDE WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U06 DI.2006.006.005U06 00:00:00 TRINITE & TOBAGO WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U08 DI.2006.006.005U08 00:00:00 INDE;BENGALE BAUL WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U09 DI.2006.006.005U09 00:00:00 VIETNAM JARAÏ WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U10 DI.2006.006.005U10 00:00:00 VIETNAM VIETNAMIENS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U11 DI.2006.006.005U11 00:00:00 THAILANDE THAILANDAIS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U14 DI.2006.006.005U14 00:00:00 INDONESIE;JAVA JAVANAIS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U15 DI.2006.006.005U15 00:00:00 INDONESIE;BALI BALINAIS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U16 DI.2006.006.005U16 00:00:00 CHINE CHINOIS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U20 DI.2006.006.005U20 00:00:00 MONGOLIE (REP POPU) MONGOLS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U21 DI.2006.006.005U21 00:00:00 COREE DU NORD COREENS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U22 DI.2006.006.005U22 00:00:00 JAPON JAPONAIS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U24 DI.2006.006.005U24 00:00:00 TIBET TIBETAINS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U25 DI.2006.006.005U25 00:00:00 TURQUIE TURCS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U27 DI.2006.006.005U27 00:00:00 IRAN IRANIENS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U28 DI.2006.006.005U28 00:00:00 EGYPTE EGYPTIENS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U30 DI.2006.006.005U30 00:00:00 ISRAEL JUIFS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U31 DI.2006.006.005U31 00:00:00 GHANA GHANEENS WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5 CD12S DI.2006.006.005 U34 DI.2006.006.005U34 00:00:00 CONGO PYGMEES MBUTI WORLD MUSIC: A GLOBAL JOURNEY. CD 1 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U01 DI.2006.006.006U01 00:00:00 ZIMBABWE SHONA WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U02 DI.2006.006.006U02 00:00:00 OUGANDA AKADINDA WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U04 DI.2006.006.006U04 00:00:00 REP D'AFRIQUE DU SUD MBUBE WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U06 DI.2006.006.006U06 00:00:00 ESPAGNE ESPAGNOLS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U07 DI.2006.006.006U07 00:00:00 FED.RUSSIE WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 N +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U08 DI.2006.006.006U08 00:00:00 GB;ECOSSE ECOSSAIS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U09 DI.2006.006.006U09 00:00:00 GB;IRLANDE DU N. IRLANDAIS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U11 DI.2006.006.006U11 00:00:00 BULGARIE BULGARES WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U12 DI.2006.006.006U12 00:00:00 HAITI HAITIENS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U16 DI.2006.006.006U16 00:00:00 USA AMERICAINS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U19 DI.2006.006.006U19 00:00:00 BRESIL AMAZONIE WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U20 DI.2006.006.006U20 00:00:00 PEROU PERUVIENS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U21 DI.2006.006.006U21 00:00:00 ARGENTINE ARGENTINS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U22 DI.2006.006.006U22 00:00:00 MEXIQUE MEXICAINS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U23 DI.2006.006.006U23 00:00:00 BRESIL BRESILIENS WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96892-5* CD12S DI.2006.006.006 U35 DI.2006.006.006U35 00:00:00 USA OJIBWA WORLD MUSIC: A GLOBAL JOURNEY. CD2 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-415-93855-4 CD12S DI.2006.006.007 U01 DI.2006.006.007U01 00:00:00 USA AMERICAINS ALAN LOMAX: SELECTED WIRITINGS 1934-1997 Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-978-0-19-51668 CD12S DI.2006.006.008 U01 DI.2006.006.008U01 00:00:00 BRESIL BRESILIENS MUSIC IN BRAZIL Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U01 DI.2006.006.011U01 00:00:00 USA SIOUX MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U02 DI.2006.006.011U02 00:00:00 USA AMERICAINS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U03 DI.2006.006.011U03 00:00:00 USA IROQUOIS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U06 DI.2006.006.011U06 00:00:00 USA ESTONIENS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U07 DI.2006.006.011U07 00:00:00 USA JUIFS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U12 DI.2006.006.011U12 00:00:00 USA MEXICAINS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U14 DI.2006.006.011U14 00:00:00 USA JAPONAIS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ISBN-0-415-96589-6 CD12S DI.2006.006.011 U15 DI.2006.006.011U15 00:00:00 USA LAOTIENS MUSIC CULTURES ON THE UNITED STATES Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-1148 CD12S DI.2006.007.001 U01 DI.2006.007.001U01 00:00:00 BULGARIE BULGARES BULGARIE. M. DE TRADIITON PASTORALE Sous-table non exportée Sous-table non exportée 0 EUROPE +ISBN-0-19-5M672-0 CD12S DI.2006.008.001 U01 DI.2006.008.001U01 00:00:00 USA AMERICAINS FOUR PARTS,NO WAITING Sous-table non exportée Sous-table non exportée 0 AMERIQUE +C-560206 CD12S DI.2006.009.001 U01 DI.2006.009.001U01 00:00:00 ITALIE;SARDAIGNE SARDES ITALIE. SARDAIGNE. CANTU E CHITERRA Sous-table non exportée Sous-table non exportée 0 EUROPE +M-CD-54 CD12 DI.2007.001.001 U01 DI.2007.001.001U01 00:00:00 IRAN IRANIENS SETAAR. OSTAD YUSEF FOROUTAN Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-108 CD12 DI.2007.001.002 U01 DI.2007.001.002U01 00:00:00 IRAN IRANIENS RADIF OF ÂQ HOSEYN-QOLI (*VERSIONOF OSTÂD ALI-AKBARSHAHNÂZI,TÂR) /1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-109 CD12 DI.2007.001.003 U01 DI.2007.001.003U01 00:00:00 IRAN IRANIENS RADIF OF ÂQ HOSEYN-QOLI (*VERSIONOF OSTÂD ALI-AKBARSHAHNÂZI,TÂR) /2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-110 CD12 DI.2007.001.004 U01 DI.2007.001.004U01 00:00:00 IRAN IRANIENS RADIF OF ÂQ HOSEYN-QOLI (*VERSIONOF OSTÂD ALI-AKBARSHAHNÂZI,TÂR) /3 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-111 CD12 DI.2007.001.005 U01 DI.2007.001.005U01 00:00:00 IRAN IRANIENS VOCAL RADIF & OLD TASNIFS (*VERSION OF OSTÂD ABDOLLÂH DAVÂMI) /1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-112 CD12 DI.2007.001.006 U01 DI.2007.001.006U01 00:00:00 IRAN IRANIENS VOCAL RADIF & OLD TASNIFS (*VERSION OF OSTÂD ABDOLLÂH DAVÂMI) /2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-113 CD12 DI.2007.001.007 U01 DI.2007.001.007U01 00:00:00 IRAN IRANIENS VOCAL RADIF & OLD TASNIFS (*VERSION OF OSTÂD ABDOLLÂH DAVÂMI) /3 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-125 CD12 DI.2007.001.008 U01 DI.2007.001.008U01 00:00:00 IRAN IRANIENS VOCAL RADIF OF PERSIAN CLASSICAL M. (*VERSION OF MAHMUD KARIMI) /1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-126 CD12 DI.2007.001.009 U01 DI.2007.001.009U01 00:00:00 IRAN IRANIENS VOCAL RADIF OF PERSIAN CLASSICAL M. (*VERSION OF MAHMUD KARIMI) /2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-127 CD12 DI.2007.001.010 U01 DI.2007.001.010U01 00:00:00 IRAN IRANIENS VOCAL RADIF OF PERSIAN CLASSICAL M. (*VERSION OF MAHMUD KARIMI) /3 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-128 CD12 DI.2007.001.011 U01 DI.2007.001.011U01 00:00:00 IRAN IRANIENS VOCAL RADIF OF PERSIAN CLASSICAL M. (*VERSION OF MAHMUD KARIMI) /4 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-129 CD12 DI.2007.001.012 U01 DI.2007.001.012U01 00:00:00 IRAN IRANIENS VOCAL RADIF OF PERSIAN CLASSICAL M. (*VERSION OF MAHMUD KARIMI) /5 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-156 CD12 DI.2007.001.013 U01 DI.2007.001.013U01 00:00:00 IRAN IRANIENS OLD ZARBIS BY OSTÂD YUSEF FORUTAN Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-171/1 CD12S/Coffret* DI.2007.001.014 U01 DI.2007.001.014U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON SETAR; BY YUSEF FORUTAN / 1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-171/2 CD12 DI.2007.001.015 U01 DI.2007.001.015U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON SETAR; BY YUSEF FORUTAN / 2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-171/3 CD12 DI.2007.001.016 U01 DI.2007.001.016U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON SETAR; BY YUSEF FORUTAN /3 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-180/1 CD12S/Coffret* DI.2007.001.017 U01 DI.2007.001.017U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON TÂR; BY OSTÂD MORTEZ NEYDÂVUD /1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-180/2 CD12 DI.2007.001.018 U01 DI.2007.001.018U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON TÂR; BY OSTÂD MORTEZ NEYDÂVUD /2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-180/3 CD12S/Coffret* DI.2007.001.019 U01 DI.2007.001.019U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON TÂR; BY OSTÂD MORTEZ NEYDÂVUD /3 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-180/4 CD12S/Coffret* DI.2007.001.020 U01 DI.2007.001.020U01 00:00:00 IRAN IRANIENS RADIF OF PERSIAN M. ON TÂR; BY OSTÂD MORTEZ NEYDÂVUD /4 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-183 CD12 DI.2007.001.021/22 U01 DI.2007.001.021/22U01 00:00:00 IRAN IRANIENS RADIF OF MIRZ HOSAYN-QOLI, PLAYED BY FAKHÂM AL-DOWLE BEHZÂDI Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-209/1 CD12S/Coffret* DI.2007.001.023 U01 DI.2007.001.023U01 00:00:00 IRAN IRANIENS 186 CLASSICAL TASNIFS, BASED ON THE VERSION OF OSTÂD 'ABDOLLÂH DAVÂMI /1 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-209/2 CD12S/Coffret* DI.2007.001.024 U01 DI.2007.001.024U01 00:00:00 IRAN IRANIENS 186 CLASSICAL TASNIFS, BASED ON THE VERSION OF OSTÂD 'ABDOLLÂH DAVÂMI /2 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-209/3 CD12S/Coffret* DI.2007.001.025 U01 DI.2007.001.025U01 00:00:00 IRAN IRANIENS 186 CLASSICAL TASNIFS, BASED ON THE VERSION OF OSTÂD 'ABDOLLÂH DAVÂMI / Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-209/4 CD12S/Coffret* DI.2007.001.026 U01 DI.2007.001.026U01 00:00:00 IRAN IRANIENS 186 CLASSICAL TASNIFS, BASED ON THE VERSION OF OSTÂD 'ABDOLLÂH DAVÂMI /4 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-209/5 CD12S/Coffret* DI.2007.001.027 U01 DI.2007.001.027U01 00:00:00 IRAN IRANIENS 186 CLASSICAL TASNIFS, BASED ON THE VERSION OF OSTÂD 'ABDOLLÂH DAVÂMI /5 Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-213 CD12S/Coffret* DI.2007.001.028/30 U01 DI.2007.001.028/30U01 00:00:00 IRAN IRANIENS RADIF: ADVANCED REPERTORY OF OSTÂD ALI AKBAR SHAHNÂZI Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-216 CD12S/Coffret* DI.2007.001.031/35 U01 DI.2007.001.031/35U01 00:00:00 IRAN IRANIENS THE RADIF PF MIRZ 'ABDOLLÂH FOR THE TÂR & SETÂR Sous-table non exportée Sous-table non exportée 0 ASIE +3494-3497 D2578M DI.932.001.064 A01 DI.932.001.064A01 00:00:00 N VIETNAM TONKIN-CHANT ANNAMITE N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3495-3496 D2578M DI.932.001.065 A01 DI.932.001.065A01 00:00:00 N VIETNAM TONKIN-COUR D'AMOUR N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3801-3802 D2578M DI.932.001.066 A01 DI.932.001.066A01 00:00:00 N VIETNAM TONKIN-SOLO DE MONOCORDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +3803-3804 D2578M DI.932.001.067 A01 DI.932.001.067A01 00:00:00 N VIETNAM TONKIN-MUSIQUE DE THEATRE N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3805-3811 D2578M DI.932.001.068 A01 DI.932.001.068A01 00:00:00 N VIETNAM TONKIN-CHANT DES BATELIERS-BERCEUSES N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3809-3810 D2578M DI.932.001.069 A01 DI.932.001.069A01 00:00:00 N VIETNAM TONKIN-CHANSON D'HISTOIRE N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3468-3469 D2578M DI.932.001.070 A01 DI.932.001.070A01 00:00:00 N VIETNAM TONKIN-TAN CUNGOAN-CA LY N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3470-3471 D2578M DI.932.001.071 A01 DI.932.001.071A01 00:00:00 N VIETNAM TONKIN-THUY KIEU AU PALAIS N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +3880-3881 D2578M DI.932.001.072 A01 DI.932.001.072A01 00:00:00 N VIETNAM TONKIN-LUU BINH N Sous-table non exportée Sous-table non exportée 1931 0 ASIE +SANSREF-44 D3078 DI.939.004.002 A01 DI.939.004.002A01 00:00:00 AUSTRALIE AUSTRALIE CENTRALE ARANDA AUTRALIE. A)ATCHILBA OR OLD MAN CEREMONY.B) UNNDANA OR OPOSSUM CEREMONY ATCHILBA OR OLD MAN CEREMONY. RECOUNTING THE MARCH OF MONGARRAPUNYA Sous-table non exportée Sous-table non exportée 0 OCEANIE +SANSREF-44 D3078 DI.939.004.002 A02 DI.939.004.002A02 00:00:00 AUSTRALIE AUSTRALIE CENTRALE KAITIDJI AUTRALIE. A)ATCHILBA OR OLD MAN CEREMONY.B) UNNDANA OR OPOSSUM CEREMONY ATCHILBA OR OLD MAN CEREMONY. RECOUNTING THE MARCH OF MONGARRAPUNYA Sous-table non exportée Sous-table non exportée 0 OCEANIE +SANSREF-44 D3078 DI.939.004.002 B01 DI.939.004.002B01 00:00:00 AUSTRALIE AUSTRALIE CENTRALE ARANDA AUTRALIE. A)ATCHILBA OR OLD MAN CEREMONY.B) UNNDANA OR OPOSSUM CEREMONY UNNDANA OR OPOSSUM CEREMONY Sous-table non exportée Sous-table non exportée 0 OCEANIE +GF-501 D2578M DI.948.002.012 A DI.948.002.012A 00:03:00 -1 VIETNAM NORD VIETNAM VIETNAMIENS MUOU, HAT NOI. HAT A DAO CHAPEAU=*TR MUOU=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Le Muou (Chapeau) précède le Hat Noi (le chant parlé). Deux groupes de vers de 6 et 8 pieds. La chanteuse chante en frappant la lamelle de bois avec deux baguettes pour marquer la mesure. Un musicien joue du luth des chanteuses. Un auditeur frappe le tambour pour applaudir la chanteuse. Bonne interprétation. STUDIO -1 0 ASIE +GF-501 D2578M DI.948.002.012 B DI.948.002.012B 00:03:00 VIETNAM NORD VIETNAM VIETNAMIENS MUOU, HAT NOI. HAT A DAO CHANT PARLE=*TR HAT NOI=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Une des pièces du répertoire du Hat A dào (chant des chanteuses professionnelles). Même formation que sur la face A Bonne interprétation STUDIO -1 0 ASIE +GF-502 D2578M DI.948.002.013 A DI.948.002.013A 00:03:00 VIETNAM NORD VIETNAM VIETNAMIENS KE TRUYEN KIEU. KE TRUYEN HISTOIRE DE KIM VAN KIEU=*TR KE TRUYEN KIEU=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Vers de 6 et de 8 pieds, chantés suivis par l'air de Sa Mac (chant du désert) Rythme libre• STUDIO -1 0 ASIE +GF-502 D2578M DI.948.002.013 B DI.948.002.013B 00:03:01 VIETNAM NORD VIETNAM VIETNAMIENS KE TRUYEN KIEU. KE TRUYEN HISTOIRE DE KIM VAN KIEU=*TR KE TRUYEN KIEU=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Voir commentaire Di.948.002.013 A Rythme libre• STUDIO -1 0 ASIE +GF-506 D2578M DI.948.002.014 A DI.948.002.014A 00:03:02 VIETNAM NORD VIETNAM VIETNAMIENS BONG MAC, SA MAC. HAT A DAO CHANT DU DESERT ET SA VARIANTE=*TR SA MAC VA BONG MAC=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Le phénomène de métabole se remarque vers 1'58". Une pièce du répertoire du hat a dào (chant des chanteuses professionnelles). Bonne interprétation. Rythme libre• STUDIO -1 0 ASIE +GF-506 D2578M DI.948.002.014 B DI.948.002.014B 00:02:59 VIETNAM NORD VIETNAM VIETNAMIENS BONG MAC, SA MAC. HAT A DAO CHANT DU DESERT ET SA VARIANTE=*TR SA MAC VA BONG MAC=*TRS Sous-table non exportée CHANT DES CHANTEUSES PROF. Sous-table non exportée Métabole vers 1'22", suite de la face A. Rythme libre• STUDIO -1 0 ASIE +GF-522 D2578M DI.948.002.015 A DI.948.002.015A 00:03:01 VIETNAM NORD VIETNAM VIETNAMIENS NHO CANH NHO NGUOI. CHEO CAI LUONG NOSTALGIE DU PAYSAGE, NOSTALGIE DE SON BIEN AIME=*TR NHO CANH, NHO NGUOI=*TRS Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée 3 styles déclamatoires du théâtre populaire rénové (chèo cai luong): Than, ngâm tho, ngâm say. Vièle 2C "DAN NHI": archet pris. AFL-Flûte emb lat : à 6T STUDIO -1 0 ASIE +GF-522 D2578M DI.948.002.015 B DI.948.002.015B 00:02:59 VIETNAM NORD VIETNAM VIETNAMIENS NHO CANH NHO NGUOI. CHEO CAI LUONG NOSTALGIE DU PAYSAGE, NOSTALGIE DE SON BIEN AIME=*TR NHO CANH, NHO NGUOI=*TRS Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée 3 styles déclamatoires du théâtre populaire rénové: sa mac, hat lay, ngâm say. Chant hat lay ressemble au sa lêch. Suite de la face A. Vièle 2C "DAN NHI": archet pris. AFL-Flûte emb lat : à 6T STUDIO -1 0 ASIE +GF-528 D2578M DI.948.002.016 A DI.948.002.016A 00:02:54 VIETNAM NORD VIETNAM VIETNAMIENS DAN BAU: NAM AI LES LAMENTATIONS DU SUD=*TR NAM AI=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cette pièce appartient au répertoire de Ca Huê (Musique de Huê) du Centre Vietnam. Cithare/table "DAN BAU": 1C. Bonne interprétation. STUDIO -1 0 ASIE +GF-528 D2578M DI.948.002.016 B DI.948.002.016B 00:03:01 VIETNAM NORD VIETNAM VIETNAMIENS DAN BAU: NAM AI LES LAMENTATIONS DU SUD (SUITE)=*TR NAM AI (TIEP)=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Suite de la face A. A la fin, une improvisation pour finir la plage avec métabole. Cithare/table "DAN BAU": 1C. Bonne interprétation. Rythme mesuré• STUDIO -1 0 ASIE +GF-529 D2578M DI.948.002.017 A DI.948.002.017A 00:02:49 VIETNAM NORD VIETNAM VIETNAMIENS DAN BAU: NAM NHI TU IMPROVISATION DANS LE MODE NAM=*TR NAM NHI TU=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Improvisation dans le mode Nam, tel est le titre de cette pièce. Cithare/table "DAN BAU": 1C. Rythme libre• STUDIO -1 0 ASIE +GF-529 D2578M DI.948.002.017 B DI.948.002.017B 00:03:03 VIETNAM NORD VIETNAM VIETNAMIENS DAN BAU: NAM NHI TU IMPROVISATION DANS LE MODE NAM=*TR NAM NHI TU=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Suite de la face A Cithare/table "DAN BAU": 1C. Bonne interprétation. Rythme libre puis mesuré• STUDIO -1 0 ASIE +GF-536 D2578M DI.948.002.018 A DI.948.002.018A 00:03:00 VIETNAM NORD VIETNAM VIETNAMIENS XAM CHO: HUE TINH, NAM THUONG CHANT D'AMOUR=*TR HUE TINH=*TRS Sous-table non exportée CHANT DES AVEUGLES Sous-table non exportée Chant authentique. Orchestr médiocre. Métabole. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. STUDIO -1 0 ASIE +GF-536 D2578M DI.948.002.018 B DI.948.002.018B 00:02:59 VIETNAM NORD VIETNAM VIETNAMIENS XAM CHO: HUE TINH, NAM THUONG LES 5 SAISONS D'AIMER=*TR NAM THUONG=*TRS Sous-table non exportée CHANT DES AVEUGLES Sous-table non exportée Chant authentique. La vièle joue légèrement faux. Métabole à la fin pour la vièle. Chant des aveugles (Hat xâm) Vièle 2C "DAN NHI": archet pris. STUDIO -1 0 ASIE +GF-541 D2578M DI.948.002.019 B DI.948.002.019B 00:02:59 VIETNAM NORD VIETNAM VIETNAMIENS VAN KIEU CAU QUAN CHANT DE POSSESSION=*TR CHAU VAN / VAN KIEU CAU QUAN=*TRS Sous-table non exportée CHANT DE POSSESSION Sous-table non exportée Incantations de devineress Echelle pentatonique sol-la,do,ré,fa sol; Matabole do,ré,fa,sol,la,do et do, rê, fa, sol, la, do. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. SUDIO -1 0 ASIE +GF-544 D2578M DI.948.002.020 A DI.948.002.020A 00:02:57 VIETNAM CENTRE VIETNAM VIETNAMIENS HOA DAN: LUU THUY, KIM TIEN, CO BAN L'EAU QUI COULE, LES SAPEQUES D'OR=*TR LUU THUY, KIM TIEN=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Musique de chambre de la tradition de Huê (Centre Vietnam). Cet ensemble appelé Ngu Tuyêt (les Cinq Parfaits) est composé de 5 instruments. L'ensemble joue les deux pièces Luu Thuy (O:00 - 2:00à et Kim Tiên (2:00-2:50). Il joue la pièce Long Hô Hôi (Rencontre du Dragon et du Tigre) juste quelques secondes avant la fin du disque. Pentatonique: do,ré,fa,sol,la. Orchestre très ordinaire. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme binaire• STUDIO -1 0 ASIE +GF-544 D2578M DI.948.002.020 B DI.948.002.020B 00:03:00 VIETNAM CENTRE VIETNAM VIETNAMIENS HOA DAN: LUU THUY, KIM TIEN, CO BAN LA PIECE ANCIENNE=*TR CO BAN=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Cette pièce fait partie du répertoire de musique de Huê (Ca Huê). Echelle pentatoniuque do,ré,fa,sol,la,do. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 3C "DAN TAM": peau de serpent. Luth 2C "DAN NGUYET": caisse en forme de lune•. Rythme binaire• Groupe instrs STUDIO -1 0 ASIE +GF-545 D2578M DI.948.002.021 A DI.948.002.021A 00:02:59 VIETNAM CENTRE VIETNAM VIETNAMIENS HOA DAN: TU DAI CANH, PHU LUC, HANH VAN VOYAGE PAR VOIE DE TERRE, PAYSAGE DES 4 GENERATIONS=*TR PHU LUC, TU DAI CANH=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Même formation que celle du disque Di.948.002.020. Assez bonne interprétation, sauf au moment où l'ensemble attatque la première note de la pièce Phu Luc, la vièle à 2 cordes ne donne pas exactement le degré U. Echelle pentatonique do,ré,fa,sol,la,do. Cithare/table "DAN BAU": 1C. Vièle "DAN NHI": archet pris. Luth 3C "DAN TAM" : peau de serpent. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme binaire• Groupe instr STUDIO -1 0 ASIE +GF-545 D2578M DI.948.002.021 B DI.948.002.021B 00:02:59 VIETNAM CENTRE VIETNAM VIETNAMIENS HOA DAN: TU DAI CANH, PHU LUC, HANH VAN LE PAYSAGE DES 4 GENERATIONS (SUITE), LE NUAGE QUI PASSE=*TR TU DAI CANH (TIEP), HANH VAN=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Même formation. La pièce Tu Dai Canh (0:00-2:00), et la pièce Hành Vân (2:OO-2:59) Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme binaire• STUDIO -1 0 ASIE +GF-550 D2578M DI.948.002.022 A DI.948.002.022A 00:03:00 VIETNAM NORD VIETNAM VIETNAMIENS CUNG OAN NGAM KHUC COMPLAINTE D'UNE FAVORITE DELAISSEE=*TR CUN G OAN NGAM KHUC=*TRS Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Déclamation poétique au style ressemblant au style Sa Mac. Echelle pentatonique Do,mib,fa,sol,sib,do. Ambitus: 7ème mineur. Vièle 2C "DAN NHI": archet pris. Rythme libre• STUDIO -1 0 ASIE +GF-550 D2578M DI.948.002.022 B DI.948.002.022B 00:03:04 VIETNAM NORD VIETNAM VIETNAMIENS CUNG OAN NGAM KHUC COMPLAINTE D'UNE FAVORITE DELAISSEE (SUITE)=*TR CUNG OAN NGAM KHUC (TIEP)=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Suite de la face A. Vièle 2C "DAN NHI": archet pris. Rythme libre• STUDIO -1 0 ASIE +1578-1-2 D2578M DI.950.012.001 A DI.950.012.001A 00:03:27 N VIETNAM SUD VIETNAM VIETNAMIENS TRAM TRINH AN. TO MAI PHUC RUOU EXECUTION DE TRINH AN - THEATRE RENOVE=*TR TRAM TRINH AN - HAT CAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Pendant le prélude improvisé, les instruments passent du mode Bac au mode vong cô. Sur cette face, on chante seulement les 4 premières phrases. L'acteur, au lieu de chanter la 4è phrase, a simplement parlé, mais il a respecté les degrés d'appui de la mélodie. Echelle pentatonique : do,mi-,fa,sol,la,do. Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. STUDIO -1 0 ASIE +1578-1-2 D2578M DI.950.012.001 B DI.950.012.001B 00:03:27 VIETNAM SUD VIETNAM VIETNAMIENS TRAM TRINH AN. TO MAI PHUC RUOU EXECUTION DE TRINH AN - THEATRE RENOVE =*TR TRAM TRINH AN - HAT CAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée L'acteur chante les 5è et 6è phrases de la pièce Vong cô. Echelle pentatonique:do,mi-,fa,sol,la,do. Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. STUDIO -1 0 ASIE +1578-3-4 D2578M DI.950.012.002 A DI.950.012.002A 00:03:34 VIETNAM SUD VIETNAM VIETNAMIENS TRAM TRINH AN. TO MAI PHUC RUOU EXECUTION DE TRINH AN - HAT CAI LUONG=*TR TRAM TRINH AN - HAT CAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Les acteurs chantent l'air Xai Phi (air chinois Sipi) et un autre air Xang Xu Liu Luth 2C "DAN KIM": caisse en forme de lune. STUDIO -1 0 ASIE +1578-3-4 D2578M DI.950.012.002 A01 DI.950.012.002A01 00:00:00 N VIETNAM TRAM TRINH AN. TO MAI PHUC RUOU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +1578-3-4 D2578M DI.950.012.002 B DI.950.012.002B 00:03:27 VIETNAM SUD VIETNAM VIETNAMIENS TRAM TRINH AN. TO MAI PHUC RUOU EXECUTION DE TRINH AN - THEATRE RENOVE=*TR TRAM TRINH AN - HAT CAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Pièce chantée: Kim Tiên Ban (les sapèques d'or) Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Rythme libre• STUDIO -1 0 ASIE +D-503 D2578M DI.950.013.001 A DI.950.013.001A 00:00:00 CAMBODGE SANS REPONSE. LES FLEURS Sous-table non exportée Sous-table non exportée 0 ASIE +D-602 D2578M DI.950.013.002 A DI.950.013.002A 00:02:53 VIETNAM VIETNAMIENS BUOM HOA. TINH KY NU LE PAPILLON ET LA FLEUR (TANGO) BUOM HOA NGUYEN VAN THUONG Sous-table non exportée M. DE VARIETES Sous-table non exportée STUDIO 1949 VARIÉTÉ 0 ASIE +D-602 D2578M DI.950.013.002 B DI.950.013.002B 00:03:15 VIETNAM VIETNAMIENS BUOM HOA. TINH KY NU L'AMOUR DE LA CAVALIERE=*TR TINH KY NU=*TRS PHAM DUY Sous-table non exportée M. DE VARIETES Sous-table non exportée Pham Duy, grand compositeur vietnamien, a composé cette chanson après la 2è guerre mondiale.Mme Ai Liên, décédée en 1992, était une grande actrice du théâtre rénové hat cai luong. L'orchestre est dirigé par Mario Frédérick. Rythme swing• STUDIO 1949 VARIÉTÉ 0 ASIE +2047-2048 D2578M DI.950.013.003 A01 DI.950.013.003A01 00:03:34 N VIETNAM SUD VIETNAM VIETNAMIENS HAT BO. TRIEU TU LONG DOAT AU CHUA TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR TRIEU TU LONG DOAT AU CHUA=*TRS Sous-table non exportée THEATRE Sous-table non exportée Cette face présente 3 aires: Lôi bop (déclamation, style violent), hat khach (chant des étrangers), et hat khach tâu ma (le cheval qui court). Pour la partie instrumentale, l'ensemble est composé d'un hautbois, d'un tamb.de bataille et de grandes cymbales. Pour la partie chantée, l'ensemble dirigé par Mr. Nam Buu, comprend 1 hautbois, 1luth à 3c., les cliquettes, un grand tambour et une paire de cymbales. Théâtre traditionnel. STUDIO -1 0 ASIE +2049-2050 D2578M DI.950.013.004 A01 DI.950.013.004A01 00:03:10 N VIETNAM SUD VIETNAM VIETNAMIENS HAT BO. TRIEU TU LONG DOAT AU CHUA TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR TRIEU TU LONG DOAT AU CHUA=*TRS Sous-table non exportée THEATRE Sous-table non exportée Théâtre traditionnel: Lôi bop, Lôi dam et löi Nam (déclamation triste). Dans le lôi bop, l'orchestre comporte hautbois, tamb. de bataille, gong et cymbales. Dans le lôi nam, l'orchestre a une vièle à 2c. dàn co, une vièle à 2c. à noix de coco dàn gao, un luth en forme de lune dàn kim, un luth à 3c dàn tam, et les cliquettes phach. Vièle 2C "DAN CO": archet pris. Vièle 2C "DAN GAO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. STUDIO -1 0 ASIE +2049-2050 D2578M DI.950.013.004 B01 DI.950.013.004B01 00:03:04 VIETNAM SUD VIETNAM VIETNAMIENS HAT BO. TRIEU TU LONG DOAT AU CHUA TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR TRIEU TU LONG DOAT AU CHUA=*TRS Sous-table non exportée THEATRE Sous-table non exportée Trois styles: Lôi tuông avec 1vh et vièles à 2 cordes et luth à 3c, hat khach et hat khach tâu ma avec 1vh, hautbois, cliquettes, tamb. de bataille, gong et cymbales Vièle 2C "DAN CO": archet pris. Vièle 2C "DAN GAO": archet pris. STUDIO -1 0 ASIE +2051-2052 D2578M DI.950.013.005 A01 DI.950.013.005A01 00:03:16 N VIETNAM SUD VIETNAM VIETNAMIENS HAT BO. TRIEU TU LONG DOATAU CHUA TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR TRIEU TU LONG DOAT AU CHUA Sous-table non exportée THEATRE Sous-table non exportée Vièle 2C "DAN CO": archet pris. Vièle 2C "DAN GAO": archet pris. Bonne interprétation. Chants variés. Ils manquent les deux premiers disques de la série 2043-2044 et 2045-2046. STUDIO -1 0 ASIE +2051-2052 D2578M DI.950.013.005 B01 DI.950.013.005B01 00:03:15 n VIETNAM SUD VIETNAM VIETNAMIENS HAT BO. TRIEU TU LONG DOATAU CHUA TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR TRIEU TU LONG DOAT AU CHUA=*TRS Sous-table non exportée THEATRE Sous-table non exportée Vièle 2C "DAN CO": archet pris.Vièle 2C "DAN GAO": archet pris, coco. Luth 3C "DAN TAM" Orchestre dirigé par M. Nam Buu• Solo voc + instrs STUDIO -1 0 ASIE +TRI-1101 D2578M DI.951.004.001 A01 DI.951.004.001A01 00:03:05 N VIETNAM SUD VIETNAM VIETNAMIENS TRANG TU THU VO TRANG TU MET A L'EPREUVE LA FIDELITE DE SA FEMME=*TR TRANG TU THU VO=*TRS Sous-table non exportée THEATRE Sous-table non exportée Pendant le parler, la musique se joue en mode Bac. Les acteurs chantent les 7 premières phrases du chant Xuân Tinh. Ba Vân (décédé en 1990) et Mme Thanh Tùng (décédée en Angleterre vers la fin des années 80 (1988?). Série de 5 disques de la pièce Trang Tu thu vo (DI.951.004.001/005) Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Très bonne interprétation. Rythme libre• STUDIO -1 0 ASIE +TRI-1101 D2578M DI.951.004.001 B01 DI.951.004.001B01 00:03:23 N VIETNAM SUD VIETNAM VIETNAMIENS TRANG TU THU VO TRANG TU MET A L'EPREUVE LA FIDELITE DE SA FEMME =*TR TRANG TU THU VO =*TRS Sous-table non exportée THEATRE Sous-table non exportée Pendat le parler, la musique de fond se joue dans la nuance Xuân. Puis, s'ensuit la pièce Nam Xuân lop mai (le Sud méridional, passage femelle). Ensuite, le parler et la déclamation poétique sur un fond musical du mode ai, nuance oan. Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Bonne interprétation. STUDIO -1 0 ASIE +TRI-1102 D2578M DI.951.004.002 A01 DI.951.004.002A01 00:00:00 VIETNAM TRANG TU THU VO Sous-table non exportée Sous-table non exportée 0 0 ASIE +TRI-1103 D2578M DI.951.004.003 A01 DI.951.004.003A01 00:00:00 VIETNAM TRANG TU THU VO Sous-table non exportée Sous-table non exportée 0 0 ASIE +TRI-1104 D2578M DI.951.004.004 A01 DI.951.004.004A01 00:00:00 N VIETNAM TRANG TU THU VO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +TRI-1105 D2578M DI.951.004.005 A01 DI.951.004.005A01 00:00:00 N VIETNAM TRANG TU THU VO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +MX-32203-04 D403M DI.951.008.001 A01 DI.951.008.001A01 00:00:00 AUSTRALIE GUNWINGGU SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32205-06 D403M DI.951.008.002 A01 DI.951.008.002A01 00:00:00 AUSTRALIE DJINBA SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32207-08 D403M DI.951.008.003 A01 DI.951.008.003A01 00:00:00 AUSTRALIE YUNGGUN SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32209-10 D403M DI.951.008.004 A01 DI.951.008.004A01 00:00:00 AUSTRALIE YUNGGUN SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32211-12 D403M DI.951.008.005 A01 DI.951.008.005A01 00:00:00 AUSTRALIE YUNGMAN SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32211-12 D403M DI.951.008.005 B01 DI.951.008.005B01 00:00:00 AUSTRALIE DJAWAN SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS Sous-table non exportée Sous-table non exportée 0 OCEANIE +MX-32213-14 D403M DI.951.008.006 A01 DI.951.008.006A01 00:00:00 AUSTRALIE DJAWAN SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32215-16 D403M DI.951.008.007 A01 DI.951.008.007A01 00:00:00 AUSTRALIE RIREJINGU SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32215-16 D403M DI.951.008.007 B01 DI.951.008.007B01 00:00:00 AUSTRALIE REINBARANGA SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS Sous-table non exportée Sous-table non exportée 0 OCEANIE +MX-32217-18 D403M DI.951.008.008 A01 DI.951.008.008A01 00:00:00 AUSTRALIE NGALPUN-REINBARANGA SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32219-20 D403M DI.951.008.009 A01 DI.951.008.009A01 00:00:00 AUSTRALIE SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32221-22 D403M DI.951.008.010 A01 DI.951.008.010A01 00:00:00 AUSTRALIE SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32223-24 D403M DI.951.008.011 A01 DI.951.008.011A01 00:00:00 AUSTRALIE SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +MX-32225-26 D403M DI.951.008.012 A01 DI.951.008.012A01 00:00:00 AUSTRALIE SYDNEY UNIVERSITY EXPEDITION 1949: CHANTS & RITUALS N Sous-table non exportée Sous-table non exportée 1949 0 OCEANIE +P-423 D303M DI.954.004.001 A01 DI.954.004.001A01 00:00:00 n BIRMANIE MUSIC OF SOUTHEAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-423 D303M DI.954.004.001 A05 DI.954.004.001A05 00:00:00 n MALAYSIA MUSIC OF SOUTHEAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-423 D303M DI.954.004.001 A07 DI.954.004.001A07 00:00:00 n THAILANDE MUSIC OF SOUTHEAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-423 D303M DI.954.004.001 B10 DI.954.004.001B10 00:01:38 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIC OF SOUTHEAST ASIA VIETNAM: FOLK SONG Sous-table non exportée Sous-table non exportée Rythme mesuré• -1 0 ASIE +P-423 D303M DI.954.004.001 B11 DI.954.004.001B11 00:03:03 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIC OF SOUTHEAST ASIA RECITATION FROM HUE VAN Sous-table non exportée Sous-table non exportée Rythme libre• -1 0 ASIE +P-423 D303M DI.954.004.001 B12 DI.954.004.001B12 00:00:00 n LAOS MUSIC OF SOUTHEAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-423 D303M DI.954.004.001 B15 DI.954.004.001B15 00:00:00 n CHINE MUSIC OF SOUTHEAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-421 D303M DI.954.004.002 A01 DI.954.004.002A01 00:00:00 n YEMEN MUSIC OF SOUTH ARABIA Sous-table non exportée Sous-table non exportée 1950 0 ASIE +P-424 D303M DI.954.004.003 A01 DI.954.004.003A01 00:00:00 n COREE DU SUD KOREA-FOLK & CLASSICAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-420 D303M DI.954.004.004 A01 DI.954.004.004A01 00:00:00 n USA AMERICAN INDIANS OF THE SOUTHWEST Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-422 D303M DI.954.004.005 A01 DI.954.004.005A01 00:00:00 n INDE MUSIC OF INDIA. VOL II-TRADITIONAL AND CLASSICAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARS-1006 D303M DI.954.005.001 A01 DI.954.005.001A01 00:00:00 n INDONESIE;BALI MUSIC FROM BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARS-1007 D303 DI.954.005.002 A01 DI.954.005.002A01 00:00:00 n INDONESIE;BALI MUSIC FROM BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-20015 D303M DI.954.006.001 A01 DI.954.006.001A01 00:00:00 n GUINEE MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20015 D303M DI.954.006.001 A02 DI.954.006.001A02 00:00:00 n SENEGAL MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-20015 D303M DI.954.006.001 A03 DI.954.006.001A03 00:00:00 n CAMEROUN MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20015 D303M DI.954.006.001 A08 DI.954.006.001A08 00:00:00 n COTE D'IVOIRE MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20015 D303M DI.954.006.001 A09 DI.954.006.001A09 00:00:00 n GAMBIE MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20015 D303M DI.954.006.001 B06 DI.954.006.001B06 00:00:00 n NIGERIA MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20015 D303M DI.954.006.001 B09 DI.954.006.001B09 00:00:00 n BENIN MUSIQUE ET DANSES DE L'AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-200115 D303M DI.954.007.001 A01 DI.954.007.001A01 00:00:00 GUINEE MANDINGUES MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-200115 D303M DI.954.007.001 B01 DI.954.007.001B01 00:00:00 COTE D'IVOIRE BAOULE MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PYC-5521 D303M DI.955.002.001 A01 DI.955.002.001A01 00:00:00 n GRECE EMISSION DE RADIO-ATHENES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-1 D303M DI.955.006.001 A01 DI.955.006.001A01 00:00:00 n VENEZUELA CHANTS INDIENS DE VENEZUELA-SEANCE DE CHAMANISME Sous-table non exportée Sous-table non exportée 1949 0 AMERIQUE +MH-54-1/4 D253M DI.955.007.001/02 A01 DI.955.007.001/02A01 00:00:00 n MAURITANIE MAURES-GRIOTS MUSIQUE MAURE N Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LD-5 D303M DI.955.008.001 A01 DI.955.008.001A01 00:00:00 n BENIN DAHOMEY-MUSIQUE DES PRINCES. FETES DES TOHOSSU Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-4 D303M DI.955.009.001 A01 DI.955.009.001A01 00:00:00 n GUINEE GUINEE FRANCAISE:MUSIQUE TOMA Sous-table non exportée Sous-table non exportée 1355 0 AFRIQUE +LD-3 D253M DI.955.010.001 A01 DI.955.010.001A01 00:00:00 n PEROU PROVINCE DE LORETO* IAWA AMAZONIE-INDIENS IAWA ET BORA Sous-table non exportée Sous-table non exportée * rive gauche de l'Amazonie -1 0 AMERIQUE +LD-3 D253M DI.955.010.001 B01 DI.955.010.001B01 00:00:00 n PEROU PROVINCE DE LORETO* BORA AMAZONIE-INDIENS IAWA ET BORA Sous-table non exportée Sous-table non exportée * rive gauche de l'Amazonie -1 AMERIQUE +LDPF-17 D303M DI.955.011.001 A01 DI.955.011.001A01 00:00:00 n FRANCE TROMPES ET FANFARES DE VENERIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +33-AT-1041 D253M DI.955.011.002 A01 DI.955.011.002A01 00:00:00 n ESPAGNE CANTO FLAMENCO PAR MANOLO LEIVA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +33-AT-1050 D253M DI.955.011.003 A01 DI.955.011.003A01 00:00:00 n ESPAGNE ANGELILLO DE VALLADOLID-CHANTEUR FLAMENCO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BS-133098 D253M DI.955.011.004 A01 DI.955.011.004A01 00:00:00 n BELGIQUE LE CARNAVAL DE BINCHE Sous-table non exportée Sous-table non exportée 1953 0 EUROPE +LDYM-4025 D174M DI.955.011.005 A01 DI.955.011.005A01 00:00:00 n POLOGNE CHANTS DE POLOGNE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDYM-4026 D174M DI.955.011.006 A01 DI.955.011.006A01 00:00:00 n BRESIL CHANTS DU BRESIL Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LDYM-4028 D173M DI.955.011.007 A01 DI.955.011.007A01 00:03:50 1956 ROUMANIE VALACHIE SUD ROUMAINS DANSES DE ROUMANIE SARBA BALASICA N Sous-table non exportée N Sous-table non exportée DANSE RAPIDE  N 1956 0 EUROPE +LDYM-4028 D173M DI.955.011.007 A02 DI.955.011.007A02 00:02:01 01/01/56 ROUMANIE ARGES ROUMAINS DANSES DE ROUMANIE BRUTETUL PETITE FLEUR N Sous-table non exportée N Sous-table non exportée  ND 1956 0 EUROPE +LDYM-4028 D173M DI.955.011.007 A03 DI.955.011.007A03 00:04:00 01/01/56 ROUMANIE BANAT ROUMAINS DANSES DE ROUMANIE DRAG MI-E SA TRAESC PE LUME SI HORA J'AIME VIVRE DANS CE MONDE ET HORA N Sous-table non exportée HORA Sous-table non exportée  ND 1956 0 EUROPE +LDYM-4029 D173M DI.955.011.008 A01 DI.955.011.008A01 00:00:00 n FRANCE;P. BASQUE BASQUE DANSES & CHANTS DU PAYS BASQUE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +MC-20091 D303M DI.955.014.001 A01 DI.955.014.001A01 00:00:00 n GRECE DANSES & CHANTS DU FOLKLORE GREC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +MC-20092 D303M DI.955.014.002 A01 DI.955.014.002A01 00:00:00 n GRECE CHANTS ET DANSES GRECS DES ILES ET DES MONTAGNES. VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SL-204 D303M DI.955.016.001 A01 DI.955.016.001A01 00:00:00 n EIRE IRISH FOLK SONGS-IRELAND-VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SL-205 D303 DI.955.016.002 Z01 DI.955.016.002Z01 00:00:00 n ALGERIE HOGGAR TOUAREGS FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES Sous-table non exportée Sous-table non exportée 3458 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z02 DI.955.016.002Z02 00:00:00 n ALGERIE SAHARA ORFELA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG OF EXILE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z03 DI.955.016.002Z03 00:00:00 n ALGERIE SAHARA, IN SALAH HARRATIN FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG FROM IN SALAH Sous-table non exportée Sous-table non exportée 1948 AFRIQUE +SL-205 D303 DI.955.016.002 Z05 DI.955.016.002Z05 00:00:00 n BURKINA FASO FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES Sous-table non exportée Sous-table non exportée 3458 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z06 DI.955.016.002Z06 00:00:00 n SOMALIE DANKALI FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES WEDDING SONG Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z08 DI.955.016.002Z08 00:00:00 n NIGER SONGHAI FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG OF TOBASKI Sous-table non exportée Sous-table non exportée Tobaski = la fête du mouton• 1950 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z09 DI.955.016.002Z09 00:00:00 n MALI DOGON FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES N Sous-table non exportée Sous-table non exportée N 3458 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z11 DI.955.016.002Z11 00:00:00 n NIGER ZARMA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES THE HUNT Sous-table non exportée Sous-table non exportée Tobaski = la fête du mouton• 1950 AFRIQUE +SL-205 D303 DI.955.016.002 Z13 DI.955.016.002Z13 00:00:00 GUINEE MANDINGUES FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES DRUM DUET Sous-table non exportée Sous-table non exportée ROUGET,G. 1950 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z15 DI.955.016.002Z15 00:00:00 n BURKINA FASO DST DE BANFORA GUIN FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES FUNERAL SONG Sous-table non exportée Sous-table non exportée DIDIER,A. 1948 AFRIQUE +SL-205 D303 DI.955.016.002 Z16 DI.955.016.002Z16 00:00:00 n BURKINA FASO DST DE BANFORA WARA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES FUNERAL SONG Sous-table non exportée Sous-table non exportée DIDIER,A. 1948 AFRIQUE +SL-205 D303 DI.955.016.002 Z20 DI.955.016.002Z20 00:00:00 n MADAGASCAR FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES Sous-table non exportée Sous-table non exportée CLERISSE 1939 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z21 DI.955.016.002Z21 00:00:00 n MADAGASCAR SAKALAVA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG OF EXORCISM Sous-table non exportée Sous-table non exportée CLERISSE 1939 AFRIQUE +SL-205 D303 DI.955.016.002 Z22 DI.955.016.002Z22 00:00:00 n MADAGASCAR VEZO FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG TO BRING GOOD LUCK Sous-table non exportée Sous-table non exportée CLERISSE 1939 AFRIQUE +SL-205 D303 DI.955.016.002 Z23 DI.955.016.002Z23 00:00:00 n MADAGASCAR AMBILUBE FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES SONG OF HOMAGE TO THE KING Sous-table non exportée Sous-table non exportée CLERISSE 1939 AFRIQUE +SL-205 D303 DI.955.016.002 Z24 DI.955.016.002Z24 00:00:00 n TOGO KABRE FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES WORK SONG Sous-table non exportée Sous-table non exportée 1939 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z25 DI.955.016.002Z25 00:00:00 n GABON ENYA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES PORTER'S SONG Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z26 DI.955.016.002Z26 00:00:00 GABON OKANDE FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES PADDLER'S SONG Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-205 D303 DI.955.016.002 Z27 DI.955.016.002Z27 00:00:00 GABON BADOUMA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES DANCE SONG Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-205 D303 DI.955.016.002 Z29 DI.955.016.002Z29 00:00:00 n CONGO DST DE OUESSO NOGUNDI FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 3458 0 AFRIQUE +SL-205 D303 DI.955.016.002 Z30 DI.955.016.002Z30 00:00:00 CONGO DST DE OUESSO BONGILI FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES DANCE SONG Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-205 D303 DI.955.016.002 Z31 DI.955.016.002Z31 00:00:00 CONGO DST DE OUESSO KOUKOUYA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES DANCE Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-205 D303 DI.955.016.002 Z32 DI.955.016.002Z32 00:00:00 CONGO KOUYOU FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES HEALING SONG Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 146 AFRIQUE +SL-205 D303 DI.955.016.002 Z34 DI.955.016.002Z34 00:00:00 CONGO PYGMEES BABINGA FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES THE HUNTING CRIES Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-205 D303 DI.955.016.002 Z35 DI.955.016.002Z35 00:00:00 CONGO PYGMEES BABINGA BANGOMBE FRENCH AFRICA-AFRICAN M. FROM THE FRENCH COLONIES MAGIC SONG Sous-table non exportée Sous-table non exportée MISSION OGOOUE-CONGO 1946 AFRIQUE +SL-206 D303M DI.955.016.003 Z01 DI.955.016.003Z01 00:00:00 n GB;ANGLETERRE ENGLAND-ENGLISH FOLK SONGS Sous-table non exportée Sous-table non exportée 2657 0 EUROPE +SL-207 D303M DI.955.016.004 Z01 DI.955.016.004Z01 00:00:00 n FRANCE FRANCE-FRENCH FOLK MUSIC Sous-table non exportée Sous-table non exportée 5257 0 EUROPE +SL-208 D303M DI.955.016.005 A01 DI.955.016.005A01 00:00:00 n AUSTRALIE AUSTRALIA & NEW GUINEA Sous-table non exportée Sous-table non exportée 1656 0 OCEANIE +SL-208 D303M DI.955.016.005 B01 DI.955.016.005B01 00:00:00 n PAPOUASIE-NLE-GUINEE AUSTRALIA & NEW GUINEA Sous-table non exportée Sous-table non exportée 1656 0 OCEANIE +SL-209 D303M DI.955.016.006 A01 DI.955.016.006A01 00:00:00 n GB;ECOSSE SCOTLAND Sous-table non exportée Sous-table non exportée 1951 0 EUROPE +SL-210 D303M DI.955.016.007 A01 DI.955.016.007A01 00:00:00 n INDONESIE;IRIAN JAYA INDONESIAN MUSIC N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +SL-210 D303M DI.955.016.007 A07 DI.955.016.007A07 00:00:00 n INDONESIE;MOLUQUES INDONESIAN MUSIC Sous-table non exportée Sous-table non exportée 3457 0 ASIE +SL-210 D303M DI.955.016.007 A15 DI.955.016.007A15 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) INDONESIAN MUSIC Sous-table non exportée Sous-table non exportée 3457 0 ASIE +SL-210 D303M DI.955.016.007 A19 DI.955.016.007A19 00:00:00 n INDONESIE;BALI INDONESIAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +SL-210 D303M DI.955.016.007 B29 DI.955.016.007B29 00:00:00 n INDONESIE;JAVA INDONESIAN MUSIC n Sous-table non exportée Sous-table non exportée -1 0 ASIE +SL-211 D303M DI.955.016.008 A01 DI.955.016.008A01 00:00:00 n CANADA CANADA FOLK SONGS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +SL-212 D303M DI.955.016.009 A01 DI.955.016.009A01 00:00:00 n VENEZUELA VENEZUELLA FOLK & ABORIGINAL MUSIC Sous-table non exportée Sous-table non exportée 2556 0 AMERIQUE +SL-213 D303M DI.955.016.010 A01 DI.955.016.010A01 00:00:00 n TANZANIE BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 A02 DI.955.016.010A02 00:00:00 n OUGANDA BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 A05 DI.955.016.010A05 00:00:00 n ZAIRE BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 A07 DI.955.016.010A07 00:00:00 n MOZAMBIQUE BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 A09 DI.955.016.010A09 00:00:00 n ZIMBABWE BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 A17 DI.955.016.010A17 00:00:00 n MALAWI BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 B21 DI.955.016.010B21 00:00:00 n KENYA BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-213 D303M DI.955.016.010 B27 DI.955.016.010B27 00:00:00 n LESOTHO BANTU M. FROM BRITISH EAST AFRICA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SL-214 D303M DI.955.016.011 A01 DI.955.016.011A01 00:00:00 n JAPON JAPAN, THERYUKYUS, FORMOSA & KOREA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SL-214 D303M DI.955.016.011 B21 DI.955.016.011B21 00:00:00 n TAIWAN JAPAN, THERYUKYUS, FORMOSA & KOREA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SL-214 D303M DI.955.016.011 B28 DI.955.016.011B28 00:00:00 n COREE DU SUD JAPAN, THERYUKYUS, FORMOSA & KOREA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SL-215 D303M DI.955.016.012 A01 DI.955.016.012A01 00:00:00 n INDE INDIAN FOLK MUSIC Sous-table non exportée Sous-table non exportée 1952 0 ASIE +SL-216 D303M DI.955.016.013 A01 DI.955.016.013A01 00:00:00 n ESPAGNE SPAIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SL-217 D303M DI.955.016.014 A01 DI.955.016.014A01 00:00:00 n YOUGOSLAVIE CROATIE, VRBOVEC YUGOSLAVIA DRMES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +MH-54-6 D303M DI.955.017.001 A01 DI.955.017.001A01 00:00:00 n BENIN FETE POUR L'OFFRANDE DES PREMIERES IGNAMES A SHANGO AU DAHOMEY Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 A01 DI.955.018.001/02A01 00:00:00 n RWANDA AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 A03 DI.955.018.001/02A3 00:00:00 n CONGO AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 A05 DI.955.018.001/02A5 00:00:00 n NIGERIA AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 B10 DI.955.018.001/02B10 00:00:00 n AFRIQUE AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 B11 DI.955.018.001/02B11 00:00:00 n MADAGASCAR AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 B08 DI.955.018.001/02B8 00:00:00 n ZAIRE AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-502-1/2 D303M DI.955.018.001/02 C12 DI.955.018.001/02C12 00:00:00 n PORTO RICO AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 C13 DI.955.018.001/02C13 00:00:00 n BAHAMAS AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 C14 DI.955.018.001/02C14 00:00:00 n CUBA AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 C16 DI.955.018.001/02C16 00:00:00 n HAITI AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 D18 DI.955.018.001/02D18 00:00:00 n JAMAIQUE AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 D19 DI.955.018.001/02D19 00:00:00 n BRESIL AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 D22 DI.955.018.001/02D22 00:00:00 n SURINAM AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-502-1/2 D303M DI.955.018.001/02 D23 DI.955.018.001/02D23 00:00:00 n USA AFRICAN AND AFRO-AMERICAN DRUMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-458 D303M DI.955.019.001 A01 DI.955.019.001A01 00:00:00 n BRESIL INIDAN MUSIC OF THE UPPER AMAZON Sous-table non exportée Sous-table non exportée 1953 0 AMERIQUE +LD-227 D253M DI.956.002.001 A01 DI.956.002.001A01 00:00:00 n FRANCE;BRETAGNE DEK KOROLL BREIZ N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LF-1154 D253 DI.956.005.001 A01 DI.956.005.001A01 00:00:00 n GB HIGHLAND BAGPIPES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +TLP-11 D253M DI.956.006.001 A01 DI.956.006.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE VINGT ET UN ANS CHEZ LES PAPOUS N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +403 D253M DI.956.007.001 A01 DI.956.007.001A01 00:00:00 N CUBA SHANGO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LD-7 D303M DI.956.010.001 A01 DI.956.010.001A01 00:00:00 n INDONESIE;BALI BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-8 D303M DI.956.011.001 A01 DI.956.011.001A01 00:00:00 n INDE M. POPULAIRE DE L'INDE DU NORD Sous-table non exportée Sous-table non exportée 1954 0 ASIE +LD-6 D253M DI.956.012.001 A01 DI.956.012.001A01 00:00:00 1953-54 INDONESIE;BORNEO(KALIMANTAN) BORNEO. MUSIQUE DES CHASSEURS DE TETE. N Sous-table non exportée Sous-table non exportée 1953 0 ASIE +RLP-4002 D303M DI.956.013.001 A01 DI.956.013.001A01 00:00:00 n ZAIRE VOICE OF THE CONGO. M. OF THE BELGIAN CONGO & RUANDA-URUNDI Sous-table non exportée Sous-table non exportée 1456 0 AFRIQUE +RLP-4002 D303M DI.956.013.001 B13 DI.956.013.001B13 00:00:00 n RWANDA VOICE OF THE CONGO. M. OF THE BELGIAN CONGO & RUANDA-URUNDI Sous-table non exportée Sous-table non exportée 1456 0 AFRIQUE +P-445 D303M DI.956.014.001 A01 DI.956.014.001A01 00:00:00 n USA SONGS AND DANCES OF THE FLATHEAD INDIANS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +P-441 D303M DI.956.015.001 A01 DI.956.015.001A01 00:00:00 n NIGERIA DRUMS OF THE YORUBA OF NIGERIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +28349 D2578M DI.956.016.009 A01 DI.956.016.009A01 00:00:00 N VIETNAM BACH XA TIN DUOC/LY NGOC N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43553 D2578M DI.956.016.010 A01 DI.956.016.010A01 00:00:00 N VIETNAM TUY KIEU DON VA CA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43575 D2578M DI.956.016.011 A01 DI.956.016.011A01 00:00:00 N VIETNAM TUY KIEU VA TUY VAN DON CA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-308 D253M DI.956.018.001 A01 DI.956.018.001A01 00:00:00 n GUYANE FRANCAISE MUSIQUE DE GUYANE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LDM-8131 D253M DI.956.019.001 A01 DI.956.019.001A01 00:00:00 N BULGARIE ENSEMBLE DE LA REPUBLIQUE BULGARE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDY-4041 D173M DI.956.020.001 A01 DI.956.020.001A01 00:00:00 n CHINE CHINOIS LES AMOURS DE LIANG CHAN PO & CHOU YING-TAI* N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-11 D303M DI.956.022.001 A01 DI.956.022.001A01 00:00:00 n INDE;SIKKIM TIBETAINS MUSIQUE TIBETAINE DU SIKKIM Sous-table non exportée Sous-table non exportée N 1955 0 ASIE +PRZ-6817 D403M DI.956.023.001 A01 DI.956.023.001A01 00:00:00 n AUSTRALIE U. OF SYDNEY: ARNHEM LAND EXPEDITION 1952 Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6822 D403M DI.956.023.002 A01 DI.956.023.002A01 00:00:00 n AUSTRALIE U. OF SYDNEY: ARNHEM LAND EXPEDITION 1952 Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6823 D403M DI.956.023.003 A01 DI.956.023.003A01 00:00:00 n AUSTRALIE U. OF SYDNEY: ARNHEM LAND EXPEDITION 1952 Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6829 D403M DI.956.023.004 A01 DI.956.023.004A01 00:00:00 n AUSTRALIE U. OF SYDNEY: ARNHEM LAND EXPEDITION 1952 N Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +ALPC-2 D303M DI.956.025.001 A01 DI.956.025.001A01 00:00:00 N INDE MUSIC OF INDIA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +RLP-4006 D303M DI.957.002.001 A01 DI.957.002.001A01 00:00:00 N ZAIRE EKONDA TRIBAL MUSIC OF THE BELGIAN CONGO N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +86019 D303M DI.957.003.001 A01 DI.957.003.001A01 00:00:00 N CONGO MUSIQUE PYGMEE ET MUSIQUE NEGRE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +N-76048-R D253M DI.957.004.001 A01 DI.957.004.001A01 00:00:00 n MAROC FEERIE SUD-MAROCAINE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LD-O14 D303M DI.957.005.001 A01 DI.957.005.001A01 00:00:00 N INDE MUSIQUE TRADITIONNELLE DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-O15 D303M DI.957.006.001 A01 DI.957.006.001A01 00:00:00 N INDE MUSIQUE RELIGIEUSE DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-310 D173M DI.957.007.001 A01 DI.957.007.001A01 00:00:00 1955 INDE;BENGALE N CHANTS DU BENGALE / LOKENATH BHATTACHARYA N Sous-table non exportée Sous-table non exportée 1955 0 ASIE +ECA-75 D174M DI.957.008.001 A01 DI.957.008.001A01 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA TUS AMORES N Sous-table non exportée CUECA CHILENA Sous-table non exportée 0 0 AMERIQUE +ECA-75 D174M DI.957.008.001 A02 DI.957.008.001A02 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA TENGO QUE MORIR CANTANDO N Sous-table non exportée CUECA CHILENA Sous-table non exportée 0 0 AMERIQUE +ECA-75 D174M DI.957.008.001 A03 DI.957.008.001A03 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA LLORO POR VERTE N Sous-table non exportée CUECA CHILENA Sous-table non exportée 0 0 AMERIQUE +ECA-75 D174M DI.957.008.001 A04 DI.957.008.001A04 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA TUYA SOY N Sous-table non exportée CUECA CHILENA Sous-table non exportée 0 0 AMERIQUE +ECA-75 D174M DI.957.008.001 B01 DI.957.008.001B01 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA TROVAS DE AMOR N Sous-table non exportée VALS Sous-table non exportée 0 0 AMERIQUE +ECA-75 D174M DI.957.008.001 B02 DI.957.008.001B02 00:00:00 00/00/00 CHILI N CHILIENS MARGOT LOYOLA CONJUNTO FIESTA LINDA TROVAS DE AMOR N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +560-V-071 D174M DI.957.009.001 A01 DI.957.009.001A01 00:00:00 n PEROU MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +320-C-096/8 D303M DI.957.010.001/03 A01 DI.957.010.001/03A01 00:00:00 n INDE ANTHOLOGIE DE LA MUSIQUE CLASSIQUE DE L'INDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-15 D303M DI.957.011.001 A01 DI.957.011.001A01 00:00:00 n BRESIL BRESIL-MUSIQUE INDIENNE. VOL. 1 Sous-table non exportée Sous-table non exportée 1955 0 AMERIQUE +LD-16 D303M DI.957.012.001 A01 DI.957.012.001A01 00:00:00 n BRESIL BRESIL. VOL. 2. - MUSIQUE DE BAHIA Sous-table non exportée Sous-table non exportée 1955 0 AMERIQUE +LD-9 D303M DI.957.013.001 A01 DI.957.013.001A01 00:00:00 n NAMIBIE KALAHARI, BOCHIMANS MUSIQUE BOCHIMAN ET MUSIQUE PYGMEE Sous-table non exportée Sous-table non exportée Bochimans, groupe !Kung• 1954 0 AFRIQUE +LD-9 D303M DI.957.013.001 A02 DI.957.013.001A02 00:00:00 CONGO REGION DE OUESSO PYGMEES BABENZELES MUSIQUE BOCHIMAN ET MUSIQUE PYGMEE Sous-table non exportée Sous-table non exportée 1946 AFRIQUE +LD-17 D303M DI.957.014.001 A01 DI.957.014.001A01 00:00:00 n COTE D'IVOIRE PONDO KAKOU-MUSIQUE DE SOCIETE SECRETE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-17 D303M DI.957.014.001 B01 DI.957.014.001B01 00:00:00 n BENIN PONDO KAKOU-MUSIQUE DE SOCIETE SECRETE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-17 D303M DI.957.014.001 B06 DI.957.014.001B06 00:00:00 n GUINEE PONDO KAKOU-MUSIQUE DE SOCIETE SECRETE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LXT-2695 D303M DI.957.015.001 A01 DI.957.015.001A01 00:00:00 n GB;ANGLETERRE DECCA MICROGROOVE FREQUENCY TEST RECORD Sous-table non exportée Sous-table non exportée 0 0 EUROPE +IFAN-1-2 D253M DI.957.016.001 A01 DI.957.016.001A01 00:00:00 n GUINEE FRANCAISE MUSIQUE SOSSO ET MALINKE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +IFAN-3-4 D253M DI.957.016.002 A01 DI.957.016.002A01 00:00:00 n GUINEE CHANTS ET MUSIQUE PEUL ET MAURES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +IFAN-3-4 D253M DI.957.016.002 B01 DI.957.016.002B01 00:00:00 n MAURITANIE CHANTS ET MUSIQUE PEUL ET MAURES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-20146 D303M DI.957.017.001 A01 DI.957.017.001A01 00:00:00 n BENIN DAHOMEY-MUSIQUE DU ROI. GUINEE-MUSIQUE MALINKE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20146 D303M DI.957.017.001 B01 DI.957.017.001B01 00:00:00 n GUINEE DAHOMEY-MUSIQUE DU ROI. GUINEE-MUSIQUE MALINKE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +MC-20147 D303M DI.957.018.001 A01 DI.957.018.001A01 00:06:54 n AFGHANISTAN MAZAR-I SHERIF TADJIK AFGHANISTAN & IRAN CHANT D'AMOUR UZBEK N Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée THEME UZBEK, STYLE TADJIK DE MAZAR-I SHERIF LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 A02 DI.957.018.001A02 00:00:00 n AFGHANISTAN MAZAR-I SHERIF TADJIK AFGHANISTAN & IRAN SOLO DE FLUTE N Sous-table non exportée N Sous-table non exportée MENDIANT RELIGIEUX [MALANG].Flûte en cuivre• Solo instr LUBTCHANSKY JC & S -1 0 ASIE +MC-20147 D303M DI.957.018.001 A03 DI.957.018.001A03 00:00:00 n AFGHANISTAN MAZAR-I SHERIF UZBEK AFGHANISTAN & IRAN RYTHMES UZBEK N Sous-table non exportée N Sous-table non exportée CLOCHETTES ET ANNEAUX EN ARGENTS SONT ATTACHES A LA MAIN DROITE DU LUTHISTE LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 A04 DI.957.018.001A04 00:04:33 n AFGHANISTAN N OUZBEKS AFGHANISTAN & IRAN CHANT TURKMENE N Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée Chanté par un ouzbek; même chanteur que plage B1 0 0 ASIE +MC-20147 D303M DI.957.018.001 A05 DI.957.018.001A05 00:03:00 n AFGHANISTAN BAMIAN PASHTOUN AFGHANISTAN & IRAN CHANT PACHTOUN N Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 A06 DI.957.018.001A06 00:03:55 n AFGHANISTAN KABOUL PASHTOUN AFGHANISTAN & IRAN SOLO DE REBAB N Sous-table non exportée N Sous-table non exportée PACHTOUN SEDENTAIRE LUBTCHANSKY, JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 B01 DI.957.018.001B01 00:03:22 n AFGHANISTAN ? UZBEK AFGHANISTAN & IRAN CHANT UZBEK N Sous-table non exportée N Sous-table non exportée LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 B02 DI.957.018.001B02 00:00:00 n AFGHANISTAN ? PASHTOUN AFGHANISTAN & IRAN DANSE GUERRIERE N Sous-table non exportée DANSE ATTAN Sous-table non exportée [TBR 2MEMBRANES DOOL], LA NOTICE DIT FLUTE OU HTBOIS. LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 B03 DI.957.018.001B03 00:00:00 n AFGHANISTAN ? PASHTOUN AFGHANISTAN & IRAN CHOEUR PACHTOUN N Sous-table non exportée N Sous-table non exportée LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 B04 DI.957.018.001B04 00:00:00 n AFGHANISTAN ? UZBEK AFGHANISTAN & IRAN SOLO DE TCHANG (GUIMBARDE) N Sous-table non exportée N Sous-table non exportée INSTR. JOUE ICI PAR UN H MAIS NORMALEMENT RESERVE AUX F LUBTCHANSKY JC & S 0 0 ASIE +MC-20147 D303M DI.957.018.001 B05 DI.957.018.001B05 00:00:00 IRAN;KURDISTAN ? KURDES AFGHANISTAN & IRAN CHANT EPIQUE KURDE N Sous-table non exportée EPIQUE Sous-table non exportée 0 0 ASIE +MC-20147 D303M DI.957.018.001 B06 DI.957.018.001B06 00:00:00 n IRAN MECHED IRANIENS AFGHANISTAN & IRAN EXERCICES DE ZOURKHANE N Sous-table non exportée N Sous-table non exportée CF. NOTICE POUR LE DETAIL DES SEQUENCES DE LA CEREMONIE LUBTCHANSKY, JC & S 0 0 ASIE +BVG-132 D253M DI.957.019.001 A01 DI.957.019.001A01 00:00:00 n FRANCE;CORSE EVOCATION DE LA CORSE PAR SES CHANTS TRADITIONNELS ET MODERNES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDY-4090 D173M DI.957.020.001 A01 DI.957.020.001A01 00:00:00 n GRECE;EPIRE GRECS FOLKLORE GREC. N°1 EPIRE N Sous-table non exportée Sous-table non exportée 1956 0 EUROPE +LDY-4091 D173M DI.957.020.002 A01 DI.957.020.002A01 00:00:00 n GRECE GRECS FOLKLORE GREC. N°2 EGINE N Sous-table non exportée Sous-table non exportée 1956 0 EUROPE +LPP-435/38 D253M DI.958.001.001/02 A01 DI.958.001.001/02A01 00:00:00 n MALI LES DOGON-LES CHANTS DE LA VIE Sous-table non exportée Sous-table non exportée N -1 0 AFRIQUE +DISCO-1/14 D303M DI.958.002.001/14 A01 DI.958.002.001/14A01 00:00:00 n CUBA MUSICA DE LOS CULTOS AFRICANOS EN CUBA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +PRX-2712-FSX-178/79 D3078 DI.958.003.001 A01 DI.958.003.001A01 00:00:00 AUSTRALIE ARNHEM LAND GROOTE ISLAND ABORIGINAL SONGS KESTREL SE WIND Sous-table non exportée Sous-table non exportée Une seule fiche phono saisie 1948 OCEANIE +PRX-2713-FSX-180/81 D3078 DI.958.003.002 A01 DI.958.003.002A01 00:00:00 1948 AUSTRALIE ARNHEM LAND GROOTE ISLANDS ABORIGINAL SONGS THE COCONUT TREE Sous-table non exportée Sous-table non exportée Une seule fiche phono saisie 0 OCEANIE +PRX-2713-FSX-181/18 D3078 DI.958.003.003 A01 DI.958.003.003A01 00:00:00 AUSTRALIE ARNHEM LAND GROOTE ISLANDS ABORIGINAL SONGS THE SE ATURTLE Sous-table non exportée Sous-table non exportée Une seule fiche phono saisie 0 OCEANIE +PRX-2715-FSX-184/85 D3078 DI.958.003.004 A01 DI.958.003.004A01 00:00:00 AUSTRALIE ARNHEM LAND PORT DARWIN ABORIGINAL SONGS THE WATER HOLE BALUIN Sous-table non exportée Sous-table non exportée Une seule fiche phono saisie 0 OCEANIE +PRX-2716-FSX-186/87 D3078 DI.958.003.005 A01 DI.958.003.005A01 00:00:00 AUSTRALIE OENPILLI ISLANDS OENPILLI ISLANDS ABORIGINAL SONGS Sous-table non exportée Sous-table non exportée 0 OCEANIE +PRX-2716--FSX-188 D3078 DI.958.003.006 A01 DI.958.003.006A01 00:00:00 AUSTRALIE OENPILLI ISLANDS OENPILLI ISLANDS ABORIGINAL SONGS Sous-table non exportée Sous-table non exportée 0 OCEANIE +AAFSL-22 D303M DI.958.004.001 A01 DI.958.004.001A01 00:00:00 n USA SONGS OF THE CHIPPEWA Sous-table non exportée Sous-table non exportée 1911 0 AMERIQUE +AAFSL-23 D303M DI.958.004.002 A01 DI.958.004.002A01 00:00:00 n USA SONGS OF THE SIOUX Sous-table non exportée Sous-table non exportée 24598 0 AMERIQUE +AAFSL-24 D303M DI.958.004.003 A01 DI.958.004.003A01 00:00:00 n USA SONGS OF THE YUMA, COCOPA AND YAQUI Sous-table non exportée Sous-table non exportée 1922 0 AMERIQUE +AAFSL-25 D303M DI.958.004.004 A01 DI.958.004.004A01 00:00:00 n USA SONGS OF THE PAWNEE AND SONGS OF THE NORTHERN UTE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +AAFSL-31 D303M DI.958.004.005 A01 DI.958.004.005A01 00:00:00 n USA SONGS OF THE PAPAGO Sous-table non exportée Sous-table non exportée 1920 0 AMERIQUE +AAFSL-32 D303M DI.958.004.006 A01 DI.958.004.006A01 00:00:00 n USA SONGS OF THE NOOTKA AND QUILEUTE Sous-table non exportée Sous-table non exportée 4282 0 AMERIQUE +AAFSL-33 D303 DI.958.004.007 A01 DI.958.004.007A01 00:00:00 n USA SONGS OF THE MENOMINEE, MANDAN AND HIDATSA Sous-table non exportée Sous-table non exportée 4079 0 AMERIQUE +EXTP-1026 D174M DI.958.006.001 A01 DI.958.006.001A01 00:00:00 n BENIN AFRIQUE. VOL.1. MUSIQUE DES REVENANTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1029 D174M DI.958.006.002 A01 DI.958.006.002A01 00:00:00 n GUINEE AFRIQUE. VOL. 2. GUINEE-SENEGAL-DAHOMEY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1029 D174M DI.958.006.002 B02 DI.958.006.002B02 00:00:00 n SENEGAL AFRIQUE. VOL. 2. GUINEE-SENEGAL-DAHOMEY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1029 D174M DI.958.006.002 B03 DI.958.006.002B03 00:00:00 n BENIN AFRIQUE. VOL. 2. GUINEE-SENEGAL-DAHOMEY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1031 D174M DI.958.006.003 A01 DI.958.006.003A01 00:00:00 n GUINEE AFIRQUE. VOL.3.BATTERIES AFRICAINES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1032 D174M DI.958.006.004 A01 DI.958.006.004A01 00:00:00 n MAURITANIE AFRIQUE. VOL. 4 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1032 D174M DI.958.006.004 A02 DI.958.006.004A02 00:00:00 n GUINEE AFRIQUE. VOL. 4 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1032 D174M DI.958.006.004 A03 DI.958.006.004A03 00:00:00 n BENIN AFRIQUE. VOL. 4 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1032 D174M DI.958.006.004 B02 DI.958.006.004B02 00:00:00 n COTE D'IVOIRE AFRIQUE. VOL. 4 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-8-OU-6552 D173M DI.958.007.001 A01 DI.958.007.001A01 00:00:00 oct.1957 MEXIQUE N MUSIC BEFORE COLOMBUS PRELUDE & PRESTO FOR ANCIENT AMERICAN INSTRUMENTS Sous-table non exportée Sous-table non exportée 1957 0 AMERIQUE +H-8-OU-6552 D173M DI.958.007.001 B01 DI.958.007.001B01 00:00:00 oct.1957 PEROU N MUSIC BEFORE COLOMBUS PRELUDE & PRESTO FOR ANCIENT AMERICAN INSTRUMENTS Sous-table non exportée Sous-table non exportée 1957 0 AMERIQUE +E-2 D253M DI.958.008.001 A01 DI.958.008.001A01 00:00:00 n CAMEROUN  Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +AMS-5 D303M DI.958.009.001 A01 DI.958.009.001A01 00:08:10 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC OUVERTURE DOUBLE=*TR DANG DANG KEP=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Musique royale de cour-Documents authentiques mais sans texte explicatif. 1962 Trân Vân Khé: Musique traditionnelle Vietnamienne, (ed) PUF 384p. Paris. Hors situation, sur demande de la Radiodiffusion, Télévision Française. La description des instruments de musique est fondée sur l'écoute. A vérifier. Groupe instr RADIODIFFUSION TELEVISION FRANCAISE 1956 Pour dignitaire 0 ASIE +AMS-5 D303M DI.958.009.001 A02 DI.958.009.001A02 00:08:10 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC OUVERTURE SIMPLE=*TR DANG DANG DON=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Musique royale de cour-Documents authentiques mais sans texte explicatif. 1962 Trân Vân Khé: Musique traditionnelle Vietnamienne, (ed) PUF 384p. Paris. Hors situation. Composition de l'orchestre à vérifier. Echelle pentatonique Do, Re, Fa, Sol, La, Do. Rythme binaire• RTF 1956 0 ASIE +AMS-5 D303M DI.958.009.001 A03 DI.958.009.001A03 00:05:03 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC DANSE DES 4 ANIMAUX FABULEUX:DRAGON,LICORNE,TORTUE,PHENIX,DANS.FLORALE MUA TU LINH:LONG, LAN, QUI, PHUNG-BONG Sous-table non exportée DANSE ROYALE Sous-table non exportée Deux danses royales très populaires parmi les danses de musique de cour. 1962 Trân Vân Khé: Musique traditionnelle Vietnamienne, (ed) PUF 384p. Paris. Hors situation RTF 1956 0 ASIE +AMS-5 D303M DI.958.009.001 A04 DI.958.009.001A04 00:03:49 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC DANSE DU CHEVAL=*TR MA VU=*TRS Sous-table non exportée DANSE ROYALE Sous-table non exportée 1962 Trân Vân Khé: Musique traditionnelle Vietnamienne, (ed) PUF 384p. Paris. Hors situation. Comparer cette pièce avec celle enregistrée plus tard en 1966 par Nguyen Huu BA dans le disque Vietnam I, coll. Unesco (BM 30L 2022, A1). Echelle pentatonique Do, Re, Fa, Sol, La, Do. Rythme binaire• RTF -1 0 ASIE +AMS-5 D303M DI.958.009.001 B01 DI.958.009.001B01 00:05:26 n VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC BLEU=*TR XANH=*TRS Sous-table non exportée DANSE ROYALE Sous-table non exportée Vièle 2C "DAN NHI": archet pris. Echelle penta= do, ré,sol, la,do Intéressante polyrythmie. RTF -1 0 ASIE +AMS-5 D303M DI.958.009.001 B02 DI.958.009.001B02 00:03:24 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC BARBARE, DITE DANSE DES BARBARES=*TR MAN=TRS* Sous-table non exportée DANSE ROYALE Sous-table non exportée Rythme intéressant Hors situation Echelle pentatonique: Do, Ré, Fa, Sol, Si, Do RTF -1 0 ASIE +AMS-5 D303M DI.958.009.001 B03 DI.958.009.001B03 00:02:23 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC BARBARE, DITE DANSE DES BARBARES=*TR MAN=*TRS Sous-table non exportée DANSE ROYALE Sous-table non exportée Danse royale• Cette partie de la danse concerne le rythme. Rythme intéressant. Polyrythmie • RTF -1 0 ASIE +AMS-5 D303M DI.958.009.001 B04 DI.958.009.001B04 00:04:04 n VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC VOYAGE PAR VOIE DE TERRE, VERSION LENTE PUIS RAPIDE=*TR PHU LUC CHAM, LANH=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Repertoire du _Ca Hué_,m. dite de Hué. Chant accompagné par un ensemble de 5 instruments appelé _Ngu Tuyêt_ (les 5 parfaits). Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Enreg. hors situation. Echelle penta do,ré, fa, sol, la, do. Comparer avec la même pièce dans le di. _Vietnam 1_ BM 30 L 2022, B5. Instruments ayant deux noms €: DAN NGUYET=DAN KIM, DAN NHI=DAN CO, DAN TRANH=DAN THAP LUC, DAN DOC HUYEN=DAN BAU. RTF -1 0 ASIE +AMS-5 D303M DI.958.009.001 B05 DI.958.009.001B05 00:00:00 N VIETNAM CENTRE VIETNAM VIETNAMIENS DAI NHAC CO DIEN GOM TRONG, KEN VA CAC THU NHAC PIECE ANCIENNE=*TR CO BAN, LONG DIEP=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée M. de chambre. La pièce long diêp est rarement enregisrée sur disque. C'est la première fois qu'on entend cette pièce. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Echelle pentatonique Do, Ré, Fa, Sol, La, Do. Même formation orchestrale que B4 de ce disque. Solo voc + instrs RTF -1 0 ASIE +AMS-6 D303M DI.958.009.002 A01 DI.958.009.002A01 00:09:11 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THOI BAI HAU VUA NGU TE NAM GIAO OUVERTURE LENTE, OUVERTURE RAPIDE=*TR KHAI DANG CHAM, KHAI DANG THET=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Phénomène du métabole Air joué pendant le cortège Royal à la Cérémonie des Sacrifices. Echelles pentatoniques: Do, Re, Fa Sol, La, Do et hors situation Do, Re, Fa, Sol, Si, Do. Hors situation. RTF -1 0 ASIE +AMS-6 D303M DI.958.009.002 A02 DI.958.009.002A02 00:12:56 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THOI BAI HAU VUA NGU TE NAM GIAO CEREMONIE DES SACRIFICES CIEL/TERRE, LAMENTATIONS DU SUD=*TR Sous-table non exportée M. DE COUR Sous-table non exportée Musique de divertissement dans la catégorie de musique douce (Dieu du Phuong) Nam giao sap (OO;OO) Nam Ai (06:00) Nam Bang (09:30) Cung Dao (10:30 jusqu'à la fin). Hors situation. Echelle pentatonique: Do, Ré, Fa, Sol, La, Do. Dan Nhi est le synonyme du Dan co. RTF -1 0 ASIE +AMS-6 D303M DI.958.009.002 B01 DI.958.009.002B01 00:06:41 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THOI BAI HAU VUA NGU TE NAM GIAO TROIS MILLE=*TR TAM THIEN, HO NGAN=*TRS Sous-table non exportée Sous-table non exportée Cérémonie rituelle. Pièces faisant partie de la musique vivace (dieu hung hon) Vièle "DAN NHI": 2C, archet pris. Pièce rarement jouée, docu. authentique. Echelle pentatonique. Do, Ré, Fa, Sol, La, Do. Groupe instr RTF -1 0 ASIE +AMS-6 D303M DI.958.009.002 B02 DI.958.009.002B02 00:05:38 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THOI BAI HAU VUA NGU TE NAM GIAO CHAGRIN D'AMOUR=*TR TUONG TU KHUC=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Cithare/table "DAN BAU": 1C. Luth "DAN TY BA": caisse piriforme. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Ce chant pourrait être entre le style du centre et celui du Sud Vietnam dans le monde triste Ai Oan. Echelle pentatonique Do, Ré, Fa, Sol, La, Do. Dan Bau pourrait être appelé Dan Doc huyen• Solo voc + instrs RTF -1 0 ASIE +AMS-6 D303M DI.958.009.002 B03 DI.958.009.002B03 00:09:43 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THOI BAI HAU VUA NGU TE NAM GIAO CHANT, EXTRAIT D'UNE PIECE DE THEATRE TRADITIONNEL HAU BOI HAT Sous-table non exportée Sous-table non exportée Dieu Mua Bong hay bô (musique de danse florale ou théâtre traidtionnel). Vièle "DAN NHI": archet pris• Solo voc + instrs RTF -1 0 ASIE +AMS-7 D303M DI.958.009.003 A01 DI.958.009.003A01 00:03:00 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN CINQ DEGRES OPPOSES VERSION 1 *TR NGU DOI THUONG *TRS N Sous-table non exportée M. DE CHAMBRE Sous-table non exportée M. de chambre, M. de Hué• Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM": peau de serpent. Vièle "DAN NHI": archet pris. Flûte "SAO": 6+1. T. Enreg. hors situation. Doc. précieux• Solo voc + instrs RTF 1956 0 ASIE +AMS-7 D303M DI.958.009.003 A02 DI.958.009.003A02 00:03:05 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN MUSIQUE POUR L'ESPLANADE *TR DANG DANG CUNG *TRS N Sous-table non exportée M. DE COUR Sous-table non exportée M. de Hué. Cet air a été utilisé pour l'hymne national de 1940 à 45 Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM": peau de serpent. Vièle "DAN NHI": archet pris. Enreg. hors situation. Doc. précieux. Echelle penta Do,Ré,Fa,Sol,La,Do. Rythme binaire• Solo voc + instrs RTF 1956 0 ASIE +AMS-7 D303M DI.958.009.003 A03 DI.958.009.003A03 00:03:30 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN CINQ DEGRES OPPOSES, VERSIONS 1 & 2 *TR NGU DOI THUONG, NGU DOI HA *TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée M. de chambre, jouée par l'ensemble de 8 instruments =_bat âm_ Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM": peau de serpent. Vièle "DAN NHI": archet pris. Hors situation. Doc. précieux. Echelle penta Do,Ré,Fa,Sol,La,Do• Groupe instr RTF 1956 0 ASIE +AMS-7 D303M DI.958.009.003 A04 DI.958.009.003A04 00:09:17 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN DANSE DU PHENIX *TR PHUONG VU *TRS Sous-table non exportée DANSE Sous-table non exportée Danse royale Vièle "DAN NHI": archet pris. Enreg. hors situation. Echelle penta Do,Ré,Fa,Sol,La,Do. Grande virtuosité du flûtiste. RTF 1956 0 ASIE +AMS-7 D303M DI.958.009.003 B01 DI.958.009.003B01 00:08:58 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN CHANT DE POSSESSION *TR HAU VAN *TRS Sous-table non exportée Sous-table non exportée Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Enreg. hors situation. Echelle penta Do,Mib,Fa,Sol,La-,Do. RTF 1956 0 ASIE +AMS-7 D303M DI.958.009.003 B02 DI.958.009.003B02 00:10:02 n VIETNAM CENTRE VIETNAMIENS DIEU BAT AM.DIEU THOI SAO PHUNG 2 CON TRUOC SAN CHAU,HAU VAN CHANT DE POSSESSION *TR HAU VAN *TRS Sous-table non exportée Sous-table non exportée Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Enreg. hors situation. Echelle penta Do,Mib,Fa,Sol,La-,Do. Document rare. Le luth à 3 cordes à peau de serpent Dàn tam existe en Chine sous le nom de San Hsien, et au Japon sous le nom de Sangen, surtout à Okinawa. RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 A01 DI.958.009.004A01 00:12:15 n VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* CHANT DE POSSESSION = *TR HAU VAN = *TRS N Sous-table non exportée Sous-table non exportée Rituel de possession, avec un médium Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3c "DAN TAM": peau de serpent.Vièle "DAN NHI": archet pris. Hors situation. Echelle pentatonique Do,Mib,Fa,Sol,La-,Do. RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 A02 DI.958.009.004A02 00:07:00 n VIETNAM CENTRE VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* CHANT POUR PILER LE RIZ *TR GIA GAO *TRS Sous-table non exportée Sous-table non exportée Chant de travail pour piler le riz. Ici il est chanté avec accompagnement instrumental Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Enreg. hors situation. Chant de travail devient chant de divertissement RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 A03 DI.958.009.004A03 00:03:56 n VIETNAM CENTRE VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* IMPROVISATION A LA FLUTE TRAVERSIERE *TR RAO ONG SAO *TRS Sous-table non exportée Sous-table non exportée Prélude improvisé permettant au flûtiste de chauffer les doigts et de montrer sa virtuosité. Enreg. hors situation. RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 A51 DI.958.009.004A51 00:00:00 n VIETNAM DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8 D303M DI.958.009.004 B01 DI.958.009.004B01 00:03:55 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* PIECE ANCIENNE = *TR CO BAN, LONG DIEP = *TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Musique de chambre CA HUE, jouée par l'ensemble instrumental NGU TUYET (les Cinq parfaits). Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM": peau de serpent. Luth 4C "DAN TY BA": piriforme. Vièle "DAN NHI": archet pris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Le luth piriforme à 4 cordes Dàn Ty Bà s'appelle PIPA (Chine), BIWA (Japon). Echelle pentatonique Do,Ré,Fa,Sol,La,Do• Groupe instr RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 B02 DI.958.009.004B02 00:03:47 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* L'EAU QUI COULE, LES SAPEQUES D'OR = *TR LUU THUY, KIM TIEN = *TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Musique de chambre interprétée par l'ensemble instrumental NGU TUYET (Les cinq parfaits) Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM" : en peau de serpent. Luth 4C "DAN TY BA": caisse piriforme. Vièle "DAN NHI": à archet pris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Echelle pentatonique, mode "Bac": Do,Ré,Fa,Sol,La,Do. Rythme binaire• RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 B03 DI.958.009.004B03 00:03:58 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* VOYAGE PAR VOIE DE TERRE = *TR PHU LUC = *TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Musique de chambre CA HUE interprétée par l'ensemble instrumental NGU TUYET (les Cinq Parfaits) Luth 2C "DAN NGUYET": caisse en forme de lune. Luth 3C "DAN TAM" : en peau de serpent. Luth 4C "DAN TY BA": caisse piriforme. Vièle "DAN NHI": à archet pris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Echelle pentatonique, mode "Bac": Do,Ré,Fa,Sol,La,Do• Groupe instr RTF 1956 0 ASIE +AMS-8 D303M DI.958.009.004 B04 DI.958.009.004B04 00:10:02 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU HAU VAN DIEU HO CAC DIEU ,DIEU HAT THAI TE LE,* DEGRES EGAUX = *TR CUNG BANG =*TRS Sous-table non exportée M. RELIGIEUSE Sous-table non exportée Musique dédiée aux trépassés (DIEU CAN TRUY NIEM). Hors situation. Document rare. RTF 1956 0 ASIE +AMS-9 D253M DI.958.009.005 A01 DI.958.009.005A01 00:00:00 n VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THAY TU CONFESSION ET ELEVATION = *TR TANG SAM = *TRS Sous-table non exportée M. RELIGIEUSE Sous-table non exportée Musique bouddhique du centre Vietnam. Vièle 2C "DAN NHI": archet pris. Hors situation. Document rare. Polyrythmie • RTF 1956 0 ASIE +AMS-9 D253M DI.958.009.005 B01 DI.958.009.005B01 00:14:30 N VIETNAM CENTRE VIETNAM VIETNAMIENS DIEU THAY TU CONFESSION ET ELEVATION = *TR TANG SAM = *TRS Sous-table non exportée M. RELIGIEUSE Sous-table non exportée Musique religieuse des bonzes Vièle 2C "DAN NHI": archet pris. Hors situation. Echelle penta Do,Ré,Fa,Sol,La,Do est utilisée avec certains passages Mi,Ré,Do,Ré,Fa (dont le Mi crée une autre couleur modale). Polyrythmie • RTF 1956 0 ASIE +AMS-11 D253M DI.958.009.006 A01 DI.958.009.006A01 00:00:00 n ALGERIE FOLKLORE ARABE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AMS-11 D253M DI.958.009.006 B01 DI.958.009.006B01 00:00:00 n MAROC FOLKLORE ARABE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-12 D303M DI.958.010.001 A01 DI.958.010.001A01 00:00:00 n BENIN A.O.F. OGOUN, DIEU DU FER ET CHANTS D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-12 D303M DI.958.010.001 B01 DI.958.010.001B01 00:00:00 n MAURITANIE A.O.F. OGOUN, DIEU DU FER ET CHANTS D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LD-12 D303M DI.958.010.001 B02 DI.958.010.001B02 00:00:00 n SENEGAL A.O.F. OGOUN, DIEU DU FER ET CHANTS D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LD-12 D303M DI.958.010.001 B05 DI.958.010.001B05 00:00:00 n COTE D'IVOIRE A.O.F. OGOUN, DIEU DU FER ET CHANTS D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +P-476 D303M DI.958.011.001 A01 DI.958.011.001A01 00:00:00 n COTE D'IVOIRE THE BAOULE OF THE IVORY COAST Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8852 D303M DI.958.011.002 A01 DI.958.011.002A01 00:00:00 n SOUDAN AFRICAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8852 D303M DI.958.011.002 B01 DI.958.011.002B01 00:00:00 n CAMEROUN AFRICAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8852 D303M DI.958.011.002 B03 DI.958.011.002B03 00:00:00 n NIGERIA AFRICAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-45-1 D174M DI.958.012.001 A01 DI.958.012.001A01 00:00:00 n GUATEMALA N GUATEMALA. MUSIQUE POPULAIRE N Sous-table non exportée Sous-table non exportée 1954 0 AMERIQUE +LD-45-2 D174M DI.958.012.002 A01 DI.958.012.002A01 00:00:00 N GUATEMALA GUATEMALA. PRIERES ET DISCOURS CHANTES EN LANGUE MAM N Sous-table non exportée Sous-table non exportée 1954 0 AMERIQUE +LD-324 D253M DI.958.013.001 A01 DI.958.013.001A01 00:00:00 n CONGO MUSIQUE BANTOU D'AFRIQUE EQUATORIALE FRANCAISE Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +LA-1051-3 D253M DI.959.002.001/03 A01 DI.959.002.001/03A01 00:00:00 n ESPAGNE ANTHOLOGIE DU CANTE FLAMENCO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +320-C-126/28 D303M DI.959.002.004/06 A08 DI.959.002.004/06A08 00:00:00 n CONGO ANTHOLOGIE DE LA VIE AFRICAINE-CONGO-GABON Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +320-C-126/28 D303M DI.959.002.004/06 A15 DI.959.002.004/06A15 00:00:00 n GABON ANTHOLOGIE DE LA VIE AFRICAINE-CONGO-GABON Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDY-4059 D173M DI.959.003.001 Z01 DI.959.003.001Z01 00:00:00 N SUEDE CHANTS POPULAIRES DE SCANDINAVIE 1 N Sous-table non exportée Sous-table non exportée N -1 0 EUROPE +LDY-4059 D173M DI.959.003.001 Z03 DI.959.003.001Z03 00:00:00 N FINLANDE CHANTS POPULAIRES DE SCANDINAVIE 1 N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDY-4059 D173M DI.959.003.001 Z04 DI.959.003.001Z04 00:00:00 N NORVEGE CHANTS POPULAIRES DE SCANDINAVIE 1 N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SUEP-567 D174M DI.959.003.002 A01 DI.959.003.002A01 00:00:00 N TCHECOSLOVAQUIE TCHECOSLOVAQUIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SUEP-560 D174M DI.959.003.003 A01 DI.959.003.003A01 00:00:00 N TCHECOSLOVAQUIE RONDES ENFANTINES DE TCHECOSLOVAQUIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SUEP-575 D174M DI.959.003.005 A01 DI.959.003.005A01 00:00:00 N URSS;RSFS RUSSIE CHANTS RUSSES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SUEP-538 D174M DI.959.003.006 B01 DI.959.003.006B01 00:00:00 n HONGRIE ALEXANDROV. DANSEURS ET CHOEURS DE L'ARMEE ROUGE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LD-353 D173M DI.959.003.007 A01 DI.959.003.007A01 00:00:00 N NIGER MUSIQUE TOUAREG ET HAOUSSA N Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +LDY-4147 D173M DI.959.003.008 A01 DI.959.003.008A01 00:00:00 N IRAN CHANTS ET DANSES DE PERSE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-326 D173M DI.959.003.009 A01 DI.959.003.009A01 00:01:50 N VIETNAM CENTRE VIETNAM JARAÏ MUSIQUE PROTO-INDOCHINOISE XYLOPHONE TATUNG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Le xylophone tatung se compose de 9 à 15 tuyaux de bambous ouverts sur une partie de leur longueur, et non pas de simples lames de bois. Ces tubes sont fixés parallèlement sur une corde de fibres d'écorce. L'instrument est suspendu horizontalement, d'un côté à un support fixe, de l'autre à la jambe de l'exécutant. Le tatung jörair comporte 9 à 10 tuyaux. Il est joué par un exécutant au moyen de 2 baguettes. Rythme mesuré• Le tatung bahnar comprend de 12 à 15 tuyaux et nécessitent le concours de deux exécutants. Le second , tantôt se borne à accompagner le premier, tantôt répète le thème en canon ou enlace un second thème au premier. La musique de xylophone est une musique de divertissement, mais plutôt un exercice de virtuosité. Le premier morceau (xylophone jörai) dure 1'08" et le deuxième morceau (xylophone bahnar) 0'34". MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 A02 DI.959.003.009A02 00:01:32 n VIETNAM CENTRE VIETNAM BAHNAR MUSIQUE PROTO-INDOCHINOISE CITHARE A RESONATEUR DE CALEBASSE (TING NING) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Le cithariste peut jouer en solo ou accompagner ses propres improvisations chantées sur des thèmes traditionnels de cour d'amour Sur la cithare à 10 cordes est fixé un résonateur de calebasse. Chaque corde ne donne qu'une note: les cordes sont accordées sur une échelle pentatonique. Rythme mesuré• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 A03 DI.959.003.009A03 00:01:34 n VIETNAM CENTRE VIETNAM SEDANG MUSIQUE PROTO-INDOCHINOISE LE CARILLON HYDRAULIQUE (TANG KOA) Sous-table non exportée M. POUR CHARMER LES GENIES Sous-table non exportée Situé à proximité des champs pour charmer les génies tutélaires du riz, le carillon est composé de 50 tuyaux de bambou suspendus verticalement et frappés par des marteaux reliés à un châssis mobile. Celui-ci est animé d'un mouvement constant de va-et-vietn sous l'action d'un levier, dont l'extrémité porte un réservoir placé sous une chute d'eau. Le réservoir se remplit, ce qui a pour effet d'abaisser le levier; le mouvement se transmet au châssis qui entraîne les marteaux, tandis que l'eau s'écoule du réservoir. Celui-ci allégé, remonte et revient alors se placer sous la chute d'eau qui le remplit à nouveau. La musique tient en deux mesures indéfiniment répétées, la première correspondant au mouvement d'aller du châssis, le second au mouvement de retour. Elle se rattache au système pentatonique, à peine teinté d'heptatonisme. L'instrument fonctionne sans interruption, durant des mois. Un accordeur vient tous les matins en vérifier le fonctionnement et la justesse. Rythme mesuré• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 A04 DI.959.003.009A04 00:00:33 n VIETNAM CENTRE VIETNAM MAA MUSIQUE PROTO-INDOCHINOISE CITHARE SUR TUYAU DE BAMBOU (RODING) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée La musique de style pentatonique, bien qu'avec d'évidentes traces d'une structure plus archaïque encore, a une destination poétique et sentimentale. Elle accompagne ou non le chant. La cithare est faite d'un gros tube de bambou, dont on a soulevé, entre deux noeuds, de minces bandes d'écordes maintenues à distance du tube par de petits chevalets qui servent en outre à accorder l'instrument. Rythme mesuré• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 A05 DI.959.003.009A05 00:01:02 n VIETNAM CENTRE VIETNAM DIE MUSIQUE PROTO-INDOCHINOISE GONGS (GOK) ET TAMBOURS (GORR) Sous-table non exportée M. RITUELLE Sous-table non exportée De nombreuses magico-religieuses, les plus importantes étant les sacrifices du buffle, sont accompagnées par un orchestre composé de 6 à 12 gongs plats et d'un tambour de bois à double membrane Polyrythmie • MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B01 DI.959.003.009B01 00:00:50 n VIETNAM CENTRE VIETNAM JARAÏ MUSIQUE PROTO-INDOCHINOISE ORCHESTRE DE 12 GONGS (TONG TIENG) D'UN TAMBOUR (GORR) ET 3 CROTALES Sous-table non exportée M. RITUELLE Sous-table non exportée Les Jorai célèbrent tous les mois une fête magico-religieuse dans le cimetière, en l'honneur de leurs morts. En plus des offrandes, des sacrifices de cochon et de poulet, la musique et la danse accompagnent cette cérémonie. Des rondes tournent autour des tombeaux au son des gongs, du tamobur et des crotales. Les crotales servent uniquement à l'occasion de cette fête. Polyrythmie • MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B02 DI.959.003.009B02 00:01:03 n VIETNAM CENTRE VIETNAM JARAÏ MUSIQUE PROTO-INDOCHINOISE CITHARE A RESONATEUR DE CALEBASSE Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Rythme mesuré• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B03 DI.959.003.009B03 00:00:30 n VIETNAM CENTRE VIETNAM JARAÏ MUSIQUE PROTO-INDOCHINOISE CITHARE ET BOUTEILLE Sous-table non exportée INSTRUMENTAL Sous-table non exportée La cithare est parfois accompagnée par un joueur qui souffle dans une bouteille de verre produisant des sons sourds. Rythme mesuré• Duo instr MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B04 DI.959.003.009B04 00:38:00 n VIETNAM CENTRE VIETNAM MAA MUSIQUE PROTO-INDOCHINOISE L'ORGUE A BOUCHE (KOM BOAT) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée L'orgue à bouche est un instrument formé par la réunion de 6 tuyaux d'négales longueurs, groupés en deux rangées divergents et plongeant dans une calebasse qui sert de réservoir d'air. Chaque tuyau est muni d'une anche libre de laiton. Musique pour rêver. Rythme libre• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B05 DI.959.003.009B05 00:00:40 n VIETNAM CENTRE VIETNAM MAA MUSIQUE PROTO-INDOCHINOISE GUIMBARDE (TOUNG) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Rythme libre• MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B06 DI.959.003.009B06 00:00:49 n VIETNAM CENTRE VIETNAM BAHNAR MUSIQUE PROTO-INDOCHINOISE LE PAH PUNG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Le musicien joue du pah pung soit au champ, soit le soir à la maison commune pour passer le temps. Le PAH-PUNG est une série de 8 tubes de bambou de longueur croissante vers le grave, disposés parallèlement. L'exécutant claque des mains devant l'ouverture qu'il veut faire sonner: cette percussion provoque dans le tube correspondant une onde stationnaire dont la hauteur sonore est déterminée, par la longueur du tuyau. Le timbre de cet instrument est plus proche de celui d'un instrument à cordes frappées que de l'instrument à vent. Rythme mesuré• Solo instr MISSION FRANTZ LAFOREST 1955 0 ASIE +LD-326 D173M DI.959.003.009 B07 DI.959.003.009B07 00:01:08 n VIETNAM CENTRE VIETNAM DIE MUSIQUE PROTO-INDOCHINOISE GONGS (GOK) ET TAMBOURS (GORR) Sous-table non exportée M. RITUELLE Sous-table non exportée Polyrythmie • MISSION FRANTZ LAFOREST 1955 0 ASIE +LDY-4092 D173M DI.959.003.010 A01 DI.959.003.010A01 00:00:00 N INDE CHANTS DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDY-4092 D173M DI.959.003.010 A03 DI.959.003.010A03 00:00:00 N INDE;ASSAM CHANTS DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDY-4092 D173M DI.959.003.010 B01 DI.959.003.010B01 00:00:00 N INDE;BENGALE CHANTS DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDY-4092 D173M DI.959.003.010 B03 DI.959.003.010B03 00:00:00 N NEPAL CHANTS DE L'INDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDY-4092 D173M DI.959.003.010 B? DI.959.003.010B? 00:00:00 INDE;KERALA MALAYALI CHANTS DE L'INDE CHANT DE MOISSONNEURS Sous-table non exportée Sous-table non exportée MORILLERE,R 0 ASIE +LD-333 D173M DI.959.003.011 A01 DI.959.003.011A01 00:00:00 N ILES MARQUISES FATU-HIVA ARCHIPEL DU TIKI. MUSIQUE POLYNESIENNE N Sous-table non exportée Sous-table non exportée Polynésie -1 0 OCEANIE +LD-333 D173M DI.959.003.011 A02 DI.959.003.011A02 00:00:00 N POLYNESIE FR;ARCHIPEL SOCIETE MAUPITI ARCHIPEL DU TIKI. MUSIQUE POLYNESIENNE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LD-333 D173M DI.959.003.011 B05 DI.959.003.011B05 00:00:00 n POLYNESIE FR;ARCHIPEL SOCIETE MOOREA ARCHIPEL DU TIKI. MUSIQUE POLYNESIENNE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LDY-4117 D173M DI.959.003.012 A01 DI.959.003.012A01 00:00:00 n POLYNESIE FR;ARCHIPEL SOCIETE TAHITI JUILLET A TAHITI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LD-355 D173M DI.959.003.013 A01 DI.959.003.013A01 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA DE LOS CHAJES N Sous-table non exportée N Sous-table non exportée danse de fecondité de la terre GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 A02 DI.959.003.013A02 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE HUAYNO DE LOS TAKIRIS N Sous-table non exportée N Sous-table non exportée danse totemique GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 A03 DI.959.003.013A03 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA DE LOS WITITIS N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 A04 DI.959.003.013A04 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA CHOKELA N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 A05 DI.959.003.013A05 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE MARCHA TUAILLU- AWARACHI N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 B01 DI.959.003.013B01 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA DE WIPFALAS N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 B02 DI.959.003.013B02 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE MARCHA KANTU N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 B03 DI.959.003.013B03 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE MARCHA KANTU N Sous-table non exportée N Sous-table non exportée Groupe instr GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 B04 DI.959.003.013B04 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA DE LOS KENA KENA N Sous-table non exportée N Sous-table non exportée AFT-"KENA": emb. à encoche• Duo instr GIRAULT, LOUIS 1953 0 AMERIQUE +LD-355 D173M DI.959.003.013 B05 DI.959.003.013B05 00:00:00 01/01/53 BOLIVIE N AYMARA MUSIQUE AYMARA DE BOLIVIE DANZA KASHUA N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1953 0 AMERIQUE +76041 D174M DI.959.003.014 A01 DI.959.003.014A01 00:00:00 n AMERIQUE LES GUARANIS DE FRANCISCO MARIN N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +76040 D174M DI.959.003.015 A01 DI.959.003.015A01 00:00:00 N USA CHANSONS POPULAIRES ET FOLKLORIQUES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +660017-TR D253M DI.959.004.001 A01 DI.959.004.001A01 00:00:00 n FRANCE NOELS DE FRANCE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HH-1206 D253M DI.959.004.002 A01 DI.959.004.002A01 00:00:00 n ESPAGNE SAETAS-ANA MARIA "LA JEREZANA" Sous-table non exportée Sous-table non exportée 0 0 EUROPE +662016-MR D253M DI.959.004.003 A01 DI.959.004.003A01 00:00:00 n ESPAGNE PANORAMA DE LA CANCION ESPANOLA-PABLO DEL RIO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPM-287 D253M DI.959.004.004 A01 DI.959.004.004A01 00:00:00 n ROUMANIE DU DANUBE A LA MER NOIRE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86047 D253M DI.959.004.005 A01 DI.959.004.005A01 00:00:00 n GRECE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86047 D253M DI.959.004.005 A02 DI.959.004.005A02 00:00:00 n YOUGOSLAVIE SLOVENIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE PASTIRCEK Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86047 D253M DI.959.004.005 A03 DI.959.004.005A03 00:00:00 n TURQUIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +86047 D253M DI.959.004.005 A04 DI.959.004.005A04 00:00:00 n BULGARIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86047 D253M DI.959.004.005 A05 DI.959.004.005A05 00:00:00 n ROUMANIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86047 D253M DI.959.004.005 B03 DI.959.004.005B03 00:00:00 n ALBANIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-331 D253M DI.959.004.006 Z01 DI.959.004.006Z01 00:00:00 n CAMEROUN MUSIQUE DU NORD-CAMEROUN Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +LD-337 D253M DI.959.004.007 A01A DI.959.004.007A01A 00:00:00 01/01/56 AFGHANISTAN PANCHIR N M D'AFGHANISTAN PANCHERI POLDEI N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 A01B DI.959.004.007A01B 00:00:00 01/01/56 AFGHANISTAN PANCHIR ? N M D'AFGHANISTAN BALADE N Sous-table non exportée N Sous-table non exportée "M POUR PLAIRE AUX AMOUREUX" "SANTOUR= CITHARE PLATE DU CACHEMIR, C METALLIQUES GROUPEES PAR3, FRAPPEES AVEC 2 BAGUETTES METALLIQUES" DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 A02 DI.959.004.007A02 00:00:00 01/01/56 AFGHANISTAN TALANG N M D'AFGHANISTAN CH DU TALANG N Sous-table non exportée N Sous-table non exportée "CH D'ORIGINE INDIENNE"; "TAMPOURA = LUTH INDIEN A 2C ... CHACUNE PRODUIT UNE SEULE NOTE". DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 A03 DI.959.004.007A03 00:00:00 01/01/56 AFGHANISTAN ? N M D'AFGHANISTAN MORCEAU DE FLUTE N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 A04 DI.959.004.007A04 00:00:00 01/01/56 AFGHANISTAN ? N M D'AFGHANISTAN BAHOR OU LE CHT DU PRINTEMPS N Sous-table non exportée N Sous-table non exportée "M D'ORIGINE INDIENNE"; LE SETAR EST GRAPHIE "CETAR" DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 A05 DI.959.004.007A05 00:00:00 01/01/56 AFGHANISTAN ? N M D'AFGHANISTAN MUSIQUE D'ENSEMBLE N N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B01 DI.959.004.007B01 00:00:00 01/01/56 AFGHANISTAN LOGAR [? N M D'AFGHANISTAN CHT DU LOGGAR N N Sous-table non exportée N Sous-table non exportée LE CHANTEUR S'ACCOMPAGNE AU LUTH DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B02 DI.959.004.007B02 00:00:00 01/01/56 AFGHANISTAN PASHTOONISTAN N M D'AFGHANISTAN RYTHME DE DANSE DU PASHTOONISTAN N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B03 DI.959.004.007B03 00:00:00 01/01/56 AFGHANISTAN N N M D'AFGHANISTAN LE MARCHE AUX FLEURS N Sous-table non exportée ENSEMBLE RADIO KABUL Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B04 DI.959.004.007B04 00:00:00 01/01/56 AFGHANISTAN MAZAR-I CHERIF UZBEK M D'AFGHANISTAN DANSE DE MAZA-I-CHERIFF N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B05 DI.959.004.007B05 00:00:00 01/01/56 AFGHANISTAN BADAKHCHAN N M D'AFGHANISTAN DANSE DU BADAKCHAN N N Sous-table non exportée N Sous-table non exportée 1956 0 ASIE +LD-337 D253M DI.959.004.007 B06 DI.959.004.007B06 00:00:00 01/01/56 AFGHANISTAN PASHTOONISTAN N M D'AFGHANISTAN MUSIQUE DU PASHTOONISTAN N Sous-table non exportée N Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +LD-337 D253M DI.959.004.007 B07 DI.959.004.007B07 00:00:00 01/01/56 AFGHANISTAN N N M D'AFGHANISTAN DANSE DE KANDAHAR N Sous-table non exportée ENSEMBLE RADIO KABUL Sous-table non exportée DELAPRAZ, ALAIN 1956 0 ASIE +661003-TR D253M DI.959.004.008 A01 DI.959.004.008A01 00:00:00 n PARAGUAY LOS INDIOS-ESPLENDIDO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +28028 D303M DI.959.005.001 A01 DI.959.005.001A01 00:00:00 n ESPAGNE LES DEUX GUITARES DE SABICAS ET MARIO ESCUDERO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +F-30-M-3009 D303M DI.959.005.002 A01 DI.959.005.002A01 00:00:00 n ESPAGNE CARLOS MONTOYA-GUITARE FLAMENCO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +28031 D303 DI.959.005.003 A01 DI.959.005.003A01 00:00:00 n ESPAGNE SERENATA ANDALUZA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HH-1104 D303M DI.959.005.004 A01 DI.959.005.004A01 00:00:00 n ESPAGNE JUERGA FLAMENCA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HH-1048 D303M DI.959.005.005 A01 DI.959.005.005A01 00:00:00 n ESPAGNE NOCHE FLAMENCA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +46221 D303M DI.959.005.006 A01 DI.959.005.006A01 00:00:00 n ESPAGNE FLAMENCO-CARMEN AMAYA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +86042 D303M DI.959.005.007 A01 DI.959.005.007A01 00:00:00 n ESPAGNE FLAMENCO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +P-08407-L D303M DI.959.005.008 A01 DI.959.005.008A01 00:00:00 n PARAGUAY FIESTA PARAGUAYA-LOS PARAGUAYOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LPI-17503 D253M DI.959.006.001 A01 DI.959.006.001A01 00:00:00 n INDONESIE MUSIC FROM PARAHIJANGAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-17(MH-58-5//6) D173M DI.959.007.001 A01 DI.959.007.001A01 00:00:00 n BENIN N DAHOMEY:PORTO-NOVO. INVOCATIONS A SAKPATA N Sous-table non exportée Sous-table non exportée 1955 0 AFRIQUE +LD-18 D253M DI.959.008.001 A01 DI.959.008.001A01 00:00:00 n GUYANE FRANCAISE GUYANE. CHANTS, DANSES, APPEL DU GIBIER Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +EG-369 D174M DI.959.009.001 A01 DI.959.009.001A01 00:00:00 n ESPAGNE ESPAGNOLS CARMEN REQUETA / CANTA FLAMENCO N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +424095-PE D174M DI.959.009.002 A01 DI.959.009.002A01 00:00:00 n ESPAGNE ESPAGNOLS GUITARE FLAMENCO N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LD0B-225 D253M DI.959.009.003 A01 DI.959.009.003A01 00:00:00 n ESPAGNE CANTE GRANDE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-344 D253M DI.959.009.004 A01 DI.959.009.004A01 00:00:00 n ESPAGNE CANTES Y BAILES-CHANTS ET DANSES FLAMENCOS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FP-1107 D253M DI.959.009.005 A01 DI.959.009.005A01 00:00:00 n ESPAGNE UNA NOCHE EN LA TABERNA FLAMENCA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +128003 D253M DI.959.009.006 A01 DI.959.009.006A01 00:00:00 n ESPAGNE GUITARRA FLAMENCA-ANTONIO ALBAICIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +28018 D303M DI.959.009.007 A01 DI.959.009.007A01 00:00:00 n ESPAGNE LOS GITANILLOS DE BRONCE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SANSREF-04 D174M DI.959.010.001 A01 DI.959.010.001A01 00:00:00 n COTE D'IVOIRE MUSIK DER DAN-NEGER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SANSREF-05 PY30/33 DI.959.011.001 A01 DI.959.011.001A01 00:02:20 14 octobre 1958 VIETNAM CENTRE VIETNAM VIETNAMIENS KHUC NHAC THIEU-NHAC CHIEN TAU-CA NHAC MUA KIEM HUE PREAMBULE=*TR KHUC NHAC THIEU=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Document intéressant diffusé sur la radio au Vietnam en 1958. Rythme mesuré• RADIO VIETNAM,SAIGON 1958 0 ASIE +SANSREF-05 PY30/33 DI.959.011.001 A02 DI.959.011.001A02 00:02:25 14 octobre 1958 VIETNAM CENTRE VIETNAM VIETNAMIENS KHUC NHAC THIEU-NHAC CHIEN TAU-CA NHAC MUA KIEM HUE RETRAITE DE BATAILLE=*TR NHAC TAU=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Seul enregistrement sonore sur cette pièce. Rythme mesuré• RADIO VIETNAM, SAIGON 1958 0 ASIE +SANSREF-05 PY30/33 DI.959.011.001 B01 DI.959.011.001B01 00:11:00 14 octobre 1958 VIETNAM CENTRE VIETNAM VIETNAMIENS KHUC NHAC THIEU-NHAC CHIEN TAU-CA NHAC MUA KIEM HUE DANSE DU SABRE=*TR CA NHA MUA KIEM=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Musique rare. Rythme mesuré• RADIO VIETNAM, SAIGON 1958 0 ASIE +SANSREF-06 PY30/33 DI.959.011.002 A01 DI.959.011.002A01 00:08:06 14 octobre 1958 VIETNAM CENTRE VIETNAM VIETNAMIENS HOA TAU BAT AM 10 BAI NGU DIX PIECES DITES ROYALES=*TR MUOI BAI NGU=*TRS Sous-table non exportée M. DE COUR Sous-table non exportée Ces dix pièces se jouent successivement. La qualité d'enregistrement est médiocre mais l'intérêt musical nous retient l'attention. Rythme mesuré• RADIO VIETNAM, SAIGON. 1958 0 ASIE +LD-14 D174M DI.959.012.001 A01 DI.959.012.001A01 00:00:00 n CONGO MUSIQUE PYGMEE LA HAUTE SANGHA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EXTP-1056 D174M DI.959.013.001 A01 DI.959.013.001A01 00:00:00 n AUSTRALIE AUSTRALIE CENTRALE PITJANTJARA AUSTRALIE Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +EXTP-1033 D174M DI.959.014.001 A01 DI.959.014.001A01 00:00:00 n IRAN MUSIQUE PERSANE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +EXTP-1034 D174M DI.959.014.002 A01 DI.959.014.002A01 00:00:00 n IRAN MUSIQUE PERSANE. VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +FY-452143-S D174M DI.959.015.001 A01 DI.959.015.001A01 00:00:00 n PORTUGAL PANORAMA DU MONDE-LE PORTUGAL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDS-8245 D253M DI.959.016.001 A01 DI.959.016.001A01 00:00:00 n NEPAL AU PIED DE L'ANNAPURNA Sous-table non exportée Sous-table non exportée 1958 0 ASIE +LDM-8239 D253M DI.959.016.002 A01 DI.959.016.002A01 00:00:00 n ALGERIE AU COEUR DU SAHARA-AVEC LES TOUAREG AJJER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDM-8239 D253M DI.959.016.002 Z01 DI.959.016.002Z01 00:00:00 n ALGERIE AU COEUR DU SAHARA-AVEC LES TOUAREG AJJER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +DE-99238 D174M DI.959.017.001 A01 DI.959.017.001A01 00:00:00 n PEROU DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +DE-99238 D174M DI.959.017.001 A03 DI.959.017.001A03 00:00:00 n AUSTRALIE DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +DE-99238 D174M DI.959.017.001 A04 DI.959.017.001A04 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +DE-99238 D174M DI.959.017.001 A05 DI.959.017.001A05 00:00:00 n CONGO DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +DE-99238 D174M DI.959.017.001 A06 DI.959.017.001A06 00:00:00 n NIGERIA DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +DE-99238 D174M DI.959.017.001 A07 DI.959.017.001A07 00:00:00 n USA DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +DE-99238 D174M DI.959.017.001 B01 DI.959.017.001B01 00:00:00 n ROUMANIE DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +DE-99238 D174M DI.959.017.001 B02 DI.959.017.001B02 00:00:00 n GRECE DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +DE-99238 D174M DI.959.017.001 B03 DI.959.017.001B03 00:00:00 n FRANCE DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +DE-99238 D174M DI.959.017.001 B04 DI.959.017.001B04 00:00:00 n IRAN DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +DE-99238 D174M DI.959.017.001 B05 DI.959.017.001B05 00:00:00 n TIBET DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +DE-99238 D174M DI.959.017.001 B06 DI.959.017.001B06 00:00:00 n JAPON DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +DE-99238 D174M DI.959.017.001 B07 DI.959.017.001B07 00:00:00 n INDONESIE;BALI DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +DE-99238 D174M DI.959.017.001 B08 DI.959.017.001B08 00:00:00 n INDE DE MUZIEK VAN DE MENS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDY-4175 D174M DI.960.001.001 A01 DI.960.001.001A01 00:00:00 n NEPAL CHANTS DE NEPAL Sous-table non exportée Sous-table non exportée 1958 0 ASIE +LDY-4159 D174M DI.960.002.001 A01 DI.960.002.001A01 00:00:00 n URSS;RSS LITUANIE LITHUANIE-CHANTS DES PEUPLES SOVIETIQUES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDY-4176 D174M DI.960.002.002 A01 DI.960.002.002A01 00:00:00 n CONGO CHANTS ET DANSES PYGMEES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDS-8242 D253M DI.960.002.003 A01 DI.960.002.003A01 00:00:00 n GEORGIE CHANTS ET DANSES DE GEORGIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDPB-260 D253 DI.960.003.001 A01 DI.960.003.001A01 00:00:00 n FRANCE OISEAUX EN BRETAGNE Sous-table non exportée Sous-table non exportée 1959 0 EUROPE +LDPB-250 D253 DI.960.003.002 A01 DI.960.003.002A01 00:00:00 n FRANCE OISEAUX DE CAMARGUE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +MC-20161 D303 DI.960.004.001 A01 DI.960.004.001A01 00:00:00 n EQUATEUR "JIVARO".INDIENS JIVARO, CAYAPA, OTAVALO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LD-45-3 D174M DI.960.006.001 A01 DI.960.006.001A01 00:00:00 n MAURITANIE REPUBLIQUE ISLAMIQUE DE MAURITANIE. CHANTS DE FEMME Sous-table non exportée Sous-table non exportée 1958 0 AFRIQUE +LD-45-4 D174M DI.960.006.002 A01 DI.960.006.002A01 00:00:00 n MAURITANIE REPUBLIQUE ISLAMIQUE DE MAURITANIE. CHANTS D'HOMME Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +SUEP-537 D174M DI.960.007.001 A01 DI.960.007.001A01 00:00:00 n ALBANIE ALBANIAN SONGS AND DANCES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SUEP-580 D174M DI.960.007.002 A01 DI.960.007.002A01 00:00:00 n BULGARIE BULGARIAN FOLK SONGS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SUK-32049 D174M DI.960.007.003 A01 DI.960.007.003A01 00:00:00 n TIBET TIBETAN FOLK SONGS Sous-table non exportée Sous-table non exportée 0 0 ASIE +SUK-32064 D174M DI.960.007.004 A01 DI.960.007.004A01 00:00:00 n INDONESIE INDONESIAN FOLK SONGS Sous-table non exportée Sous-table non exportée 0 0 ASIE +SUK-32071 D174M DI.960.007.005 A01 DI.960.007.005A01 00:00:00 n CHINE CHINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SUK-320083 D174M DI.960.007.006 A01 DI.960.007.006A01 00:00:00 n COREE DU SUD COREE Sous-table non exportée Sous-table non exportée 0 0 ASIE +L-0031 D253 DI.960.007.007 A01 DI.960.007.007A01 00:00:00 n CHINE MELODIE Z CALEGO SWIATA Sous-table non exportée Sous-table non exportée 0 0 ASIE +L-0031 D253 DI.960.007.007 A04 DI.960.007.007A04 00:00:00 n INDE MELODIE Z CALEGO SWIATA Sous-table non exportée Sous-table non exportée 0 0 ASIE +L-0031 D253 DI.960.007.007 B01 DI.960.007.007B01 00:00:00 n AFRIQUE MELODIE Z CALEGO SWIATA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +L-0031 D253 DI.960.007.007 B02 DI.960.007.007B02 00:00:00 n CARAIBES MELODIE Z CALEGO SWIATA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +L-0031 D253 DI.960.007.007 B03 DI.960.007.007B03 00:02:57 n VIETNAM CENTRE VIETNAM VIETNAMIENS MELODIE Z CALEGO SWIATA CZTERY PORY ROKU Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Cet ensemble traditionnel, appelé NGU TUYET, est composé des instruments de musique suivants: cithare à 16 cordes dàn tranh, luth piriforme dàn ty bà, luth en forme de lune dàn nguyêt, monocorde dàn dôc huyên, et vièle à 2 cordes dàn nhi. Rythme mesuré• N -1 0 ASIE +L-0031 D253 DI.960.007.007 B04 DI.960.007.007B04 00:04:45 n VIETNAM CENTRE VIETNAM VIETNAMIENS MELODIE Z CALEGO SWIATA PESN PRZEWOZNICZKI NA WODZIE=*TR HO MAI DAY=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant de travail interprété par une cantatrice et accompagnée par un ensemble traditionnel ayant pour but de divertir les gens dans le cadre d'un festival de musique. Rythme libre• N -1 0 ASIE +3368-69 D253M DI.960.007.008 A01 DI.960.007.008A01 00:00:00 ALBANIE ALBANIE Sous-table non exportée Sous-table non exportée 0 EUROPE +2679/80 D253M DI.960.007.009 A01 DI.960.007.009A01 00:00:00 n INDE INDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +4186/87 D253M DI.960.007.010 A01 DI.960.007.010A01 00:00:00 n URSS;RSS KIRGHIZISTAN URSS, POPULATION KIRGHIZE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SOC-1-2 D174M DI.960.008.001 A01 DI.960.008.001A01 00:00:00 n ALGERIE SAHARA, SOUVENIR D'OUARGLA N° 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4436 D303M DI.960.009.001 A01 DI.960.009.001A01 00:00:00 n BIRMANIE BURMESE FOLK AND TRADITIONAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +AL-6607/10 D253M DI.960.011.001/02 A01 DI.960.011.001/02A01 00:00:00 n MALI TIERNO BOKAR-LE SAGE DE BANDIAGARA Sous-table non exportée Sous-table non exportée N -1 0 AFRIQUE +DH-5732/35 D2578M DI.961.001.001/04 A01 DI.961.001.001/04A01 00:00:00 n VIETNAM QUAN AM THI KINH N Sous-table non exportée Sous-table non exportée 1957 0 ASIE +LD-A/B D303M DI.961.002.001 Z01 DI.961.002.001Z01 00:00:00 n PORTUGAL TRAS-OS-MONTES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDY-4181 D174M DI.961.003.001 A01 DI.961.003.001A01 00:00:00 n POLYNESIE FR;ARCHIPEL SOCIETE TAHITI CHANTS DE DANSES DE POLYNESIE N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LDS-8257 D253M DI.961.003.002 A01 DI.961.003.002A01 00:00:00 POLYNESIE FRANCAISE ILES ET ATOLLS DU PACIFIQUE Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +LD-21 D174 DI.961.004.001 A01 DI.961.004.001A01 00:00:00 n BIRMANIE BIRMANIE. MUSIQUE CLASSIQUE ET POPULAIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +EX-248 D174M DI.961.005.001 A01 DI.961.005.001A01 00:00:00 n Maroc ANTHOLOGIE DE LA M. POPULAIRE MAROCAINE. FOLKLORE DU PAYS CHLEU Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +VI-900 D174M DI.961.005.002 A01 DI.961.005.002A01 00:00:00 n ESPAGNE LA SEMAINE SAINTE EN ANDALOUSIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VI-901 D174M DI.961.005.003 A01 DI.961.005.003A01 00:00:00 n ISRAEL VISAGES D'ISRAEL Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDS-8258 D253M DI.961.005.004 A01 DI.961.005.004A01 00:00:00 n ESPAGNE L'ALPUJARRA-SECRETE ANDALOUSIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +25-S-015 D253M DI.961.005.005 A01 DI.961.005.005A01 00:00:00 n FRANCE EN PASSANT PAR LE LIMOUSIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +25-S-016 D253M DI.961.005.006 A01 DI.961.005.006A01 00:00:00 n FRANCE EN PASSANT PAR LA CHAMPAGNE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +25-S-017 D253M DI.961.005.007 A01 DI.961.005.007A01 00:00:00 n FRANCE EN PASSANT PAR LE BERRY AVEC LES THIAULINS DE LIGNIERES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VEGA-159 D303 DI.961.006.001 A01 DI.961.006.001A01 00:00:00 n VENEZUELA MUSICA INDIGENA VENEZOLANA-MUSICA GUAJIRA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +PS-1 D174M DI.961.007.001 A01 DI.961.007.001A01 00:00:00 n GABON AMBIANCE SONORE DE LA FORET AFRICAINE Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +AS-2 D303M DI.961.008.001 Z01 DI.961.008.001Z01 00:00:00 n PORTUGAL ALGARVE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +1346 D303M DI.961.009.001 A01 DI.961.009.001A01 00:00:00 n USA SOUNDS OF THE SOUTH Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1347 D303M DI.961.009.002 A01 DI.961.009.002A01 00:00:00 n USA BLUE RIDGE MOUNTAIN MUSIC Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1348 D303M DI.961.009.003 A01 DI.961.009.003A01 00:00:00 n USA ROOTS OF THE BLUES Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1349 D303M DI.961.009.004 A01 DI.961.009.004A01 00:00:00 n USA WHITE SPIRITUALS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1350 D303M DI.961.009.005 A01 DI.961.009.005A01 00:00:00 n USA AMERICAN FOLK SONGS FOR CHILDREN Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1351 D303M DI.961.009.006 A01 DI.961.009.006A01 00:00:00 USA NEGRO CHURCH MUSIC* Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +1352 D303M DI.961.009.007 A01 DI.961.009.007A01 00:00:00 n USA THE BLUES ROLL ON Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +PARTE-1-2 D174M DI.961.010.001 A01 DI.961.010.001A01 00:00:00 n ITALIE DE MARTINO LA TERRA DEL RIMORSO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SOR-25 D253M DI.961.011.001 A01 DI.961.011.001A01 00:00:00 n COTE D'IVOIRE COTE D'IVOIRE-MUSIQUE BAOULE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SOR-17 D174M DI.961.011.002 A01 DI.961.011.002A01 00:00:00 n NIGER RYTHMES ET CHANT DU NIGER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2001 D303M DI.961.012.001 Z01 DI.961.012.001Z01 00:00:00 n LAOS LA MUSIQUE DU LAOS Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2002 D303M DI.961.012.002 A01 DI.961.012.002A01 00:05:20 n CAMBODGE KANDAL-PHLOEUNG CHHRES ROTES KHMERS CAMBODIA INVITATION AUX GENIES Sous-table non exportée PHLENG KHMER/PHLENG ARAKS Sous-table non exportée Invitation aux génies pendant une cérémonie de mariage ou un rituel de guerison• Vièle "DRA CHE": archet pris. Vièle "DRA U": archet pris, en coco. Hautbois "Pi A": 7+1 trous, bambou. M1C...: caisse en bois; battu à mains nues• Orchestre mélangé avec instruments de l'ensemble mohori • Solo voc + instrs A. DANIELOU -1 0 ASIE +BM-30-L-2002 D303M DI.961.012.002 A02 DI.961.012.002A02 00:06:50 n CAMBODGE KANDAL-PHLOEUNG CHHRES ROTES KHMERS CAMBODIA SOLO DE CHA-PEI Sous-table non exportée PHLENG KHMER Sous-table non exportée A. DANIELOU -1 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z01 DI.961.012.003Z01 00:00:00 01/01/56 AFGHANISTAN KATARAN (TURKESTAN) N LA MUSIQUE DE L'AFGHANISTAN CHT DU KATARAN N Sous-table non exportée N Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z02 DI.961.012.003Z02 00:00:00 01/01/56 AFGHANISTAN BADAKHSAN N LA MUSIQUE DE L'AFGHANISTAN MELODIE DU BADARSHAN N Sous-table non exportée N Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z03 DI.961.012.003Z03 00:00:00 01/01/56 AFGHANISTAN TURKESTAN N LA MUSIQUE DE L'AFGHANISTAN MELODIE POUR FLUTE DU TURKESTAN N Sous-table non exportée N Sous-table non exportée Mélodie de la région de Mazar-i Sharif DANIELOU, A 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z04 DI.961.012.003Z04 00:00:00 01/01/56 AFGHANISTAN REGION DE KABUL N LA MUSIQUE DE L'AFGHANISTAN M DE FETE DE CHARDI / Sous-table non exportée Sous-table non exportée ZURNA= "SORNAI" DANIELOU, A 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z05 DI.961.012.003Z05 00:00:00 01/01/56 AFGHANISTAN AZARAJAT N LA MUSIQUE DE L'AFGHANISTAN MELOPEE DE AZAREJOT / / Sous-table non exportée Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z06 DI.961.012.003Z06 00:00:00 01/01/56 AFGHANISTAN [KABOUL?] / LA MUSIQUE DE L'AFGHANISTAN DANSE NATIONALE AFGHANE (SHAH MAST) / Sous-table non exportée Sous-table non exportée PAR L'ORCHESTRE NATIONAL DE RADIO KABUL. L'ORCHESTRE AFGHAN EST UNE CREATION MODERNE GROUPANT DES INSTRUMENTS TYPIQUES DES DIVERSES REGIONS DE L'AFGHANISTAN. DANIELOU, A 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z07 DI.961.012.003Z07 00:00:00 01/01/56 AFGHANISTAN / N LA MUSIQUE DE L'AFGHANISTAN CHT DE FARKHA / Sous-table non exportée Sous-table non exportée CHANTE EN PERSAN; TANBUR="TOUMBOUR", PHOTOS DANS NOTICE. DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z08 DI.961.012.003Z08 00:00:00 01/01/56 AFGHANISTAN REGION DE KABUL N LA MUSIQUE DE L'AFGHANISTAN AIR DE DANSE VILLAGEOIS DE LA REGION DE KABOUL / Sous-table non exportée DANSE Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z09 DI.961.012.003Z09 00:00:00 01/01/56 AFGHANISTAN DJELALABAD PASHTOUN LA MUSIQUE DE L'AFGHANISTAN QUATRAIN (CHARBAIT) POUSHTOU / Sous-table non exportée CHARBAIT Sous-table non exportée Doira = "Doirah" 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z10 DI.961.012.003Z10 00:00:00 01/01/56 AFGHANISTAN KABUL N LA MUSIQUE DE L'AFGHANISTAN CHT ANCIEN DE KABUL / Sous-table non exportée Sous-table non exportée [CHANTE EN PASHTO [R] DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z11 DI.961.012.003Z11 00:00:00 01/01/56 AFGHANISTAN KHODAMAN N LA MUSIQUE DE L'AFGHANISTAN CHT ANCIEN DU KHODAMAN / Sous-table non exportée Sous-table non exportée RECITATION -CHANTEE DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z12 DI.961.012.003Z12 00:00:00 00/00/00 AFGHANISTAN N N LA MUSIQUE DE L'AFGHANISTAN SOLO DE TOUMBOUR (LUTH) N Sous-table non exportée N Sous-table non exportée Photos dans la Notice DANIELOU, A 0 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z13 DI.961.012.003Z13 00:00:00 01/01/56 AFGHANISTAN GHAZNI / LA MUSIQUE DE L'AFGHANISTAN CHT DE GHAZNI / Sous-table non exportée Sous-table non exportée Solo voc & groupe instr DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z14 DI.961.012.003Z14 00:00:00 01/01/56 AFGHANISTAN PANCHIR N LA MUSIQUE DE L'AFGHANISTAN CHOEUR DU PANSHIR / Sous-table non exportée Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z15 DI.961.012.003Z15 00:00:00 01/01/56 AFGHANISTAN AFGH. DU SUD N LA MUSIQUE DE L'AFGHANISTAN SOLO DE SARINDA (AFGH. DU SUD) / Sous-table non exportée Sous-table non exportée DANIELOU, A. 1956 0 ASIE +BM-30-L-2003 D303M DI.961.012.003 Z16 DI.961.012.003Z16 00:00:00 01/01/56 AFGHANISTAN HERAT N LA MUSIQUE DE L'AFGHANISTAN LE DOTAR (PETIT LUTH) DE HERAT N Sous-table non exportée N Sous-table non exportée DANIELOU, A; 1956 0 ASIE +BM-30-L-2004 D303M DI.961.012.004 A01 DI.961.012.004A01 00:00:00 n IRAN LA MUSIQUE DE L'IRAN 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2004 D303M DI.961.012.004 Z01 DI.961.012.004Z01 00:00:00 n IRAN LA MUSIQUE DE L'IRAN 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2005 D303M DI.961.012.005 A01 DI.961.012.005A01 00:00:00 n IRAN LA MUSIQUE DE L'IRAN 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +SKS-1-3 D303M DI.961.013.001/03 A01 DI.961.013.001/03A01 00:00:00 n FINLANDE SUOMALAISTA KANSANRUNOUTTA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HV-A/B D253M DI.962.001.001 A01 DI.962.001.001A01 00:00:00 n BURKINA FASO HAUTE-VOLTA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +RFOM-25 D253 DI.962.001.002 A01 DI.962.001.002A01 00:00:00 n CAMEROUN MUSIQUE FALI-NORD CAMEROUN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-17-3 D174M DI.962.002.001 A01 DI.962.002.001A01 00:00:00 n BENIN DAHOMEY-CHANTS RITUELS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +3882-83 D253M DI.962.003.001 A01 DI.962.003.001A01 00:00:00 n URSS;RSS OUZBEKISTAN UZBEK FOLK SONGS AND MELODIES Sous-table non exportée Sous-table non exportée 0 0 ASIE +3884-85 D253M DI.962.003.002 A01 DI.962.003.002A01 00:00:00 n URSS;RSS OUZBEKISTAN UZBEK FOLK SONGS AND MELODIES Sous-table non exportée Sous-table non exportée 0 0 ASIE +3886-87 D253M DI.962.003.003 A01 DI.962.003.003A01 00:00:00 n URSS;RSS OUZBEKISTAN UZBEK FOLK SONGS AND MELODIES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-054 D253M DI.962.004.001 A01 DI.962.004.001A01 00:00:00 n JAPON MUSIQUE DU JAPON IMPERIAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2247 D303M DI.962.005.001 A01 DI.962.005.001A01 00:00:00 n MEXIQUE FOLKLORE MEXICAIN: DEUX SIECLES DE FOLKLORE DE MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LP-6645-MA D253M DI.962.006.001 A01 DI.962.006.001A01 00:00:00 n AMERIQUE JORIA MUSIC-DANCE SONG-HILL SOARA MUSIC Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +LP-6647-MA D253M DI.962.006.002 A01 DI.962.006.002A01 00:00:00 n AMERIQUE GADABA MUSIC-ORIYA FOLK SONGS Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +AMS-8(LDY-653-54) D303M DI.962.007.001 A01 DI.962.007.001A01 00:00:40 TUNISIE MUSIQUE DE LA BIBLE LECTURE DU PSAUME XCII Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +AMS-8(LDY-653-54) D303M DI.962.007.001 A02 DI.962.007.001A02 00:00:00 YEMEN MUSIQUE DE LA BIBLE LECTURE DU PSAUME XCII Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 A03 DI.962.007.001A03 00:00:00 IRAN MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 A04 DI.962.007.001A04 00:00:00 EGYPTE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +AMS-8(LDY-653-54) D303M DI.962.007.001 A05 DI.962.007.001A05 00:00:00 SYRIE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 A06 DI.962.007.001A06 00:00:00 HONGRIE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AMS-8(LDY-653-54) D303M DI.962.007.001 A07 DI.962.007.001A07 00:00:00 GRECE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AMS-8(LDY-653-54) D303M DI.962.007.001 A10 DI.962.007.001A10 00:00:00 ISRAEL MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 A11 DI.962.007.001A11 00:00:00 IRAK MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 A13 DI.962.007.001A13 00:00:00 ITALIE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AMS-8(LDY-653-54) D303M DI.962.007.001 A14 DI.962.007.001A14 00:00:00 ALLEMAGNE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AMS-8(LDY-653-54) D303M DI.962.007.001 A15 DI.962.007.001A15 00:00:00 AFGHANISTAN MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 B02 DI.962.007.001B02 00:00:00 MAROC MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +AMS-8(LDY-653-54) D303M DI.962.007.001 B04 DI.962.007.001B04 00:00:00 AZERBAIDJAN MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AMS-8(LDY-653-54) D303M DI.962.007.001 B13 DI.962.007.001B13 00:00:00 ROUMANIE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AMS-8(LDY-653-54) D303M DI.962.007.001 B14 DI.962.007.001B14 00:00:00 TURQUIE MUSIQUE DE LA BIBLE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4201 D303M DI.962.008.001 A01 DI.962.008.001A01 00:00:00 n ZIMBABWE MUSIC FROM PETAUKE OF NORTHERN RHODESIA, VOL. 1 Sous-table non exportée Sous-table non exportée 1961 0 AFRIQUE +25-S-029 D253M DI.962.009.001 A01 DI.962.009.001A01 00:00:00 n TURQUIE EN PASSANT PAR LA TURQUIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +OSX-193-S D303M DI.962.010.001 A01 DI.962.010.001A01 00:00:00 n ARGENTINE FOLKORE D'ARGENTINE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +32-0C-137/38 D303M DI.962.011.001/02 A01 DI.962.011.001/02A01 00:00:00 n JAPON ANTHOLOGIE DE LA MUSIQUE TRADITIONNELLE JAPONAISE Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-13 D253M DI.963.001.001 A01 DI.963.001.001A01 00:00:00 n CAMEROUN HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A02 DI.963.001.001A02 00:00:00 n REP CENTRAFRICAINE HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A03 DI.963.001.001A03 00:00:00 n CONGO HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A04 DI.963.001.001A04 00:00:00 n COTE D'IVOIRE HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A05 DI.963.001.001A05 00:00:00 n BENIN HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A06 DI.963.001.001A06 00:00:00 n GABON HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 A07 DI.963.001.001A07 00:00:00 n BURKINA FASO HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B01 DI.963.001.001B01 00:00:00 n MADAGASCAR HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B02 DI.963.001.001B02 00:00:00 n MAURITANIE HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B03 DI.963.001.001B03 00:00:00 n NIGER HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B04 DI.963.001.001B04 00:00:00 n SENEGAL HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B05 DI.963.001.001B05 00:00:00 n TCHAD HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-13 D253M DI.963.001.001 B06 DI.963.001.001B06 00:00:00 n TOGO HYMNES NATIONAUX DES ETATS AFRICAINS ET MALGACHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-12 D253M DI.963.001.002 A01 DI.963.001.002A01 00:00:00 n REP CENTRAFRICAINE MUSIQUE CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-14 D174M DI.963.001.003 A01 DI.963.001.003A01 00:00:00 n GABON CHANTS ET DANSES DU GABON Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-11 D174M DI.963.001.004 A01 DI.963.001.004A01 00:00:00 n REP CENTRAFRICAINE REPUBLIQUE CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 1962 0 AFRIQUE +OCR-15 D303M DI.963.001.005 A01 DI.963.001.005A01 00:00:00 n SENEGAL LA MUSIQUE DES GRIOTS-SENEGAL Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-16 D253M DI.963.001.006 A01 DI.963.001.006A01 00:00:00 n TOGO KABRE MUSIQUE KABRE DU NORD TOGO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-16 D253M DI.963.001.006 B01 DI.963.001.006B01 00:00:00 TOGO KABRE MUSIQUE KABRE DU NORD TOGO N Sous-table non exportée Sous-table non exportée N -1 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 A01 DI.963.002.001/02A01 00:00:00 n SUISSE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée 6495 0 EUROPE +FE-4175 D303M DI.963.002.001/02 A02 DI.963.002.001/02A02 00:00:00 n URSS THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée 6495 0 EUROPE +FE-4175 D303M DI.963.002.001/02 A04 DI.963.002.001/02A04 00:00:00 n NORVEGE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4175 D303M DI.963.002.001/02 A06 DI.963.002.001/02A06 00:00:00 n SRI LANKA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4175 D303M DI.963.002.001/02 A07 DI.963.002.001/02A07 00:00:00 n INDE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -6473 0 ASIE +FE-4175 D303M DI.963.002.001/02 A08 DI.963.002.001/02A08 00:00:00 n THAILANDE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -6473 0 ASIE +FE-4175 D303M DI.963.002.001/02 A09 DI.963.002.001/02A09 00:00:00 n BIRMANIE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 A10 DI.963.002.001/02A10 00:00:00 n CHINE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 B03 DI.963.002.001/02B03 00:00:00 n JAPON THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 B04 DI.963.002.001/02B04 00:00:00 n INDONESIE;SUMATRA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 B06 DI.963.002.001/02B06 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 B08 DI.963.002.001/02B08 00:00:00 n AUSTRALIE NIOLNIOL ? THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 B09 DI.963.002.001/02B09 00:00:00 n PAPOUASIE-NLE-GUINEE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 B10 DI.963.002.001/02B10 00:00:00 n ILES CAROLINES THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 C01 DI.963.002.001/02C01 00:00:00 n PAPOUASIE-NLE-GUINEE;I.NLE BRETAGNE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 C02 DI.963.002.001/02C02 00:00:00 n ILE SAMOA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 C04 DI.963.002.001/02C04 00:00:00 n CANADA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AMERIQUE +FE-4175 D303M DI.963.002.001/02 C07 DI.963.002.001/02C07 00:00:00 n USA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AMERIQUE +FE-4175 D303M DI.963.002.001/02 C09 DI.963.002.001/02C09 00:00:00 n MEXIQUE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AMERIQUE +FE-4175 D303M DI.963.002.001/02 C10 DI.963.002.001/02C10 00:00:00 n BRESIL THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AMERIQUE +FE-4175 D303M DI.963.002.001/02 C11 DI.963.002.001/02C11 00:00:00 n ARGENTINE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AMERIQUE +FE-4175 D303M DI.963.002.001/02 D01 DI.963.002.001/02D01 00:00:00 n TOGO THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D02 DI.963.002.001/02D02 00:00:00 n CAMEROUN THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D04 DI.963.002.001/02D04 00:00:00 n PAPOUASIE-NLE-GUINEE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 OCEANIE +FE-4175 D303M DI.963.002.001/02 D05 DI.963.002.001/02D05 00:00:00 n CONGO THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D06 DI.963.002.001/02D06 00:00:00 n ANGOLA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D07 DI.963.002.001/02D07 00:00:00 n TUNISIE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D08 DI.963.002.001/02D08 00:00:00 n ISRAEL THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 ASIE +FE-4175 D303M DI.963.002.001/02 D09 DI.963.002.001/02D09 00:00:00 n RWANDA THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +FE-4175 D303M DI.963.002.001/02 D10 DI.963.002.001/02D10 00:00:00 n TANZANIE THE DEMONSTRATION COLLECTION OF E.M. VON HORNBOSTEL* Sous-table non exportée Sous-table non exportée -30937 0 AFRIQUE +DFS-451 D174M DI.963.003.001 A01 DI.963.003.001A01 00:00:00 DANEMARK DANSK FOLKEMUSIK. 4 KÆMPEVISER. BALLADER 1 N Sous-table non exportée Sous-table non exportée 1962 0 EUROPE +DFS-452 D174M DI.963.003.002 A01 DI.963.003.002A01 00:00:00 DANEMARK DANSK FOLKEMUSIK. 6 SKÆMTEVISER. BALLADER 2 N Sous-table non exportée Sous-table non exportée 1962 0 EUROPE +DFS-453 D174M DI.963.003.003 A01 DI.963.003.003A01 00:00:00 DANEMARK DANSK FOLKEMUSIK. INGEBORG MUNCH SYNGER. HIMMERLAND 1 N Sous-table non exportée Sous-table non exportée 1962 0 EUROPE +DFS-454 D174M DI.963.003.004 A01 DI.963.003.004A01 00:00:00 DANEMARK DANSK FOLKEMUSIK. SPILLEMANDEN EVALD THOMSEN. HIMMERLAND 2 N Sous-table non exportée Sous-table non exportée 1963 0 EUROPE +DFS-455 D174M DI.963.003.005 A01 DI.963.003.005A01 00:00:00 DANEMARK DANSK FOLKEMUSIK. DE STÆRKE JYDER. KINGOTONER 1 N Sous-table non exportée Sous-table non exportée 1960 0 EUROPE +DHMY-1 D303M DI.963.004.001 A01 DI.963.004.001A01 00:00:00 n BENIN DAHOMEY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-17 D303 DI.963.005.001 A01 DI.963.005.001A01 00:00:00 n BENIN MUSIQUES DAHOMEENNES Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +86078 D253M DI.964.002.001 A01 DI.964.002.001A01 00:00:02 00/00/00 CHILI SANTIAGO CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN EL GALLO DE MI VECINA N Sous-table non exportée CUECA CHILENA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 A02 DI.964.002.001A02 00:00:01 00/00/00 CHILI LA CAMINERA CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN EN EL CUARTO DE LA CARMELA N Sous-table non exportée CUECA CHILENA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 A03 DI.964.002.001A03 00:00:03 00/00/00 CHILI CONCEPCION CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN PARA QUE ME CASARIA N Sous-table non exportée CUECA CHILENA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 A04 DI.964.002.001A04 00:00:01 00/00/00 CHILI LAUTARO CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN CABALLO TORDILLO MIO N Sous-table non exportée TONADA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 A05 DI.964.002.001A05 00:00:03 00/00/00 CHILI CHILLAN CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN TENEME EN TU CORAZON N Sous-table non exportée TONADA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 A06 DI.964.002.001A06 00:00:02 00/00/00 CHILI SAN CARLOS CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN EL GALLO DE MI VECINA N Sous-table non exportée ESQUINAZO Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 B01 DI.964.002.001B01 00:00:02 00/00/00 CHILI IQUIQUE CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN DIEZ Y SEIS DE JULIO N Sous-table non exportée N Sous-table non exportée musique des confréries réligieuses du nord du Chili chant recueilli par Violeta Parra Solo voc + instrs -1 0 AMERIQUE +86078 D253M DI.964.002.001 B02 DI.964.002.001B02 00:00:02 00/00/00 CHILI CENTRE DU CHILI CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN PARABIENES AL REVES PARRA, VIOLETA Sous-table non exportée N Sous-table non exportée chant recueilli par Violeta Parra -1 0 AMERIQUE +86078 D253M DI.964.002.001 B03 DI.964.002.001B03 00:00:02 00/00/00 CHILI SANTIAGO CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN CANTOS A LO DIVINO N Sous-table non exportée CANTO A LO DIVINO Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 B04 DI.964.002.001B04 00:00:03 00/00/00 CHILI NORD DU CHILI CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN DEL NORTE VIOLETA PARRA Sous-table non exportée N Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86078 D253M DI.964.002.001 B05 DI.964.002.001B05 00:00:03 00/00/00 CHILI CENTRE DU CHILI CHILIENS AU CHILI AVEC LOS PARRA DE CHILLAN LAS GATAS CON PERMANENTE VIOLETA PARRA Sous-table non exportée CUECA CHILENA Sous-table non exportée chant recueilli par Violeta Parra 0 0 AMERIQUE +86083 D253 DI.964.002.002 A01 DI.964.002.002A01 00:00:00 n ARGENTINE EN ARGENTINE AVEC LOS CHANGOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +86086 D253M DI.964.002.003 A01 DI.964.002.003A01 00:00:00 n FRANCE;BRETAGNE NOCE BRETONNE ET FEST-NOZ Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4536-A/D D303M DI.964.004.001/02 A01 DI.964.004.001/02A01 00:00:00 n PHILIPPINES MUSIC OF THE MAGINDANAO IN THE PHILIPPINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-20 D303M DI.964.005.001 A01 DI.964.005.001A01 00:00:00 n NIGER NIGER-LA MUSIQUE DES GRIOTS Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +EALP-1281 D303M DI.964.006.001 A01 DI.964.006.001A01 00:00:00 n INDE USTAD ALI AKBAR KHAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDM-30087 D303 DI.964.007.001 A01 DI.964.007.001A01 00:00:00 n BURUNDI RUANDA URUNDI. LES TROUBADOURS DES HAUTS-PLATEAUX* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LV-577/8 D253M DI.964.008.001/02 A01 DI.964.008.001/02A01 00:00:00 n JAPON DEVELOPPEMENT DE LA MUSIQUE JAPONAISE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDM-8201 D253M DI.964.009.001 A01 DI.964.009.001A01 00:00:00 n JAPON DERRIERE LA GRANDE MURAILLE Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2311 D303M DI.964.009.002 A01 DI.964.009.002A01 00:00:00 n SUISSE ECHOS DES MONTAGNES SUISSES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +F-30-S-3006 D303S DI.964.009.003 A01 DI.964.009.003A01 00:00:00 n FRANCE JOUR DE FETE AU PAYS BASQUE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +OCR-18 D303 DI.964.010.001 A01 DI.964.010.001A01 00:00:00 n MADAGASCAR VALIHA MADAGASCAR Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +FE-4405 D303 DI.965.001.001 A01 DI.965.001.001A01 00:00:00 n ETHIOPIE FOLK MUSIC OF ETHIOPIA Sous-table non exportée Sous-table non exportée 1943 0 AFRIQUE +FE-4408 D303M DI.965.001.002 A01 DI.965.001.002A01 00:00:00 n ISRAEL FOLK MUSIC OF PALESTINE/HEBREW-YEMENITE-PERSIAN ARABIC-BOKHARIAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4419 D303M DI.965.001.003 A01 DI.965.001.003A01 00:00:00 n ROUMANIE FOLK MUSIC OF RUMANIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4421 D303M DI.965.001.004 A01 DI.965.001.004A01 00:00:00 n YEMEN MUSIC OF SOUTH ARABIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4425 D303 DI.965.001.005 A01 DI.965.001.005A01 00:00:00 n PAKISTAN FOLK MUSIC OF PAKISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4427 D303 DI.965.001.006 A01 DI.965.001.006A01 00:00:00 n ZAIRE FOLK MUSIC OF WESTERN CONGO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4428 D303 DI.965.001.007 A01 DI.965.001.007A01 00:00:00 N RWANDA SONGS OF THE WATUTSI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4430 D303 DI.965.001.008 A01 DI.965.001.008A01 00:00:00 GB;ECOSSE SONGS AND PIPES OF THE HEBRIDES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4433 D303M DI.965.001.009 A01 DI.965.001.009A01 00:00:00 n NLE-ZELANDE MAORI SONGS OF NEW ZEALAND Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +FE-4444 D303M DI.965.001.010 A01 DI.965.001.010A01 00:00:00 n USA;ALASKA THE ESKIMOS OF HUDSON BAY & ALASKA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4444 D303M DI.965.001.010 B06 DI.965.001.010B06 00:00:00 n USA;ALASKA THE ESKIMOS OF HUDSON BAY & ALASKA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4447 D303 DI.965.001.011 A01 DI.965.001.011A01 00:00:00 n INDE MUSIC FROM SOUTH ASIA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4447 D303 DI.965.001.011 A06 DI.965.001.011A06 00:00:00 n NEPAL MUSIC FROM SOUTH ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4447 D303 DI.965.001.011 B03 DI.965.001.011B03 00:00:00 n PAKISTAN MUSIC FROM SOUTH ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4447 D303 DI.965.001.011 B05 DI.965.001.011B05 00:00:00 n INDE;JAMMU & KASHMIR CACHEMIRE MUSIC FROM SOUTH ASIA GEET Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4448 D303M DI.965.001.012 A01 DI.965.001.012A01 00:00:00 n JAPON FOLK MUSIC OF THE AMAMI ISLANDS Sous-table non exportée Sous-table non exportée 1456 0 ASIE +FE-4449 D303M DI.965.001.013 A01 DI.965.001.013A01 00:00:00 JAPON JAPANESE BUDDHIST RITUAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4457 D303M DI.965.001.014 A01 DI.965.001.014A01 00:00:00 ZAIRE THE PYGMIES OF THE ITURI FOREST N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4460 D303M DI.965.001.015 A01 DI.965.001.015A01 00:00:00 MALAYSIA MALAYA (MALAISIE) TEMIAR DREAM MUSIC OF MALAYA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4465 D303 DI.965.001.016 A01 DI.965.001.016A01 00:00:00 n LIBERIA FOLK MUSIC OF LIBERIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4466 D303 DI.965.001.017 A01 DI.965.001.017A01 00:00:00 n PHILIPPINES HANUNOO MUSIC FROM THE PHILIPPINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4469 D303M DI.965.001.018 A01 DI.965.001.018A01 00:00:00 n IRAN;KURDISTAN KURDISH FOLK SONGS AND DANCES Sous-table non exportée Sous-table non exportée 1953 0 ASIE +FE-4471 D303 DI.965.001.019 A01 DI.965.001.019A01 00:00:00 n USA;ALABAMA NEGRO FOLK MUSIC OF ALABAMA-RICH AMERSON, 1 Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4472 D303 DI.965.001.020 A01 DI.965.001.020A01 00:00:00 n USA;ALABAMA NEGRO FOLK MUSIC OF ALABAMA-RICH AMERSON, II Sous-table non exportée Sous-table non exportée 1950 0 AMERIQUE +FE-4473 D303 DI.965.001.021 A01 DI.965.001.021A01 00:00:00 n USA;ALABAMA NEGRO FOLK MUSIC OF ALABAMA-SPIRITUALS Sous-table non exportée Sous-table non exportée 1950 0 AMERIQUE +FE-4474 D303 DI.965.001.022 A01 DI.965.001.022A01 00:00:00 n USA;ALABAMA NEGRO FOLK MUSIC OF ALABAMA Sous-table non exportée Sous-table non exportée 1950 0 AMERIQUE +FE-4483 D303M DI.965.001.023 A01 DI.965.001.023A01 00:00:00 n CONGO MUSIC OF THE I TURI FOREST Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8802 D303M DI.965.001.024 A01 DI.965.001.024A01 00:00:00 n PORTO RICO SONGS AND DANCES OF PUERTO RICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8811 D303M DI.965.001.025 A01 DI.965.001.025A01 00:00:00 n ILES ANDROS CARIBBEAN RHYTHMS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8850 D303M DI.965.001.026 A01 DI.965.001.026A01 00:00:00 USA INDIAN MUSIC OF THE SOUTHWEST N Sous-table non exportée Sous-table non exportée 1941 0 AMERIQUE +FW-8851 D303M DI.965.001.027 A01 DI.965.001.027A01 00:00:00 n MEXIQUE INDIAN MUSIC OF MEXICO N Sous-table non exportée Sous-table non exportée 1941 0 AMERIQUE +FR-8975 D303M DI.965.001.028 A01 DI.965.001.028A01 00:00:00 n MEXIQUE MUSHROOM CEREMONY OF THE MAZATE C INDIANS OF MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MSRN-001 D303M DI.965.002.001 A01 DI.965.002.001A01 00:00:00 n BRESIL MUSICA INSTRUMENTAL Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MSRN-002 D303M DI.965.002.002 A01 DI.965.002.002A01 00:00:00 n BRESIL CANCOES DOS HOMENS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MSRN-003 D303M DI.965.002.003 A01 DI.965.002.003A01 00:00:00 n BRESIL CANCOES DAS MULHERES Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +XM-1 D303M DI.965.003.001 A01 DI.965.003.001A01 00:00:00 n BRESIL CANDOMBLE-MUSICA RELIGIOSA:AFRO-BRASILEIRA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +45-NWA-5016 D174M DI.965.004.005 A01 DI.965.004.005A01 00:00:00 n AFRIQUE HAGBE LOMILOMI MEFOWE WEYINBI (AGIDIGBO) Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LP-26951 D253M DI.965.005.001 A01 DI.965.005.001A01 00:00:00 n GUINEE MUSIC FROM WEST AFRICA: FRENCH GUINEA Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LP-26952 D253M DI.965.005.002 A01 DI.965.005.002A01 00:00:00 n GUINEE MUSIC FROM WEST AFRICA : FRENCH GUINEA Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LP-26953 D253M DI.965.005.003 A01 DI.965.005.003A01 00:00:00 n BENIN MUSIC FROM FRENCH WEST AFRICA Sous-table non exportée Sous-table non exportée 1349 0 AFRIQUE +LP-26954 D253M DI.965.005.004 A01 DI.965.005.004A01 00:00:00 n NIGERIA MUSIC FROM NIGERIA: YORUBA IJESHA Sous-table non exportée Sous-table non exportée 748 0 AFRIQUE +FCX-429 D303M DI.965.006.001 A01 DI.965.006.001A01 00:00:00 n CHINE ENSEMBLE OFFICIEL DE LA REPUBLIQUE POPULAIRE DE CHINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +DUC-20/22 D303M DI.965.006.002/04 A01 DI.965.006.002/04A01 00:00:00 n CAMBODGE ANTHOLOGIE DE LA MUSIQUE DU CAMBODGE N Sous-table non exportée Sous-table non exportée 1963 0 ASIE +MC-20175 D303M DI.965.006.005 A01 DI.965.006.005A01 00:00:00 n URSS;RSS ARMENIE TRESORS DE LA LITURGIE ARMENIENNE, VOL. 4 Sous-table non exportée Sous-table non exportée 0 0 ASIE +AMS-64 D303S DI.965.006.006 A01 DI.965.006.006A01 00:00:00 n URSS;RSFS RUSSIE VEPRES MONASTIQUES RUSSES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-096 D303M DI.965.007.001 A01 DI.965.007.001A01 00:00:00 n INDONESIE;BALI GAMELANS DE BALI-MUSIQUE DES DIEUX, MUSIQUE DES HOMMES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDY-4190 D173M DI.965.008.001 Z01 DI.965.008.001Z01 00:00:00 n PORTUGAL CHANTS ET DANSES DU PORTUGAL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDY-4160 D173M DI.965.008.002 A01 DI.965.008.002A01 00:00:00 n ALGERIE SAHARA-CHANTS DES TOUAREG AJJER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDY-4166 D173M DI.965.008.003 A01 DI.965.008.003A01 00:00:00 n BURKINA FASO CHANTS ET DANSES D'AFRIQUE-BOBO-OULE Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +LDY-4179 D173M DI.965.008.004 Z01 DI.965.008.004Z01 00:00:00 n INDONESIE CHANTS ET DANSES D'INDONESIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDY-4046 D173M DI.965.008.005 A01 DI.965.008.005A01 00:01:25 n VIETNAM SUD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM LE REPIQUAGE DU RIZ=*TR HO LO=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Chant de travail interprété par des artistes professionnels pour le disque Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 A02 DI.965.008.005A02 00:01:30 n VIETNAM NORD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM SEPARATION=*TR THO NOI NHO MONG=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Chant alterné Quan Ho. Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 A03 DI.965.008.005A03 00:02:18 n VIETNAM NORD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM EN ATTENDANT LE PASSEUR=*TR CAP NON DOI DO=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée Une erreur se glisse sur le titre. Cette pièce s'intitule: Ngôi tua man thuyên (Sur ma barque) (titre figurant sur la face B, plage 2). Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 A04 DI.965.008.005A04 00:01:25 n VIETNAM CENTRE VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM CHANT DES TERRASSIERS=*TR HO NEN=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 B01 DI.965.008.005B01 00:01:52 n VIETNAM NORD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM L'AUBERGE EN HAUT DE LA COTE=*TR TREO LEN QUAN GIOC=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant alterné Quan Ho revu et corrigé. Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 B02 DI.965.008.005B02 00:01:25 n VIETNAM NORD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM SUR MA BARQUE=*TR NGOI TUA MAN THUYEN=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée Le titre de ce chant s'appelle Cap non doi do (en attendant le passeur) (titre figurant sur la face A, plage 2. Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 B03 DI.965.008.005B03 3031:00:00 n VIETNAM NORD VIETNAM VIETNAMIENS CHANSONS POPULAIRES DU VIETNAM DEVINETTES=*TR DO ANH=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Ce chant s'appelle normalement Trông Quân, un type de chant alterné très connu dans le Nord du Vietnam. Les paroles de ce chant servent à faire de la propagande pour le régime communiste. Rythme mesuré• N -1 0 ASIE +LDY-4046 D173M DI.965.008.005 Z01 DI.965.008.005Z01 00:00:00 n VIETNAM CHANSONS POPULAIRES DU VIETNAM Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDY-4040 D173M DI.965.008.006 Z01 DI.965.008.006Z01 00:00:00 n CHINE CHANTS ET DANSES DE CHINE. CLEFS POUR LA CHINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDY-4039 D173M DI.965.008.007 Z01 DI.965.008.007Z01 00:00:00 n CHINE MONGOLIE-SINKIANG. CHANTS DES MINORITES CHINOISES.CLEFS POUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDZS-4287 D253M DI.965.008.008 A01 DI.965.008.008A01 00:00:00 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA FLUTE SEULE N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN CHRISTIAN -1 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A02 DI.965.008.008A02 00:00:01 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA PERORAISON DU NOUVEL ALCALDE N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A03 DI.965.008.008A03 00:00:00 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA CHANSON ENFANTINE N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A04 DI.965.008.008A04 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA LA TOUSSAINT: CHANT N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A05 DI.965.008.008A05 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA LA TOUSSAINT: CORTEGE ET CHANT N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A06 DI.965.008.008A06 00:00:01 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA LA TOUSSAINT: FLUTE SEULE N Sous-table non exportée N Sous-table non exportée Solo instr SPAHNI, JEAN-CHRISTIAN -1 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A07 DI.965.008.008A07 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA LE CARNAVAL: COUPLETS TRADITIONNELS N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A08 DI.965.008.008A08 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA CARNAVAL: DANS LES VILLAGES DU SUD N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 A09 DI.965.008.008A09 00:00:01 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA CARNAVAL: DANS LES VILLAGES DU NORD N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B01 DI.965.008.008B01 00:00:00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA HARPE CREOLE N Sous-table non exportée N Sous-table non exportée Harpe: en bois de caroubier• Solo instr SPAHNI, JEAN-CHRISTIAN -1 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B02 DI.965.008.008B02 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA ENFLORAMIENTO: GUITARE ET CHANT POUR LES LAMAS N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B03 DI.965.008.008B03 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA ENFLORAMIENTO: GUITARE ET CHANT POUR LES CHEVRES ET LES MOUT N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B04 DI.965.008.008B04 00:00:01 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA FLUTES DROITES ET TAMBOURS N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B05 DI.965.008.008B05 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA FETE D'AYQUINA: ORCHESTRE DE BOLIVIE N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B06 DI.965.008.008B06 00:00:02 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA FETES D'AYQUINA: DANSES DES PEAUX ROUGES N Sous-table non exportée N Sous-table non exportée SPAHNI, JEAN-CHRISTIAN 0 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B07 DI.965.008.008B07 00:00:01 00/00/00 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA LE SACRE DU PRINTEMPS N Sous-table non exportée N Sous-table non exportée Trompe "CLARIN": taille>100cm. Trompe "PUTO PUTO": en corne [ Chants cérémoniels exécutés pendant les cérémonies de nettoyage des cannaux d'irrigations]• Choeur & instrs SPAHNI, JEAN-CHRISTIAN -1 0 AMERIQUE +LDZS-4287 D253M DI.965.008.008 B08 DI.965.008.008B08 00:00:01 CHILI DESERT D'ATACAMA ATACAMEN-O CHEZ LES INDIENS DU DESERT D'ATACAMA FLUTES DE PAN ET TAMBOURS N Sous-table non exportée N Sous-table non exportée Harpe: en bois de caroubier• Groupe instr SPAHNI, JEAN-CHRISTIAN -1 0 AMERIQUE +LDS-8246 D253M DI.965.008.009 A01 DI.965.008.009A01 00:00:00 n MALI AU COEUR DU SOUDAN Sous-table non exportée Sous-table non exportée N 1956 0 AFRIQUE +LDS-4182 D253M DI.965.008.010 Z01 DI.965.008.010Z01 00:00:00 n TURQUIE CHANTS ET DANSES DE TURQUIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDS-8238 D253M DI.965.008.011 A01 DI.965.008.011A01 00:00:00 n INDE AU SUD DE L'INDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +EX-249 D174M DI.965.009.001 A01 DI.965.009.001A01 00:00:00 n MAROC RYTHMES DU MOYEN ATLAS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EX-264 D174M DI.965.009.002 A01 DI.965.009.002A01 00:00:00 n MAROC RIF ET J'BALAS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EX-603 D174M DI.965.009.003 A01 DI.965.009.003A01 00:00:00 n MAROC LES HOMMES BLEUS. FOLKLORE DU GRAND SUD MAROCAIN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EX-262 D174M DI.965.009.004 A01 DI.965.009.004A01 00:00:00 n MAROC DANSE DE LEILA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-376 D173M DI.965.009.005 A01 DI.965.009.005A01 00:00:00 n BENIN RYTHMES ET CHANTS DU DAHOMEY N° 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-398 D173M DI.965.009.006 A01 DI.965.009.006A01 00:00:00 n LESOTHO MUSIQUE DU FOND DES AGES Sous-table non exportée Sous-table non exportée 1959 0 AFRIQUE +LD-357 D173M DI.965.009.007 A01 DI.965.009.007A01 00:00:00 n ISRAEL CHANTS LITURGIQUES D'ISRAEL. CHANTS SAMARITAINS D'ISRAEL Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-363 D173M DI.965.009.008 A01 DI.965.009.008A01 00:00:00 n TURQUIE TURQUIE DES MILLE ET UNE NUITS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-375 D173M DI.965.009.009 A01 DI.965.009.009A01 00:00:00 n TURQUIE TURQUIE N° 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-385 D173M DI.965.009.010 A01 DI.965.009.010A01 00:00:00 n SYRIE MUSIQUE DU MOYEN ORIENT Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-385 D173M DI.965.009.010 A02 DI.965.009.010A02 00:00:00 n JORDANIE MUSIQUE DU MOYEN ORIENT Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-384 D173M DI.965.009.011 A01 DI.965.009.011A01 00:00:00 n SYRIE LES DERVICHES TOURNEURS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-384 D173M DI.965.009.011 B01 DI.965.009.011B01 00:00:00 n TURQUIE LES DERVICHES TOURNEURS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-388 D173M DI.965.009.012 A01 DI.965.009.012A01 00:00:00 n THAILANDE MUSIQUE DE THAILANDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-365 D173 DI.965.009.013 A01 DI.965.009.013A01 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM RENVERSEMENT DES 5 TONS=*TR NGU CUNG DAO=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Extrait de la pièce Ngu cung dao appartenant à la nuance Dao du système modal Nam de la tradition du Sud Vietnam. Rythme libre• Solo instr STUDIO GENEIX, DELANNOY, PARIS 1959 0 ASIE +LD-365 D173 DI.965.009.013 A02 DI.965.009.013A02 00:01:58 n VIETNAM NORD VIETNAMA VIETNAMIENS MUSIQUE DU VIETNAM CHANT DU DESERT=*TR SA MAC=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme libre• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 A03 DI.965.009.013A03 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM LES 5 REPONSES, 2E PIECE=*TR NGU DOI HA=*TRS Sous-table non exportée M. RITUELLE Sous-table non exportée Extrait de la pièce Ngu dôi ha, appartenant à la nuance Nhac du système modal Bac, fréquemment utilisée dans la musique rituelle du Sud Vietnam Vièle 2C "DAN CO": archet pris. Avec le système de re-recording, M.Trân Van Khê a pu jouer des deux instruments: vièle et tambour dans le même enregistrement. Rythme libre• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 A04 DI.965.009.013A04 00:01:18 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR QUA CAU GIO BAY=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant populaire, chant d'amour et de fête de Bac Ninh. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme mesuré• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 B01 DI.965.009.013B01 00:01:38 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM L'AIGRETTE PLANE=*TR CO LA=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée chant populaire de Bac Ninh, une province située à 30km de Hà Nôi. Chant d'amour, alterné, entendu surtout le 13è jour de la 1ère lune, au cours de la fête du printemps . Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Rythme mesuré• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 B02 DI.965.009.013B02 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM LE PRINTEMPS MERIDIONAL=*TR NAM XUAN=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée extrait de la pièce de musique traditionnelle du Sud Viet Nam, Nam Xuân, du système modal Nam, avec la nuance Xuân. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 B03 DI.965.009.013B03 00:01:12 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM LE VENT SOUFFLE ET FAIT COURBER LE SAULE PLEUREUR=*TR PHONG XUY TRICH LIEU=*TRS NGUYEN TRI KHUONG Sous-table non exportée CHT DE THEATRE Sous-table non exportée Cette pièce de musique traditionnelle du Sud Vietnam, écrite par M.Nguyên Tri Khuong en 1927, appartient à la nuance Ai Oan, nuance triste du système modal Nam. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Composition récente pour la pièce de théâtre "Giot lê chung tinh" par Nguyên Tri Khuong. Rythme libre• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-365 D173 DI.965.009.013 B04 DI.965.009.013B04 00:01:46 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIETNAM PIECE ANCIENNE=*TR CO BAN=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Luth 2C "DAN KIM": caisse en forme de lune. Rythme mesuré• STUDIO GENEIX, DELANNOY 1959 0 ASIE +LD-378 D173M DI.965.009.014 A01 DI.965.009.014A01 00:00:00 n SRI LANKA MUSIQUE DE CEYLAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +EX-604 D174M DI.965.009.015 A01 DI.965.009.015A01 00:00:00 n INDE;JAMMU & KASHMIR CACHEMIRE CACHEMIRE. EXPEDITION LOTUS MUSIQUE DE MARIAGE...SRINAGAR Sous-table non exportée Sous-table non exportée -1 0 ASIE +EX-604 D174M DI.965.009.015 A03 DI.965.009.015A03 00:00:00 N PAKISTAN CHITRAL CACHEMIRE. EXPEDITION LOTUS DANSE RITUELLE DE F. KAFIR POUR LA NAISSANCE D'UN ENFANT Sous-table non exportée Sous-table non exportée N -1 0 ASIE +LD-374 D173M DI.965.009.016 A01 DI.965.009.016A01 00:00:00 n COREE DU NORD MUSIQUE DE COREE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-379 D173M DI.965.009.017 A01 DI.965.009.017A01 00:00:00 n COREE DU NORD MORANBONG.EXTRAIT DE LA M.DU FILM MORANBONG DE J.C.BONNARDOT Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-393 D173M DI.965.009.018 A01 DI.965.009.018A01 00:00:00 n JAPON JAPON MEDIEVAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +EX-253 D174M DI.965.009.019 A01 DI.965.009.019A01 00:00:00 n EQUATEUR GALAPAGOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LD-373 D173M DI.965.009.020 A01 DI.965.009.020A01 00:00:00 n HAITI RITUEL VAUDOU EN HAITI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +EX-294 D174M DI.965.009.021 A01 DI.965.009.021A01 00:00:00 n PAPOUASIE-NLE-GUINEE NOUVELLE GUINEE Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +EX-296 D174M DI.965.009.022 A01 DI.965.009.022A01 00:00:00 n GRECE MUSIQUE POPULAIRE GRECQUE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-382 D173M DI.965.009.023 A01 DI.965.009.023A01 00:00:00 n NORVEGE FOLKLORE DE NORVEGE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-094 D253M DI.965.009.024 A01 DI.965.009.024A01 00:00:00 n INDE INDE DU NORD. RAGAS DU MATIN & DU SOIR. P. CHATUR LAL & RAM NARAYAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LD-400 D253M DI.965.009.025 A01 DI.965.009.025A01 00:00:00 n INDE;JAMMU & KASHMIR CACHEMIRE-VALLEES HIMALAYENNES. EXPEDITION LOTUS N Sous-table non exportée Sous-table non exportée N 1962 0 ASIE +LD-400 D253M DI.965.009.025 A02 DI.965.009.025A02 00:00:00 n PAKISTAN CHITRAL CACHEMIRE-VALLEES HIMALAYENNES. EXPEDITION LOTUS N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +LD-076 D303M DI.965.009.026 A01 DI.965.009.026A01 00:00:00 n INDE;BENGALE CHANTS ET DANSES POPULAIRES DU BENGALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +V-92 D253M DI.965.010.001 A01 DI.965.010.001A01 00:00:00 n TURQUIE RYTHMES ET MELODIES DE TURQUIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +RES-9 D303M DI.965.011.001 A01 DI.965.011.001A01 00:00:00 n MALI SCENES DE LA VIE DES DOGON (SOUDAN FRANCAIS) Sous-table non exportée Sous-table non exportée n 1956 0 AFRIQUE +OCR-24 D303 DI.965.012.001 A01 DI.965.012.001A01 00:00:00 n MADAGASCAR MUSIQUE MALGACHE Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +LD-409 D303 DI.965.012.002 A01 DI.965.012.002A01 00:00:00 n REP CENTRAFRICAINE AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-409 D303 DI.965.012.002 A03 DI.965.012.002A03 00:00:00 n BURKINA FASO AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 445 0 AFRIQUE +LD-409 D303 DI.965.012.002 A04 DI.965.012.002A04 00:00:00 n GUINEE AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 445 0 AFRIQUE +LD-409 D303 DI.965.012.002 A05 DI.965.012.002A05 00:00:00 n BENIN AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 445 0 AFRIQUE +LD-409 D303 DI.965.012.002 B03 DI.965.012.002B03 00:00:00 n RWANDA AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 445 0 AFRIQUE +LD-409 D303 DI.965.012.002 B04 DI.965.012.002B04 00:00:00 n NIGER AFRIQUE NOIRE-PANORAMA DE LA MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 445 0 AFRIQUE +LPX-1187 D303M DI.965.013.001 Z01 DI.965.013.001Z01 00:00:00 n HONGRIE HUNGARIAN FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPD-1065 D253M DI.965.014.001 A01 DI.965.014.001A01 00:00:00 n ROUMANIE CINTEDE BATRINESTI-BALLADE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPD-1066 D253M DI.965.014.002 A01 DI.965.014.002A01 00:00:00 n ROUMANIE CINTEDE BATRINESTI-BALLADE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPD-1015 D253M DI.965.014.003 A01 DI.965.014.003A01 00:00:00 n ROUMANIE FOLKLORE DES COUTUMES (HIVER,PRINTEMPS,ETE,FUNERAILLES,CEREMONIAL NUPTIAL) Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPD-1016 D253M DI.965.014.004 A01 DI.965.014.004A01 00:00:00 n ROUMANIE MUZICA PASTOREAS CA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPD-1017 D253M DI.965.014.005 A01 DI.965.014.005A01 00:00:00 n ROUMANIE CINTECE BATRINESTI (BALADE) Sous-table non exportée Sous-table non exportée 0 0 EUROPE +OCR-25 D303 DI.965.015.001 A01 DI.965.015.001A01 00:00:00 n CAMEROUN MUSIQUES DU CAMEROUN Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +OCR-26 D303M DI.965.015.002 A01 DI.965.015.002A01 00:00:00 n INDE;RAJASTHAN MUSIQUE INDIENNE DU RAJASTHAN-PAINTED BALLADS Sous-table non exportée Sous-table non exportée 1962 0 ASIE +PRZ-6818 D403M DI.965.016.002 A01 DI.965.016.002A01 00:00:00 n AUSTRALIE U. OF SYDNEY: ARNHEM LAND EXPEDITION 1952 Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6819 D403M DI.965.016.003 A01 DI.965.016.003A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6820 D403M DI.965.016.004 A01 DI.965.016.004A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEMLAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6821 D403M DI.965.016.005 A01 DI.965.016.005A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6824 D403M DI.965.016.008 A01 DI.965.016.008A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6825 D403M DI.965.016.009 A01 DI.965.016.009A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6826 D403M DI.965.016.010 A01 DI.965.016.010A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6827 D403M DI.965.016.011 A01 DI.965.016.011A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6828 D403M DI.965.016.012 A01 DI.965.016.012A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6830 D403M DI.965.016.014 A01 DI.965.016.014A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6831 D403M DI.965.016.015 A01 DI.965.016.015A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6832 D403M DI.965.016.016 A01 DI.965.016.016A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRZ-6833 D403M DI.965.016.017 A01 DI.965.016.017A01 00:00:00 n AUSTRALIE UNIVERSITY OF SYDNEY, ARNHEM LAND Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +PRX-3644 D303M DI.965.016.018 A01 DI.965.016.018A01 00:00:00 n AUSTRALIE WAGAITJ MOURNING DANCING-NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3645 D303M DI.965.016.019 A01 DI.965.016.019A01 00:00:00 n AUSTRALIE WAGAITJ MOURNING DANCING-WAGAITJ CHILDREN IN SCHOOL Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3646 D303M DI.965.016.020 A01 DI.965.016.020A01 00:00:00 n AUSTRALIE WAGAITJ MOURNING DANCING Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3647 D303M DI.965.016.021 A01 DI.965.016.021A01 00:00:00 n AUSTRALIE PIDJINDJARA SECRET TOTEMIC CEREMONY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3648 D303M DI.965.016.022 A01 DI.965.016.022A01 00:00:00 n AUSTRALIE PIDJINDJARA SECRET TOTEMIC CEREMONY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3649 D303M DI.965.016.023 A01 DI.965.016.023A01 00:00:00 n AUSTRALIE WAILBRI SECRET TOTEMIC CEREMONY-NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3650 D303M DI.965.016.024 A01 DI.965.016.024A01 00:00:00 n AUSTRALIE WAILBRI SECRET TOTEMIC CEREMONY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3651 D303M DI.965.016.025 A01 DI.965.016.025A01 00:00:00 n AUSTRALIE WAILBRI WOMEN, SECRET YOWALYU, MARAMUNGA WOMEN Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3652 D303M DI.965.016.026 A01 DI.965.016.026A01 00:00:00 n AUSTRALIE WAILBRI WOMEN, SECRET YOWALYU, NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3653 D303M DI.965.016.027 A01 DI.965.016.027A01 00:00:00 n AUSTRALIE NAGALA SONGS Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3654 D303M DI.965.016.028 A01 DI.965.016.028A01 00:00:00 n AUSTRALIE BATHURST AND MELVILLE ISLANDERS:MOURNING DANCE Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +PRX-3896 D303M DI.965.016.029 A01 DI.965.016.029A01 00:00:00 n PAPOUASIE-NLE-GUINEE MUSIC OF NEW GUINEA-CHANTING AT WABAG Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3897 D303M DI.965.016.030 A01 DI.965.016.030A01 00:00:00 n PAPOUASIE-NLE-GUINEE MUSIC OF NEW GUINEA-CHIMBU FLUTE PLAYING-YODELLING Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3898 D303M DI.965.016.031 A01 DI.965.016.031A01 00:00:00 n AUSTRALIE MUSIC OF NEW GUINEA-CHIMBU FLUTE PLAYING-JEW'S HARPS Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3899 D303M DI.965.016.032 A01 DI.965.016.032A01 00:00:00 n AUSTRALIE MUSIC OF NEW GUINEA-CHIMBU MEN SINGING, STORY OF FINDING SAL Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3900 D303M DI.965.016.033 A01 DI.965.016.033A01 00:00:00 n PAPOUASIE-NLE-GUINEE M. OF NEW GUINEA-HEADHUNTING INITIATION CHANTS Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3901 D303M DI.965.016.034 A01 DI.965.016.034A01 00:00:00 n PAPOUASIE-NLE-GUINEE M. OF NEW GUINEA-SARMI & INCREASE CHANTS Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-3942 D303M DI.965.016.035 A01 DI.965.016.035A01 00:00:00 n AUSTRALIE ABORIGINAL SONGS FROM JIGALONG, W.A. Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +PRX-3943 D303M DI.965.016.036 A01 DI.965.016.036A01 00:00:00 n AUSTRALIE ABORIGINAL SONGS FROM CENTRAL MURCHISON, W.A. Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +PRX-3944 D303M DI.965.016.037 A01 DI.965.016.037A01 00:00:00 n AUSTRALIE ABORIGINAL CHANTS FROM JIGALONG, W.A. Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +PRX-3945 D303M DI.965.016.038 A01 DI.965.016.038A01 00:00:00 n PAPOUASIE-NLE-GUINEE SONGS FROM MADANG DISTRICT, NEW GUINEA Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +PRX-4051 D303M DI.965.016.039 A01 DI.965.016.039A01 00:00:00 n PAPOUASIE-NLE-GUINEE GUITAR PLAYING, CHIMBU, SUNSET CEREMONY, SCHOOL MUSIC Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4052 D303M DI.965.016.040 A01 DI.965.016.040A01 00:00:00 n PAPOUASIE-NLE-GUINEE FLUTES AND JEW'S HARPS, KUNDIAWA, YODELING Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4053 D303M DI.965.016.041 A01 DI.965.016.041A01 00:00:00 n PAPOUASIE-NLE-GUINEE CHANTING AT KUNDIAWA Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4054 D303M DI.965.016.042 A01 DI.965.016.042A01 00:00:00 n PAPOUASIE-NLE-GUINEE SING-SING AT DUMUN Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4055 D303M DI.965.016.043 A01 DI.965.016.043A01 00:00:00 n PAPOUASIE-NLE-GUINEE DUMUN SING-SING, WOMEN CHANT Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4056 D303M DI.965.016.044 A01 DI.965.016.044A01 00:00:00 n PAPOUASIE-NLE-GUINEE SINGING AT HOUSE-YODELLING Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4066 D303M DI.965.016.045 A01 DI.965.016.045A01 00:00:00 n PAPOUASIE-NLE-GUINEE SARI WOMEN & MEN SONGS Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4057 D303M DI.965.016.046 A01 DI.965.016.046A01 00:00:00 n PAPOUASIE-NLE-GUINEE SARI YOUNG MEN CHANTING Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4058 D303M DI.965.016.047 A01 DI.965.016.047A01 00:00:00 n PAPOUASIE-NLE-GUINEE SARI YOUNG MEN CHANTING Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4059 D303M DI.965.016.048 A01 DI.965.016.048A01 00:00:00 n PAPOUASIE-NLE-GUINEE SARI YOUNG MEN CHANTING, AIOME PYGMIES SING Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4060 D303M DI.965.016.049 A01 DI.965.016.049A01 00:00:00 n AUSTRALIE SONGS FAR NORTH COAST, N.S.W. Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-4061 D303M DI.965.016.050 A01 DI.965.016.050A01 00:00:00 n AUSTRALIE SONGS FAR NORTH COAST OF N.S.W. Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-4062 D303M DI.965.016.051 A01 DI.965.016.051A01 00:00:00 n AUSTRALIE SONGS NJANGAMADA TRIBE, W.A. Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-4063 D303M DI.965.016.052 A01 DI.965.016.052A01 00:00:00 n AUSTRALIE NORTH QUEENSLAND SONGS Sous-table non exportée Sous-table non exportée 1955 0 OCEANIE +PRX-4064 D303M DI.965.016.053 A01 DI.965.016.053A01 00:00:00 n AUSTRALIE SONGS FROM THE CENTRAL MURCHISON, W.A. Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4065 D303M DI.965.016.054 A01 DI.965.016.054A01 00:00:00 n AUSTRALIE SONGS FROM THE CENTRAL MURCHISON, W.A. Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-4071 D303M DI.965.016.055 A01 DI.965.016.055A01 00:00:00 n AUSTRALIE CENTRAL MURCHISON SONGS, W.A., NORTH QUEENLAND SONGS Sous-table non exportée Sous-table non exportée 1052 0 OCEANIE +PRX-4071 D303M DI.965.016.055 B02 DI.965.016.055B02 00:00:00 n PAPOUASIE-NLE-GUINEE CENTRAL MURCHISON SONGS, W.A., NORTH QUEENLAND SONGS Sous-table non exportée Sous-table non exportée 1052 0 OCEANIE +PRX-4090 D303M DI.965.016.056 A01 DI.965.016.056A01 00:00:00 n AUSTRALIE SECRET CHANTING BY YOUNG MEN Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-2735 D303M DI.965.016.057 A01 DI.965.016.057A01 00:00:00 n AUSTRALIE SECRET CHANTING BY YOUNG MEN Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-2736 D303M DI.965.016.058 A01 DI.965.016.058A01 00:00:00 n AUSTRALIE KANGAROO RITUAL Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-2737 D303M DI.965.016.059 A01 DI.965.016.059A01 00:00:00 n AUSTRALIE SINGING FOR THE DEAD-MIXED CORROBOREE Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +PRX-2738 D303M DI.965.016.060 A01 DI.965.016.060A01 00:00:00 n AUSTRALIE SECRET DOG RITUAL-PUBLIC CEREMONY FROM UIENDUMU Sous-table non exportée Sous-table non exportée 1956 0 OCEANIE +006870 D174M DI.965.017.001 A01 DI.965.017.001A01 00:00:00 n ILES GILBERT & ELLICE ILES ELLICE DIE MUSIK DER ALLICE-INSELN N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +EX-612 D174 DI.966.001.001 A01 DI.966.001.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE NOUVELLE GUINEE-SEPIK N° 2 Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +282-SS-12 D173M DI.966.002.001 A01 DI.966.002.001A01 00:00:00 N AFRIQUE AFRIQUE-AN V. Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +A1/02 D253M DI.966.003.001/02 A01 DI.966.003.001/02A1 00:00:00 n MAURITANIE MUSIQUE MAURE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SM-25-A-165 D253M DI.966.004.001 A01 DI.966.004.001A01 00:00:00 n FRANCE LIGUGE. TENEBRAE FACTAE SUNT. TRIDUUM SACRE DE LA SEMAINE SAINTE n Sous-table non exportée Sous-table non exportée Solo & choeur -1 0 EUROPE +M-2434 D303M DI.966.004.002 A01 DI.966.004.002A01 00:00:00 n INDE VISAGES DE L'ASIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2434 D303M DI.966.004.002 B01 DI.966.004.002B01 00:00:00 n CHINE VISAGES DE L'ASIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2434 D303M DI.966.004.002 B02 DI.966.004.002B02 00:00:00 n COREE DU SUD VISAGES DE L'ASIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2434 D303M DI.966.004.002 B03 DI.966.004.002B03 00:00:00 n JAPON VISAGES DE L'ASIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-2434 D303M DI.966.004.002 B04 DI.966.004.002B04 00:00:00 n INDONESIE VISAGES DE L'ASIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2301 D303M DI.966.005.001 Z01 DI.966.005.001Z01 00:00:00 n COTE D'IVOIRE LA MUSIQUE DES DAN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2006 D303M DI.966.006.001 Z01 DI.966.006.001Z01 00:00:00 n INDE LA MUSIQUE DE L'INDE 1. RECITATION ET CHANT VEDIQUE Sous-table non exportée Sous-table non exportée 1557 0 ASIE +BM-30-L-2008 D303M DI.966.006.002 Z01 DI.966.006.002Z01 00:00:00 n TUNISIE LA MUSIQUE TUNISIENNE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2009 D303M DI.966.006.003 A01 DI.966.006.003A01 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2009 D303M DI.966.006.003 Z01 DI.966.006.003Z01 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 1. Sous-table non exportée Sous-table non exportée 1961 0 ASIE +BM-30-L-2010 D303M DI.966.006.004 A01 DI.966.006.004A01 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 2. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2010 D303M DI.966.006.004 Z01 DI.966.006.004Z01 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 2. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2011 D303M DI.966.006.005 Z05 DI.966.006.005Z05 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 3. Sous-table non exportée Sous-table non exportée 1961 0 ASIE +BM-30-L-2011 D303M DI.966.006.005 Z21 DI.966.006.005Z21 00:00:00 n TIBET LA MUSIQUE DU BOUDDHISME TIBETAIN 3. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2012 D303M DI.966.006.006 Z01 DI.966.006.006Z01 00:00:00 n JAPON LA MUSIQUE DU JAPON 1. SOKYOKU Sous-table non exportée Sous-table non exportée 1962 0 ASIE +BM-30-L-2013 D303M DI.966.006.007 Z01 DI.966.006.007Z01 00:00:00 n JAPON LA MUSIQUE DU JAPON 2. GAGAKU Sous-table non exportée Sous-table non exportée 1962 0 ASIE +BM-30-L-2014 D303M DI.966.007.001 A01 DI.966.007.001A01 00:00:00 JAPON LA MUSIQUE DU JAPON 1. MUSIQUE DE LA PERIODE EDO Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4323 D303S DI.966.008.001 A01 DI.966.008.001A01 00:00:00 n SENEGAL THE MUSIC OF THE DIOLA. FOGNY OF THE CASAMANCE. SENEGAL Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +M-33842/45 D253M DI.966.009.001/02 A01 DI.966.009.001/02A01 00:00:00 n ALBANIE KENGE TE KENDUARA NGA ANSAMBLI I KENGEVE* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +OCR-28 D303M DI.966.010.001 A01 DI.966.010.001A01 00:00:00 n MAURITANIE MUSIQUE MAURE Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +OCR-29 D303M DI.966.010.002 A01 DI.966.010.002A01 00:00:00 n NIGER NOMADES DU NIGER. MUSIQUE DES TOUAREG. MUSIQUE DES BORORO Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +HV-75036 D174M DI.966.011.001 A01 DI.966.011.001A01 00:00:00 N ISRAEL MUSIK DES JUDISCHEN VOLKES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-1001 D303M DI.967.001.001 A01 DI.967.001.001A01 00:00:00 n BRESIL CANDOMBLE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +EX-1002 D303M DI.967.001.002 A01 DI.967.001.002A01 00:00:00 n BRESIL CAPOEIRA-LUTA DE BALLARINOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LD-2 D303M DI.967.002.001 A01 DI.967.002.001A01 00:00:00 BENIN YORUBA FÊTE POUR L'OFFRANDE DES PREMIERES IGNAMES A SHANGO AU DAHOMEY Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SS-971 D173M DI.967.003.001 A01 DI.967.003.001A01 00:00:00 N JAPON EIHEIJI Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2303 D303M DI.968.001.001 A01 DI.968.001.001A01 00:00:00 n REP CENTRAFRICAINE LA MUSIQUE DES PYGMEES BA-BENZELE Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM-30-L-2304 D303M DI.968.001.002 A01 DI.968.001.002A01 00:00:00 n ETHIOPIE LA MUSIQUE DE L'ETHIOPIE 1. COPTES Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM-30-L-2305 D303M DI.968.001.003 A01 DI.968.001.003A01 00:00:00 n ETHIOPIE LA MUSIQUE DE L'ETHIOPIE 2. KOUSCHITES Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +BM-30-L-2302 D303M DI.968.001.004 Z01 DI.968.001.004Z01 00:00:00 n RWANDA MUSIQUE DU RWANDA Sous-table non exportée Sous-table non exportée 1153 0 AFRIQUE +BM-30-L-2302 D303M DI.968.001.004 Z02 DI.968.001.004Z02 00:00:00 n BURUNDI MUSIQUE DU RWANDA Sous-table non exportée Sous-table non exportée 1153 0 AFRIQUE +BM-30-L-2018 D303M DI.968.001.005 A01 DI.968.001.005A01 00:00:00 n INDE LA MUSIQUE DE L'INDE 3. DHRUPAD-S Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2015 D303M DI.968.001.006 A01 DI.968.001.006A01 00:00:00 n JAPON LA MUSIQUE DU JAPON 4. LA MUSIQUE BOUDDHIQUE Sous-table non exportée Sous-table non exportée 1953 0 ASIE +BM-30-L-2016 D303S DI.968.001.007 A01 DI.968.001.007A01 00:00:00 n JAPON LA MUSIQUE DU JAPON 5. LA MUSIQUE DU SHINTO Sous-table non exportée Sous-table non exportée 1051 0 ASIE +BM-30-L-2017 D303M DI.968.001.008 A01 DI.968.001.008A01 00:00:00 n JAPON LA MUSIQUE DU JAPON 6. NO / BIWA ET PSALMODIE Sous-table non exportée Sous-table non exportée 1962 0 ASIE +FE-4523 D303M DI.968.002.001-1/2 A01 DI.968.002.001-1/2A01 00:00:00 CANADA INDIAN MUSIC OF THE PACIFIC NORTHWEST COAST Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FE-4103 D303M DI.968.002.002 A01 DI.968.002.002A01 00:00:00 n IRAN KURDISH FOLK MUSIC FROM WESTERN IRAN Sous-table non exportée Sous-table non exportée 1962 0 ASIE +FE-4075 D303 DI.968.002.003 A01 DI.968.002.003A01 00:00:00 n CANADA;TERRE-NEUVE SONGS FROM THE OUT-PORTS OF NEWFOUNDLAND Sous-table non exportée Sous-table non exportée 1557 0 AMERIQUE +FX-6116 D303M DI.968.002.004 A01 DI.968.002.004A01 00:00:00 n AUSTRALIE THE LYREBIRD. A DOCUMENTARY STUDY OF ITS SONG Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +FE-4102 D303 DI.968.002.005 A01 DI.968.002.005A01 00:00:00 n AUSTRALIE NYANGUMARDA SONGS OF ABORIGINAL AUSTRALIA AND TORRES STRAIT Sous-table non exportée Sous-table non exportée 1148 0 OCEANIE +FE-4376 D303 DI.968.002.006 A01 DI.968.002.006A01 00:00:00 n COLOMBIE AFRO-HISPANIC MUSIC FROM, WESTERN COLOMBIA AND ECUADOR Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4376 D303 DI.968.002.006 A03 DI.968.002.006A03 00:00:00 n EQUATEUR AFRO-HISPANIC MUSIC FROM, WESTERN COLOMBIA AND ECUADOR Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +HMO-30734 D303 DI.968.003.001 A01 DI.968.003.001A01 00:00:00 n ITALIE BELLA CIAO. CHANSONS DU PEUPLE ITALIEN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HMO-30733 D303M DI.968.003.002 A01 DI.968.003.002A01 00:00:00 n REP CENTRAFRICAINE MUSIQUES AFRICAINES. CHANTS ET DANSES DE LA FORET CENTRAFRICAINE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +OCR-39 D174M DI.968.004.001 A01 DI.968.004.001A01 00:00:00 N TCHAD PERCUSSIONS/AFRIQUE Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +OCR-30 D303M DI.968.004.002 A01 DI.968.004.002A01 00:00:00 n PEROU MUSIQUES DU PEROU. PAUCARTAMBO INDIENS Q'EROS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +OCR-33 D303M DI.968.004.003 A01 DI.968.004.003A01 00:00:00 n MALI LES DOGON. LES CHANTS DE LA VIE. LE RITUEL FUNERAIRE Sous-table non exportée Sous-table non exportée 1956 0 AFRIQUE +OCR-35 D303 DI.968.004.004 A01 DI.968.004.004A01 00:00:00 n CONGO MUSIQUE KONGO Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +OCR-36/38 D303M DI.968.004.006-1/3 A01 DI.968.004.006-1/3A01 00:00:00 n TCHAD ANTHOLOGIE DE LA MUSIQUE DU TCHAD Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +GELD-1 D303M DI.968.005.001 A01 DI.968.005.001A01 00:00:00 n PORTUGAL TRAS-OS-MONTES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +GELDAS-2 D303M DI.968.005.002 A01 DI.968.005.002A01 00:00:00 n PORTUGAL ALGARVE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +GELD-12 D303M DI.968.005.003 A01 DI.968.005.003A01 00:00:00 n PORTUGAL MINHO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +GELD-17 D303M DI.968.005.004 A01 DI.968.005.004A01 00:00:00 n PORTUGAL ALENTEJO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +284 D253M DI.968.006.001 Z01 DI.968.006.001Z01 00:00:00 n IRAN RYTHMES ET MELODIES D'IRAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +AFSL-61 D303M DI.968.007.001 A01 DI.968.007.001A01 00:00:00 n USA RAILROAD SONGS & BALLADS Sous-table non exportée Sous-table non exportée 2949 0 AMERIQUE +LD-104 D303M DI.968.008.001 A01 DI.968.008.001A01 00:00:00 n TIBET TIBET - NEPAL. MUSIQUE BOUDDHISTE LAMAIQUE. MUSIQUE RITUELLE ET PROFANE Sous-table non exportée Sous-table non exportée 1965 0 ASIE +LD-104 D303M DI.968.008.001 B01 DI.968.008.001B01 00:00:00 n NEPAL TIBET - NEPAL. MUSIQUE BOUDDHISTE LAMAIQUE. MUSIQUE RITUELLE ET PROFANE Sous-table non exportée Sous-table non exportée 1966 0 ASIE +DM-10030 D253M DI.968.009.001 A01 DI.968.009.001A01 00:00:00 n TCHECOSLOVAQUIE SLOVENSKE-L'UDOVE PIESNE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +0020 D174M DI.968.010.006 A01 DI.968.010.006A01 00:00:00 n THAILANDE LAO KRATHOP MAI-LAO DAMNOEN SAI Sous-table non exportée Sous-table non exportée 0 0 ASIE +0008 D174M DI.968.010.007 A01 DI.968.010.007A01 00:00:00 n THAILANDE CHUI CHAI-PINAI SOLO Sous-table non exportée Sous-table non exportée 0 0 ASIE +0015 D174M DI.968.010.008 A01 DI.968.010.008A01 00:00:00 n THAILANDE SAT CHATRI-SARA PANYA Sous-table non exportée Sous-table non exportée 0 0 ASIE +0016 D174M DI.968.010.009 A01 DI.968.010.009A01 00:00:00 n THAILANDE DAOVADUNG DANCE Sous-table non exportée Sous-table non exportée 0 0 ASIE +0022 D174M DI.968.010.010 A01 DI.968.010.010A01 00:00:00 N THAILANDE TON BORATHET-AEW KHLAO SAW Sous-table non exportée Sous-table non exportée 0 0 ASIE +33-PIX-111 D303M DI.968.010.011 A01 DI.968.010.011A01 00:00:00 n THAILANDE MUSIQUE CLASSIQUE THAI (TRAD.) Sous-table non exportée Sous-table non exportée 0 0 ASIE +33-PIX-107 D303M DI.968.010.012 A01 DI.968.010.012A01 00:00:00 n THAILANDE MUSIQUE CLASSIQUE THAI (TRAD.) Sous-table non exportée Sous-table non exportée 0 0 ASIE +33-PIX-108 D303M DI.968.010.013 A01 DI.968.010.013A01 00:00:00 n THAILANDE MUSIQUE CLASSIQUE THAI (TRAD.) Sous-table non exportée Sous-table non exportée 0 0 ASIE +CTR-223 D303M DI.968.010.014 A01 DI.968.010.014A01 00:00:00 n THAILANDE THE BEST SOUVENIR FOR ALL TOURISTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +SPC-5001/02 D303S DI.968.010.015-1/2 A01 DI.968.010.015-1/2A01 00:00:00 n THAILANDE THAI CLASSICAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-42 D303M DI.968.011.001 A01 DI.968.011.001A01 00:00:00 n BAHREIN PECHEURS DE PERLES ET MUSICIENS DU GOLFE PERSIQUE Sous-table non exportée Sous-table non exportée 345 0 ASIE +OCR-42 D303M DI.968.011.001 B02 DI.968.011.001B02 00:00:00 1962-63 EMIRATS ARABES UNIS PECHEURS DE PERLES ET MUSICIENS DU GOLFE PERSIQUE Sous-table non exportée Sous-table non exportée 345 0 ASIE +OCR-41 D303 DI.968.012.001 A01 DI.968.012.001A01 00:00:00 n GABON MUSIQUES DU GABON Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +LVLX-290 D303M DI.968.013.001 A01 DI.968.013.001A01 00:00:00 n GUYANE FRANCAISE MUSIQUE BONI & WAYANA DE GUYANE Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +AAFSL-43 D303M DI.969.001.001 A01 DI.969.001.001A01 00:00:00 n USA M. OF THE AMERICAN INDIANS. PUEBLO:* Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +AAFSL-16 D303 DI.969.001.002 A01 DI.969.001.002A01 00:00:00 n USA SONGS& BALLADS OF THE ANTHRACITE MINERS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MSVER D253M DI.969.002.001 A01 DI.969.002.001A01 00:00:00 n TOGO CHANTS ET RYTHMES DU TOGO-MUSIQUE BIYOBE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +ED-0130 D303M DI.969.003.001 A01 DI.969.003.001A01 00:00:00 n CAMEROUN M. SACREE DES FALI. FALI DE NGOUTCHOUMI Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +FE-4476 D303 DI.969.004.001 A01 DI.969.004.001A01 00:00:00 n COTE D'IVOIRE THE BAOULE OF THE IVORY COAST Sous-table non exportée Sous-table non exportée 1153 0 AFRIQUE +LVLX-194 D303M DI.969.005.001 A01 DI.969.005.001A01 00:00:00 n BRESIL M. INDIENNE DU BRESIL Sous-table non exportée Sous-table non exportée 1955 0 AMERIQUE +LVLX-187 D303M DI.969.005.002 A01 DI.969.005.002A01 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; ENTREE DES 12 DANSEURS N Sous-table non exportée N Sous-table non exportée 01/01/56 Groupe instr BOURGUIGNON/BORLANDELLI 1956 0 ASIE +LVLX-187 D303M DI.969.005.002 A02 DI.969.005.002A02 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; DANSE DE LENTSHI-LAMA N Sous-table non exportée N Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue, télescopique. BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 A03 DI.969.005.002A03 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; PRIERES DES LAMA & DANSE DES MASQUES N Sous-table non exportée N Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue, télescopique. BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 A04 DI.969.005.002A04 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; PRIERES DES LAMA & DANSE DES MASQUES N Sous-table non exportée N Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue, télescopique. BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 A05 DI.969.005.002A05 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; DANSE DE MAHAKALA, DIEU DE LA MORT N Sous-table non exportée N Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue, télescopique. LE 'CHAM EST LA DANSE SACREE DU LO-SAR BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 A06 DI.969.005.002A06 00:00:00 INDE;SIKKIM GANGTOK, MONASTERE DE ENTCHI[DBEN-LCE] TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CEREMONIE DU 'CHAM; INVOCATION, BRULAGE...CHOEUR DES GUERRIERS ND Sous-table non exportée Sous-table non exportée 01/01/56 BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B01 DI.969.005.002B01 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CHANT DE VOYAGEUR: 2 PIECES ND Sous-table non exportée Sous-table non exportée 01/01/56 >1°POUR LE PASSAGE D'UN COL;2° POUR CELEBRER LA NATURE< SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976)< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B02 DI.969.005.002B02 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM DANSE DE SHIGASTE ND Sous-table non exportée Sous-table non exportée 01/01/56 SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976); CROSSLEY-HOLLAND, P."FORM & STYLE IN T. F. MELODY" -JAHRBUCH FUR MUSIKALSCHE VOLKS & VOLKERKUNDE_ , 3 (1967-69): 109-126< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B03 DI.969.005.002B03 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CHANT DE JOIE ND Sous-table non exportée Sous-table non exportée 01/01/56 SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976)< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B04 DI.969.005.002B04 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CHANT DE CARAVANIER ND Sous-table non exportée Sous-table non exportée 01/01/56 SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976)< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B05 DI.969.005.002B05 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CH DE JF "SUR UN CHEVAL" ND Sous-table non exportée [TYPE QZHAS; VERS A 6 SYLL.] Sous-table non exportée 01/01/56 SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976); CROSSLEY-HOLLAND, P."FORM & STYLE IN T. F. MELODY" -JAHRBUCH FUR MUSIKALSCHE VOLKS & VOLKERKUNDE_ , 3 (1967-69): 109-126< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B06 DI.969.005.002B06 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CH DE JF "SUR LA LUNE" ND Sous-table non exportée [TYPE QZHAS; VERS A 6 SYLL.] Sous-table non exportée 01/01/56 SAMUEL,G "SONGS OF LHASSA"_ETHOMUSICOLOGY_ XX/3 (1976); CROSSLEY-HOLLAND, P."FORM & STYLE IN T. F. MELODY" -JAHRBUCH FUR MUSIKALSCHE VOLKS & VOLKERKUNDE_ , 3 (1967-69): 109-126< BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B07 DI.969.005.002B07 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CH. RELIGIEUX DE LA SECTE NIYG-MA-PA [=NIYNG°] N Sous-table non exportée N Sous-table non exportée 01/01/56 BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B08 DI.969.005.002B08 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CH. DE LAMA MENDIANTS N Sous-table non exportée N Sous-table non exportée 01/01/56 M2C= tbr à boules fouettantes• BOURGUIGNON/BORLANDELLI 0 0 ASIE +LVLX-187 D303M DI.969.005.002 B09 DI.969.005.002B09 00:00:00 INDE;SIKKIM NON PRECISE TIBETAINS MUSIQUE TIBETAINE DU SIKKIM CH. DE LAMA MENDIANTS N Sous-table non exportée N Sous-table non exportée 01/01/56 M2c=tbr à boules fouettantes• BOURGUIGNON/BORLANDELLI -1 0 ASIE +LVLX-193 D303M DI.969.005.003 A01 DI.969.005.003A01 00:00:00 = GUINEE MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LVLX-193 D303M DI.969.005.003 B01 DI.969.005.003B01 00:00:00 = COTE D'IVOIRE MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CLVLX-164 D303S DI.969.005.004 A01 DI.969.005.004A01 00:00:00 ETHIOPIE MUSIQUE TRADITIONNELLE D'ETHIOPIE N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +LVLX-253 D303M DI.969.005.005 A01 DI.969.005.005A01 00:00:00 n COREE DU SUD M. BOUDDHIQUE DE COREE Sous-table non exportée Sous-table non exportée 0 0 ASIE +TR-2 D303M DI.969.006.001 A01 DI.969.006.001A01 00:00:00 n MOZAMBIQUE AMA. THE SOUND OF AFRICA SERIES. TR.2 Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +TR-8 D303M DI.969.006.002 A01 DI.969.006.002A01 00:00:00 n MOZAMBIQUE AMA. THE SOUND OF AFRICA SERIES. TR.8 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-9 D303 DI.969.006.003 A01 DI.969.006.003A01 00:00:00 n REP D'AFRIQUE DU SUD AMA. THE SOUND OF AFRICA SERIES. TR.9 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-10 D303 DI.969.006.004 A01 DI.969.006.004A01 00:00:00 n REP D'AFRIQUE DU SUD AMA. THE SOUND OF AFRICA SERIES. TR.10 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-15 D303 DI.969.006.005 A01 DI.969.006.005A01 00:00:00 n ZAIRE AMA. THE SOUND OF AFRICA SERIES. TR.15 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-21 D303 DI.969.006.006 A01 DI.969.006.006A01 00:00:00 n ZIMBABWE AMA. THE SOUND OF AFRICA SERIES. TR.21 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-23 D303 DI.969.006.007 A01 DI.969.006.007A01 00:00:00 n ZIMBABWE AMA. THE SOUND OF AFRICA SERIES. TR.23 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-34 D303 DI.969.006.008 A01 DI.969.006.008A01 00:00:00 n RWANDA AMA. THE SOUND OF AFRICA SERIES. TR.34 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-58 D303M DI.969.006.009 A01 DI.969.006.009A01 00:00:00 n RWANDA AMA. THE SOUND OF AFRICA SERIES. TR.58 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-70 D303 DI.969.006.010 A01 DI.969.006.010A01 00:00:00 n REP D'AFRIQUE DU SUD AMA. THE SOUND OF AFRICA SERIES. TR.70 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-72 D303 DI.969.006.011 A01 DI.969.006.011A01 00:00:00 n REP D'AFRIQUE DU SUD AMA. THE SOUND OF AFRICA SERIES. TR.72 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-78 D303 DI.969.006.012 A01 DI.969.006.012A01 00:00:00 n MALAWI AMA. THE SOUND OF AFRICA SERIES. TR-78 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-80 D303 DI.969.006.013 A01 DI.969.006.013A01 00:00:00 n ZIMBABWE AMA. THE SOUND OF AFRICA SERIES.TR-80 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-130 D303 DI.969.006.014 A01 DI.969.006.014A01 00:00:00 n OUGANDA AMA. THE SOUND OF AFRICA SERIES. TR.130 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-132 D303 DI.969.006.015 A01 DI.969.006.015A01 00:00:00 n OUGANDA AMA. THE SOUND OF AFRICA SERIES. TR.132 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-143 D303 DI.969.006.016 A01 DI.969.006.016A01 00:00:00 n TANZANIE AMA. THE SOUND OF AFRICA SERIES. TR-143 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-144 D303 DI.969.006.017 A01 DI.969.006.017A01 00:00:00 n TANZANIE AMA. THE SOUND OF AFRICA SERIES. TR-144 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-160 D303 DI.969.006.018 A01 DI.969.006.018A01 00:00:00 n KENYA AMA. THE SOUND OF AFRICA SERIES. TR.160 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-162 D303 DI.969.006.019 A01 DI.969.006.019A01 00:00:00 n KENYA AMA. THE SOUND OF AFRICA SERIES. TR.162 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-171 D303 DI.969.006.020 A01 DI.969.006.020A01 00:00:00 n KENYA AMA. THE SOUND OF AFRICA SERIES. TR-171 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-180 D303 DI.969.006.021 A01 DI.969.006.021A01 00:00:00 n ANGOLA AMA. THE SOUND OF AFRICA SERIES. TR.180 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-184 D303M DI.969.006.022 A01 DI.969.006.022A01 00:00:00 n ZIMBABWE AMA. THE SOUND OF AFRICA SERIES. TR.184 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-184 D303M DI.969.006.022 B06 DI.969.006.022B06 00:00:00 n ANGOLA AMA. THE SOUND OF AFRICA SERIES. TR.184 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TR-200 D303M DI.969.006.023 A01 DI.969.006.023A01 00:00:00 n MOZAMBIQUE AMA. THE SOUND OF AFRICA SERIES. TR-200 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4311 D303 DI.969.007.001 A01 DI.969.007.001A01 00:00:00 BRESIL BRAZILIAN INDIAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +OCR-43 D303M DI.969.008.001 A01 DI.969.008.001A01 00:00:00 REP CENTRAFRICAINE MUSIQUE CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +32-33 D303 DI.969.009.001 A01 DI.969.009.001A01 00:00:00 n GB LA NOTATION DES LANGUES, PHONETIQUE ET PHONOLOGIE I-II Sous-table non exportée Sous-table non exportée 0 0 EUROPE +32-33 D303 DI.969.009.001 A02 DI.969.009.001A02 00:00:00 n ALLEMAGNE LA NOTATION DES LANGUES, PHONETIQUE ET PHONOLOGIE I-II Sous-table non exportée Sous-table non exportée 0 0 EUROPE +32-33 D303 DI.969.009.001 A03 DI.969.009.001A03 00:00:00 n ESPAGNE LA NOTATION DES LANGUES, PHONETIQUE ET PHONOLOGIE I-II Sous-table non exportée Sous-table non exportée 0 0 EUROPE +32-33 D303 DI.969.009.001 B01 DI.969.009.001B01 00:00:00 n MAROC LA NOTATION DES LANGUES, PHONETIQUE ET PHONOLOGIE I-II Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +32-33 D303 DI.969.009.001 D02 DI.969.009.001D02 00:00:00 VIETNAM LA NOTATION DES LANGUES, PHONETIQUE ET PHONOLOGIE I-II LANGUE Sous-table non exportée Sous-table non exportée N -1 0 ASIE +33-34 D303 DI.969.009.002 D02 DI.969.009.002D02 00:12:22 n VIETNAM VIETNAMIENS LA NOTATION DES LANGUES PHONETIQUE ET PHONOLOGIE III-IV VIETNAMIEN Sous-table non exportée TEXTE LU Sous-table non exportée Apprentissage de la langue vietnamienne N -1 0 ASIE +EMT-52/53 D303 DI.969.010.001-1/2 A01 DI.969.010.001-1/2A01 00:00:00 n EGYPTE LA MUSIQUE POPULAIRE D'EGYPTE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +JL-66/71 D303 DI.969.011.001/06 A01 DI.969.011.001/06A01 00:00:00 n EGYPTE SONGS ALONG THE NILE Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +VDL-184/93 D303 DI.969.012.001/10 A01 DI.969.012.001/10A01 00:00:00 n JAPON AINU NO ONGAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +EPC-417 D173M DI.969.013.001 A01 DI.969.013.001A01 00:00:00 n ROUMANIE ION CRISTOREANU Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RTT-1/09 D303 DI.969.014.001/09 A01 DI.969.014.001/09A01 00:00:00 n TUNISIE INITIATION A LA MUSIQUE TUNISIENNE; LA MUSIQUE ARTISTIQUE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +RTT-10/18 D303 DI.969.014.010/18 A01 DI.969.014.010/18A01 00:00:00 n TUNISIE INITIATION A LA MUSIQUE TUNISIENNE; LA MUSIQUE ARTISTIQUE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +ATP-69-1 D173M DI.969.015.001 A01 DI.969.015.001A01 00:00:00 1947,68 FRANCE MUSIQUES DE FRANCE Sous-table non exportée Sous-table non exportée 1840 0 EUROPE +SLJ-2010/12 D303S DI.969.016.001/03 A01 DI.969.016.001/03A01 00:00:00 n JAPON KABUKI GEZAONGAKU SHUSEI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJ-3002-1/3 D303S DI.969.016.002-1/3 A01 DI.969.016.002-1/3A01 00:00:00 n JAPON GAGAKU TAIKEI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJ-3003-1/3 D303S DI.969.016.003-1/3 A01 DI.969.016.003-1/3A01 00:00:00 n JAPON GAGAKU TAIKEI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJ-3005-1/3 D303S DI.969.016.004-1/3 A01 DI.969.016.004-1/3A01 00:00:00 n JAPON NO Sous-table non exportée Sous-table non exportée 0 0 ASIE +EL-3069/71 D303 DI.969.016.005-1/3 A01 DI.969.016.005-1/3A01 00:00:00 n JAPON FOLK SONGS FROM THE STREAM OF JAPANESE LIFE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SLJM-1031/37 D303S DI.969.016.006-1/7 A01 DI.969.016.006-1/7A01 00:00:00 n JAPON NIHON BIWA GAKU TAIKEI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SLR-510/13 D253M DI.969.016.007-1/4 A01 DI.969.016.007-1/4A01 00:00:00 n JAPON SOKYOKU TO JIUTA NO REKIKI Sous-table non exportée Sous-table non exportée 0 0 ASIE +TH-7017 D303S DI.969.016.008 A01 DI.969.016.008A01 00:00:00 n JAPON KINKORYU SHAKUHACHI. KOTEN HONKYOKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +TH-7018 D303S DI.969.016.009 A01 DI.969.016.009A01 00:00:00 n JAPON KINKORYU SHAKUHACHI-KOTEN HONKYOKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +SKC-1003 D303S DI.969.016.010 A01 DI.969.016.010A01 00:00:00 n JAPON NIHON NO TAIKO Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLS-5008 D303S DI.969.016.011 A01 DI.969.016.011A01 00:00:00 n JAPON KYOKANOKO MUSUME DOJOJI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJV-1509 D303S DI.969.016.012 A01 DI.969.016.012A01 00:00:00 n JAPON THE SOUNDS OF JAPAN. MODERN MASTERPIECES ON TRAD. INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLS-5006 D303S DI.969.016.013 A01 DI.969.016.013A01 00:00:00 n JAPON GAGAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-69 D253M DI.969.016.014 A01 DI.969.016.014A01 00:00:00 JAPON GAGAKU-COURT MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +TM-5031 D253M DI.969.016.015 A01 DI.969.016.015A01 00:00:00 n JAPON JIUTAMAI SENSHU, VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-37 D253M DI.969.016.016 A01 DI.969.016.016A01 00:00:00 n JAPON KIYOMOTO-MICHITOSE-SANJA MATSURI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CR-530 D253M DI.969.016.017 A01 DI.969.016.017A01 00:00:00 n JAPON NOUMURA MANZO KYOGEN UTAISHU Sous-table non exportée Sous-table non exportée 0 0 ASIE +DL-34 D253M DI.969.016.018 A01 DI.969.016.018A01 00:00:00 n JAPON NIHON NO OMATSURI ONGAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +LKD-3 D253M DI.969.016.019 A01 DI.969.016.019A01 00:00:00 n JAPON ITCHU BUSHI SHAKKYO Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-44 D253M DI.969.016.020 A01 DI.969.016.020A01 00:00:00 n JAPON FUNABENKEI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-45 D253M DI.969.016.021 A01 DI.969.016.021A01 00:00:00 n JAPON FUNABENKEI-NO ONGAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-86 D253M DI.969.016.022 A01 DI.969.016.022A01 00:00:00 n JAPON TAIHEIRAKU-GAGAKU (COURT MUSIC) Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLS-7 D253M DI.969.016.023 A01 DI.969.016.023A01 00:00:00 n JAPON NAGAUTA AKI NOIROKUSA Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLS-8 D253M DI.969.016.024 A01 DI.969.016.024A01 00:00:00 n JAPON NAGA UTA YOSHIWANA SUZUME Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-20 D253M DI.969.016.025 A01 DI.969.016.025A01 00:00:00 n JAPON SINNAI BUSHI RANCHO & AKE GARASU Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-93 D253M DI.969.016.026 A01 DI.969.016.026A01 00:00:00 n JAPON KO-UTA NO HENSEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LR-535 D253M DI.969.016.027 A01 DI.969.016.027A01 00:00:00 n JAPON KOUTA, VOL-2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +TM-5030 D253M DI.969.016.028 A01 DI.969.016.028A01 00:00:00 n JAPON JIUTAMAI SENSHU-JOTO, VOL.1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +RIKSLPX-3 D303M DI.969.017.001 A01 DI.969.017.001A01 00:00:00 1957-60 ISRAEL RELIGIOUS MUSIC FROM THE HOLY LAND Sous-table non exportée Sous-table non exportée 848 0 ASIE +RIKSLPX-2 D303S DI.969.017.002 A01 DI.969.017.002A01 00:00:00 n HONGRIE MUSIC FROM HUNGARY. CSANGO SONGS Sous-table non exportée Sous-table non exportée 143 0 EUROPE +RIKSLPX-1 D303S DI.969.017.003 A01 DI.969.017.003A01 00:00:00 n INDE;RAJASTHAN MUSIQUE INDIENNE DU RAJASTHAN. PAINTED BALLADS Sous-table non exportée Sous-table non exportée 1962 0 ASIE +RELP-1066 D303S DI.969.017.004 A01 DI.969.017.004A01 00:00:00 n INDE 2 RAGAS Sous-table non exportée Sous-table non exportée 1968 0 ASIE +FW-8862 D303 DI.969.018.001 A01 DI.969.018.001A01 00:00:00 n TUNISIE TUNISIA VOL.2. RELIGIOUS SONGS AND CANTILLATIONS Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +FW-8863 D303 DI.969.018.002 A01 DI.969.018.002A01 00:00:00 n TUNISIE TUNISIA VOL.3. FOLK MUSIC Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +FE-4463 D303 DI.969.018.003 A01 DI.969.018.003A01 00:00:00 n THAILANDE MUSIC OF THAILAND Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4486 D303 DI.969.018.004 A01 DI.969.018.004A01 00:00:00 n TIBET SONGS AND MUSIC OF TIBET Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4424 D303 DI.969.018.005 A01 DI.969.018.005A01 00:00:00 n COREE DU SUD FOLK + CLASSICAL MUSIC OF KOREA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 A01 DI.969.018.006A01 00:00:00 n ISLAM RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 A04 DI.969.018.006A04 00:00:00 n INDE;KARNATAKA RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 A08 DI.969.018.006A08 00:00:00 n NEPAL RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 B01 DI.969.018.006B01 00:00:00 n CHINE RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 B03 DI.969.018.006B03 00:00:00 n TAIWAN RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4481 D303 DI.969.018.006 B04 DI.969.018.006B04 00:00:00 n JAPON RELIGIOUS MUSIC OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FG-3530 D303M DI.969.018.007 A01 DI.969.018.007A01 00:00:00 n INDE RAGAS. SONGS OF INDIA SUNG BY BALAKRISHNA OF TRAVANCORE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +844534-PY D303S DI.969.018.008 A01 DI.969.018.008A01 00:00:00 n INDE RYTHMES DE L'INDE. MAHAPURUSH MISRA, TABLA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-099 D303M DI.969.018.009 A01 DI.969.018.009A01 00:00:00 n INDE;BENGALE CHANTS RELIGIEUX DU BENGALE. CHANTS DES BAULS & POEMES DE CHANDIDAS Sous-table non exportée Sous-table non exportée 1954 0 ASIE +831210-PY D303S DI.969.018.010 A01 DI.969.018.010A01 00:00:00 n INDONESIE;BALI THE MUSIC FROM BALI Sous-table non exportée Sous-table non exportée 1962 0 ASIE +831209-PY D303S DI.969.018.011 A01 DI.969.018.011A01 00:00:00 n INDONESIE;JAVA GAMELAN MUSIC FROM JAVA Sous-table non exportée Sous-table non exportée 1963 0 ASIE +831214-PY D303S DI.969.019.001 A01 DI.969.019.001A01 00:00:00 n TURQUIE SONGS & DANCES FROM TURKEY Sous-table non exportée Sous-table non exportée 0 0 ASIE +831217-PY D303S DI.969.019.002 A01 DI.969.019.002A01 00:00:00 n ROUMANIE MUSIC FROM RUMANIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +D-2 D303M DI.969.020.001 A01 DI.969.020.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE MUSIC OF NEW GUINEA Sous-table non exportée Sous-table non exportée 1953 0 OCEANIE +LVLX-191 D303M DI.969.021.001 A01 DI.969.021.001A01 00:00:00 n AFGHANISTAN AFGHANISTAN & IRAN Sous-table non exportée Sous-table non exportée 1956 0 ASIE +LVLX-191 D303M DI.969.021.001 B05 DI.969.021.001B05 00:00:00 n IRAN AFGHANISTAN & IRAN Sous-table non exportée Sous-table non exportée 1956 0 ASIE +CLVLX-373 D303S DI.969.022.001 A01 DI.969.022.001A01 00:00:00 n PANAMA CUMBIAS ET TAMBORITOS DU PANAMA Sous-table non exportée Sous-table non exportée 1953 0 AMERIQUE +CLVLX-276 D303S DI.969.022.002 A01 DI.969.022.002A01 00:00:00 n GB;ECOSSE DANSES ECOSSAISES TRADITIONNELLES. JIM CAMERON Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CLVLX-349 D303S DI.969.022.003 A01 DI.969.022.003A01 00:00:00 n ITALIE;SICILE SICILE D'HIER & D'AUJOURD'HUI. BENITO MERLINO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CLVLX-345 D303S DI.969.022.004 A01 DI.969.022.004A01 00:00:00 n HONGRIE NOSTALGIE TSIGANE. LES TSIGANES D'OTHON Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CLVLX-326 D303S DI.969.022.005 A01 DI.969.022.005A01 00:00:00 n JAPON MUSIQUE TRADITIONNELLE DU JAPON Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLVLX-260 D303S DI.969.022.006 A01 DI.969.022.006A01 00:00:00 n INDE MUSIQUE CLASSIQUE INDIENNE; USTAD GHULAM HUSSEIN KHAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLVLX-119 D303S DI.969.022.007 A01 DI.969.022.007A01 00:00:00 n INDE MUSIQUE CLASSIQUE INDIENNE; SHARAH RANI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLVLXEK-264 D303S DI.969.022.008 A01 DI.969.022.008A01 00:00:00 n INDONESIE;BALI MUSIQUE TRADITIONNELLE DE BALI. M. FROM THE MORNING OF THE WORLD Sous-table non exportée Sous-table non exportée 0 0 ASIE +CLVLX-240 D303S DI.969.022.009 A01 DI.969.022.009A01 00:00:00 n TURQUIE LA TURQUIE. CHANTS ET DANSES POPULAIRES Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-45 D303 DI.969.024.001 A01 DI.969.024.001A01 00:00:00 n GB;ECOSSE MUSIQUE CELTIQUE. ILES HEBRIDES Sous-table non exportée Sous-table non exportée 40 0 EUROPE +OCR-40 D303 DI.969.024.002 A01 DI.969.024.002A01 00:00:00 n BURUNDI MUSIQUE DU BURUNDI Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +PTT-26437/A PY25/78 DI.969.025.001 A01 DI.969.025.001A01 00:00:00 n ALGERIE;AURES MLE RIVIERE: CAUSERIE "UN MARIAGE DANS L'AURES" Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PTT-26437/B PY25/78 DI.969.025.002 A01 DI.969.025.002A01 00:00:00 n ALGERIE;AURES MLE RIVIERE: CAUSERIE "UN MARIAGE DANS L'AURES" Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PTT-26437/C PY25/78 DI.969.025.003 A01 DI.969.025.003A01 00:00:00 n ALGERIE;AURES MLE RIVIERE: CAUSERIE "UN MARIAGE DANS L'AURES" Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +STD-002 D253M DI.969.026.001 A01 DI.969.026.001A01 00:00:00 n TUNISIE LE MALOUF TUNISIEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +STD-001 D253M DI.969.026.002 A01 DI.969.026.002A01 00:00:00 n TUNISIE LE MALOUF TUPNISIEN* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +STD-003 D253M DI.969.026.003 A03 DI.969.026.003A03 00:00:00 n TUNISIE LE MALOUF TUNISIEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +STD-007 D253M DI.969.026.004 A01 DI.969.026.004A01 00:00:00 n TUNISIE LE MALOUF TUNISIEN* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +RECORD (A) D303M ? DI.969.027.001 A01 DI.969.027.001A01 00:00:00 n VANUATU ATCHIN MUSIC. COPIES DE CYLINDRES Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +RECORD (B) D303M ? DI.969.027.002 A01 DI.969.027.002A01 00:00:00 n VANUATU ATCHIN MUSIC. COPIES DE CYLINDRES Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +LD-20 D303M DI.970.001.001 A01 DI.970.001.001A01 00:00:00 n NEPAL CASTES DE MUSICIENS AU NEPAL Sous-table non exportée Sous-table non exportée 440 0 ASIE +OCR-46 D303S DI.970.002.001 A01 DI.970.002.001A01 00:00:00 n INDONESIE;JAVA MUSIQUES POPULAIRES D'INDONESIE Sous-table non exportée Sous-table non exportée -60 0 ASIE +DL-111638 D303M DI.970.003.001 A01 DI.970.003.001A01 00:00:00 n REP D'AFRIQUE DU SUD ZULU, SWAZI & XHOSA Sous-table non exportée Sous-table non exportée 4 0 AFRIQUE +DL-111638 D303M DI.970.003.001 B02 DI.970.003.001B02 00:00:00 n SWAZILAND ZULU, SWAZI & XHOSA Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +DL-111638 D303M DI.970.003.001 B03 DI.970.003.001B03 00:00:00 n SWAZILAND ZULU, SWAZI & XHOSA Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +00015546/64 D173M DI.970.004.001/08 A01 DI.970.004.001/08A01 00:00:00 n MONGOLIE (REP POPU) MUSIQUE MONGOLE Sous-table non exportée Sous-table non exportée 0 0 ASIE +MNA-05 D303S DI.970.005.001 A01 DI.970.005.001A01 00:00:00 n MEXIQUE MUSICA INDIGENA DEL NOROESTE Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +MNA-06 D303 DI.970.005.002 A01 DI.970.005.002A01 00:00:00 n MEXIQUE SONES DES VERA CRUZ Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MNA-01 D303 DI.970.005.003 A01 DI.970.005.003A01 00:00:00 n MEXIQUE TESTIMONIO MUSICAL DE MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MNA-02 D303 DI.970.005.004 A01 DI.970.005.004A01 00:00:00 n MEXIQUE DANZAS DE LA CONQUISTA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +ACI D303M DI.970.006.001 A01 DI.970.006.001A01 00:00:00 n COLOMBIE ASPECTOS DE LA CULTURA INDIGENA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3000 D303M DI.970.007.001 A01 DI.970.007.001A01 00:17:42 n ARGENTINE CHARANGO, CAJA Y BOMBO CHARANGO Sous-table non exportée Sous-table non exportée Luth: taille <60cm• Solo instr -1 0 AMERIQUE +QF-3000 D303M DI.970.007.001 B01 DI.970.007.001B01 00:17:42 n ARGENTINE CHARANGO, CAJA Y BOMBO CAJA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3000 D303M DI.970.007.001 B02 DI.970.007.001B02 00:00:00 n ARGENTINE CHARANGO, CAJA Y BOMBO BOMBO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z01 DI.970.007.002Z01 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE PINCULLO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z02 DI.970.007.002Z02 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE ANATA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z03 DI.970.007.002Z03 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE FLAUTILLA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche -1 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z04 DI.970.007.002Z04 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE QUENA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche -1 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z05 DI.970.007.002Z05 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE SICU Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z06 DI.970.007.002Z06 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE ERQUENCHO Sous-table non exportée Sous-table non exportée Clarinette en corne Solo instr -1 0 AMERIQUE +QF-3001 D303M DI.970.007.002 Z07 DI.970.007.002Z07 00:00:00 n ARGENTINE AEROFONOS DEL NOROESTE ERQUE Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3002 D303M DI.970.007.003 A01 DI.970.007.003A01 00:20:15 n ARGENTINE ACORDEON, ARPA Y VIOLIN ACORDEON Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3002 D303M DI.970.007.003 B01 DI.970.007.003B01 00:00:00 n ARGENTINE ACORDEON, ARPA Y VIOLIN ARPA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3002 D303M DI.970.007.003 B02 DI.970.007.003B02 00:00:00 n ARGENTINE ACORDEON, ARPA Y VIOLIN VIOLIN Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3003 D303 DI.970.007.004 A01 DI.970.007.004A01 00:27:30 n ARGENTINE GUITARRA GUITARRA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3003 D303 DI.970.007.004 B01 DI.970.007.004B01 00:29:30 n ARGENTINE GUITARRA GUITARRA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 A01 DI.970.007.005A01 00:00:00 n ARGENTINE CONJUNTOS POPULARES ARPA Y GUITARRAS Sous-table non exportée Sous-table non exportée area guaranitica 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 A02 DI.970.007.005A02 00:00:00 n ARGENTINE CONJUNTOS POPULARES ACORDEON Y GUITARRAS Sous-table non exportée Sous-table non exportée area guarani 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 A03 DI.970.007.005A03 00:00:00 n ARGENTINE CONJUNTOS POPULARES ACORDEON, BANDONEON GUITARRA Y CONTRABAJO Sous-table non exportée Sous-table non exportée Vièle: taille >100cm• Groupe instr area guarani -1 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B01 DI.970.007.005B01 00:00:00 n ARGENTINE CONJUNTOS POPULARES ARPA Y GUITARRA Sous-table non exportée Sous-table non exportée area central 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B02 DI.970.007.005B02 00:00:00 n ARGENTINE CONJUNTOS POPULARES VIOLIN, ARPA Y GUITARRAS Sous-table non exportée Sous-table non exportée area central 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B03 DI.970.007.005B03 00:00:00 n ARGENTINE CONJUNTOS POPULARES VIOLON, BANDONEON, GUITARRA Y BOMBO Sous-table non exportée Sous-table non exportée area central 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B04 DI.970.007.005B04 00:00:00 n ARGENTINE CONJUNTOS POPULARES BANDA DE SICURIS Sous-table non exportée Sous-table non exportée noroeste 0 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B4A DI.970.007.005B4A 00:00:00 n ARGENTINE CONJUNTOS POPULARES CARNAVALITO POPULAR Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche. Luth: taille <60cm• Groupe instr noroeste -1 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B4B DI.970.007.005B4B 00:00:00 n ARGENTINE CONJUNTOS POPULARES SELECCION DE BAILECITOS Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche. "CHARANGO": taille<60cm• Groupe instr -1 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B4C DI.970.007.005B4C 00:00:00 n ARGENTINE CONJUNTOS POPULARES SELECCION DE CUECAS Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche; "CHARANGO": taille <60cm• Groupe instr Noroeste -1 0 AMERIQUE +QF-3004 D303M DI.970.007.005 B4D DI.970.007.005B4D 00:00:00 n ARGENTINE CONJUNTOS POPULARES "EL BURRITO" CARNAVALITO DE RENE DE RETORE Sous-table non exportée Sous-table non exportée "KENA": emb à encoche. "CHARANGO": taille <60cm "CONTRABAJO": taille>100cm• Groupe instr Noroeste -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z01 DI.970.007.006Z01 00:06:30 N ARGENTINE TOBA MUSICIA DE LOS ABORIGENES TOBAS, TOQUES INSTRUMENTALES Sous-table non exportée Sous-table non exportée Chaco oriental -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z02 DI.970.007.006Z02 00:03:15 N ARGENTINE TOBA MUSICIA DE LOS ABORIGENES TOBAS, DANZAS Sous-table non exportée Sous-table non exportée Chaco oriental -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z03 DI.970.007.006Z03 00:01:05 N ARGENTINE PILAGA MUSICIA DE LOS ABORIGENES PILAGAES, CANCIONES Sous-table non exportée Sous-table non exportée Chaco oriental -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z04 DI.970.007.006Z04 00:02:40 N ARGENTINE PILAGA MUSICIA DE LOS ABORIGENES PILAGAES, DANZAS Sous-table non exportée Sous-table non exportée Chaco oriental -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z05 DI.970.007.006Z05 00:05:15 N ARGENTINE MATACO MUSICIA DE LOS ABORIGENES MATACOS, CANCIONES Sous-table non exportée Sous-table non exportée Chaco oriental -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z06 DI.970.007.006Z06 00:03:00 N ARGENTINE MATACO MUSICIA DE LOS ABORIGENES MATACOS, TOQUES INSTRUMENTALES Sous-table non exportée Sous-table non exportée Chaco oriental 0 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z07 DI.970.007.006Z07 00:05:20 N ARGENTINE CAINGUA MUSICIA DE LOS ABORIGENES CAINGUAES, CANCIONES Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z08 DI.970.007.006Z08 00:01:12 N ARGENTINE CAINGUA MUSICIA DE LOS ABORIGENES CAINGUAES, TOQUES Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z09 DI.970.007.006Z09 00:03:15 N ARGENTINE CHIRIGUANO MUSICIA DE LOS ABORIGENES CHIRIGUANOS, TOQUES Sous-table non exportée Sous-table non exportée ATTENTION !: instruments joués successivement et non pas ensemble. Flûte "FLAUTILLA": 5T; "NASERE": emb. simple, 2T, bois; "SERERE": emb. simple; bois• Soli instr alternés -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z10 DI.970.007.006Z10 00:01:50 N ARGENTINE ONA MUSICIA DE LOS ABORIGENES ONAS,CANCIONES Sous-table non exportée Sous-table non exportée patagonie -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z11 DI.970.007.006Z11 00:01:37 N ARGENTINE ONA MUSICIA DE LOS ABORIGENES ONAS,CANCIONES Sous-table non exportée Sous-table non exportée Dans la notice la voix est définiée avec le mot espagnol ulular qui pourrait être traduit par "hurler" -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z12 DI.970.007.006Z12 00:02:25 N ARGENTINE TEHUELCHES MUSICIA DE LOS ABORIGENES TEHUELCHES, CANCIONES Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z13 DI.970.007.006Z13 00:05:10 N ARGENTINE MAPUCHE MUSICIA DE LOS ABORIGENES ARAUCANOS, CANCIONES Sous-table non exportée Sous-table non exportée Ethnie : la notice indique"Araucanos"• patagonie -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z14 DI.970.007.006Z14 00:00:53 N ARGENTINE MAPUCHE MUSICIA DE LOS ABORIGENES ARAUCANOS, CANCION Sous-table non exportée Sous-table non exportée Le chant imite ici le son de la trompe trutruka. Ethnie : la notice indique"Araucanos"• Patagonie -1 0 AMERIQUE +QF-3005 D303M DI.970.007.006 Z15 DI.970.007.006Z15 00:01:43 N ARGENTINE MAPUCHE MUSICIA DE LOS ABORIGENES ARAUCANOS, TOQUES Sous-table non exportée Sous-table non exportée Flûte "PIFILCA": à double encoche• Duo instr -1 0 AMERIQUE +BM-30-L-2308 D303M DI.970.008.001 A01 DI.970.008.001A01 00:00:00 n COTE D'IVOIRE LA MUSIQUE DES SENOUFO Sous-table non exportée Sous-table non exportée -343 0 AFRIQUE +BM-30-L-2309 D303M DI.970.009.001 A01 DI.970.009.001A01 00:00:00 n TCHAD MUSIQUE DU KANEM Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +MNA-03 D303S DI.970.010.001 A01 DI.970.010.001A01 00:00:00 n MEXIQUE MUSICA HUASTECA Sous-table non exportée Sous-table non exportée 244 0 AMERIQUE +MNA-04 D303S DI.970.010.002 A01 DI.970.010.002A01 00:00:00 n MEXIQUE MUSICA INDIGENA DE LOS ALTOS DE CHIAPAS Sous-table non exportée Sous-table non exportée 1970 0 AMERIQUE +MNA-07 D303 DI.970.010.003 A01 DI.970.010.003A01 00:00:00 n MEXIQUE MICHOACAN: SONES DE TIERRA CALIENTE Sous-table non exportée Sous-table non exportée 1970 0 AMERIQUE +21479-80 D253M DI.970.011.001 A01 DI.970.011.001A01 00:00:00 n URSS EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +17413-14 D253M DI.970.011.002 A01 DI.970.011.002A01 00:00:00 n URSS EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +25611-12 D253M DI.970.011.003 A01 DI.970.011.003A01 00:00:00 n URSS EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +24901-02 D253M DI.970.011.004 A01 DI.970.011.004A01 00:00:00 n URSS EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +21481-02 D253M DI.970.011.005 A01 DI.970.011.005A01 00:00:00 n URSS EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +5289-61 D1778M DI.970.012.001 A01 DI.970.012.001A01 00:00:00 n URSS;BOURIATIE PESMIA RYBAKOV Sous-table non exportée Sous-table non exportée 0 0 ASIE +37443-44 D257 DI.970.012.002 A01 DI.970.012.002A01 00:00:00 n URSS;BOURIATIE EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 ASIE +44401-02 D257 DI.970.012.003 A01 DI.970.012.003A01 00:00:00 n URSS;BOURIATIE EN RUSSE Sous-table non exportée Sous-table non exportée 0 0 ASIE +315 D257 DI.970.012.004 A01 DI.970.012.004A01 00:00:00 n MONGOLIE (REP POPU) CHANTS MONGOLS=*TR Sous-table non exportée Sous-table non exportée 0 0 ASIE +SOR-3 D303 DI.970.013.001 A01 DI.970.013.001A01 00:00:00 n CAMEROUN DANSES ET CHANTS BAMOUN Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +OCR-44 D303M DI.970.013.018 A01 DI.970.013.018A01 00:00:00 n ETHIOPIE ETHIOPIE. POLYPHONIES ET TECHNIQUES VOCALES Sous-table non exportée Sous-table non exportée -4032 0 AFRIQUE +CP-5002 D303M DI.970.013.019 A01 DI.970.013.019A01 00:00:00 n CANADA CANADA 100. INDIAN FOLK SONGS OF CANADA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4464 D303 DI.970.013.021 A01 DI.970.013.021A01 00:00:00 n CANADA INDIAN MUSIC OF THE CANADIAN PLAINS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MAT-10-S-12-T D303M DI.970.014.001 A01 DI.970.014.001A01 00:00:00 n VENEZUELA MUSICA INDIGENA VENEZOLANA. MUSICA GUAJIRA 1 Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +OCR-50 D303 DI.970.015.001 A01 DI.970.015.001A01 00:00:00 n URSS;RSS ARMENIE ARMENIE. MUSIQUE DE TRADITION POPULAIRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +025637/38 D303M DI.970.016.001 A01 DI.970.016.001A01 00:00:00 n URSS (EN RUSSE) Sous-table non exportée Sous-table non exportée -1 0 EUROPE +026209/10 D303M DI.970.016.002 A01 DI.970.016.002A01 00:00:00 n URSS (EN RUSSE) Sous-table non exportée Sous-table non exportée -1 0 EUROPE +026207/08 D303M DI.970.016.003 A01 DI.970.016.003A01 00:00:00 n URSS (EN RUSSE) Sous-table non exportée Sous-table non exportée -1 0 EUROPE +AHM-4222 D303 DI.970.017.001 A01 DI.970.017.001A01 00:00:00 n GHANA EWE MUSIC OF GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AMH-4221 D303M DI.970.017.002 A01 DI.970.017.002A01 00:00:00 n NIGERIA MUSIC OF THE IDOMA OF NIGERIA. EDIIGWU SINGS ANCIENT SONGS OF OTURKPO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +IER-7502-A/B D303S DI.970.017.003-1/2 A01 DI.970.017.003-1/2A01 00:00:00 n THAILANDE TRADITIONAL MUSIC OF THAILAND Sous-table non exportée Sous-table non exportée 0 0 ASIE +AST-4004 D303S DI.970.017.004 A01 DI.970.017.004A01 00:00:00 n AFGHANISTAN THE MUSIC OF AFGHANISTAN VOL 2. M. OF THE PASHTOONS, HERATIS & KAZHAKHS Sous-table non exportée Sous-table non exportée 0 0 ASIE +AST-4000 D303S DI.970.017.005 A01 DI.970.017.005A01 00:00:00 n CHINE THE MUSIC OF CHINA VOL 1. CHINESE INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +AST-6000 D303S DI.970.017.006 A01 DI.970.017.006A01 00:00:00 n ETHIOPIE THE MUSIC OF ETHIOPIA. AZMARI MUSIC OF THE AMHARAS Sous-table non exportée Sous-table non exportée 1967 0 AFRIQUE +EST-8000/01 D303S DI.970.017.007-1/2 A01 DI.970.017.007-1/2A01 00:00:00 1966-68 PHILIPPINES MUSIC FROM THE TAUSUG OF SULU. MOSLEMS OF THE S. PHILIPPINES Sous-table non exportée Sous-table non exportée -60 0 ASIE +VPA-8082 D303S DI.970.017.008 A01 DI.970.017.008A01 00:00:00 n ITALIE ITALIA VOL 1. I BALLI, GLI STRUMENTI, I CANTI RELIGIOSI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8088 D303S DI.970.017.009 A01 DI.970.017.009A01 00:00:00 n ITALIE ITALIA VOL2. LA CANZONE NARRATIVA LO SPETTACOLO POPULARE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +H-72029 D303S DI.970.017.010 A01 DI.970.017.010A01 00:00:00 n PEROU KINGDOM OF THE SUN, PERU'S INCA HERITAGE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +H-72031 D303S DI.970.017.011 A01 DI.970.017.011A01 00:00:00 n INDONESIE;JAVA THE JASMINE ISLE. JAVANESE GAMELAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72017 D303S DI.970.017.012 A01 DI.970.017.012A01 00:00:00 n POLYNESIE FR;ARCHIPEL SOCIETE TAHITI THE GAUGUIN YEARS. SONGS AND DANCES OF TAHITI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +H-72034 D303S DI.970.017.013 A01 DI.970.017.013A01 00:00:00 n BULGARIE VILLAGE MUSIC OF BULGARIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +H-72032 D303S DI.970.017.014 A01 DI.970.017.014A01 00:00:00 INDE THE PULSE OF TANAM. CHANA RAGA PANCHAKAM. NAGESWARA RAO, VINA Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72035 D303S DI.970.017.015 A01 DI.970.017.015A01 00:00:00 n INDE;BENGALE INDIAN STREET MUSIC. THE BAULS OF BENGAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-113 D303 DI.970.017.016 A01 DI.970.017.016A01 00:00:00 n INDONESIE;BALI BALI. "PARADIS DES ILES DE LA SONDE" Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-110 D303S DI.970.017.017 A01 DI.970.017.017A01 00:00:00 n INDONESIE;JAVA JAVA. PAYS SOUNDA. MUSIQUE & CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-112 D303 DI.970.017.018 A01 DI.970.017.018A01 00:00:00 n CAMBODGE CAMBODGE. MUSIQUE SAMRE DES CARDAMOMES Sous-table non exportée Sous-table non exportée -6467 0 ASIE +LD-5731 D303S DI.970.017.019 A01 DI.970.017.019A01 00:00:00 N TIBET TIBETAINS LE MESSAGE DES TIBETAINS Sous-table non exportée Sous-table non exportée n -1 0 ASIE +421075-P D303M DI.970.017.020 A01 DI.970.017.020A01 00:01:15 n VIETNAM CENTRE VIETNAM N CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM AIR DE GONGS Sous-table non exportée M. RITUELLE Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A02 DI.970.017.020A02 00:01:08 n VIETNAM CENTRE VIETNAM JARAÏ CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CHANT DE FETE ET D'AMOUR Sous-table non exportée M. DE FETE Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A03 DI.970.017.020A03 00:00:49 n VIETNAM CENTRE VIETNAM N CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CONCERT DE SIFFLETS Sous-table non exportée INSTRUMENTAL Sous-table non exportée manque de renseignements Groupe instr BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A04 DI.970.017.020A04 00:01:13 n VIETNAM CENTRE VIETNAM JARAÏ CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM AIR D'ENTERREMENT Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A05 DI.970.017.020A05 00:00:42 n VIETNAM CENTRE VIETNAM JARAÏ CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CHANT DU NOUVEL AN Sous-table non exportée M. DE FETE Sous-table non exportée Manque de renseignement. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A06 DI.970.017.020A06 00:00:42 n VIETNAM CENTRE VIETNAM N CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM MUSIQUE DE SACRIFICE Sous-table non exportée M. RITUELLE Sous-table non exportée manque de renseignements. BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A07 DI.970.017.020A07 00:00:43 n VIETNAM CENTRE VIETNAM N CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CONCERT DE FLUTES Sous-table non exportée INSTRUMENTAL Sous-table non exportée C'est l'orgue à bouche. Erreur dans le titre. BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A08 DI.970.017.020A08 00:01:30 n VIETNAM CENTRE VIETNAM RHADE CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM XYLOPHONE RHADE Sous-table non exportée INSTRUMENTAL Sous-table non exportée Manque de renseignements. Deux xylophones composés de tubes de bambou. Rythme mesuré• BITTER,MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A09 DI.970.017.020A09 00:02:02 n VIETNAM CENTRE VIETNAM SEDANG CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM ORCHESTRE SEDANG Sous-table non exportée M. DE FETE Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 A10 DI.970.017.020A10 00:03:10 n VIETNAM CENTRE VIETNAM VIETNAMIENS CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM BERCEUSE=*TR RU CON=*TRS Sous-table non exportée BERCEUSE Sous-table non exportée Berceuse vietnamienne ressemble à celle chantée dans le disque "Music of vietnam" publié par Folkways Records, enreg. par Pham Duy et Stephen Addiss, mais plus longue. Rythme libre• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 B01 DI.970.017.020B01 00:02:32 n VIETNAM CENTRE VIETNAM BAHNAR CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CONCERT DE GONGS BAHNAR Sous-table non exportée M. RITUELLE Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 B02 DI.970.017.020B02 00:03:00 n VIETNAM CENTRE VIETNAM RHADE CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM FLUTE RADE Sous-table non exportée INSTRUMENTAL Sous-table non exportée manque de renseignements. C'est un chaume vert transformé en un instrument à air BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 B03 DI.970.017.020B03 00:02:29 n VIETNAM CENTRE VIETNAM RHADE CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM MUSIQUE DE XYLOPHONE Sous-table non exportée INSTRUMENTAL Sous-table non exportée Manque de renseignements. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 B04 DI.970.017.020B04 00:01:39 n VIETNAM CENTRE VIETNAM JARAÏ CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM ORCHESTRE JARAI Sous-table non exportée INSTRUMENTAL Sous-table non exportée Ce n'est pas un orchestre. C'est un xylophone composé de tubes de bambou en forme de hamac. Rythme mesuré• BITTER, MAURICE -1 0 ASIE +421075-P D303M DI.970.017.020 B05 DI.970.017.020B05 00:01:07 n VIETNAM CENTRE VIETNAM VIETNAMIENS CHANTS ET DANSES DES MONTAGNARDS DU VIETNAM CHANT DES TERRASSIERS=*TR HO NEN=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Chant de travail des terrassiers. Ce chant est identique à celui entendu dans le disque publié par Folkways (Music of Vietnam, enreg. Pham Duy et Stephen Addiss) Rythme mesuré• BITTER, MAURICE -1 0 ASIE +LDXA-4297 D303 DI.970.017.021 A01 DI.970.017.021A01 00:00:00 n MAROC FANTASIAS MAROCAINES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2306 D303M DI.970.017.022 A01 DI.970.017.022A01 00:00:00 n NIGERIA LA MUSIQUE DU NIGERIA. MUSIQUE HAUSA 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2307 D303M DI.970.017.023 A01 DI.970.017.023A01 00:00:00 n NIGERIA LA MUSIQUE DU NIGERIA; MUSIQUE HAUSA 2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2310 D303M DI.970.017.024 A01 DI.970.017.024A01 00:00:00 n REP CENTRAFRICAINE MUSIQUE DE LA REP. CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 143 0 AFRIQUE +BM-30-L-2007 D303M DI.970.017.030 A01 DI.970.017.030A01 00:00:00 n INDE LA MUSIQUE DE L'INDE 2. M. DE DANSE & DE THEATRE DU SUD DE L'INDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2021 D303M DI.970.017.031 A01 DI.970.017.031A01 00:00:00 n INDE LA MUSIQUE DE L'INDE 4. LA M. CARNATIQUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2019 D303M DI.970.017.032 A01 DI.970.017.032A01 00:00:00 n TURQUIE LA MUSIQUE TURQUE 1. MUSIQUE MEVLEVI Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2020 D303M DI.970.017.033 A01 DI.970.017.033A01 00:00:00 n TURQUIE LA MUSIQUE TURQUE 2. MUSIQUE CLASSIQUE ET RELIGIEUSE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-764 D303M DI.971.001.001 A01 DI.971.001.001A01 00:00:00 n COTE D'IVOIRE MUSIQUE GUERE Sous-table non exportée Sous-table non exportée 41 0 AFRIQUE +OCR-49 D303M DI.971.002.001 A01 DI.971.002.001A01 00:00:00 n TIBET MUSIQUE RITUELLE TIBETAINE Sous-table non exportée Sous-table non exportée 1969 0 ASIE +LD-765 D303M DI.971.003.001 A01 DI.971.003.001A01 00:00:00 n REP CENTRAFRICAINE MUSIQUE BANDA. REPUBLIQUE CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 141 0 AFRIQUE +LD-793 D303M DI.971.003.002 A01 DI.971.003.002A01 00:00:00 n INDONESIE;BALI BARONG. DRAME MUSICAL BALINAIS Sous-table non exportée Sous-table non exportée 345 0 ASIE +LD-785 D303S DI.971.003.003 A01 DI.971.003.003A01 00:00:00 N ILES SALOMON ILE DE ONTONG JAVA MUSIQUE POLYNESIENNE TRADITIONNELLE D'ONTONG JAVA (ILES SALOMON) Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +LD-786 D303M DI.971.003.004 A01 DI.971.003.004A01 00:00:00 n MAROC MUSIQUE BERBERE DU HAUT-ATLAS Sous-table non exportée Sous-table non exportée 138 0 AFRIQUE +OCR-51 D303 DI.971.004.001 A01 DI.971.004.001A01 00:00:00 n BURKINA FASO MUSIQUE DU PAYS LOBI Sous-table non exportée Sous-table non exportée 1961 0 AFRIQUE +AST-4001 D303 DI.971.005.001 A01 DI.971.005.001A01 00:00:00 n AFGHANISTAN THE MUSIC OF AFGHANISTAN. MUSIC OF UZBEKS Sous-table non exportée Sous-table non exportée 1968 0 ASIE +GELD-18 D303M DI.971.006.001 A01 DI.971.006.001A01 00:00:00 n PORTUGAL BEIRA ALTA, BEIRA BAIXA, BEIRA LITORAL Sous-table non exportée Sous-table non exportée -262 0 EUROPE +AHM-4216 D303M DI.971.007.001 A01 DI.971.007.001A01 00:00:00 n NLE-GUINEE MUSIC FROM SOUTH NEW GUINEA Sous-table non exportée Sous-table non exportée 1964 0 OCEANIE +AHM-4219 D303M DI.971.007.002 A01 DI.971.007.002A01 00:10:29 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM CA RA BO (SCENE) ["CH AVEC DES GESTES] ND Sous-table non exportée M. DE CHAMBRE Sous-table non exportée >[ENREG. A SAIGON 1960/69]< ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A02 DI.971.007.002A02 00:03:57 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM MODERN TU DAI OAN ND Sous-table non exportée M. DE CHAMBRE Sous-table non exportée >[ENREG. A SAIGON 1960/69]< ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A03 DI.971.007.002A03 00:02:17 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM TUNE FOR VONG CO [AIR OUR LA NOSTALGIE DU PASSE ND Sous-table non exportée M. DE CHAMBRE Sous-table non exportée >[ENREG. A SAIGON 1960/69]< ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A04 DI.971.007.002A04 00:02:10 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM LATER ELABORATION ON VONG CO [AIR OUR LA NOSTALGIE DU PASSE, VERSION ELABORE] ND Sous-table non exportée M. DE CHAMBRE Sous-table non exportée >[ENREG. A SAIGON 1960/69]< ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A05 DI.971.007.002A05 00:03:21 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM OLD VONG CO N Sous-table non exportée M. DE CHAMBRE Sous-table non exportée ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A06 DI.971.007.002A06 00:06:42 01/01/77 VIETNAM VIETNAM DU SUD VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM NEW VONG CO ND Sous-table non exportée M. DE CHAMBRE Sous-table non exportée ADDISS, S. 1977 0 ASIE +AHM-4219 D303M DI.971.007.002 A07 DI.971.007.002A07 00:02:42 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM SCENE FROM MODERN CAI LUONG Sous-table non exportée THEATRE Sous-table non exportée Extrait d'une pièce de théâtre rénové Cai luong, prélude sur l'air Ly con sao, et suivi du début de la pièce vong cô. Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Paroles de propagance politique du régime du Sud Vietnam. Rythme libre puis mesuré• STEPHEN ADDISS 1966 0 ASIE +AHM-4219 D303M DI.971.007.002 B01 DI.971.007.002B01 00:05:00 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM ONCLE PHAN=¨TR BAC PHAN Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Musique du Nord Vietnam enregistrée dans le Sud. Variations rythmiques• STEPHEN ADDISS 1966 0 ASIE +AHM-4219 D303M DI.971.007.002 B02 DI.971.007.002B02 00:01:23 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM TY BA, 1ERE PHRASE, STYLE ANCIEN=*TR TY BA Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Cette pièce s'appelle plutôt Ty Bà Hành, connu dans le répertoire du Hat A Dào.Variations rythmiques• STEPHEN ADDISS 1966 0 ASIE +AHM-4219 D303M DI.971.007.002 B03 DI.971.007.002B03 00:01:00 N VIETNAM NORD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM TY BA, VERSION ACTUELLE, 1ERE PHRASE=*TR TY BA, 1ST PHRASE, TO-DAY Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Variations rythmiques• STEPHEN ADDISS 1966 0 ASIE +AHM-4219 D303M DI.971.007.002 B04 DI.971.007.002B04 00:06:25 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM TY BA HANH, VERSION INTEGRALE=*TR Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Enregistrement médiocre avec pleurage. Variations rythmiques• STEPHEN ADDISS 1966 0 ASIE +AHM-4219 D303M DI.971.007.002 B05 DI.971.007.002B05 00:08:07 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIC FROM NORTH & SOUTH VIETNAM QUESTIONS A L'HOMME EN PIERRE=*TR HOI PHONG DA Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Enregistrement médiocre. Variations rythmiques• STEPHEN ADDISS 1966 0 ASIE +LDX-74454 D303S DI.971.008.001 :ZZZZ DI.971.008.001:ZZZZ 00:04:25 01/01/71 VIETNAM SUD VIETNAM ZZZ VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LE RETOUR DU PRINTEMPS= *TR XUAN VE=*TRS TRAN Q. H. Sous-table non exportée M. NOUVELLE Sous-table non exportée Divertissement; le printemps, l'espérance d'une paix tant désirée par le peuple vietnamien sont les sources d'inspiration pour cette composition écrite en 1971 à Paris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Mib Fa, Sol, La, Do. Application de la technique du du re-recording. Les cliquettes à sapèque réunissent en un seul instrument les caractéristiques des cliquettes (IEC), des sistres (ISI) et des râcleurs (IRR), ce qui ne facilite pas son classement dans la catégorie des idiophones. innovation comme accompagnement d'un instrument solo. STUDIO DU CHANT DU MONDE, PARIS 0 ASIE +LDX-74454 D303S DI.971.008.001 A01 DI.971.008.001A01 00:05:00 02/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI L'EAU QUI COULE, MESURES EGALES, LES SAPEQUES D'OR=*TR LUU, BINH,KIM=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement: série de 3 pièces courtes dans le mode Bac (ici: Do, Ré, Fa, Sol, La), exprimant la joie et appartenant au répertoire des Dan Tai Tu (musique dite des amateurs) de la trad. du Sud Vietanam. Cf. Supp. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Premier disque consacré entièrement à la cithare à 16 c. vietnamienne. Prélude improvisé avant l'exécutuin des 3 pièces. Mode "Dieu bac". Rythme binaire• STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 A02 DI.971.008.001A02 00:05:40 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LES LAMENTATIONS DU SUD=*TR NAM AI=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Cette pièce appartient au système modal Nam exprimant la tristesse; le tempo lent. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique, mode "Dieu nam ai": Do, Mib, Fa, Sol, Sib, Do• STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 A03 DI.971.008.001A03 00:04:00 01/01/71 VIETNAM CENTRE VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LE CHANT DE L'AMOUR=*TR LY TINH TANG=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement; c'est une chanson populaire du Centre Vietnam arrangée pour cithare à 16 cordes par Trân Quang Hai. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Penta: Do, Ré, Fa, Sol, La. Rythme binaire• STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 A04 DI.971.008.001A04 00:01:10 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI KHONG MINH ASSIS AU BALCON=*TR KHONG MINH TOA LAU=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement; cette pièce est utilisée souvent dans la musique du théâtre rénové _hat cai luong _ Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Ré, Fa, Sol, La, Do avec la présence de 2 degrés auxiliaires Mi et Si, ce qui donne une apparence heptatonique à la pièce musicale. Rythme binaire• STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 B01 DI.971.008.001B01 00:02:40 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LES CINQ VEILLES=*TR NGU DIEM, BA-TA=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement; deux petites pièces appartiennent au système modal Quang (cantonais) Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Ré, Fa, Sol, La, Do avec la présence de deux degrés auxiliaires Mi et Si donne une apparence heptatonique à la mélodie. Rythme binaire• STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 B02 DI.971.008.001B02 00:02:30 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LE VENT SOUFFLE ET FAIT COURBER LE SAULE PLEUREUR=*TR PHONG XUY TRICH LIEU=*TRS NGUYEN TRI KHUONG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement; c'est une pièce composé vers 1927 par Nguyen Tri Khuong (décédé en 1962) qui était le grand musicien du Sud Vietnam. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Mib+, Fa, Sol, La, Do. STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 B03 DI.971.008.001B03 00:06:20 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI NOSTALGIE DES HAUTS PLATEAUX=*TR NHO MIEN THUONG DU=*TRS TRAN, Q.H. Sous-table non exportée M. NOUVELLE Sous-table non exportée Divertissement; c'est une composition de Trân Quang Hai écrite en 1971 à Paris en pensant aux Hauts Plateaux du Centre Vietnamien. L' échelle pentatonique utilisée est de l'ethnie Jorai. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Mi, Fa, Sol, Si, Do. Avec la Technique du re-recording. Trân Quang Hai joue de la cithare et des cuillers. C'est la première fois qu'on entend le son des cuillers sur un disque de musique vietnamienne. STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +LDX-74454 D303S DI.971.008.001 B04 DI.971.008.001B04 00:04:25 01/01/71 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE (LE DAN TRANH) PAR TRAN QUANG HAI LE RETOUR DU PRINTEMPS= *TR XUAN VE=*TRS TRAN Q. H. Sous-table non exportée M. NOUVELLE Sous-table non exportée Divertissement; le printemps, l'espérance d'une paix tant désirée par le peuple vietnamien sont les sources d'inspiration pour cette composition écrite en 1971 à Paris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do, Mib Fa, Sol, La, Do. Application de la technique du du re-recording. Les cliquettes à sapèque réunissent en un seul instrument les caractéristiques des cliquettes (IEC), des sistres (ISI) et des râcleurs (IRR), ce qui ne facilite pas son classement dans la catégorie des idiophones. innovation comme accompagnement d'un instrument solo. STUDIO DU CHANT DU MONDE, PARIS 1971 0 ASIE +FE-4352 D303M DI.971.009.001 A01 DI.971.009.001A01 00:00:30 n VIETNAM CENTRE VIETNAM N MUSIC OF VIETNAM XYLOPHONE TO RUNG Sous-table non exportée INSTRUMENTAL Sous-table non exportée Notice manquante PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A02 DI.971.009.001A02 00:00:45 n VIETNAM CENTRE VIETNAM N MUSIC OF VIETNAM CALABASS ZITHER TING NING Sous-table non exportée INSTRUMENTAL Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A03 DI.971.009.001A03 00:00:02 n VIETNAM CENTRE VIETNAM N MUSIC OF VIETNAM CONCERT OF GONGS Sous-table non exportée M. RITUELLE Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A04 DI.971.009.001A04 00:00:58 n VIETNAM CENTRE VIETNAM N MUSIC OF VIETNAM CALEBASS-KHENE KNBOAT Sous-table non exportée INSTRUMENTAL Sous-table non exportée notice manquante PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A05 DI.971.009.001A05 00:00:17 n VIETNAM CENTRE VIETNAM THAIS MUSIC OF VIETNAM FOLK DANCE OF THAI PEOPLE: DANCE XOE Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A06 DI.971.009.001A06 00:00:54 n VIETNAM CENTRE VIETNAM CHAM MUSIC OF VIETNAM RITUAL MUSIC Sous-table non exportée M. RITUELLE Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A07 DI.971.009.001A07 00:01:00 n VIETNAM CENTRE VIETNAM CHAM MUSIC OF VIETNAM LOVE SONG DOH DAM TARA Sous-table non exportée CHT D'AMOUR Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A08 DI.971.009.001A08 00:01:28 n VIETNAM CENTRE VIETNAM CHAM MUSIC OF VIETNAM HISTORICAL SONG CHAY DALIM Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A09 DI.971.009.001A09 00:02:03 n VIETNAM CENTRE VIETNAM CHAM MUSIC OF VIETNAM FUNERAL SONG DOM DAM MUTAI Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Notice manquante. Rythme mesuré• Vièle 2C: archet pris• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A10 DI.971.009.001A10 00:03:00 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM RITUAL MUSIC BIG ORCHESTRA DAI NHAC Sous-table non exportée M. DE COUR Sous-table non exportée Notice manquante Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A11 DI.971.009.001A11 00:01:19 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM MUSIC BALLET MA VU Sous-table non exportée DANSE ROYALE Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 A12 DI.971.009.001A12 00:01:35 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM MUSIC OF CLASSICAL THEATRE NAM CHIEN Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Notice manquante. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B01 DI.971.009.001B01 00:02:40 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM CLASSIC QUINTET NGU TUYET Sous-table non exportée INSTRUMENTAL Sous-table non exportée Prélude improvisé de chaque instrument du groupe ngu tuyêt (les cinq parfaits) Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B02 DI.971.009.001B02 00:01:33 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM CONCERT OF THE PIECE "FLOWING WATER"=*TR HOA TAU BAI LUU THUY=*TRS Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Notice manquante. Cet ensemble est composé de 5 instruments: cithare à 16 cordes dàn tranh, monocorde dàn dôc huyên, luth en forme de lune dàn nguyêt, luth piriforme dàn ty bà, vièle à 2 cordes dàn nhi. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B03 DI.971.009.001B03 00:02:05 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM SOLO FLUTE: PHUONG VU (PHENIX DANCE) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée C'est une pièce conçue par le flûtiste Nguyên Dinh Nghia pour montrer sa virtuosité. Rythme libre puis mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B04 DI.971.009.001B04 00:02:02 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM BERCEUSE=*TR HO RU CON=*TRS Sous-table non exportée BERCEUSE Sous-table non exportée Rythme libre• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B05 DI.971.009.001B05 00:01:05 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM CHANT DES TERRASSIERS=*TR HO NEN=*TRS Sous-table non exportée CHT DE TRAVAIL Sous-table non exportée Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B06 DI.971.009.001B06 00:01:29 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM CHANT POUR PILONNER LE RIZ=*TR HO GIA GAO=*TRS Sous-table non exportée CHT DE TRAVAIL Sous-table non exportée Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B07 DI.971.009.001B07 00:01:40 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIC OF VIETNAM CHANT DES BATELIERES=*TR HO MAI NHI=*TRS Sous-table non exportée CHT DE TRAVAIL Sous-table non exportée Rythme libre• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B08 DI.971.009.001B08 00:01:33 n VIETNAM VIETNAMIENS MUSIC OF VIETNAM CHANT DES PAYSANS=*TR HO LO=*TRS PHAM DUY Sous-table non exportée CHT DE VARIETES Sous-table non exportée Cette chanson , inspirée d'un chant populaire du Sud Vietnam,a été composée par Pham Duy. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4352 D303M DI.971.009.001 B09 DI.971.009.001B09 00:01:35 n VIETNAM VIETNAMIENS MUSIC OF VIETNAM CHANT POUR TRANSPORTER LE RIZ=*TR GANH LUA=*TRS PHAM DUY Sous-table non exportée CHT DE VARIETES Sous-table non exportée C'est une chanson composée par Pham Duy. Rythme mesuré• PHAM DUY, STEPHEN ADDISS, BILL CROFUT -1 0 ASIE +FE-4202 D303 DI.971.009.003 A01 DI.971.009.003A01 00:00:00 n ZIMBABWE MUSIC FROM PETAUKE OF NORTHERN RHODESIA, VOL.2 Sous-table non exportée Sous-table non exportée 1961 0 AFRIQUE +FE-4321 D303M DI.971.009.005 A01 DI.971.009.005A01 00:00:00 n NIGERIA MUSIC OF THE JOS PLATEAU AND OTHER REGIONS OF NIGERIA Sous-table non exportée Sous-table non exportée 749 0 AFRIQUE +FE-4322 D303 DI.971.009.006 A01 DI.971.009.006A01 00:00:00 n SIERRA LEONE MUSIC OF THE MENDE OF SIERRA LEONE Sous-table non exportée Sous-table non exportée 1962 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z01 DI.971.009.007-1/2Z01 00:00:00 n SYRIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4501 D303M DI.971.009.007-1/2 Z02 DI.971.009.007-1/2Z02 00:00:00 n ISRAEL FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4501 D303M DI.971.009.007-1/2 Z03 DI.971.009.007-1/2Z03 00:00:00 n EGYPTE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z04 DI.971.009.007-1/2Z04 00:00:00 n LIBYE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z05 DI.971.009.007-1/2Z05 00:00:00 N TUNISIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z06 DI.971.009.007-1/2Z06 00:00:00 N ALGERIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z07 DI.971.009.007-1/2Z07 00:00:00 N MAROC FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4501 D303M DI.971.009.007-1/2 Z08 DI.971.009.007-1/2Z08 00:00:00 N ESPAGNE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z09 DI.971.009.007-1/2Z09 00:00:00 N TURQUIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 ASIE +FE-4501 D303M DI.971.009.007-1/2 Z10 DI.971.009.007-1/2Z10 00:00:00 N YOUGOSLAVIE SERBIE FOLK MUSIC OF THE MEDITERRANEAN KAPETAN CIZMIC Sous-table non exportée Sous-table non exportée N -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z11 DI.971.009.007-1/2Z11 00:00:00 N GRECE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z12 DI.971.009.007-1/2Z12 00:00:00 N ALBANIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z13 DI.971.009.007-1/2Z13 00:00:00 N ITALIE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z14 DI.971.009.007-1/2Z14 00:00:00 N ITALIE;SICILE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z15 DI.971.009.007-1/2Z15 00:00:00 N ITALIE;SARDAIGNE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4501 D303M DI.971.009.007-1/2 Z16 DI.971.009.007-1/2Z16 00:00:00 N FRANCE FOLK MUSIC OF THE MEDITERRANEAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4520 D303M DI.971.009.008-1/2 A01 DI.971.009.008-1/2A01 00:00:00 n ITALIE FOLK MUSIC FROM ITALY Sous-table non exportée Sous-table non exportée 1954 0 EUROPE +OCR-54 D303M DI.971.010.002 A01 DI.971.010.002A01 00:00:00 1964,65,67,69 HONGRIE MUSIQUE POPULAIRE HONGROISE Sous-table non exportée Sous-table non exportée 1964 0 EUROPE +RC-266 D303M DI.971.011.001 A01 DI.971.011.001A01 00:00:00 n BURKINA FASO SAMO. MUSIEK WIT BOVEN VOLTA (WEST AFRIKA) Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EFD-1257/58 D253M DI.971.012.001/02 A01 DI.971.012.001/02A01 00:00:00 n ROUMANIE OBICEIUL COLINDATULUI SI COLINDELE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +T-76175 D173M DI.971.013.001 A01 DI.971.013.001A01 00:00:00 n ISLAM DER MAQAM BAYATI IM ARABISCHEN TAQSIM Sous-table non exportée Sous-table non exportée 0 0 ASIE +DL-111635 D303M DI.971.014.001 A01 DI.971.014.001A01 00:00:00 n ZAIRE MUSIQUE VOCALE LUBA-SHANKADI Sous-table non exportée Sous-table non exportée 2158 0 AFRIQUE +HLP-1 D303M DI.971.015.001 A01 DI.971.015.001A01 00:00:00 n CHINE ANCIEN & ORIENTAL MUSIC - 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 A01 DI.971.015.002A01 00:00:00 n JAPON ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 A04 DI.971.015.002A04 00:00:00 n INDE ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 B01 DI.971.015.002B01 00:00:00 n ISRAEL ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 B02 DI.971.015.002B02 00:00:00 n GRECE ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HLP-2 D303M DI.971.015.002 B04 DI.971.015.002B04 00:00:00 n ISLAM ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 B07 DI.971.015.002B07 00:00:00 n IRAK ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +HLP-2 D303M DI.971.015.002 B09 DI.971.015.002B09 00:00:00 n MAROC ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +HLP-2 D303M DI.971.015.002 B10 DI.971.015.002B10 00:00:00 n TUNISIE ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +HLP-2 D303M DI.971.015.002 B11 DI.971.015.002B11 00:00:00 n ALGERIE ANCIEN & ORIENTAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AS-50 D174M DI.971.016.001 A01 DI.971.016.001A01 00:00:00 n PORTUGAL BAILES POPULARES ALENTEJANOS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +I-II D257 DI.971.017.001 A01 DI.971.017.001A01 00:00:00 n EX YOUGOSLAVIE A/NASAPANI, B/TANAC A KUCI, C/VERAC, D/TANAC NA PLACI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +III-IV D257 DI.971.017.002 A01 DI.971.017.002A01 00:00:00 n EX YOUGOSLAVIE A/MANTINJADA, B/KORAL, C/POTANCU, D/SOTO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +V-VI D257 DI.971.017.003 A01 DI.971.017.003A01 00:00:00 n EX YOUGOSLAVIE A/POLKA, B/MAZURKA, C/POJILA JE NEVESTICA* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VII-VIII D257 DI.971.017.004 A01 DI.971.017.004A01 00:00:00 n EX YOUGOSLAVIE A/MANTINJADA (NOVI) B/KADA SE PAVLE ZENYASE, C/LIPO SELO (ISELJENICKA)* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +IX-X D257 DI.971.017.005 A01 DI.971.017.005A01 00:00:00 n EX YOUGOSLAVIE A/IVE KOSI, B/PUNTE SELO, C/ONUSAJ JE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPX-18013/14 D303M DI.971.018.001/02 A01 DI.971.018.001/02A01 00:00:00 n MONGOLIE (REP POPU) MONGOLIAN FOLK MUSIC Sous-table non exportée Sous-table non exportée -1 0 ASIE +OCR-57 D303S DI.971.019.001 A01 DI.971.019.001A01 00:00:00 n IRAN MUSIQUE PERSANE Sous-table non exportée Sous-table non exportée 1971 0 ASIE +EPD-78-86 D253M DI.971.020.001/03 A01 DI.971.020.001/03A01 00:00:00 n ROUMANIE ANTHOLOGY OF ROMANIAN FOLK MUSIC* VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4480 D303M DI.971.021.002 A01 DI.971.021.002A01 00:00:00 n ISRAEL ARABIC & DRUSE MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-56 D303S DI.971.022.001 A01 DI.971.022.001A01 00:00:00 n TURQUIE MUSIQUE TRADITIONNELLE TURQUE. PIECES INSTRUMENTALES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDM-30104 D303M DI.972.001.001 A01 DI.972.001.001A01 00:00:00 n ILES SALOMON ILE DE MALAITA FLUTES DE PAN MELANESIENNES 'ARE 'ARE - VOL 1 Sous-table non exportée Sous-table non exportée -362 0 OCEANIE +12-T-157 D303M DI.972.002.001 A01 DI.972.002.001A01 00:00:00 n GB;ECOSSE SONGS OF COURTSH Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-157 D303M DI.972.002.001 A02 DI.972.002.001A02 00:00:00 n GB;ANGLETERRE SONGS OF COURTSH Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-157 D303M DI.972.002.001 A03 DI.972.002.001A03 00:00:00 n GB;IRLANDE DU N. SONGS OF COURTSH Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-158 D303M DI.972.002.002 A01 DI.972.002.002A01 00:00:00 n GB;ANGLETERRE SONGS OF SEDUCTION Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-158 D303M DI.972.002.002 A02 DI.972.002.002A02 00:00:00 n GB;ECOSSE SONGS OF SEDUCTION Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-158 D303M DI.972.002.002 A04 DI.972.002.002A04 00:00:00 n GB;IRLANDE DU N. SONGS OF SEDUCTION Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-159 D303M DI.972.002.003 A01 DI.972.002.003A01 00:00:00 n GB;ANGLETERRE JACK OF ALL TRADES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-159 D303M DI.972.002.003 A03 DI.972.002.003A03 00:00:00 n GB;IRLANDE DU N. JACK OF ALL TRADES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-159 D303M DI.972.002.003 A06 DI.972.002.003A06 00:00:00 n GB;ECOSSE JACK OF ALL TRADES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-160 D303M DI.972.002.004 A01 DI.972.002.004A01 00:00:00 n GB;ANGLETERRE THE CHILD BALLADS 1 N° 2-95 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-160 D303M DI.972.002.004 A04 DI.972.002.004A04 00:00:00 n GB;ECOSSE THE CHILD BALLADS 1 N° 2-95 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-160 D303M DI.972.002.004 A05 DI.972.002.004A05 00:00:00 n GB;PAYS DE GALLES THE CHILD BALLADS 1 N° 2-95 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-160 D303M DI.972.002.004 B01 DI.972.002.004B01 00:00:00 n GB;IRLANDE DU N. THE CHILD BALLADS 1 N° 2-95 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-161 D303M DI.972.002.005 A01 DI.972.002.005A01 00:00:00 n GB;ECOSSE THE CHILD BALLADS 2 N° 110-299 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-161 D303M DI.972.002.005 A05 DI.972.002.005A05 00:00:00 n GB;ANGLETERRE THE CHILD BALLADS 2 N° 110-299 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-161 D303M DI.972.002.005 A08 DI.972.002.005A08 00:00:00 n GB;IRLANDE DU N. THE CHILD BALLADS 2 N° 110-299 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-161 D303M DI.972.002.005 B03 DI.972.002.005B03 00:00:00 n GB;PAYS DE GALLES THE CHILD BALLADS 2 N° 110-299 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A01 DI.972.002.006A01 00:00:00 n GB;ANGLETERRE SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A03 DI.972.002.006A03 00:00:00 n GB;IRLANDE DU N. SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A04 DI.972.002.006A04 00:00:00 n GB;ANGLETERRE SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A06 DI.972.002.006A06 00:00:00 n EIRE SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A08 DI.972.002.006A08 00:00:00 n GB;IRLANDE DU N. SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-194 D303 DI.972.002.006 A09 DI.972.002.006A09 00:00:00 n GB;ECOSSE SAILORMEN AND SERVINGMAIDS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-195 D303 DI.972.002.007 A01 DI.972.002.007A01 00:00:00 n GB;ANGLETERRE FAIR GAME AND FOUL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-195 D303 DI.972.002.007 A08 DI.972.002.007A08 00:00:00 n GB;IRLANDE DU N. FAIR GAME AND FOUL Sous-table non exportée Sous-table non exportée -1 0 EUROPE +12-T-196 D303 DI.972.002.008 A01 DI.972.002.008A01 00:00:00 n GB;ECOSSE A SOLDIER'S LIFE FOR ME Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-196 D303 DI.972.002.008 A04 DI.972.002.008A04 00:00:00 n GB;IRLANDE DU N. A SOLDIER'S LIFE FOR ME Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-196 D303 DI.972.002.008 A07 DI.972.002.008A07 00:00:00 n GB;ANGLETERRE A SOLDIER'S LIFE FOR ME Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-197 D303 DI.972.002.009 A01 DI.972.002.009A01 00:00:00 n GB;ANGLETERRE SONGS OF CEREMONY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-197 D303 DI.972.002.009 A03 DI.972.002.009A03 00:00:00 n GB;ECOSSE SONGS OF CEREMONY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-197 D303 DI.972.002.009 A04 DI.972.002.009A04 00:00:00 n GB;IRLANDE DU N. SONGS OF CEREMONY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-197 D303 DI.972.002.009 B01 DI.972.002.009B01 00:00:00 n GB;ILES HEBRIDES SONGS OF CEREMONY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +12-T-197 D303 DI.972.002.009 B06 DI.972.002.009B06 00:00:00 n GB;ILE DE MAN SONGS OF CEREMONY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +521128 D303S DI.972.003.001 A01 DI.972.003.001A01 00:00:00 n SRI LANKA CEYLAN; PERLE DE L'OCEAN INDIEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-462 D303S DI.972.003.002 A01 DI.972.003.002A01 00:00:00 n INDONESIE;JAVA MUSIQUE DE JAVA; L'ECOLE DE LOKA WANGI Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-465 D303S DI.972.003.003 A01 DI.972.003.003A01 00:00:00 n CAMBODGE CAMBODGE, MUSIQUE ROYAL ET MUSIQUE TRADITIONELLE Sous-table non exportée Sous-table non exportée 141 0 ASIE +TGM-101 D303M DI.972.003.004 A01 DI.972.003.004A01 00:00:00 n ETHIOPIE ETHIOPIA VOL 1 MUSIC OF THE CENTRAL HIGHLANDS Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +TGM-102 D303M DI.972.003.005 A01 DI.972.003.005A01 00:00:00 n ETHIOPIE ETHIOPIA VOL 2 MUSIC OF THE DESERT NOMADS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TGM-103 D303M DI.972.003.006 A01 DI.972.003.006A01 00:00:00 n ETHIOPIE ETHIOPIA VOL 3 MUSIC OF ERITREA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2025 D303M DI.972.003.007 A01 DI.972.003.007A01 00:00:00 n GEORGIE LA MUSIQUE DE LA GEORGIE 1. Sous-table non exportée Sous-table non exportée 0 0 EUROPE +TGM-105 D303M DI.972.003.008 A01 DI.972.003.008A01 00:00:00 n INDE MUSIC FROM THE SHRINES OF AJMER AND MUNDRA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-5104 D303S DI.972.004.001 A01 DI.972.004.001A01 00:00:00 n TIBET TIBET-NEPAL: M. BOUDDHISTE LAMAIQUE; M. RITUELLE & PROFANE Sous-table non exportée Sous-table non exportée 543 0 ASIE +LD-5104 D303S DI.972.004.001 A02 DI.972.004.001A02 00:00:00 n NEPAL TIBET-NEPAL: M. BOUDDHISTE LAMAIQUE; M. RITUELLE & PROFANE Sous-table non exportée Sous-table non exportée 543 0 ASIE +OCR-59 D303M DI.972.005.001 A01 DI.972.005.001A01 00:00:00 n URSS;RSS ARMENIE ARMENIE, MUSIQUE DES ACHOUGH Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-58 D303M DI.972.005.002 A01 DI.972.005.002A01 00:00:00 n BURKINA FASO MUSIC BISA DE HAUTE-VOLTA Sous-table non exportée Sous-table non exportée 1961 0 AFRIQUE +LDEV-511 D173M DI.972.006.001 A01 DI.972.006.001A01 00:00:00 n ISRAEL JUIFS TRADITIONS JUIVES Sous-table non exportée Sous-table non exportée 1965 0 ASIE +LDEV-511 D173M DI.972.006.001 B01 DI.972.006.001B01 00:00:00 n ALGERIE JUIFS TRADITIONS JUIVES Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +LDEV-511 D173M DI.972.006.001 B03 DI.972.006.001B03 00:00:00 n EUROPE ORIENTALE JUIFS TRADITIONS JUIVES Sous-table non exportée Sous-table non exportée 1965 0 EUROPE +LDEV-511 D173M DI.972.006.001 B04 DI.972.006.001B04 00:00:00 n MAROC JUIFS TRADITIONS JUIVES Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +LDEV-512 D173M DI.972.006.002 A01 DI.972.006.002A01 00:00:00 n FRANCE TRADITIONS CHRETIENNES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDEV-513 D173M DI.972.006.003 A01 DI.972.006.003A01 00:00:00 n URSS CHANTS LITURGIQUES DE LA TRADITION RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDEV-514 D173M DI.972.006.004 A01 DI.972.006.004A01 00:00:00 n ALLEMAGNE TRADITIONS CHRETIENNES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDEV-515 D173M DI.972.006.005 A01 DI.972.006.005A01 00:00:00 n ISLAM TRADITIONS ISLAMIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDEV-515 D173M DI.972.006.005 B01 DI.972.006.005B01 00:00:00 n TURQUIE TRADITIONS ISLAMIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDEV-516 D173M DI.972.006.006 A01 DI.972.006.006A01 00:00:00 n REP CENTRAFRICAINE TRADITIONS AFRICAINES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDEV-517 D173M DI.972.006.007 A01 DI.972.006.007A01 00:00:00 n INDE TRADITIONS DE L'INDE/TRADITIONS BOUDDHIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDEV-517 D173M DI.972.006.007 B01 DI.972.006.007B01 00:00:00 n JAPON TRADITIONS DE L'INDE/TRADITIONS BOUDDHIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDEV-517 D173M DI.972.006.007 B02 DI.972.006.007B02 00:00:00 n TIBET TRADITIONS DE L'INDE/TRADITIONS BOUDDHIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDEV-518 D173M DI.972.006.008 A01 DI.972.006.008A01 00:00:00 n JAPON AUTRES TRADITIONS DE L'EXTREME ORIENT Sous-table non exportée Sous-table non exportée 1964 0 ASIE +LDEV-518 D173M DI.972.006.008 B01 DI.972.006.008B01 00:00:00 n TAIWAN AUTRES TRADITIONS DE L'EXTREME ORIENT Sous-table non exportée Sous-table non exportée 1964 0 ASIE +CT-4947-48 D173M DI.972.007.001 A01 DI.972.007.001A01 00:00:00 1962,63 BRESIL INDI YANOAMA-BACINO RIO CAUABURI -1. LINGUAGGIO E RITMO Sous-table non exportée Sous-table non exportée 345 0 AMERIQUE +CT-4945-46 D173M DI.972.007.002 A01 DI.972.007.002A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -2. LINGUAGGIO E RITMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4949-50 D173M DI.972.007.003 A01 DI.972.007.003A01 00:00:00 ,n BRESIL INDI YANOAMA-RIO CAUABURI -3. DANZE E CANTI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4951-52 D173M DI.972.007.004 A01 DI.972.007.004A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -4. DANZE E CANTI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4953-54 D173M DI.972.007.005 A01 DI.972.007.005A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -5. DANZE E CANTI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4955-56 D173M DI.972.007.006 A01 DI.972.007.006A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -6. DANZE E CANTI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4957-58 D173M DI.972.007.007 A01 DI.972.007.007A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -7. SCIAMANISMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4959-60 D173M DI.972.007.008 A01 DI.972.007.008A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -8. SCIAMANISMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4961-62 D173M DI.972.007.009 A01 DI.972.007.009A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -9. SCIAMANISMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4963-64 D173M DI.972.007.010 A01 DI.972.007.010A01 00:00:00 n BRESIL INDI YANOAMA- ALTO RIO ORINOCO -10. SCIAMANISMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4965-66 D173M DI.972.007.011 A01 DI.972.007.011A01 00:00:00 n BRESIL INDI YANOAMA-ALTO RIO ORINOCO -11. SCIAMANISMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4967-68 D173M DI.972.007.012 A01 DI.972.007.012A01 00:00:00 n BRESIL INDI YANOAMA-RIO ORINOCO -12. LINGUAGGIO E RITMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4969-70 D173M DI.972.007.013 A01 DI.972.007.013A01 00:00:00 n BRESIL INDI YANOAMA- ALTO RIO ORINOCO -13. LINGUAGGIO E RITMO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4971-72 D173M DI.972.007.014 A01 DI.972.007.014A01 00:00:00 n BRESIL INDI YANOAMA-RIO CAUABURI -14. CANTI DI CASCIRI E VARI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CT-4973-74 D173M DI.972.007.015 A01 DI.972.007.015A01 00:00:00 n BRESIL INDI BARE-ALTO RIO NEGRO/INDI TARIANA-RIO UAUPES* Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +ATP-71-1 D174M DI.972.008.001 A01 DI.972.008.001A01 00:00:00 n FRANCE CABRETTE ET ACCORDEON DU BAL DE CAMPAGNE AU BAL MUSETTE Sous-table non exportée Sous-table non exportée 3944 0 EUROPE +NNS-301/06 D174M DI.972.009.001/06 A01 DI.972.009.001/06A01 00:00:00 n INDE;RAJASTHAN FOLKSONGS OF RAJASTHAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDM-30105 D303M DI.972.010.001 A01 DI.972.010.001A01 00:00:00 n ILES SALOMON ILE DE MALAITA FLUTES DE PAN MELANESIENNES 'ARE'ARE - VOL 2 Sous-table non exportée Sous-table non exportée 969 0 OCEANIE +EPD-1200 D253M DI.972.011.001 Z01 DI.972.011.001Z01 00:00:00 n ROUMANIE MUNTENIA-SERIA "LA HORA-N SAT". Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6803002 D303M DI.972.012.001 A01 DI.972.012.001A01 00:00:00 n TCHAD TEDA-TIBESTI : MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +LEA-2003 D303S DI.972.013.001 A01 DI.972.013.001A01 00:00:00 n EIRE SEAMUS ENNIS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LEA-2004 D303S DI.972.013.002 A01 DI.972.013.002A01 00:00:00 n EIRE MARTIN BYRNES WITH REG HALL, PIANO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LEA-2005 D303S DI.972.013.003 A01 DI.972.013.003A01 00:00:00 n EIRE SEAMUS TANSEY WITH REG HALL & PAUL GROSS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LEA-4001 D303M DI.972.013.004 A01 DI.972.013.004A01 00:00:00 n GB;ANGLETERRE JACK ELLIOTT OF BIRTLEY; THE SONGS & STORIES OF A DURHAM MINER Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4176 D303 DI.972.014.001-1/2 A01 DI.972.014.001-1/2A01 00:06:20 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 1, SHAMAN CHANT Sous-table non exportée Sous-table non exportée chant chamanique voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A02 DI.972.014.001-1/2A02 00:02:00 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 2,SHAMAN CHANT Sous-table non exportée Sous-table non exportée incantation chamanique voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A03 DI.972.014.001-1/2A03 00:06:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 3, SHAMAN CHANT Sous-table non exportée Sous-table non exportée chant chamanique voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A04 DI.972.014.001-1/2A04 00:01:20 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 4, SHAMAN CHANT Sous-table non exportée Sous-table non exportée incantation chamanique voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A05 DI.972.014.001-1/2A05 00:02:20 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 5, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A06 DI.972.014.001-1/2A06 00:02:40 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 6, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 A07 DI.972.014.001-1/2A07 00:02:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 7, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre du feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B01 DI.972.014.001-1/2B01 00:05:45 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 8, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B02A DI.972.014.001-1/2B02A 00:01:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 9, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B02B DI.972.014.001-1/2B02B 00:01:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 10, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B03A DI.972.014.001-1/2B03A 00:01:38 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 11, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B03B DI.972.014.001-1/2B03B 00:02:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 12, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B04 DI.972.014.001-1/2B04 00:03:50 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 13, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B05 DI.972.014.001-1/2B05 00:01:15 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 14, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B06 DI.972.014.001-1/2B06 00:04:40 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 15, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv.1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 B07 DI.972.014.001-1/2B07 00:02:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 16, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv.1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C01A DI.972.014.001-1/2C01A 00:01:47 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 17, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C01B DI.972.014.001-1/2C01B 00:01:08 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 18, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . Die Feuerland-Indianer I. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv.1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C02A DI.972.014.001-1/2C02A 00:02:03 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 19, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C02B DI.972.014.001-1/2C02B 00:01:00 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 20, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C03A DI.972.014.001-1/2C03A 00:02:17 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 21, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C03B DI.972.014.001-1/2C03B 00:02:25 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 22, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C04A DI.972.014.001-1/2C04A 00:01:23 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 23, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C04B DI.972.014.001-1/2C04B 00:02:58 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 24, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C05A DI.972.014.001-1/2C05A 00:01:13 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 25, WAR CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C05B DI.972.014.001-1/2C05B 00:02:01 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 26, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C06A DI.972.014.001-1/2C06A 00:01:41 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 27, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C06B DI.972.014.001-1/2C06B 00:02:25 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 28, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C07 DI.972.014.001-1/2C07 00:03:38 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 29, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 C08 DI.972.014.001-1/2C08 00:01:07 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 30, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D01A DI.972.014.001-1/2D01A 00:03:25 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 31, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D01B DI.972.014.001-1/2D01B 00:00:50 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 32, WOMEN'S CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D02A DI.972.014.001-1/2D02A 00:01:15 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 33, SHAMAN CHANT LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D02B DI.972.014.001-1/2D02B 00:01:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 34, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D02C DI.972.014.001-1/2D02C 00:01:53 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 35, SHAMAN CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D03A DI.972.014.001-1/2D03A 00:02:48 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 36,LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 CHAPMAN,ANNE terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D03B DI.972.014.001-1/2D03B 00:01:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 37, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D04A DI.972.014.001-1/2D04A 00:01:08 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 38, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D04B DI.972.014.001-1/2D04B 00:01:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 39, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D04C DI.972.014.001-1/2D04C 00:01:43 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 40, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D05A DI.972.014.001-1/2D05A 00:01:00 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 41, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D05B DI.972.014.001-1/2D05B 00:02:17 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 42, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D06A DI.972.014.001-1/2D06A 00:00:55 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 43, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D06B DI.972.014.001-1/2D06B 00:01:50 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 44, LAMENT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D07 DI.972.014.001-1/2D07 00:01:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 45, LULLABY Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE terre de feu 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D08A DI.972.014.001-1/2D08A 00:01:30 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 46, CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE 1966 0 AMERIQUE +FE-4176 D303 DI.972.014.001-1/2 D08B DI.972.014.001-1/2D08B 00:02:15 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA 47, CHANT Sous-table non exportée Sous-table non exportée voir GUSINDE, Martin . _Die Feuerland-Indianer I_. Band Die Selk'nam, modling Bei Wien, 1931. Voir aussi: ROUGET, G. en collab. avec SCHWARTZ,J. "Transcrire ou décrire. Chant soudanais et chant fuegién extrait de _Echanges et communications Mél. Offerts à C. Lévi-Strauss pour son 60ème anniv._1970. aussi: Rouget, G. "Chant fuegién consonnances, mélodie de voyelles". Revue de Musicologie LXII N°1 pp 5-24 Par manque d'une bonne tipologie des voix+desaccord avec la classification donnée par l'auteur de la notice, nous avons classé ici (à titre provisoire) cette type d'émission vocale comme vc (sauf récitations) CHAPMAN,ANNE Terre de feu 1966 0 AMERIQUE +LDM-30107 D303M DI.972.015.001 A01 DI.972.015.001A01 00:00:00 n GUINEE MUSIQUE TOMA GUINEE Sous-table non exportée Sous-table non exportée 1355 0 AFRIQUE +LDM-30108 D303M DI.972.015.002 A01 DI.972.015.002A01 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) MUSIQUE DAYAK. BORNEO (KALIMANTAN) N Sous-table non exportée Sous-table non exportée 1254 0 ASIE +FSCL-707 D174M DI.972.016.001 A01 DI.972.016.001A01 00:00:00 n FRANCE CONTES OCCITANS DU PAYS DE SAULT Sous-table non exportée Sous-table non exportée 0 0 EUROPE +OCR-60 D303S DI.972.017.001 A01 DI.972.017.001A01 00:00:00 n INDONESIE;BALI BALI, MUSIQUE ET THEATRE Sous-table non exportée Sous-table non exportée 1971 0 ASIE +OCR-61 D303M DI.972.017.002 A01 DI.972.017.002A01 00:00:00 n ZAIRE MUSIQUE DE L'ANCIEN ROYAUME KUBA. REP. DU ZAIRE Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +6803015 D303M DI.972.018.001 A01 DI.972.018.001A01 00:00:00 n OUGANDA ANKOLE; WEST-UGANDA. VOLKSMUZIEK Sous-table non exportée Sous-table non exportée -61 0 AFRIQUE +6803017 D303S DI.972.018.002 A01 DI.972.018.002A01 00:00:00 n CONGO KONGO-MUZIEK; MPANGU Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +LDM-30113 D303M DI.972.019.001 A01 DI.972.019.001A01 00:00:02 01/01/56 GUINEE KANKAN MANDINGUES-GRIOTS MUSIQUE MALINKE. GUINEE CHANT DE LOUANGE N Sous-table non exportée M. DE COUR Sous-table non exportée Harpe -luth: 21C. Réédition de MC20146• Solo voc + 1 instr ROUGET G 1956 0 AFRIQUE +OCR-62 D303M DI.972.020.001 A01 DI.972.020.001A01 00:00:00 n TIBET MUSIQUE ET THEATRE POPULAIRES TIBETAINS Sous-table non exportée Sous-table non exportée 1971 0 ASIE +OCR-64 D303M DI.972.020.002 A01 DI.972.020.002A01 00:00:00 n AFRIQUE BRUITS ET AMBIANCES D'AFRIQUE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LEA-4050 D303M DI.972.021.001 A01 DI.972.021.001A01 00:00:00 n GB;ANGLETERRE UNTO BRIGG FAIR Sous-table non exportée Sous-table non exportée 1908 0 EUROPE +LDM-30116 D303M DI.972.022.001 A01 DI.972.022.001A01 00:00:00 n GUINEE MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LDM-30116 D303M DI.972.022.001 B01 DI.972.022.001B01 00:00:00 n COTE D'IVOIRE MUSIQUE D'AFRIQUE OCCIDENTALE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +LDM-30109 D303M DI.972.022.002 A01 DI.972.022.002A01 00:00:00 n ILES SALOMON MUSIQUE POLYNESIENNE TRADITIONELLE D'ONTONG JAVA. VOL 2 Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +OCR-67 D303M DI.972.023.001 A01 DI.972.023.001A01 00:00:00 n URSS;RSS ARMENIE ARMENIE. MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-63 D303S DI.972.023.002 A01 DI.972.023.002A01 00:00:00 n IRAK IRAQ. UD CLASSIQUE ARABE PAR MUNIR BASHIR Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-65 D303S DI.972.024.001 A01 DI.972.024.001A01 00:00:00 n TURQUIE TURQUIE:CHANTS SACRES D'ANATOLIE PAR ASHIK FEYZULLAH TCHINAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-66 D303M DI.972.024.002 A01 DI.972.024.002A01 00:00:00 n URSS;RSS ARMENIE ARMENIE. CHANTS LITURGIQUE DU MOYEN-AGE Sous-table non exportée Sous-table non exportée 0 0 ASIE +TST-76989 D174S DI.972.025.001 A01 DI.972.025.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE SAMPELA SONG BILONG YUMI NIUGINI Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +LDM-30112 D303S DI.973.001.001 A01 DI.973.001.001A01 00:00:00 N BRESIL MUSIQUE INDIENNE DU BRESIL Sous-table non exportée Sous-table non exportée 1955 0 AMERIQUE +OCR-55 D303M DI.973.002.001 A01 DI.973.002.001A01 00:00:00 n IRAK MUSIQUE POPULAIRE TRADITIONELLE D'IRAQ Sous-table non exportée Sous-table non exportée 140 0 ASIE +OCR-70 D303S DI.973.002.002 A01 DI.973.002.002A01 00:00:00 n GAMBIE MANDINKA KORA PAR TALI NYAMA SUSO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AHM-4126 D303 DI.973.003.001-1/2 A01 DI.973.003.001-1/2A01 00:00:00 n INDE THE FOUR VERDAS; ORAL TRAD. OF HYMNS, CHANTS... Sous-table non exportée Sous-table non exportée 0 0 ASIE +HMB-106 D303S DI.973.004.001 A01 DI.973.004.001A01 00:00:00 n BULGARIE BULGARIE, ENSEMBLE NATIONAL DE FOLKLORE BULGARE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74392 D303S DI.973.004.002 A01 DI.973.004.002A01 00:00:00 n ITALIE ITALIE. LES TRAVAUX ET LES JOURS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74480 D303S DI.973.004.003 A01 DI.973.004.003A01 00:00:00 n FRANCE LE GALOUBET PROVENCAL;JEAN COUTAREL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74425 D303S DI.973.004.004 A01 DI.973.004.004A01 00:00:00 n GRECE GRECE, DOCUMENTS RECUILLIS PAR DOMNA SAMIOU Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FM-4047 D303M DI.973.004.005 A01 DI.973.004.005A01 00:00:00 n MALTE FOLK SONGS AND MUSIC FROM MALTA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4007 D303M DI.973.004.006 Z01 DI.973.004.006Z01 00:00:00 n NORVEGE LAPPISH JOIK SONGS FROM NORTHERN NORWAY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-469 D303S DI.973.004.007 A01 DI.973.004.007A01 00:00:00 n ALGERIE;HOGGAR AVEC LES SEIGNEURS DES SABLES, LES TOUAREG Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-469 D303S DI.973.004.007 B01 DI.973.004.007B01 00:00:00 n MALI ADRAR DES IFORAS AVEC LES SEIGNEURS DES SABLES, LES TOUAREG N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-469 D303S DI.973.004.007 B07 DI.973.004.007B07 00:00:00 n ALGERIE;TASSILI AVEC LES SEIGNEURS DES SABLES, LES TOUAREG Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2501 D303M DI.973.004.008 A01 DI.973.004.008A01 00:00:00 n MALI LES MALI DES STEPPES ET DES SAVANES. LES MANDINGUES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2502 D303M DI.973.004.009 A01 DI.973.004.009A01 00:00:00 n MALI LE MALI DU FLEUVE. LES PEULS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2503 D303M DI.973.004.010 A01 DI.973.004.010A01 00:00:00 n MALI LES MALI DES SABLES. LES SONGOY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8861 D303 DI.973.004.011 A01 DI.973.004.011A01 00:00:00 n TUNISIE TUNISIA VOL.1. THE CLASSICAL ARAB-ANDALUSIAN MUSIC OF TUNIS Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +LDX-74501 D303S DI.973.004.012 A01 DI.973.004.012A01 00:00:00 n COLOMBIE INDIENS D'AMAZONIE Sous-table non exportée Sous-table non exportée Amazonie(G) 1971 0 AMERIQUE +LDX-74501 D303S DI.973.004.012 A04 DI.973.004.012A04 00:00:00 n GUYANE FRANCAISE INDIENS D'AMAZONIE Sous-table non exportée Sous-table non exportée Amazonie(G) 1971 0 AMERIQUE +LDX-74501 D303S DI.973.004.012 B01 DI.973.004.012B01 00:00:00 n PEROU INDIENS D'AMAZONIE Sous-table non exportée Sous-table non exportée 1971 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A01 DI.973.004.013A01 00:00:00 01/01/56 PEROU AMAZONIE PIRO TRADITIONAL MUSIC OF PERU PIRO CONVERSATION N Sous-table non exportée N Sous-table non exportée MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A02 DI.973.004.013A02 00:00:00 01/01/56 PEROU AMAZONIE BORA TRADITIONAL MUSIC OF PERU BORA TREE-TRUNK DRUMS N Sous-table non exportée N Sous-table non exportée Ces tambours sont utilisés comme le "télégraphe" de la fôret MARTI, SAMUEL. B.BROWN 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A04 DI.973.004.013A04 00:00:00 01/01/56 PEROU CUZCO N TRADITIONAL MUSIC OF PERU CHUNCHUS TUNE N Sous-table non exportée N Sous-table non exportée musique jouée par les groupes rituels des ch'unchus participant à l'Inti Raymi AFL-Flûte emb lat : à 6T B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A05 DI.973.004.013A05 00:00:00 01/01/56 PEROU CUZCO N TRADITIONAL MUSIC OF PERU COLLAS DANCE MUSIC N Sous-table non exportée N Sous-table non exportée musique jouée par les groupes rituels des collas participant à l'Inti Raymi AFT-Flûte term = flûte à encoche. Vièle: 4C• Choeur & instrs B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A06 DI.973.004.013A06 00:00:00 01/01/56 PEROU CUZCO N TRADITIONAL MUSIC OF PERU COLLAS DANCE MUSIC (CONTINUED) N Sous-table non exportée N Sous-table non exportée musique jouée par les groupes rituels des collas participant à l'Inti Raymi AFT-Flûte term = flûte à encoche. Vièle: 4C. Luth: 5C DBL métal, taille A(<60cm)• Choeur & instrs B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A07 DI.973.004.013A07 00:00:00 01/01/56 PEROU CUZCO, CANAS N TRADITIONAL MUSIC OF PERU PAMPA HASH CEREMONIAL DANCE N Sous-table non exportée N Sous-table non exportée rites agricoles B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A08 DI.973.004.013A08 00:00:00 PEROU CUZCO, CANAS N TRADITIONAL MUSIC OF PERU PAMPA HASH CEREMONIAL DANCE (CONTINUED) N Sous-table non exportée N Sous-table non exportée Rites agricoles Luth "CHARANGO CHILLADOR" : cordes en métal; taille <60cm. Choeur & instrs B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4456 D303 DI.973.004.013 A09 DI.973.004.013A09 00:00:00 01/01/56 PEROU CUZCO, CANAS N TRADITIONAL MUSIC OF PERU PAMPA HASH CEREMONIAL DANCE (CONTINUED) N Sous-table non exportée N Sous-table non exportée rites agricoles B.BROWN & MARTI, SAMUEL 1956 0 AMERIQUE +FE-4415 D303 DI.973.004.014 A01 DI.973.004.014A01 00:00:00 n PEROU MUSIC OF PERU Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +DDLX-31 D303S DI.973.004.015 A01 DI.973.004.015A01 00:00:00 n MEXIQUE DANSES ET CHANTS POPULAIRES DU MEXIQUE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +6586006 D303M DI.973.004.016 A01 DI.973.004.016A01 00:00:00 n IRAK ARABISCHE MUSIK-MAQAM Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586005 D303M DI.973.004.017 A01 DI.973.004.017A01 00:00:00 n IRAN IRANIAN DASTGAH Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586003 D303M DI.973.004.018 A01 DI.973.004.018A01 00:00:00 INDE NORDINDIEN VOKALMUSIK.DHRUPAD UND KHYAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +6586002 D303M DI.973.004.019 A01 DI.973.004.019A01 00:00:00 n CAMBODGE ROYAL MUSIC OF CAMBODIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586004 D303S DI.973.004.020 A01 DI.973.004.020A01 00:00:00 n INDONESIE;JAVA JAVA, HISTORIC GAMELANS Sous-table non exportée Sous-table non exportée 1970 0 ASIE +6586008 D303S DI.973.004.021 A01 DI.973.004.021A01 00:00:00 n INDONESIE;BALI BALI: COURT MUSIC & BANJAR MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65173 D303S DI.973.004.023 A01 DI.973.004.023A01 00:00:00 n INDONESIE;BALI BALI, MUSIQUE SACREE Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65174 D303S DI.973.004.024 A01 DI.973.004.024A01 00:00:00 n TIBET LE TIBET, RITUEL BOUDHIQUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65175 D303S DI.973.004.025 A01 DI.973.004.025A01 00:00:00 n INDE L'INDE, MUSIQUE RELIGIEUSE: LE BHAKTI YOGA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74410 D303S DI.973.004.026 A01 DI.973.004.026A01 00:00:00 n TURQUIE CHANTS ET DANSES DE TURQUIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FW-8831 D303 DI.973.004.027 A01 DI.973.004.027A01 00:00:00 n IRAN CLASSICAL MUSIC OF IRAN. VOL. 1. DASTGAH SYSTEMS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4325 D303 DI.973.004.028 A01 DI.973.004.028A01 00:00:00 n COREE DU SUD KOREA, VOCAL AND INSTRUMENTAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7196 D303S DI.973.004.029 A01 DI.973.004.029A01 00:00:00 n TIBET TIBETAN FOLK AND MINSTREL MUSIC (TIBET;LADHAK) Sous-table non exportée Sous-table non exportée 1961 0 ASIE +LLST-7196 D303S DI.973.004.029 B01 DI.973.004.029B01 00:00:00 n INDE;JAMMU & KASHMIR LADHAK TIBETAN FOLK AND MINSTREL MUSIC (TIBET;LADHAK) N Sous-table non exportée Sous-table non exportée 1961 0 ASIE +FE-4380 D303 DI.973.004.030 A01 DI.973.004.030A01 00:00:00 n INDE;ASSAM SONGS OF ASSAM, UTTAR PRADESH AND THE ANDAMANS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4380 D303 DI.973.004.030 B04 DI.973.004.030B04 00:00:00 n INDE;UTTAR PRADESH SONGS OF ASSAM, UTTAR PRADESH AND THE ANDAMANS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4380 D303 DI.973.004.030 B06 DI.973.004.030B06 00:00:00 n INDE;ILES NICOBAR & ANDAMAN SONGS OF ASSAM, UTTAR PRADESH AND THE ANDAMANS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7183 D303S DI.973.004.032 A01 DI.973.004.032A01 00:00:00 n INDE;ORISSA FOLK MUSIC OF INDIA (ORISSA) Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-467 D303S DI.973.004.033 Z01 DI.973.004.033Z01 00:00:00 n INDE;ASSAM ASSAM, TERRE DE L'INDE, VALLEE DU BRAHMAPOUTRE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4459 D303 DI.973.004.034 A01 DI.973.004.034A01 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) MURUT MUSIC OF NORTH BORNEO Sous-table non exportée Sous-table non exportée 0 0 ASIE +FR-8980 D303 DI.973.004.035-1/2 A01 DI.973.004.035-1/2A01 00:00:00 n JAPON THE WAY OF EIHEIJI, ZEN-BUDDHIST CEREMONY Sous-table non exportée Sous-table non exportée 0 0 ASIE +FW-6807 D253M DI.973.004.036 A01 DI.973.004.036A01 00:00:00 n SUISSE SONGS AND DANCES OF SWITZERLAND Sous-table non exportée Sous-table non exportée 0 0 EUROPE +OCR-68 D303S DI.973.005.001 A01 DI.973.005.001A01 00:05:28 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD L'EAU QUI COULE,MESURES EGALES,SAPEQUES D'OR=*TR LUU THUY, BINH BAN, KIM TIEN=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée L'échelle pentatonique Do,Ré,Fa,Sol,La,Do. Musique de divertissement. Cithare "DAN TRANH": 17C métal, pincées. Le luth a une caisse piriforme. RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 A02 DI.973.005.001A02 00:04:44 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD LA BELLE TAY THI, MODE QUANG=*TR TAY THI QUANG=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée L'échelle pentatonique Do,Ré,Fa,Sol,La,Do. Musique de divertissement. Vièle 2C "DAN GAO": archet pris. Luth à caisse octogonale; vièle à archet enchevêtré, caisse noix de coco RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 A03 DI.973.005.001A03 00:03:55 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD IMPROVISATION DANS LE MODE TRISTE=*TR RAO BUON=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Echelle Do,Mib,Fa,Sol,Sib. Luth en forme de lune, appelé aussi dàn nguyêt. Rythme libre• RADIO FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 A04 DI.973.005.001A04 00:05:25 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD VOYAGE PAR VOIE DE TERRE=*TR PHU LUC=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Cithare "DAN TRANH": 17C métal, pincées. L'échelle pentatonique Do,Ré,Fa,Sol,La,Do. Le luth à caisse en lune RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 A05 DI.973.005.001A05 00:06:17 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD IMPROVISATION DANS LE MODE TRISTE=*TR RAO BUON=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 17C métal, pincées. Echelle Do,Mib,Fa,Sol,La . Rythme libre• RADIO FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 B01 DI.973.005.001B01 00:05:33 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD L'EAU QUI COULE, VERSION LONGUE=*TR LUU THUY TRUONG=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Cithare "DAN TRANH": 21C métal, pincées. L'échelle pentatonique Do,Ré,Fa,Sol,La,Do. Le luth à caisse rectangle RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 B02 DI.973.005.001B02 00:07:25 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD LE PRINTEMPS MERIDIONAL=*TR NAM XUAN=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée M. de chambre• Cithare "DAN TRANH": 19C. Luth "DAN KIM": 2C, caisse en lune. L'échelle pentatonique Do,Mib,Fa,Sol,Sib• Groupe instr RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 B03 DI.973.005.001B03 00:03:38 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD LES CINQ OPPOSES, 2E PARTIE=*TR NGU DOI HA=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée M. de chambre Cithare "DAN TRANH": 19C. Luth 2C "DAN KIM": en lune. Vièle 2C "DAN CO": archet pris.Echelle pentatonique Do,Ré,Fa,Sol,La. Une erreur dans la notice. C'est la pièce NGU DOI HA au lieu de NGU CUNG DAO. A la place du violon, c'est la vièle à 2c• Groupe instr RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-68 D303S DI.973.005.001 B04 DI.973.005.001B04 00:08:50 01/01/72 VIETNAM SUD VIETNAMIENS MUSIQUE DU VIETNAM. TRADITION DU SUD LA NOSTALGIE DU PASSE=*TR VONG CO=*TRS N Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée M. de chambre Cithare "DAN TRANH": 19C. Luth 2C "DAN KIM": caisse en lune. Vièle 2C "DAN CO": archet pris.. Echelle pentatonique Do,Mib,Fa,Sol,La. La pièce Vong cô ici a 6 phrases de 32 mesures à 4 temps. Groupe instrs RADIO-FRANCE, PARIS 1972 0 ASIE +OCR-69 D303S DI.973.005.002 A01 DI.973.005.002A01 00:00:00 n INDE INDE DU NORD, PANDIT RAM NARAYAN, SARANGI Sous-table non exportée Sous-table non exportée 0 0 ASIE +LL-72 D303M DI.973.006.001 A01 DI.973.006.001A01 00:00:00 n CHINE CHINESE CLASSICAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7182 D303S DI.973.006.002 A01 DI.973.006.002A01 00:00:00 n CHINE CHINESE CLASSICAL MASTERPIECES FOR THE PIPA AND CHIN BY LUI Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-792 D303S DI.973.006.003 A01 DI.973.006.003A01 00:00:00 n CHINE CHINA'S INSTRUMENTAL HERITAGE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7102 D303S DI.973.006.004 A01 DI.973.006.004A01 00:00:00 n CHINE CHINESE DRUMS AND GONG Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7112 D303S DI.973.006.005 A01 DI.973.006.005A01 00:00:00 n CHINE SHANTUNG. MUSIC OF CONFUCIUS' HOMELAND Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7122 D303S DI.973.006.006 A01 DI.973.006.006A01 00:00:00 n CHINE EXOTIC MUSIC OF ANCIENT CHINA/PIPA & CHIN BY LUI TSUN-YUEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7132 D303S DI.973.006.007 A01 DI.973.006.007A01 00:00:00 n CHINE CHINESE MASTERPIECES FOR THE ERH-HU, LUI MAN-SING AND HIS GR Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-142 D303S DI.973.006.008 A01 DI.973.006.008A01 00:00:00 n CHINE CHINESE MASTERPIECES FOR THE CHENG Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7152 D303S DI.973.006.009 A01 DI.973.006.009A01 00:00:00 n CHINE CHINESE FOLK SONGS-BY LUI HUNG & ORCHESTRA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7181 D303S DI.973.006.010 A01 DI.973.006.010A01 00:00:00 n TIBET TIBETAN RITUAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7222 D303S DI.973.006.011 A01 DI.973.006.011A01 00:00:00 n CHINE CHINESE BUDDHIST MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7223 D303S DI.973.006.012 A01 DI.973.006.012A01 00:00:00 n CHINE CHINESE TAOIST MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7211 D303S DI.973.006.013 A01 DI.973.006.013A01 00:00:00 n COREE DU SUD KOREAN SOCIAL AND FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7179 D303S DI.973.006.014 A01 DI.973.006.014A01 00:00:00 n INDONESIE;BALI GAMELAN MUSIC OF BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +528003 D303S DI.973.007.001 A01 DI.973.007.001A01 00:02:00 N VIETNAM NORD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG DANSE THAI = *TR XOE THAI =*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Danse de minorité Thai. Mélodie arrangée pour monocorde. 1985: Trân Quang Hai: "La musique du Vietnam", MUSIQUE ET CULTURE (30) 8: 20p,Strasbourg. Cithare/table "DAN BAU": 1C. Echelle penta Do,Ré,Fa,Sol,La,Do. Rythme binaire Le monocorde vietnamien est une cithare sur table à une corde avec comme caractéristiques l'utilisation exclusive des harmoniques pour créer une mélodie. Cet instrument a deux appellations: DAN DOC HUYEN (inst.à 1c) et DAN BAU (instrument à calebasse). L'accompagnement rythmique aux cuillers est une innovation• STUDIO A PARIS. 1972 0 ASIE +528003 D303S DI.973.007.001 A02 DI.973.007.001A02 00:03:00 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG L'EAU QUI COULE, VERSION LONGUE = *TR LUU THUY TRUONG =*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Seules les deux premières sections sont jouées ici. Musique de chambre. 1985: Trân Quang Hai:"La musique du Vietnam",MUSIQUE ET CULTURE(30)8: 20p, Strasbourg. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle penta , mode "Bac" : Do,Ré,Fa,Sol,La,Do. Rythme libre puis mesuré• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 A03 DI.973.007.001A03 00:01:25 N VIETNAM NORD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LE JOLI BAMBOU =*TR CAY TRUC XINH=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée chant d'amour entendu dans une fête. Ici, il devient chant de divertissement avec accompagnement instrumental (monocorde et cliquettes à sapèques) Cithare/table "DAN BAU": 1C. Echelle penta Do,Mib,Fa,Sol,Sib,Do. Rythme binaire. Nouvelle interprétation• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 A04 DI.973.007.001A04 00:03:00 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LES MESURES EGALES =*TR BINH BAN VAN=*TRS Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Musique de chambre. Comparaison souhaitée avec d'autres pièces du même titre (Di.971.008.001,A1; Di.973.005.001,A1; et Di.976.015.001,A1) Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle penta, mode "Bac": Do,Ré,Fa,Sol,La,Do. Rythme libre puis mesuré• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 A05 DI.973.007.001A05 00:02:38 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG BERCEUSE=*TR RU CON=*TRS Sous-table non exportée BERCEUSE Sous-table non exportée Cette mélodie, tirée d'une berceuse, a été arrangée pour monocorde, et devient une pièce musicale de divertissement Cithare/table "DAN BAU": 1C. Echelle penta, mode "Vong": Do,Mib,Fa,Sol,La-,Do. Rythme libre puis mesuré• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 A06 DI.973.007.001A06 00:02:15 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG L'EAU QUI COULE, LES SAPEQUES D'OR=*TR LUU THUY, KIM TIEN=*TRS Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Musique de divertissement, dans le sens de musique de chambre, autrement dit musique destinée à un petit auditoire Vièle 2C "DAN CO": archet pris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Trân Quang Hai joue de deux instruments avec le système de "re-recording". Echelle penta, mode "Bac": Do,Ré,Fa,Sol,La,Do. Rythme libre puis mesuré• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 B01 DI.973.007.001B01 00:02:55 N VIETNAM CENTRE VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LE CHANT DE LA RIVIERE DES PARFUMS=*TR TIENG HAT SONG HUONG=*TRS TRAN QUANG HAI (COMPOSITEUR) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Musique de divertissement. Cette composition pour monocorde, écrite en 1972 par Trân Quang Hai, reflète l'atmosphère de la musique du Centre Vietnam. Cithare/table "DAN BAU": 1C. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique Do,Ré,Fa,Sol,La,Do. Rythme libre puis mesuré. Le monocorde joue la mélodie principale, soutenue par l'accompagnement de la cithare à 16cordes• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 B02 DI.973.007.001B02 00:01:46 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LE SON MAGIQUE=*TR AO THANH=*TRS TRAN QUANG HAI (COMPOSITEUR) Sous-table non exportée IMPROVISATION Sous-table non exportée Improvisation rythmique par une paire de cuillers. Recherche rythmique Composition rythmique pour cuillers (1972) de Trân Quang Hai. Variations rythmiques• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 B03 DI.973.007.001B03 00:02:48 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LE CHANT DU SUD=*TR HO MIEN NAM=*TRS Sous-table non exportée CHT DE TRAVAIL Sous-table non exportée Chant alterné d'amour ou de travail à l'origine, est utilisé comme chant de divertissement. Cithare/table "DAN BAU": 1C. Echelle penta Do,Mib,Fa,Sol,La-,Do. Reconstitution d'un chant de travail du Sud avec le soutien d'accompagnement du monocorde. Rythme libre• STUDIO A PARIS 1972 0 ASIE +528003 D303S DI.973.007.001 B04 DI.973.007.001B04 00:04:46 N VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG LA NOSTALGIE DU PASSE=*TR VONG CO=*TRS SAU LAU (COMPOSITEUR) Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Version instrumentale à 32 mesures pour cithare à 16cordes Echelle penta Do,Mib,Fa,Sol,La-,Do. Cette pièce écrite en 1918 par Monsieur Cao van Lâu, à l'origine n'avait que 2 mesures et s'appelait DA CO HOAI. Mode "Vong". Rythme libre puis mesuré• 1972 0 ASIE +528003 D303S DI.973.007.001 B06 DI.973.007.001B06 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS TIENG HAT SONG HUONG.TRAN QUANG HAI & TRUONG TANG BERCEUSE = *TR HAT RU = *TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cette berceuse est très connue au Vietnam depuis les années 40. Elle était utilisée dans une pièce de théâtre rénové sur un air LY GIAO DUYEN. Après 1954, cette mélodie a été adaptée pour monocorde principalement. Cithare/table "DAN BAU": 1C. Echelle penta Do,Mib,Fa,Sol,La-,Do avec les dernières mesures sur l'échelle tétratonique, mode "Vong": Do,Fa,Sib,Do. Rythme libre• STUDIO DE PARIS 1972 0 ASIE +06417842 D303S DI.973.008.001 Z01 DI.973.008.001Z01 00:00:00 n COTE D'IVOIRE IVORY COAST-BAULE VOCAL MUSIC Sous-table non exportée Sous-table non exportée 141 0 AFRIQUE +LDM-30106 D303S DI.973.009.001 A01 DI.973.009.001A01 00:00:00 n ILES SALOMON MUSIQUE MELANESIENNE 'ARE'ARE VOL.3, MALAITA, ILES SALOMON Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +6803031 D303M DI.973.010.001 A01 DI.973.010.001A01 00:00:00 n CAMEROUN BAFIA KAMEROEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDM-30138 D303M DI.973.011.001 A01 DI.973.011.001A01 00:00:00 n MONGOLIE (REP POPU) CHANTS MONGOLS ET BOURIATES Sous-table non exportée Sous-table non exportée -162 0 ASIE +LDM-30138 D303M DI.973.011.001 B05 DI.973.011.001B05 00:00:00 n URSS;BOURIATIE CHANTS MONGOLS ET BOURIATES Sous-table non exportée Sous-table non exportée -162 0 ASIE +PS-3738 D303S DI.973.012.001 A01 DI.973.012.001A01 00:00:00 n BELGIQUE VESDUN-1ER FESTIVAL DE MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +PS-3738 D303S DI.973.012.001 A02 DI.973.012.001A02 00:00:00 n FRANCE VESDUN-1ER FESTIVAL DE MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 2 0 EUROPE +PS-3738 D303S DI.973.012.001 A05 DI.973.012.001A05 00:00:00 n GB;ANGLETERRE VESDUN-1ER FESTIVAL DE MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +PS-3738 D303S DI.973.012.001 A07 DI.973.012.001A07 00:00:00 n EIRE VESDUN-1ER FESTIVAL DE MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +PS-3738 D303S DI.973.012.001 B07 DI.973.012.001B07 00:00:00 n GB;ECOSSE VESDUN-1ER FESTIVAL DE MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +ER-12102 D303M DI.973.013.001 A01 DI.973.013.001A01 00:00:00 n GAMBIE KORA MANDING MANDINKA MUSIC OF THE GAMBIA Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +ER-12103 D303M DI.973.013.002 A01 DI.973.013.002A01 00:00:00 n ZAMBIE INYIMBO-SONGS OF THE BEMBA PEOPLE OF ZAMBIA Sous-table non exportée Sous-table non exportée -362 0 AFRIQUE +OCR-71 D303S DI.973.014.001 A01 DI.973.014.001A01 00:00:00 n TIBET MUSIQUE SACREE TIBETAINE Sous-table non exportée Sous-table non exportée 1971 0 ASIE +OCR-72 D303S DI.973.014.002 A01 DI.973.014.002A01 00:00:00 n INDONESIE;BALI BALI. DIVERTISSEMENTS MUSICAUX & DANSES DE TRANSE Sous-table non exportée Sous-table non exportée 1971 0 ASIE +6803038 D303S DI.973.015.001 A01 DI.973.015.001A01 00:00:00 n ZAIRE YAKA MUZIEK N Sous-table non exportée Sous-table non exportée n 1971 0 AFRIQUE +HMU-959 D303S DI.973.016.001 A01 DI.973.016.001A01 00:00:00 n INDE;RAJASTHAN CHANTS DE DEVOTION ET D'AMOUR DU RAJASTHAN Sous-table non exportée Sous-table non exportée -564 0 ASIE +0120031 D303S DI.973.017.001 A01 DI.973.017.001A01 00:00:00 n MALAWI THE KACHAMBA BROTHER'S BAND Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +STMEPE-0752 D303S DI.973.018.001 A01 DI.973.018.001A01 00:00:00 n ROUMANIE RAPSODIA ROMANA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +AB D173M DI.973.019.001 A01 DI.973.019.001A01 00:00:00 n ILES SALOMON MUSIQUE DE LUANGIUA-ATOLL D'ONTONG JAVA Sous-table non exportée Sous-table non exportée 1969 0 OCEANIE +OCR-73 D303S DI.973.020.001 A01 DI.973.020.001A01 00:00:00 n MEXIQUE MUSIQUES MEXICAINES Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +OCR-74 D303S DI.973.020.002 A01 DI.973.020.002A01 00:00:00 n ILES SALOMON MUSIQUE DE GUADALCANAL-SOLOMON ISLANDS Sous-table non exportée Sous-table non exportée 1970 0 OCEANIE +DSBT-3 D173M DI.973.021.001 A01 DI.973.021.001A01 00:00:00 n ALGERIE RYTHMES ET MUSIQUES DU SAHARA CENTRAL (HOGGAR) Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SANSREF-07 D303S DI.973.022.001-1/3 A01 DI.973.022.001-1/3A01 00:00:00 n COREE DU SUD THE SELECTION OF KOREAN CLASSICAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-08 D303S DI.973.022.002-1/3 A01 DI.973.022.002-1/3A01 00:00:00 n COREE DU SUD THE SELECTION OF KOREAN CLASSICAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +920086 D303 DI.973.023.001 A01 DI.973.023.001A01 00:00:00 n AFGHANISTAN L'AFGHANISTAN, MUSIQUE DE LA ZONE INTERDITE DU NOURISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4361 D303M DI.973.023.002 A01 DI.973.023.002A01 00:00:00 n AFGHANISTAN MUSIC OF AFGHANISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7230 D303S DI.973.023.003 A01 DI.973.023.003A01 00:00:00 n AFGHANISTAN FOLK MUSIC OF AFGHANISTAN VOL. 1 Sous-table non exportée Sous-table non exportée 1967 0 ASIE +LLST-7231 D303S DI.973.023.004 A01 DI.973.023.004A01 00:00:00 1967 AFGHANISTAN FOLK MUSIC OF AFGHANISTAN, VOL. 2 Sous-table non exportée Sous-table non exportée 1967 0 ASIE +LDX-74473 D303S DI.973.023.006 A01 DI.973.023.006A01 00:00:00 n JAPON JAPON. BIWA & SHAKUHACHI. MUSIQUE MILLENAIRE. K.TSURUTA & K.YOKOYAMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7232 D303S DI.973.023.007 A01 DI.973.023.007A01 00:00:00 n CHINE CHINESE OPERA:"THE REUNION". LISA LU & K.S. CHEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7212 D303S DI.973.023.008 A01 DI.973.023.008A01 00:00:00 n CHINE THE CHINESE OPERA. ARIA FROM EIGHT PEKIN OPERAS Sous-table non exportée Sous-table non exportée 1970 0 ASIE +CBS-65544 D303S DI.973.023.009 A01 DI.973.023.009A01 00:00:00 n CHINE CHINE. M. DU FOUKIEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7206 D303S DI.973.023.010 A01 DI.973.023.010A01 00:00:00 n COREE DU SUD KOREAN COURT MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +920320 D303S DI.973.023.011 A01 DI.973.023.011A01 00:00:00 n INDE REFLETS DE L'INDE. VINA SOLO: NAGESWARA RAO Sous-table non exportée Sous-table non exportée 0 0 ASIE +86122-S D303S DI.973.023.012 A01 DI.973.023.012A01 00:00:00 n INDE REFLETS DE L'INDE N°2 RAGAS DU SUD Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586009 D303S DI.973.023.013 Z01 DI.973.023.013Z01 00:00:00 n INDE NORTH INDIA. INSTRUMENTAL MUSIC: SITAR, FLUTE, SARANGI Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586007 D303S DI.973.023.014 A01 DI.973.023.014A01 00:00:00 n TIBET TIBETAN RITUAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65522 D303S DI.973.023.015 A01 DI.973.023.015A01 00:09:02 n CAMBODGE KHMERS CAMBODGE-MUSIQUE INSTRUMENTALE ENSEMBLE "KROM PHLENG PINPEAT" Sous-table non exportée Sous-table non exportée Titre pièce générique pour un ensemble de m. ...contient les pièces "thlom", "choeut" & "krao nay"• 1972 0 ASIE +CBS-65440 D303S DI.973.023.016 A01 DI.973.023.016A01 00:00:00 n INDONESIE;JAVA JAVA. UNE NUIT DE WAYANG KULIT: LEGENDE DE WAHJU TJAKRANINGRAT Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4537-C/D D303M DI.973.023.017 A01 DI.973.023.017A01 00:00:00 n INDONESIE MUSIC OF INDONESIA Sous-table non exportée Sous-table non exportée 1960 0 ASIE +FE-4537-A/B D303M DI.973.023.018 A01 DI.973.023.018A01 00:00:00 n INDONESIE MUSIC OF INDONESIA Sous-table non exportée Sous-table non exportée 1960 0 ASIE +2723014 D303S DI.973.023.019-1/3 A01 DI.973.023.019-1/3A01 00:00:00 n INDONESIE;BALI BALI. GAMELAN MUSIC FROM SEBATU Sous-table non exportée Sous-table non exportée 0 0 ASIE +LPX-18001/04 D303M DI.973.023.020-1/4 A01 DI.973.023.020-1/4A01 00:00:00 n HONGRIE HUNGARIAN FOLK MUSIC. MAGYAR NEPZENE 2 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +ARN-33179 D303S DI.973.023.021 A01 DI.973.023.021A01 00:00:00 n SENEGAL LA KORA DU SENEGAL. LES RYTHMES, LES PERCU. & LA VOIX DE LAMINE KONTE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +HM-934 D303S DI.973.023.022 A01 DI.973.023.022A01 00:00:00 n REP CENTRAFRICAINE AFRIQUE MUSIQUE D'INITIATION Sous-table non exportée Sous-table non exportée 1 0 AFRIQUE +LDX-74517 D303S DI.973.023.023 A01 DI.973.023.023A01 00:00:00 n AFRIQUE LES PERCUSSIONS AFRICAINES PAR GUEM Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2504 D303M DI.973.023.024 A01 DI.973.023.024A01 00:00:00 n MALI L'ENSEMBLE INSTRUMENTAL DU MALI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2506 D303M DI.973.023.025 A01 DI.973.023.025A01 00:00:00 n MALI FANTA DAMBA. LA TRADITION EPIQUE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2551 D303M DI.973.023.026 A01 DI.973.023.026A01 00:00:00 n MALI MUSIQUE DU MALI. 1- FANTA SACRO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2552 D303M DI.973.023.027 A01 DI.973.023.027A01 00:00:00 n MALI MUSIQUE DE MALI. 2- BAZOUMANA SISSOKO LE VIEUX LION Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2553 D303M DI.973.023.028 A01 DI.973.023.028A01 00:00:00 n MALI MUSIQUE DU MALI. 3- BAZOUMANA SISSOKO LE VIEUX LION Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +12-T-154 D303M DI.974.001.001 A01 DI.974.001.001A01 00:00:00 n ALBANIE FOLK MUSIC OF ALBANIA Sous-table non exportée Sous-table non exportée 1965 0 EUROPE +6586018 D303S DI.974.002.001 A01 DI.974.002.001A01 00:00:00 n ILES SALOMON FATALEKA & BAEGU MUSIC/MALAITA, SOLOMON ISLANDS Sous-table non exportée Sous-table non exportée 1970 0 OCEANIE +6586018 D303S DI.974.002.001 Z01 DI.974.002.001Z01 00:00:00 n ILES SALOMON FATALEKA & BAEGU MUSIC/MALAITA, SOLOMON ISLANDS Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +OCR-81 D303S DI.974.003.001 A01 DI.974.003.001A01 00:00:00 n INDE;RAJASTHAN INDE. RAJASTHAN VOL.1: MUSICIENS PROFESSIONNELS POPULAIRES Sous-table non exportée Sous-table non exportée -564 0 ASIE +OCR-80 D303M DI.974.003.002 A01 DI.974.003.002A01 00:05:08 6 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM JEUX DE GONGS PLATS, CING Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Divertissement L'ensemble joue une séquence classique en pays gar. On remarque que les airs s'enchaînent l'un à l'autre sans s'interrompre. La formation habituelle comporte 6 gongs de tailles différentes, le plus grand cing mei "mère" qui marque la mesure, fait une coudée de diamètre environ 40cm, et le plus petit cing thêe, un empan de 17cm. C'est le cinquième, cing thöö, celui dont le jeu est le plus difficile, qui conduit la mélodie, et le second, cing rnuul, le plus rapide. Entre les deux on a, en troisième position, le cing ndöt, et en quatrième, le cing lua. Polyrythmie • GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 A02 DI.974.003.002A02 00:01:57 6 novembre 1966 CAMBODGE PROVINCE DE MONDOLKIRI, BUU SRAA MNONG BUU NOR MUSIQUE MNONG GAR DU VIETNAM JEUX DE GONGS PLATS, CING Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Divertissement Ce morceau a été pris à titre de comparaison. Polyrythmie • GEORGES CONDOMINAS 1966 0 ASIE +OCR-80 D303M DI.974.003.002 A04 DI.974.003.002A04 00:03:41 7 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM JEUX DE GONGS PLATS, CING Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Polyrythmie • GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 A05 DI.974.003.002A05 00:03:05 7 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM TAMBOUR ET GONGS PLATS, NGGOR BAAL CING Sous-table non exportée M. INSTRUMENTALE Sous-table non exportée Musique de fête. L'orchestre est composé du nggör, le tambour suspendu et de deux cing; le plus grand, le mei, est frappé comme d'habitude au poing, l'autre, le rnuul est frappé au bâton en son centre.Les deux airs entendus ici s'intitulent successivement cing möng mee et cing mae ntöp. Polyrythmie • GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 A06 DI.974.003.002A06 00:03:08 5 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM LAMENTATIONS FUNEBRE, NOO NYIIM KHOT Sous-table non exportée FUNERAILLES Sous-table non exportée Les chants funèbres présentent les seuls cas de chants simultanés la forme habituelle étant soit le chant solo, soit le chant alterné. Chaque couplet commence par le cri de lamentation öö mee qui signifie normalement "ô toi", mais qui est ici la prononciation poétique pour öö mei ("ô mère"). Rythme libre• GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B01 DI.974.003.002B01 00:01:30 7 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM TAMBOUR NGGOR Sous-table non exportée MESSAGE TAMBOURINE Sous-table non exportée Le tambour est frappé pour rappeler aux génies pendant un grand sacrifice au Génie de la Terre au cours duquel plusieurs buffles sont immolés. Air Ngaan "ordinaire". Rythme avec syncopes• GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B02 DI.974.003.002B02 00:01:30 4 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM CHANSONS, NOO TOONG TOONG Sous-table non exportée CHT D'AMOUR Sous-table non exportée Série de 3 chansons : chant d'amour, chant de dépit, et chant évoquant un épisode malheureux de l'histoire du Haut Pays au cours duquel les Montagnards subirent une invasion des Chams et des Vietnamiens. Rythme libre• GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B03 DI.974.003.002B03 00:01:30 3 juillet 1958 VIETNAM CENTRE VIETNAM MAA MUSIQUE MNONG GAR DU VIETNAM CHANT ANCIEN, MPOT YAU Sous-table non exportée NARRATION Sous-table non exportée La chanteuse narre l'époque où les hommes pouvaient encore discuter directement avec le soleil. La chanteuse énumère des héros qui ont connu ces temps antiques où les poissons atteignaient de grandes tailles. Rythme libre• GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B04 DI.974.003.002B04 00:00:53 6 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM CHANSON D'AMOUR, NOO TOONG SOH Sous-table non exportée CHT D'AMOUR Sous-table non exportée Il s'agit d'une variété très populaire des noo toong uur drôh qu'on pourrait traduire par "ballade des demoiselles (du temps jadis)" et qui consiste en une succession très euphonique de vers composés chacun du nom d'un village suivi du nom de la jeune fille réputée pour sa beauté qui y habitait. GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B05 DI.974.003.002B05 00:01:33 è juin 1966 CAMBODGE PROVINCE DE MONDOLKIRI, BUU JRII. MNONG BUU NOR MUSIQUE MNONG GAR DU VIETNAM ORGUE A BOUCHE, MBUAT Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée le mbuat des Maa est identique à celui des Mnong Gar. GEORGES CONDOMINAS 1966 0 ASIE +OCR-80 D303M DI.974.003.002 B06 DI.974.003.002B06 00:02:49 6 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM ORGUE A BOUCHE, MBUAT Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée L'orgue à bouche mbuat est composé de 6 tuyaux montés en deux groupes divergents (4+2) et alimentés par un réservoir d'air fait d'une calebasse. L'anche libre est en bambou et fixée sur la partie du tuyau qui est insérée dans la calebasse. Chaqua tuyau a un trou qu'on bouche ou débouche avec le doigt. Ici on a joué successivement trois airs: mbuat ngaan, mbuat rleh et mbuat yôong rlaa. GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B07 DI.974.003.002B07 00:02:18 4 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM CHANSON D'AMOUR, NOO TOONG SOH Sous-table non exportée CHT D'AMOUR Sous-table non exportée a part l'énumération des jeunes filles illustres, la chanteuse y ajoute de nombreux couplets vantant les hauts faits de certaines d'entre elles, ou de leurs mères. GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B08 DI.974.003.002B08 00:02:25 10 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM "DITS DES GONGS RENFLES", NOO GOONG Sous-table non exportée CHT ALTERNE Sous-table non exportée Les noo goong sont des mythes chantés à l'occasion de la fête du sol, les deux protagonistes se faisant face et chantant alternativement. GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B09 DI.974.003.002B09 00:02:25 7 juin 1958 VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM CITHARE TUBULAIRE IDIOCORDE, CING BOONG RLAA Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée L'instrument est fait d'un entrenoeud de bambou géant rlaa sur une moitié duquel sont détachées les six "cordes", non rompues du corps même du bambou, mais maintenues écartées par des chevalets. Les 6 cordes portent les mêmes noms que les gongs. C'est avec la guimbarde, au son également très faible, l'instrument intimiste par excellence dont on joue en solitaire. GEORGES CONDOMINAS 1958 0 ASIE +OCR-80 D303M DI.974.003.002 B10 DI.974.003.002B10 00:02:30 n VIETNAM CENTRE VIETNAM MNONG GAR MUSIQUE MNONG GAR DU VIETNAM LE LITHOPHONE DE NDUT LIENG KRAK Sous-table non exportée RECONSTITUTION Sous-table non exportée Les 11 pierres taillées de type bacsonien composant cet instrument sont d'une très belle facture. Il s'agit ici d'un essai pour faire entendre la sonorité de ces pierres exceptionnelles non seulement par leur forme mais par leur musicalité. Oeuvre composée par Jean Schwarz. JEAN SCHWARZ,PARIS 1974 0 ASIE +6803044 D303M DI.974.004.001 A01 DI.974.004.001A01 00:00:00 n ANGOLA HUMBI EN HANDA. ANGOLA Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +OCR-75 D303S DI.974.005.001 A01 DI.974.005.001A01 00:00:00 n ETHIOPIE MUSIQUES ETHIOPIENNES Sous-table non exportée Sous-table non exportée 1971 0 AFRIQUE +OCR-76 D303S DI.974.005.002 A01 DI.974.005.002A01 00:00:00 n TOGO TOGO. MUSIQUE KABIYE Sous-table non exportée Sous-table non exportée 536 0 AFRIQUE +MC-1/03 D303M DI.974.006.001/03 A01 DI.974.006.001/03A01 00:00:00 n COLOMBIE THE MUSIC OF SOME INDIAN TRIBES OF COLOMBIA Sous-table non exportée Sous-table non exportée 547 0 AMERIQUE +157727 D2578M DI.974.008.001 A01 DI.974.008.001A01 00:02:54 N VIETNAM CENTRE VIETNAM VIETNAMIENS CA PHU LUC CHANT D'APRES L'AIR PHU LUC=*TR CA PHU LUC Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Chant du répertoire Ca Huê (Musique dite de Huê) du Centre Vietnam. Style ancien. Luth 2C "DAN NGUYET": caisse en forme de lune. Document ancien vers les années 20. Rythme libre puis mesuré• N -1 0 ASIE +157727 D2578M DI.974.008.001 B01 DI.974.008.001B01 00:03:05 n VIETNAM CENTRE VIETNAM VIETNAMIENS CA PHU LUC CHANT D'APRES L'AIR PHU LUC (SUITE)=*TR CA PHU LUC Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme libre puis mesuré• N -1 0 ASIE +43427 D2578M DI.974.008.002 A01 DI.974.008.002A01 00:03:10 N VIETNAM SUD VIETNAM VIETNAMIENS LONG NGAM/VAN GIA VA TIEU KHUC PIECE LONG NGAM=*TR LONG NGAM Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Ensemble instrumental sous la direction de Monsieur Cao Quynh Cu joue une pièce du répertoire dàn tài tu (musique dite des amateurs) du Sud Vietnam Vièle 2C "DAN GAO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Rythme libre puis mesuré• N -1 0 ASIE +43427 D2578M DI.974.008.002 B01 DI.974.008.002B01 00:03:00 n VIETNAM SUD VIETNAM VIETNAMIENS LONG NGAM/VAN GIA VA TIEU KHUC DEUX PIECES VAN GIA ET TIEU KHUC =*TR VAN GIA & TIEU KHUC Sous-table non exportée M. DE CHAMBRE Sous-table non exportée Vièle 2C "DAN GAO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Rythme libre puis mesuré• N -1 0 ASIE +43533 D2578M DI.974.008.003 A01 DI.974.008.003A01 00:00:00 N VIETNAM TU DAI N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43458 D2578M DI.974.008.004 A01 DI.974.008.004A01 00:00:00 N VIETNAM TRANG CHAU MONG HO DIEP N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43441 D2578M DI.974.008.005 A01 DI.974.008.005A01 00:00:00 N VIETNAM PHUNG HOANG N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43444 D2578M DI.974.008.006 A01 DI.974.008.006A01 00:00:00 N VIETNAM OAN XUAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +46043 D2578M DI.974.008.007 A01 DI.974.008.007A01 00:00:00 N VIETNAM THANG BOT N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43426 D2578M DI.974.008.008 A01 DI.974.008.008A01 00:00:00 N VIETNAM BAI HA/LONG DANG N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43421 D2578M DI.974.008.009 A01 DI.974.008.009A01 00:00:00 N VIETNAM TO VO CHAN CHIEN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +43416 D2578M DI.974.008.010 A01 DI.974.008.010A01 00:00:00 N VIETNAM BAI LUU THUY. BAI PHU LUC N Sous-table non exportée Sous-table non exportée -1 0 ASIE +505 D2578M DI.974.008.011 A01 DI.974.008.011A01 00:00:00 N VIETNAM BONG AI QUA THEM. LOI DU TU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +509 D2578M DI.974.008.012 A01 DI.974.008.012A01 00:00:00 N VIETNAM ANH TA DUONG. THANH NIEN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +2-C-06695157 D303S DI.974.009.001 A01 DI.974.009.001A01 00:00:00 n IRAK LUTH CLASSIQUE UD IRAQ Sous-table non exportée Sous-table non exportée 1972 0 ASIE +2-C-06695158 D303S DI.974.009.002 A01 DI.974.009.002A01 00:00:00 n LIBAN CITHARE CLASSIQUE QANUN LIBAN. MUHAMMAD SABSADI Sous-table non exportée Sous-table non exportée -564 0 ASIE +2-C-06695159 D303S DI.974.009.003 A01 DI.974.009.003A01 00:00:00 n SYRIE FLUTE CLASSIQUE NAY SYRIE. SELIM KUSUR Sous-table non exportée Sous-table non exportée -665 0 ASIE +2-C-06695160 D303S DI.974.009.004 A01 DI.974.009.004A01 00:00:00 n IRAK LUTH TRADITIONNEL UD IRAQ. JAMIL BACHIR Sous-table non exportée Sous-table non exportée -665 0 ASIE +2-C-06695161 D303S DI.974.009.005 A01 DI.974.009.005A01 00:00:00 n SYRIE LUTH TRADITIONNEL UD SYRIE:OMAR NAQICHBENDI Sous-table non exportée Sous-table non exportée -665 0 ASIE +06417841 D303S DI.974.009.006 A01 DI.974.009.006A01 00:00:00 n CAMBODGE CAMBODIA. FOLK AND CEREMONIAL MUSIC Sous-table non exportée Sous-table non exportée -160 0 ASIE +06417858 D303S DI.974.009.007 A01 DI.974.009.007A01 00:00:00 n INDONESIE;BALI BALI. FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +06417859 D303S DI.974.009.008 A01 DI.974.009.008A01 00:00:00 n INDE INDIA. NORTH INDIAN FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600521 D303S DI.974.009.009 A01 DI.974.009.009A01 00:00:00 n INDONESIE;JAVA SUNDA LES KRATONS DE CIREBON Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600523 D303S DI.974.009.010 A01 DI.974.009.010A01 00:00:00 n INDONESIE;JAVA SUNDA. MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600524 D303S DI.974.009.011 A01 DI.974.009.011A01 00:00:00 n INDONESIE;JAVA SUNDA. LE GAMELAN DEGUNG Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600531 D303S DI.974.009.012 A01 DI.974.009.012A01 00:00:00 n LAOS LAOS. MUSIQUE DU NORD Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600533 D303S DI.974.009.013 A01 DI.974.009.013A01 00:00:00 n INDONESIE;JAVA SUNDA. TEMBANG Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600537 D303S DI.974.009.014 A01 DI.974.009.014A01 00:00:00 n INDONESIE;JAVA JAVA, VOCAL I Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600540 D303S DI.974.009.015 A01 DI.974.009.015A01 00:00:00 n INDONESIE;JAVA JAVA-CONCERT AU PURO MANGKUNAGARAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600541 D303S DI.974.009.016 A01 DI.974.009.016A01 00:00:00 n INDONESIE;JAVA JAVA VOCAL II Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600544 D303S DI.974.009.017 A01 DI.974.009.017A01 00:00:00 n INDONESIE;JAVA SUNDA:WAYANG GOLEK Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600545 D303S DI.974.009.018 A01 DI.974.009.018A01 00:00:00 n LAOS LAOS-L'ART DU KHENE Sous-table non exportée Sous-table non exportée 1972 0 ASIE +2723017 D303S DI.974.009.019-1/3 A01 DI.974.009.019-1/3A01 00:00:00 n INDONESIE;JAVA JAVA GAMELANS FROM THE SULTAN'S PALACE IN JOGJAKARTA Sous-table non exportée Sous-table non exportée 1972 0 ASIE +CBS-88059 D303S DI.974.009.020 A01 DI.974.009.020A01 00:00:00 n INDONESIE;BALI LE GAMELAN BALINAIS DE LOTRING Sous-table non exportée Sous-table non exportée 1972 0 ASIE +CBS-65964 D303S DI.974.009.021 Z01 DI.974.009.021Z01 00:00:00 n LAOS GONGS ASIE DU SUD-EST Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65964 D303S DI.974.009.021 Z02 DI.974.009.021Z02 00:00:00 n CAMBODGE GONGS ASIE DU SUD-EST Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65964 D303S DI.974.009.021 Z03 DI.974.009.021Z03 00:00:00 n MALAYSIA GONGS ASIE DU SUD-EST Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65964 D303S DI.974.009.021 Z04 DI.974.009.021Z04 00:00:00 n INDONESIE;JAVA GONGS ASIE DU SUD-EST Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-65964 D303S DI.974.009.021 Z06 DI.974.009.021Z06 00:00:00 n INDONESIE;BALI GONGS ASIE DU SUD-EST Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z01 DI.974.009.022Z01 00:00:00 n MAROC JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +6586001 D303S DI.974.009.022 Z02 DI.974.009.022Z02 00:00:00 n YEMEN JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z06 DI.974.009.022Z06 00:00:00 n TUNISIE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +6586001 D303S DI.974.009.022 Z08 DI.974.009.022Z08 00:00:00 n GIBRALTAR JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586001 D303S DI.974.009.022 Z10 DI.974.009.022Z10 00:00:00 n ISRAEL JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z12 DI.974.009.022Z12 00:00:00 n GRECE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586001 D303S DI.974.009.022 Z17 DI.974.009.022Z17 00:00:00 n GEORGIE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586001 D303S DI.974.009.022 Z18 DI.974.009.022Z18 00:00:00 n TURQUIE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z19 DI.974.009.022Z19 00:00:00 n IRAN JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z20 DI.974.009.022Z20 00:00:00 n SYRIE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586001 D303S DI.974.009.022 Z22 DI.974.009.022Z22 00:00:00 n EGYPTE JEWISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +6586010 D303S DI.974.009.023 U01 DI.974.009.023U01 00:00:00 -1 EGYPTE TAQASIM AND LAYALI CAIRO TRADITION N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +6586011 D303S DI.974.009.024 A01 DI.974.009.024A01 00:00:00 n COREE DU SUD KOREAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586012 D303S DI.974.009.025 A01 DI.974.009.025A01 00:00:00 n LAOS TRADITIONAL MUSIC OF SOUTHERN LAOS Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586013 D303S DI.974.009.026 A01 DI.974.009.026A01 00:00:00 n INDONESIE;BALI BALINESE THEATRE AND DANCE MUSIC Sous-table non exportée Sous-table non exportée 1970 0 ASIE +6586014 D303S DI.974.009.027 A01 DI.974.009.027A01 00:00:00 n SYRIE THE MUSIC OF THE SYRIAN ORTHODOX CHURCH Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586016 D303S DI.974.009.028 A01 DI.974.009.028A01 00:00:00 n REP CENTRAFRICAINE AKA PYGMY MUSIC Sous-table non exportée Sous-table non exportée 1971 0 AFRIQUE +6803054 D303S DI.974.011.001 A01 DI.974.011.001A01 00:00:00 n ZAIRE LUNDA ZAIRE Sous-table non exportée Sous-table non exportée 1972 0 AFRIQUE +2-G-3-KY-19321/24* D303M DI.974.012.001/03 A01 DI.974.012.001/03A01 00:00:00 n ITALIE DOCUMENTI DELL'ARCHIVIO ETNICO LINGUISTICO-MUSICALE *1 Sous-table non exportée Sous-table non exportée 1437 0 EUROPE +72535 D303S DI.974.013.001 A01 DI.974.013.001A01 00:00:00 n EGYPTE OUM KALTSOUM VOL.1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +VG-7351 D174M DI.974.013.002 A01 DI.974.013.002A01 00:00:00 n ALGERIE;KABYLIE CHERIFA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +EST-8002 D303S DI.974.014.001 A01 DI.974.014.001A01 00:00:00 n TURQUIE GEORGIAN FOLK MUSIC FROM TURKEY Sous-table non exportée Sous-table non exportée 1968 0 ASIE +IER-7503 D303S DI.974.014.002 A01 DI.974.014.002A01 00:00:00 n INDONESIE;BALI BALI SOUTH. COMPOSITIONS OF WAJAN GANDERA Sous-table non exportée Sous-table non exportée 1970 0 ASIE +UWP-902 D303M DI.974.014.003 A01 DI.974.014.003A01 00:00:00 n USA;ALASKA ALASKAN ESKIMO SONGS AND STORIES Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +1440 D174S DI.974.014.004 A01 DI.974.014.004A01 00:00:00 n ALLEMAGNE VOLKSMUSIK AUF DER MAULTROMMEL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +30324 D174S DI.974.014.005 A01 DI.974.014.005A01 00:00:00 n ALLEMAGNE VOLKSMUSIK AUF DER MAULTROMMEL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDY-28029 D303S DI.975.001.001 A01 DI.975.001.001A01 00:00:00 n MAROC MAROC MUSIQUE BERBERE:UN MARIAGE DANS LE HAUT ATLAS ORIENTAL Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +LLST-7243 D303S DI.975.002.001 A01 DI.975.002.001A01 00:00:00 n ETHIOPIE ETHIOPIAN URBAN & TRIBAL MUSIC:MINDANOO MISTIRU VOL 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LLST-7244 D303S DI.975.002.002 A01 DI.975.002.002A01 00:00:00 n ETHIOPIE ETHIOPIAN URBAN & TRIBAL MUSIC:GOLD FROM WAX, VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AMHA-420 D174 DI.975.002.003 A01 DI.975.002.003A01 00:00:00 n N ASHA GEDAWO/NEFSE EKO NAT N Sous-table non exportée Sous-table non exportée -1 N +IEO-01 D174M DI.975.002.004 A01 DI.975.002.004A01 00:00:00 1964,73 FRANCE CANTS POPULARS OCCITANS Sous-table non exportée Sous-table non exportée 135 0 EUROPE +LDX-74528 D303S DI.975.003.001 A01 DI.975.003.001A01 00:00:00 n INDE INDE/TALA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-5409 D303S DI.975.003.002 A01 DI.975.003.002A01 00:00:00 n REP CENTRAFRICAINE ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-5409 D303S DI.975.003.002 A03 DI.975.003.002A03 00:00:00 n BURKINA FASO ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-5409 D303S DI.975.003.002 A04 DI.975.003.002A04 00:00:00 n GUINEE ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-5409 D303S DI.975.003.002 A05 DI.975.003.002A05 00:00:00 n BENIN ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-5409 D303S DI.975.003.002 B03 DI.975.003.002B03 00:00:00 n RWANDA ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-5409 D303S DI.975.003.002 B04 DI.975.003.002B04 00:00:00 n NIGER ENVOUTANTE AFRIQUE NOIRE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +HM-733 D303S DI.975.003.003 A01 DI.975.003.003A01 00:00:00 n REP CENTRAFRICAINE CENTRAFRIQUE. DANCES DE LA FORET Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +HMU-946 D303S DI.975.003.005 A01 DI.975.003.005A01 00:00:00 n REP CENTRAFRICAINE AFRIQUE COMPLAINTES ET INCANTATIONS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CBS-65414 D303S DI.975.003.006 A01 DI.975.003.006A01 00:00:00 n IRAN IRAN-LE NEY Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600543 D303S DI.975.003.007 A01 DI.975.003.007A01 00:00:00 n TIBET RITUEL TIBETAIN-MONASTERE DE BODNATH Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600522 D303S DI.975.003.008 A01 DI.975.003.008A01 00:00:00 n INDONESIE;JAVA JAVA. L'ART DU GAMELAN Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600526 D303S DI.975.003.009 A01 DI.975.003.009A01 00:00:00 n INDONESIE;JAVA JAVA BEDOYO KETAWANG Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600528 D303S DI.975.003.010 A01 DI.975.003.010A01 00:00:00 n INDONESIE;BALI BALI. LE GONG KEBYAR Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600530 D303S DI.975.003.011 A01 DI.975.003.011A01 00:00:00 n INDONESIE;BALI BALI-GONG BEBARONGAN Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600535 D303S DI.975.003.012 A01 DI.975.003.012A01 00:00:00 n INDONESIE;BALI BALI, DANSES 2 Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600536 D303S DI.975.003.013 A01 DI.975.003.013A01 00:00:00 n INDONESIE;BALI BALI-LELAMBATAN Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600538 D303S DI.975.003.015 A01 DI.975.003.015A01 00:00:00 n INDONESIE;JAVA JAVA-DANSES TOPENG KLONO - TARI BONDON Sous-table non exportée Sous-table non exportée 1973 0 ASIE +GB-600550 D303S DI.975.003.016 A01 DI.975.003.016A01 00:00:00 n TIBET CHINE. CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600550 D303S DI.975.003.016 A02 DI.975.003.016A02 00:00:00 n CHINE CHINE. CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600550 D303S DI.975.003.016 A07 DI.975.003.016A07 00:00:00 n TAIWAN CHINE. CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée 0 0 ASIE +GB-600551 D303S DI.975.003.017 A01 DI.975.003.017A01 00:00:00 n CHINE CHINE; MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-488 D303S DI.975.004.001 A01 DI.975.004.001A01 00:00:00 n COTE D'IVOIRE PERCUSIONS DE COTE D'IVOIRE Sous-table non exportée Sous-table non exportée 343 0 AFRIQUE +RFL-2-1/3 D174M DI.975.005.001/03 A01 DI.975.005.001/03A01 00:00:00 n INDE;RAJASTHAN FOLK INSTRUMENTAL MUSIC PLAYED BY LANGA INSTRUMENTALIST Sous-table non exportée Sous-table non exportée 0 0 ASIE +RFL-3-1/3 D174M DI.975.005.004/06 A01 DI.975.005.004/06A01 00:00:00 n INDE;RAJASTHAN FOLK SONG SUNG BY MANGANIYARS Sous-table non exportée Sous-table non exportée 0 0 ASIE +SI-100 D303S DI.975.006.001 A01 DI.975.006.001A01 00:00:00 n USA MUSIC FROM THE FESTIVAL OF AMERICAN FOLKLIFE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +OCR-77 D303S DI.975.007.001 A01 DI.975.007.001A01 00:00:00 n INDE SANTUR PAR SIVAKUMAR SARMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-78 D303M DI.975.007.002 A01 DI.975.007.002A01 00:00:00 n VENEZUELA MUSICA FOLKLORICA DE VENEZUELA Sous-table non exportée Sous-table non exportée 640 0 AMERIQUE +OCR-79 D303S DI.975.007.003 A01 DI.975.007.003A01 00:00:00 n IRAK IRAQ-MAKAMAT* Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-82 D303S DI.975.007.004 A01 DI.975.007.004A01 00:00:00 n NIGERIA NIGERIA-MUSIQUES DU PLATEAU* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-53 D303S DI.975.008.001 A01 DI.975.008.001A01 00:00:00 MADAGASCAR POSSESSION ET POESIE A MADAGASCAR (SUD-OUEST)* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +OCR-84 D303S DI.975.008.002 A01 DI.975.008.002A01 00:00:00 n GABON GABON-MUSIQUES DES MITSOGHO ET DES BATEKE Sous-table non exportée Sous-table non exportée 40 0 AFRIQUE +06418079 D303S DI.975.009.001 A01 DI.975.009.001A01 00:00:00 n ALGERIE ALGERIA-SAHARA MUSIC OF GOURARA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-74519 D303S DI.975.010.001 A01 DI.975.010.001A01 00:00:00 n BELGIQUE LA VIELLE PAR CLAUDE FLAGEL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74536 D303S DI.975.010.002 A01 DI.975.010.002A01 00:00:00 n FRANCE L'EPINETTE DES VOSGES PAR JEAN-FRANCOIS DUTERTRE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +GB-600529 D303S DI.975.010.003 A01 DI.975.010.003A01 00:00:00 n INDONESIE;BALI BALI BARONG ET GENDER WAYANG Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600532 D303S DI.975.010.004 A01 DI.975.010.004A01 00:00:00 n INDONESIE;JAVA JAVA-KRONTJONG DE TUGU Sous-table non exportée Sous-table non exportée 1972 0 ASIE +GB-600534 D303S DI.975.010.005 A01 DI.975.010.005A01 00:00:00 n INDONESIE;BALI BALI. MUSIQUE DE DANSES 1 Sous-table non exportée Sous-table non exportée 1972 0 ASIE +6586015 D303S DI.975.010.006 A01 DI.975.010.006A01 00:00:00 n YOUGOSLAVIE KOSOVO ISLAMIC RITUAL FROM YUGOSLAVIA ZIKR OFTHE RUFA'I BROTHERHOOD SURAT AL-FATIHA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586019 D303S DI.975.010.007 Z01 DI.975.010.007Z01 00:00:00 N PAYS KURDE KURDISH MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586022 D303S DI.975.010.008 A01 DI.975.010.008A01 00:00:00 n BENIN CEREMONIAL MUSIC FROM NORTHERN DAHOMEY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4101 D303M DI.975.010.010 A01 DI.975.010.010A01 00:00:00 n NEPAL SONGS AND DANCES OF NEPAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +AHM-4210 D303S DI.975.010.013 A01 DI.975.010.013A01 00:00:00 n AUSTRALIE SONGS OF THE WESTERN AUSTRALIAN DESERT ABORIGINES Sous-table non exportée Sous-table non exportée -59 0 OCEANIE +AH-8504 D303M DI.975.010.014 A01 DI.975.010.014A01 00:00:00 n SOMALIE BAIJUN BALLADS SOMALI SONGS IN SWAHILI Sous-table non exportée Sous-table non exportée 1962 0 AFRIQUE +LD-498 D303S DI.975.010.015 A01 DI.975.010.015A01 00:00:00 MAROC MAROC-MUSIQUE DU PEUPLE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06417966 D303S DI.975.010.016 A01 DI.975.010.016A01 00:00:00 GRECE GREECE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +06417840 D303S DI.975.010.017 A01 DI.975.010.017A01 00:00:00 n INDE;BENGALE BENGAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-47 D303S DI.975.010.019 A01 DI.975.010.019A01 00:00:00 n INDE;RAJASTHAN MUSIQUE POPULAIRE DU RAJASTHAN Sous-table non exportée Sous-table non exportée 1968 0 ASIE +ZFB-45 D303S DI.975.010.020 A01 DI.975.010.020A01 00:00:00 n ESPAGNE PORTRAIT OF ANDALUSIA Sous-table non exportée Sous-table non exportée 1956 0 EUROPE +ZFB-56 D303S DI.975.010.021 A01 DI.975.010.021A01 00:00:00 n GRECE SONGS AND DANCES FROM MACEDONIA Sous-table non exportée Sous-table non exportée 443 0 EUROPE +ZFB-56 D303S DI.975.010.021 A02 DI.975.010.021A02 00:00:00 n GRECE MACEDOINE SONGS AND DANCES FROM MACEDONIA MPARFALIDIGO Sous-table non exportée Sous-table non exportée 443 0 EUROPE +BM-30-L-2026 D303M DI.975.010.022 A01 DI.975.010.022A01 00:00:00 n MALAYSIA LA MUSIQUE DE MALAYSIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74487 D303S DI.975.010.023 A01 DI.975.010.023A01 00:00:00 n EIRE LE FIDDLE IRLANDAIS PAR TED FUREY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586028 D303S DI.975.010.024 A01 DI.975.010.024A01 00:07:53 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC LE PRINTEMPS MERIDIONAL=*TR NAM XUAN Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Prélude improvisé dans la nuance xuân exprimant la séréminté, suivi de la pièce nam xuân Cithare "DAN TRANH": 17C métal, pincées. Enregistrement réalisé à Paris en 1972 lors du séjour du Pr.Nguyên Vinh Bao. Cithare modifiée. Rythme libre puis mesuré• STUDIO DE LA RADIO FRANCE,PARIS 1972 0 ASIE +6586028 D303S DI.975.010.024 A02 DI.975.010.024A02 00:09:40 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC LES LAMENTATIONS DU SUD=*TR NAM AI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Prélude improvisé suivi de la pièce appartenant au répertoire dàn tài tu. Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO,PARIS 1972 0 ASIE +6586028 D303S DI.975.010.024 A03 DI.975.010.024A03 00:05:55 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC CINQ DEGRES RENVERSES=*TR NGU CUNG DAO Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Extrait de la pièce Ngu cung dao. Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1972 0 ASIE +6586028 D303S DI.975.010.024 B01 DI.975.010.024B01 00:11:23 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC QUATRE GENERATIONS, NUANCE OAN=*TR TU DAI OAN Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Extrait de la pièce Tu dai oan Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1972 0 ASIE +6586028 D303S DI.975.010.024 B02 DI.975.010.024B02 00:08:45 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC LA BELLE TAY THI ET LA PIECE ANCIENNE=*TR TAY THI & CO BAN Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Luth 4C "DAN TY BA": caisse piriforme. Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1972 0 ASIE +6586028 D303S DI.975.010.024 B03 DI.975.010.024B03 00:03:20 n VIETNAM SUD VIETNAM VIETNAMIENS SOUTH VIETNAM. ENTERTAINMENT MUSIC LES MESURES EGALES ET LES SAPEQUES D'OR=*TR BINH BAN VAN & KIM TIEN Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Luth 4C "DAN TY BA": caisse piriforme. Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1972 0 ASIE +CBS-65346 D303S DI.975.010.025 A01 DI.975.010.025A01 00:00:00 n HAITI LE VAUDOU-CHANTS & DANSES D'HAITI-CEREMONIE VAUDOU* Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +H-72055 D303S DI.975.011.001 A01 DI.975.011.001A01 00:00:00 n TIBET TIBETAN BUDDHISM TANTRAS OF GYUTO MAHAKALA Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72064 D303S DI.975.011.002 A01 DI.975.011.002A01 00:00:00 n TIBET TIBETAN BUDDHISM TANTRAS OF GYUTO SAMGWA DUPA Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8137 D303S DI.975.011.003 A01 DI.975.011.003A01 00:00:00 n BURUNDI MUSIC FROM BURUNDI Sous-table non exportée Sous-table non exportée 1971 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 A01 DI.975.012.001A01 00:00:00 n OUGANDA MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 A02 DI.975.012.001A02 00:00:00 n TANZANIE MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 A03 DI.975.012.001A03 00:00:00 n CONGO MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 A06 DI.975.012.001A06 00:00:00 n ZIMBABWE MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 A09 DI.975.012.001A09 00:00:00 n MOZAMBIQUE MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 B01 DI.975.012.001B01 00:00:00 n ZAMBIE MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1323 D303M DI.975.012.001 B03 DI.975.012.001B03 00:00:00 n REP D'AFRIQUE DU SUD MUSICAL INSTRUMENTS 2 REEDS MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PFF-1 D303S DI.976.001.001 A01 DI.976.001.001A01 00:00:00 n GRECE GREEK FOLK MUSIC, VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPX-10095/98 D303M DI.976.002.001-1/4 A01 DI.976.002.001-1/4A01 00:00:00 n HONGRIE HUNGARIAN FOLK MUSIC. MAGYAR NEPZENE 1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLPX-18019 D303S DI.976.002.005 A01 DI.976.002.005A01 00:00:00 n HONGRIE HUNGARIAN ZITHER MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPX-18015 D303S DI.976.002.006 A01 DI.976.002.006A01 00:00:00 n HONGRIE VIRAGENEKEK Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPX-18010 D303S DI.976.002.007 A01 DI.976.002.007A01 00:00:00 n HONGRIE DAYS OF CELEBRATION Sous-table non exportée Sous-table non exportée 0 0 EUROPE +AFSL-63/L-64 D303M DI.976.003.001/02 A01 DI.976.003.001/02A01 00:00:00 n MAROC MUSIC OF MOROCCO Sous-table non exportée Sous-table non exportée 1959 0 AFRIQUE +MECDACCDFB-1001 D303 DI.976.004.001 A01 DI.976.004.001A01 00:00:00 n BRESIL LITERATURA DE CORDEL Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +TGS-131 D303S DI.976.005.001 A01 DI.976.005.001A01 00:00:00 = ALGERIE MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +TGS-131 D303S DI.976.005.001 A02 DI.976.005.001A02 00:00:00 = EGYPTE MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +TGS-131 D303S DI.976.005.001 A03 DI.976.005.001A03 00:00:00 = IRAN;KURDISTAN MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-131 D303S DI.976.005.001 A04 DI.976.005.001A04 00:00:00 = JORDANIE MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-131 D303S DI.976.005.001 A05 DI.976.005.001A05 00:00:00 = AFGHANISTAN MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-131 D303S DI.976.005.001 A06 DI.976.005.001A06 00:00:00 = ETHIOPIE MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +TGS-131 D303S DI.976.005.001 A07 DI.976.005.001A07 00:00:00 = BAHREIN MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1972 0 ASIE +TGS-131 D303S DI.976.005.001 B01 DI.976.005.001B01 00:00:00 = INDE MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-131 D303S DI.976.005.001 B02 DI.976.005.001B02 00:00:00 = LIBAN MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1972 0 ASIE +TGS-131 D303S DI.976.005.001 B04A DI.976.005.001B04A 00:00:00 = EMIRATS ARABES UNIS MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1963 0 ASIE +TGS-131 D303S DI.976.005.001 B06 DI.976.005.001B06 00:00:00 = IRAK MUSIC IN THE WORLD OF ISLAM: 1.THE HUMAN VOICE Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-132 D303S DI.976.005.002 A01 DI.976.005.002A01 00:00:00 = IRAK MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-132 D303S DI.976.005.002 A02 DI.976.005.002A02 00:00:00 = BAHREIN MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1972 0 ASIE +TGS-132 D303S DI.976.005.002 A03 DI.976.005.002A03 00:00:00 = ALGERIE MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +TGS-132 D303S DI.976.005.002 A04 DI.976.005.002A04 00:00:00 = IRAN MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-132 D303S DI.976.005.002 B01 DI.976.005.002B01 00:00:00 = AFGHANISTAN MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-132 D303S DI.976.005.002 B02 DI.976.005.002B02 00:00:00 = MAROC MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +TGS-132 D303S DI.976.005.002 B03 DI.976.005.002B03 00:00:00 = TURQUIE MUSIC IN THE WORLD OF ISLAM : 2 LUTES Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A01 DI.976.005.003A01 00:00:00 = PAKISTAN MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A02 DI.976.005.003A02 00:00:00 = IRAK MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A04 DI.976.005.003A04 00:00:00 = ETHIOPIE MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1968 0 AFRIQUE +TGS-133 D303S DI.976.005.003 A05 DI.976.005.003A05 00:00:00 = INDE MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A06 DI.976.005.003A06 00:00:00 = TURQUIE MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A3A DI.976.005.003A3A 00:00:00 = JORDANIE MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 A3B DI.976.005.003A3B 00:00:00 = NIGER MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +TGS-133 D303S DI.976.005.003 B01 DI.976.005.003B01 00:00:00 = INDONESIE;JAVA MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1973 0 ASIE +TGS-133 D303S DI.976.005.003 B02 DI.976.005.003B02 00:00:00 = IRAN MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-133 D303S DI.976.005.003 B03 DI.976.005.003B03 00:00:00 = ETHIOPIE MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +TGS-133 D303S DI.976.005.003 B04 DI.976.005.003B04 00:00:00 = BAHREIN MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1962 0 ASIE +TGS-133 D303S DI.976.005.003 B06 DI.976.005.003B06 00:00:00 = INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM:3 STRINGS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-134 D303S DI.976.005.004 A01 DI.976.005.004A01 00:00:00 = INDE;RAJASTHAN MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-134 D303S DI.976.005.004 A02 DI.976.005.004A02 00:00:00 = MAROC MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +TGS-134 D303S DI.976.005.004 A03 DI.976.005.004A03 00:00:00 = TURQUIE MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-134 D303S DI.976.005.004 A05 DI.976.005.004A05 00:00:00 = NIGERIA MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +TGS-134 D303S DI.976.005.004 A06 DI.976.005.004A06 00:00:00 = PAKISTAN MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-134 D303S DI.976.005.004 A4A DI.976.005.004A4A 00:00:00 = ALGERIE MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +TGS-134 D303S DI.976.005.004 B01 DI.976.005.004B01 00:00:00 = OUGANDA MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1968 0 AFRIQUE +TGS-134 D303S DI.976.005.004 B02 DI.976.005.004B02 00:00:00 = TURKMENISTAN MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1960 0 ASIE +TGS-134 D303S DI.976.005.004 B05 DI.976.005.004B05 00:00:00 = IRAN MUSIC IN THE WORLD OF ISLAM:4 FLUTES AND TRUMPETS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 A01 DI.976.005.005A01 00:00:00 = INDE MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 A02 DI.976.005.005A02 00:00:00 = TURQUIE MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 A03 DI.976.005.005A03 00:00:00 = BAHREIN MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1962 0 ASIE +TGS-135 D303S DI.976.005.005 A04 DI.976.005.005A04 00:00:00 = MALAYSIA MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1972 0 ASIE +TGS-135 D303S DI.976.005.005 A05 DI.976.005.005A05 00:00:00 = IRAN MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 A06 DI.976.005.005A06 00:00:00 = AFGHANISTAN MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-135 D303S DI.976.005.005 A07 DI.976.005.005A07 00:00:00 = ALGERIE MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +TGS-135 D303S DI.976.005.005 A08 DI.976.005.005A08 00:00:00 = ITALIE MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1970 0 EUROPE +TGS-135 D303S DI.976.005.005 A3A DI.976.005.005A3A 00:00:00 = SYRIE MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 B02 DI.976.005.005B02 00:00:00 = INDONESIE;SUMATRA MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1973 0 ASIE +TGS-135 D303S DI.976.005.005 B04 DI.976.005.005B04 00:00:00 = PAKISTAN MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-135 D303S DI.976.005.005 B06 DI.976.005.005B06 00:00:00 = MAROC MUSIC IN THE WORLD OF ISLAM:5 - REEDS Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +TGS-136 D303S DI.976.005.006 A01 DI.976.005.006A01 00:00:00 = AFGHANISTAN MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-136 D303S DI.976.005.006 A02 DI.976.005.006A02 00:00:00 = NIGER MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +TGS-136 D303S DI.976.005.006 A03 DI.976.005.006A03 00:00:00 = INDE MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-136 D303S DI.976.005.006 A04 DI.976.005.006A04 00:00:00 = BAHREIN MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1972 0 ASIE +TGS-136 D303S DI.976.005.006 A5A DI.976.005.006A5A 00:00:00 = PAKISTAN MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-136 D303S DI.976.005.006 B02 DI.976.005.006B02 00:00:00 = IRAN;KURDISTAN MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-136 D303S DI.976.005.006 B03 DI.976.005.006B03 00:00:00 = ALGERIE MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +TGS-136 D303S DI.976.005.006 B04 DI.976.005.006B04 00:00:00 = IRAN MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-136 D303S DI.976.005.006 B05 DI.976.005.006B05 00:00:00 = ABU DHABI MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1963 0 ASIE +TGS-136 D303S DI.976.005.006 B06 DI.976.005.006B06 00:00:00 = JORDANIE MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 ASIE +TGS-136 D303S DI.976.005.006 B08 DI.976.005.006B08 00:00:00 = MAROC MUSIC IN THE WORLD OF ISLAM:6 DRUMS AND RHYTHMS Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +FE-4054 D303 DI.976.006.001 A01 DI.976.006.001A01 00:00:00 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARAWANO AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SOLO ON THE PINQALYO N Sous-table non exportée N Sous-table non exportée Solo de flüte joué par les bergers de lamas STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A02 DI.976.006.001A02 00:00:01 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARAWANO AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SUMIRUMANSANISA N Sous-table non exportée N Sous-table non exportée Chant exécuté pendant les cérémonies d'accouplement du bétail (lamas) STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A03 DI.976.006.001A03 00:00:01 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE VILLABLANCA AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SOLO ON THE BANDOLA N Sous-table non exportée N Sous-table non exportée Solo de bandola joué pendant les cérémonies d'accouplement des lamas STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A04 DI.976.006.001A04 00:00:00 01/10/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARIQUIMA AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE ROMERO, ROMERO N Sous-table non exportée N Sous-table non exportée musique jouée pendant les cérémonies d'accouplement des lamas. Janvier,Février de chaque année. STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A05 DI.976.006.001A05 00:00:00 01/10/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARIQUIMA AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SAHSALYE N Sous-table non exportée N Sous-table non exportée chant executé pendant les cérémonies d'accouplement du bétail STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A06 DI.976.006.001A06 00:00:01 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARAWANO AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SOLO ON THE TARA N Sous-table non exportée WAYNO Sous-table non exportée danse executée pendant les cérémonies d'accouplement des lamas STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A07 DI.976.006.001A07 00:01:48 01/10/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARIQUIMA AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE TATA SAN JUAN N Sous-table non exportée SIKURA Sous-table non exportée Danse accompagnée par des flutes de Pan (sikus) en honneur de San Juan/ STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A08 DI.976.006.001A08 00:00:00 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE CARAWANO AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE TATASULYA N Sous-table non exportée N Sous-table non exportée STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A09 DI.976.006.001A09 00:00:02 01/05/74 CHILI TARAPACA, LOS CONDORES, VILLAGE DE VILLABLANCA AYMARA AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHULYUMPE N Sous-table non exportée N Sous-table non exportée STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1974 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A10 DI.976.006.001A10 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE YARAWA N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A11 DI.976.006.001A11 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHICHILI N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A12 DI.976.006.001A12 00:00:00 01/03/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE THE RAIN AND THE COLD N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A13 DI.976.006.001A13 00:00:00 01/03/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE THE STAG'S HORN N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A14 DI.976.006.001A14 00:00:00 01/03/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHICHILI N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A15 DI.976.006.001A15 00:00:00 01/03/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE ARHASI N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A16 DI.976.006.001A16 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE LILE DUCK N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A17 DI.976.006.001A17 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE QORQWA YERWA N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A18 DI.976.006.001A18 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE YEQCHAL N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A19 DI.976.006.001A19 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE KUNCHAR N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A20 DI.976.006.001A20 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE THE SMOKING PIPE N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A21 DI.976.006.001A21 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CARANCHO N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A22 DI.976.006.001A22 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHICHILI N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A23 DI.976.006.001A23 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE TOYAQA N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A24 DI.976.006.001A24 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE THE SEA WOLF N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A25 DI.976.006.001A25 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE AWARYANA N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A26 DI.976.006.001A26 00:00:01 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHICHILI N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A27 DI.976.006.001A27 00:00:00 01/02/71 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE THE BELLY N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1971 0 AMERIQUE +FE-4054 D303 DI.976.006.001 A28 DI.976.006.001A28 00:00:01 01/02/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE MYTH OF ATQASHAP N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 AE! DI.976.006.001AE! 00:00:01 01/02/73 CHILI MAGALLANES, PUERTO EDEN QAWASHQAR AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE MYTH OF ATQASHAP N Sous-table non exportée N Sous-table non exportée Emperaire, Jose: Los Nomades del Mar Santiago 1963 Hornbostel, E: "Fueguan Songs" in American Anthropologist XXXVIII 1936 Laming, A: En la Patagonia, confin del mundo.Santiago 1957 STRATIGOP.MEDINA.SALAS.CLAIR-VASILI 1973 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B01 DI.976.006.001B01 00:00:01 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE FAREWELL SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B02 DI.976.006.001B02 00:00:01 01/12/69 CHILI CAUTIN, RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE JOYFUL SONG OF PICARESQUE THEME N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B03 DI.976.006.001B03 00:00:02 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SONG ABOUT LEARNING N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B04 DI.976.006.001B04 00:00:01 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHEYKE SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B05 DI.976.006.001B05 00:00:01 01/12/69 CHILI CAUTIN, RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE LOVE SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B06 DI.976.006.001B06 00:00:00 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE DREAM SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B07 DI.976.006.001B07 00:00:02 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE FAREWELL SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B08 DI.976.006.001B08 00:00:02 01/12/69 CHILI CAUTIN RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE PROPOSAL SONG (PARODY) N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B09 DI.976.006.001B09 00:00:00 01/12/69 CHILI CAUTIN, RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE PROPOSAL ANSWER N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B10 DI.976.006.001B10 00:00:01 01/12/69 CHILI CAUTIN, RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE TRUTRUKA SOLO N Sous-table non exportée N Sous-table non exportée n Trompe avec pavillon, taille C (>100cm)\ Solo instr STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B11 DI.976.006.001B11 00:00:00 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE CHEYKE SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B12 DI.976.006.001B12 00:00:01 01/12/69 CHILI CAUTIN,RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE SONG OF POLYGAMY N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B14 DI.976.006.001B14 00:00:01 01/12/69 CHILI CAUTIN, RENGALIL MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE MARRIAGE QUARREL (PARODY) N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +FE-4054 D303 DI.976.006.001 B15 DI.976.006.001B15 00:00:02 01/08/69 CHILI TEMUCO MAPUCHE AMERINDIAN MUSIC OF CHILE AYMARA QAWASHQAR MAPUCHE FAREWELL SONG N Sous-table non exportée N Sous-table non exportée n STRATIGOPOULOU.SALAS.MEDINA.CLAIR-V 1969 0 AMERIQUE +AMP-72903 D303S DI.976.007.001 A01 DI.976.007.001A01 00:01:50 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LE CROASSEMENT DU CORBEAU=*TR LY QUA KEU Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant de tradition populaire du Sud Vietnam. Ici, c'est une interprétation dans le but de divertir les gens. Vièle 2C "DAN CO": archet pris. Rythme binaire• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A02 DI.976.007.001A02 00:02:10 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* RENCONTRE DU TIGRE ET DU DRAGON=*TR LONG HO HOI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare/table "DAN BAU": 1C. Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A03 DI.976.007.001A03 00:03:10 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* CHANT DU TRAVAIL DU SUD HO MIEN NAM Sous-table non exportée CHT ALTERNE Sous-table non exportée Rythme libre• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A04 DI.976.007.001A04 00:03:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LE CHANT DU COURSIER NOIR LY NGUA O Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A05 DI.976.007.001A05 00:01:35 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LE CHANT DU RALE D'EAU=*TR LY CHIM QUYEN Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Rythme binaire• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A06 DI.976.007.001A06 00:05:25 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* DOULEUR MUETTE NGAM NGUI Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 A07 DI.976.007.001A07 00:02:22 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* SOLO DE CUILLERS DOC TAU MUONG TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Improvisation rythmique avec une paire de cuillers par Trân Quang Hai. Variations rythmiques• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B01 DI.976.007.001B01 00:02:15 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LE LAC D'AUTOMNE THU HO Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B02 DI.976.007.001B02 00:01:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* CHANT ALTERNE HO LO HO LO Sous-table non exportée CHT ALTERNE Sous-table non exportée Rythme binaire• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B03 DI.976.007.001B03 00:02:07 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LES CINQ VEILLES NGU DIEM BAI TA Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Vièle 2C "DAN CO": archet pris. Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B04 DI.976.007.001B04 00:04:10 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* LE CHANT DU MERLE LY CON SAO Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B05 DI.976.007.001B05 00:06:30 N VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* L'EAU QUI COULE, VERSION LONGUE Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI, PARIS 1975 0 ASIE +AMP-72903 D303S DI.976.007.001 B06 DI.976.007.001B06 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUES DU VIETNAM:TRADITION DU SUD.* BERCEUSE AU O Sous-table non exportée BERCEUSE Sous-table non exportée Rythme libre• TRAN QUANG HAI, PARIS 1975 0 ASIE +6031015/20 D173M DI.976.008.001/06 A01 DI.976.008.001/06A01 00:00:00 n PORTUGAL PEQUENA ANTOLOGIA DA MUSICA REGIONAL PORTUGUESA Sous-table non exportée Sous-table non exportée 536 0 EUROPE +6803073 D303S DI.976.009.001 A01 DI.976.009.001A01 00:00:00 n ZAIRE MUSIQUE TSHOKWE. ZAIRE Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +007 D303S DI.976.010.001 A01 DI.976.010.001A01 00:00:00 n ROUMANIE TARAGOT ET ORGUE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LLST-7255 D303S DI.976.011.001 A01 DI.976.011.001A01 00:08:32 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA IN PRAISE OF GENYEN GENYEN GI TOPA / Sous-table non exportée Sous-table non exportée Rite propiciatoire. 