From: Thomas Fillon Date: Fri, 23 Jan 2015 16:40:51 +0000 (+0100) Subject: WAC2015: update poster column layout X-Git-Url: https://git.parisson.com/?a=commitdiff_plain;h=97979ad3042847e7be5728196f94416b3c58279e;p=telemeta-doc.git WAC2015: update poster column layout --- diff --git a/Conferences/2015_WAC/poster/poster_WAC2015.pdf b/Conferences/2015_WAC/poster/poster_WAC2015.pdf index eb0bf4a..77e96da 100644 Binary files a/Conferences/2015_WAC/poster/poster_WAC2015.pdf and b/Conferences/2015_WAC/poster/poster_WAC2015.pdf differ diff --git a/Conferences/2015_WAC/poster/poster_WAC2015.tex b/Conferences/2015_WAC/poster/poster_WAC2015.tex index c6286e0..a493211 100644 --- a/Conferences/2015_WAC/poster/poster_WAC2015.tex +++ b/Conferences/2015_WAC/poster/poster_WAC2015.tex @@ -76,27 +76,39 @@ % ================================== % --------- Résumé ----------------- % ================================== - \begin{block}{Introduction}\small + \begin{block}{Introduction}\footnotesize \begin{columns} - \begin{column}{0.72\linewidth} + \begin{column}{0.7\linewidth} \begin{itemize} \item Since 2007, ethnomusicologists from the \emph{Center for Research in \alert{Ethnomusicology}} (CREM) and engineers from Parisson have joined their efforts to develop \emph{Telemeta}, a scalable and collaborative\alert{ \emph{open-source} web platform} for management of and access to \alert{digital sound archives}. - \item A fully operational deployment of this platform is online since 2011 : - \textbf{\og Sound archives of the CNRS - Musée de l'Homme\fg}: - \colorbox{red!50} - {\normalsize \hskip1ex \textbf{\url{http://archives.crem-cnrs.fr} \hskip1ex }} + \item The design of Telemeta focuses on the enhanced and - collaborative user-experience in accessing audio items and + \alert{collaborative} user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata. - \item It fits the professional requirements from both - \alert{sound archivists and researchers} in \alert{ethnomusicology}. - - \end{itemize} + %\item It fits the professional requirements from both + % \alert{sound archivists and researchers} in \alert{ethnomusicology}. + + \item Telemeta architecture relies on \emph{TimeSide}, an open + \alert{audio processing framework} written in Python which: + \begin{itemize}\footnotesize + \item Provides \alert{decoding, encoding and streaming} + methods for various formats together with a smart + embeddable \alert{HTML audio player}. + \item Includes a set of audio analysis plugins and + additionally wraps several \alert{audio features + extraction} libraries to provide \alert{automatic + annotation, segmentation and musicological analysis} + \end{itemize} + \item A fully operational deployment of this platform is online since + 2011 : \textbf{\og Sound archives of the CNRS - Musée de + l'Homme\fg} + +\end{itemize} \end{column} \begin{column}{0.26\linewidth} \begin{center} @@ -108,18 +120,6 @@ \end{center} \end{column} \end{columns} - \vskip1ex - Telemeta architecture relies on \emph{TimeSide}, an open - \alert{audio processing framework} written in Python which: - \begin{itemize} - \item Provides \alert{decoding, encoding and streaming} - methods for various formats together with a smart - embeddable \alert{HTML audio player}. - \item Includes a set of audio analysis plugins and - additionally wraps several \alert{audio features - extraction} libraries to provide \alert{automatic - annotation, segmentation and musicological analysis} - \end{itemize} % \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}} \end{block} @@ -132,7 +132,7 @@ % --------- Colonne gauche --------- % ================================== \section{Telemeta} - \begin{column}[T]{.49\linewidth} + \begin{column}[T]{.5\linewidth} % \begin{block}{Introduction} % \vspace{-0.5cm} % \textbf{Needs}\\ @@ -150,73 +150,97 @@ % \vspace{-0.5cm} % \end{block} - \begin{block}{{\Large Telemeta}\\Open web audio platform for digital sound archives} + \begin{block}{{\Large Telemeta}\\Open web audio platform for + digital sound archives} \begin{center} - \begin{tcolorbox}[]\normalsize - \href{https://github.com/Parisson/Telemeta/}{\raisebox{-.2\height}{\includegraphics[width=1.5cm]{img/misc/GitHub-Mark-120px-plus.png}}\hskip2ex - \textbf{\texttt{https://github.com/Parisson/Telemeta/}}} - \end{tcolorbox} -\end{center} - - \begin{itemize} - \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL - Free Software License Agreement}) web audio content management - system which introduces efficient and secure methods for - \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any - digitalized audio file with its metadata. - \item \emph{Telemeta} is ideal for - professional collaborators who wants to easily organize, backup, archive and - publish documented sound collections of audio files, CDs, - digitalized vinyls and magnetic tapes over a strong database in - accordance with \alert{open web standards}. - \item \emph{Telemeta} architecture - is \alert{flexible} and can easily be adapted to particular database - organization of a given sound archives. - \end{itemize} - \begin{center} - \includegraphics[height=3cm]{img/misc/python-logo-master-v3-TM.png}\hspace{3cm} - \includegraphics[height=3cm]{img/misc/django-logo-negative.png} - \end{center} + \begin{tcolorbox}[]\normalsize + \href{https://github.com/Parisson/Telemeta/}{\raisebox{-.2\height}{\includegraphics[width=1.5cm]{img/misc/GitHub-Mark-120px-plus.png}}\hskip2ex + \textbf{\texttt{https://github.com/Parisson/Telemeta/}}} + \end{tcolorbox} + + \begin{minipage}[h]{0.97\linewidth} + \begin{block}{Web audio content management} + \begin{itemize} + \item \emph{Telemeta} is a free and open source + ({\scriptsize CeCILL Free Software License Agreement}) + web audio content management system which introduces + efficient and secure methods for \alert{backuping}, + \alert{indexing}, \alert{transcoding}, \alert{analysing} + and \alert{publishing} any digitalized audio file with + its metadata. + \item \emph{Telemeta} is ideal for professional + collaborators who wants to easily organize, backup, + archive and publish documented sound collections of + audio files, CDs, digitalized vinyls and magnetic tapes + over a strong database in accordance with \alert{open + web standards}. + \item \emph{Telemeta} architecture is \alert{flexible} and + can easily be adapted to particular database + organization of a given sound archives. + \end{itemize} + \begin{center} + \includegraphics[height=3cm]{img/misc/python-logo-master-v3-TM.png}\hspace{3cm} + \includegraphics[height=3cm]{img/misc/django-logo-negative.png} + \end{center} - The main features of \emph{Telemeta} are: -\vspace{-0.5cm} -\begin{multicols}{2}[] + The main features of \emph{Telemeta} are: \vspace{-0.5cm} + \begin{multicols}{2}[] - \begin{itemize} - \item \alert{Pure HTML} web user interface including high level \alert{search engine} - \item \alert{Smart workflow management} with contextual user lists, profiles and rights - \item Model-View-Controller (\alert{MVC}) architecture - \item Strong Structured Query Language (\alert{SQL}) or Oracle backend - \end{itemize} -\end{multicols} - Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}. + \begin{itemize} + \item \alert{Pure HTML} web user interface including + high level \alert{search engine} + \item \alert{Smart workflow management} with contextual + user lists, profiles and rights + \item Model-View-Controller (\alert{MVC}) architecture + \item Strong Structured Query Language (\alert{SQL}) or + Oracle backend + \end{itemize} + \end{multicols} + Beside database management, the audio support is mainly + provided through an external component, \emph{TimeSide}. - \end{block} - \begin{block}{Metadata} - \vspace{-0.5cm} - \begin{itemize} - \item In addition to the audio data, dynamically handling metadata in a \alert{collaborative} manner optimises - the continuous process of knowledge gathering and enrichment of - the materials in the database. - \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core} - and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata - Harvesting) \cite{DublinCore,OAI-PMH}. - \end{itemize} + \end{block} + \begin{block}{Metadata} + \vspace{-0.5cm} + \begin{itemize} + \item In addition to the audio data, dynamically handling + metadata in a \alert{collaborative} manner optimises the + continuous process of knowledge gathering and enrichment + of the materials in the database. + \item Interoperability : integration of the metadata + standards protocols \alert{Dublin Core} and + \alert{OAI-PMH} (Open Archives Initiative Protocol for + Metadata Harvesting) \cite{DublinCore,OAI-PMH}. + \end{itemize} - \textbf{Contextual Information}\\ - In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format. + \textbf{Contextual Information}\\ + In ethnomusicology, contextual information could be + geographic, cultural and musical. It could also store + archive related information and include related materials + in any multimedia format. - \textbf{Annotations and segmentation}\\ - Metadata also consist in temporal information such as: - \begin{itemize} - \item a list of \alert{time-coded markers} associated with annotations - \item a list of of \alert{time-segments} associated with labels (\emph{in development}) . - \end{itemize} - The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...). - It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis. + \textbf{Annotations and segmentation}\\ + Metadata also consist in temporal information such as: + \begin{itemize} + \item a list of \alert{time-coded markers} associated with + annotations + \item a list of of \alert{time-segments} associated with + labels (\emph{in development}) . + \end{itemize} + The ontology for those labels is relevant for + ethnomusicology (e.g. speech versus singing voice segment, + chorus, ...). It should be noted that annotations and + segmentation can be done either by a human expert or by + some automatic signal processing analysis. + \end{block} + \end{minipage} +\end{center} \end{block} \begin{block}{Sound