01/01/56 (?) RITE PROPICIATOIRE 2 types de trompe: courte, longue. Traduc. anglaise du texte tibétain• Choeur & groupe instr LEVY, J. 1971 0 ASIE +LLST-7255 D303S DI.976.011.001 A02 DI.976.011.001A02 00:01:55 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA CHHAM GI SERKYEM GI YANG OFFERING OF "GOLDEN DRINK" / Sous-table non exportée Sous-table non exportée 01/01/56 DANSE RITUELLE TRADUC ANGLAISE DU TEXTE TIBETAIN LEVY, J. 0 0 ASIE +LLST-7255 D303S DI.976.011.001 A03 DI.976.011.001A03 00:08:20 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA EXHORTATION TO THE GARDIAN GODDESS OF LONG LIFE TASHI TSERINGMAI DZABKUL / Sous-table non exportée Sous-table non exportée 01/01/56 RITE PROPICIATOIRE Trompe "DUNG-CHEN": longue. Traduc. anglaise du texte tibétain• Choeur & instrs LEVY, J. -1 0 ASIE +LLST-7255 D303S DI.976.011.001 A04 DI.976.011.001A04 00:02:05 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA LONG TRUMPETS, DUNG CHEN, GULGYEN "THROAT ORNAMENT" ON LONG TRUMPETS / Sous-table non exportée Sous-table non exportée 01/01/56 FOR TEA BREAK; 1ERE PIECE D'UN REPERTOIRE DE 11 PIECES Trompe "DUNG CHEN": longue. Duo instr LEVY, J. -1 0 ASIE +LLST-7255 D303S DI.976.011.001 A05 DI.976.011.001A05 00:00:35 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA LONG TRUMPETS, DUNG CHEN, NYITHU PANGLEP TWO NOTES PROLONGED TO MEDIUM LENGHT LONG TRUMPETS / Sous-table non exportée Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue. Duo instr LEVY, J. -1 0 ASIE +LLST-7255 D303S DI.976.011.001 A06 DI.976.011.001A06 00:05:00 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA INVITATION TO GOMPO (SKT. MAHAKALA) DUCHOG GONPOI CHENDREN Sous-table non exportée Sous-table non exportée 01/01/56 2 types de trompe: coutre, longue. Hautbois: 7+1 trous, bambou• Choeur & groupe instr LEVY, J. 1971 0 ASIE +LLST-7255 D303S DI.976.011.001 A07 DI.976.011.001A07 00:06:55 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA CHAKCHEN SONDEP PETITION TO CHAKCHEN / Sous-table non exportée Sous-table non exportée 01/01/56 DANSE RITUELLE TRADUC ANGLAISE DU TEXTE TIBETAIN LEVY, J. 0 0 ASIE +LLST-7255 D303S DI.976.011.001 A08 DI.976.011.001A08 00:08:20 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA INVOKING TSHETRO'S BLESSINGS TSETRO JINBEB Sous-table non exportée Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN: longue. Traduc anglaise du texte tibétain• Choeur & instrs LEVY, J. -1 0 ASIE +LLST-7255 D303S DI.976.011.001 B01 DI.976.011.001B01 00:05:22 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA SUPPLICATIONS TO THE 3 BUDDHA-BODIES OF THE LAMA LAMA KUSUM GI SONDEP / Sous-table non exportée Sous-table non exportée 01/01/56 Trompe "DUNG-CHEN": longue. Traduc anglaise du texte tibétain• Choeur & instrs LEVY, J. -1 0 ASIE +LLST-7255 D303S DI.976.011.001 B02 DI.976.011.001B02 00:00:55 n BHOUTAN THIMPHU BHUTANAIS RELIGIEUX RITUALS OF THE DRUKPA ORDER FROM THIMPHU & PUNNAKHA DEWACHEN GI MONLAM ASPIRATION TO BE REBORN IN THE WESTERN PARADISE / Sous-table non exportée Sous-table non exportée 01/01/56 TRADUC ANGLAISE DU TEXTE TIBETAIN LEVY, J. -1 0 ASIE +LLST-7256 D303S DI.976.011.002 A01 DI.976.011.002A01 00:00:00 n BHOUTAN SACRED DANCES & RITUALS OF THE NYINGMAPA & DRUKPA ORDERS * Sous-table non exportée Sous-table non exportée 1971 0 ASIE +LLST-7257 D303S DI.976.011.003 A01 DI.976.011.003A01 00:00:00 n BHOUTAN TEMPLE RITUALS AND PLUBLIC CEREMONIES Sous-table non exportée Sous-table non exportée 1971 0 ASIE +LLST-7258 D303S DI.976.011.004 A01 DI.976.011.004A01 00:00:00 n BHOUTAN TIBETAN & BHUTANESE INSTRUMENTAL & FOLK MUSIC Sous-table non exportée Sous-table non exportée 1971 0 ASIE +LLST-7258 D303S DI.976.011.004 B02 DI.976.011.004B02 00:00:00 n TIBET TIBETAN & BHUTANESE INSTRUMENTAL & FOLK MUSIC Sous-table non exportée Sous-table non exportée 1971 0 ASIE +LLST-7270 D303S DI.976.011.005 A01 DI.976.011.005A01 00:00:00 n TIBET PADMASAMBADA CHOPA WITH THE MAHAKALA OFFERING Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7285 D303S DI.976.011.006 A01 DI.976.011.006A01 00:00:00 n TIBET THE SONGS OF MILAREPA. MAHAYANA BUDDHIST NUNNERY, TILOKPUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7286 D303S DI.976.011.007 A01 DI.976.011.007A01 00:00:00 n TIBET TIBETAN FOLK SONGS FROM LHASA AND AMDO Sous-table non exportée Sous-table non exportée 1973 0 ASIE +LLST-7290 D303S DI.976.011.008 A01 DI.976.011.008A01 00:00:00 n TIBET TIBETAN MYSTIC SONG Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7291 D303S DI.976.011.009 A01 DI.976.011.009A01 00:00:00 n TIBET SONGS OF GODS AND DEMONS Sous-table non exportée Sous-table non exportée 0 0 ASIE +UD-30-1293 D303S DI.976.012.001 A01 DI.976.012.001A01 00:00:00 n BRESIL INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A02 DI.976.012.001A02 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD BRUITS DE LA SELVA Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A03 DI.976.012.001A03 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD SINGES HURLEURS (NUIT) Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A04 DI.976.012.001A04 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD SINGES HURLEURS (NUIT) Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A05 DI.976.012.001A05 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD ECHASSIERS Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A06 DI.976.012.001A06 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD BRUITS DE LA SAVANE Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A07 DI.976.012.001A07 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD OISEAUX DIVERS DE LA RIVIERE PIXAIM Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A08 DI.976.012.001A08 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD AIGLE Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A09 DI.976.012.001A09 00:00:00 n BRESIL AMAZONIE INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD SOCO Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Amazonie(G) 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A10 DI.976.012.001A10 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Chaco 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A11 DI.976.012.001A11 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Chaco 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A12 DI.976.012.001A12 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A13 DI.976.012.001A13 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Chaco 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A14 DI.976.012.001A14 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Chaco 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 A15 DI.976.012.001A15 00:00:00 n PARAGUAY CHACO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD GRENOUILLES Sous-table non exportée Sous-table non exportée RICHARD CHAPELLE Chaco 0 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B01 DI.976.012.001B01 00:00:55 n BRESIL XINGU, MATO GROSSO KAMAYURA, ULAPITI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD LAMENTATION FUNERAIRES Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B02 DI.976.012.001B02 00:02:00 n BRESIL XINGU, MATO GROSSO KAMAYURA, ULAPITI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD URUA Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B03 DI.976.012.001B03 00:01:15 n BRESIL XINGU, MATO GROSSO KAMAYURA INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD TAOUROUANA Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B04 DI.976.012.001B04 00:00:32 n BRESIL XINGU, MATO GROSSO KAMAYURA INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD UKA-UKA, LUTTES Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B05 DI.976.012.001B05 00:01:40 N BRESIL XINGU, MATO GROSSO ULAPITI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD DANSE DES INDIENS ULAPITI Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B06 DI.976.012.001B06 00:00:50 n BRESIL WAYAPI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD CONVERSATION Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B07 DI.976.012.001B07 00:02:30 n BRESIL TUMUC-HUMAC WAYAPI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD CHANT MIXTE "YOPANAMA" Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B08 DI.976.012.001B08 00:01:48 n BRESIL TUMUC-HUMAC WAYAPI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD FLUTES Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B09 DI.976.012.001B09 00:00:48 n PARAGUAY MORO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD AMBIANCE ET CHANT Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Chaco 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B10 DI.976.012.001B10 00:02:00 n BRESIL NORD DE GOIAS KRAHO INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD CHANT Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE Amazonie(G) 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B11 DI.976.012.001B11 00:00:55 n PARAGUAY GUAYAKI INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD CHANT Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE 1968 0 AMERIQUE +UD-30-1293 D303S DI.976.012.001 B12 DI.976.012.001B12 00:01:30 n PARAGUAY LENGUA INDIENS ET ANIMAUX SAUVAGES D'AMERIQUE DU SUD CHANT Sous-table non exportée Sous-table non exportée sur le contenu de ce disque voir :"Musiques d'Amérique tropicale" de J.M.Beaudet. Journal de la Société des Américanistes .Tome LXVIII. PARIS RICHARD CHAPELLE 1968 0 AMERIQUE +AEM-01 D303 DI.976.013.001 A01 DI.976.013.001A01 00:00:01 00/00/00 COLOMBIE RIOS PUTUMAYO & CAQUETA BORA MUSIQUE DES INDIENS BORA ET WITOTO D'AMAZONIE COLOMBIENNE SOLO D'OCARINA N Sous-table non exportée N Sous-table non exportée GUYOT, M. & GASCHE, J. 0 0 AMERIQUE +AEM-01 D303 DI.976.013.001 A02 DI.976.013.001A02 00:00:01 00/00/00 COLOMBIE RIVIERE PUTUMAYO & CAQUETA BORA MUSIQUE DES INDIENS BORA ET WITOTO D'AMAZONIE COLOMBIENNE CHANT TCHAKOMI N Sous-table non exportée N Sous-table non exportée GUYOT, MIREILLE & GASCHE, JURG 0 0 AMERIQUE +AEM-01 D303 DI.976.013.001 A03 DI.976.013.001A03 00:00:02 01/01/69 COLOMBIE RIVIERE PUTUMAYO & CAQUETA BORA MUSIQUE DES INDIENS BORA ET WITOTO D'AMAZONIE COLOMBIENNE CH DIURNE DE BA?HA N Sous-table non exportée N Sous-table non exportée GUYOT, MIREILLE & GASCHE, JURG 1969 0 AMERIQUE +RIKSEPRP-2 D174S DI.976.014.001 A01 DI.976.014.001A01 00:00:00 n SUEDE MUNVIGA MUNGIGARE Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +RIKSEPI D174M DI.976.014.002 A01 DI.976.014.002A01 00:00:00 n FINLANDE FINSK FOLK MUSIK Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RIKSLPX-8 D303S DI.976.014.003 A01 DI.976.014.003A01 00:00:00 n SUEDE MUSIC FRAN TANZANIA Sous-table non exportée Sous-table non exportée 1970 0 EUROPE +CAP-1090 D303S DI.976.014.004 A01 DI.976.014.004A01 00:00:00 n TUNISIE MUSIK FRAN TUNISIEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +RIKSLPF-3 D303S DI.976.014.005 A01 DI.976.014.005A01 00:00:00 n SUEDE VISOR OCH LATER FRAN BOHUSLAN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RELP-1125 D303S DI.976.014.006 A01 DI.976.014.006A01 00:00:00 n SUEDE LATAR FRAN BINGSJO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RHLP-1206 D303S DI.976.014.007 A01 DI.976.014.007A01 00:00:00 n SUEDE LATAR FRAN OSTBJORKA Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +SLPD-2039 D303S DI.976.014.008 A01 DI.976.014.008A01 00:00:00 n SUEDE SPELMANSSTAMMA I DELSBO Sous-table non exportée Sous-table non exportée 1971 0 EUROPE +RIKSLPF-5 D303S DI.976.014.009 A01 DI.976.014.009A01 00:00:00 n SUEDE UNGA DALASPELMAN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RIKSLPF-1 D303S DI.976.014.010 A01 DI.976.014.010A01 00:00:00 n SUEDE MUNSPEL OCH HANDKLAVER Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLP-18 D303S DI.976.014.011 A01 DI.976.014.011A01 00:00:00 n SUEDE SPELMAN SLATAR FRAN HALSINGLAND Sous-table non exportée Sous-table non exportée 1968 0 EUROPE +SLP-2025 D303S DI.976.014.012 A01 DI.976.014.012A01 00:00:00 n SUEDE SPELMANSLATAR FRAN UPPLAND Sous-table non exportée Sous-table non exportée 1969 0 EUROPE +SLP-2041 D303S DI.976.014.013 A01 DI.976.014.013A01 00:00:00 SUEDE SPELMANSLATER FRAN SKANE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +RIKSLP-45 D303M DI.976.014.014 A01 DI.976.014.014A01 00:00:00 n SUEDE LAND DU VALSIGNADE. MUSIK FRAN INDUSTRIALISMENS GENOMBROTT Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CAP-1098 D303M DI.976.014.015 A01 DI.976.014.015A01 00:00:00 n SUEDE SPELMAN I JAMTLAND OCH HARJEDALEN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +64916 D303M DI.976.014.016 A01 DI.976.014.016A01 00:00:00 n SUEDE ALDRE SVENSKA SPELMAN, VOL.1 Sous-table non exportée Sous-table non exportée 5593 0 EUROPE +80752 D303M DI.976.014.017 A01 DI.976.014.017A01 00:00:00 n SUEDE ALDRE SVENSKA SPEMAN VOL. 2 Sous-table non exportée Sous-table non exportée 5191 0 EUROPE +SLPD-2040 D303S DI.976.014.018-1/2 :01A01 DI.976.014.018-1/2:01A01 00:00:00 n SUEDE HJORT ANDERS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +AEV-01 D303S DI.976.015.001 A01 DI.976.015.001A01 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LES MESURES EGALES=*TR BINH BAN VAN=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Penta= do,ré,fa,sol,la Di. réalisé au profit des orphelins vietnamiens. N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A02 DI.976.015.001A02 00:02:05 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY L'AIGRETTE PLANE=*TR CO LA=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Vièle 2C "DAN CO": archet pris. Penta= do-ré-fa-sol-la N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A03 DI.976.015.001A03 00:02:12 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY SOLO DE GUIMBARDE EN BAMBOU=*TR DOC TAU DAN MOI TRE=*TRS TRAN QUANG HAI Sous-table non exportée IMPRO SOLO INSTRUMENTAL Sous-table non exportée N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A04 DI.976.015.001A04 00:02:12 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY SOLO DE GUIMBARDE EN METAL=*TR DOC TAU DAN MOI SAT=*TRS TRAN QUANG HAI Sous-table non exportée IMPRO SOLO INSTRUMENTAL Sous-table non exportée N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A05 DI.976.015.001A05 00:03:30 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LE CHANT D'AMOUR=*TR LY GIAO DUYEN=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Penta= do-ré-fa-sol-la N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A06 DI.976.015.001A06 00:02:05 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY SOLO DU MONOCORDE=*TR DOC TAU DAN DOC HUYEN=*TRS N Sous-table non exportée IMPRO SOLO INSTRUMENTAL Sous-table non exportée Cithare/table "DAN BAU": 1C. Penta= do-ré-fa-sol-la N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A07 DI.976.015.001A07 00:02:22 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY SOLO DE CUILLERS=*TR DOC TAU MUONG=*TRS Sous-table non exportée IMPRO SOLO INSTRUMENTAL Sous-table non exportée Variations rythmiques• 1976 0 ASIE +AEV-01 D303S DI.976.015.001 A08 DI.976.015.001A08 00:02:38 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY CHANT DIPHONIQUE=*TR HAT HAI GIONG=*TRS N Sous-table non exportée CHT DIPHONIQUE Sous-table non exportée _Dossier n°1: le chant diphonique_ L'Institut de la voix; Limoge; 1989 [Cht diphonique d'origine mongole, revu par Tran Q.H.] N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 B01 DI.976.015.001B01 00:01:25 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LA CUEILLETTE DES FLEURS=*TR HAI HOA=*TRS N Sous-table non exportée N Sous-table non exportée Penta=do-ré-fa-sol-la N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 B02 DI.976.015.001B02 00:02:05 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY L'EAU QUI COULE, VERSION COURTE=*TR LUU THUY DOAN=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Vièle 2C "DAN CO": archet pris. Penta= do-ré-fa-sol-la N 1976 0 ASIE +AEV-01 D303S DI.976.015.001 B03 DI.976.015.001B03 00:03:07 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR QUA CAU GIO BAY=*TRS N Sous-table non exportée Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Penta=do-ré-fa-sol-la [Déclamation poétique dans le style _samac_ (do-mib-fa-sol-sib-do) avec accompagnement de cithare, suivie d'uncht accompagné à la guitare. Interprétation nouvelle d'un cht populaire] Solo voc + instrs N 1976 Populaire 0 ASIE +AEV-01 D303S DI.976.015.001 B04 DI.976.015.001B04 00:04:40 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LE CHANT EN FRANCHISSANT LE COL=*TR LY QUA DEO=*TRS N Sous-table non exportée Sous-table non exportée Flûte "TIEU" : emb. à encoche. [Interprétation nouvelle d'un cht populaire]• Solo voc + instrs N 1976 Populaire 0 ASIE +AEV-01 D303S DI.976.015.001 B05 DI.976.015.001B05 00:03:40 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LE CHANT SUR LE CROASSEMENT DU CORBEAU=*TR LY QUA KEU=*TRS N Sous-table non exportée Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). N 1976 Populaire 0 ASIE +AEV-01 D303S DI.976.015.001 B06 DI.976.015.001B06 00:05:05 n VIETNAM SUD VIETNAM VIETNAMIENS M TRADITION. DU VIETNAM. TRAN QUANG HAI & HOANG MONG THUY LA NOSTALGIE DU PASSE=*TR VONG CO=*TRS N Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Penta= do-mib-fa-sol-la N 1976 0 ASIE +558512 D303S DI.976.016.001 A01 DI.976.016.001A01 00:07:45 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION DANS LE STYLE DU CHAU VAN ET DU HAU VAN Sous-table non exportée IMPROVISATION Sous-table non exportée Musique traditionnelle "repensée" par Trân Van Khê et Trân Quang Hai, et enregistrée à Paris. Luth 2C "DAN KIM": caisse en forme de lune. Musique de possession interprétée dans un nouveau style avec le concept d'innovation. Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558512 D303S DI.976.016.001 A02 DI.976.016.001A02 00:04:35 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION RYTHMIQUE Sous-table non exportée IMPROVISATION Sous-table non exportée Improvisation rythmique entre tambour et cuillers est une création nouvelle. Polyrythmie • STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558512 D303S DI.976.016.001 A03 DI.976.016.001A03 00:09:15 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION DANS LE MODE QUANG Sous-table non exportée IMPROVISATION Sous-table non exportée Luth 2C "DAN KIM": caisse en forme de lune. Variations rythmiques• STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558512 D303S DI.976.016.001 B01 DI.976.016.001B01 00:07:15 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION DANS LE MODE TRISTE Sous-table non exportée IMPROVISATION Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558512 D303S DI.976.016.001 B02 DI.976.016.001B02 00:12:05 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION DANS LA NUANCE XUAN Sous-table non exportée IMPROVISATION Sous-table non exportée Cithare "DAN TRANH": 17C métal, pincées. Variations rythmiques• STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558512 D303S DI.976.016.001 B03 DI.976.016.001B03 00:03:55 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. NOUVELLE MUSIQUE TRADITIONNELLE IMPROVISATION DANS LE MODE SA MAC Sous-table non exportée IMPROVISATION Sous-table non exportée Cithare "DAN TRANH": 17C métal, pincées. Rythme libre• STUDIO DE LA MAISON DE LA RADIO, PARIS 1973 0 ASIE +558513 D303M DI.976.016.002 A01 DI.976.016.002A01 00:00:00 n GEORGIE GEORGIE. CHANTS DE TRAVAIL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +IASM-002 D303M DI.976.017.001 A01 DI.976.017.001A01 00:00:00 n AUSTRALIE SONGS FROM THE NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +IAS-M-002 D303M DI.976.017.002 A01 DI.976.017.002A01 00:00:00 n AUSTRALIE SONGS FROM THE NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +IAS-M-003 D303M DI.976.017.003 A01 DI.976.017.003A01 00:00:00 AUSTRALIE SONGS FROM THE NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +IAS-M-004 D303M DI.976.017.004 A01 DI.976.017.004A01 00:00:00 n AUSTRALIE SONGS FROM THE NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +IAS-M-005 D303M DI.976.017.005 A01 DI.976.017.005A01 00:00:00 n AUSTRALIE SONGS FROM PTHE NORTHERN TERRITORY Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +AIAS-6 D303M DI.976.017.006 A01 DI.976.017.006A01 00:00:00 n AUSTRALIE SONGS FROM ARNHEM LAND Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +AIAS-7 D303M DI.976.017.007 A01 DI.976.017.007A01 00:00:00 n AUSTRALIE SONGS FROM YARRABAH Sous-table non exportée Sous-table non exportée -60 0 OCEANIE +AIAS-11 D303M DI.976.017.008 A01 DI.976.017.008A01 00:00:00 n AUSTRALIE TRADITIONAL MUSIC OF TORRES STRAIT Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +LDX-74516 D303S DI.977.001.001 A01 DI.977.001.001A01 00:00:00 n FRANCE M. TRADITIONNELLE DES PAYS DE FRANCE Sous-table non exportée Sous-table non exportée -21173 0 EUROPE +VPA-8251 D303S DI.977.001.002 A01 DI.977.001.002A01 00:02:16 n ITALIE ITALIENS GENERAZIONE VIETNAM LIBERIAMO IL SUD VIETNAM SIENG,NICOTRA,CARIOLI,GINESTRI Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire est considéré comme l'hymne national du Front National de Libération (FNL) pendant la guerre contre les Américains. Cet hymne a été composé par Huynh Minh Siêng (pseudonyme du grand compositeur Luu Huu Phuoc) en 1960. Antologia storica di 16 canzoni di solidarieta cantate in Italia e nel Monde alle manifestazioni pacifiste degli anni '50 '60 '70. Rythme mesuré• Choeur & 1 instr GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A02 DI.977.001.002A02 00:04:27 n ITALIE ITALIENS GENERAZIONE VIETNAM LETTERA ALLA MIA AMICA MEDICI,VARINI,ANONIMO Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée chant révolutionnaire en faveur du Vietnam Rythme mesuré• Solo voc + instrs GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A03 DI.977.001.002A03 00:01:27 n ITALIE ITALIENS GENERAZIONE VIETNAM GIU' LE MANI DAL VIETNAM GIUFFRIDA,NICOTRA,BOFFARDI,CARIOLI Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée chant révolutionnaire en faveur du Vietnam Rythme mesuré• Choeur & 1 instr GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A04 DI.977.001.002A04 00:02:37 n ITALIE ITALIENS GENERAZIONE VIETNAM ARGENTO E ORO MEDICI,VARINI,BEIDLER Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A05 DI.977.001.002A05 00:02:40 n ITALIE ITALIENS GENERAZIONE VIETNAM YANKEE, TORNATEVENE A CASA GIUFFRIDA,NICOTRA,BOFFARDI,CARIOLI Sous-table non exportée Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A06 DI.977.001.002A06 00:03:35 n ITALIE ITALIENS GENERAZIONE VIETNAM CANTO POR NGUYEN VA TROI MEDICI,VARINI,XUAN Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A07 DI.977.001.002A07 00:02:23 n ITALIE ITALIENS GENERAZIONE VIETNAM AL POETA COMPAGNO VINH LONG GIUFFRIDA,NICOTRA,NOCCIOLINO Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 A08 DI.977.001.002A08 00:02:16 n ITALIE ITALIENS GENERAZIONE VIETNAM GIURAMENTO MEDICI,VARINI,KHANH Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant revolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 B01 DI.977.001.002B01 00:02:38 N VIETNAM SUD VIETNAM VIETNAMIENS GENERAZIONE VIETNAM INNO VIETCONG, VERSION ORIGINALE GIAI PHONG MIEN NAM HUYNH MINH SIENG Sous-table non exportée HYMNE Sous-table non exportée Ce chant était utilisé comme hymne national du Front National de Libération pendant 15 ans (1960-1975). Il a été composé par Huynh Minh Siêng (pseudonyme du regretté compositeur Luu Huu Phuoc, décédé en 1990) Cette version officielle a été chantée pendant la guerre contre les Américains au Vietnam (1960-75). Depuis l'unification du pays, cet air disparaît avec la dissolution du FNL. Rythme mesuré• DIHAVINA, HANOI 1975 0 ASIE +VPA-8251 D303S DI.977.001.002 B02 DI.977.001.002B02 00:02:58 N FRANCE FRANCAIS GENERAZIONE VIETNAM LA BALLADE DE HO CHI MINH MACCOLL, GANSEL,GROSZ Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 B03 DI.977.001.002B03 00:02:44 N CUBA CUBAINS GENERAZIONE VIETNAM LOS VIETNAMITAS / I VIETNAMITI PUEBLA,ICAIC Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 AMERIQUE +VPA-8251 D303S DI.977.001.002 B04 DI.977.001.002B04 00:02:18 N SUEDE SUEDOIS GENERAZIONE VIETNAM ERKANN PRR / RICONOSCETE IL GRP OSTRA Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 B05 DI.977.001.002B05 00:02:14 N ALLEMAGNE ALLEMANDS GENERAZIONE VIETNAM VIETNAMESISCHES SIEGESLIED/ CANTO DI VITTORIA VIETNAMITA MITCHELL Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 B06 DI.977.001.002B06 00:02:13 N CHILI CHILIENS GENERAZIONE VIETNAM POR VIETNAM / PER IL VIETNAM CARRASCO, GOMEZ Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée chant révolutionnaire en faveur du Vietnam. Rythme mesuré• GINESTRI GIANFRANCO 1975 0 AMERIQUE +VPA-8251 D303S DI.977.001.002 B07 DI.977.001.002B07 00:02:18 N URSS SOVIETIQUE GENERAZIONE VIETNAM PIRATI DEL VENTESIMO SECOLO=*TR PIRATI DVATZATOVA VIEKA=*TRS MAZIKAITE Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 EUROPE +VPA-8251 D303S DI.977.001.002 B08 DI.977.001.002B08 00:03:23 N USA AMERICAINS GENERAZIONE VIETNAM WE SHALL OVERCOME SEEGER,CARAVAN, HAMILTON,HORTON Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant révolutionnaire en faveur du Vietnam Rythme mesuré• GINESTRI GIANFRANCO 1975 0 AMERIQUE +LLST-7157 D303S DI.977.001.003 A01 DI.977.001.003A01 00:00:00 n CONGO M. OF THE RAIN FOREST PYGMIES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06418080 D303S DI.977.001.004 A01 DI.977.001.004A01 00:00:00 n THAILANDE THAILAND. THE M. OF CHIENG MAI Sous-table non exportée Sous-table non exportée 0 0 ASIE +06417968 D303S DI.977.001.005 A01 DI.977.001.005A01 00:00:00 n HONG KONG HONG KONG. INSTRUMENTAL M. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2051 D303S DI.977.001.006 A01 DI.977.001.006A01 00:00:00 n INDE VOCAL M (ALAP DHAMAR KHYAL THUMRI) Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2052 D303S DI.977.001.007 A01 DI.977.001.007A01 00:00:00 n INDONESIE;JAVA VOCAL M.: BHAJANA,TAPPA STRING INSTR.: VINA,SARANGI DRUMS PA Sous-table non exportée Sous-table non exportée 3 0 ASIE +BM-30-SL-2053 D303S DI.977.001.008 A01 DI.977.001.008A01 00:00:00 n INDE STRING INSTRUMENTS:SITAR,SURASHRINGAR,SURBAHAR,VICHITRA VINA Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2054 D303S DI.977.001.009 A01 DI.977.001.009A01 00:00:00 n INDE STRING INSTRUMENTS:SAROD DILRUBA;WIND * Sous-table non exportée Sous-table non exportée 0 0 ASIE +CBS-80213 D303S DI.977.001.010 A01 DI.977.001.010A01 00:00:00 n INDE INDE DU SUD. L'ART DU VINA Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VPA-8232 D303S DI.977.001.011 A01 DI.977.001.011A01 00:00:00 n GABON GABON, MUSICA DA UN MICROCOSMO EQUATORIALE Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +VPA-8249 D303S DI.977.001.012 A01 DI.977.001.012A01 00:00:00 n INDE;MADHYA PRADESH M. POPOLARE E RELIGIOSA DELL' INDIA DEL NORD. VOL.1.AREA DI GWALIOR Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VPA-8218 D303S DI.977.001.013 A01 DI.977.001.013A01 00:00:00 CHYPRE MUSICA POPOLARE DI CIPRO Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8225 D303S DI.977.001.014 A01 DI.977.001.014A01 00:00:00 n GUATEMALA "FIESTAS" IN GUATEMALA Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +VPA-8230 D303S DI.977.001.015 A01 DI.977.001.015A01 00:00:00 n ETHIOPIE M. DELL' ETIOPIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558501 D303S DI.977.001.016 A01 DI.977.001.016A01 00:00:00 n INDONESIE;BALI BALI. JOGED BUMBUNG Sous-table non exportée Sous-table non exportée 1974 0 ASIE +558502 D303S DI.977.001.017 A01 DI.977.001.017A01 00:00:00 INDONESIE;SUNDA SUNDA. M. ET CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée 0 0 ASIE +558503 D303S DI.977.001.018 A01 DI.977.001.018A01 00:00:00 N INDE INDE DU SUD. CONCERT DE VINA, PAR E.S. SASTRI Sous-table non exportée Sous-table non exportée 1975 0 ASIE +558504 D303S DI.977.001.019 A01 DI.977.001.019A01 00:00:00 n GABON GABON. M. DES PYGMEES BIBAYAK Sous-table non exportée Sous-table non exportée 65 0 AFRIQUE +558505 D303S DI.977.001.020 A01 DI.977.001.020A01 00:00:00 n ROUMANIE ROUMANIE: LE MONASTERE DE PUTNA Sous-table non exportée Sous-table non exportée 1974 0 EUROPE +558506 D303S DI.977.001.021 A01 DI.977.001.021A01 00:00:00 ROUMANIE ROUMANIE. M. DE MARIAGE DE MARAMURES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74434 D303S DI.977.002.001 A01 DI.977.002.001A01 00:00:00 n GB;ANGLETERRE SPECIAL INSTRUMENAL LA GUIMBARDE PAR JOHN WRIGHT Sous-table non exportée Sous-table non exportée 0 0 EUROPE +PFE-2 D303S DI.977.003.001 A01 DI.977.003.001A01 00:00:00 n GRECE GREEK FOLK M. M. FROM MACEDONIA,THRACE, * Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BM-30-L-2022 D303M DI.977.004.001 A01 DI.977.004.001A01 00:03:57 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. DANSE DU CHEVAL ET MANG MA VU & MANG Sous-table non exportée DANSE ROYALE Sous-table non exportée Il s'agit de la danse - non du cheval- mais de la licorne, l'un des 4 animaux fabueux. La danse Mang serait la danse des rois barbares apportant leur tribut L'orchestre dai nhac n'est pas au complet comme la description du texte. Dans la musique qui accompagne la danse mang, on remarque une metabole (passage d'un système pentatonique à un autre avec ou sans retour au premier). Cet enregistrement a été effectué à la demande de M.Trân Van Khê pour une reconstitution de la musique de cour en voie de disparition. Cette musique se joue une fois l'an à l'occasion d'une fête annuelle ou parfois pour accueillir les chefs d'état étrangers (Trân Quang Hai). Rythme mesuré• TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 A02 DI.977.004.001A02 00:03:26 -1 VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. DANSE DU PHENIX PHUNG VU Sous-table non exportée DANSE Sous-table non exportée Danse de cour. Cette pièce permet au joueur de la flûte traversière de montrer sa virtuosité C'est un extrait commencé par un roulement du petit tambour suivi d'un prélude au rythme libre exécuté par la flûte traversière. La tonique correspond au Fa dièse. TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 A03 DI.977.004.001A03 00:01:58 -1 VIETNAM CENTRE VIETNAM,HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. EN MONTANT SUR L'ESPLANADE DANG DANG CUNG Sous-table non exportée M. DE COUR Sous-table non exportée Musique de cour exécutée avec plusieurs variations chaque fois que l'empereur montait sur l'esplanande. Ce thème avait été employé pour composer l'hymne national du Vietnam monarchique avant la révolution d'Août 1945, et aussi dans la musique de divertissement. La tonique de la mélodie est au Sol dièse. Cette pièce est jouée par l'ensemble Dai Nhac. TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 A04 DI.977.004.001A04 00:09:19 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. DIX PIECES APPELEES ROYALES OU CHINOISES THAP THU /MUOI BAI NGU, / MUOI BAI TAU Sous-table non exportée M. DE CHAMBRE Sous-table non exportée musique de divertissement royal Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Luth 2C "DAN NGUYET": caisse en forme de lune. La succession de 10 pièces se déroule comme suit: 1.Phâm tuyêt (promenade sur la neige)(2:03); 2.Nguyên Tiêu (première pleine lune de l'année)(1:12); 3.Hô quang (provinces chinoise de Honan et Hopei)(0:25); 4.Liên Hoàn (les anneaux enlacés)(1:25); 5.Binh ban (les mesures égales)(1:30); 6.Tây mai(le prunier de l'Ouest)(0:45);7.Kim Tiên (les sapèques d'or)(0:50); 8.Xuân Phong (Vent printanier)(0:20); 9.Long Hô (Dragon et Tigre)(0:12);10.Tâu Ma (le cheval au galop)(0:43). TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 A05 DI.977.004.001A05 00:08:00 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. THEATRE TRADITIONNEL DAO DIEN CHANT DE FOLLE/DAO DIEN Sous-table non exportée THEATRE Sous-table non exportée Divertissement. Cet extrait du répertoire des chants divers appelés nôi niêu comporte plusieurs chants: 1 (2:45) chant Nam; 2 (0:45) chant nam pha khach; 3.(0:35) diêu noi diêu kê (style du parler); 4.(1:05) rao don (prélude); 5.(3:05) chant mây che bong nguyêt (nuage voile la lune). Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Pièce intéressante sur le plan rythmique et le style vocal. Rythme cyclique• TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 B01 DI.977.004.001B01 00:03:03 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. LES CINQ TAMBOURS DE TONNERRE NGU LOI CO Sous-table non exportée M. DE COUR Sous-table non exportée Cette pièce est une ancienne musiquek de cour devenue musique de cérémonie exécutée dans les cortèges ou les fêtes en l'honneur des génies tutélaires. La mélodie jouée par les deux hautbois est celle d'une courte pièce appelée dang dang cung (air pour accompagner le roi lorsqu'il monte sur l'esplananade). TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 B02 DI.977.004.001B02 00:03:03 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. RECITATION DE PRIERES BOUDDHIQUES,TUNG LANG NGHIEM (SOURAMGAMA) TUNG LANG NGHIEM Sous-table non exportée CANTILLATION Sous-table non exportée Le Lang nghiêm est un sutra sur le problème de la connaissance et non pas exactement une prière.Le rythme est uniforme. Les phrases ont 7 syllabes. Chaque syllabe est ponctuée par un coup, la dernière de chaque vers par deux coups de tambour de bois mo gia tri. Chant bouddhique, mélismatique selon la tradition du Centre Vietnam. Accélération du tempo• TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 B03 DI.977.004.001B03 00:03:55 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. CHANT BOUDDHIQUE TAN NHUT DIEN Sous-table non exportée CANTILLATION Sous-table non exportée Prière bouddhique, style mélismatique. Ce chant parle de la fragilité de la vie humaine et est chanté dans le mode Nam de la musique de Huê. Luth DAN NGUYET: 2C, caisse en forme de lune. La tonique a la hauteur d'un Fa dièse.Vièle DAN NHI: 2C, archet pris. Idiophone IFT : bloc de bois à fente. Les bonzes marquent le rythme par des coups de petit gong, TANG, et de grand tambour de bois en forme de grelot, MO GIA TRI. La polyrythmie se rencontre dans la musique rituelle et la musique de théâtre. Polyrythmie • TRAN VAN KHE ET NGUYEN HUU BA 1966 RELIGIEUX ASIE +BM-30-L-2022 D303M DI.977.004.001 B04 DI.977.004.001B04 00:06:00 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. SOLO DE MONOCORDE SOLO DE MONOCORDE Sous-table non exportée INSTRUMENTAL Sous-table non exportée Musique de divertissement. Le professeur Nguyên Huu Ba joue un prélude improvisé dans le mode Nam de la musique de Huê (3:15) suivi par une autre improvisation (2:45) avec une couleur différente Cithare/table "DAN BAU": 1C. Le Pr.Nguyên Huu Ba est un des grands musiciens traditionnels au Vietnam. Il a participé à la création du Conservatoire National de la musique à Saigon. Il joue de plusieurs instruments: monocorde, vièle à 2 cordes, luth piriforme, etc... Rythme libre• TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 B05 DI.977.004.001B05 00:06:14 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. VOYAGE PAR VOIE DE TERRE, VERSION LENTE PHU LUC CHAM Sous-table non exportée CA HUE Sous-table non exportée Divertissement. Pièce de la musique de Huê. 1- Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Luth 2C "DAN NGUYET": caisse en forme de lune. Vièle 2C "DAN NHI": archet pris. 2- Traduction du chant: "Je laisse ma barque voguer sur l'eau tranquille de la rivière des parfums. Le clair de lune et la brise caressante me rappellent les promesses , les chants, les déclamations des poèmes, les sons du luth ty bà entendus naguère. Je crois te revoir, mais tu es bien loin. A qui pourrais-je confier ma peine ?" 3- Le mode khach pha thuyên, dérivé du mode Bac, exprime la solennité ou la tranquillité, après un court prélude exécuté dans le mode Bac par le trio instrumental, débute le chant sur le thème de la séparation. Exécuté sur un tempo lent• Solo voc + instrs TRAN VAN KHE; NGUYEN HUU BA 1966 Lyrique savant 0 ASIE +BM-30-L-2022 D303M DI.977.004.001 B06 DI.977.004.001B06 00:05:53 n VIETNAM CENTRE VIETNAM, HUE VIETNAMIENS LA MUSIQUE DU VIETNAM 1. PAYSAGE DES QUATRE GENERATIONS TU DAI CANH Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Divertissement. Cette pièce dans le mode Nam exprime la mélancoilie, voir la tristesse. Le tempo est marqué par un coup de cliquettes toutes les deux mesures. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Traduction du chant/"La colline verte de l'écran entourée de l'eau miroitante de la rivière des parfums me fait rêver à l'ancienne capitale. Le cri de la poule d'eau me déchire les entrailles: il me fait penser aux bouleversements de mon pays. L'océan gronde là où verdoyaient les muriers.." TRAN VAN KHE ET NGUYEN HUU BA 1966 0 ASIE +06418120 D303S DI.977.004.002 A01 DI.977.004.002A01 00:00:00 n ROUMANIE RUMANIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +06418218 D303S DI.977.004.003 A01 DI.977.004.003A01 00:00:14 00/00/00 CHILI VALPARAISO, VILLAGES DE PUCHUNCAVI ET PUCALAN CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE CHANT DES ALFERECES (PORTE DRAPEAUX) ET DANSES DES CHINOS N Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée musique et danse rituelles en honneur des divinités et des saints catholiques voir: Quelques aspects musicaux de la fiesta de la Tirana. Maîtrise d'ethnom.Nanterre.R.Martinez Musique des confréries religieuses du nord du chili.Rencontre entre deux confréries. AFT-"FLAUTA" : à emb term simple, sans T, en bois• WENZEL, JOCHEN -1 0 AMERIQUE +06418218 D303S DI.977.004.003 A02 DI.977.004.003A02 00:00:09 00/00/00 CHILI SANTIAGO, PUENTE ALTO VILLAGE EL PRINCIPAL CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE CANTO A LO PUETA VERSOS POR HISTORIA CHANT DU POETE RECITS HISTORIQUES N Sous-table non exportée POETICO-MUSICAL Sous-table non exportée Poésie chantée à l'occasion des célébrations tels que les mariages, deuil ou de joutes poétiques. Le poète commente ainsi de sujets trascendentaux ou bien des faits de la vie quotidienne voir: Dannemann,M: "El guitarron en la zona de puente alto" .Revista musical chilena. Ce genre poético-musical est encore à l'usage chez les paysans chiliens. Il s'inspire directement de l'art des troubadours dans la cour des rois d'espagne WENZEL, JOCHEN 0 0 AMERIQUE +06418218 D303S DI.977.004.003 B01 DI.977.004.003B01 00:00:05 00/00/00 CHILI COQUIMBO, VILLAGE DE TILAMA, COMMUNAUTE LOS VILOS CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE DANZA DANSE N Sous-table non exportée N Sous-table non exportée Danse rituel executée lors des veillèes funèbres des enfants de moins trois ans, ou bien dans d'autres reunions à caractère réligieux. WENZEL, JOCHEN 0 0 AMERIQUE +06418218 D303S DI.977.004.003 B02 DI.977.004.003B02 00:00:05 00/00/00 CHILI COQUIMBO, VILLAGE DE TILAMA, COMMUNAUTE LOS VILOS CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE LANCHAS N Sous-table non exportée N Sous-table non exportée danse rituel executee lors des "velorios del angelito" veillees funèbres des enfants en bas age WENZEL, JOCHEN 0 0 AMERIQUE +06418218 D303S DI.977.004.003 B03 DI.977.004.003B03 00:04:00 CHILI SANTIAGO, VILLAGE DE MAIPO CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE CUECA N Sous-table non exportée N Sous-table non exportée La cueca est la danse la plus répandue au Chili. Elle est executée a des multiples occasions , rituels funèbres ou fêtes de toutes sortes• voir: "La cueca chilena". Vega, Carlos .Revista musical chilena Harpe: 32C. Rythme 6/8 et 3/4• Choeur & 1 instr WENZEL, JOCHEN -1 0 AMERIQUE +06418218 D303S DI.977.004.003 B04 DI.977.004.003B04 00:00:05 00/00/00 CHILI SANTIAGO CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE CHANT DE DELGADINA N Sous-table non exportée ROMANCE Sous-table non exportée Version chilienne de la romance hispanique de Delgadina WENZEL, JOCHEN 0 0 AMERIQUE +06418218 D303S DI.977.004.003 B05 DI.977.004.003B05 00:00:03 00/00/00 CHILI SANTIAGO CHILIENS CHILI MUSIQUE TRADITIONNELLE METISSE HISPANO CHILIENNE TONADA CHANSON N Sous-table non exportée TONADA Sous-table non exportée Version populaire chilienne de la romance Boda de negros de Francisco de Quevedo y Villegas WENZEL, JOCHEN 0 0 AMERIQUE +06418121 D303S DI.977.004.004 A01 DI.977.004.004A01 00:00:00 n NIGER THE PEULS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06418121 D303S DI.977.004.004 B01 DI.977.004.004B01 00:00:00 n BENIN THE PEULS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06418121 D303S DI.977.004.004 B02 DI.977.004.004B02 00:00:00 n BENIN THE PEULS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06418217 D303S DI.977.004.005 A01 DI.977.004.005A01 00:00:00 n BENIN DAHOMEY BARIBA & SOMBA M. N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +06417967 D303S DI.977.004.006 A01 DI.977.004.006A01 00:00:00 n JAPON JAPAN. SEMI-CLASSICAL FOLK 11 Sous-table non exportée Sous-table non exportée 0 0 ASIE +558507/09 D303S DI.977.004.007-1/3 A01 DI.977.004.007-1/3A01 00:00:00 n INDONESIE;JAVA JAVA. "LANGEN MANDRA WANARA". OPERA DE DANUZEDJO VII Sous-table non exportée Sous-table non exportée 5 0 ASIE +558514 D303 DI.977.004.008 A01 DI.977.004.008A01 00:00:00 n EGYPTE EGYPTE. LES MUSICIENS DU NIL Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +H-72074 D303S DI.977.004.009 A01 DI.977.004.009A01 00:00:00 n INDONESIE;JAVA JAVANESE COURT GAMELAN, VOL. II. RECORDED AT THE ISTANA * Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72044 D303S DI.977.004.010 A01 DI.977.004.010A01 00:00:00 n INDONESIE;JAVA JAVANESE COURT GAMELAN FROM THE PURA PAKU ALAMAN, JOGYAKARTA Sous-table non exportée Sous-table non exportée 1971 0 ASIE +CBS-81389 D303S DI.977.004.011 A01 DI.977.004.011A01 00:00:00 n THAILANDE LES MONS DE THAILANDE Sous-table non exportée Sous-table non exportée 0 0 ASIE +OCR-85 D303M DI.977.004.012 A01 DI.977.004.012A01 00:00:00 n NIGERIA MS DU NIGERIA CENTRAL Sous-table non exportée Sous-table non exportée 1972 0 AFRIQUE +LD-5886 D303S DI.977.004.013 A01 DI.977.004.013A01 00:00:00 n NIGER LES NOMADES DU NIGER Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-74475 D303S DI.977.004.014 A01 DI.977.004.014A01 00:00:00 n KENYA KENIA. CHANTS DES GUERRIERS MASSAIS, CHASSEURS DE LIONS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +ALB-2 D303S DI.977.004.015-1/2 A01 DI.977.004.015-1/2A01 00:00:00 n USA M. DEGLI INDIANI E DEGLI ESCHIMESI DELL'AMERICA DEL NORD Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +ALB-2 D303S DI.977.004.015-1/2 C01 DI.977.004.015-1/2C01 00:00:00 n CANADA M. DEGLI INDIANI E DEGLI ESCHIMESI DELL'AMERICA DEL NORD Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4435 D303 DI.977.004.016 A01 DI.977.004.016A01 00:00:00 n HONDURAS THE BLACK CARIBS OF HONDURAS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +AMP-72902 D303S DI.977.004.017 A01 DI.977.004.017A01 00:00:00 n CAMBODGE MUSIQUE DU CAMBODGE DES FORETS Sous-table non exportée Sous-table non exportée -362 0 ASIE +AMP-72906 D303S DI.977.004.018 A01 DI.977.004.018A01 00:00:00 n INDONESIE;CELEBES(SULAWESI) MUSIQUES DES CELEBES. INDONESIE. MUSIQUES TORADJA & BUGIS Sous-table non exportée Sous-table non exportée 0 0 ASIE +AMP-72908 D303S DI.977.004.019 A01 DI.977.004.019A01 00:00:00 n ILE DE PAQUES MUSIQUES DE L'ILE DE PAQUE (RAPA-NOUI) Sous-table non exportée Sous-table non exportée 1976 0 OCEANIE +H-72016 D303S DI.977.004.020 A01 DI.977.004.020A01 00:00:00 n TRINITE & TOBAGO TRINIDAD STEEL BAND. THE SOUND OF THE SUN Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LD-114 D303 DI.977.004.021 A01 DI.977.004.021A01 00:00:00 n INDE M. CLASSIQUE DE L'INDE.RAGA MANGEYABUSHAN PAR USTAD ZIA * Sous-table non exportée Sous-table non exportée 0 0 ASIE +SDNM-102 D303S DI.977.004.022 A01 DI.977.004.022A01 00:00:00 n GRECE BYSANTINE HYMNS OF THE EPIPHANY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +DDLX-71 D303S DI.977.004.023 A01 DI.977.004.023A01 00:00:00 n ROUMANIE ION LACEANU & SES CINQ INSTRUMENTS FOLKORIQUES ROUMAINS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +AMP-72904 D303S DI.977.004.024 A01 DI.977.004.024A01 00:00:00 n USA CHANTS ET DANSES DES SIOUX Sous-table non exportée Sous-table non exportée -367 0 AMERIQUE +SDNM-105 D303S DI.977.004.025 A01 DI.977.004.025A01 00:00:00 GRECE SONGS OF AMORGOS, KYTHNOS & SIFNOS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SDNM-106 D303S DI.977.004.026 A01 DI.977.004.026A01 00:00:00 n GRECE SONGS OF THRACE (PART 1) Sous-table non exportée Sous-table non exportée 1973 0 EUROPE +H-72073 D303S DI.977.004.027 A01 DI.977.004.027A01 00:00:00 n NIGER AFRICA DRUM, CHANT & INSTRUMENTAL MUSIC. RECORDED IN NIGER,* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72073 D303S DI.977.004.027 A02 DI.977.004.027A02 00:00:00 n BURKINA FASO AFRICA DRUM, CHANT & INSTRUMENTAL MUSIC. RECORDED IN NIGER,* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72073 D303S DI.977.004.027 B01 DI.977.004.027B01 00:00:00 n MALI AFRICA DRUM, CHANT & INSTRUMENTAL MUSIC. RECORDED IN NIGER,* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72060 D303S DI.977.004.028 A01 DI.977.004.028A01 00:00:00 n IRAN A PERSIAN HERITAGE CLASSICAL MUSIC OF IRAN.* Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72014 D303S DI.977.004.029 A01 DI.977.004.029A01 00:00:00 n INDE CLASSICAL M. OF INDIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +L-2-S-123 D303S DI.977.004.030-1/3 A01 DI.977.004.030-1/3A01 00:00:00 n FRANCE GLI ZINGARI. ALLE SAINTES-MARIES-DE-LA-MER. 1968 Sous-table non exportée Sous-table non exportée 1968 0 EUROPE +6586030 D303S DI.977.004.031 A01 DI.977.004.031A01 00:00:00 n SYRIE ZIKR: ISLAMIC RITUAL; RIFA'IYYA BROTHER HOOD OF A LEPPO Sous-table non exportée Sous-table non exportée 1973 0 ASIE +VPA-8150 D303S DI.977.004.032 A01 DI.977.004.032A01 00:00:00 n ITALIE;SARDAIGNE MUSICA SARDA. VOL. 1 CANTI MONODICI Sous-table non exportée Sous-table non exportée -12241 0 EUROPE +VPA-8151 D303S DI.977.004.033 A01 DI.977.004.033A01 00:00:00 n ITALIE;SARDAIGNE MUSICA SARDA VOL2.CANTI POLIVOCALI,LITURGICI E PROCESSIONALI Sous-table non exportée Sous-table non exportée 140 0 EUROPE +VPA-8152 D303S DI.977.004.034 A01 DI.977.004.034A01 00:00:00 n ITALIE;SARDAIGNE MUSICA SARDA VOL 3. CANTI POLIVOCALI; GLI STRUMENTI MUSICALI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CETO-745 D303S DI.977.005.001 A01 DI.977.005.001A01 00:00:00 REP CENTRAFRICAINE RONDES ET JEUX CHANTES BANDA-LINDA. REPUBLIQUE CENTRAFRICAINE N Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +CETO-746 D303S DI.977.005.002 A01 DI.977.005.002A01 00:00:00 CAMEROUN BAMILEKE. CAMEROUN. FUNERAILLES D'UNE REINE BAMILEKE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +CETO-747 D303 DI.977.005.003 A01 DI.977.005.003A01 00:00:00 IRAN IRAN.BAXTYARI.NOMADES DE LA MONTAGNE N Sous-table non exportée Sous-table non exportée 1969 0 ASIE +CETO-750 D303M DI.977.005.004 A01 DI.977.005.004A01 00:00:00 N INITIATION A LA PHONETIQUE N Sous-table non exportée Sous-table non exportée -1 0 N +SDNM-101 D303S DI.977.006.001 A01 DI.977.006.001A01 00:00:00 GRECE BYZANTINE HYMNS OF CHRISTMAS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-103 D303S DI.977.006.002 A01 DI.977.006.002A01 00:00:00 GRECE SONGS OF KASOS & KARPATHOS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-104 D303S DI.977.006.003 A01 DI.977.006.003A01 00:00:00 GRECE SONGS OF RODHES, CHALKI & SYMI Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-107 D303S DI.977.006.004 A01 DI.977.006.004A01 00:00:00 GRECE THE SERVICE OF THE AKATHISTOS HYMN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-108 D303S DI.977.006.005 A01 DI.977.006.005A01 00:00:00 GRECE SONGS OF THASOS, LEMNOS & SAMOTHRACE Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-109 D303S DI.977.006.006 A01 DI.977.006.006A01 00:00:00 GRECE SONGS OF WESTERN MACEDONIA A Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-110 D303S DI.977.006.007 A01 DI.977.006.007A01 00:00:00 GRECE SONGS OF MYTILENE & CHIOS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-111 D303S DI.977.006.008 A01 DI.977.006.008A01 00:00:00 GRECE SONGS OF EPIRUS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-112 D303S DI.977.006.009 A01 DI.977.006.009A01 00:00:00 GRECE BYZANTINE HYMNS OF THE EPITAPHIOS & EASTER Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SDNM-113 D303S DI.977.006.010 A01 DI.977.006.010A01 00:00:00 GRECE SONGS OF THE PELOPONNESOS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SPR-11/113 D303S DI.977.006.011/13 A01 DI.977.006.011/13A01 00:00:00 GRECE GREEK FOLK SONGS. A MUSICAL ANTHOLOGY Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DFS-456/59 D173M DI.977.007.001/04 A01 DI.977.007.001/04A01 00:00:00 n DANEMARK GROENLAND KALATDLIT IVNGERUTITOK'AIT-GAMLE GRONLANDSKE SANGE Sous-table non exportée Sous-table non exportée 446 0 EUROPE +SANSREF-36-1/2 D303S DI.977.008.001 :01A01 DI.977.008.001:01A01 00:00:00 LIBERIA AFRICA. SOUL FROM THE BEGINNING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +SANSREF-36-1/2 D303S DI.977.008.001 :01B01 DI.977.008.001:01B01 00:00:00 GUINEE AFRICA. SOUL FROM THE BEGINNING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +SANSREF-36-1/2 D303S DI.977.008.001 :02A01 DI.977.008.001:02A01 00:00:00 BURKINA FASO AFRICA. SOUL FROM THE BEGINNING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +SANSREF-36-1/2 D303S DI.977.008.001 :02A05 DI.977.008.001:02A05 00:00:00 GHANA AFRICA. SOUL FROM THE BEGINNING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +SANSREF-36-1/2 D303S DI.977.008.001 :02B01 DI.977.008.001:02B01 00:00:00 NIGER AFRICA. SOUL FROM THE BEGINNING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-74645 D303S DI.977.009.001 A01 DI.977.009.001A01 00:00:00 1975-76 INDE;RAJASTHAN FLUTES DU RAJASTHAN N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +30833/36 D303S DI.977.010.001/02 A01 DI.977.010.001/02A01 00:00:00 -1 URSS;RSFS RUSSIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 B01 DI.977.010.001/02B01 00:00:00 -1 URSS;RSS UKRAINE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 B03 DI.977.010.001/02B03 00:00:00 -1 URSS;RSS BIELORUSSIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 B06 DI.977.010.001/02B06 00:00:00 -1 URSS;RSS OUZBEKISTAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 B10 DI.977.010.001/02B10 00:00:00 -1 KAZAKHSTAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 C01 DI.977.010.001/02C01 00:00:00 GEORGIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 C03 DI.977.010.001/02C03 00:00:00 AZERBAIDJAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 C05 DI.977.010.001/02C05 00:00:00 URSS;RSS LITUANIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 C07 DI.977.010.001/02C07 00:00:00 URSS;RSS MOLDAVIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 C09 DI.977.010.001/02C09 00:00:00 URSS;RSS LETTONIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30833/36 D303S DI.977.010.001/02 D01 DI.977.010.001/02D01 00:00:00 URSS;RSS KIRGHIZISTAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 D03 DI.977.010.001/02D03 00:00:00 TADJIKISTAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 D06 DI.977.010.001/02D06 00:00:00 URSS;RSS ARMENIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 D09 DI.977.010.001/02D09 00:00:00 TURKMENISTAN FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +30833/36 D303S DI.977.010.001/02 D12 DI.977.010.001/02D12 00:00:00 URSS;RSS ESTONIE FOLK MUSIC OF THE PEOPLES OF THE USSR=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 A01 DI.977.010.003A01 00:00:00 URSS;RSFS RUSSIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 A04 DI.977.010.003A04 00:00:00 URSS;RSS UKRAINE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 A05 DI.977.010.003A05 00:00:00 URSS;RSS BIELORUSSIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 A06 DI.977.010.003A06 00:00:00 URSS;RSS OUZBEKISTAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 A07 DI.977.010.003A07 00:00:00 KAZAKHSTAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 A08 DI.977.010.003A08 00:00:00 GEORGIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 A09 DI.977.010.003A09 00:00:00 AZERBAIDJAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 B01 DI.977.010.003B01 00:00:00 URSS;RSS LITUANIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 B02 DI.977.010.003B02 00:00:00 URSS;RSS MOLDAVIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 B03 DI.977.010.003B03 00:00:00 URSS;RSS LETTONIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08746/47 D303S DI.977.010.003 B04 DI.977.010.003B04 00:00:00 URSS;RSS KIRGHIZISTAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 B05 DI.977.010.003B05 00:00:00 TADJIKISTAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 B06 DI.977.010.003B06 00:00:00 URSS;RSS ARMENIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 B07 DI.977.010.003B07 00:00:00 TURKMENISTAN LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +08746/47 D303S DI.977.010.003 B08 DI.977.010.003B08 00:00:00 URSS;RSS ESTONIE LES INSTRUMENTS DE MUSIQUE DE L'URSS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +30639/40 D303S DI.977.010.004 A01 DI.977.010.004A01 00:00:00 URSS;YAKOUTIE MUSIQUE FOLKLORIQUE DES YAKOUTES=*TR N Sous-table non exportée Sous-table non exportée 1968 0 ASIE +30-0881/82 D303S DI.977.010.005 A01 DI.977.010.005A01 00:00:00 URSS;RA TOUVA IVAN ALEXEIEF,XOMUS=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +030773/74 D303S DI.977.010.006 A01 DI.977.010.006A01 00:00:00 URSS;RA TOUVA LES CHANTS ET MELODIES INSTRUMENTALES DE TOUVA=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +06447/48 D303S DI.977.010.007 A01 DI.977.010.007A01 00:00:00 URSS;RSFS RUSSIE LES INTERPRETES POPOULAIRES CHANTENT=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +08765/08 D303S DI.977.010.008/09 A01 DI.977.010.008/09A01 00:00:00 URSS;RSFS RUSSIE ORPHEE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +35877/78 D303S DI.977.010.010 A01 DI.977.010.010A01 00:00:00 JAPON GAGAKU=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +3300030375 D173M DI.977.010.011 A01 DI.977.010.011A01 00:00:00 n MONGOLIE (REP POPU) CHANTS MONGOLS Sous-table non exportée Sous-table non exportée 0 0 ASIE +9204907/14 D173M DI.977.010.012/15 A01 DI.977.010.012/15A01 00:00:00 n URSS ATLAS OF MUSICAL INSTRUMENTS OF THE PEOPLES INHABITING THE U Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4179 D303M DI.978.001.001-1/2 A01 DI.978.001.001-1/2A01 00:04:20 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HAICHULA, PRE DAWN CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A03 DI.978.001.001-1/2A03 00:01:35 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HOSHOCHERIKO Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A04 DI.978.001.001-1/2A04 00:01:38 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 KOT TE HEPE "BODY DRY" Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A05 DI.978.001.001-1/2A05 00:01:39 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HO? HO? HO? Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A06 DI.978.001.001-1/2A06 00:01:43 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HO KREK, A/K SHOORT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A07 DI.978.001.001-1/2A07 00:03:18 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HU KU HUU Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A08 DI.978.001.001-1/2A08 00:01:03 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HA? HA? : MOCKING XALPEN Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A09 DI.978.001.001-1/2A09 00:02:33 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HOSHR K'LICH CHOUCHA Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A10 DI.978.001.001-1/2A10 00:01:23 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 KULPUSH, NAME OF THE SPIRIT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 A11 DI.978.001.001-1/2A11 00:04:18 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HEHE Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B12 DI.978.001.001-1/2B12 00:02:53 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YOYOYOYO Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B13 DI.978.001.001-1/2B13 00:01:50 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 MAUKEL (PIMAULK) Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B14 DI.978.001.001-1/2B14 00:03:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HUP KE KEP Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B15 DI.978.001.001-1/2B15 00:02:19 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 MAUDE-EN Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B16 DI.978.001.001-1/2B16 00:01:23 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HU? KU? Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B17 DI.978.001.001-1/2B17 00:02:16 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HUSH LISH HEUWAN Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B18 DI.978.001.001-1/2B18 00:02:03 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YO SHU XE E YO Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B19 DI.978.001.001-1/2B19 00:01:57 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YO TE KO HO O RU O Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 B20 DI.978.001.001-1/2B20 00:02:50 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 MAA TONI : "NOW FAR AWAY" : THEME Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C21 DI.978.001.001-1/2C21 00:02:08 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YO TE KO LI HO HO LI Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C22 DI.978.001.001-1/2C22 00:02:17 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HAIN KOJN HORSHO Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C23 DI.978.001.001-1/2C23 00:00:19 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 CLAPPING AND CLICKING Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C24 DI.978.001.001-1/2C24 00:02:54 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HEJ KA RAK? Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C25 DI.978.001.001-1/2C25 00:01:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HALAHACHES Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C26 DI.978.001.001-1/2C26 00:02:42 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 LOLA K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C27 DI.978.001.001-1/2C27 00:02:02 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 EJICH K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C28 DI.978.001.001-1/2C28 00:01:48 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 NONEN SHAMAN CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C29 DI.978.001.001-1/2C29 00:01:31 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YOTER K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C30 DI.978.001.001-1/2C30 00:01:43 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 FIRST OTRICH K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 C31 DI.978.001.001-1/2C31 00:01:54 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 SECOND OTRICH K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D32 DI.978.001.001-1/2D32 00:02:34 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 FIRST HALUPE K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D33 DI.978.001.001-1/2D33 00:01:10 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 SECOND HALUPE K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D34 DI.978.001.001-1/2D34 00:01:16 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 YOIMOLKA K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D35 DI.978.001.001-1/2D35 00:02:48 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 KAUHUALPAN K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D36 DI.978.001.001-1/2D36 00:01:57 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HARICHO K'MEYU Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D37 DI.978.001.001-1/2D37 00:01:36 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 ANIEN K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D38 DI.978.001.001-1/2D38 00:02:06 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 KACHIRA K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D39 DI.978.001.001-1/2D39 00:02:32 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 KAUYIYA K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D40 DI.978.001.001-1/2D40 00:01:51 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 HALKAN K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D41 DI.978.001.001-1/2D41 00:02:28 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 AMILKEN K'MEYU CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +FE-4179 D303M DI.978.001.001-1/2 D42 DI.978.001.001-1/2D42 00:02:21 n ARGENTINE SELK'NAM SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL. 2 GUANACO MYTH CHANT Sous-table non exportée Sous-table non exportée Voir volume I (même titre). Réf: DI.972.014.001 En attendant une classification de la voix qui nous paraîsse convaincante, nous avons classé ici ce type d'émission vocale comme "voix chantée" (vc-). ANNE CHAPMAN Terre de Feu 1966 0 AMERIQUE +GRV-1020 D303S DI.978.002.001 A01 DI.978.002.001A01 00:00:00 n INDONESIE;BALI SEMAR PEGULINGAN/GOLDEN GONG OF BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +GRV-1030 D303S DI.978.002.002 A01 DI.978.002.002A01 00:00:00 n AUSTRALIE SONGS OF DJOLI LAIWANGA BAMYILI CORROBOREE Sous-table non exportée Sous-table non exportée 1976 0 OCEANIE +CDFB-005 D173M DI.978.003.001 A01 DI.978.003.001A01 00:00:00 n BRESIL FANDANGO/MOCAMBIQUE Sous-table non exportée Sous-table non exportée 1974 0 AMERIQUE +CDFB-006 D173M DI.978.003.002 A01 DI.978.003.002A01 00:00:00 n BRESIL COCOS DE ALAGOAS Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +CDFB-007 D173M DI.978.003.003 A01 DI.978.003.003A01 00:00:00 n BRESIL BOI CALEMBA/BAMBELO Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +AF-7601 D303S DI.978.004.001 A01 DI.978.004.001A01 00:00:00 n IRAK RITE DE L'EGLISE ASSYRO CHALDEENNE Sous-table non exportée Sous-table non exportée 0 0 ASIE +MOAE-5001/03 D303S DI.978.005.001-1/3 A01 DI.978.005.001-1/3A01 00:00:00 n INDE THE SUBBULAKSHMI STORY* Sous-table non exportée Sous-table non exportée 1966 0 ASIE +H-72065 D303S DI.978.005.002 A01 DI.978.005.002A01 00:00:00 n INDE;HIMACHAL PRADESH FESTIVALS OF THE HIMALAYAS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +H-72071 D303S DI.978.005.003 A01 DI.978.005.003A01 00:00:00 n TIBET TIBETAN BUDDHISM/THE RITUAL ORCHESTRA & CHANTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72069 D303S DI.978.005.004 A01 DI.978.005.004A01 00:00:00 n INDE;JAMMU & KASHMIR KASHMIR. TRADITIONAL SONGS AND DANCES VOL. 2 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-SL-2565 D303S DI.978.005.005 A01 DI.978.005.005A01 00:00:00 n INDONESIE;BALI PANJI IN BALI I Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2560 D303S DI.978.005.006 A01 DI.978.005.006A01 00:00:00 n INDONESIE;LOMBOK PANJI IN LOMBOK 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2564 D303S DI.978.005.007 A01 DI.978.005.007A01 00:00:00 n INDONESIE;LOMBOK PANJI IN LOMBOK II Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2561 D303S DI.978.005.008 A01 DI.978.005.008A01 00:00:00 n MALAYSIA THE SENOI OF MALACCA Sous-table non exportée Sous-table non exportée 1963 0 ASIE +6586024 D303S DI.978.005.009 A01 DI.978.005.009A01 00:00:00 n NEPAL SUNG POETRY OF THE MIDDLE EAST Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586024 D303S DI.978.005.009 Z01 DI.978.005.009Z01 00:00:00 n TURQUIE SUNG POETRY OF THE MIDDLE EAST Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586024 D303S DI.978.005.009 Z02 DI.978.005.009Z02 00:00:00 n IRAN SUNG POETRY OF THE MIDDLE EAST Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586024 D303S DI.978.005.009 Z04 DI.978.005.009Z04 00:00:00 n SYRIE SUNG POETRY OF THE MIDDLE EAST Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586033 D303S DI.978.005.010 A01 DI.978.005.010A01 00:00:00 n FRANCE;CORSE RELIGIOUS MUSIC OF ORAL TRADITION FROM RUSIU, CORSICA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586033 D303S DI.978.005.010 U01 DI.978.005.010U01 00:00:00 -1 FRANCE;CORSE RELIGIOUS MUSIC OF ORAL TRADITION FROM RUSIU, CORSICA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +12-TS-333 D303S DI.978.005.011 A01 DI.978.005.011A01 00:00:00 n TURQUIE FOLK MUSIC OF TURKEY Sous-table non exportée Sous-table non exportée -268 0 ASIE +VPA-8206 D303S DI.978.005.012 A01 DI.978.005.012A01 00:00:00 n ITALIE MUSICHE E CANTI POPOLARI SICILIANI/CANTI DEL LA VORO VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FR-8943 D303M DI.978.005.013 A01 DI.978.005.013A01 00:00:00 n ISLAM ISLAMIC LITURGY. SONG AND DANCE AT A MEETING OF DERVISHES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4215 D303M DI.978.005.015 A01 DI.978.005.015A01 00:00:00 n THAILANDE DRUMS OF THAILAND Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4320 D303M DI.978.005.020 A01 DI.978.005.020A01 00:00:00 n NEPAL MUSIC OF A SHERPA VILLAGE Sous-table non exportée Sous-table non exportée 1972 0 ASIE +FE-4443 D303M DI.978.005.021 A01 DI.978.005.021A01 00:00:00 n URSS;RSS UKRAINE MUSIC OF THE UKRAINE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4265 D303M DI.978.005.022 A01 DI.978.005.022A01 00:00:00 n ITALIE ITALIAN FOLK MUSIC, VOL.5 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4261 D303M DI.978.005.023 A01 DI.978.005.023A01 00:00:00 n ITALIE ITALIAN FOLK MUSIC VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FW-8856 D303M DI.978.005.024 A01 DI.978.005.024A01 00:00:00 n IRAN FOLK SONGS & DANCES OF IRAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +STMEPE-0896 D303S DI.978.006.001 A01 DI.978.006.001A01 00:00:00 n ROUMANIE DUMITRU FARCAS. UN VIRTUOSE DU TARAGOTE & DE L'HAUT-BOIS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8396 D303S DI.978.007.001 A01 DI.978.007.001A01 00:03:58 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY VOYAGE PAR VOIE DE TERRE PHU LUC Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A02 DI.978.007.001A02 00:04:35 N VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée INSTRUMENTAL Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A03 DI.978.007.001A03 00:03:03 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY CHANT D'AMOUR LY TINH TANG Sous-table non exportée INSTRUMENTAL Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A04 DI.978.007.001A04 00:02:45 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY LES CINQ VEILLES NGU DIEM, BAI TA Sous-table non exportée INSTRUMENTAL Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A05 DI.978.007.001A05 00:02:00 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY SOLO DE CUILLERS DOC TAU MUONG Sous-table non exportée INSTRUMENTAL Sous-table non exportée divertissement Trân Quang Hai a créé un style d'improvisation pour les cuillers. Il est le seul à jouer des cuillers en solo. Rythme libre• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A06 DI.978.007.001A06 00:01:15 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY SOLO DE CLIQUETTES A SAPEQUES DOC TAU SINH TIEN Sous-table non exportée INSTRUMENTAL Sous-table non exportée Divertissement. C'est la première fois que les cliquettes à sapèques se jouent en solo sur disque. Instrument de musique de cour utilisé ici comme un instrument de soliste pour une improvisation rythmique. Rythme libre• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A07 DI.978.007.001A07 00:02:10 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY SOLO DE MONOCORDE DOC TAU DAN DOC HUYEN Sous-table non exportée INSTRUMENTAL Sous-table non exportée Divertissement Cithare/table "DAN BAU": 1C. Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A08 DI.978.007.001A08 00:02:29 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY L'EAU QUI COULE, LES SAPEQUES D'OR LUU THUY, KIM TIEN Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement Vièle 2C "DAN CO": archet pris. Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A09 DI.978.007.001A09 00:01:43 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY GUIMBARDE EN BAMBOU DAN MOI TRE Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 A10 DI.978.007.001A10 00:02:09 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY GUIMBARDE EN FER DAN MOI SAT Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement Rythme libre puis mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B01 DI.978.007.001B01 00:03:50 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY BERCEUSE RU CON Sous-table non exportée BERCEUSE Sous-table non exportée divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B02 DI.978.007.001B02 00:03:03 n VIETNAM NORD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY L'AIGRETTE PLANE CO LA Sous-table non exportée CHT ALTERNE Sous-table non exportée Cour d'amour Vièle 2C "DAN NHI": archet pris. Rythme binaire• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B03 DI.978.007.001B03 00:03:15 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY CHANT ALTERNE HO DOI Sous-table non exportée CHT ALTERNE Sous-table non exportée cour d'amour Rythme libre• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B04 DI.978.007.001B04 00:01:44 n VIETNAM NORD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY LA CUEILLETTE DES FLEURS HAI HOA Sous-table non exportée CHT ALTERNE Sous-table non exportée Divertissement. La première strophe est traditionnelle tandis que les 2è,3è et 4è strophes ont été écrites par le compositeur Pham Duy. Rythme binaire• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B05 DI.978.007.001B05 00:03:18 n VIETNAM NORD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY EN TRAVERSANT LA RIVIERE POUR ALLER CHERCHER DU BOIS HO SANG SONG HAI CUI Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant alterné de travail. Rythme mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B06 DI.978.007.001B06 00:01:38 n VIETNAM NORD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY CHANT DE LA FETE DE LA PLEINE LUNE HAT HOI TRANG RAM Sous-table non exportée CHT ALTERNE Sous-table non exportée chant alterne du repertoire du chant quan ho Rythme binaire• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B07 DI.978.007.001B07 00:01:53 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY LE CHANT DU RALE D'EAU LY CHIM QUYEN Sous-table non exportée CHT POPULAIRE Sous-table non exportée Divertissement. Pham Duy a rajouté les deux dernières strophes à ce chant populaire du Sud Vietnam Vièle 2C "DAN CO": archet pris. Rythme binaire• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B08 DI.978.007.001B08 00:03:25 n VIETNAM NORD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY AU PASSAGE DU PONT LE VENT ME L'A ENLEVE QUA CAU GIO BAY Sous-table non exportée CHT POPULAIRE Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• TRAN QUANG HAI 1977 0 ASIE +VPA-8396 D303S DI.978.007.001 B09 DI.978.007.001B09 00:01:55 n VIETNAM SUD VIETNAM VIETNAMIENS MUSICA DEL VIETNAM.TRAN QUANG HAI & HOANG MONG THUY CHANT DIPHONIQUE HAT HAI GIONG Sous-table non exportée CHT DIPHONIQUE Sous-table non exportée Divertissement. Technique de chant d'origine mongole, a été réutilisée par Trân quang Hai pour interpréter le chant populaire Co La. Rythme mesuré• TRAN QUANG HAI 1977 0 ASIE +LDX-74675 D303S DI.978.008.001 A01 DI.978.008.001A01 00:00:00 N REP CENTRAFRICAINE LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-74675 D303S DI.978.008.001 A03 DI.978.008.001A03 00:00:00 N TCHAD LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-74675 D303S DI.978.008.001 A04 DI.978.008.001A04 00:00:00 N GUINEE LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-74675 D303S DI.978.008.001 A05 DI.978.008.001A05 00:00:00 N INDE LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-74675 D303S DI.978.008.001 A09 DI.978.008.001A09 00:00:00 N BENIN LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-74675 D303S DI.978.008.001 A11 DI.978.008.001A11 00:00:00 N INDONESIE;JAVA LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-74675 D303S DI.978.008.001 A12 DI.978.008.001A12 00:00:00 N ILES SALOMON LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LDX-74675 D303S DI.978.008.001 B01 DI.978.008.001B01 00:00:00 N TIBET LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-74675 D303S DI.978.008.001 B03 DI.978.008.001B03 00:00:00 N BRESIL LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LDX-74675 D303S DI.978.008.001 B07 DI.978.008.001B07 00:00:00 N THAILANDE LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-74675 D303S DI.978.008.001 B12 DI.978.008.001B12 00:00:00 N MAROC LES INSTRUMENTS TRADITIONNELS. MUSIQUES DU MONDE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +558523 D303S DI.978.009.001 A01 DI.978.009.001A01 00:00:00 n INDE;RAJASTHAN RAJASTHAN. LES MUSICIENS DU DESERT Sous-table non exportée Sous-table non exportée -768 0 ASIE +NWIS-1009 D303S DI.978.010.001 A01 DI.978.010.001A01 00:00:00 01/01/78 PEROU HUANCAYO N WINAYATAQUI BOLIVIA MANTA CHOFERCITO WAYNU N Sous-table non exportée WAYNU Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A02 DI.978.010.001A02 00:00:00 01/01/78 BOLIVIE PROV.AROMA N WINAYATAQUI BOLIVIA MANTA CORPUS DE UMALA N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A03 DI.978.010.001A03 00:00:00 01/01/78 BOLIVIE LOAYZA N WINAYATAQUI BOLIVIA MANTA RECUERDOS DE LURIBAY WAUNU-MOHOCENADA N Sous-table non exportée N Sous-table non exportée Flûte "MOHOCENO": emb. lat., à bloc, tube d'insufflation externe. Tbr "WANKARA": caisse cylindrique, en bois• Duo instr BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A04 DI.978.010.001A04 00:00:00 01/01/78 BOLIVIE OROPEZA N WINAYATAQUI BOLIVIA MANTA CACHARPAYA DE YOTALA WAYNU-SURI-SICURIS N Sous-table non exportée CACHARPAYA Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A05 DI.978.010.001A05 00:00:00 01/01/78 EQUATEUR OTAVALO N WINAYATAQUI BOLIVIA MANTA PUNALES YARAVI N Sous-table non exportée N Sous-table non exportée Flûte "PHALA" : à 6T. Luth " GUITARRON" : caisse en bois, taille >60, <100cm• BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A06 DI.978.010.001A06 00:00:00 01/01/78 PEROU SUD DU PEROU N WINAYATAQUI BOLIVIA MANTA SILLA MULA N Sous-table non exportée N Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A07 DI.978.010.001A07 00:00:00 01/01/78 PEROU CUZCO N WINAYATAQUI BOLIVIA MANTA CHUNCHU Q'EROS PHALAHUITA: SOLO DE PHALAHUITA N Sous-table non exportée N Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A08 DI.978.010.001A08 00:00:00 01/01/78 BOLIVIE PROV. DE MUNECAS N WINAYATAQUI BOLIVIA MANTA KHOCHO A PACHAMAMA. JAYLLI N Sous-table non exportée JAYLLI Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 A09 DI.978.010.001A09 00:00:00 01/01/78 BOLIVIE POTOSI N WINAYATAQUI BOLIVIA MANTA MINERITO WAYNU N Sous-table non exportée WAYNU Sous-table non exportée Flûte "KENA": emb. à encoche. Luth "CHARANGO" : cordes en métal; taille <60cm. "GUITARRON": caisse en bois, taille >60, <100cm; Sonnailles "CHAJCHAS": sabots de chèvre• Solo voc + instrs BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B01 DI.978.010.001B01 00:00:00 01/01/78 PEROU AYACUCHO N WINAYATAQUI BOLIVIA MANTA CARNAVAL AYACUCHANO QHASHWA N Sous-table non exportée QHASHWA Sous-table non exportée Luth "CHARANGO" : cordes en métal; taille <60cm.AFT-Flûte emb term autre = flûte à encoche BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B02 DI.978.010.001B02 00:00:00 01/01/78 EQUATEUR VALLEE DEL CHOTA N WINAYATAQUI BOLIVIA MANTA LA VENADA BOMBA N Sous-table non exportée BOMBA Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B03 DI.978.010.001B03 00:00:00 01/01/78 BOLIVIE PROV. MUNECAS N WINAYATAQUI BOLIVIA MANTA KORIMPISA TROKAQUIRISMA N Sous-table non exportée N Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B04 DI.978.010.001B04 00:00:00 01/01/78 BOLIVIE PROV. MUNECAS N WINAYATAQUI BOLIVIA MANTA TIULA ARANWAY N Sous-table non exportée ARANWAY Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B05 DI.978.010.001B05 00:00:00 01/01/78 BOLIVIE PROV. VILLARROEL , CURAHUARA N WINAYATAQUI BOLIVIA MANTA CARNAVAL ACHACHI WAYNU-TARKAS N Sous-table non exportée N Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B06 DI.978.010.001B06 00:00:00 01/01/78 EQUATEUR NORD N WINAYATAQUI BOLIVIA MANTA ATAHUALLPA YUMBO N Sous-table non exportée YUMBO Sous-table non exportée BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B07 DI.978.010.001B07 00:00:00 01/01/78 BOLIVIE SUCRE N WINAYATAQUI BOLIVIA MANTA SALAQUE WAYNU-TAQUI N Sous-table non exportée SALAQUE Sous-table non exportée n n Luth "CHARANGO" : cordes en métal; taille <60cm. "GUITARRON" : taille entre 60 et 100cm• Sonnailles "CHAJCHAS": sabots de chèvre• Choeur & instrs BOLIVIA MANTA 1978 0 AMERIQUE +NWIS-1009 D303S DI.978.010.001 B08 DI.978.010.001B08 00:00:00 01/01/78 PEROU AYACUCHO N WINAYATAQUI BOLIVIA MANTA HELME WAYNU N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO" : cordes en métal; taille <60cm.AFT-Flûte emb term autre = flûte à encoche BOLIVIA MANTA 1978 0 AMERIQUE +AMP-72905 D303S DI.978.011.001 A01 DI.978.011.001A01 00:00:00 n TURQUIE LE CHANT DES TROUBADOURS DE TURQUIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +AMP-72907 D303S DI.978.011.002 A01 DI.978.011.002A01 00:00:00 n MADAGASCAR AIRS A DANSER POUR CITHARE. SUD-OUEST DE MADAGASCAR Sous-table non exportée Sous-table non exportée 9 0 AFRIQUE +FE-4274 D303S DI.979.001.001 A01 DI.979.001.001A01 00:00:00 n ILES SALOMON POLYNESIAN DANCES OF BELLONA (MUNGIKI) SOLOMON ISLANDS Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +001 D303S DI.979.002.001 A01 DI.979.002.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE SACRED FLUTE MUSIC FROM NEW GUINEA MADANG Sous-table non exportée Sous-table non exportée 1976 0 OCEANIE +3390501 D303S DI.979.003.001 A01 DI.979.003.001A01 00:00:00 n EQUATEUR NANDA MANACHI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +3390501 D303S DI.979.003.001 A02 DI.979.003.001A02 00:00:00 n PEROU NANDA MANACHI CANCION Y SAYA Sous-table non exportée Sous-table non exportée groupe folklorique 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 A03 DI.979.003.001A03 00:00:00 n EQUATEUR PIMAMPIRO NANDA MANACHI HUANUPAMBA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 A04 DI.979.003.001A04 00:00:00 n EQUATEUR NANDA MANACHI COMO CHIHUACO Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 A05 DI.979.003.001A05 00:00:00 n EQUATEUR NANDA MANACHI PEGUCHE CAPILLA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B01 DI.979.003.001B01 00:00:00 n EQUATEUR NANDA MANACHI SAN JUAN EN QUINCHUQUI Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B02 DI.979.003.001B02 00:00:00 n EQUATEUR NANDA MANACHI LUCITA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B03 DI.979.003.001B03 00:00:00 n EQUATEUR NANDA MANACHI AY EL CERRITO DE IMBABURA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B04 DI.979.003.001B04 00:00:00 n EQUATEUR NANDA MANACHI SAN JUAN EN NATABUELA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B05 DI.979.003.001B05 00:00:00 n EQUATEUR NANDA MANACHI JUYANIMARI Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +3390501 D303S DI.979.003.001 B06 DI.979.003.001B06 00:00:00 n EQUATEUR NANDA MANACHI CAMPESINOS Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +LDX-74662 D303S DI.979.004.001 A01 DI.979.004.001A01 00:24:00 01/08/76 INDE;JAMMU & KASHMIR LADAKH, VILLAGE PHYANG, MONASTERE DE SGANG-SNGONG LADAKHI LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. EXTRAIT D'UN RITUEL EN L'HONNEUR D'UNE DIVINITE PROTECTRICE N Sous-table non exportée RITUEL BOUDDHIQUE TIBETAIN Sous-table non exportée En l'honneur de la divinité A-phi, protectrice de monastères. Cf. "SUPPORT"; notation musicale tibétaine; textes c/° M.HELFFER. 5 parties: 1) invocation générale aux divinités; 2)séquence instrumentale; 3) prière à la déesse A-PHI (cht de style "dbyangs); 4) invocation aux gardiennes des 4 orients; 5) prière. Trompe: en métal• Choeur & instrs HELFFER M. 1976 0 ASIE +LDX-74662 D303S DI.979.004.001 B01 DI.979.004.001B01 00:00:04 N INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI,"CASTE" BE-DA LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. M. DE TIR A L'ARC. N Sous-table non exportée N Sous-table non exportée 01/08/76 Accompagne les compétitions de tir à l'arc. HELFFER M. -1 0 ASIE +LDX-74662 D303S DI.979.004.001 B02 DI.979.004.001B02 00:00:07 01/08/76 INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI,"CASTE" BE-DA LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. DANSE DE L'OISEAU ND Sous-table non exportée N Sous-table non exportée CF. "SUPPORT"; Traduc du chant HELFFER M. 1976 0 ASIE +LDX-74662 D303S DI.979.004.001 B03 DI.979.004.001B03 00:00:03 01/08/76 INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. "SUR CE PAPIER BLEU..." ND Sous-table non exportée CHT EN ? ET REPONSES Sous-table non exportée Cf. "SUPPORT"; Taduc du chant. HELFFER M. 1976 0 ASIE +LDX-74662 D303S DI.979.004.001 B04 DI.979.004.001B04 00:00:02 01/08/76 INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. "SUR LE STUPA DE CRISTAL..." N Sous-table non exportée N Sous-table non exportée n Cf. "SUPPORT"; Traduc du chant Version € de B3, par un chanteur de Radio Leh. HELFFER M. 1976 0 ASIE +LDX-74662 D303S DI.979.004.001 B05 DI.979.004.001B05 00:00:02 01/08/76 INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. CH. DE BON AUGURE ND Sous-table non exportée CHT DE BON AUGURE Sous-table non exportée CF. "SUPPORT" HELFFER M. 1976 0 ASIE +LDX-74662 D303S DI.979.004.001 B06 DI.979.004.001B06 00:00:05 01/08/76 INDE;JAMMU & KASHMIR LADAKH,LEH LADAKHI,"CASTE" BE-DA LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE. CH. EN L'HONNEUR D'UN LAMA N Sous-table non exportée LOUANGE Sous-table non exportée Cf. "SUPPORT"; Cf. B2 HELFFER M. 1976 0 ASIE +LDX-74663 D303S DI.979.004.002 A01 DI.979.004.002A01 00:00:00 n ILES SALOMON POLYPHONIES DES ILES SALOMON (GUADALCANAL ET SAVO) Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +LDX-74693 D303M DI.979.004.003 A01 DI.979.004.003A01 00:00:00 n INDONESIE;TIMOR TIMOR-CHANTS DES EMA Sous-table non exportée Sous-table non exportée -62 0 ASIE +SLPX-18037 D303S DI.979.005.001 A01 DI.979.005.001A01 00:00:00 n HONGRIE MUZSIKAS EGYUTTES. ELO NEPZENE I Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLPX-18038 D303S DI.979.005.002 A01 DI.979.005.002A01 00:00:00 n HONGRIE BUDAI ILONA. ELO NEPZENE II Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLPX-18039 D303S DI.979.005.003 A01 DI.979.005.003A01 00:00:00 n HONGRIE VIZONTO, ENSEMBLE EGYUTTES. ELO NEPZENE III Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLPX-18041 D303S DI.979.005.004 A01 DI.979.005.004A01 00:00:00 n HONGRIE TANCHAZ 1. FOLK DANCING ROOM Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SLPX-18042 D303S DI.979.005.005 A01 DI.979.005.005A01 00:00:00 n HONGRIE TANCHAZ II. ELO NEPZENE V. FOLK DANCING ROOM Sous-table non exportée Sous-table non exportée 0 0 EUROPE +558534 D303S DI.979.006.001 A01 DI.979.006.001A01 00:00:00 n SEYCHELLES SEYCHELLES 1 Sous-table non exportée Sous-table non exportée -1069 0 AFRIQUE +SAF-50057 D303S DI.979.007.001 A01 DI.979.007.001A01 00:00:00 n CAMEROUN MUSIQUE TRADITIONNELLE DU CAMEROUN, VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FR-8942 D303M DI.979.008.001 A01 DI.979.008.001A01 00:00:00 n ISLAM SUFI CEREMONY RIFA' CEREMONY Sous-table non exportée Sous-table non exportée 0 0 ASIE +EP-459033 D174S DI.979.009.001 Z01 DI.979.009.001Z01 00:01:35 n ARGENTINE INITIATION A LA KENA CANTO DE OTONO PARA KENA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche Andes -1 0 AMERIQUE +EP-459033 D174S DI.979.009.001 Z02 DI.979.009.001Z02 00:02:43 n ARGENTINE INITIATION A LA KENA CANTO DE INVIERNO PARA KENA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche Andes -1 0 AMERIQUE +EP-459033 D174S DI.979.009.001 Z03 DI.979.009.001Z03 00:02:48 n ARGENTINE INITIATION A LA KENA CANTO DE PRIMAVERA PARA KENA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche Andes -1 0 AMERIQUE +EP-459033 D174S DI.979.009.001 Z04 DI.979.009.001Z04 00:04:01 n ARGENTINE INITIATION A LA KENA CANTO DE VERANO PARA KENA Sous-table non exportée Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche Terre de Feu -1 0 AMERIQUE +558530 D303S DI.979.010.002 A01 DI.979.010.002A01 00:00:00 n GRECE GRECE. CHANTS SACRES DE LA TRADITION BYZANTINE. VOL.2 Sous-table non exportée Sous-table non exportée 1977 0 EUROPE +CA-72-1/6 D174M DI.979.012.001/03 A01 DI.979.012.001/03A01 00:00:00 n MALI SILAMAKA ET POULLORI DIT PAR TINGUIDJI S'ACCOMPAGNANT AU HOD Sous-table non exportée Sous-table non exportée 140 0 AFRIQUE +ORSTOM 72-1/6 D174M DI.979.012.004/06 A01 DI.979.012.004/06A01 00:00:00 n GABON UN MVET DE ZWE NGUEMA Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +CA-76-1/4 D173M DI.979.012.007/08 A01 DI.979.012.007/08A01 00:00:00 n MALI LE GESTE DE HAM-BODEDIO OU HAMA LE ROUGE Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +ER-76-1 D173M DI.979.012.009 A01 DI.979.012.009A01 00:00:00 TCHAD TEDA CHANTS DE SELLE TEDA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +ZF-79100 D303S DI.979.013.001 A01 DI.979.013.001A01 00:00:00 n THAILANDE DES MORTS (OF THE DEAD) Sous-table non exportée Sous-table non exportée 0 0 ASIE +ZF-79100 D303S DI.979.013.001 A02 DI.979.013.001A02 00:00:00 n MEXIQUE DES MORTS (OF THE DEAD) Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +COMS-9002 D303S DI.979.014.001 A01 DI.979.014.001A01 00:00:00 n INDE;SIKKIM TIBETAINS MUSIC IN SIKKIM Sous-table non exportée Sous-table non exportée n 1970 0 ASIE +12-TS-351 D303S DI.979.014.002 A01 DI.979.014.002A01 00:00:00 n NORVEGE FOLK MUSIC OF NORWAY Sous-table non exportée Sous-table non exportée -1069 0 EUROPE +17006/07 D303S DI.979.016.001/02 A01 DI.979.016.001/02A01 00:00:00 n JAPON HIRAGANA SEISUIKI. BUNRAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +002 D303S DI.979.017.001 A01 DI.979.017.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE WINDIM MAMBU SACRED FLUTE MUSIC FROM NEW GUINEA MADANG VOL.2 Sous-table non exportée Sous-table non exportée 1976 0 OCEANIE +VS-012 D303S DI.979.018.001 A01 DI.979.018.001A01 00:00:00 n TAIWAN MARGARET SHAO-RU SUN IN CONCERT (I) ET II Sous-table non exportée Sous-table non exportée -463 0 ASIE +LLST-7310 D303S DI.979.019.001 A01 DI.979.019.001A01 00:00:00 n INDONESIE;JAVA STREET MUSIC OF CENTRAL JAVA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7315 D303S DI.979.019.002 A01 DI.979.019.002A01 00:00:00 N BRESIL AFRO-BRAZILIAN RELIGIOUS SONGS. CANTIGAS DE CANDOMBLE... Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7284 D303S DI.979.019.003 A01 DI.979.019.003A01 00:00:00 n YEMEN MUSIC FROM YEMEN ARABIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72053 D303S DI.979.019.004 A01 DI.979.019.004A01 00:00:00 n AFGHANISTAN AFGHANISTAN. MUSIC FROM THE CROSSROADS OF ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FP-62909 D303S DI.979.020.001 A01 DI.979.020.001A01 00:00:00 n GRECE LA MUSIQUE DES PAYSANS DE GRECE Sous-table non exportée Sous-table non exportée -367 0 EUROPE +LDX-74705 D303S DI.979.021.001 A01 DI.979.021.001A01 00:00:00 n MAROC BERBERES DU MAROC "AHWACH" Sous-table non exportée Sous-table non exportée -667 0 AFRIQUE +PS-33514 D303S DI.979.022.001 A01 DI.979.022.001A01 00:01:24 N VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LA CUEILLETTE DES FLEURS=*TR HAI HOA=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant alterné pendant la cueillette des fleurs de la province de Phu Tho (Nord Vietnam). 1985 Trân Quang Hai: "La Musique du Vietnam", Musique et Culture (30) 8: 20p. Strasbourg. Reconstitution, hors situation. Echelle pentatonique: Do, Ré, Fa, Sol, La, Do. Rythme binaire• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A02 DI.979.022.001A02 00:02:13 N VIETNAM NORD VIETNAM, PROVINCE DE BAONINH VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR QUA CAU GIO BAY=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant de cour d'amour, chanté alternativement au cours d'une joute pendant une fête saisonnière. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation, ici le chant devient un chant de divertissement, d'où changement de fonction. Echelle: Sol (la), do, ré, fa, sol, (la). Rythme binaire• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A03 DI.979.022.001A03 00:01:05 N VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE CHANT DES TERRASSIERS=*TR HO HUI=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Chant de travail de type responsorial entendu pendant que les terrassiers cassent les pierres. Hors situation. Le choeur est formé par deux artistes qui utilisent le système de re-recording pour multiplier les voix du choeur. L'échelle tétratonique est Sol,Do,Re,Fa. Rythme binaire• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A04 DI.979.022.001A04 00:02:14 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE CHANT DU MERLE=*TR LY CON SAO=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée Chant populaire dont les versions varient selon les régions Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique Do,Re,Fa,Sol,La,Do avec ornementation spécifique du style centre vietnamien. Rythme binaire• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A05 DI.979.022.001A05 00:01:32 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN BERCEUSE = *TR AU O VI DAU =*TRS Sous-table non exportée BERCEUSE Sous-table non exportée Berceuse typique de la partie méridionale du Vietnam. Les paroles de cette berceuse sont extraites d'un couple de vers hexa-octosyllabique. La mélodie est toujours la même qui est variée selon les tons de la langue. Hors situation. Echelle pentatonique Do, Mib, Fa, Sol, La-, caractéristique du Sud Vietnam. Rythme libre• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A06 DI.979.022.001A06 00:01:49 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE VENT D'AUTOMNE =*TR GIO MUA THU =*TRS Sous-table non exportée CHT DE THEATRE Sous-table non exportée Ce chant de théâtre, tiré de la mélodie Ly Giao Duyên du répertoire de chants populaires, fut utilisé comme berceuse dans une pièce de théâtre vers les années 20. Actuellement, cette mélodie est devenue très connue et est la mélodie favorite pour le monocorde dàn bâu. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Chant de théâtre "reconverti" en berceuse, classé par les musiciens du Nord Vietnam vers les années 50 dans la catégorie "dân ca Nam bô" (chants populaires du Sud Vietnam). Echelle pentatonique : Do,Mib,Fa,Sol, La-,Do. Rythme libre puis mesuré• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A07 DI.979.022.001A07 00:02:04 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE CHANT DU CHEVAL BAI =TR LY NGUA O =TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée chant populaire employé ici pour la musique de divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Hors situation. Echelle pentatonique: Do, Ré, Fa, Sol, La, Do. Rythme binaire• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 A08 DI.979.022.001A08 00:05:40 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN L'EAU QUI COULE, LES MESURES EGALES, LES SAPEQUES D'OR = *TR LUU THUY, BINH BAN, KIM TIEN = *TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Les 3 courtes pièces précédées par un prélude improvisé sont jouées par le même musicien Trân Quang Hai, 8 ans après son premier disque "Cithare vietnamienne (le dàn tranh) par Trân Quang Hai (Le chant du Monde LDX 74454,A1, cote MH: Di.979.008.001) Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique : Do,Ré,Fa,Sol,La,Do. Rythme binaire. Le timbre de la cithare est plus riche que celui entendu dans le disque édité par le Chant du Monde cité ci-dessus• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B01 DI.979.022.001B01 00:06:53 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LA NOSTALGIE DU PASSE =*TR VONG CO =*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée M. de chambre, solo instrumental. La pièce Vong cô, dans cette version, est une pièce à 16 mesures (vong cô nhip 16). Normalement, il faut jouer les 6 phrases (6câu), mais le musicien n'en joue que quatre. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique: Do,Mib,Fa,Sol,La-,Do. Rythme libre puis mesuré• Solo instr STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B02 DI.979.022.001B02 00:03:02 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN KHONG MINH ASSIS AU BALCON =*TR KHONG MINH TOA LAU =*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée C'est une version simplifiée que le musicien a apprise avec son père Trân Van Khê. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Echelle pentatonique : Do,Ré,Fa,Sol,La,Do. Rythme binaire• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B03 DI.979.022.001B03 00:03:42 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE CHANT DU MONOCORDE=*TR DOC HUYEN CAM KHUC TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Cithare/table "DAN BAU": 1C. Nouvelle composition pour monocorde de Trân quang Hai. Rythme libre puis mesuré• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B04 DI.979.022.001B04 00:00:58 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LE SON DES CLIQUETTES A SAPEQUES=*TR AM THANH SINH TIEN TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Variations rythmiques• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B05 DI.979.022.001B05 00:02:53 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN LES CINQ VEILLES=*TR NGU DIEM BAI TA Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Vièle 2C "DAN CO": archet pris. Rythme libre puis mesuré• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-33514 D303S DI.979.022.001 B06 DI.979.022.001B06 00:02:20 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. TRAN QUANG HAI & BACH YEN RYTHME AUX CUILLERS=*TR TIET TAU MUONG TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Improvisation aux cuillers par Trân Quang Hai qui a amélioré les techniques de cet instrument assez mal connu. Variations rythmiques• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A01 DI.979.022.002A01 00:01:23 n VIETNAM NORD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN CHANT DE LA FETE DE LA PLEINE LUNE=*TR HAT HOI TRANG RAM=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A02 DI.979.022.002A02 00:02:48 n VIETNAM NORD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN LA FLEUR EMBAUME, LE PAPILLON VOLTIGE=*TR HOA THOM BUOM LUON=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée C'est un chant Quan Ho . Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A03 DI.979.022.002A03 00:02:32 n VIETNAM NORD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN L'AIGRETTE PLANE=*TR CO LA=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Vièle 2C "DAN NHI": archet pris. Le choeur est composé de deux voix (Bach Yên et Trân quang Hai) multipliées plusieurs fois par le système de re-recording. Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A04 DI.979.022.002A04 00:01:10 n VIETNAM CENTRE VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN LE CHANT DES TERRASSIERS=*TR HO HUI=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée Le choeur est obtenu par le système de re-recording. Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A05 DI.979.022.002A05 00:03:02 n VIETNAM CENTRE VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN CHANT SUR L'ETRE HUMAIN=*TR LY NAM XANG=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A06 DI.979.022.002A06 00:01:30 n VIETNAM SUD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN BERCEUSE=*TR AU O=*TRS Sous-table non exportée BERCEUSE Sous-table non exportée Rythme libre• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A07 DI.979.022.002A07 00:01:00 n VIETNAM SUD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN LE CROASSEMENT DU CORBEAU=*TR LY QUA KEU=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Rythme mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 A08 DI.979.022.002A08 00:05:00 n VIETNAM SUD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN LA RENCONTRE DU TIGRE ET DU DRAGON / LE LAC D'AUTOMNE=*TR LONG HO HOI, THU HO=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). La pièce Long Hô Hôi dure 3:20 et la pièce Thu Hô dure 1:40. Mode "Bac". Rythme libre puis mesuré• TRAN QUANG HAI 1979 0 ASIE +AEV-02 D303S DI.979.022.002 B01 DI.979.022.002B01 00:00:00 n VIETNAM SUD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN L'EAU QUI COULE, VERSION LONGUE=*TR LUU THUY TRUONG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée La pièce Luu Thuy Truong est une des 7 grandes pièce du mode Bac. Le prélude dans un rythme libre dure 3:10. La pièce proprement dite dure6:4O. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Mode "Bac". Rythme libre puis mesuré• TRAN QUANG HAI 950 0 ASIE +AEV-02 D303S DI.979.022.002 B02 DI.979.022.002B02 00:06:18 n VIETNAM SUD VIETNAM VIETNAMIENS CITHARE ET CHANSONS POPULAIRES DU VIETNAM /TRAN Q. HAI&BACH YEN LES LAMENTATIONS DU SUD=*TR NAM AI=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cette pièce a un prélude (3:25) et la pièce proprement dite (2:53) Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Mode "Nam"• TRAN QUANG HAI 1979 0 ASIE +LPNE-4 D303S DI.979.023.001 A01 DI.979.023.001A01 00:00:00 n NORVEGE DRAUMKVEDET Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-9 D303S DI.979.023.002 A01 DI.979.023.002A01 00:00:00 n NORVEGE SLATTER FRA VOSS OG VALDRES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LLP-10 D303S DI.979.023.003 A01 DI.979.023.003A01 00:00:00 n NORVEGE SLATTER FRA TELEMARK 1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-14 D303S DI.979.023.004 A01 DI.979.023.004A01 00:00:00 n NORVEGE SLATTER FRA HALLING DAL OG VALDRES NORSK FOLKE MUSIKK Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-18 D303S DI.979.023.005 A01 DI.979.023.005A01 00:00:00 n NORVEGE SLATTAR FRA TRONDELAG OG ROROSTRAKTENE NORSK FOLKE MUSIKK/* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +ELP-19 D303S DI.979.023.006 A01 DI.979.023.006A01 00:00:00 n NORVEGE GAMLE FOLKEMUSIKKINSTRUMENT. NORSK FOLKE MUSIKK Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-20 D303S DI.979.023.007 A01 DI.979.023.007A01 00:00:00 n NORVEGE INGEBJORG LIESTOL, BRITA BRATLAND, TALLEIV ROYSLAND SONG Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-21 D303S DI.979.023.008 A01 DI.979.023.008A01 00:00:00 n NORVEGE RELIGIOSE FOLKETONAR Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FLP-23 D303S DI.979.023.009 A01 DI.979.023.009A01 00:00:00 n NORVEGE VISER, STEV OG STUBBAR.SLATTER OG STEV FRA SETESDAL * Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SJL-133/36 D303S DI.979.024.001/04 :01A01 DI.979.024.001/04:01A01 00:00:00 = THAILANDE ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :01B02 DI.979.024.001/04:01B02 00:00:00 = JAPON ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :02A01 DI.979.024.001/04:02A01 00:00:00 = MALAYSIA ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :02B01 DI.979.024.001/04:02B01 00:00:00 = JAPON ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :03A01 DI.979.024.001/04:03A01 00:00:00 = INDONESIE ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :03B04 DI.979.024.001/04:03B04 00:00:00 = JAPON ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :04A01 DI.979.024.001/04:04A01 00:00:00 = PHILIPPINES ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-133/36 D303S DI.979.024.001/04 :04B01 DI.979.024.001/04:04B01 00:00:00 = JAPON ASIAN MUSICS IN AN ASIAN PERSPECTIVE Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-209/11 D303S DI.979.024.005/07 :01Z01 DI.979.024.005/07:01Z01 00:00:00 = IRAN MUSICAL VOICES OF ASIA Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-209/11 D303S DI.979.024.005/07 :01Z05 DI.979.024.005/07:01Z05 00:00:00 = INDE MUSICAL VOICES OF ASIA Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-209/11 D303S DI.979.024.005/07 :02Z13 DI.979.024.005/07:02Z13 00:00:00 = BIRMANIE MUSICAL VOICES OF ASIA Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-209/11 D303S DI.979.024.005/07 :03Z18 DI.979.024.005/07:03Z18 00:00:00 = MONGOLIE (REP POPU) MUSICAL VOICES OF ASIA Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-209/11 D303S DI.979.024.005/07 :03Z27 DI.979.024.005/07:03Z27 00:00:00 = JAPON MUSICAL VOICES OF ASIA Sous-table non exportée Sous-table non exportée 1978 0 ASIE +SJL-210 D303S DI.979.024.006 Z08 DI.979.024.006Z08 00:00:00 INDE MUSICAL VOICES OF ASIA: INDIA AND BURMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJL-210 D303S DI.979.024.006 Z12 DI.979.024.006Z12 00:00:00 BIRMANIE MUSICAL VOICES OF ASIA: INDIA AND BURMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJL-211 D303S DI.979.024.007 Z18 DI.979.024.007Z18 00:00:00 MONGOLIE (REP POPU) MUSICAL VOICES OF ASIA: MONGOLIA & JAPAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJL-211 D303S DI.979.024.007 Z27 DI.979.024.007Z27 00:00:00 JAPON MUSICAL VOICES OF ASIA: MONGOLIA & JAPAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586037 D303S DI.979.025.001 A01 DI.979.025.001A01 00:00:00 n ISRAEL JEWISH. YEMENITE DIWAN Sous-table non exportée Sous-table non exportée -1069 0 ASIE +6586034 D303S DI.979.025.002 A01 DI.979.025.002A01 00:00:00 n AUSTRALIE ABORIGINAL MUSIC FROM AUSTRALIA Sous-table non exportée Sous-table non exportée 639 0 OCEANIE +06417885 D303S DI.979.025.003 A01 DI.979.025.003A01 00:00:00 n SYRIE SYRIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418310 D303S DI.979.025.004 A01 DI.979.025.004A01 00:02:40 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO CHANT : BAC PHAN - NAM AND BAC MODES POEME DE TRUC HIEN NGUYEN NHU LAM Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant du répertoire Hat Ca trù du Nord Vietnam. Ce chant composé par Truc Liên Nguyên Nhu Lâm comprend des vers à 6 et à 8 pieds dont le sujet est sa rencontre avec M.Trân Van Khê au moment de la réunification du pays. Le tempo est modéré. Mélange du mode Nam (triste)et du mode Bac(gai). Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 A02 DI.979.025.004A02 00:10:00 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO TWO THE : MUOU AND HAT NOI HAI THE: MUOU VA HAT NOI"=*TRS POEME DE CHU HA Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 A03 DI.979.025.004A03 00:12:00 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO POEME CHINOIS TY BA HANH DE BAI JU YI=*TR TY BA HANH=*TRS BAI JU YI Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Ce poème classique Ty bà hành du poète chinois bai ju yi de la dynastie des Tang est traduit en vietnamien par Phan Huy Vinh. Il est précédé d'une déclamation du poème "Impression d'automne" du poète Du Fu. La traduction en vietnamien du poème ty bà hành est divisée en 11 passages de 8 vers chacun, chaque passage comporte deux vers déclamés dans un rythme libre du style bông mac et six autres chantés dans un rythme déterminé. Rythme libre puis mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B01 DI.979.025.004B01 00:03:35 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO J'APPELLE LE PASSEUR=*TR GOI DO=*TRS Sous-table non exportée COUR D'AMOUR Sous-table non exportée Les deux chants goi do (j'appelle le passeur) et coi giâu (le plateau de bétel) précèdent souvent une séance de chant proprement dite. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B02 DI.979.025.004B02 00:01:23 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO LE PLATEAU DE BETEL=*TR COI GIAU=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Le chant coi giâu est considéré comme un chant d'accueil par lequel les jeunes filles invitent les jeunes gens à prendre du bétel, symbole de l'amitié et aussi de l'amour conjugal. Vièle 2C "DAN NHI": archet pris. "TIEU" = flûte à encoche. Rythme mesuré• Choeur & instrs TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B03 DI.979.025.004B03 00:03:04 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO LE CHEMIN DE L'AMITIE=*TR DUONG BAN KIM LOAN=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Le chant "Duong ban kim loan" appartient au répertoire du chant traditionnel (giong lê lôi) Flûte "TIEU": à encoche. Vièle: à archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Ce chant a été exécuté conformément à la tradition du quan ho ou avec quelques innovations approuvées par les détenteurs de la tradition comme l'accompagnement des chants par des instruments traditionnels, exécution en duo à l'unisson. Rythme mesuré• Choeur & instrs TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B04 DI.979.025.004B04 00:03:05 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO CE QU'ON DESIRE EST DEVENUE REALITE=*TR SO CAU NHU Y=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B05 DI.979.025.004B05 00:04:35 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO HIER SOI, J'AI PENSE A MA BIEN AIMEE=*TR DEM QUA NHO BAN=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée La séance de joute de chant alterné quan ho se termine par le chant "Dêm qua nho ban". Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B06 DI.979.025.004B06 00:03:35 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO AMIS, RESTEZ ! NE RENTREZ PAS A LA MAISON MAINTENANT=*TR NGUOI OI! NGUOI O DUNG VE=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Ce chant appartient à la catégorie des chants d'adieu et est exécuté à la fin de la joute. Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Flûte "TIEU" : à encoche. "DAN NHI": archet pris. Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +06418310 D303S DI.979.025.004 B07 DI.979.025.004B07 00:03:10 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. CA TRU AND QUAN HO QUELQU'UN EST DANS LE NORD, ET L'AUTRE DANS LE SUD=*TR KE BAC NGUOI NAM=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant d'adieu du répertoire de chant alterné quan ho. Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Flûte "TIEU": à encoche. "DAN NHI": archet pris. Rythme mesuré• Choeur & instrs TRAN VAN KHE 1976 0 ASIE +06418266 D303S DI.979.025.005 A01 DI.979.025.005A01 00:00:00 01/01/77 PAKISTAN N PAKISTANAIS PAKISTAN "THE MUSIC OF THE QAWAL" (WANDERING MINSTRELS). GHAZAL MAULANA KAUSAR NIAZI Sous-table non exportée GHAZAL Sous-table non exportée Les musiciens sont de la secte sufi des Sabriya• AFt "NAy": emb en biseau• Choeur & instrs WERGLET, H. 1977 0 ASIE +06418266 D303S DI.979.025.005 A02 DI.979.025.005A02 00:00:00 01/01/77 PAKISTAN N PAKISTANAIS PAKISTAN "THE MUSIC OF THE QAWAL" (WANDERING MINSTRELS). LOUANGE DU PROPHETE BEDAM Sous-table non exportée N Sous-table non exportée Les musiciens sont de la secte sufi des Sabriya AFT "NAY": emb en biseau• Choeur & instrs WERGLET, H. 1977 0 ASIE +06418266 D303S DI.979.025.005 B01 DI.979.025.005B01 00:00:00 01/01/77 PAKISTAN N PAKISTANAIS PAKISTAN "THE MUSIC OF THE QAWAL" (WANDERING MINSTRELS). HAMD MAULANA KAUSAR NIAZI ? Sous-table non exportée N Sous-table non exportée Les musiciens sont de la secte sufi des Sabriya Choeur & instrs WERGLET, H. 1977 0 ASIE +06418266 D303S DI.979.025.005 B02 DI.979.025.005B02 00:00:00 01/01/77 PAKISTAN N PAKISTANAIS PAKISTAN "THE MUSIC OF THE QAWAL" (WANDERING MINSTRELS). LOUANGE DU PROPHETE MUNAWAR Sous-table non exportée N Sous-table non exportée Les musiciens sont de la secte sufi des Sabriya AFT "NAY": emb en biseau• Choeur & instrs WERGLET, H. 1977 0 ASIE +06418352 D303S DI.979.025.006 A01 DI.979.025.006A01 00:00:00 n YEMEN NORTH YEMEN Sous-table non exportée Sous-table non exportée 1975 0 ASIE +6586035 D303S DI.979.026.001 A01 DI.979.026.001A01 00:04:14 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE THI NHIP AND VO NUOC (PROLOGUE)=*TR THI NHIP VA VO NUOC=*TRS Sous-table non exportée THEATRE Sous-table non exportée Echantillons de la musique de théâtre populaire du Nord Viêtnam enregistrés en 1976 et édités pour la première fois en Occident. Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Documents intéressants. Depuis 1976, date de ces enregistrements, trois des maîtres du Hat chèo, M.Nam Ngu, Mesdames Phâm et Minh Ly sont décédés. Leurs prestations constitutent un témoignage précieux de leur art. Flûte "TIEU": à encoche . Rythme avec syncopes• Choeur & instrs TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A02 DI.979.026.001A02 00:04:05 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE DECLAMATION=*TR NOI SU NGHE RAU VA NOI KE=*TRS Sous-table non exportée DECLAMATION Sous-table non exportée Su râu ou su sâu à caractère triste est un style déclamatoire utilisé dans le théâtre populaire satirique du Nord Vietnam. Noi kê et noi dêm est un autre style comme le parler courant. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Bui Trong Dan est un maître de le jeune génération. Rythme libre puis mesuré• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A03 DI.979.026.001A03 00:02:25 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE ANCIENT STYLE=*TR SAP CO PHONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Pour les situations gaies, on chante le sap avec plusieurs variétés: sap cô phong (style ancien) comme celui tiré de la pièce Kim Nham dans lequel on parle de l'étalage des marchandises pour la fête du Nouvel An Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Les rythmes dans le Hat chèo sont d'un grand intérêt: les phrases sont de deux mesures (nhip dôi), quatre mesures (nhip tu), six mesures (nhip sau), huit mesures (nhip tam), parfois de trois et de sept mesures (nhip ba bay). Dans cet enregistrement, on entend le nhip tu (4 mesures). Flûte "TIEU": à encoche. Rythme 4/4• Solo voc + instrs TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A04 DI.979.026.001A04 00:04:31 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE CROSSING THE BRIDGE=*TR SAP QUA CAU=*TRS Sous-table non exportée THEATRE Sous-table non exportée Sap qua câu (sap, en traversant le pont) est un chant exécuté par Nô, le domestique dans la pièce Quan Am Thi Kinh. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A05 DI.979.026.001A05 00:05:36 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE IN THE EXPECTATION=*TR DUONG TRUONG TAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Dans les scènes tristes, on chante duong truong tai luong exprimant l'attente Vièle 2C "DAN NHI": archet pris. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A06 DI.979.026.001A06 00:02:45 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE SAD SONG=*TR HAT VAN CAM=*TRS Sous-table non exportée THEATRE Sous-table non exportée Dans la scène triste, on chante le van cam dans le rôle de Thi Phuong qui conduit sa belle mère dans la forêt. Vièle 2C "DAN NHI": archet pris. AFT-Flûte emb term autre = flûte à encoche. Rythme 4/4• Solo voc + instrs TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 A07 DI.979.026.001A07 00:02:34 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE HAPPY SONG=*TR SA LECH BANG=*TRS Sous-table non exportée THEATRE Sous-table non exportée Dans les scènes sentimentales, on chante le sa lêch bang. Vièle 2C "DAN NHI": archet pris. AFT-Flûte emb term autre = flûte à encoche. Rythme à 8 mesures• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 B01 DI.979.026.001B01 00:07:00 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE SORCERER'S CHANT,FROM THE PLAY XUY VAN=*TR BAI PHU THUY=*TRS Sous-table non exportée THEATRE Sous-table non exportée Certains rôles ont des chants particuliers : chant du sorcier phù thuy de la pièce Xuy Vân ou Vân Dai (Vân la folle). Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Variations rythmiques• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 B02 DI.979.026.001B02 00:05:55 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE DECLAMATION, CHANT=*TR NOI LECH, CAM GIA Sous-table non exportée THEATRE Sous-table non exportée Rôle de Thi Mâu de la pièce Quan Am Thi Kinh quand elle va au temple bouddhique. Vièle 2C "DAN NHI": archet pris. Rythme à 6 mesures• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 B03 DI.979.026.001B03 00:04:42 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE DECLAMATION ET CHANT HAT RU KE=*TR KE HANH VA HAT RU KE=*TRS Sous-table non exportée THEATRE Sous-table non exportée Rôle de Thi Kinh de la pièce Quan Am Thi Kinh. Vièle 2C "DAN NHI": archet pris. Rythme particulier nhip ba bay (3 et 7 mesures)• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 B04 DI.979.026.001B04 00:01:39 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE CHANT DU VIEILLARD IVRE=*TR LAO SAY=*TRS Sous-table non exportée THEATRE Sous-table non exportée Rôle d'un vieillard ivre du théâtre populaire Hat chèo. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. AFT-Flûte emb term autre = flûte à encoche. Rythme à 3 et 7 mesures• TRAN VAN KHE 1976 0 ASIE +6586035 D303S DI.979.026.001 B05 DI.979.026.001B05 00:03:44 n VIETNAM NORD VIETNAM VIETNAMIENS HAT CHEO. VIETNAMESE TRADITIONAL FOLK THEATRE CHANT DU BOUFFON A LA TORCHE=*TR HE MOI=*TRS Sous-table non exportée THEATRE Sous-table non exportée chant particulier pour les bouffons. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +6586029 D303S DI.979.026.002 A01 DI.979.026.002A01 00:00:00 n JAPON O SUWA DAIKO JAPANESE DRUMS Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418264 D303S DI.979.026.003 A01 DI.979.026.003A01 00:00:00 n MAROC MOROCCO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +06418370 D303S DI.979.026.004 A01 DI.979.026.004A01 00:00:00 n IRAK IRAK Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418265 D303S DI.979.026.005 A01 DI.979.026.005A01 00:00:00 n CAMEROUN CAMEROUN Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +BM-30-L-2024 D303M DI.979.026.006 A01 DI.979.026.006A01 00:00:00 n AZERBAIDJAN LA MUSIQUE DE L'AZERBAIDJAN 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2028 D303S DI.979.026.007 Z01 DI.979.026.007Z01 00:00:00 n TURQUIE LA MUSIQUE KURDE 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2028 D303S DI.979.026.007 Z02 DI.979.026.007Z02 00:00:00 n URSS LA MUSIQUE KURDE 1. Sous-table non exportée Sous-table non exportée 0 0 EUROPE +BM-30-SL-2028 D303S DI.979.026.007 Z03 DI.979.026.007Z03 00:00:00 n SYRIE LA MUSIQUE KURDE 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2028 D303S DI.979.026.007 Z04 DI.979.026.007Z04 00:00:00 n IRAK LA MUSIQUE KURDE 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2028 D303S DI.979.026.007 Z05 DI.979.026.007Z05 00:00:00 PAYS KURDE LA MUSIQUE KURDE 1. N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +H-72066 D303S DI.979.026.008 A01 DI.979.026.008A01 00:00:00 n TANZANIE AFRICA : WITCHCRAFT AND RITUAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CETO-752/53 D303S DI.979.026.009 A01 DI.979.026.009A01 00:00:00 n MAURITANIE MAURITANIE VOIE NOIRE VOIE BLANCHE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CETO-755 D303S DI.979.026.010 A01 DI.979.026.010A01 00:00:00 n ILES MARQUISES CHANTS ET MUSIQUE. ILES MARQUISES & TUAMOTU Sous-table non exportée Sous-table non exportée 242 0 OCEANIE +CETO-755 D303S DI.979.026.010 A06 DI.979.026.010A06 00:00:00 n TUAMOTU CHANTS ET MUSIQUE. ILES MARQUISES & TUAMOTU Sous-table non exportée Sous-table non exportée 242 0 OCEANIE +PS-33506 D303S DI.979.026.011 A01 DI.979.026.011A01 00:00:00 n MALAYSIA BORNEO. MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-33507 D303S DI.979.026.012 A01 DI.979.026.012A01 00:00:00 n INDONESIE;JAVA JAVA. L'ART DU GAMELAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-33512 D303S DI.979.026.013 A01 DI.979.026.013A01 00:00:00 n THAILANDE THAILANDE Sous-table non exportée Sous-table non exportée -479 0 ASIE +558517 D303S DI.979.026.014 A01 DI.979.026.014A01 00:00:00 n BRESIL BRESIL. MUSIQUES DU HAUT XINGU Sous-table non exportée Sous-table non exportée -975 0 AMERIQUE +558524 D303S DI.979.026.015 A01 DI.979.026.015A01 00:00:00 n REP CENTRAFRICAINE EMPIRE CENTRAFRICAIN. MUSIQUE GBAYA. CHANTS A PENSER Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +558529 D303S DI.979.026.016 A01 DI.979.026.016A01 00:00:00 n ISRAEL JUIFS ISRAEL. TRADITIONS LITURGIQUES DES COMMUNAUTES JUIVES Sous-table non exportée Sous-table non exportée 1977 0 ASIE +558535 D303S DI.979.026.017 A01 DI.979.026.017A01 00:00:00 n THAILANDE EN THAILANDE. LA MUSIQUE TRADITIONNELLE DES MON Sous-table non exportée Sous-table non exportée 1977 0 ASIE +558537/8 D303S DI.979.026.018 A01 DI.979.026.018A01 00:00:00 n LAOS LAOS. MUSIQUE POUR LE KHENE. LAM SARAVANE Sous-table non exportée Sous-table non exportée 1977 0 ASIE +558539 D303S DI.979.026.019 A01 DI.979.026.019A01 00:00:00 n JAPON JAPON 2. SHOMYO. CHANT LITURGIQUE BOUDDHIQUE, SECTE TENDAI Sous-table non exportée Sous-table non exportée 1978 0 ASIE +ZX-7003-N D303S DI.979.026.020 A01 DI.979.026.020A01 00:00:00 n INDE BALACHANDER, THE VIRTUOSO OF VEENA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SIDE 01/02 D303S DI.980.001.001 A01 DI.980.001.001A01 00:00:00 n INDONESIE;BORNEO(KALIMANTAN) MUSIC OF THE KENYAH AND MODANG IN EAST KALIMANTAN INDONESIA Sous-table non exportée Sous-table non exportée 1977 0 ASIE +SF-78204 D303M DI.980.002.001 A01 DI.980.002.001A01 00:00:00 n GUATEMALA HOMENAJE A FRANCISCO SOJUEL Y EL RILAJ MAAM Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +SF-78206 D303M DI.980.002.002 A01 DI.980.002.002A01 00:00:00 n GUATEMALA RECIBIMIENJO DEL PATRON SANTIAGO. CONJUNJO MAYEY Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4204 D303S DI.980.003.001 A01 DI.980.003.001A01 00:00:00 n EGYPTE BEDUIN MUSIC OF SOUTHERN SINAI Sous-table non exportée Sous-table non exportée -263 0 AFRIQUE +FE-4203 D303S DI.980.003.002 A01 DI.980.003.002A01 00:00:00 n ISRAEL MORASHA, TRADITIONAL JEWISH MUSICAL HERITAGE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4081 D303S DI.980.003.003 A01 DI.980.003.003A01 00:00:00 n CAMBODGE CAMBODIA. TRADITIONAL MUSIC Sous-table non exportée Sous-table non exportée 1970 0 ASIE +FE-4269 D303S DI.980.003.004 A01 DI.980.003.004A01 00:00:00 n PAPOUASIE-NLE-GUINEE THE LIVING, DEAD AND DYING MUSIC OF THE NEW GUINEA WAPE Sous-table non exportée Sous-table non exportée 1970 0 OCEANIE +CETRASU-5001 D303S DI.980.004.001 A01 DI.980.004.001A01 00:00:00 n ITALIE CALABRIA 1 STRUMENTI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CETRASU-5002 D303S DI.980.004.002 A01 DI.980.004.002A01 00:00:00 n ITALIE CAMPANIA=VENDITORI AMBULANTI Sous-table non exportée Sous-table non exportée -970 0 EUROPE +CETRASU-5003 D303M DI.980.004.003 A01 DI.980.004.003A01 00:00:00 n BRESIL YANOAMA. TECNICHE VOCALI SCIAMANISMO Sous-table non exportée Sous-table non exportée 345 0 AMERIQUE +LDX-74715 D303S DI.980.005.001 A01 DI.980.005.001A01 00:00:00 n INDE;BENGALE BENGALE. CHANTS "DES FOUS" Sous-table non exportée Sous-table non exportée -1271 0 ASIE +1171168 D303S DI.980.006.001 A01 DI.980.006.001A01 00:00:00 n TCHECOSLOVAQUIE JAROMIR HORAK ZPIVA LIDOVE PISNE Sous-table non exportée Sous-table non exportée 1970 0 EUROPE +91170293 D303S DI.980.006.002 A01 DI.980.006.002A01 00:00:00 n TCHECOSLOVAQUIE HUNCUTSKE A BETARSK PIESNE SPIEVA PACO GABOR Sous-table non exportée Sous-table non exportée 0 0 EUROPE +11172319-G D303S DI.980.006.003 A01 DI.980.006.003A01 00:00:00 n TCHECOSLOVAQUIE OD OPAVY KTESINU. HUDEBNI FOLKROR SLEZSKE OBLASTI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +JV-10 D174M DI.980.007.001 A01 DI.980.007.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE;I.TROBRIAND ILES TROBRIAND CHANTS DES MERS DU SUD N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +ZFB-50 D303S DI.980.008.001 A01 DI.980.008.001A01 00:00:00 n ISRAEL MUSIC FROM ISRAEL Sous-table non exportée Sous-table non exportée 1957 0 ASIE +06418371 D303S DI.980.008.002 A01 DI.980.008.002A01 00:00:00 n BAHREIN BAHRAIN Sous-table non exportée Sous-table non exportée 1976 0 ASIE +6586021 D303S DI.980.008.003 A01 DI.980.008.003A01 00:00:00 n JAPON SHOMYO BUDDHIST RITUAL FROM JAPAN Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-126 D303S DI.980.008.004 A01 DI.980.008.004A01 00:00:00 n MONGOLIE (REP POPU) VOCAL MUSIC FROM MONGOLIA Sous-table non exportée Sous-table non exportée 1974 0 ASIE +TGS-127 D303S DI.980.008.005 A01 DI.980.008.005A01 00:00:00 n MONGOLIE (REP POPU) INSTRUMENTAL MUSIC FROM MONGOLIA Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VPA-8453 D303S DI.980.008.006 A01 DI.980.008.006A01 00:00:00 n JAPON GIAPPONE-NAGAUTA-MUSICA DEL TEATRO KABUKI Sous-table non exportée Sous-table non exportée 0 0 ASIE +HM-391 D303S DI.980.008.007 A01 DI.980.008.007A01 00:00:00 n IRAN RADIF-MADJID KIANI SANTOUR. CHEMIRANI ZARB Sous-table non exportée Sous-table non exportée 1976 0 ASIE +TGS-130 D303S DI.980.008.008 A01 DI.980.008.008A01 00:00:00 n GHANA KAKRABA LOBI, XYLOPHONE PLAYER FROM GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TGS-113 D303S DI.980.008.009 A01 DI.980.008.009A01 00:00:00 n GHANA MUSTAPHA TETTEY ADDY MASTER DRUMMER FROM GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558526/28 D303S DI.980.008.010/12 A01 DI.980.008.010/12A01 00:00:00 n REP CENTRAFRICAINE ANTHOLOGIE DE LA MUSIQUE DES PYGMEES AKA Sous-table non exportée Sous-table non exportée -669 0 AFRIQUE +0112-S-78 D303S DI.980.008.013/14 A01 DI.980.008.013/14A01 00:00:00 n INDE T.R. MAHALINGAM. FLUTE EN CONCERT INDE DU SUD Sous-table non exportée Sous-table non exportée 1978 0 ASIE +BM-30-L-2029 D303M DI.980.008.016 A01 DI.980.008.016A01 00:00:00 n PAKISTAN LA MUSIQUE DU PAKISTAN 1. Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2562 D303M DI.980.008.018 A01 DI.980.008.018A01 00:00:00 n MALAYSIA @ MUSIC OF THE NEGRITO OF MALACCA Sous-table non exportée Sous-table non exportée 25621 0 ASIE +BM-30-SL-2566 D303S DI.980.008.019 A01 DI.980.008.019A01 00:00:00 n SRI LANKA SRI LANKA: SINGHALESE MUSIC: SINGING AND DRUMMING Sous-table non exportée Sous-table non exportée -1069 0 ASIE +558525 D303S DI.980.008.020 A01 DI.980.008.020A01 00:00:00 n EGYPTE EGYPTE. LES MUSICIENS DU NIL. VOL.2 Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +558551 D303S DI.980.008.022 A01 DI.980.008.022A01 00:00:00 n JAPON JAPON 3: GAGAKU N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +558561 D303S DI.980.008.023 A01 DI.980.008.023A01 00:00:00 n TURQUIE TURQUIE. L'ART VIVANT DE TALIP OZKAN, VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +558575 D303S DI.980.008.024 A01 DI.980.008.024A01 00:00:00 n JAPON JAPON 4: JUITA, GROUPE YONIN NO KAI, TOKYO Sous-table non exportée Sous-table non exportée 1979 0 ASIE +VPA-8266 D303S DI.980.008.025 A01 DI.980.008.025A01 00:00:00 n INDE;RAJASTHAN M. POPOLARE E RELIGIOSA DELL' INDIA DEL NORD. VOL.2.AJMER,DATIA E GWALIOR N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VPA-8266 D303S DI.980.008.025 B01 DI.980.008.025B01 00:00:00 INDE;MADHYA PRADESH M. POPOLARE E RELIGIOSA DELL' INDIA DEL NORD. VOL.2.AJMER,DATIA E GWALIOR N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VPA-8268 D303S DI.980.008.026 A01 DI.980.008.026A01 00:00:00 n INDE;MADHYA PRADESH M. POPOLARE E RELIGIOSA DELL' INDIA DEL NORD. VOL.3.M.RELIG. DEI SIKHS N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +LDM-30103 D303S DI.980.008.027 A01 DI.980.008.027A01 00:00:00 n MEXIQUE MUSIQUE DES COMMUNAUTES INDIGENES DU MEXIQUE Sous-table non exportée Sous-table non exportée -362 0 AMERIQUE +LDX-74736 D303S DI.980.009.001 A01 DI.980.009.001A01 00:00:00 n INDE;MADHYA PRADESH INDE, MUSIQUE TRIBALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74716 D303S DI.980.009.002 A01 DI.980.009.002A01 00:00:00 n SUISSE JUUZLI. JODEL DU MUOTATAL. SUISSE Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +AR-15008 D303S DI.980.010.001 A01 DI.980.010.001A01 00:00:00 n ISRAEL SAYAT NOVA Sous-table non exportée Sous-table non exportée 0 0 ASIE +SC-22133 D303S DI.980.010.002 A01 DI.980.010.002A01 00:00:00 n EGYPTE OM KAL SOUM. EL ALB YESHAK KOL DJAMIL Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558532/33 D303S DI.980.011.001/02 A01 DI.980.011.001/02A01 00:00:00 n MAURITANIE MAURITANIE VOL.1/2 Sous-table non exportée Sous-table non exportée -1976 0 AFRIQUE +LDX-74722 D303S DI.980.012.001 A01 DI.980.012.001A01 00:00:00 n TCHAD TCHAD. MUSIQUE DU TIBESTI Sous-table non exportée Sous-table non exportée -371 0 AFRIQUE +MC-0121 D303S DI.980.013.001 A01 DI.980.013.001A01 00:00:00 n MEXIQUE MUSICA INDIGENA DE MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MC-0250 D303S DI.980.013.002 A01 DI.980.013.002A01 00:00:00 n MEXIQUE MUSICA DEL ISTMO DE TEHUANTEPEC OAXACA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MC-0456 D303S DI.980.013.003 A01 DI.980.013.003A01 00:00:00 n MEXIQUE MUSICA DE LOS HUAVES O MARENOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +MC-0730 D303S DI.980.013.004 A01 DI.980.013.004A01 00:00:00 n MEXIQUE MUSICA CAMPESINA DE LOS ALTOS DE JALISCO Sous-table non exportée Sous-table non exportée 1974 0 AMERIQUE +MC-0746 D303S DI.980.013.005 A01 DI.980.013.005A01 00:00:00 n MEXIQUE EL SON DEL SUR DE JALISCO. VOL.1 Sous-table non exportée Sous-table non exportée -867 0 AMERIQUE +EPC-10236 D174M DI.980.014.001 A01 DI.980.014.001A01 00:00:00 n ROUMANIE VIOREL COSTIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +EPE-0505 D303M DI.980.014.005 A01 DI.980.014.005A01 00:00:00 n ROUMANIE RENCONTRE AVEC LA ROUMANIE. FLUTE DE PAN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +MC-20098 D303S DI.980.014.006 A01 DI.980.014.006A01 00:00:00 n ROUMANIE MUSIQUE POPULAIRE ROUMAINE. VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +PFF-4 D303S DI.980.015.002 A01 DI.980.015.002A01 00:00:00 n GRECE GAIDA & DAKHARES. SONGS & DANCES FROM ORINI SERRES. VOL. IV Sous-table non exportée Sous-table non exportée 1978 0 EUROPE +KILP-7 D303M DI.980.016.001 A01 DI.980.016.001A01 00:00:00 nn FINLANDE PAIMEN SOITTAJA TEPPO REPO Sous-table non exportée Sous-table non exportée 52 0 EUROPE +301035 D303S DI.980.017.001 A01 DI.980.017.001A01 00:00:00 n INDE;BENGALE LE BENGALE MYSTIQUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SJ-1010-2 D303S DI.981.001.001/03 A01 DI.981.001.001/03A01 00:00:00 nn THAILANDE MUSIC OF MINORITIES IN THE NORTH WESTERN THAILAND Sous-table non exportée Sous-table non exportée -972 0 ASIE +SANSREF-09 D303S DI.981.002.001 A01 DI.981.002.001A01 00:00:00 n COREE DU SUD TAEGUM, PIRI TANSO, KOMUNGO, KAYAGUM, YANGGUM Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-10 D303S DI.981.002.002 A01 DI.981.002.002A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. CHERAK (RITUAL MUSIC) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-11 D303S DI.981.002.003 A01 DI.981.002.003A01 00:00:00 -1 COREE DU SUD TRADITIONAL MUSIC OF KOREA. YONREAK (BANQUET MUSIC) Sous-table non exportée Sous-table non exportée -1 0 ASIE +SANSREF-12 D303S DI.981.002.004 A01 DI.981.002.004A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. YONREAK (BANQUET MUSIC) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-13 D303S DI.981.002.005 A01 DI.981.002.005A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. YONREAK. KUNAK (MILITARY MUSIC) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-14 D303S DI.981.002.006 A01 DI.981.002.006A01 00:00:00 n COREE DU SUD TRAD. MUSIC OF KOREA. SAMHYON YURGAK.WIND ENSEMBLE FOR DANCE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-15 D303S DI.981.002.007 A01 DI.981.002.007A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. CHUL PUNGRYN (STRING ENSEMBLE) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-16 D303S DI.981.002.008 A01 DI.981.002.008A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. ORCHESTRAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-17 D303S DI.981.002.009 A01 DI.981.002.009A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. KAGOK (LONG LYRIC SONG) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-18 D303S DI.981.002.010 A01 DI.981.002.010A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. FOLK MUSIC, KASA, SIJO, POMPAE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-19 D303S DI.981.002.011 A01 DI.981.002.011A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. PANSORI (DRAMATIC SONG) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-20 D303S DI.981.002.012 A01 DI.981.002.012A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. PANSORI. KAYAGUM PYONG CHANG Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-21 D303S DI.981.002.013 A01 DI.981.002.013A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. MINYO (FOLK SONG) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-22 D303S DI.981.002.014 A01 DI.981.002.014A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. MINYO (FOLK SONG) Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-23 D303S DI.981.002.015 A01 DI.981.002.015A01 00:00:00 n COREE DU SUD TRADITIONAL MUSIC OF KOREA. SANJO. SINAWI Sous-table non exportée Sous-table non exportée 0 0 ASIE +AMP-82911 D303S DI.981.003.001 A01 DI.981.003.001A01 00:00:00 n LAOS MUSIQUE DES HMONG DU LAOS.COUR D'AMOUR ET CULTE DES ANCETRES Sous-table non exportée Sous-table non exportée 0 0 ASIE +CETO-792 D303S DI.981.004.001 A01 DI.981.004.001A01 00:00:00 n GUYANE FRANCAISE WAYAPI GUYANE Sous-table non exportée Sous-table non exportée -1171 0 AMERIQUE +LDX-74752 D303M DI.981.005.001 A01 DI.981.005.001A01 00:00:04 01/12/70 AFGHANISTAN DARRA-I NURLAM, TCHETELA PASHAI AFGHANISTAN. CHANTS DES PASHAI "DE PAR LE MONDE, NUL HOMME N'EST AUSSI TRAITRE ET MENTEUR QUE TOI" N MIR MAHMAT (19E S.) Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF P 1970 0 ASIE +LDX-74752 D303M DI.981.005.001 A02 DI.981.005.001A02 00:00:02 01/01/71 AFGHANISTAN DARA-I WAEGAL, WAEGAL PASHAI AFGHANISTAN. CHANTS DES PASHAI "JE T'EN SUPPLIE, NE PASSE PAS TA VIE DANS LA MAISON DE CE..." TAWAKAL (19E S.) Sous-table non exportée N Sous-table non exportée Veillée récréative La face entière restitue les étapes d'une veillée récréative mais en regroupant des pièces de trois réunions différentes PITOEFF, P. 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 A03 DI.981.005.001A03 00:00:03 01/01/71 AFGHANISTAN DARA-I NUR, BEMBAKOT PASHAI AFGHANISTAN. CHANTS DES PASHAI "SOUDAIN,ELLE APPARUT DEVANT MOI..." =SOLISTE Sous-table non exportée N Sous-table non exportée Veillée récréative La face entière restitue les étapes d'une veillée récréative mais en regroupant des pièces de trois réunions différentes PITOEFF, P. 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 A04 DI.981.005.001A04 00:00:08 01/01/71 AFGHANISTAN DARA-I NURLAM, TCHETELA PASHAI AFGHANISTAN. CHANTS DES PASHAI A LA GLOIRE DES ARTISANS. OSEN XAN (19E S.) Sous-table non exportée N Sous-table non exportée Veillée récréative La face entière restitue les étapes d'une veillée récréative mais en regroupant des pièces de trois réunions différentes. PITOEFF, P. 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 A05 DI.981.005.001A05 00:00:02 01/12/70 AFGHANISTAN DARRA-I NUR, BEMBAKOT PASHAI AFGHANISTAN. CHANTS DES PASHAI AIR DE DANSE N Sous-table non exportée N Sous-table non exportée PITOEFF P 1970 0 ASIE +LDX-74752 D303M DI.981.005.001 A06 DI.981.005.001A06 00:00:04 01/12/70 AFGHANISTAN DARRA-I NURLAM, TCHETELA PASHAI AFGHANISTAN. CHANTS DES PASHAI "DE BON MATIN, MON DOUX AMI, J'ETAIS ASSIS AUPRES DE L'ATRE" N =SOLISTE Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF P 1970 0 ASIE +LDX-74752 D303M DI.981.005.001 B01 DI.981.005.001B01 00:00:02 01/01/71 AFGHANISTAN DARA-I NURLAM, ONGOLAM PASHAI AFGHANISTAN. CHANTS DES PASHAI "UN JOUR, JE LUI AI OFERT DES BONBONS..." N Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B02 DI.981.005.001B02 00:00:04 01/01/71 AFGHANISTAN DARA-I NUR, SERGALEK PASHAI AFGHANISTAN. CHANTS DES PASHAI "SANS TOI, JE NE PEUX ETRE EN BONNE SANTE..." TAWAKAL (19E S.) Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B03 DI.981.005.001B03 00:00:03 01/01/71 AFGHANISTAN DARA-I NUR, SERGALEK PASHAI AFGHANISTAN. CHANTS DES PASHAI "AUPRES DE QUI PRENDRAI-JE DE TES NOUVELLES..." MAMAN ZAMAN Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B04 DI.981.005.001B04 00:00:03 01/01/71 AFGHANISTAN DARA-I WAEGAL, KASHMUNKALA PASHAI AFGHANISTAN. CHANTS DES PASHAI "A LA RIVIERE, TU M'ES APPARUE..." = CHANTEUR Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B05 DI.981.005.001B05 00:00:03 01/01/71 AFGHANISTAN DARA-I WAEGAL, KASHMUNKALA PASHAI AFGHANISTAN. CHANTS DES PASHAI "TU M'AS BRISE EN MILLE MORCEAUX..." = CHANTEUR Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B06 DI.981.005.001B06 00:00:02 01/01/71 AFGHANISTAN DARA-I ALISHANG, MASAMUT AOLIA PASHAI AFGHANISTAN. CHANTS DES PASHAI "UN JOUR TU M'AS FAIT UN PETIT SIGNE GENTIL..." = CHANTEUR Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +LDX-74752 D303M DI.981.005.001 B07 DI.981.005.001B07 00:00:03 01/01/71 AFGHANISTAN DARA-I ALISHANG, MASAMUT AOLIA PASHAI AFGHANISTAN. CHANTS DES PASHAI "JE LE SAIS, TON CHOEUR EST SATISFAIT..." = CHANTEUR Sous-table non exportée LYRISME AMOUREUX Sous-table non exportée PITOEFF, P 1971 0 ASIE +5001 D303S DI.981.006.001 A01 DI.981.006.001A01 00:00:00 n TUNISIE MUSIC OF THE SHI KHAT AND DANCE MUSIC OF TUNISIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-74753 D303S DI.981.007.001 A01 DI.981.007.001A01 00:00:00 n SENEGAL SENEGAL. MUSIQUE DES BASSARI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-74760 D303S DI.981.007.002 A01 DI.981.007.002A01 00:00:00 n ITALIE;SARDAIGNE POLYPHONIES DE SARDAIGNE Sous-table non exportée Sous-table non exportée -1372 0 EUROPE +9205720 D173M DI.981.008.001 A01 DI.981.008.001A01 00:00:00 n FED.RUSSIE;BACHKIRIE BASHKIR DRAWLS Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-10 D303S DI.981.009.001/02 A01 DI.981.009.001/02A01 00:00:00 n SOUDAN DIKR AND MADIH Sous-table non exportée Sous-table non exportée -766 0 AFRIQUE +6586044 D303S DI.981.010.001 A01 DI.981.010.001A01 00:00:00 n SUISSE YODEL OF APPENZELL, SWITZERLAND Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +FE-4177 D303S DI.981.011.001/02 A01 DI.981.011.001/02A01 00:00:00 n COLOMBIE PRE-COLOMBIEN INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +558544 D303S DI.981.012.001 A01 DI.981.012.001A01 00:00:00 n GEORGIE GEORGIE. CHANTS RELIGIEUX Sous-table non exportée Sous-table non exportée 0 0 EUROPE +558547 D303S DI.981.012.002 A01 DI.981.012.002A01 00:00:00 n PORTUGAL PORTUGAL. TRAS OS MONTES: CHANTS DU BLE&CORNEMUSES DE BERGER Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +558562/63 D303S DI.981.012.003/04 A01 DI.981.012.003/04A01 00:00:00 n IRAN IRAN:VOL.3+4.ANTHOLOGIE DE LA M.TRAD.:NEY PAR M. MUSAVI;CHANT&NEY PAR M. KARIMI* Sous-table non exportée Sous-table non exportée 1980 0 ASIE +558565/66 D303S DI.981.012.005/06 A01 DI.981.012.005/06A01 00:00:00 n IRAN IRAN/VOL. 5 ET 6. MUSIQUES D'EXTASE & DE GUERISON DU BALOUTCHISTAN Sous-table non exportée Sous-table non exportée 1980 0 ASIE +558555/57 D303S DI.981.012.007/09 A01 DI.981.012.007/09A01 00:00:00 n BIRMANIE BIRMANIE. MUSIQUE D'ART Sous-table non exportée Sous-table non exportée -971 0 ASIE +LLST-7342 D303S DI.981.012.010 A01 DI.981.012.010A01 00:00:00 n CHINE CHINESE MASTER PIECES FOR THE CH'IN ANCIENT & MODERN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7302 D303S DI.981.012.011 A01 DI.981.012.011A01 00:00:00 n TAIWAN THE CHINESE CHENG ANCIENT AND MODERN Sous-table non exportée Sous-table non exportée 1974 0 ASIE +LLST-7117 D303S DI.981.012.012 A01 DI.981.012.012A01 00:00:00 n JAPON JAPANESE TEMPLE MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7200 D303S DI.981.012.013 A01 DI.981.012.013A01 00:00:00 n JAPON BUDDHIST DRUMS, BELLS, AND CHANTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7322 D303S DI.981.012.015 A01 DI.981.012.015A01 00:00:00 n PHILIPPINES PHILIPPINE GONG MUSIC FROM: LANAO VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7323 D303S DI.981.012.016 A01 DI.981.012.016A01 00:00:00 n INDE MIDDLE CASTE RELIGIOUS MUSIC FROM INDIA Sous-table non exportée Sous-table non exportée -769 0 ASIE +LLST-7324 D303S DI.981.012.017 A01 DI.981.012.017A01 00:00:00 n INDE LOWER CASTE RELIGIOUS MUSIC FROM INDIA Sous-table non exportée Sous-table non exportée -769 0 ASIE +LLST-7283 D303S DI.981.012.018 A01 DI.981.012.018A01 00:00:00 n YEMEN MUSIC FROM YEMEN ARABIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7348 D303S DI.981.012.019 A01 DI.981.012.019A01 00:00:00 n PEROU MUSIC OF THE INCAS "AYLLU SULCA" Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A01 DI.981.012.020A01 00:01:15 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* ALOLE NACHORETA LA FEMME TRISTE Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A.1982. Tome LXVIII SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A02 DI.981.012.020A02 00:01:35 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* CHISI SEPT PETITES CHEVRES Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS Solo instr SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A03 DI.981.012.020A03 00:01:40 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* PICHINI LE PIC Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS Groupe instr SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A04 DI.981.012.020A04 00:01:25 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* VUOLE AIGLE NOIR Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS Groupe instr SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A05 DI.981.012.020A05 00:01:43 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* LAANAGASHI FEMME DE LA RESERVE Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS Groupe instr SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A06 DI.981.012.020A06 00:01:55 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* SHEUGLASHI LA FEMME DU NORD Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A07 DI.981.012.020A07 00:01:35 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* PIOCKRALO LE PETIT RENARD Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A08 DI.981.012.020A08 00:01:25 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* TONOLECK LA CHOUETTE Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 A09 DI.981.012.020A09 00:01:30 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* AIAT LE MOUSTIQUE Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B01 DI.981.012.020B01 00:01:40 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* NAKIARAIK LE VENT DU NORD Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B02 DI.981.012.020B02 00:01:15 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* PAROK LE VANEAU Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B03 DI.981.012.020B03 00:01:50 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* VIRI NOLKA OISEAU MESSAGER Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B04 DI.981.012.020B04 00:01:40 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* SHIGUO AU REVOIR Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B05 DI.981.012.020B05 00:00:50 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* SKIN INSTRUMENTS Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B06 DI.981.012.020B06 00:02:30 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* PERCUSSION (LANCES, BELLS AND GOURDS) Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B07 DI.981.012.020B07 00:00:45 n ARGENTINE TOBA ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* ENSEMBLE Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B08 DI.981.012.020B08 00:02:30 n ARGENTINE MATACO ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* SHAMAN SONGS Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7254 D303S DI.981.012.020 B09 DI.981.012.020B09 00:02:50 n ARGENTINE MATACO ARGENTINE FOLK MUSIC THE CHAQUENOS IN SONG AND DANCE* EL ARCO MUSICAL AND BIRIMBAO Sous-table non exportée Sous-table non exportée voir BEAUDET, J.M. "Musiques d'Amérique Tropicale. Discographie analytique et critique des amérindiens des basses terres" _J.S.A. 1982 Tome LXVIII MUSEE DE L'HOMME PARIS Arc musical: corde frottée• Duo instr SMITH, RICHARD. Chaco 1969 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01A DI.981.012.021A01A 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01B DI.981.012.021A01B 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01C DI.981.012.021A01C 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01D DI.981.012.021A01D 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01E DI.981.012.021A01E 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A01F DI.981.012.021A01F 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02 DI.981.012.021A02 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO MALE SOLO CHANT Sous-table non exportée Sous-table non exportée Pas assez de données dans la notice Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02A DI.981.012.021A02A 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02B DI.981.012.021A02B 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO INSTRUMENTAL Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02C DI.981.012.021A02C 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO INSTRUMENTAL Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02D DI.981.012.021A02D 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO INSTRUMENTAL Sous-table non exportée Sous-table non exportée La guimbarde est classée par l'auteur de la notice comme "horn" (cor) Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A02E DI.981.012.021A02E 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO INSTRUMENTAL Sous-table non exportée Sous-table non exportée l'arc musical est classé par l'auteur de la notice comme "horn" (cor), il est à corde frottée• Solo instr Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A03A DI.981.012.021A03A 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SHAMAN INITIATION SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A03B DI.981.012.021A03B 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SHAMAN INITIATION SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A03C DI.981.012.021A03C 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO POISONOUS BITES SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A03D DI.981.012.021A03D 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO RAIN SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 A04 DI.981.012.021A04 00:00:00 n ARGENTINE MATACO ARGENTINE. THE INDIANS OF THE GRAN CHACO SHAMANIST THERAPEUTIC SESSION Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B01A DI.981.012.021B01A 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO RAIN SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B01B DI.981.012.021B01B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO RAIN SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B02A DI.981.012.021B02A 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO WIND SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B02B DI.981.012.021B02B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG ASKING LAMOH TO CURE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B02C DI.981.012.021B02C 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG ASKING LAMOH TO CURE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03A DI.981.012.021B03A 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG TO GO ON HORSEBACK Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03B DI.981.012.021B03B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG TO GO ON HORSEBACK Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03C DI.981.012.021B03C 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG TO GO ON HORSEBACK Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03D DI.981.012.021B03D 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG FOR ENTERING AREA WHERE SOUL RESTS Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03E DI.981.012.021B03E 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG TO RESCUE THE SOUL Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03F DI.981.012.021B03F 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG FOR RETURN OF SHAMAN TO EARTH Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B03G DI.981.012.021B03G 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO SONG TO DELIVER SOUL TO PATIENT Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B04 DI.981.012.021B04 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO WEEPING RITUAL SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B04B DI.981.012.021B04B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO BURIAL SONG Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B04C DI.981.012.021B04C 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO MOURNING SON Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B05A DI.981.012.021B05A 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO "PIMPIM" SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B05B DI.981.012.021B05B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO "PIMPIM" SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B05C DI.981.012.021B05C 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO "PIMPIM" SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B05D DI.981.012.021B05D 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO "PIMPIM" SONG Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B06A DI.981.012.021B06A 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +LLST-7295 D303S DI.981.012.021 B06B DI.981.012.021B06B 00:00:00 n ARGENTINE CHOROTE ARGENTINE. THE INDIANS OF THE GRAN CHACO DANCE Sous-table non exportée Sous-table non exportée Chaco -1 0 AMERIQUE +IH-2501 D303S DI.981.012.022 A01 DI.981.012.022A01 00:00:00 n USA HANDGAME OF THE KIOWA, KIOWA APACHE & COMANCHE Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +IH-1510 D303S DI.981.012.023 A01 DI.981.012.023A01 00:00:00 n USA NAVAJO SONGS ABOUT LOVE, VOL. 2 Sous-table non exportée Sous-table non exportée 1974 0 AMERIQUE +IH-3001 D303S DI.981.012.024 A01 DI.981.012.024A01 00:00:00 n USA SONGS OF THE MUSKOGEE CREEK PART 1 Sous-table non exportée Sous-table non exportée 1969 0 AMERIQUE +IH-3002 D303S DI.981.012.025 A01 DI.981.012.025A01 00:00:00 n USA SONGS OF THE MUSKOGEE CREEK PART 2 Sous-table non exportée Sous-table non exportée 1969 0 AMERIQUE +IH-9502 D303S DI.981.012.026 A01 DI.981.012.026A01 00:00:00 n USA PUEBLO SONGS OF THE SOUTH WEST Sous-table non exportée Sous-table non exportée 1969 0 AMERIQUE +IH-1001 D303S DI.981.012.027 A01 DI.981.012.027A01 00:00:00 n USA ROUND DANCE. SONGS OF TAOS PUEBLO VOL. 1 Sous-table non exportée Sous-table non exportée 1966 0 AMERIQUE +IH-1101 D303S DI.981.012.028 A01 DI.981.012.028A01 00:00:00 n USA TURTLE DANCE SONGS OF SAN JUAN PUEBLO Sous-table non exportée Sous-table non exportée 1972 0 AMERIQUE +ALB-18 D303S DI.981.012.029/30 A01 DI.981.012.029/30A01 00:00:00 n AFGHANISTAN AFGHANISTAN. NURISTAN. KIRGHIZISTAN Sous-table non exportée Sous-table non exportée -164 0 ASIE +VPA-8465 D303S DI.981.012.031 A01 DI.981.012.031A01 00:00:00 n INDONESIE;JAVA GIAVA. JAVA Sous-table non exportée Sous-table non exportée 1980 0 ASIE +VPA-8094 D303S DI.981.012.032 A01 DI.981.012.032A01 00:00:00 n ISRAEL I CANTI DEL POPOLO EBRAICO Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8314 D303S DI.981.012.033 A01 DI.981.012.033A01 00:00:00 n ITALIE IL LAVIO VOL. 1. I CANTI E LE ZAMPOGNE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-54131 D303S DI.981.012.034/35 A01 DI.981.012.034/35A01 00:00:00 n INDE NAVAGRAPHA KRTIS. CATURDASA RAGAMALIKA Sous-table non exportée Sous-table non exportée 1980 0 ASIE +FE-4365 D303S DI.981.012.036 A01 DI.981.012.036A01 00:00:00 n INDE;KERALA MUSIC FROM SOUTH INDIA KERALA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +ARN-33546 D303S DI.981.012.037 A01 DI.981.012.037A01 00:00:00 n INDE LES MUSICIENS DU THEATRE D'OMBRES. ANDRA PRADESH INDE Sous-table non exportée Sous-table non exportée 1979 0 ASIE +SEMGE-11012 D303S DI.981.012.038 A01 DI.981.012.038A01 00:00:00 n INDE ASHESH BANDOPADHYAYA PLAYS ESRAJ Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418528 D303S DI.981.012.039 A01 DI.981.012.039A01 00:00:03 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE CHARI QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE YAKU KANTU N Sous-table non exportée N Sous-table non exportée (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A02 DI.981.012.039A02 00:00:02 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE CHARI QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE TIKA TIKA FLEURS N Sous-table non exportée N Sous-table non exportée (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A03 DI.981.012.039A03 00:00:02 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE CHARI QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE YUYARIKUY KANTU "KANTU" DE SOUVENIR N Sous-table non exportée N Sous-table non exportée (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A04 DI.981.012.039A04 00:00:03 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE CHARI QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE KACHARPAYA KANTU "KANTU" DU DEPART N Sous-table non exportée N Sous-table non exportée n (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A05 DI.981.012.039A05 00:00:02 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE KAALAYA QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE KANCHITU N Sous-table non exportée N Sous-table non exportée n (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A06 DI.981.012.039A06 00:00:02 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE KAALAYA QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE KOMER CHAKRA CHAMP VERT N Sous-table non exportée N Sous-table non exportée n (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A07 DI.981.012.039A07 00:00:02 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE KAALAYA QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE CHAKIPACHA ETE N Sous-table non exportée N Sous-table non exportée n (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 A08 DI.981.012.039A08 00:00:03 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE KAALAYA QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE AKAMANI N Sous-table non exportée N Sous-table non exportée n (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS 1965 0 AMERIQUE +06418528 D303S DI.981.012.039 B01 DI.981.012.039B01 00:00:01 29/06/56 BOLIVIE LA PAZ, PROVINCE D'AROMA, CANAVIRI AYMARA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE BAILE CHIRIWANO, DANSE COSTUMEE N Sous-table non exportée N Sous-table non exportée Flûte "WISLULU": à bloc, sans T, terre cuite• Duo instr 1956 0 AMERIQUE +06418528 D303S DI.981.012.039 B02 DI.981.012.039B02 00:00:05 22/07/55 BOLIVIE LA PAZ, PROVINCE DE PACAJES, COROCORO AYMARA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE DANZA DE LOS KUNTHURIS N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1955 0 AMERIQUE +06418528 D303S DI.981.012.039 B03 DI.981.012.039B03 00:00:01 22/07/55 BOLIVIE LA PAZ, PROVINCE DE PACAJES, COROCORO AYMARA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE HUAYNO DE LOS KUNTHURIS N Sous-table non exportée N Sous-table non exportée Danse totémique en honneur du condor Flûte "WISLULU": à bloc, sans T, terre cuite Groupe instr GIRAULT, LOUIS 1955 0 AMERIQUE +06418528 D303S DI.981.012.039 B04 DI.981.012.039B04 00:00:11 08/09/56 BOLIVIE LA PAZ, PROVENCE DES ANDES, PENAS AYMARA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE DANZA LAQUITA N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1956 0 AMERIQUE +06418528 D303S DI.981.012.039 B05 DI.981.012.039B05 00:00:02 24/09/73 BOLIVIE LA PAZ, PROV. CAMACHO, COMMUNAUTE DE KKONKO AYMARA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE KACHARPAYA "ADIEU" N Sous-table non exportée N Sous-table non exportée GIRAULT, LOUIS 1973 0 AMERIQUE +D-8012/13 D303S DI.981.012.040/41 A01 DI.981.012.040/41A01 00:00:00 n SUISSE LES INSTRUMENTS DE MUSIQUE POPULAIRE EN SUISSE Sous-table non exportée Sous-table non exportée -1372 0 EUROPE +HM-1031 D303S DI.981.012.042 A01 DI.981.012.042A01 00:00:00 n IRAN LE TAR. DARYOUSH TALA'I & DJAMCHID CHEMIRANI Sous-table non exportée Sous-table non exportée 1979 0 ASIE +VDE-14 D303S DI.981.012.043 A01 DI.981.012.043A01 00:00:00 n ALBANIE FOLKLORE INSTRUMENTAL ALBANAIS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SC-40505 D303S DI.981.012.044 A01 DI.981.012.044A01 00:00:00 n EGYPTE LE CORAN PSALMODIE PAR CHEIK ABDEL BASSET ABDEL SAMAD Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SM-30629 D303S DI.981.012.045 A01 DI.981.012.045A01 00:00:00 n MAROC MUSIQUES RELIGIEUSES EN ISLAM Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +TGM-129 D303S DI.981.012.046 A01 DI.981.012.046A01 00:00:00 n URSS;RA TATAR MUSIC OF THE TATAR PEOPLE Sous-table non exportée Sous-table non exportée 833 0 ASIE +BM-30-SL-2030 D303S DI.981.012.047 A01 DI.981.012.047A01 00:00:00 1972 LIBAN LA MUSIQUE DU LIBAN 1. Sous-table non exportée Sous-table non exportée 1972 0 ASIE +FM-6008 D303S DI.981.013.001 A01 DI.981.013.001A01 00:00:00 n TAIWAN CHEN TA & HENG-CHUN TUNE MINSTRELSY Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6009 D303S DI.981.013.002 A01 DI.981.013.002A01 00:00:00 n TAIWAN CH'EN KUAN-HUA & FUA-LAO FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6012 D303S DI.981.013.003 A01 DI.981.013.003A01 00:00:00 n TAIWAN SUCHOIV T'AN TZ'U (SUCHOW MINSTRELSY) Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6026 D303S DI.981.013.004 A01 DI.981.013.004A01 00:00:00 n TAIWAN THE CHINESE FOLK MINSTRELSY OF CHANG T'IEN YU (1) Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6027 D303S DI.981.013.005 A01 DI.981.013.005A01 00:00:00 n TAIWAN THE CHINESE FOLK MINSTRALSY OF CHANG T'IEN YU (2) Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6028 D303S DI.981.013.006 A01 DI.981.013.006A01 00:00:00 n TAIWAN THE MUSIC OF NAN KUAN (A SOUTHERN SCHOOL) Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6010 D303S DI.981.013.007 A01 DI.981.013.007A01 00:00:00 n TAIWAN THE MUSIC OF TAIWAN ABORIGINES. THE FOLK SONGS OF THE AMI Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6011 D303S DI.981.013.008 A01 DI.981.013.008A01 00:00:00 n TAIWAN THE MUSIC OF TAIWAN ABORIGINES. * Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6029 D303S DI.981.013.009 A01 DI.981.013.009A01 00:00:00 n TAIWAN THE MUSIC OF TAIWAN ABORIGINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6030 D303S DI.981.013.010 A01 DI.981.013.010A01 00:00:00 n TAIWAN THE MUSIC OF TAIWAN ABORIGINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6031 D303S DI.981.013.011 A01 DI.981.013.011A01 00:00:00 n TAIWAN THE MUSIC OF TAIWAN ABORIGINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6045 D303S DI.981.013.012 A01 DI.981.013.012A01 00:00:00 n TAIWAN THE HAKKA PA YIN MUSIC OF MIAO LI CH'IEN ENSEMBLE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6068 D303S DI.981.013.013 A01 DI.981.013.013A01 00:00:00 n TAIWAN THE PEI KUAN MUSIC OF CHANG-HUA LI-CH'UN YUAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6069 D303S DI.981.013.014 A01 DI.981.013.014A01 00:00:00 n TAIWAN THE HAKKA FOLK SONGS BY LAI PI-HSIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FM-6070 D303S DI.981.013.015 A01 DI.981.013.015A01 00:00:00 n TAIWAN THE CH'AU-CHOU STAGE MUSIC OF HONG KONG TUNG SHAN * Sous-table non exportée Sous-table non exportée 0 0 ASIE +PFF-3 D303S DI.981.015.001 A01 DI.981.015.001A01 00:00:00 n GRECE GREEK FOLK MUSIC. WEDDING SONGS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LCGW-101 D303S DI.982.003.001 A01 DI.982.003.001A01 00:00:00 1967-75 GRECE FOLK MUSIC. DANCES SONGS Sous-table non exportée Sous-table non exportée 1967 0 EUROPE +LCGW-102 D303S DI.982.003.002 A01 DI.982.003.002A01 00:00:00 n GRECE FOLK MUSIC. DANCES, SONGS Sous-table non exportée Sous-table non exportée 1975 0 EUROPE +LCGW-103 D303S DI.982.003.003 A01 DI.982.003.003A01 00:00:00 n GRECE FOLK MUSIC. DANCES, SONGS Sous-table non exportée Sous-table non exportée 1978 0 EUROPE +LCGW-104/05 D303S DI.982.003.004/05 A01 DI.982.003.004/05A01 00:00:00 n GRECE FOLK MUSIC. DANCES, SONGS Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +DAHMA-80101/02 D303S DI.982.004.001/02 A01 DI.982.004.001/02A01 00:00:00 n FRANCE RIS ORANGIS. FESTIVAL FOLK 10 MAI 1980 Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +DAHMA-80101/02 D303S DI.982.004.001/02 B01 DI.982.004.001/02B01 00:00:00 n CANADA RIS ORANGIS. FESTIVAL FOLK 10 MAI 1980 Sous-table non exportée Sous-table non exportée 1980 0 AMERIQUE +VPA-8222-RL D303S DI.982.005.001 A01 DI.982.005.001A01 00:00:00 n ITALIE;LOMBARDIE BERGAMO E IL SUO TERRITORIO. REGIONE LOMBARDIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8223-RL D303S DI.982.005.002 A01 DI.982.005.002A01 00:00:00 n ITALIE;LOMBARDIE BRESCIA E IL SUO TERRITORIO. REGIONE LOMBARDIA Sous-table non exportée Sous-table non exportée -766 0 EUROPE +VPA-8231-RL D303S DI.982.005.003 A01 DI.982.005.003A01 00:00:00 n ITALIE;LOMBARDIE LE MONDINE DI VILLA GARIBALDI. REGIONE LOMBARDIA 3 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPX-18058/60 D303M DI.982.007.001/03 A01 DI.982.007.001/03A01 00:00:00 n HONGRIE GRAMOPHONE RECORDS WITH BARTOK'S TRANSCRIPTIONS Sous-table non exportée Sous-table non exportée 2970 0 EUROPE +FE-4235 D303S DI.982.008.001 A01 DI.982.008.001A01 00:00:00 n GUYANE FRANCAISE MUSIC OF THE HAUT OYAPOK Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +6586045 D303S DI.982.009.001 A01 DI.982.009.001A01 00:00:00 n JAPON AINU SONGS JAPAN Sous-table non exportée Sous-table non exportée 1978 0 ASIE +ARN-33658 D303S DI.982.010.001 A01 DI.982.010.001A01 00:00:00 n EGYPTE L'ORDRE CHAZILI D'EGYPTE. MUSIQUE SOUFI VOL. 4 Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +ARN-33659 D303S DI.982.010.002 A01 DI.982.010.002A01 00:00:00 n EGYPTE L'ORDRE CHAZILI D'EGYPTE. MUSIQUE SOUFI VOL. 5 Sous-table non exportée Sous-table non exportée 1981 0 AFRIQUE +C-3015877/86 D303S DI.982.011.001/05 A01 DI.982.011.001/05A01 00:00:00 n GEORGIE (EN RUSSE) Sous-table non exportée Sous-table non exportée 0 0 EUROPE +ACCT-18211 D303S DI.982.012.001 A01 DI.982.012.001A01 00:00:00 n COTE D'IVOIRE COTE D'IVOIRE. CHANTS ET DANSES DE BOUNDIALI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-L-2563 D303M DI.982.013.001 A01 DI.982.013.001A01 00:00:00 n MALAYSIA MUSIC OF THE PROTOMALAYANS OF MALACCA Sous-table non exportée Sous-table non exportée 1963 0 ASIE +BM-30-SL-2700 D303S DI.982.013.002 A01 DI.982.013.002A01 00:00:00 n PAPOUASIE-NLE-GUINEE PAPUA NIUGINI: THE MIDDLE SEPIK Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +BM-30-SL-2701 D303S DI.982.013.003 A01 DI.982.013.003A01 00:00:00 n PAPOUASIE-NLE-GUINEE MUSIC OF THE IATMUL Sous-table non exportée Sous-table non exportée -667 0 OCEANIE +IPNGS-001 D303S DI.982.014.001 A01 DI.982.014.001A01 00:00:00 n PAPOUASIE-NLE-GUINEE MUSIC OF THE KALULI. PAPUA PNEW GUINEA Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +CETRASU-5007 D303S DI.982.015.001 A01 DI.982.015.001A01 00:00:00 n ITALIE SARDEGNA 1: ORGANETTO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +06418594 D303S DI.982.016.001 U01 DI.982.016.001U01 00:00:00 1 MEXIQUE MEXICO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +ATP-82.1/2 D303M DI.983.001.001/02 A01 DI.983.001.001/02A01 00:00:00 n ANTILLES FRANCAISES MARIE GALANTE LA MUSIQUE A MARIE-GALANTE N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +MC-5 D303S DI.983.002.001 A01 DI.983.002.001A01 00:00:00 n GRECE MUSIC DER PONTOS-GRIECHEN. NORDGRIECHENLAND Sous-table non exportée Sous-table non exportée -665 0 EUROPE +SLPX-18036 D303S DI.983.002.002 A01 DI.983.002.002A01 00:00:00 n HONGRIE IGRAJ KOLO. SOUTHERN SLAV FOLK MUSIC FROM HUNGARY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LECL-017 D303S DI.983.002.004 A01 DI.983.002.004A01 00:00:00 n SRI LANKA FOLK SONGS AND RHYTHMS OF SRI LANKA Sous-table non exportée Sous-table non exportée 0 0 ASIE +DJD-01 D303S DI.983.003.001 A01 DI.983.003.001A01 00:25:00 n VIETNAM VIETNAMIENS SHAMAN SHAMAN TRAN QUANG HAI & LOBKO MISHA Sous-table non exportée IMPROVISATION Sous-table non exportée IP-GUIMBARDE: en bambou. Rythme libre• Cette composition a pour but de montrer la possibilité dans l'improvisation comment on pourrait imiter par la voix le son de l'instrument. Le dialogue entre voix et instrument dans l'esprit de jazz et de musique improvisée permet aux auditeurs de découvrir une forme musicale nouvelle. Composition pour voix, guimbarde, clarinette basse, synthé de Trân Quang Hai et Misha Lobko. Le synthétiseur a été utilisé pour jouer un bourdon continu et donner à l'oeuvre quelques effets électroniques• Solo voc + instrs DAUM LIZA, PARIS 1982 0 ASIE +DJD-01 D303S DI.983.003.001 B01 DI.983.003.001B01 00:25:00 13/15 mai 1982 VIETNAM VIETNAMIENS SHAMAN SHAMAN (SUITE) TRAN QUANG HAI & LOBKO MISHA Sous-table non exportée IMPROVISATION Sous-table non exportée EL= synthétiseur. Rythme libre• Rythme libre• Solo voc + 1 instr DAUM LIZA, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A01 DI.983.003.002A01 00:03:55 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN LE CHANT DU MERLE LY NGUA O Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Trân quang Hai: "La musique du Vietnam",Musique et Culture (30)8: 20p, Strasbourg, 1985 Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A02 DI.983.003.002A02 00:03:49 N VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN MONTAGNE ROYALE ET RIVIERE DES PARFUMS NUI NGU SONG HUONG TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Trân quang Hai: "La musique du Vietnam",Musique et Culture (30)8: 20p, Strasbourg, 1985 Cithare/table "DAN BAU": 1C. nouvelle composition de Trân Quang Hai. Rythme libre puis mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A03 DI.983.003.002A03 00:03:14 n VIETNAM SUD VIETNAMIEN VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN IMPROVISATION AUX CUILLERS TUY HUNG MUONG TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Trân Quang Hai est le seul à composer des oeuvres pour cuillers et à jouer en solo sur disque. Variations rythmiques• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A04 DI.983.003.002A04 00:01:25 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN SOLO DE GUIMBARDE MONG DOC TAU DAN MOI MONG TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Composition de Trân Quang Hai. Rythme libre puis mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A05 DI.983.003.002A05 00:02:28 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN LE CHANT DE LA GUIMBARDE EN BAMBOU TIENG HAT DAN MOI TRE TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Composition pour guimbarde de Trân Quang Hai. Rythme libre puis mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A06 DI.983.003.002A06 00:02:45 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN CHANT DIPHONIQUE HAT HAI GIONG TRAN QUANG HAI Sous-table non exportée CHT DIPHONIQUE Sous-table non exportée Technique vocale utilisée par les Mongols, Touvas, redécouverte par Trân Quang Hai qui l'a maîtrisée parfaitement bien, et l'a employée dans la musique vietnamienne. Rythme mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 A07 DI.983.003.002A07 00:04:42 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN LE VENT SOUFFLE ET FAIT COURBER LE SAULE PLEUREUR-LE CHANT DU MERLE PHONG XUY TRICH LIEU - LY CON SAO NGUYEN TRI KHUONG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. La pièce Phong xuy trich liêu a été composée par Nguyên Tri Khuong en 1927 pour une pièce de théâtre Giot lê chung tinh (les larmes fidèles). Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B01 DI.983.003.002B01 00:02:25 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN BERCEUSE DU NORD VIETNAM HAT RU Sous-table non exportée BERCEUSE Sous-table non exportée Rythme libre• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B02 DI.983.003.002B02 00:02:17 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN BERCEUSE DU CENTRE VIETNAM RU CON Sous-table non exportée BERCEUSE Sous-table non exportée STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B03 DI.983.003.002B03 00:01:37 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN BERCEUSE DU SUD VIETNAM AU O Sous-table non exportée BERCEUSE Sous-table non exportée Rythme libre• STUDIO SM,PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B04 DI.983.003.002B04 00:03:00 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN L'AIGRETTE PLANE CO LA Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant de cour d'amour au Nord Vietnam Vièle 2C "DAN NHI": archet pris. Rythme binaire• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B05 DI.983.003.002B05 00:02:35 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN CHANT POUR ALLER CHERCHER DU BOIS DANS LA FORET HO SANG SONG HAI CUI Sous-table non exportée CHT ALTERNE Sous-table non exportée Chant de travail de type responsorial Rythme mesuré• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B06 DI.983.003.002B06 00:02:30 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN CHANT DE LA PLAINE DES JONCS HO DONG THAP Sous-table non exportée CHT ALTERNE Sous-table non exportée Rythme libre• STUDIO SM,PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B07 DI.983.003.002B07 00:01:03 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN RYTHME DES CLIQUETTES A SAPEQUES SINH TIEN NHIP TAU TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Composition pour cliquettes à sapèques de Trân quang Hai. Variations rythmiques• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B08 DI.983.003.002B08 00:02:25 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN CHANT CONTRE CHANT CA DOI CA TRAN QUANG HAI Sous-table non exportée CHT DIPHONIQUE Sous-table non exportée Trân Quang Hai, avec le re-recording , chante plusieurs fois (6fois) le chant diphonique découvert par lui. nouvelle composition de Trân Quang Hai? Rythme libre• STUDIO SM, PARIS 1982 0 ASIE +SM-301197 D303S DI.983.003.002 B09 DI.983.003.002B09 00:03:03 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.TRAN QUANG HAI & BACH YEN RYTHME DES HAUTS PLATEAUX TIET TAU MIEN THUONG TRAN QUANG HAI Sous-table non exportée CREATION Sous-table non exportée Avec le re-recording, Trân Quang Hai a pu jouer de deux guimbardes, l'une en métal, l'autre en bambou, pour faire une improvisation rythmique. Composition pour deux guimbardes de Trân Quang Hai. Polyrythmie • STUDIO SM, PARIS 1982 0 ASIE +CFDB-004 D173M DI.983.004.001 A01 DI.983.004.001A01 00:00:00 n BRESIL FOLIA DE REIS Sous-table non exportée Sous-table non exportée 1972 0 AMERIQUE +CDFB-011 D173M DI.983.004.002 A01 DI.983.004.002A01 00:00:00 n BRESIL CIRANDA DE PARATY Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CDFB-012 D173M DI.983.004.003 A01 DI.983.004.003A01 00:00:00 n BRESIL TAMBOR-DE-CRIOULA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CDFB-013 D173M DI.983.004.004 A01 DI.983.004.004A01 00:00:00 n BRESIL CAXAMBU Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-015 D173M DI.983.004.005 A01 DI.983.004.005A01 00:00:00 n BRESIL FANDANGO DO PARANA Sous-table non exportée Sous-table non exportée 1968 0 AMERIQUE +CDFB-016 D173M DI.983.004.006 A01 DI.983.004.006A01 00:00:00 n BRESIL CHEGANCA-SERGIPE Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-017 D173M DI.983.004.007 A01 DI.983.004.007A01 00:00:00 n BRESIL SAMBA DE CABOCLO-RJ Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CDFB-018 D173M DI.983.004.008 A01 DI.983.004.008A01 00:00:00 n BRESIL CONGOS/PARAIBA Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CDFB-019 D173M DI.983.004.009 A01 DI.983.004.009A01 00:00:00 n BRESIL REISADO DO PIAUI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CDFB-020 D173M DI.983.004.010 A01 DI.983.004.010A01 00:00:00 n BRESIL MINEIRO-PAU/RJ Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-021 D173M DI.983.004.011 A01 DI.983.004.011A01 00:00:00 n BRESIL BAIANAS/ALAGO AS Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CDFB-022 D173M DI.983.004.012 A01 DI.983.004.012A01 00:00:00 n BRESIL FANDANGO/ALAGOAS Sous-table non exportée Sous-table non exportée 1957 0 AMERIQUE +CDFB-023 D173M DI.983.004.013 A01 DI.983.004.013A01 00:00:00 n BRESIL BANDA CABACAL/CEARA Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-024 D173M DI.983.004.014 A01 DI.983.004.014A01 00:00:00 n BRESIL DANCAS DO MARAJO Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-025 D173M DI.983.004.015 A01 DI.983.004.015A01 00:00:00 n BRESIL CONGOS DE SAIOTE/RN Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CDFB-026 D173M DI.983.004.016 A01 DI.983.004.016A01 00:00:00 n BRESIL CAMBINDA/PARAIBA Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +CDFB-027 D173M DI.983.004.017 A01 DI.983.004.017A01 00:00:00 n BRESIL BOI-DE-MAMAO/SC Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-028 D173M DI.983.004.018 A01 DI.983.004.018A01 00:00:00 n BRESIL DANCA DO LELE/MA Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDFB-029 D173M DI.983.004.019 A01 DI.983.004.019A01 00:00:00 n BRESIL TICUMBI/ES Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CDFB-030 D173M DI.983.004.020 A01 DI.983.004.020A01 00:00:00 n BRESIL TOREM/CEARA Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +INF-032 D173M DI.983.004.021 A01 DI.983.004.021A01 00:00:00 n BRESIL COCO/CEARA Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +INF-034 D173M DI.983.004.022 A01 DI.983.004.022A01 00:00:00 n BRESIL MOCAMBIQUE/SP Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +INF-036 D173M DI.983.004.023 A01 DI.983.004.023A01 00:00:00 n BRESIL DANCA DE SANTA CRUZ/SP Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +INF-037 D173M DI.983.004.024 A01 DI.983.004.024A01 00:00:00 n BRESIL CANA-VERDE/CEARA Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +MC-6 D303S DI.983.005.002/03 A01 DI.983.005.002/03A01 00:00:00 n ETHIOPIE MUSIC DER HAMAR. SUDATHIOPIEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-7 D303S DI.983.005.004 A01 DI.983.005.004A01 00:00:00 n CHINE MUSIK FUR CH'IN CHINA Sous-table non exportée Sous-table non exportée 1975 0 ASIE +MC-8 D303S DI.983.005.005/06 A01 DI.983.005.005/06A01 00:00:00 n INDE MUSIC FUR VINA. SUD INDIEN Sous-table non exportée Sous-table non exportée 1975 0 ASIE +MC-9 D303S DI.983.005.007/08 A01 DI.983.005.007/08A01 00:00:00 n SOUDAN MUSIK DER NUBIER. NORD SUDAN Sous-table non exportée Sous-table non exportée -766 0 AFRIQUE +MC-11 D303S DI.983.005.009/10 A01 DI.983.005.009/10A01 00:00:00 n ANGOLA MUKANDA NA MAKISI. ANGOLA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MC-14.1 D303S DI.983.005.011 A01 DI.983.005.011A01 00:00:04 01/01/78 BOLIVIE COCHABAMBA. PROVINCE DE AYOPAYA. CUYUPAYA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN WAYNO CHIRIWANO N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A02 DI.983.005.011A02 00:00:03 01/01/78 BOLIVIE COCHABAMBA. PROVINCE ARQUE, VENTILLA, MIKAYANI CHI QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN CARNAVAL: WAYNITU N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A03 DI.983.005.011A03 00:00:02 01/01/78 BOLIVIE COCHABAMBA, CAPINOTA, APILLA PAMPA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN CARNAVAL: WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A04 DI.983.005.011A04 00:00:03 01/01/78 BOLIVIE COCHABAMBA. YERBABUENANI, TAPACARI QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN TONADA DEL CARNAVAL: PUKA UMA N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A05 DI.983.005.011A05 00:00:04 01/01/77 BOLIVIE COCHABAMBA, MANZANANI, AYOPAYA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN KULLAWAS:TARKEADA N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1977 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A06 DI.983.005.011A06 00:00:02 01/01/78 BOLIVIE COCHABAMBA. PROV. AYOPAYA, WANKARANI QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN K'AJCHITU: WAYNITU N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 A07 DI.983.005.011A07 00:00:03 01/01/78 BOLIVIE ORURO. PROV. ATAHUALLPA, AYPARAVI CHIPAYA MUSIK IM ANDENHOCHLAND /BOLIVIEN USHNYTZATNI : CARNAVAL N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B01 DI.983.005.011B01 00:00:03 01/01/78 BOLIVIE CHUQUISQCA. PROV. ZUDANEZ, ILLA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN PUJLLAY: CARNAVAL N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval Flûte "TOKORO": flûte à bloc, 6T, tuy. d'insufflation externe, bambou, taille C. Flûte "PINKILLO": à bloc, 6T, bambou• Choeur & instrs BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B02 DI.983.005.011B02 00:00:03 01/01/78 BOLIVIE POTOSI. PROV. LINARES, CARA, SAROPALLA CAIZA AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN CARNAVALERO DE MIGUEL ANSU N Sous-table non exportée N Sous-table non exportée musique de la saison des pluies .Carnaval BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B03 DI.983.005.011B03 00:00:02 01/01/78 BOLIVIE POTOSI. PROV. GRAL BILBAO, SANTIAGO, LAGUA-LAGUA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN COSECHA WIRSU: WAYNO N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B04 DI.983.005.011B04 00:00:02 01/01/78 BOLIVIE LA PAZ. PROV. AROMA, COLQUENCHA AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN LAKITAS N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B05 DI.983.005.011B05 00:00:03 01/01/78 BOLIVIE LA PAZ.PROV; PACAJES, CAQUIAVIRI, LAURA LLOKOLLOKO AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN CHOKELAS N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B06 DI.983.005.011B06 00:02:00 01/01/78 BOLIVIE LA PAZ. PROV. INGAVI, IRPUMA-IRPA GRANDE AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN JULU-JULU N Sous-table non exportée N Sous-table non exportée Flûte "PULU": emb. simple• Groupe instr BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B07 DI.983.005.011B07 00:00:02 01/01/78 BOLIVIE POTOSI. PROV. CHAYANTA, MACHA QUECHUA MUSIK IM ANDENHOCHLAND /BOLIVIEN TONADA DE LA CRUZ N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B08 DI.983.005.011B08 00:00:02 01/01/78 BOLIVIE LA PAZ. PROV. AROMA, COLQUENCHA AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN SURI-SIKURIS N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.1 D303S DI.983.005.011 B09 DI.983.005.011B09 00:00:02 01/01/78 BOLIVIE LA PAZ. PROV. PACAJES, CAQUIAVIRI, LAURA LLOKOLLOK AYMARA MUSIK IM ANDENHOCHLAND /BOLIVIEN LAKITAS N Sous-table non exportée N Sous-table non exportée Les 2 types de flûte de pan: tuy. sur 2 rangs• Groupe instr BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A01 DI.983.005.012A01 00:00:03 01/01/78 BOLIVIE LA PAZ. BAUTISTA SAAVEDRA CALLAWAYA MUSIK IM ANDENHOCHLAND/BOLIVIEN KANTUS DE APACHETA N Sous-table non exportée KANTU Sous-table non exportée Les 2 types de lûtes de pan: tuy sur 2 rangs• Groupe instr BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A02 DI.983.005.012A02 00:00:02 01/01/78 BOLIVIE ORURO. PROV. ATAHUALLPA,AYPARAVI CHIPAYA MUSIK IM ANDENHOCHLAND/BOLIVIEN WIRSU DE LOS CHULLPAS N Sous-table non exportée N Sous-table non exportée Groupe instr BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A03 DI.983.005.012A03 00:00:03 01/01/78 BOLIVIE POTOSI. PROV. BILBAO, SANTIAGO, LAGUA LAGUA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN CHUKURUBAILE AND COPLA N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A04 DI.983.005.012A04 00:00:03 01/01/78 BOLIVIE COCHABAMBA. PROV. TAPACARI,CHILCA GRANDE QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN SIKURIS: WAYNU N Sous-table non exportée N Sous-table non exportée : en corne• Trompe "PUTUTU" Groupe instr BAUMANN, MAX ETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A05 DI.983.005.012A05 00:00:04 01/01/78 BOLIVIE COCHABAMBA. PROV; TAPACARI, WILCALACAYA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN LICHIWAYUS N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BAUMANN, MAX ETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A06 DI.983.005.012A06 00:00:03 01/01/78 BOLIVIE COCHABAMBA. PROV. QUILLACOLLO, K'ASPICANCHA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN SIKU-WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX ETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A07 DI.983.005.012A07 00:00:01 01/01/78 BOLIVIE COCHABAMBA. PROV. AYOPAYA, CHUNAWI CHICO QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN SIKUS: WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 A08 DI.983.005.012A08 00:00:06 01/01/78 BOLIVIE POTOSI. PROV. BILBAO, ARAMPAMPA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN LARI-WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX ETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B01 DI.983.005.012B01 00:00:01 01/01/78 BOLIVIE COCHABAMBA. PROV. CAPINOTA, APILLA PAMPA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN LAKITAS: WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B02 DI.983.005.012B02 00:00:04 01/01/78 BOLIVIE COCHABAMBA. PROV.QUILLACOLLO, MISICUNI, UYUNI QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN LICHIWAYUS "PARIWANITA" (WAYNU) N Sous-table non exportée N Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B03 DI.983.005.012B03 00:00:03 01/01/78 BOLIVIE COCHABAMBA. PROV. MIZQUE, MOLINERO, RAKAYPAMPA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN LAKITAS"RAKAYPAMPA" (WAYNITU) N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B04 DI.983.005.012B04 00:00:04 01/01/78 BOLIVIE CHUQUISACA. PROV. ZUDANEZ,ILLA, CANDELARIA QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN FIESTA WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B05 DI.983.005.012B05 00:00:03 01/01/78 BOLIVIE COCHABAMBA. PROV. ARQUE, VENTILLA, MIKAYANI CHICO QUECHUA MUSIK IM ANDENHOCHLAND/BOLIVIEN KINSA ROSAS T'IKAY: WAYNU N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B06 DI.983.005.012B06 00:00:02 01/01/78 BOLIVIE LA PAZ. PROV. AROMA, BELEN AYMARA MUSIK IM ANDENHOCHLAND/BOLIVIEN MOHOCENOS N Sous-table non exportée N Sous-table non exportée BAUMANN, MAX PETER 1978 0 AMERIQUE +MC-14.2 D303S DI.983.005.012 B07 DI.983.005.012B07 00:00:04 BOLIVIE ORURO. PROV. ATAHUALLPA, AYPARAVI CHIPAYA MUSIK IM ANDENHOCHLAND/BOLIVIEN K'ILLPA (MARCARA) N Sous-table non exportée N Sous-table non exportée Luth "GUITARRILLA" : cordes en métal; taille<60cm• Choeur & instrs BAUMANN, MAX PETER 1978 0 AMERIQUE +LLST-7375 D303S DI.983.006.001 A01 DI.983.006.001A01 00:06:11 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN LE CHANT DU CHEVAL NOIR=*TR LY NGUA O=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Mode "Bac"• TRAN QUANG HAI 1982 0 ASIE +LLST-7375 D303S DI.983.006.001 A02 DI.983.006.001A02 00:08:39 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN LE CHANT DU MERLE - LE VENT SOUFFLE ET FAIT COURBER LE SAULE PLEUREUR= LY CON SAO - PHONG XUY TRICH LIEU=*TRS NGUYEN TRI KHUONG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Les deux pièces se jouent successivement l'une après l'autre. Phong xuy trïch liêu fut composé en 1927 par Nguyên Tri Khuong (décédé en 1962). Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Structure modale: penta, mode "Ai oa"• TRAN QUANG HAI 1982 0 ASIE +LLST-7375 D303S DI.983.006.001 A03 DI.983.006.001A03 00:07:14 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN NOSTALGIE DE L'ANCIENNE CAPITALE HUE=*TR NHO CO DO HUE=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée C'est une nouvelle composition écrite par Trân quang Hai en 1982 à Paris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI 1982 0 ASIE +LLST-7375 D303S DI.983.006.001 B01 DI.983.006.001B01 00:04:10 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR QUA CAU GIO BAY=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Le prélude est déclamé dans le style sa mac sur une échelle ACDEGA, et le chant est interprété sur une échelle ABDEGA. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• TRAN QUANG HAI 1982 0 ASIE +LLST-7375 D303S DI.983.006.001 B02 DI.983.006.001B02 00:11:27 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN L'EAU QUI COULE, VERSION LONGUE=*TR LUU THUY TRUONG=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Mode "Bac"• TRAN QUANG HAI 1982 0 ASIE +LLST-7375 D303S DI.983.006.001 B03 DI.983.006.001B03 00:04:05 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAMESE DAN TRANH MUSIC. TRAN QUANG HAI & BACH YEN LA RENCONTRE DU DRAGON ET DU TIGRE, LE LAC D'AUTOMNE=*TR LONG HO HOI, THU HO=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• Mode "Bac"• TRAN QUANG HAI 1982 0 ASIE +LLST-7321 D303S DI.983.008.001 A01 DI.983.008.001A01 00:00:00 n GHANA GHANA. MUSIC OF THE NORTHERN TRIBES Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +LLST-7311 D303S DI.983.008.002 A01 DI.983.008.002A01 00:00:00 n ANGOLA MUSIC AND MUSICIANS OF THE ANGOLAN BORDER Sous-table non exportée Sous-table non exportée -768 0 AFRIQUE +558597 D303S DI.983.008.003 A01 DI.983.008.003A01 00:00:00 n ZAIRE ZAIRE. MUSIQUE DES SALAMPASU Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +LLST-7334 D303S DI.983.008.004 A01 DI.983.008.004A01 00:00:00 n CAMEROUN MUSIC OF CAMEROON. THE FULANI OF THE NORTH Sous-table non exportée Sous-table non exportée -968 0 AFRIQUE +FE-4257 D303S DI.983.008.005 A01 DI.983.008.005A01 00:00:00 n GHANA TRADITIONAL WOMEN'S MUSIC FROM GHANA Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +ECSD-2494 D303S DI.983.008.006 A01 DI.983.008.006A01 00:00:00 n INDE LALGUDI JAYARAMAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8412 D303S DI.983.008.007 A01 DI.983.008.007A01 00:00:00 n TURQUIE TURCHIA. CANTI E MUSICA TRADIZIONALE Sous-table non exportée Sous-table non exportée -269 0 ASIE +VPA-8477 D303S DI.983.008.008 A01 DI.983.008.008A01 00:00:00 n PAKISTAN CHITRAL,KAFIRISTAN KAFIRISTAN (CHITRAL, PAKISTAN) Sous-table non exportée Sous-table non exportée 1971 0 ASIE +LLST-7260 D303S DI.983.008.009 A01 DI.983.008.009A01 00:00:00 n INDE;JAMMU & KASHMIR LADAKH FOLKSONGS OF KASHMIR N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +LLST-7116 D303M DI.983.008.010 A01 DI.983.008.010A01 00:00:00 n JAPON ZEN, GOEIKA & SHOMYO CHANTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +12-TS-224 D303S DI.983.008.012 A01 DI.983.008.012A01 00:00:00 n YOUGOSLAVIE CROATIE, DALMATIE, VRLIKA FOLK MUSIC OF YUGOSLAVIA SELJACKO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8397 D303S DI.983.008.013 A01 DI.983.008.013A01 00:00:00 n GRECE;CRETE MUSICA POPOLARE DI CRETA Sous-table non exportée Sous-table non exportée 1977 0 EUROPE +LLST-7370 D303S DI.983.008.015 A01 DI.983.008.015A01 00:00:00 n PAPOUASIE-NLE-GUINEE TRADITIONAL MUSIC OF PAPUA & NEW GUINEA Sous-table non exportée Sous-table non exportée 1976 0 OCEANIE +FE-4273 D303S DI.983.008.016 A01 DI.983.008.016A01 00:00:00 n ILES SALOMON;I.BELLONA POLYNESIAN SONGS AND GAMES FROM BELLONA (MUNGIKI) Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +ECPC-01 D303S DI.983.009.001 A01 DI.983.009.001A01 00:00:00 n VENEZUELA ARUBA. BONAIRE. CURACAO. MUSIQUE POPULAIRE Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +FA-37777 D303S DI.983.010.001 A01 DI.983.010.001A01 00:00:00 n USA A CRY FROM THE EARTH Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-033033187-88 D303M DI.983.010.004 A01 DI.983.010.004A01 00:00:00 n URSS MUSIC OF THE PEOPLES OF THE SOVIET FAR EAST Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6586027 D303S DI.983.010.005 A01 DI.983.010.005A01 00:00:00 n AZERBAIDJAN AZERBAIJANI MUGAM, BAHRAM MANSUROV, TAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586026 D303 DI.983.010.006 A01 DI.983.010.006A01 00:00:09 00/00/00 CHILI ANTOFAGASTA, VILLAGE DE CASPANA ATACAMEN-O AMERINDIAN CEREMONIAL MUSIC FROM CHILE CAUZULOR O CAUZULO N Sous-table non exportée N Sous-table non exportée cérémonies de nettoyage des cannaux d'irrigation Martinez, Gabriel: Espacio y Pensamiento. Hisbol. La Paz. 1989 Trompe "CLARIN": taille >100cm. "PUTU": en corne Tbr "BOMBOTO": caisse cylindrique• Choeur & instrs WENZEL, JOCHEN -1 0 AMERIQUE +6586026 D303 DI.983.010.006 A02 DI.983.010.006A02 00:00:05 00/00/00 CHILI ANTOFAGASTA, PEINE ATACAMEN-O AMERINDIAN CEREMONIAL MUSIC FROM CHILE TALATUR N Sous-table non exportée N Sous-table non exportée cérémonies de nettoyage des cannaux d'irrigation Martinez, Gabriel: Espacio y Pensamiento. Hisbol. La Paz. 1989 Trompe "CLARIN": taille >100cm. "PUTU": en corne• Choeur & instrs WENZEL, JOCHEN -1 0 AMERIQUE +6586026 D303 DI.983.010.006 A03 DI.983.010.006A03 00:00:03 00/00/00 CHILI TEMUCO, LA CANTERA DE PURRANQUE MAPUCHE AMERINDIAN CEREMONIAL MUSIC FROM CHILE PIECES FOR THE TRUTRUCA:TRECATRECATUN, PUEL PURRUN, RUNKU PU N Sous-table non exportée N Sous-table non exportée N Trompe: avec pavillon; taille C (>100cm)• Solo instr WENZEL, JOCHEN -1 0 AMERIQUE +6586026 D303 DI.983.010.006 A04 DI.983.010.006A04 00:00:02 00/00/00 CHILI TEMUCO, LA CANTERA DE PURRANQUE MAPUCHE AMERINDIAN CEREMONIAL MUSIC FROM CHILE PIECES FOR THE TRUTRUCA:TRECATRECATUN, PUEL PURRUN, RUNKU PU N Sous-table non exportée N Sous-table non exportée N Trompe: avec pavullon; taille >80cm• Solo instr WENZEL, JOCHEN -1 0 AMERIQUE +6586026 D303 DI.983.010.006 B01 DI.983.010.006B01 00:00:08 00/00/00 CHILI CAUTIN ,CHOL CHOL, HUENTELAR MAPUCHE AMERINDIAN CEREMONIAL MUSIC FROM CHILE DATU CUTRAN-N N Sous-table non exportée N Sous-table non exportée Chant exécuté par la "machi" (chaman) lors de cérémonies de guérisson WENZEL, JOCHEN -1 0 AMERIQUE +6586026 D303 DI.983.010.006 B02 DI.983.010.006B02 00:00:11 00/00/00 CHILI TARAPACA, PISAGUA, VILLAGE DE CARIQUIMA AYMARA AMERINDIAN CEREMONIAL MUSIC FROM CHILE DANZA DE SICURAS N Sous-table non exportée N Sous-table non exportée Martinez, Gabriel: Espacio y Pensamiento. Hisbol. La Paz. 1989 WENZEL, JOCHEN 0 0 AMERIQUE +FM-4005 D303M DI.983.010.007 A01 DI.983.010.007A01 00:00:00 nn CANADA FOLK SONGS OF ONTARIO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +BM-30-SL-2567 D303S DI.983.011.001 A01 DI.983.011.001A01 00:00:00 n INDONESIE;SUMATRA THE MANDAILING PEOPLE OF SUMATRA Sous-table non exportée Sous-table non exportée -571 0 ASIE +BM-30-SL-2568 D303M DI.983.011.002 A01 DI.983.011.002A01 00:00:00 n INDONESIE;SUMATRA THE ANGKOLA PEOPLE OF SUMATRA Sous-table non exportée Sous-table non exportée 1972 0 ASIE +BM-30-SL-2569 D303S DI.983.011.003 A01 DI.983.011.003A01 00:00:00 n SRI LANKA SRI LANKA. KOLAM. THE MASKED PLAY Sous-table non exportée Sous-table non exportée -1374 0 ASIE +LLST-7326 D303S DI.983.011.004 A01 DI.983.011.004A01 00:00:00 n PHILIPPINES PHILIPPINE GONG MUSIC. MURANAS KAKOLINTANG, VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7369 D303S DI.983.011.005 A01 DI.983.011.005A01 00:00:00 n CHINE SHENG MUSIC FROM CHINA. THE SONG OF THE PHOENIX Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-33522 D303S DI.983.011.006 A01 DI.983.011.006A01 00:00:00 n THAILANDE THAILANDE. MUSIQUE CLASSIQUE DU NORD Sous-table non exportée Sous-table non exportée 1973 0 ASIE +558622 D303S DI.983.011.007 A01 DI.983.011.007A01 00:00:00 n TIBET LES TRADITIONS RITUELLES DES BONPOS TIBETAINS Sous-table non exportée Sous-table non exportée 0 0 ASIE +558612 D303S DI.983.011.008 A01 DI.983.011.008A01 00:00:00 n TAIWAN NAN KOUAN.VOL.1.MUSIQUE ET CHANT COURTOIS DE LA CHINE DU SUD Sous-table non exportée Sous-table non exportée 1982 0 ASIE +VPA-8383 D303S DI.983.011.009 A01 DI.983.011.009A01 00:00:00 n NEPAL CANTI POPOLARI NEPALESI Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8484 D303S DI.983.011.010 A01 DI.983.011.010A01 00:00:00 n INDONESIE;BALI BALI. RITO, DANZA E TEATRO Sous-table non exportée Sous-table non exportée 1980 0 ASIE +VPA-8449 D303S DI.983.011.011 A01 DI.983.011.011A01 00:00:00 n TIBET TIBET. MUSICA POPOLARE, VOL. 2 (TIBET;LADAKH) Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8449 D303S DI.983.011.011 B02 DI.983.011.011B02 00:00:00 n INDE;JAMMU & KASHMIR LADAKH TIBET. MUSICA POPOLARE, VOL. 2 (TIBET;LADAKH) Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8472 D303S DI.983.011.013 A01 DI.983.011.013A01 00:00:00 n ITALIE ZAMPOGNE. BAGPIPES, ITALIA I Sous-table non exportée Sous-table non exportée -1272 0 EUROPE +VPA-8448 D303S DI.983.011.014 A01 DI.983.011.014A01 00:00:00 n TIBET TIBET. MUSICA RITUALE E DI TEATRO Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARN-33483 D303S DI.983.011.015 A01 DI.983.011.015A01 00:00:00 n PAKISTAN L'ALGOZA DU SUD. KHAMISU KHAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7377 D303S DI.983.011.016 A01 DI.983.011.016A01 00:00:00 n INDE;RAJASTHAN SOUNDS OF THE DESERT. MUSIC FROM RAJASTHAN, INDIA Sous-table non exportée Sous-table non exportée 1982 0 ASIE +CETO-803 D303S DI.983.011.017 A01 DI.983.011.017A01 00:00:00 n SENEGAL BASSARI. SENEGAL Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-74802 D303S DI.984.002.001 A01 DI.984.002.001A01 00:00:00 N INDONESIE;BALI MUSIQUES ANCIENNES DE BALI. SEMAR PEGULINGAN-GAMBUH Sous-table non exportée Sous-table non exportée 1972 0 ASIE +LDX-74803 D303S DI.984.002.002 A01 DI.984.002.002A01 00:00:00 n ROUMANIE ROUMANIE. POLYPHONIE VOCALE DES AROUMAINS Sous-table non exportée Sous-table non exportée -1473 0 EUROPE +FT-2 D303S DI.984.003.001 A01 DI.984.003.001A01 00:00:00 N VENEZUELA CUMBE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +NNN D174 DI.984.004.001/34 A01 DI.984.004.001/34A01 00:00:00 n IRAN 34 DISQUES 45 TOURS DE MUSIQUE IRANIENNE Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8279 D303S DI.984.005.001 A01 DI.984.005.001A01 00:00:00 n AUSTRALIE AUSTRALIA. CANTI DEGLI ABORIGENI Sous-table non exportée Sous-table non exportée 244 0 OCEANIE +9033 D303M DI.984.005.002 A01 DI.984.005.002A01 00:00:00 n GRECE GREEK ORIENTAL. THE GOLDEN YEARS 1927-1937 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +14-C-04870364 D303S DI.984.005.003 A01 DI.984.005.003A01 00:00:00 n GRECE HISTORY OF REBETIKA (1922-55) VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +14-C-04870365 D303S DI.984.005.004 A01 DI.984.005.004A01 00:00:00 n GRECE HISTORY OF REBETIKA (1922-55) VOL. 2 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +14-C-03470366 D303S DI.984.005.005 A01 DI.984.005.005A01 00:00:00 n GRECE HISTORY OF REBETIKA (1925-55) VOL.3 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-30-105756 D303S DI.984.005.006 A01 DI.984.005.006A01 00:00:00 n AZERBAIDJAN AZERBAIJAN MUGAMS Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPA-8483 D303S DI.984.005.007 A01 DI.984.005.007A01 00:00:00 n INDE;TAMIL NADU TAMIL NADU. MUSICA E CANTI POPOLARI DEL SUD INDIA Sous-table non exportée Sous-table non exportée -1271 0 ASIE +PS-33524 D303S DI.984.005.008 A01 DI.984.005.008A01 00:00:00 n CHINE CHINE. MUSIQUE DE FUSHIEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4241 D303S DI.984.005.009 A01 DI.984.005.009A01 00:00:00 n ZAIRE MUSIC OF ZAIRE. PEOPLES OF THE NGIRI RIVER, VOL. 1 Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +FE-4242 D303S DI.984.005.010 A01 DI.984.005.010A01 00:00:00 n ZAIRE MUSIC OF ZAIRE. PEOPLES OF THE NGIRI RIVER, VOL. 2 Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +FE-4324 D303S DI.984.005.011 A01 DI.984.005.011A01 00:00:00 n GHANA MUSIC OF THE DOGOMBA FROM GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +VPA-8400 D303S DI.984.005.012 A01 DI.984.005.012A01 00:00:00 n GHANA GHANA. MUSICA CEREMONIALE E CELEBRATIVA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LLST-7307 D303S DI.984.005.013 A01 DI.984.005.013A01 00:00:00 n GHANA DRUMS OF WEST AFRICA. RITUAL MUSIC OF GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CLVLX-296 D303S DI.984.005.014 A01 DI.984.005.014A01 00:00:00 n BURUNDI MUSIQUE AFRICAINE DU BURUNDI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CDA-72550 D303S DI.984.005.015 A01 DI.984.005.015A01 00:00:00 n TUNISIE LE MALOUF TUNISIEN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +14-C-06270857 D303S DI.984.005.016 A01 DI.984.005.016A01 00:00:00 n EGYPTE COMPOSER DR. MOHAMMED ABDEL WAHAB Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BTR-8401 D303S DI.984.006.001 A01 DI.984.006.001A01 00:00:00 n MAROC JUIFS CHANTS HEBREUX DE LA TRADITION DES JUIFS MAROCAINS Sous-table non exportée Sous-table non exportée 1957 0 AFRIQUE +91171121/24 D303S DI.984.007.001/04 Z01 DI.984.007.001/04Z01 00:00:00 n TCHECOSLOVAQUIE PANORAMA DE LA CULTURE POPULAIRE CHANSONS ET MUSIQUE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FG-3507 D303M DI.984.008.001 A01 DI.984.008.001A01 00:00:00 n GB;ANGLETERRE NOW IS THE TIME FOR FISHING Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4538-A/B D303M DI.984.008.002 A01 DI.984.008.002A01 00:00:00 n PORTUGAL ANTHOLOGY OF PORTUGUESE MUSIC, VOL. 1 TRAS-OS-MONTES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +F-4538-C/D D303M DI.984.008.003 A01 DI.984.008.003A01 00:00:00 n PORTUGAL ANTHOLOGY OF PORTUGUESE MUSIC VOL 2 : ALGRAVE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4224 D303S DI.984.008.004 A01 DI.984.008.004A01 00:00:00 n LESOTHO MUSIC OF LESOTHO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-8859 D303M DI.984.008.005 A01 DI.984.008.005A01 00:00:00 n GHANA FOLK MUSIC OF GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AHM-4412 D303S DI.984.008.006 A01 DI.984.008.006A01 00:00:00 n PORTO RICO FOLK SONGS OF PUERTO RICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A01 DI.984.008.007A01 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS SI YO VOLVIERA A QUERERTE N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A02 DI.984.008.007A02 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS DONA MARIA LE RUEGO JE VOUS PRIE DAME MARIA N Sous-table non exportée ESQUINAZO Sous-table non exportée [ l'"esquinazo" est une chanson chantée par surprise, à l'extérieur de la maison où à lieu la fête, ici il s'agit des chants de Noël qui sont intèrpretés par les amis qui arrivent à la célébration] 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A03 DI.984.008.007A03 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LA NIN DE ARAUCO LA FILLE D'ARAUCO N Sous-table non exportée CUECA CHILENA Sous-table non exportée Vega, Carlos: La cueca chilena Rythme 3/4, 6/8• 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A04 DI.984.008.007A04 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LOS PATOS EN LA LAGUNA LES CANARDS DANS LA MARE N Sous-table non exportée SAJURIANA Sous-table non exportée Danse en provenance des salons du XIX siècle 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A05 DI.984.008.007A05 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LOS GALLOS LES COCQS N Sous-table non exportée VILLANCICO Sous-table non exportée Chansons en honneur de l'enfant Jésus 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A06 DI.984.008.007A06 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS EL NARANJITO LE PETIT ORANGER N Sous-table non exportée RESFALOSA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A07 DI.984.008.007A07 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS DESPEDIMIENTO DEL ANGELITO N Sous-table non exportée CANTO A LO DIVINO Sous-table non exportée Chant d'adieu à l'enfant mort l'"angelito" 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A08 DI.984.008.007A08 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS AVES QUE EN CAMPO HABITAN N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 A09 DI.984.008.007A09 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS ANOCHE ME RESFALE HIER SOIR J'AI GLISSE N Sous-table non exportée RESFALOSA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B01 DI.984.008.007B01 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS JUGUETE DE AMOR JOUET D'AMOUR N Sous-table non exportée TONADA Sous-table non exportée chanson de 1850 (salons du XIX) 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B02 DI.984.008.007B02 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS BAILA JOVENCITO, BAILA DANSE JEUNE HOMME, DANSE! N Sous-table non exportée CUECA CHILENA Sous-table non exportée Rythme 3/4, 6/8• 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B03 DI.984.008.007B03 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS OJOS VERDES Y SERENOS N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B04 DI.984.008.007B04 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LA GOLONDRINA L'HIRONDELLE N Sous-table non exportée VALS Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B05 DI.984.008.007B05 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LOS MORENOS N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B06 DI.984.008.007B06 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LA NARANJA L'ORANGE N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B07 DI.984.008.007B07 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS LA CLAVELINA N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8748 D303 DI.984.008.007 B08 DI.984.008.007B08 00:00:00 00/00/00 CHILI REGION CENTRALE CHILIENS TRADITIONAL CHILEAN SONGS EL JILGUERILLO N Sous-table non exportée TONADA Sous-table non exportée 0 0 AMERIQUE +FW-8769 D303M DI.984.008.008 A01 DI.984.008.008A01 00:00:00 n MEXIQUE SONGS OF OLD MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +VPA-8291 D303S DI.984.008.009 A01 DI.984.008.009A01 00:00:00 n CUBA CUBA POPOLARE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4378 D303S DI.984.008.010 A01 DI.984.008.010A01 00:00:00 n MEXIQUE MEXICO SOUTH. Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4358 D303S DI.984.008.011 A01 DI.984.008.011A01 00:00:00 n MEXIQUE SACRED GUITAR & VIOLIN MUSIC OF THE MODERN AZTECS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8727 D303M DI.984.008.012 A01 DI.984.008.012A01 00:00:00 n MEXIQUE FOLK SONGS OF MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8791 D303M DI.984.008.013 A01 DI.984.008.013A01 00:00:00 n PHILIPPINES FOLK SONGS OF THE PHILIPPINES Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-3 D303S DI.984.009.001/02 A01 DI.984.009.001/02A01 00:00:00 n GRECE ORIENT. OKZIDENT. SUDOST EUROPA Sous-table non exportée Sous-table non exportée -272 0 EUROPE +MC-3 D303S DI.984.009.001/02 A03 DI.984.009.001/02A03 00:00:00 N TURQUIE ORIENT. OKZIDENT. SUDOST EUROPA Sous-table non exportée Sous-table non exportée -272 0 ASIE +MC-3 D303S DI.984.009.001/02 A04 DI.984.009.001/02A04 00:00:00 n YOUGOSLAVIE KOSOVO, BATUSHA ALBANAIS ORIENT. OKZIDENT. SUDOST EUROPA O PO ISH KANE BALI Sous-table non exportée Sous-table non exportée -272 0 EUROPE +MC-3 D303S DI.984.009.001/02 B08 DI.984.009.001/02B08 00:00:00 n ROUMANIE ORIENT. OKZIDENT. SUDOST EUROPA Sous-table non exportée Sous-table non exportée -272 0 EUROPE +FW-8720 D303M DI.984.010.002 A01 DI.984.010.002A01 00:00:00 n ISRAEL YIDDISH FOLKSONGS SUNG BY RUTH RUBIN Sous-table non exportée Sous-table non exportée 0 0 ASIE +FW-8740 D303M DI.984.010.003 A01 DI.984.010.003A01 00:00:00 MONDE YIDDISH JEWISH FOLK SONGS. RUTH RUBIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +STPL-500 D303S DI.984.010.006 A01 DI.984.010.006A01 00:00:00 n SOUDAN SUDAN. THE MUSIC BAND SONGS OF ABDEL KARIM EL KABLY Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +KMA-19 D303S DI.984.010.007 A01 DI.984.010.007A01 00:00:00 n TANZANIE TANZANIA 1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +NJL-11 D303S DI.984.010.008 A01 DI.984.010.008A01 00:00:00 n USA MURDERER'S HOME Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +H-72036 D303S DI.984.010.009 A01 DI.984.010.009A01 00:00:00 n COLOMBIE IN PRAISE OF OXALA AND OTHER GODS. BLACK MUSIC OF AMERICA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +H-72036 D303S DI.984.010.009 A03 DI.984.010.009A03 00:00:00 n EQUATEUR IN PRAISE OF OXALA AND OTHER GODS. BLACK MUSIC OF AMERICA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +H-72036 D303S DI.984.010.009 A04 DI.984.010.009A04 00:00:00 n BRESIL IN PRAISE OF OXALA AND OTHER GODS. BLACK MUSIC OF AMERICA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A01 DI.984.010.010A01 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP SAQSAYWAMANPI N Sous-table non exportée WAYNO Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A02 DI.984.010.010A02 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP GENTIL GAVIOTA N Sous-table non exportée HARAWI Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A03 DI.984.010.010A03 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP WAKCHA URPI N Sous-table non exportée WAYNO Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A04 DI.984.010.010A04 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP VARILLA PARAS N Sous-table non exportée WAYNO Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A05 DI.984.010.010A05 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP EL PASO DEL INDIO HARAWI WITH WAYNU FUGUE N Sous-table non exportée HARAWI Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A06 DI.984.010.010A06 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP PASACALLE MATRIMONIAL PASACALLE N Sous-table non exportée PASACALLE Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A07 DI.984.010.010A07 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP KAPULI NAWI WAYNU N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 A08 DI.984.010.010A08 00:00:00 01/01/80 PEROU CUZCO N THE INCA HARP SAQSAYWAMANPI N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B01 DI.984.010.010B01 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP LAMENTO ANDINO HARAWI WITH WAYNU FUGUE UTKUPANKILLAY SULCA, ANTONIO Sous-table non exportée HARAWI Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B02 DI.984.010.010B02 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP CHOLA TRAISIONERA PASACALLE WITH WAYNU FUGUE N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B03 DI.984.010.010B03 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP NEGRA DEL ALMA WAYNU N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B04 DI.984.010.010B04 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP CIPRESPLANTACHA WAYNU N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B05 DI.984.010.010B05 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP POBREZA HARAWI WITH WAYNU FUGUE RIPUY RIPUY N Sous-table non exportée HARAWI Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B06 DI.984.010.010B06 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP HELME WAYNU N Sous-table non exportée WAYNU Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +LLST-7359 D303S DI.984.010.010 B07 DI.984.010.010B07 00:00:00 01/01/80 PEROU AYACUCHO N THE INCA HARP WACHAKA N Sous-table non exportée N Sous-table non exportée WRIGHT, RONALD 1980 0 AMERIQUE +H-72061 D303S DI.984.010.012 A01 DI.984.010.012A01 00:00:00 n PAKISTAN MUSIC IN THE KARAKORAMS OF CENTRAL ASIA Sous-table non exportée Sous-table non exportée 1973 0 ASIE +H-72075 D303S DI.984.010.013 A01 DI.984.010.013A01 00:00:00 n INDE;JAMMU & KASHMIR LADAKH LADAKH. SONGS & DANCES FROM THE HIGHLANDS OF WESTERN TIBET Sous-table non exportée Sous-table non exportée 0 0 ASIE +IC-5913 D303S DI.984.010.014 A01 DI.984.010.014A01 00:00:00 ALLEMAGNE VOLKSMUSIK AUS NEUBEUERN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +IC-5913 D303S DI.984.010.014 A02 DI.984.010.014A02 00:00:00 ISRAEL VOLKSMUSIK AUS NEUBEUERN Sous-table non exportée Sous-table non exportée 0 0 ASIE +SL-503 D303S DI.984.010.015 A01 DI.984.010.015A01 00:00:00 n AUTRICHE AUSTRIAN FOLK MUSIC, VOL.1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +2230018 D303S DI.984.010.016 A01 DI.984.010.016A01 00:00:00 n FRANCE;BRETAGNE KEVRENN BREST SAINT MARC Sous-table non exportée Sous-table non exportée 1975 0 EUROPE +FW-8723 D303M DI.984.010.017 A01 DI.984.010.017A01 00:00:00 n ESPAGNE CANTE JONDO. FLAMENCO MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4454 D303M DI.984.010.018 U01 DI.984.010.018U01 00:00:00 1 GRECE FOLK MUSIC OF GREECE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FE-4468 D303M DI.984.010.019 A01 DI.984.010.019A01 00:00:00 n GRECE MODERN GREEK HEROIC ORAL POETRY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CAP-1123 D303M DI.984.010.020 A01 DI.984.010.020A01 00:00:00 n SUEDE MUSIQUE EN SUEDE 2. MUSIQUE FOLKLORIQUE Sous-table non exportée Sous-table non exportée 1432 0 EUROPE +STEPE-0649 D303S DI.984.010.021 A01 DI.984.010.021A01 00:00:00 n ROUMANIE RENCONTRE AVEC LA ROUMANIE.TRESORS FOLKLORIQUES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C0-1757-8 D303S DI.984.010.022 A01 DI.984.010.022A01 00:00:00 n URSS;RSS MOLDAVIE MOLDAVIAN FOLK MELODIES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +017897-8 D303S DI.984.010.023 A01 DI.984.010.023A01 00:00:00 n TADJIKISTAN TAJIK MUSIK Sous-table non exportée Sous-table non exportée 0 0 ASIE +017901-2 D303S DI.984.010.024 A01 DI.984.010.024A01 00:00:00 n TURKMENISTAN TURKMENIAN FOLK SONGS Sous-table non exportée Sous-table non exportée 0 0 ASIE +ECPC-02 D303S DI.984.011.001 A01 DI.984.011.001A01 00:00:00 n ZAIRE LUBA-SHABA-ZAIRE. MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée -465 0 AFRIQUE +ACCT-38313 D303S DI.984.012.001 A01 DI.984.012.001A01 00:00:00 n COMORES MUSIQUES TRADITIONNELLE ET RELIGIEUSE DES COMORES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72046 D303S DI.984.013.001 A01 DI.984.013.001A01 00:00:00 n INDONESIE;BALI GAMELAN OF THE LOVE GOD. GAMELAN SEMAR PEGULINGAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72086 D303S DI.984.013.002 A01 DI.984.013.002A01 00:00:00 n INDE NECTAR OF THE MOON. VICHITRA VINA MUSIC OF NORTHERN INDIA Sous-table non exportée Sous-table non exportée 1976 0 ASIE +H-72076 D303S DI.984.013.004 A01 DI.984.013.004A01 00:00:00 n JAPON SHAKUHACHI. THE JAPANESE FLUTE Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72067 D303S DI.984.013.005 A01 DI.984.013.005A01 00:00:00 n TURQUIE TURKEY. A MUSICAL JOURNEY Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72087 D303S DI.984.013.006 A01 DI.984.013.006A01 00:00:00 n BURKINA FASO SAVANNA RHYTHMS. MUSIC OF UPPER VOLTA VOL. 1 Sous-table non exportée Sous-table non exportée -767 0 AFRIQUE +H-72090 D303S DI.984.013.007 A01 DI.984.013.007A01 00:00:00 n BURKINA FASO RHYTHMS OF THE GRASSLANDS. MUSIC OF THE UPPER VOLTA VOL. 2 Sous-table non exportée Sous-table non exportée -767 0 AFRIQUE +BM-30-L-2311 D303M DI.984.013.008 A01 DI.984.013.008A01 00:00:00 n NIGERIA NIGERIA III. IGBO MUSIC Sous-table non exportée Sous-table non exportée 233 0 AFRIQUE +H-72077 D303S DI.984.013.009 A01 DI.984.013.009A01 00:00:00 n ZIMBABWE AFRICA. SHONA MBIRA MUSIC Sous-table non exportée Sous-table non exportée -567 0 AFRIQUE +LLST-7381 D303S DI.984.013.010 A01 DI.984.013.010A01 00:00:00 n SENEGAL SONGS FROM SENEGAL Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +ES-62 D303S DI.984.013.011 A01 DI.984.013.011A01 00:00:00 n SEYCHELLES MEMOIRE MUSICALE DES ILES SEYCHELLES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +1653901 D303S DI.984.014.001 A01 DI.984.014.001A01 00:00:00 n REP CENTRAFRICAINE CENTRAL AFRICAN REPUBLIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +1653841 D303S DI.984.014.002 A01 DI.984.014.002A01 00:00:00 n GRECE GREECE II. VOCAL MONODIES Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +558632 D303S DI.984.014.003 A01 DI.984.014.003A01 00:00:00 n GRECE GRECE. HOMMAGE A TSITSANIS. BOUZOUKI Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +6810442 D303S DI.984.015.001 A01 DI.984.015.001A01 00:00:00 n ANGOLA ANGOLA 74. BONGA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CAL-30478 D303S DI.984.016.001 A01 DI.984.016.001A01 00:00:00 n ALLEMAGNE ALPENLANDISCHE LIEBESLIEDER Sous-table non exportée Sous-table non exportée 0 0 EUROPE +6105 D303M DI.984.016.002 A01 DI.984.016.002A01 00:00:00 n ESPAGNE ANDALUCIAN FOLK SONGS OF SPAIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FC-7714 D303M DI.984.016.003 A01 DI.984.016.003A01 00:00:00 n ESPAGNE VILLANCICOS SPANISH CHRISTMAS SONGS FOR CHILDREN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FW-8737 D303M DI.984.016.004 A01 DI.984.016.004A01 00:00:00 n ESPAGNE SEPHARDIC FOLK SONGS SUNG BY GLORIA LEVY Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SRLP-8139 D303S DI.984.016.005 A01 DI.984.016.005A01 00:00:00 n GRECE GREECE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SRLP-8148 D303S DI.984.016.006 A01 DI.984.016.006A01 00:00:00 n GRECE SONGS AND DANCES FROM EASTERN GREECE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8318 D303S DI.984.016.007 A01 DI.984.016.007A01 00:00:00 n BRESIL BRASILE. MUSICA NERA DI BAHIA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LLST-7300 D303S DI.984.016.008 A01 DI.984.016.008A01 00:00:00 n BRESIL AMAZONA. CULT MUSIC OF NORTHERN BRAZIL Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LLST-7371 D303S DI.984.016.009 A01 DI.984.016.009A01 00:00:00 n BELIZE VANISHING INDIANS: MAYA & KEKCHI OF BELIZE AND GUATEMALA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +AHM-4212 D303S DI.984.016.010 A01 DI.984.016.010A01 00:00:00 n GUATEMALA MUSIC OF GUATEMALA Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +AHM-4212 D303S DI.984.016.011 A01 DI.984.016.011A01 00:00:00 n HAITI HAITI-SONGS AND DANCES VOL. 3 Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4407 D303M DI.984.016.012 A01 DI.984.016.012A01 00:00:00 n HAITI FOLK MUSIC OF HAITI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +LLST-7374 D303S DI.984.017.001 A01 DI.984.017.001A01 00:00:00 n ISRAEL TAQASIM. IMPROVISATION IN ARAB MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7374 D303S DI.984.017.001 B02 DI.984.017.001B02 00:00:00 n LIBAN TAQASIM. IMPROVISATION IN ARAB MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +DMS-038 D303S DI.984.017.002 A01 DI.984.017.002A01 00:00:00 n IRAK IQA'AT. IRAKI TRADITIONAL RHYTHMIC STRUCTURES Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7384 D303S DI.984.017.003 A01 DI.984.017.003A01 00:00:00 n YEMEN MUSIC OF THE TIHAMA IN NORTH YEMEN/THE AFRO-ARABIAN CROSSROA Sous-table non exportée Sous-table non exportée 0 0 ASIE +CETO-791 D303S DI.984.017.004 A01 DI.984.017.004A01 00:00:00 n KENYA KENYA. MUSIQUE DE MARIAGE A LAMU Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +DSM-042 D303S DI.984.017.005 A01 DI.984.017.005A01 00:00:00 n COTE D'IVOIRE RHYTHMS OF THE MANDING-ADAMA DRAME (JEMBE) Sous-table non exportée Sous-table non exportée -1070 0 AFRIQUE +FE-4318 D303S DI.984.017.006 A01 DI.984.017.006A01 00:00:00 n MOZAMBIQUE MUSIC FROM MOZAMBIQUE-CHOPITIMBALA. 1981 Sous-table non exportée Sous-table non exportée 1981 0 AFRIQUE +FE-4319 D303S DI.984.017.007 A01 DI.984.017.007A01 00:00:00 n MOZAMBIQUE MUSIC FROM MOZAMBIQUE. VOL. 3 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72054 D303S DI.984.017.008 A01 DI.984.017.008A01 00:00:00 n ZIMBABWE THE SOUL OF MBIRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4462 D303M DI.984.017.009 A01 DI.984.017.009A01 00:00:00 n SENEGAL WOLOF MUSIC OF SENEGAL AND THE GAMBIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4462 D303M DI.984.017.009 A02 DI.984.017.009A02 00:00:00 n GAMBIE WOLOF MUSIC OF SENEGAL AND THE GAMBIA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4255 D303S DI.984.017.010 A01 DI.984.017.010A01 00:00:00 n AFGHANISTAN TEA HOUSE MUSIC OF AFGHANISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72028 D303S DI.984.017.011 A01 DI.984.017.011A01 00:00:00 n INDONESIE;BALI GOLDEN RAIN Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72083 D303S DI.984.017.012 A01 DI.984.017.012A01 00:00:00 n INDONESIE;JAVA JAVANESE COURT GAMELAN. VOL III Sous-table non exportée Sous-table non exportée -1070 0 ASIE +S-33-ESX-17526 D303S DI.984.017.013 A01 DI.984.017.013A01 00:00:00 n INDE THE GIANTS OF CARNATIC MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7383 D303S DI.984.017.014 A01 DI.984.017.014A01 00:00:00 n TIBET TIBETAN MUSIC FROM LADAKH AND ZANSKAR Sous-table non exportée Sous-table non exportée 1982 0 ASIE +LLST-7197 D303S DI.984.017.015 A01 DI.984.017.015A01 00:00:00 n JAPON JORURI. MUSIC OF THE GREAT JAPANESE BUNRAKU PUPPET THEATER Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72049 D303S DI.984.017.016 A01 DI.984.017.016A01 00:00:00 n COREE DU SUD PANSORI. KOREAN EPIC VOCAL ART & INSTRUMENTAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +12-T-107 D303S DI.984.017.017 A01 DI.984.017.017A01 00:00:00 n BULGARIE FOLK MUSIC OF BULGARIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +HM-104 D303S DI.984.017.018 A01 DI.984.017.018A01 00:00:00 n BULGARIE BULGARIE. CHANTS DE FEMMES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +H-72038 D303S DI.984.017.019 A01 DI.984.017.019A01 00:00:00 n BULGARIE IN THE SHADOW OF THE MOUNTAIN. BULGARIAN FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8295 D303S DI.984.017.020 A01 DI.984.017.020A01 00:00:00 n GRECE MUSICA POPOLARE DEL DODECANNESO N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VPA-8298 D303S DI.984.017.021 A01 DI.984.017.021A01 00:00:00 n GRECE MUSICA POPOLARE DELLA GRECIA DEL NORD Sous-table non exportée Sous-table non exportée -367 0 EUROPE +72092 D303S DI.984.017.022 A01 DI.984.017.022A01 00:00:00 n ROUMANIE REFLECTIONS OF ROMANIA. VILLAGE AND URBAN FOLK TRADITIONS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 A01 DI.984.017.023A01 00:00:00 n URSS;RSS BIELORUSSIE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 A05 DI.984.017.023A05 00:00:00 n URSS;REG SMOLENSK FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 A06 DI.984.017.023A06 00:00:00 n URSS;RSS MOLDAVIE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 A07 DI.984.017.023A07 00:00:00 n URSS;RA DAGHESTAN FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 A08 DI.984.017.023A08 00:00:00 n URSS;OSSETIE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 B01 DI.984.017.023B01 00:00:00 n URSS;RSS UKRAINE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 B03 DI.984.017.023B03 00:00:00 n GEORGIE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4535-A/B D303M DI.984.017.023 B05 DI.984.017.023B05 00:00:00 n AZERBAIDJAN FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-A/B D303M DI.984.017.023 B07 DI.984.017.023B07 00:00:00 n FED.RUSSIE;BACHKIRIE FOLK MUSIC OF THE USSR. EUROPE Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 C01 DI.984.017.024C01 00:00:00 n URSS;RSS ARMENIE FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D01 DI.984.017.024D01 00:00:00 n TADJIKISTAN FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D02 DI.984.017.024D02 00:00:00 n URSS;RSS OUZBEKISTAN FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D03 DI.984.017.024D03 00:00:00 n URSS;RSS KIRGHIZISTAN FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D05 DI.984.017.024D05 00:00:00 n TURKMENISTAN FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D08 DI.984.017.024D08 00:00:00 n URSS;RA TATAR FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4535-C/D D303M DI.984.017.024 D09 DI.984.017.024D09 00:00:00 n KAZAKHSTAN FOLK MUSIC OF THE USSR. MIDDLE EAST ASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +FW-8705 D303M DI.984.017.025 A01 DI.984.017.025A01 00:00:00 n URSS;RSS UKRAINE THE KOBZA. SONGS AND TUNES PLAYED ON THE KOBZA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74838 D303S DI.985.001.001 A01 DI.985.001.001A01 00:00:00 n COTE D'IVOIRE COTE D'IVOIRE, SENOUFO. MUSIQUES DES FUNERAILLES FODONON Sous-table non exportée Sous-table non exportée -1074 0 AFRIQUE +LDX-74839 D303S DI.985.001.002 A01 DI.985.001.002A01 00:00:00 n INDE;RAJASTHAN RAJASTHAN. VIELES ET GUIMBARDES Sous-table non exportée Sous-table non exportée -1074 0 ASIE +GZ-7158/09 D303S DI.985.002.001/02 A01 DI.985.002.001/02A01 00:00:00 n TIBET EN JAPONAIS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZA01 DI.985.003.001/02ZA01 00:00:00 n NLE-ZELANDE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +FE-4525 D303M DI.985.003.001/02 ZA02 DI.985.003.001/02ZA02 00:00:00 n ESPAGNE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZA03 DI.985.003.001/02ZA03 00:00:00 n CAMEROUN MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZA04 DI.985.003.001/02ZA04 00:00:00 n AUSTRALIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +FE-4525 D303M DI.985.003.001/02 ZA05 DI.985.003.001/02ZA05 00:00:00 n PHILIPPINES MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZA06 DI.985.003.001/02ZA06 00:00:00 n INDE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZA07 DI.985.003.001/02ZA07 00:00:00 n BRESIL MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4525 D303M DI.985.003.001/02 ZA08 DI.985.003.001/02ZA08 00:00:00 n PAKISTAN MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZA10 DI.985.003.001/02ZA10 00:00:00 n MEXIQUE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4525 D303M DI.985.003.001/02 ZA11 DI.985.003.001/02ZA11 00:00:00 n CONGO MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZA12 DI.985.003.001/02ZA12 00:00:00 n PEROU MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4525 D303M DI.985.003.001/02 ZA13 DI.985.003.001/02ZA13 00:00:00 n USA MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4525 D303M DI.985.003.001/02 ZA15 DI.985.003.001/02ZA15 00:00:00 n ISRAEL MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZA16 DI.985.003.001/02ZA16 00:00:00 n NIGERIA MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZA17 DI.985.003.001/02ZA17 00:00:00 n HAITI MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4525 D303M DI.985.003.001/02 ZA19 DI.985.003.001/02ZA19 00:00:00 n BIRMANIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZB22 DI.985.003.001/02ZB22 00:00:00 n JAPON MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZB24 DI.985.003.001/02ZB24 00:00:00 n AFRIQUE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZB29 DI.985.003.001/02ZB29 00:00:00 n ITALIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZB30 DI.985.003.001/02ZB30 00:00:00 n GRECE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZB31 DI.985.003.001/02ZB31 00:00:00 n IRAN;KURDISTAN MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZB32 DI.985.003.001/02ZB32 00:00:00 n EIRE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZB34 DI.985.003.001/02ZB34 00:00:00 n YOUGOSLAVIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZB38 DI.985.003.001/02ZB38 00:00:00 n FRANCE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZB40 DI.985.003.001/02ZB40 00:00:00 n MALAYSIA MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZC47 DI.985.003.001/02ZC47 00:00:00 n RWANDA MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZC48 DI.985.003.001/02ZC48 00:00:00 n NORVEGE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4525 D303M DI.985.003.001/02 ZC49 DI.985.003.001/02ZC49 00:00:00 n ETHIOPIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZC50 DI.985.003.001/02ZC50 00:00:00 n SENEGAL MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4525 D303M DI.985.003.001/02 ZD59 DI.985.003.001/02ZD59 00:00:00 n CHINE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZD61 DI.985.003.001/02ZD61 00:00:00 n TURQUIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZD64 DI.985.003.001/02ZD64 00:00:00 n INDONESIE;BALI MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZD66 DI.985.003.001/02ZD66 00:00:00 n THAILANDE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4525 D303M DI.985.003.001/02 ZD67 DI.985.003.001/02ZD67 00:00:00 n ROUMANIE MAN'S EARLY MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4442 D303M DI.985.003.003 A01 DI.985.003.003A01 00:00:00 n ETHIOPIE RELIGIOUS MUSIC OF THE FALASHAS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CBS-80212 D303S DI.985.003.004 A01 DI.985.003.004A01 00:00:00 n GABON PYGMEES ET BOCHIMANS Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +CBS-80212 D303S DI.985.003.004 B02 DI.985.003.004B02 00:00:00 n BOTSWANA PYGMEES ET BOCHIMANS Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z01 DI.985.003.005/06Z01 00:00:00 n REP D'AFRIQUE DU SUD NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1942 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z03 DI.985.003.005/06Z03 00:00:00 N GABON * EN PAYS "BADOUMA" NEGRO FOLK MUSIC OF AFRICA & AMERICA MUSIC OF BOATMEN Sous-table non exportée Sous-table non exportée Ex-A.E.F. Groupe instr 1946 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z04 DI.985.003.005/06Z04 00:00:00 N NIGERIA NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z06 DI.985.003.005/06Z06 00:00:00 N SOUDAN AU SUD DE KHARTOUM NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1942 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z08 DI.985.003.005/06Z08 00:00:00 n TANZANIE ZANZIBAR NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z09 DI.985.003.005/06Z09 00:00:00 n ETHIOPIE;ERYTHREE NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1947 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z10 DI.985.003.005/06Z10 00:00:00 n ETHIOPIE NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +P-500 D303M DI.985.003.005/06 Z11 DI.985.003.005/06Z11 00:00:00 1941-42 BRESIL NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1941 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z12 DI.985.003.005/06Z12 00:00:00 n COLOMBIE NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z13 DI.985.003.005/06Z13 00:00:00 n HAITI NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1949 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z17 DI.985.003.005/06Z17 00:00:00 N PORTO RICO NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z18 DI.985.003.005/06Z18 00:00:00 N CUBA NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1940 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z19 DI.985.003.005/06Z19 00:00:00 N TRINITE & TOBAGO NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +P-500 D303M DI.985.003.005/06 Z21 DI.985.003.005/06Z21 00:00:00 N USA NEGRO FOLK MUSIC OF AFRICA & AMERICA Sous-table non exportée Sous-table non exportée 1950 0 AMERIQUE +P-401 D303M DI.985.003.007 A01 DI.985.003.007A01 00:00:00 n USA MUSIC OF THE SIOUX AND THE NAVAJO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FW-8921 D303M DI.985.003.008 A01 DI.985.003.008A01 00:00:00 n YEMEN HAGADAH. YEMENITE PASSOVER Sous-table non exportée Sous-table non exportée 1955 0 ASIE +FR-8922 D303M DI.985.003.009 A01 DI.985.003.009A01 00:00:00 n ISRAEL KOL HASHOFAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-468 D303S DI.985.003.010 A01 DI.985.003.010A01 00:00:00 n LIBAN MUSIQUE TRADITIONNELLE ARABE SUR BOUSOQ Sous-table non exportée Sous-table non exportée 0 0 ASIE +SC-40503 D303S DI.985.003.011 A01 DI.985.003.011A01 00:00:00 n EGYPTE LE CORAN PSALMODIE PAR CHEIK ABDEL BASSET ABDEL SAMAD Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +MB-19774 D303S DI.985.003.012 A01 DI.985.003.012A01 00:00:00 n MAROC LE CORAN PSALMODIE PAR CHERKH TABLAOUI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +P-409 D303M DI.985.003.013 A01 DI.985.003.013A01 00:00:00 n INDE FOLK MUSIC OF INDIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-431 D303M DI.985.003.014 A01 DI.985.003.014A01 00:00:00 n INDE RELIGIOUS MUSIC OF INDIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +ESP-155530 D303S DI.985.003.015 A01 DI.985.003.015A01 00:00:00 n INDE PANDIT NIKHIL BANERJEE Sous-table non exportée Sous-table non exportée 0 0 ASIE +ESP-155532 D303S DI.985.003.016 A01 DI.985.003.016A01 00:00:00 n INDE HARI PRASAD CHAURASIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +EALP-1252 D303M DI.985.003.017 A01 DI.985.003.017A01 00:00:00 n INDE PANNALAL GOSH Sous-table non exportée Sous-table non exportée 0 0 ASIE +P-406 D303M DI.985.003.020 A01 DI.985.003.020A01 00:00:00 n INDONESIE MUSIC OF INDONESIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +2533130 D303S DI.985.003.021 A01 DI.985.003.021A01 00:00:00 n INDONESIE;BALI BALI, GAMELAN MUSIC FROM SEBATU Sous-table non exportée Sous-table non exportée 1972 0 ASIE +P-449 D303M DI.985.003.023 A01 DI.985.003.023A01 00:00:00 n JAPON JAPANESE BUDDHIST RITUAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +ESP-155551 D303S DI.985.003.024 A01 DI.985.003.024A01 00:00:00 n JAPON LE KOTO DE HIROMU HANDA Sous-table non exportée Sous-table non exportée 0 0 ASIE +RR-7001/02 D303S DI.985.003.025/26 A01 DI.985.003.025/26A01 00:00:00 n TAIWAN TAIWAN ABORIGINAL SONGS. 22 TRUE ABORIGINAL MELODY Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4404 D303M DI.985.003.027 A01 DI.985.003.027A01 00:00:00 n TURQUIE FOLK AND TRADITIONAL MUSIC OF TURKEY Sous-table non exportée Sous-table non exportée 0 0 ASIE +FE-4439 D303M DI.985.003.028 A01 DI.985.003.028A01 00:00:00 n AUSTRALIE TRIBAL MUSIC OF AUSTRALIA Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +LD-5430 D303S DI.985.003.029 A01 DI.985.003.029A01 00:00:00 n ESPAGNE GENIE DE LA GUITARE FLAMENCA : RAMON MONTOYA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-6008/10 D303S DI.985.003.030/32 A01 DI.985.003.030/32A01 00:00:00 n ESPAGNE NOCHE FLAMENCA*1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LD-349 D253M DI.985.003.034 A01 DI.985.003.034A01 00:00:00 12/03/58 ARGENTINE N ARGENTINS MUSIQUE INDIENNE DES ANDES LA PALOMITA N Sous-table non exportée CARNAVALITO Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 A02 DI.985.003.034A02 00:00:00 12/03/58 PEROU N PERUVIENS MUSIQUE INDIENNE DES ANDES SONCOYMAN N Sous-table non exportée YARAVI Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche Luth CHARANGO: caisse en carapace de tortue• Groupe instr 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 A03 DI.985.003.034A03 00:00:00 12/03/58 ARGENTINE N ARGENTINS MUSIQUE INDIENNE DES ANDES LA PROCESION N Sous-table non exportée BAILECITO Sous-table non exportée DI.985.003.034A1 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 A04 DI.985.003.034A04 00:00:00 12/03/58 EQUATEUR N EQUATORIEN MUSIQUE INDIENNE DES ANDES CHAGRITA CAPRICHOSA N Sous-table non exportée SANJUANITO Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 A05 DI.985.003.034A05 00:00:00 12/03/58 BOLIVIE N BOLIVIENS MUSIQUE INDIENNE DES ANDES CHOLITA TRAIDORA N Sous-table non exportée CARNAVALITO Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 B01 DI.985.003.034B01 00:00:00 12/03/58 PEROU N PERUVIENS MUSIQUE INDIENNE DES ANDES HUALLAHUAS N Sous-table non exportée N Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 B02 DI.985.003.034B02 00:00:00 12/03/58 ARGENTINE N ARGENTINS MUSIQUE INDIENNE DES ANDES MUCHO TE QUIERO N Sous-table non exportée BAILECITO Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 B03 DI.985.003.034B03 00:00:00 12/03/58 EQUATEUR N EQUATORIEN MUSIQUE INDIENNE DES ANDES LLANTO DEL INDIO N Sous-table non exportée CACHULLAPI Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 B04 DI.985.003.034B04 00:00:00 12/03/58 ARGENTINE N ARGENTINS MUSIQUE INDIENNE DES ANDES QUISIERA SER PICAFLOR N Sous-table non exportée CARNAVALITO Sous-table non exportée 1958 0 AMERIQUE +LD-349 D253M DI.985.003.034 B05 DI.985.003.034B05 00:00:00 12/03/58 PEROU N PERUVIENS MUSIQUE INDIENNE DES ANDES EL CONDOR PASA N Sous-table non exportée YARAVI Sous-table non exportée 1958 0 AMERIQUE +LD-356 D253M DI.985.003.035 A01 DI.985.003.035A01 00:00:00 n ISRAEL PEUPLES D'ISRAEL/ISRAELIENS, DRUGES, KURDES Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-20016 D253M DI.985.003.036 A01 DI.985.003.036A01 00:00:00 n ALGERIE MUSIQUE D'AFRIQUE DU NORD. ORCHESTRE THOURAYA D'ALGER Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +FP-12 D253M DI.985.003.037 A01 DI.985.003.037A01 00:00:00 n CHINE CHINESE CLASSIC-INSTRUMENTAL MUSIC* Sous-table non exportée Sous-table non exportée 0 0 ASIE +EBLP D253M DI.985.003.038 A01 DI.985.003.038A01 00:00:00 n INDE PANNALAL GHOSH-FLUTE RECITAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +41 D253M DI.985.003.039 A01 DI.985.003.039A01 00:00:00 n INDE;BENGALE RYTHMES ET MELODIES DU BENGALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDZS-4298 D253M DI.985.003.040 A01 DI.985.003.040A01 00:00:00 n INDONESIE GAMELANS D'INDONESIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-350 D253M DI.985.003.041 A01 DI.985.003.041A01 00:00:00 1956,57 INDONESIE;BORNEO(KALIMANTAN) MUSIQUE DAYAK DE KALIMANTAN Sous-table non exportée Sous-table non exportée 951 0 ASIE +CL-34 D253M DI.985.003.042 A01 DI.985.003.042A01 00:00:00 n JAPON GAGAKU-COURT MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +CL-16 D253M DI.985.003.043 A01 DI.985.003.043A01 00:00:00 n JAPON GAGAKU-COURT MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +424802-BE D174M DI.985.003.044 A01 DI.985.003.044A01 00:00:00 N AFRIQUE SINALI KOULIBALY ET SES BALAFONS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LD-383 D173M DI.985.003.045 A01 DI.985.003.045A01 00:00:00 n CHINE MUSIQUE RELIGIEUSE CHINOISE ET TIBETAINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-383 D173M DI.985.003.045 B02 DI.985.003.045B02 00:00:00 n TIBET MUSIQUE RELIGIEUSE CHINOISE ET TIBETAINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +LD-339 D173M DI.985.003.046 A01 DI.985.003.046A01 00:00:00 N INDONESIE;BALI MUSIQUE DE BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +SEDE-3621 D174 DI.985.003.047 A01 DI.985.003.047A01 00:00:00 N INDE LAYAMATHURI.RAGA KALYANI,THALAM AATHI;T.V.GOPALAKRISHNAN ... Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-24 D174 DI.985.003.048 A01 DI.985.003.048A01 00:00:00 n COREE DU SUD KOREAN TRADITIONAL SONGS Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-12 D303S DI.985.004.001/02 A01 DI.985.004.001/02A01 00:00:00 n INDONESIE;SUMATRA GONDANG TOBA-NORD SUMATRA Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-001 D303S DI.985.005.001 A01 DI.985.005.001A01 00:00:00 n AZERBAIDJAN ASIE CENTRALE : AZERBAIDJAN, TOUVA, BACHKIRIE Sous-table non exportée Sous-table non exportée 1983 0 ASIE +MCM-001 D303S DI.985.005.001 B01 DI.985.005.001B01 00:00:00 n URSS;RA TOUVA ASIE CENTRALE : AZERBAIDJAN, TOUVA, BACHKIRIE Sous-table non exportée Sous-table non exportée 1983 0 ASIE +MCM-001 D303S DI.985.005.001 B04 DI.985.005.001B04 00:00:00 n FED.RUSSIE;BACHKIRIE ASIE CENTRALE : AZERBAIDJAN, TOUVA, BACHKIRIE Sous-table non exportée Sous-table non exportée 1983 0 ASIE +H-72063 D303S DI.985.006.003 A01 DI.985.006.003A01 00:00:00 n OUGANDA AFRICA CEREMONIAL & FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72063 D303S DI.985.006.003 A05 DI.985.006.003A05 00:00:00 n KENYA AFRICA CEREMONIAL & FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +H-72063 D303S DI.985.006.003 B05 DI.985.006.003B05 00:00:00 n TANZANIE AFRICA CEREMONIAL & FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A01 DI.985.006.004A01 00:00:00 n MOZAMBIQUE MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée -276 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A02 DI.985.006.004A02 00:00:00 n REP D'AFRIQUE DU SUD MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée -276 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A03 DI.985.006.004A03 00:00:00 n TANZANIE MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée -276 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A04 DI.985.006.004A04 00:00:00 n ZIMBABWE MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A05 DI.985.006.004A05 00:00:00 n OUGANDA MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 A07 DI.985.006.004A07 00:00:00 n CONGO MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 B02 DI.985.006.004B02 00:00:00 n MALAWI MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +GALP-1325 D303M DI.985.006.004 B06 DI.985.006.004B06 00:00:00 n RWANDA MUSICAL INSTRUMENTS 4. FLUTES AND HORNS Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LPY-V-722 D303S DI.985.006.005 A01 DI.985.006.005A01 00:00:00 n YOUGOSLAVIE SERBIE STO GRAD SMEDEREVO 1* STO GRAD SMEDEREVO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPV-191 D303S DI.985.006.006 A01 DI.985.006.006A01 00:00:00 n EX YOUGOSLAVIE CROATIE, PENINSULE D'ISTRIE ISTRA:MUZIKA I TRADICIJA. PESME I IGRE NARODA YUGOSLAVIJE TAMO DOLI PULI MORA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LPY-V-739 D303S DI.985.006.007 A01 DI.985.006.007A01 00:00:00 n YOUGOSLAVIE CROATIA DA SI OD ZLATA-IZVORNI GLAZ BENI FOLKLOR HRVATSKE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +FE-4434 D303M DI.985.006.008 A01 DI.985.006.008A01 00:00:00 n YOUGOSLAVIE CROATIE, GARESNICA FOLK MUSIC OF YUGOSLAVIA LOVE SONG Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CAP-1096 D303S DI.985.006.009 A01 DI.985.006.009A01 00:00:00 n SUEDE UNGA DALASPELMAN Sous-table non exportée Sous-table non exportée 1974 0 EUROPE +P-413 D303M DI.985.006.010 A01 DI.985.006.010A01 00:00:00 n MEXIQUE INDIAN MUSIC OF MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FM-6845 D253M DI.985.006.012 A01 DI.985.006.012A01 00:00:00 n PORTUGAL CHRISTMAS SONGS OF PORTUGAL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +558611 D303S DI.985.007.001 A01 DI.985.007.001A01 00:00:00 n ITALIE;SARDAIGNE SARDAIGNE. LAUNEDDAS. LUIGI LAI, AURELIO PORCU Sous-table non exportée Sous-table non exportée -1574 0 EUROPE +LLST-7240 D303S DI.985.008.001 A01 DI.985.008.001A01 00:00:00 n MAROC THE PAN-ISLAMIC TRADITION: MUSIC OF MOROCCO VOL. 3 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PS-33519 D303S DI.985.008.002 A01 DI.985.008.002A01 00:00:00 n SENEGAL UNE JOURNEE CHEZ LES BASSARIS. SENEGAL Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +1653921 D303S DI.985.008.003 A01 DI.985.008.003A01 00:00:00 n SYRIE ANTIOCH : SYRIAN ORTHODOX CHURCH Sous-table non exportée Sous-table non exportée 0 0 ASIE +LLST-7379 D303S DI.985.008.004 A01 DI.985.008.004A01 00:00:00 n DANEMARK GROENLAND THE INUIT (ESKIMOS) OF GREENLAND AND NORTHERN CANADA. VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LLST-7379 D303S DI.985.008.004 A02 DI.985.008.004A02 00:00:00 n CANADA NORD THE INUIT (ESKIMOS) OF GREENLAND AND NORTHERN CANADA. VOL. 1 Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4213 D303M DI.985.008.005 A01 DI.985.008.005A01 00:00:00 n GUATEMALA MUSIC OF GUATEMALA. VOL. 2 Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +H-72089-1 D303S DI.985.008.006 A01 DI.985.008.006A01 00:00:00 n TAIWAN SPRING NIGHT ON A MOONLIT RIVER*1 Sous-table non exportée Sous-table non exportée 1982 0 ASIE +PS-33527 D303S DI.985.008.007 A01 DI.985.008.007A01 00:00:00 n COREE DU SUD COREE. MUSIQUE DE COUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARN-33785 D303S DI.985.008.008 A01 DI.985.008.008A01 00:00:00 n TAIWAN CHANTS DE TRAVAIL & D'AMOUR DES PEUPLES ABORIGENES DE TAIWAN Sous-table non exportée Sous-table non exportée -1 0 ASIE +S-33-ESX-6160 D303S DI.985.008.009 A01 DI.985.008.009A01 00:00:00 n INDE NADHASWARAM* Sous-table non exportée Sous-table non exportée 0 0 ASIE +ECLP-41543 D303S DI.985.008.010 A01 DI.985.008.010A01 00:00:00 n INDE RASOOLAN BAI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CETO-793 D303S DI.985.008.011 A01 DI.985.008.011A01 00:00:00 n PHILIPPINES SAMA DE SITANGKAI/PHILIPPINES ARCHIPEL DE SULU Sous-table non exportée Sous-table non exportée -868 0 ASIE +APN-82-3 D303M DI.985.008.012/14 A01 DI.985.008.012/14A01 00:00:00 n FRANCE;CORSE MUSIQUE CORSE DE TRADITON ORALE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +803146 D303S DI.985.009.001 A01 DI.985.009.001A01 00:00:00 n BRESIL PAITER MERE WA. CANTAM OS SURUS DE RONDONA Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +558647 D303S DI.985.010.001 A01 DI.985.010.001A01 00:00:02 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" TU ERES LINDA N Sous-table non exportée MARINERA CUZQUENA Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A02 DI.985.010.001A02 00:00:02 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" SAQSAYWAMANPI N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A03 DI.985.010.001A03 00:00:03 01/01/83 PEROU AYACUCHO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" COCA K'INTUCHAY N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A04 DI.985.010.001A04 00:00:03 01/01/83 PEROU N N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" WANKA N Sous-table non exportée N Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A05 DI.985.010.001A05 00:00:04 01/01/83 PEROU AREQUIPA N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" VOLCAN MELGAR, MARIO Sous-table non exportée YARAVI Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A06 DI.985.010.001A06 00:00:03 01/01/83 PEROU PUNO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" CABALLO CHOQCHEPORKE N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 A07 DI.985.010.001A07 00:00:03 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" RIPUKUNAY Q'ASAPATAPI BENAVENTE, JULIO Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B01 DI.985.010.001B01 00:00:02 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" AGUACERITO CORDILLERANO N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B02 DI.985.010.001B02 00:00:03 01/01/83 PEROU N N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" WIPHALA DANSE DES BANNIERES N Sous-table non exportée N Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B03 DI.985.010.001B03 00:00:02 01/01/83 PEROU HUARACONDA N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" MAYU SONIDO N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B04 DI.985.010.001B04 00:00:03 01/01/83 PEROU AYACUCHO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" ARASKASKA N Sous-table non exportée MULIZA Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B05 DI.985.010.001B05 00:00:03 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" GENTIL GAVIOTA N Sous-table non exportée YARAVI Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B06 DI.985.010.001B06 00:00:03 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" PARA QUE ES QUERER N Sous-table non exportée MARINERA CUZQUENA Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B07 DI.985.010.001B07 00:00:02 01/01/83 PEROU CUZCO N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" ESQUINITA LINDA N Sous-table non exportée WAYNU Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +558647 D303S DI.985.010.001 B08 DI.985.010.001B08 00:00:04 01/01/83 PEROU N N PEROU JULIO BENAVENTE DIAZ "LE CHARANGO DU CUZCO" PUKAY PANTI PARIWANA N Sous-table non exportée N Sous-table non exportée Luth "CHARANGO CHILLADOR": cordes métal; taille <60cm. PAREJO, R. BALDINI, R. 1983 0 AMERIQUE +CETO-795 D303S DI.985.011.001 A01 DI.985.011.001A01 00:00:00 1975-79 REP CENTRAFRICAINE CHASSEURS PYGMEES Sous-table non exportée Sous-table non exportée -971 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01A01 DI.985.012.001-1/2:01A01 00:00:00 n REP CENTRAFRICAINE BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée -276 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01A02 DI.985.012.001-1/2:01A02 00:00:00 ANGOLA BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01A03 DI.985.012.001-1/2:01A03 00:00:00 ZAIRE BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01A04 DI.985.012.001-1/2:01A04 00:00:00 CONGO BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01A05 DI.985.012.001-1/2:01A05 00:00:00 ZAMBIE BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01B01 DI.985.012.001-1/2:01B01 00:00:00 RWANDA BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01B02 DI.985.012.001-1/2:01B02 00:00:00 SAO TOME & PRINCIPE BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01B03 DI.985.012.001-1/2:01B03 00:00:00 GABON BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01B04 DI.985.012.001-1/2:01B04 00:00:00 COMORES BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CICIBA-8401/2 D303S DI.985.012.001-1/2 :01B05 DI.985.012.001-1/2:01B05 00:00:00 GUINEE BANTU. 1-M. TRAD.; 2-M. NOUVELLE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +FE-4315 D303M DI.985.012.003 A01 DI.985.012.003A01 00:00:00 N NAMIBIE INSTRUMENTAL MUSIC OF THE KALAHARI SAN Sous-table non exportée Sous-table non exportée 1436 0 AFRIQUE +FE-4315 D303M DI.985.012.003 A02 DI.985.012.003A02 00:00:00 N BOTSWANA INSTRUMENTAL MUSIC OF THE KALAHARI SAN Sous-table non exportée Sous-table non exportée 1436 0 AFRIQUE +H-72082 D303S DI.985.012.004 A01 DI.985.012.004A01 00:00:00 N GHANA AFRICA. ANCIENT CEREMONIES, DANCE MUSIC & SONGS OF GHANA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558554 D303S DI.985.012.005 A01 DI.985.012.005A01 00:00:00 n SEYCHELLES SEYCHELLES 2. MUSIQUES OUBLIEES DES ILES Sous-table non exportée Sous-table non exportée -1069 0 AFRIQUE +1653891 D303S DI.985.012.007 A01 DI.985.012.007A01 00:00:00 n BULGARIE BULGARIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +558596 D303S DI.985.012.008 A01 DI.985.012.008A01 00:00:00 n ROUMANIE ROUMANIE. LA VRAIE TRADITION DE TRANSYLVANIE Sous-table non exportée Sous-table non exportée -871 0 EUROPE +558548 D303S DI.985.012.009 A01 DI.985.012.009A01 00:00:00 n YOUGOSLAVIE SERBIE ORIENTALE, JABUKOVAC VALAQUES YOUGOSLAVIE 1 (SERBIE ORIENTALE) LES BOUGIES DU PARADIS UNGUREANCA Sous-table non exportée Sous-table non exportée -470 0 EUROPE +558572 D303S DI.985.012.010 A01 DI.985.012.010A01 00:00:00 n YOUGOSLAVIE MACEDOINE, ARVE TOSQUES YOUGOSLAVIE 2. (MACEDOINE: POLYPHONIES TOSQUES) *1 Sous-table non exportée Sous-table non exportée -470 0 EUROPE +H-72070 D303S DI.985.012.011 A01 DI.985.012.011A01 00:00:00 n MEXIQUE MEXICO-FIESTAS OF CHIAPAS AND OAXACA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4211 D303S DI.985.012.012 A01 DI.985.012.012A01 00:00:00 n AUSTRALIE THE BORA OF THE PASCOE RIVER-CAPE YORK PENINSULA, * Sous-table non exportée Sous-table non exportée 1963 0 OCEANIE +FW-16925 D303M DI.985.012.013 A01 DI.985.012.013A01 00:00:00 n EGYPTE ARABIC SONGS OF LEBANON AND EGYPT*1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FW-16925 D303M DI.985.012.013 A04 DI.985.012.013A04 00:00:00 n LIBAN ARABIC SONGS OF LEBANON AND EGYPT*1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +301171 D303S DI.985.012.014 A01 DI.985.012.014A01 00:00:00 n LIBAN LES MOUWACHAH'S : CHANTS ARABO-ANDALOUS Sous-table non exportée Sous-table non exportée 1981 0 ASIE +ARARA-333108 D303S DI.985.012.015 A01 DI.985.012.015A01 00:00:00 n LIBAN LUTH AU LIBAN TRADITIONNEL/BUZUQ/NASSER MAKHOUL Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARARA-333106 D303S DI.985.012.016 A01 DI.985.012.016A01 00:00:00 n YEMEN LUTH AU YEMEN CLASSQIUE /UD/ JAMIL GHANIM Sous-table non exportée Sous-table non exportée 0 0 ASIE +558567 D303S DI.985.012.017 A01 DI.985.012.017A01 00:00:00 n SYRIE SYRIE, VOL. 1: MUEZZINS D'ALEP: CHANTS RELIGIEUX DE L'ISLAM Sous-table non exportée Sous-table non exportée 1975 0 ASIE +ARN-33665 D303S DI.985.012.018 A01 DI.985.012.018A01 00:00:00 n URSS;RSS ARMENIE LE KAMANCHEH D'ARMENIE Sous-table non exportée Sous-table non exportée 1981 0 ASIE +558550 D303S DI.985.012.019 A01 DI.985.012.019A01 00:00:00 n IRAN IRAN/VOL. 2. ANTHOLOGIE DE LA MUSIQUE TRADITIONNELLE. SANTUR PAR MAJID KIANI. Sous-table non exportée Sous-table non exportée 1979 0 ASIE +BGRP-1032/33 D303S DI.985.012.020/21 A01 DI.985.012.020/21A01 00:00:00 n INDE UTSAVA SAMPRADAYA KRITHIS OF SAINT THYAGARAJA Sous-table non exportée Sous-table non exportée 0 0 ASIE +BGRP-1022/24 D303S DI.985.012.022/24 A01 DI.985.012.022/24A01 00:00:00 n INDE THE GLORIOUS MUSIC OF G.N. BALASUBRAMANIAM Sous-table non exportée Sous-table non exportée 0 0 ASIE +H-72079 D303S DI.985.012.025 A01 DI.985.012.025A01 00:00:00 n INDE;HIMACHAL PRADESH FESTIVAL OF THE HIMALAYAS, VOL. 2 Sous-table non exportée Sous-table non exportée -666 0 ASIE +FE-4030 D303S DI.985.012.026 A01 DI.985.012.026A01 00:00:00 n BHOUTAN MUSIC OF THE BHUTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-SL-2032 D303S DI.985.012.027 A01 DI.985.012.027A01 00:00:00 n CHINE LA MUSIQUE DE LA CHINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARN-33783 D303S DI.985.012.028 A01 DI.985.012.028A01 00:06:05 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE LE SOUVENIR DU PASSE VONG CO Sous-table non exportée TRIO INSTRUMENTAL Sous-table non exportée Divertissement. Seul le prélude et les trois premières phrases de la pièce Vong cô sont joués ici. Trân Van Khê: Vietnam, les traditions musicales, (ed) Buchet-Chastel, 224p, Paris, 1967. Cithare/table "DAN BAU": 1C. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• MAISON DES CULTURES DU MONDE,PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 A02 DI.985.012.028A02 00:05:07 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE LE PRINTEMPS MERIDIONAL-LES LAMENTATIONS DU SUD- LAMENTATIONS MALES NAM XUAN- NAM AI- TRONG AI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Suite de trois pièces précédées par un prélude: prélude (0:45), Nam xuân (1:45), Nam ai (1:50), et Trông ai (0:47) Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• MAISON DES CULTURES DU MONDE,PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 A03 DI.985.012.028A03 00:06:07 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE DEUX DEGRES XANG ET XE XANG XE Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement. Prélude improvisé (0:30), début de la section xê (lop xê), une des 7 pièces du mode Bac, nuance nhac exprimant la solennité. Après 2:50, passage à la nuance ai oan (tristesse) pendant 1:10, puis retour à la nuance nhac. Luth 2C "DAN KIM": caisse en forme de lune. Rythme libre puis mesuré• MAISON DES CULTURES DU MONDE,PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 A04 DI.985.012.028A04 00:05:30 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE DEGAGEMENT DE LA SCENE ET PROLOGUE DEP DAM GIAO DAU Sous-table non exportée THEATRE Sous-table non exportée Divertissement. Un spectacle de hat chèo, théâtre populaire du Nord Vietnam. Une actrice présente les voeux "que les liens d'amitié se resserrent entre le Vietnam et la France" Vièle 2C "DAN NHI": archet pris. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). On distingue plusieur styles de chant: via (récitatif), hat nhén khang (choeur), su chuc (déclamation pour les voeux), su xuân (déclamation pour les sentiments clairs), ngâm tho (déclamation poétique), hat cach (chant dans le style cach). M2C-TRONG CHAU = tbr à boules fouettantes [?]. Polyrythmie • MAISON DES CULTURES DU MONDE, PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 B01 DI.985.012.028B01 00:02:32 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE LES TAMBOURS DU SORCIER TRONG PHU THUY Sous-table non exportée THEATRE Sous-table non exportée Divertissement M2C-TRONG CHAU = tbr à boules fouettantes [?]. Polyrythmie • MAISON DES CULTURES DU MONDE, PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 B02 DI.985.012.028B02 00:08:20 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE CHANT DE POSSESSION CHAU VAN Sous-table non exportée M.DE POSSESSION Sous-table non exportée Rituel. Enregistrement sur disque pour la première fois d'un chant dans le style des chants de possession. Chant commence par un phu doc (5:15) puis change en mode xa jusqu'à la fin avec un accompagnement rythmique des percussions. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Polyrythmie • MAISON DES CULTURES DU MONDE, PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 B03 DI.985.012.028B03 00:07:31 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE TRIO DE MUSIQUE DE THEATRE TRADITIONNEL TAM TAU TUONG Sous-table non exportée THEATRE Sous-table non exportée Après le khai tràng (ouverture de la scène) suite de plusieurs airs utilisés pour accompagner les déclamations, pour annoncer des pièces appartenant au cung bac, cung nam, cung nam xuân nu, cung chiên. Le tambour est l'instrument le plus important. Le hautbois est important dans cung bac et cung chiên. Vièle 2C "DAN NHI": archet pris. Polyrythmie • MAISON DES CULTURES DU MONDE, PARIS 1984 0 ASIE +ARN-33783 D303S DI.985.012.028 B04 DI.985.012.028B04 00:03:20 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM.INSTRUMENTS ET ENSEMBLE DE MUSIQUE TRADITIONNELLE SOLO DE 6 TAMBOURS DOC TAU 6 TRONG Sous-table non exportée IMPROVISATION Sous-table non exportée Polyrythmie • MAISON DES CULTURES DU MONDE,PARIS 1984 0 ASIE +558598 D303S DI.985.012.029 A01 DI.985.012.029A01 00:00:00 n INDONESIE;JAVA JAVA. PALAIS ROYAL DE YOGYA KARTA. MUSIQUE DE CONCERT Sous-table non exportée Sous-table non exportée -665 0 ASIE +FE-4357 D303S DI.985.012.030 A01 DI.985.012.030A01 00:00:00 n INDONESIE;SUMATRA BATAK MUSIC* Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-3037196 D303S DI.985.013.001 A01 DI.985.013.001A01 00:00:00 N URSS;RSS LITUANIE DZUKU DAINININKE MARE KUODZIUTE-NAVICKIENE Sous-table non exportée Sous-table non exportée 935 0 EUROPE +C-3014721-2 D303S DI.985.013.002 A01 DI.985.013.002A01 00:00:00 n URSS;RSS LITUANIE LIETUVA-DAINU KRASTAS* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +QLP-840319 D303S DI.985.014.001 A01 DI.985.014.001A01 00:00:00 n DANEMARK TIMMISSTATUT ILILLUNGA. SOM EN FUGL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +QLP-820804 D303S DI.985.014.002 A01 DI.985.014.002A01 00:00:00 n DANEMARK PER & BIRTHE. KISIMIINNGILATIT. DU ER IKKE ALENE Sous-table non exportée Sous-table non exportée -1474 0 EUROPE +2002/04 D303M DI.985.015.001/03 :01A.01 DI.985.015.001/03:01A.01 00:02:48 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 EL SARGENTO CABRAL CAMPOAMOR, MANUEL OSCAR Sous-table non exportée Sous-table non exportée 1907 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A.02 DI.985.015.001/03:01A.02 00:02:51 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 MORDEME LA OREJA IZQUIERDA MORDS-MOI L'OREILLE GAUCHE DE ALARCON, EUGENIO M. Sous-table non exportée Sous-table non exportée 1908 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A03 DI.985.015.001/03:01A03 00:02:25 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 Z CLUB MENDIZABAL, ANSELMO ROSENDO Sous-table non exportée Sous-table non exportée 1908 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A04 DI.985.015.001/03:01A04 00:02:44 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 EL PECHADOR VILLOLDO, ANGEL GREGORIO Sous-table non exportée Sous-table non exportée Solo voc + 1 instr 1909 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A05 DI.985.015.001/03:01A05 00:02:29 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 EL PURRETE RONCALLO, JOSE LUIS Sous-table non exportée Sous-table non exportée 1909 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A06 DI.985.015.001/03:01A06 00:03:00 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 LA BICICLETA VILLOLDO, ANGEL GREGORIO Sous-table non exportée Sous-table non exportée Solo voc + 1 instr 1909 0 AMERIQUE +2002/04 D303M DI.985.015.001/03 :01A07 DI.985.015.001/03:01A07 00:02:46 n ARGENTINE ANTOLOGIA DEL TANGO RIOPLATENSE VOL.1 EL PORTENITO VILLOLDO, ANGEL GREGORIO Sous-table non exportée Sous-table non exportée 1909 0 AMERIQUE +MKA-01 D303S DI.985.015.004 A01 DI.985.015.004A01 00:00:00 n PEROU MEKAMUNA-ESTUDIO ETNOMUSICOL. SOBRE LOS BORA DE LA AMAZONIA PERUANA. Sous-table non exportée Sous-table non exportée Amazonie(G) 1978 0 AMERIQUE +LADO-A/B D303M DI.986.001.001 A01 DI.986.001.001A01 00:00:00 n COLOMBIE MUSICA DE LOS HUITOTOS* Sous-table non exportée Sous-table non exportée -1372 0 AMERIQUE +LDX-74846/47 D303S DI.986.002.001/02 A01 DI.986.002.001/02A01 00:00:00 n ROUMANIE BALLADES ET FETES EN ROUMANIE Sous-table non exportée Sous-table non exportée -1473 0 EUROPE +CF-001 D303S DI.986.005.001 A01 DI.986.005.001A01 00:00:00 n TAIWAN CHINESE FOLK MUSIC *1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +CF-002 D303S DI.986.005.002 A01 DI.986.005.002A01 00:00:00 n TAIWAN CHINESE FOLK MUSIC*1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +CF-003 D303S DI.986.005.003 A01 DI.986.005.003A01 00:00:00 n TAIWAN CHINESE FOLK MUSIC*1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +VA-1001/02 D303S DI.986.005.004/05 A01 DI.986.005.004/05A01 00:00:00 n TAIWAN THE ROC MELODIES. TAIWAN, REPUBLIC OF CHINA*1 Sous-table non exportée Sous-table non exportée 0 0 ASIE +VPD-1069 D303S DI.986.006.001 A01 DI.986.006.001A01 00:00:00 n ESPAGNE MADRID TRADICIONAL NTHOLOGIA. VOL. 1 Sous-table non exportée Sous-table non exportée 1984 0 EUROPE +VPD-1097/98 D303S DI.986.006.002/03 :01A01 DI.986.006.002/03:01A01 00:00:00 n ESPAGNE MADRID TRADICIONAL ANTOLOGIA. VOL.2-3 Sous-table non exportée Sous-table non exportée -1978 0 EUROPE +AV-6507 CD DI.986.007.001 U01 DI.986.007.001U01 00:00:00 N INDE KRISHNAMURTI SRIDHAR. SAROD Sous-table non exportée Sous-table non exportée -1 0 ASIE +AV-4510 D303S DI.986.007.002 A01 DI.986.007.002A01 00:00:00 n AFRIQUE TAMBOUR DJEMBE. ADAMA DRAME *1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PS-33509 D303S DI.986.007.003 A01 DI.986.007.003A01 00:00:00 n REP CENTRAFRICAINE PYGMEES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +PS-806 D303S DI.986.007.004 A01 DI.986.007.004A01 00:00:00 n USA;LOUISIANE MUSIQUE CAJUN. LE "COURIR" DU MARDI GRAS A MANOU-LOUISIANNE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +ARN-34222 D303S DI.986.007.005 A01 DI.986.007.005A01 00:00:00 n CHILI LE CHILI DE VIOLETA PARRA "UN RIO DE SANGRE"* Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +ARN-33612 D303S DI.986.007.006 A01 DI.986.007.006A01 00:00:00 n TRINITE & TOBAGO STEEL BAND DES CARAIBES Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +ARN-33471 D303S DI.986.007.007 A01 DI.986.007.007A01 00:00:00 n AFGHANISTAN LE LUTH AFGHAN. ESSA KASSINU Sous-table non exportée Sous-table non exportée 1978 0 ASIE +PS-33520 D303S DI.986.007.008 A01 DI.986.007.008A01 00:00:00 n AFGHANISTAN AFGHANISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-33501 D303S DI.986.007.009 A01 DI.986.007.009A01 00:00:00 n CAMBODGE CAMBODGE Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-33505 D303S DI.986.007.010 A01 DI.986.007.010A01 00:00:00 n CHINE CHINE. OPERA DE PEKIN Sous-table non exportée Sous-table non exportée 0 0 ASIE +G-1508 D303M DI.986.007.012 A01 DI.986.007.012A01 00:00:00 n INDE ANTHOLOGIE DE LA MUSIQUE CLASSIQUE DE L'INDE* Sous-table non exportée Sous-table non exportée 1553 0 ASIE +AV-4505 D303S DI.986.007.013/16 A01 DI.986.007.013/16A01 00:00:00 n INDE GITA GOVINDA POEME LYRIQUE DE JAYADEVA EN 24 CHANTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +AV-4514 D303S DI.986.007.017 A01 DI.986.007.017A01 00:00:00 n INDE USTAD ZIA MOHIUDDIN DAGAR RUDRA-VEENA. RAGA PANCHAM KOSH. Sous-table non exportée Sous-table non exportée 0 0 ASIE +AV-4511 D303S DI.986.007.018 A01 DI.986.007.018A01 00:00:00 n INDE CHANT DHRUPAD. NASIR ZAHIRUDDIN & NASIR FAYAZUDDIN DAGAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +AV-4502 D303S DI.986.007.019 A01 DI.986.007.019A01 00:00:00 ? INDE;KERALA M, CHANTS & RYTHMES DU KATHAKALI Sous-table non exportée Sous-table non exportée -1 0 ASIE +30-U-130 D303S DI.986.007.020 A01 DI.986.007.020A01 00:00:00 n INDONESIE;BALI BALI, LES CELEBRES GAMELANS Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARARA-3330 D303S DI.986.007.021 A01 DI.986.007.021A01 00:00:00 n IRAN CITHARE EN IRAN. SANTUR PAR FARAMARZ PAYVAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +AV-4508 D303S DI.986.007.022 A01 DI.986.007.022A01 00:00:00 N JAPON MUSIQUE ZENZ : JAPON : LE SHAKUHACHI Sous-table non exportée Sous-table non exportée -1 0 ASIE +ARARA-333109 D303S DI.986.007.023 A01 DI.986.007.023A01 00:00:00 N TURQUIE FLUTE EN TURQUIE MYSTIQUE. NEY Sous-table non exportée Sous-table non exportée -1 0 ASIE +ARN-33714 D303S DI.986.007.024 A01 DI.986.007.024A01 00:00:00 n ITALIE ALBANAIS CHANTS DES ALBANAIS DE CALABRE. GROUPE ARBERESHE DI LUNGRO Sous-table non exportée Sous-table non exportée -1 0 EUROPE +MC-1 D303S DI.986.007.025/26 A01 DI.986.007.025/26A01 00:00:00 n TURQUIE MUSIK AUS DER TURKEI Sous-table non exportée Sous-table non exportée 233 0 ASIE +VDE-30425 D303M DI.986.008.001 A01 DI.986.008.001A01 00:00:00 N NIGER COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: I-AFRIQUE Sous-table non exportée Sous-table non exportée 1948 0 AFRIQUE +VDE-30425 D303M DI.986.008.001 B01 DI.986.008.001B01 00:00:00 1949-50 ETHIOPIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: I-AFRIQUE Sous-table non exportée Sous-table non exportée 1949 0 AFRIQUE +VDE-30425 D303M DI.986.008.001 B05 DI.986.008.001B05 00:00:00 Idem CONGO COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: I-AFRIQUE Sous-table non exportée Sous-table non exportée 1946 0 AFRIQUE +VDE-30425 D303M DI.986.008.001 B07 DI.986.008.001B07 00:00:00 Idem COTE D'IVOIRE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: I-AFRIQUE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +VDE-30425 D303M DI.986.008.001 B10 DI.986.008.001B10 00:00:00 Idem ALGERIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: I-AFRIQUE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +VDE-30426 D303M DI.986.008.002 A01 DI.986.008.002A01 00:00:00 Idem TURQUIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée 1938 0 ASIE +VDE-30426 D303M DI.986.008.002 A03 DI.986.008.002A03 00:00:00 N GEORGIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-30426 D303M DI.986.008.002 A07 DI.986.008.002A07 00:00:00 IDEM INDE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée 1951 0 ASIE +VDE-30426 D303M DI.986.008.002 B01 DI.986.008.002B01 00:00:00 N JAPON COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-30426 D303M DI.986.008.002 B05 DI.986.008.002B05 00:00:00 = TAIWAN COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée 1943 0 ASIE +VDE-30426 D303M DI.986.008.002 B10 DI.986.008.002B10 00:00:00 N CHINE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-30426 D303M DI.986.008.002 B12 DI.986.008.002B12 00:00:00 = CANADA NORD COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: II-ASIE & ESQUIMAUX Sous-table non exportée Sous-table non exportée 1938 0 AMERIQUE +VDE-30427 D303M DI.986.008.003 A01 DI.986.008.003A01 00:00:00 = ROUMANIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: III-EUROPE 1 Sous-table non exportée Sous-table non exportée 1938 0 EUROPE +VDE-30427 D303M DI.986.008.003 A06 DI.986.008.003A06 00:00:00 = URSS;RSS UKRAINE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: III-EUROPE 1 Sous-table non exportée Sous-table non exportée 1942 0 EUROPE +VDE-30427 D303M DI.986.008.003 A11 DI.986.008.003A11 00:00:00 = GRECE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: III-EUROPE 1 Sous-table non exportée Sous-table non exportée 1939 0 EUROPE +VDE-30427 D303M DI.986.008.003 B09 DI.986.008.003B09 00:00:00 N BULGARIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: III-EUROPE 1 Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-30428 D303M DI.986.008.004 A01 DI.986.008.004A01 00:00:00 = YOUGOSLAVIE MACEDOINE, REGION DE SKOPJE SERBES COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée N 1951 0 EUROPE +VDE-30428 D303M DI.986.008.004 A04 DI.986.008.004A04 00:00:00 = YOUGOSLAVIE BOSNIE,REGION DE SARAJEVO COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée N 1937 0 EUROPE +VDE-30428 D303M DI.986.008.004 A07 DI.986.008.004A07 00:00:00 = ITALIE;LATIUM COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1949 0 EUROPE +VDE-30428 D303M DI.986.008.004 A09 DI.986.008.004A09 00:00:00 = ITALIE;SICILE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1948 0 EUROPE +VDE-30428 D303M DI.986.008.004 A11 DI.986.008.004A11 00:00:00 = ITALIE;SARDAIGNE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1950 0 EUROPE +VDE-30428 D303M DI.986.008.004 B01 DI.986.008.004B01 00:00:00 = FRANCE;CORSE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1949 0 EUROPE +VDE-30428 D303M DI.986.008.004 B05 DI.986.008.004B05 00:00:00 = FRANCE;P. BASQUE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +VDE-30428 D303M DI.986.008.004 B10 DI.986.008.004B10 00:00:00 = PORTUGAL COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: IV-EUROPE 2 Sous-table non exportée Sous-table non exportée 1953 0 EUROPE +VDE-30429 D303M DI.986.008.005 A01 DI.986.008.005A01 00:00:00 = FRANCE;BERRY COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1913 0 EUROPE +VDE-30429 D303M DI.986.008.005 A04 DI.986.008.005A04 00:00:00 = FRANCE;BRETAGNE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +VDE-30429 D303M DI.986.008.005 A10 DI.986.008.005A10 00:00:00 = BELGIQUE;WALLONIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +VDE-30429 D303M DI.986.008.005 A14 DI.986.008.005A14 00:00:00 = BELGIQUE;FLANDRE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1951 0 EUROPE +VDE-30429 D303M DI.986.008.005 B01 DI.986.008.005B01 00:00:00 = GB;IRLANDE DU N. COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1949 0 EUROPE +VDE-30429 D303M DI.986.008.005 B07 DI.986.008.005B07 00:00:00 = GB;PAYS DE GALLES COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1948 0 EUROPE +VDE-30429 D303M DI.986.008.005 B11 DI.986.008.005B11 00:00:00 = GB;ANGLETERRE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: V-EUROPE 3 Sous-table non exportée Sous-table non exportée 1949 0 EUROPE +VDE-30430 D303M DI.986.008.006 A01 DI.986.008.006A01 00:00:00 N SUISSE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-30430 D303M DI.986.008.006 A04 DI.986.008.006A04 00:00:00 = ALLEMAGNE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée 1953 0 EUROPE +VDE-30430 D303M DI.986.008.006 A11 DI.986.008.006A11 00:00:00 = AUTRICHE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée 1941 0 EUROPE +VDE-30430 D303M DI.986.008.006 B01 DI.986.008.006B01 00:00:00 = NORVEGE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée 1953 0 EUROPE +VDE-30430 D303M DI.986.008.006 B09 DI.986.008.006B09 00:00:00 = URSS;RSS ESTONIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée 1939 0 EUROPE +VDE-30430 D303M DI.986.008.006 B16 DI.986.008.006B16 00:00:00 = URSS;RSFS RUSSIE COLLECTION UNIVERSELLE DE M. POPULAIRE ENREGISTREE: VI-EUROPE 4 Sous-table non exportée Sous-table non exportée 1939 0 EUROPE +GF-526 D2578M DI.986.010.001 A01 DI.986.010.001A01 00:00:00 VIETNAM CHINH PHU NGAM Sous-table non exportée Sous-table non exportée 0 0 ASIE +DCP-1 CD DI.986.011.001 U01 DI.986.011.001U01 00:00:00 n PEROU PERU. AYARACHI & CHIRIGUANO Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +DCP-1 CD DI.986.011.001 U02 DI.986.011.001U02 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO TONO DEL CONDOR N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U03 DI.986.011.001U03 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO CACHARPARI N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U04 DI.986.011.001U04 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO CHOQUI CHAMPI N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U05 DI.986.011.001U05 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO TONO DE LA BANDERA N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U06 DI.986.011.001U06 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO YAPAYKUY BANDERA Y CACHARPARI N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U07 DI.986.011.001U07 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO KENAS DE PARATIA N Sous-table non exportée AYARACHI Sous-table non exportée AFT-Flûte emb term autre = flûte à encoche BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U08 DI.986.011.001U08 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO PILLI T'IKA N Sous-table non exportée AYARACHI Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U09 DI.986.011.001U09 00:00:00 01/01/81 PEROU HUANCANE AYMARA PERU. AYARACHI & CHIRIGUANO CHIRIGUANO DE SUAQUELLO N Sous-table non exportée CHIRIGUANO Sous-table non exportée BELLENGUER, XAVIER 1981 0 AMERIQUE +DCP-1 CD DI.986.011.001 U10 DI.986.011.001U10 00:00:00 01/01/81 PEROU PUNO QUECHUA PERU. AYARACHI & CHIRIGUANO AYAR T'INKACHI N Sous-table non exportée AYARACHI Sous-table non exportée Groupe instr BELLENGUER, XAVIER 1981 0 AMERIQUE +H-07036 D303S DI.986.012.001 A01 DI.986.012.001A01 00:00:00 n NORVEGE PA LANGELEILK Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-30477/78 D303M DI.986.013.001/02 A01 DI.986.013.001/02A01 00:00:00 n SUISSE MUSIQUE POPULAIRE SUISSE Sous-table non exportée Sous-table non exportée -1 0 EUROPE +1361031 D303S DI.986.014.001 A01 DI.986.014.001A01 00:00:00 n SCANDINAVIE(PREHISTO MUSICA SVECIAE. FORNNORDISKA KLANGER Sous-table non exportée Sous-table non exportée -1 0 EUROPE +ESP-8433 D303S DI.986.015.001 A01 DI.986.015.001A01 00:00:00 n TIBET ACHE LHAMO.THEATRE MUSICAL TIBETAIN "PRINCE NORSANG" Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-L-2312 D303S DI.986.016.001 A01 DI.986.016.001A01 00:00:00 n SOUDAN SUDAN 1. MUSIC OF THE BLUE NILE PROVINCE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +72848/57 D303S DI.986.016.002/11 A01 DI.986.016.002/11A01 00:00:00 N MONDE ARABE MUSIQUE ARABE COMPAREE Sous-table non exportée Sous-table non exportée -1 0 ASIE +MCM-002 D303S DI.986.016.012 A01 DI.986.016.012A01 00:00:00 n INDE INDE. KAWWALI CHANT SOUFI* Sous-table non exportée Sous-table non exportée -1 0 ASIE +2403201 D303S DI.986.016.013 A01 DI.986.016.013A01 00:00:00 N INDONESIE;JAVA JAVA. MUSIC OF THE THEATRE Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-SL-2570 D303S DI.986.016.014 A01 DI.986.016.014A01 00:00:00 N INDONESIE;BALI RITUAL MUSIC FROM BALI* Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-SL-2572 D303S DI.986.016.015 A01 DI.986.016.015A01 00:00:00 N THAILANDE THE MUSIC OF THE LA'HU-NYI IN NORTHERN THAILAND Sous-table non exportée Sous-table non exportée -1 0 ASIE +H-72072 D303S DI.986.016.016 A01 DI.986.016.016A01 00:00:00 N JAPON JAPAN. TRADITIONAL VOCAL & INSTRUMENTAL MUSIC Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-6050 D253M DI.986.017.001 A01 DI.986.017.001A01 00:00:00 n USA THE SONG OF INDIAN-AMERICAN INDIAN SONGS & CHANTS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +IZ-217-D D303S DI.986.018.001 A01 DI.986.018.001A01 00:00:00 N ESPAGNE BASQUE EUSKAL HERRIKO SOINU TRESNAK Sous-table non exportée Sous-table non exportée -1 0 EUROPE +IZ-206-D D303S DI.986.018.002 A01 DI.986.018.002A01 00:00:00 n ESPAGNE BASQUE TXANBELA Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-74865 D303S DI.987.001.001 A01 DI.987.001.001A01 00:00:05 01/01/83 PHILIPPINES PALAWAN, VILLAGE TARUWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAT PAKPAT AT MANUK ARIETTE DU CAQUETTEMENT D'UNE GELINETTE N Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée Cf. Bibliographie importante dans la notice. REVEL-MACDONALD N., MACEDA J. 1983 0 ASIE +LDX-74865 D303S DI.987.001.001 A02 DI.987.001.001A02 00:00:03 01/01/83 PHILIPPINES PALAWAN, VILLAGE TARUWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAL NI BARANGAJAN ARIETTE DE BARANGAJAN N.D. Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée CF.A1 CF.A1 REVEL-MACDONALD N., MACEDA J. 1983 0 ASIE +LDX-74865 D303S DI.987.001.001 A03 DI.987.001.001A03 00:00:03 01/06/70 PHILIPPINES PALAWAN, VILLAGE TABUD PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAL AT TAW AT SULUK ARIETTE DES GENS DE SOULOU INCONNU Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée LES K° SONT LA FORME LA PLUS RECENTE DU LRISME AMOUREUX• CF. A1 REVEL-MACDONALD N., MACEDA J. 1970 0 ASIE +LDX-74865 D303S DI.987.001.001 A04 DI.987.001.001A04 00:00:04 01/03/72 PHILIPPINES PALAWAN, VILLAGE TABUD PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAL AT PUGUQ ARIETTE DE LA PETITE CAILLE N Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée LES K° SONT LA FORME LA PLUS RECENTE DU LRISME AMOUREUX• CF. A1 REVEL-MACDONALD N., MACEDA J. 1972 0 ASIE +LDX-74865 D303S DI.987.001.001 A05 DI.987.001.001A05 00:00:03 01/07/78 PHILIPPINES PALAWAN, VILLAGE TABUD PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAL NI LIGAL ARIETTE DE LIGAL INCONNU Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée LES K° SONT LA FORME LA PLUS RECENTE DU LRISME AMOUREUX• CF. A1 REVEL-MACDONALD N., MACEDA J. 1978 0 ASIE +LDX-74865 D303S DI.987.001.001 A06 DI.987.001.001A06 00:00:01 01/01/72 PHILIPPINES PALAWAN, VILLAGE BUNGSUD PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN SOLO DE CITHARE PAGANG N.D. Sous-table non exportée N Sous-table non exportée MACEDA, J. "DRONE & MELODY IN PHILIPPINE MUSICAL INSTRUMENT". COMMUNICATION PRESENTE AU CONGRES SUR LE THEATRE TRADITIONNEL ET LA MUSIQUE SUD-EST ASIATIQUE, KUALA LUMPUR, 1974• REVEL-MACDONALD N., MACEDA J. 1972 0 ASIE +LDX-74865 D303S DI.987.001.001 A07 DI.987.001.001A07 00:00:03 01/06/83 PHILIPPINES PALAWAN, VILLAGE TARUWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN KULILAL NI MANISI ARIETTE DE MANISI N.D. Sous-table non exportée KULILAL LYRISME AMOUREUX Sous-table non exportée CF.A1 CF.A1 REVEL-MACDONALD N., MACEDA J. 1983 0 ASIE +LDX-74865 D303S DI.987.001.001 B01A DI.987.001.001B01A 00:00:01 01/01/70 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN BAGIT SINILIRAN AT BUNGAW LA DANSE DU DEMON BUNGAW N.D. Sous-table non exportée N Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1970 0 ASIE +LDX-74865 D303S DI.987.001.001 B01B DI.987.001.001B01B 00:00:25 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN BAGIT BUJAGSAG L'OISEAU MANGEUR DE BAIES N.D Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01C DI.987.001.001B01C 00:00:57 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN IRANG LE CHIEN N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01D DI.987.001.001B01D 00:00:42 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN LINUWAJAN BALANCEMENT AU FAITE DES ARBRES N.D. Sous-table non exportée N Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01E DI.987.001.001B01E 00:00:44 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN ARINDANAUM LA MOUCHE NECROPHAGE N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01F DI.987.001.001B01F 00:00:49 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN LINANGKJAN AT TAN AT KAKAJUWAN LES HOMMES DE LA FORET PILLENT N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01G DI.987.001.001B01G 00:00:59 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN ARINDANAUM LA MOUCHE NECROPHAGE N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01H DI.987.001.001B01H 00:01:52 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN SAPAD AT SAMURUQ L'OISEAU COUTURIER DE SAMURUQ N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B01I DI.987.001.001B01I 00:00:42 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN TANGUK LE LORIOT N.D. Sous-table non exportée Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02A DI.987.001.001B02A 00:01:40 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: TANGUK LE LORIOT N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02B DI.987.001.001B02B 00:00:32 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: DANG LAT AT BINSAG FRICTION DE LA LIANE BINSAG N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02C DI.987.001.001B02C 00:00:29 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: LINGGAWUNG LE CHARANCON DES PALMIERS N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02D DI.987.001.001B02D 00:00:22 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: AMBAHAWAN LE PIGEON N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02E DI.987.001.001B02E 00:00:32 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: LUMALIBANG L'OISEAU SIFFLEUR A TETE ROUGE N.D. Sous-table non exportée N Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02F DI.987.001.001B02F 00:00:22 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: ALUPJAN LE SCOLOPENDRE N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B02G DI.987.001.001B02G 00:00:17 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR GUIMBARDE: TALI-TALI TINUWARAN CRI D'ARBRE SE DECHIRANT N.D. Sous-table non exportée Sous-table non exportée [G. EN BAMBOU OU EN METAL?] TQH REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B03 DI.987.001.001B03 00:00:02 01/01/89 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN PIECE POUR PETITE FLUTE A BAGUE L'OISEAU SIFFLEUR A TETE ROUGE N.D. Sous-table non exportée N Sous-table non exportée Flûte "BABARAK": à bague• Solo instr REVEL-MACDONALD N., MACEDA J. 1989 0 ASIE +LDX-74865 D303S DI.987.001.001 B04 DI.987.001.001B04 00:00:10 01/01/70 PHILIPPINES PALAWAN PALAWAN PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN BASAL; TAMWAJ AT AMPUQ AT PARAJ ENS. DE GONGS; LA COMMEMORATION DU MAITRE DU RIZ N. Sous-table non exportée N Sous-table non exportée REVEL-MACDONALD N., MACEDA J. 1970 0 ASIE +ATP-86.1/2 D303M DI.987.003.001/02 A01 DI.987.003.001/02A01 00:00:00 N ANTILLES FRANCAISES GUADELOUPE MUSIQUE DE LA COTE SOUS LE VENT (GUADELOUPE) N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +ESP-8417 D303S DI.987.004.001 A01 DI.987.004.001A01 00:00:00 N CHINE CHINE DU NORD. MUSIQUE DU THEATRE D'OMBRES * Sous-table non exportée Sous-table non exportée -1 0 ASIE +558701 D303S DI.987.005.001 A01 DI.987.005.001A01 00:00:00 N COREE DU SUD COREE. M. INSTRUMENTALE DE LA TRADITION CLASSIQUE* Sous-table non exportée Sous-table non exportée -1 0 ASIE +LLST-7401 D303S DI.987.006.001 A01 DI.987.006.001A01 00:00:00 n REP D'AFRIQUE DU SUD ZULU SONGS FROM SOUTH AFRICA Sous-table non exportée Sous-table non exportée 1982 0 AFRIQUE +FE-4070 D303M DI.987.006.002 A01 DI.987.006.002A01 00:00:00 N USA;ALASKA MUSIC OF THE KUTCHIN INDIANS OF ALASKA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +FE-4028 D303S DI.987.006.003 A01 DI.987.006.003A01 00:00:00 N INDE;MADHYA PRADESH TRIBAL MUSIC OF INDIA * Sous-table non exportée Sous-table non exportée -1 0 ASIE +BGRP-1027/28 D303S DI.987.006.004/05 A01 DI.987.006.004/05A01 00:00:00 N INDE ALATHUR SRINIVASA IYER.VOCAL Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-SL-2571 D303S DI.987.006.006 A01 DI.987.006.006A01 00:00:00 N INDONESIE;BALI RITUAL MUSIC FROM BALI II. * Sous-table non exportée Sous-table non exportée -1 0 ASIE +2602821 D303S DI.987.006.007 A01 DI.987.006.007A01 00:00:00 N VIETNAM VIETNAM II/COURT THEATRE MUSIC/HAT BOI N Sous-table non exportée Sous-table non exportée -1 0 ASIE +BM-30-SL-2702 D303S DI.987.006.008 A01 DI.987.006.008A01 00:00:00 n PAPOUASIE-NLE-GUINEE THE KALULI OF PAPUA NIUGINI. WEEPING AND SONG Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM-30-SL-2703 D303S DI.987.006.009 A01 DI.987.006.009A01 00:00:00 n PAPOUASIE-NLE-GUINEE THE HULI OF PAPUA NIUGINI Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +BM-30-SL-2704 D303S DI.987.006.010 A01 DI.987.006.010A01 00:00:00 n PAPOUASIE-NLE-GUINEE THE ABELAM OF PAPUA NIUGINI Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +C-558672 CD DI.987.006.011 U01 DI.987.006.011U01 00:00:00 N INDE INDE DU NORD. PANDIT BALARAM PATHAK Sous-table non exportée Sous-table non exportée -1 0 ASIE +MC-18 D303S DI.987.007.001/02 A01 DI.987.007.001/02A01 00:00:00 1976-78 INDONESIE;SUMATRA GENDANG KARO. NORD SUMATRA Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-30-17223-24 D303S DI.987.009.001 A01 DI.987.009.001A01 00:00:00 AZERBAIDJAN MAQAM D'AZERBAIDJAN Sous-table non exportée Sous-table non exportée 0 ASIE +M-3047.499/500 D303S DI.987.009.002 A01 DI.987.009.002A01 00:00:00 n URSS;RSS OUZBEKISTAN MUSIQUE INSTRUMENTALE D'UZBEKISTAN, VOL. 1 Sous-table non exportée Sous-table non exportée -1 0 ASIE +M-3047.501/02 D303S DI.987.009.003 A01 DI.987.009.003A01 00:00:00 n URSS;RSS OUZBEKISTAN MUSIQUE INSTRUMENTALE D'UZBEKISTAN, VOL. 2 Sous-table non exportée Sous-table non exportée -1 0 ASIE +M-3047.503/04 D303S DI.987.009.004 A01 DI.987.009.004A01 00:00:00 n URSS;RSS OUZBEKISTAN MUSIQUE INSTRUMENALE D'UZBEKISTAN VOL. 3 Sous-table non exportée Sous-table non exportée -1 0 ASIE +PSJ-86 D303S DI.987.009.005 A01 DI.987.009.005A01 00:00:00 n POLOGNE POLSKA Sous-table non exportée Sous-table non exportée -1 0 EUROPE +PSJ-87 D303S DI.987.009.006 A01 DI.987.009.006A01 00:00:00 1974-79 POLOGNE POLSKA Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SX-2348/49 D303S DI.987.009.007/08 A01 DI.987.009.007/08A01 01:00:00 1974-75 POLOGNE RZESZOWSKIE WIES PIATKOWA. POLISH FOLK MUSIC Sous-table non exportée Sous-table non exportée -1 0 EUROPE +X-0876 D303S DI.987.009.009 A01 DI.987.009.009A01 00:00:00 N POLOGNE KAPELE RZESZOWSKIE. POLSKI FOLKLOR MUZYCZNY, VOL.2 Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SX-1125/26 D303S DI.987.009.010/11 A01 DI.987.009.010/11A01 00:00:00 1950-74 POLOGNE GRAJCIE BUDY. GRAJCIE BASY. POLISH FOLK MUSIC Sous-table non exportée Sous-table non exportée 1534 0 EUROPE +WH-2001 D303S DI.987.010.001 A01 DI.987.010.001A01 00:00:00 ID TIBET THE GYUTO MONKS: TIBETAN TANTRIC CHOIR Sous-table non exportée Sous-table non exportée 1986 0 ASIE +EPE-02095 D303M DI.987.011.001 A01 DI.987.011.001A01 00:00:00 1939-41 ROUMANIE I.OLTENIA (1) Sous-table non exportée Sous-table non exportée 2667 0 EUROPE +EPE-02164 D303M DI.987.011.002 A01 DI.987.011.002A01 00:00:00 N ROUMANIE BUCOVINA Sous-table non exportée Sous-table non exportée -1 0 EUROPE +EPE-02232 D303M DI.987.011.003 A01 DI.987.011.003A01 00:00:00 N ROUMANIE BIHOR.ARAD Sous-table non exportée Sous-table non exportée -1 0 EUROPE +EPE-02307 D303M DI.987.011.004 A01 DI.987.011.004A01 00:00:00 N ROUMANIE ILFOV-VLASCA-TELEORMAN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +EPE-02412 D303M DI.987.011.005 A01 DI.987.011.005A01 00:00:00 N ROUMANIE CIMPIA TRANSILVANIEI Sous-table non exportée Sous-table non exportée -1 0 EUROPE +EPE-02557 D303M DI.987.011.006 A01 DI.987.011.006A01 00:00:00 N ROUMANIE MARAMURES-OAS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LLST-7396 D303S DI.987.012.002 A01 DI.987.012.002A01 00:04:36 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY L'EAU QUI COULE, LES MESURES EGALES, LES SAPEQUES D'OR LUU THUY, BINH BAN, KIM TIEN Sous-table non exportée TRIO INSTRUMENTAL Sous-table non exportée Divertissement Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). L'auteur du texte ne mentionne pas les noms des musiciens qui jouent de tel ou tel instrument. Il n'a pas parlé du système de re-recording quan un musicien joue de deux instruments pour le même pièce. Rythme libre puis mesuré• PHAM ANH DUNG, FRANCE 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 A02 DI.987.012.002A02 00:03:19 n VIETNAM CENTRE VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY LE NUAGE PASSE HANH VAN Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Divertissement Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• MAISON DES CULTURES DU MONDE, PARIS 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 A03 DI.987.012.002A03 00:03:02 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY VOYAGE PAR VOIE DE TERRE, VERSION COURTE PHU LUC CHAN Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Divertissement Luth 4C "DAN TY BA": caisse piriforme. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 A04 DI.987.012.002A04 00:03:26 n VIETNAM CENTRE VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY VILLAGE VI DA THON VI DA Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• PHAM ANH DUNG 1984 0 ASIE +LLST-7396 D303S DI.987.012.002 A05 DI.987.012.002A05 00:02:42 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY LES LAMENTATIONS DU SUD NAM AI Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1984 0 ASIE +LLST-7396 D303S DI.987.012.002 A06 DI.987.012.002A06 00:03:43 n VIETNAM NORD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY TRISTESSE NOCTURNE DEM BUON Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Déclamation poétique dans le style Sa Mac Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 A07 DI.987.012.002A07 00:01:15 n VIETNAM NORD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE QUA CAU GIO BAY Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée Air populaire arrangé pour deux cithares Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm).Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B01 DI.987.012.002B01 00:05:35 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY HISTOIRE DE BA NHA ET TU KY BA NHA TU KY Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Paroles sur l'air de la pièce Luu Thuy Truong (l'eau qui coule, version longue) Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B02 DI.987.012.002B02 00:04:40 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY RENCONTRE AMICALE TRI AM TUONG NGO Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant sur l'air de phu luc (voyage par voie de terre) Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B03 DI.987.012.002B03 00:04:15 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY VAN THIEN TUONG, SECTION DUNG VAN THIEN TUONG, LOP DUNG Sous-table non exportée TRIO INSTRUMENTAL Sous-table non exportée Une section de la longue pièce Van Thien Tuong a été jouée Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B04 DI.987.012.002B04 00:02:54 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY CINQ OPPOSE, VERSION 2 NGU DOI HA Sous-table non exportée TRIO INSTRUMENTAL Sous-table non exportée Seule la 2è section a été jouée Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B05 DI.987.012.002B05 00:03:23 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY DOULEUR MUETTE NGAM NGUI Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Déclamation poétique dans le style tao dàn Cithare/table "DAN BAU": 1C. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre• PHAM ANH DUNG 1983 0 ASIE +LLST-7396 D303S DI.987.012.002 B06 DI.987.012.002B06 00:01:20 n VIETNAM SUD VIETNAM VIETNAMIENS TRADITIONAL MUSIC OF VIETNAM. INSTRUMENTAL, ART SONGS,POETRY LE CHANT DU RALE D'EAU LY CHIM QUYEN Sous-table non exportée DUO INSTRUMENTAL Sous-table non exportée chant populaire arrangé pour deux cithares Cithare "DAN TRANH": 17C métal, pincées. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme mesuré• PHAM ANH DUNG 1983 0 ASIE +72093-1 D303S DI.987.012.003 A01 DI.987.012.003A01 00:00:00 1983 COREE DU SUD SAMUL-NORI. DRUMS AND VOICES OF KOREA Sous-table non exportée Sous-table non exportée 1983 0 ASIE +4008 D303M DI.987.012.004 A01 DI.987.012.004A01 00:00:00 IDEM CHINE CHINA. MUSIC FROM THE PEOPLE'S REPUBLIC OF CHINA Sous-table non exportée Sous-table non exportée 1976 0 ASIE +4031921 D303S DI.987.012.005 A01 DI.987.012.005A01 00:00:00 IDEM ESPAGNE POR SOLEARES Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +4031981 D303S DI.987.012.006 A01 DI.987.012.006A01 00:00:00 N ESPAGNE POR TONAS, DEBLAS Y MARTINETES Sous-table non exportée Sous-table non exportée 1985 0 EUROPE +150002 D303S DI.987.012.007 A01 DI.987.012.007A01 00:00:00 N ESPAGNE POR ALEGRIAS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +4031991 D303S DI.987.012.008 A01 DI.987.012.008A01 00:00:00 N ESPAGNE POR SAETAS Sous-table non exportée Sous-table non exportée 1985 0 EUROPE +4031911 D303S DI.987.012.009 A01 DI.987.012.009A01 00:00:00 N ESPAGNE POR BULERIAS Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +VDR-1019 CD DI.987.012.010 U01 DI.987.012.010U01 00:00:00 N JAPON NOHGAKU - BAYASHI Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDR-1021 CD DI.987.012.011 U01 DI.987.012.011U01 00:00:00 N JAPON GAGAKU Sous-table non exportée Sous-table non exportée -1 0 ASIE +MCM-460004 CD DI.987.012.012 U01 DI.987.012.012U01 00:00:00 N URSS;YAKOUTIE MS. DE LA TOUNDRA ET DE LA TAIGA Sous-table non exportée Sous-table non exportée -1 0 ASIE +MCM-460004 CD DI.987.012.012 U04 DI.987.012.012U04 00:00:00 N URSS;BOURIATIE MS. DE LA TOUNDRA ET DE LA TAIGA Sous-table non exportée Sous-table non exportée -1 0 ASIE +MCM-460004 CD DI.987.012.012 U06 DI.987.012.012U06 00:00:00 N URSS;SIBERIE Sibérie orientale TOUNGOUZES MS. DE LA TOUNDRA ET DE LA TAIGA Sous-table non exportée Sous-table non exportée -1 0 ASIE +LLST-7357 D303S DI.987.012.014 A01 DI.987.012.014A01 00:00:00 n THAILANDE THAILAND. LAO MUSIC OF THE NORTHEAST Sous-table non exportée Sous-table non exportée -766 0 ASIE +INF-43 D173 DI.987.013.001 A01 DI.987.013.001A01 00:00:00 n BRESIL PONTEADOS DE VIOLA-SP Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +AST-4002 D303S DI.987.014.001 A01 DI.987.014.001A01 00:00:00 n CHINE THE MUSIC OF CHINA II Sous-table non exportée Sous-table non exportée 1969 0 ASIE +T-007 D303S DI.987.014.002 A01 DI.987.014.002A01 00:00:00 n BRESIL MUSICA INDIGENA. A ARTE VOCAL DOS SUYA Sous-table non exportée Sous-table non exportée -670 0 AMERIQUE +MCM-160001/02 D303S DI.987.015.001/02 :01A01 DI.987.015.001/02:01A01 00:00:00 n PAKISTAN MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160001/02 D303S DI.987.015.001/02 :01A03 DI.987.015.001/02:01A03 00:00:00 n TURQUIE MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160001/02 D303S DI.987.015.001/02 :01B01 DI.987.015.001/02:01B01 00:00:00 n INDE MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160001/02 D303S DI.987.015.001/02 :02A01 DI.987.015.001/02:02A01 00:00:00 n INDONESIE MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160001/02 D303S DI.987.015.001/02 :02B02 DI.987.015.001/02:02B02 00:00:00 n MALAYSIA MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160001/02 D303S DI.987.015.001/02 :02B03 DI.987.015.001/02:02B03 00:00:00 n BRUNEI MUSIQUES DE L'ISLAM D'ASIE** Sous-table non exportée Sous-table non exportée 1986 0 ASIE +MCM-160003 D303S DI.987.015.003 A01 DI.987.015.003A01 00:00:00 n GRECE;EPIRE MUSICIENS DE ZAGORI. EPIRE Sous-table non exportée Sous-table non exportée -1877 0 EUROPE +558515 D303S DI.987.015.004 A01 DI.987.015.004A01 00:00:00 n GABON GABON. CHANTRES DU QUOTIDIEN. CHANTRES DE L'EPOPEE Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +558516 D303S DI.987.015.005 A01 DI.987.015.005A01 00:00:00 n INDE INDE DU NORD MITHILA. CHANTS D'AMOUR DE VIDYAPATI Sous-table non exportée Sous-table non exportée 1974 0 ASIE +558520 D303S DI.987.015.006 A01 DI.987.015.006A01 00:00:00 n FRANCE;AUVERGNE AUVERGNE. LOUISE REICHERT. LES TRADI. POPUL. EN FRANCE.VOL. Sous-table non exportée Sous-table non exportée 1976 0 EUROPE +558536 D303S DI.987.015.007 A01 DI.987.015.007A01 00:00:00 n CAMEROUN OPERA DU CAMEROUN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558552 D303S DI.987.015.008 A01 DI.987.015.008A01 00:00:00 n SRI LANKA SRI LANKA. MUSIQUES RITUELLES ET RELIGIEUSES Sous-table non exportée Sous-table non exportée 1979 0 ASIE +558553 D303S DI.987.015.009 A01 DI.987.015.009A01 00:00:00 n MALDIVES MALDIVES.VOL. 1. CHANTS ET PERCUSSIONS DES MALDIVES Sous-table non exportée Sous-table non exportée -1069 0 ASIE +558560 D303S DI.987.015.010 A01 DI.987.015.010A01 00:00:00 n MAROC MAROC/1-MUSIQUE TACHELHIT: RAIS LHAJ AOMAR OUAN ROUCH Sous-table non exportée Sous-table non exportée 1979 0 AFRIQUE +558569 D303M DI.987.015.011 A01 DI.987.015.011A01 00:00:00 n GABON GABON. LES MUSICIENS DE LA FORET, VOL. 1 Sous-table non exportée Sous-table non exportée 1979 0 AFRIQUE +558582 D303S DI.987.015.012 A01 DI.987.015.012A01 00:00:00 n INDONESIE;BALI BALI. SEBATU. LES DANSES MASQUEES Sous-table non exportée Sous-table non exportée 1977 0 ASIE +558587 D303S DI.987.015.013 A01 DI.987.015.013A01 00:00:00 n MAROC MAROC, VOL. 2. MOYEN ATLAS : MUSIQUE SACREE ET PROFANE Sous-table non exportée Sous-table non exportée 1981 0 AFRIQUE +558599 D303S DI.987.015.014 A01 DI.987.015.014A01 00:00:00 n BANGLADESH BANGLADESH. LES GAROS DE LA FORET DE MADHUPUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +558601 D303S DI.987.015.015 A01 DI.987.015.015A01 00:00:00 n MAURICE ILE MAURICE.* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +558603 D303S DI.987.015.016 A01 DI.987.015.016A01 00:00:00 n FRANCE;BRETAGNE BREIZH. BRETAGNE : MARI HARNAY Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +558604 D303S DI.987.015.017 A01 DI.987.015.017A01 00:00:00 n FRANCE;BEARN BEARN/BIARN : VEILLEES EN VALLEE D'OSSAU Sous-table non exportée Sous-table non exportée 1981 0 EUROPE +558605 D303S DI.987.015.018 A01 DI.987.015.018A01 00:00:00 n FRANCE;VENDEE VENDEE LE MARAIS. PIERRE BURGAUD Sous-table non exportée Sous-table non exportée 19890 0 EUROPE +558630 D303S DI.987.015.020 A01 DI.987.015.020A01 00:00:00 n MADAGASCAR MADAGASCAR. MUSIQUES DU SUD. L'ART DU LOKANGA Sous-table non exportée Sous-table non exportée 1983 0 AFRIQUE +558660 D303S DI.987.015.021 A01 DI.987.015.021A01 00:00:00 n MONGOLIE (REP POPU) MONGOLIE. CHANTS KAZAKHS & TRADITION EPIQUE DE L'OUEST Sous-table non exportée Sous-table non exportée 1984 0 ASIE +558662/63 D303S DI.987.015.022/23 A01 DI.987.015.022/23A01 00:00:00 n MALI MALI. LA NUIT DES GRIOTS Sous-table non exportée Sous-table non exportée 1983 0 AFRIQUE +MCM-003 D303S DI.987.015.024 A01 DI.987.015.024A01 00:00:00 Sept.1985 INDE;Nagaland INDE. NAGALAND. CHANT DES TRIBUS SEMA ET ZELIANG Sous-table non exportée Sous-table non exportée N 1985 0 ASIE +LDX-74005 D303 DI.987.015.025 A01 DI.987.015.025A01 00:00:00 n URSS;RSS LITUANIE LITUANIE. MOLDAVIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74005 D303 DI.987.015.025 B01 DI.987.015.025B01 00:00:00 n URSS;RSS MOLDAVIE LITUANIE. MOLDAVIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74006 D303 DI.987.015.026 A01 DI.987.015.026A01 00:00:00 n URSS;RSS ESTONIE ESTONIE.LETTONIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74006 D303 DI.987.015.026 B01 DI.987.015.026B01 00:00:00 n URSS;RSS LETTONIE ESTONIE.LETTONIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74007 D303 DI.987.015.027 A01 DI.987.015.027A01 00:00:00 n KAZAKHSTAN KAZAKHSTAN. KIRGHIZISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74007 D303 DI.987.015.027 B01 DI.987.015.027B01 00:00:00 n URSS;RSS KIRGHIZISTAN KAZAKHSTAN. KIRGHIZISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74008 D303 DI.987.015.028 A01 DI.987.015.028A01 00:00:00 n AZERBAIDJAN AZERBAIDJAN. TURKMENISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74008 D303 DI.987.015.028 B01 DI.987.015.028B01 00:00:00 n TURKMENISTAN AZERBAIDJAN. TURKMENISTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74009 D303 DI.987.015.029 A01 DI.987.015.029A01 00:01:12 n URSS;CAUCASE N. CAUCASE CAUCASE DU NORD. VOLGA. OURAL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-74009 D303 DI.987.015.029 B01 DI.987.015.029B01 00:00:00 n URSS;MARIIS CAUCASE DU NORD. VOLGA. OURAL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74009 D303 DI.987.015.029 B07 DI.987.015.029B07 00:00:00 n URSS;TCHOUVACHIE CAUCASE DU NORD. VOLGA. OURAL Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-74009 D303 DI.987.015.029 B10 DI.987.015.029B10 00:00:00 n URSS;RA TATAR CAUCASE DU NORD. VOLGA. OURAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74009 D303 DI.987.015.029 B11 DI.987.015.029B11 00:00:00 n FED.RUSSIE;BACHKIRIE CAUCASE DU NORD. VOLGA. OURAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 A01 DI.987.015.030A01 00:00:00 n URSS;ALTAI SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 A07 DI.987.015.030A07 00:00:00 n URSS;RA TOUVA SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 A12 DI.987.015.030A12 00:00:00 n FED.RUSSIE;KHAKASSIE SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 A14 DI.987.015.030A14 00:00:00 n URSS;YAKOUTIE SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 B01 DI.987.015.030B01 00:00:00 n URSS;BOURIATIE SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 B06 DI.987.015.030B06 00:00:00 n URSS;SIBERIE SIBERIE EXTREME OREINTALE SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-74010 D303 DI.987.015.030 B07 DI.987.015.030B07 00:00:00 n URSS;SIBERIE SIBERIE OCCIDENTALE SIBERIE. EXTREME ORIENT. EXTREME NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-558658 CD DI.987.015.031 U01 DI.987.015.031U01 00:00:00 N PAKISTAN NUSRAT FATEH ALI KHAN EN CONCERT A PARIS, VOL 1 Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-558657 CD DI.987.015.032 U01 DI.987.015.032U01 00:00:00 N JAPON JAPON 7: SHOMYO. CHANT LITURGIQUE BOUDDHIQUE Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-558659 CD DI.987.015.033 U01 DI.987.015.033U01 00:00:00 N PAKISTAN NUSRAT FATEH ALI KHAN EN CONCERT A PARIS, VOL 2 Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559005 CD DI.987.015.034 U01 DI.987.015.034U01 00:00:00 N JAPON JAPON: M DU NO. SHAKKYO. PONT EN PIERRE Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559007 CD DI.987.015.035 U01 DI.987.015.035U01 00:00:00 N ZAIRE ZAIRE. M URBAINES A KINSHASA Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-559016 CD DI.987.015.036 U01 DI.987.015.036U01 00:00:00 N MAROC MAROC: M CLASSIQUE ANDALOU-MAGREBINE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-558678 CD DI.987.015.037 U01 DI.987.015.037U01 00:00:00 N LIBAN ARCHIVES DE LA MUSIQUE ARABE, VOL1 Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-558678 CD DI.987.015.037 U02 DI.987.015.037U02 00:00:00 N SYRIE ARCHIVES DE LA MUSIQUE ARABE, VOL1 Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-558678 CD DI.987.015.037 U03 DI.987.015.037U03 00:00:00 N EGYPTE ARCHIVES DE LA MUSIQUE ARABE, VOL1 Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +MC-4 D303S DI.988.001.001/02 A01 DI.988.001.001/02A01 00:00:00 1982-85 COTE D'IVOIRE MUSIK DER SENUFO. ELFENBEINKUSTE Sous-table non exportée Sous-table non exportée -1677 0 AFRIQUE +PS-65020 CD DI.988.002.001 U01 DI.988.002.001U01 00:16:14 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN NOM D'UN GENERAL QUI S'APPELLE VAN THIEN TUONG =*TR VAN THIEN TUONG Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Trân quang Hai: "La musique du Vietnam", Musique et Culture (30)8:20p. Strasbourg, 1985. Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO SYSMOS, PARIS 1987 0 ASIE +PS-65020 CD DI.988.002.001 U02 DI.988.002.001U02 00:04:22 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN PROMENADE PRINTANIERE DE KIEU=*TR KIEU DU XUAN Sous-table non exportée DECLAMATION POETIQUE Sous-table non exportée Un des styles déclamatoires de poésie, surtout pour ce roman versifié du plus grand poète vietnamien Nguyên Du Cithare "DAN TRANH": 17C métal, pincées. Rythme libre• STUDIO SYSMOS, PARIS 1987 0 ASIE +PS-65020 CD DI.988.002.001 U03 DI.988.002.001U03 00:01:24 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LA CUEILLETTE DES FLEURS=*TR HAI HOA Sous-table non exportée CHT DE TRAVAIL Sous-table non exportée voir disque PLAYASOUND PS 33514 A1 (support Di.979.022.001). Rythme binaire• 1979 0 ASIE +PS-65020 CD DI.988.002.001 U04 DI.988.002.001U04 00:02:13 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR QUA CAU GIO BAY=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001A2• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U05 DI.988.002.001U05 00:01:05 n VIETNAM CENTRE VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN CHANT DES TERRASSIERS=*TR HO HUI=*TRS Sous-table non exportée CHT RESPONSORIAL Sous-table non exportée voir disque Di.979.022.001A3. Rythme binaire• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U06 DI.988.002.001U06 00:02:14 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LE CHANT DU MERLE=*TR LY CON SAO=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001A4• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U07 DI.988.002.001U07 00:01:32 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN BERCEUSE=*TR AU O VI DAU=*TRS Sous-table non exportée BERCEUSE Sous-table non exportée voir disque Di.979.022.001A5. Rythme libre• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U08 DI.988.002.001U08 00:01:49 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LE VENT D'AUTOMNE=*TR GIO MUA THU=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée chant de théâtre utilisé comme berceuse Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001A• STUDIO CROIX NIVERT,PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U09 DI.988.002.001U09 00:02:04 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LE CHANT DU CHEVAL NOIR=*TR LY NGUA O=*TRS Sous-table non exportée CHT D'AMOUR Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001A7• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U10 DI.988.002.001U10 00:05:40 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN L'EAU QUI COULE, LES MESURES EGALES, LES SAPEQUES D'OR=*TR LUU THUY, BINH BAN, KIM TIEN=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001A8• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U11 DI.988.002.001U11 00:06:53 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LA NOSTALGIE DU PASSE=*TR VONG CO=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001B1• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U12 DI.988.002.001U12 00:03:02 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN KHONG MINH ASSIS AU BALCON=*TR KHONG MINH TOA LAU=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré. Voir disque Di.979.022.001B2• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U13 DI.988.002.001U13 00:03:42 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LE CHANT DU MONOCORDE=*TR DOC HUYEN CAM KHUC=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée composition pour monocorde de trân quang hai Cithare/table "DAN BAU": 1C. Rythme libre puis mesuré. Voir disque Di.979.022.001B3• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +PS-65020 CD DI.988.002.001 U14 DI.988.002.001U14 00:02:53 n VIETNAM SUD VIETNAM VIETNAMIENS VIETNAM. REVES & REALITE. TRAN QUANG HAI & BACH YEN LES CINQ VEILLES=*TR NGU DIEM BAI TA*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Vièle 2C "DAN CO": archet pris. Rythme libre puis mesuré. Voir disque Di.979.022.001B5• STUDIO CROIX NIVERT, PARIS 1979 0 ASIE +FMSNSA-002 D303M DI.988.003.001 A01 DI.988.003.001A01 00:00:03 01/01/60 COLOMBIE AMAZONIE COLOMBIENNE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA EARLY MORNING BIRDSONG AND DEER-BONE FLUTE N Sous-table non exportée N Sous-table non exportée MOSER, B & TYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A02 DI.988.003.001A02 00:00:01 01/01/60 COLOMBIE AMAZONIE, A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA SNAIL-SCHELL FLUTE (SIHOO) N Sous-table non exportée N Sous-table non exportée n n MOSER, B & TAYLER, D 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A03 DI.988.003.001A03 00:00:01 01/01/60 COLOMBIE AMAZONIE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA PAIRED TORTOISE-SCHELLS (GOO) AND PAN-PIPES N Sous-table non exportée N Sous-table non exportée USAGE NON RITUEL Groupe instr MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A04 DI.988.003.001A04 00:00:01 01/01/60 COLOMBIE AMAZONIE COLOMBIENNE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA YUCA -PLANT SIEVING AND WASHING N Sous-table non exportée N Sous-table non exportée Enregistrement de la préparation de la yuca MOSER, BRIAN & TAYLER, D 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A05 DI.988.003.001A05 00:00:02 01/01/60 COLOMBIE AMAZONIE, A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA PAN-PIPES AND COCA POUNDING N Sous-table non exportée N Sous-table non exportée MOSER, B & TAYLER, D 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A06 DI.988.003.001A06 00:00:00 00/00/00 COLOMBIE AMAZONIE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA ELDER CHANTING ORIGINE MYTHS N Sous-table non exportée N Sous-table non exportée MOSER, B & TAYLER, D 0 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A07 DI.988.003.001A07 00:00:06 01/01/60 COLOMBIE AMAZONIE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA EAGLE DANSE (GAWETABASA) N Sous-table non exportée N Sous-table non exportée danse Choeur & instrs MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A08 DI.988.003.001A08 00:00:08 01/01/60 COLOMBIE AMAZONIE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA PAN-PIPE DANCE CHIRURU (TWO EXCERPTS) N Sous-table non exportée N Sous-table non exportée danse chiruru Groupe instr MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 A09 DI.988.003.001A09 00:00:01 01/01/60 COLOMBIE AMAZONIE A L'OUEST DU RIO NEGRO TUKANO MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA DISTANT SNAIL-SHELL FLUTE N Sous-table non exportée N Sous-table non exportée MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B01 DI.988.003.001B01 00:00:02 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA CONCH-SHELL TRUMPET, GREETING CHANT AND PAIRED FLUTES N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B02 DI.988.003.001B02 00:00:06 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA TWO SETS OF PAIRED PAN-PIPES N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B03 DI.988.003.001B03 00:00:02 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA WING-BONE DUCT FLUTE (KARLBEEBIL) AND SONG WITH END-BLOWN FL N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 Flûte"SUARA": à encoche Choeur & instrs MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B04 DI.988.003.001B04 00:00:01 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA YAYGANAGADI SONG N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 Flûtes "SUARA": à encoche, une à 5 trous, l'autre sans trou• Choeur & instrs MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B05 DI.988.003.001B05 00:00:02 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA 'DOG' DANCE WITH KULI PIPES N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte "SUARA" = flûte à encoche; "KULI": emb. simple• Choeur & instrs MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B06 DI.988.003.001B06 00:00:02 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA 'CHICKEN' DANCE AND PAN-PIPE DANCE N Sous-table non exportée N Sous-table non exportée Dance kanilnamaket Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B07 DI.988.003.001B07 00:00:03 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA KAMMU FLUTE AND NASIS GOURD MARACA N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 Flûte "SUARA": flûte à encoche; flûte "KAMMU": emb. simple, 2T• Choeur & instrs MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B08 DI.988.003.001B08 00:00:02 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA TWO CURING-SONGS AND A LULLABY N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B09 DI.988.003.001B09 00:00:04 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA PAN-PIPES TUNES N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-002 D303M DI.988.003.001 B10 DI.988.003.001B10 00:00:04 01/01/60 COLOMBIE A L'OUEST DU RIO ATRATO, PRES DE PANAMA KUNA MUSIC OF THE TUKANO AND CUNA PEOPLES OF COLOMBIA PAIRED PAN-PIPES WITH MARACA N Sous-table non exportée N Sous-table non exportée Tayler, Donald : The music of Some Indians Tribes of colombia. Brittish Institute of Recorded Sound. London 1972 AFT-Flûte emb term autre = flûte à encoche MOSER, B & TAYLER, D. 1960 0 AMERIQUE +FMSNSA-001 D303S DI.988.003.002 A01 DI.988.003.002A01 00:00:00 N MALI SIDIKI DIABATE AND ENSEMBLE BA TOGOMA. MANDING MUSIC FROM MALI Sous-table non exportée Sous-table non exportée 1987 0 AFRIQUE +DFS-2 D303M DI.988.004.001 A01 DI.988.004.001A01 00:00:00 1956-80 DANEMARK FLYV LILLE PAFUGL. TRADITIONAL SANG BLANDT BORN Sous-table non exportée Sous-table non exportée 928 0 EUROPE +DFS-1 D303M DI.988.004.002 A01 DI.988.004.002A01 00:00:00 n DANEMARK GLIMT AF DANSK FOLKEMUSIK Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DFS-3 D303M DI.988.004.003 A01 DI.988.004.003A01 00:00:00 N DANEMARK GO'MORGEN KARL BAJ Sous-table non exportée Sous-table non exportée 1958 0 EUROPE +C-30-1447-48 D303S DI.988.005.001 A01 DI.988.005.001A01 00:00:00 CHINE;XINJIANG OUIGOUR UIGUR ON IKKI MUKAMI PENJIGGGAH Sous-table non exportée Sous-table non exportée 0 ASIE +CETO-808 D303S DI.988.006.001 A01 DI.988.006.001A01 00:00:00 N SYRIE ALEP SYRIE-MUHAMAD QADRI DALAL. IMPROVISATIONS AU LUTH Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDECD-537 CD12/Coffret30cm DI.988.007.001 U01 DI.988.007.001U01 00:00:00 1933-43 ROUMANIE ROUMANIE:MUS.DE VILLAGES. OLTENIE: RUNC & VILLAGES DU GORJ N Sous-table non exportée Sous-table non exportée 3265 0 EUROPE +VDECD-538 CD12/Coffret30cm DI.988.007.002 U01 DI.988.007.002U01 00:00:00 1933-43 ROUMANIE CR IN CMT N°2 1989 : 297-303, PAR J. BOUET• Sous-table non exportée Sous-table non exportée 1933 0 EUROPE +VDECD-539 CD12/Coffret30cm DI.988.007.003 U01 DI.988.007.003U01 00:00:00 1933-43 ROUMANIE ROUMANIE:MUS.DE VILLAGES.TRANSYLVANIE:DRAGUS & PAYS DE L'OLT Sous-table non exportée Sous-table non exportée 1933 0 EUROPE +VDP-1098 CD DI.988.008.001 U01 DI.988.008.001U01 00:00:00 N EGYPTE A SONG OF THE NILE. HAMZA EL DIN N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +SONO-132 CD DI.988.008.002 U01 DI.988.008.002U01 00:00:00 N EGYPTE OM KALSOUM. AKBALA EL LEIL Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +AAA-001 CD DI.988.008.003 U01 DI.988.008.003U01 00:00:00 N TUNISIE TUNISIE. CHANTS & RYTHMES Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDP-1296 CD DI.988.008.004 U01 DI.988.008.004U01 00:00:00 N GEORGIE THE MARVELS OF POLYPHONY IN SAKARTVELO Sous-table non exportée Sous-table non exportée -1 0 EUROPE +19420 CD DI.988.008.005 U01 DI.988.008.005U01 00:00:00 N ALLEMAGNE ZITHER MELODIEN Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LLST-7308 D303S DI.988.008.006 A01 DI.988.008.006A01 00:00:00 n GHANA SOUNDS OF WEST AFRICA. THE KORA AND THE XYLOPHONE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LLST-7308 D303S DI.988.008.006 A03 DI.988.008.006A03 00:00:00 n GAMBIE SOUNDS OF WEST AFRICA. THE KORA AND THE XYLOPHONE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +FE-4295 D303 DI.988.008.007 A01 DI.988.008.007A01 00:00:00 n GHANA OTU MUSIC FOR MENTAL HEALING Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FE-4303 D303M DI.988.008.008 A01 DI.988.008.008A01 00:00:00 1965-69 SOUDAN MUSIC OF THE SUDAN. * Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +LLST-7398 D303 DI.988.008.009 A01 DI.988.008.009A01 00:00:00 1982? ZIMBABWE EPHAT MUJURU. MASTER OF MBIRA FROM ZIMBABWE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +BHA-1414 D303S DI.988.008.010 A01 DI.988.008.010A01 00:00:00 N BULGARIE BULGARIAN FOLK MUSICAL INSTRUMENTS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LLST-7189 D303 DI.988.008.011 A01 DI.988.008.011A01 00:00:00 N YOUGOSLAVIE CROATIE, ILE DE KRK YUGOSLAV FOLK MUSIC TANAC Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CETO-811 D303S DI.988.009.001 A01 DI.988.009.001A01 00:00:00 N MONGOLIE (REP POPU) MONGOLIE. MUSIQUE ET CHANTS DE L'ALTAI Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-3022241006 D303 DI.988.010.001 A01 DI.988.010.001A01 00:00:00 N TADJIKISTAN TADZIKSKIE NARODNYE PESNI Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-3024477009 D303 DI.988.010.002 A01 DI.988.010.002A01 00:00:00 N GEORGIE GRUZINKKIE NARODNYE PESNI Sous-table non exportée Sous-table non exportée -1 0 EUROPE +2510057 D303S DI.988.011.001 A01 DI.988.011.001A01 00:00:00 n YOUGOSLAVIE SERBIE, CRCAVAC SERBIAN FOLK MUSIC SHEPHERD TUNE "INVITATION" "POZIV" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE PRIJEPOLJE -1 EUROPE +ULP-2286 D303S DI.988.011.002 A01 DI.988.011.002A01 00:00:00 n YOUGOSLAVIE CROATIE, BANIJA NARODNE PJESME I PLESOVI IZ BANIJE HRASTOVICE, MOJE SELO MALO Sous-table non exportée Sous-table non exportée 1984 0 EUROPE +C-559003 CD DI.988.012.001 U01 DI.988.012.001U01 00:00:00 N BURUNDI BURUNDI. M TRADITIONNELLES Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.01 DI.988.012.002/03U01.01 00:03:04 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDANT LE DEPART DE LA CHASSE. KINGO YA MO-E Sous-table non exportée  Sous-table non exportée Zoboko : rituel de divination par le feu précédant le départ aux grandes chasses collectives. Le choeur à l'unisson répond à la voix soliste. Un arbre abattu couché à même le sol, frappé à l'aide de baguettes en bois sert de tambour. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.02 DI.988.012.002/03U01.02 00:03:14 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA WANGO Sous-table non exportée  Sous-table non exportée Zoboko : rituel de divination par le feu précédant le départ aux grandes chasses collectives. Le choeur à l'unisson répond à la voix soliste. Un arbre abattu couché à même le sol, frappé à l'aide de baguettes en bois sert de tambour. DI.988.012.002/03U1 AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.03 DI.988.012.002/03U01.03 00:04:32 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA KOKOLA EFESE Sous-table non exportée Sous-table non exportée Zoboko : rituel de divination par le feu précédant le départ aux grandes chasses collectives. Un arbre abattu, couché à même le sol, frappé à l'aide de baguettes en bois, sert de tambour. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.04 DI.988.012.002/03U01.04 00:04:29 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA BOLA BOSOMBO Sous-table non exportée  Sous-table non exportée Zoboko : rituel de divination par le feu précédant le départ aux grandes chasses collectives. 4ème chant. Un arbre abattu couché à même le sol, frappé à l'aide de baguettes en bois sert de tambour. Choeur de femmes à l'unisson en réponse au choeur d'hommes à l'unisson. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.05 DI.988.012.002/03U01.05 00:04:53 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA APPELS DE CHASSE MONGOMBI Sous-table non exportée Sous-table non exportée Appels mélodiques de 5 chasseurs qui se répondent pour préparer la battue du gibier et indiquer leurs positions exactes et la position du filet collectif. Utilisation d'un registre vocal très aigu, (voix de tête). Bruits d'ambiance forêt. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.06 DI.988.012.002/03U01.06 00:03:42 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA CHANT POUR LE RETOUR DE LA CHASSE "NZOMBI" Sous-table non exportée Sous-table non exportée Chant de retour de chasse dont la fonction est d'indiquer de loin, aux habitants du campement, que celle-ci a été fructueuse. Sur l'ostinato des "sifflets", utilisés par paires, un choeur mixte scandé par des battements de mains. Choeur & 1 instr AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.07 DI.988.012.002/03U01.07 00:06:33 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA DANSE APRES AVOIR TUE UN ELEPHANT "MONZOLI" Sous-table non exportée Sous-table non exportée Une quarantaine de personnes participent à ce choeur ; on y distingue, dans la seconde moitié, des improvisations contrapuntiques. AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.08 DI.988.012.002/03U01.08 00:07:47 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDENT LA RECOLTE DU MIEL "MOBANDI" Sous-table non exportée Sous-table non exportée De forme responsoriale , ces chants, dont le nombre varie, ont lieu la veille d'un départ à la collecte du miel, à la tombée de la nuit. Ces pièces, au nombre de 11, sont soit chantées, soit déclamées rythmiquement, elles sont ponctuées  par un frappement régulier de touffes de feuilles contre les jambes. AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.09 DI.988.012.002/03U01.09 00:01:22 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDENT LA RECOLTE DU MIEL Sous-table non exportée Sous-table non exportée  Cette pièce est ponctuée  par un frappement régulier de touffes de feuilles contre les jambes. Pièce non décrite, ni répertoriée, ni numérotée dans notice d'accompagnement (mentionnée toutefois au dos du coffret).  AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.10 DI.988.012.002/03U01.10 00:02:53 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDENT LA RECOLTE DU MIEL Sous-table non exportée Sous-table non exportée  Cette pièce est ponctuée rythmiquement par un frappement régulier de touffes de feuilles contre les jambes. Pièce non répertoriée dans notice d'accompagnement (signalée toutefois au dos du coffret).  AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.11 DI.988.012.002/03U01.11 00:01:42 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDENT LA RECOLTE DU MIEL Sous-table non exportée Sous-table non exportée  Cette pièce est ponctuée  par un frappement régulier de touffes de feuilles contre les jambes. Pièce non répertoriée dans notice d'accompagnement (signalée toutefois au dos du coffret).  AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.12 DI.988.012.002/03U01.12 00:02:24 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA RITUEL PRECEDENT LA RECOLTE DU MIEL Sous-table non exportée Sous-table non exportée  Cette pièce est ponctuée  par un frappement régulier de touffes de feuilles contre les jambes. Pièce non répertoriée dans notice d'accompagnement (signalée toutefois au dos du coffret).  AROM,SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.13 DI.988.012.002/03U01.13 00:02:05 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA BERCEUSE "MO BOMA" Sous-table non exportée Sous-table non exportée Erreur dans notice : numérotée 9 au lieu de 13. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.14 DI.988.012.002/03U01.14 00:02:15 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA CHANT POUR L'ENFANT DONT LA MERE EST ENCEINTE "NDOSI" Sous-table non exportée Sous-table non exportée Chant communautaire destiné à sécuriser un enfant en bas âge. Déclamation rythmique, de forme responsoriale entre un soliste et le reste de la communauté. Erreur dans notice: numérotée n° 10 au lieu de 14. Pleurs d'enfants au début de l'enregistrement. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.15 DI.988.012.002/03U01.15 00:02:22 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA JEU D'ENFANT CHANTE : "NZE-NZE-NZE" Sous-table non exportée Sous-table non exportée Comptine monodique chantée par un choeur d'enfants, évoquant le bruit du grillon. Erreur dans notice : plage numérotée n° 11 au lieu de 15. AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.16 DI.988.012.002/03U01.16 00:01:59 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA JEU D'ENFANT CHANTE : "KULU-KULU" Sous-table non exportée Sous-table non exportée Répertoire chanté, de caractère monodique, propre aux enfants. Kulu-kulu relate l'histoire d'un porc-épic. Comptine monodique chantée par un enfant soliste auquel répond un choeur d'enfants. Erreur dans notice : plage numérotée n° 12 au lieu de 16.  AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.17 DI.988.012.002/03U01.17 00:01:28 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA JEU D'ENFANT CHANTE : "KONZO BELE" Sous-table non exportée Sous-table non exportée Répertoire chanté, de caractère monodique, propre aux enfants. "Konzo bele" est une ronde qui évoque un grand arbre de la forêt. Comptine monodique chantée par un enfant soliste auquel répond un choeur d'enfants. Erreur dans la numérotation de la notice : plage portant le n° 13 au lieu du n° 17. DI.988.012.002/03U16 AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.18 DI.988.012.002/03U01.18 00:04:16 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA DIVOTO Sous-table non exportée Sous-table non exportée 1er chant de musique de danse pour le "Mbenzele". Erreurs dans le minutage : 4'16 au lieu de 4'06 ainsi que dans la numérotation à l'intérieur de la notice : au lieu de"n° 14" lire n°18. Ce chant débute par un jodel d'homme, suivi d'un choeur mixte.  AROM, SIMHA  -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U01.19 DI.988.012.002/03U01.19 00:07:01 N REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA ANDUWA Sous-table non exportée Sous-table non exportée 2ème chant de musique de danse pour le "Mbenzele". Erreur dans notice : numérotée n° 15 au lieu de19. Ce chant débute par un jodel d'homme, suivi d'un choeur utilisant contrechants, broderies en contrepoint serré et motifs jodlés.  AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.01 DI.988.012.002/03U02.01 00:07:10 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE POUR LA CONSECRATION D'UN NOUVEAU CAMPEMENT "MOKONDI" Sous-table non exportée Sous-table non exportée la danse Monkondi vise par l'invocation aux mânes des ancêtres, à rendre le campement prospère (grande progéniture, gibier abondant).  Erreur dans notice : numérotée plage n° 16 au lieu de plage 2 n° 1. Au premier chant succède une longue séquence de cris, animée par un soliste, suivi de cris responsoriaux. Cette musique est constituée d'une alternance de parties chantées et rythmiquement criées qui s'enchaînent.  AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.02 DI.988.012.002/03U02.02 00:04:38 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE POUR LA DANSE NGBOLU Sous-table non exportée Sous-table non exportée   Erreur dans notice : numérotée plage n° 17 au lieu de plage 2 n° 2. Exemples de variations improvisées contrapuntiques, sur un ostinato.  AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.03 DI.988.012.002/03U02.03 00:03:29 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE POUR LA DANSE LOMBE "NDUDA" Sous-table non exportée Sous-table non exportée   Erreur dans notice : numérotée plage n° 18 au lieu de plage 2 n° 3 Partie vocale entonnée par un homme en jodel, contrechant stable dans le choeur des femmes, ponctué par un contrepoint rythmique.   AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.04 DI.988.012.002/03U02.04 00:07:23 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE POUR LA DANSE LOMBE "BOBANGI" Sous-table non exportée Sous-table non exportée   Erreur dans notice : numérotée plage n° 19 au lieu de plage 2 n°4    AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.05 DI.988.012.002/03U02.05 00:03:07 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA DEUX CHANTEFABLES : "L'OISEAU" ET "TAILLE FINE" Sous-table non exportée Sous-table non exportée "L'oiseau" (Nyodi), couplets de forme responsoriale à une phrase mélodique ou déclamée rythmiquement, qui traite du thème de l'adultère.  Erreur dans notice : numérotée plage n° 20 au lieu de plage 2 n° 5 Le narrateur fait alterner des parties parlées à des parties chantées auxquelles un choeur mixte répond en chantant ou en parlant avec ponctuation de souffles.   AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.06 DI.988.012.002/03U02.06 00:02:58 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA DEUX CHANTEFABLES : "L'OISEAU" ET "TAILLE FINE" Sous-table non exportée Sous-table non exportée Taille-fine (Nanga-ningi),  relate l'aventure d'un Pygmée surnommé "taille-fine", partant à la récolte du miel  Erreur dans notice : numérotée plage n° 21 au lieu de plage 2 n° 6 Le narrateur fait alterner une longue partie parlée, suivie d'une partie chantée à laquelle un choeur mixte répond en chantant et en battant des mains.   AROM, SIMHA -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.07 DI.988.012.002/03U02.07 00:06:02 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA CHANT DE DEPLORATION SUR LE CADAVRE (BOYIWA) Sous-table non exportée Sous-table non exportée Chant de déploration autour du cadavre Brève introduction solo par voix d'homme, suivie d'un choeur mixte. Erreur dans la numérotation de la notice : "Plage 22", au lieu de plage 2 n° 7. -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.08 DI.988.012.002/03U02.08 00:05:35 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO DIKODO Sous-table non exportée Sous-table non exportée Contrepoint très élaboré des voix en choeur en style jodelé. E rreur dans numérotation de la notice : au lieu de plage 23, lire plage 2 n° 8. -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.09 DI.988.012.002/03U02.09 00:03:48 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : DIYE Sous-table non exportée Sous-table non exportée Contrepoint rythmique très élaboré des lames entrechoquées. Chant en style jodelé. E rreur dans numérotation de la notice : au lieu de plage 23, lire plage 2 n° 9. DI.988.012.002/03U2.8 -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.10 DI.988.012.002/03U02.10 00:03:48 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : APOLO Sous-table non exportée Sous-table non exportée Contrepoint rythmique très élaboré des lames entrechoquées, avec imbrications polyrythmiques de leurs formules respectives. Chant en style jodelé. E rreur dans numérotation de la notice : au lieu de plage 25, lire plage 2 n° 10.  -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.11 DI.988.012.002/03U02.11 00:04:50 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : KOKO YA NDONGO Sous-table non exportée Sous-table non exportée Présence d'un contrechant de voix de femmes, mêlé au style jodelé du choeur. E rreur dans numérotation de la notice : au lieu de plage 26, lire plage 2 n°11  -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.12 DI.988.012.002/03U02.12 00:06:02 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : YAYA Sous-table non exportée Sous-table non exportée  E rreur dans numérotation de la notice : au lieu de plage 27, lire plage 2 n°12  -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.13 DI.988.012.002/03U02.13 00:03:50 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : MBOLA Sous-table non exportée Sous-table non exportée Contrepoint rythmique très élaboré des lames entrechoquées. Chant en style jodelé. E rreur dans numérotation de la notice : au lieu de plage 28, lire plage 2 n° 13.  -1 0 AFRIQUE +C-559012/13 CD DI.988.012.002/03 U02.14 DI.988.012.002/03U02.14 00:02:09 n REP CENTRAFRICAINE LOBAYE PYGMEES AKA CENTRAFRIQUE. ANTHOLOGIE DE LA M DES PYGMEES AKA MUSIQUE DE DIVINATION BONDO : MBOLA Sous-table non exportée Sous-table non exportée Duo contrapuntique en style jodelé. E rreur dans numérotation de la notice : au lieu de plage 29, lire plage 2 n° 14. DI.988.012.002/03U2.13 -1 0 AFRIQUE +C-558679 CD DI.988.012.004 U01 DI.988.012.004U01 00:00:00 1986 GUINEE MANDIANA, CERCLE DE KANKAN PEULS GUINEE:LES PEULS DU WASSOLON. LA DANSE DES CHASSEURS Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-559009 CD DI.988.012.005 U01 DI.988.012.005U01 00:00:00 ? MALI MALI "LA NUIT DES GRIOTS". OUSMANE SACKO & YAKARE DIABATE N Sous-table non exportée Sous-table non exportée 1 0 AFRIQUE +D-8006 CD DI.988.012.006 U01 DI.988.012.006U01 00:02:30 N NIGER TERA LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD KEREE DI BAABA TOOTO Sous-table non exportée Sous-table non exportée Chant de louanges intitulé "Stances en l'honneur du père Tooto". Musique des peuls du Djelgobé de la région de Téra AFT "SERNDU": emb en biseau• Duo instr AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U02 DI.988.012.006U02 00:02:10 n NIGER TERA PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD ASARU NA WAR E MAA Sous-table non exportée Sous-table non exportée AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U03 DI.988.012.006U03 00:02:05 n NIGER TERA PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD MALLEERI Sous-table non exportée Sous-table non exportée chant de louanges à la gloire d'un taureau couleur de blé nommé Malleeri. AAL- AUTRE: "fine tige de mil, emb. latérale, anche libre idioglotte, sans trou de jeu, une extremité bouché ou non par l'index, l'autre extremité entourée par l'autre main pour des effets de sourdine, 40cm• AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U04 DI.988.012.006U04 00:06:53 n NIGER TERA PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD PAKAPAKA (A, B, C, D) Sous-table non exportée Sous-table non exportée Quatre interprétations d'une même pièce sur une guimbarde sans cadre pour mettre en évidence différentes techniques : 1) le jeu par souffle 2) le jeu sur les sons harmoniques 3) la version vocale qui ne comporte que des onomatopées (interprétée par Mahamuudu, Hamma, Abdullaay), 4) la combinaison des 2 techniques (souffle et harmoniques). AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U05 DI.988.012.006U05 00:02:18 n NIGER TERA PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD ARAABO Sous-table non exportée Sous-table non exportée AFT "SERNDU" : emb en biseau. Mélodie ornée intitulée "A la manière arabe"• Duo instr AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U06 DI.988.012.006U06 00:03:08 n NIGER TERA PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD KOMPULE Sous-table non exportée Sous-table non exportée AFT "SERNDU": emb. en bsieau• Solo voc + instrs  AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U07 DI.988.012.006U07 00:01:45 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD CHANT DE FLAGELLATION Sous-table non exportée Sous-table non exportée Chant cérémonial de flagellation. Chants non mesurés AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U08 DI.988.012.006U08 00:02:41 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD BULE TOKO Sous-table non exportée Sous-table non exportée Fl^yte "FULANNU": emb en biseau• Solo voc + instrs AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U09 DI.988.012.006U09 00:02:12 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD LALLE Sous-table non exportée Sous-table non exportée Les battements de mains sont accompagnés de tintements de bracelet. AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U10 DI.988.012.006U10 00:01:57 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD ERE ERE Sous-table non exportée Sous-table non exportée AROM, SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U11 DI.988.012.006U11 00:03:36 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD PILAGE DU MIL Sous-table non exportée Sous-table non exportée trois femmes pilent le mil avec trois pilons dans un mortier AROM, SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U12 DI.988.012.006U12 00:03:36 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD BUNYON Sous-table non exportée Sous-table non exportée tintements de bracelets accompagnant les battements de mains AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U13 DI.988.012.006U13 00:02:38 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD QUATRE CHANTS DE FLAGELLATION Sous-table non exportée Sous-table non exportée 4 chansons de flagellation basées sur le même modèle mélodique AROM,SIMHA -1 0 AFRIQUE +D-8006 CD DI.988.012.006 U14 DI.988.012.006U14 00:02:29 n BENIN KOUANDE PEULS LES PEULS/ THE FULANI - NIGER & DAHOMEY DU NORD ASIBU Sous-table non exportée Sous-table non exportée chant de structure antiphonale sert de support à la danse erikpe. chant accompagné de cris d'encouragements. Des tintements de bracelets ponctuent les battements de mains. AROM,SIMHA -1 0 AFRIQUE +D-8002 CD DI.988.012.007 U01 DI.988.012.007U01 00:00:00 n MAROC MAROC. M DE TRADITION ARABE Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +MCM-260006 CD DI.988.012.008 U01 DI.988.012.008U01 00:00:00 ? IRAK MUNIR BACHIR EN CONCERT/LIVE PARIS Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8004 CD12S DI.988.012.009 U01 DI.988.012.009U01 00:00:00 n YEMEN YEMEN DU NORD N Sous-table non exportée Sous-table non exportée Groupe instr 1987 0 ASIE +PS-65006 CD12S DI.988.012.010 U01 DI.988.012.010U01 00:00:00 ANTILLES STEEL BAND/ANTIGUA&TRINIDAD Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +PS-65006 CD12S DI.988.012.010 U02 DI.988.012.010U02 00:00:00 TRINITE & TOBAGO STEEL BAND/ANTIGUA&TRINIDAD Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-8009 CD12S DI.988.012.011 U01 DI.988.012.011U01 00:00:03 01/01/65 BOLIVIE LA PAZ, BAUTISTA SAAVEDRA, COMMUNAUTE DE CHARI QUECHUA BOLIVIA. PANPIPES / SYRINX DE BOLIVIE YAKU KANTU N Sous-table non exportée N Sous-table non exportée (Le quechua n'est pas un groupe ethnique mais linguistique il s'agit probablement ici du groupe ethnique callahuaya) GIRAULT, LOUIS -1 0 AMERIQUE +D-8001 CD12S DI.988.012.012 U01 DI.988.012.012U01 00:00:00 N CHILI CHILI.MUSIQUE TRADITIONNELLE METISSE HISPANO-CHILIENNE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-559021 CD12M DI.988.012.013 U01 DI.988.012.013U01 00:00:00 N DANEMARK;GROENLAND CHANTS ET TAMBOURS INUIT DE THULE AU DETROIT DE BERING N Sous-table non exportée Sous-table non exportée 1961 0 AMERIQUE +C-559021 CD12M DI.988.012.013 U12 DI.988.012.013U12 00:00:00 N CANADA CHANTS ET TAMBOURS INUIT DE THULE AU DETROIT DE BERING N Sous-table non exportée Sous-table non exportée 1961 0 AMERIQUE +C-559021 CD12M DI.988.012.013 U19 DI.988.012.013U19 00:00:00 -1 USA;ALASKA CHANTS ET TAMBOURS INUIT DE THULE AU DETROIT DE BERING N Sous-table non exportée Sous-table non exportée 1961 0 AMERIQUE +C-559019/20 CD12S DI.988.012.014/15 U01 DI.988.012.014/15U01 02:17:00 N BIRMANIE BIRMANIE-MUSIQUE D'ART VOL. 1+2 N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +C-559004 CD12S DI.988.012.016 U01 DI.988.012.016U01 00:00:00 N TAIWAN CHINE:NAN KOUAN VOL.1-MUSIQUE ET CHANT COURTOIS DE LA CHINE DU SUD N Sous-table non exportée Sous-table non exportée 1982 0 ASIE +C-559039 CD12S DI.988.012.017 U01 DI.988.012.017U01 00:00:00 ? CHINE CHINE. MUSIQUE CLASSIQUE Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65005 CD12S DI.988.012.018 U01 DI.988.012.018U01 00:00:00 N CHINE CHINE-MUSIQUE CLASIQUE INSTRUMENTALE N Sous-table non exportée Sous-table non exportée 59 0 ASIE +D-8010 CD12S DI.988.012.019 U01 DI.988.012.019U01 00:00:00 N COREE DU NORD COREE N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +A-6131 CD12S DI.988.012.020 U01 DI.988.012.020U01 00:00:00 -1 INDE GRANDS MAITRES DE LA RUDRA-VEENA/USTAD ZIA MOHIUDDIN DAGAR N Sous-table non exportée Sous-table non exportée 1984 0 ASIE +C-558656 CD12S DI.988.012.021 U01 DI.988.012.021U01 00:00:00 N INDE L. SUBRAMANIAM EN CONCERT N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +C-559029 CD12S DI.988.012.022 U01 DI.988.012.022U01 00:00:00 N INDE L. SUBRAMANIAM/LE VIOLON DE L'INDE DU SUD N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +C-559002 CD12S DI.988.012.023 U01 DI.988.012.023U01 00:00:00 N INDONESIE;BALI BALI-MUSIQUE POUR LE GONG GEDE N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +C-559014/15 CD12S DI.988.012.024/25 U01 DI.988.012.024/25U01 00:00:00 N INDONESIE;JAVA JAVA:LANGEN MANDRA WANARA, OPERA DE DANUREDJO VII N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +C-559008 CD12S DI.988.012.026 U01 DI.988.012.026U01 00:00:00 N IRAN IRAN-MUSIQUE PERSANE N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +C-559018 CD12S DI.988.012.027 U01 DI.988.012.027U01 01:00:00 ? JAPON JAPON. GAGAKU N Sous-table non exportée Sous-table non exportée 1 0 ASIE +PS-65021 CD12S DI.988.012.028 U01 DI.988.012.028U01 00:00:00 N TIBET MUSIQUES DU TOIT DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65021 CD12S DI.988.012.028 U03 DI.988.012.028U03 00:00:00 N NEPAL MUSIQUES DU TOIT DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559011 CD12S DI.988.012.029 U01 DI.988.012.029U01 00:00:00 N TIBET TIBET:MUSIQUES SACREES N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +C-559017 CD12S DI.988.012.030 U01 DI.988.012.030U01 00:00:00 N TURQUIE TURQUIE:MUSIQUE SOUFI N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +C-559006 CD12S DI.988.012.031 U01 DI.988.012.031U01 01:10:00 N EGYPTE EGYPE-LES MUSICIENS DU NIL N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +A-6151 CD12S DI.988.012.032 U01 DI.988.012.032U01 00:00:00 N ESPAGNE ENRIQUE MORENTE: ESSENCES FLAMENCAS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8008 CD12S DI.988.012.033 U01 DI.988.012.033U01 00:00:00 N PORTUGAL PORTUGAL/MUSIQUE TRADITIONNELLE DU PORTUGAL N Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +C-559036 CD12S DI.988.012.034 U01 DI.988.012.034U01 00:00:00 N ROUMANIE ROUMANIE. MUSIQUE DES TSIGANES DE VALACHIE. LE TARAF DE CLEJANI N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8005 CD12S DI.988.012.035 U01 DI.988.012.035U01 00:00:00 N URSS;RSS BIELORUSSIE BELARUSSES BIELORUSSIE/FOLKLORE MUSICAL DE LA POLESIE BIELORUSSIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-30067834 D303S DI.988.013.001 A01 DI.988.013.001A01 00:00:00 n URSS;RSS LITUANIE LUOKES ETNOGRAFINIS ANSAMBLIS. PATALKIU VAKARONE Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3025097004 D303S DI.988.013.002 A01 DI.988.013.002A01 00:00:00 URSS;RSS LITUANIE ANTANAS SMOLSKUS PLAYING ON THE BIRBYNE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +M-3046847/08 D303S DI.988.013.003/04 A01 DI.988.013.003/04A01 00:00:00 1965-84 URSS;RSS LITUANIE FOLK MUSIC OF THE LITHUANIAN SSR Sous-table non exportée Sous-table non exportée 24 0 EUROPE +C-3027445009 D303S DI.988.013.005 A01 DI.988.013.005A01 00:00:00 N URSS;RSS LITUANIE JIEVARAS LIAUDIES FOLKLORINIS ANSAMBLIS Sous-table non exportée Sous-table non exportée 1988 0 EUROPE +C-30030343/46 D303 DI.988.013.006/07 A01 DI.988.013.006/07A01 00:00:00 N URSS SENOVINES KUPISKENU VESTUVES Sous-table non exportée Sous-table non exportée 2 Di. de la même série sans pochette -1 0 EUROPE +LDX-274877 CD12S DI.989.001.001 U01 DI.989.001.001U01 00:00:00 ? ALBANIE ALBANIE. POLYPHONIES VOCALES ET INSTRUMENTALES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +FF-474 D303 DI.989.002.001 A01 DI.989.002.001A01 00:00:00 N NICARAGUA NICARAGUAN FOLK M FROM MASAYA. Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LPM-101/02 D303M DI.989.003.001/02 A01 DI.989.003.001/02A01 00:00:00 n BRESIL KAAPOR.CANTOS E PASSAROS NAO MORREM N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +M-9048643008 D303M DI.989.004.001 A01 DI.989.004.001A01 00:00:00 N URSS;RA ABKHAZIE (EN RUSSE) Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274662 CD12S DI.989.005.001 U01 DI.989.005.001U01 00:00:00 N INDE;JAMMU & KASHMIR LADAKH LADAKH. MUSIQUE DE MONASTERE ET DE VILLAGE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274901 CD12S DI.989.005.002 U01 DI.989.005.002U01 00:00:00 N AZERBAIDJAN AZERBAYJAN. MUSIQUE TRADITIONNELLE N Sous-table non exportée Sous-table non exportée 1985 0 ASIE +VDECD-553 CD DI.989.006.001 U01 DI.989.006.001U01 00:00:00 ? NEPAL NEPAL. M DE FETE CHEZ LES NEWAR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274645 CD12S DI.989.007.001 U01 DI.989.007.001U01 00:00:00 ? INDE;RAJASTHAN FLUTES DU RAJASTHAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8003 CD12S DI.989.008.001 U01 DI.989.008.001U01 00:00:00 n INDONESIE;BALI BALI. MUSIQUE POPULAIRE Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8007 CD12S DI.989.008.002 U01 DI.989.008.002U01 00:00:00 n THAILANDE THAILANDE. MUSIQUE DE CHIENG MAI Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8011 CD12S DI.989.008.003 U01 DI.989.008.003U01 00:00:00 n CAMBODGE CAMBODGE. MUSIQUE ROYALE Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8012 CD12S DI.989.008.004 U01 DI.989.008.004U01 00:00:00 n FRANCE;CORSE CORSE, FRANCE. CHANTS RELIGIEUX DE TRAD. ORALE DE RUSIU Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8013 CD12S DI.989.008.005 U01 DI.989.008.005U01 00:00:00 n SYRIE SYRIE. RITUEL ISLAMIQUE ZIKR A ALEP Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8014 CD12S DI.989.008.006 U01 DI.989.008.006U01 00:00:00 n INDONESIE;JAVA JAVA. ART VOCAL Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8015 CD12S DI.989.008.007 U01 DI.989.008.007U01 00:00:00 n URSS;RSS ARMENIE ARMENIE. COMMUNAUTE MEKHITARISTE ARMENIENNE DE VENISE Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8016 CD12S DI.989.008.008 U01 DI.989.008.008U01 00:00:00 n JAPON JAPON. MUSIQUE SEMI-CLASSIQUE & FOLKLORIQUE Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8022 CD12S DI.989.008.009 U01 DI.989.008.009U01 00:04:14 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL PROLOGUE=*TR THI NHIP: VO NUOC=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001A1. Rythme avec syncopes• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U02 DI.989.008.009U02 00:04:03 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL DECLAMATION=*TR NOI SU GHE RAU: NOI KE=*TRS Sous-table non exportée DECLAMATION Sous-table non exportée voir formation dans Di.979.026.001A2. Rythme libre puis mesuré• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U03 DI.989.008.009U03 00:02:25 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL ANCIENT STYLE=*TR SAP CO PHONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.002A3. Rythme 4/4• 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U04 DI.989.008.009U04 00:04:31 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL EN TRAVERSANT LE PONT:CHANT GAI=*TR SAP QUA CAU=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001A4. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U05 DI.989.008.009U05 00:05:36 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL DANS L'ATTENTE: CHANT TRISTE=*TR DUONG TRUONG TAI LUONG=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001A5. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U06 DI.989.008.009U06 00:02:45 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL CHANT TRISTE=*TR HAT VAN CAM=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001A6. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U07 DI.989.008.009U07 00:02:34 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL CHANT GAI=*TR SA LECH BANG=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001A7. Rythme à 8 mesures• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U08 DI.989.008.009U08 00:07:00 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL CHANT DU SORCIER, EXTRAIT DE LA PIECE XUY VAN=*TR BAI PHU THUY=*TRS Sous-table non exportée THEATRE Sous-table non exportée Voir formation dans Di.979.026.001B1. Variations rythmiques• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U09 DI.989.008.009U09 00:05:55 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL DECLAMATION, CHANT=*TR NOI LECH: CAM GIA=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001B2. Rythme à 6 mesures• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U10 DI.989.008.009U10 00:04:42 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL DECLAMATION ET CHANT RU KE=*TR KE HANH; HAT RU KE=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001B3. Rythme à 3 et7 mesures• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U11 DI.989.008.009U11 00:01:59 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL CHANT DU VIEILLARD IVRE=*TR LAO SAY=*TRS Sous-table non exportée THEATRE Sous-table non exportée vor formation dans Di.979.026.001B4. Rythme à 3 et 7 mesures• TRAN VAN KHE 1976 0 ASIE +D-8022 CD12S DI.989.008.009 U12 DI.989.008.009U12 00:03:44 n VIETNAM NORD VIETNAM VIETNAMIENS VIETNAM - HAT CHEO /THEATRE POPULAIRE TRADITIONNEL CHANT DU BOUFFON A LA TORCHE=*TR HE MOI=*TRS Sous-table non exportée THEATRE Sous-table non exportée voir formation dans Di.979.026.001B5. Rythme 4/4• TRAN VAN KHE 1976 0 ASIE +D-8201 CD12S DI.989.008.010 U01 DI.989.008.010U01 00:00:00 n BRESIL BORORO BRESIL. LE MONDE SONORE DES BORORO Sous-table non exportée Sous-table non exportée Amazonie(G); Gê(L) -1 0 AMERIQUE +ARN-64061 CD12S DI.989.008.011 U01 DI.989.008.011U01 00:00:00 n TURQUIE CHANTS DES DERVICHES DE TURQUIE. M. SOUFI. LA CEREMONIE DU ZIKR Sous-table non exportée Sous-table non exportée -1 0 ASIE +ESPCD-439 CD DI.989.009.001 U01 DI.989.009.001U01 00:00:00 N INDE LE SHAHNAI S'USTAD BISMILLAH KHAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U01 DI.989.009.002U01 00:00:00 N INDONESIE PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U04 DI.989.009.002U04 00:00:00 N BIRMANIE PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U07 DI.989.009.002U07 00:00:00 N CHINE PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U09 DI.989.009.002U09 00:00:00 N INDE PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U10 DI.989.009.002U10 00:00:00 N NEPAL PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U15 DI.989.009.002U15 00:00:00 N SRI LANKA PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65026 CD DI.989.009.002 U17 DI.989.009.002U17 00:00:00 N THAILANDE PERCUSSIONS D'ASIE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559080 CD DI.989.009.003 U01 DI.989.009.003U01 00:00:00 N CHINE CHINE-CHANT LITURGIQUE BOUDDHIQUE/LECON DU SOIR AU TEMPLE DE QUANZHOU N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559051 CD DI.989.009.004 U01 DI.989.009.004U01 00:00:00 N CUBA CUBA-LES DANSES DES DIEUX N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +PS-65034 CD DI.989.009.005 U01 DI.989.009.005U01 00:00:00 N SENEGAL BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U02 DI.989.009.005U02 00:00:00 N ALGERIE;SAHARA BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U04 DI.989.009.005U04 00:00:00 N CAMEROUN BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U05 DI.989.009.005U05 00:00:00 N TANZANIE BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U06 DI.989.009.005U06 00:00:00 N GUINEE BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U16 DI.989.009.005U16 00:00:00 N NIGER BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65034 CD DI.989.009.005 U18 DI.989.009.005U18 00:00:00 N TOGO BALAFONS ET TAMBOURS D'AFRIQUE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65036 CD DI.989.009.006 U01 DI.989.009.006U01 00:00:00 N DANEMARK DANSES SCANDINAVES N Sous-table non exportée Sous-table non exportée 1 0 EUROPE +PS-65036 CD DI.989.009.006 U02 DI.989.009.006U02 00:00:00 N NORVEGE DANSES SCANDINAVES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +PS-65036 CD DI.989.009.006 U03 DI.989.009.006U03 00:00:00 N SUEDE DANSES SCANDINAVES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +PS-65036 CD DI.989.009.006 U23 DI.989.009.006U23 00:00:00 N FINLANDE DANSES SCANDINAVES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +M-3037196 D303M DI.989.010.001 A01 DI.989.010.001A01 00:00:00 n URSS;RSS LITUANIE DZUKU DAINININKE.MARE KUODZIUTE-NOVICKIENE Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3023567003 D303S DI.989.010.002 A01 DI.989.010.002A01 00:00:00 N URSS;RSS LITUANIE ZEMAICIU SOKIAI. ERZVILKO. VISI Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3024847001 D303S DI.989.010.003 A01 DI.989.010.003A01 00:00:00 N URSS;RSS LITUANIE ANT MARIU KRANTELIO. FOLKLORINIU ANSAMBLIU SVENTE Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3025851009 D303S DI.989.010.004 A01 DI.989.010.004A01 00:00:00 N URSS;RSS LITUANIE RATILIO-VILNIAUS UNIVERSITETO FOLKLORO ANSAMBLIS Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3028051009 D303S DI.989.010.005 A01 DI.989.010.005A01 00:00:00 N URSS;RSS LITUANIE ZVANGULIS.LITHUANIAN VILLAGE BAND Sous-table non exportée Sous-table non exportée -1 0 EUROPE +KILP-14 D303S DI.989.011.001 A01 DI.989.011.001A01 00:00:00 N FINLANDE SUOMEN KANSANMUSIIKKI 1 Sous-table non exportée Sous-table non exportée -1 0 EUROPE +ACCT-18110 D303S DI.989.012.001 A01 DI.989.012.001A01 00:02:20 N VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM CHANT DE THEATRE POPULAIRE: HAT CHEO- BOUFFON A LA TORCHE=*TR HAT CHEO - HE MOI=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Ce chant appartient à la catégorie des chants de bouffon du théâtre populaire à caractère satirique du Nord Vietnam. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. C'est la même pièce entendue dans le disque Di.979.026.001B5, aussi dans Di.989.012.002U12. Rythme libre puis mesuré• TRAN VAN KHE 1976 0 ASIE +ACCT-18110 D303S DI.989.012.001 A02 DI.989.012.001A02 00:04:44 n VIETNAM CENTRE VIETNAM, BINH DINH VIETNAMIENS MUSIQUE DU VIET-NAM DONG KIM LAN RETOURNE A LA CITADELLE=*TR DONG KIM LAN VE THANH=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant de théâtre traditionnel Hat tuông ou hat bôi, tradition du Centre vietnam, de la province de Binh Dinh. Extrait d'une pièce très connue. Vièle 2C "DAN GAO": archet pris. Vièle 2C "DAN NHI": archet pris. Mode "Nam". Polyrythmie • TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 A03 DI.989.012.001A03 00:05:11 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM REFAIRE SA VIE - CHANT DE THEATRE DIT "RENOVE"=*TR LAM LAI CUOC DOI - HAT CAI LUONG Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Extrait d'une pièce de théâtre rénové (hat cai luong) du Sud Vietnam. Dans cette séquence, la jeune fille reproche à son ancien fiancé d'avoir perdu son idéal et de s'adonner au plaisir de l'alcool et des sens. Aujourd'hui, elle, une résistante, retourve un jeune homme dépravé et sans dignité. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Luth "LUC HUYEN CAM DIEN": guitare éléctrique. Rythme libre puis mesuré• Pièce de théâtre créée après 1975 après que le Sud Vietnam a été pris par les communistes nord-vietnamiens. Le luth dàn xên, d'origine mongole, est en usage uniquement au Sud Vietnam. La guitare électrique avec le manche creusé, est utilisé principalement dans l'orchestre de théâtre rénové au Sud Vietnam. Mode "Vong". Rythme libre puis mesuré• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 A04 DI.989.012.001A04 00:04:31 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM LE PRINTEMPS DE L'ANNEE DU DRAGON - CHANT CA TRU=*TR XUAN RONG - CA TRU=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Chant des tablettes en bambou (ca trù) ainsi appelé parce que l'on récompensait les chanteuses avec des tablettes en guise de jetons. La chanteuse, s'accompagnant aux cliquettes phach, chante le genre hat noi (chant parlé), poème de Chu Hà. Le tambour d'éloge (trong châu) marque la ponctuation des phrases musicales mais aussi souligne des passages bien chantés. Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +ACCT-18110 D303S DI.989.012.001 A05 DI.989.012.001A05 00:05:20 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM LA PAIX DU SUD- CHANT DE HUE=*TR NAM BINH - CA HUE=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Le chant évoque les paysages poétiques et les spécialités culinaires de l'ancienne ville de Huê, qui font que nul ne peut oublier le charme et la douceur de vivre dans cette région. Vièle 2C "DAN NHI": archet pris. Luth 2C "DAN NGUYET": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Mode "Nam"• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 A06 DI.989.012.001A06 00:03:34 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM LA BELLE TAY THI - MUSIQUE TRADITIONNELLE DU SUD=*TR TAY THI - DAN TAI TU=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Vièle 2C "DAN CO": archet pris. Luth 2C "DAN KIM": caisse en forme de lune. Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• Mode "Bac"• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B01 DI.989.012.001B01 00:01:23 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM LE PETIT PLATEAU DE BETEL, CHANT D'ACCUEIL, CHANT QUAN HO=*TR COI GIAU, HAT QUAN HO=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée chant d'accueil du répertoire du chant quan ho. Vièle 2C "DAN NHI": archet pris. Ce chant a été édité dans le disque "Vietnam - ca tru & quan ho", sous le numéro d'archives au département Di.979.025.004B2. La notice ne donne pas d'information correcte pour cette plage. Flûte "TIEU": à encoche. Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +ACCT-18110 D303S DI.989.012.001 B02 DI.989.012.001B02 00:03:42 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM CHANT D'AMOUR, LITTERALEMENT LES TROIS RAISONS=*TR BA VI=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Vièle 2C "DAN NHI": archet pris. Flûte "TIEU": à encoche. Rythme mesuré• TRAN VAN KHE 1976 0 ASIE +ACCT-18110 D303S DI.989.012.001 B03 DI.989.012.001B03 00:03:42 n VIETNAM NORD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM CHANT POUR DIRE AU RECOIR A SON AMI=*TR GIA BAN=*TRS Sous-table non exportée CHT ALTERNE Sous-table non exportée C'est le chant "Con nhên giang mùng" (l'arraignée tisse sa toile), du répertoire des chants d'adieu (gia ban). Cithare/table "DAN BAU": 1C. Luth 2C "DAN NGUYET": caisse en forme de lune. c'est la même pièce éditée dans le disque Di.979.025.004B6. Flûte "TIEU": à encoche. Monocorde: corde en métal. Rythme mesur镕 TRAN VAN KHE 1976 0 ASIE +ACCT-18110 D303S DI.989.012.001 B04 DI.989.012.001B04 00:04:45 n VIETNAM CENTRE VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM CHANT DE BATELIERES DE HUE =*TR HO MAI NHI=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare/table "DAN BAU": 1C. Vièle 2C "DAN NHI": archet pris. Luth 4C "DAN TY BA": caisse piriforme. Rythme libre• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B05 DI.989.012.001B05 00:04:28 n VIETNAM SUD VIETNAM VIETNAMIENS MUSIQUE DU VIET-NAM MUSIQUE DE FUNERAILLES Sous-table non exportée FUNERAILLES Sous-table non exportée Musique exécutée lorsque les porteurs de cercueil enlèvent le catafalque. TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B06 DI.989.012.001B06 00:01:08 n VIETNAM CENTRE VIETNAM CHAM MUSIQUE DU VIET-NAM MUSIQUE DE DANSE DES BATELIERS=*TR CAM HOA KE=*TRS Sous-table non exportée M. DE DANSE Sous-table non exportée Rythme libre puis mesuré• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B07 DI.989.012.001B07 00:01:18 n VIETNAM CENTRE VIETNAM CHAM MUSIQUE DU VIET-NAM CHANT D'AMOUR=*TR A NHIEU LOI=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée Cithare/table "DAN BAU": 1C. Rythme mesuré• TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B08 DI.989.012.001B08 00:00:58 n VIETNAM CENTRE VIETNAM RHADE MUSIQUE DU VIET-NAM CHANT ACCOMPAGNE PAR L'ORGUE A BOUCHE=*TR AY VAY=*TRS Sous-table non exportée CHT ACCOMPAGNE Sous-table non exportée TRAN VAN KHE -1 0 ASIE +ACCT-18110 D303S DI.989.012.001 B09 DI.989.012.001B09 00:01:22 n VIETNAM CENTRE VIETNAM EDE MUSIQUE DU VIET-NAM ENSEMBLE CHIENG KNAG Sous-table non exportée M. RITUELLE Sous-table non exportée TRAN VAN KHE -1 0 ASIE +LYR-CD-7331 CD DI.989.013.001 U01 DI.989.013.001U01 00:00:00 ? AUSTRALIE AUSTRALIA. SONGS OF THE ABORIGENES & TRAD M OF PAPUA-NEW GUI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LYR-CD-7331 CD DI.989.013.001 U30 DI.989.013.001U30 00:00:00 ? PAPOUASIE-NLE-GUINEE AUSTRALIA. SONGS OF THE ABORIGENES & TRAD M OF PAPUA-NEW GUI N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +ORIAAMS-CD-126 CD DI.989.013.002 U01 DI.989.013.002U01 00:00:00 n INDE VIBRANT SOUND OF SHENAI. USTAD BISMILLAH KHAN & PARTY. Sous-table non exportée Sous-table non exportée -1 0 ASIE +ORIAAMS-CD-128 CD DI.989.013.003 U01 DI.989.013.003U01 00:20:08 N INDE N N SOUL OF THE SAROD. USTAD ALI AKBAR KHAN. RAG LALIT Sous-table non exportée N Sous-table non exportée Tala "Upatal jha", 8 1/2• Duo instr N -1 0 ASIE +ORIAAMS-CD-128 CD DI.989.013.003 U02 DI.989.013.003U02 00:21:32 N INDE N N SOUL OF THE SAROD. USTAD ALI AKBAR KHAN. TILAK KAMOD WITH RAGMALA Sous-table non exportée N Sous-table non exportée sitarkhani - 16 4+4+4+4; fast tintal -16 4+4+4+4, selon notice• N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U01 DI.989.013.004U01 00:06:47 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI VANDI SUVE N Sous-table non exportée M. D'ART Sous-table non exportée Raga "Natta", tala "Rupakam"• N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U02 DI.989.013.004U02 00:10:56 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI MAHIMA N Sous-table non exportée M. D'ART Sous-table non exportée Raga "Rishabapryia", tala "Rupakam"• DI.989.013.004.1 N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U03 DI.989.013.004U03 00:00:00 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI BALAGOPALA N Sous-table non exportée M. D'ART Sous-table non exportée Cette pièce contient le "solo de percussions" [Tani avartanam], qui sur le dos de la notice est COMPTé COMME piece 4, mais PAS dans la programmation du CD. Tala "Bhairavi, tala "Adi"• DI.989.013.004.1 N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U04 DI.989.013.004U04 00:04:56 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI GOVARDANA GIRI N Sous-table non exportée M. D'ART Sous-table non exportée Raga "Kanada", tala "Adi"• DI.989.013.004.3 N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U05 DI.989.013.004U05 00:04:33 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI NENARUCHI N Sous-table non exportée M. D'ART Sous-table non exportée Raga "Malavi", tala "Adi"• DI.989.013.004.3 N -1 0 ASIE +ORIAAMS-CD-117 CD DI.989.013.004 U06 DI.989.013.004U06 00:04:43 n INDE N N FABULOUS FLUTE MELODIES BY DR N. RAMANI CHANDRA SEKARA N Sous-table non exportée M. D'ART Sous-table non exportée Raga "Sindhu bhairavi", tala "Adi"• DI.989.013.004.5 N -1 0 ASIE +VDP-1365 CD DI.989.013.005 U01 DI.989.013.005U01 00:00:00 ? COREE DU SUD ARIRANG. KOREAN KYONGGI MINYO N Sous-table non exportée Sous-table non exportée -1 0 ASIE +8260483 CD DI.989.013.006 U01 DI.989.013.006U01 00:00:00 N CHINE CEREMONIAL M. FROM THE TEMPLE OF THE IMPERIAL CHINESE COURT. Sous-table non exportée Sous-table non exportée -1 0 ASIE +LLST-7364 D303S DI.989.013.007 A01 DI.989.013.007A01 00:00:00 N HONDURAS PATRIA: M FROM HONDURAS & NICARAGUA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7364 D303S DI.989.013.007 A08 DI.989.013.007A08 00:00:00 N NICARAGUA PATRIA: M FROM HONDURAS & NICARAGUA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7378 D303S DI.989.013.008 A01 DI.989.013.008A01 00:00:00 N COSTA RICA THE VANISHING INDIANS: COSTA RICA & PANAMA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7378 D303S DI.989.013.008 A05 DI.989.013.008A05 00:00:00 N PANAMA THE VANISHING INDIANS: COSTA RICA & PANAMA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +LLST-7373 D303 DI.989.013.009 A01 DI.989.013.009A01 00:00:00 N CANADA THE CANADIAN BLACKFOOT INDIANS Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +APN-88.9/10 CD DI.990.002.001/02 U01.01 DI.990.002.001/02U01.01 00:00:00 N IRAK CONGRES DU CAIRE 1932 Sous-table non exportée Sous-table non exportée 1932 0 ASIE +APN-88.9/10 CD DI.990.002.001/02 U01.07 DI.990.002.001/02U01.07 00:00:00 N EGYPTE CONGRES DU CAIRE 1932 Sous-table non exportée Sous-table non exportée 1932 0 AFRIQUE +APN-88.9/10 CD DI.990.002.001/02 U02.01 DI.990.002.001/02U02.01 00:00:00 = ALGERIE CONGRES DU CAIRE 1932 Sous-table non exportée Sous-table non exportée 1932 0 AFRIQUE +APN-88.9/10 CD DI.990.002.001/02 U02.07 DI.990.002.001/02U02.07 00:00:00 = MAROC CONGRES DU CAIRE 1932 Sous-table non exportée Sous-table non exportée 1932 0 AFRIQUE +APN-88.9/10 CD DI.990.002.001/02 U02.13 DI.990.002.001/02U02.13 00:00:00 = TUNISIE CONGRES DU CAIRE 1932 Sous-table non exportée Sous-table non exportée 1932 0 AFRIQUE +VDECD-586 CD DI.990.003.002 U01 DI.990.003.002U01 00:00:00 N TURQUIE TURQUIE: L'ART DU TANBUR OTTOMAN Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDECD-587 CD DI.990.003.003 U01 DI.990.003.003U01 00:00:00 N TURQUIE TURQUIE. CEREMONIE DES DERVICHES KADIRI Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDECD-552 CD DI.990.003.004 U01 DI.990.003.004U01 00:00:00 N GRECE GRECE. CHANSONS & DANSES POPULAIRES Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDECD-554/55 CD DI.990.003.006/07 U01 DI.990.003.006/07U01 00:00:00 1966-81 BRESIL KAIAPO BRESIL CENTRA:CHANTS & DANSES DES INDIENS KAIAPO Sous-table non exportée Sous-table non exportée Amazonie(G); Gê(L) -73 0 AMERIQUE +001 D303S DI.990.004.001 A01 DI.990.004.001A01 00:00:00 N VENEZUELA LA SABANA. LA MUSICA DE UN PUEBLO Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +MC-15.1/2 D303S DI.990.005.001/02 A01 DI.990.005.001/02A01 00:00:00 N MALAWI MUSIKER AUS MALAWI. SUDLICHES MALAWI Sous-table non exportée Sous-table non exportée -176 0 AFRIQUE +AROS-1 D303S DI.990.006.001/02 A01 DI.990.006.001/02A01 00:00:00 N ILES HAWAI NA LEO HAWAI'I KAHIKO N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +CDSF-40015 CD12S DI.990.006.003 U01 DI.990.006.003U01 00:00:00 N ILES HAWAI HAWAIIAN DRUM DANCE CHANTS.SOUNDS OF POWER IN TIME N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +D-8026 CD12S DI.990.007.001 U01 DI.990.007.001U01 00:00:00 = SUISSE SWITZERLAND. SUISSE. ZAUERLI, YODEL D'APPENZELL Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +D-8027 CD12S DI.990.007.002 U01 DI.990.007.002U01 00:00:00 = ILES SALOMON ILE DE MALAITA SOLOMON ISLANDS. ILES SALOMON. MUS. FATALEKA & BAEGU DE MALA Sous-table non exportée Sous-table non exportée -362 0 OCEANIE +LDX-274716 CD12S DI.990.008.001 U01 DI.990.008.001U01 00:00:00 = SUISSE JUUZLI. JODEL DU MUOTATAL (SUISSE) Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +ARARA-333107 D303S DI.990.009.001 A01 DI.990.009.001A01 00:00:00 n EGYPTE CITHARE EN EGYPTE. QANUN PAR M. ATIYA OMAR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +888019-A/D D303M DI.990.010.001/02 A01 DI.990.010.001/02A01 00:00:00 n ISRAEL THE MUSICAL HERITAGE OF IRAQI JEWS Sous-table non exportée Sous-table non exportée 0 0 ASIE +MC-2 D303S DI.990.011.001 A01 DI.990.011.001A01 00:00:00 n YOUGOSLAVIE HERZEGOVINE, GABELA NASE PJESME-HERZEGOWINA JUGOSLAWIEN DOBRO DOSLI BIENVENUE Sous-table non exportée Sous-table non exportée enregistrement 1957-1974 1957 0 EUROPE +C-2030043 D303S DI.990.012.001 A01 DI.990.012.001A01 00:00:00 n URSS;RSS BIELORUSSIE TRADICIONNOE ISKUSSTVO POOZERJA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LLST-7238 D303S DI.990.013.001 A01 DI.990.013.001A01 00:00:00 n MAROC MOROCCAN SUFI MUSIC/ISLAMIC MYSTICAL BROTHERHOOD Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LLST-7263 D303S DI.990.013.002 A01 DI.990.013.002A01 00:00:00 n MAROC MOROCCAN STREET MUSIC Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LLST-7271 D303S DI.990.013.003 A01 DI.990.013.003A01 00:00:00 n INDE;UTTAR PRADESH FOLK MUSIC OF INDIA (UTTAR PRADESH) Sous-table non exportée Sous-table non exportée 0 0 ASIE +68027 D303S DI.990.013.004 A01 DI.990.013.004A01 00:00:00 n CHINE CEREMONIAL MUSIC FROM THE TEMPLE OF THE IMPERIAL CHINESE COURT* Sous-table non exportée Sous-table non exportée 0 0 ASIE +CD-1051 CD12M DI.990.013.005 U01 DI.990.013.005U01 00:00:00 n TURQUIE MASTERS OF TURKISH MUSIC N Sous-table non exportée Sous-table non exportée 6278 0 ASIE +VID-25016 CD12S DI.990.013.006 U01 DI.990.013.006U01 00:00:00 n CHINE THE WORLD OF PEKING OPERA N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +W-260011 CD12S DI.990.013.007 U01 DI.990.013.007U01 00:00:00 n TAIWAN POLYPHONIES VOCALES DES ABORIGENES DE TAIWAN N Sous-table non exportée Sous-table non exportée -80 0 ASIE +HCD-18013/14 CD12M DI.990.013.008/09 U01 DI.990.013.008/09U01 00:00:00 n MONGOLIE (REP POPU) MONGOLIAN FOLK MUSIC N Sous-table non exportée Sous-table non exportée 1967 0 ASIE +LDX-274675 CD12S DI.990.014.001 U01 DI.990.014.001U01 00:03:00 INDE;MADHYA PRADESH MADHYA PRADESH,BHOPAL INSTRUMENTS DE MUSIQUE DU MONDE CITHARE SUR CAISSE Sous-table non exportée Sous-table non exportée CC "SANTUR": 100C,métal, frappées. Raga "Kirwani"• Solo instr DOURNON,GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U02 DI.990.014.001U02 00:03:06 n VIETNAM CENTRE VIETNAM VIETNAMIENS INSTRUMENTS DE MUSIQUE DU MONDE CITHARE SUR TABLE: LE CHANT DU MERLE=*TR LY CON SAO=*TRS Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 16C métal, pincées, taille B (61/100cm). Rythme libre puis mesuré• SCHWARZ, JEAN 1990 0 ASIE +LDX-274675 CD12S DI.990.014.001 U03 DI.990.014.001U03 00:01:25 n TCHAD TIBESTI INSTRUMENTS DE MUSIQUE DU MONDE LUTH Sous-table non exportée Sous-table non exportée BRANDILY,MONIQUE -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U04 DI.990.014.001U04 00:02:10 n AZERBAIDJAN CAUCASE INSTRUMENTS DE MUSIQUE DU MONDE LUTH Sous-table non exportée Sous-table non exportée Muqam Esfahan• DURING,JEAN -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U05 DI.990.014.001U05 00:02:33 N INDE;RAJASTHAN THAR MANGHANIYAR INSTRUMENTS DE MUSIQUE DU MONDE VIELES Sous-table non exportée Sous-table non exportée Stucture rythmique non mesurée• DOURNON, GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U06 DI.990.014.001U06 00:01:52 N REP CENTRAFRICAINE NGBAKA INSTRUMENTS DE MUSIQUE DU MONDE ARC MUSICAL Sous-table non exportée Sous-table non exportée air rituel de la chasse aux pièges Arc musical: cprde frappée avec une baguette• Solo instr AROM,SIMHA -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U07 DI.990.014.001U07 00:01:32 n REP CENTRAFRICAINE NGBAKA INSTRUMENTS DE MUSIQUE DU MONDE HARPE Sous-table non exportée DUO RESPONSORIAL Sous-table non exportée Incantation, chant pour les génies Hapr "NGOMBI": à manche arqué• Choeur & instrs AROM,SIMHA -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U08 DI.990.014.001U08 00:01:55 n GUINEE KANKAN MANDINGUES INSTRUMENTS DE MUSIQUE DU MONDE HARPE-LUTH Sous-table non exportée VARIATION Sous-table non exportée air traditionnel, chant de louanges Hrpe-luth: 19C• Solo instr ROUGET,GILBERT Malinke -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U09 DI.990.014.001U09 00:02:29 n BENIN GOUN INSTRUMENTS DE MUSIQUE DU MONDE ENSEMBLE DE TAMBOURS A UNE PEAU Sous-table non exportée Sous-table non exportée Batterie pour cérémonie annuelle du vodoun Dan ROUGET,GILBERT -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U10 DI.990.014.001U10 00:01:47 n BENIN BARIBA INSTRUMENTS DE MUSIQUE DU MONDE TAMBOURS A DEUX PEAUX A TENSION VARIABLE Sous-table non exportée DUO Sous-table non exportée Pièce de circonstance, louanges adressées au prince des Bariba Bruit de sonnailles mêlé au 1er tambour, non signalé par Arom AROM,SIMHA -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U11 DI.990.014.001U11 00:01:38 n INDE RAJASTHAN INSTRUMENTS DE MUSIQUE DU MONDE TAMBOUR SUR CADRE Sous-table non exportée Sous-table non exportée Percussions accompagnant les chants de fête de printemps le même tambour est frappé par 2 autres musiciens avec bag. de bois DOURNON,GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U12 DI.990.014.001U12 00:02:04 n EGYPTE N N INSTRUMENTS DE MUSIQUE DU MONDE TAMBOUR EN POTERIE A UNE PEAU Sous-table non exportée Sous-table non exportée ZEMP,HUGO -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U13 DI.990.014.001U13 00:02:03 n INDE INSTRUMENTS DE MUSIQUE DU MONDE TIMBALE ET TAMBOUR TABLA Sous-table non exportée Sous-table non exportée démonstration formules rythmiques sur tabla INA -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U14 DI.990.014.001U14 00:01:52 n INDE;KERALA KERALA MARAR, POTHUVAL INSTRUMENTS DE MUSIQUE DU MONDE TAMBOURS, CYMBALES ET GONGS Sous-table non exportée Sous-table non exportée Mus. de scène de combat accompagnant drame chanté et dansé kathakali PITOEFF, PRIBISLAV -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U15 DI.990.014.001U15 00:03:24 n REP CENTRAFRICAINE BANDA INSTRUMENTS DE MUSIQUE DU MONDE TROMPES EN BOIS Sous-table non exportée Sous-table non exportée musique de culte initiatique ATT- Trompe term x2: registre grave, emb simple, en bois. ATT-Trompe term x10: registre médium, emb en biais, en bois. ATL-Trompe lat x6: regisre aigüe, certaines ont un trou d'intonation, elles sont en corne d'antilope• Groupe instr AROM, SIMHA -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U16 DI.990.014.001U16 00:01:25 n TIBET INSTRUMENTS DE MUSIQUE DU MONDE TROMPES EN METAL Sous-table non exportée Sous-table non exportée Musique religieuse bouddhique tibétaine, enregistrée en Inde à Dharmsala (lieu d'exil du Dalaï Lama) Trompe: en métal, taille>100cm• Duo instr HELFFER,MIREILLE TIBET -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U17 DI.990.014.001U17 00:01:32 n INDE;MADHYA PRADESH MADHYA PRADESH, RAWAUT INSTRUMENTS DE MUSIQUE DU MONDE TROMPE Sous-table non exportée Sous-table non exportée Inst. accompagnant ballades épiques et religieuses AT-"BANS": emb biseau, 4T• Solo instr DOURNON, GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U18 DI.990.014.001U18 00:01:43 n INDE;RAJASTHAN THAR INSTRUMENTS DE MUSIQUE DU MONDE FLUTE AVEC BOURDON VOCAL Sous-table non exportée Sous-table non exportée mélodie pastorale Le flûtiste accompagne la mélodie d'un bourdon modulé de la gorge. Flûte "NAR": emb en biseau, 4T• Solo voc + 1 instr DOURNON,GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U19 DI.990.014.001U19 00:02:01 n INDE;RAJASTHAN BARNAWA INSTRUMENTS DE MUSIQUE DU MONDE COUPLE FLUTES A BEC -SATARA Sous-table non exportée Sous-table non exportée Flûte "SATARA": flûtes à bec, insufflation continue, longueur =B. Flûtiste acc. par musicien frappant sur pot de terre avec doigts bagués d'anneaux métalliques• Duo instr DOURNON,GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U20 DI.990.014.001U20 00:01:26 n BRESIL INSTRUMENTS DE MUSIQUE DU MONDE FLUTES A BLOC Sous-table non exportée DUO Sous-table non exportée musique accompagnant des cérémonies Flûte: à bloc• Duo instr DREYFUS-GAMELON,SIMONE Haut-Xingu -1 0 AMERIQUE +LDX-274675 CD12S DI.990.014.001 U21 DI.990.014.001U21 00:01:57 n ILES SALOMON AREARE INSTRUMENTS DE MUSIQUE DU MONDE FLUTES DE PAN Sous-table non exportée Sous-table non exportée Ensemble orchestral de 8 flûtes de pan exécutant une polyphonie à 2 parties quadruplée à l'octave. Taille des flûtes: C• Groupe instr ZEMP,HUGO -1 0 OCEANIE +LDX-274675 CD12S DI.990.014.001 U22 DI.990.014.001U22 00:01:57 n THAILANDE THAIS INSTRUMENTS DE MUSIQUE DU MONDE ORGUE A BOUCHE Sous-table non exportée Sous-table non exportée BRUNET,JACQUES -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U23 DI.990.014.001U23 00:02:00 n ITALIE;SARDAIGNE INSTRUMENTS DE MUSIQUE DU MONDE ACCORDEON Sous-table non exportée Sous-table non exportée instrument servant à accompagner danses collectives (ballu tundu) Accordéon: diatonique• Solo instr LORTAT-JACOB,BERNARD -1 0 EUROPE +LDX-274675 CD12S DI.990.014.001 U24 DI.990.014.001U24 00:01:29 n NEPAL INSTRUMENTS DE MUSIQUE DU MONDE HAUTBOIS(TIBET) Sous-table non exportée Sous-table non exportée Enregistré en Inde à Dharmsala (lieu d'exil du Dalaï Lama). Hautbois: 7+1 trous• Duo instr HELFFER, MIREILLE TIBET -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U25 DI.990.014.001U25 00:02:00 n INDE;RAJASTHAN LANGA-C INSTRUMENTS DE MUSIQUE DU MONDE CLARINETTE DOUBLE AVEC RESERVOIR D'AIR Sous-table non exportée Sous-table non exportée Solo instr DOURNON, GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U26 DI.990.014.001U26 00:01:53 n ITALIE SARDAIGNE, VILLAPUTZU INSTRUMENTS DE MUSIQUE DU MONDE CLARINETTE TRIPLE Sous-table non exportée FIORASSIU Sous-table non exportée fiorassiu désigne à la fois un type de launeddas et une forme musicale Solo instr -1 0 EUROPE +LDX-274675 CD12S DI.990.014.001 U27 DI.990.014.001U27 00:02:58 n GUYANE FRANCAISE HAUT-OYAPOCK WAYAPI INSTRUMENTS DE MUSIQUE DU MONDE ENSEMBLE DE CLARINETTES Sous-table non exportée SUITE DANSEE Sous-table non exportée titre de la pièce : tamanuwa "le grand fournimier" musique d'animation pour réunions villageoises Groupe instr BEAUDET, JEAN-MICHEL -1 0 AMERIQUE +LDX-274675 CD12S DI.990.014.001 U28 DI.990.014.001U28 00:01:54 n INDE;RAJASTHAN LANGA-C INSTRUMENTS DE MUSIQUE DU MONDE GUIMBARDE(RAJASTHAN) Sous-table non exportée Sous-table non exportée DOURNON, GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U29 DI.990.014.001U29 00:02:28 n REP CENTRAFRICAINE GBAYA INSTRUMENTS DE MUSIQUE DU MONDE JEU DE LANGUETTES PINCEES Sous-table non exportée Sous-table non exportée les 2 sanza sont entourées de petits anneaux métalliques  -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U30 DI.990.014.001U30 00:01:31 n REP CENTRAFRICAINE BANDA INSTRUMENTS DE MUSIQUE DU MONDE TAMBOURS DE BOIS A FENTE Sous-table non exportée Sous-table non exportée AROM, SIMHA -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U31 DI.990.014.001U31 00:01:41 n GUINEE MANDINGUES INSTRUMENTS DE MUSIQUE DU MONDE XYLOPHONES (GUINEE) Sous-table non exportée Sous-table non exportée joueurs de xylophones portent autour des poignets des grelots Choeur & instrs ROUGET, GILBERT -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U32 DI.990.014.001U32 00:01:37 n BENIN TORI INSTRUMENTS DE MUSIQUE DU MONDE DOUBLE XYLOPHONE SUR FOSSE Sous-table non exportée Sous-table non exportée destinés à faire danser au cours des cérémonies "vodun" Au second plan : voix d'hommes chantées. Les xylophones sont posés sur fosse; les touches les plus longues du DOSO DAHO, atteignent 1,80 m de long• ROUGET, GILBERT -1 0 AFRIQUE +LDX-274675 CD12S DI.990.014.001 U33 DI.990.014.001U33 00:01:30 n INDE;RAJASTHAN MANGHANIYAR INSTRUMENTS DE MUSIQUE DU MONDE CLAQUETTES DE BOIS Sous-table non exportée Sous-table non exportée démonstration rythmique du jeu des kartal DOURNON, GENEVIEVE -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U34 DI.990.014.001U34 00:01:52 n ILES SALOMON INSTRUMENTS DE MUSIQUE DU MONDE BAMBOUS PILONNANTS (ILES SALOMON) Sous-table non exportée Sous-table non exportée 12 tuyaux de bambou de hauteur et diamètre différents répartis entre 3 mus.qui percutent une grosse pierre posée sur le sol• Solo instr ZEMP,HUGO -1 0 OCEANIE +LDX-274675 CD12S DI.990.014.001 U35 DI.990.014.001U35 00:00:00 n INDONESIE;JAVA INSTRUMENTS DE MUSIQUE DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274675 CD12S DI.990.014.001 U36 DI.990.014.001U36 00:02:58 n INDONESIE;BALI INSTRUMENTS DE MUSIQUE DU MONDE ENSEMBLE DE METALLOPHONES (BALI)  Sous-table non exportée BARONG Sous-table non exportée Drame musical. Prélude instrumental accompagnant l'entrée de Barong IFC-KAJAR = gong posé. IFC-KEMPUR= gong suspendu BERTHE,LOUIS -1 Non pertinent 0 ASIE +LDX-274675 CD12S DI.990.014.001 U37 DI.990.014.001U37 00:02:58 n INDONESIE BALI INSTRUMENTS DE MUSIQUE DU MONDE ENSEMBLE DE METALLOPHONES, BALI Sous-table non exportée Sous-table non exportée musique accompagnant l'entrée du Barong, drame musical balinais Le gong KAJAR est posé; le KEMPUR est suspendu• BERTHE, LOUIS -1 0 ASIE +LDX-274663 CD12S DI.990.014.002 U01 DI.990.014.002U01 00:00:00 n ILES SALOMON POLYPHONIES DES ILES SALOMON (GUADALCANAL ET SAVO) N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LDX-274910 CD12S DI.990.014.003 U01 DI.990.014.003U01 00:00:00 n INDE;KERALA INDE DU SUD-MUSIQUES RITUELLES ET THEATRE DU KERALA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274909 CD12S DI.990.014.004 U01 DI.990.014.004U01 00:00:00 n NOUVELLE-CALEDONIE CHANTS KANAKS=CEREMONIES ET BERCEUSES N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +LDX-274715 CD12S DI.990.014.005 U01 DI.990.014.005U01 00:00:00 n INDE;BENGALE BENGALE-CHANTS DES FOUS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274803 CD12S DI.990.014.006 U01 DI.990.014.006U01 00:00:00 n ROUMANIE ROUMANIE-POLYPHONIE VOCALE DES AROUMAINS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274722 CD12S DI.990.014.007 U01 DI.990.014.007U01 00:03:56 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI TAMBOUR ET CHOEUR DE FEMMES, TERDENG'A Sous-table non exportée Sous-table non exportée Chant de louanges Choeur de femmes homophone avec voix soliste accompagnée de batterie de tambour. Le tambour est frappé par 2 hommes avec des rythmes différents. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U02 DI.990.014.007U02 00:03:28 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE JEUNES FILLES, HIMMI Sous-table non exportée Sous-table non exportée le choeur de femmes est homophone et responsorial ; les danseuses ponctuent rythmiquement ces chants par une sorte de haletement de poitrine et de gorge. L'accompagnement rythmique est assuré par les frappements de mains des chanteuses. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U03 DI.990.014.007U03 00:06:34 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CINQ CHANTS DE MARIAGE, CHOEUR DE FEMMES Sous-table non exportée Sous-table non exportée chant de mariage dont les paroles évoquent différents éléments liés à l'idée de fécondité et d'abondance Titres successifs des cinq chants : Olishi owedo, Bunidé mi bada goni béidé, Dazéda nyéndar hakomma hiyédé, Fhori yao shélè, Worimi dinémézann yezzé. Choeur de femmes, homophone, responsorial. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U04 DI.990.014.007U04 03:04:00 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE CIRCONCISION, CHOEUR DE FEMMES Sous-table non exportée Sous-table non exportée Chant de circoncision nommé "lehilla oro", "coeur d'argent", avec refrain "ganay gali garkyé", "il a bien grandi", exécuté par des femmes agées. Voix soliste avec choeur homophone responsorial, ponctués rythmiquement par des battements de mains, avec intervention de youyou -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U05 DI.990.014.007U05 00:03:14 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE JEUNES FILLES, HIMMI Sous-table non exportée Sous-table non exportée Voix solo avec choeur responsorial homophone, ponctué rythmiquement par frappement de mains. On note, au milieu du chant, un changement de registre vers l'aigu, et à la fin l'intervention d'un râle rythmé par les danseuses. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U06 DI.990.014.007U06 00:03:41 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI DEUX TAMBOURS ET CHOEUR DE FEMMES, DIGIDEL Sous-table non exportée Sous-table non exportée Célébration des exploits guerriers des hommes de retour au village 2 interventions brèves de youyou de femme se juxtaposent au jeu des tambours. Dans la seconde moitié, un chant féminin, responsorial, homophone, "digidela" (1soliste + 1 choeur de 3 voix), s'associe à ce duo de tambours frappés par 3 musiciens. Variations rythmiques• BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U07 DI.990.014.007U07 00:01:24 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI TROIS CHANTS AUX OISEAUX, VOIX D'ENFANT EN SOLO Sous-table non exportée Sous-table non exportée Chants de piégeage des oiseaux. 1° pour la tourterelle : Koudougourou, 2° pour le ganga : borko, 3° pour le pigeon sauvage : ébéro le 2ème de ces chants est ponctué rythmiquement par des cailloux entrechoqués. BRANDILY,MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U08 DI.990.014.007U08 00:01:46 n TCHAD TIBESTI TEDA TCHAD-MUSIQUE DU TIBESTI DEUX "CHANTS DE SELLE", VOIX D'ENFANT Sous-table non exportée Sous-table non exportée Pièces appartenant au genre "dobana terkya" ou encore "terké dobana" (selle de chameau) : a) Bulo bon' gugudodu dugutigi 2) Buloïdi yudri yammerdé BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U09 DI.990.014.007U09 00:04:30 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT ET TAMBOUR DE FORGERON, BEREBEREDO Sous-table non exportée Sous-table non exportée Seul un forgeron peut, sans honte, interpréter cette musique. Chant ponctué d'interjections vocales du public. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U10 DI.990.014.007U10 00:03:20 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI LUTH A DEUX CORDES, KELELI Sous-table non exportée Sous-table non exportée Pièce jouée en brousse pour faire danser les hyènes et les éloigner Luth 2C "KELELI": caisse en forme de lune• Solo instr BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U11 DI.990.014.007U11 00:03:17 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI TROIS PIECES DE LUTH A DEUX CORDES Sous-table non exportée Sous-table non exportée Pieces instrumentales illustrant la capacité de "parler" du luth. Ces 3 pièces ont pour titres 1) odo yédi solo dani (refus dépouser un homme pauvre), 2) susuma (rituel de mariage), 3) tenda tiri saba ndèr (évoquation des jolies ou bons amis) Luth 2C "KELELI": caisse en forme de lune. Solo instr BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U12 DI.990.014.007U12 00:03:53 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI ADEUX PIECES DE VIELE MONOCORDE, KIIKI, ET VOIX D'HOMME FREDONNEE Sous-table non exportée Sous-table non exportée 2 pièces : Béla (nom d'une femme dont l'instrument "dit" la louange), Délalya (prénom féminin) les 2 musiciens, en même temps qu'ils jouent, fredonnent en voix de tête. BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U13 DI.990.014.007U13 00:02:55 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI LUTH KELELI, AVEC VOIX D'HOMME MURMUREE Sous-table non exportée Sous-table non exportée pièce instrumentale louant une femme La corde la plus longue du luth est utilisée pour exécuter un bourdon intermitant, une voix chuchotée d'homme intervient à la fin de la séquence. -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U14 DI.990.014.007U14 00:01:33 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE SELLE, OREO ADDA KELLEII ABA Sous-table non exportée Sous-table non exportée Evocation de la composition du troupeau BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U15 DI.990.014.007U15 00:02:16 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE SELLE, OWOY ODU BU Sous-table non exportée Sous-table non exportée Chant vocal de louanges d'une jeune fille, avec énumération des qualités de son père ! BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U16 DI.990.014.007U16 00:03:05 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT DE SELLE,WOYO ORU SENNANA Sous-table non exportée Sous-table non exportée Chant de louanges à une jeune fille, avec énumération des qualités et des richesses possédées par son père et ses frères . Quel pays de machos ! BRANDILY, MONIQUE -1 0 AFRIQUE +LDX-274722 CD12S DI.990.014.007 U17 DI.990.014.007U17 00:06:14 n TCHAD TIBESTI TCHAD-MUSIQUE DU TIBESTI CHANT ET TAMBOURS DE FORGERON Sous-table non exportée Sous-table non exportée des youyous de femmes se superposent à la voix solo d'homme, accompagnée des tambours BRANDILY, MONIQUE 1961 0 AFRIQUE +LDX-274752 CD12M DI.990.014.008 U01 DI.990.014.008U01 00:00:00 n AFGHANISTAN AFGHANISTAN-CHANTS DES PASHAI N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-3028703001 D303S DI.990.016.001 A01 DI.990.016.001A01 00:00:00 n URSS;RSS ARMENIE ARMENIE Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-3026847000 D303S DI.990.016.002 A01 DI.990.016.002A01 00:00:00 n AZERBAIDJAN THE HEROIC MELODIES OF AZERBAIJAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +030773-4 D303M DI.990.016.003 A01 DI.990.016.003A01 00:00:00 n URSS;RA TOUVA CHANTS ET MELODIES DES TUVA Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-3010573-74 D303S DI.990.016.004 A01 DI.990.016.004A01 00:00:00 n AZERBAIDJAN OLD AZERBAIJAN DANCES Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418568 D303S DI.990.017.004 A01 DI.990.017.004A01 00:00:00 n TURQUIE TURKEY BEKTACHI MUSIC ACHIK SONGS BY ALI EKBER CICEK Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586038 D303S DI.990.017.007 U01 DI.990.017.007U01 00:00:00 -1 IRAK IQA'AT-IRAKI TRADITIONAL RHYTHMIC STRUCTURES N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +6586010 D303S DI.990.017.009 A01 DI.990.017.009A01 00:00:00 -1 EGYPTE TAQASIM AND LAYALI CAIRO TRADITION N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +1653911 D303S DI.990.017.010 A01 DI.990.017.010A01 00:00:00 n INDE INDIAN TALAS/THE RHYTHMIC ART OF NORTH INDIAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +06418369 D303S DI.990.017.011 A01 DI.990.017.011A01 00:00:00 n INDONESIE;JAVA JAVA-FOLK MUSIC FROM SUNDA Sous-table non exportée Sous-table non exportée 0 0 ASIE +6586041 D303S DI.990.017.013 A01 DI.990.017.013A01 00:00:00 n INDONESIE;JAVA VOCAL ART FROM JAVA Sous-table non exportée Sous-table non exportée 0 0 ASIE +BM-30-L-2313 D303M DI.990.017.017 A01 DI.990.017.017A01 00:00:00 n SOUDAN SUDAN II/MUSIC OF THE BLUE NILE PROVINCE THE INGESSANA AND BERTA TRIBES Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +BM-30-SL-2314 D303S DI.990.017.019 A01 DI.990.017.019A01 00:00:00 n ETHIOPIE ETHIOPIA III Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +6586042 D303S DI.990.017.021 U01 DI.990.017.021U01 00:00:00 1 GUINEE RYTHMS OF THE MANDING-ADAM DRAME N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +6586042 D303S DI.990.017.021 U03 DI.990.017.021U03 00:00:00 -1 MALI RYTHMS OF THE MANDING-ADAM DRAME N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +6586042 D303S DI.990.017.021 U08 DI.990.017.021U08 00:00:00 -1 BURKINA FASO RYTHMS OF THE MANDING-ADAM DRAME N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +2402781 D303S DI.990.017.022 A01 DI.990.017.022A01 00:00:00 n CANADA CANADA-MUSIC OF THE INUIT THE COPPER ESKIMO TRADITION Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +06418594 D303S DI.990.017.023 A01 DI.990.017.023A01 00:00:00 n MEXIQUE MEXICO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CDS-004 CD12S DI.990.018.001 U01 DI.990.018.001U01 00:00:00 n COREE DU NORD A SELECTION OF KOREAN TRADITIONAL MUSIC VOL. 1 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VPA-8498/500 D303S DI.991.001.001/03 A01 DI.991.001.001/03A01 00:00:00 n ITALIE;SICILE BANDE MUSICALI DI SICILIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +VPA-8502 D303S DI.991.001.004 A01 DI.991.001.004A01 00:00:00 n ITALIE;SICILE CANTI TRADIZIONALI DI NISCEMI (CALTANISSETTA) Sous-table non exportée Sous-table non exportée 0 0 EUROPE +W-260020 CD12S DI.991.002.001 U01 DI.991.002.001U01 00:00:00 n GRECE GRECE-EPIRE/TAKOUTSIA-MUSICIENS DE ZAGORI N Sous-table non exportée Sous-table non exportée -1877 0 EUROPE +W-260007 CD12S DI.991.002.003 U01 DI.991.002.003U01 00:00:00 n SYRIE WASLA D'ALEP/CHANTS TRADITIONNELS DE SYRIE N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +W-260017 CD12S DI.991.002.004 U01 DI.991.002.004U01 00:00:00 n MAROC MAROC-MUSIQUE GHARNATI-NUBA RAMAL (SELECTION) N Sous-table non exportée Sous-table non exportée 1990 0 AFRIQUE +W-260016-1/3 CD12S DI.991.002.005/07 U01 DI.991.002.005/07U01 00:00:00 n MAROC MAROC-ANTHOLOGIE D'AL-MELHUN N Sous-table non exportée Sous-table non exportée 1990 0 AFRIQUE +W-260014-1/6 CD12S DI.991.002.008/13 U01 DI.991.002.008/13U01 00:00:00 n MAROC "AL-ALA"MUSIQUE ANDALUCI-MAROCAINE/NUBA AL-USHSHAQ N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +W-26010-1/6 CD12S DI.991.002.014/19 U01 DI.991.002.014/19U01 00:00:00 n MAROC ANTHOLOGIE "AL-ALA" MUSIQUE ANDALUCI-MAROCAINE* N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +W-260013 CD12S DI.991.002.020 U01 DI.991.002.020U01 00:00:00 n ETHIOPIE JUIFS LITURGIES JUIVES D'ETHIOPIE N Sous-table non exportée Sous-table non exportée AROM,SIMH 1986 0 AFRIQUE +MCM-260005 CD12S DI.991.002.021 U01 DI.991.002.021U01 00:00:00 URSS;RSS OUZBEKISTAN JUIFS HAZANOUT-CHANTS LITURGIQUES JUIFS Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-260005 CD12S DI.991.002.021 U06 DI.991.002.021U06 00:00:00 ISRAEL JUIFS HAZANOUT-CHANTS LITURGIQUES JUIFS Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-260005 CD12S DI.991.002.021 U12 DI.991.002.021U12 00:00:00 IRAK JUIFS HAZANOUT-CHANTS LITURGIQUES JUIFS Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260012 CD12S DI.991.002.022 U01 DI.991.002.022U01 00:00:00 n AZERBAIDJAN ALEM KASSIMOV 1/MUGAM D'AZERBAIDJAN N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +W-260015 CD12S DI.991.002.023 U01 DI.991.002.023U01 00:00:00 n AZERBAIDJAN ALEM KASSIMOV 2/MUGAM D'AZERBAIDJAN N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +W-260018 CD12S DI.991.002.024 U01 DI.991.002.024U01 00:00:00 n URSS;RSFS RUSSIE CHANTS DE FEMMES DE LA VIEILLE RUSSIE.* N Sous-table non exportée Sous-table non exportée 1990 0 EUROPE +MCM-26008 CD12S DI.991.002.025 U01 DI.991.002.025U01 00:00:00 URSS;RSS OUZBEKISTAN VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U02 DI.991.002.025U02 00:00:00 URSS;RA TOUVA VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U03 DI.991.002.025U03 00:00:00 KAZAKHSTAN VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U05 DI.991.002.025U05 00:00:00 TURKMENISTAN VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U07 DI.991.002.025U07 00:00:00 AZERBAIDJAN VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U08 DI.991.002.025U08 00:00:00 URSS;RSS ARMENIE VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCM-26008 CD12S DI.991.002.025 U11 DI.991.002.025U11 00:00:00 GEORGIE VOIX DE L'ORIENT SOVIETIQUE* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +W-26019 CD12S DI.991.002.026 U01 DI.991.002.026U01 00:00:00 URSS;YAKOUTIE YAKOUTES MUSIQUES DE LA TOUNDRA & ET DE LA TAIGA (URSS) Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-26019 CD12S DI.991.002.026 U03 DI.991.002.026U03 00:00:00 URSS;BOURIATIE MUSIQUES DE LA TOUNDRA & ET DE LA TAIGA (URSS) Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-26019 CD12S DI.991.002.026 U07 DI.991.002.026U07 00:00:00 URSS;SIBERIE SIBERIE ORIENTALE TOUNGOUZES MUSIQUES DE LA TOUNDRA & ET DE LA TAIGA (URSS) Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260009 CD12S DI.991.002.027 U01 DI.991.002.027U01 00:00:00 n MONGOLIE (REP POPU) MONGOLIE N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +OCR-52 D303M DI.991.003.001 A01 DI.991.003.001A01 00:00:00 n COTE D'IVOIRE MASQUES DAN-COTE D'IVOIRE Sous-table non exportée Sous-table non exportée -41 0 AFRIQUE +OCR-48 D303 DI.991.003.002 A01 DI.991.003.002A01 00:00:00 n COTE D'IVOIRE MUSIQUE GOURO DE COTE D'IVOIRE Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +OCR-34 D303M DI.991.003.003 A01 DI.991.003.003A01 00:00:00 n COTE D'IVOIRE MUSIQUE BAOULE KODE Sous-table non exportée Sous-table non exportée 1961 0 AFRIQUE +AP-046 D303S DI.991.004.001 A01 DI.991.004.001A01 00:00:00 n TUNISIE LES OISEAUX DE LA LIBERTE-MOHAMED BHAR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CP-33131 D303S DI.991.004.002 A01 DI.991.004.002A01 00:00:00 n TUNISIE CHANTS POUR LES OLIVIERS-MOHAMED BHAR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +AIMP-2901 D303S DI.991.005.001 A01 DI.991.005.001A01 00:00:00 n AFGHANISTAN MUSIQUES CLASSIQUES ET POPULAIRES D'AFGHANISTAN Sous-table non exportée Sous-table non exportée 1973 0 ASIE +SANSREF-25 CD12S DI.991.006.001 U01 DI.991.006.001U01 00:00:00 n TURQUIE BUSPHORUS IN ATHENS AT HEROD ATTICUS ODEON 31/5/1990 Sous-table non exportée Sous-table non exportée 1990 0 ASIE +SANSREF-26 D303S DI.991.007.001/03 A01 DI.991.007.001/03A01 00:00:00 N ARGENTINE LAS CANCIONES FOLKLORICAS DE LA ARGENTINA/ANTOLOGIA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +82512-2 CD12S DI.991.008.001 U01 DI.991.008.001U01 00:00:00 N ZAIRE BAMBAMAS AFRIQUE CENTRALE:CHANTS KONGO=*TR N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +82512-2 CD12S DI.991.008.001 U02 DI.991.008.001U02 00:00:00 REP CENTRAFRICAINE YOMBES AFRIQUE CENTRALE:CHANTS KONGO=*TR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82512-2 CD12S DI.991.008.001 U06 DI.991.008.001U06 00:00:00 REP CENTRAFRICAINE NDIBUS AFRIQUE CENTRALE:CHANTS KONGO=*TR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82512-2 CD12S DI.991.008.001 U09 DI.991.008.001U09 00:00:00 REP CENTRAFRICAINE NTAMDU AFRIQUE CENTRALE:CHANTS KONGO=*TR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82512-2 CD12S DI.991.008.001 U14 DI.991.008.001U14 00:00:00 REP CENTRAFRICAINE BTAMDU AFRIQUE CENTRALE:CHANTS KONGO=*TR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +82512-2 CD12S DI.991.008.001 U21 DI.991.008.001U21 00:00:00 REP CENTRAFRICAINE MANIANGA AFRIQUE CENTRALE:CHANTS KONGO=*TR Sous-table non exportée Sous-table non exportée 0 AFRIQUE +M-2049433002 D303S DI.991.009.001/02 A01 DI.991.009.001/02A01 00:00:00 N URSS;RSFS RUSSIE RUSSIAN FOLK MUSIC OF THE NORTH AND SIBERIA=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CD-22-1 CD12S DI.991.010.001 U01 DI.991.010.001U01 00:00:00 N IRAN ANTHOLOGY OF PERSIAN MUSIC 1930-1990*TRS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PEL-289-85 D303M DI.991.011.001 A01 DI.991.011.001A01 00:00:00 N COLOMBIE ANTOLOGIA DE LA MUSICA POPULAR Y TRADITIONAL DE COLOMBIA=*TR N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +FMD-189 CD12S DI.991.012.001 U01 DI.991.012.001U01 00:00:00 N TADJIKISTAN TADJIKISTAN/MUSIQUES POPULAIRES DU SUD=*TR N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +UMM-201 CD12S DI.991.013.001 U01 DI.991.013.001U01 00:00:00 N ILE DE LA REUNION MUSIQUES DE L'INDE EN PAYS CREOLES N Sous-table non exportée Sous-table non exportée 1978 0 AFRIQUE +UMM-201 CD12S DI.991.013.001 U02 DI.991.013.001U02 00:00:00 N ANTILLES FRANCAISES MARTINIQUE MUSIQUES DE L'INDE EN PAYS CREOLES N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +UMM-201 CD12S DI.991.013.001 U06 DI.991.013.001U06 00:00:00 N ILE MAURICE MUSIQUES DE L'INDE EN PAYS CREOLES N Sous-table non exportée Sous-table non exportée 1978 0 AFRIQUE +C-3030445000 D303M DI.991.013.002 A01 DI.991.013.002A01 00:00:00 N GEORGIE MESTIJSKIJ FOLKLORNYJ XOR "RIXO"=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3030305005 D303M DI.991.013.003 A01 DI.991.013.003A01 00:00:00 N GEORGIE COXATAURSKIJ FOLKLORNYJ ANSAMBL' "GURIJA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3030447005 D303M DI.991.013.004 A01 DI.991.013.004A01 00:00:00 N GEORGIE OZURGETSKIJ FOKLORNYJ ANSEMBL' "ELESA"=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3028245002 D303M DI.991.013.005 A01 DI.991.013.005A01 00:00:00 N GEORGIE CINANDALI/MUZSKOJ FOLKLORNYJ ANSAMBL';*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +M-3046001005 D303M DI.991.013.006 A01 DI.991.013.006A01 00:00:00 N URSS;RSS LETTONIE LATVIESU FOLKORA/BRIEZUCIEMS UN REKAVA N Sous-table non exportée Sous-table non exportée 1983 0 EUROPE +C-3024885002 D303S DI.991.013.007 A01 DI.991.013.007A01 00:00:00 N URSS;RSS LETTONIE LATVIESU FOLKLORA/AULEJA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +3-009-C-3 D303M DI.991.014.001 A01 DI.991.014.001A01 00:00:00 N URSS;RSS LETTONIE FOLKLORAS KOPAS/KLINCI-SAVIESI=TR* N Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +C-8015387-88 D303S DI.991.014.002 A01 DI.991.014.002A01 00:00:00 N OUGANDA TRADITIONAL MUSIC OF UGANDA=*TR N Sous-table non exportée Sous-table non exportée 1980 0 AFRIQUE +CTS-1003-97 CD12S DI.991.014.003 U01 DI.991.014.003U01 00:00:00 ITALIE CORO TRENTINO SOSAT Sous-table non exportée Sous-table non exportée GINGER STUDIO 0 EUROPE +CDA-001/2 CD12S DI.991.015.001/02 U01 DI.991.015.001/02U01 00:00:00 -1 BENIN UN ROI AFRICAIN ET SA MUSIQUE DE COUR/BENIN Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +LDX-274920 CD12S DI.992.001.001 U01 DI.992.001.001U01 00:00:00 N URSS;RSFS RUSSIE RUSSIE/UKRAINE/BIELORUSSIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274920 CD12S DI.992.001.001 U17 DI.992.001.001U17 00:00:00 N URSS;RSS UKRAINE RUSSIE/UKRAINE/BIELORUSSIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274920 CD12S DI.992.001.001 U26 DI.992.001.001U26 00:00:00 N URSS;RSS BIELORUSSIE RUSSIE/UKRAINE/BIELORUSSIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274921 CD12S DI.992.001.002 U01 DI.992.001.002U01 00:00:00 N URSS;RSS OUZBEKISTAN OUZBEKISTAN/TADJIKISTAN/GEORGIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274921 CD12S DI.992.001.002 U09 DI.992.001.002U09 00:00:00 N TADJIKISTAN OUZBEKISTAN/TADJIKISTAN/GEORGIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274921 CD12S DI.992.001.002 U16 DI.992.001.002U16 00:00:00 N GEORGIE OUZBEKISTAN/TADJIKISTAN/GEORGIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274922 CD12S DI.992.001.003 U01 DI.992.001.003U01 00:00:00 N URSS;RSS ARMENIE ARMENIE/LITUANIE/MOLDAVIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274922 CD12S DI.992.001.003 U09 DI.992.001.003U09 00:00:00 N URSS;RSS LITUANIE ARMENIE/LITUANIE/MOLDAVIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274922 CD12S DI.992.001.003 U23 DI.992.001.003U23 00:00:00 N URSS;RSS MOLDAVIE ARMENIE/LITUANIE/MOLDAVIE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274923 CD12S DI.992.001.004 U01 DI.992.001.004U01 00:00:00 N URSS;RSS ESTONIE ESTONIE/LETTONIE/KAZAKHSTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274923 CD12S DI.992.001.004 U14 DI.992.001.004U14 00:00:00 N URSS;RSS LETTONIE ESTONIE/LETTONIE/KAZAKHSTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274923 CD12S DI.992.001.004 U29 DI.992.001.004U29 00:00:00 N KAZAKHSTAN ESTONIE/LETTONIE/KAZAKHSTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274924 CD12S DI.992.001.005 U01 DI.992.001.005U01 00:00:00 N URSS;RSS KIRGHIZISTAN KIRGHIZISTAN/AZERBAIDJAN/TURKMENISTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274924 CD12S DI.992.001.005 U11 DI.992.001.005U11 00:00:00 N AZERBAIDJAN KIRGHIZISTAN/AZERBAIDJAN/TURKMENISTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274924 CD12S DI.992.001.005 U19 DI.992.001.005U19 00:00:00 N TURKMENISTAN KIRGHIZISTAN/AZERBAIDJAN/TURKMENISTAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274925 CD12S DI.992.001.006 U01 DI.992.001.006U01 00:00:00 N URSS;RSFS RUSSIE CAUCASE DU NORD/VOLGA-OURAL/EXTREME ORIENT/EXTREME NORD=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CD-18 CD12S DI.992.002.001 U01 DI.992.002.001U01 1990:00:00 N GUINEE RYTHMES DE TAMBOUR DES MALINKES-HAMANA/GUINEE=*TR N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +NL-0069 D303S DI.992.003.001 A01 DI.992.003.001A01 00:00:00 N YOUGOSLAVIE NORD-EST DE LA SERBIE FESTIVAL DE MUSIQUE "HOMOLIJE MOTIVES" DE SERBIE NORD-EST=*TR N Sous-table non exportée Sous-table non exportée 1987 0 EUROPE +201103 D303S DI.992.003.002 A01 DI.992.003.002A01 00:00:00 N YOUGOSLAVIE KOSOVO MONTENEGRINS ALL WAS SACRED AND HONOURABLE KOSOVO CYCLE POEMS=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +ALB-23/1-2 D303M DI.992.004.001/02 A01 DI.992.004.001/02A01 00:00:00 N ITALIE;SICILE LE NOEL EN SICILE=*TR N Sous-table non exportée Sous-table non exportée 1970 0 EUROPE +ALB-22/1-3 D303S DI.992.004.003/05 A01 DI.992.004.003/05A01 00:00:00 N ITALIE;SICILE ORCHESTRES DE SICILE=*TR N Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +G-7507 CD12S DI.992.005.001 U01 DI.992.005.001U01 00:00:00 -1 MADAGASCAR MAROVANY/VALIHA-MADAGASCAR N Sous-table non exportée Sous-table non exportée 1983 0 AFRIQUE +G-8908 CD12S DI.992.005.002 U01 DI.992.005.002U01 00:00:00 -1 MADAGASCAR MADAGASCAR PANORAMA MUSICAL N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +G-9105 CD12S DI.992.005.003 U01 DI.992.005.003U01 00:00:00 -1 ILE DE LA REUNION MALOYA, MUSIQUE ET DANSE DE L'ILE DE LA REUNION N Sous-table non exportée Sous-table non exportée 1959 0 AFRIQUE +G-7511 CD12S DI.992.005.004 U01 DI.992.005.004U01 00:00:00 -1 MONGOLIE (REP POPU) MONGOLIE/MUSIQUE ET CHANTS DE TRADITION POPULAIRE N Sous-table non exportée Sous-table non exportée 1985 0 ASIE +G-8901 CD12S DI.992.005.005 U01 DI.992.005.005U01 00:00:00 -1 BOLIVIE ANTHOLOGIE DE LA MUSIQUE DES ANDES.BOLIVIA N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +G-9112 CD12S DI.992.005.006 U01 DI.992.005.006U01 00:00:00 -1 PEROU AMAZONIA N Sous-table non exportée Sous-table non exportée 1989 0 AMERIQUE +G-1509 CD12S DI.992.005.007 U01 DI.992.005.007A01 00:00:00 -1 INDE ANTH. DE LA M. CLASSIQUE DE L'INDE/M. VOCALE HINDOUSTANIE KARNATIQUE N Sous-table non exportée Sous-table non exportée 1950 0 ASIE +G-1510 D303M DI.992.005.008 A01 DI.992.005.008A01 00:00:00 -1 INDE ANTH. DE LA M. CALSSIQUE DE L'INDE/M. INSTRUMENTALE&DE DANSE DE L'INDE N Sous-table non exportée Sous-table non exportée 1950 0 ASIE +G-1504 D303S DI.992.005.009 A01 DI.992.005.009A01 00:00:00 -1 PEROU CHARANGO CUZQUENO N Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +G-9002 CD12S DI.992.005.010 U01 DI.992.005.010U01 00:00:00 -1 FRANCE;BRETAGNE KEVRENN ALRE N Sous-table non exportée Sous-table non exportée 1990 0 EUROPE +VDECD-612 CD12S DI.992.006.001 U01 DI.992.006.001U01 00:00:00 N BENIN BENIN:RYTHMES ET CHANTS POUR LES VODUN N Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +VDECD-606 CD12S DI.992.006.002 U01 DI.992.006.002U01 00:00:00 N EQUATEUR RITUEL-MUSIQUE RITUELLE ANDINE/MANCO CAPAC N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +VDECD-606 CD12S DI.992.006.002 U02 DI.992.006.002U02 00:00:00 N BOLIVIE RITUEL-MUSIQUE RITUELLE ANDINE/MANCO CAPAC N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +VDECD-606 CD12S DI.992.006.002 U07 DI.992.006.002U07 00:00:00 N CHILI RITUEL-MUSIQUE RITUELLE ANDINE/MANCO CAPAC N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +VDECD-606 CD12S DI.992.006.002 U08 DI.992.006.002U08 00:00:00 N PEROU RITUEL-MUSIQUE RITUELLE ANDINE/MANCO CAPAC N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +VDECD-613 CD12S DI.992.006.003 U01 DI.992.006.003U01 00:00:00 N AZERBAIDJAN AZERBAIDJAN:MUSIQUE ET CHANTS DES ASHIQ N Sous-table non exportée Sous-table non exportée 1981 0 ASIE +VDECD-618 CD12S DI.992.006.004 U01 DI.992.006.004U01 00:00:00 N INDE GONDS INDE CENTRALE:TRADITIONS MUSICALES DES GOND N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +LDX-274760 CD12S DI.992.007.001 U01 DI.992.007.001U01 00:00:00 N ITALIE;SARDAIGNE POLYPHONIES DE SARDAIGNE N Sous-table non exportée Sous-table non exportée 1979 0 EUROPE +LDX-274865 CD12S DI.992.007.002 U01 DI.992.007.002U01 00:00:00 N PHILIPPINES PHILIPPINES.MUSIQUE DES HAUTES TERRES PALAWAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +LDX-274932 CD12S DI.992.007.003 U01 DI.992.007.003U01 00:03:55 n REP CENTRAFRICAINE PANA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR ZANGA TU MBAI Sous-table non exportée Sous-table non exportée Pièce jouée au réveil du chef du groupe pana pour fêter son intronisation Cette pièce accompagne une danse de femmes DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U02 DI.992.007.003U02 00:04:14 n REP CENTRAFRICAINE PANA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR NDAI LAI Sous-table non exportée Sous-table non exportée Chant pour l'initiation ndai. Danse pour la sortie des enfants initiés DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U03 DI.992.007.003U03 00:03:13 n REP CENTRAFRICAINE ZANDE REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR MARIA Sous-table non exportée Sous-table non exportée Introduction instrumentale DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U04 DI.992.007.003U04 00:03:29 n REP CENTRAFRICAINE ZANDE REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR MARIA (SUITE DE LA PIECE U.3) Sous-table non exportée Sous-table non exportée répertoire traitant des derniers événements ayant eu lieu dans le village DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U05 DI.992.007.003U05 00:04:34 n REP CENTRAFRICAINE NGBAKA-MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR MBALI YONGO Sous-table non exportée Sous-table non exportée répertoire "yolo bisa" (jolie danse) DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U06 DI.992.007.003U06 00:04:24 n REP CENTRAFRICAINE NGBAKA-MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR 1 - GBOKO LIA, 2 - YAYARI KPAMO Sous-table non exportée Sous-table non exportée le répertoire Sumalé des garçons est exécuté uniquement au camp d'initiation La partie vocale est réduite à quelques phrases entonnées par le xylophoniste. Dans l'exécution de Yayari kpamo la partie chantée est renforcée à la fin du morceau par un choeur de les femmes 2 pièces sont regroupées sur cette plage: la 1ère, Gboko lia appartient au répertoire Sumalé (introduction instrumentale), la 2de Yayari kpamo, appartient au répertoire Enga. Chant d'oiseaux au début du morceau. DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U07 DI.992.007.003U07 00:02:41 n REP CENTRAFRICAINE NGBAKA-MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR GALE Sous-table non exportée Sous-table non exportée La fin de cette pièce est ponctuée par une cadence conclusive appartenant en propre au xylophoniste Sérendopé. DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U08 DI.992.007.003U08 00:02:16 n REP CENTRAFRICAINE NGBAKA-MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR WARA DEMO Sous-table non exportée Sous-table non exportée Le répertoire Zuma wara 'chants de la houe" a pour thème les travaux agricoles DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U09 DI.992.007.003U09 00:05:05 n REP CENTRAFRICAINE GBAYA BANDA GBAMBIYA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR NGINZA NGIRIKI Sous-table non exportée Sous-table non exportée Ce chant fait allusion à un plat relevé qui a donné au chanteur force et courage. Il appartient au répertoire Angala. DEHOUX, VINCENT  -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U10 DI.992.007.003U10 00:06:48 n REP CENTRAFRICAINE TOGBO BANDA GBAMBIYA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR KINIA ANASHE WALA WALA Sous-table non exportée Sous-table non exportée Cette pièce est destinée à l'ensemble des enfants pour qu'ils accompagnent leurs aînés à la danse. Elle appartient au répertoire Angala.  DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U11 DI.992.007.003U11 00:03:06 n REP CENTRAFRICAINE BANDA MBIYI REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR YOLOMALE Sous-table non exportée Sous-table non exportée Danse Ngurungba du répertoire Ganza Yashé Sont utilisés également comme instruments de musique des accessoires corporels non spécifiés DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U12 DI.992.007.003U12 00:06:49 n REP CENTRAFRICAINE NGRIKO MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR BANIA ONE AE ZOA (XYLOPHONE) Sous-table non exportée Sous-table non exportée Pièce initiatique d'excision dont le titre peut se traduire par "présentez-moi ma soeur, que je puisse l'observer". Répertoire Zima gaza koo, danse Gba koro. Deux versions de cette pièce sont présentées sur le même disque, plage 12 : version pour xylophone, plage 13 : version pour sanza et sont jouées par le même instrumentiste : Bawassan. DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U13 DI.992.007.003U13 00:07:52 n REP CENTRAFRICAINE NGRIKO MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR BANIA ONE AE ZOA (SANZA) Sous-table non exportée Sous-table non exportée Pièce initiatique d'excision dont le titre peut se traduire par "présentez-moi ma soeur, que je puisse l'observer". Répertoire Zima gaza koo, danse Gba koro. Deux versions de cette pièce sont présentées sur le même disque, plage 12 : version pour xylophone, plage 13 : version pour sanza et sont jouées par le même instrumentiste : Bawassan.  DEHOUX, VINCENT -1 0 AFRIQUE +LDX-274932 CD12S DI.992.007.003 U14 DI.992.007.003U14 00:07:43 n REP CENTRAFRICAINE  MANZA REPUBLIQUE CENTRAFRICAINE/MUSIQUE DES XYLOPHONES=*TR ZIMA GAZA KOO Sous-table non exportée Sous-table non exportée Suite composée de 9 danses qui s'enchaînent : 1) Ba nia oné aé zoa, 2) Yu ganda, ,3) Ya nzala, 4) Naa gonédé, 5) Kua ba té, 6) Dègbèlè, 7) Sè to né né toto mali, 8) Aa to té, 9) Tu tu tu lu ma tu et qui sont des chants initiatiques de jeunes filles.   DEHOUX, VINCENT -1 0 AFRIQUE +VDECD-652 CD12S DI.992.008.001 U01 DI.992.008.001U01 00:00:00 ZAIRE NANDE ZAIRE:LA MUSIQUE DES NANDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +ISC-0503 D173M DI.992.009.001 A01 DI.992.009.001A01 00:00:00 N ISRAEL LE NIGGUN MERON=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +AF-115/116 D303M DI.992.011.001/02 A01 DI.992.011.001/02A01 00:00:00 N GRECE SONGS FROM AEGINA=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DT-01/02 D303S DI.992.012.001/02 A01 DI.992.012.001/02A01 00:00:00 -1 ESPAGNE MUSICA DE TRADICIO ORAL A CATALUNYA-SERIE 1, VOL.1 N Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +VICG-5016 CD12S DI.992.013.001 U01 DI.992.013.001U01 00:00:00 -1 CHINE CHINE. LE ROI SINGE-LE MONDE DE L'OPERA DE PEKIN=*TR N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +VDP-1117 CD12S DI.992.013.002 U01 DI.992.013.002U01 00:00:00 -1 CHINE FANTASTIC PIPES OF CHINA BY LYU HONG-JUN=*TR N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +VDR-1090 CD12M DI.992.013.003 U01 DI.992.013.003U01 00:00:00 -1 JAPON LE KOTO DE MIYAGI MICHIO-ROKUDAN=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDP-1366 CD12S DI.992.013.005 U01 DI.992.013.005U01 00:00:00 -1 COREE DU SUD HAN. KOREAN NANDO MINYO=*TR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VID-25019 CD12S DI.992.013.006 U01 DI.992.013.006U01 00:00:00 -1 COREE DU SUD L'IDEAL DE L'ART VOCAL EPIQUE COREEN=*TR N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +VDP-1364 CD12S DI.992.013.007 U01 DI.992.013.007U01 00:00:00 -1 COREE DU SUD SAMUL&HOJOK SINAWI/TAEPUNGNYU.L'IDEAL DE L'ENSEMBLE A VENT COREEN=TR N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +VDP-1097 CD12S DI.992.013.008 U01 DI.992.013.008U01 00:00:00 -1 COREE DU SUD LES MEMOIRES DU KAYAGUM=*TR N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +VID-25025 CD12S DI.992.013.009 U01 DI.992.013.009U01 00:00:00 -1 INDONESIE;BALI SWEETAND INTOXICATING GAMELAN=*TR N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +VID-25026 CD12S DI.992.013.010 U01 DI.992.013.010U01 00:00:00 -1 INDONESIE;BALI DYNAMIC SOUND OF THE EARTH N Sous-table non exportée Sous-table non exportée 1984 0 ASIE +VID-25028 CD12S DI.992.013.011 U01 DI.992.013.011U01 00:00:00 -1 INDONESIE;BALI MAHABHARATA WAYAN KRIT. A VIRTUOSO SHADOW PLAY IN BALI=*TR N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +VDP-1349 CD12S DI.992.013.012 U01 DI.992.013.012U01 00:00:00 -1 INDE RASLILA. LA DANCE DE KRISHNA=*TR N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +VID-25037 CD12S DI.992.013.013 U01 DI.992.013.013U01 00:00:00 -1 INDE SOUTH INDIA. MIRACLE PERCUSSION OF KUDIYATTAM,THE OLDEST DRAMA * N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +VDP-1351 CD12S DI.992.013.014 U01 DI.992.013.014U01 00:00:00 -1 INDE DELHI. BANGRA SAHIB TEMPLE PRAYER MUSIC OF SIKH=*TR N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +MC-1349 D303 DI.992.014.001 A01 DI.992.014.001A01 00:00:00 -1 MEXIQUE ABAJENOS Y SONES DE LA FIESTA PUREPECHA N Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +SERIE2N°1 D303M DI.992.014.002 A01 DI.992.014.002A01 00:00:00 -1 MEXIQUE LA MUSIQUE RITUELLE *TR N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +SERIE1-6/O9 D303M DI.992.014.003/06 A01 DI.992.014.003/06A01 00:00:00 -1 MEXIQUE 50 ENCUENTROS DE MUSICA Y DANZA TRADICIONAL INDIGENA=*TR N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +B-6735 CD12S DI.992.015.001 U01 DI.992.015.001U01 00:00:00 n TURQUIE AL KINDI. MUSIQUE CLASSIQUE ARABE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6735 CD12S DI.992.015.001 U02 DI.992.015.001U02 00:00:00 n EGYPTE AL KINDI. MUSIQUE CLASSIQUE ARABE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +B-6735 CD12S DI.992.015.001 U03 DI.992.015.001U03 00:00:00 n IRAK AL KINDI. MUSIQUE CLASSIQUE ARABE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6735 CD12S DI.992.015.001 U04 DI.992.015.001U04 00:00:00 n TUNISIE AL KINDI. MUSIQUE CLASSIQUE ARABE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PS-65073 CD12S DI.992.015.002 U01 DI.992.015.002U01 00:00:00 n ARGENTINE ARGENTINE. PATRIMOINE MUSICAL DES PROVINCES DU NORD-OUEST N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +B-6134 CD12S DI.992.015.003 U01 DI.992.015.003U01 00:00:00 n BRESIL BRASIL. CANTORIA. ELOMAR; GERALDO AZEVEDO; VITAL FARIAS; XANGAI N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +ARN-64111 CD12S DI.992.015.004 U01 DI.992.015.004U01 00:00:00 n INDE;RAJASTHAN MUSIQUE DU RAJASTHAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6745 CD12S DI.992.015.005 U01 DI.992.015.005U01 00:00:00 n INDE CHANTS DE DEVOTION. LAKSHMI SHANKAR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +ARN-64045 CD12S DI.992.015.006 U01 DI.992.015.006U01 00:00:00 n INDE;ORISSA L'INDE. MUSIQUE TRAD. DE DANSE ODISSI. ENSEMBLE TRAD. DE L'ORISSA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6746 CD12S DI.992.015.007 U01 DI.992.015.007U01 00:00:00 n INDE MUSIQUE KARNATIQUE. MAHARAJAPURAM SANTHANAM N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6752 CD12S DI.992.015.008 U01 DI.992.015.008U01 00:00:00 n IRAN GRANDS MAITRES DU ZARB. DJAMCHID CHEMIRANI. IRAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6139 CD12S DI.992.015.009 U01 DI.992.015.009U01 00:00:00 n JAPON GRANDS MAITRES DE LA FLUTE SHAKUHACHI. GORO YAMAGUCHI. JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6508 CD12S DI.992.015.010 U01 DI.992.015.010U01 00:00:00 n JAPON SHAKUHACHI. JAPON N Sous-table non exportée Sous-table non exportée -1 0 ASIE +PS-65082 CD12S DI.992.015.011 U01 DI.992.015.011U01 00:00:00 n PAKISTAN TRESORS DU PAKISTAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6737 CD12S DI.992.015.012 U01 DI.992.015.012U01 00:00:00 n TURQUIE FASL. MUSIQUE DE L'EMPIRE OTTMAN. ENSEMBLE DE KUDSI ERGUNER N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6738 CD12S DI.992.015.013 U01 DI.992.015.013U01 00:00:00 n TURQUIE LES JANISSAIRES. MUSIQUE MARTIALE DE L'EMPIRE OTTOMAN* N Sous-table non exportée Sous-table non exportée -1 0 ASIE +B-6750 CD12S DI.992.015.014 U01 DI.992.015.014U01 00:00:00 n ESPAGNE JEREZ. FIESTA & CANTE JONDO. N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +ARN-64083 CD DI.992.015.015 U01 DI.992.015.015U01 00:00:00 n ITALIE ITALIE. CHANTS & DANSES. DOCUMENT D'ARCHIVES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +PS-65017 CD12S DI.992.015.016 U01 DI.992.015.016U01 00:00:00 n PORTUGAL PORTUGAL. MUSIQUES TRADITIONNELLES DE L'ALENTEJO N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +26039810071/2 CD12S DI.992.016.001/02 U01 DI.992.016.001/02U01 00:00:00 -1 TAIWAN HOU YU-TZUNG PERCUSSION FOR PEKING OPERA N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +26039810081/2 CD12S DI.992.016.003/04 U01 DI.992.016.003/04U01 00:00:00 -1 TAIWAN LAI PI-HSIA TAIWANESE HAKKA MOUNTAIN SONG N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +26039810091/2 CD12S DI.992.016.005/06 U01 DI.992.016.005/06U01 00:00:00 -1 TAIWAN PAN YU-CHIAO SINGS LUAN-T'AN OPERA N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +26039810100 CD12S DI.992.016.007 U01 DI.992.016.007U01 00:00:00 -1 TAIWAN THE CHIN PLAYING OF SUN YU-CHIN N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +26039810110/1 CD12S DI.992.016.008/09 U01 DI.992.016.008/09U01 00:00:00 -1 TAIWAN CHEN KUAN-HUA TAIWANESE FLAO FOLK MUSIC N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +26039810120/1 CD12S DI.992.016.010/11 U01 DI.992.016.010/11U01 00:00:00 -1 TAIWAN YANG HSIU CHING TAIWANESE ENSEMBLE N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +55802 CD12S DI.992.017.001 U01 DI.992.017.001U01 00:00:00 n INDE FOLK MUSIC OF UTTAR PRADESH, INDIA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +MA-347 D303M DI.992.018.001 A01 DI.992.018.001A01 00:00:00 -1 MEXIQUE LA MUSICA DE UNA COMMUNIDAD OTONI N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +MA-344 D303M DI.992.018.002 A01 DI.992.018.002A01 00:00:00 -1 MEXIQUE LA MUSICA ENTRE LOS CHICHIMECAS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +INI-3 D303M DI.992.018.003 A01 DI.992.018.003A01 00:00:00 -1 MEXIQUE CHUJES Y JACALTECOS-MUSICA DE LA FRONTERA SUR N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +INI-4 ? D303M DI.992.018.004 A01 DI.992.018.004A01 00:00:00 -1 MEXIQUE 50 ENCUENTROS DE MUSICA Y DANZA TRADICIONAL INDIGENA, VOL. 1 N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +INI-5 ? D303M DI.992.018.005 A01 DI.992.018.005A01 00:00:00 -1 MEXIQUE 50 ENCUENTROS DE MUSICA Y DANZA TRADICIONAL INDIGENA VOL. 2 N Sous-table non exportée Sous-table non exportée 1979 0 AMERIQUE +INI-6 ? D303M DI.992.018.006 A01 DI.992.018.006A01 00:00:00 -1 MEXIQUE 50 ENCUENTROS DE MUSICA Y DANZA TRADICIONAL INDEGENA VOL. 3 N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +INI-7 ? D303M DI.992.018.007 A01 DI.992.018.007A01 00:00:00 -1 MEXIQUE 50 ENCUENTROS DE MUSICA Y DANZA TRADICIONAL INDIGENA VOL. IV N Sous-table non exportée Sous-table non exportée 1979 0 AMERIQUE +INI-8 ? D303M DI.992.018.008 A01 DI.992.018.008A01 00:00:00 MEXIQUE LOS MAYAS PENINSULARES N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +INI-9 ? D303M DI.992.018.009 A01 DI.992.018.009A01 00:00:00 -1 MEXIQUE GRUPOS ETNICOS DE BAJA CALIFORNIA NORTE N Sous-table non exportée Sous-table non exportée 1979 0 AMERIQUE +INI-10/12 ? D303M DI.992.018.010/12 A01 DI.992.018.010/12A01 00:00:00 -1 MEXIQUE CINCO SIGLOS DE BANDAS EN MEXICO N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +INI-13 D303M DI.992.018.013 A01 DI.992.018.013A01 00:00:00 -1 MEXIQUE LA MUSICA RITUAL-EL COSTUMBRE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +SF-7 D303M DI.992.018.014 A01 DI.992.018.014A01 00:00:00 -1 MEXIQUE BANDA SINFONICA DE ALUMNOS DEL CENTRO DE CARACITACION M. DE ZONA MIXE N Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z01 DI.992.019.001Z01 00:00:00 -1 VENEZUELA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z03 DI.992.019.001Z03 00:00:00 -1 GUATEMALA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z04B DI.992.019.001Z04B 00:00:00 -1 NICARAGUA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z04D DI.992.019.001Z04D 00:00:00 -1 EQUATEUR INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z05 DI.992.019.001Z05 00:00:00 -1 BRESIL INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z06 DI.992.019.001Z06 00:00:00 -1 HONDURAS INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z07 DI.992.019.001Z07 00:00:00 -1 TRINITE & TOBAGO INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z09 DI.992.019.001Z09 00:00:00 -1 SURINAM INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z12 DI.992.019.001Z12 00:00:00 -1 REP DOMINICAINE INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z13 DI.992.019.001Z13 00:00:00 -1 CHILI INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-1 D303M DI.992.019.001 Z15 DI.992.019.001Z15 00:00:00 -1 PANAMA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOS 1: IDIOFONOS N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z01A DI.992.019.002Z01A 00:00:00 -1 VENEZUELA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z01B DI.992.019.002Z01B 00:00:00 -1 HONDURAS INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z03A DI.992.019.002Z03A 00:00:00 -1 CHILI INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z03B DI.992.019.002Z03B 00:00:00 -1 BRESIL INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z05B DI.992.019.002Z05B 00:00:00 -1 REP DOMINICAINE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z06B DI.992.019.002Z06B 00:00:00 -1 GUATEMALA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z07 DI.992.019.002Z07 00:00:00 URUGUAY INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z10A DI.992.019.002Z10A 00:00:00 -1 COLOMBIE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z10C DI.992.019.002Z10C 00:00:00 -1 SURINAM INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z10D DI.992.019.002Z10D 00:00:00 -1 HAITI INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-2 D303M DI.992.019.002 Z10E DI.992.019.002Z10E 00:00:00 -1 PANAMA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOL 2 MEMBRANOFOS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z01 DI.992.019.003Z01 00:00:00 -1 HONDURAS INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z01C DI.992.019.003Z01C 00:00:00 -1 VENEZUELA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z02A DI.992.019.003Z02A 00:00:00 -1 EQUATEUR INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z02B DI.992.019.003Z02B 00:00:00 -1 MEXIQUE INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z02C DI.992.019.003Z02C 00:00:00 -1 PEROU INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z02D DI.992.019.003Z02D 00:00:00 -1 SALVADOR INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z03A DI.992.019.003Z03A 00:00:00 -1 BRESIL INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z04 DI.992.019.003Z04 00:00:00 -1 PANAMA INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z05 DI.992.019.003Z05 00:00:00 -1 BOLIVIE INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z07 DI.992.019.003Z07 00:00:00 -1 COLOMBIE INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +VD-88005-3 D303M DI.992.019.003 Z11A DI.992.019.003Z11A 00:00:00 -1 PARAGUAY INSTRUMENTOS MUSICALES DE AMERICALATINA Y EL CARIBE VOL. 3:CORDOFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 A04C DI.992.019.004A04C 00:00:00 -1 EQUATEUR INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z01 DI.992.019.004Z01 00:00:00 -1 VENEZUELA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z02A DI.992.019.004Z02A 00:00:00 -1 BRESIL INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z02B DI.992.019.004Z02B 00:00:00 -1 ARGENTINE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z02C DI.992.019.004Z02C 00:00:00 -1 MEXIQUE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z03B DI.992.019.004Z03B 00:00:00 -1 BOLIVIE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z04A DI.992.019.004Z04A 00:00:00 -1 PANAMA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z07C DI.992.019.004Z07C 00:00:00 -1 COLOMBIE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z08 DI.992.019.004Z08 00:00:00 -1 GUATEMALA INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z10B DI.992.019.004Z10B 00:00:00 -1 CHILI INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z10D1 DI.992.019.004Z10D1 00:00:00 -1 HAITI INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +VD-88005-4 D303M DI.992.019.004 Z10D2 DI.992.019.004Z10D2 00:00:00 -1 REP DOMINICAINE INSTRUMENTOS MUSICALES DE AMERICA LATINA Y EL CARIBE VOS 4: AEROFONOS N Sous-table non exportée Sous-table non exportée 1973 0 AMERIQUE +BT-K2 D303M DI.992.020.001 A01 DI.992.020.001A01 00:00:00 -1 CONGO L'ART DU TAMBOUR NGOMA BAKONGO N Sous-table non exportée Sous-table non exportée 1973 0 AFRIQUE +SRC-121175 D303M DI.992.020.002 A01 DI.992.020.002A01 00:00:00 -1 CONGO MUSIQUES,CHANTS,DANSES TRADITIONNELLES D'AFRIQUE CONGO ANCIEN MODERNE N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +LDX-274936 CD12S DI.992.021.001 U01 DI.992.021.001U01 00:00:00 _1 ITALIE;SARDAIGNE SARDAIGNE-POLYPHONIE DE LA SEMAINE SAINTE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +LDX-274937 CD12S DI.992.021.002 U01 DI.992.021.002A01 00:00:00 -1 ROUMANIE ROUMANIE-MUSIQUE POUR CORDES DE TRANSYLVANIE N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +LDX-274938 CD12S DI.992.021.003 U01 DI.992.021.003U01 00:00:00 _1 BOLIVIE BOLIVIE-MUSIQUE CALENDAIRES DES VALLEES CENTRALES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-9027055-004 D303M DI.992.022.001 A01 DI.992.022.001A01 00:00:00 -1 URSS;RSFS RUSSIE FOLKLORE OF THE PEOPLES OF RUSSIA N Sous-table non exportée Sous-table non exportée 1987 0 EUROPE +M-3048583-003 D303M DI.992.022.002 A01 DI.992.022.002A01 00:00:00 -1 URSS;RSS LETTONIE LIIVI-LIVONIAN FOLK SONGS N Sous-table non exportée Sous-table non exportée 1987 0 EUROPE +C-3027199-003 D303M DI.992.022.003 A01 DI.992.022.003A01 00:00:00 -1G GEORGIE GEORGIA= *TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3030593-003 D303M DI.992.022.004 A01 DI.992.022.004A01 00:00:00 -1 GEORGIE GEORGIAN FOLK SONGS AND DANCES=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CETRASU-5005 D303S DI.992.023.001 A01 DI.992.023.001A01 00:00:00 -1 EGYPTE EGITTO 1/EPICA N Sous-table non exportée Sous-table non exportée 1978 0 AFRIQUE +VDECD-698 CD12S DI.993.001.001 U01 DI.993.001.001U01 00:00:00 -1 CAMBODGE CAMBODGE:MUSIQUE DE L'EXIL N Sous-table non exportée Sous-table non exportée -1 0 ASIE +GEMP-25 CD12S DI.993.002.001 U01 DI.993.002.001U01 00:00:00 -1 FRANCE CHARMEURS D'OISEAUX ET SIFFLEURS DE DANSES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-580008 CD12S DI.993.003.001 U01 DI.993.003.001U01 00:06:27 19 mars REP CENTRAFRICAINE NDONGUE GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER PIERE Sous-table non exportée Sous-table non exportée Le quatuor vocal est interprété par Etienne Ngbozo qui joue en même temps de la petite sanza, Daniel Ngadiké, Robert Tarapai, Raymond Doko Choeur & instrs DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U02 DI.993.003.001U02 00:06:43 31 mars REP CENTRAFRICAINE NDONGUE GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER NAA-KORE Sous-table non exportée Sous-table non exportée Voix de D. Ngadiké, R. Doko, E. Ngbozo DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U03 DI.993.003.001U03 00:11:02 19 février REP CENTRAFRICAINE GALO GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER NAA-BUA Sous-table non exportée Sous-table non exportée Voix de E. et R. Doko, P. Minang, M. Sénouané. DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U04 DI.993.003.001U04 00:04:05 11 mars REP CENTRAFRICAINE KPOKORTA GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER DAITE Sous-table non exportée Sous-table non exportée DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U05 DI.993.003.001U05 00:03:58 11 mars REP CENTRAFRICAINE KPOKORTA GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER NAA-YANGA Sous-table non exportée Sous-table non exportée Présence de chant de cigales  DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U06 DI.993.003.001U06 00:13:37 20 février REP CENTRAFRICAINE GALO GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER FARA KOKUMANDA Sous-table non exportée Sous-table non exportée DEHOUX, VINCENT 1977 0 AFRIQUE +C-580008 CD12S DI.993.003.001 U07 DI.993.003.001U07 00:05:05 17 février REP CENTRAFRICAINE NDONGUE GBAYA CENTRAFRIQUE MUSIQUE GBAYA CHANTS A PENSER NAA-NDONGUE Sous-table non exportée Sous-table non exportée DEHOUX, VINCENT 1977 0 AFRIQUE +C-580015 CD12S DI.993.003.002 U01 DI.993.003.002U01 00:00:00 -1 PEROU PEROU:TAQUILE ILE DU CIEL-MUSIQUE QUECHUA DU LAC TILICACA N Sous-table non exportée Sous-table non exportée 1984 0 AMERIQUE +C-580017/18 CD12S DI.993.003.003/04 U01 DI.993.003.003/04U01 00:00:00 -1 IRAN;BALOUTCHISTAN BALOUTCHISTAN-MUSIQUES D'EXTASE ET DE GUERISON N Sous-table non exportée Sous-table non exportée Baloutchistan -1 0 ASIE +C-580022 CD12S DI.993.003.005 U01 DI.993.003.005U01 00:00:00 -1 BRESIL BRESIL-MUSIQUES DU HAUT-XINGU N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-560026 CD12S DI.993.003.006 U01 DI.993.003.006U01 00:00:00 -1 IRAN IRAN:LES MAITRES DE LA MUSIQUE TRADITIONNELLE, VOL. 3 N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +C-580036 CD12S DI.993.003.007 U01 DI.993.003.007U01 00:00:00 -1 SIERRA LEONE SIERRA LEONE-MUSIQUES TRADITIONNELLES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-580037 CD12S DI.993.003.008 U01 DI.993.003.008U01 00:00:00 -1 SRI LANKA SRI LANKA-MUSIQUES RITUELLES ET RELIGIEUSES N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +C-580038 CD12S DI.993.003.009 U01 DI.993.003.009U01 00:00:00 -1 SYRIE SYRIE,MUEZZINS D'ALEP/CHANTS RELIGIEUX DE L'ISLAM N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +C-580041 CD12S DI.993.003.010 U01 DI.993.003.010U01 00:00:00 -1 YOUGOSLAVIE SERBIE ORIENTALE, JABUKOVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS UNGUREANCA Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560009 CD12S DI.993.003.011 U01 DI.993.003.011U01 00:00:00 -1 GUINEE GUINEE:RECITS ET EPOPEES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560017/18 CD12S DI.993.003.012/13 U01 DI.993.003.012/13U01 00:00:00 -1 INDE INDE DU NORD-VOYAGE INTERIEUR SHEILA DHAR N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +C-560030 CD12S DI.993.003.014 U01 DI.993.003.014U01 00:00:00 -1 GUADELOUPE GUADELOUPE-LE GWOKA-SOIREE LEWOZ A JABRUN N Sous-table non exportée Sous-table non exportée 1992 0 AMERIQUE +C-560031 CD12S DI.993.003.015 U01 DI.993.003.015U01 00:00:00 -1 GUADELOUPE GUADELOUPE-LE GWOKA-SOIREE LEWOZ A CACAO N Sous-table non exportée Sous-table non exportée 1992 0 AMERIQUE +C-560032 CD12S DI.993.003.016 U01 DI.993.003.016U01 00:00:00 -1 OUGANDA OUGANDA-AUX SOURCES DU NIL N Sous-table non exportée Sous-table non exportée 1991 0 AFRIQUE +C-560037/38 CD12S DI.993.003.017/18 U01 DI.993.003.017/18U01 00:00:00 -1 TAIWAN NAN KOUAN CHANTS COURTOIS DE LA CHINE DU SUD;VOL.2+3 N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +D-8203 CD12S DI.993.004.001 U01 DI.993.004.001U01 00:00:00 -1 COTE D'IVOIRE COTE D'IVOIRE-VEILLEE FUNERAIRE SENOUFO-FODONON N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +PS-65103 CD12S DI.993.005.001 U01 DI.993.005.001U01 00:13:09 26 décembre 1992 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI METABOLE SUR LES TROIS REGIONS NORD-CENTRE-SUD DU VIETNAM = *TR CHUYEN HE BA MIEN = *TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée C'est une composition où se sont succédées les trois échelles musicales (do-ré-fa-sol-la-do du Nord, do-ré-fa+sol-la-do du Centre et do-mib-fa-sol-la-do du Sud). Inspiré du concept de la musique de l'Inde (improvisation, prélude improvisé), Trân Quang Hai met les trois échelles pentatoniques caractéristiques des trois régions du Vietnam l'une après l'autre selon le procédé de métabole (succession de systèmes pentatoniques avec ou sans retour au système initial). Cithare "DAN TRANH": 17C métal, pincées. Nouvelle composition pour la cithare à 17 cordes. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U02 DI.993.005.001U02 00:02:44 26 décembre 1992 VIETNAM NORD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI REVERIE DE VIET BAC=*TR MONG DEN VUNG VIET BAC=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Ce thème mélodique sur une échelle pentatonique Do-ré-fa-sol-la-do permet au compositeur de se plonger dans ses rêveries lointaines. Cithare "DAN TRANH": 21C métal, pincées. Rythme binaire• STUDIO SYSMO,PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U03 DI.993.005.001U03 00:06:14 26 décembre 1992 VIETNAM NORD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI LA BAIE D'ALONG=*TR VINH HA LONG=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Le compositeur utilise les deux styles déclamatoires Sa Mac et Lây Kiêu pour évoquer la baie d'along. L'échelle pentatonique est Do-Mib-Fa-Sol-Sib-Do. Cithare "DAN TRANH": 21C métal, pincées. Nouvelle composition pour cithare vietnamienne. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U04 DI.993.005.001U04 00:08:11 26 décembre 1992 VIETNAM CENTRE VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI LA RIVIERE DES PARFUMS ET LE MONT ROYAL=*TR SONG HUONG NUI NGU=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Cithare "DAN TRANH": 17C métal, pincées. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U05 DI.993.005.001U05 00:07:11 26 décembre 1992 VIETNAM CENTRE VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI L'ECHO DU DAN TRUNG DES HAUTS PLATEAUX=*TR TIENG VANG DAN TRUNG TAY NGUYEN=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Echelle pentatonique Do-Mi-Fa-Sol-Si-Do. Cithare "DAN TRANH": 21C métal, pincées. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U06 DI.993.005.001U06 00:09:18 26 décembre 1992 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI NOSTALGIE DU SUD VIETNAM=*TR NHO MIEN NAM=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Echelle pentatonique est Do-Mib-Fa-Sol-Sib-Do. Cithare "DAN TRANH": 17C métal, pincées. Nouvelle composition pour cithare. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U07 DI.993.005.001U07 00:04:34 26 décembre 1992 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI SAIGON-CHOLON=*TR SAIGON-CHOLON=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Echelles pentatoniques sont Do-Ré-Fa-Sol-La-Do avec la présence des deux degrés pien pour le mode Quang (fantaisie ou mode cantonais). Cithare "DAN TRANH": 21C métal, pincées. Rythme libre puis mesuré• STUDIO SYSMO, PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U08 DI.993.005.001U08 00:04:01 26 décembre 1992 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI VINH LONG, VILLE DE MON ENFANCE=*TR VINH LONG, THOI THO AU=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Echelle pentatonique Do-Mib+-Fa-Sol-La-Do. Cithare "DAN TRANH": 21C métal, pincées. Nouvelle composition pour cithare. Rythme libre puis mesuré• STUDIO SYSMO,PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U09 DI.993.005.001U09 00:10:55 26 décembre 1992 VIETNAM SUD VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI LE MEKONG BIEN AIME=*TR CUU LONG GIANG THAN YEU=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Des échelles pentatoniques du Sud Vietnam sont utilisées pour louer la beauté de ce fleuve. Do-Mib-Fa-Sol-Sib-Do et Do-Mib+-Fa-Sol-La-Do. Cithare "DAN TRANH": 17C métal, pincées. Nouvelle composition pour cithare. Rythme libre puis mesuré• STUDIO SYSMO,PARIS 1992 0 ASIE +PS-65103 CD12S DI.993.005.001 U10 DI.993.005.001U10 00:04:23 26 décembre 1992 VIETNAM VIETNAMIENS CITHARE VIETNAMIENNE/TRAN QUANG HAI L'AME DU VIETNAM=*TR HON VIET NAM=*TRS TRAN QUANG HAI Sous-table non exportée SOLO INSTRUMENTAL Sous-table non exportée Trân Quang Hai voudrait clore ce disque par cette dernière composition exprimant son attachement à son pays natal. Cithare "DAN TRANH": 17C métal, pincées. nouvelle composition pour cithare. Rythme libre puis mesuré• STUDIO SYSMO,PARIS 1992 0 ASIE +CDSF-40020 CD12S DI.993.006.001 U01 DI.993.006.001U01 00:00:00 -1 PEROU MOUNTAIN MUSIC OF PERU, VOL. 1 N Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CD-320 CD12M&S DI.993.006.002 U01 DI.993.006.002U01 00:00:00 -1 PEROU HUAYNO MUSIC OF PERU, VOL. 1 (1949-1989) N Sous-table non exportée Sous-table non exportée 1949 0 AMERIQUE +CD-338 CD12S DI.993.006.003 U01 DI.993.006.003U01 00:00:00 -1 PEROU HUAYNO MUSIC OF PERU, VOL. 2 N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +D-8100 CD12S DI.993.007.001 U02 DI.993.007.001U02 00:00:00 -1 LAOS MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U03 DI.993.007.001U03 00:00:00 -1 VIETNAM MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U04 DI.993.007.001U04 00:00:00 -1 HONG KONG MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U05 DI.993.007.001U05 00:00:00 -1 CHINE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U06 DI.993.007.001U06 00:00:00 -1 MONGOLIE (REP POPU) MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U07 DI.993.007.001U07 00:00:00 -1 JAPON MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U08 DI.993.007.001U08 00:00:00 -1 INDONESIE;JAVA MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U09 DI.993.007.001U09 00:00:00 -1 CAMEROUN MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +D-8100 CD12S DI.993.007.001 U10 DI.993.007.001U10 00:00:00 -1 COTE D'IVOIRE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +D-8100 CD12S DI.993.007.001 U11 DI.993.007.001U11 00:00:00 -1 REP CENTRAFRICAINE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +D-8100 CD12S DI.993.007.001 U12 DI.993.007.001U12 00:00:00 -1 SUISSE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8100 CD12S DI.993.007.001 U13 DI.993.007.001U13 00:00:00 -1 ITALIE;SICILE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8100 CD12S DI.993.007.001 U14 DI.993.007.001U14 00:00:00 -1 FRANCE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8100 CD12S DI.993.007.001 U15 DI.993.007.001U15 00:00:00 -1 URSS;RSS UKRAINE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8100 CD12S DI.993.007.001 U16 DI.993.007.001U16 00:00:00 -1 ARGENTINE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +D-8100 CD12S DI.993.007.001 U17 DI.993.007.001U17 00:00:00 -1 BRESIL MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +D-8100 CD12S DI.993.007.001 U18 DI.993.007.001U18 00:00:00 -1 CANADA MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +D-8100 CD12S DI.993.007.001 U19 DI.993.007.001U19 00:00:00 -1 PAKISTAN MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U20 DI.993.007.001U20 00:00:00 -1 INDE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U22 DI.993.007.001U22 00:00:00 -1 TIBET MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U23 DI.993.007.001U23 00:00:00 -1 AZERBAIDJAN MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U24 DI.993.007.001U24 00:00:00 -1 TURQUIE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U25 DI.993.007.001U25 00:00:00 -1 IRAK MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U26 DI.993.007.001U26 00:00:00 -1 SYRIE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +D-8100 CD12S DI.993.007.001 U27 DI.993.007.001U27 00:00:00 -1 EGYPTE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +D-8100 CD12S DI.993.007.001 U28 DI.993.007.001U28 00:00:00 -1 ALGERIE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +D-8100 CD12S DI.993.007.001 U29 DI.993.007.001U29 00:00:00 -1 ILES SALOMON MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +D-8100 CD12S DI.993.007.001 U30 DI.993.007.001U30 00:00:00 -1 AUSTRALIE MUSICAL SOURCES MUSICALES N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +OCR-83 D303S DI.993.008.001 A01 DI.993.008.001A01 00:00:00 n MADAGASCAR POSSESSION ET POESIE A MADAGASCAR (SUD-OUEST)* Sous-table non exportée Sous-table non exportée -161 0 AFRIQUE +558519 D303M DI.993.008.002 A01 DI.993.008.002A01 00:00:00 -1 CHINE CHINEPOPULAIRE/MUSIQUE CLASSIQUE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +558521 D303S DI.993.008.003 A01 DI.993.008.003A01 00:00:00 -1 GRECE GRECE:CHANTS SACRES DE LA TRADITION BYZANTINE VOL.1 N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +558548 D303S DI.993.008.004 A01 DI.993.008.004A01 00:00:00 -1 EX YOUGOSLAVIE YOUGOSLAVIE 1 (SERBIE ORIENTALE) LES BOUGIES DU PARADIS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +558549 D303S DI.993.008.005 A01 DI.993.008.005A01 00:00:00 N SIERRA LEONE SIERRA LEONE. MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +558558/59 D303S DI.993.008.006/07 A01 DI.993.008.006/07A01 00:00:00 -1 ETHIOPIE ETHIOPIE 1&2/LITURGIE DE L'EGLISE CHRETIENNE ORTHODOXE ETHIOPIENNE N Sous-table non exportée Sous-table non exportée 1969 0 AFRIQUE +558574 D303S DI.993.008.008 A01 DI.993.008.008A01 00:00:00 -1 TURQUIE TURQUIE/CINUCEN TANRIKORUR N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +558577 D303S DI.993.008.009 A01 DI.993.008.009A01 00:00:00 -1 TURQUIE TURQUIE/CHANTS SACRES D'ANATOLIE N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +558585/86 D303S DI.993.008.010/11 A01 DI.993.008.010/11A01 00:00:00 -1 INDE LE VIOLON DE L'INDE DU SUD/L/ SUBRAMANIAM N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +558588 D303S DI.993.008.012 A01 DI.993.008.012A01 00:00:00 -1 MAROC MAROC-MUSIQUE CLASSIQUE ANDALOU-MAGHREBINE N Sous-table non exportée Sous-table non exportée 1984 0 AFRIQUE +558594 D303M DI.993.008.013 A01 DI.993.008.013A01 00:00:00 -1 BELGIQUE BELGIQUE-BALLADES-DANSES ET CHANSONS DE FLANDRE ET DE WALLONIE N Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +558607 D303S DI.993.008.014 A01 DI.993.008.014A01 00:00:00 -1 USA THE HARMONIC CHOIR/ A L'ECOUTE DES VENTS SOLAIRES N Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +558609 D303S DI.993.008.015 A01 DI.993.008.015A01 00:00:00 -1 ARGENTINE MARTIN SAINT PIERRE N Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +558615/16 D303S DI.993.008.016/17 A01 DI.993.008.016/17A01 00:00:00 -1 INDE LAKSHMI SHANDAR/LES HEURES ET LES SAISONS N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +558619 D303S DI.993.008.018 A01 DI.993.008.018A01 00:00:00 -1 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +558624/25 D303S DI.993.008.019/20 A01 DI.993.008.019/20A01 00:00:00 -1 INDE RAM NARAYAN EN CONCERT N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +558634/35 D303M DI.993.008.021/22 A01 DI.993.008.021/22A01 00:00:00 -1 TURQUIE TURQUIE/VOYAGES D'ALAIN GHARBRANT EN ANATOLIE 1956-57 N Sous-table non exportée Sous-table non exportée 1956 0 ASIE +558661 D303S DI.993.008.023 A01 DI.993.008.023A01 00:00:00 -1 FRANCE PIERRE JEAN CROSET/HARMONIQUES DU TEMPS N Sous-table non exportée Sous-table non exportée 1986 0 EUROPE +558670 D303S DI.993.008.024 A01 DI.993.008.024A01 00:00:00 -1 ISRAEL JUIFS ISRAEL/VOL II. LES JUIFS D'ETHIOPIE N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +558700 D303S DI.993.008.025 A01 DI.993.008.025A01 00:00:00 -1 CHILI LUZMILA CARPIO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +558684 D303S DI.993.008.026 A01 DI.993.008.026A01 00:00:00 -1 USA FLORA MOLTON/GOSPEL SONGS N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +559022 D303S DI.993.008.027 A01 DI.993.008.027A01 00:00:00 -1 INDE SALON DE MUSIQUE "JALSAGHAR" N Sous-table non exportée Sous-table non exportée 1 0 ASIE +559050 D303S DI.993.008.028 A01 DI.993.008.028A01 00:00:00 -1 BRESIL MARIA D'APPARECIDA/COULEUR BRESIL N Sous-table non exportée Sous-table non exportée 1988 0 AMERIQUE +559079 D303S DI.993.008.029 A01 DI.993.008.029A01 00:00:00 -1 FRANCE CHANSONS DE METIERS DE PROVENCE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559056 CD12M DI.993.009.001 U01 DI.993.009.001U01 00:00:00 -1 NIGER ANTHOLOGIE DE LA MUSIQUE DU NIGER N Sous-table non exportée Sous-table non exportée 1963 0 AFRIQUE +C-559046 CD12S DI.993.009.002 U01 DI.993.009.002U01 00:00:00 -1 FRANCE GILLES CHABENAT/MUSIQUES PUR VIELLE A ROUE "BLEU NUIT" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559049 CD12S DI.993.009.003 U01 DI.993.009.003U01 00:00:00 -1 CHINE CHINE-MUSIQUE CLASSIQUE VIVANTE-CERCLE D'ART POPULAIRE N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +C-559053 CD12S DI.993.009.004 U01 DI.993.009.004U01 00:00:00 -1 GABON GABON-HOMMAGE A PIERRE SALLEE-MUS. DES PYGMEES BIBAYAK N Sous-table non exportée Sous-table non exportée 1966 0 AFRIQUE +C-559057 CD12S DI.993.009.005 U01 DI.993.009.005U01 00:00:00 -1 MAROC MAROC. MOYEN ATLAS:MUSIQUE SACREE ET PROFANE N Sous-table non exportée Sous-table non exportée 1981 0 AFRIQUE +C-559055 CD12S DI.993.009.006 U01 DI.993.009.006U01 00:00:00 -1 SEYCHELLES SEYCHELLES-MUSIQUES OUBLIEES "DES ILES" N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +C-559058 CD12S DI.993.009.007 U01 DI.993.009.007U01 00:00:00 -1 LAOS LAOS-LAM SARAVANE-MUSIQUE POUR LE KHENE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559060 CD12S DI.993.009.008 U01 DI.993.009.008U01 00:00:00 -1 INDE PANDIT RAM NARAYAN, VOL. 1 N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +C-559062 CD12S DI.993.009.009 U01 DI.993.009.009U01 00:00:00 -1 GEORGIE GEORGIE/CHANTS DE TRAVAIL-CHANTS RELIGIEUX N Sous-table non exportée Sous-table non exportée 1967 0 EUROPE +C-559067 CD12S DI.993.009.010 U01 DI.993.009.010U01 00:00:00 -1 JAPON JAPON. KINSHI TSURUTA. SATSUMA BIWA N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +C-559070 CD12S DI.993.009.011 U01 DI.993.009.011U01 00:00:00 -1 ROUMANIE ROUMANIE-LA VRAIE TRADITION DE TRANSYLVANIE N Sous-table non exportée Sous-table non exportée 1974 0 EUROPE +C-559071 CD12S DI.993.009.012 U01 DI.993.009.012U01 00:00:00 -1 CANADA CANADA-JEUX VOCAUX DES INUIT N Sous-table non exportée Sous-table non exportée 1960 0 AMERIQUE +C-559075 CD12S DI.993.009.013 U01 DI.993.009.013U01 00:00:00 -1 GRECE GRECE:LES GRANDES EPOQUES DU CHANT SACRE BYSANTIN (XIVEME-XVIIIEME) N Sous-table non exportée Sous-table non exportée 1988 0 EUROPE +C-559079 CD12S DI.993.009.014 U01 DI.993.009.014U01 00:00:00 -1 FRANCE CHANSONS DE METIERS DE PROVENCE ET DU COMTAT VENAISSIN N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559081 CD12S DI.993.009.015 U01 DI.993.009.015U01 00:00:00 -1 FRANCE CH. VESVRE/S. DESAUNAY-MUSIQUES POUR CORNEMUSES ET ACCORDEONS N Sous-table non exportée Sous-table non exportée 1988 0 EUROPE +C-559082 CD12S DI.993.009.016 U01 DI.993.009.016U01 00:00:00 -1 FRANCE ARNAUD MAISON NEUVE-CHANTS DE BASSE-BRETAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559083 CD12S DI.993.009.017 U01 DI.993.009.017U01 00:00:00 -1 FRANCE LES BRAYAUDS-MUSIQUES DE BASSE BRETAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559097 CD12S DI.993.009.018 U01 DI.993.009.018U01 00:00:00 -1 IRAN IRAN-MOHAMMAD REZA SHADJARIAN MUSIQUE PERSANE N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +C-559098 CD12S DI.993.009.019 U01 DI.993.009.019U01 00:00:00 -1 URSS;RSFS RUSSIE SVETLANA-CHANSONS RUSSES N Sous-table non exportée Sous-table non exportée 1990 0 EUROPE +C-560001 CD12S DI.993.009.020 U01 DI.993.009.020U01 00:00:00 -1 CHINE CHINE:L'ART DU QIN/LI XIANTING N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560005 CD12S DI.993.009.021 U01 DI.993.009.021U01 00:00:00 -1 USA THE ARC GOSPEL CHOIR "BOUNID FOR THE PROMISED LAND" N Sous-table non exportée Sous-table non exportée 1990 0 AMERIQUE +C-560006 CD12S DI.993.009.022 U01 DI.993.009.022U01 00:00:00 -1 MAROC MAROC-HADRA DES GNAOUA D'ESSAOUIRA (MUSIQUE RITUELLE) N Sous-table non exportée Sous-table non exportée 1990 0 AFRIQUE +C-560007 CD12S DI.993.009.023 U01 DI.993.009.023U01 00:00:00 -1 FRANCE PATRICK BOUFARD-MUSIQUES POUR VIELLE A ROUE EN AUVERGNE ET BOURBONNAIS N Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +C-560010 CD12S DI.993.009.024 U01 DI.993.009.024U01 00:00:00 -1 CONGO CONGO:CEREMONIE DU BOBE N Sous-table non exportée Sous-table non exportée 1990 0 AFRIQUE +C-558607 CD12S DI.993.009.025 U01 DI.993.009.025U01 00:00:00 -1 USA THE HARMONIC CHOIR-HEARING SOLAR WINDS/A L'ECOUTE DU VENT SOLAIRE N Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +C-558615 CD12S DI.993.009.026 U01 DI.993.009.026U01 00:00:00 -1 INDE LAKSHMI SHANKAR-LES HEURES ET LES SAISONS N Sous-table non exportée Sous-table non exportée 1983 0 ASIE +C-558652 CD12S DI.993.009.027 U01 DI.993.009.027U01 00:00:00 -1 ISRAEL CHANSONS YIDDISH-TENDRESSES ET RAGE N Sous-table non exportée Sous-table non exportée 1985 0 ASIE +C-558661 CD12S DI.993.009.028 U01 DI.993.009.028U01 00:00:00 -1 FRANCE HARMONIQUES DU TEMPS/OVERTONES OF ALL TIMES/PIERRE JEAN CROSET N Sous-table non exportée Sous-table non exportée 1986 0 EUROPE +C-558682 CD12S DI.993.009.029 U01 DI.993.009.029U01 00:00:00 -1 GRECE GRECE-ENSEMBLE THEODORE VASSILIKOS N Sous-table non exportée Sous-table non exportée 1982 0 EUROPE +C-558674 CD12S DI.993.009.030 U01 DI.993.009.030U01 00:00:00 -1 INDE PANDIT RAVI SHANKAR N Sous-table non exportée Sous-table non exportée 1986 0 ASIE +C-558701 CD12S DI.993.009.031 U01 DI.993.009.031U01 00:00:00 -1 COREE DU SUD COREE/MUSIQUE INSTRUMENTALE DE LA TRADITION CLASSIQUE N Sous-table non exportée Sous-table non exportée 1982 0 ASIE +C-559010 CD12S DI.993.009.032 U01 DI.993.009.032U01 00:00:00 -1 GRECE GRECE-HOMMAGE A TSITSANIS-BOUZOUKI N Sous-table non exportée Sous-table non exportée 1980 0 EUROPE +C-559022 CD12S DI.993.009.033 U01 DI.993.009.033U01 00:00:00 -1 INDE SALON DE MUSIQUE "JALSAGHAR" N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-559035 CD12S DI.993.009.034 U01 DI.993.009.034U01 00:00:00 N MAROC MAROC. USTAD MASSANO TAZI. M CLASSIQUE ANDALOUSE DE FEZ N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-559037 CD12S DI.993.009.035 U01 DI.993.009.035U01 00:00:00 -1 PEROU PEROU-JULIO BENAVENTE DIAZ-CHARANGO ET CHANTS DE CUZCO N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-559041 CD12S DI.993.009.036 U01 DI.993.009.036U01 00:00:00 -1 PORTUGAL PORTUGAL-FERNANDO MACHADO SOARES/LE FADO DE COIMBRA N Sous-table non exportée Sous-table non exportée 1987 0 EUROPE +C-559043 CD12S DI.993.009.037 U01 DI.993.009.037U01 00:00:00 -1 FRANCE EVELYNE GIRARDON/AMOUR DE FUSAIN N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559044 CD12S DI.993.009.038 U01 DI.993.009.038U01 00:00:00 -1 FRANCE BLANCHAR,JEAN/MUSIQUES POUR CORNEMUSES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559045 CD12S DI.993.009.039 U01 DI.993.009.039U01 00:00:00 -1 FRANCE PAYS BASQUE/BENAT ACHARY "ARRANOA" N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559084 CD12S DI.993.009.040 U01 DI.993.009.040U01 00:00:00 -1 FRANCE ERIK MARCHANT & THIERRY ROBIN/CHANTS DU CENTRE BRETAGNE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-559085 CD12S DI.993.009.041 U01 DI.993.009.041U01 00:00:00 -1 FRANCE COMPAGNIE CHEZ BOUSCA-CHANTS DE QUETE DE LA PERIODE DE PAQUES N Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +C-559086 CD12S DI.993.009.042 U01 DI.993.009.042U01 00:00:00 -1 FRANCE CORSE 1. MUSIQUES SACREES SITTIMANA SANTA IN BUNIFAZZIN N Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +C-559092/93 CD12S DI.993.009.043/44 U01 DI.993.009.043/44U01 00:00:00 CHINE;XINJIANG OUIGOUR TURKESTAN CHINOIS/XINJIANG-MUSIQUES OUIGOURES Sous-table non exportée Sous-table non exportée 0 ASIE +C-560012 CD12S DI.993.009.045 U01 DI.993.009.045U01 00:00:00 -1 ESPAGNE CANTE FLAMENCO/AGUJETAS EN PARIS N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +C-560014 CD12S DI.993.009.046 U01 DI.993.009.046U01 00:00:00 )1 INDE LES MUSIQUES DU RAMAYANA-INDE VOL 1. N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +C-560015 CD12S DI.993.009.047 U01 DI.993.009.047U01 00:50:42 27/6/1964 CAMBODGE PHNOM PENH; PALAIS ROYAL KHMERS LES MUSIQUES DU RAMAYANA:CAMBODGE VOL.2 REAMKER Sous-table non exportée PINPEAT Sous-table non exportée Musique jouée pour accompagner la représentation du Reamker (Ramayana Khmer) au Palais Royal. Très rare example de la présence de la flûte khluy au lieu du hautbois sralai, non signalé dans la notice. Série de plusieurs morceaux enchainés en alternance avec chant et recitatif. Mauvaise qualité d'enregistrement. INA 1964 0 ASIE +C-560016 CD12S DI.993.009.048 U01 DI.993.009.048U01 00:00:00 -1 INDONESIE;BALI LES MUSIQUES DU RAMAYANA. BALI-GUNDA VOL. 3 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560016 CD12S DI.993.009.048 U02 DI.993.009.048U02 00:00:00 -1 INDONESIE;SUNDA LES MUSIQUES DU RAMAYANA. BALI-GUNDA VOL. 3 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560019 CD12S DI.993.009.049 U01 DI.993.009.049U01 00:00:00 -1 ILE MAURICE ILE MAURICE/HOMMAGE A TI FRERE N Sous-table non exportée Sous-table non exportée 1989 0 AFRIQUE +C-560024 CD12S DI.993.009.050 U01 DI.993.009.050U01 00:00:00 -1 IRAN IRAN. LES MAITRES DE LA MUSIQUE TRADITIONNELLE VOL. 1 N Sous-table non exportée Sous-table non exportée 1979 0 ASIE +C-560025 CD12S DI.993.009.051 U01 DI.993.009.051U01 00:00:00 -1 IRAN IRAN-LES MAITRES DE LA MUSIQUE TRADITIONNELLE VOL. 2 N Sous-table non exportée Sous-table non exportée 1980 0 ASIE +C-560027/28 CD12S DI.993.009.052/53 U01 DI.993.009.052/53U01 00:00:00 -1 ISRAEL L'EGLISE ORTHODOXE ETHIOPIENNE DE JERUSALEM-L'ASSOMPTION A DABRA GANNAT N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +C-560029 CD12S DI.993.009.054 U01 DI.993.009.054U01 00:00:00 -1 ESPAGNE CANTE FLAMENCO-CHOCOLATE N Sous-table non exportée Sous-table non exportée 1992 0 EUROPE +C-560033 CD12S DI.993.009.055 U01 DI.993.009.055U01 00:00:00 -1 ISRAEL JACINTA/AUTRES CHANSONSYIDDISH N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +C-580029 CD12S DI.993.009.056 U01 DI.993.009.056U01 00:00:00 -1 EIRE IRLANDE-HERITAGE GAELIQUE ET TRADITIONS DU CONNEMARA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-580035 CD12S DI.993.009.057 U01 DI.993.009.057U01 00:00:00 -1 PORTUGAL PORTUGAL-TRAS-OS-MONTES/CHANTS DU BLE ET CORNEMUSES DE BERGER N Sous-table non exportée Sous-table non exportée 1978 0 EUROPE +C-580043 CD12S DI.993.009.058 U01 DI.993.009.058U01 00:00:00 -1 VIETNAM VIETNAM-TRADITION DU SUD N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-590001/4 CD12S DI.993.009.059/62 U01 DI.993.009.059/62U01 00:00:00 INDE UNE ANTHOLOGIE DE LA M.CLASSIQUE DE L'INDE DU SUD PAR L.SUBRAMANIAM Sous-table non exportée Sous-table non exportée 0 ASIE +C-558642 CD12S DI.993.009.063/64 U01 DI.993.009.063/64U01 00:00:00 -1 ESPAGNE FERNANDA ET BERNARDA DE UTRERA/CANTE FLAMENCO N Sous-table non exportée Sous-table non exportée 1984 0 EUROPE +C-559072/74 CD12S DI.993.009.065/67 U01 DI.993.009.065/67U01 00:00:00 -1 PAKISTAN NUSRAT FATEH ALI KHAN, VOL. 3,4,5 N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +C-5599076/77 CD12S DI.993.009.068/69 U01 DI.993.009.068/69U01 00:00:00 -1 INDONESIE;BALI BALI-HOMMAGE A WAYAN LOTRING N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +MMT-01 CD12S DI.993.010.001 U01 DI.993.010.001U01 00:00:00 -1 ESPAGNE GRALLERS DE VILAFRANCA-COLLA DE MAR- N3 Sous-table non exportée Sous-table non exportée 1989 0 EUROPE +CD-19 CD12S DI.993.011.001 U01 DI.993.011.001U01 00:00:00 -1 CANADA INUIT IGLULIK N Sous-table non exportée Sous-table non exportée 1964 0 AMERIQUE +EVEHM-47203 CD12S DI.993.012.001 U01 DI.993.012.001U01 00:00:00 -1 AUSTRALIE PHILIPP PERIS/LIGHTNING AND THUNDER, VOL/2 N Sous-table non exportée Sous-table non exportée 1993 0 OCEANIE +CD-20-1/6 CD12S DI.993.013.001/06 U01 DI.993.013.001/06U01 00:00:00 INDONESIE;IRIAN JAYA M. DE LA REGION MONTAGNEUSE NVELLE GUINEE DE L'OUEST-IRIAN JAYA N Sous-table non exportée Sous-table non exportée 1973 0 OCEANIE +SNCD-0037 CD12S DI.993.014.001 U01 DI.993.014.001U01 00:00:00 ITALIE FOLKSTUDIO PALERMO N Sous-table non exportée Sous-table non exportée 1974 0 EUROPE +DMFR-022-1/6 D303S DI.993.015.001/06 A01 DI.993.015.001/06A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS, VOL I A VI N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-09 D303M DI.993.015.007 A01 DI.993.015.007A01 00:00:00 ESPAGNE FONTECA DE MATORIALS/MORELLA-TOCS TRADICIONALS DE DOLCAINE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-10 D303S DI.993.015.008 A01 DI.993.015.008A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS/ALGEMESI-DANSES DE LA PROCESSO N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-011 D303S DI.993.015.009 A01 DI.993.015.009A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS/TITAGUAS-MUSICA TRADICIONAL N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-012 D303S DI.993.015.010 A01 DI.993.015.010A01 00:00:00 ESPAGNE FONTECA DE MATERIALS/CANT DELS PELAGRINS DE LES USERES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-021-1/3 D303S DI.993.015.011/13 A01 DI.993.015.011/13A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS/ALTO PALANCIA-MUSICA TRADICIONAL N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-028-1/6 D303S DI.993.015.014/19 A01 DI.993.015.014/19A01 00:00:00 ESPAGNE FONTECA DE MATERIALS,VOL.XIV A XIX N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-030 D303S DI.993.015.020 A01 DI.993.015.020A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS/CAMPANES DE LA VUITAVA DEL CORPUS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +DMF-42 D303S DI.993.015.021 A01 DI.993.015.021A01 00:00:00 ESPAGNE FONOTECA DE MATERIALS/LA TODOLELLA, MUSICA TRADICIONAL N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +M-2049433002-1/2 D303S DI.993.015.022/23 A01 DI.993.015.022/23A01 00:00:00 URSS;RSFS RUSSIE RUSSIAN FOLK MUSIC OF THE NORTH AND SIBERIA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-9030129001-1/2 D303S DI.993.015.024/25 A01 DI.993.015.024/25A01 00:00:00 URSS;RSFS RUSSIE MUSIC OF NORTHERN LIGHTS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +M-3046913005-1/2 D303S DI.993.015.027/28 A01 DI.993.015.027/28A01 00:00:00 URSS;RSS LETTONIE THE LATVIAN SSR MUSICAL FOLKLORE N Sous-table non exportée Sous-table non exportée 1930 0 EUROPE +C-30-24885-002 D303M DI.993.015.029 A01 DI.993.015.029A01 00:00:00 -1 URSS;RSS LETTONIE LATVIAN FOLKLORE/AULEJA N Sous-table non exportée Sous-table non exportée 1985 0 EUROPE +M-3042327-8 D303M DI.993.015.030 A01 DI.993.015.030A01 00:00:00 URSS;RSS LETTONIE LATVIAN FOLKLORE/ASUNGA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +M-30-46001-005 D303 DI.993.015.031 A01 DI.993.015.031A01 00:00:00 URSS;RSS LETTONIE LATVIESU FOLKLORA/BRIEZUCIEMS UN REKAVA N Sous-table non exportée Sous-table non exportée 1983 0 EUROPE +M-3048883003 D303M DI.993.015.032 A01 DI.993.015.032A01 00:00:00 URSS;RSS ESTONIE LIVONIAN FOLK SONGS N Sous-table non exportée Sous-table non exportée 1960 0 EUROPE +C-3028649001 D303S DI.993.015.033 A01 DI.993.015.033A01 00:00:00 URSS;RSS ESTONIE LEIGARID N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-30236773006 D303S DI.993.015.034 A01 DI.993.015.034A01 00:00:00 URSS;RSS UKRAINE KONSTANTIN NOVITSKY/BANDOURA N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3029781000 D303S DI.993.015.035 A01 DI.993.015.035A01 00:00:00 URSS;RSFS RUSSIE SUSANNA MEMETOVA SINGS SONGS OF THE CRIMEA TATARS N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-3028979009 D303S DI.993.015.036 A01 DI.993.015.036A01 00:00:00 URSS;RA DAGHESTAN MUSIQUE AVARE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +SNCD-0020 CD12S DI.993.015.037 U01 DI.993.015.037U01 00:00:00 ARGENTINE CHARANDA Y CHAMAME/CANTI E DANZE DELLA PROVINCIA DI CORRIENTES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-2030043002 D303S DI.993.016.001 A01 DI.993.016.001A01 00:00:00 URSS;RSS BIELORUSSIE ART TRADITIONNEL DE POOZIERJE=*TR N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +D-8048 CD12S DI.993.017.001 U01 DI.993.017.001U01 00:00:00 COTE D'IVOIRE COTE D'IVOIRE/MUSIQUE VOCALE BAOULE N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +D-8304 CD12S DI.993.018.001 U01 DI.993.018.001U01 00:00:00 MEXIQUE TRADITIONS INDIENNES DU MEXIQUE N Sous-table non exportée Sous-table non exportée 1992 0 AMERIQUE +FT-02-1/2 CD12S DI.993.019.001/02 U01 DI.993.019.001/02U01 00:00:00 ESPAGNE LES FESTES DE SANTA TECLA-TARRAGONA N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +LDX-274961/62 CD12S DI.994.001.001/02 U01 DI.994.001.001/02U01 00:00:00 -1 ILES SALOMON ILES SALOMON:ENSEMBLES DE FLUTES DE PAN 'ARE'ARE N Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +LDX-274990 CD12S DI.994.002.001 U01 DI.994.002.001U01 00:00:00 GEORGIE GEORGIE-POLYPONIES DE SVANETIE N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +LDX-274991  DI.994.002.002 U01 DI.994.002.002U01 00:00:00 MAROC MAROC-MUSIQUE BERBERE DU HAUT ATLAS ET DE L'ANTI ALTLAS N Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +65031-1/2 CD12S DI.994.003.001/02 U01 DI.994.003.001/02U01 00:00:00 ESPAGNE LA FIESTA O MISTERI D'ELX N Sous-table non exportée Sous-table non exportée 1993 0 EUROPE +TCD-1501 CD12S DI.994.004.001 U01 DI.994.004.001U01 00:00:00 TAIWAN BUNUN THE SONGS OF THE BUNUN TRIBE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +TCD-1502 CD12S DI.994.004.002 U01 DI.994.004.002U01 00:00:00 TAIWAN AMI POLYPHONIC MUSIC OF THE AMI TRIBE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +TCD-1503 CD12S DI.994.004.003 U01 DI.994.004.003U01 00:00:00 TAIWAN YAMI THE SONGS OF THE YAMI TRIBE N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +CDSF-40430 CD12S DI.994.005.001 U01 DI.994.005.001U01 00:00:00 AUSTRALIE BUNGGRIDJ-BUNGGRIDJ:WANGGA SONGS BY ALAN MARALUNG-NOTHERN AUSTRALIA N Sous-table non exportée Sous-table non exportée 1988 0 OCEANIE +CDSF-40432 CD12S DI.994.005.002 U01 DI.994.005.002U01 00:00:00 TURQUIE SONG CREATIONS IN EASTERN TURKEY N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +SANSREF-27 CD12S DI.994.006.001 U01 DI.994.006.001U01 00:00:00 MONGOLIE (REP POPU) FOLKMUSIC FROM MONGOLIA/KARAKORUM N Sous-table non exportée Sous-table non exportée -1 0 ASIE +SANSREF-28 CD12S DI.994.006.002 U01 DI.994.006.002U01 00:00:00 BRESIL CARNIVAL IN PERNAMBUCO/BRASIL N Sous-table non exportée Sous-table non exportée 1984 0 AMERIQUE +W-260051 CD12S DI.994.007.001 U01 DI.994.007.001U01 00:00:00 ITALIE ITALIENS MUSIQUES DE FETES EN CALABRE Sous-table non exportée Sous-table non exportée 0 EUROPE +SCM-032 CD12S DI.994.008.001 U01 DI.994.008.001U01 00:00:00 -1 FRANCE;BRETAGNE BINIOU ET BOMBARDE EN BRETAGNE N Sous-table non exportée Sous-table non exportée 1977 0 EUROPE +ARN-33719 D303S DI.994.009.001 A01 DI.994.009.001A01 00:00:00 -1 PAYS KURDE CHANTS ET MUSIQUES DU KURDISTAN/GROUPE KOMA ZOZAN N Sous-table non exportée Sous-table non exportée -1 0 ASIE +W-260042 CD12S DI.994.010.001 U01 DI.994.010.001U01 00:00:00 -1 REP CENTRAFRICAINE POLYPHONIES VOCALES DES PYGMEES MBENZELE-REP CENTRAFRICAINE N Sous-table non exportée Sous-table non exportée AROM SIMHA 1986 0 AFRIQUE +W-260043 CD12S DI.994.010.002 U01 DI.994.010.002U01 00:00:00 -1 USA JOHN DEE HOLEMAN-PIEDMONT BLUES DE CAROLINE DU NORD N Sous-table non exportée Sous-table non exportée 1992 0 AMERIQUE +W-260048 CD12S DI.994.010.003 U01 DI.994.010.003U01 00:00:00 -1 INDE JAFAR HUSAYN KHAN/CHANT QAWWALI DE L'INDE DU NORD N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +W-260049 CD12S DI.994.010.004 U01 DI.994.010.004U01 00:00:00 -1 AZERBAIDJAN SAKINE ISMAILOVA-MUGAM D'AZERBAIDJAN N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +W-260052 CD12S DI.994.010.005 U01 DI.994.010.005U01 00:00:00 -1 AZERBAIDJAN AQAKHAN ABDULLAEV-TRIO ZULFI ADIGOZELOV N Sous-table non exportée Sous-table non exportée A@ 1992 0 ASIE +W-260056 CD12S DI.994.010.006 U01 DI.994.010.006U01 00:00:00 N INDONESIE;SUNDA JAVA-TEMBANG SUNDA-POSESIE CHANTEE SUNDANAISE N Sous-table non exportée Sous-table non exportée 1993 0 ASIE +W-260024-1/6 CD12S DI.994.010.007/12 U01 DI.994.010.007/12U01 00:00:00 MAROC MAROCAINS ANTHOLOGIE "AL-ALA" MUSIQUE ANDALUCI-MAROCAINE NUBA AL-ISBIHAN Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-26002-1/6 CD12S DI.994.010.013/18 U01 DI.994.010.013/18U01 00:00:00 MAROC MAROCAINS ANTHOLOGIE "AL-ALA" MUSIQUE ANDALUCI-MAROCAINE NUBA AL RASD Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260044 CD12M DI.994.010.019 U01 DI.994.010.019U01 00:00:00 N TUNISIE TUNISIE ANTHOLOGIE DU MALOUF-MUSIQUE ARABO-ANDALOUSE-NUBA AL-DHIL N Sous-table non exportée Sous-table non exportée 1959 0 AFRIQUE +W-260045 CD12S DI.994.010.020 U01 DI.994.010.020U01 00:00:00 N TUNISIE TUNISIE ANTHOLOGIE DU MALOUF-NUBRA AL-RAMAL N Sous-table non exportée Sous-table non exportée 1960 0 AFRIQUE +W-260046 CD12M DI.994.010.021 U01 DI.994.010.021U01 00:00:00 N TUNISIE TUNISIE-ANTHOLOGIE DU MALOUF-NUBA AL-ASBAHAN N Sous-table non exportée Sous-table non exportée 1962 0 AFRIQUE +W-2600050 CD12S DI.994.010.022 U01 DI.994.010.022U01 00:00:00 N IRAK MUNIR BACHIR-MAQAMAT N Sous-table non exportée Sous-table non exportée 1993 0 ASIE +W-260053 CD12S DI.994.010.023 U01 DI.994.010.023U01 00:00:00 N TUNISIE LOFTI BOUCHNAK-MALOUF TUNISIEN N Sous-table non exportée Sous-table non exportée 1993 0 AFRIQUE +W-260055 CD12S DI.994.010.025 U01 DI.994.010.025U01 00:00:00 N URSS;RSS LETTONIE VOIX DES PAYS BALTES-CHANTS TRADITIONNELS DE LETTONIE, LITUANIE, ESTONIE N Sous-table non exportée Sous-table non exportée 1992 0 EUROPE +W-260055 CD12S DI.994.010.025 U11 DI.994.010.025U11 00:00:00 N URSS;RSS LITUANIE VOIX DES PAYS BALTES-CHANTS TRADITIONNELS DE LETTONIE, LITUANIE, ESTONIE N Sous-table non exportée Sous-table non exportée 1992 0 EUROPE +W-260055 CD12S DI.994.010.025 U19 DI.994.010.025U19 00:00:00 N URSS;RSS ESTONIE VOIX DES PAYS BALTES-CHANTS TRADITIONNELS DE LETTONIE, LITUANIE, ESTONIE N Sous-table non exportée Sous-table non exportée 1992 0 EUROPE +W-260054 CD12S DI.994.010.026 U01 DI.994.010.026U01 00:00:00 N ISRAEL CHANTS JUDO-ESPAGNOLS DE LA MEDITERRANEE ORIENTALE N Sous-table non exportée Sous-table non exportée 1993 0 ASIE +W-260041 CD12S DI.994.010.027 U01 DI.994.010.027U01 00:00:00 N TANZANIE TANZANIE-CHANTS DES WAGOGO ET DES KIRIA N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +NI-5402 CD12S DI.994.011.001 U01 DI.994.011.001U01 00:00:00 INDE ZIA MOHIUDDIN DAGAR/RUDRAVINA N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +CNR-274838 CD12S DI.994.012.001 U01 DI.994.012.001U01 00:00:00 N COTE D'IVOIRE COTE D'IVOIRE,SENOUFO-MUSIQUES DES FUNERAILLES FODONON N Sous-table non exportée Sous-table non exportée 1976 0 AFRIQUE +PAN-2019-CD CD12S DI.994.013.001 U01 DI.994.013.001U01 00:00:00 URSS;RA TOUVA UZLYAU. GUTTURAL SINGING OF THE PEOPLE OF THE SAYAN, ALTAI & URAL MOUNTAINS N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +PAN-2019-CD CD12S DI.994.013.001 U03 DI.994.013.001U03 00:00:00 -1 MONGOLIE (REP POPU) UZLYAU. GUTTURAL SINGING OF THE PEOPLE OF THE SAYAN, ALTAI & URAL MOUNTAINS N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +PAN-2019-CD CD12S DI.994.013.001 U13 DI.994.013.001U13 00:00:00 -1 URSS;ALTAI UZLYAU. GUTTURAL SINGING OF THE PEOPLE OF THE SAYAN, ALTAI & URAL MOUNTAINS N Sous-table non exportée Sous-table non exportée Ancien nom de l'État = URSS;RA GORNO-ALTAI• 1972 0 ASIE +PAN-2019-CD CD12S DI.994.013.001 U15 DI.994.013.001U15 00:00:00 -1 FED.RUSSIE;BACHKIRIE UZLYAU. GUTTURAL SINGING OF THE PEOPLE OF THE SAYAN, ALTAI & URAL MOUNTAINS N Sous-table non exportée Sous-table non exportée 1972 0 ASIE +PAN-2005-CD CD12S DI.994.013.002 U01 DI.994.013.002U01 00:00:00 -1 URSS;RA TOUVA TUVA VOICES FROM THE LAND OF THE EAGLES N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +PAN-2010-CD CD DI.994.013.003 U01 DI.994.013.003U01 00:00:00 -1 MONGOLIE (REP POPU) WHITE MOON TSAGAAN SAR TRADITIONAL&POPULAR MUSIC FROM MONGOLIA N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +PAN-2071-CD CD12S DI.994.013.004 U01 DI.994.013.004U01 00:00:00 5/3/1992 AZERBAIDJAN RAST DESTGAH N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +PAN-2008-CD CD12S DI.994.013.005 U01 DI.994.013.005U01 00:00:00 -1 URSS;MARIIS MOTHER VOLGA. VOLGA MATJ. MUSIC OF THE VOLGA UGRIANS N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +PAN-2008-CD CD12S DI.994.013.005 U25 DI.994.013.005U25 00:00:00 URSS;TCHOUVACHIE MOTHER VOLGA. VOLGA MATJ. MUSIC OF THE VOLGA UGRIANS N Sous-table non exportée Sous-table non exportée 1991 0 EUROPE +PAN-2020-CD CD12M&S DI.994.013.006 U01 DI.994.013.006U01 00:00:00 -1 NEPAL FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U06 DI.994.013.006U06 00:00:00 INDE;UTTAR PRADESH FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1949 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U09 DI.994.013.006U09 00:00:00 INDONESIE;SUMATRA FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1949 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U14 DI.994.013.006U14 00:00:00 INDONESIE;JAVA FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1987 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U18 DI.994.013.006U18 00:00:00 -1 INDONESIE;MOLUQUES FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1949 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U19 DI.994.013.006U19 00:00:00 -1 INDONESIE;CELEBES(SULAWESI) FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1949 0 ASIE +PAN-2020-CD CD12M&S DI.994.013.006 U23 DI.994.013.006U23 00:00:00 PHILIPPINES FROZEN BRASS. ASIA. ANTHOLOGY OF BRASS BAND MUSIC #1 N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +PAN-2026-CD CD DI.994.013.007 U01 DI.994.013.007U01 00:00:00 -1 GHANA FROZEN BRASS. AFRICA&LATIN AMERICA. ANTHOLOGY OF BRASS B AND MUSIC #2 N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +PAN-2026-CD CD DI.994.013.007 U08 DI.994.013.007U08 00:00:00 -1 SURINAM FROZEN BRASS. AFRICA&LATIN AMERICA. ANTHOLOGY OF BRASS B AND MUSIC #2 N Sous-table non exportée Sous-table non exportée 1992 0 AMERIQUE +PAN-2026-CD CD DI.994.013.007 U14 DI.994.013.007U14 00:00:00 -1 BOLIVIE FROZEN BRASS. AFRICA&LATIN AMERICA. ANTHOLOGY OF BRASS B AND MUSIC #2 N Sous-table non exportée Sous-table non exportée 1991 0 AMERIQUE +PAN-2026-CD CD DI.994.013.007 U24 DI.994.013.007U24 00:00:00 -1 PEROU FROZEN BRASS. AFRICA&LATIN AMERICA. ANTHOLOGY OF BRASS B AND MUSIC #2 N Sous-table non exportée Sous-table non exportée P@ 1992 0 AMERIQUE +PAN-2044-CD CD DI.994.013.008 U01 DI.994.013.008U01 00:00:00 -1 ILES TONGA IFI PALASA. TONGAN BRASS. ANTHOLOGY OF PACIFIC MUSIC #4 N Sous-table non exportée Sous-table non exportée P@ 1982 0 OCEANIE +PAN-2024-CD CD DI.994.013.009 U01 DI.994.013.009U01 00:00:00 -1 TADJIKISTAN BADAKHSHAN - MYSTICAL POETRY AND SONGS FROM THE ISMA ILIS OF THE PAMIR MOUNTAINS N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +KDP-10889 CD12S DI.994.013.010 U01 DI.994.013.010U01 00:00:00 -1 MAROC CANTARES Y ROMANCES TRADICIONALES SEFARDIES DE MARRUESCOS N Sous-table non exportée Sous-table non exportée 1979 0 AFRIQUE +KPD-10.906 CD12S DI.994.013.011 U01 DI.994.013.011U01 00:00:00 BULGARIE CANTARES Y ROMANCES TRADICIONALES SEFARDIES DE ORIENTE (BALKANS). VOL II N Sous-table non exportée Sous-table non exportée 1975 0 EUROPE +KPD-10.906 CD12S DI.994.013.011 U02 DI.994.013.011U02 00:00:00 -1 GRECE CANTARES Y ROMANCES TRADICIONALES SEFARDIES DE ORIENTE (BALKANS). VOL II N Sous-table non exportée Sous-table non exportée 1975 0 EUROPE +KPD-10.906 CD12S DI.994.013.011 U08 DI.994.013.011U08 00:00:00 TURQUIE CANTARES Y ROMANCES TRADICIONALES SEFARDIES DE ORIENTE (BALKANS). VOL II N Sous-table non exportée Sous-table non exportée 1975 0 ASIE +KPD-10.906 CD12S DI.994.013.011 U24 DI.994.013.011U24 00:00:00 -1 EGYPTE CANTARES Y ROMANCES TRADICIONALES SEFARDIES DE ORIENTE (BALKANS). VOL II N Sous-table non exportée Sous-table non exportée 1975 0 AFRIQUE +CDSF-40017 CD DI.994.014.001 U01 DI.994.014.001U01 00:00:00 -1 URSS;RA TOUVA TUVA VOICES FROM THE CENTER OF ASIA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CDSF-40050 CD12S DI.994.014.002 U01 DI.994.014.002U01 00:00:00 -1 URSS;RSS OUZBEKISTAN BUKHARA. MUSICAL CROSSROADS OF ASIA N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CDSF-40407 CD DI.994.014.003 U01 DI.994.014.003U01 00:00:00 -1 YOUGOSLAVIE BOSNIE BOSNIA ECHOES FROM AN ENDANGERED WORLD KAD JA PODJOH NA BENBASU QUAND JE SUIS ALLE A BENBASA Sous-table non exportée Sous-table non exportée 1984 0 EUROPE +SANSREF-29 CD12S DI.994.015.001/02 U01 DI.994.015.001/02U01 00:00:00 -1 MONDE ARABE N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +SSS-9422 CD12S DI.994.016.001 U01 DI.994.016.001U01 00:00:00 -1 GUYANE FRANCAISE LES 3 ENFANTS ET LE BONHEUR. CONTE MUSICAL CREOLE (GUYANE) N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +SANSREF-30 CD12S DI.994.017.002 U01 DI.994.017.002U01 00:00:00 -1 INDE THE RESPLENDENT SOUND OF INDIAN SANTUR,NANDKISHOR MULEY N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +C-560044/45 CD DI.994.018.001/02 U01 DI.994.018.001/02U01 00:00:00 -1 ALGERIE ALGERIE.ANTHOLOGIE DE LA MUSIQUE ARABO-ANDALOUSE VOL. 4-5 N Sous-table non exportée Sous-table non exportée 1993 0 AFRIQUE +C-560050 CD12S DI.994.018.003 U01 DI.994.018.003U01 00:00:00 -1 TURQUIE TURQUIE MUSIQUES DES YAYLA N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +C-560052 CD DI.994.018.004 U01 DI.994.018.004U01 00:00:00 -1 ARGENTINE ARGENTINE-CHAMANE. MUSIQUE DU PARANA N Sous-table non exportée Sous-table non exportée 1993 0 AMERIQUE +C-560055 CD12S DI.994.018.005 U01 DI.994.018.005U01 00:00:00 -1 VIETNAM VIET-NAM LE DAN TRANH MUSIQUES D'HIER ET D'AUJOURDHUI N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +C-560059 CD12S DI.994.018.006 U01 DI.994.018.006U01 00:00:00 -1 MONGOLIE (REP POPU) MONGOLIE CHAMANES ET LAMAS N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +C-580060 CD12S DI.994.018.007 U01 DI.994.018.007U01 00:00:00 -1 ILE MAURICE ILES MAURICE SEGA RAVANNE MAURICIEN SEGA TAMBOUR DE L'ILE RODRIGUES N Sous-table non exportée Sous-table non exportée 1981 0 AFRIQUE +C-560061 CD12S DI.994.018.008 U01 DI.994.018.008U01 00:00:00 -1 ALGERIE AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560061 CD12S DI.994.018.008 U02 DI.994.018.008U02 00:00:00 -1 MAROC AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560061 CD12S DI.994.018.008 U03 DI.994.018.008U03 00:00:00 -1 EGYPTE AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560061 CD12S DI.994.018.008 U04 DI.994.018.008U04 00:00:00 -1 SYRIE AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560061 CD12S DI.994.018.008 U05 DI.994.018.008U05 00:00:00 -1 TURQUIE AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560061 CD12S DI.994.018.008 U07 DI.994.018.008U07 00:00:00 -1 AZERBAIDJAN AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560061 CD12S DI.994.018.008 U08 DI.994.018.008U08 00:00:00 -1 IRAN AFRIQUE DU NORD. ASIE DE L'OUEST [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560062 CD12S DI.994.018.009 U01 DI.994.018.009U01 00:00:00 -1 INDE ASIE DU SUD N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560062 CD12S DI.994.018.009 U06 DI.994.018.009U06 00:00:00 -1 PAKISTAN ASIE DU SUD N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560063 CD12S DI.994.018.010 U01 DI.994.018.010U01 00:00:00 -1 CHINE ASIE DE L'EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560063 CD12S DI.994.018.010 U04 DI.994.018.010U04 00:00:00 -1 TAIWAN ASIE DE L'EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560063 CD12S DI.994.018.010 U05 DI.994.018.010U05 00:00:00 -1 COREE DU SUD ASIE DE L'EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560063 CD12S DI.994.018.010 U07 DI.994.018.010U07 00:00:00 -1 JAPON ASIE DE L'EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U01 DI.994.018.011U01 00:00:00 -1 VIETNAM ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U02 DI.994.018.011U02 00:00:00 -1 INDONESIE;JAVA ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U03 DI.994.018.011U03 00:00:00 -1 BIRMANIE ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U06 DI.994.018.011U06 00:00:00 -1 INDONESIE;SUNDA ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U07 DI.994.018.011U07 00:00:00 -1 INDONESIE;BALI ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U08 DI.994.018.011U08 00:00:00 -1 CAMBODGE ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560064 CD12S DI.994.018.011 U09 DI.994.018.011U09 00:00:00 -1 LAOS ASIE DU SUD-EST [COMPIL. "LE MONDES DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560065 CD12S DI.994.018.012 U01 DI.994.018.012U01 00:00:00 -1 BURKINA FASO AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U02 DI.994.018.012U02 00:00:00 -1 GAMBIE AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U03 DI.994.018.012U03 00:00:00 -1 COTE D'IVOIRE AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U04 DI.994.018.012U04 00:00:00 -1 MALI AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U05 DI.994.018.012U05 00:00:00 -1 NIGER AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U06 DI.994.018.012U06 00:00:00 -1 REP CENTRAFRICAINE AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U07 DI.994.018.012U07 00:00:00 -1 GABON AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U08 DI.994.018.012U08 00:00:00 -1 ZAIRE AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U09 DI.994.018.012U09 00:00:00 -1 ETHIOPIE AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U10 DI.994.018.012U10 00:00:00 -1 OUGANDA AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U11 DI.994.018.012U11 00:00:00 -1 KENYA AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560065 CD12S DI.994.018.012 U12 DI.994.018.012U12 00:00:00 -1 BURUNDI AFRIQUE/AFRICA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +C-560066 CD12S DI.994.018.013 U01 DI.994.018.013U01 00:00:00 -1 FRANCE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U04 DI.994.018.013U04 00:00:00 -1 BELGIQUE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U05 DI.994.018.013U05 00:00:00 -1 SUEDE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U06 DI.994.018.013U06 00:00:00 -1 NORVEGE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U07 DI.994.018.013U07 00:00:00 -1 EIRE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U08 DI.994.018.013U08 00:00:00 -1 HONGRIE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U09 DI.994.018.013U09 00:00:00 -1 ROUMANIE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U10 DI.994.018.013U10 00:00:00 -1 ISRAEL EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-560066 CD12S DI.994.018.013 U11 DI.994.018.013U11 00:00:00 -1 URSS;RSFS RUSSIE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U13 DI.994.018.013U13 00:00:00 -1 GRECE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U14 DI.994.018.013U14 00:00:00 -1 ITALIE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U15 DI.994.018.013U15 00:00:00 -1 ESPAGNE EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560066 CD12S DI.994.018.013 U16 DI.994.018.013U16 00:00:00 -1 PORTUGAL EUROPE [COMPIL."LE MONDE DES M. TRAD."] N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-560067 CD12S DI.994.018.014 U01 DI.994.018.014U01 00:00:00 -1 INDONESIE;JAVA JAVA-PALAIS ROYAL DE YOGYAKARTA VOL. 1. LES DANSES DE COUR N Sous-table non exportée Sous-table non exportée -1 0 ASIE +C-580061 CD12S DI.994.018.015 U01 DI.994.018.015U01 00:00:00 -1 BELGIQUE;FLANDRE BELGIQUE-BALLADES-DANSES ET CHANSONS DE FLANDRE ET DE WALLONIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +C-580061 CD12S DI.994.018.015 U02 DI.994.018.015U02 00:00:00 -1 BELGIQUE;WALLONIE BELGIQUE-BALLADES-DANSES ET CHANSONS DE FLANDRE ET DE WALLONIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CDSF-40002 CD12S DI.994.019.001 U01 DI.994.019.001U01 00:00:00 -1 URSS;RSS LITUANIE MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CDSF-40002 CD12S DI.994.019.001 U03 DI.994.019.001U03 00:00:00 -1 URSS;RSS ESTONIE MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée - -1 0 EUROPE +CDSF-40002 CD12S DI.994.019.001 U04 DI.994.019.001U04 00:00:00 URSS;RSFS RUSSIE MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée -1 -1 0 EUROPE +CDSF-40002 CD12S DI.994.019.001 U09 DI.994.019.001U09 00:00:00 -1 URSS;RA TOUVA MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CDSF-40002 CD12S DI.994.019.001 U11 DI.994.019.001U11 00:00:00 -1 AZERBAIDJAN MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CDSF-40002 CD12S DI.994.019.001 U12 DI.994.019.001U12 00:00:00 -1 GEORGIE MUSIC OF THE SOVIET UNION N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CDSF-40006 CD12S DI.994.019.002 U01 DI.994.019.002U01 00:00:00 -1 USA CAJUN SOCIAL MUSIC N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CDSF-40408 CD12S DI.994.019.003 U01 DI.994.019.003U01 00:00:00 -1 USA NATIVE AMERICAN TRADITIONS N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CDSF-40014 CD DI.994.019.004 U01 DI.994.019.004U01 00:00:00 -1 USA PUERTO RICAN MUSIC IN HAWAI'I N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CDSF-40005 CD DI.994.019.005 U01 DI.994.019.005U01 00:00:00 -1 USA HAWAIIAN DRUM DANCE CHANTS N Sous-table non exportée Sous-table non exportée 1923 0 AMERIQUE +CDSF-40039 CD12S DI.994.019.007 U01 DI.994.019.007U01 00:00:00 -1 IRAN CLASSICAL MUSIC OF IRAN THE DASTGAH SYSTEMS N Sous-table non exportée Sous-table non exportée 1966 0 ASIE +CDSF-40054 CD12S DI.994.019.008 U01 DI.994.019.008U01 00:00:00 -1 TURKMENISTAN CENTRAL ASIA IN FOREST HILLS N.Y,M. OF THE BUKKARAN JEWISH ENSEMBLE SHASHMAQAM N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +CDSF-40055 CD12S DI.994.019.009 U01 DI.994.019.009U01 00:00:00 -1 INDONESIE;JAVA MUSIC OF INDONESIA-SONGS BEFORE DAWN N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +CDSF-40056 CD12S DI.994.019.010 U01 DI.994.019.010U01 00:00:00 -1 INDONESIE MUSIC OF INDONESIA 2. INDONESIAN POPULAR MUSIC N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +CDSF-40057 CD12S DI.994.019.011 U01 DI.994.019.011U01 00:00:00 -1 INDONESIE MUSIC OF INDONESIA 3. MUSIC FROM THE OUTSKIRTS OF JAKARTA N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +CDSF-40401 CD12S DI.994.019.012 U01 DI.994.019.012U01 00:00:00 -1 ZAIRE MBUTI PYGMIES OF THE ITURI RAINFOREST N Sous-table non exportée Sous-table non exportée 197 0 AFRIQUE +CDSF-40402 CD12S DI.994.019.013 U01 DI.994.019.013U01 00:00:00 -1 HAITI CARIBBEAN REVELS-HAITIAN RARA & DOMINICAN GAGA N Sous-table non exportée Sous-table non exportée 1976 0 AMERIQUE +CDSF-40403 CD DI.994.019.014 U01 DI.994.019.014U01 00:00:00 -1 USA NAVAJO SONGS N Sous-table non exportée Sous-table non exportée 1933 0 AMERIQUE +CDSF-40409 CD DI.994.019.015 U01 DI.994.019.015U01 00:00:00 -1 USA MUSIC OF NEW MEXICO-HISPANIC TRADITIONS N Sous-table non exportée Sous-table non exportée 1978 0 AMERIQUE +CDSF-40411 CD DI.994.019.016 U01 DI.994.019.016U01 00:00:00 -1 USA PLAINS CHIPPEWA/METIS MUSIC FROM TURTLE MOUNTAIN N Sous-table non exportée Sous-table non exportée 1984 0 AMERIQUE +CDSF-40412 CD DI.994.019.017 U01 DI.994.019.017U01 00:00:00 -1 JAMAIQUE DRUMS OF DEFIANCE:MAROON M. FROM THE EARLIEST FREE BLACK COMMUNITIES OF JAMAICA N Sous-table non exportée Sous-table non exportée 1981 0 AMERIQUE +CDSF-40413 CD12S DI.994.019.018 U01 DI.994.019.018U01 00:00:00 -1 THAILANDE ROYAL COURT MUSIC OF THAILAND N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +CDSF-40414 CD DI.994.019.019 U01 DI.994.019.019U01 00:00:00 -1 URSS;RSS ARMENIE RICHARD HAGOPIAN- ARMENIAN MUSIC THROUGH THE AGES N Sous-table non exportée Sous-table non exportée 1993 0 ASIE +CDSF-40416 CD DI.994.019.020 U01 DI.994.019.020U01 00:00:00 -1 SAINTE LUCIE MUSICAL TRADITIONS OF ST. LUCIA, WEST INDIES. N Sous-table non exportée Sous-table non exportée 1975 0 AMERIQUE +CDSF-40418 CD DI.994.019.021 U01 DI.994.019.021U01 00:00:00 -1 USA BORDERLANDS FROM CONJUNTO TO CHICHEN SCRATCH N Sous-table non exportée Sous-table non exportée 1946 0 AMERIQUE +CDSF-40420 CD DI.994.019.022 U01 DI.994.019.022U01 00:00:00 -1 INDONESIE;SUMATRA MUSIC OF NIAS & NORTH SUMATRA-HOHO, GENDANG KARO, GONDANG TOBA N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +CDSF-40431 CD DI.994.019.024 U01 DI.994.019.024U01 00:00:00 -1 URUGUAY BANDONEON PURE:DANCES OF URUGUAY-RENE MARINO RIVERO LA LEGENDE DU SERPENT BLANC N Sous-table non exportée Sous-table non exportée 1991 0 AMERIQUE +VDECD-796 CD12S DI.994.020.001 U01 DI.994.020.001U01 00:00:00 -1 VANUATU VANATU(NOUVELLES HEBRIDES):SINGSING-DANIS KASTOM M.COUTUMIERES N Sous-table non exportée Sous-table non exportée 1972 0 OCEANIE +TCD-1504 CD DI.994.021.004 U01 DI.994.021.004U01 00:00:00 -1 TAIWAN THE MUSIC OF THE ABORIGINES ON TAIWAN ISLAND VOL.4 THE SONGS OF THE PUYUMA TRIBE N Sous-table non exportée Sous-table non exportée 1991 0 ASIE +TCD-1505 CD12S DI.994.021.005 U01 DI.994.021.005U01 00:00:00 -1 TAIWAN THE MUSIC OF THE ABORIGINES ON TAIWAN ISLAND VOL.5.THE SONGS OF THE ATAYAL TRIBE N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +TCD-1506 CD DI.994.021.006 U01 DI.994.021.006U01 00:00:00 -1 TAIWAN THE MUSIC OF THE ABORIGINES ON TAIWAN ISLAND VOL.6* N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +CNR-274646 CD12S DI.994.022.001 U01 DI.994.022.001U01 00:00:00 -1 ETHIOPIE ETHIOPIE POLYPHONIES DES DORZE-ETHIOPIA POLYPHONY OF THE DORZE N Sous-table non exportée Sous-table non exportée 1974 0 AFRIQUE +DT-002 CD12S DI.994.023.001 U01 DI.994.023.001U01 00:00:00 -1 ESPAGNE CANCONS I TONADES TRADICIONALS DE LA COMARCA D'OSONA* N Sous-table non exportée Sous-table non exportée 1983 0 EUROPE +92552-2 CD12S DI.994.024.001/02 U01 DI.994.024.001/02U01 00:00:00 -1 CHINE LA LEGENDE DE SERPENT BLANC.OPERA SICHUAN N Sous-table non exportée Sous-table non exportée 1992 0 ASIE +A-51-49201 CD12S DI.994.025.001 U01 DI.994.025.001U01 00:00:00 -1 CHINE CHINESE TRADITIONAL MUSIC N Sous-table non exportée Sous-table non exportée -1 0 ASIE +A-51-49201-2 CD12S DI.994.025.002 U01 DI.994.025.002U01 00:00:00 CHINE CHINESE TRADITIONAL MUSIC - 2 Sous-table non exportée Sous-table non exportée 0 ASIE +CCD-92/201 CD12S DI.994.025.003 U01 DI.994.025.003U01 00:00:00 -1 CHINE A COLLECTION OF MUSIC PLAYED ON THE GUZHENG N Sous-table non exportée Sous-table non exportée 1 0 ASIE +CCD-92/183 CD12S DI.994.025.004 U01 DI.994.025.004U01 00:00:00 -1 CHINE GUANGDONG MUSIC VOL. 5-ORIOLES SINGING IN WILLOWS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CCD-92/184 CD12S DI.994.025.005 U01 DI.994.025.005U01 00:00:00 -1 CHINE GUANGDONG MUSIC VOL. 6-CANDLE SHADOW N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CCD-92/185 CD12S DI.994.025.006 U01 DI.994.025.006U01 00:00:00 -1 CHINE GUANGDONG MUSIC VOL.7-AUTUMN MOON OVER THE HAN PALACE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +HRP-740-2 CD12S DI.994.025.007 U01 DI.994.025.007U01 00:00:00 CHINE HIGHLIGHTS OF BEIJING OPERAS Sous-table non exportée Sous-table non exportée 0 0 ASIE +ISRC-CN-F-23/A.J-6 CD12S DI.994.025.008 U01 DI.994.025.008U01 00:00:00 -1 CHINE ZHENG,HU,PIPA N Sous-table non exportée Sous-table non exportée 1989 0 ASIE +WS-92067 CD12S DI.994.025.009 U01 DI.994.025.009U01 00:00:00 CHINE AN ALBUM OF ER HU MUSIC BY LIU TIAN HUA Sous-table non exportée Sous-table non exportée 0 0 ASIE +MCD-9422 CD12S DI.994.025.010 U01 DI.994.025.010U01 00:00:00 -1 CHINE MUSIQUE POPULAIRE DE CHINE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CCD-92/182 CD12S DI.994.025.011 U01 DI.994.025.011U01 00:00:00 -1 CHINE AN ANTHOLOGY OF CHINESE TRAD & FOLK MUSIC GUANG DONG MUSIC VOL.4 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CN-F-23-94-006 CD12S DI.994.025.012 U01 DI.994.025.012U01 00:00:00 -1 CHINE A SELECTION OF FAMOUS ZHENG MUSIC N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CCD-93/225 CD12S DI.994.025.013 U01 DI.994.025.013U01 00:00:00 -1 CHINE MEILAN FANG N Sous-table non exportée Sous-table non exportée -1 0 ASIE +SC-91-004 CD12S DI.994.025.014 U01 DI.994.025.014U01 00:00:00 -1 CHINE FAMOUS SONGS SUNG BY ZHANG JUNQIU,VOL 1. N Sous-table non exportée Sous-table non exportée -1 0 ASIE +SC-91-005 CD DI.994.025.015 U01 DI.994.025.015U01 00:00:00 -1 CHINE FAMOUS SONGS SUNG BY ZHANG JUNQIU, VOL. 2 N Sous-table non exportée Sous-table non exportée -1 0 ASIE +YA-225701 CD12S DI.995.001.001 U01 DI.995.001.001U01 00:00:00 -1 CHINE CHINE LES 18 PROVINCES N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +YA-225702 CD12S DI.995.001.002 U01 DI.995.001.002U01 00:00:00 -1 MADAGASCAR MADAGASCAR / ANTANANARIVO - TOLEARA - MAHAJANGA N Sous-table non exportée Sous-table non exportée N 1994 0 AFRIQUE +YA-225704 CD12S DI.995.001.003 U01 DI.995.001.003U01 00:00:00 -1 EIRE IRLANDE N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +YA-225705 CD12S DI.995.001.004 U01 DI.995.001.004U01 00:00:00 -1 CANADA NORD QUEBEC N Sous-table non exportée Sous-table non exportée N 1994 0 AMERIQUE +YA-225706 CD12S DI.995.001.005 U01 DI.995.001.005U01 00:00:00 -1 GRECE GRECE N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +Y-225110 CD12M DI.995.001.006 U01 DI.995.001.006U01 00:00:00 -1 FRANCE;AUVERGNE LE VIOLON TRADITIONNEL EN FRANCE N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +CD-776 CD12S DI.995.002.001 U01 DI.995.002.001U01 00:00:00 -1 REP CENTRAFRICAINE MUSIQUES ET CHANTS POLYPHONIQUES DE LA SYLVE-PYGMEES AKA N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +CD-778 CD12S DI.995.002.002 U01 DI.995.002.002U01 00:00:00 -1 GAMBIE LA KORA DES GRIOTS MANDINGUES N Sous-table non exportée Sous-table non exportée 1993 0 AFRIQUE +CD-803 CD12S DI.995.002.003 U01 DI.995.002.003U01 00:00:00 -1 ROUMANIE ROUMANIE FLUTES ET CORDES DES VIRTUOSES D'OLTENIE N Sous-table non exportée Sous-table non exportée 1993 0 EUROPE +CD-807 CD12S DI.995.002.004 U01 DI.995.002.004U01 00:00:00 -1 MALI MALI-CEREMONIE RITUELLES DES DOGONS N Sous-table non exportée Sous-table non exportée 1993 0 AFRIQUE +CNR-274963 CD12S DI.995.004.001 U01 DI.995.004.001U01 00:00:00 -1 ILES SALOMON ILES SALOMON-MUSIQUES INTIMES ET RITUELLES 'ARE 'ARE N Sous-table non exportée Sous-table non exportée 1974 0 OCEANIE +CDSF-40435 CD12S DI.995.005.001 U01 DI.995.005.001U01 00:00:00 -1 PORTUGAL MUSICAL TRADITIONS OF PORTUGAL N Sous-table non exportée Sous-table non exportée 1988 0 EUROPE +TRAD-004 CD12M DI.995.006.001 U01 DI.995.006.001U01 00:00:00 PORTUGAL PORTUGAIS LISBON FADO (1928-1936) Sous-table non exportée Sous-table non exportée 0 EUROPE +TRAD-005 CD12M DI.995.006.002 U01 DI.995.006.002U01 00:00:00 -1 PORTUGAL FADO DE COIMBRA 1926-1930 N Sous-table non exportée Sous-table non exportée 1926 0 EUROPE +HTCD-24 CD12M DI.995.006.003 U01 DI.995.006.003U01 00:00:00 -1 PORTUGAL AS FADISTAS DE LISBOA (1928-1931). N Sous-table non exportée Sous-table non exportée 1928 0 EUROPE +HTCD-25 CD12M DI.995.006.004 U01 DI.995.006.004U01 00:00:00 -1 PORTUGAL ARMANDINHO (AS SESSOES HMV DE 1928-1929) N Sous-table non exportée Sous-table non exportée 1928 0 EUROPE +TA-10-SN-0042 CD12S DI.995.007.001 U01 DI.995.007.001U01 00:00:00 -1 ITALIE;SICILE DOLI DU SIGNURI* N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +C-560048/49 CD12S DI.995.008.001/02 U01 DI.995.008.001/02U01 00:00:00 1 INDE INDE DU NORD:L'ART DE LA VICHITRA VINA/GOPAL KRISHAN N Sous-table non exportée Sous-table non exportée N 1993 0 ASIE +C-560054 CD12S DI.995.008.003 U01 DI.995.008.003U01 00:00:00 -1 VIETNAM VIETNAM/POESIES ET CHANTS N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +C-580062 CD12S DI.995.008.005 U01 DI.995.008.005U01 00:00:00 -1 INDE INDE DU SUD/L'ARD DE LA VINA E.S. SHASTRY N Sous-table non exportée Sous-table non exportée N -1 0 ASIE +C-560077 CD12S DI.995.008.006 U01 DI.995.008.006U01 00:00:00 1 MADAGASCAR MADAGASCAR.PAYS ANTANDROY/COTE SUD-OUEST N Sous-table non exportée Sous-table non exportée N 995 0 AFRIQUE +C-570000 CD12S DI.995.008.007 U01 DI.995.008.007U01 00:00:00 -1 INDE PANDIT RAVI SHANKAR N Sous-table non exportée Sous-table non exportée N 1995 0 ASIE +APPLEPIE-003 CD12S DI.995.009.001 U01 DI.995.009.001U01 00:00:00 -1 ITALIE STRUMENTI E CANTI/ LA MUSICA POPULARE DEL MESSINESE N Sous-table non exportée Sous-table non exportée N 1992 0 EUROPE +TA-08-SN-0038 CD12S DI.995.009.002 U01 DI.995.009.002U01 00:00:00 ITALIE;SICILE SICILIENS A CANTATA DI LI PASTURI Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-012 CD12S DI.995.009.003 U01 DI.995.009.003U01 00:00:00 1 ITALIE;SICILE SICILIENS CUMPAGNU TI MANNU LU SIGNURI. CANTI E ORAZIONI DI MIETITURA E TREBBIATURA* N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +PAN-7002-CD CD12S DI.995.010.001 U01 DI.995.010.001U01 00:00:00 1 URSS;RSS UKRAINE VOROTARCHIK-THE GATE KEEPER- SONGS FROM THE UKRAINIAN COUNTRYSIDE N Sous-table non exportée Sous-table non exportée N 1993 0 EUROPE +LDX-274974 CD12S DI.995.011.001 U01 DI.995.011.001U01 00:00:00 -1 ALGERIE HOGGAR-MUSIQUE DES TOUAREG N Sous-table non exportée Sous-table non exportée N 1994 0 AFRIQUE +LDX-274976 CD12S DI.995.011.002 U01 DI.995.011.002U01 00:00:00 -1 JAPON SHOMYO / RITUEL BOUDDHIQUE / ECOLE SHINGON N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +CMT-274993 CD12S DI.995.011.003 U01 DI.995.011.003U01 00:00:00 -1 ISRAEL JUIFS MUSIQUE LITURGIQUE JUIVE N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +CMT-2741000 CD12S DI.995.011.004 U01 DI.995.011.004U01 00:00:00 1 USA AMERIQUE DU NORD / TAKINI/ MUSIQUE ET CHANTS DES LAKOTA SIOUX N Sous-table non exportée Sous-table non exportée N 1994 0 AMERIQUE +DIDX-021675 CD12S DI.995.012.001 U01 DI.995.012.001U01 00:00:00 -1 ITALIE;SARDAIGNE SARDINIAN CHRONICLES N Sous-table non exportée Sous-table non exportée N 1995 0 EUROPE +CD-RLS-002 CD12S DI.995.013.001 U01 DI.995.013.001U01 00:00:00 -1 ITALIE LA LIRA IN CALABRIA N Sous-table non exportée Sous-table non exportée N 1992 0 EUROPE +92613-2 CD12S DI.995.014.001 U01 DI.995.014.001U01 00:00:00 -1 CHINE CHINE: LA BANDE DE LA FAMILLE LI N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +92612-2 CD12S DI.995.014.002 U01 DI.995.014.002U01 00:00:00 -1 CHINE CHINE-MUSIQUES DE LA PREMIERE LUNE N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +INNOVA-112 CD12S DI.995.015.001 U01 DI.995.015.001U01 00:00:00 -1 VIETNAM STILLING TIME/NGUOI NGOI RU THOI GIAN N Sous-table non exportée Sous-table non exportée N 1994 0 ASIE +LDX-274970 CD12S DI.995.016.001 U01 DI.995.016.001U01 00:00:00 -1 BULGARIE BULGARIE/MUSIQUE DU PAYS CHOPE N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +LDX-274975 CD12S DI.995.016.002 U01 DI.995.016.002U01 00:00:00 -1 BULGARIE BULGARIE-RHODOPE-DOBROUDJA N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +CMT-274977 CD12S DI.995.016.003 U01 DI.995.016.003U01 00:00:00 -1 BULGARIE BULGARIE/THRACE N Sous-table non exportée Sous-table non exportée N 1994 0 EUROPE +AS-9501 CD12S DI.995.017.001 U01 DI.995.017.001U01 00:00:00 EQUATEUR SHUARS EQUATEUR:LE MONDE SONORE DES SHUAR Sous-table non exportée Sous-table non exportée 0 AMERIQUE +FMD-186 CD12S DI.995.017.003 U01 DI.995.017.003U01 00:00:00 -1 RWANDA RUJIN DIRI, MAIRE DE L'INANGA:RWANDA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +CNR-2741004 CD12S DI.995.018.001 U01 DI.995.018.001U01 00:00:00 -1 INDONESIE;CELEBES(SULAWESI) INDONESIE,TORAJA. FUNERAILLES ET FETES DE FECONDITE N Sous-table non exportée Sous-table non exportée N 1995 0 ASIE +PCD-1091 CD12S DI.995.019.001 U01 DI.995.019.001U01 00:00:00 -1 MEXIQUE VOCES DE HIDAL GO/ LA MUSICA DE SUS REGIONES, VOL.2 N Sous-table non exportée Sous-table non exportée N 1993 0 AMERIQUE +92564-2 CD12S DI.995.020.001 U01 DI.995.020.001U01 00:00:00 -1 URSS CHANTS CHAMANIQUES ET NARRATIFS DE L'ARTIQUE SIBERIEN N Sous-table non exportée Sous-table non exportée 1994 0 EUROPE +92565-2 CD12S DI.995.020.002 U01 DI.995.020.002U01 00:00:00 -1 URSS;YAKOUTIE SAKHA-YAKOUTIE:EPOPEES ET IMPROVISATIONS N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +92566-2 CD12S DI.995.020.003 U01 DI.995.020.003U01 00:00:00 URSS KOLYMA-CHANTS DE NATURE ET D'ANIMAUX N Sous-table non exportée Sous-table non exportée 1994 0 EUROPE +92598-2 CD12S DI.995.020.004 U01 DI.995.020.004U01 00:00:00 -1 URSS KORJAK-KAMTCHATKA:TAMBOURS DE DANSE DE L'EXTREME ORIENT SIBERIEN N Sous-table non exportée Sous-table non exportée 1994 0 EUROPE +C-560053 CD12S DI.995.021.001 U01 DI.995.021.001U01 00:00:00 -1 FRANCE FRANCE-ALPES DU SUD DAUPHINE N Sous-table non exportée Sous-table non exportée N 1995 0 EUROPE +C-580058 CD12S DI.995.021.002 U01 DI.995.021.002U01 00:00:00 -1 INDE;RAJASTHAN INDE:RAJASTHAN-LES MUSICIENS DU DESERT N Sous-table non exportée Sous-table non exportée N 1995 0 ASIE +C-560069 CD12S DI.995.021.003 U01 DI.995.021.003U01 00:00:00 -1 INDONESIE;JAVA JAVA-PALAIS ROYAL DE YOGYA KARTA VOL. 3. LE SPIRITUEL ET LE SACRE N Sous-table non exportée Sous-table non exportée N 1995 0 ASIE +C-560079 CD12S DI.995.021.004 U01 DI.995.021.004U01 00:00:00 -1 REP CENTRAFRICAINE CENTRAFRIQUE. MUSIQUE GBAYA. CHANTS A PENSER (2) N Sous-table non exportée Sous-table non exportée N 1995 0 AFRIQUE +C-560081 CD12S DI.995.021.005 U01 DI.995.021.005U01 00:00:00 -1 TURQUIE TURQUIE/ARCHIVES DE LA MUSIQUE TURQUE (1) N Sous-table non exportée Sous-table non exportée N 1995 0 ASIE +ALCD-145 CD12S DI.995.022.001 U01 DI.995.022.001U01 00:00:00 -1 MAROC LA SUITE DU BLANC/ LES MAITRES DU GUEMBRI N Sous-table non exportée Sous-table non exportée N 1995 0 AFRIQUE +ALCD-146 CD12S DI.995.022.002 U01 DI.995.022.002U01 00:00:00 -1 MAROC LES SUITES DU BLEU/LES MAITRES DU GUEMBRI N Sous-table non exportée Sous-table non exportée N 1995 0 AFRIQUE +ALCD-147 CD12S DI.995.022.003 U01 DI.995.022.003U01 00:00:00 -1 MAROC LES SUITES DU ROUGE ET DU VERT/LES MAITRES DU GUEMBRI N Sous-table non exportée Sous-table non exportée N 1995 0 AFRIQUE +ALCD-148 CD12S DI.995.022.004 U01 DI.995.022.004U01 00:00:00 -1 MAROC LES SUITE DU NOIR ET DU JAUNE/LES MAITRES DU GUEMBRI N Sous-table non exportée Sous-table non exportée N 1995 0 AFRIQUE +N CD-ROM DI.995.023.001 U01 DI.995.023.001U01 00:00:00 -1 GABON MUSEE DE L'HOMME N Sous-table non exportée Sous-table non exportée N 1994 0 AFRIQUE +P-79.224 D257 DI.995.024.001 U01 DI.995.024.001U01 00:00:00 -1 BENIN DAHOMEY/AZORVE KADA/ME NOUKOUNME MAYONLE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +PEOCD-777 CD12S DI.995.025.001 U01 DI.995.025.001U01 00:00:00 -1 ITALIE FLUTES DE PAN DE LA BRIANZA/IBEJ/ITALIE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +PEOCD-826 CD12S DI.995.025.002 U01 DI.995.025.002U01 00:00:00 -1 VIETNAM VIETNAM/CHANTS DES MINORITES DES HAUTS PLATEAUXES DU NORD N Sous-table non exportée Sous-table non exportée 1993 0 ASIE +PEOCD-844 CD12S DI.995.025.003 U01 DI.995.025.003U01 00:00:00 -1 MALI MALI-JEUX DE FLUTES DES BERGERS PEUHLS N Sous-table non exportée Sous-table non exportée 1993 0 AFRIQUE +C-560084 CD12S DI.995.026.001 U01 DI.995.026.001U01 00:00:00 -1 BRESIL BRESIL-AMERINDIENS D'AMAZONIE N Sous-table non exportée Sous-table non exportée 1990 0 AMERIQUE +FMD-190 CD12S DI.995.027.001 U01 DI.995.027.001U01 00:00:00 -1 ZAIRE PYGMEES DU HAUT-ZAIRE N Sous-table non exportée Sous-table non exportée 1986 0 AFRIQUE +FMD-204 CD12S DI.995.027.002 U01 DI.995.027.002U01 00:00:00 -1 ZAIRE TOMBE DITUMBA/ZAIRE:LUBA-SHANKADI DU SHABA N Sous-table non exportée Sous-table non exportée 1970 0 AFRIQUE +FMD-186 CD12S DI.995.027.003 U01 DI.995.027.003U01 00:00:00 -1 ZAIRE RUJIN DIRI,MAITRE DE L'INANGA:RWANDA N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +FMD-196 CD12S DI.995.027.004 U01 DI.995.027.004U01 00:00:00 RWANDA TWAS POLYPHONIE DES TWA DU RWANDA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CD2-21 CD12S DI.995.028.001 U01 DI.995.028.001U01 00:00:00 1 ITALIE RESUTTANO,I CANTI DEI CONTADINI N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +GL-50014 CD12S DI.995.029.001 U01 DI.995.029.001U01 00:00:00 MEXIQUE LOS MEJORES SONES JAROCHOS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +GN-4015 CD12S DI.995.029.002 U01 DI.995.029.002U01 00:00:00 MEXIQUE PLAZA GARIBALDI MARIACHI PERLA DE OCCIDENTE DE MARCELINO ORTEGA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +FE-4225 D303 DI.995.029.004 U01 DI.995.029.004U01 00:00:00 SURINAM SARAMAKA MUSIC FROM SARAMAKA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +KR-3001 CD12S DI.995.029.006 U01 DI.995.029.006U01 00:00:00 ALGERIE GROUPE DE FEMMES ALGERIENNES DJURDJURA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SUN-5002 D303 DI.995.029.007 A01 DI.995.029.007A01 00:00:00 TURQUIE MOGOL/HITTIT SUN Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-31 CD12S DI.995.029.008 U01 DI.995.029.008U01 00:00:00 TURQUIE YUNUS EMRE. AYLA ALGAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-3047957000 CD12S DI.995.030.001 U01 DI.995.030.001U01 00:00:00 GEORGIE MUSIQUE GEORGIENNE/HOKO XYPUNR Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-30-29781-000 CD12S DI.995.031.003 U01 DI.995.031.003U01 00:00:00 URSS;RSFS RUSSIE SUSANNA MEMETOVA SINGS SONGS OF THE CRIMEA TATARS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +R-2000897 D303 DI.995.031.004 U01 DI.995.031.004U01 00:00:00 URSS;RSFS RUSSIE FAIR FOLK GROUP Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-20-11839-08998 CD12S DI.995.031.005 U01 DI.995.031.005U01 00:00:00 URSS;RSFS RUSSIE SKAZ, QUARTET OF RUSSIAN FOLK INSTRUMENTS Sous-table non exportée Sous-table non exportée 0 0 ASIE +R-2001167 CD12S DI.995.031.006 U01 DI.995.031.006U01 00:00:00 URSS;RSFS RUSSIE IN THE KUBAN-FOLKSONGS OF THE BLACK SEA COSSACKS Sous-table non exportée Sous-table non exportée 0 0 ASIE +3-001-C-3 CD12S DI.995.031.007 U01 DI.995.031.007U01 00:00:00 URSS;RSS LETTONIE LATGOLAS DZISMES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-1028147-008 CD12S DI.995.031.008 U01 DI.995.031.008U01 00:00:00 URSS;RSS LETTONIE JAUNPIEBALGAS BAZNICAS/LETTONIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SANSREF-32-1/2 CD12S DI.995.032.001-1/2 U01.01 DI.995.032.001-1/2U01.01 00:05:25 N MEXIQUE MUSICA DE LOS PUEBLOS MAYA.BELICE,EL SALVADOR,GUATEMALA,HONDURAS,MEXICO N Sous-table non exportée Sous-table non exportée N 1993 0 AMERIQUE +SANSREF-32-1/2 CD12S DI.995.032.001-1/2 U02.26 DI.995.032.001-1/2U02.26 00:00:00 SALVADOR MUSICA DE LOS PUEBLOS MAYA.BELICE,EL SALVADOR,GUATEMALA,HONDURAS,MEXICO N Sous-table non exportée Sous-table non exportée N 993 0 AMERIQUE +SANSREF-32-1/2 CD12S DI.995.032.001-1/2 U02.28 DI.995.032.001-1/2U02.28 00:00:00 HONDURAS MUSICA DE LOS PUEBLOS MAYA.BELICE,EL SALVADOR,GUATEMALA,HONDURAS,MEXICO N Sous-table non exportée Sous-table non exportée 1993 0 AMERIQUE +SANSREF-32-1/2 CD12S DI.995.032.001-1/2 U02.30 DI.995.032.001-1/2U02.30 00:00:00 BELIZE MUSICA DE LOS PUEBLOS MAYA.BELICE,EL SALVADOR,GUATEMALA,HONDURAS,MEXICO N Sous-table non exportée Sous-table non exportée 1993 0 AMERIQUE +DR-001 CD12S DI.996.001.001 U01 DI.996.001.001U01 00:00:00 1 ESPAGNE LES LLIBERTATS D'ORGUE DEL CICLE DE NADAL N Sous-table non exportée Sous-table non exportée 1994 0 EUROPE +C-580057 CD12S DI.996.003.001 U01 DI.996.003.001U01 00:00:00 -1 TURQUIE TURQUIE-CHANTS SACRES D'ANATOLIE/A SHIK FEYZULLAH TCHINAR N Sous-table non exportée Sous-table non exportée 1971 0 ASIE +C-580064 CD12S DI.996.003.002 U01 DI.996.003.002U01 00:00:00 -1 INDONESIE;JAVA JAVA-PAYS SUNDA N Sous-table non exportée Sous-table non exportée 1973 0 ASIE +C-560078 CD12S DI.996.003.003 U01 DI.996.003.003U01 00:00:00 -1 INDE INDE DU NORD/DHRUPAT ET KHYAL GOPAL KRISHAN N Sous-table non exportée Sous-table non exportée I 1994 0 ASIE +C-560080 CD12S DI.996.003.004 U01 DI.996.003.004U01 00:00:00 AFGHANISTAN AFGHANISTAN. RUBAB ET DUTAR N Sous-table non exportée Sous-table non exportée 1995 0 ASIE +C-560082 CD12S DI.996.003.005 U01 DI.996.003.005U01 00:00:00 -1 TURQUIE TURQUIE/ARCHIVES DE LA MUSIQUE TURQUE VOL.2 N Sous-table non exportée Sous-table non exportée 1903 0 ASIE +C-560083 CD12S DI.996.003.006 U01 DI.996.003.006U01 00:00:00 -1 INDONESIE;MADURA INDONESIE-MADURA-MUSIQUE SAVANTE N Sous-table non exportée Sous-table non exportée 1982 0 ASIE +C-560084 CD12S DI.996.003.007 U01 DI.996.003.007U01 00:00:00 -1 BRESIL BRESIL-AMERINDIENS D'AMAZONIE:ASURINI ETARARA N Sous-table non exportée Sous-table non exportée 1987 0 AMERIQUE +C-560085 CD12S DI.996.003.008 U01 DI.996.003.008U01 00:00:00 1993-94 VENEZUELA VENEZUELA. CHANTS ET TAMBOURS DES CONFRERIES NOIRES Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-560086 CD12S DI.996.003.009 U01 DI.996.003.009U01 00:00:00 1995 URSS;RSS OUZBEKISTAN OUZBEKISTAN/TURGUN ALIMATOV Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560089 CD12S DI.996.003.010 U01 DI.996.003.010U01 00:00:00 -1 MADAGASCAR MADAGASCAR-PAYS BARA N Sous-table non exportée Sous-table non exportée 1994 0 AFRIQUE +C-560094 CD12S DI.996.003.011 U01 DI.996.003.011U01 00:00:00 -1 REP CENTRAFRICAINE CENTRAFRIQUE/ XYLOPHONES DE L'OUHAM-PENDE N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +CD-17 CD12S DI.996.004.001/02 U01 DI.996.004.001/02U01 00:00:00 INDE;BIHAR DHRUPADAS AUS DARBHANGA. NORDINDIEN Sous-table non exportée Sous-table non exportée 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U01.01 DI.996.005.001/02U01.01 00:00:00 N GUINEE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.02 DI.996.005.001/02U01.02 00:00:00 N MALI MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.03 DI.996.005.001/02U01.03 00:00:00 N SENEGAL MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.04 DI.996.005.001/02U01.04 00:00:00 N BURKINA FASO MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.06 DI.996.005.001/02U01.06 00:00:00 N ZIMBABWE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.07 DI.996.005.001/02U01.07 00:00:00 N BRESIL MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.08 DI.996.005.001/02U01.08 00:00:00 N CUBA MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.10 DI.996.005.001/02U01.10 00:00:00 N VENEZUELA MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.11 DI.996.005.001/02U01.11 00:00:00 N COLOMBIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.13 DI.996.005.001/02U01.13 00:00:00 N ARGENTINE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.14 DI.996.005.001/02U01.14 00:00:00 N BOLIVIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.16 DI.996.005.001/02U01.16 00:00:00 N CHILI MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +VDE-828/829 CD12S DI.996.005.001/02 U01.17 DI.996.005.001/02U01.17 00:00:00 N AUSTRALIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 OCEANIE +VDE-828/829 CD12S DI.996.005.001/02 U01.18 DI.996.005.001/02U01.18 00:00:00 N INDONESIE;BALI MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U02.01 DI.996.005.001/02U02.01 00:00:00 -1 ESPAGNE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.03 DI.996.005.001/02U02.03 00:00:00 1 PORTUGAL MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.05 DI.996.005.001/02U02.05 00:00:00 -1 FRANCE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.07 DI.996.005.001/02U02.07 00:00:00 -1 SUISSE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.08 DI.996.005.001/02U02.08 00:00:00 1 ITALIE;SARDAIGNE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.10 DI.996.005.001/02U02.10 00:00:00 -1 BOSNIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée CHANTEURS D'ORIGINE SUISSE 1995 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.11 DI.996.005.001/02U02.11 00:00:00 1 REP TCHEQUE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.12 DI.996.005.001/02U02.12 00:00:00 -1 HONGRIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.13 DI.996.005.001/02U02.13 00:00:00 -1 ROUMANIE TRANSYLVANIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée 1995 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.14 DI.996.005.001/02U02.14 00:00:00 1 GRECE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +VDE-828/829 CD12S DI.996.005.001/02 U02.15 DI.996.005.001/02U02.15 00:00:00 -1 TURQUIE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U02.17 DI.996.005.001/02U02.17 00:00:00 -1 MONDE ARABE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U02.18 DI.996.005.001/02U02.18 00:00:00 1 AFGHANISTAN MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U02.20 DI.996.005.001/02U02.20 00:00:00 -1 INDE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-828/829 CD12S DI.996.005.001/02 U02.21 DI.996.005.001/02U02.21 00:00:00 -1 CHINE MUSIQUE A LA CROISEE DES CULTURES N Sous-table non exportée Sous-table non exportée -1 0 ASIE +VDE-879 CD12S DI.996.005.003 U01 DI.996.005.003U01 00:00:00 -1 AFRIQUE DU SUD AFRIQUE DU SUD- LE CHANT DES FEMMES XHOSA N Sous-table non exportée Sous-table non exportée 1995 0 AFRIQUE +VDE-755 CD12S DI.996.005.004 U01 DI.996.005.004U01 00:00:00 -1 REP CENTRAFRICAINE CENTRAFRIQUE-MUSIQUE POUR SANZA EN PAYS GBAYA N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +VDE-871 CD12S DI.996.005.005 U01 DI.996.005.005U01 00:00:00 -1 BOLIVIE BOLIVIE/CHARANGOS ET GUITARRILAS DU NORTE POTOSI N Sous-table non exportée Sous-table non exportée 1991 0 AMERIQUE +VDE-875 CD12S DI.996.005.006 U01 DI.996.005.006U01 00:00:00 -1 AMERIQUE BRESIL-ENAUENE-NAUE ET NHAMBIQUARA DU MATO GROSSO N Sous-table non exportée Sous-table non exportée 1982 0 AMERIQUE +VDE-699 CD12S DI.996.005.007 U01 DI.996.005.007U01 00:00:00 -1 AFGHANISTAN AFGHANISTAN-LE RUBAB DE HERAT N Sous-table non exportée Sous-table non exportée 1974 0 ASIE +VDE-735 CD12S DI.996.005.008 U01 DI.996.005.008U01 00:00:00 -1 ASIE CENTRALE ASIE CENTRALE - LES MAITRES DU DOTAR N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +VDE-735 CD12S DI.996.005.008 U02 DI.996.005.008U02 00:00:00 -1 URSS;RSS OUZBEKISTAN ASIE CENTRALE - LES MAITRES DU DOTAR N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +VDE-735 CD12S DI.996.005.008 U03 DI.996.005.008U03 00:00:00 -1 TADJIKISTAN ASIE CENTRALE - LES MAITRES DU DOTAR N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +VDE-735 CD12S DI.996.005.008 U07 DI.996.005.008U07 00:00:00 -1 IRAN ASIE CENTRALE - LES MAITRES DU DOTAR N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +VDE-735 CD12S DI.996.005.008 U13 DI.996.005.008U13 00:00:00 -1 TURKMENISTAN ASIE CENTRALE - LES MAITRES DU DOTAR N Sous-table non exportée Sous-table non exportée 1978 0 ASIE +VDE-822/823 CD12S DI.996.005.009/10 U01 DI.996.005.009/10U1 00:00:00 -1 CHINE CHINE - TRADITIONS POPULAIRES INSTRUMENTALES N Sous-table non exportée Sous-table non exportée 1930 0 ASIE +VDE-756 CD12S DI.996.005.011 U01 DI.996.005.011U01 00:00:00 -1 COREE DU SUD COREEE-CHANTS RITUELS DE L'ILE DE CHINDO N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +VDE-650 CD12S DI.996.005.012 U01 DI.996.005.012U01 00:00:00 -1 JAPON JAPON/L'EPOPEE DES HEIKE PAR JUNKO UEDA N Sous-table non exportée Sous-table non exportée 1990 0 ASIE +VDECD-651 CD12S DI.996.005.013 U01 DI.996.005.013U01 00:00:00 -1 TURKMENISTAN TURKMENES TURKMENISTAN/LA MUSIQUE DES BAKHSHY N Sous-table non exportée Sous-table non exportée 1988 0 ASIE +VDE-797 CD12S DI.996.005.014 U01 DI.996.005.014U01 00:00:00 -1 TURQUIE TURQUIE-MUSIQUES TRADITIONNELLES D'ANATOLIE N Sous-table non exportée Sous-table non exportée 1963 0 ASIE +VDE-872 CD12S DI.996.005.015 U01 DI.996.005.015U01 00:00:00 -1 ITALIE ITALIE/MESORACA N Sous-table non exportée Sous-table non exportée 1992 0 EUROPE +VDE-757 CD12S DI.996.005.016 U01 DI.996.005.016U01 00:00:00 -1 POLOGNE POLOGNE: CHANSONS ET DANSES POPULAIRES N Sous-table non exportée Sous-table non exportée 1972 0 EUROPE +VDE-837 CD12S DI.996.005.017 U01 DI.996.005.017U01 00:00:00 -1 URSS RUSSIE:CHANTS POLYPHONIQUES DE MARIAGE N Sous-table non exportée Sous-table non exportée 1994 0 EUROPE +CN-001 CD12S DI.996.006.001 U01.01 DI.996.006.001U01.01 00:00:00 1 ILES SALOMON LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CN-001 CD12S DI.996.006.001 U01.02 DI.996.006.001U01.02 00:00:00 1 JAPON LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CN-001 CD12S DI.996.006.001 U01.04 DI.996.006.001U01.04 00:00:00 1 BELIZE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CN-001 CD12S DI.996.006.001 U01.05 DI.996.006.001U01.05 00:00:00 1 BOLIVIE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CN-001 CD12S DI.996.006.001 U01.06 DI.996.006.001U01.06 00:00:00 1 NORVEGE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 EUROPE +CN-001 CD12S DI.996.006.001 U01.08 DI.996.006.001U01.08 00:00:00 1 TAIWAN LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CN-001 CD12S DI.996.006.001 U01.09 DI.996.006.001U01.09 00:00:00 1 NOUVELLE-CALEDONIE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CN-001 CD12S DI.996.006.001 U01.10 DI.996.006.001U01.10 00:00:00 1 AUSTRALIE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CN-001 CD12S DI.996.006.001 U01.11 DI.996.006.001U01.11 00:00:00 -1 AFGHANISTAN LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CN-001 CD12S DI.996.006.001 U02 DI.996.006.001U02 00:00:00 -1 TIBET LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CN-001 CD12S DI.996.006.001 U03 DI.996.006.001U03 00:00:00 1 AFRIQUE DU SUD LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 AFRIQUE +CN-001 CD12S DI.996.006.001 U04 DI.996.006.001U04 00:00:00 -1 ITALIE;SARDAIGNE LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CN-001 CD12S DI.996.006.001 U05 DI.996.006.001U05 00:00:00 1 PARAGUAY LES VOIX DU MONDE N Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +CD-3252 CD12S DI.996.007.001/02 U01 DI.996.007.001/02U01 00:00:00 1 INDONESIE;SUMATRA VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U01.01 DI.996.007.001/02U01.01 00:00:00 N URSS;RA TOUVA VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée -1 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U01.12 DI.996.007.001/02U01.12 00:00:00 N NEPAL VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U01.13 DI.996.007.001/02U01.13 00:00:00 N DANEMARK;GROENLAND VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 EUROPE +CD-3252 CD12S DI.996.007.001/02 U01.15 DI.996.007.001/02U01.15 00:00:00 N MEXIQUE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CD-3252 CD12S DI.996.007.001/02 U01.16 DI.996.007.001/02U01.16 00:00:00 N AZERBAIDJAN VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U01.17 DI.996.007.001/02U01.17 00:00:00 N NLE-ZELANDE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CD-3252 CD12S DI.996.007.001/02 U01.18 DI.996.007.001/02U01.18 00:00:00 N ETHIOPIE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +CD-3252 CD12S DI.996.007.001/02 U01.19 DI.996.007.001/02U01.19 00:00:00 N ETHIOPIE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +CD-3252 CD12S DI.996.007.001/02 U01.20 DI.996.007.001/02U01.20 00:00:00 N INDE LADAKH VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U02.01 DI.996.007.001/02U02.01 00:00:00 -1 ILES SALOMON VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CD-3252 CD12S DI.996.007.001/02 U02.03 DI.996.007.001/02U02.03 00:00:00 -1 REP CENTRAFRICAINE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +CD-3252 CD12S DI.996.007.001/02 U02.04 DI.996.007.001/02U02.04 00:00:00 -1 CHINE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U02.05 DI.996.007.001/02U02.05 00:00:00 -1 BRESIL VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CD-3252 CD12S DI.996.007.001/02 U02.06 DI.996.007.001/02U02.06 00:00:00 1 PAPOUASIE-NLE-GUINEE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 OCEANIE +CD-3252 CD12S DI.996.007.001/02 U02.07 DI.996.007.001/02U02.07 00:00:00 1 INDONESIE;BALI VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U02.08 DI.996.007.001/02U02.08 00:00:00 1 IRAN VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 ASIE +CD-3252 CD12S DI.996.007.001/02 U02.10 DI.996.007.001/02U02.10 00:00:00 -1 NIGER VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +CD-3252 CD12S DI.996.007.001/02 U02.11 DI.996.007.001/02U02.11 00:00:00 -1 USA VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AMERIQUE +CD-3252 CD12S DI.996.007.001/02 U02.14 DI.996.007.001/02U02.14 00:00:00 -1 TANZANIE VOICES OF FORGOTTEN WORLDS N Sous-table non exportée Sous-table non exportée 1977 0 AFRIQUE +MV-0396 CD12S DI.996.007.003 U01 DI.996.007.003U01 00:00:00 N EIRE NOTES IRLANDAISES N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +983312 CD12M DI.996.007.004/05 U01 DI.996.007.004/05U1 00:00:00 -1 FRANCE CHANSONS COLONIALES ET EXOTIQUES 1906-1942 N Sous-table non exportée Sous-table non exportée -1 0 EUROPE +CNR-2741009 CD12S DI.996.008.001 U01 DI.996.008.001U01 00:00:00 -1 REP CENTRAFRICAINE REPUBLIQUE CENTRAFRICAINE-MUSIQUES DES ANCIENNES COURS BANDIA N Sous-table non exportée Sous-table non exportée 1965 0 AFRIQUE +FMD-185 CD12S DI.996.009.001 U01 DI.996.009.001U01 00:00:00 ZAIRE CHANTS DE L'OREE DE LA FORET/POLYPHONIES DES PYGMEES EFE N Sous-table non exportée Sous-table non exportée 1987 0 AFRIQUE +FMD-193 CD12S DI.996.009.002 U01 DI.996.009.002U01 00:00:00 -1 ZAIRE HAUT-UELE:NAGBETU N Sous-table non exportée Sous-table non exportée 1984 0 AFRIQUE +URA-1/2 CD12S DI.996.010.001/02 U01 DI.996.010.001/02U01 00:00:00 BENIN UN ROI AFRICAIN ET SA MUSIQUE DE COUR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SANSREF-33 CDR DI.996.011.001 U01 DI.996.011.001U01 00:00:00 YEMEN LES HOMMES DES TRIBUS ET LEUR MUSIQUE.YEMEN.[EX.POUR THÈSE] Sous-table non exportée Sous-table non exportée 0 0 ASIE +M-3049231009-1/2 CD12S DI.996.012.001/02 U01 DI.996.012.001/02U01 00:00:00 URSS;RSS BIELORUSSIE MUSICAL FOLKORE OF BYELORUSSIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.01 DI.996.013.001/03U01.01 00:00:00 1 PARAGUAY VOIX DU MONDE N Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.02 DI.996.013.001/03U01.02 00:00:00 1 FRANCE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.03 DI.996.013.001/03U01.03 00:00:00 -1 SUISSE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.04 DI.996.013.001/03U01.04 00:00:00 -1 REP CENTRAFRICAINE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.06 DI.996.013.001/03U01.06 00:00:00 -1 ROUMANIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.07 DI.996.013.001/03U01.07 00:00:00 1 ALBANIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.08 DI.996.013.001/03U01.08 00:00:00 -1 JAPON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.10 DI.996.013.001/03U01.10 00:00:00 1 INDONESIE;BALI VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.11 DI.996.013.001/03U01.11 00:00:00 1 BURUNDI VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.12 DI.996.013.001/03U01.12 00:00:00 1 CANADA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.13 DI.996.013.001/03U01.13 00:00:00 -1 MALI VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.14 DI.996.013.001/03U01.14 00:00:00 -1 BAHREIN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.15 DI.996.013.001/03U01.15 00:00:00 -1 MADAGASCAR VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.16 DI.996.013.001/03U01.16 00:00:00 -1 KENYA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.17 DI.996.013.001/03U01.17 00:00:00 -1 MAROC VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.18 DI.996.013.001/03U01.18 00:00:00 -1 INDE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.19 DI.996.013.001/03U01.19 00:00:00 -1 INDE;KERALA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.20 DI.996.013.001/03U01.20 00:00:00 -1 NOUVELLE-CALEDONIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.22 DI.996.013.001/03U01.22 00:00:00 -1 ARGENTINE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.23 DI.996.013.001/03U01.23 00:00:00 -1 ESPAGNE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.24 DI.996.013.001/03U01.24 00:00:00 -1 ROUMANIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U01.25 DI.996.013.001/03U01.25 00:00:00 -1 AMERIQUE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.26 DI.996.013.001/03U01.26 00:00:00 -1 TIBET VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.27 DI.996.013.001/03U01.27 00:00:00 -1 COREE DU SUD VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.28 DI.996.013.001/03U01.28 00:00:00 -1 NLE-GUINEE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.29 DI.996.013.001/03U01.29 00:00:00 -1 BRESIL VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.30 DI.996.013.001/03U01.30 00:00:00 -1 BOLIVIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.31 DI.996.013.001/03U01.31 00:00:00 -1 JAPON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U01.32 DI.996.013.001/03U01.32 00:00:00 -1 NAMIBIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.33 DI.996.013.001/03U01.33 00:00:00 -1 MALAWI VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U01.34 DI.996.013.001/03U01.34 00:00:00 -1 ILES SALOMON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.01 DI.996.013.001/03U02.01 00:00:00 -1 GUINEE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.02 DI.996.013.001/03U02.02 00:00:00 -1 REP CENTRAFRICAINE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.03 DI.996.013.001/03U02.03 00:00:00 -1 VIETNAM VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.04 DI.996.013.001/03U02.04 00:00:00 -1 INDONESIE;JAVA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.05 DI.996.013.001/03U02.05 00:00:00 -1 URSS;YAKOUTIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.06 DI.996.013.001/03U02.06 00:00:00 -1 MAROC VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.07 DI.996.013.001/03U02.07 00:00:00 -1 ESPAGNE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U02.08 DI.996.013.001/03U02.08 00:00:00 -1 FRANCE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U02.09 DI.996.013.001/03U02.09 00:00:00 -1 CHINE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.10 DI.996.013.001/03U02.10 00:00:00 -1 GABON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.11 DI.996.013.001/03U02.11 00:00:00 -1 HONDURAS VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.12 DI.996.013.001/03U02.12 00:00:00 -1 COTE D'IVOIRE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.14 DI.996.013.001/03U02.14 00:00:00 -1 USA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.15 DI.996.013.001/03U02.15 00:00:00 1 INDE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.16 DI.996.013.001/03U02.16 00:00:00 -1 MONGOLIE (REP POPU) VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.17 DI.996.013.001/03U02.17 00:00:00 1 IRAN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.19 DI.996.013.001/03U02.19 00:00:00 -1 LIBAN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.20 DI.996.013.001/03U02.20 00:00:00 -1 NLE-GUINEE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.21 DI.996.013.001/03U02.21 00:00:00 -1 AUSTRALIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.22 DI.996.013.001/03U02.22 00:00:00 -1 ILES SALOMON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.23 DI.996.013.001/03U02.23 00:00:00 1 INDE;RAJASTHAN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.24 DI.996.013.001/03U02.24 00:00:00 1 LAOS VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.26 DI.996.013.001/03U02.26 00:00:00 -1 MALI VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.27 DI.996.013.001/03U02.27 00:00:00 -1 CANADA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.30 DI.996.013.001/03U02.30 00:00:00 -1 TCHAD VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.31 DI.996.013.001/03U02.31 00:00:00 -1 BENIN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.32 DI.996.013.001/03U02.32 00:00:00 1 INDE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U02.34 DI.996.013.001/03U02.34 00:00:00 -1 EIRE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U02.35 DI.996.013.001/03U02.35 00:00:00 -1 AFRIQUE DU SUD VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U02.37 DI.996.013.001/03U02.37 00:00:00 -1 URSS;RA TOUVA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.01 DI.996.013.001/03U03.01 00:00:00 -1 MAROC VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.02 DI.996.013.001/03U03.02 00:00:00 1 EQUATEUR VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AMERIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.03 DI.996.013.001/03U03.03 00:00:00 -1 NLE-GUINEE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.04 DI.996.013.001/03U03.04 00:00:00 -1 SENEGAL VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.05 DI.996.013.001/03U03.05 00:00:00 -1 INDONESIE;TIMOR VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.06 DI.996.013.001/03U03.06 00:00:00 -1 TAIWAN VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.07 DI.996.013.001/03U03.07 00:00:00 -1 INDONESIE;CELEBES(SULAWESI) VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.08 DI.996.013.001/03U03.08 00:00:00 -1 ALBANIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U03.09 DI.996.013.001/03U03.09 00:00:00 -1 NIGER VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.10 DI.996.013.001/03U03.10 00:00:00 -1 ETHIOPIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.11 DI.996.013.001/03U03.11 00:00:00 1 GABON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.12 DI.996.013.001/03U03.12 00:00:00 -1 ETHIOPIE;ERYTHREE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.13 DI.996.013.001/03U03.13 00:00:00 -1 COTE D'IVOIRE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.15 DI.996.013.001/03U03.15 00:00:00 YOUGOSLAVIE MACEDOINE, ISTIBANJA VOIX DU MONDE MACEDONIA Sous-table non exportée Sous-table non exportée 1990 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U03.16 DI.996.013.001/03U03.16 00:00:00 1 VIETNAM VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 ASIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.17 DI.996.013.001/03U03.17 00:00:00 -1 ITALIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U03.19 DI.996.013.001/03U03.19 00:00:00 -1 FRANCE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U03.20 DI.996.013.001/03U03.20 00:00:00 -1 GEORGIE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 EUROPE +CMX-37410-12 CD12S DI.996.013.001/03 U03.21 DI.996.013.001/03U03.21 00:00:00 -1 ILES SALOMON VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +CMX-37410-12 CD12S DI.996.013.001/03 U03.26 DI.996.013.001/03U03.26 00:00:00 1 REP CENTRAFRICAINE VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 AFRIQUE +CMX-37410-12 CD12S DI.996.013.001/03 U03.30 DI.996.013.001/03U03.30 00:00:00 -1 INDONESIE;IRIAN JAYA VOIX DU MONDE Sous-table non exportée Sous-table non exportée 1952 0 OCEANIE +7122038-WM-332 CD12S DI.996.014.001 U01 DI.996.014.001A01 00:00:00 -1 URSS;RSS OUZBEKISTAN A MUSICAL JOURNEY THROUGH UZBEKISTAN FROM SAMARKAND TO BUKHARA Sous-table non exportée Sous-table non exportée -1 0 ASIE +122039-WM-332 CD12S DI.996.014.002 U01 DI.996.014.002A01 00:00:00 1 URSS;RSS OUZBEKISTAN THE TURQUOISE OF SAMARKAND/MATLUBEH Sous-table non exportée Sous-table non exportée -1 0 ASIE +CDA-004 CD12S DI.996.015.004 U01 DI.996.015.004U01 00:00:00 -1 CUBA CUBA Sous-table non exportée Sous-table non exportée -1 0 AMERIQUE +C-580027 CD12S DI.996.016.001 U01 DI.996.016.001U01 00:00:00 GAMBIE GAMBIE/L'ART DE LA KORA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-580066 CD12S DI.996.016.002 U01 DI.996.016.002U01 00:00:00 IRAK IRAK-LES MAQAMS DE BAGDAK Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560051 CD12S DI.996.016.003 U01 DI.996.016.003U01 00:00:00 1994 FRANCE FRANCE/LANDES DE GASCOGNE/LA CORNEMUSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560097 CD12S DI.996.016.004 U01 DI.996.016.004U01 00:00:00 INDONESIE;BALI JAVA-PAYS SUNDA/MUSIQUES SAVANTES 2. L'ART DU GAMELAN DE GUNG Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560093 CD12S DI.996.016.005 U01 DI.996.016.005U01 00:00:00 1994 COLOMBIE COLOMBIE-LE VALLENATO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-560099 CD12S DI.996.016.006 U01 DI.996.016.006U01 00:00:00 1993-94 MEXIQUE MEXIQUE/FETES DE SAN MIGUEL TZINACAPAN Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-560100 CD12S DI.996.016.007 U01 DI.996.016.007U01 00:00:00 1995 REP DU CAP-VERT CAP-VERDIENS CAP-VERT. KODE DI DONA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +SANSREF-34 CDR DI.997.001.001 U01 DI.997.001.001U01 00:00:00 -1 ESPAGNE FLAMENCO Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92600-2 CD12S DI.997.002.001/02 U01 DI.997.002.001/02U01 00:00:00 -1 INDONESIE;BALI ANTHOLOGIE DES MUSIQUES DE BALI/MUSIQUES POPULAIRES VOL 1 Sous-table non exportée Sous-table non exportée 1993 0 ASIE +92601-2 CD12S DI.997.002.003/04 U01 DI.997.002.003/04U01 00:00:00 -1 INDONESIE;BALI ANTHOLOGIE DES MUSIQUES DE BALI/GAMELAN VIRTUOSES,VOL.2 Sous-table non exportée Sous-table non exportée 1993 0 ASIE +92602-2 CD12S DI.997.002.005/06 U01 DI.997.002.005/06U01 00:00:00 -1 INDONESIE;BALI ANTHOLOGIE DES MUSIQUES DE BALI/MUSIQUES RITUELLES VOL.3 Sous-table non exportée Sous-table non exportée 1993 0 ASIE +92603-2 CD12S DI.997.002.007/08 U01 DI.997.002.007/08U01 00:00:00 -1 INDONESIE;BALI ANTHOLOGIE DES MUSIQUES DE NALI/TRADITIONS SAVANTES VOL.4 Sous-table non exportée Sous-table non exportée 1992 0 ASIE +SANSREF-35 CDR-extérieur DI.997.003.001 U01 DI.997.003.001U01 00:00:00 -1 TAIWAN MUSIQUE DES BUNUN DE TAIWAN. [EX. POUR THÈSE] Sous-table non exportée Sous-table non exportée 1987 0 ASIE +VDECD-924 CD12S DI.997.004.001 U01 DI.997.004.001U01 00:00:00 MADAGASCAR MADAGASCAR: MUSIQUE ANTANOSY N Sous-table non exportée Sous-table non exportée 1995 0 AFRIQUE +VDECD-925 CD12S DI.997.004.002 U01 DI.997.004.002U01 00:00:00 -1 OUGANDA OUGANDA/ENSEMBLES VILLAGEOIS DU BUSOGA N Sous-table non exportée Sous-table non exportée 1987 0 AFRIQUE +VDECD-926 CD12S DI.997.004.003 U01 DI.997.004.003U01 00:00:00 SENEGAL CASAMANCE SENEGAL/LE SAORUBA DE CASAMANCE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +VDE-911 CD12S DI.997.004.004 U01 DI.997.004.004U01 00:00:00 -1 CHINE CHINE: KA-LE:LA CEREMONIE DU BONHEUR/MUSIQUE DES MARIONNETTES N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +VDE-909 CD12S DI.997.004.005 U01 DI.997.004.005U01 00:00:00 -1 INDE INDE/TABLA SOLO, HOMMAGE A LATIF AHMED KHAN N Sous-table non exportée Sous-table non exportée 1976 0 ASIE +VDE-910 CD12S DI.997.004.006 U01 DI.997.004.006U01 00:00:00 -1 KAZAKHSTAN KAZAKHSTAN:MUSIQUE D'ALMATI N Sous-table non exportée Sous-table non exportée 1994 0 ASIE +VDE-780 CD12S DI.997.004.007 U01 DI.997.004.007U01 00:00:00 -1 KUWEIT POESIE CHANTEE DES BEDOUINS/VOL. 1 Sous-table non exportée Sous-table non exportée 1970 0 ASIE +VDE-780 CD12S DI.997.004.007 U04 DI.997.004.007U04 00:00:00 -1 EMIRATS ARABES UNIS POESIE CHANTEE DES BEDOUINS/VOL. 1 Sous-table non exportée Sous-table non exportée 1970 0 ASIE +VDE-780 CD12S DI.997.004.007 U14 DI.997.004.007U14 00:00:00 -1 SYRIE POESIE CHANTEE DES BEDOUINS/VOL. 1 Sous-table non exportée Sous-table non exportée 1970 0 ASIE +VDE-781 CD12S DI.997.004.008 U01 DI.997.004.008U01 00:00:00 -1 BAHREIN MUSIQUE DES PECHEURS DE PERLES/VOL.2 N Sous-table non exportée Sous-table non exportée 1970 0 ASIE +VDE-782 CD12S DI.997.004.009 U01 DI.997.004.009U01 00:00:00 -1 BAHREIN LE SOWT,MUSIQUE DES VILLES/VOL.3 Sous-table non exportée Sous-table non exportée 1971 0 ASIE +VDE-782 CD12S DI.997.004.009 U10 DI.997.004.009U10 00:00:00 -1 YEMEN LE SOWT,MUSIQUE DES VILLES/VOL.3 Sous-table non exportée Sous-table non exportée 1971 0 ASIE +VDE-783 CD12S DI.997.004.010 U01 DI.997.004.010U01 00:00:00 -1 BAHREIN LE CHANT DES FEMMES/VOL.4 Sous-table non exportée Sous-table non exportée 1968 0 ASIE +VDE-783 CD12S DI.997.004.010 U16 DI.997.004.010U16 00:00:00 -1 YEMEN LE CHANT DES FEMMES/VOL.4 Sous-table non exportée Sous-table non exportée 1968 0 ASIE +A-2971 CD12S DI.997.006.001 U01 DI.997.006.001U01 00:00:00 MAROC CHANTS ET DANSES DE L'ATLAS (MAROC) N Sous-table non exportée Sous-table non exportée 1964 0 AFRIQUE +CNR-2740079 CD12S DI.997.007.001 U01 DI.997.007.001U01 00:00:00 -1 BURKINA FASO BURKINA FASO/LA VOIX DES PEULS N Sous-table non exportée Sous-table non exportée 1992 0 AFRIQUE +C-997.008.001 CD12S DI.997.008.001 U01 DI.997.008.001U01 00:00:00 1993 ALGERIE ALGERIE-LE DIWAN DE BISKRA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-560110 CD12S DI.997.008.002 U01 DI.997.008.002U01 00:00:00 1994-1996 CAMEROUN CAMEROUN-FLUTES DES MONTS MANDARA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-580048 CD12S DI.997.008.004 U01 DI.997.008.004U01 00:00:00 1965-67 COTE D'IVOIRE COTE D'IVOIRE-MASQUE DAN Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-560117 CD12S DI.997.008.005 U01 DI.997.008.005U01 00:00:00 1995 NAMIBIE BOCHIMANS JU'HOANSI NAMIBIE-CHANTS DES BUSHMEN JU'HOANSI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-580050 CD12S DI.997.008.006 U01 DI.997.008.006U01 00:00:00 1970-72 ZAIRE ZAIRE/POLYPHONIES MONGO Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-5060107 CD12S DI.997.008.008 U01 DI.997.008.008U01 00:00:00 1996 CUBA CUBA-LA FAMILIA VALERA MIRANDA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-580053 CD12S DI.997.008.009 U01 DI.997.008.009U01 00:00:00 1987 USA ETATS-UNIS/GOSPEL,FLORA MOLTON, FLEANOR FLLIS Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-580054 CD12S DI.997.008.012 U01 DI.997.008.012U01 00:00:00 -1 BANGLADESH BANGLADESH/GARO DE LA FORET DE MADHUPUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560034 CD12S DI.997.008.013 U01 DI.997.008.013U01 00:00:00 1966-70 CAMBODGE CAMBODGE/MUSIQUE DU PALAIS ROYAL Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560039/41 CD12S DI.997.008.014/16 U01 DI.997.008.014/16U01 00:00:00 1991 TAIWAN NAN KOUAN/CHANTS COURTOIS DE LA CHINE DU SUD Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560046 CD12S DI.997.008.017 U01 DI.997.008.017U01 00:00:00 1988 CHINE CHINE/L'ART DU PIPA-LIN SHICHENG Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560020 CD12S DI.997.008.018 U01 DI.997.008.018U01 00:00:00 1993 EGYPTE EGYPTE/ART VOCAL ET INSTRUMENTAL DU XIXEME SIECLE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-560092 CD12S DI.997.008.019 U01 DI.997.008.019U01 00:00:00 1996 INDE INDE DU NORD/SATYA DEV PAWAR (VIOLON) Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-580044 CD12S DI.997.008.020 U01 DI.997.008.020U01 00:00:00 1972-93 INDE;RAJASTHAN INDE-RAJASTHAN/MUSICIENS PROFESSIONNELS POPULAIRES Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560047 CD12S DI.997.008.021 U01 DI.997.008.021U01 00:00:00 1994 INDE;KERALA INDE DU SUD-KERALA/LE THAYAMBAKA Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-559076/77 CD12S DI.997.008.022/23 U01 DI.997.008.022/23U01 00:00:00 INDONESIE;BALI BALI/HOMMAGE A WAYAN LOTRING (1898-1983) Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560057/58 CD12S DI.997.008.024/25 U01 DI.997.008.024/25U01 00:00:00 INDONESIE;BALI BALI/LES GRNDS GONGS KEBYAR DES ANNEES SOIXANTE Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560068 CD12S DI.997.008.026 U01 DI.997.008.026U01 00:00:00 INDONESIE;BALI JAVA/PALAIS ROYAL DE YOGYAKARTA VOL 2: MUS. INSTRUMENTALE Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560087 CD12S DI.997.008.027 U01 DI.997.008.027U01 00:00:00 INDONESIE;BALI JAVA/PALAIS ROYAL DE YOGYAKARTA. VOL 4 MUSIQUE DE CONCERT Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560105 CD12S DI.997.008.030 U01 DI.997.008.030U01 00:00:00 IRAN;BALOUTCHISTAN BALOUTCHISTAN/ LA TRADITION INSTRUMENTALE Sous-table non exportée Sous-table non exportée Baloutchistan 0 0 ASIE +C-560105 CD12S DI.997.008.030 U06 DI.997.008.030U06 00:00:00 PAKISTAN BALOUTCHES BALOUTCHISTAN/ LA TRADITION INSTRUMENTALE Sous-table non exportée Sous-table non exportée Baloutchistan 0 0 ASIE +C-560071/72 CD12S DI.997.008.031/32 U01 DI.997.008.031/32U01 00:00:00 IRAN;KURDISTAN KURDISTAN/ZIKR ET CHANTS-LES DERVICHES QADERI DE SANANDAJ Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560114 CD12S DI.997.008.033 U01 DI.997.008.033U01 00:00:00 JAPON JAPON/L'ART DU SHAKUHACHI-KATSUYA YOKOYAMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-580059 CD12S DI.997.008.034 U01 DI.997.008.034U01 00:00:00 JAPON JAPON/KINSHI TSURUTA-KATSUYA YOKOYAMA Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-580065 CD12S DI.997.008.035 U01 DI.997.008.035U01 00:00:00 JAPON JAPON-SHONUYO-CHANT LITURGIQUE BOUDDHIQUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560035/36 CD12S DI.997.008.036/37 U01.01 DI.997.008.036/37U01.01 00:00:00 N URSS;RSS OUZBEKISTAN ASIE CENTRALE/TRADITIONS CLASSIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560035/36 CD12S DI.997.008.036/37 U01.06 DI.997.008.036/37U01.06 00:00:00 N TADJIKISTAN ASIE CENTRALE/TRADITIONS CLASSIQUES Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560013 CD12S DI.997.008.038 U01 DI.997.008.038U01 00:00:00 AZERBAIDJAN AZERBAIDJAN/ALIM QASIMOV Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560111 CD12S DI.997.008.040 U01 DI.997.008.040U01 00:00:00 1996 URSS;RSS OUZBEKISTAN OUZBEKISTAN/L'ART DU DOTAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560102 CD12S DI.997.008.041 U01 DI.997.008.041U01 00:00:00 1996 TADJIKISTAN TADJIKISTAN/JURABEG NABIEV Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560101 CD12S DI.997.008.042 U01 DI.997.008.042U01 00:00:00 1995 TIBET AMDO-MONASTERE TIBETAIN DE LABRANG Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560042 CD12S DI.997.008.043 U01 DI.997.008.043U01 00:00:00 1993 TURQUIE TURQUIE/L'ART DU TANBUR-TALIP OZKAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-580045 CD12S DI.997.008.044 U01 DI.997.008.044U01 00:00:00 1983 TURQUIE TURQUIE/CINUCEN TANRIKORUR Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-600002 CD12S DI.997.008.045 U01 DI.997.008.045U01 00:00:00 1930-86 DANEMARK DANEMARK-CHANTEURS ET MENETRIERS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-600004 CD12S DI.997.008.046 U01 DI.997.008.046U01 00:00:00 1941-1995 FINLANDE FINLANDE/MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560073 CD12S DI.997.008.048 U01 DI.997.008.048U01 00:00:00 1995 FRANCE FRANCE-PROVENCE/LE GALOUBET-TAMBOURIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-580031 CD12S DI.997.008.049 U01 DI.997.008.049U01 00:00:00 1982 HONGRIE HONGRIE/LE DERNIER PASSAGE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560021 CD12S DI.997.008.050 U01 DI.997.008.050U01 00:00:00 1991 EIRE IRLANDE-FRANKIE GAVIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-600005 CD12S DI.997.008.051 U01 DI.997.008.051U01 00:00:00 1968-95 URSS;RSS LITUANIE LITUANIE/LE PAYS DES CHANSONS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-600003 CD12S DI.997.008.052 U01 DI.997.008.052U01 00:00:00 N PAYS-BAS PAYS-BAS/CHANSONS OUBLIEES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-600001 CD12S DI.997.008.053 U01 DI.997.008.053U01 00:00:00 N POLOGNE POLOGNE/INSTRUMENTS POPULAIRES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560008 CD12S DI.997.008.054 U01 DI.997.008.054U01 00:00:00 1992 SUEDE SUEDE/NORVEGE/MUSIQUES DES VALLEES SCANDINAVES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560008 CD12S DI.997.008.054 U09 DI.997.008.054U09 00:00:00 1992 NORVEGE SUEDE/NORVEGE/MUSIQUES DES VALLEES SCANDINAVES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-580049 CD12S DI.997.008.055 U01 DI.997.008.055U01 00:00:00 1970 ILES SALOMON ILES SALOMON:MUSIQUE DE GUADACANAL Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +92661-2 CD12S DI.997.009.001 U01 DI.997.009.001U01 00:00:00 1992 ROUMANIE LES FAUBOURGS D'ANTAN / ROUMANIE 3 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92655-2 CD12S DI.997.009.002 U01 DI.997.009.002U01 00:00:00 1989-93 ROUMANIE FANFARE PAYSANNE DE ZECE PRAJINI / ROUMANIE 2 Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92560-2 CD12S DI.997.009.003 U01 DI.997.009.003U01 00:00:00 1992 ROUMANIE ROUMANIE. QUATUOR A CORDES DE TRANSYLVANIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92644-2 CD12S DI.997.009.004 U01 DI.997.009.004U01 00:00:00 1994-95 GRECE GRECS GRECE:MUSIQUE DE L'ILE DE KARPATHOS Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92657-2 CD12S DI.997.009.005 U01 DI.997.009.005U01 00:00:00 1995 VIETNAM VIETNAM DU NORD: CHANTS DE POSSESSION Sous-table non exportée Sous-table non exportée 0 0 ASIE +92631-2 CD12S DI.997.009.006 U01 DI.997.009.006U01 00:00:00 N URSS;RSS KIRGHIZISTAN MUSIQUES DU KIRGHIZSTAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +92671-2 CD12S DI.997.009.007 U01 DI.997.009.007U01 00:00:00 1996 URSS;RSFS RUSSIE CHANTS CHAMANIQUES ET QUOTIDIENS DU BASSIN DE L'AMOUR Sous-table non exportée Sous-table non exportée 0 0 EUROPE +92611-2 CD12S DI.997.009.008 U01 DI.997.009.008U01 00:00:00 N PAKISTAN PAKISTANAIS QAWWALI, EXPRESSION DE L'ESSENTIEL DESIR Sous-table non exportée Sous-table non exportée 0 0 ASIE +92633-2 CD12S DI.997.009.009 U01 DI.997.009.009U01 00:00:00 N IRAN;BALOUTCHISTAN MAKRAN BALOUTCHES BALOUTCHISTAN: BARDES DU MAKRAN N Sous-table non exportée Sous-table non exportée 0 0 ASIE +92633-2 CD12S DI.997.009.009 U02 DI.997.009.009U02 00:00:00 PAKISTAN MAKRAN BALOUTCHISTAN: BARDES DU MAKRAN Sous-table non exportée Sous-table non exportée Baloutchistan 0 0 ASIE +92531-2 CD12S DI.997.009.010 U01 DI.997.009.010U01 00:00:00 1991 INDONESIE;BALI INDONESIE: MUSIQUE ET DANSES DE BALI Sous-table non exportée Sous-table non exportée 0 0 ASIE +92618-2 CD12S DI.997.009.011 U01 DI.997.009.011U01 00:00:00 N CHINE LA FORET EN FEU, LA PRINCESSE CENT FLEURS/OPERA DE PEKIN Sous-table non exportée Sous-table non exportée 0 0 ASIE +92637-2 CD12S DI.997.009.012 U01 DI.997.009.012U01 00:00:00 N GUYANE FRANCAISE MUSIQUE INSTRUMENTALE DES WAYANA DU LITANI Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +92638-2 CD12S DI.997.009.013 U01 DI.997.009.013U01 00:00:00 1994 EQUATEUR EQUATEUR. LE MONDE SONORE DES SHUAR Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +92576 CD12S DI.997.009.014 U01 DI.997.009.014U01 00:00:00 N BRESIL BRESIL:LES EAUX D'OXALA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +92621-2 CD12S DI.997.009.015 U01 DI.997.009.015U01 00:00:00 N MAURITANIE MAURITANIE: CHANTS DE FEMMES NEMADI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +92662-2 CD12S DI.997.009.016 U01 DI.997.009.016U01 00:00:00 N MADAGASCAR MUSIQUE PAYSANNE BETSILEO LALAUGINA/MADAGASCAR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +92534-2 CD12S DI.997.009.017 U01 DI.997.009.017U01 00:00:00 1991 GUINEE GUINEE:ANTHOLOGIE DU BALAFON MANDINGUE N°2 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +92520-2 CD12S DI.997.009.018 U01 DI.997.009.018U01 00:00:00 1991 GUINEE GUINEE: ANTHROPOLOGIE DU BALAFON MANDINGUE,VOL.1 Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +92535-2 CD12S DI.997.009.019 U01 DI.997.009.019U01 00:00:00 1991 GUINEE GUINEE.ANTHROPOLOGIE DU BALAFON MANDINGUE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260030 CD12S DI.997.010.001/07 U01.01 DI.997.010.001/07U01.01 00:00:00 MAROC ANTH. "AL-ALA" M. ANDALUCI-MAROCAINE. NUBA IRAQ AL-AJAM Sous-table non exportée Sous-table non exportée 1990 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U01.01 DI.997.010.008/14U01.01 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U11 DI.997.010.008/14U11 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U12 DI.997.010.008/14U12 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U16 DI.997.010.008/14U16 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U18 DI.997.010.008/14U18 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260031 CD12S DI.997.010.008/14 U19 DI.997.010.008/14U19 00:00:00 MAROC ANTH. "AL-ALA" M.ANDALUCI-MAROCAINE. NUBA AL HIJAZ AL-KEBIR Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260066 CD12S DI.997.010.015 U01 DI.997.010.015U01 00:00:00 MONDE YIDDISH KASBEK/KLEZMER A LA RUSSE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +W-260067 CD12S DI.997.010.016 U01 DI.997.010.016U01 00:00:00 URSS;RA TOUVA CHANTS EPIQUES ET DIPHONIQUES. ASIE CENTRALE, SIBERIE-VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +W-260067 CD12S DI.997.010.016 U04 DI.997.010.016U04 00:00:00 TADJIKISTAN TADJIK CHANTS EPIQUES ET DIPHONIQUES. ASIE CENTRALE, SIBERIE-VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +W-260067 CD12S DI.997.010.016 U05 DI.997.010.016U05 00:00:00 KALMOUKIE CHANTS EPIQUES ET DIPHONIQUES. ASIE CENTRALE, SIBERIE-VOL. 1 Sous-table non exportée Sous-table non exportée 0 ASIE +W-260067 CD12S DI.997.010.016 U09 DI.997.010.016U09 00:00:00 URSS;SIBERIE CHOR CHANTS EPIQUES ET DIPHONIQUES. ASIE CENTRALE, SIBERIE-VOL. 1 Sous-table non exportée Sous-table non exportée Siberie 0 ASIE +W-260068 CD12S DI.997.010.017 U01 DI.997.010.017U01 00:00:00 LIBAN LIBAN-MATAR MUHAMMAD (1939-1995) Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260069-01/2 CD12S DI.997.010.018/19 U01 DI.997.010.018/19U01 00:00:00 AZERBAIDJAN DJANALI AKBEROV.TRIO KHAN SHUSHINSKI. ANTHOLOGIE DU MUGAM D'AZERBAIDJAN,VOL7 Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260071 CD12S DI.997.010.020 U01 DI.997.010.020U01 00:00:00 IRAK MUNIR BACHIR/MEDITATIONS Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260072 CD12S DI.997.010.021 U01 DI.997.010.021U01 00:00:00 SYRIE EGLISE SYRIAQUE ORTHODOXE D'ANTIOCHE Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260074 CD12S DI.997.010.022 U01 DI.997.010.022U01 00:00:00 CAMEROUN CAMEROUN/ROYAUME BAMUM* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U01 DI.997.010.023U01 00:00:00 MADAGASCAR MAHAFALY MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U02 DI.997.010.023U02 00:00:00 MADAGASCAR BETSILEO MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U03 DI.997.010.023U03 00:00:00 MADAGASCAR SAKALAVA MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U05 DI.997.010.023U05 00:00:00 MADAGASCAR MIKEA MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U07 DI.997.010.023U07 00:00:00 MADAGASCAR ANTANOSY MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U09 DI.997.010.023U09 00:00:00 MADAGASCAR MERINA MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U10 DI.997.010.023U10 00:00:00 MADAGASCAR ANTANDROY MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260076 CD12S DI.997.010.023 U14 DI.997.010.023U14 00:00:00 MADAGASCAR BARA MADAGASCAR. ANTHOLOGIE DES VOIX Sous-table non exportée Sous-table non exportée 0 AFRIQUE +W-260070 CD12S DI.997.010.024 U01 DI.997.010.024U01 00:00:00 VIETNAM VIETNAM-CATRU, TRADITION DU NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260073 CD12S DI.997.010.025 U01 DI.997.010.025U01 00:00:00 VIETNAM VIETNAM-MUSIQUE DE HUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +W-260075 CD12S DI.997.010.026 U01 DI.997.010.026U01 00:00:00 RWANDA RWANDA/MEDARD NTRAMAGANYA* Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +W-260077 CD12S DI.997.010.027 U01 DI.997.010.027U01 00:00:00 AZERBAIDJAN GANDAB GULIEVA-MUGAM D'AZERBAIDJAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +LAT-50612 CD12S DI.997.011.001 U01 DI.997.011.001U01 00:00:00 VIETNAM TRAN QUANG HAI/LANDSCAPE OF THE HIGHLANDS Sous-table non exportée Sous-table non exportée 0 0 ASIE +PS-66009 CD12S DI.997.011.002 U01 DI.997.011.002U01 00:00:00 VIETNAM GUIMBARDES DU MONDE/TRAN QUANG HAI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CP-10296 CD12S DI.997.011.003 U01 DI.997.011.003U01 00:00:00 AUSTRALIE AUSTRALIE-PHILIP PERIS Sous-table non exportée Sous-table non exportée 0 0 OCEANIE +CAI CD-ROM DI.997.012.001 U01 DI.997.012.001U01 00:00:00 ESPAGNE FLAMENCO-SOFT Sous-table non exportée Sous-table non exportée 0 0 EUROPE +TR-001-2 CD DI.997.013.001 U01 DI.997.013.001U01 00:00:00 NEPAL THE REAL FOLK MUSIC OF NEPAL/THE NEPALESE BLUES Sous-table non exportée Sous-table non exportée 1993 ASIE +DI.997.014.001 CD DI.997.014.001 U01 DI.997.014.001U01 00:00:00 IRAN HASSAN TABAR Sous-table non exportée Sous-table non exportée 1992 ASIE +ALCD-179 CD DI.997.014.002 U01 DI.997.014.002U01 00:00:00 IRAN HASSAN TABAR/ANTOUR/DASTGAH-E SEGAH Sous-table non exportée Sous-table non exportée 1994 ASIE +EMS-M-1-2 CD DI.997.015.001 U01 DI.997.015.001U01 00:00:00 MARTINIQUE VELO MAITRE KA ET SON GROUPE Sous-table non exportée Sous-table non exportée 1963 AMERIQUE +CFCP-47 CD DI.997.016.001 U01 DI.997.016.001U01 00:00:00 BRESIL SAMBA DE RODA Sous-table non exportée Sous-table non exportée 0 AMERIQUE +LDX-274829 CD DI.997.017.001 U01 DI.997.017.001U01 00:00:00 ESPAGNE PEPE DE LA MATRONA/GRANDS CANTAORES DU FLAMENCO Sous-table non exportée Sous-table non exportée 1957 EUROPE +CRMT-001 CD DI.997.017.002 U01 DI.997.017.002U01 00:00:00 FRANCE MARION QUAND TAI MAVA/DANSES DE TRADITION EN LIMOUSIN Sous-table non exportée Sous-table non exportée 1997 EUROPE +CD-21 CD12S DI.997.018.001 U01 DI.997.018.001U01 00:00:00 ZAIRE MWENDA JEAN BOSCO/SHABA/ZAIRE Sous-table non exportée Sous-table non exportée 19820 AFRIQUE +VDE-CD-959 CD DI.997.019.001 U01 DI.997.019.001U01 00:00:00 CUBA CUBA-CHANTS ET RYTHMES AFROCUBAINS Sous-table non exportée Sous-table non exportée 1997 AMERIQUE +VDE-CD-923 CD DI.997.019.002 U01 DI.997.019.002U01 00:00:00 NOUVELLE-CALEDONIE NOUVELLE CALEDONIE:DANSES ET MUSIQUES KANAK Sous-table non exportée Sous-table non exportée 1993 OCEANIE +D-8032 CD12S DI.997.020.001 U01 DI.997.020.001U01 00:00:00 CANADA CANADA/CHANTS ET JEUX DES INUIT Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-8064 CD12S DI.997.020.002 U01 DI.997.020.002U01 00:00:00 CUBA MUSIQUE FOLKLORIQUE DE CUBA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +CDSF-40433 CD12S DI.997.020.004 U01 DI.997.020.004U01 00:00:00 BRESIL RITUAL MUSIC OF THE KAYAPO-XIKRIN,BRAZIL Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-8208 CD12S DI.997.020.005 U01 DI.997.020.005U01 00:00:00 ARGENTINE ARGENTINE/MUSIQUES TRITONIQUES DU NORD-OUEST Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-8268 CD12S DI.997.020.006 U01 DI.997.020.006U01 00:00:00 PEROU PEROU,MUSIQUES DES COMMUNAUTES INDIGENES DU CUZCO Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +B-6127 CD12S DI.997.020.007 U01 DI.997.020.007U01 00:00:00 BOLIVIE MUSIQUES DES ANDES/BOLIVIA MANTA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-8063 CD12S DI.997.020.008 U01 DI.997.020.008U01 00:00:00 NORVEGE NORVEGE/MUSIQUE FOLKLORIQUE DE L'AGDER POUR VIOLON Sous-table non exportée Sous-table non exportée 0 0 EUROPE +D-8202 CD12S DI.997.020.009 U01 DI.997.020.009U01 00:00:00 FRANCE FRANCE/CORNEMUSES DU CENTRE/ERIC MONTBEL ET JEAN BLANCHARD Sous-table non exportée Sous-table non exportée 0 0 EUROPE +SCM-013 CD12S DI.997.020.010 U01 DI.997.020.010U01 00:00:00 FRANCE LES SOURCES DU BARZAZ BREIZ AUJOURD'HUI Sous-table non exportée Sous-table non exportée 0 0 EUROPE +D-8210 CD12S DI.997.020.011 U01 DI.997.020.011U01 00:00:00 ITALIE;SICILE SICILE/MUSIQUES DE LA SEMAINE SAINTE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +D-8265 CD12S DI.997.020.012 U01 DI.997.020.012U01 00:00:00 MALAWI TRADITION MUSICALE DU MALAWI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +D-8020 CD12S DI.997.020.013 U01 DI.997.020.013U01 00:00:00 REP CENTRAFRICAINE REPUBLIQUE CENTRAFRICAINE Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +D-8043 CD12S DI.997.020.014 U01 DI.997.020.014U01 00:00:00 REP CENTRAFRICAINE REPUBLIQUE CENTRAFRICAINE. POLYPHONIES BANDA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +D-8204 CD12S DI.997.020.015 U01 DI.997.020.015U01 00:00:00 TURQUIE TURQUIE/LE NEY TURC/KUDSI ERGUNER Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8206 CD12S DI.997.020.016 U01 DI.997.020.016U01 00:00:00 URSS;RSS UKRAINE UKRAINE, MUSIQUES TRADITIONNELLES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +D-8213 CD12S DI.997.020.018 U01 DI.997.020.018U01 00:00:00 TURKMENISTAN CHANT EPIQUE TURCKMENE/GOROGLY Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8269 CD12S DI.997.020.019 U01 DI.997.020.019U01 00:00:00 URSS;RSS OUZBEKISTAN OUZBEKISTAN/MUSIQUE DU KHOREZM Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8266 CD12S DI.997.020.020 U01 DI.997.020.020U01 00:00:00 AFGHANISTAN LA MUSIQUE TRADITIONNELLE D'HERAT Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8212 CD12S DI.997.020.021 U01 DI.997.020.021U01 00:00:00 TADJIKISTAN MUSIQUE TADJIKE DU BADAKHSHAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8211 CD12S DI.997.020.022 U01 DI.997.020.022U01 00:00:00 OMAN OMAN. ARTS TRADITIONNELS DU SULTANAT D'OMAN Sous-table non exportée Sous-table non exportée 0 0 ASIE +PAN-2009-CD CD12S DI.997.020.023 U01 DI.997.020.023U01 00:00:00 1987 GEORGIE ABKHAZIE THE GOLDEN FLEECE/SONGS FROM ABKHAZIA & ADZHARIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +PAN-2009-CD CD12S DI.997.020.023 U29 DI.997.020.023U29 00:00:00 GEORGIE ADZHARIE THE GOLDEN FLEECE/SONGS FROM ABKHAZIA & ADZHARIA Sous-table non exportée Sous-table non exportée 0 0 EUROPE +B-6767 CD12S DI.997.020.024 U01 DI.997.020.024U01 00:00:00 IRAN -1 GRANDS MAITRES DE LA VIELE KEMENTCHE/HABIL ALIEV Sous-table non exportée Sous-table non exportée 0 0 ASIE +ALCD-116 CD12S DI.997.020.025 U01 DI.997.020.025U01 00:00:00 -1 IRAN RADIF, VOL. 1/DARIUSH TALA'I-SETAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +ALCD-117 CD12S DI.997.020.026 U01 DI.997.020.026U01 00:00:00 -1 IRAN RADIF, VOL. 2/DARIUSH TALA'I-SETAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +ALCD-118 CD12S DI.997.020.027 U01 DI.997.020.027U01 00:00:00 IRAN RADIF, VOL. 3/DARIUSH TALA'I-SETAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +ALCD-119 CD12S DI.997.020.028 U01 DI.997.020.028U01 00:00:00 IRAN IRANIENS RADIF, VOL. 4/DARIUSH TALA'I-SETAR Sous-table non exportée Sous-table non exportée 0 ASIE +ALCD-120 CD12S DI.997.020.029 U01 DI.997.020.029U01 00:00:00 IRAN RADIF, VOL. 5/DARIUSH TALA'I-SETAR Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8207 CD12S DI.997.020.030 U01 DI.997.020.030U01 00:00:00 MONGOLIE (REP POPU) MONGOLIE/MUSIQUE TRADITIONNELLE Sous-table non exportée Sous-table non exportée 0 0 ASIE +SFCD-40417 CD12S DI.997.020.031 U01 DI.997.020.031U01 00:00:00 MALAYSIA DREAM SONGS AND HEALINGSSOUNDS IN THE FORESTS OF MALAYSIA Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8041 CD12S DI.997.020.032 U01 DI.997.020.032U01 00:00:00 INDONESIE;JAVA INDONESIE/MUSIQUE DE L'OUEST DE JAVA Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8047 CD12S DI.997.020.033 U01 DI.997.020.033U01 00:00:00 JAPON JAPON/CHANTS DES AINOU Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8033 CD12S DI.997.020.035 U01 DI.997.020.035U01 00:00:00 INDE INDE/MUSIQUE POPULAIRE DE L'INDE DU NORD Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8209 CD12S DI.997.020.036 U01 DI.997.020.036U01 00:00:00 CHINE CHINE/SONNEURS ET BATTEURS CHUIDA Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8270-1/03 CD12S DI.997.020.037/39 U01 DI.997.020.037/39U01 00:00:00 INDE ANTHOLOGIE DE LA MUSIQUE CLASSIQUE DE L'INDE* Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8068 CD12S DI.997.020.040 U01 DI.997.020.040U01 00:00:00 CAMBODGE CAMBODGE/MUSIQUE POPULAIRE ET CEREMONIELLE Sous-table non exportée Sous-table non exportée 0 0 ASIE +D-8071 CD12S DI.997.020.041 U01 DI.997.020.041U01 00:00:00 CHINE CHINE Sous-table non exportée Sous-table non exportée 0 0 ASIE +TCD-1606 CD12S DI.997.020.042 U01 DI.997.020.042U01 00:00:00 TIBET TIBETAN BALLAD SINGING AND MONORITIES MUSIC IN TIBET Sous-table non exportée Sous-table non exportée 0 0 ASIE +TCD-1601 CD12S DI.997.020.043 U01 DI.997.020.043U01 00:00:00 TIBET THE OPERA MUSIC OF TIBET Sous-table non exportée Sous-table non exportée 0 0 ASIE +CNR-2741080 CD12S DI.997.021.001 U01 DI.997.021.001U01 00:00:00 INDE BARDES DE L'HIMALAYA NEPAL/INDE-EPOPEES ET MUSIQUES DE TRANSE Sous-table non exportée Sous-table non exportée 0 0 ASIE +CNR-2741080 CD12S DI.997.021.001 U02 DI.997.021.001U02 00:00:00 NEPAL BARDES DE L'HIMALAYA NEPAL/INDE-EPOPEES ET MUSIQUES DE TRANSE Sous-table non exportée Sous-table non exportée 0 0 ASIE +CNR-2741085/86 CD12S DI.997.021.002/03 U01 DI.997.021.002/03U01 00:00:00 VIETNAM VIETNAM.MUSIQUES DES MONTAGNARDS Sous-table non exportée Sous-table non exportée 0 0 ASIE +SANSREF-37 CD12S DI.997.022.001 U01 DI.997.022.001U01 00:00:00 TIBET SOUNDS OF TIBET. MONASTERY OF SHECHEN Sous-table non exportée Sous-table non exportée 0 0 ASIE +HIMALAYAP.A.I. CD12S DI.997.023.001 U01 DI.997.023.001U01 00:00:00 NEPAL HIMALAYAN MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +AMA-02-1/02 CD12S DI.997.024.001/02 U01 DI.997.024.001/02U01 00:00:00 ITALIE I "CANTI" DI RAFFADE LOMBARDI SATRIANI* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CAP-21406 CD12S DI.997.025.001 U01 DI.997.025.001U01 00:00:00 VIETNAM MUSIC FROM VIETNAM Sous-table non exportée Sous-table non exportée 0 0 ASIE +CAP-21463 CD12S DI.997.025.002 U01 DI.997.025.002U01 00:00:00 VIETNAM MUSIC FROM VIETNAM 2-HUE Sous-table non exportée Sous-table non exportée 0 0 ASIE +CNR-2741102 CD12S DI.998.001.001 U01 DI.998.001.001U01 00:00:00 GUYANE FRANCAISE WAYAPI DE GUYANE/UN VISAGE SONORE D'AMAZONIE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +D-2669-SM-50 CD12S DI.998.002.001 U01 DI.998.002.001U01 00:00:00 LIBAN MOUWACHAH/CHANTS ARABO-ANDALOUS Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560122 CD12S DI.998.003.001 U01 DI.998.003.001U01 00:00:00 FRANCE FRANCE/L'EPINETTE DES VOSGES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-600007 CD12S DI.998.003.002 U01 DI.998.003.002U01 00:00:00 SLOVENIE SLOVENIE/MUSIQUES ET CHANTS POPULAIRES Sous-table non exportée Sous-table non exportée 0 0 EUROPE +C-560115 CD12S DI.998.003.003 U01 DI.998.003.003U01 00:00:00 MADAGASCAR MADAGASCAR PYAS MIKEA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +C-560126 CD12S DI.998.003.004 U01 DI.998.003.004U01 00:00:00 COLOMBIE COLOMBIE/EL SEXTETA TABALA Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-560119 CD12S DI.998.003.005 U01 DI.998.003.005U01 00:00:00 VENEZUELA VENEZUELA/MUSIQUE DE L'ORENOQUE Sous-table non exportée Sous-table non exportée 0 0 AMERIQUE +C-560112 CD12S DI.998.003.006 U01 DI.998.003.006U01 00:00:00 AZERBAIDJAN AZERBAIDJAN, L'ART DU MUGHAM, ALIM QASIMOV Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560128 CD12S DI.998.003.007 U01 DI.998.003.007U01 00:00:00 CHINE CHINE/WANG WEIPING/LUTH PIPA Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560113 CD12S DI.998.003.008 U01 DI.998.003.008U01 00:00:00 INDE INDE DU NORD/DINKAR KAIKINI Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560121 CD12S DI.998.003.009 U01 DI.998.003.009U01 00:00:00 URSS;RSS KIRGHIZISTAN TURKESTAN/KOMUZ KIRGHIZE ET DOMBRA KAZAKH Sous-table non exportée Sous-table non exportée 0 0 ASIE +C-560121 CD12S DI.998.003.009 U16 DI.998.003.009U16 00:00:00 KAZAKHSTAN TURKESTAN/KOMUZ KIRGHIZE ET DOMBRA KAZAKH Sous-table non exportée Sous-table non exportée 0 0 ASIE +VDECD-927 CD12S DI.998.004.001 U01 DI.998.004.001U01 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE,SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO EYSHAM MODAMAST Sous-table non exportée Sous-table non exportée 1996 0 EUROPE +LDX-274973 CD12S DI.998.005.001 U01 DI.998.005.001U01 00:00:00 MAROC MAROC / A MARRAKECH, SUR LA DJEMAA EF-FNA Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +CMT-2741007 CD12S DI.998.005.002 U01 DI.998.005.002U01 00:00:00 MAROC MUSIQUE ARABE-ANDALOUSE CLASSIQUE/ENS. MASA NO TAZZI Sous-table non exportée Sous-table non exportée 0 0 AFRIQUE +LDX-274980 CD12S DI.998.005.003 U01 DI.998.005.003U01 00:00:00 GEORGIE CHANTS DES BORDS DE LA MER NOIRE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-274980 CD12S DI.998.005.003 U14 DI.998.005.003U14 00:00:00 URSS;RSFS RUSSIE CHANTS DES BORDS DE LA MER NOIRE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CMT-2741026 CD12S DI.998.005.004 U01 DI.998.005.004U01 00:00:00 IRAN IRAN:LA MUSIQUE CELESTE D'OSTAD ELAHI Sous-table non exportée Sous-table non exportée 0 0 ASIE +CMT-2741083 CD12S DI.998.005.005 U01 DI.998.005.005U01 00:00:00 IRAN OSTAD ELAHI/LES CHEMINS DE L'AMOUR DIVIN Sous-table non exportée Sous-table non exportée 0 0 ASIE +CMT-2741100 CD12S DI.998.005.006 U01 DI.998.005.006U01 00:00:00 IRAN OSTAD ELAHI/DIALOGUE AVEC L'AIME Sous-table non exportée Sous-table non exportée 0 0 ASIE +LDX-2741033 CD12S DI.998.005.007 U01 DI.998.005.007U01 00:00:00 ISRAEL JUIFS LES GRANDES FETES LITURGIQUES JUIVES Sous-table non exportée Sous-table non exportée 0 0 ASIE +CMT-274978 CD12S DI.998.005.008 U01 DI.998.005.008U01 00:00:00 URSS;RSFS RUSSIE CHANTS DES PUPLES DE RUSSIE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CMT-2746013 CD12S DI.998.005.009 U01 DI.998.005.009U01 00:00:00 TURQUIE TURQUIE/CONCERT DE MUSIQUE CLASSIQUE OTTOMANE/FASIL Sous-table non exportée Sous-table non exportée 0 0 ASIE +CMT-2741006 CD12S DI.998.005.010 U01 DI.998.005.010U01 00:00:00 SRI LANKA SRI LANKA/COMEDIES ET OPERAS POPULAIRES Sous-table non exportée Sous-table non exportée 0 0 ASIE +CMT-274979 CD12S DI.998.005.011 U01 DI.998.005.011U01 00:00:00 BULGARIE BULGARIE/PIRIN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CMT-274981 CD12S DI.998.005.012 U01 DI.998.005.012U01 00:00:00 BULGARIE BULGARIE/DU DANUBE AU BALKAN Sous-table non exportée Sous-table non exportée 0 0 EUROPE +CMT-2741003 CD12S DI.998.005.013 U01 DI.998.005.013U01 00:00:00 ESPAGNE ESPAGNE SEPTENTRIONALE Sous-table non exportée Sous-table non exportée 0 0 EUROPE +LDX-274971 CD12S DI.998.005.014 U01 DI.998.005.014U01 00:00:00 GRECE LITURGIE BYZANTINE* Sous-table non exportée Sous-table non exportée 0 0 EUROPE +DISC-1/02 CD12S DI.998.006.001/02 U01.02 DI.998.006.001/02U01.02 00:00:00 TAIWAN AMI SOUNDS FROM NATURE'S BOSOM-MUSIC OF TAIWAN INDIGENOUS PEOPLES Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2001 CD12S DI.998.007.001 U01 DI.998.007.001U01 00:00:00 JAPON JAPANASE TRADITIONAL MUSIC Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2002 CD12S DI.998.007.002 U01 DI.998.007.002U01 00:00:00 JAPON NOGAKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2003 CD12S DI.998.007.003 U01 DI.998.007.003U01 00:00:00 JAPON KABUKI Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2004 CD12S DI.998.007.004 U01 DI.998.007.004U01 00:00:00 JAPON BIWA Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2005 CD12S DI.998.007.005 U01 DI.998.007.005U01 00:00:00 JAPON SHAKUHACHI Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2006 CD12S DI.998.007.006 U01 DI.998.007.006U01 00:00:00 JAPON SO Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2007 CD12S DI.998.007.007 U01 DI.998.007.007U01 00:00:00 JAPON SANKYOKU Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2008 CD12S DI.998.007.008 U01 DI.998.007.008U01 00:00:00 JAPON SHAMISEN I Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2009 CD12S DI.998.007.009 U01 DI.998.007.009U01 00:00:00 JAPON SHAMISEN II Sous-table non exportée Sous-table non exportée 0 0 ASIE +KICH-2010 CD12S DI.998.007.010 U01 DI.998.007.010U01 00:00:00 JAPON PERCUSSION Sous-table non exportée Sous-table non exportée 0 0 ASIE +ARN-60417 CD12S DI.998.008.001 U01 DI.998.008.001U01 00:00:00 VIETNAM L'ART DE LA VIELE VIETNAMIENNE Sous-table non exportée Sous-table non exportée 1996 ASIE +CD-1700 CD12S DI.998.009.001 U01 DI.998.009.001U01 00:00:00 USA THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 AMERIQUE +CD-1700 CD12S DI.998.009.001 U07 DI.998.009.001U07 00:00:00 GRENADE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 19470 AMERIQUE +CD-1700 CD12S DI.998.009.001 U08 DI.998.009.001U08 00:00:00 SAINTE LUCIE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-1700 CD12S DI.998.009.001 U12 DI.998.009.001U12 00:00:00 GB;ANGLETERRE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-1700 CD12S DI.998.009.001 U17 DI.998.009.001U17 00:00:00 ESPAGNE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 EUROPE +CD-1700 CD12S DI.998.009.001 U21 DI.998.009.001U21 00:00:00 ITALIE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 EUROPE +CD-1700 CD12S DI.998.009.001 U26 DI.998.009.001U26 00:00:00 ROUMANIE THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 EUROPE +CD-1700 CD12S DI.998.009.001 U27 DI.998.009.001U27 00:00:00 JAPON THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 ASIE +CD-1700 CD12S DI.998.009.001 U28 DI.998.009.001U28 00:00:00 INDONESIE;BALI THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 ASIE +CD-1700 CD12S DI.998.009.001 U29 DI.998.009.001U29 00:00:00 CANADA THE ALAN LOMAX COLLECTION Sous-table non exportée Sous-table non exportée 1947 AMERIQUE +CD-1717 CD12S DI.998.009.002 U01 DI.998.009.002U01 00:00:00 USA NEVILLE MARCANO: THE GROWLING TIGER OF CALYPSO Sous-table non exportée Sous-table non exportée 1962 AMERIQUE +CD-1715 CD12S DI.998.009.003 U01 DI.998.009.003U01 00:00:00 USA PRISON SONGS VOL.2:DON'TCHA HEAR POOR MOTHER CALLING? Sous-table non exportée Sous-table non exportée -1 AMERIQUE +CD-1703 CD12S DI.998.009.004 U01 DI.998.009.004U01 00:00:00 USA SOUTHERN JOURNEY VOL 3:61 HIGHWAY MISSISSIPPI Sous-table non exportée Sous-table non exportée 1959 AMERIQUE +CD-1711 CD12S DI.998.009.005 U01 DI.998.009.005U01 00:00:00 USA SOUTHERN JOURNEY VOL.11:HONOR THE LAMB Sous-table non exportée Sous-table non exportée 1960 AMERIQUE +CD-1712 CD12S DI.998.009.006 U01 DI.998.009.006U01 00:00:00 USA SOUTHERN JOURNEZ VOL. 12: GEORGIA SEA ISLANDS Sous-table non exportée Sous-table non exportée 1959 AMERIQUE +FA-058 CD12S DI.998.010.001/02 U01 DI.998.010.001/02U01 00:00:00 MADAGASCAR MADAGASCAR/MUSIQUE DE LA COTE ET DES HAUTS PLATEAUX Sous-table non exportée Sous-table non exportée 1929 AFRIQUE +D-2542 CD12S DI.998.011.001 U01 DI.998.011.001U01 00:00:00 VIETNAM FETES TRADITIONNELLES VIETNAMIENNES/TRAN QUANG ET BACH YEN Sous-table non exportée Sous-table non exportée 1982 ASIE +RST-91645-2 CD12S DI.998.012.001 U01 DI.998.012.001U01 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA DA SAM SJAJNA MJESECINA Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +D-8273 CD12S DI.998.013.001 U01 DI.998.013.001U01 00:00:00 YEMEN YEMEN, CHANTS DU HADRAMAWT Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-2741105 CD12S DI.998.014.001 U01 DI.998.014.001U01 00:00:00 COTE D'IVOIRE COTE D'IVOIRE,MUSIQUES DES WE (GUERE) Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-38 CD12S DI.998.015.001 U01 DI.998.015.001U01 00:00:00 INDE SUFI MUSIC OF INDIA AND PAKISTAN/SOUND-CONTEXT AND MEANING IN QAWWALI Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-38 CD12S DI.998.015.001 U08 DI.998.015.001U08 00:00:00 PAKISTAN SUFI MUSIC OF INDIA AND PAKISTAN/SOUND-CONTEXT AND MEANING IN QAWWALI Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-39 CD12S DI.998.016.001 U01 DI.998.016.001U01 00:00:00 KAZAKHSTAN THE HUNDRED THOUSAND FOOLS OF GOD/MUSICAL TRAVELS IN CENTRAL ASIA Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-39 CD12S DI.998.016.001 U08 DI.998.016.001U08 00:00:00 URSS;RSS OUZBEKISTAN THE HUNDRED THOUSAND FOOLS OF GOD/MUSICAL TRAVELS IN CENTRAL ASIA Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.01 DI.998.017.001/02U01.01 00:00:00 AFRIQUE DU SUD LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.02 DI.998.017.001/02U01.02 00:00:00 ETHIOPIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.03 DI.998.017.001/02U01.03 00:00:00 REP CENTRAFRICAINE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.04 DI.998.017.001/02U01.04 00:00:00 BENIN LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.06 DI.998.017.001/02U01.06 00:00:00 COTE D'IVOIRE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.09 DI.998.017.001/02U01.09 00:00:00 GUINEE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.10 DI.998.017.001/02U01.10 00:00:00 BURKINA FASO LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.11 DI.998.017.001/02U01.11 00:00:00 TCHAD LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.12 DI.998.017.001/02U01.12 00:00:00 MAROC LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.13 DI.998.017.001/02U01.13 00:00:00 FRANCE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 EUROPE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.14 DI.998.017.001/02U01.14 00:00:00 ITALIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 EUROPE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.17 DI.998.017.001/02U01.17 00:00:00 BULGARIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 EUROPE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U01.18 DI.998.017.001/02U01.18 00:00:00 ROUMANIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 EUROPE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.01 DI.998.017.001/02U02.01 00:00:00 IRAN LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.02 DI.998.017.001/02U02.02 00:00:00 AFGHANISTAN LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.03 DI.998.017.001/02U02.03 00:00:00 INDE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.05 DI.998.017.001/02U02.05 00:00:00 VIETNAM LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.06 DI.998.017.001/02U02.06 00:00:00 PHILIPPINES LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.07 DI.998.017.001/02U02.07 00:00:00 INDONESIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 ASIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.09 DI.998.017.001/02U02.09 00:00:00 PAPOUASIE-NLE-GUINEE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 OCEANIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.12 DI.998.017.001/02U02.12 00:00:00 NOUVELLE-CALEDONIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 OCEANIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.13 DI.998.017.001/02U02.13 00:00:00 ILES SALOMON LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 OCEANIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.16 DI.998.017.001/02U02.16 00:00:00 ILES TONGA LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 OCEANIE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.17 DI.998.017.001/02U02.17 00:00:00 BOLIVIE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.19 DI.998.017.001/02U02.19 00:00:00 EQUATEUR LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.20 DI.998.017.001/02U02.20 00:00:00 GUYANE FRANCAISE LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.21 DI.998.017.001/02U02.21 00:00:00 BRESIL LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CNR-5741106/07 CD-Livre DI.998.017.001/02 U02.22 DI.998.017.001/02U02.22 00:00:00 CUBA LES DANSES DU MONDE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +SANSREF-40 CD12S DI.998.018.001 U01.01 DI.998.018.001U01.01 00:00:00 EQUATEUR JETUPIKORO/CANTOS Y EJECUCIONES INSTRUMENTALES DE LOS SECOYA DEL AGUARICO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +P-48138-L D303M DI.998.022.001 A01 DI.998.022.001A01 00:00:00 ALLEMAGNE BAVIERE Sous-table non exportée Sous-table non exportée N 0 EUROPE +VS-3637 D303S DI.998.022.002 A01 DI.998.022.002A01 00:00:00 HONGRIE FLUTE DE PAN ET ORGUE LIVE/DIRECT Sous-table non exportée Sous-table non exportée N 0 EUROPE +HMB-104 D303S DI.998.022.003 A01 DI.998.022.003A01 00:00:00 BULGARIE CHANTS DE FEMMES/CHANTS POPULAIRES BULGARES Sous-table non exportée Sous-table non exportée N 0 EUROPE +PL-70234 D303S DI.998.022.005 A01 DI.998.022.005A01 00:00:00 GB;ANGLETERRE BRENDA WOOTTON/MY LAND Sous-table non exportée Sous-table non exportée N 0 EUROPE +LPO-32552 D303S DI.998.022.006 A01 DI.998.022.006A01 00:00:00 HONGRIE SANDOR LAKATOS/LES NUITS DE BUDAPEST Sous-table non exportée Sous-table non exportée N 0 EUROPE +LPX-10073 D303M DI.998.022.007 A01 DI.998.022.007A01 00:00:00 HONGRIE RAJKOK Sous-table non exportée Sous-table non exportée N 0 EUROPE +LD-414 D303S DI.998.022.008 A01 DI.998.022.008A01 00:00:00 EQUATEUR MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +LD-414 D303S DI.998.022.008 A02 DI.998.022.008A02 00:00:00 PEROU MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +LD-414 D303S DI.998.022.008 A03 DI.998.022.008A03 00:00:00 VENEZUELA MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +LD-414 D303S DI.998.022.008 A05 DI.998.022.008A05 00:00:00 ARGENTINE MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +LD-414 D303S DI.998.022.008 A08 DI.998.022.008A08 00:00:00 BOLIVIE MUSIQUE DES ANDES Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +SCLL-14050 D303 DI.998.022.009 A01 DI.998.022.009A01 00:00:00 ESPAGNE LAS ISLAS CANARIAS Sous-table non exportée Sous-table non exportée N 0 EUROPE +ASD-2294 D303S DI.998.022.011 A01 DI.998.022.011A01 00:00:00 INDE WEST MEETS EAST Sous-table non exportée Sous-table non exportée N 0 ASIE +ESP-155538 D303S DI.998.022.012 A01 DI.998.022.012A01 00:00:00 INDE PANDIT RAM NARAYAN Sous-table non exportée Sous-table non exportée N 0 ASIE +C-062.91071 D303S DI.998.022.013 A01 DI.998.022.013A01 00:00:00 INDE RAVI SHANKAR AT THE WOODSTOCK FESTIVAL Sous-table non exportée Sous-table non exportée N 0 ASIE +135716-MCY D303S DI.998.022.014 A01 DI.998.022.014A01 00:00:00 INDE INDE/MUSIQUE CLASSIQUE DU NORD DE L'INDE Sous-table non exportée Sous-table non exportée N 0 ASIE +ESP-165516 D303S DI.998.022.016 A01 DI.998.022.016A01 00:00:00 INDE LA FLUTE DE N. RAMANI Sous-table non exportée Sous-table non exportée N 0 ASIE +2611-S78 D303S DI.998.022.017 A01 DI.998.022.017A01 00:00:00 INDE RAM NARAYAN/SURESH TAWALKAR Sous-table non exportée Sous-table non exportée N 0 ASIE +ESP-165504 D303S DI.998.022.018 A01 DI.998.022.018A01 00:00:00 INDE RAGA PILOO/MIHIL BANERJEE Sous-table non exportée Sous-table non exportée N 0 ASIE +ARN-33429 D303S DI.998.022.019 A01 DI.998.022.019A01 00:00:00 INDE UUA SHARMA/LA DANSE DE KATHAK Sous-table non exportée Sous-table non exportée N 0 ASIE +ESP-165532 CD12S DI.998.022.020 A01 DI.998.022.020A01 00:00:00 INDE LES SITAR ET SURBAHAR DE NARENDRA BATAJU Sous-table non exportée Sous-table non exportée N 0 ASIE +ESP-165540 D303S DI.998.022.021 A01 DI.998.022.021A01 00:00:00 INDE RAGA DESH/NIKHIL BANERJEE Sous-table non exportée Sous-table non exportée N 0 ASIE +CHBLP-6 D303M DI.998.022.022 A01 DI.998.022.022A01 00:00:00 SRI LANKA SONGS OF THE OLD SINBALA THEATRE Sous-table non exportée Sous-table non exportée N 0 ASIE +HM-429 D303M DI.998.022.024 A01 DI.998.022.024A01 00:00:00 YOUGOSLAVIE YOUGOSLAVIE Sous-table non exportée Sous-table non exportée N 0 EUROPE +ARN-33545 D303S DI.998.022.025 A01 DI.998.022.025A01 00:00:00 ROUMANIE MUSIQUE DE MARIAGE ET DE FETES ROUMAINES Sous-table non exportée Sous-table non exportée N 0 EUROPE +MFP-5084 D303S DI.998.022.026 A01 DI.998.022.026A01 00:00:00 PEROU FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5084 D303S DI.998.022.026 A02 DI.998.022.026A02 00:00:00 PARAGUAY FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5084 D303S DI.998.022.026 A03 DI.998.022.026A03 00:00:00 ARGENTINE FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5084 D303S DI.998.022.026 A06 DI.998.022.026A06 00:00:00 PEROU FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5084 D303S DI.998.022.026 A08 DI.998.022.026A08 00:00:00 MEXIQUE FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5084 D303S DI.998.022.026 A11 DI.998.022.026A11 00:00:00 CHILI FOLKORE SUD AMERICAIN Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +CY-647 D303S DI.998.022.027 A01 DI.998.022.027A01 00:00:00 MARTINIQUE MARTINIQUE/HAUTE TAILLE-REJANE Sous-table non exportée Sous-table non exportée WILSTECK,MICHEL 0 AMERIQUE +ST-EPE-02296 D303S DI.998.022.028 A01 DI.998.022.028A01 00:00:00 ROUMANIE FRATII PETRAUS/ASTA-I HORE BATRINEASCA Sous-table non exportée Sous-table non exportée N 0 EUROPE +42090 D303S DI.998.022.029 A01 DI.998.022.029A01 00:00:00 ARGENTINE ERNESTO RONDO/YO SOY TANGO COMO VOS Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +32160366 D303S DI.998.022.030 A01 DI.998.022.030A01 00:00:00 INDONESIE;BALI THE EXOTIC SOUND OF BALI Sous-table non exportée Sous-table non exportée N 0 ASIE +MEL-721 D303S DI.998.022.031 A01 DI.998.022.031A01 00:00:00 INDONESIE;JAVA ANGKLUNG Sous-table non exportée Sous-table non exportée N 0 ASIE +ANL-1021 D303S DI.998.022.032 A01 DI.998.022.032A01 00:00:00 INDONESIE;JAVA UPIT SARIMANAH Sous-table non exportée Sous-table non exportée N 0 ASIE +ARN-33496 CD12S DI.998.022.033 A01 DI.998.022.033A01 00:00:00 THAILANDE THAILANDE ETERNELLE Sous-table non exportée Sous-table non exportée KREMER,GERARD 0 ASIE +DL-0023 D303S DI.998.022.034 A01 DI.998.022.034A01 00:00:00 CHINE MUSIQUE TRADITIONNELLE DE CHINE Sous-table non exportée Sous-table non exportée A01 0 ASIE +ARN-33463 D303S DI.998.022.035 A01 DI.998.022.035A01 00:00:00 COREE DU NORD MUSIQUE ET DANSES DE COREE Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 ASIE +SLPX-18072 D303S DI.998.022.036 A01 DI.998.022.036A01 00:00:00 CHINE KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS& AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 A03 DI.998.022.036A03 00:00:00 JAPON KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS 0 ASIE +SLPX-18072 D303S DI.998.022.036 A05 DI.998.022.036A05 00:00:00 CAMBODGE KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 A08 DI.998.022.036A08 00:00:00 THAILANDE KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS 0 ASIE +SLPX-18072 D303S DI.998.022.036 A10 DI.998.022.036A10 00:00:00 INDONESIE;JAVA KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 B01 DI.998.022.036B01 00:00:00 INDONESIE;BALI KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOSE&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 B03 DI.998.022.036B03 00:00:00 INDE KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 B05 DI.998.022.036B05 00:00:00 NEPAL KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 B06 DI.998.022.036B06 00:00:00 AFGHANISTAN KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS 0 ASIE +SLPX-18072 D303S DI.998.022.036 B08 DI.998.022.036B08 00:00:00 IRAN KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +SLPX-18072 D303S DI.998.022.036 B09 DI.998.022.036B09 00:00:00 AZERBAIDJAN KELET ZENEJE Sous-table non exportée Sous-table non exportée KARPATI,JANOS&AUTRES 0 ASIE +6558001 D303S DI.998.022.037 A01 DI.998.022.037A01 00:00:00 OUGANDA AFRICAN SANCTUS Sous-table non exportée Sous-table non exportée FANSHAWE,DAVID 0 AFRIQUE +6558001 D303S DI.998.022.037 A02 DI.998.022.037A02 00:00:00 EGYPTE AFRICAN SANCTUS Sous-table non exportée Sous-table non exportée FANSHAWE,DAVID 0 AFRIQUE +6558001 D303S DI.998.022.037 A04 DI.998.022.037A04 00:00:00 SOUDAN AFRICAN SANCTUS Sous-table non exportée Sous-table non exportée FANSHAWE,DAVID 0 AFRIQUE +GS-10001 D303S DI.998.022.038 A01 DI.998.022.038A01 00:00:00 INDONESIE;BALI MUSIQUE ET DANSES DE BALI Sous-table non exportée Sous-table non exportée N 0 ASIE +BLP-1007 D303S DI.998.022.039 A01 DI.998.022.039A01 00:00:00 INDONESIE;BALI BALI-1 Sous-table non exportée Sous-table non exportée FRESNAIS,GILLES 0 ASIE +BLP-1009 D303S DI.998.022.040 A01 DI.998.022.040A01 00:00:00 INDONESIE;BALI BALI-3 Sous-table non exportée Sous-table non exportée FRESNAIS,GILLES 0 ASIE +AV-4520 D303S DI.998.022.041 A01 DI.998.022.041A01 00:00:00 FRANCE PERLINPINPIN FOLC/AL BIULE Sous-table non exportée Sous-table non exportée COUSTILLAS,MICHEL 0 EUROPE +ARN-33419 D303S DI.998.022.042 A01 DI.998.022.042A01 00:00:00 DANEMARK CHANTS ET DANSES DES ILES FEROE Sous-table non exportée Sous-table non exportée N 0 EUROPE +ARN-33829 D303S DI.998.022.043 A01 DI.998.022.043A01 00:00:00 ARGENTINE GUANACOS/HIER ET AUJOURD'HUI Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MFP-5129 D303S DI.998.022.044 A01 DI.998.022.044A01 00:00:00 AMERIQUE HITS COUNTRY AND COWBOY STYLE Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +DASTUM-7 D303M DI.998.022.045 A01 DI.998.022.045A01 00:00:00 FRANCE NOAL-PONDI/CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée LECLERC DE LA HERVERIE,J. 0 EUROPE +ARN-34587 D303S DI.998.022.046 A01 DI.998.022.046A01 00:00:00 FRANCE CHANTS PROFONDS DE BRETAGNE/JEAN FRANCOIS QUIMENER Sous-table non exportée Sous-table non exportée SEGAL,ARIANE 0 EUROPE +ARN-33495 D303S DI.998.022.047 A01 DI.998.022.047A01 00:00:00 FRANCE DANSES D'AUVERGNE/J. ROUX ET L'AUVERNHA TOURNIDGAIRE Sous-table non exportée Sous-table non exportée SEGAL,ARIANE 0 EUROPE +SVS-2414 D303S DI.998.022.048 A01 DI.998.022.048A01 00:00:00 HONGRIE NUITS TZIGANES Sous-table non exportée Sous-table non exportée GALLOIS,JEAN 0 EUROPE +DCNS-601 D303M DI.998.022.049 A01 DI.998.022.049A01 00:00:00 URSS;RSFS RUSSIE ENSEMBLE DES CHOEURS ET DANSES DE L'ARMEE SOVIETIQUE Sous-table non exportée Sous-table non exportée N 0 EUROPE +V-2351 D303S DI.998.022.050 A01 DI.998.022.050A01 00:00:00 GB;ANGLETERRE CHANTS DU GRAND LARGE Sous-table non exportée Sous-table non exportée N 0 EUROPE +V-2351 D303S DI.998.022.050 B01 DI.998.022.050B01 00:00:00 FRANCE CHANTS DU GRAND LARGE Sous-table non exportée Sous-table non exportée 0 EUROPE +V-2351 D303S DI.998.022.050 B04 DI.998.022.050B04 00:00:00 ALLEMAGNE CHANTS DU GRAND LARGE Sous-table non exportée Sous-table non exportée N 0 EUROPE +820139 D303M DI.998.022.051 A01 DI.998.022.051A01 00:00:00 FRANCE BAGAD DE LA KEVRENN DE RENNES Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 EUROPE +REV-015 D303S DI.998.022.052 A01 DI.998.022.052A01 00:00:00 FRANCE RIGA-RAGA/MUSICA NOSTRA (MUSICA OCCITANA DEL POBLE) Sous-table non exportée Sous-table non exportée N 0 EUROPE +ARN-33542 D303S DI.998.022.053 A01 DI.998.022.053A01 00:00:00 PAYS-BAS LE TROUBADOUR DE VOLENDAM/L'ORGUE DES RUES EN HOLLANDE Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 EUROPE +ARN-33580 D303S DI.998.022.054 A01 DI.998.022.054A01 00:00:00 FRANCE MUSIQUE TRADITIONNELLE DE BRETAGNE Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 EUROPE +AV-4509 D303S DI.998.022.055 A01 DI.998.022.055A01 00:00:00 FRANCE BERRY/AIRS NOUVEAUX POUR DES DANSES ANCIENNES Sous-table non exportée Sous-table non exportée CLUZEAU,ALAIN 0 EUROPE +86113 D303M DI.998.022.056 A01 DI.998.022.056A01 00:00:00 FRANCE DROLERIES PAYSANNES Sous-table non exportée Sous-table non exportée N 0 EUROPE +LDX-74742 D303S DI.998.022.057 A01 DI.998.022.057A01 00:00:00 FRANCE MONT-JOIA/NOELS PROVINCIAUX Sous-table non exportée Sous-table non exportée INGO DE SAENGER 0 EUROPE +LDX-74726 D303S DI.998.022.058 A01 DI.998.022.058A01 00:00:00 FRANCE MUSIQUE TRADITIONNELLE DU HAUT POITOU Sous-table non exportée Sous-table non exportée N 0 EUROPE +842.174-PY D303S DI.998.022.059 A01 DI.998.022.059A01 00:00:00 FRANCE FOLKLORE/AU PAYS DES CATHARES Sous-table non exportée Sous-table non exportée N 0 EUROPE +086114 D303M DI.998.022.060 A01 DI.998.022.060A01 00:00:00 FRANCE LES CHARENTES/VEILLEE CHEZ ODETTE COMANDON Sous-table non exportée Sous-table non exportée N 0 EUROPE +ARN-33543 D303S DI.998.022.061 A01 DI.998.022.061A01 00:00:00 FRANCE DANSES DU PYAS DE SANCERRE VOL 2/LA SABOTEE SAUCERROISE Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 EUROPE +ARN-33492 D303S DI.998.022.062 A01 DI.998.022.062A01 00:00:00 FRANCE CHANTS ET DANSES DE CORREZE Sous-table non exportée Sous-table non exportée MOREL,CLAUDE 0 EUROPE +ARN-33539 D303S DI.998.022.063 A01 DI.998.022.063A01 00:00:00 FRANCE CHANTS ET DANSES DE NORMANDIE Sous-table non exportée Sous-table non exportée MURRAY,MARTIAL 0 EUROPE +RS-193 D303S DI.998.022.064 A01 DI.998.022.064A01 00:00:00 FRANCE DANSES DE BRETAGNE Sous-table non exportée Sous-table non exportée JACKEZ,BERNARD 0 EUROPE +CA-94062 D303S DI.998.022.065 A01 DI.998.022.065A01 00:00:00 FRANCE,CORSE A CUMPAGNIA CANTI E STRUMENTI/ANTICHI & D'OGHJE Sous-table non exportée Sous-table non exportée N 0 EUROPE +FIL-78 D303S DI.998.022.066 A01 DI.998.022.066A01 00:00:00 FRANCE FESTIVAL INTERCELTIQUE LORIENT/BRETAGNE Sous-table non exportée Sous-table non exportée N 0 EUROPE +FIL-78 D303S DI.998.022.066 A02 DI.998.022.066A02 00:00:00 PARAGUAY FESTIVAL INTERCELTIQUE LORIENT/BRETAGNE Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +FIL-78 D303S DI.998.022.066 A03 DI.998.022.066A03 00:00:00 ARGENTINE FESTIVAL INTERCELTIQUE LORIENT/BRETAGNE Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +LM-02 D303M DI.998.022.067 A01 DI.998.022.067A01 00:00:00 FRANCE;CORSE CANTA U POPULU CORSU Sous-table non exportée Sous-table non exportée LEONARDI,ANTONE 0 EUROPE +ARN-33536 D303S DI.998.022.068 A01 DI.998.022.068A01 00:00:00 FRANCE;CORSE CORSICA ETERNA/A MANNELLA Sous-table non exportée Sous-table non exportée N 0 EUROPE +117-008 D303S DI.998.022.069 A01 DI.998.022.069A01 00:00:00 FRANCE;CORSE 12 CHANTS DE L'ILE DE CORSE Sous-table non exportée Sous-table non exportée FREDERICH,PATRICK 0 EUROPE +FLD-704 D303S DI.998.022.070 A01 DI.998.022.070A01 00:00:00 FRANCE;CORSE CANTU PER UN'ISULA CH'UN SI VOLE MORE/ANTOINE CIOSI Sous-table non exportée Sous-table non exportée DUCOURTIEUX,ROGER 0 EUROPE +JFD-30001 D303S DI.998.022.071 A01 DI.998.022.071A01 00:00:00 FRANCE LONG COURRIERS/JEAN FRANCOIS DUTERTRE Sous-table non exportée Sous-table non exportée N 0 EUROPE +ARN-33251 D303S DI.998.022.072 A01 DI.998.022.072A01 00:00:00 INDE;BENGALE BENGALE ETERNEL Sous-table non exportée Sous-table non exportée MUKHERJEE,P;MARIAU,A 0 ASIE +ESP-155537 D303S DI.998.022.073 A01 DI.998.022.073A01 00:00:00 INDE LE SARODE DE BRY NARAYAN Sous-table non exportée Sous-table non exportée N 0 ASIE +CBS-73677 D303S DI.998.022.074 A01 DI.998.022.074A01 00:00:00 JAPON RAMPAL/YAMANAKABUSHI Sous-table non exportée Sous-table non exportée HANDA,KENICHI 0 ASIE +MEL-722 D303S DI.998.022.075 A01 DI.998.022.075A01 00:00:00 INDONESIE;JAVA MATJAN UTJUL Sous-table non exportée Sous-table non exportée N 0 ASIE +H-7027 D303S DI.998.022.079 A01 DI.998.022.079A01 00:00:00 INDE THE TEN GRACES PLAYED ON THE VINA Sous-table non exportée Sous-table non exportée JONES,DAVID B. 0 ASIE +ARN-33502 D303S DI.998.022.080 A01 DI.998.022.080A01 00:00:00 AFGHANISTAN L'AFGHANISTAN ETERNEL Sous-table non exportée Sous-table non exportée KAUFFMANN,J-B. BENOIT 0 ASIE +CICT-1-1 D303S DI.998.022.081 A01 DI.998.022.081A01 00:00:00 INDE LE MAHABHARATA Sous-table non exportée Sous-table non exportée BELLENGER,XAVIER 0 ASIE +P-703272 D303S DI.998.022.082 A01 DI.998.022.082A01 00:00:00 URSS;RSFS RUSSIE ETERNELLE RUSSIE Sous-table non exportée Sous-table non exportée N 0 EUROPE +IMACD-19 CD12S DI.999.001.001 U01 DI.999.001.001U01 00:00:00 INDE;RAJASTHAN LA FLUTE DU RAJASTHAN/L'ART DE LA SATARA/MEHRUD DIN LANGA Sous-table non exportée Sous-table non exportée GAUTHIER,JEAN 0 ASIE +IMACD-21 CD12S DI.999.001.002 U01 DI.999.001.002U01 00:00:00 EGYPTE ENTRE NIL & GANGE/MUSIQUE COMPOSEE PAR HUSSEIN EL MASRY Sous-table non exportée Sous-table non exportée PANIER,DIDIER 0 AFRIQUE +IMACD-23-2 CD12S DI.999.001.003/04 U01 DI.999.001.003/04U01 00:00:00 EGYPTE EGYPE/LA GESTE HILALIENNE Sous-table non exportée Sous-table non exportée PANIER,FREDERIC 0 AFRIQUE +IMACD-26 CD12S DI.999.001.005 U01 DI.999.001.005U01 00:00:00 YEMEN MUSIQUE CLASSIQUE DU YEMEN/LE CHANT DE SANAA Sous-table non exportée Sous-table non exportée LAMBERT,JEAN 0 ASIE +300-2 CD12S DI.999.001.006 U01 DI.999.001.006U01 00:00:00 AZERBAIDJAN MUSIQUE TRADITIONNELLE D'AZERBAIDJAN Sous-table non exportée Sous-table non exportée VICAT,JEROME 0 ASIE +301-2 CD12S DI.999.001.007 U01 DI.999.001.007U01 00:00:00 MAROC MUSIQUE ANDALOUSE-MAROCAINE/HOMMAGE A ABDELKRIM RAIS,VOL.1 Sous-table non exportée Sous-table non exportée VICAT-BLANC,JEROME 0 AFRIQUE +302 CD12S DI.999.001.008 U01 DI.999.001.008U01 00:00:00 MAROC MUSIQUE ANDALOUSE MAROCAINE/HOMMAGE A ABDELKRIN RAIS,VOL-2 Sous-table non exportée Sous-table non exportée VICAT-BLANC,JEROME 0 AFRIQUE +303 CD12S DI.999.001.009 U01 DI.999.001.009U01 00:00:00 SYRIE CHANTS SACRES PROFANES DE SYRIE/SABRI,MOUDALLAL Sous-table non exportée Sous-table non exportée FARGE,PATRICK 0 ASIE +50312-2 CD12S DI.999.001.010 U01 DI.999.001.010U01 00:00:00 MAROC LE RITUEL DE TRANSE DES AISSAWA DE FES Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 AFRIQUE +50304-2 CD12S DI.999.001.011 U01 DI.999.001.011U01 00:00:00 MAURITANIE MUSIQUES ET CHANTS TRADITIONNELS DE MAURITANIE Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 AFRIQUE +50305-2 CD12S DI.999.001.012 U01 DI.999.001.012U01 00:00:00 MAROC MISIQUES ET CHANTS DU MAROC/LE MALHUN DE MEKNES Sous-table non exportée Sous-table non exportée VICAT-BLANC,JEROME 0 AFRIQUE +50307-2 CD12S DI.999.001.013 U01 DI.999.001.013U01 00:00:00 AZERBAIDJAN MUSIQUE TRADITIONNELLE AZERBAIDJAN, VOL 1 Sous-table non exportée Sous-table non exportée VICAT-BLANC, JEROME 0 ASIE +50308-2 CD12S DI.999.001.014 U01 DI.999.001.014U01 00:00:00 AZERBAIDJAN MUSIQUE TRADITIONNELLE AZERBAIDJAN,VOL. 2 Sous-table non exportée Sous-table non exportée VICAT-BLANC,JEROME 0 ASIE +50309-2 CD12S DI.999.001.015 U01 DI.999.001.015U01 00:00:00 ALGERIE MUSIQUE ET CHANTS D'ALGERIE/CHEIKHA RENUTTI AUX SOURCES DU RAI Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 AFRIQUE +50310-2 CD12S DI.999.001.016 U01 DI.999.001.016U01 00:00:00 IRAK NASSIR SHAMMA/HISTOIRE D'AMOUR ORIENTALE Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 ASIE +50313-2 CD12S DI.999.001.017 U01 DI.999.001.017U01 00:00:00 AZERBAIDJAN AZERBAIDJAN/LES ASHIQ DE SHIRVAN Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 ASIE +50314-2 CD12S DI.999.001.018 U01 DI.999.001.018U01 00:00:00 SYRIE SYRIE/ADIB AL-DAYIKH ET L'ENSEMBLE AL-KINDI Sous-table non exportée Sous-table non exportée ENGEL,RAINER 0 ASIE +50315-2 CD12S DI.999.001.019 U01 DI.999.001.019U01 00:00:00 IRAN CHANTS ET MUSIQUE CLASSIQUES PERSANS/SADIQ TARIF Sous-table non exportée Sous-table non exportée IMA 0 ASIE +321024 CD12S DI.999.001.020 U01 DI.999.001.020U01 00:00:00 ALGERIE CHANTS DES AURES/ALI EL KHENCHELI/ALGERIE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +321025 CD12S DI.999.001.021 U01 DI.999.001.021U01 00:00:00 TUNISIE CHANTS SOUFIS DE TUNIS/LA SULAMIYYA Sous-table non exportée Sous-table non exportée 0 AFRIQUE +321026 CD12S DI.999.001.022 U01 DI.999.001.022U01 00:00:00 EGYPTE LA SIMSIMIYYA DE PORT SAID/ENSEMBLE AL-TANBURAH Sous-table non exportée Sous-table non exportée PANIER,DIDIER 0 AFRIQUE +IMACD-22 CD12S DI.999.001.023 U01 DI.999.001.023U01 00:00:00 EGYPTE CHANTS SACRES DE HAUTE EGYPTE/ZEIN MAHMOUD Sous-table non exportée Sous-table non exportée PANIER,DIDIER 0 AFRIQUE +CD-1741 CD12S DI.999.002.001 U01 DI.999.002.001U01 00:00:00 GB;ANGLETERRE ENGLAND Sous-table non exportée Sous-table non exportée LOMAX,ALAN&AUTRES 0 EUROPE +CD-1742 CD12S DI.999.002.002 U01 DI.999.002.002U01 00:00:00 EIRE IRELAND Sous-table non exportée Sous-table non exportée LOMAX,ALAN&AUTRES 0 EUROPE +CD-1743 CD12S DI.999.002.003 U01 DI.999.002.003U01 00:00:00 GB;ECOSSE SCOTLAND Sous-table non exportée Sous-table non exportée LOMAX,ALAN 0 EUROPE +11661/1744-2 CD12S DI.999.002.004 U01 DI.999.002.004U01 00:00:00 ESPAGNE SPAIN Sous-table non exportée Sous-table non exportée LOMAX,A;TORNER,E.;MARTI 0 EUROPE +TCD-1509 CD12S DI.999.003.001/02 U01 DI.999.003.001/02U01 00:00:00 TAIWAN KAN-KEI/CEREMONIAL SONGS OF SIRAYA IN TAINAN Sous-table non exportée Sous-table non exportée 0 ASIE +TCD-1510 CD12S DI.999.003.003/04 U01 DI.999.003.003/04U01 00:00:00 TAIWAN KAN-HI/CEREMONIAL SONGS OF TAIIWAN IN KAOHSIUNG Sous-table non exportée Sous-table non exportée WU RHUNG SHUN 0 ASIE +TCD-1511 CD12S DI.999.003.005 U01 DI.999.003.005U01 00:00:00 TAIWAN TIEU-HI/SONGS OF MAKATAO IN PINTUNG Sous-table non exportée Sous-table non exportée WU RHUNG SHUN 0 ASIE +TCD-1512 CD12S DI.999.003.006 U01 DI.999.003.006U01 00:00:00 TAIWAN BOUKAN-HI/SONGS OF SIRAYA IN HUALIEN Sous-table non exportée Sous-table non exportée WU RHUNG SHUN 0 ASIE +TCD-1513 CD12S DI.999.003.007 U01 DI.999.003.007U01 00:00:00 TAIWAN SONGS OF KAVALAN Sous-table non exportée Sous-table non exportée WU RHUNG SHUN 0 ASIE +TCD-1514 CD12S DI.999.003.008 U01 DI.999.003.008U01 00:00:00 TAIWAN AYAN/SONGS OF PAZEH Sous-table non exportée Sous-table non exportée WU RHUNG SHUN 0 ASIE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U01 DI.999.004.001U01 00:00:00 20/05 CROATIE BJELOVAR NON PRECISE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS FOLK TALE IN SERBO-CROATIAN Sous-table non exportée Sous-table non exportée 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U06 DI.999.004.001U06 00:00:00 06/07 BRESIL NON PRECISE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS SENTENCES FROM A TREATISE IN PORTUGUESE Sous-table non exportée Sous-table non exportée ENREGISTRÉ À SAO PAULO , PRONNONCÉ PAR UN AUTRICHIEN 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U16 DI.999.004.001U16 00:00:00 15/06 PARAGUAY VILLA ENCARNACION NON PRECISE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LOVE SONG Sous-table non exportée Sous-table non exportée 1905 AMERIQUE +CD-5105 CD12S DI.999.005.001 U01 DI.999.005.001U01 00:00:00 COTE D'IVOIRE AFRICA: THE DAN Sous-table non exportée Sous-table non exportée ZEMP,HUGO 0 AFRIQUE +WCM-9990 CD12S DI.999.006.001 U01 DI.999.006.001U01 00:00:00 VIETNAM VIETNAM/MUSIC OF THE TRUONG SON MOUNTAINS Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-42 CD12S DI.999.006.002 U01 DI.999.006.002U01 00:00:00 THAILANDE FARANG PLAY THAI MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +RST-91558-2 CD12S DI.999.007.001 U01 DI.999.007.001U01 00:00:00 AUTRICHE NIEDEROSTERREICH Sous-table non exportée Sous-table non exportée 0 EUROPE +RST-91570-2 CD12S DI.999.007.002 U01 DI.999.007.002U01 00:00:00 AUTRICHE STEIERMARK 1/DIE ZWANGER SPIEL'N AUF... Sous-table non exportée Sous-table non exportée 0 EUROPE +RST-91571-2 CD12S DI.999.007.003 U01 DI.999.007.003U01 00:00:00 AUTRICHE ROMAMUSIK 1/AMARE GILA/OUR SONGS Sous-table non exportée Sous-table non exportée HEMETEK,URSULA 0 EUROPE +SANSREF-43 CD12S DI.999.008.001 U01 DI.999.008.001U01 00:00:00 NIGERIA KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SANSREF-43 CD12S DI.999.008.001 U02 DI.999.008.001U02 00:00:00 BURKINA FASO KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 AFRIQUE +SANSREF-43 CD12S DI.999.008.001 U03 DI.999.008.001U03 00:00:00 ZIMBABWE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR & AUTRES 0 AFRIQUE +SANSREF-43 CD12S DI.999.008.001 U04 DI.999.008.001U04 00:00:00 SOUDAN KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR &AUTRES 0 AFRIQUE +SANSREF-43 CD12S DI.999.008.001 U05 DI.999.008.001U05 00:00:00 BRESIL KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON,ARTUR&AUTRES 0 AMERIQUE +SANSREF-43 CD12S DI.999.008.001 U07 DI.999.008.001U07 00:00:00 POLYNESIE FR;ARCHIPEL SOCIETE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 OCEANIE +SANSREF-43 CD12S DI.999.008.001 U10 DI.999.008.001U10 00:00:00 ILES MARQUISES KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 OCEANIE +SANSREF-43 CD12S DI.999.008.001 U11 DI.999.008.001U11 00:00:00 PAPOUASIE-NLE-GUINEE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 OCEANIE +SANSREF-43 CD12S DI.999.008.001 U13 DI.999.008.001U13 00:00:00 PHILIPPINES KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U14 DI.999.008.001U14 00:00:00 VIETNAM KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U16 DI.999.008.001U16 00:00:00 BIRMANIE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U17 DI.999.008.001U17 00:00:00 INDE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U18 DI.999.008.001U18 00:00:00 AFGHANISTAN KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U19 DI.999.008.001U19 00:00:00 IRAK KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U20 DI.999.008.001U20 00:00:00 TURQUIE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 ASIE +SANSREF-43 CD12S DI.999.008.001 U21 DI.999.008.001U21 00:00:00 ROUMANIE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 EUROPE +SANSREF-43 CD12S DI.999.008.001 U22 DI.999.008.001U22 00:00:00 POLOGNE KLANGFARBEN DER KULTUREN/MUSIK AUS 17 LANDERN DER FREDE Sous-table non exportée Sous-table non exportée SIMON ARTUR&AUTRES 0 EUROPE +CD-22/23 CD12S DI.999.008.002/03 U01 DI.999.008.002/03U01 00:00:00 SOUDAN MUSIK DER NUBIER/NORDSUDAN Sous-table non exportée Sous-table non exportée SIMON,ARTUR 0 AFRIQUE +CNR-2741112 CD DI.999.011.001 U01 DI.999.011.001U01 00:00:00 GUINEE MANDINGUES GUINEE.MUSIQUE DES MALINKE Sous-table non exportée Sous-table non exportée ROUGET,G. Malinke 1952 AFRIQUE +92572-2 CD12S DI.999.013.001 U01 DI.999.013.001U01 00:00:00 ZAIRE PETITES MUSIQUES DU ZAIRE Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U01 DI.999.013.002U01 00:00:00 REP CENTRAFRICAINE YOMBE AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U06 DI.999.013.002U06 00:00:00 REP CENTRAFRICAINE BAMBOMAS AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U08 DI.999.013.002U08 00:00:00 REP CENTRAFRICAINE NDIBUS AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U11 DI.999.013.002U11 00:00:00 REP CENTRAFRICAINE ASOLONGO AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U19 DI.999.013.002U19 00:00:00 REP CENTRAFRICAINE MANIANGA AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +92525-2 CD12S DI.999.013.002 U22 DI.999.013.002U22 00:00:00 REP CENTRAFRICAINE WOYO AFRIQUE CENTRALE:TAMBOURS KONGO Sous-table non exportée Sous-table non exportée 0 AFRIQUE +SIAECTS-1005 CD12S DI.999.014.001 U01 DI.999.014.001U01 00:00:00 ITALIE CANTA LA SOSAT Sous-table non exportée Sous-table non exportée GIANOTTI,ROBERTO 0 EUROPE +SIAECTS-1004 CD12S DI.999.014.002 U01 DI.999.014.002U01 00:00:00 ITALIE CORO TRENTINO SOSAT I CONCERTO Sous-table non exportée Sous-table non exportée N 0 EUROPE +92726-2 CD12S DI.999.015.001 U01 DI.999.015.001U01 00:00:00 VIETNAM VIETNAM,MUSIQUE DES EDE Sous-table non exportée Sous-table non exportée 0 ASIE +92709-2 CD12S DI.999.015.002/03 U01 DI.999.015.002/03U01 00:00:00 BURKINA FASO BURKINA FASO:ANTHOLOGIE DE LA MUSIQUE GAN Sous-table non exportée Sous-table non exportée KERSALE,PATRICK 0 AFRIQUE +SANSREF-41 CD12S DI.999.016.001 U01 DI.999.016.001U01 00:00:00 EQUATEUR LA BANDA MOCHA* Sous-table non exportée Sous-table non exportée N 0 AMERIQUE +MC-20112 D303M FANTOME 2* A01 FANTOME 2*A01 00:00:00 N MUSIQUE DAYAK Sous-table non exportée Sous-table non exportée 0 N +BM.2005.004 CDR BM.2005.004.001/10 :05-01 BM.2005.004.001/10:05-01 00:26:30 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée La nuit jusqu'à 4h. du matin, à l'occasion d'un mariage. Dans le village, à l'extérieur. (les solistes chantent avec une sonorisation). CD 4 et 5 plages 1-3 reproduisent la musique en continu• Ahwash masculin. Interventions ponctuelles dans la partie solo des instruments et des battements de mains. BC = le choeur Hdanse en ronde et frappe des mains. Forte accélération• ROVSING OLSEN,MIRIAM 2004 Dat 3 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-02 BM.2005.004.001/10:05-02 00:00:57 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée Début d'ahwash interrompu par l'appel à la première prière du jour. La nuit jusqu'à 4h. du matin, à l'occasion d'un mariage. Dans le village, à l'extérieur. (les solistes chantent avec une sonorisation). CD 4 et 5 plages 1-3 reproduisent la musique en continu• Ahwash masculin• ROVSING OLSEN,MIRIAM 2004 Dat 3 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-03 BM.2005.004.001/10:05-03 00:18:09 nuit 9au10/08/2004 MAROC TATA BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée A l'occasion d'un mariage. Dans le village, à l'extérieur. (les solistes chantent avec une sonorisation). CD 4 et 5 plages 1-3 reproduisent la musique en continu• Fn d'un Ahwash masculin. Puis Ahwash féminin _Bu ganga_ BC = le choeur Fdanse en ronde et frappe des mains. • ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-04 BM.2005.004.001/10:05-04 00:04:54 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes. Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Fin d'un Ahwash masculin (±0'37") puis un autre ahwash masculin. Interventions ponctuelles dans la partie solo de battements de mains et de frappements de pieds BC = le choeur Hdanse en ligne et frappe des mains. Grande effervescence• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-05 BM.2005.004.001/10:05-05 00:03:09 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHWASH Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Interventions ponctuelles dans la partie solo de battements de mains. BC = le choeur Hdanse en ligne et frappe des mains• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-06 BM.2005.004.001/10:05-06 00:05:25 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes. Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• A la fin de la joute, intermède comique. L'ernreg. est arrêté. La joute reprend, plage -07• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :05-07 BM.2005.004.001/10:05-07 00:17:27 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes. Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Reprise de la joute poétique ahnaqqar de la plage 6. À 10 '45 "env.: changement de mélodie par un poète-chanteur puis double-chœur masc dansant en ligne et frappant des mains• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-01 BM.2005.004.001/10:06-01 00:06:42 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Joute poétique ahnaqqar. Trois solistes, ponctués chacun par une formule tambourinée répétée (plusieurs tambours sur cadre tilluna) dans un tempo vif avec double chœur masculin (au loin) dansant et effectuant de façon intermittente des formules de battements de mains. Solo au début, sans micro au début, puis avec sonorisation. Battements de mains de l'auditoire• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-02 BM.2005.004.001/10:06-02 00:04:12 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Joute poétique ahnaqqar. Solistes ponctués chacun par une formule tambourinée répétée (plusieurs tambours sur cadre tilluna) dans un tempo vif avec double chœur masculin (au loin) dansant et effectuant de façon intermittente des formules de battements de mains• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-03 BM.2005.004.001/10:06-03 00:02:34 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Voix médiocre du soliste• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-04 BM.2005.004.001/10:06-04 00:18:04 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Joute poétique ahnaqqar entre plusieurs solistes. Chaque soliste est ponctué par le double-chœur masculin dansant et effectuant des formules de battements de mains sur une formule tambourinée répétée (plusieurs tambours sur cadre tilluna). À 13 :35 : nouvelle mélodie, reprise tout de suite par le double chœur masc. Comme plus haut. À la toute fin : accélération. Suite pl. 5• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-05 BM.2005.004.001/10:06-05 00:09:58 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Fin de la joute poétique ahnaqqar (à 5 :25). Grande effervescence. Formules de battements de mains du chœur masculin, youyous et chants responsoriaux _tizrrarin_ des femmes dans l'auditoire. À 4 :00 s'y ajoute le double chœur masc. Se termine par la reprise du solo puis double chœur masc• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-06 BM.2005.004.001/10:06-06 00:06:48 nuit 13au14/08/2004 MAROC AOULOUZ BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 13 au 14 août 2004, chez un poète-chanteur pour le mariage de son fils. Chœur masculin dansant aligné devant le mur de la maison devant un auditoire de villageois. Présence de plusieurs poètes.Sonorisation des poètes. Ils s'annoncent parfois par des sifflements. Les enregistrements sur les plages du CD 5 se suivent• Joute poétique ahnaqqar ponctuée du double chœur masculin dansant et effectuant des formules de battements de mains sur le rythme des tambours sur cadre tilluna. Présence de formules chantées féminins de l'auditoire. INTERRUPTION, fin de la cassette Dat• ROVSING OLSEN,MIRIAM 2004 Dat 4 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-07 BM.2005.004.001/10:06-07 00:07:11 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée IRIZI Sous-table non exportée A l'occasion de la cérémonie de _RRMA_, la nuit du 16 au 17 août 2004 Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros)• Sorte d'irizi avec l'entrée en cortège, sur la place réservée, des musiciens jouant un rythme tambouriné particulier (tambours sur cadre tilluna) et du chœur masculin battant des mains. Accélération vers la fin Indaouzal désigne une tribu (et donc une région)• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-08 BM.2005.004.001/10:06-08 00:04:33 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée À l'occasion de la cérémonie de rrma, la nuit du 16 au 17 août 2004 Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros). Plages -08, -09, -10 : joute poétique ahnaqqar : solos ponctués par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains sur un rythme tambouriné (tambours sur cadre tilluna)• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-09 BM.2005.004.001/10:06-09 00:04:10 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée À l'occasion de la cérémonie de _rrma_, la nuit du 16 au 17 août 2004 Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros). Plages -08, -09, -10 : joute poétique ahnaqqar : solos ponctués par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains sur un rythme tambouriné (tambours sur cadre tilluna)• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :06-10 BM.2005.004.001/10:06-10 00:05:47 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée À l'occasion de la cérémonie de rrma, la nuit du 16 au 17 août 2004 Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros). Plages -08, -09, -10 : joute poétique ahnaqqar : solos ponctués par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains sur un rythme tambouriné (tambours sur cadre tilluna)• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :07-01 BM.2005.004.001/10:07-01 00:23:52 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée A l'occasion de la cérémonie de _RRMA_, la nuit du 16 au 17 août 2004 Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros)• *Joute poétique Ahnaqqar avec deux solistes. Chaque intervention est ponctuée par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains sur un rythme tambouriné (tambours sur cadre _tilluna_) Vers 17 :00 le soliste change la mélodie qui se poursuit jusqu'à à la fin avec le chœur dansant et les tambours• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :07-02 BM.2005.004.001/10:07-02 00:27:43 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée A l'occasion de la cérémonie de _RRMA_, la nuit du 16 au 17 août 2004. Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros)• Joute poétique Ahnaqqar. Chaque intervention est ponctuée par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains (et de pieds au début d'une intervention du soliste) sur un rythme tambouriné. Vers 18 :56 un soliste change la mélodie, puis chœur dansant et tambours. Accélération à la fin• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :07-03 BM.2005.004.001/10:07-03 00:13:03 nuit 16au17/08/2004 MAROC INDAOUZAL BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée A l'occasion de la cérémonie de _RRMA_, la nuit du 16 au 17 août 2004. Chœur masculin dansant. Auditoire face aux musiciens. Les chanteurs solistes sont sonorisés (chantent avec micros)• *Joute poétique chantée _Ahnaqqar_ . Chaque intervention est ponctuée par le double chœur masculin dansant et effectuant par intermittence des formules de battements de mains sur un rythme tambouriné. Vers la fin : le soliste conclut sur une formule, probablement de _rwyus_ , en alternance avec le chœur masculin qui chante un refrain « la lay la da lay li ». Interrompu brusquement• ROVSING OLSEN,MIRIAM 2004 Dat 5 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :08-01 BM.2005.004.001/10:08-01 00:41:21 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à l'un des grands poète-chanteur (présent). À l'extérieur du village. Participation de plusieurs poètes (6 ?). Dans les joutes poétiques ahnaqqar, les poètes sont disposés dans le chœur masculin qui forme un demi-cercle face à l'auditoire. Sonorisation : les solistes chantent avec des micros.• Joute poétique chantée _Ahnaqqar_. Interventions successives des différents poètes-chanteurs. Interromption par une personne d'une association locale. [applaudissements ponctuels dans l'auditoire]. Puis reprise. Chaque intervention solo est ponctuée par le chœur masculin. Youyous. Formules chantées par les filles dans l'auditoire. À 20min. environ: double chœur masculin dansant en ronde et battant des mains. Problèmes de micros et de sonorisation• ROVSING OLSEN,MIRIAM 2004 Dat 7 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :08-02 BM.2005.004.001/10:08-02 00:01:47 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à l'un des grands poète-chanteur (présent). À l'extérieur du village. Participation de plusieurs poètes (6 ?). Dans les joutes poétiques ahnaqqar, les poètes sont disposés dans le chœur masculin qui forme un demi-cercle face à l'auditoire. Sonorisation : les solistes chantent avec des micros.• Fin de joute poétique chantée _ahnaqqar_. Solo suivi de double chœur masculindansant en ronde• ROVSING OLSEN,MIRIAM 2004 Dat 7 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :09-01 BM.2005.004.001/10:09-01 00:23:59 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à l'un des grands poète-chanteur (présent). À l'extérieur du village. Participation de plusieurs poètes (6 ?). Dans les joutes poétiques ahnaqqar, les poètes sont disposés dans le chœur masculin qui forme un demi-cercle face à l'auditoire. Sonorisation : les solistes chantent avec des micros.• Joute poétique chantée Ahnaqqar. Chaque intervention solo est ponctuée par le chœur masculin. Youyous. Applaudissements ponctuels dans l'auditoire. Interventions des différents poètes-chanteurs, Puis double chœur masc.dansant en ronde• ROVSING OLSEN,MIRIAM 2004 Dat 7 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :09-02 BM.2005.004.001/10:09-02 00:28:17 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AHNAQQAR Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à l'un des grands poète-chanteur (présent). À l'extérieur du village. Participation de plusieurs poètes (6 ?). Dans les joutes poétiques ahnaqqar, les poètes sont disposés dans le chœur masculin qui forme un demi-cercle face à l'auditoire. Sonorisation : les solistes chantent avec des micros.• Joute poétique chantée Ahnaqqar Chaque intervention solo est ponctuée par le chœur masculin. Youyous dans l'auditoire. Vers 14 min. : solo du poète auquel on rend hommage. Puis double chœur masc.dansant en ronde• ROVSING OLSEN,MIRIAM 2004 Dat 7 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :10-01 BM.2005.004.001/10:10-01 00:16:45 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AGUAL Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à un grand poète-chanteur. À l'extérieur du village• Agual par des filles (sorte d'amkhllf). Double chœur féminin disposé en une rangée avec les femmes poétesses derrière : le choeur chante "a cappella" au début puis, avec les instruments (joués par des hommes), en dansant en deux rangées et en frappant des mains. Qualité sonore médiocre de la cloche _naqus_. 10 '25" : baisse du tempo. Puis « Montée » progressive avec tremblement des voix. Fin : 16 '21" ralentissement et chant féminin a cappella. Pas de sonorisation• ROVSING OLSEN,MIRIAM 2004 Dat 8 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :10-02 BM.2005.004.001/10:10-02 00:15:11 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AGUAL Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommage à un grand poète-chanteur. À l'extérieur du village. Le soliste chante avec un micro• Agual féminin. Filles comme pl.1. Double chœur féminin disposé comme pl.1. Chante d'abord a cappella. Puis en dansant. Frappements de mains. Accélération. Fin : 14 :50 ralentissement et chant féminin a cappella• ROVSING OLSEN,MIRIAM 2004 Dat 8 AFRIQUE +BM.2005.004 CDR BM.2005.004.001/10 :10-03 BM.2005.004.001/10:10-03 00:21:44 nuit 18au19/08/2004 MAROC ISSAFFN BERBÈRES MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 Sous-table non exportée AGUAL Sous-table non exportée La nuit du 18-19 août 2004 à l'occasion d'un hommageà un grand poète-chanteur. À l'extérieur du village. Le soliste chante avec un micro• Agual féminin. (sorte de tamssust). Filles comme plage1. Disposition comme plage1. Au bout de 19 min.changement de formule et tremblement des voix. Formules en recto tono des hommes dans l'auditoire vers 12'40"). Problèmes de sono au début• ROVSING OLSEN,MIRIAM 2004 Dat 8 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :05-03 BM.1970.041.001/55:05-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /3 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:05 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Récit chant: combat BM.1970.041.001/55:05-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 5 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :05-04 BM.1970.041.001/55:05-04 00:24:45 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /4 (DEBUT) Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:05 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: butin Récit >> fin de ce récit sur pièce ...:06-01• BM.1970.041.001/55:05-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 5 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-08 BM.1974.012.001/09:08-08 00:07:55 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 Sous-table non exportée Sous-table non exportée /vp=annonce;voix Hparlée disant le texte joué sur l'instrument. /cv=solo de vièlemonocorde. /vc=voix fredonnée sans l'instrument • BM.1974.012.001/09:08-07 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-02 BM.1967.013.001/03:01A-02 00:00:40 -1 ROUMANIE TSIGANES ROUMANIE CHANT DUO H Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-01 BM.1970.041.001/55:06-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /4 (FIN) Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:05 = 24'45 . Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en plein air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Fin du récit précédent = b ob. .../05-04• BM.1970.041.001/55:05-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 6 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-03 BM.1967.013.001/03:01A-03 00:01:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-02 BM.1970.041.001/55:06-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI", /5 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Qualité du Héros récit. Récit• BM.1970.041.001/55:06-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 6 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-04 BM.1967.013.001/03:01A-04 00:01:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT CHOEUR H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-05 BM.1967.013.001/03:01A-05 00:00:55 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-06 BM.1967.013.001/03:01A-06 00:00:35 -1 ROUMANIE TSIGANES ROUMANIE CHANT CHOEUR MIXTE Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-07 BM.1967.013.001/03:01A-07 00:01:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-08 BM.1967.013.001/03:01A-08 00:01:55 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-09 BM.1967.013.001/03:01A-09 00:00:45 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-10 BM.1967.013.001/03:01A-10 00:01:30 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-11 BM.1967.013.001/03:01A-11 00:01:30 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-12 BM.1967.013.001/03:01A-12 00:02:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée BC =bruit de bouche ?, imitant un accompagnement rythmique• Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-13 BM.1967.013.001/03:01A-13 00:01:40 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-14 BM.1967.013.001/03:01A-14 00:01:55 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-09 BM.1974.012.001/09:08-09 00:03:35 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "ACHILIM" Sous-table non exportée Sous-table non exportée /cl=solo de luth. /vc=voix fredonnée par le musicien• BM.1974.012.001/09:08-08 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-15 BM.1967.013.001/03:01A-15 00:03:10 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-16 BM.1967.013.001/03:01A-16 00:02:45 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-03 BM.1970.041.001/55:06-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /6 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Présentation de Sâgrâm Kârkî. Récit• BM.1970.041.001/55:06-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 6 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01A-17 BM.1967.013.001/03:01A-17 00:02:00 -1 ROUMANIE TSIGANES ROUMANIE VP-PARLE H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-01 BM.1967.013.001/03:01B-01 00:00:20 -1 ROUMANIE TSIGANES ROUMANIE VP-PARLE H Sous-table non exportée Sous-table non exportée Annonce ? musique caldérache ?• Piste 2; vitesse : 4,75 cm/s• VIG,R. -1 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-04 BM.1970.041.001/55:06-04 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /7 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Splendeur du héros. Récit• BM.1970.041.001/55:06-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 6 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-02 BM.1967.013.001/03:01B-02 00:02:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-05 BM.1970.041.001/55:06-05 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" :8 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Présentation de Sâgrâm Kârkî. Récit• BM.1970.041.001/55:06-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 6 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-06 BM.1970.041.001/55:06-06 00:24:45 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /9 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant. Récit• BM.1970.041.001/55:06-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :06-07 BM.1970.041.001/55:06-07 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /10 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:06 = 24'45 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant. Irregularitésde defilment• BM.1970.041.001/55:06-06 HELFFER,MIREILLE&GABORIEAU,MARC 0 ASIE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-03 BM.1967.013.001/03:01B-03 00:00:45 -1 ROUMANIE TSIGANES ROUMANIE VP-PARLE H Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-04 BM.1967.013.001/03:01B-04 00:02:30 -1 ROUMANIE TSIGANES ROUMANIE CHANT H Sous-table non exportée Sous-table non exportée Chant h puis accompagnement par un chr h Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-05 BM.1967.013.001/03:01B-05 00:00:15 -1 ROUMANIE TSIGANES ROUMANIE PARLE Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-06 BM.1967.013.001/03:01B-06 00:01:10 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-07 BM.1967.013.001/03:01B-07 00:00:10 -1 ROUMANIE TSIGANES ROUMANIE PARLE Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-08 BM.1967.013.001/03:01B-08 00:01:10 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO Sous-table non exportée Sous-table non exportée Chant solo et chr h Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-09 BM.1967.013.001/03:01B-09 00:01:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO Sous-table non exportée Sous-table non exportée Chant solo et chr h Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-10 BM.1967.013.001/03:01B-10 00:02:00 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-11 BM.1967.013.001/03:01B-11 00:00:40 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-12 BM.1967.013.001/03:01B-12 00:01:30 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :01B-13 BM.1967.013.001/03:01B-13 00:01:50 -1 ROUMANIE TSIGANES ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Piste 2; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-01 BM.1967.013.001/03:02A-01 00:04:20 -1 ROUMANIE ROUMANIE CHANT CHOEUR H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-02 BM.1967.013.001/03:02A-02 00:02:00 -1 ROUMANIE ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée Chant solo f, ponctué de claquemets de mains• Piste 1; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-03 BM.1967.013.001/03:02A-03 00:02:10 -1 ROUMANIE ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée Chant solo h, ponctué de claquemets de mains, halètements rythmiques Piste 1; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-04 BM.1967.013.001/03:02A-04 00:01:30 -1 ROUMANIE ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée chant solo f et écho Piste 1; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-05 BM.1967.013.001/03:02A-05 00:02:55 -1 ROUMANIE ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée chant solo h avec halètements rythmiques Piste 1; vitesse :4,75 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-06 BM.1967.013.001/03:02A-06 00:00:30 -1 ROUMANIE ROUMANIE PARLE Sous-table non exportée Sous-table non exportée parlé en roumains Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-07 BM.1967.013.001/03:02A-07 00:00:50 -1 ROUMANIE ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée chant solo f avec halétements rythmiques• Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :02A-08 BM.1967.013.001/03:02A-08 00:01:50 -1 ROUMANIE ROUMANIE CHANT SOLO F Sous-table non exportée Sous-table non exportée chant solo f avec accompagnement par bruit de bouche Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-01 BM.1967.013.001/03:03A-01 00:02:30 -1 ROUMANIE ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée chant solo h avec accompagnementde guitare (chanson en français) Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-02 BM.1967.013.001/03:03A-02 00:00:30 -1 ROUMANIE ROUMANIE INFORMATION SUR LES CHANTEURS Sous-table non exportée Sous-table non exportée chanteurs nés en France Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-03 BM.1967.013.001/03:03A-03 00:04:00 -1 ROUMANIE ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée chant solo h avec accompagnement guitare chansons en français• Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-04 BM.1967.013.001/03:03A-04 00:01:00 -1 ROUMANIE ROUMANIE SOLO GUITARE ET BASSE Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-05 BM.1967.013.001/03:03A-05 00:00:00 -1 ROUMANIE ROUMANIE ANNONCE EN ROUMAIN Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-06 BM.1967.013.001/03:03A-06 00:01:00 -1 ROUMANIE ROUMANIE SOLO GUITARE ET BASSE Sous-table non exportée Sous-table non exportée Piste 1; vitesse :9,5 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-07 BM.1967.013.001/03:03A-07 00:01:00 -1 ROUMANIE ROUMANIE CHANT SOLO H Sous-table non exportée Sous-table non exportée V-VOIX = accompagnement par bruit de bouche Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-08 BM.1967.013.001/03:03A-08 00:05:30 -1 ROUMANIE ROUMANIE SOLO CYMBALUM (PRELUDE) Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-09 BM.1967.013.001/03:03A-09 00:03:05 -1 ROUMANIE ROUMANIE SOLO CYMBALUM (PRELUDE) Sous-table non exportée Sous-table non exportée idem autre pièce Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-10 BM.1967.013.001/03:03A-10 00:02:45 -1 ROUMANIE ROUMANIE SOLO XYLOPHONE Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-11 BM.1967.013.001/03:03A-11 00:02:50 -1 ROUMANIE ROUMANIE ORCHESTRE A CORDES Sous-table non exportée Sous-table non exportée orchestre à cordes, pédales de tonique et de dominante curieuses• Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-12 BM.1967.013.001/03:03A-12 00:01:15 -1 ROUMANIE ROUMANIE SOLO VIOLON Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03A-13 BM.1967.013.001/03:03A-13 00:00:30 -1 ROUMANIE ROUMANIE ORCHESTRE A CORDES Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• orchestre à cordes interrompu, fin de BM• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-01 BM.1967.013.001/03:03B-01 00:01:15 -1 ROUMANIE ROUMANIE ORCHESTRE A CORDES Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-02 BM.1967.013.001/03:03B-02 00:05:00 -1 ROUMANIE ROUMANIE CHANTE SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-03 BM.1967.013.001/03:03B-03 00:01:20 -1 ROUMANIE ROUMANIE CHANTE SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• Chant solo h, danse VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-04 BM.1967.013.001/03:03B-04 00:01:50 -1 ROUMANIE ROUMANIE CHANTE SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• Chant solo h, sui te de la même danse, duo h et f• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-05 BM.1967.013.001/03:03B-05 00:02:00 -1 ROUMANIE ROUMANIE CHANTE SOLO H Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-06 BM.1967.013.001/03:03B-06 00:01:45 -1 ROUMANIE ROUMANIE CHANTE SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• chanté solo f avec accompagnement rythmique par h• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-07 BM.1967.013.001/03:03B-07 00:01:30 -1 ROUMANIE ROUMANIE CHANTE SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• chanté solo f avec accompagnement rythmique par h• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-08 BM.1967.013.001/03:03B-08 00:01:30 -1 ROUMANIE ROUMANIE CHANTE SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• chanté solo f puis accompagnement rythmique par h• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-09 BM.1967.013.001/03:03B-09 00:03:30 -1 ROUMANIE ROUMANIE CHANTE SOLO F Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• VIG,R. -1 EUROPE +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 :03B-10 BM.1967.013.001/03:03B-10 00:03:30 -1 ROUMANIE ROUMANIE CHANTE SOLO F / INCOMPLET* Sous-table non exportée Sous-table non exportée Piste 1; vitesse :19 cm/s• *chant solo f, interrompu en fin de BM• VIG,R. -1 EUROPE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :01-02 BM.1974.003.001/10:01-02 00:08:00 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. IFC = calebasse• / Niveau légérement baissé vers le milieu de la pièce• BM.1974.003.001/10:01-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-02 BM.1970.045.001/09:01-02 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s BM.1970.045.001/09:01-01 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :01-03 BM.1974.003.001/10:01-03 00:03:17 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde• / Niveau légérement baissé vers le milieu de la pièce. IFC =calebasse• BM.1974.003.001/10:01-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-03 BM.1970.045.001/09:01-03 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s Explications sur la pièce précedente• BM.1970.045.001/09:01-02 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :01-04 BM.1974.003.001/10:01-04 00:03:49 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde IFC =calebasse• BM.1974.003.001/10:01-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-04 BM.1970.045.001/09:01-04 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-05 BM.1970.045.001/09:01-05 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-06 BM.1970.045.001/09:01-06 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-05 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-07 BM.1970.045.001/09:01-07 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-08 BM.1970.045.001/09:01-08 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-07 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :01-05 BM.1974.003.001/10:01-05 00:02:16 07/0/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. IFC =calebasse. / interrompu fin de bobine• BM.1974.003.001/10:01-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-09 BM.1970.045.001/09:01-09 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-10 BM.1970.045.001/09:01-10 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :01-11 BM.1970.045.001/09:01-11 00:00:00 35 juin SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-01 BM.1970.045.001/09:02A-01 00:00:00 1 SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée 2 Hs conversent: l'un chante, l'autre lui répond à la kora. piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:01-11 0 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-02 BM.1970.045.001/09:02A-02 00:00:00 1 SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s, Solo de kora• BM.1970.045.001/09:02A-01 0 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :02-01 BM.1974.003.001/10:02-01 00:07:02 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocord IFC = calebasse• BM.1974.003.001/10:01-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-03 BM.1970.045.001/09:02A-03 00:00:00 1 SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée Chanté solo h +kora, et réponse parlée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-02 0 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-04 BM.1970.045.001/09:02A-04 00:00:00 1 SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée Chanté solo h +kora, et réponse parlée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-03 0 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :02-02 BM.1974.003.001/10:02-02 00:04:11 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocord.e IFC =calebasse• BM.1974.003.001/10:02-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-05 BM.1970.045.001/09:02A-05 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-04 0 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-06 BM.1970.045.001/09:02A-06 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-05 0 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :02-03 BM.1974.003.001/10:02-03 00:05:48 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde IFC =calebasse• BM.1974.003.001/10:02-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-07 BM.1970.045.001/09:02A-07 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-06 0 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-08 BM.1970.045.001/09:02A-08 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-07 0 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02A-09 BM.1970.045.001/09:02A-09 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-08 0 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :02-04 BM.1974.003.001/10:02-04 00:06:46 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. IFC =calebasse / Interrompu, fin de bobine• BM.1974.003.001/10:02-03 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :02B-01 BM.1970.045.001/09:02B-01 00:00:00 1 SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée voix parlée, noms des cordes de la kora. piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:02A-09 0 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :03-01 BM.1974.003.001/10:03-01 00:05:22 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. IFC =calebasse• BM.1974.003.001/10:02-04 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-01 BM.1970.045.001/09:03-01 00:00:00 37 juillet SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:02B-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-02 BM.1970.045.001/09:03-02 00:00:00 37 juillet SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-03 BM.1970.045.001/09:03-03 00:00:00 37 juillet SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée le chanteur et la kora conversent. piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-04 BM.1970.045.001/09:03-04 00:00:00 37 juillet SENEGAL TAMBACOUNDA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée le chanteur et la kora conversent. piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-05 BM.1970.045.001/09:03-05 00:00:00 37 juillet SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-06 BM.1970.045.001/09:03-06 00:00:00 37 juillet SENEGAL KEDOUGOU MANDINGUES SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-05 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :03-02 BM.1974.003.001/10:03-02 00:03:25 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 LOUANGE DES VACHES "JAMMOOJE NA'I Sous-table non exportée Sous-table non exportée VP = récité duo H alterné• BM.1974.003.001/10:03-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :03-03 BM.1974.003.001/10:03-03 00:01:48 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 LOUANGE DES VACHES "JAMMOOJE NA'I Sous-table non exportée Sous-table non exportée Louange des vaches• VP = récité solo homme• BM.1974.003.001/10:03-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :03-04 BM.1974.003.001/10:03-04 00:05:20 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde Ifc=calebasse• BM.1974.003.001/10:01-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :03-05 BM.1974.003.001/10:03-05 00:07:16 07/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde Ifc=calebasse• BM.1974.003.001/10:01-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :04-01 BM.1974.003.001/10:04-01 00:04:50 08/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde Ifc=calebasse• / l'instrument moloandu est désacordé pendant le chant ,et réaccordé après• BM.1974.003.001/10:01-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :04-02 BM.1974.003.001/10:04-02 00:18:45 08/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. Ifc=calebasse• BM.1974.003.001/10:04-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :05-01 BM.1974.003.001/10:05-01 00:10:28 08/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde. Ifc=calebasse• BM.1974.003.001/10:01-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :03-07 BM.1970.045.001/09:03-07 00:00:00 37 juillet SENEGAL KEDOUGOU BAMBARA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:03-06 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :05-02 BM.1974.003.001/10:05-02 00:13:18 08/02/1973 MALI SENDEGUE, LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 CHANT DE BERGER Sous-table non exportée Sous-table non exportée CL =luth monocorde Ifc=corps hemisphérique• BM.1974.003.001/10:05-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-01 BM.1970.045.001/09:04A-01 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:03-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-02 BM.1970.045.001/09:04A-02 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-03 BM.1970.045.001/09:04A-03 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-04 BM.1970.045.001/09:04A-04 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-05 BM.1970.045.001/09:04A-05 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-06 BM.1970.045.001/09:04A-06 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-05 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :06-01 BM.1974.003.001/10:06-01 00:10:12 14/02/1973 MALI MALI, OUMERE PEULS SEYDOU,C.; MALI:PEULS;1973 LOUANGE DES VACHES Sous-table non exportée Sous-table non exportée VP = récité H solo• BM.1974.003.001/10:03-03 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-07 BM.1970.045.001/09:04A-07 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-08 BM.1970.045.001/09:04A-08 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-09 BM.1970.045.001/09:04A-09 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04A-10 BM.1970.045.001/09:04A-10 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-01 BM.1970.045.001/09:04B-01 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04A-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-02 BM.1970.045.001/09:04B-02 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-03 BM.1970.045.001/09:04B-03 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-04 BM.1970.045.001/09:04B-04 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-05 BM.1970.045.001/09:04B-05 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-06 BM.1970.045.001/09:04B-06 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-07 BM.1970.045.001/09:04B-07 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-08 BM.1970.045.001/09:04B-08 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-09 BM.1970.045.001/09:04B-09 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-10 BM.1970.045.001/09:04B-10 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :04B-11 BM.1970.045.001/09:04B-11 00:00:00 38 juillet SENEGAL BANTAKOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:04B-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-01 BM.1970.045.001/09:05-01 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:04B-11 1970 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :06-02 BM.1974.003.001/10:06-02 00:10:12 14/02/1973 MALI MALI, OUMERE PEULS SEYDOU,C.; MALI:PEULS;1973 SUITE D'AIRS DE FLUTE SEERENDU Sous-table non exportée Sous-table non exportée af=flute oblique en bois. /suite d'airs de flute• BM.1974.003.001/10:06-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :07-01 BM.1974.003.001/10:07-01 00:23:00 14/02/1973 MALI MALI, OUMERE PEULS SEYDOU,C.; MALI:PEULS;1973 SUITE D'AIRS DE DEUX FLUTES L'UNISSON SEERENDU Sous-table non exportée Sous-table non exportée af=flute oblique en bois. /suite d'airs de deux flutes à l'unisson par Isa hay dara 15 ans et Baa Saajo 20 ans• BM.1974.003.001/10:06-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :08-01 BM.1974.003.001/10:08-01 00:04:50 15/03/1973 MALI MALI, SENDEGUE,LACDEBO PEULS SEYDOU,C.; MALI:PEULS;1973 "GAMBARI" Sous-table non exportée Sous-table non exportée /air gambari composé pour Ham Paré, mort en 1971 CL =luth à quatre cordes . La table d'harmonie du luth est percutée par les doigts air moderne• BM.1974.003.001/10:07-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :08-02 BM.1974.003.001/10:08-02 00:03:36 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 SAUVETAGE SOWETASH Sous-table non exportée Sous-table non exportée cl=luth à quatre cordes . Table d'harmonie du luth percuté par les doigts Air moderne• BM.1974.003.001/10:08-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :08-03 BM.1974.003.001/10:08-03 00:02:45 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 BAWDI TAMBOUR BAWDI Sous-table non exportée Sous-table non exportée /air ancien pour annoncer une bataille qui va se dérouler dans un récit épique. cl=luth à quatre cordes . /table d'harmonie du luth est percutée par les doigts. /bawdi=tambour /reste encore de la bande vierge• BM.1974.003.001/10:08-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :09-01 BM.1974.003.001/10:09-01 00:24:00 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 NJARU Sous-table non exportée Sous-table non exportée /pour Boubou Ardo Galo. cl=luth à quatre cordes . /table d'harmonie du luth est percutée par les doigts; /interrompu,fin de bobine• BM.1974.003.001/10:08-03 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :10-01 BM.1974.003.001/10:10-01 00:06:38 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 DEVISES MUSICALES DE HAM BODEDIO HAMMADI SAYGALAARE Sous-table non exportée Sous-table non exportée /. cl=luth à quatre cordes . /table d'hamonie du luth est percutée par les doigts. devises musicales de Ham Bodedio Hammadi.Paté yella du kounari• BM.1974.003.001/10:09-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :10-02 BM.1974.003.001/10:10-02 00:07:50 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 DEVISE DE SILIMAK ARDO MASSINA DU MASSINA NDOONDOORE Sous-table non exportée Sous-table non exportée /. cl=luth à quatre cordes . /table d'harmonie du luth est percutée par les doigts. /devise de Silamak Ardo Massina du Massina• BM.1974.003.001/10:10-01 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :10-03 BM.1974.003.001/10:10-03 00:07:50 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 YEWLI Sous-table non exportée Sous-table non exportée /. cl=luth à quatre cordes . /table d'harmonie du luth est percutée par les doigts• BM.1974.003.001/10:10-02 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 :10-04 BM.1974.003.001/10:10-04 00:01:54 15/03/1973 MALI MALI, SENDEGUE,LAC DEBO PEULS SEYDOU,C.; MALI:PEULS;1973 GAMBARI Sous-table non exportée Sous-table non exportée pour Hamparé cl=luth à quatre cordes . /table d'harmonie du luth est percutée par les doigts. /interrompu,fin de bobine.la suite de cette pièce est sur la bobine bm 74.3.8• BM.1974.003.001/10:10-03 SEYDOU,CHRISTIANE 1973 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-03 BM.1970.045.001/09:05-03 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-04 BM.1970.045.001/09:05-04 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-05 BM.1970.045.001/09:05-05 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-06 BM.1970.045.001/09:05-06 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-05 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-07 BM.1970.045.001/09:05-07 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-08 BM.1970.045.001/09:05-08 00:00:00 39 juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-09 BM.1970.045.001/09:05-09 00:00:00 39 juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-10 BM.1970.045.001/09:05-10 00:00:00 39 juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-11 BM.1970.045.001/09:05-11 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-12 BM.1970.045.001/09:05-12 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-11 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-13 BM.1970.045.001/09:05-13 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-12 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-14 BM.1970.045.001/09:05-14 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-13 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-15 BM.1970.045.001/09:05-15 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-14 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-16 BM.1970.045.001/09:05-16 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-15 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-17 BM.1970.045.001/09:05-17 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-16 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-18 BM.1970.045.001/09:05-18 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-17 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-19 BM.1970.045.001/09:05-19 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-18 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-20 BM.1970.045.001/09:05-20 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-19 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :05-21 BM.1970.045.001/09:05-21 00:00:00 39juillet SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s Idiophones?, Battements de mains?• BM.1970.045.001/09:05-20 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-01 BM.1970.045.001/09:06-01 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:05-21 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-02 BM.1970.045.001/09:06-02 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-03 BM.1970.045.001/09:06-03 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-04 BM.1970.045.001/09:06-04 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-05 BM.1970.045.001/09:06-05 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-06 BM.1970.045.001/09:06-06 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-05 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-07 BM.1970.045.001/09:06-07 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-08 BM.1970.045.001/09:06-08 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-09 BM.1970.045.001/09:06-09 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-10 BM.1970.045.001/09:06-10 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-11 BM.1970.045.001/09:06-11 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :06-12 BM.1970.045.001/09:06-12 00:00:00 1 SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-11 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-01 BM.1970.045.001/09:07-01 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:06-12 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-02 BM.1970.045.001/09:07-02 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-03 BM.1970.045.001/09:07-03 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-04 BM.1970.045.001/09:07-04 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-05 BM.1970.045.001/09:07-05 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-06 BM.1970.045.001/09:07-06 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-05 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-07 BM.1970.045.001/09:07-07 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-08 BM.1970.045.001/09:07-08 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-09 BM.1970.045.001/09:07-09 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-08 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-10 BM.1970.045.001/09:07-10 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-09 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-11 BM.1970.045.001/09:07-11 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-10 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-12 BM.1970.045.001/09:07-12 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-11 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-13 BM.1970.045.001/09:07-13 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-12 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-14 BM.1970.045.001/09:07-14 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-13 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-15 BM.1970.045.001/09:07-15 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-14 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-16 BM.1970.045.001/09:07-16 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-15 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-17 BM.1970.045.001/09:07-17 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-16 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-18 BM.1970.045.001/09:07-18 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-17 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-19 BM.1970.045.001/09:07-19 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-18 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :07-20 BM.1970.045.001/09:07-20 00:00:00 juin SENEGAL NGARE MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-19 1970 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-03 BM.1974.012.001/09:01-03 00:01:05 08/1969 LIBYE TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "SUSUMA" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=luth à deux cordes• BM.1974.012.001/09:01-02 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-04 BM.1974.012.001/09:01-04 00:02:40 08/1969 LIBYE TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "ODO YEHI SOLO DAMI" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=luth à deux cordes• BM.1974.012.001/09:01-03 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :08A-01 BM.1970.045.001/09:08A-01 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 19 cm/s• BM.1970.045.001/09:07-20 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :08A-02 BM.1970.045.001/09:08A-02 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:08A-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :08B-01 BM.1970.045.001/09:08B-01 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:08A-02 1970 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-05 BM.1974.012.001/09:01-05 00:02:08 08/1969 LIBYE TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "TENDA TIRI SABA NDER" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=luth à deux cordes• BM.1974.012.001/09:01-04 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :08B-02 BM.1970.045.001/09:08B-02 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s• BM.1970.045.001/09:08B-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :08B-03 BM.1970.045.001/09:08B-03 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 2, vitesse 9,5 cm/s Suite de cette pièce sur la bobine n°42• BM.1970.045.001/09:08B-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-01 BM.1970.045.001/09:09-01 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s Suite de la pièce 5, piste 2 de la bobine n°41• BM.1970.045.001/09:08B-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-02 BM.1970.045.001/09:09-02 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-01 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-03 BM.1970.045.001/09:09-03 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-02 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-04 BM.1970.045.001/09:09-04 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-03 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-05 BM.1970.045.001/09:09-05 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-04 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-06 BM.1970.045.001/09:09-06 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-05 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-07 BM.1970.045.001/09:09-07 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-06 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-08 BM.1970.045.001/09:09-08 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-07 1970 AFRIQUE +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 :09-09 BM.1970.045.001/09:09-09 00:00:00 juillet SENEGAL BANTACOKOUTA MANINKA SENEGAL ORIENTAL. CAMARA,S. Sous-table non exportée Sous-table non exportée piste 1, vitesse 9,5 cm/s• BM.1970.045.001/09:09-08 1970 AFRIQUE +BM.1953.006 ØGF;²76 BM.1953.006.001 :01-02 BM.1953.006.001:01-02 00:00:00 8/1953 GUINEE FRANCAISE SUBDIVISION DE YOUKOUNKOUN KONYAGI GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 Sous-table non exportée Sous-table non exportée chant de fête des garçons. Vitesse 76 cm/s• BM.1953.006.001:01-01 1953 AFRIQUE +BM.1953.006 ØGF;²76 BM.1953.006.001 :01-03 BM.1953.006.001:01-03 00:00:00 8/1953 GUINEE FRANCAISE SUBDIVISION DE YOUKOUNKOUN KONYAGI GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 Sous-table non exportée Sous-table non exportée chant de vannage du fonio. Vitesse 76 cm/s• BM.1953.006.001:01-02 1953 AFRIQUE +BM.1953.006 ØGF;²76 BM.1953.006.001 :01-04 BM.1953.006.001:01-04 00:00:00 8/1953 GUINEE FRANCAISE SUBDIVISION DE YOUKOUNKOUN KONYAGI GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 Sous-table non exportée Sous-table non exportée chant d'initiation. Vitesse 76 cm/s• BM.1953.006.001:01-03 1953 AFRIQUE +BM.1953.006 ØGF;²76 BM.1953.006.001 :01-05 BM.1953.006.001:01-05 00:00:00 8/1953 GUINEE FRANCAISE SUBDIVISION DE YOUKOUNKOUN KONYAGI GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 Sous-table non exportée Sous-table non exportée récitations, proverbes. Vitesse 76 cm/s• BM.1953.006.001:01-04 1953 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :01-02 BM.1954.002.001/03:01-02 00:02:10 GUINEE FRANCAISE GUERIGUERIKA, VILLAGE TIVELEOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée voix d'H masqué. vitesse 38 cm/s. BM.1954.002.001/03:01-01 0 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-01 BM.1974.012.001/09:01-01 00:03:25 08/1969 LIBYE TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "ACHILIM" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=luth à deux cordes• BM.1974.012.001/09:01-02 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :01-03 BM.1954.002.001/03:01-03 00:01:50 GUINEE FRANCAISE BAEZIA, VILLAGE BIVEILAZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée choeur de vieilles femmes, funéraire. vitesse 38 cm/s. BM.1954.002.001/03:01-02 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :01-04 BM.1954.002.001/03:01-04 00:01:25 GUINEE FRANCAISE BAEZIA, VILLAGE BIVEILAZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée choeur de vieilles femmes, funéraire. vitesse 38 cm/s. BM.1954.002.001/03:01-03 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :01-05 BM.1954.002.001/03:01-05 00:03:58 GUINEE FRANCAISE BAEZIA, VILLAGE BIVEILAZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée vitesse 38 cm/s. BM.1954.002.001/03:01-04 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :02-01 BM.1954.002.001/03:02-01 00:01:45 GUINEE FRANCAISE GUERIGUERIKA, VILLAGE DE NYOGBOZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée vitesse 38 cm/s. BM.1954.002.001/03:01-05 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :02-02 BM.1954.002.001/03:02-02 00:02:43 GUINEE FRANCAISE KOLIBIRAMATOMA, VILLAGE DE NYOGBOZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée vitesse 38 cm/s. BM.1954.002.001/03:02-01 0 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-06 BM.1974.012.001/09:01-06 00:04:00 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double *M=tambour en timbale /musique de mariage. /bruit de foule• BM.1974.012.001/09:01-05 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :02-03 BM.1954.002.001/03:02-03 00:02:43 GUINEE FRANCAISE BAEZIA, VILLAGE BIVEIZLAZOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée vitesse 38 cm/s. BM.1954.002.001/03:02-02 0 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-07 BM.1974.012.001/09:01-07 00:01:30 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double *M =tambour en timbale /musique de mariage. /bruit de foule• BM.1974.012.001/09:01-06 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :02-04 BM.1954.002.001/03:02-04 00:01:20 GUINEE FRANCAISE GUERIGUERIKA, VILLAGE TIVELEOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée choeur de vieilles femmes. Sortie d'excision. vitesse 38 cm/s. BM.1954.002.001/03:02-03 0 AFRIQUE +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 :02-05 BM.1954.002.001/03:02-05 00:01:17 GUINEE FRANCAISE GUERIGUERIKA, VILLAGE TIVELEOU TOMA GUINEE FRANCAISE + MASTER DI.78T. Sous-table non exportée Sous-table non exportée procession derrière fetiche vitesse 38 cm/s. BM.1954.002.001/03:02-04 0 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :01-08 BM.1974.012.001/09:01-08 00:04:20 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double. *M=tambour. /musique de mariage. /Bc=frappements de mains,le tempo s'accélère. /interruption avant la fin de la pièce qui se poursuit sur le début de la bobine suivante. /suite sur BM...:02 • BM.1974.012.001/09:01-07 BRANDILY,MONIQUE 1969 2 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :02-01 BM.1974.012.001/09:02-01 00:01:10 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double. *M=tambour en timbale /musique de mariage. /Bc=frappements de mains. /suite de BM ...:01 /• BM.1974.012.001/09:01-08 BRANDILY,MONIQUE 1969 3 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :02-02 BM.1974.012.001/09:02-02 00:02:35 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double *M=tambour en timbale /musique de mariage. /Bruit de foule qui les couvre. /nombreuses interruptions. /accord de la clarinette• BM.1974.012.001/09:01-08 BRANDILY,MONIQUE 1969 3 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :02-03 BM.1974.012.001/09:02-03 00:07:15 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double *M =tambour en timbale. /musique de mariage. IFP =percussions sur une bouteille• BM.1974.012.001/09:01-08 BRANDILY,MONIQUE 1969 3 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :02-04 BM.1974.012.001/09:02-04 00:01:15 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double $M=tambour en timbale /musique de mariage. /Bruit de foule et par moment instruments• BM.1974.012.001/09:01-08 BRANDILY,MONIQUE 1969 3 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :02-05 BM.1974.012.001/09:02-05 00:09:00 08/1969 LIBYE FEZZAN FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée AABS =clarinette double *M =tambour en timbale VC =voix d'homme chantée de façon intermittente /musique de mariage. /séquense de danse complète• BM.1974.012.001/09:02-04 BRANDILY,MONIQUE 1969 3 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-01 BM.1974.012.001/09:03-01 00:06:20 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 Sous-table non exportée Sous-table non exportée /m-tbr=tambour de forgeron. /vc=voix d'homme chantée en teda -daza • BM.1974.012.001/09:02-05 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-02 BM.1974.012.001/09:03-02 00:04:52 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl=luth à deux cordes avec ornement vocal• BM.1974.012.001/09:03-01 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-03 BM.1974.012.001/09:03-03 00:02:25 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "TUMTUM" Sous-table non exportée Sous-table non exportée /Cl=luth à trois cordes avec ornement vocal. /bc =frappements de mains . /If=percussions sur une cuvette• BM.1974.012.001/09:03-02 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-04 BM.1974.012.001/09:03-04 00:05:15 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl=luth à deux cordes . /vp=annonce parlée• BM.1974.012.001/09:03-02 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-05 BM.1974.012.001/09:03-05 00:02:30 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "TING" Sous-table non exportée Sous-table non exportée /Cl= solo de luth à trois cordes plus ornement vocal . /vp=annonce parlée• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :03-06 BM.1974.012.001/09:03-06 00:02:30 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "TING" Sous-table non exportée Sous-table non exportée /Cl= solo de luth à trois cordes . /interrompu en fin de bobine• BM.1974.012.001/09:03-05 BRANDILY,MONIQUE 1969 7 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-01 BM.1974.012.001/09:04-01 00:01:40 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chanté solo homme• BM.1974.012.001/09:03-01 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-02 BM.1974.012.001/09:04-02 00:01:15 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chanté solo homme• BM.1974.012.001/09:04-01 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-03 BM.1974.012.001/09:04-03 00:01:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chantée solo homme /vp=annonce• BM.1974.012.001/09:04-02 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-04 BM.1974.012.001/09:04-04 00:00:40 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chantée solo homme /vp=annonce• BM.1974.012.001/09:04-03 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-05 BM.1974.012.001/09:04-05 00:01:50 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl= solo de luth . /vp=annonce parlée. /piéce bazabaza enchainée à pièce ting• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-06 BM.1974.012.001/09:04-06 00:01:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chantée solo homme• BM.1974.012.001/09:04-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-07 BM.1974.012.001/09:04-07 00:01:05 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chantée solo homme• BM.1974.012.001/09:04-06 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-08 BM.1974.012.001/09:04-08 00:00:38 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=voix chantée solo homme• BM.1974.012.001/09:04-07 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-09 BM.1974.012.001/09:04-09 00:02:40 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl=solo de luth . /vp=annonce parlée• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-10 BM.1974.012.001/09:04-10 00:06:10 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 SUITE DE PIÈCE AU LUTH Sous-table non exportée Sous-table non exportée /Cl= solo de luth. /vp=annonce. /suite de pièce enchainées "Ting", "Bazabaza", "Yage yage", "Bazabaza"• BM.1974.012.001/09:03-06 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-11 BM.1974.012.001/09:04-11 00:01:25 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "YAGE YAGE" Sous-table non exportée Sous-table non exportée /Cl=solo de luth . /vp=annonce• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-12 BM.1974.012.001/09:04-12 00:01:27 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl=solo de luth . /vp=annonce• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-13 BM.1974.012.001/09:04-13 00:01:45 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "YAGE YAGE" Sous-table non exportée Sous-table non exportée /Cl=solo de luth . /vp=annonce• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :04-14 BM.1974.012.001/09:04-14 00:01:15 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "KELE" Sous-table non exportée Sous-table non exportée /Cl=solode luth . /vp=annonce parlée. /interrruption en fin debobine /pièce KELE• BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 8 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-01 BM.1974.012.001/09:05-01 00:00:45 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT A BOIRE Sous-table non exportée Sous-table non exportée /vc=chanté choeur h• BM.1974.012.001/09:03-02 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-02 BM.1974.012.001/09:05-02 00:00:30 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANT A BOIRE Sous-table non exportée Sous-table non exportée /vc=chanté choeur h, entrecoupé de rires• BM.1974.012.001/09:05-01 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-03 BM.1974.012.001/09:05-03 00:00:30 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "QUAND ON BOIT DU VIN DE PALME" Sous-table non exportée Sous-table non exportée /quand on boit du vin de palme /v=déclamé par hommes• BM.1974.012.001/09:05-02 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-04 BM.1974.012.001/09:05-04 00:02:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme• BM.1974.012.001/09:05-03 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-05 BM.1974.012.001/09:05-05 00:00:52 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme. vp=annonce• BM.1974.012.001/09:05-04 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-06 BM.1974.012.001/09:05-06 00:00:48 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme• BM.1974.012.001/09:05-05 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-07 BM.1974.012.001/09:05-07 00:00:35 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme sans annonce. /vp=annonce• BM.1974.012.001/09:05-06 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-08 BM.1974.012.001/09:05-08 00:00:38 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme. /vp=annonce• BM.1974.012.001/09:05-07 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-09 BM.1974.012.001/09:05-09 00:01:05 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme. /vp=annonce. /interruption voix parlée• BM.1974.012.001/09:05-08 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-10 BM.1974.012.001/09:05-10 00:01:20 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme• BM.1974.012.001/09:05-09 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-11 BM.1974.012.001/09:05-11 00:03:12 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme• BM.1974.012.001/09:05-09 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-12 BM.1974.012.001/09:05-12 00:02:18 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme. /analyse et transcription à paraitre dans le journalde la société des africanistes, vol XLVI (1976)• BM.1974.012.001/09:05-04 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-13 BM.1974.012.001/09:05-13 00:01:20 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE CHAMELIER Sous-table non exportée Sous-table non exportée /vc=chanté solo homme• BM.1974.012.001/09:05-08 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :05-14 BM.1974.012.001/09:05-14 00:05:50 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "BAZABAZA" Sous-table non exportée Sous-table non exportée /Cl=solo de luth . /vp=annonce • BM.1974.012.001/09:03-04 BRANDILY,MONIQUE 1969 9 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-01 BM.1974.012.001/09:06-01 00:05:20 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /vc=voix dans le lointain prises en cours de chant avec accélération à la fin de la pièce• BM.1974.012.001/09:05-09 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-02 BM.1974.012.001/09:06-02 00:00:15 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /vc=voix ,début de chant puis arret .• BM.1974.012.001/09:06-01 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-03 BM.1974.012.001/09:06-03 00:06:35 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /vc=voix . /pièce complète avec début et accélération finale• BM.1974.012.001/09:06-02 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-04 BM.1974.012.001/09:06-04 00:00:50 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /vc=voix dans le lointain prises en cours de chant avec accélération à la fin de la pièce. /pièce incomplète• BM.1974.012.001/09:06-01 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :07-01 BM.1970.041.001/55:07-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /11 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:07 = 12'10 Manque passage récité entre bande 6 et 7 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Combat. Récit• BM.1970.041.001/55:06-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 7 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :07-02 BM.1970.041.001/55:07-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" /12 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:07 = 12'10 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant: Complainte de Sâgrâm Kârkî mourant. Récit• BM.1970.041.001/55:07-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 7 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-05 BM.1974.012.001/09:06-05 00:00:18 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /vc=voix dans le lointain . /bruit de foule• BM.1974.012.001/09:06-04 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :07-03 BM.1970.041.001/55:07-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT: "SAGRAM KARKI" (FIN) /13 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:07 = 12'10 Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (en palin air). Alternance voix déclamée, voix chantée, tambour sablier hudko. Chant Fin de Sâgrâm Kârkî• BM.1970.041.001/55:07-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-06 BM.1974.012.001/09:06-06 00:02:40 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /v=voix des assistants proches du micro• BM.1974.012.001/09:06-05 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :06-07 BM.1974.012.001/09:06-07 00:06:55 08/1969 LIBYE FEZZAN:GAOUAT FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 CHANTS DE VEILLEE DE CIRCONCISION Sous-table non exportée Sous-table non exportée chants de veillée de circoncision par les membres de la Zawiya de mourzouk /vc=chanté,choeur homme . /M=tambours sur cadre . /v=voix chantée. /pièce incomplète avec accélération à la fin• BM.1974.012.001/09:06-06 BRANDILY,MONIQUE 1969 12 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :08-01 BM.1970.041.001/55:08-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE RANI MAULA/1 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:08 = 24'45 ? Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant: Récit• BM.1970.041.001/55:07-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 8 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :08-02 BM.1970.041.001/55:08-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/2 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:08 = 24'45 ? Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant: étapes du pélegrinage. Récit• BM.1970.041.001/55:08-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 8 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :08-03 BM.1970.041.001/55:08-03 00:19:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/3 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:08 = 24'45 ? Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant: Suite du pélegrinage. Récit• BM.1970.041.001/55:08-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 8 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :07-01 BM.1974.012.001/09:07-01 00:07:40 08/1969 LIBYE FEZZAN TEDA-DAZA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 AIR DE LA DANSE" BEREBEREDO" Sous-table non exportée Sous-table non exportée /vc=chanté duo h. /m=tambour a deux peaux par des forgerons de Fayalargeau (tchad) • BM.1974.012.001/09:06-01 BRANDILY,MONIQUE 1969 14 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :08-04 BM.1970.041.001/55:08-04 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/4 Sous-table non exportée Sous-table non exportée DURÉE TOTALE DE LA BANDE...:08 = 24'45 ? Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant de pecheurs.* Récit• *Irregularité dans le déroulement de la bande; manque une page et 1/2 correspondant au chamgement de bande. BM.1970.041.001/55:08-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 8 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :07-02 BM.1974.012.001/09:07-02 00:08:42 08/1969 LIBYE FEZZAN TEDA-DAZA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 AIR DE DANSE "K'ELLU" Sous-table non exportée Sous-table non exportée /vc=chanté duo h. /m=tambour à deux peaux par des forgerons de Fayalargeau (tchad) • BM.1974.012.001/09:07-01 BRANDILY,MONIQUE 1969 14 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :07-03 BM.1974.012.001/09:07-03 00:08:08 08/1969 LIBYE FEZZAN TEDA-DAZA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 AIR DE LA DANSE "YEMELI" Sous-table non exportée Sous-table non exportée /vc=chanté duo h. /m=tambour a deux peaux par des forgerons de Fayalargeau (tchad) • BM.1974.012.001/09:07-01 BRANDILY,MONIQUE 1969 14 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :09-01 BM.1970.041.001/55:09-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/5 Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 16 min 40 sec Vitesse 19 cm/seg Histoire de Rânî Maulâ (suite) région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant:Les péparatifs du mariage Récit• BM.1970.041.001/55:08-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 9 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :09-02 BM.1970.041.001/55:09-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/6 Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 16 min 40 sec.5-02 Vitesse 19 cm/seg Histoire de Rânî Maulâ (suite) région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant:les cinq premiers tours du feu (cérémonie du mariage) Récit• BM.1970.041.001/55:09-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 9 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :09-03 BM.1970.041.001/55:09-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI MAULA/7 Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 16 min 40 sec. Vitesse 19 cm/seg Histoire de Rânî Maulâ (suite) région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit (résumé en prose de la fin de l'histoire)• BM.1970.041.001/55:09-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 9 ASIE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-01 BM.1974.012.001/09:08-01 00:01:40 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "IVERIK DEDO SOLA BOM" Sous-table non exportée Sous-table non exportée /cl=solo de luth . /vc=voix h fredonnée par moments . /pièce improvisée • BM.1974.012.001/09:07-01 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-02 BM.1974.012.001/09:08-02 00:00:30 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 Sous-table non exportée Sous-table non exportée /vc=chanté,solo homme. /bribes d'un ancien chant de guerre • BM.1974.012.001/09:08-01 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-03 BM.1974.012.001/09:08-03 00:00:07 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 Sous-table non exportée Sous-table non exportée /vc=chanté,solo homme. /autre chant de guerre • BM.1974.012.001/09:08-02 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-04 BM.1974.012.001/09:08-04 00:01:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "DIGIDEL" Sous-table non exportée Sous-table non exportée /bc=rythme frappé sur le torse et les cuisses de l'exécutant mais habituellement joué sur deux tambour • BM.1974.012.001/09:08-03 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-05 BM.1974.012.001/09:08-05 00:01:45 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "GIGNI" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=solo de luth à deux cordes. /pièce" gigni "enchainée à" achilim"• BM.1974.012.001/09:01-01 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-06 BM.1974.012.001/09:08-06 00:01:23 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "GIGNI" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=solo de luth • BM.1974.012.001/09:08-05 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-07 BM.1974.012.001/09:08-07 00:01:10 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "ACHILIM" Sous-table non exportée Sous-table non exportée /vp=annonce. /cl=solo de luth • BM.1974.012.001/09:08-06 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-10 BM.1974.012.001/09:08-10 00:02:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "GIGNI" Sous-table non exportée Sous-table non exportée /cl=solo de luth. /v=voix déclamée h. /vp=annonce à la fin• BM.1974.012.001/09:08-09 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :08-11 BM.1974.012.001/09:08-11 00:02:00 08/1969 LIBYE FEZZAN TEDA LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "GIGNI" Sous-table non exportée Sous-table non exportée /cl=solo de luth. /v=voix faisant des ornements sonores semblables à un bourdonnement• BM.1974.012.001/09:08-10 BRANDILY,MONIQUE 1969 15 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :09-01 BM.1974.012.001/09:09-01 00:00:15 08/1969 LIBYE FEZZAN,VILLAGE DE BRAQ FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 "MAGRUNA" Sous-table non exportée Sous-table non exportée /aabs=accord des tuyaux de la clarinette double• BM.1974.012.001/09:08-09 BRANDILY,MONIQUE 1969 18 AFRIQUE +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 :09-02 BM.1974.012.001/09:09-02 00:23:45 08/1969 LIBYE FEZZAN,VILLAGE DE BRAQ FEZZANAIS LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 MUSIQUE DE MARIAGE Sous-table non exportée Sous-table non exportée /aabs=clarinette double . /m=tambour darbouka en bois. /bc=frappements de mains• BM.1974.012.001/09:09-01 BRANDILY,MONIQUE 1969 18 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :09-04 BM.1970.041.001/55:09-04 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 1 Sous-table non exportée Sous-table non exportée Les pieces -04 à -05 sont enchainées et ont une durée totale de 7 min 20 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:09-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 9 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :09-05 BM.1970.041.001/55:09-05 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 2 Sous-table non exportée Sous-table non exportée Les pieces -04 à -05 sont enchainées et ont une durée totale de 7 min 20 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant: L'armement (irrégularité de défilment ) Récit Manque début du chant 3 correspondant à changement de bande• BM.1970.041.001/55:09-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 9 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :10-01 BM.1970.041.001/55:10-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 3 Sous-table non exportée Sous-table non exportée Les pieces -01 à -05 sont enchainées et ont une durée totale de 24 min 30 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant (fin ) Récit• BM.1970.041.001/55:09-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 10 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :10-03 BM.1970.041.001/55:10-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 5 Sous-table non exportée Sous-table non exportée Les pieces -01 à -05 sont enchainées et ont une durée totale de 24 min 30 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:10-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 10 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :10-02 BM.1970.041.001/55:10-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 4 Sous-table non exportée Sous-table non exportée Les pieces -01 à -05 sont enchainées et ont une durée totale de 24 min 30 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:10-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 10 ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-02 BM.1967.016.001/10:01-02 00:01:24 -1 ALBANIE MIRDITE ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée /cl=luth à deux cordes• BM.1967.016.001/10:01-01 1956 bob 1 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-03 BM.1967.016.001/10:01-03 00:02:00 -1 ALBANIE KORCE ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 AIR DE CORNEMUSE Sous-table non exportée Sous-table non exportée Publié dans disque BAM-Jouvenel• BM.1967.016.001/10:01-02 1956 bob 1 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-04 BM.1967.016.001/10:01-04 00:03:00 -1 ALBANIE TIRANA ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHANSON POPULAIRE ("ARRANGEE") Sous-table non exportée Sous-table non exportée / chanson populaire ,accompagnement à l'orchestre("arrangé")• BM.1967.016.001/10:01-03 1956 bob 1 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :11-01 BM.1972.012.001/18:11-01 00:22:00 10 mai 1962 CAMBODGE SIEMREAP, VILLE DE LOVEA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 PSALMODIE BOUDDHIQUE Sous-table non exportée Sous-table non exportée Psalmodie bouddhique par les moines de Van Antong. Fête de dou Bon tien. Prière liturgique en pali• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:10-07 1962 RELIGIEUX ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :12-01 BM.1972.012.001/18:12-01 00:24:40 26 juin 1962 CAMBODGE SVAY PRONG KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 RITES D'EXPULSION DE MALADIE PAR LE VIEUX TIM Sous-table non exportée Sous-table non exportée Rites d'expulsion de maladiei• enreg. 19cm/s, PP, bm 13cm coupure de 10 " entre 21'10" et 21'20" • BM.1972.012.001/18:11-01 1962 RELIGIEUX ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-05 BM.1967.016.001/10:01-05 00:02:30 -1 ALBANIE KRUJE ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée AF =flute oblique à 6 trous. CL =luth monocorde• BM.1967.016.001/10:01-04 1956 bob 1 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :13-01 BM.1972.012.001/18:13-01 00:12:15 14 aout 1962 INDONESIE JAVA JAVANAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BALLET DU RAMAYANA Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:12-01 1962 Non pertinent ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-06 BM.1967.016.001/10:01-06 00:03:06 -1 ALBANIE TIRANA ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée Publié dans disque BAM-Jouvenel• VC =chanté solo garçon de 12 ans. /cl=luth a deux cordes" çifteli"• BM.1967.016.001/10:01-02 1956 bob 1 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :13-02 BM.1972.012.001/18:13-02 00:11:35 24 avril 1962 CAMBODGE TREINHEUA KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHANT ALTERNE AYAY DE LA PAGODE VAT TIPODEI Sous-table non exportée Sous-table non exportée chant alterné Ayay de la pagode Vat Tipodei• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:13-01 1962 Non pertinent ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :01-07 BM.1967.016.001/10:01-07 00:02:29 -1 ALBANIE SHKODER ET TIRANA,ALESSIO ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 AIR DE CLARINETTE Sous-table non exportée Sous-table non exportée RONFLETTE• BM.1967.016.001/10:01-06 1956 bob 1 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-01 BM.1967.016.001/10:02-01 00:03:00 -1 ALBANIE LABERIA ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:01-07 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-02 BM.1967.016.001/10:02-02 00:02:40 -1 ALBANIE HIMARE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée lLÉGÈRE RONFLETTE• BM.1967.016.001/10:02-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-03 BM.1967.016.001/10:02-03 00:02:10 -1 ALBANIE KRUJA ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:02-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-04 BM.1967.016.001/10:02-04 00:01:50 -1 ALBANIE FYELL ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée CL = luth à 2 cordes_ çifteli_. CL = luth à 1 corde_lauta_ • 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-05 BM.1967.016.001/10:02-05 00:01:00 -1 ALBANIE LEZH ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 AIR DE FLUTE Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:01-05 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-06 BM.1967.016.001/10:02-06 00:03:00 -1 ALBANIE PESHKOPI* ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée CL =orchestre de 6 luths "çifteli". CV =un instrument à archet (?). *Peshkopi" ( près de la frontière yougoslave)• BM.1967.016.001/10:02-05 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :02-07 BM.1967.016.001/10:02-07 00:03:10 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée CL =orchestre de 6 luths "çifteli"avec flûte Flûte un peu saturée vers 1'40• BM.1967.016.001/10:02-06 1956 EUROPE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :01-05 BM.1982.010.001/03:01-05 00:03:08 -1 BHOUTAN DISTRICT DE TONGSA TIBETAINS BHOUTAN MUSIQUE POUR ACCUEILLIR LE ROI .. Sous-table non exportée Sous-table non exportée /musique pour accueillir le roi et le chef religieux de l'ordre des "Brug-pa bka" . /-brgyud-pa (rje mkhan-pa):"serda tonga" (sic). /M=tambour sur cadre à 2 peaux. /at=trompes conques. /jeux sumultané de deux ensembles instrumentaux l'un composé de laics,jouant des hautboiset tambour, l'autre composé de religieux, sur le toit,avec cymbales ,trompes,conques• BM.1982.010.001/03:01-01 -1 ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-01 BM.1967.016.001/10:03-01 00:03:00 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée VC =chanté H avec accompagnement d'orchestre symphonique (moderne)• BM.1967.016.001/10:02-07 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-02 BM.1967.016.001/10:03-02 00:02:45 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée CL l=luth à deux cordes _cifteli_ • BM.1967.016.001/10:03-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-03 BM.1967.016.001/10:03-03 00:02:10 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHANT DE NOCE Sous-table non exportée Sous-table non exportée Chant de noce• /vc=chanté h avec accompagnement d'orchestre • BM.1967.016.001/10:03-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-04 BM.1967.016.001/10:03-04 00:03:10 -1 ALBANIE GJROKASTER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHANT DE NOCE Sous-table non exportée Sous-table non exportée /vc=chanté , choeur femme . /AAL=accordéon. /aabs=clarinette double. /m= tambour • BM.1967.016.001/10:03-03 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-05 BM.1967.016.001/10:03-05 00:03:35 -1 ALBANIE HIMARE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée /vc=chanté , choeur H • BM.1967.016.001/10:03-04 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :03-06 BM.1967.016.001/10:03-06 00:00:00 -1 ALBANIE NORD PROVINCE TROPOJE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée Pas de durée. Peut-être un poème de Halil [ fiche non explicite]• BM.1967.016.001/10:03-05 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :04-01 BM.1967.016.001/10:04-01 00:06:05 -1 ALBANIE NORD PROVINCE TROPOJE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 POEME DE HALIL Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:03-06 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :04-02 BM.1967.016.001/10:04-02 00:05:20 -1 ALBANIE NORD PROVINCE TROPOJE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée ORCH =orchestre de village• BM.1967.016.001/10:04-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :04-03 BM.1967.016.001/10:04-03 00:05:40 -1 ALBANIE PROVINCE DE MIZEKE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHANT LYRIQUE Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:04-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :04-04 BM.1967.016.001/10:04-04 00:01:43 -1 ALBANIE REGION DE GJROKASTER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée /vc=chanté,solo et choeur femme• BM.1967.016.001/10:04-03 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-01 BM.1967.016.001/10:05-01 00:04:30 -1 ALBANIE REGION DE PERMET ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:03-04 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-02 BM.1967.016.001/10:05-02 00:04:00 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée C=orchestre à cordes. VC =choeur (H?) /RÉVERBÉRATION• BM.1967.016.001/10:05-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-03 BM.1967.016.001/10:05-03 00:02:07 -1 ALBANIE DEPART. DE KORCE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée Dpt de Korçé• BM.1967.016.001/10:05-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-04 BM.1967.016.001/10:05-04 00:02:30 -1 ALBANIE REGION DE BERAT ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHOEUR HOMME Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:05-03 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-05 BM.1967.016.001/10:05-05 00:02:15 -1 ALBANIE DEPART.DE KORCE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée Dpt de Korçé. /RÉVERBÉRATION• BM.1967.016.001/10:05-03 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :05-06 BM.1967.016.001/10:05-06 00:01:30 -1 ALBANIE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée RESTE 1/3 BANDE VIERGE• BM.1967.016.001/10:05-05 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :06-01 BM.1967.016.001/10:06-01 00:01:45 -1 ALBANIE HIMARE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHOEUR HOMME Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:05-06 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :06-02 BM.1967.016.001/10:06-02 00:03:27 -1 ALBANIE HIMARE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 CHOEUR HOMME Sous-table non exportée Sous-table non exportée / REST 3/4 BANDE VIERGE. COLLANTS UR LA BANDE BM.1967.016.001/10:06-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :07-01 BM.1967.016.001/10:07-01 00:01:40 -1 ALBANIE GJIROKASTER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée /vc=solo f et choeur h alternés. /orch =accompagné par un orchestre à cordes. / DÉFAUT TECHNIQUE. RESTE DE LA BANDE VIERGE• BM.1967.016.001/10:06-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :08-01 BM.1967.016.001/10:08-01 00:00:00 -1 ALBANIE KRUJE ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 [DEFILEMENT DEFECTUEUX ; INAUDIBLE] Sous-table non exportée Sous-table non exportée /défilement défectueux ; inaudible/• BM.1967.016.001/10:06-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :09-01 BM.1967.016.001/10:09-01 00:03:15 26 09 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 * Sous-table non exportée Sous-table non exportée "Me dymbëdhétë mekamet që janë" AAL = harmonium et / ou accordéon Nom des musiciens = Chant et tbr: Lock Gjini ; accordéon: Kolë Gurashi ; violine: Kolë Lufi ; saze: Pjeter Tafili• BM.1967.016.001/10:06-02 1956 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-01 BM.1972.012.001/18:14-01 00:04:20 3 mai 1962 CAMBODGE SIEMREAP KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 IMPOSITION DU NOM A UN ENFANT. RITE D'APPEL DES 19 AMES Sous-table non exportée Sous-table non exportée Rite d'appel des 19 âmes . Imposition du nom à un enfant. Prénom d'une fille Loveai• enreg. 19cm/s, PP, bm 13cm voix psalmodiée • BM.1972.012.001/18:13-02 1962 RELIGIEUX ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :09-02 BM.1967.016.001/10:09-02 00:06:20 26 09 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 * Sous-table non exportée Sous-table non exportée * "Në shkodrë tonë ka ra nji dritë" AAL = harmonium et / ou accordéon Nom des musiciens = Chant et tbr: Lock Gjini ; accordéon: Kolë Gurashi ; violine: Kolë Lufi ; saze: Pjeter Tafili• BM.1967.016.001/10:09-01 1956 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-02 BM.1972.012.001/18:14-02 00:01:30 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR DE SANGLOT BOT TUMNUONH Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-01 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-03 BM.1972.012.001/18:14-03 00:01:05 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 L'AIR CHRONG BOT CHRONG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-02 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-04 BM.1972.012.001/18:14-04 00:01:15 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 CHANT INTERPRETE PAR SANN Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-03 1962 Non pertinent ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :09-03 BM.1967.016.001/10:09-03 00:06:40 26 09 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 * Sous-table non exportée Sous-table non exportée * "Me shkoi lala në Tiranë" = " Ma charmante est allée à Tirana" AAL = harmonium et / ou accordéon Nom des musiciens = Chant et tbr: Lock Gjini ; accordéon: Kolë Gurashi ; violine: Kolë Lufi ; saze: Pjeter Tafili Fin uniquement instrumentale• BM.1967.016.001/10:09-02 1956 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-05 BM.1972.012.001/18:14-05 00:01:50 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR DE BASAK ET LE CHANT BAT BASAK NING CHAMRIENG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-04 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-06 BM.1972.012.001/18:14-06 00:01:45 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR ANTIQUE ET CHANT BAT BORAN NING CHAMRIENG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-05 1962 Non pertinent ASIE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-01 BM.1967.016.001/10:10-01 00:03:12 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 "LE CHANT DE HALIL GERRISE" "KANGA E HALIL GERRISE" * Sous-table non exportée Sous-table non exportée Chant de la lutte contre les Turcs• * "Kanga e Halil Gerrisë" N.B. Les notes de Mme gamelon mentionnent "chant avec "lahuta" = ?• BM.1967.016.001/10:06-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-02 BM.1967.016.001/10:10-02 00:01:30 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 LE CHANT DE LA PARTIE ET DE ENVER [?] KANGA E PARTISE DEHE ET ENVERIT* Sous-table non exportée Sous-table non exportée * "Kanga e Partisë dhe e Enverit". N.B. Les notes de Mme gamelon mentionnent "chant avec "lahuta" = ?• BM.1967.016.001/10:10-01 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-03 BM.1967.016.001/10:10-03 00:02:46 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 "MA JOLIE BERGERE QUI M'A QUITTE" MOJ E MIRE MA MORE BJESHKEN Sous-table non exportée Sous-table non exportée /vc=solo homme accompagné à la cv=vièle• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-04 BM.1967.016.001/10:10-04 00:02:40 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 "MELODIE DE CORNE"* "KAJDE BARISHE" Sous-table non exportée Sous-table non exportée * Mélodies ou études des bergères• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-05 BM.1967.016.001/10:10-05 00:02:40 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 SOLO DE CLARINETTE DOUBLE Sous-table non exportée Sous-table non exportée AABS = clarinette double; tuyaux en os de cygne, pavillon en cuivre, 2 fois 5 trous; insufflation continue• / MAUVAIS DÉBUT• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-06 BM.1967.016.001/10:10-06 00:02:35 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 SOLO DE CLARINETTE DOUBLE Sous-table non exportée Sous-table non exportée AABS = clarinette double; tuyaux en os de cygne, pavillon en cuivre, 2 fois 5 trous; insufflation continue• BM.1967.016.001/10:10-05 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-07 BM.1967.016.001/10:10-07 00:01:00 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 AIR DE FLUTE Sous-table non exportée Sous-table non exportée Musique d berger• AF = flûte à 6 T. , faite d'une feuille de cuivre soudée• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-08 BM.1967.016.001/10:10-08 00:00:30 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 DUO LUTH ET VIELE Sous-table non exportée Sous-table non exportée CV = vièle ; [lauta?]• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-09 BM.1967.016.001/10:10-09 00:01:10 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée CV = vièle ; [Lauta ?]• BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-10 BM.1967.016.001/10:10-10 00:00:55 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:10-02 1956 EUROPE +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 :10-11 BM.1967.016.001/10:10-11 00:01:30 -1 ALBANIE SHKODER ALBANAIS ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 LE CHANT DE LA REFORME AGR AIRE Sous-table non exportée Sous-table non exportée BM.1967.016.001/10:10-02 1956 EUROPE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-07 BM.1972.012.001/18:14-07 00:02:15 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BERCEUSE ET CHANT BAT BAMPI NING CHAMRIENG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-06 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-08 BM.1972.012.001/18:14-08 00:01:50 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR DE DANSE LAOTIENNE BAT LAM LIEV Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-07 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-09 BM.1972.012.001/18:14-09 00:04:10 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR COMIQUE DE LUTH ET DE LA VIELE BAT CHAPEI KAMLIENG NING TRO Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-08 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-10 BM.1972.012.001/18:14-10 00:01:50 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR ANTIQUE DE MUSIQUE DE MARIAGE NOMMME ROKHIN BAT BORAN PHENG KA CHHMOH ROKHIN Sous-table non exportée Sous-table non exportée musique de mariage enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-09 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :14-11 BM.1972.012.001/18:14-11 00:01:35 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AIR ANTIQUE DE MUSIQUE DE MARIAGE NOMMME ROKHIN BAT BORAN PHENG KA CHHMOH ROKHIN Sous-table non exportée Sous-table non exportée musique de mariage enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-10 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-01 BM.1972.012.001/18:15-01 00:02:55 5 mai 1962 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 BERCEUSE POUR BEBE BAMPE KON Sous-table non exportée Sous-table non exportée berceuse• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:14-11 1962 ENFANTIN ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-02 BM.1972.012.001/18:15-02 00:02:55 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 AU REVOIR - CHANT IMPROVISE LIE HEUY Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:15-01 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-03 BM.1972.012.001/18:15-03 00:02:05 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 RITE DE MARIAGE : NOUER LE POIGNET AVEC LE FIL DE COTON ECRU LIE HEUY Sous-table non exportée Sous-table non exportée souhaits de bonheur• enreg. 19cm/s, PP, bm 13cm voix psalmodiée • BM.1972.012.001/18:15-02 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-04 BM.1972.012.001/18:15-04 00:06:20 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 RITE DE "NOUAGE" AU POIGNET POUR LA NOUVELLE MAISON CHONG DAI LOENG PHTEACH THMEI Sous-table non exportée Sous-table non exportée souhaits de bonheur• enreg. 19cm/s, PP, bm 13cm voix psalmodiée • BM.1972.012.001/18:15-03 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-05 BM.1972.012.001/18:15-05 00:01:00 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 RITE KRONG PEALI POUR LA CONSTRUCTION D'UNE MAISON OU D'UN MARIAGE THOR KRONG PEALI Sous-table non exportée Sous-table non exportée souhaits de bonheur• enreg. 19cm/s, PP, bm 13cm voix psalmodiée. cf thèse d'Evelyne Porée Maspéro in Anthropo • BM.1972.012.001/18:15-04 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-06 BM.1972.012.001/18:15-06 00:03:20 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE DE MARIAGE Sous-table non exportée Sous-table non exportée musique de mariager• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:15-05 1962 Non pertinent ASIE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-02 BM.1968.020.001/02:01-02 00:01:00 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté et choeur solo f. /bc= claquements de mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :15-07 BM.1972.012.001/18:15-07 00:05:10 CAMBODGE VILLAGE DE ROEUL KHMER CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE DE MARIAGE Sous-table non exportée Sous-table non exportée musique de mariager• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:15-06 1962 Non pertinent ASIE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-03 BM.1968.020.001/02:01-03 00:01:15 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté et choeur solo f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-04 BM.1968.020.001/02:01-04 00:01:45 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté et choeur solo f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :16-01 BM.1972.012.001/18:16-01 00:10:35 17 juil 1962 INDONESIE JAVA, DJAKARTA JAVANAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 MUSIQUE D'ANGKLUNG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:13-01 1962 Non pertinent ASIE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-05 BM.1968.020.001/02:01-05 00:00:40 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur en (arabe). /if= accompagnement percussions métalliques• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-06 BM.1968.020.001/02:01-06 00:01:30 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-07 BM.1968.020.001/02:01-07 00:02:00 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-08 BM.1968.020.001/02:01-08 00:01:45 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-09 BM.1968.020.001/02:01-09 00:00:45 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour. /incident technique au début/• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-10 BM.1968.020.001/02:01-10 00:02:30 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-11 BM.1968.020.001/02:01-11 00:01:35 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-12 BM.1968.020.001/02:01-12 00:02:40 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté choeur f. /bc= claquements des mains. /m=tambour. /(à mis voix ) /bruits parasites/• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-13 BM.1968.020.001/02:01-13 00:01:00 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /ca=solo d'arc musical (cf.photographie)• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-14 BM.1968.020.001/02:01-14 00:01:15 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /ca=solo d'arc musical• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :01-15 BM.1968.020.001/02:01-15 00:01:20 -1 MAURITANIE MAURE SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /ca=solo d'arc musical• DUCHEMIN -1 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :02-02 BM.1968.020.001/02:02-02 00:08:00 1952 SENEGAL DAGANA PEULS SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté ,choeur h,avec sostenuto à la vièle (s) (?). /puis solo h avec le même sostenuto. /déficiences techniques/• DUCHEMIN 1952 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :02-03 BM.1968.020.001/02:02-03 00:07:00 1952 SENEGAL DAGANA PEULS SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /vc=chanté ,choeur h,avec sostenuto à la vièle (s) (?). /puis solo h avec le même sostenuto• DUCHEMIN 1952 AFRIQUE +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 :02-04 BM.1968.020.001/02:02-04 00:05:00 1952 SENEGAL DAGANA PEULS SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. Sous-table non exportée Sous-table non exportée /déficiences techniques• DUCHEMIN 1952 AFRIQUE +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 :02-01 BM.1961.001.001/03:02-01 00:00:00 -1 GUYANE FRANCAISE KALINA GUYANE FRANCAISE:KALINA, BONI Sous-table non exportée Sous-table non exportée /vc= chanté solo ?. Cf. DT• CHARPENTIER-VIANES -1 AMERIQUE +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 :02-02 BM.1961.001.001/03:02-02 00:00:00 -1 GUYANE FRANCAISE ARAWAK GUYANE FRANCAISE:KALINA, BONI Sous-table non exportée Sous-table non exportée Cf. DT• CHARPENTIER-VIANES -1 AMERIQUE +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 :02-03 BM.1961.001.001/03:02-03 00:00:00 -1 GUYANE FRANCAISE AYANA GUYANE FRANCAISE:KALINA, BONI Sous-table non exportée Sous-table non exportée (cf.DT)• CHARPENTIER-VIANES -1 AMERIQUE +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 :03-01 BM.1961.001.001/03:03-01 00:00:00 -1 GUYANE FRANCAISE KALINA GUYANE FRANCAISE:KALINA, BONI Sous-table non exportée Sous-table non exportée (cf.DT)• CHARPENTIER-VIANES -1 AMERIQUE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :01-06 BM.1982.010.001/03:01-06 00:12:00 12/04/1981 BHOUTAN THIMPHU TIBETAINS BHOUTAN Sous-table non exportée Sous-table non exportée /Vc=psalmodié et chanté solo h. /présentation d'un tashingomang(chapelle portative en 5 parties) par unlama rnying-ma-pa• BM.1982.010.001/03:01-05 1981 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :01-07 BM.1982.010.001/03:01-07 00:04:20 27/04/1980 BHOUTAN DISTRICT DE BUMTHANG TIBETAINS BHOUTAN "A-CHE LHA-MO" Sous-table non exportée Sous-table non exportée /Vc=2 voix ce femmes• BM.1982.010.001/03:01-06 1980 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-01 BM.1982.010.001/03:02-01 00:05:35 05/11/1981 BHOUTAN TIBETAINS BHOUTAN AIR DU MANIPA Sous-table non exportée Sous-table non exportée /Air du manipa par un religieux se termine par le mantra OM bassaguru Padma siddhi hum suivi d'une formule récitée• BM.1982.010.001/03:01-07 1981 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-02 BM.1982.010.001/03:02-02 00:05:35 05/11/1981 BHOUTAN WANGDIPHODRANG TIBETAINS BHOUTAN TSHOGS-GLI Sous-table non exportée Sous-table non exportée BM.1982.010.001/03:02-01 1981 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-03 BM.1982.010.001/03:02-03 00:06:50 BHOUTAN TIBETAINS BHOUTAN CHANT DANSE SUR LES PAROLES OM / MANI / PADME / HUM. Sous-table non exportée Sous-table non exportée /Vc=chanté alterné solo h. et choeur hs•. BM.1982.010.001/03:02-02 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-04 BM.1982.010.001/03:02-04 00:03:15 0 BHOUTAN BHOUTAN CHANT DE DANSE Sous-table non exportée Sous-table non exportée /joué pour les moissons et les semailles. BM.1982.010.001/03:02-03 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-05 BM.1982.010.001/03:02-05 00:01:38 0 BHOUTAN TIBETAINS BHOUTAN SOLO DE VIELE "ME-TOG PADMA MED SHAR" Sous-table non exportée Sous-table non exportée BM.1982.010.001/03:02-04 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-06 BM.1982.010.001/03:02-06 00:02:00 0 BHOUTAN TIBETAINS BHOUTAN SOLO DE VIELE "RTA SI-LING SKYES-SA" Sous-table non exportée Sous-table non exportée BM.1982.010.001/03:02-05 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-07 BM.1982.010.001/03:02-07 00:01:04 0 BHOUTAN TIBETAINS BHOUTAN SOLO DE VIELE "LHA-SA CHAGS-PA'I CHAGS-LUG" Sous-table non exportée Sous-table non exportée BM.1982.010.001/03:02-06 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-08 BM.1982.010.001/03:02-08 00:03:00 0 BHOUTAN GYETSA TIBETAINS BHOUTAN "AIR A SARAVASTI Sous-table non exportée Sous-table non exportée /Cl=luth à 7 cordes . /air saravasti ,déesse de la musique• BM.1982.010.001/03:02-07 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-09 BM.1982.010.001/03:02-09 00:07:24 0 BHOUTAN GYETSA TIBETAINS BHOUTAN BYA KHRUNG KHRING Sous-table non exportée Sous-table non exportée /Cl=luth à 7 cordes . /bya khrung khring ,chant suivi de la récitation des paroles,puis des paroles du chant qui va suivre• BM.1982.010.001/03:02-08 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-10 BM.1982.010.001/03:02-10 00:05:00 0 BHOUTAN TIBETAINS BHOUTAN "DRAMYEN GALA GALA" Sous-table non exportée Sous-table non exportée /Cl=luth à 7 cordes . /"dramyen gala gala "(sgra-snyan dga'-la)• BM.1982.010.001/03:02-09 0 ASIE +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 :02-11 BM.1982.010.001/03:02-11 00:03:26 0 BHOUTAN TIBETAINS BHOUTAN "LEYBE LEYBE" Sous-table non exportée Sous-table non exportée /Cl=luth à 7 cordes . • BM.1982.010.001/03:02-10 0 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :16-02 BM.1972.012.001/18:16-02 00:13:00 14 aout 1962 INDONESIE JAVA JAVANAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 EXTRAITS D'UNE REPRESENTATION THEATRALE WAYANG ORANG WAYANG ORANG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm vitesse ralentie vers la fin de bobine • BM.1972.012.001/18:13-01 0 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :17-01 BM.1972.012.001/18:17-01 00:12:45 29 juil 1962 INDONESIE JAVA JAVANAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 EXTRAITS D'UNE REPRESENTATION THEATRALE WAYANG ORANG (SUITE) WAYANG ORANG Sous-table non exportée Sous-table non exportée enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:16-02 1962 ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :17-02 BM.1972.012.001/18:17-02 00:11:00 08 aout 1962 INDONESIE BALI BALINAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 DANSE KETJAK KETJAK Sous-table non exportée Sous-table non exportée danse ketjak• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:17-01 1962 Non pertinent ASIE +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 :18-01 BM.1972.012.001/18:18-01 00:24:20 08 aout 1962 INDONESIE BALI BALINAIS CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 DANSE KETJAK (SUITE) KETJAK Sous-table non exportée Sous-table non exportée danse ketjak• enreg. 19cm/s, PP, bm 13cm • BM.1972.012.001/18:17-02 1962 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-02 BM.975.006.001/02:01-02 00:12:00 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT ACCOMPAGNE A L'ORGUE A BOUCHE KHENE Sous-table non exportée Sous-table non exportée Chant alterné de cour d'amour• bande 13cm; 9,5cm/s; 1/2 piste• BM.975.006.001/02:01-01 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-03 BM.975.006.001/02:01-03 00:03:45 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT ACCOMPAGNE A L'ORGUE A BOUCHE KHENE Sous-table non exportée Sous-table non exportée Chant alterné de cour d'amour• BM.975.006.001/02:01-02 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-04 BM.975.006.001/02:01-04 00:03:30 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT ACCOMPAGNE A L'ORGUE A BOUCHE KHENE Sous-table non exportée Sous-table non exportée Chant alterné de cour d'amour• bande 13cm , 4,74cm/s, 1/2 piste• BM.975.006.001/02:01-03 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-05 BM.975.006.001/02:01-05 00:03:30 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT ACCOMPAGNE A L'ORGUE A BOUCHE KHENE Sous-table non exportée Sous-table non exportée Chant alterné de cour d'amour• bande 13cm, vit : 4,75cm/s, 1/2 piste• BM.975.006.001/02:01-01 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-06 BM.975.006.001/02:01-06 00:09:40 nov 1973 LAOS LAOTIEN LAOS:LAO,KHA,MEO PRIERES BOUDDHIQUES Sous-table non exportée Sous-table non exportée Prières bouddhiques le soir par les bonzes• bande 13cm, vit : 4,75cm/s, 1/2 piste• BM.975.006.001/02:01-05 1973 RELIGIEUX ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-07 BM.975.006.001/02:01-07 00:06:45 nov 1973 LAOS HMONG LAOS:LAO,KHA,MEO SOLO D'ORGUE A BOUCHE HMONG QEEJ Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 piste• BM.975.006.001/02:01-06 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-08 BM.975.006.001/02:01-08 00:01:15 nov 1973 LAOS HMONG LAOS:LAO,KHA,MEO SOLO DE FLUTE A ANCHE VIBRANTE Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 piste• BM.975.006.001/02:01-07 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-09 BM.975.006.001/02:01-09 00:03:50 nov 1973 LAOS HMONG LAOS:LAO,KHA,MEO CONVERSATION Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 piste conversation avec rire d'enfants• BM.975.006.001/02:01-08 1973 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-10 BM.975.006.001/02:01-10 00:04:30 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO FETE DE NOUVEL AN LAOTIEN ET MUSIQUE EN L'HONNEUR DES ANCETRES Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 piste ambiance de fête au cours du Nouvel an laotien et musique en l'honneur des premiers ancêtres• BM.975.006.001/02:01-09 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-11 BM.975.006.001/02:01-11 00:02:30 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO ORCHESTRE PIPHAT Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-10 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-12 BM.975.006.001/02:01-12 00:05:26 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO SOIREE ARTISTIQUE AU PALAIS EN PRESENCE DE SA MAJESTE ET LA REINE Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-11 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 01-13 BM.975.006.001/0201-13 00:04:00 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO MUSIQUE EXECUTEE APRES LA RENTREE DU ROI Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-12 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-13 BM.975.006.001/02:01-13 00:04:00 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO MUSIQUE EXECUTEE APRES L'ENTREE DU ROI Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-12 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-14 BM.975.006.001/02:01-14 00:05:00 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO CHANT D'HOMME Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-13 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-15 BM.975.006.001/02:01-15 00:01:16 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO MUSIQUE PIPHAT PIPHAT Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-14 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :015 BM.975.006.001/02:015 00:01:16 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO ORCHESTRE PIPHAT PIPHAT Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:01-14 1974 Non pertinent ASIE +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 :01-16 BM.975.006.001/02:01-16 00:22:00 14 avril 1974 LAOS LAOTIEN LAOS:LAO,KHA,MEO ORCHESTRE PIPHAT PIPHAT Sous-table non exportée Sous-table non exportée bande 13cm, vit : 4,75cm/s, 1/2 pistes• BM.975.006.001/02:015 1974 Non pertinent ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :10-04 BM.1970.041.001/55:10-04 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 6 Sous-table non exportée Sous-table non exportée Les pieces -01 à -05 sont enchainées et ont une durée totale de 24 min 30 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:10-03 HELFFER,MIREILLE&GABORIEAU,MARC 0 10 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :10-05 BM.1970.041.001/55:10-05 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 7 Sous-table non exportée Sous-table non exportée Les pieces -01 à -05 sont enchainées et ont une durée totale de 24 min 30 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit Irreg. Dans le défilment. Manque deux pages de textes correspondant au chamgementde bande, pp23-24 du texe• BM.1970.041.001/55:10-04 HELFFER,MIREILLE&GABORIEAU,MARC 0 10 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :11-01 BM.1970.041.001/55:11-01 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 7SUITE(?) Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 7 min 10 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:10-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 11 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :11-02 BM.1970.041.001/55:11-02 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 8 Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 7 min 10 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:11-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 11 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :11-03 BM.1970.041.001/55:11-03 00:00:00 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA (DANS UN LOCAL CLOS) C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIREDE RANI RAVAT / 9 Sous-table non exportée Sous-table non exportée Les pieces -01 à -03 sont enchainées et ont une durée totale de 7 min 10 sec. Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Alternance voix déclamée, voix chantée. Soloh/choeur. Tambour sablier hudko type BHARAT. Chant Récit• BM.1970.041.001/55:11-02 HELFFER,MIREILLE&GABORIEAU,MARC 0 11 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :11-04 BM.1970.041.001/55:11-04 00:15:50 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUB-DIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE QUETE "CAITALO" OU "RTURANU" Sous-table non exportée Sous-table non exportée Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA (dans un local clos ). Chanté,Solo Homme/Choeur H. Tambour sablier hudko type BHARAT. Chant de Qûête pour le mois de Cait dit "Caitâlo"uo "Rturäno" (à comparer avec bande 19 No. 4). Récit• BM.1970.041.001/55:11-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 11 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :12-01 BM.1970.041.001/55:12-01 00:05:50 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHAMARI DE KRSNA Sous-table non exportée Sous-table non exportée Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA . Chanté,Solo Homme/Choeur H. Dhamari de Krsna, chanté pour la fête du 6eme jour aprés la niassance• BM.1970.041.001/55:11-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 12 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :12-02 BM.1970.041.001/55:12-02 00:07:45 04/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA HELFFER,M. & M. GABORIEAU;NEPAL;1969 "BHAINI" Sous-table non exportée Sous-table non exportée Vitesse 19 cm/seg région MAHAKALI ACAL, DANDELHURA . Chanté,2H en alternance chant pour le repiquage du riz, dit "bhaini"• BM.1970.041.001/55:12-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 12 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :13-01 BM.1970.041.001/55:13-01 00:14:00 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 "VAMSAVALIDES ROIS DE DOTI" Sous-table non exportée Sous-table non exportée Vitesse19cm/seg. parlé,solo H,"Vamsavali des Roisde Doti" (lectured'après un manuscrit endommagé)• BM.1970.041.001/55:12-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 13 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :13-02 BM.1970.041.001/55:13-02 00:10:00 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 "DOTI RAJA LADAI BHACKO CAIT" Sous-table non exportée Sous-table non exportée Vitesse,19 cm/seg. parlé,solo H,"Doti raja ladai bhacko cait" fragment raconté. Dialecte de la régionde Dandeldhura. Textes copiés par l'informateur• BM.1970.041.001/55:13-01 HELFFER,MIREILLE&GABORIEAU,MARC 0 13 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-01 BM.1970.041.001/55:14-01 00:00:45 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 Sous-table non exportée Sous-table non exportée Chanté Solo H• BM.1970.041.001/55:13-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-02 BM.1970.041.001/55:14-02 00:02:00 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 Sous-table non exportée Sous-table non exportée Chanté Solo H• BM.1970.041.001/55:14-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-03 BM.1970.041.001/55:14-03 00:01:40 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME EN L'HONNEUR D'URGRATARA Sous-table non exportée Sous-table non exportée Example de declamation:poème en l'honneur d'Urgatarâ (sanstuaire à proximité de Dandeldhura)• BM.1970.041.001/55:14-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-04 BM.1970.041.001/55:14-04 00:01:35 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT "JHYAURE" Sous-table non exportée Sous-table non exportée Chanté,choeur F, chant de type, " jhyaure"• BM.1970.041.001/55:14-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-05 BM.1970.041.001/55:14-05 00:05:50 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 FRAGMENTS D'UN PHAG EN L'HONNEUR DE GAURA Sous-table non exportée Sous-table non exportée Chanté, soloF (âgée), deux fragments d'un phag en l'honneur Gaura• BM.1970.041.001/55:14-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-02 BM.1970.019.001/123:106-02 00:03:30 28/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE VIEILLES FEMMES Sous-table non exportée Sous-table non exportée Cf. cahier 1952-8 page 63 • * village de Karala. musique de vieilles femmes. M1 =2 tambours _bara_ à une peau, battus à mains nues et tenus debout, celui à peau cloutée : sans bruiteur, M1 +BR = celui à peau lacée : avec bruiteurs faits de plaques de tôle ourlées d'anneaux ; M2- = 1 tambour _dunu_ à 2 peaux, à attaches en N - ? - , battu avec une baguette et tenu couché ; IS- = 1 calebasse-sonnailles en forme de cuillère avec ferraille et perles• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-04 BM.1970.019.001/123:106-04 00:01:52 30/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON VOTIVE MALINKE "MORIBANIANSA" Sous-table non exportée Sous-table non exportée texte : voir notice du disque : " Musique malinké ". Cf. cahier 1952-8 page 62-63. La pièce III a été éditée sur le disque : " Dahomey : Musique du Roi. Guinée : musique malinké ", Vogue contrepoint MC 20.146 (30/33), face II, plage 3, et rééditée sur le disque : "Musique Malinké ", Vogue LDM 30.113 (30/33), face B, plage 3 • * village de Karala. " moriba niansa " , chanson votive. VC =chanté soloF et choeur fillette, you-you, claquements de mains• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-06 BM.1970.019.001/123:106-06 00:01:55 30/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BERCEUSE Sous-table non exportée Sous-table non exportée * village de Karala• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :106-07 BM.1970.019.001/123:106-07 00:00:00 30/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BERCEUSE Sous-table non exportée Sous-table non exportée * village de Karala. Sans durée• ROUGET,GILBERT 1952 GR52.112 BM69.39.112 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-07 BM.1970.019.001/123:107-07 00:00:45 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT EN SOUVENIR D'UN DEFUNT Sous-table non exportée Sous-table non exportée Chant de la mère de Koroma, en souvenir de son mari défunt• Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation Enchaîné au précédant• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :104-03 BM.1970.019.001/123:104-03 00:03:15 26/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA DANSE DES CHASSEURS DOZO DON Sous-table non exportée Sous-table non exportée chants pour _dozo don_ = danse des chasseurs • Cf. cahier 1952-8 page 60 et cahier 9 pages 13 à 15. Les pièces-02 et -04 a été éditées sur le disque par Africavox Ax 62 et AX 63• * village de Karala. Chanteur et instrumentiste Mazankoro Sidibé, chanteur des chasseurs CHL =harpe- luth à 3+3 cordes en cuir, _Dozo konu_ appelée aussi _burunuba_ IR = racleur en métal_ karinya_ A =sifflet(s) en métal, ivoire et bois _dozo flé_ • ROUGET,GILBERT 1952 GR52.110 BM69.39.110 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :104-04 BM.1970.019.001/123:104-04 00:03:25 26/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA DANSE DES CHASSEURS DOZO DON Sous-table non exportée Sous-table non exportée chants pour _dozo don_ = danse des chasseurs • Cf. cahier 1952-8 page 60 et cahier 9 pages 13 à 15. Les pièces-02 et -04 a été éditées sur le disque par Africavox Ax 62 et AX 63• * village de Karala. Chanteur et instrumentiste Mazankoro Sidibé, chanteur des chasseurs *Choeur des _dozo muso_ , femmes des chasseurs, elles sont 5 ou6. CHL =harpe- luth à 3+3 cordes en cuir, _dozo konu_ appelée aussi _burunuba_ IR = racleur en métal _karinya_ A =sifflet(s) en métal, ivoire et bois _dozo flé_ • ROUGET,GILBERT 1952 GR52.110 BM69.39.110 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :104-05 BM.1970.019.001/123:104-05 00:02:30 26/11/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA DANSE DES CHASSEURS DOZO DON Sous-table non exportée Sous-table non exportée chants pour _dozo don_ = danse des chasseurs • Cf. cahier 1952-8 page 60 et cahier 9 pages 13 à 15. Les pièces-02 et -04 a été éditées sur le disque par Africavox Ax 62 et AX 63• * village de Karala. Chanteur et instrumentiste Mazankoro Sidibé, chanteur des chasseurs CHL =harpe- luth à 3+3 cordes en cuir, _Dozo konu_ appelée aussi _burunuba_ IR = racleur en métal_ karinya_ A =sifflet(s) en métal, ivoire et bois _dozo flé_ • ROUGET,GILBERT 1952 GR52.110 BM69.39.110 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :02-04 BM.1970.019.001/123:02-04 00:06:00 21/05/52 GUINEE CERCLE DE KOUROUSSA* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS /4 Sous-table non exportée Sous-table non exportée Texte traduit cf. cahier 52-1 annexe. Village de Kouroussa. Enregistré à Dakar. *griot des Koroma ("Korma Jeli") CHL =harpe-luth _yulutan siyaman konu_ à 5 cordes en métalé, caisse en casserole. "Käîra"• ROUGET,GILBERT 1952 GR52.003 BM69.39.3 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :02-03 BM.1970.019.001/123:02-03 00:03:15 21/05/52 GUINEE CERCLE DE KOUROUSSA* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS /3 Sous-table non exportée Sous-table non exportée Texte traduit cf. cahier 52-1 annexe. Village de Kouroussa. Enregistré à Dakar. *griot des Koroma ("Korma Jeli") CHL =harpe-luth _yulutan siyaman konu_ à 5 cordes en métalé, caisse en casserole. "Käîra"• ROUGET,GILBERT 1952 GR52.003 BM69.39.3 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :02-02 BM.1970.019.001/123:02-02 00:03:00 21/05/52 GUINEE CERCLE DE KOUROUSSA* MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SUITE DE 4 AIRS /2 Sous-table non exportée Sous-table non exportée Texte traduit cf. cahier 52-1 annexe. Village de Kouroussa. Enregistré à Dakar. *griot des Koroma ("Korma Jeli") CHL =harpe-luth _yulutan siyaman konu_ à 5 cordes en métalé, caisse en casserole. "Käîra"• ROUGET,GILBERT 1952 GR52.003 BM69.39.3 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-02 BM.1970.019.001/123:01-02 00:00:40 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /2 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-03 BM.1970.019.001/123:01-03 00:00:20 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /3 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-04 BM.1970.019.001/123:01-04 00:01:30 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /4 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-05 BM.1970.019.001/123:01-05 00:04:00 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /5 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-06 BM.1970.019.001/123:01-06 00:00:30 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /6 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-07 BM.1970.019.001/123:01-07 00:01:00 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /7 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-08 BM.1970.019.001/123:01-08 00:01:30 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /8 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-09 BM.1970.019.001/123:01-09 00:01:15 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /9 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-10 BM.1970.019.001/123:01-10 00:01:47 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /10 Sous-table non exportée Sous-table non exportée ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-11 BM.1970.019.001/123:01-11 00:00:35 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE CIRCONCISION, SUITE D'AIRS /11 Sous-table non exportée Sous-table non exportée AMORCE jaune à la FIN • ROUGET,GILBERT 1952 GR52.001 BM69.39.1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :01-13 BM.1970.019.001/123:01-13 00:08:00 19/05/52 SENEGAL DAKAR WOLOF MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FETE DE LA CIRCONCISION, SUITE D'AIRS /13 Sous-table non exportée Sous-table non exportée COPIE DE GR 52-2• ROUGET,GILBERT 1952 GR52.002 BM69.39.2 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-02 BM.1970.019.001/123:105-02 00:03:00 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée Chant pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce -04sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karala, OU village de Koosa Soliste Alifa Diobaté, chanteur des chasseurs. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche; IR = racleur de métal karinya ; A -= sifflet de chasseur • ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-03 BM.1970.019.001/123:105-03 00:03:05 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce-04 sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karal OU village de Koosa. Soliste Alifa Diobaté, chanteur des chasseurs. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche• ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-04 BM.1970.019.001/123:105-04 00:03:10 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce-04 sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karal OU village de Koosa. Soliste Alifa Diobaté, chanteur des chasseurs. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche; IR = racleur de métal karinya ; A -= sifflet de chasseur• ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-05 BM.1970.019.001/123:105-05 00:03:15 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce-04 sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karal OU village de Koosa. Soliste Alifa Diobaté, chanteur des chasseurs. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche A =sifflet de chasseur• ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :105-06 BM.1970.019.001/123:105-06 00:00:30 27/11/52 GUINEE CL.DE KANKAN * MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU CHANTEUR DES CHASSEURS Sous-table non exportée Sous-table non exportée chants pour dozo don = danse des chasseurs • Cf. cahier 1952-8 page 61 et 62. La pièce -03 a été éditée sur par Africavox Ax 135 ; la pièce-04 sur le disque : dahomey : Musique du Roi. Guinée : Musique malinké, Vogue Contrepoint MC.20.146 (30/33), face II, plage 4 et rééditée sur le disque : Musique Malinké, Vogue LDM 30.113. Photos : 1.36.9 à 12 • * village de Karal OU village de Koosa. CH = harpe à 7 cordes _dozo konu_ ou _kogbelenu_ : caisse faite d'une grande calebasse hémisphérique percée d'un trou carré, tendue d'une peau de de biche de rivière, les cordes _konu dyulu_ sont en peau de biche• ROUGET,GILBERT 1952 GR52.111 BM69.39.111 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-02 BM.1970.019.001/123:107-02 00:01:50 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AUTOUR DU SACRIFICE D'UN TAUREAU Sous-table non exportée Sous-table non exportée Sacrifice d'un taureau pour le retour au village de Burahima Koroma • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation autour du taureau sacrifié• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-03 BM.1970.019.001/123:107-03 00:01:10 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AUTOUR DU SACRIFICE D'UN TAUREAU Sous-table non exportée Sous-table non exportée Sacrifice d'un taureau pour le retour au village de Burahima Koroma • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation autour du taureau sacrifié• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-04 BM.1970.019.001/123:107-04 00:01:45 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AUTOUR DU SACRIFICE D'UN TAUREAU Sous-table non exportée Sous-table non exportée Sacrifice d'un taureau pour le retour au village de Burahima Koroma • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation autour du taureau sacrifié ENCHAÎNÉ au suivant• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-05 BM.1970.019.001/123:107-05 00:01:15 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AUTOUR DU SACRIFICE D'UN TAUREAU Sous-table non exportée Sous-table non exportée Sacrifice d'un taureau pour le retour au village de Burahima Koroma • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VP =conversation autour du taureau sacrifié ENCHAÎNÉ au précédent• ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-09 BM.1970.019.001/123:107-09 00:02:45 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DECLAMATION PAR UNE GRIOTTE Sous-table non exportée Sous-table non exportée Déclamation par une griotte Koroma dyeli • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VC =chanté solo H et choeur F , [OU SOLO ET CHR F???], déclamation par une griotte Koroma Dyèli • ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :107-10 BM.1970.019.001/123:107-10 00:00:15 02/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DECLAMATION PAR UNE GRIOTTE Sous-table non exportée Sous-table non exportée Déclamation par une griotte Koroma dyeli • Cf. cahier 8, p. 63. Photos 1.32.05 à 11 et 1.41.01 et 02• * village de Karala. VC =chanté solo H et choeur F , [OU SOLO ET CHR F???], déclamation par une griotte Koroma Dyèli • SD = bruits de foule • ROUGET,GILBERT 1952 GR52.113 BM69.39.113 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-02 BM.1970.019.001/123:108-02 00:03:10 02&03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA SOCIETE DES CHASSEURS Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952-8 page 64, cahier 1952.9 pages 16&17. Ont été éditées les pièces -01 sur le disque "Musique d'afrique Occidentale", Vogue LDM 30.116 (30/33), face A plage 6 ; -02 sur le disque "Musique Malinké, Guinée", Vogue LDM 30.113 (30/33), face B plage 6 ; -03 sur le disque "Pondo Kakaou", Vogue Contrepoint 20.141 (30/33), face II plage 7. Photos : 1.36.07-08 et 1.41.04 & 08 • * village de Karala. chanteur et instrumentiste Mazankoro Sibidé. CHL = harpe-luth _dozo konu_ ou _burunuba _ à 3+3 cordes, IR = racleur en métal _karinya_ , A = sifflet de chasseur• ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-03 BM.1970.019.001/123:108-03 00:01:00 02&03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA STE DES CHASSEURS Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952-8 page 64, cahier 1952.9 pages 16&17. Ont été éditées les pièces -01 sur le disque "Musique d'afrique Occidentale", Vogue LDM 30.116 (30/33), face A plage 6 ; -02 sur le disque "Musique Malinké, Guinée", Vogue LDM 30.113 (30/33), face B plage 6 ; -03 sur le disque "Pondo Kakaou", Vogue Contrepoint 20.141 (30/33), face II plage 7. Photos : 1.36.07-08 et 1.41.04 & 08 • * village de Karala. chanteur et instrumentiste Mazankoro Sibidé. CHL = harpe-luth _dozo konu_ ou _burunuba _ à 3+3 cordes• ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-04 BM.1970.019.001/123:108-04 00:03:00 02&03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA STE DES CHASSEURS Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952-8 page 64, cahier 1952.9 pages 16&17. Ont été éditées les pièces -01 sur le disque "Musique d'afrique Occidentale", Vogue LDM 30.116 (30/33), face A plage 6 ; -02 sur le disque "Musique Malinké, Guinée", Vogue LDM 30.113 (30/33), face B plage 6 ; -03 sur le disque "Pondo Kakaou", Vogue Contrepoint 20.141 (30/33), face II plage 7. Photos : 1.36.07-08 et 1.41.04 & 08 • * village de Karala. chanteur et instrumentiste Mazankoro Sibidé. CHL = harpe-luth _dozo konu_ ou _burunuba _ à 3+3 cordes• ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :108-05 BM.1970.019.001/123:108-05 00:01:30 02&03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA STE DES CHASSEURS: ACCORD DE LA HARPE -LUTH Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952-8 page 64, cahier 1952.9 pages 16&17. Ont été éditées les pièces -01 sur le disque "Musique d'afrique Occidentale", Vogue LDM 30.116 (30/33), face A plage 6 ; -02 sur le disque "Musique Malinké, Guinée", Vogue LDM 30.113 (30/33), face B plage 6 ; -03 sur le disque "Pondo Kakaou", Vogue Contrepoint 20.141 (30/33), face II plage 7. Photos : 1.36.07-08 et 1.41.04 & 08 • * village de Karala. chanteur et instrumentiste Mazankoro Sibidé. CHL = harpe-luth _dozo konu_ ou _burunuba _ à 3+3 cordes• ROUGET,GILBERT 1952 GR52.114 BM69.39.114 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-02 BM.1970.019.001/123:109-02 00:02:40 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2), AIR 2 Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / UN FAUX DÉPART au début. Mieux équilibré. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-03 BM.1970.019.001/123:109-03 00:00:30 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2); FAUX DEPART Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / Choeur assez loin. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-04 BM.1970.019.001/123:109-04 00:03:30 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2), AIR 3 Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / Choeur assez loin. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-05 BM.1970.019.001/123:109-05 00:03:25 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2), AIR 4 Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / Choeur assez loin. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :109-06 BM.1970.019.001/123:109-06 00:02:55 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (BOB 2), AIR 5 Sous-table non exportée Sous-table non exportée Enreg. sur demande • la pièce -06 a été éditée sur le disque : "Afrique ", VOl.2, Vogue contrepoint EXTP1029 (17/45), face I plage 3 • Chanté solo, duo et choeur garçons / Choeur assez loin. M + BR =deux tambours _bara_ dont un, le grand, avec bruiteurs• ROUGET,GILBERT 1952 GR52.115 BM69.39.115 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-02 BM.1970.019.001/123:110-02 00:02:00 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), CHANT 2 Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons AMORCE JAUNE à la fin• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-03 BM.1970.019.001/123:110-03 00:02:10 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), 3 CHANTS Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-04 BM.1970.019.001/123:110-04 00:04:20 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), CHANT 6 Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons AMORCE JAUNE au début• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-05 BM.1970.019.001/123:110-05 00:02:55 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), CHANT 7 Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :110-06 BM.1970.019.001/123:110-06 00:02:15 03/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS DE CIRCONCISION (3,FIN)), CHANT 8 Sous-table non exportée Sous-table non exportée Enreg. sur demande• Textes partiellement transcrits et traduits dans la cahier 1952.9 pages 19 à 27. Cf. cahier 1952.8 page 65. Une pièce a été éditée sur le disque : "Musique Malinké, Guinée ", Vogue LDM 30.113 (30/33), face B plage 4 • VC =chanté solo, et choeur de 6 garçons et quelques femmes, IS =deux sistres en calebasse _wasama_ joués par 2 garçons• ROUGET,GILBERT 1952 GR52.116 BM69.39.116 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :111-02 BM.1970.019.001/123:111-02 00:00:15 05/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RYTHMES DE DANSE KUKU, FAUX DEPART Sous-table non exportée Sous-table non exportée Cf. chier 1952.8 page 65 et cahier 1952.9 pages 7&8. la pièce 01 a été éditée partiellement sur le di."Pondo Kakou", Vogue Contrepoint MC20.141(30/33), B,6. La pièce -06 sur Africavox Ax 65• BM.1970.019.001/123:111-0 M =tambour à attaches indirectes et bruiteurs _bara ba_ M1 = tambour à peau cloutée _bara denu_ • ROUGET,GILBERT 1952 GR52.117* BM69.39.117 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :111-03 BM.1970.019.001/123:111-03 00:03:00 05/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL RYTHMES DE DANSE KUKU Sous-table non exportée Sous-table non exportée Cette pièce est une tentative de dissociation sonore des deux tambours visant à faire ressortir le rythme propre à chacun d'eux • Cf. chier 1952.8 page 65 et cahier 1952.9 pages 7&8. la pièce 01 a été éditée partiellement sur le di."Pondo Kakou", Vogue Contrepoint MC20.141(30/33), B,6. La pièce -06 sur Africavox Ax 65• M =tambour à attaches indirectes et bruiteurs _bara ba_ M1 = tambour à peau cloutée _bara denu_ • ROUGET,GILBERT 1952 GR52.117* BM69.39.117 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :111-05 BM.1970.019.001/123:111-05 00:06:45 05/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE DANSE KUKU Sous-table non exportée Sous-table non exportée Cf. chier 1952.8 page 65 et cahier 1952.9 pages 7&8. la pièce 01 a été éditée partiellement sur le di."Pondo Kakou", Vogue Contrepoint MC20.141(30/33), B,6. La pièce -06 sur Africavox Ax 65 • VC =chanté, deux duos de jeunes filles alternés, M = tambour à attaches indirectes et bruiteurs _bara ba_ M1 = tambour à peau cloutée _bara denu_ M =un grand tambour en trois parties * Original = GR52.117 1e et 2e partie BM69.39.117• ROUGET,GILBERT 1952 GR52.117* BM69.39.117 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-02 BM.1970.019.001/123:112-02 00:03:15 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE, AIRS DE DANSE MOSSO BARA Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. chier 1952.8 page 66. La pièce -03 a été éditée sur le disque : "Dahomey : Musique du Roi. Guinée : Musique Malinké ", Vogue Contrepoint MC 20.146 (30/33), face II plage 1, et réédité sur le disque : "Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 1. Cf. BM 70.19.99 & 100 • * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-03 BM.1970.019.001/123:112-03 00:03:20 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE, AIRS DE DANSE MOSSO BARA Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. chier 1952.8 page 66. La pièce -03 a été éditée sur le disque : "Dahomey : Musique du Roi. Guinée : Musique Malinké ", Vogue Contrepoint MC 20.146 (30/33), face II plage 1, et réédité sur le disque : "Musique Malinké", Vogue LDM 30.113 (30/33), B,1 [A VÉRIFIER] Cf. BM 70.19.99 & 100 • * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-05 BM.1970.019.001/123:112-05 00:01:15 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES Sous-table non exportée Sous-table non exportée * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-06 BM.1970.019.001/123:112-06 00:01:05 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES Sous-table non exportée Sous-table non exportée * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-07 BM.1970.019.001/123:112-07 00:01:30 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES Sous-table non exportée Sous-table non exportée * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :112-08 BM.1970.019.001/123:112-08 00:01:10 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES Sous-table non exportée Sous-table non exportée * Original = GR52.118 1e et 2e partie BM69.39.118• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-02 BM.1970.019.001/123:113-02 00:04:15 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 1ER AIR Sous-table non exportée Sous-table non exportée * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-03 BM.1970.019.001/123:113-03 00:01:07 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 2ME AIR Sous-table non exportée Sous-table non exportée / Suite du précédent ? * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-04 BM.1970.019.001/123:113-04 02:25:00 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 3ME AIR Sous-table non exportée Sous-table non exportée / INTERRUPTION à 1'40. * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-05 BM.1970.019.001/123:113-05 00:02:15 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 4ME AIR Sous-table non exportée Sous-table non exportée * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-06 BM.1970.019.001/123:113-06 00:02:00 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 5ME AIR Sous-table non exportée Sous-table non exportée * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :113-07 BM.1970.019.001/123:113-07 00:03:15 06/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIRS DE RONDES, CHANSONS D'AMOUR- 6ME AIR Sous-table non exportée Sous-table non exportée * Original = GR52.119 1e et 2e partie BM69.39.119• ROUGET,GILBERT 1952 GR52.118* BM69.39.118 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-06 BM.1970.041.001/55:14-06 00:12:00 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE DAMAI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE PHÂG QUAND LE MARIE QUITE SA DEMEURE Sous-table non exportée Sous-table non exportée Chanté, 2 choeurs F phâg. Chanté quand lemarié quitte sa demeure• BM.1970.041.001/55:14-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-07 BM.1970.041.001/55:14-07 00:08:30 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA DAMAÏ HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE UA MOMENT DU KANYA DAN Sous-table non exportée Sous-table non exportée Phâg chanté au moment du kanya Dan• BM.1970.041.001/55:14-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :14-08 BM.1970.041.001/55:14-08 00:08:30 05/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA DAMAÏ HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE UA MOMENT DE L'ARRIERE A LA MAISON MARIEE Sous-table non exportée Sous-table non exportée Phâg chanté au moment de l'arrière à la maison de la mariée. Irregularités en fin de bande• BM.1970.041.001/55:14-07 HELFFER,MIREILLE&GABORIEAU,MARC 1969 14 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :15-01 BM.1970.041.001/55:15-01 00:07:40 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA DAMAÏ HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE PHAG POUR ACCOMPAGNER LA DEMANDE EN MARIAGE Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, 2 groupes de F alternant. Phâg pour acompagner la demande en mariage• BM.1970.041.001/55:14-08 HELFFER,MIREILLE&GABORIEAU,MARC 1969 15 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :15-02 BM.1970.041.001/55:15-02 00:06:20 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA DAMAÏ HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG POUR ACCOMPAGNER LE RETOUR A LA MAISON DU MARIE. Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, 2 groupes de F alternant. Phâg pour acompagner lle retour à la maison du marié• BM.1970.041.001/55:15-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 15 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-02 BM.1970.019.001/123:114-02 00:02:00 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 1ER AIR Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-03 BM.1970.019.001/123:114-03 00:00:45 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, FAUX DEPART Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-04 BM.1970.019.001/123:114-04 00:01:10 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 2ME AIR Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :15-03 BM.1970.041.001/55:15-03 00:33:40 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT PHAG EN L'HONNEUR DU DIEU BHAGUESWAR. Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo F. Phâg en l'honneur du dieu Bhageswar • BM.1970.041.001/55:15-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 15 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-05 BM.1970.019.001/123:114-05 00:03:10 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 3ME AIR Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-06 BM.1970.019.001/123:114-06 00:00:40 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 2 FAUX DEPART Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-07 BM.1970.019.001/123:114-07 00:03:20 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 4ME AIR Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :114-08 BM.1970.019.001/123:114-08 00:03:20 07/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE FETE. AIRS AVEC FLUTES _TAMI FILE_, 5ME AIR Sous-table non exportée Sous-table non exportée Musique de fête, notamment pour faire danser les chevaux des chefs. Enreg. sur demande. Cf. cahier 1952.8, pages 66-68. La pièce -05 a été éditée par Africavox Ax64 et sur le disque "Musique d'Afrique Occidentale", Vogue LMD 30.116 (30/33), face A plage 5. Photo : 1.30.10 à 12 • Le flûtiste s'appelle Siamo Bamba - les bamba sont les fondateurs de Karala. M = 2 tambours qui sont les mêmes que dans la danse "mosso bara" (cf.BM.70.19.112), AFL = flûte traversière appelée _tami file_ ou _file_ , qui est le nom du sifflet du chasseur, ou "tami" qui est le nom de l'espèce de roseau ou liane dont l'écorce, détachée d'une pièce, forme le tuyau de la flûte , ou "afara" qui désigne l'écorce d'une tige. C'est une flûte traversière à tuyau ouvert et à 4 trous (suwe) dont le dernier est légèrement plus petit et excentré, l'embouchure ("ada" = "bouche"), et l'emplâtre qui ferme la tête de l'instrument sont faits de cire d'abeille. La flûte elle-même a été rapportée et figure dans les collections du M.H. sous le n° 53.15.3 • ROUGET,GILBERT 1952 GR52.120 BM69.39.120 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-01 BM.1970.041.001/55:16-01 00:11:35 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT PHAG EN L'HONNEUR DE GAURA. Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg en l'honneur de Gaura. (Fête au mois de Bhadau)• BM.1970.041.001/55:15-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-02 BM.1970.041.001/55:16-02 00:05:45 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE GAURA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Cait de Gaura• BM.1970.041.001/55:16-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-03 BM.1970.041.001/55:16-03 00:02:15 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg chanté quand on vejeter effigies de gaura et mahesvar• BM.1970.041.001/55:16-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :115-02 BM.1970.019.001/123:115-02 00:04:05 10/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE DANSE DE FEMMES _DYI DUNU_ Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chanteuses non professionnelles• Cf. cahier 1952.8, page 69 et cahier 1952.9 pages 4 à 6. Ont été éditées les pièces : -02 par Africavox Ax 64 ; -04 sur le disque " Dahomey : musique du roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), face II plage 7, et rééditée sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 7 ; V) sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), face A plage 4 et sur le disque : "Afrique vol.3 Batteries africaines", Vogue EXTP 1031(17/45), face I plage 2. PHOTOS : 1.37.1 À 12 • IFC = tambour d'eau _dyi dunu_ : deux calebasses flottant au milieu de deux autres calebasses remplies d'eau, frappées avec une autre paire de calebasse en forme de cuillères M 1= un petit tambour à une peau clouée _bara denu_ M1 + BR = tambour à une peau lacée _bara ba_ avec bruiteur externe * Original = GR52.121 1e et 2e partie BM69.39.121• ROUGET,GILBERT 1952 GR52.121* BM69.39.121 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-04 BM.1970.041.001/55:16-04 00:02:15 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 BALO KHELAUNE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. "Balo Khelaune" pour accompagner une danse à la fin de la fête de gaurâ (fragment)• BM.1970.041.001/55:16-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :115-03 BM.1970.019.001/123:115-03 00:00:30 10/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE DANSE DE FEMMES _DYI DUNU_; 2 FAUX DEPARTS Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chanteuses non professionnelles• Cf. cahier 1952.8, page 69 et cahier 1952.9 pages 4 à 6. Ont été éditées les pièces : -02 par Africavox Ax 64 ; -04 sur le disque " Dahomey : musique du roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), face II plage 7, et rééditée sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 7 ; V) sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), face A plage 4 et sur le disque : "Afrique vol.3 Batteries africaines", Vogue EXTP 1031(17/45), face I plage 2. PHOTOS : 1.37.1 À 12 • IFC = tambour d'eau _dyi dunu_ : deux calebasses flottant au milieu de deux autres calebasses remplies d'eau, frappées avec une autre paire de calebasse en forme de cuillères M 1= un petit tambour à une peau clouée _bara denu_ M1 + BR = tambour à une peau lacée _bara ba_ avec bruiteur externe. * Original = GR52.121 1e et 2e partie BM69.39.121• ROUGET,GILBERT 1952 GR52.121* BM69.39.121 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :115-04 BM.1970.019.001/123:115-04 00:03:15 10/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE DANSE DE FEMMES _DYI DUNU_ Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chanteuses non professionnelles• Cf. cahier 1952.8, page 69 et cahier 1952.9 pages 4 à 6. Ont été éditées les pièces : -02 par Africavox Ax 64 ; -04 sur le disque " Dahomey : musique du roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), face II plage 7, et rééditée sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 7 ; V) sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), face A plage 4 et sur le disque : "Afrique vol.3 Batteries africaines", Vogue EXTP 1031(17/45), face I plage 2. PHOTOS : 1.37.1 À 12 • IFC = tambour d'eau _dyi dunu_ : deux calebasses flottant au milieu de deux autres calebasses remplies d'eau, frappées avec une autre paire de calebasse en forme de cuillères M 1= un petit tambour à une peau clouée _bara denu_ M1 + BR = tambour à une peau lacée _bara ba_ avec bruiteur externe * Original = GR52.121 1e et 2e partie BM69.39.121• ROUGET,GILBERT 1952 GR52.121* BM69.39.121 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :115-05 BM.1970.019.001/123:115-05 00:01:35 10/12/52 GUINEE CL.DE KANKAN, VILLAGE DE KARALA MANDINGUES-KONYAGI MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DE DANSE DE FEMMES _DYI DUNU_ Sous-table non exportée Sous-table non exportée Enreg. sur demande. Chanteuses non professionnelles• Cf. cahier 1952.8, page 69 et cahier 1952.9 pages 4 à 6. Ont été éditées les pièces : -02 par Africavox Ax 64 ; -04 sur le disque " Dahomey : musique du roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), face II plage 7, et rééditée sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), face B plage 7 ; V) sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), face A plage 4 et sur le disque : "Afrique vol.3 Batteries africaines", Vogue EXTP 1031(17/45), face I plage 2. PHOTOS : 1.37.1 À 12 • IFC = tambour d'eau _dyi dunu_ : deux calebasses flottant au milieu de deux autres calebasses remplies d'eau, frappées avec une autre paire de calebasse en forme de cuillères M 1= un petit tambour à une peau clouée _bara denu_ M1 + BR = tambour à une peau lacée _bara ba_ avec bruiteur externe. * Original = GR52.121 1e et 2e partie BM69.39.121• ROUGET,GILBERT 1952 GR52.121* BM69.39.121 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-05 BM.1970.041.001/55:16-05 00:06:15 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg pour la cerémonie du 6 jour après la naissance• BM.1970.041.001/55:16-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-06 BM.1970.041.001/55:16-06 00:03:30 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG POUR LA PUJA DU MATIN Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg pour la Puja du matin• BM.1970.041.001/55:16-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-07 BM.1970.041.001/55:16-07 00:06:07 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG POUR LA PRISE DU JANAI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg pour la prise du janaï ou cordon sacré• BM.1970.041.001/55:16-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 16 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :16-08 BM.1970.041.001/55:16-08 00:03:48 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG POUR LA PREMIERE COUPE DE CHEVEUX. Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F,à la quelle se joint parfois une autre F. Phâg pour la premiére coupe de cheveux• BM.1970.041.001/55:16-07 HELFFER,MIREILLE&GABORIEAU,MARC 0 16 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-02 BM.1970.019.001/123:116-02 00:02:10 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS AVEC XYLOPHONES. 2ME AIR Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. VP = annonce - puis IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens IR-= racleurs métalliques _karynia_ joués par les chanteuses• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-03 BM.1970.019.001/123:116-03 00:01:00 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS AVEC XYLOPHONES. 3ME AIR Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. VP = annonce - puis IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens IR-= racleurs métalliques _karynia_ joués par les chanteuses• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-04 BM.1970.019.001/123:116-04 00:03:20 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS AVEC XYLOPHONES. 4ME AIR Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. VP = annonce - puis IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens IR-= racleurs métalliques _karynia_ joués par les chanteuses• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-05 BM.1970.019.001/123:116-05 00:03:20 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS AVEC XYLOPHONES. 5ME AIR Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. VP = annonce - puis IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens IR-= racleurs métalliques _karynia_ joués par les chanteuses• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :116-06 BM.1970.019.001/123:116-06 00:01:45 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DES 3 XYLOPHONES Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf.cahier 1952.8, pages 73 & 82-83. Ont été éditées les pièces : -01 par Africavox Ax93 ; -02 sur le disque "Dahomey : Musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B,8 et réédité sur le disque "Musique Malinké", Vogue LDM 30.113 (30/33), A ,6 ; -03 sur le disque "Musique d'Afrique Occidentale", Vogue LDM 30.116 (30/33), A ,1 ; Cf. Rouget, G. et Schwartz,J. : Sur les xylophones equiheptaphoniques des Malinké, "Revue de musicologie",LV,1, 1969, pp.47/77. Photos : 1.39.01 à 04 et 1.42.01 à 09 • Musiciens et chanteuses - leurs épouses - professionnels : *Mamadi Dibaté, Sidi Karamon et Sidi Moussa. IFP = trois xylophones sur cadres à 18 touches et résonateurs sur calebasse IS = sonnailles métalliques aux poignets des musiciens• ROUGET,GILBERT 1952 GR52.122 BM69.39.122 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-01 BM.1970.041.001/55:17-01 00:05:30 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE OU LES MARIES FONT LE TOUR DU FEU Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F, differents Phâg liés au rituel de mariage. Phâg chanté au moment où les mariés font le tour du feu• BM.1970.041.001/55:16-08 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-02 BM.1970.041.001/55:17-02 00:02:25 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE UA MOMENT DU LAGAN GATHE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F, differents Phâg liés au rituel de mariage. Phâg chanté au moment du lagan Gâthe• BM.1970.041.001/55:17-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-03 BM.1970.041.001/55:17-03 00:01:25 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE OU LA FILLE QUITTE SA MAISON Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F, differents Phâg liés au rituel de mariage. Phâg chanté au moment où la fille quitte sa maison pour aller chez son époux• BM.1970.041.001/55:17-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-04 BM.1970.041.001/55:17-04 00:02:50 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE LA PROCESSION ATTEIENT LA MAISON DU MARIEE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F, differents Phâg liés au rituel de mariage. Phâg chanté quand la procession atteint la maison du marié• BM.1970.041.001/55:17-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-05 BM.1970.041.001/55:17-05 00:00:40 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG CHANTE QUAND ON FAIT ENTRER LA MARIEE DANS LA MAISON DU MARIE. Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Inf.:Srimati Jasu Tumali,Chanté, solo F, differents Phâg liés au rituel de mariage. Phâg chanté quand on fait entrer la mariée dans la maison du marié• BM.1970.041.001/55:17-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-06 BM.1970.041.001/55:17-06 00:04:45 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE GENRE BHAILI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, groupe de jeune filles, genre BAHILI• BM.1970.041.001/55:17-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-07 BM.1970.041.001/55:17-07 00:04:46 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE GENRE BHAILI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, groupe de jeune filles, genre BAHILI• BM.1970.041.001/55:17-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-08 BM.1970.041.001/55:17-08 00:05:22 07/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE DAMAI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE DE QUETE BHAILI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, F et fillettes. Chant de quête BHAILI• BM.1970.041.001/55:17-07 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-09 BM.1970.041.001/55:17-09 00:06:25 11/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PAGH POUR LA FETE DE TIJ Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Canté, solo F. Phâg pour la fête de Tij• BM.1970.041.001/55:17-0 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :17-10 BM.1970.041.001/55:17-10 00:06:25 11/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA CASTE JAISIBAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 PAGH POUR LA FETE DE RSIPANCAMI. Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Canté, solo F. Phâg pour la fête de Rsipancami• BM.1970.041.001/55:17-09 HELFFER,MIREILLE&GABORIEAU,MARC 1969 17 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :18-01 BM.1970.041.001/55:18-01 00:04:25 12-13/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "LAIBIRI CHAMKA" Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo H. Chant à "Laibri Chamka" décrivant les operations de repiquage de riz• BM.1970.041.001/55:17-10 HELFFER,MIREILLE&GABORIEAU,MARC 1969 18 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :18-02 BM.1970.041.001/55:18-02 00:38:00 12-13/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE PIRI BOHORA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo H. Cait de Piri Bohora (Jadis au service du Roi de Doti), par Bhoj Raj Bhatta Râi• BM.1970.041.001/55:18-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 18 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :117-02 BM.1970.019.001/123:117-02 00:00:30 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC KORA OUT XYLOPHONE. FAUX DEPART Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, pages 73-74 et 82 (Cf. BM.70.19.121). Ont été éditées par Africavox les pièces : -01 : Ax 107 ; 04- : Ax108 ;-03 : Ax 138 & 139. Photos de -01 , 04 et -05) : 1.38.07 à 12 et 1.42.07 et 09. photos de-03 : 1.39.05 à 11 • Instrumentistes et chanteurs professionnels. La chanteuse s'appelle Kondé Kouyaté - née à Boké, basse Guinée - le joueur de kora Diémori Kouyaté. PEUT-ÊTRE : Chanté solo F et harpe-luth et non pas 2 xylophones. IFP =2 xylophones _balan_ ?• ROUGET,GILBERT 1952 GR52.123 BM69.39.123 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :117-03 BM.1970.019.001/123:117-03 00:06:55 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC XYLOPHONES "DYELIFOLI" Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages 73-74 et 82 (Cf. BM.70.19.121). Ont été éditées par Africavox les pièces : -01 : Ax 107 ; 04- : Ax108 ;-03 : Ax 138 & 139. Photos de -01 , 04 et -05) : 1.38.07 à 12 et 1.42.07 et 09. photos de-03 : 1.39.05 à 11 • Instrumentistes et chanteurs professionnels. La chanteuse s'appelle Kondé Kouyaté - née à Boké, basse Guinée - le joueur de kora Diémori Kouyaté. VP =Parlé H - annonce IFP =2 xylophones balan. "Dyelifoli", chanson pour les griots• ROUGET,GILBERT 1952 GR52.123 BM69.39.123 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :117-04 BM.1970.019.001/123:117-04 00:03:15 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANSON AVEC KORA * Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages 73-74 et 82 (Cf. BM.70.19.121). Ont été éditées par Africavox les pièces : -01 : Ax 107 ; 04- : Ax108 ;-03 : Ax 138 & 139. Photos de -01 , 04 et -05 : 1.38.07 à 12 et 1.42.07 et 09. photos de-03 : 1.39.05 à 11 • Instrumentistes et chanteurs professionnels. La chanteuse s'appelle Kondé Kouyaté - née à Boké, basse Guinée - le joueur de kora Diémori Kouyaté. VP = annonce CHL- harpe-luth à 21 cordes _kora_ *"Dyelifoli", chanson pour les griots " ?? A VÉRIFIER, la pièce -03 porte le même titre, et elle est chantée solo et duo F + 2 xylophones *ou bien : chanson de Kele Faba, ancien roi de Casamance ??• ROUGET,GILBERT 1952 GR52.123 BM69.39.123 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :117-05 BM.1970.019.001/123:117-05 00:00:50 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORDS DE LA KORA Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages 73-74 et 82 (Cf. BM.70.19.121). Ont été éditées par Africavox les pièces : -01 : Ax 107 ; 04- : Ax108 ;-03 : Ax 138 & 139. Photos de -01 , 04 et -05 : 1.38.07 à 12 et 1.42.07 et 09. photos de-03 : 1.39.05 à 11 • Instrumentistes et chanteurs professionnels. La chanteuse s'appelle Kondé Kouyaté - née à Boké, basse Guinée - le joueur de kora Diémori Kouyaté. CHL- harpe-luth à 21 cordes _kora_• ROUGET,GILBERT 1952 GR52.123 BM69.39.123 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :118-02 BM.1970.019.001/123:118-02 00:03:15 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE COUR: "CHANSON DE SAMORI " Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages74. les pièces -02 et -03ont été éditées par Africavox Ax 109 et Ax 110. La pièce -03 a été éditée sur le disque " Musique Malinké ", Vogue LDM 30.113 (30/33) face A plage 3. Photos 1.40.01 à 10 • Musicien et chanteurs professionnels: Mamadi Dyoubaté et ses deux femmes. CHL=harpe-luth à 19 cordes _seron_ • ROUGET,GILBERT 1952 GR52.124 BM69.39.124 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :118-03 BM.1970.019.001/123:118-03 00:06:30 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE COUR: "CHANSON DE SAMORI " Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, pages74. les pièces -02 et -03ont été éditées par Africavox Ax 109 et Ax 110. La pièce -03 a été éditée sur le disque " Musique Malinké ", Vogue LDM 30.113 (30/33) face A plage 3. Photos 1.40.01 à 10 • Musicien et chanteurs professionnels: Mamadi Dyoubaté et ses deux femmes. CHL=harpe-luth à 19 cordes _seron_ IR =racleurs de fer à +/- 01'55" a) 01'55" b) 02'45" c) 01'50" / pas de fin • ROUGET,GILBERT 1952 GR52.124 BM69.39.124 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :119-06 BM.1970.019.001/123:119-06 00:03:10 14/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT AVEC GUITARE ET XYLOPHONE Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8 p. 74 et 76 Les pièces -05 et -06 ont été édités par Africavox VP =annonce parlé H. * Original = GR52.125 1e et 2epartie BM69.39.125• ROUGET,GILBERT 1952 GR52.125* BM69.39.125 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-02 BM.1970.019.001/123:120-02 00:01:00 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE PARADE AVEC HARPE Sous-table non exportée Sous-table non exportée Enreg. sur demande. Musique de parade• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03et -04 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45), A ,2; -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), B,8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A,4. PHOTOS : 1.38.01 à 06 • enregistré à Kankan sur demande. 1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, musiciens professionnels. CH + BR =2 CH-harpe à 3 cordes _bolon_ : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-03 BM.1970.019.001/123:120-03 00:03:10 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE PARADE AVEC HARPE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03 er -05 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45),A, 2. -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), A, 8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A, 4. PHOTOS : 1.38.01 à 06 • 1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, chanteuse Moriyama Kone, tous trois musiciens professionnels. CH + BR =2 harpes à 3 cordes bolon : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-04 BM.1970.019.001/123:120-04 00:03:15 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE PARADE AVEC HARPE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03 er -05 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45),A, 2. -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), A, 8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A, 4. PHOTOS : 1.38.01 à 06 • 1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, chanteuse Moriyama Kone, tous trois musiciens professionnels. CH + BR =2 harpes à 3 cordes bolon : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-05 BM.1970.019.001/123:120-05 00:03:10 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL MUSIQUE DE PARADE AVEC HARPE Sous-table non exportée Sous-table non exportée Enreg. sur demande. Musique de parade• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03 eet -05 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45), A,2; -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), B,8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A ,4. Photos 1.38.01 à 06• PHOTOS : 1.38.01 à 06 • **1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, chanteuse Moriyama Kone, tous trois musiciens professionnels. CH-= 2 harpes à 3 cordes bolon : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :120-06 BM.1970.019.001/123:120-06 00:02:15 15/12/52 GUINEE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL DUO DE HARPES, MUSIQUE DE PARADE Sous-table non exportée Sous-table non exportée Enreg. sur demande. Musique de parade• Cf. cahier 1952.8, page 75. Ont été éditées les pièces : -03 et -05 par Africavox Ax 101 et Ax 102 ; -04 sur le disque " Afrique", vol.2, Vogue EXTP 1029 (17/45), A,2; -05 sur : "Pondo Kakou ", Vogue Contrepoint MC 20.141 (30/33), B,8 et réédité sur : "Musique Malinké", Vogue LDM 30.113 (30/33), A ,4. Photos 1.38.01 à 06• PHOTOS : 1.38.01 à 06 • **1er bolonfola Bilali Keita, 2ème bolonfola Lahi Kone, musiciens professionnels. CH-= 2 harpes à 3 cordes bolon : la caisse est faite d'une immense calebasse tendue d'une peau, les cordes sont en peau de gazelle torsadée, il y a des bruiteurs métalliques au bout du manche, les musiciens frappent la caisse ou le manche avec un gros anneau de métal passé au doigt. * Original = GR52.126 1e et 2e partie BM69.39.126• ROUGET,GILBERT 1952 GR52.126* BM69.39.126 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :121-02 BM.1970.019.001/123:121-02 00:03:16 16/12/52 GUINEE CL.DE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77 et 83. Cf.BM.70.19.117.. Ont été éditées les pièces : -01 et -05 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B ,5&7; toutes deux rééditées sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), A ,2&1 ;-02 et -03par Africavox Ax56 et Ax57 ; -04 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,3. Cf. Rouget,G. et Schwartz, J : " Transcrire ou décrire ? chant soudanais et chant fuégien." Echanges et communication. mélanges offerts à Claude Lévy-Strauss. Paris, Mouton 1970 : 677.706. PHOTOS : 1.38.07 à 12 et 1.42.07 et 09 • Chanteuse professionnelle Kondé Kyouaté, musicien professionnel Diémori Kouyaté VP = annonce CHL =harpe-luth à 21 cordes_ kora_• ROUGET,GILBERT 1952 GR52.127 BM69.39.127 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :121-03 BM.1970.019.001/123:121-03 00:03:12 16/12/52 GUINEE CL.DE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77 et 83. Cf.BM.70.19.117.. Ont été éditées les pièces : -01 et -05 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B ,5&7; toutes deux rééditées sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), A ,2&1 ;-02 et -03par Africavox Ax56 et Ax57 ; -04 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,3. Cf. Rouget,G. et Schwartz, J : " Transcrire ou décrire ? chant soudanais et chant fuégien." Echanges et communication. mélanges offerts à Claude Lévy-Strauss. Paris, Mouton 1970 : 677.706. PHOTOS : 1.38.07 à 12 et 1.42.07 et 09 • Chanteuse professionnelle Kondé Kyouaté, musicien professionnel Diémori Kouyaté CHL =harpe-luth à 21 cordes_ kora_• ROUGET,GILBERT 1952 GR52.127 BM69.39.127 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :121-04 BM.1970.019.001/123:121-04 00:03:30 16/12/52 GUINEE CL.DE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77 et 83. Cf.BM.70.19.117.. Ont été éditées les pièces : -01 et -05 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B ,5&7; toutes deux rééditées sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), A ,2&1 ;-02 et -03par Africavox Ax56 et Ax57 ; -04 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,3. Cf. Rouget,G. et Schwartz, J : " Transcrire ou décrire ? chant soudanais et chant fuégien." Echanges et communication. mélanges offerts à Claude Lévy-Strauss. Paris, Mouton 1970 : 677.706. PHOTOS : 1.38.07 à 12 et 1.42.07 et 09 • Chanteuse professionnelle Kondé Kyouaté, musicien professionnel Diémori Kouyaté CHL =harpe-luth à 21 cordes_ kora_• ROUGET,GILBERT 1952 GR52.127 BM69.39.127 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :121-05 BM.1970.019.001/123:121-05 00:02:35 16/12/52 GUINEE CL.DE KANKAN MANDINGUES-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77 et 83. Cf.BM.70.19.117.. Ont été éditées les pièces : -01 et -05 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33), B ,5&7; toutes deux rééditées sur le disque : " Musique Malinké", Vogue LDM 30.113 (30/33), A ,2&1 ;-02 et -03par Africavox Ax56 et Ax57 ; -04 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A,3. Cf. Rouget,G. et Schwartz, J : " Transcrire ou décrire ? chant soudanais et chant fuégien." Echanges et communication. mélanges offerts à Claude Lévy-Strauss. Paris, Mouton 1970 : 677.706. PHOTOS : 1.38.07 à 12 et 1.42.07 et 09 • Chanteuse professionnelle Kondé Kyouaté, musicien professionnel Diémori Kouyaté CHL =harpe-luth à 21 cordes_ kora_• ROUGET,GILBERT 1952 GR52.127 BM69.39.127 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-02 BM.1970.019.001/123:122-02 00:02:55 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE HARPE-LUTH _SERON_ & CHANTONNE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77-78. Ont été éditées les pièces : -02 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A , 2 ; -03 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33),B,6 • Musicien et chanteur professionnel Mamdi Dyoubaté. CHL =harpe-luth à 19 cordes _seron_ ; VC =chantonné par moments / CLOC à 00'45" et à 01'20"• ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-03 BM.1970.019.001/123:122-03 00:03:10 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE HARPE-LUTH _SERON_ & CHANTONNE Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77-78. Ont été éditées les pièces : -02 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A , 2 ; -03 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33),B,6 • Musicien et chanteur professionnel Mamdi Dyoubaté. VP = annonce CHL =harpe-luth à 19 cordes _seron_ VC =chantonné par moments / CLOC à 00'45"• ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-04 BM.1970.019.001/123:122-04 00:03:15 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT ET HARPE-LUTH _SERON_ Sous-table non exportée Sous-table non exportée Enreg. sur demande• Cf. cahier 1952.8, page 77-78. Ont été éditées les pièces : -02 sur le disque : "Musique d'Afrique Occidentale ", Vogue LDM 30.116 (30/33), A , 2 ; -03 sur le disque " Dahomey : musique du Roi. Guinée : Musique Malinké", Vogue Contrepoint MC 20.146 (30/33),B,6 • Musicien et chanteur professionnel Mamdi Dyoubaté. VP = annonce CHL =harpe-luth à 19 cordes _seron_ • ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :122-06 BM.1970.019.001/123:122-06 00:03:13 17/12/52 GUINEE KANKAN TOMA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS D'AMOUR TOMA "TELAO" Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 79 • ROUGET,GILBERT 1952 GR52.128 BM69.39.128 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :123-02 BM.1970.019.001/123:123-02 00:02:58 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE KORA Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 80 • VP = annonce CHL = harpe-luth à 21 cordes_ kora_ • ROUGET,GILBERT 1952 GR52.129 BM69.39.129 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :123-03 BM.1970.019.001/123:123-03 00:01:30 17/12/52 GUINEE KANKAN MANDINGUES MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ACCORD DE LA KORA Sous-table non exportée Sous-table non exportée Cf. cahier 1952.8, page 80 • VP = parlé G. Rouget. CHL = harpe-luth à 21 cordes_ kora_ • ROUGET,GILBERT 1952 GR52.129 BM69.39.129 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-01 BM.1970.020.001/31:04-01 00:01:20 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. I) : 01'20" - chant pour la récolte du riz - chanté, duo H alterné et à l'unissson, M1D-= tambour sur cadre terbang ; II) : 03'00" - idem - idem ; III) : 06'43" - idem - idem ; IV) :01 '17" - idem - quelques toux, Voix d'hommes parlées ; V) : 00'36" - idem - voix d'hommes parlées • BERTHE,LOUIS 1961 SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-02 BM.1970.020.001/31:04-02 00:03:00 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. I) : 01'20" - chant pour la récolte du riz - chanté, duo H alterné et à l'unissson, M1D-= tambour sur cadre terbang ; II) : 03'00" - idem - idem ; III) : 06'43" - idem - idem ; IV) :01 '17" - idem - quelques toux, Voix d'hommes parlées ; V) : 00'36" - idem - voix d'hommes parlées • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-03 BM.1970.020.001/31:04-03 00:03:20 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. I) : 01'20" - chant pour la récolte du riz - chanté, duo H alterné et à l'unissson, M1D-= tambour sur cadre terbang ; II) : 03'00" - idem - idem ; III) : 06'43" - idem - idem ; IV) :01 '17" - idem - quelques toux, Voix d'hommes parlées ; V) : 00'36" - idem - voix d'hommes parlées • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-04 BM.1970.020.001/31:04-04 00:03:23 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. I) : 01'20" - chant pour la récolte du riz - chanté, duo H alterné et à l'unissson, M1D-= tambour sur cadre terbang ; II) : 03'00" - idem - idem ; III) : 06'43" - idem - idem ; IV) :01 '17" - idem - quelques toux, Voix d'hommes parlées ; V) : 00'36" - idem - voix d'hommes parlées • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :04-05 BM.1970.020.001/31:04-05 00:01:13 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RECOLTE DU RIZ Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. I) : 01'20" - chant pour la récolte du riz - chanté, duo H alterné et à l'unissson, M1D-= tambour sur cadre terbang ; II) : 03'00" - idem - idem ; III) : 06'43" - idem - idem ; IV) :01 '17" - idem - quelques toux, Voix d'hommes parlées ; V) : 00'36" - idem - voix d'hommes parlées • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :05-02 BM.1970.020.001/31:05-02 00:07:27 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RATIB EN TROISPARTIES Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. II) : 07'27"- ratib : 1ère partie - chanté trio H, M-= tambour rebana ; III) : 03'16" - ratib : 2ème partie - idem ; IV) : 00'56" - ratib : 3ème partie (interrompue) - idem • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :05-03 BM.1970.020.001/31:05-03 00:03:16 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RATIB EN TROISPARTIES Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. II) : 07'27"- ratib : 1ère partie - chanté trio H, M-= tambour rebana ; III) : 03'16" - ratib : 2ème partie - idem ; IV) : 00'56" - ratib : 3ème partie (interrompue) - idem • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :05-04 BM.1970.020.001/31:05-04 00:00:54 22/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 RATIB EN TROISPARTIES Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal.. II) : 07'27"- ratib : 1ère partie - chanté trio H, M-= tambour rebana ; III) : 03'16" - ratib : 2ème partie - idem ; IV) : 00'56" - ratib : 3ème partie (interrompue) - idem • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :06-02 BM.1970.020.001/31:06-02 00:03:18 23/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal. (sans item) : 00'50" - parlé solo H I) : 04'07"- chanté trio H, M-= tambour rebana ; II) : 03'18" - idem ; III) : 15'21" - idem • BERTHE,LOUIS 1961 Non pertinent SUMBAWA 1961.3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :06-03 BM.1970.020.001/31:06-03 00:15:21 23/10/61 INDONESIE;BALI SUMBAWA OCCIDENTAL * SUMBAWANAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANT AVEC TAMBOUR Sous-table non exportée Sous-table non exportée * District de Batulanteh / village de Tepal. (sans item) : 00'50" - parlé solo H I) : 04'07"- chanté trio H, M-= tambour rebana ; II) : 03'18" - idem ; III) : 15'21" - idem • BERTHE,LOUIS 0 SUMBAWA 1961.3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :07-01 BM.1970.020.001/31:07-01 00:01:29 1962 INDONESIE;BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 SOLOS DE FLUTE Sous-table non exportée Sous-table non exportée Bali. (sans item) : 00'31" - parlé solo H , annonce ; I) : 05'39"- AF-=solo de flûte à bandeau (04'29"), puis parlé solo H , annonce (01'10") ; II) : 04'18" - AF-=solo de flûte à bandeau (03'50"), puis parlé solo H , annonce (00'28") ; III) : 00'37" - AF-=solo de flûte à bandeau • BERTHE,LOUIS 1962 BALI 1962 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :07-02 BM.1970.020.001/31:07-02 00:03:50 1962 INDONESIE;BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 SOLOS DE FLUTE Sous-table non exportée Sous-table non exportée Bali. (sans item) : 00'31" - parlé solo H , annonce ; I) : 05'39"- AF-=solo de flûte à bandeau (04'29"), puis parlé solo H , annonce (01'10") ; II) : 04'18" - AF-=solo de flûte à bandeau (03'50"), puis parlé solo H , annonce (00'28") ; III) : 00'37" - AF-=solo de flûte à bandeau • BERTHE,LOUIS 1962 BALI 1962 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :07-03 BM.1970.020.001/31:07-03 00:00:37 1962 INDONESIE;BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 SOLOS DE FLUTE Sous-table non exportée Sous-table non exportée Bali. (sans item) : 00'31" - parlé solo H , annonce ; I) : 05'39"- AF-=solo de flûte à bandeau (04'29"), puis parlé solo H , annonce (01'10") ; II) : 04'18" - AF-=solo de flûte à bandeau (03'50"), puis parlé solo H , annonce (00'28") ; III) : 00'37" - AF-=solo de flûte à bandeau • BERTHE,LOUIS 1962 Non pertinent BALI 1962 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-01 BM.1970.020.001/31:09-01 00:06:50 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 06'50" - gamelan ; II) : 11'23" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-02 BM.1970.020.001/31:09-02 00:11:23 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 06'50" - gamelan ; II) : 11'23" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-03 BM.1970.020.001/31:09-03 00:00:19 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GUIMBARDES ET FLUTE Sous-table non exportée Sous-table non exportée Bali du Sud.. III) : 00'19"- IP-= gimbardes genggong, AF-=flûte, IFC-= gong ; IV) : 01'28" - idem ; V) : 01'15" - idem ; VI) : 01'24" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-04 BM.1970.020.001/31:09-04 00:01:28 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GUIMBARDES ET FLUTE Sous-table non exportée Sous-table non exportée Bali du Sud.. III) : 00'19"- IP-= gimbardes genggong, AF-=flûte, IFC-= gong ; IV) : 01'28" - idem ; V) : 01'15" - idem ; VI) : 01'24" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-05 BM.1970.020.001/31:09-05 00:01:15 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GUIMBARDES ET FLUTE Sous-table non exportée Sous-table non exportée Bali du Sud.. III) : 00'19"- IP-= gimbardes genggong, AF-=flûte, IFC-= gong ; IV) : 01'28" - idem ; V) : 01'15" - idem ; VI) : 01'24" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :09-06 BM.1970.020.001/31:09-06 00:01:24 1962 INDONESIE;BALI KARANGASEM / SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GUIMBARDES ET FLUTE Sous-table non exportée Sous-table non exportée Bali du Sud.. III) : 00'19"- IP-= gimbardes genggong, AF-=flûte, IFC-= gong ; IV) : 01'28" - idem ; V) : 01'15" - idem ; VI) : 01'24" - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-01 BM.1970.020.001/31:10-01 00:01:20 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-02 BM.1970.020.001/31:10-02 00:04:24 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-03 BM.1970.020.001/31:10-03 00:05:33 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-04 BM.1970.020.001/31:10-04 00:02:55 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-05 BM.1970.020.001/31:10-05 00:03:56 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :10-06 BM.1970.020.001/31:10-06 00:02:21 24/10/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. I) : 01'20"- gamelan angklung - métallophones, gongs, 2 tambours, flûte ; II) : 04'24" - idem ; III) : 05'33" - idem ; IV) : 02'55" - idem ; V) : 03'56" - parlé, solo H, sons des instruments du gamelan angklung - informations sur la formation du gamelan angklung - idem VI) : 02'31" - gamelan angklung ; idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :11-01 BM.1970.020.001/31:11-01 00:02:17 30/04/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. sans item, début de bande : 00'40" - ambiance, parlées voix H, flûte, gongs ; I) : 02'17"- gamelan angklung : " pertjobaan " - métallophones, gongs, 2 tambours, flûte, cymbales ; II) : 01'38" - gamelan angklung : " lagun ngaben " - idem ; III) : 02'00" - gamelan angklung : " tetangisan " - idem ; IV) : 03'18" - gamelan angklung : " batel pawajangan " - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :11-02 BM.1970.020.001/31:11-02 00:01:28 30/04/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. sans item, début de bande : 00'40" - ambiance, parlées voix H, flûte, gongs ; I) : 02'17"- gamelan angklung : " pertjobaan " - métallophones, gongs, 2 tambours, flûte, cymbales ; II) : 01'38" - gamelan angklung : " lagun ngaben " - idem ; III) : 02'00" - gamelan angklung : " tetangisan " - idem ; IV) : 03'18" - gamelan angklung : " batel pawajangan " - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 3 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-06 BM.1970.019.001/123:46-06 00:02:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Ogbo Igbo, dieu du fer. Tambourinageun peu moins rapide, cloches rythmées, fin sur cloches• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :11-03 BM.1970.020.001/31:11-03 00:02:00 30/04/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. sans item, début de bande : 00'40" - ambiance, parlées voix H, flûte, gongs ; I) : 02'17"- gamelan angklung : " pertjobaan " - métallophones, gongs, 2 tambours, flûte, cymbales ; II) : 01'38" - gamelan angklung : " lagun ngaben " - idem ; III) : 02'00" - gamelan angklung : " tetangisan " - idem ; IV) : 03'18" - gamelan angklung : " batel pawajangan " - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :11-04 BM.1970.020.001/31:11-04 00:03:18 30/04/62 INDONESIE;BALI SANUR BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée Bali du Sud. sans item, début de bande : 00'40" - ambiance, parlées voix H, flûte, gongs ; I) : 02'17"- gamelan angklung : " pertjobaan " - métallophones, gongs, 2 tambours, flûte, cymbales ; II) : 01'38" - gamelan angklung : " lagun ngaben " - idem ; III) : 02'00" - gamelan angklung : " tetangisan " - idem ; IV) : 03'18" - gamelan angklung : " batel pawajangan " - idem • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :12-01 BM.1970.020.001/31:12-01 00:04:00 1962 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG Sous-table non exportée Sous-table non exportée * près de Tuban. sans item, début de bande 00'00"> 01'20" - 2 gongs avec ambiance ; I) : 04'00"- gamelan gandrung : " Ketut mudra " - métallophones, gongs, tambours, cymbales ; II) : 04'20" - idem - idem ; III) : 04'00" - parlé solo H, sons des instruments du gamelan gandrung - informations sur les notes jouées sur les instruments du gamelan gandrung • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :12-02 BM.1970.020.001/31:12-02 00:04:20 1962 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG Sous-table non exportée Sous-table non exportée * près de Tuban. sans item, début de bande 00'00"> 01'20" - 2 gongs avec ambiance ; I) : 04'00"- gamelan gandrung : " Ketut mudra " - métallophones, gongs, tambours, cymbales ; II) : 04'20" - idem - idem ; III) : 04'00" - parlé solo H, sons des instruments du gamelan gandrung - informations sur les notes jouées sur les instruments du gamelan gandrung • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :12-03 BM.1970.020.001/31:12-03 00:04:00 1962 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG Sous-table non exportée Sous-table non exportée * près de Tuban. sans item, début de bande 00'00"> 01'20" - 2 gongs avec ambiance ; I) : 04'00"- gamelan gandrung : " Ketut mudra " - métallophones, gongs, tambours, cymbales ; II) : 04'20" - idem - idem ; III) : 04'00" - parlé solo H, sons des instruments du gamelan gandrung - informations sur les notes jouées sur les instruments du gamelan gandrung • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-01 BM.1970.020.001/31:13-01 00:02:57 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GERANTANG Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. gamelan gerantang spécial pour la danse djogèd. I) : 02'57"- "Lagu " - xylophones, gongs, tambours, cymbales, flûte ; II) : 02'45" - idem - idem ; III) : 02'47" - idem - idem ; IV) : 01'41" - parlé solo H, sons des instruments du gamelan gerantang - explication avec illustration sonore des instruments • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-02 BM.1970.020.001/31:13-02 00:02:45 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GERANTANG Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. gamelan gerantang spécial pour la danse djogèd. I) : 02'57"- "Lagu " - xylophones, gongs, tambours, cymbales, flûte ; II) : 02'45" - idem - idem ; III) : 02'47" - idem - idem ; IV) : 01'41" - parlé solo H, sons des instruments du gamelan gerantang - explication avec illustration sonore des instruments • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-03 BM.1970.020.001/31:13-03 00:02:47 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GERANTANG Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. gamelan gerantang spécial pour la danse djogèd. I) : 02'57"- "Lagu " - xylophones, gongs, tambours, cymbales, flûte ; II) : 02'45" - idem - idem ; III) : 02'47" - idem - idem ; IV) : 01'41" - parlé solo H, sons des instruments du gamelan gerantang - explication avec illustration sonore des instruments • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-04 BM.1970.020.001/31:13-04 00:01:41 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GERANTANG Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. gamelan gerantang spécial pour la danse djogèd. I) : 02'57"- "Lagu " - xylophones, gongs, tambours, cymbales, flûte ; II) : 02'45" - idem - idem ; III) : 02'47" - idem - idem ; IV) : 01'41" - parlé solo H, sons des instruments du gamelan gerantang - explication avec illustration sonore des instruments • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-05 BM.1970.020.001/31:13-05 00:01:33 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 XYLOPHONE Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. V) : 02'05" - xylophone / parlé, annonce solo H VI) : 02'20" - xylophone • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :13-06 BM.1970.020.001/31:13-06 00:02:20 1962 INDONESIE;BALI BALI DU SUD/TAMAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 XYLOPHONE Sous-table non exportée Sous-table non exportée * près de la côte de Sanur. V) : 02'05" - xylophone / parlé, annonce solo H VI) : 02'20" - xylophone • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :15-01 BM.1970.020.001/31:15-01 00:05:05 21/05-17/06/62 INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN WAYANG KULIT Sous-table non exportée Sous-table non exportée I) : 05'05" - gamelan wayang kulit - 4 métallophones ; II) : 01'56" - idem - idem ; III) : 02'44" - explications avec illustration des métallophones par IBK Sudijara (durée : 01'52") ; - parlé, solo H, annonce (durée : 00'52") • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 7 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :15-02 BM.1970.020.001/31:15-02 00:01:56 21/05-17/06/62 INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN WAYANG KULIT Sous-table non exportée Sous-table non exportée I) : 05'05" - gamelan wayang kulit - 4 métallophones ; II) : 01'56" - idem - idem ; III) : 02'44" - explications avec illustration des métallophones par IBK Sudijara (durée : 01'52") ; - parlé, solo H, annonce (durée : 00'52") • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 7 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :15-03 BM.1970.020.001/31:15-03 00:01:52 21/05-17/06/62 INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN WAYANG KULIT Sous-table non exportée Sous-table non exportée I) : 05'05" - gamelan wayang kulit - 4 métallophones ; II) : 01'56" - idem - idem ; III) : 02'44" - explications avec illustration des métallophones par IBK Sudijara (durée : 01'52") ; - parlé, solo H, annonce (durée : 00'52") • BERTHE,LOUIS 1962 Non pertinent BALI 1962 SANUR 7 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :16-01 BM.1970.020.001/31:16-01 00:04:55 07/06/62 INDONESIE;BALI BALI DE L'EST/TUMBU BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée I) : 04'55"- gamelan angklung : " Tabuh : telu, Tiga.Pemungkah " - métallophones, gongs, tambours, flûte ; II) : 05'40" - idem : " Tabuh lambat onjéd-onjédan "- idem + parlé, ambiance (à la fin) III) : 12'15" - idem " Tabuh kebiang : benid tarian pandji semirang " - métallophones, gongs, tambours, flûte • BERTHE,LOUIS 1962 Non pertinent BALI 1962.8 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-07 BM.1970.019.001/123:46-07 00:00:20 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IS-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :16-02 BM.1970.020.001/31:16-02 00:05:57 07/06/62 INDONESIE;BALI BALI DE L'EST/TUMBU BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée I) : 04'55"- gamelan angklung : " Tabuh : telu, Tiga.Pemungkah " - métallophones, gongs, tambours, flûte ; II) : 05'40" - idem : " Tabuh lambat onjéd-onjédan "- idem + parlé, ambiance (à la fin) III) : 12'15" - idem " Tabuh kebiang : benid tarian pandji semirang " - métallophones, gongs, tambours, flûte • BERTHE,LOUIS 1962 Non pertinent BALI 1962.8 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :16-03 BM.1970.020.001/31:16-03 00:15:08 07/06/62 INDONESIE;BALI BALI DE L'EST/TUMBU BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN ANGKLUNG Sous-table non exportée Sous-table non exportée I) : 04'55"- gamelan angklung : " Tabuh : telu, Tiga.Pemungkah " - métallophones, gongs, tambours, flûte ; II) : 05'40" - idem : " Tabuh lambat onjéd-onjédan "- idem + parlé, ambiance (à la fin) III) : 12'15" - idem " Tabuh kebiang : benid tarian pandji semirang " - métallophones, gongs, tambours, flûte • BERTHE,LOUIS 1962 Non pertinent BALI 1962.8 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-01 BM.1970.020.001/31:17-01 00:04:40 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-02 BM.1970.020.001/31:17-02 00:02:27 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-03 BM.1970.020.001/31:17-03 00:03:44 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-04 BM.1970.020.001/31:17-04 00:01:26 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-05 BM.1970.020.001/31:17-05 00:01:42 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :17-06 BM.1970.020.001/31:17-06 00:02:15 29/06/62 INDONESIE;BALI BALI DE L'EST/TENGANAN * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée * Maison de commune du Nord Temu Kauja. I) : 05'17"- gamelan selunding : " Sekar gadung " - métallophones, cymbales (durée : 04'40")- puis : parlé, solo H, annonce le titre de la pièce ( durée 00'37") ; II) : 04'43" - idem : " Redjan ileh - ngileh keliling putal " - idem (durée : 03'27") - puis : parlé, solo H, sonorité des métallophones (durée : 01'16") ; III) : 03'44" - idem : " Idjang-idjang : gending tari Abuang ", joué et dansé par Dea et Teruna - puis : parlé, solo H, annonce le titre de la pièce ; IV) : 02'09"- idem : " Sekar gadung " - idem (durée : 01'26")- puis : parlé Vx H, annonce / essai des gongs, cymbales (durée : 00'43") ; V) : 01'42" - idem : " Pawaé - njang-djang " ; VI) : 02'15" - gongs isolés avec annonce • BERTHE,LOUIS 1962 Non pertinent BALI 1963.1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :19-01 BM.1970.020.001/31:19-01 00:12:40 18/08/63 INDONESIE;BALI BALI DU SUD/SANGSI * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SARON Sous-table non exportée Sous-table non exportée * près de Singadapu. I) : 12'40" - gamelan saron : " Gending Tjinada ", musique funéraire - xylophones, cymbales, tambours, gongs ; II) : 03'17" - explication illustrée par des gongs et xylophones - parlé VH, gongs et xylophones ; III) : 05'18" - gamelan saron : " Gending saih miring ", musique funéraire - xylophones, cymbales, tambours, gongs • BERTHE,LOUIS 1962 Non pertinent BALI 1963.3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :19-02 BM.1970.020.001/31:19-02 00:03:17 18/08/63 INDONESIE;BALI BALI DU SUD/SANGSI * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SARON Sous-table non exportée Sous-table non exportée * près de Singadapu. I) : 12'40" - gamelan saron : " Gending Tjinada ", musique funéraire - xylophones, cymbales, tambours, gongs ; II) : 03'17" - explication illustrée par des gongs et xylophones - parlé VH, gongs et xylophones ; III) : 05'18" - gamelan saron : " Gending saih miring ", musique funéraire - xylophones, cymbales, tambours, gongs • BERTHE,LOUIS 1962 Non pertinent BALI 1963.3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :19-03 BM.1970.020.001/31:19-03 00:05:18 18/08/63 INDONESIE;BALI BALI DU SUD/SANGSI * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SARON Sous-table non exportée Sous-table non exportée * près de Singadapu. I) : 12'40" - gamelan saron : " Gending Tjinada ", musique funéraire - xylophones, cymbales, tambours, gongs ; II) : 03'17" - explication illustrée par des gongs et xylophones - parlé VH, gongs et xylophones ; III) : 05'18" - gamelan saron : " Gending saih miring ", musique funéraire - xylophones, cymbales, tambours, gongs • BERTHE,LOUIS 1962 Non pertinent BALI 1963.3 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :20-01 BM.1970.020.001/31:20-01 00:00:57 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG Sous-table non exportée Sous-table non exportée * près de Tuban. Xylophones, cymbales, flûte, tambours, gongs durée : 00'40", puis : silence (durée : 00'17"). BERTHE,LOUIS 1962 Non pertinent BALI 1963.4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :20-03 BM.1970.020.001/31:20-03 00:05:23 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG :"GAMBANG" Sous-table non exportée Sous-table non exportée * près de Tuban Musique de danse et de concert• BERTHE,LOUIS 1962 Non pertinent BALI 1963.4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :20-02 BM.1970.020.001/31:20-02 00:01:43 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG , "KAWITAN" Sous-table non exportée Sous-table non exportée * près de Tuban. " Kawitan "• BERTHE,LOUIS 1962 Non pertinent BALI 1963.4 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :21-01 BM.1970.020.001/31:21-01 00:09:30 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG: " TJINGKREM-TJINGKREM " Sous-table non exportée Sous-table non exportée * près de Tuban• BERTHE,LOUIS 1962 Non pertinent BALI 1963.5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :21-02 BM.1970.020.001/31:21-02 00:06:02 05/09/63 INDONESIE;BALI BALI DU SUD/MUNANG MANING * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GANDRUNG : "TABUH TELU PEGONGAN " Sous-table non exportée Sous-table non exportée * près de Tuban• BERTHE,LOUIS 1962 Non pertinent BALI 1963.5 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :24-01 BM.1970.020.001/31:24-01 00:01:35 13/09/63 INDONESIE;BALI TANGGUN TITI/SINDU * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GAMBANG (SUITE) Sous-table non exportée Sous-table non exportée Bali. * près de Den Pasar. I) : 01'52" - gamelan gambang : " Gending manuk kaba ", suite musique funéraire - xylophones, métallophones (durée : 01'35") - puis : parlé, solo H, essai de gongs (durée : 00'17") ; II) : 07'42" - idem : " Gending banju warga ", musique funéraire - idem + gongs (?) • BERTHE,LOUIS 1962 Non pertinent BALI 1963.8 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :24-02 BM.1970.020.001/31:24-02 00:07:43 13/09/63 INDONESIE;BALI TANGGUN TITI/SINDU * BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN GAMBANG (SUITE) Sous-table non exportée Sous-table non exportée Bali. * près de Den Pasar. I) : 01'52" - gamelan gambang : " Gending manuk kaba ", suite musique funéraire - xylophones, métallophones (durée : 01'35") - puis : parlé, solo H, essai de gongs (durée : 00'17") ; II) : 07'42" - idem : " Gending banju warga ", musique funéraire - idem + gongs (?) • BERTHE,LOUIS 1962 Non pertinent BALI 1963.8 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :30B-01 BM.1970.020.001/31:30B-01 00:05:22 29/06/63 INDONESIE;BALI BALI / TENGANAN BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée DÉTAILS : 05'22" - gamelan selunding - métallophones, gongs (durée : 04'40") - puis : silence - parlé, solo H, ambiance (durée : 00'42")• BERTHE,LOUIS 1963 Non pertinent COPIE 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :30B-02 BM.1970.020.001/31:30B-02 00:04:48 29/06/63 INDONESIE;BALI BALI / TENGANAN BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée DÉTAILS gamelan selunding - métallophones, gongs (durée : 03'10") - puis : parlé, solo H, annonce - quelques coups de gongs (durée : 0'25")• BERTHE,LOUIS 1963 Non pertinent COPIE 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :30B-03 BM.1970.020.001/31:30B-03 00:07:49 29/06/63 INDONESIE;BALI BALI / TENGANAN BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING Sous-table non exportée Sous-table non exportée DÉTAILS - essai du gamelan selunding - métallophones, gongs (durée : 03'25") - puis : parlé, voix H, silence (durée : 00'38") - puis : parlé, voix mixte (durée : 01'22") ; puis : gamelan selunding, essai et reprise (durée : 01'45")• BERTHE,LOUIS 1963 Non pertinent COPIE 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :30B-04 BM.1970.020.001/31:30B-04 00:02:31 29/06/63 INDONESIE;BALI BALI / TENGANAN BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN SELUNDING : SONS SEPARES Sous-table non exportée Sous-table non exportée Sons séparés des métallophones• BERTHE,LOUIS 1963 Non pertinent COPIE 1 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-01 BM.1970.020.001/31:31A-01 00:05:53 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée) DÉTAILS: gongs, métallophones, tambours, cymbales (durée : 05'53"); - annonce ; parlé solo H (durée : 00'17")• BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-02 BM.1970.020.001/31:31A-02 00:03:07 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANT Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée)• BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-03 BM.1970.020.001/31:31A-03 00:00:57 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN Sous-table non exportée Sous-table non exportée BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-04 BM.1970.020.001/31:31A-04 00:05:15 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANSON MODERNE AVEC ORCHESTRE Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée) Chanson moderne (de style occidental) • BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-05 BM.1970.020.001/31:31A-05 00:04:00 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 CHANSON MODERNE AVEC ORCHESTRE Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée) IV) : 05'15" -chanté solo H, orchestre chanson moderne (de style occidental) ; V) : 04'00" - idem • BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-07 BM.1970.020.001/31:31A-07 00:04:45 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 ORCHESTRE MODERNE Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée) DÉTAILS = guitare, flûte, tambour - orchestre moderne (durée : 04'30") ; - parlé solo H - annonce (durée : 00'15" )• BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-08 BM.1970.020.001/31:31A-08 00:03:50 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 AIR MODERNE Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée)• BERTHE,L./YZERDRAAT,B -1 COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31A-09 BM.1970.020.001/31:31A-09 00:11:08 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée)• BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 :31B-01 BM.1970.020.001/31:31B-01 00:42:35 ??? INDONESIE;BALI BALI BALINAIS INDONESIE:BALI. BERTHE,L.;1957-63 GAMELAN PEGULINGAN: "SAIH PITU" Sous-table non exportée Sous-table non exportée (dates d'enregistrement non précisée)• BERTHE,L./YZERDRAAT,B -1 Non pertinent COPIE 2 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :44-02 BM.1970.019.001/123:44-02 00:02:15 03 & 04/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE CULTE DES _NESUXWE_ CYCLE DES_TOXOSU_* Sous-table non exportée Sous-table non exportée Enregistré pendant la cérémonie. Cf. cahier 1952-4, p.3 à 9 . Photos 1.03.01 à 12 et 1.04.01 à 8. Cf. BM...61 à 64. Plusieurs pièces éditées sur le disque "Dahomey. Musique des princes. Fête des Tohossou", accompagné d'une notice de 17 p. , extraite de Pierre Verger "Notes sur le culte des Orisha et des Vodun" ; Vogue MC 20.093 et L.D. 5• * Cérémonies annuelles pou r le culte des _Nèsuxwe_, cycle des _Toxosu_, fête de _Zomadonu_ /1ere bobine. / DEUX FAUX DÉPARTS• ROUGET,GILBERT 1952 GR52.051 BM69.39.51 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :46-08 BM.1970.019.001/123:46-08 00:00:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBO IGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. ** Cérémonie _osenla_ pour Ogun Ogbo Igbo, dieu du fer. Solo de cloche• ROUGET,GILBERT 1952 GR52.054 BM69.39.54 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-01 BM.1970.019.001/123:47-01 00:00:20 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine. M = plusieurs tbr _bata_ ; langage tambouriné• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-02 BM.1970.019.001/123:47-02 00:00:10 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine. VP = parlé, texte de la pièce -01• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-03 BM.1970.019.001/123:47-03 00:00:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine. V = acclamations M = plusieurs tbr _bata_ • ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-04 BM.1970.019.001/123:47-04 00:05:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, PRIERE A SHANGO Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine Détails : conversations, puis parlé solo H et réponse en choeur mixte ; vers 3' entrée du hochet _shere_ ; fin sur SD = acclamations• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-05 BM.1970.019.001/123:47-05 00:02:35 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-06 BM.1970.019.001/123:47-06 00:01:40 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-07 BM.1970.019.001/123:47-07 00:02:05 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine. / 3 mouvements• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-08 BM.1970.019.001/123:47-08 00:01:08 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine / DEUX PRISES• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :47-09 BM.1970.019.001/123:47-09 00:02:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, SALUTATIONS AUX ORISHA Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditées sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2,les pièces -04 =A,2, et -06 = A,3 début. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 1ère bobine• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :48-01 BM.1970.019.001/123:48-01 00:16:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.14 .Éditée intégralement sur le disque _Fête pour l'offrande des premières ignames à Shango_, MH LD.2, A,3. Cf. P. Verger _Notes sur le culte des orisha et des vodoun_ , Dakar 1957• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 2ème bobine. ATL = trompe latérale _ipè_ Détails : chanté solo F, puis alternance solo F et choeur mixte. Tbrs _bata_ et hochet _shere_ - à 6' : trompe lat _ipè_, chant souvent confus - à 9'30 : cris, pui calme. Disparition des tbrs - à 10'30 : dernière sonnerie de la trompe - à 11'30 : reprise des tbrs - à 14'00 : solo de Shango• ROUGET,GILBERT 1952 GR52.055 BM69.39.55 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :49-01 BM.1970.019.001/123:49-01 00:02:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.15 & 16• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 3ème bobine. V = chanté solo H, puis choeur mixte• ROUGET,GILBERT 1952 GR52.057 BM69.39.57 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :49-02 BM.1970.019.001/123:49-02 00:03:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.15 & 16• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 3ème bobine. V = chanté solo H, puis choeur mixte• ROUGET,GILBERT 1952 GR52.057 BM69.39.57 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :49-03 BM.1970.019.001/123:49-03 00:10:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.15 & 16• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 3ème bobine. V = chanté solo H, puis choeur mixte• ROUGET,GILBERT 1952 GR52.057 BM69.39.57 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :50-01 BM.1970.019.001/123:50-01 00:05:10 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• Cf. cahier 1952-4, p.15 & 16. Les quatre pièces ont été éditées sur le disque _Fête pour l'offrande des premières ignames à Shango, Musée de l'Homme LD-2, B 1, 2 et 3• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 4ème bobine. Les deux chanteurs solistes sont _Oya_ , femme de Shango, et _Orobadadé_ , prêtre de Shango. VC = chanté solo Hou F , choeur mixte V = acclamations• ROUGET,GILBERT 1952 GR52.058 BM69.39.58 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :50-02 BM.1970.019.001/123:50-02 00:03:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 4ème bobine. Les deux chanteurs solistes sont _Oya_ , femme de Shango, et _Orobadadé_ , prêtre de Shango. V = acclamations VC = chanté solo Hou F , choeur mixte. ROUGET,GILBERT 1952 GR52.058 BM69.39.58 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :50-03 BM.1970.019.001/123:50-03 00:04:00 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 4ème bobine. Les deux chanteurs solistes sont _Oya_ , femme de Shango, et _Orobadadé_ , prêtre de Shango. V = foule VC = chanté solo Hou F , choeur mixte. ROUGET,GILBERT 1952 GR52.058 BM69.39.58 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :50-04 BM.1970.019.001/123:50-04 00:03:45 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO** Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, pendant la cérémonie• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 4ème bobine. Les deux chanteurs solistes sont _Oya_ , femme de Shango, et _Orobadadé_ , prêtre de Shango. V = foule VC = chanté solo Hou F , choeur mixte. ROUGET,GILBERT 1952 GR52.058 BM69.39.58 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-01 BM.1970.019.001/123:51A-01 00:01:30 08/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**POUR APPELER LES ORISHA Sous-table non exportée Sous-table non exportée Enreg. devant le sanctuaire de Shango, le lendemain matin• Cf. cahier 1952-4, p.17 La pièce a été éditée sur le disque _Fête pour l'offrande des premières ignames à Shango, Musée de l'Homme LD-2, A ,1• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 5ème bobine, fin• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-02 BM.1970.019.001/123:51A-02 00:01:40 08/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, 3/ Sous-table non exportée Sous-table non exportée Enreg. devant le sanctuaire de Shango, le lendemain matin• Cf. cahier 1952-4, p.17• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 5ème bobine, fin. 3/ chant exécuté devant la maison de Shango en attendant la sorte des gens en transe• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-03 BM.1970.019.001/123:51A-03 00:00:30 08/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL OFFRANDE1ERES IGNAMES A SHANGO**, 3/ Sous-table non exportée Sous-table non exportée Enreg. devant le sanctuaire de Shango, le lendemain matin• Cf. cahier 1952-4, p.17• *Cercle de Pobè-Kétou, village de Adja Ouèrè. ** Fête pour l'offrande des premières ignames à Shango, dieu de la foudre / 5ème bobine, fin. 3/ chant exécuté devant la maison de Shango en attendant la sorte des gens en transe• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-04 BM.1970.019.001/123:51A-04 00:06:35 09/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* ADJA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE DE TROIS TBRS ROYAUX Sous-table non exportée Sous-table non exportée Batterie de trois tbrs royaux. [Langage tambourinée ? , cf. pièce -05]• *Cercle de Pobè-Kétou, village de Adja Ouèrè. M = 3 tbrs dont 2 sont frappés avec des baguettes, et 1 à mains nues /PLUSIEURS PRISES de son• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-05 BM.1970.019.001/123:51A-05 00:01:15 09/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* ADJA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE DE TROIS TBRS ROYAUX Sous-table non exportée Sous-table non exportée Batterie de trois tbrs royaux. Parlé et tbrs : décompossition et texte dit de la pièce précédente• *Cercle de Pobè-Kétou, village de Adja Ouèrè. M = 3 tbrs dont 2 sont frappés avec des baguettes, et 1 à mains nues Parlé et tbrs : décomposition et texte dit de la pièce précédente• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51A-06 BM.1970.019.001/123:51A-06 00:01:30 09/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* ADJA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BATTERIE DE TROIS TBRS ROYAUX Sous-table non exportée Sous-table non exportée Batterie de trois tbrs royaux• *Cercle de Pobè-Kétou, village de Adja Ouèrè. M = 3 tbrs dont 2 sont frappés avec des baguettes, et 1 à mains nues Tambourinage lent• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51B-01 BM.1970.019.001/123:51B-01 00:01:15 10/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOUFFLETS DE FORGE Sous-table non exportée Sous-table non exportée Travail de la forge• *Cercle de Pobè-Kétou, village de Adja Ouèrè. SD = soufflets de forge• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51B-02 BM.1970.019.001/123:51B-02 00:00:40 10/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOUFFLETS DE FORGE Sous-table non exportée Sous-table non exportée Travail de la forge• *Cercle de Pobè-Kétou, village de Adja Ouèrè. SD = enclume frappée En alternance, formules récitées en yoruba et jouées sur l'enclume• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51B-03 BM.1970.019.001/123:51B-03 00:01:30 10/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOUFFLETS DE FORGE Sous-table non exportée Sous-table non exportée Travail de la forge• *Cercle de Pobè-Kétou, village de Adja Ouèrè. SD = enclume frappée En alternance, formules récitées en yoruba et jouées sur l'enclume, plusieurs fois• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51B-04 BM.1970.019.001/123:51B-04 00:00:45 10/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOUFFLETS DE FORGE Sous-table non exportée Sous-table non exportée Travail de la forge• *Cercle de Pobè-Kétou, village de Adja Ouèrè. SD = enclume frappée En alternance, formules récitées en yoruba et jouées sur l'enclume• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :51B-05 BM.1970.019.001/123:51B-05 00:04:00 08/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT POUR LE FETICHE _ATIGALI_ Sous-table non exportée Sous-table non exportée Travail de la forge• *Cercle de Pobè-Kétou, village de Adja Ouèrè. VC = chanté solo Hpar le forgeron et choeur de 5 jeunes garçons SD = soufflets et enclumes frappées En alternance, formules récitées en yoruba et jouées sur l'enclume• ROUGET,GILBERT 1952 GR52.059 BM69.39.59 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :52-01 BM.1970.019.001/123:52-01 00:02:00 13/09/52 BENIN OUIDAH, QUARTIER FONSARAME YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA TRITURATION DES FEUILLES /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. dans un sanctuaire de Shango, tenu par Lashukpo ; sur demande de P. Verger• Cf. cahier 1952-4, p.19• VP = récité solo H, prière, puis VC =chanté chr mixte. Chanté en langue oyo-yoruba. / Bien chanté, bien enregistré• ROUGET,GILBERT 1952 GR52.053b BM69.39.53b AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :52-02 BM.1970.019.001/123:52-02 00:04:45 13/09/52 BENIN OUIDAH, QUARTIER FONSARAME YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA TRITURATION DES FEUILLES /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. dans un sanctuaire de Shango, tenu par Lashukpo ; sur demande de P. Verger• Cf. cahier 1952-4, p.19• VP = récité solo H, prière, puis VC =chanté chr mixte. Chanté en langue oyo-yoruba. Suite d'airs / Bien chanté, bien enregistré• ROUGET,GILBERT 1952 GR52.053b BM69.39.53b AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :52-03 BM.1970.019.001/123:52-03 00:06:00 13/09/52 BENIN OUIDAH, QUARTIER FONSARAME YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA TRITURATION DES FEUILLES /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. dans un sanctuaire de Shango, tenu par Lashukpo ; sur demande de P. Verger• Cf. cahier 1952-4, p.19• VP = récité solo H, prière, puis VC =chanté chr mixte. Chanté en langue oyo-yoruba. Suite d'airs / Bien chanté, bien enregistré• ROUGET,GILBERT 1952 GR52.053b BM69.39.53b AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :52-04 BM.1970.019.001/123:52-04 00:03:15 13/09/52 BENIN OUIDAH, QUARTIER FONSARAME YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA TRITURATION DES FEUILLES /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. dans un sanctuaire de Shango, tenu par Lashukpo ; sur demande de P. Verger• Cf. cahier 1952-4, p.19• VP = récité solo H, prière, puis VC =chanté chr mixte. Chanté en langue oyo-yoruba. Suite d'airs / Bien chanté, bien enregistré MAUVAIS DÉFILEMENT EN FIN DE PIÈCE• ROUGET,GILBERT 1952 GR52.053b BM69.39.53b AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-01 BM.1970.019.001/123:53-01 00:01:30 13/09/52 BENIN OUIDAH, QUARTIER FONSARAME YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LA TRITURATION DES FEUILLES /2ME BOB.,FIN Sous-table non exportée Sous-table non exportée Enreg. dans un sanctuaire de Shango, tenu par Lashukpo ; sur demande de P. Verger• Cf. cahier 1952-4, p.20• VP = récité solo H, prière, puis VC =chanté chr mixte. Chanté en langue oyo-yoruba. Suite de deux airs / Bien chanté, bien enregistré• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-02 BM.1970.019.001/123:53-02 00:01:40 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-03 BM.1970.019.001/123:53-03 00:01:40 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-04 BM.1970.019.001/123:53-04 00:01:25 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-05 BM.1970.019.001/123:53-05 00:02:45 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-06 BM.1970.019.001/123:53-06 00:03:27 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine / UN SILENCE à 2'20" • ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :13-01 BM.1979.036.001/17:13-01 00:06:00 MAROC PROVINCE D'AZILAL, AYT MGUN,AZRZM,DANSLA MAISON BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHWAS Sous-table non exportée Sous-table non exportée Enregistrements d'enquête. Ahwas avec embryon de polyphonie. Deux prises différentes• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-13 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :53-07 BM.1970.019.001/123:53-07 00:03:35 14/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANTS POUR LES VODUN AU TEMPLE DE SOGBADJI Sous-table non exportée Sous-table non exportée Enreg. sur demande de P. Verger, chez Huon Dagbo, au temple de Sogbadji. Chanté par les zélateurs du temple• Cf. cahier 1952-4, pp.20 & 21. Le pièces -06 et -07 ont été éditées par Africavox , Ax136 et Ax137• IS = 3 hochets en calebasse à percuteur externe _hunsogwe_ BC = battements de mains et de poitrine / INCOMPLET• ROUGET,GILBERT 1952 GR52.060 BM69.39.60 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :54-01 BM.1970.019.001/123:54-01 03:10:00 14/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, p.21• I = cloche, jouée par moment• ROUGET,GILBERT 1952 GR52.052/1 BM69.39.52/1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :54-02 BM.1970.019.001/123:54-02 00:03:00 14/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, p.21• I = cloche, jouée par moment Z = percussions• ROUGET,GILBERT 1952 GR52.052/1 BM69.39.52/1 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :55-01 BM.1970.019.001/123:55-01 00:04:00 14/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /2ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Joué par la Société de l'orchestre _agbe_ , musiciens amateurs• Cf. cahier 1952-4, pp. 22 & 22bis. Les pièce -01 et -02 ont été éditées par Africavox, Ax142 et Ax143• *a) chanté solo et chr H = salutation pour _Eshu Elegba_ enchaîné à b) idem + batterie _agbe_ = pour citer les noms de musiciens. La "batterie" _agbe_ est composée de: 2 hochets-sonnailles sur calebasse _agbe_ ; 1 sanza à lames métalliques -agidigbo_ ; 2 cloches de fer replié _aro_• ROUGET,GILBERT 1952 GR52.061 BM69.39.61 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :55-02 BM.1970.019.001/123:55-02 00:04:25 14/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /2ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Joué par la Société de l'orchestre _agbe_ , musiciens amateurs• Cf. cahier 1952-4, pp. 22 & 22bis. Les pièce -01 et -02 ont été éditées par Africavox, Ax142 et Ax143• La "batterie" _agbe_ est composée de: 2 hochets-sonnailles sur calebasse _agbe_ ; 1 sanza à lames métalliques -agidigbo_ ; 2 cloches de fer replié _aro_• ROUGET,GILBERT 1952 GR52.061 BM69.39.61 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :55-03 BM.1970.019.001/123:55-03 00:03:25 14/09/52 BENIN OUIDAH* FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /2ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Musique de levée de deuil. Joué par une Société de musiciens amateurs• Cf. cahier 1952-4, pp. 22bis et 23. Éditées par Africavox, Ax144• * Enreg. dans le quartier Maro. N = ensemble dit "atchoke" (= "chauve-souris"), composé de IF = cloches de fer et de IS = hochets métalliques• ROUGET,GILBERT 1952 GR52.061 BM69.39.61 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :55-04 BM.1970.019.001/123:55-04 00:04:40 14/09/52 BENIN OUIDAH* FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /2ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Musique funéraire. Joué par la Société de l'orchestre _sinhnu_ , musiciens amateurs• Cf. cahier 1952-4, p. 23. Éditées par Africavox, Ax145• * Enreg. dans le quartier Maro. N = "batterie""sinhun" ("tambour d'eau") , composé de1 IFC =tbr-pot en calebasse battu avec un éventail en cuir, 1 IFC =tbr d'eau _sinhun_ à deux éléments , 1 IFC =cloche de fer double, 1 IFC = cloche de fer simple• ROUGET,GILBERT 1952 GR52.061 BM69.39.61 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :56-01 BM.1970.019.001/123:56-01 00:03:35 15/09/52 BENIN OUIDAH* FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /3ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Musique funéraire. Joué par la Société de l'orchestre _sinhnu_ , musiciens amateurs• Cf. cahier 1952-4, p. 23• * Enreg. dans le quartier Maro. N = "batterie""sinhun" ("tambour d'eau") , composé de1 IFC =tbr-pot en calebasse battu avec un éventail en cuir, 1 IFC =tbr d'eau _sinhun_ à deux éléments , 1 IFC =cloche de fer double, 1 IFC = cloche de fer simple• ROUGET,GILBERT 1952 GR52.062 BM69.39.62 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :56-02 BM.1970.019.001/123:56-02 00:06:30 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /3ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie. Joué par la Société de l'orchestre _agbe_ , musiciens amateurs Chanté ennago mélangé de fon Cf. cahier 1952-4, pp. 22 & 22bis [et p. 24 ?]• La "batterie" _agbe_ est composée de: 2 hochets-sonnailles sur calebasse _agbe_ ; 1 sanza à lames métalliques -agidigbo_ ; 2 cloches de fer replié _aro_• ROUGET,GILBERT 1952 GR52.062 BM69.39.62 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :56-03 BM.1970.019.001/123:56-03 00:03:20 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /3ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah, quartier Maro, pendant la cérémonie, au lever du jour. Joué par la Société des _mariwo_ des _egungun_ "revenants" Chant pour appeler les Revenants. Chanté partie en nago, partie en fon• Cf. cahier 1952-4, pp. 22bis, 24 & 25 Éditée sur le disque _Dahomey. Musique des Revenants_, Afrique vol. 1 Vogue EXTP 1026, A,1• La "batterie" _ogbon_ est composée de: M = 3 tbrs sur caisse à douve , battus à la main _omele_ M1D = 1 tbr d'aisselle à une seule peau —ogbon_, tbr des Revenants• ROUGET,GILBERT 1952 GR52.062 BM69.39.62 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :56-04 BM.1970.019.001/123:56-04 00:03:15 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /3ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah, quartier Maro, pendant la cérémonie, au lever du jour. Joué par la Société des _mariwo_ des _egungun_ "revenants" Chant pour appeler les Revenants. Chanté en nago• Cf. cahier 1952-4, pp. 22bis, 24. Éditée sur le disque _Dahomey. Musique des Revenants_, Afrique vol. 1 Vogue EXTP 1026, A,2• IFC = bouteille frappée avec une pièce de monnaie. ROUGET,GILBERT 1952 GR52.062 BM69.39.62 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :57-01 BM.1970.019.001/123:57-01 00:03:30 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /4ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah• Cf. cahier 1952-4, pp. 25 à 27. Cf.BM...56-03• VP = récitatif solo H V = interjections du choeur• ROUGET,GILBERT 1952 GR52.063 BM69.39.63 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :57-02 BM.1970.019.001/123:57-02 00:02:15 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /4ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah, quartier Maro, pendant la cérémonie, au lever du jour. Joué par la Société des _mariwo_ des _egungun_ "revenants"• Cf. cahier 1952-4, pp. 25 à 27. Cf.BM...56-03• VP = déclamé choeur F, choeur H au loin. La "batterie" _ogbon_ est composée de: M = 3 tbrs sur caisse à douve , battus à la main _omele_ M1D = 1 tbr d'aisselle à une seule peau —ogbon_, tbr des Revenants. ARRÊT puis REPRISE• ROUGET,GILBERT 1952 GR52.063 BM69.39.63 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :57-03 BM.1970.019.001/123:57-03 00:02:40 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /4ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah• Cf. cahier 1952-4, pp. 25 à 27. Cf.BM...56-03• VP = dialogue Rouget - interprète V =cris du Baba V- VOIX CHR F =acclamations des F• ROUGET,GILBERT 1952 GR52.063 BM69.39.63 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :57-04 BM.1970.019.001/123:57-04 00:08:20 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /4ME BOB.* Sous-table non exportée Sous-table non exportée Enreg. à Ouidah• Cf. cahier 1952-4, pp. 25 à 27. Cf.BM...56-03• VP et V = discours du Baba puis réponses et cris. Puis chanté solo H et chr F et batterie _ogbon_ , composée de: M = 3 tbrs sur caisse à douve , battus à la main _omele_ M1D = 1 tbr d'aisselle à une seule peau —ogbon_, tbr des Revenants• ROUGET,GILBERT 1952 GR52.063 BM69.39.63 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :58-01 BM.1970.019.001/123:58-01 00:03:00 15/09/52 BENIN OUIDAH FON & NAGO YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL VEILLEE POUR LES REVENANTS /5ME BOB,FIN Sous-table non exportée Sous-table non exportée Cf. cahier 1952-4, pp. 22bis, 24 & 25 Éditée sur le disque _Dahomey. Musique des Revenants_, Afrique vol. 1 Vogue EXTP 1026, A,1• Chant solo H puis "batterie" _ogbon_ est composée de: M = 3 tbrs sur caisse à douve , battus à la main _omele_ M1D = 1 tbr d'aisselle à une seule peau —ogbon_, tbr des Revenants• ROUGET,GILBERT 1952 GR52.064 BM69.39.64 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :58-02 BM.1970.019.001/123:58-02 00:03:05 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /1ERE BOB Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 et parfois 3 flûtes _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié. FORT BRUIT DE BANDE. ROUGET,GILBERT 1952 GR52.064 BM69.39.64 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :59-01 BM.1970.019.001/123:59-01 00:03:00 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /2EME BOB Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié• ROUGET,GILBERT 1952 GR52.065 BM69.39.65 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :59-02 BM.1970.019.001/123:59-02 00:03:10 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /2EME BOB Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié• ROUGET,GILBERT 1952 GR52.065 BM69.39.65 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :59-03 BM.1970.019.001/123:59-03 00:03:10 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /2EME BOB Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié. /UN FAUX DÉPART au début• ROUGET,GILBERT 1952 GR52.065 BM69.39.65 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :60-01 BM.1970.019.001/123:60-01 00:03:30 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /3EME BOB Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H• ROUGET,GILBERT 1952 GR52.066 BM69.39.66 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :60-02 BM.1970.019.001/123:60-02 00:04:50 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /3EME BOB, FIN Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié• ROUGET,GILBERT 1952 GR52.066 BM69.39.66 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :60-03 BM.1970.019.001/123:60-03 00:04:50 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /3EME BOB, FIN Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié• ROUGET,GILBERT 1952 GR52.066 BM69.39.66 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :60-04 BM.1970.019.001/123:60-04 00:03:20 15/09/52 BENIN OUIDAH FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL ENSEMBLE DE FLUTES _KPETE_ /3EME BOB, FIN Sous-table non exportée Sous-table non exportée Chanat à la gloire de la famille Dossou Yovo. Enreg. chez M. Dossou Yovo, sur demande• Cf. cahier 1952-4, pp. 28 À 28\4 Une des pièces des enreg.de l'ensemble de flûtes _kpete_ (BM...58 à ...60) a été éditée sur le disque _Dahomey, Musique du Roi. Guinée, Musique Malinké_, Vogue MC20-146, A,4• *AF = 2 _kpete_ , flûte courbée à encoche, à trois trous, en écorce de liane, jouées par des H. IFC = cloche en fer replié• ROUGET,GILBERT 1952 GR52.066 BM69.39.66 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-01 BM.1970.019.001/123:61-01 00:02:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-02 BM.1970.019.001/123:61-02 00:01:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-03 BM.1970.019.001/123:61-03 00:01:15 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44 à 09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-04 BM.1970.019.001/123:61-04 00:01:20 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-05 BM.1970.019.001/123:61-05 00:01:15 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-06 BM.1970.019.001/123:61-06 00:01:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 06. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-07 BM.1970.019.001/123:61-07 00:01:35 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-08 BM.1970.019.001/123:61-08 00:01:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-09 BM.1970.019.001/123:61-09 00:02:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-10 BM.1970.019.001/123:61-10 00:01:20 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-11 BM.1970.019.001/123:61-11 00:01:01 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :61-12 BM.1970.019.001/123:61-12 00:00:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à 09. Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.067 BM69.39.67 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-01 BM.1970.041.001/55:19-01 00:02:35 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE PIRI BOHORA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo H. Cait de Piri Bohora (Jadis au service du Roi de Doti), par Bhoj Raj Bhatta Râi Suite de Bande 18- 02• BM.1970.041.001/55:18-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-04 BM.1970.041.001/55:19-04 00:11:10 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE QUETE POUR LE MOOIS DE CAIT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté solo homme/choeur h et f. Tambour hudko. Chant de quête pour le mois de Cait• BM.1970.041.001/55:19-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-02 BM.1970.041.001/55:19-02 00:07:00 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DU KUMAON Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, choeur homme et femme. Guide chant Harmoni. Tambur à deux peaux dhol. petites cymbales mâjira. Grelots de cheville de la femme. Chant de kumaon• BM.1970.041.001/55:19-02 HELFFER,MIREILLE&GABORIEAU,MARC 0 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-03 BM.1970.041.001/55:19-03 00:11:50 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT SUR DANDELDURA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, choeur homme et femme. Guide chant Harmoni. Tambur à deux peaux dhol. petites cymbales mâjira. Grelots de cheville de la femme. Chant sur Dandeldura • BM.1970.041.001/55:19-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-05 BM.1970.041.001/55:19-05 00:02:15 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A REPIQUER LE RIZ Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté solo h. Tambour Dhol. Chant à repiquer le riz• BM.1970.041.001/55:19-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-07 BM.1970.041.001/55:19-07 00:04:15 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ACCOMPAGNER UNE DANSE DE FEMME Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, choeur homme et femme. Guide chant Harmoni. Tambur à deux peaux dhol. petites cymbales mâjira. Grelots de cheville de la femme. Chant pour accompagner une danse de femme• BM.1970.041.001/55:19-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-08 BM.1970.041.001/55:19-08 00:03:20 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ACCOMPAGNER UNE DANSE DES EPEES Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, choeur homme et femme. Guide chant Harmoni. Tambur à deux peaux dhol. petites cymbales mâjira. Grelots de cheville de la femme. Chant pour accompagner une danse des épées• BM.1970.041.001/55:19-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 Non pertinent 19 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :19-06 BM.1970.041.001/55:19-06 00:01:15 13-14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DAS HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A REPIQUER LE RIZ Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté solo h. Tambour Dhol. Chant à repiquer le riz• BM.1970.041.001/55:19-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 19 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-01 BM.1970.019.001/123:62-01 00:01:30 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-02 BM.1970.019.001/123:62-02 00:00:50 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-03 BM.1970.019.001/123:62-03 00:03:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-04 BM.1970.019.001/123:62-04 00:01:30 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-05 BM.1970.019.001/123:62-05 00:05:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-06 BM.1970.019.001/123:62-06 00:01:10 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :62-07 BM.1970.019.001/123:62-07 04:00:00 18/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/2EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• M = batterie de tbr, IFc = cloches de fer £ = hochets et/ou chanté : formations diverses. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.068 BM69.39.68 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :63-01 BM.1970.019.001/123:63-01 00:03:00 19/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/3EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• £ :présence de Hochets à vérifier * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.069 BM69.39.69 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :63-02 BM.1970.019.001/123:63-02 00:06:35 19/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/3EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• £ :présence de Hochets à vérifier * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.069 BM69.39.69 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :63-03 BM.1970.019.001/123:63-03 00:01:30 19/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU,_GODJETO_*/3EME BOB. Sous-table non exportée Sous-table non exportée Enreg. pendant la cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Plusieurs pièces éditées surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• £ :présence de Hochets à vérifier * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu , fête de _Godjeto_• ROUGET,GILBERT 1952 GR52.069 BM69.39.69 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :20-01 BM.1970.041.001/55:20-01 00:43:00 14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUBDIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE DE BHARAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, déclamé, solo h, choeur h. Tambur sablier Hudko dont la bretelle de suspension porte declochetes. Poème héroÏque BHARAT: Histoire de Bika Paneru (jusqu'au chant n°7 inclus)• BM.1970.041.001/55:19-08 HELFFER,MIREILLE&GABORIEAU,MARC 1969 20 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :21-01 BM.1970.041.001/55:21-01 00:35:00 13/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUBDIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE DE BHARAT (SUITE) Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, déclamé, solo h, choeur h. Tambur sablier Hudko dont la bretelle de suspension porte declochetes. Poème héroÏque BHARAT: Histoire de Bika Paneru (jusqu'au chant n°7 inclus)• BM.1970.041.001/55:20-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 21 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :64-01 BM.1970.019.001/123:64-01 00:03:45 20+21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU_ Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Éditée ? partiellement surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• IS= cloches de fer doubles. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu_• ROUGET,GILBERT 1952 GR52.070 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :64-02 BM.1970.019.001/123:64-02 00:03:20 20+21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU_ Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Éditée ? partiellement surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• IS= cloches de fer doubles. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu_• ROUGET,GILBERT 1952 GR52.070 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :64-03 BM.1970.019.001/123:64-03 00:01:30 20+21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CULTE DES _NESUXWE_, CYCLE DES _TOXOSU_ Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• Cf. cahier 1952-4, pp. 29 et svv. Cf. BM...44-02 à -09 Éditée ? partiellement surle disque _Dahomey. Musique des Princes. Fête des Tohossou_, notice de 17p., Vogue MC-200-93 et LD-5• IS= cloches de fer doubles. * Cérémonies annuelles pour le culte des _Nesuxwe_, cycle des _Toxosu_• ROUGET,GILBERT 1952 GR52.070 BM69.39.70 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :22-01 BM.1970.041.001/55:22-01 00:43:00 14/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C DHOLI SUBDIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE DE BHARAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, déclamé, solo h, choeur h. * Pratap DHOLI de Bhat gau, Jain Man DHOLI de Bhat gau, JOGI DHOLI de Sirola, Dumre DHOLI de Tatar. Tambur sablier Hudko dont la bretelle de suspension porte declochetes. Poème héroÏque BHARAT: Histoire de Bimla Rawat et Janjali Rawat (fragment) (Cf.:MK7,5, I/2 pour la fin - texte pp.37-41)• BM.1970.041.001/55:21-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 22 ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :64-04 BM.1970.019.001/123:64-04 00:08:30 20+21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• IS= cloches de fer doubles. * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.070 BM69.39.70 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-01 BM.1970.019.001/123:65-01 00:00:45 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• IS= cloches de fer doubles. * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-02 BM.1970.019.001/123:65-02 00:01:30 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• VA = cris pour Agé, au loin Vc = choeur au loin. * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-03 BM.1970.019.001/123:65-03 00:01:50 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• VA = cris pour Agé, plus présent que sur BM...-02 Vc = plus présent que sur BM...-02. Z = BRUIT DE VENT * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-04 BM.1970.019.001/123:65-04 00:00:45 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• VA = cris pour Agé, plus présent que sur BM...-02 Vc = plus présent que sur BM...-02. Z = BRUIT DE VENT * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-05 BM.1970.019.001/123:65-05 00:03:30 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• IS= cloches de fer doubles. VA = cris. * Cérémonie annuelle pour le vodun _Agé_• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :65-06 BM.1970.019.001/123:65-06 00:04:40 21/09/52 BENIN ABOMEY FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE ANNUELLE POUR LE VODUN _AGE_ /2EME BOB., FIN Sous-table non exportée Sous-table non exportée Enreg. sur la place du temple, hors cérémonie• IS= cloches de fer doubles. VA = cris. * Cérémonie annuelle pour le vodun _Agé_ DES COUPURES• ROUGET,GILBERT 1952 GR52.071 BM69.39.71 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :66-01 BM.1970.019.001/123:66-01 00:01:00 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, p.1 à 7 ; cf. fiches BM...46 et ...70. Pièces -01 et -02 partiellement éditées sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. VP = conversation, puis VP = salutations F et H IS = cloches doubles séparées, à battant interne, tenues à la main _adja_ ** Cérémonie _osenla_ pour Ogun IgboIgbo, dieu du fer• ROUGET,GILBERT 1952 GR52.072 BM69.39.72 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :66-02 BM.1970.019.001/123:66-02 00:01:00 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, p.1 à 7 ; cf. fiches BM...46 et ...70. Pièces -01 et -02 partiellement éditées sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. VP = murmures IS = cloches doubles séparées, à battant interne, tenues à la main _adja_ ** Cérémonie _osenla_ pour Ogun IgboIgbo, dieu du fer• ROUGET,GILBERT 1952 GR52.072 BM69.39.72 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :66-03 BM.1970.019.001/123:66-03 00:01:00 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, p.1 à 7 ; cf. fiches BM...46 et ...70. Pièces -01 et -02 partiellement éditées sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. A = sifflet en os d'homme _itche_ . V = voix au loin. ** Cérémonie _osenla_ pour Ogun IgboIgbo, dieu du fer• ROUGET,GILBERT 1952 GR52.072 BM69.39.72 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :66-04 BM.1970.019.001/123:66-04 00:00:30 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, p.1 à 7 ; cf. fiches BM...46 et ...70. Pièces -01 et -02 partiellement éditées sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. A = sifflet en os d'homme _itche_ . V = voix au loin. ** Cérémonie _osenla_ pour Ogun IgboIgbo, dieu du fer• ROUGET,GILBERT 1952 GR52.072 BM69.39.72 AFRIQUE +BM.1972.013 Divers* BM.1972.013.001/29 :29-01 BM.1972.013.001/29:29-01 00:01:22 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 PRESENTATION DE L'EPOPEE Sous-table non exportée Sous-table non exportée Invocation• Enregistrement en 9,5cm/s, 1/2P, Piste A BM.1972.013.001/29:28-02 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-02 BM.1972.013.001/29:29-02 00:10:47 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-01 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-03 BM.1972.013.001/29:29-03 00:03:07 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-02 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-04 BM.1972.013.001/29:29-04 00:06:10 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-03 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-05 BM.1972.013.001/29:29-05 00:01:48 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-04 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-06 BM.1972.013.001/29:29-06 00:02:34 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-05 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-07 BM.1972.013.001/29:29-07 00:01:25 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-06 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-08 BM.1972.013.001/29:29-08 00:03:08 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-07 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-09 BM.1972.013.001/29:29-09 00:01:33 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT D'ENFANT Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-08 HAUTECLOQUE,ANNE DE 1963 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-10 BM.1972.013.001/29:29-10 00:04:17 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 TEXTE RECITE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-09 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-11 BM.1972.013.001/29:29-11 00:43:19 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-10 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-12 BM.1972.013.001/29:29-12 00:25:17 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste A BM.1972.013.001/29:29-11 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1972.013 Divers* BM.1972.013.001/29 :29-13 BM.1972.013.001/29:29-13 01:05:04 1961 VIETNAM VIETNAM CENTRAL RHADE HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 CHANT EPIQUE Sous-table non exportée Sous-table non exportée Enregistrement en 9,5cm/s, 1/2P, 18cm de diamètre, Piste B Comptage et silence au début pendant 34 secondes• BM.1972.013.001/29:29-12 HAUTECLOQUE,ANNE DE 1961 Non pertinent ASIE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :66-05 BM.1970.019.001/123:66-05 00:13:20 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:1ERE BOB. Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, p.1 à 7 ; cf. fiches BM...46 et ...70. Pièces -01 et -02 partiellement éditées sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette ,une ou plusieurs cloches ? 3 IFC-ADJA = 3 ? cloches doubles séparées à battant iterne, tenues à la main , A = Itche, sifflet en os d'H. À 2' : cris de F, puis solo et chr F, voix lointaines ; à 5' et 6': cloche très présente, apaisement à 6'30, puis cloche présente ; vers 10': changelkent de rythme des tbrs, le CHR chantant comme au début ; à 11': danse des prêtres. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer• ROUGET,GILBERT 1952 GR52.072 BM69.39.72 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :67-01 BM.1970.019.001/123:67-01 00:09:30 07/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER**:2EMEBOB.,FIN Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, pendant la cérémonie• Cf. cahier 1952-5, pp 7 à 10 ; cf. fiches BM...66 et ...70. La pièce -01 a été éditée sur le disque _Pondo Kakou_, Contrpoint MC.20141, B,1. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , une ou plusieurs ? 3 IS-ADJA = 3 ? cloches doubles séparées à battant iterne, tenues à la main , A = _itche_ sifflet en os d'H. Détails : chanté CHR F, à 1' tbrs, cloches, puis soloH et CHR F ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer• ROUGET,GILBERT 1952 GR52.073 BM69.39.73 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :67-02 BM.1970.019.001/123:67-02 00:01:30 02/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SOLO DE SIFFELT CORNU _FERE_ Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 7 à 10 ; cf. fiches BM...66 et ...70• *Cercle de Pobè-Kétou, village de Adja Ouèrè A = sifflet cornu _fere_ • ROUGET,GILBERT 1952 GR52.073 BM69.39.73 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :67-03 BM.1970.019.001/123:67-03 00:01:00 02/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LANGAGE SIFFLE Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 7 à 10 ; cf. fiches BM...66 et ...70• *Cercle de Pobè-Kétou, village de Adja Ouèrè• ROUGET,GILBERT 1952 GR52.073 BM69.39.73 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :67-04 BM.1970.019.001/123:67-04 00:00:40 02/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LANGAGE SIFFLE Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 7 à 10 ; cf. fiches BM...66 et ...70• *Cercle de Pobè-Kétou, village de Adja Ouèrè• ROUGET,GILBERT 1952 GR52.073 BM69.39.73 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-01 BM.1970.019.001/123:68-01 00:02:05 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUES -GELEDE_** Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 8 à 16• VC = chante CHR (mixte?) V = acclamations ** Sortie de masques _Gèlèdè_ *Cercle de Pobè-Kétou, village de Ishèdè• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-02 BM.1970.019.001/123:68-02 00:03:00 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUES -GELEDE_** Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 8 à 16• VC = chanté solo Garçon et CHR (mixte?) V = acclamations ** Sortie de masques _Gèlèdè_ *Cercle de Pobè-Kétou, village de Ishèdè• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-03 BM.1970.019.001/123:68-03 00:03:00 01/10/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SORTIE DE MASQUES -GELEDE_** Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 8 à 16• VC = chante CHR (mixte?) , au loin. V = acclamations / UN FAUX DÉPART ** Sortie de masques _Gèlèdè_ *Cercle de Pobè-Kétou, village de Ishèdè• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-04 BM.1970.019.001/123:68-04 00:03:30 05/10/52 BENIN PORTO-NOVO FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DE KPENGLA Sous-table non exportée Sous-table non exportée Chant de Kpengla, roi du Dahomey, pour guerroyer contre les Peda• Cf. cahier 1952-6, pp13-16 et 1952-5, pp 8-16. Ont été éditées les pièces -04 par Africavox Ax97 ; -05 sur le disque _Dahomey. M. des Princes_, Vogue MC-20146, A5• * chanteurs Feédic et Albéric Glèlè. CC-TOBA = cithare en radeau, à deux fois 6 cordes. IS-= cloche de fer. BC-= frappements de poitrine• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-05 BM.1970.019.001/123:68-05 00:03:30 05/10/52 BENIN PORTO-NOVO FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT DU TEMPS DU ROI GLELE** Sous-table non exportée Sous-table non exportée ** chant du temps du roi Glèlè, sur un bossu• Cf. cahier 1952-6, pp13-16 et 1952-5, pp 8-16• Ont été éditées les pièces -04 par Africavox Ax97 ; -05 sur le disque _Dahomey. M. des Princes_, Vogue MC-20146, A5• * chanteurs Feédic et Albéric Glèlè. CC-TOBA = cithare en radeau, à deux fois 6 cordes. IS-= cloche de fer. BC-= frappements de poitrine• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :68-06 BM.1970.019.001/123:68-06 00:02:00 05/10/52 BENIN PORTO-NOVO FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT SUR UN ORPHELIN Sous-table non exportée Sous-table non exportée Cf. cahier 1952-6, pp13-16 et 1952-5, pp 8-16• / PAS DE FIN; * chanteurs Feédic et Albéric Glèlè. CC-TOBA = cithare en radeau, à deux fois 6 cordes. IS-= cloche de fer. BC-= frappements de poitrine• ROUGET,GILBERT 1952 GR52.074 BM69.39.74 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :69-01 BM.1970.019.001/123:69-01 00:06:35 05/10/52 BENIN ABOMEY* FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FORMULES DE BATTERIE... Sous-table non exportée Sous-table non exportée Éditée sur le disque _Dahomey. M. des Princes_, Vogue MC-20146, B 13 & 14. Cf. pièce BM.1970.019.001/123:61-01 (dans la même collection)• VP-= récité deux voix H Formules de batterie de tbrs pour les fêtes des _Tohosu_, , dites par Frédéric et Albéric Glèlè• ROUGET,GILBERT 1952 GR52.075 BM69.39.75 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :69-02 BM.1970.019.001/123:69-02 00:00:35 05/10/52 BENIN ABOMEY* FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FORMULES DE BATTERIE... ?? Sous-table non exportée Sous-table non exportée * Enregistré à Porto-Novo. ** [ peut-être par Frédéric et Albéric Glèlè. La fiche dactylographiée n'est pas explicite. Note du rédacteur]• ROUGET,GILBERT 1952 GR52.075 BM69.39.75 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :69-03 BM.1970.019.001/123:69-03 00:01:00 05/10/52 BENIN ABOMEY* FON MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FORMULES DE BATTERIE... ?? Sous-table non exportée Sous-table non exportée * Enregistré à Porto-Novo. ** [ peut-être par Frédéric et Albéric Glèlè. La fiche dactylographiée n'est pas explicite. Note du rédacteur]• ROUGET,GILBERT 1952 GR52.075 BM69.39.75 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :70-01 BM.1970.019.001/123:70-01 00:08:00 09/09/52 BENIN CL. DE POBE-KETOU, ADJA OUERE* HOLI-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CEREMONIE POUR OGUN IGBOIGBO, DIEU DU FER** Sous-table non exportée Sous-table non exportée Enreg. au temple de Ishèdè, dans l'attente d'une cérémonie qui n'a pas eu lieu• Cf. cahier 1952-4, p.10 à 13 ; cf. fiches BM...66 et ...70. Entièrement édité sur le disque _A.O.F. Ogoun Dieu du Fer_, Vogue MC.20159, MH LD.12, A1 et 2. Cf. P. Verger _Dieu d'Afrique_ et _Notes sur le culte des orisha et des vodoun_• *Cercle de Pobè-Kétou, près du village de Adja Ouèrè, temple de Ishèdè. M = 3 tbr :_akpossi_ , _kélé_ et _ogidan_ . IFC-AGOGO =cloche de fer double soudée, frappée ave une baguette , 3 IFC-ADJA = 3 cloches doubles séparées à battant iterne, tenues à la main , IFC- OGAN =cloche repliée , A-FÉRÉ =sifflet. V= murmures, salutations et prières. SA= chants d'oiseaux. ** Cérémonie _osenla_ pour Ogun Igboigbo, dieu du fer. • ROUGET,GILBERT 1952 GR52.076 BM69.39.76 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :71-01 BM.1970.019.001/123:71-01 00:10:00 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,1ERE BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Suite d'airs * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels• ROUGET,GILBERT 1952 GR52.077 BM69.39.77 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :71-02 BM.1970.019.001/123:71-02 00:06:30 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,1ERE BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Suite d'apples et d'airs * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels• ROUGET,GILBERT 1952 GR52.074 BM69.39.77 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :72-03 BM.1970.019.001/123:72-03 00:07:55 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,2ME BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Trompes, cloches, choeurs. * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels. Meilleur que pièce ...-02• ROUGET,GILBERT 1952 GR52.078 BM69.39.78 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :72-02 BM.1970.019.001/123:72-02 00:03:00 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,2ME BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Trompes, cloches, choeurs. * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels• ROUGET,GILBERT 1952 GR52.078 BM69.39.78 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :72-01 BM.1970.019.001/123:72-01 00:04:20 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,2ME BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Appels de trompes, réponses,cris. * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels• ROUGET,GILBERT 1952 GR52.078 BM69.39.78 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :73-02 BM.1970.019.001/123:73-02 00:06:45 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,3ME BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Trompes, choeurs, cloches, cris, foule. * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels. /Enchaîné au précédent• ROUGET,GILBERT 1952 GR52.079 BM69.39.79 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :73-01 BM.1970.019.001/123:73-01 00:05:30 11/10/52 BENIN PORTO-NOVO, QUARTIER FOUNFOUN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL M. DES "CHASSEURS DE NUIT" _ZANGBETO_,3ME BOB. Sous-table non exportée Sous-table non exportée Cf. cahier 1952-5, pp 17-24. Extraits édités sur le disque _Dahomey. Musique du roi. Vogue MC-20146, A3• Trompes, choeurs, cloches, cris, foule. * Chanté solo et/ou chr H et/ou cloches de fer et/ou tubes métalliques et trompes et/ou voix à mirliton. *V-= cris, appels. /Enchaîné au suivant• ROUGET,GILBERT 1952 GR52.079 BM69.39.79 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :73-03 BM.1970.019.001/123:73-03 00:04:16 12/10/52 BENIN GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "PERE ARC-EN -CIEL" "BABAO ODOSHUMARE" Sous-table non exportée Sous-table non exportée Société de musiciens amateurs• Cf. cahier 1952-5, pp 25-26. Cf. BM...:74. Pièce éditée par Africavox Ax 72• Chanté en Nago-Yoruba. IP-= sanza à lamelles de métal. * Chanteurs: Dominique Da Silva, Totondji, Pascal Faladé, Fakorédé, Ouakili• ROUGET,GILBERT 1952 GR52.079 BM69.39.79 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :74-01 BM.1970.019.001/123:74-01 00:03:55 12/10/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL SALUTATION POUR ESHU "MOJUBA..." Sous-table non exportée Sous-table non exportée Société de musiciens amateurs• Cf. cahier 1952-5, pp 25-26. Cf; BM...:73. Ont été éditées les pièces: -02 par Africavox Ax 73; -03 sur le disque _Pondo Kakou_, Vogue MC-20141, B4• Chanté en Nago-Yoruba. IP-= sanza à lamelles de métal. * Chanteurs: Dominique Da Silva, Totondji, Pascal Faladé, Fakorédé, Ouakili. :DÉFAUTS DE BANDE, TROUS• ROUGET,GILBERT 1952 GR52.080 BM69.39.80 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :74-02 BM.1970.019.001/123:74-02 00:03:45 12/10/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "LA CHAUVE-SOURIS ES MENTEUSE" "TOKE WA LALO..." Sous-table non exportée Sous-table non exportée Société de musiciens amateurs• Cf. cahier 1952-5, pp 25-26. Cf; BM...:73. Ont été éditées les pièces: -02 par Africavox Ax 73; -03 sur le disque _Pondo Kakou_, Vogue MC-20141, B4• Chanté en Gun. IP= sanza à lamelles de métal. * Chanteurs: Dominique Da Silva, Totondji, Pascal Faladé, Fakorédé, Ouakili• ROUGET,GILBERT 1952 GR52.080 BM69.39.80 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :74-03 BM.1970.019.001/123:74-03 00:04:00 12/10/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "S'IL YA UN TROU DANS DU BOIS, LES ABEILLES N'Y MANQUENT PAS..." "TO VIDE GBE WE..." (?) Sous-table non exportée Sous-table non exportée Société de musiciens amateurs. Chant des féticheurs du _vodun_ Dan• Cf. cahier 1952-5, pp 25-26. Cf; BM...:73. Ont été éditées les pièces: -02 par Africavox Ax 73; -03 sur le disque _Pondo Kakou_, Vogue MC-20141, B4• Chanté en Gun. "tô vide gbe we... (?). IP-= sanza à lamelles de métal. * Chanteurs: Dominique Da Silva, Totondji, Pascal Faladé, Fakorédé, Ouakili• ROUGET,GILBERT 1952 GR52.080 BM69.39.80 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :74-04 BM.1970.019.001/123:74-04 00:03:35 12/10/52 BENIN PORTO-NOVO GUN MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT ET SANZA Sous-table non exportée Sous-table non exportée Sociéte de musiciens amateurs• Cf. cahier 1952-5, pp 25-26. Cf; BM...:73. Ont été éditées les pièces: -02 par Africavox Ax 73; -03 sur le disque _Pondo Kakou_, Vogue MC-20141, B4• IP-= sanza à lamelles de métal. * Chanteurs: Dominique Da Silva, Totondji, Pascal Faladé, Fakorédé, Ouakili• /INTERROPU PAR UNE AMORCE À 1'15"• ROUGET,GILBERT 1952 GR52.080 BM69.39.80 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :75A-01 BM.1970.019.001/123:75A-01 00:01:25 29/08/52 BENIN SAKETE NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT RITUEL POUR LE CULTE DE SHANGO ORIKI Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, sur demande de P. Verger• Cf.: 1/ G. Rouget "Notes et documents pour servir à l'étude de la musique yoruba", tiré à part extrait de _Journal de la Société des Africanistes_, Tome XXV, fasc. I, 1965, p. 102 ; 2/ C. Laloum "Deux chants liturgiques yoruba", ibidem, p.134 et suivantes. 3/P. Verger _Notes sur le culte des orisha et des vodun_. Partiellement édité sur le disque _Fëte pour l'offrande des premières ignames à Sahngo_, Musée de l'Homme LD-2, B5 ; et sur le disque _Deux chants liturgiques yoruba_, Musée de l'Homme LD-45, face B, encarté dans le tiré à part cité plus haut• * La soliste, Iya Shango, est gardienne du sanctuaire; le choeur est composé par des zélatrices• ROUGET,GILBERT 1952 GR52.081 BM69.39.81 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :75B-01 BM.1970.019.001/123:75B-01 00:11:00 29/08/52 BENIN SAKETE NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT RITUEL POUR LE CULTE DE SHANGO ORIKI Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, sur demande de P. Verger• Cf.: 1/ G. Rouget "Notes et documents pour servir à l'étude de la musique yoruba", tiré à part extrait de _Journal de la Société des Africanistes_, Tome XXV, fasc. I, 1965, p. 102 ; 2/ C. Laloum "Deux chants liturgiques yoruba", ibidem, p.134 et suivantes. 3/P. Verger _Notes sur le culte des orisha et des vodun_. Partiellement édité sur le disque _Fëte pour l'offrande des premières ignames à Sahngo_, Musée de l'Homme LD-2, B5 ; et sur le disque _Deux chants liturgiques yoruba_, Musée de l'Homme LD-45, face B, encarté dans le tiré à part cité plus haut• * La soliste, Iya Shango, est gardienne du sanctuaire; le choeur est composé par des zélatrices• ROUGET,GILBERT 1952 GR52.081 BM69.39.81 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :75A-04 BM.1970.019.001/123:75A-04 00:03:20 29/08/52 BENIN SAKETE NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT RITUEL POUR LE CULTE DE SHANGO ORIKI Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, sur demande de P. Verger• Cf.: 1/ G. Rouget "Notes et documents pour servir à l'étude de la musique yoruba", tiré à part extrait de _Journal de la Société des Africanistes_, Tome XXV, fasc. I, 1965, p. 102 ; 2/ C. Laloum "Deux chants liturgiques yoruba", ibidem, p.134 et suivantes. 3/P. Verger _Notes sur le culte des orisha et des vodun_. Partiellement édité sur le disque _Fëte pour l'offrande des premières ignames à Sahngo_, Musée de l'Homme LD-2, B5 ; et sur le disque _Deux chants liturgiques yoruba_, Musée de l'Homme LD-45, face B, encarté dans le tiré à part cité plus haut• * La soliste, Iya Shango, est gardienne du sanctuaire; le choeur est composé par des zélatrices• ROUGET,GILBERT 1952 GR52.081 BM69.39.81 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :75A-03 BM.1970.019.001/123:75A-03 00:03:40 29/08/52 BENIN SAKETE NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT RITUEL POUR LE CULTE DE SHANGO ORIKI Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, sur demande de P. Verger• Cf.: 1/ G. Rouget "Notes et documents pour servir à l'étude de la musique yoruba", tiré à part extrait de _Journal de la Société des Africanistes_, Tome XXV, fasc. I, 1965, p. 102 ; 2/ C. Laloum "Deux chants liturgiques yoruba", ibidem, p.134 et suivantes. 3/P. Verger _Notes sur le culte des orisha et des vodun_. Partiellement édité sur le disque _Fëte pour l'offrande des premières ignames à Sahngo_, Musée de l'Homme LD-2, B5 ; et sur le disque _Deux chants liturgiques yoruba_, Musée de l'Homme LD-45, face B, encarté dans le tiré à part cité plus haut• * La soliste, Iya Shango, est gardienne du sanctuaire; le choeur est composé par des zélatrices• ROUGET,GILBERT 1952 GR52.081 BM69.39.81 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :75A-02 BM.1970.019.001/123:75A-02 00:01:50 29/08/52 BENIN SAKETE NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL CHANT RITUEL POUR LE CULTE DE SHANGO ORIKI Sous-table non exportée Sous-table non exportée Enreg. dans le sanctuaire de Shango, sur demande de P. Verger• Cf.: 1/ G. Rouget "Notes et documents pour servir à l'étude de la musique yoruba", tiré à part extrait de _Journal de la Société des Africanistes_, Tome XXV, fasc. I, 1965, p. 102 ; 2/ C. Laloum "Deux chants liturgiques yoruba", ibidem, p.134 et suivantes. 3/P. Verger _Notes sur le culte des orisha et des vodun_. Partiellement édité sur le disque _Fëte pour l'offrande des premières ignames à Sahngo_, Musée de l'Homme LD-2, B5 ; et sur le disque _Deux chants liturgiques yoruba_, Musée de l'Homme LD-45, face B, encarté dans le tiré à part cité plus haut• * La soliste, Iya Shango, est gardienne du sanctuaire; le choeur est composé par des zélatrices• ROUGET,GILBERT 1952 GR52.081 BM69.39.81 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :76-01 BM.1970.019.001/123:76-01 00:03:50 25/09/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR POUR FAIRE DANSER DANS LES FETES ORIN SHEKERE Sous-table non exportée Sous-table non exportée Troupe de musiciens professioinnels• Cf. cahier 1952-3, p.28• Les pièces -01 et -02 ont été éditées par Africavox Ax 132 et Ax 133• ROUGET,GILBERT 1952 GR52.082 BM69.39.82 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :76-03 BM.1970.019.001/123:76-03 00:02:00 25/09/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL FORMULES TAMBOURINEES ET DITES ALTERNATIVEMENT ORIN SHEKERE Sous-table non exportée Sous-table non exportée Troupe de musiciens professioinnels• Cf. cahier 1952-3, p.28• Les pièces -01 et -02 ont été éditées par Africavox Ax 132 et Ax 133• ROUGET,GILBERT 1952 GR52.082 BM69.39.82 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :76-02 BM.1970.019.001/123:76-02 00:04:10 25/09/52 BENIN PORTO-NOVO NAGO-YORUBA MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL AIR POUR FAIRE DANSER DANS LES FETES ORIN SHEKERE Sous-table non exportée Sous-table non exportée Troupe de musiciens professioinnels• Cf. cahier 1952-3, p.28• Les pièces -01 et -02 ont été éditées par Africavox Ax 132 et Ax 133• ROUGET,GILBERT 1952 GR52.082 BM69.39.82 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :21-01 BM.1970.019.001/123:21-01 00:03:03 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LOUANGE DE SAMBA GELA(N)DIA DIEGI** Sous-table non exportée Sous-table non exportée Enreg. à St Louis du Sénégal• Cf. cahier 52.1, page 36-37• * villages de Dimat & Ndyayen. VC et VP : soit alternance de chant et de voix parlé Solo H (récitation) , soit un H chante et l'autre récite CL=luth à 4 cordes par Seik Abdoul . L'autre griot : Lani Youssouf. ** chanson de louange de Samba Geladia (Gelandia?) Diegi, personnage historique, conquérant. / FIN COUPÉE. Groupe instr ROUGET,GILBERT 1952 GR52.026 BM69.39.26 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :21-02 BM.1970.019.001/123:21-02 00:03:58 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL BOUGATATA. LOUANGE DE CHEOKH OUMAR TIDJANE** Sous-table non exportée Sous-table non exportée Enreg. à St Louis du Sénégal• Cf. cahier 52.1, page 36-37• * villages de Dimat & Ndyayen. VC et VP : soit alternance de chant et de voix parlé Solo H (récitation) , soit un H chante et l'autre récite CL=luth à 4 cordes par Seik Abdoul . L'autre griot : Lani Youssouf. ** Grand marabour toucouleur qui faisait la guerre contre Faidherbe. / Ambiance 0'11" à la fin• Groupe instr ROUGET,GILBERT 1952 GR52.026 BM69.39.26 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :21-03 BM.1970.019.001/123:21-03 00:03:51 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL LOUANGE D'UNE F, OUMOU HANE MAMADOU** Sous-table non exportée Sous-table non exportée Enreg. à St Louis du Sénéga. "pour ce chant, le mélange chanté et litanie, me paraît suspect et peut-être sur commande" G.Rouget• Cf. cahier 52.1, page 36-37• * villages de Dimat & Ndyayen. VC et VP : soit les 2 H chantent, soit les 2 H récitent alternativement. CL=luth à 4 cordes par Seik Abdoul . L'autre griot : Lani Youssouf. ** chanson de louange de Samba Geladia (Gelandia?) Diegi, personnage historique, conquérant. / FIN COUPÉE Groupe instr ROUGET,GILBERT 1952 GR52.026 BM69.39.26 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :21-04 BM.1970.019.001/123:21-04 00:03:21 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "YELLA". LOUANGE DE SEK OMAR ET MAR DIOP** Sous-table non exportée Sous-table non exportée Enreg. à St Louis du Sénégal• Cf. cahier 52.1, page 36-37• * villages de Dimat & Ndyayen. Noms des chanteuses: Tioun Malado, Dieng Boudi et So Awo [ NDR: ces deux dernières ne sont peut-être pas griottes, note G.R. pas claire]. CL=luth à 4 cordes, joué par Seik Abdoul . ** "Yèlla"• Groupe instr ROUGET,GILBERT 1952 GR52.026 BM69.39.26 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :21-05 BM.1970.019.001/123:21-05 00:01:59 30/06/1952 SENEGAL CERCLE DE PODOR * TOUCOULEUR-GRIOTS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL "MAMADOU HAYRE". LOUANGE DE SEK OMAR ET MAR DIOP** Sous-table non exportée Sous-table non exportée Enreg. à St Louis du Sénégal• Cf. cahier 52.1, page 36-37• * villages de Dimat & Ndyayen. Noms des chanteuses: Tioun Malado, Dieng Boudi et So Awo [ NDR: ces deux dernières ne sont peut-être pas griottes, note G.R. pas claire]. CL=luth à 4 cordes, joué par Seik Abdoul . ** "Mamadou Hayré"; /INCOMPLET, FIN COUPÉE NET• Groupe instr ROUGET,GILBERT 1952 GR52.026 BM69.39.26 AFRIQUE +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 :20B-01 BM.1970.019.001/123:20B-01 00:00:00 29/06/1952 SENEGAL SAINT-LOUIS MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL Sous-table non exportée Sous-table non exportée PAS DE FICHE : contenu et durée à établir à l'écoute• Groupe instr ROUGET,GILBERT 1952 GR52.025 BM69.39.25 AFRIQUE +BM.1983.010 K7-C90 BM.1983.010.001 :01-02 BM.1983.010.001:01-02 00:00:41 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-03 BM.1983.010.001:01-03 00:00:47 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-04 BM.1983.010.001:01-04 00:00:54 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* (LAMENTATION) Sous-table non exportée Sous-table non exportée V = voix chantée pleurée• 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-05 BM.1983.010.001:01-05 00:02:52 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-06 BM.1983.010.001:01-06 00:05:00 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-07 BM.1983.010.001:01-07 00:00:49 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-08 BM.1983.010.001:01-08 00:00:54 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-09 BM.1983.010.001:01-09 00:00:39 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-10 BM.1983.010.001:01-10 00:00:21 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-11 BM.1983.010.001:01-11 00:03:50 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Air de cornemuse et tbr Sous-table non exportée Sous-table non exportée aabc cornemuse = 2 tuyaux (?)• 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-12 BM.1983.010.001:01-12 00:00:38 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-13 BM.1983.010.001:01-13 00:00:54 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Air de vièle Sous-table non exportée Sous-table non exportée CV-VIELE = 3 cordes, alto ou violon (?)• 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-14 BM.1983.010.001:01-14 00:02:00 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-15 BM.1983.010.001:01-15 00:01:28 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-16 BM.1983.010.001:01-16 00:00:47 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-17 BM.1983.010.001:01-17 00:00:48 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Air de cornemuse Sous-table non exportée Sous-table non exportée AABC-CORNEMUSE = 2 tuyaux (?) • 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-18 BM.1983.010.001:01-18 00:03:04 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-19 BM.1983.010.001:01-19 00:00:42 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-20 BM.1983.010.001:01-20 00:02:20 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-21 BM.1983.010.001:01-21 00:00:58 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-22 BM.1983.010.001:01-22 00:03:32 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-23 BM.1983.010.001:01-23 00:00:32 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-24 BM.1983.010.001:01-24 00:00:39 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-25 BM.1983.010.001:01-25 00:00:45 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-26 BM.1983.010.001:01-26 00:01:14 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-27 BM.1983.010.001:01-27 00:01:40 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-28 BM.1983.010.001:01-28 00:01:03 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* AIR DE VIELE Sous-table non exportée Sous-table non exportée CV-VIELE = violon ou alto, à 3 cordes (?)• 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-29 BM.1983.010.001:01-29 00:00:42 URSS M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-30 BM.1983.010.001:01-30 00:01:14 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1983.010 K7-C90 BM.1983.010.001 :01-31 BM.1983.010.001:01-31 00:00:44 URSS OURALO-ALTAIQUE M.OURALO-ALTAIQUE [COPIE DISQUES]* CHANT ET VIELE Sous-table non exportée Sous-table non exportée CV-VIELE = violon ou alto• 0 EUROPE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :01-02 BM.1970.013.001/11:01-02 00:04:02 N CHINE PROVINCE DE HUPEI CHINOIS CHINE. RIERA,Y. SOLO DE FLUTE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:01-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :01-03 BM.1970.013.001/11:01-03 00:04:53 N CHINE PROVINCE DE CANTON CHINOIS CHINE. RIERA,Y. MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée - musique instrumentale par the South China Song and Dance Ensemble• BM.1970.013.001/11:01-02 RIERA, Y 1955 Non pertinent n°1-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :01-04 BM.1970.013.001/11:01-04 00:02:56 N CHINE PROVINCE DE SINKIANG CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE PAR L'ORCHESTRE Sous-table non exportée Sous-table non exportée -Chant interprété par Wang Ke Ying et the Song and Dance Ensemble of the People's Liberation Army• BM.1970.013.001/11:01-03 RIERA, Y 1955 Non pertinent n°1-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :01-05 BM.1970.013.001/11:01-05 00:04:30 N CHINE PROVINCE DE YIENPING CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE PAR L'ORCHESTRE Sous-table non exportée Sous-table non exportée -Chant interprété par Fang Chu Shan et the Orchestra of the Yienping Song and Dance Ensemble• BM.1970.013.001/11:01-04 RIERA, Y 1955 Non pertinent n°1-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :02-01 BM.1970.013.001/11:02-01 00:01:39 N CHINE CHINOIS CHINE. RIERA,Y. I CROSS THE PRAIRIE ON HORSEBACK Sous-table non exportée Sous-table non exportée -Chant interprété par Liu Su Fang• BM.1970.013.001/11:01-05 RIERA, Y 1955 Non pertinent n°2-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :02-02 BM.1970.013.001/11:02-02 00:07:20 N CHINE CHINOIS CHINE. RIERA,Y. RUNNING WATER Sous-table non exportée Sous-table non exportée - Qin est une cithare sur table à 7 cordes• BM.1970.013.001/11:02-01 RIERA, Y 1955 Non pertinent n°2-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :02-03 BM.1970.013.001/11:02-03 00:06:00 N CHINE CHINOIS CHINE. RIERA,Y. TEH TALIMU RIVER (MUSIQUE SYMPHONIQUE OCCIDENTALISEE) Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:02-02 RIERA, Y 1955 Non pertinent n°2-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-01 BM.1970.013.001/11:03-01 00:01:54 N CHINE CHINOIS CHINE. RIERA,Y. CHANT DE LA PAIX Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:02-03 RIERA, Y 1955 Non pertinent n°3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-02 BM.1970.013.001/11:03-02 00:03:03 N CHINE CHINOIS CHINE. RIERA,Y. LES SOEURS ARRIVENT Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-01 RIERA, Y 1955 Non pertinent n°3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-03 BM.1970.013.001/11:03-03 00:02:41 N CHINE CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE A L'ORCHESTRE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-02 RIERA, Y 1955 Non pertinent n°3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-04 BM.1970.013.001/11:03-04 00:01:09 N CHINE CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE A L'ORCHESTRE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-03 RIERA, Y 1955 Non pertinent n°3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-05 BM.1970.013.001/11:03-05 00:02:09 N CHINE CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE AU PIANO Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-04 RIERA, Y 1955 Non pertinent n°3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :03-06 BM.1970.013.001/11:03-06 00:03:00 N CHINE CHINOIS CHINE. RIERA,Y. CHANT ACCOMPAGNE AU PIANO Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-05 RIERA, Y 1955 Non pertinent n°-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :04-01 BM.1970.013.001/11:04-01 00:07:51 N CHINE CHINOIS CHINE. RIERA,Y. CHANT DE L'OPERA DE PEKIN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:03-06 RIERA, Y 1955 Non pertinent n°4-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :04-02 BM.1970.013.001/11:04-02 00:04:37 N CHINE CHINOIS CHINE. RIERA,Y. CHANT DE L'OPERA DE PEKIN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:04-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :04-03 BM.1970.013.001/11:04-03 00:01:46 N CHINE CHINOIS CHINE. RIERA,Y. CHANT DE L'OPERA DE PEKIN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:04-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :05-01 BM.1970.013.001/11:05-01 00:01:46 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:04-03 RIERA, Y 1955 Non pertinent n°5-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :05-02 BM.1970.013.001/11:05-02 00:04:35 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:05-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :05-03 BM.1970.013.001/11:05-03 00:01:50 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:05-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-01 BM.1970.013.001/11:06-01 00:03:55 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:05-03 RIERA, Y 1955 Non pertinent bobine 1-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-02 BM.1970.013.001/11:06-02 00:02:30 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:06-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-03 BM.1970.013.001/11:06-03 00:02:30 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:06-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-04 BM.1970.013.001/11:06-04 00:01:55 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:06-03 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-05 BM.1970.013.001/11:06-05 00:02:40 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE OCCIDENTALISEE Sous-table non exportée Sous-table non exportée -musique occidentalisée• BM.1970.013.001/11:06-04 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :06-06 BM.1970.013.001/11:06-06 00:02:31 N CHINE CHINOIS CHINE. RIERA,Y. CHANT DE L'OPERA DE PEKIN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:04-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :07-01 BM.1970.013.001/11:07-01 00:02:30 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE POPULAIRE ARRANGEE Sous-table non exportée Sous-table non exportée - plusieurs violons et violoncelles• BM.1970.013.001/11:06-06 RIERA, Y 1955 Non pertinent bobine 2-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :07-02 BM.1970.013.001/11:07-02 00:03:05 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE POPULAIRE ARRANGEE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :07-03 BM.1970.013.001/11:07-03 00:02:25 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE POPULAIRE ARRANGEE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :07-04 BM.1970.013.001/11:07-04 00:02:30 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE POPULAIRE ARRANGEE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-03 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :07-05 BM.1970.013.001/11:07-05 00:04:03 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUUE DE L'OPERA DE PEKIN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-04 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :04-06 BM.1970.013.001/11:04-06 00:03:10 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE ARRANGEE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-05 RIERA, Y 1955 Non pertinent ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :23-01 BM.1970.041.001/55:23-01 00:05:12 18/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C. CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE CUEILLETTE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h. chant de cueillette• BM.1970.041.001/55:22-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 23 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :23-02 BM.1970.041.001/55:23-02 00:01:45 18/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C. CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "MERI BAUJYU" Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h. chant à "meri baujyu" pour accompagner les deud╠BM.1970.041.001/55:23-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :23-03 BM.1970.041.001/55:23-03 00:02:50 18/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C. CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT TYPE BHAINI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h. Chant à repiquer les riz, type bhaini• BM.1970.041.001/55:23-02 HELFFER,MIREILLE&GABORIEAU,MARC 19690 23 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :23-04 BM.1970.041.001/55:23-04 00:03:00 18/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C. CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT TYPE BHAINI SVARADI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h. Air de la region de Svarâdî• BM.1970.041.001/55:23-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 23 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :23-05 BM.1970.041.001/55:23-05 00:01:00 18/11/1969 NEPAL MAHAKALI ACAL, DANDELHURA C. CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A "SU-SU" Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h. chant à su-su• BM.1970.041.001/55:23-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :24-01 BM.1970.041.001/55:24-01 00:00:00 21/11/1969 NEPAL KAHALAKI ACAL, DANDELHURA VILLAGE POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 RYTHMES GHAI Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. pas de duré specifiée. 4 timbales de différents tailles à caisse métaliques. trompe courbe narsinga Succeion de rythmes ghai liés à certaines divinités exécutés lors de la fête de Dasaî. *Annonce des differents rythmes fait par Bhoj Râj, Bhatta Râi• BM.1970.041.001/55:23-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 24 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :01-01 BM.2007.001.001/97:01-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.01-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-01 BM.2007.001.001/97:21-01 00:00:00 12/06/65 GABON MIMONGO,DIKUKA SANGO GABON.P. SALLEE 1965 ENQUETE SUR LE BINTI Sous-table non exportée Sous-table non exportée L'arc est joué par un Bongo (population). [_binti_ = _bwiti_ ?]• SALLEE,P. 1965 RELIGIEUX 1965.1.01-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-02 BM.2007.001.001/97:21-02 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 BINTI Sous-table non exportée Sous-table non exportée [_binti_ = _bwiti_ ?]• SALLEE,P. 1965 1965.1.01-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-03 BM.2007.001.001/97:21-03 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 NYEMBE Sous-table non exportée Sous-table non exportée _nyembe_ = _niembe_ selon Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.01-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-04 BM.2007.001.001/97:21-04 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 NYEMBE Sous-table non exportée NYEMBE Sous-table non exportée _nyembe_ = _niembe_ selon Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.01-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-05 BM.2007.001.001/97:21-05 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 BERCEUSE Sous-table non exportée Sous-table non exportée Berceuse en forme de _marunga_ • SALLEE,P. 1965 1965.1.01-05/Original AFRIQUE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :08-01 BM.1970.013.001/11:08-01 00:02:37 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'HOMME ET CHOEUR HS Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:07-05 RIERA, Y 1955 Non pertinent bobine 3-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :08-02 BM.1970.013.001/11:08-02 00:03:05 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'HOMME ET CHOEUR HS Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:08-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :08-03 BM.1970.013.001/11:08-03 00:07:35 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:08-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-01 BM.1970.013.001/11:09-01 00:01:45 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE INSTRUMENTALE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:08-03 RIERA, Y 1955 Non pertinent bobine 4-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-02 BM.1970.013.001/11:09-02 00:00:35 N CHINE CHINOIS CHINE. RIERA,Y. SLOGAN "VIVE LE PRESIDENT MAO" Sous-table non exportée Sous-table non exportée - Voix criée et applaudissement "Vive Président Mao"• BM.1970.013.001/11:09-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-03 BM.1970.013.001/11:09-03 00:00:10 N CHINE CHINOIS CHINE. RIERA,Y. "CHANTONS UN CHANT DE NOTRE PATRIE" Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:09-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-04 BM.1970.013.001/11:09-04 00:02:20 N CHINE CHINOIS CHINE. RIERA,Y. HYMNE NATIONAL CHINOIS Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:09-03 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-05 BM.1970.013.001/11:09-05 00:01:50 N CHINE CHINOIS CHINE. RIERA,Y. L'INTERNATIONALE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:09-04 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-06 BM.1970.013.001/11:09-06 00:05:30 N CHINE CHINOIS CHINE. RIERA,Y. DISCOURS DE M. LE MAIRE PENG CHEN Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:09-05 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-07 BM.1970.013.001/11:09-07 00:05:18 N CHINE CHINOIS CHINE. RIERA,Y. MUSIQUE MILITAIRE Sous-table non exportée Sous-table non exportée BM.1970.013.001/11:09-06 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :09-08 BM.1970.013.001/11:09-08 00:01:24 N CHINE CHINOIS CHINE. RIERA,Y. TAMBOURS Sous-table non exportée Sous-table non exportée - Ensemble de tambours avec applaudissements• BM.1970.013.001/11:09-07 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :10-01 BM.1970.013.001/11:10-01 00:03:00 N CHINE CHINOIS CHINE. RIERA,Y. TAMBOURS Sous-table non exportée Sous-table non exportée - Ensemble de tambours avec applaudissements et cris de masse• BM.1970.013.001/11:09-08 RIERA, Y 1955 Non pertinent bobine 5-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :10-02 BM.1970.013.001/11:10-02 00:03:15 N CHINE CHINOIS CHINE. RIERA,Y. TAMBOURS; CRIS DE MSSE Sous-table non exportée Sous-table non exportée - Ensemble de tambours avec cymbales et hautbois et cris de masse• BM.1970.013.001/11:10-01 RIERA, Y 1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :10-03 BM.1970.013.001/11:10-03 00:05:54 N CHINE CHINOIS CHINE. RIERA,Y. "1,2,3,4,5,6,7,8. TRAVAILLONS NOTRE PHYSIQUE, DEFENDONS NOTRE PATRIE Sous-table non exportée Sous-table non exportée - Voix criée des slogans politiques• BM.1970.013.001/11:10-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :11-01 BM.1970.013.001/11:11-01 00:00:50 N CHINE CHINOIS CHINE. RIERA,Y. CRIS D'ENFANTS ET APPLAUDISSEMENTS Sous-table non exportée Sous-table non exportée - Voix criée des enfants et applaudissements• BM.1970.013.001/11:10-03 RIERA, Y 1955 Non pertinent bobine 6-1955 ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :11-02 BM.1970.013.001/11:11-02 00:01:10 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée - Voix chantée des enfants et battements de mains• BM.1970.013.001/11:11-01 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :11-03 BM.1970.013.001/11:11-03 00:04:00 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée - Voix chantée des enfants , voix parlée• BM.1970.013.001/11:11-02 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :11-04 BM.1970.013.001/11:11-04 00:03:30 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée - Voix chantée des enfants , voix parlée. Interview dans une école primaire• BM.1970.013.001/11:11-03 RIERA, Y 1955 Non pertinent ASIE +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 :11-05 BM.1970.013.001/11:11-05 00:05:00 N CHINE CHINOIS CHINE. RIERA,Y. CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée - Voix chantée des enfants , voix parlée. Interview dans une école primaire• BM.1970.013.001/11:11-04 RIERA, Y 1955 Non pertinent ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :21-06 BM.2007.001.001/97:21-06 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 BERCEUSE Sous-table non exportée Sous-table non exportée BC = frappements de mains sur la cuisse de l'enfant• SALLEE,P. 1965 1965.1.01-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :21-07 BM.2007.001.001/97:21-07 00:00:00 14/06/65 GABON KOULAMOUTOU,BOUDIAGUILA & ITIAMBO SANGO GABON.P. SALLEE 1965 ARC MUSICAL Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.01-07/Original AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :25-01 BM.1970.041.001/55:25-01 00:19:00 21/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 RYTHMES DE CEREMONIES ACCOMPAGANANT LE MARIAGE Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. **Village de Pokhara 4 timbales de différents tailles à caisse métaliques. 1 trompe courbe narsinga Différents rythmes exécutés principalement lors de cérémonies accompagnant le mariage• BM.1970.041.001/55:24-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 25 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :26-01 BM.1970.041.001/55:26-01 00:19:00 21/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 DANSE D'EPEES Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. **Village de Pokhara. 4 timbales de différents tailles à caisse métaliques. 1 trompe courbe narsinga Danse d'épées• BM.1970.041.001/55:25-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 26 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :27-01 BM.1970.041.001/55:27-01 00:25:00 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE NAG MALLA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Parlé, solo h . Histoire de Nag malla, roi de Doti, écrite et lue par Bhoj Raj Bhata Râi• BM.1970.041.001/55:26-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 27 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :27-02 BM.1970.041.001/55:27-02 00:01:00 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 DECLAMATION Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Déclamation. Parlé, solo h . Histoire de Nag malla, roi de Doti, écrite et lue par Bhoj Raj Bhata Râi• BM.1970.041.001/55:27-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :27-03 BM.1970.041.001/55:27-03 00:04:35 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHAMARI DES CINQ FRERES Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo h . Dhamari des cinq frères Rampal, Bhûpal, Asanki, Dâranti, Trilokipal fondateurs d'Ajmirkot. Composé et chanté par Bhoj Raj Bhata Râi• BM.1970.041.001/55:27-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 27 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :28-01 BM.1970.041.001/55:28-01 00:12:15 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 RONDE CHANTEE DE TYPE DEUDA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Plein Lune de kartik. Village de Pokhara- Sirola Chanté, Choeur F. Ronde chantée de type deud╠BM.1970.041.001/55:27-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 28 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :28-03 BM.1970.041.001/55:28-03 00:09:20 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A NYAULOI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Plein Lune de kartik. Village de Pokhara- Sirola Chanté, Choeur F. Chant à "nyauloi"• BM.1970.041.001/55:28-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 28 ASIE +BM.1953.003 Ø18;²38;PPM BM.1953.003.001 :01-01 BM.1953.003.001:01-01 00:02:30 janvier 1952 YEMEN YEMEN. FAYEN,C. CHANT YEMENITE Sous-table non exportée Sous-table non exportée Chanté par un enfant de 10 ans. D'après M Spector, ce chant est peut-être importé• vitesse 38 piste PP• BM.1953.003.001 1952 ASIE +BM.1953.003 Ø18;²38;PPM BM.1953.003.001 :01-02 BM.1953.003.001:01-02 00:03:20 janvier 1952 YEMEN YEMEN. FAYEN,C. CHANT YEMENITE Sous-table non exportée Sous-table non exportée Chanté par un enfant de 10 ans. D'après M Spector, ce chant est typiquement yéménite, très répandu• vitesse 38 piste PP• BM.1953.003.001:01-01 1952 ASIE +BM.1953.003 Ø18;²38;PPM BM.1953.003.001 :01-03 BM.1953.003.001:01-03 00:03:12 janvier 1952 YEMEN YEMEN. FAYEN,C. CHANT YEMENITE Sous-table non exportée Sous-table non exportée Chanté par un enfant de 10 ans• vitesse 38 piste PP• BM.1953.003.001:01-02 1952 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :29-01 BM.1970.041.001/55:29-01 00:29:50 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 RONDES CHATEES CAIT ET DHAMARI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Plein Lune de kartik. Durée 25' +4'50''. Chanté, deux choeurs h alternés,épisodiquement paire de timbales et cymbales. Cait et Dhamari de ramacandra (rondes chantées) • BM.1970.041.001/55:28-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 29 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :29-02 BM.1970.041.001/55:29-02 00:08:00 23/11/1969 NEPAL MAHACALI ACAL, DANDELHURA CBHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG A BHAGESWAR Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Plein Lune de kartik. Durée 25' +4'50''. Chanté, deux choeurs h alternés,épisodiquement paire de timbales et cymbales. Fragmant d'un phag à Bageswar• BM.1970.041.001/55:29-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 29 ASIE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-02 BM.1969.026.001:01-02 00:01:15 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-03 BM.1969.026.001:01-03 00:00:18 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-04 BM.1969.026.001:01-04 00:00:15 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-05 BM.1969.026.001:01-05 00:00:18 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :30-01 BM.1970.041.001/55:30-01 00:00:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C DHOLI SUBDIVISION HUDKYA HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara. pas de durée determinée. Chanté, déclamé, soloh/choeur 2 tambours sablier Hudko. Poème héroïque BHARAT: Histoire d'Ude et Chapala. -Chant Récit. -Chant Récit . -Chant Recit. Chant: Larmement (Fin de la bande à défilement irréguliere). Par Pratap DHOLI de bagtgaû et Gâga Ram DHOLI de Tillari (trés mauvais chanteurs)• BM.1970.041.001/55:29-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 30 ASIE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-06 BM.1969.026.001:01-06 00:04:23 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT ET GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-07 BM.1969.026.001:01-07 00:00:37 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CORNEMUSE & TAMBOUR BASQUE Sous-table non exportée Sous-table non exportée M = tambour de basque• GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-08 BM.1969.026.001:01-08 00:00:50 MALTE POPULATION MALTAISE MALTE. GALLEY,M. FLAGEOLET & GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-09 BM.1969.026.001:01-09 00:01:00 MALTE POPULATION MALTAISE MALTE. GALLEY,M. TAMBOUR & FLUTE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-10 BM.1969.026.001:01-10 00:01:30 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT ET GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-11 BM.1969.026.001:01-11 00:00:45 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT ET GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-12 BM.1969.026.001:01-12 00:01:15 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT ET GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-13 BM.1969.026.001:01-13 00:01:55 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CHANT ET GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-14 BM.1969.026.001:01-14 00:01:45 MALTE POPULATION MALTAISE MALTE. GALLEY,M. GUITARE Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 :01-15 BM.1969.026.001:01-15 00:01:35 MALTE POPULATION MALTAISE MALTE. GALLEY,M. CONCLUSION Sous-table non exportée Sous-table non exportée GALLEY,MICHELINE 0 EUROPE +BM.1970.041 Ø13* BM.1970.041.001/55 :31-01 BM.1970.041.001/55:31-01 00:32:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 POEME HEROIQUE BHARAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Chanté, déclamé, soloh/choeur 2 tambours sablier Hudko. Poème héroïque BHARAT: Histoire d'Ude et Chapala. Par Pratap DHOLI de bagtgaû et Gâga Ram DHOLI de Tillari (trés mauvais chanteurs). (Fin). Cf: Bande 30• BM.1970.041.001/55:30-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 31 ASIE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-02 BM.1969.027.001/03:01-02 00:05:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT Sous-table non exportée Sous-table non exportée Mouktele: langue matal Pilons (pilage du mil)• vitesse 19 piste 1• BM.1969.027.001/03:01-01 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-03 BM.1969.027.001/03:01-03 00:14:45 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANTD'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:01-02 1966 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :32-01 BM.1970.041.001/55:32-01 00:09:45 24/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A REPIQUER LE RIZ : DHUSKO Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Chanté, déclamé, soloh/choeur, 2 tambours sablier Hudko, sifflements. Chant à repiquer le riz: Dhusko. Par Pratap DHOLI de bagtgaû • BM.1970.041.001/55:31-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 32 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :32-02 BM.1970.041.001/55:32-02 00:09:00 24/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A REPIQUER LE RIZ : DHUSKO Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Chanté, déclamé, soloh/choeur, 2 tambours sablier Hudko, sifflements. Chant à repiquer le riz: Dhusko. Par Pratap DHOLI de bagtgaû • BM.1970.041.001/55:32-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 32 ASIE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-04 BM.1969.027.001/03:01-04 00:06:30 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANTD'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 2• BM.1969.027.001/03:01-03 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-05 BM.1969.027.001/03:01-05 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 SOLO DE HARPE-LUTH Sous-table non exportée Sous-table non exportée Harpe-luth "nizig" saison sèche, époque des mariages• vitesse 19 piste 2• BM.1969.027.001/03:01-04 1966 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :33-01 BM.1970.041.001/55:33-01 00:00:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 AIR DE VILLAGE D'ASURBA 1 Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Chanté, parlé, solo h par jai Bahadur Air du village d'Asurba -chant- fable bât de Dhaul Chand • BM.1970.041.001/55:32-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 33 ASIE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-06 BM.1969.027.001/03:01-06 00:05:00 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANTD'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 2• BM.1969.027.001/03:01-03 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-07 BM.1969.027.001/03:01-07 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 DUO DE FLUTES Sous-table non exportée Sous-table non exportée Mouktele: langue matal Flûtes en écorce• vitesse 19 piste 2• BM.1969.027.001/03:01-06 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-08 BM.1969.027.001/03:01-08 00:01:40 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA OULDEME CAMEROUN. JUILLERAT, B.;1967-68 CHANT Sous-table non exportée Sous-table non exportée Mouktele: langue matal Flûtes en écorce Fête de maturité du mil• vitesse 19 piste 2• BM.1969.027.001/03:01-07 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-09 BM.1969.027.001/03:01-09 00:01:07 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Mouktele: langue matal Flûtes en écorce• vitesse 19 piste 2• BM.1969.027.001/03:01-08 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-10 BM.1969.027.001/03:01-10 00:03:31 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT Sous-table non exportée Sous-table non exportée Mouktele: langue matal Fête de maturité du mil chant accompagné par des sifflets "madiz"• vitesse 19 piste 2• BM.1969.027.001/03:01-08 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :01-11 BM.1969.027.001/03:01-11 00:03:05 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT Sous-table non exportée Sous-table non exportée Mouktele: langue matal Fête de maturité du mil chant accompagné par des sifflets "madiz" et des flûtes d'écorce "tabkwai• vitesse 19 piste 2• BM.1969.027.001/03:01-10 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-01 BM.1969.027.001/03:02-01 00:02:30 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 FLUTES ET SIFFLETS Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:01-11 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-02 BM.1969.027.001/03:02-02 00:03:45 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 SOLO DE HARPE-LUTH Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:02-01 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-03 BM.1969.027.001/03:02-03 00:07:50 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:02-02 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-04 BM.1969.027.001/03:02-04 00:04:15 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:02-03 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-05 BM.1969.027.001/03:02-05 00:04:09 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal Le même homme parle et chante dans cette pièce• vitesse 19 piste 1• BM.1969.027.001/03:02-04 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-06 BM.1969.027.001/03:02-06 00:03:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 2• BM.1969.027.001/03:02-05 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-07 BM.1969.027.001/03:02-07 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 DUO DE FEMMES Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 2• BM.1969.027.001/03:02-06 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-08 BM.1969.027.001/03:02-08 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 SOLO DE TAMBOUR D'AISSELLE Sous-table non exportée Sous-table non exportée Mouktele: langue matal musique funéraire• vitesse 19 piste 2• BM.1969.027.001/03:02-07 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-09 BM.1969.027.001/03:02-09 00:02:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT Sous-table non exportée Sous-table non exportée Mouktele: langue matal choeur de pleureuses d'enterrement• vitesse 19 piste 2• BM.1969.027.001/03:02-07 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :02-10 BM.1969.027.001/03:02-10 00:13:55 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 FORMATION DE SIFFLETS, TAMBOUR ET HOCHETS Sous-table non exportée Sous-table non exportée Mouktele: langue matal les aérophones sont des sifflets en corne appelés "segla"• vitesse 19 piste 2• BM.1969.027.001/03:02-09 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :03-01 BM.1969.027.001/03:03-01 00:09:35 CAMEROUN PAYS KIRDI, VILLAGE DE ZOUELVA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 FORMATION DE TAMBOURS ET DE SIFFLETS Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:02-10 1966 AFRIQUE +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 :03-02 BM.1969.027.001/03:03-02 00:01:00 CAMEROUN PAYS KIRDI, VILLAGE DE BALDAMA MOUKTELE CAMEROUN. JUILLERAT, B.;1967-68 CHANT RITUEL FUNERAIRE Sous-table non exportée Sous-table non exportée Mouktele: langue matal• vitesse 19 piste 1• BM.1969.027.001/03:03-01 1966 AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :22-01 BM.2007.001.001/97:22-01 00:00:00 17/06/65 GABON LASTOURVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 ENQUETE SUR DIVERSES DANSES Sous-table non exportée Sous-table non exportée Enquête sur les danses _mbadi_, _inkoumbo_, _mbodi_, _mounbougou_, _lesimbou_, et sur l'usage des raphias dans les clans awandji• SALLEE,P. 1965 1965.1.02-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :22-02 BM.2007.001.001/97:22-02 00:00:00 19/06/65 GABON LASTOURVILLE,IBONGUI BABONGO GABON.P. SALLEE 1965 ENQUETE Sous-table non exportée Sous-table non exportée Enquête sur la vie matérielle des Pygmées, sur les clans, sur les danses _moungala_ et _miveno_, sur les chants de travail _matsabi_ et sur les instruments de musique• SALLEE,P. 1965 1965.1.02-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :23-01 BM.2007.001.001/97:23-01 00:00:00 19/06/65 GABON LASTOURVILLE,IBONGUI BABONGO GABON.P. SALLEE 1965 RECIT SUR L'ORIGINE DES BABONGO Sous-table non exportée Sous-table non exportée Récit avec chants• Suite de BM.2007.001.001/93:22-02• SALLEE,P. 1965 1965.1.03-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :23-02 BM.2007.001.001/97:23-02 00:00:00 19/06/65 GABON LASTOURVILLE,IBONGUI BABONGO GABON.P. SALLEE 1965 RECIT SUR L'ORIGINE DES BABONGO Sous-table non exportée Sous-table non exportée Récit avec chants• SALLEE,P. 1965 1965.1.03-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :23-03 BM.2007.001.001/97:23-03 00:00:00 20/06/65 GABON LASTOURVILLE,MIKOUMA AWANDJI GABON.P. SALLEE 1965 MBADI Sous-table non exportée Sous-table non exportée D'un côté, les témoins du mari (à gauche du corps de garde, où se trouvent les choristes) ; à droite, les témoins de la femme. Chacune des parties est représentée par un personnage coiffé de plumes avec pagne de raphia, queue de civette derrière, sonnailles de coque de fruit en jambières. Il ponctue ses dires au moyen de deux sticks de peau et est assisté d'un assesseur• VP = récitant• SALLEE,P. 1965 1965.1.03-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :23-04 BM.2007.001.001/97:23-04 00:00:00 20/06/65 GABON LASTOURVILLE,MIKOUMA AWANDJI GABON.P. SALLEE 1965 MBOUBI Sous-table non exportée Sous-table non exportée VP = récitants• SALLEE,P. 1965 1965.1.03-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :24-01 BM.2007.001.001/97:24-01 00:00:00 20/06/65 GABON LASTOURVILLE,MIKOUMA AWANDJI GABON.P. SALLEE 1965 MBOUBI Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:23-04• SALLEE,P. 1965 1965.1.04-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :24-02 BM.2007.001.001/97:24-02 00:00:00 20/06/65 GABON LASTOURVILLE,MIKOUMA AWANDJI GABON.P. SALLEE 1965 DANSE LESIMBOU Sous-table non exportée Sous-table non exportée La deuxième femme se tient l'oreille gauche pour chanter. _lesimbou_ est ici orthographié _lessimbou_ (document manuscrit) ou _lisimbou_ (document dactyllographié) par Pierre Sallée• SALLEE,P. 1965 1965.1.04-02/Copie AFRIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-01 BM.1968.039.001/24:22-01 00:03:40 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE LA MISSION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 19cm/s Chant de la mission N°1• BM.1968.039.001/24:21-19 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-02 BM.1968.039.001/24:22-02 00:03:43 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE LA MISSION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 19cm/s Chant de la mission N°2• BM.1968.039.001/24:22-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-03 BM.1968.039.001/24:22-03 00:02:27 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT Sous-table non exportée Sous-table non exportée Chant de Hustan• Original piste 1; vitesse 19cm/s J.2• BM.1968.039.001/24:22-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-04 BM.1968.039.001/24:22-04 00:01:58 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:22-03 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-05 BM.1968.039.001/24:22-05 00:01:58 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT D'UN MYTHE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:22-04 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-06 BM.1968.039.001/24:22-06 00:11:28 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:22-05 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-07 BM.1968.039.001/24:22-07 00:08:57 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Nonen, grand-père de Lola• Original piste 1; vitesse 19cm/s D.27• BM.1968.039.001/24:22-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-08 BM.1968.039.001/24:22-08 00:02:18 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de la mère de Lola• Original piste 1; vitesse 19cm/s D.1• BM.1968.039.001/24:22-07 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-09 BM.1968.039.001/24:22-09 00:02:45 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Xalpen• Original piste 2; vitesse 19cm/s• BM.1968.039.001/24:22-08 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-10 BM.1968.039.001/24:22-10 00:06:45 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ishton, un homme• Original piste 2; vitesse 19cm/s D28• BM.1968.039.001/24:22-09 1966 AMERIQUE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-02 BM.1953.002.001:01-02 00:01:04 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Chanté par les femmes• Enregistrement mauvais• BM.1953.002.001:01-01 0 OCEANIE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-11 BM.1968.039.001/24:22-11 00:01:45 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• BM.1968.039.001/24:22-06 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-12 BM.1968.039.001/24:22-12 00:02:10 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• BM.1968.039.001/24:22-11 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-13 BM.1968.039.001/24:22-13 00:07:30 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECI D'UN MYTHE Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• BM.1968.039.001/24:22-11 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-14 BM.1968.039.001/24:22-14 00:04:07 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ishton, un homme• Original piste 2; vitesse 19cm/s D28• BM.1968.039.001/24:22-10 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-15 BM.1968.039.001/24:22-15 00:02:57 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Jak, un chaman homme• Original piste 2; vitesse 19cm/s 5 C.3• BM.1968.039.001/24:22-14 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-16 BM.1968.039.001/24:22-16 00:18:55 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 2,4cm/s• BM.1968.039.001/24:22-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-17 BM.1968.039.001/24:22-17 00:02:15 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 4,7cm/s• BM.1968.039.001/24:22-16 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :22-18 BM.1968.039.001/24:22-18 00:16:05 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 RECIT DE HAIN Sous-table non exportée Sous-table non exportée Original piste 2; vitesse 4,7cm/s• BM.1968.039.001/24:22-17 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-01 BM.1968.039.001/24:23-01 00:09:50 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION DE HAIN Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:22-18 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-02 BM.1968.039.001/24:23-02 00:09:50 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES ET MYTHES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:23-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-03 BM.1968.039.001/24:23-03 00:02:20 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Chichiol, oncle de Lola• Original piste 1; vitesse 19cm/s D8• BM.1968.039.001/24:23-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-04 BM.1968.039.001/24:23-04 00:04:50 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:23-02 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-05 BM.1968.039.001/24:23-05 00:00:45 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Amilken et Hashiton• Original piste 1; vitesse 19cm/s D29• BM.1968.039.001/24:23-03 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-06 BM.1968.039.001/24:23-06 00:09:30 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 VOCABULAIRE KOLIOT ET BIOGRAPHIE Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:23-04 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-07 BM.1968.039.001/24:23-07 00:01:30 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 NOMS PROPRES Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:23-04 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-08 BM.1968.039.001/24:23-08 00:03:41 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Amilken et Hashiton• Original piste 1; vitesse 19cm/s D29• BM.1968.039.001/24:23-05 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-09 BM.1968.039.001/24:23-09 00:05:20 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR LA GUERRE Sous-table non exportée Sous-table non exportée Chant de Tael, un chaman homme• Original piste 1; vitesse 19cm/s• BM.1968.039.001/24:23-08 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-10 BM.1968.039.001/24:23-10 00:02:52 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Haich• Original piste 1; vitesse 19cm/s D12• BM.1968.039.001/24:23-08 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-11 BM.1968.039.001/24:23-11 00:03:13 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT POUR LA GUERRE Sous-table non exportée Sous-table non exportée Chant de Tael, un chaman homme• Original piste 1; vitesse 19cm/s• BM.1968.039.001/24:23-09 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-12 BM.1968.039.001/24:23-12 00:07:18 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s D16• BM.1968.039.001/24:23-08 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-13 BM.1968.039.001/24:23-13 00:02:12 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Petrolina• Original piste 2; vitesse 19cm/s D11• BM.1968.039.001/24:23-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-14 BM.1968.039.001/24:23-14 00:02:30 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Kuautl-Tlal• Original piste 2; vitesse 19cm/s D26• BM.1968.039.001/24:23-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-15 BM.1968.039.001/24:23-15 00:01:24 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Amilken• Original piste 2; vitesse 19cm/s K24• BM.1968.039.001/24:23-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-16 BM.1968.039.001/24:23-16 00:01:43 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Chant de deuil de Otrich• Original piste 2; vitesse 19cm/s T7• BM.1968.039.001/24:23-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-17 BM.1968.039.001/24:23-17 00:02:28 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 HAIN NEM MAI Sous-table non exportée Sous-table non exportée Hain nem mai de Otrich• Original piste 2; vitesse 19cm/s K32• BM.1968.039.001/24:23-15 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :23-18 BM.1968.039.001/24:23-18 00:01:08 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Lola pour guérir• Original piste 2; vitesse 19cm/s D1 et D22• BM.1968.039.001/24:23-12 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :24-01 BM.1968.039.001/24:24-01 00:02:20 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ichton• Original piste 1; vitesse 19cm/s D28• BM.1968.039.001/24:23-18 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :24-02 BM.1968.039.001/24:24-02 00:32:10 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 TRADUCTION Sous-table non exportée Sous-table non exportée Original piste 1; vitesse 2,4cm/s• BM.1968.039.001/24:23-01 1966 AMERIQUE +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 :24-03 BM.1968.039.001/24:24-03 00:10:15 06/66 ARGENTINE TERRE DE FEU, LAC FAGNANO SELK'NAM CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 CHANT CHAMANIQUE Sous-table non exportée Sous-table non exportée Chant chamanique de Ichton et traduction• Original piste 1; vitesse 19cm/s D28• BM.1968.039.001/24:24-01 1966 AMERIQUE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-03 BM.1953.002.001:01-03 00:00:58 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chanté par un homme Composé par les filles de l'île d'Asor à propos des garçons de Momog qui sont préférés à ceux d'Asor• Enregistrement mauvais• BM.1953.002.001:01-01 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-04 BM.1953.002.001:01-04 00:00:32 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE DANSE Sous-table non exportée Sous-table non exportée Chant de danse accompagné par des frappements sur la poitrine, les bras, les cuisses, les fesses, les mains. Très lent. Jamais exécuté en formation mixte• Enregistrement mauvais• BM.1953.002.001:01-03 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-05 BM.1953.002.001:01-05 00:00:36 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Intervalle de seconde mineure caractéristique des îles Carolines• Enregistrement mauvais• BM.1953.002.001:01-04 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-06 BM.1953.002.001:01-06 00:01:42 ILES CAROLINES ULITHI ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Alternance de passages en coeur et passages solo. Composé pendant l'occupation japonaise. Chanté pour tirer les canots sur la plage• Enregistrement mauvais• BM.1953.002.001:01-05 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-07 BM.1953.002.001:01-07 00:01:19 ILES CAROLINES PULUWAT ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Puluwat se situe à 500 miles de la 1ère île. Les étoiles y guident les canots pour les longs voyages en pleine mer• Enregistrement mauvais• BM.1953.002.001:01-06 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-08 BM.1953.002.001:01-08 00:01:09 ILES CAROLINES PULUWAT ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Guimbardes en bambou. Enregistré sous la direction de Dr. G.P. Murdock of Yale• Enregistrement mauvais• BM.1953.002.001:01-07 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-09 BM.1953.002.001:01-09 00:00:57 ILES CAROLINES TRUK ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Enregistrement mauvais• BM.1953.002.001:01-08 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-10 BM.1953.002.001:01-10 00:00:58 ILES CAROLINES TRUK ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Ancien chant sur la beauté des femmes, chantés par 3 hommes• Enregistrement mauvais• BM.1953.002.001:01-09 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-11 BM.1953.002.001:01-11 00:02:23 ILES CAROLINES TRUK ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE DANSE Sous-table non exportée Sous-table non exportée Extrait d'un chant de danse. Intervalle de tierce mineure. Eclats et long cris de conque• Enregistrement mauvais• BM.1953.002.001:01-10 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-12 BM.1953.002.001:01-12 00:01:13 ILES CAROLINES PONAPE ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH PIERRES FRAPPEES Sous-table non exportée Sous-table non exportée Ponape est connue pour ses ruines impressionantes. Enregistrements effectués par Dr. Paul Garwin. Un rythme est battu sur des pierres avec des pilons• Pour la préparation du kava, boisson à base de racines de poivre• Enregistrement mauvais• BM.1953.002.001:01-11 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-13 BM.1953.002.001:01-13 00:01:18 ILES CAROLINES PONAPE ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Ponape est connue pour ses ruines impressionantes. Enregistrements effectués par Dr. Paul Garwin. Ce chant a été importé à Ponape par deux visiteurs originaires de Kusaie (400 miles à l'est)• Enregistrement mauvais• BM.1953.002.001:01-12 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-14 BM.1953.002.001:01-14 00:00:48 ILES CAROLINES PONAPE ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT Sous-table non exportée Sous-table non exportée Ponape est connue pour ses ruines impressionantes. Enregistrements effectués par Dr. Paul Garwin. Chant sur le vent en 3 notes• Enregistrement mauvais• BM.1953.002.001:01-13 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-15 BM.1953.002.001:01-15 00:01:20 ILES CAROLINES PONAPE ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE DANSE Sous-table non exportée Sous-table non exportée Ponape est connue pour ses ruines impressionantes. Enregistrements effectués par Dr. Paul Garwin. Chanté par 4 femmes et 3 hommes• Enregistrement mauvais• BM.1953.002.001:01-14 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-16 BM.1953.002.001:01-16 00:02:41 ILES CAROLINES PONAPE ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE DANSE DES PAGAYEURS Sous-table non exportée Sous-table non exportée Ponape est connue pour ses ruines impressionantes. Enregistrements effectués par Dr. Paul Garwin. Extrait d'un chant de danse de pagayeurs. Introduction par un court passage en solo suivi de cris. Ensuite le chant est accompagné par des battements des pagaies contre les bords du canot• Enregistrement mauvais• BM.1953.002.001:01-15 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-18 BM.1953.002.001:01-18 00:01:59 ILES MARSHALL ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH HYMNE MARSHALLAIS Sous-table non exportée Sous-table non exportée Hymne marshallais. Texte d'après un missionaire• BM.1953.002.001:01-17 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-19 BM.1953.002.001:01-19 00:01:55 ILES MARSHALL ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT DE NOEL Sous-table non exportée Sous-table non exportée Expression de la joie• BM.1953.002.001:01-18 0 OCEANIE +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 :01-20 BM.1953.002.001:01-20 00:01:35 ILES MARSHALL ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH CHANT SUR LES BOMBES Sous-table non exportée Sous-table non exportée Budukan song>budukan signifie bombe en japonais. Chant sur les bombes japonaises pendant la guerre. Labo, une princesse des îles Marshall, fut confinée à Jaluit dans une léproserie au moment où les Américains bombardaient les installations japonaises. La vision de ces bombes qui tombaient puis explosaient lui a inspiré ce chant• BM.1953.002.001:01-19 0 OCEANIE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :02-01 BM.1969.006.001/11:02-01 00:48:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 2EME,VERSET 63 A CHANT 3EME, VERSET 94 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.98 / p.95. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :03-01 BM.1969.006.001/11:03-01 00:48:30 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 3EME,VERSET 95 A CHANT 4EME, VERSET 75 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.144 / p.149. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :04-01 BM.1969.006.001/11:04-01 00:50:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 4EME,VERSET 76 A CHANT 6EME,5EME, INTERLUDE,VERSET 3 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.188 / p.195. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :05-01 BM.1969.006.001/11:05-01 00:50:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 6EME,5EME INTERLUDE VERSET 4 A CH 8EME,7EME INT. V.43 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.234 / p.245. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :06-01 BM.1969.006.001/11:06-01 00:50:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 8EME,7EME,INT.V44 A CHANT 9EME,VERSET 87(?) Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.276 / p.293. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :07-01 BM.1969.006.001/11:07-01 00:48:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 9EME,8EME,INT.VERSET1 A CHANT 10EME, VERSET 70 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.318 / p.341. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :08-01 BM.1969.006.001/11:08-01 00:49:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 10EME,INT.VERSET1 A CHANT 11EME, VERSET 19 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.356 / p.387. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :09-01 BM.1969.006.001/11:09-01 00:50:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 11EME,12EME,INT.VERSET1 A CHANT 12EME, VERSET 30 Sous-table non exportée Sous-table non exportée Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.398 / p.431. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :10-01 BM.1969.006.001/11:10-01 00:32:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 12EME,VERSET30 A CHANT12EME,15EME,INT. VERSET 21 Sous-table non exportée Sous-table non exportée Grelot "omvoe" et cithare 'mvet" Verset 30-lamentation• Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.420 / p.457. Verset 30-lamentation Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 :11-01 BM.1969.006.001/11:11-01 00:20:00 10/1960 GABON OYEM ANGINA FANG PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 MVET. DU CHANT 12EME,15EME,INT.VERSE22 A CHANT 12EME, FINAL,VERSET62 Sous-table non exportée Sous-table non exportée Grelot "omvoe" et cithare 'mvet"• Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Renvoi au texte, la première pagination renvoie au vol. des Classiques africains, la seconde au volume ronéotypé: p.438 / p.477. Grelot "omvoe" et cithare 'mvet"• 1960 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-01 BM.1970.046.001/03:03-01 00:04:30 11/1968 MAROC MARRAKECH BERBÈRE MAROC. AIT YOUSSEF,MOHAMMED;1968 BRUIT ET AMBIANCE DE LA PLACE Sous-table non exportée Sous-table non exportée Bruit et ambiance de la Place Djemaa Fna à Marrakech. La population présente est essentiellement berbère• Vitesse 9,5 (défectueuse) piste 1• BM.1970.046.001/03:01-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-02 BM.1970.046.001/03:03-02 00:02:30 11/1968 MAROC MARRAKECH-PLAINE DU HAOUZ ARABE MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 1• BM.1970.046.001/03:03-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-03 BM.1970.046.001/03:03-03 00:00:25 11/1968 MAROC MARRAKECH-PLAINE DU HAOUZ ARABE MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 1• BM.1970.046.001/03:03-02 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-04 BM.1970.046.001/03:03-04 00:02:15 11/1968 MAROC MARRAKECH-PLAINE DU HAOUZ ARABE MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 1• BM.1970.046.001/03:03-03 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-05 BM.1970.046.001/03:03-05 00:06:45 11/1968 MAROC MARRAKECH-PLAINE DU HAOUZ ARABE MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 1• BM.1970.046.001/03:03-04 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :03-06 BM.1970.046.001/03:03-06 00:04:00 11/1968 MAROC MARRAKECH-PLAINE DU HAOUZ ARABE MAROC. AIT YOUSSEF,MOHAMMED;1968 CHANT Sous-table non exportée Sous-table non exportée Vitesse 9,5 piste 1• BM.1970.046.001/03:03-05 1968 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-02 BM.1978.007.001/04:01-02 00:01:02 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO CONVERSATION Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse. Conversation avec luth par moment• Vitesse 9,5 Piste 1 Enregistrement médiocre• BM.1978.007.001/04:01-01 1969 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-03 BM.1978.007.001/04:01-03 00:07:16 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO CHANT SOLO Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse. Enchaîné à :01-02• Vitesse 9,5 Piste 1 Enregistrement médiocre• BM.1978.007.001/04:01-02 1969 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-04 BM.1978.007.001/04:01-04 00:06:26 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO CHANT SOLO Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse• Vitesse 9,5 Piste 1 Enregistrement médiocre• BM.1978.007.001/04:01-03 1969 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-05 BM.1978.007.001/04:01-05 00:07:28 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO CHANT SOLO Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse• Vitesse 9,5 Piste 1 Enregistrement médiocre• BM.1978.007.001/04:01-04 1969 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-06 BM.1978.007.001/04:01-06 00:00:50 07/1969 COTE D'IVOIRE ABIDJAN BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO ENQUETE ET ANNONCE Sous-table non exportée Sous-table non exportée Contes et louanges par Ibrahima Dougouné et son épouse• Vitesse 9,5 Piste 1 Enregistrement médiocre• BM.1978.007.001/04:01-02 1969 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-07 BM.1978.007.001/04:01-07 00:31:40 09/1970 MALI BAMAKO BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRE DU ROI DA MONZON ET DE SON RIVAL KORE DOUGA Sous-table non exportée Sous-table non exportée Parlé en bamnara par Siné Koumaré• Vitesse 9,5 Piste 2 Enregistrement médiocre Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T. Encarté• BM.1978.007.001/04:01-04 1970 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :01-08 BM.1978.007.001/04:01-08 00:13:22 09/1970 MALI BAMAKO BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRE DU ROI DA MONZON ET DE SON RIVAL KORE DOUGA Sous-table non exportée Sous-table non exportée Parlé en bamnara par Siné Koumaré• Vitesse 9,5 Piste 2 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T. Encarté• BM.1978.007.001/04:01-07 1970 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :02-02 BM.1978.007.001/04:02-02 00:37:00 05/1971 MALI BAMAKO BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO FIN DE L'HISTOIRE DE BAKARI DIAN ET BILISSI Sous-table non exportée Sous-table non exportée Histoire de Bakari Dian et son fils, puis histoire de Bakari Dian et Bilissi. Pas de bruit de vent• Vitesse 9,5 Piste 2 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• BM.1978.007.001/04:02-01 1971 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :03-01 BM.1978.007.001/04:03-01 00:46:00 05/1971 MALI SEGOU BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRE DU ROI BITON KOULIBALI Sous-table non exportée Sous-table non exportée Vitesse 9,5 Piste 1 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• BM.1978.007.001/04:02-01 1971 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :03-02 BM.1978.007.001/04:03-02 00:46:00 05/1971 MALI SEGOU BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRE DU ROI BITON KOULIBALI Sous-table non exportée Sous-table non exportée Vitesse 9,5 Piste 2 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• BM.1978.007.001/04:03-01 1971 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :04-01 BM.1978.007.001/04:04-01 00:43:00 05/1971 MALI BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO HISTOIRE DU ROI DA MONZON Sous-table non exportée Sous-table non exportée Copie de copie d'une émission diffusée par Radio Mali en août 1968• Vitesse 9,5 Piste 1 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• BM.1978.007.001/04:03-01 1971 AFRIQUE +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 :04-02 BM.1978.007.001/04:04-02 00:08:28 06/1973 MALI SEGOU BAMBARA-GRIOTS COTE D'IVOIRE:ABIDJAN. MALI;BAMAKO AUTOBIOGRAPHIE DE TAIROU BAMBERA Sous-table non exportée Sous-table non exportée Vitesse 9,5 Piste 2 Texte publié dans Dumestre Gérard:"La geste de Ségou".Paris:Armand Colin,1979.Collection classiques africains n°19 avec un disque 45T.encarté• BM.1978.007.001/04:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-01 BM.1974.014.001/11:02-01 00:01:35 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS HAYFA Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre• Vitesse 19 Défaut d'enregistrement au début• BM.1974.014.001/11:01-01 Haut-Atlas oriental 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-02 BM.1974.014.001/11:02-02 00:01:45 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS HAYFA Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:02-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-03 BM.1974.014.001/11:02-03 00:00:30 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE ESSAIS DE TAMBOURS Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:02-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-04 BM.1974.014.001/11:02-04 00:02:10 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19• BM.1974.014.001/11:02-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-05 BM.1974.014.001/11:02-05 00:01:35 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19• BM.1974.014.001/11:02-04 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-06 BM.1974.014.001/11:02-06 00:01:05 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19• BM.1974.014.001/11:02-05 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-07 BM.1974.014.001/11:02-07 00:01:07 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19• BM.1974.014.001/11:02-06 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-08 BM.1974.014.001/11:02-08 00:01:00 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19• BM.1974.014.001/11:02-07 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-09 BM.1974.014.001/11:02-09 00:00:55 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19 Début coupé• BM.1974.014.001/11:02-08 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :02-10 BM.1974.014.001/11:02-10 00:01:05 09/1973 MAROC TOUNFITE (DANS LA MAISON) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Deux ou trois prostituées se mêlent à la danse et chantent• Vitesse 19 Début correct• BM.1974.014.001/11:02-09 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-01 BM.1974.014.001/11:03-01 00:03:15 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19• BM.1974.014.001/11:02-08 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-02 BM.1974.014.001/11:03-02 00:01:45 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19 Bon début• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-03 BM.1974.014.001/11:03-03 00:01:00 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-04 BM.1974.014.001/11:03-04 00:01:50 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-05 BM.1974.014.001/11:03-05 00:01:10 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19 Moins bonne exécution• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-06 BM.1974.014.001/11:03-06 00:01:25 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-07 BM.1974.014.001/11:03-07 00:01:05 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :03-08 BM.1974.014.001/11:03-08 00:00:55 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs masculins alternés s'accompagnant au tambour sur cadre. Trois prostituées chantant• Vitesse 19 Avec utilisation du "limiter"• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :04-01 BM.1974.014.001/11:04-01 00:02:35 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:03-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :04-02 BM.1974.014.001/11:04-02 00:01:45 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AMSSAD Sous-table non exportée Sous-table non exportée Chanté en recto-tono. Participation des ssixat. Claquements de mains• Vitesse 19• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :04-03 BM.1974.014.001/11:04-03 00:06:25 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE TAMDYAZT Sous-table non exportée Sous-table non exportée Chanté par l'amdyaz Aquray. Le poète se trompe au début et se reprend• Vitesse 19• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :05-01 BM.1974.014.001/11:05-01 00:14:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE HGGWA Sous-table non exportée Sous-table non exportée Claquements de mains, bruits de bouche par les hommes, garçons et prostituées de Tounfite. Le petit tambour-sur-poterie est joué par un noir. Tout le monde danse. Dans ce type de chant, à rapprocher des lhit, atz... du Moyen-Atlas, il n'ya pas de paroles. Le texte est composé de syllabes sans significations• Vitesse 19• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :05-02 BM.1974.014.001/11:05-02 00:02:30 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Chanté par les ssixat de Tounfite. Claquements de mains• Vitesse 19 Fin shuntée par BLJ• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :06-01 BM.1974.014.001/11:06-01 00:11:00 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AIRS PROFANES Sous-table non exportée Sous-table non exportée Les hautbois et tambours à deux peaux sont joués par des professionels. Les tambours sur cadre sont au second plan. Les airs profanes sont dansés. Changement de rythme à 2'30'' et 7'15''• Vitesse 19• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-01 BM.1974.014.001/11:07-01 00:01:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:04-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-02 BM.1974.014.001/11:07-02 00:00:55 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:07-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-03 BM.1974.014.001/11:07-03 00:01:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:07-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-04 BM.1974.014.001/11:07-04 00:01:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:07-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-05 BM.1974.014.001/11:07-05 00:01:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE) BERBÈRE MAROC:BERBERE AHIDUS AMSSAD Sous-table non exportée Sous-table non exportée Deux choeurs alternés s'accompagnant au tambour sur cadre• Vitesse 19• BM.1974.014.001/11:07-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :07-06 BM.1974.014.001/11:07-06 00:09:10 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AIRS PROFANES Sous-table non exportée Sous-table non exportée Les hautbois et tambours à deux peaux sont joués par des professionels. Les tambours sur cadre sont au second plan. Les airs profanes sont dansés. Cris et claquements de main surtout en fin de pièce. Changement de rythme à 4'20''• Vitesse 19• BM.1974.014.001/11:06-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :08-01 BM.1974.014.001/11:08-01 00:14:45 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Chanté par les ssixat de Tounfite. Claquements de mains• Vitesse 19 Chanson d'intérêt médiocre. Un peu beaucoup d'ambiance• BM.1974.014.001/11:05-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :09-01 BM.1974.014.001/11:09-01 00:09:45 09/1973 MAROC TOUNFITE (MAISON DE MOHA UHRRU) BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Chanté par les ssixat de Tounfite. Claquements de mains• Vitesse 19 Bonne qualité• BM.1974.014.001/11:08-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :09-02 BM.1974.014.001/11:09-02 00:04:40 09/1973 MAROC TOUNFITE (MAISON DE MOHA UHRRU) BERBÈRE MAROC:BERBERE IZLAN Sous-table non exportée Sous-table non exportée Chanté par les ssixat de Tounfite. Claquements de mains• Vitesse 19 Bonne qualité• BM.1974.014.001/11:09-01 1973 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :34-01 BM.1970.041.001/55:34-01 00:00:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 AIR DE VILLAGE D'ASURBA 2* Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Suite Chanté, parlé, solo h par jai Bahadur Air du village d'Asurba. *Suite chant- fable bât de Dhaul Chand. Cf;: Bande Gaborieau-Helffer n°33 • BM.1970.041.001/55:33-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 34 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :34BIS-01 BM.1970.041.001/55:34BIS-01 00:02:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 AIR DE VILLAGE D'ASURBA 3* Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Suite Chanté, parlé, solo h par jai Bahadur Air du village d'Asurba. *Suite chant- fable bât de Dhaul Chand. Cf.: Bande Gaborieau-Helffer n°33 • BM.1970.041.001/55:34-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 34 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :34BIS-02 BM.1970.041.001/55:34BIS-02 00:02:20 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 AIR DE VILLAGE D'ASURBA 3* Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara discussion suivie de chant à "ryu-ryu- • BM.1970.041.001/55:34BIS-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :34BIS-03 BM.1970.041.001/55:34BIS-03 00:16:50 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 FIN DE LA CHANTE-FABLE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Fin de la chante-fable de Dhaul Chand, résumé comporte imitation de phag, de hudkiya• BM.1970.041.001/55:34BIS-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 34 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :34BIS-04 BM.1970.041.001/55:34BIS-04 00:02:00 25/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER A LA FORET Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Village de pokhara Fin de la chante-fable de Dhaul Chand, résumé comporte imitation de phag, de hudkiya• BM.1970.041.001/55:34BIS-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 34 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :34BIS-05 BM.1970.041.001/55:34BIS-05 00:27:15 10/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ** C THAKUR HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE "BHOTKO SABAI" Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. **Route de Dandeldhura à Mahendranagar, étape de Bet Kot. Chanté, solo h- "Bhotko Sabai" (Copie MK7-6, II/2• BM.1970.041.001/55:34BIS-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 34 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :35-01 BM.1970.041.001/55:35-01 00:14:00 30/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL, AITE C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG DE CHANTE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, 2 groupes de F alternant, timbale jouée par dholi Phag de mariage chanté au moment où on envoie les cadeaux à la maison de la ma mariée• BM.1970.041.001/55:34BIS-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 35 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :36-01 BM.1970.041.001/55:36-01 00:00:00 30/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL, AITE BHOTIYA DE HUMLA* HELFFER,M. & M. GABORIEAU;NEPAL;1969 RONDE CHANTEE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Bhotiya de Humla en transhumance vers le Teraï. Chanté, choeur F. Ronde chantée. Pas de durée deteminée• BM.1970.041.001/55:35-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 36 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :36-02 BM.1970.041.001/55:36-02 00:00:00 30/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL, AITE BHOTIYA DE HUMLA* HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Bhotiya de Humla en transhumance vers le Teraï. Chanté, solo F. Chant de danse. Pas de durée deteminée• BM.1970.041.001/55:36-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 36 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :36-03 BM.1970.041.001/55:36-03 00:00:00 30/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL, AITE BHOTIYA DE HUMLA* HELFFER,M. & M. GABORIEAU;NEPAL;1969 RONDE CHANTEE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Bhotiya de Humla en transhumance vers le Teraï. Chanté, ronde chantée. Pas de durée deteminée• BM.1970.041.001/55:36-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 36 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :36-04 BM.1970.041.001/55:36-04 00:00:00 30/11/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL, AITE BHOTIYA DE HUMLA* HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE RELIGIEUX Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Bhotiya de Humla en transhumance vers le Teraï. Chanté, solo F. Chant religieux. Pas de durée deteminée• BM.1970.041.001/55:36-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 36 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :37-01 BM.1970.041.001/55:37-01 00:00:00 30/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* C THURI SUBDIVISION DES DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE REPIQUAGE DU RIZ Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, solo H, tambour Dhol, Gaguva Turi du village de Hat. Chant de repiquage du riz, type bhaini: histoire de Ramacandra. Pas de durée deteminée• BM.1970.041.001/55:36-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 37 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :38-01 BM.1970.041.001/55:38-01 00:11:15 02/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE REPIQUAGE DU RIZ BHAINI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, solo H, Gaguva Turi du village de Hat. Chant de repiquage du riz, type bhaini: la vocation de Gopichand• BM.1970.041.001/55:37-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 38 ASIE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-02 BM.1957.003.001:01-02 00:02:06 N CAMEROUN CAMEROUN LOUANGES DE LAMIDO DE BANYO Sous-table non exportée Sous-table non exportée Par le griot Boussao• -1 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :38-02 BM.1970.041.001/55:38-02 00:09:20 02/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE REPIQUAGE DU RIZ DHUSKO Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, solo H, Gaguva Turi du village de Hat. Chant de repiquage du riz: type dhusko• BM.1970.041.001/55:38-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 38 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :38-03 BM.1970.041.001/55:38-03 00:05:35 02/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 FRAGMENT CAIT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, solo H, Gaguva Turi du village de Hat. Fragment de Cait• BM.1970.041.001/55:38-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 38 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :39-01 BM.1970.041.001/55:39-01 00:00:00 05/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE SIVA BHANDARI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, choeur H recouté, par le maitre d'école d'Admir kot. Cait de Siva Bhandari• BM.1970.041.001/55:38-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 39 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :39-02 BM.1970.041.001/55:39-02 00:00:00 05/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHUMARI DE SIVA BHANDARI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, choeur H recouté, par le maitre d'école d'Ajmir kot. Dhumari de Siva Bhandari. Pas de durée determinée• BM.1970.041.001/55:39-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 39 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :39-03 BM.1970.041.001/55:39-03 00:00:00 05/12/1969 NEPAL MAHACALI ACAL, DANDELHURA ACAL* CTHURI HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHUMARI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Aite, village de Khade. Chanté, choeur H recouté, par le maitre d'école d'Ajmir kot. Dhumari. Pas de durée determinée• BM.1970.041.001/55:39-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 39 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :40-01 BM.1970.041.001/55:40-01 00:06:10 05 -06/12 /1969 NEPAL MAHACALI ACAL, AITE C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DU DIEU GATHAL Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Alternance chanté/parlé, solo H par Bir Singh Säun. Histoire du dieu Gathal• BM.1970.041.001/55:39-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 40 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :40-02 BM.1970.041.001/55:40-02 00:42:00 05 -06/12 /1969 NEPAL MAHACALI ACAL, AITE C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE FABLA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Alternance chanté/parlé, solo H par Jaganath Pade. Chante fable bat de goki sal et Bir Sal. (Reprendre transition sur MK7. 11/II• BM.1970.041.001/55:40-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 40 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :41-01 BM.1970.041.001/55:41-01 00:02:10 06/12 /1969 NEPAL MAHACALI ACAL, AITE C BRAHAMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE-FABLE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Alternance chanté/parlé, solo H par Jaganath Pade. Fin de la chante-fable de Goki sal et Bir sal. Cf.: Bande Gaborieau-Helffer n°40• BM.1970.041.001/55:40-02 HELFFER,MIREILLE&GABORIEAU,MARC 0 41 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 41-02 BM.1970.041.001/5541-02 00:08:00 06/12 /1969 NEPAL MAHACALI ACAL, AITE C BRAHAMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE-FABLE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Alternance chanté/parlé, solo H par Jaganath Pade. Fin de la chante-fable de Goki sal et Bir sal. Cf.: Bande Gaborieau-Helffer n°40• BM.1970.041.001/55:41-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 41 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :41-02 BM.1970.041.001/55:41-02 00:08:00 06/12 /1969 NEPAL MAHACALI ACAL, AITE C BRAHAMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHUSKO DE GAURA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Solo H par Jaganath Pade. Dhusko de Gaura• BM.1970.041.001/55:41-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 41 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :41-03 BM.1970.041.001/55:41-03 00:03:09 06/12 /1969 NEPAL MAHACALI ACAL, AITE C SUNAR KAMI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LA FORET Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Solo H par Hari Sunar kami. Chant pour aller dans la forêt• BM.1970.041.001/55:41-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 41 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :41-04 BM.1970.041.001/55:41-04 00:22:40 06/12 /1969 NEPAL MAHACALI ACAL, AITE C SUNAR KAMI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE FABLE BAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Alternance chanté/parlé, solo H par Hari Sunar Kami. Chante- fable Bat: histoire d'un brahamane dégradé au rang de sarki et sauvé par son perroquet• BM.1970.041.001/55:41-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 41 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :42-01 BM.1970.041.001/55:42-01 00:06:45 10/12 /1969 NEPAL MAHACALI ACAL* C THAKUR HELFFER,M. & M. GABORIEAU;NEPAL;1969 RECIT CHANTE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Route de dandeldhura à Mahendranagar, étape de Bet Kot. Chanté, solo H recit chanté• BM.1970.041.001/55:41-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 42 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :42-02 BM.1970.041.001/55:42-02 00:06:30 10/12 /1969 NEPAL MAHACALI ACAL* C THAKUR HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT EN L'HONNEUR DE MASTA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Route de dandeldhura à Mahendranagar, étape de Bet Kot. Chant en l'honneur de Masta• BM.1970.041.001/55:42-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 42 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :42-03 BM.1970.041.001/55:42-03 00:20:20 10/12 /1969 NEPAL MAHACALI ACAL* C THAKUR HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT EN L'HONNEUR DE MASTA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Route de dandeldhura à Mahendranagar, étape de Bet Kot. histoire tirée du mahabharata• BM.1970.041.001/55:42-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 42 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :42-04 BM.1970.041.001/55:42-04 00:15:00 NEPAL MAHACALI ACAL* C BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT FABLE BAT Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Route de dandeldhura à Mahendranagar, étape de Bet Kot. Solo H par Bir Bahadur Bhajyu des environs de Pokhara. Fragment de chante-fable Bat • BM.1970.041.001/55:42-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 42 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :43-01 BM.1970.041.001/55:43-01 00:00:00 27/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE SARAMAI RANI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, 2 voix H, 2 vièles Sarangui, par Birkha Bahadur Gaine et Jhalak man Gaine de batulecaur; cf.:Mission Helffer 1966. Histoire de Sarami Rani. Pas de durée spécifiée• BM.1970.041.001/55:42-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 43 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :43-02 BM.1970.041.001/55:43-02 00:00:00 27/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE JAYALA JAYATULA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, 2 voix H, 2 vièles Sarangui, par Birkha Bahadur Gaine et Jhalak man Gaine de batulecaur; cf.:Mission Helffer 1966. Histoire de Jayäla jayatula. Pas de durée spécifiée • BM.1970.041.001/55:43-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 43 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :44-01 BM.1970.041.001/55:44-01 00:00:00 27/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 COMENTAIRE DE L'HISTOIRE DE JAYALA JAYATULA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Parlé, solo H, 2 par Jhalak man Gaine. Comentaire de l'histoire de Jayäla jayatula. Pas de durée spécifiée • BM.1970.041.001/55:43-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 44 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :44-02 BM.1970.041.001/55:44-02 00:00:00 27/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE MANIKOLE RANI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, 2 voix H, 2 vièles Sarangui, par Birkha Bahadur Gaine et Jhalak man Gaine. Histoire de Manikole Rani. Pas de durée spécifiée • BM.1970.041.001/55:43-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 44 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :44-03 BM.1970.041.001/55:44-03 00:00:00 27/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE RAMKALI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, 2 voix H, 2 vièles Sarangui, par Birkha Bahadur Gaine et Jhalak man Gaine. Histoire de Ramkali. Pas de durée spécifiée • BM.1970.041.001/55:44-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 44 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :45-01 BM.1970.041.001/55:45-01 00:04:55 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT EN L'HONNEUR DE DURGA Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par magar Gaine. malsiri Git chant en l'honneur de Durga,executé pour Dasaî • BM.1970.041.001/55:44-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 45 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :45-02 BM.1970.041.001/55:45-02 00:07:00 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 SRI GANESA PUJA Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par magar Gaine. Sri ganesa puja • BM.1970.041.001/55:45-01 HELFFER,MIREILLE&GABORIEAU,MARC 0 45 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :45-03 BM.1970.041.001/55:45-03 00:04:45 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 COMPLAINTE DE ORPHELINS Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par Ram Caran Gaine. Complainte des orphelins• BM.1970.041.001/55:45-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 45 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :45-04 BM.1970.041.001/55:45-04 00:04:45 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 COMPLAINTE DE ORPHELINS Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par Ram Caran Gaine. Complainte des orphelins• BM.1970.041.001/55:45-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 45 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :46-01 BM.1970.041.001/55:46-01 00:00:00 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 LA MORT DE TRIBHUIRAN Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par Magar Gaine. Karkha de la mort de Tribhuiran. (cf.: Remarques sur les vers népali chanté pour une autre version du même chant)• BM.1970.041.001/55:45-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 46 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :46-02 BM.1970.041.001/55:46-02 00:00:00 15/10/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 COMPLAINTE DU GAINE Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, vièle Sarangui, par Magar Gaine. Complainte du gâine. (cf.: disque Castes de musiciens au Nepal)• BM.1970.041.001/55:46-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 46 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-01 BM.1970.041.001/55:47-01 00:01:00 00/11/1969 NEPAL MAHAKALI ACAL POKHARA HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LA FORET Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, chant pour aller dans la forêt• BM.1970.041.001/55:46-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-02A BM.1970.041.001/55:47-02A 00:00:30 00/11/1969 NEPAL MAHAKALI ACAL POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO H Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H• BM.1970.041.001/55:47-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-02B BM.1970.041.001/55:47-02B 00:02:00 00/11/1969 NEPAL MAHAKALI ACAL POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO H Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H• BM.1970.041.001/55:47-02A HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-03 BM.1970.041.001/55:47-03 00:02:15 00/11/1969 NEPAL MAHAKALI ACAL POKHARA C DHOLI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR ALLER DANS LA FORET Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, par Bhoj Raj BhattaRai chant pour aller dans la forêt• BM.1970.041.001/55:47-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-04 BM.1970.041.001/55:47-04 00:02:15 00/11/1969 NEPAL MAHAKALI ACAL POKHARA BHAT HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT POUR REPIQUER LE RIZ Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, solo H, chant à repiquer le riz type Bhaini• BM.1970.041.001/55:47-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-05 BM.1970.041.001/55:47-05 00:02:35 00/11/1969 NEPAL MAHAKALI ACAL POKHARA HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DU MARIAGE DU RAT Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, 2 voix h, tambour madal, histoire du mariage du rat. Pas de caste spécifiée• BM.1970.041.001/55:47-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-01 BM.1970.046.001/03:02-01 00:04:10 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 NFAR Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:01-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-02 BM.1970.046.001/03:02-02 00:07:00 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 GHAITA Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-03 BM.1970.046.001/03:02-03 00:00:45 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 GHAITA Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-04 BM.1970.046.001/03:02-04 00:06:00 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 GHAITA Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-02 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-05 BM.1970.046.001/03:02-05 00:02:35 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 NFAR Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-06 BM.1970.046.001/03:02-06 00:07:00 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 GHAITA Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-02 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-07 BM.1970.046.001/03:02-07 00:04:35 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 NFAR Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-01 1968 AFRIQUE +BM.1970.046 Ø13 BM.1970.046.001/03 :02-08 BM.1970.046.001/03:02-08 00:07:00 12/1968 MAROC MARRAKECH AISSAWA MAROC. AIT YOUSSEF,MOHAMMED;1968 GHAITA Sous-table non exportée Sous-table non exportée Joué sur les minarets pendant le mois de ramadan, la nuit• Vitesse 9,5 piste 1• BM.1970.046.001/03:02-02 1968 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-01 BM.1974.014.001/11:10-01 00:00:20 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Choeurs féminins alternés. Accompagnement discret et occasionnel au tambour. Passage du henné sur les pieds du mari• Vitesse 19• BM.1974.014.001/11:09-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-02 BM.1974.014.001/11:10-02 00:00:55 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE AUTRE CHANT Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:10-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-03 BM.1974.014.001/11:10-03 00:02:35 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE AUTRE CHANT Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:10-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-04 BM.1974.014.001/11:10-04 00:03:10 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE AUTRE CHANT Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:10-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-05 BM.1974.014.001/11:10-05 00:01:20 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE AUTRE CHANT Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:10-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :10-06 BM.1974.014.001/11:10-06 00:01:00 09/1973 MAROC TOUNFITE (SOUS LA TENTE DU MARIE) BERBÈRE MAROC:BERBERE AUTRE CHANT Sous-table non exportée Sous-table non exportée Vitesse 19• BM.1974.014.001/11:10-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :11-01 BM.1974.014.001/11:11-01 00:06:45 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AHIDUS "DES AYT LAHSSAYN" Sous-table non exportée Sous-table non exportée Chanté par l'amdyaz (poète) qui s'accompagne lui-même à l'alto kamanja. Il est accompagné aussi par un petit choeur de villageois dont 4 jouent du tambour sur cadre, et par 2 ssixat. Cet ahidus est "izlanisé" par le poète sous forme de pot pourri• Vitesse 19 Défaut technique à 2'45• BM.1974.014.001/11:10-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :11-02 BM.1974.014.001/11:11-02 00:02:05 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AHIDUS "DES AYT LAHSSAYN" Sous-table non exportée Sous-table non exportée Chanté par les villageois dirigés par l'amdyaz. Quatre tambours sur cadre et 2 ssixat qui chantent périodiquement. A rapprocher du :11-01• Vitesse 19• BM.1974.014.001/11:11-01 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :11-03 BM.1974.014.001/11:11-03 00:10:00 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AHIDUS Sous-table non exportée Sous-table non exportée Chanté par les villageois dirigés par l'amdyaz. Quatre tambours sur cadre et 2 ssixat qui chantent périodiquement• Vitesse 19• BM.1974.014.001/11:11-02 1973 AFRIQUE +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 :11-04 BM.1974.014.001/11:11-04 00:03:00 09/1973 MAROC TOUNFITE BERBÈRE MAROC:BERBERE AHIDUS Sous-table non exportée Sous-table non exportée Chanté par les villageois dirigés par l'amdyaz. Quatre tambours sur cadre et 2 ssixat qui chantent périodiquement• Vitesse 19 Le reste de la bobine est un izlan d'intérêt médiocre qu'il n'est pas nécessaire de conserver. Cette collection 74.14 se complète de 6 bobines 13 de poésie chantée amdyazt, confiées à H. Jouad, et que nous avons enregistrées ensemble • BM.1974.014.001/11:11-03 1973 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-02 BM.1984.018.001/04:01-02 00:01:54 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-01 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :02-03 BM.1984.018.001/04:02-03 00:01:31 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :02-04 BM.1984.018.001/04:02-04 00:01:37 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 SOLO DE HARPE Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-05 BM.1984.018.001/04:01-05 00:02:31 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-06 BM.1984.018.001/04:01-06 00:01:36 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-07 BM.1984.018.001/04:01-07 00:02:25 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-08 BM.1984.018.001/04:01-08 00:04:12 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 DUO DE HARPE Sous-table non exportée Sous-table non exportée Harpe à 5 cordes. Vent à 2'47 et 3'46• Vitesse 19• BM.1984.018.001/04:01-02 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-09 BM.1984.018.001/04:01-09 00:03:17 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 DUO DE HARPE Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-08 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-10 BM.1984.018.001/04:01-10 00:02:17 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-09 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-11 BM.1984.018.001/04:01-11 00:05:23 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes. Aboiements de chiens• Vitesse 19• BM.1984.018.001/04:01-10 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-12 BM.1984.018.001/04:01-12 00:03:32 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-11 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-13 BM.1984.018.001/04:01-13 00:03:23 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-10 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-14 BM.1984.018.001/04:01-14 00:02:58 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-13 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-15 BM.1984.018.001/04:01-15 00:01:20 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 CHANT SOLO Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-14 0 AFRIQUE +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 :01-16 BM.1984.018.001/04:01-16 00:03:31 REP CENTRAFRICAINE HAUT-OUBANGUI NZAKARA REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 DUO DE HARPE Sous-table non exportée Sous-table non exportée Harpe à 5 cordes• Vitesse 19• BM.1984.018.001/04:01-08 0 AFRIQUE +BM.1981.018 Ø13;²9,5;PPS BM.1981.018.001 :01-02 BM.1981.018.001:01-02 00:00:00 03/1978 ALGERIE;KABYLIE KABYLIE ALGERIE;KABYLIE. MECHERI SAADA,N;1978 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Vitesse 9,5• BM.1981.018.001:01-01 1978 AFRIQUE +BM.1981.018 Ø13;²9,5;PPS BM.1981.018.001 :01-03 BM.1981.018.001:01-03 00:00:00 03/1978 ALGERIE;KABYLIE KABYLIE ALGERIE;KABYLIE. MECHERI SAADA,N;1978 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Vitesse 9,5• BM.1981.018.001:01-02 1978 AFRIQUE +BM.1981.018 Ø13;²9,5;PPS BM.1981.018.001 :01-04 BM.1981.018.001:01-04 00:00:00 03/1978 ALGERIE;KABYLIE KABYLIE ALGERIE;KABYLIE. MECHERI SAADA,N;1978 BERCEUSE Sous-table non exportée Sous-table non exportée Vitesse 9,5• BM.1981.018.001:01-02 1978 AFRIQUE +BM.1971.001 Ø18;²19;PPM BM.1971.001.001/04 :02-01 BM.1971.001.001/04:02-01 00:28:10 04/06/1957 MAURITANIE AIOUM EL ATROUSS MAURES-GRIOTS RADIO MAURITANIE;MAURITANIE CHANT SOLO Sous-table non exportée Sous-table non exportée Accompagné aussi par les percussions "lebyad", "lekhal" et "tahrar"• Vitesse 19• BM.1971.001.001/04:01-01 1957 AFRIQUE +BM.1971.001 Ø18;²19;PPM BM.1971.001.001/04 :03-01 BM.1971.001.001/04:03-01 00:30:00 14/05/1958 MAURITANIE AIOUM EL ATROUSS MAURES-GRIOTS RADIO MAURITANIE;MAURITANIE CHANT KAR Sous-table non exportée Sous-table non exportée Accompagné aussi par les percussions "seïni", "vaghou" , "lechal" , "lebiad" , "beïgui" et "tahrar"• Vitesse 19• BM.1971.001.001/04:01-01 1958 AFRIQUE +BM.1971.001 Ø18;²19;PPM BM.1971.001.001/04 :04-01 BM.1971.001.001/04:04-01 00:30:00 14/05/1958 MAURITANIE AIOUM EL ATROUSS MAURES-GRIOTS RADIO MAURITANIE;MAURITANIE CHANT SOLO Sous-table non exportée Sous-table non exportée cf: disque MH LD 45.3• BM.1971.001.001/04:01-01 1958 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-02 BM.1970.029.001:01-02 00:02:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Chant solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de main• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-03 BM.1970.029.001:01-03 00:00:30 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL DISCUSSIONS Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-04 BM.1970.029.001:01-04 00:01:30 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Solo féminin, solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de mains• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-05 BM.1970.029.001:01-05 00:00:30 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL DISCUSSIONS Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-06 BM.1970.029.001:01-06 00:01:30 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Solo féminin, solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de mains• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-07 BM.1970.029.001:01-07 00:00:45 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL RIRES ET DISCUSSIONS Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-08 BM.1970.029.001:01-08 00:01:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Solo féminin, solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de mains• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-09 BM.1970.029.001:01-09 00:02:30 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Solo féminin, solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de mains• Vitesse 4,7. Piste 1 Coupure, incident technique• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-10 BM.1970.029.001:01-10 00:02:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT SOLO Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-11 BM.1970.029.001:01-11 00:02:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL RIRES ET DISCUSSIONS Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-12 BM.1970.029.001:01-12 00:01:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Chant solo masculin et choeur féminin alternés. Harpe à 4 cordes. Claquements de main• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-13 BM.1970.029.001:01-13 00:02:20 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA BEDIK SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Clochettes à percussion externe• Vitesse 4,7. Piste 1 Pour complément d'information, voir: M.P. Ferry au P. Smith (CRA)• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-14 BM.1970.029.001:01-14 00:00:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA BEDIK SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL DISCUSSION SUR LES CIRCONSTANCES DE L'ENREGISTREMENT Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-15 BM.1970.029.001:01-15 00:04:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BARAFUTI BEDIK SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT PUIS DISPUTE Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-16 BM.1970.029.001:01-16 00:06:50 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTATA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL ANNONCES PARLES PUIS MUSIQUE Sous-table non exportée Sous-table non exportée Parlé, annonce des circonstances de l'enregistrement, puis harpe, puis chanté solo et harpe. Plusieurs interruptions parlées masculines et féminines• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-17 BM.1970.029.001:01-17 00:09:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BANTAKO MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL SUCCESSIONS DE PIECES ENTRECOUPEES DE VOIX PARLEES Sous-table non exportée Sous-table non exportée Parlé, annonce des circonstances de l'enregistrement. Parmi les 4 tambours on a 1 "dundunon" , 1 "waraon" et 1 "tamtamba"• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-18 BM.1970.029.001:01-18 00:05:40 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BAGNOMBA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL ANNONCES PARLES PUIS MUSIQUE Sous-table non exportée Sous-table non exportée Parlé, annonce des circonstances de l'enregistrement. Choeurs féminin et masculin alternés. Mais il y a de nombreuses interruptions, les choeurs n'arrivent pas à s'organiser• Vitesse 4,7. Piste 1• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-19 BM.1970.029.001:01-19 00:00:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BAGNOMBA MALINKE SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL ANNONCES PARLES PUIS MUSIQUE Sous-table non exportée Sous-table non exportée Parlé, annonce des circonstances de l'enregistrement. Choeurs masculin et féminin complètement ivres• Vitesse 4,7. Piste 1 Interruption brutale en fin de bande, incident technique• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :47-06 BM.1970.041.001/55:47-06 00:02:55 00/11/1969 NEPAL MAHAKALI ACAL POKHARA HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE HOLI, EN HINDI Sous-table non exportée Sous-table non exportée Vitesse, 19 cm/seg. Chanté, 2 voix h, tambour madal, Chant de Holi, en Hindi. Pas de caste spécifiée• BM.1970.041.001/55:47-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 47 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :48-01 BM.1970.041.001/55:48-01 00:29:12 30/11/1969 NEPAL MAHAKALI ACAL* C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE SIVA BHANDARI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Chanté, soloH, cait de Siva Bhandari• BM.1970.041.001/55:47-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 48 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :48-02 BM.1970.041.001/55:48-02 00:03:00 30/11/1969 NEPAL MAHAKALI ACAL* C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 FRAGMENT DE PHAG Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Chanté, 3 voix F, fragment de phag• BM.1970.041.001/55:48-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 48 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :49-01 BM.1970.041.001/55:49-01 00:02:35 00/12/1969 NEPAL MAHAKALI ACAL* C CHETRI HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT A NYAULI Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Chanté, solo H, chant à Nyauli• BM.1970.041.001/55:48-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 49 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :49-02 BM.1970.041.001/55:49-02 00:00:00 00/12/1969 NEPAL MAHAKALI ACAL* C SUNAR KAMI HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE 7 FRERES ET SOEURS Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Alternance chanté/parlé, solo H, par hari Sunar Kami, de gain Khat, Jamiroda,Ullanigau. Chant-fable, bat: Histoire de sept frères et soeur. Pas de durée spécifiée • BM.1970.041.001/55:49-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 49 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :50-01 BM.1970.041.001/55:50-01 00:40:00 00/12/1969 NEPAL MAHAKALI ACAL* C SUNAR KAMI HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE 7 FRERES ET SOEURS (SUITE) Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Alternance chanté/parlé, solo H, par hari Sunar Kami, de gain Khat, Jamiroda,Ullanigau. Chant-fable, bat: Histoire de sept frères et soeur (suit). (cf.: Bande Gaborieau Heffer n°49) • BM.1970.041.001/55:49-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 50 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :51-01 BM.1970.041.001/55:51-01 00:19:30 00/12/1969 NEPAL MAHAKALI ACAL* C SUNAR KAMI HELFFER,M. & M. GABORIEAU;NEPAL;1969 HISTOIRE DE 7 FRERES ET SOEURS (FIN) Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Mahakali, âcal, Ait, village de Khade. Alternance chanté/parlé, solo H, par hari Sunar Kami, de gain Khat, Jamiroda,Ullanigau. Chant-fable, bat: Histoire de sept frères et soeur (fin). (cf.: Bande Gaborieau Heffer n°49). (à 5 du debut: blanc du au fait que le chanteur est parti tousser) • BM.1970.041.001/55:50-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 51 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :51-02 BM.1970.041.001/55:51-02 00:16:50 00/12/1969 NEPAL MAHAKALI ACAL DANDELDHURA C JAISI BRAHMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG EN L'HONNEUR DU DIEUX GHATAL Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. chanté, solo F, phag en l'honneur du dieux ghatal• BM.1970.041.001/55:50-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 51 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :52-01 BM.1970.041.001/55:52-01 00:09:00 08/11/1969 NEPAL MAHAKALI ACAL DANDELDHURA C JAISI BRAHMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 GAURA DEVIKO PRASAD Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. chanté, solo F. Gaura deviko prasad, phag, en l'honneur du dieu Ghantesvar. (Copie MK7-8 II/11)• BM.1970.041.001/55:51-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 52 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :52-02 BM.1970.041.001/55:52-02 00:12:50 08/11/1969 NEPAL MAHAKALI ACAL DANDELDHURA C JAISI BRAHMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG EN L'HONNEUR DU DIEU GHANTESVAR Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. chanté, solo F. Ghantesvar deuko phag, phag en l'honneur du dieu Ghantesvar. (Copie MK7-8 II/+12, I/1). (Blanc correspondant au retournement de la cassette: 1 ver sauté)• BM.1970.041.001/55:52-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 52 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :52-03 BM.1970.041.001/55:52-03 00:15:45 08/11/1969 NEPAL MAHAKALI ACAL DANDELDHURA C JAISI BRAHMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 SIKHARKO PHAG Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. chanté, solo F. Sikharko phag• BM.1970.041.001/55:52-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 52 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :53-01 BM.1970.041.001/55:53-01 00:08:10 00/12/1969 NEPAL DANDELDHURA C JAISI BRAHMANE HELFFER,M. & M. GABORIEAU;NEPAL;1969 PHAG EN L'HONNEUR D'UGRATARA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. chanté, solo F. Phag, en l'honneur d'ugratara• BM.1970.041.001/55:52-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 53 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :53-02 BM.1970.041.001/55:53-02 00:19:10 00/12/1969 NEPAL DANDELDHURA* C BAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE NAG MALLA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. *Durée Dandeldhura, 14'30'' +4'40'' Katigau, 4 -12 -69 chanté, deux v F. Cait de Nag Malla, roi de Doti• BM.1970.041.001/55:53-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 53 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :53-03 BM.1970.041.001/55:53-03 00:07:45 00/12/1969 NEPAL DANDELDHURA C BAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 DHAMARI DE NAG MALLA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Dhamari de Nag Malla, enchaîné avec dhamari de Krishna• BM.1970.041.001/55:53-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 53 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :53-04 BM.1970.041.001/55:53-04 00:05:45 00/12/1969 NEPAL DANDELDHURA C BAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 INTERVIEW CONCERNANT NAG MALLA Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Parlé dialecte de doti interview concernant Nag Malla• BM.1970.041.001/55:53-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 53 ASIE +BM.1970.029 K7-C90 BM.1970.029.001 :01-20 BM.1970.029.001:01-20 00:04:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Choeur féminin et solo homme alternés. Clochettes intermittantes et claquements de main• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-21 BM.1970.029.001:01-21 00:02:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Choeur féminin et solo homme alternés. Clochettes intermittantes et claquements de main• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-22 BM.1970.029.001:01-22 00:03:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Claquements de main, vièle monocorde jouée par un homme.Quelques voix féminines parlées• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-23 BM.1970.029.001:01-23 00:04:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL CHANT Sous-table non exportée Sous-table non exportée Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-24 BM.1970.029.001:01-24 00:11:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL ANNONCE ET CHANT Sous-table non exportée Sous-table non exportée Annonce des circonstances de l'enregistrement puis chanté solo home et choeur homme. Pendant les 3 premières minutes la prise de son est mauvaise• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-25 BM.1970.029.001:01-25 00:03:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL PRIERE D'ACTION DE GRACE Sous-table non exportée Sous-table non exportée Psalmodié. Solo homme et choeur homme alternés• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.029 K7-C90 BM.1970.029.001 :01-26 BM.1970.029.001:01-26 00:02:00 03/1968 SENEGAL CERCLE DE KEDOUGOU,VILLAGE:BOUNDOUCOUNDI PEUL SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL DISCUSSION Sous-table non exportée Sous-table non exportée Plusieurs voix parlés• Vitesse 4,7. Piste 2• GUIGNARD,AUDE 1968 AFRIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-02 BM.1970.031.001/07:01-02 00:04:50 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,CANTON TIAHVANACO,CHAMBI CHICO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 HUAYNO: AIR DE DANSE Sous-table non exportée Sous-table non exportée Les flûtes de pan (sicus) sont de différentes tailles. 8 sont des sicus maltas et 2 sont des sicus chulis. La grosse caisse bombo est frappée par une baguette. Air de danse pour réjouissances de toutes sortes• Vitesse 19 piste 1• BM.1970.031.001/07:01-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-03 BM.1970.031.001/07:01-03 00:05:00 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,CANTON TIAHVANACO,CHAMBI CHICO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 HUAYNO: AIR DE DANSE Sous-table non exportée Sous-table non exportée Les flûtes de pan (sicus) sont de différentes tailles. 8 sont des sicus maltas et 2 sont des sicus chulis. La grosse caisse bombo est frappée par une baguette. Air de danse pour réjouissances de toutes sortes• Vitesse 19 piste 1• BM.1970.031.001/07:01-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-04 BM.1970.031.001/07:01-04 00:04:30 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,CANTON TIAHVANACO,CHAMBI CHICO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 HUAYNO: AIR DE DANSE Sous-table non exportée Sous-table non exportée Les flûtes de pan (sicus) sont de différentes tailles. 8 sont des sicus maltas et 2 sont des sicus chulis. La grosse caisse bombo est frappée par une baguette. Air de danse pour réjouissances de toutes sortes• Vitesse 19 piste 1• BM.1970.031.001/07:01-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-05 BM.1970.031.001/07:01-05 00:03:05 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Musique de berger• Vitesse 19 piste 1• BM.1970.031.001/07:01-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-06 BM.1970.031.001/07:01-06 00:01:15 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Musique de berger• Vitesse 19 piste 1• BM.1970.031.001/07:01-05 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-07 BM.1970.031.001/07:01-07 00:02:15 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Les flûtes sont à encoche. La musique est jouée par Simon Quispe et Firmin Wanka• Vitesse 19 piste 1• BM.1970.031.001/07:01-06 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-08 BM.1970.031.001/07:01-08 00:03:00 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Les flûtes sont à encoche. La musique est jouée par Simon Quispe et Firmin Wanka• Vitesse 19 piste 1• BM.1970.031.001/07:01-07 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-09 BM.1970.031.001/07:01-09 00:02:30 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Les flûtes sont à encoche. La musique est jouée par Simon Quispe• Vitesse 19 piste 1• BM.1970.031.001/07:01-08 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :01-10 BM.1970.031.001/07:01-10 00:01:35 8/1959;9/1964 BOLIVIE PROVINCE LUGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER Sous-table non exportée Sous-table non exportée Musique de berger• Vitesse 19 piste 1• BM.1970.031.001/07:01-05 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-01 BM.1970.031.001/07:02-01 00:06:15 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,PROVINCE INAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER AHUATIRI Sous-table non exportée Sous-table non exportée Musique de berger• Vitesse 19 piste 1• BM.1970.031.001/07:01-10 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-02 BM.1970.031.001/07:02-02 00:02:45 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,PROVINCE INAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER AHUATIRI Sous-table non exportée Sous-table non exportée Musique de berger• Vitesse 19 piste 1• BM.1970.031.001/07:02-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-03 BM.1970.031.001/07:02-03 00:03:30 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,PROVINCE INGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER AHUATIRI Sous-table non exportée Sous-table non exportée Les flûtes sont à encoche. La musique est jouée par Simon Quispe et Hernan Condori• Vitesse 19 piste 1• BM.1970.031.001/07:01-08 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-04 BM.1970.031.001/07:02-04 00:04:20 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,PROVINCE INGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER AHUATIRI Sous-table non exportée Sous-table non exportée Les flûtes sont à encoche. La musique est jouée par Simon Quispe et Hernan Condori• Vitesse 19 piste 1• BM.1970.031.001/07:02-03 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-05 BM.1970.031.001/07:02-05 00:03:00 8/1959;9/1964 BOLIVIE DPT. DE LA PAZ,PROVINCE INGAVI,TIWANAKU AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE BERGER AHUATIRI Sous-table non exportée Sous-table non exportée La flûte est jouée par Simon Quispe• Vitesse 19 piste 1• BM.1970.031.001/07:02-04 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-06 BM.1970.031.001/07:02-06 00:02:00 8/1959;9/1964 BOLIVIE PROVINCE MANCO CAPAC,COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:02-01 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-07 BM.1970.031.001/07:02-07 00:03:25 8/1959;9/1964 BOLIVIE PROVINCE MANCO CAPAC,COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:02-06 1959 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :02-08 BM.1970.031.001/07:02-08 00:03:10 8/1959;9/1964 BOLIVIE PROVINCE MANCO CAPAC,COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:02-07 1959 AMERIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :24-03 BM.2007.001.001/97:24-03 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 IKOMBO Sous-table non exportée Sous-table non exportée (Pierre Sallée indique "voir notes". Où se trouvent ces notes?)• SALLEE,P. 1965 RELIGIEUX 1965.1.04-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :25-01 BM.2007.001.001/97:25-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 IKOMBO Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:24-03• SALLEE,P. 1965 RELIGIEUX 1965.1.05-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :26-01 BM.2007.001.001/97:26-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 IKOMBO Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:25• SALLEE,P. 1965 RELIGIEUX 1965.1.06-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :27-01 BM.2007.001.001/97:27-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 IKOMBO Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:26. Village : orthographié Malende (document manuscrit) ou Melende (document dactyllographié) par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.07-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :28-01 BM.2007.001.001/97:28-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 IKOMBO Sous-table non exportée Sous-table non exportée Termes vernaculaires pour juges : 1er : _lekeki_ 2e : _kuli_• Suite de BM.2007.001.001/93:27• SALLEE,P. 1965 RELIGIEUX 1965.1.08-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :28-02 BM.2007.001.001/97:28-02 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Danse de femmes. - D'abord, altercations traditionnelles entre hommes et femmes ; - Ensuite, chants proprement dits• SALLEE,P. 1965 RELIGIEUX 1965.1.08-02/Copie AFRIQUE +BM.1970.041 Ø13* BM.1970.041.001/55 :54-01 BM.1970.041.001/55:54-01 00:30:40 04/12/1969 NEPAL DANDELDHURA KATIGAU C BAHUN HELFFER,M. & M. GABORIEAU;NEPAL;1969 CAIT DE DIPA RAJ BAR Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo F. Cait de Dipa Raj Bar• BM.1970.041.001/55:53-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 54 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-01 BM.1970.041.001/55:55-01 00:02:15 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT JEUNE HOMME Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Chanté, solo jeune H. vièle sarangui, simultannément tambour sablier Damaru, par ram Caram Gaine• BM.1970.041.001/55:54-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-02 BM.1970.041.001/55:55-02 00:01:10 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHNAT DE TYPE JHYAURE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Kanchi Lai, chant de type Jhyaure• BM.1970.041.001/55:55-01 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-03 BM.1970.041.001/55:55-03 00:00:40 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT SOLO FEMME Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Voix chanté solo F• BM.1970.041.001/55:55-02 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-04 BM.1970.041.001/55:55-04 00:04:10 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté solo H/ soloF, vièle sarangui, Chanbt de Mariage "dholi thapa janto ho"• BM.1970.041.001/55:55-03 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-05 BM.1970.041.001/55:55-05 00:02:45 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO H Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté solo H, vièle sarangui• BM.1970.041.001/55:55-04 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-06 BM.1970.041.001/55:55-06 00:04:20 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO E Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté choeur E, vièle sarangui• BM.1970.041.001/55:55-05 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-07 BM.1970.041.001/55:55-07 00:04:25 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO E Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté choeur E, vièle sarangui• BM.1970.041.001/55:55-06 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-08 BM.1970.041.001/55:55-08 00:04:25 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE SOLO H Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté solo H auquel se joint un autre, vièle sarangui• BM.1970.041.001/55:55-07 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-09 BM.1970.041.001/55:55-09 00:02:30 16/12/1969 NEPAL KIRTIPUR. MAISON DE MAGAR GAINE C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 CHANTE CHEUR F Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. VChanté choeur F, vièle sarangui, frappements de mains "rato sari"• BM.1970.041.001/55:55-08 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.041 Ø13* BM.1970.041.001/55 :55-10 BM.1970.041.001/55:55-10 00:00:00 16/12/1969 NEPAL KATHMANDU C GAINE HELFFER,M. & M. GABORIEAU;NEPAL;1969 INTERVIEW MAGAR GAINE Sous-table non exportée Sous-table non exportée Vitesse, 9,5 cm/seg. Interview Magar Gaine par Sarma, concernant la puja aux instruments de musique. (incomplet)• BM.1970.041.001/55:55-09 HELFFER,MIREILLE&GABORIEAU,MARC 1969 55 ASIE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-01 BM.1970.031.001/07:03-01 00:01:30 8/1959;9/1964 BOLIVIE DPT DE LA PAZ,PROVINCE MANCO CAPAC AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:02-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-02 BM.1970.031.001/07:03-02 00:00:20 8/1959;9/1964 BOLIVIE COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:03-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-03 BM.1970.031.001/07:03-03 00:01:40 8/1959;9/1964 BOLIVIE DPT DE LA PAZ,PROVINCE MANCO CAPAC AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX Sous-table non exportée Sous-table non exportée Violon joué par le chanteur. Exécutant: Guillermo Choquewanca, musicien aveugle jouant dvant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:03-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-04 BM.1970.031.001/07:03-04 00:02:40 8/1959;9/1964 BOLIVIE COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 PRIERE Sous-table non exportée Sous-table non exportée Exécutant: Guillermo Choquewanca, musicien aveugle jouant devant la porte de la basilique• Vitesse 19 piste 1• BM.1970.031.001/07:03-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-05 BM.1970.031.001/07:03-05 00:01:40 8/1959;9/1964 BOLIVIE COPACABANA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 PRIERE Sous-table non exportée Sous-table non exportée Vitesse 19 piste 1• BM.1970.031.001/07:03-04 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-06 BM.1970.031.001/07:03-06 00:01:15 8/1959;9/1964 BOLIVIE PROVINCE LOS ANDES,LAJA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée 14 flûtes de pan de 3 tailles différentes: taica , malta , chui. Une grosse caisse bombo battue par 2 baguettes. Air de dans Mishi-SIcuri. Lors de diverses fêtes. Exécutants: 15 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:03-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-07 BM.1970.031.001/07:03-07 00:02:35 8/1959;9/1964 BOLIVIE PROVINCE LOS ANDES,LAJA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée 14 flûtes de pan de 3 tailles différentes: taica , malta , chuli. 6 tambours à 2 peaux, battus par 1 baguette. Danza de los Takiris: danse costumée à l'occasion de fêtes religieuses. Exécutants: 14 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:03-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-08 BM.1970.031.001/07:03-08 00:01:35 8/1959;9/1964 BOLIVIE PROVINCE LOS ANDES,LAJA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée 12 flûtes de pan de 3 tailles différentes: taica , malta , chuli. 6 tambours à 2 peaux, battus par 1 baguette. Danza de los Mimulas: danse costumée à l'occasion de fêtes religieuses. Exécutants: 12 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:03-07 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :03-09 BM.1970.031.001/07:03-09 00:01:40 8/1959;9/1964 BOLIVIE PROVINCE LOS ANDES,LAJA AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée 10 flûtes de pan de 3 tailles différentes: taica , malta , chuli. 7 tambours à 2 peaux, battus par 1 baguette. Danza de los Takiris: danse costumée à l'occasion de fêtes religieuses. Exécutants: 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:03-08 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-01 BM.1970.031.001/07:04-01 00:01:35 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CHANT RELIGIEUX CATHOLIQUE Sous-table non exportée Sous-table non exportée Danza de la Cintas: danse des rubans. Exécutants: 8 jeunes femmes et 8 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:03-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-02 BM.1970.031.001/07:04-02 00:01:15 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée Danse chatres ou danse des Chatripulis, lors de fêtes semi-religieuses. Exécutants: 11 hommes. Tambours battus par 2 baguettes• Vitesse 19 piste 1• BM.1970.031.001/07:04-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-03 BM.1970.031.001/07:04-03 00:01:30 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 AIR DE DANSE Sous-table non exportée Sous-table non exportée Danse chatres ou danse des Chatripulis, lors de fêtes semi-religieuses. Exécutants: 11 hommes. Les tambours sont battus par 2 baguettes• Vitesse 19 piste 1• BM.1970.031.001/07:04-02 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-04 BM.1970.031.001/07:04-04 00:01:45 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MARCHE Sous-table non exportée Sous-table non exportée 28 flûtes de pan de 4 tailles différentes: tarica , malta , licu , chuli. Trois grosses caisses bombo frappées par une baguette. Marche, lors de fêtes diverses • Vitesse 19 piste 1• BM.1970.031.001/07:04-03 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-05 BM.1970.031.001/07:04-05 00:01:05 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MARCHE Sous-table non exportée Sous-table non exportée 28 flûtes de pan de 4 tailles différentes: tarica , malta , licu , chuli. Trois grosses caisses bombo frappées par une baguette. Marche, lors de fêtes diverses • Vitesse 19 piste 1• BM.1970.031.001/07:04-04 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-06 BM.1970.031.001/07:04-06 00:01:30 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE MARIAGE DANZA DE MATRIMONIO Sous-table non exportée Sous-table non exportée 3 flûtes à bec pinkillus et une grosse caisse bombo frappée par une baguette• Vitesse 19 piste 1• BM.1970.031.001/07:04-05 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-07 BM.1970.031.001/07:04-07 00:01:50 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 10 flûtes de pan de 2 tailles: taica , malta. 1 grosse caisse bombo battue par 1 baguettes. 1 tambour battue par 2 baguettes. Exécutants: 12 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-08 BM.1970.031.001/07:04-08 00:01:30 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 4 flûtes à bec pinkillus et une grosse caisse bombo frappée par une baguette. Exécutants: 4 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-09 BM.1970.031.001/07:04-09 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DES TAUREAUX DANZA DE LOS WACA THOKORIS Sous-table non exportée Sous-table non exportée 2 flûtes à bec pinkillus et 2 grosses caisses bombo frappées par une baguette. Exécutants: 2 hommes. Toutes sortes de fêtes• Vitesse 19 piste 1• BM.1970.031.001/07:04-08 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-10 BM.1970.031.001/07:04-10 00:01:20 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 8 flûtes à bec pinkillus et 2 grosses caisses bombo frappées par 2 baguettes. Exécutants: 10 hommes. Dansé surtout pendant le carnaval• Vitesse 19 piste 1• BM.1970.031.001/07:04-09 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-11 BM.1970.031.001/07:04-11 00:01:15 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 4 flûtes à bec pitanos et 2 tambourins frappées par 2 baguettes. Exécutants: 6 hommes. Dansé surtout pendant le carnaval• Vitesse 19 piste 1• BM.1970.031.001/07:04-10 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-12 BM.1970.031.001/07:04-12 00:02:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 24 flûtes de pan de 4 tailles différentes: taika , malta , licu , chuli. 24 grosses caisses bombo battues par 1 baguette. Un triangle. Exécutants: 25 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-13 BM.1970.031.001/07:04-13 00:02:10 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 24 flûtes de pan de 4 tailles différentes: taika , malta , licu , chuli. 24 grosses caisses bombo battues par 1 baguette. Un triangle. Exécutants: 25 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-12 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :04-14 BM.1970.031.001/07:04-14 00:01:40 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 14 flûtes de pan de 4 tailles différentes: taika , malta , licu , chuli. 4 grosses caisses bombo battues par 1 baguette. Exécutants: 14 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-13 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-01 BM.1970.031.001/07:05-01 00:01:20 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 16 flûtes à bec pinkillus et 2 grosses caisses battues par une baguette. Dansé surtout pendant le carnaval. Exécuatnts: 18 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:04-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-02 BM.1970.031.001/07:05-02 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 10 flûtes de pan de 2 tailles différentes: taica , malta. Dansé surtout lors de la fête de Corpus Christi. Exécutants: 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-03 BM.1970.031.001/07:05-03 00:01:15 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 10 flûtes à bec pinkillus et 1 grosse caisse battue par une baguette. Dansé à Noël. Exécutants: 16 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-04 BM.1970.031.001/07:05-04 00:00:50 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 22 flûtes à bec pinkillus et 2 tambours battus par 2 baguettes. Dansé à n'importe quelle fête. Exécutants: 24 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-03 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-05 BM.1970.031.001/07:05-05 00:00:50 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 22 flûtes à bec pinkillus et 2 tambours battus par 2 baguettes. Dansé à n'importe quelle fête. Exécutants: 24 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-04 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-06 BM.1970.031.001/07:05-06 00:00:45 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 10 flûtes à encoche quena et 2 tambours battus par 2 baguettes. Exécutants : 12 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-05 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-07 BM.1970.031.001/07:05-07 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 12 flûtes à encoche quena . Dansé lors de diverses fêtes. Exécutants : 12 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-08 BM.1970.031.001/07:05-08 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 5 flûtes de pan de 3 tailles différentes: taica, malta, chuli. 3 grosses caisses battues par 1 baguette. Exécutants: 5 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-02 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-09 BM.1970.031.001/07:05-09 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DES TAUREAUX DANZA DE LOS WACA THOKORIS Sous-table non exportée Sous-table non exportée 3 flûtes à bec pinkillus et 1 grosse caisse bombo battue par 1 baguette. Dansé lors de diverses fêtes. Exécutants: 3 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-04 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-10 BM.1970.031.001/07:05-10 00:00:35 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 4 flûtes à bec pinkillus et 1 grosse caisse bombo battue par 1 baguette. Kara chupa ou Danza de Los Chiriwanos. Lors de la fête de Saint-Pierre. Exécutants: 3 hommes(?)• Vitesse 19 piste 1• BM.1970.031.001/07:05-09 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-11 BM.1970.031.001/07:05-11 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA MOHOCENO Sous-table non exportée Sous-table non exportée 4 flûtes traversières aykhori, 5 flûtes droites sallas et 1 tambour battu par 2 baguettes. Danse pour Toussaint et Noël surtout. Exécutants: 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-10 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-12 BM.1970.031.001/07:05-12 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA MOHOCENO Sous-table non exportée Sous-table non exportée 4 flûtes traversières aykhori, 5 flûtes droites sallas et 1 tambour battu par 2 baguettes. Danse pour Toussaint et Noël surtout. Exécutants: 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-13 BM.1970.031.001/07:05-13 00:00:40 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA CHEKHELA Sous-table non exportée Sous-table non exportée 8 flûtes à encoche quena et 2 tambours battus par 1 baguette. Dansé lors de diverses fêtes Exécutants : 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-14 BM.1970.031.001/07:05-14 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA CHATRES Sous-table non exportée Sous-table non exportée 8 flûtes à encoche quena et 2 tambours battus par 1 baguette. Danza Chatres ou Chatripuli. Exécutants : 13 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-13 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-15 BM.1970.031.001/07:05-15 00:00:50 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA CHATRES Sous-table non exportée Sous-table non exportée 10 flûtes à encoche quena et 2 tambours battus par 2 baguettes. Danza Chatres ou Chatripuli. Exécutants : 12 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-14 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-16 BM.1970.031.001/07:05-16 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA CHOJNA CHOKHELA Sous-table non exportée Sous-table non exportée 4 flûtes à encoche quena et 1 tambour battu par 1 baguette. Dansé lors de diverses fêtes. Exécutants : 5 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-15 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-17 BM.1970.031.001/07:05-17 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA CHATRES Sous-table non exportée Sous-table non exportée 6 flûtes à encoche quena et 1 tambour battu par 2 baguettes. Danza Chatres ou Chatripuli. Exécutants : 8 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-16 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-18 BM.1970.031.001/07:05-18 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE BURLESQUE DANZA DE LOS AUQUIS AUQUIS Sous-table non exportée Sous-table non exportée 4 flûtes traversières, une grosse caisse bombo battue par 1 baguette et 1 tambour battu par 2 baguettes Danse burlesque exécutée à n'importe quelle fête. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-19 BM.1970.031.001/07:05-19 00:00:45 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS CHAGES Sous-table non exportée Sous-table non exportée 6 flûtes à bec pinkillus, une conque et 1 grosse caisse bombo battue par 1 baguette. Dansé surtout pendant le carnaval. Exécutants: 8 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-10 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-20 BM.1970.031.001/07:05-20 00:00:45 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS CHUNCHUS Sous-table non exportée Sous-table non exportée 2 flûtes traversières, une grosse caisse bombo battue par 1 baguette et 1 tambour battu par 2 baguettes Danse exécutée à n'importe quelle fête. Exécutants: 4 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-18 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :05-21 BM.1970.031.001/07:05-21 00:01:45 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 POUR FAIRE VENIR LA PLUIE Sous-table non exportée Sous-table non exportée 20 flûtes à bec pinkillus, 6 trompes wakachuko et 2 grosses caisses bombo battues par 2 baguettes. Exécutants: 28 musiciens• Vitesse 19 piste 1• BM.1970.031.001/07:05-19 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-01 BM.1970.031.001/07:06-01 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DES PETITS NEGRES DANZA DE LOS NEGRITOS Sous-table non exportée Sous-table non exportée 3 flûtes à bec pinkillus, 1 tambour battu par 2 baguettes. Dansé à n'importe quelle fête. Exécutants: 4 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-21 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-02 BM.1970.031.001/07:06-02 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS VAPEROS Sous-table non exportée Sous-table non exportée 3 flûtes traversières, une grosse caisse bombo battue par 1 baguette, 1 trompe en corne de vache pututu et 1 cloche métallique. Dansé lors du carnaval. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:05-20 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-03 BM.1970.031.001/07:06-03 00:00:40 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 CARNAVALITO Sous-table non exportée Sous-table non exportée 7 flûtes à bec pinkillus, 2 tambours battus par 2 baguettes. Dansé à n'importe quelle fête. Exécutants: 9 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-04 BM.1970.031.001/07:06-04 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS VAPEROS Sous-table non exportée Sous-table non exportée 3 flûtes traversières, une grosse caisse bombo battue par 1 baguette, 1 trompe en corne de vache pututu, 1 cloche métallique et 1 crécelle en bois matraca. Dansé lors du carnaval. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-02 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-05 BM.1970.031.001/07:06-05 00:00:32 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS VAPEROS Sous-table non exportée Sous-table non exportée 3 flûtes traversières, une grosse caisse bombo battue par 1 baguette, 1 trompe en corne de vache pututu, 1 cloche métallique et 1 crécelle en bois matraca. Dansé lors du carnaval. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-04 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-06 BM.1970.031.001/07:06-06 00:00:35 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS VAPEROS Sous-table non exportée Sous-table non exportée 3 flûtes traversières, une grosse caisse bombo battue par 1 baguette, 1 trompe en corne de vache pututu, 1 cloche métallique et 1 crécelle en bois matraca. Dansé lors du carnaval. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-05 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-07 BM.1970.031.001/07:06-07 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANZA DE LOS VAPEROS Sous-table non exportée Sous-table non exportée 3 flûtes traversières, une grosse caisse bombo battue par 1 baguette, 1 trompe en corne de vache pututu, 1 cloche métallique et 1 crécelle en bois matraca. Dansé lors du carnaval. Exécutants: 6 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-06 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-08 BM.1970.031.001/07:06-08 00:01:15 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 18 flûtes de pan de 3 tailles taica , malta , chuli. 1 flûte de pan cabeza, 4 grosses caisses battues par 1 baguette et 1 triangle. Exécutants: 20 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-01 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-09 BM.1970.031.001/07:06-09 00:01:30 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 18 flûtes de pan de 3 tailles taica , malta , chuli. 1 flûte de pan cabeza, 4 grosses caisses battues par 1 baguette et 1 triangle. Exécutants: 20 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-08 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-10 BM.1970.031.001/07:06-10 00:01:20 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 18 flûtes de pan de 3 tailles taica , malta , chuli. 1 flûte de pan cabeza, 4 grosses caisses battues par 1 baguette et 1 triangle. Exécutants: 20 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-09 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-11 BM.1970.031.001/07:06-11 00:01:10 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 14 flûtes de pan de 3 tailles taica , malta , chuli.8 grosses caisses battues par 1 baguette et 1 triangle. Dansé le 16 juillet et le jour Espidu Santa. Exécutants: 14 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-10 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-12 BM.1970.031.001/07:06-12 00:01:30 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 14 flûtes de pan de 3 tailles taica , malta , chuli.8 grosses caisses battues par 1 baguette et 1 triangle. Dansé le 16 juillet et le jour Espidu Santa. Exécutants: 14 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-13 BM.1970.031.001/07:06-13 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE CARNAVAL Sous-table non exportée Sous-table non exportée 7 flûtes à bec pitanos et 3 tambours. Dansé lors du carnaval. Exécutants: 10 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-14 BM.1970.031.001/07:06-14 00:01:10 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE CARNAVAL Sous-table non exportée Sous-table non exportée 7 flûtes à bec pitanos et 3 tambours. Ainsi que 2 femmes qui chantent. Dansé lors du carnaval. Exécutants: 10 hommes et 2 femmes• Vitesse 19 piste 1• BM.1970.031.001/07:06-13 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-15 BM.1970.031.001/07:06-15 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 13 flûtes à encoche quena. Dansé lors de diverses fêtes. Exécutants: 13 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-16 BM.1970.031.001/07:06-16 00:01:00 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 13 flûtes à encoche quena. Dansé lors de diverses fêtes. Exécutants: 13 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-15 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-17 BM.1970.031.001/07:06-17 00:00:55 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 20 flûtes de pan de 2 tailles taica , malta. Exécutants: 20 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-18 BM.1970.031.001/07:06-18 00:00:10 11/1960 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée 20 flûtes de pan de 2 tailles taica , malta. Exécutants: 20 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-17 1960 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-19 BM.1970.031.001/07:06-19 00:02:40 09/1964 BOLIVIE PROVINCE LA PAZ, COCHABAMBA QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES DE PAN Sous-table non exportée Sous-table non exportée 10 flûtes de pan de 2 tailles malta et chuli. 1 tambour frappé par 2 baguettes. Exécuté lors de diverses fêtes. Exécutants: 11 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-17 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-20 BM.1970.031.001/07:06-20 00:00:55 09/1964 BOLIVIE PROVINCE LA PAZ, COCHABAMBA QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES DE PAN Sous-table non exportée Sous-table non exportée 12 flûtes de pan de 3 tailles taica , malta et chuli. 1 tambour frappé par 2 baguettes et 1 grosse caisse frappée par 1 baguette. Exécuté lors de diverses fêtes. Exécutants: 14 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:06-19 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-21 BM.1970.031.001/07:06-21 00:02:00 09/1964 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée Flûtes & tambours. Les précisions manquent• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :06-22 BM.1970.031.001/07:06-22 00:02:00 09/1964 BOLIVIE DPT DE LA PAZ,PROVINCE BAUTISTO SAAVEDRA CHARAZANI QUECHUA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE Sous-table non exportée Sous-table non exportée Flûtes & tambours. Les précisions manquent• Vitesse 19 piste 1• BM.1970.031.001/07:06-21 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-01 BM.1970.031.001/07:07-01 00:01:55 08/1964 BOLIVIE SUCRE BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE REJOUISSANCE CUECA Sous-table non exportée Sous-table non exportée Une guitare avec une septième corde. Cueca classqiue Exécutants: Fortunato Vincente Eguez (homme blanc)• Vitesse 19 piste 1• BM.1970.031.001/07:06-11 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-02 BM.1970.031.001/07:07-02 00:03:15 08/1964 BOLIVIE SUCRE BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE REJOUISSANCE CUECA Sous-table non exportée Sous-table non exportée Une guitare avec une septième corde. Cueca classqiue Exécutants: Fortunato Vincente Eguez (homme blanc)• Vitesse 19 piste 1• BM.1970.031.001/07:07-01 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-03 BM.1970.031.001/07:07-03 00:02:40 08/1964 BOLIVIE SUCRE BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 MUSIQUE DE REJOUISSANCE CUECA Sous-table non exportée Sous-table non exportée Une guitare avec une septième corde. Cueca classqiue Exécutants: Fortunato Vincente Eguez (homme blanc)• Vitesse 19 piste 1• BM.1970.031.001/07:07-02 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-04 BM.1970.031.001/07:07-04 00:02:00 08/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE FETES RELIGIEUSES Sous-table non exportée Sous-table non exportée 5 flûtes à encoche quena. Dansé lors de fêtes religieuses. Exécutants: 5 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-01 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-05 BM.1970.031.001/07:07-05 00:03:55 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE RITE AGRAIRE Sous-table non exportée Sous-table non exportée 5 flûtes à bec pinkillus, 1 tambourin frappé par 2 baguettes et des sonnailles de cuivre. Exécutants: 4 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-04 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-06 BM.1970.031.001/07:07-06 00:01:20 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES A BEC Sous-table non exportée Sous-table non exportée 9 flûtes à bec tarka, 1 tambour frappé par 2 baguettes et 1 grosse caisse frappée par 1 baguette. Joué surtout lors du carnaval. Exécutants: 11 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-05 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-07 BM.1970.031.001/07:07-07 00:07:20 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES A BEC Sous-table non exportée Sous-table non exportée 9 flûtes à bec tarka, 1 tambour frappé par 2 baguettes et 1 grosse caisse frappée par 1 baguette. Joué surtout lors du carnaval. Exécutants: 11 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-06 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-08 BM.1970.031.001/07:07-08 00:03:10 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES A BEC Sous-table non exportée Sous-table non exportée 9 flûtes à bec tarka, 1 tambour frappé par 2 baguettes et 1 grosse caisse frappée par 1 baguette. Joué surtout lors du carnaval. Exécutants: 11 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-07 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-09 BM.1970.031.001/07:07-09 00:03:15 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 ENSEMBLE DE FLUTES A BEC Sous-table non exportée Sous-table non exportée 9 flûtes à bec tarka, 1 tambour frappé par 2 baguettes et 1 grosse caisse frappée par 1 baguette. Joué surtout lors du carnaval. Exécutants: 11 hommes• Vitesse 19 piste 1• BM.1970.031.001/07:07-08 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-10 BM.1970.031.001/07:07-10 00:00:55 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE DIVERSTISSEMENT Sous-table non exportée Sous-table non exportée 2 trompettes, 1 clarinette, 1 basson, 1 trombone, 2 grosses caisses et 1 tambour. Exécutants: 8 hommes. Aymara et métis• Vitesse 19 piste 1• BM.1970.031.001/07:07-09 1964 AMERIQUE +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 :07-11 BM.1970.031.001/07:07-11 00:15:20 09/1964 BOLIVIE PROVINCE INGAVI, TIAHUANACO AYMARA BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 DANSE DE DIVERSTISSEMENT Sous-table non exportée Sous-table non exportée 2 trompettes, 1 clarinette, 1 basson, 1 trombone, 2 grosses caisses et 1 tambour. Exécutants: 8 hommes. Aymara et métis• Vitesse 19 piste 1• BM.1970.031.001/07:07-10 1964 AMERIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :29-01 BM.2007.001.001/97:29-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Danse de femmes• Suite de BM.2007.001.001/93:28 Village : orthographié Malende (document manuscrit) ou Melende (document dactyllographié) par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.09-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :29-03 BM.2007.001.001/97:29-03 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 MBADI Sous-table non exportée Sous-table non exportée Photos• Suite de BM.2007.001.001/93:28. Village : orthographié Malende (document manuscrit) ou Melende (document dactyllographié) par Pierre Sallée. VP = récitant. * Le nom est indiqué dans la bobine. - 2 tambours légèrement coniques à tension de ficelle. Cordes de tension : _bandzembo_ ; peau : _ibanda_. - 1 tambour _ndougou_. Lianes de tension : _malabo_ ; cales de tension : _bangomitché_ ; peau : _litadi la ndougou doungwangou_ ; ouies de son : _mapoukou_ _ndougou_ est ici orthographié _ngougou_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.09-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :29-02 BM.2007.001.001/97:29-02 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Danse de femmes• Village : Malende (document manuscrit) ou Melende (document dactyllographié)• SALLEE,P. 1965 RELIGIEUX 1965.1.09-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :29-04 BM.2007.001.001/97:29-04 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 MBADI Sous-table non exportée Sous-table non exportée Danse du masque Village : Malende (document manuscrit) ou Melende (document dactyllographié)• SALLEE,P. 1965 RELIGIEUX 1965.1.09-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :30-01 BM.2007.001.001/97:30-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 ENQUETE SUR L'ORIGINE DES HOMMES, LES CLANS ET LES INTERDITS Sous-table non exportée Sous-table non exportée Quatre vieux notables et une assemblée d'hommes• SALLEE,P. 1965 1965.1.10-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :30-02 BM.2007.001.001/97:30-02 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 ENQUETE SUR LE LESIMBOU Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.10-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :31-01 BM.2007.001.001/97:31-01 00:00:00 21/06/65 GABON LASTOURSVILLE,MALENDE AWANDJI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Association rituelle de femmes• _lesimbou_ est ici orthographié _lessimbou_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.11-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :32-01 BM.2007.001.001/97:32-01 00:00:00 21/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 CHANT DE PECHE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.12-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :32-02 BM.2007.001.001/97:32-02 00:00:00 21/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUNGALA Sous-table non exportée Sous-table non exportée Sous-préfet : M. Bourdion (1958). Depuis cette époque, on parle de blanc dans ce chant• SALLEE,P. 1965 RELIGIEUX 1965.1.12-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-01 BM.2007.001.001/97:33-01 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 ARC MUSICAL MOGONGO Sous-table non exportée Sous-table non exportée _mogongo_ est orthographié _mougongo_ par Pierre Sallée• SALLEE,P. 1965 1965.1.13-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-02 BM.2007.001.001/97:33-02 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 ENQUETE SUR LA MORT Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.13-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-03 BM.2007.001.001/97:33-03 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MAWASSA. ENQUETE SUR LES JUMEAUX Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.13-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-04 BM.2007.001.001/97:33-04 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 CHANTS POUR LA MORT Sous-table non exportée Sous-table non exportée VC = pleurs chantés• SALLEE,P. 1965 1965.1.13-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-05 BM.2007.001.001/97:33-05 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MAWASSA. DANSE POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.13-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-06 BM.2007.001.001/97:33-06 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUBONDZO. ANNONCE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.13-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :33-07 BM.2007.001.001/97:33-07 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUBONDZO. DANSE MIXTE AVEC RECITS Sous-table non exportée Sous-table non exportée Parasites sur l'enregistrement vers la fin de la bande• SALLEE,P. 1965 1965.1.13-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :34-01 BM.2007.001.001/97:34-01 00:24:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUBONDZO. RECIT D'INITIATION SUR L'ORIGINE DES ANCETRES Sous-table non exportée Sous-table non exportée Chez Nati, chef babongo• Echo faible et parasites sur l'enregistrement, surtout vers la fin• SALLEE,P. 1965 RELIGIEUX 1965.1.14-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :35-01 BM.2007.001.001/97:35-01 00:23:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUBONDZO. RECIT D'INITIATION SUR L'ORIGINE DES ANCETRES Sous-table non exportée Sous-table non exportée Chez Nati, chef babongo• Suite de BM.2007.001.001/93:34. Sur l'enregistrement, la bande 15 est annoncée 14 par erreur• SALLEE,P. 1965 1965.1.15-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :36-01 BM.2007.001.001/97:36-01 00:00:00 22/06/65 GABON LASTOURSVILLE,IBONGUI PYGMEE BABONGO GABON.P. SALLEE 1965 MOUBONDZO. RECIT D'INITIATION SUR L'ORIGINE DES ANCETRES Sous-table non exportée Sous-table non exportée Chez Nati, chef babongo• Suite de BM.2007.001.001/93:35• SALLEE,P. 1965 1965.1.16-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :36-02 BM.2007.001.001/97:36-02 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI ADUMA GABON.P. SALLEE 1965 ENQUETE SUR LE NZOBI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.16-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :37-01 BM.2007.001.001/97:37-01 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI GABON.P. SALLEE 1965 NTOUTOU Sous-table non exportée Sous-table non exportée Chanson à boire sur les mérites respectifs du vin de palme et du vin rouge• SALLEE,P. 1965 1965.1.17-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :37-02 BM.2007.001.001/97:37-02 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI GABON.P. SALLEE 1965 MVOUDI Sous-table non exportée Sous-table non exportée Masque de divertissement• _ndoungou_ est ici orthographié _doungou_ par Pierre Sallée• SALLEE,P. 1965 1965.1.17-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :37-03 BM.2007.001.001/97:37-03 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Association rituelle de femmes• _lesimbou_ est ici orthographié _lessimbou_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.17-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :37-04 BM.2007.001.001/97:37-04 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI GABON.P. SALLEE 1965 ETCHEKETCHE Sous-table non exportée Sous-table non exportée Jeu d'enfant (fillettes)• Photos. Film• IE = deux coques de fruits reliées par une ficelle• SALLEE,P. 1965 1965.1.17-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :37-05 BM.2007.001.001/97:37-05 00:00:00 23/06/65 GABON LASTOURSVILLE,DOUME AWANDJI GABON.P. SALLEE 1965 JEU DE DISPUTE Sous-table non exportée Sous-table non exportée Jeu de dipute entre deux hommes et trois femmes sur les défauts et les mérites respectifs de chaque sexe• SALLEE,P. 1965 1965.1.17-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :38-01 BM.2007.001.001/97:38-01 00:00:00 23/06/65 GABON PANA,MOUYEBA NZEBI GABON.P. SALLEE 1965 BOUDZANGA Sous-table non exportée Sous-table non exportée Danse mixte de divertissement• SALLEE,P. 1965 1965.1.18-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :38-02 BM.2007.001.001/97:38-02 00:00:00 23/06/65 GABON PANA,MOUYEBA NZEBI GABON.P. SALLEE 1965 BOUDZANGA Sous-table non exportée Sous-table non exportée Danse mixte de divertissement• Suite de BM.2007.001.001/93:38-01• SALLEE,P. 1965 1965.1.18-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :39-01 BM.2007.001.001/97:39-01 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 MAWASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.19-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :39-02 BM.2007.001.001/97:39-02 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 BERCEUSE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.19-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :39-03 BM.2007.001.001/97:39-03 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 LITSAKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.19-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :39-04 BM.2007.001.001/97:39-04 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 RECIT Sous-table non exportée Sous-table non exportée Récit traditionnel en cas de litige entre familles ou d'initiation d'un enfant par son père ou son oncle, en forme de cosmogonie. Trois vieux notables : Raphaël Ngouy, Cyrille Ndounki et François Mbondjo• SALLEE,P. 1965 1965.1.19-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :40-01 BM.2007.001.001/97:40-01 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 ANNONCE Sous-table non exportée Sous-table non exportée Suite BM.2007.001.001/93:39-04• SALLEE,P. 1965 1965.1.20-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :40-02 BM.2007.001.001/97:40-02 00:00:00 27/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 RECIT Sous-table non exportée Sous-table non exportée Récit traditionnel en cas de litige entre familles ou d'initiation d'un enfant par son père ou son oncle, en forme de cosmogonie. Trois vieux notables : Raphaël Ngouy, Cyrille Ndounki et François Mbondjo• Suite de BM.2007.001.001/93:39-04• SALLEE,P. 1965 1965.1.20-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :41-01 BM.2007.001.001/97:41-01 00:00:00 28/06/65 GABON KOULAMOUTOU,PANA NZEBI GABON.P. SALLEE 1965 ENQUETE SUR LA COSMOGONIE DES NZEBI Sous-table non exportée Sous-table non exportée *Entretien avec Gabriel Nfumbala, en français• SALLEE,P. 1965 1965.1.21-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :42-01 BM.2007.001.001/97:42-01 00:00:00 28/06/65 GABON KOULAMOUTOU,KOMBI NZEBI GABON.P. SALLEE 1965 MVODI Sous-table non exportée Sous-table non exportée Masque dansant• _mvodi_ est ici orthographié _m'vodi_ par Pierre Sallée. _ndougou_ est ici orthographié _n'doungou_ par Pierre Sallée• SALLEE,P. 1965 1965.1.22-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :42-02 BM.2007.001.001/97:42-02 00:00:00 28/06/65 GABON KOULAMOUTOU,KOMBI NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.22-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :42-03 BM.2007.001.001/97:42-03 00:00:00 28/06/65 GABON KOULAMOUTOU,KOMBI NZEBI GABON.P. SALLEE 1965 MVODI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.22-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :42-04 BM.2007.001.001/97:42-04 00:00:00 29/06/65 GABON KOULAMOUTOU,RAMBARENE NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.22-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-01 BM.2007.001.001/97:43-01 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SABAH Sous-table non exportée Sous-table non exportée Jeu de questions• SALLEE,P. 1965 1965.1.23-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-02 BM.2007.001.001/97:43-02 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SABAH Sous-table non exportée Sous-table non exportée Jeu de questions• SALLEE,P. 1965 1965.1.23-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-03 BM.2007.001.001/97:43-03 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 CONTE Sous-table non exportée Sous-table non exportée Conte parlé retraçant les paroles du chant précédent (plage 2)• SALLEE,P. 1965 1965.1.23-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-04 BM.2007.001.001/97:43-04 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SANZA Sous-table non exportée Sous-table non exportée Le nom de la danse est lié au nom de l'instrument. Le joueur de _sanza_ accompagne son jeu de petits cris en contretemps• SALLEE,P. 1965 1965.1.23-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-05 BM.2007.001.001/97:43-05 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 DEUX BERCEUSES Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.23-05/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :43-06 BM.2007.001.001/97:43-06 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée Chant d'accompagnement du jeune homme, du village au lieu de brousse où se pratique l'opération• SALLEE,P. 1965 1965.1.23-06/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-01 BM.2007.001.001/97:44-01 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée Chant de circoncision au village• SALLEE,P. 1965 1965.1.24-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-02 BM.2007.001.001/97:44-02 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée Moment de la circoncision. Applaudissements pour encourager le patient• BC = applaudissements• SALLEE,P. 1965 1965.1.24-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-03 BM.2007.001.001/97:44-03 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Association rituelle de femmes• SALLEE,P. 1965 RELIGIEUX 1965.1.24-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-04 BM.2007.001.001/97:44-04 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Association rituelle de femmes• SALLEE,P. 1965 RELIGIEUX 1965.1.24-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-05 BM.2007.001.001/97:44-05 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée Association rituelle de femmes• SALLEE,P. 1965 RELIGIEUX 1965.1.24-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-06 BM.2007.001.001/97:44-06 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Chant pour tirer des troncs d'arbres le long de la route• SALLEE,P. 1965 1965.1.24-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :44-07 BM.2007.001.001/97:44-07 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 MWIRI Sous-table non exportée Sous-table non exportée Trois personnages : _moudi_, _moundonga_ (est orthographié _moundouga_ dans le document manuscrit) et _mavandji_• SALLEE,P. 1965 RELIGIEUX 1965.1.24-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :45-01 BM.2007.001.001/97:45-01 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 MWIRI Sous-table non exportée Sous-table non exportée Trois personnages : _moudi_, _moundonga_ (est orthographié _moundouga_ dans le document manuscrit) et _mavandji_• Suite de BM.2007.001.001/93:44-07• SALLEE,P. 1965 RELIGIEUX 1965.1.25-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :45-02 BM.2007.001.001/97:45-02 00:00:00 29/06/65 GABON KOULAMOUTOU,LEYASSA NZEBI GABON.P. SALLEE 1965 MAWASSA Sous-table non exportée Sous-table non exportée Chant pour les jumeaux• SALLEE,P. 1965 1965.1.25-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :46-01 BM.2007.001.001/97:46-01 00:00:00 30/06/65 GABON KOULAMOUTOU,MISSION CATHOLIQUE NZEBI GABON.P. SALLEE 1965 RECIT SUR L'ORIGINE DES NZEBI Sous-table non exportée Sous-table non exportée Récit sur l'origine des Nzebi, en langue vernaculaire, par Dominique Bounguere, chef de tribu• SALLEE,P. 1965 1965.1.26-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :46-02 BM.2007.001.001/97:46-02 00:00:00 30/06/65 GABON KOULAMOUTOU,MISSION CATHOLIQUE NZEBI GABON.P. SALLEE 1965 QUESTIONNAIRE Sous-table non exportée Sous-table non exportée Questionnaire en français sur les coutumes des Nzebi, sur la grossesse, la naissance, l'enfance, la circoncision, la justice, l'économie, la religion, la magie, la médécine, la mort, etc. *Informateur : Dominique Bounguere, chef de tribu• SALLEE,P. 1965 1965.1.26-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :47-01 BM.2007.001.001/97:47-01 00:00:00 01/07/65 GABON KOULAMOUTOU,MIKUMU BAVUVI GABON.P. SALLEE 1965 MOGONGO Sous-table non exportée Sous-table non exportée Pièce musicale pour le _bwiti_• SALLEE,P. 1965 1965.1.27-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :47-02 BM.2007.001.001/97:47-02 00:00:00 01/07/65 GABON KOULAMOUTOU,MIKUMU BAVUVI GABON.P. SALLEE 1965 NYEMBE Sous-table non exportée Sous-table non exportée Danse rituelle de femmes• SALLEE,P. 1965 RELIGIEUX 1965.1.27-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :47-03 BM.2007.001.001/97:47-03 00:00:00 01/07/65 GABON KOULAMOUTOU,MIKUMU BAVUVI GABON.P. SALLEE 1965 CHANT POUR L'EMPOISONNEMENT DU POISSON Sous-table non exportée Sous-table non exportée Nom de la chanteuse : Ikele• SALLEE,P. 1965 1965.1.27-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :47-04 BM.2007.001.001/97:47-04 00:00:00 01/07/65 GABON KOULAMOUTOU,MIKUMU BAVUVI GABON.P. SALLEE 1965 CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.27-04/Original AFRIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :02-01 BM.1972.022.001/13:02-01 00:15:00 CANADA CANADA. RECITS TANYA,LEGENDE DE LA MERE OURSE,1ERE PARTIE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:01-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :03-01 BM.1972.022.001/13:03-01 00:15:00 CANADA CANADA. RECITS TANYA,LEGENDE DE LA MERE OURSE,2EME PARTIE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:01-02 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :04-01 BM.1972.022.001/13:04-01 00:15:00 CANADA CANADA. RECITS TANYA,LEGENDE DE LA MERE OURSE,3EME PARTIE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:03-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :05-01 BM.1972.022.001/13:05-01 00:15:00 CANADA CANADA. RECITS L'OISEAU TONNERRE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:04-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :06-01 BM.1972.022.001/13:06-01 00:15:00 CANADA CANADA. RECITS LE CORBEAU POLICHINELLE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:05-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :07-01 BM.1972.022.001/13:07-01 00:15:00 CANADA CANADA. RECITS LE CANOT T'KOUNE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:06-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :08-01 BM.1972.022.001/13:08-01 00:15:00 CANADA CANADA. RECITS SPIX-PIK-NEM,LA FILLE DU SOLEIL Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:07-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :09-01 BM.1972.022.001/13:09-01 00:15:00 CANADA CANADA. RECITS LE HIBOU BIEN INTENTIONNE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:08-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :10-01 BM.1972.022.001/13:10-01 00:15:00 CANADA CANADA. RECITS L'ESCLAVE Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner. Réflexion sur l'esclavage des Indiens de la côte de l'Océan Pacifique• Vitesse 19• BM.1972.022.001/13:09-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :11-01 BM.1972.022.001/13:11-01 00:15:00 CANADA CANADA. RECITS UNE IMAGE EN DIT AUTANT QUE 1000 IMAGES Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner. Réflexion sur la littérature orale indienne• Vitesse 19• BM.1972.022.001/13:09-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :12-01 BM.1972.022.001/13:12-01 00:15:00 CANADA CANADA. RECITS MORT AUX HYBRIDES Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:09-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :13-01 BM.1972.022.001/13:13-01 00:08:00 CANADA CANADA. RECITS HISTOIRE DE L'INDIEN AK-GWEN DASK Sous-table non exportée Sous-table non exportée Histoire racontée en français par le Dr. Bronner• Vitesse 19• BM.1972.022.001/13:12-01 0 AMERIQUE +BM.1972.022 Ø13 BM.1972.022.001/13 :13-02 BM.1972.022.001/13:13-02 00:07:00 CANADA CANADA. RECITS FLAMENCO Sous-table non exportée Sous-table non exportée Guitares• Vitesse 19• BM.1972.022.001/13:13-01 0 AMERIQUE +TA-003 CD12S DI.2007.002.003 U01 DI.2007.002.003U01 00:00:00 ITALIE;LUCANIE ITALIENS L'ARPA DI VIGGIANO. LE TRADIDIZIONI MUSICALI IN LUCANA, VOL.3 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-004 CD12S DI.2007.002.004 U01 DI.2007.002.004U01 00:00:00 ITALIE;OMBRIE ITALIENS BALLI TRADIZIONALI IN UMBRIA. SALTARELLI, MANFRINE, TRESCONI E FURLAME Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-005 CD12S DI.2007.002.005 U01 DI.2007.002.005U01 00:00:00 ITALIE;ABRUZZES ITALIENS LA SALTARELLA DELL'ALTA SABINA. MUSICA POPOLARE TRA ABRUZZO E LAZIO Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-006 CD12S DI.2007.002.006 U01 DI.2007.002.006U01 00:00:00 ITALIE;ABRUZZES ITALIENS BALLI POPOLARI IN ABRUZZO. VOL.1 SALTARELLA E SPALLATA NELL'AREA FRETANA Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-007 CD12S DI.2007.002.007 U01 DI.2007.002.007U01 00:00:00 ITALIE;POUILLES ITALIENS VIOLINI E SERANATA A CANOSA. LE TRADIDIZIONI MUSICALI IN PUGLIA, VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-008 CD12S DI.2007.002.008 U01 DI.2007.002.008U01 00:00:00 ITALIE;SICILE SICILIENS A CANTATA DI LI PASTURI. IL NATALE NELLA TRADIZIONE MUSICALE DELLA PROVICIA* Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-009 CD12S DI.2007.002.009 U01 DI.2007.002.009U01 00:00:00 ITALIE;EMILIE-ROMAGNE ITALIENS VECHI BALLI DI ROMAGNA. SALTARELLI, FURLANE E VECCHIO "LISCIO". VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-010 CD12S DI.2007.002.010 U01 DI.2007.002.010U01 00:00:00 ITALIE;SICILE SICILIENS I DOLI DU SIGNURI. CANTI DELLA SETTIMANA SANTA IN SICILIA (MESSINA,ENNA,CATANIA) Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-011 CD12S DI.2007.002.011 U01 DI.2007.002.011U01 00:00:00 ITALIE;ABRUZZES ITALIENS BALLI POPOLARI IN ABRUZZO. VOL.2 LA SALTARELLA DEL TERAMANO Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-013 CD12S DI.2007.002.013 U01 DI.2007.002.013U01 00:00:00 ITALIE;TOSCANE ITALIENS TESCONE A VEGLIA; VOL.1 BALLI DELLA MAREMMA TOSCANA Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-014 CD12S DI.2007.002.014 U01 DI.2007.002.014U01 00:00:00 ITALIE;CAMPANIE ITALIENS FESTE E TAMBURI IN CAMPANIA. VOL.1 BALLI SUL TAMBURO, BALLI INTRECCIATI* Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-015 CD12S DI.2007.002.015 U01 DI.2007.002.015U01 00:00:00 ITALIE;SARDAIGNE SARDES BALLOS SARDOS. ANTHOLOGIA DI BALLI SARDI.VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-016 CD12S DI.2007.002.016 U01 DI.2007.002.016U01 00:00:00 ITALIE;SICILE SICILIENS MUSICA DA BALLO IN SICILIA VOL.1 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-017 CD12S DI.2007.002.017 U01 DI.2007.002.017U01 00:00:00 ITALIE;EMILIE-ROMAGNE ITALIENS VECCHI BALLI DI ROMAGNA; VOL.2 MANFRINE, QUADRIGLIE E VECCHIO "LISCIO" Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-018 CD12S DI.2007.002.018 U01 DI.2007.002.018U01 00:00:00 ITALIE;CAMPANIE ITALIENS TARANTELLE E MASCHERE. BALLI E CANTI TRADIZIONALI IN IRPINA Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-021 CD12S DI.2007.002.020 U01 DI.2007.002.020U01 00:00:00 ITALIE;POUILLES ITALIENS LA TARANTELLA DEL GARGANO. LA TRADIZIONE MUSICALE IN PUGLIA, VOL.2 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-022 CD12S DI.2007.002.021 U01 DI.2007.002.021U01 00:00:00 ITALIE;SARDAIGNE SARDES CANTIGOS A CHITERRA. SARDEGNA Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-023 CD12S DI.2007.002.022 U01 DI.2007.002.022U01 00:00:00 ITALIE;POUILLES ITALIENS PIZZICA TARANTA. LE TRADIZIONI MUSICALI IN PUGLIA, VOL.3 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-024 CD12S DI.2007.002.023 U01 DI.2007.002.023U01 00:00:00 ITALIE;POUILLES ITALIENS TOMMA TOMME. MUSICHE E BALLI DALLA MURGIA DEI TRULLI. LE TRAD.M. IN PUGLIA,VOL.4 Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-025 CD12S DI.2007.002.024 U01 DI.2007.002.024U01 00:00:00 ITALIE;ABRUZZES ITALIENS BALLI POPOLARI IN ABRUZZO, VOL.3 M.TRAD. DALLA MAJELLA E DALLA VAL PESCARA Sous-table non exportée Sous-table non exportée 0 EUROPE +TA-028 CD12S DI.2007.002.025 U01 DI.2007.002.025U01 00:00:00 ITALIE;POUILLES ITALIENS M'OLI TIN PASSIUNA. G. AVANTAGGIATO. LE TAD. M. IN PUGLIA, VOL.5* Sous-table non exportée Sous-table non exportée 0 EUROPE +ES-002 CD12 DI.2007.002.026 U01 DI.2007.002.026U01 00:00:00 ITALIE;ABRUZZES ITALIENS BONASERA BBONA GGENDE. LI SANDANDONIJRË. CANTI E MUSICHE DALL'ABRUZZO Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.2005.005 K7-C60 BM.2005.005.001/05 :01-01 BM.2005.005.001/05:01-01 00:00:00 N "A VOIX NUE". PAULE CHAVASSE & G. ROUGET [RADIO] Sous-table non exportée Sous-table non exportée 0 N +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-02 BM.1975.011.001/03:01-02 00:02:00 IRAK IRAK DE L'OUEST ARABES;BANI HILAL IRAK. HASSAN,S.Q.;1971-72 KASID BEDOUINE Sous-table non exportée Sous-table non exportée Vièle rabâb à 1 corde• Vitesse 19 Copie collection privée n°32• BM.1975.011.001/03:01-01 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-03 BM.1975.011.001/03:01-03 00:02:47 IRAK MOYEN IRAK ARABES IRAK. HASSAN,S.Q.;1971-72 UBUTHIA Sous-table non exportée Sous-table non exportée Chant solo H et ensemble hybride de ville• Vitesse 19 Copie d'un disque 78 T de Radio Bagdad, collection privée n°24• BM.1975.011.001/03:01-02 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-04 BM.1975.011.001/03:01-04 00:01:43 IRAK MOYEN IRAK TSIGANES IRAK. HASSAN,S.Q.;1971-72 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chant solo f et ensemble instrumental de ville. Chanté en arabe• Vitesse 19 Copie à Radio Bagdad, collection privée n°24• BM.1975.011.001/03:01-03 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :48-01 BM.2007.001.001/97:48-01 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI Sous-table non exportée Sous-table non exportée Enquête et entretiens sur les coutumes bavuvi. *Informateur : Patrice Moubemba• SALLEE,P. 1965 1965.1.28(1)-01/Copie AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-05 BM.1975.011.001/03:01-05 00:01:43 IRAK IRAK DU SUD, BASRA AFRICAINS IRAK. HASSAN,S.Q.;1971-72 EXTRAIT D'UN TABLEAU SCENIQUE SUR LA NATIONALISATION DU PETROLE Sous-table non exportée Sous-table non exportée Chant solo H & choeur mixte avec l'ensemble instrumenatl haywa composé de hautbois srnadj, un tambour sur socle pîpa, deux tambours tronconiques msondo, un bidon pato. Chanté en arabe• Vitesse 19 Copie collection privée n°50, I• BM.1975.011.001/03:01-04 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-06 BM.1975.011.001/03:01-06 00:06:00 IRAK IRAK DU SUD, BASRA AFRICAINS IRAK. HASSAN,S.Q.;1971-72 MUSIQUE DE NUBAN BASRI Sous-table non exportée Sous-table non exportée Chanté en arabe• Vitesse 19 Copie collection privée n°50, 2• BM.1975.011.001/03:01-05 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :49-01 BM.2007.001.001/97:49-01 00:00:00 11/08/65 GABON KOULAMOUTOU,LITSEMBE BAVUVI GABON.P. SALLEE 1965 RECIT INITIATIQUE SUR L'ORIGINE DES HOMMES Sous-table non exportée Sous-table non exportée Patrice Moubemba = chef du village• SALLEE,P. 1965 1965.1.28(2)-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :49-02 BM.2007.001.001/97:49-02 00:00:00 13/08/65 GABON MIMONGO,TOMBA II SANGO GABON.P. SALLEE 1965 BERCEUSE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.28(2)-02/Copie AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-07 BM.1975.011.001/03:01-07 00:02:50 IRAK REGION DU GOLF ARABES IRAK. HASSAN,S.Q.;1971-72 ART DE LA MER Sous-table non exportée FIDJIRI Sous-table non exportée Genre fidjiri "art de la mer". Chanté le soir par les marins lors des expéditions de pèche à la perle• Vitesse 19 Copie de copie, collection privée s.n. piste 2• BM.1975.011.001/03:01-03 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-08 BM.1975.011.001/03:01-08 00:02:25 IRAK IRAK DU NORD-OUEST, DIEBEL SINDJAR KURDES YEZIDI IRAK. HASSAN,S.Q.;1971-72 CHANT EPIQUE PAYSAN Sous-table non exportée Sous-table non exportée Vitesse 19 Copie collection privée n°35 piste 2• BM.1975.011.001/03:01-07 1971 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :49-03 BM.2007.001.001/97:49-03 00:00:00 13/08/65 GABON MIMONGO,TOMBA II SANGO GABON.P. SALLEE 1965 ETUDE DE LA HARPE NGOMFI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.28(2)-03/Copie AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-09 BM.1975.011.001/03:01-09 00:01:42 IRAK IRAK DU NORD-EST, REGION DE SULEIMANIA KURDES SORANI IRAK. HASSAN,S.Q.;1971-72 CHANT Sous-table non exportée Sous-table non exportée Chanté solo H & ensemble hybride de ville• Vitesse 19 Copie radio Bagdad collection privée n°24• BM.1975.011.001/03:01-08 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :49-04 BM.2007.001.001/97:49-04 00:00:00 13/08/65 GABON MIMONGO,TOMBA II SANGO GABON.P. SALLEE 1965 CHANTS DE BWITI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.28(2)-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :49-05 BM.2007.001.001/97:49-05 00:00:00 13/08/65 GABON MIMONGO,TOMBA II SANGO GABON.P. SALLEE 1965 CHANTS DE BWITI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.28(2)-05/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :49-06 BM.2007.001.001/97:49-06 00:00:00 13/08/65 GABON MIMONGO,TOMBA II SANGO GABON.P. SALLEE 1965 CHANTS DE BWITI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.28(2)-06/Copie AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-10 BM.1975.011.001/03:01-10 00:02:15 IRAK IRAK DU NORD-OUEST, TALL' FAR TURKMENES IRAK. HASSAN,S.Q.;1971-72 CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Luth à manche long tanbûra. Chanté en turc• Vitesse 19 Original CMT n°254, copie collection privée n°34• BM.1975.011.001/03:01-09 1971 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-11 BM.1975.011.001/03:01-11 00:01:50 IRAK REGION DE MOSSOUL CHABAK IRAK. HASSAN,S.Q.;1971-72 CHANT MYSTIQUE Sous-table non exportée Sous-table non exportée Secte Chabak• Vitesse 19 Copie collection privée n°51,2• BM.1975.011.001/03:01-10 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :50-01 BM.2007.001.001/97:50-01 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée Procession à l'extérieur du _enandza_. Danse sur place à l'intérieur du _gandga_• Suite de BM.2007.001.001/93:48. _kindo_ est également orthographié _kondo_ (document dactyllographié) par Pierre Sallée• SALLEE,P. 1965 1965.1.29-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-02 BM.2007.001.001/97:50-02 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée Exhortation du _nima_ aux assistants et musiciens• SALLEE,P. 1965 RELIGIEUX 1965.1.29-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-03 BM.2007.001.001/97:50-03 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.29-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-04 BM.2007.001.001/97:50-04 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée Entrée des deux _ndougou_ et du _missomba_• _ndougou_ est ici orthographié _ doungou_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.29-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-05 BM.2007.001.001/97:50-05 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée Danse de l'homme seul• IS = sonnailles de chevilles• SALLEE,P. 1965 RELIGIEUX 1965.1.29-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-06 BM.2007.001.001/97:50-06 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée Prêche du grand prêtre• SALLEE,P. 1965 RELIGIEUX 1965.1.29-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-07 BM.2007.001.001/97:50-07 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 BWITI. PREMIERE PARTIE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.29-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :50-08 BM.2007.001.001/97:50-08 00:00:00 03/07/65 GABON KOULAMOUTOU,BANIATI BAVUVI GABON.P. SALLEE 1965 DEUXIEME PARTIE. MISSOKO Sous-table non exportée Sous-table non exportée _mogongo_ est ici orthographié _mougongo_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.29-08/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :51-01 BM.2007.001.001/97:51-01 00:00:00 10/07/65 GABON FRANCEVILLE,MOUNANA OBAMBA GABON.P. SALLEE 1965 NDENDE Sous-table non exportée Sous-table non exportée Culte de "Mademoiselle". *Informateur : Olivier Yokobo, _ndende_ de Mounana• SALLEE,P. 1965 RELIGIEUX 1965.1.30-01/Copie AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-12 BM.1975.011.001/03:01-12 00:01:48 IRAK KIRKOUK TURKMENES IRAK. HASSAN,S.Q.;1971-72 SOLO DE HAUTBOIS CYLINDRIQUE KARNATA Sous-table non exportée Sous-table non exportée Vitesse 19 Collection privée n°51,4• BM.1975.011.001/03:01-11 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-13 BM.1975.011.001/03:01-13 00:02:50 IRAK REGION DE MOSSOUL ASSYRIENS IRAK. HASSAN,S.Q.;1971-72 CHANT ANCIEN DE MONTAGNE Sous-table non exportée Sous-table non exportée Vitesse 19 Copie collection privée n°51,VI• BM.1975.011.001/03:01-12 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-14 BM.1975.011.001/03:01-14 00:01:50 IRAK REGION DE MOSSOUL,BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 MUSIQUE FUNEBRE Sous-table non exportée Sous-table non exportée Solo de flûte sacrée shabbaba• Vitesse 19 Copie collection privée n°51,I• BM.1975.011.001/03:01-13 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-15 BM.1975.011.001/03:01-15 00:03:35 IRAK IRAK DU NORD,ALKOSH ARABES;CHRETIENS CHALDEENS IRAK. HASSAN,S.Q.;1971-72 EXTRAIT D'UNE MESSE CHALDEENNE Sous-table non exportée Sous-table non exportée Vitesse 19 Copie collection privée n°51, piste 2• BM.1975.011.001/03:01-14 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-16 BM.1975.011.001/03:01-16 00:12:45 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 EXTRAIT D'UN DHIKR Sous-table non exportée Sous-table non exportée Extrait d'un dhikr, cérémonie mystique de la secte kadérite• Vitesse 19 Original radio Bagdad 1963(?), copie collection privée n°35• BM.1975.011.001/03:01-15 1963 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :01-17 BM.1975.011.001/03:01-17 00:09:00 IRAK IRAK DU SUD,BASRA AFRICAINS IRAK. HASSAN,S.Q.;1971-72 MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Chanté solo H et choeur mixte avec ensemble instrumental jatanga composé de: 1 tambour sur socle, 2 tambours troconiques msondo. Chanté en bambasi• Vitesse 19 Copie collection privée n°50• BM.1975.011.001/03:01-16 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-01 BM.1975.011.001/03:02-01 00:05:30 IRAK IRAK DU NORD-OUEST,TALLA'FAR TURKMENES IRAK. HASSAN,S.Q.;1971-72 CHANT D'AMOUR TURKMENE Sous-table non exportée Sous-table non exportée Luth à manche long tanbûra à 3 cordes. Chant d'amour turkmène sur le mode Rast, chanté en turc, composé et exécuté par Mohamed Yunus Waiss• Vitesse 19 Original au CMT n°255, IX, copie collection privée 34, ?• BM.1975.011.001/03:01-17 1971 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-02 BM.1975.011.001/03:02-02 00:03:20 IRAK IRAK DU NORD-OUEST,TALLA'FAR TURKMENES IRAK. HASSAN,S.Q.;1971-72 CHANT SUR LE SIEGE DE LA VILLE DE ZAKHO Sous-table non exportée Sous-table non exportée Composé et exécuté par Saîd Hussein, chanté en turc• Vitesse 19 Original au CMT n°257, VII, copie collection privée n°34, piste 2, VII• BM.1975.011.001/03:02-01 1971 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-03 BM.1975.011.001/03:02-03 00:10:47 IRAK IRAK DU SUD, BASRA AFRICAINS IRAK. HASSAN,S.Q.;1971-72 MUSIQUE DE HAYWA ISMA' WANIN UBAID Sous-table non exportée Sous-table non exportée Le pîpa est un tambour sur socle. Msondo est un tambour troconique. Pato est un bidon. Musique de haywa, pièce "isma' wanin ubaid". Chanté en arabe• Vitesse 19 Fin coupée. Copie collection privée n°50, piste 2, VIII• BM.1975.011.001/03:02-02 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-04 BM.1975.011.001/03:02-04 00:05:02 IRAK IRAK DU SUD, BASRA AFRICAINS IRAK. HASSAN,S.Q.;1971-72 EXTRAIT DE LA 1ERE PARTIE D'UNE CEREMONIE DE POSSESSION NUBAN BASRI Sous-table non exportée Sous-table non exportée Quatre timbales kouenda. Une jupe sonnailles mandjur. Extrait de la 1ère partie, nubân basri, d'une cérémonie de possession nubân• Vitesse 19 Copie collection privée n°50, piste 2, I• BM.1975.011.001/03:02-03 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-05 BM.1975.011.001/03:02-05 00:07:30 IRAK REGION DU DJEBEL SINDJAR KURDES YEZIDI IRAK. HASSAN,S.Q.;1971-72 CHANT EPIQUE PAYSAN Sous-table non exportée Sous-table non exportée Chanté en kurde bahdinan• Vitesse 19 Original au CMT n°263, copie collection privée n°35, piste 1, II• BM.1975.011.001/03:02-04 1971 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-06 BM.1975.011.001/03:02-06 00:03:05 IRAK REGION DU DJEBEL SINDJAR KURDES YEZIDI IRAK. HASSAN,S.Q.;1971-72 CHANT DE PAYSAN Sous-table non exportée Sous-table non exportée Chant avec claquements de mains. Chanté en kurde bahdinan• Vitesse 19 Original au CMT n°263, copie collection privée n°35, piste 1, II suite• BM.1975.011.001/03:02-05 1971 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :02-07 BM.1975.011.001/03:02-07 00:05:34 04/04/1972 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 SOLO DE SANTUR TAKSIM SUR MAKAM AWDJ Sous-table non exportée Sous-table non exportée Par Hashim al Ridjab• Vitesse 19 Original collection privée n°49, I• BM.1975.011.001/03:02-06 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-01 BM.1975.011.001/03:03-01 00:11:57 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 MUSIQUE CLASSQUE CITADINE MAKAM HLEILAWI Sous-table non exportée Sous-table non exportée Citahre à cordes frappées santûr. Vièle à 4 cordes djoza. Tambour à 1 peau tabla. Musique citadine sur poèmes littéraire et populaire• Vitesse 19 Original collection privée n°37• BM.1975.011.001/03:02-07 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-02 BM.1975.011.001/03:03-02 00:03:54 IRAK IRAK DU NORD, BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 CLARINETTE ET TAMBOUR Sous-table non exportée Sous-table non exportée Clarinette double en os de vautour mitbadj et tambour circulaire tabl• Vitesse 19 Original collection privée n°51, piste 2, V• BM.1975.011.001/03:03-01 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-03 BM.1975.011.001/03:03-03 00:01:20 IRAK IRAK DU NORD, BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 SOLO DE HAUTBOIS Sous-table non exportée Sous-table non exportée Vitesse 19 Original collection privée n°51, piste 2, ?• BM.1975.011.001/03:03-02 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-04 BM.1975.011.001/03:03-04 00:01:26 IRAK IRAK DU NORD, BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 SOLO DE HAUTBOIS Sous-table non exportée Sous-table non exportée Vitesse 19 Enregistrement 1972, copie collection privée n°51 piste 2,?• BM.1975.011.001/03:03-03 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :52-01 BM.2007.001.001/97:52-01 00:00:00 10/07/65 GABON MOANDA,NDOUBI,MOUNANA NZEBI GABON.P. SALLEE 1965 SHAKA Sous-table non exportée Sous-table non exportée Lieu de l'enregistrement : Pierre Sallée l'indique de la manière suivante : N'doumbi (Mounana)• SALLEE,P. 1965 1965.1.31-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-02 BM.2007.001.001/97:52-02 00:00:00 11/07/65 GABON MOANDA,MOUNANA NZEBI GABON.P. SALLEE 1965 AMBIANCE DE NUIT Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.31-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-03 BM.2007.001.001/97:52-03 00:00:00 11/07/65 GABON MOANDA,NDOUBI NZEBI GABON.P. SALLEE 1965 LEVEE DE DEUIL Sous-table non exportée Sous-table non exportée Allocution des personnes offrant des cadeaux à la femme en deuil• SALLEE,P. 1965 1965.1.31-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-04 BM.2007.001.001/97:52-04 00:00:00 13/07/65 GABON FRANCEVILLE,MEKASSA II BAKANIGUI GABON.P. SALLEE 1965 KORO Sous-table non exportée Sous-table non exportée Jeu de pied et de main comprenant deux figures : la flêche et la sortie (les noms vernaculaires sont indiqués dans la bobine)• SALLEE,P. 1965 1965.1.31-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-05 BM.2007.001.001/97:52-05 00:00:00 13/07/65 GABON FRANCEVILLE,MEKASSA II BAKANIGUI GABON.P. SALLEE 1965 ENTRETIEN AVEC UN ANCIEN CHEF Sous-table non exportée Sous-table non exportée Nom de l'informateur : Gabriel Ngagan Ngoy• SALLEE,P. 1965 1965.1.31-05/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-06 BM.2007.001.001/97:52-06 00:00:00 13/07/65 GABON FRANCEVILLE,MEKASSA II BAKANIGUI GABON.P. SALLEE 1965 NGOYA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.31-06/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :52-07 BM.2007.001.001/97:52-07 00:00:00 13/07/65 GABON FRANCEVILLE,MEKASSA II BAKANIGUI GABON.P. SALLEE 1965 SIGHI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.31-07/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :53-01 BM.2007.001.001/97:53-01 00:00:00 13/07/65 GABON FRANCEVILLE,MEKASSA II BAKANIGUI GABON.P. SALLEE 1965 ENQUETE SUR LES INSTRUMENTS DE MUSIQUE DES BAKANIGUI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.32-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :53-02 BM.2007.001.001/97:53-02 00:00:00 13/07/65 GABON FRANCEVILLE,MBOMA BEKAMBA BAKANIGUI GABON.P. SALLEE 1965 ENQUETE SUR LA SANZA Sous-table non exportée Sous-table non exportée *Nom de l'informateur : Bernard Bissama• SALLEE,P. 1965 1965.1.32-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :53-03 BM.2007.001.001/97:53-03 00:00:00 13/07/65 GABON FRANCEVILLE,MBOMA BEKAMBA BAKANIGUI GABON.P. SALLEE 1965 JEU DE LA SANZA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.32-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :53-04 BM.2007.001.001/97:53-04 00:00:00 13/07/65 GABON FRANCEVILLE,MBOMA BEKAMBA BAKANIGUI GABON.P. SALLEE 1965 COMPLEMENT D'ENQUETE SUR LA SANZA Sous-table non exportée Sous-table non exportée *Nom de l'informateur : Bernard Bissama• SALLEE,P. 1965 1965.1.32-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :54-01 BM.2007.001.001/97:54-01 00:00:00 14/07/65 GABON FRANCEVILLE,MEKASSA BAKANIGUI GABON.P. SALLEE 1965 KORO Sous-table non exportée Sous-table non exportée Film• SALLEE,P. 1965 1965.1.33-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :54-02 BM.2007.001.001/97:54-02 00:00:00 14/07/65 GABON FRANCEVILLE,MBOMA BAKANIGUI GABON.P. SALLEE 1965 MOUNDZAWU Sous-table non exportée Sous-table non exportée Désignation des différentes parties du costume par Jacques Midzoupou (homme costumé)• Photos de Jacques Midzoupou• SALLEE,P. 1965 1965.1.33-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :54-03 BM.2007.001.001/97:54-03 00:00:00 14/07/65 GABON FRANCEVILLE,MBOMA BAKANIGUI GABON.P. SALLEE 1965 SIGHI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.33-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :55-01 BM.2007.001.001/97:55-01 00:00:00 14/07/65 GABON FRANCEVILLE,MBOUMA BAKANIGUI GABON.P. SALLEE 1965 TINGA YE YE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.34-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :55-02 BM.2007.001.001/97:55-02 00:00:00 14/07/65 GABON FRANCEVILLE,MBOUMA BAKANIGUI GABON.P. SALLEE 1965 GOUNGA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.34-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :55-03 BM.2007.001.001/97:55-03 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 IAMBA Sous-table non exportée Sous-table non exportée Récit rituel, par Jacques Ombi, chef du village, sur l'origine des ancêtres et sur différents sujets (guerre, chasse, mariage, dot, etc.). Approbation des anciens. Accessoires : bouclier de feuilles tressées, chasse-mouches, grande feuillede bananier• SALLEE,P. 1965 1965.1.34-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-01 BM.2007.001.001/97:56-01 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 IAMBA Sous-table non exportée Sous-table non exportée Récit rituel, par Jacques Ombi, chef du village, sur l'origine des ancêtres et sur différents sujets (guerre, chasse, mariage, dot, etc.). Approbation des anciens. Accessoires : bouclier de feuilles tressées, chasse-mouches, grande feuillede bananier• Suite de BM.2007.001.001/93:55-03• SALLEE,P. 1965 1965.1.35(1)-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-02 BM.2007.001.001/97:56-02 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 CONTE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.35(1)-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-03 BM.2007.001.001/97:56-03 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 MAWASSA Sous-table non exportée Sous-table non exportée Enquête sur les jumeaux. Usage de l'_ongala_• Concernant l'_ongala_, voir le dessin de Pierre Sallée au verso de la chemise contenant la fiche de la bobine• SALLEE,P. 1965 1965.1.35(1)-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-04 BM.2007.001.001/97:56-04 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 LETCHINDA Sous-table non exportée Sous-table non exportée Enquête sur l'héritage• SALLEE,P. 1965 1965.1.35(1)-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-05 BM.2007.001.001/97:56-05 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 PLACENTA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.35(1)-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-06 BM.2007.001.001/97:56-06 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 ANTCHIA Sous-table non exportée Sous-table non exportée Palabre rituel au sujet de la mort d'une femme• SALLEE,P. 1965 RELIGIEUX 1965.1.35(1)-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :56-07 BM.2007.001.001/97:56-07 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 LESIMBOU Sous-table non exportée Sous-table non exportée _lesimbou_ est ici orthographié _lessimbou_ par Pierre Sallée• SALLEE,P. 1965 1965.1.35(1)-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :57-01 BM.2007.001.001/97:57-01 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 DANSE MOUNGALA. ANNONCE Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:56-07• SALLEE,P. 1965 1965.1.35(2)-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :57-02 BM.2007.001.001/97:57-02 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 DANSE MOUNGALA Sous-table non exportée Sous-table non exportée Interprète (voix soliste homme?) : Norbert Aissatigi• IS = hochet de coques de fruits• SALLEE,P. 1965 1965.1.35(2)-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :57-03 BM.2007.001.001/97:57-03 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 DANSE ONIAKA Sous-table non exportée Sous-table non exportée Interprète (voix soliste homme?) : Norbert Aissatigi• IS = hochet de coques de fruits• SALLEE,P. 1965 1965.1.35(2)-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :57-04 BM.2007.001.001/97:57-04 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 DANSE OKOUNGOU Sous-table non exportée Sous-table non exportée Interprète (voix soliste homme?) : Norbert Aissatigi• IS = hochet de coques de fruits• SALLEE,P. 1965 1965.1.35(2)-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :58-01 BM.2007.001.001/97:58-01 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 DANSE OKOUNGOU Sous-table non exportée Sous-table non exportée Interprète (voix soliste homme?) : Norbert Aissatigi• Suite de BM.2007.001.001/93:57-04. IS = hochet de coques de fruits• SALLEE,P. 1965 1965.1.36-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :58-02 BM.2007.001.001/97:58-02 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 OMBUNDA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.36-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :58-03 BM.2007.001.001/97:58-03 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 GONO MANDJOURI Sous-table non exportée Sous-table non exportée Conte chanté• SALLEE,P. 1965 1965.1.36-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :58-04 BM.2007.001.001/97:58-04 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 MBALA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.36-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :58-05 BM.2007.001.001/97:58-05 00:00:00 17/07/65 GABON FRANCEVILLE,ONDAMA OBAMBA GABON.P. SALLEE 1965 "MADEMOISELLE" Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.36-05/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :59-01 BM.2007.001.001/97:59-01 00:00:00 17/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Rite d'intronisation des nouveaux chefs. *Informateur : Eugène Mikoto, chef de canton. Ce récit se fait en cachette, en présence de _mboi_ (masque de l'ethnie Kota)• SALLEE,P. 1965 1965.1.37-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :60-01 BM.2007.001.001/97:60-01 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Rite d'intronisation, conseils à un nouveau chef• Suite de BM.2007.001.001/93:59-01• SALLEE,P. 1965 1965.1.38-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-01 BM.2007.001.001/97:61-01 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 IAMBA Sous-table non exportée Sous-table non exportée Société poliique• Plusieurs hochets en vannerie (_ognagna_) et un hochet en boîte de conserve• SALLEE,P. 1965 1965.1.39-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-02 BM.2007.001.001/97:61-02 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 OKOUNGOU Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.39-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-03 BM.2007.001.001/97:61-03 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Après l'initiation, on place le nouveau chef devant le public qui chante ainsi• SALLEE,P. 1965 1965.1.39-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-04 BM.2007.001.001/97:61-04 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 NGO Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.39-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-05 BM.2007.001.001/97:61-05 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 ONDJELE Sous-table non exportée Sous-table non exportée _ondjele_ = partie de _lesimbou_ (ici orthographié _lessimbou_ par Pierre Sallée)• SALLEE,P. 1965 RELIGIEUX 1965.1.39-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-06 BM.2007.001.001/97:61-06 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 CONTE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.39-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-07 BM.2007.001.001/97:61-07 00:00:00 19/07/65 GABON FRANCEVILLE,ONDILI OBAMBA GABON.P. SALLEE 1965 "MADEMOISELLE" Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 RELIGIEUX 1965.1.39-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-08 BM.2007.001.001/97:61-08 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 NKOUSSOU Sous-table non exportée Sous-table non exportée Chant de bienvenue et de réveil pour un personnage important• _nkoussou_ = perroquet• SALLEE,P. 1965 1965.1.39-08/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-09 BM.2007.001.001/97:61-09 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKILA Sous-table non exportée Sous-table non exportée Danse à genoux• VC = griottes. IS = hochet en calebasse• SALLEE,P. 1965 1965.1.39-09/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-10 BM.2007.001.001/97:61-10 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKILA Sous-table non exportée Sous-table non exportée Danse à genoux• VC = griottes. IS : hochet en calebasse. Yodels par le joueur de pluriarc. (Vérifier à l'écoute la formation musicale)• SALLEE,P. 1965 1965.1.39-10/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :61-11 BM.2007.001.001/97:61-11 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKILA Sous-table non exportée Sous-table non exportée Danse à genoux• VC = griottes. IS = hochet en calebasse. Essai de synchro à deux reprises. Le deuxième est meilleur que le premier qui est saturé. (Vérifier à l'écoute la formation musicale)• SALLEE,P. 1965 1965.1.39-11/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :62-01 BM.2007.001.001/97:62-01 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKILA Sous-table non exportée Sous-table non exportée Danse à genoux• Suite de BM.2007.001.001/93:61-09. VC = griottes. IS = hochet en calebasse• SALLEE,P. 1965 1965.1.40-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :62-02 BM.2007.001.001/97:62-02 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Chant pour les _mfumu_ (avec sept _mfumu_). Un des griots est masqué d'un masque blanc, a un sabre et un fusil de bois• VC = griots. IS = hochet en calebasse• SALLEE,P. 1965 1965.1.40-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :63-01 BM.2007.001.001/97:63-01 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Chant pour les _mfumu_ (avec sept _mfumu_). Un des griots est masqué d'un masque blanc, a un sabre et un fusil de bois• Suite de BM.2007.001.001/93:62-02 VC = griots. IS = hochet en calebasse• SALLEE,P. 1965 1965.1.41-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :63-02 BM.2007.001.001/97:63-02 00:00:00 20/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DU PLURIARC NGOMI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.41-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :63-03 BM.2007.001.001/97:63-03 00:00:00 22/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 SANZI ET CHANT Sous-table non exportée Sous-table non exportée IP = _sanza_ de bois léger, cordée avec cinq lames de rotin plates• SALLEE,P. 1965 1965.1.41-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :63-04 BM.2007.001.001/97:63-04 00:00:00 22/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 ENQUETE SUR LA SANZA Sous-table non exportée Sous-table non exportée IP = sanza de bois léger, cordée avec cinq lames de rotin plates• SALLEE,P. 1965 1965.1.41-04/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :64-01 BM.2007.001.001/97:64-01 00:00:00 22/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 MVET OTCHENGUE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.42-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :64-02 BM.2007.001.001/97:64-02 00:00:00 22/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 MVET OTCHENGUE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.42-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :64-03 BM.2007.001.001/97:64-03 00:00:00 22/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 MVET OTCHENGUE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.42-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :65-01 BM.2007.001.001/97:65-01 00:00:00 22/07/65 GABON LEKONI,TSOULO TEKE GABON.P. SALLEE 1965 SANZI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.43-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :65-02 BM.2007.001.001/97:65-02 00:00:00 22/07/65 GABON LEKONI,TSOULO TEKE GABON.P. SALLEE 1965 ENQUETE SUR LA SANZA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.43-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :65-03 BM.2007.001.001/97:65-03 00:00:00 22/07/65 GABON LEKONI,TSOULO TEKE GABON.P. SALLEE 1965 DANSE ONIOUGOU Sous-table non exportée Sous-table non exportée V = voix grave jodlée• SALLEE,P. 1965 1965.1.43-03/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :66-01 BM.2007.001.001/97:66-01 00:00:00 23/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 DANSE OMALGA Sous-table non exportée Sous-table non exportée IS = hochet en calebasse• SALLEE,P. 1965 1965.1.44-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :66-02 BM.2007.001.001/97:66-02 00:00:00 23/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 DANSE MBALI Sous-table non exportée Sous-table non exportée Danse du "vin". On entend au premier plan sonore le son des calebasses insufflées (_njougou_)• SALLEE,P. 1965 1965.1.44-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :66-03 BM.2007.001.001/97:66-03 00:00:00 23/07/65 GABON LEKONI,SAYE TEKE GABON.P. SALLEE 1965 ONKAGNI Sous-table non exportée Sous-table non exportée Avec cinq _ebaguigui_• V = voix jodlée. I = cloche (frappée ou secouée? A déterminer à l'écoute de l'enregistrement)• SALLEE,P. 1965 1965.1.44-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :66-04 BM.2007.001.001/97:66-04 00:00:00 23/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 NGOUGOU Sous-table non exportée Sous-table non exportée Système de signalisation par formules verbales d'encouragement• SALLEE,P. 1965 1965.1.44-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-01 BM.2007.001.001/97:67-01 00:00:00 23/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 DANSE OMALAGA. ANNONCE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-02 BM.2007.001.001/97:67-02 00:00:00 23/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 DANSE OMALAGA. PREMIER CHANT Sous-table non exportée Sous-table non exportée Danse habituellement collective mais peut se faireégalement dans l'intimité sur les _sanzi_• SALLEE,P. 1965 1965.1.45-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-03 BM.2007.001.001/97:67-03 00:00:00 23/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 DANSE OMALAGA. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée Danse habituellement collective mais peut se faireégalement dans l'intimité sur les _sanzi_• SALLEE,P. 1965 1965.1.45-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-04 BM.2007.001.001/97:67-04 00:00:00 23/07/65 GABON LEKONI TEKE GABON.P. SALLEE 1965 ENQUETE SUR LA DANSE OMALAGA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-05 BM.2007.001.001/97:67-05 00:20:00 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 RECIT HISTORIQUE SUR LES TEKE Sous-table non exportée Sous-table non exportée Jacob Ngorogo = chef du village• SALLEE,P. 1965 1965.1.45-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-06 BM.2007.001.001/97:67-06 00:03:00 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 CHANTS DE GUERRE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-07 BM.2007.001.001/97:67-07 00:10:00 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 DISCUSSION SUR LA COUTUME ONKAGNI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-08 BM.2007.001.001/97:67-08 00:01:30 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 CHANTS D'ONKAGNI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-08/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-09 BM.2007.001.001/97:67-09 00:00:00 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 HISTOIRE DE LA GUERRE ENTRE OBIA I ET ASSIAMI II Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-09/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-10 BM.2007.001.001/97:67-10 00:00:00 24/07/65 GABON OKONDJA,OBIA I TEKE GABON.P. SALLEE 1965 CHANTS POUR LA GUERRE ENTRE OBIA I ET ASSIAMI II Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.45-10/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-11 BM.2007.001.001/97:67-11 00:00:00 25/07/65 GABON FRANCEVILLE,NGALE TEKE GABON.P. SALLEE 1965 ENQUETE SUR LES DANSES ONGA, ONKILA ET ONIOUGOU Sous-table non exportée Sous-table non exportée *Entretien avec le chef Mamadou Lewu sur les danses _onga_ ou _nkobe_, _onkila_ et oniougou• SALLEE,P. 1965 1965.1.45-11/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :67-12 BM.2007.001.001/97:67-12 00:00:00 25/07/65 GABON FRANCEVILLE,NGALE TEKE GABON.P. SALLEE 1965 ENQUETE SUR LE RITE ONKAGNI Sous-table non exportée Sous-table non exportée *Entretien avec le chef Mamadou Lewu• SALLEE,P. 1965 1965.1.45-12/Original AFRIQUE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-05 BM.1975.011.001/03:03-05 00:01:20 IRAK IRAK DU NORD, BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 SOLO DE FLUTE NAY Sous-table non exportée Sous-table non exportée Vitesse 19 Original collection privée n°51, piste 2, ?• BM.1975.011.001/03:03-03 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-06 BM.1975.011.001/03:03-06 00:01:11 IRAK IRAK DU NORD, BA'SHIKA ARABES;YEZIDI IRAK. HASSAN,S.Q.;1971-72 SOLO DE FLUTE NAY Sous-table non exportée Sous-table non exportée Vitesse 19 Original collection privée n°51, piste 2, ?