archives of the CNRS - Musée de l'Homme} + \begin{tcolorbox}[width=0.6\textwidth] {\hskip1ex \normalsize + \textbf{\url{http://archives.crem-cnrs.fr} }} + \end{tcolorbox} The ressources are available to researchers and to the extent possible, the public, in compliance with the intellectual and moral rights of musicians and collectors. %\begin{columns}[T] % \begin{column}{0.27\linewidth} @@ -226,27 +250,26 @@ \item Approximately 3700 hours of material published (more than 5000 discs, many of which are very rare). \end{itemize} - \begin{beamerboxesrounded}% - [shadow=true]% - {Usages} - \begin{itemize} - \item \textbf{Research}: - \begin{itemize}\footnotesize - - \item \alert{Publish} collected ressources together with research - work. - \item \alert{Exchange} data online with other researchers or - communities producing their music in their home countries - through collaborative tools like markers and comments. - \end{itemize} - \item \textbf{Teaching}: Ressources for teachers in \emph{anthropology} or - \emph{ethnomusicology} as it provides the students an access to - materials for lessons, academic works and exams. - \item \textbf{Museology}: Access through \emph{interactive kiosks} (full - access given to IP ranges) - \end{itemize} - - \end{beamerboxesrounded} + + \hskip2ex + \begin{beamerboxesrounded}[shadow=true, width=0.98\linewidth]{Usages} + \begin{itemize} + \item \textbf{Research}: + \begin{itemize}\footnotesize + + \item \alert{Publish} collected ressources together with research + work. + \item \alert{Exchange} data online with other researchers or + communities producing their music in their home countries + through collaborative tools like markers and comments. + \end{itemize} + \item \textbf{Teaching}: Ressources for teachers in \emph{anthropology} or + \emph{ethnomusicology} as it provides the students an access to + materials for lessons, academic works and exams. + \item \textbf{Museology}: Access through \emph{interactive kiosks} (full access given to IP ranges) + \end{itemize} + + \end{beamerboxesrounded} %\end{column} %\begin{column}{0.7\linewidth} @@ -266,7 +289,7 @@ % ------- Colonne droite ----------- % ================================== \section{TimeSide} -\begin{column}[T]{.49\linewidth} +\begin{column}[T]{.5\linewidth} \subsection{TimeSide architecture} \begin{block}{{\Large TimeSide}\\Open web audio processing framework} @@ -321,27 +344,6 @@ %\end{minipage} %\end{columns} -\begin{beamerboxesrounded}% - [shadow=true]% - {Audio features extraction} - TimeSide incorporates some state-of-the-art audio feature extraction - libraries such as: - - \begin{itemize} - \item \textbf{Aubio: \colorbox{red!50}{\hskip1ex - \url{http://aubio.org} \hskip1ex }} \cite{brossierPhD} - \item \textbf{Yaafe: \colorbox{red!50}{\hskip1ex - \url{http://yaafe.sourceforge.net}\hskip1ex }} - \cite{yaafe_ISMIR2010} - \item \textbf{Vamp plugins: \colorbox{red!50}{\hskip1ex - \url{http://www.vamp-plugins.org}\hskip1ex }} - \cite{vamp-plugins} - \end{itemize} - - Given the extracted features, every sound item in a given collection - can be automatically analyze. The results of this analysis can be - displayed as a support to ethnomusicological studies. -\end{beamerboxesrounded} %\end{block} @@ -353,19 +355,45 @@ \end{block} \begin{block}{Automatic audio analysis} \begin{center} - \begin{figure}[h] - \centering - \includegraphics[width=0.75\linewidth]{img/results/IRIT_Speech4Hz.png} - \caption{Speech activity detection} - \label{fig:TS_SAD} -\end{figure} -\begin{figure}[h] - \centering - \includegraphics[width=0.75\linewidth]{img/results/SOLO_DUOdetection.png} - \caption{Monody / polyphony detection} -\label{fig:TS_Monopoly} -\end{figure} + \begin{minipage}[h]{0.97\linewidth} + \begin{beamerboxesrounded}% + [shadow=true]% + {Audio features extraction} + TimeSide incorporates some state-of-the-art audio feature + extraction libraries such as: + + \begin{itemize} + \item \textbf{Aubio: \colorbox{red!50}{\hskip1ex + \url{http://aubio.org} \hskip1ex }} \cite{brossierPhD} + \item \textbf{Yaafe: \colorbox{red!50}{\hskip1ex + \url{http://yaafe.sourceforge.net}\hskip1ex }} + \cite{yaafe_ISMIR2010} + \item \textbf{Vamp plugins: \colorbox{red!50}{\hskip1ex + \url{http://www.vamp-plugins.org}\hskip1ex }} + \cite{vamp-plugins} + \end{itemize} + + Given the extracted features, every sound item in a given + collection can be automatically analyze. + % The results of this analysis can be displayed as a support to ethnomusicological studies. + \end{beamerboxesrounded} + \begin{center} + \begin{figure}[h] + \centering + \includegraphics[width=0.75\linewidth]{img/results/IRIT_Speech4Hz.png} + \caption{Speech activity detection} + \label{fig:TS_SAD} + \end{figure} + \begin{figure}[h] + \centering + \includegraphics[width=0.75\linewidth]{img/results/SOLO_DUOdetection.png} + \caption{Monody / polyphony detection} + \label{fig:TS_Monopoly} + \end{figure} + + \end{center} + \end{minipage} \end{center} \end{block} % \begin{block}{Code Example (Python)}