• BM.1975.011.001/03:03-05 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-07 BM.1975.011.001/03:03-07 00:04:36 04/1972 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 SOLO DE CITHARE A CORDES PINCEES TAKSIM BAYAT Sous-table non exportée Sous-table non exportée Solo de cithare à cordes pincées kânûn• Vitesse 19 Original piste 2 Original collection privée n°49• BM.1975.011.001/03:03-05 1972 ASIE +BM.1975.011 Ø13&GF BM.1975.011.001/03 :03-08 BM.1975.011.001/03:03-08 00:03:38 04/1972 IRAK BAGDAD ARABES IRAK. HASSAN,S.Q.;1971-72 SOLO DE CITHARE A CORDES PINCEES TAKSIM BAYAT Sous-table non exportée Sous-table non exportée Solo de cithare à cordes pincées kânûn• Vitesse 19 Original piste 2 Original collection privée n°49 Incomplet• BM.1975.011.001/03:03-07 1972 ASIE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-02 BM.1979.052.001/03:01-02 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-03 BM.1979.052.001/03:01-03 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-04 BM.1979.052.001/03:01-04 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-05 BM.1979.052.001/03:01-05 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-06 BM.1979.052.001/03:01-06 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-07 BM.1979.052.001/03:01-07 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-08 BM.1979.052.001/03:01-08 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-09 BM.1979.052.001/03:01-09 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-10 BM.1979.052.001/03:01-10 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-11 BM.1979.052.001/03:01-11 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 1, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-12 BM.1979.052.001/03:01-12 00:02:40 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 19 Original piste 2, original Pa-8• GRENAND,FRANCOISE 1978 Pa-8 AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :01-13 BM.1979.052.001/03:01-13 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ ET CONVERSATION Sous-table non exportée Sous-table non exportée Palikur arawak. Trois palétuviers. Prédominance de femmes. Cycle Mayapna. Chants entrecoupés de conversation. Saturé par moments• Vitesse 9,5 Original piste 2, original Pa-9a. ± LE QUART DE LA PISTE EST VERGE• GRENAND,FRANCOISE 1978 Pa-9-a AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :02-01 BM.1979.052.001/03:02-01 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 AIRS DE LA DANSE _WAWAPNA_ Sous-table non exportée Sous-table non exportée Palikur arawak. Prédominance de femmes. Airs de la danse wawapna - danse de la makara). Bruitsde vent par moments• Vitesse 9,5 Original piste 1• GRENAND,FRANCOISE 1978 Pa-10-a AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :02-02 BM.1979.052.001/03:02-02 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 AIRS DE LA DANSE _WAWAPNA_ Sous-table non exportée Sous-table non exportée Palikur arawak. Prédominance de femmes. Airs de la danse wawapna (danse de la makara). Bruitsde vent par moments• Vitesse 9,5 Original piste 2. ± LA MOITIÉ DE LA PISTE EST VIERGE• GRENAND,FRANCOISE 1978 Pa-10-b AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :03-01 BM.1979.052.001/03:03-01 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ Sous-table non exportée Sous-table non exportée Palikur arawak. Cycle Wukikapna. Bruits de vent par moments• Vitesse 9,5 Original piste 1, original Pa-10-b• GRENAND,FRANCOISE 1978 Pa-10-b AMERIQUE +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 :03-02 BM.1979.052.001/03:03-02 00:00:00 09/1978 GUYANE FRANCAISE SAINT-GEORGES PALIKUR GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 CHANT DU CYCLE _MAYAPNA_ Sous-table non exportée Sous-table non exportée Palikur arawak. Cycle Mayapna. Cabaret Chez Eloiza• Vitesse 9,5 Original piste 2, original Pa-5-b. ± LA MOITIÉ DE LA PISTE EST VIERGE• GRENAND,FRANCOISE 1978 Pa-5-b AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-02 BM.1968.003.001:01-02 00:02:45 CHILI SUD CHILI,PROVINCE ARAUCO,VILLE DE TEMUCO ARAUCANOS CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR PIECE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Indiens Araucanos. Une trompe, clochettes et une timbale. Enregistré en plein air• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-03 BM.1968.003.001:01-03 00:01:15 CHILI SUD CHILI,PROVINCE ARAUCO,VILLE DE TEMUCO ARAUCANOS CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR PIECE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Indiens Araucanos. Une trompe, clochettes ,une timbale et 2 sifflets. Enregistré en plein air• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-04 BM.1968.003.001:01-04 00:01:00 CHILI SUD CHILI,PROVINCE ARAUCO,VILLE DE TEMUCO ARAUCANOS CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR PIECE INSTRUMENTALE Sous-table non exportée Sous-table non exportée Indiens Araucanos. Guimbarde; cadre en bois et lame en métal (?). Enregistré en plein air• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-05 BM.1968.003.001:01-05 00:02:45 CHILI SUD CHILI,PROVINCE ARAUCO,VILLE DE TEMUCO ARAUCANOS CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR RECIT EPIQUE Sous-table non exportée Sous-table non exportée Indiens Araucanos. Récitation épique par 3 voix masculines sur fond sonore de galop de chevaux, clochettes, tambour et trompe trutuka. Enregistré en plein air• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-06 BM.1968.003.001:01-06 00:01:10 CHILI NORD CHILI,NORTE GRANDE QUECHUA CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR TAMBOUR & FLUTE DE PAN Sous-table non exportée Sous-table non exportée Quechuas métissés. Un tambour à 2 peaux et 1 flûte de pan en roseau. Enregistré en studio• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-07 BM.1968.003.001:01-07 00:01:05 CHILI NORD CHILI,NORTE GRANDE QUECHUA CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR FLUTE & TAMBOUR Sous-table non exportée Sous-table non exportée Quechuas métissés. Une grosse quena contralto et tambours. Enregistré en studio• Vitesse 19• N 1964 AMERIQUE +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 :01-08 BM.1968.003.001:01-08 00:02:00 CHILI NORD CHILI,NORTE GRANDE QUECHUA CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR FLUTES Sous-table non exportée Sous-table non exportée Quechuas métissés. Une flûte quena et une flûte de pan en roseau. Enregistré en studio• Vitesse 19• N 1964 AMERIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :01-02 BM.1979.036.001/17:01-02 00:08:15 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. TAHWAST Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-01 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :01-03 BM.1979.036.001/17:01-03 00:07:40 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. TAHWAST Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes s'accompagnent elles-même au tambour. Heure à laquelle les hommes prennent leur repas• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-01 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :02-01 BM.1979.036.001/17:02-01 00:03:05 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHRAS Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes prennent leur repas. Ensemble de tambours sur cadre, puis choeur d'hommes. Bruits de micro• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-02 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :02-02 BM.1979.036.001/17:02-02 00:09:10 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. ADR-T-AS Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes prennent leur repas• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-02 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :02-03 BM.1979.036.001/17:02-03 00:02:29 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AQSID Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes prennent leur repas• Vitesse 19 Interrompu en fin de bande• LORTAT-JACOB,BERNARD 1978 1978-02 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :03-01 BM.1979.036.001/17:03-01 00:15:30 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AQSID ENCHAINE A ARASAL Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes prennent leur repas• Vitesse 19 Suite de la bande précédente Interrompu en fin de bande• LORTAT-JACOB,BERNARD 1978 1978-03 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :04-01 BM.1979.036.001/17:04-01 00:15:15 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. ARASAL ENCHAINE A TAHWAST Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Les femmes prennent leur repas• Vitesse 19 Suite de la bande précédente Interrompu en fin de bande• LORTAT-JACOB,BERNARD 1978 1978-04 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :05-01 BM.1979.036.001/17:05-01 00:13:30 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. TAHWAST Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison. Très loin, bruits de micro• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-05 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :06-01 BM.1979.036.001/17:06-01 00:13:00 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. CHANT Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison, après le repas. Les tambours sur cadre sont joués par les hommes. Le choeur d'hommes intervient à la fin de la pièce• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-06 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :07-01 BM.1979.036.001/17:07-01 00:14:50 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AQSID ENCHAINE A ARASAL Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'une fête, dans la cour de la maison• Vitesse 19. Interrompu en fin de bande• LORTAT-JACOB,BERNARD 1978 1978-07 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :08-01 BM.1979.036.001/17:08-01 00:15:30 MAROC PROVINCE DE MARRAKECH IGLIWWA,CHEZ ABDALLAH BOUNFOUR BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHWAS Sous-table non exportée Sous-table non exportée Enregistré le soir au cours d'un mariage, dans la cour de la maison. Ahwas (par la Leamt Ayt Abdie)• Vitesse 19. Le début manque ainsi que la fin• LORTAT-JACOB,BERNARD 1978 1978-08 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :09-01 BM.1979.036.001/17:09-01 00:04:10 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant le cortège, dans la rue. Plusieurs tambours-sur-poterie deedue et 2 hautbois gaita• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-09 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :09-02 BM.1979.036.001/17:09-02 00:05:45 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant le cortège, dans la rue. Plusieurs tambours-sur-poterie deedue et 2 hautbois gaita• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-09 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :09-03 BM.1979.036.001/17:09-03 00:00:50 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant le cortège, dans la rue. Plusieurs tambours-sur-poterie deedue et 2 hautbois gaita• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-09 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :10-01 BM.1979.036.001/17:10-01 00:05:10 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Plusieurs tambours-sur-poterie deedue et 2 hautbois gaita. Intervention des participants• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-10 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :10-02 BM.1979.036.001/17:10-02 00:04:20 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. GNAWI Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Flûte à bec jouée en insufflation continue. Quelques voix et claquements de mains• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-10 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :10-03 BM.1979.036.001/17:10-03 00:05:10 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Plusieurs tambours-sur-poterie deedue et deux hautbois gaita• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-10 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :11-01 BM.1979.036.001/17:11-01 00:06:00 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Plusieurs tambours-sur-poterie deedue et deux hautbois gaita. Intervention des participants• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-11 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :11-02 BM.1979.036.001/17:11-02 00:08:00 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Plusieurs tambours-sur-poterie deedue et deux hautbois gaita. Intervention des participants• Vitesse 19 Reprise de la pièce précédente Shunté en fin de bande• LORTAT-JACOB,BERNARD 1978 1978-11 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :12-01 BM.1979.036.001/17:12-01 00:15:00 MAROC PROVINCE D'AZILAL, DEMNATE BERBERES MAROC;BERBERE. LORTAT-JACOB,B. MUSIQUE DE POSSESSION Sous-table non exportée Sous-table non exportée Moussem de la confrérie des Hammadcha. Enregistré pendant la zawiya. Plusieurs tambours-sur-poterie deedue et deux hautbois gaita. Intervention des participants• Vitesse 19 Suite de la bande précédente En fin de bande qques secondes alors que la musique est arrêtée• LORTAT-JACOB,BERNARD 1978 1978-12 AFRIQUE +SANSREF-86 CD12S DI.2007.003.001 U01 DI.2007.003.001U01 00:00:00 URSS;RSS KIRGHIZISTAN KIRGHIZ KYRGYZ FOLK MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +SANSREF-87 CD12S DI.2007.004.001 U01 DI.2007.004.001U01 00:00:00 VIETNAM VIETNAMIENS TRANG QUE-HUONG 1/ QUYNH HANH Sous-table non exportée Sous-table non exportée 0 ASIE +ISBN-90.429.1116.6 CD12S DI.2007.005.001 U01 DI.2007.005.001U01 00:00:00 IRAN;KHORASSAN LES BARDES KHORASSAN IRANIEN. LE BAKHSHI ET SON REPERTOIRE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :13-02 BM.1979.036.001/17:13-02 00:08:00 MAROC PROVINCE D'AZILAL, AYT MGUN,AZRZM,DANSLA MAISON BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHWAS Sous-table non exportée Sous-table non exportée Enregistrements d'enquête. Ahwas avec embryon de polyphonie. (Txllif : Lhsn ; Assiff : Mohand). Enregistrement très près des tambours• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-13 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :14-01 BM.1979.036.001/17:14-01 00:10:00 MAROC PROVINCE D'AZILAL, AYT MGUN,AZRZM,DANSLA MAISON BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHWAS Sous-table non exportée Sous-table non exportée Enregistrements d'enquête. Ahwas avec embryon de polyphonie. (Txllif : Mohammed ; Assiff : Mohand). Enregistrement très près des tambours• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-14 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :15-01 BM.1979.036.001/17:15-01 00:10:00 MAROC PROVINCE D'AZILAL, AYT MGUN,AZRZM,DANSLA MAISON BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHWAS Sous-table non exportée Sous-table non exportée Enregistrements d'enquête. Ahwas avec embryon de polyphonie. (Txllif : B.L.J. ; Assiff : Lhsn). Enregistrement très près des tambours• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-15 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :16-01 BM.1979.036.001/17:16-01 00:15:00 MAROC PROVINCE DE BOUMALNE,AYT BN EISA,TALSNT BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHIDUS Sous-table non exportée Sous-table non exportée Deux solistes, puis choeur d'hommes et tambours-sur-cadre• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-16 AFRIQUE +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 :17-01 BM.1979.036.001/17:17-01 00:15:00 MAROC PROVINCE DE BOUMALNE,AYT BN EISA,TALSNT BERBERES MAROC;BERBERE. LORTAT-JACOB,B. AHIDUS Sous-table non exportée Sous-table non exportée Deux solistes, puis choeur d'hommes et tambours-sur-cadre• Vitesse 19• LORTAT-JACOB,BERNARD 1978 1978-17 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A02 BM.1977.002.001:01-A02 00:01:30 05/1968 MALI PEUL MALI:PEUL AIR DE LA PEGRE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Air du chef haoussa' de kaduna. Air de la pègre "Chérie, embrasse-moi"• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A03 BM.1977.002.001:01-A03 00:01:40 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE ZINDER Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A04 BM.1977.002.001:01-A04 00:01:30 05/1968 MALI PEUL MALI:PEUL AIR DE LA FAMILLE REGNANTE DE FILINGUE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Air de la famille régnante de Filingué• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A05 BM.1977.002.001:01-A05 00:01:30 05/1968 MALI PEUL MALI:PEUL AIR POUR LA CHEFFERIE DE TAHOUA Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A06 BM.1977.002.001:01-A06 00:01:26 05/1968 MALI PEUL MALI:PEUL AIR DE LA FAMILLE REGNANTE DE DOGONDOUTCHI Sous-table non exportée Sous-table non exportée Solo de flûte• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A07 BM.1977.002.001:01-A07 00:01:15 05/1968 MALI PEUL MALI:PEUL AIR DE LA CHEFFERIE DE GONI Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +W-260126 CD12S DI.2007.006.001 U01 DI.2007.006.001U01 00:00:00 CHINE;XINJIANG OUIGOUR TURKESTAN CHINOIS. LE MUQAM DES DOLAN. M.OUIGOUR DU DESERT DU TAKLAMAKAN Sous-table non exportée Sous-table non exportée 0 ASIE +W-260127 CD12S DI.2007.006.002 U01 DI.2007.006.002U01 00:00:00 TAIWAN HAKKA TAIWAN.M. DES HAKKA Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A08 BM.1977.002.001:01-A08 00:01:20 05/1968 MALI PEUL MALI:PEUL AIR DE LA CHEFFERIE DE MARADI Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +W-260128 CD12S DI.2007.006.003 U0 DI.2007.006.003U0 00:00:00 VENEZUELA VENEZUELIENS HARPES DU VENEZUELA 1. ARPA LLANERA &CNATO RECIO Sous-table non exportée Sous-table non exportée 0 AMERIQUE +W-260129 CD12S DI.2007.006.004 U01 DI.2007.006.004U01 00:00:00 VENEZUELA VENEZUELIENS HARPES DU VENEZUELA. ARPA TUYERA & BUCHE Sous-table non exportée Sous-table non exportée 0 AMERIQUE +91705.2&91706.2 CD12S DI.2007.007.001/02 U01 DI.2007.007.001/02U01 00:00:00 AUTRICHE AUTRICHIENS MUSICA ALPINA III & IV Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A09 BM.1977.002.001:01-A09 00:01:07 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE L'AREWA (REGION NORD) Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A10 BM.1977.002.001:01-A10 00:01:20 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE TAKAZABA Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A11 BM.1977.002.001:01-A11 00:01:30 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE DOSSO Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BPHA.WA.3 CD12S DI.2007.008.002 U01 DI.2007.008.002U01 00:00:00 BRESIL BRESILIENS THEODOR KOCH-GRUNBERG. WALZENAUFNAHMEN AUS BRESILIEN Sous-table non exportée Sous-table non exportée 0 AMERIQUE +CD-523 CD12S DI.2007.009.001 U01 DI.2007.009.001U01 00:00:00 ITALIE;LIGURIE ITALIENS CANTI DA SSTRADA. LIGURIA Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-601 CD12S DI.2007.009.002 U01 DI.2007.009.002U01 00:00:00 ITALIE;TOSCANE ITALIENS ZIGHINETE.TOSCANA Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-238 CD12S DI.2007.009.003 U01 DI.2007.009.003U01 00:00:00 ITALIE;PIEDMONT ITALIENS TERSA VIATENGO. LA BALLATA POPOLARE IN PIEMONTE Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-524 CD12S DI.2007.009.004 U01 DI.2007.009.004U01 00:00:00 ITALIE;LIGURIE ITALIENS CANTI NARRATIVI. LIGURIA Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-428 CD12S DI.2007.009.005 U01 DI.2007.009.005U01 00:00:00 ITALIE;LOMBARDIE ITALIENS SERLE. CNATI DI TRADIZIONE ORALE NEL BRESCIANO. LOMBARDIA Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-543 CD12S DI.2007.009.006 U01 DI.2007.009.006U01 00:00:00 ITALIE;VENETIE ITALIENS ED'ANGUILLERA SIAMO. VENETO Sous-table non exportée Sous-table non exportée 0 EUROPE +CD-219 CD12S DI.2007.009.007 U01 DI.2007.009.007U01 00:00:00 ITALIE;CALABRE ITALIENS CALABRIA. CONFRATENITE DELLE VOCI S. ANDREA IONIO Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A12 BM.1977.002.001:01-A12 00:01:40 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE BIRNI BAYORO Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A13 BM.1977.002.001:01-A13 00:01:30 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE SOKOTO (ATTIKU, PEUL) Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A14 BM.1977.002.001:01-A14 00:01:18 05/1968 MALI PEUL MALI:PEUL AIR DE LA FAMILLE REGNANTE DE GANDU Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A15 BM.1977.002.001:01-A15 00:01:10 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF HAOUSA DE KAMBA DANS LE KABBI (NIGERIA) Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A16 BM.1977.002.001:01-A16 00:01:54 05/1968 MALI PEUL MALI:PEUL AIR DU CHEF DE GAYA Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A17 BM.1977.002.001:01-A17 00:01:09 05/1968 MALI PEUL MALI:PEUL AIR POPULAIRE DES VEILLEES DES JEUNES Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A18 BM.1977.002.001:01-A18 00:01:46 05/1968 MALI PEUL MALI:PEUL AIR DES PEULS BOROROS Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A19 BM.1977.002.001:01-A19 00:01:35 05/1968 MALI PEUL MALI:PEUL AIR DE POSSESSION DES BOROROS Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A20 BM.1977.002.001:01-A20 00:01:28 05/1968 MALI PEUL MALI:PEUL AIR DE MAMMA Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Air de Mamma (nain-berger des animaux sauvages - Atakurma (génie))• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A21 BM.1977.002.001:01-A21 00:01:36 05/1968 MALI PEUL MALI:PEUL AIR DU GENIE SOULEYMANE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A22 BM.1977.002.001:01-A22 00:01:48 05/1968 MALI PEUL MALI:PEUL AIR DU GENIE SOULEYMANE ET DE DONGO Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Dongo est le génie de la foudre• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A23 BM.1977.002.001:01-A23 00:01:34 05/1968 MALI PEUL MALI:PEUL AIR DU GENIE TYIREY (DE L'ECLAIR) Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou• Original piste 1 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-A24 BM.1977.002.001:01-A24 00:00:56 05/1968 MALI PEUL MALI:PEUL AIR D'AZNA Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Azna est un génie "mécréant" qui empêche l'homme d'être religieux• Original piste 1 Vitesse 9,5 Fin de bande interrompue• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B01 BM.1977.002.001:01-B01 00:01:30 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Air d'un génie musulman El Hadj (à propos des gens qui font semblant de prier)• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B02 BM.1977.002.001:01-B02 00:02:06 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Génie qui se comporte comme un fauve• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B03 BM.1977.002.001:01-B03 00:01:16 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. "Caporal" (se brûle sans se faire mal)• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B04 BM.1977.002.001:01-B04 00:01:30 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. "Dogotoro" (le Docteur, Nouveau génie, Rawaka)• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B05 BM.1977.002.001:01-B05 00:01:30 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. "Maria" (la coquette)• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B06 BM.1977.002.001:01-B06 00:01:15 05/1968 MALI PEUL MALI:PEUL SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Solo de flûte par Namazarou. Nyabeeri (mère de tous les génies)• Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B07 BM.1977.002.001:01-B07 00:21:10 05/1968 MALI PEUL MALI:PEUL CHANT DE BERGERS Sous-table non exportée Sous-table non exportée Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B08 BM.1977.002.001:01-B08 00:06:38 05/1968 MALI PEUL MALI:PEUL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B09 BM.1977.002.001:01-B09 00:03:24 05/1968 MALI PEUL MALI:PEUL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 :01-B10 BM.1977.002.001:01-B10 00:01:56 05/1968 MALI PEUL MALI:PEUL CHANT DE LOUANGE Sous-table non exportée Sous-table non exportée Original piste 2 Vitesse 9,5• SEYDOU,CHRISTIANE 1968 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-02 BM.1972.011.001/05:01-02 00:01:45 07/1965 COTE D'IVOIRE SOUS-PREFECTURE DE ZOUAN-HOUNIEN (PAYS DAN) MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE VIELE MONOCORDE Sous-table non exportée Sous-table non exportée Le musicien est originaire de la Guinée, cercle de Beyla village de Mbanidou• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-03 BM.1972.011.001/05:01-03 00:03:20 07/1965 COTE D'IVOIRE SOUS-PREFECTURE DE ZOUAN-HOUNIEN (PAYS DAN) MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE VIELE MONOCORDE Sous-table non exportée Sous-table non exportée Le musicien est originaire de la Guinée, cercle de Beyla village de Mbanidou• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-04 BM.1972.011.001/05:01-04 00:02:40 07/1965 COTE D'IVOIRE SOUS-PREFECTURE DE ZOUAN-HOUNIEN (PAYS DAN) MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE VIELE MONOCORDE Sous-table non exportée Sous-table non exportée Le musicien est originaire de la Guinée, cercle de Beyla village de Mbanidou• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-05 BM.1972.011.001/05:01-05 00:03:05 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE SAMESO MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT Sous-table non exportée Sous-table non exportée Le chanteur solo est aussi le joueur de harpe-luth. Le choeur est composé de 2 femmes et d'un homme qui joue aussi le râcleur. Harpe-luth à 6 cordes donzo gonu des chasseurs. Le râcleur est en fer et les hochets en vannerie• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-06 BM.1972.011.001/05:01-06 00:03:10 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE SAMESO MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT Sous-table non exportée Sous-table non exportée Le chanteur solo est aussi le joueur de harpe-luth. Le choeur est composé de 2 femmes et d'un homme qui joue aussi le râcleur. Harpe-luth à 6 cordes donzo gonu des chasseurs. Le râcleur est en fer et les hochets en vannerie• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-07 BM.1972.011.001/05:01-07 00:02:25 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE SAMESO MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT Sous-table non exportée Sous-table non exportée Le chanteur solo est aussi le joueur de harpe-luth. Le choeur est composé de 2 femmes et d'un homme qui joue aussi le râcleur. Harpe-luth à 6 cordes donzo gonu des chasseurs. Le râcleur est en fer et les hochets en vannerie• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-08 BM.1972.011.001/05:01-08 00:03:05 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE SAMESO MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT Sous-table non exportée Sous-table non exportée Le chanteur solo est aussi le joueur de harpe-luth. Le choeur est composé de 2 femmes et d'un homme qui joue aussi le râcleur. Harpe-luth à 6 cordes donzo gonu des chasseurs. Le râcleur est en fer et les hochets en vannerie• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :01-09 BM.1972.011.001/05:01-09 00:00:00 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE SAMESO MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 ECHELLE DE LA HARPE-LUTH Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-57 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-01 BM.1972.011.001/05:02-01 00:02:30 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 TROMPES & PERCUSSIONS Sous-table non exportée Sous-table non exportée Trompes en bois. Tambour dunu frappé avec une baguette. Cloche kenje frappée avec 2 anneaux. tambour sangbanu frappé avec 1 baguette et 1 cloche kenje. Tambours jembe frappés à mains nues. Choeur de jeunes filles• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-02 BM.1972.011.001/05:02-02 00:02:35 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 TROMPES & PERCUSSIONS Sous-table non exportée Sous-table non exportée Trompes en bois. Tambour dunu frappé avec une baguette. Cloche kenje frappée avec 2 anneaux. tambour sangbanu frappé avec 1 baguette et 1 cloche kenje. Tambours jembe frappés à mains nues. Choeur de jeunes filles• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-03 BM.1972.011.001/05:02-03 00:02:40 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 TROMPES & PERCUSSIONS Sous-table non exportée Sous-table non exportée Trompes en bois. Tambour dunu frappé avec une baguette. Cloche kenje frappée avec 2 anneaux. tambour sangbanu frappé avec 1 baguette et 1 cloche kenje. Tambours jembe frappés à mains nues. Choeur de jeunes filles• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-04 BM.1972.011.001/05:02-04 00:02:25 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 TROMPES & PERCUSSIONS Sous-table non exportée Sous-table non exportée Trompes en bois. Tambour dunu frappé avec une baguette. Cloche kenje frappée avec 2 anneaux. tambour sangbanu frappé avec 1 baguette et 1 cloche kenje. Tambours jembe frappés à mains nues. Choeur de jeunes filles• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-05 BM.1972.011.001/05:02-05 00:00:00 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 ECHELLE DES TROMPES Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-06 BM.1972.011.001/05:02-06 00:02:25 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHOEUR DE JEUNES FILLES AVEC TAMBOURS D'EAU Sous-table non exportée Sous-table non exportée Choeur de jeunes filles. Deux tambours d'eau ji-dunu• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-07 BM.1972.011.001/05:02-07 00:01:20 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHOEUR DE JEUNES FILLES AVEC TAMBOURS D'EAU Sous-table non exportée Sous-table non exportée Choeur de jeunes filles. Deux tambours d'eau ji-dunu• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-08 BM.1972.011.001/05:02-08 00:01:15 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHOEUR DE JEUNES FILLES AVEC TAMBOURS D'EAU Sous-table non exportée Sous-table non exportée Choeur de jeunes filles. Deux tambours d'eau ji-dunu• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-09 BM.1972.011.001/05:02-09 00:02:05 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHOEUR DE JEUNES FILLES AVEC TAMBOURS D'EAU Sous-table non exportée Sous-table non exportée Choeur de jeunes filles. Deux tambours d'eau ji-dunu• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :02-10 BM.1972.011.001/05:02-10 00:01:45 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE KIMBIRILA MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHOEUR DE JEUNES FILLES AVEC TAMBOURS D'EAU Sous-table non exportée Sous-table non exportée Choeur de jeunes filles. Deux tambours d'eau ji-dunu• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-58 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-01 BM.1972.011.001/05:03-01 00:03:20 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-02 BM.1972.011.001/05:03-02 00:03:20 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-03 BM.1972.011.001/05:03-03 00:04:20 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-04 BM.1972.011.001/05:03-04 00:04:15 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-05 BM.1972.011.001/05:03-05 00:03:45 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-06 BM.1972.011.001/05:03-06 00:03:55 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 CHANT & HARPE-LUTH Sous-table non exportée Sous-table non exportée Le musicien griot est originaire de la Gambie, village de Misra. Le chanteur est accompagné par une chanteuse. Le chanteur s'accompagne lui-même à la harpe-luth à 22 cordes• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :03-07 BM.1972.011.001/05:03-07 00:00:00 07/1965 COTE D'IVOIRE VILLE DE BOUAKE MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 ECHELLE DE LA KORA Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-59 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-01 BM.1972.011.001/05:04-01 00:02:45 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-02 BM.1972.011.001/05:04-02 00:03:40 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-03 BM.1972.011.001/05:04-03 00:03:30 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-04 BM.1972.011.001/05:04-04 00:02:45 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-05 BM.1972.011.001/05:04-05 00:03:00 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-06 BM.1972.011.001/05:04-06 00:03:30 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-07 BM.1972.011.001/05:04-07 00:03:20 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 SOLO DE XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 :04-08 BM.1972.011.001/05:04-08 00:00:50 07/1965 COTE D'IVOIRE SOUS-PREFECTURE D'ODIENNE VILLAGE DE MANIANI MALINKE COTE D'IVOIRE; MALINKE; ZEMP,H.; 1965 ECHELLE DU XYLOPHONE BALA Sous-table non exportée Sous-table non exportée Xylophone bala à 17 lames. Le musicien et originaire de la Guinée, région de Siguiri• Vitesse 19 Piste PP• ZEMP,HUGO 1965 65-60 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-02 BM.1984.006.001/30:01-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE DE REZZOU Sous-table non exportée Sous-table non exportée Durée de :01-01 + :01-02 = 4'32" Cris d'hommes, cris de chameaux, coups de fusil. Touaregs Dag Rali et Adjouh-n-Tehli. Enregistrement établi pour le film documentaire sur les Touaregs• LHOTE,HENRI 1948 Di-1A. n°2 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-03 BM.1984.006.001/30:01-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE DE REZZOU Sous-table non exportée Sous-table non exportée Durée de :01-03 + :01-04 + :01-05 = 4'18" Cris d'hommes, cris de chameaux, coups de fusil. Touaregs Dag-Rali et Adjouh-n-Tehli. Enregistrement établi pour le film documentaire sur les Touaregs• LHOTE,HENRI 1948 Di-1B. n°3 AFRIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-07 BM.1957.003.001:01-07 00:01:37 N CAMEROUN NAGAOUNDERE, MBORYANA MBOUM CAMEROUN INVOCATION AUX ANCETRES POUR LA FECONDITE DES CHAMPS DE MIL Sous-table non exportée Sous-table non exportée -1 AFRIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-08 BM.1957.003.001:01-08 00:01:12 N CAMEROUN NAGAOUNDERE MBOUM CAMEROUN CHANT DES BATTEURS DE MIL Sous-table non exportée Sous-table non exportée [ll ya peut-être des instruments de musiques: xylophones, tbrs . Pièce non écoutée]• -1 AFRIQUE +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 :01-09 BM.1957.003.001:01-09 00:01:39 N CAMEROUN NAGAOUNDERE MBOUM CAMEROUN CHANT DES BATTEURS DE MIL Sous-table non exportée Sous-table non exportée [ll ya peut-être des instruments de musiques: xylophones, tbrs . Pièce non écoutée]• -1 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-04 BM.1984.006.001/30:01-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANTS DE CARAVANES Sous-table non exportée Sous-table non exportée Durée de :01-03 + :01-04 + :01-05 = 4'18" LHOTE,HENRI 1948 Di-1B.n°4 AFRIQUE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :01-20 BM.1962.003.001/02:01-20 00:02:11 28 juillet VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 RECITATIF ET DECLAMATION BACH, NOI LOI, XUONG Sous-table non exportée Sous-table non exportée Scène tirée de la pièce de TAMQUOC CHI (les trois royaumes). BACH est le récitatif chanté par un personnag militaire, un génie ou un moine avant la déclamation. Xuong est le récitatif propre au militaire ou au moine avant la déclamation du théâtre noi lôi. Noi lôi est la déclamation. Xuong est le récitatif propre au militaire ou au moine bouddhique. Ici, après le Bach et le Noi lôi, il y'a un récitatif qui ressemble beaucoup à un than, suivi d'un Hat khach, chant chinois. Ces récitatifs et déclamations sont interprétés par MM. XA DAI, TAM THANH et CUU VI d'après les notes de Pham Duy, ou Xâu, Tam, et Nông d'après l'annonce sur la bande Fin de bande, pièce interrompue• BM.1962.003.001/02:02-01 1962 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-05 BM.1984.006.001/30:01-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANTS DE CARAVANES Sous-table non exportée Sous-table non exportée Durée de :01-03 + :01-04 + :01-05 = 4'18" Chants de caravanes par des Touaregs Dag-Rali et Adjouh-n-Tehli• LHOTE,HENRI 1948 Di-1B. n°5 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-06 BM.1984.006.001/30:01-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANTS DE CARAVANES Sous-table non exportée Sous-table non exportée Durée de :01-06 + :01-07 = 4'46" Chants de caravanes par des Touaregs Dag-Rali et Adjouh-n-Tehli• LHOTE,HENRI 1948 Di-2A. n°6 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-07 BM.1984.006.001/30:01-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE LA MONTAGNE ILAMAN Sous-table non exportée Sous-table non exportée Durée de :01-06 + :01-07 = 4'46" Chanté par Rabti ag Abahadj des Dag-Rali. Le mot ag en tamahaq veut dire ...fils de... de même que le mot oult veut dire ...fille de... ; il sera facile, en se rappelant ces détails, de savoir si l'auteur de la légende ou de la chanson est un homme ou une femme au cas où le contexte ne l'indiquerait pas• LHOTE,HENRI 1948 Di-2A. n°7 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-08 BM.1984.006.001/30:01-08 00:05:18 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE LA MONTAGNE ILAMAN / DEBUT Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-2B. n°8 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-09 BM.1984.006.001/30:01-09 00:05:24 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE LA MONTAGNE ILAMAN / FIN Sous-table non exportée Sous-table non exportée Suite et fin • LHOTE,HENRI 1948 Di-3A. n°9 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-10 BM.1984.006.001/30:01-10 00:03:08 ALGERIE;HOGGAR ARABES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE MARIAGE Sous-table non exportée Sous-table non exportée Chanson de mariage des femmes Orfela (Arabes du Fezzan réfugiées au Ahaggar)• LHOTE,HENRI 1948 Di-3B. n°10 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-11 BM.1984.006.001/30:01-11 00:03:32 ALGERIE;HOGGAR ARABES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE MARIAGE Sous-table non exportée Sous-table non exportée Durée de :01-11 + :01-12 + = 3'32" Chanson de mariage des femmes Orfela (Arabes du Fezzan réfugiées au Ahaggar)• LHOTE,HENRI 1948 Di-4A. n°11 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-12 BM.1984.006.001/30:01-12 00:00:00 ALGERIE;HOGGAR ARABES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE MARIAGE Sous-table non exportée Sous-table non exportée Durée de :01-11 + :01-12 + = 3'32" Chanson de mariage des femmes Orfela (Arabes du Fezzan réfugiées au Ahaggar)• LHOTE,HENRI 1948 Di-4A. n°12 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-13 BM.1984.006.001/30:01-13 00:03:18 ALGERIE;HOGGAR ARABES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE MARIAGE Sous-table non exportée Sous-table non exportée Chanson de mariage des femmes Orfela (Arabes du Fezzan réfugiées au Ahaggar)• LHOTE,HENRI 1948 Di-4B. n°13 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-14 BM.1984.006.001/30:01-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE TOUAREGUE Sous-table non exportée Sous-table non exportée Durée de :01-14 + :01-15 = 3'56" Chantée par Aïchatou, taklit des Adjouh-n-Tehli• LHOTE,HENRI 1948 Di-5A. n°14 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-15 BM.1984.006.001/30:01-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE TOUAREGUE Sous-table non exportée Sous-table non exportée Durée de :01-14 + :01-15 = 3'56" Chantée par Embaraka, nièce du caïd Ouenni, d'In Rhar, de la tribu des Kel-Rela• LHOTE,HENRI 1948 Di-5A. n°15 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-16 BM.1984.006.001/30:01-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES Sous-table non exportée Sous-table non exportée Durée de :01-16 + :01-17 + :01-18 = 4'45" Chantée par Aïchatou, taklit Adjouh-n-Tehli• LHOTE,HENRI 1948 Di-5B. n°16 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-17 BM.1984.006.001/30:01-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE MARIAGE Sous-table non exportée Sous-table non exportée Durée de :01-16 + :01-17 + :01-18 = 4'45" Chantée par Aïchatou, taklit Adjouh-n-Tehli, et Embarka des Kel-Rela• LHOTE,HENRI 1948 Di-5B. n°17 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-18 BM.1984.006.001/30:01-18 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :01-16 + :01-17 + :01-18 = 4'45" Chantée par Aïchatou, taklit Adjouh-n-Tehli, et Embarka des Kel-Rela• LHOTE,HENRI 1948 Di-5B. n°18 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-19 BM.1984.006.001/30:01-19 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES Sous-table non exportée Sous-table non exportée Durée de :01-19 + :01-20 + :01-21 = 5'01" Chantée par Aïchatou, taklit Adjouh-n-Tehli• LHOTE,HENRI 1948 Di-6A. n°19 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-20 BM.1984.006.001/30:01-20 00:00:00 ALGERIE;HOGGAR ARABES;ORFELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'EXIL Sous-table non exportée Sous-table non exportée Durée de :01-19 + :01-20 + :01-21 = 5'01" Chantée et composée par une femme Orfela (Arabes du Fezzan réfugiée au Ahaggar)• LHOTE,HENRI 1948 Di-6A. n°20 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-21 BM.1984.006.001/30:01-21 00:00:00 ALGERIE;HOGGAR ARABES;ORFELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES ORFELA ,"LA FEMME LASSE DE SON MARI" Sous-table non exportée Sous-table non exportée Durée de :01-19 + :01-20 + :01-21 = 5'01" "La femme lasse de son mari", chantée par une femme Orfela (Arabes du Fezzan réfugiés au Ahaggar)• LHOTE,HENRI 1948 Di-6A. n°21 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-22 BM.1984.006.001/30:01-22 00:04:13 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES D'IN-SALAH Sous-table non exportée Sous-table non exportée Chanson de femmes d'In-Salah (en arabe), chantée par un groupe de femmes harratines originaires d'In-Salah et habitant Tamanrasset. Accompagné de tambours• LHOTE,HENRI 1948 Di-6B. n°22 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-23 BM.1984.006.001/30:01-23 00:04:31 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES D'IN-SALAH Sous-table non exportée Sous-table non exportée Chanson de femmes d'In-Salah (en arabe), chantée par un groupe de femmes harratines originaires d'In-Salah et habitant Tamanrasset. Accompagné de tambours• LHOTE,HENRI 1948 Di-7A. n°23 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :01-24 BM.1984.006.001/30:01-24 00:05:26 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES D'IN-SALAH Sous-table non exportée Sous-table non exportée Chanson de femmes d'In-Salah (en arabe), chantée par un groupe de femmes harratines originaires d'In-Salah et habitant Tamanrasset. Accompagné de tambours• LHOTE,HENRI 1948 Di-7B. n°24 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-01 BM.1984.006.001/30:02-01 00:05:26 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES D'IN-SALAH Sous-table non exportée Sous-table non exportée Chanson de femmes d'In-Salah (en arabe), chantée par un groupe de femmes harratines originaires d'In-Salah et habitant Tamanrasset. Accompagné de tambours• LHOTE,HENRI 1948 Di-8A. n°25 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-02 BM.1984.006.001/30:02-02 00:04:49 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Aliouen. Les oliviers, air d'accompagnement pour caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-8B. n°26 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-03 BM.1984.006.001/30:02-03 00:05:08 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Issouha-n-Adrar (Adrar des Iforas). Air d'accompagnement pour caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-9A. n°27 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-04 BM.1984.006.001/30:02-04 00:05:10 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Aliouen-oua-n-Ahaggar. Air d'accompagnement pour caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-9B. n°28 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-05 BM.1984.006.001/30:02-05 00:05:10 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Tindi ta-n-Adrar. Air d'accompagnement pour caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-10A. n°29 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-06 BM.1984.006.001/30:02-06 00:04:02 ALGERIE;HOGGAR TOUAREGS;KEL AJJER ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Ellehelleh-oua-n-Ajjer. Air des Touaregs Kel Ajjer pour l'accompagnement de caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-10B. n°30 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-07 BM.1984.006.001/30:02-07 00:03:32 ALGERIE;HOGGAR TOUAREGS;KEL AJJER ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Doïana. Air des Touaregs Kel Ajjer pour l'accompagnement de caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-11A. n°31 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-08 BM.1984.006.001/30:02-08 00:03:57 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Ratina aïdah. Air du Tamesna pour l'accompagnement de caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-11B. n°32 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-09 BM.1984.006.001/30:02-09 00:04:47 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-12A. n°33 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-10 BM.1984.006.001/30:02-10 00:04:21 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Ellounaïni ellehelleh. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux, joué au cours des fêtes de mariage, par un groupe de femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-12B. n°34 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-11 BM.1984.006.001/30:02-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR DE DANSE Sous-table non exportée Sous-table non exportée Durée de :02-11 + :02-12 = 4'46" Taïgan oua-n-Ahaggar. Air de danse eklan joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-13A. n°35 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-12 BM.1984.006.001/30:02-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-11 + :02-12 = 4'46" Aïcha ta-n-Adrar. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-13A. n°36 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-13 BM.1984.006.001/30:02-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-13 + :02-14 = 4'32" Aïcha amia. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-13B. n°37 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-14 BM.1984.006.001/30:02-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-13 + :02-14 = 4'32" Aoudané nataguelli. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-13B. n°38 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-15 BM.1984.006.001/30:02-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-15 + :02-16 = 5'24" Ama aïten. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-14A. n°39 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-16 BM.1984.006.001/30:02-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-15 + :02-16 = 5'24" Sonaïa ouani. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-14A. n°40 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-17 BM.1984.006.001/30:02-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-17 + :02-18 = 5'45" Okriana. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-14B. n°41 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :02-18 BM.1984.006.001/30:02-18 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :02-17 + :02-18 = 5'45" Aïmadouana. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-14B. n°42 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-01 BM.1984.006.001/30:03-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT DE CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :03-01 + :03-02 = 5'39". Melana. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux joué par des femmes du Ahaggar et de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-15A. n°43 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-02 BM.1984.006.001/30:03-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :03-01 + :03-02 = 5'39". Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-15A. n°44 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-03 BM.1984.006.001/30:03-03 00:05:26 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée SANS DOUTE, 2 plages, la seconde n'étant pas identifiée par H. Lhote, FAIRE UN SEUL INDEX (un seul item). Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-15B. n°45 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-04 BM.1984.006.001/30:03-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :03-04 + 03-05 =05'30". Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-16A. n°46 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-05 BM.1984.006.001/30:03-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON ISEKKEMAREN Sous-table non exportée Sous-table non exportée Durée de :03-04 + 03-05 =05'30". Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-16A. n°47 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-06 BM.1984.006.001/30:03-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :03-06 + :03-07 = 5'42". Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-16B. n°48 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-07 BM.1984.006.001/30:03-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :03-06 + :03-07 = 5'42". Chant de caravane par Abdallah ag Bouïa, Isekkemaren. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-16B. n°49 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-08 BM.1984.006.001/30:03-08 00:04:06 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] ACCOMPAGNEMENT DE DANSE Sous-table non exportée Sous-table non exportée Accompagnement de danse eklan au tindi. Ahaggar. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-17A. n°50 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-09 BM.1984.006.001/30:03-09 00:03:56 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Aldia. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux, joué par des femmes de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-17B. n°51 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-10 BM.1984.006.001/30:03-10 00:03:48 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Daïma. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux, joué par des femmes de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-18A. n°52 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-11 BM.1984.006.001/30:03-11 00:05:25 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Aïle. Air des Touaregs Kel Adrar pour l'accompagnement de caroussel de chameaux, joué par des femmes de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-18B. n°53 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-12 BM.1984.006.001/30:03-12 00:05:11 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME. anouguenen Sous-table non exportée Sous-table non exportée Chant de femme de l'Adras des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-19A. n°54 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-13 BM.1984.006.001/30:03-13 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée Durée de :03-13 + :03-14 = 4'34. Chant de femme de l'Adras des Iforas• LHOTE,HENRI 1948 Di-19B. n°55 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-14 BM.1984.006.001/30:03-14 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "TEMBOKI" : "LE SABLE EST CHAUD" Sous-table non exportée Sous-table non exportée Durée de :03-13 + :03-14 = 4'34. "Temboki" : "le sable est chaud". Chant d'homme de l'Adras des Iforas• LHOTE,HENRI 1948 Di-19B. n°56 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-15 BM.1984.006.001/30:03-15 00:04:42 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Sur le disque Pyral : une plage + quelques petites plages, non documentées > FAIRE UN SEUL INDES ( ITEM). Chants de caravane du Ahaggar Ouinema. Par Fofa oult In Enouat. oult=fille de... / ag=fils de...• LHOTE,HENRI 1948 Di-20A. n°57 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-16 BM.1984.006.001/30:03-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Durée de :03-016 + :03-17 = 4'46". Chants de caravane du Ahaggar Ouinema. Par Fofa oult In Enouat. oult=fille de... / ag=fils de...• LHOTE,HENRI 1948 Di-20B. n°58 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-17 BM.1984.006.001/30:03-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée Durée de :03-016 + :03-17 = 4'46". Chants de caravane du Ahaggar Ouinema. Par Fofa oult In Enouat. oult=fille de... / ag=fils de...• LHOTE,HENRI 1948 Di-20B. n°59 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-18 BM.1984.006.001/30:03-18 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'ACCOMPAGNEMENT POUR CAROUSSEL DE CHAMEAUX Sous-table non exportée Sous-table non exportée Durée de :03-60 + :03-61 = 4'56". Air du Ahaggar pour l'accompagnement de caroussel de chameaux, joué par des femmes de l'Adrar des Iforas. Le mot tindi désigne, en tamahaq, le mortier où l'on pile les grains. C'est ce mortier que les femmes touarègues utilisent comme instrument d'accompagnement après avoir tendu une peau de chèvre humide sur son ouverture, et fixé latéralement et parallèlement deux pilons qui, reliés par des cordes en poils de chèvre, forment siège aux deux joueuses qui s'assoient vis-à-vis de part et d'autre du tindi. Au cours du battement la peau est constament humectée d'eau• LHOTE,HENRI 1948 Di-21A. n°60 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-19 BM.1984.006.001/30:03-19 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée Durée de :03-60 + :03-61 = 4'56". Chant de femme du Tamesna, par des femmes Kel Ahaggar et Kel Iforas• LHOTE,HENRI 1948 Di-21A. n°61 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :03-20 BM.1984.006.001/30:03-20 00:05:12 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE JEUNE FEMME Sous-table non exportée Sous-table non exportée DÉFAUT DE DISQUE. Chant de jeune femme de l'Adrar• LHOTE,HENRI 1948 Di-21B. n°62 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-01 BM.1984.006.001/30:04-01 00:03:31 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT ISEKKEMAREN Sous-table non exportée Sous-table non exportée Chant Isekkemaren chanté et composé par Abdallah ag Bouïa, Isekkemaren (fraction des Ihahouen Hada). ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-22A. n°63 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-02 BM.1984.006.001/30:04-02 00:05:22 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Chant de caravane chanté et composé par Abdallah ag Bouïa, tribu des Isekkemaren (fraction des Ihahouen Hada). ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-22B. n°64 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-03 BM.1984.006.001/30:04-03 00:05:49 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE COUR D'AMOUR Sous-table non exportée Sous-table non exportée Chanson sur l'inconstance des femmes chantée et composée par Abdallah ag Bouïa, Isekkemaren (fraction des Ihahouen Hada). ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-23A. n°65 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-04 BM.1984.006.001/30:04-04 00:05:33 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE DU COMBAT D'ASSAKAO Sous-table non exportée Sous-table non exportée Récit chanté du combat d'Assakao (1919) fait par Abdallah ag Bouïa, Isekkemaren, qui y prit part. Le combat d'Assakao fut le dernier de la période troublée 1916-1919. Il eut lieu entre des dissidents Kel Ajjer commandés par Abeuh ag Rhabelli et un détachement de méharistes français commandé par le lieutenant Vella appuyé par des partisans touaregs de l'Ahaggar. Assakao est un col situé sur la route de Djanet à Rhat. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-23B. n°66 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-05 BM.1984.006.001/30:04-05 00:05:37 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE D'UN REZZOU Sous-table non exportée Sous-table non exportée Récit chanté d'un rezzou contre Kaouçen, par Abdallah ag Bouïa, Isekkemaren, et auquel le narrateur prit part. Kaouçen était le chef des révoltés qui vint mettre le siège devant le poste d'Agadez. Délogé par les troupes françaises venues de Zinder il fut poursuivi dans l'Aïr par un rezzou de Kel Ahaggar lancé après lui par l'Amenokal Moussa ag Amastane. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-24A. n°67 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-06 BM.1984.006.001/30:04-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE D'UN REZZOU Sous-table non exportée Sous-table non exportée Durée totale de :04-06 + :04-07 = 3'26". Récit chanté d'un rezzou contre Kaouçen, par Abdallah ag Bouïa, Isekkemaren, et auquel le narrateur prit part. Kaouçen était le chef des révoltés qui vint mettre le siège devant le poste d'Agadez. Délogé par les troupes françaises venues de Zinder il fut poursuivi dans l'Aïr par un rezzou de Kel Ahaggar lancé après lui par l'Amenokal Moussa ag Amastane. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-24B. n°68 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-07 BM.1984.006.001/30:04-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE D'UN REZZOU Sous-table non exportée Sous-table non exportée Durée totale de :04-06 + :04-07 = 3'26". Récit chanté d'un rezzou contre les Reguibat, par Abdallah ag Bouïa, Isekkemaren, auquel le narrateur prit part. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-24B. n°69 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-08 BM.1984.006.001/30:04-08 00:05:39 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE D'UN REZZOU (SUITE) Sous-table non exportée Sous-table non exportée Suite du récit chanté d'un rezzou contre les Reguibat, par Abdallah ag Bouïa, Isekkemaren, auquel le narrateur prit part. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-25A. n°70 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-09 BM.1984.006.001/30:04-09 00:05:31 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT CHANTE D'UN REZZOU (SUITE) Sous-table non exportée Sous-table non exportée Suite du récit chanté d'un rezzou contre les Reguibat, par Abdallah ag Bouïa, Isekkemaren, auquel le narrateur prit part. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-25B. n°71 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-10 BM.1984.006.001/30:04-10 00:05:36 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DE REZZOU Sous-table non exportée Sous-table non exportée Récit de rezzou contre les Kel Ajjer, par Abdallah ag Bouïa. Ce récit se rapporte à la période troublée de 1916-1919. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-26A. n°72 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-11 BM.1984.006.001/30:04-11 00:03:08 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE Sous-table non exportée Sous-table non exportée Poésie au sujet de Dassine et d'Aflan, dite par Abdallah ag Bouïa. Dassine, cousine de l'Amenokal Moussa ag Amastane, est la célèbre poétesse de l'Ahaggar, qui se maria avec Aflan. ag=fils de... / oult=fille de..., en tamahaq • LHOTE,HENRI 1948 Di-26B. n°73 AFRIQUE +BM.1971.034 Ø13 BM.1971.034.001/03 :01-02 BM.1971.034.001/03:01-02 00:04:55 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT WADJO, VILL SINGKANG BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 DANSES DE PORTEUSES DE CHANDELIERS WADJO Sous-table non exportée Sous-table non exportée Le luth ketjapi a 2 cordes. "Tari pasoloé wadjo" danses des porteuses des chandeliers wadjo. Plusieurs airs. "néné' Mallomo". "néné' Mallomo". "ongkona arum poné": l'apanage du souverain de Poné. "néné' Mallomo". "ongkona arum poné". "néné' Mallomo"• Vitesse 19• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :01-03 BM.1971.034.001/03:01-03 00:04:45 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT BONE, VILL BADJO BADJO INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 GANDA SAMA Sous-table non exportée Sous-table non exportée Ethnie badjo ou sama. "ganda sama": tambour sama. Selon Pelras, c'est une pièce accompagnant ordinairement les exercices de pentjak, danses de combat• Vitesse 19• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :01-04 BM.1971.034.001/03:01-04 00:03:25 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT BONE, VILL BADJO BADJO INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 GANDA SAMA Sous-table non exportée Sous-table non exportée Ethnie badjo ou sama. "ganda sama": tambour sama. Selon Pelras, le gong est utilisé uniquement pour cette occasion dans la musique de Célèbes• Vitesse 19• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :02-01 BM.1971.034.001/03:02-01 00:15:20 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT SINDJAI, VILL BALANGNIPA BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 BALLADE Sous-table non exportée Sous-table non exportée Le luth ketjapi a 2 cordes. Ballade chantée par Arsjad• Vitesse 19• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :02-02 BM.1971.034.001/03:02-02 00:16:45 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT WADJO, VILL SINGKANG BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 HISTOIRE DE LA MAPPANGANRO Sous-table non exportée Sous-table non exportée Psalmodié. Histoire de la Mappanganro, tirée du cycle de la Galigo, le grand cycle culturel des Bugis. Texte lu par Abdul Hamid• Vitesse 9,5• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :03-01 BM.1971.034.001/03:03-01 00:18:50 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT WADJO, VILL SINGKANG BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 HISTOIRE DE LA MAPPANGANRO Sous-table non exportée Sous-table non exportée Psalmodié. Histoire de la Mappanganro, tirée du cycle de la Galigo, le grand cycle culturel des Bugis. Texte lu par Abdul Hamid. Vers de 5 syllabes• Vitesse 9,5 Original piste 1• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :03-02 BM.1971.034.001/03:03-02 00:21:50 01/1968 INDONESIE;CELEBES(SULAWESI) CELEBES SUD, DPT WADJO, VILL SINGKANG BUGIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 LECTURE CHANTEE Sous-table non exportée Sous-table non exportée "Masure' Selléang", lecture chantée du début de l'histoire de La Dado: les amours contrariées de deux jeunes gens. Texte lu par Abdul Hamid. Vers de 8 syllabes• Vitesse 9,5 Original piste 1• PELRAS,CHRISTIAN 1968 ASIE +BM.1971.034 Ø13 BM.1971.034.001/03 :03-03 BM.1971.034.001/03:03-03 00:22:45 01/1968 INDONESIE;BALI BALI OUEST,DPT NEGARA,VILL PENJARINGAN BALINAIS INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 LECTURE DE KAKAWIN Sous-table non exportée Sous-table non exportée Psalmodié et parlé. Duo d'hommes alternés: texte lu par Madé Rai et traduit en balinais par Gégé Gègèr. "Kakawin":ancien texte javanais en kawi. Il s'agit du Ramayana• Vitesse 9,5 Original piste 2• PELRAS,CHRISTIAN 1968 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-02 BM.1968.005.001/03:01-02 00:04:28 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG "PERERMAN" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Perereman"• 1967 50 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-03 BM.1968.005.001/03:01-03 00:02:20 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG "SANARAN" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Sanaran"• 1967 50 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-04 BM.1968.005.001/03:01-04 00:04:40 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG "SANARAN" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Sanaran"• 1967 50 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-05 BM.1968.005.001/03:01-05 00:08:10 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG ""PONGETGET SANARAN" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Pongetget sanaran"• 1967 50 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :02-01 BM.1968.005.001/03:02-01 00:18:15 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSES DU BARONG EN 3 PIECES ENCHAINEES CF. COMMENTAIRE CONTEXTE ETHNO Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. 1-"Pengetjet" (original I/6b) 2-"Gilakan" (original I/7) 3-"Pengetjet" (original I/8) Les 3 pièces s'enchaînent• LAISSSER EN UN SEUL ITEM. Coupure de 12 secondes entre la 1ère pièce et la 2ème: cela fait partie de la cérémonie de la dance du Barong. VA = voix criée par moment• 1967 51 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :01-06 BM.1968.005.001/03:01-06 00:05:11 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSE DU BARONG "GILAKAN BARONG" Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. "Gilakan Barong"• 1967 ASIE +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 :03-01 BM.1968.005.001/03:03-01 00:30:39 INDONESIE;BALI BALINAIS BALI;BARONG*. BERTHE,L.;1967 DANSES DU BARONG, DANSE DE RANGDA Sous-table non exportée Sous-table non exportée Orchestre gamelan balinais. Séquence de la danse de Rangda. Combat avec le Barong et transe des danseurs. La dernière séquence "Ngurek" dure 4 minutes et est suivie par la conversation• IMPORTANT: UN SEUL ITEM• 1967 51 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :68-01 BM.2007.001.001/97:68-01 00:00:00 25/07/65 GABON FRANCEVILLE,NGALE TEKE GABON.P. SALLEE 1965 ENQUETE SUR LE RITE ONKAGNI Sous-table non exportée Sous-table non exportée *Entretien avec le chef Mamadou Lewu• Suite de BM.2007.001.001/93:67-12• SALLEE,P. 1965 1965.1.46(1)-01/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :68-02 BM.2007.001.001/97:68-02 00:00:00 25/07/65 GABON FRANCEVILLE,NGALE TEKE GABON.P. SALLEE 1965 ENQUETE SUR DIFFERENTS SUJETS Sous-table non exportée Sous-table non exportée *Entretien avec le chef Mamadou Lewu• Suite de BM.2007.001.001/93:68-01• SALLEE,P. 1965 1965.1.46(1)-02/Copie AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :69-01 BM.2007.001.001/97:69-01 00:00:00 02/08/65 GABON FRANCEVILLE,BABEMBE BAWUMBU GABON.P. SALLEE 1965 ENQUETE SUR LES BAWUMBU Sous-table non exportée Sous-table non exportée *Entretien avec Dominique Mandza, chef de canton bawumbu• SALLEE,P. 1965 1965.1.46(2)-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-01 BM.2007.001.001/97:70-01 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. PROCESSION A L'EXTERIEUR Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui• SALLEE,P. 1965 RELIGIEUX 1965.1.47-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-02 BM.2007.001.001/97:70-02 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. PREAMBULE DE NGOMFI Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Le _nima_ frappe des mains pour imposer le silence• SALLEE,P. 1965 RELIGIEUX 1965.1.47-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-03 BM.2007.001.001/97:70-03 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 DEBUT DU BWITI Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Danse d'un enfant dans le _bandza_ avec un pagne de raphia. On agite des raphias• Photographie de l'enfant avec un pagne de raphia• SALLEE,P. 1965 RELIGIEUX 1965.1.47-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-04 BM.2007.001.001/97:70-04 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. EXHORTATION DU POUVI Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. L'exhortation du _pouvi_ est ponctuée du _tsoke_ et entrecoupée de chants du choeur• SALLEE,P. 1965 1965.1.47-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-05 BM.2007.001.001/97:70-05 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. DEBUT VERITABLE DE LA CEREMONIE Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Les deux joueurs de _mosumba_ et le joueur de _ndougou_ sont sortis chauffer leur tambour au feu. Reprise de la danse de l'enfant. L'enfant et le _nima_ se prennent les deux mains = bénédiction. Les hommes se lèvent• _ndougou_ est ici orthographié _doungou_ par Pierre Sallée• SALLEE,P. 1965 RELIGIEUX 1965.1.47-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-06 BM.2007.001.001/97:70-06 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. MINDZA Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Le _mindza_ est un moment de repos• SALLEE,P. 1965 1965.1.47-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :70-07 BM.2007.001.001/97:70-07 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. DANSE MOUKOU Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Danse _moukou_ = danse de _bwiti_ avec tournoiements• SALLEE,P. 1965 RELIGIEUX 1965.1.47-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-01 BM.2007.001.001/97:71-01 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. SUITE DE LA DANSE MOUKOU Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Danse _moukou_ = danse de _bwiti_ avec tournoiements• Suite de BM.2007.001.001/93:69-07• SALLEE,P. 1965 RELIGIEUX 1965.1.48-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-02 BM.2007.001.001/97:71-02 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. BOULOUNGDO Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Conversation du _bouloungdo_ et du _nima_. Bruit sur le mur. Choeur terminal• SALLEE,P. 1965 RELIGIEUX 1965.1.48-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-03 BM.2007.001.001/97:71-03 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI.BIKALO Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. _bikalo_ = danses acrobatiques, avec sauts périlleux. Les participants sont enduits d'un parfum composé d'eau de cologne et d'herbes mélangé de poudre de chauve souris calcinées et se sont fait faire par le _nima_ de petites égratinures sur les membres, pour "rendre souple" et pouvoir sauter. Après chaque saut périlleux, on touche le poteau central• SALLEE,P. 1965 RELIGIEUX 1965.1.48-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-04 BM.2007.001.001/97:71-04 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI.MUKUYI MADUBO Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. Conversation• SALLEE,P. 1965 RELIGIEUX 1965.1.48-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-05 BM.2007.001.001/97:71-05 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 BWITI. SUCCESSION DE MINDZA Sous-table non exportée Sous-table non exportée Informateurs : François Boudzanga et Henri Moulingui. _mindza_ = moment de repos• SALLEE,P. 1965 RELIGIEUX 1965.1.48-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :71-06 BM.2007.001.001/97:71-06 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 MWIRI Sous-table non exportée Sous-table non exportée Conversation : - _mwiri_ : Pourquoi m'appelles-tu? - _moudounga_ : Parce que le blanc veut t'entendre - _mwiri_ : Pourquoi? - _ moudounga_ : Pour t'enregistrer. - _ mwiri_ : Il doit payer...bénédiction pour lui...• La voix du _mwiri_ = narines bouchées• SALLEE,P. 1965 1965.1.48-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :72-01 BM.2007.001.001/97:72-01 00:00:00 13/08/65 GABON MIMONGO,TAMBA II SANGO GABON.P. SALLEE 1965 MWIRI Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:70-06. La voix du _mwiri_ = narines bouchées• SALLEE,P. 1965 1965.1.49-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :73-01 BM.2007.001.001/97:73-01 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. ANNONCE Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 1965.1.50-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :73-02 BM.2007.001.001/97:73-02 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 ENQUETE SUR LA DANSE IMBWILI Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 1965.1.50-02/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-02 BM.1975.008.001/14:01-02 00:00:40 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DECLAMATION Sous-table non exportée Sous-table non exportée Déclamation en langue mandar• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-03 BM.1975.008.001/14:01-03 00:04:40 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES MOISSONNEUSES TARI POTONG PADI Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-04 BM.1975.008.001/14:01-04 00:00:00 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DECLAMATION Sous-table non exportée Sous-table non exportée Déclamation en langue indonésienne• Vitesse 4,75 Piste 1• PELRAS,CHRISTIAN 0 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-05 BM.1975.008.001/14:01-05 00:05:45 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES CUEILLEUSES DE CAFE TARI MAMETIK KOPI Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-03 BM.2007.001.001/97:73-03 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. ARRIVEE DES FEMMES EN PROCESSION Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades. En arrivant, les femmes tiennent une torche d'_okoumé_ allumée ; puis, elles l'éteignent sur le sol avant de commencer à danser. Accessoires de danse : _mossingui_ : peau de civette ; _madumba_ : pagne de danse ; _madyoko_ : clochettes attachées au pagne de danse• SALLEE,P. 1965 RELIGIEUX 1965.1.50-03/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-06 BM.1975.008.001/14:01-06 00:00:00 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DECLAMATION Sous-table non exportée Sous-table non exportée Vitesse 4,75 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-07 BM.1975.008.001/14:01-07 00:02:00 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT FEMININ Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-08 BM.1975.008.001/14:01-08 00:15:30 28/09/72 INDONESIE;CELEBES(SULAWESI) POLEWALI MANDAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN LANGUE MANDAR Sous-table non exportée Sous-table non exportée Luth kécapi à 2 cordes• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-04 BM.2007.001.001/97:73-04 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. PLUSIEURS DANSES Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades. Plusieurs danses pour "chauffer". Accessoires de danse : _mossingui_ : peau de civette ; _madumba_ : pagne de danse ; _madyoko_ : clochettes attachées au pagne de danse• SALLEE,P. 1965 RELIGIEUX 1965.1.50-04/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :01-09 BM.1975.008.001/14:01-09 00:05:30 28/09/72 INDONESIE;CELEBES(SULAWESI) PARE PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN LANGUE BUGIS Sous-table non exportée Sous-table non exportée Violon biola• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :02-01 BM.1975.008.001/14:02-01 00:07:45 22/10/72 INDONESIE;CELEBES(SULAWESI) LUMPUE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE ZIKIR Sous-table non exportée Sous-table non exportée Tambourin rahana. Zikir: légumes musulmans. Lumpué est près de Paré Paré• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :02-02 BM.1975.008.001/14:02-02 00:03:35 22/10/72 INDONESIE;CELEBES(SULAWESI) LUMPUE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE ZIKIR Sous-table non exportée Sous-table non exportée Tambourin rahana. Zikir: légumes musulmans. Lumpué est près de Paré Paré• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-05 BM.2007.001.001/97:73-05 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. ENTREE DE L'UNE DES BANDJI Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades. La cheftaine fait entrer l'une des _bandji_ pour la faire asseoir sur le tabouret. Celle-ci se met à tourner sur son banc et est prise par son génie. On lui défait son bandeau et elle se met à danser avec la canne : "cris de son esprit". Accessoires de danse : _mossingui_ : peau de civette ; _madumba_ : pagne de danse ; _madyoko_ : clochettes attachées au pagne de danse• SALLEE,P. 1965 RELIGIEUX 1965.1.50-05/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :02-03 BM.1975.008.001/14:02-03 00:02:50 22/10/72 INDONESIE;CELEBES(SULAWESI) LUMPUE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT D'INTRODUCTION EN BUGIS Sous-table non exportée Sous-table non exportée Chant d'introduction en bugis par Yusuf Landong, joueur réputé de Recapi. Le luth kécapi a 2 cordes• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :02-04 BM.1975.008.001/14:02-04 00:09:05 22/10/72 INDONESIE;CELEBES(SULAWESI) LUMPUE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT D'INTRODUCTION EN BUGIS Sous-table non exportée Sous-table non exportée Chant d'introduction en bugis par Yusuf Landong, joueur réputé de Recapi. Le luth kécapi a 2 cordes• Vitesse 19 Piste 1 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :02-05 BM.1975.008.001/14:02-05 00:24:00 22/10/72 INDONESIE;CELEBES(SULAWESI) LUMPUE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT D'INTRODUCTION EN BUGIS Sous-table non exportée Sous-table non exportée Chant d'introduction (histoire de Lémo Cina) en bugis par Yusuf Landong, joueur réputé de Recapi. Le luth kécapi a 2 cordes• Vitesse 19 Piste 2 Qualité passable• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-06 BM.2007.001.001/97:73-06 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. INTRODUCTION DE LA DEUXIEME BANDJI Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 RELIGIEUX 1965.1.50-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :73-07 BM.2007.001.001/97:73-07 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. INTRODUCTION DE LA CHEFTAINE SUR LE TABOURET Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 RELIGIEUX 1965.1.50-07/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :03-01 BM.1975.008.001/14:03-01 00:02:35 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 OUERTURE AU VIOLON Sous-table non exportée Sous-table non exportée Sumpang Minangaé est près de Paré Paré. Ouverture au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-08 BM.2007.001.001/97:73-08 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. ANNONCE DE CHANGEMENT DE BANDE Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 RELIGIEUX 1965.1.50-08/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :73-09 BM.2007.001.001/97:73-09 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 SUITE DE LA DANSE IMBWILI Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades. Accessoires de danse : _mossingui_ : peau de civette ; _madumba_ : pagne de danse ; _madyoko_ : clochettes attachées au pagne de danse• SALLEE,P. 1965 RELIGIEUX 1965.1.50-09/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :03-02 BM.1975.008.001/14:03-02 00:04:50 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON AMMACCIYA Sous-table non exportée Sous-table non exportée Ammacciya chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :03-03 BM.1975.008.001/14:03-03 00:04:10 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON GELA Sous-table non exportée Sous-table non exportée Géla chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :73-10 BM.2007.001.001/97:73-10 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. POSSESSION DE LA CHEFTAINE Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades. Accessoires de danse : _mossingui_ : peau de civette ; _madumba_ : pagne de danse ; _madyoko_ : clochettes attachées au pagne de danse• VC = voix de la cheftaine• SALLEE,P. 1965 RELIGIEUX 1965.1.50-10/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :03-04 BM.1975.008.001/14:03-04 00:04:30 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON SIGUNUNG Sous-table non exportée Sous-table non exportée Sigunung chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :03-05 BM.1975.008.001/14:03-05 00:00:00 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON ATIRAJA Sous-table non exportée Sous-table non exportée Atiraja chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1 Qualité passable• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-01 BM.1975.008.001/14:04-01 00:06:30 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON TANJONG MANI Sous-table non exportée Sous-table non exportée Tanjong Mani chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-02 BM.1975.008.001/14:04-02 00:04:00 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON GALLAUREUNI Sous-table non exportée Sous-table non exportée Gallaureuni chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-03 BM.1975.008.001/14:04-03 00:05:00 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON KUDU KUDU Sous-table non exportée Sous-table non exportée Kudu Kudu chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-04 BM.1975.008.001/14:04-04 00:05:05 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON ALLALAUALA Sous-table non exportée Sous-table non exportée Allalauala chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-05 BM.1975.008.001/14:04-05 00:03:00 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON BETI CEDE Sous-table non exportée Sous-table non exportée Beti cédé chanté par la Siraténg, au violon par la Nambong• Vitesse 19 Piste 2 Téch. méd.• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-06 BM.1975.008.001/14:04-06 00:07:10 01/12/72 INDONESIE;CELEBES(SULAWESI) SUMPANG MINANGAE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT & VIOLON BELALE Sous-table non exportée Sous-table non exportée La "Bélalé" chanté par la Siraténg, au violon par la Nambong. Berceuse la plus connue du pays Bugis. Tech. A. B.• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :04-07 BM.1975.008.001/14:04-07 00:13:35 06/12/72 INDONESIE;CELEBES(SULAWESI) SEGERI BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE POUR HONORER LA CHARRUE SACREE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 2 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :05-01 BM.1975.008.001/14:05-01 00:21:00 06/12/72 INDONESIE;CELEBES(SULAWESI) SEGERI BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE POUR HONORER LA CHARRUE SACREE (SUITE) Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :05-02 BM.1975.008.001/14:05-02 00:05:00 06/12/72 INDONESIE;CELEBES(SULAWESI) SEGERI BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE POUR HONORER LA CHARRUE SACREE (SUITE) Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :05-03 BM.1975.008.001/14:05-03 00:02:25 06/12/72 INDONESIE;CELEBES(SULAWESI) SANGALLA TORAJA PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN LANGUE TORAJA MA'BADONG Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :06-01 BM.1975.008.001/14:06-01 00:20:00 06/12/72 INDONESIE;CELEBES(SULAWESI) SANGALLA TORAJA PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN LANGUE TORAJA MA'BADONG Sous-table non exportée Sous-table non exportée Chant accompagnant une ronde funèbre, avec des reprises• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :06-02 BM.1975.008.001/14:06-02 00:17:00 06/12/72 INDONESIE;CELEBES(SULAWESI) PALANRO BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 BATTERIE DE MARIAGE Sous-table non exportée Sous-table non exportée Les bambous léa-léa sont fendus. La batterie de mariage est présente dans les mariages nobles. Elle sert à chasser les mauvais esprits. Elle est en voix de disparition• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1972 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :07-01 BM.1975.008.001/14:07-01 00:22:50 27/06/73 INDONESIE;CELEBES(SULAWESI) A'BANUANGE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 ENSEMBLE DE MORTIERS Sous-table non exportée Sous-table non exportée Mappadéndang: batterie rituelle des mortiers à riz à la fête de la moisoon. Quatre filles au centre jouent un rythme régulier, trois jeunes hommes à chq côté jouent un rythme syncopé (6 garçons et 4 filles) (Film rélisé par Ch. Pelras). Iles Célèbes-Sud, A'banuangé près de Paré Paré• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :07-02 BM.1975.008.001/14:07-02 00:23:00 27/06/73 INDONESIE;CELEBES(SULAWESI) A'BANUANGE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 ENSEMBLE DE MORTIERS Sous-table non exportée Sous-table non exportée Mappadéndang: batterie rituelle des mortiers à riz à la fête de la moisoon. Quatre filles au centre jouent un rythme régulier, trois jeunes hommes à chq côté jouent un rythme syncopé (6 garçons et 4 filles) (Film rélisé par Ch. Pelras). Iles Célèbes-Sud, A'banuangé près de Paré Paré• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :08-01 BM.1975.008.001/14:08-01 00:05:45 28/06/73 INDONESIE;CELEBES(SULAWESI) A'BANUANGE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 BATTERIE RITUELLE DES MORTIERS A RIZ Sous-table non exportée Sous-table non exportée Mappadéndang: batterie rituelle des mortiers à riz à la fête de la moisson. Quatre filles au centre jouent un rythme régulier, trois jeunes hommes à chq côté jouent un rythme syncopé (6 garçons et 4 filles) (Film rélisé par Ch. Pelras). Iles Célèbes-Sud, A'banuangé près de Paré Paré• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :74-01 BM.2007.001.001/97:74-01 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. POSSESSION DE LA CHEFTAINE Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• Suite de BM.2007.001.001/93:72-06• SALLEE,P. 1965 RELIGIEUX 1965.1.51-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-02 BM.2007.001.001/97:74-02 00:00:00 14/08/65 GABON MIMONGO,NDONGUI TSOGHO GABON.P. SALLEE 1965 IMBWILI. POSSESSION DE LA QUATRIEME BANDJI Sous-table non exportée Sous-table non exportée _imbwili_ : rituel de guérison des malades• SALLEE,P. 1965 RELIGIEUX 1965.1.51-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-03 BM.2007.001.001/97:74-03 00:00:00 16/08/65 GABON FOUGAMOU,DAKAR ESHIRA GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DU PLURIARC TSAMBI Sous-table non exportée Sous-table non exportée *Informateurs : Guillaume Mfambou et Claude Gindougou• SALLEE,P. 1965 1965.1.51-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-04 BM.2007.001.001/97:74-04 00:00:00 16/08/65 GABON FOUGAMOU,DAKARI ESHIRA GABON.P. SALLEE 1965 MASSAVOUVOU Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.51-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-05 BM.2007.001.001/97:74-05 00:00:00 16/08/65 GABON FOUGAMOU,DAKAR ESHIRA GABON.P. SALLEE 1965 DIKALA LA MBE LAMBENI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.51-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-06 BM.2007.001.001/97:74-06 00:00:00 16/08/65 GABON FOUGAMOU,DAKAR ESHIRA GABON.P. SALLEE 1965 YEGHE YEGHE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.51-06/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :74-07 BM.2007.001.001/97:74-07 00:00:00 16/08/65 GABON FOUGAMOU,DAKARI ESHIRA GABON.P. SALLEE 1965 NGAGUELI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.1.51-07/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-01 BM.2007.001.001/97:75-01 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. BOTHIA. ANNONCE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncicion. _bothia_ = ce sont les femmes de la société qui arrivaient sur la route en direction de Mékambo• SALLEE,P. 1965 1965.2.01-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-02 BM.2007.001.001/97:75-02 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. BOTHIA. EMBELAYONG Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision. _bothia_ = ce sont les femmes de la société qui arrivaient sur la route en direction de Mékambo. _Embelayong_ = chant d'arrivée des femmes. Le chant est en kota• SALLEE,P. 1965 1965.2.01-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-03 BM.2007.001.001/97:75-03 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. BOTHIA. EMUNAYE Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision. _bothia_ = ce sont les femmes de la société qui arrivaient sur la route en direction de Mékambo. _Emunaye_ = chant d'arrivée des femmes. Le chant est en bakwele• Note de Pierre Sallée : "chant intéressant pour l'étude polyphonique"• SALLEE,P. 1965 1965.2.01-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-04 BM.2007.001.001/97:75-04 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANT DE FILLETTES Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision• SALLEE,P. 1965 1965.2.01-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-05 BM.2007.001.001/97:75-05 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANT DE GARCONS Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision• SALLEE,P. 1965 1965.2.01-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-06 BM.2007.001.001/97:75-06 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision• Photographie du tambour _ngomo_• VC = association féminine de danse "société"• SALLEE,P. 1965 1965.2.01-06/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-07 BM.2007.001.001/97:75-07 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision• Photographie du tambour _ngomo_• VC = association féminine de danse "société"• SALLEE,P. 1965 1965.2.01-07/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :75-08 BM.2007.001.001/97:75-08 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DANSES DE FILLES ET DE GARCONS Sous-table non exportée Sous-table non exportée Les candidats à la circoncision veillent à part avec leur soeur et leur mère dans l'abri de feuillage. _itchinda_ = circoncision. Danses de filles et de garçons courues le long du village, le groupe de garçons croisant celui des filles• SALLEE,P. 1965 1965.2.01-08/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :76-01 BM.2007.001.001/97:76-01 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DANSES DE FILLES ET DE GARCONS Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Insultes réciproques entre les sexes• Suite de BM.2007.001.001/93:74• SALLEE,P. 1965 1965.2.02-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :76-02 BM.2007.001.001/97:76-02 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DANSES BWITI, MUNGALA, NGWATA ET ISEMBWE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• _bwiti_ = _bwete_ chez les Kota• SALLEE,P. 1965 1965.2.02-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :77-01 BM.2007.001.001/97:77-01 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANTS DE BONGOZA Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Arrivée des candidats à la circoncision sous l'auvent du village. Chaque chant se termine par la voix de Mungala• Suitede BM.2007.001.001/93:75• SALLEE,P. 1965 1965.2.03-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :77-02 BM.2007.001.001/97:77-02 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANTS D'HOMMES Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• SALLEE,P. 1965 1965.2.03-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :77-03 BM.2007.001.001/97:77-03 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANTS DE BONGOZA Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• Notes de Pierre sallée : Chants à refaire dans l'intimité si possible• SALLEE,P. 1965 1965.2.03-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :78-01 BM.2007.001.001/97:78-01 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. VOIX DE MUNGALA ET CHANTS Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• Suite de BM.2007.001.001/93:76. (Dans les colonnes "exécution et observation" de la fiche explicative de cette bobine, Pierre Sallée indique "Debandgoye Pascal, oncle maternel d'un des candidats". Est-il l'interprète de la voix de _mungala_ ou est-il le soliste des chants?)• SALLEE,P. 1965 1965.2.04-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :78-02 BM.2007.001.001/97:78-02 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. VOIX DE MUNGALA ET CHANTS Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• Suite de BM.2007.001.001/93:76. (Dans les colonnes "exécution et observation" de la fiche explicative de cette bobine, Pierre Sallée indique "Debandgoye Pascal, oncle maternel d'un des candidats". Est-il l'interprète de la voix de _mungala_ ou est-il le soliste des chants?)• SALLEE,P. 1965 1965.2.04-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :78-03 BM.2007.001.001/97:78-03 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CEREMONIE DANS LA CASE SECRETE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Cérémonie privée dans la case secrète où l'on déshabille le candidat pour le frotter avec le tronc de bananier et où on lui met le pagne de raphia. Discussion des vieux préposés à l'affaire• SALLEE,P. 1965 1965.2.04-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :79-01 BM.2007.001.001/97:79-01 00:00:00 04/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. SORTIE DU CANDIDAT DE LA CASE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Nuit de samedi. Sortie du candidat de la case après le rite au tronc de bananier. Chants des hommes accompagnant le candidat• SALLEE,P. 1965 1965.2.05-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :79-02 BM.2007.001.001/97:79-02 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DANSE EN VA ET VIENT Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Danse en va et vient sur la place du village pour fatiguer les candidats• SALLEE,P. 1965 1965.2.05-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :79-03 BM.2007.001.001/97:79-03 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. SUITE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Dimanche matin, 4 h. On met les colliers à l'enfant, il reçoit des billets, poudre rouger, rite aux cabinets, enduit de peinture rouge• SALLEE,P. 1965 1965.2.05-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :79-04 BM.2007.001.001/97:79-04 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DANSE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Dimanche matin, 7h. Danse pour fatiguer les candidats• SALLEE,P. 1965 1965.2.05-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-01 BM.2007.001.001/97:80-01 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. SIMULACRE DE LA CIRCONCISION Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Dimanche matin, à 8 h. 30. _mungala_. Simulacre de combat. Le vrai (combat?) avec présentation du candidat• Suite de BM.2007.001.001/93:78• SALLEE,P. 1965 1965.2.06-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-02 BM.2007.001.001/97:80-02 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CHANT ET DANSE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Dimanche matin, 10 h• SALLEE,P. 1965 1965.2.06-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-03 BM.2007.001.001/97:80-03 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CONVERSATION Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Conversation après (avec?) le _mungala_• SALLEE,P. 1965 1965.2.06-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-04 BM.2007.001.001/97:80-04 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. CRI DU MUNGALA Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• SALLEE,P. 1965 1965.2.06-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-05 BM.2007.001.001/97:80-05 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DEFILE AVANT LA CIRCONCISION Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Le candidat est porté sur les épaules• SALLEE,P. 1965 1965.2.06-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-06 BM.2007.001.001/97:80-06 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DESHABILLAGE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Deshabillage sur le lieu de la circoncision• SALLEE,P. 1965 1965.2.06-06/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :80-07 BM.2007.001.001/97:80-07 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DISPUTE A PROPOS DE L'ENREGISTREMENT Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision• SALLEE,P. 1965 1965.2.06-07/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :81-01 BM.2007.001.001/97:81-01 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. SUITE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Dimanche, à 13 h.• Suite de BM.2007.001.001/93:79• SALLEE,P. 1965 1965.2.07-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :81-02 BM.2007.001.001/97:81-02 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. PAROLES RITUELLES Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Paroles rituelles avant l'opération• SALLEE,P. 1965 1965.2.07-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :81-03 BM.2007.001.001/97:81-03 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. OPERATION DU CANDIDAT Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Des cris de joie puis des chants• SALLEE,P. 1965 1965.2.07-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :81-04 BM.2007.001.001/97:81-04 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DEFILE Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Le candidat est porté jusqu'en brousse pour l'arrangement final de la plaie• SALLEE,P. 1965 1965.2.07-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :81-05 BM.2007.001.001/97:81-05 00:00:00 05/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ITCHINDA. DEUXIEME CIRCONCISION Sous-table non exportée Sous-table non exportée _itchinda_ = circoncision. Opération, défilé. Arrangement de la plaie. Cris de douleur couverts par les voix des adultes• SALLEE,P. 1965 1965.2.07-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :82-01 BM.2007.001.001/97:82-01 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 CONTE : LE FILS DE LA TORTUE Sous-table non exportée Sous-table non exportée Récit d'origine, mythe de création. Espèce de trinité : _koulou_, _leyong_ et _mbimbi soro_. Les trois hommes qui interprètent le conte sont des notables. Raphaël Mukamba est assesseur au tribunal coutumier et "chirurgien" de circoncision• SALLEE,P. 1965 1965.2.08-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :82-02 BM.2007.001.001/97:82-02 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 FORMULE TERMINALE DES CONTES Sous-table non exportée Sous-table non exportée Récit d'origine, mythe de création. Espèce de trinité : _koulou_, _leyong_ et _mbimbi soro_. Les trois hommes qui interprètent le conte sont des notables. Raphaël Mukamba est assesseur au tribunal coutumier et "chirurgien" de circoncision• SALLEE,P. 1965 1965.2.08-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :82-03 BM.2007.001.001/97:82-03 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 QUESTIONNAIRE LINGUISTIQUE Sous-table non exportée Sous-table non exportée Questionnaire linguistique Velmer modifié. Informateurs: Pasteur de la Mission Protestante et les susnommés• SALLEE,P. 1965 1965.2.08-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-01 BM.2007.001.001/97:83-01 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 QUESTIONNAIRE LINGUISTIQUE Sous-table non exportée Sous-table non exportée Questionnaire linguistique Velmer modifié. Informateurs: Pasteur de la Mission Protestante et les susnommés• Suite de BM.2007.001.001/93:81-03• SALLEE,P. 1965 1965.2.09-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-02 BM.2007.001.001/97:83-02 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 ENQUETE SUR LE TAMBOUR NGOMO Sous-table non exportée Sous-table non exportée Enquête sur le grand tambour vertical (_ngomo_) genre Mbé. Tambour fabriqué par Jean-Marie Ngwate• SALLEE,P. 1965 1965.2.09-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-03 BM.2007.001.001/97:83-03 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA,BAKWELE,MAHONGWE GABON.P. SALLEE 1965 ENQUETE SUR LES DANSES ET LES INSTRUMENTS DE MUSIQUE Sous-table non exportée Sous-table non exportée Enquête sur les danses et les instruments de musique kota, bakwele et mahongwe• SALLEE,P. 1965 1965.2.09-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-04 BM.2007.001.001/97:83-04 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE BAKWELE GABON.P. SALLEE 1965 BERCEUSE : KE KE KE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.09-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-05 BM.2007.001.001/97:83-05 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE BAKWELE GABON.P. SALLEE 1965 CHANT DE DEBROUSSAGE Sous-table non exportée Sous-table non exportée On peut chanter ce que l'on veut pour débrousser• A la suite de "chant de débroussage", Pierre Sallée indique "chant de Ilahou" entre parenthèses• SALLEE,P. 1965 1965.2.09-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-06 BM.2007.001.001/97:83-06 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 CHANT DE LESIMBOU Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.09-06/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :83-07 BM.2007.001.001/97:83-07 00:00:00 07/09/65 GABON MEKAMBO,MISSION PROTESTANTE KOTA GABON.P. SALLEE 1965 CHANT DE LESIMBOU Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.09-07/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-01 BM.2007.001.001/97:84-01 00:00:00 07/09/65 GABON MEKAMBO,BAYA BAKWELE GABON.P. SALLEE 1965 CHANT DE LESIMBOU Sous-table non exportée Sous-table non exportée _lesimbou_ = association rituelle de femmes• SALLEE,P. 1965 1965.2.10-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-02 BM.2007.001.001/97:84-02 00:00:00 07/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ESIKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.10-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-03 BM.2007.001.001/97:84-03 00:00:00 07/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ESIKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.10-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-04 BM.2007.001.001/97:84-04 00:00:00 07/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ESIKA Sous-table non exportée Sous-table non exportée Deux versions du même chant• SALLEE,P. 1965 1965.2.10-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-05 BM.2007.001.001/97:84-05 00:00:00 07/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 MEWANWAN Sous-table non exportée Sous-table non exportée Ce chant a également été exécuté lors de la circoncision• SALLEE,P. 1965 1965.2.10-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :84-06 BM.2007.001.001/97:84-06 00:00:00 08/09/65 GABON MEKAMBO,BAYA BAKWELE GABON.P. SALLEE 1965 CONTE : ESIKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.10-06/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :85-01 BM.2007.001.001/97:85-01 00:00:00 08/09/65 GABON MEKAMBO,BAYA KOTA GABON.P. SALLEE 1965 ESIKA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.11-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :85-02 BM.2007.001.001/97:85-02 00:00:00 09/09/65 GABON MEKAMBO,IKEI KOTA GABON.P. SALLEE 1965 ESSANDJI. ENQUETE SUR LES SANZI Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.11-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :85-03 BM.2007.001.001/97:85-03 00:00:00 09/09/65 GABON MEKAMBO,IKEI KOTA GABON.P. SALLEE 1965 AIRS DE SANZA Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.11-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :86-01 BM.2007.001.001/97:86-01 00:00:00 09/09/65 GABON MEKAMBO,IKEI KOTA GABON.P. SALLEE 1965 AIRS DE SANZA Sous-table non exportée Sous-table non exportée Suite de BM.2007.001.001/93:84-03 SALLEE,P. 1965 1965.2.12-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :86-02 BM.2007.001.001/97:86-02 00:00:00 09/09/65 GABON MEKAMBO,MBELA KOTA GABON.P. SALLEE 1965 ENTRETIEN Sous-table non exportée Sous-table non exportée Informateur : Pascal Zoaka• (Pierre Sallée indique : Interview de ZOAKA Pascal, le fameux "Mademoiselle")• SALLEE,P. 1965 1965.2.12-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :87-01 BM.2007.001.001/97:87-01 00:00:00 09/09/65 GABON MEKAMBO,MISSION CATHOLIQUE KOTA GABON.P. SALLEE 1965 ENTRETIEN Sous-table non exportée Sous-table non exportée Entretien avec quatre vieux sur les _bokani_• SALLEE,P. 1965 1965.2.13-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :87-02 BM.2007.001.001/97:87-02 00:00:00 09/09/65 GABON MEKAMBO,MISSION CATHOLIQUE KOTA GABON.P. SALLEE 1965 CONTE : ELIMBAKO Sous-table non exportée Sous-table non exportée *Informateurs : quatre notables : Joseph Numa, Raphaël Mukamba, Jean-Baptiste Ndudavata et Ambroise Mbondo• SALLEE,P. 1965 1965.2.13-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :88-01 BM.2007.001.001/97:88-01 00:13:00 11/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. CHANTS D'ALLEES ET VENUES DU CANDIDAT Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Il est 23 h. 30. Chant d'allées et venues du candidat après avoir revêtu le pagne de circoncision• SALLEE,P. 1965 1965.2.14(1)-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :88-02 BM.2007.001.001/97:88-02 00:08:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. DANSE DU MUNGALA Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Il est 10 h. du matin• SALLEE,P. 1965 1965.2.14(1)-02/N AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :08-03 BM.1975.008.001/14:08-03 00:09:20 28/06/73 INDONESIE;CELEBES(SULAWESI) A'BANUANGE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 BATTERIE RITUELLE DES MORTIERS A RIZ Sous-table non exportée Sous-table non exportée Mappadéndang: batterie rituelle des mortiers à riz à la fête de la moisson. Quatre filles au centre jouent un rythme régulier, trois jeunes hommes à chq côté jouent un rythme syncopé (6 garçons et 4 filles). Manifestation des spectateurs à l'occasion des prestations de silat, danse de combat. Iles Célèbes-Sud, A'banuangé près de Paré Paré• Vitesse 19 Piste 1 qualité médiocre dans l'ensemble Rien sur la piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-01 BM.1975.008.001/14:09-01 00:04:40 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 RARE DANSE TRADITIONNELLE Sous-table non exportée Sous-table non exportée Les idiophones sont des percussions en fer appelées tetti-lagoni. Séré lolosu: rare danse traditionnelle pratiquée par les travestis et destinée à chasser les mauvais esprits. Iles Célèbes Sud• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-02 BM.1975.008.001/14:09-02 00:04:15 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE D'ACCUEIL Sous-table non exportée Sous-table non exportée Tari pa'duppa: danse de l'accueil en l'honneur des invités de marque. Le luth kécapi a 2 cordes. Iles Célèbes Sud• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-03 BM.1975.008.001/14:09-03 00:07:15 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE DE GRANDE OCCASION Sous-table non exportée Sous-table non exportée Musique jouée à l'occasion des fêtes de mariage, de naissances ou d'érection de nouvelles maisons. Le luth kécapi a 2 cordes. Iles Célèbes Sud• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-04 BM.1975.008.001/14:09-04 00:03:50 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES PORTEUSES DE TORCHES Sous-table non exportée Sous-table non exportée Tari pasuloi: danse des porteuses de torches (création récente). Le luth kécapi a 2 cordes. Iles Célèbes Sud• Vitesse 19 Piste 1 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-05 BM.1975.008.001/14:09-05 00:06:45 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE DE DIVERTISSEMENT Sous-table non exportée Sous-table non exportée Iles Célèbes Sud• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-06 BM.1975.008.001/14:09-06 00:07:05 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES TISSERANDES Sous-table non exportée Sous-table non exportée Tari pattennung: danse des tisserandes (création récente mais la plus populaire actuellement). Iles Célèbes Sud• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :09-07 BM.1975.008.001/14:09-07 00:08:40 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE DE DIVERTISSEMENT Sous-table non exportée Sous-table non exportée Iles Célèbes Sud• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-01 BM.1975.008.001/14:10-01 00:07:40 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT ACCOMPAGNE DE 2 KECAPI Sous-table non exportée Sous-table non exportée Deux kécapi (luth à 2 cordes) par Palaloi et la Panoë. Iles Célèbes Sud• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-02 BM.1975.008.001/14:10-02 00:06:30 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DANSE DES COUPES Sous-table non exportée Sous-table non exportée Tari bosara: danse des coupes, populaire et récente. Iles Célèbes Sud• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-03 BM.1975.008.001/14:10-03 00:06:50 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT Sous-table non exportée Sous-table non exportée Chant par Kadir, accompagné par Palaloi, La Pancé (kécapi), La Mami (violon), La Nuke (flûte). Iles Célèbes Sud• Vitesse 19 Piste 1 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-04 BM.1975.008.001/14:10-04 00:03:30 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT (SUITE DU PRECEDENT) Sous-table non exportée Sous-table non exportée Chant par Kadir, accompagné par Palaloi, La Pancé (kécapi), La Mami (violon), La Nuke (flûte). Iles Célèbes Sud• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-05 BM.1975.008.001/14:10-05 00:16:40 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 LECTURE PSALMODIEE Sous-table non exportée Sous-table non exportée Massure: lecture psalmodiée de littérature épico-mythique par Hamid, tirée du cycle de La Gabigo, au cours de la veillée de mariage et d'érection de maison. Iles Célèbes Sud• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :10-06 BM.1975.008.001/14:10-06 00:02:55 20/08/73 INDONESIE;CELEBES(SULAWESI) SINGKANG BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 LECTURE PSALMODIEE Sous-table non exportée Sous-table non exportée Massuré: lecture psalmodiée selon le style archaïque. Iles Célèbes Sud• Vitesse 19 Piste 2 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :11-01 BM.1975.008.001/14:11-01 00:02:00 24/06/73 INDONESIE;CELEBES(SULAWESI) MAKASSA MAKASSAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN MAKASSAR Sous-table non exportée Sous-table non exportée Les idiophones sont des cuillers en métal tenues par paire dans chaque main• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :11-02 BM.1975.008.001/14:11-02 00:05:45 24/06/73 INDONESIE;CELEBES(SULAWESI) MAKASSA MAKASSAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN MAKASSAR Sous-table non exportée Sous-table non exportée Les idiophones sont des cuillers en métal tenues par paire dans chaque main• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :11-03 BM.1975.008.001/14:11-03 00:02:40 24/06/73 INDONESIE;CELEBES(SULAWESI) MAKASSA MAKASSAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 AIR CONNU AU PAYS BUGIS Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :11-04 BM.1975.008.001/14:11-04 00:08:00 24/06/73 INDONESIE;CELEBES(SULAWESI) MAKASSA MAKASSAR PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT ACCOMPAGNE Sous-table non exportée Sous-table non exportée Faux• Vitesse 19 Piste 1 Bande vierge pour la piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-01 BM.1975.008.001/14:12-01 00:04:55 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-02 BM.1975.008.001/14:12-02 00:04:20 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Iaharim en arabe• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-03 BM.1975.008.001/14:12-03 00:06:55 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Allaomma en arabe• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-04 BM.1975.008.001/14:12-04 00:05:25 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Yawar en arabe• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-05 BM.1975.008.001/14:12-05 00:09:35 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Fi mak sémen en arabe• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-06 BM.1975.008.001/14:12-06 00:05:35 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN INDONESIEN Sous-table non exportée Sous-table non exportée Dari kémah Ke Tanah wangko en indonésien: de la tente au pays des Wangko• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-07 BM.1975.008.001/14:12-07 00:04:50 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Karibullah en arabe. Parmi les 2 tambours, l'un est à cymbalettes et l'autre est un petit tambour• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :12-08 BM.1975.008.001/14:12-08 00:03:15 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN INDONESIEN Sous-table non exportée Sous-table non exportée Malam Gembira en indonésien. Soirée joyeuse. Parmi les 2 tambours, l'un est à cymbalettes et l'autre est un petit tambour• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-01 BM.1975.008.001/14:13-01 00:08:30 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN INDONESIEN Sous-table non exportée Sous-table non exportée Kapal putih en indonésien: le bateau du blanc• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-02 BM.1975.008.001/14:13-02 00:03:50 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN BUGIS Sous-table non exportée Sous-table non exportée Laju laju en bugis• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-03 BM.1975.008.001/14:13-03 00:04:00 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN BUGIS Sous-table non exportée Sous-table non exportée Adé pangampé en bugis• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-04 BM.1975.008.001/14:13-04 00:06:10 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN BUGIS Sous-table non exportée Sous-table non exportée Wélang-pélang en bugis. Parmi les 2 tambours, l'un est à cymbalettes et l'autre est un petit tambour• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-05 BM.1975.008.001/14:13-05 00:05:25 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Ibrah ia albi en arabe• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-06 BM.1975.008.001/14:13-06 00:11:00 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Ia ra'bana en arabe• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-07 BM.1975.008.001/14:13-07 00:02:40 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN INDONESIEN Sous-table non exportée Sous-table non exportée Baju putih en indonésien: la blouse blanche• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :13-08 BM.1975.008.001/14:13-08 00:04:35 21/09/73 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT EN ARABE Sous-table non exportée Sous-table non exportée Ulluli en arabe. Musique qui se joue au cours du mariage, ou dans des familles très islamisées comme musique de divertissement• Vitesse 19 Piste 2 Interrompu, fin de bobine• PELRAS,CHRISTIAN 1973 ASIE +BM.2007.001 Divers* BM.2007.001.001/97 :88-03 BM.2007.001.001/97:88-03 00:10:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. CONJURATION DE LA PLUIE Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Il est 11 h. 45 du matin. Conjuration de la pluie par les hommes du _mungala_• SALLEE,P. 1965 1965.2.14(1)-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :88-04 BM.2007.001.001/97:88-04 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. PRESENTATION DU CANDIDAT A MUNGALA Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Avec commentaire• SALLEE,P. 1965 1965.2.14(1)-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :88-05 BM.2007.001.001/97:88-05 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. DEFILE JUSQU'AU LIEU DE LA CIRCONCISION Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.14(1)-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :89-01 BM.2007.001.001/97:89-01 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. RITUEL AVANT L'OPERATION Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Rituel juste avant l'opération avec les anciens circoncis (de la même année)• Suite de BM.2007.001.001/93:87. Sur l'enregistrement, la bande 14(2) est annoncée 15 par erreur• SALLEE,P. 1965 1965.2.14(2)-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :89-02 BM.2007.001.001/97:89-02 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. OPERATION PUIS ARRANGEMENT Sous-table non exportée Sous-table non exportée _shaka_ = circoncision• SALLEE,P. 1965 1965.2.14(2)-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :89-03 BM.2007.001.001/97:89-03 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. CIRCONCISION DU DEUXIEME CANDIDAT ET DEFILE Sous-table non exportée Sous-table non exportée _shaka_ = circoncision. Il est 13 h. 30• SALLEE,P. 1965 1965.2.14(2)-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :89-04 BM.2007.001.001/97:89-04 00:00:00 12/09/65 GABON MEKAMBO,MBELA KOTA KOTA GABON.P. SALLEE 1965 SHAKA. SOINS APRES L'OPERATION Sous-table non exportée Sous-table non exportée _shaka_ = circoncision• SALLEE,P. 1965 1965.2.14(2)-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :90-01 BM.2007.001.001/97:90-01 00:00:00 12/09/65 GABON MEKAMBO,NGWALA-OJONDJODE MAHONGWE GABON.P. SALLEE 1965 NGADI. CONTE CHANTE Sous-table non exportée Sous-table non exportée Conte chanté sur la musique de l'arc musical. Petit _ebele_ pour le choeur final• Village Ngwala-Ojondjode : km 41, sur la route de Mekambo à Makokou. IL = pilon à manioc. IFC = bouteilles frappées• SALLEE,P. 1965 1965.2.15-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :90-02 BM.2007.001.001/97:90-02 00:00:00 12/09/65 GABON MEKAMBO,NGWALA-OJONDJODE MAHONGWE GABON.P. SALLEE 1965 NGADI Sous-table non exportée Sous-table non exportée Interprète : Bolopo (chant, arc musical?)• Village Ngwala-Ojondjode : km 41, sur la route de Mekambo à Makokou. (même formation musicale que la plage précédente?)• SALLEE,P. 1965 1965.2.15-02/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :90-03 BM.2007.001.001/97:90-03 00:00:00 12/09/65 GABON MEKAMBO,NGWALA-OJONDJODE MAHONGWE GABON.P. SALLEE 1965 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Chant mixte faisant suite au _ngadi_• Village Ngwala-Ojondjode : km 41, sur la route de Mekambo à Makokou• SALLEE,P. 1965 1965.2.15-03/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :90-04 BM.2007.001.001/97:90-04 00:00:00 12/09/65 GABON MEKAMBO,NGWALA-OJONDJODE MAHONGWE GABON.P. SALLEE 1965 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Chant mixte faisant suite au _ngadi_• Village Ngwala-Ojondjode : km 41, sur la route de Mekambo à Makokou• SALLEE,P. 1965 1965.2.15-04/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :90-05 BM.2007.001.001/97:90-05 00:00:00 12/09/65 GABON MEKAMBO,NGWALA-OJONDJODE MAHONGWE GABON.P. SALLEE 1965 NGADI Sous-table non exportée Sous-table non exportée Interprète : Etetakut, chef du village (chant, arc musical?)• Village Ngwala-Ojondjode : km 41, sur la route de Mekambo à Makokou. _masoku_ est orthographié _massoku_ par Pierre Sallée• SALLEE,P. 1965 1965.2.15-05/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :91-01 BM.2007.001.001/97:91-01 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 ASAKA Sous-table non exportée Sous-table non exportée Chant de divertissement en brousse• _asaka_ est orthographié _assaka_ par Pierre Sallée• SALLEE,P. 1965 1965.2.16-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :91-02 BM.2007.001.001/97:91-02 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 CRIS D'APPEL EN BROUSSE Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.2.16-02/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :91-03 BM.2007.001.001/97:91-03 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 DANSE NGUYA Sous-table non exportée Sous-table non exportée Cette danse serait propre aux Kola• SALLEE,P. 1965 1965.2.16-03/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :91-04 BM.2007.001.001/97:91-04 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 DANSE ELAHONG Sous-table non exportée Sous-table non exportée _ebela_ = petit tambour d'aisselle. _ngomo_ = tambour vertical• SALLEE,P. 1965 1965.2.16-04/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :91-05 BM.2007.001.001/97:91-05 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 ETUDE DE TROIS TAMBOURS Sous-table non exportée Sous-table non exportée Etude de trois tambours : _ngomo_ (frappé avec les deux mains nues) ; _ebela_ (frappé avec une baguette) et _ndumu_ (frappé avec deux baguettes)• _asaka_ est orthographié _assaka_ par Pierre Sallée• SALLEE,P. 1965 1965.2.16-05/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :92-01 BM.2007.001.001/97:92-01 00:00:00 13/09/65 GABON MEKAMBO,CHICAGO-MALONGO PYGMEE KOLA GABON.P. SALLEE 1965 DANSE ELAHONG Sous-table non exportée Sous-table non exportée Danseurs avec sonnailles et jupes de fibres• _ebela_ = petit tambour d'aisselle. _ngomo_ = tambour vertical. IS = sonnailles de chevilles. _masokou_ est orthographié _massokou_ par Pierre Sallée• SALLEE,P. 1965 1965.2.17-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :93-01 BM.2007.001.001/97:93-01 00:00:00 11/65 GABON PORT-GENTIL MYENE NKOMI GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DE LA HARPE Sous-table non exportée Sous-table non exportée Notions théoriques vernaculaires. Exemples musicaux : consonance, cadences, etc.• SALLEE,P. 1965 1965.3.01-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :94-01 BM.2007.001.001/97:94-01 00:00:00 11/65 GABON PORT-GENTIL MYENE NKOMI GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DE LA HARPE Sous-table non exportée Sous-table non exportée Notions théoriques vernaculaires. Exemples musicaux : consonance, cadences, etc.• SALLEE,P. 1965 1965.3.02-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :95-01 BM.2007.001.001/97:95-01 00:00:00 11/65 GABON PORT-GENTIL MYENE NKOMI GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DE LA HARPE Sous-table non exportée Sous-table non exportée Notions théoriques vernaculaires. Exemples musicaux : consonance, cadences, etc.• SALLEE,P. 1965 1965.3.03-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :96-01 BM.2007.001.001/97:96-01 00:00:00 11/65 GABON PORT-GENTIL MYENE NKOMI GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DE LA HARPE Sous-table non exportée Sous-table non exportée Notions théoriques vernaculaires. Exemples musicaux : consonance, cadences, etc.• SALLEE,P. 1965 1965.3.04-01/Original AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :97-01 BM.2007.001.001/97:97-01 00:00:00 11/65 GABON PORT-GENTIL MYENE NKOMI GABON.P. SALLEE 1965 ENQUETE SUR LA TECHNIQUE DE LA HARPE Sous-table non exportée Sous-table non exportée Notions théoriques vernaculaires. Exemples musicaux : consonance, cadences, etc.• SALLEE,P. 1965 1965.3.05-01/Original AFRIQUE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-01 BM.1975.008.001/14:14-01 00:02:03 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE D'INSPIRATION OCCIDENTALE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-02 BM.1975.008.001/14:14-02 00:01:53 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE D'INSPIRATION OCCIDENTALE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-03 BM.1975.008.001/14:14-03 00:01:48 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE D'INSPIRATION OCCIDENTALE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-04 BM.1975.008.001/14:14-04 00:02:16 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE D'INSPIRATION OCCIDENTALE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-05 BM.1975.008.001/14:14-05 00:02:02 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE D'INSPIRATION OCCIDENTALE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-06 BM.1975.008.001/14:14-06 00:02:04 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-07 BM.1975.008.001/14:14-07 00:02:17 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-08 BM.1975.008.001/14:14-08 00:03:33 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-09 BM.1975.008.001/14:14-09 00:01:05 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-10 BM.1975.008.001/14:14-10 00:01:32 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-11 BM.1975.008.001/14:14-11 00:02:03 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 1• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-12 BM.1975.008.001/14:14-12 00:04:45 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-13 BM.1975.008.001/14:14-13 00:02:49 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 2• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-14 BM.1975.008.001/14:14-14 00:02:22 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 MUSIQUE D'ORGUE Sous-table non exportée Sous-table non exportée Orgue indigène• Vitesse 19 Piste 2 Entre la pièce 14 et la pièce 15: 53'' de silence et 1 ' de bruit de micro et de silence• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-15 BM.1975.008.001/14:14-15 00:03:34 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT ET DISCUSSION Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 2 Entre la pièce 14 et la pièce 15: 53'' de silence et 1 ' de bruit de micro et de silence• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-16 BM.1975.008.001/14:14-16 00:01:25 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 2 En début de pièce: 1'10'' de bruit de micro• PELRAS,CHRISTIAN 1973 ASIE +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 :14-17 BM.1975.008.001/14:14-17 00:05:25 INDONESIE;CELEBES(SULAWESI) PARE-PARE BUGIS PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 DECLAMATION POETIQUE ET CHANT Sous-table non exportée Sous-table non exportée Voix d'homme, parlé puis récité. Vers 1'15'' chanté puis vers 2'47'' récité. Vers 3'15" chanté puis vers 4'33" récité• Vitesse 19. Piste 2. INCOMPLET, fin de bobine• PELRAS,CHRISTIAN 1973 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-02 BM.1958.005.001/04:01-02 00:00:59 10/55 PHILIPPINES KALINGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE CITHARE TUBULAIRE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-01 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-03 BM.1958.005.001/04:01-03 00:01:05 10/55 PHILIPPINES BONTOC PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-02 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-04 BM.1958.005.001/04:01-04 00:00:27 10/55 PHILIPPINES KALINGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO D'IDIOCORDE EN BAMBOU Sous-table non exportée Sous-table non exportée Production harmonique• Vitesse 19 Piste 1• BM.1958.005.001/04:01-03 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-05 BM.1958.005.001/04:01-05 00:00:55 10/55 PHILIPPINES KALINGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-04 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-06 BM.1958.005.001/04:01-06 00:00:42 10/55 PHILIPPINES BONTOC PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-05 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-07 BM.1958.005.001/04:01-07 00:00:35 10/55 PHILIPPINES BONTOC PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 GONGS Sous-table non exportée Sous-table non exportée Ensemble de gongs• Vitesse 19 Piste 1• BM.1958.005.001/04:01-06 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-08 BM.1958.005.001/04:01-08 00:01:13 10/55 PHILIPPINES KALINGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-07 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-09 BM.1958.005.001/04:01-09 00:01:15 10/55 PHILIPPINES TURURAI PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT ALTERNE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-08 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-10 BM.1958.005.001/04:01-10 00:01:05 10/55 PHILIPPINES BONTOC PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-09 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-11 BM.1958.005.001/04:01-11 00:00:55 10/55 PHILIPPINES MANSAKA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-10 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-12 BM.1958.005.001/04:01-12 00:01:10 10/55 PHILIPPINES MANSAKA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Bruit de fond fort• Vitesse 19 Piste 1• BM.1958.005.001/04:01-11 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-13 BM.1958.005.001/04:01-13 00:00:46 10/55 PHILIPPINES HANUNOO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 KALUTANG Sous-table non exportée Sous-table non exportée Jeu de pierres sonores• Vitesse 19 Piste 1• BM.1958.005.001/04:01-12 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-14 BM.1958.005.001/04:01-14 00:00:30 10/55 PHILIPPINES HANUNOO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 KINABAU Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-13 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-15 BM.1958.005.001/04:01-15 00:00:48 10/55 PHILIPPINES HANUNOO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 DUO DE FLUTES Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-14 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-16 BM.1958.005.001/04:01-16 00:00:41 10/55 PHILIPPINES HANUNOO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE VIELE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-15 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-17 BM.1958.005.001/04:01-17 00:02:05 10/55 PHILIPPINES ZAMBOANGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 XYLOPHONE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-16 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-18 BM.1958.005.001/04:01-18 00:01:22 10/55 PHILIPPINES ZAMBOANGA PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT ACCOMPAGNE AU XYLOPHONE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-17 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-19 BM.1958.005.001/04:01-19 00:00:38 10/55 PHILIPPINES BILAAN PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE GUIMBARDE Sous-table non exportée Sous-table non exportée Bruit de fond• Vitesse 19 Piste 1• BM.1958.005.001/04:01-18 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-20 BM.1958.005.001/04:01-20 00:00:45 10/55 PHILIPPINES BUHID PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SOLO DE FLUTE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-19 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-21 BM.1958.005.001/04:01-21 00:00:42 10/55 PHILIPPINES BUHID PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT D'HOMME ANIBAHAN Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1• BM.1958.005.001/04:01-20 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-22 BM.1958.005.001/04:01-22 00:00:42 10/55 PHILIPPINES NEGRITO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 JEU DE LUTHS Sous-table non exportée Sous-table non exportée Ensemble de luths• Vitesse 19 Piste 1• BM.1958.005.001/04:01-21 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-23 BM.1958.005.001/04:01-23 00:00:21 10/55 PHILIPPINES NEGRITO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 JEU DE LUTHS Sous-table non exportée Sous-table non exportée Ensemble de luths• Vitesse 19 Piste 1• BM.1958.005.001/04:01-22 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :01-24 BM.1958.005.001/04:01-24 00:01:30 10/55 PHILIPPINES NEGRITO PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT D'HOMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste 1 Une bande d'amorce blanche• BM.1958.005.001/04:01-23 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :02-02 BM.1958.005.001/04:02-02 00:03:15 MALAYSIA MALAISIE PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT ACCOMPAGNE PAR UN ENSEMBLE INSTRUMENTAL Sous-table non exportée Sous-table non exportée Enreg. Radio Malaya Vitesse 19 Piste 1• BM.1958.005.001/04:02-01 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :02-03 BM.1958.005.001/04:02-03 00:01:57 MALAYSIA MALAISIE PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 MAI MALAY Sous-table non exportée Sous-table non exportée Enreg. Radio Malaya Vitesse 19 Piste 1• BM.1958.005.001/04:02-02 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :02-04 BM.1958.005.001/04:02-04 00:01:34 MALAYSIA MALAISIE PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 CHANT DE PROCESSION Sous-table non exportée Sous-table non exportée Enreg. Radio Malaya Vitesse 19 Piste 1• BM.1958.005.001/04:02-03 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :02-05 BM.1958.005.001/04:02-05 00:03:40 MALAYSIA MALAISIE PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 EXPLICATION SUR LE TAMBOUR A FENTE Sous-table non exportée Sous-table non exportée Enreg. Radio Malaya Vitesse 19 Piste 1• BM.1958.005.001/04:02-04 1955 ASIE +BM.1958.005 Divers* BM.1958.005.001/04 :03-02 BM.1958.005.001/04:03-02 00:04:35 N INDONESIE;BALI DEN PASAR BALINAIS PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 SENGUIDI Sous-table non exportée Sous-table non exportée Gamelan balinais• Vitesse 19 Piste 1• BM.1958.005.001/04:03-01 1955 ASIE +BM.2007.002 CDR BM.2007.002 :01-01 BM.2007.002:01-01 00:00:00 VIETNAM VIETNAM, REPERTOIRE DU _CA TRU_;ANISENSEL,A.;200? Sous-table non exportée Sous-table non exportée 0 ASIE +BM.2007.005 Divers* BM.2007.005.001/77 :01-01 BM.2007.005.001/77:01-01 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. ANNONCE Sous-table non exportée Sous-table non exportée Directeur : Joseph Mbot• BM.2007.001.001/93:96-01 SALLEE,P. 1966 1966.4.01-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-02 BM.2007.005.001/77:01-02 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. ENQUETE Sous-table non exportée Sous-table non exportée Directeur : Joseph Mbot. Enquête sur le nom des instruments. Nom des xylophones : 1er : _omvek_ ; 2e : _ololong_ ; 3e : _akuru_ ; 4e : _ebulu_ ; 5e : _endum_ ; 6e : _akuru_. Les autres instruments sont les _nyas_ et les sifflets• BM.2007.005:01-01 SALLEE,P. 1966 1966.4.01-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-03 BM.2007.005.001/77:01-03 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:01-02 SALLEE,P. 1966 1966.4.01-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-04 BM.2007.005.001/77:01-04 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. MEYE MA NGINE Sous-table non exportée Sous-table non exportée BM.2007.005:01-03 SALLEE,P. 1966 1966.4.01-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-05 BM.2007.005.001/77:01-05 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. BOBENGO BEAYONG Sous-table non exportée Sous-table non exportée BM.2007.005:01-04 SALLEE,P. 1966 1966.4.01-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-06 BM.2007.005.001/77:01-06 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. CHANT LEON MBA Sous-table non exportée Sous-table non exportée BM.2007.005:01-03 SALLEE,P. 1966 1966.4.01-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-07 BM.2007.005.001/77:01-07 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. ENQUETE SUR LA TECHNIQUE DES XYLOPHONES Sous-table non exportée Sous-table non exportée BM.2007.005:01-06 SALLEE,P. 1966 1966.4.01-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-08 BM.2007.005.001/77:01-08 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. OLOLONG Sous-table non exportée Sous-table non exportée BM.2007.005:01-04 SALLEE,P. 1966 1966.4.01-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-09 BM.2007.005.001/77:01-09 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. AKURU Sous-table non exportée Sous-table non exportée BM.2007.005:01-08 SALLEE,P. 1966 1966.4.01-09/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-10 BM.2007.005.001/77:01-10 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. OMVEK Sous-table non exportée Sous-table non exportée BM.2007.005:01-09 SALLEE,P. 1966 1966.4.01-10/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-11 BM.2007.005.001/77:01-11 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. ENSEMBLE DE TROIS XYLOPHONES Sous-table non exportée Sous-table non exportée BM.2007.005:01-10 SALLEE,P. 1966 1966.4.01-11/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :01-12 BM.2007.005.001/77:01-12 00:00:00 13/02/66 GABON MINVOUL,MEDZONG IV FANG MVE GABON; SALLEE,P. 1966 MEDZANG ME YEKABA. ENSEMBLE DE SIX XYLOPHONES Sous-table non exportée Sous-table non exportée BM.2007.005:01-11 SALLEE,P. 1966 1966.4.01-12/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :02-01 BM.2007.005.001/77:02-01 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:01-11 SALLEE,P. 1966 1966.4.02-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :02-02 BM.2007.005.001/77:02-02 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:02-01 SALLEE,P. 1966 1966.4.02-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :02-03 BM.2007.005.001/77:02-03 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ACCORD DE L'INSTRUMENT Sous-table non exportée Sous-table non exportée (Pierre Sallée indique comme titre : "_sanza_ ou_ngombi_". Voir à l'acoute de quel instrument il s'agit)• BM.2007.005:02-02 SALLEE,P. 1966 1966.4.02-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :02-04 BM.2007.005.001/77:02-04 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 DEUXIEME CHANT Sous-table non exportée Sous-table non exportée (Pierre Sallée indique comme titre : "_sanza_ ou_ngombi_". Voir à l'acoute de quel instrument il s'agit)• BM.2007.005:02-03 SALLEE,P. 1966 1966.4.02-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :03-01 BM.2007.005.001/77:03-01 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 TSINGHI. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:02-01 SALLEE,P. 1966 1966.4.03-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :03-02 BM.2007.005.001/77:03-02 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 TSINGHI. PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:02-02 SALLEE,P. 1966 1966.4.03-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :03-03 BM.2007.005.001/77:03-03 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 TSINGHI. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:03-02 SALLEE,P. 1966 1966.4.03-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :03-04 BM.2007.005.001/77:03-04 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 TSINGHI. TROISIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:03-03 SALLEE,P. 1966 1966.4.03-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :03-05 BM.2007.005.001/77:03-05 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 TSINGHI. QUATRIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:03-04 SALLEE,P. 1966 1966.4.03-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-01 BM.2007.005.001/77:04-01 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:02-02 SALLEE,P. 0 1966.4.04-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-02 BM.2007.005.001/77:04-02 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ESSAI DE YODELS. PREMIER CHANT Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:02-02 SALLEE,P. 1966 1966.4.04-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-03 BM.2007.005.001/77:04-03 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ESSAI DE YODELS. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:02-04 SALLEE,P. 1966 1966.4.04-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-04 BM.2007.005.001/77:04-04 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 ESSAI DE YODELS. TROISIEME CHANT Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:04-03 SALLEE,P. 1966 1966.4.04-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-05 BM.2007.005.001/77:04-05 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 JEU MEBASI. PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:04-04 SALLEE,P. 1966 1966.4.04-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-06 BM.2007.005.001/77:04-06 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 JEU MEBASI. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:04-05 SALLEE,P. 1966 1966.4.04-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-07 BM.2007.005.001/77:04-07 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 JEU MEBASI. TROISIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:04-06 SALLEE,P. 1966 1966.4.04-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-08 BM.2007.005.001/77:04-08 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 JEU MEBASI. QUATRIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:04-07 SALLEE,P. 1966 1966.4.04-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :04-09 BM.2007.005.001/77:04-09 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 JEU MEBASI. CINQUIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:04-08 SALLEE,P. 1966 1966.4.04-09/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-01 BM.2007.005.001/77:05-01 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MEBASI. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:04-09 SALLEE,P. 1966 1966.4.05-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-02 BM.2007.005.001/77:05-02 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MEBASI. PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:05-01 SALLEE,P. 1966 1966.4.05-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-03 BM.2007.005.001/77:05-03 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MEBASI. ETUDE DE YODELS Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:05-02 SALLEE,P. 1966 1966.4.05-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-04 BM.2007.005.001/77:05-04 00:00:00 16/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MEBASI. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:05-03 SALLEE,P. 1966 1966.4.05-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-05 BM.2007.005.001/77:05-05 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MASQUE MBGWA. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:05-03 SALLEE,P. 1966 1966.4.05-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-06 BM.2007.005.001/77:05-06 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 MASQUE MBGWA. ETUDE Sous-table non exportée Sous-table non exportée BM.2007.005:05-05 SALLEE,P. 1966 1966.4.05-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-07 BM.2007.005.001/77:05-07 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 SANZA. PREMIER CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:05-03 SALLEE,P. 1966 1966.4.05-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :05-08 BM.2007.005.001/77:05-08 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 SANZA. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:05-07 SALLEE,P. 1966 1966.4.05-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-01 BM.2007.005.001/77:06-01 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 SANZA. CHANTS Sous-table non exportée Sous-table non exportée BM.2007.005:05-08 SALLEE,P. 1966 1966.4.06-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-02 BM.2007.005.001/77:06-02 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 BERCEUSE Sous-table non exportée Sous-table non exportée BM.2007.005:06-01 SALLEE,P. 1966 1966.4.06-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-03 BM.2007.005.001/77:06-03 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 YODEL Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:06-02 SALLEE,P. 1966 1966.4.06-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-04 BM.2007.005.001/77:06-04 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 DEUXIEME YODEL Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:06-03 SALLEE,P. 1966 1966.4.06-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-05 BM.2007.005.001/77:06-05 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 YODEL A TROIS VOIX Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:06-04 SALLEE,P. 1966 1966.4.06-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-06 BM.2007.005.001/77:06-06 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 YODEL A QUATRE VOIX Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:06-05 SALLEE,P. 1966 1966.4.06-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-07 BM.2007.005.001/77:06-07 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 YODEL A CINQ VOIX Sous-table non exportée Sous-table non exportée VC = voix jodlée• BM.2007.005:06-06 SALLEE,P. 1966 1966.4.06-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-08 BM.2007.005.001/77:06-08 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:06-06 SALLEE,P. 1966 1966.4.06-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :06-09 BM.2007.005.001/77:06-09 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT. DIALOGUE ENTRE LA TROMPE ET LES FEMMES Sous-table non exportée Sous-table non exportée AT = trompe en calebasse• BM.2007.005:06-06 SALLEE,P. 1966 1966.4.06-09/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-01 BM.2007.005.001/77:07-01 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:06-09 SALLEE,P. 1966 1966.4.07-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-02 BM.2007.005.001/77:07-02 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. PETITE ENQUETE Sous-table non exportée Sous-table non exportée BM.2007.005:07-01 SALLEE,P. 1966 1966.4.07-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-03 BM.2007.005.001/77:07-03 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. DIALOGUE ENTRE LA TROMPE ET LES FEMMES Sous-table non exportée Sous-table non exportée BM.2007.005:07-01 SALLEE,P. 1966 1966.4.07-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-04 BM.2007.005.001/77:07-04 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. SON DE LA TROMPE Sous-table non exportée Sous-table non exportée BM.2007.005:07-01 SALLEE,P. 1966 1966.4.07-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-05 BM.2007.005.001/77:07-05 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 DANSE TSINGHI Sous-table non exportée Sous-table non exportée AT = trompe en bois creux• BM.2007.005:07-01 SALLEE,P. 1966 1966.4.07-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-06 BM.2007.005.001/77:07-06 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT Sous-table non exportée Sous-table non exportée AT = trompe en bois creux• BM.2007.005:07-05 SALLEE,P. 1966 1966.4.07-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :07-07 BM.2007.005.001/77:07-07 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT Sous-table non exportée Sous-table non exportée AT = trompe en bois creux. Notes de Pierre Sallée : "trop loin du micro"• BM.2007.005:07-06 SALLEE,P. 1966 1966.4.07-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :08-01 BM.2007.005.001/77:08-01 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée BM.2007.005:07-01 SALLEE,P. 1966 1966.4.08-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :08-02 BM.2007.005.001/77:08-02 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. PREPARATION EN BROUSSE Sous-table non exportée Sous-table non exportée BM.2007.005:08-01 SALLEE,P. 1966 1966.4.08-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :08-03 BM.2007.005.001/77:08-03 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:08-02 SALLEE,P. 1966 1966.4.08-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :08-04 BM.2007.005.001/77:08-04 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:08-02 SALLEE,P. 1966 1966.4.08-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :08-05 BM.2007.005.001/77:08-05 00:00:00 17/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. DIALOGUE ENTRE ESPRIT ET ASSISTANTS Sous-table non exportée Sous-table non exportée AT = trompe en bois creux• BM.2007.005:08-04 SALLEE,P. 1966 1966.4.08-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-01 BM.2007.005.001/77:09-01 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 BADZAWA. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:08-02 SALLEE,P. 1966 1966.4.09-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-02 BM.2007.005.001/77:09-02 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 PAROLES DE BADZAWA Sous-table non exportée Sous-table non exportée BM.2007.005:09-01 SALLEE,P. 1966 1966.4.09-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-03 BM.2007.005.001/77:09-03 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 CHANT DE BADZAWA Sous-table non exportée Sous-table non exportée BM.2007.005:09-02 SALLEE,P. 1966 1966.4.09-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-04 BM.2007.005.001/77:09-04 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:09-02 SALLEE,P. 1966 1966.4.09-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-05 BM.2007.005.001/77:09-05 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:09-04 SALLEE,P. 1966 1966.4.09-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-06 BM.2007.005.001/77:09-06 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:09-05 SALLEE,P. 1966 1966.4.09-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-07 BM.2007.005.001/77:09-07 00:00:00 18/02/66 GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON; SALLEE,P. 1966 KOSE. PETITES INDICATIONS Sous-table non exportée Sous-table non exportée BM.2007.005:09-02 SALLEE,P. 1966 1966.4.09-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :09-08 BM.2007.005.001/77:09-08 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE Sous-table non exportée Sous-table non exportée BM.2007.005:09-07 SALLEE,P. 1966 1966.4.09-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-01 BM.2007.005.001/77:10-01 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE. ANNONCE Sous-table non exportée Sous-table non exportée Chez Nnang Biteghe• BM.2007.005:09-02 SALLEE,P. 1966 1966.4.10-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-02 BM.2007.005.001/77:10-02 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE. CHANT D'APPEL Sous-table non exportée Sous-table non exportée Chez Nnang Biteghe• BM.2007.005:10-01 SALLEE,P. 1966 1966.4.10-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-03 BM.2007.005.001/77:10-03 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE. CHANT Sous-table non exportée Sous-table non exportée *Interprété par le danseur lui-même• BM.2007.005:10-02 SALLEE,P. 1966 1966.4.10-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-04 BM.2007.005.001/77:10-04 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE. CHANT Sous-table non exportée Sous-table non exportée *Interprété par le danseur lui-même• BM.2007.005:10-03 SALLEE,P. 1966 1966.4.10-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-05 BM.2007.005.001/77:10-05 00:00:00 19/02/66 GABON MINVOUL,ELARMITANG FANG MVE GABON; SALLEE,P. 1966 EKOZOGHE. CHANT Sous-table non exportée Sous-table non exportée *Interprété par le danseur lui-même• BM.2007.005:10-04 SALLEE,P. 1966 1966.4.10-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-06 BM.2007.005.001/77:10-06 00:00:00 20/02/66 GABON MINVOUL,MVOLO FANG MVE GABON; SALLEE,P. 1966 ENQUETE SUR LA VOIX DU NGIL Sous-table non exportée Sous-table non exportée Chez Marcel Ekpwaghe• BM.2007.005:10-01 SALLEE,P. 1966 1966.4.10-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :10-07 BM.2007.005.001/77:10-07 00:00:00 20/02/66 GABON MINVOUL,MVOLO FANG MVE GABON; SALLEE,P. 1966 VOIX DU NGIL Sous-table non exportée Sous-table non exportée Chez Marcel Ekpwaghe• BM.2007.005:10-06 SALLEE,P. 1966 1966.4.10-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :11-01 BM.2007.005.001/77:11-01 00:00:00 20/02/66 GABON MINVOUL,MVOLO FANG MVE GABON; SALLEE,P. 1966 VOIX DU NGIL Sous-table non exportée Sous-table non exportée Chez Marcel Ekpwaghe• Suite de BM.2007.005:10-07• BM.2007.005:10-07 SALLEE,P. 1966 1966.4.11-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :11-02 BM.2007.005.001/77:11-02 00:00:00 21/02/66 GABON MINVOUL,MVEMA FANG MVE GABON; SALLEE,P. 1966 ESAKAK. ENQUETE SUR LA GENEALOGIE Sous-table non exportée Sous-table non exportée *Informateur : Bekabe Ella• BM.2007.005:10-01 SALLEE,P. 1966 1966.4.11-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :11-03 BM.2007.005.001/77:11-03 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 ANDE NKOL NGU Sous-table non exportée Sous-table non exportée Scène de purification• BM.2007.005:11-02 SALLEE,P. 1966 1966.4.11-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :11-04 BM.2007.005.001/77:11-04 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 MENDZANG MELANE Sous-table non exportée Sous-table non exportée IFP = xylophones sur troncs de bananier• BM.2007.005:11-03 SALLEE,P. 1966 1966.4.11-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-01 BM.2007.005.001/77:12-01 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:11-04 SALLEE,P. 1966 1966.4.12-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-02 BM.2007.005.001/77:12-02 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. CHANT D'APPEL Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-01 SALLEE,P. 1966 1966.4.12-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-03 BM.2007.005.001/77:12-03 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. PREMIER CHANT Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-02 SALLEE,P. 1966 1966.4.12-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-04 BM.2007.005.001/77:12-04 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-02 SALLEE,P. 1966 1966.4.12-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-05 BM.2007.005.001/77:12-05 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. TROISIEME CHANT Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-02 SALLEE,P. 1966 1966.4.12-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-06 BM.2007.005.001/77:12-06 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. QUATRIEMECHANT Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-02 SALLEE,P. 1966 1966.4.12-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-07 BM.2007.005.001/77:12-07 00:00:00 21/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 DANSE NGE. CINQUIEME CHANT Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Vérifier la formation musicale en écoutant la BM)• BM.2007.005:12-02 SALLEE,P. 1966 1966.4.12-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-08 BM.2007.005.001/77:12-08 00:00:00 22/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 ETUDE DES XYLOPHONES SUR TRONCS DE BANANIER Sous-table non exportée Sous-table non exportée *Informateur : Michel Assembe• BM.2007.005:12-01 SALLEE,P. 1966 1966.4.12-08/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :12-09 BM.2007.005.001/77:12-09 00:00:00 22/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 ENQUETE Sous-table non exportée Sous-table non exportée (Suite de BM.2007.005:12-08?)• BM.2007.005:12-08 SALLEE,P. 1966 1966.4.12-09/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :13-01 BM.2007.005.001/77:13-01 00:00:00 22/02/66 GABON MINVOUL,MELEME FANG NTUMU GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée (Pierre Sallée indique en observation : _biyoghe bi angone_)• BM.2007.005:12-08 SALLEE,P. 1966 1966.4.13-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :13-02 BM.2007.005.001/77:13-02 00:00:00 23/02/66 GABON MINVOUL,BOLOSOVILLE FANG NTUMU GABON; SALLEE,P. 1966 DANSE BILABA Sous-table non exportée Sous-table non exportée IFC = tambour de bois• BM.2007.005:13-01 SALLEE,P. 1966 1966.4.13-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :13-03 BM.2007.005.001/77:13-03 00:00:00 23/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 OLAS Sous-table non exportée Sous-table non exportée _olas_ = _mvet_ de petite dimension• BM.2007.005:13-02 SALLEE,P. 1966 1966.4.13-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :14-01 BM.2007.005.001/77:14-01 00:00:00 23/02/66 GABON MINVOUL,BOLOSSOVILLE FANG NTUMU GABON; SALLEE,P. 1966 ESABOK. ENQUETE SUR LA GENEALOGIE Sous-table non exportée Sous-table non exportée Chez David Mendene• BM.2007.005:13-03 SALLEE,P. 19660 1966.4.14-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :14-02 BM.2007.005.001/77:14-02 00:00:00 23/02/66 GABON MINVOUL,BOLOSSOVILLE FANG NTUMU GABON; SALLEE,P. 1966 DANSE BILABA Sous-table non exportée Sous-table non exportée IFC = tambour de bois. (Pierre Sallée indique en observation : "avec suite sur bande enquête n° 13)• BM.2007.005:13-01 SALLEE,P. 1966 1966.4.14-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :15-01 BM.2007.005.001/77:15-01 00:00:00 23/02/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 OLAS Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:13-03. _olas_ = _mvet_ de petite dimension• BM.2007.005:13-03 SALLEE,P. 1966 1966.4.15-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :16-01 BM.2007.005.001/77:16-01 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 ENQUETE SUR LE MVET Sous-table non exportée Sous-table non exportée *Informateur : David Akwe Obiang• BM.2007.005:13-03 SALLEE,P. 1966 1966.4.16-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :16-02 BM.2007.005.001/77:16-02 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée BM.2007.005:16-01 SALLEE,P. 1966 1966.4.16-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :17-01 BM.2007.005.001/77:17-01 00:00:00 24/02/66 GABON MBITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:16-02• BM.2007.005:16-02 SALLEE,P. 1966 1966.4.17-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :18-01 BM.2007.005.001/77:18-01 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:17-01• BM.2007.005:17-01 SALLEE,P. 1966 1966.4.18-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :19-01 BM.2007.005.001/77:19-01 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:18-01• BM.2007.005:18-01 SALLEE,P. 1966 1966.4.19-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :19-02 BM.2007.005.001/77:19-02 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET. VOIX DES ANIMAUX Sous-table non exportée Sous-table non exportée BM.2007.005:19-01 SALLEE,P. 1966 1966.4.19-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :19-03 BM.2007.005.001/77:19-03 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 MVET. SUITE DU RECIT Sous-table non exportée Sous-table non exportée BM.2007.005:19-01 SALLEE,P. 1966 1966.4.19-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :19-04 BM.2007.005.001/77:19-04 00:00:00 24/02/66 GABON BITAM,NKOK ESI FANG NTUMU GABON; SALLEE,P. 1966 NAISSANCE DU MVET Sous-table non exportée Sous-table non exportée BM.2007.005:19-03 SALLEE,P. 1966 1966.4.19-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-01 BM.2007.005.001/77:20-01 00:00:00 25/02/66 GABON BITAM,TCHIMAZOK FANG NTUMU GABON; SALLEE,P. 1966 NGIL. ENQUETE Sous-table non exportée Sous-table non exportée *Informateur : Ndong Eyama• BM.2007.005:19-01 SALLEE,P. 1966 1966.4.20-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-02 BM.2007.005.001/77:20-02 00:00:00 26/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 TAM TAMA. ENQUETE Sous-table non exportée Sous-table non exportée IP = _sanza_ à lamelles végétales• BM.2007.005:20-01 SALLEE,P. 1966 1966.4.20-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-03 BM.2007.005.001/77:20-03 00:00:00 26/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 TAM TAMA. ACTION Sous-table non exportée Sous-table non exportée IP = _sanza_ à lamelles végétales• BM.2007.005:20-02 SALLEE,P. 1966 1966.4.20-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-04 BM.2007.005.001/77:20-04 00:00:00 26/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 TAM TAMA. PETITE ENQUETE Sous-table non exportée Sous-table non exportée IP = _sanza_ à lamelles végétales• BM.2007.005:20-02 SALLEE,P. 1966 1966.4.20-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-05 BM.2007.005.001/77:20-05 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NLUP Sous-table non exportée Sous-table non exportée IFC = tambour de bois• BM.2007.005:20-02 SALLEE,P. 1966 1966.4.20-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :20-06 BM.2007.005.001/77:20-06 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 BILABA Sous-table non exportée Sous-table non exportée IFC = tambour de bois• BM.2007.005:20-05 SALLEE,P. 1966 1966.4.20-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :21-01 BM.2007.005.001/77:21-01 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 BILABA Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:20-06• BM.2007.005:20-06 SALLEE,P. 1966 1966.4.21-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :21-02 BM.2007.005.001/77:21-02 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 DZAMA Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:20-06. IFC = tambour de bois• BM.2007.005:21-01 SALLEE,P. 1966 1966.4.21-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :21-03 BM.2007.005.001/77:21-03 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 BIA BI MBOM. CHANTS DE MARIAGE Sous-table non exportée Sous-table non exportée BM.2007.005:21-02 SALLEE,P. 1966 1966.4.21-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :21-04 BM.2007.005.001/77:21-04 00:00:00 27/02/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 REVEIL DES ANIMAUX Sous-table non exportée Sous-table non exportée BM.2007.005:21-03 SALLEE,P. 1966 1966.4.21-04/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_03 BM.1974.013.001/52:01_03 00:02:17 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT ET SANZA 2 Sous-table non exportée Sous-table non exportée IFC- = une petite calebasse contenant quelques graines, frappée contre le dos de la sanza (caisse), IP-= sanza à 10 lames métalliques jouée par le chanteur soliste, Chant solo H, réponse Chr H, sanza et calebasse frappée, N.B : copie de bande magnétique BM.1974.013.001 plage 3• ROUGET,GILBERT 1946 Pyral_face_002a AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_04 BM.1974.013.001/52:01_04 00:02:04 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT ET SANZA 3 Sous-table non exportée Sous-table non exportée IP-= sanza à 10 lames métalliques jouée par le chanteur soliste, chant avec passages en français, fin de l'enregistrement rayé, N.B : copie de la bande magnétique BM.1974.013.001 plage 4• ROUGET,GILBERT 1946 Pyral_face_002b AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_05 BM.1974.013.001/52:01_05 00:04:21 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT ET SANZA 4 Sous-table non exportée Sous-table non exportée (?) IFC- = une petite calebasse contenant quelques graines, frappée contre le dos de la sanza (caisse), IP-= sanza à 10 lames métalliques jouée par le chanteur soliste, Chant solo H, réponse Chr H, sanza et idiophone frappé, Un idiophone frappé est joué en fin de pièce, il s'agit certainement de la même calebasse utilisée pour les pièces précédentes, toutefois G.Rouget mentionne dans ses notes "bouteille ?", Cf. indications in cahier notes de terrain G.Rouget (p.3) : "chant homme avec deux solistes antiphoniques, alternant chant et chant à bouche fermée, percussion (bouteille ?), sanza", Pb de "claquement" du disque original, N.B : copie de la bande magnétique BM.1974.013.001 plage 5 • ROUGET,GILBERT 1946 Pyral_face_005 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_06 BM.1974.013.001/52:01_06 00:06:36 28/07/46 CONGO BRAZZAVILLE BALARI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON HISTOIRE DE LA CHANSON DE M. ANDRE Sous-table non exportée Sous-table non exportée Histoire sur l'origine de la chanson dite de Monsieur André, N.B : copie de la bande magnétique BM.1974.013.001 plage 6 • ROUGET,GILBERT 1946 Pyral_face_006 et 007a AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_07 BM.1974.013.001/52:01_07 00:04:17 07 ou 08/08/46 CONGO DJAMBAALA, LEKANA KUKUYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ANGONZINI 1 Sous-table non exportée Sous-table non exportée Musiciens, chanteurs et danseurs forment un cercle. Notes cahier G.Rouget (cf. p.17) : musique pour les femmes, musique de danse pour les funérailles ? Les hommes chantent que "le caoutchouc demande beaucoup de travail et ne rapporte rien".• édité MH 48-20 B4-a • M-TBR : Trois tambours à 1 peau, le plus grand est un tambour à emplâtre doté de sonnailles (plaque de fer ourlée d'anneaux vibrant pendant le jeu) IS-Cloche : cloches doubles en fer, l'une est battue sur un seul battant, l'autre sur les 2, NB : copie de la bande magnétique BM.1974.013.001 plage 7, Cf. indications sur les instruments in cahier notes de terrain G.Rouget (p.14-16)• ROUGET,GILBERT 1946 Pyral_face_010 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :01_15 BM.1974.013.001/52:01_15 00:04:22 12/08/46 CONGO EWO / OKA MBETI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SORTIE DE MASQUES 2 Sous-table non exportée Sous-table non exportée Présence de 2 masques : deux personnages, vétus de costumes de raphia, coiffés d'une peau de singe, portent un masque, l'un masculin, l'autre féminin. Dans l'assistance, la plupart des hommes portent l'ancien costumes de raphia. Lors de cet épisode, les masques ne participent pas encore à la danse• ATL - = 1 trompe traversière en bambou. Cf. indications sur l'enregistrement et l'instrumentation in cahier notes de terrain G.Rouget (p.25-27) : nom des tambours : ngomo, fungu, ombélé. NB : copie de la bande magnétique BM.1974.013.2 plage 7• ROUGET,GILBERT 1946 Pyral_face_025 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_02 BM.1974.013.001/52:02_02 00:04:39 12/08/46 CONGO EWO / OKA MBETI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SORTIE DE MASQUES 5 Sous-table non exportée Sous-table non exportée Présence de 2 masques : deux personnages, vétus de costumes de raphia, coiffés d'une peau de singe, portent un masque, l'un masculin, l'autre féminin. Dans l'assistance, la plupart des hommes portent l'ancien costumes de raphia. Lors de cet épisode, la trompe est jouée et il semble que les masques ne participent pas à la danse ?• ATL - = 1 trompe traversière en bambou, Cf. indications sur les instruments in cahier notes de terrain G.Rouget (p.27) : les noms des tambours : ngomo, fungu, ombélé ; pas très bon, NB : copie de la bande magnétique BM.1974.013.3 plage 2 • ROUGET,GILBERT 1946 Pyral_face_028 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_04 BM.1974.013.001/52:02_04 00:04:10 12/08/46 CONGO EWO / OKA MBETI-MBOSHI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES FEMMES - 2EME PARTIE Sous-table non exportée Sous-table non exportée Danse de fête dites "des femmes". Les hommes sont assis en groupe et chantent en frappant le hochet dans leur main gauche, d'un côté les tambours sont battus par des hommes, de l'autre le chanteur soliste debout. Les femmes forment un cercle autour des hommes et dansent sur place, avec des mouvements des épaules et des hanches, le cercle se déplaçant lentement sur lui-même.• M-TBR : 2 tambours à 1 peau, couchés, battus mains nues par tambourinaires assis à califourchon, IS-Hochet : calebasses au long col rempli de graines, tenus par la main droite et battue dans le creux de la main gauche, Cf. indications in cahier notes de terrain G.Rouget (p.28) NB : copie de la bande magnétique BM.1974.013.3 plage 4 • ROUGET,GILBERT 1946 Pyral_face_030 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_05 BM.1974.013.001/52:02_05 00:04:16 12/08/46 CONGO EWO / OKA MBETI-MBOSHI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES FEMMES - 9EME PARTIE Sous-table non exportée Sous-table non exportée Danse de fête dites "des femmes". Les hommes sont assis en groupe et chantent en frappant le hochet dans leur main gauche, d'un côté les tambours sont battus par des hommes, de l'autre le chanteur soliste debout. Les femmes forment un cercle autour des hommes et dansent sur place, avec des mouvements des épaules et des hanches, le cercle se déplaçant lentement sur lui-même. Dans cet épisode : 4 femmes dansent en cercle et chantent avec le choeur• M-TBR : 2 tambours à 1 peau, couchés, battus mains nues par tambourinaires assis à califourchon, IS-Hochet : calebasses au long col rempli de graines, tenus par la main droite et battue dans le creux de la main gauche, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.28) NB : copie de la bande magnétique BM.1974.013.3 plage 5 • ROUGET,GILBERT 1946 Pyral_face_031 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_06 BM.1974.013.001/52:02_06 00:04:35 12/08/46 CONGO EWO / OKA MBETI-MBOSHI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES FEMMES - 10EME PARTIE Sous-table non exportée Sous-table non exportée Danse de fête dites "des femmes". Les hommes sont assis en groupe et chantent en frappant le hochet dans leur main gauche, d'un côté les tambours sont battus par des hommes, de l'autre le chanteur soliste debout. Les femmes forment un cercle autour des hommes et dansent sur place, avec des mouvements des épaules et des hanches, le cercle se déplaçant lentement sur lui-même.• édité MH 48-40 B8-a • M-TBR : 2 tambours à 1 peau, couchés, battus mains nues par tambourinaires assis à califourchon, IS-Hochet : calebasses au long col rempli de graines, tenus par la main droite et battue dans le creux de la main gauche, Cf. indications in cahier notes de terrain G.Rouget (p.28) NB : copie de la bande magnétique BM.1974.013.3 plage 6 • ROUGET,GILBERT 1946 Pyral_face_032 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_10 BM.1974.013.001/52:02_10 00:04:33 12/08/46 CONGO EWO / OKA ? DJIKINI ET BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES "BANDITS" 2 Sous-table non exportée Sous-table non exportée Musique de la danse de la confrérie des bandits, dans le sens de "hommes redoutables" (sans doute une société secrète d'homme à l'origine). Ces hommes portent des peintures corporelles blanches et rouges, des costumes, des coiffures en plumes. A la fin de la danse, ils miment une scène de chasse. Les "bandits" s'exhibent dans les grandes fêts administratives, pour le passage d'un fonctionnaire important par exemple. Leur spécialité est de creuser le sol avec les pieds, en dansant longtemps sur place et la profondeur du trou est en rapport avec la générosité du spectateur. Les danseurs forment un double cercle, l'un enserrant l'autre. Au centre, 5 d'entre eux accroupis, entourant le "fétiche", soufflent dans des calebasses. Les danseurs ont comme instruments soit une cloche de fer, soit un hochet. Les porteurs de hochets sont à l'extérieur du cercle. Un vieillard souffle en intermittence dnas un sifflet (instrument de chasseur)• A- =sifflet en petite corne. IS - hochet = hochet tubulaire (appelé okuaka) et hochet calebasse (appelé djaka), IS-cloche = cloches simples (la grande est appelée okombé et la petite okombi), introduction avec un court solo du chanteur, Cf. indications importantes sur la danse des bandits (en référence à un enregistrement précédent qui n'est pas archivé : disque pyral 035) in cahier notes de terrain G.Rouget (p.30-32) NB : copie de la bande magnétique BM.1974.013.4 plage 2 • ROUGET,GILBERT 1946 Pyral_face_037 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_11 BM.1974.013.001/52:02_11 00:04:22 12/08/46 CONGO EWO / OKA ? DJIKINI ET BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES "BANDITS" 3 Sous-table non exportée Sous-table non exportée Musique de la danse de la confrérie des bandits, dans le sens de "hommes redoutables" (sans doute une société secrète d'homme à l'origine). Ces hommes portent des peintures corporelles blanches et rouges, des costumes, des coiffures en plumes. A la fin de la danse, ils miment une scène de chasse. Les "bandits" s'exhibent dans les grandes fêts administratives, pour le passage d'un fonctionnaire important par exemple. Leur spécialité est de creuser le sol avec les pieds, en dansant longtemps sur place et la profondeur du trou est en rapport avec la générosité du spectateur. Les danseurs forment un double cercle, l'un enserrant l'autre. Au centre, 5 d'entre eux accroupis, entourant le "fétiche", soufflent dans des calebasses. Les danseurs ont comme instruments soit une cloche de fer, soit un hochet. Les porteurs de hochets sont à l'extérieur du cercle. Un vieillard souffle en intermittence dnas un sifflet (instrument de chasseur)• A- =sifflet en petite corne. IS - hochet = hochet tubulaire (appelé okuaka) et hochet calebasse (appelé djaka), IS-cloche = cloches simples (la grande est appelée okombé et la petite okombi) introduction avec un autre soliste que sur la plage précédente, 3ème épisode enregistré ? d'après G.Rouget : le meilleur enregistrement de la musique de la danse des bandits, Cf. indications importantes sur la danse des bandits (en référence à un enregistrement précédent qui n'est pas archivé : disque pyral 035) in cahier notes de terrain G.Rouget (p.30-32) NB : copie de la bande magnétique BM.1974.013.4 plage 3 • ROUGET,GILBERT 1946 Pyral_face_038 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :02_16 BM.1974.013.001/52:02_16 00:03:55 13/08/46 CONGO FORT-ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT KABE DE PIROGUIERS KABE Sous-table non exportée Sous-table non exportée Chant exécuté par les piroguiers pour faire venir les caïmans, autrefois chanté avec les féticheurs• IFP= baton frappé contre le sol (en situation : contre le fond de la pirogue), Cf. indications sur l'orchestre in cahier notes de terrain G.Rouget (p.36), le disque pyral 043 serait une copie de l'enregistrement original, NB : copie de la bande magnétique BM.1974.013.4 plage 8• ROUGET,GILBERT 1946 Pyral_face_043 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :22-01 BM.2007.005.001/77:22-01 00:00:00 20/04/66 GABON LECONI TEKE GABON; SALLEE,P. 1966 OTCHENDJE. ETUDE DE L'INSTRUMENT Sous-table non exportée Sous-table non exportée Ethnie : Batéké selon Pierre Sallée. CHC = harpe cithare analogue au _mvet_ des Fang• BM.2007.005:21-04 SALLEE,P. 1966 1966.5.01-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :22-02 BM.2007.005.001/77:22-02 00:00:00 20/04/66 GABON LECONI TEKE GABON; SALLEE,P. 1966 OTCHENDJE. EXECUTION Sous-table non exportée Sous-table non exportée Ethnie : Batéké selon Pierre Sallée. CHC = harpe cithare analogue au _mvet_ des Fang• BM.2007.005:22-01 SALLEE,P. 1966 1966.5.01-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :22-03 BM.2007.005.001/77:22-03 00:00:00 20/04/66 GABON LECONI TEKE GABON; SALLEE,P. 1966 SANZA Sous-table non exportée Sous-table non exportée Ethnie : Batéké selon Pierre Sallée. IP = _sanza_ à dix cordes• BM.2007.005:22-02 SALLEE,P. 1966 1966.5.01-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :22-04 BM.2007.005.001/77:22-04 00:00:00 20/04/66 GABON LECONI TEKE GABON; SALLEE,P. 1966 SANZA ET CHANTS Sous-table non exportée Sous-table non exportée Ethnie : Batéké selon Pierre Sallée. IP = _sanza_ à dix cordes. Pierre Sallée indique : "cf. enquête Batéké n° 1"• BM.2007.005:22-03 SALLEE,P. 1966 1966.5.01-04/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :23-01 BM.2007.005.001/77:23-01 00:00:00 09/05/66 GABON MAYUMBA,MAMBI VILI GABON; SALLEE,P. 1966 DANSE BANGOMO Sous-table non exportée Sous-table non exportée Danse de divertissement• BM.2007.005:22-04 SALLEE,P. 1966 1966.5.02-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :23-02 BM.2007.005.001/77:23-02 00:00:00 09/05/66 GABON MAYUMBA,MAMBI VILI GABON; SALLEE,P. 1966 DANSE MBOYO Sous-table non exportée Sous-table non exportée Danse de masque• _ndungu_ est ici orthographié _ndugu_ par Pierre Sallée• BM.2007.005:23-01 SALLEE,P. 1966 1966.5.02-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :23-03 BM.2007.005.001/77:23-03 00:00:00 09/05/66 GABON MAYUMBA,MAMBI VILI GABON; SALLEE,P. 1966 DANSE MBOYO Sous-table non exportée Sous-table non exportée Danse de masque• _ndungu_ est ici orthographié _ndugu_ par Pierre Sallée• BM = voix déformée du masque• BM.2007.005:23-02 SALLEE,P. 1966 1966.5.02-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :23-04 BM.2007.005.001/77:23-04 00:00:00 09/05/66 GABON MAYUMBA,MAMBI VILI GABON; SALLEE,P. 1966 CONVERSATION Sous-table non exportée Sous-table non exportée *Informateurs : Paul Mutoto et Homère dit "Marseille"• BM.2007.005:23-03 SALLEE,P. 1966 1966.5.02-04/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-01 BM.2007.005.001/77:24-01 00:00:00 10/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 DANSE BANGOMA Sous-table non exportée Sous-table non exportée Danse de divertissement• _ndungu_ = grand tambour allongé, joué avec baguette à la main droite, et main gauche nue. _paru_ = petit tambour à membranes, joué avec baguette à la main droite, et main gauche nue. _konko_ se dit aussi _diveso_• BM.2007.005:23-01 SALLEE,P. 1966 1966.5.03-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-02 BM.2007.005.001/77:24-02 00:00:00 10/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 ETUDE DU TAMBOUR PARU Sous-table non exportée Sous-table non exportée _paru_ = petit tambour à membranes, joué avec baguette à la main droite, et main gauche nue• BM.2007.005:24-01 SALLEE,P. 1966 1966.5.03-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-03 BM.2007.005.001/77:24-03 00:00:00 10/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 ETUDE DU TAMBOUR NDUNGU Sous-table non exportée Sous-table non exportée _ndungu_ = grand tambour allongé, joué avec baguette à la main droite, et main gauche nue• BM.2007.005:24-02 SALLEE,P. 1966 1966.5.03-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-04 BM.2007.005.001/77:24-04 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA. ETUDE DE LA DZANGA Sous-table non exportée Sous-table non exportée Son des lames et nom des lames• BM.2007.005:24-03 SALLEE,P. 1966 1966.5.03-04/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-05 BM.2007.005.001/77:24-05 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA Sous-table non exportée Sous-table non exportée Choeur d'hommes : ostinato• BM.2007.005:24-04 SALLEE,P. 1966 1966.5.03-05/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-06 BM.2007.005.001/77:24-06 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA Sous-table non exportée Sous-table non exportée BM.2007.005:24-05 SALLEE,P. 1966 1966.5.03-06/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-07 BM.2007.005.001/77:24-07 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA Sous-table non exportée Sous-table non exportée BM.2007.005:24-06 SALLEE,P. 1966 1966.5.03-07/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-08 BM.2007.005.001/77:24-08 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA Sous-table non exportée Sous-table non exportée BM.2007.005:24-06 SALLEE,P. 1966 1966.5.03-08/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :24-09 BM.2007.005.001/77:24-09 00:00:00 12/05/66 GABON MAYUMBA,NDINDI VILI GABON; SALLEE,P. 1966 DANSE BUNGA Sous-table non exportée Sous-table non exportée BM.2007.005:24-06 SALLEE,P. 1966 1966.5.03-09/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_03 BM.1974.013.001/52:03_03 00:03:51 14/08/46 CONGO EWO / OCHELE BATEKE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT GANGANDJELE AVEC CITHARE GANGANDJELE Sous-table non exportée Sous-table non exportée Musique de divertissement, musique "intime", instrument à cordes très répandu, la table de résonance est une demi-calebasse dont la partie ouverte est appuyée contre ou écartée de l'estomac. En même temps qu'il pince les cordes, le musicien agite son instrument en frappant une extrémité contre son genou et fait ainsi vibrer les sonnailles, petites plaques de fer blanc ourlées d'anneaux en métal. Le musicien est aussi le chanteur soliste, il lui arrive d'échanger sa partie avec un chanteur du choeur• Cf. indications sur l'instrumentation in cahiers note de terrain G.Rouget (p.38) et Note du collecteur : cet enregistrement est meilleur que le précédent (BM.1974.013:03_02) Solo H avec IS - = hochet calebasse, chr 2 enfants dont 1 avec IS-, CC- = cithare-sur-bâton lengé (avec résonateur en demi-calebasse), NB : copie de la bande magnétique BM.1974.013.5 plage 3• ROUGET,GILBERT 1946 Pyral_face_046 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_05 BM.1974.013.001/52:03_05 00:04:10 14/08/46 CONGO FORT ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE OKOLE MECOGU OKOLE MECOGU Sous-table non exportée Sous-table non exportée Solo H + 5 voix H. CC- = cithare sur bâton okolobongo, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.39) NB : copie de la bande magnétique BM.1974.013.5 plage 5• ROUGET,GILBERT 1946 Pyral_face_048 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_06 BM.1974.013.001/52:03_06 00:04:12 14/08/46 CONGO FORT ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE DE GUERISON IKANGO IKANGO Sous-table non exportée Sous-table non exportée musique pour guérir un malade• N°49 édité MH 48-39 B 10.b 1ère plage• Solo H + 3 voix H. CC- = cithare sur bâton okolobongo, Cf. indications sur l'instrumentation in : -cahier notes de terrain G.Rouget (p.40) : la cithare est accordée différemment que sur BM.1974.013:03_05, le joueur de hochet chante en ostinato, le joueur de cithare chante en vix de fausset, il a la partie la plus importante, -disque publié (réf. ci-dessous) NB : copie de la bande magnétique BM.1974.013.5 plage 6 • ROUGET,GILBERT 1946 Pyral_face_049 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :03_07 BM.1974.013.001/52:03_07 00:04:16 14/08/46 CONGO FORT ROUSSET / OUANDO KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT IWELE LOYIRU IWELE LOYIRU Sous-table non exportée Sous-table non exportée Un chant de funérailles (une femme pleure la mort de son père chef de village)• édité MH 48-39 B 10.b 2ème plage • Solo H du joueur de cithare+ 4 voix H. dont 1 avec hochet et 3 avec battements de mains, CC- = cithare sur bâton okolobongo, Cf. indications sur l'instrumentation in cahier notes de terrain G.Rouget (p.40) et documentation du disque publié (réf. ci-dessous) NB : copie de la bande magnétique BM.1974.013.5 plage 7• ROUGET,GILBERT 1946 Pyral_face_050 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :25-01 BM.2007.005.001/77:25-01 00:00:00 13/05/66 GABON MAYUMBA,KAI VILI GABON; SALLEE,P. 1966 MBOYO Sous-table non exportée Sous-table non exportée Culte des ancêtres. Description de la cérémonie qui accompagnait l'exhumation du _mboyo_. On asperge le crâne d'eau de cologne• Bruit de la caméra sur l'enregistrement• BM.2007.005:24-09 SALLEE,P. 1966 1966.5.04-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :25-02 BM.2007.005.001/77:25-02 00:00:00 13/05/66 GABON MAYUMBA,KAI VILI GABON; SALLEE,P. 1966 MBOYO Sous-table non exportée Sous-table non exportée Culte des ancêtres. Commentaires, prières, exhortations• BM.2007.005:25-01 SALLEE,P. 1966 1966.5.04-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :25-03 BM.2007.005.001/77:25-03 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE LUMBU GABON; SALLEE,P. 1966 NKWIMBI Sous-table non exportée Sous-table non exportée Photo• M1F : main mouillée frottant la tige du tambour à friction• BM.2007.005:25-01 SALLEE,P. 1966 1966.5.04-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-01 BM.2007.005.001/77:26-01 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO Sous-table non exportée Sous-table non exportée Danse de divertissement• _ndungu_ est ici orthographié _dungu_ par Pierre Sallée• BM.2007.005:25-01 SALLEE,P. 1966 1966.5.05-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-02 BM.2007.005.001/77:26-02 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO Sous-table non exportée Sous-table non exportée Danse de divertissement• _ndungu_ est ici orthographié _dungu_ par Pierre Sallée. A = ensemble de sifflets scout• BM.2007.005:26-01 SALLEE,P. 1966 1966.5.05-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-03 BM.2007.005.001/77:26-03 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO. ENREGISTREMENT DU PARU Sous-table non exportée Sous-table non exportée Danse de divertissement• BM.2007.005:26-02 SALLEE,P. 1966 1966.5.05-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-04 BM.2007.005.001/77:26-04 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO. ENREGISTREMENT DU PREMIER NDUNGU Sous-table non exportée Sous-table non exportée Danse de divertissement• Photo du _ndungu_• _ndundu_ est ici orthographié _dungu_ par Pierre Sallée. _ndungu_ = grand tambour posé à terre• BM.2007.005:26-03 SALLEE,P. 1966 1966.5.05-04/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-05 BM.2007.005.001/77:26-05 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO. ENREGISTREMENT DU DEUXIEME NDUNGU Sous-table non exportée Sous-table non exportée Danse de divertissement• _ndundu_ est ici orthographié _dungu_ par Pierre Sallée. _ndungu_ = grand tambour posé à terre. Pierre Sallée note "2e _paru_" mais il s'agit très probablement du deuxième _ndungu_• BM.2007.005:26-04 SALLEE,P. 1966 1966.5.05-05/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-06 BM.2007.005.001/77:26-06 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 BANGOMO. ENREGISTREMENT DU KONKO Sous-table non exportée Sous-table non exportée Danse de divertissement• IFC = bambou frappé• BM.2007.005:26-05 SALLEE,P. 1966 1966.5.05-06/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-07 BM.2007.005.001/77:26-07 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 ENREGISTREMENT DE LA POLYRYTHMIE Sous-table non exportée Sous-table non exportée Danse de divertissement• _ndungu_ est ici orthographié _dungu_ par Pierre Sallée. IFC = bambou frappé• BM.2007.005:26-01 SALLEE,P. 1966 1966.5.05-07/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-08 BM.2007.005.001/77:26-08 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 MBOYO Sous-table non exportée Sous-table non exportée _ndungu_ est ici orthographié _dungu_ par Pierre Sallée• BM.2007.005:26-07 SALLEE,P. 1966 1966.5.05-08/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :26-09 BM.2007.005.001/77:26-09 00:00:00 13/05/66 GABON MAYUMBA,MALEMBE VILI GABON; SALLEE,P. 1966 MBOYO Sous-table non exportée Sous-table non exportée Dilogue entre masque et voix claire• V = voix du masque. _ndungu_ est ici orthographié _dungu_ par Pierre Sallée• BM.2007.005:26-08 SALLEE,P. 1966 1966.5.05-09/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :27-01 BM.2007.005.001/77:27-01 00:07:00 14/05/66 GABON MAYUMBA,MAMBI LUMBU GABON; SALLEE,P. 1966 PLEURS DE FEMMES Sous-table non exportée Sous-table non exportée Pleurs rituels de femmes après l'annonce de la mort de l'homme dont la pirogue avaitété enversée par un hippopotame• BM.2007.005:26-03 SALLEE,P. 1966 1966.5.06-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :27-02 BM.2007.005.001/77:27-02 00:08:00 14/05/66 GABON MAYUMBA,MAMBI LUMBU GABON; SALLEE,P. 1966 PLEURS DE FEMMES Sous-table non exportée Sous-table non exportée VX = Les pleurs des femmes se transforment peu à peu en chant• BM.2007.005:27-01 SALLEE,P. 1966 1966.5.06-02/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :27-03 BM.2007.005.001/77:27-03 00:16:00 14/05/66 GABON MAYUMBA,MAMBI LUMBU GABON; SALLEE,P. 1966 APARTE TECHNIQUE Sous-table non exportée Sous-table non exportée Aparté technique incompréhensible. Le magnétophone est resté branché pendant la séance de bwiti ; presque rien n'est enregistré• BM.2007.005:27-02 SALLEE,P. 1966 1966.5.06-03/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-01 BM.2007.005.001/77:28-01 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 NGOMFI. QUELQUES EXPLICATIONS Sous-table non exportée Sous-table non exportée BM.2007.005:26-03 SALLEE,P. 1966 1966.5.07-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-02 BM.2007.005.001/77:28-02 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 ANNONCE DE CHANGEMENT DE BANDE Sous-table non exportée Sous-table non exportée BM.2007.005:28-01 SALLEE,P. 1966 1966.5.07-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-03 BM.2007.005.001/77:28-03 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. MAZINGA. PRELUDE ET CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:28-02 SALLEE,P. 1966 1966.5.07-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-04 BM.2007.005.001/77:28-04 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. MAZINGA. REPRISE DU MEME CHANT Sous-table non exportée Sous-table non exportée BM.2007.005:28-03 SALLEE,P. 1966 1966.5.07-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-05 BM.2007.005.001/77:28-05 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA Sous-table non exportée Sous-table non exportée BM.2007.005:28-04 SALLEE,P. 1966 1966.5.07-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-06 BM.2007.005.001/77:28-06 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA MAGANGA. PRELUDE, CHANT ET POSTLUDE Sous-table non exportée Sous-table non exportée VC = voix d'homme bien placée et aiguë• BM.2007.005:28-05 SALLEE,P. 1966 1966.5.07-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :28-07 BM.2007.005.001/77:28-07 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA Sous-table non exportée Sous-table non exportée Tronqué dès le début. Bon accompagnement• BM.2007.005:28-05 SALLEE,P. 1966 1966.5.07-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-01 BM.2007.005.001/77:29-01 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 ANNONCE Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:28-07• BM.2007.005:28-07 SALLEE,P. 1966 1966.5.08-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-02 BM.2007.005.001/77:29-02 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA. PREMIER CHANT Sous-table non exportée Sous-table non exportée Bonne exécution. (Pierre Sallée indique : "avec _mbaka_" : de quel instrument s'agit-il?)• BM.2007.005:29-01 SALLEE,P. 1966 1966.5.08-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-03 BM.2007.005.001/77:29-03 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée Voix de tête forcée (saturé à l'enregistrement). (Pierre Sallée indique : "avec _mbaka_" : de quel instrument s'agit-il?)• BM.2007.005:29-02 SALLEE,P. 1966 1966.5.08-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-04 BM.2007.005.001/77:29-04 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BWITI. DIJUMBA. TROISIEME CHANT Sous-table non exportée Sous-table non exportée Tronqué. (Pierre Sallée indique : "avec _mbaka_" : de quel instrument s'agit-il?)• BM.2007.005:29-03 SALLEE,P. 1966 1966.5.08-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-05 BM.2007.005.001/77:29-05 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BATU KATA TUYA. PREMIERE PHASE Sous-table non exportée Sous-table non exportée BM.2007.005:29-04 SALLEE,P. 1966 1966.5.08-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :29-06 BM.2007.005.001/77:29-06 00:00:00 07/05/66 GABON MAYUMBA,MATCHITI LUMBU GABON; SALLEE,P. 1966 BATU KATA TUYA. DEUXIEME PHASE Sous-table non exportée Sous-table non exportée BM.2007.005:29-05 SALLEE,P. 1966 1966.5.08-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :30-01 BM.2007.005.001/77:30-01 00:00:00 06/07/66 GABON OKONDJA,ILEKU KOTA SHAMAYE GABON; SALLEE,P. 1966 CONVERSATION Sous-table non exportée Sous-table non exportée Conversation à distance entre le travailleur et un autre homme• BM.2007.005:29-04 SALLEE,P. 1966 1966.6.01-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :30-02 BM.2007.005.001/77:30-02 00:00:00 06/07/66 GABON OKONDJA,ILEKU KOTA SHAMAYE GABON; SALLEE,P. 1966 CHANT DE DEBROUSSAGE Sous-table non exportée Sous-table non exportée Vocalise avec répons dans le lointain• Bruit de la machette• BM.2007.005:30-01 SALLEE,P. 1966 1966.6.01-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :30-03 BM.2007.005.001/77:30-03 00:00:00 08/07/66 GABON MAKOKOU,DJAKALA-KULUMA KOTA SHAMAYE GABON; SALLEE,P. 1966 ENQUETE SUR LE BOKANI ET LE BWITI Sous-table non exportée Sous-table non exportée Culte des ancêtres. *Informateur : Ndubadji, un vieux _nkani_• BM.2007.005:30-02 SALLEE,P. 1966 1966.6.01-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :30-04 BM.2007.005.001/77:30-04 00:00:00 08/07/66 GABON MAKOKOU,MIKOYO OBAMBA GABON; SALLEE,P. 1966 CONTE Sous-table non exportée Sous-table non exportée Sujet : _djami_ et _nkulu_• BM.2007.005:30-02 SALLEE,P. 1966 1966.6.01-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :30-05 BM.2007.005.001/77:30-05 00:00:00 08/07/66 GABON MAKOKOU,MIKOYO OBAMBA GABON; SALLEE,P. 1966 DANSE DE MUNGALA Sous-table non exportée Sous-table non exportée Danse de _mungala_ (le jeudi) en prévision de la circoncicion de la fin de semaine. Danse exécutée par les hommes• M = un tambour à baguette et un tambour à main. IE = éclats de bambou entrechoqués. IS = sonnailles de coques de fruit (fruit _bussoku_)• BM.2007.005:30-04 SALLEE,P. 1966 1966.6.01-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-01 BM.2007.005.001/77:31-01 00:00:00 08/07/66 GABON MAKOKOU,MIKOYO KOTA SHAMAYE GABON; SALLEE,P. 1966 DANSE DE MUNGALA Sous-table non exportée Sous-table non exportée Danse de _mungala_ (le jeudi) en prévision de la circoncicion de la fin de semaine. Exécutée par les hommes• Suite de BM.2007.005:30-05. M = un tambour à baguette et un tambour à main. IE = éclats de bambou entrechoqués. IS = sonnailles de coques de fruit (fruit _bussoku_)• BM.2007.005:30-05 SALLEE,P. 1966 1966.6.02-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-02 BM.2007.005.001/77:31-02 00:00:00 08/07/66 GABON MAKOKOU,MAKEBE OBAMBA GABON; SALLEE,P. 1966 NDJOGO. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:31-01 SALLEE,P. 1966 1966.6.02-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-03 BM.2007.005.001/77:31-03 00:00:00 09/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 CIRCONCISION Sous-table non exportée Sous-table non exportée Chants du vendredi matin• BM.2007.005:31-02 SALLEE,P. 1966 1966.6.02-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-04 BM.2007.005.001/77:31-04 00:00:00 09/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 DANSE MUBEYE. PREMIERE PHASE Sous-table non exportée Sous-table non exportée Danse mixte : se fait pendant les veillées de circoncision• BM.2007.005:31-03 SALLEE,P. 1966 1966.6.02-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-05 BM.2007.005.001/77:31-05 00:00:00 09/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 DANSE MUBEYE. DEUXIEME PHASE Sous-table non exportée Sous-table non exportée Danse mixte : se fait pendant les veillées de circoncision• BM.2007.005:31-04 SALLEE,P. 1966 1966.6.02-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :31-06 BM.2007.005.001/77:31-06 00:00:00 09/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 CIRCONCISION. PAROLES DANS LE CORPS DE GARDE Sous-table non exportée Sous-table non exportée Paroles des gens dans le corps de garde, où se font les cadeaux, avec commentaires• BM.2007.005:31-05 SALLEE,P. 1966 1966.6.02-06/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_01 BM.1974.013.001/52:04_01 00:03:23 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 2 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette IF-= machette battue, enregistrement : en 2 parties Cf. indications in cahier notes de terrain G.Rouget (p.115) : choeur d'hommes et de femmes se répondant NB : copie de la bande magnétique BM.1974.013.6 plage 1 • ROUGET,GILBERT 1946 Pyral_face_096 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_02 BM.1974.013.001/52:04_02 00:04:05 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 3 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.116) : un danseur avec un hochet, NB : copie de la bande magnétique BM.1974.013.6 plage 2 • ROUGET,GILBERT 1946 Pyral_face_097 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_03 BM.1974.013.001/52:04_03 00:04:04 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 4 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.116) : un danseur avec un hochet, NB : copie de la bande magnétique BM.1974.013.6 plage 3 • ROUGET,GILBERT 1946 Pyral_face_098 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_04 BM.1974.013.001/52:04_04 00:04:32 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 5 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo (amorce) M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.116) : fin en 3 reprises , NB : copie de la bande magnétique BM.1974.013.6 plage 4 • ROUGET,GILBERT 1946 Pyral_face_099 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_08 BM.1974.013.001/52:04_08 00:04:44 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 9 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.117-118) : très yodlé, danse en cercle des hommes dont un avec hochet, NB : copie de la bande magnétique BM.1974.013.6 plage 8 • ROUGET,GILBERT 1946 Pyral_face_103 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_09 BM.1974.013.001/52:04_09 00:04:41 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 10 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • édité MH 48-46 B24.a• * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.118) : très yodlé, danse en cercle des hommes dont un avec hochet, NB : copie de la bande magnétique BM.1974.013.7 plage 1 • ROUGET,GILBERT 1946 Pyral_face_104 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_12 BM.1974.013.001/52:04_12 00:04:35 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 3 MOGONGO Sous-table non exportée Sous-table non exportée danse mogongo des hommes, en file et en cercle, habillés avec des feuillages à la taille et dans les mains• * campement près du village de Gatongo, (amorce) M- = 3 tambours battus et frottés, IF- : machette battue, Cf. indications in cahier notes de terrain G.Rouget (p119) : yodlé des hommes et des femmes en répond, suite de cette prise sur le disque pyral_108 (plage suivante du CD), NB : copie de la bande magnétique BM.1974.013.7 plage 4• ROUGET,GILBERT 1946 Pyral_face_107 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_13 BM.1974.013.001/52:04_13 00:04:14 10/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 4 MOGONGO Sous-table non exportée Sous-table non exportée danse mogongo des hommes, en file et en cercle, habillés avec des feuillages à la taille et dans les mains• * campement près du village de Gatongo, M- = 3 tambours battus et frottés, IF- : machette battue, Cf. indications in cahier notes de terrain G.Rouget (p119) : suite du disque pyral_107 (plage précédente du CD), NB : copie de la bande magnétique BM.1974.013.7 plage 5• ROUGET,GILBERT 1946 Pyral_face_108 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_02 BM.1974.013.001/52:05_02 00:03:52 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 13 DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas• édité MH 48-51 B.17a• * campement près du village de Gatongo, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications G.Rouget in cahier notes de terrain (p.128) : interruption à 1'30 puis reprise, solo du chef très bon, fin sur ordre, NB : copie de la bande magnétique BM.1974.013.8 plage 2 • ROUGET,GILBERT 1946 Pyral_face_118 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :04_16 BM.1974.013.001/52:04_16 00:03:35 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 11 (2/2) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, 2ème partie : suite de la plage précendente du CD, M- = 3 tambours à 1 peau appelés ndumu battus mains nues, IS-Hochet = boule de vannerie contenant des coques de noyaux de fruits et tenue par une baguette, IF-= machette battue, Cf. indications in cahier notes de terrain G.Rouget (p.127) NB : copie de la bande magnétique BM.1974.013.7 plage 8 (à partir de 01:05 à fin de la plage) • ROUGET,GILBERT 1946 Pyral_face_116 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :32-01 BM.2007.005.001/77:32-01 00:00:00 09/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 CIRCONCISION. DISCUTION DANS LE CORPS DE GARDE Sous-table non exportée Sous-table non exportée Discution des gens dans le corps de garde et palabres à propos des cadeaux• BM.2007.005:31-06 SALLEE,P. 1966 1966.6.03-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :32-02 BM.2007.005.001/77:32-02 00:00:00 10/07/66 GABON MAKOKOU,MAKEBE KOTA SHAMAYE GABON; SALLEE,P. 1966 CIRCONCISION. COURSES A TRAVERS LE VILLAGE Sous-table non exportée Sous-table non exportée Courses à travers le village avec les candidats et les femmes• BM.2007.005:32-01 SALLEE,P. 1966 1966.6.03-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :32-03 BM.2007.005.001/77:32-03 00:00:00 14/07/66 GABON MAKOKOU,IMBONG PYGMEE ET BONGOM BAKOLA GABON; SALLEE,P. 1966 INITIATION D'UNE PETITE FILLE DE 5 ANS A ISSIMBWE Sous-table non exportée Sous-table non exportée Une vieille femme _malu_• Photos. Film• VP = commentaires. IFC = bambous frappés. Z = casserole de médicament• BM.2007.005:32-02 SALLEE,P. 1966 1966.6.03-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-01 BM.2007.005.001/77:33-01 00:00:00 14/07/66 GABON MEKAMBO,IMBONG PYGMEE ET BONGOM BAKOLA GABON; SALLEE,P. 1966 INITIATION D'UNE PETITE FILLE DE 5 ANS A ISSIMBWE Sous-table non exportée Sous-table non exportée Initiation féminine. Une vieille femme _malu_• Photos. Film• Suite de BM.007.005:32-03. VP = commentaires. IFC = bambous frappés. Z = casserole de médicament• BM.2007.005:32-03 SALLEE,P. 1966 1966.6.04-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-02 BM.2007.005.001/77:33-02 00:00:00 14/07/66 GABON MEKAMBO,IMBONG PYGMEE ET BONGOM BAKOLA GABON; SALLEE,P. 1966 INITIATION D'UNE PETITE FILLE DE 5 ANS A ISSIMBWE Sous-table non exportée Sous-table non exportée Association féminine. Chant de la cheftaine• Photos. Film• BM.2007.005:33-01 SALLEE,P. 1966 1966.6.04-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-03 BM.2007.005.001/77:33-03 00:00:00 14/07/66 GABON MEKAMBO,LA VIE CHERE BAKOLA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE DUR LE CYCLE DES NZAMI Sous-table non exportée Sous-table non exportée BM.2007.005:33-02 SALLEE,P. 1966 1966.6.04-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-04 BM.2007.005.001/77:33-04 00:00:00 14/07/66 GABON MEKAMBO,LA VIE CHERE BAKOLA MANONGO GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée *Originaire de Katamumba (mère de Mwete)• BM.2007.005:33-03 SALLEE,P. 1966 1966.6.04-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-05 BM.2007.005.001/77:33-05 00:00:00 14/07/66 GABON MEKAMBO,LA VIE CHERE BAKOLA MANONGO GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée *Originaire de Katamumba (mère de Mwete)• BM.2007.005:33-04 SALLEE,P. 1966 1966.6.04-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :33-06 BM.2007.005.001/77:33-06 00:00:00 15/07/66 GABON MEKAMBO,LA VIE CHERE BAKOLA MANONGO GABON; SALLEE,P. 1966 EXPLICATIONS SUR LE CONTE Sous-table non exportée Sous-table non exportée Explications sur le conte de BM.2007.005:33-05• BM.2007.005:33-05 SALLEE,P. 1966 1966.6.04-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :34-01 BM.2007.005.001/77:34-01 00:00:00 15/07/66 GABON MEKAMBO,LA VIE CHERE KOTA MAHONGWE GABON; SALLEE,P. 1966 EXPLICATIONS SUR LE CONTE Sous-table non exportée Sous-table non exportée _bilolongo_ = êtres imaginaires et d'apparence monstrueuse• Suite de BM.2007.005:33-06• Explications sur le conte de BM.2007.005:33-05• BM.2007.005:33-06 SALLEE,P. 1966 1966.6.05-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :34-02 BM.2007.005.001/77:34-02 00:00:00 15/07/66 GABON MEKAMBO,LA VIE CHERE KOTA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée *du village Yumbi• _esika_ est ici orthogrphié _essika_ par Pierre Sallée• BM.2007.005:34-01 SALLEE,P. 1966 1966.6.05-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :35-01 BM.2007.005.001/77:35-01 00:00:00 15/07/66 GABON MEKAMBO,NKOLO KOTA MAHONGWE GABON; SALLEE,P. 1966 OLENDE. CONTE. ANNONCE Sous-table non exportée Sous-table non exportée Conte récité toute une nuit• BM.2007.005:34-02 SALLEE,P. 1966 1966.6.06-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :35-02 BM.2007.005.001/77:35-02 00:00:00 15/07/66 GABON MEKAMBO,NTOLO KOTA MAHONGWE GABON; SALLEE,P. 1966 OLENDE. CONTE Sous-table non exportée Sous-table non exportée Conte récité toute une nuit• M = petit tambour• BM.2007.005:35-01 SALLEE,P. 1966 1966.6.06-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :36-01 BM.2007.005.001/77:36-01 00:00:00 15/07/66 GABON MEKAMBO,NTOLO KOTA MAHONGWE GABON; SALLEE,P. 1966 OLENDE. CONTE Sous-table non exportée Sous-table non exportée Conte récité toute une nuit• Suite de BM.2007.005:35-02. M = petit tambour• BM.2007.005:35-02 SALLEE,P. 1966 1966.6.07-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_04 BM.1974.013.001/52:05_04 00:04:13 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RETOUR DE CHASSE 2 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, amorce, NB : copie de la bande magnétique BM.1974.013.8 plage 4• ROUGET,GILBERT 1946 Pyral_face_120 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_06 BM.1974.013.001/52:05_06 00:02:29 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 2: CHOEUR F Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Seules les femmes du chef du campement ont le droit de chanter la partie en solo, en adoptant une attitude coutumière : la main droite (ou les deux mains) derrières la tête, l'avant-bras droit plaqué contre la joue, le coude pointant en l'air.• * campement près du village de Gatongo, NB : copie de la bande magnétique BM.1974.013.8 plage 6 • ROUGET,GILBERT 1946 Pyral_face_122 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_10 BM.1974.013.001/52:05_10 00:03:48 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 6: SOLO F YELI Sous-table non exportée Sous-table non exportée Chanté par une femme (dans une posture particulière : avec les mains sur la tête) se déplaçant dans la forêt, avec des arrêts ; Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Il s'agit içi d'une interprétation solo.• * campement près du village de Gatongo niveau très faible, avec des arrêts, chants d'oiseaux, passage très bon, Cf. indications sur le parcours in cahier notes de terrain G.Rouget (p.129), NB : copie de la bande magnétique BM.1974.013.8 plage 10• ROUGET,GILBERT 1946 Pyral_face_126 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_12 BM.1974.013.001/52:05_12 00:03:59 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 8: SOLO F YELI Sous-table non exportée Sous-table non exportée Chanté par une femme se déplaçant dans la forêt, avec des arrêts, Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Il s'agit içi d'une interprétation solo.• * campement près du village de Gatongo, Cf. indications in cahier notes de terrain G.Rouget (p.131), NB : copie de la bande magnétique BM.1974.013.9 plage 2 • ROUGET,GILBERT 1946 Pyral_face_128 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_13 BM.1974.013.001/52:05_13 00:04:42 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 1 MONGOMBI Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli".• * campement près du village de Gatongo avec des arrêts, niveau très faible, Cf. indications in cahier notes de terrain G.Rouget (p.132), NB : copie de la bande magnétique BM.1974.013.9 plage 3• ROUGET,GILBERT 1946 Pyral_face_129 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_14 BM.1974.013.001/52:05_14 00:04:06 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 2 MONGOMBI Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli".• * campement près du village de Gatongo, Cf. indications in cahier notes de terrain G.Rouget (p.133) : enregistrement mauvais, avec cris et bruits, NB : copie de la bande magnétique BM.1974.013.9 plage 4• ROUGET,GILBERT 1946 Pyral_face_130 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_15 BM.1974.013.001/52:05_15 00:04:23 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MONGOMBI 3 MONGOMBI Sous-table non exportée Sous-table non exportée Mongombi (parfois écrit mongonbi) désigne le yodel des pygmées de l'ouest, et plus particulièrement le cri yodlé que poussent les chasseurs partant à la chasse (en choeur ou dialogue éloigné, mais jamais à l'unisson), durant la seconde partie de la chasse au filet pour rabattre les animaux , ou encore pour communiquer entre eux en forêt. Dans la pratique le mot désigne aussi le chant yodlé des hommes durant une danse quelconque. Les femmes ne font pas mogombi mais "yéli".• * campement près du village de Gatongo, Cf. indications in cahier notes de terrain G.Rouget (p.134) : cris d'enfants et yodlage des femmes au loin, chants d'oiseaux, NB : copie de la bande magnétique BM.1974.013.9 plage 5• ROUGET,GILBERT 1946 Pyral_face_131 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :37-02 BM.2007.005.001/77:37-02 00:00:00 16/07/66 GABON MEKAMBO,ELAHONENE KOTA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Conte, par Madeline Etombo, relatant les histoires de _zambi_, ses femmes et ses filles• BM.2007.005:37-01 SALLEE,P. 1966 1966.6.08-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :37-03 BM.2007.005.001/77:37-03 00:00:00 16/07/66 GABON MEKAMBO,ELAHONENE KOTA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE. SUITE DE CHANTS Sous-table non exportée Sous-table non exportée Conte, par Madeline Etombo, relatant les histoires de _zambi_, ses femmes et ses filles• Rythme ternaire avec accentuation du troisième temps par la main droite et geste en deux parties de la main gauche, pour établir les deux premiers temps• BM.2007.005:37-02 SALLEE,P. 1966 1966.6.08-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :38-01 BM.2007.005.001/77:38-01 00:00:00 16/07/66 GABON MEKAMBO,ELAHONENE KOTA MAHONGWE GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:37-03• BM.2007.005:37-03 SALLEE,P. 1966 1966.6.09-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :38-02 BM.2007.005.001/77:38-02 00:00:00 19/07/66 GABON MEKAMBO,ZOKOKOTA KOTA MAHONGWE GABON; SALLEE,P. 1966 INTCHINDA. CIRCONCISION. DANSE DE MUNGALA Sous-table non exportée Sous-table non exportée Danse de _mungala_ avec grognements de cochon• BM.2007.005:38-01 SALLEE,P. 1966 1966.6.09-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :38-03 BM.2007.005.001/77:38-03 00:00:00 19/07/66 GABON MAKOKOU,MBOMO KOTA SHAMAYE GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:38-02 SALLEE,P. 1966 1966.6.09-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :39-01 BM.2007.005.001/77:39-01 00:00:00 19/07/66 GABON MAKOKOU,MBOMO KOTA GABON; SALLEE,P. 1966 ESIKA NKULU NA NGOYE. CONTE Sous-table non exportée Sous-table non exportée Pluriel du terme _esika_ : _besika_ en Mahongwé et _bosika_ en Ikota• BM.2007.005:38-03 SALLEE,P. 1966 1966.6.10-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :39-02 BM.2007.005.001/77:39-02 00:00:00 19/07/66 GABON MAKOKOU,MBOMO KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Pluriel du terme _esika_ : _besika_ en Mahongwé et _bosika_ en Ikota• BM.2007.005:39-01 SALLEE,P. 1966 1966.6.10-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :39-03 BM.2007.005.001/77:39-03 00:00:00 19/07/66 GABON MAKOKOU,MBOMO KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée Pluriel du terme _esika_ : _besika_ en Mahongwé et _bosika_ en Ikota• BM.2007.005:39-02 SALLEE,P. 1966 1966.6.10-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :39-04 BM.2007.005.001/77:39-04 00:00:00 20/07/66 GABON MAKOKOU,MAKEBO I KOTA GABON; SALLEE,P. 1966 SANZI Sous-table non exportée Sous-table non exportée Nom des lames et accord d'une _sanza_ à 7 lames• *Le nom de l'interprète est indiqué sur l'enregistrement• BM.2007.005:38-03 SALLEE,P. 1966 1966.6.10-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :40-01 BM.2007.005.001/77:40-01 00:00:00 20/07/66 GABON MAKOKOU,MAKEBE I KOTA SHAMAYE GABON; SALLEE,P. 1966 SANZI Sous-table non exportée Sous-table non exportée Accord d'une _sanza_ à 9 lames• *Le nom de l'interprète est indiqué sur l'enregistrement BM.2007.005:39-04• BM.2007.005:39-04 SALLEE,P. 1966 1966.6.11-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :40-02 BM.2007.005.001/77:40-02 00:00:00 20/07/66 GABON MAKOKOU,MAKEBE I KOTA SHAMAYE GABON; SALLEE,P. 1966 SANZI Sous-table non exportée Sous-table non exportée *Le nom de l'interprète est indiqué sur l'enregistrement BM.2007.005:39-04• BM.2007.005:40-01 SALLEE,P. 1966 1966.6.11-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :40-03 BM.2007.005.001/77:40-03 00:00:00 20/07/66 GABON MAKOKOU,MAKEBE I KOTA SHAMAYE GABON; SALLEE,P. 1966 SANZI Sous-table non exportée Sous-table non exportée Nom des lames• *Le nom de l'interprète est indiqué sur l'enregistrement BM.2007.005:39-04• BM.2007.005:40-01 SALLEE,P. 1966 1966.6.11-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :40-04 BM.2007.005.001/77:40-04 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA SHAMAYE GABON; SALLEE,P. 1966 BOSIKA. CONTES Sous-table non exportée Sous-table non exportée BM.2007.005:40-03 SALLEE,P. 1966 1966.6.11-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :41-01 BM.2007.005.001/77:41-01 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA SHAMAYE GABON; SALLEE,P. 1966 BOSIKA. CONTES Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:40-04• BM.2007.005:40-04 SALLEE,P. 1966 1966.6.12-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :41-02 BM.2007.005.001/77:41-02 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA GABON; SALLEE,P. 1966 IPUMBWE Sous-table non exportée Sous-table non exportée Sorte de _balende_ des Shamaye• Photos. Film• CA = pluriarc à deux cordes• BM.2007.005:41-01 SALLEE,P. 1966 1966.6.12-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :41-03 BM.2007.005.001/77:41-03 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:41-01 SALLEE,P. 1966 1966.6.12-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :41-04 BM.2007.005.001/77:41-04 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:41-03 SALLEE,P. 1966 1966.6.12-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :42-01 BM.2007.005.001/77:42-01 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:41-04 SALLEE,P. 1966 1966.6.13-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :42-02 BM.2007.005.001/77:42-02 00:00:00 21/07/66 GABON MAKOKOU,EPASENDJE KOTA GABON; SALLEE,P. 1966 ESIKA. CONTE Sous-table non exportée Sous-table non exportée *Pierre Sallée indique : "même interprète que celui de _opungwe_"• BM.2007.005:42-01 SALLEE,P. 1966 1966.6.13-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :43-01 BM.2007.005.001/77:43-01 00:00:00 04/08/66 GABON LIBREVILLE,MIKOLONGO FANG MEKEME NKOMA GABON; SALLEE,P. 1966 MENGAME Sous-table non exportée Sous-table non exportée Danse de femmes assises• Correspond à un film en 16 mm• (Dans la colonne "exécution" de la fiche descriptive de la bobine, Pierre sallée indique : "1 Mbé, 1 Ngom et Bikwarq")• BM.2007.005:40-04 SALLEE,P. 1966 1966.6.14-01/N AFRIQUE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :02-01 BM.1967.005.001/32:02-01 00:06:02 04/01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP 50'' de silence au début 1'20" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :02-02 BM.1967.005.001/32:02-02 00:02:59 04/01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée 0'24" voix parlée• Vitesse 19 Piste PP 44" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :02-03 BM.1967.005.001/32:02-03 00:01:42 04/01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP 13" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :02-04 BM.1967.005.001/32:02-04 00:01:26 04/01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP Reste un peu de bande vierge• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :03-01 BM.1967.005.001/32:03-01 00:01:18 01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME ESSAI) Sous-table non exportée Sous-table non exportée Essai• Vitesse 19. Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :03-02 BM.1967.005.001/32:03-02 00:02:30 01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Chant "Ali ya"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :03-03 BM.1967.005.001/32:03-03 00:01:57 01/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE FEMME Sous-table non exportée Sous-table non exportée Chant "Ali ya"• Vitesse 19 Piste PP Le reste de la bande est vierge• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :04-02 BM.1967.005.001/32:04-02 00:08:43 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT "TITU" Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :05-01 BM.1967.005.001/32:05-01 00:15:57 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 SUITE DU RECIT DU GESAR Sous-table non exportée Sous-table non exportée Suite du récit du Gésar par Achi Karma de Pawa• Il faut toute la bande en une seule pièce même s'il y a du silence entre les passages. Vitesse 19. Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :06-01 BM.1967.005.001/32:06-01 00:16:02 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 INTERVIEW Sous-table non exportée Sous-table non exportée Interview de Norbu de Trimyer sur la famille de Norbu, le nom du village, de la musique, de la religion et de l'irrigation à Trimyer• Vitesse 19 Piste PP Il faut copier toute la bande sans séparation• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :07-01 BM.1967.005.001/32:07-01 00:06:33 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP 5" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :07-02 BM.1967.005.001/32:07-02 00:03:12 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Chant de danse Dowa Dowa Ké len dro par Norbu de Trimyer• Vitesse 19 Piste PP 7" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :07-03 BM.1967.005.001/32:07-03 00:01:23 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Chant de danse Kesari la cig sum... par Norbu de Trimyer• Vitesse 19 Piste PP 39" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :07-04 BM.1967.005.001/32:07-04 00:03:03 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Chant de danse Elemo Elemo par Norbu de Trimyer• Vitesse 19 Piste PP 6" de silence à la fin• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :07-05 BM.1967.005.001/32:07-05 00:00:30 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 BERCEUSE Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :08-01 BM.1967.005.001/32:08-01 00:16:02 06/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CEREMONIE PAR L'OFFICIANT LHA-PA Sous-table non exportée Sous-table non exportée Tambour à boules fouettantes. Le chien aboie• Vitesse 19 Piste PP Copier en une seule pièce• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :09-01 BM.1967.005.001/32:09-01 00:07:34 14/04/1961 NEPAL KEGAR NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 DUO DE VIELE PIWAN Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :09-02 BM.1967.005.001/32:09-02 00:08:04 14/04/1961 NEPAL KEGAR NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT ACCOMPAGNE DE 2 VIELES PIWAN Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :10-01 BM.1967.005.001/32:10-01 00:09:25 15/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 PRIERE DRE-DKAR Sous-table non exportée Sous-table non exportée 1'12" de silence avant la prière• Vitesse 19 Piste PP 1'12" de silence avant la prière• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :10-02 BM.1967.005.001/32:10-02 00:01:30 15/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 QUESTIONS SUR LA VIE DU DU.KAR Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP Le reste de la bande est encore vierge• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :11-01 BM.1967.005.001/32:11-01 00:05:04 15/04/1961 NEPAL KEGAR NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée Chant "Ré ba ré cim mu"/ "pü yül Lhasa co"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :11-02 BM.1967.005.001/32:11-02 00:07:02 15/04/1961 NEPAL KEGAR NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée Chant "gu wu la ta gu wa la" / "tari ba Lhasa cong né"• Vitesse 19 Piste PP 12" de silence• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :11-03 BM.1967.005.001/32:11-03 00:03:18 15/04/1961 NEPAL KEGAR NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée Chant "Emu yang se payul Lhasa"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :12-01 BM.1967.005.001/32:12-01 00:13:42 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 PRIERE DU LUBOM Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :12-02 BM.1967.005.001/32:12-02 00:01:17 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée Sifflement, chanté• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :12-03 BM.1967.005.001/32:12-03 00:01:04 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 QUESTIONS SUR LUBOMS Sous-table non exportée Sous-table non exportée Rire• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :13-01 BM.1967.005.001/32:13-01 00:15:52 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 HISTOIRE DE TARAP Sous-table non exportée Sous-table non exportée Histoire de Tarap par Lama Rinpoce et d'autres Lamas• Vitesse 19 Piste PP Copier en une seule pièce• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-01 BM.1967.005.001/32:14-01 00:04:02 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée "Denjok Tenzing Tarkyè gi numtar pcem"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-02 BM.1967.005.001/32:14-02 00:01:33 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée "gyol po cen po gyol cente si"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-03 BM.1967.005.001/32:14-03 00:03:14 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 PARLE Sous-table non exportée Sous-table non exportée "Numbu de gamba", "su diri", "Nyuri nè", "Tarap gi trapa"(instructions de 3 ans)• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-04 BM.1967.005.001/32:14-04 00:02:40 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée Offrandes et textes récités par les Lamas de Tarap• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-05 BM.1967.005.001/32:14-05 00:01:48 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT Sous-table non exportée Sous-table non exportée "Denjok Tenzing Tarkyé gi numtar"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :14-06 BM.1967.005.001/32:14-06 00:02:41 27/04/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT ET DISCUSSION Sous-table non exportée Sous-table non exportée "Denjok Tenzing Tarkyé gi numtar"• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :15-01 BM.1967.005.001/32:15-01 00:01:00 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 SOLO DE LUTH Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :15-02 BM.1967.005.001/32:15-02 00:01:45 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 SOLO DE LUTH Sous-table non exportée Sous-table non exportée Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :15-03 BM.1967.005.001/32:15-03 00:12:04 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 SOLO DE LUTH Sous-table non exportée Sous-table non exportée Quelques pièces successives• Vitesse 19 Piste PP Le reste de la bande est encore vierge• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :16-01 BM.1967.005.001/32:16-01 00:06:20 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT GINI GESAR Sous-table non exportée Sous-table non exportée Chant Gini Gesar par Khom Po• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :16-02 BM.1967.005.001/32:16-02 00:06:20 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT GINI GESAR (SUITE) Sous-table non exportée Sous-table non exportée Chant Gini Gesar par Khom Po• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 0 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :17-01 BM.1967.005.001/32:17-01 00:16:10 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT LIN GESAR Sous-table non exportée Sous-table non exportée ChantLin Gesar par Tasi Tondrup (Khom Po). Chanté et récité• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :18-01 BM.1967.005.001/32:18-01 00:15:57 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT LIN GESAR Sous-table non exportée Sous-table non exportée ChantLin Gesar par Tasi Tondrup (Khom Po). Chanté et récité• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :19-01 BM.1967.005.001/32:19-01 00:10:58 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 CHANT LIN GESAR Sous-table non exportée Sous-table non exportée ChantLin Gesar par Tasi Tondrup (Khom Po). Chanté et récité• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 :19-02 BM.1967.005.001/32:19-02 00:02:57 02/05/1961 NEPAL NEPALAIS JEST,C.;TIBET & NEPAL;1960-61 LISTE DES LEU DE L'EPOPEE Sous-table non exportée Sous-table non exportée Liste des leü, parlé et récité• Vitesse 19 Piste PP• JEST,CORNEILLE 1961 ASIE +BM.1997.004 CDR BM.1997.004.001/14 :01-02 BM.1997.004.001/14:01-02 00:10:51 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" Sous-table non exportée IZWIRRIGN Sous-table non exportée Une trentaine de jeunes filles et quelques femmes. Début du parcours du rituel,qui a lieu la nuit, entre le centre du village et le cimetière • Séquence de 6 chants. AVEC 6 MARQUEURS: _01 à _06. V-VOIX = cris ponctuels.• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :01-03 BM.1997.004.001/14:01-03 00:29:16 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" (SUITE) Sous-table non exportée ** Sous-table non exportée Une trentaine de jeunes filles et quelques femmes. Début du parcours du rituel,qui a lieu la nuit, entre le centre du village et le cimetière • **Izwirrign (double choeur) , tizrrarin (chants responsoriaux),ahwash (danse chantée) Séquence de 4 pièces AVEC 4 MARQUEURS: _01 à _04. VC-CHANTE F = différents chants:1/ double choeur puis danse chantée accompagné d'un tbr _ganga_ et de battements de mains ; 2/ chants responsoriaux ; 3/ double choeur ; battements de mains, tbr _ganga_ , puis chants responsoriaux. : 4/ danse chantée, puis double choeur et chants responsoriaux. V-VOIX = cris ponctuels.• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :01-04 BM.1997.004.001/14:01-04 00:03:54 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" (SUITE) Sous-table non exportée AHWASH Sous-table non exportée Une trentaine de jeunes filles et quelques femmes. La nuit, au centre du village• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :01-05 BM.1997.004.001/14:01-05 00:05:00 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" (SUITE) Sous-table non exportée AHWASH Sous-table non exportée Une trentaine de jeunes filles et quelques femmes. La nuit, au centre du village• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :01-06 BM.1997.004.001/14:01-06 00:02:10 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" (SUITE) Sous-table non exportée AHWASH Sous-table non exportée Une trentaine de jeunes filles et quelques femmes. La nuit, au centre du village• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :01-07 BM.1997.004.001/14:01-07 00:13:44 1996_05_27 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 RITUEL DE LA "MARIEE D'ACHOURA" (FIN) Sous-table non exportée IZWIRRIGN Sous-table non exportée Une trentaine de jeunes filles et quelques femmes.La nuit, au centre du village• Séquence de 9chants. AVEC 9 MARQUEURS: _01 à _09. V-VOIX = cris ponctuels• ROVSING OLSEN,MIRIAM 1996 Dat 1 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :02-01 BM.1997.004.001/14:02-01 00:08:24 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AHWASH Sous-table non exportée ROVSING OLSEN,MIRIAM 1996 Dat 2 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :02-02 BM.1997.004.001/14:02-02 00:17:28 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AHNAQQAR Sous-table non exportée Joute poétique et danse en ronde• Joute entre deux poètes chanteurs• ROVSING OLSEN,MIRIAM 1996 Dat 2 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :02-03 BM.1997.004.001/14:02-03 00:28:55 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AGUAL Sous-table non exportée ROVSING OLSEN,MIRIAM 1996 ++ Dat 2 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :05_18 BM.1974.013.001/52:05_18 00:04:25 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELANDA 3: INTERLUDE Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo. interlude entre deux reprises du choeur pendant la danse Elanda, chanté, parlé, cris F, grondements, claquements de mains, Cf. indications in cahier notes de terrain G.Rouget (p.135) NB : copie de la bande magnétique BM.1974.013.9 plage 8 • ROUGET,GILBERT 1946 Pyral_face_134 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_02 BM.1974.013.001/52:06_02 00:03:08 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 5 Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Rouget (p.135-136) : choeurs et conversations (interlude ?) NB : copie de la bande magnétique BM.1974.013.10 plage 2• ROUGET,GILBERT 1946 Pyral_face_136 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_03 BM.1974.013.001/52:06_03 00:04:42 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 6 Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• édité MH 48-47 B24-b• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Rouget (p.135-136) : choeurs, cris des femmes et ronflements des hommes, meilleure prise de la danse Elenda, quelques conversations, NB : copie de la bande magnétique BM.1974.013.10 plage 3• ROUGET,GILBERT 1946 Pyral_face_137 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_04 BM.1974.013.001/52:06_04 00:02:51 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 7 : INTERLUDE Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Rouget (p.135-136) : interlude entre deux reprises du choeur, cris yodlés des femmes et ronflements des hommes, conversations, NB : copie de la bande magnétique BM.1974.013.10 plage 4• ROUGET,GILBERT 1946 Pyral_face_138 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_05 BM.1974.013.001/52:06_05 00:04:22 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 8 Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo, Cf; indications in cahier notes de terrain G.Royget (p.135-136) : choeurs, très bon après 01'30, en majorité par de jeunes gens, NB : copie de la bande magnétique BM.1974.013.10 plage 5• ROUGET,GILBERT 0 Pyral_face_139 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_06 BM.1974.013.001/52:06_06 00:04:22 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE ELENDA 9 Sous-table non exportée Sous-table non exportée Danse mixte de divertissement dite elenda. Disposés en deux lignes respectives se faisant face sur la place du campement (entre les huttes), H et F dansent, chantent et battent des mains à intervalle régulier, se rapprochant ou s'écartant alternativement de la ligne opposée. Ils forment pratiquement un cercle en rotation sur lui même, les battements de mains interviennant lorsque les 2 lignes s'avancent l'une vers l'autre. La musique est essentiellement vocale, accompagnée de battements de mains, et s'organise en deux mouvements successifs et contrastés, chacun en 2 parties : celle des hommes et des femmes. Le premier consiste en un ostinato polyphonique et sans yodel, à l'unisson pour les hommes et divisé pour les femmes. Le second consiste en 2 parties indépendantes : les femmes exécutant un "concert de cris" organisé en hoquet, avec différents timbres, aigus et suraigus ; et les hommes exécutent un "grondement rythmique" court souligné par le bruit des pieds frappant le sol. L'enchainement des 2 mouvements durent entre 5 et 8 minutes, suivi d'une courte pause avant de recommencer sur un autre air. Sur cette danse, cf. G.Rouget, 2004 «L'efficacité musicale: musiquer pour survivre. Le cas des Pygmées», L'Homme, Revue française d'anthropologie n° 171-172: 27-52.• * campement près du village de Gatongo, Cf. indications in cahier notes de terrain G.Royget (p.135-136) : cris des femmes, ronflement des hommes, très bon, toux, pleurs d'enfants, Fin de la danse, NB : copie de la bande magnétique BM.1974.013.10 plage 6• ROUGET,GILBERT 1946 Pyral_face_140 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_08 BM.1974.013.001/52:06_08 00:04:10 14/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE EBANDJO 2 Sous-table non exportée Sous-table non exportée musique de danse et de joute ?• * campement près du village de Gatongo, choeur et tambours avec plusieurs interruptions, avec conversations, cris, pleurs d'enfants, M- = 2 tambours ébandjo joués avec baguettes, Cf. autres musique dite "bandjo" pour danse et joute : CD 09 plages 9 et 10. NB : copie de la bande magnétique BM.1974.013.10 plage 7 • ROUGET,GILBERT 1946 Pyral_face_142 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_10 BM.1974.013.001/52:06_10 00:04:28 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON MUSIQUE EBANDJO 4 Sous-table non exportée Sous-table non exportée musique de danse et de joute?• * campement près du village de Gatongo, M- = 2 tambours, baguettes et mains, Cf. autres musique dite "bandjo" pour danse et joute : CD 09 plages 9 et 10. Cf. indications in cahier notes de terrain G.Rouget (p.137-138) : en 2 parties, 1ère partie, fin à 01'27, 2 ème partie : 02'00 : entrée des tambours plus tardive ; avec cris et conversations, NB : copie de la bande magnétique BM.1974.013.11 plage 2 • ROUGET,GILBERT 1946 Pyral_face_144 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :44-01 BM.2007.005.001/77:44-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 GENALOGIE OYEK Sous-table non exportée Sous-table non exportée BM.2007.005:40-04 SALLEE,P. 1966 1966.7.01-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :44-02 BM.2007.005.001/77:44-02 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 ENQUETE SUR LA FORMULE DE PURIFICATION NKAKWA MELENE Sous-table non exportée Sous-table non exportée BM.2007.005:44-01 SALLEE,P. 1966 1966.7.01-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :45-01 BM.2007.005.001/77:45-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée BM.2007.005:44-02 SALLEE,P. 1966 1966.7.02-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :46-01 BM.2007.005.001/77:46-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:45-01• BM.2007.005:45-01 SALLEE,P. 1966 1966.7.03-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :47-01 BM.2007.005.001/77:47-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:46-01• BM.2007.005:46-01 SALLEE,P. 1966 1966.7.04-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :48-01 BM.2007.005.001/77:48-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:47-01• BM.2007.005:47-01 SALLEE,P. 1966 1966.7.05-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-01 BM.2007.005.001/77:49-01 00:00:00 01/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:48-01• BM.2007.005:48-01 SALLEE,P. 1966 1966.7.06-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-02 BM.2007.005.001/77:49-02 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 ENQUETE SUR LE MVET ET AUTRES SUJETS Sous-table non exportée Sous-table non exportée BM.2007.005:49-01 SALLEE,P. 1966 1966.7.06-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-03 BM.2007.005.001/77:49-03 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:49-02 SALLEE,P. 1966 1966.7.06-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-04 BM.2007.005.001/77:49-04 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG MEKE GABON; SALLEE,P. 1966 ENQUETE SUR LE MVET Sous-table non exportée Sous-table non exportée Enquête sur les coutumes autour du _mvet_. Interdits et tribus• Suite de BM.2007.005:49-02• BM.2007.005:49-03 SALLEE,P. 1966 1966.7.06-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-05 BM.2007.005.001/77:49-05 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG MEKE GABON; SALLEE,P. 1966 VACCINATION DE NDONGO EYOGHO Sous-table non exportée Sous-table non exportée BM.2007.005:49-04 SALLEE,P. 1966 1966.7.06-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-06 BM.2007.005.001/77:49-06 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG MEKE GABON; SALLEE,P. 1966 GENEALOGIE Sous-table non exportée Sous-table non exportée Généalogie de Ndutume Mba. (Pierre Sallée note en observations : "Emvono et Ndü")• BM.2007.005:49-05 SALLEE,P. 1966 1966.7.06-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-07 BM.2007.005.001/77:49-07 00:00:00 02/09/66 GABON MEDOUNEU,NZOGHEBOR FANG OKAK GABON; SALLEE,P. 1966 GENEALOGIE ET QUESTIONNAIRE Sous-table non exportée Sous-table non exportée Généalogie et questionnaire de Nzoghe Ndong (Emvone Nzame)• BM.2007.005:49-06 SALLEE,P. 1966 1966.7.06-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-08 BM.2007.005.001/77:49-08 00:00:00 02/09/66 GABON MEDOUNEU,NZOGHEBOR FANG OKAK GABON; SALLEE,P. 1966 GENEALOGIE ET QUESTIONNAIRE Sous-table non exportée Sous-table non exportée Généalogie et questionnaire d'un autre vieux (Adzap Bogha), deuxième descendance d'Emvono• BM.2007.005:49-07 SALLEE,P. 1966 1966.7.06-08/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :49-09 BM.2007.005.001/77:49-09 00:00:00 02/09/66 GABON MEDOUNEU,NZOGHEBOR FANG OKAK GABON; SALLEE,P. 1966 ENQUETE SUR BYERI Sous-table non exportée Sous-table non exportée Enquête sur _byeri_ et le nom qu'on lui donne• BM.2007.005:49-08 SALLEE,P. 1966 1966.7.06-09/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :50-01 BM.2007.005.001/77:50-01 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:49-09 SALLEE,P. 1966 1966.7.07-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :51-01 BM.2007.005.001/77:51-01 00:00:00 02/09/66 GABON MEDOUNEU,AKOGA FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:50-01 SALLEE,P. 1966 1966.7.08-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :52-01 BM.2007.005.001/77:52-01 00:00:00 02/09/66 GABON MEDOUNEU,NZOGHEBOR FANG OKAK GABON; SALLEE,P. 1966 ENQUETE SUR MELANE ET BYERI Sous-table non exportée Sous-table non exportée (Notes de Pierre Sallée en observation : "Mal enregistré bande à l'envers")• BM.2007.005:51-01 SALLEE,P. 1966 1966.7.09-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :52-02 BM.2007.005.001/77:52-02 00:00:00 03/09/66 GABON MEDOUNEU,MVEIGN FANG OKAK GABON; SALLEE,P. 1966 GENEALOGIE ET ENQUETE SUR OYEK Sous-table non exportée Sous-table non exportée *Informateurs : Joseph Zemba et Gaston Nzoghe• BM.2007.005:52-01 SALLEE,P. 1966 1966.7.09-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :52-03 BM.2007.005.001/77:52-03 00:00:00 03/09/66 GABON MEDOUNEU,POSTE FANG OKAK GABON; SALLEE,P. 1966 BWITI NDEA Sous-table non exportée Sous-table non exportée Photos en noir et blanc et en couleur• BM.2007.005:52-02 SALLEE,P. 1966 1966.7.09-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :53-01 BM.2007.005.001/77:53-01 00:00:00 03/09/66 GABON MEDOUNEU,POSTE FANG OKAK GABON; SALLEE,P. 1966 BWITI NDEA Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:52-03• BM.2007.005:52-03 SALLEE,P. 1966 1966.7.10-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-01 BM.2007.005.001/77:54-01 00:00:00 03/09/66 GABON MEDOUNEU FANG OKAK GABON; SALLEE,P. 1966 BWITI NDEA Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:53-01• BM.2007.005:53-01 SALLEE,P. 1966 1966.7.11-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-02 BM.2007.005.001/77:54-02 00:00:00 04/09/66 GABON MEDOUNEU,NKPWALA FANG OKAK GABON; SALLEE,P. 1966 DESCENDANCE D'EMVONO OYEK Sous-table non exportée Sous-table non exportée BM.2007.005:54-01 SALLEE,P. 1966 1966.7.11-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-03 BM.2007.005.001/77:54-03 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:54-02 SALLEE,P. 1966 1966.7.11-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-04 BM.2007.005.001/77:54-04 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:54-03 SALLEE,P. 1966 1966.7.11-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-05 BM.2007.005.001/77:54-05 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:54-04 SALLEE,P. 1966 1966.7.11-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-06 BM.2007.005.001/77:54-06 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:54-05 SALLEE,P. 1966 1966.7.11-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-07 BM.2007.005.001/77:54-07 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:54-06 SALLEE,P. 1966 1966.7.11-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :54-08 BM.2007.005.001/77:54-08 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NZEGO OKONE. LA GAZELLE ET LA PANTHERE Sous-table non exportée Sous-table non exportée (Pierre Sallée note en observation : "_owone nkwadu_")• BM.2007.005:54-07 SALLEE,P. 1966 1966.7.11-08/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :55-01 BM.2007.005.001/77:55-01 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 GENEALOGIE EMVONE ET CONTE ENFORME DE PROVERBE Sous-table non exportée Sous-table non exportée (Pierre Sallée note en observation : "_bon conteur_")• BM.2007.005:54-08 SALLEE,P. 1966 1966.7.12-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :55-02 BM.2007.005.001/77:55-02 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE AYAP Sous-table non exportée Sous-table non exportée (Pierre Sallée note en observation : "_conte très intéressant_")• BM.2007.005:55-01 SALLEE,P. 1966 1966.7.12-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :55-03 BM.2007.005.001/77:55-03 00:00:00 10/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 NGANE Sous-table non exportée Sous-table non exportée Initiation silure-tortue-éléphant. Initiation de mariage. Rite pour brus. avec chants de _mengane_, avec chants différents chaque fois. Ancienne danseuse de _mengane_• BM.2007.005:55-02 SALLEE,P. 1966 1966.7.12-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :55-04 BM.2007.005.001/77:55-04 00:00:00 11/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 ETUDE DE MBE Sous-table non exportée Sous-table non exportée Etude de _mbe_ avec nom des différents sons• Photos• BM.2007.005:55-02 SALLEE,P. 1966 1966.7.12-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :55-05 BM.2007.005.001/77:55-05 00:00:00 11/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 MBE ET NGOM Sous-table non exportée Sous-table non exportée Photos• BM.2007.005:55-04 SALLEE,P. 1966 1966.7.12-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-01 BM.2007.005.001/77:56-01 00:00:00 11/09/66 GABON ACONIBE,AFANAM FANG OKAK GABON; SALLEE,P. 1966 ETUDE DU MBE Sous-table non exportée Sous-table non exportée Photos• Sonorité d'un cinquième son• BM.2007.005:55-05 SALLEE,P. 1966 1966.7.13-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-02 BM.2007.005.001/77:56-02 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 CHANTS DE JOIE A L'ARRIVEE D'ELIE Sous-table non exportée Sous-table non exportée BM.2007.005:56-01 SALLEE,P. 1966 1966.7.13-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-03 BM.2007.005.001/77:56-03 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE Sous-table non exportée Sous-table non exportée Les _esang_ et les _ebian_ : ogres cannildes• V = _ndan ekoga_ : onomatopées du son des tambours joués chez les ogres• BM.2007.005:56-02 SALLEE,P. 1966 1966.7.13-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-04 BM.2007.005.001/77:56-04 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée Conte sur les _ebian_ (ogres cannildes). *Mère d'Elie• BM.2007.005:56-03 SALLEE,P. 1966 1966.7.13-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-05 BM.2007.005.001/77:56-05 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée Conte sur la chasse (proverbe)• BM.2007.005:56-04 SALLEE,P. 1966 1966.7.13-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-06 BM.2007.005.001/77:56-06 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 LES TROIS FORTS Sous-table non exportée Sous-table non exportée BM.2007.005:56-05 SALLEE,P. 1966 1966.7.13-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :56-07 BM.2007.005.001/77:56-07 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 CONTE Sous-table non exportée Sous-table non exportée Le titre du conte est indiqué sur l'enregistrement• BM.2007.005:56-06 SALLEE,P. 1966 1966.7.13-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-01 BM.2007.005.001/77:57-01 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 CONTE Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:56-07. Le titre du conte est indiqué sur l'enregistrement• BM.2007.005:56-07 SALLEE,P. 1966 1966.7.14-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-02 BM.2007.005.001/77:57-02 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 DEVINETTE Sous-table non exportée Sous-table non exportée BM.2007.005:57-01 SALLEE,P. 1966 1966.7.14-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-03 BM.2007.005.001/77:57-03 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 DEVINETTE Sous-table non exportée Sous-table non exportée Devinette en forme de chanson avec citation de noms d'oiseaux• BM.2007.005:57-02 SALLEE,P. 1966 1966.7.14-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-04 BM.2007.005.001/77:57-04 00:00:00 12/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 DEVINETTES Sous-table non exportée Sous-table non exportée BM.2007.005:57-02 SALLEE,P. 1966 1966.7.14-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-05 BM.2007.005.001/77:57-05 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 CHANTS DE MARIAGE Sous-table non exportée Sous-table non exportée BM.2007.005:57-02 SALLEE,P. 1966 1966.7.14-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-06 BM.2007.005.001/77:57-06 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 BERCEUSE KIA KIAO MBELE MONE ANA MA WU Sous-table non exportée Sous-table non exportée BM.2007.005:57-02 SALLEE,P. 1966 1966.7.14-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :57-07 BM.2007.005.001/77:57-07 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 PROVERBE Sous-table non exportée Sous-table non exportée BM.2007.005:57-06 SALLEE,P. 1966 1966.7.14-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :58-01 BM.2007.005.001/77:58-01 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Chant de travail pour tirer les longrines d'un pont• BM.2007.005:57-07 SALLEE,P. 1966 1966.7.15-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :58-02 BM.2007.005.001/77:58-02 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 RECIT SUR LA VIE D'AUTREFOIS Sous-table non exportée Sous-table non exportée Guerre, incestes, _ande nkol ngu_• BM.2007.005:58-01 SALLEE,P. 1966 1966.7.15-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :58-03 BM.2007.005.001/77:58-03 00:00:00 13/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:58-01 SALLEE,P. 1966 1966.7.15-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :59-01 BM.2007.005.001/77:59-01 00:00:00 14/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:58-03 SALLEE,P. 1966 1966.7.16-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :59-02 BM.2007.005.001/77:59-02 00:00:00 14/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:59-01 SALLEE,P. 1966 1966.7.16-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :59-03 BM.2007.005.001/77:59-03 00:00:00 14/09/66 GABON BITAM,MELEME FANG NTUMU GABON; SALLEE,P. 1966 NGANE. CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:59-01 SALLEE,P. 1966 1966.7.16-03/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_13 BM.1974.013.001/52:06_13 00:04:14 14/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON 2 CHANTS POUR ENFANTS (CHASSE ET BERCEUSE 2) Sous-table non exportée Sous-table non exportée 1er chant : pour que l'enfant n'ait pas peur en partant à la chasse ; 2ème chant (à 02'15): berceuse• * campement près du village de Gatongo, chanté solo F, yodlé, Nb : copie de la bande magnétique BM.1974.013.11 plage 5• ROUGET,GILBERT 1946 Pyral_face_147 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_15 BM.1974.013.001/52:06_15 00:04:45 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 2 Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas• * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain de G.Rouget (p.143) : chant solo souvent interrompu, NB : copie de la bande magnétique BM.1974.013.11 plage 7 • ROUGET,GILBERT 1946 Pyral_face_149 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_16 BM.1974.013.001/52:06_16 00:00:26 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 3 Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain de G.Rouget (p.143) : prise en plein choeur, très courte, NB : copie de la bande magnétique BM.1974.013.11 plage 8 • ROUGET,GILBERT 1946 Pyral_face_150 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :06_18 BM.1974.013.001/52:06_18 00:04:42 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO 5 (CHANT) Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.143): seulement chanté, pas d'instrumentation, hors situation ? chanté solo H + choeur H + ambiance et oiseaux , disque pyral original en mauvais état (craquements) ; NB : copie de la bande magnétique BM.1974.013.12 plage 2 • ROUGET,GILBERT 1946 Pyral_face_152 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_01 BM.1974.013.001/52:07_01 00:04:51 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO? 6 (CHANT) Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.143): seulement chanté, pas d'instrumentation, hors situation ? chanté solo H + choeur H + ambiance et oiseaux , disque pyral original en mauvais état (craquements) le choeur chante le style dit "yéli" (chant choral yodlé propre aux femmes); NB : copie de la bande magnétique BM.1974.013.12 plage 3 • ROUGET,GILBERT 1946 Pyral_face_153 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_02 BM.1974.013.001/52:07_02 00:04:50 16/09/46 CONGO OUESSO / GATONGO * PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO? 7 (CHANT) Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier notes de terrain G.Rouget (p.144): seulement chanté, pas d'instrumentation, hors situation ? ambiance et oiseaux , cris de chasse appelés mongonbi (lié à la chasse aux zèbres); disque pyral original en mauvais état (craquements) , NB : copie de la bande magnétique BM.1974.013.12 plage 4 • ROUGET,GILBERT 1946 Pyral_face_154 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-01 BM.1997.004.001/14:03-01 00:30:44 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AGUAL Sous-table non exportée Danse en ronde. Séquence de 3_agual_ (= chants dansés); durées : 08'32" , 17'36" , 04'36". AVEC 3 MARQUEURS: _01 à _03. IF-NAQUS : dans les séquences 2 et 3. Dans la 3eme séquence : chants responsoriaux _Tazrrart_ émanant de groupes dans le public• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_07 BM.1974.013.001/52:07_07 00:02:23 16/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CRIS DE CHASSE 2 Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo, Babenzélé des Iassoua et Gatongo réunis, Cf. indications in cahier note de terrain G.Rouget (p.145) : cris de chasse avec branchages agités, en déplacement, début très bon, avec des interruptions et différence de niveau, NB : copie de la bande magnétique BM.1974.013.12 plage 8• BM.1974.013.001/52:07_06 ROUGET,GILBERT 1946 Pyral_face_159 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-03 BM.1997.004.001/14:03-03 00:08:57 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 FETE DE SIBA' (=POUR LE 7ME JOUR DE LA NAISSANCE D'UN ENFANT) Sous-table non exportée AGUAL Sous-table non exportée Danse en ronde• Fin de l' _agual_ précédent• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-04 BM.1997.004.001/14:03-04 00:00:09 nuit 31/05 au 01/6 MAROC ANTI-ATLAS ISAFFN MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 EXTRAIT RALENTI DE LA 1ERE SEQUENCE DE LA PLAGE -02 Sous-table non exportée AGUAL Sous-table non exportée Danse en ronde• Extrait : peu après le début de l'intervention des tambours• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_13 BM.1974.013.001/52:07_13 00:03:27 16/09/46 CONGO OUESSO / GATONGO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE : SOLO 2 ET GAMME Sous-table non exportée Sous-table non exportée 2ème partie : la gamme : édité MH48-27 B 7.b 1ère plage • * campement près du village de Gatongo, - IFP - = xylophone portatif mangia, Cf. indications sur l'instrument in cahier note de terrain G.Rouget (p.147-148) : en 2 parties : 1ère partie : solo, fin à 02'50, puis 2ème partie : gamme (4 x), NB : copie de la bande magnétique BM.1974.013.13 plage 6• ROUGET,GILBERT 1946 Pyral_face_166 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_15 BM.1974.013.001/52:07_15 00:03:57 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR ET DANSE DJANGA 2 Sous-table non exportée Sous-table non exportée Danse de parodie• * campement près du village de Gatongo, -M - = 3 tambours battus avec baguettes, voir si tambours ndumu ? Cf. indications in cahoer notes de terrain G.Rouget (p.120 : sur les tambours Ndumu +p.149) : danse avec rires et parlé, NB : copie de la bande magnétique BM.1974.013.13 plage 8 • ROUGET,GILBERT 1946 Pyral_face_168 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_16 BM.1974.013.001/52:07_16 00:04:36 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR ET DANSE DJANGA 3 Sous-table non exportée Sous-table non exportée Danse de parodie• * campement près du village de Gatongo, -M - = 3 tambours battus avec baguettes, voir si tambours ndumu ? Cf. indications in cahoer notes de terrain G.Rouget (p.120 : sur les tambours Ndumu +p.150) : danse avec rires et parlé, en 2 parties : 1ère : fin à 01'30, 2ème : reprise en plein choeur, prédominance des femmes, exhortations ; NB : copie de la bande magnétique BM.1974.013.13 plage 9 • ROUGET,GILBERT 1946 Pyral_face_169 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_17 BM.1974.013.001/52:07_17 00:01:46 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR ET DANSE DJANGA 4 Sous-table non exportée Sous-table non exportée Danse de parodie• * campement près du village de Gatongo, -M - = 3 tambours battus avec baguettes, voir si tambours ndumu ? Cf. indications in cahoer notes de terrain G.Rouget (p.120 : sur les tambours Ndumu +p.150) : très bon choeur, prédominance des femmes, pleurs d'enfants ; NB : copie de la bande magnétique BM.1974.013.13 plage 10 • ROUGET,GILBERT 1946 Pyral_face_170 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_18 BM.1974.013.001/52:07_18 00:03:20 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR ET DANSE DJANGA 5 Sous-table non exportée Sous-table non exportée Danse de parodie• * campement près du village de Gatongo, -M - = 3 tambours battus avec baguettes, voir si tambours ndumu ? Cf. indications in cahier notes de terrain G.Rouget (p.120 : sur les tambours Ndumu +p.150) : choeur irrégulier, NB : copie de la bande magnétique BM.1974.013.14 plage 1 • ROUGET,GILBERT 1946 Pyral_face_171 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-05 BM.1997.004.001/14:03-05 00:07:34 1996-07_03 MAROC HAUT-ATLAS OCC., IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de dépiquage• Exemples médiocres• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-06 BM.1997.004.001/14:03-06 00:04:01 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de dépiquage• Exemples médiocres• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-07 BM.1997.004.001/14:03-07 00:01:07 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de dépiquage• Exemples médiocres• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-08 BM.1997.004.001/14:03-08 00:01:40 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-01 BM.2007.005.001/77:60-01 00:00:00 19/09/66 GABON BITAM,MIKUMU FANG NTUMU GABON; SALLEE,P. 1966 SEANCE DE GUERISON. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:59-03 SALLEE,P. 1966 1966.7.17-01/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-09 BM.1997.004.001/14:03-09 00:03:40 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-10 BM.1997.004.001/14:03-10 00:03:41 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-11 BM.1997.004.001/14:03-11 00:03:03 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-12 BM.1997.004.001/14:03-12 00:02:49 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :03-13 BM.1997.004.001/14:03-13 00:03:09 1996-07_03 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée LADKAR Sous-table non exportée Chant de vannage• ROVSING OLSEN,MIRIAM 1996 Dat 3 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-15 BM.1997.004.001/14:04-15 00:08:30 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS DE DEPIQUAGE (1/9*) Sous-table non exportée LADKAR Sous-table non exportée Chant dedépiquage (=_rrwa_), Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04) • ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-16 BM.1997.004.001/14:04-16 00:07:38 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS DE DEPIQUAGE (2/9*) Sous-table non exportée LADKAR Sous-table non exportée Chant dedépiquage (=_rrwa_), Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04)• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-02 BM.2007.005.001/77:60-02 00:00:00 19/09/66 GABON BITAM,MIKUMU FANG NTUMU GABON; SALLEE,P. 1966 ETUDE DU MIRLITON ET DEBUT DE LA SEANCE DE GUERISON Sous-table non exportée Sous-table non exportée Allogho Assumu, voyant de Melène• Photos• IFC = petit tambour de bois• BM.2007.005:60-01 SALLEE,P. 1966 1966.7.17-02/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-17 BM.1997.004.001/14:04-17 00:05:20 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS DE DEPIQUAGE (3/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04)• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-18 BM.1997.004.001/14:04-18 00:01:55 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS DE DEPIQUAGE (4/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04)• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-19 BM.1997.004.001/14:04-19 00:03:27 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS DE DEPIQUAGE (5/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04)• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-03 BM.2007.005.001/77:60-03 00:00:00 19/09/66 GABON BITAM,MIKUMU FANG NTUMU GABON; SALLEE,P. 1966 DISCOURS DU GUERISSEUR ET DANSE Sous-table non exportée Sous-table non exportée Allogho Assumu, voyant de Melène• Photos• IFC = petit tambour de bois• BM.2007.005:60-02 SALLEE,P. 1966 1966.7.17-03/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-04 BM.2007.005.001/77:60-04 00:00:00 19/09/66 GABON BITAM,MIKUMU FANG NTUMU GABON; SALLEE,P. 1966 SEANCE DE GUERISON. AUTRE CHOEUR Sous-table non exportée Sous-table non exportée Allogho Assumu, voyant de Melène• Photos• IFC = petit tambour de bois• BM.2007.005:60-03 SALLEE,P. 1966 1966.7.17-04/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-05 BM.2007.005.001/77:60-05 00:00:00 19/09/66 GABON BITAM,MIKUMU FANG NTUMU GABON; SALLEE,P. 1966 SEANCE DE GUERISON. VOIX MASQUEE ET LITANIES Sous-table non exportée Sous-table non exportée Allogho Assumu, voyant de Melène• Photos• IFC = petit tambour de bois• BM.2007.005:60-04 SALLEE,P. 1966 1966.7.17-05/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-06 BM.2007.005.001/77:60-06 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 MEDZANG ME YE EKABA Sous-table non exportée Sous-table non exportée Etude des lames des cinq xylophones et noms des instruments• BM.2007.005:60-05 SALLEE,P. 1966 1966.7.17-06/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-07 BM.2007.005.001/77:60-07 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 PREMIER MORCEAU Sous-table non exportée Sous-table non exportée BM.2007.005:60-06 SALLEE,P. 1966 1966.7.17-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-08 BM.2007.005.001/77:60-08 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 MA KE MA YI WA Sous-table non exportée Sous-table non exportée BM.2007.005:60-07 SALLEE,P. 1966 1966.7.17-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :60-09 BM.2007.005.001/77:60-09 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 ASIKO MENZAN Sous-table non exportée Sous-table non exportée BM.2007.005:60-08 SALLEE,P. 1966 1966.7.17-09/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-01 BM.2007.005.001/77:61-01 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 MENZAN ME YEKABA Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:60-09• BM.2007.005:60-09 SALLEE,P. 1966 1966.7.18-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-02 BM.2007.005.001/77:61-02 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 LEON MBA MBOLO Sous-table non exportée Sous-table non exportée BM.2007.005:61-01 SALLEE,P. 1966 1966.7.18-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-03 BM.2007.005.001/77:61-03 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 LEON MBA MBOLO Sous-table non exportée Sous-table non exportée Même chant que BM.2007.005:61-02, avec étude de xylophones• BM.2007.005:61-02 SALLEE,P. 1966 1966.7.18-03/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-01 BM.1997.004.001/14:04-01 00:04:33 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA Sous-table non exportée IZWIRRIGN Sous-table non exportée Chant pour la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-02 BM.1997.004.001/14:04-02 00:02:38 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA (1) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-03 BM.1997.004.001/14:04-03 00:03:27 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA (2) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-04 BM.1997.004.001/14:04-04 00:07:03 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA (3) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-05 BM.1997.004.001/14:04-05 00:02:19 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA (4) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-04 BM.2007.005.001/77:61-04 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 MENZAN ME YA MVANE E ME MA LOR Sous-table non exportée Sous-table non exportée BM.2007.005:61-03 SALLEE,P. 1966 1966.7.18-04/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-06 BM.1997.004.001/14:04-06 00:02:41 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA (5) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-05 BM.2007.005.001/77:61-05 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 LEON MBA A BO VE? Sous-table non exportée Sous-table non exportée BM.2007.005:61-04 SALLEE,P. 1966 1966.7.18-05/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-07 BM.1997.004.001/14:04-07 00:04:28 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA (6) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-06 BM.2007.005.001/77:61-06 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 MA ME NE EVINI ATEBA MBAN Sous-table non exportée Sous-table non exportée BM.2007.005:61-05 SALLEE,P. 1966 1966.7.18-06/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-08 BM.1997.004.001/14:04-08 00:04:32 1996_06_02 MAROC ANTI-ATLAS IDA OUZDDOUT MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANTS A CAPELLA (7) Sous-table non exportée TAZRRART Sous-table non exportée Chants pour le repas de la fin de la moisson• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-07 BM.2007.005.001/77:61-07 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 YE O NGA WOK MBANA Sous-table non exportée Sous-table non exportée BM.2007.005:61-06 SALLEE,P. 1966 1966.7.18-07/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :61-08 BM.2007.005.001/77:61-08 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:61-01 SALLEE,P. 1966 1966.7.18-08/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :62-01 BM.2007.005.001/77:62-01 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 PREMIER CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:61-08 SALLEE,P. 1966 1966.7.19-01/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-09 BM.1997.004.001/14:04-09 00:05:06 1996_06_15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de retour des moissons, jeunes filles en cortège• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-10 BM.1997.004.001/14:04-10 00:02:47 1996_06-15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de retour des moissons, jeunes filles en cortège• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-11 BM.1997.004.001/14:04-11 00:04:35 1996_06_15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de retour des moissons, jeunes filles en cortège• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-12 BM.1997.004.001/14:04-12 00:01:35 1996_06_15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de retour des moissons, jeunes filles en cortège• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-01 BM.2007.005.001/77:63-01 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 PREMIER CONTE Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:61-08• BM.2007.005:61-08 SALLEE,P. 1966 1966.7.20-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-02 BM.2007.005.001/77:63-02 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 DEUXIEME CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:63-01 SALLEE,P. 1966 1966.7.20-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-03 BM.2007.005.001/77:63-03 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 TROISIEME CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:63-02 SALLEE,P. 1966 1966.7.20-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-04 BM.2007.005.001/77:63-04 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 QUATRIEME CONTE Sous-table non exportée Sous-table non exportée BM.2007.005:63-03 SALLEE,P. 1966 1966.7.20-04/N AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-14 BM.1997.004.001/14:04-14 00:07:26 1996_06_15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT Sous-table non exportée NAQUS Sous-table non exportée Chant en attendant le thé, après le retour des moissons• IFC = bidon en plastique frappé avec 2 baguettes en bois. IFP-NAQUS = plateau à thé frappé avec 2 cuillères• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :04-13 BM.1997.004.001/14:04-13 00:00:33 1996_06_15 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE AVANT UN _NAQUS_ Sous-table non exportée NAQUS Sous-table non exportée Suite de la plag -12, en attendant le thé, après le retour des moissons• ROVSING OLSEN,MIRIAM 1996 Dat 4 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-08 BM.1997.004.001/14:05-08 00:02:23 1996_06_21 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage de bois• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-09 BM.1997.004.001/14:05-09 00:02:52 1996_06_21 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage de bois• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-10 BM.1997.004.001/14:05-10 00:04:05 1996_06_21 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage de bois• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-11 BM.1997.004.001/14:05-11 00:02:33 1996_06_21 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage de bois• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-12 BM.1997.004.001/14:05-12 00:02:21 1996_06_21 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT A CAPELLA Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage de bois• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-01 BM.1997.004.001/14:05-01 00:02:18 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée Sous-table non exportée Préparation pour le dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-02 BM.1997.004.001/14:05-02 00:01:32 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge• SA= braiment d'ânes• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-03 BM.1997.004.001/14:05-03 00:01:44 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-04 BM.1997.004.001/14:05-04 00:03:23 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-05 BM.1997.004.001/14:05-05 00:02:02 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge (étape de _asgrawl_)• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-06 BM.1997.004.001/14:05-06 00:00:45 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 COMMENTAIRE SUR LE DEPIQUAGE* Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• * en français, par un universitaire marocain• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-07 BM.1997.004.001/14:05-07 00:00:53 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Vannage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-05 BM.2007.005.001/77:63-05 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 DANSE NLUP. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:63-04 SALLEE,P. 1966 1966.7.20-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-06 BM.2007.005.001/77:63-06 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 DANSE NLUP. PREMIER CHANT Sous-table non exportée Sous-table non exportée AFTC = sifflet selon Pierre Sallée. IS = hochets de genoux• BM.2007.005:63-05 SALLEE,P. 1966 1966.7.20-06/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-07 BM.2007.005.001/77:63-07 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 DANSE NLUP. DEUXIEME CHANT Sous-table non exportée Sous-table non exportée AFTC = sifflet selon Pierre Sallée. IS = hochets de genoux• BM.2007.005:63-06 SALLEE,P. 1966 1966.7.20-07/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-08 BM.2007.005.001/77:63-08 00:00:00 19/09/66 GABON OYEM,MVANE FANG NTUMU GABON; SALLEE,P. 1966 DANSE NLUP. TROISIEME CHANT NTAME A NE OMONE ANGONE Sous-table non exportée Sous-table non exportée AFTC = sifflet selon Pierre Sallée. IS = hochets de genoux• BM.2007.005:63-07 SALLEE,P. 1966 1966.7.20-08/N AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-01 BM.1997.004.001/14:06-01 00:04:06 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-02 BM.1997.004.001/14:06-02 00:01:06 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :63-09 BM.2007.005.001/77:63-09 00:00:00 21/09/66 GABON OYEM,METUI FANG NTUMU GABON; SALLEE,P. 1966 MELANE Sous-table non exportée Sous-table non exportée Rite de purification• AFTC = sifflet selon Pierre Sallée. FP = xylophone sur troncs de bananier. Pierre Sallée note en observation : "_biyoghe bi ndong_ et _ongone obame_"• BM.2007.005:63-08 SALLEE,P. 1966 1966.7.20-09/N AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-03 BM.1997.004.001/14:06-03 00:01:30 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS Sous-table non exportée TAZRRART Sous-table non exportée Pause dans le dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-04 BM.1997.004.001/14:06-04 00:03:11 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• Des fillettes chantent au loin• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :64-01 BM.2007.005.001/77:64-01 00:00:00 21/09/66 GABON OYEM,METUI FANG NTUMU GABON; SALLEE,P. 1966 MELANE Sous-table non exportée Sous-table non exportée Rite de purification• IFP = xylophone sur troncs de bananier. Pierre Sallée note en observation : "_abessolo engvan, biyoghe bi ndong_ et _ongone obame_"• BM.2007.005:63-09 SALLEE,P. 1966 1966.7.21-01/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-05 BM.1997.004.001/14:06-05 00:02:00 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS Sous-table non exportée TAZRRART Sous-table non exportée Pause dans le dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-06 BM.1997.004.001/14:06-06 00:02:40 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-07 BM.1997.004.001/14:06-07 00:02:20 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :64-02 BM.2007.005.001/77:64-02 00:00:00 21/09/66 GABON OYEM,METUI FANG NTUMU GABON; SALLEE,P. 1966 MENZAN ME AKORA Sous-table non exportée Sous-table non exportée Rite de purification• IFP = xylophone sur troncs de bananier. IS = hochets de chevilles. Pierre Sallée note en observation : "_assoko ndone"• BM.2007.005:64-01 SALLEE,P. 1966 1966.7.21-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :65-01 BM.2007.005.001/77:65-01 00:00:00 21/09/66 GABON OYEM,METUI FANG NTUMU GABON; SALLEE,P. 1966 MENZAN ME AKORA Sous-table non exportée Sous-table non exportée Rite de purification• IFP = xylophone sur troncs de bananier. IS = hochets de chevilles. Pierre Sallée note en observation : "_assoko ndone"• BM.2007.005:64-02 SALLEE,P. 1966 1966.7.22-01/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-08 BM.1997.004.001/14:06-08 00:10:50 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 COMMENTAIRE SUR LE DEPIQUAGE Sous-table non exportée Sous-table non exportée Dépiquage de l'orge• Commentaire ne berbère, par un des paysans chanteurs. Des fillettes chantent au loin• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :65-02 BM.2007.005.001/77:65-02 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 OLAS. CONTE Sous-table non exportée Sous-table non exportée Conte et commentaire sur l'instrument. Informateurs : Michel Assembe Mvu et C. F. H. Olas• CHC = petit _mvet_• BM.2007.005:65-01 SALLEE,P. 1966 1966.7.22-02/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-09 BM.1997.004.001/14:06-09 00:01:47 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 PREPARATION D'UN CHANT DEVANNAGE Sous-table non exportée LADKAR Sous-table non exportée Dépiquage de l'orge• Préparation pour le chant de vannage, de la plage suivante• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-10 BM.1997.004.001/14:06-10 00:04:55 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DEVANNAGE Sous-table non exportée LADKAR Sous-table non exportée vannage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :06-11 BM.1997.004.001/14:06-11 00:07:10 1996_06_06 MAROC ANTI-ATLAS INDU NIDIF MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DEVANNAGE Sous-table non exportée LADKAR Sous-table non exportée vannage de l'orge• ROVSING OLSEN,MIRIAM 1996 Dat 6 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-13 BM.1997.004.001/14:05-13 00:03:03 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-14 BM.1997.004.001/14:05-14 00:04:08 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-15 BM.1997.004.001/14:05-15 00:02:26 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-16 BM.1997.004.001/14:05-16 00:03:11 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-17 BM.1997.004.001/14:05-17 00:08:13 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-18 BM.1997.004.001/14:05-18 00:04:54 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-19 BM.1997.004.001/14:05-19 00:03:11 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-20 BM.1997.004.001/14:05-20 00:03:47 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-21 BM.1997.004.001/14:05-21 00:04:32 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-22 BM.1997.004.001/14:05-22 00:05:24 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-23 BM.1997.004.001/14:05-23 00:04:06 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :05-24 BM.1997.004.001/14:05-24 00:04:52 1996_06_22 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT POUR MOUDRE LE GRAIN Sous-table non exportée AMARG Sous-table non exportée Dans une étable• ROVSING OLSEN,MIRIAM 1996 Dat 5 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :65-03 BM.2007.005.001/77:65-03 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 ANDE NKOL NGU Sous-table non exportée Sous-table non exportée Commentaire de la formule de bénédiction par David Elang, chef du village de Momo• BM.2007.005:65-02 SALLEE,P. 1966 1966.7.22-03/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-01 BM.1997.004.001/14:07-01 00:01:10 1996_06_17 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 DEBUT D'UN CHANT DE PORTAGE Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de portage des épis d'orge• VC = par des fillettes• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :65-04 BM.2007.005.001/77:65-04 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG NTUMU GABON; SALLEE,P. 1966 HISTOIRE DE NZAME YE N'GINI Sous-table non exportée Sous-table non exportée BM.2007.005:65-03 SALLEE,P. 1966 1966.7.22-04/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-02 BM.1997.004.001/14:07-02 00:01:02 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection de levée de terre pour marquer les limites des champs • ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-03 BM.1997.004.001/14:07-03 00:02:30 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection de levée de terre pour marquer les limites des champs • ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-04 BM.1997.004.001/14:07-04 00:03:02 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection de levée de terre pour marquer les limites des champs • ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-05 BM.1997.004.001/14:07-05 00:04:13 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection d'un mur de pierre bordant un champ• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-06 BM.1997.004.001/14:07-06 00:04:33 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection de levée de terre pour marquer les limites des champs • ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-07 BM.1997.004.001/14:07-07 00:04:34 1996_06_24 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE TRAVAIL Sous-table non exportée AMARG DE TIWIZI Sous-table non exportée Chant de réfection de levée de terre pour marquer les limites des champs • Le cortège s'arrete devant un H qui scie du boi s• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.2007.008 CDR BM.2007.008.001 :01_02 BM.2007.008.001:01_02 00:00:00 BURKINA FASO PROVINCE DU SOUM , POBE MANGAO KURUMBA BURKINA FASO;PROVINCE DU SOUM.LONCKE,S.;1994 A 1996 Sous-table non exportée Sous-table non exportée CÉRÉMONIE EN L'HONNEUR DE LA CHEFFERIE• KURUMBA dits aussi FULSE. BM.2007.008.001:01_01 LONCKE, SANDRINE 0 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :07_21 BM.1974.013.001/52:07_21 00:02:19 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 2) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, débute en plein choeur, NB : copie de la bande magnétique BM.1974.013.14 plage 4 • ROUGET,GILBERT 1946 Pyral_face_174 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_01 BM.1974.013.001/52:08_01 00:04:20 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 3) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, longue intro instrumentale, puis début du chant solo et choeur, NB : copie de la bande magnétique BM.1974.013.14 plage 5 • ROUGET,GILBERT 1946 Pyral_face_175 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_02 BM.1974.013.001/52:08_02 00:02:42 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 4) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, avec battements de mains ? NB : copie de la bande magnétique BM.1974.013.14 plage 6 • ROUGET,GILBERT 0 Pyral_face_176 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_03 BM.1974.013.001/52:08_03 00:03:45 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 5) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, début solo h puis entrée du choeur, avec battements de mains, NB : copie de la bande magnétique BM.1974.013.14 plage 7 • BM.1974.013.001/52:08_02 ROUGET,GILBERT 1946 Pyral_face_177 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_04 BM.1974.013.001/52:08_04 00:02:38 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 6) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, début solo h, avec battements de mains, puis entrée du choeur, NB : copie de la bande magnétique BM.1974.013.14 plage 8 • ROUGET,GILBERT 1946 Pyral_face_178 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_05 BM.1974.013.001/52:08_05 00:04:40 17/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DJOBOKO (CHANT 7) DJOBOKO Sous-table non exportée Sous-table non exportée Djoboko (appelée aussi zoboko) : danse de divertissement des hommes. Au centre des huttes, la file indienne des hommes décrit des cercles et les danseurs se suivent, jambes écartées, pieds à plats et trainés sur le sol, genoux légèrement fléchis, avec un appui alterné (sur l'une puis l'autre jambe). Anciennement danse de chasse (exécutée pour assurer le succès de la chasse au filet), elle est désormais exécutée le soir après le repas, ou pour célébrer la visite de membres d'autres campements. Les femmes participent au chant mais restent toujours assises à l'écart et ne dansent pas • * campement près du village de Gatongo, début solo h, avec idiophone entrechoqués, puis entrée du choeur et battements de mains, NB : copie de la bande magnétique BM.1974.013.14 plage 9 • ROUGET,GILBERT 1946 Pyral_face_179 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_07 BM.1974.013.001/52:08_07 00:05:04 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 2 Sous-table non exportée Sous-table non exportée Suite d'entretiens avec des personnes du village (3 femmes et un homme : Nzumbangi), par J.Dupont et G.Rouget, traducteur Léonard• * campement près du village de Gatongo, Suite de la plage précédente, questions-réponses avec traduction, en langue balingala et babenzélé, sur différents sujets : questions de Dupont sur le village, sur les enfants, questions de Rouget sur les peintures corporelles, Copie de la bande magnétique BM.1974.013.14 plage 11• ROUGET,GILBERT 1946 Pyral_face_181 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_09 BM.1974.013.001/52:08_09 00:02:52 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 4 : SUR LES CRIS DE CHASSE Sous-table non exportée Sous-table non exportée Suite d'entretiens avec des personnes du village (3 femmes et un homme : Nzumbangi), par J.Dupont et G.Rouget, traducteur Léonard• * campement près du village de Gatongo, Suite de questions-réponses avec traduction, en langue balingala et babenzélé, sur différents sujets : Interview de Nzumbangi sur la chasse, sur le cri dit des "boloko" ("antilopes"), sur la chasse à l'éléphant, sur yéli et mongombi Très intéressant, Copie de la bande magnétique BM.1974.013.15 plage 2• ROUGET,GILBERT 1946 Pyral_face_183 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_11 BM.1974.013.001/52:08_11 00:04:50 18/09/46 CONGO OUESSO / GATONGO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 2 Sous-table non exportée Sous-table non exportée Entretien de G.Rouget avec le chef des Pomo-Bomassa : Motodjele, qui a autorité sur les pygmées babinga babenzélé• * au campement pygmé babinga babenzélé près du village de Gatongo (le village de Gatongo est un village pomo, et le campement des pygmées est sous l'autorité du chef des Pomo), Questions-réponses, traduction par Alexandre, sur son autorité sur les babinga babenzélé, sur son titre, sur le trajet pour aller à bomassa, sur ses peintures corporelles, Très intéressant, NB : copie de la bande magnétique BM.1974.013.15 plage 4• ROUGET,GILBERT 1946 Pyral_face_187 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_12 BM.1974.013.001/52:08_12 00:04:41 18/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 3 Sous-table non exportée Sous-table non exportée Entretien avec le chef des Pomo-Bomassa : Motodjele, qui a autorité sur les pygmées babinga babenzélé• autre entretien, à Gatongo cette fois, Questions-réponses par G. Rouget et N.Baillif, traduction par Alexandre, pour se rendre à un campement babinga dans la forêt, Très intéressant, NB : copie de la bande magnétique BM.1974.013.15 plage 5• ROUGET,GILBERT 1946 Pyral_face_188 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_13 BM.1974.013.001/52:08_13 00:04:53 18/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 4 Sous-table non exportée Sous-table non exportée Entretien avec le chef des Pomo-Bomassa : Motodjele, qui a autorité sur les pygmées babinga babenzélé• Suite de l'enregistrement précédent, Questions-réponses par N.Baillif, traduction par Alexandre, négociation pour se rendre à un campement babinga dans la forêt, Très intéressant, NB : copie de la bande magnétique BM.1974.013.15 plage 6• ROUGET,GILBERT 1946 Pyral_face_189 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_14 BM.1974.013.001/52:08_14 00:04:59 18/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 5 Sous-table non exportée Sous-table non exportée Entretien avec le chef des Pomo-Bomassa : Motodjele, qui a autorité sur les pygmées babinga babenzélé• Suite de l'enregistrement précédent, Questions-réponses par N.Baillif, traduction par Alexandre, négociation pour se rendre à un campement babinga dans la forêt, sur la chasse au filet des babinga, Très intéressant, NB : copie de la bande magnétique BM.1974.013.15 plage 7• ROUGET,GILBERT 0 Pyral_face_190 AFRIQUE +BM.2007.008 CDR BM.2007.008.001 :02_01 BM.2007.008.001:02_01 00:00:00 BURKINA FASO PROVINCE DU SOUM BELLA BURKINA FASO;PROVINCE DU SOUM.LONCKE,S.;1994 A 1996 CHANTS DE FEMMES Sous-table non exportée Sous-table non exportée BELLA DITS AUSSI BOUZOUS (DESCENDANTS DE CAPTIFS TOUAREGS). BM.2007.008.001:01_01 LONCKE, SANDRINE 1994 POPULAIRE AFRIQUE +BM.2007.008 CDR BM.2007.008.001 :02_02 BM.2007.008.001:02_02 00:00:00 BURKINA FASO PROVINCE DU SOUM BELLA BURKINA FASO;PROVINCE DU SOUM.LONCKE,S.;1994 A 1996 Sous-table non exportée Sous-table non exportée CHANTS DE FEMMES BELLA DITS AUSSI BOUZOUS (DESCENDANTS DE CAPTIFS TOUAREGS). BM.2007.008.00102_01 LONCKE, SANDRINE 0 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-01 BM.2007.009.001:01-01 00:02:55 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT _MOAGA_ DE LOUANGE POUR LE ROI "IBOU"," ZOMBOGA" , "PANGA" Sous-table non exportée Sous-table non exportée Trois thèmes réservées aux sorties royales. 1\"Ibou" : se joue le vendredi matin, quand le roi, qui ne s'éloigne qu'une fois par semainede sa case , sort. 2\ "Zomboga" : annonce que le chef monte à cheval, suivi de tous ceux qui possèdent des montures. 3\ "Panga": le chef revient chez lui suivi des notables. A ce moment, les tam-tam modulent en mitant ka sonorité des mots "pangané panga" qui signifient "Force les hommes sont Forces" Collection inédite "Exposition coloniale, 1931". DI.1932_001_162A. Institut de phonétique• VP = annonce des formules. INSTITUT DE PHONETIQUE 1931 GT_3544 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-02 BM.2007.009.001:01-02 00:03:01 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT _MOAGA_ DE DANSE "KIKIRIGGA POCO" Sous-table non exportée Sous-table non exportée JF et JH se rassemblent quand la nuit tombe. Une ronde se forme Collection inédite "Exposition coloniale, 1931". DI.1932.001.162B Institut de phonétique• INSTITUT DE PHONETIQUE 1931 GT_3545 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-03 BM.2007.009.001:01-03 00:03:06 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT _MOAGA_ DE NOSTALGIE "TEKO" Sous-table non exportée Sous-table non exportée Collection inédite "Exposition coloniale, 1931". =DI.1932.001.163A. Institut de phonétique• INSTITUT DE PHONETIQUE 1931 GT_3546 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-04 BM.2007.009.001:01-04 00:03:00 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANSON D'AMOUR "WA YI NI MAM" Sous-table non exportée Sous-table non exportée Collection inédite "Exposition coloniale, 1931". = DI.1932.001.163B Institut de phonétique n° GT 3547• INSTITUT DE PHONETIQUE 1931 GT_3547 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-05 BM.2007.009.001:01-05 00:03:13 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT _MOAGA_ D'ACCUEIL "KABRIYE" Sous-table non exportée Sous-table non exportée Collection inédite "Exposition coloniale, 1931". Institut de phonétique n° 3548• INSTITUT DE PHONETIQUE 1931 GT_3548 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-06 BM.2007.009.001:01-06 00:01:24 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT D'ELOGE DE LA PUISSANCE DU ROI "WOGBO" Sous-table non exportée Sous-table non exportée "WOGBO" = " l'éléphant ", surnom d'un roi. Joué quand le roi sort• Collection inédite "Exposition coloniale, 1931". Institut de phonétique DI;1932.001.164B• INSTITUT DE PHONETIQUE 1931 GT_3549 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-07 BM.2007.009.001:01-07 00:00:56 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT Air DE FÊTE* "WARBA" Sous-table non exportée Sous-table non exportée * "Air de danse • Collection inédite "Exposition coloniale, 1931". Institut de phonétique. DI. 1932.001.164B• INSTITUT DE PHONETIQUE 1931 GT_3549 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :08_17 BM.1974.013.001/52:08_17 00:04:40 18/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON AMBIANCE VILLAGE Sous-table non exportée Sous-table non exportée * campement près du village de Gatongo choeurs et tambours lointains, ambiance village, NB : copie de la bande magnétique BM.1974.013.16 plage 2 • ROUGET,GILBERT 1946 Pyral_face_196 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_02 BM.1974.013.001/52:09_02 00:02:27 18/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO ET CHR PARLE 2 Sous-table non exportée Sous-table non exportée Parlé H et réponse choeur H, en 2 parties, 1ère partie : solo par Motodjélé, fin vers 01'25, 2ème partie : solo par le père du chek mukundi, Sur les intervenants : cf. indications in cahier notes de terrain G.Rouget (p.154-156) : le chef Motodjélé est le chef des populations Pomo, Bomassa et Babinga, NB : copie de la bande magnétique BM.1974.013.16 plage 4• ROUGET,GILBERT 1946 Pyral_face_200 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_05 BM.1974.013.001/52:09_05 00:04:50 20?/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 2 Sous-table non exportée Sous-table non exportée Interview du chef Mugindi des Mbabenzélé en plusieurs langues (babinga, lingala, français), avec traduction par Léonard, questions par G.Rouget• * campement près du village de Gatongo, suite : sur les blancs, pas très intéressant, ambiance de village, sur la chasse à l'éléphant, NB : Copie de la bande magnétique BM.1974.013.16 plage 7 • ROUGET,GILBERT 1946 Pyral_face_207 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_06 BM.1974.013.001/52:09_06 00:04:45 20?/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 3 Sous-table non exportée Sous-table non exportée Interview du chef Mugindi des Mbabenzélé en plusieurs langues (babinga, lingala, français), avec traduction par Léonard, questions par G.Rouget• * campement près du village de Gatongo, suite : sur la chasse, récit d'une chasse au filet, cri mongombi pour le départ à la chasse (par le père du chef), NB : Copie de la bande magnétique BM.1974.013.16 plage 8 • ROUGET,GILBERT 1946 Pyral_face_208 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_07 BM.1974.013.001/52:09_07 00:04:52 20?/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW DU CHEF 4 Sous-table non exportée Sous-table non exportée Interview du chef Mugindi des Mbabenzélé en plusieurs langues (babinga, lingala, français), avec traduction par Léonard, questions par G.Rouget• * campement près du village de Gatongo, suite : sur la chasse au filet, sur faire le médicament pour tuer beaucoup d'animaux, NB : Copie de la bande magnétique BM.1974.013.16 plage 9 • ROUGET,GILBERT 1946 Pyral_face_209 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_10 BM.1974.013.001/52:09_10 00:03:28 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE " BANDJO " 2 Sous-table non exportée Sous-table non exportée Danse composée de deux lignes, qui avancent et reculent d'un pas, avec deux adversaires au centre qui effectuent une joute, cri d'ensemble à la fin de celle-ci.• * campement près du village de Gatongo, Chanté solo H, réponse chr H, battements de mains, tambours à baguettes, en 3 parties 1ère partie : fin à 00'35, sorte de prélude, 2ème partie : fin à 01'06, la joute démarre à cet arrêt, 3ème partie : fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.165) NB : copie de la bande magnétique BM.1974.013.17 plage 3 • ROUGET,GILBERT 1946 Pyral_face_213 AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :66-01 BM.2007.005.001/77:66-01 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG MVE GABON; SALLEE,P. 1966 HISTOIRE DE MBONE EZIME. ANNONCE Sous-table non exportée Sous-table non exportée BM.2007.005:65-04 SALLEE,P. 1966 1966.7.23-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :66-02 BM.2007.005.001/77:66-02 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG MVE GABON; SALLEE,P. 1966 HISTOIRE DE MBONE EZIME. RECIT CHANTE Sous-table non exportée Sous-table non exportée CHC = petit _mvet_. IFC = bouteille frappée• BM.2007.005:66-01 SALLEE,P. 1966 1966.7.23-02/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :66-03 BM.2007.005.001/77:66-03 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG MVE GABON; SALLEE,P. 1966 HISTOIRE DE MBONE EZIME. NZAME YENGUINI Sous-table non exportée Sous-table non exportée CHC = petit _mvet_. IFC = bouteille frappée• BM.2007.005:66-02 SALLEE,P. 1966 1966.7.23-03/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :66-04 BM.2007.005.001/77:66-04 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG MVE GABON; SALLEE,P. 1966 HISTOIRE DE MBONE EZIME. NZAME YENGUINI Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:66-03. CHC = petit _mvet_. IFC = bouteille frappée• BM.2007.005:66-03 SALLEE,P. 1966 1966.7.23-04/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :66-05 BM.2007.005.001/77:66-05 00:00:00 22/09/66 GABON MINVOUL,MOMO FANG MVE GABON; SALLEE,P. 1966 ENQUETE SUR ANDE NKOL NGU Sous-table non exportée Sous-table non exportée * Informateur : Etienne Ellang• BM.2007.005:66-01 SALLEE,P. 1966 1966.7.23-05/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :67-01 BM.2007.005.001/77:67-01 00:00:00 20/10/66 GABON MIMONGO TSOGHO GABON; SALLEE,P. 1966 MOGONGO ET NGOMBI Sous-table non exportée Sous-table non exportée Voir à l'écoute des enregistrements si le _mogongo_ et le _ngombi_ sont entendus ensemble ou séparément• BM.2007.005:66-01 SALLEE,P. 1966 1966.8.01-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :68-01 BM.2007.005.001/77:68-01 00:00:00 20/10/66 GABON MIMONGO TSOGHO GABON; SALLEE,P. 1966 MOGONGO ET NGOMBI Sous-table non exportée Sous-table non exportée Suite de BM.2007.005:67-01. Voir à l'écoute des enregistrements si le _mogongo_ et le _ngombi_ sont entendus ensemble ou séparément• BM.2007.005:67-01 SALLEE,P. 1966 1966.8.02-01/Copie AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :69-01 BM.2007.005.001/77:69-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• BM.2007.005:67-01 SALLEE,P. 1966 1966.8.03-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :70-01 BM.2007.005.001/77:70-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:69-01• BM.2007.005:69-01 SALLEE,P. 1966 1966.8.04-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :71-01 BM.2007.005.001/77:71-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:70-01• BM.2007.005:70-01 SALLEE,P. 1966 1966.8.05-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :72-01 BM.2007.005.001/77:72-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:71-01• BM.2007.005:71-01 SALLEE,P. 1966 1966.8.06-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :72-02 BM.2007.005.001/77:72-02 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI. AMBIANCE DE BROUSSE Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• BM.2007.005:72-01 SALLEE,P. 1966 1966.8.06-02/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :73-01 BM.2007.005.001/77:73-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:72-01• BM.2007.005:72-01 SALLEE,P. 1966 1966.8.07-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :74-01 BM.2007.005.001/77:74-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:73-01• BM.2007.005:73-01 SALLEE,P. 1966 1966.8.08-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :75-01 BM.2007.005.001/77:75-01 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI. NOM DES CORDES Sous-table non exportée Sous-table non exportée Film sur le _bwiti_ tsogho de 1969• Suite de BM.2007.005:74-01• BM.2007.005:74-01 SALLEE,P. 1966 1966.8.09-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :75-02 BM.2007.005.001/77:75-02 00:00:00 09/66 GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P. 1966 BWITI. NDENDE. AMBIANCE DE BROUSSE Sous-table non exportée Sous-table non exportée Le matin• Film sur le _bwiti_ tsogho de 1969• BM.2007.005:75-01 SALLEE,P. 1966 1966.8.09-02/Original AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-08 BM.2007.009.001:01-08 00:03:09 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT DE FÊTE "PASSIDIBE YELLE" Sous-table non exportée Sous-table non exportée Se chante quand il y a de grandes fêtes qui durent trois jours• Collection inédite "Exposition coloniale, 1931". Institut de phonétique. DI. 1932.001.165A "Passidibé est le meilleur des chanteurs . Quand il rit, tout le monde fait "hahaha""• INSTITUT DE PHONETIQUE 1931 GT_3550 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-09 BM.2007.009.001:01-09 00:03:02 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT DE TRAVAIL POUR LE LABOUR "TCHIGA" ET "LON GUAI" Sous-table non exportée Sous-table non exportée Deux chanats pour accompaagner le labour. Cf. traduction des textes dans DT. Collection inédite "Exposition coloniale, 1931". Institut de phonétique. DI. 1932.001.165B INSTITUT DE PHONETIQUE 1931 GT_3551 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-10 BM.2007.009.001:01-10 00:03:06 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANTFUNEBRE FETE DE "KOUFILLIGA" Sous-table non exportée Sous-table non exportée Chant funèbre reservé aux grandes fêtes qui ont lieu sept jours après l'ensevelissement• Collection inédite "Exposition coloniale, 1931". Institut de phonétique. DI. 1932.001.166A• INSTITUT DE PHONETIQUE 1931 GT_3552 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-11 BM.2007.009.001:01-11 00:03:00 BURKINA FASO MOSSI HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT RITUEL FÊTE DE KOUFILLIGA "GUEN GUERE" Sous-table non exportée Sous-table non exportée Chanté à la fête de Koufilliga, alors que le soir tombe et que tous doivent faire de nombreuses fois le tour de la case du défunt• Collection inédite "Exposition coloniale, 1931". Institut de phonétique. DI. 1932.001.166A• INSTITUT DE PHONETIQUE 1931 GT_3553 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-12 BM.2007.009.001:01-12 00:03:07 BURKINA FASO SENOUFO HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT POUR LA PLUIE Sous-table non exportée Sous-table non exportée Collection Africa vox. = DI.1952.007.002A• AFRICA VOX 0 AX5_A101_03 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-13 BM.2007.009.001:01-13 00:01:49 BURKINA FASO GOUIN HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Collection Africa vox. = DI.1952.007.002B• AFRICA VOX 0 AX8_A101_03 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-14 BM.2007.009.001:01-14 00:01:14 BURKINA FASO GOUIN HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT MUSIQUE DE FETE Sous-table non exportée Sous-table non exportée Collection Africa Vox. = DI.1952.007.002B. VC = chanté choeur (F ou Enfants ?)• AFRICA VOX 0 AX8_A101_03 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-15 BM.2007.009.001:01-15 00:03:08 BURKINA FASO GOUIN HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DANSE POUR LA FÊTE DE MARIAGE Sous-table non exportée Sous-table non exportée Collection Africa Vox. = DI.1952.007.005A• AFRICA VOX 0 AX4_A101_01 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-16 BM.2007.009.001:01-16 00:02:57 BURKINA FASO GOUIN HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DANSE POUR LA FÊTE DE MARIAGE Sous-table non exportée Sous-table non exportée Collection Africa Vox. = DI.1952.007.005B• AFRICA VOX 0 AX6_A101_01 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-17 BM.2007.009.001:01-17 00:02:40 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT D'ACCUEIL Sous-table non exportée Sous-table non exportée Collection Africa Vox. = DI.1952.007.006A• AFRICA VOX 0 AX3_A101_02 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-18 BM.2007.009.001:01-18 00:03:17 BURKINA FASO GOUIN HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Collection Africa Vox. = DI.1952.007.006B. DEUX CHANTS ENCHAÎNÉS ?• AFRICA VOX 0 AX7_A101_02 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-19 BM.2007.009.001:01-19 00:02:55 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE Sous-table non exportée Sous-table non exportée C = harpe ou luth ? =DI.1956.017.008A• DUCRETET-THOMSON 0 DNT_250_5013 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-20 BM.2007.009.001:01-20 00:02:55 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE SEGOUMA Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.008B• DUCRETET-THOMSON 0 DNT_251_5013 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-21 BM.2007.009.001:01-21 00:02:49 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE NAMA KE Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.009A• DUCRETET-THOMSON 0 DNT_254_5015 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-22 BM.2007.009.001:01-22 00:02:58 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE SORY Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.009B• DUCRETET-THOMSON 0 DNT_255_5015 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-23 BM.2007.009.001:01-23 00:02:36 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE AMI DIARO Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.010A• DUCRETET-THOMSON 0 DNT_256_5016 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-24 BM.2007.009.001:01-24 00:02:56 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE APONSSA Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.010B• DUCRETET-THOMSON 0 DNT_257_5016 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-25 BM.2007.009.001:01-25 00:02:59 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE MAMADOU DIABATE Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.011A• DUCRETET-THOMSON 0 DNT_258_5017 AFRIQUE +BM.2007.009 CDR BM.2007.009.001 :01-26 BM.2007.009.001:01-26 00:02:55 BURKINA FASO DIOULA HAUTE-VOLTA.COPIE DE DISQUE 78T. DU DPT DIELYKANI MOUSSA ET SON ENSEMBLE DIARABI Sous-table non exportée Sous-table non exportée C = harpe ou luth ?. =DI.1956.017.011B• DUCRETET-THOMSON 0 DNT_259_5017 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_12 BM.1974.013.001/52:09_12 00:04:36 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 2 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, interruption à 00'45, avec pleurs d'enfants, conversations, cris d'ensemble, assez confu puis reprise, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.17 plage 5• ROUGET,GILBERT 1946 Pyral_face_215 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_13 BM.1974.013.001/52:09_13 00:04:21 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 3 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, frottements, avec pleurs d'enfants, conversations, cris d'ensemble, interruption à 00'45 puis reprise, à 02'00 : série de cris Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.17 plage 6• ROUGET,GILBERT 1946 Pyral_face_216 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_14 BM.1974.013.001/52:09_14 00:04:33 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 4 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• édité MH 48-50 B25a• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, frottements, avec pleurs d'enfants, conversations, cris d'ensemble, interruption à 01'00 sur cri d'ensemble puis reprise, série de cris après 03'00, Cf. indications in cahier notes de terrain G.Rouget (p.165-168) : très bon, la meilleure prise de la série, NB : copie de la bande magnétique BM.1974.013.17 plage 7• ROUGET,GILBERT 1946 Pyral_face_217 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_15 BM.1974.013.001/52:09_15 00:04:41 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 5 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, avec pleurs d'enfants, conversations, cris d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.17 plage 8• ROUGET,GILBERT 1946 Pyral_face_218 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_16 BM.1974.013.001/52:09_16 00:04:25 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 6 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, en 2 parties : 1ère partie : cris, suite de l'enregistrement précédent, fin à 00'38, 2ème partie : reprise autre air, avec yodel des femmes, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.17 plage 9• ROUGET,GILBERT 1946 Pyral_face_219 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :09_17 BM.1974.013.001/52:09_17 00:04:35 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 7 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, en 2 parties : 1ère partie : suite de l'enregistrement précédent ?, fin à 02'26 2ème partie : reprise, avec très bons cris en fin, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 1• ROUGET,GILBERT 1946 Pyral_face_220 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_03 BM.1974.013.001/52:10_03 00:04:33 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 10 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, en 2 parties : 1ère partie : suite de l'enregistrement précédent, fin à 00'45, 2ème partie : reprise, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 4• ROUGET,GILBERT 1946 Pyral_face_223 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_04 BM.1974.013.001/52:10_04 00:04:29 22/09/46 CONGO OUESSO / GATONGO* PYGMEES BABINGA BABENZELE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MOGONGO 11 MOGONGO Sous-table non exportée Sous-table non exportée Danse en cercle des hommes• * campement près du village de Gatongo, de nuit, Chanté chr H et F, 3 tambours (ndumu ?) à mains nues, battements de mains des femmes, Suite de l'enregistrement précédent, avec yodel des hommes, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.165-168), NB : copie de la bande magnétique BM.1974.013.18 plage 5• ROUGET,GILBERT 1946 Pyral_face_224 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_08 BM.1974.013.001/52:10_08 00:02:34 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT NGWA 3 Sous-table non exportée Sous-table non exportée - IS - = sonnailles du danseur, chanté solo H et choeur H & F, 1 trompe, 1 cloche, Cf. indications in cahier notes de terrain G.Rouget (p.169), NB : copie de la bande magnétique BM.1974.013.18 plage 9 • ROUGET,GILBERT 1946 Pyral_face_228 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_09 BM.1974.013.001/52:10_09 00:04:26 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT NGWA 4 Sous-table non exportée Sous-table non exportée 1ère partie éditée MH 48-26 B 13d • - IS - = sonnailles du danseur, chanté solo H et choeur H & F, 1 trompe, 1 cloche, en 2 parties : 1ère partie : fin à 01'33 , 2ème partie : reprise à 01'48 avec solo prélude bon, Les meilleures prises de la série Chant Ngwa, Cf. indications in cahier notes de terrain G.Rouget (p.169), NB : copie de la bande magnétique BM.1974.013.18 plage10 • ROUGET,GILBERT 1946 Pyral_face_229 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_11 BM.1974.013.001/52:10_11 00:03:11 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MASANA 2 Sous-table non exportée Sous-table non exportée Danse des femmes assises, battant des mains, avec choeur d'hommes en ligne devant• - IS - = sonnailles du danseur - M - = tambours à baguettes - chanté solo H puis choeur H & F, 1 trompe, hochet par le soliste, En 2 parties : 1ère partie : suite de l'enregistrement précédent, fin à 00'40, suivi de courte ambiance, 2ème partie : reprise à 01'02, Indication G.Rouget : mauvais (Cf. cahoer notes de terrain G.Rouget p.170), NB : copie de la bande magnétique BM.1974.013.19 plage 2• ROUGET,GILBERT 1946 Pyral_face_231 AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-02 BM.1992.002.001:01-02 00:04:11 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée * Sanwara Tintiro. F. agées de 65 et 55 ans. SD = bruit de la meule• 1991 2,A AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_12 BM.1974.013.001/52:10_12 00:04:32 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT MASANA 3 Sous-table non exportée Sous-table non exportée Danse des femmes assises, battant des mains, avec choeur d'hommes en ligne devant• - IS - = sonnailles du danseur - M - = tambours à baguettes - chanté solo H puis choeur H & F, 1 trompe, 1 cloche, hochet par le soliste, avec passage chr presque uniquement F, Cf. Indication in cahier notes de terrain G.Rouget (p.170) : le meilleur des 3 enregistrements de chant Masana, NB : copie de la bande magnétique BM.1974.013.19 plage 3• ROUGET,GILBERT 1946 Pyral_face_232 AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-03 BM.1992.002.001:01-03 00:05:35 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée * Sanwara Tintiro. F. agées de 65 et 55 ans. SD = bruit de la meule• 1991 2,A AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-04 BM.1992.002.001:01-04 00:08:05 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* PROV. DU PONI, CERCLE DE I LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée * Gomblora. F agée de 24 ans. SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-05 BM.1992.002.001:01-05 00:04:18 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Gomblora SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-06 BM.1992.002.001:01-06 00:00:52 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 BERCEUSE Sous-table non exportée Sous-table non exportée *Gomblora SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-07 BM.1992.002.001:01-07 00:02:28 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Gombola. F agée de 24 ans SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-08 BM.1992.002.001:01-08 00:07:05 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE GAWA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Ossoro F. agée de 50 ans. SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-09 BM.1992.002.001:01-09 00:06:31 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE GAWA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Ossoro. SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-10 BM.1992.002.001:01-10 00:05:08 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE GAWA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Ossoro. SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-11 BM.1992.002.001:01-11 00:10:30 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDIAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE MEULE Sous-table non exportée Sous-table non exportée *Tonkar Lamine. F. agée de 55 ans. SD = bruit de la meule• 1991 2,B AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_14 BM.1974.013.001/52:10_14 00:03:41 23/09/46 CONGO OUESSO / GATONGO POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BEMBEKULE 2 Sous-table non exportée Sous-table non exportée danse en ligne : les hommes dansent en ligne sur place et les femmes idem derrière eux• édité MH 48-25 B12b • Chant solo h, hochet par le soliste, trompe, ronflement du chr, pratiquement sans tamb. IS : sonnailles d'un danseur, Cf. indications in cahier notes de terrain G.Rouget (p.170) NB : copie de la bande magnétique BM.1974.013.19 plage 5 • ROUGET,GILBERT 1946 Pyral_face_234 AFRIQUE +BM.1992.002 CDR+Ø* BM.1992.002.001 :01-12 BM.1992.002.001:01-12 00:03:52 1991.07 à 08 BURKINA FASO PROV. DU PONI, CERCLE DE IRIDIAKA* LOBI BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 CHANT DE DIVERTISSEMENT Sous-table non exportée Sous-table non exportée Texte moderne sur un air traditionnel• *Sanwara Tintiro. CH-= hape fourchue à 5 cordes• 1991 4,A et B AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_16 BM.1974.013.001/52:10_16 00:04:38 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 2 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 2 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours à 1 peau battus main, cloche battue baguette par 1 femme, Cf. indications in cahier notes de terrain G.Rouget (p.171-172) : bon, changement de registre dans le choeur des femmes vers 01'00, cris et battements de mains après 02'30, NB : copie de la bande magnétique BM.1974.013.19 plage 7• ROUGET,GILBERT 1946 Pyral_face_236 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_17 BM.1974.013.001/52:10_17 00:04:26 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 3 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, Cf. indications in cahier notes de terrain G.Rouget (p.171-172) : très bon, changement de registre (de l'aigu au médium)dans le choeur des femmes vers 02'30, final avec cris et battements de mains, NB : copie de la bande magnétique BM.1974.013.19 plage 8• ROUGET,GILBERT 1946 Pyral_face_237 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :10_18 BM.1974.013.001/52:10_18 00:04:22 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 4 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• édité MH 48-42 B22b • * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, Cf. indications in cahier notes de terrain G.Rouget (p.171-172) : suite, autre rythme, changements de registres, yodel des femmes, NB : copie de la bande magnétique BM.1974.013.19 plage 9• ROUGET,GILBERT 1946 Pyral_face_238 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_01 BM.1974.013.001/52:11_01 00:04:41 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 5 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, Cf. indications in cahier notes de terrain G.Rouget (p.171-172) : changements de registres, chant des danseurs accompagnant le chr H, NB : copie de la bande magnétique BM.1974.013.20 plage 1• ROUGET,GILBERT 1946 Pyral_face_239 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_03 BM.1974.013.001/52:11_03 00:04:36 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 7 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, suite de l'enregistrement précédent, vers 01'45 : cris, yodel, un homme tape avec une baguette sur une lame de machette, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) NB : copie de la bande magnétique BM.1974.013.20 plage 3• ROUGET,GILBERT 1946 Pyral_face_241 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_04 BM.1974.013.001/52:11_04 00:04:35 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 8 SANDZO Sous-table non exportée Sous-table non exportée danse de divertissement des hommes, avec 12 danseurs en piste• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, suite de l'enregistrement précédent, un homme tape avec une baguette sur une lame de machette, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) NB : copie de la bande magnétique BM.1974.013.20 plage 4• ROUGET,GILBERT 1946 Pyral_face_242 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_05 BM.1974.013.001/52:11_05 00:04:32 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 9 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, suite de l'enregistrement précédent, final cri + battements de mains, à la fin reprise du chr et yodel des femmes, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) NB : copie de la bande magnétique BM.1974.013.20 plage 5• ROUGET,GILBERT 1946 Pyral_face_243 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_06 BM.1974.013.001/52:11_06 00:04:20 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 10 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, suite de l'enregistrement précédent, chr et yodel des femmes, après 01'0 : série de cris courts ou tenus et nasalisés, avec battements de mains, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) : vers 02'00 :" les hommes se partagent en 2 lignes faisant front et avancent et reculent en se faisant face" NB : copie de la bande magnétique BM.1974.013.20 plage 6• ROUGET,GILBERT 1946 Pyral_face_244 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_07 BM.1974.013.001/52:11_07 00:04:34 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE SANDZO 11 SANDZO Sous-table non exportée Sous-table non exportée Danse dite de divertissement, des hommes, avec içi 12 danseurs en piste. Comparable à la danse de chasse dite Bukela (voir détails). Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes.• * campement bagombé du chef Mopéta près du village de Gandicolo, Battements de mains par moments ; M-= 2 tambours battus main, cloche battue baguette par 1 femme, pas de final crié + battements de mains, Cf. indications in cahier notes de terrain G.Rouget (p.173-174) NB : copie de la bande magnétique BM.1974.013.20 plage 7• ROUGET,GILBERT 1946 Pyral_face_245 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_08 BM.1974.013.001/52:11_08 00:03:47 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 1 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de 2 danseurs en fin de pièce. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours.• * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. à 1 peau battus mains par 2 jeunes hommes, cloche de fer plantée en terre batuue baguette par une femme, machette en fer frappée indiquée par G.Rouget, battements de mains des femmes, par moment, Cf. indications in cahier note de terrain G.Rouget (p.174-176), NB : copie de la bande magnétique BM.1974.013.20 plage 8 • ROUGET,GILBERT 1946 Pyral_face_246 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_09 BM.1974.013.001/52:11_09 00:02:37 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 2 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de plusieurs danseurs. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours. • * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. battus mains, cloche, battements de mains par moment et en final, Cf. indications in cahier note de terrain G.Rouget (p.174-176), NB : copie de la bande magnétique BM.1974.013.20 plage 9 • ROUGET,GILBERT 1946 Pyral_face_247 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_10 BM.1974.013.001/52:11_10 00:03:30 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 3 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de plusieurs danseurs. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours. • édité MH 48-62 B21b • * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. battus mains, cloche, battements de mains par moment et en final, Cf. indications in cahier note de terrain G.Rouget (p.174-176) : très bon, avec youyou des danseurs, danse menée par Wamata, NB : copie de la bande magnétique BM.1974.013.21 plage 1 • ROUGET,GILBERT 1946 Pyral_face_248 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_11 BM.1974.013.001/52:11_11 00:04:32 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 4 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de plusieurs danseurs. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours. • * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. battus mains, cloche, battements de mains par moment et en final, choeur avec yodel et tenue des F, en 2 parties : reprise après 01'50, Cf. indications in cahier note de terrain G.Rouget (p.174-176) : après le cri d'ensemble final à 01'50, les femmes reprennent seules, debout en dansant derrière le cercle des hommes, puis reprise du choeur mixte et battement de mains, NB : copie de la bande magnétique BM.1974.013.21 plage 2 • ROUGET,GILBERT 1946 Pyral_face_249 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_12 BM.1974.013.001/52:11_12 00:04:23 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 5 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de plusieurs danseurs. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours. • * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. battus mains, cloche, battements de mains par moment et en final, choeur avec tenue des F, En 2 parties : 1ère partie : suite de l'enregistrement précédent, fin sur cri d'ensemble à 02'05, 2ème partie : reprise, choeur des femmes seules, pendant que le meneur Wamata précède une file de danseurs, Cf. indications in cahier note de terrain G.Rouget (p.174-176) NB : copie de la bande magnétique BM.1974.013.21 plage 3 • ROUGET,GILBERT 1946 Pyral_face_250 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_13 BM.1974.013.001/52:11_13 00:04:37 23/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE BUKELA 6 BUKELA Sous-table non exportée Sous-table non exportée Danse dite "pour la viande" exécutée avant le départ des hommes pour la chasse (à l'éléphant ou au phacochère). Présence de plusieurs danseurs. Comme il est de règle chez les BaNgombé, les femmes forment un groupe apart, chantent accompagnées des tambours, et ne dansent pas. Les hommes dansent et chantent, mais leur part dans le choeur est bien moins importante que celle des femmes (alternant période chantée puis criée). La chorégraphie reprend des actions de la chasse : la poursuite du gibier, la recherche des traces. Généralement exécutée de nuit autour du feu, les danseurs se suivent en file indienne, genoux légèrement fléchis, jambes écartées, pieds à plats sur le sol, ils trainent leurs pas avec des mouvements saccadés et se déplacent en cercle sur la place du campement.Le chef de file est le plus vieux chasseur, il crie de temps à autre des paroles brèves. Sur ses ordres, les danseurs alternent deux figures de danse : se tournant vers l'intérieur du cercle, dansant sur place pour examiner le sol, puis reprennant leur déplacement au rythme des tambours. • édité MH 48-62 B21b • * campement du chef Mopéta près du village de Gandicolo, de nuit, 2 tamb. battus mains, cloche, battements de mains par moment et en final, choeur avec tenue des F et yodel, fin coupée, Cf. indications in cahier note de terrain G.Rouget (p.174-176) NB : copie de la bande magnétique BM.1974.013.21 plage 4 • ROUGET,GILBERT 1946 Pyral_face_251 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :11_17 BM.1974.013.001/52:11_17 00:01:22 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT YELI 4 YELI Sous-table non exportée Sous-table non exportée Yéli (aussi yéyi ou yéi) désigne le yodel sous sa forme purement chantée, et plus particulièrement celui des femmes : chant choral polyphonique exécuté par un petit groupe de femmes en vue du succès de la chasse. La chanteuse principale qui dirige le choeur est la femme du chef des chasseurs. Le solo d'ouverture est effectué içi par la première femme du chef du campement. Elle adopte une posture particulière : la main droite ou les deux mains derrière la tête, l'avant bras plaqué contre la joue. Les femmes sont debout en groupe et battent des mains. • * campement du chef Mopéta près du village de Gandicolo. Début court solo puis entrée du choeur, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.177-178) : très bon NB : copie de la bande manétique BM.1974.013.21 plage 8 • ROUGET,GILBERT 1946 Pyral_face_255 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_01 BM.1974.013.001/52:12_01 00:04:40 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 2 : SUR BUKELA Sous-table non exportée Sous-table non exportée Interview des hommes du campement : Mopéta, le chef ; Wamata, le meneur de plusieurs danses précédentes dont bukéla ; Mbato ; Monbungi. Traduction par Ambega et Ndumbemba. Questions par G.Rouget. • * campement du chef Mopéta près du village de Gandicolo. Sur la danse de chasse bukela dite "pour la viande" menée par Wamata, sur les figures de danse et la gestuelle, NB : copie de la bande magnétique BM.1974.013.21 plage 10 • ROUGET,GILBERT 1946 Pyral_face_257 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_02 BM.1974.013.001/52:12_02 00:04:23 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 3 : SUR BUKELA, SUR LES ELEPHANTS Sous-table non exportée Sous-table non exportée Interview des hommes du campement : Mopéta, le chef ; Wamata, le meneur de plusieurs danses précédentes dont bukéla ; Mbato ; Monbungi. Traduction par Ambega et Ndumbemba. Questions par G.Rouget. • * campement du chef Mopéta près du village de Gandicolo. Suite de l'interview précédent sur la danse de chasse bukela dite "pour la viande" menée par Wamata, sur les femmes qui exécutent "yéli" à la fin de la danse, puis sur la chasse à l'éléphant, NB : copie de la bande magnétique BM.1974.013.21 plage 11 • ROUGET,GILBERT 1946 Pyral_face_258 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_03 BM.1974.013.001/52:12_03 00:04:34 24/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 4 : SUR LA CHASSE A L'ELEPHANT Sous-table non exportée Sous-table non exportée Interview des hommes du campement : Mopéta, le chef ; Wamata, le meneur de plusieurs danses précédentes dont bukéla ; Mbato ; Monbungi. Traduction par Ambega et Ndumbemba. Questions par G.Rouget. • * campement du chef Mopéta près du village de Gandicolo. Suite de l'interview précédent sur la chasse à l'éléphant, sur les chasseurs, sur les enregistrements, sur le départ à la chasse avec les femmes, NB : copie de la bande magnétique BM.1974.013.22 plage 1 • ROUGET,GILBERT 1946 Pyral_face_259 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_06 BM.1974.013.001/52:12_06 00:03:58 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 3 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. Débute sur long solo avec battements de mains, entrées successives des choeur hommes (à 01'17) puis femmes et de la cloche, fin sur ordre, très bon, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 4 • ROUGET,GILBERT 1946 Pyral_face_262 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_07 BM.1974.013.001/52:12_07 00:04:33 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 4 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. En 2 parties : 1ère : Long début par battements de mains, puis solo, entrée des choeurs après 02'00, fin à 03'15 2ème : Reprise : battements de mains, solo de Wamata et mopéta, puis choeurs, fin coupée, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 5 • ROUGET,GILBERT 1946 Pyral_face_263 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_08 BM.1974.013.001/52:12_08 00:03:22 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 5 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. Début battements de mains, solo et réponse du choeur, suite long solo avec cloche, entrée des choeurs après 01'20, fin nette sans cris, très bon, l'un des meilleurs enregistrements de la série, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 6 • ROUGET,GILBERT 1946 Pyral_face_264 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_09 BM.1974.013.001/52:12_09 00:03:47 24/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE NABULA 6 Sous-table non exportée Sous-table non exportée La danse nabula est exécutée par les hommes et les femmes avant le départ à la chasse (à l'éléphant, au cochon, et au boeuf, mais pas l'antilope) pour assurer le succès de celle-ci. Pour cette série d'enregistrements : les exécutants ont seulement chanté, la danse n'a pas eu lieu. * campement du chef Mopéta près du village de Gandicolo. En 2 parties : 1ère : début battements de mains, solo et réponse du choeur, solo, choeurs, fin sur cri d'ensemble à 02'00, 2ème : reprise immédiate, solo et réponse du choeur, yodel par Mopéta, choeur, fin sur cris d'ensemble, le meilleur enregistrement de la série, IFC : cloche simple en fer, Cf. indications in cahier notes de terrain G.Rouget (p.178-180), NB : copie de la bande magnétique BM.1974.013.22 plage 7 • ROUGET,GILBERT 1946 Pyral_face_265 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_11 BM.1974.013.001/52:12_11 00:04:40 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 2 : AVEC UN CHASSEUR DE GORILLE Sous-table non exportée Sous-table non exportée Interview d'un chasseur de gorille par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement du chef Mopéta près du village de Gandicolo. Suite de l'entretien précédent sur le récit de la chasse du gorille ( au fusil et à la sagaie) qui vient d'être ramené au campement, avec imitation du cri de la gorille femelle pour appeler au secours, NB : copie de la bande magnétique BM.1974.013.22 plage 9 • ROUGET,GILBERT 1946 Pyral_face_267 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_12 BM.1974.013.001/52:12_12 00:04:37 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 3 : AVEC UN CHASSEUR DE GORILLE Sous-table non exportée Sous-table non exportée Interview d'un chasseur de gorille par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement du chef Mopéta près du village de Gandicolo. Suite de l'entretien précédent sur le récit de la chasse du gorille ( au fusil et à la sagaie) qui vient d'être ramené au campement, avec imitation du cri de la gorille femelle pour appeler le mâle au secours, NB : copie de la bande magnétique BM.1974.013.23 plage 1 • ROUGET,GILBERT 1946 Pyral_face_268 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_13 BM.1974.013.001/52:12_13 00:04:30 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 4 : AVEC UN CHASSEUR DE GORILLE Sous-table non exportée Sous-table non exportée Interview d'un chasseur de gorille par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement du chef Mopéta près du village de Gandicolo. Suite de l'entretien précédent sur le récit de la chasse du gorille ( au fusil et à la sagaie) qui vient d'être ramené au campement, sur le rituel pour assurer le succès de la chasse (lavage avec des feuilles et du bois de la forêt), NB : copie de la bande magnétique BM.1974.013.23 plage 2 • ROUGET,GILBERT 1946 Pyral_face_269 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_15 BM.1974.013.001/52:12_15 00:04:44 25/09/46 CONGO OUESSO / GANDICOLO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 2 : SUR LES PEINTURES CORP. Sous-table non exportée Sous-table non exportée Interview du "capitat" (un chasseur du groupe des Pomo) par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement pygmées babinga bangombe du chef Mopéta près du village de Gandicolo, le chasseur interviewé est du groupe desPomo, Sur les peintures de figure suite à la chasse à la panthère de la veille (au fusil, apporté par la mission) : il faut se noircir la figure (avec du charbon) pendant les 7 jours suivant la chasse de la panthère, et autres interdits (sexuels), sur les motifs des peintures, NB : copie de la bande magnétique BM.1974.013.23 plage 4 • ROUGET,GILBERT 1946 Pyral_face_271 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :12_16 BM.1974.013.001/52:12_16 00:04:35 25/09/46 CONGO OUESSO / GANDICOLO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW 3 : SUR LES PEINTURES CORP. Sous-table non exportée Sous-table non exportée Interview du "capitat" (un homme du groupe POMO) par Noël Baillif (organisateur de la mission), et Gilbert Rouget, traduction par Alexandre • * campement pygmées babinga Bangombé du chef Mopéta près du village de Gandicolo, le chasseur interviewé est du groupe Pomo, Sur les peintures de figure suite à la chasse à la panthère de la veille (au fusil, apporté par la mission) : il faut se noircir la figure (avec du charbon) pendant les 7 jours suivant la chasse de la panthère, et autres interdits (sexuels), sur les motifs des peintures, peintures pour la panthère, antilope, éléphant (rituel pendant 12 jours), NB : copie de la bande magnétique BM.1974.013.23 plage 5 • ROUGET,GILBERT 1946 Pyral_face_272 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_02 BM.1974.013.001/52:13_02 00:04:24 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 2 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-69 B 17b 2ème plage - Edzingi I • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, début : conversation, introduction instrumentale avec cri d'ensemble, solo de F, confusion, silence, psalmodie du chef Mopéta (fin à 01'45), reprises cloche et battements de mains, voix parlées, puis reprise solo de F, quelques chants, cris et battements de mains, début des choeurs après 03'00, avec tambourinage, fin coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.23 plage 7• ROUGET,GILBERT 1946 Pyral_face_274 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_03 BM.1974.013.001/52:13_03 00:04:36 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 3 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient.• Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-65 B 18a 1èreplage - Edzingi II • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement précédent : début plein choeur et instru, les hommes se sont alignés côte à côte face à l'endroit par lequel Edzingi fera sa première entrée. Ils dansent en ligne, avancent et reculent. Les femmes dansent aussi, en groupe derrière les hommes, fin sur cri d'ensemble à 01'50, après l' interruption de la danse et de la musique, les femmes rejoignent leur place et les hommes fument, bruits d'ambiance et conversation, Début de reprise sur solo F et cris d'ensemble, solo de cloche par Mopéta près de l'entrée, bruits sourd de tambour entrain d'être accordé, court solo f, fin coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.23 plage 8• ROUGET,GILBERT 1946 Pyral_face_275 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_05 BM.1974.013.001/52:13_05 00:04:37 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 5 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-60 B 19a - Edzingi III • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement précédent, début plein choeur et instruments, les hommes dansent autour de Edzingi, qui se dresse et tournoie ou s'accroupi, actions marquées par les cris des hommes, edzingi se déplace toujours entouré par les hommes, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 2• ROUGET,GILBERT 1946 Pyral_face_277 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_06 BM.1974.013.001/52:13_06 00:04:14 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 6 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-65 B 18a 2ème plage - Edzingi IV• * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, début ambiance, solo h, réponse choeur, battement de mains, reprise du chant : choeur, puis avec tambours, Edzingi a quitté la place de danse, les hommes et les femmes dansent, puis retour de Edzingi marqué par une série de cris, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 3• ROUGET,GILBERT 1946 Pyral_face_278 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_07 BM.1974.013.001/52:13_07 00:04:33 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 7 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement précédent en 2 parties : début pleins choeurs, tamb, battements de mains, fin sur cri d'ensemble à 00'45, suivi de cloche, conversation, silence, coupure à 02'00, reprise solo h, cris, conversation, ambiance, reprise 03'20 tamb, cris, battements de mains, solo etc choeur, coupure, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 4• ROUGET,GILBERT 1946 Pyral_face_279 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_08 BM.1974.013.001/52:13_08 00:03:25 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 8 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement : début pleins choeurs, tamb., battements de mains, Suite de postures de edzingi accompagnées de cris aigus et cris d'ensemble, après 03'00 : seulement tamb., fin Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 5• ROUGET,GILBERT 1946 Pyral_face_280 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_09 BM.1974.013.001/52:13_09 00:04:24 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 9 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Début : edzingi a disparu à nouveau dans la forêt, les hommes et les femmes chantent, tambours, battements de mains, retour de la cloche, réapparitions de edzingi, différentes postures, à 03'35 : interruption des tamb., puis fin. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 6• BM.1974.013.001/52:13_08 ROUGET,GILBERT 1946 Pyral_face_281 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_10 BM.1974.013.001/52:13_10 00:04:35 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 10 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-73 B 18b 2ème plage - Edzingi VI • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Débute : pleins choeurs, tamb., battements de mains, cloche, quelques cris, suite sur l'enregistrement suivant, Après plusieurs aller-retour entre le campement et la forêt, edzingi est de nouveau sur la place, il tournoie de plus en plus, avec des rotations de la tête, les hommes se serrent plus étroitement contre lui et font entendre des youyou lorsqu'edzingi tourbillone. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 7• ROUGET,GILBERT 1946 Pyral_face_282 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_11 BM.1974.013.001/52:13_11 00:04:47 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 11 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-73 B 18b 2èmeplage - Edzingi II • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Débute : suite de la période criée commencée sur l'enregistrement précédent : série de cris, une femme chante une longue note tenue, interrompue de temps à autre et parfois combinée à une seconde voix, lorsqu'edzingi n'est pas là les femmes dansent, les hommes poussent des youyou, entourant edzingi lors de ses passages dansés, suite sur enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 8• ROUGET,GILBERT 1946 Pyral_face_283 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_13 BM.1974.013.001/52:13_13 00:03:51 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 13 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-68 B 19b - EdzingiVIII • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, 1ère partie : Suite : les hommes apparaissent en file indienne, précédés du vieux chasseur qui prononce une harangue ponctuée par les exclamations sur choeur, puis les hommes repartent dans la forêt, cet épisode se répète en tout 4 fois, cet enregistrement en présente 2 exemples : Solo h et réponse du choeur, fin par cri d'ensemble des femmes, fin à 02'10, 2ème partie : ambiance, conversation, reprise de l'instrumentation, puis silence, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 1• ROUGET,GILBERT 1946 Pyral_face_285 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :01-01 BM.2007.010.001/63:01-01 00:00:00 27/07/67 GABON LIBREVILLE,N'KAN FANG GABON; SALLEE,P. 1967 BWITI. OTONGA Sous-table non exportée Sous-table non exportée Scéance de l'après-midi, consécutive au _mesoso_ du matin• Groupe social/ethnie : clan oyek. Titre de la pièce : _otonga_ ou _otenga_ : pas très lisible sur la fiche descriptive de la bobine• SALLEE,P. 1967 1967.1.01-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :02-01 BM.2007.010.001/63:02-01 00:00:00 04/08/67 GABON LIBREVILLE,ROUTE DE NTOUM KM14 FANG GABON; SALLEE,P. 1967 BWITI. MESOSO Sous-table non exportée Sous-table non exportée Pierre Sallée indique dans la colonne "sous-groupe" de la fiche descriptive : _mekagne ma nkoma_. _mesoso_ est ici orthographié _messosso_ par Pierre Sallée• BM.2007.010:01-01 SALLEE,P. 1967 1967.1.02-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :03-01 BM.2007.010.001/63:03-01 00:00:00 30/07/67 GABON LIBREVILLE,ROUTE DE KANGO KM 7 FANG GABON; SALLEE,P. 1967 BWITI. NGOSE Sous-table non exportée Sous-table non exportée BM.2007.010:01-02 SALLEE,P. 1967 1967.1.03-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :04-01 BM.2007.010.001/63:04-01 00:00:00 06/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA. DEBUT Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Village : Km 24, route de Kango• BM.2007.010:03-01 SALLEE,P. 1967 1967.1.04-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :04-02 BM.2007.010.001/63:04-02 00:00:00 06/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA. SUITE Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Village : Km 24, route de Kango• BM.2007.010:04-01 SALLEE,P. 1967 1967.1.04-02/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :05-01 BM.2007.010.001/63:05-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:04-02. Village : Km 24, route de Kango• BM.2007.010:04-02 SALLEE,P. 1967 1967.1.05-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :06-01 BM.2007.010.001/63:06-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:05-01. Village : Km 24, route de Kango• BM.2007.010:05-01 SALLEE,P. 1967 1967.1.06-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :07-01 BM.2007.010.001/63:07-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:06-01. Village : Km 24, route de Kango• BM.2007.010:06-01 SALLEE,P. 1967 1967.1.07-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :08-01 BM.2007.010.001/63:08-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:07-01. Village : Km 24, route de Kango• BM.2007.010:07-01 SALLEE,P. 1967 1967.1.08-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :09-01 BM.2007.010.001/63:09-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:08-01. Village : Km 24, route de Kango• BM.2007.010:08-01 SALLEE,P. 1967 1967.1.09-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :10-01 BM.2007.010.001/63:10-01 00:00:00 07/08/67 GABON LIBREVILLE,MIPANGO FANG GABON; SALLEE,P. 1967 BWITI. DISUMBA Sous-table non exportée Sous-table non exportée Chez J. B. Metouleu• Suite de BM.2007.010:09-01. Village : Km 24, route de Kango• BM.2007.010:09-01 SALLEE,P. 1967 1967.1.10-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_12 BM.1974.013.001/52:13_12 00:04:21 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 12 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-68 B 19b - EdzingiVII • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, 1ère partie : fin de la période criée, fin à 00'40, silence, 2ème partie : 01'10 : les hommes apparaissent en file indienne, précédés du vieux chasseur qui prononce une harangue ponctuée par les exclamations sur choeur, puis les hommes repartent dans la forêt, cet épisode se répète en tout 4 fois, cet enregistrement en présente 2 exemples : Solo parlé h et réponse du choeur, fin par cri d'ensemble des femmes, fin à 03'32, silence, ambiance, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.24 plage 9• ROUGET,GILBERT 1946 Pyral_face_284 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :11-01 BM.2007.010.001/63:11-01 00:00:00 10/08/67 GABON LIBREVILLE,KM 47 FANG GABON; SALLEE,P. 1967 BWITI. ESOME DAVID ET DISUMBA Sous-table non exportée Sous-table non exportée *Informateur s : Lucien Meyo et Ekang Ngwa• BM.2007.010:10-01 SALLEE,P. 1967 1967.1.11-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :12-01 BM.2007.010.001/63:12-01 00:00:00 10/08/67 GABON LIBREVILLE,KM 47 FANG GABON; SALLEE,P. 1967 BWITI. ESOME DAVID ET DISUMBA Sous-table non exportée Sous-table non exportée *Informateur s : Lucien Meyo et Ekang Ngwa• BM.2007.010:11-01 SALLEE,P. 1967 1967.1.12-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :13-01 BM.2007.010.001/63:13-01 00:00:00 15/08/67 GABON LIBREVILLE,NZOGHE-NZOBERE FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée BM.2007.010:12-01 SALLEE,P. 1967 1967.1.13-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :13-02 BM.2007.010.001/63:13-02 00:00:00 15/08/67 GABON LIBREVILLE,NZOGHE-NZOBERE FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée BM.2007.010:13-01 SALLEE,P. 1967 1967.1.13-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :13-03 BM.2007.010.001/63:13-03 00:00:00 15/08/67 GABON LIBREVILLE,NZOGHE-NZOBERE FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée BM.2007.010:13-02 SALLEE,P. 1967 1967.1.13-03/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :13-04 BM.2007.010.001/63:13-04 00:00:00 15/08/67 GABON LIBREVILLE,NZOGHE-NZOBERE FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée BM.2007.010:13-03 SALLEE,P. 1967 1967.1.13-04/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :15-01 BM.2007.010.001/63:15-01 00:00:00 15/08/67 GABON LIBREVILLE,ZOLERMITANG FANG GABON; SALLEE,P. 1967 BWITI. MWENGUE Sous-table non exportée Sous-table non exportée Chez Ntumu Ndong. Rite de _nzimba_ et début de _ngoze_• Suite de BM.2007.010:14-01• BM.2007.010:14-01 SALLEE,P. 1967 1967.1.15(1)-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :16-01 BM.2007.010.001/63:16-01 00:00:00 17/08/67 GABON LIBREVILLE,ZOLERMITANG FANG GABON; SALLEE,P. 1967 NGOSE MEYAYA Sous-table non exportée Sous-table non exportée Secte _assunga-ening_. _ngose meyaya_ de Ndong Mba Eya• Bande du film Bureau• BM.2007.010:15-01 SALLEE,P. 1967 1967.1.15(2)-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_14 BM.1974.013.001/52:13_14 00:04:08 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 14 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, En 2 parties : 1ère partie : reprise, faux départ, confusion, ambiance, 2ème partie : 01'17 : débute plein chant, solo h, réponse des femmes, quelques danses des femmes, retour de Edzingi, les hommes dansant autour de lui en cercle, fin coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 2• ROUGET,GILBERT 1946 Pyral_face_286 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :17-01 BM.2007.010.001/63:17-01 00:00:00 08/08/67 GABON LIBREVILLE,MEBAA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée Entretien avec Albert Mibenga Edzo, harpiste (sic) de Mebaa. Commentaire des différents chants de la cérémonie _bwiti_• BM.2007.010:16-01 SALLEE,P. 1967 1967.1.16-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :18-01 BM.2007.010.001/63:18-01 00:00:00 12/08/67 GABON LIBREVILLE,MEBAA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée Entretien avec Albert Mibenga Edzo, harpiste (sic) de Mebaa. Suite du commentaire des différents chants de la cérémonie _bwiti_• Suite de BM.2007.010:17-01• BM.2007.010:17-01 SALLEE,P. 1967 1967.1.17-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_15 BM.1974.013.001/52:13_15 00:04:29 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 15 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, En 3 parties : 1ère partie : fin instrumentale de l'enregistrement précédent, puis ambiance, sortie de edzingi, 2ème partie : à 00'55 : cris et début de chant, confusion, 3ème partie : 02'30 = solo de f, tambours, cloche, choeurs, les femmes dansent, se groupent, edzingi réapparaît et prends différentes postures, les hommes dansent autour de lui, fin coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 3• ROUGET,GILBERT 1946 Pyral_face_287 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :19-01 BM.2007.010.001/63:19-01 00:00:00 12/08/67 GABON LIBREVILLE,MEBAA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée Entretien avec Albert Mibenga Edzo, harpiste (sic) de Mebaa. Suite du commentaire des différents chants de la cérémonie _bwiti_• Suite de BM.2007.010:18-01• BM.2007.010:18-01 SALLEE,P. 1967 1967.1.18-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :20-01 BM.2007.010.001/63:20-01 00:00:00 19/08/67 GABON LIBREVILLE,MEBAA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée Entretien avec Albert Mibenga Edzo, harpiste (sic) de Mebaa. Suite du commentaire des différents chants de la cérémonie _bwiti_• Suite de BM.2007.010:19-01• BM.2007.010:19-01 SALLEE,P. 1967 1967.1.19-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :21-01 BM.2007.010.001/63:21-01 00:00:00 19/08/67 GABON LIBREVILLE,MEBAA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée Entretien avec Albert Mibenga Edzo, harpiste (sic) de Mebaa. Suite du commentaire des différents chants de la cérémonie _bwiti_• Suite de BM.2007.010:20-01• BM.2007.010:20-01 SALLEE,P. 1967 1967.1.20-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :22-01 BM.2007.010.001/63:22-01 00:00:00 04/09/67 GABON LIBREVILLE,NTOUM FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR LE MVET Sous-table non exportée Sous-table non exportée *Informateur : Ekang Ngwa Nteresighe. Sujet principal : création du _mvet_ et ses rapports avec l'ésotérisme du _bwiti_• BM.2007.010:13-01 SALLEE,P. 1967 1967.1.21-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :13_16 BM.1974.013.001/52:13_16 00:04:29 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 16 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité : Boite à Musique (réf : Partx 5470 n°110 ?)• * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Suite de l'enregistrement précédent, très bon, plusieurs disparitions puis réapparitions de edzingi, passages chantés et passages criés, notes tenues par une femme, cris, fin sur cri d'ensemble; Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 4• ROUGET,GILBERT 1946 Pyral_face_288 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :23-01 BM.2007.010.001/63:23-01 00:00:00 26/10/67 GABON LIBREVILLE,NTOUM FANG GABON; SALLEE,P. 1967 ENTRETIEN AVEC UN JOUEUR DE MVET Sous-table non exportée Sous-table non exportée *Entretien avec le vieux joueur de _mvet_de chez Ekang. 1) Tribu Mvor Etsang 2) Vision d'Angong Bere Oste• Suite de BM.2007.010:22-01• BM.2007.010:22-01 SALLEE,P. 1967 1967.1.22-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_01 BM.1974.013.001/52:14_01 00:04:19 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 17 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, En 2 parties : 1ère partie : longue interruption (silence, bruits de la forêt, ambiance) 2ème partie : 02'00 : reprise, solos puis choeurs, battementsde mains, tamb., confus, puis reprise 03'05, les hommes dansent, cris aigus, retour des chasseurs et de edzingi, fin coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 5• ROUGET,GILBERT 1946 Pyral_face_289 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :24-01 BM.2007.010.001/63:24-01 00:00:00 05/09/67 GABON LIBREVILLE,MEBA FANG GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJET Sous-table non exportée Sous-table non exportée *Entretien avec Albert Mban Ezo sur divers sujets : 1) _ngoma along_ 2) _ngil_ 3) Récitation du _kongo_ par Albert Mban Ezo• Suite de BM.2007.010:22-01• BM.2007.010:23-01 SALLEE,P. 1967 1967.1.23-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :25-01 BM.2007.010.001/63:25-01 00:00:00 11/12/67 GABON LIBREVILLE,MEKONE ANAM FANG MEKE GABON; SALLEE,P. 1967 RECITATION KONGO ET ENTRETIEN SUR PLUSIEURS SUJETS Sous-table non exportée Sous-table non exportée Récitation _kongo_ par Lucien Meyo. *Entretien avec Lucien Meyo sur plusieurs sujets : 1) _mougongo_ 2) _ngil_ Etc. Groupe social / Ethnie : clan oyek• BM.2007.010:24-01 SALLEE,P. 1967 1967.1.24-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_02 BM.1974.013.001/52:14_02 00:04:31 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 18 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • MH 48-68 B 19.b Edzingi IX • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, suite de l'enregistrement précédent, choeurs, tambours, battements de mains, cloche, apparitions et disparitions de edzingi,après 01'30 interruption des tambours et apparition de edzingi, puis reprise des tambours, edzingi tournoie violemment, les homme se serrent de près, edzingi se tasse sur lui-même agité de soubressauts, fin coupée, voir final sur l'enregistrment suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 6• ROUGET,GILBERT 1946 Pyral_face_290 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :26-01 BM.2007.010.001/63:26-01 00:00:00 12/12/67 GABON LIBREVILLE,MEKONE ANAM FANG MEKE GABON; SALLEE,P. 1967 SUITE DE L'ENTRETIEN Sous-table non exportée Sous-table non exportée *Entretien avec Lucien Meyo sur plusieurs sujets. Suite de BM.2007.010:25-01. Groupe social / Ethnie : clan oyek• BM.2007.010:25-01 SALLEE,P. 1967 1967.1.25-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :27-01 BM.2007.010.001/63:27-01 00:00:00 12/12/67 GABON LIBREVILLE,MEKONE ANAM FANG GABON; SALLEE,P. 1967 SUITE DE L'ENTRETIEN Sous-table non exportée Sous-table non exportée *Entretien avec Lucien Meyo sur plusieurs sujets. Suite de BM.2007.010:26-01. Groupe social / Ethnie : clan oyek• BM.2007.010:26-01 SALLEE,P. 1967 1967.1.26-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_03 BM.1974.013.001/52:14_03 00:04:29 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 19 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • MH 48-68 B 20.a Edzingi X • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, suite de l'enregistrement précédent, final (pasage crié), excellent, edzingi circule escorté par les hommes, les femmes suivent en dansant, cri d'ensemble, edzingi s'enfuit, fin sur cri d'ensemble, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 7• ROUGET,GILBERT 1946 Pyral_face_291 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :28-01 BM.2007.010.001/63:28-01 00:00:00 11/11/67 GABON LIBREVILLE,ZOBERMITANG FANG MEKE GABON; SALLEE,P. 1967 BWITI. NGOSE NOEL DISOSO NZAMBI Sous-table non exportée Sous-table non exportée Groupe social / Ethnie : clan oyek• BM.2007.010:25-01 SALLEE,P. 1967 1967.1.27-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :29-01 BM.2007.010.001/63:29-01 00:00:00 26/01/68 GABON LIBREVILLE,MAKONE ANAM FANG GABON; SALLEE,P. 1967 NGOSE MEYAYA Sous-table non exportée Sous-table non exportée Fête de Bebwe Be Nzame (ancêtre du clan Oyek)• Groupe social / Ethnie : clan oyek• BM.2007.010:28-01 SALLEE,P. 1968 1967.1.28-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :30-01 BM.2007.010.001/63:30-01 00:00:00 26/01/68 GABON LIBREVILLE,MAKONE ANAM FANG GABON; SALLEE,P. 1967 NGOSE MEYAYA Sous-table non exportée Sous-table non exportée Pour l'inauguration de l'_ebandza_ de Lucien Meyo• Suite de BM.2007.010:29-01. Groupe social / Ethnie : clan oyek• BM.2007.010:29-01 SALLEE,P. 1968 1967.1.29-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :31-01 BM.2007.010.001/63:31-01 00:00:00 24/12/67 GABON SINDARA GABON; SALLEE,P. 1967 CHANTS D'OISEAUX Sous-table non exportée Sous-table non exportée BM.2007.010:25-01 SALLEE,P. 1967 1967.1.30-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_04 BM.1974.013.001/52:14_04 00:04:06 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 20 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Début confus, 00'20 : reprise du chant, 01'00 : entrée des tamb. avec début de danse par les femmes, les participants sont tournés vers l'entrée de la forêt en attente de edzingi, musique ralentie par moment, fin. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.25 plage 8• ROUGET,GILBERT 1946 Pyral_face_292 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_05 BM.1974.013.001/52:14_05 00:04:43 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 21 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-58 B 20.b Edzingi XI • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Débute pleins choeurs et rythmique, chant solo de Wamata, edzingi est de retour et reprend ses différentes postures et tournoiements, cri général lorsqu'edzingi se baisse, reste immobile à terre. Un homme démèle les rafias du costume. Peu avant 04'00 : période criée succédant au chant. Edzingi s'enfuit à nouveau dans la forêt. Fin sur cri général, un peu coupée. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 1• BM.1974.013.001/52:14_04 ROUGET,GILBERT 1946 Pyral_face_293 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_06 BM.1974.013.001/52:14_06 00:04:32 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 22 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • édité MH 48-59 B 21.a Edzingi XII • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Episode final (représentant la "mise à mort" de l'animal), séquence1/2 : Début confus, rythmique (formule différente des précédentes) et conversation, chants solo H (Wamata et Mopéta) puis reprise choeurs et tambours. Retour de edzingi, cri d'ensemble lorsqu'il s'abaisse. Après 03'00 : Edzingi se couche sur le côté, les hommes le poussent et le tatent du pied, organisant avec les femmes une sorte de ronde autour de edzingi à terre, agité de soubressauts. A 03'30 : changement dans le choeur : les uns crient"kèkèkè", les autres "likètè-likèta" (imitation du cri d'un oiseau apercevant un python) pendant que edzingi reste immobile. Ronde et psalmodie se prolongent alors que edzingi tente de se relever à moitié pour tomber à terre à nouveau, fin de l'enregistrement coupée, suite sur l'enregistrement suivant, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 2• ROUGET,GILBERT 1946 Pyral_face_294 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_07 BM.1974.013.001/52:14_07 00:01:22 25/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 23 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, Episode final (représentant la "mise à mort" de l'animal), séquence2/2 : Très bref. Suite de l'enregistrement précédent, hommes et femmes forment une sorte de ronde autour de edzingi à terre, agité de soubressauts. suite du choeur : les uns crient"kèkèkè", les autres "likètè-likèta" (imitation du cri d'un oiseau apercevant un python), edzingi se redresse, accompagné d'un cri général, et regagne la forêt, suivi des hommes poussant des cris aigus, fin à 00'40 puis ambiance. C'est la fin de la cérémonie nocturne, qui sera poursuivie le lendemain en matinée, voir enregistrements suivants. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 3• ROUGET,GILBERT 1946 Pyral_face_295 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_08 BM.1974.013.001/52:14_08 00:04:13 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 24 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Suite de la cérémonie débutée puis interrompue la veille au soir, qui reprend le lendemain en matinée et se poursuivie jusqu'en début d'après-midi. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), et indications sur la reprise le matin du 26.09 et les préparatifs p.193 : Les hommes sont allés dan la forêt pendant que les femmes restées au campement commencent à "musiquer" et danser, un bloc de bois frappé par 2 baguettes est ajouté à l'instrumentation. Les hommes, revenus, commence le tambourinage et installent des paravents qui serviront à cacher edzingi du regard des femmes. Edzingi arrive et effectue plusieurs aller-retour entre la forêt et la place de danse du campement. Cet enregistrement débute après une longue interruption. Débute plein choeur et rythmique, une vieille femme frappe le bloc de bois. Peu avant 03'00 : courte interruption des tambours. Fin coupée, suite (environs 20 secondes) sur l'enregistrement suivant. NB : copie de la bande magnétique BM.1974.013.26 plage 4• ROUGET,GILBERT 1946 Pyral_face_296 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_10 BM.1974.013.001/52:14_10 00:04:24 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 26 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Suite de l'enregistrement précédent, longue période criée qui succède à la période chantée, note tenue, cris aigus, cris divers, courtes interruptions des tambours récurrentes, fin peu avnt 04'00, suivie de quelques cris au loin. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 6• ROUGET,GILBERT 1946 Pyral_face_298 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_11 BM.1974.013.001/52:14_11 00:04:11 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 27 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Phase instrumentale (avec toujours cloche et bois ?), plusieurs séries de battements de mains, ambiance. Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 7• ROUGET,GILBERT 1946 Pyral_face_299 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_12 BM.1974.013.001/52:14_12 00:04:25 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 28 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Reprise chant et instruments, fin coupée, vers 03'00 : quelques cris ponctuant les attitudes de edzingi, suite sur l'enregistrement suivant, sans indications complémentaires, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 8• ROUGET,GILBERT 1946 Pyral_face_300 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_13 BM.1974.013.001/52:14_13 00:03:54 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 29 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Suite de l'enregistrement précédent, chants et instruments, quelques cris ponctuant les attitudes de edzingi, cri d'ensemble, fin des choeurs. Après 00'30 : Période criée : série de solo avec longue note tenue, série de battements de mains, série de divers cris, fin à 03'30 (puis ambiance). sans indications complémentaires, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.26 plage 9• ROUGET,GILBERT 1946 Pyral_face_301 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_14 BM.1974.013.001/52:14_14 00:04:38 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 30 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Chants et instruments, cri d'ensemble à 03'56, suivi d'un court solo homme avec réponse des choeurs, fin coupée, suite sur enregistrement suivant, sans indications complémentaires, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.27 plage 1• ROUGET,GILBERT 1946 Pyral_face_302 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :14_15 BM.1974.013.001/52:14_15 00:04:03 26/09/46 CONGO OUESSO / GANDICOLO* PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON RITUEL POUR EDZINGI 31 Sous-table non exportée Sous-table non exportée La cérémonie appelée "edzingi" est une longue action musicale et chorégraphique exécutée après le retour d'une chasse couronnée par la mort d'un éléphant mâle porteur de grandes défenses. La figure centrale de ce rituel, appelé "edzingi", est un personnage masqué et costumé de raphia, incarnant l'esprit de la forêt. Au retour de la chasse, le chef du campement va l'invoquer et le prier d'apparaître. Edzingi sort alors de la forêt et vient tournoyer sur la place de danse, entouré par quelques hommes qui dirigent ses évolutions. Les hommes chantent et dansent plus ou moins près de lui. Groupées à l'écart, les femmes chantent presque continûment, mêlant leur partie chorale à celle des hommes. Après plusieurs heures coupées d'interruptions plus ou moins brèves, edzingi tombe et reste longuement à terre,représentant l'animal blessé puis succombant, mis à mort lors de la chasse qui vient d'avoir lieu. Il s'agit de la fonction propitiatoire de ce rituel, en vue de conjurer les effets néfastes de cette mort et de garantir le succès des chasses à venir. Cette cérémonie a aussi une valeur purificatrice puisqu'à son terme les hommes sont libérés des interdits sexuels qu'ils observaient. Cette cérémonie a été exécutée sur commande de Gilbert Rouget lors de la mission ougoué-congo. Elle fût réalisée en 2 épisodes deplusieurs heures : le premier en soirée, le second le lendemain en matinée. Cf. description de l'ensemble de ce rituel in notes des disques publiés , réf. MH 48 b 17.b à B 21.a. • * campement du chef Mopéta près du village de Gandicolo, M-tbr : tambours frappés baguettes, IFC-bloc de bois : un berceau en bois pour enfant utilisé comme percussion, frappé avec 2 baguettes Suite de l'enregistrement précédent, fin de la période chantée sur cri d'ensemble, suivie de solo et réponse choeur, série de longues notes tenues, série de divers cris, voix parlées et instrumentation, ponctuations des postures d'edzingi ? Fin peu avant 04'00 avec cri d'ensemble au loin et arrêt des instruments. Dernier enregistrement de la série sur edzingi, sans indications complémentaires, Cf. indications sur l'ensemble de la série d'enregistrements de Edzingi in cahier notes de terrain G.Rouget (p.181-201), NB : copie de la bande magnétique BM.1974.013.27 plage 2• ROUGET,GILBERT 1946 Pyral_face_303 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_01 BM.1974.013.001/52:15_01 00:04:28 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON INTERVIEW SUR LA CHASSE 3 Sous-table non exportée Sous-table non exportée Interview d'un chasseur appelé Ngoma du village de Gatongo , chasseur à l'arbalète pour chasser le singe (boko) et les oiseaux (toucan, perdrie, etc), traduction par Alexandre, question par Noël Baillif.• *Campement du chef Mopéta près du village de Gandicolo. Suite de l'enregistrement précédent : interview sur l'arbalète, sur la chasse au singe : sur le déroulement de la chasse, sur l'utilisation de la peau de singe par les Pomo comme chapeau, fin coupée. NB : copie de la bande magnétique BM.1974.013.27 plage 5 • ROUGET,GILBERT 1946 Pyral_face_306 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_03 BM.1974.013.001/52:15_03 00:02:28 26/09/46 CONGO OUESSO / GANDICOLO* POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ETUDE DE LINGUISTIQUE POMO 2 Sous-table non exportée Sous-table non exportée Enquête linguistique (questionnaire de l'institut d'ethnologie de l'institut de Paris) par Noël Baillif, informateur Alexandre Djambabo du village de Gatongo• * Campement pygmées bangombé du chef Mopéta près du village de Gandicolo, Alexandre raconte, en 7 séquences, l'histoire pomo de l'antilope cheval et la tortue, NB : copie de la bande magnétique BM.1974.013.27 plage 7 • ROUGET,GILBERT 1946 Pyral_face_308 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_04 BM.1974.013.001/52:15_04 00:02:13 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ETUDE LINGUISTIQUE BANGOMBE 1 Sous-table non exportée Sous-table non exportée Etude linguistique au campement des bangombé.• *Campement du chef Mopéta près du village de Gandicolo. Sur la façon de compter, par Monbuenzi, en plusieurs séquences, Cf. indications in cahier notes de terrain G.Rouget (p.204), NB : copie de la bande magnétique BM.1974.013.27 plage 8 • ROUGET,GILBERT 1946 Pyral_face_309 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_05 BM.1974.013.001/52:15_05 00:03:36 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ETUDE LINGUISTIQUE BANGOMBE 2 Sous-table non exportée Sous-table non exportée Etude linguistique au campement des bangombé.• *Campement du chef Mopéta près du village de Gandicolo. Question de vocabulaire par G.Rouget (français), réponse par Mopéta (en bangombe), plusieurs séquences, avec traduction intermédiaire en lingala par différents interprètes, Cf. indications in cahier notes de terrain G.Rouget (p.204-205), NB : copie de la bande magnétique BM.1974.013.27 plage 9 • ROUGET,GILBERT 1946 Pyral_face_310 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_06 BM.1974.013.001/52:15_06 00:02:59 26/09/46 CONGO OUESSO / GANDICOLO * PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ETUDE LINGUISTIQUE BANGOMBE 3 Sous-table non exportée Sous-table non exportée Etude linguistique au campement des bangombé.• *Campement du chef Mopéta près du village de Gandicolo. Suite de l'enregistrement précédent : Question de vocabulaire par G.Rouget (français), réponse par Mopéta (en bangombe), plusieurs séquences, avec traduction intermédiaire en lingala par différents interprètes, Cf. indications in cahier notes de terrain G.Rouget (p.205), NB : copie de la bande magnétique BM.1974.013.27 plage 10 • ROUGET,GILBERT 1946 Pyral_face_311 AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :32-01 BM.2007.010.001/63:32-01 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 BWITI. ANNONCE ET CHANTS DE DANSE Sous-table non exportée Sous-table non exportée BM.2007.010:31-01 SALLEE,P. 1967 1967.2.01(1)-01/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :33-01 BM.2007.010.001/63:33-01 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 BWITI. ENTRETIEN AVEC LE POVI Sous-table non exportée Sous-table non exportée * Entretien avec le _povi_, chef du village de Bila-Nzambi. Présentation de _nzambe kana_ et de _nzambe mayaya_• Suite de BM.2007.010:32-01• BM.2007.010:32-01 SALLEE,P. 1967 1967.2.01(2)-04/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :34-01 BM.2007.010.001/63:34-01 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 BWITI Sous-table non exportée Sous-table non exportée Suite de BM.2007.010:33-03• BM.2007.010:33-01 SALLEE,P. 1967 1967.2.02-01/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :32-02 BM.2007.010.001/63:32-02 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 ORIGINE DU BWITI Sous-table non exportée Sous-table non exportée * Entretien avec le _povi_, chef du village de Bila-Nzambi. BM.2007.010:33-01 SALLEE,P. 1967 1967.2.01(2)-02/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :32-03 BM.2007.010.001/63:32-03 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 NOMS DES CORDES DU NGOMBI Sous-table non exportée Sous-table non exportée * Entretien avec le _povi_, chef du village de Bila-Nzambi. BM.2007.010:32-02 SALLEE,P. 1967 1967.2.01(2)-03/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :35-01 BM.2007.010.001/63:35-01 00:00:00 09/09/67 GABON MANDJI,BILA-NZAMBI ESHIRA GABON; SALLEE,P. 1967 BWITI. SEANCE AU NZIMBE Sous-table non exportée Sous-table non exportée Séance au _nzimbe_ de Bila-Nzambi sur _dissoumba_ et les cordes du _ngombi_, avec Sébastien Itchoumbi et Albert Ibeti• Suite de BM.2007.010:32-01• BM.2007.010:33-01 SALLEE,P. 1967 1967.2.03-01/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :36-01 BM.2007.010.001/63:36-01 00:00:00 11/09/67 GABON MANDJI,MASSANA ESHIRA GABON; SALLEE,P. 1967 PLURIARC TSAMBI Sous-table non exportée Sous-table non exportée Précédé d'une annonce sur l'enregistrement• BM.2007.010:33-01 SALLEE,P. 1967 1967.2.04-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :36-02 BM.2007.010.001/63:36-02 00:00:00 11/09/67 GABON MANDJI,MASSANA ESHIRA GABON; SALLEE,P. 1967 CHANTS DE NYEMBE Sous-table non exportée Sous-table non exportée BM.2007.010:36-01 SALLEE,P. 1967 1967.2.04-02/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :36-03 BM.2007.010.001/63:36-03 00:00:00 11/09/67 GABON MANDJI,MASSANA ESHIRA GABON; SALLEE,P. 1967 KUGHU ET MOULOUMBI. CONTES Sous-table non exportée Sous-table non exportée Deux contes _kughu_ et un conte long _mouloumbi_ sur les aventures de _nzambi_ et _guepassa_• BM.2007.010:36-02 SALLEE,P. 1967 1967.2.04-03/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :37-01 BM.2007.010.001/63:37-01 00:00:00 11/09/67 GABON MANDJI,MASSANA ESHIRA GABON; SALLEE,P. 1967 EXPLICATIONS SUR LE TSAMBI Sous-table non exportée Sous-table non exportée BM.2007.010:36-03 SALLEE,P. 1967 1967.2.05-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :37-02 BM.2007.010.001/63:37-02 00:00:00 11/09/67 GABON MANDJI,MASSANA ESHIRA GABON; SALLEE,P. 1967 KUGHU ET MOULOUMBI. CONTES Sous-table non exportée Sous-table non exportée Deux contes _kughu_ et un conte long _mouloumbi_ sur les aventures de _nzambi_ et _guepassa_• Suite de BM.2007.010:36-03• BM.2007.010:36-03 SALLEE,P. 1967 1967.2.05-02/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :37-03 BM.2007.010.001/63:37-03 00:00:00 11/09/67 GABON MANDJI,TSIKA ESHIRA GABON; SALLEE,P. 1967 MOULOUMBI, KUGHU ET TSAVOU Sous-table non exportée Sous-table non exportée _mouloumbi_ précédé de _kughu_ et _tsavu_• BM.2007.010:36-03 SALLEE,P. 1967 1967.2.05-03/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :38-01 BM.2007.010.001/63:38-01 00:00:00 12/09/67 GABON MANDJI,TSIKA ESHIRA GABON; SALLEE,P. 1967 MOULOUMBI. CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:36-03 SALLEE,P. 1967 1967.2.06-01/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :38-02 BM.2007.010.001/63:38-02 00:00:00 12/09/67 GABON MANDJI,TSIKA ESHIRA GABON; SALLEE,P. 1967 MOULOUMBI. CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:38-01 SALLEE,P. 1967 1967.2.06-02/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :39-01 BM.2007.010.001/63:39-01 00:00:00 09/67 GABON MIMONGO,ETAVA TSOGHO GABON; SALLEE,P. 1967 BWITI Sous-table non exportée Sous-table non exportée Date de l'enregistrement : elle n'est pas précisément indiquée mais il s'agit probablement du 15/09/67. Il existe des transcriptions et traductions des récits et chants de cette bobine• BM.2007.010:38-02 SALLEE,P. 1967 1967.2.07-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :40-01 BM.2007.010.001/63:40-01 00:00:00 15/09/67 GABON MIMONGO,ETAVA TSOGHO GABON; SALLEE,P. 1967 BWITI Sous-table non exportée Sous-table non exportée Suite de BM.2007.010:39-01. Il existe des transcriptions et traductions des récits et chants de cette bobine• BM.2007.010:39-01 SALLEE,P. 1967 1967.2.08-01/Copie AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :41-01 BM.2007.010.001/63:41-01 00:00:00 16/09/67 GABON KOULAMOUTOU,MAVANGHA SANGO GABON; SALLEE,P. 1967 BWITI Sous-table non exportée Sous-table non exportée *Informateur : Monsieur Boudzanga. Informations sur le _ngombi_ ; chants de _bwiti_ : _mazimba na ngombi_ et quelques explications• Suite de BM.2007.010:40-01. Il existe des transcriptions et traductions des entretiens et chants de cette bobine• BM.2007.010:40-01 SALLEE,P. 1967 1967.2.09-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :42-01 BM.2007.010.001/63:42-01 00:00:00 16/09/67 GABON KOULAMOUTOU,MAVANGHA SANGO GABON; SALLEE,P. 1967 BWITI Sous-table non exportée Sous-table non exportée Suite de _boudzanga_ : noms des cordes du _ngombi_ et chants• Suite de BM.2007.010:41-01. Il existe des transcriptions et traductions des récits et entretiens de cette bobine• BM.2007.010:41-01 SALLEE,P. 1967 1967.2.10-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :43-01 BM.2007.010.001/63:43-01 00:00:00 18/09/67 GABON KOULAMOUTOU,MON BOUETI NZEBI GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJETS Sous-table non exportée Sous-table non exportée *Informateur : Mgr. Irogolo• BM.2007.010:42-01 SALLEE,P. 1967 1967.2.11-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :44-01 BM.2007.010.001/63:44-01 00:00:00 18/09/67 GABON KOULAMOUTOU,CENTRE NZEBI GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJETS Sous-table non exportée Sous-table non exportée *Informateur : Mgr. Irogolo• Suite de BM.2007.010:43-01• BM.2007.010:43-01 SALLEE,P. 1967 1967.2.12-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :44-02 BM.2007.010.001/63:44-02 00:00:00 18/09/67 GABON KOULAMOUTOU,CENTRE POVI GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée Titre du conte : La fille infirme et sa mère qui perd la parole• BM.2007.010:44-01 SALLEE,P. 1967 1967.2.12-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :45-01 BM.2007.010.001/63:45-01 00:00:00 18/09/67 GABON KOULAMOUTOU,CENTRE POVI GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée Histoire de mariage• Suite de BM.2007.010:44-02. Titre du conte : La fille infirme et sa mère qui perd la parole. *Le nom du conteur est Kola sur la fiche de cet bobine, alors que sur la fiche précédente, il est indiqué "Koka". S'agit-il de Koka ou de Kola ?• BM.2007.010:44-02 SALLEE,P. 1967 1967.2.13-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :45-02 BM.2007.010.001/63:45-02 00:00:00 18/09/67 GABON KOULAMOUTOU,CENTRE AKELE GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:45-01 SALLEE,P. 1967 1967.2.13-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :45-03 BM.2007.010.001/63:45-03 00:00:00 18/09/67 GABON KOULAMOUTOU,CENTRE AKELE GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:45-02 SALLEE,P. 1967 1967.2.13-03/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :46-01 BM.2007.010.001/63:46-01 00:00:00 19/09/67 GABON KOULAMOUTOU,CENTRE AKELE GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée Suite de BM.2007.010:45-03• BM.2007.010:45-03 SALLEE,P. 1967 1967.2.14-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :46-02 BM.2007.010.001/63:46-02 00:00:00 19/09/67 GABON KOULAMOUTOU,CENTRE NZEBI GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:46-01 SALLEE,P. 1967 1967.2.14-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :46-03 BM.2007.010.001/63:46-03 00:00:00 19/09/67 GABON KOULAMOUTOU,CENTRE POVI GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée BM.2007.010:46-02 SALLEE,P. 1967 1967.2.14-03/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :47-01 BM.2007.010.001/63:47-01 00:00:00 19/09/67 GABON KOULAMOUTOU,CENTRE POVI GABON; SALLEE,P. 1967 CONTE Sous-table non exportée Sous-table non exportée Suite du conte de BM.2007.010:46-03 et explications en français• Suite de BM.2007.010:46-03• BM.2007.010:46-01 SALLEE,P. 1967 1967.2.15-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :47-02 BM.2007.010.001/63:47-02 00:00:00 19/09/67 GABON KOULAMOUTOU,CENTRE NZEBI GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJETS Sous-table non exportée Sous-table non exportée *Informateur : Patrice Moulemba• BM.2007.010:47-01 SALLEE,P. 1967 1967.2.15-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :48-01 BM.2007.010.001/63:48-01 00:00:00 20/09/67 GABON KOULAMOUTOU,CENTRE NZEBI GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJETS Sous-table non exportée Sous-table non exportée *Informateur : Patrice Moulemba• Suite de BM.2007.010:47-02• BM.2007.010:47-02 SALLEE,P. 1967 1967.2.16-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :49-01 BM.2007.010.001/63:49-01 00:00:00 20/09/67 GABON KOULAMOUTOU,CENTRE NZEBI GABON; SALLEE,P. 1967 ENTRETIEN SUR DIVERS SUJETS Sous-table non exportée Sous-table non exportée *Informateur : Patrice Moulemba• Suite de BM.2007.010:48-01• BM.2007.010:48-01 SALLEE,P. 1967 1967.2.17-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :50-01 BM.2007.010.001/63:50-01 00:00:00 15/09/67 GABON MIMONGO,BILENGUI TSOGHO GABON; SALLEE,P. 1967 EXPLICATIONS SUR LE LANGAGE BWITI Sous-table non exportée Sous-table non exportée BM.2007.010:49-01 SALLEE,P. 1967 1967.2.18-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :51-01 BM.2007.010.001/63:51-01 00:00:00 02/10/67 GABON GABON; SALLEE,P. 1967 BWITI DE LA FETE DE SAINT-MICHEL Sous-table non exportée Sous-table non exportée _bwiti mwengue : nzo bere mitan_• Film• BM.2007.010:20-01 SALLEE,P. 1967 1967.2.19-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :52-01 BM.2007.010.001/63:52-01 00:00:00 02/10/67 GABON GABON; SALLEE,P. 1967 BWITI DE LA FETE DE SAINT-MICHEL Sous-table non exportée Sous-table non exportée _bwiti mwengue : nzo bere mitan_• Film• BM.2007.010:51-01 SALLEE,P. 1967 1967.2.20-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :53-01 BM.2007.010.001/63:53-01 00:00:00 02/10/67 GABON GABON; SALLEE,P. 1967 BWITI DE LA FETE DE SAINT-MICHEL Sous-table non exportée Sous-table non exportée _bwiti mwengue : nzo bere mitan_• Film• BM.2007.010:52-01 SALLEE,P. 1967 1967.2.21-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :54-01 BM.2007.010.001/63:54-01 00:00:00 02/10/67 GABON GABON; SALLEE,P. 1967 BWITI DE LA FETE DE SAINT-MICHEL Sous-table non exportée Sous-table non exportée _bwiti mwengue : nzo bere mitan_• Film• BM.2007.010:52-01 SALLEE,P. 1967 1967.2.22-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :55-01 BM.2007.010.001/63:55-01 00:00:00 02/10/67 GABON GABON; SALLEE,P. 1967 BWITI DE LA FETE DE SAINT-MICHEL Sous-table non exportée Sous-table non exportée _bwiti mwengue : nzo bere mitan_• Film• BM.2007.010:52-01 SALLEE,P. 1967 1967.2.23-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :56-01 BM.2007.010.001/63:56-01 00:00:00 11/11/67 GABON LIBREVILLE,MUSEE FANG GABON; SALLEE,P. 1967 ARC MUSICAL Sous-table non exportée Sous-table non exportée BM.2007.010:52-01 SALLEE,P. 1967 1967.2.24-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :56-02 BM.2007.010.001/63:56-02 00:00:00 11/11/67 GABON LIBREVILLE,MUSEE SANGO GABON; SALLEE,P. 1967 MYTHE NZAMBE KANA ET INSTRUMENTS DU BWITI Sous-table non exportée Sous-table non exportée BM.2007.010:56-01 SALLEE,P. 1967 1967.2.24-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :57-01 BM.2007.010.001/63:57-01 00:00:00 22/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : François Kosi• BM.2007.010:56-01 SALLEE,P. 1967 1967.3.01-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :58-01 BM.2007.010.001/63:58-01 00:00:00 22/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 CHANTS DE NGOMBI Sous-table non exportée Sous-table non exportée Suite de BM.2007.010:57-01• BM.2007.010:57-01 SALLEE,P. 1967 1967.3.02-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :58-02 BM.2007.010.001/63:58-02 00:00:00 22/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 CHANT DE BWITI "POUR TOUTE LA POPULATION" Sous-table non exportée Sous-table non exportée BM.2007.010:58-01 SALLEE,P. 1967 1967.3.02-02/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :58-03 BM.2007.010.001/63:58-03 00:00:00 22/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 CHANTS DE MISSOKO Sous-table non exportée Sous-table non exportée BM.2007.010:58-02 SALLEE,P. 1967 1967.3.02-03/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :59-01 BM.2007.010.001/63:59-01 00:00:00 27/12/67 GABON KOMI TSOGHO GABON; SALLEE,P. 1967 SEANCE DE BWITI. DISCOURS AU MBUMBA Sous-table non exportée Sous-table non exportée Séance chez François Kosi• BM.2007.010:58-03 SALLEE,P. 1967 1967.3.03-01/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :59-02 BM.2007.010.001/63:59-02 00:00:00 27/12/67 GABON KOMI TSOGHO GABON; SALLEE,P. 1967 SEANCE DE BWITI. MOGONGO DE MISSOKO Sous-table non exportée Sous-table non exportée Séance chez François Kosi• _mogongo_ est ici orthographié _mongongo_ par Pierre Sallée• BM.2007.010:59-01 SALLEE,P. 1967 1967.3.03-02/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :59-03 BM.2007.010.001/63:59-03 00:00:00 27/12/67 GABON KOMI TSOGHO GABON; SALLEE,P. 1967 DEBUT DE LA SEANCE DE KOSI Sous-table non exportée Sous-table non exportée Séance chez François Kosi• BM.2007.010:59-01 SALLEE,P. 1967 1967.3.03-03/Original AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :60-01 BM.2007.010.001/63:60-01 00:00:00 22/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : Francois Kosi• Suite de BM.2007.010:58-03• BM.2007.010:58-03 SALLEE,P. 1967 1967.3.04-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :61-01 BM.2007.010.001/63:61-01 00:00:00 27/12/67 GABON FOUGAMOU TSOGHO GABON; SALLEE,P. 1967 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : François Kosi• Suite de BM.2007.010:60-01• BM.2007.010:60-01 SALLEE,P. 1967 1967.3.05-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :62-01 BM.2007.010.001/63:62-01 00:00:00 GABON GABON; SALLEE,P. 1967 Sous-table non exportée Sous-table non exportée BM.2007.010:61-01 SALLEE,P. 1967 1967.3.06-01/N AFRIQUE +BM.2007.010 Ø13&18 BM.2007.010.001/63 :63-01 BM.2007.010.001/63:63-01 00:00:00 GABON GABON; SALLEE,P. 1967 Sous-table non exportée Sous-table non exportée BM.2007.010:62-01 SALLEE,P. 1967 1967.3.07-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :01-01 BM.2007.012.001/58:01-01 00:00:00 24/02/68 GABON LAMBARENE,WONGA WONGUE "BATRACIENS" GRENOUILLES GABON; SALLEE,P.1968 CONCERT DE GRENOUILLES Sous-table non exportée Sous-table non exportée BM.2007.010:63-01 SALLEE,P. 1968 1968.4.01-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :01-02 BM.2007.012.001/58:01-02 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME, SAINT-PAUL APINDJI GABON; SALLEE,P.1968 NGANE. PREMIER CONTE Sous-table non exportée Sous-table non exportée BM.2007.012:01-01 SALLEE,P. 1968 1968.4.01-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :01-03 BM.2007.012.001/58:01-03 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME, SAINT-PAUL APINDJI GABON; SALLEE,P.1968 NGANE. DEUXIEME CONTE Sous-table non exportée Sous-table non exportée BM.2007.012:01-02 SALLEE,P. 1968 1968.4.01-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :02-01 BM.2007.012.001/58:02-01 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 CHANT AU NGOMBI Sous-table non exportée Sous-table non exportée Pierre Sallée indique en observation le terme _wora_• BM.2007.012:01-03 SALLEE,P. 1968 1968.4.02-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :02-02 BM.2007.012.001/58:02-02 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 CHANT AU NGOMBI Sous-table non exportée Sous-table non exportée BM.2007.012:02-01 SALLEE,P. 1968 1968.4.02-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :02-03 BM.2007.012.001/58:02-03 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 CHANTS DE MABANDJI Sous-table non exportée Sous-table non exportée BM.2007.012:02-02 SALLEE,P. 1968 1968.4.02-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :02-04 BM.2007.012.001/58:02-04 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 MOGONGO Sous-table non exportée Sous-table non exportée _mogongo_ est ici orthographié _mougongo_ par Pierre Sallée, sur le document dactyllographié• BM.2007.012:02-03 SALLEE,P. 1968 1968.4.02-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :02-05 BM.2007.012.001/58:02-05 00:00:00 28/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 CHANT DE MABANDJI Sous-table non exportée Sous-table non exportée BM.2007.012:02-04 SALLEE,P. 1968 1968.4.02-05/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :03-01 BM.2007.012.001/58:03-01 00:00:00 29/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 KONDJO Sous-table non exportée Sous-table non exportée BM.2007.012:02-04 SALLEE,P. 1968 1968.4.03-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :03-02 BM.2007.012.001/58:03-02 00:00:00 29/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 NYEMBE Sous-table non exportée Sous-table non exportée BM.2007.012:03-01 SALLEE,P. 1968 1968.4.03-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :03-03 BM.2007.012.001/58:03-03 00:00:00 29/02/68 GABON LAMBARENE,LAC GOME,CHANTIER OBERTAING MYENE GALOA GABON; SALLEE,P.1968 NYEMBE Sous-table non exportée Sous-table non exportée BM.2007.012:03-02 SALLEE,P. 1968 1968.4.03-03/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_08 BM.1974.013.001/52:15_08 00:04:09 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 2 : MUSIQUE BATOKO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, Musique de danse Batoko, IFP = xylophone sur cadre avec résonateurs calebasse, variations du niveau sonore : le micro se déplace, fin coupée, suite sur l'enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 2• ROUGET,GILBERT 1946 Pyral_face_313 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_09 BM.1974.013.001/52:15_09 00:03:38 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 3 : MUSIQUE WASA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, Début : suite de l'enregistrement précédent : musique de danse batoko, fin à 01'00, Suite : musique de danse Wasa, avec essais de micro, plusieures séquences : coupure à 01'50, reprise, coupure 02'30, reprise, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 3• ROUGET,GILBERT 1946 Pyral_face_314 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_10 BM.1974.013.001/52:15_10 00:04:06 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 4 : MUSIQUE MONDIKINAPONTO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• édité MH 48-18 B3.a • * Campement babenzélé yassoua près du village de Gandicolo, Musique Mondikinaponto (signifie "fil de la ligne, qui tient l'hameçon), IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), très bon, NB : copie de la bande magnétique BM.1974.013.28 plage 4• ROUGET,GILBERT 0 Pyral_face_315 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_11 BM.1974.013.001/52:15_11 00:03:07 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 5 : ACCORD Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, Le grand xylophone (grave), de 00'00 à 00'30, de 02'00 à 02'20, Le xylophone moyen (médium), de 00'30 à 01'00, de 02'28 à 02'42, Le petit xylophone (aigu), de 01'00 à 01'22, de 02'45 à 03'00, Cf. indications in cahier notes de terrain G.Rouget (p.206-209) NB : copie de la bande magnétique BM.1974.013.28 plage 5• ROUGET,GILBERT 1946 Pyral_face_316 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_12 BM.1974.013.001/52:15_12 00:04:16 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 6 : MUSIQUE ALILI Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• édité Boite à Musique (BAM) 1947• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, Musique de danse Alili (pour H et F), Cf. indications in cahier notes de terrain G.Rouget (p.206-209) NB : copie de la bande magnétique BM.1974.013.28 plage 6• ROUGET,GILBERT 1946 Pyral_face_317 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_13 BM.1974.013.001/52:15_13 00:02:56 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 7 : MUSIQUE ALILI Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, Musique de danse Alili (pour H et F), Cf. indications in cahier notes de terrain G.Rouget (p.206-209) : précise qu'il s'agit de la seconde équipe (autre groupe de musiciens ?), NB : copie de la bande magnétique BM.1974.013.28 plage 7• ROUGET,GILBERT 1946 Pyral_face_318 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_14 BM.1974.013.001/52:15_14 00:04:01 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 8 : MUSIQUE IWASA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, choeur très faible, pas bon, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 8• ROUGET,GILBERT 1946 Pyral_face_319 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_15 BM.1974.013.001/52:15_15 00:03:25 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 9 : MUSIQUE BATOKO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, musique de danse batoko (pour H et F) débute plein choeur et instru, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 9• ROUGET,GILBERT 1946 Pyral_face_320 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_16 BM.1974.013.001/52:15_16 00:03:35 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 10 : MUSIQUE EWASA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près du village de Gandicolo, IFP = xylophone sur cadre avec résonateurs calebasse, débute plein choeur et instru, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.28 plage 10• ROUGET,GILBERT 1946 Pyral_face_321 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_18 BM.1974.013.001/52:15_18 00:03:53 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 12 : MUSIQUE EWASA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, début xylo et solo puis choeur, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 2• ROUGET,GILBERT 1946 Pyral_face_323 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_19 BM.1974.013.001/52:15_19 00:03:02 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 13 : MUSIQUE KWEKWEKWEGENZE Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, choeur intermittant et très faible, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 3• ROUGET,GILBERT 1946 Pyral_face_324 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :15_20 BM.1974.013.001/52:15_20 00:03:35 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 14 : MUSIQUE KWEKWEKWEGENZE Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• édité MH 48-6 B2.b • * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, reprise du même air, choeur intermittant et très faible, départ et fin ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 4• ROUGET,GILBERT 1946 Pyral_face_325 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_01 BM.1974.013.001/52:16_01 00:03:57 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 15 : MUSIQUE MAKABA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Départ et fin ensemble, sur ordre, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 5• ROUGET,GILBERT 1946 Pyral_face_326 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_02 BM.1974.013.001/52:16_02 00:03:50 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 16 : MUSIQUE ALILI Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• édité MH 48-19 B3.b • * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Musique Alili de danse (pour H et F), choeur peu important, bon départ et fin, un des meilleurs enregistrements de Alili d'après G.Rouget, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 6• ROUGET,GILBERT 1946 Pyral_face_327 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_03 BM.1974.013.001/52:16_03 00:03:45 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 17 : MUSIQUE MAYANGA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 7• ROUGET,GILBERT 1946 Pyral_face_328 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_04 BM.1974.013.001/52:16_04 00:02:54 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 18 : MUSIQUE MAYANGA ? Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, reprise de musique mayanga ? avec soliste près du micro, voix yodlée, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 8 • ROUGET,GILBERT 1946 Pyral_face_329 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_05 BM.1974.013.001/52:16_05 00:03:01 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 19 : MUSIQUE WASA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, très peu de chant, casi instrumentale, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 9 • ROUGET,GILBERT 1946 Pyral_face_330 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_06 BM.1974.013.001/52:16_06 00:03:09 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 20 : MUSIQUE MAKABA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 10 • ROUGET,GILBERT 1946 Pyral_face_331 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_07 BM.1974.013.001/52:16_07 00:02:58 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 21 : MUSIQUE MINDIKINAPONTO Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• édité MH 48-18 B3.a • * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 11 • ROUGET,GILBERT 1946 Pyral_face_332 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_08 BM.1974.013.001/52:16_08 00:03:22 28/09/46 CONGO OUESSO / GANDICOLO* YASSOUA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON TRIO DE XYLO 22 : MUSIQUE MAYANGA Sous-table non exportée Sous-table non exportée Les trois joueurs de xylophones louent leurs services pour les fêtes environnantes. Les trois xylophones sont disposés en triangle, les musiciens se tenant debout, entourés par les spectateurs qui parfois chantent et dansent. Les trois instruments, de même type et de construction identique, diffèrent par leur taille et le nombre de lames, chacun correspondant à un registre : grave, médium, aigu. Les lames sont pourvues de résonateurs en calebasse avec mirliton. Les lames sont frappées avec de baguettes en bois, exceptées les mains gauches des xylophones graves et médium dont les baguettes sont munies d'un chiffon à leur extrémité.• * Campement babenzélé yassoua près de Gandicolo ou village Ndalo ? IFP = xylophone sur cadre avec résonateurs calebasse, Cf. indications in cahier notes de terrain G.Rouget (p.206-209), NB : copie de la bande magnétique BM.1974.013.29 plage 12 • ROUGET,GILBERT 1946 Pyral_face_333 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_11 BM.1974.013.001/52:16_11 00:03:58 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 2 : MUSIQUE MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé baguette, pilonnant le sol, munzélé : en rapport avec le manioc ? danse des filles en cercle, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 3 • ROUGET,GILBERT 1946 Pyral_face_335 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_12 BM.1974.013.001/52:16_12 00:04:23 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 3 : MUSIQUE BOLIMGUNAMISO Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début solo de sanza, cloche et baton, chant solo h, à 01'25 : entrée solo f, puis choeurs, enfin battements de mains, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 4 • ROUGET,GILBERT 1946 Pyral_face_336 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_13 BM.1974.013.001/52:16_13 00:03:32 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 4 : MUSIQUE MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, munzélé : relatif au manioc ? début 2 sanza, cloche et baton, chant solo h, puis solo f, choeurs, battements de mains, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 5 • ROUGET,GILBERT 1946 Pyral_face_337 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_14 BM.1974.013.001/52:16_14 00:03:50 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 5 : MUSIQUE ADINA Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début 2 sanza, cloche et baton, chant solo f, puis solo h, choeurs, battements de mains, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 6 • ROUGET,GILBERT 1946 Pyral_face_338 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_15 BM.1974.013.001/52:16_15 00:04:08 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 6 : MUSIQUE ASIMU Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début 2 sanza, cloche et baton, puis chant solo h, solo f, après 01'30 : entrée des choeurs, battements de mains, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 7 • ROUGET,GILBERT 1946 Pyral_face_339 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_16 BM.1974.013.001/52:16_16 00:03:34 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 7 : MUSIQUE MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, munzélé : relatif à un manioc ? début sanza, batons, puis chant solo f, solo f, après 01'15 : entrée des choeurs, battements de mains, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 8 • ROUGET,GILBERT 1946 Pyral_face_340 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_17 BM.1974.013.001/52:16_17 00:03:33 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 8 : MUSIQUE MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, munzélé : relatif à un manioc ? début sanza, cloche et baton, chant solo h, solo f, vers 00'50 : entrée des choeurs, battements de mains, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 9 • ROUGET,GILBERT 1946 Pyral_face_341 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :16_18 BM.1974.013.001/52:16_18 00:03:33 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 9 : MUSIQUE SUMALA ? Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début sanza, cloche et baton, chant solo h, puis solo f, choeurs, battements de mains, fin sur cri d'ensemble, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.30 plage 10 • ROUGET,GILBERT 1946 Pyral_face_342 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_02 BM.1974.013.001/52:17_02 00:03:12 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 11 : MUSIQUE SUMALA ? Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, début sanza, cloche et batons, chant solo h, choeurs, battements de mains, solo f, fin un peu confuse sur cri d'ensemble, d'après G.Rouget : le meilleur enregistrement de Sumala, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.31 plage 2• ROUGET,GILBERT 1946 Pyral_face_344 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_03 BM.1974.013.001/52:17_03 00:03:54 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 12 : MUSIQUE ADINA Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, faux départ, début sanza, puis cloche et batons, chant solo h, après 01'00 : choeurs, battements de mains, solo f, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.31 plage 3• ROUGET,GILBERT 1946 Pyral_face_345 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_04 BM.1974.013.001/52:17_04 00:04:58 29/09/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA (CHANT ET DIVERS INSTRU) 13 : MUSIQUE MUNZELE Sous-table non exportée Sous-table non exportée Mondeledoumbé, de son vrai nom Samba, est joueur de sanza et chanteur soliste. Ses chants se rapportent à divers thèmes : une levée de deuil, un deuil, un personnage historique, un évènement ; il est içi accompagné d'une formation de plusieurs personnes • IFP- : plusieurs joueurs de baguettes entrechoquées, IL- : bois frappé avec baguette, pilonnant le sol, munzélé : relatif au manioc ? début : solo de sanza, après 01'00 : cloche et batons, chant solo h et f, après 01'40 : choeurs, battements de mains, fin sur cri d'ensemble, Cf. indications in cahier notes de terrain G.Rouget (p.213-215 +231-236) NB : copie de la bande magnétique BM.1974.013.31 plage 4• ROUGET,GILBERT 1946 Pyral_face_346+347 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_07 BM.1974.013.001/52:17_07 00:01:42 01/10/46 CONGO OUESSO/ GANDICOLO * POMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON LINGUISTIQUE POMO 3 Sous-table non exportée Sous-table non exportée Enregistrement linguistique, histoire racontée avec Alexandre Djambabo. • * près du village de Gandicolo, suite de l'enregistrement précédent ? NB : copie de la bande magnétique BM.1974.013.31 plage 7 • ROUGET,GILBERT 1946 Pyral_face_354 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_12 BM.1974.013.001/52:17_12 00:02:54 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON VOCABULAIRE NGUNDI 2 Sous-table non exportée Sous-table non exportée Enquête linguistique ngundi, étude du vocabulaire, à partir du questionnaire de linguistique de l'institut d'ethnologie de Paris, questions par G.Rouget, réponses par Ambenga • * près du village de Gandicolo, Cf. indications in cahier notes de terrain G.Rouget (p.217-218) NB : copie de la bande magnétique BM.1974.013.31 plage 12 • ROUGET,GILBERT 1946 Pyral_face_361 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_13 BM.1974.013.001/52:17_13 00:02:26 01/10/46 CONGO OUESSO / GANDICOLO* NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON VOCABULAIRE NGUNDI 3 Sous-table non exportée Sous-table non exportée Enquête linguistique ngundi, étude du vocabulaire, à partir du questionnaire de linguistique de l'institut d'ethnologie de Paris, questions par G.Rouget, réponses par Ambenga • * près du village de Gandicolo, Cf. indications in cahier notes de terrain G.Rouget (p.217-218) NB : copie de la bande magnétique BM.1974.013.31 plage 13 • ROUGET,GILBERT 1946 Pyral_face_362 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_15 BM.1974.013.001/52:17_15 00:02:36 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : DANSE OWESO 2 Sous-table non exportée Sous-table non exportée Chant de la danse owëso : danse en cercle, des jeunes hommes et filles makwa • chant solo accompagné par le second chanteur à bouche fermée, les deux battent des mains, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 2• ROUGET,GILBERT 1946 Pyral_face_366 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_16 BM.1974.013.001/52:17_16 00:03:07 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : IKANGO 1 Sous-table non exportée Sous-table non exportée Chant de guerre ikango : exécuté seulement par les hommes "forts" (peut-être des initiés ?), formation entière : chanteur solo, choeur d'homme (répondsl), tambours et hochet. Ce chant célèbre les qualités des guerriers Makwa et particulièrement le chanteur lui-même. Cet enregistrement n'a pas eu lieu en pays makwa • chant solo voix modulée et parlé-chanté, très bon, d'après G.Rouget : le meilleur enregistrement de la série de chant ikango, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 3• ROUGET,GILBERT 1946 Pyral_face_367 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_17 BM.1974.013.001/52:17_17 00:03:13 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : IKANGO 2 Sous-table non exportée Sous-table non exportée Chant de guerre ikango : exécuté seulement par les hommes "forts" (peut-être des initiés ?), formation entière : chanteur solo, choeur d'homme (réponds), tambours et hochet. Ce chant célèbre les qualités des guerriers Makwa et particulièrement le chanteur lui-même. Cet enregistrement n'a pas eu lieu en pays makwa. • chant solo voix modulée (moins que l'enregistrement précédent) et parlé-chanté, fin coupée (suite sur l'enregistrement suivant), très bon, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 4• ROUGET,GILBERT 1946 Pyral_face_368 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_18 BM.1974.013.001/52:17_18 00:03:24 02/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS MAKWA : IKANGO 3 Sous-table non exportée Sous-table non exportée Chant de guerre ikango : exécuté seulement par les hommes "forts" (peut-être des initiés ?), formation entière : chanteur solo, choeur d'homme (réponds), tambours et hochet. Ce chant célèbre les qualités des guerriers Makwa et particulièrement le chanteur lui-même. Cet enregistrement n'a pas eu lieu en pays makwa. • édité MH 48-32 B30.b 2ème plage • débute plein chant (suite de l'enregistrement précédent ou reprise ?), chant solo voix modulée, parfois en parlé-chanté, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.219) NB : copie de la bande magnétique BM.1974.013.32 plage 5• ROUGET,GILBERT 1946 Pyral_face_369 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_21 BM.1974.013.001/52:17_21 00:03:41 02/10/46 CONGO OUESSO / GANDICOLO * KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT KUYU : ISOKU 2 Sous-table non exportée Sous-table non exportée Chant de danse Isoku, interprété içi en solo par un chanteur kuyu hors du pays kuyu. Formation entière : 1 chanteur soliste, en réponds : choeur d'hommes et choeurs de femmes, tambours et hochets • * au village de gandicolo ou dans un campement proche du village, voix modulée et en parlé-chanté, très bon, Cf. indications in cahier notes de terrain G.Rouget (p. 220) NB : copie de la bande magnétique BM.1974.013.32 plage 8• ROUGET,GILBERT 1946 Pyral_face_372 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_22 BM.1974.013.001/52:17_22 00:03:42 02/10/46 CONGO OUESSO / GANDICOLO * KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT KUYU : ISOKU 3 Sous-table non exportée Sous-table non exportée Chant de danse Isoku, interprété içi en solo par un chanteur kuyu hors du pays kuyu. Formation entière : 1 chanteur soliste, en réponds : choeur d'hommes et choeurs de femmes, tambours et hochets • * au village de gandicolo ou dans un campement proche du village, voix modulée et en parlé-chanté, très bon, d'après G.Rouget : le meilleur enregistrement de la série de chant isoku, Cf. indications in cahier notes de terrain G.Rouget (p. 220) NB : copie de la bande magnétique BM.1974.013.32 plage 9• ROUGET,GILBERT 1946 Pyral_face_373 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_24 BM.1974.013.001/52:17_24 00:03:29 03/10/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR DE FILLETTES : CHANT SANGO PAMBA 1 Sous-table non exportée Sous-table non exportée Chanté par 4 fillettes agées entre 10 et 14 ans.• chant de la soliste avec du yodel, Cf. indications in cahier notes de terrain G.Rouget (p.221+ texte du chant p.223), NB : copie de la bande magnétique BM.1974.013.32 plage 11• ROUGET,GILBERT 1946 Pyral_face_375 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :17_25 BM.1974.013.001/52:17_25 00:03:42 03/10/46 CONGO OUESSO / GANDICOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEUR DE FILLETTES : CHANT SANGO PAMBA 2 Sous-table non exportée Sous-table non exportée Chanté par 4 fillettes agées entre 10 et 14 ans.• chant de la soliste avec du yodel, Cf. indications in cahier notes de terrain G.Rouget (p.221+ texte du chant p.223), NB : copie de la bande magnétique BM.1974.013.32 plage 12• ROUGET,GILBERT 1946 Pyral_face_376 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :04-01 BM.2007.012.001/58:04-01 00:00:00 03/68 GABON LAMBARENE,WONGA-WONGUE N GABON; SALLEE,P.1968 DANSES DIVERSES AU CAMPEMENT DE FARRARI Sous-table non exportée Sous-table non exportée Observations de Pierre Sallée : "sans intérêt"• BM.2007.012:03-02 SALLEE,P. 1968 1968.4.04-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :04-02 BM.2007.012.001/58:04-02 00:00:00 03/68 GABON LAMBARENE,WONGA-WONGUE ESHIRA GABON; SALLEE,P.1968 RECIT DE POVI ET ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : Mouélé, le vieil initié du _bwiti_ de chez Ferari• BM.2007.012:04-01 SALLEE,P. 1968 1968.4.04-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :05-01 BM.2007.012.001/58:05-01 00:00:00 03/68 GABON LAMBARENE,WONGA-WONGUE ESHIRA GABON; SALLEE,P.1968 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : Mouélé, le vieil initié du _bwiti_ de chez Ferari• BM.2007.012:04-02 SALLEE,P. 1968 1968.4.05-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :05-02 BM.2007.012.001/58:05-02 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE ESHIRA GABON; SALLEE,P.1968 ETUDE DE L'INSTRUMENT TSAMBI Sous-table non exportée Sous-table non exportée *Informateur : Joseph Mabunda• Film• CA = pluriarc à cinq cordes• BM.2007.012:05-01 SALLEE,P. 1968 1968.4.05-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :05-03 BM.2007.012.001/58:05-03 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE ESHIRA GABON; SALLEE,P.1968 TSAMBI. PLUSIEURS AIRS Sous-table non exportée Sous-table non exportée CA = pluriarc à cinq cordes• BM.2007.012:06-01 SALLEE,P. 1968 1968.4.05-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :05-04 BM.2007.012.001/58:05-04 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE ESHIRA GABON; SALLEE,P.1968 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : Joseph Mabunda• BM.2007.012:06-02 SALLEE,P. 1968 1968.4.05-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :06-01 BM.2007.012.001/58:06-01 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE ESHIRA GABON; SALLEE,P.1968 ENTRETIEN SUR LE BWITI Sous-table non exportée Sous-table non exportée *Informateur : Joseph Mabunda• Suite de BM.2007.012:05-03• BM.2007.012:06-03 SALLEE,P. 1968 1968.4.06-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :06-02 BM.2007.012.001/58:06-02 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 PLUSIEURS AIRS DE NGOMBI Sous-table non exportée Sous-table non exportée BM.2007.012:07-01 SALLEE,P. 1968 1968.4.06-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-01 BM.2007.012.001/58:07-01 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 CHANTS D'ELOMBO Sous-table non exportée Sous-table non exportée BM.2007.012:07-02 SALLEE,P. 1968 1968.4.07-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-02 BM.2007.012.001/58:07-02 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 CHANT D'ELOMBO Sous-table non exportée Sous-table non exportée BM.2007.012:08-01 SALLEE,P. 1968 1968.4.07-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-03 BM.2007.012.001/58:07-03 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 CHANT D'ELOMBO Sous-table non exportée Sous-table non exportée BM.2007.012:08-02 SALLEE,P. 1968 1968.4.07-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-04 BM.2007.012.001/58:07-04 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 NDJEMBE Sous-table non exportée Sous-table non exportée BM.2007.012:08-03 SALLEE,P. 1968 1968.4.07-04/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-05 BM.2007.012.001/58:07-05 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 NDJEMBE Sous-table non exportée Sous-table non exportée Son du _ngoma_ seul, avec une baguette et la main gauche• BM.2007.012:08-04 SALLEE,P. 1968 1968.4.07-05/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-06 BM.2007.012.001/58:07-06 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 EKUNDA Sous-table non exportée Sous-table non exportée BM.2007.012:08-05 SALLEE,P. 1968 1968.4.07-06/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :07-07 BM.2007.012.001/58:07-07 00:00:00 07/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 EKUNDA Sous-table non exportée Sous-table non exportée BM.2007.012:08-06 SALLEE,P. 1968 1968.4.07-07/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :08-01 BM.2007.012.001/58:08-01 00:00:00 12/03/68 GABON LAMBARENE,PORT-GENTIL,AKUMBA MYENE NKOMI GABON; SALLEE,P.1968 ELOMBO Sous-table non exportée Sous-table non exportée Village Akumba : petit bras de l'Ogooué en aval du Lac Gomé• BM.2007.012:08-07 SALLEE,P. 1968 1968.4.08-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :09-01 BM.2007.012.001/58:09-01 00:00:00 12/03/68 GABON LAMBARENE,PORT-GENTIL,AKUMBA MYENE NKOMI GABON; SALLEE,P.1968 ELOMBO Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:09-01. Village Akumba : petit bras de l'Ogooué en aval du Lac Gomé• BM.2007.012:09-01 SALLEE,P. 1968 1968.4.09-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :10-01 BM.2007.012.001/58:10-01 00:00:00 12/03/68 GABON LAMBARENE,PORT-GENTIL,AKUMBA MYENE NKOMI GABON; SALLEE,P.1968 ELOMBO Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:10-01. Village Akumba : petit bras de l'Ogooué en aval du Lac Gomé. *Bempare, le harpiste, imite Rampano• BM.2007.012:10-01 SALLEE,P. 1968 1968.4.10-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :10-02 BM.2007.012.001/58:10-02 00:00:00 12/03/68 GABON LAMBARENE,PORT-GENTIL,AKUMBA MYENE NKOMI GABON; SALLEE,P.1968 NGOMBI ET CHANTS Sous-table non exportée Sous-table non exportée Village Akumba : petit bras de l'Ogooué en aval du Lac Gomé. BM.2007.012:11-01 SALLEE,P. 1968 1968.4.10-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :10-03 BM.2007.012.001/58:10-03 00:00:00 14/03/68 GABON PORT-GENTIL,ENYONGA MYENE NKOMI GABON; SALLEE,P.1968 NDJEMBE Sous-table non exportée Sous-table non exportée Village : Enyonga est orthographié Enyounga par Pierre Sallée. M2C = tambours à deux membranes tendues par des lanières ; baguettes dans la main droite et main gauche nue• BM.2007.012:11-02 SALLEE,P. 1968 1968.4.10-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :11-01 BM.2007.012.001/58:11-01 00:00:00 14/03/68 GABON PORT-GENTIL,ENYONGA MYENE NKOMI GABON; SALLEE,P.1968 NDJEMBE Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:11-03. Village : Enyonga est orthographié Enyounga par Pierre Sallée. (Date enregistrement : Pierre Sallée indique 14/02/68 mais il s'agit du 14/03/68, cette bobine étant la suite de la bobine précédente). M2C = tambours à deux membranes tendues par des lanières ; baguettes dans la main droite et main gauche nue• BM.2007.012:11-03 SALLEE,P. 1968 1968.4.11-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :11-02 BM.2007.012.001/58:11-02 00:00:00 14/03/68 GABON PORT-GENTIL,ENYONGA MYENE NKOMI GABON; SALLEE,P.1968 CONTE CHANTE NKOGO Sous-table non exportée Sous-table non exportée Village : Enyonga est orthographié Enyounga par Pierre Sallée. (Date enregistrement : Pierre Sallée indique 14/02/68 mais il s'agit du 14/03/68, cette bobine étant la suite de la bobine précédente)• BM.2007.012:12-01 SALLEE,P. 1968 1968.4.11-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :12-01 BM.2007.012.001/58:12-01 00:00:00 14/03/68 GABON PORT-GENTIL,ENYONGA MYENE NKOMI GABON; SALLEE,P.1968 CONTE CHANTE NKOGO Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:12-02. Village : Enyonga est orthographié Enyounga par Pierre Sallée. (Date enregistrement : Pierre Sallée indique 14/02/68 mais il s'agit du 14/03/68, cette bobine étant la suite de la bobine précédente.) Pierre Sallée indique : "seul le début de la bande est enregistré ; cette bande est donc presque vierge• BM.2007.012:12-02 SALLEE,P. 1968 1968.4.12-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :13-01 BM.2007.012.001/58:13-01 00:00:00 15/03/68 GABON LAC ALOMBIE ESHIRA, BAVARAMA, BALUMBU, ETC GABON; SALLEE,P.1968 BWITI. SEANCE DE NZIMBA Sous-table non exportée Sous-table non exportée Description détaillée de ce _bwiti_ dans petit carnet rouge. (Où se trouve ce carnet?) Campement du Lac Alombié. Lacs au nord de Lambaréné, en aval. Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira"• BM.2007.012:13-01 SALLEE,P. 1968 1968.4.13-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :14-01 BM.2007.012.001/58:14-01 00:00:00 15/03/68 GABON LAC ALOMBIE ESHIRA, MYENE, BAVARAMA, ETC GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Description détaillée de ce _bwiti_ dans petit carnet rouge. (Où se trouve ce carnet?) Suite de BM.2007.012:14-01. Campement du Lac Alombié. Lacs au nord de Lambaréné, en aval. Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira"• BM.2007.012:14-01 SALLEE,P. 1968 1968.4.14-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :15-01 BM.2007.012.001/58:15-01 00:00:00 15/03/68 GABON LAC ALOMBIE ESHIRA, MYENE, BAVARAMA, ETC GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Description détaillée de ce _bwiti_ dans petit carnet rouge. (Où se trouve ce carnet?) Suite de BM.2007.012:15-01. Campement du Lac Alombié. Lacs au nord de Lambaréné, en aval. Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira"• BM.2007.012:15-01 SALLEE,P. 1968 1968.4.15-01/Copie AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :16-01 BM.2007.012.001/58:16-01 00:00:00 15/03/68 GABON LAC ALOMBIE ESHIRA, MYENE, BAVARAMA, ETC GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Description détaillée de ce _bwiti_ dans petit carnet rouge. (Où se trouve ce carnet?) Suite de BM.2007.012:16-01. Campement du Lac Alombié. Lacs au nord de Lambaréné, en aval. Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira"• BM.2007.012:16-01 SALLEE,P. 1968 1968.4.16-01/Copie AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :16-02 BM.2007.012.001/58:16-02 00:00:00 15/03/68 GABON LAC ALOMBIE, GONGOUE ESHIRA, MYENE, BAVARAMA, ETC GABON; SALLEE,P.1968 ENTRETIEN AVEC JOSEPH MABUNDA Sous-table non exportée Sous-table non exportée *Informateur : Joseph Mabunda, joueur du pluriarc à cinq cordes _tsambi_• Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira"• BM.2007.012:17-01 SALLEE,P. 1968 1968.4.16-02/Copie AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :16-03 BM.2007.012.001/58:16-03 00:00:00 15/03/68 GABON LAC ALOMBIE ESHIRA, MYENE, BAVARAMA, ETC GABON; SALLEE,P.1968 HISTOIRE DES ORUNGU Sous-table non exportée Sous-table non exportée *Informateur : Joseph Mabunda, joueur du pluriarc à cinq cordes _tsambi_• Pierre Sallée : "races mélangées Balumbu-Myéné, Bavarama-Bavili, Eshira". Observations Pierre Sallée : "bande inutilisable"• BM.2007.012:17-02 SALLEE,P. 1968 1968.4.16-03/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_03 BM.1974.013.001/52:18_03 00:03:56 03/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT OWESO 2 Sous-table non exportée Sous-table non exportée Chant de la danse owëso : danse en cercle, des jeunes hommes et filles makwa, exécuté généralement en plein air, avec un accompagnement de tambour.• début solo homme et battements de mains, puis entré du choeur (d'abord "faux départ" du chr, puis entré peu avant 01'00, réponds variés), Cf. indications in cahier notes de terrain G.Rouget (p.221-222), NB : copie de la bande magnétique BM.1974.013.33 plage 3 • ROUGET,GILBERT 1946 Pyral_face_379 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_04 BM.1974.013.001/52:18_04 00:04:14 03/10/46 CONGO OUESSO / GANDICOLO MAKWA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT OWESO 3 Sous-table non exportée Sous-table non exportée Chant de la danse owëso : danse en cercle, des jeunes hommes et filles makwa, exécuté généralement en plein air, avec un accompagnement de tambour.• édité MH. 48-8 B4.b • recommandations de G.Rouget avant le début du chant, 00'50 : début solo homme et battements de mains, puis entré du choeur ( 3 réponds différents), le meilleur enregistrement de la série de chant oweso, Cf. indications in cahier notes de terrain G.Rouget (p.221-222), NB : copie de la bande magnétique BM.1974.013.33 plage 4 • ROUGET,GILBERT 1946 Pyral_face_380 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_06 BM.1974.013.001/52:18_06 00:04:11 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 2 (2E REPRISE : 1/2) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 2ème reprise : 1ère partie : plusieurs solo h et reprises du chr, fin coupée, suite sur enregistrement suivant Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 6 • ROUGET,GILBERT 1946 Pyral_face_384 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_07 BM.1974.013.001/52:18_07 00:04:03 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 3 (2E REPRISE : 2/2) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 2ème reprise : 2ème partie : Suite de l'enregistrement précédent, plusieurs solo h et reprises du chr, fin en ordre, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 7 • ROUGET,GILBERT 1946 Pyral_face_385 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_08 BM.1974.013.001/52:18_08 00:03:44 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 4 (3E REPRISE : 1/3) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • édité MH48-7 B15.b • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 3ème reprise : 1ère partie : plusieurs solo h et reprises du chr, 1ère partie, suite et fin sur les 2 enregistrements suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 8 • ROUGET,GILBERT 1946 Pyral_face_386 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_09 BM.1974.013.001/52:18_09 00:04:04 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 5 (3E REPRISE : 2/3) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • édité MH48-7 B15.b • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 3ème reprise : 2ème partie : plusieurs solo h et reprises du chr, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 9 • ROUGET,GILBERT 1946 Pyral_face_387 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_10 BM.1974.013.001/52:18_10 00:04:00 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 6 (3E REPRISE : 3/3) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • édité MH48-7 B15.b • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 3ème reprise : 3ème partie : plusieurs solo h et reprises du chr, fin en ordre, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.33 plage 10 • ROUGET,GILBERT 1946 Pyral_face_388 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_12 BM.1974.013.001/52:18_12 00:04:19 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 8 (4E REPRISE : 2/2) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 4ème reprise : 2ème partie : plusieurs solo avec reprises (réponds) du chr, débute plein chant, suite de l'enregistrement précédent, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 2• ROUGET,GILBERT 1946 Pyral_face_390 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_13 BM.1974.013.001/52:18_13 00:04:07 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 9 (5E REPRISE : 1/5) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 5ème reprise : 1ère partie : plusieurs solo avec reprises (réponds) du chr, à 01:30 : une femme vient chanter en soliste, remplaçant d'abord l'homme, puis tous 2 en duo se faisant face, fin coupée, suite sur l'enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227) NB : copie de la bande magnétique BM.1974.013.34 plage 3• ROUGET,GILBERT 1946 Pyral_face_391 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_14 BM.1974.013.001/52:18_14 00:04:18 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 10 (5E REPRISE : 2/5) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 5ème reprise : 2ème partie : suite de l'enregistrement précédent, plusieurs solo avec reprises (réponds) du chr, avec solo de femme, remplaçant le soliste et en duo avec lui, fin coupée, voir suite sur enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 4• ROUGET,GILBERT 1946 Pyral_face_392 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_15 BM.1974.013.001/52:18_15 00:04:06 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 11 (5E REPRISE : 3/5) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 5ème reprise : 3ème partie : suite de l'enregistrement précédent, plusieurs solo avec reprises (réponds) du chr, avec solo de femme, remplaçant le soliste et en duo avec lui, fin coupée, voir suite sur enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 5• ROUGET,GILBERT 1946 Pyral_face_393 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_16 BM.1974.013.001/52:18_16 00:04:06 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 12 (5E REPRISE : 4/5) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 5ème reprise : 4ème partie : suite de l'enregistrement précédent, plusieurs solo avec reprises (réponds) du chr, avec solo de femme, remplaçant le soliste et en duo avec lui, fin coupée, voir suite sur enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 6• ROUGET,GILBERT 1946 Pyral_face_394 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_17 BM.1974.013.001/52:18_17 00:01:52 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 13 (5E REPRISE : 5/5) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 5ème reprise : 5ème partie : suite de l'enregistrement précédent, plusieurs solo avec reprises (réponds) du chr, avec solo de femme, remplaçant le soliste et en duo avec lui, fin en ordre, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 7• ROUGET,GILBERT 1946 Pyral_face_395 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_18 BM.1974.013.001/52:18_18 00:04:03 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 14 (6E REPRISE : 2/3) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 6ème reprise : 2ème partie : plusieurs solo avec reprises (réponds) du chr, débute plein chant, suite du disque pyral précédent manquant (donc pas de 1ère partie), fin coupée, suite sur l'enregistrement suivant, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 8• ROUGET,GILBERT 1946 Pyral_face_397 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :18_19 BM.1974.013.001/52:18_19 00:04:15 03/10/46 CONGO OUESSO / GANDICOLO GBAYA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE AWOKO 15 (6E REPRISE : 3/3) Sous-table non exportée Sous-table non exportée Danse en cercle des hommes et des femmes gbaya. Les tambours se font face, positionnés en triangle au centre du cercle de danse, danseurs et chanteurs formant un premier cercle autour des tambours et les femmes un second cercle autour des hommes. Les tambourinaires alternativement restent en place ou dansent en rond. Le chanteur, au centre du cercle près des tambours, est accompagné d'un hochet : avant de commencer son chant il indique aux chanteurs de faire silence en agitant le hochet au dessus de sa tête. La danse est effectuée par petits pas, genoux fléchis, avec des mouvement de hanches et des épaules, le cercle tournant lentement sur lui-même. • M-TBR : 3 tambours : 1 grand tamb. appelé Nana Bio ("mère du tambour", 2 peaux d'antilope), joué à 2 mains par Nacombo, le chef de tambour, 1 petit tamb. appelé Bé Bio ("petit tambour", 2 peaux de cabri), joué par Galo, main nue et baguette, Tous 2 sont accrochés en bandoulière autour du cou, joués à hauteur du ventre des tambourinaires, 1 tamb. carré sur cadre appelé Kinda (1 peau), joué par Ngando, tenu de la main gauche, appuyé sur la hanche et battu avec une baguette, 6ème reprise : 3ème partie : plusieurs solo avec reprises (réponds) du chr, débute plein chant, suite de l'enregistrement précédent, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.225-227), NB : copie de la bande magnétique BM.1974.013.34 plage 9• ROUGET,GILBERT 1946 Pyral_face_398 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_01 BM.1974.013.001/52:19_01 00:02:47 03/10/46 CONGO OUESSO / GANDICOLO PYGMEES BABINGA BANGOMBE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON PRIERES POUR EDZINGI 2 Sous-table non exportée Sous-table non exportée Prières propitiatoires pour l'esprit de la forêt appelé edzingi, (cf.La cérémonie de chasse "edzingi"), effectuées avant et/ou après une chasse à l'éléphant mâle. • enregistré au village de gandicolo ou au campement des bangombé près du village ? Cf. indications sur les textes récités in cahier notes de terrain G.Rouget (p.228-229) NB : copie de bande magnétique BM.1974.013.35 plage 2• ROUGET,GILBERT 1946 Pyral_face_400 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_04 BM.1974.013.001/52:19_04 00:03:28 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 2: BOLINGONAMISO 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, débute intro solo sanza et baguettes frappées, puis chant solo, après 01'00 : entrée du choeur (cri d'ensemble à 01'49), très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 5• ROUGET,GILBERT 1946 Pyral_face_403 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_06 BM.1974.013.001/52:19_06 00:03:23 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 4: SUMALA 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le titre "sumala" est le nom d'un commandant (de l'administration militaire) qui se rendit célèbre par sa brutalité, intro solo sanza et baguettes frappées, puis chant solo, entrée du choeur, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 7• ROUGET,GILBERT 1946 Pyral_face_405 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_07 BM.1974.013.001/52:19_07 00:03:22 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 5: SUMALA 3 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le titre "sumala" est le nom d'un commandant (de l'administration militaire) qui se rendit célèbre par sa brutalité, débute par quelques secondes pour réaccorder la sanza, intro solo sanza et baguettes frappées, puis chant solo, entrée du choeur, fin avec petite ritournelle, interlude, cri d'ensemble, très bon, notamment la fin, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 8• ROUGET,GILBERT 1946 Pyral_face_406 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_08 BM.1974.013.001/52:19_08 00:03:08 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 6: SUMALA 4 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur.• édité MH 48-2 B1.b • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le titre "sumala" est le nom d'un commandant (de l'administration militaire) qui se rendit célèbre par sa brutalité, intro solo sanza et baguettes frappées, puis chant solo, entrée du choeur, fini par une séquence un peu yodlée, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 9• ROUGET,GILBERT 1946 Pyral_face_407 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_10 BM.1974.013.001/52:19_10 00:04:34 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 8: MALINGALAMISO Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, intro solo de sanza et baguettes, chant solo puis entrée des chr, cri d'ensemble peu apès 02'00, série de petits cris, courte interruption avec reprise enchainée, fin coupée, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 11• ROUGET,GILBERT 1946 Pyral_face_413 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_11 BM.1974.013.001/52:19_11 00:02:37 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 9: MANGOLO 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le chant mangolo raconte l'histoire d'une jeune fille qui attend son fiancé, intro solo de sanza et baguettes, chant solo puis entrée des chr, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.35 plage 12• ROUGET,GILBERT 1946 Pyral_face_414 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_12 BM.1974.013.001/52:19_12 00:03:59 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 10: MANGOLO 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, le chant mangolo raconte l'histoire d'une jeune fille qui attend son fiancé, intro solo de sanza et baguettes, chant solo puis entrée des chr, chant solo de la mère, excellent, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 1• ROUGET,GILBERT 1946 Pyral_face_415 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_14 BM.1974.013.001/52:19_14 00:03:54 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 12: MUNZELE PAKU 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, "munzélé paku" est un plat à base de manioc, dans ce chant une femme exhorte son mari à ne plus en manger autant car il n'arrive plus à remplir ses devoirs conjugaux, très courte intro sanza et baguette, chant solo, entrée du chr peu avant 01'00, fin sur courte séquence "criée" par le soliste, excellent, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 3• ROUGET,GILBERT 1946 Pyral_face_419 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_15 BM.1974.013.001/52:19_15 00:02:53 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 13: MUNZELE PAKU 3 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • édité MH.48-5 B2.a • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, "munzélé paku" est un plat à base de manioc, dans ce chant une femme exhorte son mari à ne plus en manger autant car il n'arrive plus à remplir ses devoirs conjugaux, intro solo sanza et baguettes, chant solo ("pleure" et syllabique, puis paroles), peu avant 01'30 entrée du chr (en murmures), excellent, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) : la partie yodlée, que le chanteur appelle "à la manière babinga" (babinga = pygmée) sert aussi de chants de piroguiers, la 2ème moitié du solo instrumental est exécutée avec une seule main, la main gauche tenue derrière la tête, autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 4• ROUGET,GILBERT 1946 Pyral_face_420 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_16 BM.1974.013.001/52:19_16 00:03:08 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 14: MBALUMA 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, "Mbaluma" est le nom d'un homme qui mange tout seul les produits de sa chasse car il n'a pas d'enfant, belle intro sanza et baguettesn chant solo puis entrée du chr (répond constant tout au long de la pièce), cri d'ensemble vers 02'00, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 5• ROUGET,GILBERT 1946 Pyral_face_421 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_22 BM.1974.013.001/52:19_22 00:04:12 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 20: DONGBO 3 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Dongbo : chant dit de "miracle" qui accompagne la scarification (sur les bras) des garçons lors de l'initiation, les jeunes sont alors appelés "fils de so" (l'animal qui aurait causé les marques apparentées à des morsures), pour la danse dongbo tous les danseurs portent un pagne en fibres tissées, intro solo sanza et baguettes, chant solo et chr, plusieurs styles de chants solo, psalmodie du chr, fin sur cri d'ensemble, très bon, pb technique (l'enregistrement "saute") vers 01'20, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 11• ROUGET,GILBERT 1946 Pyral_face_428 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :19_23 BM.1974.013.001/52:19_23 00:04:09 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 21: ASIMO 1 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • édité MH 48-37 B13.a • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Sur les paroles : la femme se donne à l'homme mais celui-ci n'est pas assez "fort", longue intro solo sanza (jouée à une main) et baguettes, chant solo et chr, solo f très audible, plusieurs styles de chants solo h, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.36 plage 12• ROUGET,GILBERT 1946 Pyral_face_429 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_01 BM.1974.013.001/52:20_01 00:02:41 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 22: ASIMO 2 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Sur les paroles : la femme se donne à l'homme mais celui-ci n'est pas assez "fort", intro solo sanza et baguettes, chant solo et chr, solo f très audible, plusieurs styles de chants solo h, meilleur que Asimo 1, Cf. indications in cahier notes de terrain G.Rouget (p.230-236) autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.37 plage 1• ROUGET,GILBERT 1946 Pyral_face_430 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_05 BM.1974.013.001/52:20_05 00:03:59 05/10/46 CONGO OUESSO / GANDIKOLO NGUNDI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SANZA ET CHANT 26: DONGBO 5 Sous-table non exportée Sous-table non exportée Mondéléndoumbé (ou mondeledoumbé), chanteur et joueur de sanza réputé, musicien semi-professionnel, loue ses services dans les fêtes, notamment de "levées de deuil", au cours desquelles il exécute différents chants. Il est accompagné de 3 de ses frêres, d'un aveugle qui entrechoque deux baguettes en bois, et d'un autre homme du village, formant le choeur. Pour cette série d'enregistrements en plein air, la mère de Mondelendoumbé (soliste) et un choeur de femme se sont joints à la formation initiale • IE - = 2 baguettes en bois entrechoquées, IP-sanza = à 10 lamelles métalliques, Dongbo : chant dit de "miracle" qui accompagne la scarification (sur les bras) des garçons lors de l'initiation, les jeunes sont alors appelés "fils de so" (l'animal qui aurait causé les marques apparentées à des morsures), pour la danse dongbo tous les danseurs portent un pagne en fibres tissées, intro solo sanza et baguettes, chant solo et chr, plusieurs styles de chants solo, psalmodie solo et chr très bon vers 02'30, fin sur cri d'ensemble, excellent, le meilleur enregistrement de la série Dongbo, Cf. indications in cahier notes de terrain G.Rouget (p.230-236), autres enregistrements du même joueur de sanza : cf. pyral 334 à 345 (CD 16 et 17), NB : copie de la bande magnétique BM.1974.013.37 plage 5• ROUGET,GILBERT 1946 Pyral_face_434 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_08 BM.1974.013.001/52:20_08 00:04:32 08/10/46 CONGO SUD DE OUESSO / PIKOUNDA KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE 3 KEBEKEBE Sous-table non exportée Sous-table non exportée Danse pour la mort d'un grand chef et pour les fêtes, (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'oseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• TBR = 3 tambours (2 grands tamb. cylindriques tenus debouts et 1 petit tamb., batterie incomplète), après un départ, le kébékébé est revenu, frémissant, En 2 séquences : 1ère : interruption à 01'05, conversations, reprise enchainée à 01'10 sur solo, battements de mains, tamb., kébékébé se déplace et vient plus près de l'orchestre, cris du soliste, choeur, pause des éléments percussifs et reprise enchainée, kébékébé danse, saute à pieds joints, tourne, s'écroule, tombe, fin sur cris d'ensemble à 02'43, suivi de conversations, ambiance, coupure, 2ème : reprise à 03'00 plein chant, chr, cris du soliste, réprise du chr, cris, kébékébé est assis, il tient le masque dans sa main droite et l'agite. Le soliste danse tenant en main sagaie et machette, interruption sur cri d'ensemble, puis reprise enchainée, peu avant 04'00, cri d'ensemble vers 04'20, puis fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.237-238 ; p.247), autres enregistrements de la danse kébékébé : pyral 44 et 51-52 (les deux derniers disques sont manquants mais édités MH48-15 B9.b) NB : copie de la bande magnétique BM.1974.013.37 plage 8• ROUGET,GILBERT 1946 Pyral_face_437 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_09 BM.1974.013.001/52:20_09 00:02:13 08/10/46 CONGO SUD DE OUESSO / PIKOUNDA KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE 4 KEBEKEBE Sous-table non exportée Sous-table non exportée Danse pour la mort d'un grand chef et pour les fêtes, (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'oseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• édité MH48-15 B9.a • TBR = 3 tambours (2 grands tamb. cylindriques tenus debouts et 1 petit tamb., batterie incomplète), débute conversations, cris du soliste et battements de mains, tamb., autres voix, puis entrée du chr , fin sur cri d'ensemble à 01'30, conversations, Cf. indications in cahier notes de terrain G.Rouget (p.237-238 ; p.247), autres enregistrements de la danse kébékébé : pyral 44 et 51-52 (les deux derniers disques sont manquants mais édités MH48-15 B9.b) NB : copie de la bande magnétique BM.1974.013.37 plage 9• ROUGET,GILBERT 1946 Pyral_face_438 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_10 BM.1974.013.001/52:20_10 00:01:38 08/10/46 CONGO SUD DE OUESSO / PIKOUNDA KUYU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DE MASQUE KEBEKEBE 5 KEBEKEBE Sous-table non exportée Sous-table non exportée Danse pour la mort d'un grand chef et pour les fêtes, (d'après les notes G.Rouget du disque MH 48-14) : LE MASQUE : Le masque en bois kébékébé, qui a donné son nom à la danse, est une tête de femme, seul celui du chef principal des kuyu représente un homme. Il peut y avoir plusieurs masques par village, qui se distinguent par des particularités de formes (coiffures par exemple) et de couleurs. Chaque masque porte un nom, appartient au danseur et représente une famille. LA DANSE : Le kébékébé danse seul. Un homme entièrement dissimulé dans un immense sac en raphia tissu tient le kébékébé au-dessus de sa tête. Seul le masque émerge du sac. Le manche, tenu par la main du danseur, reste à l'intérieur. Le bas des jambes et des pieds du danseur sont enveloppés de chiffons soigneusement raccordés au sac. Rien d'humain ne doit apparaître. Les femmes sont censées ne pas savoir que le danseur est un homme. A son appel, le kébékébé vient sur la place du village, marche et s'approche des tambours, reste un temps près d'eux puis commence à frémir. Toujours debout, il s'avance alors au centre de l'espace libre et se met à tourner sur lui-même, il tourne de plus en plus vite en même temps qu'il se déplace et décrit des cercles. Plus il tourne, et plus il se courbe, et lorsqu'il atteint sa pleine vitesse le sac gonflé d'air ressemble à une énorme carapace de tortue animée d'un mouvement giratoire, courant au ras du sol. Un homme accompagne le kébékébé aveugle et lui indique où aller. L'assistance effrayée recule lorsque le kébékébé tournoyant s'approche et risque de frôler quelqu'un. Enfin, le kébékébé s'affale par terre, reste un moment inanimé puis se relève et disparaît. LE DANSEUR : Le danseur absorbe avant la danse certaines boissons et aliments rituels qui sont des excitants et doivent le mettre en état de « bien danser ». Il observe en outre, depuis la veille, certains interdits : il ne doit pas manger d'oseille indigène et ne doit pas approcher sa femme. LES INSTRUMENTS : La batterie complète du kébékébé est composée de 7 tambours à une peau : deux tambours couchés à caisse cylindrique et emplâtre végétal, deux tambours sur caisse renflée joués debout entre les jambes, tous joués à mains nues ; et trois petits tambours, chacun tenu de la main gauche par une anse et battu avec une baguette souple. Les instruments sont accompagnés d'un chanteur soliste, d'un choeur d'homme et de battements de mains• TBR = 3 tambours (2 grands tamb. cylindriques tenus debouts et 1 petit tamb., batterie incomplète), IS-hochet-sonnaille : non identifié, peut-être les ornements du masque agité ou instrument de musique, débute sonnailles et tambours puis solo h accompagné de quelques voix, entrée du chr (en intermittence), solo yodlé, fin confuse, Cf. indications in cahier notes de terrain G.Rouget (p.237-238 ; p247), autres enregistrements de la danse kébékébé : pyral 44 et 51-52 (les deux derniers disques sont manquants mais édités MH48-15 B9.b) NB : copie de la bande magnétique BM.1974.013.37 plage 10• ROUGET,GILBERT 1946 Pyral_face_439 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_12 BM.1974.013.001/52:20_12 00:04:25 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DE J.FILLES 2: IYAYA Sous-table non exportée Sous-table non exportée Une dizaine de jeunes filles assises par terre, en cercle, chantent en battant des mains, entourant les danseuses. • édité MH 48-13 B11.b 2ème plage • Chant iyaya pour la perte d'un parent, phrase soliste et réponse du chr, avec chromatisme et dissonance, chevauchement, fin coupée, très beau, Cf. indications in cahier notes de terrain G.Rouget (p.239-242) : disque recopié, NB : copie de la bande magnétique BM.1974.013.38 plage 2• ROUGET,GILBERT 1946 Pyral_face_441 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_13 BM.1974.013.001/52:20_13 00:03:42 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DE J.FILLES 3: GWENGWA Sous-table non exportée Sous-table non exportée Une dizaine de jeunes filles assises par terre, en cercle, chantent en battant des mains, entourant les danseuses. • édité MH 48-13 B11.b 1ère plage • Chant Gwengwa du nom d'un vieux colon blanc de la région, coureur de filles, dont on se moque, bon, Cf. indications in cahier notes de terrain G.Rouget (p.239-242), NB : copie de la bande magnétique BM.1974.013.38 plage 3• ROUGET,GILBERT 1946 Pyral_face_442 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_14 BM.1974.013.001/52:20_14 00:02:44 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DE J.FILLES 4: TOTO Sous-table non exportée Sous-table non exportée Une dizaine de jeunes filles assises par terre, en cercle, chantent en battant des mains, entourant les danseuses. • édité MH 48-13 B11.b 3ème plage • Chant licencieux, quand"ça" fait mal, Cf. indications in cahier notes de terrain G.Rouget (p.239-242), NB : copie de la bande magnétique BM.1974.013.38 plage 4• ROUGET,GILBERT 1946 Pyral_face_443 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_16 BM.1974.013.001/52:20_16 00:04:06 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 2: MOZUMBE Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, chant d'invitationpour aller chasser le lendemain, changement de chanteur soliste par rapport au chant précédent, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 6• ROUGET,GILBERT 1946 Pyral_face_445 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_17 BM.1974.013.001/52:20_17 00:04:00 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 3: MUNYANYENGI Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • édité MH 48-64 B14.a • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, Le titre Muyanyengi : nom d'un oiseau blanc (sorte d'aigrette) qui se tient habituellement sur le sable du fleuve, ce chant en vante la beauté, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 7• ROUGET,GILBERT 1946 Pyral_face_446 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_18 BM.1974.013.001/52:20_18 00:03:59 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 4: KANGEYUMBEBE Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • édité MH 48-26 B13.b 2ème plage • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, le chant dit que "le blanc et le chef ne travaillent pas, mais font travailler les gens du village", très bon, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 8• ROUGET,GILBERT 1946 Pyral_face_447 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_19 BM.1974.013.001/52:20_19 00:04:10 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 5: TSHOTSHO Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, le titre tshotsho signifie la poule, ce chant raconte que la poule ne doit pas chanter comme le coq, le meilleur enregistrement de la série chants bongili, avec courte phrase psalmodiée, fin avec sifflet, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 9• ROUGET,GILBERT 1946 Pyral_face_448 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :20_20 BM.1974.013.001/52:20_20 00:04:00 08/10/46 CONGO OUESSO / PIKUNDA BONGILI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT BONGILI 6: AYAYA Sous-table non exportée Sous-table non exportée Les musiciens sont placés derrière un long tronc d'arbre couché par terre servant d'instrument percussif et sur lequel repose la tête du grand tambour. Cette poutre est frappé par plusieurs hommes en différents endroits. • M-tbr : 2 tambours sur cylindre à 1 peau : 1 grand tamb. appelé ndumu, reposant sur la poutre et battu main par le tambourinaire assis dessus +1 petit tamb. appelé monmbèli, tenu et battu main, IFP-poutre : un long tronc d'arbre couché par terre, battu baguettes, Ce chant raconte que le village n'a pas d'homme blanc, les villageois demande un blanc, faux départs très courts au début, changement de soliste après 01'00, fin avec sifflet, Cf. indications in cahier notes de terrain G.Rouget (p.241-242), notamment sur l'instrumentation, NB : copie de la bande magnétique BM.1974.013.38 plage 10• ROUGET,GILBERT 1946 Pyral_face_449 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_02 BM.1974.013.001/52:21_02 00:03:48 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 2 (SOLO) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, court arrêt au début pour accorder, puis bon départ (peu avant 00'30), Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 2 • ROUGET,GILBERT 1946 Pyral_face_451 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_03 BM.1974.013.001/52:21_03 00:03:48 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 3 (SOLO) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • MH 48-27 B7.b 2ème plage • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, meilleur enregistrement de la série, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 3 • ROUGET,GILBERT 1946 Pyral_face_452 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_04 BM.1974.013.001/52:21_04 00:04:17 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 4 (SOLO) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, quelques hésitations au début, puis départ à 00'45, Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 4 • ROUGET,GILBERT 1946 Pyral_face_453 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_05 BM.1974.013.001/52:21_05 00:02:07 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 5 (SOLO) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, quelques hésitations au début, départ à 00'20, fin à 01'36, puis ambiance, conversations (G.Rouget) Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 5 • ROUGET,GILBERT 1946 Pyral_face_454_plage1 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_06 BM.1974.013.001/52:21_06 00:00:46 09/10/46 REPUBLIQUE CENTRAFRICAINE NOLA MBEMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON XYLOPHONE MBEMO 6 (GAMME) Sous-table non exportée Sous-table non exportée Le xylophone, accompagné d'un choeur, sert pour la danse • Enregistré à Pikounda, au Congo (région de la ville de Ouesso), avec un musicien Mbemo de Nola (République Centrafricaine) parlant le ngoundi, Diembi est un terme en mbemo qui désigne la danse et le chant, IFP-xylophone : 7 (?) lames posées et maintenues sur 2 troncs de bananiers couchés parallèlement sur le sol, battues avec 2 baguettes en bois, accord et gamme du xylophone mbémo : 3 fois Cf. indications in cahier notes de terrain G.Rouget (p.244-245), NB : copie de la bande magnétique BM.1974.013.39 plage 5 • ROUGET,GILBERT 1946 Pyral_face_454_plage 2 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_09 BM.1974.013.001/52:21_09 00:04:09 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 3 : GONBI MWANA KASA Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, débute solo h, baguettes entrechoquées puis réponses du chr (dédoublé), quelques sonneries de trompe, fin coupée, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 8, autres enregistrements de chants de piroguiers baduma, en situation, disques pyral 539-548 (CD 23) • ROUGET,GILBERT 1946 Pyral_face_502 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_10 BM.1974.013.001/52:21_10 00:02:57 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 4 : MOBENGA Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, le titre "mobenga" est le nom d'un arbre de couleur rouge, le chant raconte que les hommes de cette couleur sont fiers de l'être, débute solo h, baguettes entrechoquées avec réponses du chr , quelques sonneries de trompe, quelques voix parlées, sifflet juste avant la fin du chant, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 9, autres enregistrements de chants de piroguiers baduma, en situation, disques pyral 539-548 (CD 23) • ROUGET,GILBERT 1946 Pyral_face_503 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_11 BM.1974.013.001/52:21_11 00:03:19 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 5 : MALOMBO Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, chant pour encourager le travail, solo h, baguettes entrechoquées, réponses du chr, quelques sonneries de trompe, quelques voix parlées, fin a cappella, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 10, autres enregistrements de chants de piroguiers baduma, en situation, disques pyral 539-548 (CD 23) • ROUGET,GILBERT 1946 Pyral_face_504 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_12 BM.1974.013.001/52:21_12 00:03:18 28/10/46 GABON LASTOURVILLE * BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 6 : LIKONE AYAPEMBA Sous-table non exportée Sous-table non exportée Au cours de la navigations, lespagayeurs exécutent des chants qui accompagnent la cadence (chants irréguliers, avec des solistes différents, avec interruption, parfois les pagayeurs sont silencieux pendant des heures). Les sonneries de trompes peuvent avoir une signification précise, notamment lors de l'arrivée au port • * enregistré à Franceville, Congo, IE - batons = baguettes entrechoquées, ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, chant de guerre, solo h, baguettes entrechoquées, réponses du chr, après 01'10 : dédoublement du chr, en canon, quelques sonneries de trompe, quelques voix parlées, vers 02'00 : ralentissement, fin solos parlés, Cf. indications in cahier notes de terrain G.Rouget (p.250), NB : copie de la bande magnétique BM.1974.013.39 plage 11, autres enregistrements de chants de piroguiers baduma, en situation, disques pyral 539-548 (CD 23) • ROUGET,GILBERT 1946 Pyral_face_505 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_14 BM.1974.013.001/52:21_14 00:04:26 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 2: RECIT DU PERE HAG (2/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville • * Mission catholique de Franceville, Récit du Père Hag sur son arrivée à Franceville et à Lastourville, au début : voix parlée de G.Rouget, NB : copie de la bande magnétique BM.1974.013.40 plage 2 • ROUGET,GILBERT 1946 Pyral_face_507 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_15 BM.1974.013.001/52:21_15 00:03:58 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 3: RECIT DU PERE HAG (3/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville • * Mission catholique de Franceville, Récit du Père Hag sur son arrivée à Franceville et à Lastourville, NB : copie de la bande magnétique BM.1974.013.40 plage 3 • ROUGET,GILBERT 1946 Pyral_face_508 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_16 BM.1974.013.001/52:21_16 00:04:15 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 4: INTERVIEW DU PERE HAG (1/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville, questions par G.Rouget • * Mission catholique de Franceville, Interview du Père Hag sur la vie des indigènes, sur le début de la mission de Lastourville, NB : copie de la bande magnétique BM.1974.013.40 plage 4 • ROUGET,GILBERT 1946 Pyral_face_509 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_17 BM.1974.013.001/52:21_17 00:04:16 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 5: INTERVIEW DU PERE HAG (2/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville, questions par G.Rouget • * Mission catholique de Franceville, Interview du Père Hag sur le colon Brazza, sur la mission, NB : copie de la bande magnétique BM.1974.013.40 plage 5 • ROUGET,GILBERT 1946 Pyral_face_510 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_18 BM.1974.013.001/52:21_18 00:04:12 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A LA MISSION 6: INTERVIEW DU PERE HAG (3/3) Sous-table non exportée Sous-table non exportée Entretiens à la mission catholique de Franceville, questions par G.Rouget • * Mission catholique de Franceville, Interview du Père Hag sur la mission (suite), NB : copie de la bande magnétique BM.1974.013.40 plage 6 • ROUGET,GILBERT 1946 Pyral_face_511 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_20 BM.1974.013.001/52:21_20 00:02:32 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 2 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif. • * Mission catholique de Franceville ? description du pays (géographie, ethnologie, économie), NB : copie de la bande magnétique BM.1974.013.40 plage 8 • ROUGET,GILBERT 1946 Pyral_face_513 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :21_21 BM.1974.013.001/52:21_21 00:03:47 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 3 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif. • * Mission catholique de Franceville ? sur les problèmes de routes, les produits exploités, les voies navigables NB : copie de la bande magnétique BM.1974.013.40 plage 9 • ROUGET,GILBERT 1946 Pyral_face_514 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_01 BM.1974.013.001/52:22_01 00:03:53 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 4 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif (et Gilbert Rouget) • * Mission catholique de Franceville ? sur les transports modernes, la main d'oeuvre technique, l'éducation, le besoin de cadres de la métropole, NB : copie de la bande magnétique BM.1974.013.40 plage 10 • ROUGET,GILBERT 1946 Pyral_face_515 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_02 BM.1974.013.001/52:22_02 00:04:03 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 5 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif • * Mission catholique de Franceville ? Interview de M.Charnay, en charge des constructions : sur les habitats traditonnels, les habitats européens, sur la main d'oeuvre, NB : copie de la bande magnétique BM.1974.013.41 plage 1 • ROUGET,GILBERT 1946 Pyral_face_516 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_03 BM.1974.013.001/52:22_03 00:02:21 28/10/46 CONGO FRANCEVILLE * MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON ENTRETIENS A FRANCEVILLE 6 Sous-table non exportée Sous-table non exportée Entretiens à Franceville, avec Messieurs Montcoucut et Charnay, questions par Noël Baillif • * Mission catholique de Franceville ? Suite de l'interview de M.Charnay, en charge des constructions : sur les projets de construction à Franceville NB : copie de la bande magnétique BM.1974.013.41 plage 2 • ROUGET,GILBERT 1946 Pyral_face_517 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_07 BM.1974.013.001/52:22_07 00:03:25 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 2 : BASEBAM Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Basebam : ce chant raconte qu'un homme parti à la pêche et attrapa beaucoup de poissons, mais tout le monde est venu et il ne lui reste plus rien, alors il pleure (basé = 1 poisson, bam = moi), meilleur que le précédent, très bon, le choeur est nettement divisé h-f, très bonne fin, Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 6 • ROUGET,GILBERT 1946 Pyral_face_523 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_08 BM.1974.013.001/52:22_08 00:03:42 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 3 : BAWOLO BAGOL MWEMWE Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Bawolo = milicien, Bagol = De Gaulle, Mwémwé : que faites-vous, chant relatif à la guerre de 1949, quand les hommes sont partis, qu'attendaient-ils pour tirer le coup de fusil, même formation, chr h et f divisé, Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 7 • ROUGET,GILBERT 1946 Pyral_face_524 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_09 BM.1974.013.001/52:22_09 00:04:03 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 4 : BASEBAM Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Basebam : ce chant raconte qu'un homme parti à la pêche et attrapa beaucoup de poissons, mais tout le monde est venu et il ne lui reste plus rien, alors il pleure (basé = 1 poisson, bam = moi), très bon, Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 8 • ROUGET,GILBERT 1946 Pyral_face_525 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_10 BM.1974.013.001/52:22_10 00:03:33 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 5 : MBANGO BEDZO Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • édité MH 48-01 B1.a • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Mbango, nom d'un homme, se désole parce que son couteau (bèdzo)est resté à l'autre bout du village, très bon, Courte intro solo h, chr, sonnailles- hochet, puis entrée des tambours, les 2 chr h-f se répondent. Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 9 • ROUGET,GILBERT 1946 Pyral_face_526 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_11 BM.1974.013.001/52:22_11 00:03:48 31/10/46 CONGO FRANCEVILLE / MOUNZAI BAWUMBU MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BAWMBU 6 : COMANDANT Sous-table non exportée Sous-table non exportée Danse sur place, en cercle, des hommes et femmes bawumbu, danse profane mais certainement d'origine rituel, en effet les hommes sont peints comme pour les cérémonies funéraires et ne peuvent rentrer dans les maisons. Les hommes forment un demi-cercle, les femmes le demi-cercle complémentaire qui lui fait face, les tambours battus par des hommes ou des garçons sont disposés à côte à côte, sur un bord du cercle et séparent les hommes et les femmes • M-tbr = 3 tambours obliques, posés sur le sol et tenus entre les jambes : 1 grand tamb. ngomo battu 2 baguettes, placé au milieu des 2 autres petits tamb. nzinzi, battus de la main droite avec une petite baguette et de la main gauche avec le pouce, IS-sonnailles = plusieurs types = manguala : en forme de cosse avec des grelots, porté à la cheville ou à la ceinture, masoku : formé de noyaux cousus sur bracelet en cuir, peut être porté sous le genoux, ou fixés à un martinet, dont le manche est tenu d'une main, l'autre main frappant la grappe, joués par les danseurs, Chaque homme porte un hochet nguta, Le chant raconte que le commandant d'Okoundza est encore dans la case, il n'est pas encore arrivé au bureau, enregistrement en déplacement (différents niveau, parfois saturé) Cf. indications in cahier notes de terrain G.Rouget (p.256-258), NB : copie de la bande magnétique BM.1974.013.41 plage 10 • ROUGET,GILBERT 1946 Pyral_face_527 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_13 BM.1974.013.001/52:22_13 00:03:59 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 2 : BANDU BAMAMA Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ?• is-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, bandu = frêre, bamama = mère, court solo et choeur de femme seules avec battements de mains pour l'arrivée des pirogues, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 2 • ROUGET,GILBERT 1946 Pyral_face_529 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_14 BM.1974.013.001/52:22_14 00:03:28 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 3 : LINGANGA LABEWOWE Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? Pour cet enregistrement : 2 femmes dansent au milieu du cercle formé par le choeur et les tambourinaires • IS-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, M-tbr = 2 tamb. à 2 peaux, à caisse fusiforme, tenus entre les jambes et battus avec 2 courtes baguettes, joués par les hommes ? linganga = parler, labèwowè = pas bien, ce chant parle d'un juge qui s'est trompé, très bon, débute solo f, puis battements de mainset chr (divisé), suivi de hochet et tambours, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 3 • ROUGET,GILBERT 1946 Pyral_face_530 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_15 BM.1974.013.001/52:22_15 00:02:54 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 4 : BANDU BAMAMA ? Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? • chant pour l'arrivée des pirogues, semble même air que le chant Bandu Bamama (voir 22_13), très bon, débute solo f, puis battements de mains et solo, et entrée du chr (divisé), un peu de conversation, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 4 • ROUGET,GILBERT 1946 Pyral_face_531 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_16 BM.1974.013.001/52:22_16 00:03:43 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 5 : LENGUMU Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? • Lengumu = les cloches, ce chant raconte que les hommes disent des femmes qu'elles parlent beaucoup, de sont les cloches, court solo f et battements de mains, entrée du chr f, puis chr h, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 5 • ROUGET,GILBERT 1946 Pyral_face_532 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_17 BM.1974.013.001/52:22_17 00:03:51 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 6 : NDUMIAN Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? Pour cet enregistrement la chanteuse soliste danse seule devant les tambours • édité MH 48-28 B27.b • IS-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, M-tbr = 2 tamb. à 2 peaux, à caisse fusiforme, tenus entre les jambes et battus avec 2 courtes baguettes, joués par les hommes ? Ndumian : "le tambour pour moi parle bien", solo f, puis battements de mains, entrée du chr f (divisé), puis tambours et hochet, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 6 • ROUGET,GILBERT 1946 Pyral_face_533 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_18 BM.1974.013.001/52:22_18 00:03:52 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 7 : MEMWANAME Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? Pour cet enregistrement : 2 femmes dansent, jambes jointes, pivotant sur les talons en se désarticulant très sèchement la jambe, torse penché en avant • IS-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, M-tbr = 2 tamb. à 2 peaux, à caisse fusiforme, tenus entre les jambes et battus avec 2 courtes baguettes, joués par les hommes ? Mémwanamé ("mon petit est bon"): chant de femme, pour dire qu'elle vient d'avoir un joli petit, solo f, puis battements de mains, entrée du chr f (divisé), puis tambours et hochet, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 7 • ROUGET,GILBERT 1946 Pyral_face_534 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :22_19 BM.1974.013.001/52:22_19 00:03:52 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHOEURS BAMBAMBA 7 : MOKANDA Sous-table non exportée Sous-table non exportée Musique de danse pour hommes et femmes ? • IS-hochet-sonnailles : constitué de noyaux attachés à des lanières en cuir, le manche est tenu par la main gauche et la main droite frappant, paume ouverte, la grappe de noyaux, joué par les femmes, M-tbr = 2 tamb. à 2 peaux, à caisse fusiforme, tenus entre les jambes et battus avec 2 courtes baguettes, joués par les hommes ? Mokanda : nom d'un légume, solo f, puis battements de mains, hochets, entrée du chr f (divisé), puis tambours, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.259-260), NB : copie de la bande magnétique BM.1974.013.42 plage 8 • ROUGET,GILBERT 1946 Pyral_face_535 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_02 BM.1974.013.001/52:23_02 00:03:04 01/11/46 GABON LASTOURVILLE / BUKUSHU BAMBAMBA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE FLUTE MVULE 3 Sous-table non exportée Sous-table non exportée Flûte nasale fabriquée par l'exécutant, instrument classique des bambamba, joué par les hommes. ORGANOLOGIE ET TECHNIQUE DE JEU : fait d'un tuyau de bois tendre cylindrique aux parois épaisses. La base est ouverte. Au sommet une rondelle de calebasse, fixée par un emplâtre de cire et percée d'un trou rétrécit l'orifice du tuyau. Le bord intérieur de cette rondelle sert de biseau et c'est contre lui que le musicien dirige l'air qui fait sonner le tuyau. Le musicien tient la flûte de la main droite, il applique le sommet contre la base du nez, de son index il bouche sa narine gauche, de sa narine droite il insuffle le tuyau. La main gauche, ouverte, bouche ou débouche le tuyau à sa base (tuyau ouvert-fermé), ou bien le bouche à moitié, ou le frappe rythmiquement pour obtenir un autre effet.• en 2 parties : 1ère : technique de la main basculante, fin à 01'22, 2ème : avec voix G.Rouget, à 01'37 : les 2 techniques alternées, très bon début, Cf. indications in cahier notes de terrain G.Rouget (p.261), NB : copie de la bande magnétique BM.1974.013.42 plage 11 Instrument ramené par la mission et conservé au Musée du Quai Branly : n° d'inventaire 71.1946.92.18 • ROUGET,GILBERT 1946 Pyral_face_538 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_03 BM.1974.013.001/52:23_03 00:04:04 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, Départ et un peu lointoin, débute solo h et réponse du chr, courtes interruptions, reprises, après 01'30 : sonneries de trompes ponctuelles, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 1, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_539 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_04 BM.1974.013.001/52:23_04 00:03:52 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 2 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • édité MH 48-36 B28.b • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant de l'embarcation, Arrivée au port : les pagayeurs s'annoncent avec des sonneries de trompe, qui ont parfois une signification précise, solo et réponses du chr avec quelques sonneris de trompe, les cloches sont remuées par un membre de l'expédition (Jacques Dupont), Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 2, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_540 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_05 BM.1974.013.001/52:23_05 00:03:47 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 3 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, moins intéressant, en navigation, confus, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 3, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_541 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_06 BM.1974.013.001/52:23_06 00:04:05 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 4 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 4, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_542 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_07 BM.1974.013.001/52:23_07 00:04:07 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 5 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, pas de trompe sur cet enregistrement, courte interruption vers 03'15 puis reprise solo et chr, coupée, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 5, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_543 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_08 BM.1974.013.001/52:23_08 00:03:52 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 6 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Apèrs-midi : autre équipage composé de 15 pagayeurs, solo et réponses du chr, sonneries de trompe ponctuelles et cloches, fin coupée, peu intéresant, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 6, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_544 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_09 BM.1974.013.001/52:23_09 00:03:59 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 7 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Apèrs-midi : autre équipage composé de 15 pagayeurs, pirogues attachées, 2 solistes alternés, réponses du chr, sonneries de trompe ponctuelles et cloches, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 7, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_545 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_10 BM.1974.013.001/52:23_10 00:03:18 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 8 (AMBIANCE, TROMPE) Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • ATL-= trompe traversière en corne d'antilope spiralée, percée près de la pointe pour former l'embouchure, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Apèrs-midi : autre équipage composé de 15 pagayeurs, en 2 parties : 1ère : bruits de pagaies, cloches, quelques sonneries de trompe, conversations, coupure à 02'30, 2ème : courts solos de trompe, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 8, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_546 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_11 BM.1974.013.001/52:23_11 00:03:56 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 9 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • pas de trompe, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Apèrs-midi : autre équipage composé de 15 pagayeurs, Ces chants accompagnent une cadence de descente normale, les chants peuvent être interrompus, reprendre au gré d'un soliste, ou s'arrêter pendant plusieurs heures, 2 chants successifs séparés par une courte interruption à 02'26, 2 solistes alternés, réponses du chr, cloches, bruits de pagaies, fin du 2nd chant coupée, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 9, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_547 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :23_12 BM.1974.013.001/52:23_12 00:04:06 03/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 10 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve, on entend parfois le choc des pagaies contre le flanc du bateau, le bruit de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. Les pirogues baduma sont de longues embarcations plates et étroites. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. A l'avant : 2 pagayeurs debouts, à l'arrière un jeune garçon qui utilise sa pagaie comme gouvernail, le reste de l'équipage, entre 12 et 18 personnes, est assis 2 par 2 sur des bancs. La cadence varie et avec elle le type de chant • pas de trompe, IS-cloche = grappe de cloches en cuivre ou en fer (sans battant) suspendues à l'avant de l'embarcation, Apèrs-midi : autre équipage composé de 15 pagayeurs, Ces chants accompagnent une cadence de descente normale, les chants peuvent être interrompus, reprendre au gré d'un soliste, ou s'arrêter pendant plusieurs heures, 2 solistes alternés, plus importants que dans les enregistrements précédents, réponses du chr, cloches, bruits de pagaies plus marqués, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.262-263), NB : copie de la bande magnétique BM.1974.013.43 plage 10, autres enregistrements de chants de piroguiers baduma, hors situation, disques pyral 500-505 (CD 21) • ROUGET,GILBERT 1946 Pyral_face_548 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_01 BM.1974.013.001/52:24_01 00:03:31 04/11/46 GABON LASTOURVILLE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES BADUMA 5 Sous-table non exportée Sous-table non exportée M-tbr = 4 tambours coniques dont 1 à 1 peau (de gorille) et à socle, et 3 autres à 2 peaux, IFP-plaque = plaque de tôle, IE-batons = baguettes de bambou entrechoquées, début de la prise en plein chant, solo h, réponse du chr, baguettes, plaque, tambours, quelques sonneries de trompe très ponctuelles (ex : vers 01'45), fin coupée (avec signal parasite), Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 7 • ROUGET,GILBERT 1946 Pyral_face_556 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_02 BM.1974.013.001/52:24_02 00:03:50 04/11/46 GABON LASTOURVILLE BADUMA ET BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MBADI 1 Sous-table non exportée Sous-table non exportée Danse des Bawandji et Baduma , populations voisines parlant la même langue. Les chanteurs et danseurs sont pour la plupart des hommes agés, formant un cercle. Ils dansent sur place, vétus en général de l'ancien costume (ample robe de raphia tissé dont le haut rabattu à la ceinture laiss le torse nu). Au centre, le danseur principal, tête coiffée d'une grande touffe de plumes d'oiseaux noires et blanches, porte quelques grelots de cuivres attachés à la ceinture ainsi que des sonnailles de danse, faites de noyaux de fruits cousus sur une jambière de cuir. Il s'agit d'une danse à mouvements violents, rapides, avec des grandes enjambées, vire-voltes, sauts, et coups de pieds frappant le sol • M-tbr = 4 tambours coniques à 2 peaux battus baguettes ou mains, IE-batons = baguettes de bambou entrechoquées, IS-sonnailles = sonnailles de chevilles faites de noyaux de fruits cousus sur une jambière de cuir, IS-grelots = grelots de cuivres attachés à la ceinture débute solo h, en parlé-chanté, grelots, 2ème soliste (2 solistes alternés), entrée du chr et tambours, batons, un peu confus, fin coupée, Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 8 • ROUGET,GILBERT 1946 Pyral_face_557 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_03 BM.1974.013.001/52:24_03 00:03:44 04/11/46 GABON LASTOURVILLE BADUMA ET BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MBADI 2 Sous-table non exportée Sous-table non exportée Danse des Bawandji et Baduma , populations voisines parlant la même langue. Les chanteurs et danseurs sont pour la plupart des hommes agés, formant un cercle. Ils dansent sur place, vétus en général de l'ancien costume (ample robe de raphia tissé dont le haut rabattu à la ceinture laiss le torse nu). Au centre, le danseur principal, tête coiffée d'une grande touffe de plumes d'oiseaux noires et blanches, porte quelques grelots de cuivres attachés à la ceinture ainsi que des sonnailles de danse, faites de noyaux de fruits cousus sur une jambière de cuir. Il s'agit d'une danse à mouvements violents, rapides, avec des grandes enjambées, vire-voltes, sauts, et coups de pieds frappant le sol • édité MH 48-56 B34.b 1ère plage • M-tbr = 4 tambours coniques à 2 peaux battus baguettes ou mains, IE-batons = baguettes de bambou entrechoquées, IS-sonnailles = sonnailles de chevilles faites de noyaux de fruits cousus sur une jambière de cuir, IS-grelots = grelots de cuivres attachés à la ceinture débute solo h, en parlé-chanté, baguettes, entrée du chr et tambours, grelots, 2 solistes alternés, bonne fin, avec cris d'ensemble (coupé), prise de son meilleure que l'enregistrement précédent (perchage plus loin), Cf. indications in cahier G.Rouget (p.265), NB : copie de la bande magnétique BM.1974.013.44 plage 9 • ROUGET,GILBERT 1946 Pyral_face_558 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_05 BM.1974.013.001/52:24_05 00:03:46 04/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MUPENGA 2 Sous-table non exportée Sous-table non exportée Danse des hommes : cinq hommes, groupés au centre du cercle formé par les tambourinaires et le choeur, dansent sur place, agitant les hanches et les épaules, et frappant le sol du pied • M-tbr = 4 tambours coniques à 2 peaux frappés baguettes (sauf un tamb. couché battu mains), IS-hochet = sonnailles en fer en forme de gousse, attachées à de longues jambières, portées par 5 danseurs, A-= sifflet à roulette, IE-batons = batons de bambou entrechoqués, Chant sur le thème de l'adultère, intro long soloh (en parlé-chanté) par un autre soliste, vers 01'20 : batons, choeurs et tambours, sifflet, hochets, bonne fin (a cappella), Cf. indications in cahier notes de terrain G.Rouget (p.266), NB : copie de la bande magnétique BM.1974.013.45 plage 1• ROUGET,GILBERT 1946 Pyral_face_560 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_06 BM.1974.013.001/52:24_06 00:03:49 04/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MUPENGA 3 Sous-table non exportée Sous-table non exportée Danse des hommes : cinq hommes, groupés au centre du cercle formé par les tambourinaires et le choeur, dansent sur place, agitant les hanches et les épaules, et frappant le sol du pied • édité MH 48-35 B31.b • Sans sifflet, M-tbr = 4 tambours coniques à 2 peaux frappés baguettes (sauf un tamb. couché battu mains), IS-hochet = sonnailles en fer en forme de gousse, attachées à de longues jambières, portées par 5 danseurs, IE-batons = batons de bambou entrechoqués, Chant : Mesomba Mama (mésomba = j'ai acheté) : Le chanteur demande à son père et à sa mère de payer pour qu'il chante et danse, intro long soloh (en parlé-chanté), vers 01'05 : batons, choeurs (plus intéressant que les autres enregistrements) et tambours, hochets, bonne fin (a cappella), Cf. indications in cahier notes de terrain G.Rouget (p.266), NB : copie de la bande magnétique BM.1974.013.45 plage 2• ROUGET,GILBERT 1946 Pyral_face_561 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_07 BM.1974.013.001/52:24_07 00:03:26 04/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MUPENGA 4 Sous-table non exportée Sous-table non exportée Danse des hommes : cinq hommes, groupés au centre du cercle formé par les tambourinaires et le choeur, dansent sur place, agitant les hanches et les épaules, et frappant le sol du pied • Sans sifflet, M-tbr = 4 tambours coniques à 2 peaux frappés baguettes (sauf un tamb. couché battu mains), IS-hochet = sonnailles en fer en forme de gousse, attachées à de longues jambières, portées par 5 danseurs, IE-batons = batons de bambou entrechoqués, Titre du chant : tsaba : nom d'un chef de canton, intro long soloh (en parlé-chanté), vers 00'40 : batons, choeurs et tambours, hochets, bonne fin (a cappella), Cf. indications in cahier notes de terrain G.Rouget (p.266), NB : copie de la bande magnétique BM.1974.013.45 plage 3• ROUGET,GILBERT 1946 Pyral_face_562 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_11 BM.1974.013.001/52:24_11 00:03:13 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 2 Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • débute chant solo h en parlé-chanté, puis entrée des chr en répond, En 2 parties : 1ère : fin à 01'25, 2ème partie : à 01'27, très bon, notamment la fin, Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 7• ROUGET,GILBERT 1946 Pyral_face_566 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_12 BM.1974.013.001/52:24_12 00:03:16 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 3 Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • débute chant solo h en parlé-chanté, puis entrée du chr en répond, pas de chr de f ? Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 8• ROUGET,GILBERT 1946 Pyral_face_567 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_13 BM.1974.013.001/52:24_13 00:03:35 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 4 Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • En 2 parties : 1ère : intro chant solo h en parlé-chanté, avec réprises du chr, fin à 00'40, suivi d'une petite interruption (ambiance, conversations, rires) 2ème : à 01'35 : débute chant solo h en parlé-chanté, puis entrée du chr en réponds, fin coupée ? pas de chr de f ? Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 9• ROUGET,GILBERT 1946 Pyral_face_568 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_14 BM.1974.013.001/52:24_14 00:04:04 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 5 Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • 1ère partie : éditée MH 48-66 B34.a • En 2 parties : 1ère : intro chant solo h en parlé-chanté, avec courtes réprises du chr (pa sde chr f), puis 2 solistes et réponses du chr, fin à 02'30, bon, notamment fin, 2ème : à 02'30 : débute chant solo h en parlé-chanté, puis entrée des chr en réponds, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 10• ROUGET,GILBERT 1946 Pyral_face_569 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_15 BM.1974.013.001/52:24_15 00:03:54 06/11/46 GABON LASTOURVILLE BAWANDJI MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES "TIPOYEURS" 6 Sous-table non exportée Sous-table non exportée Chants de 10 "tipoyeurs" ( tipoye : sorte de chaise à porteurs utilisée à l'époque coloniale pour le transport des personnes : administrateurs, notables, malades), chantés soit au départ, soit à l'arrivée pour donner de l'éclat à l'évènement et souligner l'importance du personnage transporté dans le tipoye. Ces chants sont différents des chants de travail que les porteurs exécutent dans le cours d'une étape. • 2ème partie : éditée MH 48-66 B34.a • En 2 parties : 1ère : intro chant solo h en parlé-chanté, vers 00'30 entrée du chr h en réponds, fin à 01'48, bon, notamment fin, 2ème : à 02'00 : débute chant solo h en parlé-chanté, puis solo h et f alternés avec chr h en réponds très courts, fin coupée ?, Cf. indications in cahier notes de terrain G.Rouget (p.268), NB : copie de la bande magnétique BM.1974.013.45 plage 11• ROUGET,GILBERT 1946 Pyral_face_570 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_17 BM.1974.013.001/52:24_17 00:03:43 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 2 Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-bâtons = bâtons de bambous entrechoqués joués par les femme du choeur, intro solo f, puis entrée du chr (en réponds, divisé) et instrumentation, plusieurs passages instrumentaux et dansés, suivis de reprises solo et chr, fin instrumentale, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.269), NB : copie de la bande magnétique BM.1974.013.46 plage 2• ROUGET,GILBERT 1946 Pyral_face_572 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_18 BM.1974.013.001/52:24_18 00:04:25 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 3 Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-bâtons = bâtons de bambous entrechoqués joués par les femme du choeur, intro long solo f, 01'20 : entrée du chr (en réponds, divisé) et instrumentation, plusieurs passages instrumentaux et dansés, suivis de reprises solo et chr, fin coupée très bon, beaucoup de variations, Cf. indications in cahier notes de terrain G.Rouget (p.269), NB : copie de la bande magnétique BM.1974.013.46 plage 3• ROUGET,GILBERT 1946 Pyral_face_573 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_19 BM.1974.013.001/52:24_19 00:03:32 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 4 : MBELE Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-bâtons = bâtons de bambous entrechoqués joués par les femme du choeur, titre du chant : mbélè, même formation mais forme de chant différente des enregistrements précédents, intro solo f, puis alternance solo et reprises du chr avec instrumentation, fin sur note tenue du chr, très bon, Cf. indications in cahier notes de terrain G.Rouget (p.269), NB : copie de la bande magnétique BM.1974.013.46 plage 4• ROUGET,GILBERT 1946 Pyral_face_574 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :24_20 BM.1974.013.001/52:24_20 00:03:15 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 5 : MBELE 2 Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• édité MH 48-30 B29.a • M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-bâtons = bâtons de bambous entrechoqués joués par les femme du choeur, titre du chant : mbélè, même formation mais forme de chant différente, spécifique au chant mbélè, un peu moins bon que l'enregistrement précédent, intro solo f, tambours et instruments, puis alternance solo et reprises du chr, fin sur note tenue du chr, Cf. indications in cahier notes de terrain G.Rouget (p.269), NB : copie de la bande magnétique BM.1974.013.46 plage 5• ROUGET,GILBERT 1946 Pyral_face_575 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_01 BM.1974.013.001/52:25_01 00:03:20 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 6 : BENDUBAGANWAMO Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-batons = en bambous entrechoqués par les femmes du chr, chant différent, mais même formation et forme de chant, intro solo f, tambours et instruments, puis alternance solo et chr, fin sur note tenue du chr, Cf. indications in cahier notes de terrain G.Rouget (p.270), NB : copie de la bande magnétique BM.1974.013.46 plage 6• ROUGET,GILBERT 1946 Pyral_face_576 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_02 BM.1974.013.001/52:25_02 00:03:44 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 7 : SIEPFE Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• édité MH 48-31 B30.a • M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-batons = en bambous entrechoqués par les femmes du chr, Titre du chant : sièpfé : du nom du chef de village, Intro long solo f, vers 00'50 : entrée chr, tambours et instruments, après 02'30 : courtes phases de solo f seul, fin sur note tenue chr et soliste, Très bon, Cf. indications in cahier notes de terrain G.Rouget (p.270), NB : copie de la bande magnétique BM.1974.013.46 plage 7• ROUGET,GILBERT 1946 Pyral_face_577 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_03 BM.1974.013.001/52:25_03 00:03:38 06/11/46 GABON LASTOURVILLE / BEMBEMBUYOKO BUNGOMO MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE YAKAI 8 Sous-table non exportée Sous-table non exportée La femme soliste est aussi danseuse, elle porte des hochets en jambières et des grelots à son pagne. Elle danse seule au milieu du cercle formé par le choeur et les tambourinaires. Même type de danse et de formation que pour les danses Mawukué des Shake (Pyral 549-551 = CD 23)• M-tbr : 2 tambours coniques à 2 peaux battus baguettes, joués par 2 hommes, le grand tamb. est appelé "Ganwe djumu" (tambour mère) et le petit "Mwana djumu" (tambour petit) IS-hochet = 2 types : hochets en grappe à poignée, et hochets jambière de la soliste, IS-grelot = accroché au pagne de la soliste, IE-batons = en bambous entrechoqués par les femmes du chr, Intro solo f, suivi des batons en bambous, quelques voix du chr, puis entrée chr, tambours et instruments, moins bon, Cf. indications in cahier notes de terrain G.Rouget (p.270), NB : copie de la bande magnétique BM.1974.013.46 plage 8 • ROUGET,GILBERT 1946 Pyral_face_578 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :17-01 BM.2007.012.001/58:17-01 00:00:00 22/03/68 GABON GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 EXPLICATION DU BWITI Sous-table non exportée Sous-table non exportée *Informateur : Albert Vilanga, chef de Gongoué• BM.2007.012:17-02 SALLEE,P. 1968 1968.4.17-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :18-01 BM.2007.012.001/58:18-01 00:00:00 22/03/68 GABON GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 EXPLICATION DU BWITI Sous-table non exportée Sous-table non exportée *Informateur : Albert Vilanga, chef de Gongoué• Suite de BM.2007.012:18-01• BM.2007.012:18-01 SALLEE,P. 1968 1968.4.18-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :19-01 BM.2007.012.001/58:19-01 00:00:00 23/03/68 GABON GONGOUE FANG GABON; SALLEE,P.1968 INITIATION D'UNE JEUNE FILLE A L'OMBWIRI Sous-table non exportée Sous-table non exportée Observations de Pierre Sallée : "le joueur de _ngombi_ est aussi un sculpteur acceptable"• BM.2007.012:17-02 SALLEE,P. 1968 1968.4.19-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :20-01 BM.2007.012.001/58:20-01 00:00:00 22/03/68 GABON PORT-GENTIL,GONGOUE FANG GABON; SALLEE,P.1968 INITIATION D'UNE JEUNE FILLE A L'OMBWIRI Sous-table non exportée Sous-table non exportée Séance du vendredi• Suite de BM.2007.012:20-01• BM.2007.012:20-01 SALLEE,P. 1968 1968.4.20-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :20-02 BM.2007.012.001/58:20-02 00:00:00 23/03/68 GABON PORT-GENTIL,GONGOUE FANG GABON; SALLEE,P.1968 NZIMBA Sous-table non exportée Sous-table non exportée Séance du samedi• BM.2007.012:21-01 SALLEE,P. 1968 1968.4.20-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :21-01 BM.2007.012.001/58:21-01 00:00:00 23/03/68 GABON PORT-GENTIL,GONGOUE FANG GABON; SALLEE,P.1968 OMBWIRI Sous-table non exportée Sous-table non exportée Procession (filmée) avec le _nganga_ grimé. Deux _mimbwiri_ se manifestent• Films• Suite de BM.2007.012:21-02• BM.2007.012:21-02 SALLEE,P. 1968 1968.4.21-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :22-01 BM.2007.012.001/58:22-01 00:00:00 23/03/68 GABON PORT-GENTIL,GONGOUE FANG GABON; SALLEE,P.1968 OMBWIRI Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:22-01• BM.2007.012:22-01 SALLEE,P. 1968 1968.4.22-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :23-01 BM.2007.012.001/58:23-01 00:00:00 23/03/68 GABON PORT-GENTIL,GONGOUE FANG GABON; SALLEE,P.1968 OMBWIRI Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:23-01• BM.2007.012:23-01 SALLEE,P. 1968 1968.4.23-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :23-02 BM.2007.012.001/58:23-02 00:00:00 24/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 HISTOIRE DES ORUNGU Sous-table non exportée Sous-table non exportée *Informateur : Albert Vilanga, chef des Orungu, descendant du Roi Ikinda, avec Adolph Ndjali, son interprète nkomi• BM.2007.012:24-01 SALLEE,P. 1968 1968.4.23-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :23-03 BM.2007.012.001/58:23-03 00:00:00 24/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 CHANTS DIVERS Sous-table non exportée Sous-table non exportée Chants de _ndjembe_, _nkondjo_, _mabandji_ et _ivanga_• BM.2007.012:24-02 SALLEE,P. 1968 1968.4.23-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :24-01 BM.2007.012.001/58:24-01 00:00:00 24/03/68 GABON PORT-GENTIL,GONGOUE MYENE ORUNGU GABON; SALLEE,P.1968 CHANTS DIVERS Sous-table non exportée Sous-table non exportée Chants de _ndjembe_, _nkondjo_, _mabandji_ et _ivanga_• Suite de BM.2007.012:24-03• BM.2007.012:24-03 SALLEE,P. 1968 1968.4.24-01/N AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_05 BM.1974.013.001/52:25_05 00:02:09 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWUNDA 2 Sous-table non exportée Sous-table non exportée Chant pour la danse mawunda, les hommes sont assis par terre, serrés les uns contre les autres et dansent seulement du buste, de la tête et des mains • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IL-idiophone pilonne creux = 4 tubes de bambous de différentes tailles, fermés par un noeud à la base, ouverts au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, Le choeur d'hommes (les pagayeurs) n'intervient que pour de courtes interjections, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.46 plage 10 • ROUGET,GILBERT 1946 Pyral_face_580 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :25-01 BM.2007.012.001/58:25-01 00:00:00 25/05/68 GABON MOUILA TSOGHO GABON; SALLEE,P.1968 HARPE Sous-table non exportée Sous-table non exportée Observations de Pierre Sallée : "enregistrement d'un cithariste sans intérêt"• BM.2007.012:17-02 SALLEE,P. 1968 1968.5.01-01/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_06 BM.1974.013.001/52:25_06 00:03:51 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWUNDA 3 Sous-table non exportée Sous-table non exportée Chant pour la danse mawunda, les hommes sont assis par terre, serrés les uns contre les autres et dansent seulement du buste, de la tête et des mains. Pour cet enregistrement : 2 danseurs sont debout et interviennent dans le chant• édité MH 48-41 B27.a • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IL-idiophone pilonne creux = 4 tubes de bambous de différentes tailles, fermés par un noeud à la base, ouverts au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, Le choeur d'hommes (les pagayeurs) n'intervient que pour de courtes interjections, Très bon, fin sur sanza solo, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 1• ROUGET,GILBERT 1946 Pyral_face_581 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :25-02 BM.2007.012.001/58:25-02 00:00:00 25/05/68 GABON EPAMBOUA TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : 20 h. Voix du _kono_ et de son interprète. Lieu du déroulement : _mbandza_. Incipit du chant ou du passage décrit : Le _kono_ a son _mudunga_, comme _mwiri_. Exécution et instruments : voix masquée et _ngutu_ pour le _mudunga_ qui appelle le _kono_ avec ça et le donne ensuite au _kono_. Description : _bwiti_ pour le Chef de terre Bouka. Première veillée auprès du cadavre, rien à voir avec le _bwiti_. Ce _ngose_ est donc le premier _bwiti_ le surlendemain de la mort. Il y a donc trois _bwii_ pour la mort d'un personnage important ayant de la famille : 1. La mort. 2. Après la pose du _dembé_ (qui se fait dans la journée). 3. Pour lever le _dembé_, on peut aussi intercaler un _bwiti_ la semaine qui suit la mort. Le _kono_ est une Société d'initiation à part qui intervient là parce que le personnage était initié au _kono_• BM.2007.012:26-01 SALLEE,P. 1968 1968.5.01-02/Copie AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :26-01 BM.2007.012.001/58:26-01 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : voix de _mwiri_ et de son interprète. Lieu du déroulement : dehors et dedans. Incipit du chant ou du passage décrit : _mwiri_ demande pourquoi on l'appelle. On lui répond que c'est pour la mort, etc. Exécution et instruments : _mwiri_ et _mudunga_ puis cloche _kendo_ pour _mudunga_, cris d'hommes. Description : même chose que pour _kono_. Intervient dans le _bwiti_ du premier deuil uniquement parce que le décédé est initié au _mwiri_• BM.2007.012:26-02 SALLEE,P. 1968 1968.5.02-01/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_07 BM.1974.013.001/52:25_07 00:02:51 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE DANSE 1: MUPENGA Sous-table non exportée Sous-table non exportée Chant pour la danse mapenga, danse des hommes. • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, alternance solo et chr, accompagné de sanza, solo en voix de fausset, fin sur petit solo de sanza, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 2, Autres chants de la danse Mupenga par les Bwandji : disques Pyral 559-562 (CD 24)• ROUGET,GILBERT 1946 Pyral_face_582 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :26-02 BM.2007.012.001/58:26-02 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée *On entend les pleurs du _mwiri_ avec l'ensemble des garçons. Chants en choeur avec _ya mwei_• BM.2007.012:27-01 SALLEE,P. 1968 1968.5.02-02/Copie AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :27-01 BM.2007.012.001/58:27-01 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _kono_. Lieu du déroulement : _mbandza_. Exécution et instruments : voix du _kono_ et de _mudunga_ ; _nguta_. Descritpion : le _madunga_ présente des offrandes de la part de la famille. Le _kono_ fait des réflexions désagréables et on vient même lui "souffler" des choses à réclamer• BM.2007.012:27-02 SALLEE,P. 1968 1968.5.03-01/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_09 BM.1974.013.001/52:25_09 00:04:30 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DE DANSE 3: MAZURKA Sous-table non exportée Sous-table non exportée IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, IL-idiophone pilonne creux = 1 tube de bambous (précédemment joué avec 3 autres de différentes tailles), fermé par un noeud à la base, ouvert au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", celui entendu içi est un petit, En 2 parties : 1ère : fin à 02'17, 2ème : reprise à 02'20 intro sanza et hochets, chant solo et réponse autre soliste (voix de fausset), bambou, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 4• ROUGET,GILBERT 1946 Pyral_face_584 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :27-02 BM.2007.012.001/58:27-02 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _mokuku aghe ndodo_. Descritpion : L'esprit de _mokuku aghe ndodo_ est proprement pour le _bwiti_. L'esprit de _mokuku_ dit les mêmes choses que le _povi_• BM.2007.012:28-01 SALLEE,P. 1968 1968.5.03-02/Copie AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_10 BM.1974.013.001/52:25_10 00:04:08 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWUNDA 4 Sous-table non exportée Sous-table non exportée Chant pour la danse mawunda, les hommes sont assis par terre, serrés les uns contre les autres et dansent seulement du buste, de la tête et des mains. Pour cet enregistrement : la sanza est joué par un autre musicien • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IL-idiophone pilonne creux = 4 tubes de bambous de différentes tailles, fermés par un noeud à la base, ouverts au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, Le choeur d'hommes (les pagayeurs) n'intervient que pour de courtes interjections, très peu de chant solo, quasi instrumentale, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 5• ROUGET,GILBERT 1946 Pyral_face_585 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :28-01 BM.2007.012.001/58:28-01 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _ghegoundu_. Lieu du déroulement : _orongo_. Incipit du chant ou du passage décrit : _dissumba aya mi tenamobo nabia_. Exécution et instruments : voix de _mananga_. Descritpion : Voix criée - au début de la cérémonie. Ce sont les choses du _povi_. Réponse des choeurs d'hommes. On entend également la harpe• BM.2007.012:28-02 SALLEE,P. 1968 1968.5.04-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :28-02 BM.2007.012.001/58:28-02 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : début de _ngombi_. Incipit du chant ou du passage décrit : _masimba_ puis _bake_. Descritpion : Film de la danse des deux personnages avec jupes de raphia ; danse calme devant le _ngombi_• Film• BM.2007.012:29-01 SALLEE,P. 1968 1968.5.04-02/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_11 BM.1974.013.001/52:25_11 00:03:15 08/11/46 GABON KANKAN BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE MAWUNDA 5 Sous-table non exportée Sous-table non exportée Chant pour la danse mawunda, les hommes sont assis par terre, serrés les uns contre les autres et dansent seulement du buste, de la tête et des mains. Pour cet enregistrement : la sanza est joué par un autre musicien • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, IL-idiophone pilonne creux = 4 tubes de bambous de différentes tailles, fermés par un noeud à la base, ouverts au sommet et dont on pilonne le sol. La main droite ouvre et ferme le tuyau pour obtenir 2 hauteurs de son. Le plus grand (et le plus grave) est fabriqué le 1er, en procédant par taille décroissante : dans cet ordre les tubes sont nommés : "le garçon", "la femme", "les petits de la femme", IS-hochet = 1 hochet "malulu" constitué de 3 petites calebasses contenant des graines et enfilées le long d'une mince baguette dont une extrémité sert de manche, et 1 hochet "gota"en grappe, Le choeur d'hommes (les pagayeurs) n'intervient que pour de courtes interjections, Très instrumental, pratiquement pas de chant, seuls quelques cris et interjections, fin sanza seule, Très bon : d'après G.Rouget : le meilleur pour le jeu des bambous pilonnés, Cf. indications in cahier notes de terrain G.Rouget (p.272-273), NB : copie de la bande magnétique BM.1974.013.47 plage 6• ROUGET,GILBERT 1946 Pyral_face_586 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :28-03 BM.2007.012.001/58:28-03 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _povi_. Incipit du chant ou du passage décrit : _ngombi kungara_. Descritpion : enregistrement automatique avec baisse de niveau• Film• BM.2007.012:29-02 SALLEE,P. 1968 1968.5.04-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :29-01 BM.2007.012.001/58:29-01 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : récit du _povi_. Chants : _masimba_, _mitombo_, _minza_ et _mouko_. Descritpion : suite du récit du _povi_ avec accompagnement de la harpe (sic) "sur le pied de _didemba_et chants. Description de _motombi_• BM.2007.012:29-02 SALLEE,P. 1968 1968.5.05-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :29-02 BM.2007.012.001/58:29-02 00:00:00 25/05/68 GABON BILENGUI TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : morceau de harpe (sic) par _mingenzo_ et _doussougou mitombo_. Descritpion : _mitombo_ est le _mwinza_ le plus connu• BM.2007.012:30-01 SALLEE,P. 1968 1968.5.05-02/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_15 BM.1974.013.001/52:25_15 00:04:04 11/11/46 GABON BOUE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE SANZA 2 Sous-table non exportée Sous-table non exportée Le musicien joue ce genre de musique en divertissement, le plus souvent le soir, lorsqu'il est seul. Un même thème donne lieu à de très longs développements, les enregistrements précentés içi n'en sont que des extraits.• 1ère partie : éditée MH 48-26b • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, En 2 parties : 1ère : fin à 02'30, 2ème : à 02'35, Indications in cahier G.Rouget (p.275), NB : copie de la bande magnétique BM.1974.013.47 plage 10, Cet instrument est aussi joué en accompagnement de chants de danse baduma : Cf. autres enregistrements de sanzi jouée par Patrice Mabuedi : disques pyral 579-586 (CD 25) • ROUGET,GILBERT 1946 Pyral_face_593 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_17 BM.1974.013.001/52:25_17 00:03:30 11/11/46 GABON BOUE BADUMA MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON SOLO DE SANZA 4 Sous-table non exportée Sous-table non exportée Le musicien joue ce genre de musique en divertissement, le plus souvent le soir, lorsqu'il est seul. Un même thème donne lieu à de très longs développements, les enregistrements précentés içi n'en sont que des extraits.• 2ème partie : éditée MH 48-34 B26.b • IP- lamellophone = sanza à 10 (?) lames métalliques, le grésillement est produit par une petite rondelle de métal collée sur la caisse et vibrant avec les lames, En 2 parties : 1ère : avec voix de fausset, très faible, fin à 01'52, 2ème : à 01'58, instrumental, Indications in cahier G.Rouget (p.275), NB : copie de la bande magnétique BM.1974.013.48 plage 2, Cet instrument est aussi joué en accompagnement de chants de danse baduma : Cf. autres enregistrements de sanzi jouée par Patrice Mabuedi : disques pyral 579-586 (CD 25) • ROUGET,GILBERT 1946 Pyral_face_595 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_19 BM.1974.013.001/52:25_19 00:01:13 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 2: ENIGA BWENDE 2 Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • édité MH 48-71 B32.b 2ème plage • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : Eniga Bwendé = chanson sur les danseuses, Reprise (plus courte) de la pièce précédente : Solo f et chr f en répond (parfois chr divisé), d'abord très courte intro a cappella puis avec tambourinage et grelots, fin sur cri d'ensemble, Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 4 • ROUGET,GILBERT 1946 Pyral_face_597 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_20 BM.1974.013.001/52:25_20 00:03:11 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 3: MAPESE Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Les grelots ne sont pas entendus, peut-être s'agit-il d'une exécution "sur place", à la place ont lieu des battements de mains, Solo f et chr f en répond et battements de mains, avec tambourinage, fin sur cri d'ensemble, sans les tambours, Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 5 • ROUGET,GILBERT 1946 Pyral_face_608 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :25_21 BM.1974.013.001/52:25_21 00:03:11 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 4: TZAKIMAI ? Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Solo f et chr f en répond avec battements de mains et grelots, avec tambourinage, fin sur cri d'ensemble, Très bon, Tzakimai ou Modaki ? Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 6 • ROUGET,GILBERT 1946 Pyral_face_609 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_01 BM.1974.013.001/52:26_01 00:03:52 12/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 5: TZAKIMAI & MODAKI Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • 1ère partie : édité MH 48-71 B32.b 3ème plage • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, En 2 parties : 1ère : Tzakimai (= chant sur la pirogue) : très beau, fin à 01'20, 2ème : Modaki, à 01'30, Cf.indications in notes de terrain G.Rouget (p.276-278) : une partie des enregistrements effectués sur disques pyral (n°598 à 607) n'a pas fonctionné, NB : copie de la bande magnétique BM.1974.013.48 plage 7 • ROUGET,GILBERT 1946 Pyral_face_609Bis AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_03 BM.1974.013.001/52:26_03 00:03:01 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 7: MASENDE MAUYINDU Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • édité MH 48-71 B32.b 1ère plage • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : Masendé Mauyindu : chant sur un oiseau, Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé NB : copie de la bande magnétique BM.1974.013.48 plage 9 • ROUGET,GILBERT 1946 Pyral_face_611 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_04 BM.1974.013.001/52:26_04 00:02:39 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 8: MASENDE MAUYINDU Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : Masendé Mauyindu : chant sur un oiseau, (très rapide : pb de vitesse ?) Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé NB : copie de la bande magnétique BM.1974.013.48 plage 10 • ROUGET,GILBERT 1946 Pyral_face_612 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_05 BM.1974.013.001/52:26_05 00:03:06 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 9: MAPESE Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé NB : copie de la bande magnétique BM.1974.013.48 plage 11 • ROUGET,GILBERT 1946 Pyral_face_613 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :30-01 BM.2007.012.001/58:30-01 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. RECIT DU POVI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_de Seka-Seka. Incipit du chant ou du passage décrit : séance au _nzimbe_ de Seka-Seka. Descritpion : récit par le _povi_ Nzouba sur la découverte du _mogongo_ et du _ngombi_ (commentaires sur le charg. Philips)• _mogongo_ est ici orthographié _mougongo_ par Pierre Sallée• BM.2007.012:30-02 SALLEE,P. 1968 1968.5.06-01/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_06 BM.1974.013.001/52:26_06 00:02:33 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 10: MODAKI Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé NB : copie de la bande magnétique BM.1974.013.48 plage 12 • ROUGET,GILBERT 1946 Pyral_face_614 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_07 BM.1974.013.001/52:26_07 00:03:41 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 11: MABUYA Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, titre : Mabuya : l'éléphant, En 2 parties : 1ère : fin à 01'54 (bruits d'animaux), 2ème: 02'00 Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé NB : copie de la bande magnétique BM.1974.013.49 plage 01• ROUGET,GILBERT 1946 Pyral_face_615 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :30-02 BM.2007.012.001/58:30-02 00:00:00 N GABON ETEKE,OVALA ,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. DEBUT DU MESOSO Sous-table non exportée Sous-table non exportée Descritpion : procession avec la harpe, les _bake_ sont portés par les deux hommes, clochettes _eghenge_ (plur. _maghenge_) ; ils tournent dans la cour du village. On entend la corne. Le _nganga_ ouvre la marche avec la torche plantée sur une sagaie. Le _povi_ suit : il prie _mbumba_ pour que les _bandzi_ voient vite le _mweneke_• _mesoso_ est ici orthographié _mesoso_ et _mososo_ par Pierre Sallée. Ecouter si la harpe_ngombi_, la poutre frappée _baké_ et les clochettes _maghenge_ sont présents sur l'enregistrement• BM.2007.012:31-01 SALLEE,P. 1968 1968.5.06-02/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_08 BM.1974.013.001/52:26_08 00:03:51 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 12: GEBANDUSA PANDA Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé, vers 02'30 : 2 solistes, la seconde fait "oka", très bon, un peu monotone, NB : copie de la bande magnétique BM.1974.013.49 plage 02• ROUGET,GILBERT 1946 Pyral_face_616 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :30-03 BM.2007.012.001/58:30-03 00:00:00 N GABON ETEKE,OVALA ,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. DEBUT DU MESOSO Sous-table non exportée Sous-table non exportée Descritpion : au pied du bananier : choeur d'hommes à voix basse (côté gauche du village). Le _nganga_ commence à tailler une lanière de bananier avec l'herminette• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée. VC = choeur d'hommes à voix basse. Ecouter si la harpe_ngombi_, la poutre frappée _baké_ et les clochettes _maghenge_ sont présents sur l'enregistrement• BM.2007.012:31-02 SALLEE,P. 1968 1968.5.06-03/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_09 BM.1974.013.001/52:26_09 00:03:50 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 13: KONBE GUNGU Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Titre : Konbé Gungu (ou Nyugu), à partir de 01'20 : solo f avec grelots et tambours, sans chr , jusqu'à la fin sur cri d'ensemble, Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé, NB : copie de la bande magnétique BM.1974.013.49 plage 03• ROUGET,GILBERT 1946 Pyral_face_617 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_10 BM.1974.013.001/52:26_10 00:04:14 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 14: MODAKI Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Très bon, avec choeur plus aigu (en majorité des jeunes filles), Cf.indications in notes de terrain G.Rouget (p.279-280) : disque abimé, NB : copie de la bande magnétique BM.1974.013.49 plage 04• ROUGET,GILBERT 1946 Pyral_face_618 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :31-01 BM.2007.012.001/58:31-01 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Lieu du déroulement : côté droit du village de Ngwasa. Descritpion : suite du rite du bananier, puis recherche de la liane _ouamba_, toujours aux sons du _ngombi_, des _baké_ (sic) et des clochettes. On attache cette liane croisée sur la poitrine des _bandzi_• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée. IS = clochettes• BM.2007.012:30-02 SALLEE,P. 1968 1968.5.07-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :31-04 BM.2007.012.001/58:31-04 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Procession du _tsengue_• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée• BM.2007.012:32-02 SALLEE,P. 1968 1968.5.07-04/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_11 BM.1974.013.001/52:26_11 00:03:48 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 15: MUSIMA Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Cf.indications in notes de terrain G.Rouget (p.279-280), Une seconde soliste alterne (répond) avec la première, fin de la pièce : duo entre les 2 solistes, fin sur cri d'ensemble du chr, NB : copie de la bande magnétique BM.1974.013.49 plage 05• ROUGET,GILBERT 1946 Pyral_face_619 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :31-05 BM.2007.012.001/58:31-05 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Plantage du _tsengue_ devant le temple. Soliste et choeur d'hommes. a) - b) - c)• _mesoso_ est ici orthographié _mososo_ par Pierre Sallée• BM.2007.012:32-04 SALLEE,P. 1968 1968.5.07-05/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_12 BM.1974.013.001/52:26_12 00:02:17 13/11/46 GABON BOUE / ACHUKA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES F. OKANDE 16: AGANGETU Sous-table non exportée Sous-table non exportée Musique et danse sont effectuées par les femmes et de très jeunes filles, formées et dirigées par la maîtresse de choeur et de ballet. Les danseuses, costumées et coiffées de plumes, portent des grelots de cuivre attachés à la ceinture. Elles sont disposées en file les unes derrière les autres et décrivent un cercle autour de la place du village, exécutant le chant et les pas de danse. La maîtresse de ballet, un peu détachée des autres, dirige à la fois le chant, la danse et les tambours (joués par deux hommes). C'est elle qui, en général, chante le solo d'introduction. • édité MH 48-70 B33.b 1ère plage • M-tbr : 3 tambours coniques à 2 peaux, battus mains nues par 2 hommes, Cf.indications in cahier notes de terrain G.Rouget (p.279-280) , Titre : Agangètu : "vous les femmes, d'où venez-vous ?", Très bon, NB : copie de la bande magnétique BM.1974.013.49 plage 06• ROUGET,GILBERT 1946 Pyral_face_620 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :32-01 BM.2007.012.001/58:32-01 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Phase de la cérémonie : dans la journée. Lieu du déroulement : dans la cour du village de Ngwasa. Sortie du _soki_. Bande de personnages effrayants recouverts de feuilles de fougère marchant à grands pas, accompagnés d'un personnage portant un grand mirroir et une sagaie. Mouvement (en serpent) dans la cour du village. Ils sont arrivés jusqu'à _tsengue_ en portant les fougères• Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:32-03 SALLEE,P. 1968 1968.5.08-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :32-02 BM.2007.012.001/58:32-02 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Phase de la cérémonie : dans la journée. Lieu du déroulement : dans la cour du village de Ngwasa et dans le temple. Danse du _mbomo_ (le serpent). Danseurs: _yombo_ ou _nganga_. Foulard de raphia sur la tête. On efface le serpent rouge, noir et vert qui sort du temple. On entend le mirliton. Ils ressortent plusieurs fois avec interludes de harpe. Le serpent ne doit pas être traversé sinon c'est la mort (d'après O. H.) ou l'impuissance (d'après Michel). Voix de _mokuku_ • Commentaire de Pierre Sallée : "bon enregistrement". (Qui est l'informateur O. H. ?)• BM.2007.012:33-01 SALLEE,P. 1968 1968.5.08-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :32-03 BM.2007.012.001/58:32-03 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Phase de la cérémonie : dans la journée. Lieu du déroulement : dans le temple du village de Ngwasa. Après le _mbomo_, chants et harpe (sic) dans le temple• Commentaire de Pierre Sallée : "bon enregistrement". (Qui est l'informateur O. H. ?)• BM.2007.012:33-02 SALLEE,P. 1968 1968.5.08-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :32-04 BM.2007.012.001/58:32-04 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Phase de la cérémonie : la nuit. Lieu du déroulement : N• Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:32-03 SALLEE,P. 1968 1968.5.08-04/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_14 BM.1974.013.001/52:26_14 00:03:47 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 2: MOKANGA MAKOUMBA Sous-table non exportée Sous-table non exportée Danse exécutée avant que ne débute véritablement la "Danse de Okwi" (personnage masqué), pour "s'échauffer". Les danseurs, presque tous des jeunes gens, sont disposés en demi-cercle autour des tambours. Les uns après les autres, ils viennent devant les tambours, agitant un mouchoir et exécutant quelques pas acrobatiques, puis regagnent leur place • édité MH 48-53 B 31.a • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFC-bloc de bois : long fût d'arbre, frappé par 2 musiciens avec de courtes baguettes. IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, Titre : Mokanga Makoumba : au milieu des rapides du fleuve, Cf. indications in cahier notes de terrain G.Rouget (p.281), NB : copie de la bande magnétique BM.1974.013.49 plage 8 • ROUGET,GILBERT 1946 Pyral_face_622 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_15 BM.1974.013.001/52:26_15 00:03:57 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 3: NZANGO MUELI Sous-table non exportée Sous-table non exportée Danse exécutée avant que ne débute véritablement la "Danse de Okwi" (personnage masqué), pour "s'échauffer". Les danseurs, presque tous des jeunes gens, sont disposés en demi-cercle autour des tambours. Les uns après les autres, ils viennent devant les tambours, agitant un mouchoir et exécutant quelques pas acrobatiques, puis regagnent leur place • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFC-bloc de bois : long fût d'arbre, frappé par 2 musiciens avec de courtes baguettes. IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, En 3 parties : 1ère : titre : Nzango Muèli (signifie "beaucoup d'hommes"), même formation que précédent, bon, fin sur cri d'ensemble à 02'16, coupure, 2ème : à 02'16, tambours et bois, bon, coupé (?) à 02'43, 3ème : à 02'43, avec chant et bambous, fin coupée avec pb de signal, Cf. indications in cahier notes de terrain G.Rouget (p.281), NB : copie de la bande magnétique BM.1974.013.49 plage 9 • ROUGET,GILBERT 1946 Pyral_face_623 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_16 BM.1974.013.001/52:26_16 00:03:12 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 4: OKWI 1 Sous-table non exportée Sous-table non exportée La "Danse de Okwi" organise l'affrontement courageux des jeunes garçons okandé face au personnage masqué appelé Okwi, le but étant de passer entre les jambes de okwi. Notes G.Rouget du disque MH48-34 : Okwi est un personnage masqué, vétû d'un costume en fibre, et portant, derrière la tête et tombant sur les épaules, une peau de singe. Okwi occupe la piste de danse, se livrant à des démonstrations de force et d'adresse, chassant le public à grands coups de baguette, avec un air redoutable. Un danseur non costumé, tenant de la main gauche une touffe de palmes, vient danser devant lui, faisant les mêmes pas et figures. Il va chercher un jeune homme, qu'il guidera et accompagnera de ses conseils, pour "affronter" okwi. Le jeune homme prend place près des tambours, un genoux à terre, et peu à peu, dans la même position, il va gagner le centre de la piste et affronter okwi. Okwi cherche à le terroriser et frappe le sol du tranchant de sa machette, au raz des doigts du jeune garçon qui ne doit pas reculer malgré sa frayeur. Après un long moment, et profitant d'une attitude favorable d'okwi, le jeune s'élance et passe entre les jambes d'okwi, il court après se réfugier dans une case. Okwi le poursuit, frappe la porte de la case avec colère, puis vient s'écrouler aux pieds des notables assis sous une véranda, donnant des signes de grand chagrin. Cinq ou six jeunes garçons affrontèrent Okwi ce jour là, deux d'entre eux eurent trop peur, ne purent pas passer entre les jambes d'okwi et s'enfuirent en déroute. Durant tout le spectacle, la tôle ondulée, les tambours et les chants ne s'arrêtèrent pas. Pour plus de détails : cf. indications sur le déroulement de la danse in cahier notes de terrain G.Rouget p.285-287 A la fin, suivi du cortège des hommes, Okwi remonte le village, le traverse et part dans la forêt• édité MH 48-34 B32. a • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFP-plaque : plaque de tôle ondulée convexe, posée par terre, frappée par 3 hommes tenant une baguette dans chaque main, cette plaque remplaçe le précédent fût de bois pour "parler" plus fort, IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, Cf. indications in cahier notes de terrain G.Rouget (p.281 + indications sur la danse p.285-287), NB : copie de la bande magnétique BM.1974.013.49 plage 9 • ROUGET,GILBERT 1946 Pyral_face_624 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_17 BM.1974.013.001/52:26_17 00:04:01 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 5: OKWI 2 Sous-table non exportée Sous-table non exportée La "Danse de Okwi" organise l'affrontement courageux des jeunes garçons okandé face au personnage masqué appelé Okwi, le but étant de passer entre les jambes de okwi. Notes G.Rouget du disque MH48-34 : Okwi est un personnage masqué, vétû d'un costume en fibre, et portant, derrière la tête et tombant sur les épaules, une peau de singe. Okwi occupe la piste de danse, se livrant à des démonstrations de force et d'adresse, chassant le public à grands coups de baguette, avec un air redoutable. Un danseur non costumé, tenant de la main gauche une touffe de palmes, vient danser devant lui, faisant les mêmes pas et figures. Il va chercher un jeune homme, qu'il guidera et accompagnera de ses conseils, pour "affronter" okwi. Le jeune homme prend place près des tambours, un genoux à terre, et peu à peu, dans la même position, il va gagner le centre de la piste et affronter okwi. Okwi cherche à le terroriser et frappe le sol du tranchant de sa machette, au raz des doigts du jeune garçon qui ne doit pas reculer malgré sa frayeur. Après un long moment, et profitant d'une attitude favorable d'okwi, le jeune s'élance et passe entre les jambes d'okwi, il court après se réfugier dans une case. Okwi le poursuit, frappe la porte de la case avec colère, puis vient s'écrouler aux pieds des notables assis sous une véranda, donnant des signes de grand chagrin. Cinq ou six jeunes garçons affrontèrent Okwi ce jour là, deux d'entre eux eurent trop peur, ne purent pas passer entre les jambes d'okwi et s'enfuirent en déroute. Durant tout le spectacle, la tôle ondulée, les tambours et les chants ne s'arrêtèrent pas. Pour plus de détails : cf. indications sur le déroulement de la danse in cahier notes de terrain G.Rouget p.285-287 A la fin, suivi du cortège des hommes, Okwi remonte le village, le traverse et part dans la forêt• édité MH 48-34 B32. a • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFP-plaque : plaque de tôle ondulée convexe, posée par terre, frappée par 3 hommes tenant une baguette dans chaque main, cette plaque remplaçe le précédent fût de bois pour "parler" plus fort, IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, Cf. indications in cahier notes de terrain G.Rouget (p.281 + indications sur la danse p.285-287), NB : copie de la bande magnétique BM.1974.013.49 plage 11 • ROUGET,GILBERT 1946 Pyral_face_625 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_18 BM.1974.013.001/52:26_18 00:00:58 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON DANSE DES H. OKANDE 6: OKWI 3 Sous-table non exportée Sous-table non exportée La "Danse de Okwi" organise l'affrontement courageux des jeunes garçons okandé face au personnage masqué appelé Okwi, le but étant de passer entre les jambes de okwi. Notes G.Rouget du disque MH48-34 : Okwi est un personnage masqué, vétû d'un costume en fibre, et portant, derrière la tête et tombant sur les épaules, une peau de singe. Okwi occupe la piste de danse, se livrant à des démonstrations de force et d'adresse, chassant le public à grands coups de baguette, avec un air redoutable. Un danseur non costumé, tenant de la main gauche une touffe de palmes, vient danser devant lui, faisant les mêmes pas et figures. Il va chercher un jeune homme, qu'il guidera et accompagnera de ses conseils, pour "affronter" okwi. Le jeune homme prend place près des tambours, un genoux à terre, et peu à peu, dans la même position, il va gagner le centre de la piste et affronter okwi. Okwi cherche à le terroriser et frappe le sol du tranchant de sa machette, au raz des doigts du jeune garçon qui ne doit pas reculer malgré sa frayeur. Après un long moment, et profitant d'une attitude favorable d'okwi, le jeune s'élance et passe entre les jambes d'okwi, il court après se réfugier dans une case. Okwi le poursuit, frappe la porte de la case avec colère, puis vient s'écrouler aux pieds des notables assis sous une véranda, donnant des signes de grand chagrin. Cinq ou six jeunes garçons affrontèrent Okwi ce jour là, deux d'entre eux eurent trop peur, ne purent pas passer entre les jambes d'okwi et s'enfuirent en déroute. Durant tout le spectacle, la tôle ondulée, les tambours et les chants ne s'arrêtèrent pas. Pour plus de détails : cf. indications sur le déroulement de la danse in cahier notes de terrain G.Rouget p.285-287 A la fin, suivi du cortège des hommes, Okwi remonte le village, le traverse et part dans la forêt• édité MH 48-34 B32. a • M-tbr : 3 tambours coniques à 2 peaux battus baguettes, et 1 tambour à 1 peau, battu mains nues, tous appuyés contre un banc de bois, les uns à côté des autres, maintenus entre les jambes des tambourinaires, IFP-plaque : plaque de tôle ondulée convexe, posée par terre, frappée par 3 hommes tenant une baguette dans chaque main, cette plaque remplaçe le précédent fût de bois pour "parler" plus fort, IE -bâtons : paire de courtes lames de bambou (arrondies à une extrémité et dont l'autre, coupée au niveau du noeud, forme le manche) entrechoquées par les hommes du chr, Suite et fin, sur cri d'ensemble, de cette séquence d'enregistrement de la danse, Cf. indications in cahier notes de terrain G.Rouget (p.281 + indications sur la danse p.285-287), NB : copie de la bande magnétique BM.1974.013.49 plage 12 • ROUGET,GILBERT 1946 Pyral_face_626 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :33-01 BM.2007.012.001/58:33-01 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Plusieurs morceaux de _ngombi_. = contre chant de l'ethnologue• BM.2007.012:32-04 SALLEE,P. 1968 1968.5.09-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :33-02 BM.2007.012.001/58:33-02 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Rampement du _bandzi_ : c'est la porte de _disumba_, c'est là qu'il reprend les traces glissantes du python (le _bandzi_ ne veut pas passer et pousse un petit cri). _omba (a) disumba_ = la porte de _disumba_. Murmures (do, ré, do...). On fait poser le _bandzi_ sur l'enclume (clochettes + cri de _mokuku_). On fait jaillir l'étincelle• VC = murmures chantés. VA = cri de _mokuku_. IS = clochettes. _disumba_ est ici orthographié _disumba_ et _dissumba_ par Pierre Sallée• BM.2007.012:33-04 SALLEE,P. 1968 1968.5.09-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :34-01 BM.2007.012.001/58:34-01 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Musique pour le _mogondzi_ qui ressemble à une espèce de chimpanzé ou d'araignée monstrueuse. a) (Pierre Sallée n'a rien indiqué concernant le point a). b) avec onomatopées et frappements de mains (assez loin). Entrée de deux tambours. Exclamations de joie à la fin• V = onomatopées puis exclamations de joie. Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:34-02 SALLEE,P. 1968 1968.5.10-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :34-02 BM.2007.012.001/58:34-02 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Choeurs pour annoncer _mokuku aghe ndodo_. Puis voix de l'esprit et de son _mudunga_ avec _nguta_. Clameurs. L'esprit parle au _bandzi_ : "il ne faut pas descendre la rivière, il faut la remonter". Choeurs avec _mudunga_ comme soliste pour terminer la séance de _mokuku_• V = voix de l'esprit et clameurs. Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:35-01 SALLEE,P. 1968 1968.5.10-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :34-03 BM.2007.012.001/58:34-03 00:00:00 N GABON ETEKE,OVALA,NGWASA TSOGHO GABON; SALLEE,P.1968 BWITI BANDZI. SUITE DU MESOSO Sous-table non exportée Sous-table non exportée Chants pour circuler en va et vient dans la cour du village• Commentaire de Pierre Sallée : "bon enregistrement (malheureusement pas filmé)"• BM.2007.012:35-01 SALLEE,P. 1968 1968.5.10-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :34-04 BM.2007.012.001/58:34-04 00:00:00 N GABON ETEKE,OVALA,NGWASA? ESHIRA GABON; SALLEE,P.1968 MOGONGO ET MWEKA Sous-table non exportée Sous-table non exportée a) _mogongo_ ; b) _mogongo_ et _baké_• Commentaire de Pierre Sallée : "très bon _mogongo_ et enregistrement ; _baké_ à peu près audible_"• BM.2007.012:35-03 SALLEE,P. 1968 1968.5.10-04/Original AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_02 BM.1974.013.001/52:27_02 00:02:55 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 2 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. Ici, deux équipages chantent en même temps un chant différent, comme cela est fréquent lorsque 2 pirogues navigent ensemble• édité MH 48-33 B29.b plage 2 • En 2 parties :1ère : fin à 01'47 enchainé (avec un "saut" de l'enregistrement) à la 2ème, Titre : Ipèpa : nom d'un oiseau, Cf. indications in cahier notes de terrain G.Rouget (p.281-284), NB : copie de la bande magnétique BM.1974.013.50 plage 2, Autres enregistrements de chants de piroguiers okandé : CD 26 plage : 19-20, Sinon autres enregistrements de chants des piroguiers par les Baduma • ROUGET,GILBERT 1946 Pyral_face_628 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_03 BM.1974.013.001/52:27_03 00:04:07 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 3 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. Ici, deux équipages chantent d'abord ensemble puis l'un après l'autre• Fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.281-284), NB : copie de la bande magnétique BM.1974.013.50 plage 3, Autres enregistrements de chants de piroguiers okandé : CD 26 plage : 19-20, Sinon autres enregistrements de chants des piroguiers par les Baduma • ROUGET,GILBERT 1946 Pyral_face_629 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_04 BM.1974.013.001/52:27_04 00:03:56 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 4 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. Ici, deux équipages chantent en même temps, comme cela est fréquent lorsque plusieurs pirogues naviguent ensemble • Enregistrement assez confus, surtout le choeur, puis engueulades, vociférations, cris d'ensemble, fin coupée, Cf. indications in cahier notes de terrain G.Rouget (p.281-284), NB : copie de la bande magnétique BM.1974.013.50 plage 4, Autres enregistrements de chants de piroguiers okandé : CD 26 plage : 19-20, Sinon autres enregistrements de chants des piroguiers par les Baduma • ROUGET,GILBERT 1946 Pyral_face_630 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_06 BM.1974.013.001/52:27_06 00:03:57 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CONVERSATIONS DES PIROGUIERS 2 Sous-table non exportée Sous-table non exportée Pierre Moignon est un chef de pirogue • Cf. indications in cahier notes de terrain G.Rouget (p.282) : En 3 parties : 1ère : conversation, fin à 01'40, 2ème : reprise : réclamations sur le travail, fin à 03'01, 3ème : reprise, confus, fin coupée, NB : copie de la bande magnétique BM.1974.013.50 plage 6, Autres enregistrements avec Pierre Moignon, Discours à Lambaréné : Pyral 642 : CD 27 plage : 16 • ROUGET,GILBERT 1946 Pyral_face_632 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_08 BM.1974.013.001/52:27_08 00:03:50 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES F.OKANDES 2: EYAGEYAGI Sous-table non exportée Sous-table non exportée Chants des femmes okandé, exécutés pour le départ des hommes en pirogues ? Sur la formation : cf. autres enregistrements de danse des femmes okandé, à Achuka (CD 25 et 26) • M-tbr : 3 tambours (peut-être coniques à 2 peaux, battus mains par hommes) IS-grelots : attachés à la ceinture des femmes ? Titre : Eyageyagi : la pirogue qui passe dans les vagues, Cf.cahier notes de terrain G.Rouget (p.282-283), NB : copie de la bande magnétique BM.1974.013.50 plage 8 • ROUGET,GILBERT 1946 Pyral_face_634 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_09 BM.1974.013.001/52:27_09 00:03:47 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES F.OKANDES 3: GEBENGA Sous-table non exportée Sous-table non exportée Chants des femmes okandé, exécutés pour le départ des hommes en pirogues ? Sur la formation : cf. autres enregistrements de danse des femmes okandé, à Achuka (CD 25 et 26) • M-tbr : 3 tambours (peut-être coniques à 2 peaux, battus mains par hommes) IS-grelots : attachés à la ceinture des femmes ? Titre : Gébenga : sur le mariage ? En 2 parties : 1ère : débute long solo f et battements de mains, puis chr et instru, fin sur cri d'ensemble à 01'20, 2ème : solo fet battements de main, puis tambours (d'abord faible puis plus forts), avec grelots, fin sur cri d'ensemble, Cf.cahier notes de terrain G.Rouget (p.282-283), NB : copie de la bande magnétique BM.1974.013.50 plage 9 • ROUGET,GILBERT 1946 Pyral_face_635 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_10 BM.1974.013.001/52:27_10 00:02:47 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES F.OKANDES 4: MAKUNGA Sous-table non exportée Sous-table non exportée Chants des femmes okandé, exécutés pour le départ des hommes en pirogues ? Sur la formation : cf. autres enregistrements de danse des femmes okandé, à Achuka (CD 25 et 26) • M-tbr : 4 tambours (peut-être coniques à 2 peaux, battus mains par hommes) IS-grelots : attachés à la ceinture des femmes ? Titre : Makunga : celui qui ne passe pas au milieu du chemin, mais sur le bord du sentier, En 2 parties : 1ère : faux départ, fin à 00'35, 2ème : à 00'38 Cf.cahier notes de terrain G.Rouget (p.282-283), NB : copie de la bande magnétique BM.1974.013.50 plage 10 • ROUGET,GILBERT 1946 Pyral_face_636 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_11 BM.1974.013.001/52:27_11 00:03:48 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANTS DES F.OKANDES 5: NOAIBONGO Sous-table non exportée Sous-table non exportée Chants des femmes okandé, exécutés pour le départ des hommes en pirogues ? Sur la formation : cf. autres enregistrements de danse des femmes okandé, à Achuka (CD 25 et 26) • M-tbr : 4 tambours (peut-être coniques à 2 peaux, battus mains par hommes) IS-grelots : attachés à la ceinture des femmes ? Titre : Noaibongo : est-ce que vous ramez fort ? En 2 parties : 1ère : fin 01'45, coupure 2ème : reprise, fin sur cri d'ensemble, Cf.cahier notes de terrain G.Rouget (p.282-283), NB : copie de la bande magnétique BM.1974.013.50 plage 11 • ROUGET,GILBERT 0 Pyral_face_637 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_13 BM.1974.013.001/52:27_13 00:02:50 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 2 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve Ogooué vers Lambaréné. On entend le bruit des pagaies, de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. L'équipage compte une dizaine de membres. La cadence varie et avec elle le type de chant • En 2 parties : 1ère : Chant des pagayeurs, fin à 01'19 sur sonnerie de trompe (disque rayé à cette fin de prise), 2ème : à 01'35 : Chant des pagayeurs embarqués, accompagnés des chanteurs à terre, Cf. cahier G.Rouget (p.283), NB : copie de la bande magnétique BM.1974.013.51 plage 2• ROUGET,GILBERT 1946 Pyral_face_639 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_14 BM.1974.013.001/52:27_14 00:02:33 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 3 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve Ogooué vers Lambaréné. On entend le bruit des pagaies, de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. L'équipage compte une dizaine de membres. Le soliste varie. La cadence varie et avec elle le type de chant • En 2 parties : 1ère : Chant des pagayeurs embarqués, accompagnés des chanteurs à terre, fin à 01'18, 2ème : à 01'20, avec cris rythmés, exclamations, Cf. cahier G.Rouget (p.283), NB : copie de la bande magnétique BM.1974.013.51 plage 3• ROUGET,GILBERT 1946 Pyral_face_640 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_15 BM.1974.013.001/52:27_15 00:02:56 15/11/46 GABON BOOUE / KONGOBUMBA OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 4 Sous-table non exportée Sous-table non exportée Chants enregistrés pendant la descente du fleuve Ogooué vers Lambaréné. On entend le bruit des pagaies, de l'eau remuée par le pagayage et le son des cloches suspendues à l'avant. La grappe de cloche en cuivre ou en fer (sans battant) suspendue à l'avant, s'entrechoque au rythme du pagayage et chasse les mauvais esprits du fleuve. L'équipage compte une dizaine de membres. Le soliste varie. La cadence varie et avec elle le type de chant • ATL : trompe latérale en corne, En 2 parties : 1ère : bruit des pagaies et cloches, cadence en accelerando, fin à 02'10, 2ème : à 01'20, solo de trompe, assez bref, Cf. cahier G.Rouget (p.284), NB : copie de la bande magnétique BM.1974.013.51 plage 4• ROUGET,GILBERT 1946 Pyral_face_641 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_17 BM.1974.013.001/52:27_17 00:04:20 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 1 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • titre : Watcikiolowa Ngani Mindede Kiya : "ils ont coupé nos hameçons", En 2 parties : 1ère : fin à 02'10, 2ème : reprise, même soliste, mais perché plus loin, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.51 plage 6 • ROUGET,GILBERT 1946 Pyral_face_643 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_18 BM.1974.013.001/52:27_18 00:03:51 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 2 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • titre : Ipepa : les perroquets battent des ailes, avec bruits d'oiseaux, En 2 parties :1ère : fin à 01'27, 2ème : reprise, avec exclamations parlées, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.51 plage 7 • ROUGET,GILBERT 1946 Pyral_face_644 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_19 BM.1974.013.001/52:27_19 00:03:53 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 3 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • titre : Manga : la mer : indique la descente du fleuve, avec bruits d'oiseaux, En 2 parties :1ère : fin à 01'43, 2ème : reprise, meilleure, avec micro plus direct et un peu de parlé exclamé, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.51 plage 8 • ROUGET,GILBERT 1946 Pyral_face_645 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_20 BM.1974.013.001/52:27_20 00:03:43 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 4 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • édité MH 48-33 B29.b • titre : Fumbéna : accompagne une cadence très rapide de pagayage, le soliste entre les mots "fumbé-fumbéna" énumère les noms des endroits ou villages par lesquels ils ont passés, Solo et chr rythmé, avec parlé-exclamé et accelerando, voix parlées, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.51 plage 9 • ROUGET,GILBERT 1946 Pyral_face_646 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :27_21 BM.1974.013.001/52:27_21 00:03:55 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 5 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • titre : Minanga Kubo : chant pour demander la bénédiction avant le rapide, avec quelques voix parlées-exclamées, En 2 parties : 1ère : fin à 01'5', 2ème : reprise, soliste un peu plus éloigné, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.51 plage 10 • ROUGET,GILBERT 1946 Pyral_face_647 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_19 BM.1974.013.001/52:26_19 00:03:23 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 6 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • édité MH 48-33 B29.b • Titre : Kombokombo : nom d'un bois léger qui flotte, chant "magique" qui se chante avant les rapides dangereux, avec une cadence très lente. On souhaite que la pirogue flotte ausi bien que le kombokombo dans les tourbillons et ne coule pas. Pendant ce chant, les chanteurs se frottent le coude gauche avec l'index droit. En 2 parties : 1ère : fin à 02'05, 2ème : reprise, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.52 plage 1 • ROUGET,GILBERT 1946 Pyral_face_648 AFRIQUE +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 :26_20 BM.1974.013.001/52:26_20 00:02:43 ??/11/46 GABON LAMBARENE OKANDE MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON CHANT DES PIROGUIERS 7 Sous-table non exportée Sous-table non exportée Chants enregistrés avec l' équipage (les pagayeurs) à terre. Ces chants accompagnent la navigation sur le fleuve et sa cadence. • Chant pour porter la viande d'éléphant, En 2 parties : 1ère : fin à 01'43 (sur cette fin : disque rayé), 2ème : 01'54 : reprise, meilleure, fin sur cris d'ensemble, avec quelques exclamations, Cf. indications in cahier notes de terrain G.Rouget (p.288-289), NB : copie de la bande magnétique BM.1974.013.52 plage 2 • ROUGET,GILBERT 1946 Pyral_face_649 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-03 BM.2007.012.001/58:35-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Chants. _mokuku_ et _mudunga_. Réponse des choeurs• Commentaire de Pierre Sallée : "bon enregistrement"• BM.2007.012:36-01 SALLEE,P. 1968 1968.5.11-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-04 BM.2007.012.001/58:35-04 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans l'_ébandza_. Le harpiste interprète un _minza_ dont le titre est "_Teta moghwei_" ("Père qui est mort")• BM.2007.012:36-03 SALLEE,P. 1968 1968.5.11-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-05 BM.2007.012.001/58:35-05 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans l'_ébandza_. Le harpiste interprète un _minza_ dont le titre est "_Mavunga ma mukangue_" ("Personne qui va seule comme la liane"). _mukangue_• BM.2007.012:36-04 SALLEE,P. 1968 1968.5.11-05/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-06 BM.2007.012.001/58:35-06 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : dehors. _mavadanga_ = procession avec les flambeaux• VC = choeur d'hommes au loin• BM.2007.012:36-05 SALLEE,P. 1968 1968.5.11-06/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-07 BM.2007.012.001/58:35-07 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : dehors. Levée des interdits. On enlève les défenses (interdits) qu'avaient laissés Ekia. Il avait dit : "Je ne veux pas que l'on fasse de _bwiti_ au moment de ma mort". Mais les parents ont levé cet interdit et s'excusent par un porte parole• BM.2007.012:36-06 SALLEE,P. 1968 1968.5.11-07/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :35-08 BM.2007.012.001/58:35-08 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Les _misambo_ (juges) qui étaient dans une case à part sont partis à la maison des femmes• BM.2007.012:36-07 SALLEE,P. 1968 1968.5.11-08/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :36-01 BM.2007.012.001/58:36-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée _biomba_ : danse chez les femmes, les _nganga_ avec des flambeaux• BM = voix de l'esprit. Commentairede Pierre Sallée : "enregistrement médiocre"• BM.2007.012:36-08 SALLEE,P. 1968 1968.5.12-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :37-01 BM.2007.012.001/58:37-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ébandza_• BM.2007.012:37-01 SALLEE,P. 1968 1968.5.13-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :37-02 BM.2007.012.001/58:37-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ébandza_• BM.2007.012:38-01 SALLEE,P. 1968 1968.5.13-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :37-03 BM.2007.012.001/58:37-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ébandza_• BM.2007.012:38-02 SALLEE,P. 1968 1968.5.13-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :37-04 BM.2007.012.001/58:37-04 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. PREMIER DEUIL POUR EKIA Sous-table non exportée Sous-table non exportée Les _misambo_ (juges) avec cloche _mukengue_, dans la case où ils resteront la nuit• Commentaire de Pierre Sallée : "enregistrement acceptable"• BM.2007.012:38-03 SALLEE,P. 1968 1968.5.13-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :38-01 BM.2007.012.001/58:38-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MINZA DE BETI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ébandza_• BM.2007.012:38-04 SALLEE,P. 1968 1968.5.14-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :38-02 BM.2007.012.001/58:38-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 DANSE NYEMBE DES FEMMES Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans la cour• IS = cloches des _misambo_ (juges)• BM.2007.012:39-01 SALLEE,P. 1968 1968.5.14-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :38-03 BM.2007.012.001/58:38-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 DANSE DES MISAMBO Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans la cour• IS = cloches des _misambo_ (juges). _mukengué_ est ici orthographié _mikengué_ par Pierre Sallée• BM.2007.012:39-02 SALLEE,P. 1968 1968.5.14-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :39-01 BM.2007.012.001/58:39-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Phase de la cérémonie : 17 h. Lieu du déroulement : dans la cour. Description : entrée des hommes en procession (le serpent) avec le _mbumba_ porté par Nzoba et choeur d'hommes• Film• Commentaire de Pierre Sallée : "filmé du toit du camion" ; "bon enregistrement"• BM.2007.012:39-03 SALLEE,P. 1968 1968.5.15-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :39-02 BM.2007.012.001/58:39-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _mzumba_ (la nuit). Lieu du déroulement : dans la cour. Description : choeur d'hommes tournant dans la cour la nuit• BM.2007.012:40-01 SALLEE,P. 1968 1968.5.15-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :39-03 BM.2007.012.001/58:39-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_. Description : suite de _minza_ (chants de _ngombi_)• BM.2007.012:40-02 SALLEE,P. 1968 1968.5.15-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :39-04 BM.2007.012.001/58:39-04 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• Commentaire de Pierre Sallée : "bien pris"• BM.2007.012:40-03 SALLEE,P. 1968 1968.5.15-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :40-01 BM.2007.012.001/58:40-01 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 ETUDE DE BWITI Sous-table non exportée Sous-table non exportée Morceaux de _ngombi_ etdanse _obenda_• BM.2007.012:40-02 SALLEE,P. 1968 1968.5.16-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :40-02 BM.2007.012.001/58:40-02 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 ETUDE DE BWITI Sous-table non exportée Sous-table non exportée Chant de _mokoo_ de la danse des _nganga_• BM.2007.012:41-01 SALLEE,P. 1968 1968.5.16-02/Original AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-10 BM.1997.004.001/14:07-10 00:46:42 1996_06_27 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 SUITE DE HUIT CHANT DE TRAVAIL Sous-table non exportée LADKAR Sous-table non exportée Sous-plage 1: LADKAR N RRWA , pendant que les bêtes tournent sur l'aire• Sous-plages 2 à 5 : pour le premier ASGRAWL , retournement de l'orge à la pelle. Sous-plage 6 : pou r le deuxième ASGRAWL. Sous-plage 7 et 8 : pour le troisième ASGRAWL• = CD_008. plage 1. 8 chants, indiqués par des marqueurs, durées: 3'41", 8'56", 8'34", 3'10", 7'25", 5'42", 4'01", 5'08". Les deux premiers chants sont exécutés en SOLO ALTERNÉ H, les autres chants en SOLO H & CHOEUR ALTERNÉ H• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :08-01 BM.1997.004.001/14:08-01 00:25:16 1996_06_29 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 SUITE DE DEUX CHANTS DE TRAVAIL Sous-table non exportée LADKAR Sous-table non exportée Sous-plage 1: LADKAR N RRWA , pendant que les bêtes tournent sur l'aire. Sous-plage 2 : pour le premier ASGRAWL , retournement de l'orge à la pelle• = CD_008. plage 9 et 10. Trois chanteurs en tout. 2 chants, indiqués par des marqueurs, durées: 13'46", 11'30"• ROVSING OLSEN,MIRIAM 1996 Dat 8 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-08 BM.1997.004.001/14:07-08 00:01:49 1996_06_25 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 AMBIANCE DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée LADKAR N RRWA , pendant que les bêtes tournent sur l'aire• = CD_009. plage 1• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :07-09 BM.1997.004.001/14:07-09 00:07:48 1996_06_25 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée LADKAR N RRWA , pendant que les bêtes tournent sur l'aire• = CD_009. plage 2• ROVSING OLSEN,MIRIAM 1996 Dat 7 AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :41-01 BM.2007.012.001/58:41-01 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 MOSSIGHE A PUHA Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans le fond de l'_ebandza_. Chant de _bwiti_ faisant partie des _minza_ interprétés par le _beti_• Suite de BM.2007.012:41-02• BM.2007.012:41-01 SALLEE,P. 1968 1968.5.17-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :41-02 BM.2007.012.001/58:41-02 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 MAVONGUA MA MO KANGE Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans le fond de l'_ebandza_. Chant de _bwiti_ faisant partie des _minza_ interprétés par le _beti_• BM.2007.012:42-01 SALLEE,P. 1968 1968.5.17-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :41-03 BM.2007.012.001/58:41-03 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 WGONGA O EVINDE Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans le fond de l'_ebandza_. Chant de _bwiti_ faisant partie des _minza_ interprétés par le _beti_• BM.2007.012:42-02 SALLEE,P. 1968 1968.5.17-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :41-04 BM.2007.012.001/58:41-04 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 MI TOMBO Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans le fond de l'_ebandza_. Chant de _bwiti_ faisant partie des _minza_ interprétés par le _beti_• BM.2007.012:42-03 SALLEE,P. 1968 1968.5.17-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :41-05 BM.2007.012.001/58:41-05 00:00:00 N GABON MIMONGO,SEKA-SEKA TSOGHO GABON; SALLEE,P.1968 KOMBE Sous-table non exportée Sous-table non exportée Lieu du déroulement : dans le fond de l'_ebandza_. Chant de _bwiti_ faisant partie des _minza_ interprétés par le _beti_• BM.2007.012:42-04 SALLEE,P. 1968 1968.5.17-05/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :42-01 BM.2007.012.001/58:42-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MINZA. MORCEAUX DE NGOMBI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• BM.2007.012:42-02 SALLEE,P. 1968 1968.5.18-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :42-02 BM.2007.012.001/58:42-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MINZA. MORCEAUX DE MOGONGO Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• Film• _mogongo_ est ici orthographié _mugongo_ par Pierre Sallée• BM.2007.012:43-01 SALLEE,P. 1968 1968.5.18-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :42-03 BM.2007.012.001/58:42-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. RECIT DU POVI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• Film• BM.2007.012:43-02 SALLEE,P. 1968 1968.5.18-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :43-01 BM.2007.012.001/58:43-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MORCEAUX DE NGOMBI Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• BM.2007.012:43-01 SALLEE,P. 1968 1968.5.19-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :43-02 BM.2007.012.001/58:43-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. DANSE MOKOO DES NGANGA Sous-table non exportée Sous-table non exportée Lieu du déroulement : _ebandza_• BM.2007.012:44-01 SALLEE,P. 1968 1968.5.19-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :44-01 BM.2007.012.001/58:44-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : danse du _kono_. Lieu du déroulement : _ebandza_• BC = frappements de mains des hommes• BM.2007.012:43-01 SALLEE,P. 1968 1968.5.20-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :44-02 BM.2007.012.001/58:44-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _mokuku amadungu_. Lieu du déroulement : dans le fond de l'_ebandza_, contre le _ndembe_. Description : _mokuku_ avec masque, visible dans le fond du temple contre le _ndembe_, agitant son _nguta_ et parlant avec Mondonga, son interprète• BC = frappements de mains des hommes• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.20-02/Original AFRIQUE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-04 BM.1962.003.001/02:02-04 00:01:09 28 07 1962 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 LEVER DU RIDEAU DE LA PIECE HAU SANH DANG MO MAN TUONG HAU SANH DANG Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-03 1960 ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-05 BM.1962.003.001/02:02-05 00:00:25 28 07 1962 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 SEPARATION : LOAN ANH APPELLE SON MARI LOAN ANH GOI CHONG Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-04 1960 ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-06 BM.1962.003.001/02:02-06 00:01:50 28 07 1962 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 SCENE DE BATAILLE MAN CHIEN Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-04 1960 ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-07 BM.1962.003.001/02:02-07 00:01:30 28 07 1962 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 DECLAMATION (NUANCE TRISTE) NGAM BUON Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-06 1960 ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-08 BM.1962.003.001/02:02-08 00:01:20 28 07 1960 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 CHANT DE GUERRE BAI RA BINH Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-07 1960 ASIE +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 :02-09 BM.1962.003.001/02:02-09 00:01:40 28 07 1960 VIETNAM CENTRE VIETNAM, A BINH DINH VIETNAMIENS VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 SCENE DE BATAILLE TRAN CHIEN Sous-table non exportée Sous-table non exportée Scène du roi qui ordonne à VO TAM TU d'exterminer les membres de 3 familles de Tiêt cuong. Cette scène est tirée de la scène Hâu Sanh Dàng écrite par Dào Tân. Au cours de cette scène, nous entendons la musique de plusieurs scènes de bataille 7 séquences : 1ère séquence (3'35"), 2ème séquence (1'09"), 3ème séquence (0'25"), 4ème séquence (1"50"), 5ème séquence (1'30"), 6ème séquence (1'20"), 7ème séquence (1'40")• BM.1962.003.001/02:02-08 1960 ASIE +BM.2003.001 CDR BM.2003.001.001/05 :01-02 BM.2003.001.001/05:01-02 00:29:09 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.513-527 (SUITE) Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig)pour le rituel de Qohin-rje-qohed : pp. 513-527 suite, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-6B ASIE +BM.2003.001 CDR BM.2003.001.001/05 :02-01 BM.2003.001.001/05:02-01 00:30:36 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.528-534 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norsang (ou Norbzang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 528-534, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-7A ASIE +BM.2003.001 CDR BM.2003.001.001/05 :02-02 BM.2003.001.001/05:02-02 00:29:19 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.534-543 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 534-543, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-7B ASIE +BM.2003.001 CDR BM.2003.001.001/05 :03-01 BM.2003.001.001/05:03-01 00:30:54 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.544-551 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 544-551, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-8A ASIE +BM.2003.001 CDR BM.2003.001.001/05 :03-02 BM.2003.001.001/05:03-02 00:30:43 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.551-559 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 551-559, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • 1995 K7.1995-8B ASIE +BM.2003.001 CDR BM.2003.001.001/05 :04-01 BM.2003.001.001/05:04-01 00:31:27 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.559-567 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 559-567, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • 1995 K7.1995-9A ASIE +BM.2003.001 CDR BM.2003.001.001/05 :04-02 BM.2003.001.001/05:04-02 00:31:21 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED PP.567-584 Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 567-584, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-9B ASIE +BM.2003.001 CDR BM.2003.001.001/05 :05-01 BM.2003.001.001/05:05-01 00:26:20 TIBET (NEPAL) BODNATH TIBETAINS HELFFER,M.;NEPAL/TIBET MANUEL DE CHANT: RITUEL QOHIN-RJE-QOHED (FIN) Sous-table non exportée Sous-table non exportée Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). • Manuel de chant pour Gshin-rje-qohed, extrait de "A collection of musical notations for the rituals performed at the Nyinjma Monastery of Shechen Tenny Dargyeling"• Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed : pp. 567-584, Pour un autre rituel par le même maître de chant : Cf. BM.1999.009/1-9, Cf. rituel en situation : BM.2002.018.001/04 (enregistré en 1995) et BM.1998.002.001/07, publié en partie sur CD Sounds of Tibet : Monastery of Shechen (côte MH : Di97.22.1) • tibétaine 1995 K7.1995-10A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :01-02 BM.2002.018.001/04:01-02 00:11:17 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Séquence instrumentale interrompue par le retournement de la cassette, Informations à confirmer auprès de M.Helffer : Section des “ acolyts“ (JES-'BRANG), Cf. texte du rituel : 235-253, notation musicale • BM.2002.018.001/04:01_01 Himalaya 1995 K7.1995-1A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :01-03 BM.2002.018.001/04:01-03 00:07:07 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Suite et fin de la plage précédente (séquence instrumentale), Informations à confirmer auprès de M.Helffer : Section des “ acolyts“ (JES-'BRANG), Cf. texte du rituel : 235-253, notation musicale • Himalaya 1995 K7.1995-1B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :01-04 BM.2002.018.001/04:01-04 00:17:54 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Informations à confirmer auprès de M.Helffer : Section des “ acolyts“ (JES-'BRANG), Cf. texte du rituel : 235-253, notation musicale • Himalaya 1995 K7.1995-1B ASIE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-01 BM.1979.004.001/10:01-01 00:01:39 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée INUIT 1976 AMERIQUE +BM.2002.018 CDR BM.2002.018.001/04 :02-02 BM.2002.018.001/04:02-02 00:07:03 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section de phrin las qsol ba ni : -Chant de style dbyangs, puis récitation ponctuée par cymbales et tambours, -Séquence instrumentale, -Récitation rapide, Cf. texte du rituel • BM.2002.018.001/04:02-01 Himalaya 1995 K7.1995-4A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-01 BM.2002.018.001/04:03-01 00:16:30 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section zor-'phrin, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-02 BM.2002.018.001/04:03-02 00:04:36 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section zor-'phrin : annonce de M.Helffer (arrivée du chapeau noir), Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-03 BM.2002.018.001/04:03-03 00:09:57 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section zor-'phrin : chant, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-04 BM.2002.018.001/04:03-04 00:07:32 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section zor-'phrin, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-05 BM.2002.018.001/04:03-05 00:10:16 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Section zor-'phrin : section qzu dpang, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-06 BM.2002.018.001/04:03-06 00:13:25 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Entrée des trompes, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-5B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :03-07 BM.2002.018.001/04:03-07 00:10:35 25/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 5EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Cf. texte concernant Qohin-rje- qohed, Las qohin et les 9 protecteurs • Himalaya 1995 K7.1995-4B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-01 BM.2002.018.001/04:04-01 00:25:37 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives, suite de opérations précédentes • Himalaya 1995 K7.1995-3A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-02 BM.2002.018.001/04:04-02 00:14:07 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives, pause • Himalaya 1995 K7.1995-3A ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-03 BM.2002.018.001/04:04-03 00:08:44 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives • Himalaya 1995 K7.1995-3B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-04 BM.2002.018.001/04:04-04 00:07:51 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives : séquence instrumentale • Himalaya 1995 K7.1995-3B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-05 BM.2002.018.001/04:04-05 00:04:20 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives : chant dbyangs • Himalaya 1995 K7.1995-3B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-06 BM.2002.018.001/04:04-06 00:11:21 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives : chant dbyangs • Himalaya 1995 K7.1995-3B ASIE +BM.2002.018 CDR BM.2002.018.001/04 :04-07 BM.2002.018.001/04:04-07 00:01:59 24/02/95 NEPAL VALLEE DE KTM / BODNATH* HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR RITUEL GTOR-ZLOG : 4EME JOUR (APRES-MIDI) Sous-table non exportée Sous-table non exportée Maître de chant : dbu-mdzad NOR-BZANG • Richard J.Kohn, Lord of the dance : The mani rimdu Festival in Tibet and Nepal, State Univ. of New York Press, 2001. • *Enregistré au monastère de Zhe-chen, à Bodnath, En langue tibétaine, Ensemble formé par la communauté monastique, Fin du rituel, cérémonies conclusives : séquence instrumentale finale • Himalaya 1995 K7.1995-3B ASIE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-02 BM.1979.004.001/10:01-02 00:02:46 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-03 BM.1979.004.001/10:01-03 00:02:05 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT DUO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-04 BM.1979.004.001/10:01-04 00:01:10 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-05 BM.1979.004.001/10:01-05 00:00:52 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-06 BM.1979.004.001/10:01-06 00:03:01 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANTS H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Chant solo puis duo d'hommes • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-07 BM.1979.004.001/10:01-07 00:00:52 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-08 BM.1979.004.001/10:01-08 00:01:55 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-09 BM.1979.004.001/10:01-09 00:00:52 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT DUO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-10 BM.1979.004.001/10:01-10 00:01:20 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-11 BM.1979.004.001/10:01-11 00:01:02 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-12 BM.1979.004.001/10:01-12 00:00:55 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :01-13 BM.1979.004.001/10:01-13 00:01:05 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-01 BM.1979.004.001/10:02-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT DUO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-02 BM.1979.004.001/10:02-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-03 BM.1979.004.001/10:02-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-04 BM.1979.004.001/10:02-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT DUO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-05 BM.1979.004.001/10:02-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-06 BM.1979.004.001/10:02-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-07 BM.1979.004.001/10:02-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-08 BM.1979.004.001/10:02-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-09 BM.1979.004.001/10:02-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-10 BM.1979.004.001/10:02-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-11 BM.1979.004.001/10:02-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-12 BM.1979.004.001/10:02-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-13 BM.1979.004.001/10:02-13 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : CHANT TRADITIONNEL Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :02-14 BM.1979.004.001/10:02-14 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : CHANT TRADITIONNEL Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-01 BM.1979.004.001/10:03-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : COMPOSITION PERSO Sous-table non exportée Sous-table non exportée Chant composé par le chanteur • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-02 BM.1979.004.001/10:03-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : COMPOSITION PERSO Sous-table non exportée Sous-table non exportée Chant de danse composé par le chanteur • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-03 BM.1979.004.001/10:03-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-04 BM.1979.004.001/10:03-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-05 BM.1979.004.001/10:03-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-06 BM.1979.004.001/10:03-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-07 BM.1979.004.001/10:03-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT DUO H : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-08 BM.1979.004.001/10:03-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-09 BM.1979.004.001/10:03-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-10 BM.1979.004.001/10:03-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-11 BM.1979.004.001/10:03-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :03-12 BM.1979.004.001/10:03-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-01 BM.1979.004.001/10:04-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-02 BM.1979.004.001/10:04-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-03 BM.1979.004.001/10:04-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-04 BM.1979.004.001/10:04-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-05 BM.1979.004.001/10:04-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-06 BM.1979.004.001/10:04-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-07 BM.1979.004.001/10:04-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-08 BM.1979.004.001/10:04-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : CHANT D'INSULTES Sous-table non exportée Sous-table non exportée chant d'insultes • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-09 BM.1979.004.001/10:04-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-10 BM.1979.004.001/10:04-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-11 BM.1979.004.001/10:04-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-12 BM.1979.004.001/10:04-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-13 BM.1979.004.001/10:04-13 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-14 BM.1979.004.001/10:04-14 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-15 BM.1979.004.001/10:04-15 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-16 BM.1979.004.001/10:04-16 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-17 BM.1979.004.001/10:04-17 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-18 BM.1979.004.001/10:04-18 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-19 BM.1979.004.001/10:04-19 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-20 BM.1979.004.001/10:04-20 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : APAPIYARKTREQ APAPIYARKTREQ Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-21 BM.1979.004.001/10:04-21 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 2 CHANTS SOLO F : KATAJJAQ : "KUANARNA" ET "MAMARTUQ" Sous-table non exportée KATAJJAQ Sous-table non exportée 2 chants katajjaq : "kuanar na" et esquisse de "mamartuq" • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-22 BM.1979.004.001/10:04-22 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : QURTARTUQ (1ERE VERSION) QURTARTUQ Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-23 BM.1979.004.001/10:04-23 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : QURTARTUQ (2EME VERSION) QURTARTUQ Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-24 BM.1979.004.001/10:04-24 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ (1ERE VERSION) Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :04-25 BM.1979.004.001/10:04-25 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ (2EME VERSION) Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-01 BM.1979.004.001/10:05-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : RELIGIEUX Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-02 BM.1979.004.001/10:05-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-03 BM.1979.004.001/10:05-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-04 BM.1979.004.001/10:05-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : CACHE-CACHE Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Cf. autres chants dits de "cache-cache" : qurtartuq : BM.1979.004:04-22 et 23 • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-05 BM.1979.004.001/10:05-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : CACHE-CACHE Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Cf. autres chants dits de "cache-cache" : qurtartuq : BM.1979.004:04-22 et 23 • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-06 BM.1979.004.001/10:05-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : AQAUSIQ AQAUSIQ Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-07 BM.1979.004.001/10:05-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-08 BM.1979.004.001/10:05-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-09 BM.1979.004.001/10:05-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-10 BM.1979.004.001/10:05-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : AQAUSIQ AQAUSIQ Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-11 BM.1979.004.001/10:05-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : POUR ECHANGE DES F Sous-table non exportée Sous-table non exportée Chant d'échange des femmes • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-12 BM.1979.004.001/10:05-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : TIVAJOK TIVAJOK Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-13 BM.1979.004.001/10:05-13 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 3 CHANTS SOLO H : POUR ENFANTS Sous-table non exportée Sous-table non exportée Chants d'enfants • Inuit 1976 ENFANTIN AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-14 BM.1979.004.001/10:05-14 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-15 BM.1979.004.001/10:05-15 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-16 BM.1979.004.001/10:05-16 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-17 BM.1979.004.001/10:05-17 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-18 BM.1979.004.001/10:05-18 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-19 BM.1979.004.001/10:05-19 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-20 BM.1979.004.001/10:05-20 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-21 BM.1979.004.001/10:05-21 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-22 BM.1979.004.001/10:05-22 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN (PERSONNEL) Sous-table non exportée Sous-table non exportée Chant personnel de chaman • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-23 BM.1979.004.001/10:05-23 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN (PERSONNEL) Sous-table non exportée Sous-table non exportée Chant personnel de chaman • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :05-24 BM.1979.004.001/10:05-24 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : SUDLAMINT Sous-table non exportée Sous-table non exportée Document du Père Rousselière • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-01 BM.1979.004.001/10:06-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-02 BM.1979.004.001/10:06-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-03 BM.1979.004.001/10:06-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-04 BM.1979.004.001/10:06-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-05 BM.1979.004.001/10:06-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-06 BM.1979.004.001/10:06-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-07 BM.1979.004.001/10:06-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :06-08 BM.1979.004.001/10:06-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :07-01 BM.1979.004.001/10:07-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :07-02 BM.1979.004.001/10:07-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT H (2 VOIX + TBR) Sous-table non exportée Sous-table non exportée Chant solo H soutenu par une autre voix H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-01 BM.1979.004.001/10:08-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : CACHE-CACHE Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Cf. autres chants dits de "cache-cache" : qurtartuq : BM.1979.004:04-22 et 23 • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-02 BM.1979.004.001/10:08-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : CACHE-CACHE Sous-table non exportée Sous-table non exportée Chant de jeu de "cache-cache" • Cf. autres chants dits de "cache-cache" : qurtartuq : BM.1979.004:04-22 et 23 • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-03 BM.1979.004.001/10:08-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-04 BM.1979.004.001/10:08-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-05 BM.1979.004.001/10:08-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-06 BM.1979.004.001/10:08-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H + TBR Sous-table non exportée Sous-table non exportée Chant solo H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-07 BM.1979.004.001/10:08-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H + TBR Sous-table non exportée Sous-table non exportée Chant solo H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-08 BM.1979.004.001/10:08-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H + TBR Sous-table non exportée Sous-table non exportée Chant solo H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-09 BM.1979.004.001/10:08-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H + TBR Sous-table non exportée Sous-table non exportée Chant solo H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-10 BM.1979.004.001/10:08-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H + TBR Sous-table non exportée Sous-table non exportée Chant solo H et tambour • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-11 BM.1979.004.001/10:08-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN (1ERE VERSION) Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-12 BM.1979.004.001/10:08-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN (2EME VERSION) Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-13 BM.1979.004.001/10:08-13 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-14 BM.1979.004.001/10:08-14 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :08-15 BM.1979.004.001/10:08-15 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-01 BM.1979.004.001/10:09-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-02 BM.1979.004.001/10:09-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : DE CHAMAN Sous-table non exportée Sous-table non exportée Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-03 BM.1979.004.001/10:09-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 INCANTATION DU CHAMAN (1ERE VERSION) Sous-table non exportée Sous-table non exportée Incantation du chamane avant de commencer ses pratiques • Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-04 BM.1979.004.001/10:09-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 INCANTATION DU CHAMAN (2EME VERSION) Sous-table non exportée Sous-table non exportée Incantation du chamane avant de commencer ses pratiques • Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-05 BM.1979.004.001/10:09-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 HISTOIRE CHANTEE Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-06 BM.1979.004.001/10:09-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 HISTOIRE CHANTEE Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-07 BM.1979.004.001/10:09-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 ACCOMPAGNEMENT DU CHAMAN Sous-table non exportée Sous-table non exportée Chant accompagnant la pratique du chaman avec la ficelle • Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-09 BM.1979.004.001/10:09-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-08 BM.1979.004.001/10:09-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-10 BM.1979.004.001/10:09-10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-11 BM.1979.004.001/10:09-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-12 BM.1979.004.001/10:09-12 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 HISTOIRE CHANTEE Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-13 BM.1979.004.001/10:09-13 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-14 BM.1979.004.001/10:09-14 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-15 BM.1979.004.001/10:09-15 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : "WESTERN" Sous-table non exportée Sous-table non exportée Chant "western" : document enregistré le 19 avril 1957 et communiqué par le Père Rousselière • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :09-16 BM.1979.004.001/10:09-16 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : "WESTERN" Sous-table non exportée Sous-table non exportée Chant "western" : document enregistré le 19 avril 1957 et communiqué par le Père Rousselière • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-01 BM.1979.004.001/10:10-01 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 INCANTATION DU CHAMAN Sous-table non exportée Sous-table non exportée Incantation du chamane : document enregistré à Pelly Bay, en 1960 par le Père Rousselière • Inuit 1976 RELIGIEUX AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-02 BM.1979.004.001/10:10-02 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H Sous-table non exportée Sous-table non exportée Document enregistré et communiqué par le Père Rousselière • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-03 BM.1979.004.001/10:10-03 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : QATTIPAATUQ QATTIPAATUQ Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-04 BM.1979.004.001/10:10-04 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : QATTIPAATUQ QATTIPAATUQ Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-05 BM.1979.004.001/10:10-05 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-06 BM.1979.004.001/10:10-06 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 HISTOIRE AVEC CHANT Sous-table non exportée Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-07 BM.1979.004.001/10:10-07 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : POUR JONGLER Sous-table non exportée Sous-table non exportée Chant de jonglage • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-08 BM.1979.004.001/10:10-08 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO F : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-09 BM.1979.004.001/10:10-09 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Chant solo h avec explications • Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10_10 BM.1979.004.001/10:10_10 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H : PISIQ Sous-table non exportée PISIQ Sous-table non exportée Inuit 1976 AMERIQUE +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 :10-11 BM.1979.004.001/10:10-11 00:00:00 juin 1976 CANADA TERRE DE BAFFIN / POND INLET INUIT CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 CHANT SOLO H Sous-table non exportée Sous-table non exportée Chant d'une femme chamane • Inuit 1976 AMERIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-02 BM.1975.005.001/03:01-02 00:02:50 Février 1975 MALI BAMAKO ? MALI;BAMAKO:SONINKE RECIT F ? Sous-table non exportée Sous-table non exportée Ethnie : Soninké ? (à vérifier auprès de G.Dieterlen), VP = récit solo F et choeur, SD = bruit de gravier ? • 1975 K7 n°1 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-03 BM.1975.005.001/03:01-03 00:12:20 Février 1975 MALI BAMAKO ? MALI;BAMAKO:SONINKE DIVERS (PARLE, ESSAIS, CHANT SOLO H) Sous-table non exportée Sous-table non exportée Ethnie : Soninké (à vérifier auprès de G.Dieterlen), Parlé, essais de magnétophone, puis chanté solo H • 1975 K7 n°1 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-04 BM.1975.005.001/03:01-04 00:04:16 Février 1975 MALI BAMAKO ? MALI;BAMAKO:SONINKE CHANT SOLO H : TIKE DE SONU ? Sous-table non exportée Sous-table non exportée Ethnie : Soninké (à vérifier auprès de G.Dieterlen), Annonce "Tiké de sonu" puis chanté solo H • 1975 K7 n°1 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-05 BM.1975.005.001/03:01-05 00:02:12 Février 1975 MALI BAMAKO ? MALI;BAMAKO:SONINKE CHANT SOLO H : TIKE DE DOMNO ? Sous-table non exportée Sous-table non exportée Ethnie : Soninké (à vérifier auprès de G.Dieterlen), Annonce "Tiké de domno" puis chanté solo H • 1975 K7 n°1 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :01-06 BM.1975.005.001/03:01-06 00:00:45 Février 1975 MALI BAMAKO SONINKE MALI;BAMAKO:SONINKE HISTOIRE DE L'EMPIRE DU GHANA (DEBUT) Sous-table non exportée Sous-table non exportée Annonce, puis chanté solo H et luth : histoire de l'Empire du Ghana, chantée par Diara Sylla, griot et généalogiste géféré • 1975 K7 n°1 AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :02-01 BM.1975.005.001/03:02-01 00:39:16 Février 1975 MALI BAMAKO SONINKE MALI;BAMAKO:SONINKE HISTOIRE DE L'EMPIRE DU GHANA Sous-table non exportée Sous-table non exportée Annonce, puis chanté solo H et luth : histoire de l'Empire du Ghana, chantée par Diara Sylla, griot et généalogiste géféré • 1975 K7 n°2-faceA AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :02-02 BM.1975.005.001/03:02-02 00:40:50 Février 1975 MALI BAMAKO SONINKE MALI;BAMAKO:SONINKE HISTOIRE DE L'EMPIRE DU GHANA Sous-table non exportée Sous-table non exportée Annonce, puis chanté solo H et luth : histoire de l'Empire du Ghana, chantée par Diara Sylla, griot et généalogiste géféré • 1975 K7 n°2-faceB AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :03-01 BM.1975.005.001/03:03-01 00:39:35 Février 1975 MALI BAMAKO SONINKE MALI;BAMAKO:SONINKE HISTOIRE DE L'EMPIRE DU GHANA Sous-table non exportée Sous-table non exportée Annonce, puis chanté solo H et luth : histoire de l'Empire du Ghana, chantée par Diara Sylla, griot et généalogiste géféré • 1975 K7 n°3-faceA AFRIQUE +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 :03-02 BM.1975.005.001/03:03-02 00:39:10 Février 1975 MALI BAMAKO SONINKE MALI;BAMAKO:SONINKE HISTOIRE DE L'EMPIRE DU GHANA (FIN) Sous-table non exportée Sous-table non exportée Annonce, puis chanté solo H et luth : histoire de l'Empire du Ghana, chantée par Diara Sylla, griot et généalogiste géféré • 1975 K7 n°3-faceB AFRIQUE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-03 BM.1969.017.001/02:01-03 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-06 BM.1969.017.001/02:01-06 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-07 BM.1969.017.001/02:01-07 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-08 BM.1969.017.001/02:01-08 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-09 BM.1969.017.001/02:01-09 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-10 BM.1969.017.001/02:01-10 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU-HAKA BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE VICTOIRE : "HLA DU" HLA DU Sous-table non exportée Sous-table non exportée Chant de victoire à la guerre, à la chasse aux grands fauves, à certaines fêtes de mérite. • Chant appelé "Hla Du" en langue lautu mais d'origine haka et chanté en langue haka • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-11 BM.1969.017.001/02:01-11 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DU TIGRE Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-12 BM.1969.017.001/02:01-12 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. MUSIQUE DE CELEBRATION Sous-table non exportée Sous-table non exportée Musique de réception, mariage, guerre, chasse, jouée par l'ensemble Bawlung • IFC-Gong = gong à mamelon, A-Aérophone = clairon • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-13 BM.1969.017.001/02:01-13 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DE MERITE NING UI NING HLAA Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-14 BM.1969.017.001/02:01-14 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE GUERRE Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-15 BM.1969.017.001/02:01-15 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DU MERITE Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-16 BM.1969.017.001/02:01-16 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER-LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DU MERITE CEPAHLAA Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, Chanté par les Lautu • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-17 BM.1969.017.001/02:01-17 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-18 BM.1969.017.001/02:01-18 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG ZOTUNG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DE MERITE ET FUNERAILLES Sous-table non exportée Sous-table non exportée Chant de fête de mérite "boy law" et de funérailles • M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-19 BM.1969.017.001/02:01-19 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE LA FETE DU TIGRE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-20 BM.1969.017.001/02:01-20 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT H : MYTHE SUR LE GUERRE Sous-table non exportée Sous-table non exportée Mythe sur la guerre entre les lautu et les Lakher • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-21 BM.1969.017.001/02:01-21 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-22 BM.1969.017.001/02:01-22 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE NOUVEL AN Sous-table non exportée Sous-table non exportée Plusieurs gongs • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-23 BM.1969.017.001/02:01-23 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-24 BM.1969.017.001/02:01-24 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE MOISSON Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-25 BM.1969.017.001/02:01-25 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-26 BM.1969.017.001/02:01-26 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT D'AMOUR Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-27 BM.1969.017.001/02:01-27 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT : "AAKHAWPA KLAA" AAKHAWPAKLAA Sous-table non exportée Sous-table non exportée Chant daté de 1920, exécuté au cours d'une veillée au club des adolescents • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-28 BM.1969.017.001/02:01-28 00:00:00 1965-66 BIRMANIE PAYS CHIN DAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT : "HOA KLAOPA" HOAKLAOPA Sous-table non exportée Sous-table non exportée Chant daté de 1900, vieille mélodie • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-29 BM.1969.017.001/02:01-29 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT POUR INAUGURER 1 MAISON Sous-table non exportée Sous-table non exportée Chant pour inaugurer une nouvelle maison • M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-30 BM.1969.017.001/02:01-30 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT POUR INAUGURER 1 MAISON Sous-table non exportée Sous-table non exportée Chant pour inaugurer une nouvelle maison • M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-31 BM.1969.017.001/02:01-31 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT (INAUGURATION & FUNERAILLES) Sous-table non exportée Sous-table non exportée Chant pour inaugurer une nouvelle maison, et chant de funérailles • M-TBR = tambour à 2 peaux, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-32 BM.1969.017.001/02:01-32 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée M-TBR = tambour à 2 peaux, A-Aérophone = corne, Vieille mélodie • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-33 BM.1969.017.001/02:01-33 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DU MERITE Sous-table non exportée Sous-table non exportée Chant de fête du mérite "Bui Lua" • M-TBR = tambour à 2 peaux, IFC-Série de gongs = gongs plats, Vieille mélodie • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-34 BM.1969.017.001/02:01-34 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT POUR INAUGURER 1 MAISON Sous-table non exportée Sous-table non exportée Chant pour l'inauguration d'une nouvelle maison • M-TBR = tambour à 2 peaux, IFC-Série de gongs = gongs plats • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-35 BM.1969.017.001/02:01-35 00:00:00 1965-66 BIRMANIE PAYS CHIN HAKA BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Chant en Haka de style européen • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-36 BM.1969.017.001/02:01-36 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. RECITATION DE L'EVANGILE Sous-table non exportée Sous-table non exportée Lecture de l'évangile en langue lautu • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-37 BM.1969.017.001/02:01-37 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. MYTHE SUR LES SACRIFICES Sous-table non exportée Sous-table non exportée Mythe concernant les sacrifices du villages • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-38 BM.1969.017.001/02:01-38 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT SUR LA VICTOIRE Sous-table non exportée Sous-table non exportée Femme chantant l'histoire de la victoire de son mari • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-39 BM.1969.017.001/02:01-39 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE Sous-table non exportée Sous-table non exportée M-TBR = tambour, A-Aérophone = corne, Chant solo de F ou d'H ? • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :01-40 BM.1969.017.001/02:01-40 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE "CAPO" Sous-table non exportée Sous-table non exportée M-TBR = tambour, A-Aérophone = corne, Chant solo de F ou d'H ? Chant enregistré dans un autre endroit • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-01 BM.1969.017.001/02:02-01 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE RECOLTE Sous-table non exportée Sous-table non exportée M-TBR = tambour, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-02 BM.1969.017.001/02:02-02 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE RECOLTE Sous-table non exportée Sous-table non exportée M-TBR = tambour, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-03 BM.1969.017.001/02:02-03 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE VICTOIRE Sous-table non exportée Sous-table non exportée Chant de victoire d'origine Haka • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-04 BM.1969.017.001/02:02-04 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-05 BM.1969.017.001/02:02-05 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. MYTHE Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-06 BM.1969.017.001/02:02-06 00:00:00 1965-66 BIRMANIE PAYS CHIN / NGAIPHAITE LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT SUR LA VICTOIRE Sous-table non exportée Sous-table non exportée Chant ancien relatant la victoire du mari de la chanteuse • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-07 BM.1969.017.001/02:02-07 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. RECITATION DE L'EVANGILE Sous-table non exportée Sous-table non exportée Lecture de l'évangile en langue lautu • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-08 BM.1969.017.001/02:02-08 00:00:00 1965-66 BIRMANIE PAYS CHIN HAKA BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Chant en Haka de style européen • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-09 BM.1969.017.001/02:02-09 00:00:00 1965-66 BIRMANIE PAYS CHIN SENTHANG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée M-TBR = tambour, A-Aérophone = corne • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-10 BM.1969.017.001/02:02-10 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT : "NING UI NUNG KLAA" NING UI NUNG KLAA Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-11 BM.1969.017.001/02:02-11 00:00:00 1965-66 BIRMANIE PAYS CHIN SENTHANG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-12 BM.1969.017.001/02:02-12 00:00:00 1965-66 BIRMANIE PAYS CHIN SENTHANG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE KUANG CAWI Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-13 BM.1969.017.001/02:02-13 00:00:00 1965-66 BIRMANIE PAYS CHIN LAILEN BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Chant de l'ethnie Lailen par les gens du village de Lailenpi • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-14 BM.1969.017.001/02:02-14 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG ZOTUNG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DE MERITE Sous-table non exportée Sous-table non exportée Chant de fête de mérite "boy law" par U Mang Lian du village de Calthawng (ou Cathawng ?) • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-15 BM.1969.017.001/02:02-15 00:00:00 1965-66 BIRMANIE PAYS CHIN LAILEN BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Chant de l'ethnie Lailen par les gens du village de Lailenpi • IF-idiophone = percussion de bois • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-16 BM.1969.017.001/02:02-16 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Mélodie propre du village de Mhei Mang • IF-idiophone = percussion de bois • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-17 BM.1969.017.001/02:02-17 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Mélodie propre au village de Mala, chantée par les gens de Mala • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-18 BM.1969.017.001/02:02-18 00:00:00 1965-66 BIRMANIE PAYS CHIN / CALTHAWNG ZOTUNG BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DE MERITE Sous-table non exportée Sous-table non exportée Chant de fête de mérite "boy law" par U Mang Lian du village de Calthawng (ou Cathawng ?) • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-19 BM.1969.017.001/02:02-19 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT : "CA U PA" CA U PA Sous-table non exportée Sous-table non exportée Chant spécial au sujet d'une guerre entre les Lakher et les Lautu chanté par U Maw Chung du village de Darling • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-20 BM.1969.017.001/02:02-20 00:00:00 1965-66 BIRMANIE PAYS CHIN HUALNGO BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Chant ordinaire des Hualngo enregistré par le Père Joseph Ruellen, chez eux en 1964 • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-21 BM.1969.017.001/02:02-21 00:00:00 1965-66 BIRMANIE PAYS CHIN LUSHAI BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANTS Sous-table non exportée Sous-table non exportée Chants modernes Lushai enregistrés chez des Hualngo par le Père Joseph Ruellen• M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-22 BM.1969.017.001/02:02-22 00:00:00 1965-66 BIRMANIE PAYS CHIN ZO BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANTS Sous-table non exportée Sous-table non exportée Chants ordinaires Zo chantés par des Sim de Saizang, puis par le Père Joseph Ruellen• M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-23 BM.1969.017.001/02:02-23 00:00:00 1965-66 BIRMANIE PAYS CHIN ZO BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANTS Sous-table non exportée Sous-table non exportée Chants ordinaires Zo chantés par des Sim de Saizang• M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-24 BM.1969.017.001/02:02-24 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Mélodie propre au village de Darling • M-TBR = tambour, IF-Idiophone frappé = percussion de bois • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-25 BM.1969.017.001/02:02-25 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT POUR INAUGURER 1 MAISON Sous-table non exportée Sous-table non exportée Chant d'inauguration d'une nouvelle maison • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-26 BM.1969.017.001/02:02-26 00:00:00 1965-66 BIRMANIE PAYS CHIN HAKA BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE VICTOIRE "HLAA DU" OU "VA HLA" Sous-table non exportée Sous-table non exportée Chant de victoire haka chanté par un Lakher • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-27 BM.1969.017.001/02:02-27 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT POUR INAUGURER 1 MAISON Sous-table non exportée Sous-table non exportée Chant d'inauguration d'une nouvelle maison • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-28 BM.1969.017.001/02:02-28 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FUNERAILLES Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-29 BM.1969.017.001/02:02-29 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT :"AAKHAWPAHLAA" AAKHAWPAHLAA Sous-table non exportée Sous-table non exportée Chant du village de Surngen• M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-30 BM.1969.017.001/02:02-30 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETE DU MERITE Sous-table non exportée Sous-table non exportée Chant de "Builua" pour la fête de mérite, par Lie Koe, chef de Hnaring • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-31 BM.1969.017.001/02:02-31 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Mélodie de "Ce n'est qu'un aurevoir" • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-32 BM.1969.017.001/02:02-32 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT Sous-table non exportée Sous-table non exportée Air composé par un Lautu sur des airs occidentaux • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-33 BM.1969.017.001/02:02-33 00:00:00 1965-66 BIRMANIE PAYS CHIN / HNARING LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT : AAKLAWJA HLAA AAKLAWJA HLAA Sous-table non exportée Sous-table non exportée Lors d'un mariage au village de Hnaring • M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-34 BM.1969.017.001/02:02-34 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE VICTOIRE Sous-table non exportée Sous-table non exportée Chant de victoire au retour de la prise d'un Sambhar • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-35 BM.1969.017.001/02:02-35 00:00:00 1965-66 BIRMANIE PAYS CHIN LAUTU BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DE FETES MACUAPA HLAA Sous-table non exportée Sous-table non exportée Chant ancien chanté par les anciens pour les fêtes • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-36 BM.1969.017.001/02:02-36 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT DIT DE "PINTIA" Sous-table non exportée Sous-table non exportée M-TBR = tambour • 0 ASIE +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 :02-37 BM.1969.017.001/02:02-37 00:00:00 1965-66 BIRMANIE PAYS CHIN LAKHER BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. CHANT "ZAWNGLING" ZAWNGLING Sous-table non exportée Sous-table non exportée Chanté des Lakher chanté par des Lautu • M-TBR = tambour • 0 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :01-02 BM.1971.002.001/06:01-02 00:11:25 IRAN IRANIENS IRAN&TURQUIE CHANT SOLO H & INSTRU Sous-table non exportée Sous-table non exportée Copie d'enregistrements de la Radio Irannienne, Annonce puis (d'après la fiche) "Chant de la tribu Bovi(?) Ah Maoli" par Anoushih, C-cordophone = violon, CC-cithare = à cordes frappées, M-TBR = tambour, Un peu saturé • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :01-03 BM.1971.002.001/06:01-03 00:05:50 IRAN IRANIENS IRAN&TURQUIE CHANT DE SHIRAZ Sous-table non exportée Sous-table non exportée Copie d'un enregistrement de la Radio Iranienne, avec annonce en début de pièce, CC-Cithare = à cordes frappées, M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :01-04 BM.1971.002.001/06:01-04 00:05:20 IRAN IRANIENS IRAN&TURQUIE CHANT SOLO H & ORCHESTRE* Sous-table non exportée Sous-table non exportée Copie d'un enregistrement de la Radio Iranienne, avec annonce en début de pièce, * orchestre de formation dite occidentale (non détaillé), M-TBR = tambour, Chant de style occidental • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :02-01 BM.1971.002.001/06:02-01 00:07:45 IRAN IRANIENS IRAN&TURQUIE CHANT "TARANI" Sous-table non exportée Sous-table non exportée "Tarani" : mélopée chantée par un des chefs de la rebellion à la mort de son seigneur, pendu par les autorités • 1969 POUR DIGNITAIRE ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-02 BM.1971.002.001/06:03-02 00:02:15 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE SOLO DE FLUTE Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-03 BM.1971.002.001/06:03-03 00:01:20 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-04 BM.1971.002.001/06:03-04 00:02:20 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE CHANT : "SHIRIN NAR" SHIRIN NAR Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-05 BM.1971.002.001/06:03-05 00:01:30 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE CHANT : "GIT DAGLARDAN KAR GETIR" GIT DAGLARDAN KAR GETIR Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-06 BM.1971.002.001/06:03-06 00:01:45 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR : "OGUZELI" OGUZELI Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-07 BM.1971.002.001/06:03-07 00:01:15 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR : "DOKUZLU" DOKUZLU Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-08 BM.1971.002.001/06:03-08 00:01:25 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR : "AGIRLAMA" AGIRLAMA Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-09 BM.1971.002.001/06:03-09 00:00:55 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR : "AGIRLAMA" AGIRLAMA Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-10 BM.1971.002.001/06:03-10 00:02:35 été 1969 TURQUIE GAZIANTEP* TURC IRAN&TURQUIE HAUTBOIS & TBR : "FATIKE DEMONE" FATIKE DEMONE Sous-table non exportée Sous-table non exportée *Région frontalière syro-turque Gaziantep, ancienne Nizip • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-11 BM.1971.002.001/06:03-11 00:02:45 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "AY SALLANIP GIDEN YAR" AY SALLANIP GIDEN YAR Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-12 BM.1971.002.001/06:03-12 00:02:05 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "ONDORT" ONDORT Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-13 BM.1971.002.001/06:03-13 00:02:50 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "SHIMKA" SHIMKA Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-14 BM.1971.002.001/06:03-14 00:01:55 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "LEZGI" LEZGI Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-15 BM.1971.002.001/06:03-15 00:04:55 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "HOYRATI" HOYRATI Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-16 BM.1971.002.001/06:03-16 00:01:45 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "DAG GULU" DAG GULU Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon, Titre : "Dag gülü" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-17 BM.1971.002.001/06:03-17 00:02:20 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "TEHRANI" TEHRANI Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon• 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-18 BM.1971.002.001/06:03-18 00:03:30 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "MITVARI" MITVARI Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon• 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :03-19 BM.1971.002.001/06:03-19 00:03:55 été 1969 TURQUIE KARS EKIBI TURC IRAN&TURQUIE MUSIQUE "SHEH SHAMIL" SHEH SHAMIL Sous-table non exportée Sous-table non exportée AAL-Anche libre/plaque = accordéon• 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-01 BM.1971.002.001/06:04-01 00:02:05 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "MANDILI" MANDILI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-02 BM.1971.002.001/06:04-02 00:01:55 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "TIMBILLI" TIMBILI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-03 BM.1971.002.001/06:04-03 00:01:40 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "YALA YOLLARI" YALLA YOLLARI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-04 BM.1971.002.001/06:04-04 00:02:50 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "PORTOKAL ZEYBEGI" PORTOKAL ZEYBEGI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-05 BM.1971.002.001/06:04-05 00:01:55 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "SALLAMA" SALLAMA Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-06 BM.1971.002.001/06:04-06 00:01:55 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "CAYA VARDIM" CAYA VARDIM Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois, Titre : "çàya vardim" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-07 BM.1971.002.001/06:04-07 00:02:40 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "KEKLIK" KEKLIK Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois, Titre : "çàya vardim" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-08 BM.1971.002.001/06:04-08 00:01:40 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "SILIFKE ZEYBEGI" SILIFKE ZEYBEGI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-09 BM.1971.002.001/06:04-09 00:01:30 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE CHANT : "MENGI" MENGI Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-10 BM.1971.002.001/06:04-10 00:00:55 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE MUSIQUE : "KRIBIS ZEYBEGI" KRIBIS ZEYBEGI Sous-table non exportée Sous-table non exportée M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-11 BM.1971.002.001/06:04-11 00:01:35 été 1969 TURQUIE SILIFKE EKIBI TURC IRAN&TURQUIE MUSIQUE : "SILIFKE CIFTELLISI" SILIFKE CIFTELLISI Sous-table non exportée Sous-table non exportée M-TBR = tambour, Titre : "Silifke çiftellisi" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-12 BM.1971.002.001/06:04-12 00:02:30 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE MUSIQUE DE LA MER NOIRE Sous-table non exportée Sous-table non exportée M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-13 BM.1971.002.001/06:04-13 00:04:30 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE MUSIQUE DE LA MER NOIRE Sous-table non exportée Sous-table non exportée M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-14 BM.1971.002.001/06:04-14 00:01:40 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE MUSIQUE DE LA MER NOIRE Sous-table non exportée Sous-table non exportée M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :04-15 BM.1971.002.001/06:04-15 00:05:45 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE MUSIQUE DE LA MER NOIRE Sous-table non exportée Sous-table non exportée M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-01 BM.1971.002.001/06:05-01 00:08:30 été 1969 TURQUIE EDIRNE ANDRINOPOLE* TURC IRAN&TURQUIE SOLO HAUTBOIS : "KIRKLARELI EKIBINDEN" KIRKLARELI EKIBINDEN Sous-table non exportée Sous-table non exportée * dans les environs de Edirné Andrinopole • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-02 BM.1971.002.001/06:05-02 00:06:15 été 1969 TURQUIE ASIE MINEURE TURC IRAN&TURQUIE SOLO HAUTBOIS : "KIRSHEHIR EKIBINDEN" KIRSHEHIR EKIBINDEN Sous-table non exportée Sous-table non exportée 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-03 BM.1971.002.001/06:05-03 00:05:40 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE HAUTBOIS & TBR : "KEMENCE ILE HORON HAVASI" Sous-table non exportée Sous-table non exportée M-TBR = tambour, Titre : "Kemençe ile horon havasi" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-04 BM.1971.002.001/06:05-04 00:03:55 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE HAUTBOIS & TBR : "TULUM ILE YOL HAVASI" TULUM ILE YOL HAVASI Sous-table non exportée Sous-table non exportée M-TBR = tambour• 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-05 BM.1971.002.001/06:05-05 00:03:05 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE SOLO VIELE : MUSIQUE POP. SILIFKE Sous-table non exportée Sous-table non exportée Musique populaire Silifke • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-06 BM.1971.002.001/06:05-06 00:02:55 été 1969 TURQUIE KARA DENIZ TURC IRAN&TURQUIE SOLO CLARINETTE Sous-table non exportée Sous-table non exportée 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-07 BM.1971.002.001/06:05-07 00:04:45 été 1969 TURQUIE ANATOLIE CENTRALE TURC IRAN&TURQUIE CHANT : "BAGLAMALANA ANKARA" BAGLAMALANA ANKARA Sous-table non exportée Sous-table non exportée M-TBR = tambour, IF-Idiophone frappé = cuillères • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-08 BM.1971.002.001/06:05-08 00:05:10 été 1969 TURQUIE ANATOLIE CENTRALE TURC IRAN&TURQUIE CLARINETTE & TBR : "HUDAYA OYUN HAVASI" HUDAYA OYUN HAVASI Sous-table non exportée Sous-table non exportée M-TBR = tambour, Titre : "Hüdaya oyun havasi" • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :05-09 BM.1971.002.001/06:05-09 00:03:15 été 1969 TURQUIE ANATOLIE CENTRALE TURC IRAN&TURQUIE LUTH & CUILLERE Sous-table non exportée Sous-table non exportée IF-Idiophone frappé = cuillères • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-02 BM.1971.002.001/06:06-02 00:01:00 été 1969 TURQUIE ANAMUR EKIBI* TURC IRAN&TURQUIE CHANT : "GUZELER GUZELER" GUZELER GUZELER Sous-table non exportée Sous-table non exportée * Face à l'ile de Chypre, Titre : "Güzeler güzeler" M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-03 BM.1971.002.001/06:06-03 00:02:05 été 1969 TURQUIE ANAMUR EKIBI* TURC IRAN&TURQUIE CHANT : "SARI KIZ IN SARI SACI" SARI KIZ IN SARI SACI Sous-table non exportée Sous-table non exportée * Face à l'ile de Chypre, Titre : "Sari kiz in sari saçi", M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-04 BM.1971.002.001/06:06-04 00:04:30 été 1969 TURQUIE ANAMUR EKIBI* TURC IRAN&TURQUIE CHANT : "INCE CAYIR BICILIRMI" INCE CAYIR BICILIRMI Sous-table non exportée Sous-table non exportée * Face à l'ile de Chypre, Titre : "Ince çayir biçilirmi", M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-05 BM.1971.002.001/06:06-05 00:01:30 été 1969 TURQUIE ANAMUR EKIBI* TURC IRAN&TURQUIE MUSIQUE : "BIR OYON HAVASI" BIR OYON HAVASI Sous-table non exportée Sous-table non exportée * Face à l'ile de Chypre, M-TBR = tambour, IF-Idiophone frappé = cuillères en bois • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-06 BM.1971.002.001/06:06-06 00:02:00 été 1969 TURQUIE AGRI EKIBI* TURC IRAN&TURQUIE CHANT : "AGRI DAGINDAN UCTUM" AGRI DAGINDAN UCTUM Sous-table non exportée Sous-table non exportée * Frontière turco-arménienne, Titre : "Agri dagindan uçtum", M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-07 BM.1971.002.001/06:06-07 00:03:55 été 1969 TURQUIE AGRI EKIBI* TURC IRAN&TURQUIE CHANT : "AGRININ UCTU DAGLAR" AGRININ UCTU DAGLAR Sous-table non exportée Sous-table non exportée * Frontière turco-arménienne, Titre : "agrinin üçtü daglar", M-TBR = tambour • 1969 ASIE +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 :06-08 BM.1971.002.001/06:06-08 00:01:50 été 1969 TURQUIE AGRI EKIBI* TURC IRAN&TURQUIE CHANT : "BEN BIR AVUC KISHMISHIM" BEN BIR AVUC KISHMISHIM Sous-table non exportée Sous-table non exportée * Frontière turco-arménienne, Titre : "Ben bir avuç kishmishim", M-TBR = tambour • 1969 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-02 BM.1974.008.001/20:01-02 00:01:25 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT SOLO H Sous-table non exportée Sous-table non exportée 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-03 BM.1974.008.001/20:01-03 00:05:00 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT A TRAIRE Sous-table non exportée Sous-table non exportée Chant à traire les "mjo-mo" (bovidés, hybrides du taureau et du yak) • Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre, Pièce du répertoire moderne • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-04 BM.1974.008.001/20:01-04 00:04:30 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT F ET INSTRU Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), composé par les membres de l'association de théâtre, Pièce du répertoire moderne • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-05 BM.1974.008.001/20:01-05 00:04:32 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT F ET INSTRU Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), composé par les membres de l'association de théâtre, Pièce du répertoire moderne • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-06 BM.1974.008.001/20:01-06 00:02:00 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT : MGYOGS-GZAS MGYOGS-GZAS Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), composé par les membres de l'association de théâtre, Pièce du répertoire moderne, Titre : Mgyogs-gzas • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-07 BM.1974.008.001/20:01-07 00:03:40 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT D'UNE PIECE DE THEATRE Sous-table non exportée Sous-table non exportée Chanté H & F en alternance, pa r les membres de l'association de théatre, Chant du répertoire traditionnel • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-08 BM.1974.008.001/20:01-08 00:05:15 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT CHR ET ORCH Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre, Pièce du répertoire moderne • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :01-09 BM.1974.008.001/20:01-09 00:03:35 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA KHAMPA MACDONALD,A.;NEPAL & TIBET;1970 CHANT CHR ET ORCH Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre, Pièce du répertoire moderne • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-01 BM.1974.008.001/20:02-01 00:00:55 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CHANT DU KHAMS Sous-table non exportée Sous-table non exportée 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-02 BM.1974.008.001/20:02-02 00:01:12 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CHANT DU KHAMS Sous-table non exportée Sous-table non exportée 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-03 BM.1974.008.001/20:02-03 00:01:14 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE PELERINAGE Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-04 BM.1974.008.001/20:02-04 00:01:50 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE PELERINAGE Sous-table non exportée Sous-table non exportée Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-05 BM.1974.008.001/20:02-05 00:02:25 oct.1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE L'AMDO* Sous-table non exportée Sous-table non exportée * L'Amdo : région nord-est du Tibet, Ensemble instrumental détaillé en partie par le collecteur (à compléter à l'écoute), choeur et ensemble composé par les membres de l'association de théâtre • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-06A BM.1974.008.001/20:02-06A 00:02:15 oct.1970 TIBET (INDE) PROVINCE DU KHAMS / CHAMDO TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "CENT MILLE CHANTS DE MI-LA RAS-PA-MGUR-'BUM" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Ier extrait des "Cent mille chants.." : fol. 205a, ed. de Lhasa, cf. transcription des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-06B BM.1974.008.001/20:02-06B 00:02:00 oct.1970 TIBET (INDE) PROVINCE DU KHAMS / CHAMDO TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "CENT MILLE CHANTS DE MI-LA RAS-PA-MGUR-'BUM" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, IIème extrait des "Cent mille chants.." : fol. 104a, ed. de Lhasa, cf. transcription des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :02-06C BM.1974.008.001/20:02-06C 00:01:55 oct.1970 TIBET (INDE) PROVINCE DU KHAMS / CHAMDO TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "CENT MILLE CHANTS DE MI-LA RAS-PA-MGUR-'BUM" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, IIIème extrait des "Cent mille chants.." : fol. 107a, ed. de Lhasa, cf. transcription des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :03-01 BM.1974.008.001/20:03-01 00:01:35 23/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "CENT MILLE CHANTS DE MI-LA RAS-PA-MGUR-'BUM" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Extrait des "Cent mille chants.." : fol. 278a et b, ed. de Lhasa, cf.translittération des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :03-02A BM.1974.008.001/20:03-02A 00:02:45 23/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "DPAL-LDAN PADMA DKAR-PO'I RDO-RJE PHREN'-BA SNA-MA ZES BYA BZUGS-SO" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Extrait du texte "DPAL-LDAN PADMA DKAR-PO'I RDO-RJE PHREN'-BA SNA-MA ZES BYA BZUGS-SO" : fol. 11b, ed. de Lhasa, cf. translitération des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :03-02B BM.1974.008.001/20:03-02B 00:03:25 23/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 "DPAL-LDAN PADMA DKAR-PO'I RDO-RJE PHREN'-BA SNA-MA ZES BYA BZUGS-SO" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Extrait du texte "DPAL-LDAN PADMA DKAR-PO'I RDO-RJE PHREN'-BA SNA-MA ZES BYA BZUGS-SO" : fol. 32b et 33a, ed. de Lhasa, cf. translitération des textes dans le DT• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :04-01 BM.1974.008.001/20:04-01 00:05:55 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "GSUN-MGUR" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa", "Gsun-mgur" composé par Kun-dga'bstan-'jin, 3ème réincarnation de Khams-sprul• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :04-02 BM.1974.008.001/20:04-02 00:09:08 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "GUR-MGON GZON-NU" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :05-01 BM.1974.008.001/20:05-01 00:10:50 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "KUN-BZAN MCHOD-PRIN" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa", Indication sur la fiche de bande : "kun-zban mchod-prin" (sic, - sbyin ?) • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :05-02 BM.1974.008.001/20:05-02 00:04:50 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "PHUN-CHOGS DBYANS-SNAN" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :06-01 BM.1974.008.001/20:06-01 00:11:50 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "ME-TOG CHAR-BEBS" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Titre : "Pluie de fleurs", Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :06-02 BM.1974.008.001/20:06-02 00:03:30 24/10/1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "DMU-RU" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :07-01 BM.1974.008.001/20:07-01 00:07:20 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "BSAM-YAS CAN-SRIB" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :07-02 BM.1974.008.001/20:07-02 00:05:18 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "PHUN-CHOGS DBYANS-SNAN" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :07-03 BM.1974.008.001/20:07-03 00:02:00 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "RJE-BCUN BRGYA-RDUN" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :08-01 BM.1974.008.001/20:08-01 00:11:10 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "BKRA-CIS LHA-RCI" (?) Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :08-02 BM.1974.008.001/20:08-02 00:02:45 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "RGYAL-BA RTA THOG-MA" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :08-03 BM.1974.008.001/20:08-03 00:01:35 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS : "DBUS RCE-MA" Sous-table non exportée Sous-table non exportée *Indications du collecteur : enregistré au camp tibétain de Tashi dzong, village de Paprola, district de Kangra, Etat de Himachal Pradesh, Duo par 2 moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :09-01 BM.1974.008.001/20:09-01 00:16:10 oct.1970 TIBET (INDE) HIMACHAL PRADESH / PAPROLA* TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 EXTRAIT DE RITUEL Sous-table non exportée Sous-table non exportée *Enregistré à Paprola, district de Kangra, Récitation chr H en alternance avec l'ensemble instrumental (détaillé en parti par le collecteur, à compléter à l'écoute), chr et ensemble formés par les moines de l'ordre "Bka'-brgyud-pa"• 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :10-01 BM.1974.008.001/20:10-01 00:04:40 26/10/1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CITHARE ET LUTH Sous-table non exportée Sous-table non exportée Titre annoncé en tibétain, Répertoire moderne, D'après notes du collecteur : existence de photos • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :10-02 BM.1974.008.001/20:10-02 00:02:20 26/10/1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CITHARE ET LUTH Sous-table non exportée Sous-table non exportée Titre annoncé en tibétain, Répertoire moderne, D'après notes du collecteur : existence de photos • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :10-03 BM.1974.008.001/20:10-03 00:02:13 26/10/1970 TIBET (INDE) HIMACHAL PRADESH / DHARMSALA TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 CITHARE ET LUTH Sous-table non exportée Sous-table non exportée Titre annoncé en tibétain, Répertoire moderne, Fin non enregistrée, D'après notes du collecteur : existence de photos • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-01 BM.1974.008.001/20:11-01 00:00:30 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 INSTRUMENTATION DE L'ORCH : TROMPE Sous-table non exportée Sous-table non exportée Intruments séparés de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Trompe en fémur, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-02 BM.1974.008.001/20:11-02 00:02:45 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 INSTRU DE L'ORCH : TROMPES Sous-table non exportée Sous-table non exportée Intruments séparés de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Trompe longues puis trompes courtes, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-03 BM.1974.008.001/20:11-03 00:01:45 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 INSTRU DE L'ORCH : HAUTBOIS Sous-table non exportée Sous-table non exportée Intruments séparés de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-04 BM.1974.008.001/20:11-04 00:01:15 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 INSTRU DE L'ORCH : CONQUES Sous-table non exportée Sous-table non exportée Intruments séparés de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-05 BM.1974.008.001/20:11-05 00:00:45 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 RECITATION DU CHR : "BKRA-CIS" BKRA-CIS Sous-table non exportée Sous-table non exportée Ensemble de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Titre : "Bkra-çis", Coupure brusque, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-06 BM.1974.008.001/20:11-06 00:00:00 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 SUR LA FETE DU 10E J DU 10E MOIS Sous-table non exportée Sous-table non exportée Explications concernant la fête du 10ème jour du 10ème mois en l'honneur de Padmasambhava • Annonce en tibétain, Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :11-07 BM.1974.008.001/20:11-07 00:00:00 janv.1971 NEPAL VILLAGE DE JUNBESI TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 RECITATION DU CHR : "BKRA-CIS" BKRA-CIS Sous-table non exportée Sous-table non exportée Ensemble de l'orchestre des religieux Rnin-ma-pa • Annonce en tibétain, Titre : "Bkra-çis", Cf. collection BM.1972.014.1/8 • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :12-01 BM.1974.008.001/20:12-01 00:15:00 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT : "GOMEKANYA" (?) GOMEKANYA Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, SD-Ambiances diverses = bruits d'enfants • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :12-02 BM.1974.008.001/20:12-02 00:01:00 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT : "GOMEKANYA" (?) GOMEKANYA Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, SD-Ambiances diverses = bruits d'enfants • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :13-01 BM.1974.008.001/20:13-01 00:17:15 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 PANEGYRIQUE "KARKHA" DU MINISTRE CANDRA SAMSHER Sous-table non exportée KARKHA Sous-table non exportée CV-Vièle = vièle à archet (porteur de grelots ?), Indications du collecteur : cf. documents M.Helffer • 1971 ELOGIEUX POUR DIGNITAIRE ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :13-02 BM.1974.008.001/20:13-02 00:05:55 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 PANEGYRIQUE "KARKHA" DE BHIMSEN Sous-table non exportée KARKHA Sous-table non exportée CV-Vièle = vièle à archet (porteur de grelots ?), Extrait du Ramayana • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :13-03 BM.1974.008.001/20:13-03 00:08:45 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT : "POI MERO MARYO" POI MERO MARYO Sous-table non exportée JHYAURE Sous-table non exportée CV-Vièle = vièle à archet (porteur de grelots ?), Chant de type "Jhyaure" : à couplet et refrain hétéromorphes • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :14-01 BM.1974.008.001/20:14-01 00:15:01 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE TYPE "JHYAURE" Sous-table non exportée JHYAURE Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, Chant de type "Jhyaure" : strophique régulier à couplet et refrain • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :14-02 BM.1974.008.001/20:14-02 00:14:22 janv.1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 EXTRAIT DU RAMAYANA (?) Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots• 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :15-01 BM.1974.008.001/20:15-01 00:17:22 26/02/1971 NEPAL VALLEE DE KATHMANDU / DEUPATAN TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE TYPE KARKHA : HIST DE LAKSMI MAHARANI Sous-table non exportée KARKHA Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, Chant de type "karkha", histoire de Laksmi Maharani • 1971 NARRATIF ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :15-02 BM.1974.008.001/20:15-02 00:07:12 26/02/1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DE TYPE "JHYAURE" Sous-table non exportée JHYAURE Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, Chant de type "Jhyaure" : strophique régulier à couplet et refrain • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :16-01 BM.1974.008.001/20:16-01 00:27:30 26/02/1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 EXTRAIT DE SOSTANI Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :16-02 BM.1974.008.001/20:16-02 00:04:50 26/02/1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 "AMA TIMI" AMA TIMI Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :17-01 BM.1974.008.001/20:17-01 00:27:00 26/02/1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DUO H & VIELE : "KRISHNA JANMASTAMI" (1/2) KRISHNA JANMASTAMII Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, Fin éfacée car enregistrée sur l'autre côté (de la bande) • 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :17-02 BM.1974.008.001/20:17-02 00:05:00 26/02/1971 NEPAL VALLEE DE KATHMANDU TIBETAINS / CASTE GAINE MACDONALD,A.;NEPAL & TIBET;1970 CHANT DUO H & VIELE : "KRISHNA JANMASTAMI" (2/2) KRISHNA JANMASTAMII Sous-table non exportée Sous-table non exportée CV-Vièle = vièle à archet porteur de grelots, Indications sur l'enregistrement : à l'envers, retourner bande et lire à l'amorce rouge• 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :18-01 BM.1974.008.001/20:18-01 00:07:00 NEPAL PAYS SHERPA (?) MACDONALD,A.;NEPAL & TIBET;1970 DUO DE HAUTBOIS ? Sous-table non exportée Sous-table non exportée Dans un monastère • Original saturé • 1970 RELIGIEUX ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :18-02 BM.1974.008.001/20:18-02 00:03:00 NEPAL MACDONALD,A.;NEPAL & TIBET;1970 CONVERSATION - ENQUETE ? Sous-table non exportée Sous-table non exportée Copie d'enregistrements de M. Pasang Khambache • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :18-03 BM.1974.008.001/20:18-03 00:06:00 NEPAL MACDONALD,A.;NEPAL & TIBET;1970 PSALMODIE Sous-table non exportée Sous-table non exportée 1971 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :19-01 BM.1974.008.001/20:19-01 00:15:00 NEPAL PAYS SHERPA (?) MACDONALD,A.;NEPAL & TIBET;1970 MUSIQUE RELIGIEUSE BOUDDHIQUE Sous-table non exportée Sous-table non exportée Dans un temple ? • 1970 RELIGIEUX ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :19-02 BM.1974.008.001/20:19-02 00:03:00 NEPAL PAYS SHERPA (?) TIBETAINS MACDONALD,A.;NEPAL & TIBET;1970 ENQUETE ? Sous-table non exportée Sous-table non exportée Dans un temple ? • Faux départ puis parlé • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :19-03 BM.1974.008.001/20:19-03 00:05:00 23/02/1970 NEPAL MACDONALD,A.;NEPAL & TIBET;1970 DUO DE TROMPES Sous-table non exportée Sous-table non exportée Copie d'enregistrements de M.Pasang Khambache • Original saturé, A la fin : annonce du collecteur • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :19-04 BM.1974.008.001/20:19-04 00:06:00 23/02/1970 NEPAL MACDONALD,A.;NEPAL & TIBET;1970 DUO DE TROMPES Sous-table non exportée Sous-table non exportée Copie d'enregistrements de M.Pasang Khambache • Original saturé, A la fin : annonce du collecteur • 1970 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :20-01 BM.1974.008.001/20:20-01 00:49:00 NEPAL PAYS SHERPA MACDONALD,A.;NEPAL & TIBET;1970 NARRATION Sous-table non exportée Sous-table non exportée Dans un temple, Copie des enregistrements de M.Pasang Khambache • 1970 NARRATIF piste 1 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :20-02 BM.1974.008.001/20:20-02 00:17:00 NEPAL PAYS SHERPA MACDONALD,A.;NEPAL & TIBET;1970 NARRATION Sous-table non exportée Sous-table non exportée Dans un temple, Copie des enregistrements de M.Pasang Khambache • Original très mauvais, saturation d'entrée • 1970 piste 2 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :20-03 BM.1974.008.001/20:20-03 00:01:00 NEPAL PAYS SHERPA MACDONALD,A.;NEPAL & TIBET;1970 ESSAIS Sous-table non exportée Sous-table non exportée Copie des enregistrements de M.Pasang Khambache • Essais puis vierge • 1970 piste 2 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :20-04 BM.1974.008.001/20:20-04 00:25:00 NEPAL PAYS SHERPA MACDONALD,A.;NEPAL & TIBET;1970 NARRATION Sous-table non exportée Sous-table non exportée Dans un temple, Copie des enregistrements de M.Pasang Khambache • autre copie du début de la pièce :20-01 ? • 1970 piste 2 ASIE +BM.1974.008 Ø13 BM.1974.008.001/20 :20-05 BM.1974.008.001/20:20-05 00:06:30 NEPAL PAYS SHERPA MACDONALD,A.;NEPAL & TIBET;1970 NARRATION Sous-table non exportée Sous-table non exportée Dans un temple, Copie des enregistrements de M.Pasang Khambache • Autre copie du début de la pièce :20-01 ? A lire dans le même sens de lecture que celui de la piste 1 • 1970 piste 2 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-02 BM.2004.004.001/13:01-02 00:00:41 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE KIMIKAYO Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-03 BM.2004.004.001/13:01-03 00:02:42 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS PALAFANGAY + SAKATOSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-04 BM.2004.004.001/13:01-04 00:00:51 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT CHAMANIQUE MA'ANGANGAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-05 BM.2004.004.001/13:01-05 00:01:30 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS VISITER LE VILLAGE DE PAKALA'AC PAKALA'AC Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-06 BM.2004.004.001/13:01-06 00:01:08 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS MENER PAITRE LES BUFFLES 'AW'AW Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-07 BM.2004.004.001/13:01-07 00:00:54 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE D'ADIEU SAPI'INKAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-08 BM.2004.004.001/13:01-08 00:01:47 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG : SAKACECAY KU'EDAWAY SAKACECAY KU'EDAWAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-09 BM.2004.004.001/13:01-09 00:01:09 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE : MIQOTQOT MIQOTQOT Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant polyphonique, forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-10 BM.2004.004.001/13:01-10 00:01:04 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LABOUR : MIKANGKANG MIKANGKANG Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn) • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-11 BM.2004.004.001/13:01-11 00:02:13 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT MICAKAY MICAKAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant monophonique, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-12 BM.2004.004.001/13:01-12 00:01:51 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT PAKANAY TO KULUNG PAKANAY TO KULUNG Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant monophonique, meneur : solo F • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-13 BM.2004.004.001/13:01-13 00:01:33 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT A BOIRE : MITAKIDAY MITAKIDAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant monophonique, meneur : solo H • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-14 BM.2004.004.001/13:01-14 00:02:14 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT SAPINUKAKAY SAPINUKAKAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant quasi-monophonique • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-15 BM.2004.004.001/13:01-15 00:01:10 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT A BOIRE : MITAKIDAY MITAKIDAY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant monophonique, meneur : solo H, le même chant que la plage 13 • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-16 BM.2004.004.001/13:01-16 00:01:01 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : KASU'AW KASU'AW Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant quasi-monophonique, meneur : solo H • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-17 BM.2004.004.001/13:01-17 00:00:34 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS BERCEUSE : MISAFUFU'AY MISAFUFU'AY Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn) • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-18 BM.2004.004.001/13:01-18 00:00:57 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'ENFANT : OPIRI'PAYRANG OPIRI'PAYRANG Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant "Un chinois(e?) Han avec la tresse", meneur : solo F • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-19 BM.2004.004.001/13:01-19 00:00:45 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LABOUR : MIKANGKANG MIKANGKANG Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Le même chant (avec une mélodie un peu différente) que celui de la plage 10 • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-20 BM.2004.004.001/13:01-20 00:00:59 03/04/2000 TAIWAN FALANGAW (MALAN) /FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE LAKACAW LACAKAW Sous-table non exportée Sous-table non exportée Cf. DI.994.004.002, plages 1 à 9, enregistrées dans le même village (Fukid), en partie avec les mêmes chanteurs [Info Chun-Yen Sûn), Chant quasi-monophonique • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-21 BM.2004.004.001/13:01-21 00:01:53 14/05/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL MIKANGKANG Sous-table non exportée Sous-table non exportée 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-22 BM.2004.004.001/13:01-22 00:03:04 14/05/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS HISTOIRE SUR LE CHANT D'UN COUPLE Sous-table non exportée Sous-table non exportée L'homme, très âgé et respecté, raconte une histoire d'un couple chantant lors de travail. • 2001 NARRATIF ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-23 BM.2004.004.001/13:01-23 00:01:56 14/05/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS HISTOIRE DU CHANT "MICAKAY" Sous-table non exportée Sous-table non exportée L'homme, très âgé et respecté, raconte une histoire du chant "Micakay"• Cf. le chant "Micakay" par le même homme : plage 24, et par d'autres interprètes dans un autre village plage 11 • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-24 BM.2004.004.001/13:01-24 00:01:31 14/05/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "MICAKAY" MICAKAY Sous-table non exportée Sous-table non exportée L'interprète exécute le chant de l'histoire de la plage précédente• Cf. le chant "Micakay" par d'autres interprètes dans un autre village plage 11 • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-25 BM.2004.004.001/13:01-25 00:02:45 16/05/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS "PAPA, MAMAN, VOUS NE COMPRENEZ PAS MON COEUR" Sous-table non exportée Sous-table non exportée Chant créé par la chanteuse quelques minutes avant l'enregistrement • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-26 BM.2004.004.001/13:01-26 00:00:28 16/05/2001 TAIWAN FALANGAW (MALAN)/ FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REPIQUAGE DU RIZ : MI'ANIP MI'ANIP Sous-table non exportée Sous-table non exportée Chant en général exécuté par un groupe, içi la femme le chante toute seule • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-27 BM.2004.004.001/13:01-27 00:00:35 16/05/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE JEUNES ETUDIANTES Sous-table non exportée Sous-table non exportée D'après l'interprète, ce chant est une création des jeunes étudiantes du village de 'Ining à l'époque des années 40 ou 50 • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :01-28 BM.2004.004.001/13:01-28 00:00:32 16/05/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "HAYIYAN" HAYIYAN Sous-table non exportée Sous-table non exportée D'après l'interprète, ce chant est une création des jeunes étudiantes du village de 'Ining à l'époque des années 40 ou 50 • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-01 BM.2004.004.001/13:02-01 00:02:07 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL COLLECTIF : "MIPALIW" MIPALIW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo H • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-02 BM.2004.004.001/13:02-02 00:01:57 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS LES JEUNES GENS CONSTRUISANT UN PONT Sous-table non exportée Sous-table non exportée BM.2004.004 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-03 BM.2004.004.001/13:02-03 00:01:45 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS LES JEUNES GENS CONSTRUISANT UN PONT Sous-table non exportée Sous-table non exportée Chant responsorial, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-04 BM.2004.004.001/13:02-04 00:02:28 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REUNION APRES LE TRAVAIL : "PASONGKANG" PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-05 BM.2004.004.001/13:02-05 00:02:44 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REUNION APRES LE TRAVAIL : "PASONGKANG" PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-06 BM.2004.004.001/13:02-06 00:03:20 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE CELIBATAIRE : "MULALICINUWASAY" MULALICINUWASAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-07 BM.2004.004.001/13:02-07 00:02:39 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL COLLECTIF : MIPALIW MIPALIW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-08 BM.2004.004.001/13:02-08 00:02:02 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE FETE D'ADIEU : "SAPI'INKAY SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-09 BM.2004.004.001/13:02-09 00:01:49 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE FETE D'ADIEU : "SAPI'INKAY SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-10 BM.2004.004.001/13:02-10 00:02:43 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "KIMIKAYO" KIMIKAYO Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-11 BM.2004.004.001/13:02-11 00:02:00 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE : "MIQOTQOT" MIQOTQOT Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-12 BM.2004.004.001/13:02-12 00:02:35 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG : "SAKATUSA'KU'EDAWAY" SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-13 BM.2004.004.001/13:02-13 00:01:53 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG : "SAKACECAY'KU'EDAWAY" SAKACECAY'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-14 BM.2004.004.001/13:02-14 00:03:49 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG : "SAKATOLO'KU'EDAWAY" SAKATOLO'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-15 BM.2004.004.001/13:02-15 00:02:00 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE : "SAPIKOLAS" SAPIKOLAS Sous-table non exportée Sous-table non exportée Chant de sarclage du champ de millet • Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-16 BM.2004.004.001/13:02-16 00:02:52 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "PALAFANGAY" PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-17 BM.2004.004.001/13:02-17 00:00:52 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :02-18 BM.2004.004.001/13:02-18 00:01:45 01/06/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS JOIE DES JEUNES HOMMES KAHEMEKAN NO KAPAH Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, meneur : solo h • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-01 BM.2004.004.001/13:03-01 00:01:24 10/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES JEUNES ETUDIANTES Sous-table non exportée Sous-table non exportée Chant des jeunes étudiantes du village de 'Ining, exécuté par les jeunes du village de Fukid, et enregistré lors d'une répétition • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-02 BM.2004.004.001/13:03-02 00:00:34 10/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "HAYIYAN" HAYIYAN Sous-table non exportée Sous-table non exportée Chant des jeunes étudiantes du village de 'Ining, exécuté par les jeunes du village de Fukid, et enregistré lors d'une répétition • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-03 BM.2004.004.001/13:03-03 00:10:00 12/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : "KASU'AW" Sous-table non exportée Sous-table non exportée Chant responsorial exécuté par les classes d'âges d'hommes (hommes du village de Falangaw) après le culte de pêche "Mikesil" de la fête de Nouvel an "Kiluma'an" dans la maison commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-04 BM.2004.004.001/13:03-04 00:01:20 13/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale exécuté par les habitants du village à la maison commune, lors de "Mipawusa" • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-05 BM.2004.004.001/13:03-05 00:02:27 13/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "PALAFANGAY" PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale exécuté par les habitants du village à la maison commune, lors de "Mipawusa" ? • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-06 BM.2004.004.001/13:03-06 00:02:07 13/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS MIPAWUSA' MIPAWUSA' Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale exécuté par les habitants du village à la maison commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-07 BM.2004.004.001/13:03-07 00:02:42 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : KASU'AW KASU'AW Sous-table non exportée Sous-table non exportée Chant responsorial • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-08 BM.2004.004.001/13:03-08 00:00:30 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS APPEL : WU KAPAH WU KAPAH Sous-table non exportée Sous-table non exportée Appel pour faire venir les jeunes hommes, avant la danse de malikuda', à la place commune • Par les jeunes garçons (pakarongay) • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-09 BM.2004.004.001/13:03-09 00:00:21 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'APPEL SA'OPO TO KAPUKAPUT Sous-table non exportée Sous-table non exportée Chant pour faire venir les jeunes hommes, l'exécutant détaille ce chant pour l'enseigner aux jeunes hommes • sa'opo to kapukaput : les classes d'âges se groupant • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-10 BM.2004.004.001/13:03-10 00:00:24 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'APPEL SA'OPO TO KAPUKAPUT Sous-table non exportée Sous-table non exportée Chant pour faire venir les jeunes hommes, après que l'exécutant ait détaillé ce chant pour l'enseigner aux jeunes hommes, ces derniers répètent • sa'opo to kapukaput : les classes d'âges se groupant • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-11 BM.2004.004.001/13:03-11 00:03:13 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT FUNERAIRE : "MICOHONG" MICOHONG Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-12 BM.2004.004.001/13:03-12 00:02:46 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : KIMIKAYO KIMIKAYO Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-13 BM.2004.004.001/13:03-13 00:06:19 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT A BOIRE + CHANT DE VISITE Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • chant de visite : palafangay • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-14 BM.2004.004.001/13:03-14 00:02:51 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-15 BM.2004.004.001/13:03-15 00:05:55 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG SAKATOLO'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-16 BM.2004.004.001/13:03-16 00:03:17 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "KACIPA'" KACIPA' Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 0 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-17 BM.2004.004.001/13:03-17 00:03:07 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT A BOIRE : "MITAKIDAY" MITAKIDAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-18 BM.2004.004.001/13:03-18 00:03:52 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "PALAFANGAY" PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-19 BM.2004.004.001/13:03-19 00:04:12 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REJOUISSANCE : "SAPISALAMA" SAPISALAMA Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-20 BM.2004.004.001/13:03-20 00:02:36 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-21 BM.2004.004.001/13:03-21 00:02:32 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT A BOIRE Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chant pour consoler la famille du défunt Akiw Katepo' (décédé le 07/06/2000), lors de la cérémonie de "Micohong" dans la maison du défunt• Le meneur "Wuciw" aime beaucoup chanter les chants populaires japonais, cela influence sa façon de chanter les chants traditionnels Ami • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :03-22 BM.2004.004.001/13:03-22 00:01:12 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : SA'OPO TO KAPUKAPUT SA'OPO TO KAPUKAPUT Sous-table non exportée Sous-table non exportée Chant avant la cérémonie de "Malikuda' " pour appeler les jeunes hommes à venir danser • Sa'opo to kapukaput : les classes d'âges se groupant • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-01 BM.2004.004.001/13:04-01 00:06:57 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITA'ONGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-02 BM.2004.004.001/13:04-02 00:01:40 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITA'ONGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-03 BM.2004.004.001/13:04-03 00:02:30 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITA'ONGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-04 BM.2004.004.001/13:04-04 00:03:14 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-05 BM.2004.004.001/13:04-05 00:00:47 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-06 BM.2004.004.001/13:04-06 00:05:28 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-07 BM.2004.004.001/13:04-07 00:04:53 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-08 BM.2004.004.001/13:04-08 00:02:08 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-09 BM.2004.004.001/13:04-09 00:05:52 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MIPINGPINGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-10 BM.2004.004.001/13:04-10 00:06:39 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MIPINGPINGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-11 BM.2004.004.001/13:04-11 00:04:07 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MIPINGPINGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-12 BM.2004.004.001/13:04-12 00:01:37 13/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MICUWACUWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-13 BM.2004.004.001/13:04-13 00:02:56 14/07/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MICUWACUWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-14 BM.2004.004.001/13:04-14 00:03:02 15/07/2000 TAIWAN MATANG (FENGGU) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DU NOUVEL AN Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 1er chant : "Miterucay" 2ème chant : "Mita'ongay" • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-15 BM.2004.004.001/13:04-15 00:04:33 15/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-16 BM.2004.004.001/13:04-16 00:01:19 15/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :04-17 BM.2004.004.001/13:04-17 00:04:35 15/07/2000 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, chanté et dansé par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an" sur la place commune • 2000 ASIE +BM.1961.002 Divers* BM.1961.002.001/11 :01-06 BM.1961.002.001/11:01-06 00:01:20 1960 MADAGASCAR DST D'AMBANJA SAKALAVA INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR Sous-table non exportée Sous-table non exportée Cette pièce renferme une ronflette importante. VC=Choeur de femmes (marovavy). Vitesse 19• 1960 BM.61.2.1 AFRIQUE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-01 BM.2004.004.001/13:05-01 00:02:39 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "PALAFANGAY" PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-02 BM.2004.004.001/13:05-02 00:02:55 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "KIMIKAYO" KIMIKAYO Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-03 BM.2004.004.001/13:05-03 00:04:12 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE JOIE DES JH KAHEMEKAN NO KAPAH Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-04 BM.2004.004.001/13:05-04 00:03:11 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE : "SAPIKOLAS" SAPIKOLAS Sous-table non exportée Sous-table non exportée Chant de sarclage du champ de millet • Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-05 BM.2004.004.001/13:05-05 00:04:27 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR RAMASSER DES COQUILLAGES MI'ALUTUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-06 BM.2004.004.001/13:05-06 00:06:39 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE D'ADIEU SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-07 BM.2004.004.001/13:05-07 00:03:09 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL : "KASIDAW" KASIDAW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • BM.2004.004.001/13:05-06 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-08 BM.2004.004.001/13:05-08 00:04:06 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR MENER PAITRE LES BUFFLES 'AW'AW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-09 BM.2004.004.001/13:05-09 00:04:11 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG : "SAKATUSA'KU'EDAWAY" SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-10 BM.2004.004.001/13:05-10 00:04:41 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG : "SAKATOLO'KU'EDAWAY" SAKATOLO'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-11 BM.2004.004.001/13:05-11 00:04:26 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG : "SAKACECAY'KU'EDAWAY" SAKACECAY'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :05-12 BM.2004.004.001/13:05-12 00:05:22 14/09/2000 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE CELIBATAIRE MULALICINUWASAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-01 BM.2004.004.001/13:06-01 00:03:43 18/07/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant quasi-polyphonique, forme responsoriale, dansé et chanté par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête de Nouvel An "Kiluma'an", sur la place commune • Le meneur de chant : Piyu Asiku • 2000 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-02 BM.2004.004.001/13:06-02 00:05:22 18/07/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant quasi-polyphonique, forme responsoriale, dansé et chanté par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête de Nouvel An "Kiluma'an", sur la place commune • Les meneurs de chant : Piyu Asiku & Palac • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-03 BM.2004.004.001/13:06-03 00:21:35 18/07/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant quasi-polyphonique, forme responsoriale, dansé et chanté par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête de Nouvel An "Kiluma'an", sur la place commune • Les meneurs de chant : Palac et ? • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-04 BM.2004.004.001/13:06-04 00:13:10 18/07/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DU NOUVEL AN Sous-table non exportée Sous-table non exportée Chants monophoniques, forme responsoriale, dansé et chanté par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête de Nouvel An "Kiluma'an", sur la place commune • 1er chant : "Micuwacuway", 2ème chant : "Mipingpingay", Les meneurs de chant : Palac et ? • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-05 BM.2004.004.001/13:06-05 00:00:37 18/07/2001 TAIWAN FALANGAW (MALAN) / FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "MIPINGPINGAY" MIPINGPINGAY Sous-table non exportée Sous-table non exportée Après la danse, le père de Palac (un jeune chanteur, meneur de chant) lui enseigne " ce que les ancêtres chantaient"• 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-06 BM.2004.004.001/13:06-06 00:06:02 19/07/2001 TAIWAN 'INING (KANGLE) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "MITERUCAY" MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-07 BM.2004.004.001/13:06-07 00:01:31 19/07/2001 TAIWAN 'INING (KANGLE) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "MICUWACUWAY" MICUWACUWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-08 BM.2004.004.001/13:06-08 00:03:09 19/07/2001 TAIWAN 'INING (KANGLE) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "MICUWACUWAY" MICUWACUWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-09 BM.2004.004.001/13:06-09 00:02:39 19/07/2001 TAIWAN 'INING (KANGLE) AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2 CHANTS Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, 1er chant : "Micuwacuway", 2ème chant : "Mipingpingay" • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-10 BM.2004.004.001/13:06-10 00:06:56 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : "KASU'AW" KASU'AW Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté par les anciens à la maison commune lors du rite de Nouvel An • Le meneur de chant : Futul Ngiwi' • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :06-11 BM.2004.004.001/13:06-11 00:02:41 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "KIMIKAYO" KIMIKAYO Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté par les anciens à la maison commune lors du rite de Nouvel An • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-01 BM.2004.004.001/13:07-01 00:04:46 15/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant dansé polyphonique, forme responsoriale, exécuté le matin du Nouvel An, sur la place commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-02 BM.2004.004.001/13:07-02 00:01:48 15/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant dansé polyphonique, forme responsoriale, exécuté le matin du Nouvel An, sur la place commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-03 BM.2004.004.001/13:07-03 00:01:40 16/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa", à la maison commune • Chanteur meneur : Laway 'Asam • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-04 BM.2004.004.001/13:07-04 00:02:04 17/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REUNION APRES LE TRAVAIL PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa", à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-05 BM.2004.004.001/13:07-05 00:02:35 17/07/2001 TAIWAN 'INIG (KANGLE) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REUNION APRES LE TRAVAIL PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa", à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-06 BM.2004.004.001/13:07-06 00:01:28 17/07/2001 TAIWAN SI'ASILU'AY (FENGNIAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "MIPAWUSA' " MIPAWUSA Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-07 BM.2004.004.001/13:07-07 00:01:57 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa' " à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-08 BM.2004.004.001/13:07-08 00:01:22 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT : "PASONGKANG" PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa' " à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-09 BM.2004.004.001/13:07-09 00:00:45 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa' " à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-10 BM.2004.004.001/13:07-10 00:07:11 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3 CHANTS DE MIPAWUSA' Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa' " à la maison commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-11 BM.2004.004.001/13:07-11 00:02:55 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE "LAKACAW" LAKACAW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, exécuté lors de "Mipawusa' " à la maison commune • Chanteuse qui mène le chant : Hongay • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-12 BM.2004.004.001/13:07-12 00:00:55 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté à la maison commune, après le rite de pêche "Mikesil" • Meneur de chant : Laway' Asam • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-13 BM.2004.004.001/13:07-13 00:03:04 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : "KASU'AW" KASU'AW Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté à la maison commune, après le rite de pêche "Mikesil" • Meneur de chant : Dipong • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-14 BM.2004.004.001/13:07-14 00:04:16 18/07/2001 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS "MIPELOKAY" : FRAPPER DU PIED MIPELOKAY Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté à la maison commune, après le rite de pêche "Mikesil" • Meneur de chant : Dipong • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-15 BM.2004.004.001/13:07-15 00:02:12 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "MITERUCAY" MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, chanté par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' " de la fête de Nouvel An, sur la place commune • Meneur de chant : Futul Ngiwi' • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-16 BM.2004.004.001/13:07-16 00:00:55 19/07/2001 TAIWAN 'INING AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "MITERUCAY" MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, chanté par les classes d'âges d'hommes, pendant la cérémonie de "Malikuda' " de la fête de Nouvel An, sur la place commune • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-17 BM.2004.004.001/13:07-17 00:07:28 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES : "KASU'AW" KASU'AW Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté par les anciens à la maison commune lors du rite de Nouvel An • Meneur de chant : Difang Tuwanal & ? • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-18 BM.2004.004.001/13:07-18 00:08:08 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS "MIPELOKAY" : FRAPPER DU PIED MIPELOKAY Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté par les anciens à la maison commune lors du rite de Nouvel An • Meneur de chant : Futul Ngiwi' • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :07-19 BM.2004.004.001/13:07-19 00:06:20 19/07/2001 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "KIMIKAYO" KIMIKAYO Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté par les anciens à la maison commune lors du rite de Nouvel An • Meneur de chant : Difang Tuwanl • 2001 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-01 BM.2004.004.001/13:08-01 00:02:21 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE : "PALAFANGAY" PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-02 BM.2004.004.001/13:08-02 00:02:04 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE JOIE DES JH KAHEMEKAN NO KAPAH Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Icang (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Tapac (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-03 BM.2004.004.001/13:08-03 00:02:08 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT "KACIPA' " KACIPA' Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-04 BM.2004.004.001/13:08-04 00:03:05 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL : "KASIDAW" KASIDAW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-05 BM.2004.004.001/13:08-05 00:02:00 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE MIQOTQOT Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-06 BM.2004.004.001/13:08-06 00:03:24 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR RAMASSER LES COQUILLAGES MI'ALUTUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-07 BM.2004.004.001/13:08-07 00:02:37 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR MENER FAIRE PAITRE LES BUFFLES 'AW'AW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafy Kuwal (h), Lataw Icang (h), le meneur de chant : Fi'ik Icang (h) • 2002 ASIE +BM.2007.012 Divers* BM.2007.012.001/58 :45-01 BM.2007.012.001/58:45-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : danse du _kono_. Lieu du déroulement : _ebandza_. Description : a) Danse du _kono_ accompagnée de frappements de mains ; b) Voix du _kono_ (sans mirliton)• BM.2007.012:44-02 SALLEE,P. 1968 1968.5.21-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :45-02 BM.2007.012.001/58:45-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _mavadanga_. Lieu du déroulement : dans la cour. Description :danse _mavadanga_, procession d'hommes portant des torches (les hommes avancent courbés)• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.21-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :45-03 BM.2007.012.001/58:45-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _nganga_. Lieu du déroulement : _ebandza_• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.21-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :45-04 BM.2007.012.001/58:45-04 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _ghepobwe_. Lieu du déroulement : le long de la cour du village. Description : cris de _ghepobwe_ (masque)• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.21-04/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :45-05 BM.2007.012.001/58:45-05 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _bouanga_. Lieu du déroulement : le long de la cour du village. Description : chant et cris de _bouanga_• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.21-05/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :46-01 BM.2007.012.001/58:46-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MWIRI (LEVEE DE DEMBE POUR EKIA) Sous-table non exportée Sous-table non exportée Phase de la cérémonie : danse de _ya mueyi_ (de femmes)• Lieu du déroulement : dans la cour• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.22-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :46-02 BM.2007.012.001/58:46-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MWIRI (LEVEE DE DEMBE POUR EKIA) Sous-table non exportée Sous-table non exportée Phase de la cérémonie : voix de _ya mueyi_. Lieu du déroulement : _ebandza_. Description : voix de _ya mueyi_ et de son interprète _mondonga_• BM.2007.012:46-01 SALLEE,P. 1968 1968.5.22-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :46-03 BM.2007.012.001/58:46-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI. MWIRI (LEVEE DE DEMBE POUR EKIA) Sous-table non exportée Sous-table non exportée Phase de la cérémonie : contes. Lieu du déroulement : dans la cour• BM.2007.012:46-02 SALLEE,P. 1968 1968.5.22-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :47-01 BM.2007.012.001/58:47-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _bouanga_. Lieu du déroulement : dans la cour. Description : chant de _bouanga_• BM.2007.012:45-01 SALLEE,P. 1968 1968.5.23-01/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :47-02 BM.2007.012.001/58:47-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : pleurs. Lieu du déroulement : dans la case. Description : 5 h. du matin• V= pleurs de femmes• BM.2007.012:47-01 SALLEE,P. 1968 1968.5.23-02/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :47-03 BM.2007.012.001/58:47-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI MWENGUE. DEUXIEME DEUIL Sous-table non exportée Sous-table non exportée Phase de la cérémonie : contes (deux). Lieu du déroulement : dans la case• BM.2007.012:47-02 SALLEE,P. 1968 1968.5.23-03/N AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :48-01 BM.2007.012.001/58:48-01 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI GHEVEA. DEUXIEME DEUIL EKIA Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _ya mueyi_. Lieu du déroulement : _ebandza_• BM.2007.012:47-01 SALLEE,P. 1968 1968.5.24-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :48-02 BM.2007.012.001/58:48-02 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI GHEVEA. DEUXIEME DEUIL EKIA Sous-table non exportée Sous-table non exportée Phase de la cérémonie : _ya mueyi_. Description : tambours de _ya mueyi_• BM.2007.012:48-01 SALLEE,P. 1968 1968.5.24-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :48-03 BM.2007.012.001/58:48-03 00:00:00 N GABON MIMONGO TSOGHO GABON; SALLEE,P.1968 BWITI GHEVEA. DEUXIEME DEUIL EKIA Sous-table non exportée Sous-table non exportée Phase de la cérémonie : conte. Lieu du déroulement : dans la case• BM.2007.012:48-02 SALLEE,P. 1968 1968.5.24-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :49-01 BM.2007.012.001/58:49-01 00:00:00 06/68 GABON LECONI TEKE GABON; SALLEE,P.1968 PAKARI Sous-table non exportée Sous-table non exportée _pakari_ : danse de réjouissance pour femmes• BM.2007.012:48-01 SALLEE,P. 1968 1968.6.01-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :49-02 BM.2007.012.001/58:49-02 00:00:00 06/68 GABON LECONI TEKE GABON; SALLEE,P.1968 SANZA Sous-table non exportée Sous-table non exportée BM.2007.012:49-01 SALLEE,P. 1968 1968.6.01-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :50-01 BM.2007.012.001/58:50-01 00:00:00 06/68 GABON LECONI,PANGWE II TEKE GABON; SALLEE,P.1968 DOMBI Sous-table non exportée Sous-table non exportée _dombi_ : danse de femmes ; se fait au moment des plantations. _nfoumou_ : vieille femme d'une famille royale. _nganfoumou_ : homme en pagne de raphia ayant une sagaie. bâche, houe• BM.2007.012:49-01 SALLEE,P. 1968 1968.6.02-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :50-02 BM.2007.012.001/58:50-02 00:00:00 06/68 GABON LECONI,NKO'O TEKE GABON; SALLEE,P.1968 MBALI Sous-table non exportée Sous-table non exportée _mbali_ : danse de réjouissance (de vin?)• AFT = sifflet. AT = trompe en corne. (Calebasse _ndjaga_ et bâtons _isokou_ = instruments de musique?)• BM.2007.012:50-01 SALLEE,P. 1968 1968.6.02-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :51-01 BM.2007.012.001/58:51-01 00:00:00 06/68 GABON LECONI,NKO'O TEKE GABON; SALLEE,P.1968 MBALI Sous-table non exportée Sous-table non exportée _mbali_ : danse de réjouissance (de vin?)• Suite de BM.2007.012:50-02• Village : est ici orthographié "Ko'o" par Pierre Sallée sur la fiche dactyllographiée. AFT = sifflet. AT = trompe en corne. (Calebasse _ndjaga_ et bâtons _isokou_ = instruments de musique?)• BM.2007.012:50-02 SALLEE,P. 1968 1968.6.03-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :51-02 BM.2007.012.001/58:51-02 00:00:00 06/68 GABON LECONI,ABOUI TEKE GABON; SALLEE,P.1968 ODIGUI Sous-table non exportée Sous-table non exportée _odigui_ : danse mixte de réjouissance• BM.2007.012:51-01 SALLEE,P. 1968 1968.6.03-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :51-03 BM.2007.012.001/58:51-03 00:00:00 06/68 GABON LECONI,ABOUI TEKE GABON; SALLEE,P.1968 ONGALA Sous-table non exportée Sous-table non exportée _ongala_ : danse de femmes• V-VOIX SOLO H = voix de l'homme masqué (S'agit-il du mirliton? A écouter sur l'enregistrement)• BM.2007.012:51-02 SALLEE,P. 1968 1968.6.03-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :51-04 BM.2007.012.001/58:51-04 00:00:00 06/68 GABON LECONI,OMBOUI TEKE GABON; SALLEE,P.1968 NDZOBI Sous-table non exportée Sous-table non exportée _ndzobi_ : fétiche puissant contre les voleurs et les criminels• AT = trompe en corne• BM.2007.012:51-02 SALLEE,P. 1968 1968.6.03-04/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :52-01 BM.2007.012.001/58:52-01 00:00:00 06/68 GABON LECONI,OMPOUI TEKE GABON; SALLEE,P.1968 HARPE NGOMI. ANNONCE ET ETUDE DES CORDES Sous-table non exportée Sous-table non exportée _odigui_ : danse mixte de réjouissance• BM.2007.012:51-02 SALLEE,P. 1968 1968.6.04-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :52-02 BM.2007.012.001/58:52-02 00:00:00 06/68 GABON LECONI,BOUAGNI TEKE GABON; SALLEE,P.1968 MOUTCHENTCHE Sous-table non exportée Sous-table non exportée Titre de la pièce par Pierre Sallée : _moutchentche_ ou _mbaya_ (instrument). (Quel est cet instrument?)• BM.2007.012:52-01 SALLEE,P. 1968 1968.6.04-02/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :52-03 BM.2007.012.001/58:52-03 00:00:00 06/68 GABON LECONI TEKE GABON; SALLEE,P.1968 ETA Sous-table non exportée Sous-table non exportée _eta_ : danse guerrière• BM.2007.012:52-01 SALLEE,P. 1968 1968.6.04-03/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :53-01 BM.2007.012.001/58:53-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée BM.2007.012:50-01 SALLEE,P. 1968 1968.6.05-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :54-01 BM.2007.012.001/58:54-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:53-01• BM.2007.012:53-01 SALLEE,P. 1968 1968.6.06-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :55-01 BM.2007.012.001/58:55-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:54-01• BM.2007.012:54-01 SALLEE,P. 1968 1968.6.07-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :56-01 BM.2007.012.001/58:56-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:55-01• BM.2007.012:55-01 SALLEE,P. 1968 1968.6.08-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :57-01 BM.2007.012.001/58:57-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:56-01• BM.2007.012:56-01 SALLEE,P. 1968 1968.6.09-01/Original AFRIQUE +BM.2007.012 Divers* BM.2007.012.001/58 :58-01 BM.2007.012.001/58:58-01 00:00:00 26/04/68 GABON BITAM,AKOK NSI FANG NTUMU GABON; SALLEE,P.1968 MVET Sous-table non exportée Sous-table non exportée Suite de BM.2007.012:57-01• BM.2007.012:57-01 SALLEE,P. 1968 1968.6.10-01/Original AFRIQUE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-08 BM.2004.004.001/13:08-08 00:02:57 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DISCOURS DE LAKOC FALIW Sous-table non exportée Sous-table non exportée Lakoc Faliw explique aux jeunes chanteurs (Fi'ik Tapac (h), Fafoy Kuwal (h), Lataw Icang (h), Fi'ik Icang (h) l'histoire et l'interprétation "traditionnelle" du chant de la plage précédente : " 'aw 'aw " (pour mener paître les buffles) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-09 BM.2004.004.001/13:08-09 00:01:08 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR MENER FAIRE PAITRE LES BUFFLES 'AW'AW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Les chanteuses décomposent le chant • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-10 BM.2004.004.001/13:08-10 00:03:38 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG SAKACECAY KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h), Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-11 BM.2004.004.001/13:08-11 00:01:52 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h), Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-12 BM.2004.004.001/13:08-12 00:04:14 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG SAKATOLO KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h), Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-13 BM.2004.004.001/13:08-13 00:00:57 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE CELIBATAIRE MULALICINUWASAY Sous-table non exportée Sous-table non exportée 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-14 BM.2004.004.001/13:08-14 00:02:07 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h) = le meneur de chant, Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-15 BM.2004.004.001/13:08-15 00:00:42 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'AMOUR Sous-table non exportée Sous-table non exportée 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-16 BM.2004.004.001/13:08-16 00:01:24 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h), Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-17 BM.2004.004.001/13:08-17 00:02:51 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE D'ADIEU SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h) = le meneur de chant, Fafoy Kuwal (h), Fi'ik Icang (h), Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-18 BM.2004.004.001/13:08-18 00:02:02 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE D'ADIEU SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h) = le meneur de chant, Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :08-19 BM.2004.004.001/13:08-19 00:02:56 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE SAPIKOLAS Sous-table non exportée Sous-table non exportée Chant de sarclage du chant de millet • Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Limat Tahenmeran (f), Fi'ik Tapac (h), Fafoy Kuwal (h), Fi'ik Icang (h) = le meneur de chant, Lataw Icang (h) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-01 BM.2004.004.001/13:09-01 00:02:19 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE PALAFANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Alan (f) : meneuse de chant• 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-02 BM.2004.004.001/13:09-02 00:02:51 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG SAKACECAY KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Alan (f) : meneuse de chant• 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-03 BM.2004.004.001/13:09-03 00:01:47 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA' KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f) : meneuse de chant, Lakoc Faliw (f), Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-04 BM.2004.004.001/13:09-04 00:02:22 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA' KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f) : meneuse de chant, Lakoc Faliw (f), Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-05 BM.2004.004.001/13:09-05 00:01:57 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR MENER PAITRE LES BUFFLES 'AW 'AW Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f) : meneuse de chant, Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-06 BM.2004.004.001/13:09-06 00:02:28 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT CHAMANIQUE MA'ANGANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f) : meneuse de chant, Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-07 BM.2004.004.001/13:09-07 00:00:42 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE MIQOTQOT Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f) : meneuse de chant, Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-08 BM.2004.004.001/13:09-08 00:02:39 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG SAKATOLO' KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, forme responsoriale, Composition du chr : Daya Faliw (f), Lakoc Faliw (f) : meneuse de chant, Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-09 BM.2004.004.001/13:09-09 00:04:24 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2 CHANTS MIPALIW & MICAKAY Sous-table non exportée Sous-table non exportée Chants monophoniques, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Alan (f), Mipaliw : chant de travail collectif, Micakay : chant du débit • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-10 BM.2004.004.001/13:09-10 00:02:36 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE TRAVAIL COLLECTIF MIPALIW Sous-table non exportée Sous-table non exportée Chant monophonique, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-11 BM.2004.004.001/13:09-11 00:02:23 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTDU DEBIT MICAKAY Sous-table non exportée Sous-table non exportée Chant monophonique, Composition du chr : Daya Faliw (f), Lakoc Faliw (f), Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-12 BM.2004.004.001/13:09-12 00:01:23 26/08/2002 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DU VILLAGE DE XINMALAN Sous-table non exportée Sous-table non exportée Chant monophonique, une composition des soeurs Faliw , Composition du choeur : Daya Faliw (f), Lakoc Faliw (f), Alan (f) • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :09-13 BM.2004.004.001/13:09-13 00:33:31 10/07/2003 TAIWAN REKAD (YONGAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS TRADITIONNELS Sous-table non exportée Sous-table non exportée Une cinquantaine d'habitants catholiques venus de 3 villages (Fukid, Rekad et Pacifalan) se sont regroupés au village de Rekad pour la messe du Nouvel An. Après la célébration, ils chantent ensemble leurs chants traditionnels devant l'église • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :10-01 BM.2004.004.001/13:10-01 00:00:00 14/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'APPEL : LES CLASSE D'AGES SE GROUPANT SA'OPO TO KAPUKAPUT Sous-table non exportée Sous-table non exportée Chant avant la cérémonie de "Malikuda' " pour appeler les jeunes hommes à venir danser • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :10-02 BM.2004.004.001/13:10-02 01:04:27 14/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DU NOUVEL AN MALIKUDA' Sous-table non exportée Sous-table non exportée Chants polyphoniques, de forme responsoriale, chantés et dansés par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête du Nouvel An "Kiluma'an" sur la place commune • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-01 BM.2004.004.001/13:11-01 00:03:35 10/07/2003 TAIWAN REKAD AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DU NOUVEL AN MALIKUDA' Sous-table non exportée Sous-table non exportée Chants polyphoniques, de forme responsoriale, chantés et dansés par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête du Nouvel An "Kiluma'an" sur la place commune (cf. CD-09, plage 13) • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-02 BM.2004.004.001/13:11-02 00:06:31 10/07/2003 TAIWAN REKAD AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DU NOUVEL AN MALIKUDA' Sous-table non exportée Sous-table non exportée Chants polyphoniques, de forme responsoriale, chantés et dansés par les classes d'âges d'hommes pendant la cérémonie de "Malikuda' " de la fête du Nouvel An "Kiluma'an" sur la place commune (cf. CD-09, plage 13) • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-03 BM.2004.004.001/13:11-03 00:01:03 11/07/2003 TAIWAN FALANGAW (MALAN) AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE LAKACAW LAKACAW Sous-table non exportée Sous-table non exportée Chant responsorial, exécuté lors de la cérémonie de l'initiation des jeunes hommes • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-04 BM.2004.004.001/13:11-04 00:00:50 12/07/2003 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG SAKACECAY KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, lors de "Mipawusa" à la maison commune• 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-05 BM.2004.004.001/13:11-05 00:04:23 12/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG & MIPELOKAY Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, lors de "Mipawusa" à la maison commune• 2ème chant long : sakatusa'ku'edaway, Mipelokay : frapper du pied • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-06 BM.2004.004.001/13:11-06 00:01:16 13/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS MIPELOKAY : FRAPPER DU PIED Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, lors de "Mipawusa" à la maison commune• 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-07 BM.2004.004.001/13:11-07 00:00:53 14/07/2003 TAIWAN FALANGAW AMI SUN,CHUN-YEN;TAIWAN:'AMIS MIPAWUSA' MIPAWUSA' Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, lors de "Mipawusa" à la maison commune• 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-08 BM.2004.004.001/13:11-08 00:01:23 14/07/2003 TAIWAN FALANGAW AMI SUN,CHUN-YEN;TAIWAN:'AMIS MIPAWUSA' MIPAWUSA' Sous-table non exportée Sous-table non exportée Chant polyphonique, de forme responsoriale, lors de "Mipawusa" à la maison commune• 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-09 BM.2004.004.001/13:11-09 00:01:42 12/07/2003 TAIWAN FALANGAW AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA'KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, de forme responsoriale, exécuté à la maison commune après le rite de pêche "Mikésil"• Meneur de chant : Laway'Asam • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-10 BM.2004.004.001/13:11-10 00:06:05 12/07/2003 TAIWAN FALANGAW AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DES ANCETRES KASU'AW Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, de forme responsoriale, exécuté à la maison commune après le rite de pêche "Mikésil"• Meneur de chant : Laway'Asam • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-11 BM.2004.004.001/13:11-11 00:14:50 15/07/2003 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS MALIKUDA' Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chanté par les classes d'hommes pendant la cérémonie de "Malikuda' " de la fête de Nouvel An "Kiluma'an" sur la place commune. Ce chant est probablement une nouvelle création des habitants de Matang • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-12 BM.2004.004.001/13:11-12 00:05:12 15/07/2003 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE DE NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chanté et dansé par les jeunes hommes de Matang • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-13 BM.2004.004.001/13:11-13 00:10:46 15/07/2003 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE DE NOUVEL AN MITERUCAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chanté et dansé par les jeunes hommes de Matang • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :11-14 BM.2004.004.001/13:11-14 00:03:37 15/07/2003 TAIWAN MATANG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DE NOUVEL AN Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, chanté et dansé par les jeunes hommes du village de 'Ining • 1er chant : Mita'ongay, 2ème chant : Miterucay • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-01 BM.2004.004.001/13:12-01 00:05:49 19/07/2002 TAIWAN TAIDONG AMI SUN,CHUN-YEN;TAIWAN:'AMIS 4 CHANTS PAR L'ENSEMBLE CHUYIN Sous-table non exportée Sous-table non exportée Chants polyphoniques de forme responsoriale, enregistrés lors d'une activité touristique organisée par la municipalité • Titre des chants : 1- Miqotqot : chant de sarclage 2- 'Aw ' aw : chant pour mener paître les buffles 3- Sapikero' : 4- Sapi'inkay : chant de la fête d'adieu • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-02 BM.2004.004.001/13:12-02 00:01:53 19/07/2002 TAIWAN TAIDONG AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT PASONGKANG PAR L'ENSEMBLE YUANYIN PASONGKANG Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, enregistré lors d'une activité touristique organisée par la municipalité • "Pasongkang" : chant de réunion après le travail • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-03 BM.2004.004.001/13:12-03 00:03:14 19/07/2002 TAIWAN TAIDONG AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2 CHANTS PAR L'ENSEMBLE YUANYIN PASONGKANG Sous-table non exportée Sous-table non exportée Chants polyphoniques de forme responsoriales, enregistrés lors d'une activité touristique organisée par la municipalité • Titre des chants : 1- Sakatolo'ku'edaway : 3ème chant long 2- Mipingpingay : chant dansé de la fête du Nouvel An • 2002 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-04 BM.2004.004.001/13:12-04 00:05:35 10/07/2003 TAIWAN REKAD AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS POLYPHONIQUES Sous-table non exportée Sous-table non exportée Une dizaine d'habitants du village de Fukid participent à la messe du Nouvel An au village de Rekad. Après la messe, ils sont invités à chanter leurs chants traditionnels. Cf. CD-9, plage 13 • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-05 BM.2004.004.001/13:12-05 00:07:20 10/07/2003 TAIWAN REKAD AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS POPULAIRES 'AMIS A L'ACCORDEON Sous-table non exportée Sous-table non exportée Zeng, un évèque d'origine Puyuma (autre groupe aborigène taïwanais) joue des chants populaires 'amis avec son accordéon en divertissement avec les habitants 'amis. Cf. CD-9, plage 13 • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-06 BM.2004.004.001/13:12-06 00:20:19 15/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DU NOUVEL AN MALIKUDA' Sous-table non exportée Sous-table non exportée Chants polyhoniques de forme responsoriale, chantés et dansés pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an", sur la place commune • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-07 BM.2004.004.001/13:12-07 00:19:52 16/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANTS DE LA FETE DU NOUVEL AN MALIKUDA' Sous-table non exportée Sous-table non exportée Chants polyhoniques de forme responsoriale, chantés et dansés pendant la cérémonie de "Malikuda' "de la fête de Nouvel An "Kiluma'an", sur la place commune • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-08 BM.2004.004.001/13:12-08 00:02:43 16/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE REUNION APRES LE TRAVAIL PASONGKANG Sous-table non exportée Sous-table non exportée Chant quasi-monophonique, forme responsoriale, exécuté lors de l'activité communautaire "Pipipay" de la fête de Nouvel An • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-09 BM.2004.004.001/13:12-09 00:01:04 16/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE LAKACAW LAKACAW Sous-table non exportée Sous-table non exportée Chant quasi-monophonique,exécuté lors de l'activité communautaire "Pipipay" de la fête de Nouvel An • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-10 BM.2004.004.001/13:12-10 00:01:00 16/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE Sous-table non exportée Sous-table non exportée Chant quasi-monophonique,exécuté lors de l'activité communautaire "Pipipay" de la fête de Nouvel An • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :12-11 BM.2004.004.001/13:12-11 00:01:42 16/07/2003 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS DANSE Sous-table non exportée Sous-table non exportée Chant quasi-monophonique,exécuté lors de l'activité communautaire "Pipipay" de la fête de Nouvel An • 2003 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-01 BM.2004.004.001/13:13-01 00:02:22 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 1ER CHANT LONG SAKACECAY KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-02 BM.2004.004.001/13:13-02 00:04:24 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 2EME CHANT LONG SAKATUSA' KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-03 BM.2004.004.001/13:13-03 00:04:53 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS 3EME CHANT LONG SAKATOLO' KU'EDAWAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-04 BM.2004.004.001/13:13-04 00:03:21 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT CHAMANIQUE MA'ANGANGAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-05 BM.2004.004.001/13:13-05 00:03:44 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS VISITER LE VILLAGE DE PAKALA'AC PAKALA'AC Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-06 BM.2004.004.001/13:13-06 00:03:38 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT POUR MENER PAITRE LES BUFFLES 'AW 'AW Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-07 BM.2004.004.001/13:13-07 00:04:14 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE SARCLAGE MIQOTQOT Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-08 BM.2004.004.001/13:13-08 00:02:38 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE JOIE DES JH KAHEMEKAN NO KAPAH Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-09 BM.2004.004.001/13:13-09 00:04:40 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE LA FETE D'ADIEU SAPI'INKAY Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-10 BM.2004.004.001/13:13-10 00:03:46 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE VISITE KIMIKAYO Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-11 BM.2004.004.001/13:13-11 00:03:40 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT DE MARIAGE SAPAKA'IF Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • 2004 ASIE +BM.2004.004 CDR-extérieur BM.2004.004.001/13 :13-12 BM.2004.004.001/13:13-12 00:04:06 20/07/2004 TAIWAN FUKID AMI SUN,CHUN-YEN;TAIWAN:'AMIS CHANT D'AMOUR MASASUWAL Sous-table non exportée Sous-table non exportée Chant polyphonique de forme responsoriale, Composition du chr : Laway'Asam (h, meneur), Daya Faliw (f), Limat Tahenmeran (f), Miko (f), Payrang (h), Cangla'(h), Hongay (f) • BM.2004.004.001/13:13-11 2004 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-02 BM.999.009.001/09:01-02 00:11:42 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.151 / NOTATION P.281 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-03 BM.999.009.001/09:01-03 00:03:31 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.152 / NOTATION P.283 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-04 BM.999.009.001/09:01-04 00:07:22 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.153 / NOTATION P.284 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-05 BM.999.009.001/09:01-05 00:05:18 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.153 / NOTATION P.285 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-06 BM.999.009.001/09:01-06 00:07:14 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.154 / NOTATION P.286 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-07 BM.999.009.001/09:01-07 00:05:32 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.157 / NOTATION P.288 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-08 BM.999.009.001/09:01-08 00:04:16 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.158 / NOTATION P.288 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :01-09 BM.999.009.001/09:01-09 00:06:44 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.159 / NOTATION P.289 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :02-01 BM.999.009.001/09:02-01 00:13:06 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.162 / NOTATION P.291 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :02-02 BM.999.009.001/09:02-02 00:07:39 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.163 / NOTATION P.294 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :02-03 BM.999.009.001/09:02-03 00:16:52 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.167 / NOTATION P.297 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :02-04 BM.999.009.001/09:02-04 00:08:58 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.168 / NOTATION P.298 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :02-05 BM.999.009.001/09:02-05 00:23:09 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.170 / NOTATION P.300, 302, 303 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :03-01 BM.999.009.001/09:03-01 00:20:03 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.176 / NOTATION P.305-306 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :03-02 BM.999.009.001/09:03-02 00:15:45 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.181 / NOTATION P.308-310 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :03-03 BM.999.009.001/09:03-03 00:37:24 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.183 / NOTATION P.312-316 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Phrin-las • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-01 BM.999.009.001/09:04-01 00:12:18 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.186 / NOTATION P.319 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-02 BM.999.009.001/09:04-02 00:10:39 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.187 / NOTATION P.321 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-03 BM.999.009.001/09:04-03 00:04:12 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.189 / NOTATION P.322 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-04 BM.999.009.001/09:04-04 00:17:08 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.189 / NOTATION P.322 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-05 BM.999.009.001/09:04-05 00:06:15 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.190 / NOTATION P.325 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-06 BM.999.009.001/09:04-06 00:07:27 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.191 / NOTATION P.325 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :04-07 BM.999.009.001/09:04-07 00:15:40 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.192 / NOTATION P.326 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa), Suite de cette section sur la plage 1 du CD 5 • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-01 BM.999.009.001/09:05-01 00:07:00 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.193 / NOTATION P.328 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa), Suite et fin de la plage 7 du CD 4 • 1995 ASIE +BM.2008.003 Ø13 BM.2008.003.001 :01-01 BM.2008.003.001:01-01 00:00:00 12/12/69 GABON N N GABON. SALLEE,P. 1969 N Sous-table non exportée Sous-table non exportée 1969 1969.1.01-01/N AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :01-01 BM.2008.004.001/25:01-01 00:00:00 12/12/69 GABON FOUGAMOU,MANDJI,BILA NZAMBI ESHIRA GABON;SALLEE;P.;1970 MUGONGO Sous-table non exportée Sous-table non exportée Chez Sébastien Itchoumbi• Notes de Pierre Sallée : "les 3/4 de la bobine sont vierges"• 1969 1970.1.01-01/N AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :01-02 BM.2008.004.001/25:01-02 00:00:00 12/12/69 GABON FOUGAMOU,MANDJI,BILA NZAMBI ESHIRA GABON;SALLEE;P.;1970 MUGONGO Sous-table non exportée Sous-table non exportée Chez Sébastien Itchoumbi• Notes de Pierre Sallée : "les 3/4 de la bobine sont vierges"• BM.2008.004.001/25:01-01 1969 1970.1.01-02/N AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :01-02 BM.1969.043.001/18:01-02 00:03:05 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.1 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :02-01 BM.2008.004.001/25:02-01 00:00:00 04/?/70 GABON LIBREVILLE,NTOUM TSOGHO GABON;SALLEE;P.;1970 BWITI MWENGE Sous-table non exportée Sous-table non exportée Levée du _dembe_ pour le deuil de Mongoa. Enregistrement effectué en compagnie du chef de village• Le mois pendant lequel a été effectué l'enregistrement doit normalement être indiqué au début de l'enregistrement (annonce). M = "tambours habituels de Bwiti"• BM.2008.004.001/25:01-01 1970 1970.1.02-01/N AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :03-01 BM.2008.004.001/25:03-01 00:00:00 22/05/70 GABON AKUMBA,ANIGE TSOGHO GABON;SALLEE;P.;1970 CONTE. MOSODWE Sous-table non exportée Sous-table non exportée _mosodwe_ = conte long. Conteuse originaire de Sindara• BM.2008.004.001/25:01-01 1970 1970.1.03-01/N AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :01-03 BM.1969.043.001/18:01-03 00:02:35 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.1 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :04-01 BM.2008.004.001/25:04-01 00:00:00 22/05/70 GABON AKUMBA,ANIGE TSOGHO GABON;SALLEE;P.;1970 CONTE. MOSODWE Sous-table non exportée Sous-table non exportée _mosodwe_ = conte long. Conteuse originaire de Sindara• Suite de BM.2008.004.001/25:03-01. Village : Anîge est ici orthographié Anîgo par Pierre Sallée• BM.2008.004.001/25:03-01 1970 1970.1.04-01/N AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :01-04 BM.1969.043.001/18:01-04 00:05:40 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.1 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :01-05 BM.1969.043.001/18:01-05 00:04:20 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.1 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :02-02 BM.1969.043.001/18:02-02 00:04:20 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée Pièce publiée LD 786 • MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.2 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :02-03 BM.1969.043.001/18:02-03 00:04:30 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.2 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :02-05 BM.1969.043.001/18:02-05 00:03:00 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée Pièce V) : publié LD 786/ MID- tambour sur poterie _terija_ I- ciseaux _tuzlin_ • LORTAT-JACOB,B. 1969 M.2 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-02 BM.1969.043.001/18:03-02 00:03:25 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-03 BM.1969.043.001/18:03-03 00:04:50 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-01 BM.2008.004.001/25:05-01 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 NZAMBIA SONA DIEU A ECRIT ET LE PERROQUET A PARLE Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:01-01 1970 1970.2.01-01/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-04 BM.1969.043.001/18:03-04 00:03:10 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-05 BM.1969.043.001/18:03-05 00:02:25 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :03-06 BM.1969.043.001/18:03-06 00:07:45 09/1969 MAROC DEMNATE,BUGRART AYT DEMNATE MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AYT DEMNATE (F) Sous-table non exportée Sous-table non exportée MID- tambour sur poterie _terija_ • LORTAT-JACOB,B. 1969 M.3 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-02 BM.2008.004.001/25:05-02 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MADZUNDZE VOLA L'OISEAU, TAIS-TOI, CHACUN MEURT AVEC SES DEFAUTS Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté. Chant d'amour• BM.2008.004.001/25:05-01 1970 1970.2.01-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-03 BM.2008.004.001/25:05-03 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 DICTUNA MUADZI DEUX AMIS QUI SE PROMENENT A LA RIVIERE (MOI ET LE BEAU-FRERE) Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-02 1970 1970.2.01-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-04 BM.2008.004.001/25:05-04 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MWANA MUKUYI Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté. (en forme de vocalise) Invocation des ancêtres. (2 départs) Exprime le regret de revoir ses enfants dépérir alors qu'elle était la fille unique de son père• BM.2008.004.001/25:05-01 1970 1970.2.01-04/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :11-03 BM.1969.043.001/18:11-03 00:01:15 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANTS POUR LA CIRCONCISION Sous-table non exportée Sous-table non exportée circoncision • Versets coraniques / circoncision • LORTAT-JACOB,B. 1969 M.11 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-05 BM.2008.004.001/25:05-05 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MOSINGA VOLA LA GENETTE, TAIS-TOI Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-06 BM.2008.004.001/25:05-06 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 NZAMBI BWANGA LA FILLE DE DIEU AVAIT DOUZE ENFANTS QUI AVAIENT CHACUN LEUR METIER Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-06/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :12-02 BM.1969.043.001/18:12-02 00:03:40 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 MARIAGE : URAR Sous-table non exportée Sous-table non exportée Chant pour l'arrivée de la mariée chez son mari • Ambiance, bruits, musiciens dans le lointain • LORTAT-JACOB,B. 1969 M.12 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-07 BM.2008.004.001/25:05-07 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MBARITIMBI UN PALMIER DIFFICILE A GRIMPER Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-07/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :12-03 BM.1969.043.001/18:12-03 00:07:15 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 MARIAGE : URAR Sous-table non exportée Sous-table non exportée Chez la mariée • Ambiance, bruits, musiciens dans le lointain, plusieurs interruptions • LORTAT-JACOB,B. 1969 M.12 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :12-04 BM.1969.043.001/18:12-04 00:02:30 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 MARIAGE : URAR Sous-table non exportée Sous-table non exportée Chanté et dansé chez la mariée • Claquements de mains, bruits • LORTAT-JACOB,B. 1969 M.12 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-08 BM.2008.004.001/25:05-08 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 IKURI MINDOUMBI UN HOMME INSUPPORTABLE Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-09 BM.2008.004.001/25:05-09 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 LES ENFANTS DE BWANGA Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté. Citation par la conteuse des enfants de Bwanga• BM.2008.004.001/25:05-01 1970 1970.2.01-09/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-10 BM.2008.004.001/25:05-10 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 NGAMU DJONGULU JE DEVIENS SIMPLE (UN HOMME DE CARACTERE DIFFICILE) Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-10/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-11 BM.2008.004.001/25:05-11 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MARUNDU MA NZAMBI MARUNDU, L'ENFANT DE NZAMBI Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-11/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-12 BM.2008.004.001/25:05-12 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 MUBAMDA NZAMBI MUBAMDA, L'ENFANT DE NZAMBI Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-12/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-13 BM.2008.004.001/25:05-13 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 DOVIENA BUGANGA L'OISEAU FETICHEUR Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté. L'oiseau féticheur (couleur bleue) qui citait les noms des personnes du village (sorte de litanie)• BM.2008.004.001/25:05-01 1970 1970.2.01-13/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-14 BM.2008.004.001/25:05-14 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 TSAMBUMBU LA FEMME D'UNE FEUILLE Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-14/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-15 BM.2008.004.001/25:05-15 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 NZAMBIA SONA Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-15/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-16 BM.2008.004.001/25:05-16 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 NDENDA Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-16/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-17 BM.2008.004.001/25:05-17 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 GOMBA ANYENGA LE PAGNE DE RAPHIA EST BRULE Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• BM.2008.004.001/25:05-01 1970 1970.2.01-17/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :05-18 BM.2008.004.001/25:05-18 00:00:00 01/07/70 GABON TCHIBANGA,MIDOUMA,KABUNZAMBI PUNU GABON;SALLEE;P.;1970 INVOCATION AUX ANCETRES Sous-table non exportée Sous-table non exportée _koghu_ = conte chanté• Pierre Sallée renvoie à la plage 4 de cette bobine sonore• BM.2008.004.001/25:05-01 1970 1970.2.01-18/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :13-02 BM.1969.043.001/18:13-02 00:14:10 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 DANSE DE LA MARIEE Sous-table non exportée Sous-table non exportée Danse de la mariée _tamgra_ • Publié : LD 786 / • MID- = tambour sur cadre _tgnza_ Chant _youyous_ de femmes • LORTAT-JACOB,B. 1969 M.13 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-01 BM.2008.004.001/25:06-01 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 TAI MAWASSA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:01-01 1970 1970.2.02-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-02 BM.2008.004.001/25:06-02 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 MBOMA MIGNOGA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-03 BM.2008.004.001/25:06-03 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 N'KOT NBAVU KAMATIENBI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-04 BM.2008.004.001/25:06-04 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 IBWEDI BWEDI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-05 BM.2008.004.001/25:06-05 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 DUBOLONGU EBANGME Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-02 BM.2008.004.001/25:09-02 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 KOMBO Sous-table non exportée Sous-table non exportée Explication de deux surnoms• BM.2008.004.001/25:09-01 1970 1970.2.05-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-06 BM.2008.004.001/25:06-06 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 MURELE GUIGULE MALONGU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-06/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-07 BM.2008.004.001/25:06-07 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 NGUYI MAWASA NA KIDDI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-07/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-03 BM.1969.043.001/18:14-03 00:00:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" . Sous-table non exportée Sous-table non exportée _Ahwas_ • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-04 BM.1969.043.001/18:14-04 00:00:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" . Sous-table non exportée Sous-table non exportée _Ahwas_ de type "boîteurx" • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-08 BM.2008.004.001/25:06-08 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 GNENOROMBO BANA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-09 BM.2008.004.001/25:06-09 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 EKUNGU ET MAMBU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-09/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-05 BM.1969.043.001/18:14-05 00:00:33 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" . Sous-table non exportée Sous-table non exportée _Ahwas_ de type "boîteux" chanté rapidement • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-10 BM.2008.004.001/25:06-10 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 MARUNDU NA MBUMBA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-10/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-11 BM.2008.004.001/25:06-11 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 IKOLE MENU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-11/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-12 BM.2008.004.001/25:06-12 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 YEGUNGUE Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-12/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-13 BM.2008.004.001/25:06-13 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-PAUL PUNU GABON;SALLEE;P.;1970 MUNGOLI IBAMBE Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux. Chez Marcelin Mouloungi• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-13/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-14 BM.2008.004.001/25:06-14 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 DIVOMBU GNIUU WENDE Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-01 1970 1970.2.02-14/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-02 BM.1969.043.001/18:14-02 00:00:40 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS "AHWAS" . Sous-table non exportée Sous-table non exportée _Ahwas_ • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-15 BM.2008.004.001/25:06-15 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 NZALU KULU MOBELE Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-15/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-16 BM.2008.004.001/25:06-16 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 MAYEGE MAMGOGUBONDZI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-16/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-07 BM.1969.043.001/18:14-07 00:00:07 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Comptine, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-08 BM.1969.043.001/18:14-08 00:00:08 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Comptine, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-17 BM.2008.004.001/25:06-17 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 NGANGU ILIB IMITUNGU NA MIGEGUI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-17/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-09 BM.1969.043.001/18:14-09 00:00:07 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Comptine, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-18 BM.2008.004.001/25:06-18 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 MABALA ET MENU MWA MAMA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-18/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-10 BM.1969.043.001/18:14-10 00:00:12 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Comptine, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-03 BM.2008.004.001/25:09-03 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 TSAVOU. CONTE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:09-01 1970 1970.2.05-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-19 BM.2008.004.001/25:06-19 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 BAMUBWA VUDISSIMU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-19/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :14-12 BM.1969.043.001/18:14-12 00:00:04 09/1969 MAROC HAUT-ATLAS,TAGURT AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 COMPTINES Sous-table non exportée Sous-table non exportée Formulette, voix d'adolescent • LORTAT-JACOB,B. 1969 M.14 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-20 BM.2008.004.001/25:06-20 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 NGUMBE BULONDU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-20/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-21 BM.2008.004.001/25:06-21 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 PAVU NA PAVU BAGANA DWENGU Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-21/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-22 BM.2008.004.001/25:06-22 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 YA LAMBA DINONGUE NA BABALA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-22/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-23 BM.2008.004.001/25:06-23 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 IGALA MABU A GALA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-23/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-24 BM.2008.004.001/25:06-24 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 DIHALA RONDA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-24/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-25 BM.2008.004.001/25:06-25 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 MUSINGUI RANDA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-25/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-26 BM.2008.004.001/25:06-26 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 KOBINGANGA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-26/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-27 BM.2008.004.001/25:06-27 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 KAFUNU DINGUMBI AKA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-27/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-28 BM.2008.004.001/25:06-28 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 YENU DWIVIGGILI OTSI Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-28/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :06-29 BM.2008.004.001/25:06-29 00:00:00 03/07/70 GABON NDENDE,QUARTIER SAINT-JOSEPH PUNU GABON;SALLEE;P.;1970 BAGULU KUMBU TOINGA Sous-table non exportée Sous-table non exportée _mawassa_ = chant pour jumeaux• *Voix de femmes : Thérère Tsono et Albertine ; Agnès Mondunga et Catherine Biyongu. Cette information est donnée de manière générale pour toutes les plages de la bobine. La répartition des interprètes en fonction des plages n'est pas précisée• BM.2008.004.001/25:06-14 1970 1970.2.02-29/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-15 BM.1969.043.001/18:15-15 00:01:10 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANT DE MARIAGE, URAR Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1969 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-02 BM.1969.043.001/18:16-02 00:01:15 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANTS DE MARIAGE URAR Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-03 BM.1969.043.001/18:16-03 00:03:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANTS DE MARIAGE URAR Sous-table non exportée Sous-table non exportée LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-01 BM.2008.004.001/25:07-01 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MAMBURU ROMBINANU Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:06-01 1970 1970.2.03-01/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-05 BM.1969.043.001/18:16-05 00:01:15 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-02 BM.2008.004.001/25:07-02 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 NANIGA MONGA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-02/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-06 BM.1969.043.001/18:16-06 00:00:15 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-03 BM.2008.004.001/25:07-03 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MBONGO Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-04 BM.2008.004.001/25:07-04 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MDIONGA TUKI DIONGA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-04/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-07 BM.1969.043.001/18:16-07 00:00:20 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-08 BM.1969.043.001/18:16-08 00:00:45 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-05 BM.2008.004.001/25:07-05 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 OUMBANDA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-06 BM.2008.004.001/25:07-06 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 NZEMBI YAGU YAGU Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-06/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-07 BM.2008.004.001/25:07-07 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 WAYI WAYI MBUNA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-07/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-10 BM.1969.043.001/18:16-10 00:02:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHANT DE CIRCONCISION Sous-table non exportée Sous-table non exportée Chant de circoncision • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-08 BM.2008.004.001/25:07-08 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 RA'BOUANGA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-09 BM.2008.004.001/25:07-09 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 RAGANGA MAGONZORE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-09/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-10 BM.2008.004.001/25:07-10 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MAGONDJIMBE MAGONDJIMBE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-10/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-11 BM.2008.004.001/25:07-11 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 UPEKA NA DUKENGU Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-11/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-12 BM.2008.004.001/25:07-12 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MENIYANIGANGA YEBUNGANGA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-12/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-12 BM.1969.043.001/18:16-12 00:00:40 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-13 BM.2008.004.001/25:07-13 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 NGWEYENANI MATENGU Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-13/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :16-13 BM.1969.043.001/18:16-13 00:01:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • LORTAT-JACOB,B. 1969 M.16 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-14 BM.2008.004.001/25:07-14 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 MAGANINE NDONGU Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-14/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-15 BM.2008.004.001/25:07-15 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 NGONDA OMBANDA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-15/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-16 BM.2008.004.001/25:07-16 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 ORONDA Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-16/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-17 BM.2008.004.001/25:07-17 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 GO BITSI TSI Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-17/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :17-02 BM.1969.043.001/18:17-02 00:13:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AHWAS & LMSAQ Sous-table non exportée Sous-table non exportée _Ahwas_ M2- tambour à deux peaux _bngri_ M- tambour sur cadre _tgnza_ BC- claquements de mains IE- bijoux entrechoqués Cette BM est la bande-son d'un film réalisé par/en collaboration avec Ariane Bruneton • LORTAT-JACOB,B. 1969 M.17 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-18 BM.2008.004.001/25:07-18 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 UBEMBE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-18/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :17-03 BM.1969.043.001/18:17-03 00:06:30 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 CHOEURS AHWAS & LMSAQ Sous-table non exportée Sous-table non exportée Bande témoin des pièces 17-01 et 17-02 Cette BM est la bande-son d'un film réalisé par/en collaboration avec Ariane Bruneton • LORTAT-JACOB,B. 1969 M.17 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-19 BM.2008.004.001/25:07-19 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 WAMBE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-19/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-20 BM.2008.004.001/25:07-20 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 DIBENGUE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-20/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :07-21 BM.2008.004.001/25:07-21 00:00:00 07/07/70 GABON TCHIBANGA,QUARTIER NYANGA PUNU GABON;SALLEE;P.;1970 A YAWE YAWE Sous-table non exportée Sous-table non exportée Chant pour _nguembe_. Mouvangui Mbouti Angélique = cheftaine• BM.2008.004.001/25:07-01 1970 1970.2.03-21/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-01 BM.2008.004.001/25:08-01 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 LA MAIN DU CHIMPANZE DIKAKA DINZIEGOU Sous-table non exportée Sous-table non exportée _tsavou_ = conte. Victor Makosso = sculpteur• BM.2008.004.001/25:07-01 1970 1970.2.04-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-02 BM.2008.004.001/25:08-02 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 MUSOUZI TABUGA Sous-table non exportée Sous-table non exportée _tsavou_ = conte• BM.2008.004.001/25:08-01 1970 1970.2.04-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-03 BM.2008.004.001/25:08-03 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 ENQUETE SUR LA FABRICATION DE LA POTERIE ET DE LA VANNERIE Sous-table non exportée Sous-table non exportée _tsavou_ = conte. Victor Makosso = sculpteur• BM.2008.004.001/25:08-01 1970 1970.2.04-03/Copie AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :18-02 BM.1969.043.001/18:18-02 00:00:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 BARRATAGE ET PETRISSAGE Sous-table non exportée Sous-table non exportée Pas de durées précisées ; Barratage, son seul. Cette BM est la bande sonde deux films réalisés par Ariane Bruneton • LORTAT-JACOB,B. 1969 M.18 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :18-03 BM.1969.043.001/18:18-03 00:00:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 BARRATAGE ET PETRISSAGE Sous-table non exportée Sous-table non exportée Pas de durées précisées ; Pétrissage, son avec caméra. Cette BM est la bande sonde deux films réalisés par Ariane Bruneton • LORTAT-JACOB,B. 1969 M.18 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :18-04 BM.1969.043.001/18:18-04 00:00:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 BARRATAGE ET PETRISSAGE Sous-table non exportée Sous-table non exportée Pas de durées précisées ; Pétrissage, son seul. Cette BM est la bande sonde deux films réalisés par Ariane Bruneton • LORTAT-JACOB,B. 1969 M.18 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :18-05 BM.1969.043.001/18:18-05 00:00:00 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 BARRATAGE ET PETRISSAGE Sous-table non exportée Sous-table non exportée Pas de durées précisées ; Ambiances. Cette BM est la bande sonde deux films réalisés par Ariane Bruneton • LORTAT-JACOB,B. 1969 M.18 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-04 BM.2008.004.001/25:08-04 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 MILIMBU AKAGNI Sous-table non exportée Sous-table non exportée _tsavou_ = conte• BM.2008.004.001/25:08-01 1970 1970.2.04-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-05 BM.2008.004.001/25:08-05 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 MWAGI DU BILE Sous-table non exportée Sous-table non exportée Chant de mariage• BM.2008.004.001/25:08-04 1970 1970.2.04-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-06 BM.2008.004.001/25:08-06 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 BUDILA Sous-table non exportée Sous-table non exportée _tsavou_ = conte• BM.2008.004.001/25:08-04 1970 1970.2.04-06/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-07 BM.2008.004.001/25:08-07 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 DIBAGHALA LUNGA MU FUNA Sous-table non exportée Sous-table non exportée _tsavou_ = conte• Notes en observation : _Doukagha Kumba_• BM.2008.004.001/25:08-06 1970 1970.2.04-07/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :08-08 BM.2008.004.001/25:08-08 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 DIBAGHALA LUNGA MU FUNA Sous-table non exportée Sous-table non exportée _tsavou_ = conte• Notes en observation : _Doukagha Kumba_• BM.2008.004.001/25:08-07 1970 1970.2.04-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-01 BM.2008.004.001/25:09-01 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 DIBAGHALA LUNGA MU FUNA Sous-table non exportée Sous-table non exportée _tsavou_ = conte• Suite de BM.2008.004.001/25:08-01. _tsavou_ est ici orthographié _tsasu_ par Pierre Sallée. Notes en observation : _Doukagha Kumba_• BM.2008.004.001/25:08-08 1970 1970.2.05-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-04 BM.2008.004.001/25:09-04 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 TSAVOU. CONTE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:09-03 1970 1970.2.05-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-05 BM.2008.004.001/25:09-05 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 TSAVOU. CONTE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:09-04 1970 1970.2.05-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-06 BM.2008.004.001/25:09-06 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 TSAVOU. CONTE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:09-05 1970 1970.2.05-06/Copie AFRIQUE +BM.999.009 CDR BM.999.009.001/09 :05-02 BM.999.009.001/09:05-02 00:08:58 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.195 / NOTATION P.329 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa)• 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-03 BM.999.009.001/09:05-03 00:09:39 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.195 / NOTATION P.330 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa)• 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-04 BM.999.009.001/09:05-04 00:03:59 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.197 / NOTATION P.332 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa)• 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-05 BM.999.009.001/09:05-05 00:03:57 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.197 / NOTATION P.333 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa), Suite de la plage précédente • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-06 BM.999.009.001/09:05-06 00:06:56 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.198 / NOTATION P.333 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-07 BM.999.009.001/09:05-07 00:05:45 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.200 / NOTATION P.335 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :05-08 BM.999.009.001/09:05-08 00:07:45 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.201 / NOTATION P.336 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Rituel aux 9 protecteurs : sections des Louanges (Bstod-Pa) • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-01 BM.999.009.001/09:06-01 00:04:30 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.236 / NOTATION P.338 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section desAcolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-02 BM.999.009.001/09:06-02 00:08:55 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.238 / NOTATION P.339 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section desAcolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-03 BM.999.009.001/09:06-03 00:02:56 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.240 / NOTATION P.342 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-04 BM.999.009.001/09:06-04 00:08:30 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.241 / NOTATION P.342 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-05 BM.999.009.001/09:06-05 00:04:25 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.242 / NOTATION P.344 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-06 BM.999.009.001/09:06-06 00:06:41 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.243 / NOTATION P.346 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier Technique détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-07 BM.999.009.001/09:06-07 00:05:54 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.244 / NOTATION P.348 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-08 BM.999.009.001/09:06-08 00:05:24 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.246 / NOTATION P.350 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :06-09 BM.999.009.001/09:06-09 00:12:01 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.247 / NOTATION P.352 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-01 BM.999.009.001/09:07-01 00:06:50 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.248 / NOTATION P.355 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-02 BM.999.009.001/09:07-02 00:10:11 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.248 / NOTATION P.356 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-03 BM.999.009.001/09:07-03 00:05:29 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.249 / NOTATION P.358 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-04 BM.999.009.001/09:07-04 00:08:50 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.250 / NOTATION P.360 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-05 BM.999.009.001/09:07-05 00:08:36 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.250 / NOTATION P.362 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-06 BM.999.009.001/09:07-06 00:03:40 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.253 / NOTATION P.365 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-07 BM.999.009.001/09:07-07 00:06:04 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.253 / NOTATION P.365-366 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-08 BM.999.009.001/09:07-08 00:07:45 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.112 / NOTATION P.367 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :07-09 BM.999.009.001/09:07-09 00:05:39 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.113 / NOTATION P.367 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-01 BM.999.009.001/09:08-01 00:06:35 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.113 / NOTATION P.368 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong, Suite de la plage précédente : CD 7 plage 09 • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-02 BM.999.009.001/09:08-02 00:02:50 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.202 / NOTATION P.368 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-03 BM.999.009.001/09:08-03 00:02:40 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.202 / NOTATION P.370 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier Technique détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-04 BM.999.009.001/09:08-04 00:04:12 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.205 / NOTATION P.374 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-05 BM.999.009.001/09:08-05 00:04:52 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.205 / NOTATION P.374 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des Acolytes (Rjes-'brang) des chos-skyong • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-06 BM.999.009.001/09:08-06 00:04:41 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.206 / NOTATION P.382 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier Technique détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-07 BM.999.009.001/09:08-07 00:05:25 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.208 / NOTATION P.382 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-08 BM.999.009.001/09:08-08 00:06:23 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.210 / NOTATION P.385 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-09 BM.999.009.001/09:08-09 00:05:45 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.211 / NOTATION P.386 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-10 BM.999.009.001/09:08-10 00:06:16 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.213 / NOTATION P.387 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-11 BM.999.009.001/09:08-11 00:03:49 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.215 / NOTATION P.389 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-12 BM.999.009.001/09:08-12 00:03:32 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.218 / NOTATION P.390 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-13 BM.999.009.001/09:08-13 00:12:19 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.219 / NOTATION P.391 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :08-14 BM.999.009.001/09:08-14 00:04:38 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.220 / NOTATION P.393 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des propitiations (Bskang-Ba) aux 9 protecteurs • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-01 BM.999.009.001/09:09-01 00:10:49 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.221 / NOTATION P.394 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-02 BM.999.009.001/09:09-02 00:12:29 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.222 / NOTATION P.398 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-03 BM.999.009.001/09:09-03 00:05:20 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.223 / NOTATION P.401 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-04 BM.999.009.001/09:09-04 00:05:17 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.225 / NOTATION P.403 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-05 BM.999.009.001/09:09-05 00:12:02 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.226 / NOTATION P.405 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-06 BM.999.009.001/09:09-06 00:10:38 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.230 / NOTATION P.412 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives • 1995 ASIE +BM.999.009 CDR BM.999.009.001/09 :09-07 BM.999.009.001/09:09-07 00:07:34 TIBET (NEPAL) BODNATH, MONASTERE DE ZHE-CHEN TIBETAINS HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 RITUEL P.232 / NOTATION P.416 Sous-table non exportée Sous-table non exportée L'enregistremet a été fait hors situation dans la bibliothèque du monastère, à la demande de Rabjam Rinpoche, abbé du monastère ; il suit, en continu le manuel de notations musicales et concerne : 1) les 9 'protecteurs de la religion' (chos-skyong) de l'école nyingmapa, 2) 'Ceux qui suivent' (rjes-'brang) les protecteurs, Cf. Dossier détaillé notamment pour références biblio Texte du rituel et Manuel de notations musicales • Section des 'confessions' (Bshags-Pa) et cérémonies conclusives, Cette section se termine par une longue séquence instrumentale, cf. Notation p.418 • 1995 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-01 BM.1968.024.001/63:01-01 00:07:54 10/64-01/65 NEPAL DT DE GULMI / WANGLA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DIALECTE MUSULMAN,TRADITIONS Sous-table non exportée Sous-table non exportée parlé solo H ., Correspondrait aux plages1 et 2 du support original (?): I) - Spécimen de dialecte des Musulmans, II) - Traditions orales sur l'histoire du village musulman • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-02 BM.1968.024.001/63:01-02 00:03:08 10/64-01/65 NEPAL DT DE GULMI / WANGLA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DIALECTE MUSULMAN,TRADITIONS Sous-table non exportée Sous-table non exportée Parlé solo H . Correspondrait à la plage 3 du support original : III) - Petit échantillon de dialecte avec correspondant népali (liste de mots + histoire) • GABORIEAU,MARC 0 ASIE +BM.1997.004 CDR BM.1997.004.001/14 :08-03 BM.1997.004.001/14:08-03 00:11:31 1996_06_30 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 4 CHANTS DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Double dépiquage (2 rangées de bêtes) : les 2 premiers chants pour la 1ère rangée, les 2 derniers pour la 2nde • Chants solo H en alternance (1+2 ou 1+1), En 4 séquences • ROVSING OLSEN,MIRIAM 1996 Dat 8 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :08-04 BM.1997.004.001/14:08-04 00:09:49 1996_06_30 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Double dépiquage (2 rangées de bêtes) : les 3 séquences durant la rotation de la 2nde rangée • Chants solo H en alternance (1+2 ou 1+1), En 3 séquences, Suite de la plage précédente • ROVSING OLSEN,MIRIAM 1996 Dat 8 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :08-05 BM.1997.004.001/14:08-05 00:07:02 1996_06_30 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Double dépiquage (2 rangées de bêtes) : les 3 séquences durant la rotation de la 2nde rangée • Chants solo H en alternance (1+2 ou 1+1), En 3 séquences, Suite de la plage précédente • ROVSING OLSEN,MIRIAM 1996 Dat 8 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :09-01 BM.1997.004.001/14:09-01 00:03:16 1996_06_30 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE VANNAGE Sous-table non exportée LADKAR Sous-table non exportée Choeurs H et F en alternance • ROVSING OLSEN,MIRIAM 1996 Dat 9 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :09-02 BM.1997.004.001/14:09-02 00:17:55 1996_07_01 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Chant solo H en alternance • ROVSING OLSEN,MIRIAM 1996 Dat 9 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :09-03 BM.1997.004.001/14:09-03 00:06:23 1996_07_01 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Rotation de 2 rangées de bêtes, avec encouragements (criés) à destination des bêtes, par un garçon au loin • Chant solo H et CHR (2 ou 3 H) en alternance, Suite de la plage précédente • ROVSING OLSEN,MIRIAM 1996 Dat 9 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :09-04 BM.1997.004.001/14:09-04 00:16:20 1996_07_01 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 4 CHANTS DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Rotation de 2 rangées de bêtes• Chant solo H et CHR (2 ou 3 H) en alternance, En 5 séquences, la dernière séquence : paroles adressées aux bêtes, Suite de la plage précédente • ROVSING OLSEN,MIRIAM 1996 Dat 9 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :09-05 BM.1997.004.001/14:09-05 00:14:00 1996_07_02 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE VANNAGE (1/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 14 chants durant le travail de vannage : sur cette plage : chants 1 à 3 (Cf. plages suivantes : 10-01 : chants 4 à 13 et plage 11-01 : chant 14) • Chant Chr H et Chr F en alternance, avec participations d'enfants, En 3 séquences • ROVSING OLSEN,MIRIAM 1996 Dat 9 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :10-01 BM.1997.004.001/14:10-01 00:58:08 1996_07_02 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 10 CHANTS DE VANNAGE (2/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 14 chants durant le travail de vannage : sur cette plage : chants 4 à 13 (Cf. chants 1 à 3 sur la plage précédente : 09-05 et chant 14 sur la plage suivante : 11-01)• Chant Chr H et Chr F en alternance, avec participations d'enfants, En 12 séquences : 10 chants + 2 ambiances • ROVSING OLSEN,MIRIAM 1996 Dat 10 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :11-01 BM.1997.004.001/14:11-01 00:07:03 1996_07_02 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE VANNAGE (3/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 14 chants durant le travail de vannage : sur cette plage : chant 14 (Cf. chants 1 à 3 sur la plage: 09-05 et chants 4 à 13 sur la plage : 10-01)• Chant Chr H et Chr F en alternance, avec participations d'enfants • ROVSING OLSEN,MIRIAM 1996 Dat 11 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :11-02 BM.1997.004.001/14:11-02 00:24:55 1996_07_03 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 5 CHANTS DE VANNAGE (1/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 12 chants durant le travail de vannage : sur cette plage : chant 1 à 5 (Cf. chants 6 à 10 sur la plage: 11-03 et chants 11 à 12 sur la plage : 11-04)• Chant Chr F et Chr JF en alternance, En 7 séquences : 5 chants + 2 ambiances • ROVSING OLSEN,MIRIAM 1996 Dat 11 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :11-03 BM.1997.004.001/14:11-03 00:12:01 1996_07_03 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 5 CHANTS DE VANNAGE (2/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 12 chants durant le travail de vannage : sur cette plage : chants 5 à 10 (Cf. chants 1 à 5 sur la plage: 11-02 et chants 11 à 12 sur la plage : 11-04)• Chant Chr F et Chr JF en alternance, En 5 séquences : 5 chants • ROVSING OLSEN,MIRIAM 1996 Dat 11 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :11-04 BM.1997.004.001/14:11-04 00:12:48 1996_07_03 MAROC HAUT-ATLAS IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 2 CHANTS DE VANNAGE (3/3) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de 12 chants durant le travail de vannage : sur cette plage : chants 11 et 12 (Cf. chants 1 à 5 sur la plage: 11-02 et chants 6 à 10 sur la plage : 11-03)• Chant Chr F et Chr JF en alternance, En 3 séquences : 1 ambiance et 2 chants • ROVSING OLSEN,MIRIAM 1996 Dat 11 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :12-01 BM.1997.004.001/14:12-01 00:12:43 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE (6/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04). Sur cette plage 3 chants qui sont la suite des chants de la plages 04-19. Cf. suite sur les plages suivantes : 12-02 à 04. Içi durant la rotation de la 2ème rangée. • Chant solo h en alternance avec chr H, En 3 séquences • ROVSING OLSEN,MIRIAM 1996 Dat 12 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :12-02 BM.1997.004.001/14:12-02 00:16:27 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE (7/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04). Double dépiquage • Chant solo h en alternance avec chr H, En 4 séquences : 1 ambiance et 3 chants • ROVSING OLSEN,MIRIAM 1996 Dat 12 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :12-03 BM.1997.004.001/14:12-03 00:19:02 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 4 CHANTS (8/9*) Sous-table non exportée ASALLAW Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04). Sur cette plage : chants durant la pause • Chant 2 solo h en alternance, En 4 séquences • ROVSING OLSEN,MIRIAM 1996 Dat 12 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :12-04 BM.1997.004.001/14:12-04 00:11:45 1996-07_04 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE (9/9*) Sous-table non exportée LADKAR Sous-table non exportée Longue suite de chants durant le travail de dépiquage, en 2 parties : 1ère partie : plages 04-15 à 19 et 2ème partie : 12-01 à 04• Chant solo et chr h en alternance, En 3 séquences • ROVSING OLSEN,MIRIAM 1996 Dat 12 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :13-01 BM.1997.004.001/14:13-01 00:15:15 1996-07_05 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 CHANT DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Chant solo et chr h en alternance, En 2 séquences : ambiance puis chant, Suite sur la plage suivante • ROVSING OLSEN,MIRIAM 1996 Dat 13 AFRIQUE +BM.1997.004 CDR BM.1997.004.001/14 :13-02 BM.1997.004.001/14:13-02 00:11:55 1996-07_05 MAROC HAUT-ATLAS OCC. IDA OUMAHMOUD MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 3 CHANTS DE DEPIQUAGE Sous-table non exportée LADKAR Sous-table non exportée Chant solo et chr h en alternance, En 3 séquences, Suite de la plage suivante • ROVSING OLSEN,MIRIAM 1996 Dat 13 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-06 BM.1968.024.001/63:01-06 00:04:26 10/64-01/65 NEPAL DT DE SALLYAN / SIRKULA MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR LA VIE DE MOHAMMET (SUITE) Sous-table non exportée Sous-table non exportée Correspondrait à la plage 6 (suite) du support original : poème récité en Hindi sur la vie ascétique de Mohammet, Interruption de l'enregistrement à 01'37, reprise, (suite ?) L'enregistrement continue sur la plage suivante • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :01-08 BM.1968.024.001/63:01-08 00:09:32 10/64-01/65 NEPAL MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DIVERS (PARLE / MUSIQUE) Sous-table non exportée Sous-table non exportée Enregistrements d'enregistrements ? (ou de la radio ? avec sur-enregistrements ?), En 3 séquences : - Voix parlée solo h (récitation ?), avec fond musical et ambiance, fin à 04'40, - à 05'06 : voix parlée solo (en intro) puis Chant et orchestre (cordes et aérophones), coupure à 07'40, - à 07'40 : Voix parlée solo H, à la fin : quelsques secondes de retour à la musque précédente puis coupure, Rq : cette plage n'apparait sur la fiche d'écoute du support original • BM.1968.024.001/63:01-07 GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :02-05 BM.1968.024.001/63:02-05 00:04:55 10/64-01/65 NEPAL DT DE KASKI / KUDAHAR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & TRAD.ORALES Sous-table non exportée Sous-table non exportée Correspondrait au début de la plage 6 du support original : - Voix solo H chantée, chant composé et chanté par Ali Miya, fin à 03'45, (Rq : vérifier si la petite parlée à la fin de la plage précédente serait l'intro parlé de ce chant ?), - Puis voix parlée solo h, Cf. suite de la plage 6 originale sur la plage suivante du CD ? • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :03-09 BM.1968.024.001/63:03-09 00:07:25 10/64-01/65 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE D'HASAN ET HUSAIN (SUITE) Sous-table non exportée Sous-table non exportée histoire d'Hasan et Husain, suite • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :04-03 BM.1968.024.001/63:04-03 00:01:10 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU (2/2) Sous-table non exportée Sous-table non exportée Gazal en urdu - chanté solo H, suite • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :05-02 BM.1968.024.001/63:05-02 00:01:37 01/1966 NEPAL DT. DE TANAHU/SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE CALIFES (2/2) Sous-table non exportée Sous-table non exportée Suite : histoire des deux premiers califes (en dialecte musulman) • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :07-03 BM.1968.024.001/63:07-03 00:00:52 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT Sous-table non exportée Sous-table non exportée * près de Nuwakot " Ti ri ri ri mureli (?) Laliyo (?) banai ma " • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-04 BM.1968.024.001/63:08-04 00:02:16 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) 2 CHANTS (CHR JEUNES GARCONS) Sous-table non exportée Sous-table non exportée * près de Nuwakot, Voix chantés CHR de jeunes garçons avec quelques voix parlées H : - 1er chant : "Laeko maya, kaso hari chutera jane ho", fin à 00'42, - 2ème chant : " Kalo mailo na liye ma " (plusieurs courtes reprises) Rq : correspond aux plages 3-4-5 du support original • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-05 BM.1968.024.001/63:08-05 00:02:57 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT (CHR DE FILLETTES) KASARI JAU Sous-table non exportée Sous-table non exportée * près de Nuwakot, Voix chantée Chr de fillettes en homophonie (avec une qui mène le chant), Correspond à la plage 6 du support original : chant "Kasari Jau" • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-10 BM.1968.024.001/63:08-10 00:07:50 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHOEUR DE FILLETTES (SUITE) Sous-table non exportée Sous-table non exportée * près de Nuwakot, Chant chr de fillettes en homophonie, niveau variable, plusieurs interruptions et reprises, avec interventions de voix F, et sons d'ambiances (bruit de la nature, voix parlées, toux, etc), Reprises : 02'09, 03'13, 04'13, 05'16, fin à 06'16 (puis absence de signal jusqu'à 07'50), (Rq : voir si titre des chants : "Marthiya" ou "Kaha paryo a.....a runcha mana" comme indiqué sur la fiche d'écoute) • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :08-11 BM.1968.024.001/63:08-11 00:04:09 10/65 NEPAL DT.SYANGJA / INDRES * MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHOEUR DE FILLETTES (SUITE, PUIS COURT SOLO H) Sous-table non exportée Sous-table non exportée * près de Nuwakot, - Chants chr de fillettes en homophonie, plusieurs courtes prises et interruptions, dont chant "Dada ko iskula" (au début), avec sons d'ambiances (bruit de la nature, voix parlées, toux, etc), (Rq : voir si titres de chants : "Marthiya" ou "Kaha paryo a....runcha mana" comme indiqué sur la fiche d'écoute), - 03'20 : courte conversation puis très court solo H • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :09-02 BM.1968.024.001/63:09-02 00:11:07 10/65 NEPAL DT.KASKI / RUPAKOT MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS RELIGIEUX EN URDU (& PB VITESSE) Sous-table non exportée Sous-table non exportée Gazal en Urdu (rappel des devoirs religieux), (Rq : voix plus aigües sur la 2nde moitiée de la plage ou pb de vitesse ? surtout après 08'00, manifeste après 09'00 ! trop rapide) • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :10-02 BM.1968.024.001/63:10-02 00:01:35 10/65 NEPAL DT.TANAHU / THUPRIAK ? MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT EN URDU Sous-table non exportée GAZAL Sous-table non exportée Chanté solo H : Gazal en Urdu • BM.1968.024.001/63:10-01 GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :10-03 BM.1968.024.001/63:10-03 00:11:23 10/65 NEPAL DT.TANAHU / THUPRIAK ? MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS EN URDU Sous-table non exportée MARTHIYA Sous-table non exportée Voix chantées H : Marthiya en Urdu : "Sattara pinaka ", plusieurs interruptions et reprises, en solo ou solo et chr, avec ambiance : voix parlées h, toux • GABORIEAU,MARC 19665 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :12-04 BM.1968.024.001/63:12-04 00:05:08 10/65 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL SUR LE RAMADAN Sous-table non exportée GAZAL Sous-table non exportée Cf. suite sur CD13-plage 01, - Courte conversation - Chant Gazal en népali sur la fin du Ramadan, Voix chantées alternées chr d'H et chr de garçons • GABORIEAU,MARC 1965 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :14-02 BM.1968.024.001/63:14-02 00:04:59 01/67 NEPAL DT.TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) GAZAL EN URDU Sous-table non exportée GAZAL Sous-table non exportée Gazal en urdu- chanté solo H, avec interruptions/pauses et reprises • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :15-02 BM.1968.024.001/63:15-02 00:17:53 1965 ou 1967 NEPAL KATHMANDU MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DU FAKIR Sous-table non exportée Sous-table non exportée Voix récitée solo H : histoire du Faqir Shah Ghyasu-ud-din dont la tombe est à Kathmandu, (Rq : il se pourrait que la 1ère partie de cette plage soit la suite de la plage précédente car il s'agit de la même voix, jusqu'à 07'10, puis changement de voix) • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :16-02 BM.1968.024.001/63:16-02 00:38:05 21/10/1967 NEPAL KATHMANDU * MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & SERMON A LA MOSQUEE Sous-table non exportée Sous-table non exportée * Mosquée des Kashmiri, débute par une courte intro parlée, puis chant solo H, fin à 04'16, puis sermon voix solo H parlée • GABORIEAU,MARC 1967 RELIGIEUX ASIE +BM.2007.004 CDR BM.2007.004 :02-01 BM.2007.004:02-01 00:09:40 16/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Chanté, la nuit (du 16 au 17), devant la maison de la mariée • Alternance entre 2 formations composées chacune d'une soliste et d'un chr alternés, VA-crie = il s'agit d'appels rituels, Le début est manquant • ROVSING OLSEN,MIRIAM 1981 Bande 2 AFRIQUE +BM.2007.004 CDR BM.2007.004 :01 BM.2007.004:01 00:00:00 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 ENTRETIEN - NON ARCHIVE Sous-table non exportée Sous-table non exportée Entretien et conversation sur les rites de mariage • La bande 1 a été numérisée mais pas archivée, elle est disponible auprès du collecteur • 1981 Bande 1 AFRIQUE +BM.2007.004 CDR BM.2007.004 :03-01 BM.2007.004:03-01 00:13:58 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANTS DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée 6 chants pour l'habillage de la mariée, durant la nuit (du 16 au 17) dans la cour intérieure de la maison de la mariée, suite de la pièce précédente • Alternance entre 2 chr, SD-Ambiances = pleurs de la mariée • ROVSING OLSEN,MIRIAM 1981 Bande 3 AFRIQUE +BM.2007.004 CDR BM.2007.004 :03-02 BM.2007.004:03-02 00:00:28 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée AMARG Sous-table non exportée Durant la nuit (du 16 au 17), début du cortège de la mariée, suite de la pièce précédente • Alternance entre 2 chr , interrompue • ROVSING OLSEN,MIRIAM 1981 Bande 3 AFRIQUE +BM.2007.004 CDR BM.2007.004 :03-03 BM.2007.004:03-03 00:09:29 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée La nuit (du 16 au 17), arrivée du cortège de la mariée devant la maison du marié • Alternance entre 2 formations composées chacune d'une soliste et d'un chr alternés • ROVSING OLSEN,MIRIAM 1981 Bande 3 AFRIQUE +BM.2007.004 CDR BM.2007.004 :04-01 BM.2007.004:04-01 00:00:46 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Durant la nuit (du 16 au 17), suite de la pièce précédente, pour la cérémonie du lait dans la chambre de la mariée (dans la maison du marié) • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 4 AFRIQUE +BM.2007.004 CDR BM.2007.004 :04-02 BM.2007.004:04-02 00:06:11 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Le soir du 17 août, devant la maison du marié, arrivée du cortège avec le trousseau de la mariée • Alternance entre 2 formations composées chacune d'une soliste et d'un chr alternés • ROVSING OLSEN,MIRIAM 1981 Bande 4 AFRIQUE +BM.2007.004 CDR BM.2007.004 :04-03 BM.2007.004:04-03 00:00:10 17/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Le soir du 17 août, devant la maison du marié, arrivée du cortège avec le trousseau de la mariée, suite de la pièce précédente • Alternance entre 2 chr F, court extrait • ROVSING OLSEN,MIRIAM 1981 Bande 4 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-01 BM.2007.004:05-01 00:01:14 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-02 BM.2007.004:05-02 00:01:02 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-03 BM.2007.004:05-03 00:02:20 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-04 BM.2007.004:05-04 00:02:51 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-05 BM.2007.004:05-05 00:02:03 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-06 BM.2007.004:05-06 00:01:08 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-07 BM.2007.004:05-07 00:01:44 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :05-08 BM.2007.004:05-08 00:01:23 18/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, préparation de la coiffure de la mariée • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 5 AFRIQUE +BM.2007.004 CDR BM.2007.004 :06-01 BM.2007.004:06-01 00:00:30 23/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée (A l'occasion d'un autre mariage que pour les pièces précédentes) Arrivée du cortège de la mariée devant la maison du marié • Alternance entre solo et chr H, interruption • ROVSING OLSEN,MIRIAM 1981 Bande 6 AFRIQUE +BM.2007.004 CDR BM.2007.004 :06-02 BM.2007.004:06-02 00:03:19 23/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANTS DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée 3 chants lors de l'arrivée du cortège de la mariée devant la maison du marié, suite de la pièce précédente • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 6 AFRIQUE +BM.2007.004 CDR BM.2007.004 :06-03 BM.2007.004:06-03 00:01:17 23/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Lors de l'arrivée du cortège de la mariée devant la maison du marié, suite de la pièce précédente • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 6 AFRIQUE +BM.2007.004 CDR BM.2007.004 :06-04 BM.2007.004:06-04 00:03:04 23/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée A l'intérieur de la maison du marié, dans la chambre de la mariée, Cérémonie du Lait, suite de la pièce précédente • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 6 AFRIQUE +BM.2007.004 CDR BM.2007.004 :07-01 BM.2007.004:07-01 00:00:00 24/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE - NON ARCHIVE Sous-table non exportée ASALLAW Sous-table non exportée Pièce non archivée, disponible auprès du collecteur • ROVSING OLSEN,MIRIAM 1981 Bande 7 AFRIQUE +BM.2007.004 CDR BM.2007.004 :07-02 BM.2007.004:07-02 00:04:39 24/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 3 CHANTS DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée A l'intérieur de la maison du marié, dans la chambre de la mariée, Cérémonie de l'accrochage du trousseau • Alternance entre 2 chr F• ROVSING OLSEN,MIRIAM 1981 Bande 7 AFRIQUE +BM.2007.004 CDR BM.2007.004 :08-01 BM.2007.004:08-01 00:06:39 24/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 4 CHANTS DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée A l'intérieur de la maison du marié, dans la chambre de la mariée, lors de la préparation de la coiffure de la mariée • Alternance entre 2 chr F, Pb technique, rétablie pour la dernière séquence • ROVSING OLSEN,MIRIAM 1981 Bande 8 AFRIQUE +BM.2007.004 CDR BM.2007.004 :09 BM.2007.004:09 00:00:00 25/08/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 ENTRETIEN - NON ARCHIVE Sous-table non exportée Sous-table non exportée Entretien sur les rites de mariage • Bande non archivée, disponible auprès du collecteur • ROVSING OLSEN,MIRIAM 1981 Bande 9 AFRIQUE +BM.2007.004 CDR BM.2007.004 :10-01 BM.2007.004:10-01 00:04:35 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée (A l'occasion d'un autre mariage), Devant la maison du marié, arrivée du cortège de la mariée • Alternance entre 2 formations composées chacune d'une soliste et d'un chr alternés• ROVSING OLSEN,MIRIAM 1981 Bande 10 AFRIQUE +BM.2007.004 CDR BM.2007.004 :10-02 BM.2007.004:10-02 00:07:08 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 6 CHANTS DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Devant la maison du marié, arrivée du cortège de la mariée, suite de la pièce précédente • Alternance entre 2 chr F• ROVSING OLSEN,MIRIAM 1981 Bande 10 AFRIQUE +BM.2007.004 CDR BM.2007.004 :10-03 BM.2007.004:10-03 00:01:37 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié, dans la chambre de la mariée, Cérémonie du lait, suite de la pièce précédente • Alternance entre 2 chr F• ROVSING OLSEN,MIRIAM 1981 Bande 10 AFRIQUE +BM.2007.004 CDR BM.2007.004 :11-01 BM.2007.004:11-01 00:04:18 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Devant la maison du marié, arrivée du cortège avec le trousseau de la mariée, suite de la pièce précédente • Alternance entre 2 formations composées chacune d'une soliste et d'un chr alternés • ROVSING OLSEN,MIRIAM 1981 Bande 11 AFRIQUE +BM.2007.004 CDR BM.2007.004 :11-02 BM.2007.004:11-02 00:01:56 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Devant la maison du marié, arrivée du cortège avec le trousseau de la mariée, suite de la pièce précédente • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 11 AFRIQUE +BM.2007.004 CDR BM.2007.004 :11-03 BM.2007.004:11-03 00:04:55 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANT DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié,dans la chambre de la mariée, accrochage du trousseau de la mariée, suite de la pièce précédente • Alternance entre 2 chr F • ROVSING OLSEN,MIRIAM 1981 Bande 11 AFRIQUE +BM.2007.004 CDR BM.2007.004 :12 BM.2007.004:12 00:22:39 02/09/1981 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC,HAUT-ATLAS.RITES DE MARIAGE.ROVSING OLSEN,M.;1981 CHANTS & AMBIANCE DE MARIAGE Sous-table non exportée ASALLAW Sous-table non exportée Dans la maison du marié,dans la chambre de la mariée, préparation de la coiffure de la mariée, suite de la pièce précédente • Alternance entre 2 chr F, Suite de 9 chants puis à partir de 11'48 : longue séquence d'ambiance à la fin (durée 10'41) • ROVSING OLSEN,MIRIAM 1981 Bande 12 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-12 BM.1984.006.001/30:04-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU REZZOU DE MOUSSA AG AMASTANE Sous-table non exportée Sous-table non exportée Durée totale des plages :04-12+ :04-13 + :04-14= 18'38". Récit du rezzou de Moussa ag Amastane chez les Ioullimiden, au cours duquel fut tué le frère de Moussa, par Abdallah ag Bouïa, de la tribu Isekkemaren. Le père du narrateur prit part à ce rezzou, et c'est de lui qu'il en tient le récit• LHOTE,HENRI 1948 Di-GF1A. n°74 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-13 BM.1984.006.001/30:04-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU REZZOU DES IHAGGAREN CONTRE LES AJJER Sous-table non exportée Sous-table non exportée Durée totale des plages :04-12+ :04-13 + :04-14= 18'38". Récit du rezzou des Ihaggaren contre les Ajjer, au temps de la rivalité entre Aïtaghel, aménokal de l'Ahaggar et Ikhenoukhen, aménokal des Kel Ajjer (seconde moitié du XIXe siècle), par Abdallah ag Bouïa, de la tribu Isekkemaren• LHOTE,HENRI 1948 Di-GF1A. n°75 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :04-14 BM.1984.006.001/30:04-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'ELIAS ET D'AMAMELLEN -DEBUT Sous-table non exportée Sous-table non exportée Cf Essai de grammaire touarègue • Durée totale des plages :04-12+ :04-13 + :04-14= 18'38". Légende d'Elias et d'Amamellen, par Abdallah ag Bouïa, des Isekkemaren. La légende est classique dans toutes les tribus touarègues. On en trouvera une version dans Hanoteau "Essai de grammaire touareg"• LHOTE,HENRI 1948 Di-GF1A. n°76 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-01 BM.1984.006.001/30:05-01 00:16:35 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'ELIAS ET D'AMAMELLEN -FIN Sous-table non exportée Sous-table non exportée Cf Essai de grammaire touarègue • Légende d'Elias et d'Amamellen, par Abdallah ag Bouïa, des Isekkemaren. La légende est classique dans toutes les tribus touarègues. On en trouvera une version dans Hanoteau "Essai de grammaire touareg". • LHOTE,HENRI 1948 Di-GF1B. n°77 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-02 BM.1984.006.001/30:05-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE LA GARET ED DJENOUN Sous-table non exportée Sous-table non exportée Le Garet ed Djenoun, ou Montagne des Génies, est située au Nord du massif de la Tefedest. • Durée totale des plages :05-02 + :05-03= 13'53". D'après les Touaregs, le sommet du Garet ed Djenoun serait inacccessible et défendu par les esprits. Il recèlerait des jardins enchantés. Cette montagne a été escaladée en 1935 par la mission Coche, et survolée à moins de 200 mètres, en 1947, par le pilote Perrez accompagné d'Henri Lhote. D'autres légendes que celle-ci existent sur cette montagne• LHOTE,HENRI 1948 Di-GF2A. n°78 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-03 BM.1984.006.001/30:05-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL ALEXOU Sous-table non exportée Sous-table non exportée Le Djebel Alexou se trouve dans le massif de la Téfedest. • Durée totale des plages :05-02 + :05-03 = 13'53". • LHOTE,HENRI 1948 Di-GF2A. n°79 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-04 BM.1984.006.001/30:05-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] LEGENDE DE LA MONTAGNE D'I-N-EKER Sous-table non exportée Sous-table non exportée La montagne d'I-n-Eker se trouve au sud du puits d'I-n-Eker, près duquel il a été construit un petit bordj et qui se trouve sur la piste In-Salah-Tamanrasset. • Durée totale des plages :05-04 + :05-05 + :05-06 = 16'01". • LHOTE,HENRI 1948 Di-GF2B. n°80 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-05 BM.1984.006.001/30:05-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL MERTOUTEK Sous-table non exportée Sous-table non exportée Le Djebel Mertoutek se trouvedans le massif de la Téfedest, et est aujourd'hui célèbre par les admirables peintures rupestres qui y ont été trouvées. • Durée totale des plages :05-04 + :05-05 + :05-06= 16'01". • LHOTE,HENRI 1948 Di-GF2B. n°81 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-06 BM.1984.006.001/30:05-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL ABEZOU Sous-table non exportée Sous-table non exportée Le Djebel Mertoutek se trouvedans le massif de la Téfedest, et est aujourd'hui célèbre par les admirables peintures rupestres qui y ont été trouvées. • Durée totale des plages :05-04 + :05-05 + :05-06= 16'01". • LHOTE,HENRI 1948 Di-GF2B. n°82 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :05-07 BM.1984.006.001/30:05-07 00:14:41 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DE LA HYENE ET DU CHACAL- DEBUT Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-GF3A. n°83 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-01 BM.1984.006.001/30:06-01 00:16:32 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DE LA HYENE ET DU CHACAL-SUITE Sous-table non exportée Sous-table non exportée Suite de la plage :05-07. • LHOTE,HENRI 1948 Di-GF3B. n°84 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-02 BM.1984.006.001/30:06-02 00:09:35 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DE LA HYENE ET DU CHACAL-FIN Sous-table non exportée Sous-table non exportée Suite et fin des plages :05-07 et :06-01 • LHOTE,HENRI 1948 Di-GF4A. n°85 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-03 BM.1984.006.001/30:06-03 00:02:23 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "TENEREN _MOHR_" Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-26B. n°86 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-04 BM.1984.006.001/30:06-04 00:05:35 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD DES IHADANAREN Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-27A. n°87 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-05 BM.1984.006.001/30:06-05 00:05:06 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "AILANA" Sous-table non exportée Sous-table non exportée Accompagné par Rabti et Mohamed de la tribu des Dag Rali. • LHOTE,HENRI 1948 Di-27B. n°88 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-06 BM.1984.006.001/30:06-06 00:05:49 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Air d'amzad accompagné par Rabti et Mohamed de la tribu des Dag Rali. • LHOTE,HENRI 1948 Di-28A. n°89 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-07 BM.1984.006.001/30:06-07 00:05:48 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Air d'amzad accompagné par Rabti et Mohamed de la tribu des Dag Rali. Le chant est appelé _Roh_ et est connu de tous les Touaregs de l'Ahaggar. Il se chante pendant la nuit et peut durer des heures entières. • LHOTE,HENRI 1948 Di-28B. n°90 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-08 BM.1984.006.001/30:06-08 00:05:46 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD -DEBUT Sous-table non exportée Sous-table non exportée Air d'amzad accompagné par Rabti et Mohamed de la tribu des Dag Rali. Les paroles sont la légende chantée de l'Adrar Adrian. L'Adrar Adrian limite à l'Est la plaine de Tamanrasset et se signale par une énorme brèche à son sommet. • LHOTE,HENRI 1948 Di-29A. n°91 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :06-09 BM.1984.006.001/30:06-09 00:05:48 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD -FIN Sous-table non exportée Sous-table non exportée Air d'amzad accompagné par Rabti et Mohamed de la tribu des Dag Rali. Les paroles sont la légende chantée de l'Adrar Adrian. L'Adrar Adrian limite à l'Est la plaine de Tamanrasset et se signale par une énorme brèche à son sommet• LHOTE,HENRI 1948 Di-29B. n°92 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-01 BM.1984.006.001/30:07-01 00:05:45 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Suite des plages :06-08 et :06-09 • LHOTE,HENRI 1948 Di-30A. n°93 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-02 BM.1984.006.001/30:07-02 00:05:45 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Suite des plages :06-08, :06-09 et :07-01 • LHOTE,HENRI 1948 Di-30B. n°94 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-03 BM.1984.006.001/30:07-03 00:05:50 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Suite des plages :06-08, :06-09, :07-01 et :07-02 • LHOTE,HENRI 1948 Di-31A. n°95 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-04 BM.1984.006.001/30:07-04 00:05:45 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AIR D'AMZAD Sous-table non exportée Sous-table non exportée Suite des plages :06-08, :06-09, :07-01, :07-02 et :07-03 • LHOTE,HENRI 1948 Di-31B. n°96 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-05 BM.1984.006.001/30:07-05 00:05:43 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DES IRREGUENATEN Sous-table non exportée Sous-table non exportée Chanson des Irréguenaten, du Tamesna, par Rabti et Mohamed de la tribu des Dag Rali, accompagnée de l' _amzad_ par Oult Améréoualt • LHOTE,HENRI 1948 Di-32A. n°97 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-06 BM.1984.006.001/30:07-06 00:05:43 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'ASSAKAO Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-32B. n°98 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-07 BM.1984.006.001/30:07-07 00:05:48 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'ASSAKAO Sous-table non exportée Sous-table non exportée Suite de la plage :07-06 • LHOTE,HENRI 1948 Di-33A. n°99 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-08 BM.1984.006.001/30:07-08 00:06:02 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'ASSAKAO Sous-table non exportée Sous-table non exportée Suite des plages :07-06 et :07-07 • LHOTE,HENRI 1948 Di-33B. n°100 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-09 BM.1984.006.001/30:07-09 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] DISCUSSION AU SUJET D'UN CHAMEAU EGARE Sous-table non exportée Sous-table non exportée Durée totale des plages :07-09, :07-10 et :07-11= 5'19". Discussion entre Rabti ag Abahadj, Dangochi ag Ouksem et un autre homme de la tribu des Dag Rali• LHOTE,HENRI 1948 Di-34A. n°101 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-10 BM.1984.006.001/30:07-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] SALUTATIONS ET REMERCIEMENTS Sous-table non exportée Sous-table non exportée Durée totale des plages :07-09, :07-10 et :07-11= 5'19" • LHOTE,HENRI 1948 Di-34A. n° 102 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-11 BM.1984.006.001/30:07-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] APPELS DANS LA MONTAGNE Sous-table non exportée Sous-table non exportée Durée totale des plages :07-09, :07-10 et :07-11= 5'19". Conversation éloignée• LHOTE,HENRI 1948 Di-34A. n°103 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-12 BM.1984.006.001/30:07-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] CAPTURE D'UN ANE ENSAUVAGE Sous-table non exportée Sous-table non exportée Durée totale des plages :07-12, :07-13, :07-14 et :07-15= 5'23". Ambiance de la capture, cris, interjections pendant que les hommes maîtrisent l'âne par Rabti ag Abahadj, Dangochi ag Ouksem, Ouksem ag Chikat et Mohamed ag Ouksem• LHOTE,HENRI 1948 Di-34B. n°104 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-02 BM.1968.024.001/63:21-02 00:09:58 1966 NEPAL KATHMANDU NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POESIES LUES Sous-table non exportée Sous-table non exportée Ethnie : Brahmane Népali, Suite de "Badhu siksa " de Bhanu Bhakta (dont le début se trouve en fin de la plage précédente) • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-03 BM.1968.024.001/63:21-03 00:00:57 1966 NEPAL KATHMANDU NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POESIES LUES Sous-table non exportée Sous-table non exportée Ethnie : Brahmane Népali, "Gol katne kami " de Dhama Raj' Thapa (note de la fiche : poésie déclamée en style moderne) • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-04 BM.1968.024.001/63:21-04 00:00:57 1966 NEPAL KATHMANDU NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS Sous-table non exportée Sous-table non exportée Chants solo h, plage en 2 parties : - 1ère partie : Ethnie : Brahmane Népali, " Jhyaure " de Lekhnath Paudjal, en 2 prises, fin à 03'30 ; - 2ème partie : à 00'35 : Ethnie Chetri, début de "chant du dt East n°3" (rq : correspond au début de la plage 5 du support original), faux départ, reprise sur la plage suivante • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-06 BM.1968.024.001/63:21-06 00:01:03 1966 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS CHETRI Sous-table non exportée Sous-table non exportée En 2 parties : - 1ère partie : reprise ou suite du "chant du district East n°3" de la plage précédente, chanté solo H, fin à 00'33, (rq : correspond à la fin de la plage 5 du support original) ; - 2ème partie : à 00'35 : "Chant Rai d East n°3", (rq : correspond à la plage 6 du support original) • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :21-07 BM.1968.024.001/63:21-07 00:02:58 1966 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POESIE CHANTEE Sous-table non exportée Sous-table non exportée Poésie chantée : début du "Ramayana" de Bhanu Bhakta, (rq : les quelques secondes du début de la prise sont à la fin de la plage précédente)• GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :23-02 BM.1968.024.001/63:23-02 00:05:34 11/1966 NEPAL DIT.POKHARA / BATULECAUR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DUO H & VIELES Sous-table non exportée Sous-table non exportée Voix chantées en unison de 2 H, CV- 2 vièles Sarangi, Mangal par Jhalak Man et Brikha Bahadur, Chant Khyali ? • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :23-03 BM.1968.024.001/63:23-03 00:05:01 11/1966 NEPAL DIT.POKHARA / BATULECAUR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DUO H & VIELES Sous-table non exportée Sous-table non exportée Voix chantées en unison de 2 H, CV- 2 vièles Sarangi, Mangal par Jhalak Man et Brikha Bahadur, Chant Rataili ? • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :23-04 BM.1968.024.001/63:23-04 00:04:58 11/1966 NEPAL DIT.POKHARA / BATULECAUR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT DUO H & VIELES Sous-table non exportée Sous-table non exportée Voix chantées en unison de 2 H, CV- 2 vièles Sarangi, Mangal par Jhalak Man et Brikha Bahadur, Chant Khyali ? • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :24-02 BM.1968.024.001/63:24-02 00:07:09 08/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Par Magar Gaine de Kirtipur, Chanté solo H, CV-vièle Sarangi, Chant Prajatantra • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :24-03 BM.1968.024.001/63:24-03 00:09:03 08/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE (1/2) Sous-table non exportée Sous-table non exportée Par Magar Gaine de Kirtipur, Chanté solo H, CV-vièle Sarangi, Sur le voyage de Candra Shamsher en Angleterre (début), suite sur la plage suivante (CD 25-01) • GABORIEAU,MARC 1966 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :26-02 BM.1968.024.001/63:26-02 00:04:17 09/1966 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE GAULE DAI GAULE BHAI Sous-table non exportée Sous-table non exportée Chanté solo h par Magar Gaine, vièle sarangi ? • GABORIEAU,MARC 1966 ASIE +BM.2008.004 Divers* BM.2008.004.001/25 :09-07 BM.2008.004.001/25:09-07 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 REGLAGE DES SONS DU NGOMFI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-05 1970 1970.2.05-07a/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-08 BM.2008.004.001/25:09-08 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 PRELUDE DE NGOMFI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-07 1970 1970.2.05-07b/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-09 BM.2008.004.001/25:09-09 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 BATIA MUTOMA Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-08 1970 1970.2.05-07c/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-10 BM.2008.004.001/25:09-10 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 BAKE Sous-table non exportée Sous-table non exportée (Ecouter l'enregistrement pour déterminer si présence ou absence de la harpe _ngomfi_ dans cette pièce musicale)• BM.2008.004.001/25:09-09 1970 1970.2.05-07d/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-11 BM.2008.004.001/25:09-11 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 DISUMBA Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-10 1970 1970.2.05-07e/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-12 BM.2008.004.001/25:09-12 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 MUNDONGUI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-11 1970 1970.2.05-07f/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-13 BM.2008.004.001/25:09-13 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 REGLAGE DES SONS DU NGOMFI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-12 1970 1970.2.05-08a/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-14 BM.2008.004.001/25:09-14 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 NGOMFI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-13 1970 1970.2.05-08b/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-15 BM.2008.004.001/25:09-15 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 TSAKUMU MISINGU Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-13 1970 1970.2.05-08c/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-16 BM.2008.004.001/25:09-16 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 BAKE Sous-table non exportée Sous-table non exportée (Ecouter l'enregistrement pour déterminer si présence ou absence de la harpe _ngomfi_ dans cette pièce musicale)• BM.2008.004.001/25:09-15 1970 1970.2.05-08d/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-17 BM.2008.004.001/25:09-17 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 NGUTA Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-16 1970 1970.2.05-08e/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-18 BM.2008.004.001/25:09-18 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 RECIT DU POVI Sous-table non exportée Sous-table non exportée V = voix du _povi_. (Ecouter l'enregsitrement pour déterminer si présence ou absence de la harpe _ngomfi_ dans cette pièce musicale)• BM.2008.004.001/25:09-17 1970 1970.2.05-08f/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :09-19 BM.2008.004.001/25:09-19 00:00:00 08/07/70 GABON TCHIBANGA,MOUNGANGOU-DIEMBOU PUNU BAYAGHA GABON;SALLEE;P.;1970 NGOMBA YA MISIMA Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes• BM.2008.004.001/25:09-18 1970 1970.2.05-08g/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :10-01 BM.2008.004.001/25:10-01 00:00:00 12/07/70 GABON MAYUMBA,IDOTCHI PUNU GABON;SALLEE;P.;1970 DANSE DE DEUIL Sous-table non exportée Sous-table non exportée Commentaire de Pierre Sallée : "sans intérêt"• BM.2008.004.001/25:09-16 1970 1970.2.06-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :10-02 BM.2008.004.001/25:10-02 00:00:00 13/07/70 GABON MAYUMBA,MIGEMBA LUMBU GABON;SALLEE;P.;1970 CHANT DE NDJEMBE Sous-table non exportée Sous-table non exportée Migemba : campement sur la route Tchibanga-mayumba• BM.2008.004.001/25:10-01 1970 1970.2.06-02/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :10-03 BM.2008.004.001/25:10-03 00:00:00 13/07/70 GABON MAYUMBA,MIGEMBA LUMBU GABON;SALLEE;P.;1970 CHANTS DE CONTE Sous-table non exportée Sous-table non exportée Migemba : campement sur la route Tchibanga-mayumba• BM.2008.004.001/25:10-02 1970 1970.2.06-03/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :10-04 BM.2008.004.001/25:10-04 00:00:00 13/07/70 GABON MAYUMBA,MIGEMBA LUMBU GABON;SALLEE;P.;1970 INVOCATION AUX DIEUX Sous-table non exportée Sous-table non exportée Migemba : campement sur la route Tchibanga-mayumba• BM.2008.004.001/25:10-03 1970 1970.2.06-04/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :11-01 BM.2008.004.001/25:11-01 00:00:00 16/07/70 GABON MAYUMBA,VAMO-PLATEAU LUMBU GABON;SALLEE;P.;1970 NDJIEKU NA BONDJI Sous-table non exportée Sous-table non exportée Récit initiatique sur le _kombo_ du _mbumba bwiti_. Alexandre Pwati = chef• Photo 66.000.078• Migemba : campement sur la route Tchibanga-mayumba• BM.2008.004.001/25:10-04 1970 1970.2.07-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :11-02 BM.2008.004.001/25:11-02 00:00:00 18/07/70 GABON MAYUMBA,BANA VILI GABON;SALLEE;P.;1970 CHANT DE NIEMBI Sous-table non exportée Sous-table non exportée Rôle de _ngwe esilo_ tenu par un homme : Fernand Mbati• _ndungu_ est ici orthographié _ngungu_ par Pierre Sallée• BM.2008.004.001/25:11-01 1970 1970.2.07-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :11-03 BM.2008.004.001/25:11-03 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 BWITI. NGENGA NDJI KU NA BONDJI Sous-table non exportée Sous-table non exportée Récit initiatique de _bwiti_• Photos 70.126, 70.127 et 70.128• Exécution : _makaya ma ngoma_ (que signifient ces termes?)• BM.2008.004.001/25:11-02 1970 1970.2.07-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :11-04 BM.2008.004.001/25:11-04 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 BWITI. MOSSINGUI Sous-table non exportée Sous-table non exportée Récit initiatique de _bwiti_• Photos 70.126, 70.127 et 70.128• BM.2008.004.001/25:11-03 1970 1970.2.07-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :11-05 BM.2008.004.001/25:11-05 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 BWITI. NGOMBI BOUSSENGUE NA MWE KA Sous-table non exportée Sous-table non exportée Récit initiatique de _bwiti_• Photos 70.126, 70.127 et 70.128• BM.2008.004.001/25:11-04 1970 1970.2.07-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :12-01 BM.2008.004.001/25:12-01 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 MULAGULI TIE TIE TATI TATI - YE TEE Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:11-04 1970 1970.2.08-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :12-02 BM.2008.004.001/25:12-02 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 MUNDENOLIE FUMBU NGA NA BANA Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:12-01 1970 1970.2.08-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :12-03 BM.2008.004.001/25:12-03 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 DIBAKALOLI Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:12-02 1970 1970.2.08-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :12-04 BM.2008.004.001/25:12-04 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 TATEE BAKI SAGINA TCHITU-LA DWISI MUENDU BALILI-TATA VAGESAG'NA Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:12-03 1970 1970.2.08-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :13-01 BM.2008.004.001/25:13-01 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 CONTE Sous-table non exportée Sous-table non exportée _tsavu_ = conte• Suite de BM.2008.004.001/25:12-04• BM.2008.004.001/25:12-04 1970 1970.2.09-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :13-02 BM.2008.004.001/25:13-02 00:00:00 20/07/70 GABON MAYUMBA,MATCHITI II LUMBU GABON;SALLEE;P.;1970 MABANDZA Sous-table non exportée Sous-table non exportée _mabandza_ : danse de femmes ; association féminine analogue au _mabandzi_• IFC = cloches doubles de bois à battants internes• BM.2008.004.001/25:13-01 1970 1970.2.09-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :13-03 BM.2008.004.001/25:13-03 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 LES DEUX PRETENDANTS ET LA FILLE NONGO SINONGO Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:13-02 1970 1970.2.09-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :13-04 BM.2008.004.001/25:13-04 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 KIMA Y SEMBA Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:13-03 1970 1970.2.09-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-01 BM.2008.004.001/25:14-01 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU VILI GABON;SALLEE;P.;1970 LE BOA ET LA FEMME MBOMA I MOGHETO Sous-table non exportée Sous-table non exportée _tsavu_ = conte• Suite du conte de BM.2008.004.001/25:13-04• BM.2008.004.001/25:13-04 1970 1970.2.10-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-02 BM.2008.004.001/25:14-02 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU VILI GABON;SALLEE;P.;1970 LE MORT RESCUSSITE Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:14-01 1970 1970.2.10-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-03 BM.2008.004.001/25:14-03 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU VILI GABON;SALLEE;P.;1970 BWEMBU TCHITULA Sous-table non exportée Sous-table non exportée _tsavu_ = conte. Une ogresse ne voulait pas que son fils se marie. La fille est enceinte. Elle a un paquet de ténèbre, un autre de clair de lune• BM.2008.004.001/25:14-02 1970 1970.2.10-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-04 BM.2008.004.001/25:14-04 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU PUNU GABON;SALLEE;P.;1970 LA FEMME MAL ENTERREE Sous-table non exportée Sous-table non exportée _tsavu_ = conte• BM.2008.004.001/25:14-03 1970 1970.2.10-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-05 BM.2008.004.001/25:14-05 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU PUNU GABON;SALLEE;P.;1970 LE CHASSEUR, L'OGRE ET L'ELEPHANT Sous-table non exportée Sous-table non exportée _tsavu_ = conte. Un chasseur d'éléphant est tué par un ogre• BM.2008.004.001/25:14-04 1970 1970.2.10-05/Copie AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :27-02 BM.1968.024.001/63:27-02 00:03:01 10/1966&67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Krishna et les Gopini " • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :27-04 BM.1968.024.001/63:27-04 00:03:18 10/1966&67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Mangal à Machendranath", en Newari • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :27-03 BM.1968.024.001/63:27-03 00:04:52 10/1966&67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Mangal à Gorakhnath ", fin coupée • GABORIEAU,MARC 0 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-02 BM.1968.024.001/63:28-02 00:04:20 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur, " Sasu Buhari " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-03 BM.1968.024.001/63:28-03 00:08:34 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur, Naissance de Krishna • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-04 BM.1968.024.001/63:28-04 00:07:24 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur, " Cancari git " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-05 BM.1968.024.001/63:28-05 00:02:23 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée chanté et joué par Magar Gaine de Kirtipur, Jhyaure : " euta ghar ta dada wari " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-06 BM.1968.024.001/63:28-06 00:08:48 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, En continue de la plage précédente : "Daphe cari " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-07 BM.1968.024.001/63:28-07 00:03:26 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, "Mero kanchi nanilai, jhiga ladne colo diula " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-08 BM.1968.024.001/63:28-08 00:04:51 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " hai hai, poile malai tatayo " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :28-09 BM.1968.024.001/63:28-09 00:02:17 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Patali na jau malai eklai parera " • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-13 BM.1984.006.001/30:07-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT D'UN COMBAT PAR UN VIEILLARD Sous-table non exportée Sous-table non exportée Durée totale des plages :07-12, :07-13, :07-14 et :07-15= 5'23" • LHOTE,HENRI 1948 Di-34B. n°105 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-14 BM.1984.006.001/30:07-14 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SALUTATIONS, REMERCIEMENTS Sous-table non exportée Sous-table non exportée Durée totale des plages :07-12, :07-13, :07-14 et :07-15= 5'23" • LHOTE,HENRI 1948 Di-34B. n°106 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-01 BM.1968.024.001/63:29-01 00:07:07 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Sur la mort (complainte ?) : "Duru duru roeko ke mane birsi maya..." • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-03 BM.1968.024.001/63:29-03 00:04:16 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, "Hera na sathi ", complainte sur la mort • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-04 BM.1968.024.001/63:29-04 00:07:52 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Jyan khukuri bhirera- - - janai parso ", guerre avec le Japon • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-15 BM.1984.006.001/30:07-15 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SALUTATIONS, REMERCIEMENTS Sous-table non exportée Sous-table non exportée Durée totale des plages :07-12, :07-13, :07-14 et :07-15= 5'23" • LHOTE,HENRI 1948 Di-34B. n°107 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-05 BM.1968.024.001/63:29-05 00:05:56 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Jhyaure : " Rani banai ma, hari samjhau mannaima " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-06 BM.1968.024.001/63:29-06 00:07:47 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Jhyaure : " Bolauda boldinau ri - sayau ki mahili " , Pb de piles à partir de 06'50 • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-07 BM.1968.024.001/63:29-07 00:04:33 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Jhyaure : " Sani, sani he jhilke nani " • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-16 BM.1984.006.001/30:07-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LECON DE VIOLON Sous-table non exportée Sous-table non exportée Durée totale des plages :07-16 + :07-17 =5'21". Leçon de violon par Oult Améréoualt à une jeune _targuia_ [violon = sans doute vièle _Imzad_] • LHOTE,HENRI 1948 Di-35A. n°108 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :29-08 BM.1968.024.001/63:29-08 00:15:07 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Mort d'un Maharani " , fin à 14'38 • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :07-17 BM.1984.006.001/30:07-17 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT ACCOMPAGNE D'AMZAD Sous-table non exportée Sous-table non exportée Voir Poésies tourègues, par le P. de Foucauld, T. I Durée totale des plages :07-16 + :07-17 =5'21". Chant fait par Moussa ag Amastane pour Dassine Début de la face B• LHOTE,HENRI 1948 Di-35B. n°109 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :30-02 BM.1968.024.001/63:30-02 00:05:44 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Jhyaure : " ai ai gai ai kudo bhaist lai paral", fin à 05'03 (puis ambiance) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :30-03 BM.1968.024.001/63:30-03 00:06:07 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, "Bekara janama, abhagiya karama .. ", chant newari, thème : belle-mère et bru ? Fin à 05'05, puis silence jusqu'à la fin • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-01 BM.1984.006.001/30:08-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT ACCOMPAGNE D'AMZAD Sous-table non exportée Sous-table non exportée Voir Poésies tourègues, par le P. de Foucauld, T. I Durée totale des plages :08-01 et :08-02= 5'40". Chant fait par Moussa ag Amastane pour Dassine Fin de la face A • LHOTE,HENRI 1948 Di-36A. n°110 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :30-04 BM.1968.024.001/63:30-04 00:06:45 07/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Chant newari, Pb technique, enregistré sur autre magnétophone (japonais) • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-02 BM.1984.006.001/30:08-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT ACCOMPAGNE D'AMZAD Sous-table non exportée Sous-table non exportée Voir Poésies tourègues, par le P. de Foucauld, T. I Durée totale des plages :08-01 et :08-02= 5'40". Fin de la face A • LHOTE,HENRI 1948 Di-36A. n°111 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-03 BM.1984.006.001/30:08-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] VOIX DE GARCONNET. ESSAI Sous-table non exportée Sous-table non exportée Durée totale des plages :08-03 et :08-04= 1'43" Fin de la face A • LHOTE,HENRI 1948 Di-35A. n°112 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-04 BM.1984.006.001/30:08-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] VOIX DE GARCONNET. ESSAI Sous-table non exportée Sous-table non exportée Durée totale des plages :08-03 et :08-04= 1'43". Fin de la face A • LHOTE,HENRI 1948 Di-35A. n°113 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-05 BM.1984.006.001/30:08-05 00:03:04 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] VOIX DE GARCONNET. ESSAI Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-35B. n°114 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-06 BM.1984.006.001/30:08-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CONVERSATION DE GARCONNETS AU SUJET D'UNE CHEVRE EGAREE Sous-table non exportée Sous-table non exportée Durée totale des plages :08-06 et :08-07= 5'25". Auteurs: un jeune Aït Loaïen et un jeune esclave• LHOTE,HENRI 1948 Di-36B. n°115 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-07 BM.1968.024.001/63:31-07 00:06:06 05/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, Janak Lal : " Hera hera daju bhai dhulikhelko "• GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-07 BM.1984.006.001/30:08-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'HOMMES. ESSAI Sous-table non exportée Sous-table non exportée Durée totale des plages :08-06 et :08-07= 5'25" • LHOTE,HENRI 1948 Di-36B. n°116 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :31-08 BM.1968.024.001/63:31-08 00:05:59 05/67 NEPAL KATHMANDU NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H & VIELE Sous-table non exportée Sous-table non exportée Chanté et joué par Magar Gaine de Kirtipur, " Nepali lai bhirke topi " ( Yo kali ma ke dekhna paryo maile - - -) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-02 BM.1968.024.001/63:32-02 00:02:06 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ENTRETIENS SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Conversation sur les sorcières • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-03 BM.1968.024.001/63:32-03 00:01:01 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ENTRETIENS SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Conversation sur les Bhuts • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-08 BM.1984.006.001/30:08-08 00:05:45 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'AMOUR OHINENNA Sous-table non exportée Sous-table non exportée Chant d'hommes fait par Melloul ag Sidi Mohamed des Kel Rela, accompagné d'amzad par Oult Améréoualt sur l'air dit _asahar_ • LHOTE,HENRI 1948 Di-37A. n°117 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-04 BM.1968.024.001/63:32-04 00:02:46 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ENTRETIENS SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Conversation sur les Jhakri, (Rq : sur la fiche d'écoute : durée indiquée 04'00)• GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-05 BM.1968.024.001/63:32-05 00:01:35 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) ENTRETIENS SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Conversation sur l'exorcisme des sorcières, (Rq : sur la fiche d'écoute : durée indiquée 04'00) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-06 BM.1968.024.001/63:32-06 00:06:10 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Discours édifiant • BM.1968.024.001/63:32-05 GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-07 BM.1968.024.001/63:32-07 00:11:00 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Exorcisme des sorcières • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-08 BM.1968.024.001/63:32-08 00:10:17 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Pouvoir magique des danwar • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :32-09 BM.1968.024.001/63:32-09 00:09:13 04/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR SORCELLERIE ET MAGIE Sous-table non exportée Sous-table non exportée Puissance des magiciens Lakhan thapa , Puis à partir de 03"00 : propos sur la nécessité de la concentration (....) • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-09 BM.1984.006.001/30:08-09 00:05:32 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Faite par Melloul ag Sidi Mohamed des Kel Rela pour Chouna Oult Belad, des Irréguenaten, accompagnée d'amzad par Oult Améréoualt sur l'air dit _seïenin_ • LHOTE,HENRI 1948 Di-37B. n°118 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-10 BM.1984.006.001/30:08-10 00:05:41 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Composée par Ekoulkoul chantée par Boukhelil ag Ahmed et Marli ag Amaïas, accompagnée d'amzad par Oult Améréoualt sur l'air dit _asahar_ • LHOTE,HENRI 1948 Di-38A. n°119 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :33-02 BM.1968.024.001/63:33-02 00:33:34 05/1967 NEPAL KATHMANDU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DESCRIPTION DES VIR Sous-table non exportée Sous-table non exportée Fin à 32'33 puis silence jusqu'à la fin • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-11 BM.1984.006.001/30:08-11 00:04:40 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON AILAN AILAN Sous-table non exportée Sous-table non exportée Chanson dite _Aïlan Aïlan_ accompagnée d'amzad par Oult Améréoualt sur l'air dit _seïenin_ • LHOTE,HENRI 1948 Di-38B. n°120 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-12 BM.1984.006.001/30:08-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :08-12 et :08-13= 5'43" Accompagnée d'_amzad_ par Lala oult Adanar• LHOTE,HENRI 1948 Di_39A. n°121 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :33-04 BM.1968.024.001/63:33-04 00:03:35 05/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE Sous-table non exportée Sous-table non exportée Histoire de Pinas en vers et prose, Pb de signal au début • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-13 BM.1984.006.001/30:08-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CONVERSATION D'UNE FEMME TOUAREGUE ET DE SA FILLE.ESSAI Sous-table non exportée Sous-table non exportée Durée totale des plages :08-12 et :08-13= 5'43" • LHOTE,HENRI 1948 Di-39A. n°122 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-14 BM.1984.006.001/30:08-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CONVERSATION DE FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :08-14 et :08-15= 5'51". Conversationde F par Lala oult Adanar , des Kel Rela, et la taklit Aïchatou • LHOTE,HENRI 1948 Di-39B. n°123 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-02 BM.1968.024.001/63:34-02 00:08:19 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Comment les musulmans ont chassé les Bhut de Kathmandu " • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-15 BM.1984.006.001/30:08-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :08-14 et :08-15= 5'51". Chant de F par Lala oult Adanar , des Kel Rela, et la taklit Aïchatou • LHOTE,HENRI 1948 Di-39B. n°124 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-03 BM.1968.024.001/63:34-03 00:03:10 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Séduction par les Kickani " • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-16 BM.1984.006.001/30:08-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :08-16, :08-17 et :08-18= 3'15". Chantde F par Lala oult Adanar , des Kel Rela, et la taklit Aïchatou • LHOTE,HENRI 1948 Di-40A. n°125 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-04 BM.1968.024.001/63:34-04 00:01:56 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte Kickani • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-17 BM.1984.006.001/30:08-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANTS DE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :08-16, :08-17 et :08-18= 3'15" • LHOTE,HENRI 1948 Di-40A. n°126 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-18 BM.1984.006.001/30:08-18 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANTS DE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :08-16, :08-17 et :08-18= 3'15" • LHOTE,HENRI 1948 Di-40A. n° 127 AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-05 BM.1968.024.001/63:34-05 00:01:58 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Rencontre d'un masan " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-06 BM.1968.024.001/63:34-06 00:04:56 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte "Aitabare " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :34-07 BM.1968.024.001/63:34-07 00:04:04 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Kavan" • GABORIEAU,MARC 1967 ASIE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-19 BM.1984.006.001/30:08-19 00:05:03 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT AU SUJET DE DISCUSSIONS/ DEBUT Sous-table non exportée Sous-table non exportée Chant au sujet des discussions entre Moussa ag Amastane, Amenokal de l'Ahaggar, et Boubakeur ag Alegoui, chef de Rhât • LHOTE,HENRI 1948 Di-40B. n°128 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :08-20 BM.1984.006.001/30:08-20 00:05:40 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT AU SUJET DE DISCUSSIONS/ FIN Sous-table non exportée Sous-table non exportée Suite :08-19 Chant au sujet des discussions entre Moussa ag Amastane, Amenokal de l'Ahaggar, et Boubakeur ag Alegoui, chef de Rhât • LHOTE,HENRI 1948 Di-41A. n°129 AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-06 BM.2008.004.001/25:14-06 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 LA BIEN AIMEE ET LE MAL AIME Sous-table non exportée Sous-table non exportée _tsavu_ = conte. Conte sur l'injustice d'un mari polygame• BM.2008.004.001/25:14-05 1970 1970.2.10-06/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-07 BM.2008.004.001/25:14-07 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU VILI GABON;SALLEE;P.;1970 LES DEUX RIVALES Sous-table non exportée Sous-table non exportée _tsavu_ = conte. Deux femmes d'un mari polygame : l'une est travailleuse ; l'autre, féconde. La travailleuse jette un interdit sur la nourriture• BM.2008.004.001/25:14-06 1970 1970.2.10-07/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-08 BM.2008.004.001/25:14-08 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 LA DANSEUSE FORMIDABLE Sous-table non exportée Sous-table non exportée _tsavu_ = conte. Deux femmes d'un mari polygame : l'une est travailleuse ; l'autre, féconde. La travailleuse jette un interdit sur la nourriture• BM.2008.004.001/25:14-07 1970 1970.2.10-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-09 BM.2008.004.001/25:14-09 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 LA PANTHERE, LE CABRI MALE ET L'ANTILOPE Sous-table non exportée Sous-table non exportée _tsavu_ = conte. La panthère a donné un cabri mâle à l'antilope. La panthère réclame le petit du cabri mâle. Comment un cabri mâle peut-il mettre au monde?• BM.2008.004.001/25:14-08 1970 1970.2.10-09/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :14-10 BM.2008.004.001/25:14-10 00:00:00 21/07/70 GABON MAYUMBA,MALEMBE,MBOKOU LUMBU GABON;SALLEE;P.;1970 RECIT SUR L'ARRIVEE DES PORTUGAIS Sous-table non exportée Sous-table non exportée *Chef Pambo Mouyako• BM.2008.004.001/25:14-09 1970 1970.2.10-10/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :15-01 BM.2008.004.001/25:15-01 00:00:00 24/07/70 GABON NDINDI,KAI VILI GABON;SALLEE;P.;1970 ORIGINE DES VILI Sous-table non exportée Sous-table non exportée Suite de BM.2008.004.001/25:14-10. *Chef Pambo Mouyako• BM.2008.004.001/25:14-10 1970 1970.2.11-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :15-02 BM.2008.004.001/25:15-02 00:00:00 25/07/70 GABON MAYUMBA,CAMPEMENT ENTRE MALEM ET MAMBI LUMBU GABON;SALLEE;P.;1970 CHANTS DE BWITI Sous-table non exportée Sous-table non exportée Commentaire de Pierre Sallée : "bon harpiste (sic)"• BM.2008.004.001/25:15-01 1970 1970.2.11-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :16-01 BM.2008.004.001/25:16-01 00:00:00 25/07/70 GABON MAYUMBA,CAMPEMENT ENTRE MALEM ET MAMBI LUMBU GABON;SALLEE;P.;1970 NGOMFI Sous-table non exportée Sous-table non exportée _ngomfi_ = harpe à huit cordes. (Il s'agit peut-être de la suite des chants de _bwiti_ de la bobine précédente)• BM.2008.004.001/25:15-02 1970 1970.2.12-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :16-02 BM.2008.004.001/25:16-02 00:00:00 25/07/70 GABON MAMBI VILI GABON;SALLEE;P.;1970 MBOYO ET MANGOMA Sous-table non exportée Sous-table non exportée (Sur la fiche descriptive de cette bobine, Pierre Sallée n'indique pas le nom de la population. Celui-ci est précisé sur la fiche de la bobine suivante, première plage)• BM.2008.004.001/25:16-01 1970 1970.2.12-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :17-01 BM.2008.004.001/25:17-01 00:00:00 25/07/70 GABON MAYUMBA,MAMBI VILI GABON;SALLEE;P.;1970 MBOYO ET MANGOMA Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:16-02 1970 1970.2.13-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :17-02 BM.2008.004.001/25:17-02 00:00:00 25/07/70 GABON MAYUMBA,MAMBI VILI GABON;SALLEE;P.;1970 CRIS DE PERROQUETS ET AUTRES OISEAUX DIVERS Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:17-01 1970 1970.2.13-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :17-03 BM.2008.004.001/25:17-03 00:00:00 04/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 HARPE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:17-02 1970 1970.2.13-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :18-01 BM.2008.004.001/25:18-01 00:00:00 05/08/70 GABON MIMONGO,JE KASEKA TSOGHO GABON;SALLEE;P.;1970 YAYO YAYO. NZAKO NA GHENDI Sous-table non exportée Sous-table non exportée _matango-tango_ = conte• _mogongo_ est ici orthographié _mugongo_ par Pierre Sallée. Il existe une transcription et une traduction de ce conte, qui porte le titre de "Nzambe, ghegnepa et ghebobodu-bobodu"• BM.2008.004.001/25:17-03 1970 1970.2.14-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-01 BM.2008.004.001/25:19-01 00:00:00 05/08/70 GABON MIMONGO,JE KASEKA TSOGHO GABON;SALLEE;P.;1970 GHEYOYAYO Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:18-03 1970 1970.2.15-01/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :18-02 BM.2008.004.001/25:18-02 00:00:00 05/08/70 GABON MIMONGO,JE KASEKA TSOGHO GABON;SALLEE;P.;1970 VEVE-VEVEEE Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:18-02 1970 1970.2.14-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :18-03 BM.2008.004.001/25:18-03 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 YEYEYE-MOGHOGHO Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:18-03 1970 1970.2.14-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-02 BM.2008.004.001/25:19-02 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 GHEBODA Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:19-01 1970 1970.2.15-02/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-03 BM.2008.004.001/25:19-03 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 A NONGOYI Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:19-02 1970 1970.2.15-03/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-04 BM.2008.004.001/25:19-04 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 KOMBE-KOMBE Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:19-03 1970 1970.2.15-04/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-05 BM.2008.004.001/25:19-05 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 MOSONZI A KOMBE Sous-table non exportée Sous-table non exportée Matango-tango = conte• BM.2008.004.001/25:19-04 1970 1970.2.15-05/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-06 BM.2008.004.001/25:19-06 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 MABONGA DOMBO Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-03 1970 1970.2.15-06/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-07 BM.2008.004.001/25:19-07 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 GO BISIA YA KETA Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-06 1970 1970.2.15-07/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-08 BM.2008.004.001/25:19-08 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 GHETSUTSU SA MOWANGO Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-07 1970 1970.2.15-08/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-09 BM.2008.004.001/25:19-09 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 GNEE A NANGUI NA MOSENGUEGNE Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-07 1970 1970.2.15-09/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-10 BM.2008.004.001/25:19-10 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 ASI GO TSE YA OGUMA Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-07 1970 1970.2.15-10/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :19-11 BM.2008.004.001/25:19-11 00:00:00 05/08/70 GABON MIMONGO,SEKA-SEKA TSOGHO GABON;SALLEE;P.;1970 MAMBONGO Sous-table non exportée Sous-table non exportée Chant pour les jumeaux. _mavassa_ = jumeaux. _iya keta_ = mère de jumeaux• BM.2008.004.001/25:19-07 1970 1970.2.15-11/Copie AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :20-01 BM.2008.004.001/25:20-01 00:00:00 18/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI. NZAMBE KANA Sous-table non exportée Sous-table non exportée Texte initiatique à propos du _mbumba bwiti_• BM.2008.004.001/25:19-07 1970 1970.3.01-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :20-02 BM.2008.004.001/25:20-02 00:00:00 18/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI. TEXTE INITIATIQUE Sous-table non exportée Sous-table non exportée BM.2008.004.001/25:20-01 1970 1970.3.01-02/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :20-03 BM.2008.004.001/25:20-03 00:00:00 19/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI Sous-table non exportée Sous-table non exportée Séance de _bwiti_ de la nuit• Film• Formation musicale : Pierre Sallée indique : "formation habituelle"• BM.2008.004.001/25:20-02 1970 1970.3.01-03/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :21-01 BM.2008.004.001/25:21-01 00:00:00 19/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI Sous-table non exportée Sous-table non exportée Suite de BM.2008.004.001/25:20-03. Date à confirmer en écoutant l'enregistrement• BM.2008.004.001/25:20-03 1970 1970.3.02-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :22-01 BM.2008.004.001/25:22-01 00:00:00 19/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI Sous-table non exportée Sous-table non exportée Suite de BM.2008.004.001/25:21-01. Date à confirmer en écoutant l'enregistrement• BM.2008.004.001/25:21-01 1970 1970.3.03-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :23-01 BM.2008.004.001/25:23-01 00:00:00 19/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI Sous-table non exportée Sous-table non exportée Suite de BM.2008.004.001/25:22-01. Date à confirmer en écoutant l'enregistrement• BM.2008.004.001/25:22-01 1970 1970.3.04-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :24-01 BM.2008.004.001/25:24-01 00:00:00 19/09/70 GABON TCHIBANGA,BAC LUMBU GABON;SALLEE;P.;1970 BWITI Sous-table non exportée Sous-table non exportée Danses acrobatiques• Suite de BM.2008.004.001/25:23-01. Date à confirmer en écoutant l'enregistrement. M = lepremier membranophone est un grand tambour ; le second, un petit tambour• BM.2008.004.001/25:23-01 1970 1970.3.05-01/Original AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :25-01 BM.2008.004.001/25:25-01 00:00:00 22/09/70 GABON MAYUMBA,VEMO PLATEAU LUMBU GABON;SALLEE;P.;1970 CHANT DE BWITI Sous-table non exportée Sous-table non exportée Chez Alexandre Pwati• BM.2008.004.001/25:24-01 1970 1970.3.06-01/N AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :25-02 BM.2008.004.001/25:25-02 00:00:00 22/09/70 GABON MAYUMBA,VEMO PLATEAU LUMBU GABON;SALLEE;P.;1970 BWITI. TEXTES DU POVI Sous-table non exportée Sous-table non exportée Chez Alexandre Pwati• BM.2008.004.001/25:25-01 1970 1970.3.06-02/N AFRIQUE +BM.2008.004 Divers* BM.2008.004.001/25 :25-03 BM.2008.004.001/25:25-03 00:00:00 22/09/70 GABON MAYUMBA,VEMO PLATEAU LUMBU GABON;SALLEE;P.;1970 AMBIANCE DU MATIN A MAYUMBA Sous-table non exportée Sous-table non exportée Commentaire de Pierre Sallée : "oiseaux et mer"• BM.2008.004.001/25:25-02 1970 1970.3.06-03/N AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-02 BM.1968.024.001/63:35-02 00:07:59 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée "Mukatta " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-03 BM.1968.024.001/63:35-03 00:09:42 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée "Kickani " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-04 BM.1968.024.001/63:35-04 00:05:07 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Les sorcières, le jour du Gathe Mangal " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-05 BM.1968.024.001/63:35-05 00:01:54 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Un homme revient de Yama lok " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-06 BM.1968.024.001/63:35-06 00:03:04 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " La chèvre sacrifiée " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :35-07 BM.1968.024.001/63:35-07 00:08:24 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Pativrata " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :36-02 BM.1968.024.001/63:36-02 00:08:14 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte "Kapal et Bhupal " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-02 BM.1968.024.001/63:37-02 00:35:04 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte"Paropakar, ou l'histoire d'un Pisac " ? (Rq : pb d'indexation, verifier si les plages corespondent bien aux contes indiqués)• GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-03 BM.1968.024.001/63:37-03 00:04:31 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Chattu " ? (Rq : pb d'indexation, verifier si les plages corespondent bien aux contes indiqués) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-04 BM.1968.024.001/63:37-04 00:09:20 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Le trésor " ? (Rq : pb d'indexation, verifier si les plages corespondent bien aux contes indiqués) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-05 BM.1968.024.001/63:37-05 00:05:40 07/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Raksas de Dep Patan" ou "Mancinti Sarki" ? (Rq : pb d'indexation, verifier si les plages corespondent bien aux contes indiqués) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :37-06 BM.1968.024.001/63:37-06 00:06:27 07/1967 NEPAL KATHMANDU MUSULMAN KASHMIRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE KASHMIRI (1/2) Sous-table non exportée Sous-table non exportée Conte " Le Raj guru et le Pasi" • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :39-02 BM.1968.024.001/63:39-02 00:13:45 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Roi et ses frêres " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :39-03 BM.1968.024.001/63:39-03 00:16:02 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Muse Bhat " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :39-04 BM.1968.024.001/63:39-04 00:10:04 06/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Le tigre et ses trois sauveteurs ( ou la sagesse du Chacal) "• GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :40-02 BM.1968.024.001/63:40-02 00:12:53 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Kal " ? (à vérifier car pb d'indexation) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :40-03 BM.1968.024.001/63:40-03 00:01:59 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Vayu " ? (à vérifier car pb d'indexation) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :40-04 BM.1968.024.001/63:40-04 00:08:58 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Vajra thinga bhut " ? (à vérifier car pb d'indexation) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :40-05 BM.1968.024.001/63:40-05 00:24:07 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " Le jogi naïf " ? (à vérifier car pb d'indexation) • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :41-02 BM.1968.024.001/63:41-02 00:03:04 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte " La femme de Ban-jhakri " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :41-03 BM.1968.024.001/63:41-03 00:02:41 09/1967 NEPAL KATHMANDU CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CONTE CHETRI Sous-table non exportée Sous-table non exportée Conte "Kickani " • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-02 BM.1968.024.001/63:43-02 00:02:40 10/10/67 NEPAL DT DE JUMLA / TOPANI NEPALAIS MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) EN L'HONNEUR DE MASTA (2/2) Sous-table non exportée Sous-table non exportée * Temple de Babiromasta. Femmes de diverses castes népalis : Damai et Chetri., Mangal en l'honneur de Masta, M-tbr = timbales, Suite de Dhami posédé par Masta, plusieurs pauses et reprises, avec ambiances et conversations • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-05 BM.1968.024.001/63:43-05 00:07:31 10/10/67 NEPAL DT DE JUMLA * NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECIT D'UNE CONSULTATION (SUITE) Sous-table non exportée Sous-table non exportée * chef-lieu du dt. de Jumla. Suite du récit d'une consultation du Dhami de Babiromasta • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :43-07 BM.1968.024.001/63:43-07 01:13:40 21/10/67 NEPAL DT DE JUMLA * NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) VIELE ET CHANT (SUITE) Sous-table non exportée Sous-table non exportée * chef-lieu du dt. de Jumla. Chanté solo H + CV-= vièle Sarangi, Ballade Saramai Maharani • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-04 BM.1968.024.001/63:44-04 00:01:04 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H (SUITE) Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie :Thakuri (?). Suite de " Selo " - voix chantée solo H • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-05 BM.1968.024.001/63:44-05 00:03:26 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) 2 CHANTS SOLO H Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie :Thakuri (?). voix chantée solo H, 1) "Nauli adheli" : à 00'17 (précédé par voix parlée), fin à 02'16, Courte conversation, 2) "Gali gali git" à 02'47, se poursuit sur la plage suivante • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-06 BM.1968.024.001/63:44-06 00:02:53 mi-11/67 NEPAL DT DE JUMLA / LEKHPARA * THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H (SUITE) Sous-table non exportée Sous-table non exportée * près de Sija. Ethnie :Thakuri (?). voix chantée solo H, Suite de "Gali gali git", fin à 02'44 puis voix parlée et coupure • BM.1968.024.001/6344-05 GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-08 BM.1968.024.001/63:44-08 00:02:16 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-09 BM.1968.024.001/63:44-09 00:05:27 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-10 BM.1968.024.001/63:44-10 00:01:14 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-11 BM.1968.024.001/63:44-11 00:03:45 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-12 BM.1968.024.001/63:44-12 00:01:07 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-13 BM.1968.024.001/63:44-13 00:06:19 mi-11/67 NEPAL DT DE JUMLA / DAHA DAMAÏ MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS AVEC TAMBOUR Sous-table non exportée Sous-table non exportée Voix chantées h, solo et chr en alternance, M2-= tambour à deux peaux Madal, Alternance de passages a cappella et avec instru, Fin sur la plage suivante • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-15 BM.1968.024.001/63:44-15 00:00:39 mi-11/67 NEPAL DT DE DAILEKH / RAVATKOT * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHR H Sous-table non exportée Sous-table non exportée * près de Dullu, Suite de la plage précédente : chant chr H, chant Bhasi ?• GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-16 BM.1968.024.001/63:44-16 00:06:24 mi-11/67 NEPAL DT DE DAILEKH / RAVATKOT * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHR H Sous-table non exportée Sous-table non exportée * près de Dullu, Suite de la plage précédente : chant chr H, chant Dhamari (inspiré du Ramayana) ? (à vérifier car pb d'indexation)• GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-17 BM.1968.024.001/63:44-17 00:16:26 mi-11/67 NEPAL DT DE DAILEKH / RAVATKOT * CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT CHR H&F Sous-table non exportée Sous-table non exportée * près de Dullu, Chant 2 chr H et F alternés, 3 motifs mélodiques • GABORIEAU,MARC 1967 ASIE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-01 BM.2008.005.001/22:01-01 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée région du massif de Likindou• 1973 1973.1.01-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-02 BM.2008.005.001/22:01-02 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. (Vérifier à l'écoute de l'enregistrement la présence de la cloche _kinda_)• BM.2008.005.001/22:01-01 1973 1973.1.01-02/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-03 BM.2008.005.001/22:01-03 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. (Vérifier à l'écoute de l'enregistrement la présence de la cloche _kinda_)• BM.2008.005.001/22:01-02 1973 1973.1.01-03/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-04 BM.2008.005.001/22:01-04 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. (Vérifier à l'écoute de l'enregistrement la présence de la cloche _kinda_)• BM.2008.005.001/22:01-03 1973 1973.1.01-04/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-05 BM.2008.005.001/22:01-05 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. (Vérifier à l'écoute de l'enregistrement la présence de la cloche _kinda_)• BM.2008.005.001/22:01-04 1973 1973.1.01-05/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-06 BM.2008.005.001/22:01-06 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. (Vérifier à l'écoute de l'enregistrement la présence de la cloche _kinda_)• BM.2008.005.001/22:01-05 1973 1973.1.01-06/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :01-07 BM.2008.005.001/22:01-07 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 TSAVOU. CONTE CHANTE Sous-table non exportée Sous-table non exportée Région du massif de Likindou• BM.2008.005.001/22:01-05 1973 1973.1.01-07/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-01 BM.2008.005.001/22:02-01 00:00:00 18/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 TSAVOU. CONTE CHANTE Sous-table non exportée Sous-table non exportée Suite de BM.2008.005.001/22:01-07. Région du massif de Likindou• BM.2008.005.001/22:01-07 1973 1973.1.02-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-02 BM.2008.005.001/22:02-02 00:00:00 18/01/73 GABON MBIGOU,KOTO NZEBI GABON. SALLEE,P. ;1973 NZIMBA Sous-table non exportée Sous-table non exportée _nzimba_ = conte ou devinette à l'arc musical (_mogongo_)• Région du massif de Likindou. _mogongo_ est ici orthographié _mugongo_ par Pierre Sallée• BM.2008.005.001/22:02-01 1973 1973.1.02-02/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-03 BM.2008.005.001/22:02-03 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-02 1973 1973.1.02-03/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-04 BM.2008.005.001/22:02-04 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-03 1973 1973.1.02-04/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-05 BM.2008.005.001/22:02-05 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-04 1973 1973.1.02-05/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-06 BM.2008.005.001/22:02-06 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-05 1973 1973.1.02-06/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-07 BM.2008.005.001/22:02-07 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-06 1973 1973.1.02-07/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-08 BM.2008.005.001/22:02-08 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-07 1973 1973.1.02-08/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :02-09 BM.2008.005.001/22:02-09 00:00:00 21/01/73 GABON MBIGOU,LETSILA NZEBI GABON. SALLEE,P. ;1973 MAVASSA. CHANT POUR LES JUMEAUX Sous-table non exportée Sous-table non exportée Région du massif de Likindou. IS-HOCHET = hochet végétal. (Vérifier à l'écoute la formation musicale)• BM.2008.005.001/22:02-08 1973 1973.1.02-09/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :03-01 BM.2008.005.001/22:03-01 00:00:00 20/01/73 GABON MBIGOU,NGOUNGI NZEBI GABON. SALLEE,P. ;1973 MWEI Sous-table non exportée Sous-table non exportée _mwei_ ou _munala_• Région du Likin. Formation musicale : les 4 voix d'homme correspondent à : 1. _mwiri_ ; 2. _mudunga_, _mwei_ ; 3. _seke_ (petite voix) ; 4. _ndambo_ (injurier les hommes). Commentaire de Pierre Sallée à propos du tambour : "façon de jouer du _mwiri_"• BM.2008.005.001/22:02-07 1973 1973.1.03-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-01 BM.2008.005.001/22:04-01 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 ETUDE DE LA NGANZA ET DE SON DU DIAPASON Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:03-01 1973 1973.1.04-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-02 BM.2008.005.001/22:04-02 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT A LA NGANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:04-01 1973 1973.1.04-02/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-03 BM.2008.005.001/22:04-03 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT A LA SANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:04-02 1973 1973.1.04-03/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-04 BM.2008.005.001/22:04-04 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT A LA SANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• Suite de BM.2008.005.001/22:04-03• BM.2008.005.001/22:04-03 1973 1973.1.04-04/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-05 BM.2008.005.001/22:04-05 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT A LA SANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• Suite de BM.2008.005.001/22:04-03• BM.2008.005.001/22:04-04 1973 1973.1.04-05/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-06 BM.2008.005.001/22:04-06 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 ETUDE DE LA NGANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:04-01 1973 1973.1.04-06/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-07 BM.2008.005.001/22:04-07 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 ECHELLE DE LA NGANZA ET CHANT Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:04-06 1973 1973.1.04-07/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-08 BM.2008.005.001/22:04-08 00:00:00 25/01/73 GABON NDENDE,NYANGA PUNU GABON. SALLEE,P. ;1973 TSAVOU. CONTE CHANTE Sous-table non exportée Sous-table non exportée _tsavou_ ou _kughu_. Sé rie de chants précédents le conte parlé lui-même• BM.2008.005.001/22:04-07 1973 1973.1.04-08/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :04-09 BM.2008.005.001/22:04-09 00:00:00 25/01/73 GABON NDENDE,NYANGA PUNU GABON. SALLEE,P. ;1973 CONTE PARLE Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:04-08 1973 1973.1.04-09/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :05-01 BM.2008.005.001/22:05-01 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 ETUDE DE LA NGANZA Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:04-01 1973 1973.1.05-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :05-02 BM.2008.005.001/22:05-02 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:05-01 1973 1973.1.05-02/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :05-03 BM.2008.005.001/22:05-03 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:05-02 1973 1973.1.05-03/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :05-04 BM.2008.005.001/22:05-04 00:00:00 25/01/73 GABON NDENDE,NYANGA,MUGUNDA PUNU GABON. SALLEE,P. ;1973 CHANT Sous-table non exportée Sous-table non exportée _ngandza_ = _sanza_ à 10 lames• BM.2008.005.001/22:05-03 1973 1973.1.05-04/Original AFRIQUE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :44-22 BM.1968.024.001/63:44-22 00:03:40 mi-11/67 NEPAL DT DE DAILEKH / LAMJI * BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) POEME CHANTE BRAHMANE Sous-table non exportée Sous-table non exportée * près de Dullu • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :45-02 BM.1968.024.001/63:45-02 00:06:53 10/1967 NEPAL DT DE DAILEKH / DULLU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITS BRAHMANES Sous-table non exportée Sous-table non exportée Récit d'un mariage, Récit d'un voyage dans le Terai , Sute de la plage précédente • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :45-03 BM.1968.024.001/63:45-03 00:00:52 10/1967 NEPAL DT DE DAILEKH / DULLU BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECITS BRAHMANES Sous-table non exportée Sous-table non exportée Récit d'un voyage dans le Terai , Sute de la plage précédente • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :45-05 BM.1968.024.001/63:45-05 00:09:54 10/1967 NEPAL DT DE JUMLA / CHILKAYA BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) RECIT ET CONTES BRAHMANES Sous-table non exportée Sous-table non exportée Histoire des Brahmanes de Chilkaya ; Conte : " Ruse d'un roi pour obtenir la main d'une princesse " ; Conte : " Les trois mauvais plaisants " ; Suite de la plage suivante • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :46-01 BM.1968.024.001/63:46-01 00:15:45 11/1967 NEPAL DT DE JUMLA / LEKPARA CHETRI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) MANGAL Sous-table non exportée Sous-table non exportée Plusieurs prises, avec ambiances • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-03 BM.1968.024.001/63:47-03 00:03:02 11/1967 NEPAL DT DE JUMLA / CHILKAYA BRAHMANE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) SUR UNE QUERELLE (2/2) Sous-table non exportée Sous-table non exportée Sur une querelle à propos d'un bois - Voix chantées d'un (plage précédente) puis chr hommes • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-05 BM.1968.024.001/63:47-05 00:02:36 11/1967 NEPAL DT DE JUMLA / NALIMA BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DANSE ET VIELE SARANGI Sous-table non exportée Sous-table non exportée Voix chantées, CV-= vièle sarangi, M-= tambours avec une danseuse • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-06 BM.1968.024.001/63:47-06 00:04:29 11/1967 NEPAL DT DE JUMLA / NALIMA BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DANSE ET VIELE SARANGI Sous-table non exportée Sous-table non exportée Voix chantées, CV-= vièle sarangi, M-= tambours avec une danseuse • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :47-07 BM.1968.024.001/63:47-07 00:03:57 11/1967 NEPAL DT DE JUMLA / NALIMA BADI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) DANSE ET VIELE SARANGI / MAGAL CHR H Sous-table non exportée Sous-table non exportée En 2 parties : 1ère partie : Voix chantées, CV-= vièle sarangi, M-= tambours avec une danseuse, fin à 01'36 ; 2ème partie : Mangal de Masta - voix chantées chr H, suite sur la plage suivante • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :48-02 BM.1968.024.001/63:48-02 00:18:03 11/1967 NEPAL DT DE MUGU / GUM THAKURI MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE MASTA Sous-table non exportée Sous-table non exportée Histoire de Tharpa Masta • GABORIEAU,MARC 1967 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-03 BM.1968.024.001/63:50-03 00:02:50 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN H Sous-table non exportée Sous-table non exportée Voix chantée solo H, M-=tambour Madal, vers 02'25 : chr H • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-04 BM.1968.024.001/63:50-04 00:04:41 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN H Sous-table non exportée Sous-table non exportée Voix chantée solo et chr H, tambour, cymbales et battements de mains, M-=tambour Madal • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-05 BM.1968.024.001/63:50-05 00:01:55 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN H BHAILI Sous-table non exportée Sous-table non exportée Voix chantée solo et chr H (et jeunes garçons ?), tambour, cymbales et battements de mains, M-=tambour Madal, Titre : Bhaili, Courte intro : chant et rires • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-06 BM.1968.024.001/63:50-06 00:04:10 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT MUSULMAN H Sous-table non exportée Sous-table non exportée Voix chantée solo et chr H (et jeunes garçons ?), tambour, M-=tambour Madal • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-08 BM.1968.024.001/63:50-08 00:00:58 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT H & TAMB 1/2 BHAILI Sous-table non exportée Sous-table non exportée Chant (en alternance solo et chr H- jeunes garçons), tambour, Titre Bhaili : continue sur la plage suivante • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-09 BM.1968.024.001/63:50-09 00:04:17 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT H & TAMB 2/2 BHAILI Sous-table non exportée Sous-table non exportée Chant (en alternance solo et chr H- jeunes garçons), tambour, Titre Bhaili : suite de la plage précédente, avec rires • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :50-10 BM.1968.024.001/63:50-10 00:02:00 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT H & TAMB DYAUSIRE Sous-table non exportée Sous-table non exportée Chant (en alternance solo et chr H- jeunes garçons), tambour, Titre : Dyausire, avec rires, fin coupée • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :51-02 BM.1968.024.001/63:51-02 00:07:33 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS MUSULMAN Sous-table non exportée Sous-table non exportée Chanté solo de vieille F, passages en duo, avec pauses et reprises • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :52-02 BM.1968.024.001/63:52-02 00:09:47 03/1968 NEPAL DT.DE TANAHU / PURKOT MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) HISTOIRE DE MOISE Sous-table non exportée Sous-table non exportée Histoire de Moïse (en Hindi) • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-03 BM.1968.024.001/63:53-03 00:04:01 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT SOLO H MUSULMAN Sous-table non exportée Sous-table non exportée Chant du Chatti (fête du 6ème jour après la naissance) • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :53-05 BM.1968.024.001/63:53-05 00:08:23 03/1968 NEPAL DT.DE TANAHU / SAMJUR MUSULMAN MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANTS F MUSULMAN Sous-table non exportée Sous-table non exportée Chants Rateli - chanté solo (vieille femme) & chr F (femmes et jeunes filles) , avec interruptions, pauses, voix parlées • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :55-02 BM.1968.024.001/63:55-02 00:11:38 02-03/1968 NEPAL DT.DE GORKHA / LIG-LIG NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Fragments de la ballade "Mankoile ", rani , chanté solo H, CV-= vièle sarangi , VP- = commmentaire sur la ballade, suite sur la plage suivante • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :55-04 BM.1968.024.001/63:55-04 00:07:50 02-03/1968 NEPAL DISTRICT DE GORKHA NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée En 2 parties : à Lig Lig : Fragments de la ballade " Jayala jayatula ", à Palungtar : Mangal de Prithvi narayani, chanté solo H, CV-= vièle sarangi , VP- = commmentaire sur les pièces • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :56-02 BM.1968.024.001/63:56-02 00:11:58 03/1968 NEPAL DT.DE LAMJUNG / DUDE KUNA NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Par Priti Ram Gaine. " Baliraj " - chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :56-03 BM.1968.024.001/63:56-03 00:16:34 03/1968 NEPAL DT.DE LAMJUNG / DUDE KUNA NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Par Priti Ram Gaine. " Mangal de Gorakhnath " - chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :56-04 BM.1968.024.001/63:56-04 00:09:12 03/1968 NEPAL DT.DE LAMJUNG / DUDE KUNA NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Par Priti Ram Gaine. chant en l'honneur de Devi das Mukhya (chef du village) - chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :57-02 BM.1968.024.001/63:57-02 00:06:46 12/03/1968 NEPAL DT.DE GORKHA / PALUNGTAR NEPALAIS,CASTE GAINE MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT & VIELE SARANGI Sous-table non exportée Sous-table non exportée Révolte de Cipaye et reprise de Lucknow par les troupes népalaises-- chanté solo H, CV-= vièle sarangi • GABORIEAU,MARC 1968 ASIE +BM.1968.024 CDR+Ø* BM.1968.024.001/63 :60-05 BM.1968.024.001/63:60-05 00:03:04 04/1968 NEPAL DT.DE ACCHAM / DARNA HUDKYA MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) CHANT Sous-table non exportée Sous-table non exportée Voix chantés solo H & choeur alterné, Chant "Lo", Pb technique • GABORIEAU,MARC 1968 ASIE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :06-01 BM.2008.005.001/22:06-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:05-03 1973 1973.2A.01-01/Copie AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :07-01 BM.2008.005.001/22:07-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:06-01 1973 1973.2A.02-01/Copie AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :08-01 BM.2008.005.001/22:08-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.03-01/Copie AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :09-01 BM.2008.005.001/22:09-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.04-01/Copie AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :10-01 BM.2008.005.001/22:10-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.05-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :11-01 BM.2008.005.001/22:11-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.06-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :12-01 BM.2008.005.001/22:12-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.07-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :13-01 BM.2008.005.001/22:13-01 00:00:00 N GABON N FANG GABON. SALLEE,P. ;1973 MVET Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:07-01 1973 1973.2A.08-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :14-01 BM.2008.005.001/22:14-01 00:00:00 N GABON N PYGMEE GABON. SALLEE,P. ;1973 N Sous-table non exportée Sous-table non exportée Sélection pour le disque Fraissex• BM.2008.005.001/22:07-01 1973 1973.2B.01-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :15-01 BM.2008.005.001/22:15-01 00:00:00 N GABON N PYGMEE GABON. SALLEE,P. ;1973 N Sous-table non exportée Sous-table non exportée Sélection pour le disque Fraissex• BM.2008.005.001/22:14-01 1973 1973.2B.02-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :16-01 BM.2008.005.001/22:16-01 00:00:00 N GABON N PYGMEE GABON. SALLEE,P. ;1973 CHANTS Sous-table non exportée Sous-table non exportée VC = yodel à 2 voix. Sélection pour le disque Fraissex• BM.2008.005.001/22:14-01 1973 1973.2B.03-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :17-01 BM.2008.005.001/22:17-01 00:00:00 N GABON N PYGMEE GABON. SALLEE,P. ;1973 CHANTS Sous-table non exportée Sous-table non exportée VC = yodel à 3, 4 ou 5 voix.. Sélection pour le disque Fraissex• BM.2008.005.001/22:14-01 1973 1973.2B.04-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :18-01 BM.2008.005.001/22:18-01 00:00:00 N GABON MINVOUL,ELONE PYGMEE BIBAYAK GABON. SALLEE,P. ;1973 SANZA Sous-table non exportée Sous-table non exportée Sélection pour le disque Fraissex• BM.2008.005.001/22:17-01 1973 1973.2B.05-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :19-01 BM.2008.005.001/22:19-01 00:00:00 N GABON MINVOUL,ELONE PYGMEE GABON. SALLEE,P. ;1973 SANZA ET CHANTS Sous-table non exportée Sous-table non exportée VC = yodel à 1 voix. Sélection pour le disque Fraissex• BM.2008.005.001/22:18-01 1973 1973.2B.06-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :20-01 BM.2008.005.001/22:20-01 00:00:00 N GABON MINVOUL,ELONE PYGMEE GABON. SALLEE,P. ;1973 TAMBOURS, BAKE, CHANTS Sous-table non exportée Sous-table non exportée Le lieu est indiqué sur la fiche de la BM.2008.005.001/22:21-01, dont l'enregistrement est la suite de la BM.2008.005.001/22:20-01. VC = yodel. Sélection pour le disque Fraissex• BM.2008.005.001/22:19-01 1973 1973.2B.07-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :21-01 BM.2008.005.001/22:21-01 00:00:00 N GABON MINVOUL,ELONE PYGMEE GABON. SALLEE,P. ;1973 CHANTS Sous-table non exportée Sous-table non exportée Suite de BM.2008.005.001/22:20-01. Sélection pour le disque Fraissex• BM.2008.005.001/22:20-01 1973 1973.2B.08-01/Original AFRIQUE +BM.2008.005 Ø13&18 BM.2008.005.001/22 :22-01 BM.2008.005.001/22:22-01 00:00:00 21/08/73 GABON N N GABON. SALLEE,P. ;1973 ACCORDS INSTRUMENTAUX DU GABON Sous-table non exportée Sous-table non exportée BM.2008.005.001/22:21-01 1973 1973.N.N-01/Original AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :76-01 BM.2007.005.001/77:76-01 00:00:00 N GABON N N GABON; SALLEE,P. 1966 ENQUETE SALLEE, SILLANS Sous-table non exportée Sous-table non exportée BM.2007.005:75-01 SALLEE,P. 1966 1966.N/N-01/N AFRIQUE +BM.2007.005 Divers* BM.2007.005.001/77 :77-01 BM.2007.005.001/77:77-01 00:00:00 N GABON N PYGMEE GABON; SALLEE,P. 1966 N Sous-table non exportée Sous-table non exportée BM.2007.005:76-01 SALLEE,P. 1966 1966.N/N-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :02-01 BM.2007.001.001/97:02-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.02-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :03-01 BM.2007.001.001/97:03-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.03-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :04-01 BM.2007.001.001/97:04-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.04-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :05-01 BM.2007.001.001/97:05-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.05-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :06-01 BM.2007.001.001/97:06-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.06-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :08-01 BM.2007.001.001/97:08-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.08-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :07-01 BM.2007.001.001/97:07-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.07-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :09-01 BM.2007.001.001/97:09-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.09-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :10-01 BM.2007.001.001/97:10-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.10-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :11-01 BM.2007.001.001/97:11-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.11-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :12-01 BM.2007.001.001/97:12-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.12-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :13-01 BM.2007.001.001/97:13-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.13-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :14-01 BM.2007.001.001/97:14-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.14-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :15-01 BM.2007.001.001/97:15-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.15-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :16-01 BM.2007.001.001/97:16-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.16-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :17-01 BM.2007.001.001/97:17-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.17-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :18-01 BM.2007.001.001/97:18-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.18-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :19-01 BM.2007.001.001/97:19-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.19-01/N AFRIQUE +BM.2007.001 Divers* BM.2007.001.001/97 :20-01 BM.2007.001.001/97:20-01 00:00:00 N GABON N N GABON.P. SALLEE 1965 N Sous-table non exportée Sous-table non exportée SALLEE,P. 1965 1965.0.20-01/N AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-01 BM.1984.006.001/30:09-01 00:09:54 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DES FORGERONS DE L'AHAGGAR Sous-table non exportée Sous-table non exportée LHOTE,HENRI 1948 Di-GF4A.n°130 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-02 BM.1984.006.001/30:09-02 00:05:35 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CONVERSATION D'UNE MERE TOUAREGUE AVEC SA FILLE Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-41B. n°131 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-03 BM.1984.006.001/30:09-03 00:04:19 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-42A. n°132 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-04 BM.1984.006.001/30:09-04 00:05:30 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON AU SUJET DE LA RIVALITE DES TAITOK ET DES KEL RELA Sous-table non exportée Sous-table non exportée Air d'amzad dit "seïenin" • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-42B. n°133 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-05 BM.1984.006.001/30:09-05 00:05:37 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'AMOUR Sous-table non exportée Sous-table non exportée Air de tindi de l'Ajjer dit "ellehelleh" • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-43A. n°134 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-07 BM.1984.006.001/30:09-07 00:05:35 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FLATTERIE POUR UNE JOLIE FEMME Sous-table non exportée Sous-table non exportée Air de tindi dit "ellehelleh" • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-44A. n°136 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-08 BM.1984.006.001/30:09-08 00:05:44 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE TOUAREGUE Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-44B. n°137 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-09 BM.1984.006.001/30:09-09 00:05:42 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT A LA FIANCEE Sous-table non exportée Sous-table non exportée Chanson d'amour chanté sur un air de l'Ajjer dit "ohinenna" • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-45A. n°138 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-10 BM.1984.006.001/30:09-10 00:05:37 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LES NOUVELLES, CONVERSATION D'HOMMES Sous-table non exportée Sous-table non exportée Marli ag Amaïas de la tribu des Kel Rela et Rabti ag Abahadj de la tribu des Dag Rali • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-45B. n°139 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-11 BM.1984.006.001/30:09-11 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SALUTATIONS TOUAREGUES Sous-table non exportée Sous-table non exportée Durée totale des plages :09-11 et :09-12 = 5'37" Mali ag Amaïas de la tribu des Kel Rela et Rabti ag Abahadj de la tribu des Dag Rali • BM.1984.006.001/30:09-01 LHOTE,HENRI 1948 Di-46A. n°140 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-12 BM.1984.006.001/30:09-12 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CONVERSATION EN ARABE Sous-table non exportée Sous-table non exportée Durée totale des plages :09-11 et :09-12 = 5'37" • BM.1984.006.001/30:09-11 LHOTE,HENRI 1948 Di-46A. n°141 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-13 BM.1984.006.001/30:09-13 00:05:36 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] OPINION SUR LE CHOIX D'UNE FEMME Sous-table non exportée Sous-table non exportée Air dit "Aïlane n Aïlane" • BM.1984.006.001/30:09-10 LHOTE,HENRI 1948 Di-46B. n°142 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-01 BM.1984.006.001/30:10-01 00:05:23 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON "SON CHAMEAU BLANC" ET SATIRE SUR OUAN-TENERE (H. LHOTE) Sous-table non exportée Sous-table non exportée Composée par Sidi Mohamed ag Othman de la tribu des Kel Rela Air dit "asahar" • BM.1984.006.001/30:09-10 LHOTE,HENRI 1948 Di-47A. n°143 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-02 BM.1984.006.001/30:10-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] JETE D'UNE TENTE A L'OCCASION DE LA FETE DU MARIAGE Sous-table non exportée Sous-table non exportée Durée totale des plages :10-02 et :10-03 = 5'27" Cris et interjections A l'occasion de la fête du mariage, les hommes présents s'emparent du velum de la tente avant que les fiancés aient pénétré dessous et le projettent par sept fois au dessus des piquets. Cette coutume constitue des prémices de bonheur. • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-47B. n°144 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-03 BM.1984.006.001/30:10-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] LECON DE CHANT Sous-table non exportée Sous-table non exportée Durée totale des plages :10-02 et :10-03 = 5'27" • BM.1984.006.001/30:10-02 LHOTE,HENRI 1948 Di-47B. n°145 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-04 BM.1984.006.001/30:10-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT D'UNE VISITE NOCTURNE A UN TOMBEAU PREISLAMIQUE Sous-table non exportée Sous-table non exportée Durée totale des plages :10-04 et :10-05 = 5'25" Ce récit rapporte à la coutume pratiquée par les femmes touarègues de se rendre la nuit près de certaines tombes préislamiques, qui sont très nombreuses dans l'Ahaggar, pour obtenir des nouvelles des personnes absentes. Elles se couchent près de la tombe, s'enveloppent de leur long châle et demandent au mort de donner des nouvelles. Elles prétendent entendre des voix qui satisfont à leurs désirs, et les prédictions se trouveraient souvent vérifiées. • BM.1984.006.001/30:10-02 LHOTE,HENRI 1948 Di-48A. n°146 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-05 BM.1984.006.001/30:10-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL TAZOLET ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON POUR IHEIETINE, ANCIEN KEBIR DU VILLAGE D'IDELES Sous-table non exportée Sous-table non exportée Durée totale des plages :10-04 et :10-05 = 5'25" Composée par la femme nommée Fatma oult Djibali de la tribu des Kel Tazolet Rythme dit "sïenin" La créationde cette chanson remonte à 1920 • BM.1984.006.001/30:10-04 LHOTE,HENRI 1948 Di-48A. n°147 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-06 BM.1984.006.001/30:10-06 00:05:04 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'HOMME Sous-table non exportée Sous-table non exportée Composée par Amrar ag Améréoualt lorsqu'il revint de son voyage dans l'Adrar des Iforas. Son coeur brûlait alors pour une femme d'Abalessa qui se rendait secrètement chez le marabout Ech Chinguetti qui habite cette petite oasis. Cette chanson est suivie d'une autre faite par le même auteur sur une caravane venant d'In Gall. Rythme _assahar_ • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-48B. n°148 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-07 BM.1984.006.001/30:10-07 00:05:29 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'HOMME Sous-table non exportée Sous-table non exportée Composé par El Mouden sur son voyage à Alger (1930) et sa visite au Président de la République. Rythme _seïenin_ • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-49A. n°149 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-08 BM.1984.006.001/30:10-08 00:05:20 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'HOMME Sous-table non exportée Sous-table non exportée Composé par El Mouden sur son voyage à Alger (1930) et sa visite au Président de la République. Rythme _seïenin_ • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-49B. n°150 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-09 BM.1984.006.001/30:10-09 00:05:21 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'HOMME Sous-table non exportée Sous-table non exportée Composé par El Mouden sur son voyage à Alger (1930) et sa visite au Président de la République. Rythme _seïenin_ • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-50A. n°151 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-10 BM.1984.006.001/30:10-10 00:05:27 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE Sous-table non exportée Sous-table non exportée Satire faite par Bidarer ag Améréoualt contre Ouan Ténéré. • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-50B. n°152 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-11 BM.1984.006.001/30:10-11 00:05:33 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT SUR LE CONTRE-REZZOU DES OULAD DJERID Sous-table non exportée Sous-table non exportée Composée par Bay ag Akhamouk sur le contre-rezzou des Oulad Djerid (1928). Rythme "asahar". • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-51A. n°153 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-12 BM.1984.006.001/30:10-12 00:05:24 ALGERIE;HOGGAR TOUAREGS;DAG ECH CHEIK ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DAG ECH CHEIK Sous-table non exportée Sous-table non exportée Les Dag Ech Cheik sont une tribu arabe Kounta de la région de Tombouctou. • Composée par Sidi Lamine ag Abidine au cours d'un combat entre les Touaregs de l'Adrar appuyés par un détachement français et un groupe de pillards venus du Tafilalet dépendant du fameux agitateur Abidine El Kounti. Sidi Lamine ag Abidine fut tué au combat. Celui-ci remonte à l'année 1930 environ. Chantée par Bidarer ag Améréoualt qui l'apprit en Adrar lors d'un voyage qu'il fit en cette région en 1939. L'air semble propre aux Dag Ech Cheik, il appartient au groupe des Tindi. Les paroles sont un mélange d'arabe et de tamahaq. L'ouïe du chanteur n'a rien de commun avec ceux usités chez les Touaregs de l'Ahaggar. • BM.1984.006.001/30:10-01 LHOTE,HENRI 1948 Di-51B. n°154 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-13 BM.1984.006.001/30:10-13 00:05:18 ALGERIE;HOGGAR TOUAREGS;IRREGUENATEN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON POUR SON FILS Sous-table non exportée Sous-table non exportée Chanson faite par Barka oult Boukaïa de la tribu des irréguenaten, pour son fils. Air de tindi dit "Aguina", des Irréguenaten. • LHOTE,HENRI 1948 Di-52A. n°155 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-14 BM.1984.006.001/30:10-14 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :10-14, :10-15 et :10-16 = 5'21" • BM.1984.006.001/30:10-02 LHOTE,HENRI 1948 Di-52B. n°156 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-15 BM.1984.006.001/30:10-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE "IKLOULOTEN" Sous-table non exportée Sous-table non exportée Durée totale des plages :10-14, :10-15 et :10-16 = 5"21 Aïchatou : taklit des Adjou-n-Téhlé • BM.1984.006.001/30:10-14 LHOTE,HENRI 1948 Di-52B. n°157 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :10-16 BM.1984.006.001/30:10-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :10-14, :10-15 et :10-16 = 5'21" • BM.1984.006.001/30:10-14 LHOTE,HENRI 1948 DI-52B. N°158 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-01 BM.1984.006.001/30:11-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL TAZOLI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES TIBARADINE Sous-table non exportée Sous-table non exportée Durée totale des plages :11-01, :11-02, :11-03 et :11-04 = 12'00" Début de la face A Les Tibaradine, c'est-à-dire les Fillettes, sont deux pierres sculptées déposées aujourd'hui au Musée de l'Homme, qui furent recueillies à Tazerouk par le Capitaine Nieger, et qui étaient l'objet d'un culte de la part des Touaregs. La légende est d'ailleurs incomplète. Il en existe d'autres versions. • BM.1984.006.001/30:10-14 LHOTE,HENRI 1948 Di-GF5A. n°159 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-02 BM.1984.006.001/30:11-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL TAZOLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSONS Sous-table non exportée Sous-table non exportée Durée totale des plages :11-01, :11-02, :11-03 et :11-04 = 12'00" Début de la face A • BM.1984.006.001/30:11-01 LHOTE,HENRI 1948 Di-GF5A. n°160 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-03 BM.1984.006.001/30:11-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL TAZOLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSONS Sous-table non exportée Sous-table non exportée Durée totale des plages :11-01, :11-02, :11-03 et :11-04 = 12'00" Début de la face A • BM.1984.006.001/30:11-01 LHOTE,HENRI 1948 Di-GF5A. n°161 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-04 BM.1984.006.001/30:11-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL TAZOLI ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSONS Sous-table non exportée Sous-table non exportée Durée totale des plages :11-01, :11-02, :11-03 et :11-04 = 12'00" Début de la face A • BM.1984.006.001/30:11-01 LHOTE,HENRI 1948 Di-GF5A. n°162 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-05 BM.1984.006.001/30:11-05 00:05:34 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU COMBAT D'AMDERAMBOUKANE Sous-table non exportée Sous-table non exportée La localité d'Amdéramboukane se trouve sur le territoire du Soudan français et dans le cercle de Gao. Elle se trouve à une centaine de kilomètres de notre poste de Ménéka. • Fin de la face A Akmazo ag Rofé, de la tribu des Adjouh-n-Tehli, prit part au combat. C'est à Amdéramboukane que les Touaregs Ioulliminden, qui s'étaient révoltés en 1915, vinrent se réfugier. Ils furent rejoints par plusieurs groupes méharistes, dont celui du Hoggar auquel s'était joint un goum de Touaregs de ce pays. Les Ioulliminden furent décimés. Ce combat donna lieu à de nombreux récits et à de nombreuses poésies. • LHOTE,HENRI 1948 Di-GF4A. n°163 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-06 BM.1984.006.001/30:11-06 00:08:04 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU COMBAT DE L'ILAMAN Sous-table non exportée Sous-table non exportée Fin de la face B Ce combat eut lieu en 1917 dans l'oued qui descend de la célèbre montagne et où une importante bande de dissidents touaregs tendit une embuscade à un de nos détachements en reconnaissance commandé par le capitaine Masson gravement blessé à la cuisse, mais les survivants et les blessés purent rentrer à Fort-Motylinsky sous la conduite du sous-lieutenant Constant, grâce à la magnanimité des Touaregs qui ne les poursuivirent pas, quoiqu'ils aient perdu tous leurs chameaux. • BM.1984.006.001/30:11-05 LHOTE,HENRI 1948 Di-GF4B. n°164 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-07 BM.1984.006.001/30:11-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CRIS POUR CHASSER OU APPELLER LES CHEVRES Sous-table non exportée Sous-table non exportée Durée totale des plages :11-07 et :11-08 = 5'00" 1) Cri spécial poussé par les Touaregs pour chasser les chèvres 2) Cri spécial poussé par les Touaregs pour appeler les chèvres • BM.1984.006.001/30:11-01 LHOTE,HENRI 1948 Di-53A. n°165 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-08 BM.1984.006.001/30:11-08 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL, DU LION, DE L'AUTRUCHE ET DE L'ELEPHANT Sous-table non exportée Sous-table non exportée Durée totale des plages :11-07 et :11-08 = 5'00" • BM.1984.006.001/30:11-07 LHOTE,HENRI 1948 Di-53A. n°166 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-09 BM.1984.006.001/30:11-09 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU COQ Sous-table non exportée Sous-table non exportée Durée totale des plages :11-09 et :11-10 = 4'58" • BM.1984.006.001/30:11-07 LHOTE,HENRI 1948 Di-53B. n°167 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-10 BM.1984.006.001/30:11-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL, DE LA HYENE ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :11-09 et :11-10 = 4'58" • BM.1984.006.001/30:11-09 LHOTE,HENRI 1948 Di-53B. n°168 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-11 BM.1984.006.001/30:11-11 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "RANEA EL EMRA LOUKANE IMOUT MANATIDIA" Sous-table non exportée Sous-table non exportée Durée totale des plages :11-11 et :11-12 = 5'34" Chants en arabe d'harratines d'in-Salah fixés à Tamanrasset. Ce tam-tam eut lieu à la suite d'un repas d'anniversaire de la mort d'un parent. • BM.1984.006.001/30:11-09 LHOTE,HENRI 1948 Di-54A. n°169 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-12 BM.1984.006.001/30:11-12 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "KHADIJA LAYANE KHEL" Sous-table non exportée Sous-table non exportée Durée totale des plages :11-11 et :11-12 = 5'34" Chants en arabe d'harratines d'in-Salah fixés à Tamanrasset. Ce tam-tam eut lieu à la suite d'un repas d'anniversaire de la mort d'un parent. • BM.1984.006.001/30:11-11 LHOTE,HENRI 1948 Di-54A. n°170 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-13 BM.1984.006.001/30:11-13 00:03:17 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] ENREGISTREMENT MANQUE Sous-table non exportée Sous-table non exportée Enregistrement manqué par suite de la détérioration de l'outil graveur • BM.1984.006.001/30:11-05 LHOTE,HENRI 1948 Di-54B. n°171 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-14 BM.1984.006.001/30:11-14 00:01:13 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'ANE ET DE LA LENTE DU POU Sous-table non exportée Sous-table non exportée Fin de la face A Armayet ag Lilli, enfant de 12 ans, originaire de la tribu des Kel Adrar, né au Ahaggar et vivant avec les Adjouh-n-Tehli. • BM.1984.006.001/30:11-05 LHOTE,HENRI 1948 Di-GF5A. n°172 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-15 BM.1984.006.001/30:11-15 00:00:55 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CHANTEE CONTRE UNE FEMME Sous-table non exportée Sous-table non exportée Début de la face A Armayet ag Lilli, enfant de 12 ans, originaire de la tribu des Kel Adrar, né au Ahaggar et vivant avec les Adjouh-n-Tehli. • BM.1984.006.001/30:11-05 LHOTE,HENRI 1948 Di-55A. n°173 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-16 BM.1984.006.001/30:11-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION ET DU MOULA-MOULA Sous-table non exportée Sous-table non exportée Durée totale des plages :11-16 et :11-17 = 17'40" Le Moula-Moula est un petit oiseau blanc et noir, très commun au Sahara et très familier, que les naturalistes appellent le traquet deuil. • BM.1984.006.001/30:11-07 LHOTE,HENRI 1948 Di-GF5B. n°174 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :11-17 BM.1984.006.001/30:11-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU LIEVRE Sous-table non exportée Sous-table non exportée Durée totale des plages :11-16 et :11-17 = 17'40" • BM.1984.006.001/30:11-16 LHOTE,HENRI 1948 Di-GF5B. n°175 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-01 BM.1984.006.001/30:12-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET LA CHEVRE Sous-table non exportée Sous-table non exportée Durée totale des plages :12-01, :12-02 et :12-03 = 18'13" • BM.1984.006.001/30:11-01 LHOTE,HENRI 1948 Di-GF6A. n°176 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-02 BM.1984.006.001/30:12-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DE LA MORT DU PERE DE FOUCAULD Sous-table non exportée Sous-table non exportée Durée totale des plages :12-01, :12-02 et :12-03 = 18'13" Récit en arabe par l'ancien domestique du père de Foucauld. • BM.1984.006.001/30:12-01 LHOTE,HENRI 1948 Di-GF6A. n°177 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-03 BM.1984.006.001/30:12-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] QUESTIONS/REPONSES EN ARABE Sous-table non exportée Sous-table non exportée Durée totale des plages :12-01, :12-02 et :12-03 = 18'13" • BM.1984.006.001/30:12-01 LHOTE,HENRI 1948 Di-GF6A. n°178 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-04 BM.1984.006.001/30:12-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL, DU LIEVRE ET DU DAUB Sous-table non exportée Sous-table non exportée Durée totale des plages :12-04, :12-05, :12-06 et :12-07 = 16'07" • BM.1984.006.001/30:12-01 LHOTE,HENRI 1948 Di-GF6B. n°179 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-05 BM.1984.006.001/30:12-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU CHIEN Sous-table non exportée Sous-table non exportée Durée totale des plages :12-04, :12-05, :12-06 et :12-07 = 16'07" • BM.1984.006.001/30:12-04 LHOTE,HENRI 1948 Di-GF6B. n°180 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-06 BM.1984.006.001/30:12-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL, DU CHIEN ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :12-04, :12-05, :12-06 et :12-07 = 16'07" • BM.1984.006.001/30:12-04 LHOTE,HENRI 1948 Di-GF6B. n°181 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-07 BM.1984.006.001/30:12-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'ANE DES ARTISANS Sous-table non exportée Sous-table non exportée Durée totale des plages :12-04, :12-05, :12-06 et :12-07 = 16'07" • BM.1984.006.001/30:12-04 LHOTE,HENRI 1948 Di-GF6B. n°182 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-08 BM.1984.006.001/30:12-08 00:02:42 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DE DJOHA ET LE PROPRIETAIRE DU JARDIN Sous-table non exportée Sous-table non exportée Début de la face A • BM.1984.006.001/30:12-04 LHOTE,HENRI 1948 Di-GF7A. n°183 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-09 BM.1984.006.001/30:12-09 00:04:28 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME DE L'ADRAR DES IFORAS Sous-table non exportée Sous-table non exportée Fin de la face A Takéouat oult Traïet, de la tribu des Idnanes Air dit "Aliouen" • BM.1984.006.001/30:12-08 LHOTE,HENRI 1948 Di-55A. n°184 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-10 BM.1984.006.001/30:12-10 00:05:28 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME DE L'ADRAR DES IFORAS Sous-table non exportée Sous-table non exportée Takéouat oult Traïet, de la tribu des Idnanes Air dit "Oriana" • BM.1984.006.001/30:12-09 LHOTE,HENRI 1948 Di-55B. n°185 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-11 BM.1984.006.001/30:12-11 00:05:31 ALGERIE;HOGGAR TOUAREGS;KEL AJJER ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE FEMME Sous-table non exportée Sous-table non exportée Takéouat oult Traïet, de la tribu des Idnanes Air dit "Ellehelleh" • BM.1984.006.001/30:12-10 LHOTE,HENRI 1948 Di-56A. n°186 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-12 BM.1984.006.001/30:12-12 00:05:11 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT D'HOMMES ET DE FEMMES Sous-table non exportée Sous-table non exportée Air de Tindi de l'Adrar dit "Eraouiten" • BM.1984.006.001/30:12-11 LHOTE,HENRI 1948 Di-56B. n°187 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-13 BM.1984.006.001/30:12-13 00:04:27 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Composée par Ekanesi ag Bah de la tribu des Taïtok • BM.1984.006.001/30:12-11 LHOTE,HENRI 1948 Di-57A. n°188 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-14 BM.1984.006.001/30:12-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL ADRAR ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :12-14 et :12-15 = 5'23" Air dit de tindi • BM.1984.006.001/30:12-01 LHOTE,HENRI 1948 Di-57B. n°189 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :12-15 BM.1984.006.001/30:12-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR POUR UN HOMME Sous-table non exportée Sous-table non exportée Durée totale des plages :12-14 et :12-15 = 5'23" Air de l'Ahaggar dit "Eaouidaten" • BM.1984.006.001/30:12-14 LHOTE,HENRI 1948 Di-57B. n°190 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-01 BM.1984.006.001/30:13-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'HOMME ET DE L'AUTRUCHE Sous-table non exportée Sous-table non exportée Durée totale des plages :13-01, :13-02, :13-03 et :13-04 = 14'31" Fin de la face A • BM.1984.006.001/30:12-01 LHOTE,HENRI 1948 Di-GF7A. n°191 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-02 BM.1984.006.001/30:13-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU HERISSON ET DE L'AUTRUCHE Sous-table non exportée Sous-table non exportée Durée totale des plages :13-01, :13-02, :13-03 et :13-04 = 14'31" Fin de la face A • BM.1984.006.001/30:13-01 LHOTE,HENRI 1948 Di-GF7A. n°192 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-03 BM.1984.006.001/30:13-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU CHIEN DE LA KOUDIA Sous-table non exportée Sous-table non exportée Durée totale des plages :13-01, :13-02, :13-03 et :13-04 = 14'31" Fin de la face A • BM.1984.006.001/30:13-01 LHOTE,HENRI 1948 Di-GF7A. n°193 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-04 BM.1984.006.001/30:13-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'AMAMELLEN ET DE SON NEVEU ELIAS Sous-table non exportée Sous-table non exportée On en trouvera une version dans Hanoteau : Essai de grammaire touarègue • Durée totale des plages :13-01, :13-02, :13-03 et :13-04 = 14'31" Fin de la face A La légende est classique dans toutes les tribus touarègues. Version à quatre voix : Bidarer ag Améréoualt, Amrar ag Améréoualt, Mohamed ag Akambar et un autre artisan de l'Ahaggar • BM.1984.006.001/30:13-01 LHOTE,HENRI 1948 Di-GF7A. n°194 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-05 BM.1984.006.001/30:13-05 00:17:04 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'AMAMELLEN ET DE SON NEVEU ELIAS Sous-table non exportée Sous-table non exportée On en trouvera une version dans Hanoteau : Essai de grammaire touarègue • La légende est classique dans toutes les tribus touarègues. Version à quatre voix : Bidarer ag Améréoualt, Amrar ag Améréoualt, Mohamed ag Akambar et un autre artisan de l'Ahaggar • BM.1984.006.001/30:13-01 LHOTE,HENRI 1948 Di-GF7B. n°195 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-06 BM.1984.006.001/30:13-06 00:18:38 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'AMAMELLEN ET DE SON NEVEU ELIAS Sous-table non exportée Sous-table non exportée On en trouvera une version dans Hanoteau : Essai de grammaire touarègue • La légende est classique dans toutes les tribus touarègues. Version à quatre voix : Bidarer ag Améréoualt, Amrar ag Améréoualt, Mohamed ag Akambar et un autre artisan de l'Ahaggar • BM.1984.006.001/30:13-05 LHOTE,HENRI 1948 Di-GF8A. n°196 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :13-07 BM.1984.006.001/30:13-07 00:18:31 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'AMAMELLEN ET DE SON NEVEU ELIAS Sous-table non exportée Sous-table non exportée On en trouvera une version dans Hanoteau : Essai de grammaire touarègue • La légende est classique dans toutes les tribus touarègues. Version à quatre voix : Bidarer ag Améréoualt, Amrar ag Améréoualt, Mohamed ag Akambar et un autre artisan de l'Ahaggar • BM.1984.006.001/30:13-05 LHOTE,HENRI 1948 Di-GF8B. n° 197 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-01 BM.1984.006.001/30:14-01 00:05:26 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Voir M. Benhazéra, "Six mois chez les Touaregs de l'Ahaggar" • Essai médiocre • BM.1984.006.001/30:13-05 LHOTE,HENRI 1948 Di-58A. n°198 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-02 BM.1984.006.001/30:14-02 00:05:27 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Voir M. Benhazéra, "Six mois chez les Touaregs de l'Ahaggar" • Essai meilleur que la plage :14-01 • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-58B. n°199 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-03 BM.1984.006.001/30:14-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-03 et :14-04 = 4'14" Cris et interjections • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-59A. n°200 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-04 BM.1984.006.001/30:14-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-03 et :14-04 = 4'14" Cris et interjections • BM.1984.006.001/30:14-03 LHOTE,HENRI 1948 Di-59A. n°201 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-05 BM.1984.006.001/30:14-05 00:05:32 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE MARIAGE Sous-table non exportée Sous-table non exportée Cris et interjections • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-59B. n°202 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-06 BM.1984.006.001/30:14-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE MARIAGE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-06 et :14-07 = 3'42" • BM.1984.006.001/30:14-03 LHOTE,HENRI 1948 Di-60A. n°203 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-07 BM.1984.006.001/30:14-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "AOUID IRRATIMEN" Sous-table non exportée Sous-table non exportée Durée totale des plages :14-06 et :14-07 = 3'42" Ambiance mariage. Discussion entre le cousin de la mariée au moment où celle-ci s'apprête à rejoindre son mari sous la tente • BM.1984.006.001/30:14-06 LHOTE,HENRI 1948 Di-60A. n°204 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-08 BM.1984.006.001/30:14-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE AHAL Sous-table non exportée Sous-table non exportée Durée totale des plages :14-08, :14-09 et :14-10 = 5'12" Air d'amzad • BM.1984.006.001/30:14-06 LHOTE,HENRI 1948 Di-60B. n°205 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-09 BM.1984.006.001/30:14-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] ENLEVEMENT DE LA MARIEE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-08, :14-09 et :14-10 = 5'12" • BM.1984.006.001/30:14-08 LHOTE,HENRI 1948 Di-60B. n°206 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-10 BM.1984.006.001/30:14-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "OUA-N-DET-AMOUD" Sous-table non exportée Sous-table non exportée Durée totale des plages :14-08, :14-09 et :14-10 = 5'12" Air d'amzad • BM.1984.006.001/30:14-08 LHOTE,HENRI 1948 Di-60B. n°207 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-11 BM.1984.006.001/30:14-11 00:04:42 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "OUA-N-DET-AMOUD" Sous-table non exportée Sous-table non exportée Air d'amzad • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-61A. n°208 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-12 BM.1984.006.001/30:14-12 00:05:22 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "MAMADOUTEN" Sous-table non exportée Sous-table non exportée Air d'amzad • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-61B. n°209 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-13 BM.1984.006.001/30:14-13 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "OUA-N-ZAMBER" Sous-table non exportée Sous-table non exportée Durée totale des plages :14-13 et :14-14 = 4'40" Air d'amzad • BM.1984.006.001/30:14-03 LHOTE,HENRI 1948 Di-62A. n°210 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-14 BM.1984.006.001/30:14-14 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] KEL ZAOUATEN Sous-table non exportée Sous-table non exportée Durée totale des plages :14-13 et :14-14 = 4'40" Air de violon _Kel Zaouaten_ • BM.1984.006.001/30:14-13 LHOTE,HENRI 1948 Di-62A. n°211 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-15 BM.1984.006.001/30:14-15 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] OUA-N-EMOUMIN Sous-table non exportée Sous-table non exportée Durée totale des plages :14-15 et :14-16 = 4'58" Air de violon _Oua-n-Emoumin_ • BM.1984.006.001/30:14-13 LHOTE,HENRI 1948 Di-62B. n°212 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-16 BM.1984.006.001/30:14-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] IL-ANER-IALLA Sous-table non exportée Sous-table non exportée Durée totale des plages :14-15 et :14-16 = 4'58" Air de violon _Il-aner-Ialla_ • BM.1984.006.001/30:14-15 LHOTE,HENRI 1948 Di-62B. n°213 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-17 BM.1984.006.001/30:14-17 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE D'AKAR ET DES ISSABATEN Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-08 LHOTE,HENRI 1948 Di-GF9A. n°214 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-18 BM.1984.006.001/30:14-18 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'HOMME ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-17 LHOTE,HENRI 1948 Di-GF9A. n°215 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-19 BM.1984.006.001/30:14-19 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'ANE ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-17 LHOTE,HENRI 1948 Di-GF9A. n°216 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-20 BM.1984.006.001/30:14-20 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE LA LIONNE ET DE LA VACHE Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-17 LHOTE,HENRI 1948 Di-GF9A. n°217 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-21 BM.1984.006.001/30:14-21 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'AUTRUCHE ET DU CHEVAL Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-17 LHOTE,HENRI 1948 Di-GF9A. n°218 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :14-22 BM.1984.006.001/30:14-22 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION ET DU BOEUF Sous-table non exportée Sous-table non exportée Durée totale des plages :14-17, :14-18, :14-19, :14-20, :14-21 et :14-22 = 17'03" • BM.1984.006.001/30:14-17 LHOTE,HENRI 1948 Di-GF9A. n°219 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-01 BM.1984.006.001/30:15-01 00:09:24 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DE BODTAL Sous-table non exportée Sous-table non exportée Début de la face B Bodtal serait un ancien aménokal des Ioulliminden, un des successeurs d'El Insar. • BM.1984.006.001/30:14-01 LHOTE,HENRI 1948 Di-GF9B. n°220 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-02 BM.1984.006.001/30:15-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DE L'AIGLE, DE L'EPERVIER, DE LA GUEPE ET DU DAUB Sous-table non exportée Sous-table non exportée Durée totale des plages :15-02 et :15-03 = 16"00 Début de la face A • BM.1984.006.001/30:14-03 LHOTE,HENRI 1948 Di-GF10A. n°221 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-03 BM.1984.006.001/30:15-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU ROI ET DU PROPRIETAIRE DE LA JUMENT Sous-table non exportée Sous-table non exportée Durée totale des plages :15-02 et :15-03 = 16"00 Début de la face A • BM.1984.006.001/30:15-02 LHOTE,HENRI 1948 Di-GF10A. n°222 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-04 BM.1984.006.001/30:15-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DE LA GIRAFE, DE L'OURANE ET DU SINGE Sous-table non exportée Sous-table non exportée Durée totale des plages :15-04 et :15-05 = 17"05 • BM.1984.006.001/30:15-02 LHOTE,HENRI 1948 Di-GF10B. n°223 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-05 BM.1984.006.001/30:15-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'HOMME, DU LION, DE LA VIPERE ET DU CROCODILE Sous-table non exportée Sous-table non exportée Durée totale des plages :15-04 et :15-05 = 17"05 • BM.1984.006.001/30:15-04 LHOTE,HENRI 1948 Di-GF10B. n°224 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-06 BM.1984.006.001/30:15-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;AIT LOAIEN ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIES POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :15-06 et :15-07 = 4"06 Bon document pour l'étude de la versification Ahmed ag Mohamed a 35 ans • BM.1984.006.001/30:15-04 LHOTE,HENRI 1948 Di-53A. n°225 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-07 BM.1984.006.001/30:15-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;AIT LOAIEN ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIES POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :15-06 et :15-07 = 4"06 Bon document pour l'étude de la versification Ahmed ag mohamed a 35 ans • BM.1984.006.001/30:15-06 LHOTE,HENRI 1948 Di-53A. n°226 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-08 BM.1984.006.001/30:15-08 00:04:52 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON Sous-table non exportée Sous-table non exportée Chanson faite par Bay ag Akhamouk Rythme dit _neïna_ • BM.1984.006.001/30:15-01 LHOTE,HENRI 1948 Di-53B. n°227 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-09 BM.1984.006.001/30:15-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE TROUPEAU DE CHEVRES Sous-table non exportée Sous-table non exportée Durée totale des plages :15-09 et :15-10 = 2"01 Fin de la face A • BM.1984.006.001/30:15-04 LHOTE,HENRI 1948 Di-GF10A. n°228 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-10 BM.1984.006.001/30:15-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE TROUPEAU DE CHEVRES Sous-table non exportée Sous-table non exportée Durée totale des plages :15-09 et :15-10 = 2"01 Fin de la face A • BM.1984.006.001/30:15-09 LHOTE,HENRI 1948 Di-GF10A. n°229 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-11 BM.1984.006.001/30:15-11 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AMBIANCE TROUPEAU DE CHEVRES Sous-table non exportée Sous-table non exportée Durée totale des plages :15-11, :15-12 et :15-13 = 5"28 Qualité mauvaise • BM.1984.006.001/30:15-04 LHOTE,HENRI 1948 Di-64A. n°230 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-12 BM.1984.006.001/30:15-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE UN RIVAL Sous-table non exportée Sous-table non exportée Durée totale des plages :15-11, :15-12 et :15-13 = 5"28 Sama ag Mansouri dit Sama lator, amrar de la tribu des Adjouh-n-Tehli, de l'Ahaggar Rythme _Hoïnena_ • BM.1984.006.001/30:15-11 LHOTE,HENRI 1948 Di-64A. n°231 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-13 BM.1984.006.001/30:15-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE OUROBI Sous-table non exportée Sous-table non exportée Durée totale des plages :15-11, :15-12 et :15-13 = 5"28 Essai • BM.1984.006.001/30:15-11 LHOTE,HENRI 1948 Di-64A. n°232 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-14 BM.1984.006.001/30:15-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE OUROBI Sous-table non exportée Sous-table non exportée Durée totale des plages :15-14, :15-15 et :15-16 = 3"44 Rythme _neïna_ • BM.1984.006.001/30:15-11 LHOTE,HENRI 1948 Di-64B. n°233 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-15 BM.1984.006.001/30:15-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] OPINION SUR LES CHANTS Sous-table non exportée Sous-table non exportée Durée totale des plages :15-14, :15-15 et :15-16 = 3"44 • BM.1984.006.001/30:15-14 LHOTE,HENRI 1948 Di-64B. n°234 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :15-16 BM.1984.006.001/30:15-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :15-14, :15-15 et :15-16 = 3"44 Tihemt est une femme qu'il courtisait Rythme _neïna_ • BM.1984.006.001/30:15-14 LHOTE,HENRI 1948 Di-64B. n°235 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-01 BM.1984.006.001/30:16-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE TI HINANE ET DE TAKAMAT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 Ti Hinane est l'ancêtre des Kel Rela et Takamat celle des Dag Rali • BM.1984.006.001/30:15-14 LHOTE,HENRI 1948 Di-65A. n°236 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-02 BM.1984.006.001/30:16-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DE LA RIVALITE DES KEL AHAGGAR ET DES KEL AJJER Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 Rythme _seïenin_ • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°237 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-03 BM.1984.006.001/30:16-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;INEMBA ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU MASSACRE DU COLONEL FLATTERS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 L'auteur est Samber ag Cheddab, de la tribu des Inemba, mort en 1897 • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°238 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-04 BM.1984.006.001/30:16-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;INEMBA ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU MASSACRE DU COLONEL FLATTERS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 L'auteur est Samber ag Cheddab, de la tribu des Inemba, mort en 1897 • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°239 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-05 BM.1984.006.001/30:16-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET D'UN REZZOU CONTRE LES BERABERS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°240 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-06 BM.1984.006.001/30:16-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET D'UN REZZOU CONTRE LES BERABERS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°241 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-07 BM.1984.006.001/30:16-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-01, :16-02, :16-03, :16-04, :16-05, :16-06 et :16-07 = 4"39 Composée par le père de Sama contre les Ajjer • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65A. n°242 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-08 BM.1984.006.001/30:16-08 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] SATIRE CONTRE UN RIVAL Sous-table non exportée Sous-table non exportée Durée totale des plages :16-08, :16-09, :16-10, :16-11 et :16-12 = 4"30 Rythme _seïenin_ • BM.1984.006.001/30:16-01 LHOTE,HENRI 1948 Di-65B. n°243 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-09 BM.1984.006.001/30:16-09 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-08, :16-09, :16-10, :16-11 et :16-12 = 4"30 Composée par Tihemt • BM.1984.006.001/30:16-08 LHOTE,HENRI 1948 Di-65B. n°244 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-10 BM.1984.006.001/30:16-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-08, :16-09, :16-10, :16-11 et :16-12 = 4"30 Composée par Sama ag Mansouri en réponse à la poésie de Tihemt plage :16-09 • BM.1984.006.001/30:16-08 LHOTE,HENRI 1948 Di-65B. n°245 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-11 BM.1984.006.001/30:16-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIEPOUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-08, :16-09, :16-10, :16-11 et :16-12 = 4"30 Composée par Tihemt en réponse à la plage :16-10 Rythme _neïna_ • BM.1984.006.001/30:16-08 LHOTE,HENRI 1948 Di-65B. n°246 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-12 BM.1984.006.001/30:16-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-08, :16-09, :16-10, :16-11 et :16-12 = 4"30 Composée par Sama ag Mansouri Rythmle _neïna_ • BM.1984.006.001/30:16-08 LHOTE,HENRI 1948 Di-65B. n°247 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-13 BM.1984.006.001/30:16-13 00:00:38 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Fin de la face B Composée par Tihemt Rythme _neïna_ • BM.1984.006.001/30:16-08 LHOTE,HENRI 1948 Di-64B. n°248 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-14 BM.1984.006.001/30:16-14 00:01:25 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Début de la face A Composée par Sama ag Mansouri • BM.1984.006.001/30:16-13 LHOTE,HENRI 1948 Di-66A. n°249 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-15 BM.1984.006.001/30:16-15 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-15 et :16-16 = 3"26 Composée par son frère Elias • BM.1984.006.001/30:16-13 LHOTE,HENRI 1948 Di-GF9B. n°250 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-16 BM.1984.006.001/30:16-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-15 et :16-16 = 3"26 Composée par son frère Elias • BM.1984.006.001/30:16-15 LHOTE,HENRI 1948 Di-GF9B. n°251 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-17 BM.1984.006.001/30:16-17 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES IZZABAREN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 • BM.1984.006.001/30:16-16 LHOTE,HENRI 1948 Di-GF11A. n°252 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-18 BM.1984.006.001/30:16-18 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 Composée par son frère Elias • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°253 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-19 BM.1984.006.001/30:16-19 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 Composée par son frère Elias • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°254 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-20 BM.1984.006.001/30:16-20 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DE LA TENTE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°255 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-21 BM.1984.006.001/30:16-21 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE D'EL RAEL Sous-table non exportée Sous-table non exportée Voir de Foucauld : Peésies touarègues, T. I - 76 sur l'auteur de cette poésie • Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 Rythme _seïenin_ • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°256 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-22 BM.1984.006.001/30:16-22 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU COMBAT DES IFATASSEN ENTRE TAITOK ET KEL RELA Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°257 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-23 BM.1984.006.001/30:16-23 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DU COMBAT D'ANANSOURI ENTRE TAITOK ET KEL RELA Sous-table non exportée Sous-table non exportée Durée totale des plages :16-17, :16-18, :16-19, :16-20, :16-21, :16-22 et :16-23 = 14"51 • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11A. n°258 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-24 BM.1984.006.001/30:16-24 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT DE LA RIXE D'ALAOUA ENTRE TAITOK ET KEL RELA Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 C'est dans cette rixe (1935) que fut tué le fils de Mohamed ag Mohamed, aménokal des Taïtok, par Ikado ag Souri, de la tribu des Kel Rela. Celui-ci reçut lui même cinq coups de tacouba de la part de Bechouren ag Boukreïda, lequel fut tué sur place par Ikado ag Souri. Asouni ag Tacha, des Taïtok, donna à l'auteur trois coups de tacouba, dont un lui sectionna le poignet droit. Ils étaient trois contre lui, dont Bechouren et Abilbil ag Adagoum. Il allait secourir Akhmaklouk ag Aferguedou, des Ajouh-n-Tehli qui reçut plusieurs blessures. • BM.1984.006.001/30:16-17 LHOTE,HENRI 1948 Di-GF11B. n°259 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-25 BM.1984.006.001/30:16-25 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°260 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-26 BM.1984.006.001/30:16-26 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Tihemt Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°261 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-27 BM.1984.006.001/30:16-27 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°262 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-28 BM.1984.006.001/30:16-28 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Tihemt Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°263 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-29 BM.1984.006.001/30:16-29 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°264 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-30 BM.1984.006.001/30:16-30 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Tihemt pour Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°265 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-31 BM.1984.006.001/30:16-31 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] DERNIERE POESIE POUR TIHEMT LORSQU'ELLE S'EST MARIEE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°266 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-32 BM.1984.006.001/30:16-32 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT DE OUGMEDEN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Tayart ag Amegour Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°267 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-33 BM.1984.006.001/30:16-33 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT DE OUGMEDEN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Tayart ag Amegour Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°268 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-34 BM.1984.006.001/30:16-34 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Poésie en réponse à la précédente (plage :16-33) composée par Khabi ag Afiser Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°269 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-35 BM.1984.006.001/30:16-35 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Ag Arandou Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°270 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-36 BM.1984.006.001/30:16-36 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LA MERE D'OUKSEM AG OURAR Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Mansouri ag Rhabelli Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°271 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-37 BM.1984.006.001/30:16-37 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT D'OUGMEDAN ENTRE KEL AHAGGAR ET KEL AJJER Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I n°176 • Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Samber ag Cheddab Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°272 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-38 BM.1984.006.001/30:16-38 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT D'IZAOUEN Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I n°262 • Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sidi ag Cheddab Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°273 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-39 BM.1984.006.001/30:16-39 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT DE TIT Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I n°263 • Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sidi ag Cheddab Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°274 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-40 BM.1984.006.001/30:16-40 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AUTRE POESIE AU SUJET DU COMBAT DE TIT Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I n°264 • Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Sidi ag Cheddab Rytthme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°275 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-41 BM.1984.006.001/30:16-41 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE MOHAMED BEN MESSIS Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I • Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée Sidi ag Cheddab Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°276 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-42 BM.1984.006.001/30:16-42 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE SIDI AG CHEDDAB Sous-table non exportée Sous-table non exportée Durée totale des plages :16-24, :16-25, :16-26, :16-27, :16-28, :16-29, :16-30, :16-31, :16-32, :16-33, :16-34, :16-35, :16-36, :16-37, :16-38, :16-39, :16-40, :16-41 et :16-42 = 14"11 Composée par Mohamed ben Messis en réponse à la précédente satire plage :16-41 Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF11B. n°277 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-43 BM.1984.006.001/30:16-43 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-43 et :16-44 = 2"31 Fin de la face B Composée par Mohamed ag Mekiia Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF9B. n°278 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-44 BM.1984.006.001/30:16-44 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-43 et :16-44 = 2"31 Fin de la face B Composée par Mohamed ag Mekiia, en réponse à une autre satire qui avait été faite contre lui. Rythme _seïenin_ Erreur de titre sur le disque • BM.1984.006.001/30:16-43 LHOTE,HENRI 1948 Di-GF9B. n°279 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-45 BM.1984.006.001/30:16-45 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT DE TIT Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Rythme _seïenin_ • BM.1984.006.001/30:16-24 LHOTE,HENRI 1948 Di-GF12A. n°280 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-46 BM.1984.006.001/30:16-46 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE SON FRERE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°281 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-47 BM.1984.006.001/30:16-47 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR L'EVOLUTION DES MOEURS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°282 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-48 BM.1984.006.001/30:16-48 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DE LA DETENTION DE SAMA AG MANSOURI A TAMANRASSET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Détention à l a suite de la rixe d'Aloua ntre Kel Rela et Taïtok Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°283 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-49 BM.1984.006.001/30:16-49 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DE LA DETENTION DE SAMA AG MANSOURI A TAMANRASSET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Détention suite à la rixe d'Aloua entre Kel Rela et Taïtok Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°284 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-50 BM.1984.006.001/30:16-50 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE APRES LA LIBERATION DE SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°285 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-51 BM.1984.006.001/30:16-51 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LE CONTRE-REZZOU DE MOHAMED AG OTHMAN CONTRE LES CHAAMBA Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Mohamed ag Othman Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°286 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-52 BM.1984.006.001/30:16-52 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL AJJER ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE RESKOU AG YAYA DE LA TRIBU DES ORAREN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Sidi ag Othman Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°287 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-53 BM.1984.006.001/30:16-53 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Mohamed ag Othman Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°288 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-54 BM.1984.006.001/30:16-54 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] REPONSE A LA DERNIERE POESIE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Réponse à la dernière poésie composée par ???? Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°289 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-55 BM.1984.006.001/30:16-55 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE MOHAMED AG OTHMAN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°290 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-56 BM.1984.006.001/30:16-56 00:00:00 ALGERIE;HOGGAR TOUAREGS;AIT LOAIEN ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LA VANITE Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Othman de la tribu des Aït Loaïen Rythme _Il aner Ialla_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°291 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-57 BM.1984.006.001/30:16-57 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LE COMBAT D'OUGMEDEN Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Aïtaghel, ancien aménokal de l'Ahaggar, mort en 1899. Rythme _il aner Ialla. • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°292 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-58 BM.1984.006.001/30:16-58 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE SEGUEDOU Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Composée par Sama ag Mansouri • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°293 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-59 BM.1984.006.001/30:16-59 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES KEL AHNET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Satire composée par Sama ag Mansouri au sujet du mariage de Moussa ag Amastane avec Tédéouit, femme des Taïtok. Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°294 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-60 BM.1984.006.001/30:16-60 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES KEL AHNET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Satire composée par Sama ag Mansouri au sujet du mariage de Moussa ag Amastane avec Tédéouit, femme des Taïtok. Rythme seïenin • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°295 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-61 BM.1984.006.001/30:16-61 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] AUTRE SATIRE CONTRE LES KEL AHNET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Satire composée par Sama ag Mansouri au sujet du mariage de Moussa ag Amastane avec Tédéouit, femmes des Taïtok. Rythme _seïenin_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°296 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-62 BM.1984.006.001/30:16-62 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] AUTRE SATIRE CONTRE LES KEL AHNET Sous-table non exportée Sous-table non exportée Durée totale des plages :16-45, :16-46, :16-47, :16-48, :16-49, :16-50, :16-51, :16-52, :16-53, :16-54, :16-55, :16-56, :16-57, :16-58, :16-59, :16-60, :16-61 et :16-62 = 14"13 Satire composée par Sama ag Mansouri au sujet du mariage de Moussa ag Amastane avec Tédéouit, femme des Taïtok. Rythme _neïna_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12A. n°297 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-63 BM.1984.006.001/30:16-63 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES KEL AHNET ET LES TEDJEHI-N-EFIS Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Composée par Sama ag Mansouri à la suite d'une rixe qui eut lieu entre Kel Rela et Taïtok au bord de Tamanrasset en 1930 ( le disque porte à tort 1931). Rythme _neïna_ • BM.1984.006.001/30:16-45 LHOTE,HENRI 1948 Di-GF12B. n°298 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-64 BM.1984.006.001/30:16-64 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Composée par les Kel Ahnet et les Tedjehi-n-Efis, qui donna lieu à la satire de la plage :16-63 par Sama ag Mansouri. Rythme neïna • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°299 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-65 BM.1984.006.001/30:16-65 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL AIR ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LA BEAUTE DES FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Composée par Emeguedez ag Ferouan des Kel Aïr Rythme _ezélé_. Le rythme _ezélé_ doit être propre aux Touaregs de l'Aïr. • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°300 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-66 BM.1984.006.001/30:16-66 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL GRESS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LES FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Composée par Rhaleta de la tribu des Kel Gress Rythme _ezélé_ • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°301 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-67 BM.1984.006.001/30:16-67 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAMERGOU ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LES FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Composée par Erezem es Ichériffen du Damergou Rythme _ezélé_ • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°302 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-68 BM.1984.006.001/30:16-68 00:00:00 ALGERIE;HOGGAR TOUAREGS;IBOTTENATEN ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LE COMBAT QUI OPPOSA LES KOUNTA AUX GENS DE L'ADRAR Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Combat où fut tué Sidi Lamine. Beaucoup de de Kounta furent faits prisonniers par les Ibottenanten. Composée par Salecrou ag Abersoul des Ibottenaten de l'Adrar. Rythme _asahar_ • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°263 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :16-69 BM.1984.006.001/30:16-69 00:00:00 ALGERIE;HOGGAR TOUAREGS;IFORAS DES IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE CONTRE LE REZZOU BERABER Sous-table non exportée Sous-table non exportée Durée totale des plages :16-63, :16-64, :16-65, :16-66, :16-67, :16-68 et :16-69 = 8"05 Début de la face B Rezzou qui a tué le célèbre guerrier touareg Boukhelil de la tribu des Kel Rela. Composée par Khamzata ag Safikroun des Iforas de l'Adrar. Rythme _asahar_ • BM.1984.006.001/30:16-63 LHOTE,HENRI 1948 Di-GF12B. n°304 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :09-06 BM.1984.006.001/30:09-06 00:05:32 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Air de tindi "assegdeyen" • BM.1984.006.001/30:09-05 LHOTE,HENRI 1948 Di-43B. n°135 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-01 BM.1984.006.001/30:17-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CRIS DE CHAMEAUX QUE L'ON CHARGE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-01 et :17-02 = 1"17 Paroles en arabe • BM.1984.006.001/30:16-69 LHOTE,HENRI 1948 Di-66A. n°305 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-02 BM.1984.006.001/30:17-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CRIS DE CHAMEAUX QUE L'ON CHARGE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-01 et :17-02 = 1"17 Paroles en arabe • BM.1984.006.001/30:17-01 LHOTE,HENRI 1948 Di-66A. n°306 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-03 BM.1984.006.001/30:17-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DU COMBAT D'ASSAKAO (1919) Sous-table non exportée Sous-table non exportée Durée totale des plages :17-03, :17-04, :17-05 et :17-06 = 7"25 Fin de la face B Rythme _neïna_ • BM.1984.006.001/30:17-01 LHOTE,HENRI 1948 Di-GF12B. n°307 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-04 BM.1984.006.001/30:17-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DES ADJOUH-N-TEHLI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-03, :17-04, :17-05 et :17-06 = 7"25 Fin de la face B Les Adjouh-n-Tehli sont une tribu imrad de l'Ahaggar, du tobol des Kel Rela • BM.1984.006.001/30:17-03 LHOTE,HENRI 1948 Di-GF12B. n°308 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-05 BM.1984.006.001/30:17-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT D'UN COMBAT AU TAMESNA AU COURS D'UN REZZOU OULAD DJERIR Sous-table non exportée Sous-table non exportée Durée totale des plages :17-03, :17-04, :17-05 et :17-06 = 7"25 Fin de la face B • BM.1984.006.001/30:17-03 LHOTE,HENRI 1948 Di-GF12B. n°309 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-06 BM.1984.006.001/30:17-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOMS DES ANNEES DONT IL SE SOUVIENT ENCORE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-03, :17-04, :17-05 et :17-06 = 7"25 Fin de la face B • BM.1984.006.001/30:17-03 LHOTE,HENRI 1948 Di-GF12B. n°310 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-07 BM.1984.006.001/30:17-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LE COMBAT DE MOUSSA AG AMASTANE CONTRE LES TAITOK Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Moussa ag Amastane Rythme _seïenin_ • BM.1984.006.001/30:17-03 LHOTE,HENRI 1948 Di-GF13A. n°311 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-08 BM.1984.006.001/30:17-08 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR DASSINE OULT IHEMA Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Amdok ag Amou de la trivu des Kel Rela. Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°312 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-09 BM.1984.006.001/30:17-09 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT D'UN COMBAT CONTRE LES OULED DJERIR AU TAMESNA Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°313 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-10 BM.1984.006.001/30:17-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LE COMBAT D'ASSAKAO Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Rythme _neïna_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°314 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-11 BM.1984.006.001/30:17-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE SAMA AG AHALAYE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°315 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-12 BM.1984.006.001/30:17-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR QUATRE FEMMES QU'IL AIMAIT EN MEME TEMPS Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sama ag Mansouri Rythme_neïna_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°216 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-13 BM.1984.006.001/30:17-13 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Bolien oult Aouenzeg Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°317 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-14 BM.1984.006.001/30:17-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sama ag Mansouri Rythme seïenin • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°318 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-15 BM.1984.006.001/30:17-15 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:17-14 LHOTE,HENRI 1948 Di-GF13A. n°319 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-16 BM.1984.006.001/30:17-16 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES FEMMES Sous-table non exportée Sous-table non exportée Voir de Foucauld : Poésies touarègues T. I • Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Mohamed ag Mékria de la tribu de Adjouh-n-Tehli Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°320 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-17 BM.1984.006.001/30:17-17 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES FEMMES DES ADJOUH-N-TEHLI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:17-16 LHOTE,HENRI 1948 Di-GF13A. n°321 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-18 BM.1984.006.001/30:17-18 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES FEMMES DES ADJOUH-N-TEHLI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Mounirou ag Mékria Rythme _seïenin_ • BM.1984.006.001/30:17-16 LHOTE,HENRI 1948 Di-GF13A. n°322 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-19 BM.1984.006.001/30:17-19 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE OUMOU AG MEKRIA Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Khabou oult Mansouri, soeur de Sama ag Mansouri. Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°323 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-20 BM.1984.006.001/30:17-20 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] NOUVELLE POESIE POUR TIHEMT LORSQU'ELLE S'EST MARIEE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°324 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-21 BM.1984.006.001/30:17-21 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LA SECHERESSE DE L'AHAGGAR Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Khahoussa de la tribu des Adjouh-n-Tehli Rythme seïenin • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°325 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-22 BM.1984.006.001/30:17-22 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LES RIVALITES ENTRE KEL RELA ET TAITOK Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par l'oncle de Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°326 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-23 BM.1984.006.001/30:17-23 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES KEL RELA Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Atakara Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°327 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-24 BM.1984.006.001/30:17-24 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE DEFEN, FRERE D'AKAOUALI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Sidi ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°328 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-25 BM.1984.006.001/30:17-25 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL OHET ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME DES AIT LOAIEN Sous-table non exportée Sous-table non exportée Durée totale des plages :17-07, :17-08, :17-09, :17-10, :17-11, :17-12, :17-13, :17-14, :17-15, :17-16, :17-17, :17-18, :17-19, :17-20, :17-21, :17-22, :17-23, :17-24 et :17-25 = 13"45 Composée par Elias Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13A. n°329 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-26 BM.1984.006.001/30:17-26 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL OHET ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR UNE FEMME DES AJJER Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Elias Rythme _seïenin_ • BM.1984.006.001/30:17-07 LHOTE,HENRI 1948 Di-GF13B. n°330 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-27 BM.1984.006.001/30:17-27 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL OHET ALGERIE;HOGGAR [COPIE DI. PYRAL] SECONDE POESIE POUR UNE FEMME DES AJJER Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Elias Rythme _neïna_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°331 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-28 BM.1984.006.001/30:17-28 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE DEGUERE, FEMME DES KEL AHNET Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Ahellelou Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°332 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-29 BM.1984.006.001/30:17-29 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE ILACHEN AG ADRAR DES ADJOUH-N-TEHLI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Roufi pour avoir monté un chameau qui ne lui apppartenait pas. Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°333 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-30 BM.1984.006.001/30:17-30 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] REPONSE D'ILACHEN A ROUFI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Ilachen Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°334 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-31 BM.1984.006.001/30:17-31 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] AUTRE REPONSE D'ILACHEN A ROUFI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Ilachen Rythme _seïenin_ • BM.1984.006.001/30:17-30 LHOTE,HENRI 1948 Di-GF13B. n°335 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-32 BM.1984.006.001/30:17-32 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR OUKOU Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Oukou est une jolie femme de parents Dag Rali et Kel Ahnet. Composée par Sidi Ouentouaget. Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°336 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-33 BM.1984.006.001/30:17-33 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR LES RAPPORTS DES HOMMES ET DES FEMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Takadeït Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°337 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-34 BM.1984.006.001/30:17-34 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE POUR OUKOU Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Oukou est une jolie femme de parents Dag Rali et Kel Ahnet. Composée par Sidi ag Cheddab. Rythme _seïenin_ • BM.1984.006.001/30:17-32 LHOTE,HENRI 1948 Di-GF13B. n°338 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-36 BM.1984.006.001/30:17-36 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LA TAMENOKALT Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Tiffen ag Souri avant que la tamenokalt (femme de Meslah) se marie. Rythme _neïna_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°340 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-35 BM.1984.006.001/30:17-35 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE AKRAOULI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Aleheg ag Adrar Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°339 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-37 BM.1984.006.001/30:17-37 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE TIFEN AG SOURI DES KEL RELA Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Sama ag Mansouri en réponse à la satire plage :17-36 Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°341 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-38 BM.1984.006.001/30:17-38 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE AFERKEDOU Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Sama ag Mansouri Rythme _seïenin_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°342 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-39 BM.1984.006.001/30:17-39 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] SATIRE CONTRE LES KEL RELA QUI AVAIENT OUTRAGE SAMA AG MANSOURI Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:17-38 LHOTE,HENRI 1948 Di-GF13A. n°343 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-40 BM.1984.006.001/30:17-40 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE AU SUJET DE LA MORT DE MOUSSA AG AMASTANE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 Composée par Sama ag Mansouri Rythme _neïna_ • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°344 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-41 BM.1984.006.001/30:17-41 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION ET DU BOEUF Sous-table non exportée Sous-table non exportée Durée totale des plages :17-26, :17-27, :17-28, :17-29, :17-30, :17-31, :17-32, :17-33, :17-34, :17-35, :17-36, :17-37, :17-38, :17-39, :17-40 et :17-41 = 11"48 2ème enregistrement, variante de celui de la plage :14-22 • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF13B. n°345 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-42 BM.1984.006.001/30:17-42 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] DEUXIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-26 LHOTE,HENRI 1948 Di-GF14A. n°346 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-43 BM.1984.006.001/30:17-43 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] TROISIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-42 LHOTE,HENRI 1948 Di-GF14A. n°347 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-44 BM.1984.006.001/30:17-44 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] QUATRIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-42 LHOTE,HENRI 1948 Di-GF14A. n°348 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-45 BM.1984.006.001/30:17-45 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CINQUIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-42 LHOTE,HENRI 1948 Di-GF14A. n°349 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-46 BM.1984.006.001/30:17-46 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DES FORGERONS DE L'AHAGGAR ET DU MOUFLON Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-42 LHOTE,HENRI 1948 Di-Gf14A. n°350 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-47 BM.1984.006.001/30:17-47 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SIXIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-42, :17-43, :17-44, :17-45, :17-46 et :17-47 = 17"04 • BM.1984.006.001/30:17-42 LHOTE,HENRI 1948 Di-GF14A. n°351 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-48 BM.1984.006.001/30:17-48 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SIXIEME HISTOIRE DU BODTAL Sous-table non exportée Sous-table non exportée Durée totale des plages :17-48, :17-49, :17-50, :17-51 et :17-52 = 17"05 • BM.1984.006.001/30:17-47 LHOTE,HENRI 1948 Di-GF14B. n°352 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-49 BM.1984.006.001/30:17-49 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ILAMAN ET DE LA TARELRET Sous-table non exportée Sous-table non exportée Durée totale des plages :17-48, :17-49, :17-50, :17-51 et :17-52 = 17"05 Cette version est parlée • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-GF14B. n°353 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-50 BM.1984.006.001/30:17-50 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE LA MONTAGNE TIOUAYI Sous-table non exportée Sous-table non exportée La montagne Tiouayi se situe près de l'oued Amded • Durée totale des plages :17-48, :17-49, :17-50, :17-51 et :17-52 = 17"05 • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-GF14B. n°354 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-51 BM.1984.006.001/30:17-51 00:00:00 ALGERIE;HOGGAR TOUAREGS;IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-48, :17-49, :17-50, :17-51 et :17-52 = 17"05 Essai. Cette berceuse, d'après la chanteuse, serait en usage dans tous les pays touaregs. • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-GF14B. n°355 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :17-52 BM.1984.006.001/30:17-52 00:00:00 ALGERIE;HOGGAR TOUAREGS;IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE Sous-table non exportée Sous-table non exportée Durée totale des plages :17-48, :17-49, :17-50, :17-51 et :17-52 = 17"05 Essai. Cette berceuse, selon la chanteuse, serait en usage dans tous les pays touaregs. • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-GF14B. n°356 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-01 BM.1984.006.001/30:18-01 00:02:34 ALGERIE;HOGGAR TOUAREGS;IDNANES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANT DE VIEILLES FEMMES QUI BARATTENT LE LAIT Sous-table non exportée Sous-table non exportée Fin de la face A _Isouhar_ en temraré Chantée par les vieilles lorsqu'elles barattent le lait • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-66A. n°357 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-02 BM.1984.006.001/30:18-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;IOULLIMIDEN ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE D'ASOIIN Sous-table non exportée Sous-table non exportée Durée totale des plages :18-02, :18-03 et :18-04 = 16"31 Asoiin : héros ou aménokal des Ioulliminden • BM.1984.006.001/30:17-48 LHOTE,HENRI 1948 Di-GF15A. n°258 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-03 BM.1984.006.001/30:18-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA CHEVRE Sous-table non exportée Sous-table non exportée Durée totale des plages :18-02, :18-03 et :18-04 = 16"31 • BM.1984.006.001/30:18-02 LHOTE,HENRI 1948 Di-GF15A. n°359 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-04 BM.1984.006.001/30:18-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;IOULLIMIDEN ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :18-02, :18-03 et :18-04 = 16"31 • BM.1984.006.001/30:18-02 LHOTE,HENRI 1948 Di-GF15A. n°360 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-05 BM.1984.006.001/30:18-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :18-05, :18-06, :18-07 et :18-08 = 16"51 • BM.1984.006.001/30:18-02 LHOTE,HENRI 1948 Di-GF15B. n°361 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-06 BM.1984.006.001/30:18-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU RENARD Sous-table non exportée Sous-table non exportée Durée totale des plages :18-05, :18-06, :18-07 et :18-08 = 16"51 • BM.1984.006.001/30:18-05 LHOTE,HENRI 1948 Di-GF15B. n°362 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-07 BM.1984.006.001/30:18-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'HOMME ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :18-05, :18-06, :18-07 et :18-08 = 16"51 • BM.1984.006.001/30:18-05 LHOTE,HENRI 1948 Di-GF15B. n°363 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-08 BM.1984.006.001/30:18-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHASSEUR ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :18-05, :18-06, :18-07 et :18-08 = 16"51 • BM.1984.006.001/30:18-05 LHOTE,HENRI 1948 Di-GF15B. n°364 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-09 BM.1984.006.001/30:18-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] SUR OUAN TENERE ET TAKAOUIT Sous-table non exportée Sous-table non exportée Durée totale des plages :18-09 et :18-10 = 5"17 Début de la face A • BM.1984.006.001/30:18-05 LHOTE,HENRI 1948 Di-GF16A. n°365 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-10 BM.1984.006.001/30:18-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE SUR L'ORIGINE DES KEL RELA ET DES IKADEIEN Sous-table non exportée Sous-table non exportée Durée totale des plages :18-09 et :18-10 = 5"17 Début de la face A • BM.1984.006.001/30:18-09 LHOTE,HENRI 1948 Di-GF16B. n°366 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-11 BM.1984.006.001/30:18-11 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA VIPERE Sous-table non exportée Sous-table non exportée Durée totale des plages :18-11 et :18-12 = 4"49 • BM.1984.006.001/30:18-09 LHOTE,HENRI 1948 Di-66B. n°367 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-12 BM.1984.006.001/30:18-12 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DU CHACAL, DE LA GIRAFE ET DE L'ELEPHANT Sous-table non exportée Sous-table non exportée Durée totale des plages :18-11 et :18-12 = 4"49 • BM.1984.006.001/30:18-11 LHOTE,HENRI 1948 Di-66B. n°368 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-13 BM.1984.006.001/30:18-13 00:05:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-05 LHOTE,HENRI 1948 Di-67A. n°369 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-14 BM.1984.006.001/30:18-14 00:05:14 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-13 LHOTE,HENRI 1948 Di-67B. n°370 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-15 BM.1984.006.001/30:18-15 00:04:38 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-13 LHOTE,HENRI 1948 Di-68A. n°371 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :18-16 BM.1984.006.001/30:18-16 00:05:18 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-13 LHOTE,HENRI 1948 Di-68B. n°372 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-01 BM.1984.006.001/30:19-01 00:04:45 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-13 LHOTE,HENRI 1948 Di-69A. n°373 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-02 BM.1984.006.001/30:19-02 00:05:03 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:18-13 LHOTE,HENRI 1948 Di-69B. n°374 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-03 BM.1984.006.001/30:19-03 00:04:29 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM DES HARRATINES D'IN-SALAH Sous-table non exportée Sous-table non exportée Fixés à Tamanrasset • BM.1984.006.001/30:19-01 LHOTE,HENRI 1948 Di-70A. n°375 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-04 BM.1984.006.001/30:19-04 00:10:21 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DES IKADEIEN ET DE L'AMENOKAL DE SKEL RELA Sous-table non exportée Sous-table non exportée Fin de la face A • BM.1984.006.001/30:19-01 LHOTE,HENRI 1948 Di-GF16A. n°376 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-05 BM.1984.006.001/30:19-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU FEU Sous-table non exportée Sous-table non exportée Durée totale des plages :19-05 et :19-06 = 17"00 • BM.1984.006.001/30:19-01 LHOTE,HENRI 1948 Di-GF16B. n°377 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-06 BM.1984.006.001/30:19-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES IZZABAREN Sous-table non exportée Sous-table non exportée Durée totale des plages :19-05 et :19-06 = 17"00 • BM.1984.006.001/30:19-05 LHOTE,HENRI 1948 Di-GF16B. n°378 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-07 BM.1984.006.001/30:19-07 00:16:05 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU FEU (SUITE) Sous-table non exportée Sous-table non exportée Suite de la plage :19-05 • BM.1984.006.001/30:19-05 LHOTE,HENRI 1948 Di-GF17A. n°379 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-08 BM.1984.006.001/30:19-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA CHACALE Sous-table non exportée Sous-table non exportée Durée totale des plages :19-08 et :19-09 = 5"56 Début de la face B • BM.1984.006.001/30:19-01 LHOTE,HENRI 1948 Di-GF17B. n°380 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :19-09 BM.1984.006.001/30:19-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR MEDT'EREG ET DE L'ADRAR DETEREG Sous-table non exportée Sous-table non exportée Ces adrar sont situé dans le Tassili-n-Ajjer • Durée totale des plages :19-08 et :19-09 = 5"56 Début de la face B • BM.1984.006.001/30:19-08 LHOTE,HENRI 1948 Di-GF17B. n°381 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-01 BM.1984.006.001/30:20-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR EH'REREN Sous-table non exportée Sous-table non exportée Cet adrar est situé dans le Tassili-n-Ajjer • Durée totale des plages :20-01 et :20-02 = 9"06 Fin de la face B • BM.1984.006.001/30:19-01 LHOTE,HENRI 1948 Di-GF17B. n°382 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-02 BM.1984.006.001/30:20-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DE RATAMYA Sous-table non exportée Sous-table non exportée Durée totale des plages :20-01 et :20-02 = 9"06 Fin de la face B • BM.1984.006.001/30:20-01 LHOTE,HENRI 1948 Di-GF17B. n°283 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-03 BM.1984.006.001/30:20-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'OUED TIMEDOUIN Sous-table non exportée Sous-table non exportée L'oued Timédouin se trouve dans l'Ahaggar • Durée totale des plages :20-03 et :20-04 = 15"56 • BM.1984.006.001/30:20-01 LHOTE,HENRI 1948 Di-GF18A. n°284 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-04 BM.1984.006.001/30:20-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU MOUTON, DU CHIEN ET DU CHACAL Sous-table non exportée Sous-table non exportée Durée totale des plages :20-03 et :20-04 = 15"56 Suivie sans interruption de la "Fable de l'éléphant et du lion" en plage :20-05 • BM.1984.006.001/30:20-03 LHOTE,HENRI 1948 Di-GF18A. n°385 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-05 BM.1984.006.001/30:20-05 00:17:42 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'ELEPHANT ET DU LION Sous-table non exportée Sous-table non exportée Précédée sans interruption de la "Fable du mouton, du chien et du chacal" en plage :20-04 • BM.1984.006.001/30:20-04 LHOTE,HENRI 1948 Di-GF18B. n°386 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-06 BM.1984.006.001/30:20-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU CHAMEAU Sous-table non exportée Sous-table non exportée Durée totale des plages :20-06, :20-07, :20-08, :20-09 et :20-10 = 16"31 • BM.1984.006.001/30:20-01 LHOTE,HENRI 1948 Di-GF19A. n°287 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-07 BM.1984.006.001/30:20-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'HOMME, DE SA FEMME ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :20-06, :20-07, :20-08, :20-09 et :20-10 = 16"31 • BM.1984.006.001/30:20-06 LHOTE,HENRI 1948 Di-GF19A. n°388 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-08 BM.1984.006.001/30:20-08 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU SINGE Sous-table non exportée Sous-table non exportée Durée totale des plages :20-06, :20-07, :20-08, :20-09 et :20-10 = 16"31 • BM.1984.006.001/30:20-06 LHOTE,HENRI 1948 Di-GF19A. n°389 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-09 BM.1984.006.001/30:20-09 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE LA TORTUE Sous-table non exportée Sous-table non exportée Durée totale des plages :20-06, :20-07, :20-08, :20-09 et :20-10 = 16"31 • BM.1984.006.001/30:20-06 LHOTE,HENRI 1948 Di-GF19A. n°390 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :20-10 BM.1984.006.001/30:20-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU MOUFLON Sous-table non exportée Sous-table non exportée Durée totale des plages :20-06, :20-07, :20-08, :20-09 et :20-10 = 16"31 • BM.1984.006.001/30:20-06 LHOTE,HENRI 1948 Di-GF19A. n°391 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-01 BM.1984.006.001/30:21-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHAMEAU CASTRE ET DU CHAMEAU ENTIER Sous-table non exportée Sous-table non exportée Durée totale des plages :21-01 et :21-02 = 17"39 • BM.1984.006.001/30:20-06 LHOTE,HENRI 1948 Di-GF19B. n°392 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-02 BM.1984.006.001/30:21-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'AMENOKAL DES IDNANES Sous-table non exportée Sous-table non exportée Durée totale des plages :21-01 et :21-02 = 17"39 • BM.1984.006.001/30:21-01 LHOTE,HENRI 1948 Di-GF19B. n°393 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-03 BM.1984.006.001/30:21-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'AMENOKAL DES IDNANES Sous-table non exportée Sous-table non exportée Durée totale des plages :21-03, :21-04 et :21-05 = 16"56 • BM.1984.006.001/30:21-02 LHOTE,HENRI 1948 Di-GF20A. n°394 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-04 BM.1984.006.001/30:21-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DE L'AMENOKAL ET DU DJENOUN Sous-table non exportée Sous-table non exportée Durée totale des plages :21-03, :21-04 et :21-05 = 16"56 • BM.1984.006.001/30:21-03 LHOTE,HENRI 1948 Di-GF20A. n°395 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-05 BM.1984.006.001/30:21-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON SUR L'HISTOIRE DE L'AMENOKAL ET DU DJENOUN Sous-table non exportée Sous-table non exportée Durée totale des plages :21-03, :21-04 et :21-05 = 16"56 Chanson récitée se rapportant à la plage :21-04 • BM.1984.006.001/30:21-04 LHOTE,HENRI 1948 Di-GF20A. n°396 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-06 BM.1984.006.001/30:21-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ORFELA ALGERIE;HOGGAR [COPIE DI. PYRAL] BERCEUSE ORFELA Sous-table non exportée Sous-table non exportée Durée totale des plages :21-06, :21-07 et :21-08 = 5"17 Femme Orfela réfugiée à Tamanrasset. • BM.1984.006.001/30:21-03 LHOTE,HENRI 1948 Di-70B. n°397 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-07 BM.1984.006.001/30:21-07 00:00:00 ALGERIE;HOGGAR TOUAREGS;ORFELA ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE CARAVANE Sous-table non exportée Sous-table non exportée Durée totale des plages :21-06, :21-07 et :21-08 = 5"17 • BM.1984.006.001/30:21-06 LHOTE,HENRI 1948 Di-70B. n°398 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-08 BM.1984.006.001/30:21-08 00:00:00 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] TAM-TAM HARRATINE Sous-table non exportée Sous-table non exportée Durée totale des plages :21-06, :21-07 et :21-08 = 5"17 Essai • BM.1984.006.001/30:21-07 LHOTE,HENRI 1948 Di-70B. n°399 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-09 BM.1984.006.001/30:21-09 00:05:16 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE LA FEMME DE MOULAY IDRISS Sous-table non exportée Sous-table non exportée Tam-tam des Harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-08 LHOTE,HENRI 1948 Di-71A. n°400 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-10 BM.1984.006.001/30:21-10 00:05:13 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON SUR UN ENFANT AIME DE SA FAMILLE Sous-table non exportée Sous-table non exportée Durée totale des plages :21-01 et :21-02 = 17"39 Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-01 LHOTE,HENRI 1948 Di-71B. n°401 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-11 BM.1984.006.001/30:21-11 00:05:01 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR SUR LES JEUNES FILLES Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-09 LHOTE,HENRI 1948 Di-72A. n°402 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-12 BM.1984.006.001/30:21-12 00:05:01 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'UN HOMME MALHEUREUX EN AMOUR Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-11 LHOTE,HENRI 1948 Di-72B. n°403 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :21-13 BM.1984.006.001/30:21-13 00:03:57 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'UN HOMME AMOUREUX QUI CHERCHE CELLE QU'IL AIME, AICHA Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-11 LHOTE,HENRI 1948 Di-73A. n°404 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-01 BM.1984.006.001/30:22-01 00:05:16 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE VEILLE DE MARIAGE Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:21-11 LHOTE,HENRI 1948 Di-73B. n°405 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-02 BM.1984.006.001/30:22-02 00:05:24 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FETE SUR UNE FEMME Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-74A. n°406 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-03 BM.1984.006.001/30:22-03 00:05:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE REJOUISSANCES A L'OCCASION D'UN MARIAGE Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-74B. n°407 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-04 BM.1984.006.001/30:22-04 00:05:11 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] HOMME AMOUREUX QUI CHARGE UN OISEAU D'UNE LETTRE POUR SA BELLE Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:22-03 LHOTE,HENRI 1948 Di-75A. n°408 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-05 BM.1984.006.001/30:22-05 00:05:28 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE REMERCIEMENT Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-75B. n°409 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-06 BM.1984.006.001/30:22-06 00:05:33 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON POUR LA FILLE DU CAID D'IN-SALAH Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-76A. n°410 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-07 BM.1984.006.001/30:22-07 00:05:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON SUR UN MARABOUT NOMME MOULAY AHMED Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah. • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-76B. n°411 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-08 BM.1984.006.001/30:22-08 00:05:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'UNE FEMME D'IN-SALAH SUR UNE AUTRE FEMME NOMMEE AIA Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah avec danses. Aïa est une femme connue pour ses qualités de danseuse. • BM.1984.006.001/30:22-07 LHOTE,HENRI 1948 Di-77A. n°412 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-09 BM.1984.006.001/30:22-09 00:15:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE FEMME AVEC SUR UN ARABE RICHE NOMME DAHAJ Sous-table non exportée Sous-table non exportée Tam-tam des harratines d'In-Salah avec danses. • BM.1984.006.001/30:22-08 LHOTE,HENRI 1948 Di-77B. n°413 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-10 BM.1984.006.001/30:22-10 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION, DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-01 LHOTE,HENRI 1948 Di-GF20B. n°414 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-11 BM.1984.006.001/30:22-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE AU SUJET DES FOULANES Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n°415 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-12 BM.1984.006.001/30:22-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] HISTOIRE DE L'ANTILOPE ORYX, DU HERISSON ET DE LA GERBOISE Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n°416 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-13 BM.1984.006.001/30:22-13 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHAMEAU ET DE SON MAITRE Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n° 417 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-14 BM.1984.006.001/30:22-14 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE L'ANE Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n°418 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-15 BM.1984.006.001/30:22-15 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] INTERPRETATION DE DEUX CRIS D'OISEAUX Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n°419 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :22-16 BM.1984.006.001/30:22-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] AUTRE INTERPRETATION DE DEUX CRIS D'OISEAUX Sous-table non exportée Sous-table non exportée Durée totale des plages :22-10, :22-11, :22-12, :22-13, :22-14, :22-15 et :22-16 = 18"08 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-GF20B. n°420 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-01 BM.1984.006.001/30:23-01 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES MONTAGNES AHELEHEG Sous-table non exportée Sous-table non exportée Durée totale des plages :23-01, :23-02, :23-03, :23-04 et :24-05 = 10"20 • BM.1984.006.001/30:22-10 LHOTE,HENRI 1948 Di-78A. n°421 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-02 BM.1984.006.001/30:23-02 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHIEN ET DES GAZELLES Sous-table non exportée Sous-table non exportée Durée totale des plages :23-01, :23-02, :23-03, :23-04 et :24-05 = 10"20 • BM.1984.006.001/30:23-01 LHOTE,HENRI 1948 Di-78A. n°422 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-03 BM.1984.006.001/30:23-03 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LIEVRE ET DE L'OUED Sous-table non exportée Sous-table non exportée Durée totale des plages :23-01, :23-02, :23-03, :23-04 et :24-05 = 10"20 • BM.1984.006.001/30:23-01 LHOTE,HENRI 1948 Di-78A. n°423 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-04 BM.1984.006.001/30:23-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE L'OUED Sous-table non exportée Sous-table non exportée Durée totale des plages :23-01, :23-02, :23-03, :23-04 et :24-05 = 10"20 • BM.1984.006.001/30:23-01 LHOTE,HENRI 1948 Di-78A. n°424 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-05 BM.1984.006.001/30:23-05 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU LION ET DE LA HYENE (TAHOURI) Sous-table non exportée Sous-table non exportée Durée totale des plages :23-01, :23-02, :23-03, :23-04 et :24-05 = 10"20 • BM.1984.006.001/30:23-01 LHOTE,HENRI 1948 Di-78A. n°425 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-06 BM.1984.006.001/30:23-06 00:00:00 ALGERIE;HOGGAR TOUAREGS;ADJOUH-N-TEHLI ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DE LA GAZELLE BLANCHE ET DU CHIEN Sous-table non exportée Sous-table non exportée Durée totale des plages :23-06, :23-07 et :24-08 = 9"31 • BM.1984.006.001/30:23-01 LHOTE,HENRI 1948 Di-78B. n°426 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-07 BM.1984.006.001/30:23-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL AKOUKES Sous-table non exportée Sous-table non exportée Le djebel Akoukes se situe dans le Tassili-n-Ajjer. • Durée totale des plages :23-06, :23-07 et :24-08 = 9"31 • BM.1984.006.001/30:23-06 LHOTE,HENRI 1948 Di-78B. n°427 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-08 BM.1984.006.001/30:23-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL AKOUKES Sous-table non exportée Sous-table non exportée Le djebel Akoukes se situe dans le Tassili-n-Ajjer. • Durée totale des plages :23-06, :23-07 et :24-08 = 9"31 • BM.1984.006.001/30:23-07 LHOTE,HENRI 1948 Di-78B. n°428 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-09 BM.1984.006.001/30:23-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TAKBALT ET DU DJEBEL ABARID Sous-table non exportée Sous-table non exportée Cesdjebel se situent dans le Tassili-n-Ajjer. • Durée totale des plages :23-09 et :24-10 = 12"32 Ou n° bande&pièce originale: Di-78B. n°429 • BM.1984.006.001/30:23-06 LHOTE,HENRI 1948 Di-79A. n°429 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-10 BM.1984.006.001/30:23-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DJEBELS AGUELLELA DEBNAT IMRIGAN TENGUIER TEREGUIEN I-N-AZAOUA Sous-table non exportée Sous-table non exportée Durée totale des plages :23-09 et :24-10 = 12"32 • BM.1984.006.001/30:23-09 LHOTE,HENRI 1948 Di-79A. n°430 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-11 BM.1984.006.001/30:23-11 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DJEBELS AGUELLELA DEBNAT IMRIGAN TENGUIER TEREGUIEN I-N-AZAOUA Sous-table non exportée Sous-table non exportée Durée totale des plages :23-11, :23-12, :23-13 et :23-14 = 10"43 • BM.1984.006.001/30:23-10 LHOTE,HENRI 1948 Di-79B. n°431 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-12 BM.1984.006.001/30:23-12 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS IKADELOUAN ET D'IBARARTINE Sous-table non exportée Sous-table non exportée Le djebel Ikadelouan se trouve près de Silet et le djebel d'Ibarartine près d'Abalessa. • Durée totale des plages :23-11, :23-12, :23-13 et :23-14 = 10"43 • BM.1984.006.001/30:23-11 LHOTE,HENRI 1948 Di-79B. n°432 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-13 BM.1984.006.001/30:23-13 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS AMIGUINDER ET AMDELIS Sous-table non exportée Sous-table non exportée Ces djebels sont situés dans le Tahalra. • Durée totale des plages :23-11, :23-12, :23-13 et :23-14 = 10"43 • BM.1984.006.001/30:23-12 LHOTE,HENRI 1948 Di-79B. n°433 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-14 BM.1984.006.001/30:23-14 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR-N-OUDADEN ET TIDBAR Sous-table non exportée Sous-table non exportée Se situent dans le Tassili-n-Ajjer. • Durée totale des plages :23-11, :23-12, :23-13 et :23-14 = 10"43 • BM.1984.006.001/30:23-12 LHOTE,HENRI 1948 Di-79B. n°434 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-15 BM.1984.006.001/30:23-15 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR-N-OUDADEN ET TIDBAR (SUITE) Sous-table non exportée Sous-table non exportée Se situent dans le Tassili-n-Ajjer. • Durée totale des plages :23-15, :23-16 et :23-17 = 7"26 Début de la face A Suite de la plage :23-15 • BM.1984.006.001/30:23-14 LHOTE,HENRI 1948 Di-79B. n°435 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-16 BM.1984.006.001/30:23-16 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS AMANADT ET TAMTOK Sous-table non exportée Sous-table non exportée Durée totale des plages :23-15, :23-16 et :23-17 = 7"26 Début de la face A Disque défectueux • BM.1984.006.001/30:23-12 LHOTE,HENRI 1948 Di-80A. n°436 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-17 BM.1984.006.001/30:23-17 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS AMANADT ET TAMTOK Sous-table non exportée Sous-table non exportée Durée totale des plages :23-15, :23-16 et :23-17 = 7"26 Début de la face A Disque défectueux • BM.1984.006.001/30:23-16 LHOTE,HENRI 1948 Di-80A. n°437 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-18 BM.1984.006.001/30:23-18 00:05:25 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CELUI QUI CHERCHE DOCTEUR (REMEDE) PR LE MAL D'AMOUR ET NE TROUVE PAS Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • LHOTE,HENRI 1948 Di-80B. n°438 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-19 BM.1984.006.001/30:23-19 00:05:29 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'UN HOMME QUI CHANTE POUR LUI Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:23-18 LHOTE,HENRI 1948 Di-81A. n°439 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-20 BM.1984.006.001/30:23-20 00:05:29 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE REPROCHE A AICHA QUI N'EST PAS ASSEZ ACCUEILLANTE Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:23-19 LHOTE,HENRI 1948 Di-81B. n°440 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :23-21 BM.1984.006.001/30:23-21 00:05:22 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE L'HOMME QUI TROUVE TROP DE MONDE CHEZ SA FIANCEE ET S'EN VA Sous-table non exportée Sous-table non exportée Soit bande 23 = :23-21 ou bande 24 = :24-01 Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:23-19 LHOTE,HENRI 1948 Di-82A. n°441 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-01 BM.1984.006.001/30:24-01 00:05:26 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE REGRETS SUR LA PERTE D'UNE CHAMELLE Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:23-21 LHOTE,HENRI 1948 Di-82B. n°442 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-02 BM.1984.006.001/30:24-02 00:05:23 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'AMOUR Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:24-01 LHOTE,HENRI 1948 Di-83A. n°443 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-03 BM.1984.006.001/30:24-03 00:05:26 ALGERIE;HOGGAR TOUAREGS;HARRATINES ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON D'UN HOMME QUI CHERCHE SON AMI QUI EST PARTI Sous-table non exportée Sous-table non exportée Chanson d'harratines d'In-Salah. Les chants sont dirigés par le marabout Moulay Ahmed de Tamanrasset. • BM.1984.006.001/30:24-01 LHOTE,HENRI 1948 Di-83B. n°444 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-04 BM.1984.006.001/30:24-04 00:11:39 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES MONTAGNES OUDRISSEN ET TAHARAT Sous-table non exportée Sous-table non exportée Ces montagnes se trouvent dans la Tefedest. • BM.1984.006.001/30:24-01 LHOTE,HENRI 1948 Di-84A. n°445 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-05 BM.1984.006.001/30:24-05 00:12:07 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES MONTAGNES OUDRISSEN ET TAHARAT Sous-table non exportée Sous-table non exportée Ces montagnes se trouvent dans le Tefedest. • BM.1984.006.001/30:24-04 LHOTE,HENRI 1948 Di-84B. n°446 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-06 BM.1984.006.001/30:24-06 00:11:53 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR IMESKOR Sous-table non exportée Sous-table non exportée Le plateau de l'Imeskor se trouve entre l'Ahaggar et l'Aïr. • BM.1984.006.001/30:24-01 LHOTE,HENRI 1948 Di-85A. n°447 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :24-07 BM.1984.006.001/30:24-07 00:11:44 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR IMESKOR Sous-table non exportée Sous-table non exportée Le plateau de l'Imeskor se trouve entre l'Ahaggar et l'Aïr. • BM.1984.006.001/30:24-06 LHOTE,HENRI 1948 Di-85B. n°448 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-01 BM.1984.006.001/30:25-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR IMESKOR Sous-table non exportée Sous-table non exportée Le plateau de l'Imeskor se trouve entre l'Ahaggar et l'Aïr. • BM.1984.006.001/30:24-07 LHOTE,HENRI 1948 Di-86A. n°449 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-02 BM.1984.006.001/30:25-02 00:11:39 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR IMESKOR Sous-table non exportée Sous-table non exportée Le plateau de l'Imeskor se trouve entre l'Ahaggar et l'Aïr. • BM.1984.006.001/30:25-01 LHOTE,HENRI 1948 Di-86B. n°450 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-03 BM.1984.006.001/30:25-03 00:11:02 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR TRABEUB Sous-table non exportée Sous-table non exportée L'Adrar Trabeub se trouve près de Tisserlitine, dans l'Adrar des Iforas. • BM.1984.006.001/30:25-01 LHOTE,HENRI 1948 Di-87A. n°451 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-04 BM.1984.006.001/30:25-04 00:11:05 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR AZEO Sous-table non exportée Sous-table non exportée L'Adrar Azéo se situe près de Tazerouk. Il est de forme pointue et ressemble à un doigt. C'est une pointe volcanique qui émerge du plateau de Tazerouk. • BM.1984.006.001/30:25-01 LHOTE,HENRI 1948 Di-87B. n°452 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-05 BM.1984.006.001/30:25-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU LION, DES HOMMES ET DES CHAMEAUX Sous-table non exportée Sous-table non exportée Durée totale des plages :25-05, :25-06, :25-07 = 11"16 • BM.1984.006.001/30:25-01 LHOTE,HENRI 1948 Di-88A. n°453 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-06 BM.1984.006.001/30:25-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU LION Sous-table non exportée Sous-table non exportée Durée totale des plages :25-05, :25-06, :25-07 = 11"16 • BM.1984.006.001/30:25-05 LHOTE,HENRI 1948 Di-88A. n°454 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-07 BM.1984.006.001/30:25-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] LEGENDE DES DJEBELS IKOAOUEN ET TAOURER Sous-table non exportée Sous-table non exportée Ces djebels se situent entre Rbât et Tarat. • Durée totale des plages :25-05, :25-06, :25-07 = 11"16 • BM.1984.006.001/30:25-05 LHOTE,HENRI 1948 Di-88A. n°455 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-08 BM.1984.006.001/30:25-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS IKOAOUEN ET TAOURER Sous-table non exportée Sous-table non exportée Ces djebels se situent entre Rbât et Tarat. • Durée totale des plages :25-08, :25-09 = 9"30 Début de la face A Suite de la plage :25-07 • BM.1984.006.001/30:25-07 LHOTE,HENRI 1948 Di-89A. n°456 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :25-09 BM.1984.006.001/30:25-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS I-N-TSOUTEFT ET TAKRAGER Sous-table non exportée Sous-table non exportée Ces djebels se situent près d'Afara, Tassili-n-Ajjer. • Durée totale des plages :25-08, :25-09 = 9"30 Début de la face A • BM.1984.006.001/30:25-08 LHOTE,HENRI 1948 Di-89A. n°457 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-01 BM.1984.006.001/30:26-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] RECIT D'UNE CHASSE AUX ANES SAUVAGES (ENSAUVAGES) Sous-table non exportée Sous-table non exportée Cette chasse a eut lieu dans la Koukia du Hoggar en Janvier 1948. • Durée totale des plages :26-01 et :26-02 = 10"12 • BM.1984.006.001/30:25-09 LHOTE,HENRI 1948 Di-89B. n°458 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-02 BM.1984.006.001/30:26-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR ENGUELE ET DE L'ADRAR TI-N-DEDE Sous-table non exportée Sous-table non exportée Ces adrars se situent dans le Tassili-n-Ajjer. • Durée totale des plages :26-01 et :26-02 = 10"12 • BM.1984.006.001/30:26-01 LHOTE,HENRI 1948 Di-89B. n°459 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-03 BM.1984.006.001/30:26-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DE L'ADRAR ENGUELE ET DE L'ADRAR TI-N-DEDE Sous-table non exportée Sous-table non exportée Ces adrars se situent dans le Tassili-n-Ajjer. • Durée totale des plages :26-03 et :26-04 = 11"41 Suite de la plage :26-02 • BM.1984.006.001/30:26-01 LHOTE,HENRI 1948 Di-88B. n°460 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-04 BM.1984.006.001/30:26-04 00:00:00 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR TELAHOU AG CHIKKAT Sous-table non exportée Sous-table non exportée Durée totale des plages :26-03 et :26-04 = 11"41 Cet homme qui a été blessé grièvement à plusieurs reprises au cours des combats passe pour avoir une chance inouïe. • BM.1984.006.001/30:26-03 LHOTE,HENRI 1948 Di-88B. n°461 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-05 BM.1984.006.001/30:26-05 00:01:44 ALGERIE;HOGGAR TOUAREGS;DAG RALI ALGERIE;HOGGAR [COPIE DI. PYRAL] POESIE SUR TELAHOU AG CHIKKAT Sous-table non exportée Sous-table non exportée Fin de la face A Cet homme qui a été blessé grièvement à plusieurs reprises au cours des combats passe pour avoir une chance inouïe. • BM.1984.006.001/30:25-09 LHOTE,HENRI 1948 Di-89A. n°462 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-06 BM.1984.006.001/30:26-06 00:11:17 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL AMAGIRI Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:26-01 LHOTE,HENRI 1948 Di-90A. n°463 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-07 BM.1984.006.001/30:26-07 00:11:30 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL ERLIANE ET DU DJEBEL I-N-AOUELLELA Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:26-06 LHOTE,HENRI 1948 Di-90B. n°464 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-08 BM.1984.006.001/30:26-08 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TANGUERORES Sous-table non exportée Sous-table non exportée Ce djebel se situe près de Tahat. • Durée totale des plages :26-08 et :26-09 = 10"17 Début de la face A • BM.1984.006.001/30:26-06 LHOTE,HENRI 1948 Di-91A. n°465 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :26-09 BM.1984.006.001/30:26-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL I-N-OUTER ET DU DJEBEL TAGANE Sous-table non exportée Sous-table non exportée Ces djebel se situent dans la Koudia de l'Ahaggar. • Durée totale des plages :26-08 et :26-09 = 10"17 Début de la face A • BM.1984.006.001/30:26-08 LHOTE,HENRI 1948 Di-91A. n°466 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-01 BM.1984.006.001/30:27-01 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL AHAGGAR ET DU DJEBEL TAMAGUENA Sous-table non exportée Sous-table non exportée Ces djebel se situent dans le massif de la Téfedest. • Durée totale des plages :27-01, :27-02 et :27-03 = 11"01 • BM.1984.006.001/30:26-01 LHOTE,HENRI 1948 Di-91B. n°467 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-02 BM.1984.006.001/30:27-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DU LEZARD DAUB Sous-table non exportée Sous-table non exportée Durée totale des plages :27-01, :27-02 et :27-03 = 11"01 • BM.1984.006.001/30:27-01 LHOTE,HENRI 1948 Di-91B. n°468 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-03 BM.1984.006.001/30:27-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS ATAIABA ET I-N-ASARET Sous-table non exportée Sous-table non exportée Ces djebels se situent dans le Tassili-n-Ajjer. • Durée totale des plages :27-01, :27-02 et :27-03 = 11"01 • BM.1984.006.001/30:27-01 LHOTE,HENRI 1948 Di-91B. n°469 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-04 BM.1984.006.001/30:27-04 00:00:31 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DES DJEBELS ATAIABA ET I-N-ASARET Sous-table non exportée Sous-table non exportée Ces djebels se situent dans le Tassili-n-Ajjer. • Fin de la face A • BM.1984.006.001/30:27-03 LHOTE,HENRI 1948 Di-91A. n°470 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-05 BM.1984.006.001/30:27-05 00:11:22 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION ET DE LA HYENE (2EME THEME) Sous-table non exportée Sous-table non exportée Récitée et chantée. • BM.1984.006.001/30:27-01 LHOTE,HENRI 1948 Di-92A. n°471 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-06 BM.1984.006.001/30:27-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU LION ET DE LA HYENE (2EME THEME) Sous-table non exportée Sous-table non exportée Durée totale des plages :27-06 et :27-07 = 11"15 Récitée et chantée. • BM.1984.006.001/30:27-05 LHOTE,HENRI 1948 Di-92B. n°472 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-07 BM.1984.006.001/30:27-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU LION ET DE L'AMENOKAL Sous-table non exportée Sous-table non exportée Durée totale des plages :27-06 et :27-07 = 11"15 • BM.1984.006.001/30:27-06 LHOTE,HENRI 1948 Di-92B. n°473 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-08 BM.1984.006.001/30:27-08 00:10:59 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU LION ET DE L'AMENOKAL Sous-table non exportée Sous-table non exportée Suite de la plage :27-07 • BM.1984.006.001/30:27-07 LHOTE,HENRI 1948 Di-93A. n°474 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-09 BM.1984.006.001/30:27-09 00:10:18 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] HISTOIRE DU LION ET DE L'AMENOKAL Sous-table non exportée Sous-table non exportée Suite des plages :27-07 et :27-08 • BM.1984.006.001/30:27-08 LHOTE,HENRI 1948 Di-93B. n°475 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :27-10 BM.1984.006.001/30:27-10 00:11:35 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL EGUEDEREN Sous-table non exportée Sous-table non exportée Le djebel Eguederen se situe dans l'Erg d'Admer. • BM.1984.006.001/30:27-08 LHOTE,HENRI 1948 Di-94A. n°476 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-01 BM.1984.006.001/30:28-01 00:12:37 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL AKHMOUD Sous-table non exportée Sous-table non exportée Le djebel Akhmoud se situe dans l'Oued I-n-Tabakat, Plaine d'Admer. • BM.1984.006.001/30:27-01 LHOTE,HENRI 1948 Di-94B. n°477 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-02 BM.1984.006.001/30:28-02 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL I-N-EREOUA Sous-table non exportée Sous-table non exportée Le djebel I-n-Ereoua se situe dans l'Oued Tafesaset. • Durée totale des plages :28-02 et :28-03 = 9"58 • BM.1984.006.001/30:27-01 LHOTE,HENRI 1948 Di-95A. n°478 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-03 BM.1984.006.001/30:28-03 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TAZOLT Sous-table non exportée Sous-table non exportée Adrar de l'Ajjer. • Durée totale des plages :28-02 et :28-03 = 9"58 • BM.1984.006.001/30:28-02 LHOTE,HENRI 1948 Di-95A. n°479 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-04 BM.1984.006.001/30:28-04 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TAZOLT Sous-table non exportée Sous-table non exportée Adrar de l'Ajjer. • Durée totale des plages :28-04 et :28-05 = 11"10 • BM.1984.006.001/30:28-03 LHOTE,HENRI 1948 Di-95B. n°480 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-05 BM.1984.006.001/30:28-05 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TAHOUNT TEROHALT Sous-table non exportée Sous-table non exportée Près d'Afara, Ajjer. • Durée totale des plages :28-04 et :28-05 = 11"10 • BM.1984.006.001/30:28-04 LHOTE,HENRI 1948 Di-95B. n°481 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-06 BM.1984.006.001/30:28-06 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL TAHOUNT TEROHALT Sous-table non exportée Sous-table non exportée Près d'Afara, Ajjer. • Durée totale des plages :28-06 et :28-07 = 4"43 • BM.1984.006.001/30:28-05 LHOTE,HENRI 1948 Di-96A. n°482 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-07 BM.1984.006.001/30:28-07 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL IERAKSASSEN Sous-table non exportée Sous-table non exportée Près d'Esseyen, Ajjer. • Durée totale des plages :28-06 et :28-07 = 4"43 • BM.1984.006.001/30:28-06 LHOTE,HENRI 1948 Di-96A. n°483 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-08 BM.1984.006.001/30:28-08 00:04:52 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL IERAKSASSEN Sous-table non exportée Sous-table non exportée Près d'Esseyen, Ajjer. • BM.1984.006.001/30:28-07 LHOTE,HENRI 1948 Di-96B. n°484 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-09 BM.1984.006.001/30:28-09 00:04:48 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL IERAKSASSEN Sous-table non exportée Sous-table non exportée Près d'Esseyen, Ajjer. • Suite des plages :28-07 et :28-08 • BM.1984.006.001/30:28-08 LHOTE,HENRI 1948 Di-97A. n°485 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-10 BM.1984.006.001/30:28-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] LEGENDE DU DJEBEL IERAKSASSEN Sous-table non exportée Sous-table non exportée Près d'Esseyen, Ajjer. • Durée totale des plages :28-10, :28-11 et :28-12 = 5"39 Suite des plages :28-07, :28-08 et :28-09 • BM.1984.006.001/30:28-08 LHOTE,HENRI 1948 Di-97B. n°486 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-11 BM.1984.006.001/30:28-11 00:00:00 ALGERIE;HOGGAR TOUAREGS;KEL RELA ALGERIE;HOGGAR [COPIE DI. PYRAL] TINDI CHANTE PAR DEUX HOMMES Sous-table non exportée Sous-table non exportée Durée totale des plages :28-10, :28-11 et :28-12 = 5"39 • BM.1984.006.001/30:28-10 LHOTE,HENRI 1948 Di-97B. n°487 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-12 BM.1984.006.001/30:28-12 00:00:00 ALGERIE;HOGGAR TOUAREGS;ISEKKEMAREN ALGERIE;HOGGAR [COPIE DI. PYRAL] CHANSON DE CARAVANIER Sous-table non exportée Sous-table non exportée Durée totale des plages :28-10, :28-11 et :28-12 = 5"39 • BM.1984.006.001/30:28-10 LHOTE,HENRI 1948 Di-97B. n°488 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-13 BM.1984.006.001/30:28-13 00:05:36 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "OUA-N-DET-AMOUD" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:28-02 LHOTE,HENRI 1948 Di-98A. n°489 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :28-14 BM.1984.006.001/30:28-14 00:05:27 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "MAMADOUTEN" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:28-13 LHOTE,HENRI 1948 Di-98B. n°490 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-01 BM.1984.006.001/30:29-01 00:05:38 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "OUA-N-ZEMBER" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, est considéré comme l'un des meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:28-14 LHOTE,HENRI 1948 Di-99A. n°491 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-02 BM.1984.006.001/30:29-02 00:05:26 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "AMRAR NESLA" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-99B. n°492 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-03 BM.1984.006.001/30:29-03 00:05:07 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "KEL ZAOUATEN" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-100A. n°493 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-04 BM.1984.006.001/30:29-04 00:05:12 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "IHADANAREN" Sous-table non exportée Sous-table non exportée Air d'amzad. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-100B. n°494 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-05 BM.1984.006.001/30:29-05 00:05:16 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "IHADANAREN" Sous-table non exportée Sous-table non exportée Bidarer ag Améréoualt est considéré comme l'un des meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-04 LHOTE,HENRI 1948 Di-101A. n°495 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-06 BM.1984.006.001/30:29-06 00:05:14 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "IL-ANER-IALLA" Sous-table non exportée Sous-table non exportée Air d'amzad. Bidarer ag Améréoualt est considéré comme l'un des meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-101B. n°496 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-07 BM.1984.006.001/30:29-07 00:05:20 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "HADAMA" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-102A. n°497 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-08 BM.1984.006.001/30:29-08 00:05:25 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] "ASEKONI" Sous-table non exportée Sous-table non exportée Air d'amzad. Boukraïas ag Zenoun, de la tribu des Kel Tazolet, et Bidarer ag Améréoualt sont considérés comme les deux meilleurs chanteurs de l'Ahaggar. • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-102B. n°498 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-11 BM.1984.006.001/30:29-11 00:11:37 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-103B. n°501 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-09 BM.1984.006.001/30:29-09 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA PINTADE Sous-table non exportée Sous-table non exportée Durée totale des plages :29-09 et :29-10 = 11"12 • BM.1984.006.001/30:29-01 LHOTE,HENRI 1948 Di-103A. n°499 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :29-10 BM.1984.006.001/30:29-10 00:00:00 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Durée totale des plages :29-09 et :29-10 = 11"12 • BM.1984.006.001/30:29-09 LHOTE,HENRI 1948 Di-103A. n°500 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-01 BM.1984.006.001/30:30-01 00:10:55 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10 et :29-11. • BM.1984.006.001/30:29-10 LHOTE,HENRI 1948 Di-104A. n°502 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-02 BM.1984.006.001/30:30-02 00:10:46 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10, :29-11 et :30-01. • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-104B. n°503 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-03 BM.1984.006.001/30:30-03 00:11:20 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10, :29-11, :30-01 et :30-02. • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-105A. n°504 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-04 BM.1984.006.001/30:30-04 00:11:09 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10, :29-11, :30-01, :30-02 et :30-03. • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-105B. n°505 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-05 BM.1984.006.001/30:30-05 00:10:56 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10, :29-11, :30-01, :30-02, :30-03 et :30-04. • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-106A. n°506 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-06 BM.1984.006.001/30:30-06 00:11:31 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] FABLE DU CHACAL ET DE LA HYENE Sous-table non exportée Sous-table non exportée Suite des plages :29-10, :29-11, :30-01, :30-02, :30-03, :30-04 et :30-05. • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-106B. n°507 AFRIQUE +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 :30-07 BM.1984.006.001/30:30-07 00:01:14 ALGERIE;HOGGAR TOUAREGS ALGERIE;HOGGAR [COPIE DI. PYRAL] VAGISSEMENTS DE NOUVEAU-NE Sous-table non exportée Sous-table non exportée Fin de la face A • BM.1984.006.001/30:30-01 LHOTE,HENRI 1948 Di-80A. n°508 AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-02 BM.1991.006.001/06:01-02 00:00:00 N TOGO LAMA-KARA KABRE TOGO. PIERRE SALLEE. 1963 FETE DE ESAKPA Sous-table non exportée Sous-table non exportée Cérémonie de classe d'âge• AFTC = sifflets. IE = castagnettes de fer• BM.1991.006.001/06:01-01 SALLEE,PIERRE 1962 ATP.63.1-02/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-03 BM.1991.006.001/06:01-03 00:00:00 N TOGO LAMA-KARA,LANDA KABRE TOGO. PIERRE SALLEE. 1963 CRAPAUD ET GUILLIDAC Sous-table non exportée Sous-table non exportée Cérémonie de classe d'âge• AFTC = sifflets . IE = castagnettes de fer• BM.1991.006.001/06:01-02 SALLEE,PIERRE 1962 ATP.63.1-03/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-04 BM.1991.006.001/06:01-04 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 SOLO DE SANZA Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-01 SALLEE,PIERRE 1962 ATP.63.1-04/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-05 BM.1991.006.001/06:01-05 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 CHANT Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-04 SALLEE,PIERRE 1962 ATP.63.1-05/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-06 BM.1991.006.001/06:01-06 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 AIR Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-05 SALLEE,PIERRE 1962 ATP.63.1-06/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-07 BM.1991.006.001/06:01-07 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-06 SALLEE,PIERRE 1962 ATP.63.1-07/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-08 BM.1991.006.001/06:01-08 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 AIR Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-07 SALLEE,PIERRE 1962 ATP.63.1-08/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-09 BM.1991.006.001/06:01-09 00:00:00 N TOGO LAMA-KARA,BOHOU KABRE TOGO. PIERRE SALLEE. 1963 SOLO D'ARC MUSICAL Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-07 SALLEE,PIERRE 1962 ATP.63.1-09/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-10 BM.1991.006.001/06:01-10 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 MUSIQUE DE FUNERAILLES Sous-table non exportée Sous-table non exportée AFTC = sifflets• BM.1991.006.001/06:01-02 SALLEE,PIERRE 1962 ATP.63.1-10/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-11 BM.1991.006.001/06:01-11 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 LANGAGE CORNE Sous-table non exportée Sous-table non exportée AFTC = sifflet• BM.1991.006.001/06:01-02 SALLEE,PIERRE 1962 ATP.63.1-11/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-12 BM.1991.006.001/06:01-12 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 ENSEMBLE DE JEUNES FILLES Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-11 SALLEE,PIERRE 1962 ATP.63.1-12/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-13 BM.1991.006.001/06:01-13 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 ENSEMBLE DE VOIX DE FEMMES Sous-table non exportée Sous-table non exportée Accompagne le battage du maïs• BM.1991.006.001/06:01-12 SALLEE,PIERRE 1962 ATP.63.1-13/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :01-14 BM.1991.006.001/06:01-14 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 CHANT DE DANSE Sous-table non exportée Sous-table non exportée Accompagne le battage du maïs• BM.1991.006.001/06:01-13 SALLEE,PIERRE 1962 ATP.63.1-14/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-01 BM.1991.006.001/06:02-01 00:00:00 N TOGO LAMA-KARA,LAMA-BOW KABRE TOGO. PIERRE SALLEE. 1963 CHANT DE TRAVAIL Sous-table non exportée Sous-table non exportée Chant de travail pour porter les paniers de fumier dans les champs• BM.1991.006.001/06:01-14 SALLEE,PIERRE 1962 ATP.63.1-15/N AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-01 BM.1969.043.001/18:15-01 00:01:10 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:16-11 LORTAT-JACOB,B. 1969 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-02 BM.1969.043.001/18:15-02 00:00:35 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-03 BM.1969.043.001/18:15-03 00:00:40 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-04 BM.1969.043.001/18:15-04 00:00:15 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-05 BM.1969.043.001/18:15-05 00:00:25 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-06 BM.1969.043.001/18:15-06 00:00:10 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-07 BM.1969.043.001/18:15-07 00:00:25 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-08 BM.1969.043.001/18:15-08 00:00:53 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-09 BM.1969.043.001/18:15-09 00:00:50 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-10 BM.1969.043.001/18:15-10 00:00:48 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-11 BM.1969.043.001/18:15-11 00:00:23 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-12 BM.1969.043.001/18:15-12 00:00:55 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.1969.043 Ø13 BM.1969.043.001/18 :15-13 BM.1969.043.001/18:15-13 00:00:25 09/1969 MAROC HAUT-ATLAS,AZRZM AYT MGUN MAROC;BERBERE. LORTAT-JACOB,B.;1969 FORMULE D'AHWAS Sous-table non exportée Sous-table non exportée Formule d' _ahwas_ • BM.1969.043.001/18:15-01 LORTAT-JACOB,B. 0 M.15 AFRIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-01 BM.2007.011.001/02:01-01 00:01:37 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "BARABO..." CHANT POUR EXU Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour Exu , un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-02 BM.2007.011.001/02:01-02 00:00:44 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "TIRIRI LONA..." CHANT POUR EXU Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour Exu , un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-03 BM.2007.011.001/02:01-03 00:01:17 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-04 BM.2007.011.001/02:01-04 00:00:47 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "XOXO ABE..." Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-05 BM.2007.011.001/02:01-05 00:00:33 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "LAROIE..." Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-06 BM.2007.011.001/02:01-06 00:02:20 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "OGUN AJO ?" Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-07 BM.2007.011.001/02:01-07 00:00:48 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "OGUN MEJE..." Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-08 BM.2007.011.001/02:01-08 00:02:30 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR ODE ? Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-09 BM.2007.011.001/02:01-09 00:01:06 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-10 BM.2007.011.001/02:01-10 00:01:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-11 BM.2007.011.001/02:01-11 00:01:40 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-12 BM.2007.011.001/02:01-12 00:01:12 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-13 BM.2007.011.001/02:01-13 00:00:59 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-14 BM.2007.011.001/02:01-14 00:01:28 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-15 BM.2007.011.001/02:01-15 00:01:55 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR OXUMARE Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :01-16 BM.2007.011.001/02:01-16 00:01:04 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR OXUMARE Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-01 BM.2007.011.001/02:02-01 00:03:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. RYTHME IJEXA Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-02 BM.2007.011.001/02:02-02 00:03:03 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-03 BM.2007.011.001/02:02-03 00:05:19 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANPOUR EUA Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-04 BM.2007.011.001/02:02-04 00:01:05 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-05 BM.2007.011.001/02:02-05 00:01:47 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-06 BM.2007.011.001/02:02-06 00:02:38 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :02-07 BM.2007.011.001/02:02-07 00:01:02 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-01 BM.2007.011.001/02:03-01 00:03:55 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-02 BM.2007.011.001/02:03-02 00:00:55 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-03 BM.2007.011.001/02:03-03 00:02:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-04 BM.2007.011.001/02:03-04 00:06:08 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-05 BM.2007.011.001/02:03-05 00:05:03 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :03-06 BM.2007.011.001/02:03-06 00:01:17 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-01 BM.2007.011.001/02:04-01 00:00:43 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. "AGO LONA..." Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour Exu, un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-02 BM.2007.011.001/02:04-02 00:01:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-03 BM.2007.011.001/02:04-03 00:01:53 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. RYHTME IJEXA Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-04 BM.2007.011.001/02:04-04 00:04:09 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR ODE ? Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-05 BM.2007.011.001/02:04-05 00:01:26 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-06 BM.2007.011.001/02:04-06 00:00:56 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-07 BM.2007.011.001/02:04-07 00:01:08 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-08 BM.2007.011.001/02:04-08 00:01:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. SOLO DE PERCUSIONS Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-09 BM.2007.011.001/02:04-09 00:02:54 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :04-10 BM.2007.011.001/02:04-10 00:01:26 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-01 BM.2007.011.001/02:05-01 00:03:15 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-02 BM.2007.011.001/02:05-02 00:01:23 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. SOLO DE PERCUSSIONS Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-03 BM.2007.011.001/02:05-03 00:01:56 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-04 BM.2007.011.001/02:05-04 00:02:42 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. RYTHME IJEXA Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-05 BM.2007.011.001/02:05-05 00:01:10 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. SOLO DE PERCUSSIONS RYTHME IJEXA Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-06 BM.2007.011.001/02:05-06 00:00:56 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-07 BM.2007.011.001/02:05-07 00:00:46 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-08 BM.2007.011.001/02:05-08 00:00:40 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-09 BM.2007.011.001/02:05-09 00:00:52 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-10 BM.2007.011.001/02:05-10 00:01:17 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR IEMAJA ? Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-11 BM.2007.011.001/02:05-11 00:00:53 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :05-12 BM.2007.011.001/02:05-12 00:00:55 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-01 BM.2007.011.001/02:06-01 00:01:47 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-02 BM.2007.011.001/02:06-02 00:01:29 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR IROKO ? Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-03 BM.2007.011.001/02:06-03 00:01:11 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-04 BM.2007.011.001/02:06-04 00:01:02 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. SOLO DE PERCUSSIONS Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-05 BM.2007.011.001/02:06-05 00:03:10 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-06 BM.2007.011.001/02:06-06 00:01:30 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-07 BM.2007.011.001/02:06-07 00:00:34 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-08 BM.2007.011.001/02:06-08 00:00:30 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-09 BM.2007.011.001/02:06-09 00:02:11 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-10 BM.2007.011.001/02:06-10 00:00:37 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT POUR OXALA ? Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :06-11 BM.2007.011.001/02:06-11 00:01:08 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. CHANT Sous-table non exportée CANDOMBLE Sous-table non exportée Chant pour un Orisha, divinité yorouba• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-01 BM.2007.011.001/02:07-01 00:04:02 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-02 BM.2007.011.001/02:07-02 00:04:12 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-03 BM.2007.011.001/02:07-03 00:05:48 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-04 BM.2007.011.001/02:07-04 00:04:12 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-05 BM.2007.011.001/02:07-05 00:03:40 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-06 BM.2007.011.001/02:07-06 00:01:05 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Noago (Yoruba), auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.011 CDR+Ø* BM.2007.011.001/02 :07-07 BM.2007.011.001/02:07-07 00:03:34 BRESIL SALVADOR DE BAHIA AFRO-BRESILIENS BRESIL. VERGER,P. ENQUETE DE P. VERGER Sous-table non exportée CANDOMBLE Sous-table non exportée Enquête en Portugais, auprès de Brésiliens retournés au Bénin• Enregistré au Benin• VERGER,PIERRE -1 RELIGIEUX AMERIQUE +BM.2007.003 CDR BM.2007.003.001 :01-01 BM.2007.003.001:01-01 00:07:42 DAHOMEY PORTO-NOVO, PALAIS DE HON-ME GUN COPIE DU MASTER DE "DAHOMEY , PORTO-NOVO. INVOCATIONS A SAKPATA" INVOCATION A SAKPATA Sous-table non exportée Sous-table non exportée Enregistré au palais de Hon-Mè ; par C. Tardits et C. Mededji• TARDITS,C. & C.MEDEDJI 1955 AFRIQUE +BM.2007.003 CDR BM.2007.003.001 :01-02 BM.2007.003.001:01-02 00:08:11 DAHOMEY PORTO-NOVO, PALAIS DE HON-ME GUN COPIE DU MASTER DE "DAHOMEY , PORTO-NOVO. INVOCATIONS A SAKPATA" INVOCATION A SAKPATA Sous-table non exportée Sous-table non exportée Enregistré au palais de Hon-Mè ; par C. Tardits et C. Mededji• BM.2007.003.001:01-01 TARDITS,C. & C.MEDEDJI 1955 AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-02 BM.1991.006.001/06:02-02 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 DANSE, JEU Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-14 SALLEE,PIERRE 1962 ATP.63.1-16/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-03 BM.1991.006.001/06:02-03 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE LOUANGES Sous-table non exportée Sous-table non exportée Technique vocale : youyou. M = tambour d'aisselle• BM.1991.006.001/06:01-14 SALLEE,PIERRE 1962 ATP.63.1-17/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-04 BM.1991.006.001/06:02-04 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT D'AUBE Sous-table non exportée Sous-table non exportée VC = youyou• BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-18/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-05 BM.1991.006.001/06:02-05 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT DANSE GIOKOU Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-19/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-06 BM.1991.006.001/06:02-06 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 DANSE DE CIRCONCIS Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-20/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-07 BM.1991.006.001/06:02-07 00:00:00 N TOGO NENERGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE DAMAGE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-21/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-08 BM.1991.006.001/06:02-08 00:00:00 N TOGO NAKIKINDI MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE GRIOT Sous-table non exportée Sous-table non exportée Technique vocale : youyou. M = tambour d'aisselle• BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-22/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-09 BM.1991.006.001/06:02-09 00:00:00 N TOGO NAKIKINDI MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE GRIOT Sous-table non exportée Sous-table non exportée M = tambour d'aisselle• BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-23/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-10 BM.1991.006.001/06:02-10 00:00:00 N TOGO NAKIKINDI MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE GRIOT Sous-table non exportée Sous-table non exportée IS = calebasse-sonnailles• BM.1991.006.001/06:02-09 SALLEE,PIERRE 1962 ATP.63.1-24/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-11 BM.1991.006.001/06:02-11 00:00:00 N TOGO NAKIKINDI MOBA TOGO. PIERRE SALLEE. 1963 DANSE DE ROND Sous-table non exportée Sous-table non exportée Garçons• Technique vocale : youyou• BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-25/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-12 BM.1991.006.001/06:02-12 00:00:00 N TOGO NAKIKINDI MOBA TOGO. PIERRE SALLEE. 1963 DANSE TERAKELTIGUE Sous-table non exportée Sous-table non exportée AFTC = sifflets• BM.1991.006.001/06:02-11 SALLEE,PIERRE 1962 ATP.63.1-26/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-13 BM.1991.006.001/06:02-13 00:00:00 N TOGO TAMPIALEN MOBA TOGO. PIERRE SALLEE. 1963 SOLO DE SIFFLETS DE BOIS Sous-table non exportée Sous-table non exportée AFTC = sifflets de bois• BM.1991.006.001/06:02-12 SALLEE,PIERRE 1962 ATP.63.1-27/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-14 BM.1991.006.001/06:02-14 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT D'OISEAU A L'AUBE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-13 SALLEE,PIERRE 1962 ATP.63.1-28/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-15 BM.1991.006.001/06:02-15 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 CEREMONIE DES RONDIS Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-14 SALLEE,PIERRE 1962 ATP.63.1-29/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-16 BM.1991.006.001/06:02-16 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 AIR Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-30/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :02-17 BM.1991.006.001/06:02-17 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE DEUIL Sous-table non exportée Sous-table non exportée Technique vocale : bouche fermée, normal, youyou• BM.1991.006.001/06:02-16 SALLEE,PIERRE 1962 ATP.63.1-31/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-01 BM.1991.006.001/06:03-01 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT POUR ECRASER LA FARINE DE MIL DEJA PILEE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:02-17 SALLEE,PIERRE 1962 ATP.63.1-32/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-02 BM.1991.006.001/06:03-02 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 AIR SIFFLE Sous-table non exportée Sous-table non exportée V = sifflements• BM.1991.006.001/06:02-03 SALLEE,PIERRE 1962 ATP.63.1-33/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-03 BM.1991.006.001/06:03-03 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 AIR SIFFLE Sous-table non exportée Sous-table non exportée Long yélig• V = sifflements• BM.1991.006.001/06:03-02 SALLEE,PIERRE 1962 ATP.63.1-34/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-04 BM.1991.006.001/06:03-04 00:00:00 N TOGO LOTOGOU MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE DANSE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:03-02 SALLEE,PIERRE 1962 ATP.63.1-35/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-05 BM.1991.006.001/06:03-05 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE LOUANGES DU CHEF Sous-table non exportée Sous-table non exportée AFTC = sifflet• BM.1991.006.001/06:03-04 SALLEE,PIERRE 1962 ATP.63.1-36/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-06 BM.1991.006.001/06:03-06 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 LANGAGE TAMBOURINE Sous-table non exportée Sous-table non exportée Langage tambouriné et traduction en langage parlé. Ensuite, même tambour musical• M = tambour sablier. AFTC = sifflet• BM.1991.006.001/06:03-05 SALLEE,PIERRE 1962 ATP.63.1-37/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-07 BM.1991.006.001/06:03-07 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE LOUANGES SUR LE PRESIDENT DE LA REPUBLIQUE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:03-06 SALLEE,PIERRE 1962 ATP.63.1-38/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-08 BM.1991.006.001/06:03-08 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 DANSE BIRIG POUR FETER LES RECOLTES Sous-table non exportée Sous-table non exportée Technique vocale : youyou. I = cloche double de fer (secouée ou frappée?)• BM.1991.006.001/06:03-07 SALLEE,PIERRE 1962 ATP.63.1-39/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-09 BM.1991.006.001/06:03-09 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE CULTIVATEURS POUR S'EXERCER A CREUSER Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:03-08 SALLEE,PIERRE 1962 ATP.63.1-40/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-10 BM.1991.006.001/06:03-10 00:00:00 N TOGO DAPANGO MOBA TOGO. PIERRE SALLEE. 1963 AIR DE LUTH Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:03-09 SALLEE,PIERRE 1962 ATP.63.1-41/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-11 BM.1991.006.001/06:03-11 00:00:00 N TOGO NANO MOBA TOGO. PIERRE SALLEE. 1963 CHANT DE MORT DE KONDI Sous-table non exportée Sous-table non exportée I = cloche double (secouée ou frappée?). IS = hochet en vannerie• BM.1991.006.001/06:03-09 SALLEE,PIERRE 1962 ATP.63.1-42/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-12 BM.1991.006.001/06:03-12 00:00:00 N TOGO NANO MOBA TOGO. PIERRE SALLEE. 1963 MUSIQUE TAMBERNA Sous-table non exportée Sous-table non exportée I = cloche (secouée ou frappée?)• BM.1991.006.001/06:03-11 SALLEE,PIERRE 1962 ATP.63.1-43/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :03-13 BM.1991.006.001/06:03-13 00:00:00 N TOGO NANO MOBA TOGO. PIERRE SALLEE. 1963 MUSIQUE PEUL Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:03-12 SALLEE,PIERRE 1962 ATP.63.1-44/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-01 BM.1991.006.001/06:04-01 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 AIR Sous-table non exportée Sous-table non exportée AF = flûte droite en roseau• BM.1991.006.001/06:03-13 SALLEE,PIERRE 1962 ATP.63.1-45/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-02 BM.1991.006.001/06:04-02 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 AIR DE TAMBOURS Sous-table non exportée Sous-table non exportée M = tambour sur poterie• BM.1991.006.001/06:04-01 SALLEE,PIERRE 1962 ATP.63.1-46/N AFRIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U19 DI.999.004.001U19 00:00:00 GRECE ILE DE LESBOS GRECS THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LOVE SONG IN DEMOTIC Sous-table non exportée Sous-table non exportée 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U02 DI.999.004.001U02 00:00:00 CROATIE NOVA PLAVNICA TSIGANES THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS FOLK TALE IN ROMANI Sous-table non exportée Sous-table non exportée 0 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U03 DI.999.004.001U03 00:00:00 01/06 CROATIE SLAVONIA, OGULIN NON PRECISE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS FOLK SONG FROM THE DISTRICT OF OGULIN AND BEGINNING OF A SECOND SONG Sous-table non exportée Sous-table non exportée ENREGISTRE A VIROVITICA 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U04 DI.999.004.001U04 00:00:00 19/07 CROATIE GORNE STATIVE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS DESCRIPTION OF CHRISTMAS FOLKLORE Sous-table non exportée Sous-table non exportée ENREGISTRE A KARLSTADT 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U05 DI.999.004.001U05 00:00:00 CROATIE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS CROATIAN SONG Sous-table non exportée Sous-table non exportée 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U07 DI.999.004.001U07 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF SUBSTANTIVES Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U08 DI.999.004.001U08 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF SUBSTANTIVES Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U09 DI.999.004.001U09 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF ADJECTIVES IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U10 DI.999.004.001U10 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF VERBS IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U11 DI.999.004.001U11 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF VERBS IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U12 DI.999.004.001U12 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF SUBSTANTIVES IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U13 DI.999.004.001U13 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS LIST OF SUBSTANTIVES IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U14-15 DI.999.004.001U14-15 00:00:00 07/07 BRESIL NON PRECISE GUARANI THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS RELIGIOUS CHANT IN GUARANI Sous-table non exportée Sous-table non exportée 1901 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U17 DI.999.004.001U17 00:00:00 16/06 PARAGUAY CAAGUAZU NON PRECISE THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS WAR CRY IN GUAYAKI Sous-table non exportée Sous-table non exportée CAAGUZU SE SITUE DANS LA FORÊT, ENREGISTRÉ À VILLA ENCARNACION 1905 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U18 DI.999.004.001U18 00:00:00 28/06 PARAGUAY ASUNCION THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS NARRATION IN SPANISH, GUARANI POETRY Sous-table non exportée Sous-table non exportée 1905 AMERIQUE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U20 DI.999.004.001U20 00:00:00 13/09 GRECE ILE DE LESBOS GRECS THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS NATURGESANG, SONG IN DEMOTIC Sous-table non exportée Sous-table non exportée 1901 EUROPE +OEAW-PHA-CD-7 CD12S DI.999.004.001 U21 DI.999.004.001U21 00:00:00 13/09 GRECE ILE DE LESBOS GRECS THE FIRST EXPEDITIONS 1901 TO CROATIA,BRAZIL & THE ISLE OF LESBOS NATURGESANG, FOLK SONG IN DEMOTIC Sous-table non exportée Sous-table non exportée 1901 EUROPE +VDECD-927 CD12S DI.998.004.001 U02 DI.998.004.001U02 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO BEJTULLAH Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U03 DI.998.004.001U03 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO ALI ABAJE Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U04 DI.998.004.001U04 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO AHMEDE MUHAMMEDE Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U05 DI.998.004.001U05 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO OTVOREN MEJDAN Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U06 DI.998.004.001U06 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO YA RASULA'LLAH Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U07 DI.998.004.001U07 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO FI KITABI'LLAHI Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U08 DI.998.004.001U08 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO U SABAH RANI Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U09 DI.998.004.001U09 00:00:00 13/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO SEHER VAKTI Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U10 DI.998.004.001U10 00:00:00 13/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO KUN MUSLIMAN Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U11 DI.998.004.001U11 00:00:00 03/09 BOSNIE-HERZEGOVINE BONSIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO SUZE, SUZE Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U12 DI.998.004.001U12 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO MOJA DUSA KURBAN Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U13 DI.998.004.001U13 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO DINELYIN BU NEYIN Sous-table non exportée Sous-table non exportée 1996 EUROPE +VDECD-927 CD12S DI.998.004.001 U14 DI.998.004.001U14 00:00:00 03/09 BOSNIE-HERZEGOVINE BOSNIE, SARAJEVO BOSNIE.NESIDU-L- HUDA.CHANTS SOUFIS DE SARAJEVO CAN U DILDEN Sous-table non exportée Sous-table non exportée 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U02 DI.998.012.001U02 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA U SEHERU, KRAJ BISTRA VRBASA Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U03 DI.998.012.001U03 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA TELAL VICE OD JUTRA DO MRAKA Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U04 DI.998.012.001U04 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA LIJEPI LI SU MOSTARSKI DUCANI Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U05 DI.998.012.001U05 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA KISA BI PAL, PASTI NE MOZE Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U06 DI.998.012.001U06 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA PSENICICE, SITNO SJEME Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U07 DI.998.012.001U07 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA PLATNO BIJELI SARAJKA-DJEVOJKA Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE , AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U08 DI.998.012.001U08 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA KO SE ONO BRIJEGOM SECE? Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U09 DI.998.012.001U09 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA JA SM CURA MOSTARKA Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U11 DI.998.012.001U11 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA KRAJ TANANA SADRVANA Sous-table non exportée Sous-table non exportée ENREGISTRÉ À VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U10 DI.998.012.001U10 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA DUNJALUCE Sous-table non exportée Sous-table non exportée ENREGISTR À VIENN, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U12 DI.998.012.001U12 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA TUZLA, ZVORNIK, KALESIJA BLIZU Sous-table non exportée Sous-table non exportée ENREGISTRÉ A VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U13 DI.998.012.001U13 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA IDEM PUTEM I POSRCEM Sous-table non exportée Sous-table non exportée ENREGISTRÉ À VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U14 DI.998.012.001U14 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA EMINA Sous-table non exportée Sous-table non exportée ENREGISTRÉ À VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U15 DI.998.012.001U15 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA KAD JA PODJOH NA BENBASU Sous-table non exportée Sous-table non exportée ENREGISTRÉ À VIENNE, AUTRICHE 1996 EUROPE +RST-91645-2 CD12S DI.998.012.001 U16 DI.998.012.001U16 00:00:00 BOSNIE-HERZEGOVINE BOSNIAQUES SEDVAH IN VIENNA S'ONE STRANE PLIVE Sous-table non exportée Sous-table non exportée ENREGISTRÉ À VIENNE, AUTRICHE 1996 EUROPE +CDSF-40407 CD12S DI.994.014.003 U02 DI.994.014.003U02 00:00:00 YOUGOSLAVIE BOSNIE BOSNIA. ECHOES FROM AN ENDANGERED WORLD DUNJALUCE, GOLEM TI SI WORLD AND ITS PEOPLE, YOU ARE GREAT Sous-table non exportée Sous-table non exportée 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U03 DI.994.014.003U03 00:00:00 YOUGOSLAVIE BOSNIE, MAOCE BOSNIA. ECHOES FROM AN ENDANGERED WORLD SVATOVSKO KOLO WEDDING DANCE Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE BRCKO, NORS-OUEST DE LA BOSNIE 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U04 DI.994.014.003U04 00:00:00 YOUGOSLAVIE BOSNIE, MAOCE BOSNIA. ECHOES FROM AN ENDANGERED WORLD ALAJ VOLIM ORATI OH, HOW I LIKE TO PLOUGH! Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE BRCKO 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U05 DI.994.014.003U05 00:00:00 YOUGOSLAVIE BOSNIE, PODORASAC BOSNIA. ECHOES FROM AN ENDANGERED WORLD GANGA: ODKAD SEKE NISMO ZAPJEVALE HOW LONG WE SISTERS HAVEN'T SUNG Sous-table non exportée Sous-table non exportée ENREGISTRÉ DANS LE NORD DE L'HERZEGOVINE 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U06 DI.994.014.003U06 00:00:00 06/08 YOUGOSLAVIE BOSNIE, GORNJI LUKOMIR, MONTAGNE BJELASNICA BOSNIA. ECHOES FROM AN ENDANGERED WORLD GNGA: STO BECARA U SRCE UDARA? WHAT STRIKES THE HEART OF A REAL MAN Sous-table non exportée Sous-table non exportée 1989 EUROPE +CDSF-40407 CD12S DI.994.014.003 U07 DI.994.014.003U07 00:00:00 24/08 YOUGOSLAVIE BOSNIE, RAZASLJE, MONTAGNE BJELASNICA BOSNIA. ECHOES FROM AN ENDANGERED WORLD BECARAC: SELO MOJE LEZI POKRAJ BARA MI VILLAGE LIES NEXT TO BAREAA Sous-table non exportée Sous-table non exportée 1990 EUROPE +CDSF-40407 CD12S DI.994.014.003 U08 DI.994.014.003U08 00:00:00 YOUGOSLAVIE BOSNIE BOSNIA. ECHOES FROM AN ENDANGERED WORLD IL'JE VEDRO; IL'OBLACNO IS IT CLEAR, OR CLOUDY Sous-table non exportée Sous-table non exportée 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U09 DI.994.014.003U09 00:00:00 01 YOUGOSLAVIE BOSNIE, TRAVNIK BOSNIA. ECHOES FROM AN ENDANGERED WORLD EZAN Sous-table non exportée Sous-table non exportée 1985 EUROPE +CDSF-40407 CD12S DI.994.014.003 U10 DI.994.014.003U10 00:00:00 23/12 YOUGOSLAVIE BOSNIE, VISOKO TEKKE BOSNIA. ECHOES FROM AN ENDANGERED WORLD EXCERPT FROM NAQSHBANDI ZIKR Sous-table non exportée Sous-table non exportée 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U11 DI.994.014.003U11 00:00:00 JAN YOUGOSLAVIE BOSNIE, TRAVNIK BOSNIA. ECHOES FROM AN ENDANGERED WORLD EXCERPT FROM QADIRI ZIKR Sous-table non exportée Sous-table non exportée 1985 EUROPE +CDSF-40407 CD12S DI.994.014.003 U12 DI.994.014.003U12 00:00:00 YOUGOSLAVIE BOSNIE BOSNIA. ECHOES FROM AN ENDANGERED WORLD SARAJEWSKI POCETAK/ SARHOS ALO DRUME SARAJEVO'S BEGINNING/ ALJO THE BULLY BLOCKED THE ROAD Sous-table non exportée Sous-table non exportée 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U13 DI.994.014.003U13 00:00:00 YOUGOSLAVIE BOSNIE BOSNIA. ECHOES FROM AN ENDANGERED WORLD VILA VICE SA VRH TREBEVICA THE MOUNTAIN NYMPH SHOUTS FROM THE TOP OF TREBEVIC Sous-table non exportée Sous-table non exportée 1984 EUROPE +CDSF-40407 CD12S DI.994.014.003 U14 DI.994.014.003U14 00:00:00 YOUGOSLAVIE BOSNIE BOSNIA. ECHOES FROM AN ENDANGERED WORLD VOLJELI SE MUJO I NIZAMA MUJO ET NIZAMA WERE IN LOVE Sous-table non exportée Sous-table non exportée 1984 EUROPE +558619 D303S DI.993.008.018 A02 DI.993.008.018A02 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VALLE VRANISHKA Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A03 DI.993.008.018A03 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES KADRI PASHA Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A04 DI.993.008.018A04 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VALLE POPOLORE DIBRANE Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A05 DI.993.008.018A05 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES MAHMUD DACI Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A06 DI.993.008.018A06 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES ALINAJA Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A07 DI.993.008.018A07 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES METRE GO PASH BESE'N TENDE Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 A08 DI.993.008.018A08 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VALLE BURASH Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B01 DI.993.008.018B01 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VIN PANPORAT Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B02 DI.993.008.018B02 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES AVE E DEHNNVE ME KAVALL Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B03 DI.993.008.018B03 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES XHEM SABRIJA Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B04 DI.993.008.018B04 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VALLLE E NUSEVE Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B05 DI.993.008.018B05 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES HO! MOJE FACE KUCE TRANDAFILE Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B06 DI.993.008.018B06 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES VALLE E LEHTE KERCOVE Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B07 DI.993.008.018B07 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES JAHIJA ZEGA Sous-table non exportée Sous-table non exportée 0 EUROPE +558619 D303S DI.993.008.018 B08 DI.993.008.018B08 00:00:00 YOUGOSLAVIE MACEDOINE GUEGUES YOUGOSLAVIE 3-MACEDOINE:MONODIES GUEGUES SA E VOGEL VAJZE ME JE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U03 DI.993.003.010U03 00:00:00 YOUGOSLAVIE SERBIUE ORIENTALE, PLAVNA VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS HORA DA PATRU Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U02 DI.993.003.010U02 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, POPOVICA VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS RAZVEDENO KOLO Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U04 DI.993.003.010U04 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, MIROC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS MILETOVO KOLO Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U05 DI.993.003.010U05 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, DOHRUJEVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS RUMENKA Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U06 DI.993.003.010U06 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, JABUKOVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS SOCHIT Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U07 DI.993.003.010U07 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, BUKOVCE VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS DOR, DORITULE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U08 DI.993.003.010U08 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, DOBRUJEVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS U LIVADI POD JASENO Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U09 DI.993.003.010U09 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, RADUJEVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS CINTEC ALU NASU LUNITA Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U10 DI.993.003.010U10 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, BOGOVINA VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS OP ZDRIN, ZDRIN Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U11 DI.993.003.010U11 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, RADUJEVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS HORA PA MARGINA DUNARI Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U12 DI.993.003.010U12 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, KLOKCCEVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS COMPLAINTE D'UNE FEMME VALAQUE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U13 DI.993.003.010U13 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, PLAVNA VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS ZORILE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U14 DI.993.003.010U14 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS NA DRUMUL Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U15 DI.993.003.010U15 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, JABUKOVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS UNE POMANA A JABUKOVAC Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U16 DI.993.003.010U16 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS MELODIE FUNERAIRE Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U17 DI.993.003.010U17 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, JABUKOVAC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS PADURA, SORA PADURA Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U18 DI.993.003.010U18 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, MIROC VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS MELODIE POUR CHASSER LES VAMPIRES Sous-table non exportée Sous-table non exportée 0 EUROPE +C-580041 CD12S DI.993.003.010 U19 DI.993.003.010U19 00:00:00 YOUGOSLAVIE SERBIE ORIENTALE, STUBIK VALAQUES YOUGOSLAVIE,SERBIE ORIENTALE-LES BOUGIES DU PARADIS COMPLAINTES DE FEMMES SERBES Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 A02 DI.988.011.001A02 00:00:00 YOUGOSLAVIE SERBIE, BABINE SERBIAN FOLK MUSIC "COME MY DEAR TO THE GREEN BANK" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE PRIJEPOLJE 0 EUROPE +2510057 D303S DI.988.011.001 A03 DI.988.011.001A03 00:00:00 YOUGOSLAVIE SERBIE, DEVICI SERBIAN FOLK MUSIC "COME, MILE, TO THE GREEN HAWTHORN TREE" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE IVANJICA 0 EUROPE +2510057 D303S DI.988.011.001 A04 DI.988.011.001A04 00:00:00 YOUGOSLAVIE SERBIE, LOKVA SERBIAN FOLK MUSIC "JANA'S FATHERS AKED FOR A MOBA" Sous-table non exportée Sous-table non exportée MONTAGNE DE GOLIJA 0 EUROPE +2510057 D303S DI.988.011.001 A05 DI.988.011.001A05 00:00:00 YOUGOSLAVIE SERBIE, GORNJA CRNUCA SERBIAN FOLK MUSIC "THE SPRING WATER GUSHED FORTH, COLD AND ICY" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 A06 DI.988.011.001A06 00:00:00 YOUGOSLAVIE SERBIE, GORNJI KRCIMIR SERBIAN FOLK MUSIC "YOU GRASP A BIG BRUNCH, AND WE DO TOO" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 A07 DI.988.011.001A07 00:00:00 YOUGOSLAVIE SERBIE, GUSEVAC SERBIAN FOLK MUSIC "WICHEVER GIRLS IS NOT HERE" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE SVRLJIG 0 EUROPE +2510057 D303S DI.988.011.001 A08 DI.988.011.001A08 00:00:00 YOUGOSLAVIE SERBIE, BABINE SERBIAN FOLK MUSIC "MY LITTLE ONE, CABBAGE HEAD" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE PRIJEPOLJ 0 EUROPE +2510057 D303S DI.988.011.001 A09 DI.988.011.001A09 00:00:00 YOUGOSLAVIE SERBIE,TASKOVICI SERBIAN FOLK MUSIC "A STAR SWINGS ACROOS THE CLEAR SKY" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE NIS 0 EUROPE +2510057 D303S DI.988.011.001 B01 DI.988.011.001B01 00:00:00 YOUGOSLAVIE SERBIE, SURLICA SERBIAN FOLK MUSIC "SAVETO, HEY SAVETO" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 B02 DI.988.011.001B02 00:00:00 YOUGOSLAVIE SURLICA SERBIAN FOLK MUSIC "MAY THIS TREE BEAR FRUIT!" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 B03 DI.988.011.001B03 00:00:00 YOUGOSLAVIE SERBIE, ORLJANE SERBIAN FOLK MUSIC "THIS HOUSE WITH THE CHIMNEY" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 B04 DI.988.011.001B04 00:00:00 YOUGOSLAVIE SERBIE, ORJLANE SERBIAN FOLK MUSIC "O GERANIUM WREATH, DO THE GIRLS PICK YOU" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 B05 DI.988.011.001B05 00:00:00 YOUGOSLAVIE SERBIE, ZITORADJE SERBIAN FOLK MUSIC "O DODOLE, GOOD LORD" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE SURDULICA 0 EUROPE +2510057 D303S DI.988.011.001 B06 DI.988.011.001B06 00:00:00 YOUGOSLAVIE SERBIE, ZITORADJE SERBIAN FOLK MUSIC "STOP, STOP, DEAR LITTLE RAIN" Sous-table non exportée Sous-table non exportée 0 EUROPE +2510057 D303S DI.988.011.001 B07 DI.988.011.001B07 00:00:00 YOUGOSLAVIE SERBIE, DEVICI SERBIAN FOLK MUSIC "KINSMAN, BRING OUT THE GIRL" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE IVANJICA 0 EUROPE +2510057 D303S DI.988.011.001 B08 DI.988.011.001B08 00:00:00 YOUGOSLAVIE SERBIE, BATOCINA SERBIAN FOLK MUSIC "GUEST OF THE BETROTHL, NEW KISMAN" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE KRAGUJEVAC 0 EUROPE +2510057 D303S DI.988.011.001 B09 DI.988.011.001B09 00:00:00 YOUGOSLAVIE SERBIE, DEVICI SERBIAN FOLK MUSIC "HAVE FAITH, MOTHER OF THE GROOM" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE IVANJICA 0 EUROPE +2510057 D303S DI.988.011.001 B10 DI.988.011.001B10 00:00:00 YOUGOSLAVIE SERBIE, RAJKINAC SERBIAN FOLK MUSIC "SIX HUNDRED, FIVE HUNDRED AND A YOUNG BRIDE" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE SVETOZAREVO 0 EUROPE +2510057 D303S DI.988.011.001 B11 DI.988.011.001B11 00:00:00 YOUGOSLAVIE SERBIE, TOPONICA SERBIAN FOLK MUSIC "WHEN WE SING, WHY DON'T WE DRINK?" Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE KRAGUJEVAC 0 EUROPE +2510057 D303S DI.988.011.001 B12 DI.988.011.001B12 00:00:00 YOUGOSLAVIE SERBIE, MRTVICA SERBIAN FOLK MUSIC KOLO DANCES Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE VLADICIN HAN 0 EUROPE +2510057 D303S DI.988.011.001 A10 DI.988.011.001A10 00:00:00 YOUGOSLAVIE SERBIE, PERIS SERBIAN FOLK MUSIC KOLO DANCES Sous-table non exportée Sous-table non exportée ENREGISTRÉ PRES DE SVRLJIG 0 EUROPE +FE-4434 D303M DI.985.006.008 A02 DI.985.006.008A02 00:00:00 YOUGOSLAVIE SERBIE FOLK MUSIC OF YUGOSLAVIA RITUAL SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A03 DI.985.006.008A03 00:00:00 YOUGOSLAVIE SEBIE, SOPOT (MLADENOVAC) FOLK MUSIC OF YUGOSLAVIA DANCE TUNES Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A04 DI.985.006.008A04 00:00:00 YOUGOSLAVIE SERBIE, KUMANE (ZRENJANIN) FOLK MUSIC OF YUGOSLAVIA ZVONI ZVONCE LOVE SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A05 DI.985.006.008A05 00:00:00 YOUGOSLAVIE SERBIE, DUPLJAJA FOLK MUSIC OF YUGOSLAVIA KOLA DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A06 DI.985.006.008A06 00:00:00 YOUGOSLAVIE SERBIE, REGION AUTOUR DE NISAVA FOLK MUSIC OF YUGOSLAVIA KOLO DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A07 DI.985.006.008A07 00:00:00 YOUGOSLAVIE SERBIE, VRANJE FOLK MUSIC OF YUGOSLAVIA KOLO DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A08 DI.985.006.008A08 00:00:00 YOUGOSLAVIE MACEDOINE FOLK MUSIC OF YUGOSLAVIA LOVE SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 A10 DI.985.006.008A10 00:00:00 YOUGOSLAVIE MACEDOINE FOLK MUSIC OF YUGOSLAVIA DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B1 DI.985.006.008B1 00:00:00 YOUGOSLAVIE SLOVENIE, METLIKA (CRNOMELJ) FOLK MUSIC OF YUGOSLAVIA DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B02 DI.985.006.008B02 00:00:00 YOUGOSLAVIE MONTENEGRO FOLK MUSIC OF YUGOSLAVIA WEDDING SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B03 DI.985.006.008B03 00:00:00 YOUGOSLAVIE MONTENEGRO FOLK MUSIC OF YUGOSLAVIA EROTIC DANCE Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B04 DI.985.006.008B04 00:00:00 YOUGOSLAVIE MONTENEGRO FOLK MUSIC OF YUGOSLAVIA EPIC SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B05 DI.985.006.008B05 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, CUCA GORA (TRAVNIK) FOLK MUSIC OF YUGOSLAVIA DANCE SONGS Sous-table non exportée Sous-table non exportée 0 EUROPE +FE-4434 D303M DI.985.006.008 B06 DI.985.006.008B06 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE FOLK MUSIC OF YUGOSLAVIA WORK SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1991.006 Divers* BM.1991.006.001/06 :04-03 BM.1991.006.001/06:04-03 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 DANSE CIMOUN Sous-table non exportée Sous-table non exportée Danse dans les cases où il y a une fille à marier• BM.1991.006.001/06:04-01 SALLEE,PIERRE 1962 ATP.63.1-47/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-04 BM.1991.006.001/06:04-04 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 FETE DE LA RECOLTE DES IGUAMES Sous-table non exportée Sous-table non exportée I = cloche (secouée ou frappée?)• BM.1991.006.001/06:04-01 SALLEE,PIERRE 1962 ATP.63.1-48/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-05 BM.1991.006.001/06:04-05 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 EXPERIENCE SUR INSTRUMENTS DE PERCUSSION : TAMBOUR Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-01 SALLEE,PIERRE 1962 ATP.63.1-49/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-06 BM.1991.006.001/06:04-06 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 EXPERIENCE SUR INSTRUMENTS DE PERCUSSION : TAMBOUR Sous-table non exportée Sous-table non exportée M = tambour d'aisselle• BM.1991.006.001/06:04-05 SALLEE,PIERRE 1962 ATP.63.1-50/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-07 BM.1991.006.001/06:04-07 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 EXPERIENCE SUR INSTRUMENTS DE PERCUSSION : CLOCHE DE FER Sous-table non exportée Sous-table non exportée I = clcohe double de fer (secouée ou frappée?)• BM.1991.006.001/06:04-06 SALLEE,PIERRE 1962 ATP.63.1-51/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-08 BM.1991.006.001/06:04-08 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 EXPERIENCE SUR INSTRUMENTS DE PERCUSSION : TAMBOUR ET CLOCHES Sous-table non exportée Sous-table non exportée _donga_ = tambour d'aisselle. I = cloche de fer (secouée ou frappée?)• BM.1991.006.001/06:04-06 SALLEE,PIERRE 1962 ATP.63.1-52/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-09 BM.1991.006.001/06:04-09 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 AIR DE XYLOPHONE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-06 SALLEE,PIERRE 1962 ATP.63.1-53/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-10 BM.1991.006.001/06:04-10 00:00:00 N TOGO N KABRE TOGO. PIERRE SALLEE. 1963 BRUITS DE LA FORET Sous-table non exportée Sous-table non exportée Exécution : "brillidae"• BM.1991.006.001/06:04-07 SALLEE,PIERRE 1962 ATP.63.1-54/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-11 BM.1991.006.001/06:04-11 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT HAOUSSA Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-06 SALLEE,PIERRE 1962 ATP.63.1-55/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-12 BM.1991.006.001/06:04-12 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT HAOUSSA Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-56/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-13 BM.1991.006.001/06:04-13 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 DANSE ET CHANT DIT "LAWA" Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-57/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-14 BM.1991.006.001/06:04-14 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT DIT "LAWA" Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-58/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-15 BM.1991.006.001/06:04-15 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT DE FUNERAILLES Sous-table non exportée Sous-table non exportée IS = calebasse• BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-59/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-16 BM.1991.006.001/06:04-16 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT DE RETOUR DE CHASSE Sous-table non exportée Sous-table non exportée AT = trompe traversière. M = tambour sablier. I = cloche de fer (frappée ou secouée?)• BM.1991.006.001/06:04-15 SALLEE,PIERRE 1962 ATP.63.1-60/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-17 BM.1991.006.001/06:04-17 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT DE CHASSE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-61/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :04-18 BM.1991.006.001/06:04-18 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT CELEBRANT L'INDEPENDANCE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-62/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-01 BM.1991.006.001/06:05-01 00:00:00 N TOGO N BANARI TOGO. PIERRE SALLEE. 1963 CHANT SUR UNE SORTE DE PROVERBE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-63/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-02 BM.1991.006.001/06:05-02 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 CHANT KABATA Sous-table non exportée Sous-table non exportée M = 1 grand tambour, 1 tambour gobelet, 2 tambours d'aisselle. I = cloche double (frappée ou secouée?). IS = hochet d'osier• BM.1991.006.001/06:04-11 SALLEE,PIERRE 1962 ATP.63.1-64/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-03 BM.1991.006.001/06:05-03 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 AIR SUR DEUX FLUTES Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-19 SALLEE,PIERRE 1962 ATP.63.1-65/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-04 BM.1991.006.001/06:05-04 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 AIR JOUE AUX VEILLEES FUNEBRES Sous-table non exportée Sous-table non exportée IFC = demie-calebasse sur jarre frappée• BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-66/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-05 BM.1991.006.001/06:05-05 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 CHANT DE QUETE MUSULMAN Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-67/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-06 BM.1991.006.001/06:05-06 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 VEILLEE FUNEBRE Sous-table non exportée Sous-table non exportée IFC = demie-calebasse sur jarre frappée. Même veillée que BM.1991.006.001/06:04-22 mais en situation• BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-68/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-07 BM.1991.006.001/06:05-07 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 VEILLEE FUNEBRE Sous-table non exportée Sous-table non exportée IFC = demie-calebasse sur jarre frappée• BM.1991.006.001/06:04-24 SALLEE,PIERRE 1962 ATP.63.1-69/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-08 BM.1991.006.001/06:05-08 00:00:00 N TOGO N TCHAMBA TOGO. PIERRE SALLEE. 1963 CHANT D'EXCISION DES FILLES Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-70/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-09 BM.1991.006.001/06:05-09 00:00:00 N TOGO N KOMBOLE TOGO. PIERRE SALLEE. 1963 DANSE BOBAWA Sous-table non exportée Sous-table non exportée M = tambours gobelets• BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-71/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-11 BM.1991.006.001/06:05-11 00:00:00 N TOGO N KOMBOLE TOGO. PIERRE SALLEE. 1963 DANSE-CHANT A L'OCCASION DE LA FETE DE GUENGUELE Sous-table non exportée Sous-table non exportée Guenguélé : grand fétiche de la ville• BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-73/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-12 BM.1991.006.001/06:05-12 00:00:00 N TOGO N KOMBOLE TOGO. PIERRE SALLEE. 1963 AIR Sous-table non exportée Sous-table non exportée IFC = bouteille frappée avec fer• BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-74/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-13 BM.1991.006.001/06:05-13 00:00:00 N TOGO N KOMBOLE TOGO. PIERRE SALLEE. 1963 AIR DES FETICHEUSES Sous-table non exportée Sous-table non exportée I = cloche (frappée ou secouée?). IS = clochette de métal• BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-75/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-14 BM.1991.006.001/06:05-14 00:00:00 N TOGO N SOKORO TOGO. PIERRE SALLEE. 1963 CHANT DE REJOUISSANCE HAOUSSA Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-76/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-15 BM.1991.006.001/06:05-15 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR DE LITHOPHONE Sous-table non exportée Sous-table non exportée IFP = lithophone de cinq pierres• BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-77/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-16 BM.1991.006.001/06:05-16 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 ECHANTILLONNAGE DE PIERRES DU LITHOPHONE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-33 SALLEE,PIERRE 1962 ATP.63.1-78/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-18 BM.1991.006.001/06:05-18 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 SONORITE DES DEUX PIERRES EXTREMES DU LITHOPHONE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-33 SALLEE,PIERRE 1962 ATP.63.1-80/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-19 BM.1991.006.001/06:05-19 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR SUR LITHOPHONE : IMITATION DU TAMBOUR Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-35 SALLEE,PIERRE 1962 ATP.63.1-81/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-10 BM.1991.006.001/06:05-10 00:00:00 N TOGO N KOMBOLE TOGO. PIERRE SALLEE. 1963 DANSE BOBAWA Sous-table non exportée Sous-table non exportée M = tambours gobelets• BM.1991.006.001/06:04-27 SALLEE,PIERRE 1962 ATP.63.1-72/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-17 BM.1991.006.001/06:05-17 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR SUR LITOPHONES Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-34 SALLEE,PIERRE 1962 ATP.63.1-79/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-20 BM.1991.006.001/06:05-20 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR SUR LITOPHONE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-21 SALLEE,PIERRE 1962 ATP.63.1-82/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-21 BM.1991.006.001/06:05-21 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR CHANTE DU LITHOPHONE Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:04-38 SALLEE,PIERRE 1962 ATP.63.1-83/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-22 BM.1991.006.001/06:05-22 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 AIR SUR LITOPHONE Sous-table non exportée Sous-table non exportée IFP = lithophone à trois pierres• BM.1991.006.001/06:04-38 SALLEE,PIERRE 1962 ATP.63.1-84/N AFRIQUE +BM.1991.006 Divers* BM.1991.006.001/06 :05-23 BM.1991.006.001/06:05-23 00:00:00 N TOGO FARENDE KABRE TOGO. PIERRE SALLEE. 1963 ECHANTILLONNAGE DES PIERRES DU LITHOPHONE Sous-table non exportée Sous-table non exportée IFP = lithophone à quatre pierres• BM.1991.006.001/06:04-38 SALLEE,PIERRE 1962 ATP.63.1-85/N AFRIQUE +MC-3 D303S DI.984.009.001/02 A07 DI.984.009.001/02A07 00:00:00 YOUGOSLAVIE MACEDOINE, TETOVO ORIENT. OKZIDENT. SUDOST EUROPA SCHLUB EINES NIBET THE CONCLUSION OF A NIBET Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 B03 DI.984.009.001/02B03 00:00:00 YOUGOSLAVIE HERZEGOVINE, GACKO ORIENT. OKZIDENT. SUDOST EUROPA SEVDALINKA AUS BOSNIEN HERCEGOVINA SEVDALINKA FROM BOSNIA HERCEGOVINA Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 B06 DI.984.009.001/02B06 00:00:00 YOUGOSLAVIE KOSOVO, BATUSHA ALBANAIS ORIENT. OKZIDENT. SUDOST EUROPA E, PASHA NANEN, E TA NJOFTA ZANIN-E Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 C03 DI.984.009.001/02C03 00:00:00 YOUGOSLAVIE KOSOVO, BATUSHA ALBANAIS ORIENT. OKZIDENT. SUDOST EUROPA PARA TUFA Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 C11 DI.984.009.001/02C11 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, MALJKOVO ORIENT. OKZIDENT. SUDOST EUROPA OJKANJE SINGING ON THE SYLLABE "OJ" Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 C12 DI.984.009.001/02C12 00:00:00 YOUGOSLAVIE CROATIE, ILE DE KRK, OMISALJ ORIENT. OKZIDENT. SUDOST EUROPA NEVESTICE MLADA WEDDING SONG Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 C13 DI.984.009.001/02C13 00:00:00 YOUGOSLAVIE CROATIA, ILE DE KRK, OMISALJ ORIENT. OKZIDENT. SUDOST EUROPA VIER POLKA-TANZE FOUR POLKA DANCES Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 C14 DI.984.009.001/02C14 00:00:00 YOUGOSLAVIE CROATIE, ILE DE KRK, VRBNIK ORIENT. OKZIDENT. SUDOST EUROPA POTANCU Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 D07 DI.984.009.001/02D07 00:00:00 YOUGOSLAVIE CROATIA, SLAVONIA, NIJEMCI ORIENT. OKZIDENT. SUDOST EUROPA HOCHZEITSWEISE AUS SLAWONIEN Sous-table non exportée Sous-table non exportée 0 EUROPE +MC-3 D303S DI.984.009.001/02 D08 DI.984.009.001/02D08 00:00:00 YOUGOSLAVIE CROATIA, MOLVE ORIENT. OKZIDENT. SUDOST EUROPA POLKO I CSARDAS Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A02 DI.983.008.012A02 00:00:00 YOUGOSLAVIE CROATIE, ILE DE KRK, GABONJIN FOLK MUSIC OF YUGOSLAVIA IVE KOSI ZA KUCUN LIVADU Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A03 DI.983.008.012A03 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, KIEJEVO FOLK MUSIC OF YUGOSLAVIA COBANSKO IZ KIJEVA Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A04 DI.983.008.012A04 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, MALJKOVO FOLK MUSIC OF YUGOSLAVIA OJKANJE Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A05 DI.983.008.012A05 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, KOLJANE FOLK MUSIC OF YUGOSLAVIA OJKANJE (CRNE OCI) Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A06 DI.983.008.012A06 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, OKLAJ FOLK MUSIC OF YUGOSLAVIA COBANSKO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A07 DI.983.008.012A07 00:00:00 YOUGOSLAVIE CROATIE, DALMATIE, CAVTAT FOLK MUSIC OF YUGOSLAVIA LINDO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A08 DI.983.008.012A08 00:00:00 YOUGOSLAVIE BOSNIE, MRDZELCI FOLK MUSIC OF YUGOSLAVIA AJ SANE ZASPALA DILBER SAJMA Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A09 DI.983.008.012A09 00:00:00 YOUGOSLAVIE HERZEGOVINE, CRNICI FOLK MUSIC OF YUGOSLAVIA VINO PIJU TRI DOBRA JUNAKA Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A10 DI.983.008.012A10 00:00:00 YOUGOSLAVIE BSNIE, KACUNI FOLK MUSIC OF YUGOSLAVIA GOROM JASE KICENI SVATOVI Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 A11 DI.983.008.012A11 00:00:00 YOUGOSLAVIE BOSNIE, GRACANICA FOLK MUSIC OF YUGOSLAVIA TREPETLJIKA TREPETALA Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B01 DI.983.008.012B01 00:00:00 YOUGOSLAVIE SERBIE, GOLUBAC FOLK MUSIC OF YUGOSLAVIA KOLO MORAVAC Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B02 DI.983.008.012B02 00:00:00 YOUGOSLAVIE SERBIE, GORAZDE FOLK MUSIC OF YUGOSLAVIA USHTILI SABALE ME BAHTACE Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B03 DI.983.008.012B03 00:00:00 YOUGOSLAVIE SERBIE, GORAZDE FOLK MUSIC OF YUGOSLAVIA SIMA BANKA NAJMADUJ Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B04 DI.983.008.012B04 00:00:00 YOUGOSLAVIE MACEDOINE, DRMENI FOLK MUSIC OF YUGOSLAVIA BERANCA Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B05 DI.983.008.012B05 00:00:00 YOUGOSLAVIE MACEDOINE, LESKOVEC FOLK MUSIC OF YUGOSLAVIA ADANA ORO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B06 DI.983.008.012B06 00:00:00 YOUGOSLAVIE MACEDOINE, LESKOVEC FOLK MUSIC OF YUGOSLAVIA ZARAMO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B07 DI.983.008.012B07 00:00:00 YOUGOSLAVIE MACEDOINE, LESKOVEC FOLK MUSIC OF YUGOSLAVIA ZARAMO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B08 DI.983.008.012B08 00:00:00 YOUGOSLAVIE MACEDOINE, LESKOVEC FOLK MUSIC OF YUGOSLAVIA BAGPIPE MELODY Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B09 DI.983.008.012B09 00:00:00 YOUGOSLAVIE MACEDOINE, DRMENI FOLK MUSIC OF YUGOSLAVIA PRESPANSKO ORO Sous-table non exportée Sous-table non exportée 0 EUROPE +12-TS-224 D303S DI.983.008.012 B10 DI.983.008.012B10 00:00:00 YOUGOSLAVIE MACEDOIN, DRMENI FOLK MUSIC OF YUGOSLAVIA TSAMIKO Sous-table non exportée Sous-table non exportée 0 EUROPE +ZFB-56 D303S DI.975.010.021 B01 DI.975.010.021B01 00:00:00 YOUGOSLAVIE MACEDOINE SONGS AND DANCES FROM MACEDONIA OVCARKA Sous-table non exportée Sous-table non exportée 0 EUROPE +ZFB-56 D303S DI.975.010.021 B02 DI.975.010.021B02 00:00:00 YOUGOSLAVIE MACEDOINE, BANLIEUE DE SKOPJE SONGS AND DANCES FROM MACEDONIA Sous-table non exportée Sous-table non exportée 0 EUROPE +ZFB-56 D303S DI.975.010.021 B03 DI.975.010.021B03 00:00:00 YOUGOSLAVIE MACEDOINE, SKOPJE SONGS AND DANCES FROM MACEDONIA BATTLE TUNE Sous-table non exportée Sous-table non exportée 0 EUROPE +ZFB-56 D303S DI.975.010.021 B04 DI.975.010.021B04 00:00:00 YOUGOSLAVIE MACEDOINE, SKOPJE SONGS AND DANCES FROM MACEDONIA WEDDING SONG "SPAIVTCHETO" Sous-table non exportée Sous-table non exportée 0 EUROPE +ZFB-56 D303S DI.975.010.021 B05 DI.975.010.021B05 00:00:00 GRECE MACEDOINE SONGS AND DANCES FROM MACEDONIA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A02 DI.955.016.014A02 00:00:00 YOUGOSLAVIE CROATIE, DURDIC YUGOSLAVIA LEPO PEVA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A03 DI.955.016.014A03 00:00:00 YOUGOSLAVIE CROATIE, BJELOVAR YUGOSLAVIA AJD' IDEMO JAGODO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A04 DI.955.016.014A04 00:00:00 YOUGOSLAVIE CROATIE, ZAGREB YUGOSLAVIA SADILA SAM ROGOZEK Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A05 DI.955.016.014A05 00:00:00 YOUGOSLAVIE CROATIE, OTOCAC YUGOSLAVIA ROZGALICE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A06 DI.955.016.014A06 00:00:00 YOUGOSLAVIE CROATIE, ILE DE KRK YUGOSLAVIA KRCKI TANAC Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A07 DI.955.016.014A07 00:00:00 YOUGOSLAVIE CROATIE, PISAROVINA YUGOSLAVIA JA OBUCEM LANE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A08 DI.955.016.014A08 00:00:00 YOUGOSLAVIE CROATIE, GARESNICA YUGOSLAVIA ZASP'O JANKO POD JABLANOM Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A09 DI.955.016.014A09 00:00:00 YOUGOSLAVIE CROATIE, BELI MANASTIR YUGOSLAVIA DANCES FROM BARANJA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A10 DI.955.016.014A10 00:00:00 YOUGOSLAVIE SLOVENIE, CRNOMELJ YUGOSLAVIA KRESNICE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A11 DI.955.016.014A11 00:00:00 YOUGOSLAVIE SLOVENIE, CRNOMELJ YUGOSLAVIA ZELINI JURIJ Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A12 DI.955.016.014A12 00:00:00 YOUGOSLAVIE SLOVENIE, CRNOMELJ YUGOSLAVIA METLISKI MOST Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A13 DI.955.016.014A13 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SANSKI MOST YUGOSLAVIA SASTALI SE CAPAK E FATARI Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A14 DI.955.016.014A14 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, TRAVNIK YUGOSLAVIA SVATOVSKA PESMA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A15 DI.955.016.014A15 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, TRAVNIK YUGOSLAVIA ZETELACKA PESMA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A16 DI.955.016.014A16 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, TRAVNIK YUGOSLAVIA SITATO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A17 DI.955.016.014A17 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE,JAJCE YUGOSLAVIA SVIRKA NA DVOJNICAMA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A18 DI.955.016.014A18 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, GACKO YUGOSLAVIA KAHARLI SAM VECERALA NISAM Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A19 DI.955.016.014A19 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, GACKO YUGOSLAVIA BIBERA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A20 DI.955.016.014A20 00:00:00 YOUGOSLAVIE BOSNIE-HERZEGOVINE, JACJE YUGOSLAVIA OSLOBODENJE SIPOVA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A21 DI.955.016.014A21 00:00:00 YOUGOSLAVIE MONTENEGRO, IVANGRAD YUGOSLAVIA DECJA IGRA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A22 DI.955.016.014A22 00:00:00 YOUGOSLAVIE MONTENEGRO, CETINJE YUGOSLAVIA IGRANJE U DVOJE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A23 DI.955.016.014A23 00:00:00 YOUGOSLAVIE MONTENEGRO, SUTOMORE YUGOSLAVIA SVADBENE PESME Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 A24 DI.955.016.014A24 00:00:00 YOUGOSLAVIE MOTENEGRO, BAR YUGOSLAVIA O SEBE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B01 DI.955.016.014B01 00:00:00 YOUGOSLAVIE MACEDOINE, TITOV VELES YUGOSLAVIA KALAJDZISKOTO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B02 DI.955.016.014B02 00:00:00 YOUGOSLAVIE MACEDOINE, DEBAR YUGOSLAVIA MALINO MOME Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B03 DI.955.016.014B03 00:00:00 YOUGOSLAVIE MACEDOINE, DELCEVO YUGOSLAVIA SAMO DA TI VIDAM Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B04 DI.955.016.014B04 00:00:00 YOUGOSLAVIE MACEDOINE, SULIMANOVO YUGOSLAVIA KOLO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B05 DI.955.016.014B05 00:00:00 YOUGOSLAVIE MACEDOINE, DOJRAN YUGOSLAVIA MORI, NA DALEKO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B06 DI.955.016.014B06 00:00:00 YOUGOSLAVIE MACEDOINE, SKOPJE YUGOSLAVIA DVA KOLA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B07 DI.955.016.014B07 00:00:00 YOUGOSLAVIE MACEDOINE, BITOLA YUGOSLAVIA PECALBARSKA PESMA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B08 DI.955.016.014B08 00:00:00 YOUGOSLAVIE MACEDOINE, BITOLA YUGOSLAVIA VIASKOTO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B09 DI.955.016.014B09 00:00:00 YOUGOSLAVIE MACEDOINE, KOCANE YUGOSLAVIA STARA KRSTACKA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B10 DI.955.016.014B10 00:00:00 YOUGOSLAVIE MACEDOINE, OHRID YUGOSLAVIA TURSKA IGRA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B11 DI.955.016.014B11 00:00:00 YOUGOSLAVIE MACEDOINE, SKOPJE YUGOSLAVIA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B12 DI.955.016.014B12 00:00:00 YOUGOSLAVIE SERBIE, MLADENOVAC YUGOSLAVIA TROJANAC, KOSMAJCICA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B13 DI.955.016.014B13 00:00:00 YOUGOSLAVIE SERBIE, ZRENJANIN YUGOSLAVIA ZVONI ZNONCE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B14 DI.955.016.014B14 00:00:00 YOUGOSLAVIE SERBIE, KNJAZEVAC YUGOSLAVIA HAJDE DANO Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B15 DI.955.016.014B15 00:00:00 YOUGOSLAVIE SERBIE, PRIZREN YUGOSLAVIA LAZARICKE OBREDNE PESME Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B16 DI.955.016.014B16 00:00:00 YOUGOSLAVIE SERBIE, POZAREVAC YUGOSLAVIA DUET ON TH EFRULA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B17 DI.955.016.014B17 00:00:00 YOUGOSLAVIE SERBIE, VLASOTINCI YUGOSLAVIA KRALJICKE OBREDENE PESME Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B18 DI.955.016.014B18 00:00:00 YOUGOSLAVIE SERBIE, PIROT YUGOSLAVIA IDE STOJAN OD ORANJE Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B19 DI.955.016.014B19 00:00:00 YOUGOSLAVIE SERBIE, VRANJE YUGOSLAVIA SOBINKA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B20 DI.955.016.014B20 00:00:00 YOUGOSLAVIE SERBIE, LESKOVAC YUGOSLAVIA KOLEDARSKE OBREDNE PESME Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B21 DI.955.016.014B21 00:00:00 YOUGOSLAVIE SERBIE, BELA CRKVA YUGOSLAVIA NUMERA Sous-table non exportée Sous-table non exportée 0 EUROPE +SL-217 D303M DI.955.016.014 B22 DI.955.016.014B22 00:00:00 YOUGOSLAVIE SERBIE, ZAJECAR YUGOSLAVIA DVA KOLA Sous-table non exportée Sous-table non exportée 0 EUROPE +86047 D253M DI.959.004.005 B02 DI.959.004.005B02 00:00:00 YOUGOSLAVIE SERBIE CHANSONS FOLKLORIQUES D'EUROPE CENTRALE OJ MLADOSTI STO PROLAZIS Sous-table non exportée Sous-table non exportée 0 EUROPE +M-CD-229 CD12S DI.2008.001.001 U01 DI.2008.001.001U01 00:00:00 IRAN IRANIENS DOTAR OF TRANSOXIANA Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-237 CD12S/Coffret* DI.2008.001.002/06 U01 DI.2008.001.002/06U01 00:00:00 IRAN IRANIENS RADIF NAVÂZI. HOSSEIN ALIZADEH, TÂR Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-25 CD12S/Coffret* DI.2008.001.007/10 U01 DI.2008.001.007/10U01 00:00:00 IRAN IRANIENS REGIONAL MUSIC OF IRAN. HAST BEHESHT Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-35 CDR+Ø* DI.2008.001.011/13 U01 DI.2008.001.011/13U01 00:00:00 IRAN IRANIENS ONE HUNDRED RENGS. TÂR: ARSAHD TAHMASBI , TOMBAK; DARYUSH ZARGARI Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-139 CD12S/Coffret* DI.2008.001.014/16 U01 DI.2008.001.014/16U01 00:00:00 IRAN IRANIENS VOICES FROM THE LAND OF IRAN. AN ANTHOLOGY OF VOCAL STYLES & TECHNIQUES Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-225 CD12S DI.2008.001.017 U01 DI.2008.001.017U01 00:00:00 IRAN KURDISTAN KURDES SUFI MUSIC. ZEKR & CHANT OF QADERI DERVISHES OF KURDISTAN Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-240 CD12S DI.2008.001.018 U01 DI.2008.001.018U01 00:00:00 CHINE;XINJIANG OUIGOUR MUQAM RAK. TRADITION OD UYGHUR 12 MUQAMS Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-181 CD12S DI.2008.001.019 U01 DI.2008.001.019U01 00:00:00 IRAN BALUCHISTAN BALOUTCHES REGIONAL MUSIC OF IRAN. QALANDARI MUSIC OF BALUCHISTAN Sous-table non exportée Sous-table non exportée 0 ASIE +M-CD-228 CD12S DI.2008.001.020 U01 DI.2008.001.020U01 00:00:00 TURQUIE KONYA TURCS SAMA IN KONYA. SUFI MUSIC Sous-table non exportée Sous-table non exportée 0 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-02 BM.1970.021.001/03:01-02 00:06:00 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée CL= Mandoline BC= pas des danseurs• 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-03 BM.1970.021.001/03:01-03 00:04:45 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE "IAREBITA" (CAILLE, BEL OISEAU) Sous-table non exportée Sous-table non exportée 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-04 BM.1970.021.001/03:01-04 00:02:00 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée BM.1970.021.001/03:01-03 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-05 BM.1970.021.001/03:01-05 00:06:00 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée VC= choeur de femmes puis choeur d'hommes sans accompagnement BC= pas des danseurs 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-06 BM.1970.021.001/03:01-06 00:03:30 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CL= mandolines 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-07 BM.1970.021.001/03:01-07 00:03:00 08/1969 YOUGOSLAVIE SERBIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CL= mandolines BM.1970.021.001/03:01-06 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-08 BM.1970.021.001/03:01-08 00:07:00 08/1969 YOUGOSLAVIE CROATIE, DALMATIE, DUBROVNIK FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée VC= choeur de femmes lointain CV= vièles à deux cordes BC= rythme donné par les deux instrumentistes V= cris des danseurs• 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-09 BM.1970.021.001/03:01-09 00:02:15 08/1969 YOUGOSLAVIE SLOVENIE, FRONTIERE AVEC L'AUTRICHE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CL= mandoline 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :01-10 BM.1970.021.001/03:01-10 00:02:00 08/1969 YOUGOSLAVIE SLOVENIE, FRONTIERE AVEC L'AUTRICHE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CL= mandoline BM.1970.021.001/03:01-09 1969 69.1 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-01 BM.1970.021.001/03:02-01 00:09:30 08/1969 YOUGOSLAVIE CROATIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée Succesivement choeur de femmes, ensemble de mandolines, choeur mixte• 1969 69.2 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-03 BM.1970.021.001/03:02-03 00:03:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= Mandoline CC= cymbalum CV= les deux vièles ont deux cordes 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-04 BM.1970.021.001/03:02-04 00:03:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= Mandoline CC= cymbalum CV= les deux vièles ont deux cordes BM.1970.021.001/03:02-03 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-05 BM.1970.021.001/03:02-05 00:01:25 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= Mandoline CC= cymbalum CV= les deux vièles ont deux cordes BM.1970.021.001/03:02-04 0 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-06 BM.1970.021.001/03:02-06 00:04:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= Mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum M-TBR= triple tambour vertical à boules fouettantes IE= crotales joués par les danseurs BM.1970.021.001/03:02-02 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-07 BM.1970.021.001/03:02-07 00:02:30 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CV= vièle à deux cordes 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-08 BM.1970.021.001/03:02-08 00:04:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum BM.1970.021.001/03:02-02 0 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-09 BM.1970.021.001/03:02-09 00:02:30 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CV= vièle à deux cordes 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-10 BM.1970.021.001/03:02-10 00:01:50 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum BM.1970.021.001/03:02-08 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-11 BM.1970.021.001/03:02-11 00:02:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE DANSE DES CAVALIERS Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum Danse des cavaliers • BM.1970.021.001/03:02-08 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-12 BM.1970.021.001/03:02-12 00:02:30 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum BM.1970.021.001/03:02-08 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-13 BM.1970.021.001/03:02-13 00:02:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum BM.1970.021.001/03:02-08 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :02-14 BM.1970.021.001/03:02-14 00:02:00 08/1969 MONGOLIE (REP POPU) FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée CL= mandoline CV= vièles morin khuur et hucer à deux cordes M-TBR= petit tambour CC= cymbalum Attention, pleurage• BM.1970.021.001/03:02-12 1969 69.2 ASIE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-02 BM.1970.021.001/03:03-02 00:01:00 08/1968 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE N Sous-table non exportée Sous-table non exportée BM.1970.021.001/03:03-01 0 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-03 BM.1970.021.001/03:03-03 00:01:00 08/1969 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE "HORA CINPOCARCIA" Sous-table non exportée Sous-table non exportée 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-04 BM.1970.021.001/03:03-04 00:01:00 08/1969 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE "BRIULETUL" Sous-table non exportée Sous-table non exportée BM.1970.021.001/03:03-03 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-05 BM.1970.021.001/03:03-05 00:01:45 08/1969 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE "DOINA" Sous-table non exportée Sous-table non exportée Duo• 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-06 BM.1970.021.001/03:03-06 00:01:15 08/1968 ROUMANIE MOLDAVIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée 1968 69.3 EUROPE +ARO-702-3 CD12S DI.2008.002.001 U01 DI.2008.002.001U01 00:00:00 BOLIVIE TAHUA MUSICAS DEL SALAR DE UYNI (THUNUPA) Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARO-702-3 CD12S DI.2008.002.001 U06 DI.2008.002.001U06 00:00:00 BOLIVIE CHILLGUILLA MUSICAS DEL SALAR DE UYNI (THUNUPA) Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARO-702-3 CD12S DI.2008.002.001 U10 DI.2008.002.001U10 00:00:00 BOLIVIE ATULCHA MUSICAS DEL SALAR DE UYNI (THUNUPA) Sous-table non exportée Sous-table non exportée 0 AMERIQUE +ARO-702-3 CD12S DI.2008.002.001 U15 DI.2008.002.001U15 00:00:00 BOLIVIE AGUAQUIZA MUSICAS DEL SALAR DE UYNI (THUNUPA) Sous-table non exportée Sous-table non exportée 0 AMERIQUE +SANSREF-88 CD12S DI.2008.003.001 U01 DI.2008.003.001U01 00:00:00 ITALIE COLLEDORO ITALIENS COLLEDORO. DISCIENDENZE DEI CANTI E SONATE Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-07 BM.1970.021.001/03:03-07 00:00:45 09/1969 ROUMANIE CARPATHES FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE APEL DE BERGERS Sous-table non exportée Sous-table non exportée AT= buccin 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-08 BM.1970.021.001/03:03-08 00:00:45 09/1969 ROUMANIE REGION DE BIHOR FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CV= Trompette marine BC= claquements de mains et de pieds du danseur 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-09 BM.1970.021.001/03:03-09 00:02:00 09/1969 ROUMANIE REGION DE BIHOR FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CV= trompette marine• 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-10 BM.1970.021.001/03:03-10 00:02:45 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-11 BM.1970.021.001/03:03-11 00:05:00 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03/12 BM.1970.021.001/03:03/12 00:02:00 09/1969 ROUMANIE REGION DE BIHOR FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CV= trompette marine VA= cris des danseurs BM.1970.021.001/03:03-09 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-13 BM.1970.021.001/03:03-13 00:02:00 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée VC= voix de vieilles femmes 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-14 BM.1970.021.001/03:03-14 00:02:30 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée CC= cymbalum 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-15 BM.1970.021.001/03:03-15 00:01:00 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée VC= voix de vieilles femmes, même chant que pour la pièce 13 BM.1970.021.001/03:03-13 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-16 BM.1970.021.001/03:03-16 00:02:00 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée VC= voix de vieilles femmes BM.1970.021.001/03:03-13 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-18 BM.1970.021.001/03:03-18 00:00:30 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée AFT= flûte de pan AAL= accordéon 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-19 BM.1970.021.001/03:03-19 00:02:30 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE AIR DE DANSE Sous-table non exportée Sous-table non exportée BC= bruits de pas qui rythment la danse 1969 69.3 EUROPE +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 :03-20 BM.1970.021.001/03:03-20 00:00:00 09/1969 ROUMANIE OLTENIE FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE Sous-table non exportée Sous-table non exportée BC= bruit de pas rythmant la danse de la pièce précédente 1968 69.3 EUROPE +BM.1991.006 Divers* BM.1991.006.001/06 :06-01 BM.1991.006.001/06:06-01 00:00:00 N N N N TOGO. PIERRE SALLEE. 1963 N Sous-table non exportée Sous-table non exportée BM.1991.006.001/06:01-02 SALLEE,PIERRE 1963 1963.N.N-01/Copie N +BM.2008.001 CDR+Ø* BM.2008.001.001 :01-01 BM.2008.001.001:01-01 00:00:00 GABON MISSION OGOOUE-CONGO. SIX ECHELLES Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :01-01 BM.2008.002.001/:01-01 00:01:36 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Interruption au début. • ROVSING OLSEN, MIRIAM 1990 Bande 1 AFRIQUE +BM.2008.006 CDR BM.2008.006.001/04 :01-01 BM.2008.006.001/04:01-01 00:00:00 MAROC BERBERES ROVSING OLSEN,M. MAROC.MUSIQUE DE MARIAGE.1979 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.2008.007 CDR BM.2008.007.001/02 :01-01 BM.2008.007.001/02:01-01 00:00:00 AFRIQUE FERRY,M-P. ENTRETIENS AVEC J. ROUCH; AVEC G. DIETERLEN & J. ROUCH. 1993 Sous-table non exportée Sous-table non exportée 0 AFRIQUE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-02 BM.965.014.001:01-02 00:00:30 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT SOLO FEMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-03 BM.965.014.001:01-03 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT ET CORDOPHONE Sous-table non exportée Sous-table non exportée C= ou accordéon? 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-04 BM.965.014.001:01-04 00:00:15 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT ET VIOLON Sous-table non exportée Sous-table non exportée CV=violon 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-05 BM.965.014.001:01-05 00:00:15 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS DUO DE FEMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-06 BM.965.014.001:01-06 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS DUO DE FEMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-07 BM.965.014.001:01-07 00:00:33 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS DUO DE FEMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-08 BM.965.014.001:01-08 00:00:30 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS DUO DE FEMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-09 BM.965.014.001:01-09 00:01:07 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT SOLO PUIS DUO HOMME Sous-table non exportée Sous-table non exportée Solo puis VC DUO = polyphonie, canon, imitateur 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-10 BM.965.014.001:01-10 00:00:44 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT DUO FEMME Sous-table non exportée Sous-table non exportée VC=hétérophonie 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-11 BM.965.014.001:01-11 00:00:43 YOUGOSLAVIE BOSNIE-HERZEGOVINE,SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANTE DUO DE FEMME Sous-table non exportée Sous-table non exportée VC= hétérophonie Annonce au début de la pièce• 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-12 BM.965.014.001:01-12 00:00:35 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT DUO D'HOMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-13 BM.965.014.001:01-13 00:00:13 YOUGOSLAVIE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT ET VIELE Sous-table non exportée Sous-table non exportée CV= archet 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-14 BM.965.014.001:01-14 00:00:27 YOUGOSLAVIE BOSNIE-HERZEGOVINE,SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT DUO HOMME Sous-table non exportée Sous-table non exportée VC= sans accompagnement 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-15 BM.965.014.001:01-15 00:00:20 YOUGOSLAVIE BOSNIE-HERSEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT SOLO HOMME Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-16 BM.965.014.001:01-16 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT CHOEUR MIXTE Sous-table non exportée Sous-table non exportée VC= à l'unisson 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-17 BM.965.014.001:01-17 00:01:33 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT HOMME Sous-table non exportée Sous-table non exportée CL puis VC, son saturé 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-18 BM.965.014.001:01-18 00:00:28 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS VOIX D'HOMMES Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-19 BM.965.014.001:01-19 00:00:35 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS VOIX FEMME Sous-table non exportée Sous-table non exportée Pas d'accompagnement• 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-20 BM.965.014.001:01-20 00:00:17 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT A PLUSIEURS VOIX Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-21 BM.965.014.001:01-21 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARA JEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-22 BM.965.014.001:01-22 00:00:13 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS VOIX DE FEMME, CRECELLE Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-23 BM.965.014.001:01-23 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-24 BM.965.014.001:01-24 00:00:15 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-25 BM.965.014.001:01-25 00:00:15 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-26 BM.965.014.001:01-26 00:00:22 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée AF=flûte double 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-27 BM.965.014.001:01-27 00:00:15 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée AF= flûte double 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-28 BM.965.014.001:01-28 00:00:17 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-29 BM.965.014.001:01-29 00:00:20 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-30 BM.965.014.001:01-30 00:00:25 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-31 BM.965.014.001:01-31 00:00:20 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS Sous-table non exportée Sous-table non exportée AABS,AABD= identification incertaine• 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-32 BM.965.014.001:01-32 00:00:30 YOUGOSLAVIE BOSNIE-HERZEGOVINE, SARAJEVO YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS CHANT Sous-table non exportée Sous-table non exportée VC= hétérophonie, à l'unisson avec le hautbois 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-33 BM.965.014.001:01-33 00:00:30 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS DUO D'HOMME Sous-table non exportée Sous-table non exportée VC= polyphonie sans accompgnement 0 EUROPE +BM.965.014 Ø18;²38;PPM BM.965.014.001 :01-34 BM.965.014.001:01-34 00:00:10 YOUGOSLAVIE BOSNIE-HERZEGOVINE YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS POLKA Sous-table non exportée Sous-table non exportée 0 EUROPE +BM.963.006 Ø18;²19;PPM BM.963.006.001 :01-02 BM.963.006.001:01-02 00:00:00 YOUGOSLAVIE SERBIE EST, LESKOVAC,GORNJI GAJTAN M. POPU. SERBE Sous-table non exportée Sous-table non exportée 1954 EUROPE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :01-02 BM.1980.015.001/12:01-02 00:04:03 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE". SUITE D'AIRS "ANILASEKELELU" Sous-table non exportée Sous-table non exportée VP = conversation. Faux départ (0'18) • BM.1980.015.001/12:01-01 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :01-03 BM.1980.015.001/12:01-03 00:02:44 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE". SUITE D'AIRS "KWATA" Sous-table non exportée Sous-table non exportée VP = conversation. Faux départs (0'27) • BM.1980.015.001/12:01-01 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :01-04 BM.1980.015.001/12:01-04 00:01:35 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE". SUITE D'AIRS "KWATA" Sous-table non exportée Sous-table non exportée VP = conversation. Faux départs (1') • BM.1980.015.001/12:01-03 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :01-05 BM.1980.015.001/12:01-05 00:02:51 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE". SUITE D'AIRS "ANILA" Sous-table non exportée Sous-table non exportée VP = conversation. AF = en plus par moments. Faux départs (0'27) • BM.1980.015.001/12:01-03 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :01-02 BM.1979.039.001:01-02 00:00:45 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "AH! QUI ME PASSERA LE BOIS" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :01-03 BM.1979.039.001:01-03 00:00:50 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA FILLE D'UN PAUVRE HOMME" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :01-04 BM.1979.039.001:01-04 00:01:55 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LE REEL DU LIEVRE" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :01-05 BM.1979.039.001:01-05 00:01:48 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "PAR UN DIMANCHE AU SOIR" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-02 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :02-01 BM.1979.039.001:02-01 00:01:58 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA PLAINTE DU COUREUR DE BOIS" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :02-02 BM.1979.039.001:02-02 00:01:50 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA BELLE EN PRISON" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:02-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :02-03 BM.1979.039.001:02-03 00:01:05 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "REEL A BOUCHE" Sous-table non exportée Sous-table non exportée Piste 1 VC = Chanté par onomatopée • BM.1979.039.001:02-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :02-04 BM.1979.039.001:02-04 00:05:52 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA PASSION DE JESUS CHRIST" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:02-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :02-05 BM.1979.039.001:02-05 00:03:00 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "DANS MON CHEMIN TULURETTE" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:01-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :03-01 BM.1979.039.001:03-01 00:02:10 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA SEMAINE OUVRIERE" Sous-table non exportée Sous-table non exportée Piste 1 • BM.1979.039.001:02-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :03-02 BM.1979.039.001:03-02 00:02:10 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA BELLE QUI FAIT LA MORTE" Sous-table non exportée Sous-table non exportée Piste 2 • BM.1979.039.001:03-01 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :03-03 BM.1979.039.001:03-03 00:01:45 CANADA QUEBEC CANADA: "ACADIE & QUEBEC" [COPIE DI.] "COS-REEL DISCORD" (CALEDONIA, 2EME PARTIE) Sous-table non exportée Sous-table non exportée Piste 2 • BM.1979.039.001:03-02 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :03-04 BM.1979.039.001:03-04 00:01:20 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LE MATIN JE ME LEVE" Sous-table non exportée Sous-table non exportée Piste 2 • BM.1979.039.001:03-02 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :03-05 BM.1979.039.001:03-05 00:02:00 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "DANS LA PRISON DE LONDRES" Sous-table non exportée Sous-table non exportée Piste 2 • BM.1979.039.001:03-04 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :04-01 BM.1979.039.001:04-01 00:05:50 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "LA PETITE PROTERESSE (PORCELETTE)" Sous-table non exportée Sous-table non exportée Piste 2 • BM.1979.039.001:03-02 1950 AMERIQUE +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 :04-02 BM.1979.039.001:04-02 00:01:20 CANADA NOUVEAU BRUNSWICK CANADA: "ACADIE & QUEBEC" [COPIE DI.] "REEL A BOUCHE" Sous-table non exportée Sous-table non exportée Piste 2 VC = Chanté par onomatopée • BM.1979.039.001:04-01 1950 AMERIQUE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :01-02 BM.1971.022.001:01-02 00:09:40 YEMEN KEILON YEMEN;KEILON & SANAA CHANT DE CARAVANE Sous-table non exportée Sous-table non exportée Introduction solo au luth, puis chanté solo homme accompagné au luth. Ce chant est traditionnellement chanté sans accompagnement instrumental. Le chanteur est un professionnel, sédentaire. On appelle les chanteurs professionnels _musaïen_. Ils sont castés (mal considérés). Outre leur métier de musiciens, ils sont barbiers et sont responsables du bon déroulement des fêtes et des rituels de mariage. • BM.1971.022.001:01-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-01 BM.1971.022.001:02-01 00:00:30 YEMEN SANAA YEMEN;KEILON & SANAA ANNONCE EN FRANCAIS Sous-table non exportée Sous-table non exportée BM.1971.022.001:01-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-02 BM.1971.022.001:02-02 00:11:30 YEMEN SANAA YEMEN;KEILON & SANAA "MOULED RASOUL ALLAH" Sous-table non exportée Sous-table non exportée Récitations votives sur la naissance du prophète. • BM.1971.022.001:01-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-03 BM.1971.022.001:02-03 00:00:15 YEMEN SANAA YEMEN;KEILON & SANAA ANNONCE EN FRANCAIS Sous-table non exportée Sous-table non exportée BM.1971.022.001:01-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-04 BM.1971.022.001:02-04 00:08:50 YEMEN SANAA YEMEN;KEILON & SANAA MUSIQUE DE MARIAGE Sous-table non exportée Sous-table non exportée BM.1971.022.001:02-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-05 BM.1971.022.001:02-05 00:00:20 YEMEN SANAA YEMEN;KEILON & SANAA ANNONCE EN FRANCAIS Sous-table non exportée Sous-table non exportée BM.1971.022.001:02-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :02-06 BM.1971.022.001:02-06 00:07:00 YEMEN SANAA YEMEN;KEILON & SANAA CHANT D'HOMME ACCOMPAGNE AU LUTH Sous-table non exportée Sous-table non exportée BM.1971.022.001:02-01 FAYEN,CLAUDIE -1 ASIE +BM.1971.022 Ø13;1/2P BM.1971.022.001 :03-01 BM.1971.022.001:03-01 00:00:00 YEMEN SANAA YEMEN;KEILON & SANAA CHANT DE MUSAIEN Sous-table non exportée Sous-table non exportée On appelle les chanteurs professionnels _musaïen_. Ils sont castés (mal considérés). Outre leur métier de musiciens, ils sont barbiers et sont responsables du bon déroulement des fêtes et des rituels de mariage. • BM.1971.022.001:02-01 FAYEN,CLAUDIE -1 ASIE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :02-01 BM.1980.015.001/12:02-01 00:02:49 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI CHANT WAYANA Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:01-01 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :02-02 BM.1980.015.001/12:02-02 00:02:26 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE" "PILIPILIYA" Sous-table non exportée Sous-table non exportée VP = conversation. AF = en plus par moments. Faux départs (1'51) • BM.1980.015.001/12:01-05 BEAUDET,JEAN MICHEL 1977 7-1 à 7-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :03-01 BM.1980.015.001/12:03-01 00:02:15 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE" "PILIPILIYA" Sous-table non exportée Sous-table non exportée VP = conversation. AF = en plus par moments. Faux départs (0'13") • BM.1980.015.001/12:02-02 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :03-02 BM.1980.015.001/12:03-02 00:02:30 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU BOUSIER "ENENTULE" "PILIPILIYA" Sous-table non exportée Sous-table non exportée AF = en plus par moments. • BM.1980.015.001/12:02-02 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :03-03 BM.1980.015.001/12:03-03 00:01:57 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS N Sous-table non exportée Sous-table non exportée /original 5/ SA = Sifflements d'insectes • BM.1980.015.001/12:02-02 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :03-04 BM.1980.015.001/12:03-04 00:01:41 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS "KULIKULI" Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:03-03 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-01 BM.1980.015.001/12:04-01 00:01:23 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS "KULIKULI" Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:03-04 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-02 BM.1980.015.001/12:04-02 00:02:00 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS "YELUSI" Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:03-04 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-03 BM.1980.015.001/12:04-03 00:01:30 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS "AKIKI" Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:03-03 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-04 BM.1980.015.001/12:04-04 00:02:04 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS N Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:03-03 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-05 BM.1980.015.001/12:04-05 00:01:40 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS "TAPUPU" Sous-table non exportée Sous-table non exportée _tapupu_ = le hibou SA = Sifflements d'insectes • BM.1980.015.001/12:03-04 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :04-06 BM.1980.015.001/12:04-06 00:01:39 Avril 1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A ENCOCHE. SUITE D'AIRS N Sous-table non exportée Sous-table non exportée SA = Sifflements d'insectes • BM.1980.015.001/12:04-03 BEAUDET,JEAN MICHEL 1977 7-9; 5-1; 5-2; 5-4 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-01 BM.1980.015.001/12:05-01 00:06:32 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DES POISSONS "PILATULE" "TAKALA" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:03-01 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-02 BM.1980.015.001/12:05-02 00:02:23 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI ENSEMBLE PUPU Sous-table non exportée Sous-table non exportée IT = Carapace de tortue • BM.1980.015.001/12:05-01 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-03 BM.1980.015.001/12:05-03 00:01:30 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI ENSEMBLE PUPU Sous-table non exportée Sous-table non exportée IT = Carapace de tortue AABS = en arrière plan • BM.1980.015.001/12:05-02 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-04 BM.1980.015.001/12:05-04 00:03:55 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DES POISSONS "PILATULE" "TASIA" Sous-table non exportée Sous-table non exportée VP = 20" de conversation Suite de la plage :05-01 • BM.1980.015.001/12:05-01 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-05 BM.1980.015.001/12:05-05 00:01:35 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI ENSEMBLE PUPU "PALULUEKU" Sous-table non exportée Sous-table non exportée IT = Carapace de tortue • BM.1980.015.001/12:05-02 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-06 BM.1980.015.001/12:05-06 00:02:11 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI ENSEMBLE PUPU "KASILI" Sous-table non exportée Sous-table non exportée IT = Carapace de tortue • BM.1980.015.001/12:05-02 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :05-07 BM.1980.015.001/12:05-07 00:02:55 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "WILAYSILILI" Sous-table non exportée Sous-table non exportée VC = Pina interprète le 1er couplet de la danse _wilaysilili_ • BM.1980.015.001/12:05-01 BEAUDET,JEAN MICHEL 1977 20-1 à 3; 20-5 à 8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-01 BM.1980.015.001/12:06-01 00:02:30 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU". CHANT DE PRESENTATION "PAYEKEA" 1ER COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:05-07 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-02 BM.1980.015.001/12:06-02 00:01:55 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU". CHANT DE PRESENTATION "PAYEKEA" 2EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-01 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-03 BM.1980.015.001/12:06-03 00:04:30 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU". CHANT DE PRESENTATION "PAYEKEA" 3EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-02 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-04 BM.1980.015.001/12:06-04 00:01:17 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU". CHANT DE PRESENTATION "PAYEKEA" 4EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-02 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-05 BM.1980.015.001/12:06-05 00:04:25 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU" "PILAU" 1ER COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-01 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-06 BM.1980.015.001/12:06-06 00:03:07 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU" "PILAU" 2EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-05 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-07 BM.1980.015.001/12:06-07 00:02:21 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU" "PILAU" 3EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-06 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :06-08 BM.1980.015.001/12:06-08 00:00:00 Mai1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "PILAU" "PILAU" 4EME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:06-07 BEAUDET,JEAN MICHEL 1977 23-1 à 23-8 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :07-01 BM.1980.015.001/12:07-01 00:08:52 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "TULEAKA" "KASILI" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:05-01 BEAUDET,JEAN MICHEL 1977 34-1 à 34-5 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :07-02 BM.1980.015.001/12:07-02 00:04:23 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "TULEAKA" "PILILIWA" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:07-01 BEAUDET,JEAN MICHEL 1977 34-1 à 34-5 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :07-03 BM.1980.015.001/12:07-03 00:01:35 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI CHANT D'AMOUR Sous-table non exportée Sous-table non exportée 2 faux départs • BM.1980.015.001/12:07-01 BEAUDET,JEAN MICHEL 1977 34-1 à 34-5 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :07-04 BM.1980.015.001/12:07-04 00:04:23 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "WAYAPIPUKUTULE" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:07-01 BEAUDET,JEAN MICHEL 1977 34-1 à 34-5 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :07-05 BM.1980.015.001/12:07-05 00:04:58 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "WAYAPIPUKUTULE" Sous-table non exportée Sous-table non exportée VP = Commentaires • BM.1980.015.001/12:07-04 BEAUDET,JEAN MICHEL 1977 34-1 à 34-5 AMERIQUE +BM.2008.002 CDR BM.2008.002.001/ :01-02 BM.2008.002.001/:01-02 00:04:34 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée BM.2008.002.001/:01-01 ROVSING OLSEN, MIRIAM 1990 Bande 1 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :01-03 BM.2008.002.001/:01-03 00:14:22 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Joutes poétiques masculines et danse. Suite de la plage :01-02. • BM.2008.002.001/:01-01 ROVSING OLSEN, MIRIAM 1990 Bande 1 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :01-04 BM.2008.002.001/:01-04 00:03:20 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Essai de tambour. Interruption de l'enregistrement faute de bande. Suite de la plage :01-03. • BM.2008.002.001/:01-02 ROVSING OLSEN, MIRIAM 1990 Bande 1 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :02-01 BM.2008.002.001/:02-01 00:15:51 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Danse. • BM.2008.002.001/:01-03 ROVSING OLSEN, MIRIAM 1990 Bande 2 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :02-02 BM.2008.002.001/:02-02 00:08:24 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Interruption faute de bande. • BM.2008.002.001/:02-01 ROVSING OLSEN, MIRIAM 1990 Bande 2 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :03-01 BM.2008.002.001/:03-01 00:04:46 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée BM.2008.002.001/:02-02 ROVSING OLSEN, MIRIAM 1990 Bande 3 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :03-02 BM.2008.002.001/:03-02 00:08:42 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST (BU GANGA) Sous-table non exportée Danse. Suite de la plage :03-01. • BM.2008.002.001/:03-01 ROVSING OLSEN, MIRIAM 1990 Bande 3 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :03-03 BM.2008.002.001/:03-03 00:05:00 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Suite de la plage :03-02. • BM.2008.002.001/:03-01 1990 Bande 3 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :03-04 BM.2008.002.001/:03-04 00:05:30 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée BM.2008.002.001/:03-01 ROVSING OLSEN, MIRIAM 1990 Bande 3 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :04-01 BM.2008.002.001/:04-01 00:09:47 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "IRIZI, AMXLLF" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. VC-TAZRRART = chant dans l'auditoire masculin. • BM.2008.002.001/:03-01 ROVSING OLSEN, MIRIAM 1990 Bande 4 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :04-02 BM.2008.002.001/:04-02 00:10:18 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "AMXLLF" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. VC-CHANTE SOLO H = à la fin de l'ahwash, interrompu faute de bande. • BM.2008.002.001/:04-01 ROVSING OLSEN, MIRIAM 1990 Bande 4 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :05-01 BM.2008.002.001/:05-01 00:07:49 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. • BM.2008.002.001/:04-01 ROVSING OLSEN, MIRIAM 1990 Bande 5 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :05-02 BM.2008.002.001/:05-02 00:11:10 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. Suite de la plage :05-01. • BM.2008.002.001/:05-01 ROVSING OLSEN, MIRIAM 1990 Bande 5 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :05-03 BM.2008.002.001/:05-03 00:04:58 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Suite de la plage :05-02. Interruption faute de bande. • BM.2008.002.001/:05-02 ROVSING OLSEN, MIRIAM 1990 Bande 5 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :06-02 BM.2008.002.001/:06-02 00:07:37 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "AMXLLF" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. Interruption faute de bande. • BM.2008.002.001/:05-02 ROVSING OLSEN, MIRIAM 1990 Bande 6 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :06-01 BM.2008.002.001/:06-01 00:16:25 13 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "AMXLLF" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. • BM.2008.002.001/:06-01 ROVSING OLSEN, MIRIAM 1990 Bande 6 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :07-01 BM.2008.002.001/:07-01 00:04:28 15 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Dansé. • BM.2008.002.001/:06-01 ROVSING OLSEN, MIRIAM 1990 Bande 7 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :07-02 BM.2008.002.001/:07-02 00:19:20 15 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée DDRST Sous-table non exportée Dansé. Suite de la plage :07-01. • BM.2008.002.001/:07-01 ROVSING OLSEN, MIRIAM 1990 Bande 7 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :08-01 BM.2008.002.001/:08-01 00:10:49 15 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. • BM.2008.002.001/:07-01 ROVSING OLSEN, MIRIAM 1990 Bande 8 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :08-02 BM.2008.002.001/:08-02 00:13:16 15 juillet 1990 MAROC IDA OUZDOUT BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "TAMSSUST" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée Dansé. VC-TAZRRART = chant dans l'auditoire h & f. • BM.2008.002.001/:08-01 ROVSING OLSEN, MIRIAM 1990 Bande 8 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :09-01 BM.2008.002.001/:09-01 00:01:51 16 juillet 1990 MAROC IDAW MARTINI BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AGUAL Sous-table non exportée Interruption. • BM.2008.002.001/:08-02 ROVSING OLSEN, MIRIAM 1990 Bande 9 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :09-02 BM.2008.002.001/:09-02 00:22:06 16 juillet 1990 MAROC IDAW MARTINI BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AGUAL Sous-table non exportée Interruption faute de bande. • BM.2008.002.001/:09-01 ROVSING OLSEN, MIRIAM 1990 Bande 9 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-01 BM.2008.002.001/:10-01 00:02:52 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. • BM.2008.002.001/:09-01 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-02 BM.2008.002.001/:10-02 00:01:22 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-01. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-03 BM.2008.002.001/:10-03 00:01:26 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-02. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-04 BM.2008.002.001/:10-04 00:03:38 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-03. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-05 BM.2008.002.001/:10-05 00:01:39 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-04. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-06 BM.2008.002.001/:10-06 00:02:36 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-05. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :10-07 BM.2008.002.001/:10-07 00:01:22 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée TAZRRART Sous-table non exportée Pour l'accueil du gouverneur de Taroudant. Suite de la plage :10-06. • BM.2008.002.001/:10-06 ROVSING OLSEN, MIRIAM 1990 Bande 10 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :11-01 BM.2008.002.001/:11-01 00:09:18 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée BU GANGA Sous-table non exportée VC-TAZRRART = chant dans l'auditoire. • BM.2008.002.001/:10-01 ROVSING OLSEN, MIRIAM 1990 Bande 11 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :11-02 BM.2008.002.001/:11-02 14:39:00 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 "AMXLLF" Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée VC-TAZRRART = chant dans l'auditoire. Suite de la plage :11-01. • BM.2008.002.001/:11-01 ROVSING OLSEN, MIRIAM 1990 Bande 11 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :12-01 BM.2008.002.001/:12-01 00:16:34 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée VC-TAZRRART = chant dans l'auditoire. • BM.2008.002.001/:11-01 ROVSING OLSEN, MIRIAM 1990 Bande 12 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :12-02 BM.2008.002.001/:12-02 00:07:25 22 juillet 1990 MAROC INDU NIDIF BERBERES MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 Sous-table non exportée AHWASH N TIMGHARIN Sous-table non exportée BM.2008.002.001/:12-01 ROVSING OLSEN, MIRIAM 1990 Bande 12 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :13-01 BM.2008.002.001/:13-01 00:02:05 30 juillet 1990 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée VC-CHANTE CHR JH & JF = 3 jeunes filles et 3 garçons. Chant pour le rituel pour la poussée des dents de lait. • BM.2008.002.001/:12-01 ROVSING OLSEN, MIRIAM 1990 Bande 13 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :13-02 BM.2008.002.001/:13-02 00:02:24 30 juillet 1990 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée VC-CHANTE CHR JH & JF = 3 jeunes filles et 3 garçons. Chant quand les enfants vont à la mosquée. • BM.2008.002.001/:13-01 ROVSING OLSEN, MIRIAM 1990 Bande 13 AFRIQUE +BM.2008.002 CDR BM.2008.002.001/ :13-03 BM.2008.002.001/:13-03 00:02:05 30 juillet 1990 MAROC HAUT-ATLAS OCCIDENTAL IDA OUMAHMOUD MAROC. ANTI-ATLAS ; CHANTS DANSES. ROVSING OLSEN,M.;1990 CHANT D'ENFANTS Sous-table non exportée Sous-table non exportée VC-CHANTE CHR JH & JF = 3 jeunes filles et 3 garçons. Chant quand les enfants vont à la mosquée. • BM.2008.002.001/:13-02 ROVSING OLSEN, MIRIAM 1990 Bande 13 AFRIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-01 BM.1980.015.001/12:08-01 00:03:20 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU MIEL : 6ÈME COUPLET "EY" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:07-05 BEAUDET,JEAN MICHEL 1979 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-02 BM.1980.015.001/12:08-02 00:02:50 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU MIEL : 7ÈME COUPLET "EY" Sous-table non exportée Sous-table non exportée Faux départ de 25". • BM.1980.015.001/12:08-01 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-03 BM.1980.015.001/12:08-03 00:01:32 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI SOLO DE FLUTE A BLOC Sous-table non exportée Sous-table non exportée AF = yemi'apitekwa • BM.1980.015.001/12:07-05 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-04 BM.1980.015.001/12:08-04 00:03:03 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU MIEL : 8ÈME COUPLET "EY" Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:08-01 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-05 BM.1980.015.001/12:08-05 00:02:52 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE DU MIEL : 9ÈME COUPLET "EY" Sous-table non exportée Sous-table non exportée Chant plus quelques essais de flûte à bloc. • BM.1980.015.001/12:08-04 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-06 BM.1980.015.001/12:08-06 00:02:33 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI CHANT Sous-table non exportée Sous-table non exportée VC = 1 femme + 8 hommes. • BM.1980.015.001/12:08-01 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-07 BM.1980.015.001/12:08-07 00:02:55 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "YAWALUNA" : 1ER COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:08-01 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-08 BM.1980.015.001/12:08-08 00:02:55 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "YAWALUNA" : 2ÈME COUPLET Sous-table non exportée Sous-table non exportée VP = Commentaires 25"• BM.1980.015.001/12:08-07 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 :08-09 BM.1980.015.001/12:08-09 00:02:31 Septembre1977 GUYANE FRANCAISE HAUT OYAPOCK;VILLAGE ZIDOCK WAYAMPI GUYANE FRANCAISE:WAYAMPI DANSE "YAWALUNA" : 3ÈME COUPLET Sous-table non exportée Sous-table non exportée BM.1980.015.001/12:08-07 BEAUDET,JEAN MICHEL 1977 44-1 AMERIQUE diff --git a/trunk/import/raw_conversion/src-2008-06-16/Rythm.txt b/trunk/import/raw_conversion/src-2008-06-16/Rythm.txt new file mode 100755 index 0000000..f7ae404 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Rythm.txt @@ -0,0 +1,32 @@ +Rythm +/ +3 ET 7 MESURES +3/4, 6/8 +4*4 TALA TINTAL +4/4 +6 MESURES +6/8 ET 3/4 +8 1/2 UPATAL JHAMPAK +8 MESURES +ACCELERATION DU TEMP +BINAIRE +LIBRE +LIBRE PUIS MESURE +LIBRE, PUIS MESURE +MESURE +N +POLYRYTHMIE +RYTHME CYCLIQUE +SYNCOPE +TAL UPATAL JHAMPAK +TALA ADI +TALA RUPAKAM +TALA UPATAL JHAMPAK +TANGO +TEMPO LENT +VARIATION RYTHMIQUE +SWING +NON MESURE + +AKSAK +TERNAIRE diff --git a/trunk/import/raw_conversion/src-2008-06-16/Scientifique.txt b/trunk/import/raw_conversion/src-2008-06-16/Scientifique.txt new file mode 100755 index 0000000..05a64d2 --- /dev/null +++ b/trunk/import/raw_conversion/src-2008-06-16/Scientifique.txt @@ -0,0 +1,846 @@ +Scientifique Bidon +2CHR ALTERNES F 0 +2CHR ALTERNES H 0 +A-AÉROPHONE 0 +AA-ANCHE 0 +AAB-ANCHE BATTANTE 0 +AABC-CORNEMUSE 0 +AABD-HAUTBOIS 0 +AABD-HAUTBOIS 2TUY 0 +AABD-HAUTBOIS 3TUY 0 +AABS-CLARINETTE 0 +AABS-CLARINETTE 2TUY 0 +AABS-CLARINETTE 3TUY 0 +AABS-CLARINETTES 0 +AAL-ANCHE LIBRE 0 +AAL-ANCHE LIBRE/PLAQUE 0 +AAL-ANCHE LIBRE/TUYAU 0 +AF-FLUTE 0 +AFG-FLUTE GLOBUL 0 +AFGC-FLUTE GLOBUL CONDUIT 0 +AFGS-FLUTE GLOBUL SANS CONDUIT 0 +AFL-FLUTE 0 +AFL-FLUTE LAT 0 +AFLC-FLUTE LAT CONDUIT 0 +AFLS-FLUTE LAT CONDUIT 0 +AFLS-FLUTE LAT SANS CONDUIT 0 +AFP- FLUTE DE PAN 0 +AFP-FLUTE DE PAN 0 +AFP-FLUTE DE PAN 1 RANG 0 +AFP-FLUTE DE PAN 2 RANGS 0 +AFP-FLUTE POLYC FAISCEAU 0 +AFT-FLUTE TERM 0 +AFT-FLUTE TERM 2TUY 0 +AFTC-FLUTE SOLO H. 0 +AFTC-FLUTE TERM CONDUIT 0 +AFTS-FLUTE TERM SANS CONDUIT 0 +AFTS-FLUTE TERM SANS CONDUIT 0 +ALT-TROMPE LAT 0 +AMBIANCE 0 +AR-AIR AMBIANT 0 +AR-RHOMBE 0 +AR-TUYAU 0 +AT-CONQUE 0 +AT-TROMPE 0 +AT-TROMPE LAT 0 +ATL-TROMPE LAT 0 +VP-PARLE CHR F 0 +ATT-TROMPE TERM 0 +BC-BATTEMENTS DE MAINS 0 +BC-BRUITS CORPORELS 0 +BC-FRAPPEMENTS DE MAINS 0 +BC-FRAPPEMENTS DES PIEDS 0 +BM-MIRLITON 0 +BR-BRUITEUR 0 +C-CORDOPHONE 0 +CA-ARC MUSICAL 0 +CA-PLURIARC 0 +CARAPACE DE LA TORTUE M. 0 +CC-CITHARE 0 +CC-CITHARE/BATON 0 +CC-CITHARE/CAISSE 0 +CC-CITHARE/CAISSE,CLAVIER 0 +CC-CITHARE/CUVETTE 0 +CC-CITHARE/TABLE 0 +CC-CITHARE/TUBE 0 +CH-HARPE 0 +CH-HARPE MANCHE ARQUE 0 +CH-HARPE MANCHE DROIT 0 +CH-HARPE MANCHE FOURCHUE 0 +CHL-HARPE LUTH 0 +CHL-HARPE-LUTH 0 +CHL-HARPPE-LUTH 0 +CHR 0 +CHR@ 0 +CL-LUTH 0 +CV-VIELE 0 +EL-ELECTRONIQUE 0 +GR-CA TRU THAI HA 0 +GR-NANDA MANACHI 0 +GROUPE 0 +I 0 +I-IDIOPHONE 0 +IE-BATONS 0 +IE-CLAQUETTES 0 +IE-CYMBALES 0 +IE-IDIOPHONES ENTRECHOQUES 0 +IE-PAIRE CYMBALES 0 +IEB-BATONS 0 +IEC-CLAQUETTES 0 +IF 0 +IF-IDIOPHONE FRAPPE 0 +IF-SERIE DE GONGS 0 +IFC-BLOC DE BOIS 0 +IFC-CLOCHE 0 +IFC-CLOCHES 0 +IFC-CLOCHETTE 0 +IFC-CORPS HEMISPHERIQUE 0 +IFC-CORPS TUBULAIRE AUTRE 0 +IFC-GONG 0 +IFC-IDIOPHONE FRAPPE CREUX 0 +IFC-SERIE DE CORPS HEMISPHERIQUES 0 +IFC-SERIE DE CORPS HEMISPHERIQUE@ 0 +IFC-SERIE DE GONGS 0 +IFCORPS HEMISPHERIQUE 0 +IFP-BATON 0 +IFP-DISQUE 0 +IFP-FOURCHE EN BAMBOU 0 +IFP-IDIOPHONE FRAPPE PLEIN 0 +IFP-LITHOPHONE 0 +IFP-LITHOPHONE 0 +IFP-METALLOPHONE 0 +IFP-PLAQUE 0 +IFP-POUTRE 0 +IFP-XYLOPHONE 0 +IFP-XYLOPHONES 0 +IFZ-FEUILLES FRAPPEES/JAMBE 0 +IL-IDIOPHONE PILONNE 0 +IL-IDIOPHONE PILONNE CREUX 0 +IL-IDIOPHONE PILONNE PLEIN 0 +IP-GUIMBARDE 0 +IP-LAMELLOPHONE 0 +IR-CRECELLE 0 +IR-IDIOPHONE RACLE 0 +IR-RACLEUR 0 +IS- HOCHET-SONNAILLE 0 +IS-CLOCHE 0 +IS-GRELOT 0 +IS-HOCHET 0 +IS-HOCHET-SONNAILLE 0 +IS-SISTRE 0 +IS-SONNAILLES 0 +IS-TAMIS 0 +IT-IDIOPHONE FROTTE CREUX 0 +IT-IDIOPHONE FROTTE PLEIN 0 +M-ENSEMBLE TBR 0 +M-TBR 0 +M1-TBR 1MEMB 0 +M1C-TBR 1MEMB/CAISSE 0 +M1C-TBR 1MEMB/CAISSE *PAIRE 0 +M1D-TBR 1MEMB/CADRE 0 +M1F-TBR 1MEMB FRICTION 0 +M2-TBR 2MEMB 0 +M2C-TBR 2MEMB/CAISSE 0 +M2D-TBR 2MEMB/CADRE 0 +M2F-TBR 2MEMB FRICTION 0 +M2V-TBR 2MEMB VARIABLE 0 +MIRLITON 0 +N 0 +ORCH 0 +ORCH- ORCH TRADITONNEL 0 +ORCH- PETIT ENSEMBLE 0 +ORCH-ENSEMBLE INSTRUMENTAL 0 +ORCH-FANFARE 0 +ORCH-N 0 +ORCH-ORCH DE GONGS 0 +ORCH-ORCH. DE CLARINETTES & FLUTES 0 +ORCH-ORCH.CLARINETTES 0 +ORCH-ORCH.TROMPES 0 +ORCH-ORCHESTRE 0 +ORCH-ORCHESTRE DE 3 TBRS 0 +ORCH-ORCHESTRE DE CLARINETTES AMAZONIENNES 0 +ORCH-ORCHESTRE SYMPHONIQUE 0 +ORCH-PHLENG KHMER 0 +ORCH. DE 3 TBRS 0 +ORCHESTRE 0 +ORCHESTRE-FLUTES DE PAN 0 +SA-SONS ANIMAUX 0 +SD-AMBIANCES DIVERSES 0 +SN-BRUITS DE LA NATURE 0 +SOLO DE HARPE FOURCHUE 0 +V-VOIX 0 +V-VOIX CHR H 0 +V-VOIX DUO H 0 +V-VOIX E 0 +V-VOIX F 0 +V-VOIX H 0 +V-VOIX H & CHR 0 +V-VOIX H&F 0 +V-VOIX SOLO H 0 +VA-CHANTE-PARLE CHR F 0 +VA-CHANTE-PARLE DUO H 0 +VA-CHANTE-PARLE F 0 +VA-CHANTE-PARLE H 0 +VA-CHANTE-PARLE H SOLO 0 +VA-CHANTE-PARLE H & CHR H 0 +VA-CHANTE-PARLE SOLO ALT 0 +VA-CHANTE-PARLE SOLO ALT F 0 +VA-CHANTE-PARLE SOLO F 0 +VA-CHANTE-PARLE SOLO H 0 +VA-CHANTE-PARLE TRIO H 0 +VA-CHANTE-SOLO H 0 +VA-COMPOSITE 0 +VA-COMPOSITE SOLO & CHR H 0 +VA-CRIE 0 +VA-CRIE CHR JF 0 +VA-CRIE CHR M 0 +VA-CRIE E 0 +VA-CRIE F 0 +VA-CRIE H 0 +VA-CRIE SOLO & CHR F 0 +VA-CRIE SOLO ALTERNE F 0 +VA-CRIE SOLO F 0 +VA-CRIE SOLO H 0 +VA-CRIE SOLO H & CHR MIXTE ALTERNE 0 +VA-HALETE 0 +VA-MURMURE SOLO H 0 +VA-PARLE H 0 +VA-SIFFLE 0 +VA-SIFFLE H 0 +VA-SIFFLE SOLO H 0 +VA-YOUYOU 0 +VA-YOUYOU CHR F 0 +VA-YOUYOU F 0 +VA-YOUYOU SOLO F 0 +VC- CHANTE DUO F. 0 +VC- CHANTE DUO H 0 +VC- CHANTE F. SOLO 0 +VC- CHANTE SOLO ALTERNE & CHR H 0 +VC- CHANTE SOLO H OU F 0 +VC-2CHR ALTERNES F 0 +VC-2CHR ALTERNES F H F 0 +VC-2CHR ALTERNES H F 0 +VC-CHANT SOLO ALTERNE CHEOUR F 0 +VC-CHANT SOLO E ALTERNE + CHR E 0 +VC-CHANTE 0 +VC-CHANTE F 0 +VC-CHANTE H 0 +VC-CHANTE & CRIE ALTERNE H 0 +VC-CHANTE 2CHR ALTERNES 0 +VC-CHANTE 2CHR ALTERNES F 0 +VC-CHANTE 2CHR ALTERNES F 0 +VC-CHANTE 2CHR ALTERNES H 0 +VC-CHANTE 2CHR ALTERNES H/F 0 +VC-CHANTE 2CHR ALTERNES JH/JF 0 +VC-CHANTE 2CHR F 0 +VC-CHANTE 2CHR H 0 +VC-CHANTE ALTERNE DUO H 0 +VC-CHANTE ALTERNE E 0 +VC-CHANTE ALTERNE F 0 +VC-CHANTE ALTERNE H & E 0 +VC-CHANTE ALTERNE H & F 0 +VC-CHANTE CHOEUR ALTERNE 0 +VC-CHANTE CHOEUR ALTERNE F&H 0 +VC-CHANTE CHOEUR F 0 +VC-CHANTE CHOEUR F 0 +VC-CHANTE CHOEUR F+1H 0 +VC-CHANTE CHOEUR F+H 0 +VC-CHANTE CHOEUR FEMME 0 +VC-CHANTE CHOEUR H 0 +VC-CHANTE CHOEUR MIXTE 0 +VC-CHANTE CHOEUR MIXTE 1H+1F 0 +VC-CHANTE CHOEUR MIXTE 2F ET 1H 0 +VC-CHANTE CHOEUR MIXTE 2F+1H 0 +VC-CHANTE CHR 0 +VC-CHANTE CHR E 0 +VC-CHANTE CHR F 0 +VC-CHANTE CHR F & CHR H OU SOLO H OU SOLO F 0 +VC-CHANTE CHR F & E 0 +VC-CHANTE CHR F & H 0 +VC-CHANTE CHR F & H & E 0 +VC-CHANTE CHR F ET JF 0 +VC-CHANTE CHR H 0 +VC-CHANTE CHR H & CHR F 0 +VC-CHANTE CHR H & CHR F ALTERNE 0 +VC-CHANTE CHR H & DUO H ALTERNE 0 +VC-CHANTE CHR H & CHR F 0 +VC-CHANTE CHR H & E 0 +VC-CHANTE CHR H & F ALTERNES 0 +VC-CHANTE CHR H & G 0 +VC-CHANTE CHR JF 0 +VC-CHANTE CHR JH 0 +VC-CHANTE CHR JH & JF 0 +VC-CHANTE CHR M 0 +VC-CHANTE CHR MIXTE 0 +VC-CHANTE CHR MIXTE & E 0 +VC-CHANTE DUO & CHR E 0 +VC-CHANTE DUO & CHR H 0 +VC-CHANTE DUO ALTERNE 0 +VC-CHANTE DUO ALTERNE & CHR H 0 +VC-CHANTE DUO ALTERNE + CHR F 0 +VC-CHANTE DUO ALTERNE DUO H 0 +VC-CHANTE DUO ALTERNE F 0 +VC-CHANTE DUO ALTERNE F & CHR F 0 +VC-CHANTE DUO ALTERNE F & CHR M 0 +VC-CHANTE DUO ALTERNE H 0 +VC-CHANTE DUO ALTERNE H & CHR 0 +VC-CHANTE DUO ALTERNE H & CHR MIXTE 0 +VC-CHANTE DUO ALTERNE H & F 0 +VC-CHANTE DUO ALTERNE H + CHR H 0 +VC-CHANTE DUO ALTERNE H + CHR M 0 +VC-CHANTE DUO ALTERNE H/F & CHR MIXTE 0 +VC-CHANTE DUO E 0 +VC-CHANTE DUO F 0 +VC-CHANTE DUO F & CHR F 0 +VC-CHANTE DUO F ALTERNE 0 +VC-CHANTE DUO H 0 +VC-CHANTE DUO H & DUO F 0 +VC-CHANTE DUO H & DUO F ALTERNES 0 +VC-CHANTE DUO H & CHR DOUBLE H 0 +VC-CHANTE DUO H & CHR F 0 +VC-CHANTE DUO H & CHR H 0 +VC-CHANTE DUO H & CHR MIXTE 0 +VC-CHANTE DUO H & F 0 +VC-CHANTE DUO H & H 0 +VC-CHANTE DUO H & TRIO H 0 +VC-CHANTE DUO H + CHR H 0 +VC-CHANTE DUO JF 0 +VC-CHANTE DUO JF & CHR F 0 +VC-CHANTE DUO JH 0 +VC-CHANTE DUO MIXTE 0 +VC-CHANTE DUO MIXTE 1H+1F 0 +VC-CHANTE DUO MIXTE H+F 0 +VC-CHANTE DUO&CHR ALTERNE H 0 +VC-CHANTE E 0 +VC-CHANTE F 0 +VC-CHANTE F. 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Lortat-Jacob• PP PP =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 GB;ECOSSE=:01-01 non 0 +BM.2000.002 CDR BM.2000.002.001/06 GUILLEBAUD,CH.;INDE,KERALA:PULLUVAN; MISSION 8/1999-1/2000 6 O GUILLEBAUD,CHRISTINE Original Sony D-8; 48 kHz., micro AudioTechnica. Copie via Tascam D30+ station SD2, mars 2000• GUILLEBAUD,CHRISTINE COPIE -2 SelBMprBN Copie Collecteur/PP PP COPIE INTERDITE Sous-table non exportée 1999 Terrain 05:30:00 10 non INDE;KERALA=:01-01>06•:01-02•:01-07>08•:01-09>10•:01-11•:01-12>13•:02-01>04•:02-05>06•:02-07•:03-01•:03-02>03•:04-01•:04-02•:04-03>06•:05-01>02•:05-03>06•:06-01>03 oui OUI 1 Num. SD2 +BM.2000.003 n BM.2000.003.001/04 LANNOY,M. DE; COTE D'IVOIRE:SENOUFO;1982- [ARCHIV. EN COURS] 5 O LANNOY,M. DE Nbr bob. = estimation LANNOY,M. DE COPIE -2 SelBMprBN Copie Collecteur/PP PP COPIE INTERDITE Sous-table non exportée 1982- Terrain 04:00:00 10 non COTE D'IVOIRE=:01-01 NON 1 +BM.2000.004 CDR BM.2000.004.001/09 HURAULT,J.;GUYANE:BONI;1957-58 9 O HURAULT,JEAN HURAULT,JEAN COPIE -2 SelBMprBN Copie A voir PP COPIE INTERDITE Sous-table non exportée 1957-58 Terrain 09:00:00 10 non GUYANE FRANCAISE=:01-01 NON 1 Num. Labo ProTools +BM.2000.005 CDR BM.2000.005.001/17 LONCKE,S;NIGER:PEULS BOROROS;1997-98 17 O LONCKE,SANDRINE LONCKE,SANDRINE COPIE -2 SelBMprBN Copie Collecteur PP COPIE INTERDITE Sous-table non exportée 1997-98 Terrain 17:00:00 10 non NIGER=:01-01 oui NON 1 Num. Labo ProTools +BM.2000.006 CDR BM.2000.006.001/03 ESTIVAL,J-P;PARAGUAY,CHACO;2000 3 O ESTIVAL,JEAN-PIERRE ESTIVAL,JEAN-PIERRE COPIE -2 SelBMprBN Copie Collecteur/PP PP COPIE INTERDITE Sous-table non exportée 2000 Terrain 03:00:00 10 non PARAGUAY=:01-01 oui NON 1 Num. Labo ProTools +BM.2000.007 K7 BM.2000.007.001/04 GRECE [EXEMPLES POUR THESE] 4 O CHRISTARA,PANAYOTA Ex. accompagnant la thèse "Chansons de Chalkidiki de Macédoine" CHRISTARA,PANAYOTA MONTAGE DIPLOME -2 SelBMprBN Don A voir PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 04:00:00 1 oui 2 GRECE=:01-01 NON Ex. diplôme 1 +BM.2000.008 CDR BM.2000.008.001/05 RAPPOPORT,D & SIMONNOT,J;INDONESIE,FLORES;1992 5 O RAPPOPORT,DANA & SIMONNOT,JOSEPHINE RAPPOPORT,D & SIMONNOT,J COPIE -2 SelBMprBN Copie Collecteur PP COPIE INTERDITE Sous-table non exportée 1992 Terrain 05:00:00 10 non INDONESIE;FLORES=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:04-01•:04-02•:04-03>04•:04-05•:04-06•:04-07•:04-08>10•:05-01>04•:05-05>07•:05-08>12 oui OUI 1 Num. Labo ProTools +BM.2000.009 CDR BM.2000.009.001 GUILLEBAUD,CH;INDE,KERALA; SELECTION DE MUSIQUES POPULAIRES;2000 1 O GUILLEBAUD,CHRISTINE GUILLEBAUD,CHRISTINE COPIE -2 SelBMprBN Copie Collecteur PP COPIE INTERDITE Sous-table non exportée 2000 Terrain 00:53:00 10 non INDE;KERALA=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10 oui OUI 1 Num. Labo ProTools +BM.2000.010 CDR BM.2000.010.001 GUERREIRO,A;INDONESIE,KALIMANTAN EST; MISSIONS 1992,94,2000 1 O GUERREIRO,ANTONIO Cf. DT• COPIE -2 SelBMprBN Copie Enreg. sur K7 Sony Walkman Pro et Aiwa + micros extérieurs PP PP COPIE INTERDITE Sous-table non exportée 1992-200 Terrain 01:00:00 10 non INDONESIE;BORNEO(KALIMANTAN)=:01-01•:01-?•:01-?? NON 1 Num. Labo ProTools +BM.2000.011 CDR BM.2000.011.001/05 LE BOMIN,SYLVIE;GABON:FANG FANG;2000 5 O LE BOMIN, SYLVIE LE BOMIN, SYLVIE COPIE -2 SelBMprBN Copie PP PP =DI Sous-table non exportée 2000 Terrain 05:00:00 10 non GABON=:01-01 oui NON 1 Num. Labo ProTools +BM.2001.001 CDR BM.2001.001.001 LONCKE,S.;MASTER POUR CD ENCARTE IN "LES CHEMINS DE LA VOIX PEULE" 1 O LONCKE,SANDRINE Ouvrage publié par les ed. Libreria musicale italiana, 1996• MASTER PUBLICATION -1 Copie Cf. ouvrage dans la bibiothèque du labo• PP PP COPIE INTERDITE Sous-table non exportée N Master di. 01:00:00 1 non BURKINA FASO=:01-01•:01-16 # MALI=:01-15 NON master di. 1 Num. Labo ProTools +BM.2001.002 CDR BM.2001.002.001/02 ZEMP,H.;COTE D'IVOIRE:SENOUFO;XYLOPHONES;1998-99 2 O ZEMP,HUGO ZEMP,HUGO COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 1998-99 Terrain 02:00:00 10 non COTE D'IVOIRE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08 oui Brouillon 1 Num. Labo ProTools +BM.2001.003 CDR BM.2001.003.001/06 ZEMP,H.;COTE D'IVOIRE;1962-67 6 O ZEMP,HUGO ZEMP,HUGO COPIE -2 SelBMprBN Copie Dep. TQH COPIE INTERDITE Sous-table non exportée 1962-67 Terrain 06:00:00 10 non COTE D'IVOIRE=04-06•:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:03-19•:03-20•:03-21•:03-22•:03-23•:04-01•:04-02•:04-03•:04-04•:04-05•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:05-23•:05-24•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06 oui Oui 1 Num. Labo ProTools +BM.2001.004 CDR BM.2001.004.001 BURKINA FASO;LOBI;1996; EX. POUR MAITRISE 1 O SCHNEIDER,CLAIRE SCHNEIDER,CLAIRE cf. notice dans CDR, et la maîtrise• MONTAGE DIPLOME -2 SelBMprBN Ex. musicaux accompagnant la maîtrise "Les chants de femmes lobi du Burkina Faso"; P-X-N 1997-98• Copie PP DB/PP COPIE INTERDITE Sous-table non exportée 1996 Montage diplôme 00:54:00 1 non BURKINA FASO=:01-01 a voir NON Ex. diplôme 1 Num. Extérieure +BM.2001.005 CDR BM.2001.005.001/07 COPIE DI.: BRESIL* 7 O LABORATOIRE *Cf. DT. Copie d'une sélection de 18 di. + 1plage de nos archives à la demande et à destination de l'Escola de musica da Universiddade federal de Minas Gerais, Belo Horizonte. Affaire suivie par J-M. Beaudet• COPIE -2 Copie de Di. PP PP =DI Sous-table non exportée -2 Copie de di. 07:00:00 3 Amérique, Bresil BRESIL=:01-01 non Copie di. Labo 3 ? +BM.2001.006 CDR BM.2001.006.001 ESTIVAL,J-P. PARAGUAY:NIVACLE. POLYMC (CHULUPI) 1 O ESTIVAL,JEAN-PIERRE Dat 44,1kHz COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 2001 Terrain 01:08:00 10 non PARAGUAY=:01-01 oui NON 1 Num. Labo ProTools +BM.2001.007 CDR BM.2001.007.001 YOUSEFZADEH,A. IRAN ; MASTER CD DU LIVRE "LES BARDES DU KHORASSAN" 1 O YOUSEFZADEH,AMENEH Ouvrage paru aux Ed. Peeters• MASTER PUBLICATION -2 Copie PP PP COPIE INTERDITE Sous-table non exportée 1989-98 Terrain 01:04:00 1 non IRAN=:01-01?•:01-02?•:01-03? NON master di. 1 Num. SD2 +BM.2001.008 CDR BM.2001.008.001 PREVOT,N. INDE; TAMIL NADU: TODA 1 O PREVOT,NICOLAS Original = Dat COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 2001 Terrain 01:12:00 10 non INDE;TAMIL NADU=:01-01 oui NON 1 ? +BM.2001.009 CDR BM.2001.009.001 LORTAT-JACOB,B. MASTER PISTE AUDIO DU DVD DU LIVRE "A TUE-TETE" 1 O LORTAT-JACOB,B.; ED AL. MASTER PUBLICATION 2001 Copie PP PP COPIE INTERDITE Sous-table non exportée 1930-93 Master di. 00:35:00 1 non ROUMANIE=01-01•:01-? oui NON master di. 1 Num. Labo ProTools +BM.2001.010 MD BM.2001.010.001 ALBANIE:ROM;"LA KABA:1 FORME MCALE CHEZ LES ROMS DE TIRANA". [EX. POUR MAITRISE 1 O FEVRIER,MANON Cf. Mémoire de Maîtrise, même titre, U. P X-N, 2001; biblioth.du labo: cote MS81• N MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 ALBANIE=:01-01 non NON Ex. diplôme 1 +BM.2002.001 CDR BM.2002.001.001/02 MARTINEZ,R.;BOLIVIE:TARABUCO,"PUJLLAY-AYARICHI;1998,2001 1 O MARTINEZ,ROSALIA MARTINEZ,ROSALIA COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 1998-001 Terrain 02:00:00 10 non BOLIVIE=:01-01 oui NON 1 Num. Labo ProTools +BM.2002.002 CDR BM.2002.002.001 MARTINEZ,R.;BOLIVIE: MONTAGE POUR LE MUSEE ASUR 1 O MARTINEZ,ROSALIA MARTINEZ,R. COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage expo. 01:00:00 10 non BOLIVIE=:01-01 oui NON montage expo 1 Num. Labo ProTools +BM.2002.003 CDR BM.2002.003.001/04 ZEMP,H;COTE D'IVOIRE:BAOULE;1965-67 4 O ZEMP,HUGO Numérisation Labo J.D., 2003• ZEMP,HUGO COPIE -2 SelBMprBN Copie COLLECTEUR/PP PP COPIE INTERDITE Sous-table non exportée 1965 Terrain 04:00:00 10 non COTE D'IVOIRE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24•:02-25•:02-26•:02-27•:02-28•:02-29•:02-30•:02-31•:02-32•:02-33•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:04-26•:04-27•:04-28 oui OUI 1 Num. Labo ProTools +BM.2002.004 DAT+Ø* BM.2002.004.001/108 YARANGA VALDERRAMA,A.;PEROU 108 O YARANGA VALDERRAMA,ABDON *Format Dat 94. *Originaux en tout 108 bm : a) sur Uher 4000, Ø13 1/2P ²19 à ² 4,7 b) copies locales sur Ø18 et ØGF en ²19 et 9,5. Copie labo faites par TQH, lecteur Uher Royal , enr. directe sur Tascam DA 30 • YARANGA VALDERRAMA,ABDON COPIE -2 SelBMprBN Cf. par le déposant: 1) _El tesoro de la poésia quechua_, Madrid, Edicones de la Torre, 1994. 2) _Dictionaire de l'organologie andine. Instruments de musique, danse, théâtre_ , manuscript dactylographié en Espagnol, Paris 2002 . Un ex. au labo• Copie ¥ 2 cahiers de fiches manuelles faites par M. Yaranga et TQH à l'écoute des copies Dat• PP PP COPIE INTERDITE Sous-table non exportée -1 Terrain 28:00:00 10 oui oui PEROU=:01-01 a voir (NON)¥ archiv.en cours 1 DAT (TQH) +BM.2002.005 CDR BM.2002.005.001/27 MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON 27 O ROUGET,GILBERT Copie numérisée de la coll. BM.974.013...Les di. originaux Pyral étant très dégradés, la coll. BM.974.013... , qui est la copie intégrale des Pyral, est à considérer comme un Original• COPIE -2 SelBMprBN Copie de di. Pyral BM.970.060.001 = copie de 5 pièces; BM.974.013.... = copie de toute la coll. de di. Pyral• PP PP COPIE INTERDITE Sous-table non exportée 1946 Terrain 26:00:00 10 non CONGO=:01-01 # GABON=:?-? (OUI),cf.BM.974.013 1 Num. Labo ProTools +BM.2002.006 CDR BM.2002.006.001/04 ESTIVAL,J-P.;PARAGUAY,CHACO:GUARANI-GNANDEVA;MYTHES 4 O ESTIVAL,JEAN-PIERRE ESTIVAL,J-P. COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Terrain 04:00:00 10 non PARAGUAY=:01-01 oui (NON) mythes 1 Num. Labo ProTools +BM.2002.007 CDR BM.2002.007.001 "FAMILIA VALERA MIRANDA" COPIE K7 PUBLIEE DEBUT 80' 1 O ESTIVAL,JEAN-PIERRE COPIE 1980 SelBMprBN Copie de Di. Copie d'une K7 commercialisée, sans ed., sl, sd; enreg. à Santiago de Cuba, au début des 80', sans doute dans les studios Ciboney. Copie interdite, car nous ignorons qui détient les droits de ©• Déposant PP COPIE INTERDITE Sous-table non exportée 1980 Copie de K7 publiée 01:00:00 3 Amerique, Cuba CUBA=:01-01>12 oui OUI 1 +BM.2002.008 K7-C90 BM.2002.008.001 FRANCE, "LE VIOLON TRAD. EN LIMOUIN" [EX. POUR MAITRISE] 1 O ETAY, FRANCOISE Cf. à la bibliothèque du labo cote MS75: mémoire de maîtrise, même titre; U. Paris-Sorbonne, 1983)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 FRANCE=:01-01 non NON ex.diplôme 1 +BM.2002.009 K7 BM.2002.009.001 PORTUGAL,ALENTEJO:"PRATIQUES MUSICALE HIER & AUJOURD'HUI..." [EX. POUR MAITRISE] 1 O SUZA BUSTARRET, MARIA FRANCISCA DE Cf. à la bibliothèque du labo cote MS30: mémoire de maîtrise, même titre; U. P.X-N, 1986)• MONTAGE DIPLOME -2 SelBMprBN Copie durée pif• PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 PORTUGAL=:01-01 non NON ex.diplôme 1 +BM.2002.010 K7-C90 BM.2002.010.001 NEPAL, GÂINE; "GÂINE ET/OU GANDHARVA..." [EX. POUR MAÎTRISE 1 O GALODE,JEAN Cf. à la bibliothèque du labo cote MS88: mémoire de maîtrise, même titre; U. P.X-N., 1989)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 NEPAL=:01-01 non NON ex.diplôme 1 +BM.2002.011 K7-C90 BM.2002.011.001 GRECE; "MUSIQUE BYZANTINE..." [EX. POUR THÈSE] 1 O GIANNELOS,DIMITRIOS Cf. à la bibliothèque du labo cote MS95: thèse de Doctorat de 3ème cycle, même titre; U. P.X-N., 1987)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 GRECE=:01-01 non NON ex.diplôme 1 +BM.2002.012 K7-C90 BM.2002.012.001 MEXIQUE,CHIAPAS "MS DE FÊTE DANS UN VILLAGE DU CHIAPAS..."(EX. POUR MAÎTRISE] 1 O LE DUC DE ESPINOSA,BIRGITTA Cf. à la bibliothèque du labo cote MS134: mémoire de maîtrise, même titre; U. P.X - N., 198)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 MEXIQUE=:01-01 non NON ex.diplôme 1 +BM.2002.013 K7-C90 BM.2002.013.001 "FLÛTES A INSUFFLATION SUR LE BORD TERMINAL" [EX; POUR MAÎTRISE] 1 O LE GONIDEC, MARIE-BARBARA Cf. à la bibliothèque du labo cote MS135: mémoire de maîtrise, même titre; U. P.X - N., 1988)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 N=:01-01 non NON ex.diplôme 1 +BM.2002.014 K7-C90 BM.2002.014.001 POLYNESIE FRANCAISE ; "LES HIMENE..." (EX. POUR MAÎTRISE] 1 O MESPLE, RAYMOND Cf. à la bibliothèque du labo cote MS164: mémoire de maîtrise, même titre; U. Lyon 2, 1986)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:30:00 1 oui 2 POLYNESIE FRANCAISE=:01-01 non NON ex. diplôme 1 +BM.2002.015 CDR BM.2002.015.001/02 ESTIVAL,J-P. & SANDRONI,C.;BRESIL, XANGÔ DU XAMBA;2002 2 O ESTIVAL,JEAN-PIERRE & SANDRONI,CARLOS - enreg. originaux sur ?? - copie: banc de montage 2 ESTIVAL,JEAN-PIERRE & SANDRONI,CARLOS COPIE -1 SelBMprBN Copie Déposant PP COPIE INTERDITE Sous-table non exportée 2002 Terrain 02:00:00 10 non BRESIL=:01-01>06•:01-07>10•:01-11>14•:01-15>18•:01-19>22•:01-23>26•:01-27>30•:02-01>04•:02-05>08•:02-09>12•:02-13>16•:02-17>20 oui OUI 1 Num. Labo ProTools +BM.2002.016 CDR BM.2002.016.001/01 ESITVAL,J-P.;BESIL,ETAT DE PERNAMBOUC;CONCEICAO DOS CRIOULAS;2002 1 O ESTIVAL,JEAN-PIERRE ESTIVAL,J-P. COPIE -1 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 2002 Terrain 01:00:00 10 non BRESIL=:01-01 oui NON 1 Num. Labo ProTools +BM.2002.017 CDR BM.2002.017.001/09 MENEZES BASTOS,R.DE;BRESIL,HTXINGU:KAMAYURA;RITUEL YAWARI.1981 9 O MENEZES BASTOS,RAFAEL DE Enreg. originaux = K7 Sony, micro Sony. Copie = banc de montage numérique2• MENEZES BASTOS,R.DE COPIE -1 SelBMprBN Menezes Bastos, Rafael de: "La musicologia kamayura"; et € articles par le même• Copie Déposant +PP PP COPIE INTERDITE Sous-table non exportée 1981 Terrain 08:00:00 10 non BRESIL=:01-01 non OUI sommaire 1 Num. Labo ProTools +BM.2002.018 CDR BM.2002.018.001/04 HELFFER,M.;TIBET (NEPAL).RITUEL DU GTOR-ZLOG, 4° & 5° JOUR 4 O HELFFER,MIREILLE HELFFER,M. COPIE -2 SelBMprBN Cf. CD "Sound of Tibet" et livre Richard J.Kohn, "Lord of the Dance : The mani rimdu Festival in Tibet and Nepal", State Univ. of New York Press, 2001• Copie Même partie du rituel enregistrée en 1997 = BM.998.002.001/05 (+ dossier technique) et le même maître de chant s'accompagnant aux cymbales pour les notations musicales correspondant à 2 rituels = BM.1999.009.001/09 et BM.2003.001.001/05. L'ordre de la copie correspond à la succession des opérations rituelles. L'ordre des cassettes resulte des difficultés à l'enregistrement et de la nécessité d refaire plusieurs sections. *Aude Julien, vacation CREM07• Déposant Vacataire 07* COPIE INTERDITE Sous-table non exportée 1995 Terrain 03:51:46 10 non TIBET (NEPAL)=:01-01 oui oui 1 Num. Labo ProTools +BM.2002.019 CDR BM.2002.019.001 MONTAGE MASTER POUR L'EXPO. "HIMALAYA..." MNHN 2002 1 O PITOEFF,P. / LABORATOIRE Cf. DT. (Asie) 24 pièces, dont 23 provenant de di. de la phonothèque et d'1 coll. privée (Tran Q Hai), et 1 pièce inédite (coll. P. Pitoëff)• MONTAGE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage expo. 01:00:00 1 non N=:01-01>24 oui OUI cf. DT 1 Num. Labo directe graveur +BM.2002.020 CDR BM.2002.020.001/03 LAMBERT,J.;YEMEN;ENCYCLOPEDIE DES MELODIES DU CHANT DE SANAA 3 O LAMBERT,JEAN Copie d'extraits de K7 commercialisées, de di. et autres enreg. (Num sur banc de montage SD2 par stagiaire yeménite ?)• N COPIE -1 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage 03:00:00 10 non YEMEN=:01-01 Oui NON en cours 1 Num. SD2 +BM.2002.021 CDR BM.2002.021.001 COPIE DU DI. ACCOMPAGNANT "LA RESONNANCE DANS LES ECHELLES MUSICALES"* 1 O WEBER,EDITH *Ed. du CNRS. Copie des 2 di. 25/33• COPIE 1963 Copie de Di. pp PP =DI Sous-table non exportée -1 Copie de di. 01:00:00 3 varia N=:01-01 non NON copie di. 3 Num. Labo directe graveur +BM.2002.022 CDR BM.2002.022.001 BEAUDET,J-M.;GUYANE 1 O BEAUDET,JEAN-MICHEL BEAUDET,J-M. COPIE -2 SelBMprBN Copie pp PP COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 non GUYANE FRANCAISE=:01-01 Oui NON 1 Num. Labo ProTools +BM.2002.023 CDR BM.2002.023.001 LORTAT-JACOB,B; "PASSEUR DE MUSIQUE" 1 O LORTAT-JACOB,B. N Montagepour séminaires• N MASTER PUBLICATION -2 Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage 01:00:00 1 non N=:01-01 oui NON master di. 1 Num. Labo ProTools +BM.2002.024 CDR BM.2002.024.001 ESTIVAL,J-P. & PLISSON,M; ARGENTINE : HILDA HERRERA 1 O ESTIVAL,JEAN-PIERRE. & PLISSON,MICHEL * Mode d'acquisition : DÉPOT du producteur Michel Plisson et de Jean-Pierre Estival• PLISSON,MICHEL COPIE -2 SelBMprBN Copie* ** "L'ENREGISTREMENTde la pianiste Hilda Herrera sera ÉCOUTABLE SEULEMENT dans les LOCAUX de L'UMR 8574 sous la responsbilité notamment de Jean PierreESTIVAL. TOUTE REPRODUCTION SOUS QUELQUE FORME que ce soit EST INTERDITE. Toute AUTORISATION EXCEPTIONNELLE devra être ADRESSÉE à Michel PLISSON par écrit". Paris, le 18/12/02, signé le producteur MIchel PLISSON. Enreg. à Paris. Cf.DT• PP PP RESTREINT** Sous-table non exportée -1 Concert 00:47:00 1 non ARGENTINE=:01-01 non NON cas particulier 1 Num. Labo ProTools +BM.2002.025 CDR BM.2002.025.001/03 PIRES ROSSE,L.; BRESIL:MAXACALI, WAIWAI.2002 3 O PIRES ROSSE,LEONARDO PIRES ROSSE,LEONARDO COPIE -2 SelBMprBN Echange* Enreg. réalisés a) dans les villages du peuple MASHAKALI (État de Minas Gerais, Brésil), par l'équipe du Laboratorio d'etnomusicologia de l'École de musique de l'université fédérale de Minas Gerais, Belo Horirzonte; b) à lÉcole de musique... pour la musique Waiwai. *Copie faite par eux; en échange d'une copie des collections Brésil de nos archives.• J-M Beaudet PP COPIE INTERDITE Sous-table non exportée 2002 Terrain 03:00:00 10 non BRESIL=:01-01>05•:01-06>18•:01-19>20•:01-21>24•:01-25>28•:02-01>19•:02-20>21•:03-01*•:03-02*•:03-11* non OUI 1 Num. Extérieure +BM.2002.026 CDR BM.2002.026.001/02 GUERREIRO,A.;INDONESIE,BORNEO 2 O GUERREIRO,ANTONIO Originaux: K7 audio C90 ,normal. Numérisation labo 2002, J.Dechamp• COPIE -2 SelBMprBN Copie Collecteur/PP PP COPIE INTERDITE Sous-table non exportée 1983,1994 Terrain 02:00:00 10 non INDONESIE;BORNEO(KALIMANTAN)=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08 OUI 1 Num. Labo ProTools +BM.2002.027 CDR BM.2002.027.001/02 MARTINEZ,R.;BOLIVIE: JALQ'A, REPERTOIRE "MONOS";1990-92-2002 2 O MARTINEZ,ROSALIA Copie banc de montage numérique 2• COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 1990-2002 Terrain 02:00:00 10 non BOLIVIE=:01-01 oui NON 1 Num. Labo ProTools +BM.2002.028 CDR BM.2002.028.001/02 "ALBANIA I & II" [COPIE DE DI] 2 O KRUTA,BENIAMIN / LABORATOIRE* Copie de 2 Di. 30/33 I Suoni : "Albania I . Canti e danze tradizionale. Polifonia vocale e musica strumentale"; 22 pl.; ref. CETRA/SU-5009. "Albania II . Polifonia vocale e musica strumentale"; 16 pl.; ref. CETRA/SU-5010• INSTIT.DE CULT. POPU, ACADEMIE DES SCIENCES,RIPSA COPIE -1 Copie de di. *Di. prêtés par B. Lortat-Jacob• PP PP Sous-table non exportée 1957-78 Terrain 01:32:00 3 Europe, Albanie ALBANIE=:01-01 NON copie di. pas auLabo. 3 +BM.2002.029 CDR BM.2002.029.001/02 VIENNOT,F.;TIBET(INDE):SKYID GRONG. CHANTS DE MARIAGE 2 O VIENNOT,FABIENNE Originaux: MD Sony MZ R 700 (ou Kenwood ??), micro Sony ECM 717. Copie CDR effectuée par le déposant• = COPIE -2 SelBMprBN Cf. 1) Viennot,Fabienne "Les chants de mariage dans la communauté dee Skyid Grong", mémoire de Maitrise, direction R. Martinez, Uté Paris VIII; 28 oct 2002. 2) Buffetrille, Katia : un article et une maitrise sur le mariage par vol dans quelques sociétés tibeto-birmanes, Uté Paris X, 1986• Don Auteur PP PP COPIE INTERDITE Sous-table non exportée 2001 Terrain 02:00:00 10 non2 TIBET (INDE)=:01-01•:01-02>3•:01-04•:01-09•:01-10•:01-11>13•:01-14>23•:01-5>8•:02-01•:02-02>4•:02-05>10 non OUI 1 Num. Extérieure +BM.2002.030 CDR BM.2002.030.001/02 "L'IMPROVISATION DANS LES M. DE TRADITION ORALE" [COPIE] 2 O SFE / LABORATOIRE Cf. ouvragede même titre. SELAF,1987.Au Labo. Copie des bandes master (BM.988.011...)• COPIE 1987 Copie de K7 *BM.988.001.01 =K7 éditée. BM.988.011 = master• PP PP =DI Sous-table non exportée -1 Copie du montage 01:30:00 3 varia N=:01-01 oui NON copie Master di. 3 +BM.2002.031 CD-ROM BM.2002.031.001 "CORNALINES DE L'INDE" [COPIE DE CD-ROM] 1 O ROUX,VALENTINE / LABORATOIRE Cf. ouvrage de même titre par V. Roux. *Paris, Éd. Maison des sciences de l'Homme, 2000. CD-Rom réalisé par Philippe Blasco• COPIE -1 Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Publication 00:00:00 3 Asie, Inde INDE=:01-01 oui (NON) pas de mc 0 +BM.2002.032 CDR BM.2002.032.001/03 D. MAGALHAES.BRESIL,MINAS GERAIS:XACRIABA; 2000-2001 3 O MAGALHAES,DANIEL ELEVES INDIGENES DU PROJET* COPIE -2 SelBMprBN Echange* * Escolas indigenas de Minas Gerais. CDR faits par le Labo d'etnomusicologia da Escola de musica, Universidade federal de Minas Gerais *cf. BM. 002.025• J-M Beaudet PP COPIE INTERDITE Sous-table non exportée 2000-01 Terrain 03:03:00 10 non2 BRESIL=:01-01>12•:02-01>11•:03-01>19 OUI 0 Num. Extérieure +BM.2002.033 CDR BM.2002.033.001 D. MAGALHAES.BRESIL;MINAS GERAIS:BRESILIENS. 2001 1 O MAGALHAES,DANIEL Liste des titres. MAGALHAES,D & C.R.SANTOS COPIE -2 SelBMprBN Echange* J-M Beaudet PP COPIE INTERDITE Sous-table non exportée 2001 Terrain 00:34:14 10 BRESIL=:01-01-18 OUI 0 ? +BM.2003.001 CDR BM.2003.001.001/05 HELFFER,M.;NEPAL/TIBET 5 O HELFFER,MIREILLE Num. banc de montage2• HELFFER,MIREILLE COPIE -2 SelBMprBN Manuel de chant (dbyangs-yig) pour le rituel de Qohin-rje-qohed . Cf. le détail des pages dans les fiches item• Copie Enregistré par le "maître de chant" dbu-mdzad Norbzang (ou Norsang), à la demande de Rabjam Rinpoche, en vue de conservation dans les archives du monastère de Zhe-chen (= Shechen). *Aude Julien, vacation Crem 08• Déposant+* Vacataire 08* COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 non TIBET (NEPAL)=:01-01 oui OUi 1 Num. Labo ProTools +BM.2003.002 CDR BM.2003.002.001 KANTIEBO,E.;TCHAD 1 O KANTIEBO,ELODIE Num. banc de montag1(SoundDesigner), par le Déposant. KANTIEBO,ELODIE COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Terrain 00:00:00 10 non TCHAD=:01-01 non NON 1 Num. SD2 +BM.2003.003 CDR BM.2003.003.001/03 LORTAT-JACOB,B.;ALBANIE 2002 3 O LORTAT-JACOB,BERNARD Num. banc de montage1(SoundDesigner)• = COPIE -2 SelBMprBN Copie Collecteur/PP PP COPIE INTERDITE Sous-table non exportée 2002 Terrain 01:25:00 10 non ALBANIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30•:01-31•:01-32•:01-33•:01-34•:01-35•:01-36•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13 oui OUI 1 Num. SD2 +BM.2003.004 CDR BM.2003.004.001/04 ZEMP,H.;COTE D'IVOIRE:DAN;1962 4 O ZEMP,HUGO Num. banc de montageProTools• = COPIE -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée 1962 Terrain 03:00:00 10 non COTE D'IVOIRE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30•:01-31•:01-32•:01-33•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11 oui Brouillon 1 Num. Labo ProTools +BM.2003.005 CDR BM.2003.005.001/05 HURAULT,J.;GUYANE. CHANTS,CONTES & LEGENDES;1957-58 5 O HURAULT,JEAN Num. banc de montageProTools LE; lecteur Nagra IV• = COPIE -2 SelBMprBN Hurault,J.: "Noirs réfugiés de la Guyane Française" et "Africains de Guyane" • Copie Numerique Seefiann Dei Seefiann Dei COPIE INTERDITE Sous-table non exportée 1957-58 Terrain 05:30:00 10 non AMERIQUE=:05-06>08 # GUYANE FRANCAISE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:05-01•:05-02•:05-03•:05-04•:05-05 OUI 1 Num. Labo ProTools +BM.2003.006 CDR BM.2003.006.001 "M. FROM SARAMAKA. A DYNAMIC AFRO-AMERICAN TRAD."[COPIE DI.] 1 O LABORATOIRE *Folkways Rec. FE-4225. Rec. & annotated by Richard & Sally Price• PRICE, RICHARD & SALLY COPIE DE PUBLICATION* 1977 Copie de Di. PP PP Sous-table non exportée 1967-76 Copie de di. 00:42:35 3 Amerique, Surinam SURINAM=:01-01 (NON) copie di. au Labo 3 +BM.2003.007 CDR BM.2003.007.001 "CHANTS KALINA, OAYANA";"CHANTS BONI"(COPIE DI 78T] 1 O LABORATOIRE *copie de 2 di. 78t, au labo.; ed. Music-Monde, 1) Chant kalina et Chant Oayana; enreg. G. Charpentier; réf. J-441-N°3000 2) Chants Boni; enreg. A. Sausse; réf. J-442-N°3001• COPIE DE PUBLICATION* -1 Copie de di. 78T PP PP =DI Sous-table non exportée -1 Copie de di.78T 00:12:02 3 Amerique, Guyane fr. GUYANE FRANCAISE=:01-01•:01-03•:01-04 (NON) copie di.au Labo 3 +BM.2003.008 CDR BM.2003.008.001 COPIE MASTER DI"MUSIQUE BONI & WAYANA DE GUYANE"+CHUTE 1 O LABORATOIRE COPIE -2 Copie Copie de BM.969.008.001/03, c'est à dire de la bande master d'origine. N.B. : la copie CD-R faite par J. Schwarz a un blanc sur une plage> on est reparti de la bm master pour cette plage. Cf. Di. "MUSIQUE BONI & WAYANA DE GUYANE", DI.968.013.001• PP PP COPIE INTERDITE Sous-table non exportée 1957 Copie Master DI 01:00:00 1 non GUYANE FRANCAISE=:01-01•:02-01 NON (master di.) 0 Num. Labo ProTools +BM.2003.009 CDR BM.2003.009.001/10 ALGERIE, TABELBALA; CHAMPAULT,D.;1950-55? 10 O CHAMPAULT,PASCALE Région de Toât Gourara. Originaux: 89 bm; Ø 13 et Ø 18, ²38 et ²19 + 1²4,75. Gravure sur banc de montage SD2, fait par Cécile Funkepour son DEA sur vacation CNRS • CHAMPAULT,DOMINIQUE COPIE -2 SelBMprBN Copie Pascale Champault, fille de Dominique C., 14, rue Champault (sic) 45360 Chatillon sur Loire tél. 02 38 31 04 61 (à vérifier)• PP PP COPIE INTERDITE Sous-table non exportée 1950-55? Terrain 10:00:00 10 ALGERIE=:01-01 oui NON (±en cours) 4 Num. SD2(Étudiants) +BM.2003.010 Ø13;²19;1p/2 BM.2003.010.001/29 LAMBERT,J.;YEMEN,1987 29 O LAMBERT,JEAN *²19;1/2P, P2 vierge. Original: Uher 4200• LAMBERT,JEAN ORIGINAL -2 SelBMprBN Contrat à signer Déposant Déposant COPIE INTERDITE Sous-table non exportée 1987 Terrain 09:27:33 10 oui oui YEMEN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:02-01•:02-02•:03-01•:03-02•:04-01•:04-02•:05-01•:05-02•:06-01•:06-02•:06-03•:07-01•:08-01•:09-01•:09-02•:10-01•:10-02•:11-01•:11-02•:11-03•:12-01•:13-01•:13-02•:13-03•:13-04•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:16-01•:16-02•:17-01•:17-02•:17-03•:18-01•:18-02•:18-03•:19-01•:20-01•:20-02•:21-01•:22-01•:23-01•:24-01•:25-01•:25-02•:26-01•:26-02•:27-01•:27-02•:28-01•:28-02•:29-01 OUI 0 Num.MuseBoule12_07 +BM.2003.011 CDR BM.2003.011.001 HELFFER,M; MATTHIEU RICARD .;TIBET (INDE,NEPAL). RITUEL DE _GCOD_;1986,1993 1 O HELFFER,MIREILLE HELFFER,MIREILLE;MATTHIEU RICARD COPIE -2 SelBMprBN Copie Déposant PP COPIE INTERDITE Sous-table non exportée 1986,93 Terrain 01:06:00 10 non TIBET (INDE)=:01-01 # TIBET (NEPAL)=:01-02•:01-03 oui OUI 0 Num. Labo ProTools +BM.2003.012 CDR BM.2003.012.001 LONCKE,S. & P. RIESMAN;BURKINA FASO: PEULS JELGOOBE;±1975 1 O LONCKE,SANDRINE. & PAUL RIESMAN Copie directe au labo sur Graveur Tascam CD-RW 2000 • RIESMAN,PAUL COPIE -2 SelBMprBN Copie Le CRD comporte une pièce 12 de 0'34" dont il n'a pas été fait de fiche et dont le contenu est: silence puis ronflette • Déposant PP COPIE INTERDITE Sous-table non exportée ±1975 Terrain 01:00:00 10 non BURKINA FASO=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11 OUI 0 Num. Labo directe graveur +BM.2003.013 CDR BM.2003.013.001 INDE."MCS DE L'ALEATOIRE.UNE ETHNOG....AU KERAL"[EXEMPLES POUR THESE] 1 O GUILLEBAUD,CHRISTINE 7 p. Liste descriptive + renvoi aux pages de la thèse. Cf. thèse "Musiques de l'aléatoire. Une ethnographie des pratiques musicales itinérantes au Kérala (Inde du Sud)". U. Paris X - Nanterre, oct 2003. Ex. à la bibliothque du labo• GUILLEBAUD,CHRISTINE MONTAGE DIPLOME -2 SelBMprBN Don* * Don B. Lortat-Jacob. PP PP COPIE INTERDITE Sous-table non exportée 1999-01 Montage diplôme 00:52:55 1 non INDE;KERALA=:01-02•:01-15 (OUI) DT, ex. diplôme 0 ? +BM.2003.014 CDR BM.2003.014.001 "SHAMAN, JHANKRI & NELE. MC HEALERS OF INDIGENOUS CULTURES" 18 O LABORATOIRE / C.A.: CHAMO,JEFFREY COPIE DE PUBLICATION* 1997 Copie de Di. *Copie de di. Éditeur (C) (P) Ellipsis Arts• PP PP =DI Sous-table non exportée -1 N 01:00:38 3 COREE DU NORD=:01-15 # HAITI=:01-05 # INDE=:01-02 # MEXIQUE=:01-07•:01-11•:01-12•:01-13•:01-14 # N=:01-08•:01-10 # NEPAL=:01-03 # PANAMA=:01-17 # PEROU=:01-04 # TIBET=:01-18 # URSS;RA TOUVA=:01-09 # USA=:01-01•:01-06•:01-16 (OUI) ethnies 0 +BM.2003.015 CDR BM.2003.015.001 "THE YEMENITE JEWS" (COPIE DE DI.) 11 O LABORATOIRE / A.C.: BAHAT,AVNER COPIE DE PUBLICATION* -1 Copie de Di. * Editeur Auvidis; coll. UNESCO, Anth. de le M. traditionnelle; réf; D-8024• PP PP =DI Sous-table non exportée 1976-77 Copie de di. 00:48:55 3 YEMEN=:01-01 NON copiedi.pas au Labo 0 +BM.2003.016.001 CDR BM.2003.016.001 MUSIC IN THE WORLD OF ISLAM: HUMAN VOICE / LUTES 23 O LABORATOIRE / JENKINS,JEAN & POUL ROVSING OLSEN JENKINS,JEAN & POUL ROVSING OLSEN COPIE DE PUBLICATION* -1 Copie* *Copie de di. ; Éditeur Tangent , réf. TSCD-901. C'est la réédition des 2 di. 30/33 figurant dans "Autres exemplaires". *Don J. Lambert, copie faitepar lui à l'extérieur• PP PP =DI Sous-table non exportée 1965-75 Terrain 01:17:05 3 ABU DHABI=:01-05 # AFGHANISTAN=:01-06•:01-13•:01-19•:01-23 # ALGERIE=:01-01•:01-17 # BAHREIN=:01-08•:01-16 # EGYPTE=:01-02•:01-12A # ETHIOPIE=:01-07•:01-11 # INDE;ANDHRA PRADESH=:01-09 # IRAK=:01-14•:01-15 # IRAN=:01-18•:01-22 # IRAN;KURDISTAN=:01-03 # JORDANIE=:01-04 # LIBAN=:01-10 # MAROC=:01-20 # TURQUIE=:01-21 (OUI)Ethnies ©di. au Labo 0 +BM.2003.016.002 CDR BM.2003.016.002 MUSIC IN THE WORLD OF ISLAM: STINGS / FLUTES & TRUMPETS 24 O LABORATOIRE / JENKINS,JEAN & POUL ROVSING OLSEN JENKINS,JEAN & POUL ROVSING OLSEN COPIE DE PUBLICATION* -1 Copie de di. *Copie de di. ; Éditeur Tangent , réf. TSCD-901. C'est la réédition des 2 di. 30/33 figurant dans "Autres exemplaires"• PP PP =DI Sous-table non exportée 1960-75 Terrain 01:16:14 3 ALGERIE=:01-16A•:01-16B•:01-23 # BAHREIN=:01-10 # ETHIOPIE=:01-04•:01-09 # INDE;RAJASTHAN=:01-05•:01-12•:01-13•:01-24 # INDONESIE;JAVA=:01-07 # IRAK=:01-02•:01-11 # IRAN=:01-08•:01-21 # JORDANIE=:01-03A # MAROC=:01-14 # NIGER=:01-03B # NIGERIA=:01-17 # OUGANDA=:01-19 # PAKISTAN=:01-01A•:01-18•:01-22 # TURKMENISTAN=01-20 # TURQUIE=:01-06•:01-15 (OUI)Ethnies©di.au Labo 0 +BM.2003.016.003 CDR BM.2003.016.003 MUSIC IN THE WORLD OF ISLAM: REEDS & BAGPIPES / DRUMS & RHYTHMS 27 O LABORATOIRE / JENKINS,JEAN & POUL ROVSING OLSEN JENKINS,JEAN & POUL ROVSING OLSEN COPIE DE PUBLICATION* -1 Copie de di. *Copie de di. ; Éditeur Tangent , réf. TSCD-901. C'est la réédition des 2 di. 30/33 figurant dans "Autres exemplaires". *Don J. Lambert, copie faitepar lui à l'extérieur. *Don J. Lambert, copie faitepar lui à l'extérieur• PP PP =DI Sous-table non exportée 1962-75 Terrain 01:16:03 3 ABU DHABI=:01-24 # AFGHANISTAN=:01-06•:01-15 # ALGERIE=:01-07•:01-22•:01-26 # BAHREIN=:01-03•:01-19 # INDE;RAJASTHAN=:01-01•:01-13•:01-17 # INDONESIE;SUMATRA=:01-10 # IRAN=:01-05•:01-23 # IRAN;KURDISTAN=:01-21 # ITALIE=:01-08 # JORDANIE=:01-25 # MALAYSIA=:01-04 # MAROC=:01-14•:01-27 # NIGER=:01-16 # PAKISTAN=:01-112•:01-18A•:01-18B•:01-20 # SYRIE=:01-11A•:01-11B # TURQUIE=:01-02•:01-09 (OUI)Ethnies ©di. au Labo 0 +BM.2004.001 CDR-extérieur BM.2004.001.001/08 ALLIEZ,L.TUNISIE DU N.O., LE KRIB 8 O ALLIEZ,LAETITIA Matériel utilisé pour la thèse "Le geste vocal des femmes au Krib, une bourgadede la Tunisie du Nord-Ouest. Adaptation et filiation lors d'une transition sociale"; Univ. Aix en Provence, 19 déc. 2003• ALLIEZ,LAETITIA COPIE -2 SelBMprBN Don* Copie faite par le déposant. * Don B. Lortat-Jacob• Déposant PP COPIE INTERDITE Sous-table non exportée 1996 Terrain 08:00:00 10 non2 TUNISIE=:01-01>08•:01-09>12•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13 non (OUI) en cours 0 Num. Extérieure +BM.2004.002 CDR BM.2004.002.001 MASTER CD ACCOMPAGNANT "M. & ANTHROPOLOGIE" _L'HOMME_ 171-172; 07/12-2004 1 O LABORATOIRE MASTER PUBLICATION -1 Montage pour Publication PP PP COPIE INTERDITE Sous-table non exportée -1 Master di. 01:00:00 1 non "WORLD MUSIC"=:01-41•:0142 # BRESIL=:01-16>19 # CAMEROUN=:01-34>35 # CONGO=:01-01>02•:01-03>04 # COTE D'IVOIRE=:01-37>39 # ILES SALOMON;MALAITA=:01-40 # INDONESIE;CELEBES(SULAWESI)=:01-21>26 # ITALIE;SARDAIGNE=:01-05>08 # MAROC=:01-09>11 # OUGANDA=:01-27>32 # REP CENTRAFRICAINE=:01-12>15•:01-33 # TCHAD=:01-36 # TIBET=:01-20 (NON) master di. 0 Num. Labo ProTools +BM.2004.003 CDR BM.2004.003.001/02 MAURITANIE; EX. POUR MAÎTRISE 2 O VALTEAU,JEAN-LUC Cf. "Autour du jerricane. Mc des jeunes de Mauritanie". Mémoire de maîtrise; sous la direction de Suzane Fürniss; Paris VIII, oct. 2000• MONTAGE DIPLOME -2 SelBMprBN Cf. Notice /DT. Copie * copie, sur Teak CDR Dupli 4, de CDR faits par le Déposant sur un PC avec Wave Lab, graveur Plextor (de 1998/99), vit. 4x. Originaux lus sur K7 Tascam V20 205 Originaux enreg. sur un magnéto K7 Sony TC-D5, Dolby B. Ex. musicaux accompagnant la maîtrise. N° tél. de J-L V. 06 67 06 00 62• PP PP COPIE INTERDITE Sous-table non exportée 1999 Terrain 02:00:00 1 non MAURITANIE=:01-01 NON ex. diplôme 0 Num. Extérieure +BM.2004.004 CDR-extérieur BM.2004.004.001/13 SUN,CHUN-YEN;TAIWAN:'AMIS 13 O SUN,CHUN-YEN Enreg. su r DAT. *CDR gravés sur ordinateur (PC sous Windows) par le Déposant. Cf. DT• COPIE -2 SelBMprBN Copie Mémoire de DEA : "La polyphonie vocale des Amei de Falangaw à Taïwan" de SUN, Chun-Yen consultable à l'adresse : hemiolasun.free.fr/music/dea/dea-memoire-fr.pdf PP PP COPIE INTERDITE Sous-table non exportée 2000-03 Terrain 13:00:00 10 non2 TAIWAN=:01-01 (NON) DT 0 Num. Extérieure +BM.2004.005 CDR-extérieur BM.2004.005.001/200 ARCHIVES MCALES D'OUZBEKISTAN & DU TADJIKISTAN* 200 O AGHA KHAN MUSIC INITIATIVE IN CENTRAL ASIA** COPIE -2 SelBMprBN Copie* *Séléction établie par J. During et des grands musiciens de la région, à partir des archives de différentes institutions de ces deux pays. La numérisation sur CDR a été faite sur place. La qualité de gravure de ces CDR a été controlée par le Dpt audio-visuel de la BNF. La copie archivée ici a été réalisée ici sur le duplicateur Multigraveur Teak CDR Dupli 4. **Opération financée par The Agha Khan Trust for Culture (1-3 av. de la Paix. Ch 1202 Genève)• PP PP COPIE INTERDITE Sous-table non exportée -1 Autre 200:00:00 10 non2 TADJIKISTAN=:01-01? # URSS;RSS OUZBEKISTAN=:02-01? (NON) en cours 0 Num. Extérieure +BM.2005.001 CDR BM.2005.001.001/03 A.SHAEFFNER & GRIAULE:SEL. DAKAR-DJIBOUTI 1931& SAHARA-SOUDAN + GUINEE 1954 3 O SCHAEFFNER,A.ET M. GRIAULE / LABO SCHAEFFNER,ANDRE COPIE -2 Copie sélective •CD:01 =Sélection des enreg. de meilleure qualité, à partir de la copie sur bande de la mission Dakar-Djibouti $cf.Dakar-Djibouti : BM. 976.011.001/45:41 à ... :45 ; mission Guinée 1953 £ Guinée : cf. BM.1981.012.001/07: 02-01 à 09, BM...:03- 01 à 09, BM...:04-01 à 06). •CD:02 et :03= copie de tout "Dakar - Djibouti" et "Sahara - Soudan"• PP PP COPIE INTERDITE Sous-table non exportée 1931;1934 Terrain 03:00:00 1 non SENEGAL=:01-01 (OUI) à reventiler 0 Num. Labo ProTools +BM.2005.002 CDR BM.2005.002.001/03 EXPO. UNIVERSELLE DE 1900: SELECTION 3 O SOCIETE D'ANTHROPOLOGIE / LABO * Cf. contrat entre Sté Anthropologie de Paris et Muséum, daté du 5 juin 1978• COPIE -2 Copie Numerique Sélection des enreg. de meilleure qualité, à partir de la copie sur bande BM.976.011.001/45, ...; ...;...;...;BM...:38-01 à -04. * BM.1976.011 = copie intégrale des cylindres• pp pp COPIE INTERDITE* Sous-table non exportée 1900- ©de BM déposées 03:00:00 22 (OUI) à reventiler 0 +BM.2005.003 CDR BM.2005.003.001 MISSION J-P. ESTIVAL.BRESIL 1 O ESTIVAL,JEAN-PAUL ESTIVAL,J-P. COPIE -2 Copie PP PP Sous-table non exportée -1 Terrain 01:00:00 10 non BRESIL=:01-01 NON 0 Num. Labo ProTools +BM.2005.005 K7-C60 BM.2005.005.001/05 "A VOIX NUE". PAULE CHAVASSE & G. ROUGET [RADIO] 5 O ROUGET,G./FRANCE CULTURE FRANCE CULTURE COPIE -2 Don Auteur* Émission diffusée sur France Culture du 23 au 26 fév. 1998. * Don G. Rouget• PP PP COPIE INTERDITE Sous-table non exportée 1998 Radio 05:00:00 1 N=:01-01 (NON) 0 +BM.2005.006 CDR+Ø* BM.2005.006.001 COPIE DE CYLINDRES: COLL. CREQUI-MONTFORT1903 1 O LABORATOIRE Numérisation banc de montage ProTools. *Ø18²19 PP $ = copie de BM.976.011.001/45:30-01 à :31-10• COPIE -2 Copie Numerique PP PP Sous-table non exportée 1903 N 00:30:00 10 non BOLIVIE=:01-01 (OUI) à reventiler 0 Num. Labo ProTools +BM.2005.007 CDR+Ø* BM.2005.007.001/14 LOMAX,ALAN: COPIE DES K7 ACCOMPAGNANT _CANTOMETRICS_ 14 O LOMAX,ALAN *Cf.A. Lomax, _Cantometrics_ , ouvrage accompagné de 14 K7 ; dans la bibliothèque du labo• COPIE DE PUBLICATION* -1 Copie de K7 PP PP Sous-table non exportée -1 Autre 14:00:00 3 N=:01-01 (NON)copie di. 0 Num. Labo directe graveur +BM.2005.008 CDR BM.2005.008.001/02 TIBET: SEL.DE "MGUR" 2 O HELFFER,MIREILLE Cf. DT *Sélection établie par M. Hellfer. Sources: a) enreg. de A. Desjardins 1965, b) di. _Tibetain Mystic Songs_ Lyrichord LLST-7290, c) enreg. A.W. Macdonald 1970, d) enreg. M. Helffer 1976. MONTAGE -1 Copie Numerique Copie directe sur Graveur Tascam CD-RW 2000, par TQH 2005• PP PP COPIE INTERDITE Sous-table non exportée -1 Terrain 02:58:00 10 non TIBET=:01-01 Brouillon 0 Num. Labo directe graveur +BM.2005.009 Divers* BM.2005.009.001/03 MISSION MACDONALD,A.W. 1960.KALIMPONG. "DRE-DKAR" 1 Presel.Felipe11_07 O MACDONALD,A.W. (TRANSMIS PAR M. HELLFER) * BM...1 = CDR copie numérique des bandes BM...2 et ...3. Copie directe sur Graveur Tascam CD-RW 2000, par TQH 2005. BM...2 et ...3 = copie Ø13²19 PP, faites en sept 1962 sur bande Sonocolor, sans doute par M. Helffer• COPIE -2 Copie PP PP COPIE INTERDITE Sous-table non exportée 1960 Terrain 02:00:00 10 oui2 TIBET (INDE)=:01-01 0 +BM.2005.010 CDR BM.2005.010.001 "THE HEART OF DHARMA" [COPIE DE CD]. 1 O LEWINSTON,DAVID LEWINSTON,DAVID COPIE DE PUBLICATION* 1996 Copie Numerique CD communiqué par M. Helffer. Éditeur EllipsArts. CD accompagné un livret de 64p. durée 61'40, 5 plages. Copie directe sur Graveur Tascam CD-RW 2000, par TQH 2005• PP PP Sous-table non exportée -1 Copie de di. 01:00:00 3 TIBET=:01-01 0 +BM.2005.011 CD-ROM BM.2005.011.001/07 KHOURY,S.;CAMBODGE:KHMER;2005 7 O KHOURY,STEPHANIE Copie faite au labo, banc ProTools 2005. Sauvegarde = 10 CD-Rom• COPIE -2 Copie Numerique *vacation CREM 07• Déposant+* Vacataire07* COPIE INTERDITE Sous-table non exportée 2005 Terrain 07:00:00 10 non CAMBODGE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30•:01-31•:01-32•:01-33•:01-34•:01-35•:01-36•:01-37•:01-38•:01-39•:01-40•:01-41•:01-42•:01-43•:01-44•:01-45•:01-46•:01-47•:01-48•:01-49•:01-50•:01-51•:01-52•:01-53•:01-54•:01-55•:01-56•:01-57•:01-58•:01-59•:01-60•:01-61•:01-62•:01-63•:01-64•:01-65•:01-66•:01-67•:01-68•:01-69•:01-70•:01-71•:01-72•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24•:02-25•:02-26•:02-27•:02-28•:02-29•:02-30•:02-31•:02-32•:02-33•:02-34•:02-35•:02-36•:02-37•:02-38•:02-39•:02-40 INCOMPLET 0 Num. Labo ProTools +BM.2005.012 CDR BM.2005.012.001/17 MUSIQUE SAVANTE PERSANE 1950-70* 17 O ECHRAGHI-MOGADAM,ELISABETH Cf. DT. Contrat de cession signé, 30/06/2005. Une copie CDR remise au cédant• COPIE -2 Don+Numérisé# * copie sur bande Ø13 PP ou 1/2 P ²19 et ²9,5, d'émissionsde la Radio-Télévision de Téhéran,enregistré dans ses studios, "avec le concours des plus grands conpositeurs, musiciens et chanteurs malheureusement déjà disparus pour la grande majorité" (propos de Mme Echraghi-Mogadam et M. Kouhestani). Ces copies ont été faite, à sa demande, pour M. , [père de Mme Eschraghi-Mogadam], à l''époque ministre [des Postes et télécommunications]. Nous conservons également ces bandes sous le n° BM.005.012 BIS • Dep+PP PP COPIE INTERDITE Sous-table non exportée 1950-70 Studio 17:00:00 1 non IRAN=:01-01 Oui 0 Num. Labo ProTools +BM.2005.013 CDR BM.2005.013.001/29 INDONESSIE,SULAWESI:TORAJA. RAPPOPORT, D.;1993 29 O RAPPOPORT, DANA RAPPOPORT, D. COPIE -2 Copie Numerique *Adrien Bidault, stagiaire Paris 8, 2006 (134 fiches)• Déposant+* Stagiaire06* COPIE INTERDITE Sous-table non exportée 1993 Terrain 28:00:00 10 non INDONESIE;SULAWESI=:01-01>99•:02-01>98•:03-01>27•:03-28>71•:04-01>03•:04-04>34•:05-01>10•:05-11>25•:05-26>31•:05-32>42•:05-43>73•:05-74>80•:06-01•:06-02>35•:06-36>49•:07-01>13•:07-14>28•:08-01>24•:09-01>04•:09-05•:09-06>28•:10-01>04•:10-05>54•:10-55>59•:10-60>65•:10-66>69•:10-70>72•:10-73>79•:11-01>04•:11-05>10•:11-11>16•:12-01>22•:13-01>11•:14-01>06•:15-01•:15-02>16•:16-01•:16-02>04•:16-05•:16-06>07•:16-08>09•:16-10>18•:16-19•:16-20>21•:17-01>02•:17-03>11•:17-12•:18-01>02•:18-03>04•:18-05>08•:19-01>07•:19-09>15•:20-01•:20-02>06•:20-07•:20-08>11•:21-01•:21-02>05•:21-07>26•:21-27>46•:22-01>06•:22-07>18•:22-19>27•:22-28>42•:22-43>62•:22-63>77•:22-78-100•:23-01•:23-02>13•:23-14>30•:23-31>38•:23-39>59•:23-60>144•:24-01•:24-02•:24-03•:24-04•:24-05•:24-06•:24-07>08•:24-09•:24-10>12•:25-01•:25-02>04•:25-05•:25-06•:25-07>08•:25-09•:26-01>04•:26-05•:26-06•:26-07•:26-08•:26-09•:26-10•:26-11•:26-12>13•:26-14•:26-15>23•:26-24•:26-25•:26-26•:26-27•:26-28•:27-01•:27-02•:27-03•:27-04>05•:27-06•:27-07•:27-08•:27-09•:27-10>12•:27-13>16•:27-17•:27-18>19•:27-20>24•:27-25•:27-26>28•:28-01•:28-02>11•:28-12>18•:28-19•:28-20>23•:29-01>11•:29-12>16•:29-17>18•:29-19•:29-20•:29-21•:29-22•:29-23•:29-24•:29-25 oui 0 Num. Labo ProTools +BM.2005.014 CDR BM.2005.014.001/02 COPIE DE CYLINDRES: MISSION TH. RIVIERE. ALGERIE,AURES. 1936 2 O RIVIERE,THERESE Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:34-05 à -12, BM...:35-01 à -19, BM...:36-01 à -12• RIVIERE,THERESE COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée 1936 Terrain 02:00:00 22 ALGERIE;AURES=:01-01 0 +BM.2005.015 CDR BM.2005.015.001 COPIE DE CYLINDRES: MISSION G. TILLON.ALGERIE, AURES.1936 1 O TILLON,GERMAINE Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:37-01 à 07• COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée 1936 Terrain 01:00:00 22 ALGERIE;AURES=:01-01 0 +BM.2005.016 CDR BM.2005.016.001 COPIE DE CYLINDRES: MISSION J. SOUSTELLE. MEXIQUE. 1 O SOUSTELLE,JACQUES Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:37-08 à -10• SOUSTELLE,JACQUES COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 22 MEXIQUE=:01-01 0 +BM.2005.017 CDR BM.2005.017.001 COPIE DE CYLINDRES. IRAN 1 O (COLL. MUSEE GUIMET) Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:38-05 à -12, BM...:39-01 ç -03• N COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée -1 N 01:00:00 22 IRAN=:01-01 0 +BM.2005.018 CDR BM.2005.018.001 COPIE DE CYLINDRES: MISSION S. KARPELES. CAMBOGDE 1 O KARPELES,SUZANE (MUSEE GUIMET) Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:39-04 à -12, BM...40-01 à 12• KARPELES,SUZANE COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée -1 N 00:30:00 22 CAMBODGE=:01-01 0 +BM.2005.019 CDR BM.2005.019.001 COPIE DE CYLINDRES.MISSION LABOURET. AFRIQUE OCCIDENTALE.1932 1 O LABOURET Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:31-11 à BM...:32-17• COPIE -1 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée 1932 Terrain 00:30:00 22 MALI=:01-18 # SENEGAL=:01-01 0 +BM.2005.020 CDR BM.2005.020.001 COPIE DE CYLINDRE. A.SCHAEFFNER. ARABIE DU NORD 1933 1 O SCHAEFFNER, ANDRE Numérisation banc de montage ProTools, des bandes de la collection référée BM. 976.011, BM...:33-07 à -12, BM...34-01 à 04• SCHAEFFNER, ANDRE COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée 1933 Autre 01:00:00 22 ARABIE=:01-01 0 +BM.2005.021 Ø13;²19;PPM BM.2005.021.001 TIBET. THEATRE (COPIE DE DI. 78T) 1 O HELFFER,MIREILLE Copie des di. HMV: P 8859/17 13283 et 13284 P 8863.12-14494 et 14495 P 8860.12-14490• COPIE DE PUBLICATION* -1 Don* * Don M. Helffer PP PP =DI Sous-table non exportée -1 Copie de di.78T 00:14:10 3 non TIBET=:01-01 0 +BM.1958.008 Ø13&18;²19;PPM BM.1958.008.001/08 VIETNAM CENTRAL. CHAMBURE,G.DE; 1957 8 O CHAMBURE,GENEVIEVE DE 1.2 Cf. DT• CHAMBURE,G.DE ORIGINAL -2 SelBMprBN Don Bob. ...1 à ...4 =Ø13, ...5 à ...8 =Ø18. Enreg. sur Nagra. *Pascale Porret, vacataire MRTnov-déc. 2004 + Corrections TQH 07• Dpt+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1957 Terrain 03:00:00 10 oui oui CHINE=:02-01•:02-02•:02-03•:02-04 # VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:02-05•:02-06•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:05-01•:05-02•:05-03>04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13>14•:05-15•:05-16•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:06-10•:06-11•:06-12•:06-13•:06-14•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08 a voir OUI 1 Num.MuseBoule04_07 +BM.1959.002 Ø18;²19;PPM BM.1959.002 VIETNAM, SUD 1 Presel.Felipe11_07 O TRAN VAN KHE 1.2 = COPIE -2 SelBMprBN Copie Ensemble de pièces joués par les professeurs du Conservatoire de musique de Saigon en septembre 1958. Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée 1958 Terrain 00:30:00 10 oui oui VIETNAM=:01-01 oui Oui 1 +BM.1967.014 Ø13;1/2P BM.1967.014.001 VIETNAM:JORAI 1 Presel.Felipe11_07 O DOURNES,R.P.JACQUES = ORIGINAL -2 SelBMprBN DÉPÔT Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée -1 Terrain 02:24:02 10 oui VIETNAM=:01-01 oui Oui 1 Num. ProTools Felipe08_07 +BM.1967.022 Ø13&18;²19;PPM BM.1967.022.001/02 VIETNAM:HUE. CHAMBURE,G.DE;1958 2 O CHAMBURE,GENEVIEVE DE Enreg. Originaux sur Nagra. Originaux C/° Radio France ?• = COPIE -2 SelBMprBN Copie * Pascale Porret, vacataire MRTnov-déc. 2004• Dpt+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1958 Terrain 00:45:00 10 oui oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08 a voir OUI 1 Num.MuseBoule12_07 +BM.1967.023 Ø18;²19;PPM BM.1967.023.001 VIETNAM DU SUD, 7 GRANDES PIECES; CHAMBURE,G. DE.;1959 1 O CHAMBURE,GENEVIEVE DE Enreg. au Conservatoire• CHAMBURE,G. DE COPIE -2 SelBMprBN Copie * Pascale Porret, vacataire MRTnov-déc. 2004• Dpt+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1959 Terrain 00:30:00 10 oui oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08 a voir OUI 1 Num.MuseBoule12_07 +BM.1968.008 Ø13;1/2P BM.1968.008.001/04 VIETNAM:JORAI 4 Presel.Felipe11_07 O DOURNES,R.P.JACQUES = ORIGINAL -2 SelBMprBN DÉPÔT Enreg. du 7/7 au 11/12/1967. Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée 1967 Terrain 12:46:51 10 oui oui VIETNAM=:01-01 oui oui 1 Num. Labo ProTools (Félipe) +BM.1968.022 Ø13;²9.5;PPM BM.1968.022.001/14 SIMON,S..VIETNAM.BADONG 14 O SIMON,PIERRE ET IDA = ORIGINAL -2 SelBMprBN cf. Thèse de Pierre (et Simone ?) Simon, sous la direction de G. Condominas• Don Enreg. dans une communauté vietnamienne, installée à St Livrade sur Lot (France). Dpt TQH RESTREINT Sous-table non exportée -1 Terrain 04:00:00 10 oui oui VIETNAM=:01-01 a voir Oui 1 Num.MuseBoule12_07 +BM.1968.023 Ø13;²19&²9,5;PP BM.1968.023.001/15 LAOS;HMONG VERT. LEMOINE,J.;1964-66 15 O LEMOINE,JACQUES Enreg. 1964-66. ²19 & ²9,5; sur magnéto. Uher, sauf BM...8 à 10 enreg. sur magnéto Gundig TK 47. Copie : lecture Akay, enreg. Nagra BM...1 à 12; enreg. Revox [A77?] BM...13 à 15. Les copies BM...8 à 10 sont en ²9,5cm/s• LEMOINE,J. COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* RESTREINT Sous-table non exportée 1964-66 Terrain 06:40:59 10 oui LAOS=:01-01•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:04-01•:04-02•:04-03•:04-04•:04-05•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:06-01•:06-02•:06-03•:06-05•:07-01•:07-02•:07-03•:07-04•:07-05•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:08-16•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:15-01 # THAILANDE=:15-02•:15-03•:15-04 oui OUI 1 Num.MuseBoule04_07 +BM.1968.039 Ø13;²19;1/2P BM.1968.039.001/24 CHAPMAN,A.;ARGENTINE. TERRE DE FEU:SELK'NAM;1966 24 O CHAPMAN,ANNE 1.2 = ORIGINAL -2 SelBMprBN Cf. DI.972.014.001 & DI.978.001.001 Don *Adrien Bidault,stagiaireParis8,2006, jusqu'à BM...16 inclus; puis 07 vacation CREM• Déposant+* Stagiaire06+vacation 07* COPIE INTERDITE Sous-table non exportée 1966 Terrain 16:00:00 10 oui oui felipe ARGENTINE=:01-01•:02-01•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:06-01•:06-02•:06-03•:06-04>08•:06-09•:06-10•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14•:07-15•:07-16•:07-17•:07-18•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:08-16•:08-17•:08-18•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:09-14•:09-15•:09-16•:09-17•:09-18•:09-19•:09-20•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:10-14•:10-15•:10-16•:10-17•:10-18•:10-19•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11•:11-12•:11-13•:11-14•:11-15•:11-16•:11-17•:11-18•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10•:12-11•:12-12•:12-13•:12-14•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:13-10•:13-11•:13-12•:13-13•:13-14•:13-15•:13-16•:13-17•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:14-10•:14-11•:14-12•:14-13•:14-14•:14-15•:14-16•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:15-10•:15-11•:15-12•:15-13•:15-14•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:16-10•:16-11•:16-12•:16-13•:16-14•:16-15•:16-16•:16-17•:16-18•:16-19•:16-20•:16-21•:16-22•::11-19 oui Oui. Àvérifier 1 Num.MuseBoule12_07 +BM.1968.040 Ø18;²19;PPM BM.1968.040.001/03 VIETNAM:MNONG GAR. COMDOMINAS,G.;1967 3 O CONDOMINAS,GEORGE CONDOMINAS,G. COPIE -2 SelBMprBN Cf. DI.974.003.002 Copie Originaux c/° G. Condominas. * Vincent Rioux, vacataire MRTnov-déc2004• Dpt+Vacataire* vacataire04* RESTREINT Sous-table non exportée 1958 Terrain 01:30:00 10 oui oui VIETNAM=:01-01•:01-02•:01-03 oui OUI 1 Num.MuseBoule12_07 +BM.1969.036 Ø13;²19;PPM BM.1969.036.001/24 THAILANDE. VIETNAM.CAMBODGE.MADAGASCAR. CONDOMINAS,G.;1958-67 24 O CONDOMINAS,GEORGES DT CONDOMINAS,G. ORIGINAL -2 SelBMprBN Don ± 4heures 40mns sur le Vietnam. *Vincent Rioux, vacataire MRTnov-déc.2004; corrections TQH• Dpt+Vacataire* Vacataire04*+TQH COPIE INTERDITE Sous-table non exportée 1958-66 Terrain 08:19:56 10 oui CAMBODGE=:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:15-10•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:17-09•:17-10•:17-11•:17-12 # MADAGASCAR=:20-01•:20-02•:20-03•:20-04•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:21-08•:21-09•:21-10•:21-11•:21-12•:21-13•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:22-10•:22-11•:22-12•:23-01•:23-02 # THAILANDE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:03-01•:03-02•:03-03•:03-04•:03-05•:24-01•:24-02•:24-03 # VIETNAM=:04-01•:04-02•:04-03•:05-01•:05-02•:06-01•:06-02•:06-03•:06-04•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:09-01•:09-02•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:13-01•:13-02•:13-03•:13-04•:13-05•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:18-01•:19-01•:19-02•:19-03•:19-04•:19-05 oui OUI 1 Num.MuseBoule04_07 +BM.1970.019 Ø18;²38;PPM BM.1970.019.001/123 COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL. ROUGETG.; 1952 123 O ROUGET,GILBERT BM.969.039 (GR 52) = Originaux. Copie faite au labo par J. Schwarz. Nbre Bobines =150 car il y des BM...A et (idem)B. Originaux lus sur Tolana 76cm/s, copiés sur Schlumberger F230 Belin 38cm/s [et 19cm/s ?]• ROUGET,G. COPIE -2 SelBMprBN Plusieurs pièce publiées, cf. Fiches Phono• Copie *Alain Monrigal,vacataire MRT2003 ; + BM...44 à ...76 et dégroupage phono PP• Déposant+Vacataire* Vacataire03+PP* COPIE INTERDITE Sous-table non exportée 1952 Terrain 49:21:13 10 oui BENIN=:29(B)-01•:29(B)-02>04•:30(A)-01>03•:30(B)-01>04•:31(A)-01>04•:31(B)-01>08•:32(I)-01(A)>01(C)•:32(II)-02(A)•:32(II)-02(B)>02(E)•:33(A&B)-01>07•:34(A&B)-01>05•:35(A&B)-01>08•:36-01(A)•:36-01(B)•:36:02>03•:37(A)-01>04•:37(B)-01(A)>01(B)•:38(A)-01(A)•:38(A)-01(B)•:38(A)-01(C)•:38(A)-02(A)>02(B)•:38(A)-03>04(A)•:38(A)-04(B)•:38(A)-05(A)>05(B)•:38(B)-01>02•:39(A)-01•:39(A)-02•:39(A)-03•:39(A)-04•:39(A)-05•:39(B)-01>02•:39(B)-03>04•:40(A)-01(A)>01(B)•:40(B)-01>03•:41(A)-01>02•:41(A)-03>04•:41(B)-01>02•:41(B)-03(A)•:41(B)-03(B)•:41(B)-03(C)•:42(A&B)-01>06•:43-01•:43-02•:43-03•:43-04 # COTE D'IVOIRE=:01-02•:25-01•:25-02>04•:25-05•:25-06•:26-01>02•:26-03>04•:27(A)-01>03•:27(A)-04>05•:27(B)-01>03•:28(A)-01>04•:28(B)-01>03•:28(B)-04>05•:29(A)-01•:29(A)-02>04•:77-01>02•:77-03>06•:78-01•:78-02•:78-03•:79-01•:79-02•:80-01>03•:81-01>04•:82-01>03•:82-04•:83-01>02•:83-03>05•:84-01>06•:85-01>07•:86-01>05•:87-01>04•:87-05•:88-01•:89-01>05•:90-01>06•:90-07>10•:91-01>05•:92-01>04•:93-01>06•:94-01>04•:95.01>02 # GUINEE=:02-01•:03B-01>04•:03B-05•:100-01>03•:101-01•:101-02>05•:102-01>05•:103-01•:103-02>05•:104-01>05•:105-01>06•:106-01>02•:106-03>04•:106-05>07•:107-01>05•:107-06>07•:107-08>10•:108-01>05•:108-06•:109-01>06•:110-01>06•:111-01>03•:111-04>05•:112-01>03•:112-04>08•:113-01>07•:114-01>08•:115-01>05•:116-01>06•:117-01>05•:118-01>03•:119-01•:119-02•:119-03•:119-04•:119-05>06•:120-01>06•:121-01>05•:122-01>04•:122-05>06•:123-01>03•:123-04•:96-01>06•:97-01>03•:98-01>03•:98-04•:98-05>06•:99-01>03 # MAURITANIE=:10-01•:14A-01•:14A-02•:14A-03•:14B-04>05•:15-01•:15-02•:15-03•:16-01>04•:17A-01>02•:17B-03•:17B-04 # SENEGAL=:01-01•:03A-01>04•:03A-05•:03A-06>08•:04-01>06•:05A-01>02•:05A-03•:05B-01>03•:06A-01>03•:06B-01>02•:06B-03>04•:07-01>04•:08-01>03•:08-04>05•:08-06•:08-07>08•:08-09>12•:08-13>15•:09-01>10•:09-11>16•:10A&B-01>06•:11-01>02•:11-03>04•:11-05>06•:11-07•:11-08•:11-10>13•:12-01>02•:12-03>04•:12-05>08•:12-08•:12-09•:12-10>11•:12-12•:12-13>15•:12-16•:13-01>02•:13-03•:13-04>06•:13-07•:18A-01>02•:18B-03•:18B-04•:18B-05•:18B-06•:19A-01>04•:19B-01•:19B-02•:19B-03•:19B-04>05•:20A-01•:20A-02•:20A-03•:20A-04•:22-01•:22-02•:22-03>04•:23A-01>03•:23B-01>02•:24-01>04 oui OUI 1 Num.MuseBoule04_07 +BM.1970.026 Ø13 BM.1970.026.001/12 POREE-MASPERO,E.;CAMBODGE;1969 12 Presel.Felipe11_07 O POREE-MASPERO,EVELYNE 1.2 DT = ORIGINAL -2 SelBMprBN Copie Ø13; ²19 & ²9,5;1/2P;LD. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 08:30:00 10 oui oui CAMBODGE=:01-01 oui 1 +BM.1970.041 Ø13* BM.1970.041.001/55 HELFFER,M. & M. GABORIEAU;NEPAL;1969 56 O HELFFER,MIREILLE&GABORIEAU,MARC Magnéto Original= Nagra; sauf BM... 34bis & ...49 à 55 = K7 > copié sur bm avec Revox à ²9,5; 1/2P? * ²9,5 & ²19; PP; LD. NB: Fiches dactylog. > parfois indications de durées incompatibles avec Nagra et type de bm (cf. par ex. BM ...14]• = COPIE -2 SelBMprBN Copie * Juan Carlos, stagiaire Paris 8,2007. Numérisation sur vacation "LACITO"• Déposant+* Stagiaire07* COPIE INTERDITE Sous-table non exportée 1969 Terrain 18:00:00 10 oui NEPAL=:01-01 oui Oui 1 Num. Labo ProTools (Félipe) +BM.1971.003 Ø13;1/2P BM.1971.003.001/03 VIETNAM:CHAM;JORAI;KHMER;EDE;BAHNAR.MALAYSIA,SARAWAK.INDONESIE,SUMATRA 3 O DOURNES,R.P.JACQUES 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT ² de2,4 à 19• Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée 1969-70 Terrain 05:01:00 10 oui INDONESIE;SUMATRA=:01-25 # MALAYSIA=:01-20 # VIETNAM=:01-01 oui Oui 1 Num.MuseBoule04_07 +BM.1971.024 Divers* BM.1971.024.001/02 VIETNAM CENTRAL:STIENG MAA' 2 Presel.Felipe11_07 O LEFEVRE,JEAN-PAUL = ORIGINAL&COPIE -2 SelBMprBN DÉPÔT La BM.1 (=Ø13;²19;Sdt) est sans doute la COPIE; la BM...2 (= Ø8;²19;LD) est sans doute l'ORIGINAL• Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée 1962 Terrain 00:12:00 10 oui VIETNAM=:01-01 a voir Oui 1 +BM.1971.035 Divers* BM.1971.035.001/07 A)ENTRETIEN SUR M. PAYS ARABES TRAN VAN KHE&A.SHILOAH.B)VIETNAM 7 Presel.Felipe11_07 O TRAN VAN KHE =& AUTRES COPIE -2 SelBMprBN Copie A) BM...1&2=Ø18 & Ø13;²4,7;1/2P.: Entretien sur l'histoire de la musique des pays de tradition arabe avec Tran Van Khe (TVK) et A. Shiloah; nombreuses ex. musicaux (±7h, enreg. à l'ORTF) B) BM...3 à 7=Ø18;²19 &²9,5;1/2P. &PP.: Enreg. de terrain par TVK, Nguyên Huu Ba,Vinh Phan, Pham Kim Tuong, Radio Saigon (±8h). Déposant+TQH TQH_07 COPIE INTERDITE Sous-table non exportée 1963-67 Terrain 10:28:00 10 oui MONDE ARABE=:01-01 # VIETNAM=:03-01 oui Oui 1 +BM.1971.037 Ø13&GF BM.1971.037.001/22 VIETNAM CENTRAL;MNONG,MAA',LAAC. CONDOMINAS,G.;1958 22 O CONDOMINAS,GEORGES 1.2 SEULS LES ORIGINAUX SONT ÉTÉ NUMÉRISÉS. Ø13;²19;PP x18 = originaux = 6 heures; ØGF;²38;PP x 4 = montage (à partir de ces originaux sans doute) CONDOMINAS,G. ORIGINAL&COPIE -2 SelBMprBN DÉPÔT *Vincent Rioux, vacataire MRTnov-déc2004 + corrections TQH 07• Dpt+vacataire* Vacataire*+TQH COPIE INTERDITE Sous-table non exportée 1958 Terrain+Master di. 06:24:49 10 oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:07-03•:07-04•:08-01•:09-01•:10-01•:10-02•:10-03•:11-01•:11-02•:11-03•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:16-10•:16-11•:16-12•:17-01•:17-02•:17-03•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:18-09•:18-10•:18-11•:18-12•:18-13•:18-14•:18-15 oui OUI+Problème 1 Num.MuseBoule04_07 +BM.1972.012 Ø13;²19;PPM BM.1972.012.001/18 CAMBODGE. INDONESIE;JAVA;BALI. MARTEL,G.;1962 18 Presel.Felipe11_07 O MARTEL,GABRIELLE 1.2 DT• MARTEL,G. ORIGINAL -2 SelBMprBN Don Dpt+TQH TQH COPIE INTERDITE Sous-table non exportée 1962 Terrain 12:00:00 10 oui CAMBODGE=:01-01 # INDONESIE;BALI=:02-02 # INDONESIE;JAVA=:03-01 a voir Oui 1 +BM.1972.013 Divers* BM.1972.013.001/29 HAUTECLOQUE,A .DE;VIETNAM CENTRAL:RHADE;1961 29 O HAUTECLOQUE,ANNE DE 1.2 DT = ORIGINAL -2 SelBMprBN Don *BM...1 à...28= Ø8;²9,5;1/2P . BM...29 =Ø18;²9,5;1/2P. ATTENTION : le DÉBUT d'une des pistes enreg. à 38 cm/s, durée 3'35" = musique occidentale >> NE PAS COPIER. Coll. transférée du Musée Guimet, où se trouve une copie, le 26/6/72• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1961 Terrain 14:35:22 10 oui VIETNAM=:01-01 oui Oui 1 Num.MuseBoule04_07 +BM.1972.020 Ø13;²19;1/2P BM.1972.020.001/04 CAMBODGE:KUY,CHAM,KHMER 4 Presel.Felipe11_07 O DUPAIGNE,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 02:40:00 10 oui CAMBODGE=:01-01 oui 1 +BM.1973.001 Divers* BM.1973.001.001/06 THAILANDE 6 Presel.Felipe11_07 O IVANOFF,P. = ORIGINAL&COPIE -2 SelBMprBN Don *4 Bm Ø8 = Originaux; 2 BM Ø13 =copie de ces originaux P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain+Copie 00:40:00 10 oui THAILANDE=:01-01 a voir 1 +BM.1987.015 Divers* BM.1987.015.001/13 TIBET:M. DE MONASTERE; EPOPEE DE GE-SAR. HELFFER,M. & N;1987 13 O HELFFER,MIREILLE *ØGFx10; Ø18x1 (BM...7, ...9; Ø15x1(BM...10); ²19.• HELFFER,M. & N COPIE -2 SelBMprBN Copie BM...1 à...10= enreg. M. Helffer, monastère Rnying-ma-pa de Dpal-yul, (Bylakuppe, Inde, Karnataka). Original= K7. BM...11 à ...13= copie de 3 K7 publiées par Radio Chengdu , Chine, 1983, réf. SD-001 à SD-003; épopée de Gé-sar. **Stagiaire: Marta Amico, stagiaire Erasmus à Paris IV 2006 +PP• Déposant +** Stagiaire06** COPIE INTERDITE Sous-table non exportée 1987 Terrain+Copie 12:00:00 10 oui TIBET (INDE)=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:03-01•:04-01•:04-02•:05-01•:05-02•:06-01•:06-02•:07-01•:07-02•:08-01•:08-02•:08-03•:09-01•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09 oui Oui. À vérifier 1 +BM.2005.004 CDR BM.2005.004.001/10 MAROC. JOUTES POETIQUES DE L'ANTI-ATLAS. ROVSING OLSEN,M.;2004 10 O ROVSING OLSEN,MIRIAM Originaux Dat. Copie au labo ProTools, 2005• ROVSING OLSEN,M. COPIE -2 Copie ATTENTION: pour toute mise en ligne, certaines informations NE DOIVENT PAS FIGURER. Contacter Miriam Rovsing Olsen• Déposant PP+Déposant COPIE INTERDITE Sous-table non exportée 2004 Terrain 09:45:24 10 non MAROC=:01-01 oui Oui 0 Num. Labo ProTools +BM.2006.001 CDR BM.2006.001.001 ROUGET,G. COMMUNICATION ACADEMIE DES BEAUX ARTS,2005:2 CHANTS INIITATIQUES* 1 O ROUGET,GILBERT *POUR LE CULTE DES VODOUN ROUGET,GILBERT MONTAGE -2 G. Rouget : _Chants et danses initiatiques pour le culte des vôdoun au Bénin_, St-Maur, Éd. Sépia, 2001• DÉPÔT PP PP RESTREINT** Sous-table non exportée 1958,1964 Terrain 00:25:28 1 non BENIN=:01-01•:01-02•:01-03 oui 0 Num. Labo ProTools +BM.2006.002 CDR BM.2006.002.001/25 GUYANE:PARIKWENE. J-M. BEAUDET & F.GRENAND.1978, 79, 81 25 O BEAUDET,J-M. & F. GRENAND Uher 4200 (?);1/2 P; ²19 et ²9,5; certaines bandes DD Numérisation banc de montage ProTools, lecture sur Nagra IV, fev.2006. Enreg. faits dans le cadre de missions ORSTOM • BEAUDET,JEAN-MICHEL & FRANCOISE GRENAND COPIE -2 Copie Numerique *Numérisation, analyse documentaire et saisie faites par Ady NORINO, stagiaire Drac - Guyane, fev-mars 2006. Avec l'aide de J-M. Beaudet, J. Dechamps, et P.Pitoëff. ¤ copie partielle faite par J-M. B. à l'Orstom Cayenne• A.Norino* A.Norino COPIE INTERDITE Sous-table non exportée 1978-81 Terrain 25:00:00 10 non GUYANE FRANCAISE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30•:01-31•:01-32•:01-33•:01-34•:01-35•:01-36•:01-37•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:04-26•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14•:07-15•:07-16•:07-17•:07-18•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:08-16•:08-17•:08-18•:08-19•:08-20•:08-21•:08-22•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:09-14•:09-15•:09-16•:09-17•:09-18•:09-19•:09-20•:09-21•:09-22•:09-23•:09-24•:09-25•:09-26•:09-27•:09-28•:09-29•:09-30•:09-31•:09-32•:09-33•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:10-14•:10-15•:10-16•:10-17•:10-18•:10-19•:10-20•:10-21•:10-22•:10-23•:10-24•:10-25•:10-26•:10-27•:10-28•:10-29•:10-30•:10-31•:10-32•:10-33•:10-34•:10-35•:10-36•:10-37•:10-38•:10-39•:10-40•:10-41•:10-42•:10-43•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10•:12-11•:12-12•:12-13•:12-14•:12-15•:12-16•:12-17•:12-18•:12-19•:12-20•:12-21•:12-22•:12-23•:12-24•:12-25•:12-26•:12-27•:12-28•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:13-10•:13-11•:13-12•:13-13•:13-14•:13-15•:13-16•:13-17•:13-18•:13-19•:13-20•:13-21•:13-22•:13-23•:13-24•:13-25•:13-26•:13-27•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:14-10•:14-11•:14-12•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:15-10•:15-11•:15-12•:15-13•:15-14•:15-15•:15-16•:15-17•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:16-10•:16-11•:16-12•:16-13•:16-14•:16-15•:16-16•:16-17•:16-18•:16-19•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:17-09•:17-10•:17-11•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:18-09•:18-10•:18-11•:18-12•:18-13•:18-14•:18-15•:18-16•:18-17•:18-18•:18-19•:18-20•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:19-09•:19-10•:19-11•:19-12•:19-13•:19-14•:19-15•:19-16•:19-17•:19-18•:19-19•:19-20•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:20-07•:20-08•:20-09•:20-10•:20-11•:20-12•:20-13•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:21-08•:21-09•:21-10•:21-11•:21-12•:21-13•:21-14•:21-15•:21-16•:21-17•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:22-10•:22-11•:22-12•:22-13•:22-14•:22-15•:22-16•:23-01•:23-02•:23-03•:23-04•:23-05•:23-06•:23-07•:23-08•:23-09•:23-10•:23-11•:24-01•:24-02•:24-03•:24-04•:24-05•:24-06•:24-07•:24-08•:24-09•:25-01•:25-02•:25-03•:25-04 Oui 0 Num. Labo ProTools +BM.2006.003 CDR BM.2006.003 LONCKE,S.;BURKINA FASO:PEULS,BELLA,FULSE;1994-96 1 O LONCKE,SANDRINE COPIE -2 Copie Numerique PP PP COPIE INTERDITE Sous-table non exportée 1994-96 Terrain 03:00:00 10 BURKINA FASO=:0001 oui 0 Num. Labo ProTools +BM.2006.004 CDR BM.2006.004 ANISENSEL,A.;VIETNAM. ENSEMBLE "CA TRU THAI HA" 1 O ANISENSEL,ALIENOR Original Minidisc Sony. Copie banc de montage labo son, lecture analogique. Enreg. à Hanoï par l'Ensemble Ca trù Thai Hà• COPIE -2 Copie Numerique + 1 ex. format .wav• Déposant PP COPIE INTERDITE Sous-table non exportée 2006 Terrain 00:40:39 10 non VIETNAM=:0001•:0002•:0003•:0004 Oui 0 Num. Labo ProTools +BM.2006.005 Divers* BM.2006.005.001 PEROU, DPT AYACUCHO. CHANTS & DANSES RITUELLES DE F. "LES AGOSTO HAYLLIQ". (DEA) 1 O ARCE SOTELO,MANUEL Ex. musicaux accompagnant le memoire de DEA "Les Agosto Haylliq", Univ.Paris-8, oct. 2005. 1 ex. dans la biblothèque du labo. Enreg. et films sur le terrain faits par le déposant (sauf un enreg.)• ARCE,MANUEL COPIE -2 Don Auteur* * Format : BM...1 = CDR; BM...2 = DVD (films, ± 20 mn) = Pas encore copié, car illisible sur le eMac. Copie faite par le déposant. **Stagiaire: Marta Amico, stagiaire Erasmus à Paris IV 2006• Déposant Déposant+Stagiaire** COPIE INTERDITE Sous-table non exportée 2004 Montage diplôme 00:22:40 10 PEROU=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30 oui 0 Num. Extérieure +BM.2006.006 CDR-extérieur BM.2006.006.001 PEROU, DPT AYACUCHO. DANSE RITUELLE MASCULINE "DES CISEAUX" (MAITRISE) 2 O ARCE SOTELO,MANUEL ARCE SOTELO,M. Ex. musicaux accompagnant le memoire de Maîtrise "La danse des ciseaux et le violon de Lucanas", Univ.Paris-8, juillet 2003. 1 ex. dans la biblothèque du labo [Copie A FAIRE] Enreg. sur le terrain faits par le déposant et autres• ARCE SOTELO,M. COPIE -2 Cf. Arce Sotelo, Manuel "La danza de tijeras y el violin de Lucanas (Ayacucho)" , Revista Conservatorio n°11, Lima, 2003• Copie* *Originaux sur Minidisc, copie faite par le déposant. **Stagiaire: Marta Amico, stagiaire Erasmus à Paris IV 2006• Déposant Dépos+Stagiaire** COPIE INTERDITE Sous-table non exportée 2003-04 Terrain 00:40:00 10 non2 PEROU=:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17 oui 0 Num. Extérieure +BM.2006.007 CDR BM.2006.007.001 HIEN,S.; MUSIQUE DE XYLOPHONE YOLON BO; 1996 1 O HIEN,SIE Originaux K7 audio. Num. Banc de montage Pro Tools, lecteure : Tascam, ? Copie sélective. DT• HIEN,SIE COPIE -2 Copie Numerique Déposant Déposant + PP COPIE INTERDITE Sous-table non exportée 1996 Terrain 00:27:38 10 non BURKINA FASO=.0001•.0002•.0003•.0004•.0005•.0006•.0007•.0008•.0009•.0010•.0011 Oui 0 Num. Labo ProTools +BM.953.001 ØGF;²38;PPM;SD BM.953.001.001/02 CONCERT M. BALINAISE; A PARIS 2 O RTF-MH RTF-MH COPIE -1 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Concert 01:15:00 1 oui oui INDONESIE;BALI=:01-01 non 1 +BM.1953.002 Ø18;²19;PPM BM.1953.002.001 ILES CAROLINES & MARSHALL. CIMA *(CO-ORDINATED INVESTIGATION OF MICRONESIAN ANTH 1 N O LOMAX, ALAN/ TED BURROW* *DT= détails sur les pièces; en introduction : "Chants micronésiens , rec. by anthropologists on the expedition called CIMA (Co-ordinated Investigation of Micronesian Anthropology). The collection was assembled by Ted Burrow, prof. of Sociology, University of Connecticut"• N COPIE -2 SelBMprBN DÉPÔT **Adrien Bidault, vacation CREM 07• Déposant+** Vacataire 07** COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui ILES CAROLINES=:01-01 # ILES MARSHALL=:01-17 a voir Oui à vérifier 1 Num.MuseBoule12_07 +BM.1953.003 Ø18;²38;PPM BM.1953.003.001 YEMEN. FAYEN,C. 1 N O FAYEIN, CLAUDIE FAYEN,C. COPIE -2 SelBMprBN DÉPÔT *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 00:09:00 10 oui oui YEMEN=:01-01 a voir Oui 1 Num.MuseBoule12_07 +BM.953.004 Ø18;²38;PPM BM.953.004.001 VIETNAM.JEU DU LITHOPHONE DEPOSE AU MH 1 O LABORATOIRE = ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Dpt 00:03:00 1 oui3 VIETNAM=:01-01 a voir 3 Num. ProTools Felipe08_07 +BM.1953.005 ØGF;²76 BM.1953.005.001 MEXIQUE:LACANDON 1 N O DELPRAT, SERGE = COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:11:00 10 oui oui MEXIQUE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06 a voir Oui 1 Num. Labo (JD,LAM) +BM.1953.006 ØGF;²76 BM.1953.006.001 GUINEE FRANCAISE ( PARIS). GESSAIN,M. & M.DE LESTRANGE;1953 1 Sel.Felipe11_07 O GESSAIN,MONIQUE, LESTRANGE, MONIQUE DE N COPIE -2 SelBMprBN Copie Enreg. au Studio Marignan, sous la direction de Monique de Lestrange. *Dora Bazin, stagiaire Paris 8, 2007• Dpt+* Stagiaire07* COPIE INTERDITE Sous-table non exportée 1953 Studio 00:07:00 10 oui GUINEE=:01-01 oui Oui. À vérifier 1 +BM.1954.001 ØGF;²38;PPM;SD BM.1954.001.001/02 MASTER DI."MUSIQUE MAURE" 2 N O ROUGET, GILBERT Cf. DI.955.007.001/02. Cf. BM.984.011.001/02 qui est un nouveau Master fait à partir des BM.970.019.014 et ...015 (i.e. copie de la coll. originale "GR 52" inventoriée sous la cote BM.969.039.@• = MASTER PUBLICATION -2 Copie durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Terrain 01:00:00 1 non MAURITANIE=:01-01 0 +BM.1954.002 ØGF;²38;PPM;SD BM.1954.002.001/03 GUINEE FRANCAISE + MASTER DI.78T. 3 Sel.Felipe11_07 O GAISSEAU, PIERRE DOMINIQUE = COPIE -2 SelBMprBN DÉPÔT *BM...1 & ...2= copie ; BM...3= Master du di. 78t Africavox n°4 : pièce 1= double de BM...1:01-01• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952-53 Terrain+Master di. 00:33:00 10 oui oui GUINEE=:01-01 # GUINEE FRANCAISE=:01-01 2 +BM.954.003 n;²38 BM.954.003.001 MASTER DI.78T:SOUDAN 1 N O PAQUES,VIVIANE; DIETERLEN,GERMAINE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:12:00 1 non SOUDAN=:01-01 0 +BM.954.004 ØGF;²38;PPM;SD BM.954.004.001/04 MASTER DI.33T + CHUTES: PEROU 4 N O FLORNOY,BERTRAND durée pif• = MASTER PUBLICATION -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di.+chute 01:00:00 1 non PEROU=:01-01 3 +BM.954.005 ØGF;²38;PPM;SD BM.954.005.001/02 MASTER DI."VENEZUELA. SEANCE DE CHAMANISME" 2 N O LE BESNERAIS,HENRI = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1949 Master di. 00:53:00 1 non VENEZUELA=:01-01 0 +BM.954.006 ØGF;²38;PPM;SD BM.954.006.001 MASTER DI.33T: DAHOMEY;SHANGO 1 N O ROUGET,GILBERT = MASTER PUBLICATION -2 Copie Master du di. "Shango..." LD-2 Cf. BM/D.970.050.002 P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:40:00 1 non BENIN=:01-01 non 0 +BM.954.007 ØGF;²38;PPM;SD BM.954.007.001 MOYEN CONGO:BABENZELE DE BACKBALI 1 Presel.Felipe11_07 O HUCHIN DT = COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:10:00 10 oui oui REP CENTRAFRICAINE=:01-01 a voir 1 +BM.954.008 Ø18;²19;PPM BM.954.008.001/02 LIBAN 2 N O JARGY,S = COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:45:00 10 oui oui LIBAN=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.954.009 Ø13;²19;PPM BM.954.009.001 CHANTS LITURGIQUES SYRIAQUES 1 O LABORATOIRE = COPIE -2 SelBMprBN DÉPÔT Enreg. Dpt. pour Mme Grimaud à destination d'émission de la RTF• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Dpt 00:12:00 1 oui2 LIBAN=:01-01 non 3 Num. ProTools Felipe08_07 +BM.1954.010 CDR+Ø* BM.1954.010.001 CINQUANTENAIRE DE LA STE PREHISTO. FRANC., DISCOURS ABBE BREUIL & M.GAUDRON 1 O COLIN SIMARD * ØGF; Original = ²38;PPM.SD• N ORIGINAL&COPIE -2 SelBMprBN Don+Numérisé# Discours de M. Gaudron et de l'abbé Henri Breui. Société préhistorique française (SPF), M. Colin Smard, mbre du CA de la SPF. Coll. numérisée directe sur Tascam CDR-RW2000 , lecture F 500. # Don SPF (?) + Numérisé direct 08(?)/04: lecteur F500, graveur Tascam CD-RW2000.• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Séminaire/Cours/Conf. 00:30:00 1 non FRANCE=:01-01>04 non 1 Num. Labo directe graveur +BM.955.001 ØGF;²38;PPM;SD BM.955.001.001 COPIE DI.78T:TIBET 1 O CENDRARS,MYRIAM N N N COPIE -1 N Copie Copie de 2 di. 78t. de musique tibétaine P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:12:00 3 TIBET=:01-01 3 +BM.955.002 ØGF;²38;PPM;SD BM.955.002.001 COPIE DI.78T:INDE, JAPON 1 O MUSEE GUIMET N N COPIE -1 N Copie Copie de 2 di. 78t: Inde et Japon P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:18:00 3 Inde INDE=:01-01 # JAPON=:01-03 3 +BM.955.003 ØGF;²38;PPM;SD BM.955.003.001 COPIE DI.78T:VIETNAM, BOURIATIE, TURKMENISTAN 1 O PHILIPE,MADAME GERARD* N COPIE -1 Copie *et Le Chant du Monde P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:21:00 3 Vietnam TURKMENISTAN=:01-09 # URSS;BOURIATIE=:01-07 # VIETNAM=:01-01 3 +BM.955.004 Ø18;²19;PPM BM.955.004.001 NIGERIA:ORIKI-S DE SHANGO ET DE TIMI 1 O BEIER,DR = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:25:00 10 oui oui NIGERIA=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.955.005 Ø13;²38;PPM BM.955.005.001 COPIE DU CYLINDRE N°192 DE LA STE D'ANTHROPOLOGIE 1 O SOCIETE D'ANTHROPOLOGIE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1900 Copie de cy. 00:03:00 1 non VIETNAM=:01-01 non 3 Num. ProTools Felipe08_07 +BM.1955.006 Ø18;²38;PPM BM.1955.006.001 M. DE COREE 1 O UNESCO N COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée -1 N 00:30:00 10 oui oui COREE DU NORD=:01-01•:01-02•:01-03•:01-04•:01-05 non OUI 1 Num.MuseBoule12_07 +BM.955.007 ØGF;²38;PPM;SD BM.955.007.001 COPIE DI. 78T:JAPON, CHINE 1 O RTF N COPIE -1 Copie Copie de 4 di. 78t. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:24:00 3 CHINE=:01-05 # JAPON=:01-01 3 +BM.1955.008 ØGF;²38;PPM;SD BM.1955.008.001 BOLIVIE 1 O UNESCO N COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée -1 N 00:06:00 10 oui oui BOLIVIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08 non OUI. À vérifier 1 Num. ProTools Felipe08_07 +BM.955.009 Ø13;²38;PPM BM.955.009.001 TURQUIE:MONTREUR D'OURS, BATRACIENS 1 O STRINATI,PIERRE N COPIE -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:08:00 3 TURQUIE=:01-01 a voir 3 Num. Labo ProTools (Félipe) +BM.955.010 ØGF;²38;PPM;SD BM.955.010.001/02 COPIE DI.78T:COREE 2 O N N COPIE -1 Copie Copie de 10di. 78t. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 01:00:00 3 COREE DU NORD=:01-01 3 +BM.955.011 Ø13;²38;PPM BM.955.011.001 ETHIOPIE:FETES DE L'EMPEREUR 1 Presel.Felipe11_07 O ICHAC,PIERRE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:02:19 10 oui oui ETHIOPIE=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.956.001 ØGF;²38;PPM;SD BM.956.001.001/02 NELLE GUINEE:BUANG 2 O GIRARD, FRANCOISE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:12:00 10 oui oui PAPOUASIE-NLE-GUINEE=:01-01 oui 1 Num. ProTools Felipe08_07 +BM.1956.002 Ø18;²19;PPM BM.1956.002.001 IRAN:M. DE ZUR KHANE. BALLIF,N.;1955 1 O BALLIF,NOEL N Fin de la bande en 38cm/s• BALLIF,N. ORIGINAL -2 SelBMprBN N *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1955 Terrain 00:30:00 10 oui oui IRAN=:01-01•:01-02•:01-03•:01-04 a voir OUI À vérifier 1 Num.MuseBoule12_07 +BM.956.003 Ø18;²19;PPM BM.956.003.001/02 M. DES PEUPLES DE L'EXTREME NORD (URSS) 2 O COLLAER,PIERRE DT INSTIT. LITTERATURE RUSSE ACADEMIE SCIENCES D'URSS* COPIE -2 SelBMprBN Copie *Institut de littérature russe (Maison Pouchkine) Accadémie des Sciences de l'URSS P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Terrain 00:36:00 10 oui2 URSS=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.957.001 Ø18;²19;PPM BM.957.001.001 COPIE DI. + ENREG.:ALBANIE 1 Presel.Felipe11_07 O RADIO ALBANAISE; DREYFUS ROCHE,S. N COPIE -2 SelBMprBN Copie Copie de disques France-Albanie et d'enreg. de S. Dreyfus-Roche• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain+Copie 00:30:00 10 oui2 ALBANIE=:01-01 a voir 1 +BM.957.002 Ø13;²38;PPM BM.957.002.001 COPIE DI.:CHILI; ARAUCAN 1 O IZAMIT,CARLOS N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:03:00 3 CHILI=:01-01 3 Num. ProTools Felipe08_07 +BM.1957.003 Ø18;²38;PPM BM.1957.003.001 CAMEROUN 1 O HURAULT,JEAN = COPIE -2 SelBMprBN Copie * Fiches faites selon les indications du Cahier d'inventaire, sans avoir écouté la bande• PP* PP* COPIE INTERDITE Sous-table non exportée -1 Terrain 00:17:00 10 oui oui CAMEROUN=:01-01 a voir Oui 1 Num.MuseBoule12_07 +BM.957.004 Ø18;²19;PPM BM.957.004.001 SENEGAL 1 O MBAYE,ANNETTE = & DIOP ALLASANE COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Terrain 00:30:00 10 oui oui SENEGAL=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.958.001 Ø18;²9.5;1/2P BM.958.001.001 SOUDAN:FUNG 1 O AMBASSADE DE FRANCE AU SOUDAN DT WEISS,DR COPIE -2 SelBMprBN Don durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Terrain 01:00:00 10 oui oui SOUDAN=:01-01 non 1 Num. ProTools Felipe08_07 +BM.958.002 Ø18 BM.958.002.001/03 CATALOGO DE MUSICA ABORIGEN Y FOLKLORICA ARGENTINA 3 O VEGA,CARLOS* = COPIE -2 SelBMprBN Echange *Institut de musicologie de Buenos Aires; durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui oui ARGENTINE=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.958.003FANTOME Fantome BM.958.003 FANTOME COLLECTION INEXISTANTE -1 O N N N -2 N P/BM P/BM N Sous-table non exportée -1 N 00:00:00 1 non N=:01-01 non 0 +BM.958.004 Ø13;²19;PPM BM.958.004.001 TCHAD:SARA-DEME 1 O JAULIN,ROBERT = COPIE -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Terrain 00:08:00 10 oui oui TCHAD=:01-01 oui 1 Num. ProTools Felipe08_07 +BM.1958.005 Divers* BM.1958.005.001/04 PHILIPPINES, MALAISYA, INDONESIE. MACEDA,J.;1955 1 O MACEDA,JOSE MACEDA,JOSE COPIE -2 SelBMprBN Copie * 4 BM Ø13 regroupées sur 1 BM Ø GF. 1/2 P, P2 vierge. ** Adrien Bridault, vacation CREM 07• TQH+Vacataire** Vacataire 07** COPIE INTERDITE Sous-table non exportée 1955 Terrain 01:05:06 10 oui oui INDONESIE;BALI=:03-01 # INDONESIE;JAVA=:04-01 # MALAYSIA=:02-02 # PHILIPPINES=:01-01 a voir Oui 1 Num.MuseBoule12_07 +BM.958.006 Ø18;²19;1/2P BM.958.006.001 MALI:DOGON 1 O DI DIO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Terrain 00:30:00 10 oui oui MALI=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.958.007 ØGF;²19;1/2P BM.958.007.001/02 COPIE DI.33T:AUSTRALIE 1 O VILLEMINOT,J. = COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 01:30:00 3 AUSTRALIE=:01-01 # BENIN=:02-02 3 +BM.958.009 ØGF;²19;PPM BM.958.009.001/06 COPI E DI:VIETNAM 6 O CHAMBURE,GENEVIEVE DE Cf. DT• N COPIE -1 Don Copie de di. de gravure directe, ou en tirage limité?, réalisés par l'ORTF, dont il existe un ex. au dpt sous le n° DI.958.009.001 à 006• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 04:00:00 3 Vietnam VIETNAM=:01-01 3 +BM.958.010 ØGF;²19;1/2P BM.958.010.001 DAHOMEY:NAGO 1 Presel.Felipe11_07 O VERGER,PIERRE DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui oui BENIN=:01-01 oui 1 +BM.958.011 ØGF;²19;1/2P BM.958.011.001 DAHOMEY:NAGO, SANGO-SAKETE 1 Presel.Felipe11_07 O VERGER,PIERRE DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:20:00 10 oui oui BENIN=:01-01 oui 1 +BM.958.012 Ø13;²19;1/2P BM.958.012.001 COPIE DI.:PEROU,CUZCO 1 O INSTITUT D'ETHNOLOGIE DU PEROU* N COPIE -1 Copie *di. prêté par Mr. Arguedas; musique de Cuzco P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:03:00 3 PEROU=:01-01 3 Num. ProTools Felipe08_07 +BM.958.013 ØGF;²19;PPM BM.958.013.001 HAUTE VOLTA:FUNERAILLES DE NABA SAGA, 33EME EMPEREUR DES MOSSI 1 Presel.Felipe11_07 O SORAFOM 1.2 = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1957 Terrain 00:51:00 10 oui oui BURKINA FASO=:01-01 a voir 1 +BM.958.014 Ø18;²19;PPM BM.958.014.001/02 (REP SUD-AFRICAINE),KALAHARI: BOSHIMAN 2 O EXP. PANHARD-CAPRICORNE (BALSAN,F.) 1.2 = COPIE -2 SelBMprBN Copie Enregistrements prêtés par Mr. de la Grandière P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:20:00 10 oui REP D'AFRIQUE DU SUD=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.958.015 ØGF;²19;PPM BM.958.015.001 TERRIER,MR;INDE, ASSAM:GARO 1 Presel.Felipe11_07 O TERRIER,MR* = COPIE -2 SelBMprBN Copie Enreg. transmis par Mr. Veisseyre. durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui oui INDE;ASSAM=:01-01 a voir 1 +BM.959.001 Ø18;²19;PPM BM.959.001.001 ROUMANIE 1 Presel.Felipe11_07 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie Enreg. transmis par Mr. Collaer P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui oui ROUMANIE=:01-01 a voir 1 +BM.959.003 Ø13;²19;PPM BM.959.003.001 COPIE DI:OPERA DE PEKIN 1 O N N COPIE -1 Copie 3 di. 78 T P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:18:00 3 CHINE=:01-01 3 +BM.959.004 Ø18;²38;PPM BM.959.004.001/05 VILAYAT KHAN & NIKHIL GOSH (CONCERT GUIMET) 5 Presel.Felipe11_07 O MUSEE GUIMET RTF COPIE -1 SelBMprBN Enreg. RTF, réf.: LP. 26.282 Don Concert de Vilayat Khan (sitar),avec Nikhil Ghos, organisé par l'AFAO, donné au Musée Guimet le 27/2/58 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Concert 01:50:00 1 oui INDE=:01-01 non 1 +BM.1959.005 Ø18;²19;PPM BM.1959.005.001/03 MUSIQUE DE COREE. MUSEE GUIMET 3 O MUSEE GUIMET N COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée -1 N 01:30:00 10 oui oui COREE DU SUD=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24•:03-01 non OUI 1 Num.MuseBoule12_07 +BM.1959.006 Ø13;²19;PPM BM.1959.006.001/19 INDE DU SUD,KERALA, TAMIL NADU. LEVY,J.;1958 19 O LEVY,JOHN 1.2 LEVY,J. COPIE -2 SelBMprBN Copie *Pascale Porret, vacataire MRTnov-déc.2004• PP+Vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1958 Terrain 06:45:41 10 oui oui INDE=:04-02•:04-03•:15-01•:15-02•:15-03•:16-01•:16-02•:16-03•:16-04•:16-05•:17-01•:17-02•:18-01•:18-02•:18-03•:18-04•:19-01•:19-02•:19-03•:19-04•:19-05 # INDE;KERALA=:01-01•:01-02•:01-03•:01-04•:01-05•:05-01•:05-02•:05-03•:06-01•:07-01A•:07-01B•:07-01C•:08-01•:08-02•:08-03•:08-04•:08-05•:09-01•:10-01•:10-02•:10-03•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:17-03•:17-04 # INDE;TAMIL NADU=:02-01•:03-01•:04-01 oui OUI 1 Num.MuseBoule04_07 +BM.960.001 Ø15;²9.5;1/2P BM.960.001.001 NORD TOGO:KABRE 1 Presel.Felipe11_07 O VERDIER,RAY = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain 01:00:00 10 oui oui TOGO=:01-01 a voir 1 +BM.960.002 Ø15 BM.960.002.001 NLLE GUINEE NEERLANDAISE 1 Presel.Felipe11_07 O AUCEAAX,DR. = COPIE -2 SelBMprBN Echange durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain 00:30:00 10 oui oui INDONESIE;IRIAN JAYA=:01-01 a voir 1 +BM.960.003 Ø13;²19;1/2P BM.960.003.001 PANAMA 1 Presel.Felipe11_07 O ZARATE,MR. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui oui PANAMA=:01-01 a voir 1 +BM.960.004 Ø13;²19;PPM BM.960.004.001/02 COPIE DI.78T:YOUGOSLAVIE 2 O N = COPIE -1 Cf. Di.971.017.001 à °.005 Copie Copie de 5 di. 78 T P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:30:00 3 EX YOUGOSLAVIE=:01-01 3 +BM.960.005 Ø13;²19;1/2P BM.960.005.001 HONGRIE 1 Presel.Felipe11_07 O INST. M.FOLK. ACADEMIE SC.BUDAPEST = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:43:00 10 oui HONGRIE=:01-01 non 1 +BM.960.006 ØGF;²38;PPM;SD BM.960.006.001 MASTER DI."REP. ISLAMIQUE DE MAURITANIE.CHTS. DE F."& "ID. CHANTS D'H." 1 O LABORATOIRE N MASTER PUBLICATION -2 Copie Master des di. _Chants Maures_ LD-45.3 et .4 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Master di. 00:25:00 1 non MAURITANIE=:01-01 0 +BM.960.007 Ø18;²19;1p/2 BM.960.007.001/08 LESOTHO, REP SUDAFRICAINE 8 Presel.Felipe11_07 O ELLENBERGER,MR. = COPIE -2 SelBMprBN Copie Copie faite sur 1seule piste P/BM P/BM COPIE INTERDITE Sous-table non exportée 1959 Terrain 05:20:00 10 oui oui LESOTHO=:01-01 # REP D'AFRIQUE DU SUD=:07-01 a voir 1 +BM.1961.001 ØGF;²19;PPM BM.1961.001.001/03 GUYANE FRANCAISE;KALINA, BONI. CHARPENTIER-VIANES 3 O CHARPENTIER-VIANES Cf.DT.Durée très approximative• CHARPENTIER-VIANES COPIE -2 SelBMprBN Copie Copie faite chez Tolana en 1958 en rétablissant la vitesse. Original enreg. sur magnéto Philips à 60 périodes/seconde. *Adji Diallo, stagiaire Paris 8, 2007• Dpt+* Stagiaire07* COPIE INTERDITE Sous-table non exportée -1 Terrain 02:30:00 10 oui oui GUYANE FRANCAISE=:01-01 oui Oui À vérifer 1 Num.MuseBoule12_07 +BM.1961.002 Divers* BM.1961.002.001/11 INSTIT. RECHER.SCIENT. TANANARIVE-TSIMBAZAZA;MADAGASCAR 11 O INSTIT. RECHER.SCIENT. TANANARIVE(1) 1.2 *:a) COPIE = 1 bob Ø18;²19;PPM - 3 bob Ø18²19 1/2P b) ORIGINAUX = 7 bob Ø13;²19;PPM *Copie: communiqué par le Prof. J. Millot• INSTIT. RECHER.SCIENT. TANANARIVE(1) ORIGINAL&COPIE -2 SelBMprBN Copie* (1)Institut de Recherche Scientifique de Tananarive-Tsimbazaza **Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005+ corrections (surtout sur pb de Face_Plage) PP• Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée 1959 Terrain 02:00:00 10 oui oui MADAGASCAR=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:04-01•:04-02•:04-03•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14 non OUI 1 Num.MuseBoule12_07 +BM.961.003 Ø18;²9.5;1/2P;SD BM.961.003.001 FINLANDE.ARCHI.SONORES STE LITT. FINNOISE 1 Presel.Felipe11_07 O STE DE LITTERATURE FINNOISE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 02:00:00 10 oui FINLANDE=:01-01 non 1 +BM.961.004 Ø18;²19;PPM BM.961.004.001 MAROC:BERBERE 1 Presel.Felipe11_07 O GALAND,MME L. = COPIE -2 SelBMprBN Copie $)Communication interdite sans l'autorisation de Mme Galand P/BM P/BM RESTREINT$) Sous-table non exportée -1 Terrain 00:30:00 10 oui oui MAROC=:01-01 a voir 1 +BM.1962.001 Ø18;²19;PPM BM.1962.001.001/07 TURQUIE,ANATOLIE & IRAN DU N.E. LUBTCHANSKY,J-C.;1959 7 Presel.Felipe11_07 O LUBTCHANSKY,JEAN-CLAUDE LUBTCHANSKY,J-C. COPIE -2 SelBMprBN DÉPÔT Cette collection est une sélection. Cf. l'intégralité a été archivée dans la collection BM.970.036.001/29. COPIE FAITE aux ATP, en DUPLICATION ACCÉLÉRÉE.• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1959 Terrain 03:30:00 10 non IRAN DU NORD-EST=:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:07-02•:07-04•:07-06•:07-07 # TURQUIE=:01-01•:01-02•:01-03•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:07-01•:07-03•:07-05 oui Oui 1 +BM.962.002 Ø18;²19;PPM BM.962.002.001 ILES DE LA REUNION & DE LA POSSESSION:BRUITS D'ANIMAUX 1 Presel.Felipe11_07 O MILON,COLONEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1962 Terrain 00:30:00 10 oui ILE DE LA REUNION=:01-01 a voir 1 +BM.1962.003 Ø13&18;²19;PPM BM.1962.003.001/02 VIETNAM:THEATRE TRADITIONNEL DE BIN DINH. PHAM DUY;1960 2 O PHAM DUY PHAM DUY COPIE -2 SelBMprBN Copie Enregistré lors du tournage d'un film. *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005 + corrections TQH 2007• Dpt+Vacataire* Vacataire05+TQH* COPIE INTERDITE Sous-table non exportée 1960 Terrain 00:36:00 10 oui oui VIETNAM=01-02•:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:02-01•:02-02•:02-03 a voir OUI 1 Num.MuseBoule12_07 +BM.962.004 Ø18;²19;PPM BM.962.004.001/03 CHANSONS POPULAIRES ET AUTRES D'URSS (ARRANGEES) 3 Presel.Felipe11_07 O ACAD.SCIENCES URSS,INSTIT. ETHNOGR. = COPIE -2 SelBMprBN Don étranger P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 01:20:00 10 oui 3 URSS=:01-01 non 1 +BM.962.005 Ø18;²19;PPM BM.962.005.001 COPIE DI.:KHAZAKHE 1 O FAYEN,CLAUDIE N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 00:34:00 3 KAZAKHSTAN=:01-01 3 +BM.962.006 Ø18;²9.5;PPM BM.962.006.001 PARAGUAY:GUAYAKI 1 Presel.Felipe11_07 O COLLEVILLE,MAXENCE DE & CADOGAN,L. = COPIE -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui oui PARAGUAY=:01-01 a voir 1 +BM.962.007 Ø18;²19;PPM BM.962.007.001/02 VENEZUELA;REG. DE TUKOKO:INDIENS MOTILON, VOCABULAIRE BARI 2 Presel.Felipe11_07 O KIPPER,ANNA durée pif• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1961 Terrain 01:00:00 10 oui oui VENEZUELA=:01-01 a voir 1 +BM.962.008 Ø18;²19;PPM BM.962.008.001/04 MISSION J. VILLEMINOT; PAPOUASIE & NELLE GUINEE 4 Presel.Felipe11_07 O VILLEMINOT,J. 1.2 DT. Copie au MH lecture =? enreg. = Lie-Belin• N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960 Terrain 01:50:00 10 oui oui ; C. Invent. détails durées PAPOUASIE-NLE-GUINEE=:01-01 a voir 1 +BM.962.009 Divers* BM.962.009.001/06 GROENLAND DE L'EST:ESQUIMOS 6 Presel.Felipe11_07 O GESSAIN,ROBERT 1.2 DT. : Originaux sur disques souples , déposés par le Dr Gessain au Dansk Folkemindesamling, Copenhague. Copie faite ici à partir d'une copie faite au D.F. par Mr P.R. Olsen. Originaux en très mauvais état. Contenu: joutes oratoires en pubic, par 2 H masqués. Gessain possède une transcription des textes (info. communiquées par Mr P.R. Olsen spécialiste du folklore des Esquimaux, collaborateur du D.F.)• = COPIE -2 SelBMprBN Copie * 4 bob Ø18;²19;1/2P ; 1 bob Ø13; ²19; 1/2P (P2 vierge) ; +1 bob Ø18;²19;PPM =extraits filtrés, 17'54• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1935-1936 Terrain 04:15:00 10 oui oui DANEMARK;GROENLAND=:01-01 oui 1 +BM.963.001 Ø18;²19;PPM BM.963.001.001/02 COPIE DI. 78&33T: M. POPU URSS 2 O VIDAL,MR durée pif• N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 01:00:00 3 AZERBAIDJAN=:01-01 # URSS;RSS ARMENIE=:01-07 3 +BM.963.002 Ø13;²19;PPM BM.963.002.001 HUON DE NAVRANCOURT,MR.; NLE GUINEE 1 Presel.Felipe11_07 O HUON DE NAVRANCOURT,MR. N COPIE -2 SelBMprBN Copie Enreg. original sur Gründig à transistors²9,5 1/2P. Beaucoup de distorsions durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui oui ; C.Invent. détails (4 pièces) sans durée PAPOUASIE-NLE-GUINEE=:01-01 a voir 1 +BM.963.003 Ø18;²19;1/2P BM.963.003.001 FINLANDE 1 Presel.Felipe11_07 O STE LITTERATURE FINNOISE STE LITTERATURE FINNOISE COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:05:00 10 oui FINLANDE=:01-01 non 1 +BM.1963.004 CDR+CD-ROM+Ø13;²9,5;1/2P BM.1963.004.001 VIETNAM;JORAI. DOURNES,R.P.J.;1963 1 O DOURNES,R.P.JACQUES 2 CDR• DOURNES,R.P.J ORIGINAL -2 SelBMprBN DÉPÔT *A. Pitoëff (V. Rioux), vacataire MRT 2004• TQH/Vacataire 04* Vacataire 04* COPIE INTERDITE Sous-table non exportée -1 Terrain 00:58:00 10 VIETNAM=:01-A01•:01-A02•:01-A03•:01-A04•:01-A05•:01-A06•:01-B01•:01-B02•:01-B03•:01-B04•:01-B05 oui OUI 1 Num. Labo ProTools (Félipe) +BM.963.005 Ø18;²19;PPM BM.963.005.001 (AFRIQUE) LANGAGE TAMBOURINE 1 Presel.Felipe11_07 O THOMAS,MLE N ORIGINAL -2 SelBMprBN Enreg. Dpt durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Dpt 00:15:00 10 oui oui AFRIQUE=:01-01 oui 1 +BM.963.006 Ø18;²19;PPM BM.963.006.001 M. POPU. SERBE 1 Presel.Felipe11_07 O INSTIT. MUSICOLOGIE BELGRADE DT = COPIE -2 SelBMprBN Echange P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui EX YOUGOSLAVIE;SERBIE=:01-01 non 1 +BM.963.007 Ø18;²19;PPM BM.963.007.001 MADAGASCAR / VERNIER 1E SERIE 1 Presel.Felipe11_07 O RADIODIFF. NATIONALE MALGACHE DT = COPIE -2 SelBMprBN Copie Transmis par le pasteur E. Vernier P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:25:00 10 oui oui MADAGASCAR=:01-01 a voir 1 +BM.963.008 ØGF;²9.5;PP BM.963.008.001/02 MADAGASCAR / VERNIER 2E SERIE 2 Presel.Felipe11_07 O RADIODIFF. NATIONALE MALGACHE DT N COPIE -2 SelBMprBN Copie Transmis par le pasteur E. Vernier P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:04:00 10 oui oui MADAGASCAR=:01-01 a voir 1 +BM.963.009 Ø15;²9.5;1/2P BM.963.009 R.P.CARON;BRESIL:GAVIOÈS 1 Presel.Felipe11_07 O CARON,R.P. DT• = COPIE -2 SelBMprBN Copie* *Bande achetée par le Musée• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Terrain 01:30:00 10 oui oui BRESIL=:01-01 a voir 1 +BM.964.001 Ø18;²19;PPM BM.964.001.001 ALBANIE 1 Presel.Felipe11_07 O FAYEIN,CLAUDIE DT INSTIT. FOLKLORE TIRANA COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:24:00 10 oui oui ALBANIE=:01-01 a voir 1 +BM.964.002 Ø13;²9.5;PPM BM.964.002.001 TCHAD:MBAY 1 Presel.Felipe11_07 O ADLER,ALFRED = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:35:00 10 oui oui TCHAD=:01-01 oui 1 +BM.964.003 Ø13;²9.5;PPM BM.964.003.001 NLE CALEDONIE; REGIONS DE TOUHO, VOH ET POYA 1 Presel.Felipe11_07 O HAUDRICOURT,A. DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Terrain 00:40:00 10 oui oui NOUVELLE-CALEDONIE=:01-01 oui 1 +BM.964.004 CDR+Ø* BM.964.004.001/02 TURQUIE,ANATOLIE CENTRALE 2 O MAUGUIN,BERNARD DT = COPIE -2 SelBMprBN Copie *Ø18;²19;PP. Originaux copiés au MH, sur magnéto Tolana, le 03/03/1964. $ Coll. numérisée — sur banc de montage 1 (Sound Designer 2) _ et fiches faites et saisies par Marie Parzybut et Mukadasis Mijiti, UV Archives Paris X-N. 2004/05• $ $ COPIE INTERDITE Sous-table non exportée 1960 Terrain 00:44:19 10 non TURQUIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15 a voir OUI 1 Num. SD2 +BM.964.005 CDR+Ø18²19;PPM BM.964.005.001 AFGHANISTAN[RADIO] 1 O RADIO KABOUL = COPIE -2 SelBMprBN Copie+Numérisé# Transmis par Mme Langevin. $# Coll. numérisée — sur banc de montage 1 (Sound Designer 2) —, et fiches faites et saisies par Sophie Coquelin et Julien Jugand, UV Archives PX-N, 2003/04• $ $ COPIE INTERDITE Sous-table non exportée -1 Autre 00:30:00 10 oui2 AFGHANISTAN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08 non OUI 1 Num. SD2 +BM.964.006 Ø18;²19;PPM BM.964.006.001 PEROU,ANDES 1 Presel.Felipe11_07 O MARTI,MR. L'enreg. comporte une présentationen Espagnol par M. Marti = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui oui felipe PEROU=:01-01 a voir 1 +BM.1964.007 Ø18;²19;PPM BM.1964.007.001/03 NEPAL;DAULALGHAT, BODNATH, CHINGUMBMA 3 Sel.Felipe11_07 O MILLEVILLE,MR. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui oui ; C.Invent.détails sans durée NEPAL=:01-01 a voir non 1 +BM.964.008 ØGF;²19;PPM;SD BM.964.008.001/05 ANGOLA FOLK-MUSIC 1;LUNDA:CHOKWE FOLCLORE MUSICAL DE ANGOLA 1;LUNDA:QUIOCO 5 Presel.Felipe11_07 O DIAMANG*. MUSEU DO DUNDO DT ET LIVRE (300 P.) ARCHIVES AU DPT. SOUS LE N° BM 64.8• = COPIE -1 SelBMprBN Cf. Notice/DT• Don Editeur *Companhia de Diamantes de Angola, Dundo. Livre édité à Lisbone, 1961• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 oui oui ;C.Invent. détails avec durées ANGOLA=:01-01 non 1 +BM.964.009 Ø13;²19;PPM BM.964.009.001 PAKISTAN ORIENTAL (BANGLADESH);CHITTAGONG HILL TRACKS: MRO 1 Presel.Felipe11_07 O BERNOT,LUCIEN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960 Terrain 00:25:00 10 oui oui BANGLADESH=:01-01 oui 1 +BM.964.010 Ø18;²19;PPM BM.964.010.001 SARDAIGNE 1 Presel.Felipe11_07 O GAUCHET,JACQUES DT. Original Philips ²4,7;1/2p > copie au MH sur Lie-Belin ²19; PP• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Terrain 00:20:00 10 oui oui ; C.Invent. détails avec durées ITALIE;SARDAIGNE=:01-01 a voir 1 +BM.1964.011 CDR+CDR-ROM+Ø13* BM.1964.011.001/03 VIETNAM;JORAI. DOURNES,R.P.J.;1963-64 3 O DOURNES,R.P.JACQUES DT,C.Invent. détails avec durées * Bm...1 = Ø15;5;1/2P ;> P1= ²9,5 ; P2= ²19 BM...2 = Ø15;1/2P; ²9,5 BM...2 = Ø15;1/2P; ²4,7• DOURNES,R.P.J. ORIGINAL -2 SelBMprBN DÉPÔT Suite de la coll. BM.963.004 **Vincent Rioux (+A. Pitoëff), vacataire MRT 2004• TQH+Vacataire04** Vacataire 04** COPIE INTERDITE Sous-table non exportée 1963-64 Terrain 04:10:00 10 non VIETNAM=:01-A01•:01-A02•:01-A03•:01-A04•:01-A05•:01-A06•:01-A07•:01-A08•:01-A09•:01-A10•:01-A11•:01-A12•:01-A13•:01-A14•:01-A15•:01-A16•:01-A17•:01-A18•:01-B01•:01-B02•:01-B03•:01-B04•:01-B05•:01-B06•:01-B07•:02-A01•:02-A02•:02-A03•:02-A04•:02-A05•:02-A06•:02-A07•:02-A08•:02-A09•:02-A10•:02-A11•:02-A12•:02-B01•:02-B02•:02-B03•:02-B04•:02-B05•:02-B06•:03-A01•:03-B01•:03-B02•:03-B03•:03-B04 oui OUI 1 Num. Labo ProTools (Félipe) +BM.964.012 Ø18;²19;PPM BM.964.012.001 MEXIQUE,GUATEMALA,ARGENTINE NORD,COLOMBIE:POPULATIONS BLANCHES 1 Presel.Felipe11_07 O SCHMID,ARTHUR DT. Origina l Telefunken ²9,5; 1/2P > copie MH Lie-Belin ²19;PP• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:31:00 10 oui oui ; C.Invent détails avec durées ARGENTINE=:01-09 # COLOMBIE=:01-10 # GUATEMALA=:01-02 # MEXIQUE=:01-01 # VENEZUELA=:01-04 a voir 1 +BM.964.013 Ø18;²19;1/2P BM.964.013.001/02 HONGRIE:TZIGANE, HONGROIS 2 Presel.Felipe11_07 O ACAD. SCIENCES BUDAPEST & CSENKI,I. DT VIG,RUDOLF & CSENKI,IMRE COPIE -2 SelBMprBN Achat MH BM...1= Extraits de archives sonores de l'Académie des sciences; Ø18;²19;1/2P BM...2= Coll. privée de I. Csenki; Ø18;²9.5;1/2P• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:00:00 10 oui oui; C.Invent. détails avec durées HONGRIE=:01-01 non 1 +BM.965.001 Ø18;²19;PPM BM.965.001.001 COTE D'IVOIRE. MISSION MUEL - LORIQUET 1 Presel.Felipe11_07 O MUEL,BRUNO DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:36:00 10 oui oui ; C.Invent. qq détails, durées COTE D'IVOIRE=:01-01 a voir 1 +BM.965.002 CDR+Ø15;²19;1/2P BM.965.002.001 MISSION AUDREY BUTT;GUYANE BRITANNIQUE;COPIE SELECTIVE 1 O BRITISH INSTITUTE OF RECORDED SOUND DT. = COPIE -2 SelBMprBN BM.965.003.001 :01-01 "Shamanism among the Akawaio", et transcription s'y référant• Don+Numérisé# *Don du British Institute of Recorded Sound, communiqué par P. Saul. Enreg. 1960-61 & 1963. *# Coll. numérisée — sur banc de montage 1 (Sound Designer 2) —, et fiches faites et saisies par Estelle Couturier et Hélène Bernard, UV ArchivesP.X- N. 2003-04• * * COPIE INTERDITE Sous-table non exportée 1960-63 Terrain 00:47:00 10 oui2 GUYANA=:01-01>02 # GUYANE BRITANNIQUE=:01-03>24 a voir OUI 1 Num. SD2 +BM.965.003 Ø18;²19;PPM BM.965.003.001 CONFERENCE DE AUDREY BUTT A LA BBC: "SHAMANISM AMONG THE AKAWAIO" 1 Presel.Felipe11_07 O METRAUX,ALFRED DT, dont transcription de la conférence (6p.), établie par Estelle Couturier , avril 2004• = COPIE -1 SelBMprBN Don Don de A. Métraux. Conférence avec ex. musicaux; total =29'20• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960-63 Radio 00:30:00 1 oui GUYANA=:01-01 a voir 1 +BM.965.004 Ø18;²19;1/2P BM.965.004.001/12 MISSION AUDREY BUTT;GUYANE BRITANNIQUE;1960-63 12 Presel.Felipe11_07 O BRITISH INSTITUTE OF RECORDED SOUND DT = COPIE -2 SelBMprBN Echange* *Echange avec le BIRS• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960-63 Terrain 12:00:00 10 oui oui GUYANA=:01-01 a voir 1 +BM.965.005 Ø13;²19;PPM BM.965.005.001 FERRY,M-P.SENEGAL ORIENTAL,KEDOUGOU 1 Presel.Felipe11_07 O FERRY,MARIE-PAULE DT. Mission C.R.A.• = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:12:00 10 oui oui SENEGAL=:01-01 oui 1 +BM.965.006 CDR+CDR-ROM+Ø13* BM.965.006.001 VIETNAM:JORAI 1 O DOURNES,R.P.JACQUES *Ø13;1/2P; DT. 2 CDR. ¤: Alice Pitoëff Vacataire MRT2005• = ORIGINAL -2 SelBMprBN DÉPÔT Suite de la coll. BM.964.011 Dpt+Vacataire¤ Vacataire05 COPIE INTERDITE Sous-table non exportée 1964 Terrain 01:30:00 10 VIETNAM=:01-A01•:01-A02•:01-A03•:01-A04•:01-A05•:01-A06•:01-A07•:01-A08•:01-A09•:01-A10•:01-A11•:01-A12•:01-A13•:01-A14•:01-A15•:01-A16•:01-A17•:01-A18•:01-A19•:01-A20•:01-A21•:01-B01•:01-B02 oui Oui 1 Num. Labo ProTools (Félipe) +BM.965.007 Ø18;²19;PPM BM.965.007.001 CORSE 1 Presel.Felipe11_07 O GAUCHET,J. DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:29:00 10 oui oui felipe FRANCE;CORSE=:01-01 a voir 1 +BM.965.008 Ø18;²19;1/2P BM.965.008.001 NIGER,REGION DE DALLOL 1 Presel.Felipe11_07 O LORELLE,YVES DT = COPIE -2 SelBMprBN Copie Copie d'une copie déposée à l'OCORA P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:58:00 10 oui oui NIGER=:01-01 a voir 1 +BM.965.009 Ø18;²9.5;PPM BM.965.009.001 NEPAL 1 Presel.Felipe11_07 O MILLEVILLE,R. DE DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 01:05:00 10 oui oui felipe NEPAL=:01-01 a voir non 1 +BM.965.010 Ø15;²9,5;PP BM.965.010.001 VENEZUELA:GUARO;FETE DU NAHANANU 1 Presel.Felipe11_07 O SUAREZ,MLLE DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:15:00 10 oui oui felipe VENEZUELA=:01-01 a voir 1 +BM.965.011 Ø18;²19;PPM BM.965.011.001 URSS,RSS GEORGIE 1 Presel.Felipe11_07 O KHUCHNA,P. DT (?) = COPIE -2 SelBMprBN Copie Copie d'une copie transmise par M. Steven Erdely; extraits de la coll. privée du Pr. Khuchna, Conservatoire de Tbilisi: 13 pièces de musique populaire arrangée P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:34:00 10 oui GEORGIE=:01-01 a voir 1 +BM.965.011-BIS Ø18;²19;PPM BM.965.011-BIS.001/04 R.P. CARON;BRESIL: KAYAPO;1963-64 4 Presel.Felipe11_07 O CARON,R.P. DT• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963-64 Terrain 01:30:00 10 oui oui felipe BRESIL=:01-01 a voir 1 +BM.965.012 Ø18;²19;1/2P BM.965.012.001/05 MISSION AUDREY BUTT;GUYANE BRITANNIQUE; 1960-63 5 Presel.Felipe11_07 O BRITISH INSTITUTE OF RECORDED SOUND DT. = COPIE -2 SelBMprBN Echange Echange avec le B.I.R.S. Suite de la coll. BM.965.004. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960-63 Terrain 05:00:00 10 oui oui GUYANA=:01-01 a voir 1 +BM.965.013 ØGF;²38;PPM;SD BM.965.013.001 ALBANIE.ARCHIVES SONORES DE L'INSTITUT DE FOLKLORE DE TIRANA: 12 PIECES 1 Presel.Felipe11_07 O INSTITUT FOLKLORE TIRANA DT = COPIE -2 SelBMprBN Don étranger P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:42:00 10 oui oui ALBANIE=:01-01 non 1 +BM.965.014 Ø18;²38;PPM BM.965.014.001 YOUGOSLAVIE;BOSNIE-HERZEGOVINE,SARAJEVO: 34 EXTRAITS 1 Presel.Felipe11_07 O JANKOVIC' N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:15:00 10 oui oui felipe EX YOUGOSLAVIE=:01-01 a voir 1 +BM.965.015 Ø18;²38;PPM BM.965.015.001 VENEZUELA / CONCOURS INTERNATIONAL ENRG. SONORES AMATEURS DE STRASBOURG 1 Presel.Felipe11_07 O THEVENOT,JEAN DT BRANDLI,BARBARA COPIE -2 SelBMprBN Don français P/BM P/BM COPIE INTERDITE Sous-table non exportée 1962 N 00:15:00 10 oui VENEZUELA=:01-01 a voir 1 +BM.965.016 Ø18;²19;1/2P BM.965.016.001 FINLANDE.ARCHI.SONORES STE LITT. FINNOISE:EXTRAITS 1 Presel.Felipe11_07 O STE DE LITTERATURE FINNOISE DT N COPIE -2 SelBMprBN Echange P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 01:00:00 10 oui FINLANDE=:01-01 non 1 +BM.965.017 Divers* BM.965.017.001/23 COLL. CH. WOLF; MONDE ENTIER: 142 DI. EXPERTISES PAR C. BRAILOIU 23 O ORTF DT N COPIE -1 Copie *8 BM= Ø15; 15BM=Ø18; ²9,5 - ²19 - ²38 ± 1heure sur le Vietnam. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 14:12:00 3 Inde; Vietnam AFGHANISTAN=:17-02 # AFRIQUE DU NORD=:01-09 # ALGERIE=:01-04 # ANTILLES=:20-12 # AUSTRALIE=:18-06 # CANADA=:20-05 # DANEMARK=:12-01 # EGYPTE=:01-03 # ESPAGNE=:18-04 # ETHIOPIE=:18-01 # FINLANDE=:12-02 # GRECE=:13-01 # ILES HAWAI=:20-07 # INDE=:20-04 # INDONESIE=:10-04•:22-01 # IRAK=:14-06 # IRAN=:17-03 # ISLAM=:03-01 # ISRAEL=:21-11 # MALAYSIA=:10-01 # MAROC=:01-01 # NLE-ZELANDE=:21-12 # NORVEGE=:09-02 # REP D'AFRIQUE DU SUD=:20-08 # SUEDE=:09-01 # SYRIE=:14-01 # TANZANIE=:15-01 # TUNISIE=:04-02 # TURQUIE=:03-07 # URSS;RSFS RUSSIE=:10-02 # VIETNAM=:21-01 non 2 +BM.1965.018 CDR+CDR-ROM+Ø13* BM.1965.018.001/02 VIETNAM:JORAI. DOURNES,R.P.J. 2 O DOURNES,R.P.JACQUES *Ø13;1/2P• DOURNES,R.P.J ORIGINAL -2 SelBMprBN DÉPÔT **Alice Pitoëff , vacataire MRT 2005• Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée -1 Terrain 03:00:00 10 non VIETNAM=:01-A01•:01-A02•:01-B01•:01-B02•:01-B03•:02-A01•:02-A02•:02-B01•:02-B02•:02-B03 oui OUI 1 Num. Labo ProTools (Félipe) +BM.966.001 Ø18;²19;PPM BM.966.001.001 FINLANDE.ARCHI.SONORES STE LITT. FINNOISE:JAIKKU & LAMENTATIONS 1 Presel.Felipe11_07 O STE DE LITTERATURE FINNOISE N COPIE -2 SelBMprBN Echange P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:30:00 10 oui FINLANDE=:01-01 non 1 +BM.966.002 Ø18;²19;PPM BM.966.002.001 COPIE DI.78T:CAMBODGE 1 O THIERRY,SOLANGE N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:12:00 3 CAMBODGE=:01-01 3 +BM.1966.003 CDR+Ø* BM.1966.003.001 VIETNAM:JORAI. DOURNES,R.P.J. 1 O DOURNES,R.P.JACQUES *Ø15;1/2P. Piste 1= 4CDR; Piste 2 = 5CDR• DOURNES,R.P.J. ORIGINAL -2 SelBMprBN DÉPÔT Alice Pitoëff, vacation MRT 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée -1 Terrain 05:20:00 10 Non VIETNAM=:01-(1)A01•:01-(1)A02•:01-(1)A03•:01-(2)A04•:01-(3)A05•:01-(4)A06•:01-(4)A07•:01-B01•:01-B02•:01-B03•:01-B04•:01-B05•:01-B06•:01-B07 oui OUI 1 Num. Labo ProTools (Félipe) +BM.966.004 Ø13;²9.5;1/2P BM.966.004.001/02 MAURITANIE & SENEGAL 2 Presel.Felipe11_07 O HERBIN,MR. DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:30:00 10 oui oui MAURITANIE=:01-01 # SENEGAL=:02-02 a voir 1 +BM.966.005 Ø18;²19;PPM BM.966.005.001/03 MALI:DOGON; DEVISE DES AROUS, RECITATION SUIVANT LE DYUGUNI 3 Presel.Felipe11_07 O DIETERLEN,GERMAINE DT = COPIE -2 SelBMprBN Copie Cf. originaux: BM.968.016.007 &.008 (?) P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui MALI=:01-01 oui 1 +BM.966.006 Ø18;²19;PPM BM.966.006.001 BRESIL:YAOLAPITI & KAYAPO 1 Presel.Felipe11_07 O LAMBERT,PAUL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui oui felipe BRESIL=:01-01 a voir 1 +BM.1966.007 Ø18;²19;PPM BM.1966.007.001 MAROC;CHANTS BERBERES.RADIO MAROCAINE;1962 1 O RADIO MAROCAINE RADIO MAROCAINE COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacation MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05¤* COPIE INTERDITE Sous-table non exportée 1962 N 00:30:00 10 oui oui MAROC=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21 non OUI 1 Num.MuseBoule12_07 +BM.966.008 Ø18;²19;PPM BM.966.008.001/03 HONGRIE.ARCHI.SONORES ACAD.SCIENCES BUDAPEST 3 Presel.Felipe11_07 O ACAD. SCIENCES BUDAPEST = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 01:30:00 10 oui HONGRIE=:01-01 non 1 +BM.966.009 Divers* BM.966.009.001 REPUBLIQUE CENTRAFRICAINE 2 Presel.Felipe11_07 O KUBIK MR. DT N COPIE -2 SelBMprBN DÉPÔT * 1BM= ØGF,²38 , 1BM= Ø10 P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui oui REP CENTRAFRICAINE=:01-01 a voir 1 +BM.966.010 Ø18;²19;PPM BM.966.010.001 REPUBLIQUE DU SOUDAN 1 Presel.Felipe11_07 O MC COLLESTER,ROXANE = COPIE -2 SelBMprBN Copie Copie strictement interdite P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui oui SOUDAN=:01-01 a voir 1 +BM.1967.001 CDR+Ø* BM.1967.001.001/02 VIETNAM:JORAI 2 O DOURNES,R.P.JACQUES *Ø15;1/2P. BM...1= 1 CDR. BM...2 Piste 1= 2 CDR; Piste 2 = 1 CDR. DT• = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:00:00 10 non VIETNAM=:01-A01•:01-A02•:01-A03•:01-A04•:01-A05•:01-A06•:01-A07•:01-A08•:01-A09•:01-A10•:01-A11•:01-A12•:01-B01•:01-B02•:01-B03•:01-B04•:01-B05•:01-B06•:01-B07•:01-B08•:01-B09•:01-B10 oui Oui 1 Num. Labo ProTools (Félipe) +BM.1967.002 Ø18;²19;PPM BM.1967.002.001 IRAN_MINISTERE CULTURE & ARTS DE TEHERAN 1 O MINISTERE CULTURE & ARTS DE TEHERAN N COPIE -2 SelBMprBN Don * Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005 + corrections PP• Dpt+Vacataire* Vacataire05* COM. LIBRE Sous-table non exportée -1 Autre 00:30:00 10 oui oui IRAN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06 non OUI +correction 1 Num.MuseBoule12_07 +BM.1967.003 CDR+CDR-ROM+Ø13* BM.1967.003.001 VIETNAM;JORAI. DOURNES,R.P.J. 1 O DOURNES,R.P.JACQUES *Ø13;1/2P. Piste 1 = 1 CDR; Piste 2= 1CDR DT DOURNES,R.P.J. ORIGINAL&COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 non VIETNAM=:01-01 oui Non 1 Num. Labo ProTools (Félipe) +BM.1967.004 Ø13&18;²19;PPM BM.1967.004.001/14 VIETNAM;MINORITES DES HAUTS PLATEAUX. CHAMBURE,G.DE.;1960 14 O CHAMBURE,GENEVIEVE DE BM.1=Ø13; BM.2 à 14=Ø18• CHAMBURE,G.DE COPIE -2 SelBMprBN Don *Pascale Porret,vacataire MRT nov-déc2004• Dpt+Vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1960 Terrain 10:13:33 10 oui VIETNAM=14-01•:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:03-01•:03-02•:03-03•:03-04•:03-05•:03B-01•:03B-02•:03B-03•:03B-04•:03B-05•:03B-06•:03B-07•:03B-08•:03B-09•:03B-10•:03B-11•:03B-12•:03B-13•:03B-14•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:08-01•:08-02•:08-03•:09-01•:09-02•:09-03•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:11-01•:11-02•:11-03•:11-04•:11-05•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04 a voir OUI 1 Num.MuseBoule04_07 +BM.1967.005 Ø13;²19;PPM BM.1967.005.001/32 JEST,C.;TIBET & NEPAL;1960-61 32 Presel.Felipe11_07 O JEST,CORNEILLE 1.2 Cf. cahier inventaire: identification sommaire• = ORIGINAL -2 SelBMprBN Don Pas de copie P/BM P/BM COM. LIBRE Sous-table non exportée 1960-61 Terrain 07:12:00 10 oui oui NEPAL=:01-01 # TIBET=:04-01 oui Brouilons Hai07 1 +BM.1967.006 CDR+Ø* BM.1967.006.001/34 NEPAL 34 O JEST,CORNEILLE Magnéto Original= Uher; *9CDR + Ø10 x 14, Ø13 x20; 1/2 P mais P2 vierge (?); ²9,5; 4,7; 2,4. Fiches faites mais durées incomplètes. Copie à Guimet (?)• = ORIGINAL&COPIE -2 SelBMprBN Don+MRT03# *Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 12/03; réf. CDRom NH003_000001_E_1 à ...09_E1. **: A. Pitoëff, vacation MRT2003.• Dép+Vacataire** Vacataire03** COM. LIBRE Sous-table non exportée 1965 Terrain 34:00:00 10 non NEPAL=:01-01•:02-01•:03-01•:03-02•:04-02•:04-03•:04-04•:04-05•:05-01•:06-01•:06-02•:06-03•:06-04>05•:06-05•:07-01•:08-01•:09-01•:09-02•:09-03•:10-01•:10-02•:11-01•:12-01>02•:12-03•:12-04•:12-05>06•:13-01>02•:13-03•:13-04•:14-01•:14-02•:15-01•:15-02•:15-03•:16-01•:16-02•:17-01•:17-02•:18-01>02•:19-01>02•:20-01>05•:21-01>05•:22-01•:22-02•:22-03•:23-01>02•:24-01>02•:25-01>03•:26-01•:27-01•:28-01•:28-02•:29-01•:29-02•:29-03•:30-01•:30-02•:31-01•:31-02•:32-01•:33-01•:34-01 # TIBET (NEPAL)=:04-01 oui OUI 1 Num. MRT 2003 +BM.967.007 Ø18;²19;PPM BM.967.007.001 AUSTRALIE: SELECTION DES DI. DE ELKIN PAR G. ROUGET POUR CONFERENCE 1 O ELKIN,A.P. DT = COPIE -2 Montage pour cours P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:30:00 3 AUSTRALIE=:01-01 3 +BM.1967.008 ØGF;²38;PPM;SD BM.1967.008.001 IRAN:J. CHEMIRANI AU ZARB & DOMBAK, AVEC NELLY CARON 1 Presel.Felipe11_07 O DPT & CARON,NELLY SCHWARZ,JEAN ORIGINAL -2 SelBMprBN Enreg. Dpt Enreg. au dpt. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Dpt 00:23:55 10 oui IRAN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09 a voir Oui 3 +BM.1967.009 CDR+Ø* BM.1967.009.001 VIETNAM;JORAI. DOURNES,R.P.J.;1966 1 O DOURNES,R.P.JACQUES *Ø13;1/2P. Piste 1= 2 CDR, Piste 2= 1 CDR = ORIGINAL&COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966 Terrain 05:00:00 10 non VIETNAM=:01-01 oui NOn 1 Num. Labo ProTools (Félipe) +BM.967.010 Ø13 BM.967.010.001 MALI, SANGA 1 Presel.Felipe11_07 O DIETERLEN,GERMAINE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 00:10:00 10 oui oui felipe MALI=:01-01 oui 1 +BM.967.011 Ø13;²9.5;PPM BM.967.011.001/03 SENEGAL;SERER. NIGER;BORORO 3 Presel.Felipe11_07 O DUPIRE,MARGUERITE 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 02:00:00 10 oui oui felipe NIGER=:02-02 # SENEGAL=:01-01 oui 1 +BM.967.012 Ø13;²9.5;1/2P BM.967.012.001.001 M. TIBETAINE (NEPAL) 1 Presel.Felipe11_07 O DUREUIL,MR. = COPIE -2 SelBMprBN Copie Mr Dureil est un agent d'Air France, sans compétences particulières. Coll. non documentée• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui TIBET=:01-01 a voir 1 +BM.1967.013 Ø13;1/2P BM.1967.013.001/03 ROUMANIE. VIG,R. 3 O VIG,R. VIG,R. COPIE -2 SelBMprBN Copie *Dora Bazin, stagiaire Paris 8, 2007• Dpt+* Stagiaire07* COPIE INTERDITE Sous-table non exportée -1 Terrain 01:40:00 10 oui ROUMANIE=:01-01 a voir Oui 1 Num.MuseBoule04_07 +BM.967.015 Ø18;²19;PPM BM.967.015.001/15 GAMELON,S.;BRESIL,HAUT XINGU & BAHIA;1953 15 Sel.Felipe11_07 O GAMELON,SIMONE 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT Aucune copie faite, selon le cahier d'inventaire P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Terrain 10:00:00 10 oui oui felipe BRESIL=:01-01 oui 1 +BM.1967.016 Ø13;²19;PPM BM.1967.016.001/10 ALBANIE: RADIO TIRANA & AUTRES;GAMELON,S.;1956 10 O GAMELON,SIMONE Cf. DT• GAMELON,S. COPIE -2 SelBMprBN DÉPÔT Cf. BM. 1970.066.001 = maquette Di. Albanie, faite à partir de cette collection-ci. **Adji Diallo, stagiaire Paris 8, 2007• Dpt+** Stagiaire07** COPIE INTERDITE Sous-table non exportée 1956 Terrain 03:30:00 10 oui ALBANIE=:01-01 oui Oui A vérifier 1 Num.MuseBoule04_07 +BM.1967.017 Ø13* BM.1967.017.001/37 SAGAN,P.;NEPAL (EST); 1966-67 37 Presel.Felipe11_07 O SAGANT,PHILLIPE Magnéto Original= Uher; * bande LD 1/2 P, ²19; 9,5; 4,7 $ manque Fiche bob. 4, 11 à 15, 19, 21, 22• N ORIGINAL -2 SelBMprBN Copie Copie C/° Sagant. NB: grave maladie cérébrale - info. M.H; 2002. Ethnies/ gr social: Limbu + Sherpa? (qq pièces), Bhotiya (1 pièce), Chetrini, Samnyasi, Chetri. Beaucoup de parlé (enquète, mythes,...)• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966-67 Terrain 20:00:00 10 oui oui felipe NEPAL=:01-01 oui oui$ 1 +BM.1967.018 CDR+Ø* BM.1967.018.001/12 DUPAIGNE,B.;AFGHANISTAN: TURKMEN;UZBEK;TAJIK;HAZARA;1966 12 O DUPAIGNE,BERNARD *14 CDR + Ø13;1/2P• = ORIGINAL&COPIE -2 SelBMprBN Copie+MRT03# Copie C/° B. Dupaigne. $ : Alain Monrigal,vacation MRT2003. #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 12/03; réf. CDRom NH003_000010_E_1 à ...23_E_1• Dép+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1966 Terrain 08:00:00 10 non AFGHANISTAN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09>11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:04-01•:04-02•:04-03>04•:04-05•:04-06•:05-01•:05-02•:05-03•:05-04•:05-05•:06-01•:06-02>03•:06-04•:06-05>09•:06-10>11•:06-12•:07-01•:07-02>03•:07-04>05•:07-06•:07-07>08•:08-01•:08-02>09•:08-10•:08-11>12•:09-01•:09-02•:09-03>04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:10-01•:10-02>03•:11-01•:11-02•:11-03•:11-04•:11-05>06•:11-07•:11-08>09•:11-10•:11-11•:11-12•:11-13•:12-01>05•:12-06 oui OUI 1 Num. MRT 2003 +BM.1967.019 Ø15* BM.1967.019.001/54 NEPAL. HELFFER,M.;1966 57 Presel.Felipe11_07 O HELFFER,MIREILLE Magnéto Original= Nagra. NB: Bm...39A & 39B, BM...45A, 45B,& 45C. *Ø15 ²19; PP >>durée =24'. BM...45A =²9,5 PP . Originaux à Guimet. $FF, plus fiches pièces; manque Fi.25 & certaines Fi. pièces. Test: ronflette (de copie), niveau faible • HELFFER,M. COPIE -2 SelBMprBN Copie **Pascale Porret, vacataire MRTnov-déc. 2004• Déposant+Vacataire** Vacataire 04* COPIE INTERDITE Sous-table non exportée 1966 Terrain 18:00:00 10 oui oui felipe NEPAL=:01-01•:01-02•:01-03•:01-04•:01-05•:02-01-02•:03-01•:03-02>03•:04-01>02•:05-01•:06-01•:07-01•:07-02•:07-03•:08-01•:08-02•:08-03•:08-04•:09-01-02•:09-03•:09-04>06•:09-07•:10-01•:10-02•:10-03•:11-01•:11-02•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04•:14-01•:14-02•:15-01•:15-02•:15-03•:15-04•:16-01•:16-02•:16-03•:16-04•:16-05•:17-01•:17-02•:17-03•:18-01•:19-01•:19-02•:19-03•:19-04•:19-05•:20-01•:20-02•:20-03•:20-04•:21-01•:21-02•:21-03•:21-04•:22-01•:22-02•:22-03•:22-04•:23-01•:23-02•:24-01•:24-02•:24-03•:24-04•:24-05•:26-01•:27-01•:27-02•:27-03•:28-01•:29-01•:29-02•:30-01•:31-01•:31-02•:32-01•:33-01•:33-02•:33-03•:34-01•:34-02•:34-03•:35-01•:35-02•:36-01•:36-02•:36-03•:37-01•:37-02•:37-03•:38-01•:38-02•:38-03•:38-04•:39A-01•:39A-02•:39A-03•:39B-01•:39B-02•:39B-03•:39B-04•:39B-05•:39B-06•:39B-07•:40-01•:41-01•:41-02•:41-03•:41-04•:42-01•:42-02•:42-03•:42-04•:42-05•:42-06•:42-07•:42-08•:42-09•:42-10•:42-11•:43-01•:43-02•:43-03•:44-01•:45A-01•:45A-02•:45A-03•:45A-04•:45A-05•:45A-06•:45A-07•:45A-08•:45A-09•:45A-10•:45B-01•:45B-02•:45B-03•:45B-04•:45B-05•:45B-06•:45B-07•:45B-08•:45C-01•:45C-02•:45C-03•:45C-04•:45C-05•:46-01•:46-02•:46-03•:46-04•:46-05•:46-06•:46-07•:46-08•:47-01•:47-02•:47-03•:47-04•:47-05•:47-06•:47-07•:47-08•:48-01•:48-02•:48-03•:48-04•:48-05•:48-06•:48-07•:48-08•:49-01•:49-02•:50-01•:50-02•:50-03•:50-04•:50-05•:51-01•:51-02•:52-01•:52-02•:52-03•:52-04•:52-05•:53-01•:53-02•:53-03•:53-04•:53-05•:53-06•:54-01 oui OUI $ 1 +BM.967.020 Ø13;²9.5;1/2P BM.967.020.001/10 NEPAL:TAMANG;THARU;NEPALI 10 Presel.Felipe11_07 O MACDONALD,ALEXANDRE; GABORIEAU,MARC Magnéto Original = Uher; bande: Ø13 et Ø10; Sdt, LD, DD. Peut-être P2 souvent vierge. $ FF mais souvent durées incomplètes• = ORIGINAL -2 SelBMprBN Copie Copie C/° Macdonald & Gaborieau. Enreg. 1966-67• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966-67 Terrain 10:00:00 10 oui oui felipe NEPAL=:01-01 oui oui$ 1 +BM.967.021 Ø18;²38;PPM;SD BM.967.021.001/02 GUIMBARDES DU DPT JOUEES PAR JOHN WRIGHT 2 Presel.Felipe11_07 O LABORATOIRE = ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Dpt 00:30:00 1 oui N=:01-01 a voir 3 +BM.1967.024 Ø18;²19;PPM BM.1967.024.001 VIETNAM, COMMEMORATION DE L'ANNIVERSAIRE DU MARECHAL TRAN-HUNG-DAO. 1958 1 O CHAMBURE,GENEVIEVE DE CAHAMBURE,G. DE COPIE -2 SelBMprBN Copie * Pascale Porret, vacataire MRTnov-déc. 2004• Dpt+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1958 Terrain 00:30:00 10 oui oui VIETNAM=:01-01 a voir OUI 1 Num.MuseBoule12_07 +BM.968.001 Ø18;²19;PPM BM.968.001.001 CAMEROUN. LANGAGE TAMBOURINE PAR M. MAHEND 1 Presel.Felipe11_07 O LABORATOIRE SCHWARZ,J. ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Dpt 00:30:00 10 oui CAMEROUN=:01-01 a voir 3 +BM.968.002 Ø13;²9.5;1/2P BM.968.001.001/04 AFRIQUE ORIENTALE: OUGANDA 4 Presel.Felipe11_07 O BAISSAC,MR = COPIE -2 SelBMprBN Copie Piste 2: vierge P/BM P/BM RESTREINT Sous-table non exportée -1 Terrain 01:20:00 10 oui oui OUGANDA=:01-01 a voir 1 +BM.1968.003 Ø13;²19;1p/2 BM.1968.003.001 CHILI:ARAUCANOS; QUECHUA. SOUBLETTE,MR 1 Sel.Felipe11_07 O SOUBLETTE,MR *Seule la piste 1 concerne cette collection, piste 2 = autre chose. Selon le Cahier d'inventaire: copie de copie• COPIE -2 SelBMprBN Copie Seule la piste 1 concerne cette collection, piste 2 = autre chose. ** Adrien Bidault, vacation CREM• Dpt+ vacataire07** Vacataire 07** COPIE INTERDITE Sous-table non exportée -1 Terrain 00:13:00 10 oui oui felipe CHILI=:01-01 a voir Oui A vérifier 1 +BM.968.004 Ø13;²19;1/2P BM.968.004.001 SIKKIM:ORDRE NINGMA-PA 1 Presel.Felipe11_07 O DESJARDINS,ARNAUD Bande: DD• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:03:00 10 oui oui felipe INDE;SIKKIM=:01-01 a voir oui 1 +BM.1968.005 ØGF;²38;PPM;SD BM.1968.005.001/03 BALI;BARONG*. BERTHE,L.;1967 3 O BERTHE,LOUIS = COPIE -2 SelBMprBN Copie *Copie des bandes n° 50 & 51 de la mission 1967. **Adrien Bidault, vacation CREM 07• TQH+** Vacataire 07** RESTREINT Sous-table non exportée 1967 Terrain 01:18:38 10 oui oui INDONESIE;BALI=:01-01 oui OUI 1 Num.MuseBoule12_07 +BM.968.006 Ø18;²19;PPM BM.968.006.001/05 TIBET(SIKKIM);BHOUTAN;NEPAL 5 Presel.Felipe11_07 O BOURGUIGNON,SERGE = COPIE -2 SelBMprBN Cf. di. 30/33 "Musique tibétaine du Sikkim", coll. MH• Copie BM...1=Coll. S. Bourguignon, bm 5 & 3 extraits:Tibet BM...2=----id.---- bm 13,16,22 extraits:Tibet BM...3=----id.---- bm 14 extraits:Tibet, bm 24 extraits:Bhoutan BM...4=----id.---- bm 17,18 & 1?:Népal (?) BM...5=----id.---- bm 11 & 12:?• P/BM P/BM RESTREINT Sous-table non exportée 1955 Terrain 03:20:00 10 oui oui felipe BHOUTAN=:03-01? # NEPAL=:04-01 # TIBET=:01-01 a voir 1 +BM.968.007 Ø13 BM.968.007.001/16 TCHAD 16 Presel.Felipe11_07 O FEDRY,JACQUES = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 05:20:00 10 oui oui TCHAD=:01-01 oui 1 +BM.1968.009 Ø13;²9.5;1/2P BM.1968.009.001/18 IRAN:IRANIEN,KURDE,TURC. BATTESTI,T.;1967 18 O BATTESTI,TERESA 1.2 Piste2=vierge; BM...18=Ø8. BATTESTI,T. ORIGINAL -2 SelBMprBN Don *Pascale Porret, vacataire MTRnov-déc.2004• Dpt+Vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1967 Terrain 11:30:00 10 oui IRAN=:01-01•:01-02•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:03-01•:03-02•:03-03•:04-01•:04-02•:04-03•:04-04•:04-05•:05-01•:05-02•:07-01•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:09-01•:10-01•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:12-01•:13-01•:14-01•:15-01•:15-02•:15-03•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:17-01•:17-02•:17-03•:18-01•:18-02 oui OUI 1 Num.MuseBoule04_07 +BM.968.010 Divers* BM.968.010.001/14 ETHIOPIE 14 O TUBIANA,J. 1.2 = ORIGINAL -2 SelBMprBN Don * 14 fils magnétiques rangés dans une boite ØGF P/BM P/BM COPIE INTERDITE Sous-table non exportée 1949 Terrain 01:00:00 10 oui BNF ETHIOPIE=:01-01 oui 1 +BM.968.011 n BM.968.011.001/04 COLOMBIE:PAEZ; GUAMBIANO 4 O LEHMAN,HENRI 1.2 = ORIGINAL -2 SelBMprBN Don ATTENTION: support papier bandes très fragiles. Pas de copie• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1951 Terrain 00:20:00 10 oui BNF COLOMBIE=:01-01 oui 1 +BM.968.012 Ø18;²19;PPM BM.968.012.001/11 GUINEE (EX FRANCAISE),DURANT TOURNAGE DE FILMS:NALOU,BASSARI,TOMA 11 Sel.Felipe11_07 O GAISSEAU,PIERRE-DOMINIQUE = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952-53 Terrain 05:30:00 10 oui oui felipe GUINEE=:01-01 a voir 1 Num. ProTools Felipe08_07 +BM.968.013 Ø15;²19;1/2P BM.968.013.001 COPIE DE DI.78T:CHINE 1 O RYKMUSEUM VOOR VOLKENKUNDE N COPIE -1 Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 01:00:00 3 CHINE=:01-01 3 +BM.968.014 ØGF;²76 BM.968.014.001/10 GUINEE (EX FRANCAISE), DURANT TOURNAGE DE "FORET SACREE":TOMA 10 Sel.Felipe11_07 O GAISSEAU,PIERRE-DOMINIQUE = ORIGINAL -2 SelBMprBN Don Enreg. 1952, 1953. Enreg. à 60 périodes/seconde. Copie =BM.984.002.001/10 = Ø18;²19;PPM• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952-53 Terrain 05:00:00 10 oui oui Jose GUINEE=:01-01 a voir 1 +BM.1968.015 CDR+Ø* BM.1968.015.001/03 NOUVELLE GUINEE,DURANT TOURNAGE DE FILMS:CHIMBU, MENDI, TARI 3 O GAISSEAU,PIERRE-DOMINIQUE Num. 2007. *Original= ØGF;²76 x 3• = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui PAPOUASIE-NLE-GUINEE=:01-01 a voir 1 Num. Labo (JD,LAM) +BM.968.016 Ø13&18;²19;PPM BM.968.016.001/09 MALI:DOGON, BAMBARA* 9 Sel.Felipe11_07 O DIETERLEN,GERMAINE = ORIGINAL -2 SelBMprBN Don *Cf. copie partielle: BM.966.005.001/03 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Terrain 03:20:00 10 oui oui felipe MALI=:01-01 oui 1 Num. Labo ProTools (Félipe) +BM.968.017 Ø13&18;²19;PPM BM.968.017.001/09 MALI:MALINKE, DOGON 9 Sel.Felipe11_07 O DIETERLEN,GERMAINE = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Terrain 04:20:00 10 oui oui felipe MALI=:01-01 oui 1 Num. ProTools Felipe08_07 +BM.968.018 Ø8;²19 BM.968.018.001/04 MALI:DOGON 4 Presel.Felipe11_07 O DIETERLEN,GERMAINE = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 01:00:00 10 oui oui felipe MALI=:01-01 oui 1 +BM.968.019 K7-C90 BM.968.019.001/04 MALI:DOGON;SIGI, VARIA. 4 Presel.Felipe11_07 O DIETERLEN,GERMAINE = ORIGINAL -2 SelBMprBN Don Enreg. 1967-68 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 05:00:00 10 oui oui felipe MALI=:01-01 oui 1 +BM.1968.020 Ø18;²19;PPM;SD BM.1968.020.001/02 SENEGAL, MAURITANIE. DUCHEMIN, I.F.A.N. 2 O I.F.A.N. DT• DUCHEMIN ORIGINAL -2 SelBMprBN Don *Adji Diallo, stagiaire Paris 8, 2007• Dpt+* Stagiaire07* COPIE INTERDITE Sous-table non exportée -1 Terrain 00:48:30 10 oui oui MAURITANIE=:02-02 # SENEGAL=:01-01 non Oui À vérifier 1 Num.MuseBoule12_07 +BM.1968.021 CDR+Ø* BM.1968.021.001/10 MAROC. MARRAKECH;M. DE CONFRERIE 10 O AIT YOUSSEF,MOHAMMED *10 CDR + Ø13;²19;PPM• = ORIGINAL&COPIE -2 SelBMprBN Don+MRT03# $ : Alain Monrigal,vacataire MRT2003/ #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 02/04; réf. CDRom NH003_000038_E_1 à ...47_E_1• Déposant+Vacataire$ Vacataire03$ RESTREINT Sous-table non exportée 1966 Terrain 03:20:00 10 non MAROC=:01-01>04•:02-01>07•:03-01>02•:04-01>05•:05-01•:05-02>03•:06-01>02•:06-03>04•:07-01•:07-02•:07-03•:08-01>02•:08-03•:08-04>05•:09-01>03•:09-04>05•:10-01•:10-02>03 oui OUI 1 Num. MRT 2003 +BM.1968.024 CDR+Ø* BM.1968.024.001/63 MISSIONS GABORIEAU 1964-68; NEPAL (COMMUNAUTES MUSULMANES) 63 O GABORIEAU,MARC 1.2 Magnéto Original= G.B.G. & Uher. *67 CDR + Ø13 & 8; 1/2P; ²19; 4,7; LD & Sdt. Copies c/° Gaborieau (?) = copies (partielles?) au musée de la Parole. Pas de durées des contes. $ : Alain Monrigal,vacataire MRT200• = ORIGINAL&COPIE -2 SelBMprBN Don+MRT03# #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 02/04; réf. CDRom NH003_000048_E_1 à ...114_E_1• Déposant+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1964-68 Terrain 60:00:00 10 non NEPAL=:01-01>03•:01-04•:01-05•:01-06>07•:01-07•:02-01•:02-02•:02-03•:02-04>05•:02-06•:02-07•:02-08•:02-09•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08>09•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:04-01•:04-02•:05-01•:05-02•:06-01•:06-02•:07-01•:07-02>03•:08-01•:08-02•:08-03>05•:08-06•:08-07•:08-08•:08-09>11•:09-01>02•:10-01>03•:10-04•:10-05•:11-01•:11-02•:11-03•:11-04•:11-05•:12-01•:12-02•:12-03>04•:13-01•:13-02•:13-03•:13-04•:14-01>02•:14-03•:14-04•:15-01>02•:16-01>02•:17-01•:18-01•:18-02•:19-01•:20-01•:21-01>04•:21-05>07•:21-08•:22-01•:22-02•:23-01>04•:23-05•:24-01>03•:25-01•:26-01>02•:27-01>04•:28-01>09•:29-01>08•:30-01>04•:31-01•:31-02•:31-03•:31-04•:31-05•:31-06>08•:32-01>09•:32-10•:33-01>02•:33-03>04•:34-01>07•:34-08•:35-01>07•:36-01>02•:37-01>02•:37-01>06•:38-01•:38-02•:39-01>04(1&2)•:40-01>05(1&2)•:41-01>03•:42-01•:43-01>03•:43-04•:43-05•:43-06>07(1&2)•:44-01•:44-02•:44-03>05•:44-06>10•:44-11>17•:44-18•:44-19•:44-20•:44-21>22•:45-01>02•:45-03>05(1&2)•:46-01•:46-02>03•:47-01•:47-02•:47-03•:47-04•:47-05(1&2)•:47-06>08•:47-09•:47-10>12•:48-01>02•:48-03(1&2)•:48-04•:49-01(A)>01(G)•:49-02•:49-03•:49-04•:50-01>02•:50-03>07•:50-08>10•:51-01>02•:51-03•:52-01>02•:53-01•:53-02•:53-03>05•:53-06•:54-01•:54-02•:55-01>03•:55-04•:56-01>04•:57-01>02•:57-03•:58-01•:58-02•:58-03•:59-01•:59-02•:59-03•:60-01•:60-02•:60-03•:60-04>05•:61-01•:61-02•:61-03•:61-04•:61-05•:61-06•:62-01•:62-02•:62-03•:62-04•:63-01 oui OUI 1 Num. MRT 2003 +BM.968.025 Ø18;²19;PPM BM.968.025.001/03 TURQUIE 3 Presel.Felipe11_07 O BATTESTI,TERESA = ORIGINAL -2 SelBMprBN Don P/BM P/BM RESTREINT Sous-table non exportée 1964 Terrain 02:00:00 10 oui oui felipe TURQUIE=:01-01 oui 1 +BM.968.026 Ø13;²19;1/2P BM.968.026.001 URSS,GEORGIE;MONTAGE 1 Presel.Felipe11_07 O GRIMAUD,YVETTE = COPIE -2 SelBMprBN Copie piste2=vierge P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 00:20:00 1 oui GEORGIE=:01-01 a voir 1 +BM.968.027 Ø13;²9.5;1/2P BM.968.027.001/03 NOUVELLE GUINEE,SEPIK 3 Sel.Felipe11_07 O WIRZ,MR. (FILS) = ORIGINAL -2 SelBMprBN Don Piste2=vierge• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952-53 Terrain 02:00:00 10 oui oui PAPOUASIE-NLE-GUINEE=:01-01 a voir 1 +BM.968.028 Ø18;²19;PPM BM.968.028.001 EXPEDITION IVANOFF;BORNEO 1 Sel.Felipe11_07 O MARTIN,MR 1.2 = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Terrain 00:30:00 10 oui oui INDONESIE;BORNEO(KALIMANTAN)=:01-01 a voir 1 +BM.968.029 Ø13;²19;PPM BM.968.029.001/06 BALOUCHISTAN 6 Presel.Felipe11_07 O FIELD,HENRI 1.2 = ORIGINAL -2 SelBMprBN Don H. Field: mission Peabody Museum P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Terrain 02:00:00 10 oui oui felipe IRAN;BALOUTCHISTAN=:01-01 a voir 1 +BM.968.030 Ø18;²19;1/2P BM.968.030.001/04 NLE-CALEDONIE; ILES LOYAUTE; NLES-HEBRIDES 4 O GUIART,JEAN = ORIGINAL -2 SelBMprBN Don Enreg. en 60 cycles/seconde; enrg. déc. 1953; mars-sept 1954. Pas de copie. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Terrain 06:00:00 10 ouioui Jose NOUVELLE-CALEDONIE=:01-01•:02-02 # VANUATU=:03-01 a voir 1 +BM.1968.031 Ø13;²19;PPM BM.1968.031.001 NLES HEBRIDES. DANSES MELSISSI 1 Presel.Felipe11_07 O STE DES OCEANISTES LAROCHE,MME COPIE -2 SelBMprBN Cf. films et photos à la Sté des Océanistes; coiffures de danse au dpt. d'Océanie. Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Terrain 00:20:00 10 oui VANUATU=:01-01 non 1 +BM.1968.032 CDR+Ø* BM.1968.032.001/11 PARAGUAY:ZONE ORIENTALE,ARROYO MORITI; GUARAHI, GUAYAKI 11 O CLASTRES,PIERRE 1.2 * 14 CDR + Ø 13 (4 BM ²19 ; 7 BM ²9,5)• = ORIGINAL&COPIE -2 SelBMprBN Don+MRT03# $ : Alain Monrigal,vacataire MRT2003. #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 01/04; réf. CDRom NH003_000024_E_1 à ...37_E_1. MANQUENT 2 CDRom > à l'Ircam ?• Déposant+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1963 Terrain 06:00:00 10 non PARAGUAY=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13>16•:01-17>18•:01-19•:01-20•:01-21•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28>29•:01-30•:01-31>32•:02-01>02•:03-01>03•:03-04•:04-01•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06>09•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14>17•:07-18>23•:07-24•:07-25•:07-26•:07-27>30•:07-31•:07-32•:07-33•:07-34•:07-35•:07-36•:07-37•:07-38•:07-39•:07-40•:07-41>42•:08-01>04•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:10-01>02•:10-03•:10-04>05•:11-01•:11-02>07 oui OUI 1 Num. MRT 2003 +BM.968.033 Ø18;²19;PPM;SD BM.968.033.001/04 MASTER DI. "M. SOSSO & MALINKE"; "CHANTS & M. MAURES" 4 O POTENTIER,P. & HOUIS,M. = MASTER PUBLICATION -2 "Musique Sosso & Malinké", "Chants et musique maures" 2 di. Ø25/33t; IFAN. Cf. DI. 957.016.001 &.002. Copie P/BM P/BM =DI Sous-table non exportée 1954 Master di. 02:00:00 1 non GUINEE=:01-01 # MAURITANIE=:03-01 0 +BM.1968.034 Ø18;²4,7 BM.1968.034.001/02 MAROC. AIT YOUSSEF,M.;1965 2 O AIT YOUSSEF,MOHAMMED 11 bm Ø8 regroupées sur 2 bm Ø18. AIT YOUSSEF,M. ORIGINAL -2 SelBMprBN Don *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* RESTREINT Sous-table non exportée 1965 Terrain 05:00:00 10 oui oui MAROC=01-06•:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24 a voir OUI 1 Num.MuseBoule12_07 +BM.968.035 Ø18;²19;1/2P BM.968.035.001/07 TARDITS,C & PARE;CAMEROUN:BAMOUN.CHRONIQUE ROYALE DE NSA'NGU,LUE PAR M.PARE;1963 7 Presel.Felipe11_07 O TARDITS,C. & PARE DT GERGELY,J. ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Dpt 08:00:00 10 oui oui CAMEROUN=:01-01 oui 1 +BM.968.036 Ø18;²19;PPM BM.968.036.001/04 AFRIQUE DU SUD:BOCHIMAN, KUNG 4 Sel.Felipe11_07 O MARSHALL,L. 1.2 = COPIE -2 SelBMprBN Cf. DI.957.013.001 Don BM...1=²38. Originaux c/° Peabody Museum P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Terrain 02:20:00 10 oui oui REP D'AFRIQUE DU SUD=:01-01 a voir 1 +BM.968.037 Ø18;²19;PPM BM.968.037.001/12 COPPET,D. DE;ILES SALOMON:MALAITA:ARE'ARE' 12 Presel.Felipe11_07 O COPPET,DANIEL DE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 08:00:00 10 oui oui ILES SALOMON=:01-01 oui 1 +BM.968.038 Ø18;²9.5;PPM BM.968.038.001 COPIE DE 2 DI.(REPIQUAGE DE CYLINDRES): NLES HEBRIDES 1 O LABORATOIRE N COPIE DE PUBLICATION* -1 Accompagne la thèse de Clausen(?), Raymond sur la musique Atchin des Nles Hébrides, au dpt• Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:20:00 3 VANUATU=:01-01 non 3 +BM.968.041 Ø18;²38;PPM BM.968.041.001 COPIE DI. 78T COLL. UNIV. M. POPU ENREG.:ALLEMAGNE 1 O LABORATOIRE N COPIE -1 Cf. Di. 959.001.010 A&B Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 00:06:00 3 ALLEMAGNE=:01-01 3 +BM.968.042 Ø13;²9.5;PPM BM.968.042.001 HONG KONG:CHINOIS, HAKKA 1 Presel.Felipe11_07 O NEPVEU,JEAN = COPIE -2 SelBMprBN Don P/BM P/BM RESTREINT Sous-table non exportée 1957 Terrain 00:32:00 10 oui oui HONG KONG=:01-01 a voir 1 +BM.968.043 Ø13;²19;PPM BM.968.043.001/02 TAIWAN:MUSIQUE TAOISTE & BOUDDHIQUE 2 Presel.Felipe11_07 O SCHIPPER,KRISTOFER & LEVY,JOHN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 00:44:00 10 oui oui TAIWAN=:01-01 oui 1 +BM.968.044 Divers* BM.968.044.001/02 MONTAGE AUDIO-VISUEL POUR EXPO."PASSAGE A L'AGE D'HOMME";MH 12-1968 2 O LABORATOIRE N COPIE -2 Copie - BM...1ØGF ²38 = Eléménts de montage Sigi, Australie. - BM...2 Ø13²19 = bande master correspondante, piste1= sons; piste2= tops de synchro; cf. copie de cette bande sous le n° BM.969.005.001. Je ne trouve ni l'une ni l'autre (1992). P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Montage A.V. 00:50:00 1 oui AUSTRALIE=:01-02 # MALI=:02-02 non 0 +BM.968.045 Ø18;²19;PPM BM.968.045.001 MONTAGE AUDITORIUM POUR EXPO. "PASSAGE A L'AGE D'HOMME";MH 12-1968 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie Cf. copie de cette bm = BM.969.004.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Montage expo. 00:40:00 1 oui N=:01-01 non 0 +BM.968.046 Ø18;²19;PPM BM.968.046.001 COPIE DI. "INDONESIA MENARI. BALINESE GAMELAN MUSIC" 1 O LABORATOIRE N COPIE -1 DI. IML-015-LPI-17502 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 45:00:00 3 INDONESIE=:01-01 3 +BM.968.047 Ø18;²19;PPM BM.968.047.001 COPIE DI. "GAMELAN, MUSIC FOR DANCING" 1 O LABORATOIRE N COPIE -2 IML-002-LPI-17501 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 00:45:00 3 INDONESIE=:01-01 3 +BM.969.001 ØGF;²19;PPM;SD BM.969.001.001/06 ANGOLA FOLK-MUSIC 2;LUNDA:CHOKWE FOLCLORE MUSICAL DE ANGOLA 2;LUNDA:QUIOCO 6 Presel.Felipe11_07 N TOTALE DIAMANG*. MUSEU DO DUNDO DT ET LIVRE (308 P.) ARCHIVES AU DPT. SOUS LE N° BM 69.1 = COPIE 1967 SelBMprBN Don Editeur *Companhia de diamantes de Angola, Dundo. Livre édité à Lisbone, 1967. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 06:00:00 10 oui ANGOLA=:01-01 non 1 +BM.969.002 Ø13 BM.969.002.001/06 MALI (SOUDAN). [BANDES REPRISES ?] 6 Presel.Felipe11_07 O BRASSEUR,MR. = ORIGINAL -2 DÉPÔT Les bandes ne sont pas ici. Selon le cahier d'inventaire, cette collection est la transformation d'un dépôt de mai 1959. La coll. a pour titre "Soudan (Mali)". durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 02:00:00 10 oui MALI=:01-01 oui 1 +BM.969.003 Ø13;²9.5;1/2P BM.969.003.001 COMMENTAIRE DE L'AUDIO-VISUEL POUR EXPO."ARTS MAYA";MH 1968 1 Presel.Felipe11_07 O LEHMAN,HENRI N COPIE -1 SelBMprBN Copie Piste1= texte; piste 2=tops P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Montage A.V. 00:15:00 1 oui MEXIQUE=:01-01 a voir 1 +BM.969.004 Ø15;²9.5;1/2P BM.969.004.001 MONTAGE AUDITORIUM DE L'EXPO "PASSAGE A L'AGE D'HOMME";MH 12-1968 1 O LABORATOIRE Copie du montage référé BM.968.045.001• N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Montage expo. 00:40:00 1 oui N=:01-01 non 0 +BM.969.005 Ø18;²19;1/2P BM.969.005.001 MONTAGE AUDIO-VISUEL DE L'EXPO"PASSAGE A L'AGE D'HOMME";MH 12-1968 1 O LABORATOIRE N COPIE -2 Copie "Même bande que BM.968.044.002", selon le cahier d'inventaire. Je ne trouve ni l'une ni l'autre (1992). durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Montage expo. 00:30:00 1 oui N=:01-01 non 0 +BM.1969.006 Ø18;²19;PPM;LD BM.1969.006.001/11 PEPPER,H.;GABON. OYEM-ANGINA:FANG. MVET;1960 11 O PEPPER,HERBERT 1.2 Cf. Table récapitulative de correspondance entre les BM et les livres référés plus bas sur la Fiche Pièce du fichier manuel des collections de BM *Master des 3 disques 17/45 = BM.972.017.005• = COPIE -2 SelBMprBN Pepper, H. _Un mvet de Zwe Nguema. Récit Fang du Gabon_ un volume ronéotypé: 6+487 p. Pepper, H. et Paul et Paule de Wolf _ [même titre d'ouvrage]_ avec un encart de 3 disques 17/45. Coll. Classiques africains, 9. Armand Colin, 1972• Copie **Adrien Bidault, vacation CREM 07• Dpt+** Vacataire 07** COPIE INTERDITE Sous-table non exportée 1960 Terrain 08:20:00 10 oui oui GABON=:01-01 a voir Oui a vérifier 1 Num.MuseBoule12_07 +BM.969.007 ØGF;²38;PPM;SD BM.969.007.001/04 MASTER DI."SELK'NAM.CHANTS OF TIERRA DEL FUEGO.ARGENTINA" 4 O CHAPMAN,ANNE = MASTER PUBLICATION -2 Réf. di.=FE-4176 ; album de 2 di. Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966 Master di. 01:20:00 1 non ARGENTINE=:01-01 0 +BM.969.008 ØGF;²38;PPM;SD BM.969.008.001/03 MASTER DI"MUSIQUE BONI & WAYANA DE GUYANE"+CHUTE 3 O HURAULT,JEAN = MASTER PUBLICATION -2 SelBMprBN Réf. di.=LVLX-290 Copie BM...3= Chutes. N.B. : la copie CD-R faite par J. Schwarz a un blanc sur une plage. BM.003.008.001 = copie faite à partir de cette collection ci (BM.958.008.001/03 Cf. Di. "MUSIQUE BONI & WAYANA DE GUYANE", DI.968.013.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1957 Master di.+chute 01:00:00 1 non GUYANE FRANCAISE=:01-01 0 +BM.969.009 ØGF;²38;PPM;SD BM.969.009.001/02 MASTER DI. REEDIT."MUSIQUE TIBETAINE DU SIKKIM" 2 O BOURGUIGNON,SERGE N MASTER PUBLICATION -2 Réf. di.=LVLX-187; Rééditon du LD-11 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:45:00 1 non INDE;SIKKIM=:01-01 0 +BM.969.010 ØGF;²38;PPM;SD BM.969.010.001/02 MASTER DI. REEDIT."MUSIQUE INDIENNE DU BRESIL" 2 O DREYUFUS,SIMONE = MASTER PUBLICATION -2 Réf. di.=LVLX-194 ; réédition du LD-15 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:45:00 1 non BRESIL=:01-01 0 +BM.969.011 ØGF;²38;PPM;SD BM.969.011.001/02 MASTER DI. "ETHIOPIE. MUSIQUE TRADITONNELLE" 2 O JENKINS,JEAN = MASTER PUBLICATION -2 Réf. di.=LVLX-164 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Master di. 00:45:00 1 non ETHIOPIE=:01-01 0 +BM.969.012 ØGF;²38;PPM;SD BM.969.012.001/04 MASTER DI."MUSIQUE BOUDDHIQUE DE COREE"+CHUTE 4 O LEVY,JOHN = MASTER PUBLICATION -2 SelBMprBN Réf. di.=LVLX-253 Copie BM...3 & ...4= chutes. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Master di.+chute 01:20:00 1 non COREE DU SUD=:01-01 0 +BM.969.013 ØGF;²38;PPM;SD BM.969.013.001/02 MASTER DI. REEDIT."MUSIQUE D'AFRIQUE OCCIDENTALE" 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. di.=LVLX-193 ; réédition du MC-20045 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non COTE D'IVOIRE=:02-02 # GUINEE=:01-01 0 +BM.1969.014 CDR+Ø* BM.1969.014.001/04 MISSION P.D. GAISSEAU "ORENOQUE-AMAZONE" 4 O GAISSEAU,PIERRE DOMINIQUE Num. J. S. mars 2007• = COPIE -2 SelBMprBN Copie *ØGF;²38;PPM;SD. BM...1= copie des bm 76cm/s qui sont les Masters de l'édition de l'album "Musique primitive indienne" (5 di.78t., DI.953.008.001/05). BM...2 à ...4= copie des di. Pyral (cf. Cahier d'inventaire pour le détail)• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1948-50 Copie de di.Pyral+de BM 02:00:00 10 COLOMBIE=:01-02 # VENEZUELA=:01-01 a voir 1 Num. Labo ProTools +BM.969.015 Ø13;²9.5;PPM BM.969.015.001/02 ROUMANIE 2 Presel.Felipe11_07 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:20:00 10 oui oui felipe ROUMANIE=:01-01 oui 1 +BM.969.016 Ø13;²9.5;PPM BM.969.016.001 COPIE DE DI. DE LA COLL. MH* 1 O LABORATOIRE N COPIE -1 *M. d'Afrique occidentale,faceA; M. des Dieux, M. des Hommes, Gamelan de Bali,faceB; Jivaro,Equateur,faceB,3; Brésil vol.2,faceB,3&4. Copie Bande de sonorisation pour le MH. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 00:40:00 3 GUINEE=:01-01 3 +BM.1969.017 Ø13&18;²4,7 BM.1969.017.001/02 BAREIGTS,R.P. ANDRE.BIRMANIE:LAUTU,ZOTUNG,DAI. 2 Presel.Felipe11_07 O BAREIGTS,R.P. ANDRE DT. Ereg. originaux faits sur magnéto Philips portatif• BAREIGTS,R.P. ANDRE COPIE -2 SelBMprBN Copie *Aude Julien, vacation Crem 08• Déposant+* Vacataire 08* COPIE INTERDITE Sous-table non exportée 1965-66 Terrain 04:30:00 10 oui oui BIRMANIE=:01-01•:01-02?•:01-03?•:01-04 a voir oui 1 +BM.969.018 Ø8 BM.969.018.001 MME GERSON-KIWI.MAROC:JUIFS 1 Presel.Felipe11_07 O GERSON-KIWI,MME E. Cf. DT• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:10:00 10 oui oui felipe MAROC=:01-01 a voir 1 +BM.969.019 ØGF;²38;PPM;SD BM.969.019.001/02 MASTER DI."AFGHANISTAN & IRAN" 2 O LUBTCHANSKY,JEAN CLAUDE & C. = MASTER PUBLICATION -2 Réf. di.=MC-20147 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Master di. 00:40:00 1 non AFGHANISTAN=:01-01 # IRAN=:02-02 0 +BM.969.020 K7 BM.969.020.001/06 DIETERLEN,G.;MALI:DOGON; 3 SIGI, 2 OZU BOY;1969 6 Presel.Felipe11_07 O DIETERLEN,GERMAINE 1.2 = ORIGINAL -2 SelBMprBN Don La BM...4 manque (1992) P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 09:00:00 10 oui oui felipe MALI=:01-01 oui 1 +BM.1969.021 Divers* BM.1969.021.001/03 PEROU:POKRA,CHANKA,CAMPA,QUECHUA 3 Presel.Felipe11_07 O YARANGA,MR *2 bm=Ø18, 1bm=Ø13; ²19 &²9,5 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964-1965 Terrain 03:40:00 10 oui oui felipe PEROU=:01-01 a voir 1 +BM.1969.022 Ø13;²9.5;1/2P BM.1969.022.001 MALAYSIA & MALAISIE. DOURNES,R.P.J.;1969 1 Presel.Felipe11_07 O DOURNES,R.P.JACQUES DT DOURNES,R.P.J. COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 01:30:00 10 oui oui MALAYSIA=:01-01 oui 1 +BM.969.023 Divers* BM.969.023.001/04 MELANESIE&POLYNESIE,NLE GUINEE,TIKOPIA,REAO,PUKARUA,TONGA,SAMOA ... 4 Presel.Felipe11_07 O HATANAKA,MLE = ORIGINAL -2 SelBMprBN Don *3 bm=Ø13;²9,5;1/4P (?) ; 1 bm=Ø8;²9,5;1/4P (?) P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963-68 Terrain 08:00:00 10 oui oui felipe deja fait? ILE SAMOA=:01-02 # ILES SALOMON=:01-03 # ILES SALOMON;I.BELLONA=:01-04 # ILES TONGA=:01-01 # NLE-GUINEE=:01-05 a voir 1 +BM.969.024 Ø18;²19;PPM BM.969.024.001 MONTAGE POUR EXPO."CANADA" 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Montage expo. 00:45:00 1 oui CANADA=:01-01 non 3 +BM.969.025 Ø13;²9.5;1/2P BM.969.025.001 NOUVELLES HEBRIDES;AMBRYM 1 Presel.Felipe11_07 O GUIART,JEAN = COPIE -2 SelBMprBN Copie Piste2=vierge. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:48:00 10 oui oui felipe VANUATU=:01-01 1 +BM.1969.026 Ø18;²19;PPM BM.1969.026.001 MALTE. GALLEY,M. 1 O GALLEY,MICHELINE N COPIE -2 SelBMprBN Copie Originaux au Dpt d'information de Malte. *Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Autre 00:40:00 10 oui oui MALTE=:01-01 a voir Oui à vérifier 1 Num.MuseBoule12_07 +BM.1969.027 Ø13;²19;1/2P BM.1969.027.001/03 CAMEROUN. JUILLERAT, B.;1967-68 3 O JUILLERAT,BERNARD = COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1967-68 Terrain 01:42:37 10 oui oui CAMEROUN=:01-01 oui Oui à vérifier 1 Num.MuseBoule12_07 +BM.969.028 Ø8;²19 BM.969.028.001 ILES SALOMON 1 Presel.Felipe11_07 O ZEMP,HUGO = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 00:15:00 10 oui oui felipe ILES SALOMON=:01-01 oui 1 +BM.1969.029 Ø13;²9.5;1/2P BM.1969.029.001 MALAYSIA & MALAISIE & SARAWAK & INDONESIE;SUMATRA. DOURNES,R.P.J. 1 O DOURNES,R.P.JACQUES DT DOURNES,R.P.J. ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui INDONESIE;SUMATRA=:01-02 # MALAYSIA=:01-01 oui 1 +BM.969.030 ØGF;²38;PPM;SD BM.969.030.001/02 MASTER DI."JIVARO" 2 O LUZUY,PHILIPPE N MASTER PUBLICATION -2 Réf. di.=MC-20161 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 195? Master di. 00:40:00 1 non EQUATEUR=:01-01 0 +BM.969.031 ØGF;²38;PPM;SD BM.969.031.001/02 MASTER DI."MUSIQUE BOCHIMAN & MUSIQUE PYGMEE" 2 O MARSHAL,L.;ROUGET,G. N MASTER PUBLICATION -2 Réf. di.=LD-9 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1946-53 Master di. 00:40:00 1 non CONGO=:01-02 # REP D'AFRIQUE DU SUD=:01-01 0 +BM.969.032 ØGF;²38;PPM;SD BM.969.032.001/02 MASTER DI."DAHOMEY,MUSIQUE DU ROI. GUINEE,MUSIQUE MALINKE" 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf di.=mc-20146 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non BENIN=:02-02 # GUINEE=:01-01 0 +BM.969.033 ØGF;²19;PPM;SD BM.969.033.001 MASTER DI."DAHOMEY. MUSIQUE DES PRINCES" 1 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf.di.=MC-20093 Copie Cf. Coll. BM.970.047 pour le même titre. Sous titre du di. "Fête des Tohossu"• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non BENIN=:01-01 0 +BM.969.034 Ø18;²38;PPM;SD BM.969.034.001 MASTER DI."AFRIQUE, VOL.1. MUSIQUE DES REVENANTS" 1 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. di.=EXPT-1026 (Ø17,45t.) Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:16:00 1 non BENIN=:01-01 0 +BM.969.035 Ø18;²38;PPM;SD BM.969.035.001 MASTER DI."AFRIQUE,VOL.2" 1 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. di."EXPT-1029 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:16:00 1 non BENIN=:01-06 # GUINEE=:01-01 # SENEGAL=:01-05 0 +BM.969.037 Ø8 BM.969.037.001/11 BATTESTI,T.;IRAN:IRANIEN,BALOUTCHE,ZABOLI,CAUCASIEN,KURDE;1968 11 Presel.Felipe11_07 O BATTESTI,THERESA = ORIGINAL -2 SelBMprBN Don Enreg. 1/2p., P2=vierge, ²2,4 & ²9,5 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 07:00:00 10 oui oui felipe IRAN=:01-01 oui 1 +BM.969.038 ØGF BM.969.038.001/05 NIGER 5 Presel.Felipe11_07 O ROUCH,JEAN = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 oui oui felipe NIGER=:01-01 oui 1 +BM.969.039 ØGF BM.969.039.001/129 MISSION ROUGET 1952. COTE D'IVOIRE; DAHOMEY; GUINEE; SENEGAL 129 O ROUGET,GILBERT 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT Collection copiée s.v. BM.970.019 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Terrain 60:00:00 10 fait cf. BM...70.19 BENIN=:01-02 # COTE D'IVOIRE=:01-01 # GUINEE=:01-03 # SENEGAL=:01-04 a voir 1 +BM.969.041 Ø18;²19;PPM BM.969.041.001/50 COLL. D. BHATTACHARYA: INDE,IRAN,ISRAEL,HONGRIE,BULGARIE,YOUGOSLAVIE 50 Presel.Felipe11_07 O BHATTACHARYA,DEBEN CF. FICHIER SPECIFIQUE = COPIE -2 SelBMprBN Achat CNRS P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 37:00:00 10 oui BULGARIE=:01-05 # EX YOUGOSLAVIE=:01-06 # HONGRIE=:01-04 # INDE=:01-01 # IRAN=:01-02 # ISRAEL=:01-03 a voir 1 +BM.969.042 Ø18 BM.969.042.001/06 BANDES DE LABORATOIRE 6 Presel.Felipe11_07 O LABORATOIRE N COPIE -2 Copie durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Dpt 02:00:00 1 oui N=:01-01 3 +BM.1969.043 Ø13 BM.1969.043.001/18 MAROC;BERBERE. LORTAT-JACOB,B.;1969 18 O LORTAT-JACOB,BERNARD 1.2 LORTAT-JACOB,B. ORIGINAL -2 SelBMprBN Don *vacataire MRT + Corrections Kaltouma Rahimi, vacataire Crem 08• Dpt+Vacataire* Vacataire* COPIE INTERDITE Sous-table non exportée 1969 Terrain 06:00:00 10 oui oui MAROC=:01-01>05•:02-01>03•:02-04>05•:03-01>06•:04-01•:05-01•:06-01•:07-01•:08-01•:09-01•:10-01•:10-02•:11-01•:11-02>03•:12-01>04•:13-01>02•:14-01>05•:14-06>10•:14-11>12•:15-14>15•:15-16•:16-01>03•:16-04>08•:16-09>10•:16-11>13•:17-01>03•:18-01>05 oui OUI 1 Num.MuseBoule12_07 +BM.970.001 Ø13 BM.970.001.001 HAUTE VOLTA;MALINKÈ: MESURES GAMMES XYLOPHONES 14 & 9 TOUCHES 1 Presel.Felipe11_07 O LABORATOIRE DT COPIE -2 Copie cf. BM.970.002.001: d'après les fiches brouillons ,cette coll. ci (BM.970.001.001) pourrait être une copie partielle de la coll. BM.970.002.001 (même lieu d'enreg.; la coll. ...001 annonce comme Déposant "Laboratoire" et comme Magnéto original "Copie" , la coll. ...002 Déposant "Arnott", Magnéto original "(rien)"• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:20:00 1 oui BURKINA FASO=:01-01 3 +BM.970.002 Ø10 BM.970.002.001 ARNOTT,DR. D..;1956. HAUTE-VOLTA: XYLOPHONES MALINKÈ 1 Presel.Felipe11_07 O ARNOTT, DR. DAVID DT = COPIE -2 SelBMprBN Don Cf. BM.970.001.001. Le Dr D. Arnott est Prof. à SOAS, Londres. Don fait par l'entremise de M-P. Ferry• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 N 00:15:00 10 oui oui BURKINA FASO=:01-01 1 +BM.970.003 Ø13;²9.5;PPM BM.970.003.001/02 VENEZUELA;AMAZONAS:PIAROA 2 Presel.Felipe11_07 O MAGYAR TUDAMANYOS AKADEMIA BUDAPEST DT N COPIE -2 SelBMprBN Copie Bandes DD. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 02:00:00 10 oui oui felipe VENEZUELA=:01-01 a voir 1 +BM.970.004 Ø18 BM.970.004.001/06 TARDITS,C.:DAHOMEY,PORTO-NOVO 6 Presel.Felipe11_07 O TARDITS,CLAUDE = ORIGINAL -2 SelBMprBN Don Enreg. ²19 & ²9,5 1/2P. Copies c/° G. Rouget. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 09:00:00 10 oui oui BENIN=:01-01 oui 1 +BM.970.005 ØGF;²38;PPM;SD BM.970.005.001/02 MASTER DI."MUSIQUE GUERE. COTE D'IVOIRE" 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Réf. di.=LVLX-380 ou LD-764 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965&67 Master di. 00:40:00 1 non COTE D'IVOIRE=:01-01 0 +BM.970.006 Ø18;²38;PPM BM.970.006.001/02 MASTER DI."CASTES DE MUSICIENS AU NEPAL" 2 O HELFFER;GABORIEAU;JEST;MACDONALD = MASTER PUBLICATION -2 Réf. di.=LD-20 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1961-68 Master di. 00:40:00 1 non NEPAL=:01-01 0 +BM.970.007 ØGF;²38;PPM;SD BM.970.007.001/02 MASTER DI."AFRIQUE VOL.3. BATTERIES AFRICAINES" & "AFRIQUE VOL.4" 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. DI. "Afrique vol.3"=EXTP-1031 (= BM...1) ;"...Vol.4"=EXPT-1032 (=BM...2) Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:40:00 1 non BENIN=:02-01 # COTE D'IVOIRE=:02-02 # GUINEE=:01-01•:01-03 # MAURITANIE=:01-02 0 +BM.970.008 ØGF;²38;PPM;SD BM.970.008.001/02 MASTER DI."GUINEE FRANCAISE. MUSIQUE TOMA" 2 O GAISSEAU,P;FICHTER,J;SAULNIER,T. = MASTER PUBLICATION -2 Réf. di.=LD-4 ; MC-20097 Copie Master de la 1ère édition selon Cahier d'inventaire. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Master di. 00:40:00 1 non GUINEE=:01-01 0 +BM.970.009 ØGF BM.970.009.001 MONTAGE POUR EXPO. "NEPAL";MH 1969-70 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 00:30:00 1 oui NEPAL=:01-01 3 +BM.970.010 ØGF;²38;PPM;SD BM.970.010.001/02 MASTER DI."A.O.F. OGUN DIEU DU FER & CHANTS D'AFRIQUE OCCIDENTALE" 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. di.=LD-12 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non BENIN=:01-01 # COTE D'IVOIRE=:02-05 # MAURITANIE=:01-02 # SENEGAL=:02-01 oui 1 +BM.970.011 ØGF;²38;PPM;SD BM.970.011.001/02 MASTER DI."PONDO KAKOU. MUSIQUE DE SOCIETE SECRETE" 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Réf. di.=LD-17 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non BENIN=:02-02 # COTE D'IVOIRE=:01-01 # GUINEE=:02-06 0 +BM.1970.012 Ø13;²19;1/2P BM.1970.012.001/46 MALI. CALAME,B.;1956-67 46 O CALAME,BLAISE 1.2 Duplication accélérée ATP [à véifier]• CALAME,B. COPIE -2 SelBMprBN Copie *vacataire MRT• Dpt+Vacataire* Vacataire* COPIE INTERDITE Sous-table non exportée 1956-67 Terrain 15:38:00 10 oui oui MALI=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:04-01•:04-02•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:06-01•:06-02•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:08-01•:08-02•:09-01•:09-02•:09-03•:09-04•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:11-01•:12-01•:12-02•:12-03•:13-01•:13-02•:13-03•:13-04•:13-05•:14-01•:14-02•:14-03•:14-04•:14-05•:15-01•:15-02•:15-03•:15-04•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:17-01A>C•:17-02•:17-03•:17-04•:18-01•:18-02•:18-03•:18-04•:18-05•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:21-01•:21-02•:21-03•:21-04•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:23-01•:23-02•:23-03•:23-04•:23-05•:23-06•:23-07•:24-01•:24-02•:24-03•:24-04•:24-05•:24-06•:24-07•:24-08•:24-09•:25-01•:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:25-09•:25-10•:25-11•:26-01•:26-02•:26-03•:26-04A•:26-04B•:26-05•:27-01•:27-02•:27-03•:27-04•:27-05•:27-06•:27-07•:27-08•:27-09•:27-10•:27-11•:28-01•:28-02•:28-03•:28-04•:28-05•:28-06•:28-07•:28-08•:28-09•:28-10•:28-11•:28-12•:28-13•:28-14•:29-01•:29-02•:29-03•:29-04•:29-05•:29-06•:29-07•:30-01•:30-02•:30-03•:30-04•:30-05•:30-06•:30-07•:30-08•:30-09•:30-10•:30-11•:31-01•:31-02A•:31-02B•:31-02C•:31-02D•:31-02E•:31-02F•:31-02G•:31-03•:31-04•:31-05•:31-06•:31-07•:31-08•:31-09•:31-10•:31-11•:31-12•:31-13•:31-14•:31-15•:32-01•:32-02•:32-03•:32-04•:32-05•:32-06•:32-07•:32-08•:32-09•:32-10A•:32-10B•:32-10C•:32-11•:32-12•:32-13•:32-14•:33-01•:33-02A•:33-02B•:33-02C•:33-02D•:33-03•:33-04•:33-05•:33-06•:33-07•:33-08A•:33-08B•:33-08C•:33-08D•:33-08E•:33-08F•:33-09A•:33-09B•:33-09C•:34-01•:34-02A•:34-02B•:34-02C•:34-02D•:34-02E•:34-03A•:34-03B•:34-03C•:34-03D•:34-03E•:34-04•:34-05•:34-06•:34-07•:34-08•:34-09•:35-01•:35-02•:35-03•:36-01A•:36-01B•:36-01C•:36-01D•:36-01E•:36-01F•:36-02A•:36-02B•:36-02C•:36-02D•:36-02E•:36-03•:36-04A•:36-04B•:36-05•:36-06•:37-01•:37-02•:37-03•:37-04•:38-01•:38-02A•:38-02B•:38-02C•:38-02D•:38-02E•:38-03•:39-01•:39-02A•:39-02B•:39-02C•:39-02D•:39-02E•:39-02F•:39-02G•:39-02H•:40-01•:40-02•:40-03•:40-04•:40-05•:40-06•:41-01•:41-02•:41-03•:41-04•:41-05•:41-06•:41-07•:41-08•:41-09•:41-10•:41-11•:41-12•:41-13•:41-14•:41-15•:41-16•:42-01•:42-02•:42-03•:42-04•:42-05•:42-06•:42-07•:42-08•:42-09•:42-10•:42-11•:42-12•:43-01•:43-02•:43-03A•:43-03B•:43-03C•:43-03D•:43-03E•:43-04•:43-05•:43-06•:43-07•:43-08•:43-09•:43-10•:44-01•:44-02A•:44-02B•:44-02C•:44-02D•:44-03•:44-04A•:44-04B•:44-04C•:44-05•:44-06A•:44-06B•:44-07A•:44-07B•:44-08•:44-09•:44-10•:44-11•:44-12•:45-01•:45-02•:45-03•:45-04•:45-05•:45-06•:45-07A•:45-07B•:45-08•:45-09 oui OUI 1 Num.MuseBoule12_07 +BM.1970.013 ØGF;²76 & ²38 BM.1970.013.001/11 CHINE. RIERA,Y. 11 O RIERA,MME Y. ØGF ²76= BM...1 à ...5 ; ²38 = BM...6 à ...11• RIERA,Y. [?] ORIGINAL -2 SelBMprBN Don Dpt ? COPIE INTERDITE Sous-table non exportée -1 Terrain 03:00:00 10 oui oui CHINE=:01-01 a voir Oui 1 Num.MuseBoule12_07 +BM.1970.014 Ø13 BM.1970.014.001/02 MALAYSIA;SARAWAK;MINORITES. DOURNES,R.P. J. 2 Presel.Felipe11_07 O DOURNES,R.P. JACQUES DOURNES,R.P. J. ORIGINAL -2 SelBMprBN Don Copie c/° J. Dournes. durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui oui MALAYSIA=:01-01 oui 1 +BM.970.015 Ø13;²19;PPM BM.970.015.001/03 BANDES DE LABORATOIRE* 3 O LABORATOIRE COPIE -2 Copie * BM...1 = étalon générateur; 2 xylophonesdu Dr Arnott; xylo Malinkédu milieu Rouget; Kondé Kouyatéet Lola (Lévi-Strauss); Kondé Kouaté berceuse intégrale découpée; Ajoga; cht de Fa; cht tambouriné de Vénoundo; Sakpata de Vakon 1969 BM...2 = copie xylo enreg. du Dr Arnott (faite par lui [?]) BM...3 = hauteurs par un générateur• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 01:00:00 1 oui BURKINA FASO=:02-01>03 3 +BM.1970.016 Divers* BM.1970.016.001/08 MAROC. ZEMP,H;1960 8 O ZEMP,HUGO *Ø10 x2; Ø13 x3; Ø15 x1; Ø18 x2; ²19 & ²9,5; 1/2P. ZEMP,H COPIE -2 SelBMprBN Copie **Angéline Yégnan-Touré, vacataire MRT jui-juillet05• Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée 1960 Terrain 03:27:25 10 oui MAROC=:01-01•:02-01•:02-02•:03-01•:03-02•:03-03•:03-04•:03-05•:04-01•:04-02•:05-01•:05-02•:06-01•:07-01•:07-02•:08-01•:08-02•:08-03•:08-04•:08-05 oui OUI 1 Num.MuseBoule04_07 +BM.970.017 Ø13 BM.970.017.001 ALGERIE 1 Presel.Felipe11_07 O SHAMAY,MARLENE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui oui ALGERIE=:01-01 a voir 1 +BM.1970.018 Divers* BM.1970.018.001/49 INDONESIE,TIMOR.BERTHE,C.;1957-66 49 O BERTHE,CLAUDINE = ORIGINAL -2 SelBMprBN DÉPÔT **Vincent Rioux, vacataire MRTnov-déc2004• Dpt+vacataire** Vacataire04** COPIE INTERDITE Sous-table non exportée 1957-66 Terrain 17:01:36 10 oui oui INDONESIE;TIMOR=:01-01•:01-02•:01-03•:01-04•:02-01•:02-02•:03-01•:03-02•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:05-01•:05-02•:05-03•:06-01•:06-02•:07-01•:07-02•:07-03•:07-04•:07-05•:08-01•:09-01•:09-02•:09-03•:10-01•:10-02•:10-03•:10-04•:11-01•:11-02•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:13-01•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:15-01•:15-02•:15-03•:16-01•:16-02•:16-03•:16-04•:16-05•:17-01•:17-02•:17-03•:18-01•:19-01•:19-02•:20-01•:20-02•:21-01•:21-02•:22-01•:22-02•:22-03•:22-04•:23-01•:24-01•:24-02•:24-03•:24-04•:25-01•:25-02•:26-01•:26-02•:26-03•:27-01•:27-02•:28-01•:28-02•:29-01•:29-02•:29-03•:29-04•:29-05•:29-06•:30-01•:30-02•:30-03•:31-01•:31-02•:31-03•:31-04•:31-05•:32-01•:32-02•:32-03•:32-04•:33-01•:33-02•:33-03•:34-01•:34-02•:34-03•:35-01•:35-02•:35-03•:35-04•:35-05•:35-06•:36-01•:36-02•:36-03•:36-04•:36-05•:37-01•:37-02•:37-03•:37-04•:38-01•:39-01•:40-01•:40-02•:40-03•:40-04•:41-01•:41-02•:41-03•:41-04•:41-05•:41-06•:41-07•:41-08•:41-09•:41-10•:41-11•:42-01•:42-02•:42-03•:43-01•:43-02•:43-03•:44-01•:44-02•:44-03•:44-04•:44-05•:44-06•:44-07•:44-08•:44-09•:44-10•:44-11•:44-12•:45-01•:45-02•:45-03•:45-04•:45-05•:46-01•:46-02•:46-03•:46-04•:47-01•:47-02•:47-03•:48-01•:48-02•:48-03•:49-01•:49-02•:49-03 oui OUI 1 Num.MuseBoule04_07 +BM.1970.020 Ø13;²19;PPM BM.1970.020.001/31 INDONESIE:BALI. BERTHE,L.;1957-63 31 O BERTHE,LOUIS 1.2 BM...30 et ...31 = copie d'enreg. de B. Yzerdraat faite par L. Berthes, Ø13;²9,5 1/2P• BERTHE,L & YZERDRAAT,BERNARD ORIGINAL -2 SelBMprBN Don Bernard Yzerdraat porte également le nom indonésien Surya Brata. *vacataire MRT+PP.• Dpt+Vacataire* Vacataire* COPIE INTERDITE Sous-table non exportée 1957-63 Terrain 10:06:38 10 oui INDONESIE;BALI=:01-01•:02-01•:02-02•:03-01•:04-01>05•:04-06•:04-07•:05-01•:05-02>04•:06-01>03•:07-01>03•:08-01•:09-01>02•:09-03>06•:10-01>06•:10-07•:11-01>04•:11-05•:12-01>03•:13-01>04•:13-05>06•:14-01•:14-02•:14-03•:15-01>03•:15-04•:16-01>03•:17-01>06•:18-01•:19-01>03•:20-01>03•:21-01>02•:22-01•:23-01•:23-02•:24-01>02•:25-01•:26-01•:27-01•:28-01•:29-01•:30-01•:30-02>05•:31-01>03•:31-04>05•:31-06•:31-07>08•:31-09>10•:31-10>11•:31-12 oui OUI >OK 1 Num.MuseBoule04_07 +BM.1970.021 Ø13;²9.5;1/2P BM.1970.021.001/03 FESTIVAL DE BUCAREST:ROUMANIE;YOUGOSLAVIE;MONGOLIE 3 Presel.Felipe11_07 O   NB. La piste 2 est vierge• = ORIGINAL -2 SelBMprBN DÉPÔT *Amanda Flety, vacation Crem 07• déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1969 Festival 04:30:00 10 oui oui felipe EX YOUGOSLAVIE=:02-02 # MONGOLIE (REP POPU)=:03-01 # ROUMANIE=:01-01 oui oui 1 +BM.970.022 Ø18;²19;PPM BM.970.022.001/05 NIGER 5 Presel.Felipe11_07 O OLIVIER DE SARDAN,JEAN-PIERRE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 03:30:00 10 oui oui NIGER=:01-01 oui 1 +BM.1970.023 Divers* BM.1970.023.001/03 TUNISIE,REGION DE TUNIS;2 ZAWIYA. FERCHIOU,S. 3 O FERCHIOU,SOPHIE *2 BM = Ø18 (regroupent les Originaux 1 à 3 et 4 à 6), 1 BM = Ø13• FERCHIOU,S. COPIE -2 SelBMprBN Ferchiou, S. "Survivances mystiques et culte de possession dans le maraboutisme tunisien" _L'Homme_, XII,3, pp.47-69• Copie **Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée -1 Terrain 03:22:37 10 oui TUNISIE=:01-01•:02-01•:02-02•:02-03•:03-01 oui OUI 1 Num.MuseBoule04_07 +BM.1970.024 Ø13;²9.5;1/2P BM.1970.024.001/03 ESPAGNE. FARGEOT,S.;1970 3 O FARGEOT,STEPHANE Bande DD• FARGEOT,S. ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault,stagiaire Paris8,2006• Déposant+* Stagiaire06* COPIE INTERDITE Sous-table non exportée 1970 Terrain 03:38:02 10 oui oui ESPAGNE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:01-28•:01-29•:01-30•:01-31•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24•:02-25•:02-26•:02-27•:02-28•:02-29•:02-30•:02-31•:02-32•:02-33•:02-34•:02-35•:02-36•:02-37•:02-38•:02-39•:02-40•:02-41•:02-42•:02-43•:02-44•:02-45•:02-46•:02-47•:02-48•:02-49•:02-50•:02-51•:02-52•:02-53•:02-54•:02-55•:02-56•:02-57•:02-58•:02-59•:02-60•:02-61•:02-62•:02-63•:02-64•:02-65•:02-66•:02-67•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:03-19•:03-20•:03-21•:03-22•:03-23•:03-24•:03-25•:03-26•:03-27•:03-28•:03-29•:03-30•:03-31•:03-32•:03-34•:03-35•:03-36•:03-37•:03-38•:03-39•:03-40•:03-41•:03-42•:03-43•:03-44•:03-45•:03-46•:03-47•:03-48•:03-49•:03-50•:03-51•:03-52•:03-53•:03-54•:03-55•:03-56•:03-57•:03-58•:03-59•:03-60•:03-61•:03-62•:03-63•:03-69 a voir Oui. À vérifier 1 Num.MuseBoule12_07 +BM.1970.025 Ø13;²19;PPM BM.1970.025.001/12 NIGER:NIAMEY;DJERMA-SONGHAY. SURUGUE,B.;1969 12 O SURUGUE,BERNARD SURUGUE,B. COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1969 Terrain 03:58:01 10 oui NIGER=:01-01•:01-02•:01-03•:01-04•:01-05•:02-01•:02-02•:02-03•:02-04•:03-01•:03-02•:03-03•:03-04•:04-01•:04-02•:04-03•:04-04•:04-05•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:06-01•:06-02•:06-03•:07-01•:07-02•:07-03•:07-04•:08-01•:08-02•:08-03•:08-04•:08-05•:09-01•:09-02•:09-03•:09-04•:10-01•:10-02•:10-03•:10-04•:10-05•:11-01•:11-02•:11-03•:11-04•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06 a voir OUI 1 Num.MuseBoule04_07 +BM.970.027 Ø13;²19;1/2P BM.970.027.001 VENEZUELA:PARI (MONTILONES) 1 Presel.Felipe11_07 O JAULIN,ROBERT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui oui felipe VENEZUELA=:01-01 oui 1 +BM.970.028 Ø13;²19;PPM BM.970.028.001/04 COPIE DE CYLINDRES DES MUSEES DE BUDAPEST, BERLIN ET SYRACUSE 4 Presel.Felipe11_07 O LABORATOIRE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de cy. 01:20:00 10 oui N=:01-01 2 +BM.1970.029 K7-C90 BM.1970.029.001 SENEGAL;CERCLE DE KEDOUGOU:MALINKE, BEDIK, PEUL 1 O GUIGNARD,AUDE Original Mini K7 Philips ,K7 10x6,5• GUIGNARD,AUDE ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault, vacation CREM 07 Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1968 Terrain 01:30:00 10 oui oui SENEGAL=:01-01 oui Oui A vérifier 1 Num.MuseBoule12_07 +BM.1970.030 Ø18;²9.5;PPM BM.1970.030.001/03 BRESIL,MATO GROSSO,PARQUE NACIONAL DO XINGU. MONOD BECQUELIN,A. 3 Presel.Felipe11_07 O MONOD BECQUELIN,AURORE 1.2 * Copie sélective des bob. 1 à 28 , enreg.entre juillet 1966 et mai 1967• MONOD BECQUELIN,A. COPIE* -2 SelBMprBN Copie **sans doute Angéline Yegnan, vacataire MRT• Dpt+** ** COPIE INTERDITE Sous-table non exportée 1966-67 Terrain 02:15:00 10 oui BRESIL=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:02--01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:03-01•:03-02 oui Oui 1 +BM.1970.031 Ø13;²19;PPM BM.1970.031.001/07 BOLIVIE,DPT DE LA PAZ;AYMARA,KECHUA,METIS,BLANC. GIRAULT,L.;1959-64 7 O GIRAULT,LOUIS 1.2 GIRAULT,L. COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1959-64 Terrain 07:00:00 10 oui oui BOLIVIE=:01-01 oui Oui A vérifier 1 Num.MuseBoule12_07 +BM.970.032 Ø13;²9.5;1/2P BM.970.032.001 COMMENTAIRE DE L'AUDIO-VISUEL POUR EXPO."ARTS MAYA";MH 1968 1 O LABORATOIRE N COPIE -1 Copie Piste1=texte; piste2=tops ; il y a également une boite de diapo. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage A.V. 00:15:00 1 oui MEXIQUE=:01-01 3 +BM.970.033 Ø13;²19;1/2P BM.970.033.001 CAMEROUN. MVET (DANIEL OSSOMO N°2) 1 Presel.Felipe11_07 O BELINGA,E. = ORIGINAL -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 00:20:00 10 oui oui felipe CAMEROUN=:01-01 a voir 1 +BM.970.034 Ø13;²9.5;1/2P BM.970.034.001 POLYNESIE;ILES TUAMOTU 1 Presel.Felipe11_07 O PLESSIS,YVES B. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 00:40:00 10 oui oui felipe TUAMOTU=:01-01 a voir 1 +BM.970.035 Ø13;²19;PPM BM.970.035.001/05 AFGHANISTAN:PASHAI 5 Presel.Felipe11_07 O PITOEFF,PRIBISLAV 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 02:00:00 10 oui oui felipe AFGHANISTAN=:01-01 oui 1 +BM.1970.036 Ø13&18;²19;PPM BM.1970.036.001/29 LUBTCHANSKY,J-C.;TURQUIE,ANATOLIE & IRAN DU N.E.;1959 29 O LUBTCHANSKY,JEAN-CLAUDE = COPIE -2 SelBMprBN Copie * Ø13 x20; Ø18 x9 . Copies faites à partir des mêmes ORIGINAUX que ceux utilisés pour la coll. Lubtchansky BM.962.001.001/07, laquelle est une copie partielle. *Alice Pitoëff, vacataire MRT juin 2005• PP+* Vacataire MRT 2005* COPIE INTERDITE Sous-table non exportée 1959 Terrain 12:30:00 10 oui oui IRAN=:18-01•:18-02•:18-03•:18-04 # IRAN DU NORD-EST=:22-01•:22-02•:22-03•:22-04•:22-05•:23-01•:23-02•:24-01•:24-02•:24-03•:25-01•:25-02•:25-03•:26-01•:26-02•:26-03•:26-04•:27-01•:27-02•:27-03•:28-01•:28-02•:28-03•:29-01•:29-02•:29-03•:29-04 # TURQUIE=14-02•:01-01•:01-02•:01-03•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:04-01•:04-02•:04-03•:04-04•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:07-01•:07-02•:07-03•:07-04•:08-01•:08-02•:08-03•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:10-01•:10-02•:10-03•:10-04•:11-01•:11-02•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08 •:14-09•:15-01•:15-02•:15-03•:15-04•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:17-01•:17-02•:17-03•:17-04•:17-05•:19-01•:19-02•:19-03•:20-01•:20-02•:21-01•:21-02•:21-03 a voir oui 1 Num.MuseBoule12_07 +BM.970.038 Ø13;²9.5;PPM BM.970.038.001 GOLF PERSIQUE;ILE DE FAILAKA:ARABE. PECHEURS & PECHEURS DE PERLES 1 Presel.Felipe11_07 O POURCELET = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 00:45:00 10 oui KUWEIT=:01-01 oui 1 +BM.970.039 Ø13;²9.5;1/2P BM.970.039.001/04 PHILIPPINES 4 Presel.Felipe11_07 O LORRIN,ROSARIO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 oui oui PHILIPPINES=:01-01 a voir 1 +BM.970.040 Ø13;²19;PPM BM.970.040.001/04 POLYNESIE FRANCAISE, ARCHIPEL DE LA SOCIETE,TAHITI,BORA BORA 4 Presel.Felipe11_07 O LAJOUX,JEAN-DOMINIQUE 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 01:20:00 10 oui oui POLYNESIE FR;ARCHIPEL SOCIETE=:01-01•:?-? oui 1 +BM.970.042 ØGF;²38;PPM;SD BM.970.042.001/02 MASTERD DI."BARONG. DRAME MUSICAL BALINAIS" 2 O BERTHE,LOUIS N MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:40:00 1 non INDONESIE;BALI=:01-01 0 +BM.970.043 Ø13;²19;1/2P BM.970.043.001 NEPAL 1 Presel.Felipe11_07 O MILLEVILLE,MR. = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui oui felipe NEPAL=:01-01 a voir 1 +BM.1970.044 Ø13;²19;PPM BM.1970.044.001/32 MAROC,MOYEN ATLAS;BERBERE. LORTAT-JACOB,B.;1970 32 O LORTAT-JACOB,BERNARD LORTAT-JACOB,B. ORIGINAL -2 SelBMprBN N *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1970 Terrain 08:23:08 10 oui oui MAROC=05-07•:•: 04-03•:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:02-01•:02-02•:02-03•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-08•:05-09•:05-10•:06-01•:06-02•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:10-01•:10-02•:10-03•:10-04•:10-05•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:10-14•:10-15•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:14-01•:14-02•:14-03•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:17-09•:17-10•:17-11•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:18-09•:18-10•:18-11•:18-12•:18-13•:18-14•:18-15•:18-16•:18-17•:19-01•:19-02•:19-03•:19-04•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:20-07•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:22-10•:22-11•:22-12•:22-13•:22-14•:22-15•:22-16•:23-01•:23-02•:23-03•:23-04•:24-01•:25-01•:25-02•:25-03•:26-01•:26-02•:26-03•:26-04•:27-01•:27-02•:27-03•:27-04•:27-05•:27-06•:27-07•:27-08•:27-09•:28-01•:28-02•:29-01•:29-02•:29-03•:29-04•:29-05•:29-06•:29-07•:29-08•:29-09•:29-10•:30-01•:30-02•:30-03•:30-04•:30-05•:30-06•:31-01•:32-01 oui OUI 1 Num.MuseBoule12_07 +BM.1970.045 Ø13;1/2P BM.1970.045.001/09 SENEGAL ORIENTAL. CAMARA,S. 9 O CAMARA,SORY Ø13;1/2P;²19 &²9,5. durée pif : aucune durée indiquée• = ORIGINAL -2 SelBMprBN Copie * Dora Bazin, stagiaire Paris 8, 2007• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 07:00:00 10 oui oui SENEGAL=:01-01 oui OUI. À vérifier 1 Num.MuseBoule12_07 +BM.1970.046 Ø13 BM.1970.046.001/03 MAROC. AIT YOUSSEF,MOHAMMED;1968 3 O AIT YOUSSEF,MOHAMMED AIT YOUSSEF,MOHAMMED ORIGINAL -2 SelBMprBN N Copie c/° Viviana Paques. *Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1968 Terrain 01:00:00 10 oui oui MAROC=:01-01 a voir Oui a vérifier 1 Num.MuseBoule12_07 +BM.970.047 ØGF BM.970.047.001/04 MASTER DI."DAHOMEY. MUSIQUE DES PRINCES" &: ADJOGAN 4 O ROUGET,GILBERT = MASTER PUBLICATION -2 Copie Cf. BM.969.033.001 pour "Dahomey. M. des Princes. Fetes des Tohossou". durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 01:00:00 1 non BENIN=:01-01 0 +BM.970.048 ØGF BM.970.048.001 MASTER DI."GUYANE. INDIENS KALINA & OAYANA 1 O VIANES,SUZY = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Master di. 00:30:00 1 non GUYANE FRANCAISE=:01-01 0 +BM.970.049 ØGF BM.970.049.001/02 MASTER DI."AFGHANISTAN & IRAN" [1ERE ED.] 2 O LUBTCHANSKY,J-CLAUDE & SOLANGE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Master di. 00:40:00 1 non AFGHANISTAN=:01-01 # IRAN=:02-02 0 +BM.970.050 ØGF BM.970.050.001/02 MASTER DI."FETES POUR L'OFFRANDE DES PREMIERES IGNAMES A SHANGO" 2 O ROUGET,GILBERT &VERGER,PIERRE ROUGET,GILBERT MASTER PUBLICATION -2 Copie Cf. BM.954.006 et DI.955.017.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non BENIN=:01-01 0 +BM.970.051 ØGF BM.970.051.001/02 MASTER DI."BRESIL, VOL.1: MUSIQUE INDIENNE"[1ERE ED.] 2 O DREYFUS-ROCHE,SIMONE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:40:00 1 non BRESIL=:01-01 0 +BM.970.052 ØGF BM.970.052.001/02 MASTER DI."BRESIL,VOL.2: MUSIQUE DE BAHIA" 2 O DREYFUS-ROCHE,SIMONE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:40:00 1 non BRESIL=:01-01 0 +BM.970.053 ØGF BM.970.053.001 MASTER DI."GUATEMALA..." VOL.1 & 2 1 O LEHMANN,HENRI N MASTER PUBLICATION -2 Copie 2 di. 17/45• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Master di. 00:28:00 1 non GUATEMALA=:01-01 0 +BM.970.054 ØGF BM.970.054.001/02 MASTER DI."MUSIQUE TIBETAINE DU SIKKIM"[1ERE ED.] 2 O BOURGUIGNON,SERGE N MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:40:00 1 non INDE;SIKKIM=:01-01 0 +BM.970.055 ØGF BM.970.055.001/02 MASTER DI."M. D'AFRIQUE OCCIDENTALE. M. DES MALINKE. M. DES BAOULE"[1ERE ED.] 2 O ROUGET,GILBERT = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:40:00 1 non COTE D'IVOIRE=:02-02 # GUINEE=:01-01 0 +BM.970.056 ØGF BM.970.056.001/02 MASTER DI.: ORENOQUE - AMAZONE 2 O GAISSEAU,PIERRE-DOMINIQUE = MASTER PUBLICATION -2 Copie Ref. MH-50.16, selon cahier d'inventaire; ne correspond pas à l'"Inventaire des di."• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1948 Master di. 00:40:00 1 non VENEZUELA=:01-01 0 +BM.970.057 ØGF BM.970.057.001/02 MASTER DI."MOYEN CONGO. PYGMEE BABIBGA" & "M. BANTOU D'A.E.F." 2 O ROUGET,GILBERT MISSON OGOOUE-CONGO MASTER PUBLICATION -2 Copie Master de 2 di. (enreg. Mission Ogooué- Congo 1946): 1) "Moyen Congo. Pygmées Babinga & Babinga Bangombé"; réf. LD-14 ou réf. LD-325. 2) "M. bantou d'Afrique équatoriale française"; réf. LD-324• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1946 Master di. 00:41:00 1 non CONGO=:01-01 # GABON=:02-02 0 +BM.970.058 ØGF BM.970.058.001 GUINEE FRANCAISE:TOMA 1 Sel.Felipe11_07 O GAISSEAU,PIERRE DOMINIQUE = COPIE -2 SelBMprBN Copie durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952-53 Terrain 01:00:00 10 oui oui GUINEE FRANCAISE=:01-01 a voir 1 +BM.970.059 ØGF BM.970.059.001 MASTER DI."MUSIQUE PERSANE" VOL.1 & 2 1 O BALLIF,NOEL = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Master di. 00:28:00 1 non IRAN=:01-01 0 +BM.970.060 Ø13;²19;PPM BM.970.060.001 MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON (COPIE DE 5 PIECES) 1 O ROUGET,GILBERT DIDIER,A;ROUGET,G. COPIE -2 SelBMprBN Copie de di. Pyral BM.974.013.... = copie de toute la coll. de di. Pyral; BM.002.005... = copie numérisée de la coll. BM.974.0133...• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1946 Terrain 00:10:00 1 non AFRIQUE=:01-01 1 +BM.970.061 ØGF BM.970.061.001 MASTER DI."BIRMANIE. MUSIQUE CLASSIQUE & POPULAIRE" 1 O BERNOT,DENISE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Master di. 00:20:00 1 non BIRMANIE=:01-01 0 +BM.970.062 Ø18;²19;1/2P BM.970.062.001 ETATS-UNIS;LOUISIANE 1 Presel.Felipe11_07 O N N COPIE -2 SelBMprBN Copie P2=vierge P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:30:00 10 oui oui felipe USA=:01-01 1 +BM.970.063 Ø18;²38;PPM BM.970.063.001 MASTER DI."DEUX CHANTS LITURGIQUES YORUBA"[ENCARTE] 1 O ROUGET,GILBERT CF. MEME TITRE IN _JOURNAL DE LA STE DES AFRICANISTES_, 35-1,1965 ET TAP ENCARTES IN DI.967.002.001. ROUGET,GILBERT MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:08:00 1 non BENIN=:01-01 0 +BM.970.064 Ø18 BM.970.064.001 MASTER DI."RYTHMES & CHANTS DU DAHOMEY. N°1 SUD&CENTRE DAHOMEY" 1 O DENISSE;MRS R. N MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:17:00 1 non BENIN=:01-01 0 +BM.970.065 ØGF BM.970.065.001 MASTER DI."DAHOMEY. PORTO-NOVO. INVOCATIONS A SAKPATA" 1 O TARDITS,CLAUDE. MEDEDJI,C. = MASTER PUBLICATION -2 Copie ©=PCM.986.001/3• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Master di. 00:16:00 1 non BENIN=:01-01 0 +BM.1970.066 Ø18 BM.1970.066.001 MAQUETTE DI.: ALBANIE* 1 Presel.Felipe11_07 O GAMELON,SIMONE* DT 6 pièces, durées: 01 =5''45 ; 02 =3'20 ; 03 =2'07 ; 04 =2'29 ; 05 =4'11 ; 06 =1'42 >> À revérifier• GAMELON, S. COPIE -2 Copie *Extraits de la collection : BM.1967.016, Mission S. Gamelon, 1956• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:20:00 1 oui ALBANIE=:01-01 1 +BM.970.067 ØGF;²76 BM.970.067.001/02 NIGER 2 Sel.Felipe11_07 O ROUCH,JEAN 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1950 Terrain 00:30:00 10 oui oui felipe NIGER=:01-01 oui 1 +BM.1971.001 Ø18;²19;PPM BM.1971.001.001/04 RADIO MAURITANIE;MAURITANIE 4 Presel.Felipe11_07 O RADIO MAURITANIE N COPIE -2 SelBMprBN Pour BM...4 cf. di. Réf. MH LD 45.3 Copie Originaux c/o Radio Sénégal, St Louis du Sénégal. Enreg. 1957 & 1958. *Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1957-58 Terrain 02:00:00 10 oui MAURITANIE=:01-01 Oui À vérifier 1 +BM.1971.002 Ø13;²9.5;1/2P BM.1971.002.001/06 IRAN&TURQUIE 6 Presel.Felipe11_07 O BATTESTI,TERESA = COPIE -2 SelBMprBN Copie BM...1 &2= Iran;copie de la Radio iranienne; Ø13;²19 & ²9,5;PP; durée totale=37mns. BM...3à6=Turquie;Ø13;²9,5;1/2P; P2=vierge; OIRIGINAUX; Copie faite. * Aude Julien,Vacataire Crem 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1969 Terrain 03:30:00 10 oui IRAN=:01-01 # TURQUIE=:03-01 oui oui 1 +BM.1971.004 Ø13 BM.1971.004.001/05 INDONESIE,JAVA. BERTHE,L. 5 Presel.Felipe11_07 O BERTHE,LOUIS BERTHE,L. ORIGINAL -2 SelBMprBN Don Manque 1 BM (nov.81) P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui INDONESIE;JAVA=:01-01 oui 1 +BM.1971.005 Ø13 BM.1971.005.001/02 INDONESIE;TIMOR;BUNAQ. BERTHE,L. 2 Presel.Felipe11_07 O BERTHE,LOUIS BERTHE,L. ORIGINAL -2 SelBMprBN DÉPÔT durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui INDONESIE;TIMOR=:01-01 oui 1 +BM.971.006 Ø13;²19;1/2P BM.971.006.001 ALGERIE;AHAGGAR:TOUAREG 1 Presel.Felipe11_07 O PELLIGRA-HUSSENOT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:40:00 10 oui ALGERIE;HOGGAR=:01-01 a voir 1 +BM.971.007 Ø13;²9.5;1/2P BM.971.007.001 ALGERIE;AHAGGAR:TOUAREG 1 Presel.Felipe11_07 O BOURGEOT,ANDRE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:40:00 10 oui ALGERIE;HOGGAR=:01-01 a voir 1 +BM.971.008 ØGF BM.971.008.001/02 MASTER DI."MUSIQUE BANDA. REP. CENTRAFRICAINE" 2 O AROM,SIMHA. DOURNON-TAURELLE,G. = MASTER PUBLICATION -2 Copie Enreg. 1964-67• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Master di. 00:40:00 1 non REP CENTRAFRICAINE=:01-01 0 +BM.971.009 ØGF;²38;PPM;SD BM.971.009.001/02 MASTER DI."CONTE & CHANTEFABLES NGBAKA-MA'BO"[ENCARTES] 2 O AROM,SIMHA CF. OUVRAGE MEME TITRE = MASTER PUBLICATION -2 Copie Publication de la Biblothèque de la SELAF. 2 di. encartés• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:37:00 1 non REP CENTRAFRICAINE=:01-01 0 +BM.971.010 ØGF;²38;PPM;SD BM.971.010.001/02 MASTER DI."MUSIQUE BERBERE DU HAUT-ATLAS" 2 O ROUGET,GILBERT.LORTAT-JACOB,BERNARD = MASTER PUBLICATION -2 Copie Enreg. 1964 & 1969• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Master di. 00:39:00 1 non MAROC=:01-01 0 +BM.971.011 ØGF;²38;PPM;SD BM.971.011.001/02 MASTER DI."M. TRAD. POLYNESIENNE D'ONTONG JAVA" VOL.1 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Master di. 00:39:00 1 non ILES SALOMON=:01-01 0 +BM.971.012 Ø? BM.971.012 COLLECTION INEXISTANTE -1 O N N N -2 N P/BM P/BM Sous-table non exportée -1 N 00:00:00 1 oui N=:01-01 0 +BM.971.013 ØGF;²19;PP BM.971.013.001/02 MONTAGE AUDIO-VISUEL JAPON 2 Presel.Felipe11_07 O LABORATOIRE N COPIE -2 SelBMprBN Copie durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage A.V. 01:00:00 1 oui JAPON=:01-01 3 +BM.971.014 Ø13 BM.971.014.001 ILES GILBERT 1 Presel.Felipe11_07 O LATOUCHE,JEAN-PAUL = COPIE -2 SelBMprBN Copie durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui ILES GILBERT & ELLICE=:01-01 oui 1 +BM.971.015 CDR+Ø* BM.971.015.001/44 JEST,C.;TIBET & NEPAL;1967 44 O JEST,CORNEILLE *45 CDR + Ø13;²19.PPM• = ORIGINAL&COPIE -2 SelBMprBN Dépôt+MRT03# BM...1 à ...6= Tibet (enreg. au Népal); BM...7 à ...44= Népal. $ : Alain Monrigal,vacataire MRT2003. #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 03/04; réf. CDRom NH003_000115_E_1 à ...159_E_1• Déposant+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1967 Terrain 11:00:00 10 non NEPAL=:03-01>02•:03-03•:03-04 # TIBET (NEPAL)=:01-01>02•:02-01•:04-01>03•:05-01•:06-01>02•:06-03•:06-04•:07-01>02•:08-01>02•:09-01•:10-01•:10-02•:11-01•:11-02•:12-01>03•:12-04•:13-01•:14-01•:15-01•:15-02>03•:15-04•:16-01>02•:17-01•:17-02•:17-04>05•:18-01>03•:18-04•:19-01>03•:20-01•:20-02•:21-01•:21-02•:22-01•:23-01•:24-01•:25-01•:25-02>03•:26-01•:26-02•:26-03•:26-04>05•:26-06•:26-07•:26-08•:26-09•:27-01•:28-01•:28-02•:28-03•:29-01•:30-01•:30-02•:31-01•:31-02•:31-03•:31-04>05•:31-06•:31-07•:31-08•:31-09•:32-01•:32-02•:32-03>04•:32-05•:33-01•:33-02>03•:34-01•:34-02•:35-01•:35-02•:35-03•:35-04•:36-01•:36-02•:36-03•:36-04•:36-05•:37-01•:37-02•:37-03•:38-01•:38-02>03•:38-04•:39-01•:39-02•:39-03•:40-01>03•:40-04•:40-05•:41-01•:41-02•:41-03•:41-04>05•:42-01•:42-02>04•:43-01>03•:44-01•:44-02•:44-03•:44-04•:44-05 oui OUI 1 Num. MRT 2003 +BM.971.016 CDR+Ø* BM.971.016.001/37 JEST,C.;NEPAL:TAMANG,DAMAI,ETC...;1968 37 O JEST,CORNEILLE * 36 CDR + Ø13• N ORIGINAL&COPIE -2 SelBMprBN Dépôt+MRT03# Enreg. 1968-69; sur Nagra mono, ²19 & ²9,5; bm Std, Ld & DD. $ : Alain Monrigal, vacataire MRT 2003. #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 03/04; réf. CDRom NH003_000160_E_1 à ...195_E_1• MANQUENT: BM et CDR et CDRom ...5,et ...6, CDR ...17, ...31, ...32• Déposant+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1967-69 Terrain 07:00:00 10 non NEPAL=:01-01•:01-02•:02-01•:02-02>03•:03-01•:03-02•:04-01•:04-02•:04-03•:05-01•:05-02•:06-01•:06-02>03•:06-04•:07-01•:07-02•:08-01•:09-01•:10-01>05•:10-06•:11-01•:11-02•:11-03•:12-01>03•:13-01•:13-02•:13-03•:14-01•:14-02•:14-03•:14-04•:14-05•:15-01•:16-01•:17-01•:18-01•:18-02•:18-03•:18-04•:19-01•:19-02•:19-03•:20-01•:20-02•:20-03•:21-01•:21-02•:21-03>04•:22-01•:23-01•:24-01•:25-01•:26-01•:27-01•:28-01•:29-01•:29-03•:30-01•:31-01>02•:32-01•:33-01•:33-02•:33-03•:34-01>04•:35-01•:35-02•:35-03•:35-04•:35-05•:36-01•:36-02•:37-01 oui OUI 1 Num. MRT 2003 +BM.971.017 Ø13 BM.971.017.001/03 NEPAL 3 Presel.Felipe11_07 O JEST,CORNEILLE = ORIGINAL -2 SelBMprBN DÉPÔT Seule la BM...1 est sur les rayons; contenu: ambiance film son synchrone; sans doute même mission que BM.971.016. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 00:45:00 10 oui NEPAL=:01-01 oui 1 +BM.1971.018 Ø13;²19;PPM BM.1971.018.001/07 NEPAL 7 Presel.Felipe11_07 O JEST,CORNEILLE = ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bridault ?, stagiare Paris 8• Déposant+* Stagiaire07* COPIE INTERDITE Sous-table non exportée -1 Terrain 01:45:00 10 oui NEPAL=:01-01•:01-02•:01-03•:01-04•:02-01•:02-02•:03-01•:03-02•:04-01•:05-01•:05-02•:05-03•:06-01•:06-02•:07-01 oui oui 1 +BM.971.019 Ø13;²9.5;1/2P BM.971.019.001/21 INDE:UTTAR PRADESH 21 Presel.Felipe11_07 O GABORIEAU,MARC = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 26:00:00 10 oui INDE;UTTAR PRADESH=:01-01 oui 1 +BM.971.020 Ø18;²19;PPM BM.971.020.001 ROUMANIE;MOLDAVIE,OLTENIE,TRANSYLVANIE 1 Presel.Felipe11_07 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:45:00 10 oui ROUMANIE=:01-01 a voir 1 +BM.971.021 Ø13;²19;PPM BM.971.021.001/10 YOUGOSLAVIE 10 Presel.Felipe11_07 O BRAILOIU,CONSTANTIN 1.2 N ORIGINAL -2 SelBMprBN DÉPÔT Copie faite pour Mne E. Comisel P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 03:00:00 10 oui EX YOUGOSLAVIE=:01-01 oui 1 +BM.1971.022 Ø13;1/2P BM.1971.022.001 YEMEN;KEILON & SANAA 1 Presel.Felipe11_07 O FAYEN,CLAUDIE = COPIE -2 SelBMprBN Copie P1=²9,5 ; P2=²19 P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui YEMEN=:01-01 a voir 1 +BM.971.023 Ø13;²19;1/2P BM.971.023.001 PHILIPPINES:PALAWAN 1 Presel.Felipe11_07 O MACDONALD,CHARLES & NICOLE = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:40:00 10 oui PHILIPPINES=:01-01 oui 1 +BM.1971.025 Ø13;1/2P BM.1971.025.001/29 MADAGASCAR,SUD OUEST;SAKALAVA,VEZO,MAHAFALI. KOECHLIN,B.;1967 29 Presel.Felipe11_07 O KOECHLIN,BERNARD 1.2 KOECHLIN,B. COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1967 Terrain 20:00:00 10 oui MADAGASCAR=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:03-19•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:05-23•:05-24•:05-25•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:06-10•:06-11•:06-12•:06-13•:06-14•:06-15•:06-16•:06-17•:06-18•:06-19•:06-20•:06-21•:06-22•:06-23•:06-24•:06-25•:06-26•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14•:07-15•:07-16•:07-17•:07-18•:07-19•:07-20•:07-21•:07-22•:07-23•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:08-16•:08-17•:08-18•:08-19•:08-20•:08-21•:08-22•:08-23•:08-24•:08-25•:08-26•:08-27•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:09-14•:09-15•:09-16•:09-17•:09-18•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:10-14•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11•:11-12•:11-13•:11-14•:11-15•:11-16•:11-17•:11-18•:11-19•:11-20•:11-21•:11-22•:11-23•:11-24•:11-25•:11-26•:11-27•:11-28•:11-29•:11-30•:11-31•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10•:12-11•:12-12•:12-13•:12-14•:12-15•:12-16•:12-17•:12-18•:12-19•:12-20•:12-21•:12-22•:12-23•:12-24•:12-25•:12-26•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:13-10•:13-11•:13-12•:13-13•:13-14•:13-15•:13-16•:13-17•:13-18•:13-19•:13-20•:13-21•:13-22•:13-23•:13-24•:13-25•:13-26•:13-27•:13-28•:13-29•:13-30•:13-31•:13-32•:13-33•:13-34•:13-35•:13-36•:13-37•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:14-10•:14-11•:14-12•:14-13•:14-14•:14-15•:14-16•:14-17•:14-18•:14-19•:14-20•:14-21•:14-22•:14-23•:14-24•:14-25•:14-26•:14-27•:14-28•:14-29•:14-30•:14-31•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:15-10•:15-11•:15-12•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:16-10•:16-11•:16-12•:16-13•:16-14•:16-15•:16-16•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:17-09•:17-10•:17-11•:17-12•:17-13•:17-14•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:18-09•:18-10•:18-11•:18-12•:18-13•:18-14•:18-15•:18-16•:18-17•:18-18•:18-19•:18-20•:18-21•:18-22•:18-23•:18-24•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:19-09•:19-10•:19-11•:19-12•:19-13•:19-14•:19-15•:19-16•:19-17•:19-18•:19-19•:19-20•:19-21•:19-22•:19-23•:19-24•:19-25•:19-26•:19-27•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:20-07•:20-08•:20-09•:20-10•:20-11•:20-12•:20-13•:20-14•:20-15•:20-16•:20-17•:20-18•:20-19•:20-20•:20-21•:20-22•:20-23•:20-24•:20-25•:20-26•:20-27•:20-28•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:21-08•:21-09•:21-10•:21-11•:21-12•:21-13•:21-14•:21-15•:21-16•:21-17•:21-18•:21-19•:21-20•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:22-10•:22-11•:22-12•:22-22•:22-23•:22-24•:22-25•:23-01•:23-02•:23-03•:23-04•:23-05•:23-06•:23-07•:23-08•:23-09•:23-10•:23-11•:23-12•:23-13•:23-14•:23-15•:23-17•:23-18•:23-19•:23-20•:23-21•:23-25•:23-26•:23-27•:23-28•:23-29•:23-30•:23-31•:23-32•:23-33•:23-34•:23-35•:23-36•:23-37•:23-38•:23-39•:23-40•:23-41•:23-42•:23-43•:23-44•:23-45•:23-46•:23-47•:23-48•:23-49•:23-50•:23-51•:23-52•:23-53•:23-54•:23-55•:24-01•:24-02•:24-03•:24-04•:24-05•:24-06•:24-07•:24-08•:24-09•:24-10•:24-11•:24-12•:24-13•:24-14•:24-15•:24-16•:24-17•:24-18•:25-01•:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:25-09•:25-10•:25-11•:25-12•:25-13•:25-14•:25-15•:26-01•:26-02•:26-03•:26-04•:26-05•:26-06•:26-07•:26-08•:26-09•:26-10•:26-11•:26-12•:26-13•:26-14•:26-15•:26-16•:26-17•:26-18•:26-19•:26-20•:26-21•:26-22•:26-23•:26-24•:26-25•:26-26•:26-27•:26-28•:26-29•:26-30•:26-31•:26-32•:26-33•:26-34•:26-35•:27-01•:27-02•:27-03•:27-04•:27-05•:27-06•:27-07•:27-08•:27-09•:27-10•:27-11•:27-12•:27-13•:27-14•:28-01•:28-02•:28-03•:28-04•:29-01•:29-02•:29-03•:29-04•:29-05•:29-06•:29-07•:29-08•:29-09•:29-10 oui OUI 1 +BM.1971.026 Ø13;²19;PPS BM.1971.026.001/14 MAROC:HAUT-ATLAS:BERBERE. LORTAT-JACOB,B.;1971 14 Presel.Felipe11_07 O LORTAT-JACOB,BERNARD LORTAT-JACOB,B ORIGINAL -2 SelBMprBN DÉPÔT *Stagiaire: Marta Amico, stagiaire Erasmus à Paris IV 2006• Déposant+* Stagiaire06* COPIE INTERDITE Sous-table non exportée 1971 Terrain 04:30:00 10 oui MAROC=:01-01•:01-02•:02-01•:03-01•:03-02•:04-01•:05-01•:06-01•:07-01•:08-01•:09-01•:10-1•:11-01•:11-02•:12-01•:12-02•:12-03•:13-02•:13-03•:13-04•:13-1•:14-01•:14-02 oui Oui. À vérifier 1 +BM.971.027 Divers* BM.971.027.001/14 CAMARA,S.;SENEGAL 14 Presel.Felipe11_07 O CAMARA,SORY = COPIE -2 SelBMprBN Copie Ø18 x 10; Ø13 x 4 durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 08:00:00 10 oui SENEGAL=:01-01 oui 1 +BM.1971.028 Ø13;1/2P BM.1971.028.001/32 TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES. CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;1966 32 O CAMPAGNOLO,HENRI & LAMEIRAS-CAMPAGNOLO,MARIE-OLIMPIA CAMPAGNOLO,HENRI & LAMEIRAS-CAMPAGNOLO,MARIE-OLIMPIA ORIGINAL -2 SelBMprBN DÉPÔT BM...1 à...21= littérature orale; BM...22 à...32= musique. *Vincent Rioux, vacataire MRTnov-déc. 2004• Dpt+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1966 Terrain 42:47:36 10 oui INDONESIE;TIMOR=:01-01•:01-02•:01-03•:01-04•:01-05•:01-B01•:02-A01•:02-B01•:02-B02•:02-B03•:02-B04•:02-B05•:03-A01•:03-B01•:03-B02•:03-B03•:03-B04•:04-A01•:04-A02•:04-B01•:05-A01•:05-B01•:05-B02•:05-B03•:05-B04•:05-B05•:06-A01•:06-A02•:06-A03•:06-A04•:06-A05•:06-A06•:06-A07•:06-B01•:06-B02•:07-A01•:07-B01•:08-A01•:08-A02•:08-A03•:08-B01•:08-B02•:09-A01•:09-B01•:10-A01•:10-A02•:10-B01•:10-B02•:10-B03•:10-B04•:11-A01•:11-A02•:11-A03•:11-B01•:11-B02•:12-A01•:12-A02•:12-B01•:12-B02•:13-A01•:13-A02•:13-A03•:13-B01•:13-B02•:13-B03•:14-A01•:14-A02•:14-B01•:15-A01•:15-A02•:15-B01•:16-A01•:16-A02•:16-A03•:16-B01•:17-A01•:17-B01•:18-A01•:18-B01•:19-A01•:19-B01•:20-A01•:21-A01•:21-B01•:22-A01•:22-B011•:23-A01•:23-B01•:24-A01•:24-A02•:24-A03•:24-B01•:24-B02•:24-B03•:25-A01•:25-B01•:26-A01•:26-B01•:27-A01•:27-B01•:28-A01•:28-A02•:28-A03•:28-B01•:29-A01•:29-B01•:30-A01•:30-B01•:31-A01•:31-B01•:32-A01•:32-A02•:32-A03•:32-A04•:32-A05•:32-A06•:32-A07•:32-A08•:32-B01•:32-B02•:32-B03 oui OUI 1 Num.MuseBoule04_07 +BM.1971.029 Ø13&18 BM.1971.029.001/02 VENEZUELA 2 Presel.Felipe11_07 O LIZOT,JACQUES 1.2 = COPIE -2 SelBMprBN Copie BM...1= Ø18²9,5; BM...2= Ø13²4,7; bandes LD, 1/2p, p2= vierge. ATTENTION: copie ATP duplic. accél. *• Dpt+* * COPIE INTERDITE Sous-table non exportée -1 Terrain 02:28:00 10 oui VENEZUELA=:01-01•:01-02•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07 oui oui 1 +BM.971.030 Ø13;²19;PPM BM.971.030.001 ROUMANIE. CONFERENCE 1 Presel.Felipe11_07 O BRIEGLEB,ANN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Séminaire/Cours/Conf. 00:11:00 10 oui ROUMANIE=:01-01 a voir 1 +BM.971.031 Ø13 BM.971.031.001 ARGENTINE 1 Presel.Felipe11_07 O CHAPMAN,ANNE = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 00:45:00 10 oui ARGENTINE=:01-01 oui 1 +BM.971.032 Ø13 BM.971.032.001/08 PEROU 8 Presel.Felipe11_07 O CAZEVITZ DT durée pif• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:40:00 10 oui PEROU=:01-01 oui 1 +BM.971.033 Ø13;1/2P BM.971.033.001/13 CLAMAGIRAND,B.;INDONESIE:TIMOR:EMA;1966 13 Presel.Felipe11_07 O CLAMAGIRAND,BRIGITTE 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966 Terrain 08:00:00 10 oui INDONESIE;TIMOR=:01-01 oui 1 +BM.1971.034 Ø13 BM.1971.034.001/03 INDONESIE:CELEBES;LOMBOK;BALI. PELRAS,C.;1968 3 O PELRAS,CHRISTIAN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 01:55:05 10 oui INDONESIE=:01-01 oui Oui 1 Num.MuseBoule12_07 +BM.971.036 Ø13&18 BM.971.036.001/22 SURYA BRATA;INDONESIE:BALI&JAVA;1956 22 Presel.Felipe11_07 O SURYA BRATA = ORIGINAL -2 SelBMprBN DÉPÔT BM...1 à 14=Ø18 ²19x11, ²38x3; BM...15 à 22=Ø13 ²38x1, ²19x6, ²9,5x1; toutes Bm PP Std. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1956 Terrain 08:30:00 10 oui INDONESIE;BALI=:01-01 # INDONESIE;JAVA=:?-? a voir 1 +BM.972.001 Ø13;²19;1/2P BM.972.001.001/06 SUEDE. NORVEGE 6 Presel.Felipe11_07 O WRIGHT,JOHN = ORIGINAL -2 SelBMprBN DÉPÔT BM...1 à ...5A =Suède; BM...5B &...6 =Norvège• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 04:00:00 10 oui NORVEGE=:05-01? # SUEDE=:01-01 oui 1 +BM.972.002 ØGF;²38;PPM;SD BM.972.002.001 MASTER DI."BORNEO. MUSIQUE DES CHASSEURS DE TETE" 1 O IVANOFF,P. = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Master di. 00:40:00 1 non INDONESIE;BORNEO(KALIMANTAN)=:01-01 0 +BM.972.003 ØGF;²38;PPM;SD BM.972.003.001 MASTER DI."MUSIQUE DAYAK, BORNEO (KALIMANTAN)"[REEDITION]* 1 O IVANOFF,PIERRE = MASTER PUBLICATION -2 Copie *Réédition du "Bornéo. M. des chasseurs de têtes" =DI.956.012.001 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Master di. 00:40:00 1 non INDONESIE;BORNEO(KALIMANTAN)=:01-01 0 +BM.972.004 ØGF;²38;PPM;SD BM.972.004.001/02 MASTER DI."MUSIQUE TOMA. GUINEE"[REEDITION] 2 O GAISSEAU,PIERRE DOMINIQUE = ET AUTRES MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Master di. 00:32:00 1 non GUINEE=:01-01 0 +BM.972.005 ØGF;²38;PPM;SD BM.972.005.001/02 MASTER DI."FLUTE DE PAN MELANESIENNES 'ARE'ARE" VOL.1 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Master di. 00:44:00 1 non ILES SALOMON=:01-01 0 +BM.972.006 Ø18;²19;PPM BM.972.006.001 MEXIQUE:ETAT DE ST LOUIS POTOSI: RITUEL DU PALO 1 Presel.Felipe11_07 O GIRAULT,LOUIS / HARCOURT,RAOUL D' GIRAULT,LOUIS COPIE -2 SelBMprBN Copie Sélection de la collection de di. Pyral, cf. PYC.964.001/35, qui est une copie des bm enreg. par L. Girault en 1954; don de R. d'Harcourt. Identification du contenu et du lieu de l'enreg. confirmée, après écoute de la bm, par C. Arguedas (musicien et chercheur) en 1978. Suite de 34 airs, précédé chacun par une annonce explicative, joués à la flûte à 3 trous et au tbr par le même H• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1954 Terrain 00:30:00 10 oui MEXIQUE=:01-01 a voir 1 +BM.972.007 Ø13;1/2P BM.972.007.001/02 ILES SALOMON:ONTONG-JAVA. I. HOGBIN 1928-29:POLYNESIEN 2 Presel.Felipe11_07 O HOGBIN,I. / MOYLE, ALICE DT. HOGBIN,I. COPIE -2 SelBMprBN Don Copie de cylindres, transmise en 1972 par A. Moyle, Monash University• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1928 Terrain 01:00:00 10 oui ILES SALOMON=:01-01 a voir 1 +BM.1972.008 Ø13;²19;1/2P BM.1972.008.001/06 NLE GUINEE AUSTRALIENNE;WEST SEPIK DISTICT & WESTERN DISTRICT. JUILLERAT,B.;1970 6 Presel.Felipe11_07 O JUILLERAT,BERNARD = COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1970 Terrain 04:00:00 10 oui NLE-GUINEE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21•:01-22•:01-23•:01-24•:01-25•:01-26•:01-27•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:04-26•:04-27•:04-28•:04-29•:04-30•:04-31•:04-32•:04-33•:04-34•:04-35•:04-36•:04-37•:04-38•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-11•:05-12•:05-13•:05-14•:06-01•:06-02•:06-03•:06-04 oui OUI 1 +BM.972.009 ØGF BM.972.009.001/02 COLOMBIE 2 Presel.Felipe11_07 O GASHE,F. = COPIE -2 SelBMprBN Copie Sélection• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui COLOMBIE=:01-01 oui 1 +BM.972.010 Ø13;²19;1/2P BM.972.010.001/12 MINISTERE CULTURE & ARTS TEHERAN;IRAN 12 Presel.Felipe11_07 O MINISTERE CULTURE & ARTS TEHERAN DT. = COPIE -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 08:00:00 10 oui IRAN=:01-01 1 +BM.1972.011 Ø13;²19;PPM BM.1972.011.001/05 COTE D'IVOIRE; MALINKE. ZEMP,H.; 1965 5 Presel.Felipe11_07 O ZEMP,HUGO 1.2 Enreg. sur Nagra III. Copie: lecteur et enregistreur Nagra III• ZEMP,HUGO COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 01:40:00 10 oui COTE D'IVOIRE=:01-01 oui Oui A vérifier 1 +BM.972.014 Ø13 BM.972.014.001/08 TIBET. CEREMONIE D'ANNIVERSAIRE DE PADMASAMBHAVA 8 Presel.Felipe11_07 O MACDONALD,ALEXANDRE W. = ORIGINAL -2 SelBMprBN DÉPÔT Enreg. à Jumbesi, Népal• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 02:30:00 10 oui TIBET (NEPAL)=:01-01 oui 1 +BM.972.015 Ø13;²19;PPM BM.972.015.001/10 ILES SALOMON:MALAITA:'ARE'ARE. ECHELLES DES FLUTES DE PAN 10 Presel.Felipe11_07 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 03:00:00 10 oui ILES SALOMON=:01-01 oui 1 +BM.1972.016 CDR+Ø* BM.1972.016.001/186 ZEMP,H.;ILES SALOMON; 1969 186 O ZEMP,HUGO 1.2 * + Ø13;²19;PPM• = COPIE -2 SelBMprBN Copie+MRT03# $: Alain Monrigal,vacataire MRT2003. #Programme national de nunérisation 2003; Les Musiques de la Boulangère, RIEP, Poissy, 04/04; réf. CDRom NH003_000196_E_1 à ...270_E_1. NUMÉRISATION ARRÉTÉE à la BM...75• Dép+Vacataire$ Vacataire03$ COPIE INTERDITE Sous-table non exportée 1969 Terrain 62:00:00 10 oui ILES SALOMON=:01-01>09•:02-01>09•:03-01>07•:04-01>10•:05-01>10•:06-01>09•:07-01>08•:08-01>07•:09-01>07•:10-01>07•:100-01>06•:101-01•:101-02•:101-03•:102-01>02•:102-03>06•:103-01>07•:103-08•:104-01>15•:105-01>04•:105-05>08•:106-01>04•:106-05>06•:106-07>09•:107-01>07•:107-08>14•:108-01>18•:109-01>08•:109-09>12•:11-01>06•:110-01>08•:111-01>02•:111-03>07•:112-01>02•:113-01>04•:114-01>06•:115-01>04•:115-04>06•:116-01>02•:116-03•:117-01>03•:118-01>02•:118-03>04•:119-01>02•:12-01>05•:120-01>05•:120-06>06•:120-07•:121-01>03•:122-01>05•:123-01>04•:124-01>06•:125-01•:125-01>03•:125-02>06•:126-01>05•:126-06>07•:127-01>04•:127-05>08•:127-09•:127-10>13•:128-01>04•:128-05>08•:129-04>09•:13-01>07•:130-01>05•:130-06•:131-01>03•:131-04>05•:132-01>03•:132-04>07•:133-01>05•:134-01>07•:135-01•:136-01>02•:136-03>04•:136-05>13•:137-01>07•:138-01•:138-04>08•:138-09>11•:139-01>06•:14-01>07•:140-01>03•:140-04>06•:140-07>09•:141-01>05•:142-01•:142-02>05•:142-06>11•:143-01>02•:143-03>04•:143-05>06•:143-07•:143-08•:143-09•:144-01>09•:145-01>08•:146-01•:146-02>03•:147-01>03•:148-01>03•:149-01>07•:15-01>12•:150-01>08•:151-01>05•:152-01>06•:153-01•:153-02>06•:154-01>02•:154-03>06•:155-01>06•:156-01>03•:156-04>05•:157-01>03•:158-01>06•:158-07•:159-01>04•:16-01>11•:160-01•:160-02>12•:160-13>15•:161-01>05•:162-01>02•:162-03>05•:162-06>08•:163-01>06•:163-07•:163-08>11•:163-12>13•:164-01>03•:164-04>07•:165-01>06•:166-01•:166-02>04•:166-05>08•:166-09>11•:167-01>11•:168-01>06•:169-01>10•:169-11>12•:169-13>14•:17-01>04•:170-01>09•:170-10•:171-01>04•:171-05•:172-01>03•:172-04>05•:172-06•:173-01>02•:173-03>07•:174-01>05•:174-06•:175-01>05•:175-06•:175-07>08•:176-01>10•:177-01>03•:177-04>06•:178-01>02•:178-03>04•:179-01>03•:179-04>05•:18-01>08•:180-01•:180-02>05•:180-06>08•:181-01>04•:181-05>07•:182-01>04•:182-05>08•:183-01•:183-02>07•:183-08>09•:184-01>04•:184-05>08•:185-01>06•:185-07>13•:186-01•:186-02>06•:186-07>10•:186-11•:19-01>07•:20-01>08•:21-01>07•:22-01>07•:23-01>07•:24-01>07•:25-01>07•:26-01>08•:27-01>07•:28-01>07•:29-01>06•:30-01>04•:31-01>17•:31-18>34•:32-01>17•:32-18>26•:33-01>21•:34-01>17•:35-01>20•:36-01>04•:37-01>04•:37-05•:37-06>07•:38-01>03•:38-04•:39-01>16•:40-01>14•:41-01>13•:42-01>14•:43-01>16•:44-01>11•:45-01>12•:46-01>06•:47-01>06•:48-01>06•:49-01>08•:50-01>08•:51-01>09•:52-01>07•:53-01>10•:54-01>02•:54-03>05•:54-06>07•:55-01>02•:56-01>09•:57-01>09•:58-01>08•:59-01>08•:60-01>08•:61-01>07•:62-01>04•:62-05>07•:62-08>11•:63-01>03•:63-04•:64-01•:64-02•:65-01>03•:66-01•:66-02•:67-01>08•:68-01>04•:69-01>03•:70-01>02•:70-03•:71-01>09•:72-01>09•:73-01>10•:74-01>08•:75-01>07•:76-01>09•:77-01>08•:78-01>08•:79-01>08•:80-01>09•:81-01>09•:82-01>10•:83-01>04•:84-01>11•:84-12•:84-13>15•:85-01>06•:85-07•:86-01>02•:86-03>06•:87-01>03•:87-04>05•:87-06>•:87-07>08•:87-09>10•:88-01>04•:89-01>06•:90-01•:91-01•:92-01•:92-02>04•:93-01>04•:94-01>04•:95-01>14•:96-01>10•:97-01>04•:97-05>14•:98-01>05•:99-01>07 oui OUI 1 Num.PARTIELLE MRT 2003 +BM.1972.017 Divers* BM.1972.017.001/08 MASTER DI.: 'ARE'ARE VOL.2; MALINKE; MVET; ONTONG JAVA VOL.2 + EXPO POLYNESIE 8 O N N MASTER PUBLICATION -2 Copie *ØGFx7, Ø13x1. Di. 'Are'are vol.2= DI.972.010.001; Di. "M. Malinké. Guinée"=DI.972.019.001; Di. "Un mvet de Zwé Nguéma"= _Classiques africains_, 3 di. souples, cf. coll. BM.969.006; Ontonga Java vol.2=DI.972.022.002; "M. De Luangiua; Atoll d'Ontong Java" encarté dans catal. Expo "La découverte de la Polynésie" durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 02:40:00 1 non GABON=:05-01 # GUINEE=:03-01 # ILES SALOMON=:01-01•:06-01•:08-01 0 +BM.972.018 Ø18;²19;PPM BM.972.018.001 COPIE DI:MONGOLIE 1 O HAMAYON,ROBERTE = COPIE -1 Copie Copie de disques Melodia 17/33; cf. Fiche Bobine• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 00:40:00 3 MONGOLIE (REP POPU)=:01-01 3 +BM.972.019 Ø13;1/2P BM.972.019.001/14 RAULT,L.;TAIWAN;1971 14 Presel.Felipe11_07 O RAULT,LUCIE DT. = ORIGINAL -2 SelBMprBN DÉPÔT $: Adrien Bidault, stagiaire Paris 8, 2006 (403 fiches)• Déposant+$ Stagiaire06$ COPIE INTERDITE Sous-table non exportée 1971 Terrain 10:00:00 10 oui TAIWAN=:01-01•:01-02•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:04-26•:04-27•:04-28•:04-29•:04-30•:04-31•:04-32•:04-33•:04-34•:04-35•:04-36•:04-37•:04-38•:04-39•:04-40•:04-41•:04-42•:04-43•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:05-23•:05-24•:05-25•:05-26•:05-27•:05-28•:05-29•:05-30•:05-31•:05-32•:05-33•:05-34•:05-35•:05-36•:05-37•:05-38•:05-39•:05-40•:05-41•:05-42•:05-43•:05-44•:05-45•:05-46•:05-47•:05-48•:05-49•:05-50•:05-51•:05-52•:05-53•:05-54•:05-55•:05-56•:05-57•:05-58•:05-59•:05-60•:05-61•:05-62•:05-63•:05-64•:05-65•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:06-10•:06-11•:06-12•:06-13•:06-14•:06-15•:06-16•:06-17•:06-18•:06-19•:06-20•:06-21•:06-22•:06-23•:06-24•:06-25•:06-26•:06-27•:06-28•:06-29•:06-30•:06-31•:06-32•:06-33•:06-34•:06-35•:06-36•:06-37•:06-38•:06-39•:06-40•:06-41•:06-42•:06-43•:06-44•:06-45•:06-46•:06-47•:06-48•:06-49•:06-50•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14•:07-15•:07-16•:07-17•:07-18•:07-19•:07-20•:07-21•:07-22•:07-23•:07-24•:07-25•:07-26•:07-27•:07-28•:07-29•:07-30•:07-31•:07-32•:07-33•:07-34•:07-35•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:08-16•:08-17•:08-18•:08-19•:08-20•:08-21•:08-22•:08-23•:08-24•:08-25•:08-26•:08-27•:08-28•:08-29•:08-30•:08-31•:08-32•:08-33•:08-34•:08-35•:08-36•:08-37•:08-38•:08-39•:08-40•:08-41•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:09-14•:09-15•:09-16•:09-17•:09-18•:09-19•:09-20•:09-21•:09-22•:09-23•:09-24•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:10-14•:10-15•:10-16•:10-17•:10-18•:10-19•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11•:11-12•:11-13•:11-14•:11-15•:11-16•:11-17•:11-18•:11-19•:11-20•:11-21•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10•:12-11•:12-12•:12-13•:12-14•:12-15•:12-16•:12-17•:12-18•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:13-10•:13-11•:13-12•:13-13•:13-14•:13-15•:13-16•:13-17•:13-18•:13-19•:13-20•:13-21•:13-22•:13-23•:13-24•:13-25•:13-26•:13-27•:13-28•:13-29•:13-30•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:14-10•:14-11•:14-12•:14-13•:14-14•:14-15•:14-16•:14-17•:14-18•:14-19•:14-20•:14-21•:14-22•:14-23•:14-24•:14-25•:14-26•:14-27•:14-28•:14-29•:14-30•:14-31•:14-32•:14-33•:14-34•:14-35•:14-36•:14-37•:14-38•:14-39•:14-40•:14-41•:14-42•:14-43•:14-44•:14-45•:14-46•:14-47•:14-48 oui Oui 1 +BM.972.021 CDR+Ø* BM.972.021.001/02 ILES GILBERT 2 O LATOUCHE,JEAN-PAUL = COPIE -2 SelBMprBN Copie $ Coll; numérisée —sur banc de montage 1 (Sound Designer2) —, et fiches faites et saisies par Amandine Gasneau, UV Archives Paris X-N, 2004/05. * Ø13; ²19; 1/2P; n.b. bande 2 piste 2= vierge• $ $ COPIE INTERDITE Sous-table non exportée 1972 Terrain 00:51:04 10 oui REP DE KIRIBATI=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13 oui 1 Num. SD2 +BM.1972.022 Ø13 BM.1972.022.001/13 CANADA. RECITS 13 Presel.Felipe11_07 O BRONNER,J.-L. 1.2 N ORIGINAL -2 SelBMprBN DÉPÔT * Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 03:15:00 10 oui CANADA=:01-01 a voir Oui a vérifier 1 +BM.972.023 ØGF;²38;PPM;SD BM.972.023.001 MASTER DI."SILAMAKA & POULLORI"[3 DI. ENCARTES] 1 O SEYDOU,CHRISTIANE = & AUTRES MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Master di. 00:40:00 1 non MALI=:01-01 0 +BM.972.024 ØGF;²38;PPM;SD BM.972.024.001/02 MASTER DI."MUSIQUE MALESIENNE; 'ARE'ARE" VOL.3 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Master di. 00:40:00 1 non ILES SALOMON=:01-01 0 +BM.972.025 ØGF;²38;PPM;SD BM.972.025.001 MASTER DI."CHANTS MONGOLS & BOURIATES" 1 O HAMAYON,ROBERTE = MASTER PUBLICATION -2 Copie Enreg. 1967-70• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Master di. 00:40:00 1 non MONGOLIE (REP POPU)=:01-01 # URSS;BOURIATIE=:02-02 0 +BM.972.026 Ø13 BM.972.026.001/05 ALGERIE;HOGGAR.H.LHOTE [COPIE DI.78T] 5 O LABORATOIRE LHOTE,HENRI COPIE -1 SelBMprBN Copie de di. Copie des 14 di. de l'édition M.H. de 1951;cf. DI.952.006.001 à ...14. >Pb: copie de 78T ou de sélection de Pyral ?; >l'" Inventaire des bm ...Annexe II du Contrat CNRS Muséum" dit : "Report sur bm de 14 faces de di. d'enreg. direct sélectionnés parmi les 126 di. de cette collection" Cf. BM.984.006.001 /30= copie de toute la collection de di. Pyral• P/BM P/BM =DI Sous-table non exportée 1948 Copie de di. 01:20:00 1 oui ALGERIE;HOGGAR=:01-01 oui 3 +BM.1973.002 Divers* BM.1973.002.001/50 VIETNAM CENTRAL:CIL, LAAC. BOUTARY,R.P.M.;1958-62 50 Presel.Felipe11_07 O BOUTARY,R.P.MARIUS 1.2 DT. *BM...1 à 17 =Ø18 ; BM...18 à 25, 27 à 50=Ø13 ; BM...26=Ø8. Enreg. ²4,7 ²9,5 & ²19 1/2P & PP. BM...8 à 12=Copie, les autres= Original• = ORIGINAL&COPIE -2 SelBMprBN DÉPÔT **Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée 1958-62 Terrain 40:00:00 10 oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:02-15•:02-16•:02-17•:02-18•:02-19•:02-20•:02-21•:02-22•:02-23•:02-24•:02-25•:02-26•:02-27•:02-28•:02-29•:02-30•:02-31•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:03-17•:03-18•:03-19•:03-20•:03-21•:03-22•:03-23•:03-24•:03-25•:03-26•:03-27•:03-28•:03-29•:03-30•:03-31•:03-32•:03-33•:03-34•:03-35•:03-36•:03-37•:03-38•:03-39•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:04-26•:04-27•:04-28•:04-29•:04-30•:04-31•:04-32•:04-33•:04-34•:04-35•:04-36•:04-37•:04-38•:04-39•:04-40•:04-41•:04-42•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:05-23•:05-24•:05-25•:05-26•:05-27•:05-28•:05-29•:05-30•:05-31•:05-32•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:07-01•:08-01•:08-02•:08-03•:08-04•:08-05•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:10-01•:10-02•:10-03•:10-04•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11•:11-12•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10•:12-11•:12-12•:12-13•:12-14•:12-15•:12-16•:12-17•:12-18•:12-19•:12-20•:12-21•:12-22•:12-23•:12-24•:12-25•:12-26•:12-27•:12-28•:12-29•:12-30•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:13-08•:13-09•:13-10•:13-11•:13-12•:13-13•:13-14•:13-15•:13-16•:13-17•:13-18•:13-19•:13-20•:13-21•:13-22•:13-23•:13-25•:13-26•:13-27•:13-28•:13-29•:13-30•:13-31•:13-32•:13-33•:13-34•:13-35•:13-36•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:14-07•:14-08•:14-09•:14-10•:14-11•:14-12•:14-13•:14-14•:14-15•:14-16•:14-17•:14-18•:14-19•:14-20•:14-21•:14-22•:14-23•:14-24•:14-25•:14-26•:14-27•:14-28•:14-29•:14-30•:14-31•:14-32•:14-33•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07•:15-08•:15-09•:15-10•:15-11•:15-12•:15-13•:15-14•:15-15•:15-16•:15-17•:15-18•:15-19•:15-20•:15-21•:15-22•:15-23•:15-24•:15-25•:15-26•:15-27•:15-28•:15-29•:15-30•:15-31•:15-32•:15-33•:15-34•:16-01•:16-02•:16-03•:16-04•:16-05•:16-06•:16-07•:16-08•:16-09•:16-10•:16-11•:16-12•:16-13•:16-14•:16-15•:16-16•:16-17•:16-18•:16-19•:16-20•:16-21•:16-22•:16-23•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:18-09•:18-10•:18-11•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:19-09•:19-10•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:21-08•:21-09•:21-10•:21-11•:21-12•:21-13•:21-14•:21-15•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:22-07•:22-08•:22-09•:22-10•:22-11•:23-01•:23-02•:23-03•:23-04•:23-05•:23-06•:23-07•:23-08•:23-09•:24-01•:24-02•:24-03•:24-04•:24-05•:24-06•:24-07•:24-08•:24-09•:24-10•:24-12•:24-13•:24-14•:24-15•:24-16•:24-17•:25-01•:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:25-09•:27-01•:27-02•:27-03•:27-04•:27-05•:27-06•:27-07•:27-08•:27-09•:27-10•:27-11•:27-12•:27-13•:27-14•:27-15•:27-16•:27-17•:27-18•:28-01•:28-02•:28-03•:28-04•:28-05•:29-01•:29-02•:29-03•:29-04•:30-01•:30-02•:30-03•:30-04•:30-05•:30-06•:31-01•:31-02•:32-01•:32-02•:33-01•:33-02•:34-01•:34-02•:35-01•:35-02•:35-03•:35-04•:35-05•:35-06•:35-07•:35-08•:35-09•:35-10•:35-11•:35-13•:35-14•:35-15•:35-16•:35-17•:35-18•:35-19•:36-01•:36-02•:36-03•:36-04•:36-05•:36-06•:36-07•:36-08•:36-09•:37-01•:37-02•:37-03•:37-04•:37-05•:37-06•:37-07•:37-08•:37-09•:37-10•:37-11•:37-12•:37-13•:37-14•:38-01•:38-02•:38-03•:39-01•:39-02•:39-03•:39-04•:40-01•:40-02•:41-01•:41-02•:42-07•:42-08•:42-09•:42-10•:42-11•:43-01•:43-02•:43-03•:43-04•:43-05•:43-06•:43-07•:43-08•:43-09•:43-10•:43-12•:44-01•:44-02•:44-03•:44-04•:44-05•:44-06•:44-07•:44-08•:44-09•:44-10•:44-11•:44-12•:44-13•:44-14•:44-15•:44-16•:44-17•:44-18•:44-19•:44-20•:44-22•:44-23•:44-24•:44-25•:44-26•:44-27•:44-28•:44-29•:44-30•:44-31•:44-32•:44-33•:44-34•:44-35•:44-36•:44-37•:44-38•:44-39•:44-40•:44-41•:44-42•:44-43•:44-44•:45-01•:45-02•:45-03•:45-04•:45-05•:46-01•:46-02•:46-03•:46-04•:46-05•:46-06•:47-01•:47-02•:47-03•:48-01•:48-02•:48-03•:48-04•:48-05•:48-06•:48-07•:48-08•:48-09•:48-10•:48-11•:48-12•:48-13•:48-14•:48-15•:48-16•:48-17•:49-01•:49-02•:49-03•:49-04•:50-01•:50-02•:50-03•:50-04•:50-05•:50-06•:50-07•:50-08•:50-09•:50-10•:50-11•:50-12 oui OUI 1 +BM.1973.003 Divers* BM.1973.003.001/39 INDONESIE,TIMOR:KEWAR,BUNAQ. BERTHE,L. & C.;1957-71 39 O BERTHE,LOUIS & CLAUDINE 34 *Ø13;²9,5&²19;PP&1/2P ; BM...38 & BM...39=Ø18 Toutes les Bm sont des Originaux, sauf BM...3, BM...38 &BM...39. Enreg. 1957, 1966, 1969-70, 1971• BERTHE,L. & C. ORIGINAL&COPIE -2 SelBMprBN DÉPÔT ** : Vincent Rioux, vacataire MRTnov-déc. 2004• Cédant +Vacataire** Vacataire04** COPIE INTERDITE Sous-table non exportée 1957 Terrain+Copie 27:34:00 10 oui INDONESIE;TIMOR=33-B01•:01-01•:02-01•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:04-01•:04-02•:05-01•:06-A01•:06-B01•:07-A01•:07-B01•:08-A01•:08-B01•:09-A01•:09-A02•:09-A03•:09-A04•:09-A05•:09-A06•:10-A01•:10-A02•:10-B01•:10-B02•:11-A01•:11-B01•:12-A01•:12-A02•:12-A03•:12-B01•:12-B02•:13-A01•:13-B01•:13-B02•:14-A01•:14-B01•:15-A01•:15-B01•:15-B02•:16-A01•:16-B01•:17-A01•:17-A02•:17-A03•:18-A01•:18-A02•:23-A01•:23-A02•:23B-01•:24-A01•:24-B01•:25-A01•:25-A02•:25-B01•:26-A01•:26-A02•:26-B01•:26-B02•:26-B03•:27-A01•:27-B01•:28-A01•:28-B01•:29-A01•:29-A02•:29-B01•:30-01•:31-A01•:31-A02•:31-A03•:31-B01•:31-B02•:31-B03•:32-A01•:32-A02•:32-B01•:33-A01•:33-B01•:33-B02•:33-B03•:33-B04•:33-B05•:33-B06•:34-A01•:34-A02•:34-B01•:34-B02•:35-A01•:35-B01•:36-A01•:36-A02•:36-B01•:36-B02•:37-01•:38-01•:38-02•:38-03•:38-04•:38-05•:39-01•:39-02•:39-03•:39-04•:39-05•:39-06•:39-07•:39-08 # INDONESIE;TIMOR PORTUGAIS=:19-A01•:19-B01•:20-A01•:20-B01•:20-B02•:20-B03•:21-A01•:21-A02•:21-A03•:21-A04•:21-B01•:22-A01•:22-A02•:22-A03•:22-B01•:22-B02•:22-B03 oui Oui 1 Num.MuseBoule12_07 +BM.1973.004 Ø13;²19;PPM BM.1973.004.001/06 VIETNAM DU NORD;VIETNAMIEN, LAHA, KHMU, TAY DAM, TAY NOIR. CONDOMINAS,G;1973 6 Presel.Felipe11_07 O CONDOMINAS,GEORGES DT CONDOMINAS,G. ORIGINAL -2 SelBMprBN DÉPÔT *Vincent Rioux, vacataire MRTnov-déc.2004• Dpt+Vacataire* Vacataire04¤* COPIE INTERDITE Sous-table non exportée 1973 Terrain 02:15:00 10 oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:03-01•:03-02•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:05-01•:05-02•:05-03•:05-04•:05-05•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06 oui OUI 1 +BM.973.005 Ø13;²19;PPM BM.973.005.001/02 "EXTRAITS DU FOLKLORE MUSICAL YAKOUTE"[COPIE DI.] 2 O LABORATOIRE DT. N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:54:00 3 URSS;YAKOUTIE=:01-01 3 +BM.973.006 Ø13&18 BM.973.006.001/03 COREE 3 Presel.Felipe11_07 O BALDJIAN,T. = COPIE -2 SelBMprBN Copie Ø18;²9,5 x 2; Ø13,²9,5 x 2. Original=K7• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1972 Terrain 03:00:00 10 oui COREE DU SUD=:01-01 a voir 1 +BM.1973.007 Ø13;²19;PPS BM.1973.007.001/44 INDE:RAJASTHAN. DOURNON,G.;1971 44 Presel.Felipe11_07 O DOURNON,GENEVIEVE DT DOURNON,G. COPIE -2 SelBMprBN Copie *Angéline Yégnan-Touré juin-juillet 2005• Dpt+vacataire* vacataire05* COPIE INTERDITE Sous-table non exportée 1971 Terrain 14:00:00 10 oui INDE;RAJASTHAN=:01-01•:01-02•:01-03•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:03-01•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:13-07•:14-01•:14-02•:14-03•:14-04•:14-05•:14-06•:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:16-01•:16-02•:16-03•:16-04•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:20-07•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:22-01•:22-02•:22-03•:22-04•:22-05•:22-06•:23-01•:23-02•:23-03•:23-04•:23-05•:23-06•:24-01•:24-02•:24-03•:25-01•:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:25-09•:26-01•:26-02•:26-03•:26-04•:26-05•:27-01•:27-02•:28-01•:28-02•:28-03•:28-04•:29-01•:29-02•:29-03•:29-04•:29-05•:29-06•:29-07•:30-01•:30-02•:30-03•:30-04•:30-05•:31-01•:31-02•:31-03•:31-04•:31-05•:32-01•:32-02•:33-01•:33-02•:33-03•:33-04•:33-05•:33-06•:34-01•:34-02•:34-03•:34-04•:35-01•:35-02•:36-01•:36-02•:37-01•:37-02•:37-03•:37-04•:38-01•:38-02•:38-03•:38-04•:38-05•:39-01•:39-02•:39-03•:40-01•:40-02•:40-03•:40-04•:40-05•:41-01•:41-02•:41-03•:42-01•:42-02•:42-03•:42-04•:42-05•:43-01•:43-02•:43-03•:43-04•:43-05•:44-01•:44-02•:44-03•:44-04 oui OUI 1 +BM.973.008 Ø13&18 BM.973.008.001/32 HAMAYON,R.;MONGOLIE & BOURIATIE;1967 32 Presel.Felipe11_07 O HAMAYON,ROBERTE DT = ORIGINAL&COPIE -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 12:00:00 10 oui MONGOLIE (REP POPU)=:01-01 # URSS;BOURIATIE=:02-02 oui 1 +BM.973.009 ØGF;²19;PP BM.973.009.001 MONTAGE REP. CENTRAFRICAINE;DAHOMEY;NIGER 1 Presel.Felipe11_07 O AROM,SIMHA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 01:00:00 10 oui BENIN=:01-02 # NIGER=:01-03 # REP CENTRAFRICAINE=:01-01 1 +BM.973.010 ØGF;²19;PPM BM.973.010.001 CHUTE DI. "M. MNONG GAR DU VIETNAM" DI.974.003.001 1 Presel.Felipe11_07 O LABORATOIRE CONDOMINAS,GEORGES COPIE -2 SelBMprBN Copie Coll. de Bm originales déposées au Dpt• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Chute di. 00:30:00 1 oui VIETNAM=:01-01 1 +BM.973.011 ØGF;²38;PPM;SD BM.973.011.001 VIETNAM. SEANCE D'ENREG. DE 2 MUSICIENS, AU DPT. 1 Presel.Felipe11_07 O LABORATOIRE SCHWARZ,JEAN ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Dpt 00:40:00 10 oui VIETNAM=:01-01 oui 3 +BM.973.012 Ø13;²9.5;PPM BM.973.012.001 AFRIQUE 1 Presel.Felipe11_07 O N N COPIE -2 SelBMprBN Copie Aucune information sur cette collection• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 00:40:00 10 oui AFRIQUE=:01-01 1 +BM.973.013 Ø18;²19;PPM BM.973.013.001 MONTAGE EXPO MH 1973: TURQUIE 1 Presel.Felipe11_07 O LABORATOIRE N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 00:45:00 1 oui TURQUIE=:01-01 3 +BM.973.014 Ø13;²19;1/2P BM.973.014.001/07 AFGHANISTAN:PASHAI 7 Presel.Felipe11_07 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1971 Terrain 04:30:00 10 oui AFGHANISTAN=:01-01 oui 1 +BM.973.015 Ø13;²19;1/2P BM.973.015.001 TCHAD;MAYO-KEBBI:PEUL BORORO WADAABE 1 Presel.Felipe11_07 O CREMONA,LUISA = COPIE -2 SelBMprBN Copie P2=vierge• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:40:00 10 oui TCHAD=:01-01 a voir 1 +BM.974.001 Ø13;²19;1/2P BM.974.001.001/07 COREE 7 Presel.Felipe11_07 O TRAN QUANG HAI = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Théâtre/spectacle 04:30:00 1 oui COREE DU SUD=:01-01 oui 1 +BM.974.002 Ø8;²9,5;1/2P BM.974.002.001/09 TAHITI 9 Presel.Felipe11_07 O MOLET,LOUIS = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 06:00:00 10 oui POLYNESIE FR;ARCHIPEL SOCIETE=:01-01 a voir 1 +BM.1974.003 Ø13;²19;PPM BM.1974.003.001/10 MALI;PEULS. SEYDOU,C.;1973 10 Presel.Felipe11_07 O SEYDOU,CHRISTIANE SEYDOU,C. COPIE -2 SelBMprBN Copie *Adji Diallo, stagiaire Paris 8, 2007• Dpt+* Stagiaire 07* COPIE INTERDITE Sous-table non exportée 1973 Terrain 03:00:00 10 oui MALI=:01-01 oui Oui A vérifier 1 +BM.974.004 Ø13 BM.974.004.001 NEPAL:NEWAR 1 Presel.Felipe11_07 O BISTA;K.B. = ORIGINAL -2 SelBMprBN DÉPÔT durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui NEPAL=:01-01 a voir 1 +BM.974.005 Ø13 BM.974.005.001 COPIE DI.33T:TAIWAN, M. NAN KOUAN 1 O DPT/SCHIPPER,KRISTOFER N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 TAIWAN=:01-01 3 +BM.974.006 Ø13 BM.974.006.001/32 MACDONALD,C. & N.;PHILIPPINES:PALAWAN;1970 32 Presel.Felipe11_07 O MACDONALD,CHARLES & NICOLE 1.2 DT = ORIGINAL&COPIE -2 SelBMprBN DÉPÔT durée pif P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 10:00:00 10 oui PHILIPPINES=:01-01 oui 1 +BM.974.007 Ø13;²19;PPM BM.974.007.001/05 FINLANDE:LAPON 5 Presel.Felipe11_07 O DELAPORTE,YVES & MICHELE = COPIE -2 SelBMprBN Copie sélective P/BM P/BM COPIE INTERDITE Sous-table non exportée 1972 Terrain 01:30:00 10 oui FINLANDE=:01-01 a voir 1 +BM.1974.008 Ø13 BM.1974.008.001/20 MACDONALD,A.;NEPAL & TIBET;1970 20 Presel.Felipe11_07 O MACDONALD,ALEXANDRE W. 1.2 DT.+ Fiches manuelles• = & AUTRE ORIGINAL&COPIE -2 SelBMprBN DÉPÔT BM....1 à ...11: enreg. à Dharamsala et à Paprola, H.P., Inde BM....12 à ...20: enreg. au Népal. BM.991.009.001 à ...5 (ØGF) = copie des enreg. de m. népalaise (BM.974.008.012 à ...20), faite au MH en 1991. *Aude Julien, vacataire Crem 08• Cédant+* Vacataire 08* COPIE INTERDITE Sous-table non exportée 1970 Terrain 06:30:00 10 oui NEPAL=:11-08 # TIBET (INDE)=:01-01 oui Oui 1 +BM.974.009 Ø18;²19;PPM;SD BM.974.009.001/04 COPIE DI.78T:MADAGASCAR / H.CLERISSE 4 O DPT/CLERISSE,HENRI CLERISSE,HENRI COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée 1938 Copie de di.78T 02:00:00 3 MADAGASCAR=:01-01 3 +BM.974.010 Ø13;²9.5;PPM BM.974.010.001 ROUMANIE:AROUMAIN 1 Presel.Felipe11_07 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui ROUMANIE=:01-01 a voir 1 +BM.974.011 Ø13;²19;PPM BM.974.011.001/02 ALBANIE 2 Presel.Felipe11_07 O FONTANES,MONIQUE DE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui ALBANIE=:01-01 a voir 1 +BM.1974.012 Ø13;²19;PPM BM.1974.012.001/09 LIBYE:TEDA,FEZZANAIS. BRANDILY,M.; 1969 9 O BRANDILY,MONIQUE 1.2 BRANDILY,M. COPIE -2 SelBMprBN Copie *Adji Diallo, stagiaire Paris 8, 2007• Dpt+* Vacataire07* COPIE INTERDITE Sous-table non exportée 1969 Terrain 03:27:29 10 oui LIBYE=:01-01 oui Oui 1 Num.MuseBoule04_07 +BM.1974.013 Ø18;²19;PPM;SD BM.1974.013.001/52 MISSION OGOOUE-CONGO 1946: MOYEN CONGO & GABON 52 O ROUGET,GILBERT Cf. un cahier dactylographié de notes de terrain ; un cahier dactylographié de notes sur l'édition de disques 78T• =& AUTRES COPIE -2 SelBMprBN Copie de di. Pyral Les di. originaux Pyral étant très dégradés, cette coll. est à considérer comme un Original. BM.2002.005.001/27= copie numérisée de la coll. BM.974.013... BM.970.060.001 = copie de 5 pièces. *Aude Julien, vacation Crem 07• Déposant Vacataire 07* COPIE INTERDITE Sous-table non exportée 1946 Terrain 25:00:00 10 oui CONGO=:01-01•:01-02>06•:01-07>08•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06>07•:02-08•:03-01>02•:03-03>06•:03-07•:03-08•:04-01>03•:04-04•:04-05•:04-06•:04-07>08•:05-01-01•:05-02>03•:05-04 07•:05-08•:06-01>04•:06-05•:06-06>08•:07-01•:07-02>05•:07-06>07•:07-08•:08-01>02•:08-03>04•:08-05>06•:08-07•:08-08•:08-09>10•:09-01>02•:09-03>05•:09-06•:09-07>08•:1•:10-01>06•:10-07>08•:11-01>02•:11-03•:11-04>05•:11-06>08•:12-01>04•:12-05•:12-06•:12-07•:12-08>09•:13-01•:13-02•:13-03•:13-04•:13-05>06•:13-07>10•:14-01•:14-02•:14-03>09•:14-10>11•:15-01>02•:15-03>07•:15-08•:16-01>02•:16-03>04•:16-05•:16-06>09•:17-01•:17-02>03•:17-04>09•:17-06•:17-07>10•:18-01>05•:18-06•:18-07>10•:19-01>03•:19-04>05•:19-06>09•:20-01>09•:21-01>04•:21-05•:21-06>08•:21-09>11•:22-01•:22-02>07•:22-08>09•:23-01>05•:23-06>08•:24-01>09•:25-01>08•:26-01>09•:27-01>02•:27-03>05•:27-06>10•:28-01>10•:29-01>12•:30-01•:30-02>10•:31-01>04•:31-05•:31-06>07•:31-08•:31-09•:31-10•:31-11>13•:32-01>02•:32-03>06•:32-07>09•:32-10>12•:33-01•:33-02>04•:33-05>10•:34-01>09•:35-01>02•:35-03•:35-04>05•:35-06>09•:35-10>12•:36-01•:36-02>04•:36-05>06•:36-07>08•:36-09>10•:36-11•:36-12•:37-01•:37-02>03•:37-04>05•:37-06>10•:38-01>04•:38-05>10•:40-01>06•:40-07>10•:41-01>02•:41-03>04•:41-05>10 # GABON=:39-06•:39-07>11•:42-01>02•:42-03>08•:42-09>11•:43-01>07•:43-08•:43-09>10•:43-11•:44-01>02•:44-03•:44-04>09•:44-10•:45-01>03•:45-04>05•:45-06>11•:46-01>08•:46-09>10•:47-01>04•:47-05>06•:47-07>08•:47-09>10•:48-01>02•:48-03>04•:48-05>08•:48-09>12•:49-01>06•:49-07>12•:50-01>04•:50-05>06•:50-07>11•:51-01>04•:51-05•:51-06>10•:52-01>02•:52-03•:52-04 # REP CENTRAFRICAINE=:39-01>05 oui oui 1 +BM.1974.014 Ø13&18;²19;PPS BM.1974.014.001/11 MAROC:BERBERE 11 Presel.Felipe11_07 O LORTAT-JACOB,BERNARD Ø13 x 10 ;Ø18 x 1. LORTAT-JACOB,BERNARD ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1974 Terrain 04:00:00 10 oui MAROC=:01-01 oui Oui 1 +BM.974.015 Ø18;²19;PPM BM.974.015.001 ILES TONGA 1 Presel.Felipe11_07 O BATAILLE,MARIE-CLAIRE / RADIO TONGA RADIO TONGA COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui ILES TONGA=:01-01 a voir 1 +BM.974.016 Ø13;²19;PPM BM.974.016.001 VIETNAM. DESCRIPTION DU LITHOPHONE MNONG,ET JEU D'UNE COURTE PIECE 1 Presel.Felipe11_07 O DOURNES,R.P.JACQUES SERREIROS,ALBINA COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1974 Terrain 00:03:00 10 oui VIETNAM=:01-01 oui 1 +BM.974.017 ØGF;²19;PPM BM.974.017.001 COTE D'IVOIRE:DAN 1 Presel.Felipe11_07 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1965 Terrain 01:00:00 10 oui COTE D'IVOIRE=:01-01 oui 1 +BM.975.001 Ø13;²19;1/2P BM.975.001.001/06 TURKESTAN CHINOIS & TURQUIE:KAZAKH,OGHOUZ,TURC 6 Presel.Felipe11_07 O TARCAN,HALUK 1.2 = &AUTRE COPIE -2 SelBMprBN Copie BM...1à...4= enreg. H. Tarcan 1974; BM...5 &...6= enreg. I. Baçgoz 1958• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain 04:00:00 10 oui CHINE;XINJIANG=:05-01 # TURQUIE=:01-01 a voir 1 +BM.1975.002 Ø18 BM.1975.002.001/11 HELFFER,M.;TIBET:EPOPEE DE GE-SAR;1971 11 Presel.Felipe11_07 O HELFFER,MIREILLE = COPIE -2 SelBMprBN Copie Enreg. en Suisse• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1971 Terrain 08:00:00 10 oui TIBET=:01-01 oui 1 +BM.975.003 Ø13;²9.5;1/2P BM.975.003.001/03 IRLANDE 3 Presel.Felipe11_07 O WRIGHT,JOHN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1966 Terrain 04:00:00 10 oui EIRE=:01-01 oui 1 +BM.975.004 Ø13;²19;PPS BM.975.004.001/25 LORTAT-JACOB,B.;ETHIOPIE:PROVINCE DE GAMO-GOFA:DORZE;1974 25 Presel.Felipe11_07 O LORTAT-JACOB,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1974 Terrain 08:00:00 10 oui ETHIOPIE=:01-01 oui 1 +BM.1975.005 Ø13;²19;1/2P BM.1975.005.001/03 MALI;BAMAKO:SONINKE 3 Presel.Felipe11_07 O DIETERLEN,GERMAINE Original K7• = COPIE -2 SelBMprBN Copie *Aude Julien, vacation Crem 08• Déposant+* Vacataire 08* COPIE INTERDITE Sous-table non exportée 1975 Terrain 03:00:00 10 oui MALI=:01-01 oui oui 1 +BM.975.006 Ø15;²9.5;1/2P BM.975.006.001/02 LAOS:LAO,KHA,MEO 2 Presel.Felipe11_07 O DUREUIL,PAUL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Terrain 02:40:00 10 oui LAOS=:01-01 a voir 1 +BM.975.007 Ø13;²19;1/2P BM.975.007.001/12 SCHIPPER,K.;TAIWAN:CHINOIS. MUSIQUE TAOISTE;1968 12 Presel.Felipe11_07 O SCHIPPER,KRISTOFER 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 08:00:00 10 oui TAIWAN=:01-01 oui 1 +BM.1975.008 Ø13;²19;1/2P BM.1975.008.001/14 PELRAS,C.INDONESIE:CELEBES:BUGIS,MANDAR,TORAJA,MAKASSAR;1972 14 O PELRAS,CHRISTIAN 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault,vacation CREM 07• Déposant+Vacataire* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1972 Terrain 09:00:00 10 oui oui INDONESIE;CELEBES(SULAWESI)=:01-01 oui Oui 1 Num.MuseBoule12_07 +BM.975.009 Divers* BM.975.009.001/02 ALBANIE 2 Presel.Felipe11_07 O FONTANES,MONIQUE DE = COPIE -2 SelBMprBN Copie BM...1=Ø13 ; BM...2=Ø15• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:30:00 10 oui ALBANIE=:01-01 a voir 1 +BM.975.010 Ø13;²19;PPS BM.975.010.001/42 ZEMP,H.;ILES SALOMON:'ARE'ARE, NGINIA, POLYNESIEN, TO'ABAITA, SAVOSAVO;1974 42 Presel.Felipe11_07 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1974 Terrain 14:00:00 10 oui ILES SALOMON=:01-01 oui 1 +BM.1975.011 Ø13&GF BM.1975.011.001/03 IRAK. HASSAN,S.Q.;1971-72 3 Presel.Felipe11_07 O HASSAN,SCHEHERAZADE Q. Enreg. sur Nagra 4 et autres magnéto. Copies faites en partie à Bagdad, en partie au MH . Originaux chez S.Q. Hassan ou au Centre de musique trad. de Bagdad• HASSAN,SCHEHERAZADE Q. COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1971-1972 Terrain 01:30:00 10 oui IRAK=:01-01 oui OUI À vérifier 1 +BM.975.012 Ø18;²19;PPM BM.975.012.001 LUBTCHANSKY,J-C.;NIGER:PEUL BORORO 1 Presel.Felipe11_07 O LUBTCHANSKY,JEAN-CLAUDE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui NIGER=:01-01 a voir 1 +BM.975.013 Ø13;²19;1/2P BM.975.013.001/04 LAOS:HMONG VERT 4 Presel.Felipe11_07 O MARESCHAL,ERIC 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain 02:40:00 10 oui LAOS=:01-01 a voir 1 +BM.975.014 Ø13;²9.5;1/2P BM.975.014.001/05 NOUVELLE GUINEE:BARUYA (DU GROUPE KUHUKUKU) 5 Presel.Felipe11_07 O GODELIER,MAURICE & LORY, JEAN-LUC 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 06:00:00 10 oui PAPOUASIE-NLE-GUINEE=:01-01 oui 1 +BM.1975.015 Ø13;²19;1/2P BM.1975.015.001 BECQUELIN-MONOD,A.:MEXIQUE:ETAT DE CHIAPAS:TZELTAL (GROUPE MAYA),1973 1 Presel.Felipe11_07 O BECQUELIN-MONOD,AURORE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Terrain 00:40:00 10 oui MEXIQUE=:01-01 oui 1 +BM.975.016 Ø13;²19;1/2P BM.975.016.001 CORSE 1 Presel.Felipe11_07 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT PP95 PP95 COPIE INTERDITE Sous-table non exportée 1968 Terrain 01:20:00 10 oui FRANCE=:01-01 oui 1 +BM.976.001 Ø13;²19;PPS BM.976.001.001/03 BOURIATIE 3 Presel.Felipe11_07 O HAMAYON,ROBERTE = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1974 Terrain 01:00:00 10 oui URSS;BOURIATIE=:01-01 oui 1 +BM.976.002 Ø13;²19;1/2P BM.976.002.001 COPIE DI.:NOUVELLE CALEDONIE:CANAQUE 1 O DPT/ZEMP,HUGO N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 Nouvelle-Calédonie NOUVELLE-CALEDONIE=:01-01 3 +BM.976.003 Ø13;1/2P BM.976.003.001/18 CLAMAGIRAND,B.;INDONESIE:TIMOR:EMA;1969 18 Presel.Felipe11_07 O CLAMAGIRAND,BRIGITTE 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 14:00:00 10 oui INDONESIE;TIMOR=:01-01 oui 1 +BM.976.004 Ø18;²19;PPM BM.976.004.001 AFGHANISTAN (COPIE SELECTIVE) 1 Presel.Felipe11_07 O DUPAIGNE,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui AFGHANISTAN=:01-01 a voir 1 +BM.976.005 Ø18;²19;PPM BM.976.005.001/04 DANEMARK;GROENLAND:INUIT 4 Presel.Felipe11_07 O CRA & MUSEE DES ATP = ORIGINAL -2 SelBMprBN DÉPÔT Enreg. au musée des ATP. Cf.Coll. BM.976.008• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Autre 02:00:00 10 oui DANEMARK;GROENLAND=:01-01 a voir 1 +BM.976.006 Ø13;²9.5;1/2P BM.976.006.001/70 INDE:UTTAR PRADESH,ALMORA DISTRICT 70 Presel.Felipe11_07 O GABORIEAU,MARC 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT Cf. coll. BM.971.019• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 90:00:00 10 oui INDE;UTTAR PRADESH=:01-01 oui 1 +BM.976.007 Ø13;²19;PPM BM.976.007.001 ETHIOPIE:PROVINCE DE GAMO-GOFA:DORZE 1 Presel.Felipe11_07 O OLMSTEAD,JUDITH = COPIE -2 SelBMprBN Copie Enreg. entre 1970 et 1970• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:20:00 10 oui ETHIOPIE=:01-01 a voir 1 +BM.976.008 Ø13;²19;PPS BM.976.008.001/02 DANEMARK;GROENLAND,AMMASSALIK:INUIT (CONCERT AU MH, 13/3/76) 2 Presel.Felipe11_07 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Concert 00:40:00 1 oui DANEMARK;GROENLAND=:01-01 oui 1 +BM.1976.009 Ø13;²9.5;1/2P BM.1976.009.001/14 NEPAL. MACDONALD,A.;1961 14 O MACDONALD,ALEXANDRE W. 1.2 MACDONALD,A. ORIGINAL -2 SelBMprBN DÉPÔT BM.991.009.006 à ...21 (ØGF) = copie faite en 1991, au dpt. *Vincent Rioux, vacataire MRTnov-déc. 2004• M.Helffer+vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1961 Terrain 14:49:35 10 oui NEPAL=:01-A01•:01-A02•:01-A03•:01-A04•:01-A05•:01-B01•:01-B02•:01-B03•:01-B04•:02-A01•:02-A02•:02-A03•:02-A04•:02-A05•:02-B01•:03-A01•:03-A02•:03-A03•:04-A01•:04-A02 & :04-B01•:04-B02•:04-B03•:05-A01•:05-A02•:05-A03 & :05-B01•:05-B02•:05-B03 & :06-A01•:06-08•:06-09•:06-A02•:06-A03•:06-A04•:06-A05 & :06-B01•:06-B02•:06-B03•:06-B04•:07-A01•:07-A02•:07-A03•:07-B01•:07-B02•:08-A01•:08-A02•:08-A03•:08-A04•:08-A05•:08-A06•:08-A07 & :08-B01•:08-B02•:08-B03•:08-B04•:08-B05•:08-B06 & :09-A01•:09-A02•:09-A03•:09-A04•:09-A05 & :09-B01•:09-B02•:09-B03•:09-B04•:09-B05 & :10-A01•:10-A02•:10-A03 & :10-B01•:10-B02•:10-B03•:10-B04•:10-B05 & :11-A01•:11-A02•:11-A03•:11-A04•:11-A05•:11-A06•:11-A07•:11-B01•:11-B02•:11-B03•:12-A01•:12-A02•:12-A03•:12-A04•:12-A05•:12-A06 & :12-B01•:12-B02•:12-B03•:12-B04•:12-B05•:12-B06•:12-B07•:13-A01•:13-A02•:13-A03•:13-A04•:13-A05•:13-A06•:13-A07•:13-A08 & :13-B01•:13-B02•:13-B03•:13-B04•:13-B05•:13-B06•:13-B07•:13-B08•:14-A01•:14-A01BIS•:14-A02•:14-A03•:14-A04•:14-A05•:14-B01•:14-B02•:14-B03•:14-B04•:14-B05•:14-B06•:14-B07 oui OUI 1 Num.MuseBoule04_07 +BM.976.010 Ø13;²19;PPS BM.976.010.001/02 ITALIE:SARDAIGNE. GROUPE "ORUNE" (ENREG. EN FRANCE) 2 Presel.Felipe11_07 O LORTAT-JACOB,B. & PITOEFF,P. CF. DOS DES BOITES DE BM. = COPIE -1 SelBMprBN Copie Enreg. aux "Premières rencontres musicales méditerranéennes", Centre Fontblanche, Vitrolles• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Festival 00:30:00 10 oui ITALIE;SARDAIGNE=:01-01 oui 1 +BM.1976.011 Ø18;²19;PPM;SD BM.1976.011.001/45 EXPO. UNIVERSELLE DE 1900 & AUTRES CYLINDRES DU DPT. 45 O STE D'ANTHROPOLOGIE DE PARIS / DPT Transfert sur bande magnétique, réalisé à l'université de Syracuse (USA), par Jean Schwarz, sur un financement CNRS. * Cf. contrat entre Sté Anthropologie de Paris et Muséum, daté du 5 juin 1978• CF. COMMENTAIRES COPIE -2 SelBMprBN Copie *BM. 005.001.001; BM.005.002.001/03 = sélection, copie numériquedes enreg. de meilleure qualité. **Pascale Porret, vacataire MRTnov-déc. 2004. Au total, 11 collections : BM ... 1 à ...29 = Expo universelle; enreg. Dr Azoulay. BM ...30 à ...31 :12 = Mission G. de Créqui Monfort & E. Sénéchal de La Grange 1903 (Bolivie) BM ...30 à ...33 :06 = Mission Labouret 1932 (Afrique occ. , Sénégal) BM ...33 à ...34 :04 = Coll. A. Schaeffner 1933 (Arabie du N. , Koweit, golfe persique) BM ...34 à ...36 = Mission Th. Rivière 1936 (Algérie, Aurès) BM ...37 :01 à 07 = Mission Germaine Tillon1936 (Algérie, Aurès) > BM ...37 :08 à 10 = Mission Jacques Soustelle (?) > BM ...38 : 01 à 04 = Divers Expo u. (Sénégaj, Allemagne) > BM ...38 à ...39 :03 = Coll. musée Guimet (Iran) > BM ...39 à ...40 = Coll. musée Guimet (Cambodge, enreg. Suzanne Karpelés) > BM ...41 à ...43 = Mission M. Griaule Dakar - Djibouti 1931-33 (Sénégal; Mali; Soudan; Cameroun) > BM ...44 à ...45 = Mission M. Griaule Dakar - Djibout, suite 1935 (Soudan)• Dpt+vacataire¤ Vacataire04¤ COPIE INTERDITE* Sous-table non exportée 1900 Autre 22:00:00 10 oui ALGERIE=:03-08•:03-09•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11 # ALGERIE;AURES=:34-05•:34-06•:34-07•:34-08•:34-09•:34-10•:34-11•:34-12•:35-01•:35-02•:35-03•:35-04•:35-05•:35-06•:35-07•:35-08•:35-09•:35-10•:35-11•:35-12•:35-13•:35-14•:36-01•:36-02•:36-03•:36-04•:36-05•:36-06•:36-07•:36-08•:36-09•:36-10•:36-11•:36-12•:37-01•:37-02•:37-03•:37-04•:37-05•:37-06•:37-07 # ALLEMAGNE=:01-01•:01-02•:28-12•:38-02 # ARABIE SAOUDITE=:33-09•:33-10•:33-11•:33-12•:33-13•:33-14•:33-15•:33-16•:34-01•:34-02•:34-03•:34-04 # BENIN=:13-01•:13-02•:13-03•:13-04•:13-05•:13-06•:28-10•:28-11 # BOLIVIE=:30-01•:30-02•:30-03•:30-04•:30-05•:30-06•:30-07•:30-08•:30-09•:30-10•:30-11•:30-12•:30-13•:30-14•:30-15•:30-16•:30-17•:31-01•:31-02•:31-03•:31-04•:31-05•:31-06•:31-07•:31-08•:31-09•:31-10 # CAMBODGE=:39-04•:39-05•:39-06•:39-07•:39-08•:39-09•:39-10•:39-11•:39-12•:40-01•:40-02•:40-03•:40-04•:40-05•:40-06•:40-07•:40-08•:40-09•:40-10•:40-11•:40-12 # CAMEROUN=:43-03•:43-04•:43-05•:43-06•:43-07 # CHILI=:04-01•:04-02•:04-03 # CHINE=:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10•:07-11•:07-12•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-10•:10-11•:10-12•:10-13•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11 # COMORES=:02-11•:25-10•:25-11•:25-12•:25-13•:26-01•:26-02•:26-03•:26-04•:26-05 # CONGO=:19-10•:19-11•:20-01•:20-02 # ESPAGNE=:04-13•:05-03•:05-04 # ETHIOPIE=:43-08 # EX YOUGOSLAVIE;BOSNIE=:25-09 # EX YOUGOSLAVIE;CROATIE=:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09 # FINLANDE=:13-08•:13-09•:13-10•:13-11•:14-01 # FRANCE=:05-01•:05-02•:14-02•:14-03•:14-08•:14-09•:14-10•:14-11•:14-12•:29-02•:29-03•:29-04•:29-05•:29-06•:29-08•:29-09•:29-10 # FRANCE;BRETAGNE=:05-12•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:06-10•:06-11•:06-12 # FRANCE;P. BASQUE=:04-11•:04-12 # GB=:01-03 # GB;ANGLETERRE=:28-03 # GEORGIE=:15-01•:15-02•:15-03•:15-04•:15-05•:15-06•:15-07 # GUYANE FRANCAISE=:14-04•:14-06•:14-07 # HONGRIE=:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:19-08•:19-09 # INDE=:27-11•:27-12 # INDE;GUJARAT=:15-08•:15-09•:15-10•:15-11•:15-12 # INDE;MAHARASTRA=:27-13•:28-01•:28-02 # INDE;TAMIL NADU=:26-07•:26-08 # IRAN=:23-03•:23-04•:23-05•:23-06•:23-07•:23-08•:23-09•:23-10•:23-11•:38-05•:38-06•:38-07•:38-08•:38-09•:38-10•:38-11•:38-12•:39-01•:39-02•:39-03 # ISLANDE=:16-05•:16-06•:16-07•:16-08•:16-09 # ISRAEL=:16-01•:16-02•:16-03•:16-04 # ITALIE;CALABRE=:16-11•:16-12 # JAPON=:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:17-09•:17-10•:17-11•:17-12•:17-13•:17-14 # KUWEIT=:33-07•:33-08 # LAOS=:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:18-07•:18-08•:24-12•:25-01 # LIBAN=:02-12 # MADAGASCAR=:20-03•:20-04•:20-05•:20-06•:20-07•:20-08•:20-09•:20-10•:20-11•:20-12•:20-13•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:21-07•:21-08•:21-09•:21-10•:21-11 # MALAYSIA=:19-01 # MALI=:32-18•:33-01•:33-02•:33-03•:33-04•:33-05•:33-06•:42-02•:42-03•:42-04•:42-05•:42-06•:42-07•:42-08•:42-09•:43-01•:43-02•:44-01•:44-02•:44-03•:44-04•:44-05•:44-06•:44-07•:44-08•:44-09•:44-10•:44-11•:45-01•:45-02•:45-03•:45-04•:45-05•:45-06•:45-07 # MEXIQUE=:37-08•:37-09•:37-10 # N=:38-03•:38-04 # NIGERIA=:28-09 # NORVEGE=:22-08•:22-09•:22-10•:23-01•:23-02•:28-13 # NOUVELLE-CALEDONIE=:22-05•:22-06•:22-07 # SENEGAL=:04-10•:14-05•:22-01•:22-02•:22-03•:22-04•:24-01•:24-09•:24-10•:24-11•:26-10•:28-04•:28-05•:28-06•:28-07•:28-08•:31-11•:31-12•:31-13•:31-14•:31-15•:31-16•:31-17•:32-01•:32-02•:32-03•:32-04•:32-05•:32-06•:32-07•:32-08•:32-09•:32-10•:32-11•:32-12•:32-13•:32-14•:32-15•:32-16•:32-17•:38-01•:41-01•:41-02•:41-03•:41-04•:41-05•:41-06•:42-01 # SRI LANKA=:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:29-01 # SUEDE=:26-06 # SYRIE=:02-07•:03-03•:03-04•:03-05•:03-10•:03-11•:16-10 # TCHECOSLOVAQUIE=:26-09 # TUNISIE=:02-08•:02-13•:03-01•:03-02•:03-06•:03-07•:03-12•:03-13 # TURKMENISTAN=:02-10 # TURQUIE=:13-07•:26-11•:26-12•:27-01•:27-02 # URSS=:04-06•:04-07•:04-08•:04-09•:29-07 # URSS;CAUCASE=:02-09 # URSS;RA TATAR=:27-07•:27-08•:27-09•:27-10 # URSS;RSFS RUSSIE=:24-02•:24-03•:24-04•:24-05•:24-06•:24-07•:24-08 # URSS;RSS ARMENIE=:04-04•:04-05 # URSS;RSS LETTONIE=:18-09•:18-10•:18-11 # URSS;RSS OUZBEKISTAN=:27-03•:27-04•:27-05•:27-06 # VIETNAM=:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06 oui Oui? 1 +BM.976.012 Ø13;²19;PPS BM.976.012.001 MAROC:HAUT -ATLAS:BERBERE 1 Presel.Felipe11_07 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain 00:20:00 10 oui MAROC=:01-01 oui 1 +BM.976.013 ØGF;²19;PP BM.976.013.001 JAPON:AINOU (COPIE DE DI. ENCARTES DANS L'OUVRAGE "AINU NO ONGAKU") 1 O N N COPIE -1 Copie Ouvrage au dpt. 10 di. 17/33 souples• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:00:00 3 JAPON=:01-01 0 +BM.976.014 Ø18 BM.976.014.001 AFRIQUE DU SUD:VENDA.BANDE ACCOMPAGNANT L'OUVRAGE"HOW M. IS MAN?" 1 O BLACKING,JOHN = PUBLICATION -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 00:40:00 0 REP D'AFRIQUE DU SUD=:01-01 0 +BM.976.015 Ø13;²9.5;1/2P BM.976.015.001/20 CAMPAGNOLO,H.&LAMEIRAS-.C°.,M.O.;TIMOR ORIENTAL:FATALUKU & AUTRES GROUPES;69-70 20 Presel.Felipe11_07 O CAMPAGNOLO,HENRI & LAMEIRAS-CAMPAGNOLO,MARIE-OLIMPIA CAMPAGNOLO,HENRI & LAMEIRAS-CAMPAGNOLO,MARIE-OLIMPIA ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969-70 Terrain 20:00:00 10 oui INDONESIE;TIMOR=:01-01 oui 1 +BM.977.001 K7 BM.977.001.001/13 JEST,C. & MRS GYAWALI;NEPAL;1976 13 Presel.Felipe11_07 O JEST,CORNEILLE & GYAWALI MME = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Terrain 13:00:00 10 oui NEPAL=:01-01 oui 1 +BM.1977.002 Ø13;²9.5;1/2P BM.1977.002.001 MALI:PEUL 1 Presel.Felipe11_07 O SEYDOU,CHRISTIANE SEYDOU,CHRISTIANE COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 01:20:00 10 oui MALI=:01-01 oui Oui A vérifier 1 +BM.977.003 Ø13;²19;PPS BM.977.003.001/02 LIBYE:TOUAREG, ARABE FEZZANE (MONTAGE) 2 Presel.Felipe11_07 O BRANDILY,MONIQUE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Terrain 00:40:00 10 oui LIBYE=:01-01 oui 1 +BM.977.004 Ø13&18 BM.977.004.001/32 CHIARA-SCHULTZ,V.;BRESIL:KRAHO, SUYA, KARAJA,TEBYARKWA, WAURA,JAVARE,1960 32 Presel.Felipe11_07 O CHIARA-SCHULTZ,VILMA 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT 30 bm = Original; 2 bm = copie. Ø13 = 31 bm; Ø18 = 1 bm; ²19 & ²9,5; 1/2P. Enreg. 1960-71• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960 Terrain 15:00:00 10 oui BRESIL=:01-01 oui 1 +BM.977.005 Ø13;²19;PPM BM.977.005.001 COPIE DI.78T:NOUVELLE CALEDONIE 1 O LEENHARDT,MAURICE = COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1939 Copie de di.78T 00:20:00 3 Nouvelle-Calédonie NOUVELLE-CALEDONIE=:01-01 3 +BM.977.006 Ø13;²19;PPS BM.977.006.001/15 LADAKH:TIBETAIN, LADAKHI 15 Presel.Felipe11_07 O HELFFER,MIREILLE 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Terrain 05:00:00 10 oui INDE;JAMMU & KASHMIR=:01-01 # TIBET (INDE)=:02-02 oui 1 +BM.977.007 Ø13;²19;PPM BM.977.007.001/03 COPIE DES DI+1BM ACCOMPAGNANT "ATLAS DES I.DE M.RUSSE"=ENREG.ALEXEYEV 3 Presel.Felipe11_07 O VERTKOV + ALEXEYEV N + ALEXEYEV COPIE -1 SelBMprBN Copie BM...1 &...2= Copie des di.; BM...3=copie d'une bm de Ed. Alexeyev• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Divers 01:00:00 1 oui URSS=:01-01 1 +BM.977.008 ØGF;²19;PP BM.977.008.001/10 "VOIX TRACEES" (COPIE DE L'EMISION + MONTAGES EX..M.)[RADIO] 10 Presel.Felipe11_07 O DPT / RADIO FRANCE N COPIE -2 Copie Emission de l'ER 165 sur France Culture,juin 1977 • P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Radio+Montage 10:00:00 1 oui N=:01-01 3 +BM.977.009 Ø13;²19;PPM BM.977.009.001 ROUMANIE 1 Presel.Felipe11_07 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui ROUMANIE=:01-01 a voir 1 +BM.977.010 Ø13;²9,5;PPS BM.977.010.001/05 INDONESIE:KALIMANTAN 5 Presel.Felipe11_07 O TINTI,RICHARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Terrain 01:40:00 10 oui INDONESIE;BORNEO(KALIMANTAN)=:01-01 a voir 1 +BM.977.011 Ø13;1/2P BM.977.011.008/09 REVEL- M.,N.;PHILIPPINES & BORNEO:PALAWAN, KALINGA,BONTOR, NEGRITO, IFUGAO;1977 9 Presel.Felipe11_07 O REVEL - MACDONALD,NICOLE 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Terrain 08:00:00 10 oui MALAYSIA=:02-02 # PHILIPPINES=:01-01 oui 1 +BM.977.012 Ø13&18 BM.977.012.001/09 PORTUGAL 9 Presel.Felipe11_07 O NAZARE,JOAO = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 04:00:00 10 oui PORTUGAL=:01-01 a voir 1 +BM.978.001 Ø13;²19;1/2P BM.978.001.001/02 PAKISTAN,VALLEE DE TCHAKDARA: PASHTUN (COPIE SELECTIVE) 2 Presel.Felipe11_07 O ROUCHON,ALAIN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Terrain 01:20:00 10 oui PAKISTAN=:01-01 a voir 1 +BM.978.002 Ø13;²19;PPM BM.978.002.001 INDE:RAJASTHAN 1 Presel.Felipe11_07 O LEVY,JOHN = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 00:10:00 10 oui INDE;RAJASTHAN=:01-01 a voir 1 +BM.978.003 Ø13;²19;1/2P BM.978.003.001 NOUVELLE CALEDONIE:CANAQUE 1 Presel.Felipe11_07 O LEENHARTD,RAYMOND 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain 00:40:00 10 oui NOUVELLE-CALEDONIE=:01-01 a voir 1 +BM.978.004 Ø15;²9,5;PP BM.978.004.001/02 IRAN:M. SAVANTE 2 O BATTESTI,TERESA N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 03:30:00 10 oui IRAN=:01-01 a voir 1 +BM.978.005 Ø18;²9.5;PPM BM.978.005.001 BRESIL 1 O TARASTI,EERO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui BRESIL=:01-01 a voir 1 +BM.978.006 Ø13;²19;PPM BM.978.006.001 NIGERIA:YORUBA 1 O VERGER,PIERRE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui NIGERIA=:01-01 oui 1 +BM.1978.007 Ø13;²9.5;1/2P BM.1978.007.001/04 COTE D'IVOIRE,ABIDJAN; MALI;BAMAKO. DUMESTRE,G. 4 Presel.Felipe11_07 O DUMESTRE,GERARD DUMESTRE,G. COPIE -2 SelBMprBN Cf. Ouvrage dans Coll. "Classiques africains" Copie * Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 oui COTE D'IVOIRE=:01-01 # MALI=:02-02 oui Oui à verifier 1 +BM.978.008 Ø13 BM.978.008.001/32 VIETNAM:LAAC 32 O BOUTARY,R.P.F. 1.2 = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 30:00:00 10 oui VIETNAM=:01-01 oui 1 +BM.978.009 ØGF;²19;PPM;SD BM.978.009.001/03 COPIE DI.78T:CAMEROUN 3 O LABORATOIRE N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 03:00:00 3 CAMEROUN=:01-01 3 +BM.978.010 Ø18;²19;PPM BM.978.010.001/02 INDONESIE:TIMOR (COPIE SELECTIVE) 2 O CLAMAGIRAND,BRIGITTE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui INDONESIE;TIMOR=:01-01 a voir 1 +BM.1978.011 Ø13;²19;PPS BM.1978.011.001/40 INDE:RAJASTHAN. DOURNON,G.;1975 40 Presel.Felipe11_07 O DOURNON,GENVIEVE DOURNON,G. COPIE -2 SelBMprBN Copie *Alice Pitoëff, vacataire MRT juin 05 ; et Adrien Bidault stagiaire Paris 8 fev.06• Déposant+vacataire* Vacataire05;06* COPIE INTERDITE Sous-table non exportée 1975 Terrain 14:00:00 10 oui INDE;RAJASTHAN=:01-01•:01-02•:01-03•:01-04•:01-05•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:04-01•:04-02•:04-03•:04-04•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:06-01•:06-02•:06-03•:06-04•:07-01•:07-02•:07-03•:08-01•:08-02•:08-03•:08-04•:08-05•:09-01•:09-02•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:11-01•:12-01•:12-02•:12-03•:13-01•:13-02•:13-03•:13-04•:14-01•:14-02•:14-03•:14-04•:15-01•:15-02•:15-03•:15-04•:15-05•:16-01•:16-02•:16-03•:16-04•:16-05•:17-01•:17-02•:17-03•:17-04•:17-05•:18-01•:18-02•:18-03•:18-04•:19-01•:19-02•:20-01•:20-02•:20-03•:21-01•:21-02•:21-03•:21-04•:22-01•:22-02•:22-03•:22-04•:23-01•:23-02•:23-03•:23-04•:23-05•:24-01•:24-02•:25-01•:25-02•:25-03•:25-04•:25-05•:25-06•:25-07•:25-08•:25-09•:26-01•:26-02•:26-03•:26-04•:26-05•:26-06•:26-07•:27-01•:27-02•:27-03•:27-04•:27-05•:27-06•:28-01•:28-02•:28-03•:28-04•:29-01•:29-02•:29-03•:29-04•:29-05•:30-01•:30-02•:30-03•:30-04•:31-01•:31-02•:31-03•:31-04•:31-05•:31-06•:32-01•:32-02•:32-03•:32-04•:32-05•:32-06•:33-01•:33-02•:33-03•:34-01•:34-02•:34-03•:34-04•:34-05•:34-06•:35-01•:35-02•:35-03•:35-04•:35-05•:36-01•:36-02•:36-03•:36-04•:36-05•:36-06•:36-07•:36-08•:37-01•:37-02•:37-03•:37-04•:37-05•:38-01•:38-02•:38-03•:38-04•:38-05•:38-06•:38-07•:38-08•:39-01•:39-02•:39-03•:39-04•:40-01 oui oui 1 +BM.978.012 Ø13;²19;PPM BM.978.012.001 COPIE DE CYLINDRES:ARGENTINE:SELKNAM (1919-23) 1 Presel.Felipe11_07 O CHAPMAN,ANNE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1919-23 Copie de cy. 00:20:00 10 oui ARGENTINE=:01-01 oui 1 +BM.978.013 Ø13;²19;PPM BM.978.013.001 INDONESIE 1 O MACEDA,JOSE /REVEL-MACDONALD,NICOLE MACEDA,JOSE COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui INDONESIE=:01-01 oui 1 +FOLK-001 K7 BM.978.014.001 "FOLK M. OF PUNJAB" 1 O N N INST. FOLK HERITAGE,ISLAMABAD -1 Don P/BM P/BM =DI Sous-table non exportée -1 Terrain+Publication 01:00:00 0 Inde INDE;PANJAB=:01-01 0 +BM.1979.001 Ø13;²38;PPS BM.1979.001.001/04 INDONESIE:SULAWESI 4 Presel.Felipe11_07 O PELRAS,CHRISTIAN = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:20:00 10 oui INDONESIE;CELEBES(SULAWESI)=:01-01 oui 1 +BM.979.002 Ø13;²19;PPS BM.979.002.001/39 BOIS,P.;CAMEROUN:EVUZOK;1978 39 O BOIS,PIERRE 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1978 Terrain 13:00:00 10 oui CAMEROUN=:01-01 oui 1 +BM.979.003 Ø13;²19;PPM BM.979.003.001 URSS;SIBERI:INUIT 1 O CHICHLO,BORIS = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui URSS;SIBERIE=:01-01 a voir 1 +BM.1979.004 Ø13;²19;1/2P BM.1979.004.001/10 CANADA, TERRE DE BAFFIN; NATTIEZ,J.J.;1976 10 Presel.Felipe11_07 O NATTIEZ,JEAN-JACQUES DT• COPIE -2 Copie Les annonces sont sur une piste, les pièces sur l'autre (chaque pièce est précédée d'une annonce du collecteur), Enregistrements dans les territoires du Nord Ouest. *Aude Julien, vacation Crem 08 • Déposant+* Vacataire 08* COPIE INTERDITE Sous-table non exportée 1976 Terrain 03:20:00 10 oui CANADA=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:02-12•:02-13•:02-14•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:04-14•:04-15•:04-16•:04-17•:04-18•:04-19•:04-20•:04-21•:04-22•:04-23•:04-24•:04-25•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:05-13•:05-14•:05-15•:05-16•:05-17•:05-18•:05-19•:05-20•:05-21•:05-22•:05-23•:05-24•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:08-10•:08-11•:08-12•:08-13•:08-14•:08-15•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:09-08•:09-09•:09-10•:09-11•:09-12•:09-13•:09-14•:09-15•:09-16•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:10-07•:10-08•:10-09•:10-11•:10_10 oui 0 +BM.979.005 ØGF;²38;PPM;SD BM.979.005.001/02 MASTER DI."INDE.RAJASTHAN.MUSICIENS PROFESSIONNELS POPULAIRES" 2 O DOURNON,GENEVIEVE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:40:00 1 non INDE;RAJASTHAN=:01-01 0 +BM.979.006 ØGF;²38;PPM;SD BM.979.006.001/02 MASTER DI."MUSIQUE MNONG GAR DU VIETNAM" 2 O CONDOMINAS,GEORGES Cf. BM.973.010.001= chutes de ce di. • = MASTER PUBLICATION -2 Réf. di.=OCR-80 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958-66 Master di. 00:40:00 1 non VIETNAM=:01-01 0 +BM.979.007 ØGF;²38;PPM;SD BM.979.007.001/02 MASTER DI."POSSESSION & POESIE A MADAGASCAR" 2 O KOECHLIN,BERNARD = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non MADAGASCAR=:01-01 0 +BM.979.008 ØGF;²38;PPM;SD BM.979.008.001/03 MASTER DI."GABON. MUSIQUE DES MITSOGHO & DES BATEKE" 2 O SALLEE,PIERRE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:42:00 1 non GABON=:01-01 0 +BM.979.009 ØGF;²38;PPM;SD BM.979.009.001/03 MONTAGE "MOUSSEY" GARINE 3 O GARINE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 01:30:00 1 oui AFRIQUE=:01-01 1 +BM.979.010 ØGF;²38;PPM;SD BM.979.010.001/02 NEPAL [MONTAGE] 2 O MACDONALD,ALEXANDRE W. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui NEPAL=:01-01 1 +BM.979.011 ØGF;²38;PPM;SD BM.979.011.001/02 MASTER DI.: RAJASTHAN 2 O DOURNON,GENEVIEVE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non INDE;RAJASTHAN=:01-01 0 +BM.979.012 ØGF;²38;PPM;SD BM.979.012.001/06 MASTER DI."ETHIOPIE. POLYPHONIES DES DORZE" 6 O LORTAT-JACOB,BERNARD = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di.+chute 00:40:00 1 non ETHIOPIE=:01-01 0 +BM.979.013 ØGF;²38;PPM;SD BM.979.013.001/02 MASTER DI."MUSIQUE DES INDIENS BORA &WITOTO D'AMAZONIE COLOMBIENNNE" 2 O GUYOT,MIREILLE & GASHE,J. = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non COLOMBIE=:01-01 0 +BM.979.014 ØGF;²38;PPM;SD BM.979.014.001 MONTAGE:AMERIQUE DU SUD 1 O LUZUY,PHILIPPE Peut-être la bande Master du. di. "Jivaro", DI.960.004.001 ? A vérifier. durée pif• = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 00:40:00 1 oui AMERIQUE=:01-01 1 +BM.979.015 ØGF;²38;PPM;SD BM.979.015.001/02 MASTER DI."FLUTES DU RAJASTHAN" 2 O DOURNON,GENEVIEVE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:49:00 1 non INDE;RAJASTHAN=:01-01 0 +BM.979.016 ØGF;²38;PPM;SD BM.979.016.001/02 MONTAGE:CYLINDRES 2 O LABORATOIRE N COPIE -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1900 Montage 01:00:00 1 oui N=:01-01 3 +BM.979.017 ØGF;²38;PPM;SD BM.979.017.001/02 MONTAGE:RAJASTHAN. VIELES 2 O DOURNON,GENEVIEVE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 01:00:00 1 oui INDE;RAJASTHAN=:01-01 1 +BM.979.018 ØGF;²19;PP BM.979.018.001 IRAK [MONTAGE] 1 O HASSAN,SCHEHERAZADE Q. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui IRAK=:01-01 1 +BM.979.019 ØGF;²19;PP BM.979.019.001 COPIE DI. TIBET 1 O LABORATOIRE N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 00:40:00 3 TIBET=:01-01 3 +BM.979.020 ØGF;²38;PPM;SD BM.979.020.001/02 MASTERD I."POLYPHONIES DE ILES SALOMON. M. DE GUADALCANAL & SAVO" 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:44:00 1 non ILES SALOMON=:01-01 0 +BM.979.021 ØGF;²19;PP BM.979.021.001 INDONESIE:TIMOR [MONTAGE] 1 O BERTHE,CLAUDINE & CAMPAGNOLO,HENRI = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 1 oui INDONESIE;TIMOR=:01-01 1 +BM.979.022 ØGF;²19;PP BM.979.022.001 INDE:CONCERT "FRERES DAGAR" 1 O GRM = COPIE -1 SelBMprBN Copie Enreg. à Paris• P/BM P/BM RESTREINT Sous-table non exportée -1 Théâtre/spectacle 01:00:00 1 oui INDE=:01-01 1 +BM.979.023 ØGF;²19;PP BM.979.023.001/04 TIBET:MOINES AU THEATRE DES BOUFFES DU NORD 4 Presel.Felipe11_07 O N N ORIGINAL -2 SelBMprBN Publié en CD, "Tibet, Monastère de Gyütö. La voix des Tantra", OCORA : C-560133/34; ©2001• DÉPÔT Enreg. Radio France, le 3/10/75, .au théâtre des Bouffes du Nord, Paris• P/BM P/BM RESTREINT Sous-table non exportée 1975 Théâtre/spectacle 04:00:00 10 oui TIBET=:01-01 a voir 1 +BM.979.024 ØGF;²38;PPM;SD BM.979.024.001/05 MASTER DI"AFGHANISTAN. CHANTS DES PASHAI" 5 O PITOEFF,PRIBISLAV = MASTER PUBLICATION -2 SelBMprBN Copie P/BM P/BM =DI Sous-table non exportée 1971 Master di.+chute 00:40:00 1 non AFGHANISTAN=:01-01 0 +BM.979.025 ØGF;²38;PPM;SD BM.979.025.001/04 MONTAGE ILES SALOMON. 'ARE'ARE 4 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie durée pif P/BM P/BM =DI Sous-table non exportée -1 Montage 00:40:00 1 oui ILES SALOMON=:01-01 1 +BM.979.026 ØGF;²38;PPM;SD BM.979.026.001/03 MASTER DI."LADAKH. MUSIQUE DE MONASTERE & DE VILLAGE" 3 O HELFFER,MIREILLE = MASTER PUBLICATION -2 SelBMprBN Copie P/BM P/BM =DI Sous-table non exportée -1 Master di.+chute 01:00:00 1 non INDE;JAMMU & KASHMIR=:01-01 0 +BM.979.027 ØGF;²19;PP BM.979.027.001/04 BENIN [MONTAGE] 4 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 04:00:00 1 oui BENIN=:01-01 1 +BM.979.028 ØGF;²38;PPM;SD BM.979.028.001/04 MASTER DI."SELK'NAM..." VOL.2 4 O CHAPMAN,ANNE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 01:24:00 1 non ARGENTINE=:01-01 0 +BM.979.029 ØGF;²38;PPM;SD BM.979.029.001/02 MASTER DI."TIMOR. CHANTS DES EMA" 2 O CLAMAGIRAND,BRIGITTE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:46:00 1 non INDONESIE;TIMOR=:01-01 0 +BM.979.030 ØGF;²38;PPM;SD BM.979.030.001/02 MONTAGE:TCHAD 2 O BRANDILY,MONIQUE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 00:40:00 1 oui TCHAD=:01-01 1 +BM.979.031 ØGF;²38;PPM;SD BM.979.031.001/02 MASTER DI."MUSIQUES DU MONDE. LES INSTRUMENTS TRADITIONNELS" 2 O DONRNON,G.; SCHWARZ,J. DIVERS MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:48:00 1 non N=:01-01 0 +BM.979.032 ØGF;²38;PPM;SD BM.979.032.001/02 MONTAGE SUISSE 2 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie P/BM P/BM =DI Sous-table non exportée -1 Montage 00:40:00 1 oui SUISSE=:01-01 1 +BM.979.033 ØGF;²38;PPM;SD BM.979.033.001/02 MASTER DI."BERBERES DU MAROC. AHWACH" 2 O LORTAT-JACOB,BERNARD = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non MAROC=:01-01 0 +BM.979.034 Ø18;²19;PPM BM.979.034.001/10 COTE D'IVOIRE:MONTAGE,OPERATION"RETOUR AU PAYS D'ORIGINE" 10 O ROUGET,GILBERT / DPT DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 05:00:00 1 oui COTE D'IVOIRE=:01-01 1 +BM.979.035 Ø18;²9.5;1/2P;SD BM.979.035.001 CANADA;ILE VICTORIA 1 O LE MOUEL,JEAN-FRANCOIS = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui CANADA=:01-01 oui 1 +BM.1979.036 Ø13;²19;PPS BM.1979.036.001/17 MAROC;BERBERE. LORTAT-JACOB,B. 17 O LORTAT-JACOB,BERNARD LORTAT-JACOB,B. ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1978 Terrain 05:30:00 10 oui MAROC=:01-01 oui Oui. À Vérifier 1 +BM.979.037 Ø13&18;²19;PPS BM.979.037.001/03 SUISSE 3 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:40:00 10 oui SUISSE=:01-01 oui 1 +BM.979.038 Ø13;²19;PPS BM.979.038.001/05 ILES SALOMON:'ARE'ARE 5 Presel.Felipe11_07 O ZEMP,HUGO = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Terrain 01:40:00 10 oui ILES SALOMON=:01-01 oui 1 +BM.1979.039 Ø13;²19;1/2P BM.1979.039.001 CANADA: "ACADIE & QUEBEC" [COPIE DI.] 1 O ARCH.FOLKLORE UNIV. LAVAL = COPIE -1 Copie Di. Ø30/33; Edit. GALA; réf. GCP-139. Enreg. 1958-58• P/BM P/BM =DI Sous-table non exportée 1950 Copie de di. 00:40:00 3 CANADA=:01-01 3 +BM.979.040 Ø13;²19;PPM BM.979.040.001 REPUBLIQUE CENTRAFRICAINE:BAYAKA 1 Presel.Felipe11_07 O BALLIF,NOEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Terrain 00:20:00 10 oui REP CENTRAFRICAINE=:01-01 a voir 1 +BM.979.041 Ø13;²19;PPM BM.979.041.001 ALASKA: CHANTS ALEOUTES 1 Presel.Felipe11_07 O LAMBLIN,JOELLE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1971 Terrain 00:20:00 10 oui USA;ALASKA=:01-01 oui 1 +BM.979.042 Ø13;²19;PPM BM.979.042.001 MONTAGE POUR GALERIE DES INSTRUMENTS DU MH 1 O TRAN QUANG HAI N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 00:20:00 1 oui N=:01-01 1 +BM.979.043 Ø18;²19;PPM BM.979.043.001/02 NOUVELLE GUINEE:BUANG, LAMENTATION FUNEBRES 2 O GIRARD,FRANCOISE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui NLE-GUINEE=:01-01 oui 1 +BM.979.044 K7 BM.979.044.001 MAROC: "AMARG N AYT UDRAR" [PUBLICATION] 1 O LORTAT-JACOB,BERNARD = PUBLICATION 1979 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 MAROC=:01-01 0 +BM.979.045 Ø18;²19;PPM BM.979.045.001 INDONESIE:BALI&JAVA [COPIE DI. PYRAL] 1 Sel.Felipe11_07 O YZERDRAAT,B. = COPIE -2 SelBMprBN Copie Enreg. 1950-52• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1950-52 Copie de di.Pyral 00:30:00 10 oui INDONESIE;BALI=:01-01 # INDONESIE;JAVA=:01-02 a voir 1 +BM.979.046 K7-C60 BM.979.046.001/15 "JAPON.ANTHOLOGIE DE LA M. D'OKINAWA"[COPIE DI. 33T] 15 O TRAN QUANG HAI N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 15:00:00 3 JAPON=:01-01 3 +BM.979.047 K7 BM.979.047.001 K7 PUBLIEE"M.INSTRUMENTALE&CHTS.POP.PAR TRAN QUANG HAI&BACH YEN" 1 O TRAN QUANG HAI N PLAYASOUND,PARIS -1 Réf. de la K7=KP-33514 Don P/BM P/BM =DI Sous-table non exportée 1979 Publication 00:40:00 0 Vietnam VIETNAM=:01-01 0 +BM.979.048 Ø13&18 BM.979.048.001/02 ITALIE:SARDAIGNE[RADIO] 2 O DPT / RADIO FRANCE N COPIE -1 Copie Radio France P/BM P/BM COPIE INTERDITE Sous-table non exportée 1979 Radio 01:00:00 1 oui ITALIE;SARDAIGNE=:01-01 1 +BM.979.049 Ø18;²19;PPM BM.979.049.001/08 ITALIE:SARDAIGNE, LAUNEDDAS 8 O BENTZON,F.W. = COPIE -2 SelBMprBN Echange Echange avec le Dansk Folkemindesamling, Copenhague• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 04:00:00 10 oui ITALIE;SARDAIGNE=:01-01 a voir 1 +BM.979.050 Ø13;²19;1/2P BM.979.050.001 IRAN:LURISTAN 1 O RAHNEMA,FARIDEH = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui IRAN=:01-01 a voir 1 +BM.979.051 Ø13&18 BM.979.051.001/28 LORTAT-JACOB,B.;ITALIE:SARDAIGNE;1979 28 O LORTAT-JACOB,BERNARD 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT Ø13 x 26; Ø18 x 2• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1979 Terrain 10:40:00 10 oui MAROC=:01-01 oui 1 +BM.1979.052 Ø13;1/2P BM.1979.052.001/03 GUYANE FRANCAISE:PALIKUR. GRENAND,F.;1978 3 O GRENAND,FRANCOISE DT. Vitesse 19 et 9,5cm/s; bande DD (double durée)• GRENAND,F. COPIE -2 SelBMprBN Copie Copie faite par J.M. Beaudet, ORSTOM, Cayenne Les originaux sont à l'OSTOM. *Adrien Bidault, vacation CREM 07• Dpt+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1978 Terrain 03:00:00 10 oui GUYANE FRANCAISE=:01-01 a voir Oui A vérifier 1 +BM.1979.053 CDR+Ø* BM.1979.053.001/02 BOLIVIE & PEROU 2 O ARGUEDAS,CARLOS = COPIE -2 SelBMprBN Copie+Numérisé# *Ø18;²9,5;PPS. Originaux K7 Sony Stéréo. # numérisé sur banc... ; UV Nanterre 2005-6, Avril Jospin , Ivan Zec et Gabrielle George• Déposant+PP # COPIE INTERDITE Sous-table non exportée 1978 Terrain 01:20:00 10 oui2 BOLIVIE=:01-01•:01-02•:01-03•:01-04•:01-08•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-22•:02-01•:02-02 # PEROU=:01-05•:01-06•:01-07•:01-09•:01-21 a voir Oui 1 Num. MBox(Étudiants) +BM.979.054 Ø15;²9,5;PP BM.979.054.001 RSF RUSSIE;YAKOUTIE:YAKOUTE 1 O ALEKSEIEV? / HAMAYON,ROBERTE N COPIE -2 SelBMprBN Copie Don de R. Hamayon, bande transmise par N. Novgoroda, en été 1979, provenant sans doute du fonds Yakoute du Dr Alekseiev• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:30:00 10 oui URSS;YAKOUTIE=:01-01 oui 1 +BM.979.055 Ø13 BM.979.055.001/09 LE MOUEL,J-F.;NEPAL;1971-73 9 Presel.Felipe11_07 O LE MOUEL,JEAN FRANCOIS 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT ²9,5;PP & 1/2P• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1971-73 Terrain 08:00:00 10 oui NEPAL=:01-01 oui 1 +BM.979.056 Ø18;²19;PPM BM.979.056.001/10 BENIN:MONTAGE,OPERATION "RETOUR AU PAYS D'ORIGINE" 10 O ROUGET,GILBERT / DPT DT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 05:00:00 1 oui BENIN=:01-01 1 +BM.980.001 Ø18;²19;PPM;LD BM.980.001.001 "ESSAI DE MUSICOLOGIE & AUTRES FANTAISIES"[RADIO] 1 O DPT / RADIO FRANCE N COPIE -1 Copie France Culture, dans la série _Les pouvoirs de la musique_, diffusée le 7/3/80• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Radio 00:40:00 1 oui N=:01-01 1 +BM.980.002 K7 BM.980.002.001/05 PAPOUASIE-NOUVELLE GUINEE, MALAYSIA, INDONESIE, PHILIPPINES 5 Presel.Felipe11_07 O DAVID,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Terrain 06:00:00 10 oui INDONESIE=:03-01 # MALAYSIA=:02-02 # PAPOUASIE-NLE-GUINEE=:01-01 # PHILIPPINES=:04-01 a voir 1 +BM.980.003 K7 BM.980.003.001 "VIETNAM. CITHARE&CHANSONS POP. PAR TRAN QUANG H.&BACH YEN" 1 O TRAN QUANG HAI N PUBLICATION -1 Don Don de l'Aide à l'enfance au Vietnam P/BM P/BM =DI Sous-table non exportée 1979 Publication 00:45:00 0 Vietnam VIETNAM=:01-01 0 +BM.980.004-BIS Ø18;²19;PPM;SD BM.980.004-BIS.001/07 CANADA:ESKIMO DU CUIVRE [COPIE COLL. D. JENNESSE, CYLINDRES 1913-16] 7 Presel.Felipe11_07 O JENNESSE,D. / LE MOUEL, J. FRANCOIS =JENNESSE,D. COPIE -2 SelBMprBN Echange Copie de la coll. D. Jennesse détenue par le M.H. d'Ottawa, remise à la phonothèque par J-F Le Mouel. cf. fiche collection. Enreg. 1913-16• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1913-16 Copie de cy. 03:30:00 10 oui CANADA=:01-01 oui 1 +BM.980.004 Ø13 BM.980.004.001/31 CANADA: ESKIMO DU CUIVRE (1980) 31 O LE MOUEL,JEAN FRANCOIS = ORIGINAL -2 SelBMprBN DÉPÔT ²38; PP & 1/2P• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 06:00:00 10 oui CANADA=:01-01 oui 1 +BM.1980.005 Ø13;²19;PPS BM.1980.005.001/23 INDE:MADHYA PRADESH & RAJASTHAN. DOURNON,G.;1979 23 O DOURNON,GENEVIEVE 1.2 Enreg. originaux = Stellavox SP7• DOURNON,G. COPIE -2 SelBMprBN Copie 1 copie remise au Madhya Pradesh Kala Parisad. *Angéline Yégnan-Touré, vacataire MRT juin-juillet 05• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1979 Terrain 07:30:00 10 oui INDE;MADHYA PRADESH=:01-01•:01-02•:01-03•:01-04•:01-05•:02-01•:02-02•:02-03•:03-01•:04-01•:05-01•:05-02•:05-03•:05-04•:05-05•:06-01•:06-02•:06-03•:06-04•:06-05•:07-01•:07-02•:07-03•:08-01•:08-02•:08-03•:08-04•:09-01•:09-02•:10-01•:10-02•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:12-01•:12-02•:12-03•:12-04•:12-05•:13-01•:13-02•:13-03•:13-04•:14-01•:14-02•:14-03•:15-01•:15-02•:15-03•:15-04•:15-05•:16-01•:16-02•:16-03•:17-01•:18-01•:18-02•:19-01•:19-02•:19-03•:19-04•:20-01•:21-01•:21-02•:21-03•:22-03•:23-01 # INDE;RAJASTHAN=:22-01•:22-02 oui OUI 1 +BM.980.006 ØGF;²19;PP BM.980.006.001 INDE:MADHYA PRADESH [MONTAGE POUR CONFERENCE] 1 O DOURNON,GENEVIEVE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1978 Montage 01:00:00 1 oui INDE;MADHYA PRADESH=:01-01 1 +BM.980.007 ØGF;²38;PPM;SD BM.980.007.001/02 MASTER DI."BENGALE. CHANTS DES <>" 2 O LUNEAU,GEORGE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non INDE;BENGALE=:01-01 0 +BM.980.008 ØGF;²38;PPM;SD BM.980.008.001/02 MASTER DI."<>. JODEL DU MUOTATAL. SUISSE" 2 O ZEMP,HUGO = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non SUISSE=:01-01 0 +BM.980.009 ØGF;²38;PPM;SD BM.980.009.001/02 MASTER DI."INDE. MUSIQUE TRIBALE DU BASTAR" 2 O DOURNON,GENEVIEVE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:45:00 1 non INDE;MADHYA PRADESH=:01-01 0 +BM.980.010 ØGF;²38;PPM;SD BM.980.010.001 CHUTE DI."INDE. MUSIQUE TRIBALE DU BASTAR" 1 O DOURNON,GENEVIEVE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Chute di. 00:20:00 1 oui INDE;MADHYA PRADESH=:01-01 1 +BM.980.011 ØGF;²38;PPM;SD BM.980.011.001/02 MASTER DI."TCHAD. MUSIQUE DU TIBESTI" 2 O BRANDILY,MONIQUE = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée -1 Master di. 00:40:00 1 non TCHAD=:01-01 0 +BM.980.012 ØGF;²38;PPM;SD BM.980.012.001 CHUTE DI."TCHAD. MUSIQUE DU TIBESTI" 1 O BRANDILY,MONIQUE = COPIE -2 SelBMprBN Copie durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Chute di. 00:30:00 1 oui TCHAD=:01-01 1 +BM.980.013 ØGF;²38;PPM;SD BM.980.013.001/02 MASTER DI."SENEGAL. MUSIQUE DES BASSARI" 2 O GESSAIN,R. & M.; & AUTRES = MASTER PUBLICATION -2 Copie P/BM P/BM =DI Sous-table non exportée 1961 Master di. 00:40:00 1 non SENEGAL=:01-01 0 +BM.980.014 ØGF;²38;PPM;SD BM.980.014.001 CHUTE DI. SENEGAL; M. DES BASSARI 1 Presel.Felipe11_07 O GESSAIN,R. & M.; & AUTRES = COPIE -2 SelBMprBN Copie durée pif• P/BM P/BM =DI Sous-table non exportée 1967 Chute di. 00:30:00 10 oui SENEGAL=:01-01 1 +BM.1980.015 Ø13;²19;PPS BM.1980.015.001/12 GUYANE FRANCAISE:WAYAMPI 12 Presel.Felipe11_07 O BEAUDET,JEAN MICHEL 1.2 = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Terrain 04:00:00 10 oui GUYANE FRANCAISE=:01-01 oui 1 +BM.1981.001 Ø13 BM.1981.001.001/14 PELRAS,C.;INDONESIE:SULAWESI:BUGIS & MAKASSAR 14 Presel.Felipe11_07 O PELRAS,CHRISTIAN = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 09:00:00 10 oui INDONESIE;CELEBES(SULAWESI)=:01-01 oui 1 +BM.981.002 Ø18;²19;PPS;SD BM.981.002.001/05 "A LA DECOUVERTE DE A. SCHAEFFNER",IN "LA M. & LES HOMMES"[RADIO] 5 O ROUGET,GILBERT / RADIO FRANCE N COPIE -2 Copie France Culture, 16/12/80 ou 4/2/81• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Radio 02:30:00 1 oui N=:01-01 oui 1 +BM.981.003 Ø18;²19;PPM BM.981.003.001/02 BENIN. CHANTS PAR P. HAZOUME 2 Sel.Felipe11_07 O HAZOUME,PAUL / SCHAEFFNER,ANDRE = COPIE -2 SelBMprBN Copie de di. Pyral BM...2 = copie de la BM ...1• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1939 Copie de di.Pyral 00:30:00 10 oui BENIN=:01-01 oui 1 +BM.981.004 Ø18;²19;PPM;LD BM.981.004.001 MONTAGE EXPO AU MH. CANADA:ESKIMO 1 O DPT / LE MOUEL,JEAN FRANCOIS LE MOUEL,JEAN FRANCOIS COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 00:40:00 10 oui CANADA=:01-01 1 +BM.981.005 Ø13;²19;PPM BM.981.005.001/13 BENIN:FON, YORUBA, GOUN 13 Presel.Felipe11_07 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie Enreg. 1958 = 11 Bm: Fon & Yoruba; enreg. 1969 = 2 Bm: Goun• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958-62 Terrain 04:20:00 10 oui BENIN=:01-01 oui 1 +BM.981.006 Ø13;²19;PPM BM.981.006.001/24 ROUGET,G.;BENIN:M. VODUN;1958,59,66,69,71 24 Presel.Felipe11_07 O ROUGET,GILBERT 1.2 = COPIE -2 SelBMprBN Copie Enreg. 1958, 1959, 1966, 1969, 1971• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958-71 Terrain 08:00:00 10 oui BENIN=:01-01 oui 1 +BM.981.007 Ø13;²19;PPS BM.981.007.001/19 PITOEFF,P.;INDE,KERALA;1980 19 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 06:20:00 10 oui INDE;KERALA=:01-01 oui 1 +BM.981.008 Divers* BM.981.008.001/78 COLL.L.WEISS:MADAGASCAR,ILE MAURICE,COMORES,AFR.EST,INDE,CHINE,JAPON 78 O WEISSE,LOUISE N COPIE -2 SelBMprBN Don *Ø13x30; Ø18x46; ØGFx2. Afrique de l'Est = Comores, Somalie, Ethiopie, Kenya.; Asie= Inde,Chine, Japon. durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 43:00:00 10 oui CHINE=:08-01 # COMORES=:03-01 # ETHIOPIE=:05-01 # ILE MAURICE=:02-02 # INDE=:07-01 # JAPON=:09-01 # KENYA=:06-01 # MADAGASCAR=:01-01 # SOMALIE=:04-01 1 +BM.981.009 Ø18;²19;PPM;LD BM.981.009.001 MONGOLIE INTERIEURE:EPOPEE [COPIE DI.] 1 O HAMAYON,ROBERTE N COPIE -1 Don Copie de 2 di. publiés en R.P. de Chine en 1979• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 CHINE;MONGOLIE INTERIEURE=:01-01 3 +BM.981.010 Ø18;²19;PPM;LD BM.981.010.001 MONGOLIE INTERIEURE:CHANTS D'UN BARDE 1 Presel.Felipe11_07 O KARA,GEORGE FF = COPIE -2 SelBMprBN Cf. Kara,G. "Chants d'un barde mongol", Budapest, Akademiai Kiado,1970; au Dpt. Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1959 Terrain 00:40:00 10 oui CHINE;MONGOLIE INTERIEURE=:01-01 a voir 1 +BM.981.011 Ø18;²19;PPM BM.981.011.001/09 MAUGUIN,B.;TURQUIE;1960 9 Presel.Felipe11_07 O MAUGUIN,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1960 Terrain 06:00:00 10 oui TURQUIE=:01-01 a voir 1 +BM.1981.012 Ø13&18 BM.1981.012.001/07 GUINEE;BAGA. SCHAEFFNER,A.;1954* 7 Sel.Felipe11_07 O SCHAEFFNER,ANDRE 1.2 Originaux, copie partielle & copie complète. Ø13x5, Ø18x2, ²19, PP. BM...1 à ...4 = Originaux. BM... 5 = Extraits des BM... 1 à 3. BM...6 = copie des BM...1 & 2. BM...7 = copie des BM... 3 & 4. * Cf. Commentaires• SCHAEFFNER,A. ORIGINAL&COPIE -2 SelBMprBN DÉPÔT *BM. 2005.001.001 = sélection, copie numériquedes enreg. de meilleure qualité. **Vincent Rioux,vacataire MRTnov-déc.2004• Dpt+Vacataire** Vacataire04** COPIE INTERDITE Sous-table non exportée 1954 Terrain 02:00:00 10 oui GUINEE=:01-01•:02-01•:03-01•:04-01•:05-01•:06-01•:07-01 oui OUI 1 Num. ProTools Felipe08_07 +BM.1981.013 Divers* BM.1981.013.001/08 COTE-D'IVOIRE,REGION DE ALEPE;ATIE. PAULME SCHAEFFNER,D.;1964 8 Presel.Felipe11_07 O PAULME SCHAEFFNER,DENISE 1.2 PAULME SCHAEFFNER,D. ORIGINAL -2 SelBMprBN DÉPÔT *²19, Ø13x5, Ø18x2, Ø8x1. **Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005• Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée 1964 Terrain 03:00:00 10 oui COTE D'IVOIRE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:04-01•:04-02•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07 oui OUI 1 +BM.981.014 Ø13;²19;PPS BM.981.014.001/12 ITALIE:SARDAIGNE 12 O LORTAT-JACOB,BERNARD 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 04:00:00 10 oui ITALIE;SARDAIGNE=:01-01 oui 1 +BM.981.015 Ø13;²19;PPS BM.981.015.001/19 LORTAT-JACOB,B.;ROUMANIE:DOBROGEA,OLTENIE;1980 19 O LORTAT-JACOB,BERNARD 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 06:00:00 10 oui ROUMANIE=:01-01 oui 1 +BM.981.016 K7-C60 BM.981.016.001 CAMEROUN:EVUZOK [EXEMPLES POUR THESE] 1 O BOIS,PIERRE CF. THESE AU DPT N MONTAGE DIPLOME -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 CAMEROUN=:01-01 1 +BM.981.017 Ø13;²19;PPM BM.981.017.001/03 FRANCE;CHAMPSAUR 3 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1978 Terrain 01:00:00 10 oui FRANCE=:01-01 oui 1 +BM.1981.018 Ø13;²9,5;PPS BM.1981.018.001 ALGERIE;KABYLIE. MECHERI SAADA,N;1978 1 O MECHERI SAADA,NADIA MECHERI SAADA,N. COPIE -2 SelBMprBN Copie *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1978 Terrain 00:40:00 10 oui ALGERIE;KABYLIE=:01-01 oui Oui à vérifier 1 +BM.981.019 Ø18;²19;PPS;LD BM.981.019.001/03 MAROC:BERBERE 3 Presel.Felipe11_07 O ROVSING OLSEN;MIRIAM = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain 01:00:00 10 oui MAROC=:01-01 oui 1 +BM.981.020 Ø18;²19;PPM BM.981.020.001 INDE:UTTAR PRADESH 1 Presel.Felipe11_07 O HELFFER,MIREILLE &JAIRAZBHOY,NAZIR = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Terrain 00:40:00 10 oui INDE;UTTAR PRADESH=:01-01 oui 1 +BM.981.021 Ø13;²19;PPS BM.981.021.001/07 INDE:MADHYA PRADESH & RAJASTHAN 7 O DOURNON,GENEVIEVE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 02:20:00 10 oui INDE;MADHYA PRADESH=:01-01 # INDE;RAJASTHAN=:02-01 oui 1 +BM.981.022 ØGF;²19;PPM BM.981.022.001 MALI:DOGON; DEVISE DES AROU 1 Sel.Felipe11_07 O DIETERLEN,GERMAINE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1953 Terrain 00:20:00 10 oui MALI=:01-01 oui 1 +BM.982.001 K7-C60 BM.982.001.001/02 ESPAGNE 2 O CHAMORRO DE ARANZADI,MIKEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:00:00 10 oui ESPAGNE=:01-01 a voir 1 +BM.982.002 Ø13 BM.982.002.001/04 THAILANDE 4 O HEMMET,CHRISTINE = COPIE -2 SelBMprBN Copie ²9,5 & ²19;PP• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 02:00:00 10 oui THAILANDE=:01-01 oui 1 +BM.982.003 Ø13&18;²19;PPM BM.982.003.001/06 INDE:ASSAM. BANGLADESH; MADHUPUR FOREST 6 O CANZIO,RICCARDO = COPIE -2 SelBMprBN Copie Ø13x5, Ø18x1• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1981 Terrain 02:20:00 10 oui BANGLADESH=:02-01 # INDE;ASSAM=:01-01 oui 1 +BM.982.004 Ø18;²19;PPM BM.982.004.001/03 GAMBIE;KOMBO CENTRAL 3 O DURAN,LUCY = COPIE -2 SelBMprBN Don Originaux déposés au BIRS• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:00:00 10 oui GAMBIE=:01-01 a voir 1 +BM.982.005 Ø13;²19;PPM BM.982.005.001 SANZAS [MONTAGE] 1 O LABORATOIRE = COPIE -2 SelBMprBN Montage pour Publication P/BM P/BM COPIE INTERDITE Sous-table non exportée 1982 Montage 00:20:00 1 oui AFRIQUE=:01-01 3 +BM.982.006 Ø13;²19;PPM BM.982.006.001 VIETNAM.ESSAI DU LITHOPHONE DEPOSE AU MH ,PAR LE PROF. LUU HUU PHUOC 1 O LABORATOIRE DPT ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1982 Dpt 00:05:00 1 oui VIETNAM=:01-01 3 +BM.982.007 Ø13 BM.982.007.001 VENEZUELA 1 O ZOCHETTI & TAURINES = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui VENEZUELA=:01-01 a voir 1 +BM.982.008 K7-C60 BM.982.008.001 URSS;YAKOUTIE:YAKOUTE, INUIT [COPIE DI.] 1 O MONTEIROS,LUIS N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:00:00 3 URSS;YAKOUTIE=:01-01 3 +BM.982.009 Ø18;²19;PPS;LD BM.982.009.001/05 ESPAGNE 5 O CHAMORRO DE ARANZADA,MIKEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 03:20:00 10 oui ESPAGNE=:01-01 a voir 1 +BM.1982.010 Ø18;²19;PPS;LD BM.1982.010.001/03 BHOUTAN 3 O JEST,CORNEILLE * Copie sélective• = COPIE* -2 SelBMprBN Copie sélective Enreg. 1981-82• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1981 Terrain 02:00:00 10 oui BHOUTAN=:01-01 oui 1 +BM.982.011 ØGF;²19;PPM;SD BM.982.011.001 "RUANDA URUNDI. LES TROUBADOURS DES HAUTS-PLATEAUX" [COPIE DI.] 1 O BARBAGLIA,ROGER / DPT BARBAGLIA,R. COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 BURUNDI=:01-01 3 +BM.982.012 Ø13;²19;PPM BM.982.012.001 BENIN:CITHARE 1 Presel.Felipe11_07 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 00:20:00 1 oui BENIN=:01-01 oui 1 +BM.982.013 Ø13;²19;PPS BM.982.013.001/15 INDE:KERALA & TAMIL NADU 15 O PITOEFF,PRIBISLAV 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1981 Terrain 05:00:00 10 oui INDE;KERALA=:01-01 # INDE;TAMIL NADU=:02-01 oui 1 +BM.982.014 Ø15 BM.982.014.001 AFGHANISTAN;VALLEE DU KUNAR 1 Presel.Felipe11_07 O JUNG,DANIEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1970 Terrain 00:40:00 10 oui AFGHANISTAN=:01-01 a voir 1 +BM.982.015 ØGF;²19;PPM BM.982.015.001 JAPON & VIETNAM. [COPIE DE DI.78T DEPOSES AU MUSEE GUIMET] 1 O LABORATOIRE N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di.78T 00:24:00 3 Vietnam JAPON=:01-01 # VIETNAM=:01-11 3 +BM.982.016 Ø13;²19;PPM BM.982.016.001/07 BHOUTAN 7 Presel.Felipe11_07 O RAULT,LUCIE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain 02:20:00 10 oui BHOUTAN=:01-01 oui 1 +BM.1982.017 Ø15;²19;PP BM.1982.017.001 VIETNAM:MNONG GAR 1 O CONDOMINAS,GEORGES = COPIE -2 SelBMprBN Copie *Vincent Rioux, vacataire MRTnov-déc.2004• Dpt+Vacataire* Vacataire04* COPIE INTERDITE Sous-table non exportée 1982 Terrain 00:30:00 10 oui VIETNAM=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10 oui OUI 1 +BM.1982.018 CDR+Ø* BM.1982.018.001/22 BURKINA FASO. LE MOAL,G.;1952-81 22 O LE MOAL,GUY 1.2 Enreg. 1952 à 1985. Ø13x4; Ø15x5; Ø18x4; ²19 PPM Std• LE MOAL,G. COPIE -2 SelBMprBN Cf . Le Moal, G. _Les Bobo, Nature et fonction des masques_ Paris, ORSTOM, 1980• Copie *Ø divers. **Angéline Yégnan-Touré, vacataire MRT juin-juillet 2005. NB : durée de chaque pièce corrigée selon lesdonnées de la numérisation • Dpt+Vacataire** Vacataire05** COPIE INTERDITE Sous-table non exportée 1952-81 Terrain 06:09:52 10 oui BURKINA FASO=:01-01•:02-01•:02-02•:03-01•:04-01•:04-02•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:06-01•:06-02•:06-03•:06-04•:06-05•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:08-01•:08-02•:08-03•:09-01•:09-02•:09-03•:09-04•:09-05•:09-06•:09-07•:10-01•:10-02•:10-03•:10-04•:10-05•:10-06•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:12-01•:12-02•:12-03•:13-01•:13-02•:14-01•:15-01•:15-02•:15-03•:15-04•:16-01•:16-02•:16-03•:16-04•:17-01•:17-02•:17-03•:17-04•:17-05•:17-06•:17-07•:17-08•:18-01•:18-02•:18-03•:18-04•:18-05•:18-06•:19-01•:19-02•:19-03•:19-04•:19-05•:19-06•:19-07•:20-01•:20-02•:20-03•:20-04•:20-05•:20-06•:21-01•:21-02•:21-03•:21-04•:21-05•:21-06•:22-01•:22-02•:22-03•:22-04 oui OUI 1 Num.MuseBoule04_07 +BM.982.019 Ø18;²19;PPM BM.982.019.001 TAIWAN [MONTAGE] 1 O RAULT,LUCIE / TRAN QUANG HAI N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage 00:40:00 1 oui TAIWAN=:01-01 1 +BM.982.020 Ø13;²19;PPS BM.982.020.001/04 ITALIE:SARDAIGNE 4 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1982 Terrain 01:20:00 10 oui ITALIE;SARDAIGNE=:01-01 oui 1 +BM.982.021 K7 BM.982.021.001 "LA PEDAGOGIE DE LA VOIX & TECHNIQUES DU CHANT EN EUROPE".CF.LIVRE 1 O N N PUBLICATION -1 Achat CNRS Livre au Dpt• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 EUROPE=:01-01 0 +BM.982.022 Ø13;²9.5;1/2P BM.982.022.001/03 INDE:BENGALE, BIHAR, MADHYA PRADESH 3 O FAIVRE,JEAN BAPTISTE FF = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 04:00:00 10 oui INDE;BENGALE=:01-01 # INDE;BIHAR=:01-02 # INDE;MADHYA PRADESH=:01-03 a voir 1 +BM.982.023 ØGF BM.982.023.001 MAROC:HAUT-ATLAS:BERBERE 1 Presel.Felipe11_07 O ROVSING OLSEN,MIRIAM = COPIE -2 SelBMprBN Copie durée pif• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1977 Terrain 01:00:00 10 oui MAROC=:01-01 oui 1 +BM.982.024 Ø13 BM.982.024.001 PRECHE (EGLISE; USA) 1 O SCHWARZ,JEAN durée pif• = COPIE -2 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1978 Terrain 00:15:00 10 oui USA=:01-01 oui 1 +BM.983.001 Divers* BM.983.001.001/71 REPUBLIQUE CENTRAFRICAINE 71 Presel.Felipe11_07 O AROM,SIMHA & DOURNON,GENEVIEVE 1.2 DT = COPIE -2 SelBMprBN Copie Enreg. 1964-67 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 26:00:00 10 oui REP CENTRAFRICAINE=:01-01 oui 1 +BM.983.002 Ø13;²19;PPM BM.983.002.001 PAKISTAN;CHITRAL:KALASH 1 O NEGRE,HERVE & LOUDE,JEAN YVES = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:15:00 10 oui PAKISTAN=:01-01 oui 1 +BM.983.003 Ø? BM.983.003 COLL. RENUMEROTEE -1 O N N N -2 SelBMprBN N Cette coll. a été renumérotée sous le n° de réf. BM.985.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Autre 00:00:00 1 oui N=:01-01 0 +BM.983.004 Ø? BM.983.004.001 BENIN;PORTO NOVO:DANSE DES REINES -1 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie La copie n'a pas encore été faite. sept 1993• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 00:00:00 1 oui BENIN=:01-01 oui 1 +BM.983.005 K7 BM.983.005.001 "PEROU. AYARCHI & CHIRINGUANO" [PUBLICATION] 1 O BELLENGER,XAVIER = PUBLICATION -1 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication 00:50:00 0 PEROU=:01-01 0 +BM.983.006 ØGF;²9.5;PP BM.983.006.001 TIBET;LHASSA:THEATRE [COPIE K7 PUBLIEE] 1 O KARMAY,HEATHER N COPIE -1 Copie Copie de 2 K7 diffusées localement• P/BM P/BM =DI Sous-table non exportée -1 Copie de K7 publiée 02:00:00 3 TIBET=:01-01 3 +BM.983.007 Ø13;²9,5;PPS BM.983.007.001 ILES WALLIS [COPIE K7 PUBLIEE] 1 O SIMUTOGA,CHANEL N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de K7 publiée 00:45:00 3 ILES WALLIS-ET-FUTUNA=:01-01 a voir 3 +BM.983.008 Ø13;²19;PPM BM.983.008.001 GUINEE [COPIE SELECTIVE] 1 O CAMARA,SORY = COPIE -2 SelBMprBN Copie sélective P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:20:00 10 oui GUINEE=:01-01 oui 1 +BM.983.009 Divers* BM.983.009.001/33 LORTAT-JACOB,B.;ROUMANIE;1981 33 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1981 Terrain 12:00:00 10 oui ROUMANIE=:01-01 oui 1 +BM.1983.010 K7-C90 BM.1983.010.001 M.OURALO-ALTAIQUE [COPIE DISQUES]* 1 O MONTEIRO,LUIS** N COPIE -1 Copie * Face A = copie du disque "Fino-Ugric Music", en entier ; deux pièces Mari (Tcheremiss): flûte et cornemuse. Face B : "La tradition des chants épiques de Novgorod au bord du fleuve Petchora", par Irina Elgeva ; une polyphonie Veps **Collectionneur portugais• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:30:00 3 URSS=:01-01 3 +BM.983.011 Ø15;²9,5;PP BM.983.011.001 PARAGUAY:MAK'A 1 O BRAUSTEIN,JOSE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1979 Terrain 00:30:00 10 oui PARAGUAY=:01-01 oui 1 +BM.983.012 ØGF;²38;PPS;SD BM.983.012.001 CONQUES, TROMPES & GONGS DU DPT 1 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN Enreg. Dpt Instruments de € régions du monde, joués par J. P. Auboux, musicien• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Dpt 00:30:00 1 oui N=:01-01 oui 1 +BM.983.013 K7-C60 BM.983.013.001 INDE:ANDHRA PRADESH:KHOND; ORISSA:BONDO 1 O ZOCCHETTI,RAYMOND = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui INDE;ANDHRA PRADESH=:01-01 # INDE;ORISSA=:01-02 oui 1 +BM.983.014 Ø18;²19;PPM BM.983.014.001/02 "MUSIQUE FOLKLORIQUE DES YAKOUTES"[COPIE DI.] 2 O LABORATOIRE N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:20:00 3 URSS;YAKOUTIE=:01-01 3 +BM.983.015 Ø18;²19;PPM;SD BM.983.015.001/03 NIGERIA;OSHOGBO:YORUBA 3 Presel.Felipe11_07 O ARMSTRONG,ROBERT G. WITIG,CURT COPIE -2 SelBMprBN Cf. Armstrong,R.G. _The Deep Chatn of Ifa"_, ibadan,I.A.S.,1978, ex. au Dpt• Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 01:30:00 10 oui NIGERIA=:01-01 oui 1 +BM.983.016 ØGF;²19;PP BM.983.016.001/03 GUYANE FR.;HAUT OYAPOCK:CORPUS CLARINETTES_TULE_&DOUBLES CHANTES 3 O BEAUDET,JEAN-MICHEL N MONTAGE DIPLOME -2 SelBMprBN Copie Corpus pour thèse de 3ème cycle• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Montage diplôme 03:00:00 1 oui 2 GUYANE FRANCAISE=:01-01 oui 1 +BM.983.017 Ø18;²19;PPM;SD BM.983.017.001 GUYANE FRANCAISE:WAYAMPI [EXEMPLES POUR THESE] 1 O BEAUDET,JEAN-MICHEL N MONTAGE DIPLOME -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Montage diplôme 00:30:00 1 oui 2 GUYANE FRANCAISE=:01-01 oui 1 +BM.983.018 Ø18;²19;PPS;LD BM.983.018.001 GROENLAND:INUIT[ RADIO] 1 O ROBBE,PIERRE / RADIO FM RADIO FM COPIE -1 Copie Diffusée le 16/9/1893• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Radio 00:30:00 1 oui DANEMARK;GROENLAND=:01-01 1 +BM.983.019 ØGF;²19;PPM BM.983.019.001/02 PHILIPPINES:PALAWAN 2 Presel.Felipe11_07 O MACEDA,JOSE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1974 Terrain 02:00:00 10 oui PHILIPPINES=:01-01 oui 1 +BM.983.020 K7-C60 BM.983.020.001/02 "ET TOUJOURS LE MUSEE DE L'HOMME"[RADIO] 2 O RADIO FRANCE = COPIE -1 Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Radio 02:00:00 1 oui N=:01-01 1 +BM.983.021 ØGF;²19;PP BM.983.021.001 INDONESIE:BALI 1 O LEOTHAUD,GILLES = COPIE -2 SelBMprBN Copie durée pif PP95 PP95 COPIE INTERDITE Sous-table non exportée 1978 Terrain 01:00:00 10 oui INDONESIE;BALI=:01-01 oui 1 +BM.984.001 Ø18;²19;PPS;SD BM.984.001.001 "CANTATE POUR L'INAUGURATION DU M.H." DARIUS MILHAUD / ROBERT DESNOS 1 O RADIO FRANCE = COPIE -1 SelBMprBN Copie Concert donné au MH le 7/3/1982. Réf. bande Radio France n°83.1106.063• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1982 Concert 00:30:00 1 oui N=:01-01 1 +BM.984.002 Ø18;²19;PPM BM.984.002.001/10 GUINEE:TOMA 10 Sel.Felipe11_07 O GAISSEAU PIERRE-DOMINIQUE 1.2 = COPIE -2 SelBMprBN Copie Guinée (ex. française). Enreg. 1952, 1953. Originaux : BM.968.014.001/10 =²76; 60 périodes/sec.• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1952 Terrain 05:00:00 10 oui GUINEE=:01-01 oui 1 +BM.984.003 ØGF;²19;PP BM.984.003.001/03 M.OUIGOUR & M. DES PEUPLES DE L'EXTREME ORIENT SOVIETIQUE [COPIE DI.] 3 O N N COPIE -1 Copie 3 disques Mélodia: "12 Muqam Ouigou: Rak", réf. C-3010751-52; "12 Muqam Ouigour:Adjan; Bayat", réf. c-3019825-26003; "M. des peuples de l'extrème Orient sovietique", réf. D-033187-88; cf. DI.983.010.004. Prêtés par Mme Czekanowska• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 02:00:00 3 CHINE;XINJIANG=?? # URSS=:01-01 3 +BM.984.004 Ø13;²19;PPS BM.984.004.001/08 ALBANIE:TOSK & LAB 8 O LORTAT-JACOB,BERNARD 1.2 = ORIGINAL -2 SelBMprBN DÉPÔT Communication après accord avec le déposant• P/BM P/BM RESTREINT Sous-table non exportée 1983 Terrain 02:40:00 10 oui ALBANIE=:01-01 oui 1 +BM.984.005 ØGF;²38;PPM;SD BM.984.005.001 PAPOUASIE-NOUVELLE GUINEE 1 Presel.Felipe11_07 O GAISSEAU,PIERRE DOMINIQUE 1.2 = COPIE -2 SelBMprBN Copie Originaux : BM.968.015.001/03 =²76; 60 périodes/sec.• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1955 Terrain 00:30:00 10 oui PAPOUASIE-NLE-GUINEE=:01-01 oui 1 +BM.1984.006 ØGF;²19;PPM BM.1984.006.001/30 ALGERIE;HOGGAR. LHOTE,H.,1948 [COPIE DI. PYRAL] 30 O LHOTE,HENRI DT et photocopie de "La documentation sonore établie chez les Touaregs du Hoggar..."; . Pour les fiches Items les N° BM-plage suivent la numérotation des bandes magnétiques (sur lequelles ont été copiés les disques Pyral). Dans la rubrique "N° bande,n°pièce original" sont indiqués le n° du disque Pyral, la face, (A ou B) et le n° de la plage. Quand un n° de disque est suivi de GF, cela indique que le di. Pyral est un format 40cm enregistré à 33 1/3 t.m. Les autresPyral sont de format 30cm, enregistrés à 78 t.m.• LHOTE,H. & ALAIN JOSET COPIE -2 SelBMprBN "La documentation sonore établie chez les Touaregs du Hoggar par la m ission Henri Lhote en 1948", Cahiers Charles de Foucauld, 7eme série,vol.27 -3eme trimestre.1952. Cet article est dans la bibliothèque du labo• Copie de di. Pyral P/BM P/BM COPIE INTERDITE Sous-table non exportée 1948 Copie de di.Pyral 10:00:00 10 oui ALGERIE;HOGGAR=:01-01 1 Num.MuseBoule12_07 +BM.984.007 K7-C60 BM.984.007.001 "MES YEUX ONT DES RIDEAUX" 1 O ASSOC.PAIRS _MES YEUX ONT DES RIDEAUX: 8 COMPTINES & 3 CHANSONS POUR LES ENFANTS, INSPIREES DU PATRIMOINE LIBANAIS._ K7 + 2 LIVRETS EN FRANCAIS (16P.) ET EN ARABE (22P.). AU DPT. = PAIRS(ASSOC.),PARIS -1 Don Auteur P/BM P/BM =DI Sous-table non exportée 1984 Publication+Livre 01:00:00 0 LIBAN=:01-01 0 +BM.984.008 Divers* BM.984.008.001/37 INDE:KERALA 37 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN DÉPÔT *²19;PPS : ØGFx2 , Ø18x3 , Ø15x1 , Ø13x13 ; K7x18• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Terrain 38:00:00 10 oui INDE;KERALA=:01-01 oui 1 +BM.984.009 Ø18;²38;PPM BM.984.009.001 "IMAGE DE LA RECHERCHE 1984" EXPO. CNRS (BENIN) 1 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie Communication après accord de G. Rouget, copie STRICTEMENT interdite• P/BM P/BM RESTREINT Sous-table non exportée -1 Montage expo. 00:20:00 1 oui BENIN=:01-01 oui 1 +BM.984.010 Ø15²38;PP BM.984.010.001 "IMAGES DE LA RECHERCHE 1984: LANGAGES TAMBOURINES", EXPO. CNRS 1 O AROM,S.;ZEMP,H. KAUFMANN,CHRISTIAN = COPIE -2 SelBMprBN Zemp,H et C. Kaufmann "Pour une transcription automatique des <> mélanésiens (un ex. kwoma, Nle-Guinée)". in L'Homme vol. 9, 2 : 38-88; 1969• Copie ²38• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 00:15:00 10 oui PAPOUASIE-NLE-GUINEE=:01-02 # REP CENTRAFRICAINE=:01-01 oui 1 +BM.984.011 ØGF;²38;PPM;SD BM.984.011.001/02 MASTER NOUVEAU DU DI."MUSIQUE MAURE" 2 O ROUGET,GILBERT Nouveau Master fait à partir des BM.970.019.014 et ...015 (i.e. copie de la coll. originale "GR 52" inventoriée sous la cote BM.969.039.@ Cf. premier Master = BM.954.001.001/02. Cf. DI.955.007.001/02.• MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 00:40:00 1 non MAURITANIE=:01-01 0 +BM.1984.018 ØGF;²38;PPM;SD BM.1984.018.001/04 REPUBLIQUE CENTRAFRICAINE. DAMPIERRE,E. DE;1965 4 Presel.Felipe11_07 O DAMPIERRE,ERIC DE = COPIE -2 SelBMprBN Copie sélective *Adrien Bidault, vacation CREM 07• Déposant+* Vacataire 07* COPIE INTERDITE Sous-table non exportée 1965 Montage 02:00:00 10 oui REP CENTRAFRICAINE=:01-01 oui Oui à vérifier 1 +BM.984.019 Divers* BM.984.019.001/02 BENIN;PORTO NOVO:"TANUWIWA" 2 Presel.Felipe11_07 O ROUGET,GILBERT 1.2 = COPIE -2 SelBMprBN Copie *ØGFx1 , Ø18x1. Copie des bandes originales n° D64-7a&b et D64-11• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Terrain 01:30:00 10 oui BENIN=:01-01 oui 1 +BM.984.020 Ø13;²9.5;1/2P BM.984.020.001/53 CAMEROUN:FOULBE 53 Presel.Felipe11_07 O ERLMANN,VEIT 1.2 = COPIE -2 SelBMprBN Don Auteur Copie faite par le collecteur, problème d'azimutage des têtes• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain 70:00:00 10 oui CAMEROUN=:01-01 oui 1 +BM.984.021 Ø18;²19;PPM;SD BM.984.021.001 "M. POPULAIRE ROUMAINE" [COPIE DI. 78T] 1 O BRAILOIU,CONSTANTIN N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di.78T 00:25:00 3 ROUMANIE=:01-01 3 +BM.984.022 ØGF;²38;PPS;SD BM.984.022.001 "EXOTICA" DE MAURICIO KAGEL 1 Presel.Felipe11_07 O RADIO FRANCE / LORTAT-JACOB,B. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Concert 01:00:00 1 oui N=:01-01 1 +BM.984.023 ØGF;²19;PP BM.984.023.001 "IMAGES DE LA RECHERCHE 1984: POLYRYTHMIES AFRICAINES", EXPO. CNRS 1 O AROM,SIMHA = COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage expo. 01:00:00 10 oui REP CENTRAFRICAINE=:01-01 oui 1 +BM.984.024 Ø13;²38;PPS BM.984.024.001 VIETNAM.JEU SUR LITHOPHONE DEPOSE AU MH, PAR STEVE SHEHAM 1 O LABORATOIRE SCHWARZ,JEAN ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Studio 00:10:00 1 oui VIETNAM=:01-01 oui 3 +BM.985.001 ØGF BM.985.001.001/12 "MUSIQUE DU PALAIS DE PORTO NOVO" 12 O ROUGET,GILBERT = MASTER PUBLICATION -2 Copie ØGF : ²38x12 + ²19x4 qui sont les copies des ²38, et sont les masters des 2 K7 destinées à être publiées conjointement à l'ouvrage ayant le même titre• P/BM P/BM RESTREINT Sous-table non exportée 1959 Master di. 04:00:00 1 non BENIN=:01-01 oui 1 +BM.985.002 ØGF;²19;PPM;SD BM.985.002.001/02 SELECTION DANS LES DI. COLL."CNRS-MH" 2 O PITOEFF,PRIBISLAV / DPT FF N COPIE -2 Copie Pour un stand "Dpt d'ethnomusicologie du MH" dans expo. "Bizzare - Biz'art", Paris, Au Bon Marché, janv.-fév. 1985• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Montage expo. 02:00:00 1 oui N=:01-01 1 +BM.985.003 ØGF;²19;PP BM.985.003.001 MAROC:BERBERES [EXEMPLES POUR THESE] 1 O ROVSING OLSEN,MIRIAM N MONTAGE DIPLOME -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1977 Montage diplôme 01:00:00 1 oui 2 MAROC=:01-01 oui 1 +BM.985.005 ØGF;²19;PP BM.985.005.001 GONG KEBYAR PAR LE GROUPE BHINNEKA TUNGGAL IKA [CONCERT AU MH] 1 O PITOEFF,PRIBISLAV PITOEFF,PRIBISLAV ORIGINAL -2 SelBMprBN DÉPÔT Concert donné le 1/3/85• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Concert 01:00:00 1 oui INDONESIE;BALI=:01-01 oui 1 +BM.985.006 K7-C60 BM.985.006.001/04 IRLANDE:GROENLAND. ALBANIE. BULGARIE. MALAYSIA [COPIE DI. & PUBLICA] 4 O NAVES,J. N COPIE -1 Don Copie de di. & Publications: BM...1= Irish Fairy Tales, Caedmon, réf. CDL-51349; BM...2= Raven: Creator of the World. Eskimo Legends, Caedmon, réf. CDL-51422; BM...3= Albanie (= DI.974.001.001), & Bulgarie; BM...4= Malaysia• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:20:00 3 ALBANIE=:03-02? # BULGARIE=:03-01? # DANEMARK;GROENLAND=:02-01 # EIRE=:01-01 # MALAYSIA=:04-01 3 +BM.985.007 K7 BM.985.007.001/03 "JEU SOCIAL / JEU MUSICAL EN MEDITERRANEE"[RADIO] 3 O LORTAT-JACOB,BERNARD /RADIO FRANCE N COPIE -1 Copie 5 émissions de B. Lortat-Jacob, dans la série "Musiques: modes d'emploi", France Culture, 12-16/11/1984• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Radio 03:00:00 1 oui N=:01-01 oui 1 +BM.985.008 ØGF;²19;PPM BM.985.008.001/18 CONGRES DE MUSIQUE ARABE. LE CAIRE 1932 [COPIE DI.78T] 18 O LABORATOIRE DT CF. DT COPIE -1 Copie Copie de toute la collection de di., éditée par HMV, en tirage limité, hors commerce• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1932 Copie de di.78T 18:00:00 3 MONDE ARABE=:01-01 oui 3 +BM.985.009 Ø18;²9.5;PPM BM.985.009.001 "LE GROUPE DU MUSEE DE L'HOMME".EMISSIONS DE F. CREMIEUX[RADIO] 1 Presel.Felipe11_07 O CREMIEUX,FRANCIS / RADIO FRANCE N COPIE -1 DÉPÔT France Culture, 21-26/3/72• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1972 Radio 01:00:00 1 oui N=:01-01 1 +BM.985.010 K7 BM.985.010.001/02 "LES MILLE FACETTES DE LA M. TRAD. A TAIWAN" [PUBLICATION] 2 O HSU TSANG HOUEI PLAQUETTE 57P.; AU DPT N PUBLICATION -1 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 02:00:00 0 TAIWAN=:01-01 0 +BM.985.011 ØGF;²38;PPS;SD BM.985.011.001/02 MONTAGE EXPO."LE SALON DE MUSIQUE" 2 O LABORATOIRE FF N COPIE -1 SelBMprBN Copie P/BM P/BM =DI Sous-table non exportée -1 Montage expo. 01:00:00 1 oui N=:01-01 oui 3 +BM.985.012 Ø18;²19;PPS;LD BM.985.012.001/04 "GYPSY. FOLKSONGS FROM HUNGARY" [COPIE DI.] 4 O N N COPIE -1 Copie Album de 2 di. Hungaroton, réf. SLPX-18028/29, 1976. Prêté par Marika Kovacs, travaille au MH. Cet album n'est pas dans les archives,9/93• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 02:40:00 3 HONGRIE=:01-01 3 +BM.985.013 K7 BM.985.013.001 "L'ETHNOMUSICOLOGIE AU MH, AVEC G. ROUGET"[RADIO] 1 O RADIO FRANCE = COPIE -1 Copie Réalisation Jacques Dupont. France Culture, 29/2/84• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Radio 01:00:00 1 oui N=:01-01 1 +BM.985.014 ØGF;²19;PPM BM.985.014.001 "CHANTS ET MELODIES DE NOCE UZBEK". "LAUREATS ... MAKAMS" [COPIE DI] 1 O N N COPIE -1 Copie Copie 2 di. 30/33 Mélodia, réf. D-035487-88 et C-302035-60• P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 01:20:00 3 URSS;RSS OUZBEKISTAN=:01-01 3 +BM.985.015 Ø13&18 BM.985.015.001/05 ROUMANIE 5 O COMISEL,EMILIA = COPIE -2 SelBMprBN Copie ²19;PPMSD; Ø13x3 , Ø18x2• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 01:45:00 10 oui ROUMANIE=:01-01 oui 1 +BM.985.016 K7 BM.985.016.001 GROENLAND:INUIT [PUBLICATION] 1 O BERTHELSEN,PER N PUBLICATION -1 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 DANEMARK;GROENLAND=:01-01 0 +BM.985.017 Divers* BM.985.017.001/03 "ETHNOMUSICLOLOGIE. LE SALON DE MUSIQUE DU MH"[RADIO] 3 O RADIO FRANCE N COPIE -2 Don Auteur Emission de France Culture dans la série _La matinée des autres_; diffusée le 19/11/85. duree pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Radio 01:00:00 1 oui N=:01-01 1 +BM.985.018 K7 BM.985.018.001 "NOUVELLE-CALEDONIE. CHANTS DE HIENGHENE"[PUBLICATION] 1 O BEAUDET,JEAN MICHEL; TEIN,K. = PUBLICATION 1985 Don Publié par l'Office culturel kanak, réf. OC-102• P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 Nouvelle-Calédonie NOUVELLE-CALEDONIE=:01-01 0 +BM.985.019 Divers* BM.985.019.001/03 NIGERIA:ELOGE FUNEBRE ET LOUANGES POUR LE COLONEL FAJUYI 3 Presel.Felipe11_07 O ARMSTRONG,ROBERT G. RESEARCH UNIT OF NIGERIAN BROADCASTING SYSTEM COPIE -2 SelBMprBN Copie Nigeria, Ado Ekity (le 28/1/67), pour les funérailles du Colonel Fajuyi. * ²19;PPSD; Ø18x2 , Ø15x1• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1967 Terrain 01:20:00 10 oui NIGERIA=:01-01 oui 1 +BM.985.020 K7-C60 BM.985.020.001/02 INAUGURATION DU SALON DE MUSIQUE DU MH 2 O LABORATOIRE = ORIGINAL -2 SelBMprBN Enreg. Dpt Le 4/6/85• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Séminaire/Cours/Conf. 02:00:00 1 oui N=:01-01 oui 3 +BM.1986.001 Divers* BM.1986.001.001/10 LAMBERT,J & YAMMINE,H; YEMEN (RA), SANAA & REGION AL AHJUR. MISSION 1985 10 O LAMBERT,JEAN; YAMMINE,HABIB Enreg. sur Uher 4200, ²19 et ²9,5 cm/s; PPS. Copie MH• = COPIE -2 SelBMprBN Copie *²19,PPS, Ø18x1, Ø15x7, Ø13x2. ** J. Lambert• Déposant** P/BM COPIE INTERDITE Sous-table non exportée 1985 Terrain 04:00:00 10 oui YEMEN=:01-01•:02-01•:03-01>04•:04-01>07•:04-08>09•:04-10•:04-11•:05-01•:05-02>05•:06-01•:06-02•:06-03•:06-04•:07-01>06•:07-07•:08-01>03•:09-01>02•:10-01>02 oui Oui 1 +BM.986.002 Ø18;²19;PPS;LD BM.986.002.001/06 REPUBLIQUE DEMOCRATIQUE YEMEN DU SUD 6 O HASSAN,SCHEHERAZADE Q. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Terrain 04:00:00 10 oui YEMEN=:01-01 oui 1 +BM.986.003 Divers* BM.986.003.001/04 BRESIL:TRUMAI 4 Presel.Felipe11_07 O BECQUELIN-MONOD,AURORE = COPIE -2 SelBMprBN Copie *²19,PPS, Ø18x2, Ø15x2. Enreg; 1973 à 1981• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Terrain 01:40:00 10 oui BRESIL=:01-01 oui 1 +BM.986.004 K7 BM.986.004.001/06 TAIWAN (M.TRAD., CONCERTS) 6 O COUNCIL FOR CULTURAL PLANNING & DEV N COPIE -1 SelBMprBN Don Don Council for Cultural Development, Formose; rapportées par Mireille Helffer; 2 K7 sont publiées• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 N 06:00:00 1 oui TAIWAN=:01-01 1 +BM.986.005 ØGF;²19;PPM;LD BM.986.005.001 CONCERT PAR LE GR. DE GAMELAN DU MH 1 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN Enreg. Dpt Concert donné au Salon de Musique le20/3/86• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Concert 01:00:00 1 oui INDONESIE=:01-01 oui 1 +BM.986.006 ØGF;²19;PPM;SD BM.986.006.001 IRAN[COPIE DI. 78T DU DPT] 1 O LABORATOIRE N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di.78T 01:00:00 3 IRAN=:01-01 3 +BM.986.007 ØGF;²19;PPM BM.986.007.001 INDONESIE:TIMOR:BUNAQ 1 Presel.Felipe11_07 O BERTHE,CLAUDINE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973 Terrain 01:00:00 10 oui INDONESIE;TIMOR=:01-01 oui 1 +BM.986.008 ØGF;²19;PPM BM.986.008.001/02 REPUBLIQUE DEMOCRATIQUE YEMEN DU SUD[COPIE DI.78T DU DPT] 2 O LABORATOIRE N COPIE -1 Copie 20 di. 78T, cote MH: DI.986.003.001 à...020. Ces di. = don du Dpt d'Art populaire, Ministère de la Culture & de l'Information, Aden; rapportés par Sch. Q. Hassan• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di.78T 02:00:00 3 YEMEN=:01-01 3 +BM.986.009 Ø13;²19;PPS BM.986.009.001/12 MAROC:BERBERE 12 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Terrain 04:00:00 10 oui MAROC=:01-01 oui 1 +BM.986.010 ØGF;²19;PPM BM.986.010.001 MONTAGE EXPO MH. "RITES DE LA MORT" 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Montage expo. 01:00:00 1 oui N=:01-01 oui 3 +BM.986.011 ØGF;²19;PP BM.986.011.001 MONTAGE EXPO MH. "FEMMES" 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Montage expo. 01:00:00 1 oui N=:01-01 oui 3 +BM.986.012 Ø18;²19;PPM BM.986.012.001 MONTAGE EXPO MH."PLUMES" 1 O LABORATOIRE N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Montage expo. 01:00:00 1 oui N=:01-01 oui 3 +BM.986.013 ØGF;²38;PPS;SD BM.986.013.001 PHILIPPINES:PALAWAN; 3 PIECES DE M. DE GONGS 1 O REVEL,NICOLE = COPIE -2 SelBMprBN Copie sélective P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Terrain 00:20:00 10 oui PHILIPPINES=:01-01 oui 1 +BM.986.014 Ø13;²19;PPM BM.986.014.001 PEROU:FLUTES DE PAN EN TERRE DU DPT 1 O HICKMAN,ELLEN / TRAN QUANG HAI TRAN QUANG HAI ORIGINAL -2 SelBMprBN Enreg. Dpt Flûtes de pan en terre du Dpt, jouées par E. Hickman• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Dpt 00:20:00 10 oui PEROU=:01-01 oui 1 +BM.986.015 Ø18;²19;PPS;SD BM.986.015.001 INDE:KERALA (ENREG. ILES MALDIVES) 1 O KOECHLIN,BERNARD = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1981 Terrain 00:30:00 10 oui INDE;KERALA=:01-01 oui 1 +BM.986.016 Divers* BM.986.016.001/02 TIBET (INDE) [TERRAIN+PUBLICATION] 2 O CANZIO,RICCARDO Cf. Fiches manuelles• =+N COPIE -2 SelBMprBN Copie *BM...1=ØGF;²19;PPS;SD, enreg. à Dharamsala, H.P., Inde. BM...2=K7 publiée• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1986 Terrain+Publication 02:00:00 10 oui TIBET=:01-01 oui 1 +BM.986.017 K7 BM.986.017.001/17 INDONESIE:JAVA, SUNDA, BALI[PUBLICATION] 17 O HELFFER,MIREILLE N PUBLICATION -1 Don Don M. Helffer. 9 K7=Java, 4 K7=Sunda, 4 K7=Bali• P/BM P/BM =DI Sous-table non exportée -1 Publication 17:00:00 0 INDONESIE;BALI=:14-01 # INDONESIE;JAVA=:01-01 # INDONESIE;SUNDA=:10-01 0 +BM.986.018 K7 BM.986.018.001 "MUSIC COGNITION"[PUBLICATION+LIVRE] 1 O N CF. OUVRAGE MEME TITRE, COTE LI.86.27 N PUBLICATION -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 N=:01-01 0 +BM.986.019 ØGF;²19;PPM;SD BM.986.019.001 SEYDOU,CH.; NIGER;1968 1 Presel.Felipe11_07 O SEYDOU,CHRISTIANE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1968 Terrain 01:00:00 10 oui NIGER=:01-01 oui 1 +BM.986.020 K7 BM.986.020.001 CHINE:MINORITE DONG 1 O DUCHESNE,ISABELLE N COPIE -2 SelBMprBN Don Enreg. de terrain de I. Duschene, ou enreg. à Paris en concert• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain+Concert 01:00:00 10 oui CHINE=:01-01 oui 1 +BM.986.021 ØGF;²19;PPM;SD BM.986.021.001 MONTAGE EXPO MUSICORA 1986."LE DPT D'ETHNOMUS DU MH" 1 O LABORATOIRE = COPIE -1 SelBMprBN Copie P/BM P/BM =DI Sous-table non exportée 1986 Montage expo. 01:00:00 1 oui N=:01-01 oui 3 +BM.986.022 ØGF;²38;PPS;SD BM.986.022.001 ROUMANIE:"MUSIQUE TZIGANE & PAYSANNE" 1 O BOUET,JACQUES CF. _DIALOGUE_, 12-13: "M. TZIGANE & PAYSANNE" (1984) CF. NOTICE COPIE -2 Montage pour Publication P/BM P/BM =DI Sous-table non exportée -1 Master di. 01:00:00 10 oui ROUMANIE=:01-01 oui 1 +BM.986.023 ØGF;²19;PPM BM.986.023.001/05 ESPAGNE;ANDALOUSIE[COPIE DI.78T DU DPT] 5 O LABORATOIRE N COPIE -1 Copie Copie de tous les 78T (99 faces) de m. andalouse déposés au dpt jusqu'en 1986, figurant dans les coll. Di.932.006..., Di.933.003... & Di.934.006...• P/BM P/BM =DI Sous-table non exportée -1 Copie de di.78T 05:00:00 3 ESPAGNE=:01-01 3 +BM.986.024 Ø18 BM.986.024.001 ESPAGNE;BALEARES 1 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT PP95 PP95 COPIE INTERDITE Sous-table non exportée 1986 Terrain 00:45:00 10 oui ESPAGNE=:01-01 oui 1 +BM.987.001 Ø18 BM.987.001.001/03 TIBET:EPOPEE DE GE-SAR(FRAGMENT)[ORIGINAL+COPIE] 3 Presel.Felipe11_07 O GRECE,PRINCE PIERRE DE = ORIGINAL&COPIE -2 SelBMprBN Don Auteur Enreg. à Kalimpong. Don prof. Rolf Stein, Original transmis par M. Helffer. Copie MH 1987• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1957 Terrain 00:40:00 10 oui TIBET=:01-01 oui 1 +BM.987.002 ØGF;²38;PPS;SD BM.987.002.001 BRESIL:DEMONSTRATION ARC MUSICAL _BERIMBAU_ 1 O PITOEFF,PRIBISLAV;DOURNON,GENEVIEVE PITOEFF,PRIBISAV ORIGINAL -2 SelBMprBN Enreg. Dpt Enreg. au dpt, jeux et explications par Marcos FUSTAGNO, musicien• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Dpt 00:45:00 1 oui BRESIL=:01-01 oui 1 +BM.987.003 ØGF BM.987.003.001/08 BEAUDET,J-M.;NOUVELLE-CALEDONIE:KANAK;1985 8 O BEAUDET,JEAN-MICHEL 1.2 = COPIE -2 SelBMprBN Copie Enreg. 1985-87. ²19 & ²9,5;PPS• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1985 Terrain 10:00:00 10 oui NOUVELLE-CALEDONIE=:01-01 oui 1 +BM.987.004 ØGF;²19;PPM;SD BM.987.004.001 REPUBLIQUE SUD-AFRICAINE;TRANSKEI:XHOSA 1 O DARGIE,R.P.DAVID = COPIE -2 SelBMprBN Copie Enreg. 1979-83. Transmis par Tran Quang Hai, copie d'une copie K7• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1979 Terrain 01:00:00 10 oui REP D'AFRIQUE DU SUD=:01-01 oui 1 +BM.987.005 ØGF;²19;PPM;LD BM.987.005.001 SELECTION DE PIECES DE DI. DU DPT 1 O LABORATOIRE N COPIE -1 Copie Sélection pour séminaire parmi les acquisitions 1979-86• P/BM P/BM =DI Sous-table non exportée 1987 Montage 01:20:00 3 N=:01-01 3 +BM.987.006 Ø13;²19;PPS BM.987.006.001/10 ITALIE:SARDAIGNE 10 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1980 Terrain 03:20:00 10 oui ITALIE;SARDAIGNE=:01-01 oui 1 +BM.987.007 Ø15;²19;PP BM.987.007.001 MONTAGE EXPO MH."TRESORS DU TIBET" 1 O LABORATOIRE N COPIE -2 SelBMprBN Copie Expo inaugurée le 30/4/87 durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Montage expo. 00:30:00 1 oui TIBET=:01-01 oui 3 +BM.987.008 Ø18;²19;PPS;SD BM.987.008.001/52 ZAIRE & TOGO 52 O MENARD,RENE FF = COPIE -2 SelBMprBN Copie Attention: enreg.propriété de l'État du Zaire. Zaire: enreg.1984-85. Togo, BM...44 & ...45: enreg. janv.1986. Original K7• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1984 Terrain 26:00:00 10 oui TOGO=:44-01 # ZAIRE=:01-01 oui 1 +BM.987.009 K7 BM.987.009.001/02 INDONESIE:"CONCERT DE GAMELAN AU MH" 2 O PITOEFF,PRIBISLAV = ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Concert 02:00:00 1 oui INDONESIE=:01-01 oui 1 +BM.987.010 ØGF;²19;PP BM.987.010.001/08 DURING,J.;AZERBAIDJAN & IRAN;1975 8 Presel.Felipe11_07 O DURING,JEAN 1.2 = COPIE -2 SelBMprBN Copie Azerbaidjan, terrain=BM...1 à...4; Id., concert à Strasbourg(1984)=BM...5; Iran,terrain=BM...6 à ...8• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1975 Terrain+Concert 08:00:00 10 oui AZERBAIDJAN=:01-01 # IRAN=:06-01 oui 1 +BM.987.011 Ø18;²19;PPM;SD BM.987.011.001 POLOGNE 1 O SZALASNA,ANNA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 00:40:00 10 oui POLOGNE=:01-01 oui 1 +BM.987.012 K7 BM.987.012.001/15 SEMINAIRE EUROPEEN D'ETHNOMUSICOLOGIE.SEVRES,OCT.1987 15 O TRAN QUANG,HAI = ORIGINAL -2 SelBMprBN Enreg. Dpt 21-24 oct.1987• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Séminaire/Cours/Conf. 20:00:00 1 oui N=:01-01 oui 1 +BM.987.013 ØGF;²38;PPS;SD BM.987.013.001/02 REPUBLIQUE CENTRAFRICAINE:"SATIRES DE LAMADANI"[MASTER DI.] 2 O DAMPIERRE,ERIC DE CF. OUVRAGE MEME TITRE; COLL. CLASSIQUES AFRICAINS, 1987 = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 01:00:00 1 non REP CENTRAFRICAINE=:01-01 0 +BM.987.014 ØGF;²38;PPM;SD BM.987.014.001 PHILIPPINES:PALAWAN[MASTER DI.] 2 O REVEL,NICOLE; MACEDA,JOSE = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 01:00:00 1 non PHILIPPINES=:01-01 0 +BM.987.016 ØGF;²19;PPM;SD BM.987.016.001/03 URSS[COPIE DI.] 3 O BERGUER,LOUBA N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée 1987 Copie de di. 02:00:00 3 URSS=:01-01 3 +BM.988.001 K7-C90 BM.988.001.001 "L'IMPROVISATION DANS LES M. DE TRADITION ORALE" 1 O SFE CF. OUVRAGE MEME TITRE. SELAF,1987. AU DPT N PUBLICATION -1 Don Editeur P/BM P/BM =DI Sous-table non exportée 1988 Publication+Livre 01:00:00 0 N=:01-01 0 +BM.988.002 ØGF;²19;PP BM.988.002.001/02 CHINE;PROVINCE DE SHANSI 2 O SIMON,MR = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Terrain 02:00:00 10 oui CHINE=:01-01 oui 1 +BM.988.003 K7 BM.988.003.001/02 "THE MENDIKA BALAFON. AN INTRODUCTION WITH NOTATION FOR TEACHING" 2 O JESSUP,LYNNE CF. OUVRAGE MEME TITRE. XYLO PUBLICATIONS, 1984. 191P. N PUBLICATION -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 02:00:00 0 GAMBIE=:01-01 0 +BM.988.004 ØGF;²9.5;PP BM.988.004.001/03 HELFFER,M.;TIBET:EPOPEE DE GE-SAR;1963 3 Presel.Felipe11_07 O HELFFER,MIREILLE = COPIE -2 SelBMprBN Cf. Helffer,M. "Les chants dans l'épopée tibétaine de Gé-sar". Paris - Genève, Droz• Copie Enreg. à Paris, au musée Guimet• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1963 Terrain 06:00:00 10 oui TIBET=:01-01 oui 1 +BM.988.005 K7-C90 BM.988.005.001 MALAYSIA;SARAWAK. INDONESIE;KALIMANTAN:PUNAN 1 O VALLOMBREUSE,PIERRE = COPIE -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Terrain 01:30:00 10 oui INDONESIE;BORNEO(KALIMANTAN)=:01-02 # MALAYSIA=:01-01 oui 1 +BM.988.006 K7-C60 BM.988.006.001 INDONESIE:BALI: GAMELAN SELUNDING 1 O BASSET,CATHERINE = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1988 Terrain 01:00:00 10 oui INDONESIE;BALI=:01-01 oui 1 +BM.1988.007 Ø13;²19;PPM BM.1988.007.001/12 BRESIL,ETAT DE PARA;OGARANG'MA (ARARA). ESTIVAL,J.-P.;1987 12 O ESTIVAL,JEAN-PIERRE ESTIVAL,J.-P. ORIGINAL -2 SelBMprBN DÉPÔT *Adrien Bidault, stagiaire Paris 8, 2006 (69 fiches)• Déposant+* Stagitaire06* COPIE INTERDITE Sous-table non exportée 1987 Terrain 04:00:00 10 oui BRESIL=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:02-01•:02-02•:02-03•:02-04•:02-05•:03-01•:03-02•:03-03•:03-04•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:05-01•:05-02•:05-03•:06-01•:06-02•:06-03•:07-01•:07-02•:07-03•:07-04•:08-01•:08-02•:09-01•:10-01•:10-02•:10-03•:11-01•:11-02•:11-03•:11-04•:11-05•:11-06•:11-07•:11-08•:11-09•:11-10•:11-11•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:12-07•:12-08•:12-09•:12-10 oui oui 1 +BM.988.008 K7 BM.988.008.001/03 GHANA:"DRUM GAHU.A SYSTEMATICAL METHOD FOR AN AFRICAN PERCUSSION PIECE" 3 O LOCKE,DAVID CF. OUVRAGE MEME TITRE, AU DPT. N WHITE CLIFFS MEDIA CY,IN,USA -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 03:00:00 0 GHANA=:01-01 0 +BM.988.009 K7 BM.988.009.001/03 "AFRIKANISCHE SAITEN INSTRUMENTE". "MUSIK IN AFRIKA" 3 O WEGNER,ULRICH. SIMON,ARTUR Cf. ouvrage même titre à la bibliothèque du labo• N PUBLICATION -1 Don Auteur* * vérifier si Don ou Achat• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 03:00:00 0 AFRIQUE=:01-01 0 +BM.988.010 K7-C90 BM.988.010.001 CHINE:MINORITES[COPIE DI.] 1 O PICARD,FRANCOIS N COPIE -1 Copie Copie de disques Zhongguo, Changpian Chang pour l'émission "Climats", France Musique,8/5/88• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de di. 01:30:00 3 CHINE=:01-01 3 +BM.988.011 ØGF;²19;PPM;SD BM.988.011.001/02 "L'IMPROVISATION DANS LES M. DE TRADITION ORALE"[MASTER] 2 O LABORATOIRE CF. OUVRAGE MEME TITRE, AU DPT = COPIE -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Master di. 01:00:00 1 oui N=:01-01 1 +BM.988.012 ØGF;²19;PP BM.988.012.001/02 AFGHANISTAN 2 O SEPTFOND,DANIEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 02:00:00 10 oui AFGHANISTAN=:01-01 oui 1 +BM.988.013 K7-C60 BM.988.013.001 "EUPHONIA:LA MONTAGNE. POLYPHONIE AGRO-PASTORALE"[EMISSION RADIO] 1 O BEAUDET,JEAN-MICHEL.LORTAT-JACOB,B. RADIO FRANCE COPIE -1 Copie Don de Tran Quang Hai• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Radio 01:00:00 1 oui N=:01-01 oui 1 +BM.988.014 Divers* BM.988.014.001/02 "SAHARA"(ALGERIE;HOGGAR)[COPIE DI.78T] 2 O LHOTE,HENRI = &JOSET,A. COPIE -1 Copie Copie des di. 25/78t. publiés, réf. MH-51.1 à 14, DI.952.006.001 à ...14. BM.984.006.001/30= copie des di. Pyral originaux• P/BM P/BM =DI Sous-table non exportée 1948 Copie de di.78T 01:24:00 3 ALGERIE;HOGGAR=:01-01 3 +BM.988.015 Ø13;²19;PPS BM.988.015.001/09 MALI:TOUAREG 9 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT P/BM P/BM COPIE INTERDITE Sous-table non exportée 1988 Terrain 03:00:00 10 oui MALI=:01-01 oui 1 +BM.989.001 K7 BM.989.001.001/34 "MUSIQUE VIVE"[RADIO] 34 O LECONTE,HENRI. PICARD,FRANCOIS RADIO FRANCE COPIE -2 Copie France Musique. Copie par Tran Quang Hai, au dpt lors de la diffusion, tous les mercredis entre 14h & 15h, depuis le 2/11/88, jusqu'au ? 1989. Cf. réf. BM.990.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1988 Radio 40:00:00 1 oui N=:01-01 1 +BM.989.002 K7 BM.989.002.001/07 CHINE:MUSIQUE BOUDDHIQUE[PUBLICATION] 7 O HELFFER,MIREILLE N PUBLICATION -1 Don 1 coffret de 5 K7: "Mount Wutai Buddhist M.". 1 coffret de 2 K7: "Tianjin Buddhist M." Publiées à Shangaï, mars 1989 (?)• P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 CHINE=:01-01 0 +BM.989.003 ØGF;²19;PP BM.989.003.001/05 EGYPTE:M. COPTE 5 O MENARD,RENE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 05:00:00 10 oui EGYPTE=:01-01 oui 1 +BM.989.004 ØGF;²19;PPM;SD BM.989.004.001/03 HELFFER,M.;TIBET; MC BOUDDHIQUE; MISSION 1983-84 3 O HELFFER,MIREILLE = COPIE -2 SelBMprBN Copie Enreg. au Népal• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983-84 Terrain 03:00:00 10 oui TIBET (NEPAL)=:01-01 oui 1 +BM.989.005 ØGF;²19;PPM BM.989.005.001/10 HASLUNDS;CHINE;MONGOLIE INTERIEURE;1938-39 10 Presel.Felipe11_07 O HASLUNDS(1938-39) 1.2 N COPIE -2 SelBMprBN Don Don de François Picard. Mission Haslunds,Sveriges Radio• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1938-39 Terrain 10:00:00 10 oui CHINE;MONGOLIE INTERIEURE=:01-01•:01-02•:01-03 oui 1 +BM.989.006 K7-C90 BM.989.006.001/05 MENARD,R.;EGYPTE:M. COPTE;1989 5 O MENARD,RENE = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1989 Terrain 07:00:00 10 oui EGYPTE=:01-01 oui 1 +BM.989.007 K7 BM.989.007.001/02 "CHANTS LAPONS"[PUBLICATION+LIVRE] 2 O DELAPORTE,YVES CF. OUVRAGE MEME TITRE. PEETERS / SELAF,1989. AU DPT.? = PUBLICATION -1 Don Auteur Master fait au dpt. 2 exemplaires de la même K7• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 FINLANDE=:01-01 0 +BM.989.008 K7 BM.989.008.001 "SELECTED REPORTS IN ETHNOMUSICOLOGY,VOL.7" 1 O N CF. OUVRAGE U DPT. N PUBLICATION -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 N=:01-01 0 +BM.989.009 ØGF;²19;PPM;SD BM.989.009.001 COPIE DI.:"ECHOES OF A GOLDEN VOICE. KHAN SAHIB ABDUK KARIM KHAN" 1 O N N COPIE -1 = di. EMI, réf. 33-ECX-3304. (P) 1976 The Gramonphon Cy of India• Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 Inde INDE=:01-01 3 +BM.989.010 K7-C60 BM.989.010.001/03 "LE CHANT DIPHONIQUE"[RADIO] 3 O RADIO FRANCE / TRAN QUANG HAI RADIO FRANCE COPIE -1 Copie 5 émissions dans la série "Le rythme & la raison", France Culture, sept. 1988. Avec ex. de Mongolie, Touva, Rajasthan, Afrique du sud, Tibet• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1988 Radio 03:00:00 1 oui INDE;RAJASTHAN=:01-03 # MONGOLIE (REP POPU)=:01-01 # REP D'AFRIQUE DU SUD=:01-04 # TIBET=:01-05 # URSS;RA TOUVA=:01-02 oui 1 +BM.990.001 K7 BM.990.001.001/13 "MUSIQUE VIVE"[RADIO] 13 O LECONTE,HENRI. PICARD,FRANCOIS RADIO FRANCE COPIE -1 Copie France Musique. Copie par Tran Quang Hai, au dpt lors de la diffusion, tous les mercredis entre 14h & 15h. Cf. Réf. BM.989.001• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Radio 15:00:00 1 oui N=:01-01 1 +BM.990.002 K7 BM.990.002.001 CHINE "MUSIQUE DE LA DYNASTIE DES TANG" 1 N O HELFFER,MIREILLE N COPIE -1 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Copie de K7 publiée 01:00:00 3 CHINE=:01-01 3 +BM.990.003 K7 BM.990.003.001/02 VISITE DU "SALON DE MUSIQUE" PAR G. DOURNON 2 O DOURNON,GENEVIEVE N ORIGINAL -2 SelBMprBN Enreg. Dpt Visite commentée, le 13/2/90• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1990 Séminaire/Cours/Conf. 02:00:00 1 oui N=:01-01 oui 1 +BM.990.004 K7-C90 BM.990.004.001/03 "ORGANOLOGIE"(SEMINAIRE UPR165) PAR G.DOURNON,S.FURNISS,M-B. LE GONIDEC 3 O DOURNON,G. FURNISS,S. LE GONIDEC,MB DPT ORIGINAL -2 SelBMprBN Enreg. Dpt P/BM P/BM COPIE INTERDITE Sous-table non exportée 1990 Séminaire/Cours/Conf. 03:00:00 1 oui N=:01-01 oui 1 +BM.990.005 K7 BM.990.005.001 "SELECTED REPORTS IN ETHNOMUSICOLOGY,VOL.7"[PUBLICATION] 1 O LABORATOIRE CF. OUVRAGE AU DPT. N UNIVERSITY OF CALIFORNIA,USA 1988 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 N=:01-01 0 +BM.990.006 K7 BM.990.006.001 REPUBLIQUE SUDAFRICAINE:"XHOSA MUSIC"[PUBLICATION+LIVRE] 1 O DARGIE,DAVID OUVRAGE AU DPT? N PUBLICATION 1988 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 REP D'AFRIQUE DU SUD=:01-01 0 +BM.990.007 K7 BM.990.007.001/02 "SANGER & POETEN MIT DER LAUTE.TURKISCHE ASIK & OZAN"[PUBL.+LIVRE] 2 O REINHARD,URSULA.OLIVIERA PINTO,T.DE CF. K7 ENCARTEES DANS OUVRAGE, AU DPT. N MUSEUM FUR V.KUNDE,BERLIN 1989 Don Editeur Don Artur Simon• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 02:00:00 0 TURQUIE=:01-01 0 +ARCOS-2 K7 BM.990.008.001 "CALL OF THE MORNING BIRD.CHANTS & SONGS OF PALAU,YAP & PONAPE"[PUBLICATION] 1 O TATAR,ELISABETH NOTICE 60P. ANGL.DOC. IWAKICHI MURANUSHI BERNICE PAUAHI BISHOP MUS.HONO 1985 Don Auteur Editeur: Berenice Pauahi Bishop Museum, Audio-Recording Collection, ARCS-2• P/BM P/BM =DI Sous-table non exportée 1936 Publication 01:00:00 0 ILES CAROLINES=:01-01 0 +BM.990.009 K7 BM.990.009.001 "DIE IMZAD-MUSIK DER KEL-AHAGGAR-FRAUEN IN SUD-ALGERIEN"[PUBLI.+LIVRE] 1 O BRANDES,EDDA ©EDITION RE, RFA. CF. OUVRAGE AU DPT. N PUBLICATION 1989 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 ALGERIE;HOGGAR=:01-01 0 +BM.990.010 K7-C90 BM.990.010.001 "SUNDANESE MUSIC IN THE CIANJURAN STYLE"[PUBLI.+LIVRE] 1 O ZANTEN,WIM VAN NOTICE 2P.; OUVRAGE AU DPT? N PUBLICATION -1 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:30:00 0 INDONESIE;SUNDA=:01-01 0 +BM.991.001 ØGF;²19;PPM;SD BM.991.001.001/12 INDONESIE:BALI[COPIE DE 2 COLL. DEPOSEES] 12 Presel.Felipe11_07 O BERTHE,LOUIS = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1957 ©de BM déposées 12:00:00 10 oui INDONESIE;BALI=:01-01 oui 1 +BM.991.002 Ø13&GF BM.991.002.001/32 COPIE DE DI.PYRAL DU DPT 10 O LABORATOIRE Copie de di. ref. PYC + 1 PYM; cf. détails dans les boites. BM...01 à ...10 = ØGF ; BM...11 à ...32 = Ø13• N COPIE -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Copie de di.Pyral 17:00:00 1 oui N=:01-01 3 +BM.991.003 K7-C90 BM.991.003.001/15 MENARD,R.;EGYPTE:M. COPTE;1989 15 O MENARD,RENE = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1989 Terrain 22:00:00 10 oui EGYPTE=:01-01 oui 1 +BM.991.004 Ø13;²19;PPM BM.991.004.001/05 REPUBLIQUE DEMOCRATIQUE YEMEN DU SUD 5 O HASSAN,SCHEHERAZADE Q. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1990 Terrain 01:40:00 10 oui YEMEN=:01-01 oui 1 +BM.991.005 Ø18;²19;PPM BM.991.005.001 VIETNAM. SOLO DE MONOCORDE PAR MLE QUYNH HANH 1 O TRAN QUANG HAI = ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Studio 00:30:00 10 oui VIETNAM=:01-01 oui 1 +BM.1991.006 Divers* BM.1991.006.001/06 TOGO. PIERRE SALLEE. 1963 6 Presel.Felipe11_07 O SALLEE,PIERRE 0 = COPIE -2 SelBMprBN Don* *Don au labo en 1991 du frère de P. Sallée, légataire. [Pointage: Ø13 = 173; Ø15 = 8; Ø18= 68; ØGF= 2. Soit à ²19 PP: 58+34+3+2 = 97 h . Ce fonds P. Sallée a été décomposé en plusieurs collections, correspondant aux différentes années de collecte.] La bande ...6 est une copie sélective pour un cours donné au ATP• **Emeline Lechaux, crédit CNRS 2007. Déposant+Vacataire** Vacataire 07** COPIE INTERDITE Sous-table non exportée 1965 Divers 00:00:00 10 oui AFRIQUE=:01-01 oui 1 +BM.991.007 K7-C90 BM.991.007.001 "MUSIC & DANCE OF INDIANS & MESTIZOS IN AN ANDEAN VALLEY OF PERU"[+LI.] 1 O DEN OTTER,ELISABETH CF. OUVRAGE, AU DPT ? N PUBLICATION -1 Don Don G. Dournon• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:30:00 0 PEROU=:01-01 0 +BM.991.008 K7-C90 BM.991.008.001 "OCCASIONAL PAPERS IN PACIFIC ETHNOMUSICOLOGY"[+LIVRE] 1 O CROWE,PETER CF. OUVRAGE "OCCASIONAL PAPERS...",1991, N°1, AU DPT? N PUBLICATION 1991 Don Don P. Crowe• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 N=:01-01 0 +BM.991.009 ØGF;²19;PPM;SD BM.991.009.001/21 NEPAL[COPIE DE 2 COLL. DEPOSEES] 21 Presel.Felipe11_07 O MACDONALD,ALEXANDRE W. = COPIE -2 SelBMprBN Copie BM...1 à ...5 = BM.974.008.012 à ...020, enreg. 1970-71. BM...2 à ...21 = BM.976.009.001 à ...014, enreg. 1961-62• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1961 ©de BM déposées 21:00:00 1 oui NEPAL=:01-01 oui 1 +BM.991.010 K7 BM.991.010.001/04 "BALI ABIANBASE"[+LIVRE] 4 O BASSET,CATHERINE CF. OUVRAGE AU DPT = PUBLICATION -1 Don Auteur P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 04:00:00 0 INDONESIE;BALI=:01-01 0 +BM.992.001 K7 BM.992.001.001/03 CHINE. OPERA JINGXI [EXEMPLES POUR THESE] 3 O DUCHESNE,ISABELLE CF. THESE, AU DPT? N MONTAGE DIPLOME -2 SelBMprBN Copie Thèse soutenue à Paris 4-Sorbonne, le 16/1/992• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 04:00:00 1 oui 2 CHINE=:01-01 oui 1 +BM.1992.002 CDR+Ø* BM.1992.002.001 BURKINA FASO;PROVINCE DU PONI;LOBI; LACHEREZ,S.;1991 12 O LACHEREZ,SYLVIE LACHEREZ,SYLVIE COPIE -2 SelBMprBN Copie *ØGF;19cm/s; PPS;Std. Originaux K7, enreg. sur Sony TCD-5M. Enreg. liés à un travail de Maitrise (soutenue ?), à Paris X-Nanterre. Cette étudiante est depuis retournée en Australie• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Terrain 01:00:05 10 oui BURKINA FASO=:01-01 oui oui 1 Num. Labo ProTools +BM.992.003 Divers* BM.992.003.001/41 FONDS C. BRAILOIU 41 O BRAILOIU,CONSTANTIN N ORIGINAL&COPIE -2 SelBMprBN Don Auteur ØGF x12 qui sont la copie,faite au MH, en 1989?, de : Ø18 x16; Ø13 x13. durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Divers 24:00:00 1 oui N=:01-01 oui 1 +BM.992.004 ØGF;²19;PPS;SD BM.992.004.001/04 TURQUIE, REGION DU SUD-OUEST 4 O CLER,JEROME = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Terrain 03:30:00 10 oui TURQUIE=:01-01 oui 1 +BM.992.005 K7 BM.992.005.001 ALGERIE [EXEMPLES POUR THESE] 1 O MAHFOUFI,MEHENNA CF. THESE AU DPT. = MONTAGE DIPLOME -2 SelBMprBN Copie Thèse soutenue à Paris 10-Nanterre• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1976 Montage diplôme 01:00:00 1 oui 2 ALGERIE;KABYLIE=:01-01 oui 1 +BM.1992.006 ØGF;²19;PPS;SD BM.1992.006.001/04 ALGERIE;GRANDE KABYLIE,AIT ISSAAD:BERBERE. MAHFOUFI,M.;1991 4 O MAHFOUFI,MEHENNA Qq. enreg. sont en ²9,5; Sur la copie: amorce jaune à chaque changement de bob.originale. MAHFOUFI,M. COPIE -2 SelBMprBN Copie *Stagiaire: Marta Amico, stagiaire Erasmus à Paris IV, 2006• Déposant+* Stagiaire06* COPIE INTERDITE Sous-table non exportée 1991 Terrain 04:30:00 10 oui ALGERIE;KABYLIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:03-12•:03-13•:03-14•:03-15•:03-16•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07 oui oui 1 +BM.992.007 K7 BM.992.007.001 MEXIQUE:"BANDA DE TOTONTEPEC. MIXES. OAXACA" 1 O SALINAS,ARTURO N PUBLICATION -1 Echange P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 MEXIQUE=:01-01 0 +BM.992.008 Ø13;²19;PPM BM.992.008.001 BRESIL;ETAT DE AMAZONE:SATERE-MAWE 1 O MENGET,PATRICK =PENNINGTON,DAVID COPIE -2 SelBMprBN Don Don Patrick Menget. Copie faite à l'exterieur• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1983 Terrain 00:15:00 10 oui BRESIL=:01-01 oui 1 +BM.992.009 Ø18 BM.992.009.001 "HOW MUSICAL IS MAN?" & "VENDA CHILDREN'S SONGS" 1 O BLACKING,JOHN N PUBLICATION -1 Don Don de Hugo Zemp• P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 REP D'AFRIQUE DU SUD=:01-01 0 +BM.992.010 ØGF;²19;PPS;SD BM.992.010.001/10 HELFFER,M.;TIBET:REPERTOIRE BOUDDHIQUE.CHANTS DE L'AMDO;MISSION 1973-74 10 Presel.Felipe11_07 O HELFFER,MIREILLE = COPIE -2 SelBMprBN Copie Enreg., en Inde, 1973-74• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1973-74 Terrain 10:00:00 10 oui TIBET (INDE)=:01-01 oui 1 +BM.992.011 ØGF BM.992.011.001/03 ALGERIE;GRANDE KABYLIE 3 O MAHFOUFI,MEHENNA = COPIE -2 SelBMprBN Copie ØGF;²19 & ²9,5;PPS• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1992 Terrain 03:30:00 10 oui ALGERIE;KABYLIE=:01-01 oui 1 +BM.992.012 K7 BM.992.012.001 MEXIQUE:"RECORDAR ES VIVIR.BANDE DE STA CATARINA ALBARRADAS.OAXACA" 1 O N N PUBLICATION -1 Don Don de l'Instituto nacional indigenista de Mexico• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Publication 01:00:00 0 MEXIQUE=:01-01 0 +BM.992.013 K7 BM.992.013.001 "CONTRIBUTIONS AUX RECHERCHES SUR LE CHANT CORSE" 1 O N CF. OUVRAGE, AU DPT? N PUBLICATION -1 Don P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:00:00 0 FRANCE;CORSE=:01-01 0 +BM.992.014 Divers* BM.992.014.001/02 EQUATEUR:SHUAR 2 O SALIVAS,PIERRE = COPIE -2 SelBMprBN Salivas,P. "Panorama de la musique shuar de la communauté de Taruka dans son contexte social et culturel". Maitrise d'ethnomusicologie de Paris VII St Denis; oct. 1992 - 1 ex. au dpt. Copie *²19,PPS,SD: ØGFx1; Ø15x1 P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Terrain 01:20:00 10 oui EQUATEUR=:01-01 oui 1 +BM.992.015 ØGF;²19;PPM;SD BM.992.015.001/06 KRUTA,B.;ALBANIE. TYPOLOGIE DES POLYPHONIES 6 O KRUTA,BENIAMIN / ICP. TIRANA 1.2 DT: DOSSIER (PHOTOCOPIE) DANS BIBLIOTHEQUE DU DPT. = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Terrain 06:00:00 10 oui ALBANIE=:01-01 oui 1 +BM.992.016 K7-C90 BM.992.016.001 URSS:JEU DE LA COLL. DES INSTRUMENTS DE M. N°999.41 1 O IVANOV DT DANS CLASSEUR ORGANOLOGIE N COPIE -2 SelBMprBN Achat MH P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Dpt 01:30:00 1 oui URSS=:01-01 oui 1 +BM.992.017 K7 BM.992.017.001 "DIE BULGARISCHEN VOLKMUSIKINSTRUMENTE" 1 O ATANASSOV,VERGILIJ CF. OUVRAGE, AU DPT? N PUBLICATION -1 Achat CNRS P/BM P/BM =DI Sous-table non exportée -1 Publication+Livre 01:30:00 0 BULGARIE=:01-01 0 +BM.992.018 K7x2-Coffret BM.992.018.001/02 MUSICHE DELLA AMERICA INDIGENA [PUBLICATION] 2 O MINELLI, CARLA = Italien, 24p, illustr.;sommaire. N CENTRO INTERNAZ. DI ETNOSTORIA 1992 Don Auteur © Centro Internazionale di Etnostoria, Palermo. Couvre tout le continent américain; montage fait à partir de différentes sources, dont le détail n'est pas donné. Sans doute, c'est une publication liée à une exposition, en Italie, au début des années 1990• PP95 PP95 =DI Sous-table non exportée -1 Publication 02:00:00 0 CANADA=:01-02 # CANADA NORD=:01-01 # MEXIQUE=:01-04 # USA=:01-03 0 +BM.993.001 ØGF;²9.5;PP BM.993.001.001 INDE:ANDHRA PRADESH,EAST GODAVERI DST.,PEDDDAPURAM 1 O NEGERS,DANIEL = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1987 Terrain 01:30:00 10 oui INDE;ANDHRA PRADESH=:01-01 oui 1 +BM.993.002 CDR+Ø* BM.993.002.001 UZBEKISTAN;VALLEE DE FERGANA 1 O SULTANOVA,ROSIA = COPIE -2 SelBMprBN Copie+Numérisé# *Ø18;²9,5;PP = copie; Originaux = K7. $ #Coll; numérisée —sur banc de montage 1 (Sound Designer2) —, et fiches faites et saisies par Clémentine Duport, Julien Herbert, Vincent Boukefa; UV Archives Paris X-N, 2004/05.• $ $ COPIE INTERDITE Sous-table non exportée -1 Terrain 01:11:40 10 oui2 REP. OUZBEKISTAN=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15 oui 1 Num. SD2 +BM.993.003 ØGF;²19;PPS;SD BM.993.003.001/05 INDONESIE:SULAWESI;FLORES;SUMBAWA 5 O RAPPOPORT,DANA FF = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991-93 Terrain 05:00:00 10 oui INDONESIE;CELEBES(SULAWESI)=:01-01•:02-10•:03-06•:04-01•:04-06 # INDONESIE;FLORES=:04-13•:05-04•:05-08 # INDONESIE;SUMBAWA=:05-14•:05-15•:05-16 oui 1 +BM.993.004 ØGF;²19;PPS;SD BM.993.004.001/02 MALAYSIA;MALAISIE 2 O MENICHETTI,ANNA = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Terrain 02:00:00 10 oui MALAYSIA=:01-01 oui 1 +BM.993.005 ØGF;²19;PPS;SD BM.993.005.001/04 PARAGUAY 4 Presel.Felipe11_07 O SEQUERA,GUILLERMO 1.2 = COPIE -2 SelBMprBN Copie Enreg. 1971-1989• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1971 Terrain 04:00:00 10 oui PARAGUAY=:01-01 oui 1 +BM.993.006 ØGF;²9.5;PP BM.993.006.001/04 BEKOMBO PRISO,M.;CAMEROUN;DOUALA: 2 RECITS EPIQUES "DJEKI-LA-NJAMBI";1969-70 4 Presel.Felipe11_07 O BEKOMBO PRISO,MANGA 1.2 CF. OUVRAGE DANS COLL. CLASSIQUES AFRICAINS, 1993. = COPIE -2 SelBMprBN Cf. ouvrage dans coll. Classiques africains, 1993. Copie Enreg. 1969-70. Cf. coll. BM.993.007• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Terrain 08:00:00 10 oui CAMEROUN=:01-01 oui 1 +BM.993.007 ØGF;²19;PPM;SD BM.993.007.001 "RECIT EPIQUE DJEKI-LA NJAMBI..." 1 O BEKOMBO PRISO,MANGA CF; OUVRAGE DANS COLL. CLASSIQUES AFRICAINS, 1993 = MASTER PUBLICATION -2 Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1969 Master di. 01:00:00 1 non CAMEROUN=:01-01 oui 1 +BM.993.008 ØGF;²19;PPM;SD BM.993.008.001/05 VIETNAM:COPIE DI.78T DU DPT 5 O LABORATOIRE N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de di.78T 05:00:00 3 Vietnam VIETNAM=:01-01 3 +BM.993.009 K7 BM.993.009.001 VIETNAM:COPIE DES CYLINDRES EXPO UNIVERSELLE 1900 1 O LABORATOIRE N COPIE -2 SelBMprBN Copie Cf. BM.976.011.001, BM...2 & BM...8 durée pif• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1900 ©de BM déposées 00:20:00 1 oui VIETNAM=:01-01 0 +BM.993.010 K7 BM.993.010.001/03 TIBET[COPIE K7 PUBLIEES] 3 O N / HELFFER,MIREILLE N COPIE -1 Copie P/BM P/BM =DI Sous-table non exportée -1 Copie de K7 publiée 03:00:00 3 TIBET=:01-01 3 +BM.993.011 K7-C60 BM.993.011.001 IRAN:ZURKHANE, DIR. MORCHED FARAMARZ NADJAFI TEHERANI 1 O BATTESTI,TERESA N COPIE -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Théâtre/spectacle 01:00:00 10 oui IRAN=:01-01 oui 1 +BM.993.012 K7 BM.993.012.001/03 "M.DE TAIWAN". "PIPA SOLO". "ZELTA KOLKES. LATVIAN TRAD. INSTRUM. M." 3 O UMR / LORTAT-JACOB,BERNARD CF.:"MUSIQUE DE TAIWAN" PAR HSU,TSANG-HOUEI & CHENG,SHUI CHENG. OUVRAGE AU DPT N PUBLICATION -1 Echange P/BM P/BM =DI Sous-table non exportée -1 Publication 03:00:00 0 TAIWAN=:01-01 # URSS;RSS LETTONIE=:03-01 0 +BM.993.013 K7 BM.993.013.001/03 "MY FATHER'S GOT A BAGPIPE". "TDZ VOLKSMUSIKI OSTERREICH,VOL 1 & 2" 3 O UMR / DOURNON,GENEVIEVE N PUBLICATION -1 Echange P/BM P/BM =DI Sous-table non exportée -1 Publication 01:00:00 0 AUTRICHE=:02-01 # TCHECOSLOVAQUIE=:01-01 0 +BM.993.014 ØGF;²19;PPS;SD BM.993.014.001 EQUATEUR:SHUAR 1 O SALIVAS,PIERRE = COPIE -2 SelBMprBN Salivas,P. "Panorama de la musique shuar de la communauté de Taruka dans son contexte social et culturel". Maîtrise d'ethnomusicologie de Paris VII St Denis; oct. 1992 - 1 ex. au dpt. Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1993 Terrain 01:00:00 10 oui EQUATEUR=:01-01 oui 1 +BM.993.015 DAT BM.993.015.001 MACEDOINE-1990 1 O LORTAT-JACOB, BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT PP95 PP95 COPIE INTERDITE Sous-table non exportée 1990 Terrain 01:00:00 10 oui EX YOUGOSLAVIE;MACEDONIE=:01-01 oui 1 +BM.993.016 DAT BM.993.016.001/02 ITALIE:SARDAIGNE.CONFRERERIE DE LA STA CROCE[CONCERT ST JULIEN LE PAUVRE,PARIS] 2 O LORTAT-JACOB,B. & PITOEFF,P. = ORIGINAL -2 SelBMprBN DÉPÔT PP95 PP95 COPIE INTERDITE Sous-table non exportée 1991 Concert 01:30:00 10 oui2 ITALIE;SARDAIGNE=:01-01 oui 1 +BM.993.017 DAT BM.993.017.001 ITALIE:SARDAIGNE 1992 1 O LORTAT-JACOB,BERNARD = ORIGINAL -2 SelBMprBN DÉPÔT durée pif• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1992 Terrain 01:00:00 10 oui ITALIE;SARDAIGNE=:01-01 oui 1 +BM.994.001 Divers* BM.994.001.001/02 BOLIVIE:CHACOBO 2 O BEAUDET,JEAN-MICHEL = COPIE -2 SelBMprBN Copie *PPS Std, BM...1= ØGF ²19 et ²9,5. BM...2= Ø13 ²19 • Lima,Ana-Paula Lima,Ana-Pau COPIE INTERDITE Sous-table non exportée 1993 Terrain 01:14:00 10 oui BOLIVIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:01-16•:01-17•:01-18•:02-01•:02-02•:02-03•:02-04•:02-05 oui 1 +BM.994.002 Divers* BM.994.002.001/07 TCHAD 1994 7 N O BRANDILY,MONIQUE ENREG. ORIGINAUX SUR NAGRA IV S. COPIES AU MH 7/94. ORIGINAUX C/° M. BRANDILY. 3 COPIE K7 (FOURNIES) FAITE POUR ELLE• = COPIE -2 SelBMprBN Copie ØGF;²19;PPSD x 6; Ø18;²19;PPSD x 1• ADL94 ADL94 COPIE INTERDITE Sous-table non exportée 1994 Terrain 05:34:00 10 oui TCHAD=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:01-15•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:02-11•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:04-10•:04-11•:04-12•:04-13•:05-01•:05-02•:05-03•:05-04•:05-05•:05-06•:05-07•:05-08•:05-09•:05-10•:05-11•:05-12•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:06-09•:06-10•:06-22•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:07-08•:07-09•:07-10 oui 1 +BM.994.003 ØGF;²19;PPS;SD BM.994.003.001/02 VIETNAM. CHANTS POPULAIRES & M. DE CITHARE DAN TRAN 2 O TRAN QUANG HAI = COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1992 Studio 02:00:00 10 oui VIETNAM=:01-01 oui 1 +BM.994.004 ØGF;²19;PPM;SD BM.994.004.001 INDE:CONCERT DES FRERES DAGAR (MUSEE GUIMET 1964) 1 Presel.Felipe11_07 O BRANDILY,MONIQUE N COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1964 Concert 01:00:00 1 oui INDE=:01-01 oui 1 +BM.994.005 ØGF;²38;PPM;SD BM.994.005.001 VIETNAM:JORAI [NOUVELLE COPIE SELECTIVE] 2 Nouvelle copie O DOURNES,JACQUES Copie de BM.967.001.001 et BM.969.011.001• = COPIE -2 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 ©de BM déposées 01:00:00 10 oui VIETNAM=:01-01 oui 1 +BM.994.006 ØGF;²19;PPM BM.994.006.001/05 CONGO:PYGMEE 5 Presel.Felipe11_07 O BALLIF,NOEL Originaux c/° fille de N. Ballif• = COPIE -2 SelBMprBN Copie BM originales transmises par la fille de N. Ballif• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1975-82 Terrain 05:00:00 10 oui CONGO=:01-01 oui 1 +BM.994.007 Ø18;²19;PPM BM.994.007.001 YAKOUTIE; GUIMBARDE 1 O TRAN QUANG HAI Enreg. à Paris; guimbarde jouée par Spiridon Chichiguine• = COPIE -1 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1992 Dpt 00:30:00 10 oui URSS;YAKOUTIE=:01-01 oui 1 +BM.994.008 Ø13;²19;PPM BM.994.008.001 VIETNAM: MONOCORDE 1 O TRAN QUANG HAI TRAN QUANG HAI COPIE -1 SelBMprBN Copie Enregistrement de Mme Quynh Hanh, prof. de vièle monocorde à Hô Chi Minh-Ville• PP95 PP95 =DI Sous-table non exportée 1991 Dpt 00:15:00 10 oui VIETNAM=:01-01 oui 1 +04176/79 K7x2-Coffret BM.994.009.001/04 SELK'NAM (ONA) CHANTS OF TIERRA DEL FUEGO, ARGENTINA, VOL.I & II 4 Support€ O CHAPMAN, ANNE = 2 coffrets de 2 K7; copie éditée des 2 albums de 2 di. portant le même titre édités par Folkways (réf. FE-4176 et FE 4179), avec photocopie des notices : 2 fois 12p. Angl.; doc• = SMITHSONIAN/FOLKWAYS,USA 1992 Don Auteur PP95 PP95 =DI Sous-table non exportée -1 Publication 02:40:00 0 ARGENTINE=:01-01 0 +BM.994.010 Ø13;²19;PPM BM.994.010.001 VIETNAM: CHANTS TRADTIONNELS DU CENTRE 1 O TRAN QUANG HAI TRAN QUANG HAI COPIE -1 SelBMprBN Copie Enregistrement de Mme Thu Tâm, chanteuse très populaire de m. trad. du Centre Vietnam, enregistré au labo• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1992 Dpt 00:15:00 10 oui VIETNAM=:01-01 oui 1 +BM.994.011 ØGF;²19;PPS;SD BM.994.011.001 AFRIQUE DU SUD:XHOSA; TECHNIQUES VOCALES 1 O DARGIE, DAVE Techniques vocales Umngqokolo, voix harmonique• N COPIE -1 SelBMprBN Copie Documents transmis par Tran Quang Hai• PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 Autre 01:00:00 10 oui REP D'AFRIQUE DU SUD=:01-01 oui 1 +BM.994.012 ØGF;²38;PPM;SD BM.994.012.001 COPIE DI. "CHANTS POPULAIRES DES YAKOUTES" 1 O ALEKSEEV,E. Copie du disque, Mélodia réf. 33-M-30.39765/6• N COPIE -1 Copie Di. transmis par Roberte Hamayon• PP95 PP95 =DI Sous-table non exportée -1 Copie de di. 00:40:00 3 URSS;YAKOUTIE=:01-01 3 +BM.994.013 Ø13;²19;PPS BM.994.013.001 VIETNAM: JEUX DE CUILLERS PAR TRAN QUANG HAI 1 O PITOEFF, PRIBISLAV = ORIGINAL -2 SelBMprBN Don PP95 PP95 COPIE INTERDITE Sous-table non exportée 1993 Dpt 00:15:00 1 oui VIETNAM=:01-01 oui 1 +BM.994.014 K7 BM.994.014.001 SLOVAQUIE."NOCES & MUSIQUE" [EXEMPLES POUR MEMOIRE DE MAITRISE] 1 O PINKAVA,SYLVIE Cf. Mémoire de maîtrise, même titre; Paris X, octobre1994• = MONTAGE DIPLOME -1 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 SLOVAQUIE=:01-01 oui 1 +BM.994.015 K7 BM.994.015.001 BALI,"LE GAMELAN SELUNDING ..." [EXEMPLES POUR MAITRISE] 1 O BOUDARD,CATHERINE Cf. Mémoire de maîtrise, même titre; Paris X, 1994• N MONTAGE DIPLOME -1 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 INDONESIE;BALI=:01-01 oui 1 +BM.994.016 K7 BM.994.016.001 AFRIQUE DU SUD, "ASPECTS DE LA M. DES TOWNSHIPS..." 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Etude monographique"; Paris X, 1994• N MONTAGE DIPLOME -1 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1985-90 Montage diplôme 02:00:00 1 oui 2 ZAIRE=:01-01 oui 1 +BM.995.001 K7-C90 BM.995.001.001 BRESIL:ASURINI & ARARA [EXEMPLES POUR THESE] 1 O ESTIVAL,JEAN-PIERRE Cf. Thèse "Musiques instrumentales du Moyen Xingu et de l'Iriri (Brésil). Tule asurini et musique rituelle arara"; Paris X; déc. 1994• = MONTAGE DIPLOME -2 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1989 Montage diplôme 01:30:00 1 oui 2 BRESIL=:01-01 oui 1 +C-007 K7 BM.995.002.001 ROUMANIE:MUSICIENS PAYSANS DE CODRU (MARAMURES) CEATARASI DIN CODRU 10 N O RADULESCU,SPERANTA = 2p; Roumain/Fra; sommaire• HOTOIU,ADRIAN ETNO PRO EXIM,BUCAREST 1993 Don Auteur PP95 PP95 =DI Sous-table non exportée -1 Publication 01:00:00 0 ROUMANIE=:01-01 0 +C-008 K7 BM.995.002.002 ROUMANIE:MUSIQUE DE NOCES DE VALACHIE CANTARI LA NUNTA DE PE VLASCA SI TELEORMAN 10 N O RADULESCU,SPERANTA = 2p; Roumain/Fra;sommaire; HOTOIU, ROMAIN ETNO PRO EXIM,BUCAREST 1993 Don Auteur PP95 PP95 =DI Sous-table non exportée -1 Publication 01:00:00 0 ROUMANIE=:01-01 0 +BM.995.003 ØGF;²9,5;PPS;SD BM.995.003.001/03 ESTIVAL,J-P.;BRESIL;ETAT DE PARA: ASURINI: MC INSTRUMENTALE;1989 3 O ESTIVAL,JEAN-PIERRE DT =listing; cf. Thèse. Enreg. sur magnéto K7 TCD5-M. N° des 6 K7 originales: "TULE ASURINI 5" à "TULE ASURINI. 9"; "ASURINI DO TROCARA". Copie juin 95. Originaux c/° Déposant• =; INDIENS ASURINIS DO TROCARA COPIE -2 SelBMprBN Cf. Estival, J-P. thèse de doctorat "Musiques instrumentales du moyen Xingu & de l'Iriri"; id. "Quelques aspects des polyphonies instrumentales tulé de Asurini do Xingu", Cahiers de M. trad. n°6; di Ocora• Copie BM.995.003.003, section 3 (= ²19cm/s• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1989 Terrain 06:20:00 10 oui BRESIL=:01-01•:03-01 oui 1 +BM.995.004 Divers* BM.995.004.001/04 ESTIVAL,J-P.;BRESIL;ETAT DE PARA:ASURINI DU XINGU:MUSIQUE VOCALE;1990 4 O ESTIVAL,JEAN-PIERRE 1.2 DT = cf.Thèse. Enreg. sur magnéto K7 TCD5-M. N° des 6 K7 originales: "TIWA GAWA 1" à "TIWA GAWA 3"; "TIWA GAWA TIWA MARAKA 3"; TIWA MARAKA 4"; TIWA MARAKA (KURIJA) 5" Copie juin 95. Originaux c/° Déposant• = COPIE -2 SelBMprBN Estival, J-P.:1)thèse de doctorat "Musiques instrumentales du moyen Xingu & de l'Iriri";2)di. Ocora• Copie *Copie: ²9,5; ØGF x3; Ø18 x1• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1990 Terrain 07:28:00 10 oui BRESIL=:01-01 oui 1 +BM.995.005 DAT BM.995.005.001/12 MARTINEZ,R.;BOLIVIE;REGION CENTRE-SUD;1990 12 O MARTINEZ,ROSALIA 1.2 = COPIE -2 SelBMprBN MARTINEZ,R.: _Musique du désordre, musique de l'ordre : le calendrier musical chez les Jalq'a de Bolivie_ ,Thèse de doctorat, Paris X, 1994. Id.: -Bolivie, musiques calendaires des vallées centrales_ Id.: Bolivie, instruments et sons. Rapport de recherche CNRS, 1992 • Copie Cf. Martinez,R.:"Bolivie, instruments et sons" Rapport de recherche CNRS, 1992;1 ex. au dpt. Martinez R. P/BM PUBLICATION INTERDIT Sous-table non exportée 1990 Terrain 14:00:00 10 oui BOLIVIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09 oui 1 +BM.995.006 CDR+Ø* BM.995.006.001 REP. DE KHAKHASSIA ET KAZAKHSTAN 1 O DURING,JEAN = COPIE -2 SelBMprBN Pour plages 14 à 21 : "Turkestan, Komuz Kirghize et Dombra Kazakh". Enregistrement de Jean During, Ocora, C-560121, = DI.998.003.009• Copie+Numérisé# Les pièces 14 à 21 sont quasiment toutes présentées en langue vernaculaire avant leur exécution. * format de la coll. en analogique: ØGF;²19;PPS;SD $ Coll. numérisée — sur banc de montage 1 (Sound Designer 2) —, et fiches faites et saisies par Sophie Coquelin et Julien Jugand, UV Archives PX-N, 2003/04• $ $ COPIE INTERDITE Sous-table non exportée 1994 Terrain 01:00:00 10 oui2 KAZAKHSTAN=:01-14•:01-15•:01-16•:01-17•:01-18•:01-19•:01-20•:01-21 # REP. KHAKHASSIA=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13 oui oui 1 Num. SD2 +BM.995.007 K7 BM.995.007.001/06 "LE REPERTOIRE MODELE DE LA MUSIQUE IRANIENNE"[+LIVRE] 7 O DURING,JEAN cf. Ouvrage même titre, au dpt, cote Li.94.14• N EDS SOROUSH,TEHERAN 1991 Achat CNRS PP95 PP95 =DI Sous-table non exportée -1 Publication+Livre 07:00:00 0 IRAN=:01-01 0 +BM.995.008 Divers* BM.995.008.001/03 MEXIQUE. A) VIOLON TZELTAL; B) ST SEBASTIAN A BACHAJON 3 O ESTIVAL, JEAN-PIERRE = COPIE -2 SelBMprBN Copie *BM...1 & ...2 = ØGF, BM...3=Ø18; ²19; PPS;SD• PP95 PP95 COPIE INTERDITE Sous-table non exportée 1993 Terrain 02:30:00 10 oui MEXIQUE=:01-01 oui 1 +BM.995.009 Ø18;²19;PPS;SD BM.995.009.001 MISSION SALIVAS 1994;EQUATEUR: SHUAR 1 O SALIVAS,PIERRE = COPIE -2 SelBMprBN Salivas,P. 1)"Panorama de la musique shuar de la communauté de Taruka dans son contexte social et culturel". Maitrise d'ethnomusicologie de Paris VII St Denis; oct. 1992 - 1 ex. au dpt. 2) "Le monde sonore des Shuar", 1CD cf. DI.995... Copie sélective Déposant PP95 COPIE INTERDITE Sous-table non exportée 1994 Terrain 00:30:00 10 oui EQUATEUR=:01-01 oui 1 +BM.995.010 K7 BM.995.010.001 GEORGIE 1 O ZIEGLER,SUSANNE;GARAKANIDZE,EDISHER = COPIE -2 SelBMprBN Copie durée pif• PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui GEORGIE=:01-01 oui 1 +BM.995.011 K7 BM.995.011.001 VIETNAM:PROVINCE DE CAO BANG 1 O KERSALE,PATRICK = COPIE -2 SelBMprBN Copie durée pif PP95 PP95 COPIE INTERDITE Sous-table non exportée 1993 Terrain 01:00:00 10 oui VIETNAM=:01-01 oui 1 +BM.995.012 DAT BM.995.012.001 RUSSIE;TUVA 1 O VEIHS,PAUL = COPIE -2 SelBMprBN Copie durée pif PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 Terrain 01:00:00 10 oui URSS;RA TOUVA=:01-01 oui 1 +BM.995.013 Ø13 BM.995.013.001 INDE:RAJASTHAN 1993 1 O DOURNON,GENEVIEVE = COPIE -2 SelBMprBN Copie PP95 PP95 COPIE INTERDITE Sous-table non exportée 1993 Terrain 00:20:00 10 oui INDE;RAJASTHAN=:01-01 oui 1 +BM.995.014 DAT BM.995.014.001/19-DEPOT LORTAT-JACOB B.; BOUET J.; RADULESCU S. 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Dpt PP95 PP95 COPIE INTERDITE Sous-table non exportée 1995 Dpt 00:10:00 10 oui EIRE=:01-01 oui 1 +BM.995.017 K7-C60 BM.995.017.001 "AFGHANISTAN. MUSIQUES POPULAIRES" [PUBLICATION] 1 O DUPAIGNE,BERNARD = CEREDAF 1994 Don Auteur Editeur CEREDAF: Centre d'études et de recherches documentaires sur l'Afghanistan. 12, rue de Cotte 75012 Paris• PP95 PP95 =DI Sous-table non exportée 1967-73 Terrain+Publication 01:00:00 0 AFGHANISTAN=:01-01 0 +BM.995.018 ØGF;²9,5;PPS;SD BM.995.018.001/02 PROF. N. KAUFMANN. BULGARIE 2 O KAUFMANN, N. = COPIE -2 SelBMprBN Copie durée pif• PP95 PP95 COPIE INTERDITE Sous-table non exportée -1 N 04:00:00 10 oui BULGARIE=:01-01 oui 1 +CP-201 K7 BM.995.019.001 MUSICA POPULAR PARA DIFUNTOS. OAXACA 16 O MARTINEZ, VICENTE MENDOZA = 1p. Esp. Sommaire N D.PENTAGRAMA,MEXICO 1992 1 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación• *Echange Institution PP95 PP95 =DI Sous-table non exportée -1 N 01:00:00 0 MEXIQUE=:01-01 0 +CP-202 K7 BM.995.019.002 MUSICA POPULAR DE CUERDAS DE LA COMARCA LAGUNERA 11 O HERRERA PIMENTEL,JESUS MARTINEZ, VICENTE MENDOZA 1p. Esp;sommaire KURI,MARIO D.PENTAGRAMA,MEXICO 1992 2 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación• *Echange Institution PP95 PP95 =DI Sous-table non exportée -1 Terrain 01:00:00 0 MEXIQUE=:01-01 0 +CP-203 CDR+Ø* BM.1995.019.003 MUSICA POPULAR. JARANAS YUCATECAS 12 O HERRERA PIMENTEL, JESUS MARTINEZ, VICENTE MENDOZA * Ø K7 1P. Esp; sommaire. Enregistrés de janvier à mai 1979, et en janvier 1981 dans les villes suivantes : Chikindzonot, Yucatan; X-Cabil; Quintina Roo; Tixcacalcupul, Yucatan; Popola, Yucatan; Valladolid, Yucatan • JARDOW PERDERSEN, MAX D.PENTAGRAMA,MEXICO 1992 3 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación. *Echange Institution• PP95 PP95 =DI Sous-table non exportée 1979-81 Terrain 00:45:46 0 MEXIQUE=:01-01 0 +CP-204 K7 BM.995.019.004 MUSICA POPULAR. CHILENAS DE LA COSTA CHICA 16 O N SANCHEZ, F. H. 1p. Esp; sommaire N D.PENTAGRAMA,MEXICO 1992 4 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación• *Echange Institution PP95 PP95 Sous-table non exportée -1 N 01:00:00 0 MEXIQUE=:01-01 0 +CP-205 K7 BM.995.019.005 MUSICA POPULAR. HUAPANGOS DE LA HUASTECA 13 O PIMENTE,,JESUS HERRERA MARTINEZ,V.M. 1p. Esp; sommaire N D.PENTAGRAMA,MEXICO 1992 5 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación• *Echange Institution PP95 PP95 =DI Sous-table non exportée -1 N 01:00:00 0 MEXIQUE=:01-01 0 +CP-206 K7 BM.995.019.006 MUSICA POPULAR. LA CANCION CARDENCHE 11 O PIMENTEL, JESUS HERRERA MARTINEZ,V.M 1p. Esp; sommaire N D.PENTAGRAMA,MEXICO 1992 6 Echange* Coll. dirigée par le Consejo Nacional para la Cultura y las Artes, Dirección General de Culturas Populares, Centro de Información y Documentación• *Echange Institution PP95 PP95 =DI Sous-table non exportée 1986-87 Terrain 01:00:00 0 MEXIQUE=:01-01 0 +CP-207 K7 BM.995.019.007 MUSICA POPULAR. MAYAPAX. QUITANA ROO 10 O PIMENTEL,JESUS HERRERA MARTINEZ,V.M. 1p;Esp; sommaire. PIMENTEL,J.H. 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IFE1969 (TCHETTI); ITCHA 1958 (PIRA) 3 Presel.Felipe11_07 O ROUGET,GILBERT = COPIE -2 SelBMprBN Copie ML98 MD98 COPIE INTERDITE Sous-table non exportée 1958-69 Terrain 03:00:00 10 oui BENIN=:01-01•:01-01•:01-02>03•:01-04>06•:01-07•:01-08•:01-09>11•:01-12>14•:01-15>16•:02-01>05•:02-06>07•:02-08•:02-09•:02-10•:02-11>14•:02-15•:02-16•:02-17>18•:02-19>21•:02-22>24•:02-25•:02-26•:03-01>03•:03-04•:03-05•:03-06>08•:03-09>12•:03-13>14•:03-15•:03-16>17•:03-18 oui 1 +BM.996.004 CDR BM.996.004.001/10 LECLAIR,M.;BENIN: ITCHA ET IFE (NAGO);1996 10 N O LECLAIR,MADELEINE LECLAIR,MADELEINE Enreg. originaux: magnéto Dat Sony D-3 ou magnéto K7 Sony TCD-5M, 2 micros Beyer M88. Copie MH, par gravure directe sur Marantz CDR 620. DT• LECLAIR,MADELEINE COPIE -2 SelBMprBN Copie Collecteur MD98 COPIE INTERDITE Sous-table non exportée 1996 Terrain 12:20:00 10 BENIN=:01-01•:01-02•:01-03•:01-04•:01-05•:02-01•:02-02>12•:03-01>04•:03-05•:03-06•:03-07•:03-08>17•:04-01•:04-02•:04-03•:04-04•:04-05•:05-01>11•:06-01>04•:06-05•:06-06>09•:06-10•:07-01>04•:07-05>14•:08-01>10•:08-11•:08-12•:09-01>04•:09-05•:09-06>14•:10-01•:10-02•:10-03 oui 1 Num. Labo directe graveur +BM.996.005 DAT BM.996.005.001 IRAN:JALIL SHANHNAZ (TAR), MOHAMMAD GHAVI-HELM (ZARB) 1 O DURING,JEAN = COPIE -1 SelBMprBN Copie Enreg. à l'UNESCO Paris, séance privée• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1991 Studio 01:00:00 10 oui IRAN=:01-01 oui 1 +BM.996.006 DAT BM.996.006.001/07 VIETNAM: NORD/PITOEFF 96 7 O PITOEFF,PRIBISLAV PITOEFF,P. ORIGINAL -2 SelBMprBN Copie (à faire) P/BM P/BM COPIE INTERDITE Sous-table non exportée 1996 Terrain 09:00:00 10 oui VIETNAM=:01-01 oui 1 +BM.996.007 K7-C60 BM.996.007.001 "TIMBRE & ATTRIBUTIONS SYMBOL. DANS LA M. DU BOUDDHISME TIBETAIN"[EX. POUR DEA] 1 O LECLAIR,MADELEINE Cf. à la bibliothèque du labo cote MS131: mémoire de DEA, même titre; U. P.X-N., 1996)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 TIBET=:01-01 non 1 +BM.996.008 CDR BM.996.008.001/02 ROUGET,G. MASTER CD ACCOMPAGNANT _UN ROI AFRICAIN & SA M. DE COUR_ 2 O ROUGET;GILBERT Master des 2 CD acompagnant l'ouvrage de. G. Rouget _Un roi africain et sa musique de cour_. Paris, CNRS Éditions, 1996• MASTER PUBLICATION -2 G. Rouget _Un roi africain et sa musique de cour_. Paris, CNRS Éditions, 1996• Montage pour Publication PP PP COPIE INTERDITE Sous-table non exportée -1 Master di. 02:27:00 1 non BENIN=:01-01 0 Num. Labo directe graveur +BM.996.009 CDR BM.996.009.001 LAMBERT,J. PRE-MASTER CD ACCOMPAGNANT _LA MEDECINE DE L'AME_ 1 O LAMBERT,JEAN Pré-Master du CD accom. l'ouvrage de J. Lambert _La médecine de l'âme_. Nanterre, Société d'ethnologie, 1997. La pièce -05 de ce montage ne figure pas dans le CD édité, mais l'ordre est le même. Les durées de ce montage sont un peu + longues que celles indiquées sur la jaquette, lesquelles sont = à celles du livre• MASTER PUBLICATION -2 J. Lambert _La médecine de l'âme_. Nanterre, Société d'ethnologie, 1997. Coll." Hommes et Musiques"• Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Master di. 00:57:46 1 non YEMEN=:01-01 0 Num. Labo directe graveur +BM.996.010 CDR BM.996.010.001 WU,RUNG SUNG. TAIWAN:BUNUN. MONTAGE POUR THESE 1 O WU,RUNG SHUN Exemples accompagnant la thèse de M. Wu Rung Shun _Tradition et transformation. Le "pasu but but", un chant polyphonique des Bunun de Taiwan_. Univ. Paris X-Nanterre, 1996. Directuer de thèse : Mireille Helffer• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée <1996 Montage diplôme 01:11:26 1 non TAIWAN=:01-01 0 Num. Labo directe graveur +BM.996.011 CDR BM.996.011.001/05 COPIE DE DI. DE CUBA 5 N O DEP.=ESTIVAL,J-P. N N -1 Don Copie sur CDR de di. 30cm/33 édités à Cuba : BM...:01-01 à -19 "Viejos Cantos", vol 1 EGREM LD 3325; -20 à -23 "Musica Iyesa "Vol. 3, EGREM LD 3767. BM....:02-01 à -18 "Oru de Igbodu", EGREM LD 3995 vol. 2.; -19 à -20 "Fiesta de Bembé", EGREM LD 3997 vol. 3. [suite ci dessous] BM...:03-01 à -19 "Musica Arara", EGREM LD 3996, vol.4; -20 à -41 "Congos", EGREM LD 4493, vol.9. BM...:04-01 à -06 "Tambor Yuka", EGREM LD 3994 vol. 5; -07 à -13 "Tumba Francesa "EGREM LD 3606 face A, vol-7A. BM...:05-01 à -02 "Tumba Francesa", EGREM LD 3606, Face B, Vol 7B; -03 à -15 "Toque de Guiros", EGEMLD4483, vol. 8• TQH96 MD96 =DI Sous-table non exportée -1 Copie de di. 05:35:00 3 CUBA=:01-01•:02-01•:03-01•:04-01•:05-01 0 +BM.997.001 DAT BM.997.001.001/03 MARTINEZ,R.; BOLIVIE: CALCHA; MISSION1996 & JALQ'A; MISSION 1995 3 N O MARTINEZ, ROSALIA N N N MARTINEZ, ROSALIA COPIE A FAIRE -2 N SelBMprBN DÉPÔT 1°) Enregistrements de terrain chez les Calcha de Potosi, Bolivie. Faits en été 1996 : BM...:01- = Calcha Tojpacha Quiquila - BM...:02- = Calcha Pecajsi Chuqui BM...:03- pièces 1 à 7 = Calcha Mujica. 2°) Enreg.dans la région de Sucre1995 : BM...03- pièces 8 à 19 = Jalq'a Janina Ravelo• Martinez R.97 Martinez R. COPIE INTERDITE Sous-table non exportée 1996 Terrain 03:00:00 10 BOLIVIE=:01-01•:02-01•:03-01•:03-08 oui 1 +BM.997.002 Divers* BM.997.002.001/02 BERTRAND,RENE. MAROC 2 Presel.Felipe11_07 O BERTRAND,,RENE BERTRAND,RENE ORIGINAL -2 SelBMprBN Copie BM...1= Ø18;²9,5. BM...2=Ø13. Transmis par Miriam Olsen. P/BM P/BM COPIE INTERDITE Sous-table non exportée 1958 Terrain 02:00:00 10 oui MAROC=:01-01 oui 1 +BM.997.003 K7-C60 BM.997.003.001 TIERCE,V;_CLARINETTE & YDDISHLAND_ RAPPORT I.F.E.D.E.M. 1 O TIERCE,VERNONIQUE TIERCE,VERONIQUE COPIE -1 SelBMprBN Don Rapport I.F.E.D.E.M., 1992-93. Don SFE• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Publication+Livre 01:00:00 1 oui MONDE YIDDISH=:01-01 oui 1 +BM.1997.004 CDR BM.1997.004.001/14 MAROC;ANTI-ATLAS & HAUT-ATLAS. ROVSING OLSEN 1996 14 O ROVSING OLSEN,MIRIAM N originaux Dat• ROVSING OLSEN,MIRIAM COPIE -2 N SelBMprBN Copie Numerique ATTENTION: pour toute mise en ligne, certaines inforrmations ne doivent pas figurer. Consulter Miriam Rovsing Olsen• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1996 Terrain 14:00:00 10 MAROC=:01-01 oui 1 Num. Labo ProTools +BM.997.005 K7 BM.997.005.001 ITALIE:SICILE [EXEMPLES POUR MAITRISE] 1 O BORNEUF,ANNE-FLORENCE BORNEUF,ANNE-FLORENCE MONTAGE DIPLOME -2 SelBMprBN Copie K7 accompagnant la Maîtrise : "La processiondu vendredi à Bronte"; PX-N, sept .1990• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 ITALIE;SICILE=:01-01 oui 1 +BM.997.006 K7-C60 BM.997.006.001 ILE DE LA REUNION [EXEMPLES POUR MAITRISE] 1 O SAMSON,G. SAMSON,G. MONTAGE DIPLOME -2 SelBMprBN Copie K7 accompagnant la Maîtrise: "Le Séga à l'Ile de la Réunion"; PX-N, oct.1997• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 ILE DE LA REUNION=:01-01 oui 1 +BM.997.007 K7-C60 BM.997.007.001 NEPAL:NEWAR /BERNEDE,F.:DEA 1 O BERNEDE,FRANCK N MONTAGE DIPLOME -2 SelBMprBN Copie K7 accompagnant un DEA;PX-N, oct. 1997. P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 NEPAL=:01-01 oui 1 +SANSREF-01 K7-C60 BM.997.008.001 MAJLIS ADAT ISTIADAT, SARAWAK; ORANG ULU TRAD. MUSIC 1 O TRAN, QUANG HAI N N -1 Don Ethnie Kenyah, info Tran Quang Hai• PP PP =DI Sous-table non exportée -1 Publication 01:00:00 0 MALAYSIA;SARAWAK=:01-01 0 +BM.997.009 K7-C60 BM.997.009.001 AFRIQUE DU SUD,BOTSWANA: BOCHIMAN !KUNG [EXEMPLES POUR MEMOIRE] 1 O PUNTOS,DIDIER N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant un Mémoire, CNSM Lyon P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 AFRIQUE DU SUD=:01-01 # BOTSWANA=:01-02 oui 1 +BM.997.010 K7-C60 BM.997.010.001 GEORGIE [EXEMPLES POUR MEMOIRE] 1 O BRIERE,SOPHIE N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant le Mémoire "Musique trad. orale en Géorgie"; CNSM Lyon,1982-83• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 GEORGIE=:01-01 oui 1 +BM.997.011 K7-C60 BM.997.011.001 TIBET [EXEMPLES POUR MEMOIRE] 1 O HEYRIES,PASCAL N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant le Mémoire "Dugya-ling,hautbois de l'orchestre rituel tibétain"; CNSM Lyon,1982-83• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 TIBET=:01-01 oui 1 +BM.997.012 K7-C60 BM.997.012.001 JAPON [EXEMPLES POUR MEMOIRE] 1 O PEPIN,CATHERINE N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant le Mémoire "Divers aspects du théâtre No japonais";CNSM Lyon,1982-83• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 JAPON=:01-01 oui 1 +BM.997.013 K7-C60 BM.997.013.001 TIBET [EXEMPLES POUR MEMOIRE] 1 O PASCAL,ROBERT N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant le Mémoire "Divers aspects du chant religieux tibétain: le chant Yang";CNSM Lyon,1983• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 TIBET=:01-01 oui 1 +BM.997.014 K7-C60 BM.997.014.001 TURQUIE [EXEMPLES POUR MEMOIRE] 1 O KRUGELL,PHILLIPE N MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant le Mémoire "Une interprétation du Na't dans la cérémonie Mewlewi du Sama'";CNSM Lyon,1983• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 TURQUIE=:01-01 oui 1 +BM.997.015 Ø13;²19;PPM BM.997.015.001 SENEGAL:BEDIK,BASSARI 1 Presel.Felipe11_07 O FERRY,MARIE-PAUL FERRY,MARIE-PAUL ORIGINAL -2 SelBMprBN Don P/BM P/BM COPIE INTERDITE Sous-table non exportée 1965 Terrain 00:20:00 10 oui SENEGAL=:01-01 oui 1 +9005-M K7 BM.997.016.001 TEMPLE TAOISTE DU NUAGE BLANC 1 O UMR9957 2P. Chinois, Fr. sommair. N N -1 Achat CNRS BM.997.016.00 K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 N 01:00:00 0 CHINE=:01-01 0 +H-8-ZCCMA-51 K7 BM.997.016.002 RECITATIONS DU MATIN AU BOUDDHA SAKYAMUNI 1 O UMR9957 1P Chinois;sommaire. N N -1 Achat CNRS K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 N 01:00:00 0 CHINE=:01-01 0 +SO-21 K7 BM.997.016.003 BOUDDHISME TIBETAIN (FUGIAN) 1 O UMR9957 Titre en chinois. N N -1 Achat CNRS K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 N 01:00:00 0 CHINE=:01-01 0 +CGW-230 K7 BM.997.016.004 FLIGHTS OF THE WHITE CRANES. TEMPLE TAOISTE DU NUAGE BLANC,BEIJING 1 O UMR9957 2P Chinois, Angl. N N -1 Achat CNRS K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 Terrain 01:00:00 0 CHINE=:01-01 0 +SO-22 K7 BM.997.016.005 PSALMODIES TAOISTES AU TEMPLE DU NUANGE BLANC(2), BEIJING 1 O UMR9957 Titre en chinois. N N -1 Achat CNRS K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 N 01:00:00 0 CHINE=:01-01 0 +SANSREF-02 K7 BM.997.016.006 MUSIQUE INSTRUMENTALE DE CHINE-VOL.1 1 O UMR9957 1P chinois. N N -1 Achat CNRS K7acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée -1 N 01:00:00 0 CHINE=:01-01 0 +SANSREF-03 K7 BM.997.016.007 MUSIQUE INSTRUMENTALE DE CHINE-VOL.2 -1 O UMR9957 N -1 Achat CNRS K7 acquise par J. Schwarz à Pékin, 1996• PP PP =DI Sous-table non exportée +1 N 01:00:00 0 CHINE=:01-01 0 +BM.997.017 K7 BM.997.017.001 IRAN [EXEMPLES POUR THESE] 1 O YOUSSEFZADEH,AMENEH YOUSSEFZADEH,AMENEH MONTAGE DIPLOME -1 SelBMprBN Copie K7 accompagnant une thèse de doctorat; PX-N, nov.1997• P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 00:20:00 1 oui 2 IRAN=:01-01 oui 1 +BM.997.018 K7 BM.997.018.001 "CARNAVAL EN AIQUINA. TIEMPO DEL VERDE; TIEMPO DE LLUVIA" 1 O MERCADO,CLAUDIO K7 accompagnant l'ouvrage portant le même titre ; livre et K7 sont dans un même conditionnement, rangé dans la bibliothèque du labo. MERCADO,CLAUDIO CHIMUCHINA REC.,CHILI 1996 Don P/BM P/BM =DI Sous-table non exportée 1992 Publication+Livre 01:00:00 0 CHILI=:01-01 0 +BM.997.019 DAT BM.997.019.001/05 PITOEFF,P.;VIETNAM: NORD;1997 5 O PITOEFF,PRIBISLAV PITOEFF,P. ORIGINAL -2 SelBMprBN Copie (à faire) P/BM P/BM COPIE INTERDITE Sous-table non exportée 1997 Terrain 07:30:00 10 oui VIETNAM=:01-01 oui 1 +BM.998.001 Ø13;²19;PPM BM.998.001.001/30 LE GONIDEC, M-B; BULGARIE. MISSION 1992-93 30 O LE GONIDEC, MARIE-BARBARA LE GONIDEC, MARIE-BARBARA ORIGINAL -2 SelBMprBN N Copies à faire• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1992-93 Terrain 10:00:00 10 oui BULGARIE=:01-01 oui 1 +BM.998.002 CDR BM.998.002.001/07 HELFFER,M.;TIBET: MONASTERE DE ZHE-CHEN (NEPAL);1997. 7 O HELFFER,MIREILLE HELFFER,MIREILLE COPIE -2 SelBMprBN CD "Sounds of Tibet.Monastery of Shechen" = DI.997.022.001• Copie Enregistré au monastère de Zhe-Chen, Bodnath, Népal. Enreg. en situation. Autres ex. de cette collection: c/° M. Helffer, et c/° monastère de Zhe-Chen• PP/Helffer P/BM COPIE INTERDITE Sous-table non exportée 1997 Terrain 07:00:00 10 TIBET (NEPAL)=:01-01•:01-02>14•:02-01•:03-01•:04-01•:05-01•:06-01•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06 oui 1 ? +BM.998.003 CDR BM.998.003.001/05 LECLAIR M.; BENIN: NAGO-ITCHA; MISSION 1998 5 N O LECLAIR,MADELEINE LECLAIR,MADELEINE Notice/DT LECLAIR,MADELEINE COPIE -2 SelBMprBN Copie Enregistré sur le terrain en mars et avril 1998. ML98 MD98 COPIE INTERDITE Sous-table non exportée 1998 Terrain 05:50:00 10 BENIN=:01-01•:01-02•:01-03 •:02-01>08•:02-09•:02-10>11•:02-12>13•:03-01>08•:03-09•:04-01•:04-02>04•:05-01>10 oui 1 Num. Labo directe graveur +BM.998.004 CDR BM.998.004.001/08 NIGERIA / BENIN. FONDS YORUBA; MISSIONS 1958-1959 / 1969 / 1980 8 O ROUGET,GILBERT COPIE -2 SelBMprBN Copie ML98 MD98 COPIE INTERDITE Sous-table non exportée 1958-59 Terrain 07:30:00 10 non BENIN=:06-01•:06-02>03•:06-04>06•:06-07•:06-08•:06-09>12•:06-13>15•:06-16>17•:07-01>05•:07-06>07•:07-08•:07-09•:07-10•:07-11•:07-12•:07-13•:07-14>15•:07-16>18•:07-19>21•:07-22•:08-01>03•:08-04•:08-05•:08-06>08•:08-09•:08-10>11•:08-12•:08-13•:08-14>16•:08-17•:08-18•:08-19•:08-20A•:08-20B•:08-21•:08-22•:08-23>25 oui 1 Num. Labo directe graveur +BM.998.005 CDR BM.998.005.001/05 ESTIVAL,J-P. PARAGUAY: AYOREODE, CHIRIGUANO, NIVACLE;1997 ET 98 5 O ESTIVAL,JEAN-PIERRE Originaux Dat. 44.1 Copie MH8/98; copie directe lecteur Tascam DA-P1; graveurMicro Mega Type CDR 101/80B. BM...1=14pièces,69'49; BM...2= 22pièces,65'36; BM...3=10p.,56'28; BM...4= à compléter; BM...5= manquante ou pas faite• ESTIVAL,J-P; CHASE-SAARDI,MIGUEL ET SEELVISHE,JOSE COPIE -2 SelBMprBN Copie Copie pour les Nivacle de bm originales enr. dans les années 1960/70 par Chase-Saardi et Seelvishe. BM...1= les pièces n° 5, 9(3'30), 13(5'20)et14(17') n'ont pas été identifiées• Estival PP COPIE INTERDITE Sous-table non exportée 1997-98 Terrain 05:00:00 10 oui 2 PARAGUAY=:01-01,10•:01-02ETC*•:01-03•:02-01ETC*•:02-04ETC*•:02-05ETC*•:03-01>10•:04-01>09•:04-10>12 oui 1 Num. Labo directe graveur +BM.998.006 CDR BM.998.006.001/03 ESTIVAL,J-P. CUBA; 1995 3 O ESTIVAL, JEAN-PIERRE COPIE -2 SelBMprBN Copie Estival PP COPIE INTERDITE Sous-table non exportée 1995 Terrain 03:00:00 10 CUBA=:01-01>18•:02-01>07•:03-01 oui 1 Num. Labo directe graveur +BM.998.007 CDR BM.998.007.001/10 SEYDOU,CH; MALI, NIGER: PEUL. MISSIONS 1970-77 10 O SEYDOU,CHRISTIANE Originaux: Uher ?; ²9,5 et 19 1/2 P. Copies MH 98 lecteur Uher 5000, enreg. DAT puis graveur CDR SEYDOU,CH. COPIE -2 SelBMprBN Copie Loncke,S. MD COPIE INTERDITE Sous-table non exportée 1970-77 Terrain 10:00:00 10 oui 2 MALI=:01-01•:02-01•:02-02•:02-05•:03-01>03*•:03-04•:04-01•:05-01>02•:05-03>06*•:06-01•:06-02•:06-03•:06-04•:06-05•:07-01>05*•:07-06>08*•:08-01•:08-02•:08-03•:09-01>03*•:10-01 # NIGER=:02-03,04* oui 1 Num. Labo directe graveur +BM.998.008 CDR BM.998.008.001/05 SACHNINE,M.; NIGERIA: YORUBA. ENREG.1977-85. 5 O SACHNINE,MICHKA 1) Enreg. originaux: Uher série 4000, Ø13;²9,5;1/2P. 3)Copies MH 1998, lecteur COPIE -2 SelBMprBN Copie Mme Sachnine est prof de Yoruba à l'INALCO• ML98 A faire COPIE INTERDITE Sous-table non exportée 1977-85 Terrain 05:00:00 10 oui 2 NIGERIA=:01-01 oui 1 Num. Labo directe graveur +BM.998.009 CDR-extérieur BM.998.009.001/03 BOSC,J.; BURKINA FASO: LOBI. MISSION 1997 3 O BOSC JULIEN Originaux K7 mono (?). Copie faites par le déposant. 2CD dans une même boite, le 3ème dans une autre• BOSC,J. COPIE -2 SelBMprBN Copie J. Bosc est doctorant à l'EHESS• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1997 Terrain 03:00:00 10 non2 BURKINA FASO=:01-01>03•:02-01•:03-01>07 oui 1 Num. Extérieure +BM.1998.010 CDR BM.1998.010.001/04 DESCOLA,PH. & TAYLOR,ANNE CH.; EQUATEUR: JIVARO, ACHUAR. MISSIONS 1976-79 4 O DESCOLA,PHILIPPE Original =K7, copie sélective établie et réalisée par P. Salivas sur DAT (Sony D7) puis Dat copiés, montage et gravure sur banc de montage SD 2 par PP. >> ?? ou copie directe sur graveur ??. DAT copiés sur ProTools Labo par J. Simonnot en 2007. DT: Photocopie du cahier de terrain de Descola, de passages de son livres.• DESCOLA,PH. COPIE -2 SelBMprBN Cf. fiches phono et DT• Copie Salivas,P. MD/PP COPIE INTERDITE Sous-table non exportée 1976-78 Terrain 03:30:00 10 non EQUATEUR=:01-01>02•:01-03>04•:01-05>06•:01-07>08•:01-09>12•:01-13•:01-14>15•:01-16•:01-17•:01-18>19•:01-20>24•:01-25>26•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06>07•:02-08>09•:02-10•:02-11•:02-12•:02-13•:03-01>03•:03-04>05•:03-06>07•:03-08•:03-09>10•:03-11•:03-12>13•:03-14•:03-15•:03-16•:03-17•:03-18•:03-19•:03-20>21•:03-22>23•:03-24•:03-25•:03-26>28•:03-29>30•:03-31•:03-32>33•:03-34>35•:04-01>11•:04-12>13•:04-14>17•:04-18>22•:04-23•:04-24•:04-25>48 oui 1 Autre>cf.DT +BM.998.011 CDR BM.998.011.001 ESTIVAL,J-P. PARAGUAY:TAPIETE (GUARANI GNANDEVA);1998 1 O ESTIVAL,JEAN-PIERRE Originaux Dat 44.1. Copie MH 12/98; copie directe Tascam DA-30 / graveur Marantz 620• ESTIVAL,JEAN-PIERRE COPIE -2 SelBMprBN Copie Estival / PP PP COPIE INTERDITE Sous-table non exportée 1998 Terrain 00:39:00 10 oui 2 PARAGUAY=:01-01>12* oui 1 Num. Labo directe graveur +BM.998.012 CDR BM.998.012.001 M.POPULAIRES DE LA RETRAITE MONASTIQUE AU LAOS [EXEMPLES POUR MAITRISE] 1 O JACOB DE LAVENERE,VERONIQUE Maitrise Nanterre 1998• MONTAGE DIPLOME -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 00:52:00 1 non LAOS=U01 1 Num. Extérieure +SANSREF-41.01-1>6 K7x6-Coffret BM.998.013.001-1>6 THE LOCAL IRANIAN MUSIC-1 THE MUSIC OF KHORASAN 6 O HAMID REZA ARDALAN 52 p. Persan; transcr.;doc• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.02-1>6 K7x6-Coffret BM.998.013.002-1>6 THE LOCAL IRANINA MUSIC-2 THE QASHQAI MUSIC 6 O N 14p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.03-1>6 K7x6-Coffret BM.998.013.003-1>6 THE LOCAL IRANIAN MUSIC-3 THE MUSIC OF MAZANDARAN 6 O N 39p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.04-1>6 K7x6-Coffret BM.998.013.004-1>6 THE LOCAL IRANIAN MUSIC-4 THE MUSIC OF LORESTAN 6 O HAMID REZA ARDALAN 43p. Persan;transcr.; doc• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.05-1>6 K7x6-Coffret BM.998.013.005-1>6 THE LOCAL IRANIAN MUSIC-5 THE TURKMAN MUSIC 6 O N 19p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.06-1>6 K7x6-Coffret BM.998.013.006-1>6 THE LOCAL IRANIAN MUSIC-6 THE MUSIC OF GILAN & TALESH 6 O N 27 p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.07-1>6 K7x6-Coffret BM.998.013.007-1>6 THE LOCAL IRANIAN MUSIC-5 THE AZERBAIJAN MUSIC 6 O N 16p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.08-1>6 K7x6-Coffret BM.998.013.008-1>6 THE LOCAL IRANIAN MUSIC-5 THE MUSIC OF KORDESTAN 6 O HAMID REZA ARDALAN 35 p. Persan; transcr.;textes;doc• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.09-1>6 K7x6-Coffret BM.998.013.009-1>6 THE LOCAL IRANIAN MUSIC-9 THE MUSIC OF SOUTH OF THE ALBROZ (KUMES - TÂLEQÂN) 6 O N 18p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.10-1>6 K7x6-Coffret BM.998.013.010-1>6 THE LOCAL IRANIAN MUSIC-10 THE RITUAL & RELIGIOUS M. OF BOTH SIDES OF THE ALBROZ 6 O N 18p. Persan• IRANIAN MUSIC ASSOCIATION 1995 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.11-1>6 K7x6-Coffret BM.998.013.011-1>6 THE LOCAL IRANIAN MUSIC-11 BALUCHESTÂN MUSIC 6 O N 23p. Persan• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.12-1>6 K7x6-Coffret BM.998.013.012-1>6 THE LOCAL IRANIAN MUSIC-12 THEKORDESTAN MUSIC (2) 6 O HAMID REZA ARDALAN HAMID REZA ARDALAN 50p. Persan• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.13-1>6 K7x6-Coffret BM.998.013.013-1>6 THE LOCAL IRANIAN MUSIC-13 THE KHORASAN MUSIC (2) 6 O HAMID REZA ARDALAN HAMID REZA ARDALAN 52p. Persan. Même notice que celle du vol.1 • IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.14-1>6 K7x6-Coffret BM.998.013.014-1>6 THE LOCAL IRANIAN MUSIC-14 THE KHORASAN MUSIC (3) 6 O HAMID REZA ARDALAN HAMID REZA ARDALAN 52p. Persan. Même notice que celle du vol.1• IRANIAN MUSIC ASSOCIATION 1996 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.15-1>6 K7x6-Coffret BM.998.013.015-1>6 THE LOCAL IRANIAN MUSIC-15 THE MUSIC OF MAZANDARAN 6 O AHMAD MOHSENPUR 31p. Persan; textes• IRANIAN MUSIC ASSOCIATION 1997 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.16-1>6 K7x6-Coffret BM.998.013.016-1>6 THE LOCAL IRANIAN MUSIC-16 THE MUSIC OF BAKHTIARI 6 O HAMID REZA ARDALAN HAMID REZA ARDALAN 30 p.; échelles; transcr.;doc• IRANIAN MUSIC ASSOCIATION 1997 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 # PAKISTAN=:02-01 0 +SANSREF-41.17-1>6 K7x6-Coffret BM.998.013.017-1>6 THE LOCAL IRANIAN MUSIC-17 THE BUSHEHR MUSIC 6 O MOHAMMAD TAGHI MASSOUDIEH MOHAMMAD TAGHI MASSOUDIEH 15p. Persan; photos• IRANIAN MUSIC ASSOCIATION 1997 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.18-1>6 K7x6-Coffret BM.998.013.018-1>6 THE LOCAL IRANIAN MUSIC. THE MUSIC OF KHORASAN (GHAUCHAN;CHIRVAN;TORBAT-E JAM) 6 O N sans notice• IRANIAN MUSIC ASSOCIATION -1 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 IRAN=:01-01 0 +SANSREF-41.19-1>6 K7x6-Coffret BM.998.013.019-1>6 LA MUSIQUE DES PAYS MUSULMANS (INDE;PAKISTAN;TADJIKISTAN; REP. D'AZERBAIDJAN) 6 O N 23p. Persan; photos• IRANIAN MUSIC ASSOCIATION 1985 Achat CNRS *Coll. de 19 coffrets de 6 K7 achetée en Iran par Ameneh Youssefzadeh• PP PP =DI Sous-table non exportée -1 N 06:00:00 0 AZERBAIDJAN=:06-01 # INDE=:01-01 # TADJIKISTAN=:03-10 0 +BM.999.001 CDR BM.999.001.001 EDEB PIRAGI,PH. PARAGUAY: ACHE;1994 1 O EDEB PIRAGI,PHILIPPE Cf. DT pour les titres des 29 pièces• EDEB PIRAGI,PH.; SEQUERA,GUILLERMO COPIE -2 SelBMprBN A paraître: Edeb Piragi, Ph., un article et un livre sur le "Récitatif Aché"• Copie Originaux Dat 48. Copie MH 1/99; copie non directe lecteur Tascam DA-P1 / graveur Marantz 620. PP /Edeb PP COPIE INTERDITE Sous-table non exportée 1994 Terrain 01:08:00 10 non2 PARAGUAY=:01-01>29* oui 1 Num. Labo directe graveur +BM.999.002 CDR BM.999.002.001/02 DOS SANTOS,S.;PARAGUAY,1998:ENENLHET 2 O DOS SANTOS,SANDRINE Original Sony WalkmanPro, dolby B, micro Audiotechnica AT-822. Copie MH 2/99: lecteur Tascam, graveur (Labo son)• DOS SANTOS,SANDRINE COPIE -2 SelBMprBN Copie S. Dos Santos étudiante maitrise à P.X-N., avec J-P.Estival• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1998 Terrain 02:00:00 10 non PARAGUAY=:01-01>05*•:01-06>08*•:01-09>11*•:01-12•:01-13>19*•:01-20>22•:01-23>25* oui 1 Num. Labo directe graveur +BM.999.003 CDR BM.999.003.001 MUSIQUES BOUDDHIQUES DE TAIWAN [EXEMPLES POUR THESE] 1 O GAO YA LI MONTAGE DIPLOME -1 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 non TAIWAN=:01-01 1 Num. Labo directe graveur +BM.999.004 CDR BM.999.004.001 MARTINEZ,R.;BOLIVIE: CALCHA. MISSION AOUT 98 1 O MARTINEZ,ROSALIA MARTINEZ,ROSALIA COPIE -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée 1998 Terrain 01:00:00 10 non BOLIVIE=:01-01 oui 1 Num. Labo directe graveur +BM.999.005 CDR BM.999.005.001/03 COMMUNE DE DASSI-ZOUME; BENIN:MAKI (SOUS-GROUPE FON) 3 O COMMUNE DE DASSI-ZOUME LECLAIR,MADELEINE COPIE -2 SelBMprBN Copie Enreg. faits par M. Leclair à la demande des notables de Dassi-Zoumé• P/BM P/BM COPIE INTERDITE Sous-table non exportée 1999 Terrain 03:00:00 10 non2 BENIN=:01-01 a voir Non 1 Num. Labo directe graveur +BM.999.006 CDR BM.999.006.001/04 ZEMP,H.:COTE D'IVOIRE; WE (GUERE).MISSIONS 1965>1977 5 O ZEMP,HUGO Originaux : Nagra 3; bm Ø13 PPM Copie 1999.Lecteur F500; Enregistreur Station de trv. numérique 1. Originaux c/° MH• ZEMP,HUGO COPIE -2 SelBMprBN CD: Côte d'Ivoire. Musiques des Wè (Guéré). Collection CNRS/Musée de l'Homme, Le Chant du Monde CNR 2741105 • Copie HZ PP COPIE INTERDITE Sous-table non exportée 1965>77 Terrain 05:00:00 10 non COTE D'IVOIRE=:01-01>02•:01-03•:01-04>06•:01-07>08•:01-09•:01-10>14•:01-15>17•:01-18>20•:01-21>22•:01-23>24•:02-01•:02-02>03•:02-04>05•:02-06>11•:02-12>14•:02-15•:02-16•:02-17>22•:02-23>25•:02-26>28•:02-29•:02-30>31•:02-32>33•:02-34>35•:02-36•:02-37•:03-01•:03-02>04•:03-05>06•:03-07>11•:03-12>15•:03-16>31•:03-32•:03-33>34•:03-35>37•:04-01•:04-02•:04-03•:04-04•:04-05>07•:04-08>09•:04-10•:04-11>13 oui 1 Num. SD2 +BM.999.007 CDR BM.999.007.001 INDONESIE, CELBES-SUD: "M. RITUELLES DES TORAJA SA'DAN" [EXEMPLES POUR THESE] 1 O RAPPOPORT, DANA Ex accompagnant la these "Musiques rituelles des Totaja Sa'dan. Musiques du Couchant, musiques du Levant (Célèbes-sud, Indonésie"". Paris X-N., 1996. Copie banc numérique sept.99• MONTAGE DIPLOME -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:14:00 1 non INDONESIE;CELEBES(SULAWESI)=:01-01 oui 1 Num. SD2 +BM.999.008 CDR BM.999.008.001 ITALIE, SICILE:"LE CHANT ET LA SANTE PATRONNE" [MONTAGE POUR THESE] 1 O BORNEUF,ANNE-FLORENCE Thèse soutenue P-X Nanterre, déc.1999; 1 ex. au Dpt• = MONTAGE DIPLOME -2 SelBMprBN Copie P/BM P/BM COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:14:00 1 non ITALIE;SICILE=:01-01 oui 1 ? +BM.999.009 CDR BM.999.009.001/09 HELFFER,M.;TIBET-NEPAL, BODNATH: MONASTERE BOUDDHISTE DE ZHE-CHEN;1995 9 O HELFFER,MIREILLE Cf.DT: Indications détaillées, renvois aux pages du texte du rituel et à celles de la notation. Original =K7; copié en 1999 sur ban numérique SD 2• = COPIE -2 SelBMprBN Texte du rituel :_Smin-gling dngos-rol las byang_; traduc. anglaise in thèse non publiée de Richard Kohn _Mani Rimdu. Text & Tradition in a Tibetain Ritual_, Univ. of Wisconsin, 1988. Manuel de notation musicales publié en photocomposition New Delhi 1997 Cf. DT pour détails• Copie Enreg., sur demande, du rituel aux neuf divinités protectrices (_chos-skyong_) de la tradition nyingmapa du bouddhisme tibétain• Collecteur P/BM COPIE INTERDITE Sous-table non exportée 1995 Terrain 09:00:00 10 non TIBET (NEPAL)=:01-01 oui 1 Num. SD2 +BM.999.010 CDR BM.999.010.001/03 MARTINEZ,R.;BOLIVIE: MOXENOS. MISSION 99 3 O MARTINEZ,ROSALIA DT = MARTINEZ,ROSALIA COPIE -2 SelBMprBN Copie Martinez R. P/BM COPIE INTERDITE Sous-table non exportée 1999 Terrain 03:00:00 10 non BOLIVIE=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-14•:01-15•:01-16•:01-17•:O1-13 oui 1 Num. SD2 +BM.999.011 K7 BM.999.011.001 "FLÛTES A PARTIELS: TECHNIQUES DE JEU & ACOUSTIQUE [EX. POUR MAÎTRISE] 1 O STOICHITA,VICTOR Cf. à la bibliothèque du labo cote MS225: mémoire de maîtrise, même titre; U. P.X-N., 1999)• MONTAGE DIPLOME -2 SelBMprBN Copie PP PP COPIE INTERDITE Sous-table non exportée -1 Montage diplôme 01:00:00 1 oui 2 NORVEGE=:01-01 # ROUMANIE=:01-0? # SLOVAQUIE=:01-05 non 1 +BM.1969.040 Ø13 BM.1969.040.001/18 SENEGAL:BASSARI, BEDIK 18 O ROUGET,GILBERT Enreg. ²19 & ²9,5 PPM• = ORIGINAL -2 SelBMprBN DÉPÔT *Alain Monrigal,vacataire MRT2003• Dép+Vacataire* Vacataire03* COPIE INTERDITE Sous-table non exportée 1967 Terrain 11:30:15 10 oui oui SENEGAL=:01-01•:02-01>04•:03-01•:03-02•:03-03•:03-04•:04-01•:04-02•:04-03>05•:05-01>03•:06-01>03•:07-01>02•:07-03•:08-01>03•:09-01•:09-02•:09-03>05•:10-01>02•:11-01•:11-02•:12-01>03•:13-01•:13-02•:14-01•:15-01•:16-01>02•:16-03•:17-01•:17-02•:18-01•:18-02 oui OUI 1 Num.MuseBoule12_07 +BM.1970.037 Ø18;²19;PPM BM.1970.037.001/13 MAROC. ROUGET,G.;1964 13 Presel.Felipe11_07 O ROUGET,GILBERT Enreg. sur Stellavox .; 19,5 cm/s. DT• ROUGET,G ORIGINAL -2 SelBMprBN DÉPÔT *Angéline Yégnan-Touré, vacataire MRT 2005• Dpt+Vacataire* Vacataire05* COPIE INTERDITE Sous-table non exportée 1964 Terrain 03:11:25 10 oui oui MAROC=:01-01•:01-02•:01-03•:01-04•:01-05•:01-06•:01-07•:01-08•:01-09•:01-10•:01-11•:01-12•:01-13•:01-14•:02-01•:02-02•:02-03•:02-04•:02-05•:02-06•:02-07•:02-08•:02-09•:02-10•:03-01•:03-02•:03-03•:03-04•:03-05•:03-06•:03-07•:03-08•:03-09•:03-10•:03-11•:04-01•:04-02•:04-03•:04-04•:04-05•:04-06•:04-07•:04-08•:04-09•:05-01•:05-02•:05-03•:05-04•:05-05•:06-01•:06-02•:06-03•:06-04•:06-05•:06-06•:06-07•:06-08•:07-01•:07-02•:07-03•:07-04•:07-05•:07-06•:07-07•:08-01•:08-02•:08-03•:08-04•:08-05•:08-06•:08-07•:08-08•:08-09•:09-01•:09-02•:10-01•:10-02•:10-03•:11-01•:11-02•:11-03•:11-04•:11-05•:12-01•:12-02•:12-03•:12-04•:12-05•:12-06•:13-01•:13-02•:13-03•:13-04•:13-05 oui OUI 1 +CSA-126 Cylindre CY.1900.126 LEGENDE DE TAO YUNAN MIN SYLLABISEE 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-184 Cylindre CY.1900.184 PHONETIQUE:6 TONS 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 =DI Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-185 Cylindre CY.1900.185 PHONETIQUE:PARABOLE DE L'ENFANT PRODIGUE 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-186 Cylindre CY.1900.186 PHONETIQUE:PARABOLE DE L'ENFANT PRODIGUE SYLLABISEE 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-187 Cylindre CY.1900.187 PHONETIQUE:CONVERSATION 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-188 Cylindre CY.1900.188 DECLAMATION THEATRALE: LE GUERRIER HANG VO 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-189 Cylindre CY.1900.189 CHANT POPULAIRE:BERCEUSE CHANTEE ET SYLLABISEE 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-190 Cylindre CY.1900.190 AIR D'UN GUERRIER/DECLAMATION COMIQUE 2 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie", revue de la Société d'Antropologie de Paris: 652-666, Paris 3 juillet 1902. DÉPÔT Ces cylindres ont été recopiés sur bandes magnétiques archivés au Département d'ethnomusicologie du Musée de l'Homme. TQH93 P/Modif/MD94 Sous-table non exportée 1900 Expo Universelle 00:02:00 2 Vietnam VIETNAM=A01 2 0 +CSA-191 Cylindre CY.1900.191 CHANT DE GUERRE 1 N O AZOULAY N N AZOULAY STE D'ANTHROPOLOGIE DE PARIS 1900 Dr. Azoulay: <